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Aki Sasamoto: 'I enjoy how much I can push meaning with the wrong answers'
New York-based performance artist Aki Sasamoto has a tendency to speak entirely in metaphor, sit in abstraction for hours, and mark her responses with a small question at the end: No? She asks, smiling. As though everything, at all times, may be overturned
by SKYE ARUNDHATI THOMAS
Aki Sasamoto's work consists of building complex landscapes in which she performs: she is at once darkly humorous and sharply insightful. Born in 1980 in Yokohama, Japan, she now lives in New York City and teaches at the Mason Gross School of the Arts at Rutgers University, New Jersey. Primarily known for her site-specific installations, her most recent solo show, Delicate Cycle, at the Sculpture Center, Long Island City, New York, has just come to an end. She made an interactive installation at Frieze Projects at Frieze New York in 2015, performance/installation works at the Gwangju Biennial in South Korea in 2012, and the Whitney Biennial in 2010, among several others.
I met Sasamoto in Kochi, India, the day before her performance at the Kochi-Muziris Biennale 2016, on a sweltering December evening. The following day, after her performance, Sasamoto asked me whether she should leave her grainy charcoal drawings up on the wall – she had drawn mountains and rivers, and words in Malayalam. I said I thought she should, that everything she did could build on this landscape. Later, I noticed that she had, in fact, tried to wipe away her drawings. Faint but traceable – her presence could not be so easily erased.
Skye Arundhati Thomas: Tell me a little bit about your project for Kochi.
Aki Sasamoto: I wanted to make a very clear and simple statement – which was a hole in the ground – and the biennale seemed like the perfect opportunity to do that. I have always wanted to dig a hole, and it was to do with this area: about all the people who have come through and the histories that are buried underneath; all of the ways in which Kochi itself is buried underneath. I felt digging a hole made sense: people could help me and, in most places, you can't dig a hole. I went eight foot [2.4 metres] deep. This possibility of place felt really good. I often do installations that are super site-specific, or, if not, that are composed of a very complicated system of objects that form a world in which I can perform.
SAT: There is something very instinctive about the way you move during a performance. You spill out a sentence, for instance, or a gesture – and I wonder how much of that is subconscious, and how much rehearsed?
AS: I don't think I focus on me. I am not really letting me do the performance: it's more like, whatever sentences I uttered or objects I made, they are making the score, and I'm just unpacking what is already in front of me. I think performance can deal with identity and I do use identity a lot in my work, but not as a necessity – my politics are a lot more low-key. There are a lot of relationships in 20th-century performance between the performer's body and identity, but if you go back further, it's more an act of translation: an energetic translation – particularly if you look at dance. For me, that is a way to connect subject matter to its performance body – both as equals – where the body simply activates the subject matter. I cannot really spot, this is what I do: it's just flowing between art and life, between me and another person, between object and body. For me, having access to dance was very important. It's a little bit detached, especially when we're talking about self-consciousness because if you're self-conscious you can't dance. I mean, you can, but certain dance forms are not about looking in the mirror, and I dance with my eyes closed.
SAT: You use metaphors a lot in your work. How do you translate the language of metaphor to that of your performance?
AS: I think it's about the game of misunderstanding. A subconscious thing: like when you make a link in the brain and it forces an equal sign between two things? An almost inevitable wrongness comes out, and I enjoy that, how much I can push meaning with the wrong answers. I think it probably comes from language: poetry is really big in Japan and I have always liked it, but when I went abroad in my teens, I was not really able to speak English well – so I took everything said quite literally. Someone would say: "It drives me nuts", and I'd go away and really think about somebody turning into a pistachio or into walnuts, and wonder, what nuts are they talking about? Taking everything literally was already an extension of the poetic, and also it was fun; I had a lot of fun not being able to speak well. If you are foreign to a language, everything works as a kind of metaphor; some word just sticks out and slowly starts to define a context – that is my guessing game. And I like that. I'm not trying to take away responsibility, but rather, do something random and be totally responsible for what comes out.
SAT: What about the intimacy that forms between viewer and performer? Do you keep some lines in place that you don't want to move – perhaps these are more structural, or, metaphorical, too?
AS: Viewer-wise, I usually don't care, so it's a problem when I have to accommodate them in a space. For example, in the biennale, I've forgotten to have a space for them. I think about the objects more, and where they should go … and I forget about the bodies. When I make an installation, there is a borderline, if, say, I am going to talk about coconut and lime and mint, I just don't start talking about something different. So that's the given thing. I am very inclusive, so there is a mixing that happens – coconut and lime already don't make sense, but, if you put them together, it becomes a certain combination and I don't really talk outside that flavour. Within that, I might rephrase it, so it's OK to change what I say or do, but the elements, the themes, are already in place.
SAT: So if you're not thinking about bodies, you're thinking about the space and the objects in the space … then, is the performative gesture enough? Regardless of who sees it?
AS: I think the body is simply a still carrier of this energy, this conviction. And that's needed, no? The performance is needed … Then afterwards, hopefully, the object or space will carry it and, to help that, I will keep performing multiple times. It's all about the buildup to a sense of conviction; the space already carries how you do it, as does the object. I am just a body, which becomes … experiments (laughs). I offer my body up for these experiments.
SAT: Although I am hesitant to use these words, is this an approach to be somewhat genuine or authentic?
AS: I am interested in them, but the words sound so embarrassing, I won't even say them out loud. Authenticity or impulse … "institution" is another one. If I drop them, I just sound cheesy so I can't say them, but I am totally interested, you know? I am interested in improvisation, and the idea of jazz music, but this improv thing is really hard to talk about with words. I can only do it. As soon as I have a big-picture agenda, some kind of ego comes in. That is paralysing for me. Because once I become aware of what it should be, it's dead.
SAT: Has that ever happened to you in the midst of a performance? Do you ever check yourself suddenly, and then freeze?
AS: What if it happens tomorrow? (laughs) No, I don't think so. Never during, but certainly after. Sometimes I realise: "Oh, maybe that was embarrassing", but then I quickly forget about it. It has to be that way because once that self-checking type of thing comes in, I don't think I can do it. It's a technique to stay in improv; once you lose it, you lose it. Like virginity or something, or death. Birth. You just can't go back. So how do you fool yourself that you are not past that? It's a technique. You need to make that transition smooth, because sometimes the transition can be quite abrupt, but you still have to make it good music again. I do think about music a lot, because now you can listen to so many different types of music from different cultures and you realise how they make transitions. It's a way to change, a way to leave this timeline, and there are so many different ways – sometimes subtle, sometimes sneaky … sometimes completely crazy; classical music is full of crazy transitions. But authenticity, I often ask my students about authenticity, and it's a very tricky word. The trick is: the sense of the genuine, or the sense that something is authentic, changes every moment that we speak, as we have these "spills" … so to keep moving you have to maintain that look, and I think that is a very difficult question for art. I was re-reading Duchamp and how he changed his mind about the object over eight years – that the maker is, in fact, responsible for shifting with the object. I think with performance I am lucky to able to keep doing that; I can keep shifting by just showing that things keep shifting.
SAT: Do you look to your audience for cues?
AS: No, not the audience – I look for cues from the objects in the space. It's very inside – inside the room and inside my head. I used to say I don't rehearse at all, but in my head I am already doing it. I just never rehearse physically, because the freshness of the act – to grab something, say, and for that action to be strong, it can't be rehearsed. I am really looking forward to doing it and it has to be fresh when I do it. If I do it once, there is a nervousness of the first time. The second, third time is about getting deeper into the narrative. I don't care about the audience but I really need them there. It's a luxury. This is why people go to shrinks, people pay money so that someone will listen to their bullshit – so the art world is thankfully doing this for me – and I don't have to pay for counselling!
SAT: You teach sculpture and performance at Rutgers – what kind of questions do you ask your students?
AS: I ask them how they clean their rooms. It's not a question, really. In Japan, you have to clean in elementary school. That was the best part of Japanese education: at the end of each school day, everybody cleans. Now I teach in America and nobody knows how to clean, and half of my class is about the importance of cleaning.
SAT: Is that a metaphor?
AS: I think so. Again, it's about intentions, or affordance. I ask students about their cleaning technique, but it's actually a query about what it is they are making. I teach in New Jersey, and there is a high population of immigrants there – so people come from everywhere. I get to learn about a lot of different cultures; it's very metropolitan. And when I travel, I look for these things, too: how people cook, how people clean, how people eat. It's interesting. It's methods, techniques, strategies, it's all the same thing – because it's about how people do this shifting, this performance of the everyday, and I can borrow from it.
SAT: It must be strange to "teach performance".
AS: That's why I ask about cleaning. I don't teach performance, I teach doing … and about meaning that comes out of doing. At graduate level, I just do activities instead – guiding people to do a show, or guiding people to make a performance without actually telling them to do it. It's really tricky. This semester, there was a show at the school on Collective Actions – a Russian performance group from the 70s, like a Fluxus counterpart, but born separately. I wanted them to learn about that – let's look at this thing and talk about it. Meanwhile, I had already booked a funky chapel space, so we would do something at the end, but I hadn't told them what it was; I just wanted them to do it. So, I said: "OK, the topic is Rumour." The students had to, at the end of the semester, claim the rumours they had started. I was interested in how to claim a rumour, or if such a thing even exists. Some people went online, others tried other things, and somehow – it generated work. Last year, I asked my students to do standup comedy and they were terrified. I do standup myself and I started from a school assignment, actually. I find the technique in standup comedy very similar to the one I'm doing in my performances. It's totally about timing, but in standup comedy you have to handle your audience. I think the stakes are much lower in an art context. I don't really have to handle them. I forget about them and that's OK.
SAT: But don't you think self-consciousness and vulnerability are always at stake with performance?
AS: If it is image-based, then, yes, but I am more couch-based (laughs). It sounds too much like Freud, so I would like to think about other things. I am more Jungian actually. I don't like Freud; I think he was very helpful, but I don't like the couch, especially if we are to use metaphors. We started with language but Jung didn't rely on language; he was a lot more sceptical of misunderstandings and "wrong-reads" – and the fact that there is a wrong read makes it a right read – that's the kind of meta-thinking that he is engaging with. Say, the idea of the collective consciousness, I really like that. To remove self-consciousness, to remove the ego, that idea to me is more generous – so I simply do what's there and I am not going to force anything. It is as is.
SAT: And what happens to identity? I am thinking of Foucault's prediction: identity as the future currency of politics.
AS: I am trying to stay away from that market, to use a different currency. But I am aware it exists and that it is a very strong technique, a strong method. I cannot tell if it's luck or not, but I didn't have to negotiate the price of my identity, hugely thanks to what other people have done before me. So I don't have to be a feminist, I don't really have to be Japanese, and in that post-identity situation in New York I really like that selfishness, so I am going to bank on that. I just keep bartering and not using that currency. But if I have to step in and use that currency, I will do that consciously. I haven't made that conscious move with my work yet, but let's see.
Frieze New York 2014
Light rain, heavy traffic and impossibly long queues to access transport marked the Frieze Art Fair's third iteration on remote Randall's Island. So did inflation: from last year, bus fares rose from $3 to $7, the number of galleries to 192, the artists to more than 2,300, the show space to 250,000 sq feet, and the catalogue and parking to a hefty $40 each.


More than ever, it seems that the procurement function is getting involved in the purchase and commissioning of marketing services.
But is procurement's involvement adding value? A new survey, published this week by marketing services procurement specialists The Observatory International, suggests not.
Gathering the views of senior marketing decision‑makers — of whom three-quarters oversee annual budgets of over £10m, and nearly one‑third control budgets over £50m —it found that, while procurement's involvement is yielding short‑term cost reductions, it is not necessarily addressing the real needs of its marketing colleagues in terms of driving value.
65% of those who saw a greater procurement involvement in the buying of marketing, advertising and PR services, for instance, saw the rationale as being to ensure best value for money. 35% saw the goal as introducing more financial rigour into the buying process.
But value is less in evidence than pure cost reduction, warns Peniston-Baines. The main benefits of procurement's involvement were purely financial—in improved contract negotiation (82% of respondents), or reducing the price of services (52% of respondents).
And while 81% said procurement had reduced average costs—achieving savings of, in some cases, of 5-10%—very few respondents saw procurement contributing to more strategic buying activity, such as agency shortlisting, the scoping of deliverables, or assessing the creative and strategic capabilities of agencies.
And the research supports this concern: 71% of respondents reported that procurement's involvement had had no effect on the effectiveness of campaigns, while 8% felt that it was having a negative effect.
So what can procurement do to address this? Peniston-Baines pulls no punches, calling on procurement to increase its breadth and depth of marketing knowledge, and open up communication channels between the two disciplines.
In other words, she says, it's in procurement's interest to "immerse itself in marketing"—understanding its processes, resourcing needs and how agencies and marketers interact, a task that's no small order in an industry that is undergoing rapid change, and which has never been known for its uniformity of approach.
Yet the rewards are evident, she asserts.


Heavily illustrated with colour screenshots and cartoons, the book covers a broad range of topics in addition to the usual advice on writing for impatient, goal-directed web users (breaking material into chunks, using the inverted pyramid style and so on).
Chapters cover home-pages, the new life of press releases, using illustrations effectively and writing meaningful links, with new chapters for the 2012 edition on SEO, social media and content strategy, and more emphasis on tablets and smartphones.
A good mantra for a site is 'less is more' – so cut, cut, cut!
This is a sophisticated book for the experienced marketer.


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The United States Law Week
Barbara Lagoa is one of two Eleventh Circuit nominees awaiting expected Senate confirmation. The court would flip with her appointment.
Photo by Joe Raedle/Getty Images
Trump Poised to Flip 11th Cir., Election Law on Tap (Corrected)
By Madison Alder
Nov. 19, 2019, 9:50 AM; Updated: Nov. 20, 2019, 9:56 PM
Atlanta-based Eleventh Circuit will have a majority of judges appointed by Republican presidents
This would be third appeals court Trump and Republican-led Senate have flipped
President Donald Trump is on the cusp of flipping the U.S. Court of Appeals for the Eleventh Circuit to a majority of Republican-appointed judges, the third such changeover during his administration.
The Republican-led Senate on Nov. 19 easily confirmed Robert Luck to the Atlanta-based circuit, 64 to 31, and is expected to confirm Barbara Lagoa to the same court as early as Wednesday.
Lagoa's confirmation would actually flip the circuit central to several cases involving significant election law disputes. She received overwhelming bipartisan support in a procedural tally also on Nov. 19 that set up her confirmation vote.
Trump has turned over two other circuit courts with conservative appointments. The Pennsylvania-based Third Circuit flipped in March, followed by the New York-based Second Circuit last week with the confirmation of White House lawyer Steven Menashi.
A president's political affiliation isn't an indicator alone of how a judge might rule. But it reflects what a president wants in an appointment. Trump has moved aggressively to reshape the federal judiciary with conservatives.
Additional conservative appointees also could moderate majority opinions or write dissents that may prompt review from the U.S. Supreme Court. Also, it's more likely that full circuit en banc sittings—or randomly drawn en banc sittings among a larger group of judges, as in the Ninth Circuit—will be a majority Republican. En banc panels are used to rehear some cases decided by a three-judge panel of the same court.
So far, the Trump has appointed nearly 160 federal judges to lifetime seats to district and appeals court seats. He's also placed Brett Kavanuagh and Neil Gorsuch on the Supreme Court. The administration is currently racing to surpass 180 judicial appointments in the next couple of months, a goal Trump recently announced.
Circuit courts are the last stop for virtually all appeals in federal cases.
Election Law Hub
Flipping the Eleventh Circuit would place a Republican-appointed majority on a court that's at the center of hot-button issues in Florida and Georgia.
"Because Florida is one of the main focuses of election related litigation, particularly over the next year or two, the Eleventh Circuit is going to hear a lot of important election related cases," said Michael Morley, a professor at Florida State University College of Law.
For instance, a district court judge in Tallahassee struck down a state law that placed Republicans first on ballots, which the governor's office said it would appeal. Florida also has appealed a ruling in a long-running dispute over restoring felon voting rights, and there is litigation over absentee ballot signature-matching requirements.
And last year's controversial gubernatorial election in Georgia tees that state up for voting rights cases, too, said Eric J. Segall, a professor of law at Georgia State University.
"A very conservative Eleventh Circuit having control over voting rights cases is an important thing," Segall said.
Those are cases likely to be heard before the full circuit court, Segall said. Full court or "en banc" decisions, which are another level of appeal after a three-judge panel, are where any division of ideologies is most important.
Not Liberal
Overall, however, any changes in decisions out of the Eleventh Circuit likely will be slight as court watchers say it wasn't liberal before.
"Despite its Democratic majority for a while, it's not a particularly liberal circuit," Segall said. "So this flip doesn't have as much significance as some people might think."
The panel started with eight Democrat-appointees, three Republican-appointees, and one vacancy at the beginning of the Trump administration. But his appointees, culminating with Lagoa and Luck, would shift the balance.
Lagoa and Luck, two Florida Supreme Court justices, will replace a Democratic and Republican appointee, respectively. That would give the court seven Republican-appointees. Lagoa is the first Hispanic woman on the Florida high court. Luck is a former federal prosecutor.
(Corrects information in graphic on 11th Circuit Trump nominees and Federal Circuit nominees.)
To contact the reporter on this story: Madison Alder in Washington at malder@bloomberglaw.com
To contact the editors responsible for this story: Jessie Kokrda Kamens at jkamens@bloomberglaw.com; John Crawley at jcrawley@bloomberglaw.com
To read the full article log in. To learn more about a subscription click here.
Madison Alder
Trump Flips New York-Based 2nd Circuit as Menashi Confirmed (2)
Nov. 14, 2019, 7:31 PM
Two Trump Picks Would Help Ease California Judicial Shortage (1)
Trump Aims to Top 180 Judicial Appointments in Coming Months (1)
Eleventh Cir. Nominees Back Originalism, Breeze Through Hearing
Oct. 16, 2019, 7:05 PM
© 2020 The Bureau of National Affairs, Inc.

redpajama_set_name: RedPajamaCommonCrawl


Sean is the Director of Adult Services and is responsible for the day-to-day oversight of the Adult Residential and Day Program. Sean began his career at Anderson in 1998 as a Direct Support Professional. He has also held positions as Residence Manager and Coordinator of Residential Services. He holds a Bachelor's degree in English from Oswego State University.
Emily is the Assistant Director of Adult Residential Services and has oversight of the Adult Residential Coordinators. Emily began her career at Anderson in 2008 as a Direct Support Professional. Through the years she also held positions as Shift Supervisor and Residence Manager. Emily holds a Bachelor's degree in Psychology from SUNY New Paltz and a Master's degree in Public Administration from Marist College.
Kate is the Assistant Director of Adult Day Services, providing oversight of the Adult Day Program. Kate began her career at Anderson in 2009 as a Teacher's Aide. Through the years, she has held positions of Shift Supervisor, Special Education Teacher, and Program Specialist. Kate holds a Bachelor's Degree in Communication Disorders from SUNY New Paltz and a Master's Degree in Students with Disabilities and Childhood Education from Mercy College.
Michele is the Adult Behavior Services Supervisor. She oversees the Behavior Analysts and Behavior Specialists in Adult Services. Michele joined Anderson in 2017 as a Behavior Specialist. Previously, Michele was an applied behavior analysis coach for a large school district in Virginia and a Behavior Specialist for an agency that served adults with IDD/ASD in New Jersey. Michele received her Master's Degree in Special Education from Longwood College and received her Board Certified Behavior Analyst certification in August of 2017. Michele is currently working towards a Doctorate of Psychology with a specialization in Applied Behavior Analysis at Capella University.
Jennifer is a Coordinator of Adult Residential Services. She oversees six adult residences. Jennifer joined Anderson in 1992 as a Child Care Worker. Over the past 24 years, she has worked in different capacities including Medicaid Service Coordinator, Residence Manager, and Coordinator of Adult Day Services. She also serves the agency as a certified SCIP-R instructor. Jennifer received her Bachelor's degree in Sociology with a concentration in Direct Care from SUNY New Paltz. Jennifer is currently working towards a Masters of Public Administration through Marist College.
Terryann is a Coordinator of Adult Residential services. She oversees six adult residences. Terryann joined Anderson in 2011 as a DSP at one of our adult residences and in 2015 became a Residence Manager. She was promoted to Coordinator in 2019. Terryann has a Bachelor's degree in Applied Biology and a Masters in Justice and Administration from the University of Phoenix.
Tony is a Coordinator of Adult Residential Services and he has oversight of six adult residences. Tony began his career at Anderson in 2013 as a Direct Support Professional. In 2014 he was the recipient of Anderson's Direct Support Professional of the Year in Adult Services. He subsequently held the position of IRA Residence Manager before becoming a Coordinator. Prior to his time at Anderson, Tony studied Vocal Performance at The Mannes School of Music and is currently working towards finishing his Bachelor's degree in International Relations at Empire State College.
Brendan is a Coordinator of Adult Residential Services. He oversees five adult residences. Brendan joined Anderson Center for Autism in 2012 as a Direct Support Professional (DSP) and held that position for two years before becoming a Residence Manager in 2014. He holds a Bachelor's degree in Psychology from SUNY New Paltz.
Maria is our Program Specialist who works closely with the Assistant Director of Adult Day Services in implementing programming initiatives at the Life Long Learning Centers (LLLCs). Before joining Anderson in 2017, Maria worked as a Behavior Specialist for an agency that served adults and children with IDD. She then joined Anderson as a Behavior Analyst and has experience working with a wide population of children and adults. Maria received her Master's Degree in Applied Behavior Analysis and Autism from The Sage Colleges and received her Board Certified Behavior Analyst certification in August of 2017.


This is a revamp of my winning entry to the AOK Vanilla Contest. This contest was hosted to celebrate the 15th anniversary of the original Age of Kings game. The aim of the contest was to build a scenario using only the vanilla editor. No expansion. No utilities. No data editing.
Even though this scenario won the competition there were still many flaws with it. I have therefore revamp the scenario, fixing some of the major bugs and working to improve the suggestions that were given to me by various players. I did this using the Conquerors expansion and I therefore believe that this new TC edition is a great improvement on the original and has a much stronger balance and atmosphere, created using some of the new triggers that were not accessible to me when I created the original scenario. I have also designed a brand new AI for use in this scenario.
• Winner of the AOK Vanilla Contest!
• A Mixture of gameplay; mainly FF and B&D.
I hope you enjoy playing Alba gu Bràth "Scotland Forever".


http://www.sticklibrary.com Simon Philips performance from Drum Fest 2009. Sticklibrary filmed drummer Simon Phillips at the Drum Fest 2009. For the Full Simon Phillips drum solo head to sticklibrary.com and selected the features option where you'll find all the features available to watch.
Simon Phillips has drummed with a long line of bands including Toto, The Who, Judas Priest, Michael Schenker and many more.


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How Does a Barcode Reader Work?
Conal Yarwood-Frost
Ever wondered how a barcode reader works? This blog has all the information you need.
Of all the technological advances made in the last century, barcodes are perhaps one of the most overlooked and undervalued of them all. Few other inventions have had such a quiet and yet transformative effect on our day-to-day lives.
For such an everyday technology, barcodes have had an incredible impact. The retail industry in particular has enjoyed the benefits that came with barcode readers. Customer service is faster, transactions are smoother, and stock loss is mostly mitigated.
In this blog, we'll explore what barcodes are, how they're used, and how barcode readers work.
What is a barcode?
In simple terms, a barcode is a collection of specific lines that represent a string of numbers. Each item for sale in a shop will have its own unique product code. By scanning this code with a barcode scanner, the item can be identified in the shop's point of sale (POS) inventory system.
Barcodes were first patented in 1951 and were invented by American inventors Norman Joseph Woodland and Bernard Silver. Barcodes were based on morse code and was originally presented in a "bullseye" shape. While they were initially met with little commercial interest, barcodes took off in the 70s when supermarket chains began to use them in their checkout systems [1].
While there are a variety of different types of barcodes, most items use a universal product code (UPC). A UPC is the most commonly encountered barcode and consists of lines that represent numerals with the product code printed underneath. Most barcodes will also feature the product code just in case an employee needs to physically type in the number.
While the UPC is the most basic barcode, there are a number of different types. These include barcodes that incorporate lines that can represent symbols and numerals as well as numbers.
An increasingly popular alternative to the UPC is the 2D barcode. The 2D barcode can hold a lot more information than the traditional UPC and is most commonly found on self-printed postage stamps. Another good example of a 2D barcode are QR codes which since the beginning of the COVID-19 pandemic can be usually found on restaurant menus and check-in posters.
As useful as barcodes are, if we didn't have a way to read them they would be practically useless. Thankfully, the technology we need to decode them is readily available in the form of barcode readers.
What is a barcode reader?
In short, a barcode reader (also known as a barcode scanner) is an electronic device that scans, decodes, and captures the information represented by the barcode. In general, a barcode reader consists of:
A lightsource - this lights up the barcode so that it can be read.
A lens - this is the part that reads the code.
Photo conductor - once the code is read, a photoconductor turns the optical information into electrical signals.
Decoder - the decoder interprets the electrical signals and sends the information out from the reader's output port into the business's POS system.
Everyone who's ever bought something in a shop will have interacted with a barcode scanner at some point. Depending on the industry and the needs of the business, there are several different types of barcode readers. While they operate the same way, they are quite physically different. These include:
Handheld - these are the most commonly used readers. They can be both corded or wireless depending on the needs of the business.
Mobile computers - these cordless readers include a small in-built computer that can process codes in one device.
Presentation - a hands-free scanner that is usually used to quickly scan multiple items.
In-counter - much the same as a presentation scanner but set into a kiosk or counter.
Fixed-mount - these readers use sensors to scan codes as the items pass in front of them. Most often found in factories and processing centres.
Wearable - readers that are worn on the body. These are usually mounted on a finger or arm.
Mobile - a relativity modern invention. These are mobile phones that use their camera and a barcode reader app to scan codes.
How do barcode readers work?
For most people, a barcode reader is a very simple piece of technology to operate. Despite this, the way readers work is actually quite sophisticated. In our explanation of how they work, we will try to keep things as simple as possible.
The process behind a barcode reader scanning a barcode can be broken down into five steps:
The reader shines a light source, usually an LED or laser light, onto the barcode.
The light is reflected back into the machine and is captured by a specialised component. This is the reason barcodes are black and white as these two colours and the least and most reflective respectively.
As the reader is moved along the barcode, the reflected light generates an on-off pulse.
This pulse is interpreted by the reader and is converted into numbers.
The numbers are then fed into the computer attached to the scanner and matched to the corresponding item.
This simple-seeming process has made both the business and customer experience incredibly easy. Thanks to barcodes, it's easier than ever to make transactions and keep track of inventory management.
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Posted on January 23, 2019 at 2:24 pm.
Alachua County is now the first county in the state to raise the tobacco-buying age to 21.
County commissioners voted Tuesday night to hike the minimum age to buy tobacco from 18.
The new ordinance will be enforced in all areas of the county, and applies to all tobacco products, including e-cigarettes, vaping products and liquid nicotine devices.
Jerry Brewington, senior planner for the county's growth management office, said the ordinance is aimed at stopping the sale of tobacco products. In other words, those under 21 won't be penalized for smoking.
The ordinance also requires tobacco vendors to buy a sales license. The license will cost each business $230 annually, and stores with licenses cannot be within 1,000 feet of a public school.
The county will use a corporation with experience enforcing tobacco compliance inspections within Florida, named Information Systems and Networks Corporations, to handle such tasks as maintaining data on violations and conducting inspections.
A new, part-time county staff position will process the licenses.
Many members of the nonprofit Tobacco Free Alachua County attended the meeting, saying the region should be the leader in phasing out youth tobacco use.
The ordinance passed 5-0 and will take effect in nine months.


text:
President denounces statue vandalism, urges campus unity
The Pioneer and Pioneer Mother statues are in storage after protesters tore them from their pedestals at the University of Oregon on Saturday, June 13. In a message to campus, President Michael H. Schill denounced the destruction and said the statues will not go back to their previous places of prominence on campus.
"There is no question we are living in a moment when our nation is painfully coming to grips with the reality of systemic racism that has been woven into the fabric of our society for generations," Schill wrote. "While I strongly believe in the power of peaceful protest and the right to free expression and dissent, I condemn these acts of destruction. What happened Saturday evening was unacceptable."
Schill had, the week prior, announced to the University Senate that the institution would move forward with a process to determine whether the pioneer statues as well as other historic monuments and art viewed as symbols of oppression should be taken down.
"I regret that we will no longer have the opportunity for that type of deliberative and inclusive process," Schill wrote. "Nevertheless, we need to move forward as a community. "
The bronze statue of The Pioneer stood on campus for 100 years. The Pioneer Mother was installed in 1932. Both were created by artist Alexander Phimister Proctor.
The toppling and defacing of the sculptures by an anonymous group of protesters came after weeks of worldwide protests over racism, sparked by the killing of George Floyd by a white police officer and a series of deaths of black men and women by law enforcement. More than 40 monuments connected to slavery, segregation, racism and colonialism have been removed or torn down in the wake of the activism in the U.S., Europe and New Zealand.
A group called the Black Student Collective renewed the call for the statues' removal, along with other demands. Students from the Native American Student Union had previously called for The Pioneer's removal.
"One of the longstanding challenges with the Pioneer statues was their lack of contextualization and materials to fully explain their complicated meaning—both good and bad," Schill said in his campus message.
Schill said he will charge the Committee on Recognizing our Diverse History to work with the UO museums to explore permanent installations or other opportunities to exhibit the statues in a manner that places them in appropriate historical context.
In his campus statement, he called for the community to redouble its efforts to end racism and support diversity and inclusion.
"These are incredibly difficult times," Schill wrote. "Removing or relocating a statue or a piece of art does not change the need for the hard work of confronting racism that is ahead of us as a nation, a state and a university. I honestly do not know where exactly that will lead us, but I have to believe that something positive will come from all of this pain."


Lord Olivier, probably the greatest actor of his generation and certainly the most handsome, the producer who became the first director of the National Theatre, died peacefully in his sleep at Steyning in West Sussex yesterday. He was 82. Lord Olivier had been ill for some time, suffering from diseases that would have killed earlier a less resilient man. One of his last public messages was as a co-signatory of a letter to The Times last May arguing for the preservation of the Rose Theatre.


AUGUST 23 ST. ROSE OF LIMA, O.P.
For much of the 1990's I served on the "council" of our Dominican province, a kind of "cabinet" to our provincial superior. When the head honcho of all the Dominican friars, whom we call the "Master of the Order," came on an official visit (which we call "visitation"), I was expected to be present with the other council members to greet him on his arrival. He was a wonderful Englishman named Timothy Radcliffe, OP. He told a story that I have never forgotten. He was speaking of a former saintly Master of the Order named Hyacinthe Cormier. Cormier once said that the purpose of a visitation is "to encourage, to encourage, to encourage."


text:
using Windows.UI.Xaml.Controls;

namespace Uwp.Xaml.Navigation.Navigation
{
	public static class NestedNavigationServiceProvider
	{
		private static INestedNavigationService _navigationService;

		private static INestedNavigationService CreateNavigationService()
		{
			return new NestedNavigationService();
		}

		public static INestedNavigationService GetNavigationService()
		{
			return _navigationService ?? (_navigationService = CreateNavigationService());
		}

		public static INestedNavigationService GetNavigationServiceAndRegisterFrame(string frameTargetKey, Frame frame)
		{
			var service = GetNavigationService();
			service.RegisterFrame(frameTargetKey, frame);
			return service;
		}
	}
}

redpajama_set_name: RedPajamaGithub


At that time we employed a workforce of 35 at our Am Mellensee site, now we have over 500 employees at a further two locations. At two manufacturing sites AMBAU produces foundation structures for off- and onshore wind energy units.
With our team of experts, specialists and professional service providers, AMBAU GmbH has now been one of the driving forces of the wind energy sector.
In dialogue with the customers, state-of-the-art production procedures are used to develop technically sophisticated solutions. We are internationally regarded as a reliable partner for tailored and high-quality one-stop solutions.
Permanent innovations and investments in manufacturing technology and the expansion of capacity have enabled AMBAU GmbH to achieve a leading position in the market as a supplier to energy groups, plant manufacturers and main contractors. The company upholds the philosophy of participating actively in protecting the environment through the use of innovative and green technologies.
Our dedicated employees work day-by-day to make the company motto "growth with energy" become reality.


text:
package org.optaplanner.examples.flightcrewscheduling.domain;

import org.optaplanner.examples.common.domain.AbstractPersistable;

public class FlightCrewParametrization extends AbstractPersistable {

    public static final String REQUIRED_SKILL = "Required skill";
    public static final String FLIGHT_CONFLICT = "Flight conflict";
    public static final String TRANSFER_BETWEEN_TWO_FLIGHTS = "Transfer between two flights";
    public static final String EMPLOYEE_UNAVAILABILITY = "Employee unavailability";

    public static final String LOAD_BALANCE_FLIGHT_DURATION_TOTAL_PER_EMPLOYEE =
            "Load balance flight duration total per employee";

    private long loadBalanceFlightDurationTotalPerEmployee = 1;

    public FlightCrewParametrization() {
    }

    // ************************************************************************
    // Simple getters and setters
    // ************************************************************************

    public long getLoadBalanceFlightDurationTotalPerEmployee() {
        return loadBalanceFlightDurationTotalPerEmployee;
    }

    public void setLoadBalanceFlightDurationTotalPerEmployee(long loadBalanceFlightDurationTotalPerEmployee) {
        this.loadBalanceFlightDurationTotalPerEmployee = loadBalanceFlightDurationTotalPerEmployee;
    }

}


Dementia Course – Coming Soon!
The Guardian Way® training is currently offered as a two-day live interactive online course. Check the calendar below for scheduled dates.
Note: Events are shown in Central Time.


These toilet suites are what Duncan's Plumbing Service recommends, as Caroma is tried and tested.
With its adjustable connector styling, the Profile Connector is the ideal choice for retrofit applications. Cleaning has been made easy with the concealed pan that reduces dusty spots and a hygienic, snap-on detachable seat. - Award-winning Caroma Smartflush® technology reduces water use to 4.5 litres per full flush.
The Profile 5 Toilet Suite is the ultimate in water and space saving technology. Once the toilet is flushed the clean water to refill the cistern comes through the tap on the basin at the top so you can wash your hands using the fresh water that would usually just fill the cistern ready for the next flush.
The toilet is flushed when you press the button and then the clean water to refill the cistern is used to clean your hands via the tap on the top.


text:
5019 Ерфйорд (5019 Erfjord) — астероїд головного поясу, відкритий 25 червня 1979 року.

Тіссеранів параметр щодо Юпітера — 3.501.

Примітки

Див. також
 Список астероїдів (5001-5100)

Посилання

Астрономічні об'єкти, відкриті 1979
Головний пояс астероїдів

redpajama_set_name: RedPajamaWikipedia


BOBL commissioned the Soil Association to develop several Sustainable Food Communities projects. Combining food education, practical engagement and purchasing research to drive significant changes in food culture.
Supporting a variety of local initiatives these projects raise the public and institutional interest in sustainable food, working towards normalising organic food as part of the sustainable food mix.


text:
Castlevania Succubi Released
New Year's Huggles!
By TeraS in Random Thoughts
Just popping in to wish you all a Happy New Year!
May the coming year bring you joy and happiness!
New Year, Random Thoughts
2023: The 2022 Succubi Year in Review — The first day of 2023 has arrived and brings a look back at 2022 and what has appeared in the [...]
2022: The 2021 Succubi Year in Review — The first day of 2022 brings a look back at 2021. Overall it's been somewhat thin on the appearance of [...]
2018: A New Day Dawns by TeraS — It is the beginning of a new year and as I posted my annual review of the state of the [...]
2017: The 2016 Succubi Year in Review — The past year, 2016, was the sort of year that… hurt, in a lot of ways. Personally it is a [...]
2016: The 2015 Succubi Year in Review — The single thing, at least from my perspective, about 2015 was the ending of things more than the beginning of [...]
2015: Succubi Image of the Week 363 — It's 2015 and for the first Succubi of the Week something I thought was… interesting. Now, I don't really find [...]
2015: Happy Succubish New Year by JHB — My heart, being my heart, sent me a lovely work for New Year's and, for the first Tale post on [...]
2014: A Tutu does not a Succubus make… — And so another year of searching for Succubi costumes begins… What awful things will I find this year? Can it [...]
2013: The 2012 Succubi Year in Review — Normally I review the previous year on the last day of the year, but not this time… I wanted to [...]
2012: A Review of Hot, Hexed, and Bothered by Lori Green — Hot, Hexed, and Bothered by Lori Green It's a new year and the first tale post will be a book review. [...]
2011: The Succubus Dating Game… — For the first YouTube of the new year, I came across a student film that I think was miss-named, but [...]
2010: New Year's Day in the Succubi Realm — And so here we are, a new year begins on A Succubi's Tale, and where are we going to be [...]
2009: Succubi Image of the Week 54 — This week's Succubi Image of the Week is special in two ways… Succubus By Dominic Marco I should explain that a bit. [...]


Website designed and developed in WordPress. Fully responsive. E-commerce (Woocommerce) ready to go upon account activation. Photo shoot sessions for all products. Marketing plan in progress. Transfer domain and hosting to a new server for full control by customer and Online Bizz.


Pant Glâs Bed and Breakfasts. Compare latest rates and Live availability for all your favourite places and places you have always wanted to go using our new My Shortlist feature. Click + to add to your Shortlist.
Bed and Breakfasts in Pant Glâs, Gwynedd for 1 night from Sat Apr 20, 2019 to Sun Apr 21, 2019 within 10 miles, in an Average Nightly price range of £1 to £200.
Bwthyn Nant Bach is located in Dolbenmaen. Guests staying at this holiday home have access to a fully equipped kitchen. Comprising of 3 bedrooms and 2 bathrooms with a bath and a shower, this holiday home features a TV. Caernarfon is 17 km from the holiday home, while Barmouth is 46 km away.
Set in Dolbenmaen in the Gwynedd region, Bwlch Yr Awel Cottage, Garndolbenmaen has a garden. Complimentary WiFi is available. The holiday home includes 2 bedrooms and a kitchen with a dishwasher and a kettle. Caernarfon is 17 km from the holiday home.
Offering free WiFi and mountain views, Ty Uchaf is an accommodation located in Dolbenmaen. Guests staying at this holiday home have access to a fully equipped kitchen. The holiday home is fitted with a flat-screen TV. Betws-y-coed is 49 km from the holiday home, while Caernarfon is 20 km from the property.
Set in Dolbenmaen in the Gwynedd region, Ty Isaf has a patio. Guests have access to free WiFi. This holiday home comes with a kitchen, a seating area, a dining area and a flat-screen TV. Betws-y-coed is 49 km from the holiday home.
Holiday Home Dillio is set in Dolbenmaen and offers a garden. Guests staying at this holiday home have access to free WiFi, a fully equipped kitchen, and a patio. The holiday home comes with a flat-screen TV. Private parking is available at the holiday home. Cycling can be enjoyed nearby. Betws-y-coed is 48 km from Holiday Home Dillio, while Caernarfon is 20 km from the property.
Bwthyn Ael Y Bryn, Garndolbenmaen is set in Dolbenmaen. Guests are welcome to enjoy the free WiFi. The holiday home includes a kitchen with a dishwasher and an oven, as well as a kettle. Guests can also relax in the garden. Betws-y-coed is 48 km from the holiday home, while Caernarfon is 20 km from the property.
Boasting accommodation with a patio, Tyn Y Gorlan is located in Brynkir. Guests staying at this holiday home have access to free WiFi and a fully equipped kitchen. Guests can relax in the garden at the property. Betws-y-coed is 47 km from the holiday home, while Caernarfon is 24 km from the property.
Graianog Bach is set in Llanllyfni. This holiday home also has free WiFi. Guests at this property can enjoy horse riding nearby, or make the most of the garden. Caernarfon is 15 km from the holiday home, while Barmouth is 50 km from the property.
Crib Y Nantlle is located in Llanllyfni and offers a garden. This holiday home features accommodation with free WiFi. The holiday home comes with a TV. The accommodation is equipped with a kitchen. Caernarfon is 15 km from the holiday home.
Situated in Pen-y-groes in the Gwynedd region, Tryfan has a garden. This holiday home also features free WiFi. The holiday home is fitted with a satellite TV and 2 bedrooms. The accommodation is fitted with a kitchen. Betws-y-coed is 47 km from the holiday home.
Snowdon is situated in Pen-y-groes. Guests may enjoy free WiFi. The holiday home comes with a satellite TV. The accommodation is equipped with a kitchen. Betws-y-coed is 47 km from the holiday home, while Caernarfon is 12 km away.
Pen Y Graig, Caernarfon, a property with a garden, is situated in Caernarfon, 13 km from Caernarfon Castle. This holiday home provides accommodation with free WiFi. The holiday home includes 2 bedrooms, a kitchen with an oven and a microwave, as well as a kettle.
Located in Caernarfon in the Gwynedd region, 60 Hyfrydle Road, Caernarfon has a garden. The accommodation features free WiFi. The holiday home includes 2 bedrooms, a kitchen with an oven and a microwave, as well as a kettle. Caernarfon Castle is 13 km from the holiday home.
Offering free WiFi and sea views, Cae'r Fadog Isaf Farmhouse, Garndolbenmaen is an accommodation set in Llanfihangel-y-pennant. Guests staying at this holiday home have access to a fully equipped kitchen. Guests can relax in the garden at the property. Betws-y-coed is 49 km from the holiday home.
Set in Llanfihangel-y-pennant in the Gwynedd region, Holiday Home Dwyford has a garden. Guests have access to free WiFi. This holiday home is equipped with 2 bedrooms, a flat-screen TV, and a kitchen. Private parking is available at the holiday home. Cycling can be enjoyed nearby. Betws-y-coed is 46 km from Holiday Home Dwyford.
Located in Clynnog-fawr, Coetsiws, Caernarfon provides accommodation with a patio and free WiFi. This holiday home has a garden. The holiday home includes 2 bedrooms and a kitchen with a dishwasher and an oven. Caernarfon is 15 km from the holiday home, while Llanberis is 24 km away.
Cefn Uchaf translated as 'the highest ridge' is a farm guest house set in beautiful open countryside overlooking the timeless splendour of Snowdonia's Cwm Pennant Valley. At the gateway of the Llyn Peninsula it is an ideal position for touring and exploring both the mountains of Snowdonia and coastal areas. Cefn Uchaf is just four miles from the tranquil seaside town of Criccieth with its magnificent 13th century castle and award winning beaches.
You can be assured of a warm friendly welcome at our Family run Guesthouse. Cefn Uchaf is a large modernised farmhouse the comfortable bedrooms are all centraly heated and the residents lounge has an open fire for the cooler months. All our parking is private with plenty of space if you are fetching a boat or jet-ski and unercover parking for motorbikes and bikes. br / br / br / br / We are approximately five miles from Porthmadog and 4 miles from Criccieth set amongst unspoilt farmland overlooking the beautiful Cwm Pennant valley. br / br / br / br / We are ideally placed for guests to enjoy the numerous attractions that the area has to offer if you prefer a more active break high in the mountains of Snowdonia or participating in any of the watersports around this spectacular coastline the choice is yours. br / br / br / br / Guests looking for a more relaxing break also have plenty of choices available to them. Anyone interested in history is spoilt for choice with the numerous imposing castles and other ancient sites that surround the area. br / br / br / br / Guests can visit Portmeirion lying 1 mile East of Porthmadog this inspirational village that was the vision of the famous Architect Clough Williams-Ellis is a charming quirky world of meandering streets and clifftop towers.The cult Tv series The Prisoner starring Patrick McGoohan was filmed here in 1967.
Set in Pen-y-groes in the Gwynedd region, Eithinog Ganol has a garden. The accommodation features free WiFi. The holiday home has a TV and 4 bedrooms. The kitchen is fitted with a dishwasher. The holiday home offers a barbecue. Betws-y-coed is 47 km from Eithinog Ganol, while Caernarfon is 13 km from the property.
Bwthyn Idris is set in Pen-y-groes and offers a garden. Guests staying at this holiday home have access to a fully equipped kitchen. The holiday home is fitted with a TV. Betws-y-coed is 44 km from the holiday home.
Set in Llandwrog in the Gwynedd region, Y Beudy Cottage, Caernarfon features a patio and sea views. Guests have access to free WiFi. The holiday home comes with 2 bedrooms and a fully fitted kitchen with a dishwasher and an oven. Guests can also relax in the garden. Betws-y-coed is 50 km from the holiday home.
Situated in Llandwrog in the Gwynedd region, Y Deri Cottage, Caernarfon features a patio and sea views. The accommodation has free WiFi. The holiday home comes with 1 bedroom and a fully fitted kitchen with a dishwasher and an oven. Guests can relax in the garden at the property. Betws-y-coed is 50 km from the holiday home, while Caernarfon is 14 km away.
Situated in Llandwrog in the Gwynedd region, Bryn Aureau Cottage features a garden. Complimentary WiFi is provided. The holiday home comes with a TV. Betws-y-coed is 50 km from the holiday home.
Garreg Wen Isaf Bach is situated in Pen-y-groes. Guests staying at this holiday home have access to a fully equipped kitchen. Guests can also relax in the garden. Betws-y-coed is 46 km from the holiday home, while Conwy is 48 km away.
Set within large grounds, the Cwm Pennant Hostel has views of the Cwm Pennant VCalley and Moel Hebog. Within Snowdonia National Park, the property is just 4 miles from Porthmadog and offers free onsite parking. Accommodating for groups and solo travellers, the hostel offers both private rooms and beds in dormitory rooms. Each room has access to shared shower facilities. The rooms are located in the converted stables and barn, which retains many original features, including exposed beams. Guests at the Cwm Pennant Hostel have access to a shared lounge, training room, and drying room. The hostel offers a range of additional services, such as a power washer for mountain bikes and secure storage for kayaks, canoes, and bicycles. The Cwm Pennant Hostel is bordered by the Nantlle Ridge, Y Garn, Mynydd Tal Y Mignedd, and Moel Lefn Mountains. The sandy Black Rock Sands Beach is just 5 miles away and the Brynkir Woollen Mill is just 2 miles away.
Located in Llandwrog in the Gwynedd region, 4 Llyfni Terrace features a garden. This holiday home provides accommodation with a patio. The holiday home comes with 3 bedrooms and a fully fitted kitchen with an oven and a microwave. Betws-y-coed is 49 km from the holiday home, while Caernarfon is 13 km from the property.
Situated in Dolbenmaen in the Gwynedd region, Ffermdy Cricieth has a patio and garden views. The accommodation is 24 km from Caernarfon. With free WiFi, this 1-bedroom holiday home offers a flat-screen TV and a kitchen with a dishwasher and oven. Barmouth is 45 km from the holiday home, while Llanberis is 33 km from the property.
Featuring accommodation with a patio, Holiday Home Dwynie is set in Dolbenmaen. Guests staying at this holiday home have access to a fully equipped kitchen. The holiday home is fitted with a flat-screen TV. Private parking is available at the holiday home. Guests at Holiday Home Dwynie can enjoy cycling nearby, or make the most of the garden. Caernarfon is 24 km from the accommodation, while Barmouth is 45 km from the property.
Isallt Bach is situated in Llanfihangel-y-pennant. This holiday home features a garden. The holiday home includes 2 bedrooms and a kitchen with a dishwasher and a kettle. Betws-y-coed is 45 km from the holiday home.
Dyserth is set in Clynnog-fawr. Guests have access to free WiFi. The holiday home is fitted with a TV and 2 bedrooms. Guests can also relax in the garden. Betws-y-coed is 50 km from the holiday home, while Caernarfon is 14 km from the property.


text:
Cardiac Disease Management
Cardiac Testing
Nuclear Studies
Re-Vascularization Procedures
Carolina Home
At Carolina Cardiology & Vascular Associates, we believe that everyone deserves high-quality medical care. Your heart health is our top priority, and we work hard to improve your wellness so you can focus on the things that matter most to you.
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Contact or call Carolina Cardiology & Vascular Associates today at (803) 888-2282 to schedule a consultation with one of the region's most renowned cardiologists, Dr. Dan Bouknight. Through teamwork and informed decision making, a member of our staff is waiting to help you navigate a path toward better health that starts here.
Call us at (803) 888-2282 or fill out the form below to schedule a consultation with us!
© 2022 Carolina Cardiology & Vascular Associates | Privacy Policy & Terms of Use


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text:
The Disappearance of Kevin Johnson is a 1996 American mockumentary Written and directed by Francis Megahy. It premiered in January 1996 at the Slamdance Film Festival in the United States and later was released on July 25, 1997 in the United Kingdom.
This marked Dudley Moore's last live-action role before his death.

Storyline
The Disappearance of Kevin Johnson is about on the unexplained disappearance of a fictitious wealthy British film producer, Kevin Johnson, who is dealing in sex, lies and blackmail in Hollywood.

Cast

 Pierce Brosnan as Pierce Brosnan
 James Coburn as James Coburn
 Dudley Moore as Dudley Moore
 Alexander Folk as Police Detective
 Bridget Baiss as Gayle Hamilton
 Carl Sundstrom as Security Guard
 Michael Brandon as Jeff Littman
 Keely Sims as Leela Kerr
 Hector Elias as Ramon Garcia
 John Hillard as Ricky Ryan
 Heather Stephens as Rhonda
 Rick Peters as Willis Stevens
 Ian Ogilvy as Gary
 Michael Laskin as Bill Rackman
 Charlotte Brosnan as Amy
 Brett Baker as Grant
 Guy Siner as Fred Barratt
 Richard Neil as Larry Hillman
 Richard Beymer as Chad Leary
 Timothy Omundson as Nick Ferretti
 Michael Cooke as Judd Ramberg
 Rachael Harris as Il Fornaio Waitress
 Jayson Kalani as Le Petit Four Waiter
 Frederika Kesten as Fitness Trainer
 Eric Da Re as Apartment Manager
 Connie Blankenship as Lisa
 Katherine LaNasa as Cathy
 Stoney Jackson as Julian
 Madison Clarke
 Valarie Rae Miller as Rudi
 Scott Coffey as Video Engineer
 Kari Wuhrer as Kristi Wilson
 John Solari as Captain Hammond

References

External links

1996 films
American mockumentary films
Films about Hollywood, Los Angeles
American independent films
1996 comedy films
British independent films
1990s American films
1990s British films


When it comes to running a business, any business owner should know that business disputes are unavoidable, and when this is the case, you need the help of a business dispute lawyer Bronx, NY. One of the most common times that someone sees a business dispute crop up is when two parties—or businesses—disagree over terms in a contract or if one of the businesses involved violates a contract in some way. While some businesses are able to quickly resolve business disputes on their own, this is not always the case, and you want to ensure you have the legal help your business needs before you get too deep into a business dispute. The sooner you retain a Bronx, New York business dispute lawyer from Okun, Oddo & Babat, P.C., the quicker your business can move on to more important issues. For more information or to set up your first consultation with our firm, please call our office now.
Why do business disputes crop up?
A business dispute can crop up for any number of reasons, ranging from minor to severe. One of the most common causes that a Bronx, NY business dispute lawyer sees when it comes to business disputes are conflicts, breaches, or arguments regarding business contracts. For example, if a contract explicitly states that business A will pay business B a certain amount of money for their goods or services, then business A does not pay the full amount, a business dispute will likely crop up. The same can be said if business B does not provide business A with the goods or services outlined in the contract. If you are on either side of this kind of dispute, it is imperative that your company gets a business dispute lawyer Bronx, NY businesses have relied on for years.
Business disputes can be preventable, and a Bronx, NY business dispute lawyer can help put protections in place to safeguard your business and try to prevent disputes from happening. A Bronx, NY business dispute attorney may even advise you on the best types of documentation to have on hand before a business dispute even comes up, such as standard employment policy forms when it comes to who you hire and fire in the company. When you have these standards in place from the beginning, it can be harder for someone who is trying to argue with you in the future.
I have a business dispute. Can it be resolved?
While this will depend on the specifics of the dispute, it is possible to resolve business disputes if you were unable to prevent them from happening. Before heading to court, your business dispute lawyer in Bronx, New York may advise that your company goes through the arbitration or mediation process to work the business dispute out and come to a resolution. However, if this is not possible, we will fight on your behalf in court.
When it comes to businesses, you have many other things to work on instead of worrying about a dispute with another party. Instead, work with a business dispute lawyer Bronx, NY trusts from Okun, Oddo & Babat, P.C.; call us now!


text:
`slugifyModel()` takes an option object as the second parameter.

### Example

```javascript
SequelizeSlugify.slugifyModel(User, {
    source: ['givenName'],
    suffixSource: [],
    slugOptions: { lower: true },
    overwrite: false,
    column: 'slug',
    incrementalSeparator: '-',
    passTransaction: true,
    paranoid: true,
    bulkUpdate: false
});
```
### Available Options
| Parameter              | Type | Required | Default | Description |
| ---                    | ---  | ---      | ---     | ---         |
| `source`               | `[]` | ✓        |         | Array of field names in the model to build the slug from
| `suffixSource`         | `[]` |          |         | Array of field names to use as the source for additional suffixes (before adding incrementing numbers) |
| `slugOptions`          | `{}` |          | `{lower:true}` | Pass additional options for slug generation as defined by [`sluglife`][SL] |
| `overwrite`            | `boolean` |     | `true` | Update the slug if the source fields change after initial generation |
| `column`               | `string` |      | `slug` | Specify the column to store the slug value |
| `incrementalSeparator` | `string` |      | `-`    | Specify the separator between the slug, and the duplicate count |
| `passTransaction`      | `boolean` |     | `true` | Pass the current transaction object in to the plugin |
| `paranoid`             | `boolean` |     | `true` | Whether the duplication check will use a paranoid query or not, for determining the next unique slug. |
| `bulkUpdate`           | `boolean` |     | `false` | Automatically enable `individualHooks` during bulk updates. Read the following information: [Note-1][N1] [Note-2][N2] |

[SL]: https://github.com/jarrodconnolly/sluglife#options "Slug Life Options"
[N1]: https://sequelize.org/master/manual/hooks.html#model-hooks "individualHooks Note 1"
[N2]: https://sequelize.org/master/manual/hooks.html#many-to-many-associations "individualHooks Node 2"


Efficient and Attractive Office Workspaces.
Creative Structures has more than 35 years of experience serving the commercial construction needs of businesses throughout the Southeast. As a full-service commercial contractor, we have successfully designed, built and renovated offices, warehouses and other commercial workspaces for clients large and small.


text:
Q: grunt-usemin integration for custom file types I have a question about theme deployment.
bower and wiredep modules works quite nicely, I add a lot of content this way! however, now I have to combine these files such as bundle.js, bundle.css etc... grunt-usemin module works very well for this purpose, but I could not find an integration for Drupal theme info file ( see: https://www.drupal.org/node/171205 ) Below you can see a sample file:
theme_name.info :
name = Theme
description = Tableless, recolorable, multi-column, fluid width theme (default).
version = 1.0
core = 7.x

;bower:css
stylesheets[all][] = src/components/module1/style1.css
stylesheets[all][] = src/components/module2/style2.css
;endbower

;bower:js
scripts[] = src/components/module/dist/vendor.js
scripts[] = src/components/module2/dist/script.js
;endbower

grunt wiredep task :
wiredep: {
  task: {
    src: ['theme_name.info'],
    options: {
        fileTypes: {
            info: {
              block: /(([ \t]*);\s*bower:*(\S*))(\n|\r|.)*?(;\s*endbower)/gi,
              detect: {
                js: /scripts\[\] = \s(.+js)/gi,
                css: /stylesheets\[all\]\[\] = \s(.+css)/gi
              },
              replace: {
                js: 'scripts[] = {{filePath}}',
                css: 'stylesheets[all][] = {{filePath}}'
              }
            }
        }
    }
  }
}

Well, I need grunt-usemin task for custom info file... Waiting for your help in this regard.
Thank you.

redpajama_set_name: RedPajamaStackExchange


text:
King baseball team faces wide range of emotions after big win against Veterans Memorial
The King baseball went through a wide range of emotions after its big win against Veterans Memorial on Tuesday.
King baseball team faces wide range of emotions after big win against Veterans Memorial The King baseball went through a wide range of emotions after its big win against Veterans Memorial on Tuesday. Check out this story on caller.com: https://callertim.es/2GfGb5O
, Corpus Christi Caller-Times Published 4:51 p.m. CT March 28, 2018
King's Jon Barrera pitches to a Calallen batter during their season opener Monday, Feb. 19, 2018 at Whataburger Field. (Photo: Casey Jackson/Caller-Times)Buy Photo
King baseball coach Gabriel Perez faced what is one of the toughest situations a coach can face during a career on Tuesday.
He had to help his players celebrate an emotional victory but also break the news to them that one of their classmates had died in the time they were playing their game.
Perez said he had not learned of the death of King junior Rai-ane Garza until after the game from one of his assistant coaches. Mixed in the elation of a thrilling 5-4 eight-inning victory against rival Veterans Memorial, Perez had to tell his players about the hit-and-run accident that also injured another King student near the school.
"It just brings you back to reality of what life really is about," Perez said Wednesday afternoon. "We love sports and we love competing but life is so fragile and anything can just happen. You never know when the next day is going to be there. We were in a great mood and then we had to break the news to them."
Perez said the baseball team did not yet have any official plans to honor Garza prior to Thursday's game against Carroll at Whataburger Field, but they were working to put something together.
On the field, the Mustangs scored the winning run in the eighth inning when Andrew Delgadillo slapped a single to score the winning run. King is 2-0 in District 30-5A's South Zone and Perez said he expects another intense game against a resurgent Tiger squad.
"When you only have eight district games, the intensity is just through the roof for every game," Perez said. "You have to be ready with such a short schedule and I've said it before I think we have the toughest district in the state."
varsity got the win against moody tonight!! 1-0! keep it going Cherokees #MakingWaves#8str8
— Cherokee Softball (@TMcherokeeSB) March 28, 2018
IT ONLY TAKES ONE
There was a combined one hit and one run between Tuloso-Midway and Moody on Tuesday night in a District 30-5A softball game, again showing how tight and intense the games will be in this district.
Tuloso-Midway had the one run and Moody had the one hit. Cherokees ace pitcher Breanna Reyna threw a one-hitter with 12 strikeouts in earning the victory, and Moody pitcher Karyme Carreno threw a no-hitter in the loss. Carreno had eight strikeouts.
The win was big for the Cherokees, who want to continue to keep pace with the teams at the tape while Moody has lost two straight and is in must-win mode to avoid missing the postseason again.
The pressure is only going to increase.
CLOSE TO CLINCHING
The Rockport-Fulton softball team is close to clinching a playoff berth. The Pirates are 8-0 in District 31-4A and with a win against Ingleside on Thursday will clinch a playoff berth.
Rockport-Fulton (16-5 overall) continues the second half of the 31-4A schedule with Ingleside, Orange Grove and Sinton in consecutive games.
Benquete's Isaak DeLa Paz throws a pitch during the fifth inning of their game against Bishop at Whataburger Field on Wednesday, March 21, 2018. (Photo: Courtney Sacco/Caller-Times)
Ray at Tuloso-Midway, 5 p.m., Whataburger Field — A win by either team helps them keep pace in the North Zone playoff race.
Carroll vs. King, 8 p.m., Whataburger Field — If this game is like some of the other games in the South Zone, hang on, this one could be a classic.
Falfurrias at Banquete, 7 p.m. — The Jerseys have been on-point for much of this season facing a Banquete team that rebounded from its loss to Bishop by beating London.
Veterans Memorial at Calallen, 7 p.m. — Another monster game in a schedule filled with them. Veterans Memorial is almost in must-win mode after Tuesday's loss to rival Carroll.
Orange Grove at Sinton, 7 p.m. — Two of the best teams in 31-4A battle as they try to keep pace with Rockport-Fulton.
Picking these rankings only gets tougher as the season progresses, especially District 30-5A softball. But we take another stab at it as a new No. 1 has emerged in 30-5A softball.
DISTRICT 30-5A
1. Carroll (15-3-1); 2. King (13-6-1); 3. Calallen (14-6); 4. Veterans Memorial (18-4-1); 4. Ray (9-9-1); 6. Moody (12-10); 7. Tuloso-Midway (13-8-1); 8. Gregory-Portland (13-3-2); Alice (11-8-1); Flour Bluff (7-6-1); Miller (0-10)
AREA/PRIVATE SCHOOL
1. Robstown (12-2); 2. Sinton (10-4); 3. Bishop (13-6-1); 4. Falfurrias (11-3); 5. Banquete (15-7-1); 6. Three Rivers (11-5); 7. Refugio (9-2); 8. Riviera (10-5); 9. George West (11-4); 10. Kingsville (8-9)
1. Flour Bluff (16-8); 2. Calallen (17-6); 3. Carroll (14-11); 4. Gregory-Portland (13-7); 5. Tuloso-Midway (10-11); 6. Veterans Memorial (12-10); 7. Alice (12-10); 8. King (8-15); 9. Ray (7-14); 10. Moody (5-11); 11. Miller (6-17)
1. Beeville (23-1-1); 2. Santa Gertrudis Academy (28-1); 3. Rockport-Fulton (16-5); 4. Orange Grove (15-4); 5. Sinton (16-6); 6. San Diego (12-6); 7. George West (14-5-1); 8. Bishop (13-10); 9. Ingleside (12-10); 10. Robstown (13-10)
High School Basketball Top 10 Rankings
Strong second half propels TCU past Texas Tech


text:
The Choice is Ours
By Jonathan Nickels • December 20, 2021 • 0 Comments
"Democracy is a con game. It's a word invented to placate people to make them accept a given institution. All institutions sing, 'We are free.' The minute you hear 'freedom' and 'democracy', watch out… because in a truly free nation, no one has to tell you you're free." - Jacque Fresco
"Our main problem is a lack of understanding of what it means to be human and that we are not separate from nature." - Jacque Fresco
"One may reasonably ask: Why do people cling to the values and practices of the past, when they so obviously no longer work? Long-standing thought patterns are hard to overcome because they often appear to serve the interests of the individual, and old ways of thinking are simpler and easier to handle. In a two-valued way of thinking, as in good and bad, right and wrong, love and hate, cause and effect, very little logical analysis is involved." - Jacque Fresco
This film series explores many aspects of our society. To rethink what is possible in our world, we need to consider what kind of world we want to live in. Although we refer to it as a civilization, it is anything but civilized. Visions of global unity & fellowship have long inspired humanity, yet the social arrangements up to the present have largely failed to produce a peaceful and productive world. While we appear to be technically advanced, our values and behaviors are not. The possibility of an optimistic future is in stark contrast to our current social, economic, and environmental dilemmas. The Choice Is Ours includes interviews with notable scientists, media professionals, authors, and other thinkers exploring the difficulties we face.
Part I provides an introduction and overview of cultural & environmental conditions that are untenable for a sustainable world civilization. It explores the determinants of behavior to dispel the myth of "human nature" while demonstrating how the environment shapes behavior. The science of behavior is an important - yet largely missing - ingredient in our culture.
Part II questions the values, behaviors, and consequences of our social structures, and illustrates how our global monetary system is obsolete and increasingly insufficient to meet the needs of most people. Critical consideration of the banking, media, and criminal justice systems reveals these institutions for what they really are: tools of social control managed by the established political and economic elite. If we stay the present course, the familiar cycles of crime, economic booms & busts, war, and further environmental destruction are inevitable.
Part III explains the methods and potential of science. It proposes solutions that we can apply at present to eliminate the use of non-renewable sources of energy. It depicts the vision of The Venus Project to build an entirely new world from the ground up, a "redesign of the culture," where all enjoy a high standard of living, free of servitude and debt, while also protecting the environment.
Part IV explains how it is not just architecture and a social structure that is in desperate need of change, but our values which have been handed down from centuries ago. They too need to be updated to our technological age, which has the potential to eliminate our scarcity-driven societies of today. Our problems are mostly of our own making, but we can still turn things around before the point of no return. It's not too late for an optimistic outlook on the fantastic possibilities that lie before us.
Jacque Fresco-Futurist, Industrial Designer, Social Engineer, Founder of The Venus Project
Jeffrey A. Hoffman Ph.D. - Prof. Aeronautics & Astronautics MIT, Former NASA Astronaut
Henry Schlinger, Ph.D., BCBA-D - Prof. Psychology CAL State University
Abby Martin - Journalist & Host "The Empire Files"
Karen Hudes - Economist, Lawyer, World Bank Whistleblower
Erin Ade - Reporter & Host "Boom Bust" – RT
Paul Wright - Founder & Director of Human Rights Defense Center, Editor of Prison Legal News, Author
Dylan Ratigan - Author & TV Host "The Dylan Ratigan Show"
Mark Jacobson, Ph.D. - Prof. Civil & Env. Engineering, Stanford University. www.thesolutionsproject.org
Erik Brynjolfsson, Ph.D. - Prof. of Management-MIT Sloan School of Management, Dir. MIT Initiative on the Digital Economy, Author
Lawrence M. Krauss, Ph.D. - Foundation Prof. School of Earth and Space Exploration, and director of Origins Project, Arizona State University. Author "A Universe from Nothing."
Paul G. Hewitt - Author "Conceptual Physics"
Roxanne Meadows - Co-Founder The Venus Project
*special thanks also to Alexander "Obraz" ...Obraz.io who created the many 2d motion depictions (plus the sound fx!) of concepts such as the "hamburgers and fried chicken" segment and many others which are Alexander's inimitable work style and attention to details where we needed very specific illustrations of key points.
The Venus Project proposes an alternative vision of what the future can be if we apply what we already know in order to achieve a sustainable new world civilization. It calls for a straightforward redesign of our culture in which the age-old inadequacies of war, poverty, hunger, debt, and unnecessary human suffering are viewed not only as avoidable but as totally unacceptable. Anything less will result in a continuation of the same catalog of problems inherent in today's world.
http://www.thevenusproject.com
English,Documentary,Politics,Freedom,World Order,Deception,Society,Financial Institutions,Big Tech,Social Media,Money,Debt,Commerce,Mind Control,Fascism,Life,Sustainable Living,Contributism,Peace,Perception,Federal Reserve System,Economy,Environment,History,Unity,Civilisation,Sharing,Technology,Education,Terror,Earth,Media,Humans,Corporatocracy,Industry,Mankind,Architecture
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A terrestrial globe in calibrated full meridian, the horizon with paper calendar and zodiac, raised on a walnut Baroque style stand. The stand has a turned central standard with acanthus-leaf carved baluster above a turned beaded ring. The standard is surrounded by four turned legs, each headed by a scrolled and carved acanthus leaf horizon-band support, the legs each with an acanthus leaf carved baluster. The legs and central standard are supported by an incurved quadripartite plinth, ending in scrolled feet. Railways, "submarine telegraph cables" and warm and cold ocean currents are indicated. Oceans are colored blue-green (yellowed varnish over blue), geographic entities are in various shades of yellow, orange, brown and green.
The stand was provided by Kittinger Company, one of the leading American furniture makers of the 20th Century. As such, the stand is of an unusually high quality for a floor globe of this period and probably was intended for home use. Kittinger sold and marketed the globe as a whole, with their overlabel on the cartouche, and their brass and paper labels under the stand. The paper label guarantees that the wood is "solid genuine American walnut" throughout. The globe incorporates globe gores by the famous and prolific British globe maker, W. & A.K. Johnston. The overlabel is very slightly chipped and reveals that the globe was made by Johnston in partnership with A.J. Nystrom. For more information about the manufacturers, see our Guide to Globe Makers entries on W. & A.K. Johnston, A.J. Nystrom, and Kittinger.
Circular Cartouche: 18 INCH/ TERRESTRIAL/ GLOBE/ Kittinger Company/ INCORPORATED/ Manufacturers/ 1893 Elmwood Ave. BUFFALO, N.Y.
Condition: Globe and horizon generally very good with the usual overall light toning, wear and soiling. Some irregularity to varnish, and a few minor scratches and abrasions, professionally restored. Stand very good with the usual wear; recently French polished.


text:
Best Buy Store Purchase
Lied to by the best buy rep and then forced to pay...
AndyFarinich
Lied to by the best buy rep and then forced to pay for it
I recently bought a TV from Best Buy in Bridgewater NJ. When I purchased the TV, I told the the rep (Marquise) that i would like to mount the TV. He siad OK and rang me up for the cost of the mount and the install. when the team arrived today to install the TV they were suprised to find out the TV was to be mounted above a fireplace. they said its an extra $100 to do so. I said no one told me about the extra cost associated with mounting TVs above the fireplace. the tech said they should have told me that when I bought the TV.
I called Marquise at BB in Bridgewater and spoke to him. He said i still had to pay the $100 because it was MY RESPONSIBILITY TO DISCLOSE THAT INFORMATION. I've never bought a TV from BB. I've never mounted a TV before. This was my first (and last time) dealing with Best Buy. How am I suppossed to know that mounting a TV above a fireplace costs extra! Marquise did not ask the right questions in the store and now I have to pay for it.
I opened a line of credit with BB to buy the TV. I'll be returning the TV and closing out my account tomorrow as a result of the poor service.


We are so glad you are visiting our web-site in order to learn more about our community – Maysville, Kentucky. We are confident that after you see all we have.
The Down County Social Club (beneath The Stagecoach Tavern): 864 S Undermountain Rd, Sheffield MA 01257 – (6/22) DCSC features a handpicked selection of extraordinary and rare entertainment presented in an intimate New Orleans style speakeasy.
Background: The eldest of five children, Yvonne was born May 17, 1951 in Atlanta, Georgia. Raised in East Point, Georgia, she moved to Jackson County, Ga. until 2006 then moved to Port St. Lucie, Florida where she currently makes her home.
ABOUT US. Mason, Texas, located on the western side of the Hill Country, offers a beautiful combination of rugged Texas landscape, as well as historic, recreational and cultural opportunities for any visitor or resident.
Visit CMT.com for all that is Country Music; Artists, Photos, Videos, Shows, Online Radio and More. Get the latest Country Music News and Videos on your favorite Artists. Get CMT's television.
NEWARK-Ralph Hutt, 85, died Tuesday (July 31, 2018) at the Wayne County Nursing Home. Friends may call Saturday (August 4) from 9:30 to 11:30 a.m. at East Palmyra Christian Reform Church, 2057 E. Palmyra-Port Gibson Rd, East Palmyra.
Home > Hispanic gangs. Hispanic Gangs in Los Angeles County. There are about 500 Sureño Hispanic gangs in Los Angeles County representing over 50 percent of the gang membership.
George Mason University (GMU, Mason, or George Mason) is a public research university in Fairfax County, Virginia. Initially founded as a branch of the University of Virginia in 1949, it became an independent institution in 1972.: 1 The university is named after the founding father George Mason, a Virginia planter and politician who, most notably, authored the Virginia Declaration of Rights.


The Department of Technology is responsible for the digital technology used by Cascade County to provide services to the citizens. The Department strives to provide the highest quality technology based services to facilitate the mission(s) of Cascade County. We provide innovative, practical, and reliable solutions to the county through leadership and professional service. We pride ourselves in our ability to bridge capability gaps in an environment that is exciting and ever-changing.


2 Beds 2 Baths 1 Partial Bath 1,269 Sq. ft.
Conveniently located 2 bedroom, 1.5 bath end-unit townhouse condo. Eat-in kitchen with pantry closet. Newer kitchen appliances include slate GE French Door refrigerator, dishwasher and 5 burner stove. Cathedral ceiling and large windows for natural light and airy feel. Living room has a fireplace. Master bedroom has a large walk-in closet. Loft space is nice for an office. Updated powder room. Larger garage with high ceilings and built-in storage. Screened porch.
Directions: Take 12th Avenue North of Oakdale Blvd. to Right on Mulberry Street to another right immediately to first building on the right #1.


text:
Primary Dental
Physio & Allied Health
CALL LOCATE
Dental X-Ray (OPG)
Spinal & Joint Injections
Computerised Tomography (CT)
About the examination
An ultrasound, or sonogram, is a common procedure which uses sound waves to detect, diagnose, and monitor a variety of conditions.
What is an ultrasound?
During an ultrasound the sonographer uses a small ultrasound probe, which emits high frequency sound waves – to create an internal image of a specific area of the body. This image is transmitted to a monitor. Image stills can be captured and printed.
There are three main types of ultrasound:
External: the probe is moved over the skin
Internal: the probe is inserted into the body
Endoscopic: the probe is inserted further into the body via a long, thin, endoscopic tube.
What part of the anatomy is examined during an ultrasound?
Ultrasounds can be used to examine many parts of the body including the:
Other soft tissue organs
Ultrasounds are also used to monitor the progress and health of pregnant patients.
What conditions can be diagnosed by an ultrasound?
A number of conditions can be identified via an ultrasound. For example:
Cysts and abnormal growths
Damage to internal organs
For pregnant patients the procedure can also be used to monitor the development of the foetus and identify any potential conditions (i.e. down syndrome).
Why is an ultrasound required?
An ultrasound is required when a GP or Specialist suspects that patients may be suffering from any disease or condition best identified by ultrasound.
Ultrasounds are also the best way to monitor the health of pregnant patients, foetuses and unborn babies.
What are the risks and complications of an ultrasound?
There are no identified risks associated with ultrasounds as, unlike CT scans and X-rays, they do not require or expose the patient to radiation.
To avoid any complications during the procedures patients simply need to inform the sonographer of any allergies or existing conditions which may impact the processes used or the results.
What are the benefits of an ultrasound?
Ultrasounds are simple, safe procedures which do not require the use of radiation to develop images of internal parts of the body.
Are there any alternatives to an ultrasound?
Doctors can also use CT scans, MRIs and X-rays to examine and produce images of internal parts of the body.
Preparation for the ultrasound
Is a special diet required before an ultrasound?
There are no special diets required before an ultrasound. However, you may be instructed to drink extra fluids or abstain from eating depending on the type of ultrasound procedure.
What does the sonographer need to know before an ultrasound?
Before undergoing an ultrasound you should let the sonographer know if you:
Suffer from any allergies
Taking any medications
Recovering from surgery
If you are having an internal ultrasound you will need to inform the sonographer if you have an allergy to latex so that they use a latex-free probe cover.
What to bring for an ultrasound?
You may be asked to bring in previous images or scans for comparison. Everything else needed will be supplied by the sonographer.
What to wear for an ultrasound?
There are no special clothing requirements, although depending on the part of the body being examined you may be need to partially undress, please wear something that is comfortable and easy to remove.
You will be provided with a place to change and a hospital gown to wear.
How long will the ultrasound take?
Depending on the type of ultrasound and the part of the body being examined the procedure can take anywhere from 15 to 45 minutes.
When you book your ultrasound appointment you will be advised an estimate of how long the procedure will take.
Detail the specific steps during an ultrasound
The ultrasound procedure varies depending on which part of the body is being examined. For example:
During an external ultrasound a lubricating gel is placed on the skin and then the handheld probe is gently moved over the area.
During an internal ultrasound you may need to lie down on your back (for a pelvic ultrasound) or on your side (for a prostate ultrasound). A small probe will then then inserted into the vagina or rectum.
During an endoscopic ultrasound the probe is attached to a long narrow tube. Typically you will be given a sedative and a local anesthetic spray will be used to numb your throat. The probe is then inserted into the mouth and fed down the throat.
Your GP and/or sonographer will explain the procedure to you in detail and answer any questions you may have.
Post ultrasound instructions
What are the recovery details?
Most patients suffer no side effects and will be able to return to work or home immediately after an ultrasound.
Can I drive home?
A majority of patients will be able to drive immediately after the procedure.
© 2020 Healius Medical & Dental Centres Privacy Policy Practice Communication Policy About Us
The Hills Medical & Dental Centre now offers online bookings for:


No Profit bodies: Associations, ONLUS.
Specifically, we take care of both clients in ordinary accounting, financial statements, tax returns, consultancy, and practices in the Business Register. INPS, INAIL, Revenue Agency and extraordinary activities such as evaluation reports, transfer of company shares, consultancy in the company formation, liquidation, company extinction, mergers and demergers.
Contact us and we will give an answer to your needs.
Certified Public Accountants, by law, should possess technical skills in commercial, economic, financial, tax and accounting fields.
A specific course of study.
A state exam to verify the knowledge.
Constant updating on tax issues.