text:
Хейнкель He 274 () — немецкий высотный тяжёлый бомбардировщик.

История создания
Имперское министерство авиации сделало заказ на создание высотного бомбардировщика. Heinkel He 274 фактически являлся модернизированной версией Heinkel He 177. Самолёт разрабатывался в конструкторском бюро фирмы «Фарман». Сборка двух He 274 началась в 1943 году в Сюрене.

Hе 274 был готов к полету в июле 1944 года, но наступление союзников заставило эвакуировать сотрудников Heinkel. Hекоторые трудности задержали на несколько недель лётные испытания и транспортировку самолёта в Германию. В результате двигатели были подорваны зарядами взрывчатки, после чего немцы, захватив все чертежи, бежали. После освобождения союзники приступили к ремонту самолёта(. Двигатели нашли на другом заводе. Первый полет состоялся в декабре 1945 года в Орлеане. Летные испытания были продолжены в Бретиньи-сюр-Орж. В основном оценивалась гермокабина. В 1953 году самолёт был сдан на лом.

Описание
Крыло Hе 274 имело двухсекционный центроплан с консолями. Между лонжеронами располагались четыре топливных бака (два в центроплане и два в консолях) общей емкостью 4400 литров и маслобаки для двигателей. Фюзеляж имел полумонококовую конструкцию с поперечными шпангоутами, продольными стрингерами и несколькими лонжеронами. Сразу за гермокабиной находился бак на 1500 литров и два бомбоотсека. В одном из них для дальних полетов можно было установить дополнительный 1900 литров бак, что вместе с двумя 1000 литров баками в хвостовой части обеспечивало общую емкость в 10000 литров при двух тоннах бомбовой нагрузки. Экипаж Hе 274 планировался из четырёх человек: двух пилотов, сидящих вместе, штурмана-бомбардира и радиста за ними.

Лётно-технические характеристики

Примечания

Ссылки
  aviadejavu
 Heinkel He 274

Самолёты Heinkel
Бомбардировщики Германии
Предсерийные самолёты и прототипы
Появились в 1945 году в Германии

redpajama_set_name: RedPajamaWikipedia


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text:
PMN Politics
PMN Health
PMN Environment
PMN Disaster
Hondurans who fled hurricanes now face coronavirus in overcrowded shelters
Jorge Cabrera and Stefanie Eschenbacher
SAN PEDRO SULA — Tens of thousands of Hondurans are cramming into overcrowded storm shelters, aid workers and officials say, raising concerns that the chaotic set-up will trigger a new spike in coronavirus infections.
Hundreds of thousands of people across Central America have fled their homes after Hurricanes Iota and Eta wreaked havoc from Tabasco in southern Mexico to Panama this month.
Workers at four international aid organizations and two local church leaders told Reuters that inadequate sanitary conditions at shelters in the northern city of San Pedro Sula were a serious concern.
"The most pressing health concern is coronavirus," said Matt Hackworth, a senior advisor at Lutheran World Relief, who said he had visited several shelters in the area.
"You don't see mask use, you don't see people socially distancing, you don't see people washing their hands with any great intensity – the shelters are just overwhelmed."
A Reuters witness at one shelter saw large groups of people of all ages lying near each other on mattresses on the floor, and walking around helping each other without socially distancing. Some, but not all, wore masks.
Honduran Deputy Health Minister Roberto Cosenza said more than a quarter of 3,500 rapid tests by local authorities in shelters in San Pedro Sula had come back positive.
"During evacuation, the most important thing was obviously to safeguard people's lives but they left without masks and had a lot of contact with other people, including some people who had the disease," Cosenza told local television.
"We've had high positive rates in these shelters."
None of the people in shelters who tested positive have so far required hospitalization, but local hospitals are on high alert, added Cosenza.
As of Monday, there were 55,435 people in 535 shelters across Honduras, government data showed, with the majority in the Valle de Sula where San Pedro de Sula is located.
Cortes, the region where most shelters are located, is Honduras' hardest-hit by the coronavirus. It has registered 27.7% of infections and 29.9% of COVID-19 deaths in the country.
Overall, Honduras had registered 103,488 coronavirus infections and 2,389 deaths as of Wednesday.
Aid workers say residents fleeing flood waters have few good options.
"Nowhere here is adequate," said Pastor Jorge Escobar, whose church in San Pedro Sula took in several vulnerable families. "What people are looking for now is a roof over their heads, some place safe."
Escobar said people's main concern is where their next meal would come from, rather than the coronavirus.
Felipe Del Cid, an operations manager at the International Federation of Red Cross and Red Crescent Societies, said a surge in new coronavirus cases is now a real possibility.
"Even though there are guidelines as to how many people can be in one space… given the sheer scale of the emergency it's very difficult for the population and these institutions to follow them."
Inside a church's hastily rearranged community area, pictures sent by the pastor to Reuters showed families had draped blankets over benches to sleep, with little distance between one another.
A toddler in a diaper was playing on the small mattress he shared with his mother and elder sister, all unable to take anything other then the clothes they were wearing when flood waters inundated their home.
Elsewhere, a large space once used for church services was completely flooded. It had been converted into an emergency shelter after the first hurricane struck – only to get flooded days later by the second one.
Above a podium, with parts of the slogan torn down, large white letters still read: '2020, the year of faith.' (Reporting by Jorge Cabrera in San Pedro Sula, Stefanie Eschenbacher in Mexico City and Gustavo Palencia in Tegucigalpa, Editing by Rosalba O'Brien)

redpajama_set_name: RedPajamaCommonCrawl


Started riding aged 4. Had a PW 50 but now PW80 # 89.
Aims: To do trail rides and to be a policeman so he can drive fast cars.
Likes: BMX, MX, skateboarding, lawn-mower racing - in fact anything with wheels.
Sponsors, Mum, Matt, Heath Motors and Santa.


munin-httpd replaces FastCGI. It is a basic webserver capable of serving pages and graphs.
To add transport layer security or authentication, use a webserver with more features as a proxy.
If you choose to use munin-httpd, set graph_strategy and html_strategy to "cgi".
…is gone. It was hard to set up, hard to debug, and hard to support.


text:
Yorkshire, North Riding
Newsham
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Rokeby
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Ulshaw Bridge
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West Ayton
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Peto, Francis Michael Morton, 5th Bt. b. 11 Jan 1949
Petty-FitzMaurice, Evelyn Emily Mary b. 27 Aug 1870, d. 2 Apr 1960
Petty-FitzMaurice, Henry Charles Keith, 5th Marquess of Lansdowne b. 14 Jan 1845, d. 3 Jun 1927
Phillips, Thomas
Porter, George, Baron Porter of Luddenham b. 6 Dec 1920, d. 31 Aug 2002
Powell, Francis Sharp, 1st and last Bt. b. 29 Jun 1827, d. 24 Dec 1911
Prashar, Usha Kumari, Baroness Prashar b. 29 Jun 1948
Pringle, Andrew James Edward b. 5 Dec 1975
Ramsden, James b. 17 Dec 1852, d. 4 Aug 1931
Rawlins, Jeremy Mark b. 19 Feb 1974
Rhodes, Matthew
Rider, Charles
Rider, Olive b. 6 May 1753, d. 24 Apr 1803
Rignall, George Edwin
Robertson, Faith Maureen Haldane b. 16 Sep 1934
Robins, Jessica Frances b. 3 Feb 1972
Robins, Naomi Roxanne b. 23 Jan 1974
Robinson, Thomas
Robledo, Carolina Velez
Rutherford, Ernest, 1st and last Baron Rutherford of Nelson b. 30 Aug 1871, d. 19 Oct 1937
Ryder, Margaret Susan, Baroness Ryder of Warsaw b. 3 Jul 1923, d. 2 Nov 2000
Sainty, James b. 25 Apr 1987
Sanderson, Charles David Russell b. 1960
Scarlett, Felix James b. 17 Feb 1958
Schofield, Edward Guy b. 10 Jul 1902, d. 14 Feb 1990
Seymour, Zo� Jane b. 1978
Shah, Sadruddin, Prince Aga Khan b. 17 Jan 1933, d. 12 May 2003
Shakespeare, Thomas William, 3rd Bt. b. 11 May 1966
Sharp, Kathryn Ruth McCallum
Shaw, James
Sherlock, Hugh b. 11 Jan 1905
Shoppee, Adrienne Claire b. 30 Jun 1933
Shutt, David Trevor, Baron Shutt of Greetland b. 16 Mar 1942
Silcock, Edward J.
Slinger, Mary Anne
Smith, Beatrice Rosamond Crawley b. 4 Apr 1994
Smith, Bracewell, 1st Bt. b. 29 Jun 1884, d. 12 Jan 1966
Smith, Ophelia Mary Crawley b. 3 Mar 1997
Smith, Tryphaena Radegunde Crawley b. 28 Apr 1999
Smith, Verena Elspeth Crawley
Stanley, Arthur b. 18 Nov 1869, d. 4 Nov 1947
Stansfield, Lillian b. 1 Dec 1914, d. 1 Oct 1980
Stead, George Ambler
Steele, Robert
Talbot-Ponsonby, Andrew b. 22 Feb 1944
Teale, Edward John
Theakston, Michael James b. c 1925, d. 8 Sep 2004
Tomes, Simon Christopher b. 15 Feb 1944
Trafford, Jessica Laura b. 15 Feb 1990
Trevelyan, Mary Caroline b. 19 Feb 1905
Tuite, Jeremy Denis b. 8 Dec 1951
Tuite, Patrick Leslie b. 10 Feb 1954
Turner, James, 1st Baron Netherthorpe b. 6 Jan 1908, d. 8 Nov 1980
Vestey, William
Waddington, Jane b. Dec 1686, d. Dec 1713
Walker, Simon Peter b. 13 Jan 1974
Ward, Mary b. 28 May 1811, d. 15 Jun 1859
Weinstock, Arnold, Baron Weinstock b. 29 Jul 1924, d. 24 Jul 2002
White, Isaac William Hewitt
Willis, George Philip, Baron Willis of Knaresborough b. 30 Nov 1941
Windsor, Victoria Alexandra Alice Mary, Princess Royal of the United Kingdom b. 25 Apr 1897, d. 28 Mar 1965
Wontner-Smith, Diana Margaret Wontner b. 8 Jul 1928
Wontner-Smith, Dudley Wontner b. 12 Sep 1915, d. 20 Sep 1976
Wontner-Smith, Graham Wontner b. 21 Apr 1922
Wood, Derek
Wood, Richard Frederick, Baron Holderness b. 5 Oct 1920, d. 11 Aug 2002
Yarburgh-Bateson, Robert Wilfred, 3rd Baron Deramore of Belvior b. 5 Aug 1865, d. 1 Apr 1936


text:
VIDEO PRODUCTION COMPANY:
All you need to know !
What is the definition of a video production company ?
"Production company", "agency", "production company", "video" vs. "audiovisual"... There are many different ways to name our activity in everyday language. So, what exactly does Block 8 do? It's simple: turning an idea into a successful film.
For example, you are an individual or a company, and need to make yourself or your product, service or project better known. You want to communicate through video, because you are aware of the potential of this media to get a message across and spread. But how do you get it done?
Video production requires the intervention of many different professions. There are those who film, those who act, those who record sound, those who work on the post-production...
For the general public, it usually only takes an idea and a camera to make a film, but you'll soon realize that reality is much more complex!
Where do you start? What are the steps? Where do you find the equipment and skills? How do I find the right location or actor? How long does it take?
And most importantly, how much does it cost?
That's where Block 8 comes in. As soon as you get in touch with us, we will get to know you and understand your needs, because sometimes your first idea does not measure up to your ambition. And yes, when it comes to video, fashions and formats are constantly evolving, so be careful not to get the concept wrong or you'll miss your target!
We are here to help you formulate your idea, and more generally to propose concepts: creativity is our job. And then we are there to guarantee the feasibility of the project, give it a framework and evaluate its cost.
If you choose to work with Block 8, you only have to let yourself be guided through all the steps of creating a successful film. Pre-production, shooting, post-production, variations... As nothing is a secret for us anymore, you are in good hands! You know the schedule and the budget, we know our business.
To sum up, a production company is a house specialized in video creation, whose role is to make things happen and go as smoothly as possible so that your film goes from a simple idea to a successful and memorable video.
Video production: how does it work ?
In a video production company, you will usually find people and equipment that will help you make your video idea a reality. However, the job is complex and there are ways to make your film a success.
In our production agency are gathered all the skills to take you through each stage of your project.
First there are producers, who listen to your desires, ideas and inspirations. According to your needs, they also define with you a strategy that suits your identity and your ambitions, so that Block 8 can provide you with the best service. Respecting your budget of course.
This is what makes our production company special: the combination of creativity and realism!
Indeed, from pre-production to post-production, therefore from the formulation of an idea to the distribution strategy of a finished film, many human and material resources must be synchronized.
This is where the experience of a production agency is indispensable.
Once the idea has been approved, it's up to our team to come in!
The directors, sometimes with the help of scriptwriters, will develop the story, with words and visuals, to work out the concept with you. Then the assistant directors will do some location scouting for your sets, and the producers will organize your shooting and assemble a strong team.
On the set, you will meet the designers, make-up artists, electricians, machinists, sound engineers, cinematographers, camera assistants, stage managers, drivers, props designers, actors, costume designers, trainees, etc...
Then will come the time of editors, graphic designers, colorists, composers, sound mixers, vfx artists...
In short, a production company is a professional company that chooses and connects all these artists and technicians, to make them collaborate coherently while respecting your intentions, constraints, budget and schedule.
That's a lot of people in the joint.
Big steps of film production
Whatever the ambition of the video or film you want to produce,
your project will have to go through the following steps.
1 — WRITING
You have an original idea and that's the starting point. Now, you have to build it for the appropriate format, write it down, test it, approve it. This is perhaps the most important step in video production! You obviously have to find the inspiration, confront it with what has already been done, find the form and the tricks that will make it original. Writing is sometimes a collective effort: it is the communication between a client, a director and an artist that often makes it possible to find THE concept you need and to write it efficiently.
Now that your script is ready, it needs to be studied carefully to define all the work that needs to be done to bring it to life. Sets, actors, technical means, effects, artists... It's important to define these points well to know exactly where you're going, what you're aiming for, who you want to go with. All these elements must also respect your budget. Don't panic, with experience and creativity, we often manage to find innovative solutions to make your story exist in the real world. And if no solution comes along, back to the writing phase!
3 — PRE-PRODUCTION
Now everything is approved, we must prepare the shooting. Establishing a schedule, mobilizing resources, booking equipment and renting what's missing, obtaining filming authorizations for each location, hiring the necessary crew members, casting the actors and actresses, putting everyone in communication through meetings and shared documents... Nothing can be left to chance, otherwise it's a disaster at the next stage.
4 — PRODUCTION
It's the big day: the shooting - which can actually be spread over several days. Everyone knows what has to be done, the schedule and goals. The keys to a successful shoot are organization, rigor and communication. There are always unforeseen events that the team will have to face. Everyone must play their part to protect the film, let the director concentrate with the actors first and foremost... and move serenely through the program, shot after shot, in a synchronized ballet of technicians.
5 — POST-PRODUCTION
Now that your video has been shot, you need to shape it through editing. It's a kind of second writing process for your film, in which you replace the words with the actual shots that were filmed during the shooting. Then comes the sound editing, the creation of visual and sound effects, the graphics for the titles and credits, the color correction (or colorgrading), the stereo or 5.1 sound mix in studio...
6 — DIFFUSION
Now that your video is ready, you need to show it ! You need a strategy, contacts, budget... Festivals, internet, DVD, cinema, TV broadcast, social networks...? Is it necessary to provide translation and subtitling? Why not a short version? A different format for social networks? A trailer? Advertising, press coverage...? Distribution is the most important step, the one where you can finally present your video, whose creation involved so many steps, to the world. And there again, Block 8 is with you on the road.
What equipment is required to produce a video for Block 8?
Our production company manages a large amount of film equipment to enable production of your video projects. There is of course the production department with its FairPhones and computers always ready to communicate with you, write the projects, design their organization, put the teams in touch with each other. For the filming phase, Block 8 is committed to offering you the latest film and sound technologies. Regarding cameras, we maintain a long-lasting professional relationship with Sony, whose products have accompanied our development from the beginning. From the popular A7S mark II DSLR used on the filming of Everest Green in Nepal, to the brand new Sony FX9 full-format camera, Sony's equipment holds no secrets for us. Regarding lenses, it is still at Sony that we are equipped, as their G Master zoom is complementary to our Sigma and Tamron lenses. Camera is always mounted on a professional Manfrotto cinema tripod. For sound recording, our shotgun microphones come from Sanken and Rode, and the lav microphones are the essential Sennheiser G4. Our stage lights are LEDs from the Aputure brand, known for its incomparable quality, such as the manufacturer's famous Light Dome. Finally, the post-production is done on Apple iMac Pro, while a Macbook pro is always with us during the shooting - but we also work on Windows operated computers. Your data is always secure on our network and the Nas. And for the filming equipment, you're in good hands at Block 8 - and if we don't have what it takes, our long-time partner Indie Location p will have it for us! They always the best movie cameras, like the RED Epic or Helium, or the Arri Alexa Plus and Alexa Mini LF, as well as the machinery.
What software does Block 8 use?
In addition to the classic office suites required for project management, Block 8 uses a wide range of softwares for the post-production of your projects. These include the Adobe Creative Cloud Suite, with the indispensable Premiere Pro CC - the world's most widely used video editing software. But Adobe CC also provides us with Bridge for organizing the workflow of rushes, InDesign and Illustrator for the conception of visuals for clients. We no longer present Photoshop for image postproduction and the limitless possibilities for original creation that it offers. For video animation, it's still Adobe with After Effects, used by Block 8 for the animation of titles and logos, but also for the creation of motion design films or 2D visual effects. Block 8 also works with Final Cut Pro X by Apple (FCPX) for editing documentaries or subtitling for example. As for colorgrading, Da Vinci has proven its efficiency over the years, with its incomparable precision in color correction, an essential issue to give your videos a great look!
Is it possible to work with Block 8 internationally?
Block 8's expertise and services know no geographical boundaries. We regularly collaborate with foreign agencies and clients, or international institutions with global reach. Our projects have already led us to film in more than 15 different countries, as well as to offer translation services in more than 20 languages to ensure appropriate distribution according to the targeted geographical audiences.
There are two possible scenarios:
1) you need to film abroad. No problem at all! As Block 8 is based in Lyon, the agency is very well connected to the transport network. We are close to Lyon Saint Exupery International Airport (LYS), which offers daily connections to the 5 continents. Our team can easily embark on a flight to Europe, Asia, America or Africa and offer you its services on location, in order to report on a project or cover an event. We are experienced in travel and have the right equipment for mobility.
2) you come from abroad to shoot in Lyon. Here again, Block 8 can welcome you by offering executive production services. We can guide you in the city as well as throughout the Auvergne Rhone Alpes region (or even France!), set up a film crew for you, provide all the equipment and vehicles you will need. We can also book hotels and accommodation for you, provide catering and meals, scout a location for you... It's so much easier to use a local company to guarantee the success of your filming here!
How to choose the right production company?
There are many video production companies in Lyon, France or around the world, so you will have the choice to find the service provider who will carry out your film project. But here's the thing, how to choose properly? What criteria should be taken into account to make an informed selection?
For us, audiovisual production is above all a collaboration that involves people. We therefore believe it is essential to favour an agency that shares your values and your ambition, because the producers will have to be attentive to your desires and your needs. It is therefore mostly a matter of human feeling, the nature of your first exchanges will say a lot about the motivation to carry out your project.
Then there are the skills: does the company in question have the ability to carry out your shooting? Do they have sufficient references to prove it to you? The experience of an agency is a guarantee of reliability. So carefully browse through the site of the targeted production company to see if what they have already done shows their expertise.
Finally, availability and pricing are obviously key factors. What is your schedule? What is your budget? Video often costs more than you might think, and we hope that the various articles in this blog will have explained why by detailing the complexity of the film production.
So don't hesitate to compare quotes, but beware, one proposal is not worth another! Analyze the quality of the concept and the final ambition before evaluating the price. If quality has a cost, beware of agencies that abuse their prestige to overcharge for their services...
Our offices are located at 86 Boulevard de la Croix-Rousse, 69001 Lyon - France
What is a production company?
A production company is an agency that guides you through all the stages of audiovisual production. From the creation of the concept to the making of a successful video, it's only a step away.
What are the services of a film production company?
Block 8 offers you its services for the script, the casting, the shooting, the editing, the special effects, the recording and sound mixing, the grading, the graphics, the motion-design... up to the distribution strategy.
What is the duration of a video production service?
Shooting is only the tip of the iceberg that is the creation of a film. Block 8 has developed a very efficient workflow, so the duration of the service will depend mainly on you!
Block 8 est une société de production audiovisuelle à Lyon créative & réactive.
Block 8 is a creative & reactive audiovisual production company in Lyon.
FRANCE-+33(0)4.78.91.92.19
2021 © BLOCK 8


This data set includes data from 500 children in North-East Syria. The average child was about 5 years old. Data was collected as part of a baseline of Emergent Literacy and Math (ELM) and ELM at Home in NE Syria and seeks to understand how ELM supports the development of emergent literacy, emergent math, gross and fine motor, and social & emotional skills among young refugee children in NE Syria.
On average, children scored 37% correct on the IDELA assessment.
The distribution was somewhat normal with 21-30% correct being the most common score range.
A majority of the sample was four or five years old, with only 18 percent of children in the sample being six years old.
On average, one additional year of age was associated with an additional 18 percentage points correct in overall IDELA score.
Caregivers are asked about the types of learning activities they engaged in with their children in the past week. For example, caregivers are asked if they read stories to their children, taught them letters or numbers, or sung songs with their child. Home Learning Activities provide stimulation which can help children's brains develop and children reach their developmental potential.
The majority of caregivers reported engaging in more than four types of learning activities with their children. Home learning activities were not associated with overall IDELA scores.
Caregivers are asked about the types of reading materials and toys they have in the home. For example, caregivers are asked if they have storybooks, puzzles, and toys that children can practice counting with. Toys and reading material provide a stimulating environment for children to explore, which can help boost learning and development and help reach their potential.
How many reading materials and toys do children have at home?
The majority of caregivers reported owning at least 4 types of reading materials or toys but having learning materials at home was not associated with overall IDELA scores.
Caregivers are asked about the types of possessions that they own: the type of possessions are contextual. For example, caregivers are asked if they have a mobile phone, a bicycle, and electricity in the home. While not directly impacting development, children from wealthier families often have more opportunities to develop.
On average, 58% of caregivers reported owning one to three types of common household possessions, and 26% owned more than four possessions.This measurement of wealth was not significantly associated with overall IDELA score.
This data set includes data from 271 children living in Za'atari and Azraq Camps in Jordan. The data were collected as part of program monitoring efforts for preschool programs being implemented in the camps. The average age of children was 4.5 years.
This sample includes data from 246 children and caregivers in the Mount Lebanon community. These data were collected as part of a baseline measure for a study of children's learning through a new preschool program.


On the First Monday of Great Lent the Syriac Orthodox Church celebrates the service of Shobhkono after the noon prayers. The Shubhkono service is all about love and forgiveness. The service ends with 40 prostrations and the kiss of peace.


Gray bedroom paint colors design ideas is one images from simple color for master bedroom walls placement of Homes Designs photos gallery. This image has dimension 740x544 Pixel and File Size 78 KB, you can click the image above to see the large or full size photo. Previous photo in the gallery is miscellaneous master bedroom painting ideas interior. You are viewing image #20 of 20, you can see the complete gallery at the bottom below.


Today we have E-commerce UI – User Interface kit for free download PSD. User Interface Kit will give users an excellent user experience and increase functionality of a website. E commerce UI kits are great for online shopping websites with nice interface for their user shopping experience. Some of the elements includes navigation, logins, social media icons & categories etc. Download and free to use for your personal and commercial projects.


text:
New device nukes STD viruses with microwaves… including HPV
Sunday, April 15, 2018 by: Frances Bloomfield
Tags: Bovine papillomavirus, discoveries, Emblation Microwave, future tech, HPV, human papillomavirus, medical devices, medical technology, microwave systems, outbreak, sarcoids, sexually-transmitted diseases, STD treatments, STDs, weird science
(Natural News) In the future, treating human papillomavirus (HPV) may be done with a microwave system. Tests with the device, a compact and portable applicator developed by Emblation Microwave, are underway and have yielded positive results thus far.
According to HPV experts from the University of Glasgow, it works by delivering a precise and controlled low-energy dose that elevates the temperature of a few select tissues. Highly restricted cell destruction occurs, with infected tissue being included in the process. Healing then begins almost immediately.
The device has already proven its efficacy against verrucas. Also known as plantar warts, verrucas appear on the soles of the feet and can be caused by the HPV virus. Over 10,000 verrucas cases have been treated in the U.K. since 2017. Now, researchers are attempting to gauge whether or not the same level of success will happen with precancerous issues relating to HPV, particularly cervical precancerous cells and genital warts. Additionally, they will also look into the effects of microwaves on living tissues infected with the virus.
Compared to current treatments for cervical precancerous cells, the device presents a much safer alternative. Diseased tissue is typically removed through laser surgery. Although effective, this procedure is painful and has numerous risks. There's a chance that diseased tissue may be missed during the course of treatment, and can even lead to sustained bleeding. On the other hand, using a microwave system requires little more than using mild heat in a non-invasive manner. (Related: Cervical cancer is killing African American women at twice the previously reported rate in spite of the HPV vaccine.)
Professor Sheila Graham, professor of molecular virology at the MRC-University of Glasgow Centre for Virus Research, spoke of the tests with the device. "We plan to assess if the device can disrupt HPV and whether there is an effect on HPV-infected precancerous and cancerous tissues The project will validate the microwave device's clinical potential but will also shed new light on how HPV-associated diseases arise," she said. "We are delighted to be working with Emblation to test their microwave device."
Director of Research and Development at Emblation, Dr. Matt Kidd, chimed in with: "This project is an exciting opportunity to further our knowledge and understanding of microwave interactions with diseased tissue. Our device has the potential to address the challenges associated with the treatment of precancerous conditions of the cervix, and the funding from Innovate UK has been crucial in allowing us to work with the experts at the University of Glasgow. This research is a decisive next step in the evolution of our microwave technology platform."
On top of treating HPV, it's believed that the microwave system may see use in medical fields beyond that for humans. Bovine papillomavirus (BPV) is a related disease that primarily affects cattle. Infected cows will typically develop warts on their skin and gastrointestinal tract. On rare occasions, these animals may suffer from cancer of the gastrointestinal tract and bladder. BPV can cause harm to horses and donkeys as well, causing equine sarcoids or skin tumors to grow in the animals. While largely benign and seldom fatal, equine sarcoids greatly diminish the value of a horse. As a result, equine sarcoids are the number one dermatological cause of horse euthanasia.
Fast facts about HPV
Over 170 types of HPV have been identified so far. Of these types, 40 are spread through vaginal, oral, and anal intercourse.
As per the U.S. Centers for Disease Control and Prevention, about 80 percent of sexually active people are liable to contract HPV before their 50s.
Though rarer in men, they're just as susceptible to HPV. If the virus persists in them, they can eventually develop cancer of the throat, penis, or anus.
Because HPV can be transmitted through oral sex, practicing good oral hygiene greatly decreases the risk of infection. In fact, a study of 3,500 people found that individuals who had poor oral health were 56 percent more likely to catch HPV than those whose teeth and gums were in excellent shape.
Stay up-to-date on this topic by going to Health.news.
GLA.AC.uk
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More news on Bovine papillomavirus
https://www.naturalnews.com/2018-04-15-new-device-nukes-std-viruses-with-microwaves-hpv.html
New device nukes STD viruses with microwaves… including HPV


text:
"The fishermen who earn their living from the sea have inspired me to learn and support policies and practices that ensure fisheries remain healthy, productive, and viable for many years to come. The Fishermen's Alliance promotes the sustained interests of local fishermen in conjunction with environmental stewardship to ensure that the history and traditions of fishing on Cape Cod will continue as our oceans evolve."
Amanda joined the Fishermen's Alliance in May 2017. Prior to joining the Alliance, she earned her Master's in Marine Affairs from the University of Rhode Island, where she also worked as a graduate assistant for the R/V ENDEAVOR. From 2011-2016, she served as an active duty Coast Guard Officer on the Coast Guard Cutters HARRIET LANE, WAESCHE, and at the Pacific Area Command Center. Prior to commissioning, she earned her BS in Marine and Environmental Science from the US Coast Guard Academy. During her time in in the Coast Guard she participated in a variety of fisheries and other operational missions around the world and gained an intense appreciation for the sea and those who earn their living on it.
Amanda Cousart, Policy Analyst and Community Organizer


i knew there was something wrong with that liitle elf named justin beaver.
well this wasnt awkward at all.
yea,awakward is such a wonderful feeling,am i right? or am i right?
hmmm... i think your left.
yea i had that in mind also.
my bro says that allot.
O.O teehee or TEE to the freaking HEE?


MySafeSchool® is universally available 24/7/365 from any Internet connection or by calling toll free 1.800.465.1645. Click on Make a Report then describe to MySafeSchool® or call the toll free number. You will then describe the incident to MySafeSchool®. Provide details on as much information as you can. You may choose to reveal name(s) of suspected parties. You will be asked to create a personal password, which you can use to check the status and updates of the report after it's been submitted.
If you are unsure of the violation areas, click on What to Report.
In order to submit a report, you will be required to choose your level of anonymity from three available options.
You will not reveal your name or contact information to your organization or to MySafeSchool®. Your identity is completely protected on the incident report.
You are comfortable revealing your name and contact information to MySafeSchool®, but not to your organization. MySafeSchool® may contact you confidentially to gather additional information about the report, yet will not reveal your identity at any time to organizational personnel.
You do not care about anonymity. You choose to reveal your name and identity to both your organization and to MySafeSchool®.
MySafeSchool® receives your report and the appropriate individuals within your organization are instantly notified. Reports are reviewed by your organization for follow up.
Checking report status is simple through the MySafeSchool® web site or by calling 1.800.465.1645. All you need is your unique password and access number, which will be provided once a report has been submitted. You will see the report you have submitted, its status, and any communications that your organization has posted to you.
You can continue anonymous communication with your organization through MySafeSchool®. Messages and questions can be posted and received anonymously and confidentially, through the "Talk to Organization" button found above the Report Status area of your report.


iphone app can't delete submission!!
when i try to delete submissions from the iphone app they just keep populating i have waited days to see if it deleted and it dont and its not my phone i have tried it on numerous other phones what is the deal thanks!
I have assigned a bug report about this problem. Thanks.


text:
BY Kelsey Roy
From the June 2018 Woodbury Magazine issue
Focusing on the Importance of Family and Community in Memory Care
Since 2011, Prelude Homes has provided top-notch and unique memory care services to Woodbury and surrounding areas. "We chose Woodbury because it is a high-quality community with good workers and a need for the services we wanted to offer," says Phil Dommer, head of Prelude.
The company recently expanded in April with a new residential home that houses six beds. This will add to Prelude's original building, which included three individual homes inside.
Prelude Homes prides itself on delivering its services in a small household setting with a focus on family. "We don't just care for the patient, we care for the family," Dommer says. "We have proven to be a better fit for many."
Woodbury resident Janelle Johnson, director of programming, has been with Prelude Homes since its inception. "I moved to Woodbury in 2010 when Prelude was still a concept," Johnson says. "I knew that it was a company I wanted to put down roots with."
The part of her job that she finds most rewarding is "the ability to help families with dementia patients find moments of joy," Johnson says. "Our time on Earth is not where life ends."
[Sports]
Hit the Virtual Links at Woodbury's First Indoor Golf Destination
[Health & Wellness]
Whether Swimming or Sunning, Stay Safe This Summer with These Tips
Super Agers: How to Stay Young Through the Power of Positive Thinking


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Q: Visual Studio 2005 Setup project application folder default location on potentially non-existent volume I have a Visual Studio 2005 solution that includes a setup project. The setup project specifies "d:\somefolder" as the Application Folder DefaultLocation property.  When installing on a machine without any partitions mapped to "d:", the resulting installer craps out with the message

"The volume d:\ is currently unavailable. Please select another."

Trouble is, you don't actually get a chance to select a different install location (on an existing volume). What settings should I use to enable the user of the installer to change the install path, while keeping the default as d:\some_folder?

A: the Setup and Deployment projects from VS leave quite a bit to be desired.  Every solution I am aware of will take a bit of reading and learning, as the GUI tools that make setup's for you are normally rather limiting in customization outside the realm of changing the actual look of it.  I would recommend looking into the WiX (Windows Installer XML) toolset for making installations.  The learning curve is one of the most user friendly ones that I have seen on the market, plus it is a free tool. As long as you have a fairly decent understanding of XML you have everything that you need in order to start making MSI's.

A: I suppose there should be setups available which let you change the destination.
Or you could use orca to add in a dialog box which specifies that.
Or you could pass it in as a commandline argument if the user is on a commandline interface.

redpajama_set_name: RedPajamaStackExchange


Stage 1 hodgkin's lymphoma treatment MySpace Music profile for Brit and Alex. Download Brit and Alex Pop / R B / music singles, watch music videos, listen to free streaming mp3s, read Brit and Alex's blog.
Princeton eating clubs best food Devlin Kuyek. Devlin is a researcher based in Montreal, Quebec, Canada. He came into contact with GRAIN at the end of the 1990s, while working with NGOs and peasant organisations in.
Bangladeshi baby food Adamo And Dell Word on the street has it that Dell will be churning out a new notebook known as Adamo which will clearly by treading upon MacBook Air territory, but all those are.
Organic food news 2013 New Pioneer Food Coop is an excellent provider of top quality foods in a fullline grocery setting.


The Gulfport Sportsplex is a 250 acres complex with nine-terraced ball fields with hybrid sand-based turf, crimson stone infields, scoring towers, four international-sized soccer fields and a control center with concessions, restrooms, pavilions, meeting rooms and a storage rooms. It is managed by the City of Gulfport Department of Leisure Services.
Welcome to the City of Gulfport!
We thank you for visiting the Gulfport Sportsplex and welcome you to please visit the rest of our great city. You don't have to go far to cool off you can go to Gulf Island's Waterpark and take a ride down the Horn Island Blaster, or go to the Zip'N Fun Adventure Park where you can explore the tree-to-tree obstacle course! We invite you to explore our great shopping centers close by and stop and grab a bite to eat at Anchor Plaza. If you start making your way down to the beach be sure to hop on the Ship Island Ferry and dolphin watch on your way to the historical Fort Massachusetts and pristine beaches, or picnic out in Jones Park underneath the oaks and enjoy the splash pad. Once you get back, stop in downtown and explore Fishbone Alley and all the venues surrounding it.
As we always say here in Gulfport, "We are open for business, and geared for a good time!" We appreciate you participating at the Sportsplex and visiting. Come back soon!


This replicates the result of a study by Foster and Rahmstorf (2011) under slightly different assumptions.
I later produced a video that explained one of the flaws in their approach. Basically, I've illustrated and discussed why they cannot use linear regression analyses to remove the effects of El Niño and La Niña events.
The video was based on an approach pioneered by Lean and Rind (2008) and Foster and Rahmstorf (2011), by determining the contribution of known influences on global temperature to best explain those temperatures. However this approach can give misleading results if significant influences on temperature are missing from the analysis, or if wrong influences are included.
Although it is possible to use regression to eliminate the linear portion of the global mean temperature signal associated with ENSO, the processes that contribute regionally to the global mean differ considerably, and the linear approach likely leaves an ENSO residual.
Those ENSO residuals are blatantly obvious in the sea surface temperature anomalies of the Atlantic, Indian and West Pacific Oceans, and they present themselves as upward shifts in the sea surface temperature anomalies there. I've been presenting those shifts for years using satellite-era sea surface temperature data. Refer to the above video and my illustrated essay "The Manmade Global Warming Challenge" [42MB].
An important question in assessing twentieth-century climate is to what extent have ENSO-related variations contributed to the observed trends. Isolating such contributions is challenging for several reasons, including ambiguities arising from how ENSO is defined. In particular, defining ENSO in terms of a single index and ENSO-related variations in terms of regressions on that index, as done in many previous studies, can lead to wrong conclusions. This paper argues that ENSO is best viewed not as a number but as an evolving dynamical process for this purpose.
That aside, SkepticalScience goes on to discuss the factors that they believe are important, but that they have not considered in their video, and just as importantly, that are not considered by Foster and Rahmstorf or similar papers.
Where does this leave us? In order to reliably interpret surface temperature variations we need a good idea of all the causal factors, including El Niño, solar irradiance, volcanic eruptions, observational biases, changes in ocean circulation and possible long term oscillations. Fitting the surface temperature record is attractive because surface temperatures are easy to understand, and the calculations are easily reproducible by non-specialists. However it may be that the surface temperature record is simply too complex to analyse in this way.
I will agree with the author of the SkepticalScience post. The surface temperature record is too complex to analyze in that way. The sea surface temperature and ocean heat content data must be broken down into subsets to show the natural causes of the warming.
The more direct measure of global warming provided by measuring the energy content of the climate system avoids many of these problems, although the observational record is shorter and less complete (e.g. Church et al 2011).
SkepticalScience fails to consider that there are natural explanations for the increase in Ocean Heat Content as well. Refer again to my essay "The Manmade Global Warming Challenge".
There will undoubtably be new developments in the measurement and attribution of short term trends over the coming months, and we will report new results as they are released. The '16 years' video still contains useful material for showing how natural influences impact global temperatures and so we aim to produce a new version in future. However the conclusions of the current video do not represent a consensus in the peer-reviewed results, and thus we will be withdrawing the current version.
I, on the other hand, will not be withdrawing my video.
SkepticalScience have clearly stated why they believe papers like by Lean and Rind (2008) and Foster and Rahmstorf (2011) are flawed. Will SkepticalScience be correcting all of their past posts that reference those papers, and the numerous other papers with similar results, in an effort to reflect their change in opinion? If they don't, their readers will be even more confused.
This recent SkepticalScience post also appears to have established a precedent. Does their misleading escalator "represent a consensus in the peer-reviewed results"? Nope. Will SkepticalScience be withdrawing it?
It appears that SkepticalScience is just a confused as the climate science community about the recent slowdown in the rate of warming. But it's very obvious what caused it. There hasn't been a El Niño event since the one in 1997/98 that was strong enough to release a sufficient amount of naturally created warm water from below the surface of the tropical Pacific to raise global surface temperatures more than a few hundredths of a degree.
This entry was posted in CAGW Proponent Arguments, El Nino-La Nina Processes, Tamino. Bookmark the permalink.
It looks like the cartoonist (Cook) never corrects his posts.


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Blog of Horror
Trashy movie reviews from my home to yours. May contain spoilers, profanity, and meat by-products.
House of the Devil
The House of the Devil (2009)
So a few months ago Zack (@Lightisfading on twitter) lent me a stack of Ti West movies to watch. So far I watched In a Valley of Violence like a month ago, and I watched this movie today. House of the Devil is about a college student (Jocelin Donahue) who takes a babysitting job from an eccentric older couple (Tom Noonan and Mary Woronov) and ends up being a human sacrifice in a Satanic ritual.
It's set sometime in the 1980s, which normally would bug the shit out of me - one of my biggest pet peeves about modern horror is how trendy it is to set things back then. There's no specific reason why this irks me so except that, you know, things are happening now so why not dig into that. However, this movie actually makes a point for being set during that time by mentioning that in the '70s a lot of people were really worried about Satanic cults. Nowadays the thought of Satan-worshipers being even remotely frightening is laughable, but this movie manages to dispel my dislike of new retro horror and modern Satanism in one sweep of historical context.
The other thing about this movie's setting is that it doesn't just say "okay this movie is set in nineteen-eighty-whatever", it goes all the way to make a movie that looks and feels like it was made in nineteen-eighty-whatever. From the grainy film quality, to the title sequence, to the way the shots are set up, to the score, it all feels like a movie that my dad had on the top shelf of his VHS wall. The main actress, Jocelin Donahue, looks like she wouldn't have been out of place in a Dario Argento movie or one of the Friday the 13th sequels, and even the way that the plot is structured feels like a film of that era.
Thus, regardless of whatever I think of the movie as a movie, it's impressive as a well-researched history project and noteworthy for that merit alone.
It's also impressive that they managed to dredge Tom Noonan (i.e., the Toothfairy from Manhunter, which we reviewed on the podcast here) and Mary Woronov (who was in, like, all the Roger Corman movies but I remember her best from Death Race 2000) up out of the pre-grave for this movie, both of whom gave great performances. Tom Noonan goes for a creepy yet strangely charming vibe, while Mary Woronov is weird and terrifying. Both are highlights of the movie despite only being in it for a combined twenty minutes tops.
The movie is set up to follow all the beats of a classic horror flick, lulling me into a false sense of security and then taking sudden detours from the formula which are refreshingly startling. For example (this whole next paragraph is a spoiler so skip if you wish), the main character's friend (Greta Gerwig) seems like she's probably going to be a pretty important character but instead gets an unexpected murderin'. Since a lot of horror movies these days are just entrail-festooned murder orgies that have me almost completely desensitized to any sort of human-on-human violence, the fact that an onscreen death in a horror movie was actually shocking to me is worth mentioning.
Furthermore, the characters have the common sense to use fucking guns. I don't know how many movies I've watched where I thought "jesus christ, why don't these fucking murder jockeys just have guns and shoot their victims". Well in this movie they do, and the plot still functions. No more excuses, other movies.
When the movie does finally get to the Satanic stuff (which takes over an hour to get to), it's pretty fucking weird so props there. They've got some weird ass witch fuckin demon thing, which I guess was the mother that the girl was supposed to be looking after, and a goat skull and shit, so that was legit. Even for a person such as me, who thinks that Satan worship is fucking stupid, it was weird enough that it was unsettling.
This fuckin thing. What the fuck is this fuckin thing? Image source.
I have two qualms with this movie. The first is that it takes for-fucking-ever for anything to happen. I'm not joking, there's twenty minutes of set up to establish that the main character needs money before she even really gets to talk to Tom Noonan over the phone. And like, okay, the character is likable, and I get that this movie is only ninety-five minutes long so they had to pad it out a bit, but still. It makes the movie seem less like it was made to tell a story and more like it was made to say they made a movie in the same style as an old movie, which totally took me out of the mood.
The second qualm is really going out on a limb but bear with me while I explain this shit. So, there's a big long stretch of the movie where the only thing that really happens is the character calls and orders a pizza. The number for the pizza place, and money to buy the pizza, was given to her by Tom Noonan before he left for the evening. So she calls the pizza place and the guy on the phone says "it'll be 30 minutes". It then takes thirty minutes of real time (not time in the movie, actual time) for the pizza to get there which really built a lot of tension. I was sitting there thinking, when the fuck is this pizza going to get here? Did they forget about her? Did something happen to the delivery guy? Did something happen to the pizza?!
Anyway, the pizza finally gets delivered by the creepy couple's adult son (A.J. Bowen) and comes with a serving of roofies, eventually causing the main character to pass out so the movie can get into high gear.
Because ordering a pizza was the only thing that happened for a pretty long chunk of film, it made me really pay attention to that one thing, coz obviously the movie was telling me that that was important. And it is, actually, it is important. Coz like, suppose Tom Noonan had been like "here's some pizza money" and Jocelin Donahue was like "thanks" but then later it turned out she was on a diet and brought her own chicken and rice with her and didn't order the pizza, then the Satan family's entire plan is fucked. What was their back up plan if she just didn't order a pizza? Or if she did order a pizza but too late so the roofies wearing off didn't coincide with the lunar eclipse (which gets mentioned like three times but is somehow not as important as this pizza).
So, okay, let's say she doesn't order the pizza, that seems a little implausible if somebody is offering you free pizza, but she also had pizza for lunch so fuck maybe she was pizza-ed out. Would that mean the Satanists would have to just come back and overpower her the old fashioned way? I mean, there were four of them and one of her so it probably wouldn't be difficult. If they could do that why go to the trouble of leaving the son's phone number and money under the assumption that she would probably order a pizza, then when she did order a pizza, the son would have to go to an actual pizza place, buy a pizza, drug it, and then bring it to the house. That just seems like so much fucking work, and leaving a shitload up to chance.
I really feel like it would have made a lot more sense for those people to just wait for her friend to leave, then come back and grab her. Like, they know she doesn't have a car too, so it's not like she can really get away. Or is it really important to Satan that his victims be terrorized and fed pizza for an hour and a half before being offered up as an unholy vessel? Since that was never mentioned in this movie, or anywhere else, I'm going to assume no and that the reason was that they needed to make the movie ninety five minutes.
All in all, though, my weird nitpicking aside, this movie is a very well crafted horror flick that goes beyond just an homage to horror greats. Sure, if you're really into film history you'll probably get a lot out of this, but even if you just like horror movies that are more atmosphere than gore, then this is a movie for you. Even though the weird logic gaps really stood out to me, this is still the kind of horror movie I would like to see a whole lot more of.
Merits:
- Tom Noonan, Mary Woronov, and Dee Wallace appear in this film (+3)
- A gun is used, three times (+3)
- The house is gorgeous oh my god I want to live in it (+1)
- Weird-ass ritual (+1)
- Eye pokin' action (+1)
Total: (+9)
Demerits:
- Movie is set in the '80s. Penalty reduced because of sound reasoning, and commitment to aesthetic (-0.334)
- Lunar eclipse mentioned three times by three different characters just to make sure you know it's important, but ends up being less important than the pizza (-3)
Total: (-3.334)
Final Score: 5.666 stars
Written and Directed by: Ti West. Starring: Jocelin Donahue, Tom Noonan, Mary Woronov, A.J. Bowen, Greta Gerwig.
Posted by fingerwitch at 12:21 PM No comments:
Labels: cults, demons, history of horror challenge, horror, movies
An eight year old girl (Paige Connor) is the descendant of an evil extraterrestrial force called Sateen, granting her all kinds of weird psychic powers. A cabal of guys in suits is trying to get her mom (Joanne Nail) knocked up so there can be another super powered evil kid. The Visitor (John Huston) comes from another planet to contain the girl and stop the evil stuff from happening.
I was disappointed by this movie mostly because I was expecting a trippy 70s sci-fi catastrophe - I mean, just fucking look at the poster - but instead I got The Omen from space. The movie looks nice for the most part, it's got a Brian de Palma thing going on, and there are a couple scenes at the beginning and the end with beautiful fantasy light shows, but the majority of the movie is just regular city stuff, making the sci-fi aspect by and large irrelevant.
There's one scene in particular where the mother gets abducted in the back of a transport truck that looks like a space craft in the dark (reminding me that, oh yeah, this movie is about space stuff). Generally, the use of lighting was really cool.
The actress playing the evil kid, Paige Connor, is pretty good for a child actor which goes a long way in making this movie actually watchable. She's reasonably creepy as the female Damian, or an updated Bad Seed, whatever you want to call it.
The movie has like at least three big long scenes early on to clumsily explain what is going on. The first involves a guy who is Jesus I guess (Franco Nero) telling a bunch of space kids this story about how Sateen was this ancient space evil. Fortunately, he was captured by Yaweh. Unfortunately, he escaped to Earth. Fortunately, they sent a bunch of birds to kill him. Unfortunately, he changed form into an eagle and defeated the birds. Fortunately, some of the birds survived and mortally wounded him. Unfortunately he had already mated with a bunch of Earth women, so his evil descendants would live on. So we've got that.
Next we've got a scene of a basketball game which goes on for fucking ever and is basically just an excuse to have Kareem Abdul-Jabbar in the movie. This explains to us that this little girl has Satanic - sorry Sateenic - powers that she uses to help her mom's boyfriend's basketball team win games for some stupid reason.
Then we've got one more scene of the mom explaining to her boyfriend (Lance Henriksen) that she thinks her daughter is weird and she is divorced and doesn't want to get remarried or have any more kids despite his pressuring her to do both of those things. Which, you know, you think would have been things that would have come up at any other point in their relationship.
There are also some really bizarre logic problems with the movie. The one that irked me the most was that John Huston is this interplanetary traveler, but he arrives in the United States on a plane and has to go through immigration or whatever. Why? Furthermore, he brings a bunch of monks and space bullshit with him which apparently did not cause an issue at customs. So, like, what the fuck. And he doesn't even leave on a plane at the end, he just space travels back to where he came from, so what was the point of him going through airport security. Why.
Secondly, there's this whole thing about how these guys in suits want the mom to have another baby, they need there to be another baby, coz they're really evil and stuff, and Lance Henriksen works for them obviously, so he's trying to get her to marry him. Is that necessary? Couldn't he just, like, sabotage her birth control? Eventually the suit guys get tired of this and go for a more direct approach. Which you would think would be rape, I guess? Nope, they wait for her car to break down on the highway and then come in a transport truck with an operating room in the trailer and surgically impregnate her? Luckily for her, her ex-husband (played by Sam fucking Peckinpah for fuck sakes) is a doctor and gives her an abortion. So there was another totally irrelevant piece to this movie.
And another thing, there's, like, one murder in this movie. Granted it's pretty boss, the girl's pet hawk flies in a buddy's window and pecks his eyes out while he's driving, causing him to drive off the road and get trapped in his burning car. But it's also stupid because he doesn't, like, pull over when this bird is pecking his eyes out, he keeps driving, so really, he killed himself.
Finally, the end scene involves the evil kid getting attacked by a shitload of space pigeons which, like, okay, I get the bird motif throughout the movie, but... man, a flock of birds killing somebody actually looks really bad on screen, I'm sorry.
Overall, this movie had its head more or less in the same place, but it was just really boring. Like, there should have been more weird sci-fi stuff, and more murder. Coz ultimately, this kid didn't really seem to be that much of a threat to humanity. I recommend instead watching Xtro which is similar, but weirder and grosser.
And now, introducing a completely arbitrary ranking system because I feel like it.
- Pretty colours (+1)
- Lance Henriksen is in this film (+1)
- Actually good child actress (+1)
- Main characters' house is amazing (+1)
- Eye pecking action (+1)
- Pong (+1)
- Christian theology as space drama is stupid (-1)
- Astrology (-1)
- Too much exposition (-5)
- Too much sports, including basketball, gymnastics, and ice skating (-5)
- Music was way too dramatic for what was going on on screen (-1)
- Murder birds. Birderers? (-1)
Total: (-14)
Final Score: -8 stars
Directed by: Michael J. Paradise. Written by: Luciano Comici, Robert Mundi. Starring: John Huston, Joanne Nail, Paige Connor, Lance Henriksen, Mel Ferrer, Shelley Winters, Glenn Ford, Sam Peckinpah, Franco Nero, Kareem Abdul-Jabbar.
Posted by fingerwitch at 1:32 PM No comments:
Labels: aliens, evil kids, horror, movies, satan, sci fi
Here's another movie with "hell" in the title. Is it hell-month over here? Probably not. Hell is set in 2016 after global temperature rose by ten degrees celsius, causing most of the human population to die out and society to disintegrate. A woman (Hannah Herzsprung), her younger sister (Lisa Vicari), her boyfriend (Lars Eidinger), and some guy they meet at a gas station (Stipe Erceg) face dehydration, starvation, burning hot sunlight, and cannibals, in an attempt to get to the mountains where they believe there were still be water.
The poster for this movie, as you can see, has "Roland Emmerich" written on it in big ass capital letters so I had very low expectations and as such was pleasantly surprised, for you see, Roland Emmerich only produced it. It was written and directed by other people. It's not a great movie, by any means, but it is also not a Roland Emmerich movie and that in itself is a form of greatness.
The film is pretty minimalist, with almost no music, little in the way of special effects, and bare bones cinematography, focusing instead on the characters and story.
The characters for the most part aren't all that great. The two sisters are pretty much useless through the first part of the movie, relying on the men to do stuff for them and making me wonder how they actually survived the apocalypse, until the older sister suddenly becomes really resourceful at the end in order to service the plot. The boyfriend is an utter dink, constantly trying to convince the main character to ditch the gas station guy and the little sister. Gas Station Man goes from attacking the group and trying to steal their water and shit to helping them with very little development (he has a short bonding scene with the younger sister and then he's, like, Mr. Man). The acting was pretty good, I think. For some reason on Shudder the movie, which is originally in German, was dubbed into French and then subbed in English, a combination which makes it pretty hard to tell how the acting was, but, like, everybody's facial expressions were spot on. The main villain (Angela Winkler) particularly would have been creepy in any language.
As well, the main story - a woman doing whatever she has to do to protect her little sister - is really compelling and believable. It's irritating that said woman seems to need a man to help her almost every step of the way, but hey, I'll take it. This is also the first movie I've seen that addresses menstruation in a post-civilized world. Like, as somebody who menstruates, every apocalypse movie I watch there's always a point where the thought "did they stockpile tampons?" trickles down my leg. They didn't really get into how unpleasant it would be, it was more "woo, I'm not pregnant" which would also be a really fucking valid concern in a world where hospitals and epidurals no longer exist and all condoms are expired forever and still never gets fucking brought up. So, you know. Post-apocalyptic horror movies with female characters who menstruate. That's the future the liberals want.
The qualms I had with the movie were three. The first, it travels very well trodden ground. No, I don't need to be blown away by originality every time I watch a movie because I'm not a total pretentious fuck (only like, 70% pretentious fuck because I use words like "pastiche"). But this movie feels like a pastiche of a bunch of other movies that have gone before. Like there's a part where the little sister gets grabbed by a roving gang of marauders and the older sister goes after her and she meets this woman who offers her water and shelter and like, I thought it was pretty obvious that this woman was aligned with the bad people and that they were probably eating people and that, if they were smart, they would use the girls as breeders. I mean, that's just, like, apocalypse 101 isn't it? And, yeah, that's what happens. Spoilers. That being said, this movie actually progressed sensibly enough that it wasn't that big of a deal.
Problem the second I mentioned before but the two female characters were just completely fucking useless through half the movie. That really bothered me. Like, there's a scene early on where the gang is travelling in their jeep and come across a fallen piece of a fucking radio tower or something across the road and of course the two guys get out to push it out of the way while the girls just sit in the car. Like, fuck you, get out and help them. Feminists didn't battle for equal rights for centuries for you to just sit there and watch while the menfolk rescue your asses. So then they decide that the three adults will push the thing while the younger sister hauls it out with the jeep, and the gas station guy has to give her a tutorial on how to drive stick. Okay, the girl's like fourteen, under regular circumstances she might not necessarily know how to drive, but under Apocalypse Circumstances where your ability to survive hinges on your vehicle, you need to know how to fucking drive. Also, there's this part where she has to pee and she wanders like way the fuck away from the jeep to do so. Fuck that. If I'm out in the woods at night, or even in the day time, I pee like three feet away from my buds. I'm not gonna wander off and get eaten by a fucking bear with my pants down around my ankles.
My final concern was that, okay, there's all these people on this farm that are eating people to survive because there's very little water and plants and farm animals can't survive anymore. That's fine, they've got their whole The Road thing going on, that's what I would do. As usual, they can't seem to find a way to cook human meat that makes it look in any way appetizing where realistically human meat probably looks a lot like any other kind of meat. Anyway, they've got the two girls to use for breeders so the family can persist. And I can't help but wondering why, ya know? Like, don't you think you're going to run out of other people to eat after a while? Aren't you just dooming the next generation to starvation once the human-meat runs out? Isn't it time to let the human race die?
Furthermore they've got a whole barn full of captured people to eat at their leisure but... like... what are they feeding those people if they don't have any food? Are they feeding them other people? That seems sort of counter productive. It would be much more efficient to capture people to order. Alternatively, they may all be crazy and eating people just for funzies. Again, that's what I would do. Post-apocalypse films are great for living out ones lawless fantasies and one of mine is finding out what people tastes like.
That got really personal. To conclude, this movie isn't really spectacular or action packed or any of that but it's actually not bad if you're into this particular sci-fi/horror subgenre.
Directed by: Tim Fehlbaum. Written by: Tim Fehlbaum, Oliver Kahl, Thomas Woebke. Starring: Hannah Herzsprung, Lisa Vicari, Angela Winkler, Stipe Erceg, Lars Eidinger.
Labels: cannibals, horror, movies, post apocalyptic, sci fi
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text:
Q: Django-registration - Register form returns gaierror[Errno -3] Temporary failure in name resolution This is my settings.py for email settings:
DEFAULT_FROM_EMAIL = 'mxxxxx@gmail.com'
EMAIL_HOST = 'smtp.gmail.com'
EMAIL_PORT = 587
EMAIL_HOST_USER = 'mxxxxx@gmail.com'
EMAIL_HOST_PASSWORD = 'K132465789'
EMAIL_USE_TLS = True

This is the error generated if I try to register:
gaierror at /register/

[Errno -3] Temporary failure in name resolution

Request Method:     POST
Request URL:    http://192.168.18.39/register/
Django Version:     1.4.2
Exception Type:     gaierror
Exception Value:

[Errno -3] Temporary failure in name resolution

Exception Location:     /usr/lib/python2.7/socket.py in create_connection, line 553
Python Executable:  /usr/bin/python
Python Version:     2.7.2
Python Path:

I checked for similar issues on the web, but I couldn't find any solution, mostly there are only examples on how to set up settings.py, but they correspond to what I did. for example (http://ltslashgt.com/2007/07/02/gmail-and-django/)
I also checked the django-registration documentation but it doesn't say anything about possible issues. here (https://django-registration.readthedocs.org/en/v0.8/quickstart.html).

A: Though I'm probably late to your problem, I'll leave this here for the people that gets here looking for a solution:
My problem is that I had broken the DNS configuration on my server, I changed the DNS servers to working ones and everything worked.


text:
Education Week's blogs > Early Years
Christina Samuels
Marva Hinton
Education Week staff writer Christina A. Samuels and Contributing Writer Marva Hinton provide insight, news, and analysis on early-childhood education.
« Study: Michigan Pre-K Program Helps Promote On-Time Graduation | Main | Literacy-Rich Preschool Classrooms Key to Early Reading »
Paying for Public Preschool in South Carolina?
By Julie Rasicot on June 20, 2012 7:23 AM
More parents in South Carolina may now find themselves paying tuition to send their 4-year-olds to public preschool.
During wrangling over state spending for the fiscal year starting July 1, lawmakers this week eliminated a provision that would have banned public school districts from charging tuition for preschool programs for 4-year-olds, according to a news report.
South Carolina doesn't mandate preschool for 4-year-olds, so school districts aren't required to offer programs. At least one school charges $150 per week for its program, according to the news report.
The legislators' action doesn't seem to bode well for the state's efforts to provide access to preschool, for which South Carolina had already received a failing grade this past spring in a national report.
The 2011 State Preschool Yearbook produced by the National Institute for Early Education Research at Rutgers University noted that South Carolina spent "less than any other state per child in 2010-2011 to reach the bottom of all 39 states supporting pre-K programs."
Institute Director Steve Barnett described the state as "stuck in a sand-trap" that hurt its commitment to provide funding and high-quality programming. South Carolina "would be well-served to prioritize funding pre-K at an adequate level to provide high-quality programs for 3- and 4-year-olds. Its investment now in high-quality pre-K will pay dividends in the long run, including improvements in literacy, K-12 results, and workforce readiness for a competitive economy and capable military," he said.
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'Father of Head Start' Edward F. Zigler Dies at 88
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LV NOW LV NOW Current section
CRUISE 2017 SHOW: THE GUESTS
Guests from across the globe gathered in a mesmerizing setting: the Niterói Contemporary Art Museum (MAC), designed by celebrated Brazilian architect Oscar Niemeyer.
The landmark building, that looks like it has landed on the side of a hill overlooking Guanabara Bay, facing Rio, was built in 1991 and inaugurated in 1996. The white structure is reflected in a pool surrounding its cylindrical base, "like a flower", as the modernist architect described it.
In this fascinating setting, photographer Saskia Lawaks captured the guests a few seconds before the show, taking their seat in the front row. Among the celebrities present: Alicia Vikander, Jaden Smith, Zendaya, Doona Bae, Liu Wen, Catherine Deneuve, Sophie Charlotte…
Nicolas Ghesquière Ready to wear Fashion Show Photography
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