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The Daily Enlightenment » How To Help One Who 'Lets Go' Too Much?
Home » Letters » How To Help One Who 'Lets Go' Too Much?
How To Help One Who 'Lets Go' Too Much?
Question: Letting go of attachment is good, but I am disturbed by how a family member developed the habit of throwing away things, which include family items in a brutal and self-righteous way. Surely this is not how Buddhism teaches letting go? The disposed include old photos, books and childhood toys, which left aside, should not invoke attachment? How can I get him to tone it down, and cope with his drastic change?
Answer: Letting go of personally unneeded things, for others' reuse, if not for recycling is good. What the Buddha taught us to let go of are essentially only the Three Poisons of greed (attachment), hatred (aversion) and delusion (ignorance). If ridding an item, (relationship or matter in mind) expresses letting go of attachment, it is good. But if it expresses aversion, it is not good.
If that thrown away include family items, it is a form of stealing too, which breaks the Second Precept. Relevant family members should inform him that such items can be disposed only with the co-owners' permission. There must be reasons for the sudden change in behaviour. If that thrown away are family items, he could be unhappy with family members, thus venting his anger through the items? It would be good to have family members chat with him gently, to ask what his frustrations are, so as to seek solutions.
For record, if wished, photos of nostalgic items can perhaps be snapped before regifting or recycling them, giving them new useful lives. Sometimes, it is through giving away that we prove to ourselves that we are really not so attached, such that we suffer from loss of these items. Such loss of items of attachment can even even flip to become aversion. Thus do the Three Poisons interconnect and interplay.


text:
Joseph Deschamps est un sculpteur figuriste français né en 1743 et mort en 1788.

Biographie

Souvent associé à l'architecte Richard Mique, il réalise un grand nombre de sculptures dans le domaine de Versailles. À la demande de la reine Marie-Antoinette, il effectue en 1783 les modèles de détail préparant la construction du hameau de Versailles.

Il est pensionnaire de Académie de France (actuelle Villa Medicis) à Rome, en 1777.

Œuvre
 Lion de Némée de l'arc de triomphe de la porte Saint-Antoine, à Versailles
 Statues de la chapelle de la Reine
 Décoration du Belvédère du Petit Trianon
 Composition de la coupole centrale du Temple de l'Amour
 Décors de scène et d'avant-scène du Théâtre de la Reine
 La Chapelle du couvent des Carmélites, à Saint-Denis

Notes et références

Liens externes

Sculpteur français du XVIIIe siècle
Naissance en 1743
Décès en 1788

redpajama_set_name: RedPajamaWikipedia


Under Cloud, Will Data Center Jobs Dry up or Move up Value Chain?
About two months ago, I asked if any IT job would look the same in a decade as it does today. I seriously doubt it. Look at the CIO. Long considered a technical role, many experts say CIOs need to focus less on technology, and more on process optimization.
And folks will need to figure out how to combine their technical chops with a broader business aptitude throughout the IT organization, not just in the C-suite. Thanks to the disruptive potential of cloud computing, this shift will likely be felt acutely in the data center, I pointed out in this post. Once again, I gave in to my weakness for overly cutesy headlines, suggesting "old data center dogs must learn new tricks."
A CIO.com article making the same point has a not-so-cutesy headline, The Tech Jobs That the Cloud Will Eliminate. It notes, as I did in that post from May, that analysts are quite bullish about cloud computing growth. Yet several experts interviewed by CIO.com say it'll be at least a decade before a major move to the cloud occurs. New jobs may be generated at first, since the cloud is typically employed for new applications. Service providers like Google and Amazon will need to hire more folks as the cloud's popularity grows, but not in huge numbers as their value propositions are based on running largely automated infrastructures.
The cloud is accelerating that movement of technology into the business, with business-process-level expertise becoming more important than ever.
The "blue-collar IT" jobs most at risk, according to the article, are server administrators, database administrators, and infrastructure and network specialists.
Professionals formerly employed by large enterprises may find work helping mid-size companies with their cloud deployments. Supplier management, always a valued skill, will become even more important as companies move more functions to the cloud. Integration specialists who can merge in-house applications with SaaS apps will also be in demand.
Develop an expertise in a specific, high-end technology area such as virtualization or storage area networking.
Log some experience managing a SaaS provider.
Consider other growth areas, including analytics and mobile applications.
We have to wait for next 5-7 years until broadband connectivity is feasible at most parts of the world. Till then cloud will have little impact.
Remember, there are still towns in India that hasn't seem computer leave apart internet or cloud.


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text:
import _ from "lodash";

import PropTypes from "prop-types";

import createReactClass from "create-react-class";

import React from "react";

import MarkerClustererPlus from "marker-clusterer-plus";

import {
  MAP,
  ANCHOR,
  MARKER_CLUSTERER,
} from "../constants";

import {
  addDefaultPrefixToPropTypes,
  collectUncontrolledAndControlledProps,
  default as enhanceElement,
} from "../enhanceElement";

const controlledPropTypes = {
  // NOTICE!!!!!!
  //
  // Only expose those with getters & setters in the table as controlled props.
  //
  // http://google-maps-utility-library-v3.googlecode.com/svn/trunk/markerclustererplus/docs/reference.html
  averageCenter: PropTypes.bool,
  batchSizeIE: PropTypes.number,
  batchSize: PropTypes.number,
  calculator: PropTypes.func,
  clusterClass: PropTypes.string,
  enableRetinaIcons: PropTypes.bool,
  gridSize: PropTypes.number,
  ignoreHidden: PropTypes.bool,
  imageExtension: PropTypes.string,
  imagePath: PropTypes.string,
  imageSizes: PropTypes.array,
  maxZoom: PropTypes.number,
  minimumClusterSize: PropTypes.number,
  styles: PropTypes.array,
  title: PropTypes.string,
  zoomOnClick: PropTypes.bool,
};

const defaultUncontrolledPropTypes = addDefaultPrefixToPropTypes(controlledPropTypes);

const eventMap = {
  // http://google-maps-utility-library-v3.googlecode.com/svn/trunk/markerclustererplus/docs/reference.html
  onClick: `click`,

  onClusteringBegin: `clusteringbegin`,

  onClusteringEnd: `clusteringend`,

  onMouseOut: `mouseout`,

  onMouseOver: `mouseover`,
};

const publicMethodMap = {
  // Public APIs
  //
  // http://google-maps-utility-library-v3.googlecode.com/svn/trunk/markerclustererplus/docs/reference.html#events
  getAverageCenter(markerClusterer) { return markerClusterer.getAverageCenter(); },

  getBatchSizeIE(markerClusterer) { return markerClusterer.getBatchSizeIE(); },

  getBatchSize(markerClusterer) { return markerClusterer.getBatchSize(); },

  getCalculator(markerClusterer) { return markerClusterer.getCalculator(); },

  getClusterClass(markerClusterer) { return markerClusterer.getClusterClass(); },

  getClusters(markerClusterer) { return markerClusterer.getClusters(); },

  getEnableRetinaIcons(markerClusterer) { return markerClusterer.getEnableRetinaIcons(); },

  getGridSize(markerClusterer) { return markerClusterer.getGridSize(); },

  getIgnoreHidden(markerClusterer) { return markerClusterer.getIgnoreHidden(); },

  getImageExtension(markerClusterer) { return markerClusterer.getImageExtension(); },

  getImagePath(markerClusterer) { return markerClusterer.getImagePath(); },

  getImageSize(markerClusterer) { return markerClusterer.getImageSize(); },

  getMarkers(markerClusterer) { return markerClusterer.getMarkers(); },

  getMaxZoom(markerClusterer) { return markerClusterer.getMaxZoom(); },

  getMinimumClusterSize(markerClusterer) { return markerClusterer.getMinimumClusterSize(); },

  getStyles(markerClusterer) { return markerClusterer.getStyles(); },

  getTitle(markerClusterer) { return markerClusterer.getTitle(); },

  getTotalClusters(markerClusterer) { return markerClusterer.getTotalClusters(); },

  getZoomOnClick(markerClusterer) { return markerClusterer.getZoomOnClick(); },

  // Public APIs - Use this carefully
  addMarker(markerClusterer, marker, nodraw = false) {
    return markerClusterer.addMarker(marker, nodraw);
  },

  addMarkers(markerClusterer, markers, nodraw = false) {
    return markerClusterer.addMarkers(markers, nodraw);
  },

  removeMarker(markerClusterer, marker, nodraw = false) {
    return markerClusterer.removeMarker(marker, nodraw);
  },

  removeMarkers(markerClusterer, markers, nodraw = false) {
    return markerClusterer.removeMarkers(markers, nodraw);
  },

  clearMarkers(markerClusterer) { return markerClusterer.clearMarkers(); },

  fitMapToMarkers(markerClusterer) { return markerClusterer.fitMapToMarkers(); },

  repaint(markerClusterer) { return markerClusterer.repaint(); },
  // END - Public APIs
};

const controlledPropUpdaterMap = {
  averageCenter(markerClusterer, averageCenter) {
    markerClusterer.setAverageCenter(averageCenter);
  },

  batchSizeIE(markerClusterer, batchSizeIE) {
    markerClusterer.setBatchSizeIE(batchSizeIE);
  },

  batchSize(markerClusterer, batchSize) {
    markerClusterer.setBatchSize(batchSize);
  },

  calculator(markerClusterer, calculator) { markerClusterer.setCalculator(calculator); },

  enableRetinaIcons(markerClusterer, enableRetinaIcons) {
    markerClusterer.setEnableRetinaIcons(enableRetinaIcons);
  },

  gridSize(markerClusterer, gridSize) { markerClusterer.setGridSize(gridSize); },

  ignoreHidden(markerClusterer, ignoreHidden) { markerClusterer.setIgnoreHidden(ignoreHidden); },

  imageExtension(markerClusterer, imageExtension) {
    markerClusterer.setImageExtension(imageExtension);
  },

  imagePath(markerClusterer, imagePath) { markerClusterer.setImagePath(imagePath); },

  imageSizes(markerClusterer, imageSizes) { markerClusterer.setImageSizes(imageSizes); },

  maxZoom(markerClusterer, maxZoom) { markerClusterer.setMaxZoom(maxZoom); },

  minimumClusterSize(markerClusterer, minimumClusterSize) {
    markerClusterer.setMinimumClusterSize(minimumClusterSize);
  },

  styles(markerClusterer, styles) { markerClusterer.setStyles(styles); },

  title(markerClusterer, title) { markerClusterer.setTitle(title); },

  zoomOnClick(markerClusterer, zoomOnClick) { markerClusterer.setZoomOnClick(zoomOnClick); },
};

function getInstanceFromComponent(component) {
  return component.state[MARKER_CLUSTERER];
}

export default _.flowRight(
  createReactClass,
  enhanceElement(getInstanceFromComponent, publicMethodMap, eventMap, controlledPropUpdaterMap),
)({
  displayName: `MarkerClusterer`,

  propTypes: {
    ...controlledPropTypes,
    ...defaultUncontrolledPropTypes,
  },

  contextTypes: {
    [MAP]: PropTypes.object,
  },

  childContextTypes: {
    [ANCHOR]: PropTypes.object,
    [MARKER_CLUSTERER]: PropTypes.object,
  },

  getInitialState() {
    // http://google-maps-utility-library-v3.googlecode.com/svn/trunk/markerclustererplus/docs/reference.html#events
    const markerClusterer = new MarkerClustererPlus(
      this.context[MAP],
      [],
      collectUncontrolledAndControlledProps(
        defaultUncontrolledPropTypes,
        controlledPropTypes,
        this.props
      )
    );
    return {
      [MARKER_CLUSTERER]: markerClusterer,
    };
  },

  getChildContext() {
    const markerClusterer = getInstanceFromComponent(this);
    return {
      [ANCHOR]: markerClusterer,
      [MARKER_CLUSTERER]: markerClusterer,
    };
  },

  componentDidUpdate() {
    const markerClusterer = getInstanceFromComponent(this);
    markerClusterer.repaint();
  },

  componentWillUnmount() {
    const markerClusterer = getInstanceFromComponent(this);
    if (markerClusterer) {
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redpajama_set_name: RedPajamaGithub


text:
Das Bankhaus Wölbern & Co. (AG & Co. KG) war ein Finanzinstitut mit Banklizenz. Die Bankerlaubnis wurde Anfang Juni 2016 an die Bundesanstalt für Finanzdienstleistungsaufsicht zurückgegeben, die Firma besteht als Sandtor Abwicklungsgesellschaft GmbH & Co. KG fort.

Geschichte bis 2006
Das Bankhaus Wölbern & Co. wurde am 1. Januar 1956 als Kommanditgesellschaft vom Hamburger Kaufmann Ernst Wölbern († 1976) als persönlich haftendem Gesellschafter zusammen mit weiteren Kommanditisten gegründet. Die Bank verstand sich als Nachfolger des 1816 in Berlin gegründeten Bankhauses E. J. Meyer.

1967 gründeten Ernst Wölbern und sein Sohn Claus Wölbern, beide damals Gesellschafter der Bank, als Strohmänner die Wölbern Hausbau Gesellschaft. Mit dieser machten Albert Vietor und andere Manager des gewerkschaftseigenen Bau- und Wohnungsunternehmens Neue Heimat hohe Gewinne auf Kosten ihres Unternehmens. Diese Neue-Heimat-Affäre mit einem Gesamtschaden von über 100 Millionen Mark wurde erst 1982 aufgedeckt und führte zum dauerhaften Ende des gewerkschaftlichen Wohnungsbaus.

Ab 1969 ging das Bankhaus in den Besitz anderer Banken über. Zunächst war die Hamburger Sparkasse beteiligt (1969–1978). Persönlich haftende Gesellschafter waren 1978 Ove Franz, Albert Jäger und Claus Wölbern. Dann gehörte die Wölbern-Bank mehrheitlich der niederländischen Slavenburg's Bank (1979–1985) bzw. vollständig deren Käufer, der niederländischen Tochter der französischen Großbank Crédit Lyonnais (1985–1995), anschließend der südafrikanischen Großbank Absa Bank (1995–2004) bzw. deren späterem Mehrheitseigner, der britischen Großbank Barclays (2004–2006).

Seit vielen Jahren war die Wölbern-Bank schwerpunktmäßig tätig als Emissionshaus von geschlossenen Investmentfonds, hierunter vielen ausländischen Immobilienfonds. Das Kreditgeschäft bot u. a. Leihkapital zum Kauf der hauseigenen Investmentfondsanteile an.

Erwerb durch Heinrich Maria Schulte und Wölbern Invest AG
Der Investor Heinrich Maria Schulte (* 1953), der bis 1993 Professor für Innere Medizin an der Universität Kiel war und das von ihm gegründete Biotechunternehmen Evotec im Börsenboom 1998 erfolgreich verkaufte, erwarb 2006 das Bankhaus und strukturierte es um. Ab dem 1. Januar 2007 wurden getrennt geführt:
 das Fondsgeschäft (Wölbern Invest AG)
 das Bankgeschäft (Bankhaus Wölbern)
"Die Bank wollte ich nie", erklärte Schulte später im Prozess. Ihn interessierte einzig das Fondsgeschäft mit einem Volumen von 2,65 Milliarden Euro. Diese Sparte lieferte über 90 Prozent des Gesamtumsatzes.

In Form gewerbsmäßiger Untreue verwendete Heinrich Maria Schulte von August 2011 bis September 2013 in 327 Fällen rund 147 Millionen Euro aus 31 geschlossenen Immobilienfonds mit Vorsatz zweckwidrig. Etwa 50 Millionen Euro davon verschob er in private Beteiligungen und finanzierte damit seinen aufwendigen Lebensstil. Betroffen waren rund 35.000 Anleger.
Im Herbst 2013 wurde Schulte inhaftiert. Ab Mai 2014 lief vor dem Landgericht Hamburg ein Verfahren wegen Veruntreuung von Anlagegeldern. Am 20. April 2015 wurde Schulte zu achteinhalb Jahren Haft verurteilt, die Staatsanwaltschaft hatte eine Haftdauer von zwölf Jahren beantragt. Die von Schulte gegen dieses Urteil eingelegte Revision hat der 5. Strafsenat des Bundesgerichtshofs am 13. Januar 2016 als offensichtlich unbegründet verworfen, das Urteil wurde damit rechtskräftig.

Bankhaus Wölbern ab 2007

Das nunmehr vom Fondsgeschäft abgetrennte Bankhaus war von der Finanzkrise ab 2007 betroffen. Es wurde in Zusammenarbeit mit dem Bundesverband deutscher Banken zunächst am 10. März 2009 von der Hamburger Privatbank M. M. Warburg & Co übernommen und später in eine Zweckgesellschaft des Bundesverbands deutscher Banken übertragen. Im Jahresabschluss vom 30. November 2014 wurde bekanntgegeben, dass der Geschäftsbetrieb spätestens Ende 2016 eingestellt wird. Am 12. Dezember 2014 hat das Amtsgericht Hamburg mitgeteilt, dass die Gesellschaft aufgelöst sei. Liquidator ist die HFI Hansische Vermögensverwaltungs Aktiengesellschaft, Hamburg.

Siehe auch
 Liste von Unternehmenszusammenbrüchen und -skandalen

Einzelnachweise

Ehemaliges Kreditinstitut (Hamburg)
Gegründet 1956


Practice pad with a practice pad carrying pad combo. Next Combine your Practice Pad with an ultry cool Carry Bag! The Irish Dance Pro Carry Bag, in celtic print with fabric carry strap, is water-repellent, durable, part-refective and easy-to-wipe clean so it can go anywhere, anytime. With a handy drawstring closure to secure the bag and protect the Practice Pad. The perfect size for the Practice Pad Original or Harley Pink with a wide opening so easy to fit it in and plenty of pockets to store your water bottle, poodle socks, tape and phone. Take your Practice Pad to the studio, feis or next performance! Please note: Available in Green or Pink.


text:
By: Erik Andrews
How to Figure Batting Averages for Softball
What Are the Components of Fitness Reaction Time?
Running Fastball vs. Cutter
The Average Pitching Velocity
The Average Speed of a Baseball
Home Sports Baseball
How Softball Pitching Relates to Math
Softball pitching has a unique set of attributes that enable interesting mathematical analysis. These attributes result from specific aspects of the game of softball, such as the size of the ball, the distance from the pitcher's mound to the batter and the distinct windmill windup that many pitchers use. By describing the role of each of these characteristics mathematically, we can very accurately analyze and compare different pitchers and different sports.
Mathematical calculations describe physical processes in discrete terms. This allows us to accurately measure different aspects of softball pitching. For example, math enables a calculation of reaction time for different pitchers. Reaction time depends specifically on speed of a pitch and distance to the batter. Comparison of reaction time across different sports shows exactly how softball pitching relates to baseball pitching or even tennis serving. In addition, mathematical assessment of a pitcher's windup can identify potential health and injury risks that are common to the sport.
To measure reaction time, the only required inputs are speed of the pitch and distance to the batter. In female professional softball, the distance from the pitcher's mound to the plate is 43 feet. In softball, a very good fastball can be measured at 70 miles per hour. The reaction time equals distance divided by speed, and is therefore 0.42 seconds. Compare this reaction time to that of a 95 mph fastball in professional baseball (0.43 seconds), and it is easy to see that softball hitters can have to make the same reaction that a baseball player makes.
Another set of mathematical measurements benefits the health of a softball pitcher. In female professional softball, most pitchers use a windmill style windup, instead of the typical overhand throw that most baseball players use. Measurement of the arm angles during a pitch reveals that windmill style windups extend the upper arm away from the shoulder at an average angle of 156 degrees. Overhand throws only extend the arm 108 degrees. Repeated stress of the arm is this way can have long-term health risks to softball pitchers.
Almost every aspect of softball pitching is an opportunity for mathematical analysis. An insightful observer will identify these characteristics readily. For example, softball pitchers don't throw only fastballs. They can utilize curve balls, sinker balls and rising pitches as well. Math enables an analyst to identify not only how long it takes each of these pitches to arrive at the plate, but how far the pitch moves on its way there. This overall movement during the pitch is part of the measurement of its displacement. Displacement, a mathematical attribute, is the precise measurement of a change in position.
Mathematical description of softball pitching has the potential to solve many arguments or dispel any misconceptions about the sport. Comparison of reaction time shows exactly how softball and baseball relate, and can also be used to compare these sports with others that have reaction time as a critical component. Finally, the potential to identify exactly why injury risks occur for pitchers can lead to changes that will preserve their health while allowing them to continue to pitch at a high level.
Ask Dr. Math: Reaction Time - Softball, Baseball
MedPage Today: Windmill Windup Poses Risk for Softball Pitchers
Erik Andrews began scientific and medical writing in 2004. His work as a second author on a research article appeared in the journal "Genetics" in 2005. His areas of expertise are the natural sciences, medical education and physical fitness. He earned a Master of Science in chemistry and a Bachelor of Arts in biochemistry, both from the University of Pennsylvania.

redpajama_set_name: RedPajamaCommonCrawl


The ballot boxes have arrived back at Cathedral House ahead of the local election count in Kirklees.
Not sure who to vote for or where to vote? First time voter Max tells us it's easier than you think to vote in the local elections.
Today, all day (and all evening) the Inspectors are quietly going around every polling station in your local area, making sure that all is well and that you are able to vote.
Neve is 19 and is voting for the local elections for the first time. She tells us why she thinks it's important to vote.
Almost 200 Presiding Officers are busy running polling stations all across Kirklees. It's a long day for everyone, but Diane tells us how they are "just getting on with it".


A coach running a coaching session should take reasonable steps to create a safe environment for those taking part. If someone suffers an injury it may be alleged that you are responsible, as the person in charge of the coaching session and you may be required to pay compensation if it is found that you are legally liable.
The RFU has arranged liability protection for coaches working at any RFU club or competition.
You are covered as a coach when you are coaching at an RFU affiliate club at Level 3 or below. If, on behalf of that club, you work within a school, college or university, you are also covered.
If you are coaching on a freelance basis and receiving payment, whether as a sole trader or as a company, you are not covered under the RFU insurance policy and should ensure that you arrange your own liability cover in respect of your coaching activities.
The RFU has arranged Personal Accident insurance cover for rugby union coaches working at RFU affiliated clubs.
Cover applied whilst coaching or playing, including competitive matches and training, and you are also covered whilst commuting to and/or from a match that you are taking part in.


text:
Springsteen, Wilco, Bright Eyes, Tyler the Creator & more want you to register to vote
Not that you need reminding, if you're anything like us, but the November elections are drawing nearer, and it can't be overstated how crucial your vote in them is.
Listen to Matt Berninger's new song "One More Second"
Matt says he wrote this song "with the intention for it to be a kind of answer to Dolly Parton's 'I Will Always Love You.'"
Today's Livestreams (The National, Future Islands, Robert Glasper, more)
plus more livestreams you can watch today since there are no live concerts to attend.
The National's Bryan Devendorf released solo debut as Royal Green (listen)
The surprise-release album features covers of The Beatles, Fleetwood Mac and Bob Dylan, and features appearances from Aaron Dessner and Josh Kaufman.
100 albums to check out after watching the Other Music documentary
Including Animal Collective, Anohni, Belle & Sebastian, Neu!, Vashti Bunyan, Neutral Milk Hotel, Keith Hudson, Galaxie 500, Cornelius, Sun Ra, Vampire Weekend, Anti-Pop Consortium, Magnetic Fields, Cluster, El-P, The Fall, The Monks, Sharon Van Etten, Yo La Tengo, The Strokes, William Basinski, …
15 classic early/mid 2000s indie rock concert videos to watch right now
With concerts as we know them still cancelled, relive this awesome early/mid 2000s footage of Arcade Fire, The National, Bloc Party, The Shins, Modest Mouse, Death Cab, Yeah Yeah Yeahs, and more...
Other Music documentary hitting streaming services this month
The documentary about much-loved, much-missed NYC record store Other Music features interviews with members of The National, Yeah Yeah Yeahs, Animal Collective, Le Tigre, Luna, Interpol, and more.
Taylor Swift & The National's Aaron Dessner share acoustic "Cardigan" (and voice memo vers…
Taylor and Aaron released a stripped-down version of the folklore song and you can also purchase the original voice memo that Taylor sent Aaron for it in April...
Mina Tindle shares Sufjan Stevens collaboration off upcoming album (listen)
"Sufjan's words and melodies have resonated in me for the last 15 years. He is also a dear and generous friend," Mina Tindle says.
Taylor Swift's National & Bon Iver-featuring album 'folklore' is here – a first-impression…
It's not really the drastic pivot to indie that it looks like on the surface, but it does find Taylor continuing to progress her sound and take artistic risks eight albums and 14 years into her career.


True aneurysms (93% of all renal artery aneurysms) involve all vessel layers, their form may be asymmetric saccular or uniform cylindric. With increasing diameter, the stability of the arterial wall decreases.
A dissecting aneurysm is created by a tear of the intima with blood flow between the vessel wall layers.
An arteriovenous aneurysm is caused by an arteriovenous fistula of the renal vessels.
A false aneurysm is caused by an hematoma due to a leak of the arterial wall with persistent communication.
Congenital disorder, arteriosclerosis, traumatic or iatrogenic causes, inflammation.
In 50%, an aneurysm of the renal artery does not cause any symptoms. Otherwise, patients may present with arterial hypertension, pain, hematuria, abdominal pulsatile mass or abdominal bruit. Hypotension, shock and acute abdomen may be caused by a ruptured aneurysm.
Nosher, J. L.; Chung, J.; Brevetti, L. S.; Graham, A. M. & Siegel, R. L.
Visceral and renal artery aneurysms: a pictorial essay on endovascular therapy.
Radiographics, 2006, 26, 1687-704; quiz 1687.


text:
Rhinocéros
Barbican Theatre
The Cast of Rhinocéros Credit: Jean-Louis Fernandez
Serge Maggiani as Berenger and Valérie Dashwood as Daisy Credit: Jean-Louis Fernandez
This Parisian import (with surtitles) is just what one has come to expect at the Barbican. It is a lively, rather eccentric take on Ionesco's classic with high production values and a design concept that impresses and will not have come cheap.
Once the central figure, the expressive Serge Maggiani's Bérenger, has delivered a rather anguished opening soliloquy, director Emmanuel Demarcy-Mota for Le Théàtre de la Ville-Paris starts out this allegory of the inexorable rise of Nazism across Europe in comic mode.
We follow the abject drunkard who has the capacity to imagine a great deal—possibly even all that we see during the 110 minute—first into a bar. This is ironically furnished with nothing but Chairs, in homage to another absurdist classic from the Franco-Romanian playwright.
All is well with the world, if one ignores a loud verbal disagreement between the belligerent protagonist and his equally strong-minded friend, Hugues Quester as M. Jean. This is mirrored by a debate about logic, the weight of which only becomes fully apparent later in the piece.
The fun continues until some of the customers claim to see a ground-shaking rhinoceros stampeding through the town's streets. Cue for lengthy philosophical and existential discussions about life, the world and large, green mammals with one or two horns.
Cut to designer Yves Collet's tour de force, a raised office in which Bérenger works (in the way that only alcoholics don't). Here a witty debate ensues about rhinoceroses until more appear.
By now, it is clear that all is not well and dissension is replaced by panic, as the office symbolically jack-knifes in spectacular fashion leading to some great slapstick moments, but not until our hero and glamorous Daisy, played by Valérie Dashwood, have begun to form an alliance.
The remainder of the evening witnesses the whole of mankind going mad, as it is taken over by monsters.
What becomes clear from this stylish reading of the play is that Ionesco and Orwell managed to tell very similar stories in different ways such that by the depressing denouement, Bérenger seems like a French version of Winston Smith, raging alone against the totalitarianism that threatens to destroy his community and possibly the world.
Reviewer: Philip Fisher


text:
Temporary Residence Visas
Mexico How To
Marriage Procedure
Students & Teenagers
Teenage Issues
Signing the Deed
Property Search & Agents
Guarantors
Leaving Mexico
Foreign Documents
Lost or Stolen Documents
Terminating a Contract
Mexican Taxes
Vehicle Taxes
Disability Organizations
Maternity Rights
Termination/Abortion
Driving Restrictions
Driving Licenses
Exchanging a License
Find out about the different type of temporary residence visas if coming to Mexico to work, for family reasons, humanitarian reasons or to study…
There are two types of residence visas – temporary (one to four years) and permanent. In addition there are a number of different temporary residence visas, as follows:
Applications for visas to work in Mexico should be made at the Mexican embassy or consulate in the country of residence of the applicant. Immigration status cannot be changed from tourist to working in Mexico except in special circumstances (see below). Anyone in Mexico on a tourist visa who is offered a job must first return to their country of citizenship and apply from there. This process can take up to three months.
Find further information about applying for a work visa from the INM (in Spanish)
There are two types of working visas for temporary residents:
Visitor's visa with permission to do specific remunerated activities – for visitors such as singers, artists and public speakers. These visas cover the specific activity mentioned on the application form, and are typically for just the amount of time specified for carrying out the activity
Temporary Resident Visa by Job Offer – A letter from the future employer specifying the position being offered and the duration of the contract must be provided as part of the application
All employers employing foreign citizens must be registered with the National Institute of Immigration (INM) and must have an employment certificate (constancia de empleador). Employers are required to renew these certificates every year, and applicants for working visas must also provide evidence that their prospective employer is appropriately registered and is able to provide a copy of the certificate to accompany the visa application.
There are certain specific cases where an immigrant who entered on tourist visa is able to change their immigration status while in the country. These are:
Close family relationship, significant other, spouse or children: these working visas are available for those who have a relationship with a Mexican, with a person with a valid work visa, or with a person with a Permanent Residence Card. This procedure can take up to three months – during which time it is not advisable to leave the country. It is sometimes possible to request an exit permit to leave the country while the procedure is ongoing; however the risk is that the authorities might ask for the process to be started again from the beginning.
Humanitarian reasons (as recognized by the Mexican government), for example working for a humanitarian organization, or seeking refugee status
Anyone entering Mexico to study requires this type of visa, which should be applied for at the Mexican consulate or embassy in the place of residence before entering Mexico. Specific requirements for these applications are:
A letter from the (duly registered) school/college/educational establishment to be attended stating the subject and duration of the course of study
Proof that the individual can support themselves for the duration of the course and that they are able to pay any relevant fees
This visa must be taken to the National Institute of Immigration (INM) within 30 calendar days of arrival into the country.
This visa is then exchanged for a residence visa valid for the duration of the course. If the course is longer than one year, the visa will need to be renewed every year.
This visa does allow the holder to work; however authorization from the immigration authorities (INM) must be received before beginning work.
Temporary residence visas normally have an initial duration of one year, although the option exists to apply for two, three or four years. However, this is rarely given to first time applicants.
As a general rule, holders of temporary residence visas are able to apply for working visas without leaving the country. This process is called cambio de condición de estancia (change of immigration status). This is one of the options on the online application form. Subsequently the procedure is as above.
All holders of temporary resident visas (except those issued to students and for humanitarian reasons) must apply for permanent residency after four years. These applications are generally successful.
Information provided by Intrasolutions S.C. Consult www.intrasolutions.com for further information, or send an Email
Mexico - Change Location


Every project begins with discovery on a variety of levels. Learning about the competitive landscape, how the user interacts with your product, technical constraints, time frame considerations and target cost are some of the factors discovered. This is where you plan and reduce your risks going forward.
Design is an emotional experience. This is often the case when aesthetics are the primary objective. Such was the case with designing a new audio amplifier product line for Parasound Products.
The design elements from this initial sketch formed the technical basis for the interface button controls and the family look for the entire new Halo product line. Winner of CES Innovations Award for Design and Engineering.


text:
The Bats are an influential New Zealand rock band formed in 1982 in Christchurch  by Paul Kean (bass), Malcolm Grant (drums), Robert Scott (lead vocals, rhythm guitar, keyboards) and Kaye Woodward (lead guitar, vocals).  Though primarily a Christchurch band, The Bats have strong links to Dunedin and are usually grouped in with the Dunedin sound musicians that emerged in the early 1980s. The band has retained the same four members from 1982 to the present day.

History

1981–1986: origins and early years
In the early 1980s, Robert Scott and Kaye Woodward were sharing accommodation together in Christchurch. Scott was already playing bass in The Clean, and had also played with bassist Paul Kean in the short-lived band, Thanks To Llamas. After Scott taught Woodward some of his songs, the three began playing together at parties as The Percy Taiwan Band. After recruiting Malcolm Grant of The Bilders on drums, they renamed themselves The Bats.

The Bats first performed in Dunedin on New Year's Eve, 1982. Over the next two years, they were involved in the live music scene in Christchurch and Dunedin, before releasing their first EP, By Night (1984), on the nascent alternative New Zealand record label, Flying Nun. The band spent the next two years touring New Zealand and Australia, and released another EP, And Here Is 'Music for the Fireside' (1985). The band's early releases were accompanied by some typically low budget but original music videos, notably 'By Night', 'I Go Wild' and 'Downfall'.

The band then travelled to Europe and spent time touring Britain and Germany, including playing support for Alex Chilton. They recorded the Made Up in Blue EP at the 24 track Point Studio in London in December 1985. 'Made Up in Blue', the first single released in the U.K. by Flying Nun, was awarded 'Single of the Week' by the influential British magazine, NME. An acquaintance in Glasgow offered the use of his home 8 track studio, and half of the tracks for what would become their debut album, Daddy's Highway, were recorded there.

1987–1994: peak Flying Nun years
The Bats returned to New Zealand to finish recording for Daddy's Highway, which was released in 1987. The album has been named as their most highly regarded and one of the best New Zealand albums of the 1980s. In 2000, it was named No. 88 in music magazine Rip It Up's New Zealand's Top 100 Albums of All Time. Notable tracks on the album include "North By North", "Tragedy" and the lead single, "Block of Wood", all of which were staples on New Zealand student radio.

The Bats' second album The Law of Things (1990) continued to define a consistent Bats sound. It featured Alastair Galbraith on violin, as did Daddy's Highway. In 1991, The Bats released Fear of God. It spent three months on the French top 50 album charts. Also in 1990, Flying Nun re-released the band's first three EPs on a single compilation CD, Compiletely Bats.

The band found increasing success in the United States over this period. Between 1986 and 1993, The Bats toured the US four times, including 14 dates supporting Radiohead in 1993. Their fourth album, Silverbeet, reached No. 6 on the College Music Journal album chart.

The Bats' next album, Couchmaster (1995), would prove to be their last for ten years.

1995 – present: hiatus and return

From 1995, The Bats took a break, with band members concentrating on raising families and on other musical projects. Scott joined his former band The Clean on a reunion tour, and released a solo album, The Creeping Unknown, in 2001, while Woodward, Kean and Grant formed another band, Minisnap. In 2000 the compilation album Thousands Of Tiny Luminous Spheres was released on Flying Nun Records. The Bats continued to play occasional gigs, often opening as Minisnap and finishing with the full Bats lineup.

Robert Scott has stated that he thinks the regular breaks taken by the band have contributed to its longevity. In an interview, he said, "Each time we come back to it, it is fun. I don't think working on other projects has harmed or hindered any other projects. It adds to it I think."

In September 2005, The Bats released their first album in ten years, At the National Grid, on their own label, Pocket Music. Internationally, the album was released by Little Teddy Records in Germany, Magic Marker in the US and Egg Records in the UK. The album generally received very positive reviews. Tim Sendra at Allmusic gave it 4 stars, adding "...having the group back at such a high level is as refreshing as a plunge into an ice-cold mountain stream." It got airplay on many college radio stations in the US, leading to an appearance at Austin's SXSW Festival in 2006.

The Bats' seventh full-length album, The Guilty Office, was recorded in Heathcote Valley, Christchurch, and was released on 1 December 2008 through Arch Hill., with the first single, 'Castle Lights'. International release followed, on YesBoyIcecream in the UK and Europe, Kning Disk in Scandinavia, Hidden Agenda in the US, and Mistletone in Australia.The Guilty Office was named in the top 5 of 2008 by New Zealand television host, John Campbell, and received many positive reviews including 4 stars from Allmusic and  Mojo Magazine. The band toured the UK and Europe in May and June 2009 in support of the album. In October 2010, the band played at the free relief concert in Hagley Park following the September 2010 Canterbury earthquake in front of about 140,000 people. The Mayor of Christchurch at the time, Bob Parker, joined The Bats for the performance and played guitar.

In 2011, The Bats reunited with their old label Flying Nun and released their eighth album, Free All the Monsters, which was described by Pitchfork as "...their best record in years, possibly ever". The album was released by Mistletone Records in Australia, Revolver/Midheaven Distribution in the US, and Forte Distribution in the UK and Europe. It was also shortlisted for the 2012 Taite Music Prize.

Popular culture
"North By North", from Daddy's Highway, was used as the title theme for the Australian ABC TV series The Hollowmen. It was also featured in the New Zealand film Topless Women Talk About Their Lives.
"Afternoon in Bed", from Couchmaster, was used in the 2010 film Last Night.

Discography

Albums

EPs

Singles

Compilations
Compiletely Bats (Flying Nun Records, 1990)
Thousands Of Tiny Luminous Spheres (Flying Nun Records, 2000)

Box set
Volume 1 (Flying Nun Records, 2014)

References

External links
The Bats official site, maintained by the band
MySpace
Pocket Music YouTube channel
The Bats - Bandcamp
The Bats Profile - NZMusic.com
The Bats Forum
Video from the October 2010 concert with guest performance by mayor Bob Parker

New Zealand indie rock groups
Flying Nun Records artists
Musical groups established in 1982
Dunedin Sound musical groups
Jangle pop groups
1982 establishments in New Zealand


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1. We shall inform an individual of the purpose for which we collect and use their Personal Data and the types of third parties to which our Company discloses or may disclose that Personal Data. Our Company shall provide the individual with the choice and means for limiting the use and disclosure of their Personal Data. Notice will be provided in clear and conspicuous language when individuals are first asked to provide Personal Data to our Company, or as soon as practicable thereafter, and in any event before our Company uses or discloses the Personal Data for a purpose other than for which it was originally collected. Prophetics Gallery may be required to disclose Personal Data in response to lawful request by public authorities, including to meet national security or law enforcement requirements.
2. Individuals have the opportunity to choose (opt out) whether their Personal Data is (1) to be disclosed to a non-Agent third party or (2) to be used for a purpose other than the purpose for which it was originally collected or subsequently authorized by the individual by contacting our privacy officer via email at PropheticsGallery@gmail.com. Agents, technology vendors and/or contractors of Prophetics Gallery or its affiliates may have access to an individual's Personal Data on a need to know basis for the purpose of performing services on behalf of Prophetics Gallery or providing or enabling elements of the services. All such agents, technology vendors and contractors who have access to such information are contractually required to keep the information confidential and not use it for any other purpose than to carry out the services they are performing or as otherwise required by law.
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We are committed to following the Principles for all Personal Data within the scope of the Privacy Shield Frameworks. We are committed to following the Principles for all Personal Data within the scope of the Privacy Shield Frameworks. However, certain information is subject to policies of Prophetics Gallery that may differ in some respects from the general policies set forth in this Privacy Statement.


Rikuzentakata, Japan and Crescent City, Calif, were united by nature rather than design.
The devastating tsunami that hit Japan close to 5 years ago ricocheted back, washing ashore the United States northwestern coast and in the process destroying dozens of boats in the Crescent City.
Two years after that, a souvenir in the Japanese tsunami came: Kamome, whose name refers to "sea gull." Rikuzentakata Takata High School had used the small blue-and-white boat to carry out scientific classes. This had been swept by the tsunami and in the process resulting in the death of 22 students and 1 teacher.
The boat was swept to the beach close to Crescent City.
Students from Del Norte High School in Crescent City set on a mission to clean the boat and take it back to the owners on the other side of the Pacific.
Students on either side have now been united by the Japanese tsunami.
They will spend this week in the brilliant Takata High School complex that overlooks the ocean. The March 11th 2011 disaster destroyed the original buildings.
The U.S-Japan Foundation funds the exchange which will be graced by eight members of a "junior Rotary" club located in Del Norte High.
The American students are being taught on how Japan is prepared to handle disaster, Japan in general and the similar factors that are common to them. They have so far played basketball and practiced martial arts together. They have also taken English class and the Japanese calligraphy jointly.
Observing from the surface, the students did not look any different. The American high school students blended equally well with the Japanese students.
During class, the Japanese students all wore blue blazer uniforms. They later on would change into regulation coveralls to attend the cooking class and regulation tracksuits for the gym class.


Thursday mornings we attend the Chamber's ConnectUp at Northgate Market. A no pressure opportunity to meet members of the community that include: businesses, city staff, elected officials, organizations and active residents. The focus is on building relationships first.
As a member of a CBA participating Chamber, you are welcome to attend ConnectUp on the first Thursday of each month, only. You are welcome to pass out cards and will have an opportunity to participate when we do introductions.
If you are interested in attending as an invited guest, please call (562) 697-1704.
Free to members and invited guests. If you are interested in attending as an invited guest, please call (562) 697-1704.


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Home Features Sun's Bonner talks new team, playing the game and family matters
Sun's Bonner talks new team, playing the game and family matters
Misha Jones
DeWanna Bonner exults after a bucket. NBAE/Getty Images photo.
In her 11th season, two-time WNBA champion and three-time All-Star DeWanna Bonner is wearing a new jersey for the first time. After playing her entire career with the Phoenix Mercury, Bonner signed with the Connecticut Sun as an unrestricted free agent in the offseason, joining a squad that finished last year's campaign as the second-best team in the league after falling in the Championship finals.
Bonner was one of Auburn University's most decorated athletes, starting in all games she appeared and setting a new school career scoring record by the time she left. Phoenix drafted her with their fifth pick in 2009, and Bonner quickly became a motor and a creator for the team. She ranks second on the franchise's all-time scoring list, with 4,820 career points, behind only Diana Taurasi. Bonner has missed just five games over 10 seasons, was consistently one of the team's top two scorers and rebounders, and she has been an energy leader on the floor.
With the Sun this season, Bonner is the team's leading scorer at 18.3 points per game, to go along with 7.4 rebounds, 3.1 assists and 2.2 steals per outing. She was named the Eastern Conference player of the week this past Monday.
Bonner missed the 2017 season, as she gave birth to twin girls that July. Her father, Greg McCall, is the head coach at Cal State Bakersfield and her sister, Erica McCall, plays for the Minnesota Lynx.
This year you went from Phoenix to Connecticut. What went into your decision to go there, and how are you liking the fit so far?
I saw this team get one step away from the championship, and they want to bring one to Connecticut. I'd like to be a part of that. It's never been done before. So hopefully we can make that happen. Also, I knew the president, Amber (Cox). I've known her for a long time, as she was with me in Phoenix, and she drafted me there. So it's pretty cool, you know, to come back and work with someone I know, a familiar face where I know I'll be taken care of, and my girls too. So for sure, those two factors were huge.
That's kind of cool. A pretty full circle moment there, huh?
Now, you're a decade into it. You've always been productive, and have won Sixth Woman of the Year three times. But with the upper echelon stuff, you haven't gotten your due. So how do you personally feel about where you are in your career? And what keeps you motivated to keep going?
In Phoenix I played with two great players in Diana Taurasi and Brittney Griner, so I kind of flew under the radar there. But we won a championship, so that was my main goal – not so much the individual accolades. I loved Phoenix, that was like my second home, it was great there. But I think now I'm kind of coming to Connecticut in a little bit of a different role. I had Diana to give the ball to in important moments, and now it's my turn. Hopefully, I can deliver and be the same player and produce here and hopefully, like I said, bring the championship to Connecticut.
DeWanna Bonner boxes out for a rebound. NBAE/Getty Images photo.
Speaking of your game, the technical aspects of it: you're 6-4 but you're not in there overpowering people in the low post. You're smoother, you're more wiry, you've got a lot of versatility offensively and defensively. How do you get that done as someone with a different frame?
Oh man, I have to use my speed! A lot of people are a lot stronger than me. I have to use my speed when I can, when they're playing off me shoot, or pull up. Anything. I just tend to take what the defense gives me. But definitely, the league is physical. So I try to stay out of there with the big girls. They bang, but I'm not a banger. I try to run as much as I can.
Your sister is in the league with you, and on Twitter, I have been cracking up because folks really don't seem to understand that you two are sisters. But she's moved around a little bit recently and started getting some pretty good minutes with Minnesota. What's it been like watching her play and watching her growth in the league?
Man, I am so proud of her. Her story's a little different, her journey's a little different from mine. For her to just stay positive, stay ready and come in and contribute when she can, that says a lot about her and her character. It's been a whirlwind for her in this bubble. She started out on one team and then ended up in Minnesota. So for her to come in and just take it in stride, that's not easy to do. So I'm just super proud of her. That's just the big sister talking. But basketball-wise, she's just she's one of those bruisers, man. I stay away from her too!
Did you have those battles coming up, or was she still too young to play against you?
Yeah, she was a little too young. And we don't really guard each other when we play each other. But I'm super proud of her.
Your dad, he's a big basketball guy. Is he how y'all got into basketball? How did that spark start for you?
My dad went to play basketball in college in California, and I'm from Alabama. It's just something that I can't say I really grew up around because he was gone, but it was just like an 'in the blood' kind of thing. It was something that I started doing and I loved at a young age. And of course, he guided me through it all from high school to college, and we really got close. My senior year in college he was I like my best friend so I come to him for pretty much everything… basketball, life, and he keeps me grounded.
DeWanna Bonner wills her way to the rim past a triple-team. NBAE/Getty Images photo.
And speaking of family, you've got the babies. We can't not talk about the babies. How has having them changed your perception of the game?
I can say there's no greater feeling than after you come home from a game, when you've had one of those tough games. And they're just smiling and giggling in your face. They make you forget everything. So for me they're kind of my calm, they're my calm to the storm. You always have this pressure about how you perform, but every time I walk off that court, they love me no matter what. So they balance me in that way. There's definitely no greater feeling than being a mom. They're amazing, great babies.
In Connecticut, do you feel like the franchise itself and the staff are pretty accommodating and have been cool about the kids and everything?
Oh absolutely, from the minute that we started talking. Everyone knew my main focus was my babies being comfortable. Unfortunately we're not in Connecticut of course, so some things that they were planning to do for me and the kids are on hold right now. But even now, if I need anything I can take it to them. I couldn't have asked for a better staff in that department.
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"Hopefully at the end of the day these companies develop commercial products that you then find in your everyday life," Lockney said.
He added that it's hard to quantify how much the program has helped mankind but that people interact with thousands of NASA technologies on a daily basis.
One company that has benefited greatly from the program is John Deere. The heavy machinery company has been making autonomous vehicles long before Google and Tesla.
Using a system developed by JPL, John Deere was able to increase the precision of its GPS system from three to four meters down to between three and four centimeters. The technology greatly improved fuel efficiency, reduced waste and driver fatigue on farms across the world.
Terry Pickett is the manager of advanced engineering group at John Deere Intelligent Solutions Group and helped develop the AutoTrac system.
Pickett added that although John Deere no longer works with NASA on the system, they have increased the precision down to about one to two centimeters. Without the help of NASA, he says that the company would have experienced delays in bringing the technology to market.


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I'm A Celebrity Get Me Out Of Here
I'm a Celeb's Nadine Coyle addresses Girls Aloud feud as she makes sly dig
Nadine discussed the differences she had with her Girls Aloud bandmates on the latest Instalment of I'm A Celeb!
Alicia GrimshawShowbiz Reporter
Daily Star TV gives you all the latest interviews and spoilers and Ed Gleave will send you telly's hot takes straight to your inbox every Sunday
Yes, keep me in the know!
It's what I'm A Celeb viewers were waiting for: Nadine Coyle addressing her long-running feud with ex Girls Aloud bandmates.
The Irish beauty is currently appearing on the ITV show, and opened up about the girl group's break-up.
Nadine appeared on Pop Stars: The Rivals in 2002, and was 1/5 of Girls Aloud, alongside Cheryl Cole, Sarah Harding, Kimberley Walsh, and Nicola.
The band split up in 2013 following chart success and sell-out tours, however rumours swirled around Nadine's friendship with her former bandmates post split.
(Image: ITV/REX)
I'm A Celeb's Caitlyn Jenner talks sad truth about jungle exit
I'm A Celeb's Kate Garraway says she forces herself to have sex every day
On the latest instalment of I'm A Celeb, GMB host Kate Garraway and Nadine talked about girl bands, and the singer commented that being in one is lots of fun but lots of hard work.
An intrigued Kate asked the brunette beauty why she wasn't friends with the other members of Girls Aloud or saw them.
Nadine replied: "Everyone gets on with their lives, I was friends with them all, it was all nice and lovely.
Cheryl called out Nadine Coyle for being 'full of s***' over reason for Girls Aloud split
Girls Aloud split in 2013 – and the girls have had a soured relationship ever since (Image: Getty Images)
I'm A Celebrity... Get Me Out Of Here! launch sees a staggering drop in viewers
However, she did cryptically reveal that she saw differences between her and the other girls, making a sly dig about the fact the other girls didn't go out.
"But I was always in the gay bars with all the guys, I'd be out partying, me and ten guys, I was having a laugh, I was 18-19 years old."
I'm A Celeb fans baffled as Adele Roberts' luxury item is snap of Jane McDonald
Nadine has previously said she was consulted on the band's decision to split (Image: ITV/REX)
I'm A Celeb's Kate Garraway left on the floor as she rugby tackles James Haskell
Nadine alleged rift with her former pals started when she previously revealed she hadn't been consulted on the band's decision to split.
Taking to Twitter just after group announced they had gone their separate ways, she wrote: "You should know by now I had no part in any of this split business. I couldn't stop them. I had the best time and want to keep going."
However, news travelled fast and Cheryl hit back at Nadine during at interview with Attitude magazine a year later.
"She's full of sh**. What d'you want us to say? She's full of s***. She was the one who wanted to make a solo record. Which is why we took the hiatus," she fumed.
Dancing On IceShaun Ryder and Alison Hammond in heated off-camera bust-up on Dancing on IceEXCLUSIVE: Shaun Ryder and Alison Hammond clashed during their jungle stint on I'm a Celebrity... Get Me Out of Here! back in 2010 and still don't see eye-to-eye
Emmerdale death confirmed as Charity Dingle left reeling by Ryan Stocks heartache
Emmerdale spoilersEmmerdale's Charity Dingle is already struggling with the return of her ex Vanessa Woodfield to the village, but she's set for even more bad news next week as she struggles to comfort her grieving son
This Morning's Phillip Schofield shut down by Camilla Tominey over lockdown breach jibe
This MorningThis Morning turned awkward within minutes of going live during the latest edition of the ITV daytime show as host Phillip Schofield asked royal editor Camilla Tominey if she followed lockdown rules


The State of Texas announced earlier this month the location of its new Texas Bullion Depository–a development that signals a shift in power from the federal to the state level.
First announced in 2015 when Governor Greg Abbott enacted legislation to create a state precious metals depository, the construction of this depository will establish a state sanctioned location for individuals, businesses, and government agencies to store gold and silver, and to facilitate business transactions with the metals.
The depository will be built in Leander, a city located approximately 30 miles from Austin; its construction and operation managed by Austin-based Lone Star Tangible Assets. Construction for the 60,000 square-foot facility is scheduled to begin in 2018. It's completion, according to Lone Star officials, may take about a year.
"This state-of-the-art facility will provide tremendous benefits to the citizens of Leander and will give Texans a secure facility right here in the Lone Star State where their gold and precious metals will be kept safe and close at hand," says Glen Hegar, Texas Comptroller.
Anticipating the completion of its physical edifice, the depository will commence operations in 2018, providing nationwide services from existing Lone Star facilities.
In addition to the depository's services for physical metals storage and transactions, state officials are also looking to implement an e-commerce option—one that would allow customers to accept, transfer and withdraw bullion via online portal. Ultimately, the depository will expand its services to international clients; a development scheduled to occur it in later phases, though no hard date has yet been announced.
For proponents of "sound money," this development marks a potentially significant milestone: it presents a blueprint by which states can compete directly with the Federal Reserve's power over the distribution and flow of money.
When people in multiple states begin using gold and silver in place of fiat currency, such an act diminishes the Federal Reserve's monopoly over money. Essentially, it is a step in the direction of independence for individuals and states toward the use and storage of assets containing real and unalterable value.
The financial impact may be small at the outset, but the symbolic implication—and its ensuing social and political impact–will be striking, as it marks the opening of a potential movement in which individuals and states can circumvent the Fed.
In light of these encouraging developments, it's likely that the trend toward sound money will continue.


KENT, August 22, 2018 — Single game tickets for the Seattle Thunderbirds 2018-19 season are now on sale.
The T-Birds will kick off the regular season against the Portland Winterhawks on Saturday, September 22, at 6:05pm at accesso ShoWare Center.
Fans that purchase 20 or more group tickets for Opening Night against Portland will receive the same number of group tickets for FREE to a game of their choice in October of November, excluding the games on November 10 and November 17.
To receive this special, fans must purchase the Opening Night tickets before September 3. For more information on the offer call the T-Birds at 253-239-7825.
Premium seats are $28. Single game North Zone tickets are $18 for adults and $14 for children 12-years-old and under. Single game tickets for Heritage Club Seats at accesso ShoWare Center are $40 and include full access to the Heritage Club.
Single game tickets for the exhibition game against the Everett Silvertips on Tuesday, September 11, at accesso ShoWare Center at 7 p.m. will go on sale on Thursday, August 23, at 10am. Tickets for the exhibition game can be purchased at the accesso ShoWare Center box office or online on the T-Birds website.


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The Hungarian premiere of Ildikó Enyedi's new film will be at the 17th CineFest Miskolc International Film Festival
2021. August 05. Thursday 14:49
After its world premiere in Cannes on 14 July, Ildikó Enyedi's new film, The Story of My Wife will be screened for the first time in Hungary at the 17th CineFest Miskolc International Film Festival. The new film by the Golden Bear winner and Academy Award nominee director is based on Milán Füst's novel of the same title that has been a Nobel Prize for Literature nominee and has been translated into more than 20 languages. The film is screened in the Open Eye program of the Festival on the closing day of the event, on 18 September. The CineFest Miskolc International Film Festival will close its gates with the Hungarian premiere of the film. It is screened in the Open Eye program, one of the official programs of the Festival. It is the first time that the co-production of four countries will be screened with Hungarian dubbing. In The Story of My Wife, Captain Störr is played by the Dutch Gijs Naber, while his wife is played by Léa Seydoux, known for James Bond, Mission: Impossible and the Palme d'Or winner Adéle. The cast includes Louis Garrel (The Dreamers by Bernardo Bertolucci), Josef Harder (Farewell to Europe by Stefan Zweig), Ulrich Matthes (Downfall), Udo Samuel (Babylon Berlin), Jasmina Trinca (Lucky), Sergio Rubini, Sándor Funtek and Károly Hajduk. The story that compares to a tale from the One Thousand and One Nights and is masked as a love story reveals the complexity, mystery, fragile beauty and elusive, uncontrollable nature of life through the lovable and painfully honest figure of Captain Störr.
< CALL FOR SHORT FILM announced by CINEFEST FILM FESTIVAL AND THE UNIVERSITY OF MISKOLC
Two Hungarian filmmakers debut in the feature competition program of the 17th CineFest Miskolc International Film Festival. >


Kois remodel. Great client, great crew, awesome results.
Lisa, Mary and Aaliyah may be the best clients I've ever had. Of coarse, if you've been following my blog for long, you'll know that I said that about Fran and Ed (my parents) on the FrEdLey home, about Perry and Judith Lovelace who helped put dbBrad back in business, about Monica Uhl on her basement remodel.
Lisa and Aaliyah in front of the dbBrad mobile shop and hardware store!
That's what happens when you do good projects for good people--clients become friends. This has become our new motto!
Lisa's house has been in the family for decades. Her grandfather lived in this house as did her mother. She visited this house in the summers as a child and has many memories here.
Now, her Daughter Aaliyah is bringing in the 4th generation of family memories for this Bush Point residence.
However, build simply with do-it-yourself modifications over the years, the house had a cabin on the beach feel and an old house smell. Our goal was to bring the house up to date including new windows, insulation, gas fireplace, heat pump, new utilities and new finishes.
The living room before with kitchen behind.
Same fireplace, new insert, mantel and hearth.
We carefully removed all the bad stuff in the house, saving as much as we could. Many of the wood scraps were reused later for trim, shelves, etc. We left the lights and cabinets, tubs and toilets in the bathrooms. We tried to leave the Kitchen cabinets but one by one, logic said get this out of here and eventually they were all gone.
We reinforced the attic for future solar panels and we reinforced the floor framing with earthquake hold-downs. We did 2 extensive french drains to help control the massive amount of groundwater that flows across this site and we've added plants for beauty, screening, wind protection and habitat.
front door is no longer hidden.
New windows and double protected waterproofing details now protect the house from the winter storms that come off the water and hit the house pretty hard. Additional insulation in the floor, attic and any walls we had to visit will keep the house warmer in the winter and cooler in the summer.
50 years, needing an update.
Beautiful clear fir floors give the house an elegant warm feel that no laminate flooring can ever achieve. Steel counters provide a durable timeless look and help to hold down the Ikea Cabinets. The thing with Ikea is there stuff is well designed and works great, but falls apart if it isn't attached to the walls.