Question: Which artist inspired this object?

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Stereophonic sound. with minimal phase difference between channels.## History.## Early work.Clément Ader demonstrated the first two-channel audio system in Paris in 1881, with a series of telephone transmitters connected from the stage of the Paris Opera to a suite of rooms at the Paris Electrical Exhibition, where listeners could hear a live transmission of performances through receivers for each ear. "Scientific American" reported:This two-channel telephonic process was commercialized in France from 1890 to 1932 as the Théâtrophone, and in England from 1895 to 1925 as the Electrophone. Both were services available by coin-operated receivers at hotels and cafés, or by subscription to.


Question: Which city or region does this facility locate in?

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Quay with Sphinxes. Quay with Sphinxes (Sphinxes at the Universitetskaya Embankment) is a quay at the Universitetskaya Embankment in Saint Petersburg, in front of the Imperial Academy of Arts. It is remarkable for the two ancient sphinxes that were brought from Egypt to Russia at the height of Egyptomania in 1832. The quay was completed in 1834.## History.The acquisition of sphinxes at the University embankment in front of the Academy of Arts in St. Petersburg is credited to Andrei Muravyov, who in 1830 was going on a pilgrimage to holy places. In Alexandria he saw the sphinxes, which were brought for sale. The.

Quay with Sphinxes. ancient sculptures impressed so much that he immediately sent a letter to the Russian Ambassador, in which he proposed to acquire them. From the Embassy the letter was directed to St. Petersburg. There its receiver, Nicholas I, redirected the message to the Russian Academy of Arts. In the end, such a purchase was deemed expedient, but by the time these bureaucratic complications were resolved, the owner had already sold the sphinxes to France. Only because of the French Revolution they at last arrived in Saint Petersburg in 1832.The first two years they spent in the courtyard of the Russian Academy.

Quay with Sphinxes. of Arts. This time was spent on the creation of a pier made of syenite at the embankment nearby, which was designed by the architect Konstantin Thon. The sphinxes took their places on the waterfront in 1834.## Description.The Saint Petersburg Sphinxes are about 3500 years old. They are made from Aswan granite and initially were in front of a magnificent temple, which was built in Egypt near Thebes (Luxor) for the 18th dynasty pharaoh Amenhotep III. Their faces are portraits of Amenhotep III and the shape of their headwear (crowns "pa shemti") indicate that he was the ruler of two.

Quay with Sphinxes. kingdoms—the Upper Egypt and Lower Egypt. The sphinxes weigh about 23 tons each. Universitetskaya Embankment Egyptian Bridge Cultural heritage of Russia, monument #7810705002, Пристань со сфинксами фараона Аменхотепа III «Петербургские сфинксы. Солнце Египта на берегах Невы»—СПб.: Издательство «Журнал “Нева”», 2005,—304 с., ил.


Question: Who occupies this building?

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30 St Mary Axe. 30 St Mary Axe (previously known as the Swiss Re Building and informally known as the Gherkin) is a commercial skyscraper in London's primary financial district, the City of London. It was completed in December 2003 and opened in April 2004. With 41 floors, it is 180 (m) tall and stands on the sites of the former Baltic Exchange and Chamber of Shipping, which were extensively damaged in 1992 in the Baltic Exchange bombing by a device placed by the Provisional IRA in St Mary Axe, a narrow street leading north from Leadenhall Street.After plans to build the 92-storey Millennium.

30 St Mary Axe. Barclays' former city headquarters in Lombard Street, the idea was that the passer-by in neighbouring streets would be nearly oblivious to the tower's existence until directly underneath it.## Design and construction.The building was constructed by Skanska, completed in December 2003 and opened on 28 April 2004. The primary occupant of the building is Swiss Re, a global reinsurance company, which had the building commissioned as the head office for its UK operation. The tower is thus sometimes known as the Swiss Re Building, although this name has never been official and was never in popular usage anyway, unlike the Gherkin.

30 St Mary Axe. "Johnny Mackintosh and the Spirit of London".In September 2006, the building was put up for sale with a price tag of £600 million. Potential buyers included British Land, Land Securities, Prudential, ING, and the Abu Dhabi royal family. On 21 February 2007, IVG Immobilien AG and UK investment firm Evans Randall completed their joint purchase of the building for £630 million, making it Britain's most expensive office building. Swiss Re made a gain of more than £300 million from the sale. The new owners are seeking compensation from four of their former managers on the deal, in which about £620.


Question: What is the weight of a male of this bird in gram?

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Least grebe. The least grebe ("Tachybaptus dominicus"), an aquatic bird, is the smallest member of the grebe family. It occurs in the New World from the southwestern United States and Mexico to Argentina, and also on Trinidad and Tobago, the Bahamas and the Greater Antilles.## Description.The least grebe ranges in length from 21 – 27 (cm) (depending on the subspecies) and in weight from 112 – 180 (g). Weights are variable based on region and subspecies, being smaller in Panama, where males weighed a mean of 129 (g) against the females 116 (g) and larger in the West Indies, where the sexes.


Question: Which city or region does this building locate in?

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Josselin Castle. Josselin Castle (, , ) is a medieval castle at Josselin, in the Morbihan department of Brittany, France, first built in 1008 by Guéthénoc, viscount of Porhoët. The town and castle were named after Guéthénoc's son, Goscelinus, and rebuilt at various times since. The current castle was built by Olivier V de Clisson after 1370. He had acquired the land as part of the dowry on his marriage to Margaret of Rohan. It has been designated as a "monument historique" since 1928.## History. (or Guithenoc), "vicomte" of Porhoët, Rohan and Guéméné, began to build the first castle on the site.

Josselin Castle. around the year 1008, choosing a rocky promontory overlooking the valley of the Oust. The new fortress was named after Guéthénoc's son, (or Josselin). The name is recorded in the Cartulary of Redon Abbey (1080) as "castellum et castrum Goscelini", but already by 1108 it was appearing as "Castellum Joscelini".The site chosen for the castle was excellent from both military and commercial points of view. Since the 9th century, there had also existed an annual pilgrimage in September to the ("Notre-Dame du Roncier"), which added greatly to the wealth of the lords and people of Josselin.In 1154, Odo II, Viscount.

Josselin Castle. of Porhoët, step-father, guardian and regent of the young Conan IV, Duke of Brittany, collected the Breton lords to deprive Conan of his inheritance, but was defeated by Henry II of England, who was also Count of Anjou, whose protection Conan had sought. Henry married his fourth son, Geoffrey, to Conan's only child, Constance, Duchess of Brittany, and Henry and his son pulled Josselin Castle down in 1168 and 1175. Henry II himself led the demolition and sowed salt into the ruins.During the Breton War of Succession (1341–1364), the garrison of Josselin fought the defenders of the nearby Castle of.

Josselin Castle. Ploërmel without any clear outcome. To break the "impasse", the Battle of the Thirty was arranged, contested by thirty knights from each side, and took place on 26 March 1351 halfway between the two places. The men of Josselin defeated the champions of Ploërmel, who were four Bretons, six Germans and twenty Englishmen.In 1370 the Breton soldier Olivier V de Clisson (1336–1407), later Constable of France, acquired the lordship of Josselin and built an imposing new fortress with eight towers and a keep one hundred yards across. He married his daughter Beatrice to , heir to the viscounts of Rohan,.

Josselin Castle. whose own castle was not far away. In 1488 Francis II, Duke of Brittany, took the castle and partially demolished it. His daughter, Anne of Brittany, restored it to Jean II of Rohan, a great-grandson of Olivier V de Clisson, who transformed the property and built an imposing new house with a fine granite facade, an early example of Renaissance architecture, bringing in Italian artists and artisans. In recognition of his patroness Anne, who was both sovereign Duchess of Brittany and Queen Consort of France, at several points along the facade Rohan added her badge, the letter "A" beneath a.

Josselin Castle. cord sculpted in stone.Banned from Josselin due to their Protestantism, René II, Viscount of Rohan, and the other Rohan men could not prevent the Duke of Mercœur, then Governor of Brittany, from turning their castle into a base for the Catholic League in its struggles against Henry IV of France.In 1603, after Henry IV promoted him to a duke, Henry, Duke of Rohan, one of the leaders of the Huguenots, transferred his military headquarters to his Castle of Pontivy. In 1629, Cardinal Richelieu dismantled the keep and four of the towers at Josselin and announced to Duke Henry: "My lord,.

Josselin Castle. into your game of skittles I have just thrown a good ball!"In the 18th century, the castle was no longer occupied as a seat of power, and during the years of the French Revolution and the First French Empire it became a prison and a warehouse. In 1822, Caroline, Duchess of Berry, persuaded the then Duke of Rohan, Louis-François de Rohan-Chabot to restore it.## Modern castle.The castle remains a residence of Josselin de Rohan, fourteenth Duke of Rohan, who was President of the region of Brittany from 1998 to 2004. A marble bust of the 13th Duke, Alain Louis Auguste.

Josselin Castle. de Rohan-Chabot, sculpted in 1910 by Auguste Rodin, is displayed in the antechamber, and there is also an equestrian statue of Olivier de Clisson.The castle contains a toy and doll museum with over 5000 objects in its collection. List of castles in FranceJosselin Castle official websitePhotographs of Josselin Castle at oositoo.comJosselin Castle at casteland.com.


Question: In which year was this material invented or discovered?

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Plywood. of 45 degrees (0, 45, 90, 135, and 180 degrees), giving strength in multiple axes.The word "ply" derives from the French verb , "to fold", from the Latin verb , from the ancient Greek verb .## History.The ancient Egyptians and Greeks cut wood thinly and glued it together in layers with the grain in perpendicular directions as fine wood was in short supply. This is believed to have been done purely for cosmetic and economical purposes but it turned out to be a great alternative to pure wood as it reduced flex, making it a versatile building material.In 1797 Samuel.


Question: What country does this place belong to?

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Buses in Malta. Buses were introduced to Malta in 1905. As well as providing public transport across the country, up until 2011, the traditional Malta bus (Maltese: "xarabank" or "karozza tal-linja") served as a popular tourist attraction due to their unique appearances grounded in the bus ownership and operation model employed in the country; by the end of this traditional operation, Malta had several bus types no longer in service anywhere else in the world.The unique nature of the Malta bus stemmed from the tradition of local ownership of the buses by the drivers, and their historic practice of customising them. In addition.

Buses in Malta. to a high degree of customisation, detailing and decoration, several Malta buses also had a unique appearance due to the practice of in-house maintenance, rebuilding or modifying of bus bodies in local workshops.As an iconic feature of the country, the classic Malta bus features on several tourist related items. As the main mode of public transport across the country, the Malta bus was also used by many tourists to visit the different parts of the country. While newer Malta buses were progressively introduced that followed modern standard bus designs found elsewhere, customisation and detailing had continued for these buses as.

Buses in Malta. well.On 3 July 2011, the network of service bus routes across Malta was taken over by Arriva, with traditional buses reduced to operating on only special heritage services.Arriva introduced a fleet of modern low-floor buses, importing second hand ex-London articulated Mercedes-Benz Citaros, retaining and repainting some of the 'newest' buses from the old fleet in Arriva colours as well as purchasing a fleet of brand new King Long rigid buses. Arriva's operation in Malta was beset by problems; three fires within a 48-hour period in August 2013 prompted the Maltese government to ban the articulated Citaros from operation in the.

Buses in Malta. country pending an investigation.Arriva operation in Malta continued until 1 January 2014, when the nation's bus network was nationalised as Malta Public Transport. On 8 January 2015, Malta Public Transport was reprivatised as it was sold to Autobuses Urbanos de León (an ALSA subsidiary), who retained the Malta Public Transport brand name. The company doubled the bus fleet, which now consists of more than 400 buses.Malta Public Transport has invested extensively in modernizing its bus fleet making it safer, more environmentally friendly, and more comfortable. The company invested in 200 new buses with the latest Euro VI diesel technology. The.

Buses in Malta. buses are cleaned and maintained regularly, and are equipped with air-conditioning systems for added comfort. All the new buses have two doors to facilitate boarding and alighting of passengers.## Original bus system (1905–2011).## History.The first buses were imported to Malta in 1905 from Thornycroft in England by Edward Agius of Ed T Agius Ltd (coal shipping). He formed the Malta Motor Omnibus and Transport Syndicate Ltd with his brother-in-law Joseph Muscat to operate the first bus service between Valletta and St Julians. As early as 1920, bus manufacturing was taking place on the island, with local carpenters and mechanics constructing.

Buses in Malta. bus body coachwork for local transport companies.In the 1920s, operation of buses on public transport routes was subject to open competition between operators, and as such, buses used were not necessarily well turned out. With the formation of the Traffic Control Board in 1931, greater regulation and discipline of the system meant that operators began to upgrade the appearance of their buses. Since then, the tradition of showing pride in the vehicles has been maintained, through decoration and customisation of the buses.Since reform in the 1970s, bus operation was centralised under a worker cooperative, the Public Transport Association, or "Assoċjazzjoni.

Buses in Malta. Trasport Pubbliku" (ATP), in 1977. This association became responsible for the centralised day-to-day operational management of bus services, producing a unified timetable roster and basic livery, although this did not change the ownership arrangements for the buses. The overall transport system was regulated under the Malta Transport Authority (ADT).In December 2003, in light of over 100 buses being scrapped, a government subsidised tour bus service using traditional Malta buses, as the "VisitMalta bus", was set up by the tourism and transport ministries, although this was withdrawn in April 2005.While the buses generally remain popular among tourists and nostalgic Maltese, the.

Buses in Malta. original system was infamous and unpopular with some parts of the local population who considered the service as inefficient and polluting, driven by drivers who were sometimes very impolite to passengers. This resulted in a significant increase in private car ownership among the population, and today only one in ten trips are made via public transportation. One extreme case to note occurred on 29 June 2010, when a driver attempted to forcibly pull a Spanish tourist out of her seat and off the bus following a row over seven cents in change.## Operational system.The operation model dated back to a.

Buses in Malta. system introduced in 1977. The ATP authority determined the schedules, which were then operated by the private bus owners, who remained responsible for the condition and upkeep of their buses, either as owner operators, or in groups. As such, several buses were kept at the family homes of the drivers in question, or based in small garage locations.To ensure fair distribution of both good and bad routes, the daily operation of buses was allocated on a rota basis, with buses operating on a 'day on, day off' basis, whereby one day half of the buses operate on the public routes,.

Buses in Malta. while the other half were used for private hire, or as school buses, or undergo maintenance.Malta buses on public transport duties were seen in high concentrations at the main City Gate Square bus terminus at Valletta surrounding the Triton Fountain, from where the vast majority of scheduled routes departed. Other major centres of traffic included Buġibba, St Paul's Bay, Sliema and Mosta.## Former liveries and types.Early buses wore an olive green livery with a black stripe. In the 1930s, buses were painted different colours according to the route they operated. In 1975 buses were painted green, and from 1995 vehicles.

Buses in Malta. carried in a yellow (lower) and white (upper) livery, relieved by a red band just below the window line. Gozo buses were grey with a red band below the window.All Malta buses immediately prior to the 2011 reform were single-deckers, with bus or coach bodies. Early buses did not have many common transit bus features, with route numbers displayed using white cards. Later buses had modern features such as electronic destination displays, but these were still not used to indicate the bus's destination, showing only the number of the route.Very early types of bus could still be found but no.

Buses in Malta. longer in service, with a front engine mounted in an extended bonneted nose, in the style of some conventional trucks. The majority of classic Malta buses had elaborate grilles and headlight arrangements, curved windscreens and sloping roofs. Later makes of bus were usually of conventional bus and coach designs that were in use elsewhere in the world, such as Plaxton Supreme and Duple Dominant bodywork.Between 1981 and 1987 the fleet was drastically modernised with the import of over 260 second hand buses from the United Kingdom. Many of the oldest buses in the fleet were further replaced with the influx.

Buses in Malta. of 150 new low-floor buses from China and Turkey, financed with government grant aid, leaving just three normal control vehicles.Second hand imports from the UK had continued up to 2008, with some of the last examples being Alexander Dash bodied Volvo B6s deemed surplus after Stagecoach's takeover of Yorkshire Traction. Even with these fleet modernisations, the nearly 500 strong bus fleet still contained some examples dating from the 1950s which remained in operational service as recently as 2011, prior to the bus reform.## Detailing.Malta buses were characterised by their high level of customisation and detailing. Common additions to former route.

Buses in Malta. buses included: Increased use chrome parts / high polishing of chrome parts, such as hubcaps and grilles Paint detailing, both generally, and of parts such as indicators and filler caps Custom passenger messages, both in the interior and exterior of the bus Names relating to the village patron saint, monarchs, or other notable objects. Trimmings and hangings, especially inside the front window Slogans, murals, quotations and lucky images (such as the horseshoe)Due to the nature of operation of Malta buses, many of the drivers were also mechanics, and a high number of Malta buses proudly displayed the name of the.

Buses in Malta. manufacturer of the chassis or body of the bus, or the engine type used. In some instances though, these names are not actually the name of the bus in question.## Preservation.The preservation organisation Heritage Malta purchased 90 buses after the restructuring of the bus network and is currently in the process of restoring them to their original condition and preserving their customised modifications. These efforts were aided by expertise and parts provided by many of the vehicle's former owners. It is planned that these newly renovated buses will then be exhibited in an industrial heritage museum.Since 2011, various of the.

Buses in Malta. old buses have been repainted in their original pre-1975 colours. A notable example is the Gozo Mail Bus which was painted red with a white stripe.MaltaPost issued a set of 20 postage stamps to commemorate the withdrawal of service of the traditional Malta buses on 2 July 2011, a day before the restructure. The stamps showed Maltese buses in the different colours which existed for the different routes.## Arriva (2011–2013).A major restructure of the bus service in Malta took place on 3 July 2011. The network was taken over by Arriva, new low-floor buses were introduced and service and fare.

Buses in Malta. structures changed dramatically.Halcrow Group was commissioned to assess the Malta bus system. Released in November 2005, the report criticizing the existing model and arrangement between ADT and ATP, which had produced a very low utilization of buses and a decline of 50% in the number of bus passengers between 1979 and 2009.Finalized plans were announced in December 2008 for the first bus route restructuring on Malta since 1977. Under European Union rules, the right to operate the new network could not be directly transferred to the ATP, although they were free to tender for the contract. This resulted in the.

Buses in Malta. end of the state-subsidized owner-operator model, which as of 2009 stood at 508 buses each with an average age of 35 years, and operated by over 400 independent licensees.The new fleet controlled by Arriva consisted of 264 buses, including 2 seven-metre buses for the intra-Valletta route, 61 nine-metre buses including 10 hybrid electric buses for park & ride services as well as selected village routes (Mater Dei-Ta' Qali, Paola-Xgħajra-Paola), 153 twelve metre buses, and 46 articulated buses for airport routes and major routes such as those to Sliema, Malta International Airport and the ferry terminals.The new system increased the number.

Buses in Malta. of available bus seats by 6,600 to 20,500, and the number of bus stops in Malta to 850 plus another 120 in Gozo.The major benefits to the public for the change were presented in November 2010: €3.5m less per year in Malta government subsidy First ever all day bus service in Gozo, 7 days a week One fare everywhere Cheap weekly fares for non-residents New buses (for 70% of the fleet) All buses with less polluting Euro V engines Substantially lower emissions All buses fully accessible Air-conditioning and CCTV on all buses More routes, more frequent More termini, more interchanges.

Buses in Malta. Longer operating hours for all routes Night service Maximum waiting times for all routes Schedules and bus arrival times an SMS away More information on buses and bus stops More employment More discipline Better trained drivers An aquamarine coloured liveryThe bus fleet, all in Arriva's standard aquamarine and cream livery, was composed of Euro V King Long buses along with Arriva London's Mercedes-Benz Citaro G articulated buses. Some of the newer buses from the previous operator had also been introduced into the new system. The network receives a subsidy of around €6 million per year. Passengers holding Maltese ID cards.

Buses in Malta. receive a 40% reduction of the price of their journeys due to subsidised fares, while non-ID card holders (including tourists) pay the full undiscounted fare, prompting the European Commission to launch an inquiry on whether the two-tiered price structure violates EU discrimination laws.The commencement of Arriva's services on 3 July 2011 was marred by many buses departing late or failing to turn up, primarily due to the absence of over 70 drivers who were due to transfer from the previous driver-owner system. This resulted in large crowds building up at Valletta's new bus terminus as well as other termini and.

Buses in Malta. stages across Malta.Other issues increased the delays, such as incorrect or non-operational route information on buses and mechanical faults. Arriva has also received criticism over the overhauled routes and timetables, which has increased journey times for some passengers.During the first week of the new system, up to 180 drivers, most of whom had previously worked on the old network, failed to appear for duties. They cited Arriva's use of split-shifts as the reason for their non-appearance, as these had reportedly not been part of the conditions they had agreed to work under. Their actions received some criticism, with politician Emanuel.

Buses in Malta. Delia accusing the drivers of attempting to sabotage services so that the new system would be abandoned. Arriva responded by drafting in seventy temporary drivers from its UK operation and trained further Maltese drivers to cover for the missing employees. Some services were subcontracted to other companies.A new shift pattern took effect at the end of July 2011. A series of changes to the new routes in response to criticism were announced on 23 July 2011, to be implemented between July and October. In August 2011, Arriva recognised the General Workers’ Union as a representative of its employees in the.

Buses in Malta. country. Further changes affecting 112 routes were announced in October by transport minister Austin Gatt, introducing more buses to Valletta and Mater Dei Hospital.Arriva has been harshly criticized both by commuters and by the government agency Transport Malta for consistently failing to keep up standards. On 14 November 2012, Arriva was harshly reprimanded by Transport Malta and given until the end of the month to bring up all its routes to 100% efficiency before TM deploys its own shuttles at Arriva's expense.In August 2013, the Government of Malta instructed Arriva Malta to remove the articulated buses from service, pending investigation.

Buses in Malta. following three major fire outbreaks in the span of 48 hours. The fires destroyed the buses and in one case caused extensive damage to some nearby vehicles belonging to MaltaPost, the country's postal operator. Nobody was injured in these incidents. Like in the UK when the same buses had caught fire, these buses became a popular joke in conversations and social media sites.By the end of December 2013 Arriva had run up losses of €50 million in two and a half years.## Malta Public Transport (2014–present).On 1 January 2014 Arriva ceased operations in Malta having been nationalised as "Malta Public.

Buses in Malta. Transport" by the Maltese government, with the intention of reprivatising the system under a new operator once one could be found.Initially the buses, routes, livery, and tickets remained the same, but soon after the Arriva logos on buses were removed. New tickets with the name of the new company were introduced, and there were some minor changes in routes. By April 2014, three companies had submitted bids to operate the new bus services, these being Autobuses Urbanos de León, Gozo First, and Island Buses Malta.In May 2014 eleven new buses arrived in Malta, leased as the first part of a.

Buses in Malta. temporary new fleet of 45 buses to operate for Malta Public Transport. They were put to service in June 2014, and they were painted white with a small logo of Malta Public Transport.As of October 2014 the government has chosen Autobuses Urbanos de León, subsidiary of ALSA Group, as its preferred bus operator for the country. The company took over the bus service on 8 January 2015, while retaining the name "Malta Public Transport". The buses leased in the summer of 2014 were returned and the existing fleet was rebranded with a white and lime green livery.Malta Public Transport has.

Buses in Malta. invested extensively in modernizing its bus fleet making it safer, more environmentally friendly, and more comfortable. The company invested in 200 new buses with the latest Euro 6 diesel technology. The buses are cleaned and maintained regularly, and are equipped with air-conditioning systems for added comfort. All the new buses have two doors to facilitate boarding and alighting of passengers.In the summer of 2015, the company introduced the personalised "Tallinja Card" smart card which provided cheaper fares and faster boarding to Maltese residents. By 2019, over 320,000 individuals had a personalised tallinja card. Bus use increased by around 20% following.

Buses in Malta. the introduction of the card.## Open-top buses.Open-top bus operation on Malta was first proposed in the early 1990s, when several double-deck vehicles were imported from the United Kingdom by private company Garden of Eden. The Transport Authority refused to license their operation as passengers standing on the top deck could reach a height over four metres, the maximum level allowed. In June 2007, this decision was reversed and two tourist services, a north tour and a south tour, began operation using eight open-top vehicles and this has since been expanded with a similar tour on Gozo introduced.Customised busesList of bus.

Buses in Malta. routes in MaltaTransport in MaltaVehicle registration plates of MaltaMalta Public TransportPictures of Malta buses fan siteMalta & Gozo Route Buses fan siteItalian documentary about Maltese buses.


Question: What is the closest upper taxonomy of this plant?

Instruction: I want to find a paragraph from Wikipedia that answers my question about this image.

Chickpea. The chickpea or chick pea ("Cicer arietinum") is an annual legume of the family Fabaceae, subfamily Faboideae. Its different types are variously known as gram or Bengal gram, garbanzo or garbanzo bean, or Egyptian pea. Chickpea seeds are high in protein. It is one of the earliest cultivated legumes, and 9500-year-old remains have been found in the Middle East.The chickpea is a key ingredient in Mediterranean and Middle Eastern cuisines, used in hummus, and, when ground into flour, falafel. It also is important in Indian cuisine, used in salads, soups and stews, and curry, in chana masala, and in other.

Chickpea. meal products like channa. In 2019, India was responsible for 70% of global chickpea production.## Etymology.The name "chickpea", earlier "chiche pease", is modelled on Middle French ', where "chiche" comes from Latin '. "Chich" was used by itself in English from the 14th to the 18th centuries. The word ', from an alteration of Old Spanish ', came first to English as "garvance" in the 17th century, being gradually anglicized to "calavance", though that came to refer to a variety of other beans, including the hyacinth bean. The current form "garbanzo" comes directly from modern Spanish.## History."Cicer reticulatum" is the.

Chickpea. of "Cicer arietinum", commonly known as the [[perennial plant|perennial]] chickpea. Heat cultivation and macronutrient coupling are two relatively unknown methods that are used to increase the yield and size of the chickpea. Recent research has indicated that a combination of heat treatment along with the two vital macronutrients, phosphorus and nitrogen, are the most critical components to increasing the overall yield of "Cicer arietinum".Perennial chickpeas are a fundamental source of nutrition in animal feed as they are high sources of energy and protein for livestock. Unlike other food crops, the perennial chickpea shows a remarkable capacity to change its nutritional.

Chickpea. incrementally increases the height of the chickpea plant. Thus, the seasonal changes in phosphorus soil content as well as periods of drought that are known to be a native characteristic of the dry [[Middle East|Middle-Eastern]] region where the chickpea is most commonly cultivated have a strong effect on the growth of the plant itself. Plant yield is also affected by a combination of phosphorus nutrition and water supply, resulting in a 12% increase in yield of the crop.Nitrogen nutrition is another factor that affects the yield of "Cicer arietinum", although the application itself differs from other perennial crops with regards.

Chickpea. to the levels administered on the plant. High doses of nitrogen inhibit the yield of the chickpea plant. Drought stress is a likely factor that also inhibits the uptake of nitrogen and subsequent fixation in the roots of "Cicer arietinum". The growth of the perennial chickpea is dependent on the balance between nitrogen fixation and assimilation that is also characteristic of many other agricultural plant types. The influence of drought stress, sowing date, and mineral nitrogen supply all have an effect on the yield and size of the plant, with trials showing that "Cicer arietinum" differed from other plant species.


Question: In which year was this facility retired from operational service?

Instruction: Determine the Wikipedia snippet that matches the question of this image.

Battersea Power Station. on the south bank of the River Thames, in Nine Elms, Battersea, an inner-city district of South West London, the building comprises two power stations, built in two stages in a single building. Battersea A Power Station was built in the 1930s and Battersea B Power Station, to its east, in the 1950s. They were built to a near-identical design, providing the four-chimney structure.The Power Station was decommissioned between 1975 and 1983 and remained empty until 2014. It was designated as a Grade II listed building in 1980. In 2007 its listed status was upgraded to Grade II*.The station is.

Battersea Power Station. 32 { "x": 1984, "y": 0 { "x": 1961, "y": 830 ] ], "scales": [ "name": "x", "type": "ordinal", "range": "width", "zero": false, "domain": { "data": "table", "field": "x" }, "name": "y", "type": "linear", "range": "height", "nice": true, "domain": { "data": "table", "field": "y" "axes": [ "type": "x", "scale": "x" { "type": "y", "scale": "y" ], "marks": [ "type": "rect", "from": { "data": "table" "properties": { "enter": { "x": { "scale": "x", "field": "x" "y": { "scale": "y", "field": "y" "y2": { "scale": "y", "value": 0 "fill": { "value": "steelblue" "width": { "scale": "x", "band": "true", "offset": -1}</graph>## Closure and.

Battersea Power Station. heritage site in 1980, when the Secretary of State for the Environment, Michael Heseltine, awarded the building Grade II listed status. (This was upgraded to Grade II* listed in 2007.) On 31 October 1983 production of electricity at Station B also ended, after nearly 30 years of operation. By then the B Station's generating capacity had fallen to 146 MW. The closure of the two stations was put down largely to the generating equipment becoming outdated, and the preferred choice of fuel for electricity generation shifting from coal toward oil, gas and nuclear power.## Theme park proposal.Following the station's closure,.

Battersea Power Station. the Central Electricity Generating Board had planned to demolish the station and sell the land for housing, but because of the building's then Grade II listed status, they had to pay the high cost of preserving the building. In 1983 they held a competition for ideas on the redevelopment of the site. It was won by a consortium led by developer David Roche and which included John Broome, owner of Alton Towers Ltd. This consortium proposed an indoor theme park, with shops and restaurants. At an estimated cost of £35 million, the scheme was risky and would require over 2.


Question: What is the closest parent taxonomy of this insect?

Instruction: You have to find a Wikipedia segment that answers the question about the displayed image.

Great spreadwing. The great spreadwing (Archilestes grandis) is a damselfly in the family Lestidae. When great spreadwings are startled they often return to the same perch or a perch nearby.## Characteristics.The great spreadwing is one of the largest North American spreadwings, with a length of 2-2.4 inches and a wingspan of 3 inches. The thorax of the male is dull greenish bronze above it is a broad diagonal yellow stripe on sides. It is also the only species with a broad yellow racing stripe on the sides of thorax. The abdomen is dark with a blue-gray tip. Its eyes and face are.

Great spreadwing. and later "Archilestes grandis" has recently expanded its range in North America to the east and north.## Habitat.The great spreadwing prefers slow small streams, often with alder or willows, wetlands, ponds and temporary pools. It breeds readily in heavily vegetated water gardens with unpolluted water, as well as in natural water. Females will oviposit in vegetation such as water iris while clasped by males. The male great spreadwings hanging from vegetation either over or near water, usually fairly low, like under 2 feet. On an occasion the nymphs can be spotted in winter, basking in sunwarmed shallow water alongside tadpoles.

Great spreadwing. They are recognizable by their Y tails which are actually their gills.## Flight season.This species is most active from April–December. The timing varies with temperature.## Life cycle.When great spreadwings are mating and after collection of sperm, the female cuts a slit in emergent vegetation and oviposits in it. Then nymphs develop underwater until they climb out, ready to emerge as adults. Like other Odonates, emergence usually occurs under the cover of darkness.1.Great Spreadwing - Archilestes grandis - BugGuide.Net2.Wisconsin Odonata Survey - Archilestes grandis3.Great Spreadwing - Archilestes grandis.


Question: What product does this object produce?

Instruction: I want to find a paragraph from Wikipedia that answers my question about this image.

Pottery. Pottery is the process and the products of forming vessels and other objects with clay and other ceramic materials, which are fired at high temperatures to give them a hard and durable form. Major types include earthenware, stoneware and porcelain. The place where such wares are made by a "potter" is also called a "pottery" (plural "potteries"). The definition of "pottery", used by the ASTM International, is "all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products." In art history and archaeology, especially of ancient and prehistoric periods, "pottery" often means vessels only, and sculpted.

Pottery. figurines of the same material are called "terracottas". Pottery is one of the oldest human inventions, originating before the Neolithic period, with ceramic objects like the Gravettian culture Venus of Dolní Věstonice figurine discovered in the Czech Republic dating back to 29,000–25,000 BC, and pottery vessels that were discovered in Jiangxi, China, which date back to 18,000 BC. Early Neolithic and pre-Neolithic pottery artifacts have been found, in Jōmon Japan (10,500 BC), the Russian Far East (14,000 BC), Sub-Saharan Africa (9,400 BC), South America (9,000s–7,000s BC), and the Middle East (7,000s–6,000s BC).Pottery is made by forming a ceramic (often clay).

Pottery. body into objects of a desired shape and heating them to high temperatures (600–1600 °C) in a bonfire, pit or kiln and induces reactions that lead to permanent changes including increasing the strength and rigidity of the object. Much pottery is purely utilitarian, but some can also be regarded as ceramic art. A clay body can be decorated before or after firing.Clay-based pottery can be divided into three main groups: earthenware, stoneware and porcelain. These require increasingly more specific clay material, and increasingly higher firing temperatures. All three are made in glazed and unglazed varieties, for different purposes. All may.

Pottery. also be decorated by various techniques. In many examples the group a piece belongs to is immediately visually apparent, but this is not always the case. The fritware of the Islamic world does not use clay, so technically falls outside these groups. Historic pottery of all these types is often grouped as either "fine" wares, relatively expensive and well-made, and following the aesthetic taste of the culture concerned, or alternatively "coarse", "popular", "folk" or "village" wares, mostly undecorated, or simply so, and often less well-made.Cooking in clay pots became less popular once metal pots became available, but is still used.

Pottery. for dishes that depend on the qualities of pottery cooking, such as biryani, cassoulet, daube, tagine, jollof rice, kedjenou, cazuela, and baked beans.## Main types.## Earthenware.The earliest forms of pottery were made from clays that were fired at low temperatures, initially in pit-fires or in open bonfires. They were hand formed and undecorated. Earthenware can be fired as low as 600 °C, and is normally fired below 1200 °C. Because unglazed biscuit earthenware is porous, it has limited utility for the storage of liquids or as tableware. However, earthenware has had a continuous history from the Neolithic period to today.

Pottery. It can be made from a wide variety of clays, some of which fire to a buff, brown or black colour, with iron in the constituent minerals resulting in a reddish-brown. Reddish coloured varieties are called terracotta, especially when unglazed or used for sculpture. The development of ceramic glaze made impermeable pottery possible, improving the popularity and practicality of pottery vessels. The addition of decoration has evolved throughout its history.## Stoneware.Stoneware is pottery that has been fired in a kiln at a relatively high temperature, from about 1,100 °C to 1,200 °C, and is stronger and non-porous to liquids. The.

Pottery. as art.## Porcelain.Porcelain is made by heating materials, generally including kaolin, in a kiln to temperatures between 1200 and 1400 (°C). This is higher than used for the other types, and achieving these temperatures was a long struggle, as well as realizing what materials were needed. The toughness, strength and translucence of porcelain, relative to other types of pottery, arises mainly from vitrification and the formation of the mineral mullite within the body at these high temperatures.Although porcelain was first made in China, the Chinese traditionally do not recognise it as a distinct category, grouping it with stoneware as "high-fired.

Pottery. ware, opposed to "low-fired" earthenware. This confuses the issue of when it was first made. A degree of translucency and whiteness was achieved by the Tang dynasty (AD 618–906), and considerable quantities were being exported. The modern level of whiteness was not reached until much later, in the 14th century. Porcelain was also made in Korea and in Japan from the end of the 16th century, after suitable kaolin was located in those countries. It was not made effectively outside East Asia until the 18th century.## Archaeology.The study of pottery can help to provide an insight into past cultures. Fabric.

Pottery. analysis (see section below), used to analyse the "fabric of pottery", is important part of archaeology for understanding the archaeological culture of the excavated site by studying the fabric of artifacts, such as their usage, source material composition, decorative pattern, color of patterns, etc. This helps to understand characteristics, sophistication, habits, technology, tools, trade, etc. of the people who made and used the pottery. Carbon dating reveals the age. Sites with similar pottery characteristics have the same culture, those sites which have distinct cultural characteristics but with some overlap are indicative of cultural exchange such as trade or living in.

Pottery. vicinity or continuity of habitation, etc. Examples are black and red ware, redware, Sothi-Siswal culture and Painted Grey Ware culture. The six fabrics of Kalibangan is a good example of use of fabric analysis in identifying a differentiated culture which was earlier thought to be typical Indus Valley civilisation (IVC) culture.Pottery is durable, and fragments, at least, often survive long after artifacts made from less-durable materials have decayed past recognition. Combined with other evidence, the study of pottery artefacts is helpful in the development of theories on the organisation, economic condition and the cultural development of the societies that produced.

Pottery. or acquired pottery. The study of pottery may also allow inferences to be drawn about a culture's daily life, religion, social relationships, attitudes towards neighbours, attitudes to their own world and even the way the culture understood the universe.Chronologies based on pottery are often essential for dating non-literate cultures and are often of help in the dating of historic cultures as well. Trace-element analysis, mostly by neutron activation, allows the sources of clay to be accurately identified and the thermoluminescence test can be used to provide an estimate of the date of last firing. Examining fired pottery shards from prehistory,.

Pottery. of minerals in a rock. For Archaeologists, the "fabric analysis" of pottery entails the study of "clay matrix" and "inclusions" in the clay body as well as the "firing temperature and conditions". Analysis is done to examine the following 3 in detail: how pottery was made e.g. material, design such as shape and style, etc. its decorations, such as patterns, colors of patterns, slipped (glazing) or unslipped decoration evidence of type of use.The Six fabrics of Kalibangan is a good example of fabric analysis.## Clay bodies and mineral contents.Body (or clay body) is a term for the main pottery form.

Pottery. of these different clays is composed of different types and amounts of minerals that determine the characteristics of resulting pottery. There can be regional variations in the properties of raw materials used for the production of pottery, and these can lead to wares that are unique in character to a locality. It is common for clays and other materials to be mixed to produce clay bodies suited to specific purposes. A common component of clay bodies is the mineral kaolinite. Other minerals in the clay, such as feldspar, act as fluxes which lower the vitrification temperature of bodies. Following is.

Pottery. a list of different types of clay used for pottery. Kaolin, is sometimes referred to as china clay because it was first used in China. Used for porcelain. Ball clay: An extremely plastic, fine grained sedimentary clay, which may contain some organic matter. Small amounts can be added to porcelain bodies to increase plasticity. Fire clay: A clay having a slightly lower percentage of fluxes than kaolin, but usually quite plastic. It is highly heat resistant form of clay which can be combined with other clays to increase the firing temperature and may be used as an ingredient to make.

Pottery. stoneware type bodies. Stoneware clay: Suitable for creating stoneware. Has many of the characteristics between fire clay and ball clay, having finer grain, like ball clay but is more heat resistant like fire clays. Common red clay and shale clay have vegetable and ferric oxide impurities which make them useful for bricks, but are generally unsatisfactory for pottery except under special conditions of a particular deposit. Bentonite: An extremely plastic clay which can be added in small quantities to short clay to increase the plasticity.## Production of pottery.Production of pottery includes the following three stages: making clay body, i.e. paste.

Pottery. or putty. shaping and moulding firing or baking decorating, such as glazing (slipping), painting, etc.## Shaping methods.Pottery can be shaped by a range of methods that include:## Firing.Firing produces irreversible changes in the body. It is only after firing that the article or material is pottery. In lower-fired pottery, the changes include sintering, the fusing together of coarser particles in the body at their points of contact with each other. In the case of porcelain, where different materials and higher firing-temperatures are used, the physical, chemical and mineralogical properties of the constituents in the body are greatly altered. In all.

Pottery. cases, the reason for firing is to permanently harden the wares and the firing regime must be appropriate to the materials used to make them. As a rough guide, modern earthenwares are normally fired at temperatures in the range of about 1,000°C (1,830 °F) to 1,200 (C); stonewares at between about 1100 (C) to 1300 (C); and porcelains at between about 1200 (C) to 1400 (C). Historically, reaching high temperatures was a long-lasting challenge, and earthenware can be fired effectively as low as 600°C, achievable in primitive pit firing.## Firing methods.Firing pottery can be done using a variety of methods,.

Pottery. than a brick or stone kiln. Unfired pots are first brought to the place where a mound will be built, customarily by the women and girls of the village. The mound's foundation is made by placing sticks on the ground, then:## Firing stages.Before being shaped, clay must be prepared. Kneading helps to ensure an even moisture content throughout the body. Air trapped within the clay body needs to be removed. This is called de-airing and can be accomplished either by a machine called a vacuum pug or manually by wedging. Wedging can also help produce an even moisture content. Once.

Pottery. changes that will change the material. "Glaze fired" is the final stage of some pottery making, or "glost fired". A glaze may be applied to the bisque form and the object can be decorated in several ways. After this the object is "glazed fired", which causes the glaze material to melt, then adhere to the object. Depending on the temperature schedule the glaze firing may also further mature the body as chemical and physical changes continue.## Decorating.Pottery may be decorated in many different ways. Some decoration can be done before or after the firing. Painting has been used since early.

Pottery. prehistoric times (China painting), and can be very elaborate. The painting is often applied to pottery that has been fired once, and may then be overlaid with a glaze afterwards. Many pigments change colour when fired, and the painter must allow for this. Glaze: Perhaps the most common form of decoration, that also serves as protection to the pottery, by being tougher and keeping liquid from penetrating the pottery. Glaze may be clear, especially over painting, or coloured and opaque. There is more detail in the section below. Carving: Pottery vessels may be decorated by shallow carving of the clay.

Pottery. body, typically with a knife or similar instrument used on the wheel. This is common in Chinese porcelain of the classic periods. Burnishing: The surface of pottery wares may be "burnished" prior to firing by rubbing with a suitable instrument of wood, steel or stone to produce a polished finish that survives firing. It is possible to produce very highly polished wares when fine clays are used or when the polishing is carried out on wares that have been partially dried and contain little water, though wares in this condition are extremely fragile and the risk of breakage is high.

Pottery. hand or by machine of a band of colour to the edge of a plate or cup. Also known as "lining", this operation is often carried out on a potter's wheel. Agateware is named after its resemblance to the quartz mineral agate which has bands or layers of colour that are blended together, agatewares are made by blending clays of differing colours together but not mixing them to the extent that they lose their individual identities. The wares have a distinctive veined or mottled appearance. The term "agateware" is used to describe such wares in the United Kingdom; in Japan.

Pottery. the term ""neriage" is used and in China, where such things have been made since at least the Tang Dynasty, they are called "marbled" wares. Great care is required in the selection of clays to be used for making agatewares as the clays used must have matching thermal movement characteristics. : This is a clay slip, that is used to coat the surface of pottery, usually before firing. Its purpose is often decorative though it can also be used to mask undesirable features in the clay to which it is applied. Engobe slip may be applied by painting or by.

Pottery. dipping to provide a uniform, smooth, coating. Engobe has been used by potters from pre-historic times until the present day and is sometimes combined with sgraffito decoration, where a layer of engobe is scratched through to reveal the colour of the underlying clay. With care it is possible to apply a second coat of engobe of a different colour to the first and to incise decoration through the second coat to expose the colour of the underlying coat. Engobes used in this way often contain substantial amounts of silica, sometimes approaching the composition of a glaze. Gold: Decoration with gold.

Pottery. used for the decoration only of ware of the highest class. "Bright Gold" – consists of a solution of gold sulphoresinate together with other metal resonates and a flux. The name derives from the appearance of the decoration immediately after removal from the kiln as it requires no burnishing "Mussel Gold" – an old method of gold decoration. It was made by rubbing together gold leaf, sugar and salt, followed by washing to remove solubles## Glazing.Glaze is a glassy coating on pottery, the primary purposes of which are decoration and protection. One important use of glaze is to render porous.

Pottery. pottery vessels impermeable to water and other liquids. Glaze may be applied by dusting the unfired composition over the ware or by spraying, dipping, trailing or brushing on a thin slurry composed of the unfired glaze and water. The colour of a glaze after it has been fired may be significantly different from before firing. To prevent glazed wares sticking to kiln furniture during firing, either a small part of the object being fired (for example, the foot) is left unglazed or, alternatively, special refractory "spurs"" are used as supports. These are removed and discarded after the firing.Some specialised glazing.

Pottery. techniques include: Salt-glazing, where common salt is introduced to the kiln during the firing process. The high temperatures cause the salt to volatize, depositing it on the surface of the ware to react with the body to form a sodium aluminosilicate glaze. In the 17th and 18th centuries, salt-glazing was used in the manufacture of domestic pottery. Now, except for use by some studio potters, the process is obsolete. The last large-scale application before its demise in the face of environmental clean air restrictions was in the production of salt-glazed sewer-pipes. Ash glazing – ash from the combustion of plant.

Pottery. matter has been used as the flux component of glazes. The source of the ash was generally the combustion waste from the fuelling of kilns although the potential of ash derived from arable crop wastes has been investigated. Ash glazes are of historical interest in the Far East although there are reports of small-scale use in other locations such as the Catawba Valley Pottery in the United States. They are now limited to small numbers of studio potters who value the unpredictability arising from the variable nature of the raw material. Underglaze decoration (in the manner of many blue and.

Pottery. white wares). Underglaze may be applied by brush strokes, air brush, or by pouring the underglaze into the mould, covering the inside, creating a swirling effect, then the mould is filled with slip. In-glaze decoration On-glaze decoration Enamel## History.A great part of the history of pottery is prehistoric, part of past pre-literate cultures. Therefore, much of this history can only be found among the artifacts of archaeology. Because pottery is so durable, pottery and shards of pottery survive from millennia at archaeological sites, and are typically the most common and important type of artifact to survive. Many prehistoric cultures are.

Pottery. named after the pottery that is the easiest way to identify their sites, and archaeologists develop the ability to recognise different types from the chemistry of small shards.Before pottery becomes part of a culture, several conditions must generally be met. First, there must be usable clay available. Archaeological sites where the earliest pottery was found were near deposits of readily available clay that could be properly shaped and fired. China has large deposits of a variety of clays, which gave them an advantage in early development of fine pottery. Many countries have large deposits of a variety of clays. Second,.

Pottery. it must be possible to heat the pottery to temperatures that will achieve the transformation from raw clay to ceramic. Methods to reliably create fires hot enough to fire pottery did not develop until late in the development of cultures. Third, the potter must have time available to prepare, shape and fire the clay into pottery. Even after control of fire was achieved, humans did not seem to develop pottery until a sedentary life was achieved. It has been hypothesized that pottery was developed only after humans established agriculture, which led to permanent settlements. However, the oldest known pottery is.

Pottery. from the Czech Republic and dates to 28,000 BC, at the height of the ice age, long before the beginnings of agriculture. Fourth, there must be a sufficient need for pottery in order to justify the resources required for its production. Methods of forming: Hand-shaping was the earliest method used to form vessels. This included the combination of pinching and coiling. Firing: The earliest method for firing pottery wares was the use of bonfires pit fired pottery. Firing times might be short but the peak-temperatures achieved in the fire could be high, perhaps in the region of 900 (°C), and.

Pottery. were reached very quickly. Clay: Early potters used whatever clay was available to them in their geographic vicinity. However, the lowest quality common red clay was adequate for low-temperature fires used for the earliest pots. Clays tempered with sand, grit, crushed shell or crushed pottery were often used to make bonfire-fired ceramics because they provided an open-body texture that allowed water and volatile components of the clay to escape freely. The coarser particles in the clay also acted to restrain shrinkage during drying, and hence reduce the risk of cracking. Form: In the main, early bonfire-fired wares were made with.

Pottery. rounded bottoms to avoid sharp angles that might be susceptible to cracking. Glazing: the earliest pots were not glazed. The potter's wheel was invented in Mesopotamia sometime between 6,000 and 4,000 BC (Ubaid period) and revolutionised pottery production. Moulds were used to a limited extent as early as the 5th and 6th century BC by the Etruscans and more extensively by the Romans. Slipcasting, a popular method for shaping irregular shaped articles. It was first practised, to a limited extent, in China as early as the Tang dynasty. Transition to kilns: The earliest intentionally constructed were pit-kilns or trench-kilns—holes dug.

Pottery. in the ground and covered with fuel. Holes in the ground provided insulation and resulted in better control over firing. Kilns: Pit fire methods were adequate for creating simple earthenware, but other pottery types needed more sophisticated kilns (see below kilns).## History by region.## Beginnings of pottery.Pottery may well have been discovered independently in various places, probably by accidentally creating it at the bottom of fires on a clay soil. All the earliest vessel forms were pit fired and made by coiling, which is a simple technology to learn. The earliest-known ceramic objects are Gravettian figurines such as those discovered.

Pottery. at Dolní Věstonice in the modern-day Czech Republic. The Venus of Dolní Věstonice is a Venus figurine, a statuette of a nude female figure dated to 29,000–25,000 BC (Gravettian industry). Sherds have been found in China and Japan from a period between 12,000 and perhaps as long as 18,000 years ago. As of 2012, the earliest pottery found anywhere in the world, dating to 20,000 to 19,000 years before the present, was found at Xianrendong Cave in the Jiangxi province of China.Other early pottery vessels include those excavated from the Yuchanyan Cave in southern China, dated from 16,000 BC, and.

Pottery. those found in the Amur River basin in the Russian Far East, dated from 14,000 BC.The Odai Yamamoto I site, belonging to the Jōmon period, currently has the oldest pottery in Japan. Excavations in 1998 uncovered earthenware fragments which have been dated as early as 14,500 BC.The term "Jōmon" means "cord-marked" in Japanese. This refers to the markings made on the vessels and figures using sticks with cords during their production. Recent research has elucidated how Jōmon pottery was used by its creators.It appears that pottery was independently developed in Sub-Saharan Africa during the 10th millennium BC, with findings dating.

Pottery. to at least 9,400 BC from central Mali, and in South America during the 9,000s–7,000s BC. The Malian finds date to the same period as similar finds from East Asia – the triangle between Siberia, China and Japan – and are associated in both regions to the same climatic changes (at the end of the ice age new grassland develops, enabling hunter-gatherers to expand their habitat), met independently by both cultures with similar developments: the creation of pottery for the storage of wild cereals (pearl millet), and that of small arrowheads for hunting small game typical of grassland. Alternatively, the.

Pottery. creation of pottery in the case of the Incipient Jōmon civilisation could be due to the intensive exploitation of freshwater and marine organisms by late glacial foragers, who started developing ceramic containers for their catch.## East Asia.In Japan, the Jōmon period has a long history of development of Jōmon pottery which was characterized by impressions of rope on the surface of the pottery created by pressing rope into the clay before firing. Glazed Stoneware was being created as early as the 15th century BC in China. A form of Chinese porcelain became a significant Chinese export from the Tang Dynasty.

Pottery. (AD 618–906) onwards. Korean potters adopted porcelain as early as the 14th century AD. Japanese porcelain was made in the early 16th century after Shonzui Goradoyu-go brought back the secret of its manufacture from the Chinese kilns at Jingdezhen.In contrast to Europe, the Chinese elite used pottery extensively at table, for religious purposes, and for decoration, and the standards of fine pottery were very high. From the Song dynasty (960–1279) for several centuries elite taste favoured plain-coloured and exquisitely formed pieces; during this period true porcelain was perfected in Ding ware, although it was the only one of the Five.

Pottery. had also conquered. At the same time Jingdezhen porcelain, produced in Imperial factories, took the undisputed leading role in production, which it has retained to the present day. The new elaborately painted style was now favoured at court, and gradually more colours were added.The secret of making such porcelain was sought in the Islamic world and later in Europe when examples were imported from the East. Many attempts were made to imitate it in Italy and France. However it was not produced outside of the Orient until 1709 in Germany.## South Asia.Cord-Impressed style pottery belongs to 'Mesolithic' ceramic tradition that.

Pottery. developed among Vindhya hunter-gatherers in Central India during the Mesolithic period. This ceramic style is also found in later Proto-Neolithic phase in nearby regions. This early type of pottery, also found at the site of Lahuradewa, is currently the oldest known pottery tradition in South Asia, dating back to 7,000–6,000 BC. Wheel-made pottery began to be made during the Mehrgarh Period II (5,500–4,800 BC) and Merhgarh Period III (4,800–3,500 BC), known as the ceramic Neolithic and chalcolithic. Pottery, including items known as the ed-Dur vessels, originated in regions of the Saraswati River / Indus River and have been found in.

Pottery. a number of sites in the Indus Civilization.Despite an extensive prehistoric record of pottery, including painted wares, little "fine" or luxury pottery was made in the subcontinent in historic times. Hinduism discourages eating off pottery, which probably largely accounts for this. Most traditional Indian pottery vessels are large pots or jars for storage, or small cups or lamps, often treated as disposable. In contrast there are long traditions of sculpted figures, often rather large, in terracotta.## Southeast Asia.Pottery in Southeast Asia is as diverse as its ethnic groups. Each ethnic group has their own set of standards when it comes.

Pottery. to pottery arts. Potteries are made due to various reasons, such as trade, food and beverage storage, kitchen usage, religious ceremonies, and burial purposes.## West Asia.Around 8000 BC during the Pre-pottery Neolithic period, and before the invention of pottery, several early settlements became experts in crafting beautiful and highly sophisticated containers from stone, using materials such as alabaster or granite, and employing sand to shape and polish. Artisans used the veins in the material to maximum visual effect. Such objects have been found in abundance on the upper Euphrates river, in what is today eastern Syria, especially at the site.

Pottery. of Bouqras.The earliest history of pottery production in the Fertile Crescent starts the Pottery Neolithic and can be divided into four periods, namely: the Hassuna period (7000–6500 BC), the Halaf period (6500–5500 BC), the Ubaid period (5500–4000 BC), and the Uruk period (4000–3100 BC). By about 5000 BC pottery-making was becoming widespread across the region, and spreading out from it to neighbouring areas.Pottery making began in the 7th millennium BC. The earliest forms, which were found at the Hassuna site, were hand formed from slabs, undecorated, unglazed low-fired pots made from reddish-brown clays. Within the next millennium, wares were decorated.

Pottery. with elaborate painted designs and natural forms, incising and burnished.The invention of the potter's wheel in Mesopotamia sometime between 6000 and 4000 BC (Ubaid period) revolutionized pottery production. Newer kiln designs could fire wares to 1050 (C) to 1200 (C) which enabled new possibilities and new preparation of clays. Production was now carried out by small groups of potters for small cities, rather than individuals making wares for a family. The shapes and range of uses for ceramics and pottery expanded beyond simple vessels to store and carry to specialized cooking utensils, pot stands and rat traps. As the region.

Pottery. developed, new organizations and political forms, pottery became more elaborate and varied. Some wares were made using moulds, allowing for increased production for the needs of the growing populations. Glazing was commonly used and pottery was more decorated.In the Chalcolithic period in Mesopotamia, Halafian pottery achieved a level of technical competence and sophistication, not seen until the later developments of Greek pottery with Corinthian and Attic ware.## Europe.Europe's oldest pottery, dating from circa 6700 BC, was found on the banks of the Samara River in the middle Volga region of Russia. These sites are known as the Yelshanka culture.The early.

Pottery. inhabitants of Europe developed pottery in the Linear Pottery culture slightly later than the Near East, circa 5500–4500 BC. In the ancient Western Mediterranean elaborately painted earthenware reached very high levels of artistic achievement in the Greek world; there are large numbers of survivals from tombs. Minoan pottery was characterized by complex painted decoration with natural themes. The classical Greek culture began to emerge around 1000 BC featuring a variety of well crafted pottery which now included the human form as a decorating motif. The pottery wheel was now in regular use. Although glazing was known to these potters, it.

Pottery. was not widely used. Instead, a more porous clay slip was used for decoration. A wide range of shapes for different uses developed early and remained essentially unchanged during Greek history.Fine Etruscan pottery was heavily influenced by Greek pottery and often imported Greek potters and painters. Ancient Roman pottery made much less use of painting, but used moulded decoration, allowing industrialized production on a huge scale. Much of the so-called red Samian ware of the Early Roman Empire was in fact produced in modern Germany and France, where entrepreneurs established large potteries. Excavations at Augusta Raurica, near Basel, Switzerland, have.

Pottery. revealed a pottery production site in use from the 1st to the 4th century AD. Pottery was hardly seen on the tables of elites from Hellenistic times until the Renaissance, and most medieval wares were coarse and utilitarian, as the elites ate off metal vessels. Painted Hispano-Moresque ware from Spain, developing the styles of Islamic Spain, became a luxury for late medieval elites, and was adapted in Italy into "maiolica" in the Italian Renaissance. Both of these were faience or tin-glazed earthenware, and fine faience continued to be made until around 1800 in various countries, especially France, with Nevers faience.

Pottery. and several other centres. In the 17th century, imports of Chinese export porcelain and its Japanese equivalent raised the market expectations of fine pottery, and European manufacturers eventually learned to make porcelain, often in the form of "artificial" or soft-paste porcelain, and from the 18th century European porcelain and other wares from a great number of producers became extremely popular, reducing Asian imports.## United Kingdom.The English city of Stoke-on-Trent is widely known as "The Potteries" because of the large number of pottery factories or, colloquially, "Pot Banks". It was one of the first industrial cities of the modern era where,.

Pottery. as early as 1785, two hundred pottery manufacturers employed 20,000 workers. Josiah Wedgwood (1730–1795) was the dominant leader.In North Staffordshire hundreds of companies produced all kinds of pottery, from tablewares and decorative pieces to industrial items. The main pottery types of earthenware, stoneware and porcelain were all made in large quantities, and the Staffordshire industry was a major innovator in developing new varieties of ceramic bodies such as bone china and jasperware, as well as pioneering transfer printing and other glazing and decorating techniques. In general Staffordshire was strongest in the middle and low price ranges, though the finest and.

Pottery. most expensive types of wares were also made.By the late 18th century North Staffordshire was the largest producer of ceramics in Britain, despite significant centres elsewhere. Large export markets took Staffordshire pottery around the world, especially in the 19th century. Production had begun to decline in the late 19th century, as other countries developed their industries, and declined steeply after World War II. Some production continues in the area, but at a fraction of the levels at the peak of the industry.## Islamic pottery.Early Islamic pottery followed the forms of the regions which the Muslims conquered. Eventually, however, there was.

Pottery. cross-fertilization between the regions. This was most notable in the Chinese influences on Islamic pottery. Trade between China and Islam took place via the system of trading posts over the lengthy Silk Road. Islamic nations imported stoneware and later porcelain from China. China imported the minerals for Cobalt blue from the Islamic ruled Persia to decorate their blue and white porcelain, which they then exported to the Islamic world.Likewise, Islamic art contributed to a lasting pottery form identified as Hispano-Moresque in Andalucia (Islamic Spain). Unique Islamic forms were also developed, including fritware, lusterware and specialized glazes like tin-glazing, which led.

Pottery. to the development of the popular maiolica.One major emphasis in ceramic development in the Muslim world was the use of tile and decorative tilework.## Americas.Most evidence points to an independent development of pottery in the Native American cultures, with the earliest known dates from Brazil, from 9,500 to 5,000 years ago and 7,000 to 6,000 years ago. Further north in Mesoamerica, dates begin with the Archaic Era (3500–2000 BC), and into the Formative period (2000 BC – AD 200). These cultures did not develop the stoneware, porcelain or glazes found in the Old World. Maya ceramics include finely painted vessels,.

Pottery. usually beakers, with elaborate scenes with several figures and texts. Several cultures, beginning with the Olmec, made terracotta sculpture, and sculptural pieces of humans or animals that are also vessels are produced in many places, with Moche portrait vessels among the finest.## Africa.Evidence indicates an independent invention of pottery in Sub-Saharan Africa. In 2007, Swiss archaeologists discovered pieces of some of the oldest pottery in Africa at Ounjougou in Central Mali, dating back to at least 9,400 BC. Excavations in the Bosumpra Cave on the Kwahu Plateau in southeastern Ghana, have revealed well-manufactured pottery decorated with channelling and impressed peigne.

Pottery. fileté rigide dating from the early tenth-millennium cal. BC. In later periods, a relationship of the introduction of pot-making in some parts of Sub-Saharan Africa with the spread of Bantu languages has been long recognized, although the details remain controversial and awaiting further research, and no consensus has been reached.Ancient Egyptian pottery begins after 5,000 BC, having spread from the Levant. There were many distinct phases of development in pottery, with very sophisticated wares being produced by the Naqada III period, c. 3,200 to 3,000 BC. During the early Mediterranean civilizations of the fertile crescent, Egypt developed a non-clay-based ceramic.

Pottery. which has come to be called Egyptian faience. A similar type of body is still made in Jaipur in India. During the Umayyad Caliphate of Islam, Egypt was a link between early centre of Islam in the Near East and Iberia which led to the impressive style of pottery.It is valuable to look into pottery as an archaeological record of potential interaction between peoples. When pottery is placed within the context of linguistic and migratory patterns, it becomes an even more prevalent category of social artifact. As proposed by Olivier P. Gosselain, it is possible to understand ranges of cross-cultural.

Pottery. interaction by looking closely at the "chaîne opératoire" of ceramic production.The methods used to produce pottery in early Sub-Saharan Africa are divisible into three categories: techniques visible to the eye (decoration, firing and post-firing techniques), techniques related to the materials (selection or processing of clay, etc.), and techniques of molding or fashioning the clay. These three categories can be used to consider the implications of the reoccurrence of a particular sort of pottery in different areas. Generally, the techniques that are easily visible (the first category of those mentioned above) are thus readily imitated, and may indicate a more distant.

Pottery. connection between groups, such as trade in the same market or even relatively close proximity in settlements. Techniques that require more studied replication (i.e., the selection of clay and the fashioning of clay) may indicate a closer connection between peoples, as these methods are usually only transmissible between potters and those otherwise directly involved in production. Such a relationship requires the ability of the involved parties to communicate effectively, implying pre-existing norms of contact or a shared language between the two. Thus, the patterns of technical diffusion in pot-making that are visible via archaeological findings also reveal patterns in societal.

Pottery. interaction.## Oceania.Polynesia, Melanesia and MicronesiaPottery has been found in archaeological sites across the islands of Oceania. It is attributed to an ancient archaeological culture called the Lapita. Another form of pottery called Plainware is found throughout sites of Oceania. The relationship between Lapita pottery and Plainware is not altogether clear.The Indigenous Australians never developed pottery. After Europeans came to Australia and settled, they found deposits of clay which were analysed by English potters as excellent for making pottery. Less than 20 years later, Europeans came to Australia and began creating pottery. Since then, ceramic manufacturing, mass-produced pottery and studio pottery.

Pottery. have flourished in Australia.## Production issues (health and environment).Although many of the environmental effects of pottery production have existed for millennia, some of these have been amplified with modern technology and scales of production. The principal factors for consideration fall into two categories: (a) effects on workers, and (b) effects on the general environment.The chief risks on worker health include heavy metal poisoning, poor indoor air quality, dangerous sound levels and possible over-illumination.Historically, "plumbism" (lead poisoning) was a significant health concern to those glazing pottery. This was recognised at least as early as the nineteenth century, and the first legislation.

Pottery. in the United Kingdom to limit pottery workers' exposure was introduced in 1899.Proper ventilation to guarantee adequate indoor air quality can reduce or eliminate workers' exposure to fine particulate matter, carbon monoxide, certain heavy metals, and crystalline silica (which can lead to silicosis). A more recent study at Laney College, Oakland, California suggests that all these factors can be controlled in a well-designed workshop environment.The primary environmental concerns include off-site water pollution, air pollution, disposal of hazardous materials, and fuel consumption. Glossary of pottery terms American art pottery Celadon Ceramics of indigenous peoples of the Americas Chinese ceramics including porcelain.

Pottery. Delftware Dipped ware Faience History of ceramic art Ironstone ware Jasperware Korean ceramics Kakiemon pottery Latvian pottery Latgalian pottery Maiolica of Renaissance Italy Majolica Palissy ware Persian pottery Sancai Sea pottery Slipware SylvaC Victorian majolica Cooper, Emmanuel, "10,000 Years of Pottery", 4th ed., 2010, University of Pennsylvania Press, Savage, George, "Pottery Through the Ages", Penguin, 1959, ASTM Standard C 242-01 "Standard Terminology of Ceramic Whitewares and Related Products" Ashmore, Wendy & Sharer, Robert J., (2000). "Discovering Our Past: A Brief Introduction to Archaeology Third Edition". Mountain View, CA: Mayfield Publishing Company. Barnett, William & Hoopes, John (Eds.) (1995). "The Emergence.


Question: What is this building named after?

Instruction: You have to find a Wikipedia segment that answers the question about the displayed image.

Lahori Gate, Delhi. The Lahori Gate is the main entrance to the Red Fort in Delhi. The fort is approached through a covered street flanked by arcaded apartments called the Chhatta Chowk. Situated on the western wall of the fort, the gate received its name because it led to the city of Lahore, Present Day Pakistan. The secondary entrance is the Delhi Gate.The gateway consists of three stories, each decorated with square, rectangular and cusped arched panels. These are flanked by semi-octagonal towers crowned by two open octagonal pavilions. The whole gate is clad in red sandstone, except the roofs of the pavilions,.


Question: What is the closest upper taxonomy of this animal?

Instruction: I want to find a paragraph from Wikipedia that answers my question about this image.

American pika. The American pika (Ochotona princeps), a diurnal species of pika, is found in the mountains of western North America, usually in boulder fields at or above the tree line. They are herbivorous, smaller relatives of rabbits and hares. Pikas have two different ways of foraging; they either directly consume food or they cache food in piles for the winter (haying).Pikas are vocal, using both calls and songs to warn when predators are nearby and during the breeding season. Predators of the pika include eagles, hawks, coyotes, bobcats, foxes, and weasels.Recent studies suggest some populations are declining due to habitat loss.

American pika. of pika, it is one of only two which inhabit North America, along with the collared pika ("O. collaris"). In relation to the distribution of the American pika, the collared pika is located farther north of those regions and is separated by a gap of about 500 (mi) extending across British Columbia and Alberta.Pikas inhabit talus fields that are fringed by suitable vegetation on alpine areas. They also live in piles of broken rock. Sometimes, they live in man-made substrate such as mine tailings and piles of scrap lumber. Pikas usually have their den and nest sites below rock around.

American pika. 0.2–1 m in diameter, but often sit on larger and more prominent rocks. They generally reside in scree near or above the tree line. Pikas are restricted to cool, moist microhabitats on high peaks or watercourses. Intolerant of high diurnal temperatures, in the northern portion of their range, they may be found near sea level, but in the south they are rare below 2500 (m). Pikas rely on existing spaces in the talus for homes and do not dig burrows. However, they can enlarge their homes by digging.## Diet.The American pika is a generalist herbivore. It eats a large variety.

American pika. of green plants, including different kinds of grasses, sedges, thistles, and fireweed. Although a pika can meet its water demand from the vegetation eaten, it does drink water if it is available in its environment.Pikas have two different ways of foraging; they directly consume food (feeding) or they cache food in haypiles to use for a food source in the winter (haying). They feed throughout the year while haying is limited to the summer. Since they do not hibernate, pikas have greater energy demands than other montane mammals. They also make 13 trips per hour to collect vegetation when haying,.

American pika. up to a little over 100 trips per day. The timing of haying seems to correlate to the amount of precipitation from the previous winter. Pikas start and then quit haying earlier in years following little snow and early spring. In areas at lower elevations, haying begins before the snow has melted at high altitudes; at higher elevations, haying continues after it ends in lower elevations.When haying, pikas harvest plants in a deliberate sequence, corresponding to their seasonal phenology. They seem to assess the nutritional value of available food and harvest accordingly. Pikas select plants that have the higher caloric,.

American pika. protein, lipid, and water content. Forbs and tall grass tend to be hayed more than eaten directly. Haypiles tend to be stored under the talus near the talus-meadow interface, although they may be constructed on the talus surface. Males generally store more vegetation than females and adults usually store more than juveniles. Pikas deposit two kinds of fecal droppings: Hard, brown, round pellets and pellets that are soft black shiny strings that form in the caecum. Caecal pellets have more energy value than stored plant food and the pika may consume them directly or store them for later.## Life history.The.

American pika. American Pika is diurnal. The total area of land that an American Pika uses is known as a home range. About 55% of its home range is territory that the Pika defends against intruders. Territory size can vary from 410–709 m² and is dependent on configuration, distance to vegetation, and quality of vegetation. The home ranges of Pikas may overlap, with the distances of the home ranges of a mating pair being shorter than that of the nearest neighbors of the same sex. Spatial distances between adults of a pair is greatest during early and midsummer and reduces during late.

American pika. summer and early autumn. Pikas defend their territories with aggression. Actual aggressive encounters are rare and usually occur between members of the same sex and those unfamiliar with each other. A Pika may intrude on another's territory, but usually when the resident is not active. During haying, territorial behavior increases.Adult Pikas of the opposite sex with territories adjacent form mated pairs. When more than one male is available, females exhibit mate choice. Pikas are reflex ovulators; ovulation only occurs after copulation, and they are also seasonally polyestrous. A female has two litters per year and these litters average three young.

American pika. each. Breeding takes place one month before the snow melts and gestation lasts around 30 days. Parturition occurs as early as March in lower elevations, but occurs from April to June at higher elevations. Lactation significantly reduces a female's fat reserves and they only nurse the second litter if the first does not survive, despite exhibiting postpartum estrus. Pikas are born slightly altricial, being blind, slightly haired, and having fully erupted teeth. They weigh between 10 and 12 g at birth. At around nine days old, they are able to open their eyes. Mothers forage most of the day and.

American pika. return to the nest once every two hours to nurse the young. Young become independent after four weeks, around the same time they are weaned. Young may remain in their natal or an adjoining home range. When in their home range, young occupy areas away from their relatives as much as possible. Dispersal appears to be caused by competition for territories.Pikas are vocal, using both calls and songs to communicate among themselves. A call is used to warn when a predator is lurking nearby, and a song is used during the breeding season (males only), and during autumn (both males.

American pika. and females). Predators of the Pika include eagles, hawks, coyotes, bobcats, foxes, and weasels.## Taxonomy.The American pika was described in the scientific literature by John Richardson in "Fauna Boreali-Americana" in 1828. The original scientific name was "Lepus (Lagomys) princeps".## Conservation and decline.As they live in the high and cooler mountain regions, they are very sensitive to high temperatures, and are considered to be one of the best early warning systems for detecting global warming in the western United States. Temperature increases are suspected to be one cause of American pikas moving higher in elevation in an attempt to find suitable.

American pika. habitat, as well as cooler temperatures. American pikas, however, cannot easily migrate in response to climate change, as their habitat is currently restricted to small, disconnected habitat "islands" in numerous mountain ranges. Pikas can die in six hours when exposed to temperatures above 25.5 (°C) if individuals cannot find refuge from heat. In warmer environments, such as during midday sun and at lowerelevation limits, pikas typically become inactive and withdraw into cooler talus openings. Because of behavioral adaptation, American pikas also persist in the hot climates of Craters of the Moon and Lava Beds National Monuments (Idaho and California, respectively).

American pika. species of least concern.The Pikas in Peril Project, funded through the National Park Service Climate Change Response Program, began data collection in May 2010. A large team of academic researchers and National Park Service staff - from three universities and eight national parks - worked together to address questions regarding the vulnerability of the American pika to future climate change scenarios projected for the western United States. The project concluded in 2016.More recent studies have found widespread extirpations and range retractions at lower elevations which are typically warmer and drier, patterns that have been further attributed to varying aspects of.

American pika. climate change such as warmer summer and winter temperatures and changes in precipitation. For example, one study found upslope retractions in 44 of 64 watersheds surveyed in the Northern Rockies, with retractions averaging 281 meters. Another study in North Cascades National Park in Washington found that a single winter of little to no snow caused drastic declines in pika abundance, highlighting how snowpack provides a necessary insulation against cold winter temperatures. View the Pika genome in Ensembl. American pika federal petition.


Question: Which city or region does this building locate in?

Instruction: You have to find a Wikipedia segment that answers the question about the displayed image.

Basílica colegiata de Nuestra Señora de Guanajuato. The Basílica colegiata de Nuestra Señora de Guanajuato is considered one of the most emblematic structures in the City of Guanajuato, Mexico. It is located in the Plaza de la Paz, in front of the plaque that names the center of Guanajuato as a UNESCO World Heritage Site. It has had the distinction of basilica since 1957 and was built between 1671 and 1696.## Our Lady of Guanajuato.The interior of this notable Baroque-style building is characterized by: its main altar, gilded that protects a virgin who has become the patron saint and queen of the city: Our Lady of Guanajuato,.

Basílica colegiata de Nuestra Señora de Guanajuato. anonymous Virgin of Andalusia.This wooden sculpture was donated by King Carlos V, Holy Roman Emperor and his son Philip II to the people of Guanajuato as a form of recognition for their mining prosperity on August 8, 1557. It represents the Virgin and Child, with a silver base embossed as base.The image of Our Lady of Guanajuato is a 1.15m piece of polychrome and stewed cedar wood in which the Virgin Mary and the Child are seen. Initially, it had a rose in her right hand; which was replaced, upon arrival in Mexico, by a scepter. Likewise, a crown and.

Basílica colegiata de Nuestra Señora de Guanajuato. a solid silver pedestal were added. To celebrate it, every August 8 a celebration is held in honor of its arrival.It will be necessary to remember that the mining expansion took place throughout the 17th century, where the City of Guanajuato played an important role by becoming one of the great royal minings of New Spain. This justifies the present, by way of gratification , awarded by the king and his son.This basilica witnessed innumerable events; among them the baptism of Albino García, an insurgent guerrillaman during the Mexican War of Independence, and the remains of Celedonio de Jarauta and.

Basílica colegiata de Nuestra Señora de Guanajuato. Faustino Mártir, both granted by Antonio de Obregón y Alcocer, Count of La Valenciana.## Architecture.The Basílica colegiata de Nuestra Señora de Guanajuato was built between 1671 and 1696. With its Baroque and Neoclassical style on the outside, it has a main portal made up of three bodies; while in its internal part in the form of a Latin cross it has a nave, a dome, a croissing, two bell towers and a golden altar with the image of the Virgin of Our Lady of Guanajuato.Interior view of the Collegiate Basilica of Our Lady of GuanajuatoIts construction and decoration was sponsored.

Basílica colegiata de Nuestra Señora de Guanajuato. by miners from Guanajuato. In addition to the patron saint of the city, the church also has images of the Sacred Heart of Jesus, Saint Ignatius of Loyola and, in the upper part of the central altar, the statue of Santa Fe de Guanajuato. Its name and sculpture refer both to the statue of Santa Fe de Granada, place of origin of the image, and to the founding title of the noble and loyal city of Royal of Mines of Santa Fe de Guanajuato.In its interior, a tubular organ stands out, with 1098 pipes, its brilliant tapestry and its great.

Basílica colegiata de Nuestra Señora de Guanajuato. Neoclassical towers on the outside.## Patronage.During the century in which this work was built, the Criollo culture developed a need to stand out and a desire for greatness within the religious sphere that was also transferred to the personal feelings of those men. This religious sentiment called for piety and was expressed through pious works. Which were built thanks to the phenomenon of patronage. This phenomenon and its scope can be understood from the following quote:The "patrones" understood this as an act to pay for their salvation, in addition to serving to satisfy their pride by perpetuating their name and.

Basílica colegiata de Nuestra Señora de Guanajuato. distinguishing themselves socially. This basilica was not an exception to this phenomenon, since it was sponsored by the owners of the great mines of that time, for example the owner of the Valenciana Mine, Antonio de Obregón y Alcocer.