Question: In what country is this place located?

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Cañada de la Virgen is an Otomi archaeological site that has been recently excavated. Located in the Mexican state of Guanajuato, the site was first excavated in 1995, while the official excavation began in 2002.
Public access was first allowed in 2011. However, unlike its famous counterparts such as Chichen-Itzá, access is strictly controlled due to it sitting on private property, one of the largest ex-haciendas in Guanajuato.
The Otomi people have lived in the valley of San Miguel de Allende for thousands of years.  It is presumed that construction at Cañada De La Virgen most likely began after the collapse of the Teotihuacan culture, where they are believed to have previously resided along with other tribes in the Valley of Mexico (near Mexico City today), around 530 AD.  The Otomi were avid sky watchers and passed information down from generation to generation.  These people used astronomical criteria, religious beliefs and agricultural cycles to select the Laja River Valley for the construction of this Pre-Hispanic burial site. The site faces the celestial north, where the stars spin around in a circle throughout the year. The moon moves up the stairs of the pyramid as its cycle advances. It rises and falls perfectly in pyramid notches at key times in the lunar calendar and during solstice periods.
The site was ruled by the Moon, the Sun, and Venus, as demonstrated by archaeoastronomical studies conducted by the National Institute of Anthropology and History (INAH). Its main features are:  Ceremonial Avenue, House of the Wind, House of the Longest Night- scientists believe has some relationship with the Otomi’s belief in the duality of the heavens and earth (Sun and Moon, Man and Woman, etc.), and House of the Thirteen Heavens.
Around 900 AD, the Otomi civilization began to decline and by 1050 AD, the site was abandoned, only to be rediscovered at the end of the 20th century. Work and research continue to this day.

Answer: mexico


Question: In what country is this place located?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

Cañada de la Virgen is an Otomi archaeological site that has been recently excavated. Located in the Mexican state of Guanajuato, the site was first excavated in 1995, while the official excavation began in 2002.
Public access was first allowed in 2011. However, unlike its famous counterparts such as Chichen-Itzá, access is strictly controlled due to it sitting on private property, one of the largest ex-haciendas in Guanajuato.
The Otomi people have lived in the valley of San Miguel de Allende for thousands of years.  It is presumed that construction at Cañada De La Virgen most likely began after the collapse of the Teotihuacan culture, where they are believed to have previously resided along with other tribes in the Valley of Mexico (near Mexico City today), around 530 AD.  The Otomi were avid sky watchers and passed information down from generation to generation.  These people used astronomical criteria, religious beliefs and agricultural cycles to select the Laja River Valley for the construction of this Pre-Hispanic burial site. The site faces the celestial north, where the stars spin around in a circle throughout the year. The moon moves up the stairs of the pyramid as its cycle advances. It rises and falls perfectly in pyramid notches at key times in the lunar calendar and during solstice periods.
The site was ruled by the Moon, the Sun, and Venus, as demonstrated by archaeoastronomical studies conducted by the National Institute of Anthropology and History (INAH). Its main features are:  Ceremonial Avenue, House of the Wind, House of the Longest Night- scientists believe has some relationship with the Otomi’s belief in the duality of the heavens and earth (Sun and Moon, Man and Woman, etc.), and House of the Thirteen Heavens.
Around 900 AD, the Otomi civilization began to decline and by 1050 AD, the site was abandoned, only to be rediscovered at the end of the 20th century. Work and research continue to this day.

Answer: mexico


Question: In what country is this place located?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Cañada de la Virgen is an Otomi archaeological site that has been recently excavated. Located in the Mexican state of Guanajuato, the site was first excavated in 1995, while the official excavation began in 2002.
Public access was first allowed in 2011. However, unlike its famous counterparts such as Chichen-Itzá, access is strictly controlled due to it sitting on private property, one of the largest ex-haciendas in Guanajuato.
The Otomi people have lived in the valley of San Miguel de Allende for thousands of years.  It is presumed that construction at Cañada De La Virgen most likely began after the collapse of the Teotihuacan culture, where they are believed to have previously resided along with other tribes in the Valley of Mexico (near Mexico City today), around 530 AD.  The Otomi were avid sky watchers and passed information down from generation to generation.  These people used astronomical criteria, religious beliefs and agricultural cycles to select the Laja River Valley for the construction of this Pre-Hispanic burial site. The site faces the celestial north, where the stars spin around in a circle throughout the year. The moon moves up the stairs of the pyramid as its cycle advances. It rises and falls perfectly in pyramid notches at key times in the lunar calendar and during solstice periods.
The site was ruled by the Moon, the Sun, and Venus, as demonstrated by archaeoastronomical studies conducted by the National Institute of Anthropology and History (INAH). Its main features are:  Ceremonial Avenue, House of the Wind, House of the Longest Night- scientists believe has some relationship with the Otomi’s belief in the duality of the heavens and earth (Sun and Moon, Man and Woman, etc.), and House of the Thirteen Heavens.
Around 900 AD, the Otomi civilization began to decline and by 1050 AD, the site was abandoned, only to be rediscovered at the end of the 20th century. Work and research continue to this day.

Answer: mexico


Question: In which city is this museum located?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The Lowry is a theatre and gallery complex at Salford Quays, Salford, Greater Manchester, England. It is named after the early 20th-century painter L. S. Lowry, known for his paintings of industrial scenes in North West England. The complex opened on 28 April 2000 and was officially opened on 12 October 2000 by Queen Elizabeth II.

Answer: greater manchester


Question: In which city is this museum located?

Instruction: Extract documents linked to the question provided in conjunction with the image:

The Lowry is a theatre and gallery complex at Salford Quays, Salford, Greater Manchester, England. It is named after the early 20th-century painter L. S. Lowry, known for his paintings of industrial scenes in North West England. The complex opened on 28 April 2000 and was officially opened on 12 October 2000 by Queen Elizabeth II.

Answer: greater manchester


Question: In which city is this museum located?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

The Lowry is a theatre and gallery complex at Salford Quays, Salford, Greater Manchester, England. It is named after the early 20th-century painter L. S. Lowry, known for his paintings of industrial scenes in North West England. The complex opened on 28 April 2000 and was officially opened on 12 October 2000 by Queen Elizabeth II.

Answer: greater manchester


Question: In which city is this museum located?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The Lowry is a theatre and gallery complex at Salford Quays, Salford, Greater Manchester, England. It is named after the early 20th-century painter L. S. Lowry, known for his paintings of industrial scenes in North West England. The complex opened on 28 April 2000 and was officially opened on 12 October 2000 by Queen Elizabeth II.

Answer: greater manchester


Question: In which city is this museum located?

Instruction: Using the provided image, obtain documents that address the subsequent question:

The Lowry is a theatre and gallery complex at Salford Quays, Salford, Greater Manchester, England. It is named after the early 20th-century painter L. S. Lowry, known for his paintings of industrial scenes in North West England. The complex opened on 28 April 2000 and was officially opened on 12 October 2000 by Queen Elizabeth II.

Answer: greater manchester


Question: When was this museum built?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

First opened to the public on 4 August 1919, the Musée Rodin was housed in a mansion, formerly called the Hôtel Peyrenc de Moras, designed with the lines of classical architecture and ornamented with rocaille decoration. It was built in the Rue de Varenne, between 1727 and 1732. From 1788, the Hôtel was occupied by a series of owners and tenants. In 1820, the Duchess of Charost sold the entire property to three nuns belonging to a religious congregation, the Society of the Sacred Heart of Jesus. A boarding school for girls was opened and the decorations were progressively sold. Between 1820 and 1904, several buildings were constructed on the estate, the Chapel in particular, designed by the architect Jean Juste Gustave Lisch and achieved in 1876.
The Society was dissolved in 1904 due to the 'religious orders' law involving the separation of church and state which prohibited religious orders from teaching. The sisters were evicted and the estate was put up for sale. Awaiting a buyer, tenants were allowed to occupy the building; among them were Jean Cocteau, Henri Matisse, Isadora Duncan and Rainer Maria Rilke, whose future wife Clara Westhoff was living in the Hôtel and was the first to tell Rodin about the estate. In 1908, the sculptor rented four ground-floor rooms to use as his studios. From 1911 onwards, he occupied the whole building. In 1911, as the French state had committed itself to purchasing the Hôtel Biron, Rodin started to negotiate with it. The artist announced officially his intention to donate all his works to the French state, as well as his drawings and his collection of antiquities in the condition that the State keeps all these collections at the Hôtel Biron, which will become the Musée Rodin in exchange of the right to reside there all his life.
In 1916, the French Assembly passed a law permitting the State to accept the donations and allocated the mansion and its garden to a museum. Léonce Bénédite was appointed executor of the sculptor's will: his tasks were to manage Rodin's artistic heritage and to supervise the organisation of the future museum.
Listed as a historical monument in 1926, the Hôtel Biron and its grounds have since undergone major renovation and restoration work, to better assert their role as a museum. The most recent scheme was the restoration which began in 2012 and was completed by 12 November 2015, Rodin's 175th birthday. The renovations cost 16 million euro ($17.4 million), and were hailed as a "moral duty" by France's Culture Minister Fleur Pellerin.

Answer: between 1727 and 1732


Question: When was this museum built?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

First opened to the public on 4 August 1919, the Musée Rodin was housed in a mansion, formerly called the Hôtel Peyrenc de Moras, designed with the lines of classical architecture and ornamented with rocaille decoration. It was built in the Rue de Varenne, between 1727 and 1732. From 1788, the Hôtel was occupied by a series of owners and tenants. In 1820, the Duchess of Charost sold the entire property to three nuns belonging to a religious congregation, the Society of the Sacred Heart of Jesus. A boarding school for girls was opened and the decorations were progressively sold. Between 1820 and 1904, several buildings were constructed on the estate, the Chapel in particular, designed by the architect Jean Juste Gustave Lisch and achieved in 1876.
The Society was dissolved in 1904 due to the 'religious orders' law involving the separation of church and state which prohibited religious orders from teaching. The sisters were evicted and the estate was put up for sale. Awaiting a buyer, tenants were allowed to occupy the building; among them were Jean Cocteau, Henri Matisse, Isadora Duncan and Rainer Maria Rilke, whose future wife Clara Westhoff was living in the Hôtel and was the first to tell Rodin about the estate. In 1908, the sculptor rented four ground-floor rooms to use as his studios. From 1911 onwards, he occupied the whole building. In 1911, as the French state had committed itself to purchasing the Hôtel Biron, Rodin started to negotiate with it. The artist announced officially his intention to donate all his works to the French state, as well as his drawings and his collection of antiquities in the condition that the State keeps all these collections at the Hôtel Biron, which will become the Musée Rodin in exchange of the right to reside there all his life.
In 1916, the French Assembly passed a law permitting the State to accept the donations and allocated the mansion and its garden to a museum. Léonce Bénédite was appointed executor of the sculptor's will: his tasks were to manage Rodin's artistic heritage and to supervise the organisation of the future museum.
Listed as a historical monument in 1926, the Hôtel Biron and its grounds have since undergone major renovation and restoration work, to better assert their role as a museum. The most recent scheme was the restoration which began in 2012 and was completed by 12 November 2015, Rodin's 175th birthday. The renovations cost 16 million euro ($17.4 million), and were hailed as a "moral duty" by France's Culture Minister Fleur Pellerin.

Answer: between 1727 and 1732


Question: When was this museum built?

Instruction: Extract documents linked to the question provided in conjunction with the image:

First opened to the public on 4 August 1919, the Musée Rodin was housed in a mansion, formerly called the Hôtel Peyrenc de Moras, designed with the lines of classical architecture and ornamented with rocaille decoration. It was built in the Rue de Varenne, between 1727 and 1732. From 1788, the Hôtel was occupied by a series of owners and tenants. In 1820, the Duchess of Charost sold the entire property to three nuns belonging to a religious congregation, the Society of the Sacred Heart of Jesus. A boarding school for girls was opened and the decorations were progressively sold. Between 1820 and 1904, several buildings were constructed on the estate, the Chapel in particular, designed by the architect Jean Juste Gustave Lisch and achieved in 1876.
The Society was dissolved in 1904 due to the 'religious orders' law involving the separation of church and state which prohibited religious orders from teaching. The sisters were evicted and the estate was put up for sale. Awaiting a buyer, tenants were allowed to occupy the building; among them were Jean Cocteau, Henri Matisse, Isadora Duncan and Rainer Maria Rilke, whose future wife Clara Westhoff was living in the Hôtel and was the first to tell Rodin about the estate. In 1908, the sculptor rented four ground-floor rooms to use as his studios. From 1911 onwards, he occupied the whole building. In 1911, as the French state had committed itself to purchasing the Hôtel Biron, Rodin started to negotiate with it. The artist announced officially his intention to donate all his works to the French state, as well as his drawings and his collection of antiquities in the condition that the State keeps all these collections at the Hôtel Biron, which will become the Musée Rodin in exchange of the right to reside there all his life.
In 1916, the French Assembly passed a law permitting the State to accept the donations and allocated the mansion and its garden to a museum. Léonce Bénédite was appointed executor of the sculptor's will: his tasks were to manage Rodin's artistic heritage and to supervise the organisation of the future museum.
Listed as a historical monument in 1926, the Hôtel Biron and its grounds have since undergone major renovation and restoration work, to better assert their role as a museum. The most recent scheme was the restoration which began in 2012 and was completed by 12 November 2015, Rodin's 175th birthday. The renovations cost 16 million euro ($17.4 million), and were hailed as a "moral duty" by France's Culture Minister Fleur Pellerin.

Answer: between 1727 and 1732


Question: When was this museum built?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

First opened to the public on 4 August 1919, the Musée Rodin was housed in a mansion, formerly called the Hôtel Peyrenc de Moras, designed with the lines of classical architecture and ornamented with rocaille decoration. It was built in the Rue de Varenne, between 1727 and 1732. From 1788, the Hôtel was occupied by a series of owners and tenants. In 1820, the Duchess of Charost sold the entire property to three nuns belonging to a religious congregation, the Society of the Sacred Heart of Jesus. A boarding school for girls was opened and the decorations were progressively sold. Between 1820 and 1904, several buildings were constructed on the estate, the Chapel in particular, designed by the architect Jean Juste Gustave Lisch and achieved in 1876.
The Society was dissolved in 1904 due to the 'religious orders' law involving the separation of church and state which prohibited religious orders from teaching. The sisters were evicted and the estate was put up for sale. Awaiting a buyer, tenants were allowed to occupy the building; among them were Jean Cocteau, Henri Matisse, Isadora Duncan and Rainer Maria Rilke, whose future wife Clara Westhoff was living in the Hôtel and was the first to tell Rodin about the estate. In 1908, the sculptor rented four ground-floor rooms to use as his studios. From 1911 onwards, he occupied the whole building. In 1911, as the French state had committed itself to purchasing the Hôtel Biron, Rodin started to negotiate with it. The artist announced officially his intention to donate all his works to the French state, as well as his drawings and his collection of antiquities in the condition that the State keeps all these collections at the Hôtel Biron, which will become the Musée Rodin in exchange of the right to reside there all his life.
In 1916, the French Assembly passed a law permitting the State to accept the donations and allocated the mansion and its garden to a museum. Léonce Bénédite was appointed executor of the sculptor's will: his tasks were to manage Rodin's artistic heritage and to supervise the organisation of the future museum.
Listed as a historical monument in 1926, the Hôtel Biron and its grounds have since undergone major renovation and restoration work, to better assert their role as a museum. The most recent scheme was the restoration which began in 2012 and was completed by 12 November 2015, Rodin's 175th birthday. The renovations cost 16 million euro ($17.4 million), and were hailed as a "moral duty" by France's Culture Minister Fleur Pellerin.

Answer: between 1727 and 1732


Question: When was this museum built?

Instruction: Extract documents linked to the question provided in conjunction with the image:

First opened to the public on 4 August 1919, the Musée Rodin was housed in a mansion, formerly called the Hôtel Peyrenc de Moras, designed with the lines of classical architecture and ornamented with rocaille decoration. It was built in the Rue de Varenne, between 1727 and 1732. From 1788, the Hôtel was occupied by a series of owners and tenants. In 1820, the Duchess of Charost sold the entire property to three nuns belonging to a religious congregation, the Society of the Sacred Heart of Jesus. A boarding school for girls was opened and the decorations were progressively sold. Between 1820 and 1904, several buildings were constructed on the estate, the Chapel in particular, designed by the architect Jean Juste Gustave Lisch and achieved in 1876.
The Society was dissolved in 1904 due to the 'religious orders' law involving the separation of church and state which prohibited religious orders from teaching. The sisters were evicted and the estate was put up for sale. Awaiting a buyer, tenants were allowed to occupy the building; among them were Jean Cocteau, Henri Matisse, Isadora Duncan and Rainer Maria Rilke, whose future wife Clara Westhoff was living in the Hôtel and was the first to tell Rodin about the estate. In 1908, the sculptor rented four ground-floor rooms to use as his studios. From 1911 onwards, he occupied the whole building. In 1911, as the French state had committed itself to purchasing the Hôtel Biron, Rodin started to negotiate with it. The artist announced officially his intention to donate all his works to the French state, as well as his drawings and his collection of antiquities in the condition that the State keeps all these collections at the Hôtel Biron, which will become the Musée Rodin in exchange of the right to reside there all his life.
In 1916, the French Assembly passed a law permitting the State to accept the donations and allocated the mansion and its garden to a museum. Léonce Bénédite was appointed executor of the sculptor's will: his tasks were to manage Rodin's artistic heritage and to supervise the organisation of the future museum.
Listed as a historical monument in 1926, the Hôtel Biron and its grounds have since undergone major renovation and restoration work, to better assert their role as a museum. The most recent scheme was the restoration which began in 2012 and was completed by 12 November 2015, Rodin's 175th birthday. The renovations cost 16 million euro ($17.4 million), and were hailed as a "moral duty" by France's Culture Minister Fleur Pellerin.

Answer: between 1727 and 1732


Question: Who designed this museum?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

In 2006, fashion designer Isaac Mizrahi designed the conservators' denim work aprons.
In 2008, the American Art Museum hosted an alternate reality game, called Ghosts of a Chance, which was created by City Mystery.  The game allowed patrons "a new way of engaging with the collection" in the Luce Foundation Center.  The game ran for six weeks and attracted more than 6,000 participants.

WikiWeb_Smithsonian American Art Museum_12

Answer: isaac mizrahi


Question: Who designed this museum?

Instruction: With the provided image, gather documents that offer a solution to the question:

In 2006, fashion designer Isaac Mizrahi designed the conservators' denim work aprons.
In 2008, the American Art Museum hosted an alternate reality game, called Ghosts of a Chance, which was created by City Mystery.  The game allowed patrons "a new way of engaging with the collection" in the Luce Foundation Center.  The game ran for six weeks and attracted more than 6,000 participants.

WikiWeb_Smithsonian American Art Museum_12

Answer: isaac mizrahi


Question: Who designed this museum?

Instruction: Using the given image, access documents that provide insights into the following question:

In 2006, fashion designer Isaac Mizrahi designed the conservators' denim work aprons.
In 2008, the American Art Museum hosted an alternate reality game, called Ghosts of a Chance, which was created by City Mystery.  The game allowed patrons "a new way of engaging with the collection" in the Luce Foundation Center.  The game ran for six weeks and attracted more than 6,000 participants.

WikiWeb_Smithsonian American Art Museum_12

Answer: isaac mizrahi


Question: Who designed this museum?

Instruction: Using the provided image, obtain documents that address the subsequent question:

In 2006, fashion designer Isaac Mizrahi designed the conservators' denim work aprons.
In 2008, the American Art Museum hosted an alternate reality game, called Ghosts of a Chance, which was created by City Mystery.  The game allowed patrons "a new way of engaging with the collection" in the Luce Foundation Center.  The game ran for six weeks and attracted more than 6,000 participants.

WikiWeb_Smithsonian American Art Museum_12

Answer: isaac mizrahi


Question: Who designed this museum?

Instruction: Extract documents linked to the question provided in conjunction with the image:

In 2006, fashion designer Isaac Mizrahi designed the conservators' denim work aprons.
In 2008, the American Art Museum hosted an alternate reality game, called Ghosts of a Chance, which was created by City Mystery.  The game allowed patrons "a new way of engaging with the collection" in the Luce Foundation Center.  The game ran for six weeks and attracted more than 6,000 participants.

WikiWeb_Smithsonian American Art Museum_12

Answer: isaac mizrahi


Question: Of which famous artists does this museum display works?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The permanent collections of these two museums grow through direct acquisitions, as well as through commissions, thematic competitions, awards for young artists, donations and permanent loans.
The collection includes works by Alighiero Boetti, Grazia Toderi, William Kentridge, Kara Walker, Ed Ruscha, Gilbert & George, Gino De Dominicis, Michael Raedecker, Anish Kapoor, Gerhard Richter, Francesco Clemente, Lara Favaretto, Marlene Dumas, Maurizio Cattelan, Gabriele Basilico, Kiki Smith, Thomas Ruff, Luigi Ghirri, Manfredi Beninati, Vanessa Beecroft, Stefano Arienti, Francis Alys, Ugo Rondinone, Thomas Schutte, Francesco Gostoli, and archives of architects Carlo Scarpa, Aldo Rossi and Pier Luigi Nervi.

Answer: alighiero boetti, grazia toderi, william kentridge, kara walker, ed ruscha, gilbert & george, gino de dominicis, michael raedecker, anish kapoor, gerhard richter, francesco clemente, lara favaretto, marlene dumas, maurizio cattelan, gabriele basilico, kiki smith, thomas ruff, luigi ghirri, manfredi beninati, vanessa beecroft, stefano arienti, francis alys, ugo rondinone, thomas schutte, francesco gostoli, and archives of architects carlo scarpa, aldo rossi and pier luigi nervi.


Question: Of which famous artists does this museum display works?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

The permanent collections of these two museums grow through direct acquisitions, as well as through commissions, thematic competitions, awards for young artists, donations and permanent loans.
The collection includes works by Alighiero Boetti, Grazia Toderi, William Kentridge, Kara Walker, Ed Ruscha, Gilbert & George, Gino De Dominicis, Michael Raedecker, Anish Kapoor, Gerhard Richter, Francesco Clemente, Lara Favaretto, Marlene Dumas, Maurizio Cattelan, Gabriele Basilico, Kiki Smith, Thomas Ruff, Luigi Ghirri, Manfredi Beninati, Vanessa Beecroft, Stefano Arienti, Francis Alys, Ugo Rondinone, Thomas Schutte, Francesco Gostoli, and archives of architects Carlo Scarpa, Aldo Rossi and Pier Luigi Nervi.

Answer: alighiero boetti, grazia toderi, william kentridge, kara walker, ed ruscha, gilbert & george, gino de dominicis, michael raedecker, anish kapoor, gerhard richter, francesco clemente, lara favaretto, marlene dumas, maurizio cattelan, gabriele basilico, kiki smith, thomas ruff, luigi ghirri, manfredi beninati, vanessa beecroft, stefano arienti, francis alys, ugo rondinone, thomas schutte, francesco gostoli, and archives of architects carlo scarpa, aldo rossi and pier luigi nervi.


Question: Of which famous artists does this museum display works?

Instruction: With the provided image, gather documents that offer a solution to the question:

The permanent collections of these two museums grow through direct acquisitions, as well as through commissions, thematic competitions, awards for young artists, donations and permanent loans.
The collection includes works by Alighiero Boetti, Grazia Toderi, William Kentridge, Kara Walker, Ed Ruscha, Gilbert & George, Gino De Dominicis, Michael Raedecker, Anish Kapoor, Gerhard Richter, Francesco Clemente, Lara Favaretto, Marlene Dumas, Maurizio Cattelan, Gabriele Basilico, Kiki Smith, Thomas Ruff, Luigi Ghirri, Manfredi Beninati, Vanessa Beecroft, Stefano Arienti, Francis Alys, Ugo Rondinone, Thomas Schutte, Francesco Gostoli, and archives of architects Carlo Scarpa, Aldo Rossi and Pier Luigi Nervi.

Answer: alighiero boetti, grazia toderi, william kentridge, kara walker, ed ruscha, gilbert & george, gino de dominicis, michael raedecker, anish kapoor, gerhard richter, francesco clemente, lara favaretto, marlene dumas, maurizio cattelan, gabriele basilico, kiki smith, thomas ruff, luigi ghirri, manfredi beninati, vanessa beecroft, stefano arienti, francis alys, ugo rondinone, thomas schutte, francesco gostoli, and archives of architects carlo scarpa, aldo rossi and pier luigi nervi.


Question: Of which famous artists does this museum display works?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The permanent collections of these two museums grow through direct acquisitions, as well as through commissions, thematic competitions, awards for young artists, donations and permanent loans.
The collection includes works by Alighiero Boetti, Grazia Toderi, William Kentridge, Kara Walker, Ed Ruscha, Gilbert & George, Gino De Dominicis, Michael Raedecker, Anish Kapoor, Gerhard Richter, Francesco Clemente, Lara Favaretto, Marlene Dumas, Maurizio Cattelan, Gabriele Basilico, Kiki Smith, Thomas Ruff, Luigi Ghirri, Manfredi Beninati, Vanessa Beecroft, Stefano Arienti, Francis Alys, Ugo Rondinone, Thomas Schutte, Francesco Gostoli, and archives of architects Carlo Scarpa, Aldo Rossi and Pier Luigi Nervi.

Answer: alighiero boetti, grazia toderi, william kentridge, kara walker, ed ruscha, gilbert & george, gino de dominicis, michael raedecker, anish kapoor, gerhard richter, francesco clemente, lara favaretto, marlene dumas, maurizio cattelan, gabriele basilico, kiki smith, thomas ruff, luigi ghirri, manfredi beninati, vanessa beecroft, stefano arienti, francis alys, ugo rondinone, thomas schutte, francesco gostoli, and archives of architects carlo scarpa, aldo rossi and pier luigi nervi.


Question: Of which famous artists does this museum display works?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

The permanent collections of these two museums grow through direct acquisitions, as well as through commissions, thematic competitions, awards for young artists, donations and permanent loans.
The collection includes works by Alighiero Boetti, Grazia Toderi, William Kentridge, Kara Walker, Ed Ruscha, Gilbert & George, Gino De Dominicis, Michael Raedecker, Anish Kapoor, Gerhard Richter, Francesco Clemente, Lara Favaretto, Marlene Dumas, Maurizio Cattelan, Gabriele Basilico, Kiki Smith, Thomas Ruff, Luigi Ghirri, Manfredi Beninati, Vanessa Beecroft, Stefano Arienti, Francis Alys, Ugo Rondinone, Thomas Schutte, Francesco Gostoli, and archives of architects Carlo Scarpa, Aldo Rossi and Pier Luigi Nervi.

Answer: alighiero boetti, grazia toderi, william kentridge, kara walker, ed ruscha, gilbert & george, gino de dominicis, michael raedecker, anish kapoor, gerhard richter, francesco clemente, lara favaretto, marlene dumas, maurizio cattelan, gabriele basilico, kiki smith, thomas ruff, luigi ghirri, manfredi beninati, vanessa beecroft, stefano arienti, francis alys, ugo rondinone, thomas schutte, francesco gostoli, and archives of architects carlo scarpa, aldo rossi and pier luigi nervi.


Question: When was this museum built?

Instruction: Using the given image, access documents that provide insights into the following question:

The New Museum was established by an independent curator Marcia Tucker in 1977. It is dedicated to introducing new art and new ideas, by artists who have not yet received significant exposure or recognition. Ever since it was founded, the museum has taken on the mission to challenge the stiff institutionalization of an art museum. It continues to bring new ideas into the art world and to connect with the public.

Answer: 1977


Question: When was this museum built?

Instruction: Extract documents linked to the question provided in conjunction with the image:

The New Museum was established by an independent curator Marcia Tucker in 1977. It is dedicated to introducing new art and new ideas, by artists who have not yet received significant exposure or recognition. Ever since it was founded, the museum has taken on the mission to challenge the stiff institutionalization of an art museum. It continues to bring new ideas into the art world and to connect with the public.

Answer: 1977


Question: When was this museum built?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The New Museum was established by an independent curator Marcia Tucker in 1977. It is dedicated to introducing new art and new ideas, by artists who have not yet received significant exposure or recognition. Ever since it was founded, the museum has taken on the mission to challenge the stiff institutionalization of an art museum. It continues to bring new ideas into the art world and to connect with the public.

Answer: 1977


Question: When was this museum built?

Instruction: Using the given image, access documents that provide insights into the following question:

The New Museum was established by an independent curator Marcia Tucker in 1977. It is dedicated to introducing new art and new ideas, by artists who have not yet received significant exposure or recognition. Ever since it was founded, the museum has taken on the mission to challenge the stiff institutionalization of an art museum. It continues to bring new ideas into the art world and to connect with the public.

Answer: 1977


Question: When was this museum built?

Instruction: Extract documents linked to the question provided in conjunction with the image:

The New Museum was established by an independent curator Marcia Tucker in 1977. It is dedicated to introducing new art and new ideas, by artists who have not yet received significant exposure or recognition. Ever since it was founded, the museum has taken on the mission to challenge the stiff institutionalization of an art museum. It continues to bring new ideas into the art world and to connect with the public.

Answer: 1977


Question: Who designed this museum?

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The Semper Gallery or Semper Building (German: Sempergalerie or Semperbau) in Dresden, Germany, was designed by the architect Gottfried Semper and constructed from 1847 until 1854.
The long-stretched building in Neoclassical style closes the Zwinger courtyard on its northern side. It faces the Zwinger to the south; to the north it borders on the Theatre Square (Theaterplatz) with the Semper Opera House as well as Dresden Castle and the Catholic Church of the Royal Court (Katholische Hofkirche).
The Semper Gallery houses the Old Masters Picture Gallery (Gemäldegalerie Alte Meister).

Answer: gottfried semper


Question: Who designed this museum?

Instruction: Using the given image, access documents that provide insights into the following question:

The Semper Gallery or Semper Building (German: Sempergalerie or Semperbau) in Dresden, Germany, was designed by the architect Gottfried Semper and constructed from 1847 until 1854.
The long-stretched building in Neoclassical style closes the Zwinger courtyard on its northern side. It faces the Zwinger to the south; to the north it borders on the Theatre Square (Theaterplatz) with the Semper Opera House as well as Dresden Castle and the Catholic Church of the Royal Court (Katholische Hofkirche).
The Semper Gallery houses the Old Masters Picture Gallery (Gemäldegalerie Alte Meister).

Answer: gottfried semper


Question: Who designed this museum?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The Semper Gallery or Semper Building (German: Sempergalerie or Semperbau) in Dresden, Germany, was designed by the architect Gottfried Semper and constructed from 1847 until 1854.
The long-stretched building in Neoclassical style closes the Zwinger courtyard on its northern side. It faces the Zwinger to the south; to the north it borders on the Theatre Square (Theaterplatz) with the Semper Opera House as well as Dresden Castle and the Catholic Church of the Royal Court (Katholische Hofkirche).
The Semper Gallery houses the Old Masters Picture Gallery (Gemäldegalerie Alte Meister).

Answer: gottfried semper


Question: Who designed this museum?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The Semper Gallery or Semper Building (German: Sempergalerie or Semperbau) in Dresden, Germany, was designed by the architect Gottfried Semper and constructed from 1847 until 1854.
The long-stretched building in Neoclassical style closes the Zwinger courtyard on its northern side. It faces the Zwinger to the south; to the north it borders on the Theatre Square (Theaterplatz) with the Semper Opera House as well as Dresden Castle and the Catholic Church of the Royal Court (Katholische Hofkirche).
The Semper Gallery houses the Old Masters Picture Gallery (Gemäldegalerie Alte Meister).

Answer: gottfried semper


Question: Who designed this museum?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

The Semper Gallery or Semper Building (German: Sempergalerie or Semperbau) in Dresden, Germany, was designed by the architect Gottfried Semper and constructed from 1847 until 1854.
The long-stretched building in Neoclassical style closes the Zwinger courtyard on its northern side. It faces the Zwinger to the south; to the north it borders on the Theatre Square (Theaterplatz) with the Semper Opera House as well as Dresden Castle and the Catholic Church of the Royal Court (Katholische Hofkirche).
The Semper Gallery houses the Old Masters Picture Gallery (Gemäldegalerie Alte Meister).

Answer: gottfried semper


Question: Which river does this bridge cross?

Instruction: Using the given image, access documents that provide insights into the following question:

The Puente de Piedra (English: Stone Bridge) is a bridge across the river Ebro in Zaragoza, Spain.
The Puente de Piedra is also called the Bridge of Lions because since 1991 four lions (symbols of the city) have been placed on the pillars at each end of the bridge. The lion statues were designed by Francisco Rallo Lahoz.

Answer: ebro


Question: Which river does this bridge cross?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

The Puente de Piedra (English: Stone Bridge) is a bridge across the river Ebro in Zaragoza, Spain.
The Puente de Piedra is also called the Bridge of Lions because since 1991 four lions (symbols of the city) have been placed on the pillars at each end of the bridge. The lion statues were designed by Francisco Rallo Lahoz.

Answer: ebro


Question: Which river does this bridge cross?

Instruction: Extract documents linked to the question provided in conjunction with the image:

The Puente de Piedra (English: Stone Bridge) is a bridge across the river Ebro in Zaragoza, Spain.
The Puente de Piedra is also called the Bridge of Lions because since 1991 four lions (symbols of the city) have been placed on the pillars at each end of the bridge. The lion statues were designed by Francisco Rallo Lahoz.

Answer: ebro


Question: Which river does this bridge cross?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The Puente de Piedra (English: Stone Bridge) is a bridge across the river Ebro in Zaragoza, Spain.
The Puente de Piedra is also called the Bridge of Lions because since 1991 four lions (symbols of the city) have been placed on the pillars at each end of the bridge. The lion statues were designed by Francisco Rallo Lahoz.

Answer: ebro


Question: Which river does this bridge cross?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

The Puente de Piedra (English: Stone Bridge) is a bridge across the river Ebro in Zaragoza, Spain.
The Puente de Piedra is also called the Bridge of Lions because since 1991 four lions (symbols of the city) have been placed on the pillars at each end of the bridge. The lion statues were designed by Francisco Rallo Lahoz.

Answer: ebro


Question: When was this bridge built?

Instruction: Extract documents linked to the question provided in conjunction with the image:

Beginning in the 12th century the citizens of Zaragoza tried to build a bridge across the Ebro. In 1401–1440, the Puente de Piedra was built under the direction of Gil de Menestral. The flood in 1643 destroyed two central bridge spans. The bridge then looked as it does in the painting "View of Zaragoza" by Juan Bautista Martínez del Mazo (1647).
In 1659 the bridge was reconstructed. Architect Felipe de Busignac restored two destroyed towers and expanded the bridge piers. In 1789, architect Agustín Sanz strengthened the Ebro's bank at the Monastery of St. Lazarus to prevent the risk of flooding of the bridge. The reconstruction of the bridge was of great economic importance for the development of the region and all the country.

Answer: 1401–1440


Question: When was this bridge built?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

Beginning in the 12th century the citizens of Zaragoza tried to build a bridge across the Ebro. In 1401–1440, the Puente de Piedra was built under the direction of Gil de Menestral. The flood in 1643 destroyed two central bridge spans. The bridge then looked as it does in the painting "View of Zaragoza" by Juan Bautista Martínez del Mazo (1647).
In 1659 the bridge was reconstructed. Architect Felipe de Busignac restored two destroyed towers and expanded the bridge piers. In 1789, architect Agustín Sanz strengthened the Ebro's bank at the Monastery of St. Lazarus to prevent the risk of flooding of the bridge. The reconstruction of the bridge was of great economic importance for the development of the region and all the country.

Answer: 1401–1440


Question: When was this bridge built?

Instruction: Using the given image, access documents that provide insights into the following question:

Beginning in the 12th century the citizens of Zaragoza tried to build a bridge across the Ebro. In 1401–1440, the Puente de Piedra was built under the direction of Gil de Menestral. The flood in 1643 destroyed two central bridge spans. The bridge then looked as it does in the painting "View of Zaragoza" by Juan Bautista Martínez del Mazo (1647).
In 1659 the bridge was reconstructed. Architect Felipe de Busignac restored two destroyed towers and expanded the bridge piers. In 1789, architect Agustín Sanz strengthened the Ebro's bank at the Monastery of St. Lazarus to prevent the risk of flooding of the bridge. The reconstruction of the bridge was of great economic importance for the development of the region and all the country.

Answer: 1401–1440


Question: When was this bridge built?

Instruction: Using the given image, access documents that provide insights into the following question:

Beginning in the 12th century the citizens of Zaragoza tried to build a bridge across the Ebro. In 1401–1440, the Puente de Piedra was built under the direction of Gil de Menestral. The flood in 1643 destroyed two central bridge spans. The bridge then looked as it does in the painting "View of Zaragoza" by Juan Bautista Martínez del Mazo (1647).
In 1659 the bridge was reconstructed. Architect Felipe de Busignac restored two destroyed towers and expanded the bridge piers. In 1789, architect Agustín Sanz strengthened the Ebro's bank at the Monastery of St. Lazarus to prevent the risk of flooding of the bridge. The reconstruction of the bridge was of great economic importance for the development of the region and all the country.

Answer: 1401–1440


Question: When was this bridge built?

Instruction: With the provided image, gather documents that offer a solution to the question:

Beginning in the 12th century the citizens of Zaragoza tried to build a bridge across the Ebro. In 1401–1440, the Puente de Piedra was built under the direction of Gil de Menestral. The flood in 1643 destroyed two central bridge spans. The bridge then looked as it does in the painting "View of Zaragoza" by Juan Bautista Martínez del Mazo (1647).
In 1659 the bridge was reconstructed. Architect Felipe de Busignac restored two destroyed towers and expanded the bridge piers. In 1789, architect Agustín Sanz strengthened the Ebro's bank at the Monastery of St. Lazarus to prevent the risk of flooding of the bridge. The reconstruction of the bridge was of great economic importance for the development of the region and all the country.

Answer: 1401–1440


Question: Which river does this bridge cross?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

The bridge is actually a composition of two main bridges: a 816 m (2,677 ft) long and 31.4 m (103 ft) wide across the Dnieper, a 732 m (2,402 ft) long, 29.1 m (95 ft) wide across the Desenka (Desna distributary) and includes a road interchange at Stepana Bandery prospect and Heroyiv Stalingrada prospect.
The major feature of the bridge its pylon 119 m (390 ft) in height. It is located on the Trukhaniv Island and providing support for the main span across Dnieper River.
It is a key structure on the northern end of the Kyiv Smaller Beltway, connecting Petrivka to the densely populated north-eastern residential neighborhoods. From the moment of its construction the bridge was built as a high-speed motorway, which it remains to this day.

Answer: dnieper river.


Question: Which river does this bridge cross?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

The bridge is actually a composition of two main bridges: a 816 m (2,677 ft) long and 31.4 m (103 ft) wide across the Dnieper, a 732 m (2,402 ft) long, 29.1 m (95 ft) wide across the Desenka (Desna distributary) and includes a road interchange at Stepana Bandery prospect and Heroyiv Stalingrada prospect.
The major feature of the bridge its pylon 119 m (390 ft) in height. It is located on the Trukhaniv Island and providing support for the main span across Dnieper River.
It is a key structure on the northern end of the Kyiv Smaller Beltway, connecting Petrivka to the densely populated north-eastern residential neighborhoods. From the moment of its construction the bridge was built as a high-speed motorway, which it remains to this day.

Answer: dnieper river.


Question: Which river does this bridge cross?

Instruction: Extract documents linked to the question provided in conjunction with the image:

The bridge is actually a composition of two main bridges: a 816 m (2,677 ft) long and 31.4 m (103 ft) wide across the Dnieper, a 732 m (2,402 ft) long, 29.1 m (95 ft) wide across the Desenka (Desna distributary) and includes a road interchange at Stepana Bandery prospect and Heroyiv Stalingrada prospect.
The major feature of the bridge its pylon 119 m (390 ft) in height. It is located on the Trukhaniv Island and providing support for the main span across Dnieper River.
It is a key structure on the northern end of the Kyiv Smaller Beltway, connecting Petrivka to the densely populated north-eastern residential neighborhoods. From the moment of its construction the bridge was built as a high-speed motorway, which it remains to this day.

Answer: dnieper river.


Question: Which river does this bridge cross?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The bridge is actually a composition of two main bridges: a 816 m (2,677 ft) long and 31.4 m (103 ft) wide across the Dnieper, a 732 m (2,402 ft) long, 29.1 m (95 ft) wide across the Desenka (Desna distributary) and includes a road interchange at Stepana Bandery prospect and Heroyiv Stalingrada prospect.
The major feature of the bridge its pylon 119 m (390 ft) in height. It is located on the Trukhaniv Island and providing support for the main span across Dnieper River.
It is a key structure on the northern end of the Kyiv Smaller Beltway, connecting Petrivka to the densely populated north-eastern residential neighborhoods. From the moment of its construction the bridge was built as a high-speed motorway, which it remains to this day.

Answer: dnieper river.


Question: Which river does this bridge cross?

Instruction: With the provided image, gather documents that offer a solution to the question:

The bridge is actually a composition of two main bridges: a 816 m (2,677 ft) long and 31.4 m (103 ft) wide across the Dnieper, a 732 m (2,402 ft) long, 29.1 m (95 ft) wide across the Desenka (Desna distributary) and includes a road interchange at Stepana Bandery prospect and Heroyiv Stalingrada prospect.
The major feature of the bridge its pylon 119 m (390 ft) in height. It is located on the Trukhaniv Island and providing support for the main span across Dnieper River.
It is a key structure on the northern end of the Kyiv Smaller Beltway, connecting Petrivka to the densely populated north-eastern residential neighborhoods. From the moment of its construction the bridge was built as a high-speed motorway, which it remains to this day.

Answer: dnieper river.


Question: Which river does this bridge cross?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The Tarraco aqueduct took water from the Francolí river, 15 kilometers north of Tarragona. It probably dates from the time of the emperor Augustus.
Les Ferreres Aqueduct is composed of two levels of arches: the upper section has 25 arches, and the lower one has 11. All arches have the same diameter of 20 Roman feet (5.9m) with a variation of 15 cm. The distance between centres of the pillars is 26 Roman feet (7.95m). It  has a maximum height of 27 metres (89 ft) and a length of 249 metres (817 ft), including the ends where the specus (water channel) runs atop a wall.

Answer: francolí river


Question: Which river does this bridge cross?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

The Tarraco aqueduct took water from the Francolí river, 15 kilometers north of Tarragona. It probably dates from the time of the emperor Augustus.
Les Ferreres Aqueduct is composed of two levels of arches: the upper section has 25 arches, and the lower one has 11. All arches have the same diameter of 20 Roman feet (5.9m) with a variation of 15 cm. The distance between centres of the pillars is 26 Roman feet (7.95m). It  has a maximum height of 27 metres (89 ft) and a length of 249 metres (817 ft), including the ends where the specus (water channel) runs atop a wall.

Answer: francolí river


Question: Which river does this bridge cross?

Instruction: Using the given image, access documents that provide insights into the following question:

The Tarraco aqueduct took water from the Francolí river, 15 kilometers north of Tarragona. It probably dates from the time of the emperor Augustus.
Les Ferreres Aqueduct is composed of two levels of arches: the upper section has 25 arches, and the lower one has 11. All arches have the same diameter of 20 Roman feet (5.9m) with a variation of 15 cm. The distance between centres of the pillars is 26 Roman feet (7.95m). It  has a maximum height of 27 metres (89 ft) and a length of 249 metres (817 ft), including the ends where the specus (water channel) runs atop a wall.

Answer: francolí river


Question: Which river does this bridge cross?

Instruction: Extract documents linked to the question provided in conjunction with the image:

The Tarraco aqueduct took water from the Francolí river, 15 kilometers north of Tarragona. It probably dates from the time of the emperor Augustus.
Les Ferreres Aqueduct is composed of two levels of arches: the upper section has 25 arches, and the lower one has 11. All arches have the same diameter of 20 Roman feet (5.9m) with a variation of 15 cm. The distance between centres of the pillars is 26 Roman feet (7.95m). It  has a maximum height of 27 metres (89 ft) and a length of 249 metres (817 ft), including the ends where the specus (water channel) runs atop a wall.

Answer: francolí river


Question: Which river does this bridge cross?

Instruction: Extract documents linked to the question provided in conjunction with the image:

The Tarraco aqueduct took water from the Francolí river, 15 kilometers north of Tarragona. It probably dates from the time of the emperor Augustus.
Les Ferreres Aqueduct is composed of two levels of arches: the upper section has 25 arches, and the lower one has 11. All arches have the same diameter of 20 Roman feet (5.9m) with a variation of 15 cm. The distance between centres of the pillars is 26 Roman feet (7.95m). It  has a maximum height of 27 metres (89 ft) and a length of 249 metres (817 ft), including the ends where the specus (water channel) runs atop a wall.

Answer: francolí river


Question: When was this bridge built?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The Ravning Bridge is thought to have been built in the Viking Age around 980 AD, as ordered by King Harald Bluetooth, who also built the Viking ring castles. Like these fortresses, the Ravning Bridge was in use for a short time.
The bridge, 5 metres wide and almost 760 metres long. was built with oak timber. The spans were 2.4 m long and 5.5 m wide. The bridge had 280 piers consisting of four vertical posts placed at a distance of 1.2 m, and two smaller slanted post at the ends. The vertical posts were square with sides of 30 x 30 cm and up to 6 m long. Over the vertical posts were placed 5.5 m long, 25–30 cm high and more than double as wide horizontal girders. The girders were connected by longitudinal beams on which the deck of the bridge was built. The deck area covered 3,800 square meters, and it is estimated that more than 300 ha of oak forest was felled to construct the bridge.
The purpose of the Ravning Bridge has been much debated, but later excavations in 1993 and 1996 revealed that it was used both as a trading bridge and a jetty for ships. In the Viking Age the water levels were higher in the Vejle River Valley and ships could navigate further inland and so dock closer to the important royal seat of Jelling. The width of the bridge allowed two trading wagons to pass each other.

Answer: 980 ad


Question: Which places does this bridge connect?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

The Puente de Isabel II, Puente de Triana or Triana Bridge, is a metal arch bridge in  Seville, Spain, that connects the Triana neighbourhood with the centre of the city. It crosses the Canal de Alfonso XIII, one of the arms of the River Guadalquivir that isolate Triana as an almost-island.
It was built during the reign of Isabella II of Spain and completed in 1852 as the first solid bridge in Seville, replacing an earlier floating bridge consisting of boats (a pontoon bridge). First built by the Moors in the 12th century, the pontoon bridge managed to exist for seven centuries due to later repairs.

Answer: the triana neighbourhood with the centre of the city


Question: Which places does this bridge connect?

Instruction: Using the given image, access documents that provide insights into the following question:

The Puente de Isabel II, Puente de Triana or Triana Bridge, is a metal arch bridge in  Seville, Spain, that connects the Triana neighbourhood with the centre of the city. It crosses the Canal de Alfonso XIII, one of the arms of the River Guadalquivir that isolate Triana as an almost-island.
It was built during the reign of Isabella II of Spain and completed in 1852 as the first solid bridge in Seville, replacing an earlier floating bridge consisting of boats (a pontoon bridge). First built by the Moors in the 12th century, the pontoon bridge managed to exist for seven centuries due to later repairs.

Answer: the triana neighbourhood with the centre of the city


Question: Which places does this bridge connect?

Instruction: Using the provided image, obtain documents that address the subsequent question:

The Puente de Isabel II, Puente de Triana or Triana Bridge, is a metal arch bridge in  Seville, Spain, that connects the Triana neighbourhood with the centre of the city. It crosses the Canal de Alfonso XIII, one of the arms of the River Guadalquivir that isolate Triana as an almost-island.
It was built during the reign of Isabella II of Spain and completed in 1852 as the first solid bridge in Seville, replacing an earlier floating bridge consisting of boats (a pontoon bridge). First built by the Moors in the 12th century, the pontoon bridge managed to exist for seven centuries due to later repairs.

Answer: the triana neighbourhood with the centre of the city


Question: Which places does this bridge connect?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

The Puente de Isabel II, Puente de Triana or Triana Bridge, is a metal arch bridge in  Seville, Spain, that connects the Triana neighbourhood with the centre of the city. It crosses the Canal de Alfonso XIII, one of the arms of the River Guadalquivir that isolate Triana as an almost-island.
It was built during the reign of Isabella II of Spain and completed in 1852 as the first solid bridge in Seville, replacing an earlier floating bridge consisting of boats (a pontoon bridge). First built by the Moors in the 12th century, the pontoon bridge managed to exist for seven centuries due to later repairs.

Answer: the triana neighbourhood with the centre of the city


Question: Which places does this bridge connect?

Instruction: With the provided image, gather documents that offer a solution to the question:

The Puente de Isabel II, Puente de Triana or Triana Bridge, is a metal arch bridge in  Seville, Spain, that connects the Triana neighbourhood with the centre of the city. It crosses the Canal de Alfonso XIII, one of the arms of the River Guadalquivir that isolate Triana as an almost-island.
It was built during the reign of Isabella II of Spain and completed in 1852 as the first solid bridge in Seville, replacing an earlier floating bridge consisting of boats (a pontoon bridge). First built by the Moors in the 12th century, the pontoon bridge managed to exist for seven centuries due to later repairs.

Answer: the triana neighbourhood with the centre of the city


Question: When was this bridge built?

Instruction: Using the provided image, obtain documents that address the subsequent question:

The Puente de Isabel II, Puente de Triana or Triana Bridge, is a metal arch bridge in  Seville, Spain, that connects the Triana neighbourhood with the centre of the city. It crosses the Canal de Alfonso XIII, one of the arms of the River Guadalquivir that isolate Triana as an almost-island.
It was built during the reign of Isabella II of Spain and completed in 1852 as the first solid bridge in Seville, replacing an earlier floating bridge consisting of boats (a pontoon bridge). First built by the Moors in the 12th century, the pontoon bridge managed to exist for seven centuries due to later repairs.

Answer: 1852


Question: When was this bridge built?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

The Puente de Isabel II, Puente de Triana or Triana Bridge, is a metal arch bridge in  Seville, Spain, that connects the Triana neighbourhood with the centre of the city. It crosses the Canal de Alfonso XIII, one of the arms of the River Guadalquivir that isolate Triana as an almost-island.
It was built during the reign of Isabella II of Spain and completed in 1852 as the first solid bridge in Seville, replacing an earlier floating bridge consisting of boats (a pontoon bridge). First built by the Moors in the 12th century, the pontoon bridge managed to exist for seven centuries due to later repairs.

Answer: 1852


Question: When was this bridge built?

Instruction: Using the given image, access documents that provide insights into the following question:

The Puente de Isabel II, Puente de Triana or Triana Bridge, is a metal arch bridge in  Seville, Spain, that connects the Triana neighbourhood with the centre of the city. It crosses the Canal de Alfonso XIII, one of the arms of the River Guadalquivir that isolate Triana as an almost-island.
It was built during the reign of Isabella II of Spain and completed in 1852 as the first solid bridge in Seville, replacing an earlier floating bridge consisting of boats (a pontoon bridge). First built by the Moors in the 12th century, the pontoon bridge managed to exist for seven centuries due to later repairs.

Answer: 1852


Question: When was this bridge built?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The Puente de Isabel II, Puente de Triana or Triana Bridge, is a metal arch bridge in  Seville, Spain, that connects the Triana neighbourhood with the centre of the city. It crosses the Canal de Alfonso XIII, one of the arms of the River Guadalquivir that isolate Triana as an almost-island.
It was built during the reign of Isabella II of Spain and completed in 1852 as the first solid bridge in Seville, replacing an earlier floating bridge consisting of boats (a pontoon bridge). First built by the Moors in the 12th century, the pontoon bridge managed to exist for seven centuries due to later repairs.

Answer: 1852


Question: When was this bridge built?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

The Puente de Isabel II, Puente de Triana or Triana Bridge, is a metal arch bridge in  Seville, Spain, that connects the Triana neighbourhood with the centre of the city. It crosses the Canal de Alfonso XIII, one of the arms of the River Guadalquivir that isolate Triana as an almost-island.
It was built during the reign of Isabella II of Spain and completed in 1852 as the first solid bridge in Seville, replacing an earlier floating bridge consisting of boats (a pontoon bridge). First built by the Moors in the 12th century, the pontoon bridge managed to exist for seven centuries due to later repairs.

Answer: 1852


Question: In which country is this bridge located?

Instruction: Extract documents linked to the question provided in conjunction with the image:

The Puente de Isabel II, Puente de Triana or Triana Bridge, is a metal arch bridge in  Seville, Spain, that connects the Triana neighbourhood with the centre of the city. It crosses the Canal de Alfonso XIII, one of the arms of the River Guadalquivir that isolate Triana as an almost-island.
It was built during the reign of Isabella II of Spain and completed in 1852 as the first solid bridge in Seville, replacing an earlier floating bridge consisting of boats (a pontoon bridge). First built by the Moors in the 12th century, the pontoon bridge managed to exist for seven centuries due to later repairs.

Answer: spain


Question: In which country is this bridge located?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The Puente de Isabel II, Puente de Triana or Triana Bridge, is a metal arch bridge in  Seville, Spain, that connects the Triana neighbourhood with the centre of the city. It crosses the Canal de Alfonso XIII, one of the arms of the River Guadalquivir that isolate Triana as an almost-island.
It was built during the reign of Isabella II of Spain and completed in 1852 as the first solid bridge in Seville, replacing an earlier floating bridge consisting of boats (a pontoon bridge). First built by the Moors in the 12th century, the pontoon bridge managed to exist for seven centuries due to later repairs.

Answer: spain


Question: In which country is this bridge located?

Instruction: With the provided image, gather documents that offer a solution to the question:

The Puente de Isabel II, Puente de Triana or Triana Bridge, is a metal arch bridge in  Seville, Spain, that connects the Triana neighbourhood with the centre of the city. It crosses the Canal de Alfonso XIII, one of the arms of the River Guadalquivir that isolate Triana as an almost-island.
It was built during the reign of Isabella II of Spain and completed in 1852 as the first solid bridge in Seville, replacing an earlier floating bridge consisting of boats (a pontoon bridge). First built by the Moors in the 12th century, the pontoon bridge managed to exist for seven centuries due to later repairs.

Answer: spain


Question: In which country is this bridge located?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The Puente de Isabel II, Puente de Triana or Triana Bridge, is a metal arch bridge in  Seville, Spain, that connects the Triana neighbourhood with the centre of the city. It crosses the Canal de Alfonso XIII, one of the arms of the River Guadalquivir that isolate Triana as an almost-island.
It was built during the reign of Isabella II of Spain and completed in 1852 as the first solid bridge in Seville, replacing an earlier floating bridge consisting of boats (a pontoon bridge). First built by the Moors in the 12th century, the pontoon bridge managed to exist for seven centuries due to later repairs.

Answer: spain


Question: In which country is this bridge located?

Instruction: Extract documents linked to the question provided in conjunction with the image:

The Puente de Isabel II, Puente de Triana or Triana Bridge, is a metal arch bridge in  Seville, Spain, that connects the Triana neighbourhood with the centre of the city. It crosses the Canal de Alfonso XIII, one of the arms of the River Guadalquivir that isolate Triana as an almost-island.
It was built during the reign of Isabella II of Spain and completed in 1852 as the first solid bridge in Seville, replacing an earlier floating bridge consisting of boats (a pontoon bridge). First built by the Moors in the 12th century, the pontoon bridge managed to exist for seven centuries due to later repairs.

Answer: spain


Question: Which river does this bridge cross?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Panteleymonovsky Bridge (Russian: Пантелеймо́новский мост) is a bridge across the Fontanka River in Saint Petersburg, Russia. The bridge was erected in 1823 and was named after Panteleymonovskaya Street (now Pestelya Street), which in turn was named after the nearby Church of  St. Panteleimon (Pantaleon).
From 1915 until 1923 it was known as "Gangutskiy Bridge". In 1923 it was renamed as "Pestel Bridge" after Decembrist Pavel Pestel. In 1991 the original name was reinstated.
The bridge is located at the confluence of the Moika River and the Fontanka. It is 43 meters long and 23.7 meters wide.

Answer: fontanka river


Question: Which river does this bridge cross?

Instruction: Using the given image, access documents that provide insights into the following question:

Panteleymonovsky Bridge (Russian: Пантелеймо́новский мост) is a bridge across the Fontanka River in Saint Petersburg, Russia. The bridge was erected in 1823 and was named after Panteleymonovskaya Street (now Pestelya Street), which in turn was named after the nearby Church of  St. Panteleimon (Pantaleon).
From 1915 until 1923 it was known as "Gangutskiy Bridge". In 1923 it was renamed as "Pestel Bridge" after Decembrist Pavel Pestel. In 1991 the original name was reinstated.
The bridge is located at the confluence of the Moika River and the Fontanka. It is 43 meters long and 23.7 meters wide.

Answer: fontanka river


Question: Which river does this bridge cross?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

Panteleymonovsky Bridge (Russian: Пантелеймо́новский мост) is a bridge across the Fontanka River in Saint Petersburg, Russia. The bridge was erected in 1823 and was named after Panteleymonovskaya Street (now Pestelya Street), which in turn was named after the nearby Church of  St. Panteleimon (Pantaleon).
From 1915 until 1923 it was known as "Gangutskiy Bridge". In 1923 it was renamed as "Pestel Bridge" after Decembrist Pavel Pestel. In 1991 the original name was reinstated.
The bridge is located at the confluence of the Moika River and the Fontanka. It is 43 meters long and 23.7 meters wide.

Answer: fontanka river


Question: Which river does this bridge cross?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Panteleymonovsky Bridge (Russian: Пантелеймо́новский мост) is a bridge across the Fontanka River in Saint Petersburg, Russia. The bridge was erected in 1823 and was named after Panteleymonovskaya Street (now Pestelya Street), which in turn was named after the nearby Church of  St. Panteleimon (Pantaleon).
From 1915 until 1923 it was known as "Gangutskiy Bridge". In 1923 it was renamed as "Pestel Bridge" after Decembrist Pavel Pestel. In 1991 the original name was reinstated.
The bridge is located at the confluence of the Moika River and the Fontanka. It is 43 meters long and 23.7 meters wide.

Answer: fontanka river


Question: Which river does this bridge cross?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Panteleymonovsky Bridge (Russian: Пантелеймо́новский мост) is a bridge across the Fontanka River in Saint Petersburg, Russia. The bridge was erected in 1823 and was named after Panteleymonovskaya Street (now Pestelya Street), which in turn was named after the nearby Church of  St. Panteleimon (Pantaleon).
From 1915 until 1923 it was known as "Gangutskiy Bridge". In 1923 it was renamed as "Pestel Bridge" after Decembrist Pavel Pestel. In 1991 the original name was reinstated.
The bridge is located at the confluence of the Moika River and the Fontanka. It is 43 meters long and 23.7 meters wide.

Answer: fontanka river


Question: How long is this bridge?

Instruction: With the provided image, gather documents that offer a solution to the question:

The Penobscot Narrows Bridge is a 2,120-foot-long (650 m) cable-stayed bridge that carries US 1/SR 3 over the Penobscot River. It connects Verona Island to Prospect, in the U.S. state of Maine. It opened in December 2006, replacing the Waldo–Hancock Bridge, built in 1931.

WikiWeb_Penobscot Narrows Bridge and Observatory_0

Answer: 2,120-foot-long (650 m)


Question: How long is this bridge?

Instruction: With the provided image, gather documents that offer a solution to the question:

The Penobscot Narrows Bridge is a 2,120-foot-long (650 m) cable-stayed bridge that carries US 1/SR 3 over the Penobscot River. It connects Verona Island to Prospect, in the U.S. state of Maine. It opened in December 2006, replacing the Waldo–Hancock Bridge, built in 1931.

WikiWeb_Penobscot Narrows Bridge and Observatory_0

Answer: 2,120-foot-long (650 m)


Question: How long is this bridge?

Instruction: Using the provided image, obtain documents that address the subsequent question:

The Penobscot Narrows Bridge is a 2,120-foot-long (650 m) cable-stayed bridge that carries US 1/SR 3 over the Penobscot River. It connects Verona Island to Prospect, in the U.S. state of Maine. It opened in December 2006, replacing the Waldo–Hancock Bridge, built in 1931.

WikiWeb_Penobscot Narrows Bridge and Observatory_0

Answer: 2,120-foot-long (650 m)


Question: How long is this bridge?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The Penobscot Narrows Bridge is a 2,120-foot-long (650 m) cable-stayed bridge that carries US 1/SR 3 over the Penobscot River. It connects Verona Island to Prospect, in the U.S. state of Maine. It opened in December 2006, replacing the Waldo–Hancock Bridge, built in 1931.

WikiWeb_Penobscot Narrows Bridge and Observatory_0

Answer: 2,120-foot-long (650 m)


Question: When was this castle built?

Instruction: With the provided image, gather documents that offer a solution to the question:

The building, whose construction was completed in 1911, was conducted by the architect Grigore Cerchez, a prominent figure of the Neo-Romanian style, at the request of Prince Gheorghe Grigore Cantacuzino, who was nicknamed "Nababul" (“The Nabob”).
The castle was placed on the site of an old hunting lodge that the prince's family had used as a halt during their pilgrimages to Brașov.
The construction works lasted for five years, and the furnishing lasted another year and a half. At the inauguration in 1911, the castle impressed not only by its style and beauty, but also by its modern facilities in relation to those times, benefitting from electricity, sewerage system and drinking water.
Until 1930, the castle served as the summer residence of the family of Prince Grigore Cantacuzino. The castle belonged to the Cantacuzino family until its nationalization in 1948, then became a sanatorium of the Ministry of Internal Affairs.
The castle underwent restoration work and today it is open to the public.

Answer: 1911


Question: When was this castle built?

Instruction: Using the provided image, obtain documents that address the subsequent question:

The building, whose construction was completed in 1911, was conducted by the architect Grigore Cerchez, a prominent figure of the Neo-Romanian style, at the request of Prince Gheorghe Grigore Cantacuzino, who was nicknamed "Nababul" (“The Nabob”).
The castle was placed on the site of an old hunting lodge that the prince's family had used as a halt during their pilgrimages to Brașov.
The construction works lasted for five years, and the furnishing lasted another year and a half. At the inauguration in 1911, the castle impressed not only by its style and beauty, but also by its modern facilities in relation to those times, benefitting from electricity, sewerage system and drinking water.
Until 1930, the castle served as the summer residence of the family of Prince Grigore Cantacuzino. The castle belonged to the Cantacuzino family until its nationalization in 1948, then became a sanatorium of the Ministry of Internal Affairs.
The castle underwent restoration work and today it is open to the public.

Answer: 1911


Question: When was this castle built?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

The building, whose construction was completed in 1911, was conducted by the architect Grigore Cerchez, a prominent figure of the Neo-Romanian style, at the request of Prince Gheorghe Grigore Cantacuzino, who was nicknamed "Nababul" (“The Nabob”).
The castle was placed on the site of an old hunting lodge that the prince's family had used as a halt during their pilgrimages to Brașov.
The construction works lasted for five years, and the furnishing lasted another year and a half. At the inauguration in 1911, the castle impressed not only by its style and beauty, but also by its modern facilities in relation to those times, benefitting from electricity, sewerage system and drinking water.
Until 1930, the castle served as the summer residence of the family of Prince Grigore Cantacuzino. The castle belonged to the Cantacuzino family until its nationalization in 1948, then became a sanatorium of the Ministry of Internal Affairs.
The castle underwent restoration work and today it is open to the public.

Answer: 1911


Question: When was this castle built?

Instruction: Obtain documents that correspond to the inquiry alongside the provided image:

The building, whose construction was completed in 1911, was conducted by the architect Grigore Cerchez, a prominent figure of the Neo-Romanian style, at the request of Prince Gheorghe Grigore Cantacuzino, who was nicknamed "Nababul" (“The Nabob”).
The castle was placed on the site of an old hunting lodge that the prince's family had used as a halt during their pilgrimages to Brașov.
The construction works lasted for five years, and the furnishing lasted another year and a half. At the inauguration in 1911, the castle impressed not only by its style and beauty, but also by its modern facilities in relation to those times, benefitting from electricity, sewerage system and drinking water.
Until 1930, the castle served as the summer residence of the family of Prince Grigore Cantacuzino. The castle belonged to the Cantacuzino family until its nationalization in 1948, then became a sanatorium of the Ministry of Internal Affairs.
The castle underwent restoration work and today it is open to the public.

Answer: 1911


Question: When was this castle built?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The building, whose construction was completed in 1911, was conducted by the architect Grigore Cerchez, a prominent figure of the Neo-Romanian style, at the request of Prince Gheorghe Grigore Cantacuzino, who was nicknamed "Nababul" (“The Nabob”).
The castle was placed on the site of an old hunting lodge that the prince's family had used as a halt during their pilgrimages to Brașov.
The construction works lasted for five years, and the furnishing lasted another year and a half. At the inauguration in 1911, the castle impressed not only by its style and beauty, but also by its modern facilities in relation to those times, benefitting from electricity, sewerage system and drinking water.
Until 1930, the castle served as the summer residence of the family of Prince Grigore Cantacuzino. The castle belonged to the Cantacuzino family until its nationalization in 1948, then became a sanatorium of the Ministry of Internal Affairs.
The castle underwent restoration work and today it is open to the public.

Answer: 1911


Question: In which country is this castle located?

Instruction: Extract documents linked to the question provided in conjunction with the image:

Trausnitz Castle is a medieval castle situated in Landshut, Bavaria in Germany.
It was the home of the Wittelsbach dynasty, and it served as their ducal residence for Lower Bavaria from 1255–1503, and later as the seat of the hereditary rulers of the whole of Bavaria. The castle was founded in 1204 by Duke Ludwig I.

Answer: germany


Question: In which country is this castle located?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

Trausnitz Castle is a medieval castle situated in Landshut, Bavaria in Germany.
It was the home of the Wittelsbach dynasty, and it served as their ducal residence for Lower Bavaria from 1255–1503, and later as the seat of the hereditary rulers of the whole of Bavaria. The castle was founded in 1204 by Duke Ludwig I.

Answer: germany


Question: In which country is this castle located?

Instruction: Using the given image, access documents that provide insights into the following question:

Trausnitz Castle is a medieval castle situated in Landshut, Bavaria in Germany.
It was the home of the Wittelsbach dynasty, and it served as their ducal residence for Lower Bavaria from 1255–1503, and later as the seat of the hereditary rulers of the whole of Bavaria. The castle was founded in 1204 by Duke Ludwig I.

Answer: germany


Question: In which country is this castle located?

Instruction: With the provided image, gather documents that offer a solution to the question:

Trausnitz Castle is a medieval castle situated in Landshut, Bavaria in Germany.
It was the home of the Wittelsbach dynasty, and it served as their ducal residence for Lower Bavaria from 1255–1503, and later as the seat of the hereditary rulers of the whole of Bavaria. The castle was founded in 1204 by Duke Ludwig I.

Answer: germany


Question: In which country is this castle located?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Trausnitz Castle is a medieval castle situated in Landshut, Bavaria in Germany.
It was the home of the Wittelsbach dynasty, and it served as their ducal residence for Lower Bavaria from 1255–1503, and later as the seat of the hereditary rulers of the whole of Bavaria. The castle was founded in 1204 by Duke Ludwig I.

Answer: germany


Question: Is this castle open for visitors?

Instruction: Extract documents linked to the question provided in conjunction with the image:

The White Hall is on the first floor of the Dürnitz tract and is directly above the Knights' Hall. The White Hall has probably existed since the 15th century and was probably planned as a big ballroom. It appears that the hall was never finished, because there are no traces of paintings as usual for the castle at this time.
The about 240 m² tall room, which is two floors large, is today used for banquets, greetings, concerts and lectures. The visitors can enjoy the great view over the ancient city of Landshut.

Answer: yes


Question: Is this castle open for visitors?

Instruction: With the provided image, gather documents that offer a solution to the question:

The White Hall is on the first floor of the Dürnitz tract and is directly above the Knights' Hall. The White Hall has probably existed since the 15th century and was probably planned as a big ballroom. It appears that the hall was never finished, because there are no traces of paintings as usual for the castle at this time.
The about 240 m² tall room, which is two floors large, is today used for banquets, greetings, concerts and lectures. The visitors can enjoy the great view over the ancient city of Landshut.

Answer: yes


Question: Is this castle open for visitors?

Instruction: With the provided image, gather documents that offer a solution to the question:

The White Hall is on the first floor of the Dürnitz tract and is directly above the Knights' Hall. The White Hall has probably existed since the 15th century and was probably planned as a big ballroom. It appears that the hall was never finished, because there are no traces of paintings as usual for the castle at this time.
The about 240 m² tall room, which is two floors large, is today used for banquets, greetings, concerts and lectures. The visitors can enjoy the great view over the ancient city of Landshut.

Answer: yes


Question: Is this castle open for visitors?

Instruction: Using the provided image, obtain documents that address the subsequent question:

The White Hall is on the first floor of the Dürnitz tract and is directly above the Knights' Hall. The White Hall has probably existed since the 15th century and was probably planned as a big ballroom. It appears that the hall was never finished, because there are no traces of paintings as usual for the castle at this time.
The about 240 m² tall room, which is two floors large, is today used for banquets, greetings, concerts and lectures. The visitors can enjoy the great view over the ancient city of Landshut.

Answer: yes


Question: Is this castle open for visitors?

Instruction: Retrieve documents that provide an answer to the question alongside the image:

The White Hall is on the first floor of the Dürnitz tract and is directly above the Knights' Hall. The White Hall has probably existed since the 15th century and was probably planned as a big ballroom. It appears that the hall was never finished, because there are no traces of paintings as usual for the castle at this time.
The about 240 m² tall room, which is two floors large, is today used for banquets, greetings, concerts and lectures. The visitors can enjoy the great view over the ancient city of Landshut.

Answer: yes


Question: In which year(s) was this castle rebuilt?

Instruction: With the provided image, gather documents that offer a solution to the question:

Trausnitz Castle is situated atop a hill above Landshut. Before the 16th century, it had the same name as the town, Landshut, which translates into "protector of the land". Previously, the castle guarded over the city and the surrounding land. The size of the castle has remained almost the same since Louis I of Bavaria in 1204. The castle was completed by the time of Emperor Frederick II's visit in 1235.
During the first half of the 13th century, Trausnitz represented not only the centre of imperial politics but also of Staufer culture. Landshut was visited by famous minstrel singers, including Walter von der Vogelweide and Tannhäuser, during this period. The patronage of art by the Dukes of Bavaria was so high that they sent for a sculptor from Strasbourg who created jewellery for a sculpture that now stands in the Castle's "Burgkapelle".
The wealthy Duke of Landshut repeatedly renovated and expanded the buildings in Burg Trausnitz during the 15th century. The Dürnitz was built during this time. The outer defensive ring of walls were heightened and extended for the defensive towers.
Duke Louis X of Bavaria furnished the castle in 1516 in the south German Renaissance style, though few examples remain today. The arcades of the courtyard were created 1568–1578 by Friedrich Sustris for Crown Prince William. Many paintings in the Florentine style were added at this time, but most were lost due to fires over the years. Later, Prince Ferdinand Maria (1675–1679) undertook restoration of the burned paintings and decorated other rooms with other paintings.
During the 18th century, the castle was used a barracks and a prison for noble prisoners. At the beginning of the 19th century it was used as a hospital.
King Ludwig II of Bavaria (who was the creator of Neuschwanstein Castle in Füssen) ordered the decoration of a new splendid private apartment in the second floor of the prince's wing (1869-1873).
In 1961, a fire destroyed much of the interior decoration, including the king's rooms.

Answer: 1869-1873


Question: In which year(s) was this castle rebuilt?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

Trausnitz Castle is situated atop a hill above Landshut. Before the 16th century, it had the same name as the town, Landshut, which translates into "protector of the land". Previously, the castle guarded over the city and the surrounding land. The size of the castle has remained almost the same since Louis I of Bavaria in 1204. The castle was completed by the time of Emperor Frederick II's visit in 1235.
During the first half of the 13th century, Trausnitz represented not only the centre of imperial politics but also of Staufer culture. Landshut was visited by famous minstrel singers, including Walter von der Vogelweide and Tannhäuser, during this period. The patronage of art by the Dukes of Bavaria was so high that they sent for a sculptor from Strasbourg who created jewellery for a sculpture that now stands in the Castle's "Burgkapelle".
The wealthy Duke of Landshut repeatedly renovated and expanded the buildings in Burg Trausnitz during the 15th century. The Dürnitz was built during this time. The outer defensive ring of walls were heightened and extended for the defensive towers.
Duke Louis X of Bavaria furnished the castle in 1516 in the south German Renaissance style, though few examples remain today. The arcades of the courtyard were created 1568–1578 by Friedrich Sustris for Crown Prince William. Many paintings in the Florentine style were added at this time, but most were lost due to fires over the years. Later, Prince Ferdinand Maria (1675–1679) undertook restoration of the burned paintings and decorated other rooms with other paintings.
During the 18th century, the castle was used a barracks and a prison for noble prisoners. At the beginning of the 19th century it was used as a hospital.
King Ludwig II of Bavaria (who was the creator of Neuschwanstein Castle in Füssen) ordered the decoration of a new splendid private apartment in the second floor of the prince's wing (1869-1873).
In 1961, a fire destroyed much of the interior decoration, including the king's rooms.

Answer: 1869-1873


Question: In which year(s) was this castle rebuilt?

Instruction: Extract documents linked to the question provided in conjunction with the image:

Trausnitz Castle is situated atop a hill above Landshut. Before the 16th century, it had the same name as the town, Landshut, which translates into "protector of the land". Previously, the castle guarded over the city and the surrounding land. The size of the castle has remained almost the same since Louis I of Bavaria in 1204. The castle was completed by the time of Emperor Frederick II's visit in 1235.
During the first half of the 13th century, Trausnitz represented not only the centre of imperial politics but also of Staufer culture. Landshut was visited by famous minstrel singers, including Walter von der Vogelweide and Tannhäuser, during this period. The patronage of art by the Dukes of Bavaria was so high that they sent for a sculptor from Strasbourg who created jewellery for a sculpture that now stands in the Castle's "Burgkapelle".
The wealthy Duke of Landshut repeatedly renovated and expanded the buildings in Burg Trausnitz during the 15th century. The Dürnitz was built during this time. The outer defensive ring of walls were heightened and extended for the defensive towers.
Duke Louis X of Bavaria furnished the castle in 1516 in the south German Renaissance style, though few examples remain today. The arcades of the courtyard were created 1568–1578 by Friedrich Sustris for Crown Prince William. Many paintings in the Florentine style were added at this time, but most were lost due to fires over the years. Later, Prince Ferdinand Maria (1675–1679) undertook restoration of the burned paintings and decorated other rooms with other paintings.
During the 18th century, the castle was used a barracks and a prison for noble prisoners. At the beginning of the 19th century it was used as a hospital.
King Ludwig II of Bavaria (who was the creator of Neuschwanstein Castle in Füssen) ordered the decoration of a new splendid private apartment in the second floor of the prince's wing (1869-1873).
In 1961, a fire destroyed much of the interior decoration, including the king's rooms.

Answer: 1869-1873


Question: In which year(s) was this castle rebuilt?

Instruction: Extract documents linked to the question provided in conjunction with the image:

Trausnitz Castle is situated atop a hill above Landshut. Before the 16th century, it had the same name as the town, Landshut, which translates into "protector of the land". Previously, the castle guarded over the city and the surrounding land. The size of the castle has remained almost the same since Louis I of Bavaria in 1204. The castle was completed by the time of Emperor Frederick II's visit in 1235.
During the first half of the 13th century, Trausnitz represented not only the centre of imperial politics but also of Staufer culture. Landshut was visited by famous minstrel singers, including Walter von der Vogelweide and Tannhäuser, during this period. The patronage of art by the Dukes of Bavaria was so high that they sent for a sculptor from Strasbourg who created jewellery for a sculpture that now stands in the Castle's "Burgkapelle".
The wealthy Duke of Landshut repeatedly renovated and expanded the buildings in Burg Trausnitz during the 15th century. The Dürnitz was built during this time. The outer defensive ring of walls were heightened and extended for the defensive towers.
Duke Louis X of Bavaria furnished the castle in 1516 in the south German Renaissance style, though few examples remain today. The arcades of the courtyard were created 1568–1578 by Friedrich Sustris for Crown Prince William. Many paintings in the Florentine style were added at this time, but most were lost due to fires over the years. Later, Prince Ferdinand Maria (1675–1679) undertook restoration of the burned paintings and decorated other rooms with other paintings.
During the 18th century, the castle was used a barracks and a prison for noble prisoners. At the beginning of the 19th century it was used as a hospital.
King Ludwig II of Bavaria (who was the creator of Neuschwanstein Castle in Füssen) ordered the decoration of a new splendid private apartment in the second floor of the prince's wing (1869-1873).
In 1961, a fire destroyed much of the interior decoration, including the king's rooms.

Answer: 1869-1873


Question: In which year(s) was this castle rebuilt?

Instruction: Extract documents linked to the question provided in conjunction with the image:

Trausnitz Castle is situated atop a hill above Landshut. Before the 16th century, it had the same name as the town, Landshut, which translates into "protector of the land". Previously, the castle guarded over the city and the surrounding land. The size of the castle has remained almost the same since Louis I of Bavaria in 1204. The castle was completed by the time of Emperor Frederick II's visit in 1235.
During the first half of the 13th century, Trausnitz represented not only the centre of imperial politics but also of Staufer culture. Landshut was visited by famous minstrel singers, including Walter von der Vogelweide and Tannhäuser, during this period. The patronage of art by the Dukes of Bavaria was so high that they sent for a sculptor from Strasbourg who created jewellery for a sculpture that now stands in the Castle's "Burgkapelle".
The wealthy Duke of Landshut repeatedly renovated and expanded the buildings in Burg Trausnitz during the 15th century. The Dürnitz was built during this time. The outer defensive ring of walls were heightened and extended for the defensive towers.
Duke Louis X of Bavaria furnished the castle in 1516 in the south German Renaissance style, though few examples remain today. The arcades of the courtyard were created 1568–1578 by Friedrich Sustris for Crown Prince William. Many paintings in the Florentine style were added at this time, but most were lost due to fires over the years. Later, Prince Ferdinand Maria (1675–1679) undertook restoration of the burned paintings and decorated other rooms with other paintings.
During the 18th century, the castle was used a barracks and a prison for noble prisoners. At the beginning of the 19th century it was used as a hospital.
King Ludwig II of Bavaria (who was the creator of Neuschwanstein Castle in Füssen) ordered the decoration of a new splendid private apartment in the second floor of the prince's wing (1869-1873).
In 1961, a fire destroyed much of the interior decoration, including the king's rooms.

Answer: 1869-1873


Question: Which forces conquered this castle and when?

Instruction: Extract documents linked to the question provided in conjunction with the image:

The former castle in Navahrudak, Belarus (Belarusian: Навагрудскі замак, Lithuanian: Naugarduko pilis, Polish: Zamek w Nowogródku) was one of the key strongholds of the Grand Duchy of Lithuania, cited by Maciej Stryjkowski as the location of Mindaugas's coronation as King of Lithuania as well as his likely burial place. Modern historians cannot make up their minds as to the true location of Mindaugas's coronation.
As early as the 14th century, Navahrudak is known to have possessed a stone tower along the lines of Tower of Kamyanyets. Other fortifications were of timber. The castle was stormed by the Teutonic Knights under Heinrich von Plötzke in 1314. Although the attack was not successful, the tower sustained substantial damage.
During the reign of Vytautas the Great four new stone towers were added to the system of Navahrudak fortifications. In the 17th century the main castle boasted 7 towers, apart from those of the Lesser Castle. Navahrudak was one of the northernmost forts besieged by the Crimean Tatars in the 16th century.
Navahrudak was twice occupied by Russian forces during the Russo-Polish War (1654–67). Further destruction was inflicted by the Swedes who sacked Navahrudak as part of the Great Northern War in 1706. Attempts to preserve the ruins from further decay were undertaken in the 1920s. The castle grounds at present provide the setting for medieval reenactment and theatrical jousting.

Answer: russian forces during the russo-polish war (1654–67)


Question: Which forces conquered this castle and when?

Instruction: Utilizing the given image, obtain documents that respond to the following question:

The former castle in Navahrudak, Belarus (Belarusian: Навагрудскі замак, Lithuanian: Naugarduko pilis, Polish: Zamek w Nowogródku) was one of the key strongholds of the Grand Duchy of Lithuania, cited by Maciej Stryjkowski as the location of Mindaugas's coronation as King of Lithuania as well as his likely burial place. Modern historians cannot make up their minds as to the true location of Mindaugas's coronation.
As early as the 14th century, Navahrudak is known to have possessed a stone tower along the lines of Tower of Kamyanyets. Other fortifications were of timber. The castle was stormed by the Teutonic Knights under Heinrich von Plötzke in 1314. Although the attack was not successful, the tower sustained substantial damage.
During the reign of Vytautas the Great four new stone towers were added to the system of Navahrudak fortifications. In the 17th century the main castle boasted 7 towers, apart from those of the Lesser Castle. Navahrudak was one of the northernmost forts besieged by the Crimean Tatars in the 16th century.
Navahrudak was twice occupied by Russian forces during the Russo-Polish War (1654–67). Further destruction was inflicted by the Swedes who sacked Navahrudak as part of the Great Northern War in 1706. Attempts to preserve the ruins from further decay were undertaken in the 1920s. The castle grounds at present provide the setting for medieval reenactment and theatrical jousting.

Answer: russian forces during the russo-polish war (1654–67)