You are provided with the abstract of a scientific paper and the abstracts of the papers it references. Your task is to write a Related Work section for the main paper. This section should concisely summarize and integrate the key points from the cited abstracts, reflecting how they relate to the main paper's contributions and context. In your summary, use numerical citation markers like [1], [2], etc., to refer to the corresponding papers.

Main Abstract:
With virtual reality, digital painting on 2D canvases is now being extended to 3D spaces. Tilt Brush and Oculus Quill are widely accepted among artists as tools that pave the way to a new form of art - 3D emmersive painting. Current 3D painting systems are only a start, emitting textured triangular geometries. In this paper, we advance this new art of 3D painting to 3D volumetric painting that enables an artist to draw a huge scene with full control of spatial color fields. Inspired by the fact that 2D paintings often use vast space to paint background and small but detailed space for foreground, we claim that supporting a large canvas in varying detail is essential for 3D painting. In order to help artists focus and audiences to navigate the large canvas space, we provide small artist-defined areas, called rooms, that serve as beacons for artist-suggested scales, spaces, locations for intended appreciation view of the painting. Artists and audiences can easily transport themselves between different rooms. Technically, our canvas is represented as an array of deep octrees of depth 24 or higher, built on CPU for volume painting and on GPU for volume rendering using accurate ray casting. In CPU side, we design an efficient iterative algorithm to refine or coarsen octree, as a result of volumetric painting strokes, at highly interactive rates, and update the corresponding GPU textures. Then we use GPU-based ray casting algorithms to render the volumetric painting result. We explore precision issues stemming from ray-casting the octree of high depth, and provide a new analysis and verification. From our experimental results as well as the positive feedback from the participating artists, we strongly believe that our new 3D volume painting system can open up a new possibility for VR-driven digital art medium to professional artists as well as to novice users.

Cited Abstract(s):
[1]: Ray tracing requires testing of many rays to determine intersections with objects. A way of reducing the computation is to organize objects into hierarchical data structures. We examine two heuristics for space subdivisions using bintrees, one based on the intuition that surface area is a good estimate of intersection probability, one based on the fact that the optimal splitting plane lies between the spatial median and the object median planes of a volume. Traversal algorithms using cross links between nodes are presented as generalizations of ropes in octrees. Simulations of the surface area heuristic and the cross link scheme are presented. These results generalize to other hierarchical data structures.

[2]: 

[3]: We propose a new approach to efficiently render large volumetric data sets. The system achieves interactive to real-time rendering performance for several billion voxels. Our solution is based on an adaptive data representation depending on the current view and occlusion information, coupled to an efficient ray-casting rendering algorithm. One key element of our method is to guide data production and streaming directly based on information extracted during rendering. Our data structure exploits the fact that in CG scenes, details are often concentrated on the interface between free space and clusters of density and shows that volumetric models might become a valuable alternative as a rendering primitive for real-time applications. In this spirit, we allow a quality performance trade-off and exploit temporal coherence. We also introduce a mipmapping-like process that allows for an increased display rate and better quality through high quality filtering. To further enrich the data set, we create additional details through a variety of procedural methods. We demonstrate our approach in several scenarios, like the exploration of a 3D scan (81923 resolution), of hypertextured meshes (163843 virtual resolution), or of a fractal (theoretically infinite resolution). All examples are rendered on current generation hardware at 20--90 fps and respect the limited GPU memory budget.

[4]: Nowadays, direct volume rendering via 3D textures has positioned itself as an efficient tool for the display and visual analysis of volumetric scalar fields. It is commonly accepted, that for reasonably sized data sets appropriate quality at interactive rates can be achieved by means of this technique. However, despite these benefits one important issue has received little attention throughout the ongoing discussion of texture based volume rendering: the integration of acceleration techniques to reduce per-fragment operations. In this paper, we address the integration of early ray termination and empty-space skipping into texture based volume rendering on graphical processing units (GPU). Therefore, we describe volume ray-casting on programmable graphics hardware as an alternative to object-order approaches. We exploit the early z-test to terminate fragment processing once sufficient opacity has been accumulated, and to skip empty space along the rays of sight. We demonstrate performance gains up to a factor of 3 for typical renditions of volumetric data sets on the ATI 9700 graphics card.

[5]: 

[6]: In this paper an acceleration method for finding the nearest ray–object intersection for ray tracing purposes is presented. We use the concept of BSP trees enriched by rope trees. These are used to accelerate the traversal of the BSP tree. We give a comparison of experimental results between the technique based on BSP tree and uniform spatial subdivision.

[7]: We present an adaptive out-of-core technique for rendering massive scalar volumes employing single-pass GPU ray casting. The method is based on the decomposition of a volumetric dataset into small cubical bricks, which are then organized into an octree structure maintained out-of-core. The octree contains the original data at the leaves, and a filtered representation of children at inner nodes. At runtime an adaptive loader, executing on the CPU, updates a view and transfer function-dependent working set of bricks maintained on GPU memory by asynchronously fetching data from the out-of-core octree representation. At each frame, a compact indexing structure, which spatially organizes the current working set into an octree hierarchy, is encoded in a small texture. This data structure is then exploited by an efficient stackless ray casting algorithm, which computes the volume rendering integral by visiting non-empty bricks in front-to-back order and adapting sampling density to brick resolution. Block visibility information is fed back to the loader to avoid refinement and data loading of occluded zones. The resulting method is able to interactively explore multi-gigavoxel datasets on a desktop PC.
Existing ray-casting algorithms for adaptive grids often utilize acceleration techniques, such as empty space skipping [4] , by using multiple rendering passes. In order to reduce neighbor finding cost, octree neighbor linking were proposed [2] [1] . Also the ROPE algorithm [6] was developed to accelerate k-d tree neighbor finding. These precomputed neighbors have been continuously used. [7] suggests stackless ray-casting after updating all six neighbors from the CPU to the GPU in view-dependent manner. [5] [3] used similarly precomputed neighbors to accelerate neighbor finding for samples stored at octree corners. In this paper, we make a small step forward by using only three neighbors, computed in the GPUs from the primal octree represented by only two indices: parent and the first child.