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General Terms and Conditions of
LUTZ GmbH & Co. KG, Solingen
Rev. 9 dated 14 April 2021
Our services are subject exclusively to the following terms & conditions unless we have confirmed exceptions in individual cases in writing. Our customers' terms & conditions shall, therefore, only apply to the extent they coincide with our own, whether or not we have explicitly objected to them. Acceptance of the services ordered shall be deemed recognition of our terms & conditions. All agreements are to be recorded in writing in all cases. If, nevertheless, oral agreements are made, the Parties undertake to commit these to the written form without any delay. If there are written agreements, it is a rebuttable presumption that they are complete and no amendment has been made. Any and all side agreements to our quotations, confirmations or agreements shall be subject to our written approval before they can become valid and incorporated in the contract.
2. Quotations and conclusion of the contract
2.1 Our quotations are subject to correct and timely deliveries to us by our suppliers. This shall apply only where non-delivery to our customer is not attributable to us, and in particular in the event that a congruent hedging transaction has been implemented with our supplier. The customer will be notified without delay of the unavailability of the service and any consideration already made will be immediately returned.
2.2 All the details in our catalogues and price lists are always subject to availability and without obligation. The documents and items associated with quotations, such as illustrations, descriptions, dimensions and weights, drawings, samples, other technical data and referenced DIN, EN, ISO and other internal or external standards are deemed to serve the purpose of identifying the goods subject of the contract, are non-binding and do not represent confirmation of any characteristics of the products unless explicitly so agreed.
2.3 A contract shall not come into force unless and until confirmed by us (confirmatory letter). Confirmation is generated by our computer system and does not require a signature to be fully effective.
2.4 We retain all intellectual property rights and copyright to all documentation and this documentation may not be made available to third parties. This applies in particular, but not exclusively, to quotations as well as drawings and other documents that seek to explain the products. These may not be used or passed on, in whole or in part, without prior written permission of the author, and under no circumstances to our competitors.
2.5 Where the customer is an entrepreneur as defined in Sec. 14 German Civil Code (BGB), modifications of the service rendered that are deemed reasonable to the ordering party within the bounds of accepted commercial practice are permitted.
2.6 The availability of publicised blade models as product samples is not warranted and is subject to availability. These items are subject to availability and prior sale.
3. Technical improvements
LUTZ constantly strives to improve its products in terms of quality and performance. As a result, all details given in brochures, price lists, on the Internet, during trade fairs etc. are intended to be examples. The mere presentation of products (invitation to treat) does not constitute a binding offer or guarantee of availability. LUTZ reserves the right to make changes to the products prior to conclusion of the contract without informing the customer in advance. Bespoke developments that are intended only for a particular customer are excluded. It is not possible to guarantee availability of a particular model over a specific period of time.
4. Changes in circumstances
With respect to consumers as defined in Sec. 13 German Civil Code (BGB), the prices agreed shall apply to goods which are to be delivered within four months of conclusion of the contract. The final prices may differ from those quoted if, between conclusion of the contract and delivery, the factors on which our calculation was based change to an unforeseeable extent. We therefore reserve the right to pass on increases in prices for raw materials, auxiliary and operating materials and consumables, energy costs of any kind (fuel, gas, electricity), agreed wages and salaries and any tax increases. There will be no increase in our profit margin.
5. Right to cancel
We reserve the right to cancel the contract if its performance involves technical difficulties that are so severe that they are insurmountable even with increased care, effort & expenditure, or if overcoming the difficulties would require disproportionate effort & expenditure in comparison with the value of the items subject of the contract. Disproportionate is deemed to be an amount that exceeds the order value by more than 15%. The customer shall be notified without delay – preferably during conclusion of the contract – of any identifiable problems in its technical implementation and the contract shall then be concluded with a corresponding proviso. Where applicable, any payments already made by the customer shall be reimbursed to the extent that they relate to services not yet rendered.
We reserve the right to cancel the contract if a customer fails to make contractually agreed advance payments within the agreed time frame.
6. Delivery time
Delivery dates and lead times given in our confirmatory letter as approximate or not expressly confirmed as binding or firm are deemed to be approximate. The lead time shall begin, at the earliest, on the date of our confirmation of order, however not before all details of the design have been finalised and all other preconditions to be met by the ordering party have been fulfilled.
This shall apply in particular with reference to the necessary approval by the customer for first-time or repeated creation of customer-specific blade models and release of product drawings generated by LUTZ.
Delivery before expiry of the delivery period is permitted. The same shall apply to partial deliveries to entrepreneurs where these are felt to be reasonable to the ordering party, taking into consideration the interests of both Parties.
7. Tools & dies
All tools & dies required to meet the order and invoiced explicitly to the buyer or ordering party as a contribution towards tooling costs, shall remain the sole property of LUTZ. Tooling provided by the buyer or ordering party shall be maintained and stored with all due care and attention. The costs of maintenance caused by wear and tear shall be borne by us. Tools paid for by the buyer or ordering party shall be used exclusively for that customer.
8. Prices and terms & conditions of payment
Our prices are ex works Solingen. Unless explicitly agreed elsewhere, ancillary costs for packaging, freight, postage, insurance and other shipping costs shall be added to the price. The rate of value added tax (VAT) applicable at the time of invoicing shall apply.
Our invoices are payable within 30 days of the invoice date, net cash, unless otherwise explicitly agreed. If the customer is in default of payment, we reserve the right to charge interest on arrears in the amount of five percentage points above the current base rate in the case of consumers, and nine percentage points above the current base rate in the case of entrepreneurs.
Bills of exchange may be accepted as payment where specifically agreed. In this case, we will charge the costs, stamp duty and interest until the due date at the current bank rate. Credit notes, bills of exchange and cheques are deemed to apply subject to receipt and without prejudice to a possible earlier due date of the purchase price in the event of the customer being in default of payment. These are considered timely if received in full less any fees charged and placed fully at our disposal by the due date. We reserve the right to refuse delivery until the customer has fulfilled its obligations from previous transactions. Where circumstances become known to us after conclusion of the contract that might reasonably suggest, in the course of normal commercial practice, that the customer's creditworthiness might be impaired and collection of the amounts outstanding in jeopardy, we reserve the right to require appropriate collateral to be provided within a reasonable time period, or that the rendering of our services is made dependent on payment of the consideration. We reserve the right to require payment of a reasonable down-payment or provision of a bank guarantee before the order is executed.
If the buyer or ordering party fails to comply with this request or fails to comply in a timely manner, we reserve the right to withdraw from the contract or demand damages for non-performance. If we have agreed payment by instalments with the customer or have accepted a bill of exchange as payment on account, we reserve the right, in the event of circumstances as described above in which settlement is in jeopardy, to require payment in cash in full immediately and with interest. Following this, we reserve the right, where the customer is in default, either, at our discretion, to withdraw from the contract without further notice or require damages for non-performance. If the customer ceases to make payments or files for bankruptcy, the purchase price becomes payable immediately.
9. Shipping and transfer of risk
The following terms shall apply to entrepreneurs as defined in Sec. 14 German Civil Code (BGB): goods are shipped at our discretion and without warranty for the lowest freight charges and these will always be charged to the ordering party and at that party's risk, in particular where, in exceptional circumstances, shipping at no charge or delivery through our own vehicles or staff has been agreed. Shipment is only insured at the express request and at the expense of the customer. With respect to consumers as defined in Sec. 13 German Civil Code (BGB), the standard legal provisions shall apply.
10. Retention of title
Our deliveries shall remain our property until the payment of all of our claims against the contractual partner, irrespective of their legal grounds, that accrue to us now or at any time in the future, even if the purchase price for specially designated demands has been paid. Where invoices are in the unpaid state, our retention of title shall serve as interim security. If the goods in which we have collateral are joined by the customer to form an integral part of a new object, this is done on our behalf and to our benefit but without any liability accruing to us and the ordering party does not attain property in the goods thus modified in accordance with Sec. 950 German Civil Code. The processed goods serve as our security, in the amount of the invoice value of the goods subject to retention of title. In the event of payment by cheque or bill of exchange, our retention of title shall remain in force until the cheque or bill of exchange has been honoured by the ordering party. If the goods delivered by us are integrated into other products not supplied by us we become part owners of the new object thus created where the proportion accruing to us is equivalent to the proportionate value of the goods delivered by us in the other integral components at the time of their manufacture. The product thus manufactured is subject to the same conditions as the goods themselves. In this respect, the new goods are deemed to be goods under retention of title within the context of these terms and conditions. The customer hereby assigns its claims to payment from retail or sale of the goods delivered, irrespective of whether the goods delivered by us were resold without an agreement or after the agreement and irrespective of whether the goods are sold to one buyer or several buyers. The assigned claim serves as security equal to the value of the goods sold which are subject to retention of title. If the goods delivered by us are sold together with other products not belonging to us, whether without or after processing, the assignment of claims in our favour shall only apply to the value of the goods delivered. The customer may sell our property only in the ordinary course of business and as long as the customer is not in default. The customer is only entitled and authorised to resell the goods delivered with the proviso that the customer's claims from the resale are assigned to us in accordance with the above provisions. The customer shall have no further right to dispose of the goods subject to retention of title. At our request, the customer shall notify its customer of the assignment for the purpose of payment to us. Where the value of the collateral in our favour exceeds the value of the claims secured by that collateral by more than 20% in total, the customer is entitled to demand a release from a corresponding amount of collateral at our discretion. The customer undertakes to notify us immediately of any seizure or other interference in our claims by third parties.
All goods delivered remain our property until they have been paid for in full.
11. Warranty and liability for defects
The buyer or ordering party is obliged to inspect the goods immediately upon receipt and notify us without delay of any defects (such as faults in the goods, lack of warranted characteristics or delivery shortfalls). In the case of hidden defects, notification must be immediately on detection. Entrepreneurs are required to communicate evident defects in writing within a period not exceeding one week of receipt of the goods either in print form (email or fax) or as a signed document. Timely dispatch is sufficient in order to meet the deadline. An entrepreneur bears the onus of proving all matters relating to the claim, in particular the defect itself, the time it was noticed and the timely communication of the complaint. Stricter legal requirements, in particular those defined in Sec. 377 German Commercial Code (HGB), remain unaffected.
Otherwise the goods will be regarded as having been accepted. Where we confirm the goods as defective, we may, at our discretion, rework the defective product or supply a replacement. Where the customer is an entrepreneur, replacement delivery means the provision of the goods at the place of performance against return of the non-conforming goods, and without liability for any additional costs. If we allow a reasonable extension period to pass by without remedying the defect or providing replacement goods, the buyer or ordering party is entitled to reduce the purchase price or withdraw from the contract. If the customer is an entrepreneur, further warranty claims, in particular for damages, are excluded within the limits of Point 11 of these terms and conditions. If the buyer or ordering party is a consumer, statutory warranty rights shall apply, subject to the following provisions.
We shall not accept any liability for defects caused by errors in the documents or items submitted by the buyer or ordering party (drawings, samples etc.). We reserve the right to refuse to remedy defects as long as the customer does not fulfil its liabilities to pay. The customer's warranty claims shall be void if alterations to the goods manufactured by us are made without our consent or if damage occurs which is not caused by us, for example, through improper use or unqualified installation. Unless otherwise explicitly agreed, goods made of carbon steel will be supplied with an oil-based anti-corrosion protection and stainless steels or austenitic steels will be supplied without an oil film. Small quantities of residues of auxiliary materials and consumables cannot be ruled out and do not justify any complaint (see Point 13 "Definitions"). Treatment to ensure the best possible sterility of the goods must be communicated and agreed specifically. Corrosion resistance of the materials used can only be confirmed in accordance with Point 13 "Definitions" and only for the time of delivery. Lack of corrosion protection in accordance with the agreement, improper storage or damage to the goods by inappropriate packaging when returning the goods by the customer shall lead to an exclusion of liability by LUTZ.
Buying and ordering parties are not entitled to claim for damages. This excludes claims for damages by the ordering party or customer resulting from injury to life and limb or health generally and for the violation of substantial contractual obligations or liability for other material defects resulting from intentional or grossly negligent violations of obligations by the user, the officers of the company or its agents. Substantial contractual obligations are those whose fulfilment is necessary for achieving the objective of the contract.
In the event of a violation of substantial contractual obligations, our liability is limited to reasonably foreseeable average damages typical for such contracts taking into account the type of goods involved. This also applies to minor negligent breaches of duty on the part of our legal representatives or agents.
With regard to entrepreneurs, we accept no liability for minor negligence of insignificant contractual obligations.
The above limitation of liability does not affect the customer's rights arising from Product Liability.
Claims already existing at the time of the conclusion of the contract shall remain unaffected.
Stainless, rust-resistant or similar terms used to describe the factual circumstances – In normal usage, "stainless" is used to denote that a material is not likely to oxidise when it comes into contact with oxygen. Depending on the materials used, the tendency to oxidise may be reduced. Contractually agreed selection of materials and processes, such as painting, lacquering, surface polishing, passivation and similar processes may optimise the material's resistance to oxidation beyond the normal properties of the base material. It is not possible to guarantee total resistance to all forms of corrosion in a theoretical sense where there is no discolouration of the surface and this shall not amount to a defect within the context of the product characteristics.
Free of scratches or similar terms used to describe the factual circumstances – The texture of the surface is a function of the manufacturing process. Scratches as a description of flaws in the texture cannot be excluded and do not represent defects in terms of the product characteristics.
Free of dirt, clean, cleaned or similar terms used to describe the factual circumstances – Our products will exhibit residual traces of soiling resulting from the manufacturing process. It is possible to minimise these by means of a downstream cleaning process if incorporated in the contractual agreement. We have regular audits of our product cleaning processes by independent institutes. The resulting reports can be made available to our customers. It is not possible to guarantee total freedom from all soiling in a theoretical sense.
Sterility or similar terms used to describe the factual circumstances – Where germ-free processing of our products is contractually agreed, this is performed with state-of-the-art techniques in equipment suitable for that purpose. The equipment is maintained at a high level of currency. It is not possible to guarantee total sterility in a theoretical sense.
14. Court of jurisdiction & place of performance
Where the customer is an entrepreneur, legal entity under public law or special fund under public law, the sole Court of jurisdiction for both parties in the event of disputes arising in connection with this contract is Solingen. The same shall apply if the customer has no general Court of jurisdiction in Germany or the place of residence at the time the action is filed is unknown.
The place of performance for all claims arising from or in connection with this contract is also Solingen; contracts with consumers are subject to Sec. 269 German Civil Code (BGB).
The contractual relationship is subject exclusively to German law. UN commercial law (CISG) is deemed to be excluded.
If any clause in these terms & conditions or the subsequently concluded agreements should be or become invalid, the remainder of the contract shall remain unaffected. The parties undertake to replace the unenforceable provision with one which is enforceable and comes closest to the original commercial intentions of the parties.
17. Versions
The latest version of our General Terms & Conditions is always to be found with appropriate change notices and the publication date on our website.
AGB General Terms and Conditions General Terms and Conditions CGV CGC General Terms and Conditions General Terms and Conditions
General Terms and Conditions General Terms and Conditions General Terms and Conditions General Terms and Conditions General Terms and Conditions General Terms and Conditions


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California Chrome Rated Fifth-Best in World
June 15, 2014 /0 Comments/in Archived News /by none
By Blood-Horse Staff
Dual classic winner California Chrome is the fifth-ranked horse in the latest "World's Best Racehorse Rankings" published June 12 by the International Federation of Horseracing Authorities.
A 3-year-old colt whose Triple Crown bid ended in the June 7 Belmont Stakes (gr. I), California Chrome was rated at 124 in the rankings, compiled by a committee for the period covering Jan. 1-June 8.
Continuing to top the rankings with a 130 rating is Japanese-based Just A Way, winner of the Yasuda Kinen (Jpn-I) at Tokyo Racecourse June 8. Rated at 126 and second in the rankings is Variety Club, the South African-based winner of the Godolphin Mile (UAE-II) on the Dubai World Cup card in March.
Santa Anita Handicap (gr. I) winner Game On Dude, most recently second in the Charles Town Classic Stakes (gr. II), is tied with Kingman, an impressive five-length winner of the Tattersalls Irish One Thousand Guineas (Ire-I), for third overall. Game On Dude is the highest rated U.S.-based horse at 125.
Rated along with six other horses at 123 are Metropolitan Handicap (gr. I) winner Palace Malice and Oaklawn Handicap (gr. II) winner Will Take Charge, the only two other U.S.-based runners among the top-ranked horses.
Read more on BloodHorse.com: http://www.bloodhorse.com/horse-racing/articles/85654/california-chrome-rated-fourth-best-in-world#ixzz34hcvIlBW
https://harrisfarms.com/wp-content/uploads/2016/03/harrislogo.png 0 0 none https://harrisfarms.com/wp-content/uploads/2016/03/harrislogo.png none2014-06-15 10:35:242016-03-08 20:12:29California Chrome Rated Fifth-Best in World
Thorn Song out of Don't Despair colt foaled February 11 Unusual Heat out of Chalula One filly foaled February 23

redpajama_set_name: RedPajamaCommonCrawl


When Shane Durnford was asked to design and fabricate a handcrafted sign for the Peel Heritage Complex (now called The Peel Art Gallery, Museum and Archives) fifteen years ago in Brampton Ontario, he did his research. The sign was designed within the historical time period and form of the building's architecture, resulting in a seamless and authentic design. Shane tells us how he used Precision Board HDU, a copper roof, Wiarton stone base and bronze and gilded lettering to create a brand new sign that looked like it had always been there.
When the Peel Heritage Complex owners needed some signs to compliment their historic site, they approached Shane Durnford. They were looking for three signs in total- a directional sign on the side 12 feet tall, a long sign on the lawn about 15 feet long and then some modern touches to the sign on the building itself.
"I followed a design process that follows a criteria developed from research and discovery," says Durnford. "I designed the bases and they were contracted out. The signs themselves were created in the studio and then assembled on location," he adds.
He sketched the designs, redrew them in Adobe Illustrator then scaled them to full size and hand-crafted them out of PBLT-18 Precision Board HDU using traditional woodworking tools including a wood lathe (for the corner pillars ), bandsaw, table saw, and carving tools. There were no CNC machines used. Everything was done by hand.
The base is limestone from the Niagara escarpment, a native stone that was traditionally used throughout Ontario in the 1800's.
The roof is copper that was patina'd. Shane says copper was a natural choice for this. He then used pot lighting to light the sign up at night.
Shane says he loves the challenge of creating new signs that authentically blend with historic buildings and their stories.
Durnford says for projects like this, he'll go back to the history of the building and research the time period and architecture.
Shane says too many signs these days are new interpretations of old pieces and they fall short- there's no story. The very thing that gives it soul.
It took Durnford about two to three months to make all the pieces, including the structure it was on and getting all the copper applied. To assemble it took a couple of days.
When the Peel Heritage Complex was renamed to The Peel Art Gallery, Museum and Archives, Shane was asked to come back and retrofit the signs in 2012. You can see what they look like right now in the photos below.
Shane graduated from Toronto's George Brown sign-writing program in 1981. With lettering quill in hand and a box of paint, he started from a humble shop in Creemore, Ontario and, within a few short years, had become a highly sought-after Sign crafter. As a Registered Graphic Designer, Shane quickly became known for not only his superb hand crafting skills but also for his novel image consulting and design services, across various mediums: logos, websites, promotional/advertising material, illustration, corporate branding, and showpiece signage. His unique brand is sensory storytelling thru maximum impact, multifaceted visual imagery.
Shane's work and articles have appeared in international trade publications. National exposure in major Canadian magazines and television. His work, as well as articles, are well respected within the industry. He has hosted design workshops, participants from as far away as Australia. He is retained as key note speaker for branding strategies by municipalities. Shane Durnford Studios can be found on a variety of platforms, including his new Instagram account. For more information and other social platforms, check out his website. Design & Carving workshops are being organized for Summer 2018, more information to come. Email Shane to receive more info and pricing when it becomes available.
Coastal Enterprises offers free samples of Precision Board HDU. You can also sign up for our monthly blog roundup, which is jam-packed with helpful blogs on people like Shane doing creative and interesting things with Precision Board. You can also give us a call with your questions at 800-845-0745. We'd love to hear from you!


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Walking along the vertiginous footbridges of Montfalcó
The Route of the Footbridges: a must see destination for lovers of hiking
Aren't you afraid of heights? Do you want to face it? Walking along the footbridges of Montfalcó has become a must-see destination for those who bet on the adrenaline of a walk in the heights. This route has footbridges, hanging bridges and impressive landscapes along a wall 80 meters high.
This itinerary is located on the natural border between Huesca and Lleida and delimited by Nogera-Ribagorzana river. It witnesses a history that goes back many years. Inhabitants of both banks of the Sierra de Montsec had to manage to create a path that would allow them to communicate and trade before the Canelles reservoir was built in the area. The gorge was the shortest way. The route has become a must see place for those who love hiking and nature.
Helicopters were needed to build these impressive hanging footbridges. The stairs have become the main point of the route. There are 291 steps on the Aragon side, which means 83 metres high.
There is the possibility of doing other active tourism activities in the area. It is also recommended to spend the night in nature to enjoy the rich natural and monumental heritage of the area.
The gratification of reaching the top and enjoying the impressive views of a postcard-perfect-landscape will encourage you to overcome the afraid of heights. Then, you will dare to travel around the giddiest locations in Spain. What are you waiting for to discover this treasure of Spanish geography?
Aragón, footbridge, hiking, Huesca
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Porajmos: Remembering the Roma genocide of World War II
August 2, 2015 English, Migration and Asylum, News
Photo: Screentshot via YouTube, European Roma Information Office
Press Release No: 15/31
Sunday 2 August is Roma Holocaust Memorial Day, commemorating the genocide of Roma people during World War II. Declared by the European Parliament in 2015, the day marks the anniversary of the extermination of more than 3,000 Roma at Auschwitz-Birkenau in 1944.
During World War II Roma were declared enemies of the state and subject to widespread persecution and murder. Though more than seventy years have passed since the events at Auschwitz-Birkenau, Roma continue to experience prejudice and exclusion in Europe. They are frequent victims of hate speech and hate crimes, and experience discrimination in access to education, employment, and housing. "We hope this commemoration will strengthen efforts for justice and reconciliation," says CEC General Secretary Guy Liagre.
"Throughout their history, Roma minorities have experienced marginalisation, suffering, and violence," adds CCME General Secretary Doris Peschke, "Remembering the past is the first step to healing of memories and building a future respecting national minorities."
The European Roma and Travellers' Forum (ERTF) calls on Europeans to observe a moment of silence at noon on Sunday, 2 August in memory of the Roma victims. The Conference of European Churches and the Churches' Commission for Migrants in Europe (CCME) encourage all Europeans to join in this action.
For more information on the Roma genocide of World War II, the European Roma Information Office (ERIO) has prepared a list of publications and websites on the subject. ERIO has also produced a short film available online.
For more information or an interview, please contact:
Rue Joseph II, 174 B-1000 Brussels
The Conference of European Churches (CEC) is a fellowship of some 114 Orthodox, Protestant, Anglican and Old Catholic Churches from all countries of Europe, plus 40 national council of churches and organisations in partnership. CEC was founded in 1959. It has offices in Brussels and Strasbourg.
The Churches' Commission for Migrants in Europe (CCME) is the ecumenical agency on migration and integration, asylum and refugees, and against racism and discrimination in Europe. Members are Anglican, Orthodox and Protestant Churches and Councils of Churches as well as church-related agencies in presently 18 European countries. CCME cooperates with the Conference of European Churches and the World Council of Churches.
Prayers and condolences over Albania earthquake
In the wake of the deadly earthquake that hit Albania, CEC President Rev. Christian Krieger has conveyed condolences and prayers.
Jørgen Skov Sørensen appointed as CEC general secretary
Dr Jørgen Skov Sørensen has been appointed as the new general secretary of the Conference of European Churches.
CEC–CCEE Joint Committee: Living Hope in Europe Today
Inspired by the biblical premise of Isaiah 51:9 "Awake, awake, put on strength!" the Joint Committee of the CEC and CCEE affirmed hope in addressing Europe's challenges.


PhD student at the Sir Zelman Cowen School of Music, Ian Parsons recently won the Arts Faculty Three Minute Thesis competition for his pitch of a Lacanian analysis of Karlheinz Stockhausen's 7-day opera cycle 'Licht' (Light).
Researching in the field of music and psychoanalysis, in an attempt to uncover the sense of humanity expressed through music, Mr Parsons is analysing this major 20-21st century Stockhausen work from the perspective of the French psychoanalyst Jacques Lacan to try and decipher what the operas can tell us about how the human mind functions.
For Jacques Lacan, humans are not simple entities, particularly when his register theory is applied. Lacan identified three registers of the human psyche: the Imaginary – which relates to our image of ourselves; the Symbolic – which connects with how we communicate and function within society; and the Real which is about something more fundamental and primal than this and which resists our ability to understand it.
"We're actually a tangled web of these different aspects. At one level, we are people who identify as human beings made up of a whole lot of different parts to form a single identity," Mr Parsons said.
But, he says, we are also people who live in a social world where we have to communicate with others, understand others and fit in with certain kinds of societal expectations. These are often expressed collectively in laws and religions.
"Then there is something beneath all of that which is more primal that isn't captured in our image of ourselves, that isn't captured in the way we live in society, but is still fundamental to who we are," he said.
"These three strands are always interacting in different ways and different tangles and different tensions," Mr Parsons said.
Those Lacanian registers seem to be very well reflected in how the three core characters of Licht – Michael, Eve, and Lucifer – behave and in how their music is structured, even though Stockhausen was not a Lacanian and, indeed, the two were in some ways poles apart in their views of the world. Mr Parsons, however, was intrigued by the synergies between Stockhausen's characters and Lacan's registers and so decided to explore how this might provide a new way of understanding both.
Working closely with the published scores of the operas and other resources offered by the Stockhausen Foundation in Kürten, Germany, Mr Parsons is looking at how the themes of each character are used throughout the scores. All of the music is a representation or a use of some aspect of those musical themes, which Stockhausen called 'formulas'.
"I'm looking at how that happens and develops throughout the scores. Is the formula being played backwards or upside down, are the intervals being stretched in some way, or some other technique that serialist composers use? How does one formula influence another in different passages of the operas?" Mr Parsons said.
One thing Stockhausen said that's really important in all of this is the characters in these operas are in their most essential form in their music, particularly in these musical formulas. There are three bodily incarnations of each character on stage, but these are only outward manifestations of them. Their most essential form are these formulas that represent them musically.
"Whenever you hear or see any version of their music in the score, which is all throughout, then it's some representation of some different aspect of that character," he said.
Mr Parsons said this research is an indicator of how music can show us something different about the way we live our lives. We are dynamic beings, not just static subjects, and this can be a revealing lesson in how we think about human personality.
The main theme throughout his thesis is it suggests human personality is a constantly evolving cycle: we are always searching for a balance between those three elements of what makes us but we never really find it or when we do we lose it straight away.
"Human personality is a constant battle within ourselves between our need to be connected to our sense of identity, through our need to be part of a society, and through all the unspoken primal 'stuff' – rather akin to what Aristotle called the hyle of the universe – that is rumbling away beneath all of that," Mr Parsons said.
"All of those aspects of ourselves are constantly competing against each other but they all rely on each other." Mr Parsons said that that mutual reliance is reflected both in Lacan's theory that the three registers related to each other like interconnected rings, as well as in the way Stockhausen composed the three formulas, where each is musically connected to the other two in a way that means they are only ever complete together.
One example of this interconnection is a vital point in the middle of Licht where all three strands of music are heard together – and this is the only time in the whole seven operas where the three formulas are performed together, in full and unaltered.
He compares it to Sisyphus, who in Greek mythology was condemned to pushing a boulder up a hill only for it to roll back down. Sisyphus is often analysed as a nod to eternal damnation but French philosopher Camus said it wasn't.
"[Camus said] it's a recognition of what life is like," Mr Parsons said.


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Towel holders, shelves, soap dispensers, toilet paper dispensers, brush holder, hooks and grab bars are some of the main Mediclinics accessories available for professionals.
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text:
Arthritis Action Fundraisers
We are very excited that five amazing people have chosen to run for us this spring. Spread as far as Brighton, Hastings, London and Manchester, they are raising vital funds to support our services for those affected by arthritis. Running nearly 100 miles between them, they have so far raised just over £1,700 (approximately £2,000 including Gift Aid).
Arthritis Action would like to extend a huge thank you!
If you would like to come along and cheer them on (or sponsor them) the details of their runs and donation pages are below.
If you would like to sign up for your own challenge, please get in touch with Iza Seabrook our Fundraising Manager, or visit our page here.
Amira will be in London on Sunday 10th March
Tim will be in Hastings on Sunday 24 March
Jade will be in Manchester on 7 April
Sarah and Chris will be in Brighton on Sunday 14 April. You can support them below Sarah: https://www.justgiving.com/fundraising/sarah-wayman1 Chris: https://uk.virginmoneygiving.com/ChrisStanden
Chris, our Brighton Marathon runner, training in Arthritis Action colours!


Lounge wear! Soft T-shirts and cotton skirts. I may not leave the house in them, not even Walmart, but I wear what is comfortable.
That cracked me up! OF COURSE, I wear some loungy stuff while writing that I'd never wear to Wal-Mart! LOL. Thanks for stopping by!
Pretty much what I always wear: polo shirt, blue jeans, shoes, no socks. That's pretty much what I wear to everything these days.
There's a site called PJ Media, founded by a number of current-events bloggers. They named it that because they were dismissed as a bunch of bloggers sitting around in their pajamas.
THAT's why it's called PJ Media? I'd heard of that site, but I didn't know that. Interesting information, John!
I just finished My Sister's Demon and The Vampire Exclusive. Loved them both! But, The Vampire Exclusive had me thinking about it for two days after I read it. The last line was pure genius on so many levels.
Aren't fuzzy slippers the best? I have some big comfy slippers myself, and yes, in winter I write in them. 🙂 And that tiara idea is priceless! Good for you.
I'm SO GLAD you enjoyed the short stories! And referring to something I wrote as "pure genius" simply MADE MY DAY. Sending you happy vibes, Sherry!
When I'm writing I prefer to live in comfort. Shorts, pj bottoms, tank tops or tee shirts… Yeah. I'm of the "let it all hang out" variety. Well, at least when I'm writing.
There are other times to "let it all hang out." But writing is a good excuse, LOL! 😉 Enjoy that living in comfort!
When I was on deadline this past month, I went for days without getting dressed! (I even needed a few gentle reminders from my loved ones to shower. Oh well. I was on a roll and hygiene didn't seem as important as getting the story written.) During the school year, I tend to wear whatever I happen to be wearing–business attire, casual, or a robe sans underwear–when I pull open the laptop. I write everywhere and anywhere. I don't think much about what I look like. It's the words that matter, right?
Pajamas rock for writing! As I sit here writing this comment, I'm in my pink PJ bottoms and a gray tee I wore to bed. Comfy, comfy!
Yes, it's the words that matter! I have heard of other writers who "forget" to shower. I think that puts you in some good company, Jolyse.
"It doesn't matter what you wear just as long as you are there"–from Dancing in the Streets (and that's my philosophy). Nightgowns or T-shirts/yoga pants/jeans. The white silk blouse would be nice for the day job.
Great job on the goals.
If it's warm and I don't have to leave the house, a T-shirt and underwear and that's it. If it's cold, pj pants under the T-shirt, fuzzy lined Crocs, and however many other layers I need up top to stay warm.
Pantless writing…? Hmm. I could see how that would work. I do find it interesting how many of us are going purely with comfort. Happy writing, Tymber!
I write so much whilst in my pyjamas that I now go by the name of 'The Pyjama Writer'. If anyone knocked at the door late morning, they'd probably think I was a good-for-nothing slob or was on day release from a care home or something. Little do people realise that pyjamas play an important role in supporting the flow of a writer's creative juices!
'Scuse the spelling of 'pyjama', by the way… The Brits & Aussies don't do it like the yanks!
Glad you stopped by, Alannah! Happy writing.
Yes, a thousand apologies for the 'Yanks' term (which I omitted to put a capital Y on – tut, tut! – I blame my new keyboard!). We in Britain (quite ignorantly, really) use it as a blanket description for Americans, but one should definitely be more careful when addressing your good selves from the US!


text:
OECD & COVID-19 – Updated guidance on tax treaties and...
OECD & COVID-19 – Updated guidance on tax treaties and the impact of the Covid-19 pandemic
The COVID-19 pandemic has forced governments to take unprecedented measures such as restricting travel and implementing strict quarantine requirements.
This unprecedented situation is raising many tax issues, especially where there are cross-border elements in the equation; for example, cross-border workers, or individuals who are stranded in a country that is not their country of residence.
At the request of concerned countries, the OECD Secretariat has issued a guidance on these issues based on a careful analysis of the international tax treaty rules in April 2020. Last 21th January OECD has published a note that revisits the guidelines issued in April, mostly confirming them.
Avv. Chiara Di Sabatino
This note revisits the guidance issued by the OECD Secretariat in April 2020 on the impact pf the Covid-19 pandemic on tax treaties.
This unprecedented situation is raising many tax issues, especially where there are cross-border elements in the equation.
At the request of concerned countries, the OECD Secretariat has issued a guidance on these issues based on a careful analysis of the international tax treaty rules.
2. Concerns related to the creation of permanent establishments
Some businesses may be concerned that their employees dislocated to countries other than the country in which they regularly work, and that working from their homes during the COVID-19 crisis will create a "permanent establishment" for them in those countries, which would trigger new filing requirements and tax obligations.
The exceptional and temporary change of the location where employees exercise their employment because of the Covid-19 pandemic, such as working from home, should not create a PEs for the employer.
Similarly, the temporary conclusion of contracts in the home of employees or agents because of the Coivd-19 pandemic should not create PEs for the businesses.
It is unlikely that the COVID-19 situation will create any changes to a PE determination.
During the COVID-19 crisis, individuals who stay at home to work remotely are typically doing so as a result of government directives: it is force majeure not an enterprise's requirement. Therefore, considering the extraordinary nature of the COVID-19 crisis, teleworking from home (i.e. the home office) would not create a PE for the business/employer.
If an individual continues to work from home after the cessation of the public health measures imposed or recommended by the government, the home office may be considered to have certain degree of permanence.
A further examination of the facts and circumstances will be required to determine whether the home office is now at the disposal of the enterprise following this permanent change to the individual's working arrangements.
Agency PE
The question may also arise whether the activities of an individual temporarily working from home for a non-resident employer could give rise to a dependent agent PE. An employee's or agent's activity in a State is unlikely to be regarded as habitual if he or she is only working at home in that State for a short period because of force majeure and/or government directives extraordinarily impacting his or her normal routine.
A different approach may be appropriate if the employee was habitually concluding contracts on behalf of enterprise in their home jurisdiction before the Covid-19 pandemic.
The agent's activity in a jurisdiction should not be regarded as "habitual" if they have exceptionally begun working at home in that jurisdiction as a public health measure and would not constitute a dependent agent PE provided the person does not continue those activities after the public health measures cease to apply.
Construction site PE
It appears that many activities on construction sites are being temporarily interrupted by the COVID-19 crisis. The duration of such an interruption of activities should however be included in determining the life of a site and therefore will affect the determination whether a construction site constitutes a PE. In general, a construction site will constitute a PE if it lasts more than 12 months under the OECD Model.
A construction site PE would not be regarded as ceasing to exist when work in the site is "temporarily" interrupted, but jurisdiction may consider that certain periods where operations are prevented as a public health measure imposed or recommended by the government where the site is located to reduce spread of the Covid-19 virus constitute a type of interruption that should be excluded from the calculation of time thresholds for construction site PEs.
3. Concerns related to change of residence
The COVID-19 crisis may raise concerns about a potential change in the "place of effective management" of a company as a result of a relocation, or inability to travel, of chief executive officers or other senior executives.
A temporary change in location of the chief executive officers and other senior executives is an extraordinary and temporary situation due to the COVID-19 crisis and such change of location should not trigger a change in residency.
An entity's place of residence under the tie-breaker provision included in a tax treaty is unlikely to be impacted by the fact that the individuals participating in the management and decision-making of an entity cannot travel as a public health measure imposed or recommended by at least one of the governments of the jurisdictions involved.
4. Concerns related to cross border workers
Where a government has stepped into subsidies the keeping of an employee on a company's payroll during the COVID-19 crisis, the income that the employee receives from the employer should be attributable, based on the OECD Commentary on Article 15, to the place where the employment used to be exercised.
In the case of employees that work in one state but commute there from another state where they are resident (cross border worker), this would be the state they used to work in.
Some stimulus packages adopted or proposed by governments are designed to keep workers on the payroll during the COVID-19 crisis despite restrictions to the exercise of their employment.
The payments that employees are receiving in these circumstances most closely resemble termination payments, that should be attributable to the place where the employee would otherwise have worked. In most circumstances, this will be the place the person used to work before the COVID-19 crisis.
5. Teleworking from abroad
A change in the place where the employment is exercised may give rise to a change in the allocation of taxing rights under the current treaty rules.
Exceptional circumstances call for an exceptional level of coordination between jurisdictions to mitigate the compliance and administrative costs for employees and employers associated with an involuntary and temporary change of the place where employment is performed.
Where relevant, MAP should be applied efficiently to help resolve issues arising out of the Coidv-19 pandemic.
Changes in the jurisdiction where an employee exercises their employment can impact where their employment income is taxed: new taxing rights over the employee's income may arise in other jurisdictions and those new taxing rights may displace existing taxing rights.
6. Concerns related to a change to the residence status of individuals
Two main situations could be imagined:
A person is temporarily away from their home and gets stranded in the host country by reason of the COVID-19 crisis.
A person is working in a country (the "current home country") and has acquired residence status there, but they temporarily return to their "previous home country" because of the COVID-19 situation.
In the first scenario, it is unlikely that the person would acquire residence status in the country where the person is temporarily because of extraordinary circumstances. Such a temporary dislocation should therefore have no tax implications.
In the second scenario, it is again unlikely that the person would regain residence status for being temporarily and exceptionally in the previous home country.
A dislocation because a person cannot travel back to their home jurisdiction should not by itself impact the person's residence status for purposes of the tax treaty. A different approach may be appropriate if the change in circumstances continues when the Covid-19 restrictions are lifted.


This paper deals with the novel design and implementation of asynchronous microprocessor by using HDL on Vivado tool wherein it has the capability of handling even I-Type, R-Type and Jump instructions with multiplier instruction packet. Moreover, it uses separate memory for instructions and data read-write that can be changed at any time. The complete design has been synthesized and simulated using Vivado. The complete design is targeted on Xilinx Virtex-7 FPGA. This paper more focuses on the use of Vivado Tool for advanced FPGA device. By using Vivado we get enhaced analysis result for better view of properly Route & Placed design.


text:
From the Erie Times-News, November 13, 2003
Delianuova, Italy, daughters reunite
In this fast-paced world, we tend to spend a great deal of time looking ahead. We set our job goals for the upcoming year, we save for our children's college education and we start shopping for what we'll wear to the New Year's Eve party six weeks from now.
But every once in a while, it's important to turn around, to look back, to try to understand where you came from.
Last week, my mother, my daughter and I looked back. We looked way back. We traveled nearly 5,000 miles to the tiny village of Delianuova, Italy, the birthplace of my mother's immigrant parents, Angelo Gangemi and Francesca Costanzo Gangemi. Amid miles of silver-green olive trees and orange groves, nestled into the valley of the Aspromonte Mountains, we found Delianuova.
It was a place my mother had heard about many times as a child. My "Nana," in her broken English, would speak of the village and its people, and tell stories from her childhood.
Most memorable was Nana's description of her childhood home and how it sat among a connected line of houses on a narrow street, with one step up from the street to the front door and five steps up once the door was opened.
It became our goal to find that house, to sit on the front step that Nana's feet had crossed over many thousands of times from her birth to the day she left Delianuova as a "spinster" in her early 30s to come to America for her arranged marriage to my grandfather.
We had expected to see unspoiled landscapes, old-world structures, and a slower, more traditional way of life, and we were not disappointed. What we did not expect was the shower of warmth and kinship we experienced from the people of Delianuova.
The phone in our hotel room began to ring just hours after we checked in, announcing the arrival of about a dozen people who shared my grandparents' surnames, each conversing with my mother in the Calabrese Italian dialect Mom had learned from her parents nearly half a century ago.
My mother (Angelina Gangemi Lewis) and I, on the stoop of her childhood home
They discussed names and dates and details of our Delianuovan ancestry, trying to establish a connection to our bloodlines. And even though no one remembered my grandparents and no direct relationship could be established, we knew from their engaging manner, the angularity of their physical features, and their outpouring of warmth that we somehow belonged.
Even those who did not share our surnames embraced us. A local man named Enzo, whom I had reached two years ago on the Internet via one of Delianuova's few computers, took us on a city and mountain tour. He unearthed church records dating back hundreds of years, and pointed us to the home he believed had been my Nana's.
It turned out he was right. Not only was my mother able to sit on the step of her mother's childhood home - a home among a connected line of houses on a narrow street, with one step up from the street to the front door and five steps up once the door was opened — she touched the baptismal font where her father was baptized. She literally felt her mother's presence in the very church Nana attended each and every Sunday.
And from this two-day visit, I gained insight into where my mother's kindness and generosity and my daughter's sense of unconditional acceptance originated. I may have even discovered — among the laughing, upbeat Delianuovans — where I got my offbeat sense of humor.
The old adage says, "Never look back," but when it comes to your history and your roots, the more you look into the past, the more it tells you about the person you are today.
MONICA LEWIS writes about family life every Thursday in the Erie Times-News.


text:
St. Christophorus ist eine nach dem heiligen Christophorus benannte evangelisch-lutherische Kapelle in Neuendettelsau.

Geschichtliches
Die Kapelle wurde 1905 nach den Plänen von Georg Heim als neuer liturgischer Mittelpunkt für die geistig Behinderten erbaut, die in den Heimen der Diakonissenanstalt lebten, da die alte Laurentiuskirche für die wachsende Zahl der Bewohner und Diakonissen zu klein wurde. Am 12. Oktober 1905 konnte sie eingeweiht werden.

Nach dem 2. Weltkrieg wurde vereinbart, dass die in Neuendettelsau durch Kriegsflüchtlinge stark angestiegene Zahl der Katholiken dort ihre Sonntagsmesse zelebrieren durften. Bis zum Bau der Franziskuskirche im Jahr 1962 wurde dieses Angebot genutzt.

Baubeschreibung
Die Kapelle hat ein Langhaus mit rechteckigem Grundriss und Satteldach und im Osten einen eingezogenen 5/8-Choranbau mit Walmdach. Das Langhaus hat fünf Achsen von Rundbogenfenstern an der Süd- und Nordseite, wobei die mittlere Achse an der Südseite durch ein Rundbogenportal ersetzt ist. An der Westseite gibt es ein Rundbogenportal, darüber ein Ochsenauge und ein kleiner Dachreiter, der das Christusmonogramm zeigt. Der Choranbau hat an seinen drei Seiten Rundbogenfenster mit Glasmalereien, die Szenen aus dem Leben Jesu Christi zeigen. Links und rechts vom Chor gibt es jeweils ein Rundbogenportal. Die Außenfassade ist an allen Seiten mit Putzgliederung versehen. Das Gebäude weist nur bescheidene Stilmerkmale der Neuromanik und des Neoklassizismus auf.

Der einschiffige Saal schließt innen mit einer Holzdecke flach ab. An der Ostseite ist er durch eine Stichbogenarkade mit dem Chor verbunden. Über der Arkade steht der Schriftzug: "Kommt her zu mir alle die ihr mühselig und beladen seid" (). Im Chor steht die Altarmensa.

Literatur

Weblinks

St. Christophorus
St. Christophorus
Kirchengebäude im Landkreis Ansbach
Neuendettelsau
Kirchengebäude des Kirchenkreises Ansbach-Würzburg
Kirchengebäude in Europa
Kirchengebäude des Historismus
Bauwerk des Historismus in Bayern
Christophoruskirche
Erbaut in den 1900er Jahren

redpajama_set_name: RedPajamaWikipedia


Effects: ATK x6 when simultaneously clearing 3 connected Light orbs. ATK x1 for each additional orb, up to ATK x18 at 15 connected orb. Increases time limit of orb movement by 2 seconds.
Compare Great Witch of the Glowing Gates, Saline with ..
I'd tap Sareene like a spruce tree in the Winter.
Looks fun, I'll be dreaming of her til she falls out of meta and I get 7.
I want to evo my Saline to this one、but how useful are the last 4 awoken skills for the other evolution?
I know it depends on what my team build is、but I feel like the "3× Atk against type enemies" awoken skills for this one are better regardless.
The second form is more powerful because of the killers and vdp. I kept mine in the base form though, since it's unbindable and the leader skill is unique. The hp boosts and rcv boosts are very helpful as your team get about 10% more hp which is helpful for tanking preemptives like hera without shield, you can also heal up quickly with the healer attribute and 20% rcv boost. But if you're looking for damage then go with this form.
Where did you get 972x?


T3main Fax allows you to offer fax capabilities as a part of your unified messaging solution. Incoming and outgoing faxes are managed via the desktop and users can also send documents from a web-based interface keeping faxes private and secure. Fax capabilities require minimal administrative support and no additional hardware.
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Reduce support requirements as T3amin Fax is configured as a centralized fax server on the T3main enabling shared administration with all T3main features.
Faxes are delivered directly to the user's email inbox and can be saved to a local folder, be printed, or redirected to another recipient.
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Redirect Fax Messages: redirect fax messages from the voicemail box to any fax machine when the email inbox is not available for fax viewing.
Fax Auto Print: allow automatic printing of incoming faxes to a printer in a Microsoft® Windows® networked environment. The client connects using FTP (file transfer protocol) to the T3main server at pre-set intervals, downloads incoming faxes and prints them to a printer pre-defined for each user. Up to 30 printers can be defined in the network, each one associated with a printer ID. Users may also select a printer where their faxes will be printed.
Outgoing fax capabilities allow users to send documents as faxes from any Microsoft Windows or MAC application, monitor the process of fax documents, and maintain activity logs.
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Multiple recipients: A fax can be sent to multiple recipients, including email recipients who will receive the fax as a document attached to the email.
Confirmation email: A confirmation is delivered to the email inbox which includes date, time, status, fax destination, account and billing codes, as well as an attachment including the content of the fax.
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Microsoft Office Integration: T3main Fax can access Microsoft Office contacts for addressing faxes.
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text:
Radiohost
REAUXELL
Amsterdam based DJ and upcomming producer REAUXELL has been breathing music since the first day of his life. As a passionate music lover, he has a strong preference for electronic music. As a young boy he grew up in Amsterdam and always wanted to show the latest music to his friends. With his cassette tapes as his tools, he was ready to operate the REC and PLAY buttons, so he could record the so-called "Import" music via the local Amsterdam radio stations. In addition to playing his favorite music, REAUXELL is also one of the Hosts/resident DJ at Radio show Triple R Tuesday at AMW.FM, and he also successfully launched the KOLOSSEUM Festival in 2019 together with his co-founders. As a DJ you can describe REAUXELL as an enthusiast, TECHNO has his preference but Deep Tech, AFRO, Tech House/Slapfunk are also often found in his playlists. His love for music does not stop with playing music, producing music is also one of his qualities.
In 1988 Dimitri obtains his first residency at club Richter in Amsterdam and starts spinning at the legendary RoXY. He is one of the first DJs to mix a house record with breakbeats or drum 'n bass: not only mixing those two records together by tempo and rhythm but also just by melody or tune/pitch, creating real-time compositions, which was groundbreaking at that time. By 1991 he spins at all the major (warehouse) parties in the Netherlands, Belgium, and Italy. He releases his first record and starts his own label Be.S.T. (Beautiful Soul Techno). From 1992 onwards he continues to take over the club world with gigs from Tokyo to Australia, Paris to Peru and residences at Twilo in New York and Ibiza. He starts his famous 'Hi-Tech Soul Movement' club night in RoXY on Thursday nights. Dimitri takes a 3-year sabbatical in 2007 (after playing non-stop for 23 years), trading the club scene for life on a farm and voluntary work with children with learning disabilities. In 2010, he returns with a residency at Club Trouw in Amsterdam, one of the best dance venues in Europe. In 2013, he suffers from a life-threatening bacterial infection, but is back at the decks at Club Trouw in only 5 months, proving that music has the power to heal, one of his strong inner beliefs. Today Dimitri still plays in clubs and at festivals all over Europe. At Thuishaven, the number one venue in Amsterdam, Dimitri finds his new residency for his famous 10 hrs DJ sets. As a producer, Dimitri is always working on new music, his own typical Hi-Tech Soul sound. He releases on labels like Planet E-communications, KMS Records and Metrohm.
MISS DOMINGUEZ
Growing up going to the first raves in the '90s and listening to tapes with Chicago house and Detroit techno resulted in a big love for dance music that's still present up until today. Always looking for cool tracks, listening for nights in a row and playing music for friends when two years ago the time came to step out of the living room and to take place behind the desks for a bigger audience. My style can best be described as warm, deep, melodic and always based on an elegant groove. In my sets, I love to create a flow and generate a vibe of energy and unity.
Randy Knobs
Randy Knobs is an electronic music enthusiast by heart. Besides the fact that he is a resident DJ for the Amsterdam based East Techno Collective, one of the hosts of Triple R Tuesday on amw.fm, he also kicked off the annual Kolosseum Festival in the woods of Almere this year. As a DJ, his signature is high energy techno with a constant drive and a lot of percussions. Recently he started exploring the more laid back side of techno: Deep, melodic and minimalistic with Afro influences. With this broad range of music, Randy Knobs takes you on a journey where you will dance, completely lose yourself in euphoria and finally end up stomping your feet on the ground with a big smile on your face. As a producer, Randy Knobs gets his inspiration from jazz music. He tries to incorporate improvisation and rare one-shot sounds in both his music and DJ sets. Kolosseum Festival, Club NL, Panama, De CLUB and diverse boat parties on the canals of Amsterdam are just a few places where Randy Knobs laid down his deep and driving sounds onto the crowd.
DJ MINI & DJ JULIAN RUIZ
BIO DJ MINI It has been over 25 years since I started mixing. As a 14-year-old boy I came in contact with House. If I still remember well there was a big tent somewhere in Sloterdijk (I really forgot the name of the party). I could sneak under the tent and before I knew it I was going to get out of my roof on the dance floor on the Acid sounds and heavy basses. I already knew right then, I wanted to be a DJ. It wasn't long before I was in the MultiGroove, Mazzo, Jan van Galen and wherever I could be to stand by the DJ boat and watch DJs like Jeroen Flamman, Gino, Dano, Pavo, Coldfusion, Lewis, Dana, Bass-D & Buzz-Fuzz turn the tent upside down. I quickly became friends with Dano, Jeroen Flamman and have more or less gotten the basics of mixing. Together with Lewis Bos & Martijn Loot I started mixing and producing, Lewis had a 303 and together with Martijn I built my first X86 PC, I believe it was a Pentium Pro with 4 GB HDD 2GB memory and a Creative Soundblaster Gold soundcard, the moment that we could send WAV to MIDI via Creative Vienna SoundFont. With applications such as Cubase VST, Rebirth and Reason we went completely crazy. Dano then had a radio program Grooveyard and passed it on to Lewis Bos. He asked me if I wanted to be his sidekick. My first Gig certainly took place at Radio The Undersound on 88.1 FM. After that, it all went fast. I got to know an incredible number of DJs and was regularly found in the record store on the seafront at Outland Record or at JP @ GrooveConnection and of course at all parties. Styles: Started with the Hip Hop breakbeats, Acid which quickly became Oldschool and has grown to Early, Hardcore and Hardstyle. But like any DJ ... If you can turn you can turn everything and the style doesn't matter. I love to play nice techno, Psy or EDM set every now and then. The style that suits me best and where I am immediately recognized is Oldschool and I mean the period of 89 - 92. Gigs: In recent years I have been at various parties and festivals. From Ground Zero to Mindcontroller from "Multigroove" to Free Festival. Together with Patrick den Dulk (aka Coldfusion & Ted Scheffer) we made a comeback with The Thundergods from Asgard in 2016. We were featured at Hellraiser, Hellbound, Pandamonium and of course at the "Multigroove" festivals that year BIO DJ JULIAN With Spanish roots but raised in the Netherlands, Julian joined the illegal rave scene of Amsterdam in the early 1990s and started performing as a DJ in 1994. He played clubs like the infamous Fun Factory, Club 114, the Megafestatie and was an often seen guest DJ for ID&T. His repertoire ranges from Oldskool, Acid, Happy Hardcore to Techno. When house turned to Hardcore Gabber, Julian turned to smaller settings, private parties and continued to perform in small clubs as a DJ, staying true to his love for early house music. With the renewed popularity of Oldskool house, Julian also experiences an increase in bookings. With a growing group of loyal followers, Julian is quickly filling his schedule, including the legendary "Multigroove" parties and "Lang Zal Je Raven". Get your DJ Julian Ruiz merchandise at https://www.mijndruk.nl/product/dj-julian-ruiz/
T-GRAY
T-Gray is a true dance-entrepeneur. Beside hosting his own club nights and running a long lasting radio show, he is a seasoned allround DJ with a track record of roof raising crowds all over the Amsterdam club circuit. As a DJ, T-Gray is one of those rare allrounders who can go go in-depth in every genre he masters. He moves from classics to house but is also a force to rely on when it comes to his beloved and signature deephouse and melodic techno. Panama, Hotel Arena, Club NL, Recycle Lounge Gallery Club, Schuim and Club Lite are just a few of the prime Dutch clubs where T-Gray played his distinguished deep and groovy sounds. When his booking schedule lets him, T-Gray throws one of his own partys at various locations. At those nights, T-Gray invites seasoned colleagues ánd gives room to upcoming dj-talent.


Most students get a headache at the idea of defending their dissertation. Inexperienced speakers begin to panic, but those who prepare their work early stay confident knowing that everything will work out well. The following article is meant for someone like you; a student looking for the best strategies to defend their dissertation.
First, let's note that theses and research papers are often personal assignments. Presentation and defense work is also personal, which means that your work is as good as you are. On the other hand, presentation committees are often ready to challenge you with all sorts of questions related to your work. They can pick any random word, any sentence or phrase in your work that they think is unclear. This therefore means that the best strategy to use to win in your presentation is preparation. Go through you work as many times as possible, check for errors and ambiguities, and make corrections where possible. Be sure that you know the meaning of every word in your work.
Practicing for the presentation is part of your preparation. Start practicing early, ask friends and other scholars to be your mock judges, prepare your slides accordingly and at times, tape record yourself as you make the presentation and evaluate your performance.
Look for a DVD or an online clip of someone making a dissertation defense, listen and learn from them. Look mainly for a defense talk related to your research topic, evaluate their talking speeds, confidence, how they argue points out and then note things you learn from them. In most universities, and other institutions; there are instances where scholars make public defense talks. Attend such talks and learn from them.
Sometimes, your defense talk might come at a time when you are busy applying for jobs, attending interviews or while you are in the middle of a personal project. Irrespective of the challenges you may be experiencing, always put your project at the forefront of your priorities. Try and complete all other personal tasks before the last two weeks to presentation day.
A good dissertation defense should be organized. It should have an introduction, a well-structured main body and the conclusion remarks. Make your slides and words rhyme as you defend your research work, but most importantly use simple and clear language that has less jargon.


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Flora of the British West Indian Islands, (abreviado Fl. Brit. W. I.), es un libro ilustrado con descripciones botánicas que fue escrito por el botánico, geobotánico, pteridólogo, y fitogeógrafo alemán, August Heinrich Rudolf Grisebach y publicado en Londres en 7 partes en los años 1859-1864.

Publicaciones
 parte 1: 1-96. Dec 1859;
 parte 2: 97-192. Jun 1860;
 parte 3: 193-315. late 1860;
 parte 4: 316-410. late 1861;
 parte 5: 411-506. prob. May 1862;
 parte 6-7: 507-789. Oct 1864

Referencias

Enlaces externos
en IPNI

Libros de botánica


The Passover Seder (English pronunciation: ˈseɪ dəɹ; in Hebrew: סֵדֶר [ˈsedeʁ], meaning "order, arrangement"; and in Yiddish: "seyder") is a Jewish ritual feast that marks the beginning of the Jewish holiday of Passover.
It is conducted on the evening of the 15th day of Nisan in the Hebrew calendar throughout the world. This corresponds to late March or April in the Gregorian calendar.
in Israel and 8 days outside of Israel (other than for adherents of Reform Judaism for whom Passover is 7 days regardless of location), with Jews outside of Israel other than Reform Jews holding two Seders (on the evening of the 15th and 16th of Nisan) and Jews in Israel and Reform Jews worldwide holding one Seder (on the 15th of Nisan).
Please click on any photograph below and it will enlarge.


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You are here: Home / News / Mozilla Reiterates Support for Marriage Equality as Three Board Members Step Down
Mozilla Reiterates Support for Marriage Equality as Three Board Members Step Down
Firefox-creator Mozilla continued to do damage control over the weekend after last week's news that newly-appointed CEO Brendan Eich was a donor to California's anti-gay Proposition 8 campaign.
Following a rather lackluster statement from Eich in response to the controversy, several employees used Twitter to call on him to step down from his position.
On Saturday, Mozilla's blog posted a statement "to clarify Mozilla's official support of equality and inclusion for LGBT people."
Mozilla's mission is to make the Web more open so that humanity is stronger, more inclusive and more just. This is why Mozilla supports equality for all, including marriage equality for LGBT couples. No matter who you are or who you love, everyone deserves the same rights and to be treated equally.
We realize that not everyone in our community or who uses our products will agree with this. But we have always maintained that as long as you are willing to respect others, and come together for our larger mission, you are welcome. Mozilla's community is made up of people who have very diverse personal beliefs working on a common cause, which is a free and open internet. That is a very rare and special thing.
Mozilla has always worked to be a welcoming community, committed to inclusiveness and equality for all people. One voice will not limit opportunity for anyone. That was true yesterday and will be true tomorrow. Our Community Participation Guidelines state:
The Mozilla Project welcomes and encourages participation by everyone. It doesn't matter how you identify yourself or how others perceive you: we welcome you. We welcome contributions from everyone as long as they interact constructively with our community, including, but not limited to people of varied age, culture, ethnicity, gender, gender-identity, language, race, sexual orientation, geographical location and religious views.
Our culture of openness extends to encouraging our staff and community to be candid about their views on Mozilla's direction. We're proud of that openness and how it distinguishes Mozilla from most organizations. Most of all, we want to ensure that all Mozilla users and community members know how deeply committed we are to openness and equality for all people.
Mozilla Foundation Executive Director Mark Surman posted about the controversy on his blog:
Mozilla is messy. Our ability to set aside differences does not mean that everything is simple or that we're always civil. In fact, when the topic is the web or Mozilla itself, we quite often get into open, heated and, for the most part, thoughtful debate. Many people outside Mozilla may not understand this. But, again, it makes us stronger.
As did Mozilla's board chairwoman Mitchell Baker:
I am an avid supporter of equal rights for all. I support equal rights for the LGBT community, I support equal rights for underrepresented groups, and I have some pretty radical views about the role of underrepresented groups in social institutions. I was surprised in 2012, when his donation in support of Proposition 8 came to light, to learn that Brendan and I aren't in close alignment here, since I've never seen any indication of anything other than inclusiveness in our work together (note: I've edited this sentence to give clarity).
Meanwhile, the Wall Street Journal reports that three Mozilla board members resigned over Eich's appointment:
Gary Kovacs (pictured), a former Mozilla CEO who runs online security company AVG Technologies; John Lilly, another former Mozilla CEO now a partner at venture-capital firm Greylock Partners; and Ellen Siminoff, CEO of online education startup Shmoop, left the board last week.
The departures leave three people on the Mozilla board: co-founder Mitchell Baker; Reid Hoffman, co-founder of LinkedIn, and Katharina Borchert, chief executive of German news site Spiegel Online.
The three board members who resigned sought a CEO from outside Mozilla with experience in the mobile industry who could help expand the organization's Firefox OS mobile-operating system and balance the skills of co-founders Eich and Baker, the people familiar with the situation said. They did not want to be identified because they are not authorized to speak publicly about the matter.
Mozilla denied reports that Eich was the reason for the board members' departure in a statement to other media outlets:
"The three board members ended their terms last week for a variety of reasons. Two had been planning to leave for some time, one since January and one explicitly at the end of the CEO search, regardless of the person selected."
March 31, 2014 Filed Under: News Tagged With: Brendan Eich, Brendan Eich, gay marriage, Gay Marriage, Mozilla, Mozilla, News
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Q: Spinnaker halyard deployment - overriding readinessprobe configuration How to override readinessprobe configuration in halyard config for Spinnaker deployment through Halyard?
Front50 is taking time (~60 secs ) to start and hence healthcheckfails as the default timeout is set to 1 sec.
Default readinessprobe config for Front50 deployment through halyard:
readinessProbe:
      failureThreshold: 3
      periodSeconds: 10
      successThreshold: 1
      timeoutSeconds: 1

A: I think this might help:
hal config deploy edit --liveness-probe-enabled true --liveness-probe-initial-delay-seconds $LONGEST_SERVICE_STARTUP_TIME

hal deploy apply

The hal config options seem to have only liveness probe delay argument.
Ref:
https://www.spinnaker.io/setup/install/environment/#distributed-installation

redpajama_set_name: RedPajamaStackExchange


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Litarus
29 July 2018 — Litarus
Challenging the Reign of Sacred Authorship(s)
Ancient Literature was one of the hardest courses I had to take. Not because the material was necessarily hard (although in many cases it was), but because it was so hard to form a connection with the pieces. I am not suggesting that one has to be able to relate to every single piece of writing in order to coherently read and enjoy them. However, the joy I get from reading the material is a significant aspect of my personal process. Therefore I was lost trying to decipher the old English of Beowulf into meaningful sentences or to understand the intricacies of medieval French history in order to connect with Chanson de Roland.
All these aside, the most important thing Ancient Literature thought me was the Documentary Hypothesis which calls the authorship of the Old Testament into question and suggests that there may have been several editorial voices in the process. This new piece of information was so delicately explained (and to a certain extent proven) by our professor that I was in a state of shock. Why was not everybody talking about this? How was this not more well-known? Although this short piece of writing does not necessarily explain the theory (I suggest looking at the references for those curious people out there), I believe it still conveys my pleasant shock on the idea that the texts that are thought to be unquestionable can bear the most interesting, rich and rewarding complexity if we just have the courage to think about them critically.
Our lives are governed by the texts we hold dear as communities. Whether it be the local law, the philosophical discussions of our modern age, religious writings or even our favorite science fiction book; they all play essential parts in shaping the pivotal moments of our lives. That is why humankind has always been interested in creating new content and examining the old.
With the rise of the nation-state, pieces of old mythic literature were put in boxes that corresponded to one, singular national identity (e.g., the English had Beowulf and the French had Chanson de Roland). However, with the enlightenment, such absolutist conceptions were shaken; and so was the notion of religious belief. Scholars started to think critically about the question of authorship and this curiosity was perhaps never more prominent than in the 17th and 18th centuries, where several branches of knowledge (such as theology, linguistics and history) came together to create a new interdisciplinary field: philology.
The introduction of the Documentary Hypothesis (which challenged the idea of Mosaic authorship and claimed that there were four separate sources that created the Old Testament) and the Homeric Question [concerned with the interrelation of traditional forms and the idea of the single creative genius (West, 358)] can be considered as the most significant explorations of this era. Both proposals were fundamentally concerned with the same question; could there really be a unique, prodigious writer?
At this point, we might have an inclination to ask ourselves "why?" Why were these scholars trying to figure out the basis of these sacred texts? Would it be so wrong to assume that these works were created by just one person (i.e. Moses and Homer) and live our lives according to that? Well, yes and no. These theories do not, in any way, make the texts less holy or significant. If anything, realizing the deeply complex historical and anthropological roots make them even more valuable. Society can (and will) go on regarding these material as inviolable, but we would make a terrible mistake if we overlooked their intricacy.
Both the Old Testament (Genesis in particular) and Homer's work (the Iliad and the Odyssey) resemble encyclopedias in their nature; every possible source of knowledge available at the time is somehow cultivated into one mega-text (including passages of history, geography, etymology, ethnography, theology and poetry). Furthermore, the critical readings of these materials provide us a historical picture; Lawrence Boadt's interpretation of the Documentary Hypothesis, for example, draws a parallel between the different sources [Yahwist (J), Elohist (E), Deutoronomist (D) and Priestly (P)] and historical events [the glorification of David and Solomon, the rise of the northern kingdom of Israel, the Babylonian exile and/or the return to homeland, respectively (Boadt, 95)].
Homer's work also provides interesting insights about the day and age it was written. When one resists the tendency to interpret Homer's work as purely autobiographical (Latacz 26 – 28) and looks at it as a result of an oral tradition passed down from generation to generation, the traditional and social values of the time can be seen more clearly. "The self identification of the poet," Latacz writes, "[…] with the ideals of the nobility is more indispensable to an appreciation of his poems than most autobiographical details might be."
In conclusion, we can say that looking at these texts critically provides us with a richer experience and helps us understand the social and historical circumstances of a particular era in time.
Boadt, Lawrence. "Chapter 5, The Pentateuch." Reading the Old Testament: An Introduction. New York, NY: Paulist, 1984. 94-95. Print.
Latacz, Joachim. "Chapter 2, The Person, Environment, Time and Work of Homer." Homer, His Art and His World. Ann Arbor: U of Michigan, 1996. 26-28. Print.
West, Martin. "The Homeric Question Today." Proceedings of the American Philosophical Society 1 Dec. 2011: 383-93. Print.
Written for my "Ancient Literature" class in 01.12.2014.
Pictured here: The Rothko Chapel
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Ancient Literature, comparative literature, Documentary Hypothesis, fall 2014, Genesis, Old Testament, The Pentateuch