<instructions>Your goal is to analyze the following comment and estimate how highly it will be upvoted by the Hacker News community.</instructions><comment><author>justaj</author><text>&amp;gt; James likely also used the onboard sequencers on the Roland SH-101, while using CV and MIDI to keep different devices in sync.&lt;p&gt;&amp;gt; These ambient pads were likely recorded with the Yamaha DX-100 or DX7, as these were the only polyphonic synths James mentioned owning at the time. He likely used the DX strings patches, as they have long attack and release times as well as mellow, sine-like oscillator sounds.&lt;p&gt;&amp;gt; These were likely recorded on the Roland SH-101, a revered analog monophonic synth from 1982.&lt;p&gt;So is this all speculation of RDJ&amp;#x27;s production methods or was this directly sourced based on what RDJ himself said?</text><parent_chain></parent_chain></comment><story><title>How Aphex Twin Made Selected Ambient Works 85-92</title><url>https://www.musicradar.com/news/how-aphex-twin-made-saw-85-92</url></story>
<instructions>Your goal is to analyze the following comment and estimate how highly it will be upvoted by the Hacker News community.</instructions><comment><author>olivierestsage</author><text>Xtal is one of the very few songs that I could not possibly imagine getting sick of, no matter how many times I hear it. It always seems to sound new, letting you notice different dimensions of it every time.</text><parent_chain></parent_chain></comment><story><title>How Aphex Twin Made Selected Ambient Works 85-92</title><url>https://www.musicradar.com/news/how-aphex-twin-made-saw-85-92</url></story>