They seek council whenever they do anything substantial.
Often times, successful people already know the answers, they just need a sounding board off which to bounce their ideas.
There is a BIG difference between a sounding board and a "yes man" and successful people have learned the difference.
Mentors, Coaches, CPA's, Accountants, Financial Planners, Spiritual Advisors are all counselors of successful people.
They have goals that guide their actions.
Sometimes, they need help identifying goals, setting goals and certainly how to achieve them.
There is a BIG difference between goals and wants and dreams and successful people have learned the difference.
Successful people have learned the value of accountability.
Being accountable for your actions and processes is key to achieving your goals.
Take weight loss for example. Even the strong have weak moments and it's in those weak moments that accountability serves its greatest purpose.
Successful people realize that being the smartest person in the room works against them and is not a good thing.
Successful people became successful by surrounding themselves with those who are experts in their respective fields of study.
Successful people are not intimidated by intelligence and have learned to use it to their advantage.
Successful often comes in the disguise of hard work.
Successful people have a dedicated work ethic that is found in more than one area of their life.
Look at Farmers who, even at older ages can outwork many young people even though they could afford to hire help and are often worth millions, choose to work the fields everyday themselves rather than sit idly by.
Risk in not a four-letter word.
Successful people learn about taking risks early in life and even though they take risks where others do not, they do so in a calculating manner.
NASCAR Drivers are said to be very cautious drivers outside the race track because the risks are much higher than they are during race day.
Successful people have good critical thinking skills and often approach problems differently.
They are used to encountering adversity, hardship and obstacles but have learned to increase their critical thinking ability to problem solve so that those hardships and adversity do not handicap their efforts in achieving their goals.
Perseverance is present in every successful person I have ever met.
Because being different often comes with success and that difference carries with it adversity and obstacles, they have learned to persevere and never quit on the goals they have set before themselves.
Markets experienced a push-and-pull last week between data indicating strong economic growth and lagging performance from several tech stocks' earnings reports. Domestic indexes had mixed results, as the S&P 500 gained 0.61%, the Dow was up 1.57%, and the NASDAQ dropped 1.06%.International stocks in the MSCI EAFE had more of an uptick, gaining 1.32% for the week.
The tax cut helped drive growth.The recent $1.5 trillion tax cut contributed to the latest GDP performance. Both consumers and businesses spent more in the 2nd quarter. Some economists believe this result will not last; without further tax cuts, consumers and companies won't have additional funds at their disposal.
This year's ongoing trade drama impacted the economy during the 2ndquarter, but perhaps not the way you might expect. Many soybean farmers tried to get ahead of coming tariffs by shipping their crops to China earlier than normal. This move helped GDP increase between April and June.
Seeing strong growth this late in an economic expansion is good news. However, now we will have to see whether the growth can continue at this rate. When discussing the GDP readings, President Trump predicted even better results in future quarters. Some economists, on the other hand, believe trade wars and consumer spending could provide headwinds.We can't predict the future, but we do know that economic fundamentals continue to be strong. This week, we will receive a number of new readings - from manufacturing to employment to motor vehicle sales - and earnings season will roll on. If you would like to discuss any of these details and how they may impact you, we're ready to help.


Mambo Interactive: Information Technology (IT) Services.
Every project has to start with the analysis of risk factors to which its technical components will be exposed. Mambo Interactive ensures the protection and integrity of all your company's data by being up-to-date with the most accepted international security standards.
Computing centers in the most important cities of the world, operated by widely experienced professionals, and constant testing of our systems using the latest equipment make sure your investment will be properly supported.
Contact Us to discuss your IT Services needs.


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Maria Flor (vollständig Maria Flor Leite Calaça; * 31. August 1983 in Rio de Janeiro) ist eine brasilianische Filmschauspielerin.

Leben
Maria Flor wurde ab 2002 überwiegend im Bereich der brasilianischen Fernsehserien und Telenovelas als Schauspielerin tätig. Mit Nebenrollen in den Filmen Xingu und 360 wurde sie auch international ausgestrahlt.

Filmografie (Auswahl)
 2004: Cabocla (Fernsehserie, 96 Folgen)
 2005–2006: Belíssima (Fernsehserie, 86 Folgen)
 2007: Eterna Magia (Fernsehserie, 295 Folgen)
 2007: Chega de Saudade
 2008–2011: Aline (Fernsehserie, 13 Folgen)
 2011: Xingu
 2011: 360
 2012–2014: Do Amor (Fernsehserie, 26 Folgen)
 2014: O Rebu (Fernsehserie, 36 Folgen)
 2014: Os Maias: Cenas da Vida Romântica (2015 auch TV-Mehrteiler)
 2016–2017: A Lei do Amor (Fernsehserie, 134 Folgen)
 2018: 3% (Fernsehserie, 10 Folgen)
 2019: Albatroz
 2019: Irmãos Freitas (Fernsehserie, 8 Folgen)
 2021: Os Ausentes (Fernsehserie, 10 Folgen)
 2022: Quatro Amigas Numa Fria

Weblinks

Filmschauspieler
Darstellender Künstler (Brasilien)
Brasilianer
Geboren 1983
Frau

redpajama_set_name: RedPajamaWikipedia


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/ Bridges / Milestone for the London Bridge Station: the New Concourse Opens to Public
Milestone for the London Bridge Station: the New Concourse Opens to Public
Parul Dubey on August 30, 2016 - in Bridges, Transportation
The first two thirds of the new concourse of the London Bridge Station are now open to public. Once finalized, the concourse will be the largest in the UK and will be served with more than 80 trains every hour.
With about 54 million passengers every year, London Bridge station is one of Britain's busiest rail hubs and the oldest railway terminus in London that still exists today.
Watch the story of bringing London Bridge station into the 21st century:
Changing the Face of One of the World's Oldest Railway Stations
Network Rail is delivering a government sponsored GBP 6.5 billion (CAD 12.3 billion) Thameslink program to transform north-south travel through London. A part of the program is to completely rebuild London Bridge station. Arcadis and WSP | Parsons Brinckerhoff are working together in a joint venture to deliver the detailed design.
Unique Challenges
The set of architectural, engineering and construction challenges on this project is truly unique. The most challenging aspect of the project is the fact that the station needs to be operational at all times. As Mark Middleton from Grimshaw Architects described, it's like doing an open-heart surgery on someone who is jogging at the same time.
Addressing Long-Term Passenger Requirements
To address long-term passenger requirements, the track setup at the station needs to be changed: switching from six to nine through tracks and from nine to six terminating tracks. This might sound simple but it actually means that every track will need to change position.
The station was initially built in 1836 and its Victorian arches were constructed in a five-decade period following the opening of the station. Some of the arches will need to be replaced with large bridge decks, but the public will regain access to the very early ones that were previously hidden from passengers' eyes.
The station is expected to be completed in 2018.
Discover more of our railway station projects:
Bond Street Station
Southern Cross Station
Anaheim Regional Transportation Intermodal Center
Transbay Transit Center
London Bridge station WSP | Parsons Brinckerhoff
Stantec Receives Two Awards for Outstanding Interior Design
Mott MacDonald Plans Strong Presence at TriCon Water/Wastewater Conference
Corporate, Electric Grid, Surveying/Mapping
Bluesky Maps the Impact of Vegetation on UK Power Networks Electricity Lines
Leicestershire, Oct. 7, 2015—Bluesky has completed a multi-million pound aerial mapping project…
Corporate, Facility Management, Maintenance, Sensors
AREVA Selects Semtech LoRa Platform for Smart Sensor Monitoring Solutions
CAMARILLO, Calif., Nov. 13, 2014—Semtech Corporation a leading supplier of analog and mixed-signal…
New IDEA StatiCa Version 10.1 is Live
We are happy to announce the brand-new version of IDEA StatiCa 10.1 release. This version brings…

redpajama_set_name: RedPajamaCommonCrawl


A geometric sans serif typeface influenced by Bauhaus and the early modernist era. Precise circles are optically adjusted to create a clear, natural typeface with great legibility. Details include 540 characters with alternative lowercase a, e and g, 5 variations of numerals, manually edited kerning and opentype features. The regular and italic weights are available as FREEWARE which is great news for many people who have enquired about sample fonts to test out in their projects. The rest of the family is still in the development and will include 9 weights with Italics.


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Brand Storytelling at Shinola
by Jill Avery, Giana M. Eckhardt, Michael Beverland,
Brand Storytelling at Shinola ^ 520102
Jill Avery
Giana M. Eckhardt
Michael Beverland
Marketing,Advertising
Industry: Retail and consumer goods
Detroit, Michigan, aka "The Motor City," is most known as the birthplace of most of the American classic automotive brands. It is a city filled with the rich history of the industrial age, the pride of American manufacturing, and of the soulful sounds of Motown music. It is also a place that more recently has become synonymous worldwide with rustbelt urban decay, characterized by abandoned factories, commercial buildings, and homes, soaring unemployment and homelessness, and a sense of despair since the city's declaration of bankruptcy in 2013, which led to its other nickname, "America's Warzone". It was a surprising place to find the headquarters of a new luxury brand. Shinola, a luxury watchmaker and purveyor of stylized, retro-chic, and hipster-cool products, had aggressive goals to grow to 75-100 stores and consumers and store employees, many of whom had never been to Detroit, would need to become familiar with the Shinola brand narrative. Recent expansions of the brand into lower price point timepieces and the hospitality sector would have to be monitored, and future brand extensions and brand partnership opportunities evaluated to support an evolving new luxury lifestyle brand positioning. As they continued to expand the Shinola brand into international markets, the brand's story, rooted in Detroit's imagery, history, and lore, might have to be reconsidered to appeal to non-American audiences. Finally, the company found itself the subject of legal and cultural critique. A "RETHINK SHINOLA" artist movement was questioning its commitment to Detroit. The U.S. Federal Trade Commission had recently fined Shinola for unfairly claiming that its products were "made in Detroit," putting its brand storytelling under the microscope.
Related Topics: Marketing, Advertising,
By Jill Avery,
GreedyGame: Leveraging Online-Gaming for Brand Storytelling
By Ashita Aggarwal, Suraj Commuri, Ankit Rawal,
Storytelling in Business
By Brian Moriarty,
Storytelling That Moves People
By Robert McKee, Bronwyn Fryer,
By Jill Avery, Ayelet Israeli,


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Southern Pacific Perlite Car #73
In 1957 the Southern Pacific converted 8 ordinary boxcars into perlite cars; numbers 9, 72,73,74,76, and 92 are documented to still be around the Owens Valley. These cars were essentially covered hopper cars to haul perlite from the loading facility at Elna to the standard gauge transfer at Owenyo.
The Southern Pacific Narrow Gauge Historical Society decided that at least one must be saved and restored. With the assistance of the CCRW car #73 was acquired and moved from a home just up the street from the Laws RR museum down to the Eastern California museum in Independence.
On a fine morning in the middle of May, 2009 these guys showed up to move #73. Within a couple hours the car was loaded and on its way to Independence on the back of Betty Dews trailer.
After unloading in Independence, #73 awaits its long deserved restoration. Since that day in 2009, the roof has been stabilized and a protective coat of paint has been applied. Currently the car is used for storage but may be restored in some manner in the future.
#73 has an interesting history;
1880 built by Carter Brothers as 28′ box car #254 for Oregonian Railroad
1-17-1899 Formal transfer to S.P.C. as #452
10-27-1907 To Nevada & Cal. as # 440
1923 rebuilt at Sparks from 20 to 30 ton car, 4′ trucks
Interior of #73 showing the remains of the perlite interior.
1946 Renumbered 73
1957 rebuilt to Perlite Car
1961 Placed at Laws location as storage.
2009 to S.P.N.G. Historical Society. At Eastern California Museum


Boy oh boy! Do I have a post for you... well I should say a series of posts. But before I get into that... I would first like to say that if you thought Ebay was cool, I think participating in an actual auction is even better! As far as my experience went, I have to say there is none like it. But if I had to compare it to something, the closest thing I could compare it to are those last 5 secs when bidding online... palms sweating... heart beating out of your chest...and your bidding on that one item like a mad man... now take that and multiply it by 10!
If you have not figured it out from the title, this last week I took it upon myself to visit a local auction. What stood out to me the most was just how friendly the folk that ran this auction were. Even those that you were bidding against seemed to treat you like family. On top of that, what I think excited me the most... and I'm kind of ashamed to admit it, was the fact that they sold corndogs there as well! Yes folks.. as a food lover... I think corndogs make it to the top of my "Best things ever created" list!
ok... so now for the good stuff. As far as actually winning, I happen to win myself a couple of things, mostly camera parts, a few flashes and a pretty cool background stand. But what totally puts those winnings to shame is a small film canister that came with a small lot that I had won. After almost tossing the canister away, thinking it was empty, I luckily looked inside of it and found a few rolls of already developed negatives. The bad part about this find was the fact that they were suffering from what is known as vinegar syndrome; I'll explain this more in a later post.
Now I know... your dying to know what was on those negatives right? Well after doing a little research from items I noticed in the negatives, have led me to believe that these photos had belonged too as well as taken by none other then a local military hero by the name of First Lieutenant Henry Tomlinson Macgill. I don't want to spoil the find too much, but from what I know, First Lieutenant Henry Tomlinson Macgill was the commanding officer of Company C, 1st Battalion, 19th Infantry Regiment, 24th Infantry Division. Sadly, he was captured and taken prisoner while fighting enemy forces near the Kum River in South Korea in 1950. He was later executed due to an altercation with a North Korean officer. Here is a sample scan, I hope to scan the rest later this month, but would like to do a little more research before posting the batch as well as try my best when it comes to scanning these negatives... currently they are in a pretty horrible state. From what I can tell, the first roll is mainly photos taken by First Lieutenant Henry Tomlinson Macgill of a few friends he had known during his stay in South Korea. The one below was obviously not taken by him, but its one of two that actually show him in the photos.


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Hawaii Five-O season 12 out on DVD in January
Posted on November 14, 2011 by The Spy Commander
Season 12 of Hawaii Five-O, the last campaign of the 1968-80 show, is scheduled to come out on DVD on Jan. 10, according to the TV Shows on DVD Web site.
By this time, star Jack Lord as lawman Steve McGarrett was the only remaining member of the original cast still present. James MacArthur departed at the end of the 11th season. A new supporting cast was recruited, led by veteran character actor William Smith as James Carew, a cop looking for the men who killed his wife. Also on board was Sharon Farrell as Lori, the first Five-O woman officer. Prior to this, Five-O occasionally utilized policewomen working for the Hololulu P.D.
But there were notable returns. Composer Morton Stevens, who wrote the Five-O theme, was back scoring episodes after skipping the 11th season. Ross Martin, who had appeared in three season 11 episodes as a Hawaiian crime boss, was back in the role for two episodes in season 12. And Khigh Dhiegh as archvillain Wo Fat reprised the role one more time. The back of Five-O Season 12 box has at least three images from the episode, titled "Woe to Wo Fat."
Most season 12 episodes don't receive good reviews on the Web site of Five-O expert Mike Quigley. Hard-core Five-O fans, we suspect, will still seek out the DVD set.
Here's the final scenes of the series, with Morton Stevens supplying the music.
Filed under: The Other Spies | Tagged: Hawaii Five-O, Hawaii Five-O season 12 DVD set, Jack Lord, James MacArthur, Khigh Dhiegh, Mike Quigley, Morton Stevens, Ross Martin, Sharon Farrell, Steve McGarrett vs. Wo Fat, The Other Spies, William Smith | Leave a comment »


You are here: Home Tanning Facts - Popular Facts Residential Tanning Beds Make It Easy!
Residential Tanning Beds Make It Easy!
The residential tanning beds are the indoor tanning beds for home use, and they are somewhat different from the commercial tanning beds used at salons. You can relax and tan your body in comfort without any hassle. The residential tanning beds are easy to use and the body tan is not a tiresome job from any angle with cool features added to them.
The design completely tans over fast.
Has frame made of aluminum that ensures long durability.
There are eight output lamps in the bench, four lamps for facial tan.
Aluminum reflectors for efficient tanning.
10-year extended warranty on electrical components to reduce your tensions.
There are adjustable canopies with electrical grids.
It has a diffuse reflector system.
Adjustable Maximum Exposure Time of 30 Minutes.
Solid bed with curved canopy for tanning the whole body regularly.
Four face tan enhancing lamps.
Thirty minutes of adjustable Maximum Exposure Time.
Tanning beds keep an accurate track of the time so that a sunburn doesn't occur. The type of your skin is very important since the tanning ability of a person is genetically controlled and no alteration takes place in it. The tanning beds are manufactured for simulating the natural tanning process of sun in a clean, convenient, and comfortable environment. The skin is damaged by ultraviolet radiations of the sun causing melanoma, a skin cancer but, a tanning bed protects you against heavy penetration of the ultraviolet rays thus giving moderate radiations regulated by timings of auto shut off.
Sunscreens are though partially effective but the intensity of the radiations of sun may not bow down to penetrate deeper. Consult a pharmacist or dermatologist before using a tanning bed because you may not be genetically fit for it and without proper knowledge of the tanning methods, you may create problems for yourself.
2. Always wear eye protection like the goggles made specially for tanning routines.
3. Try not to have any direct contact with the bulbs.
4. Take the help of an attendant if you are using it for the first time.
5. Massage a proper tanning lotion.


Super Bowl 51 was another advertising bonanza featuring a diverse array of big name brands, trailers, and risky spots from lesser-known companies.
If there was one theme to be drawn from this year's package of commercials, it was that advertisers were prepared to get political — with a handful of ads devoted to messages around diversity, inclusion, and even immigration.
Check out your favorite ads from Super Bowl LI below.
A note: We've only included the ads that aired nationally. You may recall seeing some other ads during the big game this year, but they were likely regional buys, which won't have aired in all markets.
We also haven't included the ads for Super Bowl broadcaster Fox.


God is love, and all of us were created in God's image. Because God IS love, and the love of God does not make victims and it does not create persons for us to disdain. The love of God is without limits.
The family is at the center of the Latino/a community. Our families are capable of accepting, supporting, and loving each and every one of its members. How each family deals with the news that one of its members is lesbian or gay will determine the health and happiness of the entire family. And a loving, supporting family is also capable of transforming society.
More than science and religion, parents, sons, and daughters who are dealing with homosexuality can take comfort in remembering that they are joined together by the bonds of familial love. That love overcomes everything, including the prejudice found in some churches and societies.
This educational program is an opportunity for Latinx families and faith communities to come to accept, understand, and affirm LGBTQ+ persons in their families and congregations. This is also an opportunity to fully claim the values of inclusion and solidarity for our families and faith communities.


In milestone for local R&D efforts, Daimler is approved for highly automated driving (level 4) test area road use in Chinese capital of Beijing after extensive closed-course testing.
Beijing – Daimler became the first international automaker to receive a road test license for highly automated driving research vehicles (level 4) in Beijing, marking a major new milestone in the company's local research and development efforts in China. Urban traffic is one of the biggest challenges on the road to autonomous driving. With this approval, Mercedes-Benz test vehicles will now begin real road tests to further perfect the technology in the Chinese capital of Beijing, a metropolis with unique and complex urban traffic situations.
As a global pioneer in developing automated driving technology, Daimler has already obtained automated driving test licenses in Germany and the U.S., and has continuously pushed forward automated driving development in China, working together with its local partners to adapt its technologies to China's traffic environment for consistently improving the safety of all road users as its first concern. To qualify for the license, Mercedes-Benz vehicles equipped with additional technical applications from Baidu Apollo undertook extensive testing at the National Pilot Zone (Beijing and Hebei) for Intelligent Mobility, with test drivers receiving rigorous automated driving training.
Daimler has been setting standards in vehicle safety throughout its long history of technical innovations. In particular, the Intelligent Drive assistance systems have major advancements on the road to autonomous driving. The Mercedes-Benz S-Class and E-Class sedans offer cutting-edge partially automated driving technology through Intelligent Drive. For instance, the new DIGITAL LIGHT technology increases safety through extending the visual support for driving assistance systems through sensors that detect other road users and adapt light distribution in all situations.
Daimler has also actively expanded local R&D in the fields of automated driving and vehicle safety, extending its cooperation with local partners. Together with Baidu, Daimler is engaging in research on safer solutions in automated driving for China through the open source Apollo autonomous driving platform. The goal is a deep understanding of the special requirements for automated driving in China, and to develop an early intuition regarding local technical trends. In addition, through their joint Research Center for Sustainable Transportation, Daimler and China's renowned Tsinghua University since 2012 have supported research projects related to sustainable transportation in a China-specific road environment. With a focus on increasing safety for all road users, research conducted by the Center has included gathering data on typical traffic situations, research on 'vision- based detection of vulnerable road users' (VRU), and creating digital models of the East Asian human body proportions for simulation of crash tests.
Mercedes-Benz Research and Development China is shaping mobility while continuing to develop products and services with the aim to best fit the needs of local consumers. Daimler's local R&D efforts began in 2005 with the first localized Mercedes-Benz E-C lass, and in 2014 the Mercedes-Benz Research and Development China Center in Beijing was opened, allowing the company to better learn the needs and tastes of Chinese customers. The number of designers and engineers is now almost three times larger than in 2014. Daimler will continue to invest in local R&D, enabling the company to emphasize C.A.S.E. topics and tailor them to the Chinese market.


A woman has divorced her husband after he sponsored her to school from Grade 9 to University. When asked by the court why she was divorcing her husband 'Vincent', Maria Tembo said she was no longer interested in marrying someone who was not educated, adding that her friends were laughing at her because the husband was illiterate.
According to Zambian media reports, the two got married in 1997 and the man had to sell his house he built in 1995 in order to take back his wife to school. The wife from Mansa – started Grade 9 and went to university in the school of education. And after being employed, she decided to divorce her husband in favour of a man she met at university.


The NCAA men's basketball tournament is over, with Duke crowned champion. But organizers and fans of this yearly sports fest have two items of unfinished, and unpleasant, business.
First, it's time to crack down on destructive outbursts by vanquished, or triumphal, fans following games. Drunken revelers at the University of Maryland "celebrated" their team's loss in the Final Four by igniting several bonfires, terrorizing neighbors, raiding a nearby apartment for more fuel, scaring off firemen, and causing in excess of a half-million dollars in damage to cable-television lines.
Three nights later, the mess shifted to Tucson, where a couple thousand University of Arizona partisans, riotous in defeat, burned cars, mobbed intersections, and were finally dispersed by riot police.
The NCAA's top schools should actively discourage such hooligan antics. Vandalism and public disorder have nothing to do with sports.
In addition, the growing phenomenon of betting on events like the NCAA tournament needs to be stemmed. This form of gambling is liberally spread around, but a good deal of it occurs on campuses. It directly endangers the integrity of college sports, as incidents of thrown games and corrupted players attest.
The NCAA has focused its efforts on federal legislation to shut down such betting in the only place where it's legal, Nevada. But so far, a powerful and deep-pocketed gambling lobby has blocked the bill in Congress.
Still, it's a battle worth continuing. If college sports are to retain even a semblance of the ideals they're supposed to embody - like amateurism and fair play - the corrosive influence of gambling has to go.


Sandersville was established in 1796, and is the county seat of Washington County. The county is the 9th county formed in Georgia and is the first county in the nation to be named for George Washigton before his presidency. Our town has splendid examples of Victorian,Greek Revival , Antebellum, Plantation Plain and Craftsman influenced architecture which are tangible reminders of our gracious lifestyle. The people are friendly, warm and welcoming. The town is growing culturally with the addition of an art museum, and the growing number of local artists, new businesses and venues. Sandersville and Washington County has an active Historical Society. The county is known as The Kaolin Capital of the World for its vast deposit of kaolinite, and we celebrate a Kaolin Festival every year. We are the home of the official Georgia Plate. We are the only county in Georgia where Sherman and Jefferson Davis both "visited." We are on the Georgia Civil War Heritage Trail.


Beautiful antique cropped, sheer, netting blouse may have originally been worn beneath a dress or jacket as a dicky - it is quite short and has minimal closure at the back. The collar, centre front and sleeve edges are trimmed with wide, embroidered, ecru cotton lace, with a finer lace at the edges and either side of the front. The short sleeves are cut in one piece with the front and back. Cream cotton. 1910s or early 1920s.
I can add a couple more press studs so it closes more at the back if you would like.
Excellent. 1-2 tiny holes in the net in inconspicuous places, one small, faint spot on the back.


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Michael Coulson
Future Leisure
Photographs of Michael Coulson
Songs Under A Big Sky
« The Golden Year of Cd-rom Technology | Main | »
EVE WINS MILA D'OR FOR PETER GABRIEL
EVE CD-ROM. Directed by Michael Coulson
Peter Gabriel's follow-up release to Xplora 1, EVE, is a music and art adventure game, encompassing the worlds of science, art, and philosophy. Teams of designers and programmers in Seattle and England worked on the multi-million dollar co-production for over two years. EVE won the Milia D'Or Grand Prize at the 1997 Cannes Festival.
Eve Interactive Musical Experience for the song, Shaking the Tree
WHATEVER HAPPENED TO THE OLD FASHIONED ROCK ALBUM?
At the end of 1996, I started working with Peter Gabriel on a new interactive CD-ROM project (EVE). Gabriel had been introduced to Paul Allen, the other half of Microsoft, who wanted him to work on a sort of interactive songbook for his new Starwave multi-media label, based in Seattle. I had directed Xplora 1 with Peter, and was working as creative director at Real World by this time, so he asked me to work with Scot Blum the producer of the project and his team to help develop the idea. Peter was beginning his Secret World tour. For the next two years I shuttled between Real World and Starwave, working mainly with Peter, Scott Blum, the art director Magdalena and Michael Coyote who was developing custom software for the disc. Eve grew into a huge project and sadly not all of the people who started working on the project survived. Eventually the core team were Peter Gabriel, myself, Ralph Derricson producer for Starwave, Mike Large producer for Real World, Michael Coyote and Richard Evans who acted as musical director. EVE was a big hit artistically and it's amazing how many people claim it as a credit. I remember Peter Gabriel saying, " If it's a hit, everyone did it, if it flops suddenly no one's involved."
Eve won the Milia D'Or the Grand Prize at Cannes in 1997, beating Microsoft, Discovery Channel, and Monty Python.
Eve Interactive screen. Peter Gabriel and Helen Chadwick bouncing around ideas on music and art
EVE: EVOLUTIONARY VIRTUAL ENVIRONMENT
When is a rock album not a rock album? When it is also a video game, an art gallery and – blimey – a treatise on relationships. In All in EVE Peter Gabriel's new CD ROM.One day, all pop stars will record this way.
Eve Promotional video
Conceived as a kind of musical song book EVE quickly outgrew this concept and became a new form of interactive media where music and art were combined with intellectual themes and esoteric imagery in a playful interactive game.
This trans Atlantic collaboration between Real World and Starwave Corporation took a team of more than 60 people over two years to develop and produce. The game uses over 22,000 images to create 160 screens with over 80 minutes of video and 45 minutes music. It was the second CD ROM from Real World, after Xplora 1.
The initial task you are given in EVE is to create life by fertilising an egg with a sperm cursor. You may then embark on a journey which blends contemporary art, music, and new technology, and which allows you to explore, in a playful way, the eternal riddle of the relationship between man, woman and nature.
Eve virtual landscape. The User has to explore, find musical samples and move from one landscape to the next.
EVE uses the story of Adam and Eve's separation and banishment from Eden as a starting point for the adventure. The player must guide Adam (Peter Gabriel) through four very different evolutionary landscapes in his search for Eve. Throughout this journey you will make your own choices and decisions, and solve riddles – rewards and punishments are given deepening on how you play the game.
You also meet a variety of different artists, scientists and specialists and more importantly explore four Interactive Environments or musical worlds inspired by previously unreleased versions of Peter Gabriel's songs: Come Talk to Me, Shaking the Tree, In your Eyes, and Passion. The main objective of the game is to help Adam in hi search for Eve, reunite them and regain Paradise.
Eve is genuinely interactive and as your journey progresses you are able to collect various musical samples, each represented by a moving icon. With these you will construct musical toys. This will allow you to mix and record your own personal versions of the tracks and create your own interactive video for three of the four songs.
The four songs serve as a foundation from which the interactive environments have been constructed, incorporating work specially commissioned from four contemporary artists: Helen Chadwick, Cathy De Monchaux Yayoi Kusama and Nils Udo. All of the artists bring their own distinctive styles and influences to the worlds of EVE.
Peter Gabriel cuts the grass and makes music in one of Eve's Virtual Landscapes
Peter Gabriel commented:
Wit EVE we wanted to go even deeper than we had with Xplora 1 . I believe that in the next few years, kids will develop their own multimedia language that we will all ultimately adopt. I expect we will all use this language in many different ways and one of the most revealing will be how we apply it to the difficult process of finding a mate. Relationships. Spiritual matters and nature will all become important new focal points for technology that will perhaps allow us to relate better to others.
Paul Allen 1996
One of the really unique aspects of EVE is that it is a new kind of interactive musical experience. What we are trying to do is change music videos from the current passive entertainment which exits today, into an interactive experience. Someone using EVE could customize and interact with the song, change the song in a dynamic way and personalize it.
I was involved in starting Microsoft twenty years ago, and since then I have always been excited about the potential to combine pure technology with entertainment, music content or movie content.
MY companies are all about combining technology with exciting and compelling interactive entertainment content. Interval research Corp, my research company in the Bay area is basically trying to develop new technologies and create new products which will push forward the boundaries of multimedia – that's everything from doing basic research to understanding what kinds of multimedia technology people will be interested in using in the next ten years.
One of the things I am very excited about is the potential of technology to really change the way people interact. In my mind, anything that increases people's ability to communicate and talk about what's important in their lives is a positive force. and these things will have a strong impact. Anytime there's a way to check the pulse of people's thinking, it has to be a very positive development.
Eve Chooser Screen for the Shaking the Tree Interactive Musical Experience
As with Xplora 1 Gabriel allows the user to experiment with his music. Richard Evans was EVE's musical director and sound designer: What we are really trying to do is give the thrill of making music to non musicians. You don't need to be a musician to get the full pleasure of playing with music in EVE. I think the good thing about computers nowadays is that they give people experiences that previously you would have to work very hard to achieve.
I spent a long time researching selecting and remixing previously unheard tracks from Peter's archives. I had to sort through every single tape, listen to everything which was on every single track and try and find performances that we could use for EVE which didn't get onto the record. I wanted people to really get a sense of what it is like when it comes to mixing one of these tracks.
One of the results was the Interactive music experiences where you can create your own musical and visual experience with the elements you have found. Each musical experience has two major components, background or mood music loops and fly-ins. The background loops can be thought of as accompanying instruments while the fly-ins are lead instruments or vocals. Every mood background and every fly-in has a unique visual representation tied to its audio sample. It is via these visual elements that you can pick and choose moods and fly-0ins to play and create audio mixes and video experiences.
For each song there are 12 background elements loops and anywhere from 18 to 21 fly-ins. Each musical experience has a number of default moods and fly-ins that are always available. The rest are hidden throughout the EVE game. As you uncover there music samples, they become available to you to p[lay within the musical experience which are represented by three separate screens: buttons, chooser and video.
Interactive Environmnt. Yayoi Kusama
Michael Coulson the director of EVE also explains:
With Eve we want to hand the tools over to you and give you a chance to play with the music and pictures, create your own personal interpretation and get lost in the world. We asked a group of Scientists to get involved with the experiment and they lent us their expertise. We've tried to create a meeting of minds and take you on a trip between the right and left-hand sides of the brain.
Flower Pyramid for Shaking the Tree, Real World Studios, Box. Helen Chadwick
For me the process of making something is always organic. With EVE it wasn't until we were a long way into production that thread that you follow throughout EVE emerged. It was the simple story of Adam being separated from EVE and his subsequent quest to be reunited, that held together all the multiple layers of the game .
Nest,Bybrook river, Box.Nils Udo
I was filming the artist Nils Udo making his art piece – a nest of willow branches and straw. A little boy got into the nest and we set it afloat. Watching it drift down the river it seemed an immensely rich mythical symbol. I thought that's what happens when a relationship really works. We used the child in the nest as a symbol of a new beginning.
When we put the people in and out of love in front of the cameras I thought they would be very shy and frightened to open up. I was surprised how much they trusted us, relaxed and told us the most intimate things. I was awed by this and I realised that it grounded the story and gave EVE a documentary reality that was perhaps lacking before.
Flaming Portal,Bybrook river, Box.Nils Udo
SUNDAY TIMES MAGAZINE
Generally CD-ROMS are used either as conduits for information – a handy means of accessing encyclopaedias, the paintings of the National Gallery or the animals of San Diego Zoo – or for entertainment. But EVE is different, in that it breaks down the walls between passive and active. Peter Gabriel said the elements supplied by the visual artists were put into a "sort of playpen". The singer is known for experimenting in the multimedia world. His long-term plans include designing an interactive theme park near Barcelona, and for his latest album, US, he commissioned 11 paintings to illustrate the songs.
This time he has chosen a disparate bunch of artists. There is Yayoi Kusama and her swirling dots. In the 1960s the Japanese artist became famous in New York for painting writhing couples in a series of erotic happenings; since 1977 she has lived voluntarily in a psychiatric hospital in Tokyo. The German landscape artist Nils Udo spent a week at Real World, Gabriel's studio outside Bath, creating his installations with a chain saw. His is perhaps the most memorable image of all: a five year ld boy curled up and fast asleep, floating downstream on a circular raft made of hazel sticks. Cathy de Monchaux created space invaders made from velvet and metal. But, after her sudden death last April, it is inevitably Helen Chadwick who will excite the most interest. Gabriel first met her at London's Serpentine Gallery at the exhibition that featured her original chocolate fountain, and bought a set of her wreaths. "They are some of the most beautiful things I've ever seen," he says, "made out of radically incompatible products – cleaning effluents, flower petals, berries.."
Any collaboration between rock stars and contemporary artists is ripe for pretension, and this one is certainly no exception, " Although O often forget," says Gabriel wistfully in one of the snippets scattered throughout EVE, "I have learnt that it is only by changing yourself that you can change a relationship, not by changing the other person."
Sunday Times magazine 1997
Cathy De Monchaux
Digital Review
A PAIR TO REMEMBER
JUDGING FROM PETER GABRIEL'S COMPELLING 'EVE' AND THE DELIGHTFUL INTERACTIVE STORYBOOK 'SMARTY,' REPORTS OF THE ARTISTIC DEATH OF CD-ROMS HAVE BEEN GREATLY EXAGGERATED.
By Ty Burr
Ty Burr is a writer at large for EW and is no relation to Raymond or Aaron
Eve is a follow-up to Gabriel's 1994 Xplora1 CD-ROM, and it's vast and magical enough to help explain why he hasn't put out any new records lately (the art-rocker served as creative leader for the project, overseeing a 60-person team of designers and techies). The disc is structured as a four-part journey that allegorically parallels man's rise from pre-civilization Eden: As you nose around and solve fluidly intuitive puzzles, the screen gradually evolves through successive worlds of mud, greenery, industrial squalor, and post-nuclear waste, and into a hopeful new paradise. Each ''world'' incorporates the work of a visual artist -- the late Helen Chadwick, for example, contributes eerily tactile collages to one section -- and each also allows you to collect snippets of a Gabriel hit, such as ''In Your Eyes,'' for eventual remixing (the least compelling part of the disc).
Sounds so pretentious you need to wear black just to watch it, huh? Well, it would be if the visuals weren't cinematically vivid, the soundtrack weren't rich with moody ambiance, the whole project weren't crackling with a gentle surrealism that, for the most part, sidesteps Gabriel's penchant for artsy-fartsy earnestness. Eve is, in fact, the first CD-ROM since Myst in which you can blissfully lose yourself for days, the world outside fading as your brain receives a lovely massage.
Eve: A+
Posted at 11:23 AM in Interactive | Permalink
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text:
TQ3979 : Sun through the willows
taken 8 years ago, near to Blackwall Tunnel, Greenwich, Great Britain
Sun through the willows
The trees are those seen in TQ3979 : Willows on the banks of the Thames. The path is the Thames Path.
Greenwich peninsula
The peninsula is formed by a meander of the River Thames north-east of Greenwich, which along with the Isle of Dogs to the west, forms the distinctive outline familiar from the opening credits of the TV series "Eastenders". Until the 18th century it was marshland, thereafter gradually drained and industrialised, and in the late 19th century dominated by the South Metropolitan Gasworks. After becoming largely derelict in the later 20th century, the east side of the peninsula was remediated and redeveloped from the 1990s onwards, the focus being the Millennium Dome (later O2 Arena). The west side remained industrial for longer although by 2010 the remaining industries there were starting to close and be replaced by residential developments and an ocean liner terminal.
For a detailed history of the industrial sites on Greenwich Peninsula, see the book "Greenwich Marsh - the 300 years before the Dome", Mills, Mary - self-published 1999. ISBN 0 9535245 0 7
For a photographic record of the west side of the peninsula before recent demolitions, see Link
© Copyright Stephen Craven and licensed for reuse under this Creative Commons Licence.
Start a discussion on TQ3979 Suggest an update to this image Contact the contributor
Stephen Craven (find more nearby)
Friday, 31 May, 2013 (more nearby)
Saturday, 1 June, 2013
Paths Rivers, Streams, Drainage
Long Distance Path (from Tags)
WGS84: 51:29.6634N 0:0.0632E
Northwest (about 315 degrees)
Willows Riverside Path
Click a tag, to view other nearby images.
Shared Descriptions
· Greenwich peninsula
· Thames Path [63]


text:
50 Years in the OR
Send the Moon
Luminous New Release
Poetry Book
The First Book about the Unsung Heroes
of the Operating Room
It's a busy time for the anesthetist during surgery. Keeping a watchful eye on the patient's vital signs and being prepared for any of the possibilities that might develop are an anesthetist's prime focus. Each case is unique, whether it's a scheduled surgery on a healthy patient or an emergency for a critical illness. They all require analytical judgments along with many skills to manage them.
by Ron Whitchurch
Ron Whitchurch wrote this wildly entertaining book to offer a firsthand look at what happens after patients are anesthetized and what challenges the staff face in keeping them healthy and safe.
50 Years in the OR will give readers an intimate sense of what it's like to be the only person in the OR who knows the heartbeat-to-heartbeat status of a surgical patient at any given moment.
Don't miss the chance to read these entertaining, memorable stories from the OR!
The Empty O2 Tank
Poor Bob
Two Interesting Patients
Three Tattoo Stories
The Diamond Ring
The Elevator
Farm Accident
Worried I won't Wake Up
The Snowplow
The Horse Bite
Anesthesia Allergy
Helping With the AAA
Two Car Crash Stories
The Gas Sampling Line
Frozen Buttocks
New Anesthesia Machine
Squirt in the Face
Lawsuit and Expert Witness
An Alcoholic's Cure
Deer Hunting Gunshot Injuries
... and almost 90 more stories!
Buy the Book to Read Them All!
It's a busy time for the anesthetist during surgery. Keeping a watchful eye on the patient's vital signs and being prepared for any of the possibilities that might develop are an anesthetist's prime focus. Each case is unique, whether it's a scheduled surgery on a healthy patient, an emergency or a critical illness. They all require analytical judgments along with many skills to manage them.
The Hose Bite
"Ron Whitchurch has the observation, wit and insight of a modern day Mark Twain and the eyebrows and mustache to match."
— Koco Eaton, MD, ABOS, Team Physician, Tampa Bay Rays
"An extraordinary book which brilliantly and compellingly conveys the day-to-day workings of the operating room. What is amazing is how one person could have seen and experienced so much. The chapters are interesting, insightful, hilarious, sometimes sardonic yet compassionate."
— Kevin M Sweeney, MD, board-certified neurosurgeon, former chief of Neurosurgery of Mease hospitals in Dunedin and Clearwater, Florida
"I loved reading this wonderful collection of triumphs, tragedies, near misses, and so many funny situations in the OR. Ron is a keen observer of the quirks and ironies of life in surgery and a colorful storyteller. A fascinating glimpse at the world on the other side of the drapes."
— Antonio J Gayoso, MD, ASPS, ASAPS
Ron Whitchurch
Ron earned his R.N. from Abbott Hospital. He graduated from the Minneapolis School of Anesthesia and began working as a Certified Registered Nurse Anesthetist (CRNA) in 1971. He enjoyed a long, eventful career in the OR before he retired in 2018 at age 76.
Sadly, Ron passed away in May 2021. He is greatly missed by everyone who knew him. This book is his legacy. He was very proud and happy to have published it as an Amazon bestseller and to reach thousands of readers with his entertaining, informative stories about his 50 years in the OR. Ron's memory and stories will continue to shine in the pages of this book.
Ron's Bio
– 50 Years in the OR
– Send the Moon
Copyright © 2022 Loon Lake Press. All rights reserved.
Designed by Real Avenue Design


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MBD, Heritage Storeys
The transition from physical to immersive theatre
Metro Boulot Dodo offers advice on working with immersive tech
Metro Boulot Dodo (MBD) is a touring company that specialises in digital immersive performances. They started out creating, devising, directing and performing in small-scale touring shows before transitioning to incorporating technology in their performances. Now, MBD works solely in immersive media. Here, founding member and Creative Director Paul Long offers his top tips for working with immersive technology on your creative or cultural project.
Know why you are going digital
Transitioning from traditional theatre to digital productions can be challenging. Understanding both the creative opportunities and the limitations of the digital technology available to you is key. Before embarking on a production, Paul recommends asking yourself: Why would this idea be better if we go digital? What is our end goal?
In MBD's case, transitioning towards technology and digital aspects of theatre was for practical reasons. It was economically practical and efficient in its setup and its resources. He contrasts the experience of touring an outdoor show in the early days of MBD, and how digital productions work for the company now.
"The biggest of those outdoor shows that we made and directed travelled in two articulated trucks and took a day and a half to build. There were loads of projections that went in on that and aerial dancers and it was amazing but it's also exhausting," Long admits.
"There is a lot of travel with it. I have a family, and a home, and I wondered... how do I keep this job; how do I keep making work at a large scale and not have to be loading and unloading trucks and building stuff. It sounds really dull, but a part of the transition is my own journey as an artist: this is a way I can still make and enjoy large scale work while maintaining a work-life balance, and allowing for my own life to change and evolve."
"Practically, in terms of touring and presentation, the distribution is totally different. Even if you do want to take it out to people, it consists of some headsets in a suitcase. You don't have to build the skyscraper; you just do it all virtually. I think it's this that attracts me to it - it's the ability to think big but without the infrastructure getting bigger all the time." Long explains.
When embarking on a digital arts project, Paul stresses that it is important to have conversations with your technical partner or supplier up front.
"Be more open with your conversations earlier in the process. Rather than deciding what you want straight away, go and talk to people who can tell you what the options are, and then decide," Paul says.
Regardless of your reasonings, being authentic and true to your intention can also guide your communications with technical teams or partners. Communication with your partners from different backgrounds can be tricky as Long reveals:
"One of the biggest challenges is shared language. We get around that partly because of my background is in theatre and the arts, so I do have a lot of shared language with other people. Merging the technical capabilities and creative capabilities and understanding what things can do is a big challenge. Usually, people think they know what the VR stuff does, and they want to skip the bit where they learn. And that can be a real challenge. It's going to take time, and it's going to require investment."
For MBD, the benefits of having both the tech and creative team within the same company have been immense.
"When we started working with games engine technology, we brought the games engine people in-house. We've got a team of 5 people working on Unreal Engine in the company because otherwise you always have those awkward conversations of trying to understand each other. Whereas over a period of 6 months or a year, starting to work with those developers, we start to share a language. We can describe what we want, and we know. We can create a shorthand as well about how you describe things. 'It's like this project, or it's like when we did that.'"
Video of What is Heritage Storeys?
Don't expect miracles overnight
Like any other production, digital productions can be lengthy. Development is going to take time, resources, and investment. For example, Heritage Storeys, a collaborative VR exhibition with the Herbert Art Gallery and Museum, was established in three phases, with the fourth phase still in development. These phases have taken MBD three years, having started in 2019.
"Make sure what you are doing is sustainable. Appreciate that it's going to take time," Long advises.
Moreover, finding the digital technology that supports, enhances or transforms the creative ambition of your work may take time.
For Paul, Augmented Reality is something he is sceptical about after MBD's experiments in this area.
He explains: "Personally, for me, [Augment Reality] doesn't have the same immersion as Virtual Reality. I think the outcome was partly [because] AR is not necessarily the artform for us because our background is to have people completely immersed in a space. AR is effectively looking at the space through your mobile phones. It is different."
For companies looking at a project using immersive technology, it might be worth trialling different formats of digital performances as not all styles will fit each project.
Maintenance takes effort and resources
Alongside time for development, digital projects need to be maintained, and can always grow, improve and iterate. Let's take an app for an example, updates will be needed to improve the audience's experience and to keep it up to date with phone updates. Due to its digital format, bugs will alway emerge, fixing and updates will be necessary to keep it going. Maintenance costs need to be considered. "Nothing is permanent unless you look after it," says Long.
Think collaboratively
Especially for smaller theatre companies, collaboration with others can be immensely beneficial in figuring out where your digital journey may lead. Digital productions may be costly to start with, so collaborating with others may give you the opportunity to work on a bigger project by pooling your funding and resources into a bigger pot.
"At the moment, the level of investment that most people have is not big enough on their own to create a big vision, so be collaborative" Long recommends. "Try and work with other people, try and make a bigger project by grouping together."
Be precise about an idea before executing it
Paul explains that approaching a digital production is different from a theatre production. There needs to be less trial and error midway through production due to time and budget implications so being specific about aims, requirements and timelines is key.
"Understand that your workflow is going to be different than what you may be used to," Long advises. "You have to make some more concrete decisions upfront because it takes a long time to try them, rather than thinking that it is a process of trial and error. Errors are really time-consuming and expensive in games engine build."
Leicester based MBD creates engagging storytelling experiences using virtual reality, augmented reality and large scale projection. The organisation uses a blend of traditional arts expertise and technological innovation to bring stories to life.
Take a look at MBD's website and their YouTube channel.
Creating global audiences
How can digital technologies help arts organisations create global audiences?
TypeBlog
The Space- how can we help?
The Space CEO Fiona Morris outlines the support we are offering to the sector currently.
TypeBlog, Creative development


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English composer, arranger, and teacher. Best known for his orchestral suite The Planets, he composed a large number of other works across a range of genres, although none achieved comparable success. His distinctive compositional style was the product of many influences, Richard Wagner and Richard Strauss being most crucial early in his development. The subsequent inspiration of the English folksong revival of the early 20th century, and the example of such rising modern composers as Maurice Ravel, led Holst to develop and refine an individual style.
There were professional musicians in the previous three generations of Holst's family and it was clear from his early years that he would follow the same calling. He hoped to become a pianist, but was prevented by neuritis in his right arm. Despite his father's reservations, he pursued a career as a composer, studying at the Royal College of Music under Charles Villiers Stanford. Unable to support himself by his compositions, he played the trombone professionally and later became a teacher—a great one, according to his colleague Ralph Vaughan Williams. Among other teaching activities he built up a strong tradition of performance at Morley College, where he served as musical director from 1907 until 1924, and pioneered music education for women at St Paul's Girls' School, where he taught from 1905 until his death in 1934. He was the founder of a series of Whitsun music festivals, which ran from 1916 for the remainder of his life.
Holst's works were played frequently in the early years of the 20th century, but it was not until the international success of The Planets in the years immediately after the First World War that he became a well-known figure. A shy man, he did not welcome this fame, and preferred to be left in peace to compose and teach. In his later years his uncompromising, personal style of composition struck many music lovers as too austere, and his brief popularity declined. Nevertheless, he was a significant influence on a number of younger English composers, including Edmund Rubbra, Michael Tippett and Benjamin Britten. Apart from The Planets and a handful of other works, his music was generally neglected until the 1980s, when recordings of much of his output became available.
Mars, the Bringer of War
Venus, the Bringer of Peace
Mercury, the Winged Messenger
Jupiter, the Bringer of Jollity
Saturn, the Bringer of Old Age
Uranus, the Magician
Neptune, the Mystic
Ballet Music from the Perfect Fool
Recordings of select works (coming soon)


We usually start the programming process from these applications at the beginning of February, once we have decided which shows will be best for our programme from all of the applications that have come in, and this process carries on through to the Fringe's deadline in April.
What venues are most sought-after? Why?
The Free Sisters, The Counting House and Espionage are always the most sought after venues – I think as they are the big multi-room venues they are seen as the venues that have the most buzz about them, and they are all located right in the middle of the 'Fringe area' of Edinburgh. The Free Sisters and Counting House have six performance spaces each, and Espionage four performance spaces.
In the last couple of years with its courtyard and outdoor food & bars the Free Sisters is always the most favourite, many people have said that is seen as the Pleasance Courtyard of free venues.
When should potential shows start contacting you to discuss becoming part of the Free Festival?
Interested performers can contact us at any time for an informal chat about shows, usually an email is the best way, and then the formal application process starts in earnest at the end of December. We usually end up having a good few conversations during one Fringe about the next one with interested performers!
What are some common mistakes people make when applying for a slot?
Not telling us what we need to know – Amongst other things we ask for a description of the show, the performers and supporting documents (e.g. scripts, videos, preview dates) so we can work out if the show is good and will work for us; we ask for technical specifications (so we can make sure the performance space would work for them); we ask for a marketing plan to see how serious they are in producing their show. If some or all of these are missing, or the information is vague it certainly doesn't help (e.g. Show Description: "Comedy Show"; Tech Specs: "A mic"; Marketing; "some flyers") it makes them look like they have put no thought into it, and are going to make little effort in producing and marketing the show!
Is there anyone who shouldn't be applying for the Free Festival?
If we think the performer is trying to do more than they are capable of – new comedians trying to do hour shows before doing four handers/two handers; someone writing their first play who hasn't already written it by January. Performers need to be realistic about what they are capable of.
Anyone who has never been to Edinburgh before for the Fringe, even to visit – it is usually these performers that are unaware of what is involved, and how different and stressful producing shows in Edinburgh is to anywhere else in the world.
Anyone who thinks they can do a show without registering with the Fringe – it shows an act is not serious about the Fringe or their production as they are not interested in arts industry/press/media/support/opportunities, and they are not interested in investing in marketing for their show.
Striking image on the front, with show title and good quotes/reviews – all the detailed information on the back.
Make it professional – it needs to look good and stand out with 3,000 other shows flyers in Edinburgh. Get a designer to put together, don't do it yourself.
Tips for surviving Fringe Flu?
Daily Smoothie to get the vitamin intake you just don't get from deep fried offal and chips!
Portobello is always a favourite when the weather is good – nice beach, few nice places to eat, and is a much more relaxed than central Edinburgh. Feels like you are on holiday from the Fringe.
The Shore in Leith. Very close, just off the bottom of Leith Walk – Some nice restaurants, quiet during the day, and a good break from the Fringe chaos.
The final night of Late'n'Live when it was in its old venue on the Cowgate (the last Fringe before it burnt down) – ending the festival with Daniel Kitson, Johnny Vegas, Adam Hills and many others arsing around on stage, all in top form and dealing with the old raucous Late'n'Live audience topped up by loads of drunk comedians. That was, I think, the third year of me coming up to the Fringe and it made me realise how great and addictive the Fringe can be. Sadly Late'n'Live has never been the same after that and its move to Teviot.
How do you deal with post-Fringe blues?
Most years I end up booking a holiday straight after the Fringe – it helps with the blues and also the recovery at the same time.


The Working Time Regulations (1998) are the regulations by which the UK puts into place its obligations under the EU's Working Time Directive (see Working Time Directive). The Working Time Regulations are in place to protect workers from excessive hours. They also allow for paid annual leave and include employees' rights to rest breaks and uninterrupted periods of rest.
In summary, the Working Time Regulations state that a worker should not work for more than 48 hours per week. In the UK it is possible to opt out of the 48 hour working week and to work longer hours. However, if a worker does choose to claim their right not to work more than 48 hours per week, they should not suffer any disadvantage as a result (e.g. being passed over for a promotion for example).
There are also protections in the area of night work which must not exceed eight hours on average.
Workers also have rights to paid annual leave of at least four weeks per annum; to rest breaks during work time and to a period of rest of at least 11 consecutive hours in any 24 hour period.
There are further special provisions for young workers and for night workers involved in work which has "special hazards" such as heavy physical work or mental strain.
Peninsula Business Services can provide advice and assistance if you need help to ensure you are complying with the Working Time Regulations. Contact us today – call 0800 0282 420, or use our callback form to arrange for us to get in touch at a time that is convenient for you.


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Dev in Abhijit Sen's new movie 'Tonic'
By Riya Siddhacharjee
Dev has always created the buzz in town whenever his movie goes on floor. However, the camera has started rolling for Bengali Talkies next venture with Dev. This movie will be a social drama and it is being shot in North Bengal. Debutante director Abhijit Sen's dream project 'Tonic' has a new angle to the script, according to source. Beside Superstar Dev, Paran Bandhopadhyay and Shakuntala Barua will play pivotal role in 'Tonic'. Dev will essay a common man's role.
The first look from 'Tonic' has already been released and audience can't keep calm. Undoubtedly, the movie deals with the huge gap between two generations.
Why Habol is obsessed with Labonyo?


The Adele Recliner by Lafer is a sleek, stylish chair that features clean lines that will bring modern functionality to any home! A brilliant combination of design, style and comfort, this unique motion chair boasts a chrome plated frame and features your choice of 15 supple leathers. This stunning chair will provide you with plush comfort and ergonomic support with its many adjustable features and supreme quality. The Adele Recliner by Lafer transitions seamlessly from comfortable recliner to stylish arm chair!
Adjustable backrest inclination, from upright to fully reclined position.
Retractable footrest, unveils from under the seat.
Headrest with both height and angle adjustments.


Congratulations on 5 years , CiCi, I so enjoy reading your blog and getting to know you, Thank you for being you and sharing your life's adventures.
May you have many more years of blogging.
Congrats! I have truly enjoyed your blog and getting to know you over the last 5 years. Here's to many more words shared. Have a blessed weekend.
Congratulations on 5 years! I'm not sure how long I've been following along with you journey, but I've enjoyed every moment!
Happy Blogiversary...Congratulations of five years!!!
I am going on five years in a few weeks.
Happy anniversary dear blogging friend! I am very happy I have found your sweet blog!
I have so enjoyed getting to "know" you through your blog and am thankful for our friendship although we've never met in person!


The most obvious benefit of getting up early in the morning is that you can devote quality time for morning exercise regime or yoga, meditation, etc. for relaxation in fresh air.
In addition, it is believed that early risers are more proactive and tend to have better productivity throughout the day.
Waking up early in the morning, that is, as the sun rises, or a little earlier than that, after having a good night's sleep is considered beneficial for your overall health as well. It is a great way to stay in tune with the earth's circadian rhythms.
Besides, morning beauty itself is sufficient to brighten up your mood and have a calming effect on the mind as it induces clear thinking.
Another practical advantage of being an early riser is that you can spare sufficient time for a healthy and peaceful breakfast.
After all, breakfast is the most important meal of the day. It is particularly beneficial for those who are striving to lose weight.
Moreover, the habit on getting up early in the morning incorporates disciple in your life by embarking on a good daily routine.
However, you can best derive the benefits of rising early in the morning if your body clock and natural sleep cycle favor it. Work and lifestyle factors, too, play an important role in this regard.
For instance, you are more likely to wake up frustrated rather than fresh in the morning in case you have odd working hours or night shifts.
Train your brain and subconscious mind to get up early in the morning. For this, you will have to follow a proper routine so that you can sleep and wake up at a fixed time to help train your body clock. Do not make drastic changes, though. Improve your sleep schedule gradually.
Take up an early-morning activity. For instance, you can adopt an exercise program or try meditation to keep stress at bay. Simply waking barefeet on fresh green grass is also considered good for health as it improves circulation.In addition, it helps avoid back problems and maintain an upright posture. Plus, it makes you feel good, cures insomnia, and relieves anxiety and depression by releasing endorphins.
Avoid drinking tea, coffee or other caffeinated and alcoholic beverages late in the evening as they tend to alter disrupt the sleep cycle. This tip is particularly useful for those who are sensitive to caffeine. Needless to say, have dinner at least one to two hours before going to sleep.
If you have trouble sleeping, wash your hands and feet before hitting the bed; it helps induce sleep.
Determine the amount of sleep that your body needs. Although, it is usually suggested to have about eight hours of sleep in a day, sleep needs and patterns tend to vary from one individual to another.


Fabulous location, the lady was superb, facilities perfect. Especially impressed with the bike and dry store. Will be back for sure again soon.
When would you like to stay at YHA Boscastle?
An iconic and unique building, set on a steep-sided valley on the rugged north Cornwall coast, this National Trust-owned rural retreat offers top quality accommodation. Perfect for everyone from single travellers, to family holidayers, YHA Boscastle makes the ideal base for your Cornish coastal break in a pretty, bustling fishing village which typifies the local area.
For a more energetic activity break, you'll also find excellent surfing and sailing, plus miles of coastal footpaths to explore - great for walking holidays.
The large open lounge/dining area is welcoming and comfortable and there is outside seating for those who like eating in the sunshine. The hostel comprises 28 beds with four double beds and 20 single bunk beds. It's self-catering only here, but you can get to know the locals in the nearby pubs while sampling some tasty Cornish food and local ales. We have a well equipped self-catering kitchen with everything you need to prepare delicious meals throughout your stay.
There is a four bed en-suite room which has a large kitchen area where you can prepare meals for self-catering, your very own suite!
Open every day?: YHA Boscastle is open every day for bookings from March until October. From November until February the hostel is only available for group bookings and YHA Exclusive Hire.
Pets: Pets are not permitted at YHA Boscastle. Assistance dogs are welcome.
Parking: We have no parking at the hostel. Customers have to use the council car park which is £5.20 for 24 hours but free overnight from 5pm to 10am. You may drive down to our hostel and stop to unload and drop off bags, then go and park.
Want to rent the whole property to yourself? YHA Boscastle is available as an Exclusive Hire property from the autumn half term to the Easter holidays. Please visit our YHA Exclusive Hire website for more details.
Manager recommends: For a typical Cornwall family holiday experience, grab a take-away cream tea from the local bakers and make your way to the headland. If you get the timing right you'll see the blowhole in action, or if it's later in the day catch a stunning sunset. This Cornish coast break also offers the miles of superb routes for walking holidays.