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As a thank you to all our timeshare packages buyers, we want to extend a 50% discount to Orlando's funniest dinner show in town.
Capone's Dinner & Show will have you in stitches from the time you line up to enter, to the last act.
Professional actors and waiters shoot out one liners faster than Capone's tommy gun could.
Show takes you back in time to the mobster heydays of the 1920's and prohibition.
There is an all care to eat Italian buffet.
Buffet items include, lasagna, several pastas, spaghetti, baked chicken, honey, roasted ham, salad, bread sticks, Mamma Capone's surprise dessert and vegetarian only selections to choose from.
Naturally this speakeasy serves unlimited alcoholic beverages including draft beer, Al's original rumrunner, Cape Cods (vodka & cranberry).
If you plan on having a couple consider taking a taxi.
Make sure to check out the Capone's dinner show review.
You'll have to print Capone's 50% off dinner and show coupon.


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Monfaucon est une commune française située dans le département de la Dordogne, en région Nouvelle-Aquitaine.

Géographie

Généralités
Commune située dans l'aire urbaine de Bergerac.

Communes limitrophes

Monfaucon est limitrophe de six autres communes.

Géologie et relief

Géologie
Situé sur la plaque nord du Bassin aquitain et bordé à son extrémité nord-est par une frange du Massif central, le département de la Dordogne présente une grande diversité géologique. Les terrains sont disposés en profondeur en strates régulières, témoins d'une sédimentation sur cette ancienne plate-forme marine. Le département peut ainsi être découpé sur le plan géologique en quatre gradins différenciés selon leur âge géologique. Monfaucon est située dans le quatrième gradin à partir du nord-est, un plateau formé de dépôts siliceux-gréseux et de calcaires lacustres de l'ère tertiaire.

Les couches affleurantes sur le territoire communal sont constituées de formations superficielles du Quaternaire et de roches sédimentaires datant du Cénozoïque. La formation la plus ancienne, notée e7c-A, se compose de molasses du Fronsadais inférieur à moyen, à faciès argileux dominant (Priabonien supérieur continental). La formation la plus récente, notée CF, fait partie des formations superficielles de type colluvions indifférenciées sablo-argileuses et argilo-sableuses. Le descriptif de ces couches est détaillé dans  la feuille «  - Sainte-Foy-la-Grande » de la carte géologique au 1/ de la France métropolitaine et sa notice associée.

Relief et paysages
Le département de la Dordogne se présente comme un vaste plateau incliné du nord-est (, à la forêt de Vieillecour dans le Nontronnais, à Saint-Pierre-de-Frugie) au sud-ouest ( à Lamothe-Montravel). L'altitude du territoire communal varie quant à elle entre  et .

Dans le cadre de la Convention européenne du paysage entrée en vigueur en France le , renforcée par la loi du 8 août 2016 pour la reconquête de la biodiversité, de la nature et des paysages, un atlas des paysages de la Dordogne a été élaboré sous maîtrise d'ouvrage de l'État et publié en . Les paysages du département s'organisent en huit unités paysagères et 14 sous-unités. La commune fait partie du Landais, au sein de l'unité de paysage « La Double et le Landais », deux plateaux ondulés, dont la pente générale descend de l'est vers l'ouest. À l'est, les altitudes atteignent ainsi les  pour les plus élevées ( au sud de Vallereuil). Vers l'ouest, le relief s'adoucit et les altitudes maximales culminent autour des . Les paysages sont forestiers aux horizons limités, avec peu de repères, ponctués de clairières agricoles habitées.

La superficie cadastrale de la commune publiée par l'Insee, qui sert de référence dans toutes les statistiques, est de . La superficie géographique, issue de la BD Topo, composante du Référentiel à grande échelle produit par l'IGN, est quant à elle de .

Hydrographie

Réseau hydrographique
La commune est située dans le bassin de la Dordogne au sein du Bassin Adour-Garonne. Elle est drainée par la Lidoire, la Gouyne, la Léchou, la Boucardia, la Planche, le ruisseau du Bigounin, le ruisseau du Cluzeau et par divers petits cours d'eau, qui constituent un réseau hydrographique de  de longueur totale.

La Lidoire, d'une longueur totale de , prend sa source dans la commune de Bosset et se jette en rive droite de la Dordogne en limite de Castillon-la-Bataille et Lamothe-Montravel, face à Mouliets-et-Villemartin. Elle borde la commune au nord, formant une succession de méandres, sur près de sept kilomètres et demi face à Saint-Géraud-de-Corps.

Affluent de rive gauche de la Lidoire, la Léchou, ou ruisseau du Roudier dans sa partie amont, prend sa source dans le sud de la commune, près du lieu-dit Malevieille, et l'arrose sur quatre kilomètres dont deux kilomètres face à Port-Sainte-Foy-et-Ponchapt et Saint-Méard-de-Gurçon.

Deux autres affluents de rive gauche de la Lidoire arrosent la commune : la Boucardia  sur près de deux kilomètres dont plus de  en limite de Saint-Méard-de-Gurçon, et la Planche  sur plus de trois kilomètres et demi.

La Gouyne prend sa source à trente mètres de la limite orientale de la commune, au lieu-dit la Cabane, et se jette dans le Barailler en rive droite à Saint-Pierre-d'Eyraud. Elle sert de limite naturelle à l'est et au sud-est sur environ cinq kilomètres, face à Fraisse et Saint-Pierre-d'Eyraud.

Le ruisseau du Cluzeau  prend sa source dans le sud du territoire communal qu'il arrose sur quatre kilomètres dont près de  au sud-est en limite du Fleix. Son affluent de rive droite le ruisseau du Bigounin sert de limite territoriale au sud avec Le Fleix sur deux kilomètres et demi.

Gestion et qualité des eaux
Le territoire communal est couvert par le schéma d'aménagement et de gestion des eaux (SAGE) « Dordogne Atlantique ». Ce document de planification, dont le territoire correspond au sous‐bassin le plus aval du bassin versant de la Dordogne (aval de la confluence Dordogne - Vézère)., d'une superficie de  est en cours d'élaboration. La structure porteuse de l'élaboration et de la mise en œuvre est l'établissement public territorial de bassin de la Dordogne (EPIDOR). Il définit sur son territoire les objectifs généraux d'utilisation, de mise en valeur et de protection quantitative et qualitative des ressources en eau superficielle et souterraine, en respect des objectifs de qualité définis dans le troisième SDAGE  du Bassin Adour-Garonne qui couvre la période 2022-2027, approuvé le .

La qualité des eaux de baignade et des cours d'eau peut être consultée sur un site dédié géré par les agences de l'eau et l'Agence française pour la biodiversité.

Climat
Le climat qui caractérise la commune est qualifié, en 2010, de « climat océanique altéré », selon la typologie des climats de la France qui compte alors huit grands types de climats en métropole. En 2020, la commune ressort du même type de climat dans la classification établie par Météo-France, qui ne compte désormais, en première approche, que cinq grands types de climats en métropole. Il s'agit d'une zone de transition entre le climat océanique, le climat de montagne et le climat semi-continental. Les écarts de température entre hiver et été augmentent avec l'éloignement de la mer. La pluviométrie est plus faible qu'en bord de mer, sauf aux abords des reliefs.

Les paramètres climatiques qui ont permis d'établir la typologie de 2010 comportent six variables pour les températures et huit pour les précipitations, dont les valeurs correspondent à la normale 1971-2000. Les sept principales variables caractérisant la commune sont présentées dans l'encadré ci-après.

Avec le changement climatique, ces variables ont évolué. Une étude réalisée en 2014 par la Direction générale de l'Énergie et du Climat complétée par des études régionales prévoit en effet que la  température moyenne devrait croître et la pluviométrie moyenne baisser, avec toutefois de fortes variations régionales. Ces changements peuvent être constatés sur la station météorologique de Météo-France la plus proche, « Port Ste Foy », sur la commune de Port-Sainte-Foy-et-Ponchapt, mise en service en 1956 et qui se trouve à  à vol d'oiseau, où la température moyenne annuelle est de  et la hauteur de précipitations de  pour la période 1981-2010.
Sur la station météorologique historique la plus proche, « Bergerac », sur la commune de Bergerac, mise en service en 1988 et à , la température moyenne annuelle évolue de  pour la période 1971-2000, à  pour 1981-2010, puis à  pour 1991-2020.

Urbanisme

Typologie
Monfaucon est une commune rurale, car elle fait partie des communes peu ou très peu denses, au sens de la grille communale de densité de l'Insee.
La commune est en outre hors attraction des villes.

Occupation des sols

L'occupation des sols de la commune, telle qu'elle ressort de la base de données européenne d'occupation biophysique des sols Corine Land Cover (CLC), est marquée par l'importance des forêts et milieux semi-naturels (66 % en 2018), une proportion identique à celle de 1990 (66,1 %). La répartition détaillée en 2018 est la suivante :
forêts (64,3 %), zones agricoles hétérogènes (19,6 %), terres arables (7,6 %), prairies (6,5 %), milieux à végétation arbustive et/ou herbacée (1,7 %), cultures permanentes (0,3 %).

L'évolution de l'occupation des sols de la commune et de ses infrastructures peut être observée sur les différentes représentations cartographiques du territoire : la carte de Cassini (), la carte d'état-major (1820-1866) et les cartes ou photos aériennes de l'IGN pour la période actuelle (1950 à aujourd'hui).

Prévention des risques
Le territoire de la commune de Monfaucon est vulnérable à différents aléas naturels : météorologiques (tempête, orage, neige, grand froid, canicule ou sécheresse), feux de forêts, mouvements de terrains et séisme (sismicité très faible). Un site publié par le BRGM permet d'évaluer simplement et rapidement les risques d'un bien localisé soit par son adresse soit par le numéro de sa parcelle.

Monfaucon est exposée au risque de feu de forêt. L'arrêté préfectoral du  fixe les conditions de pratique des incinérations et de brûlage dans un objectif de réduire le risque de départs d'incendie. À ce titre, des périodes sont déterminées : interdiction totale du 15 février au 15 mai et du 15 juin au 15 octobre, utilisation réglementée du 16 mai au 14 juin et du 16 octobre au 14 février. En septembre 2020, un plan inter-départemental de protection des forêts contre les incendies (PidPFCI) a été adopté pour la période 2019-2029.

Les mouvements de terrains susceptibles de se produire sur la commune sont des tassements différentiels. Le retrait-gonflement des sols argileux est susceptible d'engendrer des dommages importants aux bâtiments en cas d'alternance de périodes de sécheresse et de pluie. La totalité de la commune est en aléa moyen ou fort (58,6 % au niveau départemental et 48,5 % au niveau national métropolitain). Depuis le , en application de la loi ÉLAN, différentes contraintes s'imposent aux vendeurs, maîtres d'ouvrages ou constructeurs de biens situés dans une zone classée en aléa moyen ou fort.

La commune a été reconnue en état de catastrophe naturelle au titre des dommages causés par les inondations et coulées de boue survenues en 1982 et 1999, par la sécheresse en 1992, 1995 et 2005 et par des mouvements de terrain en 1999.

Toponymie
En occitan, la commune porte le nom de .

Histoire

Politique et administration

Rattachements administratifs et électoraux
Dès 1790, la commune de Monfaucon a fait partie du canton de Saint Meard de Gurson qui dépendait du district de Mussidan jusqu'en 1795, date de suppression des districts. Lorsque ce canton est supprimé par la loi du 8 pluviôse an IX () portant sur la « réduction du nombre de justices de paix », la commune est rattachée au canton de Laforce  dépendant de l'arrondissement de Bergerac.

Dans le cadre de la réforme de 2014 définie par le décret du , ce canton disparaît aux élections départementales de mars 2015. La commune est alors rattachée au canton du Pays de la Force.

Intercommunalité
En 2010, Monfaucon adhère à la communauté de communes Dordogne-Eyraud-Lidoire. Celle-ci est dissoute au  et remplacée au  par la communauté d'agglomération bergeracoise. Celle-ci fusionne avec la communauté de communes des Coteaux de Sigoulès au  pour former la nouvelle communauté d'agglomération bergeracoise.

Administration municipale
La population de la commune étant comprise entre 100 et  au recensement de 2017, onze conseillers municipaux ont été élus en 2020.

Liste des maires

Juridictions
Dans le domaine judiciaire, Monfaucon relève :
 du tribunal judiciaire, du tribunal pour enfants, du conseil de prud'hommes, du tribunal de commerce et du tribunal paritaire des baux ruraux de Bergerac ;
 de la cour d'appel de Bordeaux.

Démographie

Économie

Emploi
En 2015, parmi la population communale comprise entre 15 et 64 ans, les actifs représentent , soit 47,7 % de la population municipale. Le nombre de chômeurs (quatorze) a augmenté par rapport à 2010 (neuf) et le taux de chômage de cette population active s'établit à 9,8 %.

Établissements
Au , la commune compte quarante-deux établissements, dont quatorze dans l'agriculture, la sylviculture ou la pêche, treize au niveau des commerces, transports ou services, six dans la construction, six dans l'industrie, et trois relatifs au secteur administratif, à l'enseignement, à la santé ou à l'action sociale.

Entreprises
Depuis , un site de stockage d'artifices pyrotechniques, classé Seveso, a été ouvert sur le territoire  communal.

Culture locale et patrimoine

Lieux et monuments
Église Notre-Dame-de-la-Nativité.

Personnalités liées à la commune

Voir aussi

Articles connexes
 Liste des communes de la Dordogne
 Communauté d'agglomération bergeracoise (nouvelle)
 Sentier de grande randonnée GR 6D
 Dordogne (département)
 Périgord

Liens externes
 Site officiel de Monfaucon
 Monfaucon sur le site de l'Institut géographique national (archive)
 Monfaucon sur le site du pays bergeracois

Notes et références

Notes et cartes
 Notes

 Cartes

Références

Commune en Dordogne
Commune dans l'arrondissement de Bergerac
Commune dans la communauté d'agglomération bergeracoise (nouvelle)
Aire urbaine de Bergerac

redpajama_set_name: RedPajamaWikipedia


Emmanuel Apraku is proving that Ghanaian artists don't have to leave their country of birth to have their talents recognised at home and abroad.
The 28-year-old, who is better known by his Usher Raymond-inspired nickname Ray Styles, was born in Ghana's capital. He studied at the prestigious Kwame Nkrumah University of Science and Technology (KNUST) where he specialised in animation and video production. He went on to graduate with a first-class honours bachelor degree in communication design. But Apraku has set his sights higher and aims to build a global graphics brand from his home city of Accra.
Apraku represents a new wave of contemporary African artists that are combining traditional drawing skills with modern technology and are reaching wider global audiences quicker than artists of a previous generation.
Seasoned Ghanaian artists such as El Anatsui and Kofi Agorsor trained in Ghana but ironically had to leave their home country to gain not only international recognition but national fame.
His words echo those of fellow artists who believe that art and artists in Ghana still do not command the same level of respect as other professions. "People would rather focus on something that would bring in more money. Because art does not bring in a lot of money, people do not want to focus on it," said Apraku.
Apraku's work retails from between $80 for a single piece to $20,000 to own the copyright for an image. Portraits can cost between $100-$200, while concept pieces such as his role reversal 'turntable' image depicting a pregnant man take longer and cost more.
This attitude towards art has meant many talented individuals struggle to make a living as professional artists in Ghana. Instead they opt for a more stable career.
His family is a prime example of this trend.
Apraku is one of the lucky ones. He has sold some of his work to clients in the UK, Nigeria, Ghana, and US – including one unnamed American celebrity. It is because of this that he is able to live off him craft in Accra and does not feel it is always necessary to leave. His repertoire includes hand-drawn life portraits, under the Ray Styles brand, digital caricatures he draws under the sub-brand 'Pencilled Celebrities' emoji apps available from the Apple store and graffiti-style pieces. He believes that having a foundation in pencil art has allowed him to make the most of his digital skills.
Wacom software comes with its own pencil or pen, which displays on a computer and can be transferred to Photoshop or Adobe Illustrator.
His pieces allow him to react to social and political sentiment; celebrate past and current iconic figures and take on a satirical edge to current affairs. The ongoing deaths of African-Americans at the hands of US police inspired an image of six black men against a US flag background with bullets flying towards their heads.
He has a Donald Trump emoji where Trump says: 'Let's make America great again' and then vomits. He also likes to explore the complex relationship between man and woman and touches on emotive issues such as breast cancer awareness.
In March 2016, he developed 'scribbles' – digital headshot drawings of iconic figures with a symbol linked to their professions (usually placed on their heads).
These have been well received and have brought him 500 Instagram followers. Typically, these pieces take two to five hours to create. When Beyonce's Lemonade album dropped to huge acclaim in April 2016, Apraku recorded it with a scribble of Mrs Carter with lemons for earrings.
His work is not only based on American icons, but depicts Ghanaian public figures including Ghana's first president Dr Kwame Nkrumah. To mark Queen Elizabeth's birthday in June, he clothed her in Ghanaian Kente. It took between eight and 12 hours to create and choosing Kente was deliberate, said Apraku.
He is planning a similar educative project where he depicts Ghana's presidents in modern-day clothing. "I want to make it cool with Dr Kwame Nkrumah wearing a Kanye West outfit – for example.
If not for social media, Apraku does not believe he would have this current platform or the public appeal he has cultivated.
Access to digital art technology and the pervasive use of the internet has made that challenge a little easier. If I were born 10 years earlier, before social media was around, I would probably be too worried about paying bills to have become a professional artist.
Apraku's ultimate goal is to establish a graphic design company that taps into the wealth of talented artists and graphic designers in Ghana.
"I get a lot of aspiring artists from Ghana and Nigeria asking me to be their mentor," he said. "There are talented Ghanaians that can draw beyond my understanding. But no one has heard of them yet because they do not have that exposure or anyone who can help them brand it," said Apraku.
But Apraku is realistic. This goal depends on investment from customers willing to buy his work or companies willing to support the Ray Styles brand.
For now, Apraku is happy to follow his passion. He is currently working on a breast cancer awareness project and has the blueprint for around 500 pieces that he has yet to be publish.
Other projects include an exhibition launch in Maryland, US shortly and he has his sights on launching a cartoon network in Ghana.
To learn more about his work, visit Ray Styles' Facebook page here.
Made in Ghana – the art of promoting home-grown talent.
This is absolutely good stuff. It's almost a necessity given the fact less is known about the continent and the impact it's people are making to turn the continent's fate around, from one that was 'destined to fail' to one full of promise and prospect. Good work. Hope more people discover your work. Impressive.


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How Gimme Radio Wants to Reinvent Music Streaming for Diehard Metal Fans — With Megadeth's Dave Mustaine On Board
Even though hip-hop and R&B are the most-consumed genres in the U.S. this year, they might not have the loyalest listeners.
By Cherie Hu
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Dave Mustaine of Megadeth performs on stage during a live concert on Nov. 4, 2015 in Moscow, Russia. Vladimir Artev/Epsilon/Getty Images
A 2015 analysis of Spotify data revealed that the genre with the highest global loyalty — measured by number of streams divided by number of listeners per artist — was actually metal, eclipsing that of hip-hop by nearly 50 percent. In the U.S. specifically, metal, emo and punk had far more loyal listener bases than hip-hop, pop, country, and EDM.
Yet, even as metal imagery and history gain increasing visibility in visual music culture, influencing merchandise design and live concert production for the likes of Justin Bieber, Kanye West, Lady Gaga and Travis Scott, the genre is often left out of conversations about the future of music streaming — allegedly because its listeners still cling to vinyl, CDs and other album-based formats.
Related Judas Priest's Rob Halford Hopes Rock and Roll Hall of Fame Nomination Will 'Chip Away' at Metal… 10/05/2017
Some label execs argue that aligning this old-school mentality with the streaming paradigm is a matter of educating artists and fans. But the founding team at Gimme Radio, a young online music radio service and collectible marketplace devoted exclusively to metal, has a different idea: rethink our consumption platforms from the ground up.
"We don't even think of ourselves as a streaming service," Tyler Lenane, co-founder and CEO of Gimme and former business development exec at Apple Music, tells Billboard. "We're not chasing dozens of millions of subscribers or aiming to feed music down a pipe to as many people as possible. We see ourselves more as a platform for enthusiastic fans who want much more engagement than just a digital stream."
Since its launch in June 2017, the site has functioned primarily as a 24/7 radio station with an impressive slate of celebrity curators, including but not limited to Megadeth frontman Dave Mustaine (whose new show "The Dave Mustaine Show" was announced yesterday, Nov. 1), Lamb of God vocalist Randy Blythe, Eagles of Death Metal touring member Dave Catching, Decibel Magazine editor-in-chief Albert Mudrian and record labels like Nuclear Blast and Metal Blade.
The founding members of Gimme all have previous executive experience at major streaming players throughout history: David Rosenberg, Gimme's co-founder and head of operations, was previously the head of distribution partnerships at Google Play, while Gimme's head of product Jon Maples previously served as vp of product at Rhapsody and 8tracks. "We've been deep in the music streaming business for at least a decade," Rosenberg tells Billboard. "We've seen the previous mistakes, and we have a long history and experience on which to build something new."
Related Megadeth's Dave Mustaine Reflects on First Grammy Win, House Band Playing Metallica 02/19/2017
Mustaine's new show, which will air for the first time on Nov. 9 at 12pm PT / 3pm ET with new installments every subsequent Thursday, will allow the musician to play literally whatever he wants for two hours, incorporating personal stories, in-depth tour stories and genre expertise into his curation. "I've always wanted to do radio that is strictly my show, my songs, my way," Mustaine said in a statement. "Gimme Radio lets me play what I want to play, and say what I want to say…no restrictions."
Every radio show is accompanied by a live community feed called Gimme Live, in which staff members serve up regular snippets of biographical and editorial snippets to accompany each track in real time — not unlike the Spotify integration with Genius for lyric annotations. While staff contributions keep the live conversation on target, any registered Gimme user can participate in the feed and chat with other users (upon registering for the site with my Facebook account, I automatically got assigned the username "RuinSubmerged," which immediately evoked a throwback to online forums of years past).
While the Gimme team declined to provide the exact number of current users, their reported engagement metrics suggest a good start. The average listening time per session is 23 to 25 minutes, and the service's 30-day user retention rate is around 29 percent — on par with average app benchmarks, but more impressive considering that this retention rate dips only marginally to 26 percent three months out.
Related What's Behind YouTube's Struggle to Place Ads On Music Videos? 11/02/2017
One of Gimme's key revenue streams at the moment is its online store, which offers discounted and exclusive metal vinyl releases — many of which are curated by the DJs themselves — as well as limited-edition band posters and other collectible items. In addition, accompanying every track that plays on Gimme's airwaves are links to add the record to your online "wishlist" and to purchase the vinyl on Amazon.
"Vinyl and merch enable us to pre-qualify users as fans," says Lenane. "If you're buying collectible items, you're likely deeply engaged not just with the artist, but also with the wider genre. Our mission is to reach these people, and to build and cater a home to them."
As the product matures — Gimme only just released its iOS app yesterday as well (Nov. 1), with an Android version forthcoming — future revenue streams may include merchandise-oriented subscription services and brand partnerships. While disruptive advertising is out of the question for now, "having the right brand sponsor a show is certainly on the table," says Lenane.
At the end of the day, all of these features point back to Gimme's vision of restoring a sense of identity back to online music consumption. For the Gimme team, just because the likes of Bieber and Gaga are embracing metal aesthetics doesn't mean that their actions translate effectively into today's most popular platforms. "No one walks around wearing a Spotify or Apple Music patch on their jean jacket," says Lenane. "We're trying to super-serve listeners by recreating that patch in a new, digital format."
Digital & Mobile

redpajama_set_name: RedPajamaCommonCrawl


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Anarky On The Streets...... Literally
Written By: John Ridley
Art By: Stephen Segovia, Rex Lokus, Troy Peteri
What's going on with the next Batman now that we saw that Anarky went and got himself all shot to hell at the end of the last issue? Well, probably the same thing he's been doing since The Next Batman: Second Son, where he was trying to take down a sleazeball named Arkadine, who was tied in with a conspiracy to get civilian protestors shot, not to mention a person over the internet known as The Seer, who is spreading false information and raising an army through fear and paranoia. Let's jump into this issue and see what Jace Fox is up to now that he's got his Batman costume and has that legacy on his side. Let's check it out.
In this issue of I Am Batman we see that things are ramping up on the streets of Gotham when we discover the person who killed Anarky is a part of a group inspired by "The Seer" to take back the streets for themselves and to be their own hero, The Moral Authority, which preys on people with the idea that they're special in some way....... and while this is a compelling concept, it feels kind of out of nowhere, especially when we discover that there's a bunch of different groups like this inspired by The Seer. Things just seem to be way more out of control in Gotham here than in any other book that's still dealing with the Magistrate and while that's still going on in the background of this book..... You know, since it is Gotham, that aspect is pushed aside so that Jace alone can deal with The Seer while the Bat-Family can deal with Scarecrow and Simon Saint.
Beyond our Batman action and the problems Jace is facing, we do have some really cool behind the scenes ideas being presented by our supporting cast with Detective Chubb and Whitaker and also a really interesting complex perspective on what role Tanya Fox is playing with the anti-mask agenda that I look forward to exploring further. By the end, though we get Jace Fox showing the idea of fear and how it's used but our new hero might have just pulled a rookie move and gotten way in over his head.
All in all, I enjoyed the art in this issue and am really interested in the take of this Batman and how he plans on being different than our usual Caped Crusader, I just wish that this series would have taken some time to really make this Gotham feel like what's going on with the rest of the Bat-Books right now because while The Seer may be different than the fake Oracle going on in Fear State, it feels too similar and if they are the same I don't understand why we would have a disconnect with this or why Jace seems to be disconnected from the Magistrate problem. That being said though, I do appreciate this having its own identity........ I guess I have mixed feelings about it overall but I like where it's heading.
I Am Batman continues to explore the beginning of Jace Fox's career and how he plans to be a different kind of Batman and in this issue, we see that his approach might just put a target on his back and while I like the rookie moves that Jace is making, the real bits I enjoy are exploring the behind the scenes people who are dealing with the anti-mask campaign and their perspectives on the situation. This book looks great and I dig where we're going I just wish things didn't feel so disconnected at times from the rest of the Bat-Books and that this series had more time to establish what's going on.
Posted by Eric Shea
Justice League: Last Ride #6 Review
Batman '89 #3 Review
Strange Adventures #12 Review
Batman: Urban Legends #8 Review
Superman and the Authority #4 Review
The Joker #8 Review


Whatever the provocation, I would appeal to you to remain calm. It is the primary duty of the Police. He who loses his temper no longer remains a policeman.
Established in 1948, SVPNPA is older than NADT. Among the civil services, it is one of the training academies that outrivals NADT as far as infrastructure is concerned. As soon as we reached the academy itself, the giant gate had Mahatmajis words etched on it " Be the change you want to see in the world". Once we made our id cards, we were allowed inside.
The NPA campus in more than 200 acres, and is very well maintained. It's almost 4 times NADT, my campus. Given the requirements of Police training, this is justified too. My friends in NPA who had left from IRS kept bickering about the rigour and rigidness of their training. However, in the end, I could see that they would not have it any other way and felt proud of being an IPS officer. That meant that the academy was serving it's purpose.
As I was walking around the campus with my friends, we visited the sports complex. Among the accomomplishments board, I could find two famous IPS officers who had made Kerala proud.
T P Senkumar is on the accomplishment board in Sports.
IRS v IPS is a regular debate that we envounter in civil service aspirant circle. After interacting with my friends, my conviction that as long as you are convinced of your choice and have pride in the job that you are doing, you would not err whichever the service.


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Il passo è l'andatura più lenta del cavallo, naturale, camminata e basculata, dove il cavallo poggia gli arti uno per volta, uno dopo l'altro. È un'andatura poco faticosa con velocità che varia da 5 a 7 km/h.

Questo tipo di andatura viene definito simmetrico perché l'appoggio delle due zampe anteriori avviene secondo intervalli di tempo regolari, e basculato perché il cavallo compie un movimento in verticale con il collo per darsi la spinta necessaria a portarsi avanti anche con il resto del corpo.

Il cavallo poggia gli arti uno per volta, uno dopo l'altro, pertanto si riconoscono quattro tempi: anteriore destro, posteriore sinistro, anteriore sinistro e posteriore destro.

A seconda della lunghezza del passo, si distinguono un passo corto, un passo medio (in cui lo zoccolo posteriore del cavallo poggia sull'orma appena lasciata dallo zoccolo anteriore) e un passo lungo (in cui lo zoccolo posteriore del cavallo poggia davanti all'orma appena lasciata dallo zoccolo anteriore).

Passo spagnolo

Bibliografia
  (vedasi pp. 156, 186)
  (vedasi pp. 105, 234)

Voci correlate
Andatura (equitazione)
Galoppo
Trotto

Altri progetti

Collegamenti esterni

Equitazione


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Explore Maine
By Katheryn Jones
In Destinations, Explore, Explore North America
Find Maine Guides Now
For those outdoor enthusiasts, Maine is a perfect state to visit. Whether you prefer lying on the beach, strolling down promenades, or getting out into nature, Maine has it.
This postcard-perfect state has hundreds of hiking trails, multiple lighthouses, and a 47,000 acre National Park (Acadia) featuring rocky cliffs, granite peaks, and beautiful tall trees – oak, pine, maple, beech, birch and more. Over 80% of Maine's land is covered by forests, perfect for camping.
Maine also has a great entrepreneurial spirit especially in its largest city, Portland. Growing in popularity amongst the foodies and craft beer seekers, Portland has been upping its game and luring in travellers with its tasty eats and good malt.
Fresh Cooked Atlantic Lobster
Nubble Lighthouse, Cape Neddick
Places to Visit in Maine
Bar Island
Castine
Unique Things to See and Do in Maine
Eat Maine lobster by the sea
Spend the day at the beach
Explore the historic Cape Neddick Lighthouse, aka "Nubble Light"
Ski the steep grades of Sugarloaf Mountain
Hike up Mount Katahdin
Sail on a windjammer in one of the many harbors such as Penobscot Bay
Shop at L.L. Bean in Freeport
A Popular Maine Road Trip – The Southern Coast
A road trip through the Southern Maine Coast Region is only 30 miles long, but don't let that fool you. Between the 8 coastal towns, there are a ton of activities to do and places to see.
The first town is Kittery, known for its outlet stores and the famous Kittery Trading Post (for all the hunters, fishermen, and general outdoors people). If shopping is on your bucket list for Maine, head straight on to the quaint and historic town of York, where you can also stop in to see the Nubble Lighthouse. Along this popular stretch, there are plenty of beaches to stop at. Another popular spot is Kennebunkport, known as the "Port". It has some beautiful scenery with a cozy town feel. A fun place to stop, especially with children, is the Old Orchard Beach. It is 7 miles long and has a fully loaded oceanfront amusement park. Back to the good ol' days of amusement by the sea! The Pier is a good spot for everyone with lots of seafood restaurants, boutique shops, lively nightlife offerings and fireworks on Thursdays.
Portland is a must as it's Maine's largest seaside city. They have everything – Victorian-style inns, access to the islands of Casco Bay and the historic forts, art galleries, golfing, lighthouses, and plenty of hotspots for nightlife.
Getting Around Maine
Travelling by car is the easiest option unless you've booked a sightseeing bus trip. Maine has quite the history with many coastal towns to explore so we highly recommend driving.
A popular option for many travellers—who have a couple of weeks— is to fly into Boston, rent a car, and then drive north to Maine along the I95. Whenever possible take the I95 when heading south to north because it is faster than Coastal Route 1 which only gives you limited views of the ocean. Other alternatives for travel between towns are by tour bus, Greyhound (national bus service), or by train (Amtrak).
Best Time of Year to Travel to Maine
Without a doubt, the most colourful time of year to visit Maine is during the autumn months when the leaves are turning rusty oranges, burnt browns, and crimson reds. The scenery is breathtaking which means most travellers opt to take a road trip through Maine during this season.
Bangor, Maine has a 31 foot, 3,700 pound, Paul Bunyan statue to commemorate his birthplace, a fact that is under much debate by Minnesota, but nonetheless, the statue is impressive for Maine.
Pinkcandy / Shutterstock.com
Paul Bunyan, Bangor Maine
Did you ALSO know…?
In 1820 Maine became independent from Massachusetts. Needing a Maine State House for their capital they opted to build a replica of the Massachusetts State House.
Capitol State House in Augusta, Maine
The season is fairly short, stretching from the third week of September to mid-October. Book in advance for hotels, especially if you have places in mind where you really want to stay. The temperatures during this time average 14C.
Maine's summers are warm and humid, but not hot. Essentially summers begin with the July 4th weekend and end with Labor Day, the first weekend of September, which means that this is the most popular time for families to vacation throughout the state. The temperature ranges from highs of around 26C to lows of 15C, depending on the winds.
Winters are hit and miss, which means it could be really snowy, or wet, with freezing rain and sleet. These conditions can make a world of difference when travelling on the roads. The best part of winter here is the skiing and ice skating. Temperatures around the coast hover around 0C (32F) with northern areas dropping to temps of -18C (0F).
Ready to plan your visit to Maine? Check out these popular guides and trips.
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Texas Tech quarterback Kliff Kingsbury came to Boulder as the nation's leader in pass completions, attempts, yards passing and touchdowns. Kingsbury left town with a sore arm, no touchdowns, and a loss, as the Colorado defense rose to the occasion in leading the Buffs to a convincing 37-13 win.
Texas Tech took a 3-0 lead on its first possession of the game, aided by two Colorado penalties. After a 46-yard kickoff return by Roderick Sneed, the Buffs responded with a 48-yard field goal by Pat Brougham to tie the score. Colorado took a 10-3 lead thanks to a 41-yard interception return to the Red Raider five yard line by linebacker Kory Mossini, setting up a three-yard scoring run by Chris Brown.
Tech tied the score on a two-yard run by Taurean Henderson late in the first quarter, and then took its second lead of the game, 13-10, early in the second quarter on a Robert Treece 42-yard field goal. A short punt gave CU good field position late in the half, with Robert Hodge hitting Derek McCoy from 14 yards out with 13 seconds remaining to give the Buffs a 16-13 halftime edge (Brougham missed the extra point).
While the first half was a back-and-forth battle, the second half was all Colorado.
Bobby Purify turned a short Robert Hodge pass into a 36-yard touchdown to raise the score to 23-13 early in the third quarter. Then the defense took over. Texas Tech crossed midfield only once in the second half, while the Buff defense out-scored both offenses. First, safety Medford Moorer intercepted a Kingsbury pass and returned it 51 yards to up the CU edge to 30-13. The icing on the cake came late in the fourth quarter, when senior defensive tackle Tyler Brayton caused Kingsbury to fumble, then rumbled 14 yards with the fumble to make the final 37-13.
With the defense making a statement, the 149 yards put up by Chris Brown were almost overlooked. Brown raised his season total to 1,303. Leading the nation in rushing after eight games, Brown was starting to receive some mention in Heisman trophy circles. With undefeated and 2nd-ranked Oklahoma up next, the national spotlight would be on Colorado. If Brown could continue keep his streak of 100-yard plus games in tact, and if the Buffs could pull off an upset in Norman, Chris Brown would find himself in the thick of the Heisman race.
But the Sooners had one of the nation's best defenses. Oklahoma was ranked 12th in the nation in rushing defense (99 yards/game), 6th in the nation in passing defense, and 2nd in total defense and scoring defense.
It is not often that a team's season can be altered so dramatically by an off-the-field incident. Yet, moments before the UCLA game, such a moment took place in the Colorado locker room. The Buffs were 1-2, reeling from a 40-3 demolition at the hands of USC. Unranked after being a preseason top ten pick, the Buffs faced undefeated and 20th-ranked UCLA Bruins in the Rose Bowl in Los Angeles. A 1-3 record was a distinct possibility, with undefeated Kansas State up next on the schedule. The memory of the 3-8 2000 campaign, when the Buffs never recovered from an 0-4 non-conference slate, was on everyone's mind.
The Buffs were just about to head onto the field for the opening kickoff. Senior defensive tackle Tyler Brayton looked around the locker room, and he didn't like what he saw. In Brayton's view the Buffs, in their opening warmup on the field, had the look of a team prepared to lose. Brayton was a team captain, but was not one to make speeches. Still, he was not about to let this team, his team, go out onto the field not prepared to win. Brayton took a piece of tape and placed it across the doorway. In essence, Brayton declared to the team that only CU players who had come to play that day needed to cross that line.
The Buffs ultimately made the 35-yard extra point, so there was no harm in Brayton's spontaneous celebration. The Buffs now had a five game winning streak. Colorado was 4-0 and alone atop of the Big 12 North division. The Buffs' ranking was back up to No. 13. Colorado's 6-2 overall record may not have been what the Buffs and their fans may have envisioned in August, but as the calendar turned to November, all of the Buffs' preseason goals were still before them, including a repeat as champions of the Big 12.
The future? Who knew? With a win over Oklahoma, the Buffs would climb back into the top ten in the polls, and be positioned to mess with the BCS computers just like in 2001. If Colorado were to run the table, finish 11-2 (including winning a likely re-match with Oklahoma in the Big 12 championship game), the Buffs could once again make the argument that they should play in the national title game despite having two losses.
While there is no way of knowing how the Buffs' season would have unfolded without Brayton's speech, it was undeniable that Colorado was 5-0 after his ultimatum.
Now it was on to Norman, Oklahoma, to determine whether the Buffs would be a player in the national championship sweepstakes.
– The 65 passes by Klingsbury set a record for the most passing attempts v. Colorado. The previous record was 64 pass attempts, set by Brandon Stewart of Texas A&M – 9/28/96 – in a 24-10 Buffaloes' victory. Klingsbury's 36 completions fell short of the record 39 set by Adam Hall of San Diego State eight weeks earlier.
– The four interceptions by the Colorado defense was the most by the Buffs since nabbing four v. Oklahoma (in a 38-24 Buff win, 10/30/99).
– Defensive back Clyde Surrell had 17 tackles v. Texas Tech (15 solo), both highs for the Colorado defense in the 2002 season.
– Roderick Sneed had kickoff returns of 48 and 64 yards v. Texas Tech, the latter being the longest for any Buff since Ben Kelly had two 100-yard kickoff returns for scores in 1999.
– The Buffs scored over 30 points for the fifth straight game, the best such streak since doing six in a row in 1994-95.
This post, about the Texas Tech game, from the 2002 Season, is filed under Game.


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Web Design and Interactive Media
Digital Film
Julio Cervera
The Art Institute of Dallas, a branch of Miami International University of Art & Design
Brandon Stormborn
Briana Dinae
Desiree Louis
8080 Park Lane, Suite 100
The Art Institute of Dallas, a branch of Miami International University of Art & Design, is one of The Art Institutes, a system of private, non-profit schools throughout the United States. Programs, credential levels, technology, and scheduling options vary by school and are subject to change. The Art Institute of Dallas, a branch of Miami International University of Art & Design, 8080 Park Lane, Suite 100, Dallas, TX 75231-5993 © 2020. The Arts Institutes International LLC. All rights reserved.


text:
Terapia elektrowstrząsowa (ang. electroconvulsive therapy – ECT)
 Elektryczna tomografia pojemnościowa (ang. electrical capacitance tomography – ECT)


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Göteborgs-Posten newspaper has Swedes putting themselves up on display to experience prejudice firsthand
by: Dabitch, Sep 10 2019 - 12:04am
By Dabitch on September 10, 2019 - 00:04
Anewspaper deliveres news, but that's not the only job of a journalist. A journalist should find the facts of any event and report them without prejudice.
Göteborgs-Posten, a large broadsheet in Sweden with headquarters on the west coast in Sweden's second-largest city, Gothenburg, believe that a journalist's factual reporting can help raise awareness, increase understanding and help crush preconceptions.
As the agency explains;
Fake news, fast news and filter bubbles are big challenges within todays media landscape. They all create a narrower, twisted view of our world and have led researches to warn against growing prejudice in our societies.
The solution, they say, is unbiased and well-researched journalism.
In order to create awareness of the growing prejudice in our society and the polarisation that it inevitably leads to, Stampen Media launched a social experiment in Gothenburg, Sweden called Visible Thoughts."
Many of us are acutely aware of the rarity of unbiased journalism these days.
So the agency created this social experiment, "Fördomstolen", which is a portmanteau pun meaning prejudice court, but also to pre-judge.
The experiment was in a shop-window in the centre of Gothenburg. Brave participants were simply asked to sit in the window, and people outside would judge them based on their appearance alone. They could label the person by selecting words they thought fit, such as "middle class", "feminist", "highly educated", "humanist", "bisexual", single", "vegan", "trainer" and so on.
The answers were shown in real-time in the shop window and online. The agency thinks this is the way we can all break out of our bubbles. Bubbles, in particular, are everywhere these days when people will carefully select who to follow (and who to block) on social media, which in turn silos us all into different corners.
"Over 6000 people took part in the experiment. It not only created awareness around the subject in Sweden, it made people realise how lack of knowledge feeds our prejudices. Because only real knowledge and a better understanding of the world we live in can prevent us from keep judging each other.
The goal of the campaign was to start conversations around prejudice and to encourage people to want to get to know one another, outside of their own bubble. If we can make people realise that we all carry prejudice, we can also increase tolerance for what is considered different."
Client: Stampen Media
Agency: Stendahls, Gothenburg, Sweden
«John Paton Appointed Chairman of Independent Digital News and Media
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Dabitch
Creative Director turned CTO, hell-raising sweetheart and editor of Adland. Globetrotting Swede who has lived and worked in New York, London, San Francisco, Amsterdam, Copenhagen, Los Angeles and Stockholm.
https://dabitch.net
I built this website. From scratch. Including the servers.
Heinz waited 57 years for this - 'LVII Meanz 57' attaching themselves to the Superbowl LVII
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Facebook Marketplace Achintya & $15 / Ricotaquito & Headband from Anomaly
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Facebook Marketplace - Diego & Jayden + table = love / Jeffery & Cameras
BBC - This is our BBC (2022) 2:00 (UK)
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Introducing "parenthesis advertising" - the band Bye Bye Bicycle trolled Spotify to announce comeback
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John Lennon "Strawberry Fields" - The Rock & Roll Hall of Fame Annex
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PBS - Make 'em Laugh - The Funny Business of America (2009) :30 (USA)
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Dexter - Bloody guerilla stunt / Murder in Lisbon case study, Portugal
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CANAL+ - The Secret of Wakany (2022) 2.30 (France)
Sleaford Mods - UK GRIM - music video (2023) UK
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Value-added tax Levied at 15%.


Members of the McCreary County 4-H Bee Club put the fume board in place while preparing to rob their first hive on July 17, 2017. Photo by the McCreary County Cooperative Extension Office.
Eastern Kentucky PRIDE is accepting applications for the 2017-18 PRIDE Environmental Education Grant Program, which is made possible by a grant from Appalachian Regional Commission.
The $2,750 grants are available to schools and other institutions that educate students or the public – such as libraries, cooperative extension offices, conservation districts and solid waste departments – in southern and eastern Kentucky.
Grant applications are available online at http://kypride.org/2017/07/apply-now-for-a-pride-environmental-education-grant/. Applications must be submitted by Sept. 15, 2017.
"We invite educators to apply, and we encourage citizens to reach out to local organizations who could use a grant for a project to benefit the community," said PRIDE's Tammie Wilson.
"A great example is the McCreary County 4-H Bee Club started by McCreary County Cooperative Extension Agent Greg Whitis," Wilson said.
Whitis started the club last fall when several local students expressed interest in beekeeping. The club is giving them hands-on experience so they are prepared to start their own hives, if they decide to do so.
Club members have tackled all aspects of beekeeping. They built the hives and added the bees. They monitor the health of the hives. They have robbed hives, extracted the honey and processed it. They wear protective gear when working near the hives.
"We would be happy to use PRIDE grants to help more extension offices, conservation districts and schools follow Greg's lead," Wilson said.
To learn more about the PRIDE Environmental Education Grant Program, call the PRIDE office in Somerset at 888-577-4339 (toll free) or visit http://kypride.org/2017/07/apply-now-for-a-pride-environmental-education-grant/.


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Keeley Hawes to star in new 5-part drama for Channel 4
(Image credit: Getty)
The Line of Duty actress is set for screen return in 2021
Keeley Hawes is starring in a new five-part drama It's A Sin.
Many of you will be familiar with seeing Keeley in Honour, Bodyguard, The Durrells and Line of Duty, but the actress is set to return to screens as a mum in the new Channel 4 production.
Written by multi-BAFTA award winning writer Russell T Davies' whose previous credits includeQueer As Folk, A Very English Scandal, Years and Years, and Doctor Who, it follows the story of AIDS, and charts the joy and heartbreak of a group of friends across a decade in which everything changed.
Notifying fans about the upcoming drama, Keeley captioned a promo clip, "Previously known as BOYS...#ItsASinComing soon…@channel4@hbomax@russelltdavies63@redproductionco"
READ MORE:Bodyguard actress Keeley Hawes discusses struggle with depression – and the trick she uses to manage it
And writer Russell explained, "I lived through those times, and it's taken me decades to build up to this. And as time marches on, there's a danger the story will be forgotten. So it's an honour to write this for the ones we lost, and the ones who survived."
Years & Years singer Olly Alexander, plays Ritchie Tozer - the family's 18-year-old golden boy who has a few secrets. He leads a cast of stars in which Keeley Hawes plays Valerie, Ritchie's mum.
What do fans make of the new show?
And fans can't wait to see her in action on the channel, which has planned the return of Changing Rooms. One fan wrote, "I can't wait to meet Valerie!" and another put, "I'm so psyched for this! What a combination..the fabulousness of Keeley and the absolutely brilliant creative mind of RTD!"
And star Olly is equally excited said, "I feel like the luckiest boy in the world to be a part of this project, I've been a fan of Russell T Davies ever since I watched Queer As Folk in secret at 14 years old. His work helped shape my identity as a gay person so I'm absolutely over the moon we'll be working together. The script was amazing to read, I laughed and I cried a lot, it's a privilege to be helping to tell this story and I'm so excited."
READ MORE:Keeley Hawes reveals secret crush on this Coronation Street legend!
Starring opposite Keeley is Shaun Dooley(star ofGentleman Jack, Broadchurch, Woman in Black) who plays Clive, his dad. Neil Patrick Harris as Henry Coltrane, Stephen Fry as MP Arthur Garrison, and Tracy Ann Oberman as Carol Carter.
Meanwhile newcomer Omari Douglas plays London-born 17-year-old Roscoe Babatunde, a wild, brittle party boy, always on the run. Newcomer Callum Scott Howells plays Colin Morris-Jones, a quiet, unassuming boy from Wales, about to become an apprentice on Savile Row.
Lydia West (Years and Years) plays Jill Baxter, Ritchie's friend from college, straight-talking, funny, and the rock on which they rely. And newcomer Nathaniel Curtis plays Ash, a faithful friend through thick and thin.
What is the synopsis of Keeley Hawes drama It's A Sin?
It's 1981, the start of a new decade and Ritchie, Roscoe and Colin begin a new life in London. Strangers at first, these young gay lads, and their best friend Jill, find themselves thrown together, and soon share each other's adventures. But a new virus is on the rise, and soon their lives will be tested in ways they never imagined. As the decade passes, and they grow up in the shadow of AIDS, they're determined to live and love more fiercely than ever.
It's the story of these boys' friends, lovers and families too, especially Jill, the girl who loves them and helps them, and galvanises them in the battles to come. Together they will endure the horror of the epidemic, the pain of rejection and the prejudices that gay men faced throughout the decade.
There are terrible losses and wonderful friendships. And complex families, pushed to the limit and beyond. This is a series that remembers the boys we lost, and celebrates those lives that burned so brightly.
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