Question: What product does this object produce?

Instruction: Retrieve a Wikipedia paragraph that provides an answer to the given query about the image.

Laser printing. Laser printing is an electrostatic digital printing process. It produces high-quality text and graphics (and moderate-quality photographs) by repeatedly passing a laser beam back and forth over a negatively-charged cylinder called a "drum" to define a differentially-charged image. The drum then selectively collects electrically-charged powdered ink (toner), and transfers the image to paper, which is then heated to permanently fuse the text, imagery, or both, to the paper. As with digital photocopiers, laser printers employ a xerographic printing process. Laser printing differs from traditional xerography as implemented in analog photocopiers in that in the latter, the image is formed by.

Laser printing. reflecting light off an existing document onto the exposed drum.Invented at Xerox PARC in the 1970s, laser printers were introduced for the office and then home markets in subsequent years by IBM, Canon, Xerox, Apple, Hewlett-Packard and many others. Over the decades, quality and speed have increased as prices have decreased, and the once cutting-edge printing devices are now ubiquitous.## History.In the 1960s, the Xerox Corporation held a dominant position in the photocopier market. In 1969, Gary Starkweather, who worked in Xerox's product development department, had the idea of using a laser beam to "draw" an image of what was.

Laser printing. to be copied directly onto the copier drum. After transferring to the recently formed Palo Alto Research Center (Xerox PARC) in 1971, Starkweather adapted a Xerox 7000 copier to make SLOT (Scanned Laser Output Terminal). In 1972, Starkweather worked with Butler Lampson and Ronald Rider to add a control system and character generator, resulting in a printer called EARS (Ethernet, Alto Research character generator, Scanned laser output terminal)—which later became the Xerox 9700 laser printer. 1976: The first commercial implementation of a laser printer, the IBM 3800, was released. It was designed for data centers, where it replaced line printers.

Laser printing. Japanese camera and optics company Canon developed the Canon LBP-10, a low-cost desktop laser printer. Canon then began work on a much-improved print engine, the Canon CX, resulting in the LBP-CX printer. Having no experience in selling to computer users, Canon sought partnerships with three Silicon Valley companies: Diablo Data Systems (who rejected the offer), Hewlett-Packard (HP), and Apple Computer. 1981: The first small personal computer designed for office use, the Xerox Star 8010, reached market. The system used a desktop metaphor that was unsurpassed in commercial sales, until the Apple Macintosh. Although it was innovative, the Star workstation was.

Laser printing. a prohibitively-expensive () system, affordable only to a fraction of the businesses and institutions at which it was targeted. 1984: The first laser printer intended for mass-market sales, the HP LaserJet, was released; it used the Canon CX engine, controlled by HP software. The LaserJet was quickly followed by printers from Brother Industries, IBM, and others. First-generation machines had large photosensitive drums, of circumference greater than the loaded paper's length. Once faster-recovery coatings were developed, the drums could touch the paper multiple times in a pass, and therefore be smaller in diameter. 1985: Apple introduced the LaserWriter (also based on.

Laser printing. page is known as a raster line or scan line.Laser printing differs from other printing technologies in that each page is always rendered in a single continuous process without any pausing in the middle, while other technologies like inkjet can pause every few lines. To avoid a buffer underrun (where the laser reaches a point on the page before it has the dots to draw there), a laser printer typically needs enough raster memory to hold the bitmap image of an entire page.Memory requirements increase with the square of the dots per inch, so 600 dpi requires a minimum of.

Laser printing. or 8,388,608 bits, which is just large enough to hold the entire page at 300 dpi, leaving about 100 kilobytes to spare for use by the raster image processor.In a color printer, each of the four CMYK toner layers is stored as a separate bitmap, and all four layers are typically preprocessed before printing begins, so a minimum of 4 megabytes is needed for a full-color letter-size or A4-size page at 300 dpi.During the 1980s, memory chips were still very expensive, which is why entry-level laser printers in that era always came with four-digit suggested retail prices in US dollars.

Laser printing. Memory prices later decreased significantly, while rapid improvements in the performance of personal computers and peripheral cables enabled the development of low-end laser printers which offload rasterization to the sending PC. For such printers, the operating system's print spooler renders the raw bitmap of each page into the PC's system memory at the target resolution, then sends that bitmap directly to the laser (at the expense of slowing down all other programs on the sending PC). The appearance of so-called "dumb" or "host-based" laser printers from NEC made it possible for the retail cost of low-end 600-dpi laser printers to.

Laser printing. decrease to as low as US$700 by early 1994 and US$600 by early 1995.1200 dpi printers have been widely available in the home market since 2008. 2400 dpi electrophotographic printing plate makers, essentially laser printers that print on plastic sheets, are also available.## Charging.In older printers, a corona wire positioned parallel to the drum or, in more recent printers, a primary charge roller, projects an electrostatic charge onto the photoreceptor (otherwise named the photoconductor unit), a revolving photosensitive drum or belt, which is capable of holding an electrostatic charge on its surface while it is in the dark.An AC bias.

Laser printing. silicon nitride.## Exposing.A laser printer uses a laser because lasers are able to form highly-focused, precise, and intense beams of light, especially over the short distances inside of a printer. The laser is aimed at a rotating polygonal mirror which directs the light beam through a system of lenses and mirrors onto the photoreceptor drum, writing pixels at rates up to sixty-five million times per second. The drum continues to rotate during the sweep, and the angle of sweep is canted very slightly to compensate for this motion. The stream of rasterized data held in the printer's memory rapidly turns.

Laser printing. the laser on and off as it sweeps.The laser beam neutralizes (or reverses) the charge on the surface of the drum, leaving a static electric negative image on the drum's surface which will repel the negatively-charged toner particles. The areas on the drum which were struck by the laser, however, momentarily have no charge, and the toner being pressed against the drum by the toner-coated developer roll in the next step moves from the roll's rubber surface to the charged portions of the surface of the drum.Some non-laser printers (LED printers) use an array of light-emitting diodes spanning the width.

Laser printing. uniformly heats the roller from the inside. For proper bonding of the toner, the fuser roller must be uniformly hot.Some printers use a very thin flexible metal foil roller, so there is less thermal mass to be heated and the fuser can more quickly reach operating temperature. If paper moves through the fuser more slowly, there is more roller contact time for the toner to melt, and the fuser can operate at a lower temperature. Smaller, inexpensive laser printers typically print slowly, due to this energy-saving design, compared to large high-speed printers where paper moves more rapidly through a high-temperature.

Laser printing. (on some very fast, expensive printers) a xenon flash lamp. The warmup process that a laser printer goes through when power is initially applied to the printer consists mainly of heating the fuser element.## Malfunctions.The mechanism inside a laser printer is somewhat delicate and, once damaged, often impossible to repair. The drum, in particular, is a critical component: it must not be left exposed to ambient light for more than a few hours, as light is what causes it to lose its charge and will eventually wear it out. Anything that interferes with the operation of the laser such as.

Laser printing. formulations may not match the original specifications in terms of either tendency to accept a negative charge, to move to the discharged areas of the photoreceptor drum from the developer roll, to fuse appropriately to the paper, or to come off the drum cleanly in each revolution.## Performance.As with most electronic devices, the cost of laser printers has decreased significantly over the years. In 1984, the HP LaserJet sold for $3500, had trouble with even small, low-resolution graphics, and weighed 32 (kg). By the late 1990s, monochrome laser printers had become inexpensive enough for home-office use, having displaced other printing.

Laser printing. technologies, although color inkjet printers (see below) still had advantages in photo quality reproduction. , low-end monochrome laser printers can sell for less than $75, and while these printers tend to lack onboard processing and rely on the host computer to generate a raster image, they nonetheless outperform the 1984 LaserJet in nearly all situations.Laser printer speed can vary widely, and depends on many factors, including the graphic intensity of the job being processed. The fastest models can print over 200 monochrome pages per minute (12,000 pages per hour). The fastest color laser printers can print over 100 pages per.

Laser printing. minute (6000 pages per hour). Very high-speed laser printers are used for mass mailings of personalized documents, such as credit card or utility bills, and are competing with lithography in some commercial applications.The cost of this technology depends on a combination of factors, including the cost of paper, toner, drum replacement, as well as the replacement of other items such as the fuser assembly and transfer assembly. Often printers with soft plastic drums can have a very high cost of ownership that does not become apparent until the drum requires replacement.Duplex printing (printing on both sides of the paper) can.

Laser printing. halve paper costs and reduce filing volumes, albeit at a slower page-printing speed because of the longer paper path. Formerly only available on high-end printers, duplexers are now common on mid-range office printers, though not all printers can accommodate a duplexing unit.In a commercial environment such as an office, it is becoming increasingly common for businesses to use external software that increases the performance and efficiency of laser printers in the workplace. The software can be used to set rules dictating how employees interact with printers, such as setting limits on how many pages can be printed per day, limiting.

Laser printing. usage of color ink, and flagging jobs that appear to be wasteful.## Color laser printers.Color laser printers use colored toner (dry ink), typically cyan, magenta, yellow, and black (CMYK). While monochrome printers only use one laser scanner assembly, color printers often have two or more, often one for each of the four colors.Color printing adds complexity to the printing process because very slight misalignments known as registration errors can occur between printing each color, causing unintended color fringing, blurring, or light/dark streaking along the edges of colored regions. To permit a high registration accuracy, some color laser printers use a.

Laser printing. Color laser transfer printers.Color laser transfer printers are designed to produce transfer media which are transfer sheets designed to be applied by means of a heat press. These transfers are typically used to make custom T-shirts or custom logo products with corporate or team logos on them.2-part Color laser transfers are part of a two-step process whereby the color laser printers use colored toner (dry ink), typically cyan, magenta, yellow, and black (CMYK); however, newer printers designed to print on dark T-shirts utilize a special white toner allowing them to make transfers for dark garments or dark business products.The CMYK.

Laser printing. color printing process allows for millions of colors to be faithfully represented by the unique imaging process.## Business-model comparison with inkjet printers.Manufacturers use a similar business model for both low-cost color laser printers and inkjet printers: the printers are sold cheaply while replacement toners and inks are relatively expensive. A color laser printer's average running cost per page is usually slightly less, even though both the laser printer and laser toner cartridge have higher upfront prices, as laser toner cartridges print many more sheets relative to their cost than inkjet cartridges. Inkjet printers are better at printing photographs and color.

Laser printing. records, and keeping in mind that there are color laser printers, they're more costly.The print quality of color lasers is limited by their resolution (typically 600–1200 dpi) and their use of just four color toners. They often have trouble printing large areas of the same or subtle gradations of color. Inkjet printers designed for printing photos can produce much higher quality color images. An in-depth comparison of inkjet and laser printers suggest that laser printers are the ideal choice for a high quality, volume printer, while inkjet printers tend to focus on large-format printers and household units. Laser printers offer.

Laser printing. more precise edging and in-depth monochromatic color. In addition, color laser printers are much faster than inkjet printers, although being generally larger and bulkier.## Anti-counterfeiting marks.Many modern color laser printers mark printouts by a nearly invisible dot raster, for the purpose of traceability. The dots are yellow and about 0.1 (mm) in size, with a raster of about 1 (mm). This is purportedly the result of a deal between the US government and printer manufacturers to help track counterfeiters. The dots encode data such as printing date, time, and printer serial number in binary-coded decimal on every sheet of paper.

Laser printing. printer users, this technique also increases waste, and thus increases pressure on the environment. For these toner cartridges (as with inkjet cartridges), reset devices can be used to override the limitation set by the smart chip. Also, for some printers, online walk-throughs have been posted to demonstrate how to use up all the ink in the cartridge. These chips offer no benefit to the end-user—some laser printers used an optical mechanism to assess the amount of remaining toner in the cartridge rather than using a chip to electrically count the number of printed pages, and the chip's only function was.

Laser printing. toner spills into the laser printer, a special type of vacuum cleaner with an electrically conductive hose and a high-efficiency (HEPA) filter may be needed for effective cleaning. These specialized tools are called "ESD-safe" (Electrostatic Discharge-safe) or "toner vacuums".## Ozone hazards.As a normal part of the printing process, the high voltages inside the printer can produce a corona discharge that generates a small amount of ionized oxygen and nitrogen, which react to form ozone and nitrogen oxides. In larger commercial printers and copiers, an activated carbon filter in the air exhaust stream breaks down these noxious gases to prevent pollution.

Laser printing. of the office environment.However, some ozone escapes the filtering process in commercial printers, and ozone filters are not used at all in most smaller home printers. When a laser printer or copier is operated for a long period of time in a small, poorly-ventilated space, these gases can build up to levels at which the odor of ozone or irritation may be noticed. A potential health hazard is theoretically possible in extreme cases.## Respiratory health risks.According to a 2012 study conducted in Queensland, Australia, some printers emit sub-micrometer particles which some suspect may be associated with respiratory diseases. Of 63.

Laser printing. printer emissions with adverse health outcomes were located" and that several assessments conclude that "risk of direct toxicity and health effects from exposure to laser printer emissions is negligible". The review also observes that, because the emissions have been shown to be volatile or semi-volatile organic compounds, "it would be logical to expect possible health effects to be more related to the chemical nature of the aerosol rather than the physical character of the ‘particulate’ since such emissions are unlikely to be or remain as ‘particulates’ after they come into contact with respiratory tissue".The German Social Accident Insurance has commissioned.

Laser printing. a human study project to examine the effects on health resulting from exposure to toner dusts and from photocopying and printing cycles. Volunteers (23 control persons, 15 exposed persons and 14 asthmatics) were exposed to laser printer emissions under defined conditions in an exposure chamber. The findings from the study based on a broad spectrum of processes and subjects fail to confirm that exposure to high laser printer emissions initiates a verifiable pathological process resulting in the reported illnesses.A much-discussed proposal for reducing emissions from laser printers is to retrofit them with filters. These are fixed with adhesive tape to.

Laser printing. the printer's fan vents to reduce particle emissions. However, all printers have a paper output tray, which is an outlet for particle emissions. Paper output trays cannot be provided with filters, so it is impossible to reduce their contribution to overall emissions with retrofit filters.## Air-transport ban.After the 2010 cargo plane bomb plot, in which shipments of laser printers with explosive-filled toner cartridges were discovered on separate cargo airplanes, the US Transportation Security Administration prohibited pass-through passengers from carrying toner or ink cartridges weighing over 1 (lb) on inbound flights, in both carry-on and checked luggage. "PC Magazine" noted that.


Question: What is the highest observed lifespan of this plant?

Instruction: Retrieve a Wikipedia paragraph that provides an answer to the given query about the image.

Acer macrophyllum. gold and yellow, contrasting against backdrops of evergreen conifers.In spring, the tree produces flowers in pendulous racemes 10 - 15 (cm) long, greenish-yellow with inconspicuous petals. It is hermaphroditic, bearing both male and female flowers in each raceme. The flowers appear in early spring, before the leaves.The fruit is a paired winged samara, each seed 1 - 1.5 (cm) in diameter with a 4 - 5 (cm) wing. Bigleaf maple begins bearing seed at about ten years of age.In May 2018 the oldest two Oregon maples in Europe, 175 years old, were removed from Trinity College Dublin (TCD), Ireland. The.


Question: In which country has drainage or the border the body of water of the lake in the image?

Instruction: Retrieve a Wikipedia paragraph that provides an answer to the given query about the image.

Pfäffikersee. Pfäffikersee (or "Lake Pfäffikon") is a lake in the canton of Zürich, Switzerland, near the town of Pfäffikon. It is 2.5 km long and 1.3 km wide at the middle. The lake was created in the last ice age when a moraine blocked off the ability for the lake to empty north towards Winterthur. There is also a hiking trail around the lake that people often bike and walk on, and the area is considered protected lands, among them the "Robenhauser Ried" and the prehistoric settlement Wetzikon–Robenhausen, discovered and researched by Jakob Messikommer (1828–1917), which became a serial site of.

Pfäffikersee. the UNESCO World Heritage Site "Prehistoric pile dwellings around the Alps". In Roman era, along "Pfäffikersee" there was a Roman road from the "vicus Centum Prata" (Kempraten) on Obersee–Lake Zürich via "Vitudurum" (Oberwinterthur) to "Tasgetium" (Eschenz) to the Rhine. To secure this important transport route, the Irgenhausen Castrum was built.List of lakes of SwitzerlandWaterlevels of Pfäffikersee at Pfäffikon.


Question: What product does this object produce?

Instruction: Determine the Wikipedia snippet that matches the question of this image.

Pottery. Pottery is the process and the products of forming vessels and other objects with clay and other ceramic materials, which are fired at high temperatures to give them a hard and durable form. Major types include earthenware, stoneware and porcelain. The place where such wares are made by a "potter" is also called a "pottery" (plural "potteries"). The definition of "pottery", used by the ASTM International, is "all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products." In art history and archaeology, especially of ancient and prehistoric periods, "pottery" often means vessels only, and sculpted.

Pottery. figurines of the same material are called "terracottas". Pottery is one of the oldest human inventions, originating before the Neolithic period, with ceramic objects like the Gravettian culture Venus of Dolní Věstonice figurine discovered in the Czech Republic dating back to 29,000–25,000 BC, and pottery vessels that were discovered in Jiangxi, China, which date back to 18,000 BC. Early Neolithic and pre-Neolithic pottery artifacts have been found, in Jōmon Japan (10,500 BC), the Russian Far East (14,000 BC), Sub-Saharan Africa (9,400 BC), South America (9,000s–7,000s BC), and the Middle East (7,000s–6,000s BC).Pottery is made by forming a ceramic (often clay).

Pottery. body into objects of a desired shape and heating them to high temperatures (600–1600 °C) in a bonfire, pit or kiln and induces reactions that lead to permanent changes including increasing the strength and rigidity of the object. Much pottery is purely utilitarian, but some can also be regarded as ceramic art. A clay body can be decorated before or after firing.Clay-based pottery can be divided into three main groups: earthenware, stoneware and porcelain. These require increasingly more specific clay material, and increasingly higher firing temperatures. All three are made in glazed and unglazed varieties, for different purposes. All may.

Pottery. also be decorated by various techniques. In many examples the group a piece belongs to is immediately visually apparent, but this is not always the case. The fritware of the Islamic world does not use clay, so technically falls outside these groups. Historic pottery of all these types is often grouped as either "fine" wares, relatively expensive and well-made, and following the aesthetic taste of the culture concerned, or alternatively "coarse", "popular", "folk" or "village" wares, mostly undecorated, or simply so, and often less well-made.Cooking in clay pots became less popular once metal pots became available, but is still used.

Pottery. for dishes that depend on the qualities of pottery cooking, such as biryani, cassoulet, daube, tagine, jollof rice, kedjenou, cazuela, and baked beans.## Main types.## Earthenware.The earliest forms of pottery were made from clays that were fired at low temperatures, initially in pit-fires or in open bonfires. They were hand formed and undecorated. Earthenware can be fired as low as 600 °C, and is normally fired below 1200 °C. Because unglazed biscuit earthenware is porous, it has limited utility for the storage of liquids or as tableware. However, earthenware has had a continuous history from the Neolithic period to today.

Pottery. It can be made from a wide variety of clays, some of which fire to a buff, brown or black colour, with iron in the constituent minerals resulting in a reddish-brown. Reddish coloured varieties are called terracotta, especially when unglazed or used for sculpture. The development of ceramic glaze made impermeable pottery possible, improving the popularity and practicality of pottery vessels. The addition of decoration has evolved throughout its history.## Stoneware.Stoneware is pottery that has been fired in a kiln at a relatively high temperature, from about 1,100 °C to 1,200 °C, and is stronger and non-porous to liquids. The.

Pottery. as art.## Porcelain.Porcelain is made by heating materials, generally including kaolin, in a kiln to temperatures between 1200 and 1400 (°C). This is higher than used for the other types, and achieving these temperatures was a long struggle, as well as realizing what materials were needed. The toughness, strength and translucence of porcelain, relative to other types of pottery, arises mainly from vitrification and the formation of the mineral mullite within the body at these high temperatures.Although porcelain was first made in China, the Chinese traditionally do not recognise it as a distinct category, grouping it with stoneware as "high-fired.

Pottery. ware, opposed to "low-fired" earthenware. This confuses the issue of when it was first made. A degree of translucency and whiteness was achieved by the Tang dynasty (AD 618–906), and considerable quantities were being exported. The modern level of whiteness was not reached until much later, in the 14th century. Porcelain was also made in Korea and in Japan from the end of the 16th century, after suitable kaolin was located in those countries. It was not made effectively outside East Asia until the 18th century.## Archaeology.The study of pottery can help to provide an insight into past cultures. Fabric.

Pottery. analysis (see section below), used to analyse the "fabric of pottery", is important part of archaeology for understanding the archaeological culture of the excavated site by studying the fabric of artifacts, such as their usage, source material composition, decorative pattern, color of patterns, etc. This helps to understand characteristics, sophistication, habits, technology, tools, trade, etc. of the people who made and used the pottery. Carbon dating reveals the age. Sites with similar pottery characteristics have the same culture, those sites which have distinct cultural characteristics but with some overlap are indicative of cultural exchange such as trade or living in.

Pottery. vicinity or continuity of habitation, etc. Examples are black and red ware, redware, Sothi-Siswal culture and Painted Grey Ware culture. The six fabrics of Kalibangan is a good example of use of fabric analysis in identifying a differentiated culture which was earlier thought to be typical Indus Valley civilisation (IVC) culture.Pottery is durable, and fragments, at least, often survive long after artifacts made from less-durable materials have decayed past recognition. Combined with other evidence, the study of pottery artefacts is helpful in the development of theories on the organisation, economic condition and the cultural development of the societies that produced.

Pottery. or acquired pottery. The study of pottery may also allow inferences to be drawn about a culture's daily life, religion, social relationships, attitudes towards neighbours, attitudes to their own world and even the way the culture understood the universe.Chronologies based on pottery are often essential for dating non-literate cultures and are often of help in the dating of historic cultures as well. Trace-element analysis, mostly by neutron activation, allows the sources of clay to be accurately identified and the thermoluminescence test can be used to provide an estimate of the date of last firing. Examining fired pottery shards from prehistory,.

Pottery. of minerals in a rock. For Archaeologists, the "fabric analysis" of pottery entails the study of "clay matrix" and "inclusions" in the clay body as well as the "firing temperature and conditions". Analysis is done to examine the following 3 in detail: how pottery was made e.g. material, design such as shape and style, etc. its decorations, such as patterns, colors of patterns, slipped (glazing) or unslipped decoration evidence of type of use.The Six fabrics of Kalibangan is a good example of fabric analysis.## Clay bodies and mineral contents.Body (or clay body) is a term for the main pottery form.

Pottery. of these different clays is composed of different types and amounts of minerals that determine the characteristics of resulting pottery. There can be regional variations in the properties of raw materials used for the production of pottery, and these can lead to wares that are unique in character to a locality. It is common for clays and other materials to be mixed to produce clay bodies suited to specific purposes. A common component of clay bodies is the mineral kaolinite. Other minerals in the clay, such as feldspar, act as fluxes which lower the vitrification temperature of bodies. Following is.

Pottery. a list of different types of clay used for pottery. Kaolin, is sometimes referred to as china clay because it was first used in China. Used for porcelain. Ball clay: An extremely plastic, fine grained sedimentary clay, which may contain some organic matter. Small amounts can be added to porcelain bodies to increase plasticity. Fire clay: A clay having a slightly lower percentage of fluxes than kaolin, but usually quite plastic. It is highly heat resistant form of clay which can be combined with other clays to increase the firing temperature and may be used as an ingredient to make.

Pottery. stoneware type bodies. Stoneware clay: Suitable for creating stoneware. Has many of the characteristics between fire clay and ball clay, having finer grain, like ball clay but is more heat resistant like fire clays. Common red clay and shale clay have vegetable and ferric oxide impurities which make them useful for bricks, but are generally unsatisfactory for pottery except under special conditions of a particular deposit. Bentonite: An extremely plastic clay which can be added in small quantities to short clay to increase the plasticity.## Production of pottery.Production of pottery includes the following three stages: making clay body, i.e. paste.

Pottery. or putty. shaping and moulding firing or baking decorating, such as glazing (slipping), painting, etc.## Shaping methods.Pottery can be shaped by a range of methods that include:## Firing.Firing produces irreversible changes in the body. It is only after firing that the article or material is pottery. In lower-fired pottery, the changes include sintering, the fusing together of coarser particles in the body at their points of contact with each other. In the case of porcelain, where different materials and higher firing-temperatures are used, the physical, chemical and mineralogical properties of the constituents in the body are greatly altered. In all.

Pottery. cases, the reason for firing is to permanently harden the wares and the firing regime must be appropriate to the materials used to make them. As a rough guide, modern earthenwares are normally fired at temperatures in the range of about 1,000°C (1,830 °F) to 1,200 (C); stonewares at between about 1100 (C) to 1300 (C); and porcelains at between about 1200 (C) to 1400 (C). Historically, reaching high temperatures was a long-lasting challenge, and earthenware can be fired effectively as low as 600°C, achievable in primitive pit firing.## Firing methods.Firing pottery can be done using a variety of methods,.

Pottery. than a brick or stone kiln. Unfired pots are first brought to the place where a mound will be built, customarily by the women and girls of the village. The mound's foundation is made by placing sticks on the ground, then:## Firing stages.Before being shaped, clay must be prepared. Kneading helps to ensure an even moisture content throughout the body. Air trapped within the clay body needs to be removed. This is called de-airing and can be accomplished either by a machine called a vacuum pug or manually by wedging. Wedging can also help produce an even moisture content. Once.

Pottery. changes that will change the material. "Glaze fired" is the final stage of some pottery making, or "glost fired". A glaze may be applied to the bisque form and the object can be decorated in several ways. After this the object is "glazed fired", which causes the glaze material to melt, then adhere to the object. Depending on the temperature schedule the glaze firing may also further mature the body as chemical and physical changes continue.## Decorating.Pottery may be decorated in many different ways. Some decoration can be done before or after the firing. Painting has been used since early.

Pottery. prehistoric times (China painting), and can be very elaborate. The painting is often applied to pottery that has been fired once, and may then be overlaid with a glaze afterwards. Many pigments change colour when fired, and the painter must allow for this. Glaze: Perhaps the most common form of decoration, that also serves as protection to the pottery, by being tougher and keeping liquid from penetrating the pottery. Glaze may be clear, especially over painting, or coloured and opaque. There is more detail in the section below. Carving: Pottery vessels may be decorated by shallow carving of the clay.

Pottery. body, typically with a knife or similar instrument used on the wheel. This is common in Chinese porcelain of the classic periods. Burnishing: The surface of pottery wares may be "burnished" prior to firing by rubbing with a suitable instrument of wood, steel or stone to produce a polished finish that survives firing. It is possible to produce very highly polished wares when fine clays are used or when the polishing is carried out on wares that have been partially dried and contain little water, though wares in this condition are extremely fragile and the risk of breakage is high.

Pottery. hand or by machine of a band of colour to the edge of a plate or cup. Also known as "lining", this operation is often carried out on a potter's wheel. Agateware is named after its resemblance to the quartz mineral agate which has bands or layers of colour that are blended together, agatewares are made by blending clays of differing colours together but not mixing them to the extent that they lose their individual identities. The wares have a distinctive veined or mottled appearance. The term "agateware" is used to describe such wares in the United Kingdom; in Japan.

Pottery. the term ""neriage" is used and in China, where such things have been made since at least the Tang Dynasty, they are called "marbled" wares. Great care is required in the selection of clays to be used for making agatewares as the clays used must have matching thermal movement characteristics. : This is a clay slip, that is used to coat the surface of pottery, usually before firing. Its purpose is often decorative though it can also be used to mask undesirable features in the clay to which it is applied. Engobe slip may be applied by painting or by.

Pottery. dipping to provide a uniform, smooth, coating. Engobe has been used by potters from pre-historic times until the present day and is sometimes combined with sgraffito decoration, where a layer of engobe is scratched through to reveal the colour of the underlying clay. With care it is possible to apply a second coat of engobe of a different colour to the first and to incise decoration through the second coat to expose the colour of the underlying coat. Engobes used in this way often contain substantial amounts of silica, sometimes approaching the composition of a glaze. Gold: Decoration with gold.

Pottery. used for the decoration only of ware of the highest class. "Bright Gold" – consists of a solution of gold sulphoresinate together with other metal resonates and a flux. The name derives from the appearance of the decoration immediately after removal from the kiln as it requires no burnishing "Mussel Gold" – an old method of gold decoration. It was made by rubbing together gold leaf, sugar and salt, followed by washing to remove solubles## Glazing.Glaze is a glassy coating on pottery, the primary purposes of which are decoration and protection. One important use of glaze is to render porous.

Pottery. pottery vessels impermeable to water and other liquids. Glaze may be applied by dusting the unfired composition over the ware or by spraying, dipping, trailing or brushing on a thin slurry composed of the unfired glaze and water. The colour of a glaze after it has been fired may be significantly different from before firing. To prevent glazed wares sticking to kiln furniture during firing, either a small part of the object being fired (for example, the foot) is left unglazed or, alternatively, special refractory "spurs"" are used as supports. These are removed and discarded after the firing.Some specialised glazing.

Pottery. techniques include: Salt-glazing, where common salt is introduced to the kiln during the firing process. The high temperatures cause the salt to volatize, depositing it on the surface of the ware to react with the body to form a sodium aluminosilicate glaze. In the 17th and 18th centuries, salt-glazing was used in the manufacture of domestic pottery. Now, except for use by some studio potters, the process is obsolete. The last large-scale application before its demise in the face of environmental clean air restrictions was in the production of salt-glazed sewer-pipes. Ash glazing – ash from the combustion of plant.

Pottery. matter has been used as the flux component of glazes. The source of the ash was generally the combustion waste from the fuelling of kilns although the potential of ash derived from arable crop wastes has been investigated. Ash glazes are of historical interest in the Far East although there are reports of small-scale use in other locations such as the Catawba Valley Pottery in the United States. They are now limited to small numbers of studio potters who value the unpredictability arising from the variable nature of the raw material. Underglaze decoration (in the manner of many blue and.

Pottery. white wares). Underglaze may be applied by brush strokes, air brush, or by pouring the underglaze into the mould, covering the inside, creating a swirling effect, then the mould is filled with slip. In-glaze decoration On-glaze decoration Enamel## History.A great part of the history of pottery is prehistoric, part of past pre-literate cultures. Therefore, much of this history can only be found among the artifacts of archaeology. Because pottery is so durable, pottery and shards of pottery survive from millennia at archaeological sites, and are typically the most common and important type of artifact to survive. Many prehistoric cultures are.

Pottery. named after the pottery that is the easiest way to identify their sites, and archaeologists develop the ability to recognise different types from the chemistry of small shards.Before pottery becomes part of a culture, several conditions must generally be met. First, there must be usable clay available. Archaeological sites where the earliest pottery was found were near deposits of readily available clay that could be properly shaped and fired. China has large deposits of a variety of clays, which gave them an advantage in early development of fine pottery. Many countries have large deposits of a variety of clays. Second,.

Pottery. it must be possible to heat the pottery to temperatures that will achieve the transformation from raw clay to ceramic. Methods to reliably create fires hot enough to fire pottery did not develop until late in the development of cultures. Third, the potter must have time available to prepare, shape and fire the clay into pottery. Even after control of fire was achieved, humans did not seem to develop pottery until a sedentary life was achieved. It has been hypothesized that pottery was developed only after humans established agriculture, which led to permanent settlements. However, the oldest known pottery is.

Pottery. from the Czech Republic and dates to 28,000 BC, at the height of the ice age, long before the beginnings of agriculture. Fourth, there must be a sufficient need for pottery in order to justify the resources required for its production. Methods of forming: Hand-shaping was the earliest method used to form vessels. This included the combination of pinching and coiling. Firing: The earliest method for firing pottery wares was the use of bonfires pit fired pottery. Firing times might be short but the peak-temperatures achieved in the fire could be high, perhaps in the region of 900 (°C), and.

Pottery. were reached very quickly. Clay: Early potters used whatever clay was available to them in their geographic vicinity. However, the lowest quality common red clay was adequate for low-temperature fires used for the earliest pots. Clays tempered with sand, grit, crushed shell or crushed pottery were often used to make bonfire-fired ceramics because they provided an open-body texture that allowed water and volatile components of the clay to escape freely. The coarser particles in the clay also acted to restrain shrinkage during drying, and hence reduce the risk of cracking. Form: In the main, early bonfire-fired wares were made with.

Pottery. rounded bottoms to avoid sharp angles that might be susceptible to cracking. Glazing: the earliest pots were not glazed. The potter's wheel was invented in Mesopotamia sometime between 6,000 and 4,000 BC (Ubaid period) and revolutionised pottery production. Moulds were used to a limited extent as early as the 5th and 6th century BC by the Etruscans and more extensively by the Romans. Slipcasting, a popular method for shaping irregular shaped articles. It was first practised, to a limited extent, in China as early as the Tang dynasty. Transition to kilns: The earliest intentionally constructed were pit-kilns or trench-kilns—holes dug.

Pottery. in the ground and covered with fuel. Holes in the ground provided insulation and resulted in better control over firing. Kilns: Pit fire methods were adequate for creating simple earthenware, but other pottery types needed more sophisticated kilns (see below kilns).## History by region.## Beginnings of pottery.Pottery may well have been discovered independently in various places, probably by accidentally creating it at the bottom of fires on a clay soil. All the earliest vessel forms were pit fired and made by coiling, which is a simple technology to learn. The earliest-known ceramic objects are Gravettian figurines such as those discovered.

Pottery. at Dolní Věstonice in the modern-day Czech Republic. The Venus of Dolní Věstonice is a Venus figurine, a statuette of a nude female figure dated to 29,000–25,000 BC (Gravettian industry). Sherds have been found in China and Japan from a period between 12,000 and perhaps as long as 18,000 years ago. As of 2012, the earliest pottery found anywhere in the world, dating to 20,000 to 19,000 years before the present, was found at Xianrendong Cave in the Jiangxi province of China.Other early pottery vessels include those excavated from the Yuchanyan Cave in southern China, dated from 16,000 BC, and.

Pottery. those found in the Amur River basin in the Russian Far East, dated from 14,000 BC.The Odai Yamamoto I site, belonging to the Jōmon period, currently has the oldest pottery in Japan. Excavations in 1998 uncovered earthenware fragments which have been dated as early as 14,500 BC.The term "Jōmon" means "cord-marked" in Japanese. This refers to the markings made on the vessels and figures using sticks with cords during their production. Recent research has elucidated how Jōmon pottery was used by its creators.It appears that pottery was independently developed in Sub-Saharan Africa during the 10th millennium BC, with findings dating.

Pottery. to at least 9,400 BC from central Mali, and in South America during the 9,000s–7,000s BC. The Malian finds date to the same period as similar finds from East Asia – the triangle between Siberia, China and Japan – and are associated in both regions to the same climatic changes (at the end of the ice age new grassland develops, enabling hunter-gatherers to expand their habitat), met independently by both cultures with similar developments: the creation of pottery for the storage of wild cereals (pearl millet), and that of small arrowheads for hunting small game typical of grassland. Alternatively, the.

Pottery. creation of pottery in the case of the Incipient Jōmon civilisation could be due to the intensive exploitation of freshwater and marine organisms by late glacial foragers, who started developing ceramic containers for their catch.## East Asia.In Japan, the Jōmon period has a long history of development of Jōmon pottery which was characterized by impressions of rope on the surface of the pottery created by pressing rope into the clay before firing. Glazed Stoneware was being created as early as the 15th century BC in China. A form of Chinese porcelain became a significant Chinese export from the Tang Dynasty.

Pottery. (AD 618–906) onwards. Korean potters adopted porcelain as early as the 14th century AD. Japanese porcelain was made in the early 16th century after Shonzui Goradoyu-go brought back the secret of its manufacture from the Chinese kilns at Jingdezhen.In contrast to Europe, the Chinese elite used pottery extensively at table, for religious purposes, and for decoration, and the standards of fine pottery were very high. From the Song dynasty (960–1279) for several centuries elite taste favoured plain-coloured and exquisitely formed pieces; during this period true porcelain was perfected in Ding ware, although it was the only one of the Five.

Pottery. had also conquered. At the same time Jingdezhen porcelain, produced in Imperial factories, took the undisputed leading role in production, which it has retained to the present day. The new elaborately painted style was now favoured at court, and gradually more colours were added.The secret of making such porcelain was sought in the Islamic world and later in Europe when examples were imported from the East. Many attempts were made to imitate it in Italy and France. However it was not produced outside of the Orient until 1709 in Germany.## South Asia.Cord-Impressed style pottery belongs to 'Mesolithic' ceramic tradition that.

Pottery. developed among Vindhya hunter-gatherers in Central India during the Mesolithic period. This ceramic style is also found in later Proto-Neolithic phase in nearby regions. This early type of pottery, also found at the site of Lahuradewa, is currently the oldest known pottery tradition in South Asia, dating back to 7,000–6,000 BC. Wheel-made pottery began to be made during the Mehrgarh Period II (5,500–4,800 BC) and Merhgarh Period III (4,800–3,500 BC), known as the ceramic Neolithic and chalcolithic. Pottery, including items known as the ed-Dur vessels, originated in regions of the Saraswati River / Indus River and have been found in.

Pottery. a number of sites in the Indus Civilization.Despite an extensive prehistoric record of pottery, including painted wares, little "fine" or luxury pottery was made in the subcontinent in historic times. Hinduism discourages eating off pottery, which probably largely accounts for this. Most traditional Indian pottery vessels are large pots or jars for storage, or small cups or lamps, often treated as disposable. In contrast there are long traditions of sculpted figures, often rather large, in terracotta.## Southeast Asia.Pottery in Southeast Asia is as diverse as its ethnic groups. Each ethnic group has their own set of standards when it comes.

Pottery. to pottery arts. Potteries are made due to various reasons, such as trade, food and beverage storage, kitchen usage, religious ceremonies, and burial purposes.## West Asia.Around 8000 BC during the Pre-pottery Neolithic period, and before the invention of pottery, several early settlements became experts in crafting beautiful and highly sophisticated containers from stone, using materials such as alabaster or granite, and employing sand to shape and polish. Artisans used the veins in the material to maximum visual effect. Such objects have been found in abundance on the upper Euphrates river, in what is today eastern Syria, especially at the site.

Pottery. of Bouqras.The earliest history of pottery production in the Fertile Crescent starts the Pottery Neolithic and can be divided into four periods, namely: the Hassuna period (7000–6500 BC), the Halaf period (6500–5500 BC), the Ubaid period (5500–4000 BC), and the Uruk period (4000–3100 BC). By about 5000 BC pottery-making was becoming widespread across the region, and spreading out from it to neighbouring areas.Pottery making began in the 7th millennium BC. The earliest forms, which were found at the Hassuna site, were hand formed from slabs, undecorated, unglazed low-fired pots made from reddish-brown clays. Within the next millennium, wares were decorated.

Pottery. with elaborate painted designs and natural forms, incising and burnished.The invention of the potter's wheel in Mesopotamia sometime between 6000 and 4000 BC (Ubaid period) revolutionized pottery production. Newer kiln designs could fire wares to 1050 (C) to 1200 (C) which enabled new possibilities and new preparation of clays. Production was now carried out by small groups of potters for small cities, rather than individuals making wares for a family. The shapes and range of uses for ceramics and pottery expanded beyond simple vessels to store and carry to specialized cooking utensils, pot stands and rat traps. As the region.

Pottery. developed, new organizations and political forms, pottery became more elaborate and varied. Some wares were made using moulds, allowing for increased production for the needs of the growing populations. Glazing was commonly used and pottery was more decorated.In the Chalcolithic period in Mesopotamia, Halafian pottery achieved a level of technical competence and sophistication, not seen until the later developments of Greek pottery with Corinthian and Attic ware.## Europe.Europe's oldest pottery, dating from circa 6700 BC, was found on the banks of the Samara River in the middle Volga region of Russia. These sites are known as the Yelshanka culture.The early.

Pottery. inhabitants of Europe developed pottery in the Linear Pottery culture slightly later than the Near East, circa 5500–4500 BC. In the ancient Western Mediterranean elaborately painted earthenware reached very high levels of artistic achievement in the Greek world; there are large numbers of survivals from tombs. Minoan pottery was characterized by complex painted decoration with natural themes. The classical Greek culture began to emerge around 1000 BC featuring a variety of well crafted pottery which now included the human form as a decorating motif. The pottery wheel was now in regular use. Although glazing was known to these potters, it.

Pottery. was not widely used. Instead, a more porous clay slip was used for decoration. A wide range of shapes for different uses developed early and remained essentially unchanged during Greek history.Fine Etruscan pottery was heavily influenced by Greek pottery and often imported Greek potters and painters. Ancient Roman pottery made much less use of painting, but used moulded decoration, allowing industrialized production on a huge scale. Much of the so-called red Samian ware of the Early Roman Empire was in fact produced in modern Germany and France, where entrepreneurs established large potteries. Excavations at Augusta Raurica, near Basel, Switzerland, have.

Pottery. revealed a pottery production site in use from the 1st to the 4th century AD. Pottery was hardly seen on the tables of elites from Hellenistic times until the Renaissance, and most medieval wares were coarse and utilitarian, as the elites ate off metal vessels. Painted Hispano-Moresque ware from Spain, developing the styles of Islamic Spain, became a luxury for late medieval elites, and was adapted in Italy into "maiolica" in the Italian Renaissance. Both of these were faience or tin-glazed earthenware, and fine faience continued to be made until around 1800 in various countries, especially France, with Nevers faience.

Pottery. and several other centres. In the 17th century, imports of Chinese export porcelain and its Japanese equivalent raised the market expectations of fine pottery, and European manufacturers eventually learned to make porcelain, often in the form of "artificial" or soft-paste porcelain, and from the 18th century European porcelain and other wares from a great number of producers became extremely popular, reducing Asian imports.## United Kingdom.The English city of Stoke-on-Trent is widely known as "The Potteries" because of the large number of pottery factories or, colloquially, "Pot Banks". It was one of the first industrial cities of the modern era where,.

Pottery. as early as 1785, two hundred pottery manufacturers employed 20,000 workers. Josiah Wedgwood (1730–1795) was the dominant leader.In North Staffordshire hundreds of companies produced all kinds of pottery, from tablewares and decorative pieces to industrial items. The main pottery types of earthenware, stoneware and porcelain were all made in large quantities, and the Staffordshire industry was a major innovator in developing new varieties of ceramic bodies such as bone china and jasperware, as well as pioneering transfer printing and other glazing and decorating techniques. In general Staffordshire was strongest in the middle and low price ranges, though the finest and.

Pottery. most expensive types of wares were also made.By the late 18th century North Staffordshire was the largest producer of ceramics in Britain, despite significant centres elsewhere. Large export markets took Staffordshire pottery around the world, especially in the 19th century. Production had begun to decline in the late 19th century, as other countries developed their industries, and declined steeply after World War II. Some production continues in the area, but at a fraction of the levels at the peak of the industry.## Islamic pottery.Early Islamic pottery followed the forms of the regions which the Muslims conquered. Eventually, however, there was.

Pottery. cross-fertilization between the regions. This was most notable in the Chinese influences on Islamic pottery. Trade between China and Islam took place via the system of trading posts over the lengthy Silk Road. Islamic nations imported stoneware and later porcelain from China. China imported the minerals for Cobalt blue from the Islamic ruled Persia to decorate their blue and white porcelain, which they then exported to the Islamic world.Likewise, Islamic art contributed to a lasting pottery form identified as Hispano-Moresque in Andalucia (Islamic Spain). Unique Islamic forms were also developed, including fritware, lusterware and specialized glazes like tin-glazing, which led.

Pottery. to the development of the popular maiolica.One major emphasis in ceramic development in the Muslim world was the use of tile and decorative tilework.## Americas.Most evidence points to an independent development of pottery in the Native American cultures, with the earliest known dates from Brazil, from 9,500 to 5,000 years ago and 7,000 to 6,000 years ago. Further north in Mesoamerica, dates begin with the Archaic Era (3500–2000 BC), and into the Formative period (2000 BC – AD 200). These cultures did not develop the stoneware, porcelain or glazes found in the Old World. Maya ceramics include finely painted vessels,.

Pottery. usually beakers, with elaborate scenes with several figures and texts. Several cultures, beginning with the Olmec, made terracotta sculpture, and sculptural pieces of humans or animals that are also vessels are produced in many places, with Moche portrait vessels among the finest.## Africa.Evidence indicates an independent invention of pottery in Sub-Saharan Africa. In 2007, Swiss archaeologists discovered pieces of some of the oldest pottery in Africa at Ounjougou in Central Mali, dating back to at least 9,400 BC. Excavations in the Bosumpra Cave on the Kwahu Plateau in southeastern Ghana, have revealed well-manufactured pottery decorated with channelling and impressed peigne.

Pottery. fileté rigide dating from the early tenth-millennium cal. BC. In later periods, a relationship of the introduction of pot-making in some parts of Sub-Saharan Africa with the spread of Bantu languages has been long recognized, although the details remain controversial and awaiting further research, and no consensus has been reached.Ancient Egyptian pottery begins after 5,000 BC, having spread from the Levant. There were many distinct phases of development in pottery, with very sophisticated wares being produced by the Naqada III period, c. 3,200 to 3,000 BC. During the early Mediterranean civilizations of the fertile crescent, Egypt developed a non-clay-based ceramic.

Pottery. which has come to be called Egyptian faience. A similar type of body is still made in Jaipur in India. During the Umayyad Caliphate of Islam, Egypt was a link between early centre of Islam in the Near East and Iberia which led to the impressive style of pottery.It is valuable to look into pottery as an archaeological record of potential interaction between peoples. When pottery is placed within the context of linguistic and migratory patterns, it becomes an even more prevalent category of social artifact. As proposed by Olivier P. Gosselain, it is possible to understand ranges of cross-cultural.

Pottery. interaction by looking closely at the "chaîne opératoire" of ceramic production.The methods used to produce pottery in early Sub-Saharan Africa are divisible into three categories: techniques visible to the eye (decoration, firing and post-firing techniques), techniques related to the materials (selection or processing of clay, etc.), and techniques of molding or fashioning the clay. These three categories can be used to consider the implications of the reoccurrence of a particular sort of pottery in different areas. Generally, the techniques that are easily visible (the first category of those mentioned above) are thus readily imitated, and may indicate a more distant.

Pottery. connection between groups, such as trade in the same market or even relatively close proximity in settlements. Techniques that require more studied replication (i.e., the selection of clay and the fashioning of clay) may indicate a closer connection between peoples, as these methods are usually only transmissible between potters and those otherwise directly involved in production. Such a relationship requires the ability of the involved parties to communicate effectively, implying pre-existing norms of contact or a shared language between the two. Thus, the patterns of technical diffusion in pot-making that are visible via archaeological findings also reveal patterns in societal.

Pottery. interaction.## Oceania.Polynesia, Melanesia and MicronesiaPottery has been found in archaeological sites across the islands of Oceania. It is attributed to an ancient archaeological culture called the Lapita. Another form of pottery called Plainware is found throughout sites of Oceania. The relationship between Lapita pottery and Plainware is not altogether clear.The Indigenous Australians never developed pottery. After Europeans came to Australia and settled, they found deposits of clay which were analysed by English potters as excellent for making pottery. Less than 20 years later, Europeans came to Australia and began creating pottery. Since then, ceramic manufacturing, mass-produced pottery and studio pottery.

Pottery. have flourished in Australia.## Production issues (health and environment).Although many of the environmental effects of pottery production have existed for millennia, some of these have been amplified with modern technology and scales of production. The principal factors for consideration fall into two categories: (a) effects on workers, and (b) effects on the general environment.The chief risks on worker health include heavy metal poisoning, poor indoor air quality, dangerous sound levels and possible over-illumination.Historically, "plumbism" (lead poisoning) was a significant health concern to those glazing pottery. This was recognised at least as early as the nineteenth century, and the first legislation.

Pottery. in the United Kingdom to limit pottery workers' exposure was introduced in 1899.Proper ventilation to guarantee adequate indoor air quality can reduce or eliminate workers' exposure to fine particulate matter, carbon monoxide, certain heavy metals, and crystalline silica (which can lead to silicosis). A more recent study at Laney College, Oakland, California suggests that all these factors can be controlled in a well-designed workshop environment.The primary environmental concerns include off-site water pollution, air pollution, disposal of hazardous materials, and fuel consumption. Glossary of pottery terms American art pottery Celadon Ceramics of indigenous peoples of the Americas Chinese ceramics including porcelain.

Pottery. Delftware Dipped ware Faience History of ceramic art Ironstone ware Jasperware Korean ceramics Kakiemon pottery Latvian pottery Latgalian pottery Maiolica of Renaissance Italy Majolica Palissy ware Persian pottery Sancai Sea pottery Slipware SylvaC Victorian majolica Cooper, Emmanuel, "10,000 Years of Pottery", 4th ed., 2010, University of Pennsylvania Press, Savage, George, "Pottery Through the Ages", Penguin, 1959, ASTM Standard C 242-01 "Standard Terminology of Ceramic Whitewares and Related Products" Ashmore, Wendy & Sharer, Robert J., (2000). "Discovering Our Past: A Brief Introduction to Archaeology Third Edition". Mountain View, CA: Mayfield Publishing Company. Barnett, William & Hoopes, John (Eds.) (1995). "The Emergence.


Question: What is the closest upper taxonomy of this plant?

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Cecropia. is controversial; in the past, it has been placed in the Cecropiaceae, Moraceae (the mulberry family), or Urticaceae (the nettle family). The modern Angiosperm Phylogeny Group system places the "cecropiacean" group in the Urticaceae.The genus is native to the American tropics, where it is one of the most recognizable components of the rainforest. The genus is named after Cecrops I, the mythical first king of Athens. Common local names include yarumo or yagrumo, or more specifically "yagrumo hembra" ("female "yagrumo"") to distinguish them from the similar-looking but unrelated "Schefflera" (which are called "yagrumo macho", "male "yagrumo""). In English, these trees.

Cecropia. Magnoliopsida – dicotyledonsSubclass: HamamelididaeOrder: UrticalesFamily: Cecropiaceae – "Cecropia" familyGenus: "Cecropia" Loefl. - pumpwood## Classification 2.This version of the classification system is considered the newer version and more widely accepted.Kingdom: Plantae – plantsSubkingdom: Tracheobionta – vascular plantsSuperdivision: Spermatophyta – seed plantsDivision: AngiospermaeClass: EudicotyledoneaeUnranked clade: RosidaeOrder: RosalesFamily: UrticaceaeGenus: "Cecropia" Loefl. –pumpwood## Taxonomic history."Cecropia" was first recognized and accounted for by Marcgrave (1648) and Piso (1658), the latter including an illustration with characteristic features. Loefling (1758) coined the generic name "Cecropia". In 1759, Linnaeus described "Cecropia peltata" which he applied to many species. Willdenow (1806) created "C. palmate", which was also applied to.

Cecropia. in the Urticales and Moraceae (Concephaleideae) because of its woody bark. Later based on the floral characters, most notably the basal ovule and gynoecium, which appears to be formed from a single carpel, Thorne (1976) moved it to the Malvanae- Urticales, family Urticaceae. Berg (1978), however, placed it in its own family Cercropiaceae. When phylogenetic data became available, "Cecropia" was then moved back into the Urticaceae.## Description.The genus is easily identified by its large, circular, palmately lobed leaves, about 30–40 cm in diameter and deeply divided into 7–11 lobes. The trees consist of very few branches, usually with candelabrum-like branching.

Cecropia. Borntraeger, Berlin Frisch, J.D. & Frisch, C.D. - "Aves Brasileiras", 3rd. edition, S.Paulo, 2005, Lok, A. F., Chong, K.Y, Nghiem, T. P, and H. T. Tan. “The Distribution and Ecology of Cecropia Species (Urticaceae) in Singapore” Department of Biological Sciences, National University of Singapore. Nature in Singapore 2010 pages 199-200. Print. Longino, John T. "The Cecropia-Azteca association in Costa Rica." Olympia, WA: The Evergreen State College, 2005. Print. Longino, John T. "Cecropia of Costa Rica." Academic Program Pages at Evergreen. N.p., n.d. Web. 4 Nov. 2011. <http://academic.evergreen.edu/projects/ants/antplants/CECROPIA/Cecropia.html>. Judd, et al. Plant systematics. 2. ed. Sunderland: Sinauer Associates, 2002. Print. (2007):.


Question: What is the closest parent taxonomy of this plant?

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Viburnum opulus. Viburnum opulus, the guelder-rose or guelder rose () is a species of flowering plant in the family Adoxaceae (formerly Caprifoliaceae) native to Europe, northern Africa and central Asia.## Description."Viburnum opulus" is a deciduous shrub growing to 4 - 5 (m) tall. The leaves are opposite, three-lobed, 5 - 10 (cm) long and broad, with a rounded base and coarsely serrated margins; they are superficially similar to the leaves of some maples, most easily distinguished by their somewhat wrinkled surface with impressed leaf venation. The leaf buds are green, with valvate bud scales.The hermaphrodite flowers are white, produced in corymbs 4.

Viburnum opulus. - 11 (cm) in diameter at the top of the stems; each corymb comprises a ring of outer sterile flowers 1.5–2 cm in diameter with conspicuous petals, surrounding a center of small (5 mm), fertile flowers; the flowers are produced in early summer, and pollinated by insects. The fruit is a globose bright red drupe 7–10 mm diameter, containing a single seed. The seeds are dispersed by birds.## Names.The common name 'guelder rose' relates to the Dutch province of Gelderland, where a popular cultivar, the snowball tree, supposedly originated. Other common names include water elder, cramp bark, snowball tree, common.

Viburnum opulus. snowball, and European cranberrybush, though this plant is not closely related to the cranberry. Some botanists also include the North American species "Viburnum trilobum" as "V. opulus" var. "americanum" Ait., or as "V. opulus" subsp. "trilobum" (Marshall) Clausen.## Phylogeny."Viburnum opulus" is a member of the "Viburnum" genus which contains 160 to 170 species. It is classified in the subsection Opulus, which usually contains 5 species. Phylogenetic analyses suggest the following relationship between those species:## Cultivation."Viburnum opulus" is grown as an ornamental plant for its flowers and berries, growing best on moist, moderately alkaline soils, though tolerating most soil types well.

Viburnum opulus. Several cultivars have been selected, including 'Roseum', in which all the flowers are only of the larger sterile type, with globular flower heads.The shrub is also cultivated as a component of hedgerows, cover plantings, and as part of other naturalistic plantings in its native regions.It is naturalised in North America.The cultivars 'Notcutt’s Variety', 'Roseum' and the yellow-fruited 'Xanthocarpum' have gained the Royal Horticultural Society's Award of Garden Merit.## Uses.The fruit is edible in small quantities, with a very acidic taste; it can be used to make jelly. It is however mildly toxic, and may cause vomiting or diarrhea if eaten.

Viburnum opulus. in large amounts.The term 'cramp bark' is related to the bark's ability to reduce smooth muscle tightness. Relieving this type of muscle tightness is most often associated with relieving menstrual (period) cramps. However, the bark can also be used during pregnancy for cramps or pain and general muscle cramping.## Cultural meaning.Mentions of the viburnum can be found throughout Ukrainian folklore such as songs, decorative art, Ukrainian embroidery, and poetry. Its symbolic roots can be traced to the Slavic paganism of millennia ago. According to a legend, "kalyna" was associated with the birth of the Universe, the so-called "Fire Trinity": the.

Viburnum opulus. Sun, the Moon, and the Star. Its berries symbolize one's home and native land, blood, and family roots. Kalyna is often depicted on Ukrainian embroidery: ritual cloths and shirts. In Slavic paganism kalyna also represents the beauty of a young lady, which rhymes well in the Ukrainian language: "ka-ly-na – div-chy-na." The song "Chervona Kalyna" was the anthem of the Ukrainian Sich Riflemen and the Ukrainian Insurgent Army; along with these national liberating movements in 20th century guelder rose was established as a symbol of riflemen honor, and state independence."Viburnum opulus" ("kalina") is also one of the national symbols of.

Viburnum opulus. Russia. In Russia the Viburnum fruit is called "kalina" ("калина)" and is considered a national symbol. "Kalina" derived in Russian language from "kalit"' or "raskalyat'," which means "to make red-hot". The red fiery color of the berries represents beauty in Russian culture and together with sweet raspberries it symbolises the passionate love of a beautiful maiden, since berries were always an erotic symbol in Russia. The bitter side of the red fruit also symbolizes love separation in Russian folk culture. The name of the Russian song "Kalinka" is a diminutive of "Kalina." "Viburnum opulus" is also an important symbol of.

Viburnum opulus. the Russian national ornamental wood painting handicraft style called Khokhloma.In Romanian, which has been influenced by East Slavic culture, "Viburnum opulus" is called "călin". Călin is also used as both a given name and a surname.Blamey, M. & Grey-Wilson, C. (1989). "Flora of Britain and Northern Europe". Hodder & Stoughton. Huxley, A., ed. (1992). "New RHS Dictionary of Gardening". Macmillan. Flora Europaea: "Viburnum opulus" Plants for a Future: "Viburnum opulus.


Question: Where is this bird originally discovered?

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Canada jay. widespread "boreal" or "taiga" clade ranging from Alaska to Newfoundland and ranging south to the Black Hills of South Dakota, Wyoming and Utah in the west and New England in the east, a "transcascade" clade in eastern Washington and Oregon and ranging into Alberta and Montana, a "Rocky Mountains (Colorado)" clade from the southern Rocky Mountains, and a "Pacific" clade from coastal British Columbia, Washington, and southwestern Oregon. There was also a population of the boreal clade in the central Rocky Mountains between the Colorado and transcascade clades. Genetic dating suggests the Pacific clade diverged from the common ancestor of.

Canada jay. the Alberta jay, was described by American ornithologist James L. Peters in 1920. It ranges from northeastern British Columbia and northwestern Alberta southeastward, east of the Rocky Mountains to the Black Hills of South Dakota. It is an occasional visitor to northwestern Nebraska. "P. c. bicolor", described by American zoologist Alden H. Miller in 1933, is found in southeastern British Columbia, southwestern Alberta, eastern Washington, northeastern Oregon, northern and central Idaho, and western Montana. Miller noted that the subspecies appeared to be a stable intermediate form between "canadensis" and "capitalis". It was a similar size to subspecies "canadensis", and had.

Canada jay. (Philadelphia)."P. c. capitalis" is found in the southern Rocky Mountains from eastern Idaho, south-central Montana, and western and southern Wyoming south through eastern Utah, and western and central Colorado, to east-central Arizona and north-central New Mexico. American naturalist Spencer Fullerton Baird described this subspecies in 1873. It has a wholly whitish head with a pale band on the back of the neck, and overall more ashy grey plumage. It is also generally larger than the nominate subspecies "canadensis"."P. c. griseus" occurs from southwestern British Columbia and Vancouver Island south through central Washington and central Oregon to the mountains of north-central.

Canada jay. and northeastern California. It was described by Robert Ridgway in 1899."P. c. nigricapillus", also known as the Labrador jay, is found in northern Quebec (Kuujjuaq, Whale River, and George River), throughout Labrador and Nova Scotia, and in southeastern Quebec (Mingan and Blanc-Sablon). It was described by Ridgway in 1882."P. c. obscurus", described by Ridgway in 1874, is native to the coastal strip from Washington (Crescent Lake, Seattle, and Columbia River) through western Oregon to northwestern California (Humboldt County). Also known as the Oregon jay, this subspecies has more dark brown than grey upperparts. "P. c. pacificus" ranges from central Alaska.

Canada jay. a magnolia warbler ("Dendroica magnolia") in flight. They have been reported to opportunistically hunt young amphibians such as the western chorus frog ("Pseudacris triseriata") in Chambers Lake, Colorado, and the long-toed salamander ("Ambystoma macrodactylum") in Whitehorse Bluff in Crater Lake National Park, Oregon. Canada jays have been seen landing on moose ("Alces alces") to remove and eat engorged winter ticks ("Dermacentor albipictus") during April and May in Algonquin Provincial Park. Researchers also found a Canada jay nest containing a brooding female, three hatchlings, and three warm, engorged winter deer ticks. Because the ticks were too large for the hatchlings to.


Question: What equipment or engine is used by this vehicle to provide power?

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Dodge Caliber. A-Class. It uses a four-cylinder 1.8-2.4 L "World" gasoline engine, designed jointly by Chrysler, Mitsubishi, and Hyundai.The car features an optional electronically controlled all-wheel drive system with variable torque at speeds of 25 to 65 (mph) for optimal handling.The Caliber uses a heavily modified GS platform, co-designed with Mitsubishi Motors. The modified GS platform is now called the JS platform by Chrysler for mid-size cars and PM/MK for compact cars. It shares a portion of the platform with the Mitsubishi Lancer, but is most similar to the Jeep Compass and Jeep Patriot. The Caliber wheels have a 5-hole pattern with.


Question: What is the highest observed lifespan of this animal?

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Waterbuck. 198 - 262 (kg) and females 161 - 214 (kg). Their coat colour varies from brown to grey. The long, spiral horns, present only on males, curve backward, then forward, and are 55 - 99 (cm) long.Waterbucks are rather sedentary in nature. As gregarious animals, they may form herds consisting of six to 30 individuals. These groups are either nursery herds with females and their offspring or bachelor herds. Males start showing territorial behaviour from the age of 5 years, but are most dominant from the six to nine. The waterbuck cannot tolerate dehydration in hot weather, and thus inhabits.

Waterbuck. in length. To some extent, the length of the horns is related to the bull's age. A rudimentary horn in the form of a bone lump may be found on the skulls of females.## Ecology and behaviour.Waterbuck are rather sedentary in nature, though some migration may occur with the onset of monsoon. A gregarious animal, the waterbuck may form herds consisting of six to 30 individuals. The various groups are the nursery herds, bachelor herds and territorial males. Herd size increases in summer, whereas groups fragment in the winter months, probably under the influence of food availability. As soon as.

Waterbuck. up to two months. At about three to four weeks, the calf begins following its mother, who signals it to do so by raising her tail. Though bereft of horns, mothers will fiercely defend their offspring from predators. Calves are weaned at eight months, following which time they join groups of calves of their own age. Young females remain with their mothers in nursery herds, or may also join bachelor herds. The waterbuck lives to 18 years in the wild and 30 years in captivity.## Distribution and habitat.The waterbuck is native to southern and eastern Africa (including countries such as.


Question: What event does this building commemorate?

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Wallace Monument. The National Wallace Monument (generally known as the Wallace Monument) is a 67 metre tower on the shoulder of the Abbey Craig, a hilltop overlooking Stirling in Scotland. It commemorates Sir William Wallace, a 13th- and 14th-century Scottish hero.The tower is open to the public for an admission fee. Visitors approach by foot from the base of the crag on which it stands. On entry there are 246 steps to the final observation platform, with three exhibition rooms within the body of the tower. The tower is not accessible to disabled visitors.## Background.The tower was constructed following a fundraising campaign,.

Wallace Monument. first heroines to be celebrated in the hall.## Statue of Wallace.The original Victorian statue of Wallace stands on the corner of the monument and is by the Edinburgh sculptor David Watson Stevenson.## "Braveheart" statue.In 1996 Tom Church carved a statue of Wallace called "Freedom", which was inspired by the film "Braveheart". It has the face of Mel Gibson, the actor who played William Wallace in the film. Church leased the statue to Stirling Council, who in 1997 installed it in the car park of the visitor centre at the foot of the craig. The statue was deeply unpopular, being described.

Wallace Monument. decapitated governor of York. In April 2016, it was reported in local press that the statue might be moved to Ardrossan's old Barony Church. In September 2021, it was moved to Glebe Park stadium in Brechin.Statue of William Wallace, AberdeenWallace's Monument, AyrshireStatue of William Wallace, BemersydeWallace's Monument at ElderslieNational Monument of ScotlandIn Stirling's page on the monument.


Question: Who is the creator of this object?

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Golliwog. The golliwog, also spelled golliwogg or shortened to golly, is a doll-like character – created by cartoonist and author Florence Kate Upton – that appeared in children's books in the late 19th century, usually depicted as a type of rag doll. It was reproduced, both by commercial and hobby toy-makers, as a children's toy called the "golliwog", a portmanteau of "golly" and "polliwog", and had great popularity in the UK and Australia into the 1970s. The doll is characterised by jet black skin, eyes rimmed in white, exaggerated red lips and frizzy hair, a blackface minstrel tradition. Today the word.

Golliwog. least known of the major anti-black caricatures in the United States". Changing political attitudes with regard to race have reduced the popularity and sales of golliwogs as toys. Manufacturers who have used golliwogs as a motif (e.g. Robertson's marmalade in the UK) have either withdrawn them as an icon or changed the name. In particular, the use of alternative names such as "golly" and "golly doll" has risen due to association with the pejorative term "wog", which many dictionaries say probably derived from the golliwog.## In fiction.Florence Kate Upton was born in 1873 in Flushing, New York, United States, the.


Question: How many offspring can this bird produce at the same time?

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Northern waterthrush. locality from Latin "novus", "new" and "Eboracum", York.## Description.The northern waterthrush is a large New World warbler (and not a thrush, despite the name). It has a length of 12 – 15 (cm), wingspan of 21 – 24 (cm) and weighs between 13 and 25 (g) Among standard measurements, the wing chord is 6.8 to 8.2 (cm), the tail is 4.5 to 5.7 (cm), the bill is 1.1 to 1.2 (cm) and the tarsus is 1.9 to 2.3 (cm). On the head, the crown is brown with a white supercilium. The bill is pointed and dark. The throat is lightly.


Question: What is this plant named after?

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Allamanda. Allamanda is a genus of flowering plants in the family Apocynaceae. They are native to the Americas, where they are distributed from Mexico to Argentina. Some species are familiar as ornamental plants cultivated for their large, colorful flowers. Most species produce yellow flowers; "A. blanchetii" bears pink flowers. The genus name "Allamanda" honors the Swiss botanist and physician Frédéric-Louis Allamand (1736–1809). It is the official flower of Kuching North City Hall.## Description.Plants of the genus are evergreen trees, shrubs, or vines. They contain a white latex. The leaves are opposite or arranged in whorls of up to 5. The blades.


Question: For the animal in the image, what do they commonly eat?

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Slow worm. The slow worm (Anguis fragilis) is a reptile native to western Eurasia. It is also called a deaf adder, a slowworm, a blindworm, or regionally, a long-cripple. These legless lizards are also sometimes called common slowworms. The "blind" in blindworm refers to the lizard's small eyes, similar to a blindsnake (although the slowworm's eyes are functional).Slow worms are semifossorial (burrowing) lizards, spending much of their time hiding underneath objects. The skin of slow worms is smooth with scales that do not overlap one another. Like many other lizards, they autotomize, meaning that they have the ability to shed their tails.

Slow worm. to escape predators. While the tail regrows, it does not reach its original length. In the UK, they are common in gardens and allotments, and can be encouraged to enter and help remove pest insects by placing black plastic or providing places to shelter such as piles of logs, corrugated iron sheets or under tiles. On warm days, one or more slow worms can often be found underneath these heat collectors. One of the biggest causes of mortality in slow worms in suburban areas is the domestic cat, against which it has no defence.Slow worms have been shown to be.

Slow worm. a species complex, consisting of 5 distinct but similar species.## Taxonomy."Anguis fragilis" was traditionally divided into two subspecies ("A. f. fragilis" and "A. f. colchica"), but they are now classified as separate species: Anguis fragilis" "sensu stricto (found in western Europe, northern Europe and western Balkans) and Anguis colchica (found in eastern Europe, eastern Balkans and in western Asia).Three more species were later distinguished from "A. fragilis": Anguis graeca (found in southern Balkans) and Anguis veronensis (found on the Apennine Peninsula).Anguis cephalonica (native to the Peloponnese Peninsula)## Physical traits.Slow worms have an elongated body with a circular cross-section without limbs.

Slow worm. and reach a maximum length of up to 57.5 cm. Most of the adult animals that can be observed are between 40 and 45 cm long, with up to 22 cm on the head and trunk section and the rest on the tail. There is no visible neck. The tail, which ends in a horny tip, is continuous with the trunk and is often slightly longer. Slow worms exhibit caudal autotomy, the severing of the tail when it is pulled by predators. When regrown the tail only grows back to a short stub.The skin surface consists of smooth, round-to-hexagonal scales.

Slow worm. which overlap like roof tiles and which are roughly the same shape on the dorsal and ventral surfaces of the body. There are several longitudinal rows running along the underside. In total, the trunk has 125 to 150 transverse scale rows and the tail has another 130 to 160 rows. Under the scales there are bony plates (osteoderms), which means that slow worms crawl much more stiffly and clumsily than snakes. The scaling of the head is similar to that of other lizards. The ear openings are mostly completely hidden under the scales. The relatively small eyes have movable, closable.

Slow worm. eyelids (these are fused in snakes) and round pupils. The rather short tongue is broad, bilobed and does not end in fine tips. To lick, i.e. to absorb odorous substances, slow worms have to open their mouths slightly, as they lack the gap in the upper lip that snakes possess. The pointed, sometimes quite loosely fixed teeth are curved backwards; there are 7 to 9 teeth in the premaxilla, 10 to 12 in the maxilla and 14 to 16 in the lower jaw.## Reproduction.In Central Europe, the mating season of the species is usually between the end of April and.

Slow worm. June. The males wrestle often violently around the females, although in most populations they are in the majority. The opponents try to push each other to the ground, bite each other and wrap themselves tightly around each other. When mating, the female is bitten in the head or neck region, while the male introduces his two hemipenes into the female's cloaca. Copulation can take several hours. Sometimes females mate with other males later. The gestation period of the females lasts 11 to 14 weeks, and subsequently, between mid-July and the end of August, and sometimes even later, they usually give.

Slow worm. birth to between eight and twelve young (extreme values: 2 to 28). Slow worms are ovoviviparous; at birth, the 7 to 10 cm long young animals are in a very thin, transparent egg shell, which they pierce immediately afterwards. They initially weigh less than a gram and still have a remnant of the yolk. Juvenile slow worms have a contrasting color scheme and pattern. The top of the body is silvery-white to golden yellow, while the sides and underside are black.## Size and longevity.Adult slow worms grow to be about 50 cm (20") long, and are known for their exceptionally.

Slow worm. long lives; the slow worm may be the longest-living lizard, living about 30 years in the wild and up to at least 54 years in captivity (this record is held by a male slow worm that lived at the Copenhagen Zoo from 1892 until 1946, the age when first obtained is unknown). The female often has a stripe along the spine and dark sides, while the male may have blue spots dorsally. Juveniles of both sexes are gold with dark brown bellies and sides with a dark stripe along the spine.## Predators.Predators of "A. fragilis" include adders, badgers, birds of.

Slow worm. prey, crows, domestic cats, foxes, hedgehogs, pheasants and smooth snakes.## Ecology.These reptiles are mostly active during the night and do not bask in the sun like other reptiles, but choose to warm themselves underneath objects such as rocks which have in turn been warmed by the sun. They can often be found in long grass and other damp environments In a 2009 study of a Danish population, the diet of the slow-worm was found to include slugs, snails, earthworms, caterpillars and pill millipedes.## Protected status in the UK.In the United Kingdom, the slow worm has been granted protected status, alongside.

Slow worm. all other native British reptile species. The slow worm has been decreasing in numbers, and under the Wildlife and Countryside Act 1981, to intentionally kill, injure, sell, or advertise to sell them is illegal.## Ireland.The Slow Worm is assumed to not be native to Ireland, possibly arriving in the 1900's. Due to their secretive habits they are difficult to observe and have only been sighted in parts of County Clare, mainly in the Burren region.## Evolutionary history.Members of the genus "Anguis", to which the slow worm belongs, first appeared in Europe during the Mammal Paleogene zone 14, between 43.5 and.

Slow worm. 41.2 million years ago, corresponding to the Lutetian stage of the Eocene. Remains assigned to the "Anguis fragilis" species complex are known from the late Miocene onwards. Glass lizard.


Question: What pattern, design or motif is applied to the surface of this material?

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Gingham. Gingham, also called Vichy check, is a medium-weight balanced plain-woven fabric typically with striped, check or plaid duotone patterns, in bright colour and in white made from dyed cotton or cotton-blend yarns. It is made of carded, medium or fine yarns.## History.The name may originate . Alternatively, it is speculated that the fabric now known as "gingham" may have been made at Guingamp, a town in Brittany, France, and that the fabric may be named after the town. Some sources say that the name came into English via Dutch. When originally imported into Europe in the 17th century, gingham was.

Gingham. a striped fabric, though now it is distinguished by its checkered pattern. From the mid-18th century, when it was being produced in the mills of Manchester, England, it started to be woven into checked or plaid patterns (often blue and white). Checked gingham became more common over time, though striped gingham was still available in the late Victorian period. The equivalent in the French language is the noun "vichy", from the town of Vichy in France. The same word is used in Spain where this pattern is called "cuadro vichy" or "estampado vichy".In the United States, the mass popularity of.


Question: What is the spore print color of this plant?

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Cerioporus squamosus. Cerioporus squamosus aka "Polyporus squamosus" is a basidiomycete bracket fungus, with common names including dryad's saddle and pheasant's back mushroom. It has a widespread distribution, being found in North America, Australia, Asia, and Europe, where it causes a white rot in the heartwood of living and dead hardwood trees. The name "dryad's saddle" refers to creatures in Greek mythology called dryads who could conceivably fit and ride on this mushroom, whereas the "pheasant's back" analogy derives from the pattern of colors on the bracket matching that of a pheasant's back.## Etymology."Squamosus" comes from the Latin "squamosus" meaning covered with scales.

Cerioporus squamosus. or scaly, referring to the signature dark brown scales found on the mushroom's cap.## Taxonomy.The species was first described scientifically by British botanist William Hudson in 1778, who named it "Boletus squamosus". It was given its current name in 1886 by Quélet but is still widely known by the Friesian name "Polyporus squamosus".## Description.Dryad's Saddle is an annual mushroom commonly found attached to dead logs and stumps or on living hardwood trees at one point with a thick stem. Generally, the fruit body is round and between 8 – 30 (cm) across and up to 10 (cm) thick. The body.

Cerioporus squamosus. can be yellow to brown and has "squamules" or scales on its upper side. On the underside one can see the pores that are characteristic of the genus "Cerioporus"; they are made up of tubes packed together closely. The tubes are between 1 and 12 (mm) long. The stalk is thick and short, up to 5 (cm) long. The fruit body will produce a white spore print if laid onto a sheet of paper. The spores are 11-15 x 4-5 µm and are long and smooth ellipsoids. They can be found alone, in clusters of two or three, or forming.

Cerioporus squamosus. made from this and many other mushrooms of the genus "Cerioporus". The mushroom's smell resembles watermelon rind. "Polyporus squamosus" has a mild nutty flavour. Mushroom-Collecting.com: Polyporus squamosus – Dryad's Saddle Mushroom-Collecting.com: Dryad's Saddle, Pheasant Back Mushroom, Hawks Wing (Polyporus squamosus).


Question: What country does this building belong to?

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Venetian Towers. The Venetian Towers (in Catalan: "Torres Venecianes") is the popular name for a pair of towers on Avinguda de la Reina Maria Cristina at its junction with Plaça d'Espanya in Barcelona, Catalonia, Spain. There is one tower on either side of the street.The towers are 47m high, with a 7.2 metres square cross-section. The bottom section of each is built of artificial stone, the main section of red brick, and the top section is a colonnaded viewing gallery built of artificial stone, and topped by a pyramidal copper roof. They were modelled on the campanile of St. Mark's Basilica in.


Question: What is the closest parent taxonomy of this insect?

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Pyrausta volupialis. Pyrausta volupialis, the volupial pyrausta moth, is a moth in the family Crambidae. It was described by Augustus Radcliffe Grote in 1877. It is found in North America, where it has been recorded from Oklahoma, Utah, Texas, Colorado, New Mexico, Arizona and California to Chiapas, Mexico.The length of the forewings is 8-10.5 mm. Adults have been recorded year round.The larvae feed on Lamiaceae species, including "Rosmarinus officinalis".


Question: Which notable activity has been held at the building presented in the image?

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Venetian Towers. grand avenue leading up to the Palau Nacional on Montjuïc, which houses the National Art Museum of Catalonia. Originally, the towers were open to the public, who could climb the internal stairs to the viewing galleries, but they are now normally closed. In later years, the western tower housed equipment for controlling the illumination of the Magic Fountain of Montjuïc, 350m away at the far end of Avinguda Maria Cristina, and the gallery of the eastern tower housed sirens for signalling possible emergencies; the disused equipment was removed during the 2013/14 restoration work.The towers are registered as protected structures by.

Venetian Towers. Barcelona city council, with a protection level of B:B, a structure of local interest.Following restoration work, the towers opened to the public for the first time since 1929, for a two-day period during October 2014.## Repairs.The towers had been built using cheap materials, which was typical of the "noucentisme" architectural style of the time, and was justified by the expected temporary nature of the towers which were planned to be demolished after the end of the exposition. Subsequent repair and restoration projects have been necessary to maintain and improve the structures.In 1984/85, repair work was carried out on the towers,.


Question: What is the basionym of this plant?

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Sceptridium dissectum. be found up to a foot tall. Second the petiole or stalk for a cut-leaf fern is light green while the rattlesnake fern’s petiole is pink at the base."Sceptridium dissectum" (Spreng.) Lyon was known as "Botrychium dissectum" Spreng. "Sceptridium dissectum" became the name of the cutleaf grapefern in 1905. "Botrychium dissectum" held the name from 1804 until 1905. "Sceptridium dissectum" also goes by a few other names such as "Botrychium dissectum Spreng." var. "obliquum" (Muhl. ex Willd.) Clute, "Botrychium dissectum Spreng." var. "oblongifolium" (Graves) Broun, "Botrychium obliquum Muhl." ex Willd., "Botrychium obliquum Muhl. ex Willd." var. "elongatum" Gilbert & Haberer,.