Question: What shines through the windows at this temple?

Instruction: Using the provided image, obtain documents that address the subsequent question:

There are passages past the altar on either side. The windows along the passages are shaped like traditional Chinese coins – a circular shape and with a square hole in the middle. When the sun shines through the windows, the floor seems to be covered with money. Guan-Gong is reported to have advised his followers to spend every coin wisely, and not to waste money: this may be why he has become the patron saint of accountants.

WikiWeb_State Temple of the Martial God_10

Answer: the sun


Question: What shines through the windows at this temple?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

There are passages past the altar on either side. The windows along the passages are shaped like traditional Chinese coins – a circular shape and with a square hole in the middle. When the sun shines through the windows, the floor seems to be covered with money. Guan-Gong is reported to have advised his followers to spend every coin wisely, and not to waste money: this may be why he has become the patron saint of accountants.

WikiWeb_State Temple of the Martial God_10

Answer: the sun


Question: What shines through the windows at this temple?

Instruction: With the provided image, gather documents that offer a solution to the question:

There are passages past the altar on either side. The windows along the passages are shaped like traditional Chinese coins – a circular shape and with a square hole in the middle. When the sun shines through the windows, the floor seems to be covered with money. Guan-Gong is reported to have advised his followers to spend every coin wisely, and not to waste money: this may be why he has become the patron saint of accountants.

WikiWeb_State Temple of the Martial God_10

Answer: the sun


Question: Where are the windows in this temple located?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

There are passages past the altar on either side. The windows along the passages are shaped like traditional Chinese coins – a circular shape and with a square hole in the middle. When the sun shines through the windows, the floor seems to be covered with money. Guan-Gong is reported to have advised his followers to spend every coin wisely, and not to waste money: this may be why he has become the patron saint of accountants.

WikiWeb_State Temple of the Martial God_10

Answer: along the passages


Question: Where are the windows in this temple located?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

There are passages past the altar on either side. The windows along the passages are shaped like traditional Chinese coins – a circular shape and with a square hole in the middle. When the sun shines through the windows, the floor seems to be covered with money. Guan-Gong is reported to have advised his followers to spend every coin wisely, and not to waste money: this may be why he has become the patron saint of accountants.

WikiWeb_State Temple of the Martial God_10

Answer: along the passages


Question: Where are the windows in this temple located?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

There are passages past the altar on either side. The windows along the passages are shaped like traditional Chinese coins – a circular shape and with a square hole in the middle. When the sun shines through the windows, the floor seems to be covered with money. Guan-Gong is reported to have advised his followers to spend every coin wisely, and not to waste money: this may be why he has become the patron saint of accountants.

WikiWeb_State Temple of the Martial God_10

Answer: along the passages


Question: Where are the windows in this temple located?

Instruction: With the provided image, gather documents that offer a solution to the question:

There are passages past the altar on either side. The windows along the passages are shaped like traditional Chinese coins – a circular shape and with a square hole in the middle. When the sun shines through the windows, the floor seems to be covered with money. Guan-Gong is reported to have advised his followers to spend every coin wisely, and not to waste money: this may be why he has become the patron saint of accountants.

WikiWeb_State Temple of the Martial God_10

Answer: along the passages


Question: Where are the windows in this temple located?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

There are passages past the altar on either side. The windows along the passages are shaped like traditional Chinese coins – a circular shape and with a square hole in the middle. When the sun shines through the windows, the floor seems to be covered with money. Guan-Gong is reported to have advised his followers to spend every coin wisely, and not to waste money: this may be why he has become the patron saint of accountants.

WikiWeb_State Temple of the Martial God_10

Answer: along the passages


Question: What type of light shines through the windows at this temple?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

There are passages past the altar on either side. The windows along the passages are shaped like traditional Chinese coins – a circular shape and with a square hole in the middle. When the sun shines through the windows, the floor seems to be covered with money. Guan-Gong is reported to have advised his followers to spend every coin wisely, and not to waste money: this may be why he has become the patron saint of accountants.

WikiWeb_State Temple of the Martial God_10

Answer: the sun


Question: What type of light shines through the windows at this temple?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

There are passages past the altar on either side. The windows along the passages are shaped like traditional Chinese coins – a circular shape and with a square hole in the middle. When the sun shines through the windows, the floor seems to be covered with money. Guan-Gong is reported to have advised his followers to spend every coin wisely, and not to waste money: this may be why he has become the patron saint of accountants.

WikiWeb_State Temple of the Martial God_10

Answer: the sun


Question: What type of light shines through the windows at this temple?

Instruction: Using the provided image, obtain documents that address the subsequent question:

There are passages past the altar on either side. The windows along the passages are shaped like traditional Chinese coins – a circular shape and with a square hole in the middle. When the sun shines through the windows, the floor seems to be covered with money. Guan-Gong is reported to have advised his followers to spend every coin wisely, and not to waste money: this may be why he has become the patron saint of accountants.

WikiWeb_State Temple of the Martial God_10

Answer: the sun


Question: What type of light shines through the windows at this temple?

Instruction: Using the provided image, obtain documents that address the subsequent question:

There are passages past the altar on either side. The windows along the passages are shaped like traditional Chinese coins – a circular shape and with a square hole in the middle. When the sun shines through the windows, the floor seems to be covered with money. Guan-Gong is reported to have advised his followers to spend every coin wisely, and not to waste money: this may be why he has become the patron saint of accountants.

WikiWeb_State Temple of the Martial God_10

Answer: the sun


Question: What type of light shines through the windows at this temple?

Instruction: Extract documents linked to the question provided in conjunction with the image:

There are passages past the altar on either side. The windows along the passages are shaped like traditional Chinese coins – a circular shape and with a square hole in the middle. When the sun shines through the windows, the floor seems to be covered with money. Guan-Gong is reported to have advised his followers to spend every coin wisely, and not to waste money: this may be why he has become the patron saint of accountants.

WikiWeb_State Temple of the Martial God_10

Answer: the sun


Question: What shines through the windows at this temple to make the floor look like it's covered with money?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

There are passages past the altar on either side. The windows along the passages are shaped like traditional Chinese coins – a circular shape and with a square hole in the middle. When the sun shines through the windows, the floor seems to be covered with money. Guan-Gong is reported to have advised his followers to spend every coin wisely, and not to waste money: this may be why he has become the patron saint of accountants.

WikiWeb_State Temple of the Martial God_10

Answer: the sun


Question: What shines through the windows at this temple to make the floor look like it's covered with money?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

There are passages past the altar on either side. The windows along the passages are shaped like traditional Chinese coins – a circular shape and with a square hole in the middle. When the sun shines through the windows, the floor seems to be covered with money. Guan-Gong is reported to have advised his followers to spend every coin wisely, and not to waste money: this may be why he has become the patron saint of accountants.

WikiWeb_State Temple of the Martial God_10

Answer: the sun


Question: What shines through the windows at this temple to make the floor look like it's covered with money?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

There are passages past the altar on either side. The windows along the passages are shaped like traditional Chinese coins – a circular shape and with a square hole in the middle. When the sun shines through the windows, the floor seems to be covered with money. Guan-Gong is reported to have advised his followers to spend every coin wisely, and not to waste money: this may be why he has become the patron saint of accountants.

WikiWeb_State Temple of the Martial God_10

Answer: the sun


Question: What shines through the windows at this temple to make the floor look like it's covered with money?

Instruction: Extract documents linked to the question provided in conjunction with the image:

There are passages past the altar on either side. The windows along the passages are shaped like traditional Chinese coins – a circular shape and with a square hole in the middle. When the sun shines through the windows, the floor seems to be covered with money. Guan-Gong is reported to have advised his followers to spend every coin wisely, and not to waste money: this may be why he has become the patron saint of accountants.

WikiWeb_State Temple of the Martial God_10

Answer: the sun


Question: What shines through the windows at this temple to make the floor look like it's covered with money?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

There are passages past the altar on either side. The windows along the passages are shaped like traditional Chinese coins – a circular shape and with a square hole in the middle. When the sun shines through the windows, the floor seems to be covered with money. Guan-Gong is reported to have advised his followers to spend every coin wisely, and not to waste money: this may be why he has become the patron saint of accountants.

WikiWeb_State Temple of the Martial God_10

Answer: the sun


Question: The temple of guan-yin is to the rear and left of the first what of this temple?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

To the rear and the left of the first part of the temple, is another smaller temple. This is the temple of Guan-Yin. Although Guan-Yin is a Buddhist goddess, her association with fertility with Taoists, and her image can be found in nearly every Taoist temple. This particular statue is famous because of the smiling, benevolent expression on her face. Her eyes are slightly downcast, and appear to be looking at the visitors.
On either side of the Guan Yin Temple there is a row of 9 Buddhist monks, called “18 arhats”, who are the protectors of Buddhist gods.

WikiWeb_State Temple of the Martial God_11

Answer: part


Question: The temple of guan-yin is to the rear and left of the first what of this temple?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

To the rear and the left of the first part of the temple, is another smaller temple. This is the temple of Guan-Yin. Although Guan-Yin is a Buddhist goddess, her association with fertility with Taoists, and her image can be found in nearly every Taoist temple. This particular statue is famous because of the smiling, benevolent expression on her face. Her eyes are slightly downcast, and appear to be looking at the visitors.
On either side of the Guan Yin Temple there is a row of 9 Buddhist monks, called “18 arhats”, who are the protectors of Buddhist gods.

WikiWeb_State Temple of the Martial God_11

Answer: part


Question: The temple of guan-yin is to the rear and left of the first what of this temple?

Instruction: Extract documents linked to the question provided in conjunction with the image:

To the rear and the left of the first part of the temple, is another smaller temple. This is the temple of Guan-Yin. Although Guan-Yin is a Buddhist goddess, her association with fertility with Taoists, and her image can be found in nearly every Taoist temple. This particular statue is famous because of the smiling, benevolent expression on her face. Her eyes are slightly downcast, and appear to be looking at the visitors.
On either side of the Guan Yin Temple there is a row of 9 Buddhist monks, called “18 arhats”, who are the protectors of Buddhist gods.

WikiWeb_State Temple of the Martial God_11

Answer: part


Question: The temple of guan-yin is to the rear and left of the first what of this temple?

Instruction: Using the provided image, obtain documents that address the subsequent question:

To the rear and the left of the first part of the temple, is another smaller temple. This is the temple of Guan-Yin. Although Guan-Yin is a Buddhist goddess, her association with fertility with Taoists, and her image can be found in nearly every Taoist temple. This particular statue is famous because of the smiling, benevolent expression on her face. Her eyes are slightly downcast, and appear to be looking at the visitors.
On either side of the Guan Yin Temple there is a row of 9 Buddhist monks, called “18 arhats”, who are the protectors of Buddhist gods.

WikiWeb_State Temple of the Martial God_11

Answer: part


Question: The temple of guan-yin is to the rear and left of the first what of this temple?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

To the rear and the left of the first part of the temple, is another smaller temple. This is the temple of Guan-Yin. Although Guan-Yin is a Buddhist goddess, her association with fertility with Taoists, and her image can be found in nearly every Taoist temple. This particular statue is famous because of the smiling, benevolent expression on her face. Her eyes are slightly downcast, and appear to be looking at the visitors.
On either side of the Guan Yin Temple there is a row of 9 Buddhist monks, called “18 arhats”, who are the protectors of Buddhist gods.

WikiWeb_State Temple of the Martial God_11

Answer: part


Question: Whose temple is to the rear and left of the first part of this temple?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

To the rear and the left of the first part of the temple, is another smaller temple. This is the temple of Guan-Yin. Although Guan-Yin is a Buddhist goddess, her association with fertility with Taoists, and her image can be found in nearly every Taoist temple. This particular statue is famous because of the smiling, benevolent expression on her face. Her eyes are slightly downcast, and appear to be looking at the visitors.
On either side of the Guan Yin Temple there is a row of 9 Buddhist monks, called “18 arhats”, who are the protectors of Buddhist gods.

WikiWeb_State Temple of the Martial God_11

Answer: guan-yin


Question: Whose temple is to the rear and left of the first part of this temple?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

To the rear and the left of the first part of the temple, is another smaller temple. This is the temple of Guan-Yin. Although Guan-Yin is a Buddhist goddess, her association with fertility with Taoists, and her image can be found in nearly every Taoist temple. This particular statue is famous because of the smiling, benevolent expression on her face. Her eyes are slightly downcast, and appear to be looking at the visitors.
On either side of the Guan Yin Temple there is a row of 9 Buddhist monks, called “18 arhats”, who are the protectors of Buddhist gods.

WikiWeb_State Temple of the Martial God_11

Answer: guan-yin


Question: Whose temple is to the rear and left of the first part of this temple?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

To the rear and the left of the first part of the temple, is another smaller temple. This is the temple of Guan-Yin. Although Guan-Yin is a Buddhist goddess, her association with fertility with Taoists, and her image can be found in nearly every Taoist temple. This particular statue is famous because of the smiling, benevolent expression on her face. Her eyes are slightly downcast, and appear to be looking at the visitors.
On either side of the Guan Yin Temple there is a row of 9 Buddhist monks, called “18 arhats”, who are the protectors of Buddhist gods.

WikiWeb_State Temple of the Martial God_11

Answer: guan-yin


Question: Whose temple is to the rear and left of the first part of this temple?

Instruction: Using the given image, access documents that provide insights into the following question:

To the rear and the left of the first part of the temple, is another smaller temple. This is the temple of Guan-Yin. Although Guan-Yin is a Buddhist goddess, her association with fertility with Taoists, and her image can be found in nearly every Taoist temple. This particular statue is famous because of the smiling, benevolent expression on her face. Her eyes are slightly downcast, and appear to be looking at the visitors.
On either side of the Guan Yin Temple there is a row of 9 Buddhist monks, called “18 arhats”, who are the protectors of Buddhist gods.

WikiWeb_State Temple of the Martial God_11

Answer: guan-yin


Question: Whose temple is to the rear and left of the first part of this temple?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

To the rear and the left of the first part of the temple, is another smaller temple. This is the temple of Guan-Yin. Although Guan-Yin is a Buddhist goddess, her association with fertility with Taoists, and her image can be found in nearly every Taoist temple. This particular statue is famous because of the smiling, benevolent expression on her face. Her eyes are slightly downcast, and appear to be looking at the visitors.
On either side of the Guan Yin Temple there is a row of 9 Buddhist monks, called “18 arhats”, who are the protectors of Buddhist gods.

WikiWeb_State Temple of the Martial God_11

Answer: guan-yin


Question: Is the guanyin statue of this temple a large or small temple?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

To the rear and the left of the first part of the temple, is another smaller temple. This is the temple of Guan-Yin. Although Guan-Yin is a Buddhist goddess, her association with fertility with Taoists, and her image can be found in nearly every Taoist temple. This particular statue is famous because of the smiling, benevolent expression on her face. Her eyes are slightly downcast, and appear to be looking at the visitors.
On either side of the Guan Yin Temple there is a row of 9 Buddhist monks, called “18 arhats”, who are the protectors of Buddhist gods.

WikiWeb_State Temple of the Martial God_11

Answer: smaller


Question: Is the guanyin statue of this temple a large or small temple?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

To the rear and the left of the first part of the temple, is another smaller temple. This is the temple of Guan-Yin. Although Guan-Yin is a Buddhist goddess, her association with fertility with Taoists, and her image can be found in nearly every Taoist temple. This particular statue is famous because of the smiling, benevolent expression on her face. Her eyes are slightly downcast, and appear to be looking at the visitors.
On either side of the Guan Yin Temple there is a row of 9 Buddhist monks, called “18 arhats”, who are the protectors of Buddhist gods.

WikiWeb_State Temple of the Martial God_11

Answer: smaller


Question: Is the guanyin statue of this temple a large or small temple?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

To the rear and the left of the first part of the temple, is another smaller temple. This is the temple of Guan-Yin. Although Guan-Yin is a Buddhist goddess, her association with fertility with Taoists, and her image can be found in nearly every Taoist temple. This particular statue is famous because of the smiling, benevolent expression on her face. Her eyes are slightly downcast, and appear to be looking at the visitors.
On either side of the Guan Yin Temple there is a row of 9 Buddhist monks, called “18 arhats”, who are the protectors of Buddhist gods.

WikiWeb_State Temple of the Martial God_11

Answer: smaller


Question: Is the guanyin statue of this temple a large or small temple?

Instruction: Using the provided image, obtain documents that address the subsequent question:

To the rear and the left of the first part of the temple, is another smaller temple. This is the temple of Guan-Yin. Although Guan-Yin is a Buddhist goddess, her association with fertility with Taoists, and her image can be found in nearly every Taoist temple. This particular statue is famous because of the smiling, benevolent expression on her face. Her eyes are slightly downcast, and appear to be looking at the visitors.
On either side of the Guan Yin Temple there is a row of 9 Buddhist monks, called “18 arhats”, who are the protectors of Buddhist gods.

WikiWeb_State Temple of the Martial God_11

Answer: smaller


Question: Is the guanyin statue of this temple a large or small temple?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

To the rear and the left of the first part of the temple, is another smaller temple. This is the temple of Guan-Yin. Although Guan-Yin is a Buddhist goddess, her association with fertility with Taoists, and her image can be found in nearly every Taoist temple. This particular statue is famous because of the smiling, benevolent expression on her face. Her eyes are slightly downcast, and appear to be looking at the visitors.
On either side of the Guan Yin Temple there is a row of 9 Buddhist monks, called “18 arhats”, who are the protectors of Buddhist gods.

WikiWeb_State Temple of the Martial God_11

Answer: smaller


Question: The temple of guan-yin is to the rear and left of which part of this temple?

Instruction: Extract documents linked to the question provided in conjunction with the image:

To the rear and the left of the first part of the temple, is another smaller temple. This is the temple of Guan-Yin. Although Guan-Yin is a Buddhist goddess, her association with fertility with Taoists, and her image can be found in nearly every Taoist temple. This particular statue is famous because of the smiling, benevolent expression on her face. Her eyes are slightly downcast, and appear to be looking at the visitors.
On either side of the Guan Yin Temple there is a row of 9 Buddhist monks, called “18 arhats”, who are the protectors of Buddhist gods.

WikiWeb_State Temple of the Martial God_11

Answer: the first part


Question: The temple of guan-yin is to the rear and left of which part of this temple?

Instruction: Using the provided image, obtain documents that address the subsequent question:

To the rear and the left of the first part of the temple, is another smaller temple. This is the temple of Guan-Yin. Although Guan-Yin is a Buddhist goddess, her association with fertility with Taoists, and her image can be found in nearly every Taoist temple. This particular statue is famous because of the smiling, benevolent expression on her face. Her eyes are slightly downcast, and appear to be looking at the visitors.
On either side of the Guan Yin Temple there is a row of 9 Buddhist monks, called “18 arhats”, who are the protectors of Buddhist gods.

WikiWeb_State Temple of the Martial God_11

Answer: the first part


Question: The temple of guan-yin is to the rear and left of which part of this temple?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

To the rear and the left of the first part of the temple, is another smaller temple. This is the temple of Guan-Yin. Although Guan-Yin is a Buddhist goddess, her association with fertility with Taoists, and her image can be found in nearly every Taoist temple. This particular statue is famous because of the smiling, benevolent expression on her face. Her eyes are slightly downcast, and appear to be looking at the visitors.
On either side of the Guan Yin Temple there is a row of 9 Buddhist monks, called “18 arhats”, who are the protectors of Buddhist gods.

WikiWeb_State Temple of the Martial God_11

Answer: the first part


Question: The temple of guan-yin is to the rear and left of which part of this temple?

Instruction: With the provided image, gather documents that offer a solution to the question:

To the rear and the left of the first part of the temple, is another smaller temple. This is the temple of Guan-Yin. Although Guan-Yin is a Buddhist goddess, her association with fertility with Taoists, and her image can be found in nearly every Taoist temple. This particular statue is famous because of the smiling, benevolent expression on her face. Her eyes are slightly downcast, and appear to be looking at the visitors.
On either side of the Guan Yin Temple there is a row of 9 Buddhist monks, called “18 arhats”, who are the protectors of Buddhist gods.

WikiWeb_State Temple of the Martial God_11

Answer: the first part


Question: The temple of guan-yin is to the rear and left of which part of this temple?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

To the rear and the left of the first part of the temple, is another smaller temple. This is the temple of Guan-Yin. Although Guan-Yin is a Buddhist goddess, her association with fertility with Taoists, and her image can be found in nearly every Taoist temple. This particular statue is famous because of the smiling, benevolent expression on her face. Her eyes are slightly downcast, and appear to be looking at the visitors.
On either side of the Guan Yin Temple there is a row of 9 Buddhist monks, called “18 arhats”, who are the protectors of Buddhist gods.

WikiWeb_State Temple of the Martial God_11

Answer: the first part


Question: How many examination gods have a temple at this temple?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

Outside the Guan-Yin temple, and to the left, is the temple of the five examination gods where students and examinees pray for good luck in examinations. The students and examinees write their names, and the time and place of their examination on slip of pink paper. If they pass the exam or get an acceptable grade in the exam, they will often come back and hang a red string decoration as a sign of gratitude, or worship and present flowers and fresh fruit in appreciation.

WikiWeb_State Temple of the Martial God_12

Answer: five


Question: How many examination gods have a temple at this temple?

Instruction: Extract documents linked to the question provided in conjunction with the image:

Outside the Guan-Yin temple, and to the left, is the temple of the five examination gods where students and examinees pray for good luck in examinations. The students and examinees write their names, and the time and place of their examination on slip of pink paper. If they pass the exam or get an acceptable grade in the exam, they will often come back and hang a red string decoration as a sign of gratitude, or worship and present flowers and fresh fruit in appreciation.

WikiWeb_State Temple of the Martial God_12

Answer: five


Question: How many examination gods have a temple at this temple?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

Outside the Guan-Yin temple, and to the left, is the temple of the five examination gods where students and examinees pray for good luck in examinations. The students and examinees write their names, and the time and place of their examination on slip of pink paper. If they pass the exam or get an acceptable grade in the exam, they will often come back and hang a red string decoration as a sign of gratitude, or worship and present flowers and fresh fruit in appreciation.

WikiWeb_State Temple of the Martial God_12

Answer: five


Question: How many examination gods have a temple at this temple?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Outside the Guan-Yin temple, and to the left, is the temple of the five examination gods where students and examinees pray for good luck in examinations. The students and examinees write their names, and the time and place of their examination on slip of pink paper. If they pass the exam or get an acceptable grade in the exam, they will often come back and hang a red string decoration as a sign of gratitude, or worship and present flowers and fresh fruit in appreciation.

WikiWeb_State Temple of the Martial God_12

Answer: five


Question: How many examination gods have a temple at this temple?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

Outside the Guan-Yin temple, and to the left, is the temple of the five examination gods where students and examinees pray for good luck in examinations. The students and examinees write their names, and the time and place of their examination on slip of pink paper. If they pass the exam or get an acceptable grade in the exam, they will often come back and hang a red string decoration as a sign of gratitude, or worship and present flowers and fresh fruit in appreciation.

WikiWeb_State Temple of the Martial God_12

Answer: five


Question: How old is the plum tree in the courtyard of this temple?

Instruction: Using the provided image, obtain documents that address the subsequent question:

Behind the Guanyin temple is a small courtyard and to the right of the courtyard is the temple where the god of fire is worshiped. Every Saturday, a traditional Chinese music group used to practice and perform traditional Chinese music here. This courtyard also contains a small fish pond: small goldfish are often kept in Taoist temples because they are believed to bring prosperity (gold=money) to the people. A plum tree is reputed to be more than 300 years old, and in the old days people would sit beneath it and compose poetry, play musical instruments or enjoy wine in its shade.

WikiWeb_State Temple of the Martial God_14

Answer: more than 300 years old


Question: How old is the plum tree in the courtyard of this temple?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

Behind the Guanyin temple is a small courtyard and to the right of the courtyard is the temple where the god of fire is worshiped. Every Saturday, a traditional Chinese music group used to practice and perform traditional Chinese music here. This courtyard also contains a small fish pond: small goldfish are often kept in Taoist temples because they are believed to bring prosperity (gold=money) to the people. A plum tree is reputed to be more than 300 years old, and in the old days people would sit beneath it and compose poetry, play musical instruments or enjoy wine in its shade.

WikiWeb_State Temple of the Martial God_14

Answer: more than 300 years old


Question: How old is the plum tree in the courtyard of this temple?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

Behind the Guanyin temple is a small courtyard and to the right of the courtyard is the temple where the god of fire is worshiped. Every Saturday, a traditional Chinese music group used to practice and perform traditional Chinese music here. This courtyard also contains a small fish pond: small goldfish are often kept in Taoist temples because they are believed to bring prosperity (gold=money) to the people. A plum tree is reputed to be more than 300 years old, and in the old days people would sit beneath it and compose poetry, play musical instruments or enjoy wine in its shade.

WikiWeb_State Temple of the Martial God_14

Answer: more than 300 years old


Question: How old is the plum tree in the courtyard of this temple?

Instruction: Extract documents linked to the question provided in conjunction with the image:

Behind the Guanyin temple is a small courtyard and to the right of the courtyard is the temple where the god of fire is worshiped. Every Saturday, a traditional Chinese music group used to practice and perform traditional Chinese music here. This courtyard also contains a small fish pond: small goldfish are often kept in Taoist temples because they are believed to bring prosperity (gold=money) to the people. A plum tree is reputed to be more than 300 years old, and in the old days people would sit beneath it and compose poetry, play musical instruments or enjoy wine in its shade.

WikiWeb_State Temple of the Martial God_14

Answer: more than 300 years old


Question: How old is the plum tree in the courtyard of this temple?

Instruction: Extract documents linked to the question provided in conjunction with the image:

Behind the Guanyin temple is a small courtyard and to the right of the courtyard is the temple where the god of fire is worshiped. Every Saturday, a traditional Chinese music group used to practice and perform traditional Chinese music here. This courtyard also contains a small fish pond: small goldfish are often kept in Taoist temples because they are believed to bring prosperity (gold=money) to the people. A plum tree is reputed to be more than 300 years old, and in the old days people would sit beneath it and compose poetry, play musical instruments or enjoy wine in its shade.

WikiWeb_State Temple of the Martial God_14

Answer: more than 300 years old


Question: What kind of stone blocks were used to build this bridge?

Instruction: Extract documents linked to the question provided in conjunction with the image:

The Stone Bridge is built of solid stone blocks and is supported by firm columns that are connected with 12 semicircular arcs. The bridge is 214 m (702 ft) long and 6 m (20 ft) wide. The guardhouse has recently been reconstructed.

Answer: solid


Question: What kind of stone blocks were used to build this bridge?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

The Stone Bridge is built of solid stone blocks and is supported by firm columns that are connected with 12 semicircular arcs. The bridge is 214 m (702 ft) long and 6 m (20 ft) wide. The guardhouse has recently been reconstructed.

Answer: solid


Question: What kind of stone blocks were used to build this bridge?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The Stone Bridge is built of solid stone blocks and is supported by firm columns that are connected with 12 semicircular arcs. The bridge is 214 m (702 ft) long and 6 m (20 ft) wide. The guardhouse has recently been reconstructed.

Answer: solid


Question: What kind of stone blocks were used to build this bridge?

Instruction: Using the given image, access documents that provide insights into the following question:

The Stone Bridge is built of solid stone blocks and is supported by firm columns that are connected with 12 semicircular arcs. The bridge is 214 m (702 ft) long and 6 m (20 ft) wide. The guardhouse has recently been reconstructed.

Answer: solid


Question: What kind of stone blocks were used to build this bridge?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The Stone Bridge is built of solid stone blocks and is supported by firm columns that are connected with 12 semicircular arcs. The bridge is 214 m (702 ft) long and 6 m (20 ft) wide. The guardhouse has recently been reconstructed.

Answer: solid


Question: In feet, how long is this bridge?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The Stone Bridge is built of solid stone blocks and is supported by firm columns that are connected with 12 semicircular arcs. The bridge is 214 m (702 ft) long and 6 m (20 ft) wide. The guardhouse has recently been reconstructed.

Answer: 702


Question: In feet, how long is this bridge?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

The Stone Bridge is built of solid stone blocks and is supported by firm columns that are connected with 12 semicircular arcs. The bridge is 214 m (702 ft) long and 6 m (20 ft) wide. The guardhouse has recently been reconstructed.

Answer: 702


Question: In feet, how long is this bridge?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

The Stone Bridge is built of solid stone blocks and is supported by firm columns that are connected with 12 semicircular arcs. The bridge is 214 m (702 ft) long and 6 m (20 ft) wide. The guardhouse has recently been reconstructed.

Answer: 702


Question: In feet, how long is this bridge?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The Stone Bridge is built of solid stone blocks and is supported by firm columns that are connected with 12 semicircular arcs. The bridge is 214 m (702 ft) long and 6 m (20 ft) wide. The guardhouse has recently been reconstructed.

Answer: 702


Question: In feet, how long is this bridge?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

The Stone Bridge is built of solid stone blocks and is supported by firm columns that are connected with 12 semicircular arcs. The bridge is 214 m (702 ft) long and 6 m (20 ft) wide. The guardhouse has recently been reconstructed.

Answer: 702


Question: What is the consistency of the columns that support this bridge?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The Stone Bridge is built of solid stone blocks and is supported by firm columns that are connected with 12 semicircular arcs. The bridge is 214 m (702 ft) long and 6 m (20 ft) wide. The guardhouse has recently been reconstructed.

Answer: firm


Question: What is the consistency of the columns that support this bridge?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

The Stone Bridge is built of solid stone blocks and is supported by firm columns that are connected with 12 semicircular arcs. The bridge is 214 m (702 ft) long and 6 m (20 ft) wide. The guardhouse has recently been reconstructed.

Answer: firm


Question: What is the consistency of the columns that support this bridge?

Instruction: Using the given image, access documents that provide insights into the following question:

The Stone Bridge is built of solid stone blocks and is supported by firm columns that are connected with 12 semicircular arcs. The bridge is 214 m (702 ft) long and 6 m (20 ft) wide. The guardhouse has recently been reconstructed.

Answer: firm


Question: What is the consistency of the columns that support this bridge?

Instruction: Using the given image, access documents that provide insights into the following question:

The Stone Bridge is built of solid stone blocks and is supported by firm columns that are connected with 12 semicircular arcs. The bridge is 214 m (702 ft) long and 6 m (20 ft) wide. The guardhouse has recently been reconstructed.

Answer: firm


Question: What is the consistency of the columns that support this bridge?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The Stone Bridge is built of solid stone blocks and is supported by firm columns that are connected with 12 semicircular arcs. The bridge is 214 m (702 ft) long and 6 m (20 ft) wide. The guardhouse has recently been reconstructed.

Answer: firm


Question: What type of institution was this building constructed into?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

Studies of the construction have proved that the town hall was located at the same place in the 13th century. The 600-year-old building was built upon the old town hall's brickwork. A stone building was there in 1250. A building with a meeting room (consistorium) and a basement (cellarium civitatis) is mentioned in 1322. As the town grew richer and more powerful, it was rebuilt. At the end of the 14th century, the building was as tall as it is now, but it was narrow and without the tower. Only the arcade-gear, which differed from the current one, referred to the fact that it was not an ordinary dwelling house.
By the 14th century, Tallinn (old name: Reval) developed into one of the most important intermediate ports of the Hanseatic trade road between Europe and Russia. The 15th century was the heyday of the Hanseatic city Tallinn, when the city was largely rebuilt thanks to the profits from trade. The central article that made its way from Europe through Tallinn to Russia, was salt. Salt was followed by fabrics and herring. Metals, wine and spices were also important. Although some of the things mentioned stayed at the local market, most of it went on to Russia. Crops were the most important from the goods taken from Tallinn to the west. Rye, wood, flax and limestone were from Livonia. Most building monuments that have remained to this day, come from the 15th century: Middle Age merchant houses, churches, guild halls and including the town hall.
The major work began at the beginning of the 15th century. The town council celebrated Easter of 1402 in the old building. The construction started right after the holidays. The leading master of the building was probably stonemason Ghercke. It is possible that the leading masters, including Ghercke, came from downtown Toompea, where extensive works had ended in the last quarter of the 14th century in the fortress, the circular wall of Great Toompea and in the Cathedral (toomkirik). 600 logs, 581 balks, 46 pairs of girders and 107 burdens of stone were brought to the construction site. The stones were brought from Lasnamäe, where a stonemasons village was located. The names of the carriers have been documented. Crude stones were brought for the bricklaying, but some of the details had to be made of cut stone. The main construction – foundations, walls and vaults – was built out of limestone brought from the limestone plateau, limestone brought from stone pits near the city and all put together using lime mortar. In 1403, the stones were cut and an arcade, pillars supporting the vaults, window jambs, etc. were built. The pillars of the arcade and the main portal in the western section that had an important role in the development of the building style of Tallinn, were built by Ghercke himself and his helpers. The smaller southern portal of the cathedral (Tallinna Toomkirik) was used as an example. It is known that the stonemason Yckmele built the pillars for the wine cellar and 200 blocks for the outer corners of the building. The windows were built by master Keyzner, one of the large family of stonemasons. Master Ghercke and his two helpers were paid five Rigan marks (one Rigan mark weighed 207.8 g of silver).
The construction work was finished at the end of 1404. The masters who had placed the tiles, glazed the windows and cleaned up the debris, got their salaries. The town council celebrated Christmas in a new building. The construction had lasted for two and a half years. The builders worked only in summer. A white lime coating covered the walls and left clean stone-constructions, that were made glossy, for many centuries.
The construction works continued later: the roof and a tower were repaired, the windowpanes and staircases were changed and the ovens were set. The Golden Age of the historical Tallinn was a period from the middle of the 15th century to the beginning of the 16th century. The economical prosperity of the Hanseatic times made architecture and artistic creations possible. The vane Old Thomas was established above the town hall in 1530 (the current vane is its exact copy; the initial vane is in the town hall's basement and the vane from 1996 is in the city museum (Linnamuuseum)). Heinrich Hartmann, who was from a well-known molder family, prepared a bell for the town hall at the end of the 16th century. In the 17th century the town hall got a new spire that was made by master builder Greiger Graff.
The sharp Gothic spire was replaced with a current spire in a Late Renaissance style in 1627–1629. "It can be said by the bricks with one sign, that several of the façade works, the repairs of the tower’s console and gable, the installation of new decorative gargoyles and the works of the interior, were done in the same time or at least solidly," architect Teddy Böckler said. "Apparently, the partitions were built in the grand hall between the pillars and the bulkhead at the height of the consoles, between the years 1630 and 1650. The fireplaces were built to heat these small rooms. Formerly, there were no rain deflectors that would reach the ground. The dragon-headed gargoyles from stone or iron were on the eaves instead of these. They had to lead the water away from the building. The coppersmith Daniel Pöppel hammered dragon-headed gargoyles from the copper-plates simultaneously with finishing the tower.  Now they are in the town hall because of their beauty.
In 1652–1652, the main entrance of the town hall was rebuilt and transferred to the central part of the building, which is characteristic of Baroque architecture. The main portal was closed. The arcade and the windows of the basement and the first floor, which revealed the originality and representation of the town hall, were walled up. The citizens' hall was divided into two floors and was divided into separate rooms. In 1860, the quadrangular windows were built ogival.
In 1944, the spire of the town hall burst into flames and was destroyed in the bombing of Tallinn in the World War II. This was the push to renovation after the war. The restorations were extensive. The tower was restored in 1952. In 1959–1960, the arcade was opened again and the traces of reconstructions from the previous century were removed. In 1971–1975 (architect Teddy Böckler, interior decorators Leila Pärtelpoeg and Udo Umberg), the walls and ceilings that had been built later were demolished and the town hall was constructed into a representative institution of Tallinn.
The tower's wooden structure that had been restored in 195, was partly rotten by 1996 and the tin coating was broken. So, the spire and the Old Thomas with a symbolic meaning were both replaced. The Old Thomas could have fallen down in case of a bigger storm. The works began in the beginning of 1996, when the needed details were prepared in Albu parish. The parts of the tower were transported to Tallinn in June – the assembly and covering with copper tiles had already begun. It took 1.4 tonnes of copper plates to cover the wooden structure of the tower. In the last week of work on Wednesday, the tower's parts were put together and initially, the Old Thomas was placed on the tower next to the town hall tower. The old tower had to be strengthened so that it would not decay during the work. The upper part was raised at 8:45 a.m. Initially the work was planned to be finished at 3:00 p.m but was delayed until night. The wind rose and when only the last part of the tower was left to be raised, there was a risk that the wind would disturb the work. Finally, at 7:00 p.m., the last part of the tower was taken to its place. The tower's construction and placement were worked out by the project office Sille, engineer Danil. Plans were carried out by AS Stinger, led by Voldemar Metsaallik. The spire was put up with the help of Pekkaniska aerial platform.
During the restorations in 1970, one huge medieval hall was restored. It had been rebuilt as smaller chambers for over 300 years. The ovens' two foot chimneys that were built to heat the chambers were demolished from the hall to the vaulted ceiling. The hole in the vaulted ceiling that was hacked there in the 17th century was covered with a plastered wooden base hanging on the ropes.
In 1996, the Old Thomas might have lost his sword when the old tower was lifted down. The Old Thomas' fastenings were almost completely unfixed and the water dripped from the tower sphere underneath the vane. Apparently, the sword could have fallen down with a storm on the town hall's roof or ended up in the house of a souvenir collector. In Tõnu Lauk's opinion, the Old Thomas decayed quickly because in 1952, the statue was left unpainted. In addition, nothing was done to prevent the rusting of fixing details. In addition, the wooden structure was built improperly. Water flowed in and the tower rotted quickly. During the construction of the new tower and a vane, these mistakes were kept in mind. Old Thomas was primed with red tin, painted and partly gilded. The light-green vane is allegedly exactly the same as the original. Old Thomas' face, neck, feet, sword, flag and the tower sphere on which the statue stands are golden. It took about four grams of golden plates for all of this. The change occurred in 1992 from architect Böckler from AS Vana Tallinn. He stated that complete gilding was not common before. The first Old Thomas from the year 1530 was also partly gilded. The original of Old Thomas and the dragon-head-shaped gargoyles that are also partly gilded confirm that saying.
The spire had lost its initial shape until that time because of the many restoration projects over the years. The current tower is more like the Niguliste church. It is more slim so that there is no room to move in the external balcony. The current spire is more characteristic of the 17th century Late Renaissance period. Until the construction works in autumn, the spire was red but then it was coloured green. Reconstructing the tower cost the city administration 1.8 million crowns in the old currency (Estonian crowns). The money was taken from the town's budget.
Tallinn Town Hall's attic was cleaned in 2002 and 2003. The construction company demolished the chimney to "the level of the attic floor" that had emerged from the rubbish that had accumulated in the vaults. The people undertaking the demolition did not dig through it themselves. About 300 tonnes/70 truckloads of rubbish were carried out from the vault's top. The vast majority was the ground that filled the gaps between arch domes and which historically fulfilled the role of heating. More than 300 findings were found during the excavation, among them were unique documents and things. During the past ten years they have been examined, cleaned and preserved and a small selection of them is on exhibition in the town hall's attic. Letters written to the town council and aldermen from the 14th–16th centuries, medieval firefighting equipment, tools, revolutionary leaflets from the year 1905, and more are on display. Teddy Böckler (born 17 May 1930 – died 8 December 2005), was Tallinn Town Hall's restoration architect from 1959 until the last restoration phase that was finished according to his project in 2006.
Most of the elements of the interior decor were not thrown away as the town hall's architect back then – Böckler – thought that they were a nice, complete and dignified part of the interior. In addition to the citizen's hall furniture, carbon black polyester lacquer partition doors called piano doors, which were very fashionable at the time and are in harmony with the other black elements of the interior, remained. The director of the town hall, Elviira Liiver Holmström, said that in addition to being restored, the town hall was partly reconstructed. Because of this, the town hall kitchen got back its casing pipe, which was once demolished. The chimney is partly a stairway where a spiral staircase leads to the attic. The attic was cleaned of dust and renovated and has become a museum and place for exhibitions.
In 2003, on 17 April, a huge piece of chimney from the 17th century that had been found while excavating the layer of rubbish in the attic fell through the big hall's ceiling; the hall was closed to events until 5 May. According to Böckler, the human-height piece from the fireplace stayed untouched during the restoration works in the 1970s. Two-metre high parts on the foot chimney were cleaned during the excavation of the Town Hall's attic. The brick lost its support from friction and relied on the wooden cover of the vaulted ceiling, of which the rope broke at night. At the moment of the accident, there were no people in the room.
In 2008, a medieval well and different models were found under the floor. The accounting room located on the second floor that had been the aldermen's workroom – and from the end of the 19th century until the 1970s the mayor's cabinet – was innovated in the same year. Tallies from the 16th and 17th century were copied, the copies were exhibited and the whole room was redesigned.
In 2009, Tallinn Town Hall underwent repairs for two months from February to March and the building was closed. Major repairs were planned. Initially there were plans to make floor repairs and large renovations. Floor tiles from dolomite were planned to be replaced with limestone. In addition to excavation, an underground drainage was planned to be opened to examine its condition; in addition, the expected findings were intended to be exhibited. Due to the lack of money, the scale of the project declined. Repairs were done in the basement hall, but events were not held in the upper hall due to the construction dust and noise. The walls of the ceiling had become friable to the touch and had started to decay. The ceiling in the basement was cleaned from the hatched and dirty latex colour and whitewashed. In addition, repairs were made in the staff room, which was given new furniture and lighting, as the rooms were too dim before the repairs.

Answer: representative


Question: What type of institution was this building constructed into?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

Studies of the construction have proved that the town hall was located at the same place in the 13th century. The 600-year-old building was built upon the old town hall's brickwork. A stone building was there in 1250. A building with a meeting room (consistorium) and a basement (cellarium civitatis) is mentioned in 1322. As the town grew richer and more powerful, it was rebuilt. At the end of the 14th century, the building was as tall as it is now, but it was narrow and without the tower. Only the arcade-gear, which differed from the current one, referred to the fact that it was not an ordinary dwelling house.
By the 14th century, Tallinn (old name: Reval) developed into one of the most important intermediate ports of the Hanseatic trade road between Europe and Russia. The 15th century was the heyday of the Hanseatic city Tallinn, when the city was largely rebuilt thanks to the profits from trade. The central article that made its way from Europe through Tallinn to Russia, was salt. Salt was followed by fabrics and herring. Metals, wine and spices were also important. Although some of the things mentioned stayed at the local market, most of it went on to Russia. Crops were the most important from the goods taken from Tallinn to the west. Rye, wood, flax and limestone were from Livonia. Most building monuments that have remained to this day, come from the 15th century: Middle Age merchant houses, churches, guild halls and including the town hall.
The major work began at the beginning of the 15th century. The town council celebrated Easter of 1402 in the old building. The construction started right after the holidays. The leading master of the building was probably stonemason Ghercke. It is possible that the leading masters, including Ghercke, came from downtown Toompea, where extensive works had ended in the last quarter of the 14th century in the fortress, the circular wall of Great Toompea and in the Cathedral (toomkirik). 600 logs, 581 balks, 46 pairs of girders and 107 burdens of stone were brought to the construction site. The stones were brought from Lasnamäe, where a stonemasons village was located. The names of the carriers have been documented. Crude stones were brought for the bricklaying, but some of the details had to be made of cut stone. The main construction – foundations, walls and vaults – was built out of limestone brought from the limestone plateau, limestone brought from stone pits near the city and all put together using lime mortar. In 1403, the stones were cut and an arcade, pillars supporting the vaults, window jambs, etc. were built. The pillars of the arcade and the main portal in the western section that had an important role in the development of the building style of Tallinn, were built by Ghercke himself and his helpers. The smaller southern portal of the cathedral (Tallinna Toomkirik) was used as an example. It is known that the stonemason Yckmele built the pillars for the wine cellar and 200 blocks for the outer corners of the building. The windows were built by master Keyzner, one of the large family of stonemasons. Master Ghercke and his two helpers were paid five Rigan marks (one Rigan mark weighed 207.8 g of silver).
The construction work was finished at the end of 1404. The masters who had placed the tiles, glazed the windows and cleaned up the debris, got their salaries. The town council celebrated Christmas in a new building. The construction had lasted for two and a half years. The builders worked only in summer. A white lime coating covered the walls and left clean stone-constructions, that were made glossy, for many centuries.
The construction works continued later: the roof and a tower were repaired, the windowpanes and staircases were changed and the ovens were set. The Golden Age of the historical Tallinn was a period from the middle of the 15th century to the beginning of the 16th century. The economical prosperity of the Hanseatic times made architecture and artistic creations possible. The vane Old Thomas was established above the town hall in 1530 (the current vane is its exact copy; the initial vane is in the town hall's basement and the vane from 1996 is in the city museum (Linnamuuseum)). Heinrich Hartmann, who was from a well-known molder family, prepared a bell for the town hall at the end of the 16th century. In the 17th century the town hall got a new spire that was made by master builder Greiger Graff.
The sharp Gothic spire was replaced with a current spire in a Late Renaissance style in 1627–1629. "It can be said by the bricks with one sign, that several of the façade works, the repairs of the tower’s console and gable, the installation of new decorative gargoyles and the works of the interior, were done in the same time or at least solidly," architect Teddy Böckler said. "Apparently, the partitions were built in the grand hall between the pillars and the bulkhead at the height of the consoles, between the years 1630 and 1650. The fireplaces were built to heat these small rooms. Formerly, there were no rain deflectors that would reach the ground. The dragon-headed gargoyles from stone or iron were on the eaves instead of these. They had to lead the water away from the building. The coppersmith Daniel Pöppel hammered dragon-headed gargoyles from the copper-plates simultaneously with finishing the tower.  Now they are in the town hall because of their beauty.
In 1652–1652, the main entrance of the town hall was rebuilt and transferred to the central part of the building, which is characteristic of Baroque architecture. The main portal was closed. The arcade and the windows of the basement and the first floor, which revealed the originality and representation of the town hall, were walled up. The citizens' hall was divided into two floors and was divided into separate rooms. In 1860, the quadrangular windows were built ogival.
In 1944, the spire of the town hall burst into flames and was destroyed in the bombing of Tallinn in the World War II. This was the push to renovation after the war. The restorations were extensive. The tower was restored in 1952. In 1959–1960, the arcade was opened again and the traces of reconstructions from the previous century were removed. In 1971–1975 (architect Teddy Böckler, interior decorators Leila Pärtelpoeg and Udo Umberg), the walls and ceilings that had been built later were demolished and the town hall was constructed into a representative institution of Tallinn.
The tower's wooden structure that had been restored in 195, was partly rotten by 1996 and the tin coating was broken. So, the spire and the Old Thomas with a symbolic meaning were both replaced. The Old Thomas could have fallen down in case of a bigger storm. The works began in the beginning of 1996, when the needed details were prepared in Albu parish. The parts of the tower were transported to Tallinn in June – the assembly and covering with copper tiles had already begun. It took 1.4 tonnes of copper plates to cover the wooden structure of the tower. In the last week of work on Wednesday, the tower's parts were put together and initially, the Old Thomas was placed on the tower next to the town hall tower. The old tower had to be strengthened so that it would not decay during the work. The upper part was raised at 8:45 a.m. Initially the work was planned to be finished at 3:00 p.m but was delayed until night. The wind rose and when only the last part of the tower was left to be raised, there was a risk that the wind would disturb the work. Finally, at 7:00 p.m., the last part of the tower was taken to its place. The tower's construction and placement were worked out by the project office Sille, engineer Danil. Plans were carried out by AS Stinger, led by Voldemar Metsaallik. The spire was put up with the help of Pekkaniska aerial platform.
During the restorations in 1970, one huge medieval hall was restored. It had been rebuilt as smaller chambers for over 300 years. The ovens' two foot chimneys that were built to heat the chambers were demolished from the hall to the vaulted ceiling. The hole in the vaulted ceiling that was hacked there in the 17th century was covered with a plastered wooden base hanging on the ropes.
In 1996, the Old Thomas might have lost his sword when the old tower was lifted down. The Old Thomas' fastenings were almost completely unfixed and the water dripped from the tower sphere underneath the vane. Apparently, the sword could have fallen down with a storm on the town hall's roof or ended up in the house of a souvenir collector. In Tõnu Lauk's opinion, the Old Thomas decayed quickly because in 1952, the statue was left unpainted. In addition, nothing was done to prevent the rusting of fixing details. In addition, the wooden structure was built improperly. Water flowed in and the tower rotted quickly. During the construction of the new tower and a vane, these mistakes were kept in mind. Old Thomas was primed with red tin, painted and partly gilded. The light-green vane is allegedly exactly the same as the original. Old Thomas' face, neck, feet, sword, flag and the tower sphere on which the statue stands are golden. It took about four grams of golden plates for all of this. The change occurred in 1992 from architect Böckler from AS Vana Tallinn. He stated that complete gilding was not common before. The first Old Thomas from the year 1530 was also partly gilded. The original of Old Thomas and the dragon-head-shaped gargoyles that are also partly gilded confirm that saying.
The spire had lost its initial shape until that time because of the many restoration projects over the years. The current tower is more like the Niguliste church. It is more slim so that there is no room to move in the external balcony. The current spire is more characteristic of the 17th century Late Renaissance period. Until the construction works in autumn, the spire was red but then it was coloured green. Reconstructing the tower cost the city administration 1.8 million crowns in the old currency (Estonian crowns). The money was taken from the town's budget.
Tallinn Town Hall's attic was cleaned in 2002 and 2003. The construction company demolished the chimney to "the level of the attic floor" that had emerged from the rubbish that had accumulated in the vaults. The people undertaking the demolition did not dig through it themselves. About 300 tonnes/70 truckloads of rubbish were carried out from the vault's top. The vast majority was the ground that filled the gaps between arch domes and which historically fulfilled the role of heating. More than 300 findings were found during the excavation, among them were unique documents and things. During the past ten years they have been examined, cleaned and preserved and a small selection of them is on exhibition in the town hall's attic. Letters written to the town council and aldermen from the 14th–16th centuries, medieval firefighting equipment, tools, revolutionary leaflets from the year 1905, and more are on display. Teddy Böckler (born 17 May 1930 – died 8 December 2005), was Tallinn Town Hall's restoration architect from 1959 until the last restoration phase that was finished according to his project in 2006.
Most of the elements of the interior decor were not thrown away as the town hall's architect back then – Böckler – thought that they were a nice, complete and dignified part of the interior. In addition to the citizen's hall furniture, carbon black polyester lacquer partition doors called piano doors, which were very fashionable at the time and are in harmony with the other black elements of the interior, remained. The director of the town hall, Elviira Liiver Holmström, said that in addition to being restored, the town hall was partly reconstructed. Because of this, the town hall kitchen got back its casing pipe, which was once demolished. The chimney is partly a stairway where a spiral staircase leads to the attic. The attic was cleaned of dust and renovated and has become a museum and place for exhibitions.
In 2003, on 17 April, a huge piece of chimney from the 17th century that had been found while excavating the layer of rubbish in the attic fell through the big hall's ceiling; the hall was closed to events until 5 May. According to Böckler, the human-height piece from the fireplace stayed untouched during the restoration works in the 1970s. Two-metre high parts on the foot chimney were cleaned during the excavation of the Town Hall's attic. The brick lost its support from friction and relied on the wooden cover of the vaulted ceiling, of which the rope broke at night. At the moment of the accident, there were no people in the room.
In 2008, a medieval well and different models were found under the floor. The accounting room located on the second floor that had been the aldermen's workroom – and from the end of the 19th century until the 1970s the mayor's cabinet – was innovated in the same year. Tallies from the 16th and 17th century were copied, the copies were exhibited and the whole room was redesigned.
In 2009, Tallinn Town Hall underwent repairs for two months from February to March and the building was closed. Major repairs were planned. Initially there were plans to make floor repairs and large renovations. Floor tiles from dolomite were planned to be replaced with limestone. In addition to excavation, an underground drainage was planned to be opened to examine its condition; in addition, the expected findings were intended to be exhibited. Due to the lack of money, the scale of the project declined. Repairs were done in the basement hall, but events were not held in the upper hall due to the construction dust and noise. The walls of the ceiling had become friable to the touch and had started to decay. The ceiling in the basement was cleaned from the hatched and dirty latex colour and whitewashed. In addition, repairs were made in the staff room, which was given new furniture and lighting, as the rooms were too dim before the repairs.

Answer: representative


Question: What type of institution was this building constructed into?

Instruction: Extract documents linked to the question provided in conjunction with the image:

Studies of the construction have proved that the town hall was located at the same place in the 13th century. The 600-year-old building was built upon the old town hall's brickwork. A stone building was there in 1250. A building with a meeting room (consistorium) and a basement (cellarium civitatis) is mentioned in 1322. As the town grew richer and more powerful, it was rebuilt. At the end of the 14th century, the building was as tall as it is now, but it was narrow and without the tower. Only the arcade-gear, which differed from the current one, referred to the fact that it was not an ordinary dwelling house.
By the 14th century, Tallinn (old name: Reval) developed into one of the most important intermediate ports of the Hanseatic trade road between Europe and Russia. The 15th century was the heyday of the Hanseatic city Tallinn, when the city was largely rebuilt thanks to the profits from trade. The central article that made its way from Europe through Tallinn to Russia, was salt. Salt was followed by fabrics and herring. Metals, wine and spices were also important. Although some of the things mentioned stayed at the local market, most of it went on to Russia. Crops were the most important from the goods taken from Tallinn to the west. Rye, wood, flax and limestone were from Livonia. Most building monuments that have remained to this day, come from the 15th century: Middle Age merchant houses, churches, guild halls and including the town hall.
The major work began at the beginning of the 15th century. The town council celebrated Easter of 1402 in the old building. The construction started right after the holidays. The leading master of the building was probably stonemason Ghercke. It is possible that the leading masters, including Ghercke, came from downtown Toompea, where extensive works had ended in the last quarter of the 14th century in the fortress, the circular wall of Great Toompea and in the Cathedral (toomkirik). 600 logs, 581 balks, 46 pairs of girders and 107 burdens of stone were brought to the construction site. The stones were brought from Lasnamäe, where a stonemasons village was located. The names of the carriers have been documented. Crude stones were brought for the bricklaying, but some of the details had to be made of cut stone. The main construction – foundations, walls and vaults – was built out of limestone brought from the limestone plateau, limestone brought from stone pits near the city and all put together using lime mortar. In 1403, the stones were cut and an arcade, pillars supporting the vaults, window jambs, etc. were built. The pillars of the arcade and the main portal in the western section that had an important role in the development of the building style of Tallinn, were built by Ghercke himself and his helpers. The smaller southern portal of the cathedral (Tallinna Toomkirik) was used as an example. It is known that the stonemason Yckmele built the pillars for the wine cellar and 200 blocks for the outer corners of the building. The windows were built by master Keyzner, one of the large family of stonemasons. Master Ghercke and his two helpers were paid five Rigan marks (one Rigan mark weighed 207.8 g of silver).
The construction work was finished at the end of 1404. The masters who had placed the tiles, glazed the windows and cleaned up the debris, got their salaries. The town council celebrated Christmas in a new building. The construction had lasted for two and a half years. The builders worked only in summer. A white lime coating covered the walls and left clean stone-constructions, that were made glossy, for many centuries.
The construction works continued later: the roof and a tower were repaired, the windowpanes and staircases were changed and the ovens were set. The Golden Age of the historical Tallinn was a period from the middle of the 15th century to the beginning of the 16th century. The economical prosperity of the Hanseatic times made architecture and artistic creations possible. The vane Old Thomas was established above the town hall in 1530 (the current vane is its exact copy; the initial vane is in the town hall's basement and the vane from 1996 is in the city museum (Linnamuuseum)). Heinrich Hartmann, who was from a well-known molder family, prepared a bell for the town hall at the end of the 16th century. In the 17th century the town hall got a new spire that was made by master builder Greiger Graff.
The sharp Gothic spire was replaced with a current spire in a Late Renaissance style in 1627–1629. "It can be said by the bricks with one sign, that several of the façade works, the repairs of the tower’s console and gable, the installation of new decorative gargoyles and the works of the interior, were done in the same time or at least solidly," architect Teddy Böckler said. "Apparently, the partitions were built in the grand hall between the pillars and the bulkhead at the height of the consoles, between the years 1630 and 1650. The fireplaces were built to heat these small rooms. Formerly, there were no rain deflectors that would reach the ground. The dragon-headed gargoyles from stone or iron were on the eaves instead of these. They had to lead the water away from the building. The coppersmith Daniel Pöppel hammered dragon-headed gargoyles from the copper-plates simultaneously with finishing the tower.  Now they are in the town hall because of their beauty.
In 1652–1652, the main entrance of the town hall was rebuilt and transferred to the central part of the building, which is characteristic of Baroque architecture. The main portal was closed. The arcade and the windows of the basement and the first floor, which revealed the originality and representation of the town hall, were walled up. The citizens' hall was divided into two floors and was divided into separate rooms. In 1860, the quadrangular windows were built ogival.
In 1944, the spire of the town hall burst into flames and was destroyed in the bombing of Tallinn in the World War II. This was the push to renovation after the war. The restorations were extensive. The tower was restored in 1952. In 1959–1960, the arcade was opened again and the traces of reconstructions from the previous century were removed. In 1971–1975 (architect Teddy Böckler, interior decorators Leila Pärtelpoeg and Udo Umberg), the walls and ceilings that had been built later were demolished and the town hall was constructed into a representative institution of Tallinn.
The tower's wooden structure that had been restored in 195, was partly rotten by 1996 and the tin coating was broken. So, the spire and the Old Thomas with a symbolic meaning were both replaced. The Old Thomas could have fallen down in case of a bigger storm. The works began in the beginning of 1996, when the needed details were prepared in Albu parish. The parts of the tower were transported to Tallinn in June – the assembly and covering with copper tiles had already begun. It took 1.4 tonnes of copper plates to cover the wooden structure of the tower. In the last week of work on Wednesday, the tower's parts were put together and initially, the Old Thomas was placed on the tower next to the town hall tower. The old tower had to be strengthened so that it would not decay during the work. The upper part was raised at 8:45 a.m. Initially the work was planned to be finished at 3:00 p.m but was delayed until night. The wind rose and when only the last part of the tower was left to be raised, there was a risk that the wind would disturb the work. Finally, at 7:00 p.m., the last part of the tower was taken to its place. The tower's construction and placement were worked out by the project office Sille, engineer Danil. Plans were carried out by AS Stinger, led by Voldemar Metsaallik. The spire was put up with the help of Pekkaniska aerial platform.
During the restorations in 1970, one huge medieval hall was restored. It had been rebuilt as smaller chambers for over 300 years. The ovens' two foot chimneys that were built to heat the chambers were demolished from the hall to the vaulted ceiling. The hole in the vaulted ceiling that was hacked there in the 17th century was covered with a plastered wooden base hanging on the ropes.
In 1996, the Old Thomas might have lost his sword when the old tower was lifted down. The Old Thomas' fastenings were almost completely unfixed and the water dripped from the tower sphere underneath the vane. Apparently, the sword could have fallen down with a storm on the town hall's roof or ended up in the house of a souvenir collector. In Tõnu Lauk's opinion, the Old Thomas decayed quickly because in 1952, the statue was left unpainted. In addition, nothing was done to prevent the rusting of fixing details. In addition, the wooden structure was built improperly. Water flowed in and the tower rotted quickly. During the construction of the new tower and a vane, these mistakes were kept in mind. Old Thomas was primed with red tin, painted and partly gilded. The light-green vane is allegedly exactly the same as the original. Old Thomas' face, neck, feet, sword, flag and the tower sphere on which the statue stands are golden. It took about four grams of golden plates for all of this. The change occurred in 1992 from architect Böckler from AS Vana Tallinn. He stated that complete gilding was not common before. The first Old Thomas from the year 1530 was also partly gilded. The original of Old Thomas and the dragon-head-shaped gargoyles that are also partly gilded confirm that saying.
The spire had lost its initial shape until that time because of the many restoration projects over the years. The current tower is more like the Niguliste church. It is more slim so that there is no room to move in the external balcony. The current spire is more characteristic of the 17th century Late Renaissance period. Until the construction works in autumn, the spire was red but then it was coloured green. Reconstructing the tower cost the city administration 1.8 million crowns in the old currency (Estonian crowns). The money was taken from the town's budget.
Tallinn Town Hall's attic was cleaned in 2002 and 2003. The construction company demolished the chimney to "the level of the attic floor" that had emerged from the rubbish that had accumulated in the vaults. The people undertaking the demolition did not dig through it themselves. About 300 tonnes/70 truckloads of rubbish were carried out from the vault's top. The vast majority was the ground that filled the gaps between arch domes and which historically fulfilled the role of heating. More than 300 findings were found during the excavation, among them were unique documents and things. During the past ten years they have been examined, cleaned and preserved and a small selection of them is on exhibition in the town hall's attic. Letters written to the town council and aldermen from the 14th–16th centuries, medieval firefighting equipment, tools, revolutionary leaflets from the year 1905, and more are on display. Teddy Böckler (born 17 May 1930 – died 8 December 2005), was Tallinn Town Hall's restoration architect from 1959 until the last restoration phase that was finished according to his project in 2006.
Most of the elements of the interior decor were not thrown away as the town hall's architect back then – Böckler – thought that they were a nice, complete and dignified part of the interior. In addition to the citizen's hall furniture, carbon black polyester lacquer partition doors called piano doors, which were very fashionable at the time and are in harmony with the other black elements of the interior, remained. The director of the town hall, Elviira Liiver Holmström, said that in addition to being restored, the town hall was partly reconstructed. Because of this, the town hall kitchen got back its casing pipe, which was once demolished. The chimney is partly a stairway where a spiral staircase leads to the attic. The attic was cleaned of dust and renovated and has become a museum and place for exhibitions.
In 2003, on 17 April, a huge piece of chimney from the 17th century that had been found while excavating the layer of rubbish in the attic fell through the big hall's ceiling; the hall was closed to events until 5 May. According to Böckler, the human-height piece from the fireplace stayed untouched during the restoration works in the 1970s. Two-metre high parts on the foot chimney were cleaned during the excavation of the Town Hall's attic. The brick lost its support from friction and relied on the wooden cover of the vaulted ceiling, of which the rope broke at night. At the moment of the accident, there were no people in the room.
In 2008, a medieval well and different models were found under the floor. The accounting room located on the second floor that had been the aldermen's workroom – and from the end of the 19th century until the 1970s the mayor's cabinet – was innovated in the same year. Tallies from the 16th and 17th century were copied, the copies were exhibited and the whole room was redesigned.
In 2009, Tallinn Town Hall underwent repairs for two months from February to March and the building was closed. Major repairs were planned. Initially there were plans to make floor repairs and large renovations. Floor tiles from dolomite were planned to be replaced with limestone. In addition to excavation, an underground drainage was planned to be opened to examine its condition; in addition, the expected findings were intended to be exhibited. Due to the lack of money, the scale of the project declined. Repairs were done in the basement hall, but events were not held in the upper hall due to the construction dust and noise. The walls of the ceiling had become friable to the touch and had started to decay. The ceiling in the basement was cleaned from the hatched and dirty latex colour and whitewashed. In addition, repairs were made in the staff room, which was given new furniture and lighting, as the rooms were too dim before the repairs.

Answer: representative


Question: What type of institution was this building constructed into?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Studies of the construction have proved that the town hall was located at the same place in the 13th century. The 600-year-old building was built upon the old town hall's brickwork. A stone building was there in 1250. A building with a meeting room (consistorium) and a basement (cellarium civitatis) is mentioned in 1322. As the town grew richer and more powerful, it was rebuilt. At the end of the 14th century, the building was as tall as it is now, but it was narrow and without the tower. Only the arcade-gear, which differed from the current one, referred to the fact that it was not an ordinary dwelling house.
By the 14th century, Tallinn (old name: Reval) developed into one of the most important intermediate ports of the Hanseatic trade road between Europe and Russia. The 15th century was the heyday of the Hanseatic city Tallinn, when the city was largely rebuilt thanks to the profits from trade. The central article that made its way from Europe through Tallinn to Russia, was salt. Salt was followed by fabrics and herring. Metals, wine and spices were also important. Although some of the things mentioned stayed at the local market, most of it went on to Russia. Crops were the most important from the goods taken from Tallinn to the west. Rye, wood, flax and limestone were from Livonia. Most building monuments that have remained to this day, come from the 15th century: Middle Age merchant houses, churches, guild halls and including the town hall.
The major work began at the beginning of the 15th century. The town council celebrated Easter of 1402 in the old building. The construction started right after the holidays. The leading master of the building was probably stonemason Ghercke. It is possible that the leading masters, including Ghercke, came from downtown Toompea, where extensive works had ended in the last quarter of the 14th century in the fortress, the circular wall of Great Toompea and in the Cathedral (toomkirik). 600 logs, 581 balks, 46 pairs of girders and 107 burdens of stone were brought to the construction site. The stones were brought from Lasnamäe, where a stonemasons village was located. The names of the carriers have been documented. Crude stones were brought for the bricklaying, but some of the details had to be made of cut stone. The main construction – foundations, walls and vaults – was built out of limestone brought from the limestone plateau, limestone brought from stone pits near the city and all put together using lime mortar. In 1403, the stones were cut and an arcade, pillars supporting the vaults, window jambs, etc. were built. The pillars of the arcade and the main portal in the western section that had an important role in the development of the building style of Tallinn, were built by Ghercke himself and his helpers. The smaller southern portal of the cathedral (Tallinna Toomkirik) was used as an example. It is known that the stonemason Yckmele built the pillars for the wine cellar and 200 blocks for the outer corners of the building. The windows were built by master Keyzner, one of the large family of stonemasons. Master Ghercke and his two helpers were paid five Rigan marks (one Rigan mark weighed 207.8 g of silver).
The construction work was finished at the end of 1404. The masters who had placed the tiles, glazed the windows and cleaned up the debris, got their salaries. The town council celebrated Christmas in a new building. The construction had lasted for two and a half years. The builders worked only in summer. A white lime coating covered the walls and left clean stone-constructions, that were made glossy, for many centuries.
The construction works continued later: the roof and a tower were repaired, the windowpanes and staircases were changed and the ovens were set. The Golden Age of the historical Tallinn was a period from the middle of the 15th century to the beginning of the 16th century. The economical prosperity of the Hanseatic times made architecture and artistic creations possible. The vane Old Thomas was established above the town hall in 1530 (the current vane is its exact copy; the initial vane is in the town hall's basement and the vane from 1996 is in the city museum (Linnamuuseum)). Heinrich Hartmann, who was from a well-known molder family, prepared a bell for the town hall at the end of the 16th century. In the 17th century the town hall got a new spire that was made by master builder Greiger Graff.
The sharp Gothic spire was replaced with a current spire in a Late Renaissance style in 1627–1629. "It can be said by the bricks with one sign, that several of the façade works, the repairs of the tower’s console and gable, the installation of new decorative gargoyles and the works of the interior, were done in the same time or at least solidly," architect Teddy Böckler said. "Apparently, the partitions were built in the grand hall between the pillars and the bulkhead at the height of the consoles, between the years 1630 and 1650. The fireplaces were built to heat these small rooms. Formerly, there were no rain deflectors that would reach the ground. The dragon-headed gargoyles from stone or iron were on the eaves instead of these. They had to lead the water away from the building. The coppersmith Daniel Pöppel hammered dragon-headed gargoyles from the copper-plates simultaneously with finishing the tower.  Now they are in the town hall because of their beauty.
In 1652–1652, the main entrance of the town hall was rebuilt and transferred to the central part of the building, which is characteristic of Baroque architecture. The main portal was closed. The arcade and the windows of the basement and the first floor, which revealed the originality and representation of the town hall, were walled up. The citizens' hall was divided into two floors and was divided into separate rooms. In 1860, the quadrangular windows were built ogival.
In 1944, the spire of the town hall burst into flames and was destroyed in the bombing of Tallinn in the World War II. This was the push to renovation after the war. The restorations were extensive. The tower was restored in 1952. In 1959–1960, the arcade was opened again and the traces of reconstructions from the previous century were removed. In 1971–1975 (architect Teddy Böckler, interior decorators Leila Pärtelpoeg and Udo Umberg), the walls and ceilings that had been built later were demolished and the town hall was constructed into a representative institution of Tallinn.
The tower's wooden structure that had been restored in 195, was partly rotten by 1996 and the tin coating was broken. So, the spire and the Old Thomas with a symbolic meaning were both replaced. The Old Thomas could have fallen down in case of a bigger storm. The works began in the beginning of 1996, when the needed details were prepared in Albu parish. The parts of the tower were transported to Tallinn in June – the assembly and covering with copper tiles had already begun. It took 1.4 tonnes of copper plates to cover the wooden structure of the tower. In the last week of work on Wednesday, the tower's parts were put together and initially, the Old Thomas was placed on the tower next to the town hall tower. The old tower had to be strengthened so that it would not decay during the work. The upper part was raised at 8:45 a.m. Initially the work was planned to be finished at 3:00 p.m but was delayed until night. The wind rose and when only the last part of the tower was left to be raised, there was a risk that the wind would disturb the work. Finally, at 7:00 p.m., the last part of the tower was taken to its place. The tower's construction and placement were worked out by the project office Sille, engineer Danil. Plans were carried out by AS Stinger, led by Voldemar Metsaallik. The spire was put up with the help of Pekkaniska aerial platform.
During the restorations in 1970, one huge medieval hall was restored. It had been rebuilt as smaller chambers for over 300 years. The ovens' two foot chimneys that were built to heat the chambers were demolished from the hall to the vaulted ceiling. The hole in the vaulted ceiling that was hacked there in the 17th century was covered with a plastered wooden base hanging on the ropes.
In 1996, the Old Thomas might have lost his sword when the old tower was lifted down. The Old Thomas' fastenings were almost completely unfixed and the water dripped from the tower sphere underneath the vane. Apparently, the sword could have fallen down with a storm on the town hall's roof or ended up in the house of a souvenir collector. In Tõnu Lauk's opinion, the Old Thomas decayed quickly because in 1952, the statue was left unpainted. In addition, nothing was done to prevent the rusting of fixing details. In addition, the wooden structure was built improperly. Water flowed in and the tower rotted quickly. During the construction of the new tower and a vane, these mistakes were kept in mind. Old Thomas was primed with red tin, painted and partly gilded. The light-green vane is allegedly exactly the same as the original. Old Thomas' face, neck, feet, sword, flag and the tower sphere on which the statue stands are golden. It took about four grams of golden plates for all of this. The change occurred in 1992 from architect Böckler from AS Vana Tallinn. He stated that complete gilding was not common before. The first Old Thomas from the year 1530 was also partly gilded. The original of Old Thomas and the dragon-head-shaped gargoyles that are also partly gilded confirm that saying.
The spire had lost its initial shape until that time because of the many restoration projects over the years. The current tower is more like the Niguliste church. It is more slim so that there is no room to move in the external balcony. The current spire is more characteristic of the 17th century Late Renaissance period. Until the construction works in autumn, the spire was red but then it was coloured green. Reconstructing the tower cost the city administration 1.8 million crowns in the old currency (Estonian crowns). The money was taken from the town's budget.
Tallinn Town Hall's attic was cleaned in 2002 and 2003. The construction company demolished the chimney to "the level of the attic floor" that had emerged from the rubbish that had accumulated in the vaults. The people undertaking the demolition did not dig through it themselves. About 300 tonnes/70 truckloads of rubbish were carried out from the vault's top. The vast majority was the ground that filled the gaps between arch domes and which historically fulfilled the role of heating. More than 300 findings were found during the excavation, among them were unique documents and things. During the past ten years they have been examined, cleaned and preserved and a small selection of them is on exhibition in the town hall's attic. Letters written to the town council and aldermen from the 14th–16th centuries, medieval firefighting equipment, tools, revolutionary leaflets from the year 1905, and more are on display. Teddy Böckler (born 17 May 1930 – died 8 December 2005), was Tallinn Town Hall's restoration architect from 1959 until the last restoration phase that was finished according to his project in 2006.
Most of the elements of the interior decor were not thrown away as the town hall's architect back then – Böckler – thought that they were a nice, complete and dignified part of the interior. In addition to the citizen's hall furniture, carbon black polyester lacquer partition doors called piano doors, which were very fashionable at the time and are in harmony with the other black elements of the interior, remained. The director of the town hall, Elviira Liiver Holmström, said that in addition to being restored, the town hall was partly reconstructed. Because of this, the town hall kitchen got back its casing pipe, which was once demolished. The chimney is partly a stairway where a spiral staircase leads to the attic. The attic was cleaned of dust and renovated and has become a museum and place for exhibitions.
In 2003, on 17 April, a huge piece of chimney from the 17th century that had been found while excavating the layer of rubbish in the attic fell through the big hall's ceiling; the hall was closed to events until 5 May. According to Böckler, the human-height piece from the fireplace stayed untouched during the restoration works in the 1970s. Two-metre high parts on the foot chimney were cleaned during the excavation of the Town Hall's attic. The brick lost its support from friction and relied on the wooden cover of the vaulted ceiling, of which the rope broke at night. At the moment of the accident, there were no people in the room.
In 2008, a medieval well and different models were found under the floor. The accounting room located on the second floor that had been the aldermen's workroom – and from the end of the 19th century until the 1970s the mayor's cabinet – was innovated in the same year. Tallies from the 16th and 17th century were copied, the copies were exhibited and the whole room was redesigned.
In 2009, Tallinn Town Hall underwent repairs for two months from February to March and the building was closed. Major repairs were planned. Initially there were plans to make floor repairs and large renovations. Floor tiles from dolomite were planned to be replaced with limestone. In addition to excavation, an underground drainage was planned to be opened to examine its condition; in addition, the expected findings were intended to be exhibited. Due to the lack of money, the scale of the project declined. Repairs were done in the basement hall, but events were not held in the upper hall due to the construction dust and noise. The walls of the ceiling had become friable to the touch and had started to decay. The ceiling in the basement was cleaned from the hatched and dirty latex colour and whitewashed. In addition, repairs were made in the staff room, which was given new furniture and lighting, as the rooms were too dim before the repairs.

Answer: representative