<instructions>Your goal is to analyze the following comment and estimate how highly it will be upvoted by the Hacker News community.</instructions><comment><author>pierrec</author><text>Trackers are underrated. In a way, I&amp;#x27;m a bit sad that most of the time I see them mentioned, it seems to be in a historical context.&lt;p&gt;Modern production tools have mostly settled on the combination of pianoroll, automation curves, and visual placement of samples on the project timeline. That&amp;#x27;s great for some types of music, but becomes really awkward in other cases. As a basic example, making a breakbeat sequence makes pretty much no sense with the above interface, but is perfectly represented by the &amp;quot;series of commands&amp;quot; approach of a tracker. I frequently go back to Buzz for that kind of thing (and was happy to see it mentioned in the video).</text><parent_chain></parent_chain></comment><story><title>Trackers: The Sound of 16-Bit [video]</title><url>https://www.youtube.com/watch?v=roBkg-iPrbw</url></story>
<instructions>Your goal is to analyze the following comment and estimate how highly it will be upvoted by the Hacker News community.</instructions><comment><author>TrevorJ</author><text>Ahoy might be one of my favorite creators on youtube. His production value is truly &amp;#x27;broadcast quality&amp;#x27; while simultaneously including content that is so much more interesting and in depth than you&amp;#x27;d ever see on television.</text><parent_chain></parent_chain></comment><story><title>Trackers: The Sound of 16-Bit [video]</title><url>https://www.youtube.com/watch?v=roBkg-iPrbw</url></story>