This was a great episode. Like I said on my podcast, even though I think it was messed up for Blake to lead Melissa on, I was beginning to feel bad for him. He told her that he was sorry, he still wants to be partners just not in a romantic way. But she still kept coming at him and coming on way too strong. If she had been more chill, he might have taken her on that date for strategic reasons. But instead she pushed him away. I'm glad she is gone from the house. She is way too emotional.


Suicide is the second leading cause of death among college students. The suicidal person is typically intensely ambivalent about killing himself or herself, and usually responds to help. Suicidal states are definitely time-limited and most who commit suicide are neither crazy nor psychotic. High risk indicators include: feelings of hopelessness and futility; a severe loss or threat of loss; a detailed suicide plan; history of prior attempts; history of alcohol or other drug abuse; and feelings of alienation and isolation from others. Suicidal students usually want to communicate their feelings and any opportunity to do so should be encouraged.
Asking the individual directly whether s/he is considering harming her/himself (e.g., "You seem so upset and discouraged that I'm wondering if you are thinking of suicide?").
Being available to listen, to talk, to be concerned; but refer to Counseling & Psychological Services (509-359-2366), the Student Health Clinic (509-235-6151), and/or Frontier Behavioral Health (509-838-4651).
Consulting with the above resources as necessary.
Contacting the Dean of Students' Office (509-359-7924) to initiate appropriate university responses (see Suicide Prevention section).
If the situation is believed imminent, call 9-1-1 or the Regional Behavioral Health Crisis Line (877-266-1818).
Administering to yourself. Helping someone who is feeling suicidal is hard, demanding, and draining work.
Minimizing the situation or depth of feeling (e.g., "Oh, it will be much better tomorrow").
Overcommitting yourself and, therefore, being unable to deliver on what you promise.
Expression of desire to kill him/herself or wishing to be dead.
Presence of a plan to harm self.
Means are available to carry out plan to harm self.
Suicide plan is specific as to time, place; notes already written.
Symptoms of depression are present, such as loss of appetite, sleep, severe hopelessness or agitation, feelings of exhaustion, guilt/shame, loss of interest in school, work or sexual activities, change or deterioration in hygiene.
Intoxication or drug abuse (including alcohol).
Previous suicide attempt by the individual, a friend or family member.
Isolation, loneliness, or lack of support.
Preparation to leave, giving away possessions, packing belongings.
Major mood changes (e.g., elation of person who has been depressed).
Indirect comments implying death is an option (e.g., person implies he/she may not be around in the future).
How to help a potentially suicidal student.


text:
Eric Church - Springsteen
"Springsteen"is a perfect country-rock song, performed and co-written by Eric Church, about the power of music, in this instance as evidenced by the brilliance of the titular Bruce Springsteen. Many of his titles are name-checked throughout Church's wonderful single that was released in 2011, and the video is a fitting slice of young romance in small town America. Let me put it like this: I get why Eric Church is a big name in the United States.
The Bellamy Brothers - Let Your Love Flow
Robert Plant And The Sensational Space Shifters fe...
She & Him - Stay Awhile
Fountains Of Wayne vs. Katy Perry - Hackensack
The Dave Brubeck Quartet - Take Five
John Fogerty and Billy Gibbons - Sharp Dressed Man
Led Zeppelin - Rock And Roll (Alternate Mix)
Louis Armstrong - Let's Do It (Let's Fall In Love)
Pet Shop Boys - Forever In Love
Sigvart Dagsland - Mur
The Wagoneers - I Wanna Know Her Again
Elvira Nikolaisen - Love I Can't Defend
Ed Sheeran - Thinking Out Loud
Neil Diamond is out with a brilliant new album - e...
OnklP & De Fjerne Slektningene - Styggen på ryggen
Quarter Wolf - An Orgy Of Shocking Violence
The 100 best songs of the 1960's
Glen Campbell - I'm Not Gonna Miss You
Rumer - Reach Out
Rune Berg - I Only Dream Of You
The Waterboys - Destinies Entwined
HIT ALERT! Olly Murs feat. Travie McCoy - Wrapped Up
Bryan Adams pays tribute to his musical heroes - e...
Genesis R-Kived - an essay, music videos and more
Eddie Vedder - Society
Neil Diamond - If You Go Away
Pink Floyd - Cluster One
Aretha Franklin - Rolling In The Deep/Ain't No Mou...
Listen to the new Johnny Marr album in its entiret...

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: onClick cardView it opens an intent with user custom data thats inside of selected cardView The app I am making is a workout log.I have a recyclerView with a popup dialog for user to a title for user routine. Once enter that goes to recycler cardView. What I am trying to do is when you click on the title it opens and you can write the list of workouts for that title meaning every title will have different data inside of them. I have set up onClick for the recyclerView but can not figure out how to do it where it open the data that was save to that title. How would I do so. I have looked on Stack Overflow for this answer and have not found it. I not working with a database right now so I know data will not save after app close

public class WorkoutFragment extends Fragment {
    RecyclerView recyclerView;

    public View onCreateView(LayoutInflater inflater, ViewGroup container, Bundle savedInstanceState) {

        View rootView = inflater.inflate(R.layout.workout_layout, container, false);
        recyclerView = (RecyclerView) rootView.findViewById(R.id.recyclerView);
        setupRecyclerView(recyclerView);

        FloatingActionButton button = (FloatingActionButton) rootView.findViewById(R.id.fab2);
        button.setOnClickListener(new View.OnClickListener() {
            @Override
            public void onClick(View v) {
                final AlertDialog.Builder builder = new AlertDialog.Builder(getActivity());
                // Get the layout inflater
                LayoutInflater inflater = getActivity().getLayoutInflater();

                // Inflate and set the layout for the dialog
                // Pass null as the parent view because its going in the dialog layout
                v = inflater.inflate(R.layout.dialog_fab, null);
                final EditText e = (EditText)v.findViewById(R.id.workoutTitle);
                builder.setView(v)

                        // Add action buttons
                        .setPositiveButton("Yes", new DialogInterface.OnClickListener() {

                            public void onClick(DialogInterface dialog, int id) {
                                if (!TextUtils.isEmpty(e.getText().toString())) {
                                    // This block is responsible for checking if editText is empty and carrying out the action
                                    onAddWorkout(e.getText().toString());
                                }
                            }
                        })
                        .setNegativeButton("Cancel", new DialogInterface.OnClickListener() {
                            public void onClick(DialogInterface dialog, int id) {
                                // User cancelled the dialog
                            }
                        });
                // Create the AlertDialog object and return it
                AlertDialog dialog = builder.create();
                dialog.show();

                final Button positiveButton = dialog.getButton(DialogInterface.BUTTON_POSITIVE);
                e.addTextChangedListener(new TextWatcher() {
                    @Override
                    public void beforeTextChanged(CharSequence s, int start, int count, int after) {

                    }

                    @Override
                    public void onTextChanged(CharSequence s, int start, int before, int count) {
                        positiveButton.setEnabled(s.length() > 0);

                    }

                    @Override
                    public void afterTextChanged(Editable s) {

                    }
                });
            }
        });
        return rootView;
    }

    private void onAddWorkout(String workoutTitle) {
        SimpleStringRecyclerViewAdapter adapter = (SimpleStringRecyclerViewAdapter) recyclerView.getAdapter();

        int length = adapter.mValues.length;
        adapter.mValues = Arrays.copyOfRange(adapter.mValues, 0, length + 1);
        adapter.mValues[length] = workoutTitle;
        adapter.notifyItemInserted(length);
    }

    private void setupRecyclerView(RecyclerView recyclerView) {
        recyclerView.setLayoutManager(new LinearLayoutManager(recyclerView.getContext()));
        recyclerView.setAdapter(new SimpleStringRecyclerViewAdapter(getActivity(),
                VersionModel.data));
    }

    public class SimpleStringRecyclerViewAdapter extends RecyclerView.Adapter<SimpleStringRecyclerViewAdapter.ViewHolder> {
        private String[] mValues;
        private Context mContext;

        public class ViewHolder extends RecyclerView.ViewHolder {

            public final View mView;
            public final TextView mTextView;

            public ViewHolder(View view) {
                super(view);
                mView = view;
                mTextView = (TextView) view.findViewById(R.id.listitem_name);
            }

        }

        public String getValueAt(int position) {
            return mValues[position];

        }

        public SimpleStringRecyclerViewAdapter(Context context, String[] items) {
            mContext = context;
            mValues = items;
        }

        @Override
        public ViewHolder onCreateViewHolder(ViewGroup parent, int viewType) {
            View view = LayoutInflater.from(parent.getContext())
                    .inflate(R.layout.recyclerlist_item, parent, false);
            return new ViewHolder(view);
        }

        @Override
        public void onBindViewHolder(final ViewHolder holder, final int position) {
            holder.mTextView.setText(mValues[position]);
            holder.mView.setOnClickListener(new View.OnClickListener() {
                @Override
                public void onClick(View v) {
                    Intent intent = new Intent(v.getContext(), RoutineListActivityTesting.class);
                    startActivity(intent);
                }
            });
        }

        @Override
        public int getItemCount() {
            return mValues.length;
        }
    }
}

This is my recyclerAdapter.

public class SimpleRecyclerAdapter extends RecyclerView.Adapter<SimpleRecyclerAdapter.VersionViewHolder> {
    List<String> versionModels;
    Context context;

    public SimpleRecyclerAdapter(Context context){
        this.context = context;
    }

    public SimpleRecyclerAdapter(List<String> versionModels){
        this.versionModels = versionModels;
    }

    @Override
    public VersionViewHolder onCreateViewHolder(ViewGroup parent, int viewType) {
        View view = LayoutInflater.from(parent.getContext()).inflate(R.layout.workout_layout, parent, false);
        VersionViewHolder viewHolder = new VersionViewHolder(view);
        return viewHolder;
    }

    @Override
    public void onBindViewHolder(SimpleRecyclerAdapter.VersionViewHolder holder, int position) {
        holder.title.setText(versionModels.get(position));
    }

    @Override
    public int getItemCount() {
        return versionModels == null ? 0 : versionModels.size();
    }

    class VersionViewHolder extends RecyclerView.ViewHolder{
        CardView cardItemLayout;
        TextView title;

        public VersionViewHolder(View itemView){
            super(itemView);
            cardItemLayout = (CardView)itemView.findViewById(R.id.cardlist_item);
            title = (TextView)itemView.findViewById(R.id.listitem_name);
        }

    }
}

This will be the intent but when it opens in the view I trying to have the custom user data listed that was associated with cardView title.

public class RoutineListActivityTesting extends AppCompatActivity {

    private DrawerLayout drawerLayout;

    @Override
    protected void onCreate(Bundle savedInstanceState) {
        super.onCreate(savedInstanceState);
        setContentView(R.layout.activity_routine_list);

        Toolbar toolbar = (Toolbar) findViewById(R.id.mToolbar);
        setSupportActionBar(toolbar);

        final ActionBar ab = getSupportActionBar();
        ab.setHomeAsUpIndicator(R.drawable.ic_menu);
        ab.setDisplayHomeAsUpEnabled(true);

        drawerLayout = (DrawerLayout) findViewById(R.id.drawer_layout);

        NavigationView navView = (NavigationView) findViewById(R.id.navigation_view);
        if (navView != null) {
            setupDrawerContent(navView);
        }
    }

    private void setupDrawerContent(NavigationView navigationView) {
        navigationView.setNavigationItemSelectedListener(new NavigationView.OnNavigationItemSelectedListener() {
            @Override
            public boolean onNavigationItemSelected(MenuItem menuItem) {
                menuItem.setChecked(true);

                switch (menuItem.getItemId()) {
//                    case R.id.drawer_labels:
//                        viewPager.setCurrentItem(0);
//                        break;
//                    case R.id.drawer_fab:
//                        viewPager.setCurrentItem(0);
//                        break;
//                    case R.id.drawer_snackbar:
//                        viewPager.setCurrentItem(2);
//                        break;
//                    case R.id.drawer_coordinator:
//                        viewPager.setCurrentItem(3);
//                        break;
                }

                drawerLayout.closeDrawers();
                return true;
            }
        });
    }

        @Override
        public boolean onCreateOptionsMenu(Menu menu) {
            // Inflate the menu; this adds items to the action bar if it is present.
            getMenuInflater().inflate(R.menu.menu_main, menu);
            return true;
        }

        @Override
        public boolean onOptionsItemSelected(MenuItem item) {
            // Handle action bar item clicks here. The action bar will
            // automatically handle clicks on the Home/Up button, so long
            // as you specify a parent activity in AndroidManifest.xml.
            int id = item.getItemId();

            //noinspection SimplifiableIfStatement
            if (id == R.id.action_settings) {
                return true;
            }

            switch (id){
                case android.R.id.home:
                    if (drawerLayout.isDrawerOpen(GravityCompat.START)){
                        drawerLayout.closeDrawer(GravityCompat.START);
                    } else {
                        drawerLayout.openDrawer(GravityCompat.START);
                    }

                    return true;
            }

            return super.onOptionsItemSelected(item);
        }

    }

The xml file that holds the titles

<android.support.v7.widget.CardView xmlns:android="http://schemas.android.com/apk/res/android"
    xmlns:card="http://schemas.android.com/apk/res-auto"
    android:orientation="vertical"
    android:id="@+id/cardlist_item"
    android:layout_width="match_parent"
    android:layout_height="wrap_content"
    card:cardCornerRadius="4dp"
    android:foreground="?android:attr/selectableItemBackground"
    android:layout_marginLeft="8dp"
    android:layout_marginRight="8dp"
    android:layout_marginTop="5dp"
    android:layout_marginBottom="5dp">

    <TextView
        android:id="@+id/listitem_name"
        android:layout_width="match_parent"
        android:layout_height="?attr/listPreferredItemHeight"
        android:text="Android version name"
        android:textColor="@color/primary_text_default_material_light"
        android:textSize="@dimen/abc_text_size_subhead_material"/>

</android.support.v7.widget.CardView>

The is just random names recyler pulls just to fill in some space. Only posted this bit on code just in case you wanted to know what was the VersionModel in my other code. But would like to know if changing something in this code would it be usefully in helping with what I'm trying to do

public class VersionModel {
    public static final String[] data = {
            "cupcake", "donut", "eclair", "froyo", "gingerbread",
            "honeycomb", "ice cream sandwich", "jelly bean", "kit kat",
            "Lollipop", "marshmallow"
    };

}

redpajama_set_name: RedPajamaStackExchange


text:
Perwomaika (; ) ist ein Dorf im Audany Astrachan, Gebiet Aqmola in Kasachstan.

Es liegt etwa 89 km westlich der Hauptstadt Astana und hat knapp 1388 Einwohner (2009).

Einzelnachweise

redpajama_set_name: RedPajamaWikipedia


How to Create a WordPress Child Theme and Why You'll Likely Want To!
One of the biggest benefits of using WordPress is the ability to take advantage of a huge number of ready-made themes — all of which can be customized by users with relative ease. But with all that customizability comes the question of maintenance: What happens if you make your customizations and then the theme you're using gets updated?
To avoid this tragic scenario, there's one thing every WordPress user needs to do: Create (and use) child themes on every WordPress install.
What is a Child Theme — How Does it Work?
A WordPress child theme is really nothing more than a separate theme that relies on its parent theme for most (if not all) of its functionality. In its most basic form, a child theme is just a separate CSS style sheet that WordPress displays instead of the styles in the parent theme. This allows you to make changes to your theme without losing the custom styling you've created each time the parent theme gets updated.
More complex child themes can include additional functionality, too. Just like with the design elements, WordPress will check the child theme for functions first. If none are found, they will default to the functions of the parent theme. If there are functions, the functions in the child theme will be used instead of, or in addition to, those in the parent theme.
I hope that by this point I've convinced you that child themes are very necessary. Of course, that doesn't mean they aren't intimidating to some people. But there's good news: A WordPress child theme is extremely easy to create.
The first step to manually creating a WordPress child theme is accessing your theme directory under wp-content/themes. You can do this via an FTP client or, in many cases, via an interface provided by your hosting service.
Next, you'll need to create a new directory for your child theme. You can name it anything you like. I'd recommend keeping it simple and easily understandable. Something like themename-child should do nicely.
You'll want to change the information above to reflect the files you're actually working with, and it's extremely important to make sure your 'Template' and '@import' sections are correct in this step. Remember: Everything is case sensitive!
Once you've adjusted the information above to reflect your specific data, you can go ahead and enter your CSS theme customizations in the space provided and save the file. Tada! You've just created a child theme. Congratulations!
To activate your new child theme, all you have to do is zip the child theme folder you've created (the one containing the above CSS file), and install it via Appearances > Themes in your WordPress Admin, just like you would with any other WordPress theme. Alternatively, you could leave it unzipped and upload it to your themes directory using an FTP client.
But let's say you'd like to create a slightly more complex child theme — one that goes beyond mere CSS customizations. How would you go about adding custom PHP functions, or altering actual theme files or templates?
In the case of editing your theme's functions.php file, simply create a new functions.php file like the one below, then add this to your child theme. Any function within this new file will automatically override functions in your parent theme's file. Anything not specified in this new file will simply default to the original.
Editing PHP template files is a bit different from editing CSS styles and functions. In the two previous examples, all you had to do was create files that housed your additions and/or overriding changes. In both cases, the new files in the child theme were more or less supplementary to the files in the parent theme — but when it comes to PHP template files you have to replace all of the content of the original with a new file in your child theme.
You accomplish this by copying the PHP template you want to edit, and then placing it in the same file tree location in the child theme files that it occupies in the parent theme files. WordPress will now entirely ignore the original, and whatever changes you make to the duplicate file in the child theme will be what WordPress actually uses.
Keep in mind, however, that you only want to add files to your child theme that you actually want to make changes to — i.e. don't go needlessly copying in a whole load of files. This is because when the parent theme gets updated you may still, in some edge case scenarios, need to make sure that there are no important updates to the template files you've chosen to edit and/or include.
So Why Doesn't Everybody Use Child Themes?
Aside from people simply not being aware of the need to create a child theme, the only really good reasons not to create/use child themes are because either you don't intend to make any changes to the theme files (meaning you can simply use your theme exactly how the developer made it) or the theme you're using provides a special interface in its theme options within which to make (and save) all the changes you need. It's worth noting that many themes provide an interface to make custom CSS changes, for example.
Another (not-so-justifiable) reason to not use a child theme is because, if you're looking to make anything more than CSS changes, it will almost invariably require a little (and sometimes a lot) of additional familiarity with the way the original parent theme is made. This can often feel like a chore. If this sounds familiar, then you'll likely be in deep water if/when your theme gets a critical update!
Assuming you intend on keeping your theme up to date (which is an extremely good idea), using a child theme is essential best practice.** Thankfully, it's only a few minutes' work to create one, so, if you haven't already, then now's the time!
For more on WordPress child themes, be sure to check out the official WordPress Codex.
*On Backups: There's a lot of emphasis on making backups. Even with a backup, you'll still be in deep water when it comes to updating your theme if you've been making direct edits to it, since you'll likely still need to apply the new update. This is especially true if that update has anything to do with patching newly discovered security holes. Unless you're somehow able to replicate all of the various changes you've made, your backup may not actually be all that helpful in getting you out of the situation!
**On Best Practice: If you're still not convinced about using child themes, don't take my word on why. Take WordPress co-founder Matt Mullenweg's: "Child themes and a framework are the only way you should build your WordPress site" — (said while talking about the Genesis Framework).
Any great tips for using/creating WordPress child themes? Thought?
Nathan is a professional writer and digital publisher. His work exists at the intersection of technology and storytelling--with a focus on WordPress and other free/open source publishing tools. He has also been a leading WordPress tips, tricks, tutorials, and essay writer for some of the world's leading WordPress blogs since 2011.


Kimpton Hotels & Restaurants has announced it will open a new hotel in Asheville this summer. A historic conversion of the former BB&T Bank building, Kimpton Hotel Arras will transform the tallest building in the city into a 128-room boutique hotel.
The hotel will seek to bring to life a modern mountain aesthetic with locally curated artwork, culinary craftsmanship and a laid-back-meets-luxe experience. The property, located in the heart of downtown Asheville at 7 Patton Avenue, also includes 54 residences and two independently owned restaurants, Bargello, offering Mediterranean fine dining, and the all-day restaurant and bar, District 42.
Kimpton Hotel Arras is owned and will be managed by McKibbon Hospitality. To learn more about Kimpton Hotel Arras, visit www.hotelarras.com. For more on the restaurants, contact [email protected].


This undertaking – committing to rapid debt reduction and writing about it – has given me lots of opportunity for reflection. To look back at how I got here and what has influenced me along the way. Each time I sit down to write a new post it becomes a rare opportunity to do nothing but reflect and think.
And with Thanksgiving just a few days away in the United States – what better time of year to reflect on the journey here and say thank you. A small recognition of influence for people who have already achieved the success I'm working towards.
For years – literally, years – I've followed blogs and websites, eating up every word and with each new post saying to myself 'I'm gonna do it, too! Yeah!' – only to log off, let negative self-talk creep in, default on what was comfortable, and live my life deep in debt.
It's easy to make excuses, to look at writers and think to yourself 'My situation is different.'To look around you and think 'Nah – this is normal, I guess.' as others drive new cars every few years, go shopping on the regular and eat out every day at lunch. Generally just going about their lives without any clue there's any urgency to their financial situations.
I was one of those people for the entirety of my 20s. I was a prisoner of my debt, making excuses and refusing to believe that my financial situation was an emergency. After all – I was making great money! And could afford to go out! And to buy new things! And…(the list goes on).
But debt is an emergency.
Debt is a barrier to your ability to choose how your money works for you, for your family, and for your financial goals. Tweet.
The hardest part about all of this has been getting started.
Last week I was able to put nearly 77% of my monthly take home pay towards paying off my debts. This wouldn't have been possible without the help, guidance and motivation of other inspirational individuals who have come before me.
Cait is far and away my strongest inspiration. She paid of $75,000 of debt and then went on a 2-year shopping ban. She is an excellent writer and her essays on consumption, mindfulness and money are compelling and motivational. She showed me that commitment to a large goal doesn't have to be a struggle, and for that I'm thankful.
This site is a daily read for me. They posts some of the most thoughtful essays from women on everything from finance, money, conscious consumerism, career advice, self-care and more. I love that there's a space on the web that's female-focused and am thankful they are adding their voices to the conversation. If you're looking for depth and nuance, this is a site to check out.
Another fun and energetic read, this site focuses on offering advice specifically to Millennials, although a lot of the advice he expounds is relevant to folks of all generations. The author was a teacher who paid of $40,000 in student loan debt – then he quit his job. Like Mr. Money Mustache – his writing style will light a fire in your belly and I'm thankful there are voices on the internet that carry the same urgency that being buried in debt deserve.
In the comments: Who are you saying 'Thanks!' to this week – money role models or otherwise?
Inspiring post, love your transparency, and the shout out to some great role models!


text:
Home » Arts » Step Right Up: Mysterious Power Pop Duo Douglas Von Irvin's Carnival Sink their Teeth into Negativity with New Ballad, "Vampire Lovers" — Available Now!
Step Right Up: Mysterious Power Pop Duo Douglas Von Irvin's Carnival Sink their Teeth into Negativity with New Ballad, "Vampire Lovers" — Available Now!
Posted by BK on May 13, 2021 in Arts, Music, Showcase | Leave a comment
Track Lands Ahead of Forthcoming Debut, Meet The Monsters
Watch "Vampire Lovers" via YouTube Here
It's a carnival horror-lovers just won't be able to resist: Douglas Von Irvin's Carnival, or DVIC — the Toronto- and Los Angeles-based garage-pop songwriting collective — has just released the third and latest single from their upcoming EP, Meet The Monsters, and it's called "Vampire Lovers" — available now!
Judging from the title and the "monster" nature of DVIC's forthcoming release, it's reasonable to expect a frightening, gruesome, and fictitious tale about vampires romantically sucking the lifeblood out of one another, right?
Well, that actually is the case… But not quite to the tee.
The enigmatic lyrical mastermind and lead singer behind DVIC, Douglas Von Irvin, revealed the ambient, four-minute ballad came about after some personal reflections about how exhausted he had become after being consistently surrounded by people that "have to be the center of attention all of the time."
Comparing their behaviours to the desperate cravings of vampires, Von Irvin said those people "actually take energy" and "leave nothing behind.
"Except-worn out people that run in the other direction to avoid getting energy sucked out of their lives again," he adds.
Though its concept was born of negative experiences brought upon by these so-called "lonely" people, Von Irvin was hell-bent on spreading a positive and inspiring message with "Vampire Lovers."
With that in mind, it's a must-hear, because he really pulled it off in this track.
"The dark loneliness [these people] go through would change if vampires could learn to 'live and give,'" Von Irvin said — in reference to a lyric written specifically for the ethereal, piano-driven chorus. "I used the lyric 'learn to live and give' to build the song's foundation on a positive note.
"The characters in this song are vampires; one of them has decided to make a change, then makes a dramatic plea to his lover to follow him. We can change anything we decide to change about ourselves when we decide it's time to do it."
Rather than include a ripping guitar solo, Von Irvin made the conscious decision to break off into a low-key spoken-word bridge in the tail-end of the song. The section speaks volumes (metaphorically) about shaking the negative connotations of being vain. "I'm suggesting a possibility / to break the curse and for you to become my one bride," he says.
In addition to a keyboard feature from Walter Ino (The Babys, The Eagles of Death Metal), "Vampire Lovers" was co-recorded and co-produced with Von Irvin's collaborative counterpart, Dr. Prycenstein, and drummer and producer Matt Starr (Mr. Big, Ace Frehley). They revealed that "Vampire Lovers" was one of the easiest songs to record from the upcoming EP, thanks to their mutual passion for classic monster movies.
"Vampire Lovers" is available now. Meet the Monsters, Douglas Von Irvin's Carnival's highly-anticipated five-track debut EP, is available on May 25, 2021.
← Kingston's Singer/Songwriter ASTRID TANTON Offers "Comfort" with New Single-Track Lands Ahead of the Artist's Forthcoming Debut Album, From My Eyes With a Wilted Relationship as a Muse, St. Catharines, ON Singer/Songwriter KATHRYN SINOPOLI Releases New Single "Waterproof" →


For this assignment, you will design and model 2 light fixtures using appropriate materials, lighting, etc. and perform several renderings using the V-Ray rendering engine.
Please design and model 2 light fixtures that can be used in your Assignment 205. One light fixture should be for outside use and the other should be for interior use. Please be detailed and precise. You will be graded on the quality of your design as well as the quality of your renderings.
Your light fixtures should contain solid and transparent materials as well as its own light source. Light fixtures will often also have an emissive material to indicate the bulb position (and glow).
Please also define an appropriate environment (this should be placed inside (1 fixture) and outside (1 fixture) your Assignment 205 building and should have a night HDRI background).
Create two "perfect" renderings of each light fixture, one should be a daytime view and the other should be a night view. You do not need to show the surrounding context, only the light fixture itself.
Post your light fixture to the course website with your best rendering as the featured image. Please include your .3dm file and all your materials. Make sure to categorize your post under the "Rhino Blocks" section on the right.
You should create 2 posts for this Assignment, 1 post for each light fixture. Posts should be made to the course website (in a gallery or slideshow format) by Monday 12/10/18.
Please comment on at least 3 of your fellow students' light fixtures.


Listen to what the prospective customer is saying and don't shuffle papers or start thinking about your response. Just listen to her. Regardless of what the person asks, don't fall into the trap of thinking you need to answer immediately. It's ok to say, "That's a great question. Give me a day or so to research our products to find the one that precisely addresses your question." Some prospective customers can be long-winded, nervously asking a lot of questions, especially with expensive products. Cutting off a speaker may lose you the rapport you need to develop. Always give the speaker the courtesy of finishing a point before you interject yours. Again, take notes so you won't forget what you wanted to say.
R = Reflect the meaning of what your client is telling you before you actually respond. The best way to understand your prospective customer is to make sure you are listening carefully and the best way to do that is to reflect or paraphrase what you heard him say before you comment on it. An example is, "What I'm hearing is that you are not certain that our product will serve your needs."
I = "I statements" are powerful. As you paraphrase and reflect back what the buyer is saying, you can use "I statements," which are very powerful. For example, "I am getting the feeling that you are uncomfortable with this product and would like some other options." For you to start with "You" would be much more threatening for the buyer. "You don't like this product."?
It is important to realize that by understanding what the listener is saying, doesn't mean necessarily agreeing with him. You are simply showing that you are hearing his concerns. Example, "Fred, I hear your concerns because of your last experience with a similar product. Let me get the information you will need to make you feel better about this." Always acknowledge the speaker and his position before voicing your opinion.
U = Understand the needs and goals of your client/customer. If you are genuine and sell quality products that will truly satisfy your customer's needs and desires, the customer will trust you. That includes not selling him the most expensive product if you believe it is not right for him. Nothing gains their trust more than you being honest with him.
M = Monitor the tone and mannerisms of the prospective customer. Body language is so important that studies point out that only a small percentage of what is "heard" by a listener are the words of the speaker. Most of what is "heard" by the listener is tone of voice, smiling, facial expressions, vocal inflections, etc. Watch for all of these indices of your customer's mood and attitude. You might even wait for a pause and make an interpretation of what you are sensing. An example is, "I am feeling as if you believe that I am trying to force you to buy this product. Is that what's going on in your head, Alice?"
P = Probe gently and with respect. Your job is to try to understand what your prospective client/customer needs and how you can accommodate those needs. The only way to show people that you have exactly the product to satisfy those needs is to ask gentle questions about their goals and hopes (related to your product). An example is, "If you could describe the ideal software to solve your business problems, what would you like it to do for you?"
H = Help your client feel safe in the conversation. For major purchases, such as insurance policies, automobiles and investment products, clients needs to feel safe discussing her specific money issues. Gently probing about personal and family situations that affect their pocket book requires them being able to trust you. This entails ensuring confidentiality and showing genuine concern for their needs. If you expect them to share their biggest fears and insecurities, you must focus in on what they're saying, be sensitive and assure them that you will help them to meet their goals.
S = Summarize. You'd be amazed at how much you show the speaker you are listening by frequently summarizing what you just heard. This will also help you to focus and remember what the speaker is telling you. If you have hit the key points in your summary, the speaker will feel validated and closer to you. If you missed key points that he is trying to convey, he can inform you about that at this time. Practice this with friends and family. It's easy to get the hang of it and it really works!
Sticking to this Sales TRIUMPHS model will surely bring you your share of triumphs over your competition!
Dr. Jack Singer is a professional speaker, trainer and practicing psychologist. He has been speaking for and training Fortune 1000 companies, associations, CEO's, sales staffs and elite athletes for 34 years. Dr. Jack is a frequent guest on CNN, MSNBC, FOX SPORTS and countless radio talk shows across the U.S. and Canada. He is the author of "The Teacher's Ultimate Stress Mastery Guide," and several series of hypnotic audio programs, some specifically for athletes and some for anyone wanting to raise their self-confidence and esteem. To learn more about Dr. Singer's speaking and consulting services, please visit www.drjacksinger.com or call (800) 497-9880.


What I discovered during those hard, gritty months was that becoming a missionary was about initiating a never-ending journey of self-discovery.
Africa conquered my heart from the time I was 14, poring over the pages of World Vision magazine. I dreamed that I would be sent there one day to help people. It didn't really matter where I went or what I did, I just wanted to offer people hope.
When I was 20, I had the opportunity to fulfill that longing by becoming a volunteer teacher in Malawi, a small country tucked between Zambia, Tanzania, and Mozambique.
To be honest, I went to Malawi with the expectations of a naïve girl, thinking that becoming a missionary would be the fulfillment of God's calling for me. What I discovered during those hard, gritty months was that becoming a missionary was about initiating a never-ending journey of self-discovery.
From the time I arrived in Malawi, I felt viewed as a monetary resource. My new friends asked me to buy them tickets to fly to the United States, or to finance their medical degrees, or to pay for a myriad of other things that were equally impossible for me.
I had come to minister to people, yet I felt stymied by a stereotype that I had no idea how to break through. Over time, my heart grew cold, and I left Malawi bitterly disappointed. I hadn't been able to bring hope at all.
When I returned to the United States, I entered the film program at Southern Adventist University in Tennessee. Film is a great medium for motivating action, and I wanted to be able to put a spotlight on the needs of Third World countries.
Since graduating, I've been blessed to have a job filming mission projects around the world. I've had many positive experiences, and I've felt God speaking to me through my lens, healing me and impressing me to go make peace with my past. When my company received a call to film mission work in Malawi, I wasn't all that surprised.
As I drove through the Malawi countryside, it felt both beautiful and strange to be back. There is something about Africa that makes me feel vulnerable. It has a way of exposing my priorities, my attitude, and my weaknesses.
It was during our final days of filming when an incident occurred that led to the full revolution of change within me.
While we were filming at a church site, we met a woman who told us that she was sick and didn't have money to see a doctor. When she asked us for cash, I felt the old pain and annoyance of being used by a stranger. It's hard to admit that I could feel so cold toward someone in need.
Later, as I filmed inside the church, I saw that a member of the mission team had brought the woman into the church privately. What I observed stopped me in my tracks.
He was handing her a US$50.00 bill. That's about 25,000 Malawi kwacha, a fortune! The woman was amazed, and so was I.
Though he didn't realize it, the man was giving her much more than an opportunity for medical care. He was providing her with food for months, blankets for winter, and clothing for her family. But it wasn't even so much the money that mattered, but rather that the gesture was made out of love.
Tears pricked my eyes. It seemed like God Himself was helping this woman—seeing her pain, ministering to her needs, answering her prayers. I felt the old me revive—the one who had a warm heart of flesh and not a cold one of stone.
I realized that my experience in Malawi hadn't been tainted by the way people saw me, but rather by the way I saw myself. In that moment, I knew that I had a choice to make. I could go on guarding my heart against the hurt in this world and my helplessness to take care of it all, or I could open my heart fully to wherever God calls me and understand that although I may not have the power to change everyone's lives, He can.
I was overwhelmed with God's peace. I knew that He had brought me back to Malawi to experience and feel these things. I needed to be brought full circle to be reminded of what it means to be a missionary. That it's not our job to judge people. It's our job, as Christians, to give to others out of love, always, and with great joy.
I can now look back on my time in Malawi with genuine happiness, knowing that God was with me all along. And, ultimately, the hope I wanted to give to Africa was poured doubly upon me.
Samantha Wahlen works as a freelance filmmaker in Chattanooga, Tennessee, along with her husband, Daniel. When she's not on location, Samantha spends her time cooking, painting, reading, and cuddling the family kitten, Diana.


text:
Ranking AAL
Interview | Jesús Urqueta, theater against individualism
Artículos, Entrevista, Teatro
Thursday March 28th, 2019 by Camilo Caceres Infante
The dramatist and director Jesús Urqueta talked with Arte Al Límite in the interview introduced in the following. His pieces have highlighted the current scene, covering several of the most important theaters of the country, with works that come back in new seasons as Arpeggione or Prefiero que me coman los perros. We also talked about theater as a therapy and his role as an act teacher.
Jesús Urqueta foto Uniacc
He was born and raised in Ovalle, where he went out to explore the landscapes by bicycle with his grandfather. He wears a helmet but says that in all his years he has had several accidents, but he has never stuck in his head. If companies went to Ovalle, or if he traveled with his father, he would see plays. His father was a regular spectator, he has memories of attending plays since he was 8 years old. For the child Jesus Santiago was synonymous with theater.
"For me, theater itself is a collective art that revolutionizes because it is collective in an individualistic society"
Urqueta studied in a school of Basque priests, San Viator de Ovalle. He learned to cook, plant vegetables, live with the difference, survive the halls of 47 students; He learned to lead the coexistence between men and bullying when nobody called him bullying, which made him fight to defend himself. He learned, he says, what it means to go all to the birthday of the child who had more money, and go all to the birthday of the one who had less, and the generosity he saw in both. He considers it a very good experience, he is grateful even though he was expelled from that school and had to do fourth grade in another school, from another city. In that school he met the theater, in a school workshop in Iquique. Then, in the two years that he studied journalism he also did some theater workshops for amateurs. Then he studied acting. "In the second year I realized that I was blocked to act, but I really liked the phenomenon," he says. Upon graduation, he "forced" himself to remain tied to the tables and began teaching classes. He had no vocation for being a director or for teaching, but he felt that he should continue in the theater, although he was certain that he did not like acting. At 24 he was already teaching and that made him discover the address. "There I said this is the place I like," he says. Since then he has not stopped directing and teaching.
How do you decide that a piece deserves to be mounted?
They are two answers, because there are two options that I have taken for a few years, there are the works that are my authorship or my concern and, also, some time ago I am accepting works of director on request. I would say that there are two ways of choosing which work deserves to be mounted, one is a moral concern that has to do with a certain authorial line related to contingent scenes of Chilean political history, and which, I believe, obey an "editorial line" of the company with which I work the most, Official Version Theater, where we work hidden histories of transition and post-dictatorship democracy. I think that from that place works like C (Civil), The office, how to fill this hole that I have in my heart, Everything is limited to the desire to live eternally and Matter of principles are framed in that subject. And on the other hand, there is work as a director that has to do with being inserted in a market and from that place, with all the terrible that that word sounds, to understand that sometimes one chooses certain texts, certain works. From that place the personal line that I have made has to do with dramaturgy that I think is interesting, contingent and, also, that it is a challenge, like the one I am doing now that is a version of the Flavia Radrigán of King Lear, which is a work that we premiered in May, within the framework of Teatro Hoy, which is a production of Quilicura Cultural Corporation. It is a text with an intensity and depth that I am attracted to take to the scene and try to ride it. The monologue transformed it, I got them to accept returning it to two characters, and there is the challenge of telling a great story with few characters.
"For me, the challenge was enormous because I had to betray what I think about theater"
Do you think that Matter of principles has this value as well?
Question of principles is a work that occurred to us from a milestone that has to do with the concern of the Official Version company to work on the issue of transition and post Pinochet democracy. And what they have to do with how they celebrated or commemorated the 30 years of the Yes and the No was a subject that allowed us to continue investigating in hidden places of Chilean democracy. The restlessness to work that text arose, to work a version of that text with Alejandro Goic, within the idea that we had with Amalia was that the actor who played the main character was not only an actor who played a character, but we worked with the biography and lend your body as a file. Alejandro complied with that, not only is he a great actor, he is a great person and he was also a great political militant and activist, who was involved in this part of the transition to democracy. It is a bit biographical, is that in the background, in Official Theater, when working contingent issues there are always biographical places that we have worked in all our works, also from the journalism, interviews, real data, real denunciations.
Jesús Urqueta foto Muestra Nacional
Why to mount Prefiero que me coman los perros again?
I like the play because of what I told you in the first question, it was a challenge first of all that they say "Jesus, we want you to work with this playwright that you have never worked with, but who will be building in the I walk this work "and, on the other hand, I also felt the conditions of being super respectful with the text. Generally, as I work, I believe that the director, without becoming a playwright, becomes a stage editor. But here the commitment was to mount the text that Carla wrote authentically on stage. The challenge for me was super big because I had to betray a bit of what I think of the theater and dialogue with a different form of work than what I was used to, and from that place I like the result, because it also made me know another way of working.
"I like the environment existing in the stadium, I find it theatrical"
Is there anything to teach how to be a character when you are director?
What happens is that especially with work in the university one has gone as professionalizing in this thing of pedagogy, I to teach the theatrical content I studied a Master of Arts with mention in theatrical pedagogy, I studied teaching methodologies and I have I have been doing my own methodology of working with theater students and also with actors, which are very different things. One certainty that I have is that I do not treat any person in the same way as another, I do not think that we have to treat all the same or that we have to have a formula to teach or direct theater, I try to go to dialogue with each student, actress or actor in a different way. For the body that has, for the ideologies, the forms that they have. There are actors that I feel need you to direct them more, there are actors who need you not to direct them; there are actors who understand the context immediately and can explain it to you better than you, actors who do not. As a director or theatrical pedagogue, you have to be able to discover what kind of person is at the forefront, and to be able to find the way for him or her to solve the character in the best way, but based on their identity.
Jesús Urqueta culturizarte
Is there a lack of theater in schools?
In primary and secondary education I think so, I think that the performing arts and the atelier in general should be more in the schools, first by culture, and not only I refer to the subject of theater, I believe that the concepts of art, culture , the history of the country, should be much more dialogue, not only as a historical or statistical data, should teach us to reflect on the culture from the art, and that would enter the visual arts, scenic, circus arts as I find them interesting. Yes, theater work is very necessary, but for a transversal thing that has to do with the development of points of view, with the positioning of one entity, understanding and building with the other. Theater has ways of understanding the world not from individualism, for me theater itself is a collective art that is revolutionary because it is collective in an individualistic society. The theater still believes that people meet with other people in an act of communication and try to change the lives of people who sit down to see something, that rite that is being assembled in the theater is very revolutionary for the time and since that time place is necessary in schools.
What do you do in your free time?
I go to museums a lot, or travel, I just went three weeks to Europe, I went to see movies, theater, museums, football, I went by train, I did things that I do not do. In between I started reading "Stoner" by John Williams, who talks about a child from the United States who grew up in the country and would be the first of his family to study agronomy, but discovers literature and teaching.
"I am attracted by theater from another view that does not have to do with dramatic writing"
What kind of shows do you like to go?
Look, I separate things. I believe that theater is my job. I go to the theater a lot, but I'm going to work in the theater. For leisure I like to go to the stadium, I go to see sporting events, I usually go to football, to see the Universidad de Chile, Palestino, Unión Española. Now I went to see Real Madrid at their stadium to a game of the Dutch league, I like the atmosphere that is armed in the stadium, I find it very theatrical. I'm going to athletics competitions too. I go to the cinema tired and I try to go to the museum and exhibitions, I also like the possibility of seeing classical music, chamber orchestras. And I'm going to see the theater, but to see how they do it, I rarely manage not to be in the role of director, I'm going to work in the background, to see how the other directors do the works. I really like auteur cinema, I really like Tarkovski. I've seen Lebanese films that I liked a lot, like Incendies, which is Lebanese-Canadian and based on a play. I also saw Capernaum, which was nominated for an Oscar for best foreign film. I like the cinematography that has to do with the use of real time, with contemplation, silence, I like it a lot, more than the word and the text, I also spend a lot with the theater, I engage with the theater from other places that do not they are dramaturgy. So when you asked me the first question yes, I try to find the text I like, sometimes I do not like the text but if I find something in the atmosphere that inspires me to create, I still accept that work.
"Arpeggione is a defeat story and I take it to the imitation of the Chilean history"
I think of Arpeggione, where the main character is to be intended to not be a renowned artist. Is that common in the artistic medium?
What a difficult question. I do not know. I believe that in the Chilean artistic environment it is very difficult to be recognized. Now, I do not know if the vast majority wants to be recognized, maybe yes, maybe not, we should investigate. I believe in something that the work does have, I believe that Arpeggione is a story of profound defeat, and I take it to the simile of the history of Chile, of one as a citizen, of us who perhaps want a better country and we realized that we lost and it is very difficult that we give it back. I think that the structure that caught my attention when I read Arpeggione had to do with something that started defeated and there was the possibility of change, but it is the same fears what make you not to take the step. I am interested in why at the moment Rosa has to say "I want to be her companion" she does not do it, out of fear, because of internal things. And the moment Lorenzo has to tell Rosa "I want you to be my companion", he does not either. Because of fear. I think that there is a trauma that is a simile of Chilean society.
Does theater relieve that trauma?
I play theater because it's the way I try to say what I think of the world. I try not to put certainties because I do not have many either. I try to decipher what the people I work with mean, who are the actresses and the actors, the designers and musicians, and the dramatists and dramatists, who also have to say. Finally, as a director being in charge of this project, you represent many other voices. I find it interesting to be the channel of many visions and points of view. And that collective thing that told you theater, I believe it deeply, I believe that a society, a country or a theater collective are built from individuals that form this collective, but these individuals are free, supportive, have self-discipline, have the capacity to self-management Those 4 topics for me are vital.
Te podría interesar:
Arpeggione, el eco de la risa
Bryan el nombre de mi país en llamas
I think of the surviving Bryan's lover, the name of my country in flames, how does that character end up reconciling and being this person that you say is worthy to be part of the society?
You talk about Diego, the voice. I think first there is a path of self-criticism, review what you did to reach certain dark periods of your life, review what mistakes or what things you did to get to that place and, second, have the will to be able to change, I think that is a decision because I find that you can make a mistake 20 million times, maybe not in the same thing but many times, now you really want to change that. Here in Bryan's text I feel that after writing the playwright maybe he has a fierce self-criticism, but while that happens, he goes the other way, I do not know if there is that repentance in all that work. It seems to me that it is the grace, that the fierce thing that it has is that they are pure certainties, that suddenly they are uncomfortable, that is what I like a lot of that poems, that just as I feel that I do not have many certainties, he had Many and that I found interesting to mount. Especially for young goats who are graduating and has a lot to do with their stories as well. The Bryan is a work that has to do with a pedagogical context, and from that place there is also a very important voice, which is that of the student who is there, not that I say "we are going to assemble this text in this way" but that what I do is with everything they told me they wanted to do "this is the text that works best for us, read it now, I'm going to assemble what you want to do, what you want to say about this text". Thanks to the magister who told you I separate a work that I am directing from a pedagogical work, I do not approach it in the same way.
Prefiero que me coman los perros is in M100 until March 31.
Cuestión de principios in Teatro del Puente until March 31.
In April, Arpeggione comes to Teatro del lago on 5 and 6.
Tags: Jesús Urqueta
Camilo Caceres Infante
Thursday March 28th, 2019
(Español) Junto al lago negro: "Este lugar, aquí, ya no es bonito"
Friday January 17th, 2020
Teatro | A matter of principles
Friday March 22nd, 2019
Brian, the name of my country in flames
Copyright 2017 © Arte al Limite Limitada. Todos los derechos reservados.


text:
Top 10 Strongest Kids in the World
For a broader range of reasons, physical exercise in children is essential.
It contributes to reducing weight and the possibility of obesity while improving muscle and bone strength.
But some people take it to extremes,
These mini superhumans are definitely anything but average from thousands of push-ups to pulling a car!
Some wannabe superstrong children literally can't wait till 18, or it might be their ambitious parents.
The kids may look humble, but they possess tremendous power and respect within their community.
You will be surprised by the strength of these young people, many of whom aren't even in high school.
It could be their insane strength training or genetic mutations, there is no denying that these kids are stronger than any other average human.
Here are the top 10 strongest kids in the world:
10. Maryana Naumova
Maryana Naumova is a Russian powerlifter known for her age group, with more than a dozen records.
In 2015 she recorded bench pressing 331 pounds (150 kg) in the Arnold Classic.
She was born in Staraya, Russia, to Olga Ivanova, and to Alexander Naumov.
Maryana started lifting heavy weights at the age of 10 and quickly gained popularity while getting sponsorship deals from MHP.
Also, She quickly became the first woman under the age of 18 to compete professionally in weightlifting in Arnold Schwarzenegger Classic.
9. Jake Schellenschlager
Jake Schellenschlager is a competitive bodybuilder and powerlifter of just 14 years old. He trains seven days a week and participates in numerous competitions throughout the year.
He's a natural bodybuilder (doesn't use steroids) and is strong enough to lift up twice his own body weight, which is really impressive considering his age.
Jake started training when he was 12.
His love for training started by watching his father work out (which impressed him) and telling his dad that he wanted to be the strongest kid ever.
After spending the last two and a half years of training, he set world records for his weight class – under 123 pounds.
8. Naomi Kutin
Naomi Chaya Kutin is a powerlifter who began her career at the age of 8 and has set numerous records for her sports in several weight classes.
Kutin, a 16-year-old with a body weight of only 132 pounds, has lifted weights thrice her body weight.
She has squatted 325 lbs and deadlifted around 365 lbs.
Her warm-ups include a high volume of heavy metal and a series of grunts that psyche the usually reserved teenager.
Kutin has gathered a cult following and is named by her peers as "The Super Girl."
She squatted 215 lbs when she was 10, which, at the time, was more than twice her body weight.
After a few years, she easily squats 250 lbs+, which sets her apart from others.
7. Yang Jinlong
Yang Jinlong, a seven-year-old from Anhui Province in China, defies China's traditional logic and expectations at the very bottom of the global BMI (body mass index) list.
The strongest child in the world weighs about 110 pounds, approximately 3 times a 7-year-old's average weight.
But immense strength comes with the price of big weight, and this child clearly needs no motivation or encouragement to clear his vegetable plate.
The kid is so powerful that he can alone push cars, carry his father, lift sizeable heavy grain bags, and rest on his shoulders.
The miniature strongman is now a web fame star in China with his full cheeks and a huge smile, as people flock to see what he'll pick up next.
Yang Jinlong is showing no sign of stopping and currently weighs over 50kg.
When asked how he produced such power, grinning Yang replied, "Because I'm fat!".
We know two things now with this statement; Yang is strong and honest.
6. Varya Akulova
Varvara Yurievna Akulova was born into a group of circus performers Yuriy Akulov and Larisa Akulova on 10 January 1992 at the Ukrainian mining town of Kryvyi Rih.
When Varya was 10 years young, she managed to work in a circus with her mother and dad.
The name Varya Akulova doesn't mean a lot to you, but she is known in Ukraine as the strongest girl in the world.
At the mere age of 8, she was able to lift the weight and pull stunts straight out of a sci-fi fantasy movie.
Varya Akulova was able to lift a total weight of 350 kg while her own weight was just 40 kg.
At three years of age, the Ukrainian world's strongest baby first lifted a 100 kg barbell. Varya Akulova is now 21, has become a pretty lady, and still holds weightlifting records.
The family is now living in Kyiv, and her next target is the Olympic Golden Medal and the Strongest Woman's World Title.
5. Giuliano Stroe
Giuliano Stroe is a Romanian child bodybuilder and gymnast.
When he was two, Giuliano began to work in the gym together with his dad.
He was noted in the Guinness Book of World Records in 2009, as the strongest boy in the world.
With a weighted ball among his legs, Giuliano has set a record For the fastest 33-foot hand walk.
This stunt was done by the tiny Bodybuilder on an Italian TV show before a live audience and woken up literally the following morning.
A year later, for 90-degree push-ups (an exercise when the legs do not touch the ground) Stroe set the world record.
Now 14 years old, the young athlete lives with his family in Italy.
Giuliano and Claudio (both muscular boys) now concentrate on boxing, participating in different competitions.
4. Liam Hoekstra
Liam Hoekstra was born in 2005 and currently lives in Roosevelt Park, Michigan, with his parents Dana & Neil Hoekstra.
Liam's most remarkable miracle was the part where a biological mother gave up accepting, worried about the various medical conditions suffered by the baby.
However, Dana and Neil Hoekstra have been his foster guardians since and have chosen to take him as their own son.
Liam's first super-strength display was when he was 5 months old when he bent an iron bar.
While other children struggled with chin-ups, it was as easy as knocking at a door for Liam.
He took his torso even further over the bar and held it for minutes, much to the surprise of his schoolmates, who must have thought he would take a different breakfast cereal brand every morning!
A rare genetic myostatin disease called muscle hypertrophy was diagnosed after several inspections and tests.
You might ask, what's this incredible syndrome?
Myostatin deficiency is a condition in which the body quickly builds its muscle and inhibits body fat.
And in fact, possibly to envy all of you gym fanatics, young Liam can eat more ice cream and KFC chicken wings without worrying about looking chubby and has 40 percent body muscle and low fat.
The kid with muscles is superior to other boys of his age and is wired to excel in any muscular activity in which he can be placed.
Liam Hoekstra literally has enough power to lift relatively heavy dumbbells comfortably without heavy breathing or easily lift furniture around the house.
His skeletal structure, and muscle mass, can grow rapidly fast without heart complications.
If he wished, young Liam would sit on the couch all day long with potato chips, and his body will always get ripped while watching his favorite Nickelodeon series.
It's so cool!
What is he up to now?
He has fun playing hockey for the Squirt B team of the Muskegon Chiefs, and he is, of course, a kid, after all.
If you want to stay up to date with Liam and see what he is doing right now, check his Facebook page.
3. CJ Senter
You might better know him as "the Workout Kid."
This 10-year-old quite a phenomenon blew away everyone with his workout abilities.
CJ center educates and motivates others to be healthy; his own DVDs workout programs encourage other kids to have a healthy lifestyle by eating healthily.
He loves working hard and training, but does not advocate weight training (kid bodybuilding) because he knows that children shouldn't have any strength exercises. His secret is to just exercise with the body and eat healthy foods, and many more!
Now 17 years old, he started his fitness company at the age of 10, and created his own unique fitness guide and DVD sets designed for children!
2. Andrey Kostash
This Ukrainian little is an absolute machine. Have you noticed how many of the strong people come from countries like Russia and Ukraine? It certainly is not just a coincidence.
Andrey began training at the age of five because he thinks children's soccer and friends are overrated.
According to this youngest bodybuilder, Exercise develops confidence and strength. At six, Andrey finished 3,000 pushups in a row (without a break).
It lasted 2 hours and 29 minutes, and Kostash was not that impressed with himself by that number.
His personal best was closer to 6,000, but the 4,000 pushups of this native Ukrainian were still successful in breaking a new record.
1. Richard Sandrak
The Ukrainian-born, American Bodybuilder, martial artist, and actor, Rickard Sandrak, also known as Little Hercules, is known as the strongest kid in the world for the muscular physique he made in his early years.
He had massive muscles when he was eight, perfect six-pack abs, and moved more like a contortionist.
Little Hercules Richard Sandrak gained international popularity as a mini bodybuilder because of his martial arts and appearances on TV and movies.
But for the impressive physique, the young boy paid the price.
Richard says that he's been training all his days, and he has not been allowed to go out and spend time playing with his friends, or simply put, he didn't have a normal fun childhood.
He was never allowed to eat candies or unhealthy food, was obliged to eat lettuce while he was a kid while his family members used to eat pizza.
Where Is Little Hercules Now?
Sandrak was now reported to have stopped bodybuilding after getting bored and after his father, Pavel Sandrak was arrested and went to prison in an interview with the inside edition in 2015.
The Hercules boy is now doing cardiovascular exercises, chin-ups, stair climbing, and riding on his skateboard. Richard still seems to be in reasonable shape but is far from the ripped, muscular body he used to have before. Although he has abandoned bodybuilding ever since he has set himself a very different objective: aerospace research.
His current dream is to get a job at NASA.
Humans are really strong animals, capable of achieving superhuman feats. According to medical experts even if we don't rank top compared to other species pound for pound wise we can still maintain strength by exercising, if these children can so can we!
3 thoughts on "Top 10 Strongest Kids in the World"
Jayden February 10, 2021 at 7:22 pm
I feel insulted because my one rep max is 406 lbs
Masekay Kay November 4, 2021 at 2:31 pm
Hi..!! these children are really superkids
Heather December 16, 2021 at 5:54 pm
Cool!! I liked it!
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Home > News > Microsoft partners with Orbis International and brings charity aircraft into Flight Simulator 2020
Microsoft partners with Orbis International and brings charity aircraft into Flight Simulator 2020
Raising awareness in the virtual skies.
Last Updated on September 6, 2021
Microsoft and Asobo haven't been shit when it comes to adding plenty of free content into the base version of Microsoft Flight Simulator 2020 but the latest addition is something a little different.
The Seattle giant has teamed up with Orbis International, a non-profit organization working on the treatment and prevention of blindness.
Orbis has kitted out and converted a veteran MD-10 cargo aircraft into a fully-fledged teaching hospital that can travel around the world. Known as the Flying Eye Hospital, Orbis describes it as follows:: "The Orbis Flying Eye Hospital is unlike any plane you've seen before. A state-of-the-art teaching facility complete with an operating room, classroom, and recovery room – this amazing aircraft has been an example of the marriage between medicine and aviation since 1982."
Arriving in the Flight Simulator 2020 marketplace as a free download, the MD-10 will be a static "scenery" add on (as in you won't be able to take to the skies in it, unfortunately, but you will be able to visit it and move around inside to see what it is made up of.).
Microsoft said: "Microsoft Flight Simulator users can tour the Flying Eye Hospital in full hospital mode with stunningly authentic detail and learn more about Orbis's mission to train and inspire local teams to save sight in their communities by accessing the plane free-of-charge through an in-game news link or directly via Microsoft Flight Simulator Marketplace. The plane, however, is not currently available for flight."
The Flying Eye Hospital will also be available in the forthcoming version of Microsoft Flight Simulator for the Xbox at the end of July.
A Microsoft spokesperson further added:
"We are delighted to announce today that we are partnering with Orbis International, a non-profit organization transforming lives through the treatment and prevention of avoidable blindness, to give flight simmers the chance to virtually explore the Orbis Flying Eye Hospital.
Orbis is making a profound impact on people's lives and we're proud to support their fight against avoidable blindness; a large but solvable problem that affects millions of people around the world who don't have access to eye care. According to the International Agency for the Prevention of Blindness, there are 43 million people living with blindness, and 295 million with moderate-to-severe vision loss, 77% of which is completely avoidable.
The Orbis Flying Eye Hospital is a one-of-a-kind aircraft and an incredible feat of engineering. A converted MD-10 cargo plane, it's now a fully accredited teaching hospital, equipped with a state-of-the-art operating room, laser treatment room, simulation center, classroom, and AV suite, that conducts training programs across the globe.
We recognized an opportunity to raise awareness for Orbis's cause by incorporating the Flying Eye Hospital into the Microsoft Flight Simulator experience."
The move is a unique way of promoting a charity through the means of a game and will no doubt bring the work of Orbis International to a much wider audience than previously.
It will be interesting to see if this kind of partnership develops further into the life of the flight sim. In the meantime, you can head to the Marketplace and add the Flying Eye Hospital into your game.
Meanwhile, you might want to check out or articles to increase your enjoyment of your flight sim. Find PC Guide's Best Yokes and Best Rudder Pedal recommendations right here.
Best Rudder Pedals for Microsoft Flight Simulator 2020
By Paul McNally
Best Yoke for Microsoft Flight Simulator 2020 (plus X-Plane, DCS World)
Microsoft Flight Simulator 2020 World Update V enhances the Nordics
Best Free Addons for Microsoft Flight Simulator 2020 in 2021
Razer and Fossil to release a smartwatch for gamers this month
But there's only 1337 units available


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You can see the print for this in the background and in the samples page.
machine didn't have planetary gears though.
did take a little bit of time. This is a good option for everyone with a scroll saw.
mesh together. As you will see the machine turns smoothly and quietly.
e-mail or call me if you are interested.


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American Historian Nancy Dupree Dies In Kabul At Age 89
By Radio Mashaal
FILE: American historian Nancy Hatch Dupree
KABUL -- An American historian who spent decades working in Afghanistan to preserve the heritage of the war-torn country has died in Kabul at the age of 89.
An Afghan government statement on September 10 said historian Nancy Hatch Dupree died overnight. The statement did not specify the cause or the precise time of her death.
A statement from the Afghanistan Center at Kabul University said Dupree died of an "illness." It described her as "the honorary 'grandmother of Afghanistan.'"
Dupree first arrived in Kabul in 1962 as the wife of a U.S. diplomat.
She later married the archaeologist and anthropologist Louis Dupree and lived for decades in Afghanistan.
She spent much of her life collecting and documenting historical artifacts – amassing a large collection of books, maps, photographs, and rare recordings of Afghan folk music that is now housed at Kabul University.
She raised millions of dollars for the Afghan Center at Kabul University, where she worked to create an extensive library that can be accessed electronically from universities in Herat, Kandahar, Jalalabad, and Mazar-e Sharif.
She also created a mobile library program that brought thousands of books in Pashto and Dari to rural communities across the country.
The books in that program were often transported on the backs of donkeys.
Hundreds of Afghans on September 10 posted condolences on social media in response to Dupree's death.
Radio Mashaal
Radio Mashaal is a public-service broadcaster providing a powerful alternative to extremist propaganda in Pakistan's remote tribal regions along the border with Afghanistan.
gandhara@rferl.org


The talk show host has been married to husband Kevin Hunter for 22 years.
Are Wendy Williams and Kevin Hunter going to separate? If an anonymous source is to be believed, the talk show host and her husband slash manager may be looking into the possibility after 22 years of marriage.
"Long week," Williams casually admitted on air Friday.
That was an understatement, as it was the end of a particularly tumultuous five days. After Hunter's alleged longtime mistress Sharina Hudson gave birth in a Philadelphia hospital on Monday, Williams was found drunk and taken to a hospital, where she was given a banana bag of fluids.
"Rooting for you! Sending love and support! @WendyWilliams," tweeted The Real Housewives of New York City cabaret star, Luann de Lesseps, who has been a guest on the show and has battled addiction issues herself, in solidarity.
The week before, Williams admitted to her audience that she is living in a sober house, which she said only her husband and son Kevin Jr. knew about — she referenced her past addiction to cocaine, but didn't get into specifics about why she is currently there. In early March, she returned to her show after an almost three-month hiatus, during which time she was also hospitalized; at the time, the stay was attributed to complications from her Graves' Disease.
During that show, she said her marriage was solid and she was "swell."
Warm thoughts to Williams as she faces a tough time.
When Should J.Lo Start Worrying About the A-Rod Cheating Rumors?


We flew with Turkish airlines on an A330 200/300 – an ancient heap of unowot. Attaturk airport is ENOURMOUS – as you would expect for 20 odd million people. All the big planes seemed to have a designated pod. We have never seen seven planes sitting on the tarmac, in a line, waiting for a space to stop and discharge passengers. Gate 703. Million degrees at take off, no vents – roasting – when it did take off, it shuddered, creaked and bounced about. Yuk. We made a mistake stopping overnight in Athens. Stayed at the hotel from hell – Aquis Mare Nostrum – said it was near the airport. About 15 km away down unlit windy roads. Gatekeeper from hell on arrival at 22:00, three dogs barking all night and a disco downstairs. Breakfast at 05:30 finished it off – stale bread and cornflakes – no butter. Unbelievable! Next day flew to Chanai – Crete, with Ryan AIr. Despite our misgivings, it was a perfect flight in their Boeing 737 800.


text:
using Mollie.Api.Client.Abstract;
using Mollie.Api.Models.Onboarding.Request;
using Mollie.Api.Models.Onboarding.Response;
using System.Net.Http;
using System.Threading.Tasks;

namespace Mollie.Api.Client {
    public class OnboardingClient : BaseMollieClient, IOnboardingClient {
        public OnboardingClient(string apiKey, HttpClient httpClient = null) : base(apiKey, httpClient) {
        }

        public async Task<OnboardingStatusResponse> GetOnboardingStatusAsync() {
            return await this.GetAsync<OnboardingStatusResponse>("onboarding/me").ConfigureAwait(false);
        }

        public async Task SubmitOnboardingDataAsync(SubmitOnboardingDataRequest request) {
            await this.PostAsync<object>("onboarding/me", request).ConfigureAwait(false);
        }
    }
}

redpajama_set_name: RedPajamaGithub


Here are some snazzy birthday facts about 23rd of January 1942 that no one tells you about. Don't wait a minute longer and jump in using the content links below. Average read time of 9 minutes. Enjoy!
What day was my birthday Jan 23, 1942?
January 23, 1942 was a Friday and it was the 23rd day of the year 1942. It was the 4th Friday of that year. The next time you can reuse your old 1942 calendar will be in 2026. Both calendars will be exactly the same! This is assuming you are not interested in the dates for Easter and other irregular holidays that are based on a lunisolar calendar.
There are 276 days left before your next birthday. You will be 78 years old when that day comes. There have been 28,213 days from the day you were born up to today. If you've been sleeping 8 hours daily since birth, then you have slept a total of 9,404 days or 25.75 years. You spent 33% of your life sleeping. Since night and day always follow each other, there were precisely 956 full moons after you were born up to this day. How many of them did you see? The next full moon that you can see will be on May 18 at 21:13:00 GMT – Saturday.
Fun stat: Your first one billion seconds (1,000,000,000) happened sometime on October 1, 1973.
If a dog named Kruzer T. - a Norwegian Lundehund breed, was born on the same date as you then it will be 366 dog years old today. A dog's first human year is equal to 15 dog years. Dogs age differently depending on breed and size. When you reach the age of 6 Kruzer T. will be 42 dog years old. From that point forward a medium-sized dog like Kruzer T. will age 4.5 dog years for every human year.
Roman Emperor Theodosius I proclaims his eight-year-old son Honorius co-emperor.
Second Boer War: The Battle of Spion Kop between the forces of the South African Republic and the Orange Free State and British forces ends in a British defeat.
In Moscow, 17 leading Communists go on trial accused of participating in a plot led by Leon Trotsky to overthrow Joseph Stalin's regime and assassinate its leaders.
Greek serial killer Antonis Daglis is sentenced to thirteen consecutive life sentences, plus 25 years for the serial slayings of three women and the attempted murder of six others.
What does my birthday January 23, 1942 mean?
Your birthday numbers 1, 23, and 1942 reveal that your Life Path number is 4. It represents growth, building and foundation. You are practical, down to earth with strong ideas about right and wrong.
The following celebrities also have the same life path number: Dave Pirner, Cameron Daddo, Mary Dresselhuys, Courtney B. Vance, Toshinori Omi, Bob Crane, Joseph Morgan, Jeff DaRosa, Dinah Manoff, Ray Liotta.
What is the birthday horoscope for Jan 23, 1942?
The Western zodiac or sun sign of a person born on January 23 is Aquarius ♒ (The Water-bearer) – a fixed sign with Air as Western element. The ruling planet is Uranus – the planet of originality. According to the ancient art of Chinese astrology (or Eastern zodiac), Snake is the mythical animal and Metal is the Eastern element of a person born on January 23, 1942.
Fun fact: The birth flower for 23rd January 1942 is Carnation for friendship.
What is the Love Match for Jan 23, 1942?
When it comes to love and relationship, you are most compatible with a person born on October 10, 1942. You have a Love Match compatibility score of +211. Imagine being in love with your soul mate. On the negative side, you are most incompatible with a person born on August 17, 1955. Your incompatibility score is -206. You'll be like a cat and a dog on a love-hate relationship. Arf-arf, I want to bite you. Meow-meow, stay away from me!
What is the popular baby name on 23 Jan 1942?
Here's a quick list of all the fun birthday facts about January 23, 1942. Celebrities, famous birthdays, historical events, and past life were excluded.
Try another birth date of someone you know or try the birthday of these celebrities: June 25, 1941 – Eddie Large, Scottish comedian and actor; November 27, 1990 – Josh Dubovie, English singer; January 31, 1967 – Chad Channing, American singer and drummer.


Big news for the Northern Hemisphere. Summer will officially be here June 21. If you're in the Southern Hemisphere, I'm a little early (or late). You might want to take a look at my cold-weather posts. But for us northerners, the heat is on. For as long as I've practiced medicine, whether in Mississippi or Colorado, I've known that in those first few hot days I'll be treating some otherwise healthy people for heat-related problems. In fact, just the other day, I saw a man in his early 20s with chest pain, headache, and just feeling awful. He'd been working on a roof. He's done it for years with no problem. But around here, it suddenly went from a daytime high in the mid-70s to a high in the low 90s. He hadn't had time to acclimate.
Fortunately, he got out of the heat as soon as the symptoms hit. With some water and cooling off, he was feeling fine in a few hours.
Probably, in a few weeks he'll be working in the same temperature with no such symptoms. Why?
No matter how many years you've been working or living in the heat, your body has to re-acclimate to it each year. So with sudden changes, such as heat waves, everybody suffers.
Other sudden changes could be maybe the electricity goes off. That's a disaster in my book. Or maybe you're vacationing to a hot spot. Any sudden change of heat—say 10 degrees Fahrenheit or more—will require time for your body to adapt.
1. You get more efficient at sweating. Sweat cools your skin. The faster it evaporates, the more the cooling, so a little breeze can help (to an extent). On the other hand, humid weather can slow the evaporation down.
Once your body adapts to more heat, it begins to produce more sweat, and you start sweating at a lower temperature. The "new sweat" also contains less salt concentration, so you don't lose as much sodium. And this less-concentrated sweat evaporates faster, cooling the skin quicker.
2. Your blood gets circulated more efficiently. Your body also adapts to the heat by putting a bit more fluid into your blood. This increases the blood's volume so that with each heartbeat, more gets pumped out. Your heartbeat slows down in response, which reduces your body's workload, decreasing your metabolism a bit. Metabolism produces heat. So, voilà, your body is now producing less of its own heat, and the external heat isn't quite so overbearing.


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text:
Tours + Groups
The Museum Store
Buffalo Arts + Culture
The Galleries
M&T Second Fridays
Art Auction + Gala
Charles E. Burchfield
Classes + Workshops
School Group Tours
Education Philosophy
Evening with Educators
Charles Rand Penney
What is Regional Art?
R. William Doolittle Gallery
Named for R. William Doolitte, the Doolittle Gallery features photography (a love of Mr. Doolittle, who passed away in 2004) and historic works.
Burchfield Penney
Art Center
SUNY Buffalo State College
Buffalo, New York 14222
The Burchfield Penney Art Center holds the largest public collection of works by Charles E. Burchfield (1893–1967), as well as an archive of more than 10,000 pages of handwritten journals, 25,000 drawings, and other ephemera, including a scale re-creation of the artist's studio.
The Museum Store at the Burchfield Penney Art Center is a place to discover one-of-a-kind gifts by local artisans, artist reproductions, as well as merchandise that celebrates Buffalo, Western New York and Charles E. Burchfield.
© 2022 Burchfield Penney Art Center
Where your imagination finds its center.
Tour an exhibition.


trading, there was so many false signals and noise Most of the time I would get stopped out almost as soon as I entered a position. The next window is also a volatility window and is a final confirmation of entry or exit when the black signal line crosses the white line. We will dial into your computer and over a period of 90 minutes and teach you how to optimise and analyse the. If I can only trade the New York session, and I cant get up at 3 am or 5 am EST, I can trade the GbpNzd at 7 am EST in a 15 min chart, going in the direction of the colored box: There are.
The Long Candle, forex. Trading technique was published by Barry Thornton in 2012. It remains one of the best. Radcliffe, Im interested in your robot.
Forex trading involves a substantial risk of loss. Ill show you how to mark up your charts using the tools in the MT4 toolbar, and that can be your Trading Journal. The past performance of any trading system or methodology is not necessarily indicative of future results. When you watch the videos figuras chartistas forex on the Advanced page, youll see why! Disclaimer: The information on this site is for educational purposes only.
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The fslic almost immediately became insolvent itself, and had to be recapitalized several times with over 25 billion dollars of taxpayer money. For instance, bitcoins price collapsed to 200 after the bubble popped in 2013, and stayed stagnant..
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Aqua Living has one outlet in South Carolina, located in Greensboro, less than two hours outside of Charlotte. Our customers enjoy premium hot tubs, tanning beds, baths and saunas equipped with some of the best features on the market, such as LED lighting, MP3 audio systems, massaging jets and HDTVs. We're proud to be located in South Carolina, a state that's known for its stunning beaches, rich history and fascinating wildlife.
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To make an appointment at our Greensboro, South Carolina, outlet, just give us a call at the phone number listed above. Our friendly and experienced staff will be happy to help you find a product that's perfect for your individual lifestyle.


text:
Publius Cornelius Lentulus, genannt Spinther aufgrund seiner Ähnlichkeit mit einem Schauspieler gleichen Namens († 47/46 v. Chr.), war ein römischer Politiker der späten Republik.

Vermutlich 74 v. Chr. war er Quästor und Münzmeister. Ihm wird nur ein Denartyp zugeschrieben, der auf dem Avers einen bärtigen Herkuleskopf und auf dem Revers den Genius Populi Romani mit Zepter auf einer Sella curulis zeigt. 63 v. Chr. als kurulischer Ädil unterstützte er Marcus Tullius Cicero bei der Unterdrückung der Catilinarischen Verschwörung und mehrte sein Ansehen durch den Glanz der Spiele, die er abhalten ließ. Als Prätor 60 v. Chr. erhielt er mit Gaius Iulius Caesars Hilfe die Statthalterschaft von Hispania citerior im Jahr 59 v. Chr. und den Konsulat des Jahres 57 v. Chr. Lentulus spielte eine wichtige Rolle bei Ciceros Rückkehr aus dem Exil, und obwohl die Beziehung zwischen ihnen zeitweise abkühlte, spricht Cicero von ihm mit großer Dankbarkeit.

Von 56 v. Chr. bis 53 v. Chr. war Lentulus Statthalter in Kilikien und Zypern und bekam in der Zeit vom Senat den Auftrag, Ptolemaios XII. den ägyptischen Thron zurückzugeben. Die Sibyllinischen Bücher hatten erklärt, dass der Pharao nicht auf römisches Risiko durch eine Armee wiedereingesetzt werden musste.

Als Provinzstatthalter scheint Lentulus sich um das Wohlergehen seiner Untertanen gekümmert zu haben und nicht darum, sich auf ihre Kosten zu bereichern. Beim Ausbruch des Bürgerkriegs 49 v. Chr. stellte sich Lentulus, obwohl er Caesar zu Dank verpflichtet war, auf die Seite des Pompeius. Die Großzügigkeit, mit der Caesar ihn nach der Kapitulation von Corfinium behandelte, ließ ihn zögern, schließlich jedoch entschied er sich gegen ihn.

Vor der Schlacht von Pharsalos stritt er sich mit Lucius Domitius Ahenobarbus und Quintus Caecilius Metellus Pius Scipio um das Amt des Pontifex Maximus für die Zeit nach dem Sieg gegen Caesar. Nach der gegen Caesar verlorenen Schlacht von Pharsalos floh Lentulus nach Rhodos, wo ihm anfangs die Landung verboten wurde, obwohl er in der Folge dort Asyl fand. Nach Sextus Aurelius Victor fiel er schließlich Caesar in die Hände und wurde getötet.

Sein gleichnamiger Sohn Publius Cornelius Lentulus Spinther war ebenfalls Politiker.

Literatur

Anmerkungen

Konsul (Römische Republik)
Römischer Münzmeister
Spinther, Publius Cornelius Lentulus
Römer
Geboren im 2. oder 1. Jahrhundert v. Chr.
Gestorben im 1. Jahrhundert v. Chr.
Mann


Our Tuscan Suite is open! Stop in and see the newly renovated space. Inside, you'll find everything you need to unwind, including an aromatherapy sauna, dry steam room, and Swiss shower featuring a rainfall shower head and 360-degree body jets. Use of the Tuscan Suite is complimentary with any Spa service and is open to you one hour before your scheduled service. We invite you to arrive early to your next appointment to take full advantage of this glorious escape!


The MUDO - Musée de l'Oise web site has been designed and developed to be accessible to all. What is digital accessibility? An Internet site is "accessible" when anyone can browse it without difficulty by using a browser and/or a help tool.
The site www.mudo.oise.fr follows the recommendations of the Administrative Accessibility Guidelines (RGAA). It follows all rules corresponding to the AA level of accessibility.
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The site's format is kept separate from its content through the use of style sheets. Use of the CSS positioning properties, by completely separating presentation and content, keeps documents in consistent order: title, menus, content, etc.
The "Print this page" tool is available on every page.
The "Print" function is also found in the menu bar at the top of the browser on all browsers: File > Print.
When a page is printed, all of the site's browsing information will be masked so that you can print just the useful content you need.
Add this site to your "Favourites"


text:
Discografia

Da solista
 2019 – Castles
 2020 – Ruins

Con i Piano
 2008 – The Valediction of Verse
 2014 – Salvage Architecture

Con i First Signs of Frost
 2009 – Atlantic

Con i Tesseract
 2010 – Concealing Fate (EP)
 2010 – One
 2015 – Odyssey/Scala (live)
 2015 – Polaris
 2016 – Errai (EP)
 2018 – Sonder
 2021 – Portals (live)

Con gli Skyharbor
 2012 – Blinding White Noise: Illusion & Chaos
 2014 – Guiding Lights

Con gli Absent Hearts
 2012 – August Earth

Con i White Moth Black Butterfly
 2013 – One Thousand Wings
 2017 – Atone
 2021 – The Cost of Dreaming

Con i Zeta
 2017 – Zeta

Collaborazioni
 2010 – Lost – Noise in the City da (Discovery)
 2011 – Voyager  – The Pensive Disarray (da The Meaning of I)
 2012 – Haji's Kitchen – Twenty Twelve
 2013 – Omertah – Oceans
 2014 – Voyager  – Breaking Down (da V)
 2015 – Earthside – A Dream in Static (da A Dream in Static)

Note

Collegamenti esterni


On February 14, 1971, the hospital opened its doors with 250 beds and 250 physicians. Today, East Jefferson General Hospital has 450 beds and more than 700 physicians. With over 3,000 team members, the hospital is one of the largest employers in the parish. East Jefferson General has grown over the past three decades to become a medical landmark with the addition of medical office buildings, the Yenni Pavilion for outpatient cancer treatment, and the Domino Pavilion, which houses Same Day Surgery, outpatient laboratory and outpatient radiology services. Most recently, the Wellness Center, a 38,000 square foot, state-of-the-art fitness facility, was added to the hospital's main campus. East Jefferson General Hospital has grown with the East Bank community, offering the clinical expertise and cutting edge technology our community expects and deserves. Today, the hospital remains publicly owned and not-for-profit. It is a service district hospital governed by a 10-member volunteer Board of Directors appointed by the Jefferson Parish Council and the Parish President. The hospital is accredited by the Joint Commission on Accreditation of Healthcare Organizations.
Dr. Hoerner is an awesome doctor. I have been with him since I was in my early twenties. I would recommend him to everyone.
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Dr. David is very professional. He explained everything I need to know during my pregnancy. He gave me time to discuss my concerns. He is also very polite and respectful. I will surely recommend him to everyone looking for OB-Gyne MD.
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Elizabeth Mc Lain, MD practices as a Family Doctor in Metairie, LA.She graduated from La State Univ Sch Of Med In Shreveport, Shreveport La 71130.
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