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text:
Кампеонато Насьональ де Клубес () — ежегодный турнир по регби-15, проводимый среди аргентинских клубов. Чемпионат был открыт в 1993 году, и в первых сезонах за титул боролись 16 команд из разных уголков страны, а в 2009—2012 годах турнир насчитывал всего четырёх участников. С 2013 года в Насьональ вновь участвуют 16 клубов, девять из которых представляют чемпионат провинциальных команд Торнео дель Интериор, семь — столичную лигу Торнео де ла УРБА.

История
В 1993—1998 годах лига объединяла 16 участников, которые были разбиты на 4 группы по территориальному признаку. Два сильнейших клуба каждой группы проходили в 1/4 финала соревнования. Данный формат подразумевал участие восьми команд из чемпионата Буэнос-Айреса, двух — из первенств Кордовы, северо-востока страны и прибрежных регионов, по одному клубу делегировали Куйо и Мар-дель-Плата.

В 2009 году произошла реорганизация Торнео дель Интериор, разыгрывавшегося теперь среди клубов, не входящих в Регбийный союз Буэнос-Айреса. Реформация этого турнира совпала с изменением системы проведения Насьональ де Клубес. Отныне за титул Насьональ де Клубес сражались всего четыре команды, причём две представляли столицу, а две — другие регионы. Турнир начинался напрямую с полуфинала. В первом из матчей 1/2 финала играли победитель Торнео дель Интериор и вице-чемпион Торнео де ла УРБА. Во втором, наоборот, сильнейшая команда Буэнос-Айреса встречалась с обладателем серебряных медалей Торнео дель Интериор. В первом сезоне обновлённого чемпионата приняли участие клубы «Дуэндес», КАСИ, «Инду» и «Уни Тукуман». В финал вышли «Дуэндес» и «Инду», и в результате чемпионами стали регбисты «Дуэндес».

С 2013 года произошло возвращение к системе, предусматривающей участие 16 команд. Теперь провинции страны представляют девять коллективов, столичный регион — семь.

Победители

Финальные игры

  (*) — победа в чемпионате разделена.

Титулов всего

Примечания

Ссылки
 Страница турнира на сайте Аргентинского регбийного союза

Соревнования по регби в Аргентине

redpajama_set_name: RedPajamaWikipedia


text:
Q: Specify install path for Ender When using Ender I would like to specify a directory where packages should be installed.
The only way to make this work seems to be to cd directory; ender build package, but I might be wrong?
Idealy I would have a package.json file, where I can specify a path where dependencies should be placed.

A: Right now you can append --output path/to/ender to specify the path. For other operations such as  add/remove/list it is --use. For example:
ender build qwery bean bonzo --output public/scripts/ender

That would create the ender.js and ender.min.js files under public/scripts.
There is discussion on making this better, e.g., as you mentioned regarding putting the path in package.json. You can read about that on the github issue.
In the mean time, if you use gruntjs, there is a plugin that can handle this as well (disclaimer: I wrote the plugin).

redpajama_set_name: RedPajamaStackExchange


JUST PAINTED EXTERIOR AND PLANTED SOD!!! Timeless elegance abounds in this updated 1930's colonial sited on a private 10,249 square foot lot abutting a cul-de-sac in Old Oak Hill. The welcoming foyer showcases the first floor which is comprised of a study; half bath; living room with fireplace; banquet-sized dining room; family room with sliding glass doors to the side yard, gourmet chef's kitchen with separate eating area, breakfast bar, sitting room and sliding glass doors to a bluestone patio and level yard. The second level of the home offers a master-suite with a cathedral ceiling, access to a balcony, his/her walk-in closets, and full bath; an en-suite bedroom; two additional bedrooms; family bath and laundry room. The finished third floor has a bedroom, full bath and additional storage. The lower level has a playroom with fireplace and wet bar; full bath and utility/storage rooms. This beautiful home also offers a mudroom and an oversized two car heated garage with dog bath.


Conventional wisdom says the way you start an ad agency is to find yourself a couple of like-minded souls, some groovy offices and a foundation client; however, new Sydney-based creative consultancy Cabana Boys aimed for anything but conventional.
They started out with two like-minded souls – ex-Lowe Hunt art director Nik Robinson and former Razor Sydney creative director Stuart Ghent, but that's where the similarity stops.
Instead of groovy offices, they opened their 'doors' under the shade of an umbrella at Redleaf Pool in the Sydney harbour side suburb of Double Bay. And, instead of a foundation client, all they had was an address book, a somewhat risky idea for a name, a month each of credit on their mobile phones and some of the worst timing imaginable.
Cabana Boys cut the ribbon on their new venture just days after the demise of Lehman Bros set the GFC in full flight. The challenge, therefore, was not only to draw attention to their creative capabilities, but also to let marketers know that they were a real alternative for the times – leaner, more nimble, still creatively led but less expensive. And they had to do it with a budget of functionally zero.
The Cabana Boys strategy was to go direct to business owners and marketers with a physical demonstration of their point of difference – high impact creative at low cost. Their strategy was to show what they could do for clients by doing it for themselves.
Cabana Boys knew that this market was both time poor and difficult to reach, often protected from marketing efforts by a perimeter of admin and support staff. Getting through to them would mean getting through gatekeepers – anyone from the receptionist to the mailroom clerk, to the marketing department PA or a manager's personal secretary could kill their chances.
What's more, they had to recognise that once through to their intended market, it would have had a lot of exposure to advertising agencies and creative product. Their standards would be high. It would not be enough to simply get in front of a marketing manager or business owner, Cabana Boys would have to stand out.
A conventional approach was simply not going to cut it.
Cabana Boys aimed to create a piece that would charm its way through the gatekeepers, while still making an impact with the intended recipient. With a name like Cabana Boys (a reference to their beginnings at Redleaf Pool and hospitality-inspired attitude to service), the consultancy had a rich creative palette to work with.
The piece they developed was a real-life, 'hair-shell-milk-and-all' coconut.
The coconuts were hand-delivered with no personalisation, no address, no salutation, no covering letter and nothing more than an ink-stamped message on the outside, directing the recipient to Youvebeenhit.com.au.
At this URL, recipients were told that a falling coconut reached speeds in excess of 80 kilometres per hour and hit the ground with a force equivalent to over 150 kilogram, with 150 people each year killed by being hit by coconuts, it said.
The website then went on to explain that while the chances of a coconut hitting their desk were astronomically low – hundreds of times less likely than, say, their chances of being hit by lightning – it would certainly make a real impact if it did.
The fact that the recipient had clicked through to the website and was still reading was proof positive. What's more, this was exactly the kind of impact that Cabana Boys was in the business of making on behalf of its own clients.
The recipient was then offered a free creative session on the brief of their choice, to further prove what could be done for them, and were invited to meet with the Cabana Boys "anywhere but under a coconut palm".
Cabana Boys hand-picked who they would target and delivered only 50 coconuts, following up on each a few days later with a phone call. The delivery phase of the campaign ran over two months.
Cabana Boys creative partner, Nik Robinson, says the consultancy knew it had succeeded with 'Part A' of its job from the moment they walked into their first reception.
"People would see us coming and laugh. About half of the people we visited started singing 'I've got a lovely bunch of coconuts', while the other half would crack jokes about putting our hairy coconut in someone's hand. It made people smile. We knew they were going to pass it on," explains Robinson.
"They got what we're about straightaway. They got that we do things differently, we're a bit of fun, but we get results. They were happy to talk. As we anticipated, a lot of people were looking for fresh ways to make their money go further. They'd cut their budgets to suit the times, but had cut as far as they could. Yet they still needed to get out there into the market," says Ghent.
Of those who did talk on the phone, says Ghent, around 25 percent went on to accept a face-to-face meeting. Of those, in turn, four have gone on to become regular clients, including Fuji Xerox Global Services, Mexican restaurant chain Guzman Y Gomez, not-for-profit YWCA NSW and technology giant Ingram Micro.
One surprising result, according to Ghent, was how few people took up the offer of a free creative session.
"In total, we only gave away two. Most people had a specific problem in mind and, we suspect, knew it would take more than one session to solve. It was absolutely worthwhile to make the offer. It proved that we are prepared to put our money where our mouth is. Conventional direct marketing wisdom says an offer increases take-up. We think it did that, although not of the offer itself," says Ghent.
Ghent calculates most of the cost was in creative development and head hours – all soft costs. The only hard costs were the coconuts themselves, having a rubber stamp made and building, hosting and running the URL. At the end of the day, their total outlay per unit was just $1.94. Needless to say, the campaign has paid for itself since launching in April 2009. Cabana Boys moved from their poolside umbrella to a more permanent cabana in Sydney's Surry Hills.
According to Robinson, the effects of the coconut continue to roll on. Having helped bring in four clients, it helped the budding business establish its credentials, allowing it to attract still other business.
The Australia Council for the Arts was one of these, engaging Cabana Boys in early October as the creative lead on its ArtStart initiative, a new grants scheme to help arts graduates with the difficult transition from study to employment.


A very effective horse grooming brush with all natural materials. Natural beechwood body, 21 cm x 9 cm, black leather strap, alternating rows of stiff pure black bristles and brass bristles. A great brush during shedding season, winter and spring.


text:
Q: Matplotlib: "Unknown projection '3d'" error I just installed matplotlib and am trying to run one of there example scripts. However I run into the error detailed below. What am I doing wrong?
from mpl_toolkits.mplot3d import axes3d
import matplotlib.pyplot as plt

fig = plt.figure()
ax = fig.gca(projection='3d')
X, Y, Z = axes3d.get_test_data(0.05)
cset = ax.contour(X, Y, Z, 16, extend3d=True)
ax.clabel(cset, fontsize=9, inline=1)

plt.show()

The error is
Traceback (most recent call last):
  File "<string>", line 245, in run_nodebug
  File "<module1>", line 5, in <module>
  File "C:\Python26\lib\site-packages\matplotlib\figure.py", line 945, in gca
    return self.add_subplot(111, **kwargs)
  File "C:\Python26\lib\site-packages\matplotlib\figure.py", line 677, in add_subplot
    projection_class = get_projection_class(projection)
  File "C:\Python26\lib\site-packages\matplotlib\projections\__init__.py", line 61, in get_projection_class
    raise ValueError("Unknown projection '%s'" % projection)
ValueError: Unknown projection '3d'

A: Just to add to Joe Kington's answer (not enough reputation for a comment) there is a good example of mixing 2d and 3d plots in the documentation at http://matplotlib.org/examples/mplot3d/mixed_subplots_demo.html which shows projection='3d' working in combination with the Axes3D import.
from mpl_toolkits.mplot3d import Axes3D
...
ax = fig.add_subplot(2, 1, 1)
...
ax = fig.add_subplot(2, 1, 2, projection='3d')

In fact as long as the Axes3D import is present the line
from mpl_toolkits.mplot3d import Axes3D
...
ax = fig.gca(projection='3d')

as used by the OP also works. (checked with matplotlib version 1.3.1)

A: I encounter the same problem, and @Joe Kington and @bvanlew's answer solve my problem.
but I should add more infomation when you use pycharm and enable auto import.
when you format the code, the code from mpl_toolkits.mplot3d import Axes3D will auto remove by pycharm.
so, my solution is
from mpl_toolkits.mplot3d import Axes3D
Axes3D = Axes3D  # pycharm auto import
fig = plt.figure()
ax = fig.add_subplot(111, projection='3d')

and it works well!

A: As recommended in other comments I found that importing "axes3d" resolved the issue:
from mpl_toolkits.mplot3d import Axes3D

It seems that this is needed if using an older version of matplotlib.pyplot

A: Import mplot3d whole to use "projection = '3d'".
Insert the command below in top of your script. It should run fine.

from mpl_toolkits import mplot3d

A: First off, I think mplot3D worked a bit differently in matplotlib version 0.99 than it does in the current version of matplotlib.
Which version are you using? (Try running: python -c 'import matplotlib; print matplotlib."__version__")
I'm guessing you're running version 0.99, in which case you'll need to either use a slightly different syntax or update to a more recent version of matplotlib.
If you're running version 0.99, try doing this instead of using using the projection keyword argument:
import matplotlib.pyplot as plt
from mpl_toolkits.mplot3d import axes3d, Axes3D #<-- Note the capitalization!
fig = plt.figure()

ax = Axes3D(fig) #<-- Note the difference from your original code...

X, Y, Z = axes3d.get_test_data(0.05)
cset = ax.contour(X, Y, Z, 16, extend3d=True)
ax.clabel(cset, fontsize=9, inline=1)
plt.show()

This should work in matplotlib 1.0.x, as well, not just 0.99.

A: Try this:
import matplotlib.pyplot as plt
import seaborn as sns
from mpl_toolkits.mplot3d import axes3d

fig=plt.figure(figsize=(16,12.5))
ax=fig.add_subplot(2,2,1,projection="3d")

a=ax.scatter(Dataframe['bedrooms'],Dataframe['bathrooms'],Dataframe['floors'])
plt.plot(a)


At City Jewellers, We buy and sell some of the most desirable watch brands in the world, our Pre- Owned watch collection is second to none in our area. We offer a fully serviced and restored range of Rolex, Cartier, Breitling, Omega, Tag Heuer and Gucci watches to name but a few. So if you are looking for that special time piece, then look no further, Simply pop along to our Market Street store and share a Glass of bubbly with us whilst we help you find your dream watch.
We are always searching for fine quality watches to add to our collection, so if you have a fine quality wrist watch that you are considering selling, then please bring your watch in for us to appraise and make an offer.
Fully serviced and refurbished watches.
Most watches come with original box and paperwork.
Over 80 years experience in the watch industry.
Valuation for insurance provided with every watch.
Competitive prices, many up to half the RRP.
We can also source most watches new and Pre-Owned.
Top prices paid, with immediate payment.


Bristol Rovers would like to thank everyone involved in this years 1883 Sponsors draw.
This was the largest and most successful draw the club has ever done with DriBuild Ltd scooping the top prize of the 2016/17 home shirt sponsorship.
The club would like to thank everyone who entered this years draw and we look forward to a successful 2016/17 season!


Researchers provide instructions and decision aids The Baltic Sea contains a dark legacy of ca. 50 000 tons of dumped chemical warfare agents (CWA) and more than 200 000 tons conventional munitions originating from the I and II WWs. The question is: Are you leaving them there and accepting that toxic substances are slowly escaping, or are you holding the ammunition and risking the porous metal bodies to break or even explode? Such questions are dealt with by administration and politics. Scientists have developed decision aids in the international research project DAIMON and have now presented them at the Thünen Institute in Bremerhaven. The amount of conventional ammunition and chemical warfare agents is estimated at 300,000 tonnes in German waters alone. These were disposed of after the war, without worrying about the environmental consequences. Just outside Kiel, for example, is the ammunition sinking area Kolberger Heide - a restricted area in which about 35,000 tonnes of mines and torpedoes lie in a maximum of twelve meters of water depth and within sight of the beach. Ammunition on the seabed continues to develop a dangerous effect even decades after sinking, as an international research team now found out: The results of the research project DAIMON (Decision Aid for Marine Munitions) were held at the joint final conference of the Thünen- und Tübingen from 5 to 7 February 2019 presented by the Alfred Wegner Institute in Bremerhaven. The researchers have collected samples and analyzed the chemicals that escape from the ammunition bodies. Traces of ammunition were detected in fish caught near ammunition areas. This applies equally to breakdown products of the explosive TNT and arsenic-containing chemical warfare agents. Shells that were exposed to the influence of ammunition in the Kolberg Heath in small net cages aggravated TNT degradation products. This makes it clear that toxic substances escape from the bombs and are absorbed by the organisms living there. In addition, the researchers found that TNT is toxic to mussels and harms the genome in fish, which can lead to tumours. The sensitive flatfish species Common dab actually has more liver tumours in the Kolberger Heide than elsewhere: a correlation between local TNT exposure and increased tumour rate is obvious. The breakdown products of TNT are also mutagenic, so that the organisms are still exposed to the effect of ammunition, even if the rapidly degradable TNT is no longer detectable. The results of these and other studies will include practical and directly applicable recommendations for environmental monitoring and handling of ammunition. The main products of the DAIMON project are instructions for risk monitoring and assessment: a directly applicable collection of methods from environmental monitoring for the assessment of acute danger to the ecosystem by ammunition (DAIMON Toolbox) as well as a web-based system (Decision Support System), for example politicians and authorities in the decision will help whether ammunition objects in the Baltic Sea eg merely to be monitored or salvaged. More Information: https://www.daimonproject.com.


Moringa leaves can be cooked the same way you would prepare spinach, collards or kale. One easy way to cook them is to parboil 2 cups fresh leaves for just a few minutes in one cup water. Take the leaves out of water and rinse them with cold water. Squeeze out the water with your hands.
Season the leaves with onion, vegan butter and sea salt. Vary or add other seasonings according to your taste.
You can also toss the parboiled leaves with some fresh cut tomatoes and soy sauce for a salad.
Make a cup of Moringa tea with the water you used to parboil the leaves.
Put all ingredients but the Moringa in a pot and let simmer for 20 minutes. Add the Moringa and simmer for another couple minutes until Moringa is bright green. Soup is now ready to serve.
The soup can be eaten as is or served over brown or white rice, with the soup juice poured over the top of the rice for flavor. Once you try the basic soup, you can experiment with adding other ingredients for variety. Try onions or other vegetables, soup broths or different spices or meats.
*NOTE: Frozen Moringa can be substituted. I've seen it available at an Asian Market.
The following alternative recipe was shared by Monalina who grew up in the Philippines and Moringa is one vegetable that she always ate once or twice a week. This is one of her favorite recipes. Thanks, Monalina!
Saute onion, garlic and ginger together until golden brown. Add the butternut squash and sweet potato, stir for one minute. Add 2 cups of water, cover and simmer for at least 15 minutes. Season with garlic salt or regular salt. Stir in the Moringa and let cook for 2 minutes. Serve on top of cooked rice and enjoy!!
Combine peanut butter and water and bring to a boil. Cook for 20 minutes on medium heat. Add oil, Moringa leaf powder and chopped onion. Cover and simmer for 20 minutes (or you can wait to add Moringa powder until the last few minutes of cooking). Add salt, pepper and red pepper flakes to taste. Serve over rice or couscous with vegetables.
Boil the beans until tender. While the beans are boiling, sauté the onions, garlic and tomato. When beans are tender, add the tomato, onion and garlic. Strip the Moringa leaves from the stems. Add the Moringa leaves. Salt and pepper to taste.


text:
Q: Reverse a Singly LinkedList without creating new LinkedList I am learning about LinkedList and tried reversing the same using Singly LinkedList collection.
The challenge is list.Next is read only. So you can't change pointers, you have to swap the value.
Also, I am to trying to attain this in the same Singly LinkedList (without creating any new LinkedList)
This is my code using another LinkedList, not from Collections, but by creating Node class. Please help!
using System;
using System.Collections.Generic;
using System.Text;

namespace MyProject
{
    public class Node
    {
        public int value;
        public Node next;
        public Node(int value)
        {
            this.value = value;
            next = null;
        }
    }
    class ReverseSinglyLinkedList : Node
    {

        ReverseSinglyLinkedList(LinkedList<int> list) : base(list.First.Value)
        {
        }

        public Node reverseList(LinkedList<int> list)
        {
            LinkedListNode<int> currentNode;
            Node new_node = new Node(list.First.Value);
            currentNode = list.First.Next;
            while (currentNode != null)
            {
                Node new_currentNode = new Node(currentNode.Value);
                new_currentNode.next = new_node;
                new_node = new_currentNode;
                currentNode = currentNode.Next;
            }
            return new_node;
        }

        public static void Main(String[] args)
        {
            LinkedList<int> list = new LinkedList<int>();
            list.AddLast(1);
            list.AddLast(2);
            list.AddLast(3);
            list.AddLast(4);
            list.AddLast(5);
            ReverseSinglyLinkedList obj = new ReverseSinglyLinkedList(list);
            Node revList = obj.reverseList(list);
            while (revList != null)
            {
                Console.WriteLine(revList.value);
                revList = revList.next;
            }

        }
    }
}

A: Here's a different take on it.  It walks the list, grabbing the first element and inserting it before a marker at the end.  This works for N-1 elements, so there is a little fudge work at the end to handle the very last element.  I'm doing this with a list of strings (rather than ints) only because it makes writing out the results easier.  I tested it with ints as well.
Here's the algorithm:
private static LinkedList<T> ReverseList<T>(LinkedList<T> theList)
{
    var len = theList.Count;
    var marker = theList.Last;
    //the loop reverses all but the last element
    for (var i = 0; i < len - 1; ++i)
    {
        var currentFirst = theList.First;
        theList.RemoveFirst();
        theList.AddBefore(marker, currentFirst);
        marker = currentFirst;
    }

    //now take the last element and insert it at the beginning
    var last = theList.Last;
    theList.RemoveLast();
    theList.AddFirst(last);

    return theList;
}

Here's my call to it (using a list of string - you can try it with any type):
public static void TestReverse()
{
    var theList = new LinkedList<string>();
    theList.AddLast("1");
    theList.AddLast("2");
    theList.AddLast("3");
    theList.AddLast("4");
    theList.AddLast("5");

    var results = ReverseList(theList);

    Debug.WriteLine(string.Join(", ", theList));
}

and here's the result:
 5, 4, 3, 2, 1

It's worth noting that all those operations (Count, Last, First, RemoveFirst, AddBefore, RemoveLast and AddFirst) should be O(1) on a properly implemented singly linked list.  The result is that this algorithm is O(N).


text:
Members of the Institute are involved in three of the University of Leipzig's "research profile areas": Global Connections and Comparisons, Language and Culture in a Digital Age, Sustainable Systems and Biodiversity.
The research profile area "Global Connections and Comparisons" conducts interdisciplinary research on globalization. Africa has for centuries been part of transregional relationships and hence of global interconnections in the form of new spatial orders, regimes of migration, commodity exchange, urbanization, economic models and the circulation of ideas and technologies. We study these interconnections with regard to their precolonial, colonial and postcolonial conditions. We look at global models and processes and examine the potential and the forms of appropriation and agency on the local and regional levels.
As an institute we participate in:
• Centre for Area Studies
• DFG-Collaborative Research Centre SFB 1199 "Processes of Spatialization under the Global Condition"
• DFG-Priority Programme SPP 1448 "Adaptation and Creativity in Africa: Technologies and Significations in the Production of Order and Disorder"
• Graduate School of Global and Area Studies in the Research Academy Leipzig
The research profile area "Language and Culture in a Digital Age" deals with the application, development and critical analysis of digital technologies and media in the humanities and social sciences, as well as of ways in which language, culture and the transfer of knowledge / cultural transfer in the Digital Age. From the perspective of African Studies there is a need for research in response to the dynamics of digitalization and to the expectations raised thereby, which are predominantly characterized by optimism regarding development and technology.
The Institute is a member of Netzwerk #digitalegegenwart.
The research profile area "Sustainable Systems and Biodiversity" analyses the transformation of energy systems and sustainable approaches to resource biodiversity. Africa is rich in natural resources, but new economic forms must be developed in order to exploit them in a sustainable way. Our interest focuses upon the interaction between humanity and resources.
Through SEPT the Institute is represented in this research profile area.
Copyright © 2020 Institut für Afrikastudien. All Rights Reserved.

redpajama_set_name: RedPajamaCommonCrawl


To celebrate thirty years of practice Alida Dal Degan and "Ayurveda Monaci Erranti" is offering two training courses hosted by MIVA, a holistic association in Bosa.
Massage with Water following the tradition of Monaci Erranti.
This treatment brings balance to body temperature, provides very deep relaxation and regenerates the nervous system. It brings awareness to the nature and the causes of the discomfort held "unheard" within the body and the mind and the trauma caused by stress . This awareness opens the doors to healing.
The cost is 320,00e. A certificate of attendance will be given upon completion.
Alida Dal Degan is a direct disciple of Maestro Govinda and offers this training according to his instruction and will.
The massage is practiced on the "chakra" – areas on the soles of the feet – and brings a state of profound relaxation, wellbeing and spiritual harmony. This treatment has very few contraindications and brings relief even to people in a poor state of health.


The plans shown are not necessarily available. For the most updated availability please contact us.
Reserve your new home today!
Conveniently located within 1 minute from Cuyahoga Valley National Park with bike and walking trails, an excellent location to get to nearby Akron and Fairlawn.


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The People of The Playhouse
Meet the people who make The Playhouse in San Anselmo come alive!
A theatre is just an empty room without the people who bring it life. Below are some of the people who work tirelessly to bring the magic to the stage. Whether you are a parent with an aspiring actor, a member of the company, or an audience member who applauds at curtain call you are welcome to share your experiences at The Playhouse in San Anselmo. Please feel free to give a testimonial by clicking here.
Gena Madory
When I think back on my childhood, I think immediately of The Playhouse! It is where I made lifelong friends, cultivated confidence, and fell in love with theater in a way that has shaped my entire life. It was my second home growing up and I love it with all my heart. It is so important that we support The Playhouse so that future generations of Marin children are able to experience the joy of finding themselves through theater, creativity, and the most special community.
Ashley Kimball
The Playhouse has felt like home to me since moving to Marin and I feel so honored to be a part of its amazing history of community theatre for all walks of life. The unconventional set up makes for an amazing creative space to make every production a uniquely special one. I am so grateful for the affordability, and the resources such as sound and lighting equipment that are available for us to use. My productions would not be the same without the amazing Playhouse!!
Joe Keane
I'm blessed to have travelled all over the world performing in musicals. Living my dream as an artist is a result of the opportunities I had performing in The Playhouse.
Heather Gant Lawrence
The Playhouse is, and always will be, my second home. Throughout my time as a performer at the Playhouse, I learned many valuable lessons I put into practice in daily life. I learned to respect, support, and help others. I learned to be organized, especially with my costumes, personal belongings, and minimally messy snacks (which always consisted of water and French bread). As a Playhouse actor, I learned the necessity of planning ahead. (No actor wants to enter the stage at the wrong time, on the wrong side, in the wrong costume, holding a prop used in act 2!) With a career as a teacher, I have come to realize the most valuable lesson learned by performing at the Playhouse. Performing on the diagonal, an uncommon method of performing a show in its entirety, instilled in me the importance of making a personal connection with every person to whom I came into contact. I am, and will always be, grateful for my time at the Playhouse.
Lauren Sanchez
The San Anselmo Playhouse has been a part of my life for as long as I can remember. I am so thankful that I had the chance to make many memories on that stage and behind the scenes with life-long friends. From my very first ballet performance when I was three years old, to the countless musicals I performed on that stage with Marilyn Izdebski Productions, The Playhouse was where I grew up and found my deep-rooted passion for performing. Throughout the years, I've grown to appreciate those experiences that were so unique. I feel so lucky that I had the chance to find my passion for performing while taking part in community theater and dance at The Playhouse in San Anselmo.
Meet the Production Companies
These companies are frequent renters of The Playhouse. We are happy to support them by giving them space here on our site. Each company produces their own productions and manages their own box office. Links below will take you to their sites so you can learn more about each group. We welcome any company that rents our venue to submit information we can publish on our website.
To learn more about ticket purchasing for shows being presented at The Playhouse in San Anselmo please visit our Box Office page
Marin Musical Theatre Company
The Marin Musical Theatre Company is a 501(c)(3) non-profit theatre company comprised of both professional and amateur performers dedicated to fostering and enriching the community through the performing arts. The mission of the Marin Musical Theatre Company is to share the love of theatre, song, and dance with the community through performances and workshops that encourage participation by people of all ages and levels of experience.
23 Elephants
23 Elephants Theatre Company offers affordable, quality theatre education for all ages, backgrounds and experience levels, exceptional theatrical productions, and the creation of new work for both youth and adults with the goal of bringing together, challenging, inspiring and enriching the lives of the community.
Katia and Company
Katia & Company is a non-profit theatre company, which seeks to foster community through extraordinary experiences in the arts. Actors of all levels and ages are encouraged to reach their full potential, both on stage and off.
YES Theatre began in Ross Valley in 1981. This unique award-winning program has been offering children the opportunity to participate in high quality, entertaining theatrical productions in the public schools of our community for over 30 years. YES produces full scale Broadway musicals, original works by local playwrights, children's theater favorites, musicals, comedies, even a bit of Shakespeare. . . all starring our children! Hundreds of YES students from the Ross Valley schools each year experience first hand participation in professional-quality theatrical productions. The program offers an opportunity for students to have fun while learning new skills. Theater incorporates listening, reading, memory, teamwork, self-discipline and a host of other educational opportunities.
Don't forget to tell us about your favorite experience!
"Theatre is a sacred space for actors. You are responsible; you are in the driving-seat."
– Greta Scacchi
Click here to submit a testimonial
Founded in Marin County California in 1988 by Virginia Stapleton, the school is distinguished by its commitment to inclusiveness and respect while providing top quality performing arts training.
The Stapleton School takes immense pride in creating a community that fosters creativity and uses the arts as a vehicle to promote personal development. One of the Bay Area's largest non-profit performing arts institutions, the Stapleton School provides a nurturing and welcoming atmosphere where participants will always find a sense of community.


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US Coast Guard takes down drug-smuggling sub on high seas
CORONADO, Calif. (WHTM) – The U.S. Coast Guard has released dramatic video of a crew boarding a self-propelled, semi-submersible drug-smuggling vessel in international waters off South America.
In the video of the pursuit taken last month, a crew member of the Coast Guard cutter Munro repeatedly shouts "Stop the boat!" in Spanish. The crew closes in on the vessel, and two crew members jump on top of it.
One of the crew members pounds on the hatch until a man opens it with his hands raised. The man is taken into custody as the video ends.
The Coast Guard said the vessel was carrying over 16,000 pounds of cocaine. Five people were on board.
The video was released Thursday as Vice President Mike Pence welcomed the crew of the Munro back to the U.S. at Naval Air Station North Island in Coronado.
The crew turned over 39,000 pounds of cocaine to federal agents. The narcotics, with an estimated street value of $569 million, were seized in 14 U.S. Coast Guard busts off Central and South America since May.
Fifty-five smuggling suspects were taken into custody.


I am feeling disconnected from the world in which I am living. Since I 'know' the shared reality of the world in which I am living is an illusion that will soon be leaving and I 'know' the replacement will be far more to my liking, it is easy to argue that this disconnected feeling is okay and not something to be too worried about. Yes and no. Lets do a quick summary of what has happened since the solstice nearly two months ago as a starting point for exploration.
The Divine plan was that humanity would ascend on the solstice. Free will would be honoured so everyone would be given the free will choice to ascend or not. The estimates of the day were that about a third would ascend with the other two-thirds either unwilling or unable. Thus the majority of humanity would not ascend and an alternative three D environment would be made available to them from which they would ascend at some later date.
Humanity threw a wrench into the Divine plan for ascension by asking for inclusiveness, by asking that everyone get an equal opportunity to ascend. Divinity heard this plea and asked Gaia if she would be willing to cooperate. Gaia agreed and a three D hologram was put in place within Gaia's five D framework with the intention of providing a forum for shifts into truth, oneness and abundance for all of humanity. Once these shifts are in place, everyone will have access to the same or similar information about what ascension is all about and no one will be prevented from ascending because they did not do their preparations. Preparations will take place within the three D hologram which will be maintained for as long as the three D learning environment is required. Instead of a division of humanity at the solstice where a portion of humanity ascended and a portion of humanity was left behind in an alternative three D world, humanity stayed together on five D Earth and Gaia installed a three D hologram to effect the needed shifts within humanity.
Instead of ascension being an event that took place on the solstice, ascension became a process taking place within each of us; taking place in the inner world of each and every human being. Divinity and Divinity's representatives, such as the Angelics and the supportive ETs from within this galaxy and from beyond, continued to bombard humanity with ascension energies targeting the upliftment of each and every human being such that they have the internal ability to survive and in fact thrive in a five D world.
Ascension will be an inclusive event and none will be prevented because of a lack of preparations.
Ascension will be an inclusive event and none will choose to remain behind in a three D environment due to fear or to a lack of understanding about what will be available within the five D ascended world.
Ashira, Fleet Commander of the Unified Forces of the Outer Galaxies, recently did an interview on An Hour with an Angel radio show that shed some light on this situation. Humanity's request for inclusivity has affected everyone. The Divine plan has shifted to honour this request. Those supporting the Divine plan have shifted their plans accordingly. Ashira and the forces he commands are part of this shift. Ashira's primary target is to deliver the technologies of abundance and oneness to humanity. This requires Disclosure which is the truth that humanity is not alone in this galaxy or in the universe. Ashira acknowledged the changes caused by the shift to inclusivity and outlined his (their) strategies within this shift.
What is preventing disclosure from taking place? Since sometime last fall, all those who are a threat to humanity have been contained and can no longer negatively influence humanity's timeline. Humanity is safe from harm. It is no longer a mater of if we will shift into the timeline of truth, oneness and abundance and only a matter of when that shift will take place. Nothing opposes that shift except the inertia of the current systems, the inertia of the status quo.
Ashira and the Galactics are now targeting strategies to deal with this inertia. These strategies target a world leader willing to invite disclosure. By invitation only has been the criteria from the beginning and the ruling elite used this criteria to their maximum advantage. The ruling elite are no longer in power and the world leaders are now in a position to freely choose to invite disclosure within the countries they represent. Obviously once one country makes the invitation the rest will soon follow suit. Great progress is being made and this invitation is likely to happen soon and come from Russia and/or Egypt. Obama's support is a given as disclosure and ascension is his life's mission.


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Mayor Walsh and Community Break Ground on ?Parkside on Adams?
06 Sep Mayor Walsh and Community Break Ground on ?Parkside on Adams?
Posted at 08:00h in Press Releases	by	Historic Boston Inc
Former MBTA Substation Will Be Centerpiece of Roslindale Mixed-Use Complex
ROSLINDALE, September 6, 2014?- Mayor Martin J. Walsh today joined the community and development team to toss a ceremonial shovelful of dirt in Roslindale, officially breaking ground on Parkside at Adams, a mixed-use complex incorporating the historic former MBTA substation, and starting construction on 43 new residences.
Development partners in the project include Historic Boston Inc., Roslindale Village Main Street, and Peregrine Group LLC of Rumford, RI.
?Because of this project and this vision, a sleepy corner of Roslindale Village will take on new vibrancy,? Mayor Walsh told a crowd of several hundred at the 11 a.m. groundbreaking ceremony today. ?The collaborative effort to bring back the Roslindale Substation demonstrates that our rich history can be catalyst for economic growth in our neighborhoods.?
The project, located across from the popular Adams Park, includes both the former Higgins Funeral Home site as well as the substation. Demolition took place late in the summer on the closed F.J. Higgins Funeral Home on Washington Street in Roslindale Village, making way for the project, which includes a restoration and repurposing of the 8,000-square-foot brick substation.
The apartments will be located in a four-story building and will include studio, one-bedroom, and two-bedroom units. Six of the units will be designated as affordable and available by lottery. There will be parking spaces for residents in an at-grade garage.
?Historic Boston celebrates the cross-sector collaboration that made this entire project ? both new and historic ? possible,? said Kathy Kottaridis, Executive Director of Historic Boston Inc. ?What began as an effort to re-activate one long-vacant public building has become the source of economic growth and pride for the Roslindale community and everyone who played a role in triggering this preservation-based development.?
The Roslindale Substation, a former switching and transformer station that was originally part of Boston?s elevated railway network, preceding the existence of the MBTA, is at 4228 Washington St. Peregrine Group purchased the adjacent funeral home on July 24, 2014, and began demolition of the building on Monday, July 28.
?The Substation Development Project represents community economic development at its best,? said Christina DiLisio, Executive Director of Roslindale Village Main Street. ?For the past 12 years dedicated community members — working hand-in-hand with RVMS and its partners — have pushed this project forward to ensure that this important corner of our business district is thriving and that our whole village is vibrant.?
Roslindale Village Main Street and Historic Boston were originally tasked by the Boston Redevelopment Authority in 2001 with figuring out a feasible development plan for the long-empty Roslindale Substation in Roslindale Village. After further study at the request of the BRA in 2011, they played a critical role of acquiring the properties and assembling the development opportunity.
Peregrine joined as the master developer in late 2012, and the three partners purchased three parcels of land owned by Higgins Funeral Home. Pending zoning approval, the substation property is slated to be transferred in this month from the Boston Redevelopment Authority to a limited liability company controlled by Peregrine Group, in which HBI and Roslindale Village Main Street will be included as limited partners.
The substation will be rehabilitated following the Secretary of the Interior?s Standards for Rehabilitation of historic properties and will be transformed into a multipurpose structure including a restaurant. This will be the most substantial and transformative project of Roslindale Village Main Street to date. The former MBTA substation was designed in Classical Revival style by a well-known Boston architect, Robert S. Peabody, and was built in 1911.
The residential portion of the project is scheduled for completion in August 2015. The restoration and repurposing of the substation is expected to be completed at about the same time.
The project was approved by the City of Boston Zoning Board of Appeals in October 2013.
The Massachusetts Historical Commission?s State Review Board approved the Roslindale Substation?s nomination to the National Register of Historic Places in June 2013.The Roslindale Substation was then listed on the National Register of Historic Places as of Aug. 27, 2013.
Then-Mayor Thomas M. Menino joined Historic Boston Inc., Roslindale Village Main Street, Peregrine Group, and scores of members of the local community to celebrate the listing of the substation on the National Register of Historic Places, which makes the substation eligible for State and Federal Rehabilitation Tax Credits.
The landmark substation was one of six stations built in the Boston area to convert AC electric power from the South Boston Power Station to DC power for trolley use. It went out of use in 1971 and has been vacant since.
ABOUT PEREGRINE GROUP LLC
The partners of Peregrine have experience in the all aspects of real estate development and project management, including: site selection, acquisition, debt/equity financing, design, engineering, permitting, construction, leasing and property management. As Developers, Owners, Project Managers, and Property Managers, Peregrine brings a comprehensive understanding of the development process life cycle and the challenges and opportunities that exist in every phase. Based in Rumford, RI, Peregrine brings a local presence with national experience across multiple facility types. The company has successfully executed many projects throughout New England and has worked extensively throughout the United States, Mexico and the Caribbean. For more information, please go to www.peregrinegrp.com .
ABOUT ROSLINDALE VILLAGE MAIN STREET
Roslindale Village Main Street, established in 1985, promotes Roslindale Village as an appealing destination and the dynamic center of the community. As an independent non-profit 501(c)(3) organization, RVMS brings together local volunteers, businesses and public agencies to strengthen the Village?s economic vitality, physical appearance and unique local character. RVMS was established in 1985 as one of the first urban Main Street Programs in the nation, with the help of the National Trust for Historic Preservation. For more information, please go to www.roslindale.net .
ABOUT HISTORIC BOSTON, INC.
Historic Boston Incorporated, founded in 1960, is a nonprofit organization that works with local partners to identify and invest in the redevelopment of historically significant buildings and cultural resources in order to catalyze neighborhood renewal. Historic Boston projects benefit from a full menu of high quality support including technical expertise, site acquisition, project financing and access to local, state and federal resources. For more infomraiton, please go to www.historicboston.org.
Christina DiLisio
Executive Director of Roslindale Village Main Street
rvmsdirector@gmail.com
Kathy Kottaridis, Executive Director of Historic Boston, Inc.
kathy@historicboston.org
Tom Palmer Communication
tompalmer@rcn.com


Animation Tips & Tricks: Reader's Question: Are Facial Expressions as Important as the Body on Acting Shots?
Reader's Question: Are Facial Expressions as Important as the Body on Acting Shots?
I feel like you can sort of break down the performance into four categories of exponentially decreasing importance: the body, then the eyes, then the face, then the lip-sync.
Most animators would agree that the body language and pantomime is by far the most important aspect of the overall acting performance in a medium shot or wider. (i.e. not a close up on the face). Unless we are face to face with someone, the body is the first place we unconsciously read in order to communicate with someone. Why? I'm not sure, but it might be because our body language often betrays our true feelings, our true mood or personality, our true intentions and desires, etc. When we consider that, it isn't surprising that we would pay at least some amount of attention to the body language of the person we are approaching.
In short, if you can get the emotions and ideas to read in the body, then the audience is going to understand what's going on and feel those emotions.
Next on our list of descending importance is the eyes. If the body is 90% of the acting performance, the eyes are 90% of the facial performance. After considering what the body will be doing, the next most important thing is definitely your eye performance. As always, the most important (and sadly, the most often skipped) aspect of doing eye animation is to know WHY you are animating the eyes. I see a lot of demo reels with randomly floaty eyeballs, and it can really kill a performance. Know exactly when and how and (most importantly) why you are going to move the eyes before you dive into your animation. Blinks go along with this, and are just as important for communicating thought process and emotion, and in certain instances I'd include the brows in this category as well.
After the eyes, we've got the overall facial expressions, including mouth emotions (smiles, hanging jaw, frowns, etc).
Obviously the eyes are a part of a facial expression, and the whole face should be thought of as one cohesive unit, but for the sake of this talk, we can think about it as a separate entity -- only because the rest of the face, while very important to the overall communication of the character, is simply not quite as important as the eyes themselves. If you animate a great body performance with great eye animation, that performance is going to read perfectly, regardless of whether or not you have a full facial rig to work with. This shows the importance of the eyes over the rest of the face, but that's not to say that you shouldn't take great care in the creation and choice of your facial expressions.
Last, and certainly least, is the lip-sync. Great body acting paired up with expressive and alive eyes, combined with well-timed facial expressions -- that combination is going to look terrific, even without the lip-sync. This is why you'll hear a lot of people say that lip-sync is the icing on the cake of the overall animation. It's that last extra little bit of "wow" you can add to your scene, and by far the least important aspect of your acting performance.
None of this is to say that any of these four categories are unimportant, some are just more important than others. Really terrible lip sync will certainly ruin a shot on a demo reel, but my point is that mediocre lip sync combined with otherwise great animation will probably go unnoticed, and the recruiter will be left with a feeling that the overall shot was great, even though the lip-sync itself might not have been fantastic.
So, I guess as far as which is the icing on the cake, it sounds like the eyes are the icing on the body language cake, the facial expressions are the icing on the eyes, and the lip-sync is the icing on the face.
Thanks for reading, and thanks for the great question Fernando!
Hello,here a nice article about facial animation.
However i have a little request,we as animator almost all known how to animate pose to pose in the computer,but it would be cool to have an article how cg animator approach straigh ahead scene or much more simply,do you animation action the same way as you animate acting.
Most animator nowadays tend to separate action from acting,for example i often heard generic walk?
can a walk be generic,can we have action without action or emotion?
it was fantastic...thanks. i'v changed a lot in looking at the facial jobs..
it was an article very interesting i remember, thanks Shawn :)!
It was cool. But I am a starter, and many of my colleagues are, so I have a little doubt.
Here, if we have a prerecorded dialogs on which we have to make our character act. And as I read, the body is animated in the first pass and then the Face is done. So how do know, or how do you TIME the face with an already animated body below exactly to the dialogue? isn't there a huge possibility that the lip sync when done in the second pass will not match the body movement which was already done?
maybe this question sounds stupid, but I am really wondering. please help me out.
These posts just keep getting better and better. All Ive done this summer is an animation internship and read this blog and watch the webinars, and its the best summer Ive ever had.
I was wondering about the blocking stage and how far you go on each pass, blocking 1, blocking 2, etc. How much posing should one apply to say an action shot in the first phase of blocking. Should it include anticipations or squash and stretch poses? What about the other stages?
الحشرات سواء الزراعية او الحشرية فبعض الشركات والمؤسسات تاتي بالانواع المغشوشة غير المجربة وليست مضمونة لتوفر المال من وراء العمل وتقدم الخدمة اليك سيدي بشكل رخيص لكن الامر غاية الخصورة ونحن نحذر من تلك الامر فنحن نستورد المواد المطابقة للمواصفات العالمية ونقوم بارسالها لوزارة الصحة السعودية لتوافق عليها كما يقوم الكيميائيين لدينا من اجراء الفحوصات عليها من حيث اثرها علي البيئة وصحة الانسان وخصوصا الاطفال وذوي الحساسية الصدرية ايضا درجة الامان علي الحوامل المحيطين بالمكان والحيوانات الاليفة ومدي تاثيرها علي القضاء علي الحشرات بشكل تام فمع زهرة العلا لا للحشرات دون الاصابة بالسرطان او اصابة الجهاز التنفسي وامراض الضغط وغيرها من الاثار السلبية للمبيدات ايضا بلا اضرار علي النباتات جراء رش الحشرات في الحدائق والحقول والاستراحات.
Nike Dunk Substantial est une tendance vraiment préférée dernièrement bonnet nike air jordan quand il s'agit de vêtements de rue. Il contrôle le mouvement de votre pied et empêche celui-ci de se propulser ou de «s'aplatir». C'est un silverbelly de Stetson qui est une couleur beige extrêmement légère. Tout le monde voulait être comme Mike, alors tout le monde a couru acheter les baskets basket nike air max tavas qu'il portait lorsqu'il menait les Bulls à la victoire. En ce qui concerne la fabrication traditionnelle des chaussures de travail. Le prix financier de la créativité Nike Shox Navina Mais je voudrais digress pour votre minute et discuter en ce qui concerne la valeur monétaire de chaussures nike cortez ultra homme la créativité, qui peut également être extrêmement important.
That's very nice and useful tips. Thanks author for sharing this post. I know a lot of interesting things from your blog.


Stanbridge Stream at South Petersfield including Cranford Road and Borough Grove to The Causeway.
Water levels in the Stanbridge Stream are high and rising steadily. In the last 6 hours, 17mm has been recorded at Petersfield, around half a months rainfall. Over the next few hours water levels will be high at Borough Grove, Bedford Road Industrial Estate and to the rear of Borough Road. Our operations staff have been clearing the debris screen at Borough Grove, however levels remain high just due to the volume of water in the stream. No further heavy rain is forecast overnight, so the river will have a chance to recover, but levels will be high until Sunday morning. Residents should take appropriate action to protect their property as a precautionary measure. Keep away from the river bank as water will be fast flowing and deep in some places. This Flood Alert will be updated at 12:00 on Sunday 16/12/18 or sooner, if we think property flooding will occur.
Water levels in the Stanbridge Stream are high and rising. In the last 48 hours, more than half a month's rain (68mm) has been recorded in Petersfield. The majority of which, has fallen in the last 24 hours. To keep the river flowing freely at Borough Grove, our operations staff have repeatedly cleared the debris screen. Levels will still remain relatively high over the next few hours. The river will also be high at Bedford Road Industrial Estate and behind Borough Road. Showers continue today, but they are patchier in nature, so should give the river a chance to recover. High water levels are expected at least until lunchtime. Keep away from the river bank as water will be fast flowing and deep in some places. This message will be updated by 15:00 on 11/11/2018 or sooner, should we think that property flooding will occur.
Following this afternoon's heavy rain and further rain forecast this evening, the watercourse has risen to a level that may cause some out of bank flooding. The grill at Borough Grove is being cleared by Environment Agency staff as quickly as possible but continues to partially block with debris. The rain is expected to stop at around 22:00 this evening. Residents should take care of water on Grange Road and Borough Grove adjacent to the watercourse which may affect properties.


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Jawad Fairooz () is a human rights defender and former Bahraini Member of the Council of Representatives (Bahrain), rendered stateless in 2011. Whilst in exile in the United Kingdom, Fairooz became the chairman of Salam for Democracy and Human Rights (Salam DHR).
He founded Salam for Democracy and Human Rights in 2015.

Work as a member of parliament
Fairooz was first elected as a member of parliament for the Northern Governorate in the 2006 Bahraini general election, and re-elected in 2010, as a member of the Al Wefaq political party. During his time as an MP, Fairooz was chairman of the Public Utilities & Environmental Committee.

He served as a member of parliament until the withdrawal of the Al Wefaq parliamentary bloc in 2011.

Statelessness and Exile in the UK
Following the 2011 Bahraini uprising and the withdrawal of the Al Wefaq parliamentary bloc in 2011, Fairooz was detained on 2 May alongside Matar Matar. On 6 November 2012, whilst in the United Kingdom, Fairooz was stripped of his nationality and rendered stateless, alongside 30 other Bahraini nationals, deemed to have caused "damage to state security".

In 2011, Fairooz became Chairman of Salam for Democracy and Human Rights (Salam DHR), an NGO formed following the Bahraini uprising. Salam DHR works to influence governmental representatives, to increase awareness of human rights and democracy issues in the Middle East, and works with human rights defenders such as Ebtisam al Saegh.

References

Living people
Bahraini politicians
University of Texas alumni
Bahraini human rights activists
Year of birth missing (living people)


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Q: tf.nn.conv2d_transpose gives InvalidArgumentError: Conv2DCustomBackpropInput: input and filter must have the same depth I'm facing issues with getting tf.nn.conv2d_transpose to work correctly. Here is a small reproduction of what I'm trying to do:
import tensorflow as tf
import numpy as np

# Shape (2, 3, 3, 1) == (batch_sz, height, width, channels)
inp = tf.Variable(np.array(
    [
        [
            [[1], [2], [3]],
            [[2], [3], [4]],
            [[7], [8], [9]]
        ],
        [
            [[3], [2], [1]],
            [[2], [7], [2]],
            [[3], [2], [0]]
        ]
    ], dtype = np.float32
))
# Shape (5, 5, 3, 1) == (kH, kW, out_channels, in_channels)
ker = tf.Variable(np.array(
    [
        [[[1],[2],[1]], [[2],[2],[2]], [[1],[2],[1]], [[2],[1],[1]], [[1],[1],[1]]],
        [[[1],[2],[1]], [[2],[2],[2]], [[1],[2],[1]], [[2],[1],[1]], [[1],[1],[1]]],
        [[[1],[2],[1]], [[2],[2],[2]], [[1],[2],[1]], [[2],[1],[1]], [[1],[1],[1]]],
        [[[1],[2],[1]], [[2],[2],[2]], [[1],[2],[1]], [[2],[1],[1]], [[1],[1],[1]]],
        [[[1],[2],[1]], [[2],[2],[2]], [[1],[2],[1]], [[2],[1],[1]], [[1],[1],[1]]]
    ], dtype = np.float32
))
out = tf.nn.conv2d_transpose(inp, ker, (2, 7, 7, 1), (1, 1, 1, 1), padding='SAME', data_format='NHWC', name='conv_transpose')

with tf.Session() as sess:
    sess.run(tf.global_variables_initializer())
    output, kernel, input = sess.run([out, ker, inp])

What I want is to perform a transposed convolution on a 3x3x1 input using three 5x5x1 filters. I expect the output to be of shape 7x7x3 - but instead, I get an error saying:
InvalidArgumentError: Conv2DCustomBackpropInput: input and filter must have the same depth
     [[Node: conv_transpose_2 = Conv2DBackpropInput[T=DT_FLOAT, data_format="NHWC", dilations=[1, 1, 1, 1], padding="SAME", strides=[1, 1, 1, 1], use_cudnn_on_gpu=true, _device="/job:localhost/replica:0/task:0/device:CPU:0"](conv_transpose_2/output_shape, Variable_21/read, Variable_20/read)]]

Aren't the input and filter depth both equal to 1? I don't see what I'm doing wrong - any hints would be really appreciated. I specifically want to use tf.nn.conv2d_transpose and not tf.layers.conv2d_transpose.

A: This issue is similar to this Stack Overflow Issue.
You should do the below changes for your code to run.

*

*Shape of inp should be (2, 3, 3, 3) instead of (2, 3, 3, 1)

*Shape of ker should be (5,5,1,3) instead of (5,5,3,1)

*Padding should be set to 'VALID' instead of 'SAME' only then Output Shape will be different from Input Shape.

Mentioned below is the working code (did it with zeroes for ease of implementation):
import tensorflow as tf
import numpy as np

# Shape (2, 3, 3, 3) == (batch_sz, height, width, channels)
inp = tf.Variable(np.array(np.zeros((2, 3, 3, 3)) , dtype = np.float32))

# Shape (5, 5, 3, 1) == (kH, kW, out_channels, in_channels)
ker = tf.Variable(np.zeros((5,5,1,3)) , dtype = np.float32)

out = tf.nn.conv2d_transpose(value = inp, filter = ker, output_shape=(2, 7, 7, 1),
                             strides=(1, 1, 1, 1), padding='VALID', data_format='NHWC', name='conv_transpose')

with tf.Session() as sess:
    sess.run(tf.global_variables_initializer())
    output, kernel, input = sess.run([out, ker, inp])


text:
Siri Lisen Meyer, född 11 augusti 1898 i Göteborgs mosaiska församling, död 28 februari 1985 i Björketorps församling, Västergötland, var en svensk tecknare och målare.

Siri Meyer utbildade sig först vid Slöjdföreningens skola i Göteborg och 1919-1920 vid Kungliga Konstakademien i Stockholm, och därefter vid Hans Hofmanns konstskola i München 1922-1923. I München ställde hon 1923 ut tillsammans med Paul Klee och George Grosz på Galerie Goltz. Därefter studerade hon i Paris 1924-1925 för Othon Friesz och Fernand Léger på Académie Moderne och också för Otte Sköld. I Paris delade där ateljé med den norska konstnären Elsa Lystad.

Siri Meyer verkade utomlands på flera ställen, bland annat ofta från 1926 på Mallorca, innan hon i början av 1960-talet återvände till Sverige och slog sig ned i Bohuslän. Hon arbetade i Sverige med non-figurativt måleri och med reklam, teaterscenografi och målningar på Liseberg i Göteborg. Meyer är representerad vid bland annat Göteborgs konstmuseum.

Referenser

De berömda och de glömda - Kvinnliga svenska modernister 1900-1930,  Mjellby konstmuseum/Norrköpings konstmuseum Halmstad 2006,
Sara Schuldt: Siri Meyers konstnärskap ur historiens glömda vrå 2009-10-17 bpå Folkbladets webbplats, kontrollerad 2010-11-03

Vidare läsning

Externa länkar
Paris utkant på bukowskis.com

Svenska tecknare under 1900-talet
Födda 1898
Avlidna 1985
Kvinnor
Konstnärer från Göteborg
Representerade vid Göteborgs konstmuseum
Svenska målare under 1900-talet


text:
Q: Match text after colon I want to match the word after the "type :".
What I have?
My actual pattern:
(?<=type\s:\s)(\w*)
Text:
"type : text,"
It work exact as I want when I have just one whitespace before/after color...
"type_SPACE_:_SPACE_text
But if I have 2 spaces or none, it doesn't work.
I already try with this, but doesn't match.
(?<=type\s*:\s*)(\w*)
Also, I try with this, best approach. But with this, the matched text contain the colon.
(?<=type)(\s*):(\s*)(.*)(?=,)
To do the test I use gskinner's tester...
http://gskinner.com/RegExr/

A: If you're doing this in C# and using the included Regex engine, your original regex should work, with a slight modification:
        string myString = "type :  something";

        var match = Regex.Match(myString, @"(?<=type\s*:\s*)\w+");

        Console.Write(match);

Edit: The reason why the ?<=type\s*:\s*)\w* version wasn't working for you with multiple spaces, is because the regex match was happily returning various combinations of strings with 0 characters after the variable number of spaces following the colon.
You can view the various matched strings by using Regex.Matches, you'll see that your matched word is in there, but it's not the first result.


In addition to watching your favorite television shows and movies, enjoy the benefits of Carrier Class Wireless technology to surf the internet. Enjoy speeds more than 100 x faster than DSL! At that rate, you can really make the most of your computer time. Enjoy the convenience of surfing the Internet on your laptop from anywhere in your home!
Say goodbye to the DSL and Dial-up phone lines running from one end of your home to other. By using one of our innovative Ubiquiti Wireless Antennas you will have the ability to explore the World Wide Web. Don't let the concerns like " I dont have a wireless capable computer." cloud your judgement. Subscribing to Wimax Internet you have the option to hardwire your computer or setup your own In-Home Private Network.


Is Intel a safe bet for Apple security?
Macs have largely been immune to the viruses that plague Windows PCs. Experts pitch in on whether the Intel chip switch will change that.
Apple Computer's switch to Intel chips is no reason to raise the security alarm, experts say.
Yes, Macs will have the same hardware at their core as Windows PCs, but it is the operating system, not the hardware, that has made those Microsoft-based computers vulnerable to attacks, analysts and security researchers said.
"Mac OS has generally a better track record and reputation than Windows for security. I don't think taking Mac OS to Intel silicon would change the robustness of the operating system," said Dana Gardner, a senior analyst at research firm the Yankee Group.
The Mac OS enjoys a reputation as a secure operating system, with far fewer flaws than Windows. So far, it has largely been immune to the worms and viruses that have hit Microsoft-based systems. That is unlikely to change with the shift announced Monday from niche Power PC processors to mainstream Intel hardware.
Theoretically, though, it is possible that security flaws in lower-level system software could be used to attack both Windows and Mac computers, several security experts said. However, such attacks, for example on the system BIOS, are rare. Furthermore, it is not known if Apple will use the same low-level software common in Windows PCs, the experts said.
Another unknown is to what level Intel will customize its chip products for Apple.
"The fact that Macs are running the same processors as Windows PCs may mean that some code can be executed on both platforms," said Russ Cooper, a senior scientist at security provider Cybertrust of Herndon, Va. "But I don't think that virus writers are writing at that level, so it is probably not going to have any security implications."
Most attacks target operating system, application and networking vulnerabilities, said Chris Christiansen, an analyst at IDC. "Threats are not written to the silicon, because it is too hard," he said.
BIOS-level exploits exist, but those are rare and well-defended against, Christiansen said. BIOS, or basic input/output system, is software that links the hardware to the operating system.
BIOS attacks are one example of possible security problems. Intel chips could also expose Macs to such issues as the hyperthreading flaw. This recently reported vulnerability in the Intel processor technology could allow a local hacker to steal sensitive information held on servers configured to allow multiple users to log in simultaneously, according to the security researcher who discovered the flaw.
"Theoretically, it is possible," said IDC's Christiansen. "But I think it is an awfully skinny theory."
Still, the move to Intel could make it easier for hackers to develop an exploit to target both systems, said Gerhard Eschelbeck, chief technology officer at Qualys, a Redwood Shores, Calif.-based vulnerability management company.
Ken Dunham, director of malicious code at iDefense, a security intelligence company in Reston, Va., disagreed. "Because of a chip change, there does not appear to be any significant malicious code implications for the operating system," he said.
While the hardware shift itself may not lead to major security issues, its side effects raise some concerns. Apple's products on Intel may become cheaper and more popular, which would make the Mac OS a bigger target, experts said.
Also, Mac applications have to be rewritten to run on the new hardware. Software makers will have to watch out for sloppy coding, said Charles Kolodgy, an analyst at IDC.
"With many developers making changes to their programs en masse, there is much more opportunity for vulnerabilities to be created--not intentionally, but accidentally," he said.
On the other hand, the switch to Intel could also enhance Mac security, if Apple decides to support hardware security features typically found in Windows PCs, Kolodgy said. Intel hardware offers security such as no-execute protection to prevent buffer overflow attacks.
In addition, a secondary, security-oriented chip, known as a trusted platform module, is becoming common in Windows PCs as a means for securing encryption keys. Apple has yet to incorporate such a chip into the Mac.
"It could improve Apple security," Kolodgy said. "Previously, Apple hasn't been interested in hardware security."
Discuss: Is Intel a safe bet for Apple security?


text:
Шимла () је главни град индијске државе Химачал Прадеш.

Историја

Географија
Шимла се налази на југозападном делу Хималаја. Налази се на око 350 km од Делхија. У граду и његовој околини постоји опасност од клизишта због обилних киша.

Клима

Демографија

Хинди је најраспрострањенији језик у граду, а такође и језик који се најчешће користи у службене сврхе.

Према попису из 2011. године, већинска религија у граду је хиндуизам и то код 93,5% становништва.

Извори

Спољашње везе

Градови у Индији


IF you want the most fruit from your tomatoes, they should be pruned to remove unnecessary shoots and leaves. Pruning tomato plants will give you the best yield from the plants and better tasting fruit. Pruning is not a difficult task but is a necessary one that most backyard gardeners enjoy. It takes no special tools to prune tomatoes. You simply pinch the unwanted growth (shoots and leaves) away with your fingers.
Shoots that you want to remove is the growth that has no buds or flowers. Essentially they are nothing more than suckers that take nutrients from the plant. Before you start to prune you have to know whether your tomato plants are determinate or indeterminate plants. Determinate tomato plants are compact or somewhat bushy with short branches and clusters of flowers at the end. This type of tomato plants are in full growth before bearing fruit and do not require pruning. In fact pruning them will probably destroy the plant. If your plants are more upright as opposed to bushy then you have indeterminate tomato plants that should be pruned to get the best growth and flavor.
Tools are not necessary for pruning. Using knives or sheers may introduce unwanted disease into the plant that will diminish your crop. Pruning maximizes the natural process of plant photosynthesis whereby the sun becomes the energy source to produce carbohydrates. In an ideal situation every leaf is exposed to the sun. Each leaf stem exposed to the sun fills with sugar including stems and leaves that produce no fruit. These are the shoots and leaves that need to be removed to increase optimum fruit. Essentially they are robbing sugar from the fruit producing shoots.
Pruning also minimizes the risk of disease. It actually helps improve plant health by exposing more leaves and shoots to the sun. Pruned plants allow dry leaves to fall off faster reducing bacterial and fungal. To aid in this process the plants should be staked or grown in baskets to prevent them from falling upon the ground and becoming shaded from the sun. If a plant or a portion of the plant is shaded from the sun it will not mature and produce little to no fruit.
Start from the base of the plant and pinch off the unnecessary shoots and leaves leaving only the fruit producing shoots. Later on in the season as the plant reaches full growth the top leaves and shoots should be removed to allow the plant to continue to receive sun energy to produce fruit. See Fig - 1.


Planetary Pride Hemp Store in Sault Ste. Marie, Ontario, had ten Ontario Provincial Police serve a search warrant on the store at 11.00 a.m. Wednesday, May 25.
The police seized catalogs of suppliers to Planetary Pride and did not seize any merchandise. Police said they were serving a warrant and gathering information to provide the Crown Attorney in Sault Ste. Marie with information regarding the supply of paraphernalia in contravention of section 462.2 of the Canadian Criminal Code.
Although rarely enforced, selling bongs, pipes, and other paraphernalia is illegal in Canada.
However, police in this instance copied the entire hard drive of the store computer with the intent to find out who was supplying Planetary Pride with goods, as well as seizing supplier catalogs. Revealingly, police did not take any of Planetary Pride's retail catalogs.
Suppliers to Planetary Pride Hemp store include Chill's Canada, High Times Quebec, Red Eye Glass, Amsterdam Seed Company, Philco's, HBI, Treating Yourself, Allie's Wholesale, HydroQuebec.
Although no charges have been laid, this police operation has shades of Operation Headhunter to it. Operation Headhunter was the DEA and US Justice Dept. investigation into the paraphernalia industry and attacked the manufactures and suppliers to the trade of paraphernalia with arrests (Tommy Chong, Chris Hill), seizures of factories and distribution centres, seizing of websites for those businesses. The next issue of Cannabis Culture Magazine, #56, released July 5, looks in depth at Operation Headhunter and Operation Pipedream.
This ongoing investigation adds a chill to the current climate in Canada, where suppliers and retailers of marijuana related items have felt relatively safe from arrest and forfeiture since Marc Emery's many arrests at HEMP BC in Vancouver from 1996 to 1998. Emery lost over $1,000,000 in assets over 4 raids by Vancouver police in the early years of the hemp retail revolution period, as well as getting convicted of "promting illicit paraphernalia," "selling illicit paraphernalia," "trafficking in marijuana seeds." Since 1998, paraphernalia arrests or raids in Canada have been rare, but have happened in Saskatchewan.
Planetary Pride sponsors the 7th Annual HEMPFEST 2005 in the Sault Ste. Marie area (Ophir), from August 25 to 28.


text:
if RUBY_ENGINE == 'opal'
  require 'opal/webix/setup'
else
  require 'opal'
  # require 'opal/webix/version'
  Opal.append_path File.expand_path('../..', __FILE__).untaint
end

redpajama_set_name: RedPajamaGithub


text:
Hyperspace Hoopla At Star Wars Weekends 2013
Disney RoundupDisney's Hollywood Studios
Stars Wars characters are often busy in laser battles and schemes to save or destroy the galaxy. What if you got to see another side of them? The side that likes to dance and party? Now you can – at Disney's Hollywood Studios Star Wars Weekends.
Snig and Oopla are back in 2013 as the hosts of the extremely popular Hyperspace Hoopla. It's a dance off between the good guys of the Star Wars world and the bad guys. And the results are entertaining.
Emperor Palpatine makes a big appearance this year, showing off his moves to the party anthem "Fight For Your Right to Party." Boba Fett and Darth Vader dance to "Bad" by Michael Jackson. And we see some big dance numbers to Gangnam Style and the Harlem Shake.
In the end Mickey Mouse shows up to wrap up the show.
The dance extravaganza takes place on a stage set up in front of the giant Sorcerer Mickey Hat.
Let's take a look at a few photos and a full video of the show.
The Hyperspace Hoopla is a big part of Star Wars Weekends.
People gathered and waited for the dance off.
Video of 2013 Hyperspace Hoopla
Note the video contains the complete show, except for about 2 minutes that happened 28 minutes into the show with the song Bruno Mars-Runaway. Apparently the YouTube copyright engine didn't like that I posted that, so I had to remove it.
What do you think about the Hyperspace Hoopla show?
2013 May Disney RoundupDisney RoundupDisney's Hollywood StudiosStar Wars
Herb Leibacher
Herb is the founder, author, webmaster, chief executive, and chief bottle washer for World Of Walt – and he is the Disney enthusiast who put this site together. Ever since his parents took him to the Magic Kingdom on a family vacation as a youngster, he has had an interest in the magic that Disney creates for families.
Disney Mash Up: Food & Wine Moves In On Flower & Garden Festival
Herb Leibacher February 7, 2013
What's up at Disney's Hollywood Studios – A Photo Tour October 2015
Herb Leibacher October 26, 2015
Win a Six Day Vacation to Disney World Worth $6,600
PhotoPass: Live Human Photographers Return And USB Drives Now Available
Win a Tower of Terror Gift Pack & See Great Attraction Details
Herb Leibacher July 3, 2014
Princess Fairytale Hall Opens In The Magic Kingdom


text:
Lobbyists smoothed way for FreshDirect
The site in the Harlem River Yard where FreshDirect plans to build its headquarters
In its quest to relocate to the Bronx with millions of dollars in city and state tax breaks and subsidies, FreshDirect has spent freely on well-connected lobbyists and consultants, public records, other documents and interviews show.
By / January 20, 2014
Consultants helped online grocer gain support and subsidies
These specialists have helped the online grocer gain access to high-ranking government officials, navigate the labyrinth of city land use rules and meet the opposition of a determined group of opponents.
Since early in 2012, when Mayor Michael Bloomberg, Gov. Andrew Cuomo and Bronx Borough President Ruben Diaz Jr. announced FreshDirect's plan to move to Port Morris, the company has
increased its payments to its longtime lobbyist the Parkside Group
employed a law and lobbying firm, Akerman Senterfitt LLP, to close deals for subsidies and zoning changes
used Marathon Strategies, a communications consulting firm, to polish its image
hired former activist Majora Carter as a consultant to build local support
Because the consultants aren't obliged to disclose their compensation and the lobbyists' reports combine work related to the move to the Bronx with other lobbying on the company's behalf, it is impossible to tell just how much FreshDirect has spent in its campaign to win approval for its move and the accompanying tax breaks and grants, but the reports suggest that it is at least $200,000.
Among those lobbied by the Parkside Group and Akerman Senterfitt LLP are a deputy mayor, the borough president, the heads of the Bronx Overall Economic Development Corporation, the city Economic Development Corporation and the state's Empire Development Corporation, the counsel to the governor, City Councilwoman Maria del Carmen Arroyo, the Bronx director of the Dept. of City Planning and members of Community Board 1 and its district manager Cedric Loftin.
Parkside has represented FreshDirect since 2004, according to the records of the City Clerk. Through 2011, it was paid a retainer of $48,000 a year to advance FreshDirect's interest in city and state legislation and in regulations concerning trucking and workman's compensation.
In 2012, its fee shot up to $6,500 a month. Through the first six months of 2013, according to state and city records, it has earned $112,000 to lobby state, city and local officials in connection with FreshDirect's move from Queens and the grants and subsidies that added up to $128 million.
Months before FreshDirect's planned move was announced, Parkside officials met with Deputy Mayor Robert K. Steel, with the borough president and with Seth Pinsky, then head of the Economic Development Corp., filings with the state's Joint Commission on Public Ethics show.
Last June and July, Parkside president Harry Giannoulis appeared at community board meetings to make FreshDirect's case.
Widely known as a powerhouse political consultant and lobbyist, Parkside has helped dozens of candidates, most of them from Queens and Brooklyn, win elections. Its lobbying clients include unions, the New York Public Library and other nonprofits and large corporations and real estate firms.
Marathon Strategies boasts of its ties with Gov. Cuomo and other high-ranking Democrats, including Hilary Clinton. It describes itself as expert in "Crisis Management, Competitive Intelligence and Research, Media Relations, Political Strategy, E-Reputation, and Content Development."
Two Marathon employees serve as spokesmen for FreshDirect: Peter Ajemian, formerly an operative for the 2010 Cuomo campaign, and Kyle Sklerov, who until February had served as a spokesman for the Economic Development Corporation, where he provided his agency's defense of the FreshDirect deal.
The Akerman firm earned just under $50,000. It put the finishing touches on a $1 million grant from the borough president in meetings with Diaz and Maureen Cintron and Frank Randazzo of the Bronx Overall Economic Development Corporation. The firm also met with Carol Samol, who heads the Bronx Office of the Department of City Planning, about the zoning exception necessary for the grocer's move to the Harlem Rail Yard, a particularly contentious issue that led to a raucous meeting of Community Board 1.
FreshDirect hired Majora Carter, who won fame as a tireless activist waging a struggle for environmental justice, to persuade local grassroots organizations to support the company's move.
Carter has had mixed success. Green Bronx Machine and Health People endorsed FreshDirect's move to the Bronx, and were rewarded. A $10,000 grant from FreshDirect enabled the urban farming program to build a green wall at a Hunts Point charter school, and FreshDirect supplied the food and the volunteers that allowed the health program to sponsor a holiday meal in Melrose. But other grassroots organizations, including Sustainable South Bronx, which she founded, repudiated Carter's efforts.
Since the Herald broke the news that Carter was a paid consultant to FreshDirect, she has refused to speak to its reporters, saying through the company's communications director, Carter's husband James Chase, that the Herald would have to agree to submit any story in advance and agree to a series of pre-conditions governing what words it could or could not use.
Hours after this story appeared online, Marathon Strategies' Ajemian responded on behalf of FreshDiect, saying via email, "Like most large companies, FreshDirect uses outside consultants to help achieve its business goals," and reiterating the company's contention that the move would bring jobs to the Bronx. None of the other consultants answered requests for comment.
Tags: Akerman Senterfitt LLP, Bronx Borough President Ruben Diaz Jr., FreshDirect, Majora Carter, Marathon Strategies, Parkside Group
New bridge over tracks faces obstacles
Circa '95 gives back to Bronx youth


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