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Category Archives: Abigail Spencer
REVIEW: REPRISAL – SEASON 1
Posted on January 1, 2020 by proxyblue57 Standard	Reply
Abigail Spencer (Cowboys & Aliens)
Rodrigo Santoro (300)
Mena Massoud (Aladdin)
David Dastmalchian (The Suicide Squad)
Rhys Wakefield (The Purge)
Madison Davenport (Sharpe Objcts)
Craig Tate (12 Years a Slave)
Wavyy Jonez (See You Yesterday)
Gilbert Owuor (Mute)
Shane Callahan (American Soul)
Rory Cochrane (Argo)
Bethany Anne Lind (Doom Patrol)
Blake Sheldon (Afterlife)
Lea DeLaria (Cars 3)
Happy Anderson (The Knick)
Blake Perlman (Hand of God)
Charles Halford (Constantine)
Scarlett Blum (The Outsider)
Jason Davis (The Accountant)
David Dastmalchain (The Dark Knight)
The term "noir" gets slapped on a lot of things these days that don't deserve it, as an all-purpose identifier for productions that are grim and violent and impressed with themselves. It's there in the news release for Hulu's new series "Reprisal": "a hyper-noir story that follows a relentless femme fatale." "Reprisal" isn't really noir, though. It doesn't have the style or the romance or the fatalism. It's an example — fairly diverting, but never entirely satisfying — of another currently popular television genre: the fairy tale of aggrieved American manhood, even though in this case the bitter hero is a heroine. Pumped up with rural gothic atmosphere and punctuated with self-consciously curated pop songs, these shows are what happen when you read "Mystery Train" and "Fight Club" and don't find any appreciable intellectual distance between the two. These fantasias stretch across genres, and if you're not looking for them you might not realize how common they are among the assertively woke shows that are drawing more attention at the moment. Notable examples include "Banshee" and "Rectify"; current shows like "True Detective" and "Watchmen" share some of the characteristics. Certain actors make a living off them — Ron Perlman, who's completely in his element as a quietly menacing mob boss in "Reprisal," has been a stalwart of the genre through "Sons of Anarchy" and "Hand of God." The settings are generally Southern (though occasionally Western or Midwestern), and "Reprisal" takes place in an imaginary South, unlocated except for a reference to its being 900 miles from Detroit. (The show was filmed in North Carolina.) Restaurants have names like Slimmy Hank's Egg Pit and Bolo's Worldwide Rathskeller; an important scene of the action is a motel called Donuts & Duvets. Time and history are also slightly unmoored. The crucial role of flip phones seems to put us in a more or less recent past, though the prevalence of Tommy guns and vintage hot rods argues for something further back. Newscasts report a glowing orange anomaly in the atmosphere, and characters recall their service in the War for the Archipelago. At the center of this hothouse setting dreamed up by the writer and producer Josh Corbin is a monolithic road house called a Bang-a-Rang. It's a little bit Cirque du Soleil, a little bit Kit Kat Klub (with Lea DeLaria in the Joel Grey M.C. role), all with a naughty-high-school-drama vibe, as if Baz Luhrmann and David Lynch had collaborated on an after-hours club inside a Walmart. It's the headquarters of a criminal gang called the Banished Brawlers, who spend most of their time hanging out at the Bang-a-Rang and getting misty-eyed about how they've found a "family" based on shared pain and manly camaraderie. There is a story here also, but it feels wan and patched together — so much of the show's imagination has gone into the world building and the artisanal Americana and the stylistic flourishes, like the bloody, crunching scenes of violence set to oddball musical choices like "25 or 6 to 4" or "Dammit, Janet" (from "The Rocky Horror Picture Show"). The Brawlers are enjoying a period of peaceful coexistence with their rival gangs (who have equally pretentious names like the Happiness Ghouls), but they're haunted by an original sin: the betrayal and brutalization years before of the gang leader's sister, who was dragged behind a truck and left for dead. "Reprisal" — with the double meaning of revenge and repetition — traces her implacable campaign to clear her name and get satisfaction, with extreme prejudice, from the various men who wronged her. There are cultural-political themes and sexual politics in the mix here. The mostly white good old boys of the Bang-a-Rang feel their long-held privileges, and the sanctity of their fraternal bond, are under unfair assault. The sister is joined in her campaign by a formerly abused, newly empowered homemaker and a pair of small-time African-American Robin Hoods. Caught in the middle are the Bang-a-Rang's strippers and entertainers, who pick up shotguns when needed. (A lot of the show's budget went to red light filters, smoke and pasties.) The sister is played by Abigail Spencer, whose sculpted features and reserved delivery give her an air of retro glamour that's been exploited before in the lightweight time-travel adventure "Timeless" and the heavy drama "Rectify" — if you're trying to bake up a noir, she's the starter. If there's a monotone quality to her performance here — as there is to that of Rodrigo Santoro ("Westworld"), who plays the most thoughtful of the Brawlers — it's probably because the show doesn't take their characters anywhere we can't see coming. If you like the combination of violent action, sentimental fantasy, literary pretension and periodic slapstick humor that "Reprisal" offers, you may enjoy it well enough. Or you may wish you were watching something with the energy of "Banshee," the clammy atmosphere of "Quarry" or the charm of "Hap and Leonard." But that's what streaming is for.
HALLOWEEN OF HORROR REVIEW: THE HAUNTING IN CONNECTICUT 2: GHOSTS OF GEORGIA
Abiigail Spencer (Oz The Great and Powerful)
Chad Michael Murray (Agent Carter)
Emily Alyn Lind (Lights Out)
Wayne Pére (Cloak & Dagger)
Michael Daingerfield (Smallville)
The film is set in 1993. Andy and Lisa Wyrick, along with their daughter Heidi, move into a rural home after receiving a deal from the bank. They are told that no one had previously lived on the land, which is why they are getting such a great deal. Shortly after moving in, Heidi begins to experience visions. After a visit from Lisa's sister Joyce, it is revealed that Heidi, along with her mother, aunt, and grandmother, was born with a veil over her face, allowing the women of the family to have visions. Joyce embraces her visions, but Lisa tries to prevent them with the help of medication to no avail as she begins to have nightmares and visions of her mother. One of Heidi's visions is of a man she calls Mr. Gordy, who tells her things to prove his existence, such as money being buried in the garden, and a swing being deep in the woods. When these things turn out to be true, it is revealed that Mr. Gordy had in fact owned the house before the Wyricks. To test Heidi's knowledge, Joyce and Lisa do some research and ask Heidi to pick Mr. Gordy out of a bunch of old photos, which she does. Lisa begins to have visions of a figure coming after her and her daughter and starts to worry about the sanity of herself and that of her daughter, which leads her to tell Heidi not to speak to Mr. Gordy anymore. One day, the family receives a visit from the local pastor, who tells them that their property was once part of the Underground Railroad and that a stationmaster lived on their land. He tells them of all the good that the stationmaster brought about and warns the family that they may get some visitors wishing to pay homage to the stationmaster, and asks them to be kinder than the previous owner, Mr. Gordy, was.Andy comes home with a dog for Heidi named Chief, trying to alleviate some of the tension that has built up in their family since moving into the new house, but soon after Chief follows something into the woods. When Andy and Heidi go to look for him, they can hear him crying from the woods and find him trapped in a snare. Andy tells Lisa that the snares would have been perfect for a taxidermist, because they would catch and kill animals without leaving a mark. While destroying the snares to prevent Chief from getting caught again, Andy finds Heidi talking to someone who is not there. When he asks her about it, she says that Mr. Gordy says that some people are coming. These people turn out to be Mama Kay and her grandson who buy a quilt from Joyce that she had found at the old station. Mama Kay tells Heidi that she is special and to be careful of what she sees, while her grandson tells Andy the true story of the stationmaster. He was primarily a taxidermist and would enlist the help of guides called Conductors to help guide slaves to a meeting place. He would hold them somewhere secret, then when it was safe, he would move them to the next location. Two of the slaves he had hidden were Mama Kay's ancestors, Nell and Levi, but they were never heard from after they stopped at the station. When the townspeople found out about his involvement, they blindfolded him, filled his abdomen with stuffing and hung him from the tree where the swing once was that Heidi had seen. Andy relays this information to Joyce and Lisa, who then relays it to Heidi, but tells her that the stationmaster was a good man and helped a lot of people. When Heidi insists that an evil exists in the woods, Lisa becomes frustrated and tells her that she cannot believe her because she cares about her and orders Heidi to get out of the bathtub. When Heidi takes too long, Lisa returns to the bathroom as the lights flicker. The stationmaster is seen standing next to Lisa as Heidi is face down in the bathtub. Lisa pulls her out and attempts to heimlick the water from her lungs, only for Heidi to cough up sawdust and insects. Concerned, the family takes Heidi to the hospital, where her story is questioned. Heidi seems to have no memory of what happened and tells the doctor that when she didn't get out of the tub like she was supposed to, her mom pulled her out of the tub really hard, making it even harder to believe Lisa's story. As Lisa is leaving, Heidi tells her that it is hard when people don't believe you, indicating that she knew what she was doing. Later, the family asks the pastor to come out and bless the land and Heidi. During the blessing, Joyce experiences frightening visions of slaves being taken to the station by the stationmaster, along with the conductors, and she sees the bodies of her family members decomposing during the blessing. That night Heidi follows a ghost out of her house, who turns out to be Nell. She leads her out into the woods, where she disappears. Meanwhile, Lisa is having nightmares and awakens to find out that Heidi is missing and Andy runs out into the woods to look for her. Somehow, Heidi falls to the bottom of the station and begs her father not to leave her down there with "them", but she is alone. In a frantic attempt to rescue his daughter, Andy reveals a heavy slab covering the entrance, which leads him to wonder how Heidi got down there and he realizes that is where the stationmaster hid the slaves and Heidi reveals the "them" she was talking about were corpses that had been forgotten. When the stationmaster was murdered, there was no one to let the slaves out and they died in the station. Heidi tells her father that she thinks something else is in the station too. She tells her family that she wishes to leave the house. Joyce tells her that she released the spirits and that the bad things are gone, but Heidi insists that Mr. Gordy told her she let something bad out. When Andy takes his daughter's side, it causes a rift between him and Lisa. Lisa tells Heidi that the stationmaster was a good man, to which Heidi replies, "No he wasn't".
Andy decides that the family will leave because he doesn't want Lisa filling Heidi's head with the idea that she is sick and needs to be on medication. As they are packing up to leave, the ghost of the stationmaster can be seen watching them. Joyce decides to stay and the ghosts of the slaves alert her to the stationmaster's presence. She sees him walking towards Heidi and when she attempts to warn her niece, the stationmaster turns his attention on her. Joyce coughs up a needle and begins to become sutured from the inside. Meanwhile, Lisa notices that Heidi has disappeared from the truck and she decides to check Joyce's trailer. She finds her sister strung from the ceiling and cuts the sutures just before the stationmaster is able to get them. When Lisa asks her sister where Heidi is, Joyce replies that "they know", which leads Lisa to accept her visions. She follows the guidance of the conductor's ghost, which leads her to the station. There, she finds a hidden door and discovers many animals that had been stuffed by the stationmaster. It is revealed that the stationmaster had kept many slaves and stuffed them for his own keeping, including Nell, Levi, and the conductor. She finds Heidi tied to the stationmaster's table and when she attempts to escape with her daughter, she finds the way blocked, except by going straight up through the ground. Heidi begins to climb and then is pulled up through the ground. When Lisa attempts to follow her, she is pulled back down by the stationmaster. She is confronted by the ghost, but experiences a vision of her mother who tells her to "let them in". She finally embraces her visions and finds out that the Stationmaster had told Nell, Levi, and the Conductor that he would be back for them, but traps them instead, leaving them to starve so that he could stuff them. Learning the truth, it allows their spirits to be freed and have their vengeance on the Stationmaster. The Stationmaster's death is visited, but instead of it being the townspeople who murder him, it is the spirits of all those he had killed. This allows Lisa to escape and the Stationmaster's spirit to be destroyed. It is then revealed that the person who had pulled Heidi through the ground was actually the spirit of Mr. Gordy, who had been the Stationmaster's descendent and had been there to act as a protector to the Wyrick family. Two weeks later, Andy attempts to hang a tire swing for Heidi. Lisa and Joyce speculate about why Mr. Gordy hadn't wanted people on his land and come to the conclusion that he wanted his ancestor to be remember for the good that he did and not the bad. Meanwhile, Heidi is struggling to ride her bike when it suddenly straightens up. She turns around to see Mr. Gordy and he sends her off to ride happily where she sees the spirits of Nell, Levi, and the Conductor heading off into the woods, finally free. She turns around and sees Mr. Gordy waving goodbye to her before he turns and walks away into the afterlife, satisfied that the Wyricks were safe.In a text epilogue, it is revealed that the Wyricks remained in that house for another five years, Lisa's visions have not returned, and that Heidi never saw Mr. Gordy again. The final shot shows photos of the real-life Heidi and Mr. Gordy, and then the entire Wyrick family. The Haunting in Connecticut 2 is a good supernatural tale that should have been released in theatre's like its predecessor. There are nice twists to the story, the acting is good, and the scares are genuinely creepy.
REVIEW: HOW I MET YOUR MOTHER – SEASON 9
Posted on August 15, 2019 by proxyblue57 Standard	Reply
Josh Radnor (The Hunt)
Jason Segel (Sex Tape)
Cobie Smulders (Avengers: Endgame)
Neil Patrick Harris (Gone Girl)
Alyson Hannigan (Buffy: The Vampire Slayer)
Cristin Milioti (The Wolf of Wall Street)
Bob Saget (Full House)
Sherri Shepherd (Precious)
Wayne Brady (Foodfight!)
Suzie Plakson (Red Eye)
Marshall Manesh (Will & Grace)
Robert Belushi (Devil's Due)
Roger Bart (Good Trouble)
Frances Conroy (Catwoman)
Edward Herrmann (The Lost Boys)
Rhys Darby (Yes Man)
Harry Groener (Buffy)
Cristine Rose (Heroes)
John Lithgow (3rd Rock From The Sun)
Nancy Lenehan (Two Guys and a Girl)
James Van Der Beek (Varsity Blues)
Alan Thicke (Growing Pains)
Stacy Keibler (The Comebacks)
Nazanin Boniadi (Homeland)
April Bowlby (Doom Patrol)
Eva Amurri Martino (Saved)
Joe Nieves (Stuck In The Middle)
Adam Paul (One For The Money)
Lou Ferrigno Jr. (S.W.A.T.)
Sarah Chalke (Scrubs)
Ashley Williams (A Most Violent Year)
Bill Fagerbakke (spngebob Squarepants)
Abby Elliott (Teenage Mutant Ninja Turtles)
Matt Walsh (Ted)
Ray Wise (Agent Carter)
Tracey Ullman (Into The Woods)
Lucy Hale (Truth Or Dare)
Chris Kattan (Undercover Brother)
Jon Heder (School for Scoundrals)
Chris Elliott (The Abyss)
Kyle MacLachlan (Twin Peaks)
Laura Bell Bundy (Anger Management)
Emily Chang (The Vampire Diaries)
Jorge Garcia (Lost)
Kal Penn (Superman Returns)
Jennifer Morrison (Star Trek)
Alexis Denisof (Dollhouse)
David Burtka (Neil's Puppet Dreams)
Abigail Spencer (Cowboys and Aliens)
Taran Killam (12 Years a Slave)
With the exception of the very last episode, the entirety of season nine takes place in the 56 hours leading up to Barney and Robin's wedding. Marshall, who is stuck in Minnesota, desperately tries to find a way to get to the wedding in time. Meanwhile, in Farhampton, the time is slowly counting down to the wedding, with a new problem arising in almost every episode. It is revealed that Lily is pregnant and that she and Marshall will have a daughter. It was also revealed that Ted's children are named Penny and Luke. In addition, the 200th episode detailed the Mother's eight years before meeting Ted, while later episodes gave viewers a glimpse of Ted and the Mother together in flash forward scenes. In the series finale, it was revealed that after three years of marriage, Barney and Robin decide to divorce. Barney ends up fathering a child conceived through a one-night stand. Marshall eventually becomes a judge, and he and Lily have three children. Ted's wife, Tracy, dies of illness in 2024, six years prior to Ted telling his children the full story of how they met. Upon finishing the story, at the urging of his kids, Ted decides to ask Robin out. Alluding to the first season, the finale ends with Robin looking out her apartment window to see Ted on the street holding the blue French horn. Season 9 may have a controversial ending but it's nice to see a show have a proper ending with so many shows ending early they often fail to finish. How I Met You Mother proved it could stay the distance and the ending will be talked about for years to come.
Posted on August 9, 2019 by proxyblue57 Standard	Reply
Lyndsy Fonseca (Kick-Ass)
David Henrie (Paul BLart Mall Cop 2)
Mandy Moore (This Is Us)
Enrique Iglesias (Two and a Half Men)
Danica McKellar (The WOnder Years)
Busy Philipps (The Smokers)
Neil Jackson (BLade: The Series)
Brad Rowe (Perception)
Janet Varney (You're The Worst)
Betsy Rue (My Bloody Valentine)
John Cho (Star Trek)
Charlene Amoia (American Pie: Reunion)
Jim Jansen (A.I.)
Phill Lewis (Heathers)
Orson Bean (Innerspace)
Wayne Brady (Colony)
Stephanie Faracy (Sideways)
Hayes MacArthur (The Babymakers)
Kristen Schaal (Gravity Falls)
Britney Spears (Crossroads)
Dawn Olivieri (Bright)
Bryan Callen (The Hangover)
Bob Odenkirk (Better Call Saul)
Ian Abercrombie (Army of Darkness)
Will Forte (The Lego Movie)
Floriana Lima (Supergirl)
After a successful first two seasons, How I Met Your Mother dives into new (and old) territory by continuing the story of five New York friends. Season three has a similar tone to past seasons with a great mixture of comedy and drama. The main characters continue to go through the ups and downs of life. Notably, there are stories about the aftermath of the Ted-Robin breakup, Marshall and Lily experience life as newlyweds, Marshall passes the bar and goes to work, Barney learns something about his past and sleeps with a lot of women, and more. It is a very fun season with Neil Patrick Harris continuing to steal the spotlight. The season opens with "Wait For It…", which addresses a couple storylines. Towards the end of season two, there were a couple shifts in the romances. Ted and Robin called it splitsville, but remained friends. Robin went on vacation to South America. In season three, Robin comes back with boyfriend Gael (Enrique Iglesias). The introduction of Gael causes complications for Ted, Robin, and the rest of the gang. As the season continues, Ted slowly gets his life back together and the idea of Robin not being an important part of his life. The other key development from the season premiere dealt with Marshall and Lily. They got married at the end of season two and are now a happy couple that still shares an apartment with Ted. As the season progresses, they consider new living situations, which include a crooked house. Included in this development, Marshall passes the New York bar and gets a job as a real life lawyer. His dream job is complicated by the decision of saving the environment or providing for his family. Lily has a surprise in store for him that makes the decision easy. John Cho guest stars as one of Marshall's boss. The season has many other big developments. Barney gets a case of "The Yips", where he loses his confidence with women. Barney learns that his first time with cougar Rhonda was not as good as he was led to believe. Afterwards, he doubts his ability to please women. Ted joins him on a few escapades, which include acting as tourists, a wild St. Patrick's Day, and more. Ted also embarks on a relationship with Stella (Sarah Chalke), which gets pretty serious. Robin dates an old flame played by an overweight James Van Der Beek. Overall, season three is exciting, hilarious, and just all around fun. There are a lot of dramatic developments that are supplemented with lots of great laughs. Fans of the show will not be disappointed.
Eric Millegan (The Phobic)
Eugene Byrd (Heroes)
Cynthia Preston (Carrie)
Deborah Zoe (Guiding Light)
Erich Anderson (Bosch)
Richard Cox (Alpha House)
Ron Canada (Wedding Crashers)
Michael Cudlitz (The Walking Dead)
Beth Grant (Wonderfalls)
Denise Crosby (Trekkies)
Rider Strong (Cabin Fever)
Terry Rhoads (Hitchcock)
Lynsey Bartilson (Grounded for Life)
Xander Berkeley (Kick-Ass)
Sam Jones III (Smallville)
Patrick Fischler (Birds of Prey)
Patrick Fabian (Better Call Saul)
Bess Wohl (Flightplan)
David DeLuise (Stargate SG.1)
Reginald VelJohnson (Die Hard)
Chris William Martin (The Vampire Diaries)
James Black (Anger Management)
Taylor Kinney (The Forest)
Austin O'Brien (Last Action Hero)
Ernie Hudson (Ghostbusters)
George Wyner (Spaceballs)
Loren Dean (Apollo 13)
Ethan Phillips (Star Trek: Voyager)
Ian Reed Kesler (2 Broke Girls)
Geoff Meed (Fast & Furious 5)
Rochelle Aytes (The Purge TV)
BONES keeps on keeping on. Two excellent seasons under its belt, and a truncated Season 3 (damn you, writers' strike!) finally all wrapped up, and predictably, these are good episodes, as well. But only fifteen of them! As Season 3's first episode ("The Widow's Son in the Windshield") opens up, we learn that Bones has been reluctant to go in the field with Booth and she won't say why. However, a head flung off a bridge forces her to reconnect with Booth. This episode also begins a new serial killer arc, this one being particularly even more gristly and diabolical than most, and of which resolution later down the season would have tragic consequences. Season 3 doles out several other subplots. As per the startling news learned at the altar from Season 2's finale, Angela is already married. An ongoing story arc becomes Hodgins and Angela's search for her long-time but vaguely remembered husband. "The Secret of the Soil" introduces Dr. Sweets, a 22 year old psychotherapist assigned to counsel Bones and Booth, this stemming from the FBI's concern due to Booth having arrested Bones' father. These sessions are generally funny stuff as, mostly, Booth can't help but treat Sweets like a kid. Plus, these scenes tend to open things up even more between Bones and Booth. I've a couple of Season 3 favorites. "The Widow's Son in the Windshield" introduces the cannibalistic Gormogon killer, which would become a key ongoing story arc of the season. "Mummy in the Maze" is a very neat Halloween show, wherein Booth's shameful phobia is unveiled and Bones's costume is…simply awesome. "The Knight on the Grid" is a taut thriller as the Gormagon killer returns, this time with a personal vendetta against Bones and Booth. And "The Santa in the Slush" is a standout sentimental episode and provides one of the best moments in the series as Bones cuts a deal to have Christmas brought to her incarcerated father and brother. Cool ending, too. "The Baby in the Bough" has Bones forced to babysit an infant involved with a case (you see the potential, right?). Meanwhile, "The Wannabe in the Weeds" (in which Zach and Bones both sing) and "The Pain in the Heart" are striking for their ability to stun the audience, even if the latter episode definitely had a rushed feeling to it. I feel that the after-effects of "The Wannabe in the Weeds" should've been developed further in "The Pain in the Heart." In fact, "The Pain in the Heart" – which wraps up the Gormogon killer storyline and, by the way, will upset busloads of fans. The cases are still bizarre and the corpses borderline grotesque. But the draw remains Emily Deschanel and David Boreanaz, and that electric "thing" between them. These two still get aces in chemistry, and are still the smokingest hot couple on television. Emily Deschanel continues to nail her role of Temperance "Bones" Brennan. And while her character might've loosened up a little bit (not too much), there's still that endearing naivette and vulnerability which peek out occasionally. And, of course, her refreshing bluntness (some call it social awkwardness) has never left. Boreanaz, he's just a great leading man. Confident and charming, bristling with machismo, yet with a sensitive side. His unveiling of his Christmas present to Bones in "The Santa in the Slush" is one of the best, most touching scenes of the season.
REVIEW: THIS MEANS WAR
Reese WItherspoon (Walk The Line)
Chris Pine (Star Trek)
Tom Hardy (Mad Max: Fury Road)
Til Schweiger (King Arthur)
Chelsea Handler (Fun Size)
John Paul Ruttan (Robocop 2014)
Abigail Spencr (Oz The Great and Powerful)
Angela Bassett (Green Lantern)
Rosemary Harris (Spider-Man)
Goegre Touliatos (Cosmopolis)
Leela Savasta (Black Xmas)
Natassia Malthe (Bloodrayne 2 & 3)
Patrick Sabongui (The Flash)
Emilie Ullerup (Sanctuary)
Jenny Slate (The Secret Life of Pets)
Kevan Ohtsji (Godzilla)
Mike Dopud (Arrow)
Michael Papajohn (Spider-Man)
Panou (Flash Gordon)
CIA agents and best friends Franklin "FDR" Foster (Chris Pine) and Tuck Hansen (Tom Hardy) are deployed to Hong Kong to prevent international criminal Karl Heinrich (Til Schweiger) from acquiring a weapon of mass destruction, but the mission goes awry, resulting in the death of Heinrich's brother, Jonas. Heinrich swears vengeance against them. Upon returning to America, their boss, Collins (Angela Bassett) assigns them to desk duty for their protection. FDR is a womanizer, whose cover is a cruise ship captain, while Tuck, who presents himself as a travel agent, has an ex-wife, Katie (Abigail Spencer) and a young son, Joe (John Paul Ruttan), who believes his dad is a weakling.
Tuck goes to Joe's karate lesson where Joe loses his match, Tuck tries to give Joe advice but Joe rolls his eyes and asks how he would know since he is just a travel agent. Tuck walks Joe to the car where he attempts to rekindle his connection to his famIly, but Katie makes excuses as to why they can't go out for supper together. After being rebuffed by Katie he sees a commercial for online dating. Tuck decides to sign himself up and is paired with Lauren Scott (Reese Witherspoon), a product-testing executive who is dealing with the recent engagement of her ex-boyfriend. Her best friend, Trish (Chelsea Handler) enrolled her in the same online dating website. FDR insists on being Tuck's backup for the date and hides nearby, but Tuck and Lauren hit it off right away. Shortly thereafter, FDR runs into Lauren at a video store and tries to flirt with her, not knowing she's Tuck's date. She surmises that he's a ladies' man and ignores him. Intrigued, FDR crashes into one of Lauren's test groups and persuades her to go on a date with him. FDR and Tuck soon discover that they are seeing the same woman and decide not to tell her that they know each other, not to interfere with each other's dates and not to have sex with her, letting her instead come to a decision between them. Tuck takes Lauren on a date to a circus (after hours) where they swing on the trapeze and have a really great date.
The date with FDR does not go well at the start, with Lauren storming out of the club FDR takes her to. After arguing in the street, FDR walks away from Lauren but seconds later, Lauren sees her ex-boyfriend and his fiancée approaching. Desperate, Lauren grabs FDR and kisses him and lies to her ex that she and FDR are together, as FDR plays along with the ruse. Her ex and his fiancée both seem jealous at the passion displayed, and later move along. FDR demands that Lauren explain what just happened and suggests they grab some dinner at a nearby pizza parlor, where they talk seriously and hit it off. Later, after dating both men a few times Lauren feels guilty about dating them at the same time, but is persuaded by Trish to make the best of the situation. By this time both men have bugged Lauren's home and cell phone so they can spy on her when she is on dates with the other one, they over hear her tell Trish that she is going to need to have sex with them both to decide which one is the right one. This leads to both men taking steps to ensure she does not sleep with the other one. After a few more dates Lauren and Trisha discuss the pros & cons of dating more than one guy, especially since Tuck has told Lauren he loves her, Trish tells Lauren "don't pick the right guy, pick the guy that'll turn you into a better girl". After a while, Lauren invites Tuck to lunch, while FDR discovers that Heinrich has arrived in town to exact his revenge. He interrupts Lauren's date to warn Tuck but Tuck doesn't believe him. They engage in an extended fight, after which Lauren discovers that they are in fact best friends and, feeling made a fool of, leaves with Trish. At that moment, the women are kidnapped by Heinrich and his men, who are pursued by FDR and Tuck. FDR and Tuck rescue Lauren and Trish after a car chase, in which they reveal that they are not who they say they are. On Lauren's advice, they shoot out the headlights on Heinrich's SUV, deploying the airbags and sending the car rolling out of control towards them all. With Lauren standing directly in the path of the approaching SUV, FDR and Tuck, on different sides of the road, urge her to come to their side and she is saved as she ultimately chooses FDR's side, while Heinrich dies when his car rolls off the elevated freeway and crashes below. Lauren has decided to be with FDR and Tuck makes amends with him, as they declare their brotherly love for one another, and FDR says they're "family, and forever." Lauren and FDR kiss. The car chase is picked up by the news, Katie and Joe see it, Joe tells his Mom that his Dad is not a travel agent. Later Joe is at his karate lesson with Tuck, Katie comes to pick Joe up, Tuck and Katie reintroduce themselves to each other and she invites him out for supper as a family.
Shortly thereafter, FDR and Tuck go on a mission. They are about to parachute out of a Chinook helicopter when FDR reveals that he will marry Lauren, and asks Tuck to be his best man. He reveals that he had sex with Katie before she met Tuck, but no longer feels guilty about it because Tuck had sex with Lauren. Tuck, however, reveals that they did not go all the way and angrily tackles FDR out of the helicopter.
This Means War on paper at least sounded like a complete disaster but manages to be a completely ridiculous very silly but very funny action comedy. If not intended to be taken seriously then it is a lot of fun with good action scenes.
REVIEW: COWBOYS & ALIENS
Posted on April 19, 2016 by proxyblue57 Standard	Reply
Harrison Ford (Blade Runner)
Daniel Craig (Tomb Raider)
Olivia Wilde (Tron: Legacy)
Paul Dano (Looper)
Abigail Spencer (Oz The Great and Powerful)
Buck Taylor (The Mist)
Keith Carradine (The Duelists)
Adam Beach (Suicide Squad)
Ana de la Reguera (Nacho Libre)
Sam Rockwell (Iron Man 2)
Toby Huss (Dickinson)
Walton Goggins (Tomb Raider)
Raoul Max Trujillo (Highlander 3)
In 1873 New Mexico Territory, an unnamed loner awakens injured in the desert with no memory and with a strange metal object on his wrist. He wanders into the town of Absolution, where preacher Meacham treats his wound. Sheriff Taggart recognizes the stranger as wanted outlaw Jake Lonergan and attempts to arrest him. Jake beats up the posse sent to take him in and nearly escapes, but a woman named Ella Swenson knocks him out. Taggart prepares to transport both Jake and volatile drunk Percy Dolarhyde to Santa Fe for trial.
Percy's father, Colonel Woodrow Dolarhyde, a ruthless cattle baron, demands Percy be released. He also demands Jake be released to him, since Jake had stolen gold from him. During the standoff, alien spacecraft begin attacking the town. Percy, the sheriff and other townsfolk are abducted by long, whip-like feelers hanging from the bottom of the ships. Jake's shackle unfolds and becomes a weapon; he shoots down a ship, ending the attack.
Dolarhyde, Ella, and other townsfolk form a posse to track an injured alien that escaped from the downed ship. Meanwhile, Jake travels to an abandoned cabin and, in a flashback, recalls returning to it with stolen gold and then being abducted, along with a woman named Alice, by the aliens. His memories returning, Jake joins up with the posse. During the evening, the group comes upon a capsized paddle wheel steamboat that the aliens apparently dumped miles from any water. They camp in it, and during the night the alien they were tracking kills Meacham, who sacrifices himself to save Emmett, Taggart's grandson.
By morning, most of the posse has deserted, and those remaining are attacked by Jake's former gang. Jake, who had stolen the gang's loot after their last heist, attempts to retake control but it is foiled. The aliens begin attacking them again and Ella is captured. Jake jumps aboard the ship and attacks the alien pilot, causing the ship to crash fatally wounding Ella. The remaining posse is captured by Chiricahua Apache Native Americans, who blame them for the alien attacks. After Ella's corpse is dumped on a fire by a Chiricahua warrior, she is resurrected and emerges from the fire. Ella reveals herself to be from another alien race, who had travelled to Earth to help resist the invaders after they destroyed her home world. The aliens, who are mining gold and abducting people to conduct experiments to find humans' weaknesses, are far stronger and more durable than humans, and have superior weaponry, but are not invulnerable. They can be stabbed and shot to death, but only Jake's gauntlet weapon or a well-aimed shot with a rifle can kill them with a single blast. Ella says the aliens that previously attacked them are just scouts.
She also claims Jake holds the secret to the aliens' whereabouts and argues they must defeat the aliens before the invaders exterminate all life on earth. After taking medicine offered by the Apaches' medicine man, Jake recalls that Alice was euthanized after she was used in an alien experiment, but he had escaped, inadvertently stealing the gauntlet-like alien weapon encasing his wrist. He then also remembers the location of the aliens' base of operations. Armed with this knowledge, the group, now led by Dolarhyde, prepares to attack the aliens' grounded mother ship. Meanwhile, Jake returns to his old gang and persuades them to join the fight. After the humans maneuver the aliens into a ground battle, Jake and Ella board the ship and free the captives, but Jake is captured. Dolarhyde rescues him and both men escape the ship after killing the alien responsible for Alice's death. As the remaining aliens are taking off in their damaged craft, Ella sacrifices herself by entering the ship's core and destroying it by using Jake's wrist gauntlet as a bomb, obliterating the alien ship.
With the aliens gone the abducted townsfolk begin to remember their pasts. Still a wanted man, Jake decides to leave, though the sheriff and Dolarhyde say they will claim he was killed in the invasion. The citizens intend to reconstruct their town.
After a somewhat slow start, Cowboys And Aliens turns into a fun scifi western. It's a surprisingly dark and gritty film, playing like a straight western at first. Imagine you're watching an old John Wayne movie. You're enjoying it, and suddenly alien spaceships come out of nowhere blasting everything in sight and kidnapping the locals. Very good fx and good action scenes make this a fun movie.


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Al Nasr's Yaqoub earns call-up to UAE team
UAE coach Bert van Marwijk has called up Jassim Yaqoub. - Twitter
Dubai - The 22-year-old midfielder was initially included in the UAE Olympic squad
By James Jose
Published: Tue 27 Aug 2019, 9:12 PM
Last updated: Tue 27 Aug 2019, 11:19 PM
Al Nasr midfielder Jassim Yaqoub's impressive showing in the club's opener in the Arabian Gulf Cup last weekend has earned him a call-up to the UAE National team.
The 22-year-old playmaker conjured two assists in The Blues' 3-0 win over Ittihad Kalba at the Al Maktoum Stadium last Friday.
Yaqoub has initially been named in the UAE Olympic team squad for the twin camps in Slovenia and Croatia, as preparations for the 2020 AFC Under-23 Championship.
But UAE coach Bert van Marwijk was left impressed by the youngster, prompting a selection to the senior team, the UAE Football Association confirmed on Tuesday.
Yaqoub, who has made 91 appearances for Al Nasr and has seven goals and nine assists, will join the 27-man squad currently camping in Bahrain.
The squad are currently preparing for the joint Asia Zone World Cup and AFC Asian Cup qualifiers. The Whites, who are pooled along with Vietnam, Thailand, Indonesia and Malaysia, open their campaign against Malaysia at the Bukit Jalil Stadium in Kuala Lumpur on September 10.
The camp began on August 25 and concludes on September 1. The squad will then travel to Malaysia on September 4 for their final piece of training ahead of the qualifier.
Yaqoub made his senior debut at 20 years, seven months and 25 days under previous coach Alberto Zaccheroni in 2017. His debut came against Uzbekistan in an international friendly at home, where he played 58 minutes as a substitute, for his injured club mate Salem Saleh. He was called up for another friendly against Slovakia in 2018 but was on the bench. Yaqoub played the final three minutes of the 1-0 loss to Gabon in the King's Cup in Thailand in 2018.
Meanwhile, a 37-member team of UAE referees left from the Dubai International Airport on Tuesday morning for a camp to be held in the German city of Nuremberg. The camp, which will include physical preparation, lectures on modern techniques of refeering, as well as VAR (Video Assistant Referee), will run until September 7.
"The team includes 32 referees, one assistant referee and four women referees. It is part of the co-operation between the UAE Referee Committee and the Women's Football Committee, to upgrade their level," said Saleh Al Marzouqi, a UAE FA official.
"The camp is a continuation of the physical and technical preparation for the referees for different age groups, which was held during the summer. The referees had trained under the supervision of referee coaches accredited by the FA and they underwent preparations at the UAE FA Headquarters.
Earlier, the referees of the first team had undergone a training camp in Nuremberg from July 7 to August 9. Around 50 referees and assistant referees had participated in that camp.
These camps have been devised to improve the standard of officiating across all age groups in UAE football as well as Asian and international matches.
james@khaleejtimes.com

redpajama_set_name: RedPajamaCommonCrawl


MyDogDNA® is an easy-to-use DNA testing service for dogs that helps you see what your dog is carrying in its DNA. Testing can be performed to all dogs of all breeds, as well as mixed-breed dogs, regardless the age or size of the dog.
MyDogDNA® is a genome-wide genetic analysis that gives information on several inherited characteristics. All received DNA test results are reported online to your user account in the secured MyDogDNA® database.
When purchasing MyDogDNA®, you get also automatic free access to these dynamic MyDogDNA® features for a period of one year. The use of these features is renewable.
• MyDogDNA® Breeder – Dog Matchmaking Tool, the world's first matchmaking tool for DNA tested dogs to search for optimal breeding selections and to contact their owners.
• View to Genetic Relationships within Breed or Breed Group – How does your dog sit in the graphs compared to other dogs? How similar or different dogs genetically are in different countries?
As an add-on, you can purchase a DNA identification profile for your (ISAG or AKC standard). It is the dog's unique "DNA fingerprint" that can be used for identification or parentage verification.
Dr. Jonas Donner, Genoscoper Laboratories, tells how DNA testing helps you know more about your breed's disease heritage and why measuring genetic diversity should be a must for every breeder.


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Q: Method to increase density of $k$-points I've been working on a simulation for some time and I have seem to hit a stone wall. Basically I want to plot the spectral function: $A(\boldsymbol{k},\omega) $. I set $\omega=0$ to look at the gapless excitations and I am working on an $N\times N$ square lattice. The clarity of the plot depends on the density of $k$-points.
I get the general features I am supposed to get, but I need a higher resolution, which means more $k$-points. We can increase $N$ so we get more $k$-vectors in our BZ zone, but at a certain $N$ the eigen value solver for Matlab times out since it can only handle so much.
I need a way of getting more $k$-points with a fixed $N$. Are there any algorithms to do this?

redpajama_set_name: RedPajamaStackExchange


Let me tell you about 2015.
Happy almost New Year to you! Yesterday, my mom read something off of Facebook along the lines of "The week between Christmas and New Year's I don't know what time of day it is, who I am, or what I'm supposed to be doing" and that is pretty spot on. It feels great to be home after a long three weeks wrapping up the semester, and a wonderful but stupendously busy week visiting family and celebrating Christmas in Kentucky – but to be honest, after all of that, I really don't have a clue what day it is anymore, my sleep schedule is all out of whack, and I just finished reading the last Harry Potter book in like 24 hours just because I could.
It's not all unproductive fun though, I promise! This week I finished up the journal I've kept all semester. I like measuring spans of time in terms of my journals – it's interesting to see how quick I fill one up, what went down in my life during that time, and how I look back on it later. Since I started this journal at the very beginning of the fall semester and finally filled it up Sunday evening, it's covered a lot of ground with me – essentially a third of my year.
That realization, coupled with the impending holiday, prompted me to look back on my year as a whole. And just like I appreciate the way I can use my journals as a lens to look back at the past, I love the way music describes the details of my life. I love the way lyrics put into words how I'm feeling better than I ever could, and I love the way I get to know music based on what God's doing in my life and in my heart.
I've learned a lot this year, about who I am as a person, what I want out of life, and best of all, who and how I am in the world as a daughter of God and what He wants out of my life – plans to prosper me and not to harm me, plans for my good and His glory. I've learned that my story is not THE story. So instead of sharing stories with this blog post, I want to share songs – the ones that charted the course of my year.
Here are my top 10 songs of 2015.
"Tonight I'm gonna dance for all that we've been through.
Tonight I'm gonna dance like you were in this room.
Let me tell you about love.
Let me tell you about retreat.


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Q: joins and querying in sqlalchamy I have a database relationship of bans and accounts. One account can have multiple bans.  My classes look like this:
class Account(Base):
    __tablename__ = "accounts"

    _accountId = Column(Integer, name="accountId", primary_key=True)
    _username = Column(String, name="username")
    _password = Column(String, name="password")
    _salt = Column(String, name="salt")
    _lastLoggedIn = Column(String, name="lastLoggedIn")
    _banned = relationship("Banned")

class Banned(Base):
    __tablename__ = 'bannedAccounts'
    _id = Column(Integer, name="Id", primary_key=True)
    _accountId = Column(Integer, ForeignKey('accounts.accountId'), name="accountId")
    _reason = Column(String, name="Reason")
    _expires = Column(String, name="Expires")

I am trying to do a query which involves select all accounts with a username and joining it up to the banned table to see if they have any bans.  My code currently looks like this:
engine = create_engine(self.connectionString)
Session = sessionmaker(bind=engine)
session = Session()

query = session.query(Account, Banned)
query = query.filter(Account._username == self.username).filter(Account._accountId == Banned._accountId).all()

my problem is that it will return a tuple of accounts and their associated bans that match self.username as long as they have some bans.  However, if they do not have any bans rather then getting account objects returned I get None returned.  Is there anyway to fix this?
Edit
the end point I want to get to in sql is this
SELECT *
FROM accounts
LEFT JOIN bannedaccounts
ON accounts.accountId = bannedaccounts.AccountID
WHERE username= self.username

A: The problem as identified once I turned on logging is that by default SQLAlchamy does an inner join (while I wanted a left join). To Solve this we can change the query to this
    query = session.query(Account, Banned).outerjoin(Banned)
    query = query.filter(Account._username == self.username).all()


text:
Inicio/B1
2018 FIFA World Cup: Un Duelo de Duelos (a duel of mournings)
Three Wednesdays ago, we introduced 2018 FIFA World Cup, talking about names of countries and nationalities in Spanish. The tittle was: 'Football from Russia with love'. That optimist perspective has turned into a nigthmare. Many of the top national teams have been eliminated during the first half of the tournament: [...]
By Angel|2018-07-04T12:01:47+01:00julio 4th, 2018|Actualidad, B1, Spanish World, Words made in Spain|Sin comentarios
How do we use "ya" in Spanish? (B1)
"Ya", which is usually an adverb but sometimes a conjunction, is one of those Spanish words whose meaning depends almost entirely on the context. This word can be very useful or very sarcastic… It means "ahora mismo = now" (especially when describing an anticipated action), "anteriormente = already" (the most common meaning when used with a verb in a past [...]
By Laura|2017-02-15T22:31:52+01:00enero 11th, 2017|B1, Spanish Language, SpanishviaSkype|Sin comentarios
Narcos: Spanish in the prime-time (B1)
TV Series have become one the most important products in the entertainment industry. We "get hooked" by them for years and, eventually, we consider their characters to be part of our lives. In the past we brought some articles related to series to our blog on www.spanishviaskype.com: Game of Thrones, X-Files or Breaking Bad are [...]
By Angel|2017-02-15T22:31:53+01:00octubre 19th, 2016|B1, Spanish language, Spanish World|Sin comentarios
Reflexive verbs (IV): Poner or Ponerse (B1)
Image by Andreas Krappweis (es.freeimages.com) Here we are again, ready to reflect on reflexive verbs reflectively; let's leave puns aside and remember we've talked about this topic widely before. We started with ingestion verbs, followed by movement verbs and finally quedarse, one of the most difficult one for our students [...]
By Angel|2017-02-15T22:31:57+01:00agosto 10th, 2016|B1, Pocket grammar|Sin comentarios
Sorpasso: the word of the year (B1)
As we informed our students and readers on www.spanishviaskype.com, last Sunday we had the second national election in just six months. The campaign has been less hard than the previous one, but the most used word during these days was the italian sorpasso. Sorpasso is an overtaking, literally, when a car passes another one unexpectedly. [...]
By Angel|2017-02-15T22:31:58+01:00junio 29th, 2016|B1, Just Spanish|Sin comentarios


Federal agencies and other organizations are increasingly relying on analytics to detect and stop fraud, but experts recommend they start with small projects and small data sets to pinpoint risk.
Learn how the U.S. Postal Service, World Bank, General Services Administration, and IBM approach the use of big data analytics to prevent fraud in government. The following panel session was taped Nov. 19 at MeriTalk's Second Annual Big Data Brainstorm in Washington, D.C.


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Murder on the Orient Express is een Britse film uit 1974, geregisseerd door Sidney Lumet. Het is een verfilming van de detectiveroman Moord in de Oriënt-expres van Agatha Christie.

Ingrid Bergman won een Oscar voor haar rol van miss Ohlsson.

Rolverdeling
 Albert Finney als Hercule Poirot
 Richard Widmark als Samuel Ratchett / Lanfranco Casetti
 Lauren Bacall als de Amerikaanse Mrs. Harriet Belinda Hubbard
 Ingrid Bergman als de Zweedse Miss Ohlson
 Sean Connery als de Brits-Indische kolonel Arbuthnot
 John Gielgud als de Britse butler Beddoes
 Michael York als de Hongaarse graaf Andreyani
 Jacqueline Bisset als gravin Andreyani
 Vanessa Redgrave als Miss Debenham
 Rachel Roberts als Duitse dienstmeid Hildegarde Schmidt
 Anthony Perkins als de secretaris van het slachtoffer Hector Willard MacQueen
 Wendy Hiller als de Russische prinses Dragomirov
 Jean-Pierre Cassell als de conducteur Pierre Paul Michel
 Denis Quilley als de Italiaanse autoverkoper annex chauffeur Antonio Foscarelli
 Colin Blakely als de Amerikaanse bodyguard Cyrus B. Hardman
 Martin Balsam als de Italiaanse directeur van de trein Signore Bianchi
 George Coulouris als de Griekse Dr. Constantine

In 2001 werd er opnieuw een film van het boek gemaakt met Alfred Molina in de hoofdrol. In 2010 volgde een bewerking voor de televisie, met David Suchet als Poirot. En ook in 2017 kwam er een verfilming, deze keer van en met Kenneth Branagh.

Trivia

Onjuistheden
Er zit een aantal foutjes in de film:
 In Istanboel wordt het reisschema omgeroepen: Sofia - Belgrado - Zagreb - Brod - Ljubljana - Triëst. In werkelijkheid ligt Brod tussen Belgrado en Zagreb.
 Poirot vraagt uiteindelijk hoeveel passagiers er in de wagon zaten, behalve hijzelf en het slachtoffer. Het antwoord (dat hij accepteert) is twaalf, er waren echter dertien mensen aanwezig, namelijk ook conducteur Pierre Paul Michel. Daarbij moet gezegd worden: Graaf Andreyani bracht samen met zijn vrouw één steekwond toe, en had - buiten het verdriet dat zijn vrouw droeg - geen persoonlijke wrok jegens het slachtoffer.
 Als butler Beddoes het mes terugtrekt, is duidelijk te zien dat het mes niet bebloed is, maar schoon.
 Op het station in Istanboel zijn affiches te zien van Kemal Atatürk. In 1935, het jaar waarin het verhaal zich afspeelt, leefde Atatürk nog; affiches met zijn beeltenis werden pas na zijn dood verspreid.
 Op het station is 'Allahoe akbar' vanuit een luidspreker te horen, deze uitspraak was toen verboden, er was een Turkse variant voor in de plaats gekomen: 'Tanri Uludur'. 'Allah Akbar' werd pas weer toegestaan in 1938.
 In de beginscène wordt Poirot door een man die hem vergezelt tijdens het oversteken van de Bosporus bedankt voor het redden van het Koninkrijk Jordanië. Dat bestond toen nog niet, Jordanië was in die tijd een emiraat en werd veel later pas een koninkrijk.
 Tijdens de scène waarin Poirot een glaasje crème de menthe drinkt, is er door het raam een passerende trein te zien, deze is van een veel moderner type, dat nog niet bestond in 1935.

Overige trivia
 Een aantal personen spreekt soms in de eigen taal, zo wordt er kort Duits, Frans, Hongaars, Italiaans en Zweeds gesproken in de film.
 Actrice Rachel Roberts die de rol van Hildegard Schmidt speelde, was tijdens de opnames al ernstig depressief en verslaafd aan slaapmiddelen en alcohol. Ze pleegde zes jaar later zelfmoord.

Film naar een werk van Agatha Christie
Britse film
Film uit 1974
Misdaadfilm
Film van Sidney Lumet
Film van Paramount Pictures

redpajama_set_name: RedPajamaWikipedia


PCB manufacturing is core process in our business at CircuitWala.
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How does Jacquelyn Coating Work?
The human eye sees a submerged surface as a non-moving, static thing. The view from a microscopic level is much different. Within an area spanning only fractions of thousandths of an inch, there is a dynamic process of the motion of molecules as they are pulled from the material surface into the water, and then return to the material - an "action region." The process of dissolution (molecules leaving the material) is fueled by the polarization of the water molecule - the same phenomenon that causes water to be held in by an invisible "skin" when a glass is filled too full.
Jacquelyn Coating is a patented material designed to maintain a low rate of dissolution while maintaining the dynamic motion of copper molecules within the "action region." As such, the surface of a Jacquelyn Coated object will remain free of zebra mussel settling while the water surrounding a coated object will remain environmentally safe.


text:
Dr Phil Wheeliker - Chair of the Board - Academy Ambassador Mentor
Phil is a South Yorkshireman by birth and is a former Royal Air Force Logistics Officer who gained active service experience during the Falklands and the First Gulf War. Subsequently he spent many years within a variety of industries, gaining executive experience in general management, training provision and in business rescue and transformation. A business psychologist and psychotherapist, Phil currently runs a thriving business, based in Wakefield, specialising in management training, corporate and individual performance coaching and in stress and anxiety control. He is a visiting lecturer for Rolls Royce in the UK and both OPEC in the Far East and the Kuwait National Petroleum Corporation in the Middle East, currently coaching their senior executives to cope better with mounting work pressures.
A Governance Leader, qualified Accountant and Chartered Logistician, he also holds an MA in Psychotherapy, a Doctorate in Corporate Stress Management and an MBA. Phil is also a Trustee and Chair of the Pay, People and Performance Committee for Rodillian Multi Academy Trust.
Having left school himself at 16 to undertake a Factory Administration Apprenticeship, Phil is keen to ensure that our pupils get the best possible start in life.
Mr Glyn Charles
Glyn is a career accountant who has studied accountancy at all levels, attaining a degree before qualifying in industry. He has held various senior posts in large and small organisations, determined to make a difference and make an improvement.
He believes in continuous improvement and creating exciting opportunities and environments for people to get the best from them. His experience has been gained in an wide range of industries and he will be able to utilise that experience for the benefit of the Trust and all stakeholders.
Mr Mick Kay
Mick is the founding CEO of a growing multi academy trust, West Yorkshire based, that has six academies across the primary, secondary, all-through and alternative provision sectors.
Mick is a system leader working closely with the DFE and RSC, improving connectivity across the system, ensuring support is targeted at schools that need it most.
Mick is a values driven leader, with a people-centred approach, driven by the mission to improve social mobility and social inclusion. Working collaboratively with partners, Mick has a track record for delivering sustainable school improvement strategies that lead to significant improvements in outcomes for children and young people.
Mr Chris Bond
Born and bred in Pontefract, West Yorkshire, Chris has worked within the construction industry for over 20 years and since 2008 has been the owner and managing director of a successful building services group of businesses.
An enthusiastic and compelling communicator, Chris has a track record of building long lasting and profitable business relationships which have sustained his companies through both good and very difficult trading conditions. Chris is entrepreneurial in character and energetic in his approach, leading and motivating teams to take action then deliver complex and often difficult projects. He is a knowledgeable information management specialist who is adept at problem solving in business and corporate environments and is dedicated to providing support for multiple parties.
Effective at managing resources, training teams of employees and troubleshooting problems, Chris is devoted to developing a positive company culture in which employees embrace open conversations for new idea contribution. He has a real interest in personal development and encourage his teams to take every self-development opportunity available.
Having a 6 year old daughter at primary school in Wakefield, Chris has a very personal interest in education and the development, support and protection of children. He was incredibly excited when the opportunity arose to work alongside the Trustees at South Pennine Academies.
Mr Tom LIndley
Appointed to the Board in August 2020, Tom was recruited via the Academy Ambassadors programme.
Tom is currently a global marketing director for Mars Incorporated. During his 20 years at Mars he has enjoyed a variety of positions in marketing, innovation and people leadership. His expertise is in innovation, advertising development, strategy setting and organisational change management.
Tom believes in possibility thinking, setting stretching goals and empowering people and teams to be the best they can be. He is incredibly passionate about sustainability and the responsibility of all organisations and senior leaders to help address climate change.
Having been schooled through the state school system before gaining a degree from the University of Bradford Management Centre, Tom is an avid believer of the right for all children to receive good quality education and to be educated in a school where they can flourish.
Claire Hewitt
Claire joined the Board in June 2021 having heard about the opportunity via the Academy Ambassadors programme. She is committed to making a difference and improving life chances for young people and this has underpinned her work in education. After starting out as a Chemistry teacher she spent over twenty years working in a variety of senior leadership posts including leading an 11-18 school and being headteacher of an all through school.
Claire has been involved in school inspections and was previously a governor of a free school in Manchester where she chaired the Teaching and Learning Committee. Although Claire is now retired, her passion for educating young people continues and she is involved in voluntary work as a maths tutor. In retirement she is enjoying having more time for walking, cycling and playing the piano.
Zoe Holland
Zoe is a highly motivated legal entrepreneur with extensive senior management Board experience together with over 25 years as a Solicitor. She is currently managing director of ZebraLC, a multi award winning adviser to the UK legal sector, having founded the business in 2012. Zoe is recognised as a trusted advisor to law firms, banks, funders, ATE insurers, accountants and private investors looking for advice upon WIP valuation, legal sector market knowledge, receivables risks, governance, financial and operational risk management including restructuring and turnaround. She has also advised in a number of the legal sector's highest profile PI and clinical negligence M&A deals, advising acquisitive law firms and private equity investors. She is valued for leadership, strategy, operational and stakeholder management, people, business growth, transformation, M&A, compliance and operating models in the legal services sector.
Zoe is currently a Non-Executive Director for Jackson Lees Group and Frenkel Topping Group PLC.
Zoe has always championed young people supporting mental health of trainees during her role as President of Trafford Law Society in the early 2000s and becoming a Parent Ambassador for the Young Minds Charity in 2017.
Zoe has been dedicated to public and community service - acting pro-bono in inquests and being a member of the Clinical Negligence Core Group for the Civil Justice Council. Access to justice being at the heart of these roles. Her entrepreneurial skills brought her into the role of Vice Chair and Trustee of the SBA - The Solicitor Charity until December 2019.
In 2020, during COVID- 19, Zoe co-founded registered charity Silk Elephant CIO with a focus on delivering simple acts of kindness to those in need. To date, the charity has delivered over 60,000 handmade gifts to individuals in need and supported over 100 community-based projects. It has over 1,000 creative volunteers across the UK that help make gifts. The charity's reach has also extended to the US, Europe and India as part of its 'international kindness exchange. In July 2020, Prime Minister, Boris Johnson, awarded Zoe the UKs 1434th Point of Light for her contribution to community via her charity. She was also awarded the High Sheriff Award for Greater Manchester for her contribution to the community during COVID-19.
Mr Roger Mitchell - Co-opted Trustee
Roger is a highly versatile and very successful business analyst with a strong background in assessing and refining operational processes and procedures and working practices to create more efficient, sustainable, and cost-effective methods of working to maximise opportunities and transform organisations.
He believes in building and developing strong long-term relationships with clients, colleagues, directors, trade unions, suppliers, and partner organisations to champion change and bring everyone along on the journey.
Working across retail, energy, and financial services industries in the UK and internationally, he brings a breadth of knowledge and best practices which can be of benefit to the education sector.
Ms Jane Acklam OBE – Chief Executive Officer / Chief Accounting Officer
Jane is the CEO of South Pennine Academies. She has considerable experience as a highly successful Headteacher and Principal. Jane has been a National Leader of Education since 2009, and effectively supported and built capacity in a wide range of schools, locally and regionally. As the Principal of Moor End Academy, she led them through numerous Ofsted inspections achieving outstanding in 2009 and again in 2012. Jane has won national awards for her commitment to excellence in the professional development of teachers, and has been awarded a Teaching Award, as Headteacher of the Year. She has a wealth of experience working for the DfE on the Head teacher Board for West Yorkshire and Lancashire and as a Teaching and Leadership Adviser for NCTL. Jane was awarded an OBE for services to Education in the 2017 New Year's Honours list.


One of the things on my "to-do" list for this weekend was to do something about Amanda's hair as it was starting to look a little - well ... uhm, shall we say, faded? It had been quite some time since it was dyed blue (Projekt Revolution was on August 26th and that was over three months ago) and the color had gone from a pretty blue to a nice turquoise to a rather sickly shade of green. The time had most definitely come to do something about Amanda's hair but the question was what?
After giving it some thought I suggested to Amanda that perhaps we could color her hair black and that would cover all of the various and assorted colors that it had become ... brown in the back, faded blue in the front, Lord knows what color in other places ...! She thought that would be okay as long as we could add a little bit of color to it elsewhere as she didn't want it to be just black. The kid has just got to be different, doesn't she??
We went to our local Sally's Beauty Supply last night and picked up a few supplies (as seen on tv) that I thought should do the job - a bleaching kit, a cap for pulling hair through and bleaching/dying a limited number of strands, and a bottle of pink hair dye that we hoped would do the trick. I told Amanda to not get mad at me if her hair didn't turn out exactly the way she wanted it to as I've never done this sort of thing before but she was hopeful that what she had in mind would come to fruition. First things first, we dyed her hair black all over last night and I thought that part came out pretty good myself. It definitely covered all the hodgepodge of colors that her hair had become and it was nice to see her with just one color for a change!
Today brought the next steps in the process with the first being to bleach out some of the hair that I had just colored last night. Seems kind of silly, doesn't it? I know there are probably better ways to have done this but the thing is, I'm not talented/smart enough to know how to dye certain chunks of hair and not others so this was the best I could do. We left the bleach on for close to two hours and then rinsed it out and applied the pink dye that we had gotten. I left that on for well over an hour but even with that long on her hair Amanda didn't get the pink results that she wanted.
Instead what she ended up with was a small amount of color that frames her face and it's most definitely not the pink that she was hoping for though in places it looks pink, you just can't see that in these pictures. It most definitely broke up the pure black color and personally I think it looks pretty good and is 110% better than what she had going into this whole thing. Okay, so it's not hot pink but it flatters her and goes great with her skin tone. At least that's what I keep telling her but she's afraid that she now looks like everyone else. I applaud her for wanting to be different but for now, maybe she could get used to being just a little different instead of over-the-top diffe rent?
Oh, and memo to self - be sure to discard of the leftover bleaching agent properly next time before it has a chance to burst and end up a mess all over the kitchen counter! Sometimes it's too easy to forget that when bleaching and dying hair you're working with chemicals that might be best left to a science lab! And I am certainly no Mister Wizard or the next famous hair stylist to the stars! Still, I think I do okay with what few talents I have and I give myself props for not having all my daughter's hair fall out all over the floor! Of course, then we wouldn't have to worry about what color it was going to be, would we?!?
I think it looks FANTASTIC!! What a great job Mom!
It does frame her pretty face very well - it's just perfect!
You two did a great job. Looks great!
You did a great job Linda, what a fantastic Mum you are!
Another change for the multicoloured Amanda!
She looks lovely. No complaints. She has a mother who thinks blue and pink are perfectly natural hair colors.
You are one of the coolest moms I have ever met!
Her hair turned out fabulous. Let her know that I said "No, she does not look like everyone else... not even close!"
I think you have done a great job! Amanda hair looks great.
I love it!! She looks spectacular!!
The ending product looks amazing, though!
Great job on this one mom.
Your work on the dye job and streak came out a hell of a lot better than did my first - and ONLY attempt to frost my hair myself. I ended up with a white-blonde streak about 2 inches across in the middle, then next to that a yellow streak, followed by orange and finally, ended up with the end being the normal brown! I did it on a Sunday night too -when we were in the throes of a heavy snowstorm. I needed to get some spray color to put on my hair so I could go to work the next morning but had no vehicle. I ended up convincing my next-door neighbor's husband to take me to the only drug store open late at night so I could pick up the stuff I needed to be half-way presentable at work the next day. Ah, the wisdom of youth at times, huh?
I love those pictures! And thanks for the advice about leaving the makings out. I can just see one of my kids dumping it!
Frankly, I hate it. It's way too much and she should conform or it will be hell to pay later in life.
Now, for the truth! I'm afraid if all of us say we like it, she'll go back to dayglo green!


Something to celebrate, to be sure. I love the first cover, the one with the wolf-like creature running. The sense of speed in the picture captures something of the essence of the creature not normally a part of the movies.
I tried to read Frankenstein in 4th grade, put it down quick.
For the Hive Mind of your readership: the monthly SRA book club had an SF selection about an expedition to explore an underwater city. The team members included children, iirc. There was a slightly-menacing fishman on the cover. Does this sound vaguely familiar to anyone?
I probably wouldn't get into it today, although I've reread a few other favorites from back then and they were OK (Madeleine L'Engle, Joan Aiken).
I read a YA adaptation of the novel and *loved* it as a kid, appreciating how different it was from the movies I'd seen. The whole Arctic framing device was fascinating, still is.
Will try to find out your book!


Lucas Pope's Return of the Obra Dinn has a highly original premise : in the year 1807, an insurance adjuster is tasked with investigating the Obra Dinn, a washed-up East Indiaman missing since 1803 and whose sixty-man crew is now dead or gone.
How? With the "Memento Mortem", a mysterious watch that lets you travel back in time to the last few moments before death. With proximity to a body, you can hear a few seconds previous to, and see in tableau, the very instant of their demise. How wonderful, I thought. A grisly corpse-activated Time Turner! A VR Alethiometer, one that is neither obscure nor has a go at you for being Catholic!
A couple days later I was jubilant over the future of what game narrative could do for SFF. Simultaneously, and not unlike the Obra Dinn herself, I was a wreck.
I'm about to fundamentally spoil it, and so, even if you're not a gamer, and even if you hate games, and even if you don't own a computer and as we speak you're reading this via semaphore or something, you ought to play it. Anyone with an interest in science fiction, fantasy and horror should play it. Anyone who's read Patrick O'Brian should play it. Anyone who's interested in narrative should play it. As I write, it is thirty bucks NZD on Steam; that's fifteen quid, or a little over twenty American dollars, and it's worth every penny. Go now. Play it through. I'll wait.
You're back? Wonderful. Are you a gibbering shell?
I ask this in the anticipation of nope. None of my friends seemed to be as frightened by Return of the Obra Dinn as I was. It hit me where I live. I have been accused of writing a very gory book about all the awful things that can and do happen to the body—Gideon the Ninth, the first book in my necromantic trilogy, comes out in September, and a magical corpse watch that can show you how someone died is a concept that I'm furious I didn't come up with first—but playing Obra Dinn threw my heart rate out so bad that my fitness tracker is still convinced I was getting exercise.
FRIEND 1: These boys! Oh, these boys, they're dyin'!
LOVED ONE: They're not going to fix THAT guy any time soon!!
ME: Too long have I mocked Death. My body is a sack of delicate gravy; I could meet my doom at any moment. I could fall down the stairs. An enemy might stab me. The world is a foggy bestiary of me-hungry monsters. I have thus far written in a very cavalier way about murder and the end, and now I know that as I have flouted the Reaper, so too shall the Reaper flout me.
FRIEND 2: There's barely half of that seaman left!!!
LOVED ONE: Okay, so, my assumption was that it should take the genitive and be 'memento mortis', but I've looked it up and even Virgil used the accusative sometimes. Who'd have thought.
Lucas Pope's previous game, Papers, Please!—a game about how bad it is to be a border officer under a despotic authority, which I did not play much of because I can imagine how bad it is to be a border officer under a despotic authority and also the time constraints stressed me out—was a big favourite of people I deeply respect. I imagine it's due a revisit. As a game it was grim, but did not fill me with nerveless terror. Return of the Obra Dinn had me in the kind of nonsensical welter normally only found in Lovecraft narrators.
Lovecraft isn't a bad evocation, honestly. The ill-fated journey of the Obra Dinn is given to you in temporally dislocated chunks—the first episode you're directed toward is the last gasp of its crew, for instance—and you are never given the full story: Pope's too clever in his narrative for that. From the first to the last, you are given more questions than are ever answered. A few things are clear from the outset: the Obra Dinn leaves London for the "Orient", carrying cargo and passengers identified as being "Formosan" royalty; it makes it as far as the Canary Islands before it turns around, seemingly to sail back to England. The ship makes it back—but by that point, anyone left on board is a bunch of mysterious bones.
And I love bones. Everyone who knows me knows this. But the bones aren't the scary part; they are just often sad little heaps left in suggestive places. The horror in Obra Dinn is the fear of the sea, which in the year 1803 is also the fear of outer space, the fear of the depths and of the unknown, the fear of the natural world. It's also fear of the ways in which a domino effect of greed and misery can cause any human endeavour to end up as I secretly worry the whole human race will end up: found by some entity wanting to count the material cost, examining at critical angles the whole lot of us with our bony hands clutched around the knives rusting in each other's ribcages as it ticks the box Yes for Is It A Shame.
At first it seems the only fantastical element in Obra Dinn is your magical death watch, which, sure, is a big speculative element but also possibly forgiven in game space—it's just a mechanic, you might think. Perhaps what we are about to be presented with is nothing more than a wet, brain-spattered catalogue of explicable human folly. We all know life on board ship in the early 1800s had comparisons to the Australian Transport Authority video Dumb Ways to Die. It becomes clear very early on in the piece that the Formosans are carrying a carefully guarded treasure; that this treasure has been found a little too desirable by others on board the Obra Dinn; this one's a tale as old as time, and you're forgiven for thinking you know how it goes.
But the speculative elements are what make the narrative electric. They arrive like a slap of salt water to the face, and place the ocean firmly as a mindful antagonist. The ocean has been calmly killing off humans in a wild and wonderful variety of ways since we first waddled out into its shoals. It drowns us. It starves us. It chomps us, or suckers us, or smashes our boats. And it does so with a mindless, unmalicious lack of thought; the ocean is just the ocean. There is a reason why the ancient Greeks named the whirlpools in the Straits of Messina as twin sea monsters, Scylla and Charybdis: part of SFF is to take our anxieties and give them tentacles. SFF is almost a relief to the mind. You can curse a monster; whirlpools are just goddamned whirlpools.
Game writing has finally been added to the list of categories one can win a Nebula for. People have argued against the inclusion of game writing for years; there are, it was pointed out, many awards for game writers, among them a damn BAFTA. Why is it so important that SFF recognises its SFF game-writer brethren?
Because the awards should be given, in my mind, for things that make us recognise what science fiction and fantasy can do. They should be given for those things that make people say, "Yes, more of that." Return of the Obra Dinn wouldn't survive without its speculative elements, and indeed, uses them so cleverly and neatly to tell a subtle, anachronic narrative of man's inhumanity to man and also mermaid's inhumanity to man that it cannot but be lauded for it.
The quality of game writing in the industry is very uneven right now. It is a very different skillset than the one required to write a novel; this is the year where I have made a jump into writing games professionally rather than turning out endless private IF games where I bump about sexily in a witch's house, and I am having to recalibrate everything I ever thought about narrative. But these strictures—as unmerciful as poetic metre—can produce astonishing results. I applaud Pope's writing for its tightness and care in giving the reader exactly the right amount of information; I applaud his ability to give sympathy and take it away in the space of a few words; I applaud his originality together with his obvious care taken over salty old sailor stories. Those interested in the craft of the short story should play Obra Dinn. Look at every tiny scene as a micro-story, and see how much Pope is giving you. Listen and watch. He is being very deliberate.
I didn't trust this deliberation at first. I thought he couldn't possibly be this clever or this careful. I would have had a much easier time working out the identities of four particular sailors had I just put my trust in Pope and realised that he would never show me anything without cause—again, something I can only aspire to in my short-form work—rather than dismissing a scene's details as noise. I now take pleasure at looking back to Return of the Obra Dinn and giving greater consideration to everything said or depicted or sounded. I mean, I also take no pleasure in it whatsoever, because there are two giant crabs with what appear to be backwards-headed human figures with lights in their eyes and forms swamped in seaweed, and they act as the dread soldiers of the abyss and they WILL come out of the water and they WON'T die, but that's my unique foible. Everyone around me seemed unaffected. I'm the only one in my social circle who now sleeps clutching a harpoon.
Or, as the game renders it: God in Heaven!
Return of the Obra Dinn shows us that if we're not sure there are angels in Heaven above, there are certainly demons down under the sea.
Yarrr, I hate the sea and everything in it.
Tamsyn Muir is a horror, fantasy and sci-fi author whose works have appeared in Nightmare Magazine, F&SF, Fantasy Magazine, Weird Tales, and Clarkesworld. Her fiction has received nominations for the Nebula Award, the Shirley Jackson Award, the World Fantasy Award and the Eugie Foster Memorial Award. A Kiwi, she has spent most of her life in Howick, New Zealand, with time living in Waiuku and central Wellington. She currently lives and teaches in Oxford, in the United Kingdom. Gideon the Ninth is her first novel.


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Q: Uploading data to atlas texture in worker thread and sampling from same texture in render thread There are 2 OpenGLES2 contexts, that are is same "share group". I know that it's possible to upload texture in worker thread while it's not being used in render thread.
But is it possible to upload portion of data to a region on atlas texture from worker thread and sample from same atlas texture (but from different region, of course)? I've read that rendering to a texture and sampling it will lead to undefined behavior (unless using NV_texture_fence), but it's not actually my case.

A: No, that breaks the 1st and 2nd rules from the docs:

It is your application's responsibility to manage state changes to OpenGL ES objects when the sharegroup is shared by multiple contexts. Here are the rules:

*

*Your application may access the object across multiple contexts simultaneously provided the object is not being modified.

*While the object is being modified by commands sent to a context, the object must not be read or modified on any other context.

*After an object has been modified, all contexts must rebind the object to see the changes. The contents of the object are undefined if a context references it before binding it.


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My mother had a dream. She wanted to be a published writer. I remember listening to her banging away on our old, delapidated typewriter whenever the inspiration seized her. With three kids, an enormous vegetable garden and a job as a teacher, she didn't have much time to devote to her muses. When us kids were pretty well grown, she signed up for a writing class. She loved it. Finally, after many years, the stories that were churning around in her head were being put to paper.
I vaguely remember reading her stories before she submitted them to various magazines. They were amusing, but she never got published. She worked so hard to make the changes that the editors suggested, only to receive one rejection letter after another. I felt sorry for her, but really, there was nothing to be done. She tucked away her stories and her dreams, never to see the light of day again.
I came across some of her stories the other day. It must be 20 years since I've read them, but I can still remember her enthusiasm when she proudly let us read her work. It struck me that had she still been alive, she could very easily have published them here, on the internet, for people to read.
So, although my mother is long gone, I would like to share her words with the world. And help her realize her dream. Stay tuned for my next update when I share her first story entitled "Grama's House".