Question: Where is this bird native to?

Instruction: I want to find a paragraph from Wikipedia that answers my question about this image.

Kiwi (bird). Kiwi ( ) are flightless birds endemic to New Zealand of the genus Apteryx () and family Apterygidae (). Approximately the size of a domestic chicken, kiwi are by far the smallest living ratites (which also include ostriches, emus, rheas and cassowaries).DNA sequence comparisons have yielded the surprising conclusion that kiwi are much more closely related to the extinct Malagasy elephant birds than to the moa with which they shared New Zealand. There are five recognised species, four of which are currently listed as vulnerable, and one of which is near-threatened. All species have been negatively affected by historic deforestation,.

Kiwi (bird). icon of New Zealand, and the association is so strong that the term "Kiwi" is used internationally as the colloquial demonym for New Zealanders.## Etymology.The Māori language word is generally accepted to be "of imitative origin" from the call. However, some linguists derive the word from Proto-Nuclear Polynesian , which refers to "Numenius tahitiensis", the bristle-thighed curlew, a migratory bird that winters in the tropical Pacific islands. With its long decurved bill and brown body, the curlew resembles the kiwi. So when the first Polynesian settlers arrived, they may have applied the word kiwi to the new-found bird. The word.

Kiwi (bird). is usually uncapitalised when used for the birds. The plural is either the anglicised "kiwis" or, consistent with the Māori language, appearing as "kiwi" without an "‑s".The genus name "Apteryx" is derived from Ancient Greek 'without wing': (), 'without' or 'not'; (), 'wing'.## Taxonomy and systematics.Although it was long presumed that the kiwi was closely related to the other New Zealand ratites, the moa, recent DNA studies have identified its closest relative as the extinct elephant bird of Madagascar, and among extant ratites, the kiwi is more closely related to the emu and the cassowaries than to the moa.Research published.

Kiwi (bird). in 2013 on an extinct genus, "Proapteryx", known from the Miocene deposits of the Saint Bathans Fauna, found that it was smaller and probably capable of flight, supporting the hypothesis that the ancestor of the kiwi reached New Zealand independently from moas, which were already large and flightless by the time kiwi appeared.## Species.There are five known species of kiwi, with a number of subspecies.## Description.Their adaptation to a terrestrial life is extensive: like all the other ratites (ostrich, emu, rhea and cassowary), they have no keel on the sternum to anchor wing muscles. The vestigial wings are so small.

Kiwi (bird). an experiment, it was observed that one-third of a population of "A. rowi" in New Zealand under no environmental stress had ocular lesions in one or both eyes. The same experiment examined three specific specimens that showed complete blindness and found them to be in good physical standing outside of ocular abnormalities. A 2018 study revealed that the kiwi's closest relatives, the extinct elephant birds, also shared this trait despite their great size.Unlike virtually every other palaeognath, which are generally small-brained by bird standards, kiwi have proportionally large encephalisation quotients. Hemisphere proportions are even similar to those of parrots and.

Kiwi (bird). songbirds, though there is no evidence of similarly complex behaviour.## Behaviour and ecology.Before the arrival of humans in the 13th century or earlier, New Zealand's only endemic mammals were , and the ecological niches that in other parts of the world were filled by creatures as diverse as horses, wolves and mice were taken up by birds (and, to a lesser extent, reptiles, insects and gastropods).The kiwi's mostly nocturnal habits may be a result of habitat intrusion by predators, including humans. In areas of New Zealand where introduced predators have been removed, such as sanctuaries, kiwi are often seen in.

Kiwi (bird). of food. Two to three days before the egg is laid there is little space left inside the female for her stomach and she is forced to fast.It was believed that the large eggs were a trait of much larger moa-like ancestors, and that kiwis retained large eggs as an evolutionarily neutral trait as they became smaller. However, research in the early 2010s suggested that kiwis were descended from smaller flighted birds that flew to New Zealand and Madagascar, where they gave rise to kiwis and elephant birds. The large egg is instead thought to be an adaptation for precocity,.

Kiwi (bird). enabling kiwi chicks to hatch mobile and with yolk to sustain them for two and half weeks. The large eggs would be safe in New Zealand's historical absence of egg-eating ground predators, while the mobile chicks would be able to evade chick-eating flying predators.Lice in the genus "Apterygon" and in the subgenus "Rallicola" ("Aptericola") are exclusively ectoparasites of kiwi species.## Status and conservation.Nationwide studies show that only around 5–10% of kiwi chicks survive to adulthood without management. As at 2018 over 70% of Kiwi populations are unmanaged. However, in areas under active pest management, survival rates for North Island brown.

Kiwi (bird). island brown kiwi were introduced to the Cape Sanctuary in Hawke's Bay between 2008 and 2011, which in turn provided captive-raised chicks that were released back into Maungataniwha Native Forest.Sanctuaries for kiwi are also referred to as 'kōhanga sites' from the Māori word for 'nest' or 'nursery'.## Operation Nest Egg.Operation Nest Egg is a programme run by the BNZ Save the Kiwi Trust—a partnership between the Bank of New Zealand, the Department of Conservation and the Royal Forest and Bird Protection Society. Kiwi eggs and chicks are removed from the wild and hatched and/or raised in captivity until big enough.

Kiwi (bird). to fend for themselves—usually when they weigh around 1200 grams (42 ounces). They are then returned to the wild. An Operation Nest Egg bird has a 65% chance of surviving to adulthood—compared to just 5% for wild-hatched and raised chicks. The tool is used on all kiwi species except little spotted kiwi.## 1080 poison.In 2004, anti-1080 activist Phillip Anderton posed for the New Zealand media with a kiwi he claimed had been poisoned. An investigation revealed that Anderton lied to journalists and the public. He had used a kiwi that had been caught in a possum trap. Extensive monitoring shows.

Kiwi (bird). that kiwi are not at risk from the use of biodegradable 1080 poison.## Threats.Introduced mammalian predators, namely stoats, dogs, ferrets, and cats, are the principal threats to kiwi. The biggest threat to kiwi chicks is stoats, while dogs are the biggest threat to adult kiwi. Stoats are responsible for approximately half of kiwi chick deaths in many areas through New Zealand. Young kiwi chicks are vulnerable to stoat predation until they reach about 1 - 1.2 (kg) in weight, at which time they can usually defend themselves. Cats also to a lesser extent prey on kiwi chicks. These predators can.

Kiwi (bird). the ship "Providence" provided Shaw with the specimen. Shaw's description was accompanied by two plates, engraved by Frederick Polydore Nodder; they were published in volume 24 of "The Naturalist's Miscellany".## Zoos.In 1851, London Zoo became the first zoo to keep kiwi. The first captive breeding took place in 1945. As of 2007 only 13 zoos outside New Zealand hold kiwi. The Frankfurt Zoo has 12, the Berlin Zoo has seven, Walsrode Bird Park has one, the Avifauna Bird Park in the Netherlands has three, the San Diego Zoo has five, the San Diego Zoo Safari Park has one, the National.

Kiwi (bird). Zoo in Washington, DC has eleven, the Smithsonian Conservation Biology Institute has one, and the Columbus Zoo and Aquarium has three.## As a national symbol.The kiwi as a symbol first appeared in the late 19th century in New Zealand regimental badges. It was later featured in the badges of the South Canterbury Battalion in 1886 and the Hastings Rifle Volunteers in 1887. Soon after, the kiwi appeared in many military badges; and in 1906, when Kiwi Shoe Polish was widely sold in the UK and the US, the symbol became more widely known.During the First World War, the name "Kiwis.

Kiwi (bird). for New Zealand soldiers came into general use, and a giant kiwi (now known as the Bulford kiwi) was carved on the chalk hill above Sling Camp in England. Usage has become so widespread that all New Zealanders overseas and at home are now commonly referred to as "Kiwis".The kiwi has since become the best-known national symbol for New Zealand, and the bird is prominent in the coat of arms, crests and badges of many New Zealand cities, clubs and organisations. At the national level, the red silhouette of a kiwi is in the centre of the roundel of the.

Kiwi (bird). Royal New Zealand Air Force. The kiwi is featured in the logo of the New Zealand Rugby League, and the New Zealand national rugby league team are nicknamed the Kiwis.A kiwi has featured on the reverse side of three New Zealand coins: the one florin (two-shilling) coin from 1933 to 1966, the twenty-cent coin from 1967 to 1990, and the one-dollar coin since 1991. In currency trading the New Zealand dollar is often referred to as "the kiwi". Birds of New Zealand Conservation in New Zealand Burbidge, M.L., Colbourne, R.M., Robertson, H.A., and Baker, A.J. (2003). Molecular and other biological.


Question: What is the closest upper taxonomy of this insect?

Instruction: Determine the Wikipedia snippet that matches the question of this image.

Leptotes cassius. Leptotes cassius, the Cassius blue or tropical striped blue, is a butterfly of the family Lycaenidae. It is found in North America in Florida including the Keys, Texas south through the Caribbean, Mexico, and Central America to South America. Strays have been found in New Mexico, Kansas, Missouri, South Carolina, North Carolina and Virginia.The wingspan is 20–35 mm.The butterfly species has an important role in Marisha Pessl's 2006 novel "Special Topics in Calamity Physics". The protagonist, Blue van Meer, is named in honor of the Cassius blue.The caterpillars feed natively on Fabaceae. Food plants on record are "Amorpha crenulata", woolly.

Leptotes cassius. rattlepod ("Crotalaria incana"), "Galactia regularis" and lima bean ("Phaseolus lunatus"). It can also successfully develop feeding on Cape leadwort ("Plumbago auriculata") or doctorbush ("P. scandens"), which (among the eudicots) are not closely related to its usual food plants. "L. c. cassius" – Suriname "L. c. catilina" "L. c. theonus" – Florida, Cuba, Bahamas, Greater Antilles "L. c. cassidula" – Texas, Mexico, Honduras to Panama "L. c. cassioides" – Windward Islands, including Dominica and Trinidad & Tobago "L. c. striata"## Subspecies."L. c. theonus" (and consequently "L. cassius" itself) is the type species of the genus "Leptotes".Butterflies and Moths of North America.


Question: What is the closest upper taxonomy of this animal?

Instruction: I want to find a paragraph from Wikipedia that answers my question about this image.

Mexican free-tailed bat. The Mexican free-tailed bat or Brazilian free-tailed bat ("Tadarida brasiliensis") is a medium-sized bat native to the Americas, regarded as one of the most abundant mammals in North America. Its proclivity towards roosting in huge numbers at relatively few locations makes it vulnerable to habitat destruction in spite of its abundance. It has been claimed to have the fastest horizontal speed (as opposed to stoop diving speed) of any animal, reaching top ground speeds over 162 (km/h); its actual air speed has not been measured. The Texas Legislature designated the Mexican free-tailed bat the state mammal (flying) in 1995.## Taxonomy.The.

Mexican free-tailed bat. Mexican free-tailed bat was described as a new species in 1824 by French zoologist Isidore Geoffroy Saint-Hilaire. Geoffroy placed it in the now-defunct genus "Nyctinomus" with a binomial name of "Nyctinomus brasiliensis".The holotype had been collected in Brazil.Molecular sequence data indicate "T. brasiliensis"'s closest relatives are the sister species "Sauromys petrophilus" of South Africa and "Tadarida aegyptiaca" of Africa and South Asia. These three species form a clade believed to be about 18 million years old.## Physical description.Mexican free-tailed bats are typically 9 (cm) in length and weigh around 7-12 ( g) with females tending to be slightly heavier than.

Mexican free-tailed bat. males by 1-2 grams for increased fat storage to use during gestation and nursing. Their tails are almost half their total length and stretch beyond the uropatagium, giving them the name "free-tailed" bats. Their ears are wide, rounded, and large compared to their heads, nearly meeting at the front of the face, but distinctly not joined at the midline and projecting anterodorsally from just before the muzzle to the back of the head. They use their large ears to help them find prey using echolocation. "T. brasiliensis" is distinguished among North American" Tadarida" bats in possessing deep wrinkles on the.

Mexican free-tailed bat. upper lip and in having a Z-shaped upper third molar, which is used for grinding insects. These individuals possess canines which are larger in males than in females. The wings are elongated and narrow with pointed tips, making them well-equipped for quick, straight flight patterns. Their fur color ranges from dark brown to gray. The Mexican free-tailed bat's large feet have distinct long, white bristles.The dental formula of "Tadarida brasiliensis" is .## Range and ecology.The Mexican free-tailed bat ranges from the southern half of the continental United States through most of Mexico, and through most of Central America into South.

Mexican free-tailed bat. there. Preserving the land around Bracken Cave was important, as it is home to the world's largest bat colony, and any human encroachment would be detrimental to their population. BCI also protects the land from artificial light pollution, which can distress the bats. Bat bomb, an experimental incendiary weapon that used Mexican free-tailed bats as a dispersal mechanism Bat Conservation International: Mexican free-tailed bats webpage Animal Diversity – "Tadarida brasiliensis" ARKive.org: Images/videos of the Brazilian free-tailed bat "(Tadarida brasiliensis)" Washington Post.com: "Mexican Bats Find Cross-Border Benefactors" Untamed Science interview with a bat specialist at the Congress Street Bridge Colony Bat.


Question: Which place is this animal endemic to?

Instruction: You have to find a Wikipedia segment that answers the question about the displayed image.

Strecker's chorus frog. Strecker's chorus frog ("Pseudacris streckeri") is a species of nocturnal tree frog native to the south central United States, from southern Kansas, through Oklahoma and east to Arkansas, the northwestern tip of Louisiana and south throughouth much of Texas.## Description.Strecker's chorus frogs can attain a size of approximately 1.5 inches (about 3.5 cm). They vary in color from light grey, brown to green with darker longitudinal blotches, and a distinctive dark spot that runs underneath the eye. Their underside is typically white in color, with yellow or orange around the groin region.Whether this name refers to a species with two.


Question: What kind of effect does this activity have?

Instruction: I want to find a paragraph from Wikipedia that answers my question about this image.

Transport. has become focused on containerization, although bulk transport is used for large volumes of durable items. Transport plays an important part in economic growth and globalization, but most types cause air pollution and use large amounts of land. While it is heavily subsidized by governments, good planning of transport is essential to make traffic flow and restrain urban sprawl.## Human-powered.Human-powered transport, a form of sustainable transport, is the transport of people and/or goods using human muscle-power, in the form of walking, running, and swimming. Modern technology has allowed machines to enhance human power. Human-powered transport remains popular for reasons of.

Transport. and timings of travel is not available to other modes of transport. It is possible to provide door-to-door service only by road transport.Automobiles provide high flexibility with low capacity, but require high energy and area use, and are the main source of harmful noise and air pollution in cities; buses allow for more efficient travel at the cost of reduced flexibility. Road transport by truck is often the initial and final stage of freight transport.## Water.Water transport is movement by means of a watercraft—such as a barge, boat, ship, or sailboat—over a body of water, such as a sea, ocean,.

Transport. there is too much traffic and many—if not all—of the negative impacts that come with it. It is only in recent years that traditional practices have started to be questioned in many places; as a result of new types of analysis which bring in a much broader range of skills than those traditionally relied on—spanning such areas as environmental impact analysis, public health, sociology, and economics—the viability of the old mobility solutions is increasingly being questioned.## Environment.Transport is a major use of energy and burns most of the world's petroleum. This creates air pollution, including nitrous oxides and particulates, and.


Question: Which place is this plant endemic to?

Instruction: You have to find a Wikipedia segment that answers the question about the displayed image.

Fuchsia excorticata. Fuchsia excorticata, commonly known as tree fuchsia, New Zealand fuchsia and by its Māori name kōtukutuku, is a New Zealand native tree belonging to the family Onagraceae. It is commonly found throughout New Zealand and as far south as the Auckland Islands. It grows from sea level up to about 1000 (m), particularly alongside creeks and rivers. It is easily recognised in its native environment by the characteristic appearance of its bark, which peels spontaneously, hanging in red papery strips to show a pale bark underneath. Its scientific name, "excorticata", reflects this distinctive property."Fuchsia excorticata" is the largest member of.

Fuchsia excorticata. the genus "Fuchsia", growing to a height of 15 (m). It is unusual among New Zealand trees in being deciduous in the southern parts of its range. The introduction of the common brushtail possum to New Zealand precipitated a serious decline in this species, particularly where large concentrations of the possum are present. "F. excorticata" appears to be one of the possum's preferred food sources, and they will browse individual trees to the point of defoliation after which the trees will die. The small dark purple berry is sweet and juicy. It was favoured by Māori who, unusually, gave the.

Fuchsia excorticata. fruit its own name of "kōnini"; it was also eaten by European settlers in jams and puddings.## Description."Fuchsia excorticata" is the largest species of "Fuchsia" in the world. This species differs in appearances from others in New Zealand. This species is deciduous, found most commonly in tree or shrub form. It typically grows to an average height of 12 meters high. It is distinguishable by a noticeably light brown/orange bark, which is extremely thin and paper like, peeling in strips. Overall trunk diameter tends to be 60 cm with stout outreaching branches.## Leaves.Main description of the leaves of this species.

Fuchsia excorticata. deciduous in southern areas of New Zealand, where the majority of its competing species are large evergreen species. Therefore, in the winter months "Fuchsia excorticata" is conspicuous by being found with few to no leaves.## Flowers.Flowers are usually bright red to purple in colour and often emerge from the main stem. Flowers are solitary and pendulous. The four showy sepals tend to be 5–16 mm long. Filaments tending to range from 7–12 mm in length and purplish in colour. The flowers of "Fuchsia excorticata" are gynodioecious.## Berries.Berries range to approximately 10 mm long, ellipsoid-oblong shaped, dark purple to almost black.

Fuchsia excorticata. in colour.## Distribution.## Natural global range."Fuchsia excorticata" is endemic to New Zealand.## New Zealand range."Fuchsia excorticata" has a range throughout the North and South Islands, as well as Stewart Island and the Auckland Islands.## Habitat preferences."Fuchsia excorticata" is common in lowland and lower mountainous forest areas, especially on the forest margins, in clearings, and by streams. Even if a forest is close to being destroyed, or is destroyed, tree fuchsias are more than often not still standing because they are close to indestructible. This species is also abundant in cold mountain areas in the South Island.## Life cycle/phenology.The seeds of.

Fuchsia excorticata. habitat by plant competitors such as banana passionfruit and Buddleia. Mammalian threats, such as goats, have been known to forage on tree fuchsia, but they do not have as large an effect as possums. Possums put the tree at risk because they eat the fruit and seeds, and does this without stopping when seed production is low.## Cultural uses.Known as kōtukutuku in Māori, "Fuchsia excorticata" had many uses for the Māori people and early settlers of New Zealand. These uses included as a basic foodstuff, in jams, and use by Māori woman in vapor baths after childbirth. Tannins in the.

Fuchsia excorticata. bark were used as a natural agent in leather tanning. "Fuchia excorticata" was also used to produce brightly coloured dyes. Fuchsia excorticata, New Zealand Plant Conservation Network Bushmansfriend article and more photos Landcare Research - flora database.


Question: What is the closest upper taxonomy of this bird?

Instruction: Retrieve a Wikipedia paragraph that provides an answer to the given query about the image.

Purple sandpiper. The purple sandpiper (Calidris maritima) is a small shorebird in the sandpiper family Scolopacidae. This is a hardy sandpit that breeds in the arctic and subarctic regions of Eurasia and North America and winters further south on the Atlantic coast.## Taxonomy.The purple sandpiper was formally described in 1764 by the Danish zoologist Morten Thrane Brünnich and given the binomial name "Tringa maratina". This species was formerly placed in the genus "Erolia". It is now placed with 23 other sandpipers in the genus "Calidris" that was introduced in 1804 by the German naturalist Blasius Merrem. The genus name is from Ancient.

Purple sandpiper. Greek "kalidris" or "skalidris", a term used by Aristotle for some grey-coloured waterside birds. The specific epithet "maritima" is from Latin and means "of the sea", from "mare", "sea". The purple sandpiper is treated as monotypic: no subspecies are recognised. Within the genus "Calidris" the purple sandpiper is sister to the rock sandpiper ("Calidris ptilocnemis") and is closely related to the sanderling ("Calidris alba") and the dunlin ("Calidris alpina").## Description.Adults have short yellow legs and a medium thin dark bill with a yellow base. The body is dark on top with a slight purplish gloss and mainly white underneath. The.


Question: What country does this building belong to?

Instruction: Determine the Wikipedia snippet that matches the question of this image.

Manila Cathedral. The Minor Basilica and Metropolitan Cathedral of the Immaculate Conception (; ), also known as the Manila Cathedral (), is the cathedral of Manila and basilica located in Intramuros, the historic walled city within today's modern city of Manila, Philippines. It is dedicated to the Immaculate Conception of the Blessed Virgin Mary as the Patroness of the country. The cathedral serves as the episcopal seat of the Archbishop of Manila.The cathedral was originally a parish church in Manila under the Archdiocese of Mexico in 1571, until it became a separate diocese on February 6, 1579, upon the issuance of the.

Manila Cathedral. de Vivero, who arrived in Manila Bay in 1566. De Vivero, the chaplain on the galleon of "San Gerónimo", was sent by the Archbishop of Mexico, Alonso de Montúfar, to establish Christianity as the spiritual and religious administration in newly colonized Philippines. De Vivero later became the vicar-general and the first ecclesiastical judge of the city of Manila.Spanish conquistador Miguel López de Legazpi chose the location of the church and placed it under the patronage of Santa Potenciana. The first parish priest of the church was Fray Juan de Villanueva. When the church was elevated to a cathedral in 1579.

Manila Cathedral. in 1614. The new structure, consisting of three naves and seven chapels, was blessed in 1614. It again toppled by another earthquake which shook Manila in 1645.The fourth cathedral was constructed from 1654 to 1671. In 1750, a "media naranja" ("half orange") dome was added to the crossing by the Florentine friar Juan de Uguccioni, who also introduced a transept to the structure. It was severely damaged in 1863 by a very strong earthquake, that also damaged the palace of the governor general of the Philippines.The seventh cathedral was constructed from 1870 to 1879. It was solemnly consecrated in December.

Manila Cathedral. 1879. The cross atop the central dome is a reference point of astronomical longitudes of the archipelago. In 1880, another earthquake toppled its bell tower, rendering the cathedral towerless until 1958.In 1937, the International Eucharistic Congress was held in the Philippines in which the cathedral played an integral part in promoting eucharistic beliefs. Both a cathedral stamp and medal were unveiled in commemoration of the event and was made by the official manufacturer of medals for the Congress of the Philippines at the time, the sculptor Críspulo Zamora.This incarnation of the cathedral was reduced to rubble by the Japanese in.

Manila Cathedral. of June 6, 1968 be eternally preserved and enforced to the merits and titles of the cathedral as its own basilica.The cathedral's 50th restoration anniversary was celebrated in 2008, highlighted by the second Manila Cathedral Pipe Organ Festival from December 2 to 10, organized by the Catholic Bishops' Conference of the Philippines.In February 2011, the cathedral's bells were moved to the ground level to prevent the bell tower from collapsing, as had occurred in past earthquakes. In January 2012, the bells were replaced with new ones personally cast by blacksmith Friedrich Wilhelm Schilling from Heidelberg, Germany in 1958. According to.

Manila Cathedral. the new marker installed by Manila Archbishop Most Rev. Gaudencio B. Cardinal Rosales, , the newly installed bells are the largest bells actively used in the Philippines. A total of seven carillon bells were permanently installed in the ground level of the belfry, weighing at 17 (metric ton).## 2012 renovation and 2014 reopening.The cathedral underwent repairs for earthquake retrofitting and subsidence prevention in 2012. During this time, the San Fernando de Dilao Church was designated as the temporary official church (pro-cathedral) of the Archdiocese of Manila. However, Msgr. Nestor Cerbo stated that the cathedral would finish its renovations on March.

Manila Cathedral. is preserved a reliquary-calendar containing 365 relics of the saints; at the 1st of November there is a bone fragment of Saint Caesarius of Terracina, the saint protectors of the emperors, who replaced and Christianized the cult of Julius Caesar.## Pontifical visit (2015).On January 16, 2015, Pope Francis celebrated his first Papal Mass in the country at the cathedral as part of his apostolic visit to the Philippines. The mass was celebrated for the bishops, priests, and the clergy in three languages: Latin, English, and Filipino. Pope Gregory XIII in 1581 issued a papal bull consecrating the cathedral building to.

Manila Cathedral. Delegate to the Philippines (until 1945; remains transferred to the Abbey of Our Lady of Montserrat, Mendiola Street, Manila)Three former presidents were permitted to lie in state under the cathedral dome:Emilio Aguinaldo, 1st president of the Philippines (1899-1901) (d.1964)Carlos P. Garcia, 8th president of the Philippines (1957–1961) (d. 1971)Corazon C. Aquino, 11th president of the Philippines (1986–1992) (d. 2009)President Aguinaldo was the first president to have a requiem mass said in the restored cathedral. Although he was a freemason and was closely associated with the Aglipayan Church, his remains were brought to the cathedral and laid beneath the dome on.

Manila Cathedral. Immaculate Conception is the Latin antiphon "Tota pulchra es, Maria, et macula originalis non est in Te" (English: "Thou art all-beautiful, Mary, and the original stain [spot] (of sin) is not in thee.").The baptismal font and angel-shaped holy water fonts are also made of solid bronze by Publio Morbiducci; the prominent mosaic of Saint Jude Thaddeus was made by Marcello Mazzoli. The 134 modern stained glass windows were made in 1964 by Filipino artist Galo Ocampo. The window set, which was a programme of Marian themes, was commissioned and funded by Cardinal Santos.The artistic designs of the stained glass windows.

Manila Cathedral. Italy, and was designed and made by the Istituto Internazionale d’Arte Liturgica in Rome.The original cathedra bears the coat of arms of then Archbishop Rufino Santos before he was created a cardinal. His coat of arms and the Mexican onyx was covered by a stone until its restoration in 2021.The restored cathedra now bears a carving of the coat of arms Cardinal Jose Advincula, the present archbishop, imposed on top of white Indian marble.Manila Cathedral-Basilica Re-Opening (April 9, 2014 Eucharist after Restoration and Retrofitting)Roman Catholic Archdiocese of ManilaRoman Catholicism in the PhilippinesSan Agustin ChurchIntramuros Official website of Manila Cathedral.


Question: What product does this object produce?

Instruction: Determine the Wikipedia snippet that matches the question of this image.

Pottery. Pottery is the process and the products of forming vessels and other objects with clay and other ceramic materials, which are fired at high temperatures to give them a hard and durable form. Major types include earthenware, stoneware and porcelain. The place where such wares are made by a "potter" is also called a "pottery" (plural "potteries"). The definition of "pottery", used by the ASTM International, is "all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products." In art history and archaeology, especially of ancient and prehistoric periods, "pottery" often means vessels only, and sculpted.

Pottery. figurines of the same material are called "terracottas". Pottery is one of the oldest human inventions, originating before the Neolithic period, with ceramic objects like the Gravettian culture Venus of Dolní Věstonice figurine discovered in the Czech Republic dating back to 29,000–25,000 BC, and pottery vessels that were discovered in Jiangxi, China, which date back to 18,000 BC. Early Neolithic and pre-Neolithic pottery artifacts have been found, in Jōmon Japan (10,500 BC), the Russian Far East (14,000 BC), Sub-Saharan Africa (9,400 BC), South America (9,000s–7,000s BC), and the Middle East (7,000s–6,000s BC).Pottery is made by forming a ceramic (often clay).

Pottery. body into objects of a desired shape and heating them to high temperatures (600–1600 °C) in a bonfire, pit or kiln and induces reactions that lead to permanent changes including increasing the strength and rigidity of the object. Much pottery is purely utilitarian, but some can also be regarded as ceramic art. A clay body can be decorated before or after firing.Clay-based pottery can be divided into three main groups: earthenware, stoneware and porcelain. These require increasingly more specific clay material, and increasingly higher firing temperatures. All three are made in glazed and unglazed varieties, for different purposes. All may.

Pottery. also be decorated by various techniques. In many examples the group a piece belongs to is immediately visually apparent, but this is not always the case. The fritware of the Islamic world does not use clay, so technically falls outside these groups. Historic pottery of all these types is often grouped as either "fine" wares, relatively expensive and well-made, and following the aesthetic taste of the culture concerned, or alternatively "coarse", "popular", "folk" or "village" wares, mostly undecorated, or simply so, and often less well-made.Cooking in clay pots became less popular once metal pots became available, but is still used.

Pottery. for dishes that depend on the qualities of pottery cooking, such as biryani, cassoulet, daube, tagine, jollof rice, kedjenou, cazuela, and baked beans.## Main types.## Earthenware.The earliest forms of pottery were made from clays that were fired at low temperatures, initially in pit-fires or in open bonfires. They were hand formed and undecorated. Earthenware can be fired as low as 600 °C, and is normally fired below 1200 °C. Because unglazed biscuit earthenware is porous, it has limited utility for the storage of liquids or as tableware. However, earthenware has had a continuous history from the Neolithic period to today.

Pottery. It can be made from a wide variety of clays, some of which fire to a buff, brown or black colour, with iron in the constituent minerals resulting in a reddish-brown. Reddish coloured varieties are called terracotta, especially when unglazed or used for sculpture. The development of ceramic glaze made impermeable pottery possible, improving the popularity and practicality of pottery vessels. The addition of decoration has evolved throughout its history.## Stoneware.Stoneware is pottery that has been fired in a kiln at a relatively high temperature, from about 1,100 °C to 1,200 °C, and is stronger and non-porous to liquids. The.

Pottery. as art.## Porcelain.Porcelain is made by heating materials, generally including kaolin, in a kiln to temperatures between 1200 and 1400 (°C). This is higher than used for the other types, and achieving these temperatures was a long struggle, as well as realizing what materials were needed. The toughness, strength and translucence of porcelain, relative to other types of pottery, arises mainly from vitrification and the formation of the mineral mullite within the body at these high temperatures.Although porcelain was first made in China, the Chinese traditionally do not recognise it as a distinct category, grouping it with stoneware as "high-fired.

Pottery. ware, opposed to "low-fired" earthenware. This confuses the issue of when it was first made. A degree of translucency and whiteness was achieved by the Tang dynasty (AD 618–906), and considerable quantities were being exported. The modern level of whiteness was not reached until much later, in the 14th century. Porcelain was also made in Korea and in Japan from the end of the 16th century, after suitable kaolin was located in those countries. It was not made effectively outside East Asia until the 18th century.## Archaeology.The study of pottery can help to provide an insight into past cultures. Fabric.

Pottery. analysis (see section below), used to analyse the "fabric of pottery", is important part of archaeology for understanding the archaeological culture of the excavated site by studying the fabric of artifacts, such as their usage, source material composition, decorative pattern, color of patterns, etc. This helps to understand characteristics, sophistication, habits, technology, tools, trade, etc. of the people who made and used the pottery. Carbon dating reveals the age. Sites with similar pottery characteristics have the same culture, those sites which have distinct cultural characteristics but with some overlap are indicative of cultural exchange such as trade or living in.

Pottery. vicinity or continuity of habitation, etc. Examples are black and red ware, redware, Sothi-Siswal culture and Painted Grey Ware culture. The six fabrics of Kalibangan is a good example of use of fabric analysis in identifying a differentiated culture which was earlier thought to be typical Indus Valley civilisation (IVC) culture.Pottery is durable, and fragments, at least, often survive long after artifacts made from less-durable materials have decayed past recognition. Combined with other evidence, the study of pottery artefacts is helpful in the development of theories on the organisation, economic condition and the cultural development of the societies that produced.

Pottery. or acquired pottery. The study of pottery may also allow inferences to be drawn about a culture's daily life, religion, social relationships, attitudes towards neighbours, attitudes to their own world and even the way the culture understood the universe.Chronologies based on pottery are often essential for dating non-literate cultures and are often of help in the dating of historic cultures as well. Trace-element analysis, mostly by neutron activation, allows the sources of clay to be accurately identified and the thermoluminescence test can be used to provide an estimate of the date of last firing. Examining fired pottery shards from prehistory,.

Pottery. of minerals in a rock. For Archaeologists, the "fabric analysis" of pottery entails the study of "clay matrix" and "inclusions" in the clay body as well as the "firing temperature and conditions". Analysis is done to examine the following 3 in detail: how pottery was made e.g. material, design such as shape and style, etc. its decorations, such as patterns, colors of patterns, slipped (glazing) or unslipped decoration evidence of type of use.The Six fabrics of Kalibangan is a good example of fabric analysis.## Clay bodies and mineral contents.Body (or clay body) is a term for the main pottery form.

Pottery. of these different clays is composed of different types and amounts of minerals that determine the characteristics of resulting pottery. There can be regional variations in the properties of raw materials used for the production of pottery, and these can lead to wares that are unique in character to a locality. It is common for clays and other materials to be mixed to produce clay bodies suited to specific purposes. A common component of clay bodies is the mineral kaolinite. Other minerals in the clay, such as feldspar, act as fluxes which lower the vitrification temperature of bodies. Following is.

Pottery. a list of different types of clay used for pottery. Kaolin, is sometimes referred to as china clay because it was first used in China. Used for porcelain. Ball clay: An extremely plastic, fine grained sedimentary clay, which may contain some organic matter. Small amounts can be added to porcelain bodies to increase plasticity. Fire clay: A clay having a slightly lower percentage of fluxes than kaolin, but usually quite plastic. It is highly heat resistant form of clay which can be combined with other clays to increase the firing temperature and may be used as an ingredient to make.

Pottery. stoneware type bodies. Stoneware clay: Suitable for creating stoneware. Has many of the characteristics between fire clay and ball clay, having finer grain, like ball clay but is more heat resistant like fire clays. Common red clay and shale clay have vegetable and ferric oxide impurities which make them useful for bricks, but are generally unsatisfactory for pottery except under special conditions of a particular deposit. Bentonite: An extremely plastic clay which can be added in small quantities to short clay to increase the plasticity.## Production of pottery.Production of pottery includes the following three stages: making clay body, i.e. paste.

Pottery. or putty. shaping and moulding firing or baking decorating, such as glazing (slipping), painting, etc.## Shaping methods.Pottery can be shaped by a range of methods that include:## Firing.Firing produces irreversible changes in the body. It is only after firing that the article or material is pottery. In lower-fired pottery, the changes include sintering, the fusing together of coarser particles in the body at their points of contact with each other. In the case of porcelain, where different materials and higher firing-temperatures are used, the physical, chemical and mineralogical properties of the constituents in the body are greatly altered. In all.

Pottery. cases, the reason for firing is to permanently harden the wares and the firing regime must be appropriate to the materials used to make them. As a rough guide, modern earthenwares are normally fired at temperatures in the range of about 1,000°C (1,830 °F) to 1,200 (C); stonewares at between about 1100 (C) to 1300 (C); and porcelains at between about 1200 (C) to 1400 (C). Historically, reaching high temperatures was a long-lasting challenge, and earthenware can be fired effectively as low as 600°C, achievable in primitive pit firing.## Firing methods.Firing pottery can be done using a variety of methods,.

Pottery. than a brick or stone kiln. Unfired pots are first brought to the place where a mound will be built, customarily by the women and girls of the village. The mound's foundation is made by placing sticks on the ground, then:## Firing stages.Before being shaped, clay must be prepared. Kneading helps to ensure an even moisture content throughout the body. Air trapped within the clay body needs to be removed. This is called de-airing and can be accomplished either by a machine called a vacuum pug or manually by wedging. Wedging can also help produce an even moisture content. Once.

Pottery. changes that will change the material. "Glaze fired" is the final stage of some pottery making, or "glost fired". A glaze may be applied to the bisque form and the object can be decorated in several ways. After this the object is "glazed fired", which causes the glaze material to melt, then adhere to the object. Depending on the temperature schedule the glaze firing may also further mature the body as chemical and physical changes continue.## Decorating.Pottery may be decorated in many different ways. Some decoration can be done before or after the firing. Painting has been used since early.

Pottery. prehistoric times (China painting), and can be very elaborate. The painting is often applied to pottery that has been fired once, and may then be overlaid with a glaze afterwards. Many pigments change colour when fired, and the painter must allow for this. Glaze: Perhaps the most common form of decoration, that also serves as protection to the pottery, by being tougher and keeping liquid from penetrating the pottery. Glaze may be clear, especially over painting, or coloured and opaque. There is more detail in the section below. Carving: Pottery vessels may be decorated by shallow carving of the clay.

Pottery. body, typically with a knife or similar instrument used on the wheel. This is common in Chinese porcelain of the classic periods. Burnishing: The surface of pottery wares may be "burnished" prior to firing by rubbing with a suitable instrument of wood, steel or stone to produce a polished finish that survives firing. It is possible to produce very highly polished wares when fine clays are used or when the polishing is carried out on wares that have been partially dried and contain little water, though wares in this condition are extremely fragile and the risk of breakage is high.

Pottery. hand or by machine of a band of colour to the edge of a plate or cup. Also known as "lining", this operation is often carried out on a potter's wheel. Agateware is named after its resemblance to the quartz mineral agate which has bands or layers of colour that are blended together, agatewares are made by blending clays of differing colours together but not mixing them to the extent that they lose their individual identities. The wares have a distinctive veined or mottled appearance. The term "agateware" is used to describe such wares in the United Kingdom; in Japan.

Pottery. the term ""neriage" is used and in China, where such things have been made since at least the Tang Dynasty, they are called "marbled" wares. Great care is required in the selection of clays to be used for making agatewares as the clays used must have matching thermal movement characteristics. : This is a clay slip, that is used to coat the surface of pottery, usually before firing. Its purpose is often decorative though it can also be used to mask undesirable features in the clay to which it is applied. Engobe slip may be applied by painting or by.

Pottery. dipping to provide a uniform, smooth, coating. Engobe has been used by potters from pre-historic times until the present day and is sometimes combined with sgraffito decoration, where a layer of engobe is scratched through to reveal the colour of the underlying clay. With care it is possible to apply a second coat of engobe of a different colour to the first and to incise decoration through the second coat to expose the colour of the underlying coat. Engobes used in this way often contain substantial amounts of silica, sometimes approaching the composition of a glaze. Gold: Decoration with gold.

Pottery. used for the decoration only of ware of the highest class. "Bright Gold" – consists of a solution of gold sulphoresinate together with other metal resonates and a flux. The name derives from the appearance of the decoration immediately after removal from the kiln as it requires no burnishing "Mussel Gold" – an old method of gold decoration. It was made by rubbing together gold leaf, sugar and salt, followed by washing to remove solubles## Glazing.Glaze is a glassy coating on pottery, the primary purposes of which are decoration and protection. One important use of glaze is to render porous.

Pottery. pottery vessels impermeable to water and other liquids. Glaze may be applied by dusting the unfired composition over the ware or by spraying, dipping, trailing or brushing on a thin slurry composed of the unfired glaze and water. The colour of a glaze after it has been fired may be significantly different from before firing. To prevent glazed wares sticking to kiln furniture during firing, either a small part of the object being fired (for example, the foot) is left unglazed or, alternatively, special refractory "spurs"" are used as supports. These are removed and discarded after the firing.Some specialised glazing.

Pottery. techniques include: Salt-glazing, where common salt is introduced to the kiln during the firing process. The high temperatures cause the salt to volatize, depositing it on the surface of the ware to react with the body to form a sodium aluminosilicate glaze. In the 17th and 18th centuries, salt-glazing was used in the manufacture of domestic pottery. Now, except for use by some studio potters, the process is obsolete. The last large-scale application before its demise in the face of environmental clean air restrictions was in the production of salt-glazed sewer-pipes. Ash glazing – ash from the combustion of plant.

Pottery. matter has been used as the flux component of glazes. The source of the ash was generally the combustion waste from the fuelling of kilns although the potential of ash derived from arable crop wastes has been investigated. Ash glazes are of historical interest in the Far East although there are reports of small-scale use in other locations such as the Catawba Valley Pottery in the United States. They are now limited to small numbers of studio potters who value the unpredictability arising from the variable nature of the raw material. Underglaze decoration (in the manner of many blue and.

Pottery. white wares). Underglaze may be applied by brush strokes, air brush, or by pouring the underglaze into the mould, covering the inside, creating a swirling effect, then the mould is filled with slip. In-glaze decoration On-glaze decoration Enamel## History.A great part of the history of pottery is prehistoric, part of past pre-literate cultures. Therefore, much of this history can only be found among the artifacts of archaeology. Because pottery is so durable, pottery and shards of pottery survive from millennia at archaeological sites, and are typically the most common and important type of artifact to survive. Many prehistoric cultures are.

Pottery. named after the pottery that is the easiest way to identify their sites, and archaeologists develop the ability to recognise different types from the chemistry of small shards.Before pottery becomes part of a culture, several conditions must generally be met. First, there must be usable clay available. Archaeological sites where the earliest pottery was found were near deposits of readily available clay that could be properly shaped and fired. China has large deposits of a variety of clays, which gave them an advantage in early development of fine pottery. Many countries have large deposits of a variety of clays. Second,.

Pottery. it must be possible to heat the pottery to temperatures that will achieve the transformation from raw clay to ceramic. Methods to reliably create fires hot enough to fire pottery did not develop until late in the development of cultures. Third, the potter must have time available to prepare, shape and fire the clay into pottery. Even after control of fire was achieved, humans did not seem to develop pottery until a sedentary life was achieved. It has been hypothesized that pottery was developed only after humans established agriculture, which led to permanent settlements. However, the oldest known pottery is.

Pottery. from the Czech Republic and dates to 28,000 BC, at the height of the ice age, long before the beginnings of agriculture. Fourth, there must be a sufficient need for pottery in order to justify the resources required for its production. Methods of forming: Hand-shaping was the earliest method used to form vessels. This included the combination of pinching and coiling. Firing: The earliest method for firing pottery wares was the use of bonfires pit fired pottery. Firing times might be short but the peak-temperatures achieved in the fire could be high, perhaps in the region of 900 (°C), and.

Pottery. were reached very quickly. Clay: Early potters used whatever clay was available to them in their geographic vicinity. However, the lowest quality common red clay was adequate for low-temperature fires used for the earliest pots. Clays tempered with sand, grit, crushed shell or crushed pottery were often used to make bonfire-fired ceramics because they provided an open-body texture that allowed water and volatile components of the clay to escape freely. The coarser particles in the clay also acted to restrain shrinkage during drying, and hence reduce the risk of cracking. Form: In the main, early bonfire-fired wares were made with.

Pottery. rounded bottoms to avoid sharp angles that might be susceptible to cracking. Glazing: the earliest pots were not glazed. The potter's wheel was invented in Mesopotamia sometime between 6,000 and 4,000 BC (Ubaid period) and revolutionised pottery production. Moulds were used to a limited extent as early as the 5th and 6th century BC by the Etruscans and more extensively by the Romans. Slipcasting, a popular method for shaping irregular shaped articles. It was first practised, to a limited extent, in China as early as the Tang dynasty. Transition to kilns: The earliest intentionally constructed were pit-kilns or trench-kilns—holes dug.

Pottery. in the ground and covered with fuel. Holes in the ground provided insulation and resulted in better control over firing. Kilns: Pit fire methods were adequate for creating simple earthenware, but other pottery types needed more sophisticated kilns (see below kilns).## History by region.## Beginnings of pottery.Pottery may well have been discovered independently in various places, probably by accidentally creating it at the bottom of fires on a clay soil. All the earliest vessel forms were pit fired and made by coiling, which is a simple technology to learn. The earliest-known ceramic objects are Gravettian figurines such as those discovered.

Pottery. at Dolní Věstonice in the modern-day Czech Republic. The Venus of Dolní Věstonice is a Venus figurine, a statuette of a nude female figure dated to 29,000–25,000 BC (Gravettian industry). Sherds have been found in China and Japan from a period between 12,000 and perhaps as long as 18,000 years ago. As of 2012, the earliest pottery found anywhere in the world, dating to 20,000 to 19,000 years before the present, was found at Xianrendong Cave in the Jiangxi province of China.Other early pottery vessels include those excavated from the Yuchanyan Cave in southern China, dated from 16,000 BC, and.

Pottery. those found in the Amur River basin in the Russian Far East, dated from 14,000 BC.The Odai Yamamoto I site, belonging to the Jōmon period, currently has the oldest pottery in Japan. Excavations in 1998 uncovered earthenware fragments which have been dated as early as 14,500 BC.The term "Jōmon" means "cord-marked" in Japanese. This refers to the markings made on the vessels and figures using sticks with cords during their production. Recent research has elucidated how Jōmon pottery was used by its creators.It appears that pottery was independently developed in Sub-Saharan Africa during the 10th millennium BC, with findings dating.

Pottery. to at least 9,400 BC from central Mali, and in South America during the 9,000s–7,000s BC. The Malian finds date to the same period as similar finds from East Asia – the triangle between Siberia, China and Japan – and are associated in both regions to the same climatic changes (at the end of the ice age new grassland develops, enabling hunter-gatherers to expand their habitat), met independently by both cultures with similar developments: the creation of pottery for the storage of wild cereals (pearl millet), and that of small arrowheads for hunting small game typical of grassland. Alternatively, the.

Pottery. creation of pottery in the case of the Incipient Jōmon civilisation could be due to the intensive exploitation of freshwater and marine organisms by late glacial foragers, who started developing ceramic containers for their catch.## East Asia.In Japan, the Jōmon period has a long history of development of Jōmon pottery which was characterized by impressions of rope on the surface of the pottery created by pressing rope into the clay before firing. Glazed Stoneware was being created as early as the 15th century BC in China. A form of Chinese porcelain became a significant Chinese export from the Tang Dynasty.

Pottery. (AD 618–906) onwards. Korean potters adopted porcelain as early as the 14th century AD. Japanese porcelain was made in the early 16th century after Shonzui Goradoyu-go brought back the secret of its manufacture from the Chinese kilns at Jingdezhen.In contrast to Europe, the Chinese elite used pottery extensively at table, for religious purposes, and for decoration, and the standards of fine pottery were very high. From the Song dynasty (960–1279) for several centuries elite taste favoured plain-coloured and exquisitely formed pieces; during this period true porcelain was perfected in Ding ware, although it was the only one of the Five.

Pottery. had also conquered. At the same time Jingdezhen porcelain, produced in Imperial factories, took the undisputed leading role in production, which it has retained to the present day. The new elaborately painted style was now favoured at court, and gradually more colours were added.The secret of making such porcelain was sought in the Islamic world and later in Europe when examples were imported from the East. Many attempts were made to imitate it in Italy and France. However it was not produced outside of the Orient until 1709 in Germany.## South Asia.Cord-Impressed style pottery belongs to 'Mesolithic' ceramic tradition that.

Pottery. developed among Vindhya hunter-gatherers in Central India during the Mesolithic period. This ceramic style is also found in later Proto-Neolithic phase in nearby regions. This early type of pottery, also found at the site of Lahuradewa, is currently the oldest known pottery tradition in South Asia, dating back to 7,000–6,000 BC. Wheel-made pottery began to be made during the Mehrgarh Period II (5,500–4,800 BC) and Merhgarh Period III (4,800–3,500 BC), known as the ceramic Neolithic and chalcolithic. Pottery, including items known as the ed-Dur vessels, originated in regions of the Saraswati River / Indus River and have been found in.

Pottery. a number of sites in the Indus Civilization.Despite an extensive prehistoric record of pottery, including painted wares, little "fine" or luxury pottery was made in the subcontinent in historic times. Hinduism discourages eating off pottery, which probably largely accounts for this. Most traditional Indian pottery vessels are large pots or jars for storage, or small cups or lamps, often treated as disposable. In contrast there are long traditions of sculpted figures, often rather large, in terracotta.## Southeast Asia.Pottery in Southeast Asia is as diverse as its ethnic groups. Each ethnic group has their own set of standards when it comes.

Pottery. to pottery arts. Potteries are made due to various reasons, such as trade, food and beverage storage, kitchen usage, religious ceremonies, and burial purposes.## West Asia.Around 8000 BC during the Pre-pottery Neolithic period, and before the invention of pottery, several early settlements became experts in crafting beautiful and highly sophisticated containers from stone, using materials such as alabaster or granite, and employing sand to shape and polish. Artisans used the veins in the material to maximum visual effect. Such objects have been found in abundance on the upper Euphrates river, in what is today eastern Syria, especially at the site.

Pottery. of Bouqras.The earliest history of pottery production in the Fertile Crescent starts the Pottery Neolithic and can be divided into four periods, namely: the Hassuna period (7000–6500 BC), the Halaf period (6500–5500 BC), the Ubaid period (5500–4000 BC), and the Uruk period (4000–3100 BC). By about 5000 BC pottery-making was becoming widespread across the region, and spreading out from it to neighbouring areas.Pottery making began in the 7th millennium BC. The earliest forms, which were found at the Hassuna site, were hand formed from slabs, undecorated, unglazed low-fired pots made from reddish-brown clays. Within the next millennium, wares were decorated.

Pottery. with elaborate painted designs and natural forms, incising and burnished.The invention of the potter's wheel in Mesopotamia sometime between 6000 and 4000 BC (Ubaid period) revolutionized pottery production. Newer kiln designs could fire wares to 1050 (C) to 1200 (C) which enabled new possibilities and new preparation of clays. Production was now carried out by small groups of potters for small cities, rather than individuals making wares for a family. The shapes and range of uses for ceramics and pottery expanded beyond simple vessels to store and carry to specialized cooking utensils, pot stands and rat traps. As the region.

Pottery. developed, new organizations and political forms, pottery became more elaborate and varied. Some wares were made using moulds, allowing for increased production for the needs of the growing populations. Glazing was commonly used and pottery was more decorated.In the Chalcolithic period in Mesopotamia, Halafian pottery achieved a level of technical competence and sophistication, not seen until the later developments of Greek pottery with Corinthian and Attic ware.## Europe.Europe's oldest pottery, dating from circa 6700 BC, was found on the banks of the Samara River in the middle Volga region of Russia. These sites are known as the Yelshanka culture.The early.

Pottery. inhabitants of Europe developed pottery in the Linear Pottery culture slightly later than the Near East, circa 5500–4500 BC. In the ancient Western Mediterranean elaborately painted earthenware reached very high levels of artistic achievement in the Greek world; there are large numbers of survivals from tombs. Minoan pottery was characterized by complex painted decoration with natural themes. The classical Greek culture began to emerge around 1000 BC featuring a variety of well crafted pottery which now included the human form as a decorating motif. The pottery wheel was now in regular use. Although glazing was known to these potters, it.

Pottery. was not widely used. Instead, a more porous clay slip was used for decoration. A wide range of shapes for different uses developed early and remained essentially unchanged during Greek history.Fine Etruscan pottery was heavily influenced by Greek pottery and often imported Greek potters and painters. Ancient Roman pottery made much less use of painting, but used moulded decoration, allowing industrialized production on a huge scale. Much of the so-called red Samian ware of the Early Roman Empire was in fact produced in modern Germany and France, where entrepreneurs established large potteries. Excavations at Augusta Raurica, near Basel, Switzerland, have.

Pottery. revealed a pottery production site in use from the 1st to the 4th century AD. Pottery was hardly seen on the tables of elites from Hellenistic times until the Renaissance, and most medieval wares were coarse and utilitarian, as the elites ate off metal vessels. Painted Hispano-Moresque ware from Spain, developing the styles of Islamic Spain, became a luxury for late medieval elites, and was adapted in Italy into "maiolica" in the Italian Renaissance. Both of these were faience or tin-glazed earthenware, and fine faience continued to be made until around 1800 in various countries, especially France, with Nevers faience.

Pottery. and several other centres. In the 17th century, imports of Chinese export porcelain and its Japanese equivalent raised the market expectations of fine pottery, and European manufacturers eventually learned to make porcelain, often in the form of "artificial" or soft-paste porcelain, and from the 18th century European porcelain and other wares from a great number of producers became extremely popular, reducing Asian imports.## United Kingdom.The English city of Stoke-on-Trent is widely known as "The Potteries" because of the large number of pottery factories or, colloquially, "Pot Banks". It was one of the first industrial cities of the modern era where,.

Pottery. as early as 1785, two hundred pottery manufacturers employed 20,000 workers. Josiah Wedgwood (1730–1795) was the dominant leader.In North Staffordshire hundreds of companies produced all kinds of pottery, from tablewares and decorative pieces to industrial items. The main pottery types of earthenware, stoneware and porcelain were all made in large quantities, and the Staffordshire industry was a major innovator in developing new varieties of ceramic bodies such as bone china and jasperware, as well as pioneering transfer printing and other glazing and decorating techniques. In general Staffordshire was strongest in the middle and low price ranges, though the finest and.

Pottery. most expensive types of wares were also made.By the late 18th century North Staffordshire was the largest producer of ceramics in Britain, despite significant centres elsewhere. Large export markets took Staffordshire pottery around the world, especially in the 19th century. Production had begun to decline in the late 19th century, as other countries developed their industries, and declined steeply after World War II. Some production continues in the area, but at a fraction of the levels at the peak of the industry.## Islamic pottery.Early Islamic pottery followed the forms of the regions which the Muslims conquered. Eventually, however, there was.

Pottery. cross-fertilization between the regions. This was most notable in the Chinese influences on Islamic pottery. Trade between China and Islam took place via the system of trading posts over the lengthy Silk Road. Islamic nations imported stoneware and later porcelain from China. China imported the minerals for Cobalt blue from the Islamic ruled Persia to decorate their blue and white porcelain, which they then exported to the Islamic world.Likewise, Islamic art contributed to a lasting pottery form identified as Hispano-Moresque in Andalucia (Islamic Spain). Unique Islamic forms were also developed, including fritware, lusterware and specialized glazes like tin-glazing, which led.

Pottery. to the development of the popular maiolica.One major emphasis in ceramic development in the Muslim world was the use of tile and decorative tilework.## Americas.Most evidence points to an independent development of pottery in the Native American cultures, with the earliest known dates from Brazil, from 9,500 to 5,000 years ago and 7,000 to 6,000 years ago. Further north in Mesoamerica, dates begin with the Archaic Era (3500–2000 BC), and into the Formative period (2000 BC – AD 200). These cultures did not develop the stoneware, porcelain or glazes found in the Old World. Maya ceramics include finely painted vessels,.

Pottery. usually beakers, with elaborate scenes with several figures and texts. Several cultures, beginning with the Olmec, made terracotta sculpture, and sculptural pieces of humans or animals that are also vessels are produced in many places, with Moche portrait vessels among the finest.## Africa.Evidence indicates an independent invention of pottery in Sub-Saharan Africa. In 2007, Swiss archaeologists discovered pieces of some of the oldest pottery in Africa at Ounjougou in Central Mali, dating back to at least 9,400 BC. Excavations in the Bosumpra Cave on the Kwahu Plateau in southeastern Ghana, have revealed well-manufactured pottery decorated with channelling and impressed peigne.

Pottery. fileté rigide dating from the early tenth-millennium cal. BC. In later periods, a relationship of the introduction of pot-making in some parts of Sub-Saharan Africa with the spread of Bantu languages has been long recognized, although the details remain controversial and awaiting further research, and no consensus has been reached.Ancient Egyptian pottery begins after 5,000 BC, having spread from the Levant. There were many distinct phases of development in pottery, with very sophisticated wares being produced by the Naqada III period, c. 3,200 to 3,000 BC. During the early Mediterranean civilizations of the fertile crescent, Egypt developed a non-clay-based ceramic.

Pottery. which has come to be called Egyptian faience. A similar type of body is still made in Jaipur in India. During the Umayyad Caliphate of Islam, Egypt was a link between early centre of Islam in the Near East and Iberia which led to the impressive style of pottery.It is valuable to look into pottery as an archaeological record of potential interaction between peoples. When pottery is placed within the context of linguistic and migratory patterns, it becomes an even more prevalent category of social artifact. As proposed by Olivier P. Gosselain, it is possible to understand ranges of cross-cultural.

Pottery. interaction by looking closely at the "chaîne opératoire" of ceramic production.The methods used to produce pottery in early Sub-Saharan Africa are divisible into three categories: techniques visible to the eye (decoration, firing and post-firing techniques), techniques related to the materials (selection or processing of clay, etc.), and techniques of molding or fashioning the clay. These three categories can be used to consider the implications of the reoccurrence of a particular sort of pottery in different areas. Generally, the techniques that are easily visible (the first category of those mentioned above) are thus readily imitated, and may indicate a more distant.

Pottery. connection between groups, such as trade in the same market or even relatively close proximity in settlements. Techniques that require more studied replication (i.e., the selection of clay and the fashioning of clay) may indicate a closer connection between peoples, as these methods are usually only transmissible between potters and those otherwise directly involved in production. Such a relationship requires the ability of the involved parties to communicate effectively, implying pre-existing norms of contact or a shared language between the two. Thus, the patterns of technical diffusion in pot-making that are visible via archaeological findings also reveal patterns in societal.

Pottery. interaction.## Oceania.Polynesia, Melanesia and MicronesiaPottery has been found in archaeological sites across the islands of Oceania. It is attributed to an ancient archaeological culture called the Lapita. Another form of pottery called Plainware is found throughout sites of Oceania. The relationship between Lapita pottery and Plainware is not altogether clear.The Indigenous Australians never developed pottery. After Europeans came to Australia and settled, they found deposits of clay which were analysed by English potters as excellent for making pottery. Less than 20 years later, Europeans came to Australia and began creating pottery. Since then, ceramic manufacturing, mass-produced pottery and studio pottery.

Pottery. have flourished in Australia.## Production issues (health and environment).Although many of the environmental effects of pottery production have existed for millennia, some of these have been amplified with modern technology and scales of production. The principal factors for consideration fall into two categories: (a) effects on workers, and (b) effects on the general environment.The chief risks on worker health include heavy metal poisoning, poor indoor air quality, dangerous sound levels and possible over-illumination.Historically, "plumbism" (lead poisoning) was a significant health concern to those glazing pottery. This was recognised at least as early as the nineteenth century, and the first legislation.

Pottery. in the United Kingdom to limit pottery workers' exposure was introduced in 1899.Proper ventilation to guarantee adequate indoor air quality can reduce or eliminate workers' exposure to fine particulate matter, carbon monoxide, certain heavy metals, and crystalline silica (which can lead to silicosis). A more recent study at Laney College, Oakland, California suggests that all these factors can be controlled in a well-designed workshop environment.The primary environmental concerns include off-site water pollution, air pollution, disposal of hazardous materials, and fuel consumption. Glossary of pottery terms American art pottery Celadon Ceramics of indigenous peoples of the Americas Chinese ceramics including porcelain.

Pottery. Delftware Dipped ware Faience History of ceramic art Ironstone ware Jasperware Korean ceramics Kakiemon pottery Latvian pottery Latgalian pottery Maiolica of Renaissance Italy Majolica Palissy ware Persian pottery Sancai Sea pottery Slipware SylvaC Victorian majolica Cooper, Emmanuel, "10,000 Years of Pottery", 4th ed., 2010, University of Pennsylvania Press, Savage, George, "Pottery Through the Ages", Penguin, 1959, ASTM Standard C 242-01 "Standard Terminology of Ceramic Whitewares and Related Products" Ashmore, Wendy & Sharer, Robert J., (2000). "Discovering Our Past: A Brief Introduction to Archaeology Third Edition". Mountain View, CA: Mayfield Publishing Company. Barnett, William & Hoopes, John (Eds.) (1995). "The Emergence.


Question: What is the closest upper taxonomy of this plant?

Instruction: You have to find a Wikipedia segment that answers the question about the displayed image.

Prumnopitys ferruginea. Prumnopitys ferruginea, commonly called miro, is an evergreen coniferous tree which is endemic to New Zealand. Before the genus "Prumnopitys" was distinguished, it was treated in the related genus "Podocarpus" as "Podocarpus ferrugineus".It grows up to 25 m high, with a trunk up to 1.3 m diameter. The leaves are linear to sickle-shaped, 15–25 mm long and 2–3 mm broad, with downcurved margins. The plants are dioecious with pollen cones being solitary while those of female plants hang from a curved, scaly stalk. The seed cones are highly modified, reduced to a central stem 2–3 cm long bearing 1-3 scales,.

Prumnopitys ferruginea. each scale maturing berry-like, oval, about 20 mm long and 10–15 mm broad, red to purple-red with a soft edible pulp covering the single seed. The seeds are dispersed by the New Zealand pigeon, which eats the very conspicuous 'berries' and passes the seeds in its droppings. It is found growing on both lowland terrain and on hill slopes throughout the two main islands as well as on Stewart Island/Rakiura (47° S). The Tree can live for at least 600 years.The scientific name "ferruginea" derives from the rusty colour of dried herbarium specimens of the leaves.## Distinguishing miro from matai.Miro.

Prumnopitys ferruginea. is distinguished from the related, and (initially) very similar looking matai ("Prumnopitys taxifolia") in four aspects of its anatomy; its cones, bark, seeds and leaves. Miro trees have longer, broader leaves with green undersides while those of matai leaves are white. In addition, the leaves of miro generally narrow to a point, whereas those of matai are rounded, sometimes with a small point right at the very tip. Fine, flat, feathery foliage.Miro trees have cones of some hue of red in colour while those of matai are blue-black. Miro also have relatively longer cones which are oval and red in.

Prumnopitys ferruginea. colour.Like matai, the bark of more mature miro trees flakes off to leave a distinctive "hammer mark pattern", but unlike matai, the pattern is not as pronounced nor as colourful (areas from which bark flakes have recently fallen in matai often have a striking red colour that fades over time back to brown). these leaves take up to 3 years to decompose."Nature guide to the New Zealand forest", John Dawson and Rob Lucas, Godwit, 2000"The Trees of New Zealand", L. Cockyane, E. Phillips Turner, Government printer, 1943"Trees and shrubs of New Zealand", A.L. Poole and N.M. Adams, Government printer, 1963Gymnosperm.

Prumnopitys ferruginea. Database: "Prumnopitys ferruginea"Photos of tree and foliage with cones.


Question: Which city or region does this building locate in?

Instruction: Retrieve a Wikipedia paragraph that provides an answer to the given query about the image.

Het Steen. Het Steen is a medieval fortress in the old city centre of Antwerp, Belgium, one of Europe's biggest ports. The surviving structure was built between 1200 and 1225 as a gateway to a larger castle of the Dukes of Brabant which was demolished in the 19th century. As the first stone fortress of Antwerp, Het Steen is Antwerp's oldest building and used to be its oldest urban centre. The words "Het Steen", are dutch for The Rock.The first documented mention of Antwerp Castle dates back to the 12th century. However, there was a castle here as early as the Carolingian.

Het Steen. period in the 9th century. The first castle may have been built after the Viking incursions in the early Middle Ages; in 879 the Normans invaded Flanders. The Margraviate of Antwerp came into being around 974. The Duchy of Lower Lotharingia was part of the Holy Roman Empire, while on the opposite bank of the Scheldt lay the county of Flanders, which was subordinate to the king of France. From 1076 to 1100 Godfrey of Bouillon was the Margrave of Antwerp. Godfrey I, Count of Louvain, received the duchy in 1106. His great-grandson was Henry I, Duke of Brabant who.

Het Steen. received the Duchy of Brabant in 1183.Previously known as Antwerpen Burcht (fortress), Het Steen gained its current name in around 1520, after significant rebuilding under Charles V. The rebuilding led to its being known first as "'s Heeren Steen" (the King's stone castle), and later simply as "Het Steen" (the stone castle). The Dutch word "steen" means "stone", and used to be used for "fortress" or "palace", as in the "Gravensteen" in Ghent, Belgium.The fortress made it possible to control the access to the Scheldt, the river on whose bank it stands. It was used as a prison between 1303.

Het Steen. and 1827. The largest part of the fortress, including dozens of historic houses and the oldest church of the city, was demolished in the 19th century when the quays were straightened to stop the silting up of the Scheldt. The remaining building, heavily changed, contains a shipping museum, with some old canal barges displayed on the quay outside.In 1890 Het Steen became the museum of archeology and in 1952 an annex was added to house the museum of Antwerp maritime history, which in 2011 moved to the nearby Museum Aan de Stroom. Here is also a war memorial to the.

Het Steen. Canadian soldiers in World War II.At the entrance to Het Steen is a bas-relief of Semini, above the archway, around 2nd century. Semini is the Scandinavian God of youth and fertility (with symbolic phallus). A historical plaque near Het Steen explains that women of the town appealed to Semini when they desired children; the god was reviled by later religious clergy. Inhabitants of Antwerp previously referred to themselves as "children of Semini". An organization concerned with the historic preservation of Het Steen and Semini, Antwerp Komitee Semini in Ere (AKSIE), formed in 1986, holds annual celebrations at Het Steen as.

Het Steen. cultural events.At the entrance bridge to the castle is a statue of a giant and two humans. It depicts the giant Lange Wapper who used to terrorise the inhabitants of the city in medieval times.Richard Wagner's opera "Lohengrin", which premiered in 1850, is set in Antwerp Castle around the year 933 under the reign of Henry the Fowler, with Elsa von Brabant as the main female protagonist and the swan knight Lohengrin, who magically appears on the river on a barge pulled by a swan when the king holds court hearing on the bank. Ludwig II of Bavaria had Neuschwanstein.

Het Steen. Castle designed by stage designers in 1869; its narrow rectangular inner courtyard is designed according to Wagner's stage directions for Antwerp Castle, with Elsa's wing on the left including the covered balcony on which she stands at the beginning of the second act.


Question: What is the weight of a male of this bird in kilogram?

Instruction: Retrieve a Wikipedia paragraph that provides an answer to the given query about the image.

Wandering albatross. The length of the body is about 107 to 135 (cm) with females being slightly smaller than males. Adults can weigh from 5.9 to 12.7 (kg), although most will weigh 6.35 to 11.91 (kg). On Macquarie Island, three males averaged 8.4 (kg) and three females averaged 6.2 (kg). In the Crozet Islands, males averaged 9.44 (kg) while females averaged 7.84 (kg). However, 10 unsexed adults from the Crozets averaged 9.6 (kg). On South Georgia, 52 males were found to average 9.11 (kg) while 53 females were found to average 7.27 (kg). Immature birds have been recorded weighing as much as.


Question: What has this place crossed over?

Instruction: You have to find a Wikipedia segment that answers the question about the displayed image.

Puente de Piedra (Zaragoza). The Puente de Piedra () is a bridge across the river Ebro in Zaragoza, Spain. The Puente de Piedra is also called the Bridge of Lions because since 1991 four lions (symbols of the city) have been placed on the pillars at each end of the bridge. The lion statues were designed by Francisco Rallo Lahoz.## History.Beginning in the 12th century the citizens of Zaragoza tried to build a bridge across the Ebro. In 1401–1440, the Puente de Piedra was built under the direction of Gil de Menestral. The flood in 1643 destroyed two central bridge spans. The bridge then.

Puente de Piedra (Zaragoza). looked as it does in the painting "View of Zaragoza" by Juan Bautista Martínez del Mazo (1647).In 1659 the bridge was reconstructed. Architect restored two destroyed towers and expanded the bridge piers. In 1789, architect Agustín Sanz strengthened the Ebro's bank at the Monastery of St. Lazarus to prevent the risk of flooding of the bridge. The reconstruction of the bridge was of great economic importance for the development of the region and all the country.## Literature.GUITART APARICIO, Cristóbal, «El Puente de Piedra», en Guillermo Fatás Cabeza, (coord.) Guía histórico-artística de Zaragoza, Zaragoza, Ayuntamiento (Servicio de acción cultural), 1991, págs.


Question: What is the installed power capacity of this in megawatt?

Instruction: Retrieve a Wikipedia paragraph that provides an answer to the given query about the image.

Battersea Power Station. Council.## Planning consent.The Council gave planning consent on 11 November 2010. REO hoped for construction to begin in 2011, but this has now been cancelled. The station structure itself was expected to be repaired and secure by 2016, with completion of the whole project by 2020. Plans now include the construction of 3,400 apartments and 3500000 (sqft) of office space. Approximately 28,000 inhabitants and 25,000 workers are expected to occupy the space once complete.## Lenders allow more time.Reuters reported on 1 September 2011 that lenders would allow more time for a new equity partner to be found:Lenders to the owner.

Battersea Power Station. with the Northern line extension and its new Battersea Power Station terminus completed in 2021. Circus West Village now has over 1500 residents and over 23 restaurants, cafes and retailers now open.WilkinsonEyre was appointed in 2013 to carry out the restoration of the Grade II* listed Power Station. Work commenced in 2013 and plans included the restoration of the art deco structure internally and externally, reconstruction of the chimneys, and refurbishment of the historic cranes and jetty as a new river taxi stop. Restoration work on the power station's chimneys was completed in 2017. In 2019, the jetty in front.

Battersea Power Station. provide "the gateway to the entire development and the new Northern line extension".## London Underground extension.The London Underground's Northern line has been extended to serve Nine Elms and the power station, branching off at Kennington station. Two stations, Nine Elms station and Battersea Power Station station, opened on 20 September 2021. The construction cost £1.1 billion and is 3 (km) long.## Apple.In September 2016, Apple announced plans to consolidate 1,400 London employees, from seven locations, at the station by 2021, occupying around 500,000 square feet of the power station building as its new London headquarters. The move was later delayed.


Question: What is the closest parent taxonomy of this animal?

Instruction: I want to find a paragraph from Wikipedia that answers my question about this image.

Wild boar. The wild boar (Sus scrofa), also known as the wild swine, common wild pig, Eurasian wild pig, or simply wild pig, is a suid native to much of Eurasia and North Africa, and has been introduced to the Americas and Oceania. The species is now one of the widest-ranging mammals in the world, as well as the most widespread suiform. It has been assessed as least concern on the IUCN Red List due to its wide range, high numbers, and adaptability to a diversity of habitats. It has become an invasive species in part of its introduced range. Wild boars.

Wild boar. the tiger and Komodo dragon respectively. The wild boar has a long history of association with humans, having been the ancestor of most domestic pig breeds and a big-game animal for millennia. Boars have also re-hybridized in recent decades with feral pigs; these boar–pig hybrids have become a serious pest wild animal in the Americas and Australia.## Terminology.As true wild boars became extinct in Great Britain before the development of Modern English, the same terms are often used for both true wild boar and pigs, especially large or semi-wild ones. The English "boar" stems from the Old English , which.

Wild boar. is thought to be derived from the West Germanic "bairaz", of unknown origin. Boar is sometimes used specifically to refer to males, and may also be used to refer to male domesticated pigs, especially breeding males that have not been castrated."Sow", the traditional name for a female, again comes from Old English and Germanic; it stems from Proto-Indo-European, and is related to the and Greek "hus", and more closely to the New High German . The young may be called "piglets" or "boarlets".The animals' specific name "scrofa" is Latin for 'sow'.## Hunting.In hunting terminology, boars are given different designations according.

Wild boar. groups, having the smallest relative brain size, more primitive dentition and unspecialised cranial structure.## Domestication.With the exception of domestic pigs in Timor and Papua New Guinea (which appear to be of Sulawesi warty pig stock), the wild boar is the ancestor of most pig breeds. Archaeological evidence suggests that pigs were domesticated from wild boar as early as 13,000–12,700 BCE in the Near East in the Tigris Basin, being managed in the wild in a way similar to the way they are managed by some modern New Guineans. Remains of pigs have been dated to earlier than 11,400 BCE in.

Wild boar. Cyprus. Those animals must have been introduced from the mainland, which suggests domestication in the adjacent mainland by then. There was also a separate domestication in China, which took place about 8,000 years ago.DNA evidence from sub-fossil remains of teeth and jawbones of Neolithic pigs shows that the first domestic pigs in Europe had been brought from the Near East. This stimulated the domestication of local European wild boars, resulting in a third domestication event with the Near Eastern genes dying out in European pig stock. Modern domesticated pigs have involved complex exchanges, with European domesticated lines being exported in.

Wild boar. turn to the ancient Near East. Historical records indicate that Asian pigs were introduced into Europe during the 18th and early 19th centuries. Domestic pigs tend to have much more developed hindquarters than their wild boar ancestors, to the point where 70% of their body weight is concentrated in the posterior, which is the opposite of wild boar, where most of the muscles are concentrated on the head and shoulders.## Synonymous species.The Heude's pig ("Sus bucculentus"), also known as the Indochinese warty pig or Vietnam warty pig, was an alleged pig species found in Laos and Vietnam. It was virtually.

Wild boar. the nicotinic acetylcholine receptor that protect against snake venom. Mongooses, honey badgers, hedgehogs, and pigs all have modifications to the receptor pocket which prevents the snake venom α-neurotoxin from binding. These represent four separate, independent mutations.## Social behaviour and life cycle.Boars are typically social animals, living in female-dominated sounders consisting of barren sows and mothers with young led by an old matriarch. Male boars leave their sounder at the age of 8–15 months, while females either remain with their mothers or establish new territories nearby. Subadult males may live in loosely knit groups, while adult and elderly males tend to.

Wild boar. DEFRA) study on wild boar living wild in Britain confirmed the presence of two populations of wild boar living in Britain; one in Kent/East Sussex and another in Dorset.Another DEFRA report, in February 2008, confirmed the existence of these two sites as 'established breeding areas' and identified a third in Gloucestershire/Herefordshire; in the Forest of Dean/Ross on Wye area. A 'new breeding population' was also identified in Devon. There is another significant population in Dumfries and Galloway. Populations estimates were as follows: The largest population, in Kent/East Sussex, was then estimated at 200 animals in the core distribution area. The.

Wild boar. vegetation and wetlands through wallowing, damaging water quality, coming into violent conflict with humans and pets and carrying pig and human diseases including brucellosis, trichinosis and pseudorabies. In some jurisdictions, it is illegal to import, breed, release, possess, sell, distribute, trade, transport, hunt, or trap Eurasian boars. Hunting and trapping is done systematically, to increase the chance of eradication and to remove the incentive to illegally release boars, which have mostly been spread deliberately by sport hunters.## History.While domestic pigs, both captive and feral (popularly termed "razorbacks"), have been in North America since the earliest days of European colonization, pure.

Wild boar. fenced enclosures in a game preserve in Hooper Bald, Graham County. Most of the specimens remained in the preserve for the next decade, until a large-scale hunt caused the remaining animals to break through their confines and escape. Some of the boars migrated to Tennessee, where they intermixed with both free-ranging and feral pigs in the area. In 1924, a dozen Hooper Bald wild pigs were shipped to California and released in a property between Carmel Valley and the Los Padres National Forest. These hybrid boar were later used as breeding stock on various private and public lands throughout the.

Wild boar. centrepiece of most medieval Christmas celebrations among the nobility. Although growing in popularity as a captive-bred source of food, the wild boar takes longer to mature than most domestic pigs and it is usually smaller and produces less meat. Nevertheless, wild boar meat is leaner and healthier than pork, being of higher nutritional value and having a much higher concentration of essential amino acids. Most meat-dressing organizations agree that a boar carcass should yield 50 (kg) of meat on average. Large specimens can yield 15 – 20 (kg) of fat, with some giants yielding 30 (kg) or more. A boar.

Wild boar. steps back, takes position and attacks again if the victim is still moving, only ending once the victim is completely incapacitated.Boar attacks on humans have been documented throughout history. The Romans and Ancient Greeks wrote of these attacks (Odysseus was wounded by a boar and Adonis was killed by one). A 2012 study compiling recorded attacks from 1825 to 2012 found accounts of 665 human victims of both wild boars and feral pigs, with the majority (19%) of attacks in the animal's native range occurring in India. Most of the attacks occurred in rural areas during the winter months in.

Wild boar. harvest techniques, fencing, toxic bait, corrals, and hunting. The most common tactic employed by private land owners in the United States is recreational hunting, however, this is generally not as effective on its own. Management strategies are most successful when they take into account reproduction, dispersion, and the differences between ideal resources for males and females. Babirusa Boar-baiting Domestic pig Feral pig Peccary Indian boar Boars in heraldry Apollonio, M. et al. (1988), "The systematics of the wild boar ("Sus scrofa" L.) in Italy", "Bolletino di Zoologia"a, 3:213–221 Carden, R.F. (2012) "Review of the Natural History of Wild Boar (Sus.

Wild boar. C. B. (2007), "Annotated Bibliography of the Wild Pig (Sus scrofa): Environmental Information Document", Washington Savannah River Company Padiglione, V. (1989), "Il cinghiale cacciatore: Antropologia simbolica della caccia in Sardegna", Armando Editore (collana Antropologia culturale) BBC profile Species Profile- Wild Boar ("Sus scrofa"), National Invasive Species Information Center, United States National Agricultural Library. Lists general information and resources for wild boar. A sounder of wild boars Wild pigs with piglets – white piglets with black spots Sow feeding piglets, Lodz (Poland) A wild boar struggling with plastic film, Lodz (Poland.


Question: What country does this building belong to?

Instruction: You have to find a Wikipedia segment that answers the question about the displayed image.

Meycauayan Church. The Saint Francis of Assisi Parish Church, commonly known as the Meycauayan Church or Simbahan sa Bayan, is a Roman Catholic church located in Meycauayan, Philippines. It is one of the oldest parishes in Bulacan which even predates the Malolos Cathedral established in 1580 and the Barasoain Church established in 1859. It is also the province's largest parish with an estimated population of about 80,000 parishioners. The church is the seat of the vicariate of St. Francis of Assisi in the Diocese of Malolos.## History.## Parish foundation.The parish was founded in 1578 by Fr. Juan de Plasencia and Fr. Diego.

Meycauayan Church. de Oropeza, the first batch of Franciscan priests to reach the Philippines in 1577. They built a small church made of nipa thatch and bamboo in a small area called "Sitio Torril", which is now part of Brgy. Bahay Pare in Meycauayan. The church was blown by a typhoon in 1588.The Franciscans also brought a wooden missionary cross when they arrived in Meycauayan, similar to Magellan's Cross. The cross was later found to be in the possession of a resident of Brgy. Bahay Pare. [The cross, now known as The Cross of Sitio Torril, is probably the oldest known religious.

Meycauayan Church. with hewn-stones by Fray Jose Cantos.In 1800, the bell tower was constructed by order of Fr. Francisco Gascueña, OFM. The said tower is one of the two of its kind in the Philippines with a large arch bridge connecting the church and the tower. The tower belfry housed five bells named "Maria Concepcion", the biggest, which was made by order of Fr. Antonio de Guadalajara in 1878; the "San Francisco", dedicated to the town's patron saint made by the order of Fr. Juan Fernandez in 1881; "San Jose", the smallest made by the order of Fr. Francisco Gascuena; and two.

Meycauayan Church. others.As a result of a furious typhoon, the entire town got flooded in 1802, causing much damages that the value of a sack of rice reached four pesos with four "reales" the following year. After this crisis, Fr. Gascueña managed to construct the narthex (an arch made of stone sustaining the choir) in 1804. Through the span of thirty-one years, Fr. Gascueña has showed all the kind virtues and charity to the poor, to whom he never denied alms whether they may be their parishioner or from other towns. He died in Meycauayan on November 18, 1831 and was buried.

Meycauayan Church. was constructed in 1880. The church-convent complex was seriously damaged by a strong typhoon in 1882.## Secularization.The first native clergyman to be assigned as parish priest in Meycauayan was Fr. Esteban Daez, a native of Polo, Obando, Bulacan. He was a coadjutor priest in 1892 before he became the "cura parroco interino" (interim parish priest) from 1898 to 1900.## American occupation.Both the Meycauayan Church and convent were occupied and became the temporary headquarters of the American soldiers in May 1899 after it was captured from the Filipinos revolutionaries during the Philippine–American War. Some of the church possessions were believed destroyed.

Meycauayan Church. or looted during their stay in the church complex. Following its return to the Catholic Church in 1903, a claim was filed by the Catholic Church in the Philippines to be paid by the United States of America regarding the church properties occupied, damaged or otherwise destroyed by American troops from 1899 to 1903 that amounted to 2,200 pesos with a monthly rental of 50 pesos for the convent-turned-to-headquarters.## Post War.During World War II, the church survived destruction unlike the churches in Manila. In 1946, then future President Diosdado Macapagal and former Dr. Evangelina Macaraeg were wed at the church.

Meycauayan Church. and his wife traveled to Omaha to formally receive the artifact from Sister Judith Frikker, President of the Sisters of Mercy West Midwest Community. Foreign Affairs Secretary Albert Del Rosario turned over the Philippine–American War artifact to Director Jeremy Barns of the National Museum of the Philippines on March 9, 2012. The Roman Catholic Diocese of Malolos received the bells on August 6, 2012 and became part of the Diocesan Museum.Huerta, Fr. Felix (1865). "Estado geográfico, topográfico, estadístico, histórico-religioso de la santa y apostólica provincia de S. Gregorio Magno". Imprenta de N. Sanchez, Binondo, Manila."N. S. P. SAN FRANCISCO DE.


Question: Who is the discoverer or inventor of this object?

Instruction: Determine the Wikipedia snippet that matches the question of this image.

Thermostat. a mercury thermostat to regulate the temperature of a chicken incubator. This is one of the first recorded feedback-controlled devices.Modern thermostat control was developed in the 1830s by Andrew Ure (1778–1857), a Scottish chemist, who invented the bi-metallic thermostat. The textile mills of the time needed a constant and steady temperature to operate optimally, so to achieve this Ure designed the bimetallic thermostat, which would bend as one of the metals expanded in response to the increased temperature and cut off the energy supply.Warren S. Johnson (1847–1911) of Wisconsin patented a bi-metal room thermostat in 1883, and two years later.

Thermostat. a heating or cooling system via a series of air-filled control tubes. This "control air" system responds to the pressure changes (due to temperature) in the control tube to activate heating or cooling when required. The control air typically is maintained on "mains" at 15-18 psi (although usually operable up to 20 psi). Pneumatic thermostats typically provide output/ branch/ post-restrictor (for single-pipe operation) pressures of 3-15 psi which is piped to the end device (valve/ damper actuator/ pneumatic-electric switch, etc.).The pneumatic thermostat was invented by Warren Johnson in 1895 soon after he invented the electric thermostat. In 2009, Harry Sim.


Question: Which geographic area is this plant found?

Instruction: Retrieve a Wikipedia paragraph that provides an answer to the given query about the image.

Jujube. more likely introduced there. The plant in Arabic and Persian is known as "Enab (عناب)", and is known as the "hinap" or "finab" in the eastern part of Bulgaria. It grows wild but is also a garden shrub, kept for its fruit. The fruit is picked in the autumn.The tree tolerates a wide range of temperatures and rainfall, though it requires hot summers and sufficient water for acceptable fruiting. Unlike most of the other species in the genus, it tolerates fairly cold winters, surviving temperatures down to about −15 (°C), and the tree is, for instance, commonly cultivated in Beijing.