Can Row, Bolton Moor : Notes relating to the owners and occupants of Can Row, Bolton Moor, Great Bolton 1796 - 1832, including Ralph Tonge (d. 1810) and Robert Tonge (1778 - 1832). By Stephen Tonge, Oct 2002.
In his will of 1831, Robert Tonge of Heaton, farmer, left several cottages in Can Row to his children. In an effort to try to identify who his parents are I have checked out the Rate Assessment records to see if there was an earlier Tonge's living in or owning these cottages.
In the 1796 Great Bolton Township Survey and Valuation we find Can Row on p60, but there are no Tong(e)'s listed.
In 1800 and 1801 the Poor Rate Assessments show Can Row, house numbers one to nine and an additional four cottages with no numbers. There are various tenants, and most of the cottages are owned by John Blackburn, Esquire. There are no Tonge's.
In 1803, The Poor Rate Assessment for Heaton records Robert Tonge as being resident at a farm, assessed at 55-9-9 and rated at 4-3-3.
By 1804 Ralph Tonge is listed as both the owner and proprietor of number 14 Can Row. There he stays until 1807, when while still listed as the proprietor, the house is in the occupancy of John Higson.
In August 1810, Ralph Tonge is still listed as the proprietor, but the house is in the occupancy of John Broughton, Betty Halliwell, Isaac Halliwell and John Halliwell. By September 1811 the tenants are the same, but the proprietor is listed as Tong's Exos. We therefore know that Ralph Tonge died between August 1810 and September 1811. There is a corresponding burial at St. Marys, Deane, on 29th October 1810, of Ralph Tong of Great Bolton. There is however no will listed in the indexes for Lancashire, proved at either Chester or Richmond.
The records are then missing until 1816, when we find Tongs Exos. still listed as the proprietor, with Nathan Wood residing there. There is also another cottage listed, tenanted by James Ward and Richard Makin, the proprietor of which is R. Tong - quite possible Robert Tonge of Heaton.
There is another gap in the records then until 1821, in which I was unable to find Can Row.
In his 1822 will, John France of Rumworth leaves cottages in Can Row to his daughters Ginney Horrox and Alice Edge, in the occupation of Peter Horrox and Widow Openshaw respectively.
The Bolton Chronicle, Saturday 18th February, 1832, p1.
ALL those Six several messuages, cottages or dwelling houses, with the appurenancies thereunto respectively belonging, situate, lying, and being at the top of CAN ROW, within Great Bolton aforesaid, and now in the several occupations of Robert Tong, Robert Nuttall, William Heathcote, Charles Crompton, Rachel Smith and John Chadwick, as Tenants thereof.
Also, all that Annual GROUND RENT of £2 15s 9d issuing and payable from a Plot of Land, which adjoining to the above mentioned Premises, and is well secured by Buildings erected and built thereupon.
The whole of the above Premises are held by lease for the residue of a Term of 4000 years, and will be Sold subject to a Yearly Ground Rent of £6 17s 3d.
For further particulars apply at the office of Samuel Gaskell, Attorney at Law, in Great Bolton aforesaid.
All those 8 several MESSUAGES and COTTAGES situate in Can Row, on Bolton-Moor, in Great Bolton aforesaid, in the Several Possessions of James Summers, Robert Berry, Margaret Fairclough, James Baron, Edward Cipax, John Booth, John Halliwell and Phillip Halliwell, as Tenant, at yearly rents amounting together to £14 12s 0d. Together with all that Vacant unbuilt LAND, MEADOW and three Gardens, adjoining the said Cottages, now in the several Possessions of James Whittle and others, at Yearly Rents amounting to about £5 10s 0d which said Meadow, Gardens and Land, including the site of the said cottages contain together 2A. 2R. 6 perches Statute measure or thereabouts. And also all that well secured YEARLY GROUND RENT of £10 14s 0d payable in respect of 2641 Square Yards of land leased to the late Mrs. Howcroft (formerly part of the said Premises) for a term of 999 years; except one part of the is Lot, 1?62 Square Yards of such land sold to Mr. William Simpson.
The above Premises are held for the remainder of 5000 years, commencing on the 1st day of June, 1821. Subject to the Yearly Rent of £41 10s.
There is a Main Sewer running under the whole of the above Lot.
I am reliably informed by Wayne Ashton, local historian, that Can Row is the row of cottages shown highlighted in the above map. The cottages were demolished some time between 1900 and 1950.


Westmount, Quebec: Linda Leith Publishing, 2013.
Hamburg, Germany: Alouette Verlag, 2014. Unsere Welt in Gefahr. Klimawandel und Zivilisation. [German translation by Jürgen Brócan und Kerstin Zimmermann].
Part biography, part cultural criticism, part jeremiad, Henighan's short volume ranges over the causes, prognoses and ethics of a warming world. Throughout the book, there is constant alarm at humanity's lack of alarmism.
The most thoughtful policy essay of 2013.
In this short but immensely important book….Henighan makes clear that nothing less than the good of humankind, if not our very survival, is at stake…. As I slowly closed the last page I was emotionally wrenched.
His very personal and hence also constantly self-critical polemic takes none of its own claims for granted…. It is very well suited to offer us a new perspective on our climate activism. We need this little book.
Stephen Henighan sees climate problems in various places. The Ontario novelist, translator and literature professor has written powerful text on the consequences of climate change for our civilisation.


Portfolio linear inequality constraint matrix expressed in active weight format. ActiveConSet is formatted as [A b] such that A*w <= b, where A is a number of constraints (NCONSTRAINTS) by number of assets (NASSETS) weight coefficient matrix, and b and w are column vectors of length NASSETS. The value w represents a vector of active asset weights (relative to the index portfolio) whose elements sum to 0.
See the output ConSet from portcons for additional details about constraint matrices.
NASSETS-by-1 vector of index portfolio weights. The sum of the index weights must equal the total portfolio value (for example, a standard portfolio optimization imposes a sum-to-one budget constraint).
The initial constraint matrix consists of NCONSTRAINTS portfolio linear inequality constraints expressed in active weight format (relative to the index portfolio). The index portfolio vector contains NASSETS assets.
AbsConSet is the transformed portfolio linear inequality constraint matrix expressed in absolute weight format, also of the form [A b] such that A*w <= b. The value w represents a vector of active asset weights (relative to the index portfolio) whose elements sum to the total portfolio value.


The CSRC, Health and Environmental Sciences Institute (HESI), and the FDA convened a two-day meeting titled, "The Future of the Assessment of Drug-Induced Arrhythmias and the Comprehensive In Vitro Proarrythmia Assay (CiPA)," on May 21-22 in Washington, D.C. Visit the CSRC website to view the agenda and presentations. The meeting synopsis is available here.
Webcast Lecture presented by Dr. David Strauss :Developing a Mechanistic Model-Based Approach to Assess Cardiac Safety of New Drugs. Recording available here.
Presentations by Dr. Zhihua Li, FDA available here and here.
In Silico Modeling for Cardiac Drug Safety session. Presentation by Dr. Zhihua Li available here.
CiPA Challenges and Opportunities from Nonclinical, Clinical, and Regulatory Perspectives. Learn more on the meeting website here.
CiPA Update Meeting 2, December 6, 2016. Slides now posted. View them here.
CiPA Update Meeting 1, December 11, 2014. View the synopsis here and the available presentations here.
CiPA Kick-Off Meeting, July 23, 2013. View the agenda and presentations here.
BioPharma Research Council Webinar. Focus on the CiPA paradigm: Update from the front lines. Presented by Dr. Bernard Fermini, Pfizer Inc, June 2, 2016.


text:
Council member Mike Mendenhall files to run for Spanish Fork Mayor
Spanish Fork Mayor Steve Leifson Announces he will not run again, endorses Mike Mendenhall
FeaturedNewsSpanish Fork News
Tuesday, Spanish Fork Mayor Steve Leifson announced that he will not be seeking re-election for Spanish Fork Mayor and that he is strongly supporting current City Council member Mike Mendenhall in his run to be the next Mayor. Leifson has served his longtime home for the past eight years as Mayor and for eight years prior as a City Council member.
In his announcement, Leifson states, "When you love and serve a community as long as I have, it's very difficult to step away and leave it in someone else's hands. I don't think I could do it without knowing there was a great choice to hand the reins to. As Mayor, I have been honored to work with Mike Mendenhall on the City Council for eight years and I strongly support him in his run for Mayor. I am very confident that our city will be in good hands with Mike taking the lead. He has always been someone that cares deeply for our community and been willing to work hard to serve in whatever capacity he could to make a difference. I can always count on Mike to get the job done promptly and to be effective and professional in doing the job well. I admire the ethical and principled manner with which he tackles every aspect of his life. Mike is a great leader that will selflessly serve this great city and I hope you will join me in supporting him for Mayor."
As Leifson leaves office to spend more time with family, it is clear his absence will be felt, as Mr. Mendenhall explains in his statement.
"As I file to run for Mayor of Spanish Fork, I do so with both excitement and sadness. It has been my honor to work with Mayor Leifson for eight years and he will be missed. It is difficult to express how much I love and respect him as a Mayor, and as a man. He deeply loves Spanish Fork and the people that make it such a great place. His roots here are strong and wide; roots that have dug deep through difficult times, roots that have kept us steady and strong through good years, tough years, and a lot of change. Our reputation for being a strong community takes great leadership, determination, and vision. It takes someone more committed to the people and the community than one's personal interest. Steve Leifson has been that person. I am honored by his enthusiastic support and confidence and will do my best to serve the great people in this community with the same love and dedication he has."
Mike Mendenhall has served the last 8 years as a member of the Spanish Fork City Council. During that time he also served as President of the Utah League of Cities and Towns and as Mayor Pro Tem. In 2011 he served as President of the Spanish Fork/Salem Area Chamber of Commerce. He works as a licensed Financial Advisor here in Spanish Fork. He is married to Amber Geslison also of Spanish Fork and they have 3 children.
For questions or for interview requests please contact Mike Mendenhall at: 801-358-6229 or Mike@MayorMikeMendenhall.com or Steve Leifson at: 801-372-3590.
Articles from community members to share their viewpoints, or letter to the editor.

redpajama_set_name: RedPajamaCommonCrawl


text:
Chinese net users name for boycott of BNP Paribas over employee's help for Hong Kong protest
Internet users in China are calling for a boycott of French bank BNP Paribas after discovering that one in all its employees in Hong Kong seemingly supports the metropolis's anti-authorities protesters and noticing that the business enterprise refers to Hong Kong and Taiwan as locations on its website. Since a closing week, China's Twitter-like provider Weibo has been flooded with accusations that the unidentified employee published messages on Facebook calling for independence for Hong Kong. Many stated the bank has to take action against the man or woman. In a declaration issued on Friday, BNP said: "We deeply apologize for the offense caused
by a social media publish that turned into expressed on one among our personnel' private bills. It did no longer call the individual but stated the "views expressed within the publishing now not replicate the views of BNP Paribas. We expect all of our personnel to communicate respectfully, and we strongly condemn any action or behavior that contributes to dthe department. The financial institution said that at the same time, as it respected its employees' freedom of expression, it did now not tolerate using disrespectful language. "We expect all of our employees to speak respectfully alway, and we strongly condemn any motion or behavior that contributes to division.
Posted in Latest Internet News
Previous: Facebook CEO Mark Zuckerberg to satisfy with policymakers about net law
Next: $100M 'Grant for the Web' hopes to make the net pivot to privacy


text:
<?php

namespace Domain\Order;

class ItemStatusHistory
{
    /**
     * @var integer
     *
     * @ORM\Column(name="id", type="integer")
     * @ORM\Id
     * @ORM\GeneratedValue(strategy="AUTO")
     */
    protected $id;

    /**
     * @var Item
     *
     * @ORM\ManyToOne(targetEntity="Item", inversedBy="itemStatusHistory")
     * @ORM\JoinColumn(name="fk_item", referencedColumnName="id")
     */
    protected $item;

    /**
     * @var ItemStatus
     *
     * @ORM\ManyToOne(targetEntity="ItemStatus")
     * @ORM\JoinColumn(name="fk_sales_order_item_status_market", referencedColumnName="id")
     */
    protected $statusMarket;

    /**
     * @var ItemStatus
     *
     * @ORM\ManyToOne(targetEntity="ItemStatus")
     * @ORM\JoinColumn(name="fk_sales_order_item_status_seller", referencedColumnName="id")
     */
    protected $statusSeller;

    /**
     * @var string
     *
     * @ORM\Column(name="event_name", type="string", length=255, nullable=true)
     */
    protected $eventName;

    /**
     * @var \DateTime
     *
     * @Gedmo\Timestampable(on="create")
     * @ORM\Column(name="created_at", type="datetime")
     */
    protected $createdAt;
    /**
     * @var \DateTime
     *
     * @Gedmo\Timestampable(on="update")
     * @ORM\Column(name="updated_at", type="datetime")
     */
    protected $updatedAt;

    /**
     * @return int
     */
    public function getId()
    {
        return $this->id;
    }

    /**
     * @return Item
     */
    public function getItem()
    {
        return $this->item;
    }

    /**
     * @param Item $item
     * @return ItemStatus
     */
    public function setItem(Item $item)
    {
        $this->item = $item;

        return $this;
    }

    /**
     * @return ItemStatus
     */
    public function getStatusMarket()
    {
        return $this->statusMarket;
    }

    /**
     * @param ItemStatus $statusMarket
     * @return ItemStatus
     */
    public function setStatusMarket(ItemStatus $statusMarket)
    {
        $this->statusMarket = $statusMarket;

        return $this;
    }

    /**
     * @return ItemStatus
     */
    public function getStatusSeller()
    {
        return $this->statusSeller;
    }

    /**
     * @param ItemStatus $statusSeller
     * @return ItemStatus
     */
    public function setStatusSeller(ItemStatus $statusSeller)
    {
        $this->statusSeller = $statusSeller;

        return $this;
    }

    /**
     * @return string
     */
    public function getEventName()
    {
        return $this->eventName;
    }

    /**
     * @param string $eventName
     * @return ItemStatus
     */
    public function setEventName($eventName)
    {
        $this->eventName = $eventName;

        return $this;
    }

    /**
     * @return \DateTime
     */
    public function getCreatedAt()
    {
        return $this->createdAt;
    }

    /**
     * @return \DateTime
     */
    public function getUpdatedAt()
    {
        return $this->updatedAt;
    }

    /**
     * Set createdAt
     *
     * @param \DateTime $createdAt
     *
     * @return ItemStatusHistory
     */
    public function setCreatedAt($createdAt)
    {
        $this->createdAt = $createdAt;

        return $this;
    }

    /**
     * Set updatedAt
     *
     * @param \DateTime $updatedAt
     *
     * @return ItemStatusHistory
     */
    public function setUpdatedAt($updatedAt)
    {
        $this->updatedAt = $updatedAt;

        return $this;
    }
}

redpajama_set_name: RedPajamaGithub


We took Krista Haugen out to the beach in Edmonds today. It was hard for her, she said. Just north of that beach, six years ago, an Airlift Northwest helicopter went down, killing all three flight-crew members ... view full article on King5.com.


text:
Listeners Club
Scars To Your Beautiful
By Alessia Cara
Today's Hit Music
Zach Sang
Kannon
Kid Kelly
Rick Dees
Mornings With Etch
The Broker Show
Y102 Bridal Show
Link Bank
Y-102 Dog Tag Club
Y102 Club
Monday 06:00am - 10:00am Mornings With Etch
Monday 03:00pm - 07:00pm Regular Programming
Tuesday 06:00am - 10:00am Mornings With Etch
Tuesday 03:00pm - 07:00pm Regular Programming
Wednesday 06:00am - 10:00am Mornings With Etch
Wednesday 03:00pm - 07:00pm Regular Programming
Thursday 06:00am - 10:00am Mornings With Etch
Thursday 03:00pm - 07:00pm Regular Programming
Friday 06:00am - 10:00am Mornings With Etch
Friday 03:00pm - 07:00pm Regular Programming
My Website | Facebook | Twitter | Contact
Zach Sang is already a multimedia superstar personality with a new generation of followers. He is a radio prodigy, Nickelodeon personality, social media addict, pop culture junkie… and everyone's best friend. At just 21 years old, Zach is one of the most recognizable voices in media to people 12-28 years old. His success was self-created at age 14 when he went from grocery store bag boy to an instant internet radio star, broadcasting nightly from his parent's home in Wayne, New Jersey. Zach quickly amassed an online following of 2.6 million teens from coast to coast. Zach has done over 10,000 interviews with major celebrities from Justin Bieber to Miley Cyrus to the mind behind Twitter, Biz Stone.
Monday 07:00pm - 12:00am Zach Sang and the Gang
Tuesday 07:00pm - 12:00am Zach Sang and the Gang
Wednesday 07:00pm - 12:00am Zach Sang and the Gang
Thursday 07:00pm - 12:00am Zach Sang and the Gang
Friday 07:00pm - 12:00am Zach Sang and the Gang
My Website | Contact
A Baby-Boomer, a Gen Xer and a Millennial walk to a radio station, what you get is predictably unpredictable! It's The Jim Brickman Show. He's America's Romantic Piano Sensation along with his much younger co-host Hannah Rae and somewhat younger co-host Bob.
Saturday 08:00am - 12:00pm The Jim Brickman Show
Mark began his radio career right here at Y102 in 1993 while attending Ferris State University and has been hanging around ever since. Besides being the Saturday midday host on Y102, Mark is truly the Wizard of Y102 - Mark has been in charge of keeping Y102 on the air for over 20 years as the station's Chief Engineer! A father of 3, Mark works an insane number of hours - and in his spare time he enjoys doing even more work.
Saturday 02:00pm - 07:00pm Today's Hit Music
Kannon is a radio personality most notable for his work with Open House Party (OHP). Previously only the host of the Sunday segment, Kannon now hosts the Saturday and Sunday shows of Open House Party. He joined OHP in December of 2007 after being the host of 103.7 KVIL in Dallas, TX. Kannon broadcasts the show right from his own basement in Dallas.
Sunday 07:00pm - 12:00am Open House Party
Saturday 07:00pm - 12:00am Open House Party
Kid Kelly has been in the radio business since 1988, where he started as the night DJ for WHTZ. He went on to program several small radio stations before coming back to WHTZ in 1999 as the operations manager. Kelly is most notable for his radio show BackTrax USA which features hit music from the 80s and 90s.
Saturday 06:00am - 08:00am BackTrax 80's
Aside from being a radio personality,Rick Dees is a comedian, entertainer, actor, and voice artist. He is a Grammy-nominated artist as well as a recipient of a People's Choice Award. His hit song "Disco Duck" has sold over 6 million copies. Dees started in radio while still in high school and is still doing his syndicated radio show today.
Sunday 08:00am - 12:00pm The Weekly Top 40
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Britain's own Olympic medalist Bryony Shaw journeys to the west coast of Ireland to soak up the beautiful windsurfing conditions it has to offer.
Stepping off the RS:X and onto her wave gear, Bryony blasts around the idyllic shores sharing just why she loves windsurfing. Bryony is amidst another Olympic campaign, which should see her heading to Rio in 2016; fingers crossed Bryony can bring home yet more medals!
As summer approaches this is the perfect time to share the windsurfing love with others and this is a great video to explain just what it's all about to friends and family. If you've got them tempted then take a look at the ever increasing Boards schools directory for where to take a loved one to learn.
This video is part of the 'First Up, First Down' series on Mpora, following the adventures of many action sports heroes. First up here Steph and Olly Bridge kitesurf the Isle of Lewis, plus Steve Peat gets some downhill mountain bike action in the Scottish highlands; both are well worth a watch!


The 8th graders celebrated their graduation with a beautiful mass, dinner, and dancing!
Help your kids shine as they show up on stage with confidence through the help of San Juan Capistrano preschool teachers at Mission Basilica School.
Learn how to study to learn and how to love learning through studying. Let preschools in San Juan Capistrano like Mission Basilica School help your kids to get good grades while having fun learning.
Catholic schools in Orange County Ca like Mission Basilica School make it a point to give homework that deepens students' understanding and improve their skills.
Enroll your kids in Catholic schools in Orange County Ca like Mission Basilica School and let them experience the best well-rounded education they deserve.
Catholic schools like Mission Basilica School want students to experience all the special moments of their Catholic faith through the sacraments.
Catholic schools like Mission Basilica School, along with its students and faculty, embrace its social responsibility to the Orange County community with enthusiasm through its participation in several outreach programs.
Catholic schools in Orange County like Mission Basilica School actively encourages its students to get involved in campus ministry as it provides them the opportunity to inter-relate their lives as students with their religious journeys.


text:
'Evil' Review: A Wilder, More Stuffed Season 2 Is Still in Touch with Its Devilish Side
Making the jump to Paramount+, this former CBS drama still embraces every surreal layer of its supernatural tug-of-war.
@stevebruin
Elizabeth Fisher/CBS
Believing in anything can be messy, so it only makes sense that "Evil" would be, too. The show, which debuts its Season 2 this weekend on Paramount+, fashioned itself as something of a belief kaleidoscope when its initial season aired on CBS proper in late 2019 and early 2020.
The show's initial hook came from the pervasive-yet-cordial disagreements between Catholic Church assessor David Acosta (Mike Colter) and psychologist Kristen Bouchard (Katja Herbers), each tasked with working together to evaluate claims of otherworldly forces in the lives of people in and around New York. Each inexplicable phenomenon that they and universal skeptic Ben Shakir (Aasif Mandvi) encountered over the course of that first season was met with a range of theories stemming from steadfast doctrine adherence (the presence of malignant spirits bent on manipulating humans' better instincts) to simple scientific explanation (usually an abundance of a household chemical only intended to be used in small amounts).
'Servant' Season 3 Review: Apple TV+'s Psychological Horror Is Running Out of Gas
Best True Crime Shows on Amazon Prime, Hulu, HBO Max
New Movies: Release Calendar for January 21, Plus Where to Watch the Latest Films
It would be easy to claim that Season 2 delivers more of the same, but that would undersell the extent to which these new episodes have a far greater dose of "more" than "the same." After already building to something of a unified theory that tied most of the mysterious Season 1 occurrences together, "Evil" keeps some of that framework and spends the early going of this new season by adding rather than refining. Here be invocations in archaic languages, accidental amputations, and clear-headed confessions of felonies punishable by life in prison.
"Evil" is still a show concerned with contradictions, but it's not the simpler "science vs. faith" tussle that may have been the hook at the beginning. It's not just that Kristen and Ben and David have had their respective touches with the unexplained. (As of Season 2, all three have new reasons to question what they're seeing with their own eyes.) There's a certain threshold that's been passed, a blurring between what's meant to be real and what's intended as mere perception. As frustrating as it can be at points from an episodic storytelling standpoint, there's a certain method to that murkiness that puts the viewer on equal footing with the main trio whose perceptions of what to believe has been shifted by visions of avenging archangels, scythe-wielding devils, and disco dance moves from the unlikeliest of sources.
The challenge with this show is always going to be the balance between the big-swing maximalism of its supernatural elements and the quieter character moments it peppers throughout. When those two manage to sync up, like Kristen navigating the complicated realities of her marriage or David's not-exactly-sanctioned efforts at communing with the sublime, it's a thrill to have a show that can deftly handle both at the same time. The group dynamics, whether between our three main investigators or Kristen's four daughters, grow stronger with each passing scene spent together. There's a feeling of everyone becoming more comfortable around each other, even when the powers swirling around them are more of an enigma than they've ever been.
After settling into a groove at the end of last season, Season 2 takes a different enough tack that these opposing forces sometimes leave the show somewhat disjointed. "Evil" has plenty of characters that the series' writers understandably are hesitant to give up, notably Leland Townsend (Michael Emerson). Fiendish and theatrical in hyper-controlled ways that seemingly only Emerson can tap into, he's also one of the show's convenient conduits for outlining what's at stake. ("It's so comforting to pray to power instead of weakness," Leland says when describing his consorts with the Devil.)
Keeping him around is more a blessing than a curse, but the contortions that "Evil" has to make to keep him involved sometimes points to the show having the occasional hit-or-miss streak. If there's any cause for concern, it's that this season provides even more chances for "Evil" to go astray. After hinting at the end of last season that a fertility clinic could hold the key to explaining everything, "Evil" keeps adding on cases. So far the show has resisted using multiple episodes to really consider a single instance. If it continues at this pace, there's a potential for burnout awfully quick.
Even if that comes, there's still plenty of value in the way the show defies treating individual faith traditions as monoliths. It's an antidote to the idea that invoking any particular deity (or a belief in the absence of one) should be an automatic justification for any course of action. Many of the show's arguments bubble up from a theological starting point, but the "Evil" big tent approach draws in discussions of power, patriarchy, bigotry, the nature of righteousness, and the prevalence of modern surveillance tactics. Whether there's enough real estate to yield any meaningful conversations or if those moments are blips on the way to tying up all the episode's loose ends by the time 41 minutes are over remain in the eye of the beholder. (Of the first four episodes of Season 2, only the fourth is written by series creators and executive producers Robert & Michelle King. It's also the one that feels closest to a full "The Good Fight" Season 4 crossover, though the two shows' DNA are still recognizably linked.)
On some level, saluting the show's elastic episode-to-episode approach means accepting that there's a part of "Evil" that will always feel a tad elusive. The show has room for dissections of cognitive behavior, considerations of the ethics of certain Church practices, dalliances with prosthetic-covered dream demons, and a handful of psychedelics-induced hallucinations for good measure. It's a combination that's baffling in the best kind of way.
The deeper that "Evil" gets into its mythology, the more it feels like a magician offering an inside look at how they do their tricks. For those who enjoy "Evil" for its web of sigils and exorcisms, Season 2 still has plenty to offer. Peel back the layers of CGI apparitions and simple effects flair (each episode begins with an intricate pop-up book motif) and you still have the show's simple, tiny unsettling touches: a shriek coming from a garbled voice recording or a strange noise happening just out of sight or a mirror staring back with a sinister grin. They're all threads in a bizarre tapestry that maybe doesn't always make sense when looking at it up close. But step back for a full view, and there's nothing else like it on TV.
"Evil" Season 2 releases new episodes Sundays on Paramount+.
This Article is related to: Television and tagged Evil, Paramount Plus, TV Reviews


text:
Experiencing Food Social Media Competition
Win 1 of 3 $100 Experiencing Food Vouchers to use on any experience on www.experiencingfood.com.au
All you have to do is Like, Follow and Share our social media sites with 3 of your friends to enter.
A full list of terms and conditions are listed below:
The promoter is: Experiencing Food Pty Ltd (ABN no. 32 608 943 362) whose registered office is at 308 Majura Road, Majura ACT 2607.
The competition is open to residents of Australia aged 18 years or over except employees of www.experiencingfood.com.au and their close relatives and anyone otherwise connected with the organisation or judging of the competition.
There is no entry fee and no purchase necessary to enter this competition.
By entering this competition, an entrant is indicating his/her agreement to be bound by these terms and conditions.
Route to entry for the competition and details of how to enter are via https://web.facebook.com/Experiencingfood/ and https://www.instagram.com/xperiencingfood
Only one entry will be accepted per person. Multiple entries from the same person will be disqualified.
The competition will commence on 1 June 2017 at 7am and the closing date for entry will be 13 July 2017 11.59pm EST. After this date the no further entries to the competition will be permitted.
Entrants are responsible for any and all expenses that they incur in entering the competition and they will not be reimbursed regardless of whether or not the entrant wins any prize in the competition.
Experiencing Food Pty Ltd reserve the right to disqualify any entrants or entries where we suspect any unlawful or improper conduct, such as infringing a third party's intellectual property rights, or if there has otherwise been a breach of the competition terms and conditions.
The rules of the competition and how to enter are as follows: Like Experiencing Food on Facebook (https://web.facebook.com/Experiencingfood/) or Instagram (https://www.instagram.com/xperiencingfood) (or both), Follow Experiencing Food on Facebook or Instagram (or both), Share with at least 3 friends to be eligible for the competition. A valid entry must satisfy all of the requirements of the competition.
The promoter reserves the right to cancel or amend the competition and these terms and conditions without notice in the event of a catastrophe, war, civil or military disturbance, act of God or any actual or anticipated breach of any applicable law or regulation or any other event outside of the promoter's control. Any changes to the competition will be notified to entrants as soon as possible by the promoter.
The promoter is not responsible for inaccurate prize details supplied to any entrant by any third party connected with this competition.
The prize is as follows:
3 $100 Experiencing Food vouchers to be used on www.experiencingfood.com.au towards the experiencing of the winners choice. The prize is as stated and no cash or other alternatives will be offered. The prizes are not transferable. Prizes are subject to availability and we reserve the right to substitute any prize with another of equivalent value without giving notice
Experiencing Food Pty Ltd will judge the competition and decide on the winner of each draw (16th June 2017, 30th June 2017 and 14th July 2017), which will be picked at random from all complete entries via Facebook and Instagram, the draw will occur at 10am EST on each of these days.
Experiencing Food Pty Ltd's decision as to those able to take part and selection of winners is final. No correspondence relating to the competition will be entered into.
The winner will be notified by DM on Facebook/Instagram within 28 days of the closing date. If the winner cannot be contacted or do not claim the prize within 14 days of notification, we reserve the right to withdraw the prize from the winner and pick a replacement winner.
The promoter will notify the winner by DM when and how the prize can be collected, once these details have been arranged with the winner, the winner's name will be announced on the same social media platforms as the competition was held.
The promoter's decision in respect of all matters to do with the competition will be final and no correspondence will be entered into.
The competition and these terms and conditions will be governed by Australian law and any disputes will be subject to the exclusive jurisdiction of the courts of Australia.
The winner agrees to the use of his/her name and image in any publicity material, as well as their entry. The winner agrees to document, either in writing or in video, which experience they used their winning voucher on for the promotion of www.experiencingfood.com.au . Any personal data relating to the winner or any other entrants will be used solely in accordance with current Australian data protection legislation and will not be disclosed to a third party without the entrant's prior consent.
The winner's name will be available 28 days after closing date by emailing the following address: hello@experiencingfood.com.au
Entry into the competition will be deemed as acceptance of these terms and conditions.
This promotion is in no way sponsored, endorsed or administered by, or associated with, Facebook, Instagram or any other Social Network. You are providing your information to www.experiencingfood.com.au and not to any other party. The information provided will be used in conjunction with the following Privacy Policy found at www.experiencingfood.com.au .
This competition is held by Experiencing Food Pty Ltd, 308 Majura Road, Majura, ACT 2609, 1300 903 762. NSW Permit No. LTPS/17/14383


This is Jaime, our resident artist. Jaime is both a personal trainer and an actor. Early mornings in the gym & late nights in comedy theatres make Jaime's sessions incredibly unique.
With a passion for fitness and making people smile, Jaime believes that if people enjoy their exercise, they'll want to do it more!
Strength, endurance & good times, one thing is for sure, sessions with Jaime are never dull.


I have dreams. Big dreams.
There are books I want to write, places I want to take my wife (and kids too sometimes), people I want to help, a house with two bathrooms. I've had these dreams for many years.
The problem is that today I am no closer to them than I was 10 years ago.
I hate change. I think maybe you do too. Most do, so don't feel ashamed.
Everything I am, do, and have are the product of my best decisions. That's hard to swallow. My best thinking hasn't gotten me to where I want to be, so the only logical conclusion is that I must change.
And so I am, changing that is. And not just a little change, but BIG changes. Like Biggest Loser change. Not that I have 150 pounds to lose, but that the change in lifestyle must be, for me, that drastic, or they will not stick.
So here I sit, writing for the first time in too long. After having exercised, also something new in my life. And I had only 16oz. of soda today, which is a quarter of my usual intake.
The beauty of it is that this probably doesn't matter too much to you, and it's highly likely to never be read by more than five or six people at this time. But I am not writing it for you, I am writing it for me. Maybe you will get some inspiration from this, maybe not. Either way, I'm finally on my way to somewhere. I'm not sure where, but I don't care where, which is yet another new thing for me.
So raise your glass with me and celebrate change. Yes, that despicable word, that essential word, that blessed word: Change. Because without it, I will ever be the same. And that, reader, is no longer acceptable.
My marriage is better than average, is yours?
Today, March 13 2013, Bethany and I celebrate our fourteenth year of marriage!
Beth was barely 18, and I 21 that cold day in 1999. We heard from many people (even close friends), "You're too young. You'll never make it." Ha! I laugh in your faces! Not only are we still married, we're happy and LOVING it!
The U.S. Census Bureau released a report in 2005 stating that the average first-time marriage lasts 8 years. According to that statistic, we are KILLING IT! I love when cold, hard fact back up our awesomeness.
It's been a great fourteen years. There have been tough years as well as some easy and through it all, God has been faithful to us and we to each other. We have five children ages 11, 9, 7, 6, 4, and child number six due in May.
The study I linked to has some interesting stuff in it. 76% of first time marriages between 1955-1959 lasted 20 years or longer, while marriages from 1975-1979 only had 58% last at least that long. Also, forget the "Seven year itch," more first-time marriages end in year two (1 in 12 in year two as opposed to 1 in 20 in year seven).
So, to encourage all you you married people (and soon to be!), if we can do it, anyone can. And remember, it's not about you — it's about both of you. As for words to live by, I can only speak from the husband perspective. The Bible says to love your wife as Christ loves the church (Eph. 5:25). He laid down His life for us, so give your life for her. He had no complaints, even though He knew it would be tough, and He still gave his life knowing He might never receive anything in return, so quit your complaining and help her out once in awhile. Also, 1 Corinthians 13 is a great place to learn about love as well.


text:
Кайна́рское () — упразднённое село в Астраханском районе Акмолинской области Казахстана. Входило в состав Узункольского сельского округа. Код КАТО — 113657107.

География
Село располагалось возле озера Баршын, в западной части района, на расстоянии примерно 38 километров (по прямой) к западу от административного центра района — села Астраханка, в 13 километрах к северо-западу от административного центра сельского округа — села Узунколь.

Абсолютная высота — 282 метров над уровнем моря.

Ближайшие населённые пункты: село Алгабас — на востоке, село Узунколь — на юго-востоке.

История
В 1989 году село являлось административным центром Кайнарского сельсовета, куда помимо села Кайнарское, входил ещё один населённый пункт — Луговое.

В периоде 1991—1998 годов:
 сельсовет был преобразован в сельский округ;
 село Каратубек из Колутонского сельского округа — было передано в административное подчинение к Кайнарскому сельскому округу.

Постановлением акимата Акмолинской области от 17 июня 2009 года № а-7/264 и решением Акмолинского областного маслихата от 17 июня 2009 года № 4С-15-9 «Об упразднении и преобразовании некоторых населенных пунктов и сельских округов Акмолинской области по Атбасарскому, Астраханскому и Енбекшильдерскому районам» (зарегистрированное Департаментом юстиции Акмолинской области 24 июля 2009 года № 3327):
 сёла Каратубек, Луговое были отнесены в категорию иных поселений и исключёны из учётных данных;
 поселения упразднённых населённых пунктов — вошли в состав села Кайнарское;
 Кайнарский сельский округ был упразднён и исключён из учётных данных как самостоятельная административно-территориальная единица;
 Узункольский сельский округ был преобразован с включением в его состав — села Кайнарское и территорию упразднённого Кайнарского сельского округа.

Постановлением акимата Акмолинской области от 26 сентября 2014 года № А-9/472 и решением Акмолинского областного маслихата от 26 сентября 2014 года № 5С-30-8 «О переводе в категорию иных поселений села Кайнарское Астраханского района Акмолинской области» (зарегистрированное Департаментом юстиции Акмолинской области 5 ноября 2014 года № 4434):
 село Кайнарское — было переведено в категорию иных поселений и исключено из учётных данных;
 поселение упразднённого населённого пункта — вошло в состав села Узунколь (административного центра сельского округа).

Население
В 1989 году население села составляло 996 человек (из них казахи — 49 %, русские — 25 %).

В 1999 году население села составляло 197 человек (100 мужчин и 97 женщин). По данным переписи 2009 года, в селе проживало 39 человек (22 мужчины и 17 женщин).

Примечания

Упразднённые населённые пункты Астраханского района

redpajama_set_name: RedPajamaWikipedia


William was born at Buckingham Palace in London on 21 August 1765.
James Alexander married twice and had 13 children. He married first Mary Joass on 18 September 1793.
Lawrence of Arabia is a 1962 epic historical drama film based on the life of T. E. Lawrence.
Christopher Francis Patten, Baron Patten of Barnes CH PC is chancellor of the University of Oxford and a former governor of Hong Kong and the BBC Trust.


We are midway through Edmonton Design Week and still discovering some pretty impressive work from our design community. Check out these eight installations we don't want you to miss.
Edmonton Design Week is a mix of free and paid events, installations, exhibitions, discussions, panels, talks and tours. Check out the schedule here!
Whether you are walking, biking, or cruising this downtown tour will take you just over 3 kilometers of exploration. You'll see eight Edmonton Design Week installations, exhibits and events.
Enterprise Square: Walk through time as you view five displays showing home design from the past 150 years of Canada's history.
Enterprise Square: Shin Matsunaga is one of Japan's leading contemporary graphic designers, and this is the first major presentation of his design in Edmonton.
Manulife Place: A collborative retail shop and gallery including goods from the General Concern furniture and home accessory collection alongside books and zines produced for the 2017 edition of the Hard Copy fair.
Gibson Block: An installation of products available from Edmonton-based businesses and featured in Gifted, the inaugural gift catalogue from Edmonton Made.
The Quarters. Fifteen interactive, illuminated see-saws (Impulse) and six giant zoetropes (Loop) will transform the Quarters into a space of urban play, filled with light and sound.
The Quarters: A colourful and playful art mural with the goal of evoking positive emotions. "Luz" means light in Spanish.
City Centre Mall: Three large-format prints focus on pieces of debris found near Mirus' studio – a tattered piece of plastic bag, a broken mirror and six-pack rings.
We are 24 hours away from the start of the inaugural Edmonton Design Week, and we cannot wait to see what the incredibly talented designers in our city are bringing to the canvas!
With so much learning and exploring going on over the next nine days, make sure you save energy to attend some parties! Edmonton Design Week has two official parties this year, the Launch Party hosted by Vignettes Design Showcase and the Wrap Up Party hosted by Crash Hotel.
Below we have curated an amazing lineup of all the best parties to hit during EDW.
Edmonton Design Week is a mix of free and paid events, installations, exhibitions, discussions, panels, talks and tours. Check out the full schedule here!
"If we can get 10,000 people into the space it would be unbelievable. Well, that's the goal!" says Leigh Wright, the creator of Vignettes Design Showcase, as he sits on the back of his pickup truck and stares at the old Edmonton Reuse Building across from City Hall.
We were chatting months ago, as work was just beginning on the building to transform it into one of the signature events for the inaugural Edmonton Design Week. Mismatched paint covered the exterior that's since been replaced with the word 'VIGNETTES' emblazoned across the front, while a Kristopher Kanaly street mural (put up during the Rust Magic festival this summer) adorns the east wall, and an original Giselle Dennis mural is now featured on the west wall.
Inside, 14 teams of designers have been unleashed on three floors of the building at the corner of 100 Street and 103 Avenue, turning it into a gallery of design vignettes – eight-foot-by-eight-foot spaces that they were free to imagine in any way. Five interactive art installations of Canada 150-inspired landscapes have also gone in, along with a stylized pop-up dining restaurant and a retail store.
Inside and out, it's an entirely new building.
But touring the empty, gutted space was also inspiring. "We were considering a lot of different spaces, but we want to use a space that's on its last legs, to reactivate it. The Reuse Centre was the perfect space – square footage, accessible with parking, unused spaces," says Leigh.
It's easy to see Leigh isn't afraid of a challenge. Now in its fifth year, this year's Vignettes is the biggest; Leigh is intent on reaching more people with the event.
Without spoiling the surprise of Vignettes, we couldn't resist sharing some behind the scenes of this incredible transformation. Be sure to see Vignettes in person, launching this Friday, Sept. 22 and running until Oct. 15.
How was the concept for Vignettes created?
It was born through travel as so many ideas are, I was so inspired on a trip to New York and I thought "why can't these things happen in Edmonton?" So when I returned to Edmonton I launched the first iteration of Vignettes (in 2013). What can I say, I'm a yes guy!
What is your all-time favourite vignette?
They're all so amazing and creative in their own way, but if I have to choose. … Years ago (when Vignettes was held at the Sugar Swing Ballroom in Old Strathcona), there was a Bluegrass themed vignette with a live band playing inside of it, and last year I loved the Bunkhouse, it could actually be used in a home, which was so cool to see. Also, there was a whiskey briar patch with finishes on it that were impeccably executed, and of course both winners were obvious showstoppers.
What inspires you about Edmonton, specifically as a designer?
We have an amazing design community and so much work coming out of our city that we should be proud of. Yet, locally it's been hard to get people excited about design. It will be great seeing how Edmonton Design Week and Vignettes help grow that passion and awareness.
It's also important to give a shout-out to our community; it's so tight knit and everyone believes in what they're doing and is willing to lend a hand. The whole shop local, buy local, support local movement is truly what makes this city flourish.
Long term, where do you see Vignettes?
At our first few events we had 100 people come through and at the time, that was a huge success; last year Vignettes lasted over two weekends and close to 5,000 people came out. Ultimately, we hope every year that that momentum and awareness keeps growing. For Edmonton as a design community, I want people to come from all over the world and see this glimmer of hope that we are a design city, that we are focused on and have put the time and energy into becoming a hub for design. That's where I want to see our show go and our city go!
Vignettes will be hosting Edmonton Design Week's official Launch Party on Friday, Sept. 22, from 4-11 pm. Everyone is invited; get your tickets here!
Only four more days until Edmonton Design Week officially kicks off, with Vignettes Design Series hosting the Official Launch Party this Friday. Join us for a night of design, live art and music - and of course amazing cocktails! Everyone is invited, so to ensure your spot at the party snag your ticket here.
If you can't make it to the launch, no problem. Edmonton Design Week offers 42 installations, exhibits and events running over nine days, giving you tons of time to explore them all. If you are into exploring new spaces as much as we are, check out the list we've compiled of must-see projects in unique spaces.
We want to help you make the most out of Edmonton Design Week, no matter what discipline you fancy, there is something for everyone. Check out the six projects we've identified below that certainly have us learning a thing or two!
Just off 99th Street, near the Argyll industrial area of Edmonton, sits Timbre, a hub for 13 creative start-up companies. Designed with creative endeavours in mind, Timbre is separated into a fabrication workshop, a pod of a dozen studios, and a gallery. Founded in 2015 by Mike Lam and Jordan Tomnuk, Timbre has a mandate to foster the creative community by renting both office space and studio space to burgeoning companies and makers. We spent the day at Timbre, chatting with Mike and taking in the energy and ambition of this space nestled away in the South side of Edmonton.
How did Timbre transition into a hub for creatives?
When I bought the space in 1999 I was working as a designer in the plastic business and during that time I started to acquire woodworking machinery. I thought, maybe I should start making furniture, but having acquired so much equipment, I also contemplated opening up the studio and sharing the machinery with other industrial designers and woodworkers. That way everyone could benefit!
I wanted recent graduates to have a collective community because we're herd people. It can be very difficult after graduation – running a business, purchasing equipment, living in a basement to cut costs, etc. and that can make it impossible to function. Yet if we have a collective voice, we can encourage each other to be more creative and that's not something that happens everywhere.
So, Jordan became one of the first renters for the space and through his connections we were able to rent it out to many other talented designers.
What was the process for designing Timbre?
Trying to design space for different designers is a bit challenging because by nature we're quite critical. One of the challenges, from a design perspective, was to try to understand how designers work. Personally, I have a data collection process or an emotional data collection process in a public space, then, I bring the data back into my private space and try to process it. So, it's a process of having access to the outside and then the privacy of my own space. The Timbre studios reflect those two worlds.
For the public space, I tried to make it as inviting as possible with skylights, huge ceilings, and a bit of an industrial feel. I spent six months shopping in the Architectural Clearing House and one day I was lucky enough to buy these big windows and doors that determined the actual space in each studio. Having these big windows and doors means the designers don't get stuck just hiding in their studios. It encourages physical interaction and the organic interaction between designers, and it ultimately has a positive effect on their design.
How does the design of Timbre relate to the mandate of your design process?
Emotional reward is a primary drive of what I do. Form meets emotion. But in this instance, I'm dealing with designers who are creative and alive, I'm no longer dealing with materials and numbers. I'm dealing with people, creative members who have their own identity and that has been so exciting for me.
Timbre has about 30 designers coming in. They all have different backgrounds and they all have their stories. Their talent and how they love to evolve in the design community is amazing — I'm very lucky to be a part of this group. They make Timbre alive and meaningful. I don't know where we're going to go from here, but I know what's coming will be interesting!
Armed with the luxury of time thanks to a sabbatical from his day job as an associate professor of industrial design at the University of Alberta, Tim Antoniuk has been working seven days a week determining how people can live more sustainably – and, even more importantly, happily in small spaces. The result? Antoniuk has built a completely livable 230 square-foot micro condo.
The desire to eschew traditional picket fence living for smaller homes has been growing; Antoniuk has seen this shift in mindset, first globally and now, increasingly, locally.
Antoniuk, who will be participating in Edmonton Design Week Sept. 22-30, 2017, took the time to answer some questions about the importance of design in his work.
What is the biggest challenge when people consider downsizing?
The biggest hurdle is just the idea of it – it's hard to envision and so that's why I developed the Micro Habitation Lab. I wanted to test my ideas, to test the flow of a small space, and explore how people use and integrate with their environment.
What's your thought process when you begin designing micro-homes?
For me when designing, everything starts with the people. It's not about what I think or want in a space; functionality is driven by what the end user wants and needs. It's about the meeting of soft tissue (the human elements) and hard tissue (the manufactured elements).
In the Micro Habitation Lab, I worked on how to maintain storage, how to preserve sleek contemporary design, and how a person could seamlessly transition the space for various needs. There needed to be a blurring of product and space to capitalize on every square inch, which required integrating as much as possible directly into the interior architecture.
If all your design work is created with a client-first mentality, who is the Micro-Habitation Lab for?
This space was designed for people who are looking to live sustainably with less impact on the environment in a high-density urban environment, those in search of a humble life that no longer requires a huge house.
Do you have a favourite feature in the lab?
If I absolutely have to pick it's the moving wall unit that functions as a bathroom wall, and also as storage. When I started designing the space, I simply couldn't build a tradition bathroom without impacting the rest of the space, so I replaced a static wall with a moveable wall unit. Movability is so important in small spaces and yet it's typically not a design choice.
Any final thoughts on the future of design?
Developers will reach a point when there's too much of the same. Everything is lovely, but there's no focus on what people really want, and design for the masses isn't the solution; tailored design for specific people is. The deeper you look and understand people, the better design can be.
Who is organizing this festival?
EEDC's Downtown Vibrancy Program is helping to lead the inaugural Edmonton Design Week, with significant help from the community. We helped bring together 10 individuals from different disciplines across the city's design community to form a working group to plan and execute the festival. Together, we created the concept of a week of community-driven design events anchored by Vignettes. So, while we are bringing everyone together as part of the festival, all of the events and activities are being individually organized, so they will really reflect the interests and expertise of our local designers.
We asked Moirae to answer some more questions about how it all happened, and why the festival is important to Edmonton.
Last year, we were working with Leigh Wright from Mojo Design on another project and casually mentioned he had been coordinating Vignettes Design Series. At the time, they were in their third year, showcasing in a church hall off Whyte Avenue.
They would put a callout to artists, designers, woodworkers, you name it and they would apply to design 8'x8' spaces in teams. Vignettes had a couple hundred people going through and we thought it was such a cool program; we wanted to help them scale it up. We helped them secure the former Sobeys space on 104 Street, brought them downtown and pitched them to add a culinary component. We saw such a success from that, and the event grew to having over 5000 people go through.
Vignettes really brought to light the amount of space and opportunity for design in Edmonton, and the question we asked ourselves was how could we create design across multiple disciplines. And that's where the idea of an Edmonton Design Week came from!
Do you think people associate design with Edmonton?
I think we're beginning to see that more and more as Edmonton evolves as a whole, and a lot of different industries keep growing. We can see this through the design awards the pavilions have won in the City of Edmonton parks. A lot of the architecture firms are coming to the forefront and independent designers in general are working to expose design in Edmonton. Even down to the universities and what their students are doing, such as The University of Alberta's Student Design Association and their recent "Built" pop-up in December at Kingsway Garden Mall, which was a temporary store of locally designed products. There are more pop-ups, events and media opportunities surrounding design that result in design reaching people who might not necessarily know about it or be interested in it because they just aren't aware of it.
Do you think there is anything about Edmonton that inspires design, or makes it a place that sparks so many new ideas?
Edmonton is definitely a city for entrepreneurs. Everybody is willing to help and build each other up, whether you need an introduction to somebody, or simply help building a program or event.
At EEDC, we are really involved with our entrepreneur programs like Startup Edmonton, TEC Edmonton and Edmonton Made, as well as our community activations efforts.
There's so many programs that want to help build these programs and these people all to be able to create what they are good at, so I think that makes it a little bit easier to climb that ladder, be exposed to a larger audience and do what you really love in Edmonton, because of the support.
Who is Edmonton Design Week for?
Everyone. Design is for the masses and when we say that on the website, we mean it. There's no too young or too old - if you're five and you're interested in design that's great, we want to give you something in Edmonton to see and get excited about. If you're 80 and you're interested in what's happening downtown, or design or a specific discipline we want to make it accessible and to ensure you have a good time.
For me, I think it's all about building community, a strong community. I think that's super important, merging the design crowd to attendees, allowing those two groups to flow together and build on that community. That's why this project is important to me because I'm able to help create something like that.
So then to build that community, how do people get involved in Design Week?
If you have work you want to showcase, we want to hear from you. We want this to be your city to showcase in so whatever we can do to help bring that to fruition, we'll do. If you can attend in September, come out, learn about local design and follow along on social media. We want this to be a conversation and a meeting of worlds and to do that, we need you!


text:
module OpsBuild
  module Commands
    class Generate < Thor
      desc 'box-index', ' vagrant box folder and write json'
      option :directory, type: :string, aliases: '-d', required: true, desc: 'Directory to search vagrant boxes in, e.g. \'/var/www/centos65/boxes\''
      option :json_path, type: :string, aliases: '-j', required: true, desc: 'Path to output json, e.g. \'/var/www/centos65/centos.json\''
      option :name,      type: :string, aliases: '-n', required: true, desc: 'Box name, e.g. \'centos65\''
      option :desc,      type: :string, aliases: '-e', required: true, desc: 'Description of box collection, e.g. \'This box contains CentOS 6.5 build XYZ 64-bit\''
      option :root_url,  type: :string, aliases: '-r', required: true, desc: 'Root URL of boxes, e.g. \'http://example.com/centos65/boxes\''
      def box_index
        BoxIndexer.new(dir:      options[:directory],
                       out:      options[:json_path],
                       name:     options[:name],
                       desc:     options[:desc],
                       root_url: options[:root_url]).index!
      rescue => e
        OpsBuild.logger.error(e.message)
        exit(1)
      end
    end
  end
end


text:
CentralSA
UFS council approves #Covid19 vaccination policy for 2022
─── CORN KOTELI 12:00 Sun, 28 Nov 2021
The Council of the University of the Free State (UFS) has approved a vaccination policy for the institution as students and staff are to return to all three of its campuses next year.
The policy indicates that the university does not force anyone to be vaccinated, however, the institution has the right to require proof of vaccination from anyone who wishes to access its campuses.
Those who are not vaccinated will have to apply for an exemption and produce proof of the approved exemption, or a SARS Covid-19 PCR negative test result that is not older than a week, in order to gain access to the campuses.
According to a statement by UFS, "Employee and Student Vaccination Exemption Committees will evaluate applications for exemption. These committees will operate independently, and will include medical, religious, legal and psychology experts.
"The vaccination policy is aimed at restricting campus access to vaccinated persons, while at the same time considering applications for exemption based on medical and religious grounds, natural immunity objections, other legally acceptable exemptions, or those participating in clinical trials approved by the South African Health Products Regulatory Authority (SAHPRA).
"In order to gain access, vaccinated persons will be required to upload their vaccination certificates on an electronic platform to obtain access to campus. Staff, ad hoc contract workers, and students who are not vaccinated, who do not have an approved exemption or deferral, and who do not have a SARS Covid-19 PCR negative result that is not older than a week, will not be allowed access to the campuses or facilities. Only vaccinated students will be allowed to access on-campus accommodation.
"Students who are not vaccinated by 14 February 2022, will not be prevented from registering for the academic year, but can only access the campus if vaccinated or granted an exemption."
OFM News
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Jeff Aziz
Senior Lecturer, Advisor
Jeffrey Aziz received his Masters and his PhD at the University of Pittsburgh.
Jeff prefers to see culture in the round, exploring the manner in which literary, religious, artistic, dramatic, and scientific representation are richly connected and interdependent. An undergraduate at heart, he is interested in many disciplinary areas.He teaches courses on Shakespeare, early modern literature, drama, museum studies, religious studies, and the cultural history of science, medicine, and anatomy, often in curious combinations. He is interested in the history of radical liberatory movements from the late medieval to modernity, from the Anabaptists to the modern political Left. His interest in the artistic/literary representation of the human body extends from religious allegory and iconography, to the body in drama, to medical/anatomicalbodies. He designed and introduced the literature program's Apocalypse, Literature and Science, and Unruly Bodies courses. He teaches the University Honors College Literature and Science: The Anatomy Lesson course with his friend and colleague Jake Dechant, an anatomy professor from Pitt's School of Nursing, the first literature course at Pitt with a lab.
With Jake Dechant and Pitt alumna Emma Wolinsky, Jeff hosts the medical humanities podcast Remains to be Seen, available on iTunes, Spotify, Stitcher, and Google Play. Episode topics have included the travails of Jewish Medical students between the world wars, the co-evolution of humans and dogs, and several episodes on the evolving COVID-19 pandemic.
Jeff directs and teaches in a Pitt Panther Programs study abroad, Prague: Monsters, Madmen, and the Modern City, in collaboration with the inimitable Uma Satyavolu.
Jeff was a printer in a former career, and he heads the department's effort to explore printing as a material practice. Using our own proof press, setting metal type using traditional methods, Jeff educates faculty and students on the history of printing and the techniques of letterpress printing with a group of undergraduate teaching assistants, the "printer's devils."
Jeff has worked to promote the place of the humanities in the university and to encourage collaboration across the disciplines. He was a founding member of the Humanities at Pitt and has served on the Dietrich School Humanities Council. He has been an elected humanities representative to the Faculty Assembly and the University Senate.
He currently serves in the Working Group on the Medical Humanities. He is an affiliated member of the Jewish Studies, Medical Humanities, and Medieval &Renaissance Studies faculties, as well as the Vibrant Media Lab.
Jeff is a Faculty Fellow of the University Honors College. He was recognized in the spring of 2020 with the Chancellor's Distinguished Teaching Award.
The Bible as Literature
TheDramatic Imagination
Introduction to Popular Culture
Introduction to Shakespeare
Literature and Science
Literature, Media, and Science in the Age of Shakespeare
Project Seminar ("Representing the Devil")
Masterpieces of Renaissance Literature (The Renaissance in England)
Shakespeare's Sexualities (Women in Shakespeare)
Unruly Bodies in Culture, Art, and Medicine
Pirate Democracy, An Anatomy of Anatomy, and Robot Revolution (First-Year Seminars)
Anatomy and History with the Body Snatchers (Provost's Academy)
jeffaziz@pitt.edu


Several factors, including environment, genetics, nutrition and infection contribute to incidence of lame cows . This article explores the causes of lameness and what farmers can do to reduce the occurrence in their herds.
A number of factors may be involved in predisposing dairy cattle to lameness. Dairy cattle have to walk into the milking shed to be milked twice a day for around 300 days per year. This involves walking on tracks and then spending at least 2hours standing on concrete.
If the environment is moist, the hooves tend to soften and they become more susceptible to abrasions of the concrete or penetration by sharp objects. If the environment is very dry, the hooves can become brittle and fissured. In this situation hoof cracks are common.
A proportion of cows show a genetic predisposition to certain problems eg cork screw claws. In other cases things like poor leg and foot conformation seem to predispose to lameness but evidence of the extent to which they are inherited is conflicting.
Footrot is one of the most common causes of foot problems in dairy cattle. It is caused by a bacteria which can survive and accumulate in wet tracks, muddy gateways and other commonly used moist areas of the farm. Simple hygiene measures and drainage can do a great deal to control footrot.
High grain inputs and lush grass in combination with low fibre intake may predispose cows to laminitis and a greater susceptibility to foot problems.
Track condition and design (especially around the dairy).
The patience of the farmer when moving cattle.
When cows walk under no pressure, they are very good at avoiding foot damage. They walk with their heads down checking the surface, placing their hind feet in the same spot as where their front feet were placed. They tend to walk in rows, with little contact between cows and in a pecking order, with the dominant cows at the front.
This behaviour is however disrupted when cows are forced to slow due to poor tracks or narrowing in the track. If cows are pushed too hard from behind, by the farmer or dog, the cows at the back (generally the younger stock and less dominant cows) are unable to push the more dominant cows in front. These less dominant cows push each other, skid and lift their heads. The result being they no longer avoid the rough areas of the track, they increase the chances of getting feet injuries and they increase the wear on their hooves. If this is occurring then slow down when bringing the cows in to milk.
Track design and composition is also very important.
The track surface should be made of a non-abrasive, impervious material, with a well compacted base. The track should be 4 to 6 meters wide, 600mm above the water table and with a crown for drainage. Concentrate on the 300m closest to the dairy.
Other problem areas to pay attention to are in gateways, around troughs and the junction between concrete and tracks. You should try to eliminate sharp bends, narrow points or rough, wet and slippery areas of track. The yard should be built to minimise cows having to twist and turn and the concrete should not be too rough or too smooth.
Try to eliminate factors that make cows reluctant to go into the dairy.
Footbaths will help in the control of footrot and may help harden hooves. 5% copper sulphate solution can be used and is effective but must be changed every milking. 10% Zinc Sulphate can be used two to three times weekly. It is important that the treatment is changed every 500-800 cows. 5% Formalin can be used but the fumes are dangerous to humans when mixing and if the foot bath is under the dairy roof or too near the pit. Formalin doesn't need to be changed as regularly but hot weather evaporation can cause it to concentrate quite significantly. Care should also be taken to ensure that the footbath does not get contaminated with faeces and become a source of infection. The bath should be long enough so cows cannot jump over it and deep enough to cover the coronet. 2.2m long and 20-30cm deep should be adequate, ideally there should be a water wash area before the bath and concrete after it.
Early Detection and Treatment of Lame Cows is Essential. The longer lame cows are left the more dramatic the damage. So either have a look yourself, our call us to arrange for a veterinary visit and to get advice.
WestVic Dairy has produced a series of factsheets on lameness and lameness prevention click on each title to access the resources.
Read previous articles on lameness treatment and prevention.
The dedicated web page contains similar information to this post.
Practical common-sense information in DVD format and available now from Warrnambool Veterinary.
Engineered for Australian livestock and production systems the mats are a weapon against lameness in dairy herds and are available now at Warrnambool Veterinary.
Give Matt Barnes a call on 0499 022 114 to discuss how Matox Mats can reduce the incidence of lamensss in your herd.
The Mobile Tipper Crush works in a similar way to a traditional crush set up. The cow walks into the crush, it's head is secured and the gate closed behind it. Straps are fitted beneath the animal, before it is raised with hydraulic winches and gently tipped onto its side. The feet can then be secured, allowing the operator to treat all four hooves at a convenient height without the threat of being kicked.
The crush is highly portable, allowing it to be used in outpaddocks or away from the dairy, as long as there is some sort of yarding facility where a race can be created.


Teen mom, Jenelle Evans made it in the news again and your probably thinking what else is new, or what now did she do. According to The Clicker today Jenelle was engaged to her Marine ex Gary Head, but he broke off their engagement when he found out she and her ex Kiefer Delp secretly met up.
Despite incriminating photos of Kieffer in what her ex-boyfriend, Gary, says is her bedroom, Teen Mom 2's Jenelle Evans firmly denies they are back together. "I get off probation on Tuesday and I wouldn't EVER think of jeopardizing that," she said in an interview, referring to the fact that her probation restrictions forbid her to see Kieffer or any known drug user.
However on Gary Heads official face book page, there seems to be a different story then what we are hearing clicker today website. According to his page, Gary says he is engaged. With no official date of when he got engaged, his display picture shows a smiling Jenelle getting smooched on the cheek by a shirtless Gary. Albums of the happy couple entitled "Jenelle Evans and I in love" with heart symbols date back to February 10th of this year and February 11th.
However on Jenelle Evans official face book page seems to be singing a different tune. Strolling around and clicking around, I see a post she writes on April 21, 2012 from her mobile saying "I love being single. :]" So is she or isn't she… you're probably thinking. We can only hope for the best for this young mom in the sake of her son Jace.


text:
                NodeJS

 npm
                    this section is just to show how to use npm

// create your module.First thing you need to do is touch a .js file
exports.log=function(methodName,param){
  var now = new Date().Format('yyyy-MM-dd hh:mm:ss');
  if(param == null || typeof(param)=="undefined"){
    console.log(now+" --> [ "+methodName+" ]");
  }else{
    console.log(now+" --> [ "+methodName+" ] with param: [ "+typeof(param)+":"+param +" ]");
  }
}

Date.prototype.Format = function (fmt) { //author: gy
    var o = {
        "M+": this.getMonth() + 1, //月份
        "d+": this.getDate(), //日
        "h+": this.getHours(), //小时
        "m+": this.getMinutes(), //分
        "s+": this.getSeconds(), //秒
        "q+": Math.floor((this.getMonth() + 3) / 3), //季度
        "S": this.getMilliseconds() //毫秒
    };
    if (/(y+)/.test(fmt)) fmt = fmt.replace(RegExp.$1, (this.getFullYear() + "").substr(4 - RegExp.$1.length));
    for (var k in o)
    if (new RegExp("(" + k + ")").test(fmt)) fmt = fmt.replace(RegExp.$1, (RegExp.$1.length == 1) ? (o[k]) : (("00" +
        o[k]).substr(("" + o[k]).length)));
    return fmt;
}

// then you need to publish you module to the npm repository
npm publish .

// now you can install your package by npm install <packagename >
npm install gylog

// finally your can unpublish your package by npm unpublish <packagename@version >
npm unpublish gylog

 use module
                    this section is just to show how to use your module

//you just need to use the follow code to use your module
var gylog = require("./node_modules/gylog/gylog.js");
function isLogin(userName,password){
  gylog.log("isLogin",userName);
}
isLogin("alex","test");


text:
Culture, News
No-Shave March Raises $640 for Cancer Care Packages
April 30, 2022April 27, 2022By Reese Van Pay
The end of March marks the end of facial hair for students at NDA.
A prominent rule at NDA is that male students must have a clean-shaven face, but at the beginning of March they were given the choice to buy a $20 pin to grow out their facial hair for the month.
"It's a fun event and helps raise money for cancer," said Andrew Delvoye on why he decided to participate in the event.
The school had 32 participants and raised $640.
At the end of March, participants were asked to take a picture of their facial hair in the office.
The pictures were put in a google form for students to cast their vote in categories such as "most creative beard."
No Shave March originally started as a way to raise money for the shavees of the St. Baldrick's event.
This year, the money is being used to create care packages for cancer patients in the area that include items like tie blankets, coloring books, stress balls and a jar of inspirational quotes.
Cancer affects 1.6 million people in the U.S. alone. A common treatment for cancer is chemotherapy, which can often result in hair loss in patients. An event like this is a way to show solidarity for all those affected.
One of NDA's very own, Mrs. Rickards, understands what these patients are going through from her own battle with breast cancer.
"I was diagnosed with breast cancer 10 years ago when our children were in grade school and just 2 months after my mother had completed treatment for breast cancer. The outpouring of help and support we received from our family, our St. Matthew School family and our dear friends was overwhelming," said Rickards.
Rickards explained that during that time she learned she is stronger than she thought and that she saw how much people cared and genuinely wanted to help.
"I want other cancer patients to feel that same love and support that I received which is why No Shave March and the Cancer Care Packages are so important."
This article originally appeared in The Tritonian.
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Spring Break...Checkin' Out is the seventh extended play (EP) from American country music artist Luke Bryan. It was released on March 10, 2015, by Capitol Nashville as the last entry in Bryan's Spring Break collection. The EP is available in a full version, featuring five new tracks ("My Ol' Bronco", "Games", "Spring Breakdown", "Checkin' Out", "You and the Beach") in addition to the six from previous EP Spring Break 6...Like We Ain't Ever (2014), or a 5-song version, featuring only the new tracks.

Two songs from the extended play — "Games" and "Spring Breakdown" — were released as promotional singles. As of March 2015, the former and latter have each sold 54,000 and 31,000 copies in the US. The album debuted in the US at number 3 on the Billboard 200 chart and at number one on the Billboard Top Country Albums chart, his fifth chart leader on the latter.

Critical reception

Giving it 3 out of 5 stars, Stephen Thomas Erlewine of AllMusic wrote that "Sonically, the songs from the sixth and seventh EPs intertwine nicely — it's all bright and cheerful, sounding warm and open-hearted even in the shadow of the production's excessive gleam — but, appropriately enough, all the new songs find Bryan looking back over his shoulder at all the fun he's had over the years… Nevertheless, it's those five songs [from the five-song version] that provide a nice farewell to Bryan's time as the ringleader of Spring Break, and it's good to see that he's chosen to bring this era to a tidy close instead of letting it slip into memory." Bob Paxman of Country Weekly rated the album "C+", saying that "There is nothing remotely timeless about them…the songs are meant to speak to the moment, and the lyrics…reflect that." He thought that "Games" was the only song that "has any real meat to it", and praised the production, "which allows Luke plenty of space to operate."

Track listing

Personnel
Luke Bryan — lead vocals
Perry Coleman — background vocals
J.T. Corenflos — acoustic guitar, electric guitar
Kenny Greenberg — acoustic guitar, electric guitar
Greg Morrow — drums, drum loops, percussion
Danny Radar — banjo, bouzouki, acoustic guitar
Mike Rojas — Hammond B-3 organ, piano, synthesizer
Jimmie Lee Sloas — bass guitar
Jeff Stevens — acoustic guitar, electric guitar, gut string guitar, background vocals, producer
Jody Stevens — programming, synthesizer
Ilya Toshinsky — acoustic guitar, guitjo

Chart performance
Spring Break…Checkin' Out debuted at number 3 on the Billboard 200 chart and at number one on the Billboard Top Country Albums charts for the week ending of March 28, 2015, with 88,000 copies sold, or 106,000 units, including track and streaming equivalent albums. The album has sold 245,800 copies as of July 2015.

Weekly charts

Year-end charts

References

2015 EPs
Luke Bryan EPs
Capitol Records EPs


The City is hosting a Foreign Trade Zone Forum at City Hall on Friday, March 17, 8:30 a.m. The event, which is free, will feature local companies that operate as Foreign Trade Zones under the City's FTZ grant of authority. This includes Lam Research, RK Logistics Group and Tesla. Operating as a Foreign Trade Zone greatly enhances the local operations and global competitiveness of these companies – and frankly more of our local companies should have the Foreign Trade Zone designation for their facilities.
The event is designed to inform the business community about the opportunities to operate their facility as a Foreign Trade Zone or utilize an existing facility to enhance their global competitiveness. The Foreign Trade Zone allows a company to delay, reduce or eliminate Customs duties on imported merchandise that is admitted into the FTZ.
With the current uncertain direction of existing and future trade agreements, the Foreign Trade Zone should most certainly be an option for for a company to provide flexibility for global operations.
The City of San Jose redesignated the Foreign Trade Zone which significantly streamlined the federal application and review/approval process – and made it a viable program for smaller and mid-size businesses. The Service Area of the San Jose Foreign Trade Zone is all of Santa Clara County, Santa Cruz, Scotts Valley, Fremont, Hayward, Newark and Union City, so it is a unique program in that the City of San Jose administers this program beyond our city boundary (per the Foreign Trade Zone Regulations).


text:
Shore's Manco & Manco owners charged with tax evasion
by Barbara Boyer, Amy S. Rosenberg, and Michael Boren, Inquirer Staff Writers, Posted: April 3, 2014
Facing charges that they evaded taxes on nearly $1 million in income, the husband-and-wife owners of Ocean City's popular Manco & Manco pizzerias were ordered in federal court Thursday to give up their passports, and the husband to yield a stash of 16 weapons.
Charles Bangle, 54, and his wife, Mary, 53, were taken into custody Thursday morning at their home in Somers Point, N.J., by IRS investigators, who alleged that the couple concealed money to escape taxes and used it for personal expenses.
Once a tough L&I inspector, now defendant
The Bangles face 30 counts that include conspiracy to evade income taxes, income tax evasion from 2007 through 2011, and making false statements to the IRS. Charles Bangle also is charged with structuring financial transactions to avoid reporting requirements.
In federal court in Camden on Thursday, U.S. Magistrate Judge Ann Marie Donio ordered Charles Bangle to give up a weapons collection that includes 12 handguns, two shotguns, and two rifles by 3:30 p.m. Friday.
Charles Bangle, wearing a green long-sleeve shirt, blue jeans, and glasses, spoke only when agreeing to the terms. His attorney, Vincent Sarubbi, declined to discuss the case.
Mary Bangle, who had a public defender but acknowledged to the judge that she planned to retain counsel, appeared in a gray long-sleeved shirt and dark pants. Neither she nor her husband had to enter pleas Thursday. Their formal arraignment was set for April 14.
Their restaurant chain - known as Mack & Manco until 2011 - dates to 1956, and has three locations on Ocean City's boardwalk and one in Somers Point.
An indictment unsealed Thursday alleges that Charles and Mary Bangle were employees of Mack & Manco Pizza until they purchased a controlling interest in 2011. Charles Bangle handled the day-to-day operations, and Mary Bangle, daughter of the late Frank Manco, was responsible for cash and payroll.
The indictment alleges that the Bangles skimmed large sums of cash from the business for five years. Charles Bangle reportedly deposited significant amounts of that cash into their personal TD Bank account in amounts less than $10,000. Transfers of $10,000 or more trigger a report from financial institutions to the U.S. Department of Treasury.
The indictment alleges that the Bangles concealed about $981,000 in income from the IRS and used the proceeds for personal expenses. Had the money been reported, authorities allege, the Bangles would have owed an additional $336,273 in taxes.
On the boardwalk in Ocean City, where the Manco name is nothing less than a Shore institution, its reputation built on historically thin crust and its famous sauce hose, there was surprise and raised eyebrows among the people walking on a sunny but crisp afternoon.
"I would have never thought they didn't claim every slice of pizza they sell for $2.50 a slice or whatever they charge," said Doug Richards, who worked for Mack & Manco back in the '70s. "They're renowned all over the place."
The shops - with the still-jarring "Manco & Manco" green lightbulb signs that replaced the "Mack & Manco" signs after the transfer of ownership - were closed due to winter hours.
But among diehards on the actual boardwalk - and the virtual one on Twitter - the consternation was real.
"I'll literally die if Manco and Manco closes," tweeted Alaina Mesmer.
"They've probably been here 100 years," said Norman Kaufman, 79, walking the boardwalk on a trip from Cherry Hill. "I was surprised. I assume they probably will still be open."
For now, Kaufman was making do with curly fries - and the promise of a new Chickie's & Pete's being constructed just a Goofy Golf course away from the flagship Manco's near Ninth Street.
Naturally, with a cheese pie, hold the taxes, story breaking, the pizza puns were immediately in play.
"There's a lot of dough in there - but they kept it," quipped Paul DiFillippo, 85, of Ocean City. "I think they had a lot of crust."
And among crusty locals, there was some skepticism that Manco's deserved its high priest of pizza status, and more than a few people remarked about its prices.
"There are 10 other pizza shops on this boardwalk," DiFillippo said.
Indeed, at Three Brothers Pizza a few doors down, where the owners had opened Thursday after seeing the sunshine, customer Larry Wyatt, 74, dismissed the Manco legend as myth. He prefers the New York style pizza at Three Brothers, which descends from New York pizzerias dating to 1969, he said.
"I won't eat anything that comes out of a tube," he said, referring to the Manco sauce hose.
At the beachfront home in Ocean City where Kay Manco, Frank Manco's widow, still lives, a man answering the door refused to comment. Frank Manco's father, Vincent, helped start the business. Frank Manco died a year ago, but Kay Manco is a familiar sight around Ocean City, having been seen in church just last Sunday.
At the Somers Point store, called Manco & Manco Too, which was open Thursday, employees would not comment, but one patron said he had driven down from Philadelphia and made a specific stop because the boardwalk restaurants were closed. He said he grew up eating Mack & Manco's.
"The pizza's excellent," said the man, who identified himself only as Larry G. "The quality of the pizza is still good."
"I can't believe it," said Maureen Hoffman of Strathmere, eating at the counter. "I mean, I can believe it, but I can't believe it. I was wondering if they were going to be closed. I am just sort of floored."
An employee said the owners had requested that reporters not be allowed in the shop.
arosenberg@phillynews.com
@amysrosenberg
www.inquirer.com/downashore
Posted: April 3, 2014 - 11:08 AM
Barbara Boyer, Amy S. Rosenberg, and Michael Boren, Inquirer Staff Writers
What constitutes 'normal' weather in Philly and elsewhere is surprisingly complicated, and always changing
Anthony R. Wood
Still waiting for packages that were mailed in December? It could be a while.
Ellie Rushing
Vaccine ramp-up hitting snags, and a highly contagious coronavirus variant appears in the Philly region
Anthony R. Wood, Allison Steele and Oona Goodin-Smith
Affordable Care Act open enrollment ends Friday in Pennsylvania
Harold Brubaker
Pa. expected to release plans next week to start vaccinating people 65 and older; Atlantic City vaccine mega site to open soon as N.J. hospitals brace for coronavirus surge
Erin McCarthy and Rob Tornoe


Read-This is a design blog that primarily focuses on graphic design, branding, advertising and anything else that grabs me. Its taken me a while, having been a guest on the DesignYak, a great blog by Steve Leard, I've finally got round to setting up Read-This. My aim is to use this blog to archive any images and design work that interests me and as a result I'll be sharing it with you. Hope you enjoy the blog and I'd welcome any feedback/comments/thoughts. You can see Lionel in action here.
What time is Neighbours on?


Since 1919, six expansions have occurred, each increasing the services offered to the community. The sixth and largest expansion was completed in 1995 and added 57,000 square feet to the existing facility. This is where the current Family Birth Center, surgery, ICCU, and pharmacy are located. Our most recent project, completed in 2008, included a major renovation and expansion of 34,000 square feet. This included a new 17,000-square-foot Emergency Department, renovated lab, renovated medical records, renovated radiology department and additional patient service areas.