LINDY HF-100 Premium Hi-Fi Headphones : You'll need a DAC to drive these!.
Good cans on their own, but the challenge is the band. 1st of all i love the audio high quality of these headphones, to date i've acquired these exact kinds 3 periods as i favored them that significantly, i won't go into detail about the sound by itself as you will find a million assessments that testify to that so adding one particular extra is unnecessary. 'so why did you invest in them three moments?'. You may well be inquiring by yourself, and that's why i considered i must produce a assessment for the reason that the band itself is awful and will definitely snap at some point, as it has accomplished so on just about every facet of the headband on all three headphones. The issue is how weak the plastic is in a person position that causes it to break up after tons of pulling the headphones off and at the time it's break up that is it, you are going to have a person cup that does not sit correct on your head leaving a significant hole beneath and sooner or later it will drop off completely but not ahead of the other side commences splitting. Pic of all a few headphones for proof: http://i. Jpgpic of the element that splits: http://i. Jpgpic of the space when split: http://i. Jpgthat has took place on every single facet of all 3 headphones, as you can see by the remaining pair which was the a single i acquired very first it sooner or later came off entirely.
Right after a couple times melt away in these headphones are amazingly good for the minimal charge. They seem greater than several much more pricey sets when plugged in by way of an av amp/audio card.
Fischer audio fa-003/brainwavz hm5/lindy premium all would appear to be to be the identical headphones. Google fa-003 and browse some opinions, i highly doubt you will find much better audio high-quality this aspect of £100.
Not the improvement over closed-backs that I expected.
You'll need a DAC to drive these!.
Great products for people who want to use the headphones for listening to songs on the go without acquiring to lug all over the default three.
Lindy hf-100s are realy quite fantastic. . They are a cumbersome headphone, but this retains out extraneous sounds out by masking the ear. These are properly designed and feel quite powerful. Musically the audio exhibited is really correct and rather neutral. Anything can be read clearly devoid of overbase or treble. I am pleased with these 'cans' specially for the price tag. I have read a great deal even worse & costing much more.
You'll need a dac to drive these. . These truly shine only when they a connected to a dac period. Otherwise: you'll need to look for something smaller to complement the android phone. If your android phone has a dac happy days.
Not the improvement over closed-backs that i expected. . Update after 4 weeksthe clamping force has not eased, even with putting them on a polystyrene head when not in use. Uncomfortable to wear for more than 30 minutes. Unfortunately, i had to return them because of the clamping force, and have reduced the rating to 3 stars. Introductioni had set my mind on the brainwavz hm5 closed-back until i found these open-back versions. They do not carry the brainwavz name but they are the same oem manufacturer – yoga electronics of taiwan. Brainwavz does not market an open-back version. First impressions:these headphones are big – earcups measure 110 x 80 x 30 – truly over ears. They were quite a tight fit to begin with but will probably ease off after a couple of weeks' use. Sound impressions:whereas my symphonized wraith 2.
Lindy hf-110 open back hi-fi headphones. Excellent headphones well worth the price recommend.
Lindy hf-100s are realy very good. . They are a bulky headphone, but this keeps out extraneous sounds out by covering the ear. These are well made and seem pretty strong. Musically the sound exhibited is very accurate and pretty neutral. Everything can be heard clearly without overbase or treble. I am pleased with these 'cans' especially for the price. I have heard much worse & costing more.
Good length, fits other brands too. Replacement cable fits excellent studiospares. Com m1000 and m2000 headphones too (these headphones are sold under a number of different brands) and the cable has the 'snap fit' retention too. 5m more useful length for casual listening/travelling than the 3m cable which perhaps better serves movement around a mixing desk.
Great product for those who want to use the headphones for listening to music on the go without having to lug around the default 3.
Bought as a replacement for the one that came with. Bought as a replacement for the one that came with my headphones. Not much to say really other than it works perfectly.
Good cans themselves, but the problem is the band. First of all i love the sound quality of these headphones, to date i've bought these same ones three times as i liked them that much, i won't go into detail about the sound itself as there's a million reviews that testify to that so adding one more is unnecessary. "so why did you buy them three times?". You might be asking yourself, and that's why i thought i should write a review because the band itself is terrible and will undoubtedly snap at some point, as it has done so on each side of the headband on all 3 headphones. The problem is how weak the plastic is in one place that causes it to split after lots of pulling the headphones off and once it's split that's it, you'll have one cup that doesn't sit right on your head leaving a big gap underneath and eventually it'll fall off altogether but not before the other side starts splitting. Pic of all three headphones for proof: http://i. Jpgpic of the part that splits: http://i. Jpgpic of the area once split: http://i. Jpgthat has happened on every side of all 3 headphones, as you can see by the left pair which was the one i bought first it eventually came off altogether.
Full sounding all-rounder that retains exceptional detail for this price level, even with portable sources. Disclaimer: this is a sincere review unlike the usual fivers full of superlatives useless to others. It should be taken as a higher vote confidence than most of the 5 star 'this is great' type of reviews that sound like those quotes you see on every single movie poster that makes it to the market. //tl;dr//if you are looking to get a feel about what higher end headphones are supposed to sound like without breaking the bank or compromising much in the bass department, this should be in your top list under £100. These headphones are unique in the price range, delivering very detailed and fairly accurate sound while still sounding full and retaining the bass that a lot of people prefer these days without needing an amplifier or special equipment. Though being a relatively warm phone, the treble extends far and crisply, which i was surprised by. Its sound signature works with a wide variety of genres and it is versatile enough to be used for gaming as well. Easy suggestion for everyone but those looking for a bright rather than warm sound under £100. If you need isolation or need ones where sound does not escape out of the headphones, see the sister model hf-100 that delivers a surprisingly large sound for a closed headphone, pretty much the top for closed over the ear headphone under 75£, a category with even less options in that range. One strange thing of note is that these sound relatively closed for a fully open headphone, though with a decent soundstage, while the closed model sounded open for a closed headphone :d//build quality//it is a super well built headphone, if not a bit tanky, that comes in a padded storage case with extra pads and an equally sturdy detachable cable.
Bargain, excellent for the price. I've had these for a while now and so far so good, but, i took a big risk in buying them because, like most people, you can't try them out. I say that because i went and tried a pair of akg k550s (rrp: £180) after they received lots and lots of rave reviews, but was left very disappointed by the distinct lack of bass. I can say for the price (£[email protected]/06/2014) these lindy headphones are a far better buy, they are very good and punch well above their weight. I wasn't expecting the sound to be the best but it's excellent; the bass, middle and treble are very well balanced, quite spacious and detailed, i was a bit gobsmacked. Another bonus is that the headphones also come with a good quality bespoke lindy padded carry bag, which on it's own would probably cost £20+; you also get a spare set of leatherette ear-pads, which is may be another tenners worth, so, a fairly decent deal. The headphone cable is decent quality and is very robust. One thing that i was worried about was the build quality as i've heard the arm can break where it meets the headphone strap as it's a honeycomb design and not solid, but most people seem to have no problem, maybe it was a bad batch, not sure on that one. I'll come back with an update after i've used them for a good while and see if they hold up but they do come with a two year guarantee anyway, so, fingers crossed, i won't need it. These headphones are probably made in china because there are a number of other sellers who sell the exact same model (fischer audio fa-003, brainwavz hm5) with their label stuck on the side, but don't let that put you off.
I've been using audio-technica ath-m40fs headphones for my late night movies these past couple of years, and while they're perfectly decent for music and gaming, they just seem to lack the punch i get from a good amp and speakers for the action movies. So research told me i needed open backed headphones to try and replicate my amp/speaker set up. There were no reviews for these, but the closed back version (hf-100) had mostly positive reviews, including a very respectable 4 out of 5 from what hi-fi?, so i thought why not take a punt. I'm happy to say the gamble paid off. I watched rambo 3 the other week with the audio-technicas and despite having the headphone amp up to 75% volume and my computer desktop set at 100%, i was mostly underwhelmed by the flatness of the gunfire and explosions. Well, i watched rambo 3 again the other night with these lindy hf-110s, and wow, it was almost like watching a different film. Galloping horses, submachine gun fire, whirling helicopter gunships, rolling tanks, whooshing rockets, explosions, heavy machine gun fire just leapt out at me from my 5ft projector screen. I swear it was like being back in the odeon cinema in '88 when i first saw the movie. This was precisely the kind of punchier sound i wanted, but i had to reduce the desktop volume to 80%, because any higher was just uncomfortably loud.
Very comfortable to use, good value you for your money. Smile worth of listening yeh.
Excellent senn sound for a lot lot less money. Ive had grado's, v moda lp crossfades, sony xb700's, bludio 8 tracks, phillips fidelio x1, sennheiser hd650 and hd518. Loved them all for different types of music. My favourites where the hd518's simply because they had a low bass range, but not overpowering. However, they fell a little short on mid detail. On the other hand, these lindy premium headphones surprised me to the extent that i felt that i had to leave a positive review. They have excellent low bass range without sacrificing mid detail. Trebles are clear, but not ear piercing. You really need to boost them with an amp to get the best out of them. Volumes can go right up to levels that are too loud to listen to, but they wont distort.
I've had these headphones for a few months now, and they're the best headphones i've ever had. My only small issue is that the supplied cable is 3m long, which i'd say is a bit too long, but i have ordered a 1. 5m cable, which would better suit my needs.
More than great headphones / less than good helpdesk. The headphones offer much better sound than you would expect given the price. I looked for something universal that would sound great not only with an amp, but also directly from an mp3 player, tablet, tv or a laptop. Turns out they can squeeze a lot even from [email protected] files through a nokia 5630, not to mention what they do with flac or audio-cd. There are very detailed reviews on the web so all i can say is – their authors speak the truth. The build quality is as great as the sound. They seem very firm and really isolate you and your surroundings from each other. On the other hand, i need to complain about the way they were delivered. In fact, i had to order them twice and wait an extra week.
After a few days burn in these headphones are surprisingly good for the low cost. They sound better than many more expensive sets when plugged in via an av amp/sound card.
Fantastic value headphones with a great sound. . The lindy premium hi-fi headphones are an over-ear design headphone and share the same shell as the fischer audio fa-003 and the brainwavz hm5 (as well as others). The first thing that must be said is that these are a very large headphone, large than i first expected, meaning that these should be an over the ear design for almost anyone. Also the thick faux leather pads mean that many peoples ears, mine included, do not touch the inside of the headphone at all, this gives a very spacious feel considering they are a closed back design. This closed back nature also means that they isolate very well and do not leak much sound except on higher volumes. The faul leather pads however can mean that on a warm day these will make your ears heat up pretty fast are not the most comfortable for long periods. As long at it isn't too hot though, these are one of the most comfortable headphones i have worn. They are not as heavy as you would think on seeing them as they are an almost all plastic design with a metal headband covered in the same faux leather but with a mesh-like material touching your head. The cups have a little play to adjust for head shape and extend quite far for size. At the time of writing these come packed in a very nice foam filled case to protect the headphones, with a spare set of the faux leather pads, a 6.
PSB M4U1 Headphones – Monza : Quite simply the best kept secret in Audio!
Sony MDR-XB500 Extra Bass Headphones – : An honest review.
Colour: White Verified Purchase on Sony DR-BTN200M Bluetooth Wireless Headset : Right Choice, be aware is bigger than it seems.
Colour: HB001-Black on Rotibox Lightweight Sweatproof Bluetooth Headband Headphone Headset Earphone Audio Music Headband Speakerphone w/Stereo Speaker & Microphone Hands-free, Second time lucky?
4.0 out of 5 stars I really like mine. I use it for sleeping. on Rotibox Lightweight Sweatproof Bluetooth Headband Headphone Headset Earphone Audio Music Headband Speakerphone w/Stereo Speaker & Microphone Hands-free, Second time lucky?
Anonymous on Rotibox Lightweight Sweatproof Bluetooth Headband Headphone Headset Earphone Audio Music Headband Speakerphone w/Stereo Speaker & Microphone Hands-free, Second time lucky?
5.0 out of 5 stars Superb on Rotibox Lightweight Sweatproof Bluetooth Headband Headphone Headset Earphone Audio Music Headband Speakerphone w/Stereo Speaker & Microphone Hands-free, Second time lucky?


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Film Interview – Shailene Woodley, Nat Wolff, and John Green – The Fault in Our Stars
June 5th, 2014 | POSTED BY Sarah Ksiazek
Dallas, Texas was chosen as one of the four cities for the stars of The Fault in Our Stars to visit on a small press tour and also to meet the rabid fans of the novel the film is based on. The day after "Demand Our Stars" hit the South Side Ballroom for the fan event, they spent the morning doing interviews. The MacGuffin sat in on a small panel with stars Shailene Woodley (Hazel Grace Lancaster), Nat Wolff (Isaac) and author John Green. Unfortunately, Ansel Elgort (Augustus Waters) had to leave Dallas early.
Among the things discussed in this interview are Miles Teller, the screenplay by Scott Neustadter and Michael H. Weber (The Spectacular Now, (500) Days of Summer), what the actor's put into their performances, John Green's small role in the film, the parents' perspective in the book and film, John Green's fake copy of An Imperial Affliction, John Green's teenager speak, Anne Frank, the kissing scene, Shailene cutting and donating her hair for the role.
The Fault in Our Stars is in theaters June 6, 2014.
(500) Days of Summer, Divergent, John Green, Josh Boone, Michael H. Weber, Miles Teller, Nat Wolff, Scott Neustadter, Shailene Woodley, The Fault in Our Stars, The Spectacular Now
About Sarah Ksiazek
Sarah resides in Dallas where she writes about films and trailers in her spare time when she is not taking care of her animals at the zoo.
You can reach her via email or on Twitter
View all posts by this author
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Allen Almachar
Benjamin Nason
Adelaide Blair
Cassidy Robinson

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WASHINGTON. It's hard getting a handle on the kind of freakazoid stock trading action we're seeing on Wall Street on this Tuesday after a holiday weekend. At its worst point of the day (thus far) the Dow was down over 500 points. The broader based S&P 500 fared a bit better, and the NASDAQ was holding its own, although it's still off nearly 0.7 percent on the day as of 3:30 p.m. ET. Lower oil prices and Italy's populist shift – the Italian contagion – combined to shaft Tuesday's trading action. Big time.
As often happens over long holiday weekends, big news thundered across news desks while markets were closed. It wasn't the kind of news that would directly affect you and me. (Though it could later on.) But it was the kind of news that freaks out big time traders and investors.
Our Saudi and Russian friends are likely to goose oil production quotas, which they've minimized for the better part of the year in order to increase the price per barrel. This likely pact, announced roughly mid-week last week, has been killing the per barrel price of oil on the market and terrifying U.S. producers and frackers. They've been drilling wells like there's no tomorrow and going into hock to do so. Potential overproduction, aided and abetted by our pals abroad, could cut prices to the point where marginal U.S. producers would be in a world of hurt. Meanwhile, the Saudis and Vlad Putin need the petrodollars. End of explanation.
Last week, Brent crude was priced well over $80 a barrel, while WTI was already in the mid $70 per barrel range. Today, Brent is hovering around $75. WTI is off roughly $10 from its high point last week to currently stand (as we write this) at $66.76. These are YUGE moves, particularly in such a short period of time. Very scary. Sell oil!!
As for that Italian contagion. Our Italian friends have been doing a Donald Trump-style election in slo-mo. A pair of strange bedfellows – in a bizarrely constructed populist-style voter revolt, an anti-Euro upstart party and a formerly ignored conservative party ended up winning Italy's latest parliamentary elections back in March. They've been trying to put a government together ever since. After proposing an essentially anti-Euro politician as their compromise prime minister, Italy's current president exercised one of his few prerogatives and appointed his own PM to head the still unformed government. The new PM: An actual IMF official. In other words, Italy's president ignored the March vote and appointed a Deep State outsider to the PM slot. Both majority parties, and much of Italy is now in an uproar. At least as of this morning, there was no indication they'd accept this pro-Euro PM. This ignited international currencies fears and renewed rumors of an Italian instant replay of the Brexit, aka, the Italexit. Hence, the latest Italian contagion. (Yawn.) But everybody still panicked.
Today found European stock investors stampeding toward the exits. Their American counterparts, already terrified by the recent action in the oil patch, are doing likewise Tuesday, happily dumping oil stocks and absolutely panicking out of bank stocks. Or anything they can sell.
Simultaneously, European and U.S. investors are piling into government bonds, causing interest rates, which had been soaring, to suddenly plummet and banks stocks to rapidly tank. And the Fed is going to hit us with another interest rate hike in June? What's the point?
Both the above developments, at least short term, are horrendous for stock investors. They're great for bond investors. And as for you and me? At least short term, they could be great for us. At least if you ignore what happened in our portfolios today.
Meanwhile, if those interest rate drops can hold, courtesy of the current, ongoing Italian contagion, they might get the mortgage and re-fi action going again, along with new home construction.
But who knows? In this age of computerization, stocks trade on headlines, not value. Bonds go up and down depending on the rumor mill. And the computers tend to panic at the tiniest rumor, which is certainly what we're seeing today.
In truth, oil prices have gotten ridiculously ahead of themselves. They can come down further from where they are now, and it still won't kill off the industry. Not by a long shot. Gimme a break.
Similarly, that potential Italian contagion. For better or worse, Italy has essentially remained a political basket case since the end of the Second World War. They seem to average a new government every 6 to 18 months. That's no way to run a country and their economy shows it. So what else is new?
One thing seemed different this time, however. So frustrated were Italian voters in the latest election earlier this year, that they effectively dumped the entire Deep State, the most fervently pro-Euro elites in that country. This shocked the Ruling Class to its core. After all, the people are revolting anyway.
But now, we are seeing the equivalent of Italian Deplorables. The fear and confusion is palpable in Italy. It's as if the populist coalition that won the most recent elections were all donning red MIGA (Make Italy Great Again) baseball caps. Total freakout by the elites. Why? There is always an Italian contagion. Maybe someday, Europeans will catch that bug. But we're not betting on that to happen today.
Well, we all ARE gonna die. But for most of us, it probably won't be tomorrow, so let's not go nuts like the computers. At least not yet.
As we finish today's column, averages completed at least a partial retracement of their earlier swan dive Tuesday. The Dow ended the day off 391.64 points (-1.58 percent). The S&P 500 was off 31.47 (-1.16 percent). And the tech-laden NASDAQ was off a less horrific 37.26 (-0.50 percent).
So, after that oil price dive and the latest Italian contagion, what's a small investor to do?
Yes, our portfolio took a nasty hit like everyone else's. But we've seen a lot worse. Today's double panic was way overdone and typical of a sullen post-beach weekend, first-day-back-at-work attitude on the part of traders and investors.
Things may get worse before they get better. Oil will continue to bungee jump, and the current Italian contagion very likely will get replaced by another. But today was so silly we did some buying. Since banks were getting killed (lower interest rates, allegedly less profits), we upsized our positions in JP Morgan Chase (symbol: JPM) and Regions Financial (RF). While we've been downsizing our actual stock holdings in favor of broader-based ETFs, we've kept a few. And this international-regional bank pair of holdings are joining our small individual stock "buy and hold" list.
We also slightly added to our Schwab ETFs, primarily the large-cap growth ETF (SCHG) and the large-cap value ETF (SCHV). We also established a token position in Schwab's mostly 10-year government bond ETF (SCHR), just in case the bond-buying panic we saw today continues to get out of hand.
Aside from that, we're holding the rest of our stocks, at least for now. But in this environment, who knows? We did a lot of the "sell in May" thing, but not the entire portfolio.
This tactic doesn't feel very good right now. But we're trying to take a bit of a longer term outlook, as things do tend to normalize eventually. Provided you don't panic (like the high-speed traders) every time a scare headline pops up. That's the best way I know to end up in an early grave.


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Slow and steady wins the race?
By Michelle Froese | August 30, 2019
The U.S. offshore wind project development pipeline has grown to a potential generating capacity of 25,824 MW across 13 states, according to a report from the Department of Energy.
If this headline holds true, U.S. offshore wind developers are bound to benefit from their patience and perseverance. After the trial and errors of Cape Wind (remember the proposed wind project off the shores of Cape Cod that hit permitting setbacks?), and the small victory of the five-turbine Block Island Wind Farm, offshore progress in America has been slow…yet steady.
Slow because siting and building in federal waters is a challenging feat. Vineyard Wind can attest to this. The developer of an 800-MW wind project 15 miles south of Martha's Vineyard is undergoing evaluations by more than 25 federal, state, and local regulatory bodies — and approvals have been no easy feat. Vineyard was recently denied cable-lay permitting by a Massachusetts municipality vote.
Separately, the federal Bureau of Ocean Energy Management has delayed issuance of a final environmental impact statement that would support the construction of the planned 84 offshore turbines.
However, such project delays (Vineyard Wind says "it remains viable and continues to move forward") may give ports a chance to revamp their infrastructure to accommodate the offshore wind industry. Several ports — such as Massachusetts' Brayton Point, which is fully re-developing into an offshore wind hub with heavy-lift capacity and grid services — are prepping to compete as part of the offshore wind supply chain.
A report from the Business Network of Offshore Wind suggests a collaborative approach is key, where port infrastructure is shared between developers to avoid bottlenecks and delays. Unfortunately, one U.S. port is unlikely to accommodate a project's full requirements.
Despite obstacles, which will soon include the expiring production tax credits, the offshore wind industry is determined and steadily advancing. Currently, more than 20 GW is in the offshore project pipeline, with states continuing to make major commitments to the industry. New York is a leading example with the largest procurement of offshore wind power in U.S. history: 9 GW by 2025.
New York also pledged $200 million toward new port developments and recently selected five multi-year projects to advance the responsible development of offshore wind. This includes funding to better understand fish and bird behavior to mitigate potential impacts from wind turbines. Earlier this year, the fishing industry also signed a 10-year agreement with federal regulators (the BOEM, NOAA, and RODA) to collaborate on offshore wind development.
What's more is several U.S. legislatures have introduced the bipartisan Offshore Wind Jobs and Opportunity Act, which would establish federal grants for offshore wind education and training. If passed, the bill would create a federal grant program to assist colleges, state and local governments, unions, and non-profits in the development of programs to prepare workers for sector jobs.
Together such efforts, however slow and steady, are bound to pay off. Fingers crossed.
Why collaboration is critical to offshore wind and port success
A trio of reports highlight growth of wind energy in…
Vineyard Wind submits proposals for additional offshore wind development
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Michelle Froese
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It's well passed the time of year when holiday shopping begins, but if you're a procrastinator like me, odds are you have a few people left to check off on your gift list. (Or all of the people. I'm not judging.) In order to help you out, I made this gift guide with 10 gifts for every type of person you have to buy presents for! Well, maybe not every kind of person– I don't have time for that. But lots of kinds of people, and we're going to keep the title anyway.
Simply click on the personality you're looking to buy for to jump to the slide show for that group. Then, click through to see gifts in the following categories: Big Gifts, Under 150, Under 75, Under 35, and Stocking Stuffers! There's something for everyone, I tell ya! Click the pictures provided if you'd like to visit the product website for more information or to purchase a gift.
You've got that special someone on your list this year that just can't help but keep themselves busy, but what to you buy for someone who is so passionately involved with their work? Well, if you've got a business person to shop for, these gifts will be helpful and appreciated!
This person on your list is a bona fide foodie and practically sleeps in the kitchen. I mean, there really is no pulling them away from the stove, where they love to practice new recipes and make big meals for everyone to enjoy. Now that it's the holiday season, you know you want to get them something to make cooking easier, but it feels like they've already got all of the kitchen gadgets there are! Don't worry, I bet I dug up a few that will make that home cook happy!
Have a picky fashion queen on your hands? Relax! Shopping for her can be a breeze with these stylish options. All of these choices were selected by myself from fashion blogs and then run by some very fashionable ladies for second and third opinions, so you can trust that these are picks she will love.
I'll be honest with you– I don't watch a lot of sports. However, I have been shopping for sports lovers all of my life, so putting these choices together was a breeze. If you have a sports fanatic on your list, check out these great gift ideas to make them cheer!
You might have a hiker to buy for, or perhaps a serial camper, or maybe a traveling explorer. No matter how they adventure, buy them a present they can use with their hobby with these adrenaline-pumping, sight-seeing, survivor-style gifts!
There's a lot I could say about this, but I'll keep it simple. I'm creative and I want these things. My creative friends want these things. Your creative friends will want these things. By the way, did I mention that I want these things? Because I do. Are my subtle hints working yet?
Presents for the music lover always seem obvious, but really it's just so hard to choose. What was their favorite band again? Do they already have that new album? This gift guide will narrow things down so you can find a present that helps them jam out!
If you've got a nonstop host or hostess on your list, then you know someone who truly loves good food, good drinks, and good friends. Give this person a gift that makes their get-togethers even more special with these great picks!
I hope I was able to help give you some ideas! Let me know in the comments what your favorite holiday present ever was– maybe it will inspire some other readers!


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Leszek Nekanda-Trepka (ur. 22 lutego 1907 w Janowicach, zm. 18 sierpnia 2003 w Warszawie) – polski inżynier spawalnictwa, prof. dr. hab. inż. Politechniki Warszawskiej.

Życiorys
Ukończył studia na Politechnice Warszawskiej, a następnie rozpoczął pracę na uczelni, od 1937 należał do Sekcji Spawalniczej SIMP. Podczas II wojny światowej uczestniczył w życiu konspiracyjnym w szeregach Armii Krajowej, walczył w powstaniu warszawskim. W 1951 z połączenia Szkoły Inżynierskiej im. Wawelberga i Rotwanda i części jednostek Politechniki powstał Wydział Mechaniczny Technologiczny, jedną z powstałych była Katedra Spawalnictwa. Leszek Nekanda-Trepka rozpoczął tam pracę w październiku 1951, przez dwadzieścia sześć lat wykładał przedmiot konstrukcje spawane. Od 1961 do 1965 pełnił funkcję kierownika Katedry Spawalnictwa, a następnie był organizatorem Zakładu Automatyzacji Spawania, wprowadził również przedmiot "Mechanizacja i automatyzacja w spawalnictwie". Tytuł profesora uzyskał w 1983, wykładał również na Politechnice Białostockiej, Poznańskiej i Świętokrzyskiej. Przez wiele lat był redaktorem "Przeglądu Spawalniczego". Pochowany na Cmentarzu Bródnowskim (kwater 60F-5-32).

Przypisy

Bibliografia
 Monografia Cmentarz Bródnowski, praca zbiorowa, Urząd Dzielnicy Warszawa-Targówek, Warszawa 2007 s. 223, na książce  (formalnie błędny numer ISBN); ;

 Pożegnanie prof. dr hab. inż. Leszka Nekanda-Trepki (18.08.2003), Zakład Inżynierii Spajania Politechniki Warszawskiej

Polscy inżynierowie
Absolwenci Politechniki Warszawskiej
Wykładowcy Politechniki Warszawskiej
Powstańcy warszawscy
Żołnierze Armii Krajowej
Urodzeni w 1907
Zmarli w 2003
Pochowani na cmentarzu Bródnowskim w Warszawie

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Demi Lovato and Wilmer Valderrama are together again
Demi Lovato Wilmer Valderrama
What is being done with this Hollywood? While some couples part, others converge!
The American tabloids managed to find out that Demi Lovato and her former beloved boyfriend Wilmer Valderrama are together again. The couple increasingly began to hold joint evenings, and recently the guys went on a date. Former lovers were seen during lunch in one of the LA restaurants.
According to the waiters, Demi and Wilmer all the time laughed, joked and conducted friendly conversations, holding hands. Lovato and Valderrama were one of Hollywood's most beautiful couples. Lovers met for six years, but broke up in 2016. Then the press confessed: "We realized that we are best friends to each other." The couple really maintained friendly relations until recently. Moreover, Wilmer even organized a birthday party for Demi.
"I still love Wilmer. I do not know if I can live without him, "Demi admitted in the documentary. According to rumors, Wilmer also intends to return Demi and is very affectionate towards her. "He is confident that he and Demi are created for each other, they can understand each other without words," the source shared.
Celebrities Couples
4,6 K	15	96 M
Demi Lovato Demi Lovato announced her engagement to Max Ehrich 23 Jul 2020
Demi Lovato Demi Lovato found a new boyfriend 26 Mar 2020
Demi Lovato Demi Lovato lost her voice after a drugs overdose 25 Sep 2018
Demi Lovato Demi Lovato Getting Better 30 Jul 2018
04 Jan 00:58 Demi Lovato


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3. cheap homeowners insurance texas APR does not suggest what you believe it does. The idea of the APR (Annual Percentage Rate) is made to assist the ordinary debtor review as well as contrast various mortgage from various lending institutions. Nevertheless, considering that every lending institution determines their APR in a different way, completion outcome is considerable complication as well as a basically useless number. Some loan providers include their very own charges as well as costs right into establishing their APR, while others do not (intending to show a much more appealing funding). Likewise, variables unassociated to the loan provider impact the APR (dimension of financing, kind of lending, and so on).
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DC, Movies, News, RTF Originals, Rumors
THE BATMAN: Reeves Says He's 'Excited,' Affleck Is Attending A Fan Expo, What's It All Mean?
A few weeks ago, the internet was bursting with rumors about Matt Reeves exiting The Batman. But while the vast majority of the coverage on this rumor was sensationalistic click-bait, I was part of a small brigade of people trying to calm your fears. I explained that what was actually going on, as per discussions I'd had with someone behind the scenes, was that Reeves and his WB/DC bosses were merely having discussions about his plans for the film.
See, I explained at the time these negative murmurs all stemmed from the fact that DC Entertainment was getting a little antsy about The Batman. Reason being that Reeves was given the reins to the next movie about the Caped Crusader a year ago and- since then- there hasn't been much to report. Meanwhile, they want to develop movies like Nightwing and Batgirl, and they can't really move forward with those until they know what's going on with Batman.
Those other Bat projects have seemingly slipped into limbo because of this waiting game: Joss Whedon exited Batgirl, Chris McKay stepped away from developing Nightwing to work on something else (with the full intention of coming back to the project once they're ready to proceed).
But an interesting exchange the director had on twitter last night seems to indicate how his discussions with the studio turned out…
When a fan asked him how things were coming along, Reeves replied:
Really, really well, thanks! I could not be more excited! 🦇
— Matt Reeves (@mattreevesLA) April 3, 2018
"Really, really well, thanks! I could not be more excited!" he told the fan. And that means something, because Reeves is under no obligation to offer these kinds of updates. This wasn't a formal interview, and the person asking the question doesn't work for a site or news outlet.There was simply no reason at all for Reeves to offer this very optimistic update unless it's true. So this indicates that those talks went really well, and he's happy with the way things are moving.
That's great news for Batman fans, and for folks wondering about the status of The Batman. And, as someone who was clued in about those discussions, I'm happy to hear that it all worked out. I may not think Reeves is the only choice to direct this film, as others seem to, but I know that the Dark Knight is in incredibly capable hands with him.
But what about his star? Who's going to play Bruce Wayne/Batman?
As I've noted before, this situation is hard to report on. At different points in the last 16 or so months, Ben Affleck has been ready to walk away forever. I've outlined all of the trials and tribulations of Affleck's tenure with DC before, so feel free to read that before proceeding ("The Curious Case of Benjamin Affleck").
While others have stated we'll "never" see him don the cowl again, I've always left that door open. While I'm not optimistic we'll see him signing on for a whole new slate of appearances, which would include a Matt Reeves Bat Trilogy, I've maintained that we could see him pop up in Suicide Squad 2 or Flashpoint before he retires from the role.
Some recently announced Affleck news could indicate he's not done with the Dark Knight.
According to Fan Expo Dallas, Mr. Affleck, who "is known for his recurring role as Batman in recent DC films such as Justice League, Batman v Superman: Dawn of Justice, and Suicide Squad" will be appearing at the convention. And that's not all.
Here's a snippet from the official press release:
"Affleck will greet fans, pose for photo ops (including a team up with his Justice League co-star Jason Momoa) and sign autographs during the star-studded event."
Now, I don't know about you, but if Affleck were really 100% done playing Batman, would he sign up for something like this?
This is all speculation, of course, but a millionaire like Affleck would have no reason to appear at something like this unless he really wanted to. And if he really wants to, that tells me there's still a glimmer of hope we'll see him as Batman again.
I still consider it a huge long shot he'll appear in The Batman, considering Reeves would likely want Affleck for multiple appearances. But who knows? Affleck's career is currently at a low point, and if he's shown a script that blows him away, and a clear vision for where this could all go, that might just turn the tide.
Maybe I'm just being an optimist, but between Reeves being excited about The Batman, Affleck seeming ready to embrace his legacy as the current Dark Knight, and the fact that a ton has changed over at DC Entertainment in the last several months, maybe the tide will turn?
I've said it many times: A focused, engaged, and motivated Ben Affleck is the best Batman we've ever seen.
Oh, and- for what it's worth- even Shazam! star Zachary Levi thinks of Affleck as Batman. Check out this very thoughtful message he sent, trying to get Ben to grant an ailing boy's wish:
I don't have an official Bat Signal, but I'll boost this for all its worth. @BenAffleck, this lil dude could really use some caped crusading right about now. 🙏 @jimmykimmel https://t.co/j1aNoKINWm
— Zachary Levi (@ZacharyLevi) April 3, 2018
This is probably unrelated, and just evidence of Levi being a good samaritan, but I think it means something for a current DC star to still be referring to Affleck as Batman. If the news behind the scenes was that "Ben's gone," I doubt Levi would be trying to make this happen.
Remember, folks, this is all speculation on my part. But I think all these little pieces could add up to something special.
By Mario-Francisco Robles 5 Comments
Tags: Batman, Ben Affleck, DCU, Matt Reeves, The Batman
Mario-Francisco Robles
Editor-In-Chief and Co-Founder of Revenge of The Fans. Previously, he's written for Latino-Review, IGN, Moviehole, and The Splash Report. He's also the host of the top-rated show The Fanboy Podcast and the co-host of The Revengers Podcast. E-Mail: MFR@RevengeOfTheFans.com | Twitter: @I_AM_MFR
Hops and Box Office Flops: 'NEW YEAR'S EVE – Screw Bon Jovi'
Hops and Box Office Flops: 'IT'S A WONDERFUL LIFE – Hee Haw!'


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Interview With Susan Simone Author of Morning Song
Bio: Susan is a writer and artist by day, a child and pet wrangler by night, and occasional crazy person on the weekends. She lives in a place where new hybrid cars, beat up farm trucks, and Amish horse and buggies meet in fast food parking lots for coffee.
Susan grew up in central Wisconsin, only to move to rural Ohio in adulthood. She's a country girl through and through with progressive and optimistic ideas of nation and society. A heathen by faith and major sci-fi fan she is an eclectic person and welcomes as much diversity into her life as she can to feed her fertile imagination. She lives by the motto, "Let your freak flag fly!"
Susan is the author of "Silent Heart", "Under A Twisted Moon", "Morning Song", and other titles forthcoming. Susan also has her one and only zombie short in the JEA anthology "All That Remains". In addition she has published articles on the Yahoo! Contributor Network in a wide variety of subjects such as the validity of deity in the American government and the use of easy to find herbs.
Susan is the Executive Editor with J. Ellington Ashton Press as well as a graphic design student at The Art Institute of Pittsburgh Online Division. She does a large portion of the cover art with JEA and has worked with businesses in the past for logo creation and event announcements.
Website: http://susansimone.weebly.com/
Yahoo Contributor Network: http://contributor.yahoo.com/user/1652160/susan_simone.html
Goodreads: https://www.goodreads.com/author/show/6941373.Susan_Simone
Facebook: https://www.facebook.com/SusanSimoneFanPage
Publisher: http://www.jellingtonashton.com/index.html
1) Morning Song is a great story about a wise woman and hedge witch facing her fears and owning her strengths to find that life has a great deal in store for her and the strange man she meets near the beginning of the book. What inspired Morning Song?
It started with a name. I know that sounds odd. I wanted to write a BBW heroine and started thinking about how that would work. There was this idea of calling her Morning. It was almost surreal. With that one thought I could see her in my head so clearly. I was actually the biggest snob picking a model for the cover because I knew what Morna (Morning) looked like to me. I started with the opening scene and that was the last part of that book I wrote consciously. The rest just poured out. It was as if Morna and Arrick existed in another realm or dimension and they were simply telling me their tale.
Yes, writers really are that insane. We have to explain all those extra voices somehow.
2) Was it difficult writing a post-apocalyptic fantasy romance and handling the midwifery and herbal magic Morna uses in the book?
Post apocalyptic was harder because I'm not used to it. I had to think how the country would be broken up. What parts were important? I had this very clear idea of music. As a singer myself, I've picked up all kinds of folk music, madrigals, classics, contemporary. I played with this idea of what music would stand the test of time and turn into folk songs over the years. The music I chose was not a prediction, but more of a secondary idea of getting people to listen to the music and understand how it enhanced the scene.
Midwifery and herbals were much easier. They are subjects I have a fascination with. I do have some midwife skills, but I am not currently licensed because of the direct entry laws. The state I live in won't let me apprentice under a midwife, I have to have an RN to practice which is another eight years of school. However, I still love it and I'm one of those very annoying people who hand out random unasked for advice when around pregnant women. Lol
I do the same with Herbs. "Oh you're sick? Try this, this, this and this, but watch out for that, and only use this at this time of day." That is only an amateur study for me, though. I ascribe to the American Indian belief that everything we need to live happy, healthy lives, and dispel illness grows somewhere on the planet. With doctors and scientists help we need to use it.
3) Under a Twisted Moon also deals with a heroine discovering herself and growing stronger for it. In this case she learns the part of herself she hid was really her strength. Do you feel that many women find themselves in a position where other people cause them to fear their strengths?
That's a deep question. I think any *person* of any gender or orientation who finds themselves in an abusive situation, regardless of the abuser or type of abuse, is there *because* their fears have been berated and their strengths twisted to weaknesses.
Some of Amelie's experiences with Rick were based on things I lived through. I kept that under wraps for a long time, and even came up with politically correct answers to the inevitable questions. In a way, watching Amelie survive and thrive opened the door to a lot of conversations we need to have as a culture. Yes, we all know abuse is bad. We all know abuse comes in many forms and can sneak up on you, but until you've lived it, it's very hard to understand how you got there.
The worst thing I hear is, "Why does she/he stay?" I want to shake people when I hear it. Fear. Fear of the abuser's reactions. Fear that all the things they told you to keep you down were really true. A very real fear of society taking over the abuse and victimizing you when you just want to live in peace. Fear of being alone because you've been beaten down so hard you won't ever have a normal relationship with anyone ever again, like an abused animal is never normal again.
"Why does he/she put up with it?" Because it's not clear. Before you all scream at me, listen for a moment. It sneaks up on you. The line of the initial abuse is blurred. You can't see it clearly from the inside. It doesn't start with violence. It starts with an unreasonable argument. A personality disorder. A little niggling in the back of your head that makes you wonder if they really were being that manipulative or if they were having a bad day. Then there are more bad days. A lost job, or a fight with a friend. Oh of course they're having a bad day. They don't mean it. Pushing away your friends and family, slowly one by one. Life is really hard right now. He/she needs me. The line is blurred and by the time you realize it's been crossed you're so far over you start to believe all the lies you've ever been told. You worry about staying for the sake of kids, forgetting that by allowing it you're teaching them that it's normal or okay. Eventually you find yourself alone; facing things that you know may end your life.
4) You write about strong female characters that are grounded in the real world. Do you think this gives your book a leg up on books that feature women in more unrealistic or unhealthy fantasy relationships?
I think that was on accident. I'm always interested in the psychology of it. Why do people do what they do? How do people get into these situations? But that's on behavior alone. I do think it important to reflect women and men who are real, flawed. I pick characters because their flaws are interesting to me. I can't stand the perfect blond bombshell types, or the overdone hardcore, but really sensitive and sweet deep down types. Everyone is a jumble of all that. No one is perfect, and society's ideas of how genders should act or what they look like is nothing but a construct created thousands of years ago by a few that were insecure with their own image so they had to spout their way was the only right way. (That was *not* a religious diatribe, btw.)
5) You write about some tough subjects in your books, how do you approach these? Catharsis or characterization?
Courage? For me and many other writers, the characters are like living people with their own separate lives. I don't control them. I've had several die or get into relationships completely without my approval. I write the hard stuff instead of glossing over because I am honoring them and all the living people that have survived the same things. It's a disservice to cut it out or gloss over because it's ugly or makes me cry. In reality my characters may be fictional, but real people, myself included, live these things. There are no tasteful cutaways, or suspenseful music. The world did not stop moving just because your life as you knew it is forever changed. If we are to grow as a society, *that's* what needs to be known. That's what needs to be said.
6) Under a Twisted Moon is a very strong empowerment piece about owning your strengths and coming out of a place where things had been very bleak. In a very real way while one of the male leads helps her to start out on her path to self-discovery it is she who must stand up and take up the reigns of her own life. Is this a message you hope will help others to do so for themselves?
Absolutely. No one can walk your path. It is entirely unique to you. Sometimes you need a little love or a loving kick in the rear, but you still have to be the one to stand up and be counted.
7) While there are some very involving dramatic pieces there are also lots of humorous and endearing ones too. Was it difficult to write humor into Silent Heart, Under a Twisted Moon and Morning Song or does it come naturally to you and your stories?
I'm one of those dorks that laughs at her own jokes. I'm even snickering as I write this. The humor is very organic. I've noticed my dialogue follows my moods. The jokes, the tough conversations, the arguments reflect what I was feeling at that time. Sometimes I'm slap happy and everything in the world is hilarious. I'm also a horrible smart ass, and I think my own natural voice comes out a lot. The things I really want to say but often just laugh to myself about, or the things I wish I said at the time.
8) Silent Heart was your first book and you're currently at work on a new cover for it(See the new cover for Silent Heart and Under a Twisted Moon below). Is it hard to go back and try to think of a new way to represent your books after they've been in print?
Sometimes, covers make me want to cry. Lol When I did the original cover for Silent Heart, I was new to graphic design and still had a lot to learn. It was not a good cover. So right now I'm revamping a few covers, Silent Heart among them.
I had this perfect image in my head. Red and golds. This layout involving a band of color over top of a pivotal scene in the book in which Paige, a talented artist, takes back some of her power by doing this charcoal drawing on leather of her love. I even managed to make the perfect model for Stone look like it was a charcoal drawing. I was so proud of it. Thought it was great, (I still love the hell out of that image). I showed it off for feedback, which is very important for any work of art. Survey said? No. It was a cool image, but just didn't work. It didn't peak anyone's interest to read the book. Well fudge.
So I slept on it and tried something else the next day. That finally worked. I grudgingly admit it's a better cover. It fits the genre, but stands out from the crowd, which is what you want. That kind of redo and version after version is really normal for cover art. Never settle for the first thing an artist shows you. Push them and get something great.
9) You've been a cover artist and executive editor at JEA for a long while now. You've even trained a few interns and earned an award for the cover of A Fish to Die For in the 2013 Predators and Editors competition. Do you feel like you've learned a lot since you first started out?
Yes. Each cover is learning something new. Finding this tool I hadn't used in quite that way before. A new layout or idea. It's amazing to take a concept from an author's mind and turn into a picture for all to see. I love seeing how excited they get. I even love the tough ones that make me go through 10 versions before it's right. The end result is always amazing. Every once in a while, something will happen, a new thought from one of my classes, a certain request I'm unfamiliar with, and it's like someone flipped a switch and my work is never the same after, always moving forward.
10) In recent months you've also branched out from providing covers for JEA to becoming a freelance cover artist for other writers. What kind of services do you offer and how can people reach you to ask about their projects?
The best way to contact me is through my website. I have a contact form on the artwork page. I offer original design and full rights to the author. In other words I won't get angry at you down the road and say you can't use my art anymore. I also do something new that I want to make industry standard. I provide the client with documentation of where the images used on their cover came from. There is so much image plagiarism out there it's rather insane. Covers on some sites are lawsuits waiting to happen. I've personally had to replace covers done by so called "professional" artists because they used a video game screen shot or stole one small part, like a hand, from a major piece of art and blew it up, both of which are illegal. I want to put out such a high standard that it forces authors to demand it from others and other artists to adhere to it.
11) Will you stick to the romance genre or do you think there are some other genres you'd like to explore?
I never intend any specific genre. I just write where the story takes me, following along in its wake attempting to capture the important parts. I get an idea in my head and I run with it. Sometimes that's romance and sometimes not. I'll figure out the classification when I'm done. I'm the same way with length. I don't believe in word lengths based on popular books in the genre. I just write until the story is told. Sometimes that's longer, sometimes shorter. If I need to flesh something out, I'll worry about that later.
12) Do you have anything in progress you'd like share?
I have this one I call, Kiss of Luck. It's a dystopian society with alien mind control and young adults, still teens really, that want out and stage daring escapes. I'm kind of careful with my ideas. I know more than one person that has had ideas stolen. Kiss of Luck, is a special one for me. I dreamed it one night, start to finish, the entire plot line. I'm just filling in details as I go, but it's going to be really cool.


Vanda Krefft is the author of The Man Who Made the Movies: The Meteoric Rise and Tragic Fall of William Fox (HarperCollins, November 2017), the first in-depth biography of Twentieth Century Fox founder William Fox. A former entertainment industry journalist based in Los Angeles, she has an BA in English and an MA in Communication, both from the University of Pennsylvania, and is a member of Phi Beta Kappa.
William Fox is one of the most important figures in film history--the founder of the Fox Film Corporation (now Twentieth Century Fox), producer of hundreds of feature films, including the original Cleopatra, starring Theda Bara, John Ford's first epic western The Iron Horse, and F. W. Murnau's Sunrise, which is widely considered one of the best movies ever made. Fox also pioneered the foreign expansion of the American film industry; aggressively promoted the revolutionary sound-on-film technology, ensuring a rapid transition to talking pictures; and built many huge, spectacular movie palaces.
Yet, till now, Fox has been virtually forgotten. The reasons have to do with the dark circumstances surrounding his dismissal from power 1930--a management change, rooted in Wall Street corruption, that nearly ruined the studio and sent Fox into a tailspin of bitterness and despair.


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Interviews / Journalist
Media Interview with James McIvor, Digital Editor of The Scottish Sun
By Phoebe-Jane Boyd
With the recent redesign and relaunch of The Scottish Sun's online platform, we talked to Digital Editor James McIvor about its "bigger, bolder, and brighter" approach and how that feeds into what the team are busy reporting on. The findings: big Scottish and national news; bold shockers from around the world, and the bright – well, what's brighter than the Sun?
Read on for how print and online work together, how PRs and journalists can help each other, and how pit bulls and their owners really, really *shouldn't* do either of those things (really, really: brace yourselves for that one)…
Congratulations on the website relaunch, James – tell us a bit about what prompted the revamp, what were your aims when working on it?
We really wanted a complete redesign, making it cleaner, brighter, fresher, and a place that readers will want to come to.
Has the editorial direction/tone of content on the website changed in any way to go along with the redesign?
Not at all – we're still trying to give the best of Scottish news and sport, and national news stories, mixing the hard-hitting with the, uh, sexier showbiz news.
How will the online team be working with the print reporting team, will much of the content feed into the paper, and vice versa?
Yes, it definitely works both ways. I've had responsibility for The Scottish Sun's online content for the last four years now – stories from online can feed into the paper, and vice versa. We can also promote each other's spaces. Our online and print team are a tight-knit group – we're a smallish operation compared to London teams, so we can all work together!
How does social media help with getting stories/finding exclusives (particularly with celebrity stories)?
Social media is so important – we have to keep an eye on it day to day, it's a great source of news stories. We all keep a close eye on Facebook, Twitter, Instagram, and we work with our Storyful colleagues – but we're not just a 'social media story site', we cherry-pick the best to share.
How can PRs help reporters working on the website – what kind of info would you find useful from them (celebrity interviews/launches, etc.)?
PRs should definitely get in touch if they've got a great line they're trying to push – certainly events. We're trying to be more proactive with those, particularly music events, new launches. Obviously, we're not just here to help PRs – but we can all work together, and help each other. Though, there's nothing worse than receiving an email, then getting the phone call to say "Have you got my email?". But, yes, if the content is rich enough, we'd certainly like to hear from them!
You're hoping to bring readers "the most shocking stories from around the world" – what would be the kind of exclusives your team of reporters are looking to snag?
Ah, yes. Well. There's one story in particular that is really driving traffic at the moment – we've already had three different stories from this one piece. It's, uh, a woman who's had sex with her pet pit bull, while being filmed by her boyfriend. I…wouldn't say it's a fun piece… it's quite disgusting, actually!
But there're also serious stories – there's a situation in the US at the moment, a heroin epidemic. Again, not fun – it's horrendous. But it's an important story, as well as being shocking. Ultimately, we want readers to know that they can come to us for important scoops, big Scottish and UK stories, and the latest sport – alongside the shocking stuff.
James McIvor can be found tweeting (and looking out for those shocking stories) @jmcivor5.
James McIvor The Scottish Sun
Recent news related to The Scottish Sun
Will Metcalfe to join The Scottish Sun
The Scottish Sun appoints Gill Smith as editor
Dan Vevers joins The Scottish Sun
Role change for Ryan McDonald on The Scottish Sun
The Scottish Sun launching three radio stations in 2018
James McIvor
The Scottish Sun


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Patterned thin water films on mica
R. K. Workman, Srinivas Manne
Patterned water films were formed on the surface of mica by contact with clean, patterned poly(dimethylsiloxane) stamps in ambient humidity. Capillary condensation of ambient atmospheric water in the stamp channels allowed transport of potassium from the mica surface to the stamp, which locally modified the wetability of the mica surface. The resulting mica surface was imaged with contact-mode atomic force microscopy, revealing 3 Å-tall patterns. The pattern disappeared as the relative humidity was decreased (<25% RH) but reappeared as the relative humidity was increased above ∼35%. The pattern also disappeared as the relative humidity was increased above ∼70% but again reappeared when the humidity was subsequently decreased to ∼35%. This high-humidity treatment often resulted in patterned 1 nm-tall islands on the mica surface, which are believed to be a potassium compound (possibly potassium bicarbonate). Such regularly patterned films may be useful as models of heterogeneous surfaces that can be used for fundamental wetting studies and as templated reaction spaces for aqueous materials synthesis.
https://doi.org/10.1021/la0114169
Polydimethylsiloxane
Workman, R. K., & Manne, S. (2002). Patterned thin water films on mica. Langmuir, 18(3), 661-666. https://doi.org/10.1021/la0114169
Patterned thin water films on mica. / Workman, R. K.; Manne, Srinivas.
In: Langmuir, Vol. 18, No. 3, 05.02.2002, p. 661-666.
Workman, RK & Manne, S 2002, 'Patterned thin water films on mica', Langmuir, vol. 18, no. 3, pp. 661-666. https://doi.org/10.1021/la0114169
Workman RK, Manne S. Patterned thin water films on mica. Langmuir. 2002 Feb 5;18(3):661-666. https://doi.org/10.1021/la0114169
Workman, R. K. ; Manne, Srinivas. / Patterned thin water films on mica. In: Langmuir. 2002 ; Vol. 18, No. 3. pp. 661-666.
@article{b7a3c9edbe3e4b15ac4ab22c4e61355b,
title = "Patterned thin water films on mica",
abstract = "Patterned water films were formed on the surface of mica by contact with clean, patterned poly(dimethylsiloxane) stamps in ambient humidity. Capillary condensation of ambient atmospheric water in the stamp channels allowed transport of potassium from the mica surface to the stamp, which locally modified the wetability of the mica surface. The resulting mica surface was imaged with contact-mode atomic force microscopy, revealing 3 {\AA}-tall patterns. The pattern disappeared as the relative humidity was decreased (<25{\%} RH) but reappeared as the relative humidity was increased above ∼35{\%}. The pattern also disappeared as the relative humidity was increased above ∼70{\%} but again reappeared when the humidity was subsequently decreased to ∼35{\%}. This high-humidity treatment often resulted in patterned 1 nm-tall islands on the mica surface, which are believed to be a potassium compound (possibly potassium bicarbonate). Such regularly patterned films may be useful as models of heterogeneous surfaces that can be used for fundamental wetting studies and as templated reaction spaces for aqueous materials synthesis.",
author = "Workman, {R. K.} and Srinivas Manne",
doi = "10.1021/la0114169",
journal = "Langmuir",
T1 - Patterned thin water films on mica
AU - Workman, R. K.
AU - Manne, Srinivas
N2 - Patterned water films were formed on the surface of mica by contact with clean, patterned poly(dimethylsiloxane) stamps in ambient humidity. Capillary condensation of ambient atmospheric water in the stamp channels allowed transport of potassium from the mica surface to the stamp, which locally modified the wetability of the mica surface. The resulting mica surface was imaged with contact-mode atomic force microscopy, revealing 3 Å-tall patterns. The pattern disappeared as the relative humidity was decreased (<25% RH) but reappeared as the relative humidity was increased above ∼35%. The pattern also disappeared as the relative humidity was increased above ∼70% but again reappeared when the humidity was subsequently decreased to ∼35%. This high-humidity treatment often resulted in patterned 1 nm-tall islands on the mica surface, which are believed to be a potassium compound (possibly potassium bicarbonate). Such regularly patterned films may be useful as models of heterogeneous surfaces that can be used for fundamental wetting studies and as templated reaction spaces for aqueous materials synthesis.
AB - Patterned water films were formed on the surface of mica by contact with clean, patterned poly(dimethylsiloxane) stamps in ambient humidity. Capillary condensation of ambient atmospheric water in the stamp channels allowed transport of potassium from the mica surface to the stamp, which locally modified the wetability of the mica surface. The resulting mica surface was imaged with contact-mode atomic force microscopy, revealing 3 Å-tall patterns. The pattern disappeared as the relative humidity was decreased (<25% RH) but reappeared as the relative humidity was increased above ∼35%. The pattern also disappeared as the relative humidity was increased above ∼70% but again reappeared when the humidity was subsequently decreased to ∼35%. This high-humidity treatment often resulted in patterned 1 nm-tall islands on the mica surface, which are believed to be a potassium compound (possibly potassium bicarbonate). Such regularly patterned films may be useful as models of heterogeneous surfaces that can be used for fundamental wetting studies and as templated reaction spaces for aqueous materials synthesis.
U2 - 10.1021/la0114169
DO - 10.1021/la0114169
JO - Langmuir
JF - Langmuir
10.1021/la0114169


Whistling isn't the only sound this bird is known for! The wings of spotted whistling ducks make a distinct whirring sound when the bird is in flight.
The spotted whistling duck spends its time nesting in hollow tree trunks.
These ducks are named for the prominent white spots on its neck, breast and flanks.
Males and females are similar in size and appearance, but juveniles are recognizable by the lack of developed spots.


Here are some hookups below mobile homes at a nearby site. These are not on a residential trailer park, but are small single-unit "caravans" as can be found on caravan sites all over Britain for short holiday stays.
There may be few Electrical 'Codes' as such in France, but one of them is that that British flat grey twin-and-earth (all photos) wire is banned, because the earth wire is bare inside the outer sheath with no color coded sleeve. If EDF (National PoCo) see any of that stuff, even when just reading your meter, they cut you off immediately!!
Is that chewing gum or Electroplasm sealant?
Thanks for the pictures Paul!.
I'm with Alan on the question as to the the make up of that sealing medium in the top picture, could it be Self-Amalgamating tape?.
What sort of a Earth Stake is that?, I've never seen a connection like that before.
Is grey TPS cable UV-protected when exposed to the elements like that?.
How come only one of these supplies has an RCD unit on it, when all the others seem to have only a MCB (?) protecting them?.
Are them feed cables (the black ones) armoured, rubber sheathed type?.
Interesting insulation tape/Bubble wrap mounting technique in the 3rd pic.
Also, I don't like the chances of loosening the screws on that connection box, without lots of CRC.
Inappropriate cable for waterproof (?) cable gland in the top of IP enclosure?
Those rusty enclosures, IP rated (?) and earth continuity from SWA to SWA?
Curling the ground wire will make it near useless in a lightning strike. At least it's got an earth, or maybe it shouldn't?
You've hit on a lot of the problems.
The junction boxes (or at least some of them) appear to be the regular 3x3 galvanized type, not suitably sealed for outdoor use.
I'm not certain what that "sealing compound" is around the cable glands. I looked at it fairly closely and couldn't decide!
The bubble wrap and tape appears to have been some sort of attempt to provide extra weatherproofing during the winter, as it's on many of the units on the site.
The feeder cables are steel-wire armored, but XLPE jacketed, not rubber.
The SWA gland on the bottom of that box is also just the 2-part type, intended for internal use.
Am I blind or is that a NEMA 5-15 receptacle below that breaker in the bottom pic???
"...some sort of attempt to provide extra weatherproofing during the winter...."
LOL!!! The WINTER!?!?! J.H.C.!! I must inform you, dear readers from sunnier climes, of the weather conditions pertaining in a normal English Summer, ie driving horizonal rain, gale force winds with full ash-cans flying gaily up the seafront at 80mph. Umbrellas torn inside out, saturated old men clinging desperately at 45 degree angles to large and stolid wives, sheets of ice-cold green sea-water full of small creatures being flung hundreds of yards inland. And the stoic, undeafeatable English holidaymakers, determined to enjoy themselves and cowering soaked-but-happy in the little shelters on the Front, saying "Mustn't grumble, it was nice last Wednesday!" I used to love those holidays at Margate or Clacton or Burnham-on-Sea, Dad with a knotted-handkerchief perched on his head, trousers rolled up, smoking a "Woodbine" & day-dreaming of personally castrating Hitler with two bricks. Gran fast-asleep in a deckchair, toothless old mouth gaping and with my sister secretly weaving seaweed into her hair or putting live crabs in her hand-bag, and dear, dear old Ma paddling happy in the surf. All of us anticipating "High Tea" (with "Spam")at the Guest-House. You know the saddest thing about those pictures?, it's the little meter. The site owners will double or treble the price of the electricity for those little 'vans.
LOL! Alan is so right! It usually manages to be like that every bank (public) holiday weekend. Those of you who have never been here just don't know what you're missing in the great British weather!
Funny you should say that, because when I looked at the pictures that's exactly what came into my mind too! It's actually just part of the latch mechanism which is supposed to keep the weatherproof cover shut, only the latch part from the cover itself is missing.
The size and spacing of those holes is much smaller than an NEMA receptacle, but it does look remarkably like one when you can't see the scale, doesn't it?
You've obviously got good eyesight.
I wouldn't have picked that up in a million years.
What would the usual loading be on one of these branch circuits? (ie, per caravan).
I'm sort of guessing a light or two and a socket for a kettle?.
Yes, the typical holiday caravan uses LPG for cooking, hot water, and heating.
There will be the ubiquitous electric kettle, plus maybe a small microwave oven in many these days. Some people might also use a portable heater as a booster. Other than that, just the lights, radio, TV, and other negligible laods.
Each caravan on this site seems to be on a 16A circuit.


One of the things I love about being a health nut is that you get to talk about poop.
Don't worry—I'm a professional. I came to this from farming. Dealing with manure was an essential part of my training.
I did a lot of shoveling out dirty stalls and hosing down dairy barns. I devoured research on calf bowel movements, too. You can learn a lot about an animal's health by examining its dung.
We tend to think of poop as something dirty that should get flushed away as soon as possible, but don't dismiss it so fast.
Our bowel movements hold a wealth of information about how well our digestive system is working.
The kings of old knew this. A Groom of the Stool was appointed by Tudor kings to help them with their most intimate ablutions. The office was finally discontinued in 1901, having been a permanent feature of the English monarchy for centuries.
Surely what's good enough for kings is good enough for us.
Yeah, I know: there's the embarrassment factor.
What if someone caught you glancing in the toilet before you flushed?
You'd have to explain what you were doing. They may not believe the whole line about the Groom of the Stool.
I'd like to think we're at the stage in life where nothing about our bodies can embarrass us. Not the way our bodies look, not the way they move, and certainly not the way they process food and keep us alive.
Because bowel movements are simply the end result of a process that starts when you put delicious food into your mouth. How could anything bad come of something so good?
Every single creature on earth must eliminate its waste products somehow. Sweating does some of the job. Each outward breath carries away carbon dioxide. But those lumpy bumpy bits of indigestible food can't get magicked into thin air. They're too big.
Hence, Nature gave us a 6-foot long tube, all coiled up inside our gut. It's our large intestine, also known as the colon.
Science takes stools very seriously. The Bristol Stool Chart was developed back in 1997 to help diagnose irritable bowel syndrome. It categorizes stools into 7 types, based on how long they're stuck in the colon.
On average, it takes 3 days for the food you eat to exit the body. If it takes longer, you may be constipated. If it takes less, you may experience diarrhea.
Although good bowel health is usually summed up by a simple equation of fiber, water and exercise, our relationship with the toilet is strangely psychological.
Sigmund Freud honored bowel movements by making them the focus of his second stage of psychosexual development. He believed that a child's personality could be impacted for life based on how well that child navigated toilet training.
Nowadays, we're less likely to believe that the success of our early toilet training has much to do with who we are.
But science has shown there's a very clear link between the brain and the gut. How we feel affects how well we digest our food and how often we visit the toilet.
After all, the word emotion comes from the Latin emovere for "to be moved." The movement of food through your system parallels the movement of emotions through your body.
In self-help circles, it's long been taken for granted that the gut offers important clues to emotional as well as physical health.
Good digestion starts with how you digest life.
We should feed ourselves nourishing thoughts along with nourishing foods. Just as the body takes what it can from the food we eat and eliminates the rest, so we should learn to take what we can from our experiences and let the rest go.
Most of us don't let the past go. We worry over a situation, rethinking it from a dozen different angles. We won't let it go, even though it's still hurting us.
And we end up with stomach aches, constipation, even ulcers.
So if you notice something different about your trips to the toilet, don't be so quick to assume it was something you ate.
See? That wasn't so embarrassing.
There's nothing embarrassing about your body doing what it's supposed to do. Or learning from it when it's not doing what it's supposed to do.
All the more reason to glance at the toilet before you flush. Or hire a Groom of the Stool to do it for you.


text:
Siphusauctum gregarium ist ein ausgestorbenes, sessiles, gestieltes Tier, dessen fossile Überreste im kambrischen Burgess-Schiefer in den kanadischen Rocky Mountains gefunden wurden. Mit insgesamt 1133 Exemplaren gehört Siphusauctum zu den häufigeren Lebewesen des Burgess-Schiefers.

Der Name Siphusauctum kommt aus dem Lateinischen ("Siphus" bedeutet Tasse oder Becher, "auctus" bedeutet groß) und wurde wegen der Form und Größe des Tieres vergeben.

Merkmale
Die Siphusauctum gregarium-Exemplare waren 1,9 bis 22,3 cm hoch, ihre Form wird als "tulpenförmig" beschrieben.

Der Weichkörper des Tiers bestand aus einem kelchförmigen, bauchigen Oberteil, einem schmalen Stiel und einem kleinen, runden oder birnenförmigen Haftorgan. Kelch und Stiel machten jeweils etwa die Hälfte der Körperhöhe aus. Der Kelch besaß eine flexible, durch sechs Segmente radialsymmetrisch gegliederte Hülle und war, bis auf sechs kleine Öffnungen an der Unterseite und einen mittigen Anus an der Oberseite, geschlossen.

Siphusauctum gregarium war wahrscheinlich ein aktiver Filtrierer, der Nahrungspartikel, die durch die Öffnungen an der Unterseite mit dem Wasser einströmten, mit kammartigen Siebvorrichtungen erfasste. Es lebte in individuenreichen Kolonien auf dem Meeresboden. Auf einzelnen Fossilplatten wurden bis zu 65 Individuen gefunden.

Stratigraphie
Siphusauctum gregarium wurde in der nach dieser Lebensform als "Tulip Beds" bezeichneten Lagerstätte gefunden, die erst 1983 am Mount Stephen in British Columbia entdeckt wurde. Die Tulip Beds enthalten neben Siphusauctum Fossilien von Schwämmen, Lobopoden, Priapswürmern, Gliederfüßern.

Ein wohl Siphusauctum zuzuordnendes Fossil ist sonst nur noch von der Lagerstätte "Spence Shale" in Utah bekannt. Das aus dem Mittelkambrium stammende Fossil wurde 2017 einer neuen Spezies Siphusauctum lloydguntheri zugeordnet.

Systematik
Unter den rezenten Lebewesen zeigen eine Reihe von Stämmen und Klassen Übereinstimmungen mit Siphusauctum gregarium, z. B. die Kelchwürmer (Entoprocta) und die Seescheiden (Ascidiae). Da überzeugende Homologien aber nicht festgestellt wurden, wird Siphusauctum gegenwärtig keinem Stamm und keiner Klasse zugeordnet.

Literatur
 O'Brien L. J., Caron J.-B. (2012): A New Stalked Filter-Feeder from the Middle Cambrian Burgess Shale, British Columbia, Canada. PLoS ONE 7(1): e29233.

Weblinks

 University of Toronto: Unusual 'tulip' creature discovered: Lived in the ocean more than 500 million years ago. ScienceDaily, 18 Jan. 2012

Einzelnachweise

Vielzellige Tiere
Metazoa
Ausgestorbenes Tier


Today I want to talk a bit about another cool module I found called Multi-path Autocomplete. With the use of an autocomplete widget, this module lets you easily add existing paths when you create a new menu item.
By now you know that when you create a new menu link you are required to provide a path. Just as a parenthesis, there is a module that let's you circumvent this requirement though. If the path is relative, it needs to be valid - that is, leading to somewhere on the website. This means that whenever you add a new link, you need to go find the page you want to link to and copy the path - in other words, a drag.
Anyway, with Multi-path Autocomplete the menu building process becomes less annoying. Instead of a text field where you paste in the relative path, you now have an autocomplete widget. If you start typing the title of the node you want to link to, it will automatically search for it and give you options to select. Additionally, you can search by the path alias. There is an asterisk marking that the result is a path alias rather than a node title.
I gotta tell you, it's a pretty great administration tool that makes life easier and that is a good candidate for joining the group of modules we enable with every new Drupal installation: Module Filter, Administration Menu, etc.
PS: There is already a release for Drupal 8, how great it that?
Do you know module like this, but for autocomplete taxonomy terms?


In the early 1960s, Czech composer and conductor Vaclav Nelhybel prepared a series of lectures that were produced by Folkways for Scholastic Records. In this release, William Geib narrates the lecture on the principal forms of instrumental music. He guides the listener through concepts of form, beginning with a brief discussion of the two dimensions of music: vertical and horizontal. The lecture discusses cadences, symmetrical and asymmetrical periods, binary and ternary song form, and variations on a theme. Illustrating these technical compositional devices are familiar musical excerpts by the likes of Beethoven, Haydn, and Mendelssohn played by piano and chamber orchestra. The detailed liner notes provide musical scores and written explanations of each concept.


text:
Mrz.28
Little White Earbuds Podcast 79: Jacob Korn
Posted by admin in News, Press english
Here is a podcast and an interview for "Little White Earbuds"
Ever since Jacob Korn's scorching debut on Running Back, where his "I Like The Sun (But Not On LCD's)" burned his name into minds like the aforementioned celestial sphere into retinas, he's steadily been adding to his impressive discography, notching up releases for Permanent Vacation, Dolly and Uncanny Valley to name just a few. Although his presence was immediately felt with his first release, he had in fact been around under alternate nom de plumes for several years. His Granufunk alias under which he first started producing seems worlds away from his current material, the electronica cum-hip hop beginnings were experimental and decidedly less polished than his more recent releases. Under his own name, he has impressed with a stream of disco, house, and techno that straddles all of those sounds, landing him in the crates of disc jocks across the board. Keeping active within the Dresden scene where is based, he not only extends a philanthropic branch of knowledge to kids through music workshops but also helps run the Uncanny Valley label. For LWE's 79th podcast, Korn put together ten of tracks from his decade of productions, which charts some of his big tracks next to some of his lesser known audible nuggets.
LWE Podcast 79: Jacob Korn (52:59)
Little White Earbuds Podcast 79 – Jacob Korn – Ten tracks from ten years by jacob korn
01. Granufunk, "Im Meer Der Artefakte" [Astro Lab Recordings] (2006)
02. Comfort Fit ft. Blaktroniks, "Freeze The Cut" (Jacob Korn Remix) [white*] (2007)
03. Jacob Korn, "Mirrorflip" [Dolly] (2009)
04. Mano Le Tough, "Baby, Let's Love" (Jacob Korn Remix) [Dirt Crew Recordings] (2010)
05. Jacob Korn, "I Like The Sun (But Not On LCDs)" [Running Back] (2008)
06. Jacob Korn, "SHE" [Uncanny Valley] (2011)
07. Dutch Rhythm Combo, "Come On" (Sket Remix) [Pulver Records] (2003)
08. Jacob Korn, "Noch Zu Retten!" [white*] (2000)
09. Clueso, "Kein Bock Zu Geh'n" (Jacob Grain Remix) [Four Music] (2005)
10. Granufunk ft. Sonny Plankton, "Big City Lights" [Head+Arm] (2004)
* denotes tracks which, as of the time of publishing, are unreleased
A lot of producers we interview come from either a DJing or musician background. I understand that you have a media background. Were you already interested in music and DJing before this?
Jacob Korn: Sure, I tried out different things since the mid '90s like playing the guitar and mixing records, but together with my school friend Robert I got deeper in to the whole tracker stuff and music technology which caught my attention back then.
Your first releases were quite different sounding to what you are producing now. Under the Granufunk alias you were making downbeat and IDM based music. Tell us about these early releases and what led you to more of a house and techno direction.?
That's true, even though I took my first musical steps with strong, fast, tracker-techno-beats. The Granufunk phase was born out of interest in newly discovered genres like hip-hop, jungle, D'n'B, nu-jazz, broken beat, IDM, glitch… you name it. So many things to explore and quite a lot of time back in the days of my studies. [laughs] But around 2007 I got fascinated again in my first love, techno and house, which led to today's sound and my own name for the releases.
You have also had a couple of side projects under different names with other people, Faust and Sket. Are they still active?
I still enjoy collaborating and learning from such projects, but Faust took place at RBMA with Ilari from Finland and Sket was a collaboration with Sebastian Gaiser, who I have seen barely since the studies. So at the moment it's mainly side projects with people around from the Uncanny Valley camp, like Cuthead for example.
You attended the Red Bull Music Academy in 2007 in Toronto. I know this is typically a very inspiring place. How was your experience there and how did it help you negotiate what you wanted to do with music?
Indeed, I met a lot of interesting people there, listened to musical heroes, was involved in nice collaborations and got to know that sharing knowledge is essential for everything. With this chance I started thinking of taking making music seriously.
Where did the name Sket come from? It's not a particularly nice word in some cultures.
Schwermaschinenbau-Kombinat Ernst Thälmann, which was the brand of Basti's gas stove we used to cook between our home studio sessions. I can imagine the meaning you are talking about. [laughs]
Can you tell us about the work you do for the Trans-Media-Lab and how that bleeds into your music?
This work is mainly interactive music production and some programming for multimedia installations and performances. But also as tutor for interactive performance workshops for dancers and school kids lately. For my music I benefit from keeping the ball rolling in Max/MSP and such mainly in terms of live-performance which is sometimes audio-visual and interactive too.
What can you tell us about the Uncanny Valley label?
Uncanny Valley is our label project, for which house music serves as a basic template, but which will also reach out towards techno, disco, and dubstep. It is further intended to serve as a platform for exchanging ideas between young talents and the old hands in town. At first we intend to present four different tracks by four different artists with each release, but this will change towards traditional artist EPs and albums. We are organizing workshops as well as parties, which incorporate visual and interactive art. We also hope to change the way Dresden in perceived from the outside, and I think we're well on the way.
You've been releasing under your own name for nearly two years. How do you think your sound has evolved and what sort of things are you currently focusing on when you make your music?
Less focus on technology, more soul?! [laughs]
Are there other genres that interest you in terms of what you want to make?
I am still listening to different music and jazz a lot and want to work more with instrumentalists from this background. Let's see what happens.
What can we expect from Jacob Korn over the next year?
More live sets, for instance the showcase at Panorama Bar in May. Some remixes and EPs for Mild Pitch and Uncanny Valley, and an album for the latter.
What can you tell us about the mix you have put together for us?
The title is "Ten Years – Ten Tracks." It features productions and remixes I did in the period from 2000 till 2011, which were released or is unreleased still. Genre-wise it ranges from IDM-inspired hip hop to electro, disco, house and indie-tronica. Kind of a "best of." [laughs] Hope you like it.
http://www.littlewhiteearbuds.com/podcast/lwe-podcast-79-jacob-korn/
Labels to Watch 2011: Uncanny Valley (Beatportal/Beatport) (jacobkorn.de)
uncanny-valley-002 review on "littlewhiteearbuds.com" (jacobkorn.de)
Deep in Dresden – Interview on Zero" (jacobkorn.de)


TPP are working with a well-established international development charity to recruit a Project Manager to join their organisation on a fixed term contract of 9 months. The successful candidate will review all projects across the organisation to ensure that things are being managed effectively and consistently. You will also have designed projects that you will directly manage.
To apply for this Project Manager role, please email your CV to our Office & Specialist Support Team quoting the reference number 66471CH. All applicants must be eligible to work in the UK.


Visit Olive Nation online at OliveNation.com for some delicious items from Italy. The family estate lies just outside of Venarotta, in the beautiful yet relatively untouristed Marche region of Italy. Olive Nation was created to share with their American friends and neighbors a select few of the great ingredients they have found in their travels throughout the world. Most of these culinary treasures are from small independent producers and, as you might expect, are in limited supply. Here is a list of some of the items carried by Olive Nation; Balsamic Vinegar, Candied Fruits & Nuts, Caviar, Cheese, Chocolates, Coffee, Dried Mushrooms, Olive Oil, Nuts & Snacks, Pasta, Rice & Grains, Rubs and much more. Save on your next purchase from OliveNation.com with Olive Nation discounts, Olive Nation coupons, Olive Nation promotions and Olive Nation savings from 58coupons.com.
Check out the last chance specials at Olive Nation and save up to 60% on some delicious items. Click link to view.
Check out the infused olive oils over at Olive Nation for as low as $9.99! Click link and save.
The gift section at OliveNation.com is an area you'll want to spend some time in, so many delicious items to choose from. Click link to get started.
At Olive Nation they have an entire recipe section where they have used the various products they sell in recipes that are printable. Click link to view.
Head on over to Olive.Nation.com for some unique Italian cook books. Click link to go there now.


So you know what you want to build, but you're not sure how much it will cost. Or you know how much it will cost, but you would like to know how to save money – we will be happy to discuss every option available to you- no matter how big or small.
Out of respect for our clients' privacy, we tend to not post many public photos of interior projects.
Below are some examples of Marc's work.


Wrote an exam today and am on holiday now [if you can call it that considering how many exams I'll be writing so very soon] [let's call it that, sounds far better and might keep me and the very heavy stone I'm ogleing away from the river]. To celebrate [YES] I re-watched Serenity. Hence, I re-sprained a gonad.
Nothing will do now but to go and buy the whole of Firefly tomorrow and marathonise it, and of course languish, possibly perish, in lust. What is it abt very tall men with broad shoulders and manly faces and a wry sense of humour...? Abt at least 35.000 years of evolution is what it's abt I suppose. I, dahlings, am fully adapted then - and I haven't even smelt him. The sound which will surely be heard across the 'verse is be the pitter-patter of my exuberant ovaries springing abt in their haste to - what really? My ovaries have no conception [pun!] of how hard it would be to triangulate transatlantically. Alas, I do.
Captain Mal is a god though. Did you know?
UPDATE: Trash - How ever did I forget about this?? Mal, naked, sitting on a stone? MAL, NAKED, SITTING ON A STONE! My oh my. This episode should come with a cardiac warning.
RE-UPDATE: The end was... Was forced to revise my Don't usually much care abt a man's bum position. Life will be that much harder from now on.
Yes. Good. A Firefly marathon is precisely what you and your ovaries need. It's not good to neglect one's ovaries too long. No it's not. Otherwise, they will turn on you and then what a mess you'll be in, won't you?
Oh yes. He's so very pretty. And rugged which seems like an oxymoron but isn't. And I'm also very fond of Wash.
Josh Whedon is brilliant. I want more of his genius.
No river for you! You're on holiday.
well, whatever it takes to keep you away from that riverbank has got to be good. Sprain on.
Who doesn't love Cap'n Tight Pants?
Dana, I don't find him pretty, which is good bcs I don't like pretty men, I find him rugged, yes, and vastly fanciable. Wash now, well, doesn't do much for me.
Oro, you always comment when I do a I fancy him post, but at last this one is not gay. Not that that brings the character any closer to me though... Jayne is hot as well, though not as much. What I find fascinating is that he has what i call a typical Anglo lower face - like Hugh Laurie, you know? That face belongs to an English-spaker and that's all there is to it.
TEIS, oh me too, me too! And ME TOO!!!!
Neko, I know, I've watched it out of curiosity and - nope, needs to b Mal and that universe, Dr. whatchamacallit doesn't do much for me. Not after Mal anyway.


text:
Q: Cross subdomain css rule inspection I would like to do the following:
From my page at https://www.example.com/index.html,

*

*Load a style sheet found at https://staticfiles.example.com/main.css,

*Inspect (and ultimately edit) the rules found in this sheet once loaded via javascript using the  document.stylesheets array.
However, when I try this I find that each CSSStyleSheet object contained in document.stylesheets has null where I would expect to find my list of rules.
These rules can be found as expected when I load the stylesheet from https://www.example.com/styles/main.css, so the issue I believe is something to do with cross-origin resource sharing.
In an attempt to solve this problem I have tried adding this:
add_header Access-Control-Allow-Origin https://www.example.com;
to my Nginx configuration file affecting everything served from staticfiles.example.com, but sadly with no success.
Does anyone have any suggestions?
Thanks.

redpajama_set_name: RedPajamaStackExchange


Considering existing buildings and facilities on potential farmland is an important step during the process of site evaluation. Depending on what kind of farm you want to have, your plan will most likely require infrastructure of some sort, and it is good to take into account what is already there, and what structures you may or may not be able to build.
This Cornell resource offers good information for beginning farmers who want to assess existing site infrastructure such as buildings and facilities, fencing, and hoop houses.