Question: How long did it take for the water to drain from this lake?

Instruction: Extract documents linked to the question provided in conjunction with the image:

In the early April 2019 numerous media reported about the massive draining of the lake. A large amount of water was drained from the reservoir in the period of 15 days. The Jelisavčići bay, 20 m (66 ft) deep at the normal water level, drained to the point that it could be walked over on foot. The entire lake was reduced to the stream, as the water level plunged for 40 m (130 ft).
Complaints came from the local population, tourists, environmentalists, fishermen, excursionists and the representatives of the Tara National Park, who claimed that such fluctuation will damage wildlife, especially the fish population, as the lake is a spawning area. The empty lake became a national news, especially after the exposed, muddy banks triggered landslides down from the 300 m (980 ft) tall hills above the lake. Landslide area spread to 30 ha (74 acres), crumbling and tilting 21 houses and destroying roads, communal infrastructure, meadows and forests. The park authorities declared sections of the lake unsafe.
Despite all the evidence to the contrary, the state-owned electric utility power company Elektroprivreda Srbije (EPS) maintained that they are not emptying the lake and that situation is normal. After strong public and media reaction, the EPS began to pump water back into the lake. However, this happened after similar abrupt draining of other large reservoirs, like the Vlasina Lake in the summer of 2018, Lake Zavoj in 2018 or the Uvac Lake in November 2018. These lakes are also in the protected areas and the EPS claimed that everything was normal, while the local population accused them of forcing the electricity production and selling it on the black market. In the case of the Zaovine Lake, representative of the Tara National Park admitted that the "interest of the EPS differs from the interest of the park", while one of the local EPS managers stated that the "EPS commercial sector has to act according to the market".
The EPS also claimed that the mass wasting area already existed and was prone to landsliding anyway. The area was known for the mass wasting, but it was dormant since before 2000, as the water level was stable. National park departments estimated that the damage, both the material and environmental, especially for the fish life in the lake, is major.

Answer: 15 days


Question: The legend of giants is considered what type of legend in this nature reserve?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

Remains show that humans were already settled the marshy areas of Mačva in 5000 BCE. They made canals and water alleys in the marsh, using them both for irrigation and drainage. That way, they participated in the volatile process of constant change of the Sava and Drina rivers directions, creation of meanders, change of the landscape, etc. Time erased memories of the first recorded settlers and the remains of their work was attributed by the later settlers as the work of giants, creating one of two popular legends in Zasavica. Other legend connected to the area is that of winged dragons. Ancient Celtic maps show area of Zasavica as one of eight dragon-inhabited places in the Balkans.
From recent history, Zasavica is known as both the hiding place and a battle ground of Zeka Buljubaša, one of the heroes of the First Serbian Uprising. He was finally defeated and killed by the Ottomans in Zasavica in 1813.
In 2017–2020, a dozen of sculptures of the animals which inhabit the reserve were carved and exhibited in the open, including beaver, umbra fish and donkey. They were made by the artistic team of  archaeologist Zoran Đajić. In September 2020, a massive, 15-ton heavy sculpture of "Serbian ox" was placed at the main entry. Celebrating importance of oxen in older Serbian history, the sculpture was carved from one slab of hard, ancient Brazilian stone, formed over 1 billion years ago. Author is sculptor Velimir Karavelić.
Since 2005 it is owned by Codeluppi Internatiolan Groop.

Answer: popular


Question: The legend of giants is considered what type of legend in this nature reserve?

Instruction: Using the provided image, obtain documents that address the subsequent question:

Remains show that humans were already settled the marshy areas of Mačva in 5000 BCE. They made canals and water alleys in the marsh, using them both for irrigation and drainage. That way, they participated in the volatile process of constant change of the Sava and Drina rivers directions, creation of meanders, change of the landscape, etc. Time erased memories of the first recorded settlers and the remains of their work was attributed by the later settlers as the work of giants, creating one of two popular legends in Zasavica. Other legend connected to the area is that of winged dragons. Ancient Celtic maps show area of Zasavica as one of eight dragon-inhabited places in the Balkans.
From recent history, Zasavica is known as both the hiding place and a battle ground of Zeka Buljubaša, one of the heroes of the First Serbian Uprising. He was finally defeated and killed by the Ottomans in Zasavica in 1813.
In 2017–2020, a dozen of sculptures of the animals which inhabit the reserve were carved and exhibited in the open, including beaver, umbra fish and donkey. They were made by the artistic team of  archaeologist Zoran Đajić. In September 2020, a massive, 15-ton heavy sculpture of "Serbian ox" was placed at the main entry. Celebrating importance of oxen in older Serbian history, the sculpture was carved from one slab of hard, ancient Brazilian stone, formed over 1 billion years ago. Author is sculptor Velimir Karavelić.
Since 2005 it is owned by Codeluppi Internatiolan Groop.

Answer: popular


Question: The legend of giants is considered what type of legend in this nature reserve?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Remains show that humans were already settled the marshy areas of Mačva in 5000 BCE. They made canals and water alleys in the marsh, using them both for irrigation and drainage. That way, they participated in the volatile process of constant change of the Sava and Drina rivers directions, creation of meanders, change of the landscape, etc. Time erased memories of the first recorded settlers and the remains of their work was attributed by the later settlers as the work of giants, creating one of two popular legends in Zasavica. Other legend connected to the area is that of winged dragons. Ancient Celtic maps show area of Zasavica as one of eight dragon-inhabited places in the Balkans.
From recent history, Zasavica is known as both the hiding place and a battle ground of Zeka Buljubaša, one of the heroes of the First Serbian Uprising. He was finally defeated and killed by the Ottomans in Zasavica in 1813.
In 2017–2020, a dozen of sculptures of the animals which inhabit the reserve were carved and exhibited in the open, including beaver, umbra fish and donkey. They were made by the artistic team of  archaeologist Zoran Đajić. In September 2020, a massive, 15-ton heavy sculpture of "Serbian ox" was placed at the main entry. Celebrating importance of oxen in older Serbian history, the sculpture was carved from one slab of hard, ancient Brazilian stone, formed over 1 billion years ago. Author is sculptor Velimir Karavelić.
Since 2005 it is owned by Codeluppi Internatiolan Groop.

Answer: popular


Question: The legend of giants is considered what type of legend in this nature reserve?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Remains show that humans were already settled the marshy areas of Mačva in 5000 BCE. They made canals and water alleys in the marsh, using them both for irrigation and drainage. That way, they participated in the volatile process of constant change of the Sava and Drina rivers directions, creation of meanders, change of the landscape, etc. Time erased memories of the first recorded settlers and the remains of their work was attributed by the later settlers as the work of giants, creating one of two popular legends in Zasavica. Other legend connected to the area is that of winged dragons. Ancient Celtic maps show area of Zasavica as one of eight dragon-inhabited places in the Balkans.
From recent history, Zasavica is known as both the hiding place and a battle ground of Zeka Buljubaša, one of the heroes of the First Serbian Uprising. He was finally defeated and killed by the Ottomans in Zasavica in 1813.
In 2017–2020, a dozen of sculptures of the animals which inhabit the reserve were carved and exhibited in the open, including beaver, umbra fish and donkey. They were made by the artistic team of  archaeologist Zoran Đajić. In September 2020, a massive, 15-ton heavy sculpture of "Serbian ox" was placed at the main entry. Celebrating importance of oxen in older Serbian history, the sculpture was carved from one slab of hard, ancient Brazilian stone, formed over 1 billion years ago. Author is sculptor Velimir Karavelić.
Since 2005 it is owned by Codeluppi Internatiolan Groop.

Answer: popular


Question: The legend of giants is considered what type of legend in this nature reserve?

Instruction: Using the provided image, obtain documents that address the subsequent question:

Remains show that humans were already settled the marshy areas of Mačva in 5000 BCE. They made canals and water alleys in the marsh, using them both for irrigation and drainage. That way, they participated in the volatile process of constant change of the Sava and Drina rivers directions, creation of meanders, change of the landscape, etc. Time erased memories of the first recorded settlers and the remains of their work was attributed by the later settlers as the work of giants, creating one of two popular legends in Zasavica. Other legend connected to the area is that of winged dragons. Ancient Celtic maps show area of Zasavica as one of eight dragon-inhabited places in the Balkans.
From recent history, Zasavica is known as both the hiding place and a battle ground of Zeka Buljubaša, one of the heroes of the First Serbian Uprising. He was finally defeated and killed by the Ottomans in Zasavica in 1813.
In 2017–2020, a dozen of sculptures of the animals which inhabit the reserve were carved and exhibited in the open, including beaver, umbra fish and donkey. They were made by the artistic team of  archaeologist Zoran Đajić. In September 2020, a massive, 15-ton heavy sculpture of "Serbian ox" was placed at the main entry. Celebrating importance of oxen in older Serbian history, the sculpture was carved from one slab of hard, ancient Brazilian stone, formed over 1 billion years ago. Author is sculptor Velimir Karavelić.
Since 2005 it is owned by Codeluppi Internatiolan Groop.

Answer: popular


Question: What is the name of this castle?

Instruction: Using the given image, access documents that provide insights into the following question:

An escarped bulwark emerged from the mounds of dirt up to 12 m (39 ft) high, and a terrace for the castle troopers was laid out of 23 m (75 ft) wide. A rectangular courtyard inside had been plotted. Behind the walls arched chambers were constructed, that nowadays house specimens of arms and wooden sculptures of Pinzel's students. An entrenchment around bulwark was very wide, in some parts it is as much as 40 m (131 ft). In the middle of the fortress, regarding rules of "palazzo in fortezza", was developed a palace in the architectural style of Renaissance with early Baroque elements.
First ruination of the new fortification was endeavored by cossacks in 1648. Polish sources reported their amount as much as 100,000 strong. But it would rather be an exaggeration. There was no business for such a ferocious army to siege a small castle. Nonetheless the landlords became determined increasing security of the military outpost. In the year of 1649 it was improved complying to a design of architect Dubois from Lorraine. During some period of time the stronghold was vacant, but later on its ownership was transferred to the Wiśniowiecki family. In 1675, it was overcome and burned by Turks, and soon afterwards followed a restoration by Dimitry Wiśniowiecki. That was exactly a moment when castle was turned into a palace, losing its strategic military designation. Nevertheless, it did not stop Russian soldiers plundering a building in the years of 1707 to 1734. Dmitry Wiśniowiecki having died in 1682, the architectural complex became a property of the Potocki family. These were Joseph and later on Stanislav, Mayor of Kyiv. Zbarazh remained under the control of the Potoki family until the middle of the 19th century.
The castle was taken by the Cossacks in 1649 and the Turks in 1675. The events of 1649 are dramatized by Henryk Sienkiewicz in his novel With Fire and Sword. Ivan Bohun was heavily wounded under the castle's walls. Ivan Mazepa and Peter I are known to have visited it in 1707.

Answer: new zbarazh castle


Question: What is the name of this castle?

Instruction: Using the provided image, obtain documents that address the subsequent question:

An escarped bulwark emerged from the mounds of dirt up to 12 m (39 ft) high, and a terrace for the castle troopers was laid out of 23 m (75 ft) wide. A rectangular courtyard inside had been plotted. Behind the walls arched chambers were constructed, that nowadays house specimens of arms and wooden sculptures of Pinzel's students. An entrenchment around bulwark was very wide, in some parts it is as much as 40 m (131 ft). In the middle of the fortress, regarding rules of "palazzo in fortezza", was developed a palace in the architectural style of Renaissance with early Baroque elements.
First ruination of the new fortification was endeavored by cossacks in 1648. Polish sources reported their amount as much as 100,000 strong. But it would rather be an exaggeration. There was no business for such a ferocious army to siege a small castle. Nonetheless the landlords became determined increasing security of the military outpost. In the year of 1649 it was improved complying to a design of architect Dubois from Lorraine. During some period of time the stronghold was vacant, but later on its ownership was transferred to the Wiśniowiecki family. In 1675, it was overcome and burned by Turks, and soon afterwards followed a restoration by Dimitry Wiśniowiecki. That was exactly a moment when castle was turned into a palace, losing its strategic military designation. Nevertheless, it did not stop Russian soldiers plundering a building in the years of 1707 to 1734. Dmitry Wiśniowiecki having died in 1682, the architectural complex became a property of the Potocki family. These were Joseph and later on Stanislav, Mayor of Kyiv. Zbarazh remained under the control of the Potoki family until the middle of the 19th century.
The castle was taken by the Cossacks in 1649 and the Turks in 1675. The events of 1649 are dramatized by Henryk Sienkiewicz in his novel With Fire and Sword. Ivan Bohun was heavily wounded under the castle's walls. Ivan Mazepa and Peter I are known to have visited it in 1707.

Answer: new zbarazh castle


Question: What is the name of this castle?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

An escarped bulwark emerged from the mounds of dirt up to 12 m (39 ft) high, and a terrace for the castle troopers was laid out of 23 m (75 ft) wide. A rectangular courtyard inside had been plotted. Behind the walls arched chambers were constructed, that nowadays house specimens of arms and wooden sculptures of Pinzel's students. An entrenchment around bulwark was very wide, in some parts it is as much as 40 m (131 ft). In the middle of the fortress, regarding rules of "palazzo in fortezza", was developed a palace in the architectural style of Renaissance with early Baroque elements.
First ruination of the new fortification was endeavored by cossacks in 1648. Polish sources reported their amount as much as 100,000 strong. But it would rather be an exaggeration. There was no business for such a ferocious army to siege a small castle. Nonetheless the landlords became determined increasing security of the military outpost. In the year of 1649 it was improved complying to a design of architect Dubois from Lorraine. During some period of time the stronghold was vacant, but later on its ownership was transferred to the Wiśniowiecki family. In 1675, it was overcome and burned by Turks, and soon afterwards followed a restoration by Dimitry Wiśniowiecki. That was exactly a moment when castle was turned into a palace, losing its strategic military designation. Nevertheless, it did not stop Russian soldiers plundering a building in the years of 1707 to 1734. Dmitry Wiśniowiecki having died in 1682, the architectural complex became a property of the Potocki family. These were Joseph and later on Stanislav, Mayor of Kyiv. Zbarazh remained under the control of the Potoki family until the middle of the 19th century.
The castle was taken by the Cossacks in 1649 and the Turks in 1675. The events of 1649 are dramatized by Henryk Sienkiewicz in his novel With Fire and Sword. Ivan Bohun was heavily wounded under the castle's walls. Ivan Mazepa and Peter I are known to have visited it in 1707.

Answer: new zbarazh castle


Question: What is the name of this castle?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

An escarped bulwark emerged from the mounds of dirt up to 12 m (39 ft) high, and a terrace for the castle troopers was laid out of 23 m (75 ft) wide. A rectangular courtyard inside had been plotted. Behind the walls arched chambers were constructed, that nowadays house specimens of arms and wooden sculptures of Pinzel's students. An entrenchment around bulwark was very wide, in some parts it is as much as 40 m (131 ft). In the middle of the fortress, regarding rules of "palazzo in fortezza", was developed a palace in the architectural style of Renaissance with early Baroque elements.
First ruination of the new fortification was endeavored by cossacks in 1648. Polish sources reported their amount as much as 100,000 strong. But it would rather be an exaggeration. There was no business for such a ferocious army to siege a small castle. Nonetheless the landlords became determined increasing security of the military outpost. In the year of 1649 it was improved complying to a design of architect Dubois from Lorraine. During some period of time the stronghold was vacant, but later on its ownership was transferred to the Wiśniowiecki family. In 1675, it was overcome and burned by Turks, and soon afterwards followed a restoration by Dimitry Wiśniowiecki. That was exactly a moment when castle was turned into a palace, losing its strategic military designation. Nevertheless, it did not stop Russian soldiers plundering a building in the years of 1707 to 1734. Dmitry Wiśniowiecki having died in 1682, the architectural complex became a property of the Potocki family. These were Joseph and later on Stanislav, Mayor of Kyiv. Zbarazh remained under the control of the Potoki family until the middle of the 19th century.
The castle was taken by the Cossacks in 1649 and the Turks in 1675. The events of 1649 are dramatized by Henryk Sienkiewicz in his novel With Fire and Sword. Ivan Bohun was heavily wounded under the castle's walls. Ivan Mazepa and Peter I are known to have visited it in 1707.

Answer: new zbarazh castle


Question: What is the name of this castle?

Instruction: Extract documents linked to the question provided in conjunction with the image:

An escarped bulwark emerged from the mounds of dirt up to 12 m (39 ft) high, and a terrace for the castle troopers was laid out of 23 m (75 ft) wide. A rectangular courtyard inside had been plotted. Behind the walls arched chambers were constructed, that nowadays house specimens of arms and wooden sculptures of Pinzel's students. An entrenchment around bulwark was very wide, in some parts it is as much as 40 m (131 ft). In the middle of the fortress, regarding rules of "palazzo in fortezza", was developed a palace in the architectural style of Renaissance with early Baroque elements.
First ruination of the new fortification was endeavored by cossacks in 1648. Polish sources reported their amount as much as 100,000 strong. But it would rather be an exaggeration. There was no business for such a ferocious army to siege a small castle. Nonetheless the landlords became determined increasing security of the military outpost. In the year of 1649 it was improved complying to a design of architect Dubois from Lorraine. During some period of time the stronghold was vacant, but later on its ownership was transferred to the Wiśniowiecki family. In 1675, it was overcome and burned by Turks, and soon afterwards followed a restoration by Dimitry Wiśniowiecki. That was exactly a moment when castle was turned into a palace, losing its strategic military designation. Nevertheless, it did not stop Russian soldiers plundering a building in the years of 1707 to 1734. Dmitry Wiśniowiecki having died in 1682, the architectural complex became a property of the Potocki family. These were Joseph and later on Stanislav, Mayor of Kyiv. Zbarazh remained under the control of the Potoki family until the middle of the 19th century.
The castle was taken by the Cossacks in 1649 and the Turks in 1675. The events of 1649 are dramatized by Henryk Sienkiewicz in his novel With Fire and Sword. Ivan Bohun was heavily wounded under the castle's walls. Ivan Mazepa and Peter I are known to have visited it in 1707.

Answer: new zbarazh castle


Question: What is another feature deserving visitors' attention at this castle?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

Archeological excavations of Cucuteni-Trypillian culture near the village of Bodaky executed by National Preservation together with Saint Petersburg Institute Material Culture Russian Academy of Science, Ukrainian scientists and archeologists. Results of the research have yielded enough material to assemble a traveling exposition of Zbarazh countryside for presentations abroad. To the date of writing this note, it visited Varna, Orléans and Tours, Granada.
The Battle of Zbarazh entered into annals of Ukrainian history as one of the most patriotic stages of Revolutionary War for Independence. In the 1649 Zbarazh became an arena of combat straggle between Polish military and Cossack squadrons spearheaded by Bohdan Khmelnytsky. Precisely for this reason in the castle palace was created a Hall of Cossack's Fame. You would find there many busts of renowned warriors. Besides those sculptures, there is a portrait picture-show of Cossacks’ chieftains painted by Stanislav Kovalchuk Honored Artist of Ukraine .
Sacred Arts of Zbarazh countryside are represent three expositions. Castle palace three exposition halls house a collection of icons belonging to the period of 17th — first half of 20th century, that originate in Zbarazh District worship establishments. All the specimens of this assemblage were mindfully preserved by the employees. First category artist-instaurator of oil paintings Magynsky Vladimyr recovered most of them to the original state. Quite interesting is a property of parishes, that is situated in the halls of Sacred Arts securities. In particular, these are lithography and old prints, ritual and church service literature, ceremonial regalia of Christian worshiping.
Another feature deserving visitors’ attention is an exposition of Ivan Prasko's personal belongings; archbishop Ukrainian Greek-Catholic Church of Australia, Oceania and New Zealand; born in the City of Zbarazh, he was a minister during 1950–1994 period of time; died in 2001, but his individual items were returned to his homeland with father Michael Bedry's help and were saved in the castle repositories.
In the separate exposition hall has been shown off sacred arts sculptures created by both Pensel's students as well as talented artist Antony Osinsky in the middle of 18th century. Their work material was a wood; polychrome technique was taken advantage of, as well as metal leaf layering of gold and silver applied. At one point of time these sculptures decorated Saint Antony's temple, but now they have become a museum collection cynosure of the castle palace. The icons and sacred sculptures collection, that were chosen out of State Historic Preservation fund, notably represented Zbarazh Castle out on a show of "Saved Relics" at Saint Sophia Cathedral in Kyiv transpired during April-May 2000.
Ethnography and a way of live in Zbarazh countryside represented by three palace show halls. A rare collection of Galych and Volyn embroidery have been situated there. Runners and tablecloths fabricated in different techniques on homemade and factory canvases using geometrical, floral, and zoological ornamentations. Alongside in the exhibition halls there are specimens of sacred art embroidery and gender specific folk dress code of Zbarazh District in history.
A story of most popular country craftsmanship and its evolution tells us an exhibition containing articles of everyday living at the last guarder of 19th – beginning of 20th century. These are things produced with homemade canvas, figure loom rugs, earthenware and carpenter goods, wickerwork of straw, osier, and bast. Prominent feature of Zbarazh Castle is Ukrainian Honored Artist Vladimir V. Lipyichuk's sculpture collection. It constitutes more than forty authorial artifacts crafted out of lime-tree. Some items are represented by a plot of particular genre. Others are combined into duplets or triplets by common name or quotation. Lipyichuk's art work is an attempt to embody characters from well known and cherished writing of Taras Shevchenko, Ivan Franko, Lesya Ukrainka. Fans of modern Ukrainian art also demonstrate acute interest to creations of Taras Levkiv, Honored Artist of Arts, native of the Village of Malla Beresovytsya of Zbarazh District.
Separate focus of attention require collection of arms that being housed in two castle exposition halls. It was assembled out of specimens from Stone Age era, Iron Age, epoch of early and late Middle Ages, as well as period of First World War.

Answer: ivan prasko's personal belongings


Question: What is another feature deserving visitors' attention at this castle?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

Archeological excavations of Cucuteni-Trypillian culture near the village of Bodaky executed by National Preservation together with Saint Petersburg Institute Material Culture Russian Academy of Science, Ukrainian scientists and archeologists. Results of the research have yielded enough material to assemble a traveling exposition of Zbarazh countryside for presentations abroad. To the date of writing this note, it visited Varna, Orléans and Tours, Granada.
The Battle of Zbarazh entered into annals of Ukrainian history as one of the most patriotic stages of Revolutionary War for Independence. In the 1649 Zbarazh became an arena of combat straggle between Polish military and Cossack squadrons spearheaded by Bohdan Khmelnytsky. Precisely for this reason in the castle palace was created a Hall of Cossack's Fame. You would find there many busts of renowned warriors. Besides those sculptures, there is a portrait picture-show of Cossacks’ chieftains painted by Stanislav Kovalchuk Honored Artist of Ukraine .
Sacred Arts of Zbarazh countryside are represent three expositions. Castle palace three exposition halls house a collection of icons belonging to the period of 17th — first half of 20th century, that originate in Zbarazh District worship establishments. All the specimens of this assemblage were mindfully preserved by the employees. First category artist-instaurator of oil paintings Magynsky Vladimyr recovered most of them to the original state. Quite interesting is a property of parishes, that is situated in the halls of Sacred Arts securities. In particular, these are lithography and old prints, ritual and church service literature, ceremonial regalia of Christian worshiping.
Another feature deserving visitors’ attention is an exposition of Ivan Prasko's personal belongings; archbishop Ukrainian Greek-Catholic Church of Australia, Oceania and New Zealand; born in the City of Zbarazh, he was a minister during 1950–1994 period of time; died in 2001, but his individual items were returned to his homeland with father Michael Bedry's help and were saved in the castle repositories.
In the separate exposition hall has been shown off sacred arts sculptures created by both Pensel's students as well as talented artist Antony Osinsky in the middle of 18th century. Their work material was a wood; polychrome technique was taken advantage of, as well as metal leaf layering of gold and silver applied. At one point of time these sculptures decorated Saint Antony's temple, but now they have become a museum collection cynosure of the castle palace. The icons and sacred sculptures collection, that were chosen out of State Historic Preservation fund, notably represented Zbarazh Castle out on a show of "Saved Relics" at Saint Sophia Cathedral in Kyiv transpired during April-May 2000.
Ethnography and a way of live in Zbarazh countryside represented by three palace show halls. A rare collection of Galych and Volyn embroidery have been situated there. Runners and tablecloths fabricated in different techniques on homemade and factory canvases using geometrical, floral, and zoological ornamentations. Alongside in the exhibition halls there are specimens of sacred art embroidery and gender specific folk dress code of Zbarazh District in history.
A story of most popular country craftsmanship and its evolution tells us an exhibition containing articles of everyday living at the last guarder of 19th – beginning of 20th century. These are things produced with homemade canvas, figure loom rugs, earthenware and carpenter goods, wickerwork of straw, osier, and bast. Prominent feature of Zbarazh Castle is Ukrainian Honored Artist Vladimir V. Lipyichuk's sculpture collection. It constitutes more than forty authorial artifacts crafted out of lime-tree. Some items are represented by a plot of particular genre. Others are combined into duplets or triplets by common name or quotation. Lipyichuk's art work is an attempt to embody characters from well known and cherished writing of Taras Shevchenko, Ivan Franko, Lesya Ukrainka. Fans of modern Ukrainian art also demonstrate acute interest to creations of Taras Levkiv, Honored Artist of Arts, native of the Village of Malla Beresovytsya of Zbarazh District.
Separate focus of attention require collection of arms that being housed in two castle exposition halls. It was assembled out of specimens from Stone Age era, Iron Age, epoch of early and late Middle Ages, as well as period of First World War.

Answer: ivan prasko's personal belongings


Question: What is another feature deserving visitors' attention at this castle?

Instruction: Using the given image, access documents that provide insights into the following question:

Archeological excavations of Cucuteni-Trypillian culture near the village of Bodaky executed by National Preservation together with Saint Petersburg Institute Material Culture Russian Academy of Science, Ukrainian scientists and archeologists. Results of the research have yielded enough material to assemble a traveling exposition of Zbarazh countryside for presentations abroad. To the date of writing this note, it visited Varna, Orléans and Tours, Granada.
The Battle of Zbarazh entered into annals of Ukrainian history as one of the most patriotic stages of Revolutionary War for Independence. In the 1649 Zbarazh became an arena of combat straggle between Polish military and Cossack squadrons spearheaded by Bohdan Khmelnytsky. Precisely for this reason in the castle palace was created a Hall of Cossack's Fame. You would find there many busts of renowned warriors. Besides those sculptures, there is a portrait picture-show of Cossacks’ chieftains painted by Stanislav Kovalchuk Honored Artist of Ukraine .
Sacred Arts of Zbarazh countryside are represent three expositions. Castle palace three exposition halls house a collection of icons belonging to the period of 17th — first half of 20th century, that originate in Zbarazh District worship establishments. All the specimens of this assemblage were mindfully preserved by the employees. First category artist-instaurator of oil paintings Magynsky Vladimyr recovered most of them to the original state. Quite interesting is a property of parishes, that is situated in the halls of Sacred Arts securities. In particular, these are lithography and old prints, ritual and church service literature, ceremonial regalia of Christian worshiping.
Another feature deserving visitors’ attention is an exposition of Ivan Prasko's personal belongings; archbishop Ukrainian Greek-Catholic Church of Australia, Oceania and New Zealand; born in the City of Zbarazh, he was a minister during 1950–1994 period of time; died in 2001, but his individual items were returned to his homeland with father Michael Bedry's help and were saved in the castle repositories.
In the separate exposition hall has been shown off sacred arts sculptures created by both Pensel's students as well as talented artist Antony Osinsky in the middle of 18th century. Their work material was a wood; polychrome technique was taken advantage of, as well as metal leaf layering of gold and silver applied. At one point of time these sculptures decorated Saint Antony's temple, but now they have become a museum collection cynosure of the castle palace. The icons and sacred sculptures collection, that were chosen out of State Historic Preservation fund, notably represented Zbarazh Castle out on a show of "Saved Relics" at Saint Sophia Cathedral in Kyiv transpired during April-May 2000.
Ethnography and a way of live in Zbarazh countryside represented by three palace show halls. A rare collection of Galych and Volyn embroidery have been situated there. Runners and tablecloths fabricated in different techniques on homemade and factory canvases using geometrical, floral, and zoological ornamentations. Alongside in the exhibition halls there are specimens of sacred art embroidery and gender specific folk dress code of Zbarazh District in history.
A story of most popular country craftsmanship and its evolution tells us an exhibition containing articles of everyday living at the last guarder of 19th – beginning of 20th century. These are things produced with homemade canvas, figure loom rugs, earthenware and carpenter goods, wickerwork of straw, osier, and bast. Prominent feature of Zbarazh Castle is Ukrainian Honored Artist Vladimir V. Lipyichuk's sculpture collection. It constitutes more than forty authorial artifacts crafted out of lime-tree. Some items are represented by a plot of particular genre. Others are combined into duplets or triplets by common name or quotation. Lipyichuk's art work is an attempt to embody characters from well known and cherished writing of Taras Shevchenko, Ivan Franko, Lesya Ukrainka. Fans of modern Ukrainian art also demonstrate acute interest to creations of Taras Levkiv, Honored Artist of Arts, native of the Village of Malla Beresovytsya of Zbarazh District.
Separate focus of attention require collection of arms that being housed in two castle exposition halls. It was assembled out of specimens from Stone Age era, Iron Age, epoch of early and late Middle Ages, as well as period of First World War.

Answer: ivan prasko's personal belongings


Question: What is another feature deserving visitors' attention at this castle?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Archeological excavations of Cucuteni-Trypillian culture near the village of Bodaky executed by National Preservation together with Saint Petersburg Institute Material Culture Russian Academy of Science, Ukrainian scientists and archeologists. Results of the research have yielded enough material to assemble a traveling exposition of Zbarazh countryside for presentations abroad. To the date of writing this note, it visited Varna, Orléans and Tours, Granada.
The Battle of Zbarazh entered into annals of Ukrainian history as one of the most patriotic stages of Revolutionary War for Independence. In the 1649 Zbarazh became an arena of combat straggle between Polish military and Cossack squadrons spearheaded by Bohdan Khmelnytsky. Precisely for this reason in the castle palace was created a Hall of Cossack's Fame. You would find there many busts of renowned warriors. Besides those sculptures, there is a portrait picture-show of Cossacks’ chieftains painted by Stanislav Kovalchuk Honored Artist of Ukraine .
Sacred Arts of Zbarazh countryside are represent three expositions. Castle palace three exposition halls house a collection of icons belonging to the period of 17th — first half of 20th century, that originate in Zbarazh District worship establishments. All the specimens of this assemblage were mindfully preserved by the employees. First category artist-instaurator of oil paintings Magynsky Vladimyr recovered most of them to the original state. Quite interesting is a property of parishes, that is situated in the halls of Sacred Arts securities. In particular, these are lithography and old prints, ritual and church service literature, ceremonial regalia of Christian worshiping.
Another feature deserving visitors’ attention is an exposition of Ivan Prasko's personal belongings; archbishop Ukrainian Greek-Catholic Church of Australia, Oceania and New Zealand; born in the City of Zbarazh, he was a minister during 1950–1994 period of time; died in 2001, but his individual items were returned to his homeland with father Michael Bedry's help and were saved in the castle repositories.
In the separate exposition hall has been shown off sacred arts sculptures created by both Pensel's students as well as talented artist Antony Osinsky in the middle of 18th century. Their work material was a wood; polychrome technique was taken advantage of, as well as metal leaf layering of gold and silver applied. At one point of time these sculptures decorated Saint Antony's temple, but now they have become a museum collection cynosure of the castle palace. The icons and sacred sculptures collection, that were chosen out of State Historic Preservation fund, notably represented Zbarazh Castle out on a show of "Saved Relics" at Saint Sophia Cathedral in Kyiv transpired during April-May 2000.
Ethnography and a way of live in Zbarazh countryside represented by three palace show halls. A rare collection of Galych and Volyn embroidery have been situated there. Runners and tablecloths fabricated in different techniques on homemade and factory canvases using geometrical, floral, and zoological ornamentations. Alongside in the exhibition halls there are specimens of sacred art embroidery and gender specific folk dress code of Zbarazh District in history.
A story of most popular country craftsmanship and its evolution tells us an exhibition containing articles of everyday living at the last guarder of 19th – beginning of 20th century. These are things produced with homemade canvas, figure loom rugs, earthenware and carpenter goods, wickerwork of straw, osier, and bast. Prominent feature of Zbarazh Castle is Ukrainian Honored Artist Vladimir V. Lipyichuk's sculpture collection. It constitutes more than forty authorial artifacts crafted out of lime-tree. Some items are represented by a plot of particular genre. Others are combined into duplets or triplets by common name or quotation. Lipyichuk's art work is an attempt to embody characters from well known and cherished writing of Taras Shevchenko, Ivan Franko, Lesya Ukrainka. Fans of modern Ukrainian art also demonstrate acute interest to creations of Taras Levkiv, Honored Artist of Arts, native of the Village of Malla Beresovytsya of Zbarazh District.
Separate focus of attention require collection of arms that being housed in two castle exposition halls. It was assembled out of specimens from Stone Age era, Iron Age, epoch of early and late Middle Ages, as well as period of First World War.

Answer: ivan prasko's personal belongings


Question: What is another feature deserving visitors' attention at this castle?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Archeological excavations of Cucuteni-Trypillian culture near the village of Bodaky executed by National Preservation together with Saint Petersburg Institute Material Culture Russian Academy of Science, Ukrainian scientists and archeologists. Results of the research have yielded enough material to assemble a traveling exposition of Zbarazh countryside for presentations abroad. To the date of writing this note, it visited Varna, Orléans and Tours, Granada.
The Battle of Zbarazh entered into annals of Ukrainian history as one of the most patriotic stages of Revolutionary War for Independence. In the 1649 Zbarazh became an arena of combat straggle between Polish military and Cossack squadrons spearheaded by Bohdan Khmelnytsky. Precisely for this reason in the castle palace was created a Hall of Cossack's Fame. You would find there many busts of renowned warriors. Besides those sculptures, there is a portrait picture-show of Cossacks’ chieftains painted by Stanislav Kovalchuk Honored Artist of Ukraine .
Sacred Arts of Zbarazh countryside are represent three expositions. Castle palace three exposition halls house a collection of icons belonging to the period of 17th — first half of 20th century, that originate in Zbarazh District worship establishments. All the specimens of this assemblage were mindfully preserved by the employees. First category artist-instaurator of oil paintings Magynsky Vladimyr recovered most of them to the original state. Quite interesting is a property of parishes, that is situated in the halls of Sacred Arts securities. In particular, these are lithography and old prints, ritual and church service literature, ceremonial regalia of Christian worshiping.
Another feature deserving visitors’ attention is an exposition of Ivan Prasko's personal belongings; archbishop Ukrainian Greek-Catholic Church of Australia, Oceania and New Zealand; born in the City of Zbarazh, he was a minister during 1950–1994 period of time; died in 2001, but his individual items were returned to his homeland with father Michael Bedry's help and were saved in the castle repositories.
In the separate exposition hall has been shown off sacred arts sculptures created by both Pensel's students as well as talented artist Antony Osinsky in the middle of 18th century. Their work material was a wood; polychrome technique was taken advantage of, as well as metal leaf layering of gold and silver applied. At one point of time these sculptures decorated Saint Antony's temple, but now they have become a museum collection cynosure of the castle palace. The icons and sacred sculptures collection, that were chosen out of State Historic Preservation fund, notably represented Zbarazh Castle out on a show of "Saved Relics" at Saint Sophia Cathedral in Kyiv transpired during April-May 2000.
Ethnography and a way of live in Zbarazh countryside represented by three palace show halls. A rare collection of Galych and Volyn embroidery have been situated there. Runners and tablecloths fabricated in different techniques on homemade and factory canvases using geometrical, floral, and zoological ornamentations. Alongside in the exhibition halls there are specimens of sacred art embroidery and gender specific folk dress code of Zbarazh District in history.
A story of most popular country craftsmanship and its evolution tells us an exhibition containing articles of everyday living at the last guarder of 19th – beginning of 20th century. These are things produced with homemade canvas, figure loom rugs, earthenware and carpenter goods, wickerwork of straw, osier, and bast. Prominent feature of Zbarazh Castle is Ukrainian Honored Artist Vladimir V. Lipyichuk's sculpture collection. It constitutes more than forty authorial artifacts crafted out of lime-tree. Some items are represented by a plot of particular genre. Others are combined into duplets or triplets by common name or quotation. Lipyichuk's art work is an attempt to embody characters from well known and cherished writing of Taras Shevchenko, Ivan Franko, Lesya Ukrainka. Fans of modern Ukrainian art also demonstrate acute interest to creations of Taras Levkiv, Honored Artist of Arts, native of the Village of Malla Beresovytsya of Zbarazh District.
Separate focus of attention require collection of arms that being housed in two castle exposition halls. It was assembled out of specimens from Stone Age era, Iron Age, epoch of early and late Middle Ages, as well as period of First World War.

Answer: ivan prasko's personal belongings


Question: What shape is the overhead support of this bridge?

Instruction: Extract documents linked to the question provided in conjunction with the image:

Opened in 1997, the bridge's unusual design consists of a curved walkway which is supported by steel suspension cables from an overhead arch. The structure of the bridge is painted white and the bridge deck consists of translucent glass bricks. Access ramps and stairways are located on both banks.
The Zubizuri offers pedestrians a convenient route from hotels to the nearby Bilbao Guggenheim Museum.

Answer: arch


Question: What shape is the overhead support of this bridge?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Opened in 1997, the bridge's unusual design consists of a curved walkway which is supported by steel suspension cables from an overhead arch. The structure of the bridge is painted white and the bridge deck consists of translucent glass bricks. Access ramps and stairways are located on both banks.
The Zubizuri offers pedestrians a convenient route from hotels to the nearby Bilbao Guggenheim Museum.

Answer: arch


Question: What shape is the overhead support of this bridge?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Opened in 1997, the bridge's unusual design consists of a curved walkway which is supported by steel suspension cables from an overhead arch. The structure of the bridge is painted white and the bridge deck consists of translucent glass bricks. Access ramps and stairways are located on both banks.
The Zubizuri offers pedestrians a convenient route from hotels to the nearby Bilbao Guggenheim Museum.

Answer: arch


Question: What shape is the overhead support of this bridge?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Opened in 1997, the bridge's unusual design consists of a curved walkway which is supported by steel suspension cables from an overhead arch. The structure of the bridge is painted white and the bridge deck consists of translucent glass bricks. Access ramps and stairways are located on both banks.
The Zubizuri offers pedestrians a convenient route from hotels to the nearby Bilbao Guggenheim Museum.

Answer: arch


Question: What shape is the overhead support of this bridge?

Instruction: Using the given image, access documents that provide insights into the following question:

Opened in 1997, the bridge's unusual design consists of a curved walkway which is supported by steel suspension cables from an overhead arch. The structure of the bridge is painted white and the bridge deck consists of translucent glass bricks. Access ramps and stairways are located on both banks.
The Zubizuri offers pedestrians a convenient route from hotels to the nearby Bilbao Guggenheim Museum.

Answer: arch