text:
Gerry Joe Weise, Music and Art Website
official Gerry Joe Weise website
EPK Blues Band
Earth Art Book
LAND ART AUSTRALIA
Environmental Art, Site-Specific Art, Earth Art, Installation Art.
Gerry Joe Weise, Australian visual artist born in Sydney, 23 April 1959, has exhibited in many major countries including Australia, Europe, and the United States. Many of his artworks are present in galleries and museums, public and private collections across the globe. He has exhibited in over 80 solo and group exhibitions, and is known for the following categories: Land Art, Environmental Art, Site-specific art, Earth Art, and Installation Art.
Land Art blog Land Art site Facebook
Earth Art book Environmental Art book Land Art book
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Library of Congress United States
Bibliothèque Nationale de France
Environment Tunnel, "the Opposite to Nature is Nothingness".
Gerry Joe Weise, Land Art. Environment Tunnel, concrete construction, Australia, 2019.
How to Draw a Line in Nature.
Gerry Joe Weise, Black Charcoal Line, nature-friendly carbon pigments, Crescent Head, Australia, 2018.
Desert Land Art Australia.
Gerry Joe Weise, Desert Land Art. Marree Man 2 Day Hike 12 Miles Outline, Tirari Desert, South Australia, 2019.
Environmental Art Australia.
Gerry Joe Weise, Environmental Art Australia, Green Life Seed Mix on a Dead Lake, replanting program installation, 2019.
Gerry Joe Weise, Environmental Art Australia, Crown of Thorns, thorny bushes on a dried lake installation, 2019.
Land Art Books.
Environmental Art of Gerry Joe Weise, by Albert L. Sandberg, Chloe Mae Anders, Ludovic Gibsson. 2019, Earthworks Australia, USA.
Earth Art, 70th Exhibition Celebration, by Ludovic Gibsson, Gerry Joe Weise. 2017, Earthworks Australia, United States.
Land Art, by Ludovic Gibsson, Gerry Joe Weise. 2018, Earthworks Australia, United States.
Land Art Exhibition Installations.
Gerry Joe Weise, Earth Australia One. World Nature group exhibition, Kingston Gallery, New York City NY, USA, 2017.
Gerry Joe Weise, Nature Australia One. 70th Exhibition Anniversary solo exhibition, Warehouse 80, Sydney, Australia, 2017.
Gerry Joe Weise, Land Art Light Box Exhibition, L.A.M.P. Land Art Multi-media Project, Warehouse 80, Sydney, Australia, 2016. Large-scale transparencies exhibited on translucent white surface with internal incandescent light source.
Tropical Environmental Art Vegetation.
Gerry Joe Weise, Land Art. Environmental Squiggly Art, subtropical forest, Dorrigo National Park, Australia, 2015.
Gerry Joe Weise, Land Art. Environmental Twister Art, washable natural blue pigments, Dorrigo National Park, Australia, 2016.
Gerry Joe Weise, Land Art. Environmental Ripply Art, washable natural blue pigments, Dorrigo National Park, Australia, 2016.
Gerry Joe Weise, Land Art. Environmental Twirly Art, natural ocher pigments, Dorrigo National Park, Australia, 2016.
Gerry Joe Weise, Land Art. Searching For My Roots, ground installation, Coffs Harbour, Australia, 2016.
Gerry Joe Weise, Land Art. Alone Among Many, vegetation installation, Bindarri National Park, Australia, 2017.
Ground Paintings, Pigments on Earth.
Gerry Joe Weise, Land Art. Pathway, Ground Painting, nature-friendly pigments installation, Kangaroo River State Forest, Australia, 2015.
Gerry Joe Weise, Land Art. Eccentric Ovals, Ground Painting, nature-friendly white pigments, Macauleys Headland, Australia, 2015.
Gerry Joe Weise, Land Art. Eccentric Circles, Ground Painting, nature-friendly white pigments, Macauleys Headland, Australia, 2015.
Gerry Joe Weise, Land Art, Quantum Circles, Ground Painting, nature-friendly pigments, Coffs Creek, Australia, 2016.
Gerry Joe Weise, Land Art. Ground Painting, pigments on earth. Transmythic Earth retrospective exhibition, Centre Culturel du CROUS, Reims, France, 1987.
Gerry Joe Weise, Land Art. Ground Painting, pigments on earth. The Sacred - Looking Up exhibition installation, Arthur Rimbaud Museum, Charleville-Mezieres, France, 1990.
Gerry Joe Weise, Land Art. Ground Painting, pigments on earth. Earth Music exhibition installations, Centre Culturel Ocre d'Art, Chateauroux, France, 1989.
Gerry Joe Weise, Land Art. Ground Painting, pigments on earth. Earth Spirit exhibition installation, Centre Culturel Les Salvages, Castres, France, 2002.
Gerry Joe Weise, Land Art. Red Ground Painting 1, nature-friendly pigments, minerals and vegetation on board, 2015.
Gerry Joe Weise, Land Art. Blue Ground Painting 2, nature-friendly pigments, minerals and vegetation on board, 2015.
Sand Drawings for Sun and Tides.
Gerry Joe Weise, Land Art. Sun Rings, Sand Drawing installation, sunrise on Park Beach, Coffs Harbour, Australia, 2015.
Gerry Joe Weise, Land Art. Ephemeral Tidal Rings (before and after the tide), Sand Drawing installation, Jetty Beach, Coffs Harbour, Australia, 23 February 2016.
Gerry Joe Weise, Land Art. Water Rings, Sand Drawing installation, Giidany Miirlarl Island (meaning "moon sacred place" by the Gumbaynggirr Aboriginal people), Coffs Harbour, Australia, 2015.
Gerry Joe Weise, Land Art. Reflecting the Sun, Sand Drawing installation, Park Beach, Coffs Harbour, Australia, 2015.
Land Art in Forests and Woodlands.
Gerry Joe Weise, Land Art. Black Gum Trees, mixed media with eucalyptus trees, Grafton, Australia, 2016.
Gerry Joe Weise, Land Art. Turquoise Trees, mixed media with paperbark trees, Nambucca Valley State Forest, Australia, 2015.
Gerry Joe Weise, Land Art. Voodoo Forest, mixed media photographic collage, Sidobre, Brassac, France, 2005.
Gerry Joe Weise, Land Art. Blue Wild Angel, mixed media photographic collage, Sidobre, Brassac, France, 2005.
Gerry Joe Weise, Land Art. Concert of Trees, mixed media photographic collage, Sidobre, Brassac, France, 2005.
Gerry Joe Weise, Land Art. Where to Now? Timber wood installation, Artist's Space Gallery, New York City, USA, 2007.
Earth Art, Earthworks.
Gerry Joe Weise, Land Art. Le Chant des Roches (The Rocks are Chanting), Installation THNO. Large stones, rocks, and gravel. Sculpture Park, Tinos Island, Greece. Site-specific art earthwork. A tribute to the ancient Greek legend about the terrible War of Giants, who created the Cyclades island chain by throwing massive rocks together. Created and exhibited during September 1989, at the Tinos Sculpture Park with a group of island artists.
GERRY JOE WEISE LAND ART BIOGRAPHY
Gerry Joe Weise (/waɪz/), was born on 23 April 1959 in Sydney, Australia. He is an Australian visual artist, who has exhibited artworks in Australia, Europe and the United States. Weise is part of the Australian Art and Site-specific art movements, known for his installations in Land Art and Environmental Art.
Weise is an award winning visual artist, who has lived and worked in Australia, France, Germany, Switzerland and the United States. He has exhibited in over 80 solo and group exhibitions across the globe. He is a professional photographer and an accomplished video-maker, all for the sole purpose to further his artwork, which he has exhibited since 1980. He is also a musician, and has performed professionally at musical concerts since 1976. He is best known for the following categories: Environmental Art, Earth Art, Land Art, Installation Art, and "In Situ". His drawings, paintings, sculptures and photography; can be found in many galleries, museums, cultural centers, private and public collections, around the world.
Techniques: Weise often uses natural materials such as earth, sand, mineral, stone, vegetation, and pigments. Choosing to situate his work among inspiring landscapes, he transforms the way we behold and view a land site. Causing us to pay more attention to minute detail, of certain forms and perspectives that make up an environment. His aim is to be in total harmony, and serve as a compliment to the natural surroundings. Never disrupting, but forever paying tribute to this green blue planet. Weise's artwork outside, in forests, at beaches, among rocky shores, or on green grass, often fall subject to the cycle of seasons. The tides, wind, rain, sunlight, and decay, all serve to transform and erode his work. Ephemeral Art has captivated him for a very long time, as he finds it is another way of gauging time, from past to present to the future. Some of his tidal works with Sand Drawings disappear within less than 12 hours, but that does not stop the production of photography and printing. There are also the preliminary sketches and drawings before the act of creating an installation outdoors. For most of his themes and concepts, there is a body of work capturing the before, during, and after process. Weise's Environmental Art is never as fragile as we might expect. He has said his artwork can be summed up as, "expressionistic earthworks on land environments".
Land Art.
In an essay titled "Earth Art, my Diaspora" and published in 2017, Gerry Joe Weise proclaimed that he draws and paints like a musician, and that he plays musical instruments like a painter.
Albert L. Sandberg has said that "Weise is a very fine draftsman". Where drawing has played a primordial effect on all of the artworks since the very beginning. Demonstrated by the small hyper-realistic pencil sketches, to the large indoor Ground Paintings made of pigment powder lines poured across a round circle of earth, to the monumental outdoor Black Charcoal Lines traced with carbon. Gerry Joe Weise explained to Ludovic Gibsson in an interview, that his art is all about "the line", and even more precisely, "how to draw a line in nature". Weise added that while land art is often connected to sculpture, he deems that a drawing composition set into the environment, is by far more important for his work.
Early Artwork.
The first official important group show for Gerry Joe Weise, took place at the Schlosspavillon Ismaning (a.k.a. Galerie im Schlosspavillon) in Munich. He exhibited pencil drawings in a style of Hyperrealism combined with Neo-expressionism, from 1982 to 1984, as part of the group of resident gallery artists.
In September and October of 1987, the Transmythic Earth retrospective with over two hundred artworks, took place in France at five exhibitions simultaneously. The Embassy of Australia in Paris, and four other exhibitions in Reims: Centre Culturel du CROUS, Espace AGF, Restaurant Version Originale, and the Cafe du Palais. The retrospective exhibited paintings and sculptures, that were created between 1980 to 1987. Several installations at the Centre Culturel du CROUS, announced Weise's new preoccupations with Land Art, especially the earthwork Ground Painting. Which consisted of pure color pigment lines forming symbols, spread across a circle of dark earth, approximately 195 inches wide (500 cm) and set upon a platform stage. An expensive color catalog funded by the state, accompanied the Transmythic Earth retrospective exhibitions; the full catalog has been reprinted in the book Environmental Art of Gerry Joe Weise.
The Transmythic Earth retrospective shown at the Embassy of Australia in Paris during 1987, continued as a travelling exhibition in 1988. The show travelled from France to the Australian embassies in Bonn, Germany (20 April to 19 May 1988), and Brussels in Belgium (24 May to 28 June 1988). The reporter Lulsdorf, from the General Anzeiger Nachrichten in Bonn, described Weise's paintings as "musical and magical". That the motif of circular shaped elements appearing in abstract form, are symbols for the "cycle of life". Lulsdorf elaborated that the symbols signified "the eternal arising and passing away of things", and implied that they are "reminiscent of the universe". The touring exhibition was funded by the Government of Australia, with each embassy acquiring an artwork from Weise. Notably the large Tendency To, 1983 - 1984, 79 x 99 inches (200 x 250 cm), acrylic paint on canvas, which was acquired by the embassy in Paris. The Tendency To painting, was later featured on the cover of Marges in June 1990, a French contemporary art and literary magazine.
Great Britain's popular international Art Line magazine, published an "Australian Special Issue" edition in September 1988. Andew Nuti was sent from London to interview Weise among several artists, and wrote an article titled "Oz Artists in Paris". Nuti introduced Weise's oeuvre as enticed by creation and energy concerning the expressionistic work, while the abstract spherical work was inspired by spacetime. This indicated different dimensions that surpass traditional urban landscapes. Weise's artistic research into physics (as knowledge of nature) and philosophy, had designed fundamental guidelines, so as to evade the usual trends of Postmodernism (even though he was a participant of the art movement). These guidelines incorporated original art theories, influenced by the musical rhythms of the universe. In conclusion Nuti stated, "Here Weise has created a symbolic universe of his own, mixing figures placed in 'landscapes', he then proceeds with the installation of his works outside in parks. Rhythm meaning creation and evolution, rhythm that creates a new myth".
Documented as Weise's first outdoors Site-specific art, were the September 1989 installations in Greece on three islands. The Cyclades Land artworks of the Aegean Sea, were inspired by the Cyclades archipelago and their unique mythologies. Le Chant des Roches (The Rocks are Chanting), used Earth Art materials on Tinos and was influenced by the Greek legend of the War of Giants; an earthwork with large stones, rocks and gravel, exhibited at the Tinos Sculpture Park with a group of island artists.[128] Crown of Thorns, signified Environmental Art on Andros, with a circular thorny bush installation inspired by religion of the Mediterranean Sea, and installed as an ephemeral artwork on an uncultivated coastline.[129] Sans Titre (Untitled), was a Land Art site on Mykonos using powder pigments from the island, which were mixed then painted as abstract designs of the Minotaur and the Labyrinth on a wall mural, that integrated with the surrounding Mykonian landscape.
From February to April 1990, a major one-man show by Weise, titled The Sacred - Looking Up, was exhibited at the Musee Rimbaud (Arthur Rimbaud Museum) in Charleville-Mezieres. The exhibition consisted of paintings and installations, with another Ground Painting of pure colored pigments on a circle of dark earth, approximately 160 inches wide (400 cm), which was spread across the museum's 17th century oak floor. Weise's 1989 Cyclades Land artworks on the islands of Tinos, Andros and Mykonos, were documented with photographs in the The Sacred - Looking Up catalog funded by the Arthur Rimbaud Museum, and fully reprinted in the book Environmental Art of Gerry Joe Weise.
Later Artwork.
Many of Gerry Joe Weise's large installations consist of powder pigments on earth, either executed indoors on the floor of exhibition spaces, or outdoors at wide open landscapes. During the Earth Spirit (L'Esprit de la terre) exhibition of 2002, at the Cultural Center Les Salvages in Castres, a new dimension was added. Weise's prior procedure of working alone on a Ground Painting before an exhibition, had changed to creating the installation in front of the visitors for the show opening. The Gerry Joe Weise Trio played a soundscape rhythm, while the audience in proximity watched Weise perform the Ground Painting, by sprinkling pigments across a dark earth circle, approximately 195 inches wide (500 cm). When the last symbol was created, Weise went back to his trio, strapped on his guitar, and finished the soundscape composition.
Weise often uses psychogeography, for the effect that geographical locations have on our emotions with Site-specific installations. These psycho-geographical installations were photographed at dawn or when there was a special type of sunlight, and later were transformed into transparencies. Land Art Multimedia Project (LAMP) exhibitions, consist of large-scale photographic transparencies 83 inches high (210 cm) of various widths, and exhibited on towering lightboxes. Each fitted with a translucent white surface and internal incandescent light source, creating qualities of a marked all-over luminosity, where no external ceiling lighting was needed during the exhibitions. The spectator at the exhibition, perceives the emphasis on a particular clarity of light emanating from each artwork, which in turn invites a personal emotional reaction. Land Art Multimedia Project exhibitions took place at the Warehouse 80 in Sydney during 30 May to 12 June 2016, and 20 May to 4 June 2017. In New York City at the Kingston Gallery, LAMP was part of the World Nature group exhibition, from 1 to 28 February 2017.
The 2018 monumental earthwork titled Black Charcoal Line, used environment-friendly pure carbon pigment, and traced a black line approximately 990 yards (905 m) long, by approximately 12 inches (30 cm) wide, along the coastal landscape of Crescent Head, Australia. The Site-specific artwork started at the top near the Crescent Head Lookout, then descended down the slopes to the beach. Chloe Mae Anders described Black Charcoal Line as being "traced along the grass or earth, always slightly crooked, curbed, never a straight line, but only a suggestion of being straight". Anders further stated that Weise's line installations are on the monumental scale so as to be equivalent with the magnitude of the surrounding landscape.
Land Art Books.
As a Land artist Gerry Joe Weise has been published in the following books: Environmental Art of Gerry Joe Weise (2019) a paperback book. Earth Art (2017) a paperback book and an eBook. Land Art (2018) a paperback book and eBook. Ludovic Gibsson wrote the introduction for Earth Art, "This book is a celebration of the 70 exhibitions Weise has produced from 1982 to 2017, spanning 35 years in the international art world. It is a gateway to the understanding of the more difficult avenues of his art, through his own thoughts, analysis and influences. A witness to his style of Earth art, which encompasses elements of Land art, Installation art, Environmental art, Ephemeral art and In Situ. The several layers of meaning that often bewildered critics, who were unable to fathom his application of the Alter-modern, his diaspora, while using physics and philosophy."
Art Exhibitions.
Australian Land artist Gerry Joe Weise, left Australia in 1980 to be immersed in European culture, and settled in Frankfurt, Germany. Subsequent to his arrival in Munich of 1982, he had his first group exhibition at the Galerie im Schlosspavillon Ismaning, with a collection of pencil drawings on paper. The drawings were Hyperrealism merged with Neo-expressionism. Weise relocated to France at the end of 1984. After residing for several months in Paris, he then moved to Reims in 1985. That same year also announced his first solo exhibition of paintings on canvas, at the Galerie La Grande Serre in Rouen, directed by Anne de Villepoix (who later became a celebrated gallerist in Paris). The paintings were Neo-expressionism amalgamated with Postmodernism. At the 1987 Transmythic Earth Exhibitions retrospective, Weise continued his predilection with neo and post art movements, while introducing his first Land Art interior installations. Notably the bark sculptures at the Embassy of Australia in Paris, and the earthwork Ground Painting at the Centre Culturel du CROUS in Reims. Weise's first Land Art exterior installation Le Chant des Roches, was exhibited during the 1989 group show Installation THNO, at the Sculpture Park on Tinos Island in Greece.
In a 2019 essay titled "Introduction to the Environment", Albert L. Sandberg wrote, "Weise has said his artwork can be summed up as, 'expressionistic earthworks on land environments.'"
Selected Solo Exhibitions.
1985. Galerie La Grande Serre, Rouen, France.
1986. Mythorhythmic, Centre Culturel Les Archers, Musee de Cambrai, Cambrai, France.
1986. Centre Culturel, Chateau de Gaillon, Gaillon, France.
1987. Transmythic Earth Exhibitions retrospective:
- Embassy of Australia, Paris, France.
- Centre Culturel du CROUS, Reims, France,
- Espace AGF, Reims,
- Restaurant Version Originale, Reims,
- Cafe du Palais, Reims.
1988. Embassy of Australia, Bonn, Germany.
1988. Embassy of Australia, Brussels, Belgium.
1988. C.D.I. College Notre-Dame, Reims, France.
1988. Earth Church Installations:
- Basilica of Saint-Denis, Paris, France,
- Basilique de Saint-Remi, Reims, France,
- Eglise Saint-Remi, Viel-Saint-Remy, France,
- Eglise-Notre-Dame-de Bon-Secours, Neuvizy, France.
1988 - 1989. Centre Culturel Espace 13, Theatre 13, Paris, France.
1989. Earth Music, Centre Culturel Ocre d'Art, Chateau du Parc, Chateauroux, France.
1989. La Musique des Signes, Opus Gallery, Reims, France.
1989. Sacred Earth Music, Espace Tresor, Reims, France.
1990. The Sacred - Looking Up, Arthur Rimbaud Museum, Charleville-Mezieres, France.
1990 - 1991. Expositions Le Chant des Roches:
- Espace AGF, Reims, France,
- Les Loges Gallery, Reims,
- Radio Station 93FM Gallery, Reims.
1991. Underworld Earth Works, BK Galerie, Frankfurt, Germany.
1991. L'Utopie, Espace AGF, Reims, France.
1993. Earth Spiral, CAC, Brussels, Belgium.
1994 - 1995. L'Utopie, Centre Culturel Ancien College, Sezanne, France.
1997. Ground Painting, CCA, Munich, Germany.
1998. LB Art Gallery, Montreux, Switzerland.
2000. Galerie Jiwini, Albi, France.
2000 - 2001. Galerie Out Of Australia, Toulouse, France.
2002. Earth Spirit, Centre Culturel Les Salvages, Castres, France.
2005. Distorted Nature, Ancien Temple, Chateau de Lacaze, Lacaze, France.
2006. Nightscapes, Jam Factory, Adelaide, Australia.
2007. Nature Wide, Junction Gallery, New York City, United States.
2008. New Real Nature, Kunstverein, Buchholz in der Nordheide, Germany.
2013. 12 Months / Les Douze Mois, Mediatheque de Montreuil, Laon, France.
2013. Earth Lines - Land Art, pigments on outdoor ground earth, Sculpture Park, Molentargius - Saline Regional Park, Cagliari, Sardinia, Italy.
2014. Draw a Thought / Dessiner une Pensee, Bibliotheque Municipale Patrimoniale Suzanne Martinet, Laon, France.
2015. Bark Paintings, Perspective Horizon Gallery, Sydney, Australia.
2015. Ground Paintings, Perspective Horizon Gallery, Sydney, Australia.
2015. Ground Paintings, Webster Art Gallery, Los Angeles, United States.
2016. Ground Paintings, Transient Land Art Gallery, Docklands, Melbourne, Australia.
2016. Land Art Light Box Exhibition, Warehouse 80, Sydney, Australia. L.A.M.P. Land Art Multimedia Project: large-scale transparencies exhibited on translucent white surface with internal incandescent light source.
2017. 70th Exhibition Anniversary and Earth Art book presentation. Warehouse 80, Sydney, Australia. L.A.M.P. Land Art Multimedia Project: large-scale transparencies exhibited on translucent white surface with internal incandescent light source.
2018. Nature Art Lines, Wilson Gallery, London, Great Britain.
2018. Nature Art Lines, Land Art Gallery, Brisbane, Queensland, Australia.
2018. Black Charcoal Lines, Crescent Head, Australia.
2019. Contemporary Artist Space, San Francisco, California, United States.
2019. Environment Tunnel, Royal Botanic Garden, Sydney, Australia.
2019. Land Art, Art Space, Southern Cross University, Coffs Harbour, Australia.
2019. Laon Cathedral / La Cathedrale Notre-Dame de Laon, Fete du Patrimoine, Mediatheque de Montreuil, Laon, France.
Selected Group Exhibitions.
1982 to 1984. Schlosspavillon Ismaning (Galerie im Schlosspavillon) Munich, Germany.
1987. Grande Prix de France des Arts Plastiques, Ancien College des Jesuits, Reims, France.
1987 - 1988. Common Ritual / Rituel Commun Exhibitions:
- Embassy of Australia, Paris, France,
- Galerie La Lisiere, Reims, France,
- Galerie Clin d'Oeil, Toulouse, France.
1988. Grandeur Nature, Centre d'Art Contemporain Charnot, Clamart, Paris, France.
1989. Installation THNO, Le Chant des Roches, Sculpture Park, Tinos Island, Greece.
1992. Sun Earth, Centre Culturel Co-Temporaire, Musee d'Art Moderne, Troyes, France.
1993 to 1998. Galerie Ligne Roset, Reims, France.
2000. Parc des Expositions, Caen, France.
2000. Art Passions, Galerie d'Art, Boissezon, France.
2001. Earth Spirit / L'Esprit de la Terre, CCI, Castres, France.
2002. Earth Spirit / L'Esprit de la Terre, Centre Culturel Les Salvages, Castres, France.
2003. Earth Spirit / L'Esprit de la Terre, Chateau, Hotel de Ville, Brassac, France.
2004. Nature Nature, Sculpture Park, Lac du Merle, Sidobre, Brassac, France.
2005. Installations, Sculpture Park, Sidobre, Brassac, France.
2006 - 2007. Galerie Ligne Roset, Reims, France.
2007. Where To Now?, Artist's Space Gallery, New York City, United States.
2009. Earth Spirit / L'Esprit de la Terre, Conservatoire, Laon, France.
2014. Earth Spirit / L'Esprit de la Terre, Centre Culturel Le Mail, Soissons, France.
2016. Sculpture Park 2016 edition, Bindarri National Park, Australia.
2017. World Nature, Kingston Art Gallery, New York City, United States. L.A.M.P. Land Art Multimedia Project: large-scale transparencies exhibited on translucent white surface with internal incandescent light source.
2018. Ephemeral Artworks of 12 Artists, Powerhouse Arts Centre, Liverpool, Great Britain.
2018. My Land - Your Land, Contemporary Art Gallery, Sydney, Australia.
2019. Australian Artists, House of Arts Gallery, Munich, Germany.
Travelling Exhibitions.
Transmythic Earth retrospective. Solo travelling exhibition, funded by the Government of Australia.
1987. Embassy of Australia, Paris, France.
Earth Church Installations. Solo travelling exhibition, funded by the regions Ile-de-France and Grand Est.
1988. Basilica of Saint-Denis, Paris, France.
1988. Basilique de Saint-Remi, Reims, France.
1988. Eglise Saint-Remi, Viel-Saint-Remy, France.
1988. Eglise-Notre-Dame-de-Bon-Secours, Neuvizy, France.
Common Ritual / Rituel Commun. Duo travelling exhibition, Gerry Joe Weise and Australian artist Jon Cockburn. Funded by the artist's grants awarded by the Government of Australia.
1988. Galerie La Lisiere, Reims, France.
1988. Galerie Clin d'Oeil, Toulouse, France.
Earth Spirit / L'Esprit de la Terre. Group travelling exhibition of Australian contemporary art and aboriginal art. Gerry Joe Weise, England Banggala, Peter Nabarlambarl, Thompson Yulidjirri, Sonda Turner Nampijmpa, Bob Namundja, Bill Namundja, Eddy Ryan Bangadi, Mary Mullins Jujabilla, Jocelyn Garrwurra, Janet Nangala, Minnadook. Funded by the regions Occitanie and Hauts-de-France, with the departments Tarn and Aisne.
2001. CCI, Chambre de Commerce et d'Industrie, Castres, France.
2002. Centre Culturel Les Salvages, Castres, France.
2003. Chateau, Hotel de Ville, Brassac, France.
2009. Conservatoire de Musique et de Danse, Laon, France.
2014. Centre Culturel Le Mail, Soissons, France.
Gerry Joe Weise had met the French writer Jean-Marie Le Sidaner during their collaboration for the Transmythic Earth retrospective catalog in 1987. Both Weise and Le Sidaner lived in Reims at the time. They formed an avant-garde performance art group, that played at art galleries, museums, and cafes. Weise's soundscapes performed on electric guitar with various sound effects and electronic devices, were original compositions influenced by Steve Reich's Minimal music, and the 21st-century classical music of Karlheinz Stockhausen. The soundscapes laid the foundation for essays, poetry, and vocal sounds, that were recited with a theatrical performance.
19 September 1987, Gerry Joe Weise and Jean-Marie Le Sidaner formed their first performance art duo. They performed at the show opening for the Transmythic Earth retrospective, at the Centre Culturel du CROUS in Reims.
5 December 1987, Trio Rituel Commun. Weise and Le Sidaner teamed up with Australian artist Jon Cockburn, who took over the theatrical performance. They played during the show opening for the Common Ritual / Rituel Commun exhibition at the Galerie La Lisière in Reims. Cockburn and Weise were both the Australian artists that exhibited at the gallery. The Trio Rituel Commun were invited later that week, to perform the same recital at the Cafe du Palais in Reims.
23 March 1989, at the Ardennes Poetry Festival, Gerry Joe Weise and eight poets, had a two hour performance art spectacle at the Charleville-Mezieres Theater. The annual festival was an eight day tribute to Arthur Rimbaud, a French poet of the Symbolism literary movement. Weise performed on the last day of the festival and provided musical soundscapes for: Yvette Barre-Barteaux, Franz Bartelt, Francois Squevin, Robert San Geroteo, Francois Hubert, Michel Mourot, Claude-Edmond Braulx, and the high point of the evening was his duo with Jean-Marie Le Sidaner.
6 May 1989, Trio Flache. Weise played abstract musical compositions, while Le Sidaner recited prose, that incorporated the vocal antics and clowning of Australian composer Stephen Adams. They performed at the Opus 65 in Reims, which was a venue open to poetry slam, theater, and art exhibitions.
21 February 1990, Duo Flache. Weise and Le Sidaner as a duo, performed at the show opening for the The Sacred - Looking Up exhibition, which took place at the Arthur Rimbaud Museum in Charleville-Mezieres. Le Sidaner also wrote the preface for the exhibition catalog funded by the museum.
Selected Awards.
1968. 1st prize, 9 years old, Drawing Competition, TV Channel 9, Sydney Australia.
1987. Gold Medal, Grand Prix de France, Visual Arts, Reims, France.
1989. 2nd Prize, Public Choice Award, Grand Prix, Paris, France.
1993. 1st Prize, Graphic Drawing, Art Show, Brussels, Belgium.
1997. Best Installation Award, for "Ground Painting", CCA, Munich, Germany.
2015-16. Voted Number #3 in Land Arts Info Magazine / Top Votes, Paris, France.
Selected Bibliography.
1986, October. Exhibition catalog. Gerry Joe Weise - Mythorythmic. Centre Culturel Les Archers. Edition Les Archers, Cambrai, France.
1987, September/October. Exhibition catalog. Gerry Joe Weise - Transmythic Earth Retrospective exhibitions. Articles by Jean-Marie Le Sidaner and Gerry Joe Weise. Centre Culturel du CROUS. Edition Antigone, Reims, France.
1987, December. Artension art magazine, N#1. Gerry Joe Weise au CROUS by Jean-Marie Le Sidaner. Paris, France.
1988, February. Artension art magazine, N#2. Rituel Commun / Common Ritual - Gerry Joe Weise and Jon Cockburn by Jean-Marie Le Sidaner. Paris, France.
1988, May. Philosophy book. Flache Livre de Poche, N#1, Michel Butor special. Illustrations by Gerry Joe Weise. Edition Arthur Rimbaud Museum Library, Charleville-Mezieres, France.
1988, May. Exhibition catalog. Grandeur Nature. Centre d'Arts Plastiques Clamart. Edition SBAC, Paris, France.
1988, September/October. Art Line magazine. Australian Artists in Paris by Andrew Nuti. AGP Press, London, England.
1989, February/March. Exhibition catalog. Gerry Joe Weise - Music. Article by Ludovic Gibsson. Centre Culturel. Edition Ocre d'Art, Chateauroux, France.
1990, January/February. Artension art magazine, N#13. Gerry Joe Weise by Jean-Marie Le Sidaner. Paris, France.
1990, February/April. Exhibition catalog. Gerry Joe Weise - The Sacred. Articles by Jean-Marie Le Sidaner, Ludovic Gibsson, Romuald Krzych. Arthur Rimbaud Museum. Edition Rimbaud Museum Library, Charleville-Mezieres, France.
1990, June/August. Marges art magazine, N#2. Gerry Joe Weise - Sauver l'infini by Alexandre Ban and Jean-Marie Le Sidaner. Edition Ad Hominem, Reims, France.
1991, January. Artension art magazine, N#20. Gerry Joe Weise - Le Chant des Roches by Jean-Marie Le Sidaner. Paris, France.
1991, April/June. Marges art magazine, N#3. Peintres Du Monde by Gerry Joe Weise. Edition Ad Hominem Reims, France.
1991, November/December. Exhibition catalog. Gerry Joe Weise - l'Utopie. Article by Jean-Marie Le Sidaner. Espace AGF. Edition AGF, Reims, France.
1993, April. CAC Mag art magazine. Gerry Joe Weise - Earth Spiral. Edition CAC, Brussels, Belgium.
1997, January/February. Exhibition catalog. Gerry Joe Weise - Earth Painting. CCA, Munich, Germany.
2006, February. JF art magazine. Nightscapes - Gerry Joe Weise. Jam Factory editions, Adelaide, Australia.
2007, October. Exhibition catalog. Where To Now. Artists Space New York. Art Now editions, NYC, USA.
2007, October/November. Art Zac magazine, N#72. Where To Now Artists by David Kellner. Art Zac editions, NYC, USA.
2007, November. Exhibition catalog. Gerry Joe Weise - Nature Wide. Junction Gallery. Zart Press, NYC, USA.
2007, December/January. Art Zac magazine, N#73. Gerry Joe Weise and Nature Art by David Kellner and Catherine Defrisco. Art Zac, New York, USA.
2015, February/March. Exhibition catalog. Ground Paintings. Perspective Horizon Gallery. Horizon Prints Ltd, Sydney, Australia.
2015, April. Exhibition catalog. Ground Paintings. Webster Art Gallery. Art Editions, Los Angeles, USA.
2016, February. Exhibition catalog. Ground Paintings. Transient Land Art Gallery. Trans Texts, Melbourne, Australia.
2016, May/June. Exhibition catalog. Land Art Multimedia Project. Warehouse 80. LAMP Editions, Sydney, Australia.
2017, February. Exhibition catalog. World Nature. Kingston Art Gallery. Jorge Contemporary Press, NYC, USA.
2017, May. Zoneone Arts magazine. A Conversation with Gerry Joe Weise by Deborah Blakeley. Melbourne, Australia.
2017, July. Book. Earth Art, by Gerry Joe Weise, Ludovic Gibsson. Earthworks Australia, USA.
2018, January. Book. Land Art, by Gerry Joe Weise, Ludovic Gibsson. Earthworks Australia, USA.
2019, May. Book. Environmental Art of Gerry Joe Weise, by Albert L. Sandberg, Chloe Mae Anders, Ludovic Gibsson. Earthworks Australia, USA.


This Egyptian pound to Indian Rupee (code: INR) converter is a fast and easy to use currency calculator. Convert Egyptian pound to Rupees (INR to EGP / EGP to INR currency convertion). The Egyptian pound is the currency of Egypt. The ISO currency code of the Egyptian pound is "EGP".


text:
Roscommon est une circonscription électorale irlandaise. Elle permet d'élire des membres du Dáil Éireann, la chambre basse de lOireachtas, le parlement d'Irlande. L'élection se fait suivant un scrutin proportionnel plurinominal avec scrutin à vote unique transférable.

Députés

1923–1969

1981–1992

Références

Ancienne circonscription du Dáil
Ancienne circonscription dans le comté de Roscommon

redpajama_set_name: RedPajamaWikipedia


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This type is used to return a result set.
Object that contains all operations to be done on a single layer.
Definition of Lidar query filter.
A Global Mapper Package object. Use GM_Package.LoadPackage() to create a Package object.
This type is used to fully describe a projection.
This type represents any adjustments to apply to elevation values within a gridded elevation layer.
Define a filter for Lidar classes with 1 bit for each Lidar class (from 0-255).
This type represents information about a map catalog. Use GM_GetLayerInfo for more generic information, like bounds.
Callback for being notified of GPS status changes.
Callback for retrieving progress for a long operation in Global Mapper. Return 0 from this if you want to cancel the operation.
Callback for selecting a projection. Return 1 if the projection structure has been filled in and should be used. Return 0 if the load should be aborted.
Different type of calculation kernels to use for density generation.
This enumeration lists the ways that line and area labels can be exported to DXF files.
Type defines what type of data a raster/elevation layer has. One or more of these flags can be set.
This type is OR'd with the mRotation member of the GM_PointStyle_t structure to specify symbol rotation sense.
Enumeration of projection attribute types. These values are shared with the Global Mapper DLL so it is important that their values to not change.
Enumeration of the projection types. This enumeration is shared by the plugins so it is important that the order not change and that new projections be added such that the enumerated value of existing projections is not disturbed.
Enumeration of the unit types. This enumerator is shared by plugins and the Global Mapper DLL interface, so it is important that the order does not change and that new units are added to the end.


text:
This is a short story about a long beard. A small story about a big incident that formed the style of this band.
A tale about two guys with a bass, harmonica, drums and a singer with the above-mentioned long beard.
Two guys on a mission to prove the world how powerful the blues can be.
Teaching their audience "no guitar player needed".
Many years ago, they once had a guitar player. One night, they were left with no money left to bail him out in that small town. With a number of empty whiskey bottles left in a destroyed hotelroom, there was no going back. They were left to their own unique sound.
Small band with a big sound. No guitar player needed.
Let them BLOW YOU AWAY!!!
What you hear ISN'T what you get! You´ll get a lot more here! Equipped only with a small "orchestra", (drums, harmonica, double bass and vocals), these 2 guys deliver blues at it´s best. Pure, raw, and hard-hittin'!
Drummer David Karlinger concentrates on his harmonica chops in this band and works the drums with his feet. Bernie Miller slaps that double bass and is the man on the microphone as well.
If you don´t believe that these two aren't enough to produce a forceful sound then you should witness the next live show of the two...
DeadBeatz
© DeadBeatz - BluesPunk from Austria | Datenschutz

redpajama_set_name: RedPajamaCommonCrawl


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text:
Tag Archives: Movies
Update! Lucio Fulci's CAT IN THE BRAIN Screenings!
July 15, 2016 grindhousereleasing
We've added more screenings to our summer 2016 U.S. theatrical release of Lucio Fulci's gore-drenched masterpiece CAT IN THE BRAIN!
Acclaimed Italian horror maestro Lucio Fulci, director of ZOMBIE and THE BEYOND, stars in this blood-soaked epic as a director being driven insane by his own movies. Fulci is thrust into an ultra-violent nightmare of death and depravity where murder and madness consume his sanity in a vortex of violence.
Here's where you can see the movie coming up! More theaters and dates coming soon; and pick up the deluxe 3-disc Blu-ray/CD set now at Amazon and Diabolik DVD!
7/15/2016 – Circle Cinema, Tulsa, OK
7/15/2016 – Plaza Theatre, Atlanta, GA
7/22/2016 – Capitol Theatre, Cleveland, OH
7/23/2016 – Cinema Casualties / Main Street Landing, Burlington, VT
7/24/2016 – Metrograph, New York City, NY
7/29/2016 – Music Box Theatre, Chicago, IL
7/31/2016 – PhilaMOCA, Philadelphia, PA
8/5/2016 – Hollywood Theater, Portland, OR
8/26/2016 – Cinefamily, Los Angeles, CA
8/31/2016 – Alamo Drafthouse, Littleton, CO
Blu-rayBlurayFulciGrindhouseGrindhouse ReleasinghorrorLucio FulciMoviesScreenings
Grindhouse Releasing Brings Lucio Fulci's 'CAT IN THE BRAIN' To Theaters, Blu-ray!
May 23, 2016 grindhousereleasing
The Most VIOLENT Movie Ever Made – Starring Godfather Of Gore Lucio Fulci!
HOLLYWOOD, Calif. — Grindhouse Releasing has set a July 12 street date for the new deluxe 3-disc Blu-ray edition of Lucio Fulci's nightmare classic CAT IN THE BRAIN. The movie will be touring theaters all over the U.S. this summer, starting June 2.
CAT IN THE BRAIN is a psychological masterpiece in the tradition of such cinematic classics as PSYCHO, STRAIT-JACKET, ERASERHEAD and Fellini's 8 1/2. Acclaimed Italian horror maestro Lucio Fulci, director of ZOMBIE and THE BEYOND, stars in this blood-soaked epic as a director being driven insane by his own movies. Fulci is thrust into an ultra-violent nightmare of death and depravity where murder and madness consume his sanity in a vortex of violence.
"CAT IN THE BRAIN is my favorite Fulci movie," says Grindhouse Releasing co-founder Bob Murawski. "How could it not be? It's wall-to-wall gore and stars Lucio Fulci playing himself. It delivers on all levels."
As with Grindhouse Releasing's #1 best-selling smash PIECES, the new Blu-ray release of CAT IN THE BRAIN will be issued in two versions: the standard release, and a special edition for collectors limited to 3,000 copies.
The limited version of the CAT IN THE BRAIN Blu-ray includes a glow-in-the-dark slipcover and an original portrait of Lucio Fulci created especially for this release.
Grindhouse Releasing advises all customers who want to be guaranteed a copy of the limited edition to pre-order from Diabolik DVD, as Diabolik customers will get first priority and will receive the set early.
Supplies are not expected to last long — if you do not pre-order from Diabolik DVD, there is no guarantee of receiving one of the limited collector's copies.
As an additional exclusive, Diabolik DVD is offering a special bundle that includes the CAT IN THE BRAIN Blu-ray and the official Lucio Fulci bobblehead from Cult Colletibles. This offer is limited to 500 copies, as these are the last of the numbered Lucio Fulci "Weird Wobbler" bobbleheads – when they're gone, they're gone!
CAT IN THE BRAIN Blu-ray specs:
– Hi-definition digital restoration of the original UNCENSORED DIRECTOR'S CUT
– Presented with English and original Italian language soundtracks
– In-depth interviews with director Lucio Fulci and cult superstar Brett Halsey (REVENGE OF THE CREATURE, RETURN OF THE FLY, THE GODFATHER 3)
– New interviews with composer Fabio Frizzi, screenwriter Antonio Tentori, cinematographer Sandro Grossi and poster artist Enzo Sciotti
– Lucio Fulci's heroic appearance at the 1996 NYC Fangoria Weekend of Horrors
– Original Italian theatrical trailer & gallery of stills and poster art
– Liner notes by Antonella Fulci, David J. Schow, Eli Roth and Martin Beine
– BONUS CD – the original soundtrack by Fabio Frizzi!
– Chilling GLOW-IN-THE-DARK slip cover – limited to first 3000 copies
– Mini portrait of Lucio Fulci – suitable for framing – limited to first 3000 copies
– PLUS OTHER SURPRISES!
CAT IN THE BRAIN screening dates:
6/2/2016 – Alamo Drafthouse, Omaha, NE
6/3/2016 – Moolah Theatre, St Louis, MO
6/3/2016 – Texas Theatre, Dallas, TX
6/3/2016 – Chalmette Movies, Chalmette, LA
6/4/2016 – Moolah Theatre, St. Louis, MO
6/5/2016 – Alamo Drafthouse S. Lamar, Austin, TX
6/10/2016 – Hollywood Theater, Pittsburgh, PA
6/15/2016 – Alamo Drafthouse, Richardson TX
6/17/2016 – Coolidge Corner Theatre, Boston, MA
6/19/2016 – Alamo Drafthouse Mission, San Francisco, CA
6/20/2016 – Alamo Drafthouse Westlakes, San Antonio, TX
6/21/2016 – Alamo Drafthouse, Dallas, TX
6/22/2016 – Alamo Drafthouse, Ashburn, VA
6/25/2016 – Alamo Drafthouse Vintage Park, Houston, TX
6/25/2016 – Alamo Drafthouse, Lubbock, TX
6/25/2016 – Alamo Drafthouse, El Paso, TX
6/27/2016 – Alamo Drafthouse, Kansas City, MO
6/27/2016 – Alamo Drafthouse Laredo, TX
6/27/2016 – Alamo Drafthouse, New Braunfels, TX
6/27/2016 – Alamo Drafthouse Park North, San Antonio, TX
6/28/2016 – Alamo Drafthouse, Winchester, VA
6/29/2016 – Alamo Drafthouse, Yonkers, NY
7/1/2016 – Frida Cinema, Santa Ana, CA
7/1/2016 – Guild Cinema, Albuquerque, NM
7/1/2016 – Gateway Film Center, Columbus, OH
7/8/2016 – Grand Illusion Cinema, Seattle, WA
7/13/2016 – Film Scene, Iowa City, IA
"A shattering exposition of gore, mutilation and sordid sex, certain to satisfy the sick set. A MASTERPIECE!"
– David F. Friedman, legendary producer of BLOOD FEAST and ILSA, SHE WOLF OF THE S.S.
"The fun never stops! Sadism, carnage, brutality, lust and utter psychosis delivered as only Lucio Fulci can."
– CLIVE BARKER, director of HELLRAISER
More theaters and screening dates coming soon! Visit GrindhouseReleasing.com for updates!
Facebook: https://www.facebook.com/Grindhouse-Releasing-125392227536411/
Twitter: @GrindhouseFilm
For theatrical bookings and publicity, contact David Szulkin [email protected]
Blu-rayBob MurawskiBrett HalseyCat in the BrainCultCult MoviesDavid SzulkinExploitation MoviesFulciGrindhousehorrorItalian HorrorLucio FulciMoviesScreenings
Grindhouse Releasing Update!
October 3, 2015 grindhousereleasing
As Bob Murawski and the team at Grindhouse Releasing are hard at work completing the upcoming Blu-ray releases including PIECES, I DRINK YOUR BLOOD, CAT IN THE BRAIN, and SCUM OF THE EARTH, the leading horror and exploitation film distributor is unleashing a nationwide series of theatrical screenings of Sam Raimi's original EVIL DEAD in advance of the new ASH VS. EVIL DEAD series on Starz! Also screening in theaters this Halloween season from Grindhouse Releasing are Lucio Fulci's THE BEYOND, Umberto Lenzi's CANNIBAL FEROX, Ruggero Deodato's CANNIBAL HOLOCAUST, and more!
10/3/2015 – EVIL DEAD, BeyondFest – Egyptian Theatre, Hollywood, CA – with Bruce Campbell!
10/3/2015 – CANNIBAL HOLOCAUST, Mile High Horror Film Festival, Alamo Drafthouse Littleton, Littleton, CO
10/4/2015 – THE BEYOND, BeyondFest – Egyptian Theatre, Hollywood, CA – with Fabio Frizzi / Frizzi2Fulci Live!
10/9/2015 – EVIL DEAD, Moolah Theatre, St Louis, MO
10/9/2015 – EVIL DEAD, Elm Road Drive-In, Warren, OH
10/9/2015 – CANNIBAL FEROX, Skyline Drive-in, Shelbyville, IN – double feature with THE GREEN INFERNO!
10/9/2015 – EVIL DEAD, Skyview Drive-In, Belleville, IL
10/10/2015 – EVIL DEAD, Skyview Drive-In, Belleville, IL
10/10/2015 – EVIL DEAD, Moolah Theatre, St. Louis, MO
10/10/2015 – EVIL DEAD, Elm Road Drive-In, Warren, OH
10/10/2015 – CANNIBAL FEROX, Skyline Drive-In, Shelbyville, IN
10/10/2015 – CANNIBAL HOLOCAUST, Donner Party Film Feast, Reno, NV
10/15/2015 – EVIL DEAD, Cinemagic Movies, Merrimack, NH
10/16/2015 – EVIL DEAD, Dixie Twin Drive-In, Dayton, OH
10/16/2015 – EVIL DEAD, Field of Dreams Drive-In, Tiffin, OH
10/17/2015 – EVIL DEAD, Central Cinema, Seattle, WA
10/17/2015 – THE BEYOND, Nightlight Cinema, Akron, OH
10/18/2015 – EVIL DEAD, Central Cinema, Seattle, WA – DCP
10/18/2015 – EVIL DEAD, Alamo Mainstreet, Kansas City, MO
10/22/2015 – EVIL DEAD, Cine Theatre, Athens, GA
10/23/2015- THE BEYOND, Skyline Drive-In, Shelbyville, IN
10/23/2015 – EVIL DEAD, Indiana University Cinema, Indianapolis, IN
10/23/2015 – EVIL DEAD, Jacob Burns Film Center, Pleasantville, NY
10/23/2015 – EVIL DEAD, Alamo Lubbock, Lubbock, TX
10/24/2015 – THE BEYOND, Skyline Drive-In, Shelbyville, IN
10/24/2015 – EVIL DEAD, Manor Theatre, Pittsburgh, PA
10/24/2015 – GRINDHOUSE RELEASING'S TRAILER APOCALYPSE, Coral Gables Art Cinema, Coral Gables, FL
10/24/2015 – PIECES, American Cinematheque – Aero Theatre, Los Angeles
10/24/2015 – EVIL DEAD, Alamo Vintage Park, Houston, TX
10/24/2015 – PIECES, Carlton Cinema, Toronto, ON
10/24/2015 – THE BEYOND, Carlton Cinema, Toronto, ON
10/25/2015 – EVIL DEAD, Cine, Athens, GA – DCP
10/25/2015 – EVIL DEAD, Alamo One Loudoun, Ashburn, VA
10/25/2015 – EVIL DEAD, Alamo S. Lamar, Austin, TX
10/26/2015 – THE BEYOND, Trylon, Minneapolis, MN
10/26/2015 – EVIL DEAD, Alamo Richardson, Richardson, TX
10/28/2015 – EVIL DEAD, Alamo Laredo, Laredo, TX
10/28/2015 – EVIL DEAD, Alamo Marketplace, New Braunfels, TX
10/30/2015 – EVIL DEAD, Loft Cinema, Tucson, AZ
10/30/2015 – EVIL DEAD, State Theater, Traverse City, MI
10/30/2015 – EVIL DEAD, North Park Theatre, Buffalo, NY
10/31/2015 – THE BEYOND, AFI Silver Cinema, Silver Spring, MD
10/31/2015 – EVIL DEAD, Castro Theatre, San Francisco, CA
10/31/2015 – EVIL DEAD, Alamo Drafthouse, Kalamazoo, MI
11/1/2015 – THE BEYOND, AFI Silver Cinema, Silver Spring, MD
11/1/2015 – PIECES, Film Society of Lincoln Center, NYC, NY
11/5/2015 – THE BEYOND, AFI Silver Cinema. SIlver Spring, MD
11/6/2015 – EVIL DEAD, Landmark Esquire Theatre, Denver, CO
11/8/2015 – AN AMERICAN HIPPIE IN ISRAEL, Olympia Film Festival, Olympia, WA
11/13/2015 – GRINDHOUSE RELEASING'S TRAILER APOCALYPSE, Olympia Film Festival, Olympia, WA
11/14/2015 – THE BEYOND, Olympia Film Festival, Olympia, WA
11/24/2015 – I DRINK YOUR BLOOD, Hollywood Theatre, Portland, OR
12/4/2015 – THE BEYOND, Landmark E Street Cinema, Washington, DC
12/5/2015 – CANNIBAL HOLOCAUST, ArtsQuest Center, Bethlehem, PA
35mmBlurayBRUCE CAMPBELLCannibal FeroxCannibal HolocaustCultDrive-InDVDEli RothEVIL DEADExploitationGREEN INFERNOGrindhouseGrindhouse ReleasinghorrorI DRINK YOUR BLOODLucio FulciMoviesPiecesRuggero DeodatoSAM RAIMIScreeningsThe BeyondUmberto Lenzi
Duke Mitchell's GONE WITH THE POPE: It's A Hit!
April 5, 2015 grindhousereleasing
This Easter, home video audiences are celebrating the miraculous resurrection of Duke Mitchell's GONE WITH THE POPE, the long-lost follow up to the smash hit MASSACRE MAFIA STYLE! At last, the cult hit hailed as "a glorious masterpiece" (Detroit Metro Times) is here on home video!
Legendary nightclub entertainer, crooner and "Mr. Palm Springs" Duke Mitchell stars in GONE WITH THE POPE as a gangster with an unholy scheme: to kidnap the Pope in exchange for the ransom of a dollar from every Catholic in the world! Duke Mitchell filmed GONE WITH THE POPE in 1975, but the movie was left unfinished at the time of his passing in 1981. Sage Stallone and Bob Murawski of Grindhouse Releasing rediscovered GONE WITH THE POPE in 1995 and vowed to save it from obscurity. Academy Award-winning film editor Murawski (THE HURT LOCKER, SPIDER MAN 1, 2 & 3, ARMY OF DARKNESS) spent 15 years completing GONE WITH THE POPE from the surviving film elements. The result is the Holy Grail of Exploitation Cinema!
GONE WITH THE POPE played exclusively in 35mm at theaters and festivals around the globe for five years. The film has played repeatedly to an enthusiastic cult audience at the Quentin Tarantino-owned New Beverly Cinema in L.A. and the fantastic story of its unlikely rescue and restoration was featured in Variety, LA Weekly, Movieline, and the Los Angeles Times.
Now Grindhouse Releasing has at last answered years of worldwide demand for GONE WITH THE POPE on home video with a stunning deluxe Blu-ray/DVD set…and it's a hit! Customers are already calling it the cult Blu-ray release of the year!
http://www.amazon.com/Gone-With-Pope-Blu-ray-Combo/dp/B00TA9VS6C
Available now, along with Grindhouse Releasing's acclaimed, best-selling new Blu-ray editions of MASSACRE MAFIA STYLE and Lucio Fulci's THE BEYOND, Duke Mitchell's GONE WITH THE POPE is being hailed as a miracle by fans and critics alike!
"There's miracle work, and then…well, there's this Blu-ray disc. I cannot get over how phenomenal Gone with the Pope looks in high-def. The clarity and staggering level of detail outclass just about every last Blu-ray release I've come across, regardless of age, budget, or marquee value. An absolutely incredible effort…Gone with the Pope is one of a kind: crude, violent, offensive, unapologetic, deeper than it lets on, and a hell of a lot of fun. I doubt if there's any other filmmaker, dead or alive, who could pull this off the way Duke Mitchell does. I defy anyone not to be floored by the complete package that Grindhouse has assembled here, one that's twenty years in the making. The visual and aural presentation eclipse anything I ever could've dreamt possible for a lost production like this, and the sprawling selection of extras hammer home just how much of a labor of love this is. Highly Recommended." – DVD Talk
"Gone With The Pope is testament to how ambition and passion are always more important than a big budget or a famous cast. It's a film like no other, an eighty-two minute barrage of ideas that are simultaneously insane and profound as Mitchell takes on the hypocrisy of organized religion without ever really writing off the spiritual side of life. It's a skewed and strange vision to be sure but it's relentlessly entertaining, as politically incorrect as they come and really just a wild ride all together. Grindhouse Releasing have rolled out the red carpet for the film, giving it the best possible presentation and jamming the disc with extras that are as interesting as they are comprehensive." – Rock! Shock! Pop!
"Grindhouse Releasing kills it with this release of a long lost and unfinished film that will turn in to a classic piece of exploitation. A beautiful restoration job and lovingly packed with special features, GONE WITH THE POPE is a must own for any exploitation film fan!" – Celluloid Terror
"Grindhouse Releasing's work here has resulted in one of their finest achievements. They went beyond honoring a film's legacy here: they actually resurrected, restored and finished an abandoned work. They really earned their tag as "the Criterion Collection of exploitation" with this impressive set." – Schlockmania
"I'm happy to say that it was worth the wait. Gone with the Pope – as well as Grindhouse Releasing's presentation of it – surpassed any expectation that I had. Very weird, very 70s, and very much the product of an individual who knew exactly what he wanted. It's a shame that Duke Mitchell didn't live long enough to see his work get the treatment that it is getting now, but he can rest easy know that it is in great hands and it looks f*cking amazing. Another indispensable release from Grindhouse Releasing." – Paracinema
GONE WITH THE POPE is continuing to run in 35mm in theaters. The movie was featured in the 2015 Boston Underground Film Festival and opens this Friday, April 10 at the Gateway Film Center in Columbus, OH. http://gatewayfilmcenter.com/gone-with-the-pope-35mm/
Duke Mitchell's MASSACRE MAFIA STYLE will show in Portland at the Hollywood Theatre April 28. http://hollywoodtheatre.org/massacre-mafia-style/
Get the mind-blowing MASSACRE MAFIA STYLE Bluray/DVD here!
http://www.amazon.com/Massacre-Mafia-Style-Blu-ray-Combo/dp/B00R8O809O
Bob Murawski on the Restoration of GONE WITH THE POPE
Revisiting GONE WITH THE POPE, The Exploitation Jewel with an Unlikely Oscar Twist
About Grindhouse Releasing:
Grindhouse Releasing is a Hollywood-based film distribution company co-founded in 1996 by Sage Stallone and Academy Award-winning film editor Bob Murawski. Devoted to preserving, restoring and releasing the best in exploitation cinema, the label has earned the rep of "The Criterion Collection of cult" for its no-expense-spared restorations of such celebrated Italian horror films as Lucio Fulci's THE BEYOND, Umberto Lenzi's CANNIBAL FEROX, and Ruggero Deodato's CANNIBAL HOLOCAUST. Through the Box Office Spectaculars imprint, Grindhouse has released David Durston's I DRINK YOUR BLOOD, Lucio Fulci's CAT IN THE BRAIN, and J.P Simon's chainsaw classic PIECES.
In recent hyears, Grndhouse Releading has entered the Blu-ray market with acclaimed special editions of Amos Sefer's AN AMERICAN HIPPIE IN ISRAEL,starring Asher Tzarfati and Shmuel Wolf, Robert Hartford-Davies' CORRUPTION, starring Peter Cushing, Sergio Sollima's THE BIG GUNDOWN, starring Lee Van Cleef and Tomas Milian, and the #1 best-seller CANNIBAL HOLOCAUST, starring Robert Kerman and Carl Gabriel Yorke. In 2015, Grindhouse Releasing won the Satellite Award for Outstanding Overall Blu-ray/DVD for its special edition of Frank Perry's THE SWIMMER, starring Burt Lancaster, which includes the original documentary "The Story of THE SWIMMER" by Academy Award winning film editor Chris Innis (THE HURT LOCKER).
Grindhouse Releasing once again scored a #1 Amazon best-seller in 2015 with the lavish 3-disc Blu-ray/CD release of Lucio Fulci's THE BEYOND, sure to top the list of the year's best horror discs. MASSACRE MAFIA STYLE and GONE WITH THE POPE are among the most long-anticipated titles in the Grindhouse Releasing catalog and the lvish Bu-ray/DVD sets are rapidly gaining acclaim as some of the studio's finest work to date. Grindhouse Releasing is also the most active independent theatrical distributor of classic horror and exploitation films in the U.S., handling Sam Raimi's original classic EVIL DEAD and other genre landmarks in addition to its own catalog of titles. Upcoming Blu-ray releases from Grindhouse include CANNIBAL FEROX, out May 12, and more to be announced soon!
For more about Grindhouse Releasing, visit www.GrindhouseReleasing.com
Facebook: https://www.facebook.com/pages/Grindhouse-Releasing/125392227536411
Theatrical bookings: [email protected]
BlurayBob MurawskiChris InnisCultCult MoviesDuke MitchellDVDExploitation MoviesGangsterGangster FilmsGone with the PopeGrindhouseGrindhouse ReleasingMassacre Mafia StyleMoviesSage Stallone
Grindhouse Releasing Presents CANNIBAL FEROX Blu-ray!
March 16, 2015 grindhousereleasing
Grindhouse Releasing is proud to present Umberto Lenzi's CANNIBAL FEROX in a new 3-disc Blu-ray/CD edition! Scheduled for release May 12, this deluxe set is available now for pre-order exclusively from Diabolik DVD!
Banned in 31 countries, CANNIBAL FEROX assaults your senses as a group of Americans lost in the jungles of Amazonia experience brutal retribution at the hands of blood-crazed cannibals. Shot on location in the savage Amazon wilds of South America, CANNIBAL FEROX is one of the most violent and shocking films ever made. There are at least two dozen scenes of barbaric torture and sadistic cruelty graphically shown. If the presentation of disgusting and repulsive subject matter upsets you, please do not view this film.
– Original UNRATED, UNCENSORED director's cut
– Spectacular new 2K transfer – scanned from the original camera negative
– SHOCKING deleted scenes – lost for over 30 years!
– Breathtaking digital stereo re-mix by Academy Award winner Paul Ottosson
– Optional Italian language soundtrack and original mono mix
– Candid and shocking audio commentary by director Umberto Lenzi and star John Morghen
– Provocative, in-depth interviews with director Umberto Lenzi, stars Giovanni Lombardo Radice, Danilo Mattei and Zora Korowa, and special effects master Gino DeRossi
– EATEN ALIVE! THE RISE AND FALL OF THE ITALIAN CANNIBAL FILM – all-new feature-length documentary containing interviews with Umberto Lenzi, Ruggero Deodato, Sergio Martino, Giovanni Lombardo Radice, and Robert Kerman
– Original Italian, German and U.S. theatrical trailers
– Extensive gallery of stills and poster art
– Glossy 12 page booklet containing liner notes by legendary 42nd Street historian Bill Landis (author of THE SLEAZOID EXPRESS) and Eli Roth (director of HOSTEL and THE GREEN INFERNO)
– BONUS CD – original soundtrack album by Budy-Maglione – newly remastered in stunning 24 bit/96khz sound from the original studio master tapes, and including never-before-released alternate takes
– Beautiful embossed slip cover
– AND OTHER SURPRISES!
"Established a world drive-in record with a 98 on the Vomit Meter."
– Joe Bob Briggs
"A stark and savage viewing experience… one of those rare movies that can transcend rational analysis."
– Kevin Grant, DELIRIUM
"The definitive cannibal film."
– Steve Bissette, DEEP RED HORROR HANDBOOK
"So outrageous and brazen in its attempt to shake up the somnambulant cynical viewer that it goes well beyond what you're used to seeing."
– Chas. Balun, HORROR HOLOCAUST
"Ultraviolent and unrelenting. It beats you to a bloody pulp."
– Bill Landis, SLEAZOID EXPRESS
"The STEP-MOTHER of all cannibal films. A genre CLASSIC!"
– Eli Roth, director of HOSTEL and THE GREEN INFERNO
Color – 1.85:1 – 1981 – 93 minutes – UNRATED – Region A
CANNIBAL FEROX Deluxe Edition copyright 2015 Grindhouse Releasing, Inc.
Visit www.GrindhouseReleasing.com for updates and news on our Blu-ray releases and screenings of CANNIBAL FEROX, GONE WITH THE POPE, MASSACRE MAFIA STYLE, PIECES, THE BEYOND, CANNIBAL HOLOCAUST, SCUM OF THE EARTH, and the 35mm theatrical-only smash hit TRAILER APOCALYPSE!
Grindhouse Releasing on Facebook: https://www.facebook.com/pages/Grindhouse-Releasing/125392227536411
Bill LandisBlu-rayCannibal FeroxChas. BalunCultDanilo MatteiEli RothExploitationExploitation MoviesGino De RossiGiovanni Lombardo RadiceGoreGrindhousehorrorItalyJoe Bob BriggsJohn MorghenLorraine De SelleMake Them Die SlowlyMoviesRobert KermanRuggero DeodatoSergio MartinoUmberto LenziZora Kerova
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Duke Mitchell in GONE WITH THE POPE (1976/2010)
CANNIBAL FEROX (1981)  "The STEP-MOTHER of
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AN AMERICAN HIPPIE IN ISRAEL
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THE TOUGH ONES
JANUARY 2020 UPDATE: GRINDHOUSE RELEASING ONLINE STORE, UPCOMING SCREENINGS, BLU-RAY NEWS
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Grindhouse Releasing Presents Umberto Lenzi's THE TOUGH ONES


text:
How stadiums are bringing fans back from homes to the grounds?
Television technology has improved and also ticket prices at various stadiums. Hence, franchises are investing in relocating or renovating existing stadiums. Technology is being incorporated too.
Below, we try to give you highlights of such innovated stadiums.
1. Gillette Stadium
Team: New England Patriots
Not having a WiFi at a stadium can be extremely frustrating especially for fans who love to tweet and upload pictures by using overloaded 3G or 4G networks. Good to know that for the Patriots fans, Enterasys has now become the network provider of Gilette Stadium.
Fans can access free high speed internet that is high density. Enterasys has enabled 360 access points and also antennae throughout the stadium. The popular game-day-app can be accessed by fans. This app allows fans to watch replays from various angles. Cameras have been installed at several parts of the stadium. The replays give the fans an at-home-like experience.
2. Marlins Park
Team: Florida Marlins
The roof of the Marlins Park stadium has a provision for all kinds of weather: it is a retractable roof that takes only 15 minutes to close so that fans are comfortable and not bothered by rain clouds any more. This is also eco-friendly and is Gold Certified by Leadership in Energy Environmental Design and is the most sustainable MLB ballpark.
Also there is a batting tunnel that helps players prepare way ahead of their upcoming match. There are four HD computer monitors that assist players in watching tapes. A combination of technology and cages helps players prepare well especially with feedback from the intelligent system of mechanics at place.
3. AT&T stadium
Team: Dallas Cowboys
This is a $1.2 billion stadium that hosted the Super Bowl in 2011.
This is a 100,000 seat capacity stadium that also has a retractable roof. It now has the world's largest HDTV- two 2,100-inch 1080p LED displays that cost around $40 million, show live play, game statistics and replays that can be watched throughout the game. The displays use up a lot of energy.
This stadium has a 212 number of concession stands and 665 points of sale terminals. This means that fans can order from just about anywhere. They can use their phone to order and pay and never leave their seat.
This is also an experience that one might have while at home.
4. Quicken Loans Arena
Team: Cleveland Cavaliers
Cleveland Cavaliers along with other teams in the NBA are now using a technology that is similar to the Israeli optical missile-tracking technology named SportVU. This system can track player's speed, shot, arc, etc the number of dribbles as well as many other statistics.
This stadium also has a 92 number of luxury suites with SmartTehnology. This too like other counterparts allows patrons to buy food , merchandise and purchase tickets from a provided iPad.
www.sporttechie.com
Germans the new bearers of…
Sporting Venues Embrace Renewable Energy
Goal Line Technology:World Cup 2014…
Technology Brings Fans to the…
Efficient London 2012
SPORTS VENUES: AVENUES OF REVENUE


Terrell Owens, one of the top pro football players in recent history and probably the most electrifying personality in the sport, will guest star in the season finale of USA Network's hit series NECESSARY ROUGHNESS on Wednesday, September 14 at 10/9c.
Owens will be putting the pads back on for his role as All-Pro Safety/Cornerback Kevin "The Mine-field" Minnifield, star of the football team that the NY Hawks face in the play-offs and TK's (Mehcad Brooks) lifelong rival on the show.
NECESSARY ROUGHNESS has been a break-out hit in its first season averaging 5.8 million viewers a week. The series centers around Dr. Dani Santino (Callie Thorne), a Long Island psychotherapist whose personal life unravels when she finds her husband cheating. Diving fully into her work, she takes on the challenge of rehabbing a bad boy professional football player (Mehcad Brooks) whose off-the-field antics threaten his career and the team franchise. Underestimated at every turn, she succeeds beyond expectations and soon finds herself as the most sought-after therapist for high-profile clients. Athletes, entertainers, politicians and others living in the spotlight clamor for her unique brand of tough love therapy during their moments of crisis. Although her career is reenergized, it wreaks havoc on her life as a newly minted single mom of two teenagers. Recognizing her ability to change people's lives, she's determined to strike a balance between both worlds.


CJC-1295 DAC is a synthetic drug substance from the Group of peptides with strong hyperplastic and strong anabolic effect. In human medicine, CJC-1295 DAC has also great importance. CJC-1295 DAC 2mg is unfair as doping substances in order to build muscle and performance.
In the HumanmediziPeptide in treatment of hormonally-related reduced growth using n. Other possible indications include anorexia, cachexia, osteoporosis, or muscular dystrophy.


A few weeks ago rescue and the Underdogs family lost an amazing supporter, volunteer and foster home. The world lost an amazing soul, someone who made a difference by just being in the room. Christine was in the Underdogs family as a volunteer, foster home, creator of our newsletter, and a friend. The first time we met Christine she was willing to open her home to a dog that no one wanted, she never hesitated, and from that moment on she welcomed every challenge in rescue with grace, integrity and dedication. Her creativity, spirit and fierce dedication to everything she loved will always be remembered and cherished. For every challenge we will miss her, and for every victory we will celebrate with her, and every day in between her light will always be remembered.
We want to honor Christine's life in rescue and the training world the best way possible, so we have decided to create a fund that will help families keep their pets that might not be able to afford HUMANE training. Training was something Christine was so passionate about and so highly respected for it. The fund will be called the CHRISTINE NORMAN MEMORIAL FUND in hopes of helping many families who otherwise would have to consider much harder choices with their pets. This is continuing Christine's work in always helping people and dogs together. We will be posting an application for people who are in need of this fund. For now, please email Jade or Natasha to get you started.
What could we really say about Christine that everybody doesn't already is know? We could all agree that she was the most thoughtful person, the most generous person, and most of all the kindest soul we have ever been able to know. I can still remember the first time I talked with her when she offered to take on an older pit bull from Ontario that no one else was willing to help. She didn't even blink an eye at saying yes. Christine grew to be someone that I wasn't just working with in rescue, but someone I was lucky enough to call a friend. There were many conversations we would have and I always left feeling like we were kindred spirits. I will always miss her sense of humor, her thoughtfulness, her amazing artistry, and best of all her beautiful soul. Underdogs will never be the same without her, but will forever be better for having been with her. A quote that will always make me think of her is, "friendship is born at that moment when one person says to another; what! You too? I thought I was the only one" -C.S Lewis.
Love, and light. Whenever I was around Christine I felt this. The first time I met her she had made us necklaces to celebrate our love of dogs. That was just Christine, generous and kind. She was totally devoted to helping people and dogs and never shied away from a challenge. She was the first to volunteer to stand in a booth all day wearing her newly altered Underdogs Tshirt and a gentle smile. The last time I spent with her we laughed and nibbled on the delicious pumpkin spice muffins she brought….homemade. Our day was full of honest candid conversation and laughter. Looking back I wish I would have hugged her one last time at that event. Her creativity, spirit and fierce dedication to everything she loved will always be remembered and cherished. For every challenge I will miss her, and for every victory I will celebrate with her, and everyday in between her light will always be remembered.


text:
Start your career today, we are hiring! Click Here
2022 Corolla & Corolla Hybrid in Woodbridge, ON
There is no doubt that Toyota is one of the best brands in the auto industry, attributed mainly to the constant innovations and technology used to manufacture its vehicles. Many people love cars that are not only powerful and spacious but also trendy. That's one of the reasons buyers in Canada tend to prefer the 2022 Corolla and Corolla Hybrid.
Overview Of The 2022 Toyota Corolla
The 2022 Toyota Corolla is a sleek and modern vehicle providing you with the latest features. It is available in sedan and hatchback body styles. In terms of changes, no significant features have been added to the Corolla. But a lot of people love it due to its fuel economy as well as its friendly features. If you are looking for a new car that is comfortable and environmentally conscious, you might consider buying the 2022 Toyota Corolla. It is a comfortable car to drive with plenty of standard safety features. Besides, it is one of the best vehicles in terms of fuel efficiency.
How About The Corolla Hybrid?
The Corolla Hybrid is also another impressive and fuel-efficient car. Although the 2022 Corolla is found as a hatchback, the Corolla Hybrid is only available in a sedan body type. But what puts the Corolla Hybrid ahead of the competition is its highly efficient powertrain and extensive suite of standard safety features. These are only a few attributes that make the Corolla Hybrid unique and preferable to many people. Besides that, several other advantages include low running cost, high reliability, city-friendly footprint, predictable handling, and road-trip worthiness. In general, the 2022 Corolla and Corolla Hybrid offer much more than a typical car would have. It is the best car for anyone who loves to save money on fuel and maintenance.
Learn more about Interior & Exterior Features
2022 Toyota Corolla in Woodbridge, Ontario
2022 Toyota Corolla Exterior
Efficiency is what defines the exterior design of the 2022 Corolla Hybrid. The vehicle comes with standard LED headlights and 15-inch alloy wheels that are much lighter than steel equivalents. On the other hand, the regular Corolla comes with 15-inch and 16-inch steel wheels on the base trim levels, which upgrade to 16-inch and 18-inch alloy wheels for the rest of the lineup. Some buyers are often attracted to the Toyota Corolla Hybrid's unique styling, while others like the non-hybrid exterior design. It all depends on your taste and style preference.
2022 Toyota Corolla Interior
The inside of the 2022 Corolla is not only attractive and also comfortable. The cabin appears solid and well packed. The materials inside comprise a combination of hard and soft-touch plastics. But the main focus of the latest Toyota Corolla is the tablet-like infotainment touchscreen, which can be seen directly above the dashboard. The rear seats divide and fold in a 60/40 design similar to the non-hybrid Corolla. Although the Corolla Hybrid accommodates a battery pack, there is still adequate trunk space.
Auto Financing in Woodbridge, Ontario
Many buyers in Canada often face the challenge of accessing affordable auto financing options, partly because of the few providers available and the lack of proper information about car financing. But it is essential to compare different options available to get a better deal. Our Finance Centre has helped many people fulfill their dreams of owning cars by offering affordable car financing options in Woodbridge, Ontario, and the surrounding area. All you need to do is decide on the vehicle you want to purchase and provide us with the relevant documents for loan processing.
Contact our Finance Centre today and book an appointment with us. You can also visit our dealership and look at our latest inventory of Toyota Hybrid Cars and SUVs.
We're here to help you by going over every option clearly and will find the right plan.
Proud to offer competitive prices, we work hard to leave more money in your pocket.
Start Your Purchase Online in Woodbridge, Ontario at Woodbridge Toyota.


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text:
namespace
{

// This is only done here for demonstration purposes.
// DO NOT DECLARE STATIC OR GLOBAL WIDGETS IN YOUR PROGRAMS.
// We simply cannot guarantee that it will work in every case.
// We have to reset this std::shared_ptr at the end of the program.
sfg::Window::Ptr window;

// This is the first possibility you have of connecting a signal handler.
// You just pass it the address of a normal function:
// button->OnLeftClick.Connect( &Foo );
void Foo() {
	window->SetTitle( "Foo" );
}

// This is the third possibility. You create instances of a class and
// define their behavior on a per instance basis. Depending on the pointer
// of object you pass to Connect() the same method gets called on different
// objects leading to different behavior.
// You would pass Connect() the method address and a pointer to the object:
// button->OnLeftClick.Connect( &BazClass::Baz, &baz1 );
class BazClass {
	public:
		BazClass( int m_type );
		void Baz();

		int m_type;
};

// In this example we tell the object how it is to behave by setting
// it's type in the constructor.
BazClass::BazClass( int type ) :
	m_type( type )
{
}

void BazClass::Baz() {
	// This is where the object picks how it is going to behave
	// based on it's type.
	switch( m_type ) {
		case 1:
			window->SetTitle( "Baz1" );
			break;
		case 2:
			window->SetTitle( "Baz2" );
			break;
		case 3:
			window->SetTitle( "Baz3" );
			break;
		default:
			break;
	}
}

}

int main() {
	sf::RenderWindow app_window( sf::VideoMode( 800, 600 ), "SFGUI Button Example", sf::Style::Titlebar | sf::Style::Close );

	// Create an SFGUI. This is required before doing anything with SFGUI.
	sfg::SFGUI sfgui;

	// We have to do this because we don't use SFML to draw.
	app_window.resetGLStates();

	window = sfg::Window::Create();
	window->SetTitle( "Title" );

	auto box = sfg::Box::Create( sfg::Box::Orientation::VERTICAL );
	window->Add( box );

	// Possibility 1, normal function
	auto button1 = sfg::Button::Create();
	button1->SetLabel( "Clicky 1" );
	button1->GetSignal( sfg::Widget::OnLeftClick ).Connect( &Foo );
	box->Pack( button1, false );

	// Possibility 2, lambda function
	auto button2 = sfg::Button::Create();
	button2->SetLabel( "Clicky 2" );
	button2->GetSignal( sfg::Widget::OnLeftClick ).Connect( [] { window->SetTitle( "Bar" ); } );
	box->Pack( button2, false );

	// Possibility 3, objects
	BazClass baz_array[3] = { BazClass( 1 ), BazClass( 2 ), BazClass( 3 ) };

	for( int i = 0; i < 3; i++ ) {
		std::stringstream sstr;
		sstr << "Clicky " << i + 3;
		auto button = sfg::Button::Create();
		button->SetLabel( sstr.str() );
		// This is just a more complicated way of passing a pointer to a
		// BazClass to Connect() when the BazClass object is part of an array.
		// Passing normal pointers such as &baz1 would also work.
		button->GetSignal( sfg::Widget::OnLeftClick ).Connect( [&baz_array, i] { baz_array[i].Baz(); } );
		box->Pack( button, false );
	}

	// Notice that with possibility 3 you can do very advanced things. The tricky
	// part of implementing it this way is that the method address has to be
	// known at compile time, which means that only the instanciated object itself
	// is able to pick how it will behave when that method is called on it. This
	// way you can also connect signals to dynamically determined behavior.

	// For further reading on this topic refer to Design Patterns and as
	// specialized cases similar to the one in this example the
	// Factory Method Pattern and Abstract Factory Pattern.

	while ( app_window.isOpen() ) {
		sf::Event event;

		while ( app_window.pollEvent( event ) ) {
			window->HandleEvent( event );

			if ( event.type == sf::Event::Closed ) {
				return EXIT_SUCCESS;
			}
		}

		// Update the GUI, note that you shouldn't normally
		// pass 0 seconds to the update method.
		window->Update( 0.f );

		// Clear screen
		app_window.clear();

		// Draw the GUI
		sfgui.Display( app_window );

		// Update the window
		app_window.display();
	}

	// If you have any global or static widgets,
	// you need to reset their pointers before your
	// application exits.
	window.reset();

	return EXIT_SUCCESS;
}

redpajama_set_name: RedPajamaGithub


text:
Hydropower, SAF Hydropower, Lower St. Anthony Falls Lock and Dam
The Federal Energy Regulatory Commission (FERC) issued license number 12451 on February 21, 2006, granting the authority to SAF Hydropower, LLC, to construct and operate a hydropower facility on the Mississippi River at Lower St. Anthony Falls Lock and Dam in Minneapolis, Minnesota. The hydropower project includes an 8.98-megawatt generating system composed of a 16-unit turbine matrix, a control building, a transmission line and ancillary facilities. The total capacity of the plant is enough to provide power to 6,200 households.
SAF Hydro, LLC, is co-owned by Brookfield Renewable Energy and Spaulding Consultants and is operated by Brookfield Renewable Energy. Construction began in April 2009 and was completed in October 2011. Commercial operation began in December 2011.
The FERC license required the licensee to acquire real estate interests in the embankment located on the north side of the dam. This embankment, together with the Corps lock, dam and other structures make up the damming surface at the lower falls.
SAF Hydro and the U.S. Army Corps of Engineers signed an operating memorandum of agreement in November 2010 that included a hydropower regulating plan. The regulating plan may be updated as needed to accommodate the Corps navigation mission and the safety of boaters. Boat traffic at the lower lock is expected to decrease following the closure of Upper St .Anthony Falls lock to navigation.
Pertinent correspondence and filings are posted on the FERC eLibrary (http://elibrary.ferc.gov) under docket number P-12451.
Licensing of hydropower facilities by the FERC is governed by Part I of the Federal Power Act, 16 USC 791(a) – 825(r). Coordination between the FERC and the Corps regarding FERC licensing of hydropower at Corps facilities is also governed by a March 30, 2011, memorandum of agreement between the agencies.
Coordination during construction and re-licensing are funded under the operation and maintenance program, and these costs are reimbursed by the licensee to the U.S. Treasury through annual charges by FERC.
Federal Energy Regulatory Commission
Lower St. Anthony Falls Lock and Dam


After 3 years of consulting for the Boston Consulting Group, Ramin realizes that his true calling is in education. Since he was the child who admired his 4th grade teacher, he dreamed of becoming such an adult who would help children grow into independent and happy adults.
He decides to take a regular Math teaching job, convinced that he would be one of these rare teachers who will inspire his students and be remembered for life. After a few years practicing this noble and complicated profession, he gets to the conclusion that the actual design of school is an issue (curricula, timetables, age groups, classrooms...).
Inspired by Ken Robinson, he realizes that only a very small minority of children can thrive at school: only those who enjoy studying academic disciplines. Searching for radical alternatives, he discovers democratic schools, and more specifically Sudbury Valley School, where children are completely free to live their own lives.
Ramin is the cofounder of Ecole Dynamique (2015, Paris) based on the Sudbury concept, and the cofounder of EUDEC France, a network of now 19 democratic schools and 45 projects. His TED Talk reaches beyond 200 000 views.


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I swerved, I ducked, I ran.
Like a gnarled oak tree its shadow was there.
I ate, I fucked, I smoked.
Like an eagle its eyes pierced my heart.
I worked, I clung, I evaded.
Like a snow leopard it stalked me.
From the mountains, it struck.
I flailed, I fought, I begged.
I fought harder, it clung tighter.
Exhausted, panting, struggling, my strength faded.
After years of the chase, it had me.
To my surprise there was no attack.
To my shock there were no claws.
To my amazement there were no teeth.
My shoulders dropped, my heart slowed.
My eyes welled and my belly released.
After an eternity of running, I finally turned around.
I saw what I had feared.
It was desperate for love.
It was isolated in its own tundra shivering and cold.
"I only want what you want," it said.
Tears ran down its face.
It faded into the ice, smiling and content.
The ice melted into a great river flowing and free.
What was my fear was now my guide.
What once terrified me now carried me.
After an epic hunt, we are together once again.