We have persistent problems in our Netware infrastructure with illegally long File paths. Windows has a documented limit of , I believe, 216 characters for a UNC file path, although in practice various applications will function to a greater or lesser extent with longer paths up to around 230/240 characters. It seems to be variable between different applications, even different members of the Office suite. It appears to be possible for Office applications to create and save documents that they cannot subsequently open!
More importantly though when users drag and drop folder structures whilst managing data it is extremely easy for them to create very long file paths, vastly exceeding Windows' ability to handle and even exceeding the length that some server utilities, backup software for instance, can handle. Thus one can end up with data that cannot be read, copied, deleted or even backed up unless the paths are modified. This is a very undesirable state of affairs,so I created this utility to report on such paths and advise the users on what action to take.
Rather than write an entire utility from scratch, what I did was to make use of trustee.nlm, which will report ownership of files and folders. Trustee does have its own problems with long paths and also some illegal file names, but was the most pragmatic option. Trustee seems to fail with paths something over 300 characters long, so its unlikely to encounter a folder structure in which all documents are beyond its ability to report, and one may hope that the remedial measures taken for those folder structures it can report on will in turn bring any even longer ones within its scope.
The utility then runs in two stages. Firstly one must run trustee with the /et /eo switches which causes it to list the path and owner of every document that it is capable of successfully reading, and when that has completed then the tparser.php script must be run to parse the output and produce the reports. The utility can produce the output in two formats - an html file containing a list of all illegal file paths, sorted by owner and, given the availability of an LDAP directory containing user names and email addresses, individual warning emails to each user. The parser also uses a "mapping file" which enables you to convert the absolute Netware syntax paths in the trustee output to drive letter paths that will be understood by the users. This is explained further in the source code, and is probably the most finicky part of the setup..
Trustee must of course be run on the server, and a Cron job out of normal working hours is preferable. The PHP script is probably best run on the server too, but given a workstation with access to the files it can be run on any php platform. In development and whilst introducing the system I found it convenient to run it directly from the Eclipse platform on my workstation.
You will probably want to spend some time customising the email message to the users, which is held in the script rather than a separate file. It might well be good to include a link to an FAQ page held on your intranet: this process seems to be an effective generator of support calls seeking clarification. Depending on how your Network is run you may find that file ownership creates anomalies. There is no way of identifying paths where the owner has changed job and is no longer responsible for the data. Your Network administrators may also find themselves with very large lists of files. If they have been in the habit of migrating data between servers without preserving file ownership then they will "own" vast chunks of data, especially older data, themselves.
The download includes example trustee output and mappings files. Its based on real data, but with the text scrambled of course. The example should work with the example files stored in the script directory. You'll need to use your own data and LDAP server to test the email feature. Click here for an example of the html output.
OES lacks the trustee.nlm utility. There is the metamig utility which has some of the same functionality, but will not list file ownership and exports only in XML format. I have an enhancement request in the system with Novell, so we shall see if that is fulfilled before my need is so great that I give up and attempt to write a new version that does the file system export itself.
23 Jan 2010 - Initial public release.


CHESTERFIELD COUNTY, SC (WMBF) – A gag order has been placed on the case involving Breanna Lewis, the 19-year-old mother charged in connection with the death of 11-month old Harlee Lewis, according to officials with the Chesterfield County Clerk of Court's Office.
The exact reason for implementing the gag order was not immediately known.
Lewis is accused of lying to deputies about her baby being abducted just hours before the child's body was found inside a diaper box in the middle of a field last week.
The suspect is charged with improper disposal of human remains and filing a false police report.
The death of Baby Harlee has led to an outpouring of grief from those within the community. On Wednesday evening, hundreds of people gathered in the parking lot of the Chesterfield County Courthouse for a candlelight vigil to remember the life of the child.


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Q: Why is my app successfully deployed on netlify and fail on heroku When I first deployed my reactjs app on heroku it was built successfully, but then it showed me an app error...

then I typed this command "heroku logs --tail" and it showed me the following error:
 »   Warning: heroku update available from 7.59.0 to 7.60.1.
 Error: Cannot find module './_baseToString'
 Require stack:
 - C:/Users/WailInfo/AppData/Roaming/npm/node_modules/heroku/node_modules/lodash/toString.js
 - C:/Users/WailInfo/AppData/Roaming/npm/node_modules/heroku/node_modules/lodash/capitalize.js
 - C:/Users/WailInfo/AppData/Roaming/npm/node_modules/heroku/node_modules/@heroku-cli/plugin-               run/node_modules/cli-ux/lib/styled/table.js
 - C:/Users/WailInfo/AppData/Roaming/npm/node_modules/heroku/node_modules/@heroku-cli/plugin-run/node_modules/cli-ux/lib/index.js
 - C:/Users/WailInfo/AppData/Roaming/npm/node_modules/heroku/node_modules/@heroku-cli/plugin-run/lib/lib/log-displayer.js
 - C:/Users/WailInfo/AppData/Roaming/npm/node_modules/heroku/node_modules/@heroku-cli/plugin-run/lib/commands/logs.js
 -C:/Users/WailInfo/AppData/Roaming/npm/node_modules/heroku/node_modules/@oclif/config/lib/plugin.js
 - C:/Users/WailInfo/AppData/Roaming/npm/node_modules/heroku/node_modules/@oclif/config/lib/config.js
 - C:/Users/WailInfo/AppData/Roaming/npm/node_modules/heroku/node_modules/@oclif/config/lib/index.js
 - C:/Users/WailInfo/AppData/Roaming/npm/node_modules/heroku/node_modules/@oclif/command/lib/command.js
 - C:/Users/WailInfo/AppData/Roaming/npm/node_modules/heroku/node_modules/@oclif/command/lib/index.js
 - C:/Users/WailInfo/AppData/Roaming/npm/node_modules/heroku/bin/run
at Object.<anonymous>      (C:/Users/WailInfo/AppData/Roaming/npm/node_modules/heroku/node_modules/lodash/toString.js:1:20)

*** The other problem is when I deployed my app on netlify it works properly

A: I think For Heroku you should try the prestart npm script to build an app.
"scripts": {
 "prestart": "next build",
 "start": "next start -p ${PORT}",
}

redpajama_set_name: RedPajamaStackExchange


A scheme hybridizing discontinuous Galerkin time-domain (DGTD) and time-domain boundary integral (TDBI) methods for accurately analyzing transient electromagnetic scattering is proposed. Radiation condition is enforced using the numerical flux on the truncation boundary. The fields required by the flux are computed using the TDBI from equivalent currents introduced on a Huygens' surface enclosing the scatterer. The hybrid DGTDBI ensures that the radiation condition is mathematically exact and the resulting computation domain is as small as possible since the truncation boundary conforms to scatterer's shape and is located very close to its surface. Locally truncated domains can also be defined around each disconnected scatterer additionally reducing the size of the overall computation domain. Numerical examples demonstrating the accuracy and versatility of the proposed method are presented. © 2014 IEEE.
This work was supported in part by the Research Grants Council of Hong Kong (GRF 713011, GRF 712612, and 711511), NSFC 61271158, US AR120018, and Hong Kong UGC AoE/P-04/08.


text:
Tokyo Olympics: Indian mixed relay team finishes 8th, bows out of Games | Tokyo Olympics News – Times of India
TOKYO: India's mixed relay team finished last in heat with their season-best time of 3:19.93 in the ongoing Tokyo Olympics.
The Indian quartet of Muhammad Anas Yahiya, Revathi Veeramani, Subha Venkatesan, and Rajiv Arokia finished eighth in the heat to bow out of the quadrennial event.
"#Athletics Update India's Mixed Relay team finish 8th in their heats with the season-best time of 3:19.93," SAIMedia tweeted.
#Athletics Update India's Mixed Relay team finish 8th in their heats with the season-best time of 3:19.93.#Cheer4India
— SAIMedia (@Media_SAI) 1627644194000
Earlier in the day, MP Jabir failed to qualify for the semi-finals in the men's 400m hurdles. Running in heat fifth, Jabir finished seventh in the seven players field with a timing of 50.77.
Also, Avinash Mukund Sable failed to go in the next round of the men's 3000m steeplechase final. Running in heat 2, Sable finished with a timing of 8:18.12 in 7th position and improved on the National Record of 8:20.20.
The string of defeats continued as Dutee Chand too failed to progress to the semi-finals of the women's 100m event. Running in heat 5, Dutee finished with a timing of 11.54 and finished 7th.
2020 Summer Olympics · Indian mixed relay team · olympic games tokyo 2020 · Olympic Games Tokyo 2021 · Olympics 2020 · olympics 2021 · revathi veeramani · Subha Venkatesan · tokyo olympics 2021
On winning Olympic gold, Punjab hockey players to get Rs 2.25 crore each: Sports Minister | Tokyo Olympics News – Times of India
These Airtel, Vodafone-Idea and Reliance Jio plans don't offer free SMS benefits – Times of India

redpajama_set_name: RedPajamaCommonCrawl


text:
The School of Biological Sciences
News in September 2021
Latest league table confirms University of Aberdeen's position as a top 20 UK University
The University of Aberdeen has climbed seven places to 20th in the Times and Sunday Times Good University Guide 2022 published today. Following less than a week after the University was ranked 20th in the Guardian University Guide for the second year in a row, this confirms the University's position...
PREDICT project to find better ways of protecting our oceans
Scientists from the University of Aberdeen (UoA) and North Highland College's Environmental Research Institute, part of the University of the Highlands and Islands, will lead a new project to determine where offshore wind developments should be located in order to better protect marine life in the future.
Countdown to COP26


Summertime Pregnant woman on the beach. One fan's comment on the post sums up our feelings exactly: Pregnant woman in pareo standing on seashore looking away Pregnant woman in bathing suit. Forget Kim Kardashian -- it's Hayden Panettiere who almost broke the internet when this photo of the 8-months-pregnant bikini-clad star surfaced. Pregnant woman in yellow bikini posing on the beach Pregnant woman in yellow bikini posing on the beach.


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__EXPECTED_UNCONNECTED_PAGE__

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redpajama_set_name: RedPajamaWikipedia


text:
Latest News/2019/July/Benton County becomes 40th Tobacco 21 community
Benton County becomes 40th Tobacco 21 community
The surge in communities working to protect youth from the harms of tobacco continues as Benton County became the latest to pass a Tobacco 21 ordinance. The County Commissioners unanimously voted in favor of Tobacco 21, making Benton County the 40th community in Minnesota and the ninth county to do so.
This move comes at a time when youth e-cigarette use has increased nearly 50 percent in the past three years, according to the Minnesota Department of Health. Nearly one in five Minnesota High School students currently uses e-cigarettes, according to the 2017 Minnesota Youth Tobacco Survey. Approximately 95 percent of current adult smokers started before they turned 21. If youth don't start smoking before the age of 21, they likely never will.
Although it was unanimous, Commissioner Spencer Buerkle urged Minnesota's state legislators to get on board with Tobacco 21 to put the measure into effect statewide. Buerkle said he stopped smoking in the 60s after reading the Surgeon General's report on smoking at the time. "I'd like to get a message to the state legislators," Buerkle said.
"Thank you to the Benton County Commissioners for their leadership in helping to reduce youth access to tobacco and to safeguard our youth," said Nicole Ruhoff, Benton County public health supervisor. "We hope their example will inspire other cities and councils in the area to start having this discussion to protect youth. I'd also like to thank our partners and advocates for sharing their experiences, supporting the work and making this possible."
The principals from Foley High School and Sauk Rapids High School testified on behalf of the policy. "We need to stop use in social circles and groups, then we can stop use altogether," said Shayne Kusler, Foley High principal. A student from Sauk Rapids spoke about what he witnesses almost daily at his school, saying he'd even had a classmate vape right next to him during class one time.
Benton County is the ninth county and 40th community in Minnesota to raise the tobacco sales age to 21. Edina, Saint Louis Park, Bloomington, Plymouth, North Mankato, Falcon Heights, Shoreview, Minneapolis, Saint Peter, Richfield, Roseville, Minnetonka, Excelsior, Lauderdale, Hermantown, Brooklyn Center, Mendota Heights, Otter Tail, Pope, Beltrami, Isanti, Olmsted, Wilkin, Stevens and Hennepin counties, Eden Prairie, Waseca, Duluth, North Oaks, Bemidji, Robbinsdale, Albert Lea, Arden Hills, Austin, Little Canada, Lilydale, Mankato, New Brighton and Byron have taken this step.


A truly unique aircraft, the Pilatus PC-12 is exceptionally roomy for the turboprop class. It is cost effective, and great for 1-2 hour trips and drop-offs. While being cost effective, it doesn't sacrifice cabin space and is as large as many light jets.


text:
NEW OEM FW3L Battery For Moto 360 2nd-Gen 2015 Smart Watch SNN5962A FW3L
tinyuedoor ( 157 )
Details about NEW OEM FW3L Battery For Moto 360 2nd-Gen 2015 Smart Watch SNN5962A FW3L
0 available / 33 sold
US $1.99 (approx. C $2.50) Standard Shipping from Greater China to worldwide | See details
International shipment of items may be subject to customs processing and additional charges. Shipping help - opens a layer
International Shipping - items may be subject to customs processing depending on the item's customs value.
Sellers declare the item's customs value and must comply with customs declaration laws.
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Your country's customs office can offer more details, or visit eBay's page on international trade.
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Motorola Moto 360 (2nd Generation) Smart Watches,
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I spent my summer working at Pacific Northwest National Lab, but also made some time to get outside and explore more of the west coast. My trips included a few hikes, Los Angeles for my birthday, Portland, Seattle, the B Reactor, LIGO, and KDD 2016 in San Francisco.
The Tri-Cities area includes Richland, Kennewick, and Pasco, all of which border the Columbia River. A few nearby mountains overlook the area which make for excellent and windy hikes!
The Tri-Cities from the top of Badger Mountain: a popular nearby hike.
I didn't have a car this summer but needed some way to get around. I found this bike at a local shop on my first day and road it every week this summer. I even shipped it back to Atlanta to use on campus!
For my birthday I flew to LA to visit some family and take a short vacation. My favorite spots were Santa Monica beach and the Griffith Observatory.
The view of downtown LA from the Griffith Observatory.
I spent two weekends in Portland where I basically just walked around taking in the city's peculiarities and eating more food than I should've. I recommend checking out the view from the top of Pittock Mansion.
I didn't stay in Seattle long, but my time there was well spent enjoying the perfect weather (no rain!) and meeting more Georgia residents than I would've expected for being in the opposite corner of the country.
The view of Seattle from the roof of the hotel.
The B Reactor "was the first large-scale nuclear reactor ever built." I was able to take a tour of the facility with a handful of other PNNL interns to learn about an interesting and rather sensitive time in history. While the reactor is impressive in person, its location in the middle of the Washington desert is eerie.
Me, assuming the relaxed scientist pose, sitting in the control room chair for the B Reactor.
Besides the B Reactor, the second massive scientific structure I toured this summer was the Laser Interferometer Gravitational-Wave Observatory (LIGO). Its purpose is to detect cosmic gravitational waves given off by the merging of two black holes billions of light years away. LIGO announced its first observation just earlier this year, so it was exciting to speak with the scientists and engineers after the first gravitational wave ever observed in human history was recorded.
I ended the summer by attending KDD 2016 with my research group from Georgia Tech. My advisor organized a full day workshop on Interactive Data Exploration and Analytics that had some great speakers. I was only able to explore San Francisco a bit before flying back to Atlanta to prepare for qualifying exams1.
The view of San Francisco from the rooftop of a friend's apartment.


text:
Was it coincidence?
Last week, The American Junior Golf Association (AJGA) and the Davis Love Foundation (DLF) hosted the third annual Davis Love III Junior Open at Sea Island. The 78-player field played 54 holes on the Plantation Course at Sea Island Resort on St. Simons Island, GA – one of the two courses the pros will play during the 2015 McGladrey Classic! We want to congratulate Emilia Migliaccio and Colin Kober for winning this year's tournament in their respective divisions. Emilia earned a three day total score of 3 under par, while Colin finished the tournament at 7 under par. It was a great week at Sea Island Resorts. Way to go, Emilia and Colin!
Also in the news, Team McGladrey member Davis Love III visited Hazeltine National Golf Club in Minnesota last week to go over the logistics for the Ryder Cup with Hazeltine National and PGA of America executives. Before doing that, Davis sat down for a Q&A to discuss the 2016 U.S. Ryder Cup team and more. You can read the full interview here.
Team McGladrey member Zach Johnson is still living in a dream after the second major win of his career. The PGA TOUR shared a great article about Zach and his decanter trophy from the British Open, including discussion about his Hall of Fame credentials and talk of Will Ferrell. I know, it seems odd to have actor/comedian Will Ferrell part of the article, but he might just be Zach's good luck charm (if you believe in that)! The article says "Of the 495 congratulatory messages Johnson received after his win, one was from the comedian/actor. The two had sat next to each other at a small dinner party at St. Andrews, and exchanged numbers. After last week's win, Ferrell told Johnson he has attended just two majors – the 2007 Masters and the 2015 Open Championship." You can read the entire PGA TOUR article here.
A few reminders and a spotlight to wrap up this week…
Calling all caddies! Caddies are needed for the Yamaha Motor USA Pro-Am at the 2015 McGladrey Classic. To learn more about this opportunity, head over to The McGladrey Classic website.
Purchase your tickets! Purchase your tickets now for the 2015 McGladrey Classic and receive 20% off any Daily (Thursday – Sunday), Good Any Day or Weekly Ticket Booklet and get one free.
Volunteer Spotlight: Marshal. Volunteers on this committee will provide gallery control for the tournament by monitoring all golf course crosswalks, tee boxes, greens, clubhouse, and practice areas. Each year, The McGladrey Classic requires the time and talent of approximately 1,200 volunteers to help in more than twenty different areas. More information on volunteer committees and registration can be found here.
Check back next week for more updates on Team McGladrey and The McGladrey Classic.
Team McGladrey Member Zach Johnson Wins Big!
This past Monday is one for the books for Team McGladrey member Zach Johnson! Zach prevailed in a three-man playoff to win the 2015 British Open, claiming his second career major by squeezing out a par on the final hole of the playoff at No. 18. Zach rolled in a 30-foot birdie putt at the 72nd hole for a 6-under 66 that put him at 15-under through regulation. When Zach's birdie on the 72nd hole found the bottom of the cup, his knees buckled and he pumped his right fist. His caddie, Damon Green, did his infamous chicken dance to celebrate. Congratulations, Zach! Your friends at McGladrey are so proud you, not only for your recent win, but for the shared values of respect, integrity, teamwork, excellence and stewardship that you demonstrate every day. Readers, what do you think – might this win make Zach eligible for inclusion in the Golf Hall-of-Fame? Share your thoughts below!
Showing incredible support from other PGA TOUR players, the Golf Channel shared some tweets from fellow players congratulating Zach on his unforgettable win. Check out the collection of tweets here. You can also watch some great post-tournament interview coverage of the win on The Golf Channel Morning Drive, CNBC Squawk Sports and ESPN.
What a great way to start the week! But that's not all. Also this week, Team McGladrey member Davis Love III was in Chaska, Minnesota to get his first look at Hazeltine National Golf Club as Team USA's 2016 Ryder Cup Captain. To help in his duties as captain, he also played the course to get a better feel for what it has to offer. From there, Davis headed to Ontario for the RBC Canadian Open. Joining Davis in this tournament are previous McGladrey Classic winners Heath Slocum (2010) and Ben Crane (2011). Having an early start this morning (July 23), Davis teed off at 7:30 a.m., ET from tee No. 1; from the same tee, Heath teed off at 8:20 a.m., ET, and Ben tees off at 1:05 p.m., ET from tee No. 10. Best of luck this weekend, guys – your friends at McGladrey will be pulling for you!
Rounding out the week, the Davis Love III Junior Open is being played at Sea Island Golf Club's Plantation Course. This is an American Junior Golf Association (AJGA) event in its third year at Sea Island Resorts. Check out some of the action shots from the tournament: AJGA Facebook page.
Check back next week for the "latest and greatest" on Team McGladrey and the 2015 MGladrey Classic (Nov. 16-
From Scotland to Sea Island
Team McGladrey is far-flung this week. Team McGladrey Member Zach Johnson is playing in The Open Championship in Scotland. He's is off to a great start, as he is currently tied for second place! We'll be watching the rest of play this weekend on ESPN! Think you know a lot about The Open Championship? Take the PGA TOUR's trivia game to test your knowledge! Click here for the quiz.
A little #ThrowbackThursday for you - here's an image from when The Davis Love Foundation made a charitable donation to the Boys and Girls Club of Southeast Georgia in 2011. In its first five years, The McGladrey Classic has raised more than 2.7 million dollars for charity. Since stewardship has always been one of McGladrey's core values, we're thrilled with how the tournament continues to support local and national nonprofit organizations and those they serve.
Speaking of the Davis Love Foundation, we want to make sure our readers are aware that Team McGladrey Member Davis Love III's son Dru, won the 2015 Georgia Amateur Championship this past weekend (July 9-12). Read all about it over on The McGladrey Classic website.
Planning for the 2015 McGladrey Classic is in full-swing. We hope you get a chance to join us in Sea Island Nov. 16-22 for an incredible week of golf! Check back next for more updates on Team McGladrey and The McGladrey Classic.
Earlier this week, The McGladrey Classic (which will be renamed The RSM Classic later this year) received some exciting news! We are honored to have been voted the "Best Special Event" by the readers of Elegant Island Living in the "Best of 2015" Edition! Thank you to all who voted. #EILBestOf2015
The Classic is an incredible experience in and of itself, but when you add the location and southern hospitality – it's a once-in-a-lifetime opportunity to create wonderful memories while watching some of the game's finest players. We hope to see all of our returning guests and to welcome many new visitors to Sea Island for the tournament this November (16-22). Tickets are on sale now so get yours soon! You'll receive a 20-percent discount off select McGladrey Classic tickets (excluding concert tickets; performer: TBA) when you purchase online.
Are you on Facebook? If so, check out The McGladrey Classic's page where we're spotlighting volunteer positions available for this year's tournament. This week, the volunteer spotlight is a laser operator. Volunteers on this committee will be asked to assist the PGA TOUR Shot Link staff with the compilation of player statistics. Each hole will have several volunteers to track player shots using lasers. To learn more: http://bit.ly/1IRBkNp.
Wondering what's going on with some of our McGladrey Classic "family members" this week? Well, Team McGladrey Member Zach Johnson is all the talk at the John Deere Classic, where many – including PGA TOUR's Fantasy Golf – are favoring Zach to win. (#DidYouKnow Zach won the John Deere Classic in 2012?) Joining Zach in Illinois are past McGladrey Classic champions Heath Slocum (2010), Ben Crane (2011) and Robert Streb (2014). Both Ben and Robert had an early start, teeing off at 7:50 a.m. CT, from tees No. 1 and 10 respectfully; Heath wasn't too far behind when he teed at 8:30 a.m. from tee No. 10; and from tee No. 1, Zach tees off at 12:50 p.m. Check out the Twitter picture Ben posted yesterday from the John Deer Classic Pro-Am, after making a hole-in-one at the third hole! We're pulling for you all this week, guys!
Check back next week for more on Team McGladrey and the 2015 McGladrey Classic.
Red-White-And-Blue Weekend!
This week, Team McGladrey Member Davis Love III is in West Virginia for The Greenbrier Classic. He is joined by almost all of McGladrey Classic's past winners: Heath Slocum (2010), Ben Crane (2011), Tommy "Two Gloves" Gainey (2012) and Robert Streb (2014). Heath had an early start at 7:10am from tee No. 1; Tommy tees at 12pm ET from tee No. 10; and teeing at 1pm, Davis is from tee No. 1 and Ben is from tee No. 10. Best of luck to all our guys!
Remember: registration is now open for volunteers for the 2015 McGladrey Classic! To sign up to help during this year's tournament in November at beautiful Sea Island, visit https://www.dlfvolunteers.com and enter a username and password. You'll then create a profile, and select and submit your top three committee choices. Or… you can head over to McGladrey Classic's Volunteer Registration page and get added to the communication list!
Some exciting news comes from Yamaha Golf-Car Company: Yamaha will sponsor the 2015 Pro-Am at The McGladrey Classic on Wed., Nov. 18. There are a limited number of Pro-Am spots available. Click here for more information on the 2015 Yamaha Pro-Am.
We hope you have a safe and wonderful 4th of July weekend! Check back next week for more updates on Team McGladrey and the 2015 McGladrey Classic (Nov. 16-22)


Take the current situation facing Temporary Protected Status beneficiaries.
Over 300,000 individuals who have TPS status are at risk for deportation if the Trump Administration scraps the program in the near future.
Rumors abound such a decision will be abruptly made, with limited, if any, advance warning.
On March 31, 2017, the Ninth Circuit held that under Temporary Protected Status, a TPS recipient is deemed to be in lawful status and has satisfied the requirements of inspection and admission for the purposes of adjustment of status.
This means if your case is held in the Ninth Circuit region, you may be eligible to obtain lawful permanent residence in the United States and do not need to seek consular processing in your home country.
People often hurt those closest to them in ways they would not harm others. It is not uncommon, psychologists suggest, for individuals to treat relative strangers with more cordiality and respect than their best friends and loved ones. The same holds true in politics.
People often hurt those closest to them in ways they would not harm others.
It is not uncommon, psychologists suggest, for individuals to treat relative strangers with more cordiality and respect than their best friends and loved ones.
What Happened To TPS For Pakistan?
Immigration law is secondary to political policy. Temporary Protected Status is one such example. Despite talk about humanitarian concerns, the decision to grant or deny TPS to those in need from a foreign country rests on international Machiavellianism. Consider TPS for Pakistan.
Immigration law is secondary to political policy.
Temporary Protected Status is one such example.
Despite talk about humanitarian concerns, the decision to grant or deny TPS to those in need from a foreign country rests on international Machiavellianism.
Syrian Temporary Protected Status Next Stop: Asylum?
The fundamental premise behind Temporary Protected Status is quite simple.
If the United States is truly the leader of the free world, it has a political obligation to lend a helping help to less fortunate nations.
Temporary Protected Status for Haiti, one of our nation's newer TPS programs, has been extended once more. But the newest extension is the last one for Haiti immigrants. The program is slated for termination on July 22, 2019.
Shortly after the devastating earthquake in Haiti, the U.S. Department of Homeland Security designated Haiti under the TPS for a period of 18 months. The original registration period ran from January 21, 2010 to July 20, 2010.
Temporary Protected Status For Somalia is our country's oldest TPS program.
According to Rand Beers, former director of the U.S Department of Homeland Security, the extensions of TPS have been warranted because the conditions in Somalia that prompted the TPS designation remain ongoing.


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Q: PrimeFaces inputTextarea is not auto resizable I want to make resizeable inputTextarea in dataTable. Written next xhtml by the Primefaces-Users-Guide and ShowCase
                        <p:dataTable id="valueSelection" var="value"
                            value="#{dtBasicView.cars}">
                            <p:column headerText="Test" >
                                <h:inputTextarea value="#{car.brand}"  autoResize="true" cols="38"
                                                 style="overflow: hidden; overflow-wrap: break-word; resize: none;"/>
                            </p:column>
                        </p:dataTable>

But when the text in inputTextarea is only one row, the height is for two row.

In FireFox the element row is (without class):
<textarea id="mainform:tabPanel:valueSelection:1:j_idt132" name="mainform:tabPanel:valueSelection:1:j_idt132" cols="38" style="overflow: hidden; overflow-wrap: break-word; resize: none;" disabled="disabled">STEVE6666</textarea>

And the generated css is (without height):
element {
    overflow: hidden;
    overflow-wrap: break-word;
    resize: none;
}

Why primefaces does not generate height in css and class attribute in html tag?

A: In your example you used h:inputTextarea, which is the default implementation of the component in JSF, and thus, does not support auto resize.
Try to use p:inputTextarea, which is the PrimeFaces one, and check if the desired behavior will happen.


text:
MS Color Magic is a cruiseferry owned and operated by the Norway-based shipping company Color Line on its route connecting Oslo, Norway, with Kiel, Germany. She was built at Aker Finnyards Rauma Shipyard, Finland in 2007 and has been the largest ferry in the world ever since.

Color Magic is a sister vessel of MS Color Fantasy, delivered to Color Line in 2004. The ship has over 1000 cabins and 54 suites. Unlike her sister, Color Fantasy was built in Turku. Color Magic has 89 more cabins than Color Fantasy, as well as larger conference facilities, making it slightly larger in terms of gross tonnage.

References

External links

 Color Line website for MS Color Magic

Cruiseferries
Ferries of Norway
Ships built in Turku
Ships built in Rauma, Finland
2006 ships
Color Line (ferry operator)
Merchant ships of Norway


text:
Ди́мерка — зупинний пункт Ніжинського напряму Київської дирекції Південно-Західної залізниці на лінії Ніжин — Київ-Пасажирський між зупинними пунктами Квітневий (6 км) та Жердова (5 км). Розташований на околиці селища міського типу Велика Димерка Броварського району Київської області.

Історія
Зупинний пункт відкрито у 1929 році. Лінію електрифіковано у 1964 році.

Посилання

 Розклад руху приміських поїздів
 Зупинний пункт Димерка (відео)

Джерела

Зупинні пункти Південно-Західної залізниці
Зупинні пункти Київської області
Транспорт Броварського району


text:
August 29, 2018by Pam KaseyNo CommentsAugust/September 2018, People + Places, Shopping
Thread the Needle
Stitch Morgantown is not your grandma's sewing shop.
➼ If you're a DIY enthusiast with an unfulfilled interest in stitchery—or if you're experienced but want to get newly inspired or refresh your skills—this is good news for you: Stitch Morgantown in Westover is offering sewing goods, machine rental, and project workshops.
Accomplished seamstress Angie Miller opened the shop in February with a younger, hipper sewing demographic in mind. "People see all these cool projects on Pinterest and Instagram, and they want to make handmade gifts," Miller says, "I've gotten lots of beginners, and they like that it's more contemporary, modern fabrics here that are fun."
Stitch is great for beginners, because people who don't own sewing machines can rent time on one of the six machines in the shop. But Miller is just as much a resource to people who own machines but need a little coaching. "I encourage them to bring their machine in. I'll tear it apart with them and show them what everything is and how to thread it, beca–use that's a place where people can get tripped up."
Miller is a registered nurse by training, but she found that nursing was changing—there was more office politics and paperwork and less of the patient care she'd gotten into it for. "Leaving that to do this was probably the most terrifying and exciting thing I've ever done in my life," she says. "But crafting and sewing is a lifelong passion that I've wanted to pursue."
Beyond its selection of contemporary fabrics, Stitch offers a variety of sewing notions, kits for embroidery, and patterns as well as handicrafts made by Miller herself—aprons, stand mixer covers, and embroidered kitchen towels.
The shop's sewing machines are EverSewn Sparrows: two each of the computer-controlled models 20, 25, and 30. Miller is also an EverSewn dealer.
And her classes are evolving. Over the winter, she offered single classes that participants would leave with finished craft pieces: gardening aprons, pillow covers, reversible grocery totes. Now she's also offering multiple-class series for customers who are ready for more of a challenge. "Things like basic quilting—we're starting on a quilted table runner this week—or a jelly roll rug," she says. "We're also doing a quilted Christmas tree skirt. And people suggest things they'd like to do. I'm open to ideas."
In July, Miller started offering a subscription box. "It's $25 a month and they get a yard of fabric, a little project kitted up, and a couple fun little surprise things, with a retail value more than what they're paying."
She's also participating in Row by Row Experience, which she describes as "an international summertime shop hop." "I designed a pattern for a quilt block and, during the summer months, people will be able to come into the shop and pick up the pattern for free. From the beginning of September to the end of October, whoever brings in a finished quilt with eight blocks wins a prize." This year's Row by Row theme is Sew Musical.
22 Commerce Drive, Westover, 304.943.7137 @stitchmorgantown on Facebook
photographed by Carla Witt Ford
Make Hay—or Not
WVU Alumni Give Back
Embedded in Preston County


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Do you persistently feel unusually tired or sluggish? In both men and women, low testosterone levels can be a reason for continually feeling fatigued or weak while trying to complete everyday tasks.
Although testosterone levels gradually decrease with age in both sexes, other factors also can result in abnormal testosterone levels.
Some researchers speculate that lower levels of anabolic hormones – testosterone is one – are related to decreases in physical activity. Fortunately, there are simple things you can do to understand your testosterone level and support it over time.
We recommend that you first start with Thorne's at-home Testosterone Test to enable you to know your testosterone level. Is it below average or is it within normal range?
It might sound counterintuitive, but purposeful exercise and forcing yourself to expend energy can actually help increase and maintain your testosterone level, which ultimately will improve your energy level.
Both men and women need testosterone, just in different amounts. Testosterone is produced in the testes in males and in the ovaries in females, and both sexes produce a small amount in their adrenal glands.
Normal testosterone ranges are higher in men and are responsible for "male-like" physical characteristics, such as greater muscle mass, more body and facial hair, deeper voice, and male-pattern baldness.
However, it is also important for women to maintain a healthy testosterone level. In both sexes, testosterone maintains strong bones, increases muscle mass, produces new red blood cells, regulates libido and mood, and stimulates the release of other important hormones.
So if you have less than an optimal testosterone level, then consider switching your exercise routine.
Not exercising or having a sedentary lifestyle is associated with an increased likelihood for having a low testosterone level.
It's hard to say which is driving which, but obesity, a sedentary lifestyle, and diabetes are all factors for low testosterone, while on the flipside a low testosterone level increases the likelihood of having diabetes, metabolic syndrome, bone fractures, and other undesirable chronic conditions.
Luckily, in many instances, adding exercise, losing weight, and maintaining a healthy lifestyle can increase a low testosterone level.
Endurance or aerobic exercise in moderation can help do the trick. Endurance exercise is usually considered exercise in which you can maintain continuous movement at a lower intensity for an extended period – like cycling, jogging, running, swimming, or using a stationary elliptical.
In overweight men who don't currently exercise, it can take as little as 12 weeks of 40-60 minutes of walking or jogging 1-3 days a week to increase levels of both free and total testosterone.2 Many health professionals agree you can even see a positive effect early on.
Such an acute response can help support long-term muscle and tissue changes and help you on your way to improving resting hormone levels.
Weight lifting or resistance training is another great option. Anabolic hormones – testosterone, insulin, and growth hormone – are all elevated for 15-30 minutes after the right type of resistance exercise. What's the right type of exercise?
Try lifting high volumes (meaning a large number of repetitions) at moderate-to-high intensity, and only give yourself short rest breaks so you can be sure you're stressing the large muscle groups.
Try to lift weights 2-3 times each week to stimulate hormone production, maintain muscle mass, and gain strength.
HIIT training or high-intensity interval training is a relatively recent exercise category. CrossFit training is a good example of HIIT training. Exercises might include rotating burpees, shuttle sprints, jump squats, or planks lasting 30 seconds to a few minutes, with a total workout lasting about 30 minutes.
These exercises tend to use only body weight as resistance, and they have an aerobic component, which enables fat burning and increased aerobic capacity.
Like many things, excess exercise can be too much of a good thing. Prolonged endurance exercise, like ultra-running, while it can provide numerous cardiovascular health benefits, can also be associated with an overtraining syndrome that disrupts the endocrine system.
For women, overtraining can lead to the "female athlete triad" – with its adverse effects on bone health, the menstrual cycle, and energy.
Therefore, it's best to get regular, adequate exercise, while monitoring your testosterone levels at regular intervals as you engage in longer and more intense endurance routines.
Testosterone levels naturally fluctuate during the day; in males, the levels tend to be highest in the morning hours between 8 and 11. So what time of day is best to exercise to support your resting testosterone? It depends on you and the type of exercise.
In the early morning, when your body temperature is still relatively low, your natural testosterone level is at its highest, even though your mental alertness might be low.
If this is when you have time to exercise, then weight training might be your best bet, so you can capitalize on your higher testosterone levels for muscle-building benefits and not need the mental alertness required for HIIT coordination.
Fasting low-to-moderate endurance exercise might also be a good choice in the morning, because it helps burn fat and improves body composition, both of which could be impacting your testosterone level.
Although the highest pain tolerance tends to be in the afternoon, you might go through the after-lunch energy slump. Two or more hours after lunch might be the ideal point when your mental and physical function are in a good balance and energy is recovering, providing the best window of opportunity for HIIT exercises or endurance training.
In the evening, your body is physically ready for exercise. Coordination, stamina, and body temperature are high, lung capacity is ideal, and your body feels loose but strong.
However, you can be mentally exhausted at the end of the day. As evening approaches, your cortisol level drops naturally to its lowest level, which can be ideal for exercise. Thus, evening is a good time of day for any type of exercise: HIIT, weightlifting, or endurance exercise. Some research indicates exercise at this time of day can have a great impact on improving testosterone levels.
At night, the body initiates a power-down sequence that prepares you for sleep. Any exercise too close to shut-eye can affect your melatonin level and your ability to recover properly.
Ultimately, the best time of day to exercise is when it's best for you.
Most experts agree the optimal window is between 4 p.m. and 7 p.m., when your body is most prepared. But no matter when you exercise, doing it rather than not doing it, will enable you to reap full body benefits, including supporting testosterone level.
Your diet, including supplements, plays a large supporting role in helping you reach your exercise and weight goals. Having appropriate nutrients available to your body before, during, and after a workout helps your muscles repair and rebuild.
Support your exercise routine with Thorne's Sport Performance products, whether you are an athlete or not, so you get the most out of your workout.
1. Araujo A, Esche G, Kupelian V, et al. Prevalence of symptomatic androgen deficiency in men. J Clin Endocrinol Metab 2007;92(11):4241-4247.
2. Kumagai H, Yoshikawa T, Zempo-Miyaki A, et al. Vigorous physical activity is associated with regular aerobic exercise-induced increased serum testosterone levels in overweight/obese men. Horm Metab Res 2018;50(1):73-79.
3. Copeland J, Consitt LA, Tremblay M. Hormonal responses to endurance and resistance exercise in females aged 19-69 years. J Gerontol A Biol Sci Med Sci 2002;57(4):B158-B165.
4. Kraemer W, Ratamess N. Hormonal responses and adaptations to resistance exercise and training. Sports Med 2005;35(4):339-361.
5. Herbert P, Hayes L, Sculthorpe N, Grace F. HIIT produces increases in muscle power and free testosterone in male masters athletes. Endocr Connect 2017;6(7):430-436.


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How To Analyze Music Using The 5-Point Technique
Aden Russell
Ever listened to a song and thought:
How did they do that!?
Every producer's dream is to make the quality of music that their idols do.
But we get caught up in things like:
Finding out what plugins they use
Watching breakdowns and walkthroughs
Getting down that our music isn't good enough
While these things can be helpful (well, not the last one), nothing compares to the benefit of analyzing and recreating music.
Here's our guide to dissecting, understanding and applying techniques from your favourite music.
Note: To follow along best with this article, make sure to grab the PDF guide for music analysis below. We'll be using it to demonstrate many techniques!
Why Analyze Music?
Apart from recreating music, analyzing music is an active task that helps you understand what makes a track work the way it does.
You are doing something musical, rather than just watching a video.
Also, it's been something that artists have been doing for years, and it works.
Of course, recreating a track in your DAW is probably the most effective way to learn another artists' production approach, but if you don't know the practical side of things yet, understanding it from an analytical
To analyze music, you're best off having the following.
Access to a High-Quality Audio File
There's not much point analyzing a track if you're listening to a 128kbps rip off YouTube. Yes, you can analyze the composition and arrangement, but mixing, mastering and production will be a tad trickier.
I'd recommend using a 320kbps MP3 at a minimum. If you have Spotify Premium, set it to max quality and this will be fine.
Try and find an uncompressed lossless file (i.e. WAV or AIFF) if possible. The difference is negligible, but it's the closest thing to working in the studio you can get your hands on.
Quality Headphones or Speakers
I love my Apple EarPods. They're great for listening, great for referencing mixes on and are super portable.
But they're not great for analyzing the production, mixing or mastering of a song. Even the composition and arrangement can be difficult to hear, because of lacking bass response.
Instead of inducing a headache, get yourself something you enjoy listening on. No, you don't have to splash out to get something decent. A pair of headphones like the Audio Technica ATH-M50x's are a solid option, for example.
People are gonna call me old for this one, but writing down the elements you're hearing while listening is the most effective way to learn.
If you really don't want to write, at least take notes on your phone or computer.
The main point here is to actively engage with what you're listening to.
You can write on standard paper, but we also created our Music Analysis Guide that you can check out at the link above, which steps you through the entire process.
A DAW Template
Lastly, you need something you can listen to your track in that has all the tools and resources necessary to help dissect it.
This is especially important for the mixing and mastering phases of the analysis, where your ears, while still your best tool, can only go so far.
We will jump more into the details of this as we go through the process, but all you need is one track with a few devices on it, as well as the track for analysis loaded up.
The 5-Point Technique
Five years ago, we published an article called the Production Pyramid with our friend Nicholas Di Lorenzo of Panorama Mixing & Mastering. From it, we created this framework for thinking about music production.
Based on the production pyramid, we designed the 5-Point Technique to help you analyze music on every level: Composition, Arrangement & Instrumentation, Sound Design & Production, Mixing and Mastering.
For each of these stages, I'd recommend 1-2 playbacks of the entire track while focusing on that particular level. In other words, don't multitask.
Some stages, like composition, might not require you to listen to the entire track multiple times, so playing through once, or just repeating a small section twice, should be fine.
Let's start with the composition.
The composition is the most crucial element of a track to analyze.
Without it, there is no music, no song.
That's why I've put it first.
I'll be honest though, this is more difficult if you haven't brushed up on your music theory. So I'll leave some links throughout to help you understand.
What you want to analyze here is the core idea of a song, in terms of melody, harmony and rhythm.
Recommended: Songwriting for Producers
AKA the thing that gets stuck in your head.
A melody consists of:
The most effective way to start with a melody analysis is to draw what is called a 'melody contour'. This is perfect if you don't know much music theory, as all you are drawing is a line over time, representing changes in pitch.
Once you understand the general contour and motion of a melody, you can begin to draw in exact notes.
From here, you can begin to analyze the scale, range and intervals used, to identify how motion is used to create the melody.
Recommended: The Ultimate Guide to Writing Better and More Memorable Melodies
I'll use the song Porter Robinson – Divinity to demonstrate how to analyze the composition.
After loading the track into my DAW, I want to give the track a general listen through, just to get myself familiar with it before I start diving into the details. You may want to do this more times if you feel comfortable doing so.
After this, you can identify where the core idea is present in the track. In this track, the core idea is there pretty much from the first beat, and it just develops over time.
After drawing a general contour for the feel of the melody, I whipped out the keyboard and began writing each of the notes next to the point in the contour.
Once the notes were identified, you can start to see different ranges (D to D) and different intervals (e.g. a fifth), as well as the overall key, which happens to be D major.
Harmony (Chords)
Now that you've analysed the melody, next in line is the harmony. In most cases, harmony is formed by a chord progression.
There are a couple of options here. If you're a veteran in music theory, analyzing the chords and writing out the numerals or chord names shouldn't be a problem.
But for those of you who don't know music theory, this can get a bit trickier.
My recommendation would be to describe how the chord progression makes you feel. Is it euphoric? Sad? Happy? Tense?
This is a great exercise even for those who know music theory because then you begin to understand how different progressions evoke different emotions.
Recommended: Different Chord Types and How to Make Them
In Divinity, the main chords don't come in until the drop. They sound very euphoric yet simple, partially because of the arrangement and sound design, but also because of the way the chords are constructed.
By drawing in some notes, we can gather that it is a simple variation on the IV – I – iii chord progression (technically called IV7 – I7 – iii7, as they are seventh chords. The voicing of these chords changes a bit throughout, but this is the core chord progression throughout the entire track.
You'll notice that you may have accidentally analyzed the rhythm when looking at either the melody or harmony.
That's absolutely fine – it's tough to separate them because it's when melody, harmony and rhythm work together that a good idea comes to life.
In the previous two, you likely were only paying attention to the tonal elements and instruments in the track, but hear we may pay attention to atonal elements, like drums and FX, as well as the others.
This time, you can draw out a multitude of 4 beat bars (as most electronic music is in 4/4) and simply draw dots along them where you hear any sort of rhythmic accent or hit.
Recommended: Learning Music – Make Beats by Ableton
The following is the melody rhythm for Divinity. This is the melody heard in the intro:
You can repeat this process for many of the other rhythmic elements in the track, such as kick and snare, and even the chord rhythms (there are plenty of grids inside the music analysis guide).
Arrangement & Instrumentation
An idea in itself doesn't make a song or track – it needs development and structure. Otherwise, we'd be listening to an 8 bar loop for 5 minutes.
That's where arrangement & instrumentation comes in. Arrangement refers to the way that the elements in a track are arranged in time and space. A chord progression may be shared by multiple instruments, and a drum pattern may change between the verse or drop.
Instrumentation (Vertical/Linear Arrangement)
We know the chords, melody and rhythm of our track, but how do we know which instruments and sounds comprise it? That why we look at the instrumentation of a track.
It helps to start from a bottom to top look at the sounds, starting with kick and bass all the way up to hi-hats and FX.
On the provided analysis PDF, list the main elements you hear from low to high in terms of frequency content/note range. Try and go into as much depth as possible.
Structure (Horizontal Arrangement)
Once we've got the instrumentation down for one section, we can start to look at how it changes over time. It helps to draw a 'map of your song' to see what happens when (almost like in a DAW).
You may need to repeat the songwriting and instrumentation analysis process again to sections that are entirely different from the main section, but oftentimes there are always similarities with subtle changes.
You can do this in your DAW or in the worksheet provided – it's up to you.
In your DAW, you can use markers, start points or whatever your DAW calls them to mark out the structure
If you're using the analysis PDF worksheet, replicate this structure on the paper. You don't have to be as precise with the lengths of each section, but it can help to approximate it as closely as possible. Even write the number of bars if that helps.
Sound Design & Production
Obviously, an important part of electronic music is the sound design and general production work.
It's often the part we love to appreciate the most – incredible sounding Serum patches, creative processing and well-executed ideas.
Yet, it's important to analyze the composition and arrangement before this stage, as you can too easily get caught up in the way a supersaw was designed, and not the notes behind why it sounds amazing in the first place.
In production, there are two things to consider – the sources and the processing.
One mistake I made when learning music production is thinking that everything was synthesized from scratch every single time.
Yet, sampling has been an integral part of music production since the beginning, even though it has largely evolved since.
When listening to music, we should begin to analyze where the sounds came from. Were they recordings? Were they synthesized? Were they from a sample pack? Are they sampled from another track?
While it's impossible to get this right every time (we don't know the artist's process necessarily), we can estimate it to help us understand how to get certain sounds. A stretched piano chord might sound like wavetable synthesis wizardry, but it might just be a pitched down sample from an old jazz record with lots of compression.
To simplify this process, list where each element was synthesized, sampled or some combination of both.
This leads me to the second part of the sound design and production equation – processing. It's all well and good to start with a good sound, but a lot of unique production comes from the processing, resampling and general work done to the sound to get it to where it is.
Once again, getting every detail down may be an impossible task, but you get can the gist of it by analyzing the general sound. For example, maybe a resonant filter played a part in this sound, even though I can't tell whether it's actually a filter or a phaser. It helps to narrow down the options.
Try to list down the signal chain that may have been used, to the best of your knowledge.
Using the PDF, here are my estimates of the sound design and production behind many of the elements in Divinity.
Mixing starts to get into the more technical side of analysis, where it's still important to primarily use your ears, but you might need to enlist the help of some audio tools for certain things.
A track's mix can be viewed like the image below, courtesy of David Gibson in The Art of Mixing.
The height of the object determines how much of the mix it takes up, the closeness determines the loudness, the width determines the placement in the stereo field.
Recommended: Mixing EDM
A mix is 90% in the volume faders.
Thus, it's important to really listen to the loudness of certain elements in order to understand what makes certain mixes sound amazing.
It's easiest to start with the loudest sounds in a mix and work back. Primarily rely on your ears here, and give the track a couple of listens through. The human mind can only focus on ~3-4 elements at a time.
Beyond a sound's loudness, you have to think about the space in the mix it occupies. A supersaw chord, for example, would take up a lot of space in a mix, whereas a sine lead would take up very little space.
If you want to get more technical, describe or illustrate any frequency changes over time. For example, a sound might start playing an octave higher, so make a second note of the higher version.
A sound or instrument isn't always the same volume throughout the duration of a track – it changes.
Sometimes the changes can be small (micro-dynamics), like a snare drum starting loud and getting quiet, and they can be large (macro-dynamics), like a kick getting louder in a build.
Stereo Width
The last dimension is the stereo width. Music doesn't come out of one speaker, it comes out of two. So it's important to pay attention to what is coming from where and how that impacts the feel of the mix.
We can analyze the volume, frequencies, dynamics and stereo width using the PDF provided.
The above example is easier to do with a printed version using pen, as you can draw lines and get more specific with frequency ranges. It can be hard to do it with just text and lines on a screen.
Note that some of the elements may have width due to the mastering process, which we will cover next.
This is the final stage of a track that you should analyze.
To be honest, like mixing, it's difficult to do this just with your ears (probably more so), so you'll need a few tools to help you hear what you're listening to.
Loudness and Dynamic Range
The contemporary practice of mastering, especially in the digital world and in electronic music, is loudness maximisation.
Although this is changing with services now introducing loudness matching, it's still important to get your tracks sounding at the level of other releases.
In mastering, you want to measure the average loudness of a track. The current standard for this is LUFS, or 'Loudness Units Full Scale'. This measures the average loudness across time, of a track, also taking into account how humans hear music.
Plugins like iZotope Insight measure this, alongside a bunch of other helpful indicators (like stereo width and frequency spectrum).
Frequency Spectrum
The frequency spectrum can tell us a lot about the track. Does it feel bass-heavy? Is it very bright or dull? Are there a lot of mids?
Sometimes it can be difficult to know what is actually going on with the frequencies in a track. This is why using a Spectrum Analyzer at this stage can help to identify what you are hearing.
Stereo Width/Phase
In the mixing phase, we looked at stereo width. But in the mastering phase, it's all about the feel of the track. Does it sound wide or narrow in general? Is the bass below a certain point mono?
A useful tool for this stage is a Mid/Side checker (something like Ableton's Utility can do this) to listen to what is in the centre and what is in the sides.
Additionally, you can use tools that are included with iZotope Insight like a Sound Field Vectorscope, or find a Correlation Meter (I use this Max for Live one).
A Correlation Meter will tell you how similar or different the left and right channels are, -1 being opposites, +1 being the same and 0 being different.
A Sound Field will tell you the overall width of a track in relation to the frequencies.
Once again, using the sheet provided, we can write down key information about the final master that we hear.
Using a plugin like iZotope Insight, we can measure both the LUFS and dynamic range in Loudness Units.
We can also make observations about the frequency content of the overall content, based on what we hear and the frequency spectrum analyzer.
From this graph, we can see that the lows are mono (fairly standard), whereas the mids suddenly get wide, and then the highs are also wide.
After that, you've finished analyzing the whole track! Now you can repeat this process in other tracks to discover your favourite techniques and then apply them to your own music.
So now you understand how to analyze your favourite music. But what about putting it into practice in the studio?
Soon, we'll publish an article on recreating tracks as a 'Part 2' of this article.
For now, make sure to grab the Music Analysis Guide to get started.
Any questions? Feel free to reach out to me at [email protected], I don't bite (unless you ask me how to become Martin Garrix in 6 months).
With 10 years of music production experience and some marketing chops, I head up the content here at EDMProd. I also make music under Artsea. My pastimes include reading, drinking coffee and taking photos.


text:
INTERVIEW: AILBHE NÍ BHRIAIN
Ailbhe Ní Bhriain "Inscriptions of an Immense Theatre ", Film Still, 2018 © the artist
Ailbhe Ní Bhriain is presenting "Inscriptions IV", her fourth solo exhibition at Domobaal Gallery in London, including her photographic, tapestry and sculptural works. In our interview she spoke about her collaboration with an algorithm and her recent video works selected for the Artists' Film Festival.
INTERVIEW: ANDY GRAYDON
By Helene Romakin
Andy Graydon, "The Transect in Three or Four Modes of Observation" (2018), courtesy and © the artist
Andy Graydon works with sound, performance and video. In his works he often questions and analyzes the coherence and compatibility of art and science, which I find most intriguing in terms of our understanding of nature. Andy and I met in Berlin a few years ago, and since then continued exchanging ideas on displacement, islandness and the role of fiction for future imaginaries. A short excerpt from our long lasting conversations to be continued…


Registration for the 2019 Corn Dry Milling Conference is open. Deadline to register is May 1, 2019. After May 1, registration rates increase by $100.00.
Hotel rooms are reserved at the Hotel Pere Marquette in Peoria, IL. Make your room reservation online. The NAMA room rate starts at $129.00 a night. The NAMA room rate is available on a first come-first serve basis until Wednesday, May 1, 2019, or until the group block is sold-out, so make your reservations as soon as possible. You may also call Hotel Pere Marquette at 800-410-9914 and reference the North American Millers' Association Corn Dry Milling Conference.


text:
East Anglian Daily Times > News > Business
Bungay: Nursey sheepskin firm faces closure after 168 years
Published: 10:00 AM February 19, 2014
EADT Business East...Sarah Chambers; Sheepskin headwear at Nursey of Bungay; Picture Owen Hines - Credit: Archant
A family-run business that has been hand-making clothes in Bungay since 1846 and was responsible for creating Del Boy Trotter's famous sheepskin coat, is facing closure.
EADT Business East...Sarah Chambers Managing director Tim Nursey and father Samuel 'Burton' Nursey beside a picture of Burton's father Samuel Parker Nursey (right) and grandfather Samuel James Nursey (centre) and a Mr Pipe the last tanning worker from the old premises. Picture Owen Hines EADT BUSINESSEAST 8/1/08
For five generations Nursey of Bungay has been making leather and sheepskin clothes, but Tim Nursey, the current managing director, confirmed that if a buyer is not found to take over the business, they will be forced to close next month.
HISTORY: Staff outside Nursey's in the last century - Credit: Archant
Mr Nursey, who had the business handed down to him by his father in the 1970s, said: "We are in talks with a company to take over parts of the business. It is possible that there might be another firm as well that could be interested.
Flyer jacket £499 - Credit: Archant
"As the situation stands at the moment we are due to cease manufacturing on March 19 unless something crops up.
"We will then reopen our shop in October for four months to sell off our stock."
Mr Nursey, who said they have made thousands of sheepskin coats in the last 50 years, said it was a difficult decision to make and that the business is in limbo.
He added: "We haven't made a profit for a number of years, costs are going up every year and it has been another mild winter."
The company uses the highest quality toscana and merino lambskin as well as Italian leather, which is turned into coats, slippers, gilets, gloves, hats and many other products by the workshop's team of expert seamstresses and cutters – many of whom have been with the company for more than 25 years.
Their coats have attracted celebrity buyers such as television presenter Holly Willoughby and musician Eric Clapton – who sketched the design on the back of an envelope. Probably the most famous coat ever made by Nursey belonged to David Jason. The Only Fools and Horses star was renowned for his sheepskin coat, and loved it so much that Nursey made one for the show and one for his private use.
Nursey of Bungay, based in Upper Olland Street, was acknowledged for its commitment to handmade production in 2011 when it was awarded the 2010 Countryside Alliance Award at the House of Lords for Britain's best traditional business.


Our sweet baby girl is officially off of bottles (insert head tilted, pouty/proud mommy face here)! While I am partly mourning the loss of our baby to toddlerhood, I am also jumping for joy, fist pumping and running around the house clicking my heels at the return of our countertops! See, for the last year, about 60% of our not huge counterspace has been monopolized by 2 drying racks (one for dirty, one for clean), a bottle warmer and various other bottle related what have you. And now that Adelaide is no longer taking any bottles (cue the cheers for the fact that we got off eeeeeasy on that one), I have packed all bottles and bottle related things away.
Welcome back countertop, it's soooo good to see you once again!
P.S. Don't forget to enter the giveaway if you haven't yet. You can do it here. Winner announced Friday!


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Q: Automated migrations for Azure Blob Storage. Does this exist? We are using Azure Blob Storage in all our projects. Through lifetime of a project the naming convention for files in Azure change: sometimes we would like to rename containers, remove extra folders and other clean-up operations.
But Azure does not allow easily to rename things, we have to do copy-delete.
Also we can change naming convention locally, during development. But we need to remember do the exact operation on production storage when we deploy new versions.
At the same time we use Entity Framework migrations: we updated database, migration script is created. Then we run "update-database" and DB is updated. The same is run automatically by deployment scripts: check if production DB needs to be updated, and update it if needed.
What would be good if we can do the same migration goodness for Azure storage: check if all the migration scripts have been applied, execute processes for missing scripts. Somewhere in the containers keep a reference to a latest executed script.
Does such thing exist? or should I have a go on it and try implementing something myself.

A: No, such functionality/behavior does not exists. And do remember that EF migrations are supported and are part of the EF itself, not the Data Base! So when you talk about Azure Blob Storage - it, as a service does not provide such functionality, the same way SQL Server itself does not do it.
To the question if such a library/code exists - no there isn't.
You are raising a very interesting question though!
I personally am not a big fan of "migrations". You can do it while in early stages of development life cycle. But once you hit GA/Production, you have to be very careful what you are doing. Even EF migrations might be good with small database sizes, but are you willing to run migrations on a DB which has tables with millions of records production data? Same with blobs. If you have 100 or 1000 blobs might be fine. How about 2M blobs? Are you really willing to put some code that would go through 2M entities and do some operations over it, and run this code as part of your build/deploy process? I would not.


Talented singer/guitarist Charles McKay, best known as the musical arranger and performer with sixties Decca recording trio The New Faces, sadly passed away on November 2, 2007 at the age of 63 after a long illness.
He was born and raised in Clydebank, Glasgow, and by the age of 14 was an accomplished guitar player. He was talent spotted by the Francis Langford Singing Scholars appearing with them in his first professional show Scotland Forever at the old Metropole Theatre Glasgow for the 1957/58 winter season.
Charlie remained with The Scholars until 1961, during which time they were a support act to the top of the bill on many variety and summer shows throughout the country and appeared in cabaret on the United States Air Force bases both in England and Germany.
In 1961 he left The Scholars to team up with fellow scholar Barry Greenway and singer Marie Gordon-Price to form The New Faces, a vocal trio who found much success on TV, appearing as the resident vocal group in the regular peak time show The Saturday Crowd, which starred Leslie Crowther and Peter Gordeno. They also guest starred many times on the Des O'Connor Show, as well as making many other TV appearances both at home and abroad.
Upon rapid closure of the variety theatres, the group turned their sights towards foreign climes, travelling the world performing on the luxury liners including the QE2 during the seventies and eighties, and were also invited to tour the west coast of America with The Liberace Show – this was one of the highlights of their career.
Greenway and Gordon-Price left the act some years ago and were replaced by singers Ian Grant and Sue Morgan who remained with the act until Charlie retired from showbusiness in 1991 to enable him to spend more time with his wife and family at their home in Shorne, Kent. Happily married for 41 years and a great family man, Charlie had a wonderful personality and always had a kind word and a smile for everyone he came into contact with.
The world of entertainment has lost a truly great performer who will be greatly missed by both his family and many friends. He is survived by his wife Phyllis, daughter Samantha, son Nicholas (who now lives in Australia) and their three grandchildren.


kir is currently certified at Journeyer level.
Yesterday I have received a letter from Matt Sullivan telling that he had finally finished his work on changing ASPseek's client API. This new API opens an opportunity to create other search frontends, and Matt is working on PHP frontend right now.
Previous client API that appeared in 1.2.8 was written by Ivan Gudym and allowed creation of Apache frontend. The problem with that API is it was tightly integrated with templates, so it was unable to go for output customization by other means that standard ASPseek templates. This API is designed to be more flexible.
Spend a few hours helping to buy a home PC for my friend. We (well, he) have bought AMD Athlon XP 1600+ with Thermaltake Volcano III cooler, Gigabyte 7VTXE m/b, 256 Mb PC2100 DDR SDRAM, 40 Gb WD HDD (7200 RPM), GeForce MX400 (with 64 Mb of video RAM), floppy, DVD-ROM, a nice case, keyboard and a nice optical Logitech mouse (M-BD69). All of the above plus a nice Samsung 17" 757NF monitor is just a bit under $900, which seems a nice price to me. It was only two years ago when I has bought SocketA 700 MHz Athlon for whole lot of 247 bucks. Oh my!
Aside from that, nothing serious has happened today. Oh, I took a chance and wrote a letter to David C. Merrill, an LDP lead developer, asking to try ASPseek out for LDP. The sad thing is sysadmins are tend to be lazy and do not touch things that works (and I understand the reasons), and LDP have ht://Dig up-n-running.
Today I had to get up really earlier (at 7am, which is extremely early for me) in order to visit the hospital with my 1-year-old son. I was amazed by his braveness then a nurse punched his little finger in order to get some blood for the analysys. Only a small shout and a single teardrop. He's a real man!
When we visited a dermatologyst. He said that baby's disease is definitely rubella and it's almost over. The strange thing about rubella is it doesn't need any kind of medicine; it is time that heals.
Today I was though about free software parasites - people/companies who use free software (such as our aspseek), make money out of it, do not pay for support or contribute in any other way, but always ask (dumb) configuration/installation/unrelated questions etc. They are really like insects that lives on another creatures and use their blood etc. for a living.
I had several relations with "parasite" aspseek users and I'm always feeling bad after it. They are refusing to make even the smallest contribution possible - to put a note on the site that it is aspseek powered, with a link back to aspseek.org, but still they do require a lot of attention and asks you questions that are answered in the FAQ or manual, or that should be better be discussed in users mailing list.
I still don't know what to do with such parasites - either deny to help them, or try explaining that free software is not one-way street and can't live without its users' contribution, or ask them to pay for support if everything they understands and can talk about is money. Does anybody knows how to made something out of such parasites, or how to deal with them?..
Created an account at advogato. Surprisingly 'kir' login was available, so I'm the first Kir here ;) Hope some more informative news will follow.