Question: Which forces conquered this castle and when?

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The former castle in Navahrudak, Belarus (Belarusian: Навагрудскі замак, Lithuanian: Naugarduko pilis, Polish: Zamek w Nowogródku) was one of the key strongholds of the Grand Duchy of Lithuania, cited by Maciej Stryjkowski as the location of Mindaugas's coronation as King of Lithuania as well as his likely burial place. Modern historians cannot make up their minds as to the true location of Mindaugas's coronation.
As early as the 14th century, Navahrudak is known to have possessed a stone tower along the lines of Tower of Kamyanyets. Other fortifications were of timber. The castle was stormed by the Teutonic Knights under Heinrich von Plötzke in 1314. Although the attack was not successful, the tower sustained substantial damage.
During the reign of Vytautas the Great four new stone towers were added to the system of Navahrudak fortifications. In the 17th century the main castle boasted 7 towers, apart from those of the Lesser Castle. Navahrudak was one of the northernmost forts besieged by the Crimean Tatars in the 16th century.
Navahrudak was twice occupied by Russian forces during the Russo-Polish War (1654–67). Further destruction was inflicted by the Swedes who sacked Navahrudak as part of the Great Northern War in 1706. Attempts to preserve the ruins from further decay were undertaken in the 1920s. The castle grounds at present provide the setting for medieval reenactment and theatrical jousting.

Answer: russian forces during the russo-polish war (1654–67)


Question: Which forces conquered this castle and when?

Instruction: With the provided image, gather documents that offer a solution to the question:

The former castle in Navahrudak, Belarus (Belarusian: Навагрудскі замак, Lithuanian: Naugarduko pilis, Polish: Zamek w Nowogródku) was one of the key strongholds of the Grand Duchy of Lithuania, cited by Maciej Stryjkowski as the location of Mindaugas's coronation as King of Lithuania as well as his likely burial place. Modern historians cannot make up their minds as to the true location of Mindaugas's coronation.
As early as the 14th century, Navahrudak is known to have possessed a stone tower along the lines of Tower of Kamyanyets. Other fortifications were of timber. The castle was stormed by the Teutonic Knights under Heinrich von Plötzke in 1314. Although the attack was not successful, the tower sustained substantial damage.
During the reign of Vytautas the Great four new stone towers were added to the system of Navahrudak fortifications. In the 17th century the main castle boasted 7 towers, apart from those of the Lesser Castle. Navahrudak was one of the northernmost forts besieged by the Crimean Tatars in the 16th century.
Navahrudak was twice occupied by Russian forces during the Russo-Polish War (1654–67). Further destruction was inflicted by the Swedes who sacked Navahrudak as part of the Great Northern War in 1706. Attempts to preserve the ruins from further decay were undertaken in the 1920s. The castle grounds at present provide the setting for medieval reenactment and theatrical jousting.

Answer: russian forces during the russo-polish war (1654–67)


Question: Which forces conquered this castle and when?

Instruction: Extract documents linked to the question provided in conjunction with the image:

The former castle in Navahrudak, Belarus (Belarusian: Навагрудскі замак, Lithuanian: Naugarduko pilis, Polish: Zamek w Nowogródku) was one of the key strongholds of the Grand Duchy of Lithuania, cited by Maciej Stryjkowski as the location of Mindaugas's coronation as King of Lithuania as well as his likely burial place. Modern historians cannot make up their minds as to the true location of Mindaugas's coronation.
As early as the 14th century, Navahrudak is known to have possessed a stone tower along the lines of Tower of Kamyanyets. Other fortifications were of timber. The castle was stormed by the Teutonic Knights under Heinrich von Plötzke in 1314. Although the attack was not successful, the tower sustained substantial damage.
During the reign of Vytautas the Great four new stone towers were added to the system of Navahrudak fortifications. In the 17th century the main castle boasted 7 towers, apart from those of the Lesser Castle. Navahrudak was one of the northernmost forts besieged by the Crimean Tatars in the 16th century.
Navahrudak was twice occupied by Russian forces during the Russo-Polish War (1654–67). Further destruction was inflicted by the Swedes who sacked Navahrudak as part of the Great Northern War in 1706. Attempts to preserve the ruins from further decay were undertaken in the 1920s. The castle grounds at present provide the setting for medieval reenactment and theatrical jousting.

Answer: russian forces during the russo-polish war (1654–67)


Question: In which year(s) was this castle rebuilt?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

Rzeszów Castle - one of the main landmarks of Rzeszów rebuilt between 1902-1906, located on the former grounds of the castle of the House of Lubomirski. The castle located between Aleja Pod Kasztanami and Aleja Lubomirski, Chopin Street, Śreniawitów Square and Colonel Lis-Kula Street. Currently the castle houses the seat of the provincial court, the building housed a prison up until 1981.
An early fortress stood on the castle's grounds since the sixteenth century. At the end of the same century, Mikołaj Spytek Ligęza built a Motte-and-bailey castle close by to the current castle's location. In 1620 he expanded the castle into a "Palazzo in fortezza". Since 1637 the castle was put under the ownership of the House of Lubomirski. Most of the building works were done by Tylman van Gameren and  Karol Henryk Wiedemann. In 1820 the complex was brought under Austrian authorities; which adapted the building for a courthouse and a prison. The building was deconstructed at the beginning of the twentieth century due to its poor state. The only parts left from the original complex are the gatehouse and bastion fortifications.
The Lubomirski Palace is located close to the Castle.

Answer: between 1902-1906


Question: In which year(s) was this castle rebuilt?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

Rzeszów Castle - one of the main landmarks of Rzeszów rebuilt between 1902-1906, located on the former grounds of the castle of the House of Lubomirski. The castle located between Aleja Pod Kasztanami and Aleja Lubomirski, Chopin Street, Śreniawitów Square and Colonel Lis-Kula Street. Currently the castle houses the seat of the provincial court, the building housed a prison up until 1981.
An early fortress stood on the castle's grounds since the sixteenth century. At the end of the same century, Mikołaj Spytek Ligęza built a Motte-and-bailey castle close by to the current castle's location. In 1620 he expanded the castle into a "Palazzo in fortezza". Since 1637 the castle was put under the ownership of the House of Lubomirski. Most of the building works were done by Tylman van Gameren and  Karol Henryk Wiedemann. In 1820 the complex was brought under Austrian authorities; which adapted the building for a courthouse and a prison. The building was deconstructed at the beginning of the twentieth century due to its poor state. The only parts left from the original complex are the gatehouse and bastion fortifications.
The Lubomirski Palace is located close to the Castle.

Answer: between 1902-1906


Question: In which year(s) was this castle rebuilt?

Instruction: Extract documents linked to the question provided in conjunction with the image:

Rzeszów Castle - one of the main landmarks of Rzeszów rebuilt between 1902-1906, located on the former grounds of the castle of the House of Lubomirski. The castle located between Aleja Pod Kasztanami and Aleja Lubomirski, Chopin Street, Śreniawitów Square and Colonel Lis-Kula Street. Currently the castle houses the seat of the provincial court, the building housed a prison up until 1981.
An early fortress stood on the castle's grounds since the sixteenth century. At the end of the same century, Mikołaj Spytek Ligęza built a Motte-and-bailey castle close by to the current castle's location. In 1620 he expanded the castle into a "Palazzo in fortezza". Since 1637 the castle was put under the ownership of the House of Lubomirski. Most of the building works were done by Tylman van Gameren and  Karol Henryk Wiedemann. In 1820 the complex was brought under Austrian authorities; which adapted the building for a courthouse and a prison. The building was deconstructed at the beginning of the twentieth century due to its poor state. The only parts left from the original complex are the gatehouse and bastion fortifications.
The Lubomirski Palace is located close to the Castle.

Answer: between 1902-1906


Question: In which year(s) was this castle rebuilt?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

Rzeszów Castle - one of the main landmarks of Rzeszów rebuilt between 1902-1906, located on the former grounds of the castle of the House of Lubomirski. The castle located between Aleja Pod Kasztanami and Aleja Lubomirski, Chopin Street, Śreniawitów Square and Colonel Lis-Kula Street. Currently the castle houses the seat of the provincial court, the building housed a prison up until 1981.
An early fortress stood on the castle's grounds since the sixteenth century. At the end of the same century, Mikołaj Spytek Ligęza built a Motte-and-bailey castle close by to the current castle's location. In 1620 he expanded the castle into a "Palazzo in fortezza". Since 1637 the castle was put under the ownership of the House of Lubomirski. Most of the building works were done by Tylman van Gameren and  Karol Henryk Wiedemann. In 1820 the complex was brought under Austrian authorities; which adapted the building for a courthouse and a prison. The building was deconstructed at the beginning of the twentieth century due to its poor state. The only parts left from the original complex are the gatehouse and bastion fortifications.
The Lubomirski Palace is located close to the Castle.

Answer: between 1902-1906


Question: In which year(s) was this castle rebuilt?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Rzeszów Castle - one of the main landmarks of Rzeszów rebuilt between 1902-1906, located on the former grounds of the castle of the House of Lubomirski. The castle located between Aleja Pod Kasztanami and Aleja Lubomirski, Chopin Street, Śreniawitów Square and Colonel Lis-Kula Street. Currently the castle houses the seat of the provincial court, the building housed a prison up until 1981.
An early fortress stood on the castle's grounds since the sixteenth century. At the end of the same century, Mikołaj Spytek Ligęza built a Motte-and-bailey castle close by to the current castle's location. In 1620 he expanded the castle into a "Palazzo in fortezza". Since 1637 the castle was put under the ownership of the House of Lubomirski. Most of the building works were done by Tylman van Gameren and  Karol Henryk Wiedemann. In 1820 the complex was brought under Austrian authorities; which adapted the building for a courthouse and a prison. The building was deconstructed at the beginning of the twentieth century due to its poor state. The only parts left from the original complex are the gatehouse and bastion fortifications.
The Lubomirski Palace is located close to the Castle.

Answer: between 1902-1906


Question: Which forces conquered this castle and when?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

Not a lot is known about the initial construction of Ligęza's fortress (castle). No information about the architect nor scripture of the fortress has been preserved. Most of the information gathered about the complex is of the stock-taking done by Zygmund Hendel in 1897.
The main building of the complex was fortificated with walls, it had several levels and a double-courtyard located in the northern part of the complex. The complex's floor plan was similar to that of a square. Close by to the complex there was a number of warehouses - whose function remains uncertain. The whole complex and warehouses were surrounded by a thick defensive wall - whose thickness passed 1,5 metres. The three parts of the complex (east, west and south) all had posterns with battery artillery. The fortification was strengthened by a bastion, located in the south-east corner of the complex's square formation. It is likely that another one stood in the south-west of the complex. There is no other identification for the former existence of two other bastions, although during Ligęza's reign they might have been planned. The gate which allowed access to head into the castle was located, where it currently is, in the middle of the western wall.
The main reason for Ligęza to build such powerful and well defended fortress may have been to so to underline his importance, authority and wealth, making his fortress and fortifications to have a greater role for repressing the people, and accepting his reign, than actually serving as a defensive fortress. Such perception can be strengthened by the accounts of his nephew - Andrzej Ligęza, who tried to become his successor. In 1603, he marched his army into Rzeszów - devastating the walls, burned the warehouses and began besieging the castle - which was successful after a few days. Mikołaj Ligęza addressed the situation by devastating Andrzej's property in Staroniwa and Zwieńczyca. In effect Andrzej had looted Rzeszów, regaining the castle. In the following years, Mikołaj Ligęza had continued his scuffles with Stanisław Stadnicki of Łańcut (1600-1605), and with his son Władysław (1617-1619). All of these clashes meant that, after 1620, when Mikołaj Ligęza became a castellan, he ordered for a reconstruction of the castle.

Answer: andrzej ligęza in 1603


Question: Which forces conquered this castle and when?

Instruction: With the provided image, gather documents that offer a solution to the question:

Not a lot is known about the initial construction of Ligęza's fortress (castle). No information about the architect nor scripture of the fortress has been preserved. Most of the information gathered about the complex is of the stock-taking done by Zygmund Hendel in 1897.
The main building of the complex was fortificated with walls, it had several levels and a double-courtyard located in the northern part of the complex. The complex's floor plan was similar to that of a square. Close by to the complex there was a number of warehouses - whose function remains uncertain. The whole complex and warehouses were surrounded by a thick defensive wall - whose thickness passed 1,5 metres. The three parts of the complex (east, west and south) all had posterns with battery artillery. The fortification was strengthened by a bastion, located in the south-east corner of the complex's square formation. It is likely that another one stood in the south-west of the complex. There is no other identification for the former existence of two other bastions, although during Ligęza's reign they might have been planned. The gate which allowed access to head into the castle was located, where it currently is, in the middle of the western wall.
The main reason for Ligęza to build such powerful and well defended fortress may have been to so to underline his importance, authority and wealth, making his fortress and fortifications to have a greater role for repressing the people, and accepting his reign, than actually serving as a defensive fortress. Such perception can be strengthened by the accounts of his nephew - Andrzej Ligęza, who tried to become his successor. In 1603, he marched his army into Rzeszów - devastating the walls, burned the warehouses and began besieging the castle - which was successful after a few days. Mikołaj Ligęza addressed the situation by devastating Andrzej's property in Staroniwa and Zwieńczyca. In effect Andrzej had looted Rzeszów, regaining the castle. In the following years, Mikołaj Ligęza had continued his scuffles with Stanisław Stadnicki of Łańcut (1600-1605), and with his son Władysław (1617-1619). All of these clashes meant that, after 1620, when Mikołaj Ligęza became a castellan, he ordered for a reconstruction of the castle.

Answer: andrzej ligęza in 1603


Question: Which forces conquered this castle and when?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Not a lot is known about the initial construction of Ligęza's fortress (castle). No information about the architect nor scripture of the fortress has been preserved. Most of the information gathered about the complex is of the stock-taking done by Zygmund Hendel in 1897.
The main building of the complex was fortificated with walls, it had several levels and a double-courtyard located in the northern part of the complex. The complex's floor plan was similar to that of a square. Close by to the complex there was a number of warehouses - whose function remains uncertain. The whole complex and warehouses were surrounded by a thick defensive wall - whose thickness passed 1,5 metres. The three parts of the complex (east, west and south) all had posterns with battery artillery. The fortification was strengthened by a bastion, located in the south-east corner of the complex's square formation. It is likely that another one stood in the south-west of the complex. There is no other identification for the former existence of two other bastions, although during Ligęza's reign they might have been planned. The gate which allowed access to head into the castle was located, where it currently is, in the middle of the western wall.
The main reason for Ligęza to build such powerful and well defended fortress may have been to so to underline his importance, authority and wealth, making his fortress and fortifications to have a greater role for repressing the people, and accepting his reign, than actually serving as a defensive fortress. Such perception can be strengthened by the accounts of his nephew - Andrzej Ligęza, who tried to become his successor. In 1603, he marched his army into Rzeszów - devastating the walls, burned the warehouses and began besieging the castle - which was successful after a few days. Mikołaj Ligęza addressed the situation by devastating Andrzej's property in Staroniwa and Zwieńczyca. In effect Andrzej had looted Rzeszów, regaining the castle. In the following years, Mikołaj Ligęza had continued his scuffles with Stanisław Stadnicki of Łańcut (1600-1605), and with his son Władysław (1617-1619). All of these clashes meant that, after 1620, when Mikołaj Ligęza became a castellan, he ordered for a reconstruction of the castle.

Answer: andrzej ligęza in 1603


Question: Which forces conquered this castle and when?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Not a lot is known about the initial construction of Ligęza's fortress (castle). No information about the architect nor scripture of the fortress has been preserved. Most of the information gathered about the complex is of the stock-taking done by Zygmund Hendel in 1897.
The main building of the complex was fortificated with walls, it had several levels and a double-courtyard located in the northern part of the complex. The complex's floor plan was similar to that of a square. Close by to the complex there was a number of warehouses - whose function remains uncertain. The whole complex and warehouses were surrounded by a thick defensive wall - whose thickness passed 1,5 metres. The three parts of the complex (east, west and south) all had posterns with battery artillery. The fortification was strengthened by a bastion, located in the south-east corner of the complex's square formation. It is likely that another one stood in the south-west of the complex. There is no other identification for the former existence of two other bastions, although during Ligęza's reign they might have been planned. The gate which allowed access to head into the castle was located, where it currently is, in the middle of the western wall.
The main reason for Ligęza to build such powerful and well defended fortress may have been to so to underline his importance, authority and wealth, making his fortress and fortifications to have a greater role for repressing the people, and accepting his reign, than actually serving as a defensive fortress. Such perception can be strengthened by the accounts of his nephew - Andrzej Ligęza, who tried to become his successor. In 1603, he marched his army into Rzeszów - devastating the walls, burned the warehouses and began besieging the castle - which was successful after a few days. Mikołaj Ligęza addressed the situation by devastating Andrzej's property in Staroniwa and Zwieńczyca. In effect Andrzej had looted Rzeszów, regaining the castle. In the following years, Mikołaj Ligęza had continued his scuffles with Stanisław Stadnicki of Łańcut (1600-1605), and with his son Władysław (1617-1619). All of these clashes meant that, after 1620, when Mikołaj Ligęza became a castellan, he ordered for a reconstruction of the castle.

Answer: andrzej ligęza in 1603


Question: Which forces conquered this castle and when?

Instruction: With the provided image, gather documents that offer a solution to the question:

Not a lot is known about the initial construction of Ligęza's fortress (castle). No information about the architect nor scripture of the fortress has been preserved. Most of the information gathered about the complex is of the stock-taking done by Zygmund Hendel in 1897.
The main building of the complex was fortificated with walls, it had several levels and a double-courtyard located in the northern part of the complex. The complex's floor plan was similar to that of a square. Close by to the complex there was a number of warehouses - whose function remains uncertain. The whole complex and warehouses were surrounded by a thick defensive wall - whose thickness passed 1,5 metres. The three parts of the complex (east, west and south) all had posterns with battery artillery. The fortification was strengthened by a bastion, located in the south-east corner of the complex's square formation. It is likely that another one stood in the south-west of the complex. There is no other identification for the former existence of two other bastions, although during Ligęza's reign they might have been planned. The gate which allowed access to head into the castle was located, where it currently is, in the middle of the western wall.
The main reason for Ligęza to build such powerful and well defended fortress may have been to so to underline his importance, authority and wealth, making his fortress and fortifications to have a greater role for repressing the people, and accepting his reign, than actually serving as a defensive fortress. Such perception can be strengthened by the accounts of his nephew - Andrzej Ligęza, who tried to become his successor. In 1603, he marched his army into Rzeszów - devastating the walls, burned the warehouses and began besieging the castle - which was successful after a few days. Mikołaj Ligęza addressed the situation by devastating Andrzej's property in Staroniwa and Zwieńczyca. In effect Andrzej had looted Rzeszów, regaining the castle. In the following years, Mikołaj Ligęza had continued his scuffles with Stanisław Stadnicki of Łańcut (1600-1605), and with his son Władysław (1617-1619). All of these clashes meant that, after 1620, when Mikołaj Ligęza became a castellan, he ordered for a reconstruction of the castle.

Answer: andrzej ligęza in 1603


Question: What religious denomination is associated to this place?

Instruction: With the provided image, gather documents that offer a solution to the question:

Basilica of the Assumption of the Blessed Virgin Mary in Krzeszów (Polish: Bazylika Wniebowzięcia NMP w Krzeszowie is a Roman Catholic church and abbey of the Order of Saint Benedict in Krzeszów, Lower Silesian Voivodeship. Built around 1728–1735, it is a notable baroque church in Silesia, with the art of Ferdinand Brokoff (sculptor) and Michael Willmann (painter). It is also one of the shrines to the Virgin Mary, with a 13th old painting. In one of the chapels there is a mausoleum to Silesian Piasts: Bolko I the Strict and Bolko II the Small.
It is a basilica since 1998.

WikiWeb_Basilica of the Assumption of the Blessed Virgin Mary, Krzeszów_0

Answer: roman catholic


Question: What religious denomination is associated to this place?

Instruction: Using the given image, access documents that provide insights into the following question:

Basilica of the Assumption of the Blessed Virgin Mary in Krzeszów (Polish: Bazylika Wniebowzięcia NMP w Krzeszowie is a Roman Catholic church and abbey of the Order of Saint Benedict in Krzeszów, Lower Silesian Voivodeship. Built around 1728–1735, it is a notable baroque church in Silesia, with the art of Ferdinand Brokoff (sculptor) and Michael Willmann (painter). It is also one of the shrines to the Virgin Mary, with a 13th old painting. In one of the chapels there is a mausoleum to Silesian Piasts: Bolko I the Strict and Bolko II the Small.
It is a basilica since 1998.

WikiWeb_Basilica of the Assumption of the Blessed Virgin Mary, Krzeszów_0

Answer: roman catholic


Question: What religious denomination is associated to this place?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Basilica of the Assumption of the Blessed Virgin Mary in Krzeszów (Polish: Bazylika Wniebowzięcia NMP w Krzeszowie is a Roman Catholic church and abbey of the Order of Saint Benedict in Krzeszów, Lower Silesian Voivodeship. Built around 1728–1735, it is a notable baroque church in Silesia, with the art of Ferdinand Brokoff (sculptor) and Michael Willmann (painter). It is also one of the shrines to the Virgin Mary, with a 13th old painting. In one of the chapels there is a mausoleum to Silesian Piasts: Bolko I the Strict and Bolko II the Small.
It is a basilica since 1998.

WikiWeb_Basilica of the Assumption of the Blessed Virgin Mary, Krzeszów_0

Answer: roman catholic


Question: What religious denomination is associated to this place?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

Basilica of the Assumption of the Blessed Virgin Mary in Krzeszów (Polish: Bazylika Wniebowzięcia NMP w Krzeszowie is a Roman Catholic church and abbey of the Order of Saint Benedict in Krzeszów, Lower Silesian Voivodeship. Built around 1728–1735, it is a notable baroque church in Silesia, with the art of Ferdinand Brokoff (sculptor) and Michael Willmann (painter). It is also one of the shrines to the Virgin Mary, with a 13th old painting. In one of the chapels there is a mausoleum to Silesian Piasts: Bolko I the Strict and Bolko II the Small.
It is a basilica since 1998.

WikiWeb_Basilica of the Assumption of the Blessed Virgin Mary, Krzeszów_0

Answer: roman catholic


Question: What religious denomination is associated to this place?

Instruction: Extract documents linked to the question provided in conjunction with the image:

Basilica of the Assumption of the Blessed Virgin Mary in Krzeszów (Polish: Bazylika Wniebowzięcia NMP w Krzeszowie is a Roman Catholic church and abbey of the Order of Saint Benedict in Krzeszów, Lower Silesian Voivodeship. Built around 1728–1735, it is a notable baroque church in Silesia, with the art of Ferdinand Brokoff (sculptor) and Michael Willmann (painter). It is also one of the shrines to the Virgin Mary, with a 13th old painting. In one of the chapels there is a mausoleum to Silesian Piasts: Bolko I the Strict and Bolko II the Small.
It is a basilica since 1998.

WikiWeb_Basilica of the Assumption of the Blessed Virgin Mary, Krzeszów_0

Answer: roman catholic


Question: How many floors are there in this house?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

Belsay Castle is a 14th-century medieval castle situated at Belsay, Northumberland, England. It is a Scheduled Monument and a Grade I listed building.
The main structure, a substantial three-storey rectangular pele tower with rounded turrets and battlements, was constructed about 1370, and was the home of the Middleton family.  In 1614 Thomas Middleton built a new manor house attached to the tower.  A west wing was added in 1711 but was largely demolished in 1872 by Sir Arthur Middleton when the remainder of the house was considerably altered.
The castle was abandoned as a residence by the family in the early 19th century when Sir Charles Monck built Belsay Hall close by.  The interiors were largely removed and it was then used as a ready-made folly, as was fashionable among the aristocracy at the time, serving as the setting for garden parties and other entertainments.
The castle is administered by English Heritage and is open to the public.

Answer: three-storey


Question: How many floors are there in this house?

Instruction: With the provided image, gather documents that offer a solution to the question:

Belsay Castle is a 14th-century medieval castle situated at Belsay, Northumberland, England. It is a Scheduled Monument and a Grade I listed building.
The main structure, a substantial three-storey rectangular pele tower with rounded turrets and battlements, was constructed about 1370, and was the home of the Middleton family.  In 1614 Thomas Middleton built a new manor house attached to the tower.  A west wing was added in 1711 but was largely demolished in 1872 by Sir Arthur Middleton when the remainder of the house was considerably altered.
The castle was abandoned as a residence by the family in the early 19th century when Sir Charles Monck built Belsay Hall close by.  The interiors were largely removed and it was then used as a ready-made folly, as was fashionable among the aristocracy at the time, serving as the setting for garden parties and other entertainments.
The castle is administered by English Heritage and is open to the public.

Answer: three-storey


Question: How many floors are there in this house?

Instruction: Using the provided image, obtain documents that address the subsequent question:

Belsay Castle is a 14th-century medieval castle situated at Belsay, Northumberland, England. It is a Scheduled Monument and a Grade I listed building.
The main structure, a substantial three-storey rectangular pele tower with rounded turrets and battlements, was constructed about 1370, and was the home of the Middleton family.  In 1614 Thomas Middleton built a new manor house attached to the tower.  A west wing was added in 1711 but was largely demolished in 1872 by Sir Arthur Middleton when the remainder of the house was considerably altered.
The castle was abandoned as a residence by the family in the early 19th century when Sir Charles Monck built Belsay Hall close by.  The interiors were largely removed and it was then used as a ready-made folly, as was fashionable among the aristocracy at the time, serving as the setting for garden parties and other entertainments.
The castle is administered by English Heritage and is open to the public.

Answer: three-storey


Question: How many floors are there in this house?

Instruction: Extract documents linked to the question provided in conjunction with the image:

Belsay Castle is a 14th-century medieval castle situated at Belsay, Northumberland, England. It is a Scheduled Monument and a Grade I listed building.
The main structure, a substantial three-storey rectangular pele tower with rounded turrets and battlements, was constructed about 1370, and was the home of the Middleton family.  In 1614 Thomas Middleton built a new manor house attached to the tower.  A west wing was added in 1711 but was largely demolished in 1872 by Sir Arthur Middleton when the remainder of the house was considerably altered.
The castle was abandoned as a residence by the family in the early 19th century when Sir Charles Monck built Belsay Hall close by.  The interiors were largely removed and it was then used as a ready-made folly, as was fashionable among the aristocracy at the time, serving as the setting for garden parties and other entertainments.
The castle is administered by English Heritage and is open to the public.

Answer: three-storey


Question: How many floors are there in this house?

Instruction: Using the given image, access documents that provide insights into the following question:

Belsay Castle is a 14th-century medieval castle situated at Belsay, Northumberland, England. It is a Scheduled Monument and a Grade I listed building.
The main structure, a substantial three-storey rectangular pele tower with rounded turrets and battlements, was constructed about 1370, and was the home of the Middleton family.  In 1614 Thomas Middleton built a new manor house attached to the tower.  A west wing was added in 1711 but was largely demolished in 1872 by Sir Arthur Middleton when the remainder of the house was considerably altered.
The castle was abandoned as a residence by the family in the early 19th century when Sir Charles Monck built Belsay Hall close by.  The interiors were largely removed and it was then used as a ready-made folly, as was fashionable among the aristocracy at the time, serving as the setting for garden parties and other entertainments.
The castle is administered by English Heritage and is open to the public.

Answer: three-storey


Question: In which city is this house located?

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Saltram House is a grade I listed George II era mansion house located in the parish of Plympton, near Plymouth in Devon, England. It was deemed by the architectural critic Pevsner to be "the most impressive country house in Devon". The house was designed by the architect Robert Adam, who altered and greatly expanded the original Tudor house on two occasions. The drawing room is considered one of Adam's finest interiors. Saltram is one of Britain's best preserved examples of an early Georgian house and retains much of its original decor, plasterwork and furnishings. It contains the Parker family's large collection of paintings, including several by Sir Joshua Reynolds (1723-1792), born and educated at Plympton and a friend of the Parker family.
The present building was commenced by John Parker (1703–1768) of nearby Boringdon Hall, Plympton, and of Court House North Molton, both in Devon, together with his wife Catherine Poulett (1706-1758), a daughter of John Poulett, 1st Earl Poulett. It was completed by his son John Parker, 1st Baron Boringdon (1735-1788), whose son was John Parker, 1st Earl of Morley (1772-1840). The Parker family had risen to prominence in the mid-16th century as the bailiff of the manor of North Molton, Devon, under Baron Zouche of Haryngworth.
In 1957 Saltram House was donated by the Parker family to the  National Trust in lieu of death duties, and is open to the public.
Saltram House was used as one of several local settings for the 1995 film Sense and Sensibility.

Answer: plymouth


Question: In which city is this house located?

Instruction: Using the given image, access documents that provide insights into the following question:

Saltram House is a grade I listed George II era mansion house located in the parish of Plympton, near Plymouth in Devon, England. It was deemed by the architectural critic Pevsner to be "the most impressive country house in Devon". The house was designed by the architect Robert Adam, who altered and greatly expanded the original Tudor house on two occasions. The drawing room is considered one of Adam's finest interiors. Saltram is one of Britain's best preserved examples of an early Georgian house and retains much of its original decor, plasterwork and furnishings. It contains the Parker family's large collection of paintings, including several by Sir Joshua Reynolds (1723-1792), born and educated at Plympton and a friend of the Parker family.
The present building was commenced by John Parker (1703–1768) of nearby Boringdon Hall, Plympton, and of Court House North Molton, both in Devon, together with his wife Catherine Poulett (1706-1758), a daughter of John Poulett, 1st Earl Poulett. It was completed by his son John Parker, 1st Baron Boringdon (1735-1788), whose son was John Parker, 1st Earl of Morley (1772-1840). The Parker family had risen to prominence in the mid-16th century as the bailiff of the manor of North Molton, Devon, under Baron Zouche of Haryngworth.
In 1957 Saltram House was donated by the Parker family to the  National Trust in lieu of death duties, and is open to the public.
Saltram House was used as one of several local settings for the 1995 film Sense and Sensibility.

Answer: plymouth


Question: In which city is this house located?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Saltram House is a grade I listed George II era mansion house located in the parish of Plympton, near Plymouth in Devon, England. It was deemed by the architectural critic Pevsner to be "the most impressive country house in Devon". The house was designed by the architect Robert Adam, who altered and greatly expanded the original Tudor house on two occasions. The drawing room is considered one of Adam's finest interiors. Saltram is one of Britain's best preserved examples of an early Georgian house and retains much of its original decor, plasterwork and furnishings. It contains the Parker family's large collection of paintings, including several by Sir Joshua Reynolds (1723-1792), born and educated at Plympton and a friend of the Parker family.
The present building was commenced by John Parker (1703–1768) of nearby Boringdon Hall, Plympton, and of Court House North Molton, both in Devon, together with his wife Catherine Poulett (1706-1758), a daughter of John Poulett, 1st Earl Poulett. It was completed by his son John Parker, 1st Baron Boringdon (1735-1788), whose son was John Parker, 1st Earl of Morley (1772-1840). The Parker family had risen to prominence in the mid-16th century as the bailiff of the manor of North Molton, Devon, under Baron Zouche of Haryngworth.
In 1957 Saltram House was donated by the Parker family to the  National Trust in lieu of death duties, and is open to the public.
Saltram House was used as one of several local settings for the 1995 film Sense and Sensibility.

Answer: plymouth


Question: In which city is this house located?

Instruction: Using the given image, access documents that provide insights into the following question:

Saltram House is a grade I listed George II era mansion house located in the parish of Plympton, near Plymouth in Devon, England. It was deemed by the architectural critic Pevsner to be "the most impressive country house in Devon". The house was designed by the architect Robert Adam, who altered and greatly expanded the original Tudor house on two occasions. The drawing room is considered one of Adam's finest interiors. Saltram is one of Britain's best preserved examples of an early Georgian house and retains much of its original decor, plasterwork and furnishings. It contains the Parker family's large collection of paintings, including several by Sir Joshua Reynolds (1723-1792), born and educated at Plympton and a friend of the Parker family.
The present building was commenced by John Parker (1703–1768) of nearby Boringdon Hall, Plympton, and of Court House North Molton, both in Devon, together with his wife Catherine Poulett (1706-1758), a daughter of John Poulett, 1st Earl Poulett. It was completed by his son John Parker, 1st Baron Boringdon (1735-1788), whose son was John Parker, 1st Earl of Morley (1772-1840). The Parker family had risen to prominence in the mid-16th century as the bailiff of the manor of North Molton, Devon, under Baron Zouche of Haryngworth.
In 1957 Saltram House was donated by the Parker family to the  National Trust in lieu of death duties, and is open to the public.
Saltram House was used as one of several local settings for the 1995 film Sense and Sensibility.

Answer: plymouth


Question: In which city is this house located?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Saltram House is a grade I listed George II era mansion house located in the parish of Plympton, near Plymouth in Devon, England. It was deemed by the architectural critic Pevsner to be "the most impressive country house in Devon". The house was designed by the architect Robert Adam, who altered and greatly expanded the original Tudor house on two occasions. The drawing room is considered one of Adam's finest interiors. Saltram is one of Britain's best preserved examples of an early Georgian house and retains much of its original decor, plasterwork and furnishings. It contains the Parker family's large collection of paintings, including several by Sir Joshua Reynolds (1723-1792), born and educated at Plympton and a friend of the Parker family.
The present building was commenced by John Parker (1703–1768) of nearby Boringdon Hall, Plympton, and of Court House North Molton, both in Devon, together with his wife Catherine Poulett (1706-1758), a daughter of John Poulett, 1st Earl Poulett. It was completed by his son John Parker, 1st Baron Boringdon (1735-1788), whose son was John Parker, 1st Earl of Morley (1772-1840). The Parker family had risen to prominence in the mid-16th century as the bailiff of the manor of North Molton, Devon, under Baron Zouche of Haryngworth.
In 1957 Saltram House was donated by the Parker family to the  National Trust in lieu of death duties, and is open to the public.
Saltram House was used as one of several local settings for the 1995 film Sense and Sensibility.

Answer: plymouth


Question: In which country is this house located?

Instruction: Using the provided image, obtain documents that address the subsequent question:

Saltram House is a grade I listed George II era mansion house located in the parish of Plympton, near Plymouth in Devon, England. It was deemed by the architectural critic Pevsner to be "the most impressive country house in Devon". The house was designed by the architect Robert Adam, who altered and greatly expanded the original Tudor house on two occasions. The drawing room is considered one of Adam's finest interiors. Saltram is one of Britain's best preserved examples of an early Georgian house and retains much of its original decor, plasterwork and furnishings. It contains the Parker family's large collection of paintings, including several by Sir Joshua Reynolds (1723-1792), born and educated at Plympton and a friend of the Parker family.
The present building was commenced by John Parker (1703–1768) of nearby Boringdon Hall, Plympton, and of Court House North Molton, both in Devon, together with his wife Catherine Poulett (1706-1758), a daughter of John Poulett, 1st Earl Poulett. It was completed by his son John Parker, 1st Baron Boringdon (1735-1788), whose son was John Parker, 1st Earl of Morley (1772-1840). The Parker family had risen to prominence in the mid-16th century as the bailiff of the manor of North Molton, Devon, under Baron Zouche of Haryngworth.
In 1957 Saltram House was donated by the Parker family to the  National Trust in lieu of death duties, and is open to the public.
Saltram House was used as one of several local settings for the 1995 film Sense and Sensibility.

Answer: england

Answer: england


Question: In which country is this house located?

Instruction: Extract documents linked to the question provided in conjunction with the image:

Saltram House is a grade I listed George II era mansion house located in the parish of Plympton, near Plymouth in Devon, England. It was deemed by the architectural critic Pevsner to be "the most impressive country house in Devon". The house was designed by the architect Robert Adam, who altered and greatly expanded the original Tudor house on two occasions. The drawing room is considered one of Adam's finest interiors. Saltram is one of Britain's best preserved examples of an early Georgian house and retains much of its original decor, plasterwork and furnishings. It contains the Parker family's large collection of paintings, including several by Sir Joshua Reynolds (1723-1792), born and educated at Plympton and a friend of the Parker family.
The present building was commenced by John Parker (1703–1768) of nearby Boringdon Hall, Plympton, and of Court House North Molton, both in Devon, together with his wife Catherine Poulett (1706-1758), a daughter of John Poulett, 1st Earl Poulett. It was completed by his son John Parker, 1st Baron Boringdon (1735-1788), whose son was John Parker, 1st Earl of Morley (1772-1840). The Parker family had risen to prominence in the mid-16th century as the bailiff of the manor of North Molton, Devon, under Baron Zouche of Haryngworth.
In 1957 Saltram House was donated by the Parker family to the  National Trust in lieu of death duties, and is open to the public.
Saltram House was used as one of several local settings for the 1995 film Sense and Sensibility.

Answer: england

Answer: england


Question: In which country is this house located?

Instruction: Using the given image, access documents that provide insights into the following question:

Saltram House is a grade I listed George II era mansion house located in the parish of Plympton, near Plymouth in Devon, England. It was deemed by the architectural critic Pevsner to be "the most impressive country house in Devon". The house was designed by the architect Robert Adam, who altered and greatly expanded the original Tudor house on two occasions. The drawing room is considered one of Adam's finest interiors. Saltram is one of Britain's best preserved examples of an early Georgian house and retains much of its original decor, plasterwork and furnishings. It contains the Parker family's large collection of paintings, including several by Sir Joshua Reynolds (1723-1792), born and educated at Plympton and a friend of the Parker family.
The present building was commenced by John Parker (1703–1768) of nearby Boringdon Hall, Plympton, and of Court House North Molton, both in Devon, together with his wife Catherine Poulett (1706-1758), a daughter of John Poulett, 1st Earl Poulett. It was completed by his son John Parker, 1st Baron Boringdon (1735-1788), whose son was John Parker, 1st Earl of Morley (1772-1840). The Parker family had risen to prominence in the mid-16th century as the bailiff of the manor of North Molton, Devon, under Baron Zouche of Haryngworth.
In 1957 Saltram House was donated by the Parker family to the  National Trust in lieu of death duties, and is open to the public.
Saltram House was used as one of several local settings for the 1995 film Sense and Sensibility.

Answer: england

Answer: england


Question: In which country is this house located?

Instruction: Extract documents linked to the question provided in conjunction with the image:

Saltram House is a grade I listed George II era mansion house located in the parish of Plympton, near Plymouth in Devon, England. It was deemed by the architectural critic Pevsner to be "the most impressive country house in Devon". The house was designed by the architect Robert Adam, who altered and greatly expanded the original Tudor house on two occasions. The drawing room is considered one of Adam's finest interiors. Saltram is one of Britain's best preserved examples of an early Georgian house and retains much of its original decor, plasterwork and furnishings. It contains the Parker family's large collection of paintings, including several by Sir Joshua Reynolds (1723-1792), born and educated at Plympton and a friend of the Parker family.
The present building was commenced by John Parker (1703–1768) of nearby Boringdon Hall, Plympton, and of Court House North Molton, both in Devon, together with his wife Catherine Poulett (1706-1758), a daughter of John Poulett, 1st Earl Poulett. It was completed by his son John Parker, 1st Baron Boringdon (1735-1788), whose son was John Parker, 1st Earl of Morley (1772-1840). The Parker family had risen to prominence in the mid-16th century as the bailiff of the manor of North Molton, Devon, under Baron Zouche of Haryngworth.
In 1957 Saltram House was donated by the Parker family to the  National Trust in lieu of death duties, and is open to the public.
Saltram House was used as one of several local settings for the 1995 film Sense and Sensibility.

Answer: england

Answer: england


Question: In which country is this house located?

Instruction: Using the given image, access documents that provide insights into the following question:

Saltram House is a grade I listed George II era mansion house located in the parish of Plympton, near Plymouth in Devon, England. It was deemed by the architectural critic Pevsner to be "the most impressive country house in Devon". The house was designed by the architect Robert Adam, who altered and greatly expanded the original Tudor house on two occasions. The drawing room is considered one of Adam's finest interiors. Saltram is one of Britain's best preserved examples of an early Georgian house and retains much of its original decor, plasterwork and furnishings. It contains the Parker family's large collection of paintings, including several by Sir Joshua Reynolds (1723-1792), born and educated at Plympton and a friend of the Parker family.
The present building was commenced by John Parker (1703–1768) of nearby Boringdon Hall, Plympton, and of Court House North Molton, both in Devon, together with his wife Catherine Poulett (1706-1758), a daughter of John Poulett, 1st Earl Poulett. It was completed by his son John Parker, 1st Baron Boringdon (1735-1788), whose son was John Parker, 1st Earl of Morley (1772-1840). The Parker family had risen to prominence in the mid-16th century as the bailiff of the manor of North Molton, Devon, under Baron Zouche of Haryngworth.
In 1957 Saltram House was donated by the Parker family to the  National Trust in lieu of death duties, and is open to the public.
Saltram House was used as one of several local settings for the 1995 film Sense and Sensibility.

Answer: england

Answer: england


Question: Who designed this house?

Instruction: Extract documents linked to the question provided in conjunction with the image:

Saltram House is a grade I listed George II era mansion house located in the parish of Plympton, near Plymouth in Devon, England. It was deemed by the architectural critic Pevsner to be "the most impressive country house in Devon". The house was designed by the architect Robert Adam, who altered and greatly expanded the original Tudor house on two occasions. The drawing room is considered one of Adam's finest interiors. Saltram is one of Britain's best preserved examples of an early Georgian house and retains much of its original decor, plasterwork and furnishings. It contains the Parker family's large collection of paintings, including several by Sir Joshua Reynolds (1723-1792), born and educated at Plympton and a friend of the Parker family.
The present building was commenced by John Parker (1703–1768) of nearby Boringdon Hall, Plympton, and of Court House North Molton, both in Devon, together with his wife Catherine Poulett (1706-1758), a daughter of John Poulett, 1st Earl Poulett. It was completed by his son John Parker, 1st Baron Boringdon (1735-1788), whose son was John Parker, 1st Earl of Morley (1772-1840). The Parker family had risen to prominence in the mid-16th century as the bailiff of the manor of North Molton, Devon, under Baron Zouche of Haryngworth.
In 1957 Saltram House was donated by the Parker family to the  National Trust in lieu of death duties, and is open to the public.
Saltram House was used as one of several local settings for the 1995 film Sense and Sensibility.

Answer: robert adam

Answer: robert adam


Question: Who designed this house?

Instruction: Extract documents linked to the question provided in conjunction with the image:

Saltram House is a grade I listed George II era mansion house located in the parish of Plympton, near Plymouth in Devon, England. It was deemed by the architectural critic Pevsner to be "the most impressive country house in Devon". The house was designed by the architect Robert Adam, who altered and greatly expanded the original Tudor house on two occasions. The drawing room is considered one of Adam's finest interiors. Saltram is one of Britain's best preserved examples of an early Georgian house and retains much of its original decor, plasterwork and furnishings. It contains the Parker family's large collection of paintings, including several by Sir Joshua Reynolds (1723-1792), born and educated at Plympton and a friend of the Parker family.
The present building was commenced by John Parker (1703–1768) of nearby Boringdon Hall, Plympton, and of Court House North Molton, both in Devon, together with his wife Catherine Poulett (1706-1758), a daughter of John Poulett, 1st Earl Poulett. It was completed by his son John Parker, 1st Baron Boringdon (1735-1788), whose son was John Parker, 1st Earl of Morley (1772-1840). The Parker family had risen to prominence in the mid-16th century as the bailiff of the manor of North Molton, Devon, under Baron Zouche of Haryngworth.
In 1957 Saltram House was donated by the Parker family to the  National Trust in lieu of death duties, and is open to the public.
Saltram House was used as one of several local settings for the 1995 film Sense and Sensibility.

Answer: robert adam

Answer: robert adam


Question: Who designed this house?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

Saltram House is a grade I listed George II era mansion house located in the parish of Plympton, near Plymouth in Devon, England. It was deemed by the architectural critic Pevsner to be "the most impressive country house in Devon". The house was designed by the architect Robert Adam, who altered and greatly expanded the original Tudor house on two occasions. The drawing room is considered one of Adam's finest interiors. Saltram is one of Britain's best preserved examples of an early Georgian house and retains much of its original decor, plasterwork and furnishings. It contains the Parker family's large collection of paintings, including several by Sir Joshua Reynolds (1723-1792), born and educated at Plympton and a friend of the Parker family.
The present building was commenced by John Parker (1703–1768) of nearby Boringdon Hall, Plympton, and of Court House North Molton, both in Devon, together with his wife Catherine Poulett (1706-1758), a daughter of John Poulett, 1st Earl Poulett. It was completed by his son John Parker, 1st Baron Boringdon (1735-1788), whose son was John Parker, 1st Earl of Morley (1772-1840). The Parker family had risen to prominence in the mid-16th century as the bailiff of the manor of North Molton, Devon, under Baron Zouche of Haryngworth.
In 1957 Saltram House was donated by the Parker family to the  National Trust in lieu of death duties, and is open to the public.
Saltram House was used as one of several local settings for the 1995 film Sense and Sensibility.

Answer: robert adam

Answer: robert adam


Question: Who designed this house?

Instruction: Extract documents linked to the question provided in conjunction with the image:

Saltram House is a grade I listed George II era mansion house located in the parish of Plympton, near Plymouth in Devon, England. It was deemed by the architectural critic Pevsner to be "the most impressive country house in Devon". The house was designed by the architect Robert Adam, who altered and greatly expanded the original Tudor house on two occasions. The drawing room is considered one of Adam's finest interiors. Saltram is one of Britain's best preserved examples of an early Georgian house and retains much of its original decor, plasterwork and furnishings. It contains the Parker family's large collection of paintings, including several by Sir Joshua Reynolds (1723-1792), born and educated at Plympton and a friend of the Parker family.
The present building was commenced by John Parker (1703–1768) of nearby Boringdon Hall, Plympton, and of Court House North Molton, both in Devon, together with his wife Catherine Poulett (1706-1758), a daughter of John Poulett, 1st Earl Poulett. It was completed by his son John Parker, 1st Baron Boringdon (1735-1788), whose son was John Parker, 1st Earl of Morley (1772-1840). The Parker family had risen to prominence in the mid-16th century as the bailiff of the manor of North Molton, Devon, under Baron Zouche of Haryngworth.
In 1957 Saltram House was donated by the Parker family to the  National Trust in lieu of death duties, and is open to the public.
Saltram House was used as one of several local settings for the 1995 film Sense and Sensibility.

Answer: robert adam

Answer: robert adam


Question: Who designed this house?

Instruction: With the provided image, gather documents that offer a solution to the question:

Saltram House is a grade I listed George II era mansion house located in the parish of Plympton, near Plymouth in Devon, England. It was deemed by the architectural critic Pevsner to be "the most impressive country house in Devon". The house was designed by the architect Robert Adam, who altered and greatly expanded the original Tudor house on two occasions. The drawing room is considered one of Adam's finest interiors. Saltram is one of Britain's best preserved examples of an early Georgian house and retains much of its original decor, plasterwork and furnishings. It contains the Parker family's large collection of paintings, including several by Sir Joshua Reynolds (1723-1792), born and educated at Plympton and a friend of the Parker family.
The present building was commenced by John Parker (1703–1768) of nearby Boringdon Hall, Plympton, and of Court House North Molton, both in Devon, together with his wife Catherine Poulett (1706-1758), a daughter of John Poulett, 1st Earl Poulett. It was completed by his son John Parker, 1st Baron Boringdon (1735-1788), whose son was John Parker, 1st Earl of Morley (1772-1840). The Parker family had risen to prominence in the mid-16th century as the bailiff of the manor of North Molton, Devon, under Baron Zouche of Haryngworth.
In 1957 Saltram House was donated by the Parker family to the  National Trust in lieu of death duties, and is open to the public.
Saltram House was used as one of several local settings for the 1995 film Sense and Sensibility.

Answer: robert adam

Answer: robert adam


Question: Who owns this house?

Instruction: With the provided image, gather documents that offer a solution to the question:

Saltram House is a grade I listed George II era mansion house located in the parish of Plympton, near Plymouth in Devon, England. It was deemed by the architectural critic Pevsner to be "the most impressive country house in Devon". The house was designed by the architect Robert Adam, who altered and greatly expanded the original Tudor house on two occasions. The drawing room is considered one of Adam's finest interiors. Saltram is one of Britain's best preserved examples of an early Georgian house and retains much of its original decor, plasterwork and furnishings. It contains the Parker family's large collection of paintings, including several by Sir Joshua Reynolds (1723-1792), born and educated at Plympton and a friend of the Parker family.
The present building was commenced by John Parker (1703–1768) of nearby Boringdon Hall, Plympton, and of Court House North Molton, both in Devon, together with his wife Catherine Poulett (1706-1758), a daughter of John Poulett, 1st Earl Poulett. It was completed by his son John Parker, 1st Baron Boringdon (1735-1788), whose son was John Parker, 1st Earl of Morley (1772-1840). The Parker family had risen to prominence in the mid-16th century as the bailiff of the manor of North Molton, Devon, under Baron Zouche of Haryngworth.
In 1957 Saltram House was donated by the Parker family to the  National Trust in lieu of death duties, and is open to the public.
Saltram House was used as one of several local settings for the 1995 film Sense and Sensibility.

Answer: national trust


Question: Who owns this house?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Saltram House is a grade I listed George II era mansion house located in the parish of Plympton, near Plymouth in Devon, England. It was deemed by the architectural critic Pevsner to be "the most impressive country house in Devon". The house was designed by the architect Robert Adam, who altered and greatly expanded the original Tudor house on two occasions. The drawing room is considered one of Adam's finest interiors. Saltram is one of Britain's best preserved examples of an early Georgian house and retains much of its original decor, plasterwork and furnishings. It contains the Parker family's large collection of paintings, including several by Sir Joshua Reynolds (1723-1792), born and educated at Plympton and a friend of the Parker family.
The present building was commenced by John Parker (1703–1768) of nearby Boringdon Hall, Plympton, and of Court House North Molton, both in Devon, together with his wife Catherine Poulett (1706-1758), a daughter of John Poulett, 1st Earl Poulett. It was completed by his son John Parker, 1st Baron Boringdon (1735-1788), whose son was John Parker, 1st Earl of Morley (1772-1840). The Parker family had risen to prominence in the mid-16th century as the bailiff of the manor of North Molton, Devon, under Baron Zouche of Haryngworth.
In 1957 Saltram House was donated by the Parker family to the  National Trust in lieu of death duties, and is open to the public.
Saltram House was used as one of several local settings for the 1995 film Sense and Sensibility.

Answer: national trust


Question: Who owns this house?

Instruction: Using the provided image, obtain documents that address the subsequent question:

Saltram House is a grade I listed George II era mansion house located in the parish of Plympton, near Plymouth in Devon, England. It was deemed by the architectural critic Pevsner to be "the most impressive country house in Devon". The house was designed by the architect Robert Adam, who altered and greatly expanded the original Tudor house on two occasions. The drawing room is considered one of Adam's finest interiors. Saltram is one of Britain's best preserved examples of an early Georgian house and retains much of its original decor, plasterwork and furnishings. It contains the Parker family's large collection of paintings, including several by Sir Joshua Reynolds (1723-1792), born and educated at Plympton and a friend of the Parker family.
The present building was commenced by John Parker (1703–1768) of nearby Boringdon Hall, Plympton, and of Court House North Molton, both in Devon, together with his wife Catherine Poulett (1706-1758), a daughter of John Poulett, 1st Earl Poulett. It was completed by his son John Parker, 1st Baron Boringdon (1735-1788), whose son was John Parker, 1st Earl of Morley (1772-1840). The Parker family had risen to prominence in the mid-16th century as the bailiff of the manor of North Molton, Devon, under Baron Zouche of Haryngworth.
In 1957 Saltram House was donated by the Parker family to the  National Trust in lieu of death duties, and is open to the public.
Saltram House was used as one of several local settings for the 1995 film Sense and Sensibility.

Answer: national trust


Question: Who owns this house?

Instruction: With the provided image, gather documents that offer a solution to the question:

Saltram House is a grade I listed George II era mansion house located in the parish of Plympton, near Plymouth in Devon, England. It was deemed by the architectural critic Pevsner to be "the most impressive country house in Devon". The house was designed by the architect Robert Adam, who altered and greatly expanded the original Tudor house on two occasions. The drawing room is considered one of Adam's finest interiors. Saltram is one of Britain's best preserved examples of an early Georgian house and retains much of its original decor, plasterwork and furnishings. It contains the Parker family's large collection of paintings, including several by Sir Joshua Reynolds (1723-1792), born and educated at Plympton and a friend of the Parker family.
The present building was commenced by John Parker (1703–1768) of nearby Boringdon Hall, Plympton, and of Court House North Molton, both in Devon, together with his wife Catherine Poulett (1706-1758), a daughter of John Poulett, 1st Earl Poulett. It was completed by his son John Parker, 1st Baron Boringdon (1735-1788), whose son was John Parker, 1st Earl of Morley (1772-1840). The Parker family had risen to prominence in the mid-16th century as the bailiff of the manor of North Molton, Devon, under Baron Zouche of Haryngworth.
In 1957 Saltram House was donated by the Parker family to the  National Trust in lieu of death duties, and is open to the public.
Saltram House was used as one of several local settings for the 1995 film Sense and Sensibility.

Answer: national trust


Question: Who owns this house?

Instruction: With the provided image, gather documents that offer a solution to the question:

Saltram House is a grade I listed George II era mansion house located in the parish of Plympton, near Plymouth in Devon, England. It was deemed by the architectural critic Pevsner to be "the most impressive country house in Devon". The house was designed by the architect Robert Adam, who altered and greatly expanded the original Tudor house on two occasions. The drawing room is considered one of Adam's finest interiors. Saltram is one of Britain's best preserved examples of an early Georgian house and retains much of its original decor, plasterwork and furnishings. It contains the Parker family's large collection of paintings, including several by Sir Joshua Reynolds (1723-1792), born and educated at Plympton and a friend of the Parker family.
The present building was commenced by John Parker (1703–1768) of nearby Boringdon Hall, Plympton, and of Court House North Molton, both in Devon, together with his wife Catherine Poulett (1706-1758), a daughter of John Poulett, 1st Earl Poulett. It was completed by his son John Parker, 1st Baron Boringdon (1735-1788), whose son was John Parker, 1st Earl of Morley (1772-1840). The Parker family had risen to prominence in the mid-16th century as the bailiff of the manor of North Molton, Devon, under Baron Zouche of Haryngworth.
In 1957 Saltram House was donated by the Parker family to the  National Trust in lieu of death duties, and is open to the public.
Saltram House was used as one of several local settings for the 1995 film Sense and Sensibility.

Answer: national trust


Question: In which country is this house located?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Little Moreton Hall, also known as Old Moreton Hall, is a moated half-timbered manor house 4.5 miles (7.2 km) southwest of Congleton in Cheshire, England. The earliest parts of the house were built for the prosperous Cheshire landowner William Moreton in about 1504–08, and the remainder was constructed in stages by successive generations of the family until about 1610. The building is highly irregular, with three asymmetrical ranges forming a small, rectangular cobbled courtyard. A National Trust guidebook describes Little Moreton Hall as being "lifted straight from a fairy story, a gingerbread house". The house's top-heavy appearance, "like a stranded Noah's Ark", is due to the Long Gallery that runs the length of the south range's upper floor.
The house remained in the possession of the Moreton family for almost 450 years, until ownership was transferred to the National Trust in 1938. Little Moreton Hall and its sandstone bridge across the moat are recorded in the National Heritage List for England as a designated Grade I listed building, and the ground on which Little Moreton Hall stands is protected as a Scheduled Monument. The house has been fully restored and is open to the public from April to December each year.
At its greatest extent, in the mid-16th century, the Little Moreton Hall estate occupied an area of 1,360 acres (550 ha) and contained a cornmill, orchards, gardens, and an iron bloomery with water-powered hammers. The gardens lay abandoned until their 20th-century re-creation. As there were no surviving records of the layout of the original knot garden, it was replanted according to a pattern published in the 17th century.

Answer: england

Answer: england.


Question: In which country is this house located?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Little Moreton Hall, also known as Old Moreton Hall, is a moated half-timbered manor house 4.5 miles (7.2 km) southwest of Congleton in Cheshire, England. The earliest parts of the house were built for the prosperous Cheshire landowner William Moreton in about 1504–08, and the remainder was constructed in stages by successive generations of the family until about 1610. The building is highly irregular, with three asymmetrical ranges forming a small, rectangular cobbled courtyard. A National Trust guidebook describes Little Moreton Hall as being "lifted straight from a fairy story, a gingerbread house". The house's top-heavy appearance, "like a stranded Noah's Ark", is due to the Long Gallery that runs the length of the south range's upper floor.
The house remained in the possession of the Moreton family for almost 450 years, until ownership was transferred to the National Trust in 1938. Little Moreton Hall and its sandstone bridge across the moat are recorded in the National Heritage List for England as a designated Grade I listed building, and the ground on which Little Moreton Hall stands is protected as a Scheduled Monument. The house has been fully restored and is open to the public from April to December each year.
At its greatest extent, in the mid-16th century, the Little Moreton Hall estate occupied an area of 1,360 acres (550 ha) and contained a cornmill, orchards, gardens, and an iron bloomery with water-powered hammers. The gardens lay abandoned until their 20th-century re-creation. As there were no surviving records of the layout of the original knot garden, it was replanted according to a pattern published in the 17th century.

Answer: england

Answer: england.


Question: In which country is this house located?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Little Moreton Hall, also known as Old Moreton Hall, is a moated half-timbered manor house 4.5 miles (7.2 km) southwest of Congleton in Cheshire, England. The earliest parts of the house were built for the prosperous Cheshire landowner William Moreton in about 1504–08, and the remainder was constructed in stages by successive generations of the family until about 1610. The building is highly irregular, with three asymmetrical ranges forming a small, rectangular cobbled courtyard. A National Trust guidebook describes Little Moreton Hall as being "lifted straight from a fairy story, a gingerbread house". The house's top-heavy appearance, "like a stranded Noah's Ark", is due to the Long Gallery that runs the length of the south range's upper floor.
The house remained in the possession of the Moreton family for almost 450 years, until ownership was transferred to the National Trust in 1938. Little Moreton Hall and its sandstone bridge across the moat are recorded in the National Heritage List for England as a designated Grade I listed building, and the ground on which Little Moreton Hall stands is protected as a Scheduled Monument. The house has been fully restored and is open to the public from April to December each year.
At its greatest extent, in the mid-16th century, the Little Moreton Hall estate occupied an area of 1,360 acres (550 ha) and contained a cornmill, orchards, gardens, and an iron bloomery with water-powered hammers. The gardens lay abandoned until their 20th-century re-creation. As there were no surviving records of the layout of the original knot garden, it was replanted according to a pattern published in the 17th century.

Answer: england

Answer: england.


Question: In which country is this house located?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Little Moreton Hall, also known as Old Moreton Hall, is a moated half-timbered manor house 4.5 miles (7.2 km) southwest of Congleton in Cheshire, England. The earliest parts of the house were built for the prosperous Cheshire landowner William Moreton in about 1504–08, and the remainder was constructed in stages by successive generations of the family until about 1610. The building is highly irregular, with three asymmetrical ranges forming a small, rectangular cobbled courtyard. A National Trust guidebook describes Little Moreton Hall as being "lifted straight from a fairy story, a gingerbread house". The house's top-heavy appearance, "like a stranded Noah's Ark", is due to the Long Gallery that runs the length of the south range's upper floor.
The house remained in the possession of the Moreton family for almost 450 years, until ownership was transferred to the National Trust in 1938. Little Moreton Hall and its sandstone bridge across the moat are recorded in the National Heritage List for England as a designated Grade I listed building, and the ground on which Little Moreton Hall stands is protected as a Scheduled Monument. The house has been fully restored and is open to the public from April to December each year.
At its greatest extent, in the mid-16th century, the Little Moreton Hall estate occupied an area of 1,360 acres (550 ha) and contained a cornmill, orchards, gardens, and an iron bloomery with water-powered hammers. The gardens lay abandoned until their 20th-century re-creation. As there were no surviving records of the layout of the original knot garden, it was replanted according to a pattern published in the 17th century.

Answer: england

Answer: england.


Question: In which country is this house located?

Instruction: Using the given image, access documents that provide insights into the following question:

Little Moreton Hall, also known as Old Moreton Hall, is a moated half-timbered manor house 4.5 miles (7.2 km) southwest of Congleton in Cheshire, England. The earliest parts of the house were built for the prosperous Cheshire landowner William Moreton in about 1504–08, and the remainder was constructed in stages by successive generations of the family until about 1610. The building is highly irregular, with three asymmetrical ranges forming a small, rectangular cobbled courtyard. A National Trust guidebook describes Little Moreton Hall as being "lifted straight from a fairy story, a gingerbread house". The house's top-heavy appearance, "like a stranded Noah's Ark", is due to the Long Gallery that runs the length of the south range's upper floor.
The house remained in the possession of the Moreton family for almost 450 years, until ownership was transferred to the National Trust in 1938. Little Moreton Hall and its sandstone bridge across the moat are recorded in the National Heritage List for England as a designated Grade I listed building, and the ground on which Little Moreton Hall stands is protected as a Scheduled Monument. The house has been fully restored and is open to the public from April to December each year.
At its greatest extent, in the mid-16th century, the Little Moreton Hall estate occupied an area of 1,360 acres (550 ha) and contained a cornmill, orchards, gardens, and an iron bloomery with water-powered hammers. The gardens lay abandoned until their 20th-century re-creation. As there were no surviving records of the layout of the original knot garden, it was replanted according to a pattern published in the 17th century.

Answer: england

Answer: england.


Question: When was this house built?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The foundations and core of Croome Court, including the central chimney stack structure, date back to the early 1640s. Substantial changes to this early house were made by Gilbert Coventry, 4th Earl of Coventry.
George Coventry, the 6th Earl, inherited the estate in 1751, along with the existing Jacobean house. He commissioned Lancelot "Capability" Brown, with the assistance of Sanderson Miller, to redesign the house and estate. It was Brown's "first flight into the realms of architecture" and a "rare example of his architectural work", and it is an important and seminal work. It was built between 1751 and 1752, and it and Hagley Hall are considered to be the finest examples of Neo-Palladian architecture in Worcestershire. Notable Neo-Palladian features incorporated into Croome Court include the plain exterior and the corner towers with pyramidal roofs (a feature first used by Inigo Jones in the design of Wilton House in Wiltshire). Robert Adam worked on the interior of the building from 1760 onwards. The house was visited by George III, as well as by Queen Victoria during summers when she was a child, and George V (when Duke of York).
A jam factory was built near Pershore railway station by the 9th Earl of Coventry in about 1880, to provide a market for Vale of Evesham fruit growers in times of surplus. Although the Croome connection with jam-making had ceased, the building was leased by the Croome Estate Trust during the First World War to the Huddersfield Fruit Preserving Company as a pulping station. The First World War deeply affected Croome; there were many local casualties, although the house was not requisitioned for the war effort. This is possibly because it was the home of the Lord Lieutenant of the county, who needed a residence for his many official engagements. Croome Court was requisitioned during the Second World War by the Ministry of Works, and leased for a year to the Dutch Government as a possible refuge for Queen Wilhelmina of the Netherlands to escape the Nazi occupation of the Netherlands. However, evidence shows that they stayed for two weeks at the most, perhaps because of the noise and fear created by the proximity of Defford Aerodrome. They later emigrated to Canada.
The Croome Estate Trust sold the Court in 1948, along with 38 acres (15 ha) of land, to the Roman Catholic Archdiocese of Birmingham, and the mansion became St Joseph's Special School, which was run by nuns from 1950 until 1979. In 1979, the hall was taken over by the International Society for Krishna Consciousness (ISKCON, the Hare Krishna movement) which used it as its UK headquarters and a training college, called Chaitanya College. During their tenure they repainted the Dining Room. ISKCON left the estate in 1984 for financial reasons. It held a festival at the hall in 2011. From 1984 onwards, various owners tried to use the property as a training centre; apartments; a restaurant and conference centre; and a hotel and golf course, before once more becoming a private family home, with outbuildings converted to private houses.
The house was purchased by the Croome Heritage Trust, a registered charity, in October 2007, and it is now managed by the National Trust as a tourist attraction. It opened to the public in September 2009, at which point six of the rooms had been restored, costing £400,000, including the Saloon. It was estimated that another £4 million to £4.8 million would be needed to restore the entire building. Fundraising activities for the restoration included a 2011 raffle for a Morgan sports car organised by Lord and Lady Flight. After the restoration is complete, a 999-year lease on the building will be granted to the National Trust. An oral history project to record recollections about Croome was funded by the Heritage Lottery Fund. As of 2009, the service wing was empty and in need of substantial repair. The house was listed on 11 August 1952; it is currently Grade I listed.

Answer: between 1751 and 1752


Question: When was this house built?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

The foundations and core of Croome Court, including the central chimney stack structure, date back to the early 1640s. Substantial changes to this early house were made by Gilbert Coventry, 4th Earl of Coventry.
George Coventry, the 6th Earl, inherited the estate in 1751, along with the existing Jacobean house. He commissioned Lancelot "Capability" Brown, with the assistance of Sanderson Miller, to redesign the house and estate. It was Brown's "first flight into the realms of architecture" and a "rare example of his architectural work", and it is an important and seminal work. It was built between 1751 and 1752, and it and Hagley Hall are considered to be the finest examples of Neo-Palladian architecture in Worcestershire. Notable Neo-Palladian features incorporated into Croome Court include the plain exterior and the corner towers with pyramidal roofs (a feature first used by Inigo Jones in the design of Wilton House in Wiltshire). Robert Adam worked on the interior of the building from 1760 onwards. The house was visited by George III, as well as by Queen Victoria during summers when she was a child, and George V (when Duke of York).
A jam factory was built near Pershore railway station by the 9th Earl of Coventry in about 1880, to provide a market for Vale of Evesham fruit growers in times of surplus. Although the Croome connection with jam-making had ceased, the building was leased by the Croome Estate Trust during the First World War to the Huddersfield Fruit Preserving Company as a pulping station. The First World War deeply affected Croome; there were many local casualties, although the house was not requisitioned for the war effort. This is possibly because it was the home of the Lord Lieutenant of the county, who needed a residence for his many official engagements. Croome Court was requisitioned during the Second World War by the Ministry of Works, and leased for a year to the Dutch Government as a possible refuge for Queen Wilhelmina of the Netherlands to escape the Nazi occupation of the Netherlands. However, evidence shows that they stayed for two weeks at the most, perhaps because of the noise and fear created by the proximity of Defford Aerodrome. They later emigrated to Canada.
The Croome Estate Trust sold the Court in 1948, along with 38 acres (15 ha) of land, to the Roman Catholic Archdiocese of Birmingham, and the mansion became St Joseph's Special School, which was run by nuns from 1950 until 1979. In 1979, the hall was taken over by the International Society for Krishna Consciousness (ISKCON, the Hare Krishna movement) which used it as its UK headquarters and a training college, called Chaitanya College. During their tenure they repainted the Dining Room. ISKCON left the estate in 1984 for financial reasons. It held a festival at the hall in 2011. From 1984 onwards, various owners tried to use the property as a training centre; apartments; a restaurant and conference centre; and a hotel and golf course, before once more becoming a private family home, with outbuildings converted to private houses.
The house was purchased by the Croome Heritage Trust, a registered charity, in October 2007, and it is now managed by the National Trust as a tourist attraction. It opened to the public in September 2009, at which point six of the rooms had been restored, costing £400,000, including the Saloon. It was estimated that another £4 million to £4.8 million would be needed to restore the entire building. Fundraising activities for the restoration included a 2011 raffle for a Morgan sports car organised by Lord and Lady Flight. After the restoration is complete, a 999-year lease on the building will be granted to the National Trust. An oral history project to record recollections about Croome was funded by the Heritage Lottery Fund. As of 2009, the service wing was empty and in need of substantial repair. The house was listed on 11 August 1952; it is currently Grade I listed.

Answer: between 1751 and 1752


Question: When was this house built?

Instruction: With the provided image, gather documents that offer a solution to the question:

The foundations and core of Croome Court, including the central chimney stack structure, date back to the early 1640s. Substantial changes to this early house were made by Gilbert Coventry, 4th Earl of Coventry.
George Coventry, the 6th Earl, inherited the estate in 1751, along with the existing Jacobean house. He commissioned Lancelot "Capability" Brown, with the assistance of Sanderson Miller, to redesign the house and estate. It was Brown's "first flight into the realms of architecture" and a "rare example of his architectural work", and it is an important and seminal work. It was built between 1751 and 1752, and it and Hagley Hall are considered to be the finest examples of Neo-Palladian architecture in Worcestershire. Notable Neo-Palladian features incorporated into Croome Court include the plain exterior and the corner towers with pyramidal roofs (a feature first used by Inigo Jones in the design of Wilton House in Wiltshire). Robert Adam worked on the interior of the building from 1760 onwards. The house was visited by George III, as well as by Queen Victoria during summers when she was a child, and George V (when Duke of York).
A jam factory was built near Pershore railway station by the 9th Earl of Coventry in about 1880, to provide a market for Vale of Evesham fruit growers in times of surplus. Although the Croome connection with jam-making had ceased, the building was leased by the Croome Estate Trust during the First World War to the Huddersfield Fruit Preserving Company as a pulping station. The First World War deeply affected Croome; there were many local casualties, although the house was not requisitioned for the war effort. This is possibly because it was the home of the Lord Lieutenant of the county, who needed a residence for his many official engagements. Croome Court was requisitioned during the Second World War by the Ministry of Works, and leased for a year to the Dutch Government as a possible refuge for Queen Wilhelmina of the Netherlands to escape the Nazi occupation of the Netherlands. However, evidence shows that they stayed for two weeks at the most, perhaps because of the noise and fear created by the proximity of Defford Aerodrome. They later emigrated to Canada.
The Croome Estate Trust sold the Court in 1948, along with 38 acres (15 ha) of land, to the Roman Catholic Archdiocese of Birmingham, and the mansion became St Joseph's Special School, which was run by nuns from 1950 until 1979. In 1979, the hall was taken over by the International Society for Krishna Consciousness (ISKCON, the Hare Krishna movement) which used it as its UK headquarters and a training college, called Chaitanya College. During their tenure they repainted the Dining Room. ISKCON left the estate in 1984 for financial reasons. It held a festival at the hall in 2011. From 1984 onwards, various owners tried to use the property as a training centre; apartments; a restaurant and conference centre; and a hotel and golf course, before once more becoming a private family home, with outbuildings converted to private houses.
The house was purchased by the Croome Heritage Trust, a registered charity, in October 2007, and it is now managed by the National Trust as a tourist attraction. It opened to the public in September 2009, at which point six of the rooms had been restored, costing £400,000, including the Saloon. It was estimated that another £4 million to £4.8 million would be needed to restore the entire building. Fundraising activities for the restoration included a 2011 raffle for a Morgan sports car organised by Lord and Lady Flight. After the restoration is complete, a 999-year lease on the building will be granted to the National Trust. An oral history project to record recollections about Croome was funded by the Heritage Lottery Fund. As of 2009, the service wing was empty and in need of substantial repair. The house was listed on 11 August 1952; it is currently Grade I listed.

Answer: between 1751 and 1752


Question: When was this house built?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The foundations and core of Croome Court, including the central chimney stack structure, date back to the early 1640s. Substantial changes to this early house were made by Gilbert Coventry, 4th Earl of Coventry.
George Coventry, the 6th Earl, inherited the estate in 1751, along with the existing Jacobean house. He commissioned Lancelot "Capability" Brown, with the assistance of Sanderson Miller, to redesign the house and estate. It was Brown's "first flight into the realms of architecture" and a "rare example of his architectural work", and it is an important and seminal work. It was built between 1751 and 1752, and it and Hagley Hall are considered to be the finest examples of Neo-Palladian architecture in Worcestershire. Notable Neo-Palladian features incorporated into Croome Court include the plain exterior and the corner towers with pyramidal roofs (a feature first used by Inigo Jones in the design of Wilton House in Wiltshire). Robert Adam worked on the interior of the building from 1760 onwards. The house was visited by George III, as well as by Queen Victoria during summers when she was a child, and George V (when Duke of York).
A jam factory was built near Pershore railway station by the 9th Earl of Coventry in about 1880, to provide a market for Vale of Evesham fruit growers in times of surplus. Although the Croome connection with jam-making had ceased, the building was leased by the Croome Estate Trust during the First World War to the Huddersfield Fruit Preserving Company as a pulping station. The First World War deeply affected Croome; there were many local casualties, although the house was not requisitioned for the war effort. This is possibly because it was the home of the Lord Lieutenant of the county, who needed a residence for his many official engagements. Croome Court was requisitioned during the Second World War by the Ministry of Works, and leased for a year to the Dutch Government as a possible refuge for Queen Wilhelmina of the Netherlands to escape the Nazi occupation of the Netherlands. However, evidence shows that they stayed for two weeks at the most, perhaps because of the noise and fear created by the proximity of Defford Aerodrome. They later emigrated to Canada.
The Croome Estate Trust sold the Court in 1948, along with 38 acres (15 ha) of land, to the Roman Catholic Archdiocese of Birmingham, and the mansion became St Joseph's Special School, which was run by nuns from 1950 until 1979. In 1979, the hall was taken over by the International Society for Krishna Consciousness (ISKCON, the Hare Krishna movement) which used it as its UK headquarters and a training college, called Chaitanya College. During their tenure they repainted the Dining Room. ISKCON left the estate in 1984 for financial reasons. It held a festival at the hall in 2011. From 1984 onwards, various owners tried to use the property as a training centre; apartments; a restaurant and conference centre; and a hotel and golf course, before once more becoming a private family home, with outbuildings converted to private houses.
The house was purchased by the Croome Heritage Trust, a registered charity, in October 2007, and it is now managed by the National Trust as a tourist attraction. It opened to the public in September 2009, at which point six of the rooms had been restored, costing £400,000, including the Saloon. It was estimated that another £4 million to £4.8 million would be needed to restore the entire building. Fundraising activities for the restoration included a 2011 raffle for a Morgan sports car organised by Lord and Lady Flight. After the restoration is complete, a 999-year lease on the building will be granted to the National Trust. An oral history project to record recollections about Croome was funded by the Heritage Lottery Fund. As of 2009, the service wing was empty and in need of substantial repair. The house was listed on 11 August 1952; it is currently Grade I listed.

Answer: between 1751 and 1752


Question: When was this house built?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The foundations and core of Croome Court, including the central chimney stack structure, date back to the early 1640s. Substantial changes to this early house were made by Gilbert Coventry, 4th Earl of Coventry.
George Coventry, the 6th Earl, inherited the estate in 1751, along with the existing Jacobean house. He commissioned Lancelot "Capability" Brown, with the assistance of Sanderson Miller, to redesign the house and estate. It was Brown's "first flight into the realms of architecture" and a "rare example of his architectural work", and it is an important and seminal work. It was built between 1751 and 1752, and it and Hagley Hall are considered to be the finest examples of Neo-Palladian architecture in Worcestershire. Notable Neo-Palladian features incorporated into Croome Court include the plain exterior and the corner towers with pyramidal roofs (a feature first used by Inigo Jones in the design of Wilton House in Wiltshire). Robert Adam worked on the interior of the building from 1760 onwards. The house was visited by George III, as well as by Queen Victoria during summers when she was a child, and George V (when Duke of York).
A jam factory was built near Pershore railway station by the 9th Earl of Coventry in about 1880, to provide a market for Vale of Evesham fruit growers in times of surplus. Although the Croome connection with jam-making had ceased, the building was leased by the Croome Estate Trust during the First World War to the Huddersfield Fruit Preserving Company as a pulping station. The First World War deeply affected Croome; there were many local casualties, although the house was not requisitioned for the war effort. This is possibly because it was the home of the Lord Lieutenant of the county, who needed a residence for his many official engagements. Croome Court was requisitioned during the Second World War by the Ministry of Works, and leased for a year to the Dutch Government as a possible refuge for Queen Wilhelmina of the Netherlands to escape the Nazi occupation of the Netherlands. However, evidence shows that they stayed for two weeks at the most, perhaps because of the noise and fear created by the proximity of Defford Aerodrome. They later emigrated to Canada.
The Croome Estate Trust sold the Court in 1948, along with 38 acres (15 ha) of land, to the Roman Catholic Archdiocese of Birmingham, and the mansion became St Joseph's Special School, which was run by nuns from 1950 until 1979. In 1979, the hall was taken over by the International Society for Krishna Consciousness (ISKCON, the Hare Krishna movement) which used it as its UK headquarters and a training college, called Chaitanya College. During their tenure they repainted the Dining Room. ISKCON left the estate in 1984 for financial reasons. It held a festival at the hall in 2011. From 1984 onwards, various owners tried to use the property as a training centre; apartments; a restaurant and conference centre; and a hotel and golf course, before once more becoming a private family home, with outbuildings converted to private houses.
The house was purchased by the Croome Heritage Trust, a registered charity, in October 2007, and it is now managed by the National Trust as a tourist attraction. It opened to the public in September 2009, at which point six of the rooms had been restored, costing £400,000, including the Saloon. It was estimated that another £4 million to £4.8 million would be needed to restore the entire building. Fundraising activities for the restoration included a 2011 raffle for a Morgan sports car organised by Lord and Lady Flight. After the restoration is complete, a 999-year lease on the building will be granted to the National Trust. An oral history project to record recollections about Croome was funded by the Heritage Lottery Fund. As of 2009, the service wing was empty and in need of substantial repair. The house was listed on 11 August 1952; it is currently Grade I listed.

Answer: between 1751 and 1752


Question: Where does this hotel derive its name from?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The name "Casa Na Bolom" comes from the Mayan word for jaguar, "bolom."  The Bloms chose this name as a play on their own name, Blom. In the jungle, Frans Blom was often known by the nickname, Pancho Bolom, a great compliment comparing him favorably to the sacred jaguar.  An ancient stone jaguar from a Mayan frieze   installed by Frans marks the  front door of Casa Na Bolom, House of the Jaguar.

Answer: mayan word for jaguar, "bolom."


Question: Where does this hotel derive its name from?

Instruction: Extract documents linked to the question provided in conjunction with the image:

The name "Casa Na Bolom" comes from the Mayan word for jaguar, "bolom."  The Bloms chose this name as a play on their own name, Blom. In the jungle, Frans Blom was often known by the nickname, Pancho Bolom, a great compliment comparing him favorably to the sacred jaguar.  An ancient stone jaguar from a Mayan frieze   installed by Frans marks the  front door of Casa Na Bolom, House of the Jaguar.

Answer: mayan word for jaguar, "bolom."


Question: Where does this hotel derive its name from?

Instruction: Extract documents linked to the question provided in conjunction with the image:

The name "Casa Na Bolom" comes from the Mayan word for jaguar, "bolom."  The Bloms chose this name as a play on their own name, Blom. In the jungle, Frans Blom was often known by the nickname, Pancho Bolom, a great compliment comparing him favorably to the sacred jaguar.  An ancient stone jaguar from a Mayan frieze   installed by Frans marks the  front door of Casa Na Bolom, House of the Jaguar.

Answer: mayan word for jaguar, "bolom."


Question: In which city is this hotel located?

Instruction: Using the given image, access documents that provide insights into the following question:

The Hotel Pennsylvania was a hotel at 401 Seventh Avenue (15 Penn Plaza) in Manhattan, across the street from Pennsylvania Station and Madison Square Garden in New York City. Once the largest hotel in the world, it was the 4th largest hotel on the list of hotels in New York City in  when it closed permanently on April 1, 2020. It is currently being demolished and will be replaced by 15 Penn Plaza, a 68-story tower.

Answer: new york city