You are provided with the abstract of a scientific paper and the abstracts of the papers it references. Your task is to write a Related Work section for the main paper. This section should concisely summarize and integrate the key points from the cited abstracts, reflecting how they relate to the main paper's contributions and context. In your summary, use numerical citation markers like [1], [2], etc., to refer to the corresponding papers.

Main Abstract:
We present a deep learning method for singing voice conversion. The proposed network is not conditioned on the text or on the notes, and it directly converts the audio of one singer to the voice of another. Training is performed without any form of supervision: no lyrics or any kind of phonetic features, no notes, and no matching samples between singers. The proposed network employs a single CNN encoder for all singers, a single WaveNet decoder, and a classifier that enforces the latent representation to be singer-agnostic. Each singer is represented by one embedding vector, which the decoder is conditioned on. In order to deal with relatively small datasets, we propose a new data augmentation scheme, as well as new training losses and protocols that are based on backtranslation. Our evaluation presents evidence that the conversion produces natural signing voices that are highly recognizable as the target singer.

Cited Abstract(s):
[1]: There are many use cases in singing synthesis where creating voices from small amounts of data is desirable. In text-to-speech there have been several promising results that apply voice cloning techniques to modern deep learning based models. In this work, we adapt one such technique to the case of singing synthesis. By leveraging data from many speakers to first create a multispeaker model, small amounts of target data can then efficiently adapt the model to new unseen voices. We evaluate the system using listening tests across a number of different use cases, languages and kinds of data.

[2]: 

[3]: Comunicacio presentada al Interspeech 2016, celebrat a San Francisco (California, EUA) els dies 8 a 12 de septembre de 2016, i organitzat per la International Speech Communication Association (ISCA).

[4]: Abstract The present paper describes a corpus-based singing voice syn-thesis system based on hidden Markov models (HMMs). Thissystem employs the HMM-based speech synthesis to synthesizesingingvoice. Musical information such aslyrics, tones, durationsis modeled simultaneously in a uniﬁed framework of the context-dependent HMM. It can mimic the voice quality and singing styleof the original singer. Results of a singing voice synthesis exper-iment show that the proposed system can synthesize smooth andnatural-sounding singing voice. Index Terms : singing voice synthesis, HMM, time-lag model. 1. Introduction In recent years, various applications of speech synthesis systemshave been proposed and investigated. Singing voice synthesis isone of the hot topics in this area [1–5]. However, only a fewcorpus-based singing voice synthesis systems which can be con-structed automatically have been proposed.Currently, there are two main paradigms in the corpus-basedspeech synthesis area: sample-based approach and statistical ap-proach. The sample-based approach such as unit selection [6]can synthesize high-quality speech. However, it requires a hugeamountoftrainingdatatorealizevariousvoicecharacteristics. Onthe other hand, the quality of statistical approach such as HMM-basedspeechsynthesis[7]isbuzzybecauseitisbasedonavocod-ingtechnique. However,itissmoothandstable,anditsvoicechar-acteristics can easily be modiﬁed by transforming HMM parame-ters appropriately. For singing voice synthesis, applying the unitselection seems to be difﬁcult because a huge amount of singingspeech which covers vast combinations of contextual factors thataffect singing voice has to be recorded. On the other hand, theHMM-based system can be constructed using a relatively smallamount of training data. From this point of view, the HMM-basedapproach seems to be more suitable for the singing voice synthe-sizer. In the present paper, we apply the HMM-based synthesisapproach to singing voice synthesis.Although the singing voice synthesis system proposed in thepresent paper is quite similar to the HMM-based text-to-speechsynthesissystem[7],therearetwomaindifferencesbetweenthem.In the HMM-based text-to-speech synthesis system, contextualfactors which may affect reading speech (e.g. phonemes, sylla-bles, words, phrases, etc.) are taken into account. However, con-textual factors which may affect singing voice should be different

[5]: We recently presented a new model for singing synthesis based on a modified version of the WaveNet architecture. Instead of modeling raw waveform, we model features produced by a parametric vocoder that separates the influence of pitch and timbre. This allows conveniently modifying pitch to match any target melody, facilitates training on more modest dataset sizes, and significantly reduces training and generation times. Nonetheless, compared to modeling waveform directly, ways of effectively handling higher-dimensional outputs, multiple feature streams and regularization become more important with our approach. In this work, we extend our proposed system to include additional components for predicting F0 and phonetic timings from a musical score with lyrics. These expression-related features are learned together with timbrical features from a single set of natural songs. We compare our method to existing statistical parametric, concatenative, and neural network-based approaches using quantitative metrics as well as listening tests.
Singing Synthesis and Conversion Classical singing synthesis methods are mostly concatenative (unit selection) methods [3] or HMM based [4] [2] . Blaaauw and Bonda have demonstrated very convincing singing synthesis using a WaveNet Decoder [5] . Their system receives, as input, both notes and lyrics and produces a stream of vocoder features. The method was extended [1] to adopt between singers, using the same type of note and lyrics supervision, in a data efficient manner, based on a few minutes of clean audio per target singer.