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The Berenstain Bears Living Lights Collection
Jan Berenstain, Mike Berenstain
This audiobook bundle includes four favorite Berenstain Bears Living Lights: A Faith Story titles:
The Berenstain Bears Blessed are the Peacemakers
Most of the cubs at Bear Country School get along most of the time. But when rivals are cast opposite each other in the school play, Romeo and Grizzliet, Brother and Sister Bear have to decide if they should mind their own business or get involved as peacemakers to save the performance.
The Berenstain Bears Keep the Faith
Brother and Sister Bear's friend Ferdy Factual loves science. Brother and Sister like science too. But when Ferdy tells Brother and Sister he doesn't believe God created the world, the bear cubs don't know what to think. What does it really mean to have "faith" in something you can't see?
The Berenstain Bears and the Biggest Brag
Brother and Sister Bear both like to be the best—the best soccer player, the best student, the best artist. But when Gramps overhears the cubs bickering about who can see the most unusual cloud formations, he puts a stop to the arguing. Being proud of a special talent from God is one thing, but bragging about it is foolish.
The Berenstain Bears Get Involved
A storm hits Bear Country, and Bear Country might flood! It's up to the Bear family and the rest of the rescue team from the Chapel in the Woods to come together and save their community.
Jan Berenstain:
Stan and Jan Berenstain introduced the first Berenstain Bears books in 1962. Mike Berenstain grew up watching his parents work together to write about and draw these lovable bears. Eventually he started drawing and writing about them too. Though Stan died in 2005 and Jan in 2012, Mike continues to create the delightful Bear adventures from his studio in Pennsylvania, in an area that looks much like the sunny dirt road deep in Bear Country.
Publisher Name Zonderkidz
Imprint Zonderkidz
Publication Date Jan 21, 2020
Extent 40.0 Minutes
Children's, Teenage & Educational » Children's / Teenage: Personal & social issues
Children's, Teenage & Educational » Children's / Teenage: Personal & social issues » Children's / Teenage personal & social issues: Bullying, violence, abuse & peer pressure
Children's, Teenage & Educational » Educational material » Educational: Language, literature & literacy » Educational: first/native language » Educational: first/native language: reading & writing skills » Educational: first/native language: readers & reading schemes
Children's, Teenage & Educational » Child & Teen Fiction » Children's / Teenage fiction: General fiction
Children's, Teenage & Educational » Child & Teen Fiction » Children's / Teenage fiction: Religious fiction


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We are the New England Chapter of the Congress for the New Urbanism
CNU New England is your local connection to the Congress for the New Urbanism (CNU), a national movement to build places people love. As CNU's regional partner, we provide the vision and resources of a national network to serve communities throughout New England at the local level. We envision every city and town in New England responding to the needs of its inhabitants through its built environment. By aligning professional standards, activating public support, reforming policy, and changing markets, we aim to mobilize individuals and organizations to locally develop our vision for better towns and cities.
The Congress for the New Urbanism
The Congress for the New Urbanism views disinvestment in central cities, the spread of placeless sprawl, increasing separation by race and income, environmental deterioration, loss of agricultural lands and wilderness, and the erosion of society's built heritage as one interrelated community-building challenge.
We stand for the restoration of existing urban centers and towns within coherent metropolitan regions, the reconfiguration of sprawling suburbs into communities of real neighborhoods and diverse districts, the conservation of natural environments, and the preservation of our built legacy.
We advocate the restructuring of public policy and development practices to support the following principles: neighborhoods should be diverse in use and population; communities should be designed for the pedestrian and transit as well as the car; cities and towns should be shaped by physically defined and universally accessible public spaces and community institutions; urban places should be framed by architecture and landscape design that celebrate local history, climate, ecology, and building practice.
We recognize that physical solutions by themselves will not solve social and economic problems, but neither can economic vitality, community stability, and environmental health be sustained without a coherent and supportive physical framework.
We represent a broad-based citizenry, composed of public and private sector leaders, community activists, and multidisciplinary professionals. We are committed to reestablishing the relationship between the art of building and the making of community, through citizen-based participatory planning and design.
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Ger is a village in the province of Girona and autonomous community of Catalonia, Spain. The municipality covers an area of  and the population in 2014 was 432.

See also
 Virgin from Ger, conserved at the  National Art Museum of Catalonia

References

External links
 Government data pages

Populated places in the Province of Girona
Municipalities in Cerdanya (comarca)
Municipalities in the Province of Girona

redpajama_set_name: RedPajamaWikipedia


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Negotiating teams in West Chicago Elementary District 33 are scheduled to return to the bargaining table Jan. 3 and 4 -- just days before teachers legally will be allowed to strike.
The school board and teachers union both have agreed to resume talks with a federal mediator as the threat of a job action looms. The two sides last met Dec. 3.
The teachers union served the district with its intent to strike notice on Dec. 21, which sets in motion a 10-day notice period for a possible job action as early as Jan. 7 -- the first day students are scheduled to return to school from a two-week winter break.
She said she's hoping to be able to share "good news" with the teachers following the Jan. 3 and 4 negotiating sessions.
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The union offered Jan. 3 and 4 as possible meeting dates, which were agreed upon by the board's negotiating team, school board President Chris Scheck said.
"We're hoping that both sides can make some progress and get this settled," Scheck said.
The school board had offered a total of six dates over the holiday break for possible negotiations, but union officials said they didn't want to meet until after Jan. 1 to allow their members the opportunity to travel out of state to visit family for the holidays.
Kosmach said the request was only fair since both sides have been locked in negotiations since September 2011.
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A Mighty Fine Blog
François Truffaut once said that "Film lovers are sick people." He may have been on to something.
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Film Review: The Jungle Book (2016)
One of the more surprising (not to mention lucrative) developments in recent years has been Walt Disney's decision to reach back into their cavernous back catalogue to create live-action versions of their animated classics. It's surprising both because of how successful those films have been (most notably Tim Burton's Alice in Wonderland, which grossed more than a billion dollars worldwide back in 2010), but also because it's such a simple idea that it feels like it should have happened ten times over already. With a steady stream of similar adaptations due over the next couple of years (some of which make more sense than others), Disney's nostalgia-mining looks set to continue for some time. We can only hope that the next installments display as much love and wit as Jon Favreau's take on Rudyard Kipling's The Jungle Book. Or, more accurately, his take on the 1967 Disney version of The Jungle Book, since the story and design of Favreau's film has much more in common with that than the original stories.
Like Kenneth Branagh's stately, ravishing version of Cinderella, The Jungle Book is as much a refinement of its source material as it is a remake. It's beholden to the aesthetics of the original - as evidenced by Mowgli's mop top hairdo and burgundy loincloth - but writer Justin Marks changes just enough so that the story feels fresh. Instead of Mowgli (Neel Sethi) being forced to leave the jungle and his family of wolves because of a general fear that the tiger Shere Khan (Idris Elba) might decide to kill him, Mowgli volunteers to leave after being directly threatened by Khan, and because he doesn't want anyone to die protecting him. After setting off in search of a village so Mowgli can be with his own kind, he gets separated from his panther guardian Bagheera (Ben Kingsley) by stampeding water buffalo (in one of several visual references to The Lion King) rather than by Bagheera becoming fed up with Mowgli and storming off. And Shere Khan is given some pretty nasty scars and a more personal motivation for wanting the man-cub dead than in the 1967 version, where he wanted to kill for fun.
It also goes without saying that the original's odder elements - such as the vultures (modeled on The Beatles) who sang barbershop quartet (just like the Fab Four didn't) - are no longer present, and don't have 2016 equivalents. Which is a pity: I personally would love to see CGI birds based on One Direction sing some new jack swing.
Individually these are all minor alterations, but taken together they give the film a more straightforward, linear structure than the animated version, which was altogether more loose and dreamlike. The use of a clean structure for maximum emotional impact, combined with state of the art special effects (seriously, the photorealism on display makes The Jungle Book one of the most gorgeous-looking CGI films I've ever seen), is probably the closest thing that Jon Favreau has to a directorial stamp. As someone who provided the first building block of the Marvel Cinematic Universe with Iron Man, Favreau had already demonstrated his ability to combine classical storytelling with heart and spectacle, all of which are deployed to rousing, crowd pleasing effect here.
The biggest departure comes in the film's depiction of Mowgli, who is less passive, more ingenious, and has greater agency than his animated counterpart. This is most apparent in his knack for creating primitive devices that compensate for his deficiencies compared to his animal brethren. It's an aspect of Mowgli's personality that not only serves some important plot purposes - it allows him to help the bear Baloo (Bill Murray) get honey, cementing their friendship, and proves to be a vital component of his battle against Shere Khan - it's also central to one of the key conflicts in the film. His ability to make and use tools sets him apart from the other members of his pack, making a separation inevitable once the external pressure of an impending tiger mauling is applied. Mowgli is still occasionally overshadowed by the creatures surrounding him, but he's never merely a passenger, even when he is literally riding on the backs of the other characters.
As for those characters, they're brought to life by incredible special effects and a perfect voice cast. As good as the idea of Bill Murray as Baloo may look on paper, it's even better in practice: his laconic delivery is perfectly suited to a charming con artist who occasionally lets some real emotion seep through. The synchronicity between actor and role runs throughout the cast list, from Kingsley (reserved, practical, cautious) and Elba (so disarming that it's easy to forget that he's the villain) to smaller roles like Scarlett Johansson as the snake Kaa and the late Garry Shandling as a neurotic porcupine. They provide a strong support system for Sethi, who has to carry the whole film and does suffer from the bluntness that is always a risk with child performers.
Favreau and Marks handle the reworked aspects of the story so well that it's perhaps unsurprising that the film's weakest moments come when it hews too close to the original blueprint. When Baloo quietly sings "The Bare Necessities" under his breath as he and Mowgli are walking through the jungle, it's a fun nod to the earlier film. A few minutes later, when the two leap into a full performance of the song, it feels wildly out of place and forced. The same is true of the moment when King Louie (Christopher Walken), depicted as a hybrid of Marlon Brando's Colonel Kurtz - right down to a telltale head rub - and King Kong, interrupts the film's eeriest scene to break into a rendition of "I Wan'na Be Like You". The performances are good, and they don't do a disservice to the originals, but they just don't fit into the film that exists before and after the characters start singing.
It would be as if, in the largely forgotten Stephen Sommers-directed live-action Jungle Book, Baloo and Bagheera were allowed to talk for a single scene, despite not talking at any other point in the entire movie. Sure, it's not outside the realm of possibility given the story being adapted and the genre, but it would be a little disorientating to add in an element that is otherwise not present at all. Including the two most iconic songs from the animated version, but not making a full-blown musical, smacks of nostalgic/corporate obligation, especially since the performances could be removed entirely without affecting the plot. It's a rare moment of cynicism in a film which is blissfully earnest.
That's a relatively minor misstep for what is otherwise an efficiently delivered work of family entertainment. It's scary when it needs to be (but not too scary), sad when the moment calls for it (but not too sad), and even manages to sneak in some truly arresting images between the necessary action beats. It rarely excels, but it never feels unnecessary. It's a lovely rendition of a familiar story, which makes up in warmth and affection what it lacks in originality and invention.
By Edwin Davies
Labels: 2016, Ben Kingsley, bill murray, blockbuster, Christopher Walken, Disney, family, film, film review, Idris Elba, lupita nyong'o, review
Welcome to A Mighty Fine Blog
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Best Films of the 2010s
Film Review: Fateful Findings (2014)
Film Review: Blue Is the Warmest Colour (2013)
"And That's The Story": Some Thoughts on Bob Hoskins
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Chobani plans Asian charge with new Australian factory
06-Dec-2012 - Last updated on 13-Mar-2017 at 15:26 GMT
Related tags: Australia
Chobani has opened new A$30m factory on the outskirts of Melbourne that will act as the company's hub for expansion across Asia.
The plant, in Dandenong South, will create 200 jobs in Victoria and follows last year's purchase of Victorian dairy company Bead Foods. It adds over 3,000sq-m of wet processing and cool room facilities to Chobani's existing Australian operation, effectively tripling production capacity to over 30,000 tonnes of yoghurt per year.
"We chose Australia as our first international market to launch Chobani because of its amazingly high-quality milk, and we knew that Australians are passionate about great-tasting food," said Chobani founder Hamdi Ulukaya at the opening.
The factory has already created 50 new jobs in the past year, and a further 150 are expected to be added over the next three years. It is expected to become an export hub to grow the Chobani Greek Yoghurt and Gippsland Dairy brands into Asia.
Chobani, regarded as the most popular yoghurt in the United States, was founded in 2005 after Ulukaya purchased a closed-down Kraft plant there, and is now quickly expanding in the Australian market.
Peter Walsh MLA, Victoria's agriculture minister said the Australian yoghurt and dairy desserts market was worth about one billion dollars annually and was one of the fastest growing domestic dairy product categories.
Related topics: Processing & Packaging, Greek Yogurt Revolution, Yogurt and Desserts
Chobani's Canadian launch on hold as external 'circumstances' delay plant build


At the beach! This adorable Memorial Day card features a sweet little American flag buried in the sand with the ocean gently out of focus behind it. Whether you're spending your own Memorial Day at home with family, or barbecuing at the park with friends, you won't regret taking a moment to share this Happy Memorial Day card with someone special!
Whoa! Shine on! Send up a scintillating spark on this Memorial Day weekend! Choose this electrifying Happy Memorial Day card to pass the celebratory spirit on to any important starry-eyed individual in your life! The bold Happy Memorial Day text shines as bright as your favorite fireworks display lighting up the night sky background in an American flag style pattern.
Its got the stars! Its got the stripes! Its got the Happy Memorial Day wish bursting from its center! No doubt this card has it all, it just needs you to send it to your friends! Say it loud and proud this Memorial Day by sending this brilliantly red, white, and blue card to everyone you know and get this day of remembrance kicked off right!
Remember and Honor, the central themes of Memorial Day festoon the front of this card on their own banner. By sending this Happy Memorial Day card you are doing your part of remembering and honoring the country's fallen soldiers. Bordered by bright red, white and blue stars and stripes details this card passionately honors those that are no longer with us.
Simple. Classic. American. This Happy Memorial Day card features a large, five-pointed star printed to look like the American flag over a bright blue background. This bold star card is sure to inspire strong thoughts of the true stars of Memorial Day- the ones who fell while serving the country they so loved. Keep their memories burning bright by sending this Memorial Day card to someone special.
It's that time of year again to proudly wave your American flags and join in the parades with your loved ones! Memorial Day is here, a time for reverent remembrance of our fallen heroes, send this card to get the celebrations started. This Happy Memorial Day card uses a photo background of an actual parade, with a cute kiddo in the foreground excitedly holding up mini American flags.
For this Memorial Day why not send someone a classy card done in vintage reds, whites, and blues. The bold text and ribbon banner lend this Happy Memorial Day card a truly classic Americana vibe, as American as apple pie and baseball really! The card also is decorated with the American flag and the patriotic phrase "Home of the Brave".
Commemorate the veterans who gave their lives defending the land we love. Send this patriotic Memorial Day card. The homespun stars above the hand-stitched banner are full of warm Americana style. The United States is silhouetted beneath the blue rays of sunshine and stars. Whether you send it to someone who is in or was in the military, or to family and friends who are thankful for veterans, today is a great day to send a Memorial Day greeting card.
Classic, patriotic, stunning. This Memorial Day card will make people proud to be American. It honors the lives of our veterans and is a reminder to all to give a moment of silence to those who lost their lives defending our freedom. The stars and stripes inspire patriotism and pride. Why not send this gorgeous Memorial Day greeting card to celebrate this humbling and beautiful national holiday?
The sun rises in the Red, White, and Blue of the United States' flag. It's a great day to be an American, and it's a great day to honor the lives of all the men and women who lost their lives defending our freedoms. Give a Memorial Day greeting and send this card to the people you love and cherish. On Memorial Day, hearts are stirred, eyes are moist, and people come together in remembrance, peace, and thanksgiving.
Old Glory shines brightly on this Memorial Day card. Sometimes you don't need words, just a symbol. The flag is a symbol of freedom, pride, and a national heritage. On Memorial Day, it's important to recognize and remember the fallen men and women who gave their lives in the name of freedom. Send this stunning Memorial Day card to everyone you know on this important holiday.


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« D.C.: Famed Philanthropist Jeffrey Epstein Endorses Charter School Dominance In D.C.
Bill Phillis: Who Is Protecting Imam Gulen? »
Jeff Bryant: Why Won't the Charter Industry Admit Its Failures and Clean House?
Jeff Bryant notes the escalating scandals surrounding the charter industry, creating a stench that can't be covered up and hidden.
Yet the charter industry refuses to acknowledge its problems and act to correct them and to oust the bad actors from its big tent.
Case in point: when the Network for Public Education released a study of the federal Charter Schools Program which showed that about one-third of all federally-funded charters had never opened or had closed soon after opening, at a cost of taxpayers of $1 billion, the charter industry was at first silent. Then it responded by attacking the report and NPE, claiming that NPE was "union-funded," which it is not. NPE has indeed received contributions from unions, but the overwhelming bulk of its funding comes as voluntary gifts from individual supporters.
The attack came from paid employees of the National Alliance for Public [sic] Charter Schools, whose job seems to be to deny any charter misdeeds and to attack all critics and criticism. They were outraged that NPE would criticize the federal Charter Schools Program, which under Betsy DeVos has directed the bulk of its $440 million a year to support of large corporate chains like KIPP, IDEA, and Success Academy. It is now a charter slush fund, controlled by DeVos and her merry band of privatizers.
Bryant, who was a co-author of the NPE report with Carol Burris, writes:
As charter reform in California takes one step forward and two steps back, charter proponents operating at the national level show no signs of being willing to consider the need for more regulatory oversight.
For instance, months after the report Burris and I published about waste in the federal government's charter school grant program, officials from the National Alliance for Public Charter Schools, a charter school lobbyist and advocacy group, attacked our report in a national media outlet supportive of charter schools.
The critique by Christy Wolfe and Nathan Barrett is a slog through a mostly unsubstantiated defense of a program their organization does not even administer and does not seem to have any greater understanding of than Burris and I've demonstrated. But what Wolfe and Barrett have written can serve as a useful example of how charter industry operatives continue to respond disingenuously to criticism of their schools no matter how reasonable and well-founded the criticism is.
Now, why would the National Alliance for Public [sic] Charter Schools respond so defensively to any criticism of the federal Charter Schools Program?
Surely it can't be because the NAPCS received a grant of $2.385 million from that same program in 2018.
The charter slush fund must be protected at all costs, regardless of where the money goes or how it is spent and misspent. Accountability be damned!
Categories Charter Schools, Corruption, Education Reform, Fraud
It's HARD to "clean house" when the basic tenets of charter schools are WRONG and BAD. Charters are are really about Jim Crow.
Interestingly, Alternet reports that Beto O'Rourke's wife (she has a charter school) was informed by The Guardian that her ancestors were slave owners and supporters of the confederacy. She was cited as having no comment.
Her dad is called the father of the REIT, a contrivance which can be used to establish charter schools.
The charter industry does not care to police itself as so many bad actors are participating in the public money feeding frenzy. Rules and regulations are perceived to stifle innovation. The only innovation from the charter industry is how to monetize students, lie, cheat, embezzle and hide the profit so the government will not find it. More rules imply that the government will have oversight, and the free market frauds do not want anything to interfere with their profit.
I think the charter industry is similar to the Republican party.
The most powerful people in the Republican party and the charter industry are the most dishonest, greedy and/or corrupt and they do not want any policing or oversight.
I am sure there are some charter operators who are decent people just like there are some Republican politicians who are decent people. Maybe they don't like what is going on, but they are too scared to speak out. They also get money and support from the corrupt leaders so there is a lot of personal interest going on even among the so-called "good" charter operators – and the so-called "good" Republicans — who have made the decision that their own self-interest is far more important than speaking out for what is right.
Justin Amash demonstrated that if you object to any Republican party corruption or wrongdoing, you must leave the party and give up your membership. If you want to stay in the Republican Party, you must do the bidding of the most corrupt leaders and remain silent.
There are no charter operators who have the courage of Justin Amash to give up all the nice things that come their way when they just keep quiet and let the powerful people continue their corruption.
They know if they speak up for what is right, they will be drummed of the charter movement that provides their lucrative career.
I don't particularly like Amash's positions on most issues, but the charter movement could use even a single voice like his — a charter operator who values the truth and honesty more than their lucrative career.
I read the attack on NPE's Asleep at the Wheel in EducationNext. What a bunch of twisted gobbledygook. Wolfe and Barrett, the authors from the National Alliance for Rightwing Libertarian Privatization and Deregulation, claim that opening and closing schools is not wasteful because only bad schools close. Churn and burn, free market, survival of the fittest, who is John Galt? That sort of thing. They wish more public schools would be closed! They want to cleanse the school pool of weak genes.
I would like to have the authors visit the students, teachers, and their families: the victims of school closures, especially those of abrupt closures. Let them explain themselves, face to face. Let them then go to the public school districts that lost funding to the "bad schools" while they were open and explain themselves. Let every president and congressperson who approved and reapproved the New Markets Tax Credit and the Charter Schools Program explain to the American people why working taxpayers are footing the bill for investors instead of lower class sizes and better wages.
Then, let the privatization apologists from EducationNext go to Donald Trump and Betsy DeVos for a photo op. Let them stand side by side with their hero because charter schools and Betsy DeVos go hand in hand, destroying public education — next.
Human (grifter's) nature?


Kid Cudi has shared a new song, "The Rage." It prominently samples Smashing Pumpkins' classic 1995 hit, "Bullet with Butterfly Wings." Listen below. "The Rage" is the end title song for the new Dwayne Johnson-starring action adventure movie, Rampage. It appears on the soundtrack for the Brad Peyton-directed film, alongside an original score by Andrew Lockington. Rampage and its soundtrack are out now.
Kid Cudi's last album, Passion, Pain & Demon Slayin', arrived in 2016. Last fall, he embarked on a tour behind the record and brought out Kanye West as a surprise guest during his Chicago stop. The two also performed together earlier this year in Los Angeles. Its currently rumored that Kid Cudi has been working on Kanye's new album in Wyoming.
Read "To Be Young, Angsty, and Black: On Rap's Emo Moment" on the Pitch.


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Post War and Contemporary Art Evening Sale
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
Cecily Brown (b. 1969)
Cecily Brown (b. 1969) Tricky signed and dated 'Cecily Brown 01' (on the reverse); signed and dated 'Cecily Brown 01' (on the stretcher) oil on canvas 48 1/8 x 50 1/8in. (122 x 127.4cm.) Painted in 2001
Galerie de France, Paris.
Gagosian Gallery, New York.
Acquired from the above by the present owner.
New York, Gagosian Gallery, Cecily Brown, February-March 2002 (illustrated in colour, p. 28).
Lot Essay
Cecily Brown's kaleidoscopic Tricky swirls in a dreamlike vision of covert eroticism. Slippery glimpses of fleshy bodies and romping bunnies slide in and out of view, falling into the gap between abstraction and figuration. The viscous consistency of her paint deliberately evokes the visual effects of bodily fluids and flesh, but her elusive subjects must fight for supremacy with the background, merging and unravelling forms in a rippling blur of motion.
The sensuous textures of Brown's thick, heavily worked brushstrokes exude vitality. The energy and immediacy of her exuberant gestural style evokes the action painting associated with the American Abstract Expressionists of the 1950s, yet she subverts this male dominated tradition of 'heroic' abstraction by injecting a feminised sense of sexuality. The pulsating Tricky can be seen to share Willem de Kooning's creative use of ambiguity and dissolution of figures and objects, using figurative representation as a springboard for an exploration of the expressive painterly mark. Although more determinedly abstract than many of her paintings, which frequently feature explicit fragments of copulating couples, Tricky still contains barely discernable glimmers of a mouth, an eye, and the ears of a rabbit in the whirlwind of earthy and fleshy hues sweeping up the canvas.
Tricky forms part of a body of work that marks a significant development in Brown's oeuvre, setting her amorphous recollections of sexual fantasies and physical sensations into a pictorial space inspired by the pastoral scenes of Impressionist and Old Master painters. Although detail is almost completely subordinated to an allover abstract effect, the mass of surging marks towards the centre of the canvas are set against a horizon line, making it clear the frenzied activity is taking place in a landscape. The confusion of luscious skin tones hints at the hidden secrets of a garden of earthly delights, but any suggestion of form is dissolved into the dark green terrain and luminous turquoise sky. Vague impressions allude to the presence of forms in motion, emerging from the seductive surface of the painting, which contains no visual hierarchy of scale or space, enhancing the sense of hallucinogenic disorientation. Stating that she is more interested in 'where the mind goes when it's trying to make up for what isn't there', Brown buries her imagery in a profusion of painterly excess, knowingly withholding definition to flirt with the viewer's gaze (C. Brown quoted in J. Tumlir, 'The Paintings of Cecily Brown', Cecily Brown, exh. cat., New York, p. 9).
More From Post War and Contemporary Art Evening Sale


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A Few Tips For Renting a Portable Potty by Dilley, Texas.
Selecting the best portable toilet solution ensures that your event will be remembered as a smooth time. The last thing any competent host wants is a hold up in the bathroom lines, resulting in irritated guests and overwhelmed facilities. Before moving ahead with any large event you'll want to ensure you have made preparations to prepare for the inevitable restroom requirements of your guests with a portable toilet solution.
Things to think about when deciding on a porta potty solution include the amount of people attending, the projected length of the occasion, whether refreshments will be hosted and whether the atmosphere of the gathering will be causal or upscale. By far the most important considerations that go into choosing your portable toilets will be the number of guests you're having, the type of event and how long will guests be staying .
First, think about the many porta potty choices that you'll be presented with when selecting a vendor. One of your choices could be between regular porta potties and toilet trailers, a choice that can be made depending on the amount of people you'll have and how upscale your occasion will be. Also, consider whether separate hand washing units and sanitation aids are available, and what is needed to make sure that toilet trailers have the electricity and lighting you need. Ask about service options offered during your event, particularly if there is very warm weather expected, since you may need to make plans for the stalls to be emptied at times.
Your basic porta potty will be constructed of of plastic, have a single stall and will contain toilet paper along with some type of hand sanitizer . If you are looking to keep costs down, you can actually install an outside washing station where attendees can wash their hands after, which will save you the extra fees of having to rent stalls with inside wash bins. As you might know already, porta potties don't use any plumbing, but rather they use chemicals to contain waste and are disposed of afterwards . If you are renting your portable restrooms for a longer period of time they will need regular emptying as well as being refilled to keep them fresh.
Placement of your porta potties is very important, whether you're hosting a wedding or a jobsite, if they're too far away it could really bog things down. The most ideal layout for a portable toilet is a location that's dry, level, and is centrally located for all event attendees or construction site workers to access. The best thing about renting portable toilets is that you'll have the option to change the toilets to match your individual needs. Although you would think portable toilets would be the least of your concerns at an event, lack of quantity or quality can rapidly impact your guests in a very negative way.
There are a range of other options to consider when considering which type of portable toilets to choose. The type of event you're planning will help you choose the amount of toilets and the length of time you'll need them for. You will want to remember that your gathering is going to require some setup regardless of the type of event you're hosting, so it's important to ask your rental company how long they will need to set up the portable toilets and that way you can ensure they'll be ready in time for your attendees. Handicap access is also something you want to make sure not to overlook, and it's often a smart idea to have an easily accessible mobile toilet at larger events.
Another point you'll want to think about is the type of cleaning services that are going to be provided during your occasion. This includes aspects like toilet paper and hand drying refills in addition to cleaning or sanitizing the units. You might want to make sure that there are toilet paper supplies close at all times, because the last thing you want to happen at your special occasion is for someone to come up and tell you they need more facilities in the portable toilets.
There are a few things that influence the cost of portable restrooms. Your portable toilets will be more expensive if you decide on nicer amenities such as lights, running water or sinks. Next, the amount of time will also have a role in the price of acquiring portable restrooms, and the more time you require them for, the higher the price will be. In order to reduce your travel costs you want to seek out and use the portable toilet vendor who is closest to your place, that way they may decrease the total rental costs for you. Sometimes vendors will give you a price reduction if you've done business with them multiple times before as well. Since you now know some of the varieties available and facts surrounding renting portable toilets you'll be better informed to find the best company with the lowest fees and host a smooth special occasion.


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BEMAWU > News > GOVERNANCE CRISIS AT SABC
GOVERNANCE CRISIS AT SABC
Posted on Oct 12, 2017 by BEMAWU HEADOFFICE
The almost two-week governance hiatus at the SABC has raised concerns that the moves towards cleaning house and stabilising the public broadcaster are pawns in broader political machinations.
"We're concerned that President Zuma is deliberately delaying the appointment of the new board for political reasons, leaving an unacceptable gap in governance at the SABC."
Worries were also expressed publicly by trade union Broadcasting, Electronic Media and Allied Workers' Union (Bemawu) in an open letter, and by the SABC8, the journalists who were expelled but reinstatement after raising their concerns.
"We believe that a recapture project of the public broadcaster is afoot," said the SABC8 open letter in support of Bemawu. "We will not allow our short-lived, recently gained freedom of expression to be rolled back…" said the SABC8, calling on Parliament to hold the executive to account and ensure the new permanent board is appointed. "We wish to inform the executive arm of the state that we do not belong to them but to the people of South Africa via their public representatives – the Parliament of the Republic of South Africa," their open letter said.
And on Tuesday the communications committee decided it should hear from the SABC8 and Bemawu, as Dlodlo interjected that if that was the MPs' decision, they had to also hear from others who wrote to them.
The minister appeared on the back foot over the delays on appointing the SABC board, and her role in it. "If I am requested to assist, and I see nothing untoward (in this), that is exactly what I will do," she told MPs. And on the issue of stalled appointments of executives – the SABC is currently run by acting CEO, chief financial and chief operations officers – Dlodlo said the interim board had not, as required, submitted the job specs to her for approval ahead of time. And the pool of six names for her selection did not meet the necessary television, radio and managerial standards.
Source : https://www.dailymaverick.co.za/article/2017-10-11-reporters-parliamentary-notebook-factional-winds-blow-around-troubled-sabc-and-public-protector/#.Wd5cNBOCyRt
OPEN LETTER TO PARLIAMENT BY SABC 8 →
← SURVEY WASTE OF MONEY


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Q: How to improve the dynamic detection of the center of region of interest I have MRI images grouped in 3D array shape(2D and slices) the images come from different machines so the spatial resolution is different from one to another, I do like to cut a ROI from all of them dynamically.
The cut will be depending on the detection of the circle which is my point of interest (the radius and the shape of the circle varies from slice to another because it represents the heart movement).
to do that I'm trying to:

*

*locate the centers of all detected circles.

*get the mean of all of the circles centers.

The problem in this approach is that: there is some detected circles far from my point of interest which will affect the mean badly.As you can see in the image under the code.
Is there any solution(without exhaustive computation of covariance matrix) to exclude this drastic points ?

#============================================
 def processImage(img,kernel_size):
  #gray = cv.cvtColor(img, cv2.COLOR_BGR2GRAY)
  #blur = cv.GaussianBlur(img, (kernel_size,kernel_size), 0)
  thresh = cv.adaptiveThreshold(img,255,cv.ADAPTIVE_THRESH_GAUSSIAN_C, cv.THRESH_BINARY,11,2)
  blur = cv.GaussianBlur(thresh, (kernel_size,kernel_size), 0)
  #thresh = cv.Canny(blur, 50, 150)
  return blur
 #--------------------------------------------
 #============================================
 def locateCenters(self,img,ker_sz):
  # define circles center & initialization
  centers = np.array([[90,120]],dtype=int)
  # loop all the slices
  for idx in range(img.shape[2]):
   #convert the pixels to uint8
   imag = img[:,:,idx].astype('uint8')
   # PreProcessing for Images
   img_pro = ROI.processImage(imag,ker_sz)
   # Detecting circles
   circles = cv.HoughCircles(img_pro,cv.HOUGH_GRADIENT,1,10, param1=40,param2=50,minRadius=10,maxRadius=35)
   # check wrther if there is circles or not
   if circles is not None :
    circles = np.uint16(np.around(circles))
    #print(circles[0,:])
    for i in circles[0,:]:
     centers = np.append(centers, [[i[0],i[1]]],axis = 0).astype(int)
  center = np.mean(centers,axis=0,dtype=np.int)#.reshape(1,2)
  print("Center ",center,"\nCenters:",centers.shape)
  x,y = center
  return x,y
 #--------------------------------------------

A: The solution was to take the 4D Image (3D + time) and use standard deviation to locate the heart(since it's moving always).

redpajama_set_name: RedPajamaStackExchange


After a busy day on currency markets yesterday, the biggest mover ahead of today was the Euro, followed closely by the Pound. Heightened volatility was unsurprising given the central bank monetary policy decisions that occurred in the underlying economies of the respective currencies. Monetary policy decisions from the Bank of England and the European Central Bank yesterday left both monetary policy instruments and expectations on hold. The ECB confirmed that it will restrain asset purchases in the new year at €30bn, down from 2017's €60bn average and crisis highs of €80bn. Following a recent hike, the Bank of England Rate is held at 0.5%. The EU summit concludes today, allowing market movement.
Politics or Economics? The Pound's internal conflict is leading to interesting dynamics on forex markets. The United Kingdom's polity and economy have both thrown up surprises, frequently in opposing directions, that are causing a cautious pound with considerable average intraday volatility.
Yesterday afternoon saw the UK parliament strike a blow to Theresa May by voting through an amendment to the government's cornerstone Brexit legislation, and allowing the UK parliament a full vote on any Brexit deal before government implementation. This political result creates two devastating effects to May's leadership. Firstly, the defection of party members voting against strong government whips publicly conveys an air of weakness to the incumbent government. Secondly, in more constitutional terms, the amendment turns Brexit into a more salient partisan affair, by equating the composition of the Commons with the ratification of a Brexit deal.
Sterling's interesting internal dynamics are raised by the expectation of imminent EU Council approval for second round progress. The conflict questions what is more important; internal or external politics? Similarly, slow economic progress with the Bank of England decision leaving policy expectations unchanged extends Sterling's existential crisis further: how should all this news be priced into the Pound?
The progression of the European Union, and not least the Euro, is often referred to as the European experiment; and rightly so. The stab in the dark, beginning less than a decade after the conclusion of the second world war, was revolutionary. Now, however, the experiment is changing and, in my opinion, spilling over into markets.
Any single currency that is achieved by the amalgamation of many domestic currencies will always bring new challenges. However, even more so than with the Pound, discussed above, a central challenge is isolating the arena of salience to a collective currency.
Westminsterial politics is the traditional ground for UK political developments; a certainty that cannot be ascribed to the Euro area. In what should be a focal point for the Union's and Eurozone's politics, today's Summit is still dominated by national idiosyncrasies, not least Brexit. Yesterday, a steady outlook for European monetary policy summarized the same message: growth is good, however, the average price level (inflation) remains highly illusive. Without wage growth, the value of the Euro may be subdued. Yesterday's decision saw the Euro fall 0.7% to 1.178 against the Dollar and 0.8765 vs. Sterling.
Yesterday evening, equity markets in the US closed in the red lower, reflecting concerns about the viability of Trump's tax reform bill. This morning, the Dollar has opened mildly lower on European markets, continuing last night's trend. Trump's optimism for reform before Christmas may well be taken at face value by markets, creating a risk that the year-end balancing that typically favours the Dollar, and has done so far throughout December, might be undermined and even reversed.
Yesterday evening Governor of the Bank of Canada, Stephen Poloz, gave the first hint that Canada will require "less monetary stimulus over time". This comment strengthened the Canadian Dollar by over 1%, making its purchase more expensive.


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Cette chronologie de l'Histoire de la Suède nous donne les clés pour mieux comprendre l'histoire de la Suède, l'histoire des peuples qui ont vécu ou vivent dans l'actuelle Suède.

Préhistoire

Antiquité

Moyen Âge

 vers 1008 : le roi Olof Skötkonung reçoit le baptême.
 1143 : les premiers monastères cisterciens de Suède sont fondés à Alvastra et Nydala.
 1164 : Uppsala devient le siège d'un archevêché.
  : la reine de Danemark Marguerite  fait couronner son petit-neveu Éric de Poméranie roi de Danemark, de Norvège et de Suède à Kalmar. Début de l'Union de Kalmar.
 1434-1436 : Révolte d'Engelbrekt contre la domination danoise.
  : Sten Sture le Vieil bat Christian  à la .
 1477 : fondation de l'université d'Uppsala.

4- : Bain de sang de Stockholm.
  : Gustave Vasa est élu roi de Suède. Fin de l'Union de Kalmar.

: Gustave II Adolphe bat les armées de la Ligue catholique à la bataille de Breitenfeld.
  : Gustave II Adolphe est tué à la bataille de Lützen.
  : la reine Christine abdique pour se convertir au catholicisme.
  : par le traité de Roskilde, le Danemark cède la Scanie, le Blekinge, le Halland, l'île de Bornholm, le Trøndelag et le Bohuslän à la Suède.
  : par le traité de Copenhague, la Suède rétrocède l'île de Bornholm et le Trøndelag au Danemark.
 1666 : fondation de l'université de Lund.

Grande guerre du Nord (1700-1721)
  : Charles XII est vaincu par le tsar Pierre le Grand à la bataille de Poltava.
 Ère de la Liberté (1718-1772) monarchie constitutionnelle
  : fondation de la Compagnie suédoise des Indes orientales.
  : fondation de l'Académie royale des sciences de Suède.
 1753 : le calendrier grégorien est introduit en Suède. Le  mars suit le 17 février.
 1772 : coup d'État de Gustave III, fin de l'Ère de la Liberté.
  : fondation de l'Académie suédoise.
  : assassinat du roi Gustave III.

: début de la guerre de Finlande contre la Russie.
  : fin de la guerre de Finlande. Par le traité de Fredrikshamn, la Suède cède la Finlande à la Russie.
  : par le traité de Kiel, le Danemark cède la Norvège à la Suède.
  : la convention de Moss fonde l'union personnelle entre la Suède et la Norvège.
 1866 : le Riksdag devient bicaméral.
  : fondation de l'Union monétaire scandinave avec le Danemark. La couronne remplace le riksdaler comme monnaie du royaume.
  : fondation du Parti social-démocrate suédois des travailleurs.
 1898 : fondation de la confédération syndicale Landsorganisation.

: fondation du parti des Modérés.
  : le roi Oscar II reconnaît l'indépendance de la Norvège. Fin de l'union personnelle entre la Suède et la Norvège.
 1909 : le suffrage universel masculin est instauré.
 1912 : Stockholm accueille les Jeux olympiques.
 1919 : les femmes obtiennent le droit de vote.
  : la peine de mort est abolie pour crimes en temps de paix.
  : la Suède adhère à l'Organisation des Nations unies.
  : Dagen H : le sens de circulation passe de gauche à droite.
 1971 : le Riksdag devient monocaméral.
  : la Suède adopte une nouvelle constitution.
  : le Premier ministre Olof Palme est assassiné à Stockholm.
  : la Suède adhère à l'Union européenne.
  : séparation de l'Église et de l'État.

: la ministre des Affaires étrangères Anna Lindh est assassinée à Stockholm.
  : le mariage homosexuel devient légal.


Finisar (FNSR) reported earnings after the close on Thursday. Estimates were $0.22 versus $0.25 a year ago. earnigns reported came in at $0.25. In after hours, the stock is higher by 7%. We noted on Thursday morning in Superstock Investor that the stock has some nice upside as it peaked last summer above $23.


Whenever I go back to the States, I am always surprised how many people tell me I am living the dream; the double life of the part-time expat on the beach in Mexico while maintaining a place at home. "I would love to do that!" they tell me. I guess it surprises me because really anybody can.
Looking at the circulation of International Living newsletters, it appears many people share at least the dream of beaches and Mexican night skies. There are plenty of logical reasons not to live in Mexico. Mexico is not for everyone. They have made the comment though, so I take it on face value that they really would love to. Why don't they? For many it's fear. I know. I felt it too.
"Heaven is living in your hopes. Hell is living in your fears. It's up to each individual which one he chooses" - Tom Robbins, "Even Cowgirls Get the Blues."
You never forget your first...apartment in Mexico that is.
Ten years ago I certainly would not have thought I'd end up living along a Mexican beach. After moving to Denver from Virginia during the Recession, I did all I could think of to jump-start my career again in a new town, to start all over yet do the same thing.
For several years after that my life consisted of meager contract work, interviewing (and all the hell that goes with that), volunteering on boards, attending continuing educational courses, networking and every other imaginable thing associated with job hunting.
It was like selling his widgets at a loss, then telling everyone I would "make it up in volume," I kept telling myself that even if I worked much harder for less money, certainly I would be rewarded in the end, right? Somehow, a terrible job for less money was going to fix things.
Current reports confirm that many Baby Boomers never regained the ground they lost in their careers, home values and portfolios, even if the market recovered. If you were in your 50's and lost your job, you were pretty much screwed for good, unless you thought up something radically different.
The best a recruiter could hope for back then was the client giving at least a cursory interviews to our older candidates. That's if you have a very good relationship with client. Usually they wouldn't even "waste" their time and quietly hired another search firm if you insist too much. Eventually I did change careers, moving into fund raising for charities using many of the same skills.
Remembering those days as a recruiter, I know there is little convincing to be done with hiring managers regarding age. Either they are one of the isolated few who have an open mind, or they are part of this majority who don't.
I'm not serving you up my personal bitter fruit. I'm recalling candid conversations I had with literally thousands of employer-clients over the course of my 15-year recruiting career.
It's just reality. You can read all the cheery AARP advice you want and let people coach you on "right" responses to issues like energy level, technical skills and flexibility. It likely will not matter. That's why so many older people start their own businesses.
For me, when every path seemed closed to me, it was a matter of whether I would acquiesce to a lesser, safer life doing just anything, or imagine a riskier, wildly different life.
By middle age we should be fearless.
Our children are grown. We have made or lost our fortunes. Many of our friendships have slogged to a slower journey of discovery. We are doing things for the 3rd, 4th or hundredth time even as the ramp gets shorter and shorter to try something new.
It should be a time when life experience, skills we've honed over a lifetime and knowledge of ourselves should converge into the most creative period of our lives.
Our final act should be a culmination of what we've learned and love about ourselves.
It should be a time of letting go of the hand bar of the roller coaster of life and waving our arms over our heads. Finally it matters much less what anyone else thinks.
By middle age, your ego should be tamed, awakened to the realization that other people aren't paying near as much attention to your life as you thought they were. It has finally become your life.
Our unique gifts and aspirations are the jewels within us that God intends us to find. They lay naked before us the older we get. Many people don't even look, afraid of where the discovery might take them.
They are afraid that the passion might carry them off, or might even carry them away. Our society creates plenty of distractions from the real task at hand, finally living an authentic life.
It gets harder to determine what you want from what everyone else thinks you should want. Some people who have contacted me about moving to Mexico share that they aren't telling anyone about their plans. They know they will be herded towards what is expected of them, that thing everyone else does.
Money usually comes up as an excuse not to pursue a new lifestyle or career. In my own trek toward expat life, what surprised me was how solutions to the budget problems appeared so organically.
Not every problems that get out of your way is a huge one. Many are every day annoyances that without a major lifestyle change, you never get around to addressing.
Constantly going back and forth and haggling over phone bills and contracts with Verizon once I was coming to Mexico propelled me towards total internet phone service, which costs practically nothing.
I dumped the $1,000 a month expense of owning a car for Uber and Lyft because paying what equates to $3,000 a month to use a car (based on drinving four months in Denver). That's just stupid.
Traveling with books became impractical, finally weening me off books for an electronic reader and cheaper e-books.
I may only have 10 outfits in the closet due to luggage limits and storage considerations every six months, but they are 10 outfits I really like. The more some people have materially, the more locked they are on a lifestyle, even when it no longer fits their circumstances. So much for money buying freedom.
If you are a part-time expat, every time you see something you are tempted to buy, you have to think of how much you'd like carrying it around or paying to store it.
All these savings from lifestyle change occur in addition to the savings you realize through the lower cost of living in Mexico.
Again and again, you have to go back and examine what activities will make our lives feel most authentic and exciting and test them against currents of familiarity and safety. Courage is its own reward.
You may wake up relieved, in total alignment.
You may wake up frightened because you know you are not aligned but are too afraid to change.
One day you will not wake up at all.
I read an excellent article in the New York Times about a triple amputee who made his palliative care his life work. One of the observations made was that at the end of life, rather than the existential clarity we anticipate, most often patients' days focus on quotidian beauty, small things.
It was a relief to realize that going with a simple sigh might be enough. We die with only a whimper and according to hospice volunteers - that's perfectly normal. Yet that is still one more reason why it's what you do between now and then that matters most.
Take a happiness test with one of the twenty tests devised by Penn State to measure your happiness, engagement, flourishing, meaning and satisfaction with life.
"Do the Work" by Steven Pressman on getting "unstuck."
"Essentialism" by Greg McKeon - a best-seller on the disciplined pursuit of less.
Most recent: Once you come to Mexico, you can not just go to one Pueblo Magico, you can go to 100 of them.
Next up: You don't need a word of Spanish to understand the best of Spanish contemporary music.
Hola - I'm Kerry Baker and a partner with Ventanas Mexico which provides insight and resources to people considering expat life in Mexico.
I am author of the "Interactive Guide to Learning Spanish Free Online," a curation of the best Spanish language tools on the web, and "If Only I Had a Place" for aspiring expats desiring to rent luxuriously for less. Here you can learn how to avoid the pitfalls and realize the advantages of renting as an American in Mexico.


Eichardt's Private Hotel is a Queenstown icon providing fine accommodation in seven luxurious Lake View Suites, four comfortably appointed Lakefront Apartments, The Residence and The Penthouse, all situated on premium lakefront positions in the heart of Queenstown.
Queenstown offers the perfect backdrop for a holiday full of adventure, exploration and relaxation.
Uncover the Eichardt's signature dining experience at Queenstown's premier lakefront dining destination.
We really loved staying here! The staff and crew are so friendly and nice. Queenstown is an amazing place and Eichardt's is located perfectly to capture what Queenstown truly is. We will definitely come back for more!
As good as it gets! Best staff, facilities, food, location, etc. Thanks for making our last stop so memorable!
We have been very happy here. A beautiful hotel in a magnificent setting with so many wonderful places to see!
Amazing location, exceptional service, delicious food and spectacular scenery! LOVED being here.
Incredible hotel – location, comfort – but most of all, thanks to the very attentive staff. We'll be back for sure.


Crank up the temperature with the Urban Decay Naked Petite Heat Eye Shadow Palette; a travel-sized set of six scorching shades for creating sultry, smoky, ultra-hot looks on the go. Presented in a sleek mirrored compact, the palette uses the Pigment Infusion System™, a special cocktail of ingredients that ensure a velvety texture, rich colour, staying power and blendability. So whether you use Hot Spell to create a warm smoky eye or Heist to make your lids pop, you can guarantee a look that's on fire.
Aplique nas pálpebras com o dedo ou com um pincel de sombras. Aplique com um pincel molhado para um look mais intenso.
Talc, Caprylic/Capric Triglyceride, Zinc Stearate, PTFE, Ethylene/Acrylic Acid Copolymer, Polyethylene Terephthalate, Calcium Aluminum Borosilicate, Calcium Sodium Borosilicate, Sodium Dehydroacetate, Phenoxyethanol, Synthetic Fluorphlogopite, Silica, Sorbic Acid, Alumina, Polyurethane-33, Tin Oxide, Acrylates Copolymer, Polybutylene Terephthalate, Polylactic Acid, Polymethyl Methacrylate, Stearic Acid, Calcium Stearate, Magnesium Stearate. [+/-(All shades may contain /Toutes les couleurs peuvent contenir) : Mica, CI 77891 / Titanium Dioxide, CI 77491, CI 77492, CI 77499 / Iron Oxides, CI 77742 / Manganese Violet, CI 77007 / Ultramarines, CI 77163 / Bismuth Oxychloride, CI 75470 / Carmine, CI 77400 / Bronze Powder, CI 77400 / Copper Powder, CI 77000 / Aluminum Powder, CI 42090 / Blue 1 Lake, CI 77288 / Chromium Oxide Greens, CI 77510 / Ferric Ferrocyanide, CI 77510 / Ferric Ammonium Ferrocyanide, CI 19140 / Yellow 5 Lake, CI 19140 / Yellow 5, CI 77289 / Chromium Hydroxide Green]. SHADES HOT SPELL, INHALE, STRIKE, VIBRATE CONTAINS CARMINE.
Veio em boas condições. Adorei as cores! Bem pigmentadas! Uma mini paleta adorável!
As sombras são muito pigmentadas e de boa qualidade, esfumam muito bem. Os tosn são excelentes apra o verão. Facil transporte em todos os necessaires de viagem. Tudo o que precisamos para um look rapido conseguimos com esta palete. A embalagem é muito resistente e muito bonita. muito bom aaconselho.
Produto espetacular. Óptimo para levar de viajem.


Basic information about the Texas Robot Roundup can be found in the chart below. All times and dates displayed here, and on the event's individual result pages, are local to the event.
Participant list last modified Jul 29, 2017 06:14 event time.


text:
The High Chaparral – Season 1
The High Chaparral is an American Western-themed television series starring Leif Erickson and Cameron Mitchell which aired on NBC from 1967 to 1971. The series, made by Xanadu Productions in association with NBC Productions, was created by David Dortort, who had previously created the hit Bonanza for the network. The theme song was also written and conducted by Bonanza scorer David Rose, who also scored the two-hour pilot.
Genre: Drama, Western
Director: David Dortort
Actors: Cameron Mitchell, Henry Darrow, Leif Erickson, Linda Cristal
Studio: Xanadu Productions Inc.
Keywords:The High Chaparral
Long Island Medium – Season 11
Theresa Caputo is an average mom from Long Island in every way except one: she talks to the dead. Theresa spends her days with her loving family and helping individuals…
Agatha Christies Poirot – Season 13
From England to Egypt, accompanied by his elegant and trustworthy sidekicks, the intelligent yet eccentrically-refined Belgian detective Hercule Poirot pits his wits against a collection of first class deceptions.
Strictly Come Dancing – Season 15
A dance competition where celebrities compete to be crowned the winner. Who is kicked out of the competition each week is decided by the judges scores and viewer votes. Are today's…
Creeped Out – Season 1
A masked figure known as "The Curious" collects tales of dark magic, otherworldly encounters and twisted technology in this kids anthology series.
Country: CA, GB
Genre: Mystery, Sci-Fi & Fantasy
Made in Chelsea – Season 9
Reality series following the lives, loves and awks of SW3's bright young things.
Mork and Mindy – Season 3
An American science fiction sitcom broadcast from 1978 until 1982 on ABC, starring Robin Williams as Mork, an alien who comes to Earth from the planet Ork in a small,…
Only for Love – Season 1
Deusa's solo career puts her romance with Tadeu to the test. Eva wants a great artist to sing her lyrics. Soon, their musical dreams collide.
Country: BR
The Ipcress File – Season 1
As the Cold War rages, ex-smuggler turned reluctant spy Harry Palmer finds himself at the centre of a dangerous undercover mission, on which he must use his links to find…
House Rules – Season 1
The Australia-wide competition following six state-based couples who renovate each others homes to receive the highest scores with the winner having their mortgage paid off.
Caught Red Handed – Season 8
TMDb: 6.75
David Slaney escapes from jail and attempts to hook up with his partner for one last deal, while evading the detective on his trail. Based on the novel by Lisa…
My Favorite Martian – Season 1
Newspaper reporter Tim O'Hara finds a crashed alien spaceship that contains one live alien. Not wanting to be discovered by the authorities, the Martian assumes the identity of Tim's Uncle…
Genre: Comedy, Sci-Fi & Fantasy
Deadly Women – Season 11
This compelling series investigates the motives and m.o. of female murderers. While males are often driven by anger, impulse and destruction, women usually have more complex, long-term reasons to kill.


text:
Emily Watsonová (* 14. ledna 1967, Londýn, Spojené království) je anglická herečka. Vystudovala anglickou literaturu na Bristolské univerzitě a od roku 1992 je členkou Royal Shakespeare Company.

Uznání získala již svým filmovým debutem v díle Larsa von Triera Prolomit vlny. Během své kariéry, která se skládá z divadelních dramat, filmů a televizních děl, získala mnoho ocenění svého hereckého umu; mimo jiné i cenu BAFTA za roli v Appropriate Adult na ITV. Dvakrát byla nominována na Oscara za nejlepší ženský herecký výkon v hlavní roli (1997 a 1999). V roce 2015 jí byl udělen Řád britského impéria.

Jean-Pierre Jeunet pro ni napsal titulní postavu ve filmu Amélie z Montmartru, ale odmítla ji hrát kvůli nedostatečné znalosti francouzštiny. Z rodinných důvodů se vzdala role Marie Moravcové ve filmu Anthropoid.

Podporuje dobročinnou organizaci National Society for the Prevention of Cruelty to Children.

Jejím manželem je herec Jack Waters, mají syna a dceru.

Filmografie (výběr)
 1996: Prolomit vlny (Breaking the Waves)
 1997: The Boxer
 1997: Metroland
 1998: Hilary & Jackie
 1999: Das schwankende Schiff
 1999: Angela's Ashes
 2000: The Luzhin Defence
 2000: Trixie
 2002: Equilibrium
 2002: Gosford Park
 2002: Punch-Drunk Love
 2002: Červený drak (Red Dragon)
 2004: Back to Gaya
 2004: The Life and Death of Peter Sellers
 2005: Mrtvá nevěsta Tima Burtona
 2005: The Proposition
 2005: Separate Lies
 2006: Kruistocht in spijkerbroek
 2006: Miss Potter
 2007: The Water Horse: Legend of the Deep
 2008: Světlušky v zahradě (Fireflies in the Garden)
 2008: Synecdoche, New York
 2008: The Memory Keeper's Daughter
 2009: Within the Whirlwind
 2010: Cemetery Junction
 2010: Oranges and Sunshine
 2011: Válečný kůň (War Horse)
 2012: Anna Karenina jako Lidia Ivanovna
 2013: Zlodějka knih jako Rosa Hubermann
 2014: Teorie všeho (The Theory of Everything) jako Beryl Wilde
 2014: 33 Liberty Lane jako Brenda
 2014: Little Boy jako Emma Busbee
 2014: Molly Moon: The Incredible Hypnotist jako slečna Trinklebury
 2015: Everest jako Helen Wilton
 2015: The Dresser
 2017: Ulička Apple Tree Yard (Apple Tree Yard) jako Yvonne Carmichael (TV seriál)
 2017: Génius jako Elsa Einsteinová (TV seriál)
 2017: Příšerákovi jako Emma
 2017: On Chesil Beach jako Violet Ponting
 2017: Kingsman: Zlatý kruh jako Foxová
 2018: Šťastný princ
 2019: Černobyl (TV seriál)

Odkazy

Reference

Externí odkazy

Narození v roce 1967
Anglické herečky
Žijící lidé
Ženy
Narození 14. ledna
Držitelky ceny BAFTA za nejlepší televizní herečku
Držitelé Ceny Sdružení filmových a televizních herců v kategorii nejlepší filmové obsazení
Narození v Londýně


text:
Q: Realizar binding ida y vuelta con 2 objetos y knockoutjs Quisiera saber si es posible realizar un binding entre dos objetos (viewmodel), el primero es creado como parte de la función y el  otro se crea a partir del Get, y la propiedad que quisiera sincronizar entre los dos viewModels es visibleTabs  con ultimoNivel con KnockoutJS.
Mi código actual es el siguiente:
var vm = function() {
var self = this;
this.visibleTabs = ko.observable(false);
this.select = function(e) {
    var idEquipo = treeview().dataItem(e.node).id;
    var equipo = Get("equipo/getbyid/" + idEquipo).responseText;
    self.equipo(ko.mapping.fromJS(JSON.parse(equipo)));
    self.visibleTabs(self.equipo().ultimoNivel());
}
this.visibleTabsChange = ko.computed(function () {
    if (self.equipo()) {
        self.equipo().ultimoNivel(self.visibleTabs());
    }

});}

A: La solución que encontré fue cambiar  la función computed de KnockouJS por un subscribe de visibleTabsChange, asimismo la siguiente linea self.visibleTabs(self.equipo().ultimoNivel()); también fue movida al subscribe del la propiedad equipo  el código quedaría de la siguiente forma:
var vm = function() {
var self = this;
this.visibleTabs = ko.observable(false);
this.select = function(e) {
    var idEquipo = treeview().dataItem(e.node).id;
    var equipo = Get("equipo/getbyid/" + idEquipo).responseText;
    self.equipo(ko.mapping.fromJS(JSON.parse(equipo)));
    self.visibleTabs(self.equipo().ultimoNivel());
}
this.visibleTabs.subscribe(function (newValue) {
    if (self.equipo()) {
        self.equipo().ultimoNivel(newValue);
    }
});
this.equipo.subscribe(function () {
    self.visibleTabs(self.equipo().ultimoNivel());
});}


Tamar and I wish each and every one of you the best of luck tomorrow – we are praying that you match in the best way possible in the field and program that you are hoping for.
Tomorrow may or may not be the day that you will remember as being the most influential in your medical education and career, but one thing is certain, there is a powerful lesson that can be one more step toward being not only a great doctor, but a true care-giver.
We hope and pray each day to never experience the challenges of those who we treat and so we need to look at our own life experiences to be able to truly empathize with and understand the people in our care.
Tonight you go to sleep and all of the classes which you studied and all of tests which you took, along with the details of your future career, are all hanging on the information in a small paper envelope which will be handed to you tomorrow.
I hope and pray that everyone gets exactly what they hoped for. But right now, before you get that information, hold on to the feelings which you have now, and keep a picture of them well framed in your memory.
You will have many occasions where you are talking to a patient, a patient's parents or family, and they are waiting to hear what the future holds for them. In one moment they will find out if their lives will go on as before or change forever. Whenever that situation comes up, before sitting to give the diagnosis, be sure to first look back at what it feels like to have such enormous and pivotal news, with so much in the balance, being given in one moment. Then, when you need to give the news - good or, G‑d forbid, the opposite - you will be able to share it heart to heart in a warm and companionate manner.


text:
THE MEANING OF TISHA BE'AV (video)
Rabbi Dunner presents thoughts on the meaning of Tisha B'Av at the Orthodox Union West Coast community-wide 17th of Tammuz gathering, held at Congregation Beth Jacob in Beverly Hills.
A LITTLE BIT OF ENTHUSIASM (PODCAST)
A BIT OF ENTHUSIASM CAN GO A LONG WAY
JUST SAY SORRY! (VIDEO)
Why should a grudge interfere with the repentance process? What is the point of saying sorry if you have only hurt someone's feelings? In the bigger picture, why is saying sorry so... Read More
want to stay up to date? Sign up here to receive emails with Rabbi Dunner's latest articles and lecture recordings, and news of upcoming events.
Rabbi Dunner has been recognized by numerous charities, most notably by the American Israel Public Affairs Committee (AIPAC), and by the Jewish National Fund (JNF), for his energetic support of their work, and for his ability to galvanize support for their work from a broad spectrum of people.
© 2017 Rabbi Pini Dunner | Site by graybow.olson


Diamond Modern Sectional Sofa is upholstered in bonded leather and has several important features. Plush cushioning and log shaped headrests make this sectional comfortable. The left facing sloped chaise, throw pillows, storage compartment and veneer ledge for beverages creates a cozy atmosphere.


When it comes to getting your point across to a large group of people all at the same time, the best medium is often a webinar. In this article we explore what a webinar is and why it is a great medium to address any number of issues, from new business directives, to employee wellness.
A webinar is typically an online meeting but it differs in that it is not a conference or discussion and there is usually only one speaker, heard by the audience, who are not usually able to participate by speaking. There is not usually a restriction to the number of people who can attend a webinar. All you need is a connection to the internet and you can attend from anywhere in the world to hear a speaker speak on a particular subject. Registration by email usually takes place in advance of the talk and content can come from many different sauces: documents, presentations, spreadsheets, videos, etc. Participation by the audience is usually via typed questions using software set up for the purpose.
It is easy and convenient to set up.
No travel (including long-distance) is required to reach any number of audience members situated anywhere in the world.
No special equipment is required: just a computer and internet connection.
No long notice periods are needed since the webinar can be set up pretty quickly before it happens.
Webinars do not necessarily require on-site technical support.
After the first orientation session, it becomes easy to set up and host.
It is fairly easy to pass over hosting of the webinar to other hosts or even to learners.
With the right software, all invitations, registration and automatically generated reminders are taken care of as part of a full service.
With certain webinar hosting software companies, practice sessions are part of the service.
Webinars can be recorded to be watched on-demand by anyone who is unable to attend.
Connection speed to the internet will need to be fairly adequate to avoid lagging or distortion.
In most cases, the audio set is usually limited to the audience hearing the instructor even though two-way voice interactivity can be possible.
There is no body language communication.
Not all materials will display on all computers accurately.
That said, it's a great tool to get across those very important occupation health and employee wellness messages so look into using it the next time you need to reach a large audience that's geographically spread out.