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Building Science Consulting
Certified Passive House Projects
High Performance Building Design
Book: Passive House for New Zealand – The warm, healthy homes we need
NZ/AU Certified Passive House Projects Map
AECB The Sustainable Building Association, formerly known as the Association for Environment Conscious Building.
Breathable The ability of a material or building assembly to allow vapour through it by diffusion. In practical terms this refers to water vapour, since this is the constituent of air in a building that varies in concentration to any significant degree. A breathable (or breather) membrane is both airtight (it acts as a barrier to air as a whole) and liquid-moisture-tight but vapour-open, so will allow water vapour – moisture – through.
BREEAM Building Research Establishment Environmental Assessment Method. A widely recognised environmental assessment method and ratings system mainly used for non-domestic buildings (approx. 200,000 buildings assessed to date). It uses a straightforward scoring system, BREEAM 'Outstanding' being the highest award. There was a domestic new-build equivalent termed 'EcoHomes' launched in 2000, but this expired in April 2012, being replaced by the Code for Sustainable Homes (CSH) for new housing.
Building element
A single material or object comprising part of the structure of a building, i.e. part of a wall, floor or roof. An 'opaque' building element refers to any building element except windows and doors.
Building Regulations the UK, these currently (as of 2010) apply in England and Wales and set standards for building construction including energy efficiency. There are 14 technical parts to the regulations (Part A to Part P). Part L relates to the conservation of fuel and power, and Part L1A relates to new dwellings. The edition of Building Regulations previous to 2010 was in 2006, and the next planned update is in 2013. The power to set Building Regulations has now been devolved to Wales, so the 2013 regulations are likely to apply only to England.
Capillarity (capillary action) Movement of liquid water against gravity, through small pores or capillaries in a material.
Certified Passivhaus Designer An individual who has trained (taken a Passivhaus-Institut [PHI]-recognised Certified European Passive House (CEPH] course and PHI CEPH examination) and qualified in the principles and methodology needed to design a Passivhaus. It is also possible to gain Certified Passivhaus Designer status by designing and building a Certified Passivhaus building, although this is generally seen as a harder and potentially riskier way to become a Certified Designer.
Chi-value () Similar to psi-value (w), this measures the rate at which heat passes through a material that penetrates another material at a point, where the penetrating material conducts heat better than the surrounding material: for example, a metal bolt, used to mount a balcony, that passes through an external wall. In a Passivhaus chi-value is used to measure heat loss in a point thermal bridge. It is measured in W/K (watts per kelvin).
Desiccant A hygroscopic substance, which is used to remove excessive humidity and thus avoid condensation in spaces such as between the panes of a double or triple-glazed window.
Diffusion The thermal motion - movement driven by temperature - of all liquid and gas particles. The speed of the motion depends on the temperature and the particle size. Diffusion explains how particles move from a place of higher concentration to one of lower concentration (across a vapour pressure differential or gradient), but it also occurs, more slowly, where there is no pressure differential.
Ducts he pipes that run between the building's thermal envelope and the MVHR unit and between the MVHR unit and the various supply and extract points within the building. The intake duct (sometimes referred to as the 'ambient' duct) takes fresh air from outside into the MVHR. The supply duct takes that air (now containing the heat recovered by the MVHR unit) to supply vents in the living room and bedrooms. The extract duct takes old air from the bathroom(s) and kitchen back to the MVHR unit. The exhaust duct takes the now-cold air back outside.
EnerPHit The Passivhaus Institut's energy performance standard for retrofits. It allows a maximum annual [specific] space heat demand of 25kWh/m2.a and an upper airtightness limit of 1.0ach, if the 0.6ach target can be shown to be impracticable, and also sets requirements for individual elements of a retrofit, should the 25kWh/m2.a requirement not be met. Only retrofits in certain climates, including central Europe and the UK, can be certified to the EnerPHit standard.
Fabric Energy Efficiency Standard (FEES) Developed by the Zero Carbon Hub (see Resources), FEES is the first Passivhaus-style fabric energy efficiency standard to be incorporated into the Code for Sustainable Homes (CSH) (see Ene 2 on page 40 of the 2010 Code for Sustainable Homes: Technical Guide: www.planningportal. gov.uk/uploads/code_for_sustainable_homes_techguide. pdf). Previously, energy performance was defined solely in terms of reductions in carbon emissions. FEES is still under development, and at the time of writing applies only to CSH Levels 5 and 6.
Heat main A system of insulated pipes that run between buildings, enabling the use of a large-scale heat source that would be too big for a single building.
The heat main transports the heat from the point of generation to the point of use. Such infrastructure is common in Denmark and Holland, where heat from electricity power plants runs on natural gas or biomass; heat is thereby used efficiently instead of being wasted as it is in the UK.
Home Energy Rating System (HERS) A measure of (primarily) energy efficiency; mainly used in the USA. A HERS index of 100 means a home meets the code standard that is based on a standard US house; a HERS index of 70 means the home is 30-per-cent better than the code standard. The report generated advises on potential improvements to an existing property.
Hygroscopicity The property of a material to absorb, retain and release moisture from the ambient air. Materials that readily do this are often described as hygroscopic.
Indoor air quality (IAQ) The quality of air within buildings, in regard to both health and comfort. Indoor air often contains a complex mixture of contaminants and common pollutants, including smoke, volatile organic compounds (VOCs) and moulds. The level of carbon dioxide (CO) in indoor air also relates to IAQ, and is an accepted marker for the wider mix of potential indoor air pollutants. ASHRAE issues guidelines on acceptable IAQ.
Intelligent membrane A membrane with humidityvariable characteristics, meaning that it is more vapour-open when there is a higher average relative humidity (RH) on the inside and outside of the membrane, thus allowing more drying out of the building fabric.
Internal heat gains The heat gains in a building from its occupants and the use of appliances within the thermal envelope. See energy balance. Interstitial condensation Condensation that occurs within a building assembly, when warm moist air (generally from inside a heated building in winter) penetrates into the assembly, meets a cold surface and condenses.
Form factor The ratio of the external area of the thermal envelope to the treated floor area (TFA). Form factor is a measure of how compact the build design is. It is broadly similar to the area:volume ratio.
Lambda value also known as k-value A measure of thermal conductivity, measured in W/mK (watts per metre [depth) per degree kelvin). The inverse measurement is thermal resistivity. See also Appendix B. Lambda 90/90 (290/90) values are thermal conductivity values that have been calculated according to the Lambda 90/90 convention, which means that 90 per cent of the test values show a lower conductivity than the stated value, to a statistical confidence level of 90 per cent. These are the values adopted in the UK for Passivhaus calculations. Lambda 90/90 values refer to materials that are factoryproduced and regularly tested. Materials that are blown-in on-site need density checks, as conductivity is strongly density-dependent. It is much harder to obtain a 90/90 value for materials that are made on-site, such as hemp and lime.
Leadership in Energy and Environmental Design (LEED) A US sustainability rating system, broad-based and internationally recognised.
Mechanical ventilation with heat recovery (MVHR) Also known as heat recovery ventilation (HRV) or comfort ventilation A whole-house ventilation system that takes out heat from the old (exhaust) air and gives it to the new (intake) air. Fresh air is delivered to living areas (e.g. living room and bedrooms) and extracted from kitchens and bathrooms. MVHR units do not supply new heat into the supplied air. However, a supply duct radiator can be used to add heat to the new air after it leaves the MVHR unit.
Parging A term (in a Passivhaus context) for plaste of rough walls, etc., to seal for airtightness.
Parts per million (ppm) Used to measure atmospheric concentrations of pollutants and other gases, including carbon dioxide (CO2).
Passive stack ventilation A means of ventilating without using mechanical fans. Utilises natural'stack' effects from the temperature difference between the inside and outside of the building and from wind passing over the building (creating suction). Systems use physical vertical pipes to provide exit points at a high level.
Passivhaus Institut (PHI) The independent foundation established in Germany in 1996 to develop, promote and protect the Passivhaus standard. Known as the Passive House Institute in English-speaking countries.
Passivhaus methodology Using the knowledge contained in the Certified European Passive House (CEPH) Passivhaus Designer course, including modelling in the Passivhaus Planning Package (PHPP), to design a building that performs to a defined ultra-low energy standard.
Passivhaus Planning Package (PHPP) The energymodelling design tool created by the Passivhaus Institut (PHI) to accurately predict energy performance. It is the basis for designing and certifying Passivhaus and EnerPHit builds.
Off-gassing The evaporation of volatile chemicals (including volatile organic compounds [VOCs]) at atmospheric pressure and room temperature. Off-gassing of potentially harmful chemicals occurs in many modern, mainstream building materials, such as paints, varnishes and chipboards.
Thermal bypass A type of thermal bridge caused by air movement in the insulation layer, for example in an unfilled cavity in a typical UK cavity wall or in poorly laid loft insulation, leading to the transfer of heat.
Regulated (carbon) emissions A concept in the Code for Sustainable Homes (CSH). Refers to emissions resulting from energy use to provide only heating, hot water, fixed lighting, pumps and fans. See also unregulated (carbon) emissions.
Relative humidity (RH) How much water vapour there is in a bit of air compared to the maximum before there is condensation. This varies significantly with temperature. Note above 70% RH it is difficult to prevent mould growth on surfaces which are typically colder than the air in the building.
Solar gain The amount of energy from the sun captured through glazing.
Spacer The dividing strip along the edge of a doubleor triple-glazed unit that separates each pane. Warmedge spacers are made from material or materials with a lower conductivity. The energy performance of a spacer is measured by its psi-value (v).
The amount of heat required to change the temperature of a unit of a material by a given amount. (In standard metric units, it is the number of joules required to raise 1 gram of the material by 1 degree kelvin.) Specific heat capacity is a measure of a material's thermal mass.
Standard Assessment Procedure (SAP) The UK government's recommended tool for determining the energy rating of dwellings (residential buildings), first published in 1995 and subsequently updated. It evolved from the National Home Energy Rating (NHER) scheme and was devised by BRE. Summer bypass A control on the MVHR unit to bypass the heat recovery function so you can continue to use it to ventilate at warmer ambient temperatures. Supply duct radiator, also known as in-line duct radiator A small radiator inserted into the supply duct just after it leaves the MVHR unit. It adds a small amount of heat into the ventilation system's supply duct. See ducts.
Thermal comfort Defined by Dr P. Ole Fanger as "the condition of mind which expresses satisfaction with the thermal environment". Dr Fanger identified thermal comfort as being determined by: air temperature, 'radiant temperatures (the temperatures of walls, floor and ceiling), air movement (draughts), temperature stratification (differences in temperature from floor to ceiling), relative humidity (RH), the insulative value of clothing ('Clo Value') and physical activity level ('Met Value'). These form the basis of ASHRAE's standards for thermal comfort. In contrast, 'adaptive models' describe thermal comfort as a function of physiological, psychological and behavioural factors.
Thermal conductivity also known as conductivity A material's ability to transmit heat, measured by the lambda value (^). Unlike U-value, the lambda value of a material remains the same irrespective of the thickness of the material. Lambda values do sometimes vary with temperature. See Appendix B for typical values for common building materials.
Thermal envelope The surfaces that contains the building's conditioned spaces. This includes the floor area and for Passive House tools such as PHPP is always the external surface. This means the bottom of the insulation below the concrete slab to the top of the insulation in the ceiling.
Thermal mass The ability of a body of material to absorb, store and subsequently release heat (due to its specific heat capacity and its mass).
Thermal resistivity also known as resistivity (but not to be confused with vapour resistivity - see vapour permeability) A material's ability to resist the passage of heat. It is the mathematical inverse of thermal conductivity, and is measured in Km/W (kelvin metres per watt). Two resistivity values need to be entered for the calculation of U-values in the PHPP:
• R, describes the resistivity of the static air* on the
interior surface of the material. Rse describes the resistivity of the static air* on the
exterior surface of the material. (*The first millimetre of air on a surface remains static even in windy conditions and therefore has insulation properties.)
Transfer path A 20mm gap under a door, or a hidden 10mm gap cut into the top of the architrave and door frame, to allow air to move between supply or extract rooms and the common interconnecting spaces (in a domestic house, usually the stairwell and hallways).
Treated floor area (TFA) A convention for measuring usable internal floor area within the thermal envelope of a building.
U-value measure of the ease with which a material or building assembly allows heat to pass through it; in other words, how good an insulator it is. The lower the U-value, the better the insulator. The U-value is used to measure how much heat loss there is in a wall, roof, floor or window, and is measured in W/m2K (watts per square metre per degree kelvin).
The Passivhaus Planning Package (PHPP) Ultra-low-energy This is not a formal standard, but a term we have chosen to use in this book to refer to buildings that require up to 40kWh/m2.a (kilowatt hours per square metre (of treated floor areal per annum) for space heating and have an airtightness of 1.5 air changes per hour (ach) at 50Pa (pascals) above and below ambient atmospheric pressure.
Vapour barrier also known as vapour-closed A material that is near-impermeable to water vapour, e.g. aluminium foil.
Vapour-open A material that is permeable to water vapour, e.g. a 'breathable' or 'breather' membrane (these are both airtight and liquid-moisture-tight but vapour-open).
Vapour permeability The degree to which a material facilitates the passage of water vapour through it, measured by four different values: vapour resistivity (r-value; units: MNs/gm – meganewton seconds per gram metre); vapour resistance (G-value; units: MNs/g - meganewton seconds per gram); water vapour resistance factor (u-value; no units); equivalent air layer thickness (Sd-value; units: m - metres).
Window schedule A list of all the windows in a building; usually produced by an architect to communicate to other parties in the build project what windows are required.
Zero carbon A UK energy target for housing, currently set for enforcement in 2016. It currently applies to both Levels 5 and 6 (L5 and L6) of the Code for Sustainable Homes (CSH). In broad terms, it can be considered to mean that there are no net annual greenhouse gas emissions resulting from energy use in a dwelling. Any emissions created are offset by those 'saved using on-site (or possibly communal if the dwelling is part of an estate) renewable capacity, which feeds electricity back to the grid. It now includes the Fabric Energy Efficiency Standard (FEES).
Unregulated (carbon) emissions A concept in the Code for Sustainable Homes (CSH), referring to emissions resulting from energy use to provide heating, hot water, fixed lighting, pumps and fans, as well as from energy use for cooking and other household electrical appliances.
K Kelvin, temperature unit. One degree kelvin = one degree Celsius.
Km/W Kelvin metres per watt. The unit of thermal resistivity.
kWh Kilowatt hour, a unit of energy. Typical NZ 2kW roll around heater used for one hour would use 2kWh (2,000W) of energy. 1kWh = 3.6MJ (megajoules).
kWh/m2.a Kilowatt hours per square metre per annum. Measures energy used annually per square metre of usable or treated floor area (TFA). This is one of the key units of measure in Passivhaus. By defining energy use in terms of each square metre of floor area, it allows us to make a meaningful comparison of the energy use of buildings of different sizes. See annual [specific] space heat demand.
kWp Kilowatt peak. A measure of the maximum power output of photovoltaic (solar) panels.
m3/hr Cubic metres (of air) per hour. The unit of measure used to describe ventilation rates. Passivhaus ventilation calculations are based on providing 30m3 per person per hour. This rate is necessary to keep carbon dioxide (CO2) levels well below 1000 parts per million (ppm).
MNs/gm Meganewton seconds per gram metre. The unit of measure of vapour resistivity (r-value). See vapour permeability.
Pa Pascal, pressure units. Building leakage is measured for Passive House at 50Pa. Note that 33 kilometers per hour wind hitting the side of a house produces 50Pa. 1Pa is 1 newton per square metre.
W Watt, a unit of power. For example, a typ. Led might be 10W and a hair dryer 3kW (kilowatts, i.e. 1,000W). 1W = 1 joule per second.
W/K Watts per degree kelvin (temperature difference between inside and outside the thermal envelope). Used to quantify chi-value (V) in point thermal bridges.
Certified Passive House Designer or Consultant An individual who has passed the PHI Darmstadt, Germany exam and has therby demonstrated a level of knowledge about Passive House design and analysis. You can also become a Certified Passive House Designer by doing the majority of the Passive House design for a Certified Passive House or PHI Low Energy Building - hard but an be done.
Accedited Passive House Certifier An individual who has been accredited by PHI in Darmstadt, Germany to carry out building certification reviews and award the PHI certification certificate (and plaque of course). Anu size or type of building can be certified by any accredited Passive House Certifier.
Passive House Planning Package (PHPP) Microsoft Excel base energy modelling and planning tool. This uses the monthly method of multiple ISO standards to sufficiently accurately predict the energy consumption, heating/cooling power and overheating for many types of buildings. It is also used to Certify that buildings meet the PHI certification standards.
kWh/m2/year Kilowatt hours per square metre per year. Measures energy used over the whole year per square metre of usable or treated floor area (TFA).
Heating or cooling load (power) divided by the TFA of the building.
Heating Demand (kWh/m2/year)
This is the amount of heat required to keep the home within the acceptable, comfortable temperature range, expressed as the amount of kilowatt hours per square metre per year. (This is approximately 5-30% of the heating demand of a modern house built only to the Building Code minimum.)
Heating Load (W/m2) The power used by a heater of sufficient size to maintain the comfortable temperature on the coldest days. (Note the heating load is expressed in watts, 1/1000th of a kW. A 200m2 Passive House can typically rely on a single 2kW heater — the size of an average portable fan heater or oil-filled column heater.)
Frequency of Overheating
A certified Passive House must not overheat — defined as 25º C or above — for more than 10 % of the time.
Treated floor area is a measure of the useful floor area inside the conditioned area of the home. It excludes stairways and wall thickness (both exterior and interior).
A ratio arrived at by dividing the total external surface area of the thermal envelope by the treated floor area. A multi-storey building will have a lower form factor than a single-storey dwelling. A simple shape like a square or rectangle will also have a lower form factor than a more complex shape. The lower the number, the less insulation needed in the same climate.
Air leakage
A crucial measure of building quality and major benefit of Passive House certification. Measured via a blower door test done toward the end of construction and verifies that the building will perform as modelled. It can be used as a proxy measure of the quality of building construction.
PER demand
Primary Energy Renewable demand measures total energy usage in the house (not just energy for heating and cooling) and includes (a) the power lost to the grid as power is carried from the power station to the home and (b) storage losses (as if the grid were fully renewable). Excess solar power generated in summer needs to be stored for winter use. PER demand is expressed on a per square metre basis per year. To calculate it for a specific house, multiple the PER demand by the building's TFA. A certified Passive House must be below specified maximums, which depend on the degree to which power consumed comes from renewable sources generated on site.
PE demand
Primary Energy demand has been superseded by PER demand but you'll see it referenced in older case studies and it can still be used on new buildings as well. It measures total energy usage in the house (not just energy for heating and cooling) and includes the power lost to the grid as electricity is carried from the power station to the home and the losses in converting non-renewable fuels to electricity. Buildings are required to be below 120 kWh/m2/year if they certify using PE demand.
RE generation
Measures the total amount of renewable energy generated onsite divided by the buildings footprint (not TFA). This threshold is relevant to Passive House Plus and Passive House Premium builds
11 July 2019 Stuff's Colleen Hawkes: First Kiwi passive house: Seventh winter without heaters
Waikato (Taupiri) expoHaus is up for sale!
08 July 2019 Stuff's Ellen O'Dwyer: Cold and ill but bill puts heat pump off limits
4 July 2019 NZ Herald: What it's like living in a home with no insulation: Condensation, mould and large power bills
02 July 2019 Scoop: Doctors welcome rules making insulation the norm in rentals
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Japan, U.S. to meet again on trade in September: Japan economy minister
David Lawder
WASHINGTON (Reuters) - Japan's Economy Minister Toshimitsu Motegi said on Friday he had had productive trade talks with U.S. Trade Representative Robert Lighthizer and that they planned to meet again in September.
FILE PHOTO: Japanese Minister of Economic Revitalization Toshimitsu Motegi attends a news conference on the Trans Pacific Partnership (TPP) Ministerial Meeting during APEC 2017 in Da Nang, Vietnam, November 11, 2017. REUTERS/Kham/File Photo
He said both acknowledged the importance of expanding trade between the two nations.
"We agreed to seek ways to promote Japan-U.S. trade by working out gaps between the two nations and expand areas to cooperate based on shared understanding," Motegi told reporters after two days of talks in Washington.
"We will continue talks and proceed further at next meeting we plan to hold in September," he said.
He said the atmosphere of the meeting with Lighthizer was "very good" and "energetic".
Motegi also said he and Lighthizer exchanged views on individual trade areas but nothing had been decided.
The U.S. Trade Representative's office said in a statement that the two sides had "frank discussions" on their respective views about trade and investment, and achieved a better understanding of each other's positions.
"Based on these discussions, both sides agreed to explore ways to fill the gap between their positions and to promote trade between the United States and Japan, and expand areas of cooperation based on common understanding," USTR said, adding that the next round of "consultations" would be held sometime in September.
The talks launched a round of what the two sides call "free, fair and reciprocal" negotiations. They fall within broader bilateral economic discussions led by Vice President Mike Pence and Deputy Prime Minister Taro Aso.
U.S. President Donald Trump wants a bilateral free trade agreement but Tokyo is wary because such an agreement would boost pressure to open sensitive markets such as agriculture.
U.S., Japan to continue talks to narrow trade differences: USTR
Japan went into the talks aiming to avert steep tariffs on its car exports threatened by Trump while fending off U.S. demands to engage in bilateral talks toward a bilateral free trade agreement. Trump has complained about Japan's $69 billion trade surplus with the United States, and the inability of American car makers to sell significant volumes in Japan.
But Trump's "Section 232" national security investigation into automotive imports could lead to tariffs of 25 percent on imported cars, including those from Japan, and has raised concerns that such a move would harm the Japanese, European and U.S. economies.
Japan also has urged Washington to return to the multilateral Trans-Pacific Partnership deal after Trump withdrew the United States from the trade pact last year.
Reporting by David Lawder in Washington; writing by Kaori Kaneko in Tokyo; editing by Andrew Roche and James Dalgleish

redpajama_set_name: RedPajamaCommonCrawl


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The Rundown for April 27, 2020
CORONAVIRUS UPDATE… The number of confirmed coronavirus cases in the U.S. has topped 960,000 and the number of people dead has risen to at least 54,700, according to figures released by health officials last night. The Navy hospital ship Comfort is returning to Norfolk, Virginia, after discharging its last patient yesterday. The ship was sent to New York on March 28 initially to be used for non-coronavirus patients to free up beds in hospitals but President Trump said last week that it would be admitting coronavirus patients as well. New York Governor Andrew Cuomo said last week that the ship was no longer needed. The Centers for Disease Control and Prevention has added six new symptoms to its list of possible signs of the coronavirus. Previously, the CDC only noted fever, cough and shortness of breath as symptoms. The agency has updated its list to include: chills, repeated shaking with chills, muscle pain, headache, sore throat and new loss of taste or smell. Shortness of breath has also been changed to "shortness of breath or difficulty breathing."
MORE STATES PREPARE RE-OPENINGS… Colorado, Mississippi, Minnesota, Montana and Tennessee are preparing to join other states in reopening businesses without coronavirus-testing procedures in place. Colorado Governor Jared Polis has said curb-side retail pickup can begin today, with hair salons, barbershop and tattoo parlors allowed to reopen on Friday. Tennessee will allow restaurants to reopen today and Mississippi's mandatory lockdown order expires at midnight. Montana is allowing churches to reopen but social-distancing measures are required; the state's restaurants and schools will be allowed to reopen on May 7. New Jersey Governor Phil Murphy said during an appearance on NBC's "Meet the Press" yesterday that the state is "several weeks away" from phased reopening. During an appearance on CBS' "Face the Nation," Maryland Governor Larry Hogan said he has raised concerns about "mixed messaging" coming from the White House amid the pandemic and stressed that it's "critical" for the president to stick to facts as he seeks to inform the public.
LABOR DEPARTMENT OFFERS GUIDANCE FOR MEAT PROCESSORS… The Labor Department has issued new guidelines for U.S. meatpacking and meat-processing plants. The interim guidance from the Labor Department's Occupational Safety and Health Administration recommends screening, spacing employees at least 6 feet apart, temperature checks and the wearing of cloth face coverings. More than 5,000 U.S. meat- and food-processing workers have been infected with or exposed to the new coronavirus and 13 have died, the country's largest meatpacking union said on Thursday.
BATON ROUGE POLICE IN DEADLY SHOOTOUT… One officer was killed and another was critically injured during a shooting in Baton Rouge, Louisiana, yesterday. Authorities say 36-year-old Ronnie Kato opened fire on officers responding to a call. Kato was reportedly wanted in a domestic homicide that had happened earlier yesterday. The suspect was later taken into custody after exchanging gunfire with a SWAT team in a four-hour-long standoff.
EL PASO SHOOTING DEATH TOLL HITS 23… Officials confirmed yesterday that the last remaining hospital patient following last August's mass shooting at a Walmart store in El Paso, Texas, has died. Guillermo "Memo" Garcia became the 23rd victim of the shooting when he passed away Saturday night at the Del Sol Medical Center in El Paso. The suspected shooter, Patrick Crusius, remains in custody and has been indicted on 90 federal charges, including hate crimes.
SPLITSVILLE FOR CAVALLARI, CUTLER… Reality TV star Kristin Cavallari has announced that she and former NFL quarterback Jay Cutler are getting a divorce. The former "Laguna Beach" star, who currently stars in her own reality show "Very Cavallari" on E!, added that the divorce is simply a "situation of two people growing apart." The couple married in 2013 and have three children together.
DaBABY TOPS ALBUM CHART… DaBaby's "Blame It on Baby" sold 124,000 copies to debut atop the Billboard 200 album chart. The Weeknd's "After Hours" slipped into second place after four weeks at No. 1 with 55,000 units sold. Lil Uzi Vert's "Eternal Atake" remained in third place after selling 54,000 copies. Fiona Apple's "Fetch the Bold Cutters" opened at No. 4 on sales of 44,000 units. Lil Baby's "Please Excuse Me for Being Antisocial" sold 42,000 copies to cap the top five.
TULANE HOOPS DISMISSES LEADING SCORER AFTER ARREST… Tulane has dismissed its leading scorer, guard Teshaun Hightower, yesterday following his Saturday night arrest on murder, aggravated assault, battery and possession of a firearm charges. Investigators say Hightower was one of six suspects connected to an April 8 fatal shooting in Stockbridge, Georgia. He averaged 15.9 points and 4.6 rebounds at Tulane last season after playing his first two years at the University of Georgia. Court records show he was being held in the Henry Country Jail in McDonough, Georgia.
Next Post The Rundown for April 28, 2020


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Join Ladygang's Jac Vanek, true crime TV producer Alexis Linkletter, and investigative journalist Billy Jensen on a chilling ride into the darkest corners of your worst nightmares. We're talking murder, serial killers, cults, conspiracy theories and beyond, all told through the eyes of a guest who is one degree of separation from the story itself. From Ted Bundy and Jeffrey Dahmer to an unknown heinous murder in your very own hometown, The First Degree will bring a new and refreshing perspective to the true crime phenomenon. And who knows... you may be our next guest.
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On May 5th of 2019, police were called to an apartment in the Dallas suburb of Denton. The door was ajar, and the scene inside was straight out of a horror movie. But the most ominous thing at the scene was ironically not what they could observe, rather… what was missing—which was the head of the victim. On episode 45, Jac, Alexis & Billy explore an active case that's still unfolding with a first degree connection who is still reeling from the recent events. They examine the timeline of inexplicable behaviors and a decent into mental illness exhibited by the suspect that ultimately culminated in one of the most heinous acts imaginable.
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Daniel Lafferty has been named in Northern Ireland's squad for their upcoming friendly against Belarus at Windsor Park on Friday, May 27.
The Clarets defender is part of a 28-man squad which will be reduced to 23 at 12pm on Saturday, May 28.
Northern Ireland manager Michael O'Neill said: "We will use the Belarus game to look at our options, our systems and how we play. It's also a chance to look at personnel and to give players opportunities.
"We are on a good run at the minute and we want to continue that run. It is important that we approach the match in the same way as we have approached all our other games since qualification. In those we are unbeaten.
"We have won two and drawn one. We have only conceded one goal and that was from a penalty. Those are little things that build confidence and momentum going into a tournament."


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LEAH'S LIFE: My car struggles sometimes. Just like it's owner!
My car struggles sometimes. Just like it's owner!
So just yesterday I was thinking to myself, "I haven't had anything to blog about lately." Note to self: Don't ever think that because then something CRAZY will happen! After today I contemplated about deleting the blog all together because at this point I have just cursed myself for setting up the blog so that crazy things will happen. But then again, this is just my life and these things would happen regardless of this blog and I might as well give other people a laugh also.
So, here was the adventure of today! I had a job interview this morning in Kaysville and I currently live in Logan (which is a little over an hour drive). So I gave myself plenty of time to get there and ready for the interview. I feel that the interview was really basic. I just answered questions….I did not feel like I "WOWed" them or anything.
After coming out of the interview I go to my car to drive back to Logan in time to go back to work. The key would not fit into the ignition. I thought that was weird because I just had driven there. It's not like I switched keys with myself during the interview. But the key would only go in half way and then the car would beep. I just thought it was one of those the steering wheel was locked situations. But after multiple times of trying I couldn't get it to work. Then panic mode Leah kicked in. I did not want to go back into the building and ask the people who interviewed me for some help. I thought that would just be weird, and I think they could see me because I was parked in front of the building in front of the window where they interviewed me. I think some trees were hopefully blocking their view of me. Anyway, I was still in panic mode and didn't know what to do. I called my sister Lacey who now conveniently lives in Bountiful. She came to my rescue in about 15 minutes. I didn't know how she could help either, but I just felt better not having to be alone.
She tried the same thing on my car that I did and nothing was working. Eventually this man and his teenage son that looked like Justin Beiber came out of the building and were parked next to me. I asked if they could help. Justin Beiber's dad somehow got the key in the ignition and was able to start it. I was so thankful, and refused asking his son for his autograph. Mr. Beiber told me that I should just go to Layton to the dealership and get another copy of my key made because he thinks that would solve the problem. So that's what I did.
Although I was still slightly in panic mode, I thanked my sister for her moral support and we parted ways. When I got to the dealership I turned off the car and pretty much ripped the key out of the ignition. It was so weird. I talked to the people there and explained what was going on. I asked them if they could just make me a new copy of the key and I would be on my way. The guy told me that this problem is actually typical of ford focuses, and that he would most likely have to replace the whole key cylinder. This would cost me around $400-$500 and that he could have it done around 5:30! (It was around 11:30 at this point) Naturally I switched to panic mode again and explained to him that I needed to get back to Logan soon and go to work. He offered to hook me up with a shuttle ride or that I could rent a car for the day. That's not what I had in mind though. I left him with the keys knowing that it was my mistake for going to a dealership and that I was going to get ripped off major and that I was going to be abandoned for the next 6 hours of my life.
I called into work and luckily was able to find people to cover for me. I then called my sister back who had already made it back to her place in Bountiful and explained my situation. I told her that I was just going to hang around there and find ways to entertain myself. I had started walking across the busy street to get some food in my heels and a skirt interview clothing feeling like a hopeless fool. My sister told me she would come rescue me again because she didn't want me hanging out at a gas station for 6 hours. Haha!
I'm so thankful that Lacey came to rescue me! We hung out and ran around doing things. I felt so bad for her though because she had an allergic reaction to some medication and her ankle was huge! She told me that it was big but I thought she was just exaggerating. So we go to get some medicine and she showed the pharmacist. I almost busted up laughing because she was not kidding! I kept my cool until the pharmacist walked away and freaked out with her in the middle of the isle. Needless to say it was really bad! I feel bad for laughing at her so hard but I had never seen anything like it. (Sorry Lacey for publically announcing that).
Anyway, after hanging out with Lacey for a while she takes me back to the dealership. I waited another hour and fifteen min. for the car. It's so awkward there. I go to the waiting room to sit down and this Grandpa is there with his wife. The wife stands up to use the bathroom and the Grandpa looks me up and down and does this head nod at me and smiles. Gross! I was texting my mom to keep myself entertained and to give her the update of my situation and tell her about the gross Grandpa. She tells me "Looking good for the guys, a little eye candy!" As I throw up slightly in my mouth from my mom's text I was thankful to see that Grandpa's wife came back.
$453.69 later my car is fixed. Since I just graduated my next plan is to find a career. After that, my first new purchase is going to be a car! This is not the first time I have had problems with it in the past six months alone. I guess I should also say that I am thankful for the whole timing of it all and how everything seemed to work out. I really do feel that the Lord does look out for his Blonde daughters!
Side note: Please no jokes about Ford's. I have heard them all. I didn't know my car would give me such trouble. I'm a girl and bought it because I thought it was a cute car!
Anyway, Oh the Life of Leah!


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| Summary
Born in Mumbai in 1954, Anish Kapoor completed his art education in London, first at the Hornsey College of Art, and later at the Chelsea School of Art and Design. Before moving to London, Kapoor lived in Israel for a few years, where he studied electrical engineering.
Working closely with concepts like colour, form, light, surface and volume, Kapoor engages with complex metaphysical juxtapositions in his large sculptures and...
Working closely with concepts like colour, form, light, surface and volume, Kapoor engages with complex metaphysical juxtapositions in his large sculptures and public art projects. These include the relationships between the tangible and the non-tangible, the present and the absent, the solid and the point.
Today, Kapoor ranks amongst the most acclaimed contemporary sculptors practicing today, and has showcased his work in solo exhibitions in many of the most famous museums in the world, including the Louvre in Paris and the Tate Modern and Royal Academy of Art in London. Furthermore, several of his large-scale installations like 'Cloud Gate', 'Tarantara', 'Temenos' and 'Sky Mirror' have formed a transient or permanent part of the landscapes and skylines of cities and towns around the world. In 2010-11 a dual-location retrospective of Kapoor's work was hosted in India for the first time at the National Gallery of Modern Art, New Delhi, and Mehboob Studio, Mumbai.
Kapoor represented the UK at the XLIV Venice Biennale in 1990, where he won the Premio Duemila Prize. In 1991, he received the prestigious Turner Prize, and in 2002, he was awaded the Unilever Commission for the Turbine Hall at Tate Modern, London. Recently Kapoor was commissioned to create a landmark for the city of London as they host the Olympic Games in 2012. In addition, the artist is a Royal Academician (RA), and was made a Commander of the British Empire (CBE) in 2003.
The artist lives and works in London. Read Less
March 12, 1954 Mumbai
1973-77 Hornsey College of Art, London
1977-78 Chelsea School of Art and Design, London
1979 Taught at Wolverhampton Polytechnic
2013 'Kapoor in Berlin',...
2013 'Kapoor in Berlin', Martin-Gropius-Bau, Berlin
2011 'Anish Kapoor: Flashback', Manchester Art Gallery, Manchester
2011 'Monumenta', Grand Palais, Paris
2011 'Anish Kapoor', Fabbrica del Vapore, Milan
2010-11'Anish Kapoor: Delhi / Mumbai', National Gallery of Modern Art (NGMA), New Delhi and Mehboob Studios, Mumbai
2010 'Turning the World Upside Down', Kensington Gardens, London
2010 'Anish Kapoor', Museo Guggenheim de Arte Moderno y Contemporáneo, Bilbao
2010 'Anish Kapoor', Middlesbrough Institute of Modern Art, MIMA, Middlesbrough
2009 'Anish Kapoor: Shooting into the Corner', MAK Museum, Vienna
2009 'Anish Kapoor: Shadows & Etchings', La Caja Negra, Madrid
2009 'Drawings', Regen Projects, Los Angeles
2009 'Anish Kapoor: New Works', Lisson Gallery, London
2009 'Anish Kapoor', Royal Academy, London
2009 'Memory' Guggenheim, New York
2008 'Anish Kapoor: Past, Present, Future', ICA Boston
2008 'Anish Kapoor', Barbara Gladstone, New York
2008 'Anish Kapoor', Kukje Gallery, Seoul
2008 'Place/No Place: Anish Kapoor in Architecture', Royal Institute of British Architects, London
2008 'Anish Kapoor Islamic Mirror', Sarq al-Andalus Hall, Museum of the Monasterio de Santa Clara, Murcia,
2008 'Anish Kapoor: Memory', Deutsche Guggenheim, Berlin
2007 'Drawings on paper', Barbara Gladstone, New York
2007 'Anish Kapoor – Svayambh', Musee des Beaux-Arts, Nantes
2007 'Anish Kapoor', Haus der Kunst, Munich
2007 'One Colour', Galleria Continua, Beijing
2006 'Anish Kapoor', Regen Projects, Los Angeles
2006 'Anish Kapoor' Lisson Gallery, London
2006 'Anish Kapoor, Sky Mirror' Rockefeller Centre, New York
2006 'Anish Kapor, Ascension' Centro Cultural Banco Do Brazil, Rio de Janeiro (touring to Brasilia and Sao Paulo)
2005 'Anish Kapoor Japanese Mirrors', Scai The Bathhouse, Tokyo
2004-05 'Melancholia', MAC Grand Hornu, Belgium
2003 'My Red Homeland', KUB, Kunsthaus Bregenz
2003 'Anish Kapoor', Museo Archeologico Nazionale, Naples Italy
2003 'Blood Solid', art of this century, NY, US
2003 'Painting', Lisson Gallery, London
2003 'Anish Kapoor', Galeria Continua, Italy
2003 'Whiteout', Gladstone Gallery, New York
2003 'Anish Kapoor', Massimo Minini Gallery, Brescia, Italy
2002-03 'Marsyas', Turbine Hall, Tate Modern, London
2001 Barbara Gladstone, New York
2000 'Blood', Lisson Gallery, London
2000 Regen Projects, Los Angeles, California
2000 'The Edge of the World', permanent installation at Axel Vervoordt Kanal, Wijnegem, Belgium
2000 'Blood Solid', fig-1, London
1999 Scai The Bathhouse, Tokyo, Japan
1999 'Anish Kapoor', Andre Viana, Porto, Portugal
1999 'Installation by Anish Kapoor', Baltic Centre for Contemporary Art, Gateshead
1998 Dobre Espacio, Centro Galego de Arte Contemporanea, Santiago de Compostela
1998 Lisson Gallery, London
1998 Gallery Massimo Minini, Brescia, Italy
1998 Barbara Gladstone Gallery, New York
1998 Hayward Gallery, London
1998 CAPC, Bordeaux
1998 'Her Blood', La Chapelle de la Salpetriere, Paris
1996-97 Kunst-Station Sankt Peter, Cologne. Catalogue. Text by Claudia von Blücker, Heinrich Heil and Friedhelm Mennekes.
1996 'Anish Kapoor. Sculptures', Aboa Vetus & Ars Nova, Turku, Finland
1996 'Anish Kapoor. Two Sculptures', Kettle's Yard, Cambridge
1996 Galleria Massimo Minini, Brescia
1996 'Gourd Project 1993-95', Freddie Fong Contemporary Art, San Francisco
1995-96 Prada Milanoarte, Milan
1995-96 Lisson Gallery, London
1995 'Anish Kapoor', DePont Foundation, Tillburg Nishimura Gallery, Tokyo
1994 Mala Galerija, Moderna Galerija Ljubljana, Museum of Modern Art, Slovenia
1994 'Echo', Kohji Ogura Gallery, Nagoya, Japan (in Co-Operation with the Lisson Gallery)
1993 Tel Aviv Museum of Art, Tel Aviv
1992 Galeria Soledad Lorenzo, Madrid
1992 Stuart Regen Gallery, Los Angeles
1991 Palacio de Velazquez, Centro de Arte Reina Sofia, Madrid (organized in cooperation with The British Council)
1991 Kunstverein Hannover (organized in cooperation with The British Council)
1991 The Sixth Japan Ushimado International Art Festival, Ushimado, Japan
1991 'Anish Kapoor & Ban Chiang', Feuerle Gallery, Köln
1990-91 'Anish Kapoor Drawings', Tate Gallery, London
1990-91 Le Magasin, Centre National d'Art
1990-91 Contemporain, Grenoble (organized in cooperation with the British Council)
1990 'Anish Kapoor, XLIV Biennale di Venezia', British Pavilion, Venice (organized by The British Council)
1990 'Drawings', Barbara Gladstone Gallery, New York
1989-90 'Void Field', Lisson Gallery, London
1989 Kohji Ogura Gallery, Nagoya, Japan
1987 'Anish Kapoor: Works on Paper 1975-1987', Ray Hughes Gallery, Sydney (travelled to MOMA, Brisbane, Australia)
1986 Kunstnernes Hus, Oslo
1986 'Anish Kapoor: Recent Sculpture and Drawings', University Gallery, Fine Arts Center, University of Massachusetts, Amherst
1985 Kunsthalle, Basel (travelled to Stedelijk Van Abbemuseum, Eindhoven)
1983 Galerie 't Venster, Rotterdam (organized by the Rotterdam Arts Council)
1983 Walker Art Gallery, Liverpool (travelled to Le Nouveau Musee, Villeurbanne/Lyon)
1982 Walker Art Gallery, Liverpool
1981 Coracle Press, London
1980 Patrice Alexandre, Paris
1993 'River Run', Stage design for dance performance at the Queen Elizabeth Hall, London, and regional tour. A collaboration with Laurie Booth and Hans Peter Kuhn
1993 'Echo', A group of five sculptures which incorporate music mechanisms. Acollaboration with the composer Brian Elias.
1992 'Building for A Void', Expo'92, Seville.Architectural collaboration with David Connor
2017 'Transforming Vision: 21st century art from the Pizzuti Collection', Pizzuti Collection, Columbus, Ohio
2011 Kosmos Rudolf Steiner, Kunstmuseum Stuttgart, Galerie der Stadt Stuttgart,Stuttgart
2010 'Sexuality and Transcendence', PinchukArtCentre, Kiev
2010 'BAROCK – Art, Science, Faith and Technology in the Contemporary Age', Museo D'Arte Contemporanea Donna Regina, MADRE, Naples
2010 'Rudolf Steiner and Contemporary Art', Wolfsburg Museum, Wolfsburg
2010 'ColorForms', Hirshhorn Museum and Sculpture Garden, Washington, DC
2010 'Itinéraires de l'élégance entre l'Orient et l'Occident', Villa Empain, Boghossian Foundation, Brussels
2010 'Outside the Box', Edition Jacob Samuel, 1988-2010, Hammer Museum, Los Angeles, CA
2010 'Drawing to form: Art from the Weltkunst Collection Irish Museum of Modern Art', Crawford Art Gallery, Cork
2010 'Contemplating the Void', Solomon R. Guggenheim Museum, New York City, NY
2009 'Domus Collection New York | Beijing', White Space, Beijing
2009 'Lisson Presents 3', Lisson Gallery, London
2009 'All That is Solid Melts into Air', MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerp
2009 'The Missing Peace: Artists Consider Dalai Lama', Fundacion Canal, Madrid
2009-11 'KolnSkulptur 5', Skulturenpark Koln, Cologne
2009 'Hundred Stories About Love', Zone 2, 21st Century Museum of Contemporary Art, Kanazawa
2009 '15 Jahre Sammlung Kunstmuseum Wolfsburg' – Gegen den Strich', Kunstmuseum Wolfsburg, Wolfsburg
2009 '3rd Moscow Biennale of Contemporary Art', Moscow Biennale of contemporary art, Moscow
2009 'Finissage 2009', Zonca & Zonca, Milan
2009 'In-finitum', Palazzo Fortuny, Venice
2009 'Visiones de Confin', IVAM - Institut Valencià d'Art Modern, Valencia
2009 'Great Impressions II', Dean Jensen Gallery, Milwaukee, WI
2009 'Brighton Festival', Brighton, UK
2008 'Blake's Shadow', Whitworth Art Gallery, Manchester
2008 'Blood on Paper - the Art of the Book', Victoria and Albert Museum London,
2008 'Traces du Sacré', Centre Georges Pompidou - Galerie 1, Paris,
2008 'Ambition of Art' Institut d'art contemporain (IAC) Lyon
2007 'Timer 01/Intimacy', Milan
2007 'Counterpoint III', Louvre, Paris
2007 'Artempo', Palazzo Fortuny, Venice
2007 'Traces du Sacre', Centre Pompidou, Paris
2007 'Simply Red', The Fabric Workshop & Museum, Philadelphia
2007-08'Slow', Z33, Hasselt, Belgium
2007 'Makers and Modelers: Works in Ceramic', Gladstone Gallery, New York
2006 'Modern and Comtemporary Master Drawings', Connaught Brown, London
2006 'Concepts for a Collection' Exhibition Cente of Centro Culture de Belém, Brazil
2006 'Surprise Surprise' ICA, London
2006 'The 5th Asia-Pacific Triennial of Contemporary Art', Queensland Art Gallery, South Brisbane
2005 'Donnaregina Napoli', Museo D'Arte Contemporanea
2005 'Raised Awareness', Tate Modern
2005 '(In) Visible/ (In) Corporeo' Museo d'Arte Provincia di Nuoro.
2005 Istanbul Modern, Istanbul
2004 'Dzine, Beautiful Things', May 14th-June 19, Shiraishi Contemporary Art Inc, Japan
2004 'Pain: Passion, Compassion, Sensibility', Science Museum, London
2004 'Lustwarande 04', Tilburg, Netherlands
2004 'Gwangju Biennale', Korea
2004 'Arts and Architecture 1900-2000', Palazzo Ducale, Genova
2003 'Bewitched Bothered and Bewildered', migros museum, Zurich
2003 Tate Modern, Anish Kapoor, 6 April 2003, London
2003 'Blast to Freeze: British Art in the 20th Century', Les Abattoirs, Toulouse, France
2003 'Windstill', Cotthem Gallery, April-May, Brussels
2003 'As Heavy as Heaven', Landesmuseum Joannneum, Graz
2003 'Mind Space, Ho-Am Art Gallery, Seoul, Korea (works in the collection of the Samsung Museum of Modern Art)
2003 Beaufort 2003, Ostend, Belgium
2003 'Ineffable Beauty', 'Schon Unaussprechlich', Kunsthalle Erfurt
2003 'Fresh: Contemporary British Artists in Print', Edinburgh Printmakers, Scotland
2002-03 'Blast to Freeze. British Art in the 20th century', Kunstmuseum Wolfsburg, Wolfsburg, Germany
2002-03 'Retrospectacle: 25 Years of Collecting Midern and Contemporary Art', Denver Art Museum
2002-03 'Imagine you are standing here in front of me', The Caldic Collection in the Boijmans van Beuningen Museum, Rotterdam
2002 'Work on Paper: Anish Kapoor, José Bedia, Richard Serra', Quint Contemporary Art, California, USA
2002 Barbara Krakow Gallery
2002 'Colour White', De La Warr Pavilion, Bexhill on Sea, England
2002 'Remarks on Color', Sean Kelly Gallery, New York
2002 'Four women and one pregnant man', Galleri MGM, Oslo, Norway
2002 'Sphere', Sir John Soane's Museum, London
2002 'Sphere. Loans from invisible Museum', Sir John Soane's Museum, London
2002 'Homage to Rudolf Schwarzkolger', Galerie Krinzinger, Vienna, Austria
2002 'Kaash', Anish Kapoor, Akram Khan, Nitin Sawhney; touring collaborative dance production, Paris
2002 'This Ain't No Tupperware', Kunsthoff, Kortrijk and Herford, Belgium
2002 'No Object, No Subject, No Matter…', Irish Museum of Modern Art, Dublin
2001 'Signatures of the Invisible', London Institute
2001 '1951-2001 Made in Italy', Triennale, Palazzo dell'Arte, Milan
2001 Shanghai Biennale
2001 Valencia Biennale
2001 'BO01', Concepthaus, Malmo
2001 'Sculpture in the Close 2001', Jesus College, Cambridge
2001 'Artcité: when Montréal Turns into a Museum', Museum of Contemporary Art, Monréal, Canada
2001 'Field Day: Sculpture from Britain', Tapei Fine Art Museum, Japan Organized by the Taipei Fine Arts and The British Councl
2001 'Sculpture Conemporaine: OEuvres de la Collection Frac Rhône-Alpes de l'Institut d'art contemporain', Substances, Lyon
2000 'Blue', New Walsall Museum, Walsall, UK
2000 'Groenningen Exhibition 2000', Charlottenborg, Copenhagen
2000 'Sinn und Sinnlichkeit', Neues Museum Weserburg, Bremen, Germany
2000 'La Beauté', Papal Palace, Avignon, France
2000 'Lyon Biennale', Lyon, France
2000 'Drawings 2000', Barbara Gladstone, New York
2000 'Bluer', Carrie Secrist Gallery, Chicago, US
2000 London Road Gallery, Northwich, Liverpool
1999 'Art Worlds in Dialogue', Museum Ludwig, Cologne
1999 'Together: Artists in support for the homeless', The Passage House, London
1999-2000 'Beauty - 25th Anniversary', Hirshhorn Museum and Sculpture Garden, Washington DC.; touring to Haus der Kunst, Munich
1999 'Retrace your steps: Remember Tomorrow', Artists at the Soane Museum,curated by Hans Ulrich Obrist, London
1998 'Towards Sculpture', Fundação Calouste Gulbenkian, Lisbon
1998 'The Art of the 80s',Culturgest, Caixa Geral de Depositos, Lisbon
1998 'Wounds: Between democracy and redemption in contemporary art', Moderna Museet, Stockholm
1998 'Spatiotemperal', Magasin 3, Stockholm
1998 'Then and Now', Lisson Gallery, London
1998 'Prime', Dundee Contemporary Art, Dundee
1998 'Shape of the Century', Salisbury's Festival, Salisbury, UK
1998 'Den Haag Sculptuur 1999', The Hague
1997 'Meditations', Madrasa Ibn Youssef, Marrakech
1997 'Belladonna', Institute of Contemporary Arts, London
1997 'entgegen', Mausoleum am Dom, Graz
1997 'Follow Me, Britische Kunst an der Unterelbe', Stade, Germany
1997 'Arte Continua', Chiesa di San Giusto and Pinacoteca Civica,Volterra, Italy
1997 'Changing Spaces', The Detroit Institute of Arts, Detroit.
1996 'Dessins and maquettes de sculpteurs/Drawings and maquettes by sculptors',Galerie Samuel Lallouz, Montreal.
1996 'New Art on Paper 2', Philadelphia Museum of Art
1996 'Dissonant Wounds: Zones of Display/Metaphors of Atrophy', Center for Curatorial Studies, Bard College, Annandale-0n-Hudson, New York
1996 'Works on Paper from the Weltkunst Collection of British Art of the 80s and 90s', The Irish Museum of Modern Art, Dublin
1996 'Un siècle de sculpture anglaise', Jeu de Paume, Paris
1996 'Collections du Castello di Rivoli', Le Nouveau Musée, Villeurbanne
1996 'Anish Kapoor, Barry X Ball', Angles Gallery, Santa Monica, CA
1996 '23rd International Biennial of Sao Paolo, Sao Paolo
1996 'Moderner Galerija Ljubljana for the Museum of Modern Art, Sarijevo', Ljubljana, Slovenia
1996 'Multiples', Galerie Lucien Durand, Paris
1996 'Betong', Malmö Konsthall
1995-96 'Fémininmasculin. Le sexe de l'art', Centre Georges Pompidou, Paris
1995 'Ars 95 Helsinki', Museum of Contemporary Art, Helsinki
1995-96 'Contemporary British Art in Print', Scottish National Gallery of Modern Art, Edinburgh (touring to the Yale Center for British Art, New Haven)
1995 'British Art of the 1980s & 1990s - works from The WeltKunst Collection', The Irish Museumof Modern Art, Dublin
1995 'De Henry Moore ós anos 90. Escultura británica contemporánea', Auditorio de Galicia, Santiago de Compostella, Spain (touring to Serralves Foundation, Oporto, Portugal);
1995 'Longing and Belonging:From the Faraway Nearby', SITE, Santa Fe
1995 'A Changing World - Fifty Years of Sculpture from the British Council Collection', Castle Riding Hall, Prague
1995 'Ideal Standard Summertime', Lisson Gallery, London
1995 'British Abstract Art Part II: Sculpture', Flowers East, London
1994 'Punishment and Decoration', Hohenthal und Bergen, Köln
1994 'Asian Art Now', Hiroshima, Japan
1994 'Sculptors' Drawings', Tate Gallery, London
1994 'Re Rebaudengo Sandretto Collection', S. Antonio di Susa, Turin
1993 'Another World', Art Tower Mito, Mito-shi Ibaraki, Japan
1994 'British Sculpture from the Arts Council Collection', organised by the Arts Council of Great Britain, Derby Museum and Art Gallery, tour
1994 'Punti Dell'Arti', Italian Pavilion, XLV Venice Biennale
1994 'Tresors De Voyage', Monasterio dei Padri Mechitaristi dell' Isola di San Lazzaro Degli Armeni, Venice
1994 'Art Against Aids', XLV Venice Biennale
1994 'Sculpture', Leo Castelli Gallery, New York
1994 'Body of Drawings', South Bank touring exhibition, Graves Art Gallery, Sheffield (tour to Mead Art Gallery, Coventry)
1994 'Cerco', Bienal Internacional de Óbidos, Portugal
1994 'Magazin', Architectur Zentrum, Vienna
1992-93 Stedelijk Museum, Amsterdam
1992-93 'De Opening', De Pont Foundation for Contemporary Art, Tilburg, The Netherlands
1992 Documenta IX, Kassel
1992 'The New British Sculpture, selected works from the Patsy R. and Raymond D. Nasher Collection', University of North Texas Art Gallery,
1992 'Whitechapel Open', Whitechapel Art Gallery, London
1992 'Anish Kapoor invita Gary Woodley', Foro per l'Arte Contemporanea, Verona
1992 'New Voices, New Works for the British Council Collection', organised by the British Council, Centre de Conférences Albert Borschette, Brussels(tour)
1991-92 'Rhizome', Haags Gemeentemuseum, The Hague
1991-92 'Anish Kapoor and Abstract Art in Asia', Fukuoka Art Museum, Fukuoka, Japan
1991 Gallery Shirakawa, Kyoto
1991 'La Sculpture Contemporaine après 1970', Fondation Daniel Templon, Fréjus, France
1991 'Trans/Mission', Rooseum, Malmö, Sweden
1991 'The 1991 Turner Prize 1991: An Exhibition of Work by the Four Shortlisted Artists', Tate Gallery, London
1991 Milano, Studio Oggetto, 'Il Limite delle Cose nella Nuova Scultura Inglese', Studio Oggetto, Milan
1990-91 'Heroes of Contemporary Art', Galerie Saqqarah, Gstaad, Switzerland (travelled to TransArt Exhibitions Kreishaus, Cologne)
1990-91 'Made of Stone', Galerie Isy Brachot, Brussels
1990-91 'British Art Now: A Subjective View', (organised by the British Council). Travelled to Setagaya Museum, Tokyo, Fukuoka Art Museum, Nagoya City Museum, Tochigi Prefectural Museum of Fine Arts, Hyogo Prefectural Museum, Hiroshima City Museum
1990 'Affinities and Intuitions. The Gerald S. Elliott Collection of Contemporary Art', The Art Institute of Chicago, Chicago
1990 'Dujourie, Fortuyn, Houshiary, Kapoor', Rijksmuseum Kröller-Müller, Otterlo, Holland
1990 'Works on paper', Frith Street Gallery, London
1989 'British Now: sculpture et autres dessins', Musée d'art contemporain de Montréal, Montréal, Quebec
1989 'Anish Kapoor, Wolfgang Laib, Richard Long', Galerie Le Gall Peyroulet, Paris
1988-89 'Carnegie International', Carnegie Museum of Art, Pittsburg, Pennsylvania
1987-88 'Viewpoint. L'art contemporain en Grande Bretagne', Musee d'Art Moderne, Brussels (organized in cooperation with the British Council)
1987-88 'Simila - Dissimila', Kunsthalle, Dusseldorf (travelled to Columbia University, Sonnabend Gallery and Leo Castelli Gallery, New York)
1987-88 'Europa oggi/Europe now', Museo d'Arte Contemporanea, Prato, Italy
1987-88 'Fourth International Drawing Triennale', Kunsthalle Nuremburg
1987-88 'La Couleur seule, l'Experience du Monochrome', Musee St. Pierre, Lyon
1987-88 'Britannica. 30 Ans de Sculpture', Musee des Beaux-Arts Andre Malraux, Le
1987-88 Havre; Ecole d'architecture de Normandie, Rouen; Musée d'Evreux, Evreux
1987-88 'Starlit Waters. British Sculpture: An International Art 1968-88', Tate Gallery,Liverpool
1987 'Juxtapositions: Recent Sculpture from England and Germany', The Institute for Art and Urban Resources, New York
1987 'Inside/Outside', Museum Van Hedendaagse Kunst, Antwerpen
1987 'British Art of the 1980's: 1987', Liljevalchs Konstall, Stockholm (organized by the British Council)(travelled to Sara Hilden Art Museum,Tampere)
1986 'Entre el Objeto y la Imagen', Palacio de Velazquez Madrid and Fundacion Caja de Pensiones, Barcelona (organized by the British Council and Ministerio de Cultura, Spain)
1986 'Skulptur - 9 Kunstnere fra Storbrittanien', Louisiana Museum of Modern Art, Humlebaek, Denmark
1986 'Sonsbeek 1986. International Sculpture Exhibition', Arnhem, The Netherlands
1986 'General Idea, Anish Kapoor, Melissa Miller', Albright-Knox Art Gallery, Buffalo
1986 'Prospect '86. Eine internationale Austellung aktueller Kunst', Frankfurter Kunstverein, Frankfurt
1986 'Inaugural Exhibition', Lang & O'Hara Gallery, New York
1986 'Dessins de Sculpteurs', Galerie Gabrielle Maubrie, Paris
1986 'Vessel', Serpentine Gallery, London
1985-86 'The Poetic Object: Richard Deacon, Shirazeh Houshiary, Anish Kapoor', Douglas Hyde Gallery, Dublin (travelled to the Arts Council Gallery,Belfast)
1985 'Sculptors' Drawings', (organized by the Scottish Arts Council) (travelled to Artspace Galleries,Aberdeen; Ayr, Lyth, Stirling, Stromness, Glasgow; Dracos Arts Centre, Athens)
1985 'CURRENTS', Institute of Contemporary Art, Boston
1985 'Nouvelle Biennale de Paris', Paris
1985 'The British Show', (organized by Art Gallery of New South Wales, Sydney and The British Council) (travelled to Art Gallery of Western Australia, Perth; Art Gallery of New South Wales, Sydney; Queensland Art Gallery Brisbane; The Exhibition Hall, Melbourne; National Art Gallery, Wellington, New Zealand)
1985 '7000 Eichen', Kunsthalle, Tubingen (travelled to Kunsthalle, Bielefeld)
1985 'Who's Afraid of Red, Yellow and Blue?', Arnolfini Gallery, Bristol
1985 'Three British Sculptors', Neuberger Museum, State University of New York, Purchase
1985 'Anniottanta', (organized by the Cultura del Comune di Ravenna) (travelled to Bologna, Imola)
1985 '20 Sculptures du FRAC Rhone-Alpes', l'Abbaye de Tournus, Tournus, France
1985 'Anish Kapoor and Bill Woodrow', Donald Young Gallery, Chicago
1984 'An International Survey of Recent Painting and Sculpture',Museum of Modern Art, New York
1984 'ROSC '84', Dublin, Ireland
1984 'The British Art Show: Old Allegiances and New Directions, 1979-1984',(organized by the Arts Council of Great Britain) (travelled to City of Birmingham Museum and Art Gallery, Birmingham, Ikon Gallery, Birmingham; Royal Scottish Academy, Edinburgh; Mappin Art Gallery, Sheffield; Southampton Art Gallery)
1984 'Anish Kapoor and Bill Woodrow', Galerie Paul Maenz, Cologne
1983 'Tema Celeste', Museo Civico d'Arte Contemporanea, Gibellina
1983 'La Trottola di Sirio', Centro d'Arte Contemporanea, Siracusa, Italy (organized by The British Council)
1983 'Figures and Objects', John Hansard Gallery, Southampton
1983 'Douceur de l'Avant-Garde', C'est Rien de le Dire, Rennes, France
1983 'Beelden/Sculpture 1983', Rotterdam Arts Council, Rotterdam
1983 'Finland Biennale', Helsinki
1983 'Sculpture 1983', Van Krimpen Gallery, Amsterdam
1983 'The Sculpture Show', Hayward Gallery/Serpentine Gallery, London (organized by the Arts Council of Great Britain)
1983 'New Art', Tate Gallery, London
1983 'Constellazione', Galleria Giorgio Persano, Torino
1983 'Eros Mythos Ironie', Neue Galerie, Graz, Austria
1983 'Transformations: New Sculpture from Britain', XVII Bienal de Sao Paulo, Brazil (organized by the British Council) (travelled to Museo de Arte Moderna, Rio de Janeiro, Brazil; Museo de Arte Moderna, Mexico DF; Fundacao Calouste Gulbenkian, Lisbon
1983 1982 'Aperto '82', XL Biennale di Venezia, Venice
1983 'Englische Plastik Heute/British Sculpture Now', Kunstmuseum, Luzern, Switzerland
1983 'XIIiéme Paris Biennale', Paris
1983 'Prefiguration', Centre d'Art Contemporain, Chambery, France
1983 'London/New York 1982', Lisson Gallery, London
1983 'Objects and Figures. New Sculpture in Britain', Fruitmarket Gallery, Edinburgh (organized by the Scottish Arts Council)
1983 'India: Myth and Reality', Museum of Modern Art, Oxford
1981 'Objects & Sculpture: Richard Deacon, Antony Gormley, Anish Kapoor, Peter Randall-Page', Institute of Contemporary Art, London (travelled to Arnolfini Gallery, Bristol)
1981 'Summer Show', Serpentine Gallery, London
1981 'British Sculpture in the 20th Century: Part 1,Symbol and Imagination 1951-80', Whitechapel Art Gallery, London
1980 'New Sculpture', Midland Group Gallery, Nottingham
1979 'Tolly Cobbold: Eastern Arts', 2nd National Exhibition, Fitzwilliam Museum, Cambridge (travelling exhibition)
1978 'Northern Young Contemporaries', Whitworth Art Gallery, Manchester
1975 'Young Contemporaries', Royal Academy of Art, London
1974 'Art into Landscape 1', Serpentine Gallery, London
2004 Winner of the British Memorial Garden Trust
2003 Awarded a...
2003 Awarded a CBE
2001 Awarded an Honorary Fellowship at Royal Institute of British Architecture
1999 Awarded an Honorary Fellowship at the University of Wolverhampton
1997 Awarded an Honorary Fellowship at the London Institute and Leeds University
1991 Turner Prize Award
1990 Awarded 'Premio Duemila' at the Venice Biennale
1982 Artist in Residence - Walker Art Gallery, Liverpool
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REDiscovery: Auction of Art and Collectibles 22-23 July 2020
View Dimensions Print size: 21 x 19.5 in (53.4 x 49.8 cm)
Sheet size: 27.5 x 23.5 in (69.85 x 59.69 cm)
Art Rises for Kerala Live Fundraiser Auction 18 January 2019
View Dimensions Height: 20.75 in (53 cm)
Width: 18.5 in (47 cm)
Depth: 11 in (28 cm)
Art and Collectibles Online Auction 27-28 July 2016
Aquatint on paper pasted on mount board
View Dimensions Image size: 44.5 x 35.25 in (112.8 x 89.7 cm)
Sheet size: 53 x 42 in (134.5 x 106.7 cm)
Evening Sale of Modern and Contemporary Indian Art 24 February 2016
View Dimensions Height: 55 in (140 cm)
Width: 43.25 in (109.9 cm)
Depth: 11.75 in (30 cm)
Lot 5 Details
Friday Five 2 October 2020
Gouache and ink printed on cotton paper
View Dimensions Height: 13 in (33.02 cm)
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Semi-trailers setting their sharply angular lines against the wind. Sun visors and trucker horns creating turbulence in the airflow. Tyres rolling at low pressure with lots of flexing work to do. There are plenty of examples of how to throw money away when operating a semi-trailer tractor. They're often only small, inconspicuous things that go unnoticed in daily operation. But their contribution to the total operating costs adds up from day to day When one then also considers the increasing cost of diesel fuel, potential savings become ever more important.
MAN Truck & Bus has analysed the factors that form obstacles to achieving the goal of efficient transport. With its TGX EfficientLine tractor, MAN became the first commercial vehicle manufacturer to implement the known interrelationships of physics consistently when it presented the vehicle at the IAA 2010. In the six months since sales began, customers from all over Europe have ordered around 800 of MAN's EfficientLine tractors.
The specifically developed drive technology and a scope of equipment rigorously designed to save fuel demonstrate that today's long-haul transport has the potential to save up to three litres of diesel per hundred kilometres. The MAN EfficientLine shows: whoever strives to become more efficient in long-haul transport will have to design their vehicles with the main objective of reducing driving resistances. The reward for this effort is something to be seen. Given the high annual mileages of trucks in long-haul transport with an average of 150,000 kilometres, a saving of three litres of fuel over a four-year period of use means a saving for the operator of up to 18,000 litres. And the environment will be spared the impact of up to 47 tonnes of CO2.
Because drag is the primary cause of fuel consumption in long-haul transport, the MAN EfficientLine only comes without fittings such as sun visors or compressed-air horns on its standard long-haul cabs, the XLX and XXL on the MAN TGX and the LX on the MAN TGS. This saves around 0.3 litres of diesel per 100 kilometres. At the same time, the aerodynamic side panelling and roof spoiler that belong on the tractor, optimally adjusted for the semi-trailer, reduce fuel consumption by approximately 0.4 litres.
The MAN EfficientLine stands for a further consequence of the laws of aerodynamics: driving at only 85 km/h instead of 89 km/h reduces rolling resistance by ten percent. That saves an enormous amount of fuel without losing a noticeable amount of time in day-to-day work. At the end of a nine-and-a-half hour trip, the vehicle will have covered a mere 38 kilometres less. This as opposed to a fuel saving of 19 litres! That's why the top speed of the MAN EfficientLine is electronically restricted to 85 km/h. With this measure alone, drivers in field tests were able to reduce consumption by 0.6 to 2.2 litres. Faced with rising fuel prices and finite, non-regenerative resources, acceptance nowadays is already at a high level.
When designing the EfficientLine, MAN consulted intensively with drivers, because their care and skills have a major influence on fuel consumption. The experience of the MAN ProfiDrive® driving instructors shows that drivers who have been trained to drive economically can save a significant amount of fuel, primarily thanks to a forward-thinking style of driving and optimum use of MAN's efficiency systems such as the adaptive cruise control system ACC or the MAN TipMatic®. This is why a practically oriented driving course from MAN ProfiDrive® is included in the price of the MAN EfficientLine package on most markets.
As a result of this consistent focus of the MAN heavy-duty TGS and TGX ranges, the total costs of ownership per kilometre are very low. The decisive last few percent more in terms of efficiency cannot be obtained just by improving individual components: they are the result of MAN's development competence when it comes to optimising the entire power train.
Common-rail engines, low-loss power-train components and the intelligent gear-change strategy of the MAN TipMatic® are all matched to one another to form a perfectly coordinated unit. The MAN EfficientLine can be ordered with engines delivering 400, 440 and 480 hp, whose power is transmitted through direct-drive gearboxes. In combination with hypoid single axles this keeps friction losses in the power train at a minimum. Direct drive in top gear enables a saving in fuel consumption of around two percent relative to the overdrive version when the vehicle is operated mainly on motorways.
The optimised gear-change strategy of the MAN TipMatic® Fleet in the MAN EfficientLine changes to the most economical gear at exactly the right moment and provides maximum torque whenever it's needed. Also available for those who want it is the MAN TipMatic® Profi, which can be operated both manually as well as fully automatically. The average saving achievable in long-haul transport with the MAN TipMatic® is around 4.5 percent – that's an enormous potential saving.
The MAN EfficientLine introduces a new, more efficient generation of Intarders. The around 25 percent lower friction losses when idling reduce fuel consumption by approximately 0.15 litres per 100 km. Faster response times improve safety because the braking effect is nearly instantaneous. Operating noise is also two to three decibels lower. The sustained-action braking system provides uninterrupted deceleration even during gear changes and is integrated into sustained-action braking management with automatic brake control. Transmission oil in vehicles equipped with the Intarder reaches operating temperature sooner, thus reducing wear and tear. The new Intarder generation is fitted with a long-life stainless-steel oil cooler.
the new three-phase alternator is four percent more efficient and at 120 A, simultaneously delivers more generator power. Its halogen daytime running lights need only a quarter the energy of a halogen dipped beam, thus saving energy that the generator doesn't even have to produce.
MAN's air-pressure management (APM) decreases the loss incurred by the EfficientLine when air is compressed. A multi-disc clutch deactivates the compressor completely when the cut-off pressure has been reached in the air tanks. Once compressed air is drawn from the tanks, the clutch engages and the air compressor again works up to cut-off pressure. In this way the operating time of the compressor in long-haul transport is reduced by up to 90 percent, thus saving half a litre of fuel per 100 km.
The rolling resistance of the tyres is decisive for economical operation: on a six-wheeler semi-trailer tractor, tyre pressure that is too low by a mere 2 bar will increase fuel consumption by 1.2 l/100 km. A long period at the incorrect pressure and damage to the tyres will result. In its tyre pressure management system TPM, MAN offers an electronic aid that will immediately detect and display any incorrect pressure in one or more tyres. The tyre pressure management system not only saves fuel, it also prevents over 90 percent of all tyre flats and avoids expensive vehicle downtimes. Optimised Energy tyres contribute further to reaching the best-possible rolling resistance values.
The gross vehicle weights allowed on the road are restricted, so commercial vehicles with lower unladen weights can transport more cargo. This means more cargo on each journey, which in turn means that fewer journeys are necessary. Making fewer journeys also takes some of the strain off the transport network. Moreover, shipping the same amount of goods uses less energy and emits less CO2.
MAN employed lightweight construction throughout in its TGS and TGX series, thus enabling maximum payloads. The TGX EfficientLine is equipped with particularly light front- and rear-axle suspension, together saving around 80 kg: the re-engineered front-axle suspension with its single-leaf spring is not only light, it also improves the handling. Compressed-air tank, fuel tank and wheel rims of aluminium all contribute to keeping the vehicle's weight down.
With its presentation of the TGX EfficientLine at the IAA 2010, MAN demonstrated the potential of the two-axle semi-trailer tractor for saving fuel in daily operation. The variety of cabs, drive train configurations and suspensions offered by MAN is great, but so is the endeavour on the part of truck operators to find potential savings and optimise TCO independently of the model. For this reason, the new elements of the EfficientLine are also available for the majority of the two-axle tractors in the MAN TGX and MAN TGS series. Operators who need the fully air-sprung tractor with low fifth-wheel height, the "Ultra" model, for their transport tasks, or who would like to be able to select other cabs, XLX or LX, for example, or who want to mount bigger tank combinations on their frames - now they can all benefit from the insights of the MAN EfficientLine.


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text:
McEwen Runner-Up at 2014 Masters of Curling
McEwen
B.J.
Denni
Mike McEwen (Winnipeg, MB) lost 8-6 to Brad Gushue (St. John's, NL) in the Final To advance to the championship game, McEwen won 7-2 over Brad Jacobs (Sault Ste Marie, ON) in the semifinals of the 2014 Masters of Curling in Selkirk, Manitoba; and won 9-3 over Steve Laycock (Saskatoon, SK) in the quarterfinals. of the 2014 Masters of Curling in Selkirk, Manitoba;
McEwen finished 3-1 in the 15 team Masters of Curling qualifying round, held October 28 - November 2, 2014 in , . In their opening game, McEwen defeated David Murdoch (Stirling, SCO) 10-3, then won 4-3 against Sven Michel (Adelboden, SUI) and 6-3 against Peter De Cruz (Geneva, SUI). McEwen went on to lose 5-3 against John Morris (Calgary, AB) in their final qualifying round match.
With their runner-up finish at the Masters of Curling, McEwen take home 27.000 world rankings points along with the $15,500CDN prize, remaining in 2nd place overall on the World Ranking Standings with 369.410 total points. McEwen ranks 1st overall on the Year-to-Date rankings with 172.000 points earned so far this season.
25 8 23 3 0-1 1-0 0-4 0.32 0.92 0.69 0.24
4 vs. Murdoch (SCO) W 10-3
7 vs. Michel (SUI) W 4-3
9 vs. De Cruz (SUI) W 6-3
12 vs. Morris (AB) L 3-5
MQF vs. Laycock (SK) W 9-3
SF vs. Jacobs (ON) W 7-2
MCF vs. Gushue (NL) L 6-8