Question: Besides new restrooms and a concession area, what else is this ballpark getting remodeled?

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Today, over 160 college baseball teams from around the country use Terry Park in the month of March to begin their college season. The park is currently part of a multi-diamond facility serving various amateur levels of baseball. The facility sees year-round amateur baseball use. This property is part of the Lee County Multiple Property Submission, a Multiple Property Submission to the National Register.  Terry Park is used year-round for baseball leagues, tournaments, and special events. The facility has four lighted fields with spectator seating including a covered grandstand on the main field. The park is also equipped with batting cages near each field. Terry Park is currently being remodeled with new restrooms, concession area, press box and seating areas. The work will be done in phases to allow the park to operate as close to normal as possible.
In 2020, the Kia Tigers of the Korean Baseball Organisation in South Korea, managed by former Major Leaguer Matt Williams, held spring training at Terry Park, and the team stayed in Fort Myers extended by pandemic restrictions.

Answer: press box and seating areas


Question: Besides tiffany & co., baccarat, st dupont, harry winston, davidoff, van cleef & arpels and polo ralph lauren, what other luxury brand has been featured at this hotel?

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The hotel has one of the oldest fashion arcades in Hong Kong. Throughout the years, it has housed international brands such as Chanel, Dior, Hermès, Chrome Hearts, Gucci, Prada, Shiatzy Chen, Louis Vuitton, Cartier, Piaget, Roger Dubuis, Goyard, Franck Muller, Bvlgari, Tiffany & Co., Baccarat, ST Dupont, Harry Winston, Davidoff, Van Cleef & Arpels and Polo Ralph Lauren. Apart from international fashion houses, it was also home to Hong Kong brands, such as Betty Charnuis Clemos in the 60s, Dickson Poon in the 70s and Joyce Boutique in the 80s.

Answer: bvlgari


Question: When did construction of this bridge begin?

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A project by Juan José Arenas de Pablo, the final draft dates back to 2002. Building works took place between 2005 and 2008. Completing the Z-30 highway, its inception was programmed vis-à-vis the Expo 2008 in Zaragoza. Commissioned by the State-funded company Zaragoza Alta Velocidad, it was built by Dragados S.A.
It was opened on 7 June 2008.
The bridge displays a length of 270 m, a width of 48 m, and a main span of 216 m.

Answer: 2005


Question: Who turned this mountain to stone?

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The commonly told legend of the Three Sisters is that three sisters, Meehni, Wimlah and Gunnedoo, lived in the Jamison Valley as members of the Katoomba tribe. They fell in love with three men from the neighbouring Nepean tribe, but marriage was forbidden by tribal law. The brothers were not happy to accept this law and so decided to capture the three sisters. A major tribal battle ensued, and the sisters were turned to stone by an elder to protect them, but he was killed in the fighting and no one else could turn them back.
This legend is commonly claimed to be an Indigenous Australian Dreamtime legend. However, the legend as is commonly told may be traced back to non-indigenous schoolgirl Patricia Stone, who gave the formations their "indigenous" names.
The Aboriginal traditional owners, the Gundungurra, have a different legend that includes the Sisters rock formation.

Answer: an elder


Question: From where does a trail lead to this mountain?

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From nearby Echo Point, a bushwalking trail leads to the Three Sisters and down to the valley floor via more than 800 well-maintained steel and stone steps called "the Giant Stairway". Then a 1.5-hour walk on The Federal Pass trail leads to the base of Katoomba Falls and the Katoomba Scenic Railway. Walkers who don't wish to climb back to the top can take the Scenic Railway back to the plateau for a fee.

Answer: echo point


Question: When was the east wing added to this building?

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Thurstaston Hall is a country house in the village of Thurstaston, Wirral, Merseyside, England.  The house is built in stone and brick, it is in two storeys, and it has a U-shaped plan.  The oldest part, the west wing, was built in the 14th century, the central block dates from 1680, and the east wing was added in 1836. The hall is recorded in the National Heritage List for England as a designated Grade II* listed building, and the gate piers in the drive leading to the hall are designated Grade II.

Answer: 1836


Question: How many stories is this building?

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Thurstaston Hall is a country house in the village of Thurstaston, Wirral, Merseyside, England.  The house is built in stone and brick, it is in two storeys, and it has a U-shaped plan.  The oldest part, the west wing, was built in the 14th century, the central block dates from 1680, and the east wing was added in 1836. The hall is recorded in the National Heritage List for England as a designated Grade II* listed building, and the gate piers in the drive leading to the hall are designated Grade II.

Answer: two storeys


Question: What county is this building located in?

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Thurstaston Hall is a country house in the village of Thurstaston, Wirral, Merseyside, England.  The house is built in stone and brick, it is in two storeys, and it has a U-shaped plan.  The oldest part, the west wing, was built in the 14th century, the central block dates from 1680, and the east wing was added in 1836. The hall is recorded in the National Heritage List for England as a designated Grade II* listed building, and the gate piers in the drive leading to the hall are designated Grade II.

Answer: merseyside


Question: Which part of this building is listed in the national heritage list for england?

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Thurstaston Hall is a country house in the village of Thurstaston, Wirral, Merseyside, England.  The house is built in stone and brick, it is in two storeys, and it has a U-shaped plan.  The oldest part, the west wing, was built in the 14th century, the central block dates from 1680, and the east wing was added in 1836. The hall is recorded in the National Heritage List for England as a designated Grade II* listed building, and the gate piers in the drive leading to the hall are designated Grade II.

Answer: the hall


Question: When was the east wing added to this building?

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The manor of Thurstaston was given to Robert de Rodelent by Hugh Lupus, Earl of Chester, in 1070.  The original manor house was built on a moated site, and the manor passed during the following centuries to the Whitmore and Glegg families.  The oldest part of the present hall is the west wing, which dates from the 14th century, and was probably the cross wing of a great hall that formed the central part of the house at that time. The central block was built in 1680, and the east wing was added in 1836.

Answer: 1836


Question: When was the east wing of this building built?

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The manor of Thurstaston was given to Robert de Rodelent by Hugh Lupus, Earl of Chester, in 1070.  The original manor house was built on a moated site, and the manor passed during the following centuries to the Whitmore and Glegg families.  The oldest part of the present hall is the west wing, which dates from the 14th century, and was probably the cross wing of a great hall that formed the central part of the house at that time. The central block was built in 1680, and the east wing was added in 1836.

Answer: 1836


Question: The west wing of this building is the oldest part of what?

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The manor of Thurstaston was given to Robert de Rodelent by Hugh Lupus, Earl of Chester, in 1070.  The original manor house was built on a moated site, and the manor passed during the following centuries to the Whitmore and Glegg families.  The oldest part of the present hall is the west wing, which dates from the 14th century, and was probably the cross wing of a great hall that formed the central part of the house at that time. The central block was built in 1680, and the east wing was added in 1836.

Answer: the present hall


Question: Which century does the west wing of this building date from?

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The manor of Thurstaston was given to Robert de Rodelent by Hugh Lupus, Earl of Chester, in 1070.  The original manor house was built on a moated site, and the manor passed during the following centuries to the Whitmore and Glegg families.  The oldest part of the present hall is the west wing, which dates from the 14th century, and was probably the cross wing of a great hall that formed the central part of the house at that time. The central block was built in 1680, and the east wing was added in 1836.

Answer: 14th


Question: The west wing of this building is considered to be what part of the building?

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The manor of Thurstaston was given to Robert de Rodelent by Hugh Lupus, Earl of Chester, in 1070.  The original manor house was built on a moated site, and the manor passed during the following centuries to the Whitmore and Glegg families.  The oldest part of the present hall is the west wing, which dates from the 14th century, and was probably the cross wing of a great hall that formed the central part of the house at that time. The central block was built in 1680, and the east wing was added in 1836.

Answer: oldest


Question: When was the west wing of this building built?

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Thurstaston Hall has a U-shaped plan with a central block and two wings, and is in two storeys.  The 14th-century west wing is in stone.  On its east face are two blocked doorways with pointed arches, and on the gable end is a pointed window in the first floor with a hood mould and with stops carved with heads.  The west face has a chimney breast and a projection further to the west containing a datestone inscribed with the date 1680.  The central block is in brick with stone dressings, and has a symmetrical three-bay front.  In the centre is a bolection-moulded doorcase surrounded by unfluted Corinthian half-columns, and a broken pediment containing an armorial shield.  Above the doorway is an oval window, and the other windows on the front are mullioned and transomed. At the top of the front is a cornice with blind oval windows and finials. The east wing is in Elizabethan style. It contains mullioned windows and gabled half-dormers.  On the gable end is a bay window containing sashes.  At the rear of the hall are service rooms, closets, steps and passageways.

Answer: 14th-century


Question: How many bays does the central block of this building have?

Instruction: Extract documents linked to the question provided in conjunction with the image:

Thurstaston Hall has a U-shaped plan with a central block and two wings, and is in two storeys.  The 14th-century west wing is in stone.  On its east face are two blocked doorways with pointed arches, and on the gable end is a pointed window in the first floor with a hood mould and with stops carved with heads.  The west face has a chimney breast and a projection further to the west containing a datestone inscribed with the date 1680.  The central block is in brick with stone dressings, and has a symmetrical three-bay front.  In the centre is a bolection-moulded doorcase surrounded by unfluted Corinthian half-columns, and a broken pediment containing an armorial shield.  Above the doorway is an oval window, and the other windows on the front are mullioned and transomed. At the top of the front is a cornice with blind oval windows and finials. The east wing is in Elizabethan style. It contains mullioned windows and gabled half-dormers.  On the gable end is a bay window containing sashes.  At the rear of the hall are service rooms, closets, steps and passageways.

Answer: three


Question: What does this building have a u-shaped what?

Instruction: Extract documents linked to the question provided in conjunction with the image:

Thurstaston Hall has a U-shaped plan with a central block and two wings, and is in two storeys.  The 14th-century west wing is in stone.  On its east face are two blocked doorways with pointed arches, and on the gable end is a pointed window in the first floor with a hood mould and with stops carved with heads.  The west face has a chimney breast and a projection further to the west containing a datestone inscribed with the date 1680.  The central block is in brick with stone dressings, and has a symmetrical three-bay front.  In the centre is a bolection-moulded doorcase surrounded by unfluted Corinthian half-columns, and a broken pediment containing an armorial shield.  Above the doorway is an oval window, and the other windows on the front are mullioned and transomed. At the top of the front is a cornice with blind oval windows and finials. The east wing is in Elizabethan style. It contains mullioned windows and gabled half-dormers.  On the gable end is a bay window containing sashes.  At the rear of the hall are service rooms, closets, steps and passageways.

Answer: plan


Question: What style is the east wing of this building?

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Thurstaston Hall has a U-shaped plan with a central block and two wings, and is in two storeys.  The 14th-century west wing is in stone.  On its east face are two blocked doorways with pointed arches, and on the gable end is a pointed window in the first floor with a hood mould and with stops carved with heads.  The west face has a chimney breast and a projection further to the west containing a datestone inscribed with the date 1680.  The central block is in brick with stone dressings, and has a symmetrical three-bay front.  In the centre is a bolection-moulded doorcase surrounded by unfluted Corinthian half-columns, and a broken pediment containing an armorial shield.  Above the doorway is an oval window, and the other windows on the front are mullioned and transomed. At the top of the front is a cornice with blind oval windows and finials. The east wing is in Elizabethan style. It contains mullioned windows and gabled half-dormers.  On the gable end is a bay window containing sashes.  At the rear of the hall are service rooms, closets, steps and passageways.

Answer: elizabethan


Question: Where is the armorial shield on this building?

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Thurstaston Hall has a U-shaped plan with a central block and two wings, and is in two storeys.  The 14th-century west wing is in stone.  On its east face are two blocked doorways with pointed arches, and on the gable end is a pointed window in the first floor with a hood mould and with stops carved with heads.  The west face has a chimney breast and a projection further to the west containing a datestone inscribed with the date 1680.  The central block is in brick with stone dressings, and has a symmetrical three-bay front.  In the centre is a bolection-moulded doorcase surrounded by unfluted Corinthian half-columns, and a broken pediment containing an armorial shield.  Above the doorway is an oval window, and the other windows on the front are mullioned and transomed. At the top of the front is a cornice with blind oval windows and finials. The east wing is in Elizabethan style. It contains mullioned windows and gabled half-dormers.  On the gable end is a bay window containing sashes.  At the rear of the hall are service rooms, closets, steps and passageways.

Answer: a broken pediment


Question: What does the entrance hall of this building do with a fireplace with bolection moulding?

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The entrance hall contains a fireplace with bolection moulding. Above this is a re-used 16th-century overmantel in Jacobean style with pilasters and arched panels. The main staircase is in the west wing, and has twisted balusters and flat-topped newels.  Two of the smaller rooms contain panelling with bolection moulding.  In the principal room of the east wing is a fireplace with Renaissance and Gothic features.

Answer: contains


Question: What is in the entrance hall of this building?

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The entrance hall contains a fireplace with bolection moulding. Above this is a re-used 16th-century overmantel in Jacobean style with pilasters and arched panels. The main staircase is in the west wing, and has twisted balusters and flat-topped newels.  Two of the smaller rooms contain panelling with bolection moulding.  In the principal room of the east wing is a fireplace with Renaissance and Gothic features.

Answer: fireplace with bolection moulding


Question: In which wing of this building is the main staircase located?

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The entrance hall contains a fireplace with bolection moulding. Above this is a re-used 16th-century overmantel in Jacobean style with pilasters and arched panels. The main staircase is in the west wing, and has twisted balusters and flat-topped newels.  Two of the smaller rooms contain panelling with bolection moulding.  In the principal room of the east wing is a fireplace with Renaissance and Gothic features.

Answer: west


Question: In what style is the overmantel in this building?

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The entrance hall contains a fireplace with bolection moulding. Above this is a re-used 16th-century overmantel in Jacobean style with pilasters and arched panels. The main staircase is in the west wing, and has twisted balusters and flat-topped newels.  Two of the smaller rooms contain panelling with bolection moulding.  In the principal room of the east wing is a fireplace with Renaissance and Gothic features.

Answer: jacobean


Question: What shape are the tops of the newels on the staircase in this building?

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The entrance hall contains a fireplace with bolection moulding. Above this is a re-used 16th-century overmantel in Jacobean style with pilasters and arched panels. The main staircase is in the west wing, and has twisted balusters and flat-topped newels.  Two of the smaller rooms contain panelling with bolection moulding.  In the principal room of the east wing is a fireplace with Renaissance and Gothic features.

Answer: flat


Question: How many stone gate piers are on the driveway to the north of this building?

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On the driveway to the north of the hall is a pair of stone gate piers dated 1733.  They have a cruciform plan, on each face are fluted pilasters, and on the south faces are niches and date panels.  At the tops of the piers are entablatures with pulvinated friezes that are surmounted by finials in the form of lions' heads (the Whitmore crest).

Answer: a pair


Question: Which direction from this building are the gate piers located?

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On the driveway to the north of the hall is a pair of stone gate piers dated 1733.  They have a cruciform plan, on each face are fluted pilasters, and on the south faces are niches and date panels.  At the tops of the piers are entablatures with pulvinated friezes that are surmounted by finials in the form of lions' heads (the Whitmore crest).

Answer: north


Question: In what year was this building designated a grade ii* listed building?

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Thurstaston Hall was designated a Grade II* listed building on 15 November 1962, and on the same date the gate piers were designated Grade II.  Grade II* is the middle of the three grades of listing and is applied to "particularly important buildings of more than special interest".  Grade II, the lowest grade, applies to buildings that are "nationally important and of special interest".  Hartwell et al in the Buildings of England series describe the hall as being "of charming appearance, tranquil and mellow".

Answer: 1962


Question: Who described this building as 'charming'?

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Thurstaston Hall was designated a Grade II* listed building on 15 November 1962, and on the same date the gate piers were designated Grade II.  Grade II* is the middle of the three grades of listing and is applied to "particularly important buildings of more than special interest".  Grade II, the lowest grade, applies to buildings that are "nationally important and of special interest".  Hartwell et al in the Buildings of England series describe the hall as being "of charming appearance, tranquil and mellow".

Answer: hartwell et al


Question: What was designated grade ii on the same day as this building?

Instruction: Extract documents linked to the question provided in conjunction with the image:

Thurstaston Hall was designated a Grade II* listed building on 15 November 1962, and on the same date the gate piers were designated Grade II.  Grade II* is the middle of the three grades of listing and is applied to "particularly important buildings of more than special interest".  Grade II, the lowest grade, applies to buildings that are "nationally important and of special interest".  Hartwell et al in the Buildings of England series describe the hall as being "of charming appearance, tranquil and mellow".

Answer: gate piers


Question: What country's buildings series describes this building as being "of charming appearance, tranquil and mellow"?

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Thurstaston Hall was designated a Grade II* listed building on 15 November 1962, and on the same date the gate piers were designated Grade II.  Grade II* is the middle of the three grades of listing and is applied to "particularly important buildings of more than special interest".  Grade II, the lowest grade, applies to buildings that are "nationally important and of special interest".  Hartwell et al in the Buildings of England series describe the hall as being "of charming appearance, tranquil and mellow".

Answer: england


Question: What country is this town in?

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Two Guns is a ghost town in Coconino County, Arizona, United States.  Located on the east rim of Canyon Diablo about 30 mi (48 km) east of Flagstaff, Two Guns prospered as a tourist stop along Route 66.

Answer: united states


Question: How many prominent buildings are featured on this area?

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The Valletta Waterfront, is a promenade in Floriana, Malta, mainly featuring three prominent buildings: a church in the middle, the Pinto Stores or the Pinto Wharf on the left, and the Forni Stores or the Forni Shopping Complex on the right. The buildings were originally stores and warehouses, built in the 18th century, and the design is attributed to Andrea Belli.
The building project was officiated on 10 August 1752, with a mass festivity. The Forni Stores were used as the first British naval bakeries in Malta and were used for this function until 1844. The area is now a hub in Malta's cruise liner business as the Forni Cruise Passenger Terminal, and hosts a concentration of bars, retail outlets, and restaurants. The area was and remains a venue for several concerts and events.

Answer: three


Question: What style of architecture does this building have?

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The Valletta Marina was first developed in July 1727 by Grand Master Anton Manuel de Vilhena when, according to a notarial deed of Gaspard Dominic Chircop, "a store-house with marble oil-vats" was built.
Further stores and warehouse were added in 1752, that included 19 imposing stores and a church, built by Grandmaster Manuel Pinto de Fonseca. The buildings, including the stores and the church, have a Baroque design attributed to Andrea Belli.
The area was devastated by aerial bombardment in World War II, due to its proximity to the Malta Dockyard and the British naval forces in Grand Harbour. Some of the stores were completely destroyed during the war.
The area was thoroughly restored and renovated. Some  buildings, which had been completely or partially destroyed in the WWII, saw their facades rebuilt at the exclusion of the interior. The area behind these rebuilt facades is now a car park. The doors of the buildings are painted with different colours, symbolising the different types of goods that were once stored in them; blue represents the storage of fish, green for agricultural products, yellow for wheat and red for wine.
The Valletta Waterfront is run by a private consortium who offers management overseeing Malta's cruise liner business. The waterfront hosts roughly twelve restaurants, a number of bars and retail outlets. Various events are held at the area and the close vicinity, such as the Malta Jazz Festival and the Malta Fireworks Festival.
The Church of the Flight into Egypt was built in 1752, along with the stores, was bombed in the Second World War and the damaged parts have since been faithfully rebuilt similar to the original and the original remains were restored. Mass is celebrated at the church every Saturday evening. A bronze image of the face of Jesus was attached to the church and is now found with the façade of the Co-Cathedral of Saint John in Valletta.
The Pinto Stores were included on the Antiquities List of 1925, are a grade 1 national monument and they are listed on the National Inventory of the Cultural Property of the Maltese Islands (NICPMI).

Answer: baroque


Question: When was this church established?

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The cathedral was established in 1606, built by the hundreds of thousands of Armenians who were forcibly resettled by Shah Abbas I in his new capital as part of his scorched-earth policy in Armenia during the Ottoman War of 1603-1618.
The varying fortunes and independence of this suburb across the Zayande River and its eclectic mix of European missionaries, mercenaries and travelers can be traced almost chronologically in the cathedral's combination of building styles and contrasts in its external and internal architectural treatment.

Answer: 1606


Question: When was this church built?

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The cathedral was established in 1606, built by the hundreds of thousands of Armenians who were forcibly resettled by Shah Abbas I in his new capital as part of his scorched-earth policy in Armenia during the Ottoman War of 1603-1618.
The varying fortunes and independence of this suburb across the Zayande River and its eclectic mix of European missionaries, mercenaries and travelers can be traced almost chronologically in the cathedral's combination of building styles and contrasts in its external and internal architectural treatment.

Answer: 1606


Question: Besides missionaries, who else contributed to the construction of this church?

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The cathedral was established in 1606, built by the hundreds of thousands of Armenians who were forcibly resettled by Shah Abbas I in his new capital as part of his scorched-earth policy in Armenia during the Ottoman War of 1603-1618.
The varying fortunes and independence of this suburb across the Zayande River and its eclectic mix of European missionaries, mercenaries and travelers can be traced almost chronologically in the cathedral's combination of building styles and contrasts in its external and internal architectural treatment.

Answer: mercenaries and travelers


Question: Along with the internal architecture, what part of this church shows the influence of different cultures?

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The cathedral was established in 1606, built by the hundreds of thousands of Armenians who were forcibly resettled by Shah Abbas I in his new capital as part of his scorched-earth policy in Armenia during the Ottoman War of 1603-1618.
The varying fortunes and independence of this suburb across the Zayande River and its eclectic mix of European missionaries, mercenaries and travelers can be traced almost chronologically in the cathedral's combination of building styles and contrasts in its external and internal architectural treatment.

Answer: external


Question: What is this church similar in design to?

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The construction is believed to have begun in 1606 by the first arrivals, and completed with major alterations to design between 1655 and 1664 under the supervision of Archbishop David. The cathedral consists of a domed sanctuary, much like an Iranian mosque, but with the significant addition of a semi-octagonal apse and raised chancel usually seen in western churches. The cathedral's exteriors are in relatively modern brickwork and are exceptionally plain compared to its elaborately decorated interior.

Answer: an iranian mosque


Question: How does the exterior of this church compare to the interior?

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The construction is believed to have begun in 1606 by the first arrivals, and completed with major alterations to design between 1655 and 1664 under the supervision of Archbishop David. The cathedral consists of a domed sanctuary, much like an Iranian mosque, but with the significant addition of a semi-octagonal apse and raised chancel usually seen in western churches. The cathedral's exteriors are in relatively modern brickwork and are exceptionally plain compared to its elaborately decorated interior.

Answer: plain


Question: What type of brick was used to build this church?

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The construction is believed to have begun in 1606 by the first arrivals, and completed with major alterations to design between 1655 and 1664 under the supervision of Archbishop David. The cathedral consists of a domed sanctuary, much like an Iranian mosque, but with the significant addition of a semi-octagonal apse and raised chancel usually seen in western churches. The cathedral's exteriors are in relatively modern brickwork and are exceptionally plain compared to its elaborately decorated interior.

Answer: modern


Question: What kind of carvings are in this church?

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The interior is covered with fine frescos and gilded carvings and includes a wainscot of rich tile work. The delicately blue and gold painted central dome depicts the Biblical story of the creation of the world and man's expulsion from Eden. Pendentives throughout the church are painted with a motif of a cherub's head surrounded by folded wings typical of Armenian art. The ceiling above the entrance is painted with delicate floral motifs in the style of Persian miniature. Two sections, or bands, of murals run around the interior walls: the top section depicts events from the life of Jesus, while the bottom section depicts tortures inflicted upon Armenian martyrs by the Ottoman Empire.

Answer: gilded


Question: Who brought back european paintings to this church?

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The library contains over 700 handwritten books and many valuable and unique resources for research in Armenian and medieval European languages and arts. The museum displays numerous artifacts from the history of the cathedral and the Armenian community in Isfahan, including:
the 1606 edict of Shah Abbas I establishing New Julfa;
several edicts by Abbas I and his successors condemning and prohibiting interference with, or persecution of, Armenians and their property and affairs;
a historic printing press and the first book printed in Iran;
vestments, monstrances, chalices, and other sacramental artifacts;
Safavid costumes, tapestries, European paintings brought back by Armenian merchants, embroidery, and other treasures from the community's trading heritage;
ethnological displays portraying aspects of Armenian culture and religion;
an extensive display of photographs, maps, and Turkish documents (with translation) related to the 1915 Armenian genocide in Turkey.
The cathedral has greatly influenced the architecture and decorative treatment of many subsequent Orthodox churches in the region.

Answer: armenian merchants


Question: In what century was the front garden of this villa laid out?

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The villa is located near San Piero a Sieve in the Mugello region, in the province of Florence, in the area from which the Medici family originated.  It was one of the first - if not the first - of the Medici villas built outside Florence.  The estate is situated on a strategic position in the Apennines, on the top of a hill dominating the Val di Sieve, near a crossroads (giving rise to its name, from the Latin trivium).
The villa belonged to Giovanni di Bicci de' Medici, the founder of the Medici bank and of the fortunes of the Medici family.  Following his death in 1429, it was remodelled by his son, Cosimo de' Medici, whose architect, Michelozzo, restyled it as a fortified castle.  Michelozzo retained the windowless tower, moat and drawbridge, and added a perimeter walkway with corbels.  There is a central courtyard with a well.
The villa remained essentially a fortified house, but various features indicate its secondary purpose as a place of pleasure, including an early walled garden, built on two terraces beside the villa.  The upper terrace has a stone pergola, with a double row of columns; a similar pergola has disappeared from the lower terrace.  The garden was a place of retreat for Cosimo, away from the troubles of politics in Florence, where he could tend his fruit trees.
On the other side of the villa stands a chapel. The villa was surrounded by woods and an agricultural estate, bordering that of the Villa Medicea di Cafaggiolo.
In the sixteenth century the villa was enlarged by Cosimo I de' Medici, Grand Duke of Tuscany, who enjoyed hunting in the estate, and his son Ferdinand I.  Ferdinand II sold the estate to a wealthy Florentine, Giuliano Serragli, in 1644, who gave it to the Oratorians.
The garden to the front of the villa, with roses and box hedges, was laid out in the twentieth century.
As of 2008, it belongs to a private individual who uses the property to produce fine wines.  Wine tasting and tours are available to interested groups in English and Italian.

Answer: twentieth


Question: When was the crypt built at this abbey?

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In 1146, 12 Cistercian monks and three lay brothers from Clairvaux came to Villers in order to establish the abbey on land granted them by Gauthier de Marbais. After establishing several preliminary sites (Villers I and Villers II), work was finally undertaken in the 13th century to build the current site. The choir was constructed by 1217, the crypt by 1240, and the refectory by 1267. The church itself took 70 years to build and was completed by the end of the century.
During this period, the abbey reached the height of its fame and importance.  Contemporary accounts suggest that roughly 100 monks and 300 lay brothers resided within its walls, although this is possibly an exaggeration.  The lands attached to the abbey also expanded considerably, reaching some 100 km² of woods, fields, and pasturage.
Decline set in during the 16th century, tied to the larger troubles of the Low Countries.  Spanish tercios, during the campaign of 1544, did considerable damage to the church and cloister, both of which were partially restored in 1587.
In the early 17th century, Crisóstomo Henríquez wrote the history of the abbey.
In the 17th and 18th centuries, the abbey's fortunes continued to diminish. The number of monks and the abbey's wealth dwindled, and it was finally abandoned in 1796 in the wake of the French Revolution.

Answer: 1240


Question: In what country is this building located?

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The Waldspirale is a residential building complex in Darmstadt, Germany, built in the 1990s. The name translates into English as forest spiral, reflecting both the general plan of the building and the fact that it has a green roof. It was designed by Austrian artist Friedensreich Hundertwasser, planned and implemented by architect Heinz M. Springmann, and constructed by the Bauverein Darmstadt company. The building was completed in 2000.

Answer: germany


Question: When was this building completed?

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The Waldspirale is a residential building complex in Darmstadt, Germany, built in the 1990s. The name translates into English as forest spiral, reflecting both the general plan of the building and the fact that it has a green roof. It was designed by Austrian artist Friedensreich Hundertwasser, planned and implemented by architect Heinz M. Springmann, and constructed by the Bauverein Darmstadt company. The building was completed in 2000.

Answer: 2000


Question: How many floors does this hotel have?

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The 36-floor Renaissance Revival building was designed by Emery Roth in association with the architectural firm of George B. Post & Sons. The hotel's three-story base is covered with limestone and granite. The brown brick superstructure has two wings projecting to the street from the property line. The wings set back several times, receding into the main slab—itself thinning into a top tower after further setbacks. The overall shape of the structure has a strong vertical thrust.

Answer: 36


Question: What is the familiar name of this temple?

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Wat Rakhangkhositaram Woramahaviharn (Thai: วัดระฆังโฆสิตาราม วรมหาวิหาร)  or usually shortened to Wat Rakhangkhositaram (วัดระฆังโฆสิตาราม), familiarly known as Wat Rakhang (วัดระฆัง) is a second-class royal monastery in Bangkok, Thailand. It's located at 250/1 Arun Amarin Road, Siri Rat Subdistrict, Bangkok Noi District, Thonburi side on the west bank of Chao Phraya River near Siriraj Hospital, Wang Lang Market and Ban Khamin Junction.
The temple, formerly named "Wat Bangwayai" (วัดบางหว้าใหญ่; lit: big black plum temple), was built in the Ayutthaya period. It was restored and appointed a royal temple by King Taksin of the Thonburi Kingdom, who sponsored the revision of the tripitaka scriptures at the temple. During the reign of King Phutthayotfa Chulalok (Rama I), a melodious rakhang or bell was found in the temple compound. The king order it to be moved to the Temple of the Emerald Buddha (Wat Phra Kaew), and had five new bells sent back in exchange. The king then changed the temple's name to Wat Rakhangkositaram. In the reign of King Mongkut (Rama IV) the name was to be changed again to "Wat Rajkanthiyaram" (วัดราชคัณฑิยาราม; "kanthi" meaning bell). But people don't accept this name, and the temple is still called Wat Rakhang today.
Highly venerable monk, Somdej Toh was once the abbot of this temple (1852–72). At present, the temple has an old tripitaka hall, which inside, there're beautiful and precious Thai paintings. Tourism Authority of Thailand (TAT) have encouraged Wat Rakhangkhositaram as one of the nine temple-based campaign "Respect to the Nine Temples" (ไหว้พระ 9 วัด) along with other temples in Bangkok including (Phra Nakhon side): Wat Phra Kaew, Wat Pho, Wat Chana Songkhram, Wat Suthat, City Pillar Shrine, San Chao Pho Suea (Thonburi side): Wat Arun and Wat Kalayanamitr.

Answer: wat rakhang


Question: What is the polish name for this sculpture?

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The Wawel Dragon (Polish: Smok Wawelski) is a famous dragon in Polish mythology who lived in a cave at the foot of Wawel Hill on the banks of the Vistula River. One of the many popular stories about the dragon takes place in Kraków during the reign of King Krakus, the city's mythical founder. In the legend, the dragon terrifies local villagers by destroying their houses and eating up their young daughters. Desperate to solve the problem, King Krakus promises his daughter Wanda's hand to any brave man who can defeat the dragon. A cobbler named Skuba takes up the challenge and stuffs a lamb with sulphur for the dragon to eat. Skuba leaves the lamb near the dragon cave and the unwary beast devours the bait. Soon after, the dragon's thirst grows unbearable and he drinks so much water from the River Vistula that he explodes from the uncontainable volume. King Krakus then weds his daughter Wanda to the victorious Skuba.
In the oldest, 12th-century version of this tale, written by Wincenty Kadłubek. the dragon was defeated by two sons of a King Krak, Krakus II and Lech II.

Answer: smok wawelski


Question: What town is this castle located above?

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Wernigerode Castle (German: Schloss Wernigerode) is a schloss located in the Harz mountains above the town of Wernigerode in Saxony-Anhalt, Germany. The present-day building, finished in the late 19th century, is similar in style to Schloss Neuschwanstein, though its foundations are much older. It is open to the public and one of the most frequently visited in Saxony-Anhalt.

Answer: wernigerode


Question: What was this castle to be to the 'species-appropriate religion'?

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Himmler's plans included making it the "center of the new world" ("Zentrum der neuen Welt") following the "final victory". The monumental estate was never realized; only detailed plans and models exist. The installation of a 15 to 18-meter-high wall in the shape of a three-quarter circle with 18 towers including the actual castle area centred on the North Tower of the castle, 860 m in diameter, was planned. The real purpose of the project was never clearly defined. Inside of this castle area buildings were planned for the exclusive purposes of the Reichsführung-SS (Reich Leadership-SS).
The main road of an SS village was also to be centred on the North Tower of the castle with a diameter of 1270 m. This road was to be connected with three radial roads and gates with the castle area. The residential area was to be placed in the northwest, the centre of the village in the north, and the SS-barracks in the west of the castle area; between the barracks and village a villa colony for higher SS-leaders; in the southwest farmsteads.
In the architectural plans from 1941, the estate had the shape of a spear pointing towards the north; the 2 km long access avenue with four tree rows road looks like a spear shaft with an access to the Rhynern – Kassel Reichsautobahn (freeway) to the south. The plan from 1944 shows the castle as the top of a triangular estate surrounded by further buildings. The plans also included a "Hall of the High Court of the SS" (Saal des Hohen Gerichtes der SS), streets, parkways, magnificent buildings, a dam with a power plant, freeway accesses and an airport. From 1941 on (after Hitler's successful military campaigns against Poland and France) the architects called the complex the "Center of the World". It was to be finished within twenty years. The complex was to be a center of the "species-appropriate religion" (artgemäße Religion) and a representative estate for the SS-Führerkorps (SS leader corps). If the plans had been realized, the entire village of Wewelsburg and adjacent villages would have disappeared. The population was to be resettled. The valley was to be flooded. 250 million Reichsmark were budgeted for the estate.

Answer: a center


Question: The latin inscription above the entrance of the north tower of this castle reads "my what shall be called a house of prayer?"

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Inside the North Tower two mythologic designed rooms were created (1938–1943):
The Obergruppenführersaal (SS Generals' Hall) and the Gruft (vault). Their ceilings were cast in concrete and faced with natural stone. On the upper floors a further hall was planned. The axis of this tower was to be the actual "Center of the World" (Mittelpunkt der Welt). A preparation for an eternal flame in the vault, a swastika ornament in its zenith, and the so-called "Black Sun" symbol embedded in the floor of the "Obergruppenführersaal" lie on this axis. Although both rooms appear to have a ceremonial purpose, nothing is known about if, or how, the rooms were ever used.
Where a primary cistern was originally located, a vault after the model of Mycenaean domed tombs was hewn into the rock, possibly to serve as some kind of commemoration of the dead. The room is unfinished. The floor was lowered 4.80 meters. The foundation of the tower was firmed with concrete, and a gas pipe leading to the centre was embedded, suggesting that an eternal flame was probably planned for the centre of this space. Twelve pedestals were placed around the perimeter, each with a wall niche above it; the purpose is unknown.
On the ground floor the "Obergruppenführersaal" (literally translated: Upper-Group-Leaders-Hall, referring to the original twelve highest ranking SS-generals, called Obergruppenführer), a hall with twelve columns joined by a groined vault, twelve window- and door-niches and eight longitudinal windows was created. The room was almost finished; the rebuilding work stopped in 1943. Assumedly it was to serve as a representative hall for the SS-Obergruppenführer. In the centre of the marbled whitish/grayish floor a dark green sun wheel (Sonnenrad) is embedded. The axis of the sun wheel consisted of a circular plate of pure gold, which was to symbolize the center of the castle and thus the entire "Germanic world empire".
Since the 1990s the ornament has been called the "Black Sun" occasionally. It is not known if the SS had a special name for the ornament nor if they attributed a special meaning to it. Possibly the sun wheel had a relation to the Germanic light- and sun-mysticism which was propagated by the SS. Today it is used as a symbol in Neo-Nazism and in a variety of subcultures. However, the ornament has only been linked to the esoteric neo-Nazi concept of the Black Sun after 1991. The Latin inscription above the entrance "Domus mea domus orationis vocabitur" ("My house shall be called a house of prayer") reminds of the prince-episcopalian chapel which was originally located on the ground floor of the tower.
The upper floors were to be completed as a multi-storied hall with a big dome. It was to be a prestigious meeting hall for the entire corps of the SS-Gruppenführer. This room was only planned. In order to realize the hall the upper half of the tower was dismantled in winter 1941/42.

Answer: house


Question: What was attached to the western end of the original portion of this building?

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The vernacular building is a simple two-story log house.  The rear portion of the home features a two-story frame ell extending from the center.  The facade has three windows on the first floor and five windows on the second.  All of the facade windows feature louvered blinds.  Doors are located on the western and eastern ends of the home's facade with a simple porch attached to the western entrance.  The original portion of the home includes the three bays on the eastern end.  A chimney was attached to the western end of the original portion before the later extension.  The chimney was incorporated into the building and the smokestack is now only visible above the roof ridge.  The gable roof is covered with standing seam sheet metal with box cornices at the eaves.  Most of the exterior walls are covered with weatherboards with the remaining sections covered with asbestos shingles.  The underpinning of the home is made of fieldstone. Sadly, as of December 2019, the home is in a severely dilapidated condition. Before long it will be beyond saving.
Each floor of the home's main section contains two large rooms while the rear ell has one large room on each floor.  The ell's first floor room contains the kitchen.  Many of the original details are still intact in the main section of the house such as the flooring, stairwell, and batten doors.  The staircase features square balusters and a square newel.  A dilapidated two-story kitchen and servants' house, possibly built in the 1930s or 1940s, is located behind the home.

Answer: chimney


Question: Besides water, what amenity was lacking in the first wisconsin state capitol building?

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The first capitol was a prefabricated wood-frame council house without heat or water that had been sent hastily to Belmont. Legislators met there for 42 days after Belmont was designated the capital of Wisconsin Territory. The session chose Madison as the site of the capitol, and Burlington, Iowa as the site of further legislative sessions until Madison could be ready. The council house and an associated lodging house still stand and are operated by the Wisconsin Historical Society as the First Capitol Historic Site.

Answer: heat


Question: What was the university of wisconsin-madison's reservoir empty of during the 1904 fire of this building?

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On the night of February 26, 1904, a gas jet ignited a newly varnished ceiling in the third capitol building. Although the building had an advanced fire-fighting system, the nearby University of Wisconsin–Madison's reservoir, which supplied the capitol, was empty, allowing the fire to spread substantially before the switch to alternate city water supplies could be made. Madison firefighters could not handle the blaze on their own, so additional men and equipment had to be brought from Milwaukee. The effectiveness of the reinforcements was initially hampered by very cold temperatures; by the time they reached Madison, their equipment had frozen and needed to be thawed. As a result, the entire structure, except the north wing, burned to the ground. Numerous records, books, and historical artifacts were lost, including the mount of Old Abe, a Civil War mascot. However, through the efforts of university students, much of the state law library was saved. The fire occurred just after the state legislature had voted to cancel the capitol's fire insurance policy.

Answer: water


Question: Along with the corridor floors and columns, what part of this building is made of marble?

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Construction of the present capitol, the third in Madison, began in late 1906 and was completed in 1917 at a cost of $7.25 million. The architect was George B. Post & Sons from New York. Because of financial limitations and the need for immediate office space to house state government employees, the construction of the new building was extended over several years and emphasized building one wing at a time.
The Capitol is 284 feet, 5 inches tall from the ground floor to the top of the Wisconsin statue on the dome.
The Wisconsin statue on the dome was sculpted during 1920 by Daniel Chester French of New York. Its left hand holds a globe surmounted by an eagle and her right arm is outstretched to symbolize the state motto, "Forward". It wears a helmet with the state animal, the badger, on top. It is made of hollow bronze covered with gold leaf. Wisconsin is 15 feet, 5 inches tall and weighs three tons. The statue is commonly misidentified as Lady Forward or Miss Forward, which is the name of another statue on the capitol grounds.
The capitol ceiling, visible from the center of the building, features Resources of Wisconsin, a mural by Edwin Howland Blashfield. Due to the domed shape of the ceiling, the mural was painted in pieces and was assembled similarly to a jigsaw puzzle. It features a woman sitting on a throne of clouds, representing Wisconsin. Wisconsin is surrounded by other women, wrapped in a large American Flag, who are reaching for goods such as tobacco, lead, and fruits.
The capitol was constructed of 43 types of stone from six countries and eight states. The exterior stone is Bethel white granite from Vermont, making the exterior dome the largest granite dome in the world. The corridor floors, walls and columns are of marble from the states of Tennessee, Missouri, Vermont, Georgia, New York, and Maryland; granite from the states of Wisconsin and Minnesota; and limestone from the states of Minnesota and Illinois. Marble from the countries of France, Italy, Greece, Algeria and Germany, and syenite from Norway are also represented. Other Wisconsin granites are located throughout the public hallways on the ground, first, and second floors.
The building was designated a National Historic Landmark in 2001. A 1990 state law prevents any building within one mile of the capitol from being taller than the base of the columns surrounding and supporting its dome.

Answer: walls


Question: Where is the mural "resources of wisconsin" located in this building?

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Construction of the present capitol, the third in Madison, began in late 1906 and was completed in 1917 at a cost of $7.25 million. The architect was George B. Post & Sons from New York. Because of financial limitations and the need for immediate office space to house state government employees, the construction of the new building was extended over several years and emphasized building one wing at a time.
The Capitol is 284 feet, 5 inches tall from the ground floor to the top of the Wisconsin statue on the dome.
The Wisconsin statue on the dome was sculpted during 1920 by Daniel Chester French of New York. Its left hand holds a globe surmounted by an eagle and her right arm is outstretched to symbolize the state motto, "Forward". It wears a helmet with the state animal, the badger, on top. It is made of hollow bronze covered with gold leaf. Wisconsin is 15 feet, 5 inches tall and weighs three tons. The statue is commonly misidentified as Lady Forward or Miss Forward, which is the name of another statue on the capitol grounds.
The capitol ceiling, visible from the center of the building, features Resources of Wisconsin, a mural by Edwin Howland Blashfield. Due to the domed shape of the ceiling, the mural was painted in pieces and was assembled similarly to a jigsaw puzzle. It features a woman sitting on a throne of clouds, representing Wisconsin. Wisconsin is surrounded by other women, wrapped in a large American Flag, who are reaching for goods such as tobacco, lead, and fruits.
The capitol was constructed of 43 types of stone from six countries and eight states. The exterior stone is Bethel white granite from Vermont, making the exterior dome the largest granite dome in the world. The corridor floors, walls and columns are of marble from the states of Tennessee, Missouri, Vermont, Georgia, New York, and Maryland; granite from the states of Wisconsin and Minnesota; and limestone from the states of Minnesota and Illinois. Marble from the countries of France, Italy, Greece, Algeria and Germany, and syenite from Norway are also represented. Other Wisconsin granites are located throughout the public hallways on the ground, first, and second floors.
The building was designated a National Historic Landmark in 2001. A 1990 state law prevents any building within one mile of the capitol from being taller than the base of the columns surrounding and supporting its dome.

Answer: capitol ceiling


Question: What was designed to look like the original oak furniture in this building?

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From 1988 to 2002, the capitol underwent a renovation and restoration project costing $158.8 million. The project was performed wing by wing, the same as the original construction of the capitol. The purpose of the project was to convert the capitol into a modern working building, while restoring and preserving its original 1917 appearance. Remodeling projects of the 1960s and 70s had introduced features out of character with the architecture of the building, such as dropped ceilings, movable partitions and fluorescent light fixtures, and many original decorative stencils were painted over. The restoration project returned public spaces to their original appearance. Original decorative stencils were repaired. Stairs, which had been sealed during the 1970s, were uncovered. The exterior granite was cleaned and repaired by workers who rappelled down from the dome. The renovation plan also included integrating modern technology into the original architecture. Electrical, mechanical (such as plumbing and heating), and communications systems were upgraded; asbestos was removed, and air conditioning was added. The capitol basement floor was lowered two feet to provide additional usable office space. Legislative offices were rebuilt as two-room suites (originally legislators did not have offices in the capitol, only their desks in the Senate and Assembly chambers). Modern office furniture was designed to look like the original oak furniture.

Answer: modern office furniture


Question: Where is attilio piccirilli's wisdom and learning of the world located on this building?

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Architect Post planned an elaborate sculpture program for the building. Initially the commission for the statue of Wisconsin on the top of the dome was promised to Helen Farnsworth Mears but when Daniel Chester French agreed to produce the finial figure, the commission was switched to him. This work, often referred to as the "Golden Lady", consists of an allegorical figure reminiscent of Athena, dressed in Greek garb, and wearing a helmet topped by a badger, the Wisconsin state totem. In the left hand it holds a globe with an eagle perched on top. Across its chest is a large W, for Wisconsin.
Post's original concept for the building required four small domes to be placed at the base of the large one, but the plans were changed and the domes were replaced by four sculptural groups by Karl Bitter. These groups (again, in Greek clothing) symbolized Faith, Strength, Prosperity and Abundance and Knowledge.
Each of the four wings of the building is fronted by a pediment whose figures relate to the principal activities that were to occur within. Thus the east wing, housing the Supreme Court, features a pediment by Bitter entitled Law; the south has Adolph Alexander Weinman's Virtues and Traits of Character, for the wing containing the State Senate. Bitter's other pediment, the west, is Agriculture, while Attilio Piccirilli's Wisdom and Learning of the World adorns the north pediment. The carving of all these sculptures is attributed to the Piccirilli Brothers.

Answer: the north pediment


Question: During what season were concerts held at this rink?

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Until 1980, the rink was the venue for a series of outdoor summer rock, pop, country, and jazz concerts.  Initially the "Wollman Theater" or "Wollman Skating Rink Theater" had 4,400 seats; bleachers were added in 1972 to increase the capacity to 8,000.  In the summer of 1957, WOR radio personality Jean Shepherd hosted a series of "Jazz under the stars" concerts on 15 consecutive nights, featuring Billie Holiday, Bud Powell, Lionel Hampton, Dave Brubeck, Dizzy Gillespie, Buddy Rich, Dinah Washington, Stan Getz, and others. From 1966 to 1980, summer music festivals consisting of 30 to 50 concerts each summer took place at the rink. The festivals were named after their main sponsors, Rheingold Breweries in 1966 and 1967, F. & M. Schaefer Brewing Company from 1968 to 1976 when the festival was called the Schaefer Music Festival, and Dr Pepper from 1977 to 1980 when it was called the Dr Pepper Central Park Music Festival.Todd Rundgren's Utopia, The Jimi Hendrix Experience, The Who, Led Zeppelin, The Beach Boys, and the Patti Smith Group were some of the biggest rock groups who played at the rink; country, blues, rhythm & blues, and jazz artists included Earl Scruggs, John Lee Hooker, The Supremes, and Buddy Rich.

Answer: summer


Question: On what date was this bridge retrieved?

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"Yokohama Bay Bridge". Ministry of Land, Infrastructure, Transportation and Tourism (MLIT). Retrieved 2010-07-10.

Answer: 2010-07-10


Question: When did this zoo first open?

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The zoo opened its doors on June 27, 1925. Reconstruction of the old zoo began in 1990. By October 2016, first part of the Zoo reconstruction and modernization was finished.

Answer: june 27, 1925


Question: How much of this lake was reduced to a stream?

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In the early April 2019 numerous media reported about the massive draining of the lake. A large amount of water was drained from the reservoir in the period of 15 days. The Jelisavčići bay, 20 m (66 ft) deep at the normal water level, drained to the point that it could be walked over on foot. The entire lake was reduced to the stream, as the water level plunged for 40 m (130 ft).
Complaints came from the local population, tourists, environmentalists, fishermen, excursionists and the representatives of the Tara National Park, who claimed that such fluctuation will damage wildlife, especially the fish population, as the lake is a spawning area. The empty lake became a national news, especially after the exposed, muddy banks triggered landslides down from the 300 m (980 ft) tall hills above the lake. Landslide area spread to 30 ha (74 acres), crumbling and tilting 21 houses and destroying roads, communal infrastructure, meadows and forests. The park authorities declared sections of the lake unsafe.
Despite all the evidence to the contrary, the state-owned electric utility power company Elektroprivreda Srbije (EPS) maintained that they are not emptying the lake and that situation is normal. After strong public and media reaction, the EPS began to pump water back into the lake. However, this happened after similar abrupt draining of other large reservoirs, like the Vlasina Lake in the summer of 2018, Lake Zavoj in 2018 or the Uvac Lake in November 2018. These lakes are also in the protected areas and the EPS claimed that everything was normal, while the local population accused them of forcing the electricity production and selling it on the black market. In the case of the Zaovine Lake, representative of the Tara National Park admitted that the "interest of the EPS differs from the interest of the park", while one of the local EPS managers stated that the "EPS commercial sector has to act according to the market".
The EPS also claimed that the mass wasting area already existed and was prone to landsliding anyway. The area was known for the mass wasting, but it was dormant since before 2000, as the water level was stable. National park departments estimated that the damage, both the material and environmental, especially for the fish life in the lake, is major.

Answer: entire


Question: What part of the zamkova hills does this castle dominate?

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Zbarazh Castle (Ukrainian: Збаразький замок, Polish: Zamek w Zbarażu) is a fortified defense stronghold in Zbarazh, built during the times of the Polish–Lithuanian Commonwealth. It dominates the crests of the Zamkova Hills of Ternopil Oblast in Western Ukraine next to the city's central plaza that was not in so distant past surrounded by marshland. The castle existence has been credited to last members of the Polish Zbaraski family; Krzysztof and Jerzy Zbaraski.
Evidence of the City of Zbarazh formation can be seen in the Ruthenia fortress dating back to 1211 that was positioned somewhat away from current castle. Today this is a village of Zbarazky District located in the immediate proximity of Zbarazh itself and called the Village of Stary Zbarazh. At that distant time the old castle and the province was ruled by Gediminids Landlords Zbarazky.
The castle is known for being the seat of the Ukrainian aristocratic Wiśniowiecki family and its prominent members, most notably Jeremi Wiśniowiecki.

Answer: the crests


Question: What shape was the courtyard inside this castle?

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An escarped bulwark emerged from the mounds of dirt up to 12 m (39 ft) high, and a terrace for the castle troopers was laid out of 23 m (75 ft) wide. A rectangular courtyard inside had been plotted. Behind the walls arched chambers were constructed, that nowadays house specimens of arms and wooden sculptures of Pinzel's students. An entrenchment around bulwark was very wide, in some parts it is as much as 40 m (131 ft). In the middle of the fortress, regarding rules of "palazzo in fortezza", was developed a palace in the architectural style of Renaissance with early Baroque elements.
First ruination of the new fortification was endeavored by cossacks in 1648. Polish sources reported their amount as much as 100,000 strong. But it would rather be an exaggeration. There was no business for such a ferocious army to siege a small castle. Nonetheless the landlords became determined increasing security of the military outpost. In the year of 1649 it was improved complying to a design of architect Dubois from Lorraine. During some period of time the stronghold was vacant, but later on its ownership was transferred to the Wiśniowiecki family. In 1675, it was overcome and burned by Turks, and soon afterwards followed a restoration by Dimitry Wiśniowiecki. That was exactly a moment when castle was turned into a palace, losing its strategic military designation. Nevertheless, it did not stop Russian soldiers plundering a building in the years of 1707 to 1734. Dmitry Wiśniowiecki having died in 1682, the architectural complex became a property of the Potocki family. These were Joseph and later on Stanislav, Mayor of Kyiv. Zbarazh remained under the control of the Potoki family until the middle of the 19th century.
The castle was taken by the Cossacks in 1649 and the Turks in 1675. The events of 1649 are dramatized by Henryk Sienkiewicz in his novel With Fire and Sword. Ivan Bohun was heavily wounded under the castle's walls. Ivan Mazepa and Peter I are known to have visited it in 1707.

Answer: rectangular


Question: Who burned the new this castle in 1675?

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An escarped bulwark emerged from the mounds of dirt up to 12 m (39 ft) high, and a terrace for the castle troopers was laid out of 23 m (75 ft) wide. A rectangular courtyard inside had been plotted. Behind the walls arched chambers were constructed, that nowadays house specimens of arms and wooden sculptures of Pinzel's students. An entrenchment around bulwark was very wide, in some parts it is as much as 40 m (131 ft). In the middle of the fortress, regarding rules of "palazzo in fortezza", was developed a palace in the architectural style of Renaissance with early Baroque elements.
First ruination of the new fortification was endeavored by cossacks in 1648. Polish sources reported their amount as much as 100,000 strong. But it would rather be an exaggeration. There was no business for such a ferocious army to siege a small castle. Nonetheless the landlords became determined increasing security of the military outpost. In the year of 1649 it was improved complying to a design of architect Dubois from Lorraine. During some period of time the stronghold was vacant, but later on its ownership was transferred to the Wiśniowiecki family. In 1675, it was overcome and burned by Turks, and soon afterwards followed a restoration by Dimitry Wiśniowiecki. That was exactly a moment when castle was turned into a palace, losing its strategic military designation. Nevertheless, it did not stop Russian soldiers plundering a building in the years of 1707 to 1734. Dmitry Wiśniowiecki having died in 1682, the architectural complex became a property of the Potocki family. These were Joseph and later on Stanislav, Mayor of Kyiv. Zbarazh remained under the control of the Potoki family until the middle of the 19th century.
The castle was taken by the Cossacks in 1649 and the Turks in 1675. The events of 1649 are dramatized by Henryk Sienkiewicz in his novel With Fire and Sword. Ivan Bohun was heavily wounded under the castle's walls. Ivan Mazepa and Peter I are known to have visited it in 1707.

Answer: turks


Question: In what year did the turks take this castle?

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An escarped bulwark emerged from the mounds of dirt up to 12 m (39 ft) high, and a terrace for the castle troopers was laid out of 23 m (75 ft) wide. A rectangular courtyard inside had been plotted. Behind the walls arched chambers were constructed, that nowadays house specimens of arms and wooden sculptures of Pinzel's students. An entrenchment around bulwark was very wide, in some parts it is as much as 40 m (131 ft). In the middle of the fortress, regarding rules of "palazzo in fortezza", was developed a palace in the architectural style of Renaissance with early Baroque elements.
First ruination of the new fortification was endeavored by cossacks in 1648. Polish sources reported their amount as much as 100,000 strong. But it would rather be an exaggeration. There was no business for such a ferocious army to siege a small castle. Nonetheless the landlords became determined increasing security of the military outpost. In the year of 1649 it was improved complying to a design of architect Dubois from Lorraine. During some period of time the stronghold was vacant, but later on its ownership was transferred to the Wiśniowiecki family. In 1675, it was overcome and burned by Turks, and soon afterwards followed a restoration by Dimitry Wiśniowiecki. That was exactly a moment when castle was turned into a palace, losing its strategic military designation. Nevertheless, it did not stop Russian soldiers plundering a building in the years of 1707 to 1734. Dmitry Wiśniowiecki having died in 1682, the architectural complex became a property of the Potocki family. These were Joseph and later on Stanislav, Mayor of Kyiv. Zbarazh remained under the control of the Potoki family until the middle of the 19th century.
The castle was taken by the Cossacks in 1649 and the Turks in 1675. The events of 1649 are dramatized by Henryk Sienkiewicz in his novel With Fire and Sword. Ivan Bohun was heavily wounded under the castle's walls. Ivan Mazepa and Peter I are known to have visited it in 1707.

Answer: 1675


Question: What is the name of the hall of art in this castle?

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Exposition  halls of the castle has been housing significant collection of arts and artifacts informing tourist and visitors of Zbarazh District history.
In 1980 the church, being itself an architectural heritage of the year 1755, accommodated District Museum of Natural History. It was founded as public entity by the Chief District Representative Department of Education Voityna Peter Denysovich. In the April 1982, it was transformed into government establishment and was serving to the needs of Ternopil Oblast's Museum of Natural History. First executive officer became Voityna Peter. In the year of 1989 Zbarazh District Museum of Natural History was headed by Matsipoora Annatoly Viktorovych. Due to a transferring the churches from the state control to respectful parishes supervision, the museum was moved into a gym that at that moment was situated in the castle
The art collection foundation at a time accumulated 4,277 items of primary fund and 1,401 items of auxiliary documents and artifacts. Major contributors to the cause were organization employees as Voityna P., Malevych A., Pohaudiy I., Matsipoora A., Mackarchuk N. The fund was enriched by materials of archeological excavations, ancient arms, paintings and sculpture artwork, numismatic collection, retro-clocks and furniture, old prints, pieces of worship, rugs and embroidery, items of everyday needs. In 1994, taking into account significant historical, architectural and creative importance of the castle legal act #78 on February 8, 1994, ruled inception of State Historic Cultural Preservation in the District of Zbarazh. For eight years of existence the fund became a part of architectural complex and filled in expositions in the halls of the museum. By a resolution of the Zbarazh board meeting on December 25, 2002, all the infrastructure and museum holding were given in service to the State Historic Architectural Preservation in the District of Zbarazh.
Using materials of art collection foundation were compiled primary expositions in the Zbarazh castle palace. These are archeological and ethnographic exhibits, as well as hall of sacred arts. State Historic Architectural Preservation expanded and enriched the museum tradition and complemented achievements of District Museum of Natural History. Every year exhibition was being enriched with items from state historic preservation fund, constant improving introductory tours is practiced, and control of excursions quality is being enacted as well. In accordance with the decree issued by the President on January 15, 2005 #35/2005 state preservation received a status of "Zamky Ternopolya" National Preservation. Nowadays the 17th century Zbarazh Castle is a center of "Zamky Ternopolya" preservation and a notable landmark of the district and the whole region. Today's museum collection consists of 50,000 items of exposition. All of them unveil a history of Zbarazh countryside in various epochs and development periods.
Zbarazh Castle exposition consist of eight distinctive exhibitions. There is an overall list of them by the area of interest:
Country archeological discoveries,
Cucuteni-Trypillian culture,
Ethnography,
Arms,
Wood carved sculptures of folk artist Volodymir Lipyichuk;
Deity sculptures;
Retro furniture,
Numismatics and notaphily,
Sacred arts;
Australia, New Zealand and Oceania chamber of Ivan Prashka, native of Zbarazh;
Galicia and Volyn embroidery;
Folk dress code;
Ceramics of renowned master of Ukrainian arts Taras Levkiv, native of Zbarazh country;
Hall of Cossacks’ Fame;
A torture chamber cellars;
Countryside crafts;
Hall of current project exhibits;
Most ancient history of Zbarazh countryside presented in archeology. All the artifacts collected on this particular subject constituted a presentation of Paleolithic Era, Bronze and Iron Age, Chernyakhov Culture, epoch of early Slavs and Kyivan Rus’. Most notable artifacts are shown off originating in Trypillian Culture found near the village of Bodaky, Zbarazh District.

Answer: sacred arts


Question: What type of art does vladimir v. lipyichuk have at this castle?

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Archeological excavations of Cucuteni-Trypillian culture near the village of Bodaky executed by National Preservation together with Saint Petersburg Institute Material Culture Russian Academy of Science, Ukrainian scientists and archeologists. Results of the research have yielded enough material to assemble a traveling exposition of Zbarazh countryside for presentations abroad. To the date of writing this note, it visited Varna, Orléans and Tours, Granada.
The Battle of Zbarazh entered into annals of Ukrainian history as one of the most patriotic stages of Revolutionary War for Independence. In the 1649 Zbarazh became an arena of combat straggle between Polish military and Cossack squadrons spearheaded by Bohdan Khmelnytsky. Precisely for this reason in the castle palace was created a Hall of Cossack's Fame. You would find there many busts of renowned warriors. Besides those sculptures, there is a portrait picture-show of Cossacks’ chieftains painted by Stanislav Kovalchuk Honored Artist of Ukraine .
Sacred Arts of Zbarazh countryside are represent three expositions. Castle palace three exposition halls house a collection of icons belonging to the period of 17th — first half of 20th century, that originate in Zbarazh District worship establishments. All the specimens of this assemblage were mindfully preserved by the employees. First category artist-instaurator of oil paintings Magynsky Vladimyr recovered most of them to the original state. Quite interesting is a property of parishes, that is situated in the halls of Sacred Arts securities. In particular, these are lithography and old prints, ritual and church service literature, ceremonial regalia of Christian worshiping.
Another feature deserving visitors’ attention is an exposition of Ivan Prasko's personal belongings; archbishop Ukrainian Greek-Catholic Church of Australia, Oceania and New Zealand; born in the City of Zbarazh, he was a minister during 1950–1994 period of time; died in 2001, but his individual items were returned to his homeland with father Michael Bedry's help and were saved in the castle repositories.
In the separate exposition hall has been shown off sacred arts sculptures created by both Pensel's students as well as talented artist Antony Osinsky in the middle of 18th century. Their work material was a wood; polychrome technique was taken advantage of, as well as metal leaf layering of gold and silver applied. At one point of time these sculptures decorated Saint Antony's temple, but now they have become a museum collection cynosure of the castle palace. The icons and sacred sculptures collection, that were chosen out of State Historic Preservation fund, notably represented Zbarazh Castle out on a show of "Saved Relics" at Saint Sophia Cathedral in Kyiv transpired during April-May 2000.
Ethnography and a way of live in Zbarazh countryside represented by three palace show halls. A rare collection of Galych and Volyn embroidery have been situated there. Runners and tablecloths fabricated in different techniques on homemade and factory canvases using geometrical, floral, and zoological ornamentations. Alongside in the exhibition halls there are specimens of sacred art embroidery and gender specific folk dress code of Zbarazh District in history.
A story of most popular country craftsmanship and its evolution tells us an exhibition containing articles of everyday living at the last guarder of 19th – beginning of 20th century. These are things produced with homemade canvas, figure loom rugs, earthenware and carpenter goods, wickerwork of straw, osier, and bast. Prominent feature of Zbarazh Castle is Ukrainian Honored Artist Vladimir V. Lipyichuk's sculpture collection. It constitutes more than forty authorial artifacts crafted out of lime-tree. Some items are represented by a plot of particular genre. Others are combined into duplets or triplets by common name or quotation. Lipyichuk's art work is an attempt to embody characters from well known and cherished writing of Taras Shevchenko, Ivan Franko, Lesya Ukrainka. Fans of modern Ukrainian art also demonstrate acute interest to creations of Taras Levkiv, Honored Artist of Arts, native of the Village of Malla Beresovytsya of Zbarazh District.
Separate focus of attention require collection of arms that being housed in two castle exposition halls. It was assembled out of specimens from Stone Age era, Iron Age, epoch of early and late Middle Ages, as well as period of First World War.

Answer: sculpture


Question: On what are ramps and stairways located on both sides of this bridge?

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Opened in 1997, the bridge's unusual design consists of a curved walkway which is supported by steel suspension cables from an overhead arch. The structure of the bridge is painted white and the bridge deck consists of translucent glass bricks. Access ramps and stairways are located on both banks.
The Zubizuri offers pedestrians a convenient route from hotels to the nearby Bilbao Guggenheim Museum.

Answer: banks