text:
require('./client'); // patch the client

const Server = require('mosca').Server;
const Router = require('middist');

module.exports = Server;

Server.prototype.lazyrouter = function () {
  if (!this._router) {
    this._router = new Router();
  }
};

Server.prototype.use = function (path, fns) {
  this.lazyrouter();
  this._router.use.apply(this._router, arguments);
  return this;
};

Server.prototype._handle = function (path, context, cb) {
  this.lazyrouter();
  context = context || {};
  context.server = this;
  this._router.handle(path, context, function (err, context) {
    if (err) return cb(err);
    cb(null, context.result);
  });
};

/**
 * The function that will be used to authenticate users.
 * This default implementation authenticate everybody.
 * Override at will.
 *
 * @api public
 * @param {Object} client The MQTTConnection that is a client
 * @param {String} username The username
 * @param {String} password The password
 * @param {Function} callback The callback to return the verdict
 */
Server.prototype.authenticate = function(client, username, password, callback) {
  this._handle('authenticate', {
    client: client,
    username: username,
    password: password
  }, function (err, success) {
    success = !err && success !== false;
    callback(err, success);
  });
};

/**
 * The function that will be used to authorize clients to publish to topics.
 * This default implementation authorize everybody.
 * Override at will
 *
 * @api public
 * @param {Object} client The MQTTConnection that is a client
 * @param {String} topic The topic
 * @param {String} payload The payload
 * @param {Function} callback The callback to return the verdict
 */
Server.prototype.authorizePublish = function (client, topic, payload, callback) {
  this._handle('publish:authorize', {
    client: client,
    topic: topic,
    payload: payload
  }, function (err, success) {
    success = !err && success !== false;
    callback(err, success);
  });
};

/**
 * The function that will be used to authorize clients to subscribe to topics.
 * This default implementation authorize everybody.
 * Override at will
 *
 * @api public
 * @param {Object} client The MQTTConnection that is a client
 * @param {String} topic The topic
 * @param {Function} callback The callback to return the verdict
 */
Server.prototype.authorizeSubscribe = function (client, topic, callback) {
  this._handle('subscribe:authorize', {
    client: client,
    topic: topic
  }, function (err, success) {
    success = !err && success !== false;
    callback(err, success);
  });
};

/**
 * The function that will be used to authorize forwarding packet to client.
 * This default implementation authorize any packet for any client.
 * Override at will
 *
 * @api public
 * @param {Object} client The MQTTConnection that is a client.
 * @param {Object} packet The packet to be published.
 * @param {Function} callback The callback to return the authorization flag.
 */
Server.prototype.authorizeForward = function (client, packet, callback) {
  const that = this;
  this._handle('forward:authorize', {
    client: client,
    packet: packet
  }, function handle(err, success) {
    success = !err && success !== false;
    if (err || !success) return callback(err, success);
    that.beforeForward(client, packet, function (err) {
      if (err) return callback(err);
      callback(null, success);
    });
  });
};

Server.prototype.beforeSubscribe = function (client, packet, cb) {
  this._handle('subscribe:before', {
    client: client,
    packet: packet
  }, cb);
};

Server.prototype.beforePublish = function (client, packet, cb) {
  this._handle('publish:before', {
    client: client,
    packet: packet
  }, cb);
};

Server.prototype.beforeForward = function (client, packet, cb) {
  this._handle('forward:before', {
    client: client,
    packet: packet
  }, cb);
};

Server.prototype.beforeUnsubscribe = function (client, packet, cb) {
  this._handle('unsubscribe:before', {
    client: client,
    packet: packet
  }, cb);
};


dll вернул код ошибки: - 6 ERROR. Все ошибки Unarc. dll начинаем. How to fix isdone dll and unarc dll error while installing ac4 or max payne 3 for pc 720p. How to Fix ' ISDONE. dll' Error while installation? Here I not only tell you to download isdone. dll files but also you will get to fix DLL missing errors on. Open Administrator Tools. Double click on ' Windows Memory Diagnostic' 5. It will prompt to RESTART.
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text:
Gilda Radner documentary opens global and complex SF Jewish Film Fest
July 10, 2018 Updated: July 15, 2018 10:31 a.m.
The documentary "Love , Gilda," profiles Gilda Radner, the comedy icon who was the first person ever cast for "Saturday Night Live."Jewish Film Institute
"Shalom Bollywood" puts a spotlight on Indian Jewish women who were stars of the early Bollywood films.
"The Sign for Love" documents the journey of a gay deaf Israeli man who becomes a parent with a woman.
"Sammy Davis, Jr.: I've Gotta Be Me" profiles a singer and dancer who was African American, Jewish and Puerto Rican.
These are just a few examples of how the San Francisco Jewish Film Festival, which runs from Thursday, July 19, to Aug. 5 in five Bay Area cities, is showcasing films about people who view the world through multiple lenses. The eclectic films represent the festival's growing mission to celebrate the increasingly complex diversity of humankind, while upending stereotypes and adding new perspectives.
"Some people think about a Jewish film festival and immediately think about the Holocaust and Israeli films," said Lexi Leban, executive director of the San Francisco Jewish Film Festival. "But SFJFF has always reflected the full scope and breadth of Jewish experience. Our films come from all over the world and reflect the complex identities within Jewish culture.
"The check-the-one-box identity answer is a thing of the past. As a culture, we are acknowledging the multidimensional intersections that most people carry and want valued and respected. The most interesting films are reflecting this."
SF Jewish Film Festival
Bay Area filmmaker's short at SF Jewish fest inspired by Jerusalem graffiti
Jewish Film Festival's unflinching looks at Austria's past, Kurt Waldheim
The festival, which takes place in San Francisco, Oakland, Albany, San Rafael and Palo Alto, will open Thursday at the Castro Theatre with "Love, Gilda," about comic icon and "Saturday Night Live" pioneer Gilda Radner. The closing-night feature will be the Sammy Davis Jr. documentary.
Overall, there will be 67 films from 22 countries, including the centerpiece documentary, "The Waldheim Waltz," a riveting look at how Nazi allegations affected the Austrian presidential election in 1986; and the next wave spotlight film, "The Man Who Stole Banksy," a tale of street art and capitalist excess that has its roots in the West Bank.
As part of the effort to focus on the complexities of Jewish diversity, the festival will present a series of films that are not Jewish, per se, but are grounded in the Jewish value of tikkun olam, which is repairing the world through one's actions.
"We feel it is important to present work that has particular resonance to our audience, even if a film's content is not ostensibly Jewish," said Jay Rosenblatt, the festival's director of programming. "Historically, Jews have been at the forefront of social justice movements. According to a recent Pew study, 56 percent of American Jews see working for equality and justice as an essential part of what 'Jewish' means to them."
The Tikkun Olam selections include "The End of Meat," about how reducing meat consumption can reduce climate change; "The Sentence," about how mandatory minimum prison sentences affect a mother and her family; and "Netizens," about women who try to change laws in a battle against cyberharassment.
San Francisco Jewish Film Festival
What: A showcase of films about the Jewish experience
Where: At venues in San Francisco, Palo Alto, San Rafael, Albany and Oakland
When:Thursday, July 19 to Aug. 5
Opening-night film: (San Francisco): Love, Gilda," about comic icon and "Saturday Night Live" pioneer Gilda Radner, 6:30 p.m. Thursday, Castro. Followed at 9 p.m. by the opening-night party at the Contemporary Jewish Museum, 736 Mission St., San Francisco.
Centerpiece narrative (San Francisco): "To Dust," a black comedy about an odd couple's journey to understand human decomposition, 8:30 p.m. July 25, Castro.
Closing-night film (San Francisco): "Sammy Davis, Jr.: I've Gotta Be Me," about the legendary entertainer Sammy Davis, 7:45 p.m. July 29, Castro. Followed by the closing-night reception at the theater's mezzanine. For more info: www.sfjff.org
As usual, the festival is including programs that are relevant to contemporary issues and the cultural conversations. The Harvey Weinstein scandal, for example, prompted a "Hands On/Hands Off" sidebar on sexual assault that includes "Roll Red Roll," a gripping reconstruction of how a rape affected the football-crazy town of Steubenville, Ohio. Another example is the 1924 silent film "The City Without Jews," which is timely given current U.S. immigration policies that target Mexican immigrants and Central American refugees.
Rosenblatt said that overall, it's a very strong year for the festival, particularly in the documentary category. He is pleased that the festival's Freedom of Expression Award will go to documentary filmmaker Liz Garbus, a multiple Oscar nominee who recently directed "The Fourth Estate," an engrossing documentary about how the New York Times is covering the Trump White House and the #MeToo movement.
Both Rosenblatt and Leban believe that the diverse films will create more awareness about implicit bias — and contribute to making the world a better, more tolerant place.
"What is exciting about this kind of diversity in film is that it … reminds us that you cannot tell by looking at someone all the complexities that lie within," Leban said. "Hopefully this leads us all to more compassionate and respectful interactions and more interesting and intimate conversations."
David Lewis is a Bay Area freelance writer.

redpajama_set_name: RedPajamaCommonCrawl


text:
HomePosts tagged 'Richard Derby Jr.'
Richard Derby Jr.
October 3, 2019 October 2, 2019 Carl Robert Keyes Daily Advert Update Essex Gazette, Liberty and Slavery, Nathan Frazier, Richard Derby Jr., Slave for Sale, Slavery and Sugar, Sugar
Essex Gazette (October 3, 1769).
"A Likely Negro LAD."
Nathan Frazier's advertisement for "a very good assortment of Fall and Winter GOODS" ran once again in the October 3, 1769, edition of the Essex Gazette. The shopkeeper promoted those goods by proclaiming "a single article of which has not been imported since last year." In other words, his merchandise arrived in the colonies prior to the nonimportation agreement going into effect. He had not violated the agreement; prospective customers who supported the American cause could purchase from him with clear conscience. A new advertisement appeared immediately above it: "To be SOLD, A Likely Negro LAD, about eighteen or nineteen Years of Age, works well at the Cooper's Trade, and understands working in the Field or Garden." This produced a striking juxtaposition for readers, moving from an advertisement that contributed to the perpetuation of slavery to one that implicitly asserted the rights of Anglo-American colonists and defended their liberty against encroachments by Parliament. In the era of the imperial crisis that culminated with the American Revolution, colonists unevenly applied demands for liberty.
That these advertisements appeared in a newspaper published in Salem, Massachusetts, underscores that slavery was practiced throughout British mainland North America rather than limited to southern colonies. The proportion of the population comprised of enslaved men, women, and children was certainly smaller in New England than in the Chesapeake and the Lower South, but enslaved people were present, enmeshed in daily life, commerce, and print culture in the region. Fewer colonists in New England enslaved Africans and African Americans, but even those who did not themselves own slaves still participated in networks of commerce and consumption that depended on the labor of men, women, and children held in bondage. Consider another advertisement that ran in the same issue of the Essex Gazette. Richard Derby, Jr., hawked "Choice Jamaica SUGAR, RUM, ALSPICE, GINGER, and COFFEE." Colonists in New England consumed products cultivated by enslaved laborers in the Caribbean and imported to mainland North America. They were part of transatlantic networks of production and exchange that included the slave trade as an integral component. The economies of their colonies and their personal consumption habits were deeply entangled with slavery and the transatlantic slave trade.
The progression of advertisements in the October 3 edition of the Essex Gazette – from "Choice Jamaica SUGAR" to "A Likely Negro LAD" to "Fall and Winter GOODS" imported the previous year – tells a complicated story of the quest for liberty and the perpetuation of enslavement in the era of the American Revolution. Any narrative that focuses exclusively on the patriotism exhibited by Nathan Frazier in his efforts to support the nonimportation acts tells only part of the story so readily visible in the advertisements that appeared immediately before Frazier's notice.


Global business leaders are reassessing their ties with Saudi Arabia, stoking pressure on the Gulf kingdom to explain what happened to a dissident writer who disappeared after visiting its consulate in Istanbul.
British billionaire Richard Branson on Friday suspended business links with Saudi Arabia, and Uber CEO Dara Khosrowshahi said he might not attend a major investment conference in the country this month amid reports that Jamal Khashoggi may have been killed at the Saudi consulate in Turkey's capital.
Branson, the founder of Virgin Group, says he will suspend his directorships in two tourism projects in Saudi Arabia while an investigation takes place. He also is putting on hold discussions about a proposed Saudi investment in space companies Virgin Galactic and Virgin Orbit.
Khosrowshahi is scheduled to speak at the Future Investment Initiative conference, which takes place Oct. 23-25 in the Saudi capital, Riyadh. The event also lists JPMorgan Chase CEO Jamie Dimon, Blackrock Chairman Larry Fink and US Treasury Secretary Steve Mnuchin among dozens of expected speakers.


text:
by Kerry Manders
Jalani Morgan: Untitled, Toronto (2015). Anti-Blackness is global, as is our resistance. A marcher at a 2015 protest raises a sign to reinforce that state violence and oppression isn''t exclusive to America.	Jalani Morgan: Untitled, Toronto (2016). Black Lives Matter Toronto meets with Ontario Premier Kathleen Wynne in front of Queen's Park after a two-week encampment at Toronto Police headquarters.
No Justice, No Peace: From Ferguson to Toronto
Gladstone Hotel, Toronto
Feb. 2 – 26, 2017
Zun Lee, Jalani Morgan and Nation Cheong document contemporary protests against anti-Black police violence—the ways in which Black bodies are unjustly disciplined, policed, incarcerated and killed—in two cities. The exhibition is temporally and geographically narrow in scope yet broadly, urgently, resonant. WHICH SIDE OF HISTORY ARE YOU ON? The question is writ large here, literally and figuratively, and its direct address to the viewer renders spectatorial neutrality impossible.
NJNP is a compelling exhibition in its own right, but its images are part of a historical and deeply intertextual conversation. The show, co-curated by Julie Crooks and Reese de Guzman, and co-presented by the Ryerson Image Centre and Black Artists' Networks Dialogue, is one in a season of shows entitled Power to the People: Photography and Video of Repression and Black Protest. Many of the chants and cheers, songs and signs that Lee, Morgan and Cheong witness repeat and resound among the works and through the years. The phrase "No Justice, No Peace" is itself a truncated version of Dr. Martin Luther King's linking of the anti-war and the civil rights movements of the 1960s: "There can be no justice without peace and no peace without justice." Formally, Jalani Morgan's decision to print his images in black and white connects present civil rights activism with the legacies of its past. WE WILL NOT FORGET.
In a photograph Nation Cheong made at Queen's Park, Toronto (2010), young Black men protest the Ontario Safe Schools Act's "zero tolerance" policies and its disproportionate targeting of them. They demand LESS JAILS MORE SCHOOLS and TRUTH IN EDUCATION, calling out the ways in which discipline is so often discriminatory and racism serves Capitalist interests (as it has since the days of slavery). While Canadians tend to think of mass incarceration and the prison-industrial complex (if we think of them at all) as American phenomena, a protest sign featured in one of Morgan's images brings us back to reality: THIS IS NOT AN AMERICAN THING. We are necessarily immersed in the racialized experiences of our times, even if we believe ourselves outside them. There is no "post-racial" society.
In a portrait Morgan made on the streets of Toronto (2014), a woman peers out at him from behind a head-sized hole cut out of her protest placard. The sign asks simply, directly: AM I NEXT? The question alludes to the long line of unarmed Black men killed by police without repercussion or justice in recent years (Michael Brown, Eric Garner, Andrew Loku, Trayvon Martin … the list goes on). Morgan describes his subject's question as "The reality of Black life." This image came back to me as I watched Jordan Peele's Get Out (2017). While the horror of racial violence is always and already literal, Peele renders it hyper-literal: to be Black in America is to live in a veritable house of horrors. The protagonist, Chris Washington, is a photographer whose camera is literally a conscious-raising device: it has the power, momentarily, to snap a man out of his lobotomy-induced servitude and to warn Chris to escape the structure—the façade of white liberalism—before he becomes its next victim. AM I NEXT?
In a picture Zun Lee made at BLMTO Tent City (2016), a protester sleeps beneath a sign that (re)claims Toronto Police Headquarters as a BLACK LOVE ZONE. The image is untitled, but Lee's caption notes that it was "Another chilly but love-filled night"; beneath this photograph is one of Toronto artist Dainty Smith's "visceral, emotional performance" for a crowd gathered at the same ephemeral City. Lee's diptych depicts the other side of action in an exhibition that necessarily evokes a lot of noise: quotidian, quiet moments. His images insist that Black love, comradery, and art are vital components of Black protest. Being in protest is not only being against but also and inextricably being with: to protest is also to rally. And while protest is public presence and raising awareness and sometimes, yes, educating others, it is also private conversation and self-care and joy. It has to be.
I thought of NJNP as I watched Raoul Peck's I Am Not Your Negro (2016), a film whose very title insists that I is not yours for the taking or making. Lee, Morgan and Cheong, with Peck, and with James Baldwin before them, insist upon ongoing self-construction and self-regard. They counter the commodification of protest (Pepsi's recent disaster of an ad, for example) and white-dominated media and art that continually reinforce racist stereotypes. I Am Not Your Negro is based on an unfinished manuscript by James Baldwin, emphasizing the ways in which artists pick up, extend, and carry on the work of their predecessors. No Justice, No Peace participates in the long history of Black resistance to the systemic racism that has cultivated inequality for centuries. NJNP places itself, and its audience, within that history, and asks us, repeatedly, what we are going to do about it. I HAVE A LOT OF QUESTIONS AS TO WHY CIVILIANS CONTINUE GETTING KILLED BY LAW ENFORCEMENT. Many of the images here—and the signs they document—are questions. Their questions offer an opening into the future, and we are invited to respond. To act.
The exhibition's interrogative, intertextual mode also functions as a kind of call-and-response within it, accentuating the connections and constraints of shared history. In one of his Ferguson images, Lee shows a child visiting a destroyed section of the city and holding a single flower. Behind him, caution tape and a tagged girder: AMERICA WAKE UP! In one his Toronto images (captioned "If not now, then when?"), Morgan shows us a child, arms raised, below a sign held by another: MY BLACK LIFE MATTERS.
AMERICA WAKE UP! / MY BLACK LIFE MATTERS. Signs of the times, begging the question: what will emerge from recent history?
activism Black Lives Matter Black Lives Matter Toronto Jalani Morgan James Baldwin Nation Cheong photography photojournalsim protest race relations Toronto police Zun Lee
Portfolios Jan Rattia
Exhibition Reviews Jonathas de Andrade
Spring / Summer 2017 Volume 8 | No 1


text:
cat > pip_commands.txt <<EOF
#Create a new virtual environment in directory raven_libs
virtualenv raven_libs
#Use the virtual environment
source raven_libs/bin/activate
#Use pip to install needed libraries
EOF
python ../../scripts/library_handler.py pip --action install | fold -s -w60 | sed 's/$/\\/' | python -c 'import sys; sys.stdout.write(sys.stdin.read()[:-2])'>> pip_commands.txt

redpajama_set_name: RedPajamaGithub


Lovely and spacious 4/5 bedroom 2 bath custom colonial located in quiet neighborhood just steps to Shark River Park. The first floor features a living room with pellet fireplace, formal dining room that opens to a bright updated kitchen with granite counters, bedroom, full bath, mud rm, laundry rm and an extra room perfect for office/large pantry. The second level has big master with vaulted ceiling, 3 more bedrooms and full bath.You will love the private back yard complete with above ground pool, basketball half court(or large patio), gazebo sitting area and best of all-a heated man cave/she shed/hang out attached to the large garage. Wood floors, roof('17), updated baths, and lots of extras!!


text:
import * as Joi from 'joi';
import config from '../config';
import helper from './_controllerHelper';
import instructorRepository from '../repositories/instructorRepository';
import officeAssignmentRepository from '../repositories/officeAssignmentRepository';

export default {
    getInstructors,
    getInstructor,
    saveInstructor,
    deleteInstructor
};

async function getInstructors(req, res) {
    try {
        let instructors = await instructorRepository.getInstructors();

        return helper.sendData({data: instructors}, res);
    } catch (err) {
        helper.sendFailureMessage(err, res);
    }
}

async function getInstructor(req, res) {
    try {
        let id = req.query.id;

        let instructor = await instructorRepository.getInstructorById(id);

        return helper.sendData({data: instructor}, res);
    } catch (err) {
        helper.sendFailureMessage(err, res);
    }
}

async function saveInstructor(req, res) {
    try {
        let data = req.body.instructor;

        let schema = {
            id: Joi.number(),
            firstName: Joi.string().required(),
            lastName: Joi.string().required(),
            hireDate: Joi.date(),
            courses: Joi.array().items(
                Joi.object().keys({
                    id: Joi.number().required()
                })
            ),
            officeAssignment: Joi.object().keys({
                id: Joi.number(),
                location: Joi.string().allow('')
            })
        };

        let result = null;

        let instructor = await helper.loadSchema(data, schema);

        if (instructor.id) {
            result = await instructorRepository.updateInstructor(instructor);
        } else {
            result = await instructorRepository.addInstructor(instructor);
        }

        await officeAssignmentRepository.saveOfficeAssignment(instructor.officeAssignment, result.id);

        instructor = await instructorRepository.getInstructorById(result.id);

        return helper.sendData({data: instructor}, res);
    } catch (err) {
        helper.sendFailureMessage(err, res);
    }
}

async function deleteInstructor(req, res) {
    try {
        let id = req.body.id;

        await officeAssignmentRepository.deleteOfficeAssignmentByInstructorId(id);

        await instructorRepository.deleteInstructor(id);

        return helper.sendData({}, res);
    } catch (err) {
        helper.sendFailureMessage(err, res);
    }
}


The mission of the Pre-PDL Academy is to provide players with the opportunity to flourish in a competitive environment in which skill development is the key determinant of success. At the Academy, quality and long-term benefits are more important than short-term gain. The Pre-PDL Academy is designed for the passionate, excited 2011 (U8 and some U7) player who desires to be challenged in every aspect of their game. The Academy will offer a continued introduction to passing, receiving, ball striking, ball control, and dribbling; as well as a continued effort to expand each player's coordination, balance and body movements as well as confidence. The coaching staff has combined their experience and knowledge to create a curriculum which will both challenge and excite each Academy participant.
:: Fridays, April 5 - May 17 at Warren Park.
What: The Outreach Program for Soccer is a community-based recreational program specifically designed to help athletes with physical, cognitive, and developmental disabilities participate in the world's most popular sport.
TOPSoccer brings soccer to players who refuse to let their challenges stop them from playing the sport that they love. The emphasis of this program is on development, training and providing meaningful participation rather than on competition.
The basis of TOPSoccer is a modified version of the game of soccer, specifically altered to allow full participation and enjoyment for each athlete. TOPSoccer provides affordable opportunities for fitness and building self-esteem. Above all, TOPSoccer offers a recreational and fun approach to the game of soccer.
When: Sessions will begin on April 3 and continues every Thursday until May 8 for six consecutive weeks. The sessions will run 4-5:30 p.m..
Cost: The registration fee is $65 for six weeks. Each athlete will also receive a jersey.
Cost: The registration fee is $25 for five weeks plus an end of season game! Each athlete will receive a jersey.
Arsenal Colorado is excited to partner with Mighty Kicks this season to provide an exciting and fun environment for your 3-4 year old.
The program utilizes the Mighty Kicks age-appropriate curriculum to build basic soccer skills, motor skills, and self-confidence. The team atmosphere will build socialization and life skills at an important developmental age. Each team will have a trained and experienced coach to provide a safe and fun learning opportunity. Each session will consist of 30-40 minutes of instruction using the Mighty Kicks curriculum followed by a game. The player to coach ratio will be 6:1.
The purpose of Kickstart 5 is to explore the physical, mental and emotional needs and capabilities of our U5 players, and to HAVE FUN! Each session will include fun movement and coordination exercises as well as numerous exciting activities with the ball. Coaches for this academy include staff coaches, along with some of our older competitive players who will act as mentors to our young generation of soccer players! Our philosophy is to create a positive club culture for every player in our club and provide a sense of community.
Kickstart 5 is a 3-session clinic that is FREE to all U5 Arsenal Colorado registered players. No RSVP required, just show up!
This academy-style program will allow our staff coaches to guide recreational coaches through training sessions with their own recreational teams. Individual technical development is the priority of each session. Staff will demonstrate how to emphasize individual improvement while still participating in their team training session.Each of the 3 one-hour sessions will concentrate on a specific topic that correlates with this age's curriculum and will be structured in a way that head coaches will run the session while staff coaches will assist and control the progression. This allows our staff to provide coaching education while encouraging player development.
Focusing on signular progress within a team atmosphere which is structured in a way where the team will be trained together, along with their coach, is the next step in what staff is trying to implement at our grassroots level. Our viewpoint in mimicking our older age group seassions with our youngest teams is to provide a sese of continuity throughout the club. Academy stytle sesssions allow for staff to influence complete teams, and age groups as a while while providing a club culture and sense of community for our grassroots members. Having the coach involved is imperative. It allows for staff to provide coaching education right along with player development.
Players who are interested in participating but whose team is not, will be added as an individual to an existing team for the academy. Coaches who are not available to be at the sessions can still send thier team and we will provide a staff trainer to coach the session.
RSVP is required to attend these sessions! RSVP to Jayme Beamer at beamer@soccerfortcollins.org. and state if you are a coach RSVP-ing for your ENTIRE team and if you will be there or not. OR parents- you can RSVP and state that you are sending an individual player without a team.
Please bring a ball, a water bottle and wear appropriate soccer attire.
PLACE: Warren Park - Field is located at the corner of Lemary Ave and Horsetooth Rd.


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We started our day in Ashington, a quaint village in Northumberland. The sun began to set and we were greeted with hail, snow and flooding – what a combination!
In an attempt to find a hot drink before heading to the grounds, we stumbled across 'Car Corner'. The compact corner shop workers were bustling about with their breakfast rolls. We chatted with a guy who was local and also helped with the DIY SOS project. He drove us into the field with friendly northern chatter along the way.
We walked past the house, and into a large muddy field full of workers. We spotted the iconic purple DIY SOS tent, and signed in. The next few hours were spent wandering in and out of the marquee, depending on the Great British weather! We met lots of friendly faces, and soon realized that most of the people involved were locals – unlike us!
A few minutes after they announced the hot drinks, we had to gather together to be filmed by the drone. It looked like a giant school trip but with a much higher view than usual. We all went from the farm to the back garden of the house. Nick Knowles himself stood on a stool and introduced us to the house he helped renovate.
We were then told that unfortunately two members of the family had come down with Covid, meaning that the usual method of filming the big reveal was no longer viable. Luckily, the son, Gus, filmed the family's reaction on his phone – so we still got to see the moment the family saw their new home.
We heard directly from families about how the project has changed their lives. They had to speak through loudspeakers due to Covid restrictions, but the message was crystal clear. We played a role in turning a building into a family home for four generations. It's great to be a part of something that makes a real difference in someone's life.
Their floor was uneven before the project, which made it difficult for Bobby with his complex health issues as well as his mother Mary, who suffered the effects of a stroke in 2013. We provided Barlinek Oak St. Lucia Floors. The ground floor, including the hallway, kitchen and living room, gives the family hard-wearing flooring throughout the downstairs of their home.
We finished the day filming the iconic opening scene, where Nick welcomes the audience to the episode and all the workers and suppliers cheer. Then we met the DIY SOS team, which was really memorable. On our way out, we managed to take pictures from the floor window.
After a few days of travel and crazy weather conditions, we returned to Norfolk. We may have left them up north, but we will always miss the Owen family and we hope that their new floor and home will provide stability and comfort for years to come.
Flooring Supplies donated Barlinek Oak St Lucia engineered wood flooring to a deserving family in Longframlington, featured in the BBC One series 'DIY SOS: The Big Build'. Barlinek Oak St. Lucia was used as part of a life-changing transformation of their home.
Kronospan Atlantic | Laminate flooring


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Klaus Hertel (* 14. Januar 1936 in Leipzig) ist ein deutscher Violinist und Komponist.

Leben
Hertel studierte von 1953 bis 1958 Violine bei Ruth Kestner-Boche und Tonsatz bei Paul Schenk an der Hochschule für Musik "Felix Mendelssohn Bartholdy" Leipzig. Danach wirkte er als Professor für Violine und Fachmethodik in Leipzig. Er unterrichtete unter anderem die späteren Konzertmeister Frank-Michael Erben, Albrecht Winter und Thomas Timm. Er spielte im Gewandhausorchester unter Franz Konwitschny. Seine Kompositionen erscheinen bei der Edition Peters und beim Friedrich Hofmeister Musikverlag. Er ist Juror bei internationalen Musikwettbewerben wie dem Internationalen Violinwettbewerb Henri Marteau.

Weblinks

 Über Klaus Hertel im Leipziger Almanach
 Internationaler Violinwettbewerb Henri Marteau

Klassischer Geiger
Komponist (Deutschland)
Komponist klassischer Musik (20. Jahrhundert)
Hochschullehrer (HMT Leipzig)
Deutscher
Geboren 1936
Mann

redpajama_set_name: RedPajamaWikipedia


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Our Practice has suitable access for disabled patients.
All the patient areas including the waiting room, the consulting rooms and the toilets, have wheelchair access.
If you require one, there is a wheelchair available, ask at reception.
There is a designated disabled parking space located at the side of the Practice.