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Pottery. Pottery is the process and the products of forming vessels and other objects with clay and other ceramic materials, which are fired at high temperatures to give them a hard and durable form. Major types include earthenware, stoneware and porcelain. The place where such wares are made by a "potter" is also called a "pottery" (plural "potteries"). The definition of "pottery", used by the ASTM International, is "all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products." In art history and archaeology, especially of ancient and prehistoric periods, "pottery" often means vessels only, and sculpted.

Pottery. figurines of the same material are called "terracottas". Pottery is one of the oldest human inventions, originating before the Neolithic period, with ceramic objects like the Gravettian culture Venus of Dolní Věstonice figurine discovered in the Czech Republic dating back to 29,000–25,000 BC, and pottery vessels that were discovered in Jiangxi, China, which date back to 18,000 BC. Early Neolithic and pre-Neolithic pottery artifacts have been found, in Jōmon Japan (10,500 BC), the Russian Far East (14,000 BC), Sub-Saharan Africa (9,400 BC), South America (9,000s–7,000s BC), and the Middle East (7,000s–6,000s BC).Pottery is made by forming a ceramic (often clay).

Pottery. body into objects of a desired shape and heating them to high temperatures (600–1600 °C) in a bonfire, pit or kiln and induces reactions that lead to permanent changes including increasing the strength and rigidity of the object. Much pottery is purely utilitarian, but some can also be regarded as ceramic art. A clay body can be decorated before or after firing.Clay-based pottery can be divided into three main groups: earthenware, stoneware and porcelain. These require increasingly more specific clay material, and increasingly higher firing temperatures. All three are made in glazed and unglazed varieties, for different purposes. All may.

Pottery. also be decorated by various techniques. In many examples the group a piece belongs to is immediately visually apparent, but this is not always the case. The fritware of the Islamic world does not use clay, so technically falls outside these groups. Historic pottery of all these types is often grouped as either "fine" wares, relatively expensive and well-made, and following the aesthetic taste of the culture concerned, or alternatively "coarse", "popular", "folk" or "village" wares, mostly undecorated, or simply so, and often less well-made.Cooking in clay pots became less popular once metal pots became available, but is still used.

Pottery. for dishes that depend on the qualities of pottery cooking, such as biryani, cassoulet, daube, tagine, jollof rice, kedjenou, cazuela, and baked beans.## Main types.## Earthenware.The earliest forms of pottery were made from clays that were fired at low temperatures, initially in pit-fires or in open bonfires. They were hand formed and undecorated. Earthenware can be fired as low as 600 °C, and is normally fired below 1200 °C. Because unglazed biscuit earthenware is porous, it has limited utility for the storage of liquids or as tableware. However, earthenware has had a continuous history from the Neolithic period to today.

Pottery. It can be made from a wide variety of clays, some of which fire to a buff, brown or black colour, with iron in the constituent minerals resulting in a reddish-brown. Reddish coloured varieties are called terracotta, especially when unglazed or used for sculpture. The development of ceramic glaze made impermeable pottery possible, improving the popularity and practicality of pottery vessels. The addition of decoration has evolved throughout its history.## Stoneware.Stoneware is pottery that has been fired in a kiln at a relatively high temperature, from about 1,100 °C to 1,200 °C, and is stronger and non-porous to liquids. The.

Pottery. as art.## Porcelain.Porcelain is made by heating materials, generally including kaolin, in a kiln to temperatures between 1200 and 1400 (°C). This is higher than used for the other types, and achieving these temperatures was a long struggle, as well as realizing what materials were needed. The toughness, strength and translucence of porcelain, relative to other types of pottery, arises mainly from vitrification and the formation of the mineral mullite within the body at these high temperatures.Although porcelain was first made in China, the Chinese traditionally do not recognise it as a distinct category, grouping it with stoneware as "high-fired.

Pottery. ware, opposed to "low-fired" earthenware. This confuses the issue of when it was first made. A degree of translucency and whiteness was achieved by the Tang dynasty (AD 618–906), and considerable quantities were being exported. The modern level of whiteness was not reached until much later, in the 14th century. Porcelain was also made in Korea and in Japan from the end of the 16th century, after suitable kaolin was located in those countries. It was not made effectively outside East Asia until the 18th century.## Archaeology.The study of pottery can help to provide an insight into past cultures. Fabric.

Pottery. analysis (see section below), used to analyse the "fabric of pottery", is important part of archaeology for understanding the archaeological culture of the excavated site by studying the fabric of artifacts, such as their usage, source material composition, decorative pattern, color of patterns, etc. This helps to understand characteristics, sophistication, habits, technology, tools, trade, etc. of the people who made and used the pottery. Carbon dating reveals the age. Sites with similar pottery characteristics have the same culture, those sites which have distinct cultural characteristics but with some overlap are indicative of cultural exchange such as trade or living in.

Pottery. vicinity or continuity of habitation, etc. Examples are black and red ware, redware, Sothi-Siswal culture and Painted Grey Ware culture. The six fabrics of Kalibangan is a good example of use of fabric analysis in identifying a differentiated culture which was earlier thought to be typical Indus Valley civilisation (IVC) culture.Pottery is durable, and fragments, at least, often survive long after artifacts made from less-durable materials have decayed past recognition. Combined with other evidence, the study of pottery artefacts is helpful in the development of theories on the organisation, economic condition and the cultural development of the societies that produced.

Pottery. or acquired pottery. The study of pottery may also allow inferences to be drawn about a culture's daily life, religion, social relationships, attitudes towards neighbours, attitudes to their own world and even the way the culture understood the universe.Chronologies based on pottery are often essential for dating non-literate cultures and are often of help in the dating of historic cultures as well. Trace-element analysis, mostly by neutron activation, allows the sources of clay to be accurately identified and the thermoluminescence test can be used to provide an estimate of the date of last firing. Examining fired pottery shards from prehistory,.

Pottery. of minerals in a rock. For Archaeologists, the "fabric analysis" of pottery entails the study of "clay matrix" and "inclusions" in the clay body as well as the "firing temperature and conditions". Analysis is done to examine the following 3 in detail: how pottery was made e.g. material, design such as shape and style, etc. its decorations, such as patterns, colors of patterns, slipped (glazing) or unslipped decoration evidence of type of use.The Six fabrics of Kalibangan is a good example of fabric analysis.## Clay bodies and mineral contents.Body (or clay body) is a term for the main pottery form.

Pottery. of these different clays is composed of different types and amounts of minerals that determine the characteristics of resulting pottery. There can be regional variations in the properties of raw materials used for the production of pottery, and these can lead to wares that are unique in character to a locality. It is common for clays and other materials to be mixed to produce clay bodies suited to specific purposes. A common component of clay bodies is the mineral kaolinite. Other minerals in the clay, such as feldspar, act as fluxes which lower the vitrification temperature of bodies. Following is.

Pottery. a list of different types of clay used for pottery. Kaolin, is sometimes referred to as china clay because it was first used in China. Used for porcelain. Ball clay: An extremely plastic, fine grained sedimentary clay, which may contain some organic matter. Small amounts can be added to porcelain bodies to increase plasticity. Fire clay: A clay having a slightly lower percentage of fluxes than kaolin, but usually quite plastic. It is highly heat resistant form of clay which can be combined with other clays to increase the firing temperature and may be used as an ingredient to make.

Pottery. stoneware type bodies. Stoneware clay: Suitable for creating stoneware. Has many of the characteristics between fire clay and ball clay, having finer grain, like ball clay but is more heat resistant like fire clays. Common red clay and shale clay have vegetable and ferric oxide impurities which make them useful for bricks, but are generally unsatisfactory for pottery except under special conditions of a particular deposit. Bentonite: An extremely plastic clay which can be added in small quantities to short clay to increase the plasticity.## Production of pottery.Production of pottery includes the following three stages: making clay body, i.e. paste.

Pottery. or putty. shaping and moulding firing or baking decorating, such as glazing (slipping), painting, etc.## Shaping methods.Pottery can be shaped by a range of methods that include:## Firing.Firing produces irreversible changes in the body. It is only after firing that the article or material is pottery. In lower-fired pottery, the changes include sintering, the fusing together of coarser particles in the body at their points of contact with each other. In the case of porcelain, where different materials and higher firing-temperatures are used, the physical, chemical and mineralogical properties of the constituents in the body are greatly altered. In all.

Pottery. cases, the reason for firing is to permanently harden the wares and the firing regime must be appropriate to the materials used to make them. As a rough guide, modern earthenwares are normally fired at temperatures in the range of about 1,000°C (1,830 °F) to 1,200 (C); stonewares at between about 1100 (C) to 1300 (C); and porcelains at between about 1200 (C) to 1400 (C). Historically, reaching high temperatures was a long-lasting challenge, and earthenware can be fired effectively as low as 600°C, achievable in primitive pit firing.## Firing methods.Firing pottery can be done using a variety of methods,.

Pottery. than a brick or stone kiln. Unfired pots are first brought to the place where a mound will be built, customarily by the women and girls of the village. The mound's foundation is made by placing sticks on the ground, then:## Firing stages.Before being shaped, clay must be prepared. Kneading helps to ensure an even moisture content throughout the body. Air trapped within the clay body needs to be removed. This is called de-airing and can be accomplished either by a machine called a vacuum pug or manually by wedging. Wedging can also help produce an even moisture content. Once.

Pottery. changes that will change the material. "Glaze fired" is the final stage of some pottery making, or "glost fired". A glaze may be applied to the bisque form and the object can be decorated in several ways. After this the object is "glazed fired", which causes the glaze material to melt, then adhere to the object. Depending on the temperature schedule the glaze firing may also further mature the body as chemical and physical changes continue.## Decorating.Pottery may be decorated in many different ways. Some decoration can be done before or after the firing. Painting has been used since early.

Pottery. prehistoric times (China painting), and can be very elaborate. The painting is often applied to pottery that has been fired once, and may then be overlaid with a glaze afterwards. Many pigments change colour when fired, and the painter must allow for this. Glaze: Perhaps the most common form of decoration, that also serves as protection to the pottery, by being tougher and keeping liquid from penetrating the pottery. Glaze may be clear, especially over painting, or coloured and opaque. There is more detail in the section below. Carving: Pottery vessels may be decorated by shallow carving of the clay.

Pottery. body, typically with a knife or similar instrument used on the wheel. This is common in Chinese porcelain of the classic periods. Burnishing: The surface of pottery wares may be "burnished" prior to firing by rubbing with a suitable instrument of wood, steel or stone to produce a polished finish that survives firing. It is possible to produce very highly polished wares when fine clays are used or when the polishing is carried out on wares that have been partially dried and contain little water, though wares in this condition are extremely fragile and the risk of breakage is high.

Pottery. hand or by machine of a band of colour to the edge of a plate or cup. Also known as "lining", this operation is often carried out on a potter's wheel. Agateware is named after its resemblance to the quartz mineral agate which has bands or layers of colour that are blended together, agatewares are made by blending clays of differing colours together but not mixing them to the extent that they lose their individual identities. The wares have a distinctive veined or mottled appearance. The term "agateware" is used to describe such wares in the United Kingdom; in Japan.

Pottery. the term ""neriage" is used and in China, where such things have been made since at least the Tang Dynasty, they are called "marbled" wares. Great care is required in the selection of clays to be used for making agatewares as the clays used must have matching thermal movement characteristics. : This is a clay slip, that is used to coat the surface of pottery, usually before firing. Its purpose is often decorative though it can also be used to mask undesirable features in the clay to which it is applied. Engobe slip may be applied by painting or by.

Pottery. dipping to provide a uniform, smooth, coating. Engobe has been used by potters from pre-historic times until the present day and is sometimes combined with sgraffito decoration, where a layer of engobe is scratched through to reveal the colour of the underlying clay. With care it is possible to apply a second coat of engobe of a different colour to the first and to incise decoration through the second coat to expose the colour of the underlying coat. Engobes used in this way often contain substantial amounts of silica, sometimes approaching the composition of a glaze. Gold: Decoration with gold.

Pottery. used for the decoration only of ware of the highest class. "Bright Gold" – consists of a solution of gold sulphoresinate together with other metal resonates and a flux. The name derives from the appearance of the decoration immediately after removal from the kiln as it requires no burnishing "Mussel Gold" – an old method of gold decoration. It was made by rubbing together gold leaf, sugar and salt, followed by washing to remove solubles## Glazing.Glaze is a glassy coating on pottery, the primary purposes of which are decoration and protection. One important use of glaze is to render porous.

Pottery. pottery vessels impermeable to water and other liquids. Glaze may be applied by dusting the unfired composition over the ware or by spraying, dipping, trailing or brushing on a thin slurry composed of the unfired glaze and water. The colour of a glaze after it has been fired may be significantly different from before firing. To prevent glazed wares sticking to kiln furniture during firing, either a small part of the object being fired (for example, the foot) is left unglazed or, alternatively, special refractory "spurs"" are used as supports. These are removed and discarded after the firing.Some specialised glazing.

Pottery. techniques include: Salt-glazing, where common salt is introduced to the kiln during the firing process. The high temperatures cause the salt to volatize, depositing it on the surface of the ware to react with the body to form a sodium aluminosilicate glaze. In the 17th and 18th centuries, salt-glazing was used in the manufacture of domestic pottery. Now, except for use by some studio potters, the process is obsolete. The last large-scale application before its demise in the face of environmental clean air restrictions was in the production of salt-glazed sewer-pipes. Ash glazing – ash from the combustion of plant.

Pottery. matter has been used as the flux component of glazes. The source of the ash was generally the combustion waste from the fuelling of kilns although the potential of ash derived from arable crop wastes has been investigated. Ash glazes are of historical interest in the Far East although there are reports of small-scale use in other locations such as the Catawba Valley Pottery in the United States. They are now limited to small numbers of studio potters who value the unpredictability arising from the variable nature of the raw material. Underglaze decoration (in the manner of many blue and.

Pottery. white wares). Underglaze may be applied by brush strokes, air brush, or by pouring the underglaze into the mould, covering the inside, creating a swirling effect, then the mould is filled with slip. In-glaze decoration On-glaze decoration Enamel## History.A great part of the history of pottery is prehistoric, part of past pre-literate cultures. Therefore, much of this history can only be found among the artifacts of archaeology. Because pottery is so durable, pottery and shards of pottery survive from millennia at archaeological sites, and are typically the most common and important type of artifact to survive. Many prehistoric cultures are.

Pottery. named after the pottery that is the easiest way to identify their sites, and archaeologists develop the ability to recognise different types from the chemistry of small shards.Before pottery becomes part of a culture, several conditions must generally be met. First, there must be usable clay available. Archaeological sites where the earliest pottery was found were near deposits of readily available clay that could be properly shaped and fired. China has large deposits of a variety of clays, which gave them an advantage in early development of fine pottery. Many countries have large deposits of a variety of clays. Second,.

Pottery. it must be possible to heat the pottery to temperatures that will achieve the transformation from raw clay to ceramic. Methods to reliably create fires hot enough to fire pottery did not develop until late in the development of cultures. Third, the potter must have time available to prepare, shape and fire the clay into pottery. Even after control of fire was achieved, humans did not seem to develop pottery until a sedentary life was achieved. It has been hypothesized that pottery was developed only after humans established agriculture, which led to permanent settlements. However, the oldest known pottery is.

Pottery. from the Czech Republic and dates to 28,000 BC, at the height of the ice age, long before the beginnings of agriculture. Fourth, there must be a sufficient need for pottery in order to justify the resources required for its production. Methods of forming: Hand-shaping was the earliest method used to form vessels. This included the combination of pinching and coiling. Firing: The earliest method for firing pottery wares was the use of bonfires pit fired pottery. Firing times might be short but the peak-temperatures achieved in the fire could be high, perhaps in the region of 900 (°C), and.

Pottery. were reached very quickly. Clay: Early potters used whatever clay was available to them in their geographic vicinity. However, the lowest quality common red clay was adequate for low-temperature fires used for the earliest pots. Clays tempered with sand, grit, crushed shell or crushed pottery were often used to make bonfire-fired ceramics because they provided an open-body texture that allowed water and volatile components of the clay to escape freely. The coarser particles in the clay also acted to restrain shrinkage during drying, and hence reduce the risk of cracking. Form: In the main, early bonfire-fired wares were made with.

Pottery. rounded bottoms to avoid sharp angles that might be susceptible to cracking. Glazing: the earliest pots were not glazed. The potter's wheel was invented in Mesopotamia sometime between 6,000 and 4,000 BC (Ubaid period) and revolutionised pottery production. Moulds were used to a limited extent as early as the 5th and 6th century BC by the Etruscans and more extensively by the Romans. Slipcasting, a popular method for shaping irregular shaped articles. It was first practised, to a limited extent, in China as early as the Tang dynasty. Transition to kilns: The earliest intentionally constructed were pit-kilns or trench-kilns—holes dug.

Pottery. in the ground and covered with fuel. Holes in the ground provided insulation and resulted in better control over firing. Kilns: Pit fire methods were adequate for creating simple earthenware, but other pottery types needed more sophisticated kilns (see below kilns).## History by region.## Beginnings of pottery.Pottery may well have been discovered independently in various places, probably by accidentally creating it at the bottom of fires on a clay soil. All the earliest vessel forms were pit fired and made by coiling, which is a simple technology to learn. The earliest-known ceramic objects are Gravettian figurines such as those discovered.

Pottery. at Dolní Věstonice in the modern-day Czech Republic. The Venus of Dolní Věstonice is a Venus figurine, a statuette of a nude female figure dated to 29,000–25,000 BC (Gravettian industry). Sherds have been found in China and Japan from a period between 12,000 and perhaps as long as 18,000 years ago. As of 2012, the earliest pottery found anywhere in the world, dating to 20,000 to 19,000 years before the present, was found at Xianrendong Cave in the Jiangxi province of China.Other early pottery vessels include those excavated from the Yuchanyan Cave in southern China, dated from 16,000 BC, and.

Pottery. those found in the Amur River basin in the Russian Far East, dated from 14,000 BC.The Odai Yamamoto I site, belonging to the Jōmon period, currently has the oldest pottery in Japan. Excavations in 1998 uncovered earthenware fragments which have been dated as early as 14,500 BC.The term "Jōmon" means "cord-marked" in Japanese. This refers to the markings made on the vessels and figures using sticks with cords during their production. Recent research has elucidated how Jōmon pottery was used by its creators.It appears that pottery was independently developed in Sub-Saharan Africa during the 10th millennium BC, with findings dating.

Pottery. to at least 9,400 BC from central Mali, and in South America during the 9,000s–7,000s BC. The Malian finds date to the same period as similar finds from East Asia – the triangle between Siberia, China and Japan – and are associated in both regions to the same climatic changes (at the end of the ice age new grassland develops, enabling hunter-gatherers to expand their habitat), met independently by both cultures with similar developments: the creation of pottery for the storage of wild cereals (pearl millet), and that of small arrowheads for hunting small game typical of grassland. Alternatively, the.

Pottery. creation of pottery in the case of the Incipient Jōmon civilisation could be due to the intensive exploitation of freshwater and marine organisms by late glacial foragers, who started developing ceramic containers for their catch.## East Asia.In Japan, the Jōmon period has a long history of development of Jōmon pottery which was characterized by impressions of rope on the surface of the pottery created by pressing rope into the clay before firing. Glazed Stoneware was being created as early as the 15th century BC in China. A form of Chinese porcelain became a significant Chinese export from the Tang Dynasty.

Pottery. (AD 618–906) onwards. Korean potters adopted porcelain as early as the 14th century AD. Japanese porcelain was made in the early 16th century after Shonzui Goradoyu-go brought back the secret of its manufacture from the Chinese kilns at Jingdezhen.In contrast to Europe, the Chinese elite used pottery extensively at table, for religious purposes, and for decoration, and the standards of fine pottery were very high. From the Song dynasty (960–1279) for several centuries elite taste favoured plain-coloured and exquisitely formed pieces; during this period true porcelain was perfected in Ding ware, although it was the only one of the Five.

Pottery. had also conquered. At the same time Jingdezhen porcelain, produced in Imperial factories, took the undisputed leading role in production, which it has retained to the present day. The new elaborately painted style was now favoured at court, and gradually more colours were added.The secret of making such porcelain was sought in the Islamic world and later in Europe when examples were imported from the East. Many attempts were made to imitate it in Italy and France. However it was not produced outside of the Orient until 1709 in Germany.## South Asia.Cord-Impressed style pottery belongs to 'Mesolithic' ceramic tradition that.

Pottery. developed among Vindhya hunter-gatherers in Central India during the Mesolithic period. This ceramic style is also found in later Proto-Neolithic phase in nearby regions. This early type of pottery, also found at the site of Lahuradewa, is currently the oldest known pottery tradition in South Asia, dating back to 7,000–6,000 BC. Wheel-made pottery began to be made during the Mehrgarh Period II (5,500–4,800 BC) and Merhgarh Period III (4,800–3,500 BC), known as the ceramic Neolithic and chalcolithic. Pottery, including items known as the ed-Dur vessels, originated in regions of the Saraswati River / Indus River and have been found in.

Pottery. a number of sites in the Indus Civilization.Despite an extensive prehistoric record of pottery, including painted wares, little "fine" or luxury pottery was made in the subcontinent in historic times. Hinduism discourages eating off pottery, which probably largely accounts for this. Most traditional Indian pottery vessels are large pots or jars for storage, or small cups or lamps, often treated as disposable. In contrast there are long traditions of sculpted figures, often rather large, in terracotta.## Southeast Asia.Pottery in Southeast Asia is as diverse as its ethnic groups. Each ethnic group has their own set of standards when it comes.

Pottery. to pottery arts. Potteries are made due to various reasons, such as trade, food and beverage storage, kitchen usage, religious ceremonies, and burial purposes.## West Asia.Around 8000 BC during the Pre-pottery Neolithic period, and before the invention of pottery, several early settlements became experts in crafting beautiful and highly sophisticated containers from stone, using materials such as alabaster or granite, and employing sand to shape and polish. Artisans used the veins in the material to maximum visual effect. Such objects have been found in abundance on the upper Euphrates river, in what is today eastern Syria, especially at the site.

Pottery. of Bouqras.The earliest history of pottery production in the Fertile Crescent starts the Pottery Neolithic and can be divided into four periods, namely: the Hassuna period (7000–6500 BC), the Halaf period (6500–5500 BC), the Ubaid period (5500–4000 BC), and the Uruk period (4000–3100 BC). By about 5000 BC pottery-making was becoming widespread across the region, and spreading out from it to neighbouring areas.Pottery making began in the 7th millennium BC. The earliest forms, which were found at the Hassuna site, were hand formed from slabs, undecorated, unglazed low-fired pots made from reddish-brown clays. Within the next millennium, wares were decorated.

Pottery. with elaborate painted designs and natural forms, incising and burnished.The invention of the potter's wheel in Mesopotamia sometime between 6000 and 4000 BC (Ubaid period) revolutionized pottery production. Newer kiln designs could fire wares to 1050 (C) to 1200 (C) which enabled new possibilities and new preparation of clays. Production was now carried out by small groups of potters for small cities, rather than individuals making wares for a family. The shapes and range of uses for ceramics and pottery expanded beyond simple vessels to store and carry to specialized cooking utensils, pot stands and rat traps. As the region.

Pottery. developed, new organizations and political forms, pottery became more elaborate and varied. Some wares were made using moulds, allowing for increased production for the needs of the growing populations. Glazing was commonly used and pottery was more decorated.In the Chalcolithic period in Mesopotamia, Halafian pottery achieved a level of technical competence and sophistication, not seen until the later developments of Greek pottery with Corinthian and Attic ware.## Europe.Europe's oldest pottery, dating from circa 6700 BC, was found on the banks of the Samara River in the middle Volga region of Russia. These sites are known as the Yelshanka culture.The early.

Pottery. inhabitants of Europe developed pottery in the Linear Pottery culture slightly later than the Near East, circa 5500–4500 BC. In the ancient Western Mediterranean elaborately painted earthenware reached very high levels of artistic achievement in the Greek world; there are large numbers of survivals from tombs. Minoan pottery was characterized by complex painted decoration with natural themes. The classical Greek culture began to emerge around 1000 BC featuring a variety of well crafted pottery which now included the human form as a decorating motif. The pottery wheel was now in regular use. Although glazing was known to these potters, it.

Pottery. was not widely used. Instead, a more porous clay slip was used for decoration. A wide range of shapes for different uses developed early and remained essentially unchanged during Greek history.Fine Etruscan pottery was heavily influenced by Greek pottery and often imported Greek potters and painters. Ancient Roman pottery made much less use of painting, but used moulded decoration, allowing industrialized production on a huge scale. Much of the so-called red Samian ware of the Early Roman Empire was in fact produced in modern Germany and France, where entrepreneurs established large potteries. Excavations at Augusta Raurica, near Basel, Switzerland, have.

Pottery. revealed a pottery production site in use from the 1st to the 4th century AD. Pottery was hardly seen on the tables of elites from Hellenistic times until the Renaissance, and most medieval wares were coarse and utilitarian, as the elites ate off metal vessels. Painted Hispano-Moresque ware from Spain, developing the styles of Islamic Spain, became a luxury for late medieval elites, and was adapted in Italy into "maiolica" in the Italian Renaissance. Both of these were faience or tin-glazed earthenware, and fine faience continued to be made until around 1800 in various countries, especially France, with Nevers faience.

Pottery. and several other centres. In the 17th century, imports of Chinese export porcelain and its Japanese equivalent raised the market expectations of fine pottery, and European manufacturers eventually learned to make porcelain, often in the form of "artificial" or soft-paste porcelain, and from the 18th century European porcelain and other wares from a great number of producers became extremely popular, reducing Asian imports.## United Kingdom.The English city of Stoke-on-Trent is widely known as "The Potteries" because of the large number of pottery factories or, colloquially, "Pot Banks". It was one of the first industrial cities of the modern era where,.

Pottery. as early as 1785, two hundred pottery manufacturers employed 20,000 workers. Josiah Wedgwood (1730–1795) was the dominant leader.In North Staffordshire hundreds of companies produced all kinds of pottery, from tablewares and decorative pieces to industrial items. The main pottery types of earthenware, stoneware and porcelain were all made in large quantities, and the Staffordshire industry was a major innovator in developing new varieties of ceramic bodies such as bone china and jasperware, as well as pioneering transfer printing and other glazing and decorating techniques. In general Staffordshire was strongest in the middle and low price ranges, though the finest and.

Pottery. most expensive types of wares were also made.By the late 18th century North Staffordshire was the largest producer of ceramics in Britain, despite significant centres elsewhere. Large export markets took Staffordshire pottery around the world, especially in the 19th century. Production had begun to decline in the late 19th century, as other countries developed their industries, and declined steeply after World War II. Some production continues in the area, but at a fraction of the levels at the peak of the industry.## Islamic pottery.Early Islamic pottery followed the forms of the regions which the Muslims conquered. Eventually, however, there was.

Pottery. cross-fertilization between the regions. This was most notable in the Chinese influences on Islamic pottery. Trade between China and Islam took place via the system of trading posts over the lengthy Silk Road. Islamic nations imported stoneware and later porcelain from China. China imported the minerals for Cobalt blue from the Islamic ruled Persia to decorate their blue and white porcelain, which they then exported to the Islamic world.Likewise, Islamic art contributed to a lasting pottery form identified as Hispano-Moresque in Andalucia (Islamic Spain). Unique Islamic forms were also developed, including fritware, lusterware and specialized glazes like tin-glazing, which led.

Pottery. to the development of the popular maiolica.One major emphasis in ceramic development in the Muslim world was the use of tile and decorative tilework.## Americas.Most evidence points to an independent development of pottery in the Native American cultures, with the earliest known dates from Brazil, from 9,500 to 5,000 years ago and 7,000 to 6,000 years ago. Further north in Mesoamerica, dates begin with the Archaic Era (3500–2000 BC), and into the Formative period (2000 BC – AD 200). These cultures did not develop the stoneware, porcelain or glazes found in the Old World. Maya ceramics include finely painted vessels,.

Pottery. usually beakers, with elaborate scenes with several figures and texts. Several cultures, beginning with the Olmec, made terracotta sculpture, and sculptural pieces of humans or animals that are also vessels are produced in many places, with Moche portrait vessels among the finest.## Africa.Evidence indicates an independent invention of pottery in Sub-Saharan Africa. In 2007, Swiss archaeologists discovered pieces of some of the oldest pottery in Africa at Ounjougou in Central Mali, dating back to at least 9,400 BC. Excavations in the Bosumpra Cave on the Kwahu Plateau in southeastern Ghana, have revealed well-manufactured pottery decorated with channelling and impressed peigne.

Pottery. fileté rigide dating from the early tenth-millennium cal. BC. In later periods, a relationship of the introduction of pot-making in some parts of Sub-Saharan Africa with the spread of Bantu languages has been long recognized, although the details remain controversial and awaiting further research, and no consensus has been reached.Ancient Egyptian pottery begins after 5,000 BC, having spread from the Levant. There were many distinct phases of development in pottery, with very sophisticated wares being produced by the Naqada III period, c. 3,200 to 3,000 BC. During the early Mediterranean civilizations of the fertile crescent, Egypt developed a non-clay-based ceramic.

Pottery. which has come to be called Egyptian faience. A similar type of body is still made in Jaipur in India. During the Umayyad Caliphate of Islam, Egypt was a link between early centre of Islam in the Near East and Iberia which led to the impressive style of pottery.It is valuable to look into pottery as an archaeological record of potential interaction between peoples. When pottery is placed within the context of linguistic and migratory patterns, it becomes an even more prevalent category of social artifact. As proposed by Olivier P. Gosselain, it is possible to understand ranges of cross-cultural.

Pottery. interaction by looking closely at the "chaîne opératoire" of ceramic production.The methods used to produce pottery in early Sub-Saharan Africa are divisible into three categories: techniques visible to the eye (decoration, firing and post-firing techniques), techniques related to the materials (selection or processing of clay, etc.), and techniques of molding or fashioning the clay. These three categories can be used to consider the implications of the reoccurrence of a particular sort of pottery in different areas. Generally, the techniques that are easily visible (the first category of those mentioned above) are thus readily imitated, and may indicate a more distant.

Pottery. connection between groups, such as trade in the same market or even relatively close proximity in settlements. Techniques that require more studied replication (i.e., the selection of clay and the fashioning of clay) may indicate a closer connection between peoples, as these methods are usually only transmissible between potters and those otherwise directly involved in production. Such a relationship requires the ability of the involved parties to communicate effectively, implying pre-existing norms of contact or a shared language between the two. Thus, the patterns of technical diffusion in pot-making that are visible via archaeological findings also reveal patterns in societal.

Pottery. interaction.## Oceania.Polynesia, Melanesia and MicronesiaPottery has been found in archaeological sites across the islands of Oceania. It is attributed to an ancient archaeological culture called the Lapita. Another form of pottery called Plainware is found throughout sites of Oceania. The relationship between Lapita pottery and Plainware is not altogether clear.The Indigenous Australians never developed pottery. After Europeans came to Australia and settled, they found deposits of clay which were analysed by English potters as excellent for making pottery. Less than 20 years later, Europeans came to Australia and began creating pottery. Since then, ceramic manufacturing, mass-produced pottery and studio pottery.

Pottery. have flourished in Australia.## Production issues (health and environment).Although many of the environmental effects of pottery production have existed for millennia, some of these have been amplified with modern technology and scales of production. The principal factors for consideration fall into two categories: (a) effects on workers, and (b) effects on the general environment.The chief risks on worker health include heavy metal poisoning, poor indoor air quality, dangerous sound levels and possible over-illumination.Historically, "plumbism" (lead poisoning) was a significant health concern to those glazing pottery. This was recognised at least as early as the nineteenth century, and the first legislation.

Pottery. in the United Kingdom to limit pottery workers' exposure was introduced in 1899.Proper ventilation to guarantee adequate indoor air quality can reduce or eliminate workers' exposure to fine particulate matter, carbon monoxide, certain heavy metals, and crystalline silica (which can lead to silicosis). A more recent study at Laney College, Oakland, California suggests that all these factors can be controlled in a well-designed workshop environment.The primary environmental concerns include off-site water pollution, air pollution, disposal of hazardous materials, and fuel consumption. Glossary of pottery terms American art pottery Celadon Ceramics of indigenous peoples of the Americas Chinese ceramics including porcelain.

Pottery. Delftware Dipped ware Faience History of ceramic art Ironstone ware Jasperware Korean ceramics Kakiemon pottery Latvian pottery Latgalian pottery Maiolica of Renaissance Italy Majolica Palissy ware Persian pottery Sancai Sea pottery Slipware SylvaC Victorian majolica Cooper, Emmanuel, "10,000 Years of Pottery", 4th ed., 2010, University of Pennsylvania Press, Savage, George, "Pottery Through the Ages", Penguin, 1959, ASTM Standard C 242-01 "Standard Terminology of Ceramic Whitewares and Related Products" Ashmore, Wendy & Sharer, Robert J., (2000). "Discovering Our Past: A Brief Introduction to Archaeology Third Edition". Mountain View, CA: Mayfield Publishing Company. Barnett, William & Hoopes, John (Eds.) (1995). "The Emergence.


Question: In which year was this item invented or discovered?

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Electric motor. issues. As no electricity distribution system was available at the time, no practical commercial market emerged for these motors.After many other more or less successful attempts with relatively weak rotating and reciprocating apparatus Prussian/Russian Moritz von Jacobi created the first real rotating electric motor in May 1834. It developed remarkable mechanical output power. His motor set a world record, which Jacobi improved four years later in September 1838. His second motor was powerful enough to drive a boat with 14 people across a wide river. It was also in 1839/40 that other developers managed to build motors with similar and.


Question: What is the mohs' hardness of this material?

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Water. (1.473), benzene (1.501), carbon disulfide (1.627), and common types of glass (1.4 to 1.6). The refraction index of ice (1.31) is lower than that of liquid water.## Polar molecule.In a water molecule, the hydrogen atoms form a 104.5° angle with the oxygen atom. The hydrogen atoms are close to two corners of a tetrahedron centered on the oxygen. At the other two corners are "lone pairs" of valence electrons that do not participate in the bonding. In a perfect tetrahedron, the atoms would form a 109.5° angle, but the repulsion between the lone pairs is greater than the repulsion between.


Question: What is the closest parent taxonomy of this plant?

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Rye. Rye ("Secale cereale") is a grass grown extensively as a grain, a cover crop and a forage crop. It is a member of the wheat tribe (Triticeae) and is closely related to both wheat ("Triticum") and barley (genus "Hordeum"). Rye grain is used for flour, bread, beer, crispbread, some whiskeys, some vodkas, and animal fodder. It can also be eaten whole, either as boiled rye berries or by being rolled, similar to rolled oats.Rye is a cereal grain and should not be confused with ryegrass, which is used for lawns, pasture, and as hay for livestock.## History.Rye is one of.

Rye. of herbicides.Rye is a common, unwanted invader of winter wheat fields. If allowed to grow and mature, it may cause substantially reduced prices (docking) for harvested wheat.## Frost resistance."Secale cereale" can thrive in subzero environments. The leaves of winter "S. cereale" produce various antifreeze polypeptides (these are different from the antifreeze polypeptides produced by some fish and insects).## Diseases.Rye is highly susceptible to the ergot fungus. Consumption of ergot-infected rye by humans and animals results in a serious medical condition known as ergotism. Ergotism can cause both physical and mental harm, including convulsions, miscarriage, necrosis of digits, hallucinations and death.

Rye. Historically, damp northern countries that have depended on rye as a staple crop were subject to periodic epidemics of this condition. Such epidemics have been found to correlate with periods of frequent witch trials, such as the Salem witch trials in Massachusetts in 1692. Modern grain-cleaning and milling methods have practically eliminated the disease, but contaminated flour may end up in bread and other food products if the ergot is not removed before milling.## Diversity and uses.Along with "Secale cereale's" relationship and impact on the environment, it is also a valuable species because of its expansive diversity and uses. In.


Question: What is the closest parent taxonomy of this animal?

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Wild boar. The wild boar (Sus scrofa), also known as the wild swine, common wild pig, Eurasian wild pig, or simply wild pig, is a suid native to much of Eurasia and North Africa, and has been introduced to the Americas and Oceania. The species is now one of the widest-ranging mammals in the world, as well as the most widespread suiform. It has been assessed as least concern on the IUCN Red List due to its wide range, high numbers, and adaptability to a diversity of habitats. It has become an invasive species in part of its introduced range. Wild boars.

Wild boar. the tiger and Komodo dragon respectively. The wild boar has a long history of association with humans, having been the ancestor of most domestic pig breeds and a big-game animal for millennia. Boars have also re-hybridized in recent decades with feral pigs; these boar–pig hybrids have become a serious pest wild animal in the Americas and Australia.## Terminology.As true wild boars became extinct in Great Britain before the development of Modern English, the same terms are often used for both true wild boar and pigs, especially large or semi-wild ones. The English "boar" stems from the Old English , which.

Wild boar. is thought to be derived from the West Germanic "bairaz", of unknown origin. Boar is sometimes used specifically to refer to males, and may also be used to refer to male domesticated pigs, especially breeding males that have not been castrated."Sow", the traditional name for a female, again comes from Old English and Germanic; it stems from Proto-Indo-European, and is related to the and Greek "hus", and more closely to the New High German . The young may be called "piglets" or "boarlets".The animals' specific name "scrofa" is Latin for 'sow'.## Hunting.In hunting terminology, boars are given different designations according.

Wild boar. groups, having the smallest relative brain size, more primitive dentition and unspecialised cranial structure.## Domestication.With the exception of domestic pigs in Timor and Papua New Guinea (which appear to be of Sulawesi warty pig stock), the wild boar is the ancestor of most pig breeds. Archaeological evidence suggests that pigs were domesticated from wild boar as early as 13,000–12,700 BCE in the Near East in the Tigris Basin, being managed in the wild in a way similar to the way they are managed by some modern New Guineans. Remains of pigs have been dated to earlier than 11,400 BCE in.

Wild boar. Cyprus. Those animals must have been introduced from the mainland, which suggests domestication in the adjacent mainland by then. There was also a separate domestication in China, which took place about 8,000 years ago.DNA evidence from sub-fossil remains of teeth and jawbones of Neolithic pigs shows that the first domestic pigs in Europe had been brought from the Near East. This stimulated the domestication of local European wild boars, resulting in a third domestication event with the Near Eastern genes dying out in European pig stock. Modern domesticated pigs have involved complex exchanges, with European domesticated lines being exported in.

Wild boar. turn to the ancient Near East. Historical records indicate that Asian pigs were introduced into Europe during the 18th and early 19th centuries. Domestic pigs tend to have much more developed hindquarters than their wild boar ancestors, to the point where 70% of their body weight is concentrated in the posterior, which is the opposite of wild boar, where most of the muscles are concentrated on the head and shoulders.## Synonymous species.The Heude's pig ("Sus bucculentus"), also known as the Indochinese warty pig or Vietnam warty pig, was an alleged pig species found in Laos and Vietnam. It was virtually.

Wild boar. the nicotinic acetylcholine receptor that protect against snake venom. Mongooses, honey badgers, hedgehogs, and pigs all have modifications to the receptor pocket which prevents the snake venom α-neurotoxin from binding. These represent four separate, independent mutations.## Social behaviour and life cycle.Boars are typically social animals, living in female-dominated sounders consisting of barren sows and mothers with young led by an old matriarch. Male boars leave their sounder at the age of 8–15 months, while females either remain with their mothers or establish new territories nearby. Subadult males may live in loosely knit groups, while adult and elderly males tend to.

Wild boar. DEFRA) study on wild boar living wild in Britain confirmed the presence of two populations of wild boar living in Britain; one in Kent/East Sussex and another in Dorset.Another DEFRA report, in February 2008, confirmed the existence of these two sites as 'established breeding areas' and identified a third in Gloucestershire/Herefordshire; in the Forest of Dean/Ross on Wye area. A 'new breeding population' was also identified in Devon. There is another significant population in Dumfries and Galloway. Populations estimates were as follows: The largest population, in Kent/East Sussex, was then estimated at 200 animals in the core distribution area. The.

Wild boar. vegetation and wetlands through wallowing, damaging water quality, coming into violent conflict with humans and pets and carrying pig and human diseases including brucellosis, trichinosis and pseudorabies. In some jurisdictions, it is illegal to import, breed, release, possess, sell, distribute, trade, transport, hunt, or trap Eurasian boars. Hunting and trapping is done systematically, to increase the chance of eradication and to remove the incentive to illegally release boars, which have mostly been spread deliberately by sport hunters.## History.While domestic pigs, both captive and feral (popularly termed "razorbacks"), have been in North America since the earliest days of European colonization, pure.

Wild boar. fenced enclosures in a game preserve in Hooper Bald, Graham County. Most of the specimens remained in the preserve for the next decade, until a large-scale hunt caused the remaining animals to break through their confines and escape. Some of the boars migrated to Tennessee, where they intermixed with both free-ranging and feral pigs in the area. In 1924, a dozen Hooper Bald wild pigs were shipped to California and released in a property between Carmel Valley and the Los Padres National Forest. These hybrid boar were later used as breeding stock on various private and public lands throughout the.

Wild boar. centrepiece of most medieval Christmas celebrations among the nobility. Although growing in popularity as a captive-bred source of food, the wild boar takes longer to mature than most domestic pigs and it is usually smaller and produces less meat. Nevertheless, wild boar meat is leaner and healthier than pork, being of higher nutritional value and having a much higher concentration of essential amino acids. Most meat-dressing organizations agree that a boar carcass should yield 50 (kg) of meat on average. Large specimens can yield 15 – 20 (kg) of fat, with some giants yielding 30 (kg) or more. A boar.

Wild boar. steps back, takes position and attacks again if the victim is still moving, only ending once the victim is completely incapacitated.Boar attacks on humans have been documented throughout history. The Romans and Ancient Greeks wrote of these attacks (Odysseus was wounded by a boar and Adonis was killed by one). A 2012 study compiling recorded attacks from 1825 to 2012 found accounts of 665 human victims of both wild boars and feral pigs, with the majority (19%) of attacks in the animal's native range occurring in India. Most of the attacks occurred in rural areas during the winter months in.

Wild boar. harvest techniques, fencing, toxic bait, corrals, and hunting. The most common tactic employed by private land owners in the United States is recreational hunting, however, this is generally not as effective on its own. Management strategies are most successful when they take into account reproduction, dispersion, and the differences between ideal resources for males and females. Babirusa Boar-baiting Domestic pig Feral pig Peccary Indian boar Boars in heraldry Apollonio, M. et al. (1988), "The systematics of the wild boar ("Sus scrofa" L.) in Italy", "Bolletino di Zoologia"a, 3:213–221 Carden, R.F. (2012) "Review of the Natural History of Wild Boar (Sus.

Wild boar. C. B. (2007), "Annotated Bibliography of the Wild Pig (Sus scrofa): Environmental Information Document", Washington Savannah River Company Padiglione, V. (1989), "Il cinghiale cacciatore: Antropologia simbolica della caccia in Sardegna", Armando Editore (collana Antropologia culturale) BBC profile Species Profile- Wild Boar ("Sus scrofa"), National Invasive Species Information Center, United States National Agricultural Library. Lists general information and resources for wild boar. A sounder of wild boars Wild pigs with piglets – white piglets with black spots Sow feeding piglets, Lodz (Poland) A wild boar struggling with plastic film, Lodz (Poland.


Question: What water body does the street in the image drain to?

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Oudegracht. early canal (app. 1000) connecting the Rhine section to the river Vecht. The southern part was started in 1122, after the water level of the Rhine in Utrecht dropped because of the new dam at Wijk bij Duurstede. The ground excavated was used to raise the sides of the canal, to reduce the chance of flooding. When the city's system of locks was finished in 1275 the water level was constant, enabling the creation of permanently dry cellars and new quays at water level, hence the typical wharfs () below street level. Warehouses used to line the canal. Today many.


Question: What is the basionym of this plant?

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Heteromeles. compounds, which protect the blood-brain barrier and prevent infiltration of inflammatory cells into the brain.## Taxonomy.The genera "Photinia", "Aronia", "Pourthiaea", and "Stranvaesia" have historically been variously combined by different taxonomists. The genus "Heteromeles" as originally published by Max Joseph Roemer was monospecific, including "Photinia arbutifolia" Lindl. (1820), as "H. arbutifolia" (Lindl.) M. Roem, but the name was illegitimate (superfluous) because it included the type of the genus "Photinia". This has since been corrected by conservation, and the name is therefore often written as "Heteromeles" M. Roem. "nom. cons." (1847). "Heteromeles arbutifolia" var. "arbutifolia" – Autonym "Heteromeles arbutifolia" var. "cerina" –.


Question: What is the closest upper taxonomy of this bird?

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Laughing falcon. The laughing falcon (Herpetotheres cachinnans), also called the snake hawk (erroneously, since it is not a hawk), is a medium-sized bird of prey in the falcon family (Falconidae), the only member of the genus Herpetotheres. This Neotropical species is a specialist snake-eater. Its common and scientific names both refer to its distinctive voice.## Taxonomy.Its English name comes from its loud voice, as does the specific name "cachinnans", Latin for "laughing aloud" or "laughing immoderately". The generic name "Herpetotheres" refers to its preferred food; it is Latinized Ancient Greek, derived from "[h]erpeton" (ἑρπετόν, "reptile") + "therizein" (θερίζειν, "to mow down").Its relationships.

Laughing falcon. of Mexico and Northern Central America". Oxford University Press, Oxford & New York. Jiménez, Mariano II & Jiménez, Mariano G. (2003): El Zoológico Electrónico – El Halcón Guaicurú "Herpetotheres cachinnans". Version of 2003-AUG-01. Retrieved 2007-FEB-22. Lewis, Charlton T. & Short, Charles (1879): "căchinno. In: A Latin Dictionary". Clarendon Press, Oxford. HTML fulltext Stiles, F. Gary & Skutch, Alexander Frank (1989): "A guide to the birds of Costa Rica". Comistock, Ithaca. Remsen, J. V., Jr.; Cadena, C. D.; Jaramillo, A.; Nores, M.; Pacheco, J. F.; Robbins, M. B.; Schulenberg, T. S.; Stiles, F. G.; Stotz, D. F.; and Zimmer, K. J.


Question: Who designed this facility?

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Battersea Power Station. Battersea Power Station is a decommissioned Grade II* listed coal-fired power station, located on the south bank of the River Thames, in Nine Elms, Battersea, in the London Borough of Wandsworth. It was built by the London Power Company (LPC) to the design of Leonard Pearce, Engineer in Chief to the LPC, and CS Allott & Son Engineers. The architects were J. Theo Halliday and Giles Gilbert Scott. The station is one of the world's largest brick buildings and notable for its original, Art Deco interior fittings and decor.The building comprises two power stations, built in two stages, in a.

Battersea Power Station. day at 11 am.## Design and specification.Both of the stations were designed by a team of architects and engineers. The team was headed by Dr. Leonard Pearce, the chief engineer of the London Power Company, but a number of other notable engineers were also involved, including Henry Newmarch Allott, and T. P. O'Sullivan who was later responsible for the Assembly Hall at Filton. J. Theo Halliday was employed as architect, with Halliday & Agate Co. employed as a sub-consultant. Halliday was responsible for the supervision and execution of the appearance of the exterior and interior of the building. Architect Sir.


Question: What is the highest observed lifespan of this plant?

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Acer macrophyllum. gold and yellow, contrasting against backdrops of evergreen conifers.In spring, the tree produces flowers in pendulous racemes 10 - 15 (cm) long, greenish-yellow with inconspicuous petals. It is hermaphroditic, bearing both male and female flowers in each raceme. The flowers appear in early spring, before the leaves.The fruit is a paired winged samara, each seed 1 - 1.5 (cm) in diameter with a 4 - 5 (cm) wing. Bigleaf maple begins bearing seed at about ten years of age.In May 2018 the oldest two Oregon maples in Europe, 175 years old, were removed from Trinity College Dublin (TCD), Ireland. The.


Question: What is the length of the incubation period (in day) of this bird's egg?

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Whinchat. a short-tailed bird, moving on the ground with small, rapid hops and frequently bobbing and flicking its wings and tail. It is similar in size to its relative the European robin ("Erithacus rubecula"), being 12 to 14 (cm) long and weighing 13 to 26 (g). Both sexes have brownish upperparts mottled darker, a buff throat and breast, a pale buff to whitish belly, and a blackish tail with white bases to the outer tail feathers.The male in breeding plumage has a blackish face mask almost encircled by a strong white supercilium and malar stripe, a bright orange-buff throat and breast,.


Question: What is the closest upper taxonomy of this plant?

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Cuscuta gronovii. Cuscuta gronovii is a yellow vine that grows as a parasite off other plants. It is a dicot.## Description."Cuscuta gronovii" belongs to the family Convolvuaceae, including the morning glories, comprising about 200 species. It is a parasitic annual vine that infects host plants in a parasitic relationship. Its stems appear orange-yellow in color. The vine can grow up to a length of one meter or more, entangling itself around the host plant. Although it appears to be leafless, it has tiny, alternate, scale-like leaves. The vine produces white flowers with bell-shaped, five-lobed corollas, and sepals united at the base. The.

Cuscuta gronovii. flowers are roughly 1/8 of an inch apart from one another.There are currently three known subspecies of "Cuscuta gronovii": "calyptrata", "gronovii", and "latiflora".## Etymology."Cuscuta gronovii" was named in honor of botanist Jay Fredrik Gronon. The genus "Cuscuta" was named after the Arabic word for "dodders", and the word dodder originates from an Old English word meaning "todder".There are four widely used common names for this species: scaldweed, common dodder, swamp dodder, and love dodder.## Distribution and ecology.The common dodder can be found in every state of the United States with the exceptions of Utah, Nevada, California, Washington, Alaska and Hawaii.

Cuscuta gronovii. It can also be found in all provinces of Canada with the exceptions of British Columbia, Yukon, Northwest Territories, and Nunavut. The plant is native in all of these areas.This species has naturalized in France, Germany, Luxembourg, the Netherlands, and Italy.This species is commonly found growing in temperate forest habitats. Because it requires an abundance of moisture, the common dodder is usually found in floodplains.## Life cycle.Plants within the genus "Cuscuta" generally do not contain chlorophyll, nor are they photosynthetically active. This species, however, does contain a small amount of chlorophyll. It is not enough to support the plant via.

Cuscuta gronovii. autotrophy alone. This is why the common dodder is dependent upon other plants to survive.The life cycle begins with germination, but seeds are unable to survive long periods of time without first associating themselves with host plants. Adult plants wind themselves around their host and begin the attachment phase. Parenchymal cells begin pre-haustoria development. The next phase is referred to as the penetration phase, where the host plant is punctured through by a fully developed haustoria. This process allows for water and macromolecules to be transferred from the host to the plant. While this can be harmful for the host.

Cuscuta gronovii. plant, the effects are generally not fatal.Common host plants for this species include, but are not limited to, the spotted touch-me-not, false nettle, wood nettle, square-stemmed monkeyflower, and ditch stonecrop.The plant flowers between July and October. It is pollinated by wasps.


Question: Who is the main building contractor of this building?

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Emirates Stadium. official name of Highbury. Emirates and Arsenal agreed to a new deal worth £150 million in November 2012, and shirt-sponsorship was extended to five years while naming rights were extended to 2028.## Construction and opening.Actual construction of the stadium began once Arsenal secured funding. The club appointed Sir Robert McAlpine in January 2002 to carry out building work and the stadium was designed by Populous, who were the architects for Stadium Australia (home of the 2000 Olympics and the South Sydney Rabbitohs NRL club) and the redevelopment of Ascot Racecourse. Construction consultants Arcadis and engineering firm Buro Happold were also.


Question: What is the closest upper taxonomy of this plant?

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Platanthera ciliaris. Platanthera ciliaris, commonly known as the yellow fringed orchid, yellow-fringed orchid, or orange-fringed orchid, is a large and showy species of orchid. It grows in "acid soil of hillside seepage bogs" in the longleaf pine landscapes of the Gulf Coast of the United States. Like many species in these habitats, including flatwoods, it is dependent upon recurring fire to create open conditions. Further north it is found in bogs, but even here it may be dependent upon fire to create open conditions.It is pollinated by large butterflies, mostly swallowtails.The species is at risk in some areas from loss of habitat.

Platanthera ciliaris. and collecting. For example, it is endangered in Michigan. It has been recorded from extreme southern Ontario, but is now thought to be extirpated.


Question: What is the conservation status of this bird? (The status is assigned by the international union for conservation of nature. Choose one among Endangered,Least Concern,Critically Endangered,extinct species,extinct in the wild,Vulnerable,Near Threatened,Data Deficient).

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Yellow-billed magpie. is often exposed to mosquitoes.## Conservation.The IUCN classifies the bird as a vulnerable species. The Nature Conservancy places it in the vulnerable category. Besides West Nile Virus, threats include loss of habitat and rodent poison. The bird has a limited area of distribution but is widespread throughout the area and still common in many places.Yellow-billed magpie photo gallery VIREO.


Question: What is the closest parent taxonomy of this bird?

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Kea. The kea (; ; "Nestor notabilis") is a species of large parrot in the family Nestoridae found in the forested and alpine regions of the South Island of New Zealand. About 48 (cm) long, it is mostly olive-green with a brilliant orange under its wings and has a large, narrow, curved, grey-brown upper beak. Its omnivorous diet includes carrion, but consists mainly of roots, leaves, berries, nectar, and insects. Now uncommon, the kea was once killed for bounty due to concerns by the sheep-farming community that it attacked livestock, especially sheep. In 1986, it received absolute protection under the Wildlife.

Kea. and how it used to visit the coast in winter but had not been seen in recent times. Mantell investigated and obtained the birds in Murihiku. Its specific epithet, the Latin term "notabilis", means "noteworthy". The common name kea is from Māori, probably an onomatopoeic representation of their in-flight call – 'keee aaa'. The word "kea" is both singular and plural.The genus "Nestor" contains four species: the New Zealand kaka ("Nestor meridionalis"), the kea ("N. notabilis"), the extinct Norfolk kaka ("N. productus"), and the extinct Chatham kaka ("N. chathamensis"). All four are thought to stem from a "proto-kākā", dwelling in.


Question: What is the closest upper taxonomy of this animal?

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Electric eel. The electric eels are a genus, Electrophorus, of neotropical freshwater fish from South America in the family Gymnotidae. They are known for their ability to stun their prey by generating electricity, delivering shocks at up to 860 volts. Their electrical capabilities were first studied in 1775, contributing to the invention in 1800 of the electric battery.Despite their name, electric eels are not closely related to the true eels (Anguilliformes) but are members of the electroreceptive knifefish order, Gymnotiformes. This order is more closely related to catfish. In 2019 it was discovered that there were three species of electric eel. Before.

Electric eel. but Ferraris and colleagues (2017) placed the genus into the family Gymnotidae, alongside "Gymnotus".In 2019, C. David de Santana et al. divided "E. electricus" into three species based on DNA divergence, ecology and habitat, anatomy and physiology, and electrical ability. The three species are "E. electricus" (now in a narrower sense than before), and the two new species "E. voltai" and "E. varii".## Phylogeny.Electric eels form a clade of strongly electric fishes within the order Gymnotiformes, the South American knifefishes. Electric eels are thus not closely related to the true eels (Anguilliformes).The lineage of the "Electrophorus" genus may have split.


Question: What is the location of this building?

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BMW Welt. The BMW Welt is a combined exhibition, delivery, adventure museum, and event venue located in Munich's district Am Riesenfeld, next to the Olympic Park, in the immediate vicinity of the BMW Headquarters and factory. It was built from August 2003 to summer 2007. A solar system with 800 kW of power is installed on the roof of the main building. The opening took place on 17 October 2007. The BMW Welt is the most visited tourist attraction in Bavaria.## Operations.BMW Welt operations are coordinated with the other local BMW facilities, the BMW Museum and BMW Headquarters. It has a showroom.