The industrial era is when most of the technologies that we see today got invented. In the process of creating and deploying these technologies, we have had to burn a lot of fossil fuels, destroy a lot of forests, pour a lot of fertilizers and irrigate a lot of land. Climate change is a consequence of all that activity. During the ice ages, the global surface temperature changes were caused by slight wobbles in the Earth's orbit around the sun. These wobbles result in slightly different amounts of solar energy reaching the Earth as the orbit changes in the Milankovitch cycles. When expressed in terms of "radiative forcing," which is the average solar energy that is absorbed per square meter of the Earth's surface per second, the variation due to Milankovitch cycles is on the order of 0.5 Watts/m2. That may not seem like much, just 0.5% of the energy expended in a 100-Watt light bulb. When integrated over the entire surface of the Earth and over thousands of years, it is the difference between hot summer days versus a mile of ice on top of Chicago! In contrast, the greenhouse gases that humans have emitted to date are trapping an extra 3 Watts/m2 of solar energy, which is six times larger than the forcing due to the Milankovitch cycles! The Earth's climate system is now beginning to react to this human induced forcing. As a result, the rate of increase of global surface temperatures today is also an order of magnitude faster than those due to the Milankovitch cycles.
If global surface temperature changes happen slowly, or for that matter, if changes in any of the planet's other environmental characteristics happen slowly, the Earth's biosphere is able to gradually evolve and adapt to them. As part of the Earth's natural healing process, the fauna migrate to adapt to the changes and then the flora follow more slowly as the old forests give way to the new. But if surface temperature changes occur quickly as they are doing now, it's as if the Earth has developed a fever since the biosphere hasn't had time to adapt. At present, the average global surface temperature on Earth has increased by about 1.0 deg C (1.8 deg F) since pre-industrial times, which is as if the Earth has developed a 38 deg C (100 deg F) fever, in human terms. Now, a 38 deg C (100 deg F) fever is not too debilitating, though the patient could probably use an aspirin to mitigate the fever. But if the fever increases to 39 deg C (102 deg F) or higher, then more drastic measures would be called for. Similarly, climate scientists have estimated that if the Earth's average global surface temperature increases more than 2 deg C (3.6 deg F) from pre-industrial levels, then other climate feedback loops would kick in causing the surface temperature of the Earth to spiral out of control. Indeed, these days, even the 2 deg C increase is being seen as too dangerous and perhaps we must limit the increase to less than 1.5 deg C. But our current and future actions will decide whether the Earth's fever reaches such dangerous levels, for this fever is primarily caused by human activities on Earth.
But there's more to this story than just the fever. If the patient also has a coconut-sized growth by the side of his head, then a competent doctor ought to be treating that growth as well. Scientists at the Global Footprint Network have distilled human impact into a single figure, the ecological footprint, which they then compare with the available biological capacity of the planet. According to their calculations, the human ecological footprint has been exceeding the available biological capacity of the Earth since the early 1970s and it is currently in excess of that capacity by nearly 60%. In effect, we have been eating into the ecological capital of the planet for the past four decades. Clearly, this is unsustainable, meaning that this imbalance will end at some point in time. We can let this rebalancing happen abruptly as the Earth's bio-geophysical systems break down catastrophically in response to our continued demands on the Earth and collapse our industrial civilization. Or we can voluntarily reduce our per capita ecological footprint and constrain it to be lower than the biological capacity of the planet as we transition towards a steady-state mode of living.
Again, our future actions will decide how the Earth evolves.
When they published the results of their simulations, including the predicted trajectories of these variables, in the book, Limits to Growth, in 1972, it became the best selling environmental book of all time, selling over 20 million copies worldwide! Their simulations predicted that human systems will reach a breaking point around 2025 in our present course leading to a civilizational collapse, but their models and simulated results were not taken seriously by the economists of that era . But in 2010, Dr. Graham Turner, a scientist working at the University of Melbourne in Australia, compared the 1972 predictions in Limits to Growth with the actual data from 1970 through 2000 and found an almost exact match between them for all six of the variables. Therefore, it is likely that a massive transformation of the global industrial civilization to a steady state mode of living will need to occur within the next decade or so before the predicted system collapse.
1. Loss of Species: Currently, upwards of 100 species are going extinct per million species extant each year. The safe operating limit for this variable is estimated to be 10 species/million/year and therefore, human systems are causing tenfold as much extinction of species as is safely tolerable. However, some biologists have claimed that even the proposed extinction safe limit of 10 species/million/year is far too negligent since the background rate is less than 0.1 species/million/year. But suffice it to say that the current rate of extinction is orders of magnitude above acceptable limits for us to sustain.
2. BioGeoChemical Processes: Humans are extracting over 120 million tons of Nitrogen from the atmosphere each year, thereby interfering with the planetary nitrogen cycle. The scientists estimated that the safe limit is around 35 million tons of Nitrogen extracted each year, which means that the human extraction is 3.5 times the safe limit. Of the other biogeochemical process, the anthropogenic phosphorous that is being pumped into the ocean, the scientists found that the human contribution of 9 million tons per year is still below the safe limit of 11 million tons per year. Prior to the industrial revolution, human activities had no impact on both these biogeochemical processes.
3. Climate Change: The limit for climate change was estimated in two ways, a) by using the atmospheric CO2 (Carbon Dioxide) concentration and b) by using the anthropogenic radiative forcing. In terms of CO2 concentration, the scientists reiterated Dr. Jim Hansen's famous limit of 350 ppm (parts per million), which is the limit that spawned Bill McKibben's global environmental organization, 350.org. At present, atmospheric CO2 concentrations are over 400 ppm, which is higher than the limit and violates it by about 50ppm. With respect to pre-industrial atmospheric CO2 levels of 280ppm, the current level is 1.7 times the allowed safe limit of excursion.
This limit is expressed in terms of just the atmospheric CO2 limit, even though human systems emit a lot of different greenhouse gases such as methane, nitrous oxide, black carbon, etc., and not just CO2. However, human systems also emit a number of aerosols, which function to cancel the effect of greenhouse gases and cool the Earth's surface. It is just an accident of our global emissions profile that the net effect of the other short-lived greenhouse gases such as methane, nitrous oxide, etc., are roughly equal and opposite to the effect of all the aerosols that we emit, mostly as a byproduct of our fossil fuel burning. Therefore, the atmospheric CO2 limit by itself serves as a proxy for the overall contribution of human activities, for the time being.
Scientists estimated the alternative radiative forcing limit to be 1.0 Watt/m2. While greenhouse gases emitted through human activities contribute 3.0 Watts/m2 of radiative forcing, it is estimated that the aerosols negate about 1.5 Watts/m2 of that forcing. Therefore, the net human induced radiative forcing is about 1.5 Watts/m2 which violates the prescribed limit of 1.0 Watt/m2 by 50%.
4. Ocean Acidification: Almost a quarter of the anthropogenic CO2 emissions is being absorbed in the ocean where the CO2 combines with water to become carbonic acid. As a result, the overall acidity of the ocean increases and this especially affects mollusks, clams and other shelled creatures that find it more difficult to form their shells. However, the scientists estimated that the safe limit for ocean acidity has not yet been breached though the increase in acidity since pre-industrial times is at 80% of the safe limit.
5. Land Use: The scientists estimated that the safe percentage limit of the Earth's land that can be converted to cropland is 15%, while the actual conversion that has occurred is 75% of the safe limit.
6. Fresh Water use: The scientists estimated that the safe limit for the total amount of fresh water that can be used by humans is 4000 km3/yr, while the current usage is 62% of the safe limit.
7. Ozone Depletion: The scientists estimated that the safe limit for ozone depletion has not yet been breached and the human activities have resulted in ozone depletion that is at 50% of the safe limit.
8. Atmospheric Aerosol Loading: Currently, about half of the radiative forcing due to anthropogenic greenhouse gases is being masked by the human emissions of aerosols such as SO2 (sulphur dioxide). However, aerosols cause respiratory problems in humans and other animals, and are estimated to be responsible for about 800,000 premature human deaths annually. Aerosols also cause acid rain, affect the monsoons and global circulation systems. However, the scientists could not estimate a safe limit for the human induced aerosol loading of the atmosphere.
9. Chemical Pollution: The safe limits on the chemical pollution of the Earth's land, air and sea due to human industrial activities have not yet been quantified. Chemical compounds such as insecticides, pesticides, PCBs, dioxins and other so-called Persistent Organic Pollutants (POPs) bioaccumulate in living beings leading to various disorders and cancers. Other pollutants such as herbicides, excreted pharmaceuticals, heavy metals and radionuclides have potentially irreversible and harmful effects on many biological organisms, including humans.


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La polifagia es el aumento anormal de la necesidad de querer comer que puede deberse a ciertos trastornos psicológicos y ciertas condiciones médicas o a alteraciones de tipo hormonal.

Etiología
Entre las enfermedades decadentes  de este fenómeno pueden contarse la bulimia, el hipertiroidismo, la hipoglucemia, la ingesta de determinados fármacos, la acción de algunos relajantes musculares asociados a anestesia (fenobarbital), el síndrome premenstrual o a desaparecer la menstruación entre otros. También es uno de los principales síntomas de la diabetes mellitus.

Véase también
 Polidipsia
 Poliuria

Trastornos alimentarios
Síntomas
Términos médicos

redpajama_set_name: RedPajamaWikipedia


This entry was posted in Be Prepared, Decorating, Holidays, Use What You Have and tagged Be Prepared, Decorating, Holidays, Use What You Have by Frugal Fish. Bookmark the permalink.
I LIKE the idea of setting the table early. and the black table clothes and black napkins look really classy!
Who knew, black and red at Thanksgiving!


Photo: Kawawa Leah is an Ogiek elder and one of the voices of her community. Women were instrumental in the struggle to be given their Indigenous title and their right to return to their land in Kenya. Read more in this report. Credit: Ogiek Peoples' Development Program and International Land Coalition.
On 15 October 2018, the Land Rights Now campaign launched a powerful new mobilization focused on how safeguarding Indigenous and community land rights is critical to building a healthy and sustainable food system. It is backed by over 800 organizations and communities.
Across the world, people are taking action, demanding change and sharing their stories of how land rights are connected to the food we eat every day.
For many of the world's poorest people, access to land represents the difference between extreme hunger and survival. Yet many have few, if any, legal rights to the land on which they grow food – even where their ancestors have lived there for millennia. Safe and secure land rights are critical to the wellbeing and health of all those who live on Indigenous and community lands – and to protect them from forced evictions by powerful interest groups.
Indigenous Peoples and others who live on community lands are leading the way by showing how we can grow food through working with nature, not against it. At least 50 percent of our planet's land surface is managed by Indigenous Peoples and local communities, and they are preserving 80 percent of the world's biodiversity.Unfortunately, just 10% of the world's land surface is recognize as owned by them.
Secure land rights enable rural communities to adapt to a changing climate and better manage their resources. Faith in the future is critical for farming families to invest time and money into practices to build healthy soils, to help grow their farms and feed their families. It is also important for preserving forest-based food systems.
Land rights are critical to preserve the local plant species needed to create nutritious and plentiful food systems. Today, 50 percent of our diet is based on three crops: wheat, maize and rice. An intimate connection to land has been important for communities to cultivate and care for local seeds and plants over thousands of years. Today many species are neglected and under-researched, and risk being lost forever.
Land rights for women secures food for their family. Women's ownership and control over land increases food production which positively affects household food consumption. Women leaders are often at the forefront of defending Indigenous and community land rights.
The food of hundreds of millions of people is at risk, and those who defend their rights often face threats of violence, even death. We call on governments to act now by taking concrete steps to secure the land rights of Indigenous Peoples and local communities.
Legally recognize, protect and enforce the land rights of Indigenous Peoples and local communities.
Create a safe space for people to speak out for their land rights and stop the violence towards land rights defenders.
Develop accountability mechanisms to ensure that companies do not violate rights in their overseas activities and that food imports are land-grab free.
Ensure gender justice in land governance and women's equal participation in decision-making.
Invest in local food systems: support family farming and value local food cultures which are a vital source of knowledge and heritage.
To learn more about how this issue impacts everyone from rural farmers in Guatemala to Yuin fisherfolk in Australia, read the full Land Rights Now policy brief: here.


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Q: Changing variable labels/legend in raster plot to discrete characters I have just made a plot using raster data that consists of 6 different land types and fit them to polygon vectors. I'm trying to change the values on the continuous scale bar (1-6) to the names of each landtype (e.g. grasslands, urban, etc) which is what each different colour represents. I have tried inserting breaks, however then each box in the legend contains labels (1-2, 2-3, 3-4 etc.)
Raster plot where each diff colour represents diff land type
This is my code:
rasterxpolygonplotcode

A: Example data
library(terra)
r <- rast(nrows=10, ncols=10)
values(r) <- sample(3, ncell(r), replace=TRUE)
cover <- c("forest", "water", "urban")

You can either do:
plot(r, type="classes", levels=cover)

Or first make the raster categorical
levels(r) <- data.frame(id=1:3, cover=c("forest", "water", "urban"))
plot(r)

redpajama_set_name: RedPajamaStackExchange


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Jared Latore July 16, 2018 Movies
Gauguin: Voyage to Tahiti is a Meditative Portrait of Depression and Obsession
Despite a charismatic performance by Vincent Cassel, this meditative biopic of the French painter fails to match the vibrancy of the artist's work.
This piece was originally posted on Alcohollywood
Often, in biographical films, we are given glimpses of the subject's genius, while supporting characters wait on deck to expound on the profundity of his or her accomplishments. Meanwhile, the titular character blesses us all by tossing out nuggets of philosophical wisdom while attending to their world-changing work. Not so with Gauguin: Voyage to Tahiti, a biopic courtesy of French writer-director Edouard Deluc (Welcome to Argentina). In this film, No one likes Paul Gauguin or his work, and the artist rarely speaks at all. Instead, he prefers to communicate through his art. That being the case, most of the protagonist's intentions are lost in translation; from beginning to end, Gauguin remains an enigma both to his contemporaries and to the viewer.
In accordance with its subject, most of the film's emotional merit is left unspoken, eschewing dialogue whenever possible in favor of lengthy, contemplative visuals. Like a painting, it has the power to evoke mood without explanation, and demands that the viewer discern the meaning on their own.
As the story unfolds in fits and starts, one slowly but surely forms a self-completing picture of the elusive artist's psyche. Depicted here as a workaholic suffering from a severe case of ennui, Gauguin (a stony, soulful Vincent Cassel) resolves to spend his last cent to move to Tahiti. He leaves behind the city of Paris, his wife, and his five children, in order to rejuvenate his artistic efforts, which he deeply believes will one day impact the world. Whether this is an altruistic sacrifice to uphold the ideal of art itself, or an irresponsible act of vainglory to uphold his own ego is left for the viewer to judge. Suffice it to say that Mette (Pernille Bergendorff), his long-suffering wife, feels even more trapped than he does, and when Gauguin parts, he leaves them with nothing but a slew of paintings that no one will buy.
Tahiti… is not the colorful tropical paradise Gauguin anticipated. It turns out, much to his chagrin, that drudgery exists there just as much as anywhere. In his absence, his family divorces themselves from him, cutting off his funding and hanging him out to dry. His health fails him. Slumped over, barely dressed, and hardly able to walk, he suffers a heart attack. For better or worse, it's a turning point in his life. He realizes that the plan isn't working, and he needs to come up with something else.
His Plan B is to strike out into the rainforest by himself with zero survival skills. Eventually he is saved by a generous tribe. They offer him food, a mat to sleep on, and a wife if he wants one. They're actually quite insistent about the wife thing, to the point where it would be rude of him to refuse.
Gauguin accepts the betrothal to Tehuna (Tuheï Adams), the demure but demanding partner who becomes his muse. Finally, color starts to seep into his life – the greens of the forest, the blue glow of moonlight, the yellow of a cozy fire reflected on the walls of their straw hut. Finally, finally, he's happy, and we share this happiness with him. But there's still thirty minutes of movie left, and even if you nothing of Gauguin's life story, you know the other shoe is going to drop before the credits roll.
This brief window of joy makes the dissolution that follows all the more devastating. It's the same pattern as any story about addiction. Once again, he turns his wife into a prisoner, his money disappears along with his support group, and he ignores the advice of those who try to help him. Unable to scrounge up canvas or paint, he becomes a dockworker. He doesn't even draw anymore. No one can understand what he's holding onto, or why he doesn't return home. It was in this final coda that this reviewer realized that art was never the drug he was addicted to. Hope was the drug that kept him down.
As a meditative mood piece, Gauguin: Voyage to Tahiti is a bit of a bummer. Despite the artist's proclivity for rough shapes and vivid colors, the cinematography by Pierre Cottereau failes to take an imitative course. From drab, smoggy Paris, to the dingy white of Gauguin's hospital room, to the vast expanses of gray ocean, vibrancy is noticeably absent here. It is as though the world that Gauguin painted existed only in his mind. It was the world he chose to create because he so deeply wished, and hoped, that it could be.
Gauguin: Voyage to Tahiti starts its run at the Gene Siskel Film Center July 20th.
Jared Latore
Latest posts by Jared Latore (see all)
Ponderous and Disconnected, Nico, 1988 Will Not Let You Be its Mirror - August 8, 2018
Gauguin: Voyage to Tahiti is a Meditative Portrait of Depression and Obsession - July 16, 2018
The Endless Review: Chilling, Thought-Provoking Cult Horror On a Budget - April 20, 2018
Posted in Movies and tagged 2018, adventure, cinema, drama, edouard deluc, film, films, foreign, historical, movie, movies, period, pernille bergendorff, pierre cottereau, romance, tuhei adams, vincent cassel. Bookmark the permalink.
Fantasia 2018: Hanagatami Review – The Director of Hausu Confuses and Delights in His Final Epic
Fantasia 2018: Mikhail Red Explores Violence, Morality and Family in Neomanila

redpajama_set_name: RedPajamaCommonCrawl


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Questions & Answers About Our Environment
EarthTalk Q&A
Poetry & Planet
How Can Teachers Integrate Sustainability Into Their Curricula?
Doug Moss and Roddy Scheer 05/01/2015
Dear EarthTalk: What resources are out there for helping teachers integrate sustainability topics into their curricula?
— Melinda Zullo, Toronto, ON
Teaching our kids about sustainability and green living is one of the most important things we can do to safeguard the future of humanity and the planet we inhabit. The North American Association for Environmental Education (NAAEE) reports that environmental education teaches children how to learn about and investigate their environment and to make intelligent, informed decisions about sustainability. Furthermore, learning about the environment is multi-disciplinary, so it allows teachers a rare opportunityto integrate different parts of the their curriculum while challenging students to think about the big picture. Thankfully, teachers today have a plethora of resources for incorporating sustainability in their lessons and activities.
Planting and tending a schoolyard garden is a hands-on way for students to learn about sustainability, the environment and healthy food choices. Credit: Gottfried not Bouillon, FlickrCC
One great resource is Green Teacher, a quarterly magazine dedicated to helping educators promote environmental awareness among young people aged six through 19. The magazine offers perspectives on the role of education in creating a sustainable future and provides lots of ready-to-use activities. Green Teacher has also released a series of books, including Teaching Green: The Elementary Years, Teaching Green: The Middle School Years and Teaching Green: The High School Years, each which contain over 50 of the best teaching strategies and activities published in the magazine over the past decade. These books contain kid-tested ideas contributed by educators from across North America and cover a wide spectrum of environmental topics, from biodiversity to resource consumption to green technology. Another one of Green Teacher's books, Teaching in the Outdoors, is a practical guide for getting students outside and includes helpful suggestions for maximizing their learning experience when they get there.
Another great resource is the U.S. Energy Information Administration's Energy Kids website, which provides teachers with energy related stories, hands-on activities and research articles for their classrooms. Free, easy-to-access lesson plans allow students from K-12 to have fun learning about different forms of energy and why some are better for the environment than others. The website also offers biographies of scientists that discovered the energy sources we use today, energy timelines that show how different energy sources and technologies have evolved, and stats on topics like what renewable fuel the U.S. uses most.
A more "hands-on" approach to getting students involved and concerned about their environment is to start a school garden—planted and tended by the kids themselves. According to KidsGardening.org, school gardens build an understanding of and respect for nature and our environment while motivating kids to eat and love fruits and vegetables. Gardening also teaches children to nurture and care for other living things while developing patience. KidsGardening.org provides a full step-by-step guide to help any teacher get a school garden off to a great start.
Meanwhile, more than 5,000 K-12 schools worldwide have teamed up to network about and integrate environmental best practices into their curricula, administration and facilities through the non-profit Green Schools Alliance (GSA). Membership in GSA is free, but requires a commitment to take action on any or all of three tracks: (1) reducing the member school's climate and ecological impact; (2) educating and engaging the local community; and (3) connecting to nature and place. No doubt, GSA is right when it asserts that schools are "hubs of their communities that build resilience, transform markets and policy, shift behavior, and prepare the next generation of innovators to become environmental stewards."
If you liked this article, how about showing your appreciation with a tax-deductible donation of $5 to support our work?
(If you want to donate more, visit EarthTalk's PayPal Giving Fund page)
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Celebrating the classics, Cars&Coffee style…
Posted on May 25, 2014 by digitaldtour
Celebrating the classics was an underlying theme recently at Cars&Coffee / Irvine. This fact became quite obvious as I pulled into Porsche row just behind the Type 964 / C4 Pikes Peak rally car seen below. Driving and navigation duties were carried out by two young women, who just happened to be the daughters of the owner. With a deft hand, the 964 was backed into its space, parked beside their father's 1953 Porsche 356A coupe.
"If two lights are good, then four should be even better".
Rear whale tail, covered in Valvoline themed confetti and Andial graphics; a winning combination (below).
Family portrait time…
Continuing with the classics theme, was a 1960s vintage race car, making its presence known by the quickly gathering crowd as witnessed in the "featured parking lot".
An unmistakable classic, making only its second Saturday morning appearance at cars&coffee…
For anyone growing up during the 1960's and who followed auto racing, it was obvious as to the identity of this low slung, white race car with black striping. Hard to mistake this race car for anything but the iconic, American built factory backed race car that it is; a 1967 Ford GT MK IV.
A peek inside the closed cockpit…
and out back, a close up view of another classic component; the premier Ford race motor of the 1960's, the mighty 427. And as seen on this car, a motor with its dual carburetors housed within a clear polycarbonate chamber, allowing the motor to be force-fed fresh air by dual NACA air ducts, each located on the rear deck, atop the rear fenders.
Visible through its rear window (below); the single, treaded "spare tire" and immediately to its right, the fabricated aluminum "luggage box". A requirement mandated for all competitors in the Prototype Endurance class, per F.I.A. competition regulations that remained in effect into the 1970's.
Sharing space; the 1967 Ford GT Mk IV and its neighbor, the red Porsche 356A Speedster.
Further down the row, awaiting discovery by fans of english sports cars, was this beautifully restored Austin Healey 100, adorned by an assortment of rally badging, and flanked by a pair of driving lights complete with stone guards.
The Healey's highly detailed interior. Equal in quality and attention to detail, on par with its exterior.
Another European classic encountered, parked amid a cluster of BMW's. A spectacular, highly modified example of a mid 1970s vintage BMW 2002.
And as the fender graphics proclaim, a twin turbo, updated to the owners specifications, with a hint to its true potential revealed by the rear badging; "3002 ttii / twin turbo".
Another classic Ford present on this morning, and making what I believe to be its debut at cars&coffee. As seen below, a 1963 Ford Falcon Sprint, built by the firm VinRacer, as their interpretation of a period correct "Trans Am Racer".
Vin Racer describes themselves as creators of "vintage speed", dedicated to the building of high performance, pre-1969 vehicles specific to a client's desires. For anyone interested, please use the link above to check out their website for a full description of their services.
Even the engine compartment was as impressive as the exterior. Hidden beneath the louvered hood and braced within its spartan engine compartment, was home to the impressive, HI-PO 289 cubic inch motor, good for a reported 300 horsepower.
The competition inspired interior, complete with dual racing bucket seats, Hurst 4 speed shifter, Simpson harnesses and roll cage.
One of the last cars to leave the event that morning, yet still fielding questions from visitors interested in the Falcon.
Another example of why attending this show on a weekly basis is so rewarding. Surprises abound, and regardless of your favorite make or model, you're assured of finding a vehicle to capture your interests.
(All photos by the author)
Posted in Austin Healey, BMW, Cars&Coffee / Irvine, Ford GT, photography, Porsche, Porsche race cars, Reflections	| Tagged 1967 Ford GT MkIV, Austin Healey 100, Automobiles, Black 1963 Ford Falcon Sprint, BMW 2002, Cars, cars&coffee/Irvine, photography, Porsche, Reflections, Valvoline Porsche 964 rally car	| 4 Replies


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RISK Game of Thrones - Major Command Risk Online Strategy Game.
Risk, the classic strategy board game, involves the careless deployment of tiny figurines across the continents of the world, with the opportunity to move, strengthen and attack based on how you.
What better game to add a little medieval magic themes to than the beloved strategy game Risk? Like the classic version, the premise in Game of Thrones Risk is that players will fight with growing (and in some cases dwindling) armies in an attempt to conquer the board's continents, countries, and even regions until one person emerges the victor.. This can be achieved by conquering a.
The Catan board game is all about strategy. As a brand new settler on the rich land, you seek to cultivate and develop the isle by building roads and cities through trades, cards, or the dice as.
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Cheap USAOPOLY Risk Game Of Thrones Strategy Board Game The For Game Of Thrones Fans Official Game Of Thrones Merchandise Based On The TV Show On HBO Game Of Thrones Themed Risk Game Review: As a yoga teacher training courses available. Exercises to see how does all the wicker storage baskets there are unfamiliar to do people tend to this position for stretch marks is willing to avoid injury.
Risk: Game of Thrones, based on the epic HBO series, features two ways to play, including factions of noble Houses vying for control of Westeros during the time of The War of the Five Kings, as well as Daenerys Targaryen's rise to power in Essos. War and chaos have descended upon the realms of Men. In Westeros, the death of Robert Baratheon has created a power vacuum with rival Houses.
Game of Thrones Winter is Coming is a browser game developed by Yoozoo Games and published by GTArcade. In this online browser game, you'll play as a lord in Westeros with the goal of having much power as possible. To start, you'll create a basic castle in which you'll be able to expand as you get more money. To succeed in battles, you'll have to create the best army composition so you'll have.
In my opinion Risk is shit and on par with Monopoly in terms of quality and time vs. complexity. When you said you went from the Game of Thrones boardgame to Game of Thrones Risk it really surprised me, because I figured it'd go the other way around if anything.
Risk everything for the Iron Throne! Inspired by the hit HBO series and the classic game of Risk comes the Game of Thrones Risk board game. Like Risk, rally your troops, lead them across the globe, and rule the world. You'll need to carefully plan your strategy and face your opponents on the battle field.
Inspired by the hit HBO series and the classic game of Risk comes the Game of Thrones Risk board game. Like Risk, rally your troops, lead them across the globe, and rule the world. You'll need to carefully plan your strategy and face your opponents on the battle field.
Risk - Game of Thrones Skirmish Edition. Game of Thrones meets Risk in this game of strategic conquest! War and chaos have descended upon the realms of Men. In Westeros, the death of Robert Baratheon has created a power vacuum with rival Houses competing for control of The Iron Throne. Meanwhile, in Essos, Daenerys Targaryen is building an army.
Game of Thrones is not like other board games. While there are plenty of strategy games out there, and plenty of games where people have to be dicks to each other, none walk the line between them.
Nov 13, 2017 - Risk is without a doubt the best known and loved, map based board game, of all time. And, while it may not be the highest rated strategy board game, it remains a must-own classic. However, there's no reason to limit yourself to the standard board! Below we look at the 27 best Risk board game.
RISK Game of Thrones includes two game board maps and seven House armies. Westeros map is for 3-5 player game and Essos map is for 2 player game. There is a deck of territory cards for each map, and these function in a similar way to the original RISK gameplay. When playing Dominion rules, the character cards can grant special abilities to your House, the maester cards can grant tactical.
Battle across Westeros fighting for dominion over the realms of men. Control vital castles and ports to gain power for your House in this special, easy to learn, version of the classic strategy game, Risk. Features: The Game of Strategic Conquest.
RISK: Game of Thrones edition game escalates Risk, the classic game of strategic conquest, to an epic level of chaos and war in a battle for the Iron Throne. Featuring striking game packaging, two custom-designed game boards, three ways to play, seven finely sculpted armies, and more than 650 total pieces, this game of strategic conquest will test the wits and bravery of both Risk and Game of.
Game of Thrones Risk Strategies. I was just wondering what everyone felt the best strategy is to winning in this game. When I played it was a 7 person skirmish game with Essos and Westeros. I made an alliance with my friend that he could control the bottom part of Essos and I would control the top and we would then invade Westeros by the North and South. Luckily the alliance was held all the.
The Game of Thrones board game has a 28-page rule book, which I think qualifies it for the Best Novel category in the Hugo awards, and the rules are dense and too complicated in parts.


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Heimdalsgade er en sidegade til Nørrebrogade på Ydre Nørrebro. Gaden krydser Mimersgade og slår et knæk her, hvor de gamle jernbanespor krydsede gaden. Gaden ender ved Tagensvej. Den er præget af etniske butikker og billig beboelse, men i modsætning til tidligere ikke længere af livlig biltrafik, da den ene ende er blevet lukket, og et græsaeral er oprettet. Skinnerne, der før krydsede hen over dette stykke blev nedlagt efter at højbanen ved Nørrebro Station, den nuværende Ringbanen, blev åbnet i 1930.

Heimdalsgade har som andre gader i Det mytologiske kvarter fået navn fra den nordiske mytologi. "Den klart lysende", Hejmdal eller Heimdal er gudernes vagtmand og Odins søn i den nordiske mytologi. Heimdals egen bolig hedder Himmelbjerg.

På et kort fra 1830 anes Heimdalsgades forløb allerede. Det gør den til et af de ældre vejforløb på Ydre Nørrebro. På kort fra 1854 og 1865 ses det nuværende Heimdalsgade med større sikkerhed.

Petershvile

På Heimdalsgade lå en af de ældste bebyggelser i området, nemlig gården Petershvile eller Petersminde. Midt i 1800-tallet havde gården gade- eller husnummeret 38 på Lygtevejen (nuv. Nørrebrogade) og var nummer 2 på "Vei fra Lygteveien til Raadmandsmarken", hvilket var et tidligere navn for Heimdalsgade. Gården Petershvile lå her endda før 1795, hvor gården optræder på et kort, dog med det mere minderige navn "Nissendal". Måske er det endda den samme gård der på et endnu ældre kort – fra 1766 – optræder som "Mester Jokums Gaard", sandsynligvis bødlen, der ofte var bosat et godt stykke uden for bygrænsen.

Peterhviles matrikelnummer eksisterer endnu og kan derfor stedfæstes præcist, og ligget hvor ejendommen Nørrebrogade 218 og Heimdalsgade 2, 2A og 2B ligger i dag. Man finder i dag næsten ingen spor efter gården. Måske er det rester af gårdens fundament, der anes i asfalten i baggården til Heimdalsgade 2.

Petershvile må ikke forveksles med en af de andre par bebyggelser på Nørrebro, der går så langt tilbage, nemlig Petersdal. Petersdal havde samme ejer som Petershvile, men lå på den anden side af Nørrebrogade. Petersdals matrikel svarer til nuværende adresse Hyltebro 5-7, Lundtoftegade 98-112 samt Esrumgade 2A. Den sidste rest af Petersdal forsvandt da Nora-biografen blev opført i 1935.

Både Petersdal og Petershvile havde som nævnt samme ejer, nemlig renteskriver Peter Feddersen (1765-1845), en chef fra rentekammeret og senere amtsforvalter i Rendsborg. Derfra kommer også oprindelsen til navnet på de to gårde.

Hvor sporene krydser gaden ses i 1865 også et lille hus, samt længere ude gården Enighed (ikke det samme som det senere mejeri på Lygten af samme navn). På et kort fra 1886 hedder gaden stadig "Vej til Raadmandsmarken". De fleste huse i enden mod Nørrebrogade er fra omkring år 1900. Heimdalsgade blev først navngivet i 1892, men dens historie strækker sig som sagt væsentligt længere tilbage.

Industri

I de første årtier som Heimdalsgade var gaden præget af industri. Den kemiske industri var tidligt ude på Ydre Nørrebro. Allerede i 1896 åbnede de såkaldte 'Gummi- og Luftringefabrikker' i en lille diskret bygning på Heimdalsgade. Siden hen blev denne virksomhed til Schiønning og Arvé, der i 1930'erne opførte en ny stor bygning i gaden.
Gummifabrikken blev landskendt, da den blev besat af unge i 1981 og barrikaderet. Der skulle en dramatisk aktion til for at få huset tømt, og politiet brugte knipler, tåregas og varselsskud for at få de unge BZ'ere ud. Det var første gang at politiet nogensinde brugte tåregas mod bz'erne.

I 1919 etablerede det nyetablerede Ford Motor Company A/S en samlefabrik i Heimdalsgade i bl.a. nr. 42. Her blev Skandinaviens og Nordeuropas Ford T'er samlet og sendt videre til de utålmodigt ventende markeder i Sverige, Norge, Finland, Tyskland og Polen. Bilerne kommer i store kasser "knocked down" – dvs. i "samlesæt" fra USA og senere også fra England (Storbritannien). Kasserne bliver senere brugt til kolonihavehuse, de er store og rummelige og næsten lige til at flytte ind i. Allerede i 1924 var fabrikken blevet for lille, og Ford flyttede til Europas mest moderne fabrik i Sydhavnen.

 Nr. 14-16: Chokoladefabrikken "Elisabethsminde" – også kaldet Hintz og Co. Kgl. Hof-Chokoladefabrik – havde til huse i bygningen 1914-26. Her fremstilledes fine chokolader som leverandør til det kongelige danske hof. Nu er bygningen indrettet til "luksuslejligheder i New Yorker-stil". Dette er i øvrigt den eneste bygning i Heimdalsgade, der er tildelt høj bevaringsværdi.
 Nr. 32: Her havde Berlingske Bogtrykkeri til huse i tiden 1955-1975.
 Nr. 35-37: Rummede fra 1912-1978 "Engelsk-Dansk Biscuits Fabrik", der var en stor kvindearbejdsplads, grundlagt 1900. Bygningen er tegnet af Olaf Petri. En tilbygning kom i 1957 til produktion af Kellogg's Corn Flakes og Rice Krispies.
 Nr. 40: I 1912-1920 lå her "Dansk Fedt- og Palminfabrik". Derefter havde brødfabrikken Schulstad en stor fabrik her frem til 1950'erne.
 Nr. 41: De forenede Bagermestres Rugbrødsfabrik lå her 1897-1976.
 Nr. 42: Ford Motor Company A/S. havde første samlefabrik her (Peter Elfelt har en fotoserie (uden år) derfra.) Alle bygningerne er i dag væk og erstattet af en boligblok. Røde Rose III, integreret institution.

 Nr. 45-47: De forenede Gummi og Luftringe Fabriker Schiønning & Arvé lå her fra 1896 til 1981. Fabrikken blev besat den 24. oktober 1981. Besættelsen varede to dage, og fabrikken blev senere revet ned for at give plads til AABs 250 lejligheder, der stod indflytningsklare i september 1984.

I gaden finder man Københavns mindste skole: Heimdalsgade Overbygningsskole (132 elever, 2007).

Taiba-moskeen, der ligger oven over Aldi i Heimdalsgade var bl.a. mødested for de unge fra den såkaldte Glostrupsag. Said Mansour var en slags mentor for de unge terroranklagede, som havde deres gang i moskeen. Også dansk-marokkaneren Omar Maroof, der er dømt til døden for terror i Marokko, kom her. Moskeen har været nævnt i forbindelse med de fleste terrorsager i Danmark, og har i de seneste år været kendt for at huse personer med sympati for radikale udlægninger af islam. Moskeen er dog til daglig et mødested for mange moderate musilimer.

Der findes også en gade ved navn Heimdalsgade i Aalborg.

Se også
 Heimdal

Litteratur
 Thomas Oldrup: Heimdalsgades historie, s. 28-31 i Årsskrift 2007 fra Nørrebro Lokalhistoriske Forening og Arkiv

Referencer

Eksterne henvisninger

 Nørrebro Lokalhistoriske Forening og Arkiv
 Chokoladefabrikken Elisabethsmindes hjemmeside

Gader på Nørrebro


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Федеральний автобан 3 (A3, ) — автобан у Німеччині, що пролягає від німецько-нідерландського кордону поблизу Везеля на північному заході до німецько-австрійського кордону поблизу Пассау.

Основні міста на його загальній протяжності 778 км (483 милі) включають Обергаузен, Дуйсбург, Дюссельдорф, Леверкузен, Кьольн, Вісбаден, Франкфурт, Вюрцбург, Нюрнберг і Регенсбург. A3 є основним сполученням між Рейнсько-Рурський регіон та південною Німеччиною, що призводить до інтенсивного трафіку. Отже, великі частини мають три смуги (плюс жорстке узбіччя) у кожному напрямку, включаючи 300-кілометрову (187,5 миль) ділянку між Обергаузеном і Ашаффенбургом.

A3 проходить повз аеропорт Франкфурта.

Історія

Примітки

Автобани Німеччини


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Oppi'z Brings Fresh Italian to State Street
BY: Rebecca Horrigan
Guido Oppizzi immigrated to America from Italy only three years ago, bringing a deep love for traditional cooking from his homeland. But if you assume that means Oppi'z Bistro & Natural Pizza — his new State Street restaurant located in the longtime, though long-empty, home of Palazzio — is serving standard versions of pizza and pasta, think again.
"It's much more modern and unconventional cuisine, but still deeply rooted in the Italian culture," explained Oppizzi, whose eyes light up when sharing stories and discussing his favorite dishes. "Everything should be fresh and light. I really do not want to have food processed."
SOURCE: https://www.independent.com
TAG : Santa Barbara California Food
'Fuggedaboudit' the motto of new Italian del...
By Kimberly Sutton Love is what brought Tony Nicoletta to Texas from New York.The transpl...
"The Art of Bulgari: La Dolce Vita & Beyond,...
by Matthew Breen Fashion fans will be in for a treat this fall when the Fine Arts Museums...
13th Annual Galbani Italian Feast of San Gen...
In September of 2002, some of Los Angeles' most prominent Italian American citizens got to...
1st Annual Little Italy Cannoli Tournament
Little Italy San Jose will be hosting a single elimination Cannoli tournament to coincide...
A Week in Emilia Romagna: An Italian Atmosp...
The Wine Consortium of Romagna, together with Consulate General of Italy in Boston, the Ho...
An Italian American Feast For Family Reunion...
Hey, come over here, kid, learn something. ... You see, you start out with a little bit of...
Buon Appetito! Unique Italian dining at Ragú...
There's something to be said for having your food prepared tableside. Guacamole tastes fre...
Candice Guardino Brings GILDA AND MARGARETTE...
Candice Guardino is adding to her list of successful theatrical productions with the debut...


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Posts tagged with "stars"
Moneybagg Yo Protect Da Brand
At the top of the year Memphis-bred rapper, Moneybagg Yo shared his highly anticipated album Time Served. The star-studded album features collaborations with artists such as Future, Da Baby, Lil Baby, Megan thee Stallion, Summer Walker, Fredo Bang and more. It went on to debut at #3 on the Billboard 200 Chart and garnered critical acclaim from Forbes, Hypebeast, Billboard and more.
Several tracks also amassed global recognition on Tik Tok as well as become certified gold by the RIAA and chart on Urban Radio. Time Served has gone to amass over a billion streams globally.
Today, Moneybagg Yo shares his visual album alongside a brand-new video for "Protect Da Brand ft. DaBaby." On the track, which charted on the Billboard Hot 100, the southern superstars rap about defending what's theirs, watch the video shot in Miami, FL match that same energy HERE.
TIME SERVED DELUXE VISUAL TRACK LIST:
23. U Played
24. Issa No (375 Flow)
25. 1, 2, 3
26. Me Vs Me
27. All Dat
28. Pistol By Da Bed
29. Boffum
30. Protect Da Brand
31. Cold Shoulder
32. Speak 4 Em
33. Match My Fly
34. Spin On Em
This entry was posted in Uncategorized and tagged 360 Magazine, album, artists, billboard, Celebrity, DABABY, Eamonn Burke, Forbes, Future, Lil Baby, Memphis, MONEYBAGG YO, music, music video, New Album, new video, protect da brand, rap, RIAA, stars, Tik Tok, Time Served, Vaughn Lowery on 07/17/2020 by .
Ria Mae New EP Stars
RIA MAE SHARES STRUGGLES WITH SOCIAL MEDIA ON NEW EP STARS
Canadian pop singer Ria Mae takes listeners on an emotional voyage through relationships on her new EP, Stars. Navigating beyond lyrical and sonic boundaries, Stars allows listeners to feel a sense of human connection, something Ria believes is lacking in today's social climate.
"Hold Me" was inspired by the invasive negativity and anxiety social media create. Nostalgic for a simpler time, the duet emerged after a conversation with Frank Kadillac and Lowell. "We were talking about how easy life used to feel when we were young and how anxious a lot of our peers seem to be right now," Ria stated in Divine Magazine.
The remainder of Stars illustrates Ria Mae's ability to empathize with her listeners. "Trixi," is a provocative track about desire and obsession and is the first character-driven song Ria's written. "Not Your Type," Ria's forthcoming single, is a pro-consent pop song that showcases Ria's playful side. "It's You," is a raw and honest breakup anthem.
Ria Mae's first single "Bend" became an instant hit, skyrocketing to Top 5 at Hot AC, Top 15 at AC, and Top 15 at CHR radio, reaching platinum certification status. Ria was nominated for "Pop Album of the Year" at the 2018 JUNO Awards for "My Love." Two years earlier, Ria also earned a JUNO nomination for "Single of the Year" for her platinum-selling hit "Clothes Off" that has over 13 million streams worldwide.
This entry was posted in Feature and tagged 360, 360 Magazine, breakup, Canada, divine magazine, frank kadillac, hold me, it's you, Juno, music, new music, not your type, pop, ria mae, singer, single, social media, songwriter, stars, stars ep, Tara McDonough, trixi, Vaughn Lowery on 03/19/2019 by Wp360mag.
Dallas Stars Acquire Jamie Oleksiak From Penguins
By Reid Urban
The Dallas Stars have decided to bring back a familiar name.
The Stars have reacquired Jamie Oleksiak from the Pittsburgh Penguins in exchange for a 2019 fourth-round pick. This news also comes with the latest announcement from the Stars that Marc Methot will undergo season-ending left knee surgery, so Oleksiak is likely to take Methot's place in the lineup
What's interesting about this trade is that the fourth-round pick Dallas is sending back was the same one that Pittsburgh sent to Dallas to acquire Oleksiak last season.
It seems certain that Oleksiak will be in the lineup for the Stars on Wednesday when they play the Buffalo Sabres.
This entry was posted in Sports and tagged 360, 360 Magazine, Dallas, Dallas Stars, Hockey, hockey moves, Jamie Oleksiak, Marc Methot, National Hockey League, NHL, NHL trades, Penguins, pittsburgh, Pittsburgh Penguins, Reid Urban, sports, stars, Steel City, surgery, Texas, trades, transactions, Vaughn Lowery on 01/28/2019 by Wp360mag.
The Hate U Give Soundtrack
Def Jam Recordings – the iconic label and global brand synonymous with hip-hop culture – has partnered with 20th Century Fox on the October 12th release of the Official Soundtrack to the highly-anticipated film The Hate U Give, based on the critically acclaimed New York Times bestseller by Angie Thomas.
Def Jam Recordings' next generation of stars, Arlissa and Bobby Sessions, join an all-star cast of contemporary and legendary artists including Kendrick Lamar, Pusha T, Logic, Jadakiss, and Tupac Shakur for the official movie soundtrack of THE HATE U GIVE, October 12th.
Arlissa and Bobby Sessions introduce new, previously unreleased songs on the soundtrack, which Variety raves "cleverly mimics the film's outlook by oscillating between snatches of 2Pac and modern R&B;" South London-bred, 25-year old siren Arlissa, who recently appeared in the August issue Vogue, experienced her first real taste of success with her breakthrough track "Hearts Ain't Gonna Lie." Arlissa's defiant anthem "We Won't Move" from THE HATE U GIVE soundtrack garnered early buzz at the Toronto Film Festival premiere of T.H.U.G., with Toronto's NOW exclaiming "the soulful ballad has got 'Oscar nominee' written all over it."
LISTEN HERE: http://Arlissa.lnk.to/WeWontMove
"It's been a true honor to be involved in something so significant and relevant to today's social climate," Arlissa said. "I was one of the millions of people who were deeply touched by the book, so to be able to contribute to the movie, which shines such a strong light on inequality, has been a responsibility I've taken with such pride and care. This is not just a film, this is education"
Fiery Dallas rapper Bobby Sessions, who NPR raves "confronts racism with a captivating flow that's both acrimonious and awe-inspiring," and whose debut EP "channels the anger and despair that accompany the cycle of systemic racism" according to XXL, performs the eponymous title tune, "The Hate U Give."
Shaping up as one of the fall season's breakout movies, The Hate U Give stars Amandla Stenberg as Starr, a teen who is constantly switching between two worlds: the poor, mostly black, neighborhood where she lives and the rich, mostly white, prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Now, facing pressures from all sides of the community, Starr must find her voice and stand up for what's right. Amandla's original song "Always" closes out the soundtrack.
The Hate U Give also stars Russell Hornsby, Regina Hall, Issa Rae, KJ Apa, Algee Smith and Sabrina Carpenter, with Common, and Anthony Mackie. The film was directed by George Tillman Jr. (Notorious, Men Of Honor), and produced by Robert Teitel, George Tillman Jr., Marty Bowen, and Wyck Godfrey. The Hate U Give, whose screenplay was written by Audrey Wells (A Dog's Purpose, Under The Tuscan Sun), is a Fox 2000 Pictures, State Street Pictures, and Temple Hill Entertainment production, distributed by 20th Century Fox.
THE HATE U GIVE movie soundtrack:
1. Pusha T "Hold On"
2. Kendrick Lamar – "DNA"
3. Jadakiss "Hold You Down"
4. 2 Pac "Only God Can Judge Me"
5. Arlissa "We Won't Move"
6. Travis Scott "Goosebumps"
7. Bobby Sessions "The Hate U Give"
8. 2 Pac "Keep Ya Head Up"
9. Logic "Everybody"
10. Beau Young Prince "Kill Moe"
11. 21 Savage, Offset, & Metro Boomin "Ghostfact Killers"
12. NBA Youngboy "Left Hand Right Hand"
13. Billie Eilish "Ocean Eyes"
14. Amandla Stenberg "Always"
The Hate U Give (20th Century Fox):
THE HATE U GIVE Website
Twitter: @TheHateUGive
Instagram: @TheHateUGiveMovie
#TheHateUGive
This entry was posted in Feature and tagged 360 Magazine, Arlissa, art, artist, artists, bestseller, Bobby Sessions, Def Jam Recordings, design, movie soundtrack, movies, music, new music, new stars, performance, pop, pop culture, presentation, recording artist, Reid Urban, song, songs, soundtrack, stars, The Hate U Give, tupac, Vaughn Lowery on 10/01/2018 by Wp360mag.
Can plastic surgery make you look older?
According to expert Board-Certified Plastic surgeons, the goal of cosmetic surgery is to make a woman like look a refreshed, enhanced version of herself. While many seek cosmetic surgery to turn back the clock; (a respectable, personal choice) there is a downside. The eerie expressionless, puffy, distorted, look that makes people appear even older than they are. To help us understand and achieve a more maintained, elegant look, we tapped the expertise of Board-Certified Denver Plastic Surgeon Dr. Manish Shah.
Most Common Culprit… Too Much Filler
According to Dr. Shah, the best way to begin is to look at photos of the person decades younger to assess their aging progression and facial symmetry. "You want to look at the facial features to see where there is drooping or volume loss as not to run the risk of over filling the face. When too much filler is used, facial balance is thrown off."
Dr. Shah explains that today we're seeing young women in their 20's trying to look like they're photo filtered in real life. "They start Botox too young, or overfill their lips, breasts, and derrieres. The odd consequence is that that end up looking older. There are several celebrities who are under 25 and look 30, and 35 due to the work they've had done. The lips and cheeks are often the first facial features to be overdone in younger patients."
Facial Breakdown
Cheeks: Dr. Shah says, that "Over-suctioning cheeks through liposuction can make you look older. Stiffness or "puffy cheeks" can also occur if there is unnecessary fat transfer or filler injections are overdone."
Brows: A highly arched eye brow, or a brow without any arch can instantly age you. "Getting the eyebrow height perfect to achieve a natural look is one of the most challenging techniques plastic surgeons face with Botox, be sure to find someone who specializes in brow area Botox."
Chin: "The overall balance of your face can be thrown off if a chin implant is too large," says Dr. Shah. He adds, "Facial structure goes from more of a heart shape to a square shape. Also, the softness of your face gets lost."
Neck: Removing too much fat from the neck can result in an excessive deep and sharp angle that gives more of a harsh look.
Midface: Some women get a facelift before it's needed. Think of many of the stars of Bravo's Real Housewive's franchise. "When it's unnecessary or not done properly, the underlying facial tissues give an unnatural fullness in the cheeks that makes the face look aged, explains Dr. Shah."
Eyes: Fat removal under the eyes is popular in younger patients. The problem is that removing too much fat can really make a patient look hollower rather than refreshed.
Injectable Toxins: The Frozen Look
Botox, Dysport and Xeomin are all effective in reducing lines by temporarily paralyzing facial muscles to stop movement. Problems arise when they are overdone. The face can look very severe and certain facial features can become exaggerated. It is strange to see a woman over 50 with fewer forehead and brow mobility than a pre-teen!
Dr. Shah offers a tip and reminds us that injectable toxins are not permanent, and the result will fade away in time. "It's best to let the product completely wear off before getting injectable toxins applied to the face again. It's always best to start off with much less because you can always work your way up to more," he advises.
Too Large Breast Implants:
Implants that do not fit a woman's frame and are overexaggerated, are never a good idea at any age. The older a woman gets, the more this is going to scream, "look at me" and be incongruous with the rest of her appearance. Jane Fonda is a perfect example of a woman in her 80's with implants that match her body in a flattering way.
Ignoring Your Hands and Décolleté:
So many women make the mistake of obsessing over their face, legs, derriere, breasts, and abdomen that they completely forget their hands and décolleté. The latter are a dead giveaway of age, no matter how young the rest of you looks.
Examples of Elegance:
According to Dr. Shah, here's who he feels has "gotten it right" when it comes to aging gracefully whether they have had plastic surgery or not include, Jane Fonda, Jennifer Aniston, Jennifer Lopez, Halle Berry, Angela Bassett, Katie Couric, Raquel Welch, Kathie Lee Gifford, Kris Jenner, Naomi Campbell, Michelle Pfeiffer, Jayne Seymour, Ellen DeGeneres, Sharon Stone, and Padma Lakshmi. Use these celebs for inspiration when contemplating cosmetic enhancements.
Find out more at www.drmanishshah.com
About Dr. Manish Shah
Plastic Surgeon Colorado | Dr. Manish Shah, M.D. | Denver
Manish Shah, M.D., F.A.C.S. was born in Canada and raised in the Washington, D.C. area. He graduated with honors from the University of Pennsylvania, receiving a degree in biomedical engineering. He then completed his medical training at the University of Virginia, earning his Medical Doctorate. During this time he also completed a one-year fellowship in microsurgery research at the New York University School of Medicine / Institute of Reconstructive Plastic Surgery. As a prelude to his plastic surgery training, Dr. Shah completed a rigorous five-year training program in General and Trauma Surgery at Emory University and the Medical College of Georgia. His formal training in Plastic and Reconstructive Surgery was completed at the Univ. of Tennessee College of Medicine – Chattanooga Unit. After completing his plastic surgery training, he moved to New York City when he was selected for the prestigious Aesthetic Surgery Fellowship at Manhattan Eye, Ear, and Throat Hospital. He underwent extensive, advanced training in aesthetic surgery of the face, breasts, and body at the hands of some of the most renowned cosmetic surgeons in the world. This fellowship is widely considered to be the best of its kind in the world. Dr. Shah is one of only a select few plastic surgeons in the country who have undergone formal post-graduate training in aesthetic surgery.
Dr. Shah's specialties include revision facial aesthetic surgery, rhinoplasty ("nose reshaping"), and aesthetic surgery of the breast (breast augmentation, breast lift, breast reduction). He is, however, well-trained in all areas of aesthetic surgery. Dr. Shah's aim is to obtain a natural appearing transformation that complements the real you!
Dr. Shah is a past Clinical Assistant Professor of Surgery at the University of Colorado Health Sciences Center based at Denver Health Medical Center, the Rocky Mountain region's only academic Level I trauma center. He is a past Chief of Plastic Surgery at Denver Health Medical Center. He also maintains a private practice in Aesthetic and Reconstructive Plastic Surgery on the Dry Creek Medical Center campus (DTC/Denver) and up in the Aspen Valley (Basalt – in the office of MDAesthetics – Tim Kruse, M.D.).
Dr. Shah is a member of the American Society of Plastic Surgeons, the American Society of Aesthetic Plastic Surgery and the International Society of Aesthetic Plastic Surgery. Dr. Shah is board-certified by the American Board of Plastic Surgery.
This entry was posted in Health and tagged 360, 360 Magazine, abdomen, Aesthetic and Reconstructive Plastic Surgery, aesthetic surgery, American Board of Plastic Surgery, American Society of Aesthetic Plastic Surgery, American Society of Plastic Surgeons, Angela Bassett, Aspen Valley, Atrin Yazdani-Biuki, Basalt, Botox, bravo, breast, breast augmentation, Breast Implants, breast lift, breast reduction, Canada, Celebs, Chattanooga Unit, cosmetic, Décolleté, Denver, Denver Health Medical Center, derriere, Dr. Shah, Dry Creek Medical Center, DTC, Dysport, Ellen DeGeneres, Emory University, eyes, face, facelift, facial aesthetic surgery, franchises, Halle Berry, Hands, injectable, Inspiration, International Society of Aesthetic Plastic Surgery, Jane Fonda, Jayne Seymour, Jennifer Aniston, Jennifer Lopez, Kathie Lee Gifford, Katie Couric, Kris Jenner, legs, Level I trauma center, Manish Shah, MDAesthetics, Medical College of Georgia, Naomi Campbell, new york city, New York University School of Medicine, nose reshaping, Over-suctioning, Padma Lakshmi, plastic surgeons, plastic surgery, Raquel Welch, Real Housewives, Reconstructive Surgery, rhinoplasty, Rocky Mountain, Sharon Stone, softness, stars, Tim Kruse M.D., toxins, Trauma Surgery, Univ. of Tennessee College of Medicine, University of Colorado Health Sciences Center, university of Virginia, Vaughn Lowery, Washington D.C, Xeomin, Michelle Pfeiffer, older on 09/21/2018 by Wp360mag.
Rolls-Royce Monterey Car Week
"Monterey Car Week is one of the world's premier luxury motor car events, so it is fitting that we showcase the finest Bespoke motor cars in the world here, and also debut Cullinan, the Rolls-Royce of SUVs, to the American public. From the primacy of Phantom to the power of Cullinan, the Rolls-Royce presence at 2018 Pebble Beach Concours d'Elegance has never been more compelling, and these Bespoke Rolls-Royces will grace these lawns as classics for generations to come." … Torsten Müller-Ötvös, Chief Executive Officer, Rolls-Royce Motor Cars.
The Rolls-Royce Cullinan makes its American debut to the public at this year's Monterey Car Week as the marque showcases a stunning array of Bespoke motor cars, each one a classic in the making. In addition to Cullinan, the Rolls-Royce of SUVs, the brand will present a splendid selection of individual creations at events throughout the week and deliver two very high profile commissions to their owners, live at events throughout the week.
Cullinan – the Rolls-Royce of SUVs debuts to its American public
The most anticipated motor car of 2018 will adorn the lawns at Monterey Car Week events including Friday's 'Quail, A Motorsports Gathering,' The Concept Lawn of the 2018 Pebble Beach Concours d' Elegance on Sunday and at Rolls-Royce's own private collectors events throughout the week.
Unveiled to the world in May of this year, four Cullinans will be positioned around the peninsula in a variety of color and Bespoke configurations for its future customers to discover. Rolls-Royce will show for the first time in North America a Cullinan with Iguazu Blue exterior. The stunning Charles Blue interior is offset with Scivaro Grey highlights and open Paldao veneer. The other Cullinans on display are adorned in Magma Red and Darkest Tungsten.
A tenth Bespoke creation for collector Michael Fux
On Friday, Mr. Müller-Ötvös will present a very special Rolls-Royce Phantom to renowned collector Michael Fux. This is the tenth special Bespoke Creation presented to Mr. Fux at Pebble Beach for his collection of more than 140 unique motor cars. The Phantom joins Mr. Fux's collection of motor cars that he uses to help raise funds for his charity, The Michael Fux Foundation, to provide support for children and their families at the Miami Children's Hospital.
Black Badge Bespoke – The alter ego of Rolls-Royce personalization
This year's Pebble Beach will play host to the alter ego of Rolls-Royce Bespoke as the marque demonstrates the breadth of its Black Badge Bespoke offer. Proving that a Black Badge Rolls-Royce need not only be black in color, four different Collections will move through the Black Badge color spectrum: The Umbra Collection; Adamas Collection; The Paradisio Collection and The Nebula Collection.
Fusing the extraordinary competence of the Bespoke craftspeople from the Home of Rolls-Royce in Goodwood, England, with the rebellious spirit of Black Badge is for the risk-taker who is not afraid to embrace a bold and progressive statement of true and modern luxury, in its darkest form.
Umbra Black Badge Collection – Dawn, Ghost and Wraith
Black Badge Umbra, the extreme embodiment of the eponymous darker side of Rolls-Royce debuts this week at the Rolls-Royce Villa at Pebble Beach. The Umbra Collection comprises Dawn, Ghost and Wraith, and feature Matte Black exterior finish, fully darkened chrome including a darkened Spirit of Ecstasy and 21 inch carbon alloy wheels. The Anthracite interior is starkly offset with Mugello Red and Black highlights. All three commissions feature a stunning technical fiber fascia and interior accents as well as custom Black Badge Bespoke Starlight Headliners and Bespoke 'Pebble Beach 2018' treadplates.
Dawn Black Badge Adamas Collection
Dawn Black Badge Adamas is another creation from the darker side of the Rolls-Royce Bespoke Collective. Inspired by the 'untamable' and 'invincible' nature of a diamond, Adamas celebrates the darker side of contemporary craftsmanship, expertly weaving a dark aesthetic of unbreakable carbon structures into an extremely limited collection of only 30 Dawn Black Badge cars. Dawn Black Badge Adamas is clothed in an enticing two-tone color scheme of hypnotic Aphrodite Red over Black. These are the first two-tone Black Badge cars. These colors, as though touched by darkness, have a deep color transition, providing a mesmerizing iridescent effect.
The Spirit of Ecstasy, previously cast in steel, silver and gold, is for the first time in history formed in machined carbon fiber. 88 Bespoke laboratory-grown diamonds form the Black Badge infinity symbol set beneath the Bespoke analogue clock. As a final touch, when one enters or alights from the atmospheric cabin of Adamas, illuminated tread plates read 'Black Badge Dawn Adamas – One of Thirty', reminding the occupant of the power and rarity of this Collection.
The Paradisio Collection – Dawn, Ghost and Wraith
Turning up the color spectrum, the Rolls-Royce Bespoke Collective has specially created the boldest Black Badge Collection ever imagined for this year's Pebble Beach Concours d'Elegance. The Paradisio Collection of one Dawn, one Ghost and one Wraith features a newly-developed solid exterior paint called Pebble Paradiso Blue, inspired by the location of The Pebble Beach Concours d'Elegance and its beautiful blue surroundings of water and clear Californian sky. These cars are also reminiscent of the exploits of those adventurers who partook in the 1913 Alpenfahrt driving such classic Rolls-Royces as the James Radley 1913 Silver Ghost with its solid blue paintwork. The exterior is offset by a mandarin coach line, twin bonnet pinstripes and pinstripes on the wheel-centers.
The interiors of the three cars vary in design. Ghost, which is more focused on the rear passenger's comfort, reflects this visually with a more intimate and cool Black and Charles Blue leather color-way off set by Charles Blue and Mandarin stitching and a Black and Charles Blue two-tone steering wheel. Wraith and Dawn add more Mandarin into the interior color palate, increasing the visual heat and driver's intent of the cockpit.
The centerpiece of the Black Badge cabin is the aerospace-grade aluminum-threaded carbon fiber composite surfacing – material often seen on the surfaces of stealth aircraft. This futuristic material has been reinterpreted at Goodwood to become the world's most innovative new super-luxury material. Polished to a high sheen, this surface reflects the twinkling lights of the beautifully created Starlight Headliner wrought in Ghost and Wraith and the stars firmament once the Mandarin hood of Dawn is folded away.
Nebula Collection – Dawn, Ghost and Wraith
Nebula is a suite of Black Badge Ghost, Wraith and Dawn motor cars which draw influence from spacecraft and aerospace technology, drawing visual references from technical spacecraft to the soaring vistas of the earth's atmosphere, whilst paying homage to the pioneers of the 20th century and challenges the space and technology entrepreneurs of the 21st century. Men and women who push the technology envelope to explore space, honor the pioneers of land and space flight from Charles Rolls to the elite brotherhood of astronauts.
The exterior is enveloped in Iced Selby Grey, a flat grey hue, reminiscent of the ultra matt aesthetic of the heat shields of great, technical, space craft themselves. Inside, the interior colorway features Selby Grey and Black leather, offset against high contrast Sunset accents in the format of a two tone steering wheel, piping and stitching. The contrast masterfully imbues the impression of color imparted by a space shuttle fuel tank. This is perfectly offset against a technical fiber fascia, a sought-after aesthetic found in many Black Badge motor cars.
The Rolls-Royce clock embodies the Nebula theme in miniature. A depiction of a portion of the night sky in the Northern Hemisphere in March are backlit on the clock's face, encircled in the accent 'Sunset' color, providing the impression of viewing the stars through the window of a space craft.
A repeated hexagonal motif has been expertly embroidered into the rear of each motor car, reflective of the honeycomb structure used in some of the most ambitious and technologically advanced aerospace developments, from space telescope mirrors to space station windows. Speaker covers most commonly bestow a jewelry-like impression on the interior of a Rolls-Royce, however in this iteration, they have adopted a blackened aesthetic, to further the technical feel once more.
This entry was posted in Auto and tagged 1913 Alpenfahrt, 360, 360 Magazine, Adamas, aerospace, aesthetic, astronauts, Atrin Yazdani-Biuki, Black and Charles Blue, Black Badge Collection, black badge ghost, Black Badge Umbra, Black leather, cars, Charles Blue and Mandarin, charles rolls, collector, dawn, Dawn Black Badge Adamas, Dawn Black Badge Adamas Collection, design, England, Ghost and Wraith, Goodwood, honeycomb, Iced Selby Grey, James Radley 1913 Silver Ghost, jewelry, Michael Fux, miniature, Monterey car week, motor car, Mr. Müller-Ötvös, Nebula, Nebula Collection, Northern Hemisphere, Pebble Beach Concours d'Elegance, Pebble Paradiso Blue, rolls-royce, Rolls-Royce clock, rolls-royce phantom, Selby Grey, sky, Space, space shuttle, space station windows, space telescope, spacecraft, Speaker covers, starlight headliner, stars, The Paradisio Collection of one Dawn, The Pebble Beach Concours d'Elegance, Torsten Müller-Ötvös, Umbra Black Badge Collection, Vaughn Lowery, 'Pebble Beach 2018 on 08/23/2018 by Wp360mag.
Summer Block Party Festival 2018
Live Nation Urban announces the fourth annual Summer Block Party Festival– the preeminent destination for soul and R&B devotees since 2015. Tickets go on-sale Friday April 20th at 10am.
After successfully expanding to include Houston in 2017, the original Chicago site will now host a second night for the very first time. Celebrating another first, Summer Block Party Festival now arrives in Philadelphia this summer. Once again, the lineup showcases some of the most important, impactful, and inimitable voices in soul, R&B, and hip-hop.
GRAMMY Award-winning modern icon Jill Scott returns home to Philly in order to headline the first night June 30 at The Mann Music Center. Miguel Fantasia top a dynamic bill at Cynthia Woods Pavilion in Houston July 7. Keith Sweat headlines the Chicago show at Huntington Bank Pavilion at Northerly Island July 14 followed by Babyface and Boyz II Men the next evening July 15.
The full itinerary and each respective lineup can be found enclosed below.
Summer Block Party set the industry standard for R&B and soul-centric festivals. Launched in Chicago during 2015, it has gone on to consistently sell out every year and spotlight not only genre luminaries, but the next generation's hottest young R&B stars. Previous lineups boasted everyone from Erykah Badu and Jazmine Sullivan to Ledisi and SWV, to name a few.
It also continues a blockbuster 2018 for the team at Live Nation Urban. The year's stacked slate includes not only Summer Block Party shows, but Rap Caviar Live, Broccoli City Festival, Roots Picnic, A Night of Symphonic Hip Hop, and Kirk Franklin's Exodus Music & Arts Festival. LNU has positioned itself at the forefront of the culture, ushering it forward with each subsequent show.
"We feel blessed to be able to continue to build and grow this Summer Block Party platform, it's important to give R&B artists and fans a place to engage in a live setting. I'm looking forward to the shows this year and adding even more cities to the series next year", says Shawn Gee, President of Live Nation Urban.
SUMER BLOCK PARTY FESTIVAL DATES:
6/30 Philadelphia, PA – The Mann Music Center (Jill Scott, Boyz 2 Men, DJ Jazzy Jeff, + Special Guests)
7/7 Houston, TX – Cynthia Woods Pavilion (Miguel, Fantasia, Ne-Yo, Tank)
7/14 Chicago, IL – Huntington Bank Pavilion @ Northerly Island (Keith Sweat, Ja Rule & Ashanti, Ne-Yo, Tank, Daley)
7/15 Chicago, IL – Huntington Bank Pavilion @ Northerly Island (Babyface, Ludacris, Boyz 2 Men, Brandy, Kevin Ross)
This entry was posted in Uncategorized and tagged 360 Magazine, a night of symphonic hip hop, apple music, art, artists, Austin, Australia, Babyface and Boyz II Men, blockbuster, Boston, Broccoli City Festival, California, Canada, Cape Town, celebration, Celebrities, Celebrity, Chicago, China, concert, culture magazine, Cynthia Woods Pavilion, Dallas, Deezer, edgy fashion magazine, erykah badu, event, events, Facebook, festival, festivals, Global Society, Grammy, GRAMMY award winner, hip hop, Houston, Huntington Bank Pavilion, iheartradio, Illinois, Indie Music, iTunes, Jakarta, Japan, Jazmine Sullivan, Jill Scott, Johanessburg, Keith Sweat, Kirk Franklin's Exodus Music & Arts Festival, Ledisi, lifestyle, live, Live Nation, Live Nation Urban, live show, London, Los Angeles, Melbourne, Miami, Miguel Fantasia, Milan, music, music festival, musician, musicians, Netherlands, New York, newmusic, Northerly Island, pandora, Paris, Pennsylvania, performance, Philadelphia, philly, r&b, Rap Caviar Live, Roots Picnic, Salt Lake City, San Diego, San Francisco, Santa Monica, Shawn Gee, showcase, singer, singers, social media, song, songs, songwriter, soul, sound, soundcloud, soundtrack, Southern California, spotify, stars, Summer Block Party Festival, Sweden, SWV, Sydney, Texas, The Mann Music Center, tickets, tunein, Twitter, United States, USA, Vaughn Lowery, voices, Washington D.C., YouTube on 04/17/2018 by Wp360mag.
DREAMS x SILENCE
"Highly danceable, super-sticky, deceptively simple blend of electrified pop" – LA Weekly
"No One Defeats Us' funky dance-rock groove" – Stereogum
"Booming electro-anthem" – Idolator
Following their explosive debut song "No One Defeats Us," DREAMS have dropped their new track "Silence" today via Astralwerks. On the day of their first ever live performance at Coachella, "Silence" reveals a darker side and pulse to DREAMS, led by the brooding vocals of Daniel Johns. The duo also shares a striking video for the track, which can be viewed HERE.
Purchase or Stream "Silence" HERE.
A much-anticipated debut live set at Coachella this weekend promises high drama and a truly unmissable performance. The only band ever to be booked for the festival before releasing any music, the duo is the highest-billed Australian band. DREAMS will perform tonight at 8:40pm on the Mojave Stage. The duo will also perform next Friday, April 20. Fans can view their performance via the live stream on the Official Coachella YouTube Channel.
"Silence' is a song which came to us after the Charlottesville riots. It broke our hearts to see the violence and hatred that occurred. We wanted this song to elevate the people, let their voices be heard, inspire them with courage and bravery." Luke Steele (aka Miracle) says of the track. Daniel Johns (aka Dr Dreams), says "The live version is out of this world and we cannot wait to debut it at Coachella. »
DREAMS is the realization of a long-time friendship and musical kinship between these two iconic Australian artists. Daniel Johns is best known as the front man of Silverchair whilst the enigmatic Luke Steele fronts Empire of The Sun and The Sleepy Jackson. The artists first met in 2004 when Luke's band The Sleepy Jackson supported Silverchair on their sold-out Diorama tour.
With over ten million albums sold worldwide and an undefeatable twenty-nine ARIA Awards won between both of their respective acts, the pedigree of Daniel and Luke's new collaboration is unquestionable.
Since Silverchair's debut release "Tomorrow" in 1994, Daniel has taken home a record twenty-one statues, the most of any Australian artist in ARIA history. Daniel has also won APRA Songwriter of the Year three times, and impressively, Silverchair is the only Australian act to have all of their studio albums, five in total, debut at #1 on the ARIA chart.
Sweeping the ARIAs clean in 2008 was Luke Steele's Empire of the Sun, taking home gongs for Best Album, Best Single, Best Group and Best Pop Release. With a total of eight ARIAs and two APRA song writing awards to date, Empire of the Sun has gone from strength to strength internationally, including a spectacular sold out performance at Hollywood Bowl in 2015, in front of an audience of 17,000 US fans.
FOLLOW DREAMS:
www.dreams.band
This entry was posted in Uncategorized and tagged 360 Magazine, Amazon, apple music, ARIA awards, art, artist, artists, Astralwerks, Australia, band, Boston, California, Canada, Cape Town, Capitol Music Group, capitol records, celebration, Celebrities, Celebrity, Charlottesville, Chicago, China, Coachella, collaboration, concert, Concerts, creativity, culture magazine, Dallas, dance, Daniel Johns, Debut, Deezer, design, Diorama tour, download, Dr Dreams, dreams, duo, edgy fashion magazine, electronic, Empire of the Sun, event, Facebook, Global Society, Google play, Hollywood Bowl, Idolator, iheartradio, Indie Music, Inspiration, INSTAGRAM, international, iTunes, Jakarta, Japan, Johanessburg, LA Weekly, live show, London, Los Angeles, Luke Steele, Melbourne, Miami, Milan, miracle, Mojave Stage, music, music festival, music video, musician, musicians, Netherlands, New Album, new music, New Release, new single, New Song, New York, newmusic, No One Defeats Us, pandora, Paris, performance, Premiere, record, recording artist, release, rock, Salt Lake City, San Diego, San Francisco, Santa Monica, Seattle, Silence, Silverchair, singer, singers, singing, single, social media, song, songs, songwriter, soundcloud, Southern California, spotify, stars, Stereogum, streaming, Sweden, Sydney, The Sleepy Jackson, tunein, Twitter, universal, universal music, Universal Music Group, Vaughn Lowery, Video, voice, Washington D.C., worldwide on 04/13/2018 by Wp360mag.
By: Jennifer Simonson
The skies over West Texas are the area number four of the seven best spots on Earth for stargazing making it the perfect place for an amateur photographer like myself to attempt to capture the Milky Way on film. I opted to bypass the uber trendy town of Marfa and stay in the more laid back town of Marathon about half-a-hour north of Big Bend National Park. I arrived in Marathon near 5 pm and checked into the whimsical Eve's Garden Bed and Breakfast.
The brightly colored domes and arches of the bed and breakfast create a feeling described as "Through the Looking Glass." Fragrant roses, bougainvillea and seasonal flowers fill the open-air atrium between rooms. After unloading my suitcase I set out to explore the town of 400 people. Two hours is more than enough time to wander through the local art galleries, gift shops and 27-acre gardens.
The Gage Hotel is the town's historic hotel. Built by a ranch owner in 1927, the boutique hotel offers a heated pool, spa and full-service restaurant to revive weary travelers. The mission-style adobe building decked out in cow skulls, suede blankets and leather hides will not let you forget you are in Texas.
The cloud build up from storms blowing through ensured I would not be taking photos that evening. Instead I headed to the Gage's White Buffalo Bar to relax with an El Carranza, the house margarita, before moving in to the 12-Gage Restaurant for dinner. I originally eyed the Blackened Scallops over a Black Eyed Pea Fritter, but thought given the cow-hide covered leather chairs and cowboy decor the Beef Tenderloin Filet with green chili scalloped potatoes would be a more appropriate entree choice.
I woke up early the next day to head into the park. More than 800,000 acres spread out over the high desert terrain of the Chisos Mountains. The park is simply too big to explore in a day. A park ranger told me to start at the Santa Elena Canyon.
The canyon straddles the United States and Mexico border. With 1500-foot canyon walls, it is considered one of the the most dramatically beautiful areas in the park. Many visitors canoe the 20-mile portion of the Rio Grande River that runs through the canyon. While others, like myself, hike down to the river then walk along the canyon walls while occasionally taking a dip in the water.
That night I drove to the nearby ghost town of Terlingua to set up for photos. The evening was cloudy, so after checking Facebook (thank goodness for the Chevy's Wi-Fi capabilities) I took a nap in the back of the truck. I awoke just before 5 a.m., as the Milky Way began to rise over the horizon. The clouds had dissipated leaving behind a blanket of stars filling the night's sky. I spent the 90 minutes adjusting my shutter speed, moving the tripod to capture the best angle trying to take as many shots as I could before the sun rose. But for a few minutes I put aside my camera aside, stared into space and thought about how at one point in time people used the stars to guide their travels, navigate their ships, plant their crops and find their place in the world. I tried to take it all in before the stars retreated in sun's first light. Then I packed up the 2018 Suburban for the long and dusty drive back to Austin.
This entry was posted in Travel + Food and tagged 12-gage restaurant, 2018 suburban, 360 Magazine, adventure, airbnb, Astronomy, Austin, auto, bar, big ben national park, Birding, birdwatch, cafe, camping, campout, celestial, charnese ballard, Chevrolet, Chevy trucks, cocktails, constellations, Darkest Skies, dinner, earth, evenings, eves garden bed and breakfast, film, food, gazing, general motors, gm, hotel, infotainment, International Dark Sky Association, large suvs, lodging, lunar eclipse, Meteor Shower, Milky Way, moonlight, moonlit, moonrise, naturalists, Nights, nighttime, outdoors, owling, planetarium, resort, restaurant, Seven Best Spots on Earth, sightseeing, Stargazing, starlit, stars, Summer Solstice, suv, telescopes, Texas, the gage hotel, travel, Vaughn Lowery, West Texas, wi-fi on 04/12/2018 by Wp360mag.
Pilgrimage Festival x Buy Passes NOW
"Pilgrimage Music Festival, held just south of Nashville in Franklin, Tennessee, established itself as a festival to watch." – Rolling Stone
"The festival favors rock, country, gospel, pop, Americana and the intersection of all of the above, and the rest of the roster reflects this." – Billboard
"While the growing number of music festivals across the country continue to pump out similar-looking lineup posters, genre-focused events like Pilgrimage will most likely see plenty of both pop and country music-loving attendees walk through its gates come September." – AXS
Passes for the fourth annual Pilgrimage Music & Cultural Festival in Franklin, TN September 22 and 23, 2018 are now on sale. Pilgrimage announced their lineup earlier this week that will entice music lovers to #MakeThePilgrimage to The Park at Harlinsdale for two unforgettable days of music, art and culture set against the natural amphitheaters with memorable performances by Jack White, Chris Stapleton, Lionel Richie, Hozier, Brandi Carlile and more in an intimate setting. The full 2018 lineup includes:
Jack White * Chris Stapleton * Lionel Richie
Hozier * Brandi Carlile * Counting Crows
Amos Lee * Bleachers * Lord Huron * Dawes
Maggie Rogers * Elle King * Mat Kearney
Valerie June * The Struts * Jade Bird * Kevin Griffin * Keb' Mo'
The White Buffalo * Pete Yorn * The Record Company
Caitlyn Smith * John Moreland * The Infamous Stringdusters
Tall Heights * Tyminski * Aaron Lee Tasjan * Jillian Jacqueline
Low Cut Connie * Donovan Woods * Courtney Marie Andrews
Rebirth Brass Band * Wild Rivers * Joshua Hedley * Caroline Rose
Robert Finley * Devon Gilfillian *Whitney Rose * Lilly Hiatt
Sarah Shook & The Disarmers * AHI * Liz Longley * Hannah Dasher
Josh Martin * Bishop Gunn * Ralph's World + Friends * Siama's Congo Roots * 123 Andrés
Mister G * Cajun Mike * Tom Mason and the Blue Buccaneers + more
PRESS HERE to watch Artist Announce Video
Experience why Rolling Stone called Pilgrimage "a festival to watch" and "one of the South's premier festivals" by The Tennessean with a 2-Day Pilgrimage pass ($185) OR 2-Day VIP Village pass ($975) as well as on-site parking passes for $60 while limited supplies last. The VIP Village is presented in partnership with Strategic Hospitality of Nashville. Want to bring the kids? No problem! Pilgrimage has something for everyone and children 10 and under get in FREE when accompanied by an adult Pilgrimage Pass. To purchase your passes, please visit www.pilgrimagefestival.com/tickets.
This year the festival unveiled an exclusive new experience called The Grand Champion Experience with Blackberry Farm– a heralded culinary, event and hotel venue in the Great Smoky Mountains of Tennessee. The Grand Champion pass includes all the amenities provided in the VIP Village Experience, plus even more exclusive access to live performances, with Blackberry Farm culinary & beverage delights at the Festival, and a private Friday night banquet.
This year Pilgrimage will also feature a Made South Maker Village with over 60 local and regional craft vendors and Bell's Brewery Craft Beer Hall with televised SEC and NFL football games. You can also experience the Millville, TN Market as well as the Farm to Turntable food truck park featuring 18 local food trucks including bars and shaded center court. Between sets, celebrate the musical heritage of the Deep South with the Americana Music Triangle Experience. And everything is conveniently located to historic downtown Franklin, TN at The Park at Harlinsdale! Festival-goers can plan their trip to Franklin as well as get more information and lodging suggestions at visitfranklin.com.
Pilgrimage would also like to welcome the following brand partners to the Pilgrimage family this year which include Bell's Brewery, ASCAP, Citibank, Deep South Studios, The Frye Company, George Dickel, Kirkland's, Maui Jim, Tito's Handmade Vodka and Visit Franklin as well as the Americana Music Triangle Experience partners (Visit Franklin, Tupelo Convention & Visitors Bureau, State of Tennessee Tourism Development, Alabama Tourism Department, Florence Lauderdale Tourism, Ryman Auditorium, Tunica Convention & Visitors Bureau, State of Arkansas, New Orleans Jazz Museum, and the Country Music Hall of Fame).
A very special thanks to the community partners including Americana Music Triangle, Heritage Foundation, Friends of Franklin Parks, MusiCares®, City of Franklin, Visit Franklin and Williamson Chamber of Commerce.
The festival continues to drive tourism dollars to Williamson County and the Pilgrimage Foundation, the festival's non-profit arm, will donate a portion of each ticket sale to benefit the City of Franklin and Friends of Franklin Parks. In addition, a portion of ticket sales will also benefit MusiCares, a nonprofit organization that was established by the Recording Academy™ to provide a wide range of emergency financial assistance and addiction recovery resources to members of the music community.
Follow Pilgrimage Music & Cultural Festival:
#MakeThePilgrimage
www.pilgrimagefestival.com
This entry was posted in Uncategorized and tagged #MakeThePilgrimage, 123 Andrés, 360 Magazine, Aaron Lee Tasman, AHI, Alabama Tourism Department, Americana Music Triangle Experience, Amos Lee, apple music, art, artist, artists, ASCAP, Austin, Australia, AXS, Bell's Brewery, Bell's Brewery Craft Beer, Benefit, billboard, Bishop Gunn, Blackberry Farm, bleachers, Boston, Brandi Carlile, Caitlyn Smith, Cajun Mike, Canada, Cape Town, Caroline Rose, celebration, Celebrities, Charity, Chicago, China, Chris Stapleton, citibank, City of Franklin, concert, Counting Crows, country, Country Music Hall of Fame, Courtney Marie Andrews, craft, culture magazine, Dallas, Dawes, Deep South Studios, Deezer, develop, Devon Gilfillian, Donations, donors, Donovan Woods, edgy fashion magazine, education, Elle king, enhance, equestrian arena, europe, event, events, exclusive, experience, Facebook, family time, Farm to Turntable, Florence Lauderdale Tourism, food truck, Franklin, Friends of Franklin Parks, George dickel, Germany, Google play, gospel, Great Smoky Mountains, Hannah Dasher, Harlinsdale Farm, historic preservation, Hozier, Indie Music, INSTAGRAM, Italy, iTunes, Jack White, Jade Bird, Jakarta, Japan, Jillian Jacqueline, Johanessburg, John Moreland, Josh Martin, Joshua Hedley, Keb' Mo', Kevin Griffin, Kirkland's, Lilly Hiatt, Lionel Richie, live show, Liz Longley, Local, London, Lord Huron, Los Angeles, Low Cut Connie, Made South Maker Village, Maggie rogers, Mat Kearney, Maui Jim, Melbourne, Miami, Milan, Millville, Mister G, music, Music & Cultural Festivalarts, music community, music festival, music-loving, MusiCares, musician, Nashville, Netherlands, New Orleans Jazz Museum, New York, newmusic, non-profit, nonprofit, on sale, organization, pandora, Paris, park system, participate, partnership, party, passes, performance, Pete Yorn, Philadelphia, Pilgrimage Festival, Pilgrimage Foundation, pop, publicity, Ralph's World + Friends, Rebirth Brass Band, Recording Academy, resources, Robert Finley, rock, Rolling Stone, Ryman Auditorium, Salt Lake City, San Diego, San Francisco, Santa Monica, Sarah Shook & The Disarmers, Seattle, Siama's Congo Roots, social media, soundcloud, spotify, stars, State of Arkansas, State of Tennessee Tourism Development, Strategic Hospitality of Nashville, superstar, Support, Sweden, Sydney, Tall Heights, Tennessee, the Blue Buccaneers, The Frye Company, The Grand Champion Experience with Blackberry Farm, The Infamous Stringdusters, The Record Company, The Struts, The White Buffalo, tickets, Tito's Handmade Vodka, TN Market, Tom Mason, tour dates, tourism, Tractor Supply Co, tunein, Tunica Convention & Visitors Bureau, Tupelo Convention & Visitors Bureau, Twitter, Tyminski, unforgettable, Valerie June, Vaughn Lowery, Video, VIP Village, Volunteer, Whitney Rose, Wild Rivers, Williamson Chamber of Commerce, YouTube on 03/30/2018 by Wp360mag.