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The Rolling Stones announce 'No Filter' 2020 North American tour
The Stones are heading Stateside
By Nick Reilly
The Rolling Stones (Picture: Getty)
The Rolling Stones have announced a new 'No Filter' North American tour for summer 2020.
The band teased the announcement earlier this week with an Instagram post which displayed their famous lips logo being projected onto the night sky along with the caption "feeling restless".
Feeling restless
A post shared by The Rolling Stones (@therollingstones) on Feb 3, 2020 at 9:00am PST
The Stones have today (February 6) confirmed that they will return to the US and Canada this summer to resume their 'No Filter' tour. Tickets for the gigs go on general sale on February 14, and you can watch their tour announcement below.
It's a new year, a new decade & we're thrilled to announce a brand new Rolling Stones NO FILTER 2020 USA/CA tour! ?? ?
There is a fan presale starting on Weds Feb 12 sign up here to get access: https://t.co/aFu75Y310m
Tickets go on general sale Fri Feb 14 ❤ #StonesNoFilter pic.twitter.com/nP2jtoaaVZ
— The Rolling Stones (@RollingStones) February 6, 2020
"Every time we get together at rehearsals, we are like kids in a candy store," the band remark in the video. "Let's open the cage door and let's get at it."
8 SDCCU Stadium SAN DIEGO, CA
12 BC Place VANCOUVER, BC
16 U.S. Bank Stadium MINNEAPOLIS, MN
20 Nissan Stadium NASHVILLE, TN
24 Circuit of The Americas AUSTIN, TX
29 Cotton Bowl Stadium DALLAS, TX
6 New Era Field BUFFALO, NY
10 Ford Field DETROIT, MI
14 Cardinal Stadium LOUISVILLE, KY
19 FirstEnergy Stadium CLEVELAND, OH
23 Heinz Field PITTSBURGH, PA
27 The Dome at America's Center ST. LOUIS, MO
1 Bank of America Stadium CHARLOTTE, NC
5 Raymond James Stadium TAMPA, FL
9 Mercedes-Benz Stadium ATLANTA, GA
The Stones previously toured the US in 2019, but were forced to reschedule a string of dates after frontman Mick Jagger underwent heart surgery.
Jagger went under the knife in March last year to replace a faulty heart valve, before resuming the tour at Chicago's Soldier Field in June.
Last month, a collection of rare and unpublished Rolling Stones recordings were published to YouTube last week and then mysteriously removed within hours.
In a recent interview, guitarist Ronnie Wood also said that the Stones are "indestructible" after multiple members survived health scares.


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Don't Look Up is a 2021 American science fiction film written, produced, and directed by Adam McKay (who was assisted in the producing by Kevin Messick), and starring an ensemble cast consisting of Leonardo DiCaprio, Jennifer Lawrence, Rob Morgan, Jonah Hill, Mark Rylance, Tyler Perry, Timothée Chalamet, Ron Perlman, Ariana Grande, Scott Mescudi, Cate Blanchett, and …
How to Get Cast on Leonardo DiCaprio's 'Don't Look Up
projectcasting.com
https://www.projectcasting.com/blog/featured/dont-look-up/
Sep 29, 2021 · Don't Look Up stars Leonardo DiCaprio, Jennifer Lawrence, Jonah Hill, Meryl Streep, Matthew Perry, Cate Blanchett, and Timothée Chalamet. The upcoming production will be directed by Adam McKay and centers around a group of astronomers who try to warn the world that a giant meteorite will destroy the planet in six months.
Must-Watch - 'Don't Look Up': Satire, Tragedy, and Casting
hollywoodinsider.com
https://www.hollywoodinsider.com/dont-look-up-netflix/
Dec 26, 2021 · Must-Watch – 'Don't Look Up': Satire, Tragedy, and Casting Coup of Meryl Streep, Leonardo DiCaprio, Jennifer Lawrence & Timothée Chalamet A Little Context on the Filmmakers and Stars. The film is derived from the wildly imaginative and elusive mind of Adam... 'Don't Look Up' – A Film About the End ...
Here's The Real Reason Ariana Grande Was Cast In Netflix's
thethings.com
https://www.thethings.com/ariana-grande-dont-look-up-cast/
Jan 09, 2022 · In late 2021, Netflix finally released its highly anticipated sci-fi drama/satire Don't Look Up.The film boasts a cast that includes several Hollywood heavy hitters, led by Leonardo DiCaprio (who nearly turned down the role), Jennifer Lawrence, and Meryl Streep.Not to mention, the cast also includes the likes of Cate Blanchett, Jonah Hill, Tyler Perry, and rising star …
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mycast.io
https://www.mycast.io/stories/don-t-look-up-2031
Dec 28, 2021 · View and submit fan casting suggestions for Don't Look Up (2031)! myCast lets YOU choose your dream cast to play each role in upcoming movies and TV shows.
Don't Look Up (2021) - IMDb
Dec 24, 2021 · Don't Look Up (2021) - IMDb. Don't Look Up: Directed by Adam McKay. With Leonardo DiCaprio, Jennifer Lawrence, Meryl Streep, Cate Blanchett. Two low-level astronomers must go on a giant media tour to warn mankind of an …

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2-0: What a desert shutout over Grand Canyon meant for UND Soccer last year and this year
On May 9, 2020 By terpaneseIn Uncategorized, SoccerLeave a comment
(Photo Credit: Russell Hons-UND Sports)
The 2019 UND Soccer side showcased the best iteration of football this team has played since becoming eligible for the postseason in Division One competition. This team had speed down the wing with freshman Bailey McNitt, strength in net with multiple superb goalkeepers, and strong defense with players like Hannah Olson. This team will have some turnover next year, but thanks to the way that underclassmen were utilized this past season, fans should not see too much of a drop off, and if this team can bang home a few more shots, they can compete for a Summit League Championship.
Head Coach Chris Logan deserves all the credit in the world for taking a program that had gone through multiple coaches in not a lot of time and refining them to compete in the Summit League. As we look ahead to the 2020 campaign (if able to be played), we felt it right to look back at some high points of 2019.
For us, we will look first at UND's 2-0 road win over Grand Canyon University. While 'Lopes did not finish the season the way they wanted, going just 4-14-1 on their 2019 campaign, they played the Fighting Hawks tough in the desert. Unlike previous years where Catherine Klein had to make double-digit saves on the evening, she only had to make four on the night.
A couple of things stand out about the 2019 team and the future of the program that became evident that night. First, the game winning goal was scored by Olivia Knox on a header from a soaring Sarah Doran free kick. Knox showed that night that she could not only score, but track back and defend as well. Her development took another step this past year as she not only scored some goals, she played all over the front two thirds of the field. Had she played strictly striker all year, she surely would have potted more than three goals. Knox's versatility on this night had her all over the field played a key role in limiting Grand Canyon to just four shots on goal.
In addition, that night, we saw a defensive masterpiece from UND's back line. Throughout the evening they took away quality chances and were arguably lead by a redshirt freshman defender in doing so. Hannah Olson played a superb game in back leading her defenders to keep the Fighting Hawks in the game. In an environment packed with loud fans, the defense of UND had the loudest voice on the evening. Everyone played a part in it, from Mimi Eiden and Bailey McNitt tracking back to provide support, to Olson and others jostling 'Lopes away from the net. The one bit of blight on the defense that night was Catherine Klein giving a penalty kick foul (on a well interesting call) that she then saved with ease. Had Grand Canyon scored that marker, it could have stolen valuable points from UND as the 'Lopes were pushing the pace as the game went on.
As we head into the next soccer season, whenever it is (hopefully this fall!), remember this game in UND program history. It wasn't the most "top-line" win in terms of opponent beaten or the flashiest with one goal scored in the run of play (a Megan Wright Penalty Kick provided the insurance). It was a big road win for the team and showed they could hang in any time of game. One could make the case that without the win against Grand Canyon in the way they did, that their last second heroics against the Coyotes of South Dakota a few weeks later would not have happened. The team had gained valuable close game experience and played with an even keel despite having a penalty scored on them late. That South Dakota win was arguably the difference to this team making the Summit League postseason.
In terms of momentum and program value, the win against Grand Canyon provided top class results for a team and a program that Logan has built into a top-flight contender in the Summit League.
Donate: To help us cover more games and tell more stories not found elsewhere about all of college sports, especially under represented athletes everywhere across the college sports landscape, please click the below link and consider donating what you can. If you do, I will list you in every story about we write as a supporter of crowd-funded journalism that can truly be free for all at this link: https://www.paypal.me/oliverfrancies your donation will help expand what content we can offer and how many stories we can tell.
Supporters: We thank all of our readers and those who donate, especially Greg and Michelle Livingston


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The "graduation season" of an African student: I fought the "epidemic" with the school
SACBU > News > China Universities > The "graduation season" of an African student: I fought the "epidemic" with the school
China Universities
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"Mom, rest assured. I'm fine in China and safe at school..." Wang Jun, a Rwandan student studying at Zhejiang Jinhua Vocational and Technical College, always said that every time he talked to his mother.
If there is no new crown pneumonia epidemic, Wang Jun should now take advantage of the gap in the graduation season to return to his home in Rwanda to accompany his parents and siblings. This African student has not returned home after studying in China for five years, but in his opinion, the busy life on campus is also an extremely precious experience in his five-year study abroad career.
In 2013, entrusted by the Rwandan government, Zhejiang Jinhua Vocational and Technical College signed a memorandum of cooperation with the Ministry of Education of Rwanda, and implemented a five-year cooperation plan from 2014. According to the plan, Rwanda sends foreign students to Zhejiang Jinhua Vocational and Technical College every year. At present, there are 94 African students in the school.
The 25-year-old Wang Jun is undoubtedly one of the best. In 2016, he applied for a Rwandan government scholarship, who had already been admitted to a local university, came to Zhejiang Jinhua Vocational and Technical College, and chose to major in Internet of Things Engineering.
"Before I came, I knew that China was very developed and I wanted to learn the most advanced technology. After I came, I strengthened my mind, especially after studying the Internet of Things, I think I might also have the opportunity to create our Rwanda Alipay." Wang Jun said, he had planned it a long time ago, and he must go to the Alibaba headquarters in Hangzhou to take a look before graduation.
Wang Jun's trip to Alibaba was disrupted by the sudden epidemic. In January, a domestic epidemic broke out, and Zhejiang Jinhua Vocational and Technical College implemented strict closed management.
"At the beginning of the outbreak, the families of these foreign children were very worried about their safety." said Wang Lijie, a teacher at the School of International Education of the school. The school quickly formulated the "Work Plan for Epidemic Prevention and Control" and "Working Process for Epidemic Prevention and Control Emergencies" for foreign teachers and students. ", with special emphasis on strengthening the management of foreign teachers and students and striving to ensure safety.
"Seeing that the teachers work so hard for us every day, can we form a volunteer team to help them share part of the work." Under Wang Jun's motion, Ledi and Prince from Rwanda, and He Shan from Libya joined the campus war. "Pandemic". "I'm very happy to be able to help teachers and classmates by disinfecting the common areas of the apartment with Auntie Cleaning, patrolling with the teacher in the security department, and distributing food and measuring body temperature with the resident teacher. I am very happy to be able to help the teacher and help the classmates." He Shan said.
In the eyes of classmates, Wang Jun is a senior, a volunteer "leader", or a "spiritual mentor". The two-month closed management has caused many international students to feel anxious. A female student from Gabon suffered from long-term insomnia due to excessive stress. Wang Jun took her out of the dormitory and walked around the campus with her. "I told her that we are safe here, you are not alone, we all have to cheer."
The classroom is no longer a pure language learning, but a real reading classroom. He Shan said that language learning combined with current affairs and news not only rapidly increased the vocabulary, but also enriched the knowledge of epidemic prevention and improved language application ability.
Wang Jun missed his family and friends far away in Rwanda. In addition to telling his family that he is safe every day, he also shared valuable anti-epidemic videos with them from time to time. "China and Africa are joining forces to fight the epidemic, and my family and I are full of confidence."
Wang Jun still missed his visit to Alibaba. "I will continue my studies in China, study an undergraduate, and then go for an internship in an online company. If I have the opportunity, I will let more Rwandans know the story of my study in China, and let more Rwandans know that China is good and love China. "Reporter Duan Jingjing


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Help Create a More Inclusive Connected and Peaceful World: Not Much to Ask For But All-High to Keep at It When the World Seems Busy in Undoing All That Are Worth Advancing: Agreement of Co-operation Between City of Chicago and the Peres Centre for Peace and Innovation Signed to Foster Stronger Ties in Working Together
|| Monday: April 29: 2019 || ά. The City of Chicago, USA and the Peres Centre for Peace and Innovation, Israel, have entered into a memorandum of co-operation on April 15 to foster stronger collaboration, particularly, with respect to technology, innovation, and entrepreneurship. It is the first such international partnership for the Peres.
"Shimon Peres believed in the transformative power of technology and innovation as a pathway to peace." said the Mayor of Chicago Mr Emanuel. "Chicago is a global leader in innovation and stronger ties with researchers and entrepreneurs everywhere will help keep our city on the leading edge of discovery and help create a more inclusive, connected and peaceful world."
"In today's interconnected world, technology, innovation and entrepreneurship can and should be harnessed to build bridges between people and nations, promote prosperity for all and help create a better tomorrow." Mr Chemi Peres said. "At the Peres Centre for Peace and Innovation we envision and work toward an Israel and a region where people from all walks of life come together in cooperation and partnership and innovatively and proactively design their future; a future of peace.
It is, therefore, fitting to establish the Peres Centre's first international agreement in the city of Chicago, with its global outlook and reach but, uniquely, American story."
About The Peres Centre for Peace and Innovation: The Peres Centre for Peace and Innovation, founded in 1996 by the late President of Israel, Shimon Peres, develops and implements impactful and meaningful programmes with a focus on promoting a prosperous Israel, nurturing and highlighting Israeli innovation and paving the way for shared-living between all of Israel's citizens and lasting peace between Israel and its neighbours.
Caption: Brooke E Collins, Photographer, Office of the Mayor of Chicago:::ω.
|| Readmore || 300419 || Up ||
South Sudan: WHO Provides Life-saving Health Care Services to Displaced Populations and Host Communities
|| February 18: 2019 || ά. To increase access and strengthen the capacity of emergency life-saving health care services, focusing on outbreak response for epidemic-prone and vaccine-preventable diseases, the World Health Organisation:WHO has been procuring, storing and distributing medical emergency kits to support humanitarian response in South Sudan. The protracted crises in South Sudan, coupled with frequent disease outbreaks and a high burden of both communicable and non-communicable diseases including, mental and psycho-social conditions, has resulted in the deterioration of the health status of the population.
In addition, supplies of medicines and medical commodities have been irregular and inadequate, leading to frequent stock-outs and interruptions of essential service delivery. In addition, WHO in collaboration with UNICEF and UNFPA conducted a joint harmonised training on forecasting, procurement, distribution and rational use of medical emergency kits, non-communicable disease kits, reproductive health kits and emergency vaccines to familiarize Health Cluster partners on the types and contents of the different kits to prevent needless illness or death because of time-critical health problems and ensure accountability to beneficiaries, health cluster, WHO, Ministry of Health and donors.
With funding from the South Sudan Humanitarian Fund and European Union Humanitarian Aid, WHO aims to provide critical life-saving interventions in Kapoeta South, Magwi, Ayod, Bor South, Duk, Fangak, Nyirol, Pibor, Uror, Koch, Leer, Mayendit, Panyijiar, Rubkona, Fashoda, Longochuk, Luakpiny:Nasir, Maiwut, Malakal, Wau, Tambura and Juba, through the provision of emergency kits for crisis-affected populations and host communities to ensure access to critical medicines and treatments.
''Provision of medical emergency kits for essential life-saving health interventions is vital to investigate suspected disease outbreaks and respond in a timely manner and save the lives of displaced populations.'' said Dr Olushayo Olu, WHO Representative for South Sudan.
As part of the on-going efforts to ensure that health service is provided without drugs stock outs, a total of 24 participants drawn from 20 health cluster partners, national and international NGOs, were trained on requisition, distribution and rational use of emergency kits from February 11-12. Similar training will be conducted from February 21-22, targeting 36 precipitants from 30 Health Cluster partners to optimise the distribution and rational use of life-saving medicines.
An emergency health kit is a reliable, standardised complete set of drugs, supplies and equipment needed to provide basic health care service to the population in need.:::ω.
The Cruel Politics of Life and Death in Gaza: The World Health Organisation Calls for the Protection and Fulfilment of the Right to Health for All Palestinians
|| February 06: 2019 || ά. After being diagnosed with cancer, patients in Gaza, may, often, have to wait for months before being able to receive treatment. Getting a permit to access the health care needed can be a stressful and unpredictable process and many apply multiple times before being able to exit. Even, then, some patients are never able to secure the permits they need to access care. The ability of Gaza's hospitals to provide adequate diagnosis and treatment to cancer patients is severely limited due to chronic shortages of medicines and lack of medical equipment.
Nuclear medicine scanning needed for staging cancers, radiotherapy equipment and some specialised surgeries are unavailable. More than half of essential chemotherapy drugs were at less than a month's supply throughout 2018. Many patients need health care elsewhere in the occupied Palestinian territory or abroad. But to leave the Gaza Strip for treatment, they, must, obtain a permit from Israeli authorities. This process can take up to several months and, even, then, some patients, may be, unsuccessful in securing access to travel for health care. In 2018, 39% of patient applications for permits to exit Gaza for health care were unsuccessful.
64-year-old Ms Samira was diagnosed with uterine cancer in 2016. She underwent surgery but, then, required follow-up treatment, that was unavailable in Gaza. Doctors referred Ms Samira for radiotherapy to East Jerusalem. It took her more than six months and five permit applications to finally exit Gaza in June 2018. "All this time I was suffering from abnormal bleeding. It was a matter of life and death. Why was I denied a permit?'' she asks.
Proper cancer diagnosis and effective treatment are essential to improve the prognosis of patients and their chance of survival. The five-year survival rate for breast cancer can exceed 80%, if, early detection and essential treatment services are available and accessible. In Gaza, however, it is, significantly, lower, only, 65% of women with breast cancer survive five years after diagnosis.
Ms Khadijah, a 32-year-old mother of four, noticed something unusual with her breast in December 2017. Soon doctors confirmed that she had breast cancer. In January 2018, she applied for a permit to go to Augusta Victoria Hospital in East Jerusalem for a specialised investigation to see whether the cancer had spread and, if, so, how far. Her permit application was denied. She started receiving chemotherapy in Gaza but for optimal treatment surgery was needed. In July, Ms Khadijah reapplied for a permit and again was denied. She decided to change her treatment destination to Egypt. Her second attempt to leave Gaza to Egypt was finally successful. She had surgery in August 2018, seven months after diagnosis.
Every cancer patient has the right to health. This means being able to access quality and acceptable health care and to enjoy the conditions of life, that support staying healthy. Restrictions to accessing essential health services are one of the major barriers to the right to health for Palestinians, living in the West Bank and Gaza Strip. Restrictions affect cancer patients at a vulnerable point in their lives, when they need specialist care and services for diagnosis and treatment. The World Health Organisation calls for the protection and fulfilment of the right to health for all Palestinians.:::ω.
Save the Children: Save Humanity
|| February 05: 2019 || ά. The United Nations and its aid partners, together with the interim Government of Libya, launched on Tuesday a humanitarian response plan:HRP, appealing for $202 million to bring urgent life-saving assistance to some 550,000 people, including, around 248,000 children, affected by the ongoing humanitarian crisis. The protracted political crisis, that started in 2011 with demonstrations and western intervention, that abandoned Libya afterwards, that led to the fall of long-time Libyan Leader Muammar Gaddafi, has developed into an armed conflict, forcing tens of thousands of families into displacement and driving over a million people to depend on aid to survive as they are unable to afford the most basic things.
"Years of instability and insecurity have taken a toll on the well-being of many children, women and men in Libya. Each passing year, people struggle to withstand the impact of a crisis, that has destabilised the country, put them in harm's way and ravaged the economy." said Ms Ribeiro. In the foreword to the HRP, Ms Ribeiro stressed, ''Libya is now producing well over one million barrels of oil a day. However, this has not yet translated into tangible benefits for people. Many Libyans get poorer every year. Basic health and education services decay and frustrated citizens can not understand why oil production and increased government revenue does not lead to improved living standards, security and well-being for all in Libya."
According to the UN Office for the Co-ordination of Humanitarian Affairs:OCHA, today, some 823,000 people, including, around 248,000 children, are still in need of humanitarian assistance. This includes internally displaced persons and returnees, conflict-affected people, host communities and refugees and migrants, who face grave human rights violations and abuse in the absence of rule of law.
The majority of the people in need are in highly populated urban areas in the western and eastern regions of Libya. However, people with the most critical and severe needs are in the coastal area of Sirt and in the southern parts of the country, Murzuq, Sebha and Alkufra, where access is difficult due to violence and instability.
The funds required in the 2019 HRP are meant to provide food, health care, protection, especially, from buried explosive hazards, which threaten the lives of entire communities, water and sanitation services, shelter, basic household items and emergency education support for the most vulnerable.
In terms of food, the plan aims to provide immediate life-saving food supplies but, also, support longer term recovery with the distribution of seeds, tools and other inputs for farming and fishing communities. If, adequately funded, humanitarian agencies will set up emergency medical teams and dispatch mobile teams to areas, where medical staff is limited, to reinforce disease surveillance and control.
Water and sanitation are high priorities in detention centres, which are crowded and unsanitary, schools in marginalised areas and camps for internally displaced people and refugees. Families in need of shelter will receive construction materials and cash assistance, in the form of emergency grants, rental subsidies and actual cash.
"Ultimately, the future of Libya is very much in the hands of the Libyans and many efforts are ongoing in this regard." said Ms Ribeiro. "But, right now, while people are suffering, it is absolutely critical that the international community work together with national partners to make sure vulnerable people are supported and protected."
Caption: Image: UNOCHA:Giles Clarke:::ω.
Year Delta Arkive 2018-19
Year Gamma Arkive 2017-18
Year Beta Arkive 2016-17
Year Alpha Arkive 2015-16
Regine Humanics Foundation Begins Its Journey Today: The Humanion Is Now A Regine Humanics Foundation Publication
|| April 06: 2018 || ά. The Humanion was first published on September 24, 2015 and has been run, since that day, on a complete voluntary basis without any 'formal' or 'constituted' manner or form and, it was run on as a Human Enterprise, which is an idea of Humanics, in which, ownership is replaced by belongingship and, thus, in a Humanical Society, no one owns anything but everyone belongs to the whole as the whole belongs to everyone lawfully and equally and, it neither believes in nor makes money but human utilities, needs, aspirations, creativity, imagination and dreams are served without money, where everyone works and creates for all others as all others create and work for all others, thus, bringing in meaning and purpose to life along with it come natural justice, equality and liberty, that establish a true civilisation within the Rule of Law. And in one word, this system of human affairs management is called, Humanics and a society that runs itself in humanics is called a humanical society. Today, we have begun the process of 'constituting' this Human Enterprise, which does not exist in the current system, but the next closest thing to it, that exists in the UK Law is Social Enterprise. Therefore, today, Friday, April 06, 2018, we are beginning Regine Humanics Foundation, that is the 'Agency', that will lead, run, manage and develop everything, that The Humanion has been trying to do.
Regine Humanics Foundation is established by the Thinker, Author, Poet, Novelist, Playwright, Editor of The Humanion, Festival Director of London Poetry Festival and a Humanicsxian: hu: maa: neek: tian: One, that believes in, lives and exists by Humanics, Mr Munayem Mayenin, of London, England, United Kingdom. Mr Mayenin says, ''Humanics is a vision; people, may, call it, utopia, we, call it our Humanicsovicsopia; Humanics. Humanics is our philosophy, our faith, our conviction, our resolution, our way of existing, thinking, being and doing: to seek and try to do so in the determination that all we must do and be is to exist to advance the human condition. People, readers and agencies and organisations, from all across England, Scotland, Northern Ireland, Wales and the whole of the United Kingdom and Australasia, Africa, Asia, Europe, North and South America, from all walks and strata of life, have supported our endeavours, supported The Humanion and The Humanion Team, who volunteered their time to run things, since the beginning of The Humanion and long before that, when other things, that are now part of The Foundation, were developing. Nothing has changed in terms of the nature and value of what we have been seeking to do.''
''But the founding of The Foundation brings it all in a solid foundation so that we can keep on building this 'vision' so that it keeps on going regardless of who come to take the vision-mission of The Foundation forward. The Foundation runs along with time and along with the flowing humanity. This is the dream, this is the vision, this the hope in founding this Foundation. And, in this, we hope and invite all our readers, supporters, well wishers and all agencies and organisations to support our endeavours to build something, a Human Enterprise, which we are in the process of registering as a Social Enterprise, as a Community Interest Company, working for the common good of the one and common humanity. No one makes or takes profit out of The Foundation, which now runs The Humanion and everything else, that is part of it. The Foundation, once registered, will have an Asset Lock, which means that in any event, should The Foundation dissolve itself, all its existing assets shall go to a similar Social Enterprise. Therefore, we invite everyone to support The Foundation, support The Humanion in whatever way they can. And, there are endless number of ways people and organisations can support The Foundation and The Humanion.'' ::: ω.
|| Readmore || ‽: 060418 || Up ||
Sharon Harriott: Author: Poet: Journalist
Dr Margaret Chan: WHO Director-General
Life's Laurel Is You In One-Line-Poetry A Heaven-Bound Propagated Ray Of Light Off The Eye Of The Book Of Life: Love For You Are Only Once
Life: You Are The Law The Flow The Glow: In Joys In Hurts You Are The Vine-Songs On The Light-Trellis
|| All copyrights @ The Humanion: London: England: United Kingdom || Contact: The Humanion: editor at thehumanion.com || Regine Humanics Foundation Ltd: reginehumanics at reginehumanicsfoundation.com || Editor: Munayem Mayenin || First Published: September 24: 2015 ||
|| Regine Humanics Foundation Ltd: A Human Enterprise: Registered as a Not For Profit Social Enterprise in England and Wales: Company No: 11346648 ||


text:
Q: Error in veins_inet: Mobility position is not a finite number after initialize (x=nan, y=nan, z= nan) I'm very beginner to veins. I'm building a network in which ther is a standard host and a vehicle communoicate to each other via AccessPoint. I've successful done this simulation with wirelessHost and standard host. but when I used veins_inet to simulate adhocHost as a vehicle I get this error
""
My source code is following.
############################# .ned ############################
network ScenarioFOG
{
    submodules:
        radioMedium: Ieee80211ScalarRadioMedium {
            @display("p=29,130");
        }
        manager: VeinsInetManager;

        configurator: IPv4NetworkConfigurator {
            parameters:
                assignDisjunctSubnetAddresses = false;
                @display("p=36,83");
        }

        vNode[0]: Car;

        sNode: StandardHost {
            @display("p=260,61");
        }
        AP: AccessPoint {
            @display("p=197,79");
        }

    connections allowunconnected:
        sNode.ethg++ <--> Eth100M <--> AP.ethg++;
}

############################# .ini ############################
[General]
network = ScenarioFOG
sim-time-limit = 60s
debug-on-errors = true
cmdenv-express-mode = true
image-path = ../../../../images

# UDPBasicApp
ScenarioFOG.*Node[*].numUdpApps = 1
ScenarioFOG.*Node[*].udpApp[0].typename = "UDPBasicApp"
ScenarioFOG.vNode[*].udpApp[0].destAddresses = "224.0.0.1"
ScenarioFOG.vNode[*].udpApp[0].multicastInterface = "wlan0"
ScenarioFOG.vNode[*].udpApp[0].joinLocalMulticastGroups = true
ScenarioFOG.sNode[*].udpApp[0].localPort = 9001
ScenarioFOG.vNode[*].udpApp[0].destPort = 9001
ScenarioFOG.vNode[*].udpApp[0].destAddresses = "sNode"
ScenarioFOG.sNode[*].udpApp[0].destAddresses = "vNode"
ScenarioFOG.vNode[*].udpApp[0].messageLength = 100B
ScenarioFOG.vNode[*].udpApp[0].startTime = uniform(0s, 5s)
ScenarioFOG.vNode[*].udpApp[0].sendInterval = 5s

# Ieee80211MgmtAdhoc
ScenarioFOG.vNode[*].wlan[0].mgmtType = "Ieee80211MgmtAdhoc"
ScenarioFOG.vNode[*].wlan[0].bitrate = 6Mbps
ScenarioFOG.vNode[*].wlan[0].radio.transmitter.power = 2mW

# HostAutoConfigurator
ScenarioFOG.vNode[*].ac_wlan.interfaces = "wlan0"
ScenarioFOG.vNode[*].ac_wlan.mcastGroups = "224.0.0.1"

# VeinsInetMobility
**.vNode[*].mobilityType = "VeinsInetMobility"
**.vNode[*].mobility.constraintAreaMinX = 0m
**.vNode[*].mobility.constraintAreaMinY = 0m
**.vNode[*].mobility.constraintAreaMinZ = 0m
**.vNode[*].mobility.constraintAreaMaxX = 1000m
**.vNode[*].mobility.constraintAreaMaxY = 1000m
**.vNode[*].mobility.constraintAreaMaxZ = 0m
**.vNode[*].mobility.initFromDisplayString = false
**.vNode[*].mobility.initialX = 200m
**.vNode[*].mobility.initialY = 100m
**.vNode[*].mobility.initialZ = 0m

# VeinsInetManager
ScenarioFOG.manager.updateInterval = 0.1s
ScenarioFOG.manager.host = "localhost"
ScenarioFOg.manager.port = 9999
ScenarioFOG.manager.autoShutdown = true
**.manager.launchConfig = xmldoc("square.launchd.xml")
ScenarioFOG.manager.moduleType = "org.car2x.veins.subprojects.veins_inet.example.Car"

**.vector-recording = true

redpajama_set_name: RedPajamaStackExchange


Restoration in the Attention Economy: On Reading C. D. Wright's "ShallCross"
You compose first, then you listen for the reverberation.
While poetry remains as the primal foundation for my visual and literary work, I'm constantly analyzing its relationship to my 'mixed-media' identity, and I like Carrie Mae Weems's words, "Sometimes my work needs to be photographic, sometimes it needs words, sometimes it needs to have a relationship with music, sometimes it needs all three and become a video projection." There are endless creative decisions for each of us, linked to our needs as human beings.
As a poet who is also a photographer and painter, I find myself perpetually challenged by meditations on my blurred insider-outsider role as well as the tail-chasing dialectic of Subject-Object and Other. For me, poetry and photography, as mediums, exist as persistent spaces of discovery, shock, pleasure, risk, and joy. These spaces also contain voices, which can be intense, inaudible, deafening, subtle, sonorous, and even, choral. The process of imagination and experimentation is as rich and provocative as the final realization, which then of course, morphs itself into history, after-lives, caesuras, and resurrections.
During the summer of 2011, I began to visualize P.O.P as a series of poetic portraits that would be three-dimensional. In a sense, the P.O.P project is a sequence of visual poems, nuanced and calibrated as Russian dolls, with poets, poems, and questions nesting within one another. I had a number of anxieties and questions. How could I make this genre of portraiture and what/whose likeness would it resemble? How much of its original essence could this derivative of poetry possess?
In the spring of 2012, I invited local contemporary poets to visit my Brooklyn studio to participate in the project. I was overwhelmed by the response, given that the P.O.P was both a difficult and sublime labor of love. I had no funding to initiate or complete the project. One afternoon I went to B&H and purchased a minimal amount of equipment. Next I read web tutorials about how to use microphones and the video-editing software Final Cut, which I'd already learned to use for my interests in creating small, lyrical art shorts.
My artist's studio, located in an industrial building in the DUMBO neighborhood of Brooklyn, occupied a poet-crazy-making proximity to noisome subway trains and the Manhattan Bridge. Below my small room, mammoth delivery trucks honked while my neighbors slammed doors and gave me a stylized brand of Brooklyn-glare as I begged them to give me twenty minutes of quiet to make a recording. A CrossFit exercise facility rolled tank-sized tires down my hall while its members jogged laps and shouted adrenalized anthems around our floor. Upstairs a guitar maker sanded beautiful electric guitars in his humming woodshop. A perpetual strain of emo-techno music lurked somewhere inside the walls. My assistant went from floor-to-floor searching for the invisible culprit, which we never identified.
One afternoon I schlepped equipment to a tiny upstairs room in the Lillian Vernon Writers House at New York University to film Sharon Olds for the P.O.P project. I was deeply moved by her reading of a Lucille Clifton poem. Elated, I returned to Brooklyn only to discover that my memory card was damaged and there was no possibility of data recovery. Sharon's powerful voice runs on a private reel of my memory without any means to recover our singular experience, except in these words.
The format for most of the videos is that each poet reads an original poem and then shares a poem by another poet that s/he would like to share with an explanation of his/her relationship to the shared work. After the reading of both poems the participating poet then answers a question s/he has selected from a pool of anonymous questions generated from other participants in the project. By late spring of 2012, I'd filmed eighty poets. (My goal had been one hundred with an initial expectation to work with at least fifty poets, if I was lucky.) This virtual village grew into a complex and dynamic conversation—I was struck by what the poets, as individuals and as a group, allowed me (and by extension, an unknown audience) to see. It was astonishing to consider the videos as "pages" and to examine their spliced vocabulary.
But the intimacy of reading and the intimacy of watching/listening to a video are inherently different, and often incomparable. I hoped P.O.P would reflect Robert Frank's foresight, "The eye should learn to listen before it looks." For me it is reflexive, involuntary—expansion and contraction.
When we, as poets, participate in conversations about poetry, technology, and media, we sometimes insist upon a polarity from which judgment and value are also drawn. I've always viewed technology as an instrument that serves the endowment of my imagination. And if there is any scale, I prefer to favor imagination and discipline to the trending faceless labor of mobile applications and virtual engines. At the same time, I wouldn't want to snare exciting new media possibilities within a narrow loop of either/or. For the most part, I don't see technology as a threat to poetry though there are continuing issues surfacing in critical regard to ownership, authorship, and the economic infrastructures of publishers.
I wondered about the idea that young poets who are wielding smartphones, socio-technological conflicts, and their own specific generational issues might find a broad geography of poets who resemble them, literally, thematically/narratively, and emotionally. It will be interesting to review the P.O.P project in a few years and to compare which themes and concerns have shifted, which issues may be defunct, and which will be timeless.
There is also a hope that new energy will be generated through the P.O.P conversation itself. Perhaps someone in the audience will search for the poet's original work or endeavor to write his or her first poem, encouraged by the presence of a voice, a face, or phrase in the ether of creativity.
The intimacy, diversity, and variety of the videos forged into a collective that resonated with my own deepest feelings and tensions regarding individuality and community. The communal space was language itself. This was, if I had one, my agenda. The more difference the better. The tactile sense and awareness of a poet's mind at work is a stirring visual. The project helped me to approach, on my own terms, the jarring leaps of technology and its relationship to one of our most ancient traditions of humanity.
I would like to thank the Academy of American Poets, especially Jen Benka, Mary Gannon, and Jeff Simpson. Their eyes listened first. I would also like to thank Gerald Stern, Anne Marie Macari, and the spirit of Muriel Rukeyser. I would also like to thank Joseph A. W. Quintela, my gifted assistant, who braved the noise with me. And, finally, a persisting gratitude to every poet who made the effort to meet me under the bridge.


Appreciating the time and energy you put into your blog and in depth information you offer. It's great to come across a blog every once in a while that isn't the same out of date rehashed material. Great read! I've saved your site and I'm including your RSS feeds to my Google account.


Chlorine dioxide has many industrial applications including water purification, food and surface disinfection, mold eradication, and anthrax decontamination. In fact, chlorine dioxide is one of three disinfectants approved by the US Environmental Protection Agency (EPA) for municipal water systems and drinking water in general. Chlorine Dioxide is registered as a biocide by the EPA. Chlorine Dioxide is so commonly used in food disinfection and water purification that many of us consume it daily without even realizing it.
Another company supplying Chlorine Dioxide products is the UK based Safe Ox. Their website claims: "Chlorine Dioxide is a highly potent, fast acting bactericide and virucide at concentrations as low as 0.1 ppm. It does not form toxic by-products, is effective over a wide pH range in both hard and soft water; and does not react with most other water treatment chemicals and so leaves no residual toxicity.
Because most companies providing chlorine dioxide technologies only offer them on a commercial scale, MMS was created to provide chlorine dioxide on a smaller scale for consumer use through onsite/at home chlorine dioxide generation. The chemical sodium chlorite (NaCl0₂) is recognized as a solid form of chlorine dioxide which is easier to transport and use than chlorine dioxide gas. Technical grade sodium chlorite (TGSC) is by definition 80% sodium chlorite and 20% other inert components.
chlorine dioxide (see ch. 4 of the EPA's "Alternative Disinfectants and Oxidants Guidance Manual" section 4.2.3 in our EPA documents section). Water itself can activate sodium chlorite but the process is slow. To speed the process, WPS4sale.com offers two different acids to accomplish this activation in a speedier way. We have a 50% citric acid (CA) activator and a 4% hydrochloric acid (HCl) activator. Both activators are mixed in a 1 to 1 (1:1) ratio with the MMS solution to form the chlorine dioxide. The acid and MMS are combined in a 1:1 ratio then allowed to sit 30 to 60 seconds or longer before being added to water. The HCl and WPS are combined in a 1:1 ratio then allowed to sit 30 to 60 seconds or longer before being added to water.
Once activated, MMS can be used for a variety of applications. First and foremost among these is water purification. 1 to 12 activated drops of MMS can be used per gallon of water depending on the quality of the water. More cloudy or questionable water would require more drops.
Another use is food preparation. Add 10-15 drops of activated MM to a pot of rinse water to rinse leafy greens or clean any other produce. As a scrub, activate 5-10 drops of WPS and add to a half cup of water. Use this solution to rub firmly onto the surface of a fish fillet, chicken breast, steak, or other meat item. Allow the solution to stay on the surface of the meat for a few minutes, then rinse off. As a soak, activate 5-15 drops of WPS and add to enough water to cover your meat items in a dish or pan. Submerge your meat items in the WPS solution for a few minutes. When you are ready to use the meat, rinse it off and drain the rinse solution. Use a mild WPS and water solution to disinfect sponges, countertops, sinks, and cutting boards.
MMS can be added to your loads of laundry to wash mildew out of washable clothing and fabrics. Wet the mildewed section of fabric and scrub in liquid or powdered detergent onto the area. Then wash the fabric in warm water. Activate 30 to 60 drops of WPS and add to the wash water instead of bleach. No trihalomethanes form in your wash water, and the WPS solution does not wear your clothing down the way industrial bleach products do.
shower mat and shower curtain to remove mildew buildup.
A strong WPS and water solution can also remove mildew and stains on cement, brick, stone, and other outdoor surfaces. Use a wire brush to scrub WPS and water onto patio stones, foundation walls, or exposed concrete surfaces.
The shelf life of WPS in bottles if kept dry, cool, air tight and out of sunlight is considered to be 5+ years. The citric acid solution and hydrochloric acid solution in bottles appears to be the same in our experience. Sodium chlorite flakes and citric acid powder may last up to 20+ years if stored correctly.
Finally, WPS4sale.com offers the following sections to compare two refined chlorine dioxide products with WPS, namely Chlorine Dioxide Holding Solution (CDH) and Chlorine Dioxide Solution (CDS). Below is a comparison of the three products (WPS, CDH, CDS) for onsite chlorine dioxide generation.
MMS – 28% sodium chlorite solution fast activated (less than 1 minute) using acid on a 1:1 ratio. Chlorine dioxide is a highly reactive molecule that is best generated at the point of use. Sodium chlorite, or WPS, in an unactivated state provides a safe, stable compound that can be combined with an acid on site to generate chlorine dioxide at its point of use. WPS does not need to be refrigerated and will not lose its chlorine dioxide over time. WPS and the acids used to activate it can be effectively stored for long periods.
Both CDH and CDS will lose their chlorine dioxide because they are based on released chlorine dioxide (activated sodium chlorite) whereas WPS's chlorine dioxide is still only a potential within the sodium chlorite because it has not been activated. One activated drop of WPS is still probably the safest, quickest, lowest cost and most effective water purifier available today.
CDH – Slow activated (12-24 hrs.) MMS that allows the sodium chlorite to become fully activated and all of the chlorine dioxide to be released and immediately available in the suspension. Where WPS continues to activate after being added to water, the CDH is more fully activated. This is the step in between WPS and CDS. CDH is easier to produce than CDS and contains the reaction by-products which may be useful depending on your application.
The acid used for activation could make a difference in the final CDH produced, depending on the sensitivity of your application.
MMS – 1 to 5 activated drops will purify one gallon of water. The number needed is determined by the state of the water being treated. Stagnant water, cloudy water, or water of an unknown source may require more rather than fewer drops.
CDH – 18 drops of CDH at 3000 part per million (ppm) can be considered the roughly equivalent to 1 to 3 activated drops of WPS. Therefore 18 drops of CDH at 3000 ppm will purify 1 gallon of water.
1 ml of CDH is equal to approximately 18 drops of CDH. A 4 oz. bottle of CDH has 120 ml in it and approximately 2160 drops.
This ratio changes as the CDH concentration changes. For example, if the CDH has a concentration of 6000 ppm then the number of drops needed would decrease by half.
Basically, as the ppm concentration of the CDH increases, the amount needed to accomplish the same purification decreases. The reverse is true also. If the CDH has a concentration of 1500 ppm then the number of drops needed would increases to twice as much.
CDS – 18 drops of CDS at 3000 part per million (ppm) can be considered roughly equivalent to 1 to 3 activated drops of WPS1.
Therefore 18 drops of CDS at 3000 ppm will purify 1 gallon of water.
1 ml of CDS is equal to approximately 18 drops of CDS. A 4 oz. bottle of CDS has 120 ml in it and approximately 2160 drops.
This ratio changes as the CDS concentration changes. For example, if the CDS has a concentration of 6000 ppm then the number of drops needed would decrease by half.
Basically, as the ppm concentration of the CDS increases, the amount needed to accomplish the same purification decreases. The reverse is true also. If the CDS has a concentration of 1500 ppm then the number of drops needed would increases to twice as much.


text:
℗ 2016 Dream Collection
Duration 6h 00m 28s
Record Label Dream Collection
Catalogue No. 18207
Release Date December 2, 2016
Mozart Allegros
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik"
I. Allegro
Wolfgang Amadeus Mozart; Franz Liszt Chamber Orchestra; Sandor Frigyes
Piano Sonata No. 11 in A Major, K. 331
III. Rondo alla Turca - Allegretto "Turkish March"
Wolfgang Amadeus Mozart; Margarete Babinsky
Symphony No. 40 in G Minor, K. 550
I. Molto allegro
Wolfgang Amadeus Mozart; Hungarian Chamber Orchestra; Vilmos Tatrai
Serenade No. 6 in D Major, K. 239 "Serenata Notturna"
III. Rondo allegro
Piano Concerto No. 9 in E Flat Major, K. 271 "Jeunehomme"
Wolfgang Amadeus Mozart; Daniel Gerard; Vienna Mozart Ensemble; Herbert Kraus
Symphony No. 34 in C Major, K. 338
III. Allegro vivace
Wolfgang Amadeus Mozart; Vienna Mozart Ensemble; Herbert Kraus
Horn Concerto No. 2 in E Flat Major, K. 417
III. Rondo - Allegro
Wolfgang Amadeus Mozart; Sebastian Weigle; Dresden Philharmonie; Jörg-Peter Weigle
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile"
Wolfgang Amadeus Mozart; Jenö Jando
Flute Concerto No. 2 in D Major, K. 314
I. Allegro aperto
Wolfgang Amadeus Mozart; Kurt Berger; Vienna Mozart Ensemble; Herbert Kraus
Symphony No. 41 in C Major, K. 551 "Jupiter"
IV. Molto allegro
Clarinet Concerto in A Major, K. 622
Wolfgang Amadeus Mozart; David Glazer; English Chamber Orchestra; Geoffrey Simon
Divertimento in D Major, K. 334
IV. Rondo allegro
Piano Concerto No. 26 in D Major, K. 537 "Coronation"
Wolfgang Amadeus Mozart; Gyula Kiss; Hungarian Radio Symphony Orchestra; György Lehel
Symphony No. 31 in D Major, K. 297 "Paris"
III. Allegro
Wolfgang Amadeus Mozart; Hungarian Philharmonic Orchestra; Janos Ferencsik
Concerto for Flute, Harp and Orchestra in C Major, K. 299
Wolfgang Amadeus Mozart; Hans Friedrich; Angelica Berger; Vienna Mozart Ensemble; Herbert Kraus
Piano Sonata No. 12 in F Major, K. 332
Divertimento in F Major, K. 138 "Salzburg Symphony No. 3"
Wolfgang Amadeus Mozart; Bernd Heiser; Vienna Mozart Ensemble; Herbert Kraus
Sinfonia Concertante in E Flat Major, K. 364
I. Allegro maestoso
Wolfgang Amadeus Mozart; Christian Altenburger; Wolfram Christ; German Bach Soloists; Helmut Winschermann
Piano Concerto No. 10 in E Flat Major, K. 365
Wolfgang Amadeus Mozart; Zoltan Kocsis; Dezsö Ranki; Hungarian State Orchestra; Janos Ferencsik
Divertimento No. 17 in D Major, K. 334
Horn Concerto No. 1 in D Major, K. 412
II. Rondo allegro
Violin Concerto No. 4 in D Major, K. 218
Wolfgang Amadeus Mozart; Christian Altenburger; German Bach Soloists; Helmut Winschermann
Symphony No. 39 in E Flat Major, K. 543
IV. Finale - Allegro
Wolfgang Amadeus Mozart; Hungarian Chamber Orchestra; Janos Ferencsik
Piano Concerto No. 21 in C Major, K. 467
Wolfgang Amadeus Mozart; Vilmos Fischer; Vienna Mozart Ensemble; Herbert Kraus
Divertimento in D Major, K. 136 "Salzburg Symphony No. 1"
Piano Sonata No. 10 in C Major, K. 330
III. Allegretto
Violin Concerto No. 3 in G Major, K. 216
III. Menuetto allegretto
Piano Concerto No. 12 in A Major, K. 414
Wolfgang Amadeus Mozart; Marian Migdal; Cappella Coloniensis; Ulf Björlin
Divertimento in B Flat Major, K. 137 "Salzburg Symphony No. 2":
II. Allegro di molto
Wolfgang Amadeus Mozart; Marian Migdal; Cappella Coloniensis
III. Rondeau - Allegretto
Violin Concerto No. 5 in A Major, K. 219
Divertimento in B Flat Major, K. 137 "Salzburg Symphony No. 2"
III. Allegro assai
Piano Concerto No. 24 in C Minor, K. 491
Wolfgang Amadeus Mozart; Gyula Kiss; Budapest Symphony Orchestra; György Lehel
I. Allegro vivace
Wolfgang Amadeus Mozart; Salzburg Mozarteum Orchestra; Hans Graf
Piano Sonata No. 16, K. 545 "Sonata facile"
III. Rondo - Allegretto
III. Rondo - Allegro vivace
Divertimento in F Major, K. 247
Flute Concerto No. 1 in G Major, K. 313
Symphony No. 4 in F Major, K. 19
Wolfgang Amadeus Mozart; Vienna Mozart Ensemble; Herbert Kraus;
Piano Concerto No. 17 in G Major, K. 453
Serenade No.13 in G Major, K. 525 "Eine kleine Nachtmusik":
IV. Rondo - Allegro
Renowned orchestras including the Hungarian Philharmonic, the Franz Liszt Chamber Orchestra and the Vienna Mozart Ensemble as well as musicians Jenö Jando and Margarete Babinsky are featured on this six hour collection dedicated to Mozart's Allegros.
44.1 kHz / 24-bit PCM – Dream Collection Studio Masters


This was my character i did in Illustrator, for one of my classes. Did a short presentation on it as well. Seems like everything worked out awesome at the end.
Jezebelle is a Pirate, but not just any ordinary mean, wrinkly, gruffy old pirate, but a young Pirate Claus, like a Santa Claus.
Sam on Microsoft's Xbox Kinect: mixed connections ._.


One of the keys to losing body fat and keeping it off is strength training. Lean muscle is the driving force behind your metabolism. The only way to increase your metabolism and burn more calories at rest is to increase lean muscle through strength training.
Most people want to get lean and shed body fat. Doesn't a high metabolism sound like something that might help you achieve that goal? You bet it does!
Why you should ignore all the government warnings about exercise.


Downeast SIPAH" will go on tap at Gritty's in Portland sometime at the end of April.
Try this small-batch, hoppy IPA in Portland before it's gone! Made with Maine grown grain from Blue Ox Malt House in Lisbon, Maine & hops from Aroostook County, this IPA comes in at 4.5% ABV. It is hoppy up-front with a nice malty balance on the end. We used Centennial and Cascade hops, Maine Pale and Vienna Malts along with Maine grown oats.
All Gritty's locations are serving a Marzen style lager. Fire Toasted Lager features a touch of smoke from Beech Wood smoked malt along with Vienna and Munich malts. It's brewed with Saaz purposely hazy or cloudy, which can give these brews a smooth, creamy mouthfeel – a departure from the light/dry mouthfeel you often get with West Coast IPA's and Northern Brewer hops. This Marzen style lager fairly sessional, appreciably malty-sweet and approachable lager that is crisp and drinkable while still being a step up the flavor rung from "blonde ales" or "pale lagers." About 5.5% ABV.
Wake & Bake Cold Coffee Porter is coming to Gritty's Auburn after the last of the Scottish Ale kicks. This fan favorite is a classic Porter, cold brewed with coffee. Hopped with Warrior, Cluster, WGV and US Goldings, then finished with Maine roasted coffee. It comes in around 5.8% ABV. Nice drink'n, with a coffee kick… Look for this beer to go on tap later in April.
Copyright © 2016 Gritty. All rights reserved.


Caroline or Change continues on stage, but below, in the black box theatre, things are gearing up on set construction with the play Grand Concourse. A nun in her 30s runs a soup kitchen in the Bronx, dealing with all sorts of characters. But, when Emma, just out of high school, looks to volunteer, she'll change everyone around her — and not necessarily for the better. The set requires a functioning kitchen. I'll share some pictures next weekend!
I watched Ex Machina on Netflix. It's an indie science fiction movie that won awards for its visual effects in 2014. A surprisingly feminist film, the ending left lots to discuss.
I tried watching The Umbrella Academy but didn't care for any character except #3 ("The Rumor"). She had the coolest power and most interesting personal story, but the focus stays on #5, and I just don't care. I'm especially disinterested in Elle Page's wimpy character who (at the time I quit watching) was infatuated with a loser.
Alias Grace by Margaret Atwood: several readers were interested in my progress on Atwood's novel, either because they loved the show or the book. While I was bored in the middle only because I saw the show and it was so similar to the book, I did enjoy the ending, which gave more of Grace's perspective than the Netflix series.
Magic's Price by Mercedes Lackey: well, that's the end of the trilogy that started it all for me in 2001. The next books in the #ReadingValdemar buddy read will all be totally new territory! I wasn't as saddened by the ending this time and will reveal why in my review Monday.
The Family Nobody Wanted by Helen Doss: a memoir I hadn't planned to re-read, but it came at the perfect time. My anxiety has been high, so I got a book about anxiety to help me feel more in control. The book just gave me anxiety (DNF), so I picked up Doss's memoir to take myself through an easy read that I love. My husband and I quote this little memoir more than I care to admit. Review coming next week.
He saw himself in her eyes, suspended in two shining drops of bright water, himself dark and tiny, in fine detail, the lines about his mouth, everything there, as if her eyes were two miraculous bits of violet amber that might capture and hold him intact.
Friends, if you can tell me what "violet amber" looks like, or why a person not crying has eyes like "drops of bright water" (and what is "bright water"???), you win a cookie. DNF.
According to my spreadsheet, I'll start Destroying Angel, a novel with two characters who "navigate an underworld of body theft, interstellar drug trafficking, and doctors who double as dealers," by Missy Wilkinson. I'll start AND finish a book called This Much Country by Kristin Knight Pace, a memoir I heard about on NPR. After she got divorced, Knight Pace moved from Montana to deep Alaska to care for a guy's sled dogs, residing in his "house" that has no electricity or running water. Lastly, I'll start Vow of Celibacy by Erin Judge, which is one of my fat fiction novels.
I was debating whether to read Fahrenheit 451 but you and the extract were enough to persuade me not to bother.
I just….man, I can't pick apart little phrases in every sentence, or I'll never finish and feel happy. And I can't let them go because I don't know what they mean.
Ooh, did you enjoy Ex Machina? I've been meaning to watch it again at some point, I love Alicia Vikander and Oscar Isaac.
I did enjoy it! The man who plays the inventor is so creepy right away that I wonder why everyone doesn't go running out of the building immediately (the answer is because they cannot).
I also did not like Fahrenheit 451 – I persevered through it, assuming it would get better because it's a classic – it did not.
Alias Grace does sound pretty good – maybe it's time for me to give Margaret Atwood another try.
I know what you mean about Atwood. She's been hit or miss for me. I enjoyed this one, and I know you're willing to tackle longer books.
I love Fahrenheit 451! Actually, I love pretty much everything I've ever read by Bradbury. I find his style to be effortlessly lyrical, the way many current writers would like to be, but either don't have the skill to duplicate, or that's just not how their writing voice naturally is. Something Wicked This Way Comes is my favorite of his, but Fahrenheit 451 is right up there.
I think 'bright water' is something like the way water looks when afternoon sun is reflecting off it– the shimmer of sunlight reflecting off waves.
That makes sense — bright water, I mean — but it was a dark night in an alley. Maybe it's more symbolic of who this girl is, but she seemed so ethereal that all I could think was manic pixie dream girl.
The metaphor/simile doesn't need to match exactly with the scene that it's written within, just the viewpoint character's experiences. If I write that someone's eyes are 'dark as midnight', you'll know how dark I mean, even if the scene takes place in the middle of the day.
True, but I'm hung up on the fact that there is no light sources to make those day-time sparkles. It's a pitch-black alley. Maybe she glows from the inside.
I watched Ex Machina for the first time a few months ago and I was pleasantly surprised by how much I enjoyed it.
Strangers on a Train is one of my favorite Hitchcock movies and the story is a favorite as well.
I think because I read Strangers on a Train a few times before I saw the movie, I was disappointed that they were not more similar. Even something like Guy being a tennis player vs an architect really changes his personality.
Yes, I'm with Kim. "Bright water" is one image that I find pretty easy. For me it would be when water sparkles – usually when light plays on it, as Kim says. Still, that whole quote does seem full-on, out of context anyhow. I've not read Fahrenheit 451, not being a big sci-fi fan. I did see and love Ex machina – though would need a refresher now to discuss it in detail.
Oh no, 2 books you had to DNF? I remember liking Fahrenheit 451 but I also didn't read it for school. I read it with a book club many years ago. Violet amber, is that like a hue of purple and blue? Idk.
I owe you an email on books to pick out next read on the blog. You've stated something by joining me for those conversation post! I'll send a note soon. Hope this reading week is much better!
Amber is an orange/brown color so, violet/rust? I'm not sure. It's okay; it doesn't bother me to not finish books if I do not like them. I'll check my email soon!
Haha, I read Fahrenheit 451 in tenth grade and thought it was dreadfully dull and clunky. Glad to know I'm not alone! I've always been curious about Highsmith's work, looking forward to your thoughts.
Thanks, Michael. Highsmith is often viewed as controversial. In Strangers on a Train, there are many inferences that Bruno and Guy, in some way, have a m/m relationship. Then, Highsmith wrote The Price of Salt (later made into the movie Carol), which has a f/f relationship. She was publishing in the 50s!
You let me know when you read the novel, lol.
I'm looking forward to the pictures of the functioning kitchen!
It's getting there! Some of the bigger pieces came in yesterday!
Ah, that quote you included from Farenheit was painful to read! No wonder you DNF'd it. I really liked that video you included from your theatre at the beginning, the show looked amazing!
I'm sorry to hear your anxiety has been high lately-any particular reason? I had a few panic attacks when I was in university, and I found watching Murder She Wrote always made me feel better. In fact, when I had Ava and felt like my life was falling apart days after I gave birth, I again watched MSW just to feel like myself again, and my god it worked!
Hi, Anne! I didn't know that you had panic attacks, though you've occasionally said that your toddler can be a jerk (this is normal!) and figured that was stressful. I've had chronic generalized anxiety my whole life. If something bothers me, I fixate on it. I replay everything that happened in relation to that thing over and over and over and over in my head for days. This is part of why me having reading goals is important. I feel *mild* guilt if I miss a personal goal, and it gets me reading again.
I was kind of surprised that Fahrenheit 451 is so rough. I mean, no wonder I didn't understand the book when I read it in 9th grade. Surely, there must be a committee of adults who can speak up and point out which books in high school were just not effective.
Thank you for your compliments about the show! This is the last weekend, then it's on to the next one!
Yes, I luckily don't suffer from anxiety much anymore (except when I'm flying, I take some pills when I have to board a plane!) but this is the type of thing that can affect anyone at anytime -as you know!
And yes on the committee of adults-can't we find a better book that deals with racism than To Kill A Mockingbird already? Jeez.
It's a book that all high schools use to talk about race. It's written by a white woman about a white girl who loves her white father. I just. . .I mean, I know there's more to it, but still. All I can think of are the people who blog about #ownvoices books and how much they must loathe To Kill a Mocking Bird.
To Kill a Mockingbird makes white people feel good about race relations. Go Set a Watchman which Harper Lee wrote at the same time but only published on her deathbed is much more nuanced.
There are so many feel good narratives for white audiences! I'm worried that the increase in movies starring African American casts are going to keep going in the same feel-good slave-era direction. If Beale Street Could Talk was an amazing change of pace.
I just finished The Umbrella Academy and fully admit that Ellen Page's character is my least favorite. I tried to sympathize with her, but I just grew more and more irritated by her character. Too bad you couldn't get through Fahrenheit 451, but it happens. That Destroying Angel cover is mesmerizing. Hope you are having a good week so far.
Right?! Ellen Page, who is known for inspiring women, is now this meek pile of poo getting stuck to shoes and being thankful for it.
So far, my week is going well. I had a good chat with my boss yesterday that put me off on the right foot for the week. I DNF'd two more books (waaat) and have finally hit my stride. How is your week so far?
On day two of a migraine, but I think it might pass by the morning. Wish me luck.
I'm sorry you guys had to read Fahrenheit 451 in school. Bradbury is a magical writer, and yes he does overwrite but F451 also has lots of important things to say. Still, my favourite Bradbury is The Illustrated Man which expresses a sense of wonder about space travel years before it was even thought to be possible. And just for once we have a shared experience – Ex Machina, which I saw and greatly enjoyed some years ago.
The interesting thing about Fahrenheit 451 is that Bradbury argued that readers didn't understand the point of what he was trying to say. Something about our dependence on technology/TV as opposed to being a story about intellectual curiosity and freedom.
I hope you write another journal post soon. I see you published a review of Heart of Darkness, which I am eager to read, but it seems like you're on the blog less and less these days. Is everything okay?
My absence from blogging is only temporary I hope. There's some one-off business stuff I have to get out of the way and then I can return to reading and writing in my days off.
I've heard that his Dandelion Wine is really good, a book that most fans say they started with or first loved.


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Home / Europe / Athens / Rafina / Paros to Rafina Ferry
Prices can rise for your Paros - Rafina trip as departure time approaches
We arrange over 1.2 million crossings / year
Paros to Rafina Ferry Alternatives
Paros to Piraeus
For more information, please visit our Ferries from Cyclades Islands to Athens page.
Onboard the ferries
Seajet2
Find out what it's like onboard the ferries before you travel.
Ship guides, videos & reviews
Paros to Rafina Ferry
The Paros Rafina ferry route connects Cyclades Islands with Athens and is currently operated by 3 ferry companies. Cyclades Fast Ferries operate their crossing up to 7 times per week, SeaJets 14 times per week & the Golden Star Ferries service is available up to 6 times per week.
There are a combined 27 sailings available per week on the Paros Rafina crossing between Cyclades Islands and Athens and with 3 ferry companies on offer it is advisable to compare all to make sure you get the best fare at the time that you want to travel.
Paros - Rafina Ferry Operators
7 Sailings Weekly 4 hr 5 min
14 Sailings Weekly 3 hr 50 min
6 Sailings Weekly 4 hr 10 min
Paros Rafina Average Prices
Prices shown represent the average one way price paid by our customers. The most common booking on the Paros Rafina route is a car and 2 passengers.
Paros Guide
Located in the Cyclades group of islands, the Greek island of Paros lies in the Aegean Sea, to the west of the island of Naxos from which it is separated by a channel that is around 8 km wide. The island is 160 km to the south east of the Port of Piraeus. Historically known for its fine white marble, which gave rise to the term 'Parian' to describe marble or china of similar qualities, the marble mines and quarries have now been abandoned and can be found around the island. Today, the island's principal source of income is derived from tourism. The capital of Paros, Parikia, is a typically beautiful Cycladic village with whitewashed houses and lovely grand neoclassical mansions. Standing atop a hill in the centre of the village is a 13th century Venetian castle which provides glorious views of the town and surrounding area. There is also an important ecclesiastical attraction in the town in the form of the 6th century Church of Panayia Ekatontapyliani, also known as Katapoliani.
The island's port is also in Parikia and hosts both conventional ferries and high speed ferries. Ferries generally depart to Piraeus and to the other islands of the Cyclades.
Rafina Guide
The Greek town of Rafina lies on the east coast of the Attica region of mainland Greece, on the shores of the Aegean Sea. The town is close to the town's of Artemida and Nea Makri and also to the Greek capital, Athens, which is around 25 km to the west. because of its proximity to Athens Rafina is popular with many Athenians who visit to enjoy the town's many fish restaurants that can be found lining the harbour. It is not uncommon to see the day's catch lying on beds of ice outside each restaurant.
In ancient times Rafina was named Arafinidon Alon but its history dates back to prehistoric times, but more specifically to pre-Hellenic times. In Askitario, to the south of Rafina, archaeologists have found a unique vase with a dog painted on it which has been dated back to 2,800 BC. Another significant find was near the town's port where a bronze foundry was discovered and is thought to be one of the oldest in Europe, and dates back to 1800 BC.
After the Port of Piraeus, Rafina's port is the second largest in Attica. Ferry services operating from the port depart to the southern part of Euboea and to the Cyclades islands.
Location: Rafina, Paros to Rafina Ferry


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Board Policy: 225
Subject: Free Speech and Expressive Activities in Outdoor Areas of Campus
Date Adopted: 8/19
I. Policy Statement
The University recognizes the important role of intellectual freedom and free expression on campus, and it seeks to further the advancement of knowledge by means of research and discovery, teaching, and vigorous discussion of ideas. Students and faculty are free to discuss matters of public concern to the extent consistent with the First Amendment and the reasonable, content-neutral restrictions set forth in this policy and other University and campus policies.
The University recognizes that individuals or groups may be opposed to certain expressive activities or speakers. Disagreement with different opinions is acceptable; however, the use of violence (including threats of violence and unlawful harassment)[1], violations of law, and violations of University policy are not consistent with creating an environment in which ideas can be discussed openly. An individual or group wishing to protest an expressive activity on campus is subject to the same standards as presenters. Individuals who choose to listen bear the responsibility of recognizing and honoring the right of free speech. On-campus protests and demonstrations that materially and substantially infringe upon the rights of others to engage in or listen to expressive activity are not permitted. violations of law, and violations of University policy are not consistent with creating an environment in which ideas can be discussed openly.
This policy describes the rights of members of the campus community to engage in expressive activities in outdoor areas of campus and provides for procedures and restrictions that are intended to protect the interests of the University and the campus community. To the extent any part of this policy conflicts with Arkansas Act 184 of 2019 (Ark. Code Ann. § 6-60-1005), the provisions of Act 184 will control.
II. Definitions
A. "Expressive activity" means all forms of non-commercial expression that are protected by the First Amendment to the U.S. Constitution, which may include peaceful assemblies, speeches, protests, picketing, leafleting, circulating petitions, distributing literature, and similar expressive communications and activities.
B. "Member of the Campus Community" means an enrolled student, an administrator, faculty member, staff member, registered student organization, a group seeking official recognition as a registered student organization, or an invited guest of any of the foregoing persons or groups.
C. "Large-scale event" means (1) an event that involves the use of amplified sound; (2) an event that involves the placement of a stage, carts, vehicles, trailers, or multiple tables; or (3) a parade, demonstration, or similar planned event that: (a) can reasonably be expected to attract 50 or more people, including participants and spectators or (b) can reasonably be expected to require additional security, crowd control or other substantial University resources. A "large-scale event" does not include a spontaneous, contemporaneous assembly of members of the campus community.
D. "Non-Member of the Campus Community" or "Non-Member" means all persons, groups, clubs, or other organizations that do not come within the definition of "Member."
E. A "Registered Student Organization" or "RSO" means an organization (including a club) comprised of University students that is registered with the campus office of student involvement and leadership.
F. "Outdoor Area of Campus" means the generally accessible outside areas of the campus of a state-supported institution of higher education where members of the campus community are commonly allowed, including grassy areas, walkways, and other similar common areas. "Outdoor Area of Campus" does not include outdoor areas where access by the majority of the campus community is restricted.
III. Applicability of Other Policies
A. Facilities Use
The utilization of campus facilities is generally governed by Board of Trustees Policy 705.1, the University of Arkansas Systemwide Policies and Procedures 715.1, and applicable campus policies on facilities use.
B. Academic Freedom
This Policy shall not be interpreted as limiting, expanding, or otherwise affecting the rights and obligations of faculty as set forth in Board of Trustees Policy 405.1.
IV. Time, Place, and Manner Guidelines
Outdoor areas of campus may be used for expressive activities protected by the First Amendment so long as they meet the requirements set forth below. These Board requirements will be applied to all expressive activities regardless of the content of the expression or the viewpoints of the speakers or participants:
The expressive activity must not violate local ordinances, state laws, federal laws, this policy, or other University policies.
The duration of the expressive activity may be limited to a reasonable period of time, based on the type of event and the resources required to manage it.
There shall be no obstruction of entrances or exits to buildings, driveways, parking lots, or other campus locations.
The expressive activity must not materially disrupt vehicular traffic, pedestrian traffic, or scheduled University programs or events. A speaker's use of walkways or other common areas may not block the free passage of others or impede the regular operation of the University.
The expressive activity must not create unreasonable safety risks.
There shall be no alteration, modification, defacement, or destruction to University-owned or University-leased property.
Expressive activities are subject to any campus policies on the permissible posting of signage, use of chalk, or other alterations to University structures.
The erection of tents or any temporary structures must be inspected for safety and approved by the Vice Chancellor of Student Services or designee. Construction of other structures is not permitted.
The location for the expressive activity must be left in its original condition at the conclusion of the event, and persons are responsible for ensuring that any trash or litter is properly discarded. Any person or entity that causes damage to University-owned or controlled property will be responsible for paying any charges necessary to return the property to its original state. Similarly, reasonable cleaning charges may be assessed.
Amplification equipment such as loudspeakers are allowed only with prior permission from the Vice Chancellor of Student Services or designee. Such requests will be evaluated for the potential disruption of regular University activities or processes.
Expression that is obscene, defamatory, or consists of fighting words or threats of physical harm, incites imminent lawless action, or is otherwise not entitled to First Amendment protection is not permitted.
Except as provided in other University policies, University property may not be used for the purpose of promoting a commercial enterprise or raising money for projects not connected with a University activity.
By making a reservation or using a University space for expressive activity, the organizer agrees to be financially responsible for all costs associated with the use of the space—including (but not limited to) security costs related to invited participants, clean up, and repair of damage to University property. Moreover, if warranted by the nature of the event, the University may require a requestor to obtain appropriate liability or other insurance coverage and/or to indemnify the University, its officials, and employees for any claims pertaining to the use of University grounds.
Only official academic and administrative units of the University, University-related foundations and the University alumni association, and registered student organizations with approval of their faculty advisor, are allowed to reserve outdoor spaces during "dead days," any official final examination periods, or the dates of any Official University Commencement activities.
Unless officially authorized to do so, no person engaging in expressive activity may represent that the person or organization is speaking on behalf of the University.
First priority for use of outdoor spaces shall go to the University's academic and administrative units, and the University reserves the right to modify or cancel reservations accordingly. All uses of the University's outdoor spaces remain subordinate to the University's right to use them at any time to advance the mission of the institution.
V. Expressive Forums and Reservation Requirements
A. Use of Publicly Accessible Outdoor Locations
Members of the Campus Community should make a reservation at least 3 days in advance of any planned use of an Outdoor Area of Campus. Members of the Campus Community must make a reservation for a large-scale event and receive prior approval from the Vice Chancellor of Student Services or designee at least 3 days in advance of any planned use of an Outdoor area of Campus. Members of the Campus Community, however, may spontaneously and contemporaneously assemble, speak, and distribute literature at outdoor areas of campus without receiving prior approval.
Non-Members of the Campus Community must make a reservation and receive prior approval from the Vice Chancellor of Student Services or designee at least 3 days in advance of any planned use of an Outdoor Area of Campus.
B. Reservation Preference
In instances in which prior permission from the University is not required, persons are still encouraged to contact the Vice Chancellor of Student Services or designee for scheduling purposes to minimize possible conflicts. Persons with a reserved space will have priority over any other persons seeking to use the area during the scheduled time period for an expressive activity.
C. Reservation Requirement for Other Locations
There are certain additional locations on campus, including certain indoor facilities, that may be made temporarily available to Members or Non-Members of the Campus Community for assemblies, debates, or other expressive activities as designated by the University. Examples of such locations vary by campus but generally include building foyers, auditoriums, and student centers. The use of such locations may entail security concerns, scheduling conflicts, or resource constraints. Where allowed, persons desiring to use such locations may request a reservation pursuant to facility-specific policies. Approval of reservations may be conditioned on acceptable security arrangements, insurance, or payment of fees.
D. Registered Student Organizations, Organized Demonstrations, and Large-Scale Events
The right of freedom of expression at outdoor areas of campus includes organized demonstrations. At the same time, this right does not allow individuals to materially disrupt the University's operations or endanger the safety of others. Accordingly, large-scale events must receive prior approval from the Vice Chancellor of Student Services or designee at least 3 days in advance of the event or activity.[2]
The University will work with the requesting person to either meet the request or find a suitable time and location. To ensure safety on campus, the University may require the requesting party to provide a parade route, hire security, ensure egress to facilities, or take other steps to maintain the safety of campus. Demonstrations and protests are not permitted in buildings. All participants must follow applicable laws and policies.
This policy does not designate all publicly accessible outdoor locations on campus as traditional public fora.
E. Denials and Revocations
A denial or revocation of permission to engage in an expressive activity shall generally be based on a reason set forth in this policy or other applicable policies of the Board of Trustees or University of Arkansas System. However, no policy can address every possible activity or situation that may occur on University property, and the University reserves the right to address such situations as circumstances warrant.
Any decision to deny a reservation for a publicly accessible outdoor location shall be promptly communicated in writing to the requester and shall set forth the basis of the denial. Any such denial must be based on clear, viewpoint-neutral criteria. Anyone aggrieved by the application of these rules may appeal in writing within 10 days to the Vice Chancellor for Student Services or designee.
VI. Sanctions and Enforcement
Violations of this policy by Members of the Campus Community may result in review and sanctions under applicable University policies. Students will be subject to the procedures established in the Code of Student Conduct. Faculty and staff will be subject to the procedures established in applicable employee handbooks. Violations of this policy by other persons may result in removal from campus or arrest. Members and Non-Members of the Campus Community may also lose their privileges to use campus grounds and facilities in the future, in addition to criminal sanctions. Any criminal proceedings are separate from the University's sanctions. The University will enforce this policy in a content-neutral manner.
[1] "Harassment" means expression that is so severe, pervasive, and subjectively and objectively offensive that it effectively denies access to an educational opportunity or benefit or a professional workplace.
[2] Students' use of a single table, cart, booth, or similar structure that does not exceed three feet by six feet (3' x 6') is permitted without a reservation at permissible outdoor locations so long as the time, place, and manner guidelines are followed.


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