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text:
From breakdown to breakthrough
The legacy of "Occupy Everywhere"
by Geoff Olson
At the time of this writing, Occupy Vancouver's tent camp is no more. Across North America, the remaining occupations are under siege from law enforcement and negative press, to say nothing of harsh weather. Is the global flareup from October 15 just a historical flash in the pan, and its tagline, "We Are the 99 Percent" destined to become a forgettable political cliché? Or is there something necessary and new animating the "Occupy Everywhere" movement that will take on new forms in the future?
On a chilly early November day, one of the Occupy Vancouver organizers described how he joined the movement. "I used to be one of the one percent and made a lot of money," said Suresh Fernando. "I was stockbroker at Scotia Macleod, lived at Wall Center, drove a beamer, all that kind of fancy stuff. I was never happy." He says he went through a "spiritual transformation" over the past few years, a change that took him to the grounds of the Vancouver Art Gallery on October 15, the day of global solidarity with Occupy Wall Street. Fernando has been on and off the site ever since.
"You know, the financial industry is predicated on the stupidity of the general public, so I'm here as someone who deeply understands the other side of the fence," he says with animation. A common theme among occupiers is that financial institutions and other big organizations have grown outside the reach of representative democracy. The voting citizen has become an isolated atom of consumption, squeezed for profit and bled by debt.
The corporate state is comparable to a cruise ship with a disintegrating hull. The crew is trying half-heartedly to plug the leaks, while the officers are pulling boards from steerage to redecorate the ballroom. Off in the distance, we can see the lights of small vessels picking up people thrown from the ship. I will argue below that the occupations have performed, in part, like rescue vessels – jury-rigged rafts bound together with determination and awareness.
Leopold Kohr wouldn't have been surprised by the outcry against the big, lawless institutions of today. Born in Salzburg Austria in 1909, Kohr was something of the Rodney Dangerfield of economists – a guy who "couldn't get no respect." He died in 1994, but his central thesis lives on, summed up in his 1957 book The Breakdown of Nations, in which he wrote, "Wherever something is wrong, something is too big."
Anticipating E. F. Schumacher's sixties manifesto, Small is Beautiful and anthropologist Joseph Tainter's scholarly work on cultural collapse in the late eighties, Kohr held that endless growth is unsustainable in all complex systems, from organisms to organizations. As any institution grows, the distance increases between those at the base of the pyramid and those at the top. As democratic participation weakens, power gravitates to a shrinking minority who use it to enrich themselves at the expense of the many.
The "1 percent" is no more of a historical quirk than the Gilded Age of late nineteenth century America. To Kohr, elite-level corruption is a repeating motif that heralds the breakdown of great powers in their cancerous, terminal stages. The phenomenon predates the Ancient Romans, whose anti-Republican elite distracted restless citizens with gladiatorial spectacles, while pouring huge resources into defending an overextended empire that was being hollowed out from within.
Kohr wrote his historical survey of failed giant states in 1951, in the glow of post-war recovery. It found a publisher six years later, just prior to the starry optimism of the space age. His thesis on the crisis of size was seriously out of step with the times. Wasn't it the sheer scale of US military might that saved Europe from Hitler? And weren't supranational bodies like the UN ushering in an era of global harmony? Weren't the Sputnik and Mercury programs only possible through the massive expenditures of the two remaining superpowers, the US and the USSR?
Surveying the historical record, Kohr refused to believe the post-war rebuilding boom could be extended indefinitely into the future. Endless growth is not the answer, he argued. It is the very essence of the problem.
It's not ideology that is at the heart of history's train wreck of failed states, Kohr insisted. Great civilizations with widely varying belief systems and political structure – from the Maya to the Spanish Empire to the USSR to Nazi Germany – have all engaged in mass exterminations of their own subjects before ending in ruins. The only characteristic these empires shared was their overwhelming size, which precluded any significant involvement of citizens in affairs of state. "While every kind of small state, whether republic or monarchy, is thus by nature democratic, every kind of large state is by nature undemocratic," Kohr wrote.
Our politicians and pundits genuflect before economic "growth" as a good in and of itself. Yet many of the most
pressing global problems – increasing wealth disparities, big bank Ponzi schemes, Third World debt, wars for profit, petrodollar-backed resource depletion, nuclear power disasters, monoculture GMO crops, ecological destruction, the fall of personal privacy and the rise of public surveillance – trace back to bloated institutions that are artificially propped up by the mesh of monopoly capitalism. These organizations are dominated by a small class of technocrats, plutocrats and political leaders who live in a bubble of privilege and career-adaptive blindness. In this global network of interlocked corporate directorships and multinational cross-ownership, democratic oversight is possible only in theory, but rarely in practice.
As journalist Bill Moyers observed in a recent speech, people "are occupying Wall Street because Wall Street has occupied the country." Wall Street has also occupied the world. The investment banks spread their toxic, securitized assets from Newark to Norway, in a cynical plan to maximize profits by watering down the risk among unknowing players, initiating a global economic crisis in the process. In 2002, the globe-girdling investment bank Goldman Sachs colluded in a secret deal with Greek government that concealed the nation's swollen budget deficit for years, leading to crisis in the Eurozone when the real numbers were revealed. Sachs' manipulation of the commodity futures market has also led to spikes in the cost of staples across the world, resulting in mass hunger and food riots in the developing nations, from Peru to Zimbabwe.
The worldwide trade derivatives market is now estimated at 791 trillion dollars, 20 times greater than the GDP of the entire planet. The problem of overgrowth is not limited to the financial sector's fictions, of course. The US maintains 860 military bases across the world to ensure the security of the petrodollar. Presiding over this is a swollen, unmanageable defense department, a sinkhole into which literally trillions of dollars have disappeared, unaccounted for by Congressional oversight.
Gargantuan corporations like Walmart and Google now dwarf entire nations in economic scale. Kohr warned that when a civilization "grows cracks in its later stages, it was not because of its social shortcomings but because of its infection with large-scale organisms such as monopolies or unsurveyably huge market areas which, far from being responsible for economic progress, seem to be its principal obstacle."
Anticipating George H. Bush's talk of a "New World Order," the Austrian professor predicted a global network of international control, but was not optimistic of its outcome. "After a period of dazzling vitality, it will spend itself. There will be no war to bring about its end. It will not explode. Like the ageing colossi of the stellar universe, it will gradually collapse internally, leaving as its principal contribution to posterity its fragments, the little states, until the consolidation process of big-power development starts all over again," he wrote in The Breakdown of Nations."
On October 15, millions of people hit the streets, from Santiago to San Francisco, in solidarity with Occupy Wall Street. The horizontally organized, leaderless occupations are informed by the kind of networked, open-source collaboration that is found on the Internet. Within weeks of the global protests, street people were wandering into the camps to take advantage of the ground security, free food and supplies. Organizers discovered they weren't just protesting big banks; they were trying to figure out how to sustain themselves and others for an indefinite period. The homeless were free to join in the committees and general assemblies, giving everyone a chance to get to know, and possibly grow, with others in their midst.
Writing on Salon.com, Glenn Greenwald observes that the Occupy movement "is not devoted to voicing grievances as much as it is finding a model to solve them." Writer Marina Sitrin, who is researching global mass movements from Spain to Egypt, insists the Occupy movement's assemblies offer a "radical, if not revolutionary, way of organizing. When we're in our neighbourhoods and come together and relate in that way, it's more like alternative governance," she told Russian Television. In the last few weeks, the protests seemed to be as much about social transformation as protest against big banks. As one anonymous commentator on the Internet asked, "Why demand change [of Wall Street] when people can, collectively, make it obsolete?"
Here's the big question. Is it possible the occupations were the rough drafts of a parallel civic society, decentralized but global? If, as Kohr insisted, the overgrowth of states and institutions invariably leads to a collapse, is the Occupy movement offering us a rough sketch of more humane, people-scaled way of life, in spite of all its unavoidable flaws and faux pas?
"We have accomplished so much," enthused a woman at Occupy Vancouver, identifying herself as Kiki. "We need to prove to the world that we can take care of each other. That we don't need the government breathing down our neck… so what we've basically done is build an alternative community here that provides all the same social services to people that they should be getting in Vancouver but they actually aren't getting… we want to show people it works, and we're actually accomplishing it."
It's a big claim that is easy to make in the first, flushed weeks of a newly minted movement. But this kind of enthusiasm is not without intellectual foundation. At Solari.com, Catherine Austin Fitts points out the multiplier effect of providing goods and services to the community by the community. Fitts, formerly assistant Secretary of Housing in the first Bush administration, insists that "lending circles" and other ground-up, microeconomic operations result in the circulation of wealth abundance, in the inverse of the Walmart wealth extraction model for communities.
Fitts believes the present debt-fuelled political economy is far too big to be defeated outright; it can only be "starved." This can be accomplished by finding alternative, smaller-scale models for living, and reengineering money to serve public assets over private hoarding.
I don't want to romanticize the Occupy movement and its members – or its embers, smoldering after judicial writs and police crackdowns. There is nothing romantic about camping out in near-zero temperatures or figuring out the next move with authorities while dealing with group dynamics and contending egos. For the movement's foot soldiers, juggling the day-to-day problems of ground security and sanitation has been part of their tour of duty, as they offer up a vision of a parallel civil society that looks more wonky than wonkish. Their unexpected fusion of pragmatism and idealism is still completely beyond news outlets, which cannot see the forest for the tents.
Speaking of tents, we'd do well to remember there have been tent cities in major cities across the US at least since the crash of 2008 that have nothing to do with the Occupy movement. They are inhabited, in part, by scared and scarred former members of the middle class, many who have lost their homes and livelihoods to a subprime mortgage or a hospital bill. We may get the kind of occupations we deserve, depending on our willingness to confront the reality of a transnational situation that stretches from New York's Zuccotti Park to Cairo's Tahrir Square.
Big is looking unstable these days. Big multinationals fixate on maximizing quarterly profits, with the social and ecological costs of resource extraction ignored as "externalities." Big finance continues to measure economic progress by false metrics like the GDP, which counts a heart attack or oil spill as an economic plus. Big media swoons over a volatile stock market while amusing news-consumers to death with celebrity piffle. Big government signs off on wars for profit and private security/surveillance programs, while carving up the public sector for business interests. Perhaps its time to stop genuflecting before big and remind ourselves of the virtues of the small. That can start by supporting local networks of interdependence, whichever form they take, from workers' cooperatives to farmers markets to credit unions to inventive new forms of public assembly.
On a cold weekday night in November, I stood on a street corner surveying a landscape of tents and tarps at Occupy Vancouver. "How are you doing in this cold?" I asked a grizzled fellow in a chair on the perimeter of the Vancouver Art Gallery grounds. "Just fine, " he replied with a smile. " The warmth of the beautiful people here is all I need."
Occupy London recently staged an occupation of an abandoned UBS bank in Hackney, turning a storefront reminder of the global economic crisis into a "Bank of Ideas," which they intend to use for teach-ins and other social events. For his part, Suresh Fernando believes the Occupy movement will continue to evolve. " I look at this as setting up a community and mutual support and infrastructure… and transporting it somewhere else and setting up a parallel process." The Occupy movement doesn't have to be a fixed point in time and space, he insists.
Fernando hopes the larger public will learn to appreciate the Occupy movement as a social template rather than a slacktivist temper tantrum. The Occupy meme has been beta-tested in cities across the world, and although the movement is being hammered by violent police crackdowns in Oakland, Berkeley, New York, Denver and elsewhere, you can't arrest an idea.
"The importance is about human beings using technology to reconnect in the real world to discuss building a better one," says Fernando. "It's in the physicality of this, being actually able to shake hands and being here, that's what's different. And that's important from a human relationship standpoint."
Somewhere, the spirit of forgotten Leopold Kohr is nodding in agreement. To reverse his dictum about size, whenever something is right, something is human-scale.
www.geoffolson.com
musician photo © Richard Gunion
demonstrators photo by Geoff Olson
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text:
Break Lounge
Thread starter SW85
(I'm not big about fishing for advice on Internet forums, but as this is a rather odd problem, I feel it would take the collective input of a few smart political minds to come up with an inventive solution. Not to mention it's 2 in the morning and none of my friends are awake).
On the outside I live in a pretty normal town: a rural-ish suburb of about 5000 that serves as a bedroom community to a nearby city of 60,000, itself an exurb of D.C. Overwhelmingly white, heterosexual, Protestant type place. I've lived here for eight relatively peaceful years -- the worst that's happened was the theft of the radio from my sister's car (which I suspect she may have lied about). I don't know if things have been changing recently or if I'm only just now becoming aware of them, but something's seemed different these last few months.
There's a group of kids, about half a dozen maybe 10-12 years old, who've been playing just outside my house. They litter the damn place up, scream, set of fireworks, etc. They come inside our yard all the time to get footballs, shoes, shirts, etc., that for some reason they throw into our yard. They don't ask our permission. (We have dogs that bite). We've told them not to play there, that there's a park right down the street, and they refuse to use it.
Someone egged my car. I have no enemies here, and no reason to be hated by strangers -- I'm as white, heterosexual, and Protestant as everyone else here.
Every few nights there's a group of teenagers who stagger drunkenly down the sidewalk, screaming insults at passersby. (I've run afoul of them a few times).
Loud muscle cars roar down the roads at midnight and later.
There's dog poop everywhere. I mean everywhere. And this despite the signs that plaster the place announcing the $25,000 fine for not scooping dog poop.
Kids ride bikes through the streets. There's this weird group of out-of-towners who come in late at night and loiter in the shopping center. If you drive through town, people on the sidewalk make eye contact with you and don't let go, like their animals challenging your domain.
Our police department, a whopping four officers, was recently fired en masse in a big corruption scandal. The new batch of officers, like the ones before them, mostly spend their time staking out roads for speeders and are otherwise largely invisible.
Now I am big on community -- but there's not an ounce of it in this soulless town. No one cares about anyone else. People are, frankly, just plain assholes, sometimes criminally so. (I was almost moved to tears a few weeks ago when my neighbor told me he followed a kid home who had seen snooping around my house at four in the morning). So what went wrong? What can be done to make this town not a ****hole? What can I do personally? I am sure other towns have faced similar problems and, because of the leadership of a few concerned citizens, managed to clean up their act. What do you guys recommend?
Bunz
If its a town of 5,000, and you want to make change. Do what I did and run for local office. Barring that, I would in the most polite manner possible talk to your neighbors. I live in a small town as well(2,500) and for the most part things are generally peaceful, but it seems in modern times people arent as neighborly anymore. I would simply talk to your neighbors and the children's parents if they are identifiable. But again, without politeness and a thick skin you wont get anywhere. Bring a peace offering if necessary.
I don't know that there's much I could do as a local official that I couldn't do as a normal, private citizen. (Not to mention I'm heading off to college here shortly, so it's not an option anyway).
Anyone know if neighborhood watch programs have met with any success?
ArmChair General
www.spamwebsite.com
Get a Gun.
Its the American Way.
I live in Maryland. It's prohibitively difficult, expensive, and its use borderlines on the impractical. So not an option.
But I like the way you think.
So there is not a local city council? How about a mayor? But hell if your leaving soon, just buy your time and move somewhere else when the time comes. But I went the way of running for office, not because I had bad neighbors but because I thought I had good idea policies and everyone told me to run. I lost the first time by 30 votes, but didnt get discouraged and won the next year.
Bunz said:
No, there's both a mayor and a city council. (The mayor is actually widely hated and probably headed for defeat -- I'd have a good chance of unseating him in the primary if I were so inclined). But like I said, not much I could do as an elected official that I couldn't as a private citizen.
Just curious, but do you still hold office? If so, which one (city council or mayor)? What's it like?
SW85 said:
Yeah I still do, I am on the council, no desire to be mayor as the one we have is quite good. It is interesting, most of it routine to the point of boredom. I am on the code committee, so I deal with how the laws are written, and that was my primary interest. Also working on the city budget was interesting. I only ran for a one year replacement seat as I wasnt sure what sort of committment I wanted to make and I am up for re-election in Oct. Not sure yet if I will run. I have done a fairly good job of not making enemies. But again it is a matter of having the willingness to commit the time. As there is nothing more frustrating as being apart of a body where one of the members isnt fully committed. Also it is nice to help people with thier problems, but also a pain sometimes in listening to rants. But we didnt raise taxes and didnt cut the budget. So all is well I guess. If you have more specific questions drop me a PM and I will answer gladly.
That's what I was going to suggest. Wave that gun around a few times and you won't see those kids snooping around anymore.
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Nate Parker and The Birth of a Nation Team Announce New Fellowship for Young Filmmakers at Sundance Institute Benefit
Click HERE for Photos (Credit: Ryan Kobane/Sundance Institute)
Click HERE for Video
Additional Photos at Wireimage.com
Los Angeles, CA — Nate Parker and the cast, Producers, and Executive Producers of The Birth of a Nation are investing in the next generation of diverse independent creativity with the Sundance Institute | The Birth of a Nation Fellowship for 18-to-24-year-old filmmakers participating in the Institute's Ignite program. Parker shared details at Sundance Institute's NIGHT BEFORE NEXT benefit at The Theatre at Ace Hotel in downtown Los Angeles this evening, where he also received the Institute's annual Vanguard Award presented to him by actor and Sundance alum Michael B. Jordan. Parker's The Birth of a Nation was supported by the Institute's renowned Feature Film Program for three years before its premiere, and won both the Audience Award and Grand Jury Prize at the 2016 Sundance Film Festival.
The Sundance Institute | The Birth of a Nation Fellowship will support a filmmaker of color each year for the next five years in the Sundance Ignite program, which was established in 2015 to provide year-round mentorship and industry experiences for talented young artists. The program aims to increase access to authentic, independent storytelling, developing a new audience base and providing a pipeline of support for emerging artists. The first Sundance Institute | The Birth of a Nation Fellow will be named in the Fall. Nate Parker and producer Jason Michael Berman were inspired by the program after meeting with the Ignite Fellows at the 2016 Sundance Film Festival. There, they spoke about their film's production process and gave each Ignite Fellow personal feedback and advice on pitching and developing film projects.
Keri Putnam, Executive Director of Sundance Institute, said "We're deeply moved and grateful that Nate, Jason and the entire team behind The Birth of a Nation chose to commemorate their project by supporting the Institute. Their gift embodies the generosity of spirit and mentorship at the core of our initiatives. They know our programs intimately, and know exactly how this gift will enable our work in honing and amplifying the next generation of artistic talent."
The support I received from the Institute in developing The Birth of a Nation echoed the critical importance of mentoring independent storytellers," said Parker. "I am honored to sow back into the Institute in alignment with their mission to support talented young artists with stories to tell."
The Sundance Institute | The Birth of a Nation Fellowship was made possible by contributions from Nate Parker, Armie Hammer, Kevin Turen, Jason Michael Berman, Aaron L. Gilbert, Preston L. Holmes, Davis S. Goyer, Michael Novogratz, Michael Finley, Tony Parker, Jason Cloth, Andy Pollack, Allan J. Stitt, Jane Oster, Barb Lee and Alston Gardner, Carl H. Lindner III, Matthew Lindner, Derrick Brooks, Jill and Ryan Ahrens, Armin Tehrany, Brenda Gilbert, Mark Moran, Henry Jackman, Steven Rosenblum, Mark Boone Jr., Colman Domingo, Aunjanue Ellis, Dwight Henry, Aja Naomi King, Esther Scott, Roger Guenveur Smith, Gabrielle Union, Penelope Ann Miller and Jackie Earle Haley.
Berman, a producer on The Birth of a Nation, said, "As we brought The Birth of a Nation to life with Sundance Institute and to audiences at the Festival, Nate, Kevin, Aaron, Preston and I, along with our cast and team of Executive Producers were inspired to find a way to fortify our longstanding relationship and the project's legacy. It's our team's hope that this Fellowship underlines the importance of giving back, and that we inspire other successful filmmakers to contribute to the cultivation of young artists."
Set against the antebellum South, The Birth of a Nation follows Nat Turner (Nate Parker), a literate slave and preacher, whose financially strained owner, Samuel Turner (Armie Hammer), accepts an offer to use Nat's preaching to subdue unruly slaves. As he witnesses countless atrocities – against himself and his fellow slaves – Nat orchestrates an uprising in the hopes of leading his people to freedom. The film opens in theatres October 7, 2016.
NIGHT BEFORE NEXT raised crucial funds to offset the non-profit Institute's year-round programs for artists, including Labs, grants and the Sundance Film Festival. The evening included an outdoor party with a live musical performance by White Sea, the solo project of Morgan Kibby of M83. The outdoor party featured specialty drinks, desserts and interactive games under the stars on a summer night.
In attendance were Amy Redford, Armie Hammer, Bryce Dallas Howard, Charmaine Bailey, Clea Duvall, Elizabeth Chambers, Harley Quinn Smith, Jason Ritter, Jason Stuart, Jay Duplass, J.K. Simmons, Katie Aselton, Kevin Smith, K'Naan, Lake Bell, Lyn Lear, Mark Duplass, Melanie Lynskey, Noël Wells, Norman Lear, Pat Mitchell, RJ Cutler, Sean Bailey and Stephanie Allain.
The evening was supported by supported by two Host Committees. The dinner and cocktails Host Committee comprised: Charmaine Bailey & Sean Bailey; Ryan Coogler; Lyn Lear & Norman Lear; Ava DuVernay; Cindy Harrell Horn & Alan Horn; Pat Mitchell & Scott Seydel; Amy Redford; and Nadine Schiff-Rosen & Frederic D. Rosen. The outdoor party Host Committee comprised: Katie Aselton, Lake Bell, Damien Chazelle, Lena Dunham, Jay Duplass, Mark Duplass, Joseph Gordon-Levitt, Marielle Heller, Bryce Dallas Howard, Rashida Jones, Franklin Leonard, Justin Lin, Melanie Lynskey and Kevin Smith.
NIGHT BEFORE NEXT was presented by Acura.
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute's signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible War, The Square, Dirty Wars, Spring Awakening, A Gentleman's Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.
Download a PDF version of this news release.


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Home > Pulse Magazine > Spring Summer 2011, Table of Contents > Just breathe
Spring Summer 2011, Table of Contents
Boning Up
Colonoscopy: Saving lives
PAD net: Early intervention
Science meets spirituality
Employee of the year: Alicia Molina
Life Connections: Life-changing
Maureen Church Coburn Legacy Society
Peter Baird: Gift of life
Playing for a cure
Anita Young: Lasting Legacy
Preventive care recommendations for women
Preventive care recommendations for men
Get Physical
Athlete's Fuel
Sleep Easy
She was born under the sign of Scorpio; fiery yet sensitive, expressive yet guarded, fair of face and full of grace, with her eye on a star that would only continue to rise.
Those who had the ear for it heard it early, the perfect pitch she'd inherited from her mother and grandmother. She was a strong and sturdy child with a bright mind who breezed through her days like a wild palomino. She was good at everything and afraid of nothing, especially the power of music.
She joined the choir at age 4, under the direction of her mother, the choral director. By 6, she played the piano well enough for recitals; and by 8, she had established her promise. She focused entirely on her music, winning command performances, special awards, and coveted places in honor choirs, or singing solos throughout her schooling.
But what she remembers most about her growing-up years, what she pays attention to in the stories and photographs that retell it, is that she was fat.
Early photos reveal that she came into the world that way, all succulent and round, with padded folds her mother powdered and kissed as she bathed and bundled her baby. How she remembers it is through the laughter, the pointing, the name-calling as younger kids played without her, and older friends pored through the family albums.
Throughout her schooling, she was bigger and taller and stronger and prettier than most everyone else, and all it meant to her was that she was fat. Never mind that she could run fast, hit a ball hard, finesse her way across court, play the piano, and sing with a voice that could both break and mend hearts.
What she remembered in the mirror was that her mother had signed her up for Weight Watchers® in sixth grade. Every morning she met her parents in their bathroom to weigh herself on her father's scale while her mother wrote down the number. She would have preferred not to look; would have given anything, actually, not to know that number. But her mother called it out and then logged her disappointment into a homemade chart.
She was not quite 2 years old when her mother delivered little twin sisters, and was nearly 10 when another child arrived. None of her siblings were too big or too tall. None could sing or play the piano like she could, either. But all she noticed was that no one else was fat.
Every summer, her little sisters went to camp, where they ate Girl Scout cookies and roasted s'mores. She also went to camp, spending half the summer at music camp and the other half at a "fat farm," where she learned how to hide her guilt, her shame, and her candy.
Her life was punctuated not by family holidays, achievements, and other memorable events but by heroic efforts to lose weight in time for each of them: the Christmas card picture, eighth- grade graduation, senior prom. And the photos were a reminder not of the fun but of her failure. At her height, a size 16 seemed slim. But it hardly seemed worth the struggle to stay there.
After she graduated from college with a degree in piano and vocal performance, she moved to Europe to pursue her music career. There, she met world-renowned tenor Placido Domingo, who invited her to sing for him. He paid attention not to her weight but to her carriage, her presence, her voice. Before he said good night, he told her she was not merely a singer but an opera singer and that she, too, would become a very big singer, known throughout the world for her voice.
It was the first time the title "big" had meant something beautiful. Ever since, she has worn it like a crown, becoming one of the most celebrated singers in opera, performing all over the world.


Cyrus Gold was a wealthy man who was robbed and murdered, and his remains thrown into Slaughter Swamp near Gotham City. Le Bon Gumbo, also known as Swamp Thing, formerly known as Alex Olsen, had recently retired to the Parliament of Trees, and the Earth was trying to form an Earth Elemental. While it eventually found one in German pilot Albert H�llerer, it failed in this attempt, because fire was not present, and a white zombie-like creature emerged built over Gold's remains with fragmentary memories, including an ability to speak English at a below-average level. He stole the prison garb of two escaped convicts, then was asked to lead a band of criminals who noticed that he could stand in their campfire without being burned. One of them called him Solomon Grundy when he said that he was "born on Monday" like in the Mother Goose rhyme. He led the group through several heists, and Green Lantern Alan Scott's ring would not work against him, so he didn't understand why the criminals cared about Green Lantern. They instructed him to kill Green Lantern by throwing him off a terrace. When he did so, there was a large green and yellow explosion. He then grabbed a member of his gang, Jake, and threw him to the floor. The rest of the gang told him that you should only kill enemies, but Jake was already dead, which Grundy did not understand because of the lack of flashes.
After Green Lantern, whose ring would not work against Grundy because of his plant composition, pushed him in front of a train, he has consistently sought revenge against Green Lantern, and has been amoral enough to harm others who have gotten in his way. Eventually, Green Lanterns Alan Scott and Hal Jordan sent him to the moon, where he had what was described as "his first independent thought," traveling to Earth-1, believing that he may have an equivalent there who would be his friend.
His body was fragmented and sent to Earth-1, where it battled Superman, even as Swamp Thing Alec Holland attempted to save him, but Swamp Thing was still experiencing too much pain in speaking to communicate with Superman why he thought Grundy should be saved. These duplicates were destroyed with a formula created by S.T.A.R. Labs.
When Solomon Grundy learned of Scott's children, Jade and Obsidian, he attempted to kill them, but Jade showed him kindness, and he was willing to obey her, although he became subject to wicked forces and eventually conquered their team, Infinity, Inc.
When Lex Luthor sent Swamp Thing reeling into Space, the Parliament of Trees assumed that he was dead and tried to put a new Swamp Thing, known as the Sprout, into Grundy's body. When Swamp Thing returned, he was relieved that Grundy was not dead, but Grundy had no memory of him, and they fought. Swamp Thing found Grundy too corrupt to be Earth's Elemental, and prevented the Sprout from assimilating with him.
Created by Alfred Bester and Phil Reinman.


I sit in a puffy hotel chair, a computer in front of me. Now, at last, since it's just Joshua and I here in this hotel room for the evening (and he's buried in school), I'm going to take care of my out-of-control inbox. Take care of all the correspondence waiting for me.
Yep, there are a bunch of new emails waiting for me, not to mention the plenty already there. Friendly messages from childhood friends, a bunch of ministry correspondence, several business emails waiting to be composed… Oh, and that other email that has been waiting since December, since the answer has been evolving over the months.
I picture an empty inbox.
Everyone waiting on an answer from me satisfied. Oooo…. That would be wonderful. I'm going to take care of this, once and for all.
Joshua is the one hard wired into the Internet right now, using Chantee's laptop. He's broadcasting the Internet to me. And I tell you, it was working a moment ago, very nicely. So what's wrong? Joshua's Internet is still working just fine. Neither of us have changed anything as far as we are aware. But now it isn't working at all. Out goes the visions of a productive evening of conquering my renegade inbox and having it empty.
Limited connectivity… is that my problem? Okay, I give up. Forget the world wide web for tonight. I minimize my frozen inbox. Somewhere in the back of my mind something whispers that there is something to learn from this.
I don't know about you, but I want to get something done in my spiritual walk. Don't you want to accomplish, overcome, triumph, live… life more abundantly? Don't you have visions of being a hero of the cross, of rescuing the perishing, the hungry, the abused, the suffering? Don't you long to accomplish great things for the kingdom of heaven?
See, isn't God creative? He used a confusing computer, a delinquent Internet connection, and a frozen inbox to send me running after Him again. Come along with me, my friends. Let's be done with this limited connectivity thing. It's the ultimate frustration.
Amen!! "The ultimate frustration..." So true.
Thank you so much for sharing, Natasha. It was a blessing.
Amen....thanks Natasha for the reminder! I love it when the Lord uses the difficulties in our day to day life to reveal himself more clearly to us. May we be sensitive to his voice!
Thank you Tasha! That was a beautiful post!
Thank you, Natasha. I'm resonating with what you said. What a powerful lessons. There are big connectivity issues in my life, and they really bug me. Once again it is a call to stop my rush and connect with God, and don't move on unless I am connected. Did you know that it is God that plugs-in (grafts) all the wires though and makes the strong connection possible. We do have to hold still long enough for him to do it though. It reminds me of a little boy I know learning to sit still long enough to get his hair cut. I sure could do a better job when he was waiting patiently. I'm glad to see you writing here.
That was an awesome illustration... God allows those speed bumps for a purpose...so we'll slow down and rebuild the connection!
Thank you so much...I think I have been on limited connectivity way too much lately. What a great reminder. Praise God that when we see "limited connectivity, we can always click "try again"!
Thanks for sharing Tasha... what a heart-searching analogy.


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Brooklyn History Government Office
History of Brooklyn, NY
Brooklyn, New York's western tip, is a place with a rich and distinguished history that dates back to the 17th Century. Lenape people had previously lived in the region, but the Dutch built Breukelen, a settlement, on the banks of the East River in 1636. Brooklyn, which is now New York City, was a predominantly rural and agricultural area in the early days of European colonization. There were fields and orchards that supplied food for the growing population of New Amsterdam (later renamed New York City).
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Brooklyn New York 11201
About Brooklyn
Brooklyn () is a borough of New York City, coextensive with Kings County, in the U.S. state of New York. Kings County is the most populous county in the State of New York, and the second-most densely populated county in the United States, behind New York County (Manhattan). Brooklyn is also New York City's most populous borough, with 2,736,074 residents in 2020.Named after the Dutch village of Breukelen, Brooklyn is located on the westernmost edge of Long Island and shares a border with the borough of Queens. It has several bridge and tunnel connections to the borough of Manhattan, across the East River, and is connected to Staten Island by way of the Verrazzano-Narrows Bridge. With a land area of 70.82 square miles (183.4 km2) and a water area of 26 square miles (67 km2), Kings County is the state of New York's fourth-smallest county by land area and third-smallest by total area.
Neighborhoods in Brooklyn, New York
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Barclays Center
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'How It's Handled' Meeting Recap
By Hanna Moore
For first meeting of the semester, we heard from new PRKent faculty member Cheryl Ann Lambert, Ph.D., who spoke to us about how public relations is portrayed in the media. Lambert received a bachelor's degree in English, a master's degree in journalism and a doctorate degree in public relations. She served as an editor for five years at a Chilton Publishing Company trade magazine and worked in corporate public relations at Sears, Roebuck and Co. Lambert then went on to work as an assistant professor at Boston University before joining Kent State's faculty this fall.
Dr. Lambert discussed the negative portrayals of public relations in society. She said, "If you believe that public relations is illegal, immoral and unethical, you're in the wrong major. People in PR don't think that." Dr. Lambert explained that the best way we, as students and soon-to-be public relations professionals can combat these stereotypes is by acting professional and leading by example.
Dr. Lambert addressed some depictions of public relations in popular culture, saying that even though Scandal sometimes gives the public relations profession a bad reputation, she is still a huge fan of Olivia Pope and Judy Smith, the real-life woman who inspired the show. She said that even though some parts of the show accurately depict crisis communications, obviously Smith was not really covering up murders or having an affair with the President in real life. Dr. Lambert also discussed Samantha Jones, who played a publicist on Sex and the City. She said that Jones perpetuated the stereotypes that female public relations professionals only partied and used their bodies to get new clients. As for which public relations professionals in movies accurately depict public relations, Dr. Lambert referenced Kristen Wiig's character in The Martian and Jason Bateman's character in Hancock. Both of these characters actually showed what public relations professionals do in their careers and were shown in a positive light, Lambert said.
Meeting Recap: Ethical Issues in PR
By Zabrina Hvostal
PRSSA Kent members gathered Wednesday night to talk about ethical issues a professional may face during his or her career. Two professionals joined us and led the discussion: Kendra Davis and Tom Crilley.
Kendra Davis is a two-time Kent State University graduate and holds a B.S. and M.A. in journalism and mass communication specializing in public relations. As a media relations professional, Kendra has strategically managed proactive and reactive publicity garnering local and national publicity for consumer, B2B and nonprofit brands. Her media relations work on the Eighth Annual Avon Heritage Duck Tape Festival received a 2011 PRSA Cleveland Rocks Award. In addition to more than five years of media relations expertise, Kendra has agency, social media and content management experience.
Tom Crilley is the Director of Communications for software-development company Squirrels LLC in North Canton, Ohio. He manages the company's PR and communications strategy, including media relations efforts, social media management and customer outreach. Tom began his career at the Akron, Ohio-based Smiley Hanchulak Marketing Communications, which was abruptly acquired just one month later by WhiteSpace Creative, an integrated marketing communications agency in Akron. He spent the next three years at WhiteSpace as the agency's PR Coordinator where he developed client PR plans and wrote press releases, blog posts, eBlasts, social content and pretty much any other type of copy you can imagine. Tom graduated from the Kent State PR program in May 2012.
Many students were curious about difficult issues professionals faced in their work place.
Q: What is the most difficult ethical issue that you had to deal with in the work place?
A: "Well recently my boss asked me to help him put his voice out there about a community issue that has been big in Cleveland with the Tamir Rice case going on: racism. I had to look at this from two points, personally and professionally. Being an African American woman I had to think of a way to serve my boss, but still stay on the right side of the issue, which is hard when there is no right side."
A: " I was at Smiley Hanchulak for exactly one week before it was announced that our agency was being acquired by Whitespace Creative in downtown Akron. Our CEO was set to retire because he was ill. The original plan was the vice president was supposed to take over the agency when the CEO retired. But, at the last minute the CEO decided to sell to Whitespace and didn't tell the vice president. So after dedicating his whole career to this agency, he was left with nothing and couldn't even get into the building because the president changed the locks on the door. It affected all the employees, no one knew how safe their job was at that point."
The second half of the meeting students broke up into groups to discuss ethical scenarios. Students were able to identify issues, determine internal/external factors, and apply key values. The discussion was open ended and allowed students to consider different perspectives.
Below are the links to the scenarios discussed at the meeting:
http://www.prsa.org/AboutPRSA/Ethics/Resources/CaseStudies/EducatorCaseStudy7.pdf
http://www.prsa.org/AboutPRSA/Ethics/Resources/CaseStudies/EthicsCaseStudy6.pdf
PRSSA Kent's Twitter Chat
PRSSA Kent hosted its second annual Twitter Chat Wednesday, Feb. 10, about working toward a career in public relations. Students, alumni, faculty and other PRSSA chapters all joined in to share their experiences about finding their first job in PR and some helpful tips to young professionals entering the field.
"Many students are unsure of where to start when looking for a PR job," Chapter President Gabrielle Woodard said. "The reason behind choosing that topic was to give students a place to start and an opportunity to network online."
The Q&A session started at 7:30 p.m. led by the @prssakent Twitter handle. Anyone could join the conversation using the hashtag #PRSSAKent.
The questions from the chat included the following:
What is your dream job?
How will/how did your first job get you there?
What stands out the most on your resume?
What is an experience you can talk about in an interview?
Before your next interview, what is a skill you would like to improve on?
How has PRSSA/PRSA prepared you for your first job?
What class did you take that helped you the most in your first job or internship?
Click Here for Storify of Twitter Chat.
Twitter Chats are a great way to network with other PR professionals. For more information on upcoming National PRSSA Twitter Chats visit http://prssa.prsa.org/news/social_media/ .
Where Do You Belong?
The room was full Wednesday night, Jan. 27, 2016, for PRSSA Kent's first meeting of the semester 'Where Do You Belong.' Three professionals from agency, corporate and nonprofit came in for a discussion panel to help students decide what sector of PR they would like to work in.
Our representative from the corporate sector was Barb Barkley, Global Internal Communications Manager for The Goodyear Tire & Rubber Co. Barkley has been with Goodyear for three years, and is currently responsible for managing Goodyear's global communication channels including the GO News intranet site, digital signage and the company's internal social network, Yammer. She previously managed internal communications for Goodyear's 620 nationwide company-owned retail stores. Barb holds a bachelor's degree in Journalism and Mass Communication from the State University of New York College at Brockport and a Masters degree in Public Relations from Kent State University.
Carli Cichocki, previous PRSSA Kent Officer and 2006 Kent State graduate in public relations, has an extensive background in non-profit public relations. Cichocki is a photographer and filmmaker based in Cleveland, Ohio. She works to tell thought provoking stories to connect and inspire people. She has worked for non-profits including the Cleveland Clinic and in Washington D.C. for Senator Sherrod Brown. She is currently pursuing her Master's degree in Photography from Syracuse University.
Allison Ewing has spent the last four years at an agency called True Digital Communications. From intern to associate and current digital communications specialist, she has learned all the ins and outs of all things in the digital world. Although she may not be a numbers gal, words come easily to her, which is why content creation, social media strategy and project management are in her wheelhouse.
Some of the questions the panel were asked include the following:
What makes your type of PR unique?
Barb: "By working in corporate PR and only working with one client, you really get to see the process. Working for one company for many years gives you a better understanding of your audiences and how to communicate to them. You really become an expert on the company from the inside and out. Corporate PR isn't as limited as some people think it would be. Even though you technically are hired by one client you are working with a bunch of internal client as well."
Allison: "When working in an agency everyday is different. You are juggling a bunch of different clients and their needs, what they need from you that day may vary. At True, all my coworkers have different specialties to help with clients' needs. Our day is never the same, what I did today is completely different than what I'll do tomorrow."
Carli: "My favorite part of non-profit work is being able to help a cause. I am able to help organizations I care about. Personally, I am interested in social issues and women's issues. You learn about your audiences and what they value and how they communicate and that is what makes your work matter."
What are the most important skills someone in your profession must have?
Barb: "Writing and helping people tell their stories is critical. You have to be a good communicator and understand what channel you are writing for. Understand that listening is more important than talking."
Allison: "If you are looking to work in agency, being able to juggle multiple clients is critical. You have to be open to learning and knowing everything about your clients. Having a positive attitude goes a long way."
Carli: "Like Barb said writing is everything. But, you also have to be kind, have a good work ethic and be articulate. Something we never talked about in school, but I have learned the past 10 years is you need to have emotional control. Life gets messy, but you have to leave whatever is going on in your personal life at home. Being an emotional person can be a good thing for storytelling, but you still have to be able to have enough control over your emotions to keep your attention where it needs to be."
What is the most challenging part of your job?
Barb: "The most challenging thing is getting everyone to communicate on the same level. There is a big difference in communication in each generation. It's a challenge getting people of board with new social tools."
Allison: "The most challenging part of the job for me is getting emotionally attached to my clients. I get very invested in them because I want them to do well."
At the end of the meeting students were able to go up and introduce themselves to the professionals and ask any additional questions.
PR takes Center Stage
PRSSA Kent's meeting "When PR Takes Center Stage: Performing Arts Public Relations" consisted of a panel of three guest speakers Stephanie Keefer, Marketing & Public Relations Manager at Playhouse Square in Cleveland, Valerie Renner, Media & Special Programming Director for the Akron Civic Theatre and Greg Josken, digital marketing and social media manger for Disney Theatrical Group.
The panelist answered several questions pertaining to the entertainment industry and what each of their jobs entails. The questions included the following:
What is a typical day like for you?
Greg Josken says his job involves all distribution of all social content for productions. His responsibilities include checking social media channels to make sure everything is good. Also, looking through other sites and seeing what the competition is doing and learning new technology and how it can help us create stories. Josken explains how he is the project manager for many of Disney Theatrical Group's (DTG) shows.
Stephanie Keefer says she does marketing and PR for all shows at Playhouse Square. "The fun days are getting outside the office and getting to meet the performers and show them around," Keefer says. "However, other days I sit at my desk in the office and hammer out spread sheets. It's always something different."
Valerie Renner says her days are surrounded by deadlines and talking to the media about shows. She also does work in social media and event planning. "Every day I have a different deadline to meet," Renner says. "My day is never set in stone."
What is opening day of a show like?
Keefer says opening day is when all hands on deck are needed. Jobs vary from setting up the cast parties, dealing with the caterer, and preparing for the reviewers and media. Additionally, Keefer takes care of performers and getting them what they need.
Renner says she has an assistant and a runner that helps her set up on show days. She explains how she makes sure that the performers get what they want so they feel comfortable. "Most of them are on the road all the time," Renner says. "We want them to feel relaxed and be able to mingle with others."
Josken says opening night for him is when all the planning from previous months comes together. "The hard part is keeping stories fresh and feeling new, like the Lion King that has been showing for 18 years," Josken says. "Even though that's an old story, it's still the audiences first time seeing it and they want that new feeling."
What is the most challenging thing when dealing with stars?
Renner says all stars have different demands. She recalls one of the strangest things she ever had to do for a star was ship his underwear to him over night from Akron to New York. "Usually I don't ask questions, but this time I did," Renner says. "Apparently his assistant forgot to pack his favorite pair and was trying to get it back to him before he noticed."
Keefer says her favorite thing about working with the stars is being able to take them out and show them around Cleveland. She says she loves to see them fall in love with the city while getting to know them and the places they traveled as well.
What advice would you give to students who are interested in entering the entertainment industry?
Keefer told students to be prepared for long hours and doing work even when you're at home. "Don't be afraid to step out of your comfort zone and try new things," Keefer adds. "Ask questions and push yourself."
Renner tells students to find what they are passionate about. "Make sure you love what your doing and success with follow," Renner says. "If you love your job it won't feel like work. Make sure your passionate about what you choose to do."
Josken advises students to be open to opportunities. "Don't be afraid to take a detour to another job as a stepping stone to get to your dream job," Josken says. "Just keep building your resume and experience."


Auto-battlers are nothing new, but they can be a blast if you like games that don't require a lot of button mashing. Barcode Knight is a new game from Magic Cube that combines barcode scanning with quick mini-battles, and after spending the better part of the week scanning everything in sight, we're back with our Barcode Knight review.
Barcode Knight is a game that may seem familiar to iOS gamers as the same minds produced the popular Barcode Kingdom. The games share similar features, but a different setting and Knight has more of an RPG feel. That said, it's all about those barcodes, so you'll want to have a lot of coded content on hand or it could spell trouble.
The way you fight in Barcode Knight is through scanning barcodes, which pulls up a party of enemies. The actual battles are over quickly as your fighters do all the leg work while you sit back and hit the heal or special button. It's a common approach for this style of game, and it works well when combined with the scanning aside from a few exceptions.
Barcode Knight uses the old stamina bar system, and when your gauge goes kaput, you'll have to sit and wait or pay to play. That's where the "scan your own barcode" gimmick comes in handy as any battles you start through a scan are free and don't count against you. There are tougher portals that don't require you to scan anything if you're lazy or don't have a barcode, but those cost energy.
While the dev's did a great job of balancing things with the barcode setup, it's hampered when you actually head to battle. Healing a fighter costs 30 energy, which is a significant chunk or your gauge. That combined with the fact that you have essentially no control over the fray tends to put a damper on things and can feel grindy at times.
In terms of content, Barcode Knight is going to give you plenty to do between the scanning dungeon, random dungeon, and the Gate of the Other World dungeon. As with most RPG's, there's a bar where you can recruit a bit of help and a variety of shops that let you combine weapons for upgrades.
You have a little base of sorts as well that allows you to change your characters appearance to a degree depending on your gear. The developers claim you can create around 500,000 different heroes this way and that there are 60 different types of monsters in the game.
Barcode Knight is a slick little quick play game that can keep you busy for months or minutes depending on how you roll. I was able to pull up quite a few different combinations of monsters through scanning as well, and the energy gauge shouldn't be a concern for most — you can scan the same barcodes over and over. That said, the Quest system is a dud as I rarely came across the hordes given and it crashes. That can be an issue if you've just ponied up 30 energy for a dungeon.
If you enjoyed Barcode Kingdom, Barcode Knight is a game you'll want to check as you're getting a lot of bang for your buck due to the unlimited scanning. If you want to give it a shot, you can pick up Barcode Knight for $0.99 on Google Play or the App Store.


text:
Egyptian youth say they'll be 'last to leave Tahrir Square'
Egyptian youth protesters vowed on Saturday to remain in Tahrir Square until their demands are met, in escalating tension between demonstrators and the military council running the country.
Egyptian military police fired shots in the air and beat demonstrators blocking a main road in Alexandria on Friday, witnesses said. Another incident in the port city of Suez angered hundreds of protesters camping in Cairo's Tahrir Square.
The ruling military council, in a statement on its Facebook page, denied the authorities used force against demonstrators and accused the April 6 Movement, one of the groups behind the uprising that toppled Hosni Mubarak, of trying to drive a wedge between the armed forces and the people.
April 6 described the army statement as "misleading allegations", adding: "We will not be scared by any allegation lacking in evidence or support".
"We will be the last to leave Tahrir Square, either alive with our heads held high after triumphantly achieving the demands of the Egyptian people or as martyrs for the sake of God and the nation," the group added.
Long-running protests
Egypt's interim rulers have reshuffled Prime Minister Essam Sharaf's Cabinet and promised to speed up trials and political reforms, but thousands are keeping up protests across Egypt for the longest-running demonstration since Mubarak was ousted.
Protesters now on their 15th day of demonstrations have been camped in Tahrir Square and other squares across the country to back demands for more freedom for the civilian government, led by Sharaf, an end to military trials and setting a time frame for the completion of the demands for reform.
Field Marshall Mohamed Hussein Tantawi, heading the council and Mubarak's defence minister for two decades is expected to give a speech later on Saturday on the anniversary of the 1952 military revolution that ousted the king, state media reported.
Protesters are planning rallies and a march to coincide with the event. – Reuters
Dina Zayed
Tahrir Square


Is there currently a way to make my forms E-Signature?
form not working IE, Error message: Script running slowly...!
Can we change the color of the charts?
I see that there is an app for I phone, is there any plans for BB.
Does the print option for reports work?


text:
Books | Books
MG Vassanji's new novel places an inter-faith love story in the heart of a polarised Delhi. The Toronto-based, Indian-African writer in conversation with Shikha Kumar
Shikha Kumar | 29 Nov, 2019
A Delhi Obsession MG Vassanji
248 pages | Rs 499
MG Vassanji (Illustration: Saurabh Singh)
WHAT IS A surgical strike? It's a question that confounds MG Vassanji. He recounts how a particular surgical strike made headlines in Indian newspapers and became the subject of primetime news debates, pinned with a celebratory undertone. "As an outsider, what fascinated me was the term itself—in my mind, a surgical strike is something mathematically precise, something to do with missiles. I still don't know what a surgical strike means in India," he says, on a Skype call from Toronto.
In a scene from his latest novel, A Delhi Obsession (Viking; 248 pages; Rs499), a group of men—acolytes of a self-proclaimed protector of cows and Hindu women—bring up surgical strikes as an effective solution to cross-border terrorism. The conversation takes place in the bar of the Delhi Recreation Club (DRC), a fictional club that forms one of the main settings in the novel.
"I was amused that everyone was jumping on the bandwagon, blindly accepting things… but not asking what a surgical strike really means. Even the media was totally unquestioning. If a gang of foreign terrorists, or whatever they were being called, entered an army camp and began attacking, the first thing I would ask as a citizen is how did that happen? Isn't the army supposed to be fortified with guards, intelligence and so on?" he adds.
It's at the high-brow DRC that the novel's chief characters Munir Khan, an author from Canada, and Mohini Singh, an English professor and newspaper columnist, meet. It's Munir's first trip to Delhi—his ancestors immigrated to Africa from Delhi before Independence—and he's keen to discover his roots, and in the city's long-drawn history, find inspiration for a new novel. Amidst an atmosphere fraught with growing fundamentalism, they fall in love—Munir a widow, Mohini married.
Vassanji was staying at a club much like the DRC and thought it would make for an ideal setting for a novel. "It's a fascinating place, very convenient for meeting people but also to hide away and do some writing. I would just sit outside and watch people come and go. The differences between Hindus and Muslims in present-day India really bother me, and I thought one way is to write about it. So I made up this love story… risking the fact that they're in an adulterous relationship. But India has changed dramatically in the last decade or so."
The differences between Hindus and Muslims in present-day India really bother me, and I thought one way is to write about it. So I made up this love story, says MG Vassanji
A Delhi Obsession is an important book—intertwined with Munir and Mohini's love story are important political events rendered through a fictional lens. As Mohini and Munir surreptitiously visit ancient monuments, dargahs and crowded markets, their ties grow stronger and subsequently, more strained. There's Jetha Lal (the cow protector) and his followers who are always keeping an eye on the duo at DRC. Vassanji created his character based on what he was reading in the papers—more specifically, around a person who boasted to a magazine about how his goons went about breaking inter-caste and Hindu-Muslim liaisons.
The story also references polarising incidents like beef politics and mob lynching. In one scene, Mohini cautions Munir by talking about a Muslim man who was lynched on suspicion of keeping beef in his house. The novel ends on a sad, shocking note.
Vassanji, twice winner of Canada's Giller Prize for Fiction, believes that fiction demands certain responses from you. And while his novels may not be political in intent, he says that his characters respond to the world in certain ways, and "the world is not always a pleasant place."
"I had been reading papers like The Hindu and The Indian Express, and then kept visiting India; so I knew I wasn't imagining things. I started a love story in the bar of this club, against certain issues in the background that were growing more and more prominent." He wanted a strong ending for this novel, one without any literary ambiguity or subtlety. "This is the first time I've actually made a statement in a novel. And I wanted to make a statement because I feel so strongly about this division between Hindus and Muslims, and objectifying the other."
It's something he acknowledges in the author's note too—how everyone is branded communally in India, irrespective of their beliefs, background, upbringing, complexities and peculiarities. This bothers him as the brand or label comes identified with a politics, a history, a status and an exclusion. Growing up in East Africa, Vassanji had a syncretic upbringing.
BORN IN NAIROBI and raised in Dar es Salaam in Tanzania, he feels like he has many backgrounds—Indian, African, Hindu, Muslim, even Western, owing to the kind of education he had. This multicultural upbringing has enabled him to empathise with different kinds of people, a quality he brings into the characters of his books. "If I can't empathise with them, I wouldn't write about them. I have to know them completely—whether it's a man, a woman,
Hindu, Muslim or Christian. A part of this comes from my family, where we never drew those boundaries so rigidly. We had rules, but they were easily broken and didn't carry the kind of harsh repercussions they would in other societies," he says.
A unique tradition Vassanji grew up with in Dar es Salaam was listening to ginans, traditional hymns in old Gujarati dating back hundreds of centuries, with his family. In fact, the mixture of stories in these ginans became his first interaction with India when he moved to the US for a degree in nuclear physics, and stoked his curiosity about his own origins. "Some of the ginans are mystical, much like Kabir or Mirabai's poetry, while some are philosophical. I started reading up on Indian philosophy, ordered books on medieval religions from India and even took two courses in Sanskrit, to get a sense of where the language comes from."
A recurring theme in Vassanji's work is the intersection of personal and public histories. His 2007 critically acclaimed novel The Assassin's Song was set in Gujarat, centred around the events of the Hindu-Muslim riots. In
A Delhi Obsession, Vassanji does a fine job of deep-diving into the capital's history, through Munir Khan's discovery of the events leading to his grandfather's migration from Delhi to Mombasa in 1913, and visiting landmarks like Tughlaqabad, Nizamuddin Dargah, Purana Qila, and Humayun's Tomb.
"I come from East Africa, where you don't see structures that remind you of the history of the place. Even in Toronto, the one thing I miss is the lack of depth. In certain cities in Europe, or even in Delhi, there's history all around. You'll take a roundabout and see this building, and you can't help wondering how it was built, who lived there. Or you go deeper into a market and find a madrassa where Barani might have taught," he says. What really fascinated him about Delhi was not the Mughal period, which he believes has become a cliché of sorts. "It was the Sultanate and the stories of Alauddin Khilji, Muhammad bin Tughlaq and Nizamuddin. They're almost Shakespearean, with the murders, betrayals, fratricide. I've always wanted to write novels set in that period… I had my character Munir Khan try and do that."
We come from a small part of Gujarat and don't participate in any major histories, nor are part of history books. It became important for me to find myself outside of these big movements, says MG Vassanji
While studying at the Massachusetts Institute of Technology, Vassanji took a course in imperialism and history. He asked his professor where the history of people like him could be found. "We come from a small part of Gujarat and don't participate in any major histories, nor are part of history books. It became important for me to find myself outside of these big movements," he adds.
He started reading historical accounts of Indians going to East Africa, and it became an obsession. His writing began with the awareness that he had to reclaim his history, which then extended into knowing more about Gujarat, Kutch and other places. He also felt that most of it was written by British administrators, that Indian sense of history was lacking.
"As kids, we never bothered about how my parents or grandparents arrived in Africa, what they were wearing when they got off the ship. It was only later that I actually spoke to older members from the community, which led to my first novel (The Gunny Sack, 1989). You always learn of history as these big movements… what happens to individuals, inside families is never part of any discussion. Something very trivial for the British Empire had such consequences that it sort of led to my being here, for instance."
Much of Vassanji's work, both fiction and non-fiction, explores the experiences of South Asians in East Africa. Even though he made Toronto his home over four decades ago, he returned to East Africa many times, first to visit his family who had moved back to Nairobi, and later, to research his novels.
In 2014, he released And Home Was Kariakoo, a memoir on his life in the country. "I wrote this book to bring the place alive, to say that Africa is not just poverty and wars. People live and love, go to school, laugh and make jokes, get married. I also had a craving to see all the places whose names I had heard as a child. You could find Asians in every little corner of the country, even if a house or two," he says.
WHILE VASSANJI IS labelled as a Canadian writer, in Kenya or Tanzania, he becomes a Kenyan or Tanzanian writer. Khushwant Singh has called him an Indian writer. "I'm grateful in a sense because it's good for people who don't belong anywhere completely. I come from a sect that's a minority in every part of the world. So to be embraced is gratifying, but also having a permanent label bothers me because I feel pinned down. You're this, therefore you cannot be that."
The author will be in India soon and will also make his way to Pakistan to research his next novel, chronicling the life of a scientist from Lahore. He first saw the country in the 1990s, but it was an official visit and his explorations were limited. This time, he plans to take the train to Amritsar and cross the border at Wagah. "I've never written about the physics aspect of my life before. People have often asked me why I don't, I always say physicists lead boring lives. This time an idea struck and I thought I should visit Pakistan. Even though I can imagine a place, I have to see it for myself before writing it."
While reviews of A Delhi Obsession are still trickling in in Canada, he's curious about the reception in India. "Some reviewers there have not got the context. An Indian reviewer preferred to look away. But that's a response I'm expecting now. The best way to treat a novel that offends you is just to ignore it."
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