← Handicrafts? They ain't so daft!
Why can't I lie to save bit of cash? And is it ok to do it anyway?
So what puzzles me the older I get is that lying, albeit in a somewhat 'being ambiguous or vague about the truth' sort of way, is deemed ok. You are even, perhaps, deemed a fool if you do not partake.
For example, via the rather unreliable source of the careers networking site Linked In, you are able to publically observe the glowing terms in which people describe their previous roles. A summer of work experience half a day a week at the local t-shirt printing shop (predominantly creating sets of co-ordinated pink hen-do kits for Newquay trips) becomes a three month placement for a boutique designer emporium, with an active input into the design and implementation of bespoke pieces.
It reminded me of an episode on a Sicilian beach a year before. We had unfortunately been caught in a severe storm the night before and all of our things were soaked. My boyfriend decided to buy a towel from one of the slightly dodgy looking sellers on the beach. When told his chosen design was €15, he asked would the seller accept €10 as that was all he had in his wallet at the time.
The man looked confused, obviously unfamiliar with this eccentric and inconsistent manner of bartering.


Raconteur delivers high-quality web productions and advertising campaigns and is the company of Oslo based web developer and programmer Christoffer Einarsrud. The company's brand identity, created by independent freelance designer Christian Bielke, communicates Raconteur's personal and professional approach and an attention to detail with a hand drawn script logotype, technological iconography and a serif corporate typeface.
John & John is a range of hand cooked potato crisps made in Britain and exported to Germany by the Hamburg based company Market Grounds. I have not been able to find any information on the agency responsible for the branding or packaging, or whether this was an in-house job but the distinctive use of maritime flags, etched illustration work and bold typography made for a very interesting aesthetic that I felt needed sharing.
Russian North is a new vodka product owned and distributed by Ukrainian based Global Spirits and developed for the russian market. The products branding and packaging was undertaken by international design studio Art Lebedev and blends traditional northern iconography with modern structural design techniques.


Berry Dakara: I have a new crush!!!!
Ah! This cracked me up so much.
Lol. Funny but cute. Hi Berry!
LOL!! U got us there. Cake Bond looks ssoooooooo gooooooood........ Can I make hi my crush too?
Your husband looks so dapper in that sleek suit.
Yay for your new crush!
You're welcome dear, and THANK YOU!!!!!!!!!!!!!!!!


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Originally debuted in London in 2012.
Mary McCann and Lisa Joyce in Our New Girl. Photo by Kevin Thomas Garcia.
BOTTOM LINE: This suspenseful play is riveting from start to finish.
A creepy little boy who seems to be disturbed, a young, pretty nanny who has her sights set on seducing the husband, and a mother on the brink of losing her mind -- these are frequently the standard ingredients of thrillers, both in film and theater. While Atlantic Theater Company's production of Our New Girl, (which had its premiered in London two years ago) includes all of these ingredients and seems to be a work of mystery and suspense that is barreling along into a revealing resolution. It turns out to be much more than a mystery for us to solve, showing us four characters who are trapped in their lives and what they will do to find and experience freedom.
The play opens with the unexpected arrival of Annie (Lisa Joyce) at Hazel's (Mary McCann) door. Hazel's husband Richard (CJ Wilson), who is out of the country doing pro bono surgeries for earthquake victims in Haiti, arranged for Annie to work as a nanny in their home without notifying Hazel, who is pregnant with their second child and becoming further physically encumbered. Hazel is livid and wants Annie out of her home as soon as possible, but after arguing that she cannot handle a nanny because she is too busy, she hears the lack of logic in her argument and lets Annie stay. While their interactions are mostly positive at first, Annie shows herself to be more of a mother figure than Hazel, often telling both Hazel and her son what is best for children. We soon learn that Hazel abandoned a successful career as a lawyer to be a full time mother to her son Daniel (Henry Kelemen) and soon-to-be-born daughter, inspired by a beautiful mother she met during a trip to Italy. To try to regain some of the rush she felt as a career woman, she is trying to import Italian olive oil and the house is filled with stacks and boxes of the golden liquid. Hazel has begun to realize that she is incapable of handling an import business and the bottles that clutter the house seem to add further to her feelings of being trapped.
When Richard returns home from Haiti, Annie is clearly in awe of this globe-hopping surgeon and begins to endlessly dote upon him. As a poor Irish farm girl, Annie envies the lives of London's upper class and wishes she had Hazel's life. Annie begins taking on the role of a mother further, pushing Hazel out when it comes to dealing with Daniel's worrisome behavior at school.
The play's real mystery is who will be the truly disturbed one, and Hazel, Annie, and Daniel all seem to be contenders. The play is really about four unhappy people looking for an escape route: A mother who doesn't want to be a mother but is too deeply enmeshed to abandon ship, a husband who uses international charity work to escape dealing with his wife and child, a son who is neglected emotionally by his parents, and a poor Irish girl looking for a way out of a life of simplicity and poverty.
I found this production to be riveting from start to finish, and I didn't want the show to end. Part of the production's ability to be thoroughly engrossing is due to a very authentically designed set. Designer Timothy R. Mackabee evokes the feel of a well-to-do London home: an elaborate kitchen offset by a dining table and large abstract painting. The kitchen window even lights up with authentic seeming sunlight and reflects the time of day of each scene. The actors are also convincing in their roles. McCann is especially impressive as Hazel as she captures one woman's psychological unraveling. Joyce and McCann play off each other well and create palpable tension in each of their scenes together. This production of Our New Girl is one that will hold your interest from start to finish.