IT'S time for supper! during this hugely expected sequel, you'll take pleasure in ninety nine scrumptious, full-color dishes that burn fat, reduce cravings, heal your digestion, balance your hormones, and give you all-day-energy! Formulated by means of long island instances Best-selling writer and ordinary weight reduction professional Jonathan Bailor, your SANE Certified™ major dish recipes are extensively varied from the hormone destructive fare you will discover at such a lot eating place, so much "healthy" cookbooks, or even some of the "clean" recipes at the internet.
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Mourinho resigned to losing Costa for Spain duty
By Matt McGeehan
October 31 2014 02:24 PM
Chelsea boss Jose Mourinho insists he is powerless to stop Diego Costa joining up with Spain for the forthcoming internationals.
The striker is only just returning to fitness following a hamstring injury exacerbated during the last international window.
Costa, who has scored nine goals in seven Premier League appearances, has missed the Blues' matches with Crystal Palace, Maribor, Manchester United and Shrewsbury after playing almost every minute for Spain against Slovakia and Luxembourg in the October internationals.
Spain will next week name their squad for the Euro 2016 qualifying match with Belarus on November 15 and Germany, their successors as world champions, in a friendly three days later.
Asked whether Costa would be part of the Spain contingent, Mourinho said: "That's not my call, that's not my decision.
"I'm nobody to stand in the way. I cannot stop him from going."
Costa could play against QPR today at Stamford Bridge in what would be his first Chelsea appearance since the October 5 defeat of Arsenal
Mourinho, perhaps in a statement directed towards Spain boss Vicente del Bosque, is adamant the £32million signing from Atletico Madrid will be handled with care.
Mourinho added: "Again he needs to be under special care and we are going to do that. It's the only thing we can do. I'm always supportive of players playing for their countries when the players are in condition to do it and when the players in the national team follow the same kind of procedures to recover from the problems they have."
Costa's absence has been particularly galling for Mourinho as striker Loic Remy suffered a groin injury in the defeat of Maribor, who Chelsea play in Champions League Group G next Wednesday.
The saving grace has been the form of 36-year-old Didier Drogba, who has scored in three successive matches against Maribor, Manchester United and Shrewsbury. "To be important you don't need at the age of 36 to play 90 minutes of 50 matches. "To be important you need to be there when the team needs you to be there. He was fantastic for us in the last week when we were in real trouble, without Diego and without Remy."

redpajama_set_name: RedPajamaCommonCrawl


As promised, a follow up day in the life of, this time November 2005, a year later. Taylor is on Novorapid and Lantus and has been since Easter this year.
I stagger out of bed and plonk myself in front of the computer and pull up the uni site. Bleary eyed I can see Taylor and Jessie in their beds across the hallway, wow they look so angelic and peaceful when they're sleeping.
The start of a beautiful day in Paradise!
7.00am: Wake the kids up for school. Ree begins making school lunches, Brent organises cereal for them all, Taylor tests, Jessie whinges and I sit back at my desk poring over exam prep notes.
8.00am: The kids are ready for school, bags packed, hats and uniforms on. We load the car and head for school. As I drop the kids off I check they have everything, all is good and off I go. I love this new school, it's a little bit further to get to but all of the kids are thriving there.
3.00pm: Time to pick the kids up from school. The girls come skipping out full of lots of news and stories from their day. Wow no calls from the school today. It still amazes me that I've gone from 2-7 calls a day at the old school to maybe a call a month at this school. Who would have thought that things could be so different.
3.30pm: Time for afternoon snack. I call out for Ree to organise a snack for everyone and things go quiet. My house is so much better organised this year. Is it really better organised? or just less worried?
8.30pm: Taylor wanders in with her Lantus. I ask her how she is and she says 'Great Mum!' I don't even ask her what her levels are, secure in the knowledge that at least for now she is happy to and capable of looking after it herself. How long this will last? who knows lol but I'll just take advantage of it for now.
9.00pm: The kids are all asleep, tucked up snug in their beds, and I can go to bed now too. I love these early nights! No more struggling to study late at night because I've wasted the bulk of my day fielding phone calls from school. I actually get to really study during good study times now.
6.30am: Hmmmmm it's Saturday, so I roll over and go back to sleep.
9.30am: Taylor wanders in and wakes me up. She's woken and feels great.. "what can I have for breakfast Mum?", she asks, and I reply "anything you like honey" (such a far cry from having 2 weetbix and milk every single morning because it was predictable enough for us to plan our day around!
The totally different lifestyle we lead now using Lantus as opposed to that when Taylor was on Monotard is still amazing to all of us. I still wake around 5 or 6ish every morning, after having done it every day for 4 years solid I guess my body clock is well and truly set. In the past 7 months I've only had to test Taylor one night and that was because she was ill. Her hypo awareness has been amazingly better, her levels much more stable and she herself has been a much happier little munchkin. The kids changed to a new school at the start of the year. The staff at the new school actually know how to read and don't ring me every day, or even every week, hell, they don't even ring me every month and boy it's nice!


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The Big Blue Pool will be closed for refurbishment beginning in fall 2020. View Details
Please Pardon Our Pixie Dust
Beginning in fall 2020, The Big Blue Pool will be closed for refurbishment. While this work takes place, our other exhilarating pool and recreation offerings will remain open for your enjoyment—including Flippin' Fins Pool, Cozy Cone Pool and the Schoolyard Sprayground.
Noise may be heard while this work is being completed, but noise should not be heard from Guest rooms between dusk and 9:00 AM. We apologize for any inconvenience this may cause, and appreciate your patience and understanding.
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Travel by bus to all the parks throughout Walt Disney World® Resort, as well as the Downtown Disney® area.
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Grab a quick bite at a colorful restaurant with quick-and-delicious as well as build-your-own fare inspired by international and American favorites. And enjoy pizza delivered to your room.
Swim in a delightfully animated pool, jog around a scenic 1.38 mile-trail and play games in a fun-filled arcade. Kids can play in their own playground. For more family fun, watch movies under the stars.
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clubdeski.it » History books » A Social History of Western Europe, 1450-1720: Tensions and Solidarities Amongst the Rural People (Hutchinson university library for Africa)
Fb2 A Social History of Western Europe, 1450-1720: Tensions and Solidarities Amongst the Rural People (Hutchinson university library for Africa) ePub
by Sheldon J. Watts
Sheldon J. Watts Historical Study and Educational Resources English
Category: Historical Study and Educational Resources
Subcategory: History books
Author: Sheldon J. Watts
Publisher: HarperCollins Publishers Ltd; 1st edition (October 22, 1984)
Digital formats: mbr lit mobi lrf
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This thoroughly readable and stimulating social history of Western Europe, first published in 1984, explores the family, religion and the supernatural, and the social structure and social controls of rural society
This thoroughly readable and stimulating social history of Western Europe, first published in 1984, explores the family, religion and the supernatural, and the social structure and social controls of rural society. This title will be of interest not only to students, but to anyone who is anxious to understand the lives – both internal and external – of rural people in his fascinating period that is so central to everyone's past.
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This thoroughly readable and stimulating social history of Western Europe, first published in 1984, explores the family, religion and the supernatural, and the social structure and social controls of rural society.
History of Western Europe, 1450-1720 : Tensions and Solidarities . Release Date:January 1984. Publisher:Hutchinson University Library.
book by Sheldon J. Social History of Western Europe, 1450-1720 : Tensions and Solidarities Amongst the Rural People.
Libro 15. Sheldon J. Watts6 de julio de 2017
Libro 15. Watts6 de julio de 2017.
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And that not dwelt in now by men or women.
An emptiness flayed to the very stone.
None not in hiding from the outward eye.
Or branch to whistle after what was spent.
For the next one to open for himself.
Before I made the tenth across the threshold.
Where was my supper? Where was anyone's?
No lamp was lit. Nothing was on the table.
And down by one side where it lacked a leg.
Were people to the ear but not the eye.
They were not on the table with their elbows.
They were not sleeping in the shelves of bunks.
I saw no men there and no bones of men there.
I picked up off the straw-dust-covered floor.
Not bones, but the ill-fitted window rattled.
About the house—about the people not there.
Where Asia wedges Africa from Europe.
Break silence now or be forever silent.
Let him say why it should not be declared so."
Is extreme where they shrink to none at all.
It must be I want life to go on living.


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Lord Wolfson
The Wolfson foundation donated money for the building of a dementia research unit at University College London. The university commissioned this bust to sit outside the unit in Bloomsbury. I worked closely with his family and colleagues using four photographs as the starting point. His portrait was unveiled in early 2013.
Material Bronze
Client University College London
Location Queens Square, Bloomsbury
Size 130% life size
A relief carving of actor Bill Owen as his character Compo in Last of the Summer Wine.
This portrait study is life-size and carved in Carrara marble from a clay maquette.
Sir Harold Hillier
This bronze is of the eminent horticulturalist and plant collector Sir Harold Hillier


Rob Weys has lived in Squamish for over 16 years with his wife Jill and three boys. They decided to live and raise their family in Squamish because of its affordability, access to nature, outdoor activities and proximity to Vancouver and Whistler.
Rob manages his own business development company that launches startups, concepts and products. Additionally, he has been a partner in a number of local small businesses and worked for a number of established multinationals in various executive roles.
With extensive experience in business development, management, operations, and marketing, Rob has worked closely with federal agencies, provincial ministries, municipalities, foundations, charities and numerous Chamber of Commerce Groups throughout the province.
In addition to his current role on the Squamish Chamber of Commerce, Rob is a Director with the Squamish Community Foundation, Squamish Youth Soccer Association, and North Shore Youth Soccer Association.
Past roles include Director with the Surfrider Foundation, Tantalus Wellspring Society, and a member of the Squamish Breakfast Club.
Hilary Ewart is an innovative global human resources and organizational development specialist. With over 20 years of human resources experience (HR) in executive roles, she brings in-depth professional expertise in change management, organizational development, leadership development and conflict management. Hilary helps clients shape HR and people strategy, ensuring goals are clearly linked to the strategy.
She has worked in many fields including retail, hospitality, tourism, education, and healthcare. As Vice President Peopleworks, Flight Centre Canada and Director of HR at the College of Physicians & Surgeons of BC, Hilary led HR efforts in both organizations which resulted in repeatedly being recognized as one of Canada's top 100 employers. She is also a member of the start-up team for Quest University Canada, the country's first independent, not-for-profit University.
Hilary currently volunteers her time with Cutting Barriers employment and training, a local community initiative for the homeless and the Looking Glass Foundation. She also supports organizations, such as Take a Hike, youth at risk and North Shore Rescue by raising funds through running endurance races.
Christine Campbell is a local businesswoman who owns and operates C Campbell Agency, a company that offers bookkeeping and business development support. For many community members, Christine is the go-to person for assistance on a variety of levels; be it project management, social media marketing, systems troubleshooting or accounts management and bookkeeping.
Born in Squamish, Christine is known as a steadfast volunteer for many local events. She is also an avid participant community member well known to the many people and businesses she has worked with over the years. Christine also has four years of experience working as the Executive Director of the Downtown Squamish Business Improvement Association (DSBIA). Christine's common sense and years of experience working and living in Squamish contribute to the board's consistency and her personable nature keeps people smiling.
Erin has been a proud resident of Squamish for eight years and her interest in being a Director comes from her desire to further contribute to the Squamish community. She is interested in enhancing her community involvement by taking an active role in supporting business, economic growth and diversification as the Squamish community continues to grow.
Erin's community involvement includes being a member of the Squamish Valley Photography Club, a volunteer and member of the Squamish Off Road Cycling Association (SORCA), and a Coordinator with the Great Canadian Shoreline Cleanup Event.
With a solid business background that includes a Bachelor of Commerce degree from the University of Saskatchewan, Erin has 15 years of transportation, logistics & supply chain management experience from various positions with Canadian Pacific Railway and Squamish Terminals. She is an excellent communicator who thrives in a team environment and enjoys putting her networking skills to use at Squamish Chamber events. Erin feels it is important to continue connecting with all the new faces in the ever-changing Squamish business community.
Kathleen van der Ree is a partner with Race & Company LLP in Squamish. Kathleen has practiced law in the Sea to Sky Corridor since 2006, mainly in the areas of Real Estate, Wills and Estates and Corporate/Commercial law. Born and raised in Vancouver, BC, Kathleen moved to Whistler after obtaining a BA in Philosophy from Simon Fraser University and a LLB from the University of Manitoba. Prior to her articling year, Kathleen worked with at the BC Attorney General's office in Vancouver with the Human Rights/Civil Litigation department.
Kathleen is an active member of Squamish's volunteer community and has served as a director of the Howe Sound Women's Centre (President), the Squamish Community Foundation and the Association of Whistler Area Residents for the Environment and is currently a director with the Rotary Club of Squamish and the Squamish Senior Citizen's Housing Society.
Maxime Charron is the founder of LeadingAhead Energy. As a Chamber Director, he strives to guide a thriving Squamish through its growth in a sustainable way while integrating the Squamish foundations of Live, Work and Play.
Following graduation in International Business at the University of Ottawa and Sustainable Business Leadership from BCIT, Maxime founded LeadingAhead Energy, which provides and installs electric car charging stations across the country.
In the past year, Maxime has been on the environmental and international committees at the Surrey Board of Trade and has been a member of the Greater Vancouver Board of Trade for many years while being heavily involved in the Company of Young Professional cohort.
Maxime has been volunteering for two years with the Junior Achievement Program, where he teaches business to high school students. He also helped the organization update its program to include sustainability within the business curriculum.
He is also passionate about the outdoors; whether he is trail running, mountain biking, backcountry skiing, climbing, hiking or simply walking along the seawall, Maxime is always ready for the next adventure.
Bianca Peters has proudly lived, worked, and volunteered in Squamish since 1998. Bianca was the Executive Director of the Downtown Squamish Business Improvement Association (DSBIA) during which time she was an outspoken advocate for businesses and property owners in downtown.
She received the Squamish Chief's award for Best Arts Event in 2016 for the Tragically Hip event raising nearly $5000 for the Canadian Cancer Society; produced Pumpkin Patch in the Park to raise money for the Community Christmas Care campaign; produced the annual Santa Claus Parade; and produced the annual winter Passport to Shop & Win campaign to encourage shopping locally.
Bianca has also volunteered with many Squamish organizations, including the Squamish Historical Society (president and founder), the Squamish Culture & Heritage Festival, the Squamish Rotary Club, Britannia Mine Museum, and the Bully Free Howe Sound.
When Bianca is not working or volunteering she enjoys spending time in the Squamish estuary walking her dog with her husband and their two children.
As the Community Engagement & Development Officer for Woodfibre LNG Limited, Allie Meeres is committed to bringing responsible economic development to Squamish, as well as giving back to the local community through sponsorship and volunteerism.
Since joining the Woodfibre LNG team in February 2017, Allie has been a champion of the community groups and events that make Squamish so special. Among her work for the Squamish Chamber of Commerce she organized a Lunch & Learn: What LNG Means for Local Business in Squamish and has participated in several Chamber workshops and events; Allie is also a member of the Squamish Rotary Club.
Allie's volunteer work includes: The Hospital Foundation's Golf Tournament, Squamish Chamber of Commerce Golf Tournament, Squamish Days Loggers Sports, Children's Festival, Sikh Festival and Parade and Canada Day. Allie is also responsible for the Woodfibre LNG Community Sponsorship Program.
Prior to joining Woodfibre LNG, Allie managed marketing and communication for the Association for Mineral Exploration, which has a 5000-person membership and was a member of the Vancouver Board of Trade where she served on the Economic Development committee.
In her personal time, Allie volunteers at the BC Children's Hospital in the Child Life department. Allie also enjoys marathon running.
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The Squamish Chamber of Commerce is dedicated to enhancing the quality of life in the community by actively supporting business, economic growth and diversification.


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Essay on George Meredith by Arthur Symons
Arthur Symons, Essays, George Meredith
Meredith has always suffered from the curse of too much ability. He has both genius and talent, but the talent, instead of acting as a counterpoise to the genius, blows it yet more windily about the air. He has almost all the qualities of a great writer, but some perverse spirit in his blood has mixed them to their mutual undoing. When he writes prose, the prose seems always about to burst into poetry; when he writes verse, the verse seems always about to sink into prose. He thinks in flashes, and writes in shorthand. He has an intellectual passion for words, but he has never been able to accustom his mind to the slowness of their service; he tosses them about the page in his anger, tearing them open and gutting them with a savage pleasure. He has so fastidious a fear of dirtying his hands with what other hands have touched that he makes the language over again, so as to avoid writing a sentence or a line as any one else could have written it. His hatred of the commonplace becomes a mania, and it is by his head-long hunt after the best that he has lost by the way its useful enemy, good. In prose he would have every sentence shine, in verse he would have every line sparkle; like a lady who puts on all her jewellery at once, immediately after breakfast. As his own brain never rests, he does not realise that there are other brains which feel fatigue; and as his own taste is for what is hard, ringing, showy, drenched with light, he does not leave any cool shadows to be a home for gentle sounds, in the whole of his work. His books are like picture galleries, in which every inch of wall is covered, and picture screams at picture across its narrow division of frame. Almost every picture is good, but each suffers from its context. As time goes on, Meredith's mannerisms have grown rigid, like old bones. Exceptions have become rules, experiments have been accepted for solutions.
In Meredith's earliest verse there is a certain harshness, which seems to come from a too urgent desire to be at once concise and explicit. Modern Love, published in 1862, remains Meredith's masterpiece in poetry, and it will always remain, beside certain things of Donne and of Browning, an astonishing feat in the vivisection of the heart in verse. It is packed with imagination, but with imagination of so nakedly human a kind that there is hardly an ornament, hardly an image, in the verse: it is like scraps of broken, of heart-broken, talk, overheard and jotted down at random, hardly suggesting a story, but burning into one like the touch of a corroding acid. These cruel and self-torturing lovers have no illusions, and their 'tragic hints' are like a fine, pained mockery of love itself, as they struggle open-eyed against the blindness of passion. The poem laughs while it cries, with a double-mindedness more constant than that of Heine; with, at times, an acuteness of sensation carried to the point of agony at which Othello sweats words like these:
O thou weed,
Who art so lovely fair,
and smell'st so sweet
That the sense aches at thee,
would thou hadst ne'er been born!
Meredith has written nothing more like Modern Love, and for twenty years after the publication of the volume containing it he published no other volume of verse. In 1883 appeared Poems and Lyrics of the Joy of Earth; in 1887 Poems and Ballads of Tragic Life; and, in 1888, A Reading of Earth, to which A Reading of Life is a sort of companion volume. The main part of this work is a kind of nature-poetry unlike any other nature-poetry; but there are several groups which must be distinguished from it. One group contains Cassandra, from the volume of 1862, The Nuptials of Attila, The Song of Theodolinda, from the volume of 1887. There is something fierce, savage, convulsive, in the passion which informs these poems; a note sounded in our days by no other poet. The words rush rattling on one another, like the clashing of spears or the ring of iron on iron in a day of old-world battle. The lines are javelins, consonanted lines full of force and fury, as if sung or played by a northern skald harping on a field of slain. There is another group of romantic ballads, containing the early Margaret's Bridal Eve, and the later Arch-duchess Anne and The Young Princess. There are also the humorous and pathetic studies in Roadside Philosophers and the like, in which, forty years ago, Meredith anticipated, with the dignity of a poet, the vernacular studies of others. And, finally, there is a section containing poems of impassioned meditation, beginning with the lofty and sustained ode to France, December 1870, and ending with the volcanic volume of Odes in Contribution to the Song of French History, published in 1900.
But it is in the poems of nature that Meredith is most consistent to an attitude, most himself as he would have himself. There is in them an almost pagan sense of the nearness and intimacy of the awful and benignant powers of nature; but this sense, once sufficient for the making of poetry, is interpenetrated, in this modern poet, by an almost scientific consciousness of the processes of evolution. Earth seen through a brain, not a temperament, it might be defined; and it would be possible to gather a complete philosophy of life from these poems, in which, though 'the joy of earth' is sung, it is sung with the wise, collected ecstasy of Melampus, not with the irresponsible ecstasy of the Mænads. It is not what Browning calls 'the wild joy of living,' but the strenuous joy of living in perfect accordance with nature, with the sanity of animals who have climbed to reason, and are content to be guided by it. It is a philosophy which may well be contrasted with the transcendental theories of one with whom Meredith may otherwise be compared, Emerson. Both, in different ways, have tried to make poetry out of the brain, forgetting that poetry draws nourishment from other soil, and dies in the brain as in a vacuum. Both have taken the abstract, not the concrete, for their province; both have tortured words in the cause of ideas, both have had so much to say that they have had little time left over for singing.
Meredith has never been a clear writer in verse; Modern Love requires reading and re-reading; but at one time he had a somewhat exasperating semblance of lucidity, which still lurks mockingly about his work. A freshman who heard Mallarmé lecture at Oxford said when he came away: 'I understood every word, but not a single sentence.' Meredith is sometimes equally tantalising. The meaning seems to be there, just beyond one, clearly visible on the other side of some hard transparency through which there is no passage. Have you ever seen a cat pawing at the glass from the other side of a window? It paws and paws, turns its head to the right, turns its head to the left, walks to and fro, sniffing at the corner of every pane; its claws screech on the glass, in a helpless endeavour to get through to what it sees before it; it gives up at last, in an evident bewilderment. That is how one figures the reader of Meredith's later verse. It is not merely that Meredith's meaning is not obvious at a glance, it is, when obscure, ugly in its obscurity, not beautiful. There is not an uglier line in the English language than:
Or is't the widowed's dream of her new mate.
It is almost impossible to say it at all. Often Meredith wishes to be too concise, and squeezes his thoughts together like this:
and the totterer Earth detests,
Love shuns, grim logic screws in grasp, is he.
In his desire to cram a separate sentence into every line, he writes such lines as:
Look I once back, a broken pinion I,
He thinks differently from other people, and not only more quickly; and his mind works in a kind of double process. Take, for instance, this phrase:
Ravenous all the line for speed.
An image occurs to him, the image of a runner, who, as we say, 'devours' the ground. Thereupon he translates this image into his own dialect, where it becomes intensely vivid if it can be caught in passing; only, to catch it in passing, you must go through two mental processes at once. That is why he cannot be read aloud. In a poem where every line is on the pattern of the line I have quoted, every line has to be unriddled; and no brain works fast enough to catch so many separate meanings, and to translate as it goes.
Meredith has half the making of a great artist in verse. He has harmony without melody; he invents and executes marvellous variations upon verse; he has footed the tight-rope of the galliambic measure and the swaying planks of various trochaic experiments; but his resolve to astonish is stronger than his desire to charm, and he lets technical skill carry him into such excesses of ugliness in verse as technical skill carried Liszt, and sometimes Berlioz, in music. Meredith has written lines which any poet who ever wrote in English would be proud of; he has also written lines as tuneless as a deal table and as rasping as a file. His ear for the sweep and texture of harmonies, for the building up of rhythmical structure, is not seconded by an ear for the delicacies of sound in words or in tunes. In one of the finest of his poems, the Hymn to Colour, he can begin one stanza with this ample magnificence:
Look now where Colour, the soul's bridegroom, makes
The house of heaven splendid for the bride;
and can end another stanza thus lumpishly:
With thee, O fount of the Untimed! to lead,
Drink they of thee, thee eyeing, they unaged
Shall on through brave wars waged.
Meredith is not satisfied with English verse as it is; he persists in trying to make it into something wholly different, and these eccentricities come partly from certain theories. He speaks in one place of
A soft compulsion on terrene
By heavenly,
which is not English, but a misapplication of the jargon of science. In another place he speaks of
The posts that named the swallowed mile,
which is a kind of pedantry. He chooses harsh words by preference, liking unusual or insoluble rhymes, like 'haps' and 'yaps,' 'thick' and 'sick,' 'skin' and 'kin,' 'banks' and 'thanks,' 'skims' and 'limbs.' Two lines from The Woods of Westermain, published in 1883 in the Poems and Lyrics of the Joy of Earth, sum up in themselves the whole theory:
Life, the small self-dragon ramped,
Thrill for service to be stamped.
Here every word is harsh, prickly, hard of sense; the rhymes come like buffets in the face. It is possible that Meredith has more or less consciously imitated the French practice in the matter of rhymes, for in France rarity of rhyme is sought as eagerly as in England it is avoided. Rhyme in French poetry is an important part of the art of verse; in English poetry, except to some extent at the time of Pope, it has been accepted as a thing rather to be disguised than accentuated. There is something a little barbarous in rhyme itself, with its mnemonic click of emphasis, and the skill of the most skilful English poets has always been shown in the softening of that click, in reducing it to the inarticulate answer of an echo. Meredith hammers out his rhymes on the anvil on which he has forged his clanging and rigid-jointed words. His verse moves in plate-armour, 'terrible as an army with banners.'
To Meredith poetry has come to be a kind of imaginative logic, and almost the whole of his later work is a reasoning in verse. He reasons, not always clearly to the eye, and never satisfyingly to the ear, but with a fiery intelligence which has more passion than most other poets put into frankly emotional verse. He reasons in pictures, every line having its imagery, and he uses pictorial words to express abstract ideas. Disdaining the common subjects of poetry, as he disdains common rhythms, common rhymes, and common language, he does much by his enormous vitality to give human warmth to arguments concerning humanity. He does much, though he attempts the impossible. His poetry is always what Rossetti called 'amusing'; it has, in other words, what Baudelaire called 'the supreme literary grace, energy'; but with what relief does one not lay down this Reading of Life and take up the Modern Love of forty years ago, in which life speaks! Meredith has always been in wholesome revolt against convention, against every deadening limitation of art, but he sometimes carries revolt to the point of anarchy. In finding new subjects and new forms for verse he is often throwing away the gold and gathering up the ore. In taking for his foundation the stone which the builders rejected he is sometimes only giving a proof of their wisdom in rejecting it.
Literary Essay on Charles Lamb by Arthur Symons
Literary Essay on John Donne by Arthur Symons
Literary Essay on Emily Bronte by Arthur Symons
Essay on Edgar Allan Poe by Arthur Symons
Essay on Gustave Flaubert by Arthur Symons
Essay on Sarojini Naidu by Arthur Symons


Searched over the internet for this when trying to install Grav.
them for compatibility's sake), I noticed Brief and ScribeFire (with nice logos :P), they are all free and are featured, which implies they are good for something. Why don't give them a spin?
Yes. I use Windows. Don't laugh!
You get to see the content of the post from the feed.
You can rate, mark read and deletes items.
Set individual update rate for each feed, or for all feeds.
Basically, the above CSS set the width of the content element to roughly 80% of the full window width, tell Firefox to trim off anything that come further than the edge, force all text size to 12 points to readability; and that's it! The text content is wrapped nicely inside the window's width, oversized pictures are trimmed off, should I want to view then, and "View Image" will come in handy.
But because it inherited from Firefox's Live bookmark, it also share LB's limitations like you can't read the full post inline (if the publisher have chosen to publish it short), this can be frustrating reading feeds with lots of item. You want to read it? New tab! Shouldn't a feed reader simplify the reading process? And looks like it's compatible only with feeds which the Live Bookmark feature in Firefox is capable of reading.
So, if you want a news reader and like to pray that the updates work (possibly it just doesn't like me), and always wanted to change the way how your news look, then Brief is right; but if you are looking for something that will satisfy all your reading need, there's still a long way to go.
A lightweight blogging plugin (about 500K). It lets you conveniently blog about stuff you like (a site, an image, you tube video etc.) straight from Firefox with a mouse click (or F8).
Yes, it implements many popular blogging services like WordPress, Blogger, Xanga, and custom blogs that implement the MetaWebLog API. For the basic part, it allows you to create / edit posts in a WordPad-like interface.
Insert a You tube video: Same as Flickr.
Blogging toolbar: when you visit a blog of yours that you have registered with ScribeFire, you can quickly edit your posts and page by clicking their titles, nice feature that WordPress lacks, but can be fixed with a simple template tag (but that's another story).
Managed ads: Haven't tried this feature. Looks like it lets you insert and track ads easier, but I don't like this one. I know that the plugin maker has the right to make some dough from this but it makes me suspicious if this plugin's authenticity. To this point I trust it solely because it's Mozilla-featured, and I'm still dubious. Furthermore, the space it takes to the left of the page looks clumsy; I just want to remove it off sight!
I know that Word doesn't have the full functionality set, but I feel more inspired blogging with Word than ScribeFire. UI over functionality, how superficial I am :P. But that's not the only drawback of this plugin.
Every time you insert an image, you will have to wait for it to upload if it's from your computer, in contrast with Word which uploads the image after you have published the post. ScribeFire's approach makes the user wait, even if the delay is relatively short on broadband, it's still a delay and the user (me) isn't comfortable with it. It does have the advantage of easier control on which image has been uploaded and which have not (Word always upload all images every time you publish a post), but again, Word does not make the user wait: money can't buy time but it can buy server space :P.
No find function in the code view (while the near-WYSIWYG editor has). You have like 1000 lines of HTML for your post? Forget your custom classes!
Both of the plugins are new, they have the potential to become better but for the moment, I'm done testing.


Alexios II Komnenos or Alexius II Comnenus (Greek: Αλέξιος Β' Κομνηνός, Alexios II Komnēnos) (10 September 1169 – October 1183) was Byzantine emperor from 1180 to 1183. He was the son of Emperor Manuel I Komnenos and Maria, daughter of Raymond, prince of Antioch. He was the long-awaited male heir and was named Alexius as a fulfilment of the AIMA prophecy.
↑ An alternative date of birth occasionally given is 1168 (van Dieten 1975, p. 169), based on William of Tyre's statement that Alexios was 13 in 1180. For discussion, concluding that 14 September 1169 is correct, see (Wirth 1956); (Magoulias 1984, p. 383).
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Alexius II.". Encyclopædia Britannica (11th ed.). Cambridge University Press.


We're The Ultimate way to travel the Big Easy!
Traveling New Orleans with Jeff allows you to visually experience our city in a very engaging and intimate fashion. Customers will experience our diverse neighborhoods and unique culture while a life-long resident born and bred in the Big Easy navigates them throughout the city and explains its charming history.
Sights from "Travel NOLA with Jeff!"
Historic Places To Visit On Our City Tour!
New Orleans is a city filled with an amazing and exciting history. As your tour guide, Jeff will tell the history of the diverse locations, people, and buildings that has and still occupy New Orleans for 300 years. From the famous streets like Bourbon, Canal, and Royal to the oldest Black neighborhood in America, Treme, Travel NOLA with Jeff to visit such landmarks and learn the history that encompasses the culture.
The Merriam-Webster dictionary says "culture is the customary beliefs, social forms, and material traits of a racial, religious, or social group; also the characteristic features of everyday existence".
The "characteristic features of everyday existence" for the city of New Orleans is historically, presently, and probably will always be totally different than the rest of the United States.
NOLA represents the country's first melting pot. Before the French arrived and mingled with Native Americans, Canadians were traveling in to trade with those same Native Americans. It is a place where free people of color migrated. Along with having the most free people of color as residents, NOLA also gave us black creoles as a result of the mixing of French and Africans.
NOLA introduced Congo Square, a section of the city where slaves were given a day off and were allowed to sell their goods and services as a way to buy their freedom, as well as play their music, which lead to the birth of Jazz.
NOLA represents the only bi-lingual city in the United States during the 1800's. It is a city that during that time period housed French, Spanish, Italian, Haitian, African, German, and Native American citizens.
NOLA is a city that never sleeps, but is never in a hurry........(The Big Easy). It creates wonderful music as well as the world's best food!
NOLA gives us Mardi Gras like no other can, second lines that celebrate weddings, funerals, and .......just because the sun is shining. Where else can you experience the awesomeness of the Mardi Gras Indians?
Experience it with one of NOLA's native sons...........Travel NOLA with Jeff!


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Caring & Carers
Culture Awareness
Positive Ageing
Procurement & Governance
A merry year in review
There were some huge news events this year, making 2019 probably one of the most important and transformative years for aged care and older Australians.
by Liz Alderslade
This year was full of huge news events and stories, Talking Aged Care can't wait to see what 2020 brings! [Source: Shutterstock]
Here is Talking Aged Care's year in review of the biggest news stories from 2019!
In January, the Royal Commission into Aged Care Quality and Safety launched its website and contact details and was officially open for business.
This was the beginning of the Commission related news for January, with Commissioners warning the Government and aged care providers they would be dealing harshly with any organisation or group that refused to provide information or prevented someone from speaking out.
In other areas, the Government provided heavy investment into dementia and Parkinson's research during January.
In February, ahead of the first Royal Commission hearing, the Government announced a $662 million funding boost to cover residential aged care and Home Care Packages.
The first official hearing of the Royal Commission happened in February with Commissioners hearing there was a "significant imbalance of power between recipient[s] and provider[s]".
Aboriginal and Torres Strait Islanders also received more support from the Government through a $60 million investment into the expansion of a flexible aged care program in remote Australia.
In March, consumer peak body, National Seniors Australia, called for Government reforms to assist with the rising costs of health care so older Australians could continue accessing private health insurance.
The Government proposed a website to combat "bill shock" and to show the true cost of specialist fees before older people went to their appointments.
It was also campaign season in March, with peak bodies petitioning Government parties to commit stronger policies to aged care.
In Royal Commission news, one of the March hearings received evidence from a witness who described the My Aged Care process as "waiting for people to die".
In April, the Federal Budget for 2019-20 was released ahead of the May election. And while it was welcomed by peak bodies, they also received criticism about being a missed opportunity for positive aged care boosts.
It was expected that 4,000 lives would be claimed in Australia during flu season because of projections from the Immunisation Coalition.
DPS made a big announcement in April with a new Chief Executive Officer (CEO) coming on board to pave the future for the aged care and disability multimedia company.
Another theme in April was around housing. Talking Aged Care reported on the shortage of affordable rentals for older Australians and a new housing project providing a home to older homeless women, receiving an industry award for the initiative.
May was election month, where peak bodies began to get worried around the deafening silence from both major parties around aged care policies and commitments. And after a Leaders Debate in May between the two major parties, peak bodies were unhappy with the absence of aged care mentions.
Following the re-election of the Liberal Government, there was a Cabinet reshuffle and Australia had a new Minister for Aged Care and Senior Australians, Robert Colbeck. With the former minister with those portfolios, Ken Wyatts, becoming Minister for Indigenous Affairs.
The Royal Commission focused on restraint practises in aged care during May, finding there were concerning high levels of different restraints used on older people in Australian aged care facilities.
In June, there was an increase to the Minimum Wage and Modern Award, which received a concerned response from industry peak body, Leading Age Services Australia (LASA), because of the staffing cost implications on services.
A new research paper from the University of South Australia found that the use of psychotropic medications doubles the risk of falls and hip fractures.
One of the first intergenerational living studies was trialled in Australia, with a group of young university students moving into the Cooinda Aged Care Gympie facility in Queensland to spend time with elderly residents while receiving cheaper accommodation during their time at university.
World Elder Abuse Awareness Day (WEAAD) is in June, putting a spotlight on neglect and abuse directed at older Australians.
The new Aged Care Quality Standards came into effect at the beginning of July, kickstarting the aged care industry into a new age of higher quality care for consumers.
A research study found that most people over 40 had at least five undiagnosed health problems, while data from the Government revealed an increasing number of people were waiting for a Home Care Package at their approved level of care.
One of the most shocking reports for July was the mass nurse walk out of an aged care facility in Queensland, causing an emergency response from the State, commonly seen during natural disasters like floods or bush fires.
In August, new research released from multiple universities across America, England and Australia, found that a healthy lifestyle can reduce the genetic risk of developing dementia.
The Royal Commission heard from witnesses blaming problems in the aged care sector on the Government and their inaction over the last decade.
The Old People's Home for 4 Year Olds series launched on ABC television in August, receiving praise from viewers around the importance of the social experiment and the impact the children had on the elderly participants.
Another report from a not-for-profit aged care provider revealed that university students were unlikely to consider aged care as a career, furthering the unglamorous view of the industry.
In September, Dementia Action Week challenged peoples perceptions of dementia in Australia and the discrimination that comes from it.
A new study found that many older Australians were retiring while still paying off their mortgage, putting extra housing and financial stress on elderly people.
During the Royal Commission, there was an extensive look into young people with disability living in aged care facilities. The revelations of the lonely life in a nursing home for younger people with disability was astounding to the Commissioners.
October saw a lot of new reports released, including research finding that New South Wales aged care residents were more likely to be hospitalised if there were low staffing or skill levels at the nursing home where they receded.
The ABC dedicated an entire episode of the Q&A focussed on the aged care sector, bringing hot debate around staffing ratios, food quality, dementia support and accreditation.
A sad day for the Royal Commission, Commissioner Richard Tracey passed away in October after a recent cancer diagnosis.
At the end of October, the Australian Institute of Family Studies announced the largest-scale study into the prevalence of elder abuse in the country with the aim of the research to assess the nature of elder abuse and how wide-spread it is in Australia.
A brand new publication focusing on all things Home Care also hit the market when DPS released the DPS Guide to Home Care.
In November, the Royal Commission finally released the long-awaited Interim Report, highlighting three key areas to be fixed immediately. The report was critical of the inaction from Government and called for change.
The Government responded to the Commissioner's report providing a further $527 million to the industry for Home Care Packages.
Following the Interim Report, Government announced a push towards older Australians remaining in the workforce for longer, receiving mixed responses from industry peak bodies. The aim of keeping older people in the workforce for longer was to help stave off the burden more elderly Australians would have on the future economy.
In December, the peak bodies made an end of year appeal to the Government to provide more funding to aged care to prevent a 2020 industry emergency.
The final hearing of the year for the Royal Commission looked into what makes best practice aged care and how that can be rolled out throughout the industry.
And that sums up the biggest news of the year!
A big Merry Christmas and Happy New Year from the Talking Aged Care team and we're looking forward to bringing you more aged care news in 2020!
What did you think we missed from this year's round-up?
Share on Facebook Tweet on Twitter Email a link
Close calls for aged care facilities in bushfire zones
Bushfire affected aged care facilities and services facing challenges
Merry Christmas and Happy New Year from us at Talking Aged Care!
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Synthwave producer DEADLIFE releases captivating album, City of Eternal Rain
If you do not know who DEADLIFE is, and you are a fan of synthwave music, I recommend that you continue reading this article. DEADLIFE is an up and coming synthwave producer based in Manchester, who has already gained popularity on US Billboards Electronic Album Sales chart top 20 in August 2019, which includes two of his albums! The DJ has also won titles like Best Synthwave Album 2017 by MetalSucks and best Dark Synth Album 2019 by followers of Russia based label Retrowave Touch. He has also received support from publications like Bloody Disgusting, Metal Sucks, and Iron Skullet.
The music producer used to form part of a touring band, but after realizing he could not showcase his creative capabilities in the band, he decided to teach himself how to produce electronic music. Inspired by the emotionally crafted tone of video games soundtracks, DEADLIFE would use this as a foundation to create intricate work. His latest work provides the video game soundscape, but with a gentler approach than his darkwave style from previous works.
DEADLIFE explains, "City of Eternal Rain is a concept album that is inspired by the direct contrast between dark and light. That no matter how bad things get, there is always hope. The record is, like many of them, created to feel like you've heard it before, but you don't remember it, to instill nostalgia in your mind and remind you of a time your memory grasps at but can't quite recall."
"I've realized in life it takes more bravery and courage to be who you are and bare all, rather than to hide it away, which we often do, which I did in my younger years. It's time to be honest, to directly reflect that which I feel within what I write."
Follow DEADLIFE
Facebook – Twitter – Soundcloud – Instagram – Youtube – Spotify
Tags: music news, New Album, new music, synthwave


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Umme Ahmed Shishir Photos, Wiki, Bio, Height, Husband & Family
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Candice Falzon (Warner) Wiki, Biography, Age, Photos, Husband
Candice Falzon (Warner) Wiki, Biography, Age, Photos, Husband : Candice Falzon is a retired Australian professional ironwoman, surf lifesaver, and a model. She is born in Sydney, Australia on 13, March 1985. Her career started at the age of 14, where she first competed professionally in the ironman series, at the age of 16 she was an NSW state iron women champion. In January 2008 Candice Falzon qualified for a spot in the 2008 Nutri-Gain ironman and ironwoman series.
Then afterward she keeps on getting success in career. She worked on the series of 2008 that is "It Takes Two" It is a short-lived Australian music talent show. It ran for 3 seasons May 2006 till April 2008, basically it was the original UK based program. She was supporting one of the Australian nonprofit organization "Beyond Blue" this organization works with the issues of depression, suicide, anxiety, and other mental related disorders but she was eliminated sixth on 1st April 2008, her mentor was Anthony Callea.
Candice Falzon Varrier Wiki | Biography | Age
Name Candice Ann Falzon (Warner)
Birthday 13th March 1985
Birthplace Cronulla, Australia
Zodiac Sign Pisces
Nationality Australian
Ethnicity White, Australian
Profession Model, Iron Woman
Parents Kerry FalzonMichael Falzon
Dating/Boyfriend No
Married/Husband David Warner
Children Ivy Mae WarnerIndi Mae Warner
Net Worth est. $500 thousand
Candice Falzon Photos, Pics and Images
She was the subject of the Australian story, it is a national weekly documentary television series produced and broadcast on ABC television, the program aired on May 1996. In 2017, Candice warner appeared as a celebrity constant on the Australian version of Hell's Kitchen. It's a British cookery reality show.
Candice Falzon born in Sydney, in the suburbs of Cronulla. She is of Maltese heritage. Then one of the important phases of her life came when she got married to Australian cricket David Warner in April 2015. They have 3 kids their first child is a daughter Iva Mae on 11th September 2014 and second daughter Indi Rae on 14th January 2016 and their daughter Isla Rose born on 13th June 2019. They live in Sydney.
She was one of the successful women in her career. She has done lots of shows in the Television industry.
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Presented by One World Theatre at One World Theatre, Austin TX
TICKET PRICES –
Prime: $70
House: $55
Side: $30
Service fees apply.
Dinner is available for an additional $28 per ticket.
Dinner service begins 90 minutes before showtime.
From his early acclaim as a saxophonist, Branford Marsalis has brought new energy and new audiences to the jazz art. He has refined and expanded his talents and horizons as a musician, composer, and band leader. Marsalis has shared the stage with Art Blakey, Miles Davis, Dizzy Gillespie, Herbie Hancock,
From his early acclaim as a saxophonist, Branford Marsalis has brought new energy and new audiences to the jazz art. He has refined and expanded his talents and horizons as a musician, composer, and band leader. Marsalis has shared the stage with Art Blakey, Miles Davis, Dizzy Gillespie, Herbie Hancock, and Harry Connick Jr. He was part of the Wynton Marsalis Quintet with his brothers before forming the Branford Marsalis Quartet in 1986 – which quickly became the standard to which other ensembles of its kind must be measured. But it is the period he spent touring with Sting, collaborating with the Grateful Dead and Bruce Hornsby, serving as Musical Director of The Tonight Show Starring Jay Leno, and hosting National Public Radio's widely syndicated Jazz Set that left the world of uncompromising acoustic jazz completely invigorated. As if that wasn't enough, Marsalis is frequently heard with leading symphony orchestras including those in Chicago, Detroit, Dusseldorf, and North Carolina as well as the New York Philharmonic. Broadway has also welcomed his contributions, as his initial effort, original music for a revival of August Wilson's Fences, garnered a Drama Desk Award for Outstanding Music in a Play and a Tony nomination for Best Original Score Written for the Theater. He has won 3 GRAMMYs and (together with his father and brothers) his citation as a Jazz Master by the National Endowment for the Arts. To Marsalis, however, these are only way stations along what continues to be one of the most fascinating and rewarding journeys in the world of music.
Service fees apply
Email: boxoffice@oneworldtheatre.org
Dinner begins serving 90 minutes before showtime. Pre-concert entertainment begins performing downstairs 60 minutes before showtime. Theatre doors open 30 minutes before showtime.
7701 Bee Caves Road, Austin, TX 78746
MORE FROM One World Theatre
Robert Cray Live in Concert
Presented by One World Theatre at One World Theatre
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CONNECT WITH One World Theatre


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Alfred Dej Herši (; 4. decembar 1908 — 22. maj 1997) bio je američki bakteriolog i genetičar. Herši je 1969. godine dobio Nobelovu nagradu za fiziologiju ili medicinu koju je podijelio sa Maksom Delbrikom i Salvadorom E. Lurijom za istraživanja na nivou replikacionih mehanizama i genetičke strukture virusa.

Dokazao je da je DNK, a ne protein, nosilac nasljedne informacije.

Biografija
Rođen je 4. decembra 1908. godine u mjestu Ovoso u američkoj saveznoj državi Mičigen. Njegova majka zvala se Alma Vilbur Herši. Alfredov otac, Robert Dej Herši bio je zaposlen u firmi za proizvodnju automobila. Rano obrazovanje Alfred Herši je stekao u srednjoj školi koju je pohađao u svom rodnom gradu, nakon čega je, 1925. godine, upisao državni koledž u Mičigenu. Tokom studentskih dana razvio je visoko interesovanje za bakteriologiju. Herši je diplomirao u oblasti hemije 1930. godine. Na istom koledžu je potom doktorirao bakteriologiju, 1934. godine. Njegova doktorska disertacija bila je na temu hemijske strukture bakterija roda Brucella, odgovornih za oboljenje brucelozu.

Preminuo je od srčanog udara, 22. maja 1997. godine u Sajosetu u Njujorku.

Karijera
Nakon završetka doktorskih studija, Alfred D. Herši postao je saradnik na Odsjeku za bakteriologiju i imunologiju na Medicinskom fakultetu Univerziteta u Vašingtonu u Sent Luisu. Njegov kolega bio je Žak Žakob Bronfenbrener koji je svojevremeno radio istraživanja na nivou kvantifikacije i prečišćavanja bakteriofaga. Proučavajući fizička svojstva bakteriofaga, virusa koji inficiraju bakterije, te njihov lizogeni ciklus, Bronfenbrener je podstakao svoje kolege da takođe izuče ove viruse. U periodu između 1936. i 1939. godine Herši i Bronfenbrener objavili su naučne radove vezane za rast bakterijskih kultura. Alfred je šesnaest godina radio na Univerzitetu u Vašingtonu, preciznije između 1934. i 1950. godine, gdje se pokazao kao odličan predavač i istraživač. Godine 1938, Herši postaje docent, a 1942. unaprijeđen je u vanrednog profesora. Tokom ranih četrdesetih godina, Herši je sproveo sopstvena istraživanja koja su podrazumijevala imunološke reakcije faga, te druge faktore koji su uticali na infektivnost bakteriofaga. Njegovim istraživanjima se 1943. godine pridružio Maks Delbrik, biofizičar koji je takođe istraživao bakteriofage. Delbrik je htio o rezultatima svojih istraživanja prodiskutovati sa Heršijem, u čemu im se takođe pridružio i italijanski biolog Salvador Edvard Lurija. Alfred se odazvao na ovaj poziv za saradnju, te otputovao u Nešvil gdje su trojica naučnika formirala takozvanu "grupu faga". Članovi grupe su naporno radili na svojim istraživanjima o određenim sojevima bakteriofaga, te su se svake godine sastajali u mjestu Kold Spring Harbor, kako bi razgovarali o svom radu i napretku. Tokom 1945. godine Herši i Lurija su, radeći nezavisno, otkrili da virusi faga, kao i bakterije koje oni inficiraju mogu podleći spontanim mutacijama. Nakon toga su Delbrik i Herši napravili veliki iskorak u nauci otkrivši da različiti sojevi bakteriofaga mogu razmijeniti genetički materijal ukoliko inficiraju istu bakterijsku ćeliju. Ovaj proces je, od strane Heršija, označen kao "genetička rekombinacija". Na taj način Herši je napravio tranziciju istraživanja na temelju bakteriofaga, od oblasti imunologije ka biohemiji, genetici i molekularnoj biologiji. Tokom 1950. godine Alfred Herši se preselio sa svojom asistentkinjom Martom Čejz u Kold Spring Harbor, mjesto u američkoj saveznoj državi Njujork. Dvije godine nakon toga, tačnije 1952. godine, Herši i Čejz su sproveli čuveni "Herši — Čejz" eksperiment, takođe poznat kao "blender eksperiment" koji je ostavio veliki trag u molekularnoj biologiji. 1962. godine postao je direktor Odjela za genetiku, Karnigi instituta u Kold Spring Harboru. Herši se penzionisao 1974. godine, ali je i dalje redovno posjećivao svoju laboratoriju.

Herši — Čejz eksperiment
Alfred Herši i Marta Čejz su, eksperimentom koji su sproveli 1952. godine, dokazali da se i virusni geni sastoje od DNK. Naime, Herši i Čejz su radili sa bakteriofazima T2 koji inficiraju bakterije Esherichia coli. Došli su na ideju da proteine omotača bakteriofaga obilježe radioaktivnim izotopom sumpora 35S, a DNK koja čini jezgro bakteriofaga obilježe radioaktivnim izotopom fosfora, 32P. Herši i Čejz su tako obilježene bakteriofage dodali u pripremljeni medijum sa bakterijama, nakon čega su staložili bakterije i izmjerili radioaktivnost taloga i medijuma. Došli su do zaključka da je radioaktivni izotop fosfora prisutan samo u talogu koji je sadržao bakterije, a radioaktivni izotop sumpora samo u medijumu, što je ukazalo na podatak da se prilikom infekcije u bakteriju unosi samo DNK bakteriofaga, ali ne i njegov proteinski omotač. Prenešeni genetički materijal molekula DNK bio je dovoljan da se u inficiranim bakterijskim ćelijama formiraju novi virusi, što će dovesti do lize bakterijske ćelije, te oslobađanja virusnih partikula u medijum. Eksperiment je ukazao na to da je molekul DNK bakteriofaga nosilac informacije koja je dovoljna da se obezbjedi sinteza proteina omotača i reprodukcija kompletnog virusa.

Nagrade i priznanja
 Godine 1958. je postao član Nacionalne akademije nauka.
 Godine 1959. je postao član Američke akademije umjetnosti i nauka.
 Godine 1958. je dobio Laskerovu nagradu za bazična istraživanja u medicini.
 Godine 1965. je dobio Kimberovu nagradu za genetiku.
 Godine 1969. je dobio Nobelovu nagradu za fiziologiju ili medicinu koju je podijelio sa Maksom Delbrikom i Salvadorom Lurijom.

Privatni život
Godine 1945, oženio je Harijet Dejvidson. Kasnije su dobili sina po imenu Piter Maning Herši. Herši je bio hrišćanin.

Vidi još
 Istorija molekularne biologije
 Univerzitet u Vašingtonu
 Nobelova nagrada za filozofiju ili medicinu

Reference

Spoljašnje veze

 Nobelove nagrade
 Biografski memoari:Alfred Dej Herši, Frenklin V. Stal (engl. Franklin W. Stahl)
 Karnigi institut u Kold Spring Harboru

Рођени 1908.
Умрли 1997.
Амерички генетичари
Нобеловци за медицину

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Credo (Harold Shapero)
During a recent trip to Washington, D.C., I went to the Library of Congress and tracked down the score to a favorite orchestral work. There are very few listings for Harold Shapero's Credo online, so I was thrilled to find it the old-fashioned way: Using the card catalog in the reading room at the James Madison building.
Credo is strikingly beautiful, where the composer achieves vast depth of expression through minimal materials. I made a casual piano transcription to study it further.
There are only 9 pitches: the F major scale plus an occasional B natural when the piece modulates from F to C. The harmonic content is lean, with dissonant intervals exploited in both wide and close spacing. As is common with American Neo-Classic works descended from Igor Stravinsky, Aaron Copland, and Nadia Boulanger, there are few full triads in Credo. (Usually just the dyad of tonic and third are considered "enough.") Shapero's colorful orchestration does wonders for what is essentially three-part counterpoint.
Harold Shapero was born in 1920 and was prolific until about 1950. In his thirties his output slowed considerably. By the 1960s Shapero was still composing, but he rarely completed pieces, although a few works suddenly appeared towards the end of his life before he died in 2013 at the age of 93.
Not everything has been recorded. From what I've been able to find, I'd rank two other pieces in addition to Credo as authentic masterpieces, the Serenade in D for String Orchestra (later transcribed for string quintet) and the Three Amateur Sonatas for piano.
A chronology of Shapero on record:
String Trio (1937) Spiky and dissonant yet still attractive, influenced by his then-teacher Ersnt Krenek, an impressive work for a 17-year old.
Trumpet Sonata (1940) Two movements, slow-fast. It was the big-band era and Shapero played some jazz, so there are plunger effects in the opening chromatic song and ragtime syncopations in the allegro.
Nine-Minute Overture (1940) Cheerful bombast, quartal harmonies influenced by his then-teacher Walter Piston, nice title.
String Quartet (1941) Good piece, still somewhat in the Piston style; probably the earliest Shapero work that deserves an occasional hearing in concert. Some jazzers know about the first movement because one of the themes sounds just like Coltrane's "Giant Steps." The third movement, a grotesque march, is effective.
Sonata for Piano, Four Hands (1941) By this time Shapero had met Igor Stravinsky, and this four-hand sonata and the Violin Sonata just below are utterly "Stravinskian." They are also influenced by the American originals Aaron Copland and Roy Harris. (However, for my money, Shapero has more contrapuntal skill than either Copland or Harris.) Sonata for Piano, Four Hands is an excellent work, still very fresh, originally premiered by Shapero and his buddy Leonard Bernstein, and now a steady repertoire item for two-pianist teams.
Violin Sonata (1942) Aggressive, perhaps a bit obvious. A beautiful slow movement is the highlight.
Three Amateur Sonatas (1944) Inspired by Scarlatti and C.P.E. Bach, Shapero thins out his harmony. Suddenly, everything is done on a small scale, with every detail curated "just so," and the result is both charming and profound. The first sonata in D remains a personal favorite, but all three are touched by genius. Michael Boriskin plays them superbly on a beloved CD of piano music by Shapero, Irving Fine, Carl Ruggles, and Gian Carlo Menotti.
Serenade in D for String Orchestra (1945) Shapero explains:
The score is dedicated to Nadia Boulanger with whom I studied in 1941-42. I still remember the remarkable classes in which she performed the great Viennese string literature at the piano. She managed the most intricate string quartet passage-work in all details at the keyboard, and communicated the spirit of these works perhaps more precisely than string quartet players I have heard since then. The composition of my Serenade was greatly stimulated by these memorable experiences.
The humor of Haydn and the harmonic richness of Brahms oversee the Serenade. ("Serenade" is a Brahmsian title.) Five movements are made in perfect measure, resonant from top to bottom, with a mediant key sequence possibly original to Shapero: D major, F minor, D major, B-flat Minor, D major. (The title of the fourth movement is another nod to Brahms, Intermezzo, although Shapero's flexibility in 5/4 might have impressed the older composer). I'm pleased to own the original LP with Arthur Winograd conducting, which is hard to find but definitely worth the effort: the strings booming out from heavy midcentury vinyl on a decent sound system offers nothing but pleasure. (The transfer of this classic LP on YouTube is a little thin and scratchy but better than nothing.) Shapero's later transcription of the Serenade for string quintet, played beautifully by the Lydian String Quartet (Daniel Stepner and Judith Eissenberg, violinists; Mary Ruth Ray, violist; and Rhonda Rider, cellist, joined by bassist Edwin Barker) is readily available.
Noted critic Anthony Tommasini is sympathetic to Shapero. For a review of the Lydian Quartet's CD in the New York Times, Tommasini wrote of the Serenade, "It is a work of such ingenuity and richness that it's hard to understand why he did not become a giant of 20th-century American music….Mr. Shapero produced the version for string quintet recorded here to make the intricate inner voices and skittish rhythms more audible. The music, though as lucid as Haydn's, has a modernist allure, stemming from Mr. Shapero's daring manipulations of classical structures, full of abrupt turns and aborted gestures, and the intensity of his chromatic harmonic language. Yet for all its Neo-Classical niceties, the piece exudes a street-smart urbanity that is vintage Shapero."
So far Shapero had modeled himself on Krenek, jazz, Piston, Stravinsky, Boulanger, Harris, Copland, Scarlatti, C.P.E. Bach, Haydn, and Brahms. For the next three pieces, Shapero takes on Beethoven.
Variations in C minor for Piano (1947) A nearly-exact point between Beethoven's C minor variations and the second movement of Op. 111, although the references are undone by cross-relations and a bit more dissonant harmony overall.
Symphony for Classical Orchestra (1947) Many (including Tommasini) hail this large-scale symphony as Shapero's masterpiece. Few pieces from this era have had such a cycle of birth and re-birth: Originally there were performances by George Szell and Bernstein (who recorded it) before being forgotten; Andre Previn rediscovered it and recorded it in the mid-80s; eventually it was the focus of the Shapero obits in 2013. Between the two recordings I give Previn the edge (although the Bernstein is good too). My favorite movement is the finale, which has extraordinary contrapuntal design, hilarious harmonic puns, and irresistible momentum.
Piano Sonata in F Minor (1948) While the last movement begins with a moment of striking pianistic inspiration, the rest of the sonata is over-burdened by explicit references to Beethoven's Appassionata sonata. In general the three "Beethoven" Shapero pieces, the two solo piano works and the Symphony, are a bit square compared to the less predictable phrasing offered by the three Amateur Sonatas and the Serenade. (Many Shapero commentators love Shapero's "Beethoven" music, so perhaps I am missing something. The door is left open for a future date where I more willingly accept the "profundities" these works have on offer.) No complaints about the excellent recording of the piano pieces by Sally Pinkas, who also plays the Sonata for Piano, Four Hands with Evan Hirsch.
Credo for Orchestra (1955) The profundity Shapero seeks in his "Ariso" movement from the F minor sonata would arrive a few years later. Credo is a valediction, a perfect synthesis of a style and era, yet also a composition unlike any other. Indeed, for the first time, I'm at loss to find a model in a Shapero work, unless the model for Credo is perhaps something quite a bit older, like plainchant or another religious music. At any rate, that wonderfully charismatic sound of American mid-century composition is still very much present. Indeed, one might think Credo could take up some of the weight constantly borne by Barber's Adagio for Strings and Copland's Fanfare for the Common Man when this kind of reference is required in popular culture.
It all led to this point, and then…?
In the Shapero literature it is argued that his voice was muted by the incoming post-war serialists. This makes sense, but there must have been other reasons as well, for the rest of Shapero's music (or at least what can be found on commercial recorded issue) simply isn't as good.
"On Green Mountain" for Jazz Ensemble (1957) This Monteverdi arrangement (Monterverdi = "Green Mountain," get it?) was part of Gunther Schuller's grand scheme of Third Stream Jazz. It was the first Shapero I heard many years ago, and I promptly wrote him off as a composer for years, it was such a misguided use of forces. Art Farmer is heroic as the trumpet soloist.
Partita in C for Piano and Small Orchestra (1960) Another challenging listen, at first blush relentlessly obvious and undercooked. The stylistic anachronisms and repetitive patterns foreshadow the ironies of Alfred Schnittke, although Schnittke would have offered a far more secure hand on the tiller, at the least by including more deranged textures as a way to let the audience in on the joke. Admittedly, the performance on the old recording is notably poor.
Six for Five for Wind Quintet (1995) Only three movements of the six were released on the anthology Americans in Rome. Small scale and charming, almost as if Richard Rodgers were writing for wind quintet. I'd like to hear the whole piece, and for that matter, would like to hear the rest of Shapero's late output, which includes a Trumpet Concerto and a set of Bagatelles for piano.
related DTM:
A Fine Centennial (Irving Fine)
Write It All Down (Fully Notated 20th Century American Piano Music)


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Home > Jones Walker Announcements > Q&A with Kimberly Robinson, Secretary of the Louisiana Department of Revenue
Q&A with Kimberly Robinson, Secretary of the Louisiana Department of Revenue
By Jones Walker LLP on October 3, 2016 Posted in Jones Walker Announcements, Legislation, Tax News
Secretary of the Louisiana Department of Revenue and former Jones Walker LLP State & Local Tax Partner, Kimberly Robinson, sat down with our own Bill Backstrom and Jay Adams to discuss a few of the items that she will discuss at the Jones Walker SALT Team's annual seminar in Houston, Texas on Thursday, October 6, 2016.
Q: What has been your biggest challenge returning to public service?
The greatest challenge was starting work in the middle of a budget crisis. Within days of getting to work at Louisiana Department of Revenue ("LDR"), my management team and I were tasked with providing guidance for the two special legislative sessions and the Task Force on Structural Changes in Budget and Tax Policy. In addition, there is also a Task Force on Ad Valorem Tax Structure, a Sales Tax Streamlining and Modernization Commission and a Transportation Infrastructure Funding Task Force. Every corner of the state and local tax system in Louisiana is under review. Fortunately, I joined a team of knowledgeable, experienced professionals who supported me in providing the information that the Governor's Office, the Division of Administration and the Legislature needed.
Q: What has been the most rewarding aspect of returning to public service?
Working with the Edwards Administration and the team of dedicated professionals at LDR is the most rewarding aspect of my return to public service. Our people are our greatest strength.
Q: What have been the biggest administrative challenges you faced as a result of the recent and historical legislative sessions?
It is the same challenge facing every other agency head in state government right now; making the most of limited resources to continue providing the level and quality of service that Louisiana residents expect and deserve. Of course, the implementation of the myriad of legislative changes to the tax code has been a very unique challenge. We have issued policy guidance on just about every tax administered by LDR, prepared new returns, re-programmed our system for all the changes, and conducted seminars around the state.
Q: What was the most controversial legislative change that has or will affect businesses, the energy industry in particular, in Louisiana?
The sales tax rates and exemptions being effective for three months and changing again…need I say more. Beyond the sales tax changes, the changes to the corporate income and franchise taxes are fairly extensive. Louisiana now has an add back statute, market-based sourcing, and a single-sales factor for apportionment. Did I mention the franchise tax now applies to any entity electing to be taxed as a corporation for income tax purposes? We are moving forward with rule making process and I expect to receive a great deal of feedback from the energy industry during that process.
Q: Any predictions for the 2017 fiscal session?
The only prediction I feel safe in making is that we will continue to see lawmakers and the administration working hard to ensure the state's tax system meets the needs of all stakeholders, including individual and business taxpayers, tax professionals and public institutions. Easier said than done, certainly.
For more information or to register, please contact Courtney Farley at 713.437.1807 or cfarley@joneswalker.com.
Tags: Bill Backstrom, Energy, Exclusions, Exemptions, Franchise Tax, Income Tax, Jay Adams, Kimberly Robinson, Louisiana, Louisiana Department of Revenue, Louisiana Governor, Louisiana Legislature, Sales and Use Tax, Sales Tax, Tax Law, Tax Legislation


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Unique hero designs and surprise skill settings.
Heroes can lead different kinds of troops to battle.
an abundance of combinations of troop tactics and selections for battle.
A vast world, with an immense amount of map area to explore.
Plundering altars and Monster Instances just waiting to be explored!
We all but have only one goal!
Fight intense battles with other guilds!
Join other members to fight as one against the strongest guild!
Battle it up with players from all around the world!
Arrange hero formations and make your battles 100% strategic!
Battle with players from around the world and display your own unique battling tactics!
Email, socialize, befriend, form alliances.
Downloadapkgratis.com – Download Free Zombie Frontier 3: Sniper FPS v2.12 released on 1 September 2018 | 7:25 pm and this Zombie Frontier 3: Sniper FPS v2.12 Android by Downloadapkgratis Survive the zombie apocalypse as a sniper: Shoot your way out in this war!A dangerous vaccine has developed a powerful virus that mutates humans into zombies. This lethal virus spread out causing zombies outbreaks and people are in immediate danger of a gory death. Human survivors must fight in a war to the death… Turn yourself into a zombie killer, make the streets your battlefield and make your way through numerous challenging levels in this Google Play's recommended shooting game!
Downloadapkgratis.com – Download Gratis Zombie Frontier v1.31 released on 30 May 2018 | 9:04 pm and this Zombie Frontier v1.31 Android by Downloadapkgratis Experience the sensation of firing wildly!In 2020, T viruses spread all over the world. A large number of people are infected with viruses T and become zombies. You are one of the survivors. You are involved in the war against the zombies.
1.New epic hero Odin join the battle field!
2.Battle of Dragon Crystal themed events is coming!