text:
Smoked Out
By Van Smith
Feb 29, 2012 | 3:00 AM
When Jeremy Landsman was robbed
at gunpoint at a Greektown poker game in 2006, along with 20 other people, he said he hadn't been playing poker. "I'm in real estate," he said, explaining the $900 the robbers took from his wallet, which the cops quickly got back for him (
Mobtown Beat
, June 7, 2006), "so I always carry a lot of cash."
That was 2006, when people in real estate were expected to have fat wallets—but as the real estate market crashed and the Great Recession ensued, Landsman, who'll turn 32 in March, continued to expand his portfolio. His indeterminately large family of LLCs, many if not most of which have "JBL" in their names, manages and lists for sale others' properties, and owns or co-owns commercial, storage, and residential properties of its own. The most recent indicator of its near-decade of success was Landsman's planning-committee role in the International Conference of Shopping Centers (ICSC) conference at the National Harbor on Feb. 21 and 22, with
[Most read] Rain Pryor, daughter of comedian Richard Pryor, files to run for Baltimore City Council »
's William Kristol as the keynote speaker.
But even as the ICSC conference was winding down, Landsman's star was darkening. Since December 2010, he'd secretly been a defendant in a partially sealed marijuana-conspiracy indictment in which the federal government seeks to take ownership of $30 million worth of allegedly ill-gotten gains. On Feb. 22, this fact was revealed in the court docket, and the next day
obtained a copy of the fully unsealed indictment.
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The conspiracy case had been populated by nine named and six unnamed co-defendants accused of moving pot grown in Canada and Northern California to warehouses in Maryland, where it was divvied up for sale in Maryland, Pennsylvania, Louisiana, Kansas, Florida, Ohio, North Carolina, Georgia, and elsewhere. The scheme the indictment describes was vast and enduring: From at least 2001 until June 2009, the conspirators moved pot and cash using "aircraft, tractor trailers, commercial carrier, trains and other vehicles, including at least one vehicle containing a trap device to secrete items for transport."
Landsman "distributed marijuana, brokered other conspirators' purchases of marijuana and maintained several properties used for marijuana distribution," the indictment alleges.
In addition to seeking forfeiture of $30 million in assets, the indictment aims for the government to keep more than $70,000 in cash seized by law enforcers in 2009 and 2010 and to gain forfeiture of real estate in Sonoma County, Calif., and two properties in Baltimore, including garages behind Keswick Avenue in Hampden owned by JBL Keswick LLC, one of Landsman's many real estate companies.
"I have no comment," Landsman, whose legal name is Jeremiah Brandon Landsman, told
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over the phone on Feb. 23, before abruptly hanging up.
Barry Pollack, an attorney who says he represents Landsman, sent an e-mailed comment on Feb. 24, stating, "Jeremy Landsman has operated a successful real estate business in Baltimore for nearly a decade. He takes this matter very seriously and has asked me to represent him. We will not comment further until the case has been resolved."
Early last year, JBL partnered with David Berg, of the Berg Corporation demolition firm, in purchasing the downtown property that houses Sonar, a sizable nightclub across from the Hollywood Diner near City Hall. The purchase occurred after the indictment was handed down but before Sonar's main owner, Daniel McIntosh, was revealed as a co-defendant in the case (The News Hole, July 8, 2011 ). McIntosh also co-owns McCabe's Restaurant, a popular eatery on Falls Road in Hampden; JBL is McIntosh's landlord there too.
The indictment describes McIntosh as a large-scale pot distributor who allegedly "picked up," "delivered," and "unloaded large shipments" once they arrived in Maryland. McIntosh and another defendant—Anthony Marcantoni, an alleged large-scale distributor on supervised release for a prior federal pot felony—are the only two whose businesses are named in the indictment. While Marcantoni's business, a martial-arts studio in Owings Mills called Ground Control, is described in the indictment as having been used in the scheme, McIntosh's are not.
Marcantoni is facing a possible life sentence if convicted, and is being detained pending trial. His lawyer, Steven Levin, has been fighting—so far unsuccessfully, but with an appeal pending—to have him released to await trial. "Mr. Marcantoni maintains his innocence," Levin says, "and is looking forward to regaining his freedom pending trial."
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At one of Marcantoni's detention hearings in the case, Maryland State Police Sgt. Lee Link, who worked out at Ground Control, testified as a character witness, calling Marcantoni "a friend" and "confidant" who "has a good heart" but has "made bad decisions in the past," according to the hearing transcript. The prosecutor contended that Marcantoni "was facilitating his drug activity . . . right under the noses of law enforcement who use that gym." Link, reached by phone recently at the MSP's Glen Burnie Barracks, said "I no longer go to that gym" since Marcantoni's legal troubles "came to light."
The case has been marked by intrigue from the start, given that so many names had remained blacked out in court documents. As several of the defendants appeared in court last spring and summer, their identities—Andrew Sharpeta, Keegan Leahy, Sean Costello, Ian Travis Minshall, Michael Phillips, Adam Constantinides, and Joseph Spain, in addition to McIntosh and Marcantoni—were revealed, but little else was, other than the general accusations against them.
When Landsman and the five other sealed defendants—Matt Nicka, David D'Amico, Gretchen Peterson, Jeffrey Putney, and Daniel Fountain—were revealed, more came into focus. State court and real estate records show Landsman's ties to Nicka, who allegedly "supervised and directed" the scheme's activities, "recruited conspirators," and "obtained large quantities of marijuana in exchange for bulk currency payments," according to the indictment; Putney, who allegedly handled logistics by picking up, delivering, and unloading shipments as he "accessed residences and storage units where marijuana was kept"; and two alleged mid-level dealers, Fountain and Minshall.
In 2009, Minshall was arrested when police executed a search warrant at a JBL-owned property at 3835 Falls Road, next to McCabe's. The raid turned up approximately 32 pounds of high-grade pot that sells for $5,000 per pound, for a street value of $160,000, along with nearly $17,000 in cash, a money counter, a digital scale, and a heat sealer. Two weeks later, Putney was arrested for large-scale pot possession (prosecutors later declined to proceed with the charges), and the case record gives two addresses for him: one in Santa Cruz, Calif., and the other at a JBL-owned property, 3522 Hickory Ave., in Hampden.
In 2008, a JBL company acquired a home at 1207 Weldon Ave., in Medfield from Anthony Thacker—one of the many aliases the indictment ascribes to Nicka, the conspiracy's alleged supervisor—for free, and then sold it in 2009 for $226,500. The property is two doors down from the house posted as bail for McIntosh's release pending trial.
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Fountain was picked up by the U.S. Marshal's service in California in late January on the pot-conspiracy charges, and was described in court papers as a fugitive. In 2007, he incorporated DB5K Gallery, an art gallery in Fells Point, using as a contact address a property near the Baltimore Beltway that is co-owned by Landsman. Fountain and Landsman have shared that address—7203 N. Charles St.—in court records, and Fountain has also used in court records another address at a JBL development on Portugal Street in Fells Point.
On its web site, JBL (
jbl-realestate.com
) describes 10 of its projects. McCabe's and Portugal Street are two of them. The others are a Fells Point tavern; a salon on the Avenue in Hampden; a shopping center in Lauraville/Mayfield; storage garages in Highlandtown; the LaTerra building in Hampden, which also has storage garages for rent; the Pinkney Manor apartments in Northwest Baltimore; a retail office building in Arbutus that it converted to mixed use with residences; and the Bell Foundry, a Greenmount West building populated by artists and students. JBL's real-estate agents, including Landsman, currently list 34 office, retail, restaurant, bar, land, or mixed use properties for sale in Baltimore and surrounding areas, including seven in Washington, D.C. (Disclosure: JBL hosted a
Latest Baltimore City Paper
Woods: Don't Mourn, Organize
City Paper reflections
Savage Love: Degrading Games
Herrick: Commie pot orgy—don't tell my parents
Giordano: Everything looks worse in black and white
photography exhibit at a property it co-owns at 231-235 Holliday St., near Sonar, in June 2011.)
The U.S. Attorney's Office declined to say anything about the case, citing its policy against commenting on pending matters. The trial is scheduled to start on Sept. 11 and last for eight weeks.
Trials and Arbitration
The cheap bastard's guide to Baltimore baseball


Despite their sneaky tactics, Jesus finds a way to communicate spiritual truth to the Pharisees in this account. They were using this question to trap Jesus. Instead He uses this as an opportunity to convey very important spiritual truths. In these two commands, He summarizes the Ten Commandments that were given to Moses on Mt. Sinai (see Exodus 20). He tells the religious leaders that they must "love" or "value" God above all else. Then He tells them that they must "love" or "value" others as they would themselves.
What does it mean to "love" God above all else? What does it mean to "love" your neighbor as yourself? Are we supposed to "love" ourselves? What does this mean? Does equating the word "love" with "value" bring clarity to these commands? Where does our worth or value come from (see Genesis 1:26)? Does this change the way you view yourself?


text:
Hallie E Hays Queen
Name Hallie E Hays Queen
Person ID I20484 Rossville
Family Creed T Queen
Married 15 May 1915 Caldonia, Washington County, Missouri
1. Calvin E Queen, b. 18 Feb 1925, Paradise, Russell County, Kansas , d. 4 Mar 1986, Denver, Denver County, Colorado (Age 61 years)
+ 2. Donald Wayne Queen, b. 3 Apr 1929, Beverly, Lincoln County, Kansas , d. 31 Mar 1993, Topeka, Shawnee County, Kansas (Age 63 years)
3. Doris Queen Anderson, b. 3 Apr 1929
4. Billie Joe Queen, b. 9 Mar 1934, Grove, Shawnee County, Kansas , d. 17 Mar 1986, Topeka, Shawnee County, Kansas (Age 52 years)
+ 5. Geraldine Queen Edwards
+ 6. Ruth Evelyn Queen Blush
7. Imogene Queen Reese
+ 8. Marion W (Joe) Queen, b. Caldonia, Washington County, Missouri , d. 30 Dec 1957, Tiffin, Seneca County, Ohio
Anniversary- Queen, Creed and Hallie 1
Mr. and Mrs. C.T. Queen married thirty-five years
Mrs. Edgar Blush entertained with a dinner at her home in the Grove community, May 14, in honor of her parents' thirty-fifth wedding anniversary.
Those present at the dinner were: Mr. and Mrs. Queen, Calvin, Davis and Bill; Mr. and Mrs. Donald Queen, Mr. and Mrs. Virgil Reese and Linda Kay; Mr. and Mrs. Francis Edwards and Sandra Sue; Mr. and Mrs. Edgar Bush [sic Blush] and Terry.
Mr. and Mrs. C. T. Queen will be honored guests at an open house May 16 at the Grove Community Hall in celebration of their 50th wedding anniversary.
The open house hours will be from 2 to 5 p.m. and guests will be received by their children. No invitations are being issued but friends and relatives are asked to call. The couple requests that no gifts be presented.
Mr. and Mrs. Queen were married May 15, 1915 at Caldonia, Missouri, and have lived in the Grove community for 31 years. Mr. Queen was section foreman for the Union Pacific Railroad for 40 years until he retired eight years ago.
Mr. and Mrs.; Queen are the parents of seven children, Mrs. Geraldine Edwards, Junction City; Mrs. Ruth Blush, Silver Lake; Mrs. Imogene Reese, Tecumseh; Mrs. Doris Anderson, Topeka; Calvin Queen, Lakewood, California; Donald Queen, Silver Lake and Bill Queen, Silver Lake.
There are 13 grandchildren.
Last Modified 26 Nov 2019 02:02:56

redpajama_set_name: RedPajamaCommonCrawl


Toastmasters and Guests, Good Afternoon!
and whatever money we had kept locked, was supposed to be getting blocked.
PM Modi had just announced De-Mo.
You all remember that day, right?
What if, I tell you that there's a way, in which you can keep all your monies safe and secure, encrypted and out of reach of any government or bank?
Today I will tell you about 2 things: Bitcoins and Blockchains.
Don't worry, these terms Bitcoins, Cryptocurrencies and Block Chains are not as dangerous as they sound. To understand these is like understanding Money? Easy, right?
So first.. Tell me, What do you understand by money? Any words which come to your mind?
Money is nothing but another name for Worth or Value. When you say I have Rs. 100, that means, the bank recognizes that this paper is worth Rs.100.
Thus, when I give someone any money, how do we know that the Transaction has taken place? We have eyewitnesses here, right! Or officially, we have Bank as the 3rd party which verifies all this.
So, today I am going to tell you about a way, a way in which there is no bank involved as third party.
You might or might not have heard about Cryptocurrencies but Bitcoins is the most popular as of date. Let me tell you that price of 1 BTC has crossed 7 thousands US Dollars recently. In 2011, it was a mere 2 Dollars.
I will explain the concept of Bitcoin in 2 steps.
First, what is a Bit-Coin?
Second, what is a block-chain?
So what exactly is a Bit-Coin? Where did it come from? How does it look?
Let me start by giving a very short history of Bitcoin.
On August 18th, the URL bitcoin.org was registered. Few days later, Lehmann Brothers filed for bankruptcy on September 15, 2008. Coincidence?
A person named Satoshi Nakamoto, whose real identity is, till date, unknown, came up with a White Paper in 2009 and he explained the basic concept of Bitcoin.
In most simple terms, Bitcoin, is nothing but a currency. You can buy or sell thing by paying Bitcoins as tender. Like we store our physical money in our wallets, same way we store our digital money in digital wallets. Like Paytm or Airtel Money, Bitcoins are stored in Digital Wallets too.
Paytm wallet stores Rupees, Bitcoin Wallet stores Bitcoins.
Paytm knows your email ID or even KYC details. Bitcoin Wallet stores nothing else than the Bitcoins you have.
Now, the fun part, when you send some money from your Bitcoin Address to someone else's Bitcoin address, the wallets gets updated digitally and anonymously. There's no Bank in between to verify this. Like there's a finite amount of Gold on Earth. Same way, there's a finite number of Bitcoins present in the system. 21 million bitcoins to be exact. Not one less, not one more.
Fun Trivia: In 2015, Satoshi Nakamoto was nominated for a Nobel Prize in Economic Sciences, but of course, he didn't win because nobody knows who he is. Also, Satoshi has probable 1 Million BTC himself. Right now, there are 15.6 million bitcoin in circulation .
Coming back to Bitcoin wallets. So, say I transferred 1 BTC to you. My wallet will have 1 less BTC than previously, and yours will have +1. So, how do we verify this has happened?
To verify that you have a certain amount of money with you, the Bank maintains a Statement which is nothing but a Ledger.
Like Bank, the one 3rd party maintains our account, Bitcoin ledger is owned by everyone in the BTC system. That means, each transaction gets transferred and written to everyone who is part of this system. So, this irreversible, writing of ledger is, in simplistic terms again, is called a Blockchain.
And what exactly is a Blockchain?
So, block-chain is the universally available ledger which has the list of all the transactions happening with bitcoins. It is irreversible so once the transaction is done, it is done. People who maintain these block-chains integrity, are rewarded bitcoins, hence they have to maintain same Blockchain copies everywhere there by making it almost impossible to fake.
So, how popular this bitcoin thingy is actually? Is it just a concept or is it something which is very much present in real life. Turns out, it is. Many countries have deemed it legal. Some countries are even accepting it as a mode of payment for their Visas. Many websites also accept it. Though, some websites, which have illegal stuff being sold, also accept it. And this makes it slightly in the grey area. For example, a drug selling website Silkroad was accepting it. As it is totally anonymous, it worked really well there. But that lead to it being banned in US. Eventually after arresting people and banning Silk Road, it was legalized again. Also, accepting Bitcoins is legal in India.
November 8 will come and go. Paper currency may come and go. Bitcoins are here to stay. They will evolve into something in future, we will be more comfortable with. Remember the name Ethereum. All revolutionary things take time to adjust. So will be this currency.


text:
Jil Quinn's cafe vaudeville Band
What you are saying about us !
Jhil Quinns cafe vaudeville Band
Jhil Quinn Band
Ladies in the Blues ...upcoming gigs ......
Jil will be performing with Ladies in the Blues
Christ church Bray - 30th March
Derry Jazz Festival-Sunday May 5th
Draiocht Dublin- sat June 15th
Galway Town Hall theatre-sept 6th
Glastonbury -29 th June (Acoustic stage) 😊
Flive festival Fermanagh 5th Oct
Civic Dublin-oct 17th
Pavillion Dublin-23rd oct
Jazz festival cork 26th Oct
Glor Ennis 15 Nov
The Cafe Vaudeville Band
The Cafe Vaudeville Band Play a variety of Jazz, Blues, Boogie, Vaudeville and Ragtime from 1900 onwards they play numerous instruments and have a unique sound. As the Band only got together in March 2012 things have really taken off for them, they Have performed in Festivals , Cafe Theatres , Barbeques, private partys, Fetes, farmers markets as well as selected bar venues , Their gigs have been described as 'like walking into a wonderful old jazz club in New Orleans' They are really enjoying the journey of finding the best songs from 1900 to 1940 and putting their own twist on them, they also write and perform their own quirky original songs .
Refreshing and different is probably the best way to describe Jhil Quinn's Cafe vaudeville Band.
Jil Quinn
Jil was born in Dun Laoghaire to a family of Singers, Dancers and Musicians. Over the years Jhil has been honing her talent by appearing in plays, acting and singing and took the lead in musicals and theatre shows.She has preformed with some of Irelands best Known Musicians and regularly works as a session singer with different bands and in studio she is known as a great harmony singer as well as a lead vocalist. She is also part of the highly successful sellout show 'Lady sing the Blues Show' which will tour nationwide this year . She also gained experience in the studio and has written and recorded numerous songs .She also was one of the Artists to perform on Shane Lynch's single for Charity "One more for the road". It was inevitable that she would one day form her own band to play the kind of music she has always loved... Jazz, Blues, Boogie, Soul and other forms of American Roots music with fun and integrity. And so was born "Jhil Quinn's Cafe Vaudeville band".
John OBrien plays Guitar, Banjo, Harp and many other instruments , he founded and Played in a number of very sucessful Bands such as Bagatelle the Boulder Band and The New Blues plus many others, John has shared stages with artists such Bob Marley, Don McLean, Jose Feliciano and many, many more. He has had albums produced by Phil Coulter and the late Gus Dudgeon, who produced for David Bowie and Elton John. He also appeared on the "Self Aid" concert in the mid-1980s with U2 and Van Morrison , he has written and recorded songs throughout his career, many of them for Bagatelle also Louise Morrissey-Had a No 1 hit in Ireland with a song written by John O'Brien called "Don't Say Goodbye" with Ritz Records. (my wonderful friend and mentor John left us for The Great gig in the sky in April of this year he is sorely missed an d loved by all )
Daniel Drennan
Plays Bass and is part of the renound Drennan family. He plays both Accoustic and electric bass and has worked with numerous Jazz Bands around Ireland
Myles Drennan
Myles Drennan, brother to Daniel is one of the most in demand piano players in Ireland he plays both Drums and Piano with every notable Irish Band and musician.
There's not a lot more to say except "Watch this Space!"
breakingtunes.com/jhilquinnband


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text:
Q: StackView with two labels doesn't wrap content I have one StackView with two labels inside. I want to place the two labels one next to the other.
private lazy var stackView: UIStackView = {
        let stackView = UIStackView()
        stackView.translatesAutoresizingMaskIntoConstraints = false
        stackView.alignment = .center
        stackView.axis = .horizontal
        stackView.backgroundColor = .black
        stackView.spacing = 10
        return stackView
    }()

    // MARK: Labels

    private lazy var firstLabel: UILabel = {
        let label = UILabel()
        label.translatesAutoresizingMaskIntoConstraints = false
        label.numberOfLines = 0
        label.textColor = UIColor.brandColor(.white)
        label.textAlignment = .right
        label.font = UIFont.bloomSpeakFont(.titleUltraHeavy, ofSize: 8.0)
        return label
    }()

    private lazy var secondLabel: UILabel = {
        let label = UILabel()
        label.translatesAutoresizingMaskIntoConstraints = false
        label.numberOfLines = 0
        label.textColor = UIColor.brandColor(.white)
        label.textAlignment = .right
        label.font = UIFont.bloomSpeakFont(.bodyExtraBold, ofSize: 10.0)
        return label
    }()

    // MARK: - Setup

    private func setupStackView() {
        stackView.addArrangedSubview(firstLabel)
        //firstLabel.widthAnchor.constraint(equalToConstant: 100).isActive = true
        //firstLabel.heightAnchor.constraint(equalToConstant: 100).isActive = true
        //firstLabel.setContentHuggingPriority(UILayoutPriority.defaultLow, for: .horizontal)
        stackView.addArrangedSubview(secondLabel)
        //secondLabel.widthAnchor.constraint(equalToConstant: 100).isActive = true
        //secondLabel.heightAnchor.constraint(equalToConstant: 100).isActive = true
        //secondLabel.setContentHuggingPriority(UILayoutPriority.defaultHigh, for: .horizontal)

        addSubview(stackView)
        stackView.rightAnchor.constraint(equalTo: rightAnchor).isActive = true
        stackView.centerYAnchor.constraint(equalTo: centerYAnchor).isActive = true
    }

My problem is:

What I want:
The label next to the number and also some padding some padding with the margins.
Thanks in advance.
EDIT
After set spacing to 0, numberOfLines to 1, stackView.alignment = .fill I got the result bellow. I just wonder how to add padding to the labels?

A: Thanks to the comments of @SandeepBhandari and @DonMag i could solved my issue:
The final solution was:
private lazy var stackView: UIStackView = {
        let stackView = UIStackView()
        stackView.translatesAutoresizingMaskIntoConstraints = false
        stackView.alignment = .fill // << changed from .center to .fill
        stackView.axis = .horizontal
        stackView.backgroundColor = .black
        //stackView.spacing = 10  << removed line
        return stackView
    }()

    // MARK: Labels

    private lazy var firstLabel: PaddingLabel = {
        let label = PaddingLabel()
        label.translatesAutoresizingMaskIntoConstraints = false
        label.numberOfLines = 1 // << changed from 0 to 1
        label.textColor = UIColor.brandColor(.white)
        label.textAlignment = .right
        label.font = UIFont.bloomSpeakFont(.titleUltraHeavy, ofSize: 8.0)
        return label
    }()

    private lazy var secondLabel: PaddingLabel = {
        let label = PaddingLabel()
        label.translatesAutoresizingMaskIntoConstraints = false
        label.numberOfLines = 1
        label.textColor = UIColor.brandColor(.white)
        label.textAlignment = .right
        label.font = UIFont.bloomSpeakFont(.bodyExtraBold, ofSize: 10.0)
        return label
    }()

    // MARK: - Setup

    private func setupStackView() {
        stackView.addArrangedSubview(firstLabel)
        stackView.addArrangedSubview(secondLabel)
        firstLabel.paddingLeft = 2
        firstLabel.paddingRight = 1
        secondLabel.paddingLeft = 1
        secondLabel.paddingRight = 2

        addSubview(stackView)
        stackView.rightAnchor.constraint(equalTo: rightAnchor).isActive = true
        stackView.centerYAnchor.constraint(equalTo: centerYAnchor).isActive = true
    }

I also use this guide https://johncodeos.com/how-to-add-padding-in-uilabel-in-ios-using-swift/, to add padding to the labels.
The final result is:

redpajama_set_name: RedPajamaStackExchange


21 years ago, Daft Punk broke into the public consciousness with "Da Funk." The French duo became hailed shortly afterward as dance music pioneers, cementing their place as icons in 1997 with their debut album Homework — a groundbreaking record rife with their famed combination of electro, house, and funk elements.
"Da Funk," along with their other album single "Teachers," are now receiving luxury treatment as part of a new reissue from Toilet Paper magazine in celebration of their milestone achievement of 1 million copies sold.
1,000 copies of both singles will be pressed onto gold vinyl in commemoration of this achievement, sold at 50 pounds each. The vinyls can be bought through the magazine's website or on The Vinyl Factory.


text:
Baffin Islands | Article about Baffin Islands by The Free Dictionary
https://encyclopedia2.thefreedictionary.com/Baffin+Islands
(redirected from Baffin Islands)
Baffin Island,
183,810 sq mi (476,068 sq km), c.1,000 mi (1,610 km) long and from 130 to 450 mi (210–720 km) wide, in the Arctic Ocean, Nunavut Territory, Canada. It is the fifth largest island in the world and the easternmost member of the Arctic ArchipelagoArctic Archipelago
, group of more than 50 large islands, Northwest Territories and Nunavut, N Canada, in the Arctic Ocean. The southernmost members of the group include Baffin (the archipelago's largest island), Victoria, Banks, Prince of Wales, and Somerset islands; N of
..... Click the link for more information. . Baffin Island is geographically and geologically a continuation of Labrador, from which it is separated by Hudson Strait. The western side of the island is covered largely by tundra. There are many freshwater lakes, including Nettilling (1,956 sq mi/5,066 sq km) and Amadjuak. In the east, snow-covered mountain ranges rise more than 8,000 ft (2,440 m). The deeply indented coastline has many fjords. Most of the island's inhabitants are Inuits who live mainly at coastal trading posts. Whaling, fur trading, and fishing are the chief occupations. The posts have stores, post offices, police stations, schools, and occasionally hospitals. Martin FrobisherFrobisher, Sir Martin
, 1535?–1594, English mariner. He went to sea as a boy, and spent much of his youth in the African trade. He later gained the friendship of Sir Humphrey Gilbert, through whom he became interested in the Northwest Passage.
..... Click the link for more information. visited the island between 1576 and 1578, and Iqaluit, formerly Frobisher Bay, in the southeast, is the principal town. The island is named for William BaffinBaffin, William,
c.1584–1622, British arctic explorer. He was pilot on two expeditions (1615–16) sent out to search for the Northwest Passage under command of Robert Bylot, who was formerly with Henry Hudson.
..... Click the link for more information. , the British explorer who explored the Arctic in 1616.
the largest island of the Canadian Arctic, between Greenland and Hudson Bay. Area: 476 560 sq. km (184 000 sq. miles)
Baffin Island
Auyuittuq National Park
Boothia Peninsula
Canadian Arctic Archipelago
Davis Strait
Davis, John
Dorset Culture
Foxe Basin
Foxe, Luke
Franz Boas
Frobisher
Fury and Hecla Strait
Geographic Discoveries
Baffin Islands
bag molding
bag on the side
bag plug
bag powder
bag trap
Bagaevskii
Bagalei, Dmitrii
Bagalei, Dmitrii Ivanovich
Baganda
bagasse disease
Bagaudae
Bagautdin Astemirov
Bagaza, Jean-Baptiste
Bagdasarian, Khristofor
BAFARA
BAFB
BAFBC
BAFBL
BAFC
BAFCA
BAFCOM
BAFCS
BAFCU
BAFD
BAFDA
BAFDI
BAFDT
BaFe
BAFED
BAFEP
bafetinib
BAFF
baffies
Baffin Bay/Davis Strait
Baffin Business Development Centre
Baffin Land
Baffin Regional Inuit Association
Baffin William
Baffin, WILLIAM
Baffins
baffle board
Baffle Creek Catchment Management Group
Baffle gate
Baffle Size Correction
Baffle Step Correction
baffledly
bafflegab


I recently returned to my hometown of Quispamsis, New Brunswick to visit family. It was the perfect opportunity to explore what the province has to offer for culinary delights. I grew up in New Brunswick but this was an excellent chance to find out what is new on the scene as well as re-visit old favourites such as lobster and traditional Maritime home cooking.
I had heard positive reviews of the food at the Rossmount Inn in St. Andrews so I was excited to have the opportunity to dine there with my parents. Luckily it did not disappoint. The dining room at the inn is warm and welcoming and the service friendly and efficient. The menu is based on local, seasonal ingredients and is updated frequently. The three of us sampled a range of items from the creative menu. Some highlights included a fiddlehead-asparagus bisque with a fantastic curry-hemp oil drizzle, a candied beet salad with shaved fennel and a moist pancetta-sage wrapped pork tenderloin. The dessert menu had a number of tempting treats but I couldn't resist ordering 'Breakfast for Dessert': vanilla french toast with blueberry syrup, cinnamon crisp and maple-bacon ice cream. The secret to eating it is to taste all of the elements together so you get a hit of sweet, creamy and a bit of smokiness all at once. It tasted just like – breakfast for dessert! It was refreshing to see something so creative on a menu and an interesting change from the old standbys. Of course for those who enjoy the classics, the swiss chocolate truffle cake was perfectly executed. We also had a beautiful cheese plate to finish, featuring New Brunswick cheeses (more on that later!). You can visit www.rossmountinn.com for further information on the inn and restaurant.
The Kingston Farmer's Market is held each Saturday morning on the Kingston Penninsula. I wasn't sure what to expect but was pleasantly surprised at the variety of foods available. There is a traditional breakfast available but a number of stands were cooking up specialties from places as diverse as India, Germany and Jamaica. There was even a stand with Kurdish food. The more traditional New Brunswick favourites were also there, including maple syrup, local honey and homemade jams and relishes. There wasn't very much local produce available because the growing season has just begun but as summer progresses farmers will start bringing their fruits and vegetables. Visit www.kingstonfarmersmarket.ca for more detailed information.
Some of the best food you can eat in New Brunswick is in people's homes. Luckily for home cooks, there are an abundance of excellent local products to work with. We ordered some lobsters from Misty Harbour Seafood (http://www.mistyharbourseafood.com) and they were fantastic! Each lobster was at least 2-1/2 to 3 lbs, with the largest weighing in at close to 3-1/2 lbs. The meat was sweet and succulent and we ate them out of the shell with melted butter for dipping. Simple and delicious. There was enough left over to use the next day for lobster rolls or for a quiche or seafood pot pie. You can purchase them live to cook at home or pre-order them cooked for you. We also picked up some scallops and pan fried them simply in butter with a light dusting of flour, salt and pepper. They tasted exactly how good scallops should: sweet, firm and fresh. Divine!
Note that the giant claw is sitting on a standard 13″ dinner plate!
Despite our delicious seafood feasts, sometimes you feel like having some decent meat or poultry. We paid a visit to Kuinshoeve Meat Ltd. (www.kuinshoeve.ca) in the Kennebecasis Valley. They specialize in New Brunswick raised, hormone-free meat and chicken. We tried the veal rib chops and a free-range chicken. The chicken weighed in at close to eight pounds – more like a small turkey! We grilled the veal and it was tender and juicy. The chicken was oven roasted with some herbs, lemon and garlic and the roasted meat was moist and delicious with a crispy, bronzed skin.
Ive just recently decided to go around the province eating in local restaurants and looking for organic and fresh produce. Ive been very impressed with how available this food is to us, if you only look. Really liked your blog. I need to go to St Andrews!


text:
The Future, Explored
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Fondazione Eni Enrico Mattei (FEEM), founded in 1989, is a non profit, policy-oriented, international research center and a think-tank producing high-quality, innovative, interdisciplinary and scientifically sound research on sustainable development. It contributes to the quality of decision-making in public and private spheres through analytical studies, policy advice, scientific dissemination and high-level education. Thanks to its international network, FEEM integrates its research and dissemination activities with those of the best academic institutions and think tanks around the world.
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From 2016 to 2018 she worked at the criminology research centre Transcrime – Joint Research Centre on Transnational Crime where she was in charge of the administrative and financial management of research projects funded by public and private entities, such as the European Commission (H2020, FP7), Cariplo and Regione Lombardia. In January 2019 she joined the Fund raising and Projects Office at Fondazione Eni Enrico Mattei, where she is involved in the management and financial reporting of FEEM's funded projects and in fund raising activities.
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Violine is an international specialty pharma company that concentrates on marketing and market-adapted product development. Acquisitions and long-term partnerships are fundamental factors that drive the company's strategy. Violine is rin the process of being represented with own organizations in the Gulf countries and with extraordinary employees within marketing and sales. Violine's strategic direction is to sell products in 5 countries in the next 3 years. Good health is vital to all of us, and finding sustainable solutions to the most pressing health care challenges of our world cannot wait. That's why we at Violine are committed to applying science and our global resources to improve health and well-being at every stage of life. We strive to provide access to safe, effective and affordable medicines and related health care services to the people who need them. We have a leading portfolio of products and medicines that support wellness and prevention, as well as treatment and cures for issues across a broad range of therapeutic areas. To ensure we can continue to deliver on our commitments to the patients, customers and shareholders who rely on us, we are focused on improving the way we do business; on operating with transparency in everything we do; and on listening to the views of all of the people involved in health care decisions.


CONGRATULATIONS to our students from Manufacturing & Materials Engineering Department for winning Silver Award in the 4th International Innovation Design and Articulation (i-IDeA 2018) held on 24 – 26 April 2018 at University Technology MARA, Perlis. The invention product is Boat Gyro Stabiliser is their Integrated Design Project (IDP) work supervised by Assoc Prof Dr Ir Zuraida Ahmad and IDP Coordinator team. The main objective of the project is to increase the stability of the boat by reducing the wobbling effect on the boat using gyroscope. The innovation idea is targeted for fisherman's boat for the enhancement of the safety features.
We hope the students' achievement will inspire other students to work hard and contribute their knowledge in engineering to solve real problem of the society.


text:
package org.apache.ignite.gridify.hierarchy;

/**
 * Target.
 */
public class Target extends SuperTarget {
    /** {@inheritDoc} */
    @Override protected String methodA() {
        System.out.println(">>> Called Target.methodA()");

        String res = super.methodA();

        assert "SuperTarget.methodA()".equals(res) :
            "Unexpected SuperTarget.methodA() apply result [res=" + res + ']';

        return "Target.MethodA()";
    }

    /** {@inheritDoc} */
    @Override protected String methodB() {
        String res = super.methodB();

        assert "SuperTarget.methodC()".equals(res) :
            "Unexpected SuperTarget.methodB() apply result [res=" + res + ']';

        return res;
    }
}

redpajama_set_name: RedPajamaGithub


Semantica's directors not only do, they teach!
Semantica is pleased to announce its involvement with online education facility GetSmarter. Lee Stuttaford and Mika Stuttaford, two of Semantica's directors, are giving back to the community via education. Both will be sharing their knowledge by serving as course instructors for GetSmarter. Mika will be instructing a course on SEO from October, while Lee's course on web development is currently in progression.
GetSmarter is an online education facility that aids in the pursuit of lifelong learning. Designed with working professionals in mind, GetSmarter's short courses are presented entirely online. Therefore, you can progress anytime, anywhere. This allows you to further your education while still maintaining the important work/life balance. In order to ensure you get the most from your course, GetSmarter provides you with in depth personal support from your course instructor, an enthusiastic industry expert in the relevant field. Working in partnership with leading universities, as well as other highly esteemed organizations, GetSmarter offers an unparalleled education experience.
Against a backdrop of constant change, especially regarding technology, it's important to stay ahead of the curve. GetSmarter's short courses are highly practical, and will provide you with valuable skills that are sure to prove useful to your field of work.
Giving back to the community is equally important. Semantica is proud of its directors for sharing their expertise with such a well esteemed facility.


On March 30, 2012, IceCube detected two high-energy neutrino events. They were less than two seconds apart and within 1.32 degrees of each other. The detection of a high-energy neutrino is always good news, so having two this close in space and time is incredibly exciting since it could indicate the existence of a transient source, such as a supernova explosion or a gamma-ray burst (GRB).
IceCube immediately sent an alert to several optical and X-ray telescopes—the Robotic Optical Transient Search Experiment (ROTSE), the Palomar Transient Factory (PTF) and the Swift satellite—and a core-collapse supernova was discovered in the PTF images. However, physicists have shown that this was a coincidental discovery and that this supernova is not likely to be the source of the neutrinos in IceCube. These results have been submitted today to the Astrophysical Journal and are the outcome of a joint study between the IceCube Collaboration and members of the PTF Collaboration, the Swift Collaboration and the Pan-STARRS1 Science Consortium.
New image, reference image and post-subtraction image of the PTF discovery of PTF12csy from 2012 April April 09, with the location of PTF12csy in the center. The image from the Sloan Digital Sky Survey (SDSS) is shown for reference, showing a faint host galaxy to the south of the SN. Image: PTF Collaboration.
The 21st century has seen the birth of a new age in astronomy. High-energy neutrinos have joined the electromagnetic spectrum as tools to explore the universe. New cosmic messengers and an increased number of facilities looking at the skies allow for the observation of sources of all kinds, including transient cosmic phenomena. The images from our universe are evolving from fairly static views to scenes where bursts, explosions, jets, flares, collapses, and all sort of transient phenomena are the norm.
Neutrinos, unlike light or other electromagnetic radiation, are almost completely undisturbed by matter. Even dense environments, such as the atmosphere of a star, are transparent to neutrinos. This means that we can use neutrinos to look at the interior of astronomical objects in a similar way as we use X-rays to look inside human bodies, but on much larger scales.
The transparency of matter to neutrinos may also grant our telescopes a glimpse of the ephemeral universe. Many transient sources are expected to emit neutrinos as well as different sorts of electromagnetic radiation. But neutrinos will escape first, reaching the Earth a few hours before the electromagnetic burst. This effect was recorded in supernova SN 1987A, which remains the only neutrino source outside our solar system ever identified. The majority of neutrinos from supernovas have energies of 10-40 megaelectronvolts (MeV), and such low-energy neutrinos are difficult for IceCube to detect unless the supernova is in our galaxy or close to it.
But scientists have theorized that neutrino emission also happens at energies a million times higher, in the teraelectronvolt (TeV) regime, where IceCube is more sensitive and can detect sources at much greater distances. Supernova explosions could emit neutrinos at these energies as well, for example, if they host choked jets that accelerate particles that in the end produce neutrinos. These phenomena would be very similar to long GRBs, which are also thought to be driven by powerful jets.
Neutrino sources at TeV energies have not yet been discovered. The IceCube Collaboration, in a joint effort with optical, X-ray and gamma-ray astronomers, has set up special programs to look for transient sources of neutrinos. Following an IceCube alert from promising neutrino detections, other telescopes will search in the direction of the observed neutrinos looking for a possible transient source.
The two neutrinos of March 30 were the most significant neutrino alert from IceCube so far. Several follow-up observations were made in the direction of the neutrino alert, searching for the electromagnetic counterpart of, for example, a long GRB or a choked jet supernova. PTF images found a core-collapse supernova in the right direction, only 0.2 degrees away from the average neutrino direction. The discovery per se was a thrill, and for a while researchers thought they might have observed a photon-neutrino coincident emission. However, a search of the Pan-STARRS1 archive revealed that the optical emission was at least 169 days old. If the neutrinos were not produced immediately after the core collapse, then maybe they were created during a steady emission in the following months.
The new supernova, named PTF12csy, is a member of the Type IIn class. These supernovas can emit neutrinos for 1 to 10 months. But, due to the distance of PTF12csy, it was very unlikely that two neutrinos from this source were seen within less than 2 seconds. To rule out this possibility, a one-year search for neutrinos from PTF12csy was performed. The results show no significant neutrino signal from this source.
The intensity of the astrophysical neutrino flux discovered by IceCube and the previous searches for neutrino sources support a scenario with plenty of but faint sources, pushing the discovery of the first neutrino source into the future. However, transient sources that emit all their neutrinos during a short time stand out above a steady background. Finding a transient source, bursting at the same time, with another telescope allows the attribution of a few neutrinos—even a single neutrino—to a given source. "This is why searching for transient sources is very exciting," says Markus Voge, a graduate student at the University of Bonn and one of the corresponding authors of this paper. "Neutrino data alone only tells us half of the story. We need data from other telescopes to confirm and identify the source. But IceCube neutrinos can also help other telescopes to find a source," adds Voge.
The present study is a nice example of the emerging synergies between neutrino- and photon-based telescopes. Finding PTF12csy was just a coincidence, but it also proved the potential for discovery of collaborative follow-up observation programs.


text:
Special report: Data privacy
What federal data privacy legislation might look like, and how you can prepare
The coming wave of data privacy compliance challenges
Elements of a best-in-class data privacy program
FAQ: Understanding U.S. privacy protections in place and under consideration
Tech companies push for national privacy framework
A view from beyond the tech giants
Point: Protecting privacy should be federal government's job
Counterpoint: States should steer data privacy law
Compliance is feeling GDPR's growing pains
Privacy advocate Schrems foresees lax enforcement of GDPR
EU regulator pushes for global consensus on data ethics
'No-deal' Brexit risks U.K. and EU data transfer problems
Regulators raise problem of AI in decision making and accountability
Three unintended consequences of data privacy rules
By Hilary Wandall2018-11-27T12:00:00+00:00
Existing privacy laws create parameters into which a federal privacy mandate will likely fit. More generally, a proposed federal law will likely be more flexible than what we have seen with European-style legislation; and, it is unlikely that the mandate will be as narrowly tailored as that which we've seen in U.S. state-level legislations.
Hilary Wandall
It is likely that a federal law would include a requirement for a comprehensive privacy program at the corporate level, rather than focusing solely on individuals' interactions. In fact, a federal privacy mandate is likely to include the following components:
Organizational governance: A federal mandate will require corporate leadership to set the right tone in terms of understanding responsibility for managing consumer data without doing harm. Leaders must own stewardship of this responsibility and push it down to the rest of the organization.
Risk management: Organizations must understand their privacy priorities and risks and focus their resources on reducing the risk of harm to individuals.
Comprehensive policies: Federal legislation will require that companies handle privacy programmatically by establishing organizational standards to ensure that operational processes recognize and deal with privacy issues on an ongoing, rather than an ad hoc, basis.
Training program: A federal law will likely mandate that organizations have a training program for employees in place. A training program will work to highlight organizational security obligations and how those relate to privacy. One piece of a training program will likely hinge upon breach notifications and how to respond in the event one occurs.
These components, which already exist in enacted privacy laws, will likely compose a significant portion of a federal privacy mandate. As corporations push for privacy laws and states continue to impose fragmented regulations, the need for a federal standard that preempts those laws to some degree is growing ever dire. Every single U.S. state now has its own data breach notification law, and a federal law will include more commonality across state borders to make it less challenging for organizations to manage privacy burdens.
Leaders must consider U.S. desire for international influence: To the extent privacy and digital trade have become significant issues, a lack of a comprehensive standard puts regulators in a tough position. The draft new U.S.-Mexico-Canada trade agreement (USMCA) includes a provision on digital trade, which, among other things, requires the parties to the USMCA to adopt legal frameworks that protect the personal information of users of digital trade. A U.S. federal privacy law will likely take into consideration the critical role the United States plays in international trade dialogues and, as such, the U.S. federal government will surely include language that allows the United States to have a much stronger footing in discussions of privacy issues that involve one or more countries in which American corporations do business.
Address data privacy now for a compliance and competitive edge: Though no federal privacy law currently exists, organizational leaders can still take steps to prepare for incoming legislation. When it comes to privacy management, best practices include:
Understand what data relates to people—customers and employees—as well as the sensitivity risks associated with that information. Organizations must understand how to protect that information in accordance with guidance set forth by existing regulations.
Implement processes that allow organizations to manage data for proper business uses. The specifics of a federal law will dictate whether those processes should eventually focus on consent or other mechanisms to legitimize data processing, for example; but, for now, leaders should develop mechanisms to manage data effectively and responsibly for strategic business value while minimizing risk of harm to individuals.
Practice good data governance, security, and data quality assurance. By including good data practices in their current businesses processes, organizations will be more likely to seamlessly layer new privacy regulations into their current operations.
Regardless of the specifics of a potential federal mandate, leaders should prepare for two major components: Legislation will likely aim to give the United States a strong voice in international trade dialogues, and the law will also lean toward driving the economy and spurring innovation.
The law should cause people to think before they use data in a way that might cause individual or societal harm. By turning their attention to good data use, business leaders can begin to prepare for incoming legislation in a manner that will not only ensure compliance, but that will also build a competitive edge through innovation. A federal mandate is likely on its way, and organizations should start to get ahead of compliance considerations today.
Hilary Wandall is general counsel and chief data governance officer at TrustArc.
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Pronounced as "believe", the brand was founded in 2009 to cater to strong demand for easy-to-use and affordable skincare regime. B.liv is the only skincare brand in the over-the-counter market to have undergone trials and testing in more than 200 professional skincare centers prior to placement in the retail market. Today, B.liv is the leading brand in pores management solution.
Before this, I've tried their masks and I really liked it a lot. Today, I'm going to talk about b.liv Deep Impact.
Just like the saying on the box "healthy skin beings with healthy pores". We can put on the most expensive or the best quality skincare in the world, but if our pores are not properly cleanse, nothing will get absorbed into the skin and all the goodness will go to a waste. Hence, it is very important to constantly deep-cleanse our skin. One of the way to do so is to exfoliate.
Formulated with 100% pure, natural Jojoba beads, Deep Impact works perfectly in exfoliating as the small spheres have no sharp edges and leave no micro-lacerations to the skin. Once dissolved, the Jojoba beads will turn into oil form which closely resembles human sebum that is highly beneficial to the skin.
Also, Deep Impact also carries purifying, soothing as well as anti-oxidant properties which serves the skin even better by deeply cleanses impurities while ensuring the much needed moisture and nourish to the skin.
The cleanser is white and creamy, somewhat like a yoghurt texture but with tiny little bead in it. Squeeze a little of the cleanser and start massaging onto the damp skin. It took a bit of time for the Jojoba bead to dissolve entirely, but it didn't feel harsh on my skin. It felt like I'm giving my skin that much needed massage and scrubbing away any impurities at the same time. I have a combination skin and very prone to breakouts. However, b.liv Deep Impact feels very gentle on my skin and I like how clean and hydrated my skin feel after using it. On the other hand, I didn't really see any visible changes to my pores but I do believe it really takes longer time for pores to reduce in size.
Before trying out on my face, I did a test of the product on my hand. My skin felt smoother, more hydrated and brightened up after one use. Also, I like the mild pleasant fragrance that the product left on my skin.
If you are looking for a gentle exfoliator or a deep cleansing product, you might want to consider b.liv Deep Impact. The price is pretty affordable and it makes a good daily cleanser that helps to clean and purify the skin.
1. Apply a small amount to your damp skin.
2. Gently massage in an upward and outward circular motion until the Jojoba beads dissolve.
You can find out more of b.liv updates and purchase b.liv Deep Impact at b.liv website, and SaSa Malaysia or selected Watsons outlets in Malaysia.


Melissandre is a powerful sorceress, old as time, she has seen many miracles worked by the Lord of Light. And if you are a fan of G. R. Martin's Song of Ice and Fire books or HBO's Game of Thrones, for sure you know her catchy phrase. For the night is dark... and full of terrors!
It will look good anywhere, from your denim to your favorite bag!


text:
require 'rspec/expectations'
require 'belafonte/validator'

RSpec::Matchers.define :be_a_valid_belafonte_app do
  app_errors = {}
  match do |app|
    validator = Belafonte::Validator.new(app)
    valid = validator.valid?
    app_errors = validator.errors
    valid
  end
  failure_message_for_should do |actual|
    validator = Belafonte::Validator.new(actual)
    validator.valid?
    "expected that #{actual} would be a valid Belafonte app (issues: #{validator.errors})"
  end
  failure_message_when_negated do |actual|
    "expected that #{actual} would not be a valid Belafonte app"
  end
end


text:
#ifndef RENDERERS_HPP
#define RENDERERS_HPP
#include <SDL2/SDL.h>
#include <SDL2/SDL_opengl.h>
#include <GL/gl.h>
#include <GL/glu.h>
#include "math.h"
#include "world.hpp"

namespace humrcraft {
    namespace renderers {
        class SDLRenderer;
        class SDLGLRenderer;

        class SDLRenderer : public Renderer {
            public:
                SDL_Window* window;
                SDL_Surface* buffer;
                float zoom; //Pixels per Meter
                SDLRenderer(const char* title, int w, int h, uint32_t flags);
                virtual ~SDLRenderer();
                virtual void begin();
                virtual void end();
                virtual bool getEvent(SDL_Event* event);
                virtual math::V2i SDLMapPos(math::V2f pos);
                virtual math::V2f SDLGetPos(math::V2i pos);
                virtual int mapRGB(uint8_t r, uint8_t g, uint8_t b);
                virtual void getRGB(int color, uint8_t* r, uint8_t* g, uint8_t* b);
                virtual int mapRGBA(uint8_t r, uint8_t g, uint8_t b, uint8_t a);
                virtual void getRGBA(int color, uint8_t* r, uint8_t* g, uint8_t* b, uint8_t* a);
                virtual int getPixel(math::V2f pos);
                virtual void drawPixel(math::V2f pos, int color);
                virtual void drawCircle(math::V2f pos, int r, int color);
                virtual void drawSquare(math::V2f pos, math::V2f rot, int sidelen, int color);
                virtual void drawEllipse(math::V2f pos1, math::V2f pos2, int color);
                virtual void drawLine(math::V2f pos1, math::V2f pos2, int color);
                virtual void drawRectangle(math::V2f pos1, math::V2f pos2, int color);
                virtual int drawImage(math::V2f pos, SDL_Surface* image);
        };
        class SDLGLRenderer : public Renderer { //TODO: add 3d models
            public:
                struct model {
                };
                int w, h;
                SDL_Window* window;
                SDL_GLContext context;
                float zoom; //Pixels per Meter
                SDLGLRenderer(const char* title, int w, int h, int mayorv, int minorv);
                virtual ~SDLGLRenderer();
                virtual void begin();
                virtual void end();
                virtual bool getEvent(SDL_Event* event);
                virtual math::V2f GLMapPos(math::V2f pos);
                virtual math::V2f GLGetPos(math::V2f pos);
                virtual math::V2i SDLMapPos(math::V2f pos);
                virtual math::V2f SDLGetPos(math::V2i pos);
        };
    }
}

#endif


text:
Фести́валь украї́нсько-по́льського па́ртнерства — щорічний фестиваль фольклорних гуртів, джазових колективів, танцювальних ансамблів, який організовується за сприянням Генерального Консульства Республіки Польща у Львові від вересня 2012 року. Фестиваль проходить у дворику львівської Ратуші та на літній сцені на площі Ринок.

Фестиваль українсько-польського партнерства-2012
15-16 вересня 2012 року, за сприянням Генерального консульства Республіки Польща у Львові, Львівської ОДА, Львівської обласної ради та Львівської міської ради, ПАТ «Кредобанк» та спонсорської підтримки ТзОВ «Львівське АТП — 14631», Польської туристичної організації, ТзОВ «Егерія» і партнерської підтримки мистецького об'єднання «Дзиґа», готелів «Швейцарський» та «Супутник», ресторану «Львівська Прем'єра» та медіа-підтримці телерадіокомпанії «Люкс», відбувся І-ий фестиваль українсько-польського партнерства, присвячений 25-літтю від дня заснування польського консульського представництва у Львові.

Проєкт такого масштабу відбувся у Львові вперше. Основною метою заходу було надання широкому загалу уявлення щодо інтенсивності та різноманітності співпраці Львова та районів Львівщини з польськими партнерами, що насправді є унікальним явищем у загальноукраїнському масштабі.

Урочисте відкриття Фестивалю відбулося 15 вересня 2012 року під акомпонементи духового оркестру Академії Сухопутних військ ім. Петра Сагайдачного. Далі на сцені фестивалю, що на площі Ринок відбулися виступи українських та польських фольклорних гуртів, джазових колективів, танцювальних ансамблів. У рамках фестивалю відбулася виставка-ярмарок виробів народних майстрів, проходило частування стравами польської й української кухонь та багато інших забав, презентацій, зокрема, виставка польських народних художників з Вармінсько-Мазурського воєводства.

Родзинкою фестивалю став виступ польського рок-гурту «Enej», який виконує альтернативний рок, що інспірований українською народною музикою, оскільки більшість учасників гурту має українське коріння. Окрім концертів на площі Ринок, у Львівській Митрополичій Базиліці Успіння Пресвятої Діви Марії відбувся спеціальний концерт «Capelli Cracoviensis» з міста Кракова.

На «Фестивалі партнерства-2012» виступили колективи:
 :
 Вармінсько-Мазурське воєводство, м. Ольштин — гурт співаної поезії «Czerwony tulipan»; фолк-роковий гурт «Enej»;
 Лодзьке воєводство, м. Лодзь — струнний квартет «Apertus string quartet»;
 Люблінське воєводство, м. Люблін — фольклорний гурт «Orkiestra świętego Mikołaja»;
 Нижньосілезьке воєводство, м. Вроцлав — джазовий гурт «Magdalena Zawartko quintet»);
 Підкарпатське воєводство, м. Перемишль — шкільний музичний гурт «Big band», рок-гурт «Pigs Like Pigeons», шкільний народний ансамбль Перемиської землі «Trójczyce».
 Підкарпатське воєводство, м. Ряшів — танцювальний ансамбль «Kornele», рок-гурт «Neonovi».
 Сілезьке воєводство, м. Катовиці — джазовий гурт «Maciej Obara quartet».
 :
 м. Львів — Академічний театр «Воскресіння»; Народний ансамбль танцю «Горицвіт»; джазовий гурт «Sound mix band».

Фестиваль українсько-польського партнерства-2013
14-15 вересня 2013 року на літній сцені, що на площі Ринок у Львові, за сприянням Генерального консульства Республіки Польща у Львові, Львівської ОДА, Львівської обласної ради та Львівської міської ради та Польської туристичної організації і партнерської підтримки мистецького об'єднання «Дзиґа» відбувся ІІ-ий фестиваль українсько-польського партнерства.

У Львові своє культурне життя презентували польські міста: Вроцлав, Краків, Лодзь, Люблін, Перемишль, а також Вармінсько-Мазурське, Малопольське, Люблінське, Підкарпатське та Сілезьке воєводства.

Серед культурних пропозицій є фольклорні гурти, виконавці рок-н-ролу, джазу, блюзові та рок-колективи, а також танцювальні ансамблі. Поруч зі сценою розташовані промоційні стенди польських партнерів Львова та Львівщини, де було можливим отримати будь-яку цікаву та корисну інформацію.

На сцені разом виступили українські та польські гурти, серед яких:
 :
 Вармінсько-Мазурське воєводство, м. Ольштин — фольк-рок гурт «Horpyna»;
 Люблінське воєводство, м. Люблін — інструментальний проєкт «Klezmafour»; рок-н-рол гурт «Backbeat»;
 Малопольське воєводство, м. Краків — співачка Йоанна Словіньска з колективом скрипалів;
 Нижньосілезьке воєводство, м. Вроцлав — гурт електронної музики «Miloopa»;
 Підкарпатське воєводство, м. Ряшів — рок-гурт «Neonovi»;
 Сілезьке воєводство, м. Сосновець — вокальний секстет «Banana Boat».
 :
 м. Львів — вокальна формація «Піккардійська Терція»; гурт «Shockolad»; музичний гурт «Гич-оркестр».

Поза основною сценою фестивалю, а саме:
 у приміщенні Генерального консульства Республіки Польща у Львові, виступив театр танцю «Pracownia fizyczna» з міста Лодзь (Малопольське воєводство) з танцювальним спектаклем «Zdarzenia — Improwizacje», який поєднав у своєму виступі імпровізації сучасних танців та можливості людського тіла. Таким чином Генеральне консульство Республіки Польща у Львові стало першою дипломатичною установою в Україні, котра відкрила свій простір для мистецтва.
 у Львівській Митрополичій Базиліці Успіння Пресвятої Діви Марії, як і торік, відбувся концерт краківського ансамблю «Capelli Cracoviensis».
 у Національному академічному українському драматичному театрі ім. Марії Заньковецької, в рамках «Фестивалю Партнерства», Люблінським музичним театром було презентовано театральний спецпроєкт «Viva Verdi», створений до 200-ліття від дня народження великого італійського композитора Джузеппе Верді. Це був великий гала-концерт за участю всієї трупи театру. Програма театрального дійства складалася з фрагментів творів відомого італійця — Набукко, Аїда, Травіата, Ріголетто, Дон Карлос. Разом з артистами люблінського театру участь у проєкті «Viva Verdi» узяв Архидієцезіальний хор «Magnificat» з міста Перемишль.

Фестиваль українсько-польського партнерства-2014
6–13 вересня 2014 року на площі Ринок у Львові, за сприянням Генерального консульства Республіки Польща у Львові, Львівської ОДА, Львівської обласної ради та Львівської міської ради та Польської туристичної організації і партнерської підтримки мистецького об'єднання «Дзиґа» відбувся ІІІ-ий фестиваль українсько-польського партнерства.

Цього разу у зв'язку із трагічними подіями на сході України, організатори фестивалю партнерства відмовилися від гучних, святкових концертів на літній сцені, а натомість більше уваги приділили ознайомленню із досвідом проведення польських реформ та нинішнього функціонування сфер культури та туризму. Події фестивалю відбувалися в усіх частинах міста Лева, зокрема, заходи відбулися у Львівській обласній філармонії та у клубі «Пікассо» на Зеленій. У львівському Першому українському театрі для дітей та юнацтва, відбулася театральна прем'єра — новаторська вистава «ВУЛЬВА. Люблін є жінкою», у виконанні акторів люблінських театрів, запрошених до проєкту Мистецьким об'єднанням «Близький схід». Режисером вистави є Йоанна Левіцька. Чотири історії з життя жінок зібрали чисельну глядацьку, і не лише жіночу, аудиторію.

Польські музиканти «переїхали» зі звичної великої сцени фестивалю до концертних залів Львова, щоб своєю грою висловити підтримку Україні. Серед культурних пропозицій анонсовано виступи джазових та рок-колективів, а також оркестрів. На площі Ринок були розташовані промо-стенди Польської Туристичної Організації, міст Перемишля, Любліна, Варшави та Лодзя, а також Підкарпатського, Малопольського, Люблінського та Сілезького воєводств.

На цьогорічному фестивалі склад учасників був наступним:
 :
 Великопольське воєводство, м. Познань — поп-фольк-рок гурт «Taraka»;
 Малопольське воєводство, м. Краків — секстет «Sinfonietta Cracovia»; гурт «Jazz Band Ball Orchestra»; «Artur Dutkiewicz Trio»;
 :
 м. Львів — рок-гурт «Патриція».

Вартість вхідного вкитка на всі концерти склала лише 30 гривень. Кошти з продажу квитків були направлені на допомогу дітям військових, які загинули в зоні проведення АТО. Щиро подяку Генеральному консульству республіки Польща у Львові висловив Центр Військового Капеланства Львівської архиєпархії УГКЦ за висловлену довіру та ініціювання даного проєкту.

Фестиваль українсько-польського партнерства-2015
4-6 вересня 2015 року на площі Ринок у Львові, за сприянням Генерального консульства Республіки Польща у Львові, Львівської ОДА, Львівської обласної ради та Львівської міської ради та Польської туристичної організації і партнерської підтримки мистецького об'єднання «Дзиґа» відбувся IV-ий фестиваль українсько-польського партнерства. У ці дні, паралельно з фестивалем, у Львові проходив ІІІ Конгрес культури Східного партнерства.

Перший заступник голови Львівської ОДА Ростислав Замлинський, виступаючи на відкритті фестивалю, зазначив, що цей захід сприяє розвитку українсько-польської культурної співпраці.

Спільна сцена «Фестивалю партнерства» та Конгресу Культури Східного Партнерства цього року стоятиме в дворику львівської ратуші, де виступатимуть гурти з Польщі, України, Німеччини, Грузії та Білорусі.

На цьогорічному фестивалі склад учасників був наступним:
 :
 Люблінське воєводство, м. Люблін — гурт «Lubelska Federacja Bardów»;
 Люблінське воєводство — гурт «Pawkin»;
 Мазовецьке воєводство, м. Варшава — рок-гурт «T-Love»; оперна співачка Аліція Венґожевска-Віскер та скрипаль Богдан Керейша з концертним проєктом «Кольори любові»;
 Малопольське воєводство, м. Краків — інструментальний гурт «Kroke»;
 Малопольське воєводство — гурт «Kapela Hanki Wójciak»; фольк-гурт «Kolačkovci»;
 Підкарпатське воєводство, м. Перемишль — джазовий гурт «Dominika Rusinowska Quartet»;
 Підкарпатське воєводство — джазовий гурт «Zygi Jazz Band»;
 :
 м. Гродно — музиканти Віктар Шалкєвіч & Юрій Хілявєц.
 :
 м. Тбілісі — етно-джазовий гурт «Іріао».
 :
 м. Маннгайм — гурт «Wind and the Whaler».
 :
 м. Вінниця — естрадно-духовий оркестр «Він-Бенд»;
 смт. Ворохта — сольний проєкт «Петро Петрович»;
 м. Дніпропетровськ — гурт «Вертеп»;
 м. Луцьк — гурт «Резус блюз»;
 м. Львів — музичний гурт «Гич-оркестр».

Поза основною сценою фестивалю відбулися супровідні проєкти, а саме:
 у приміщенні Музею етнографії та художнього промислу ІН НАН України пройшла виставка «Ґрюнвальд-Арт» — виставка живопису польських митців, присвячена Грюнвальдській битві 1410 року.
 у львівській Галереї мистецтв пройщов художній пленер «Art Meetings», який презентувало Вармінсько-Мазурське воєводство. Основною темою заходу було показати важливість Грюнвальдської битви 1410 року, як однієї із найважливіших битв в історії Європи та особливо історії народів, що успадкували традиції І Речі Посполитої.
 у львівському Першому українському театрі для дітей та юнацтва, відбулася театральна прем'єра — вистава, монодрама «Спереду і ззаду», у виконанні акторів люблінських театрів, запрошених до проєкту Мистецьким об'єднанням «Близький схід». Режисером вистави є Матеуш Новак.

Фестиваль українсько-польського партнерства-2016
2-4 вересня 2016 року на площі Ринок у Львові, за сприянням Генерального консульства Республіки Польща у Львові, Львівської ОДА, Львівської обласної ради та Львівської міської ради та Польської туристичної організації і партнерської підтримки мистецького об'єднання «Дзиґа» відбувся V-ий фестиваль українсько-польського партнерства.

В урочистому відкритті фестивалю, яке відбулося 2 вересня 2016 року, на головній сцені дійства у подвір'ї львівської Ратуші, взяли участь Генеральний консул Республіки Польща у Львові Веслав Мазур, голова львівської облдержадміністрації Олег Синютка, заступник міського голови Андрій Москаленко, представники громадськості Львова та польських міст.

Крім концерту польських та українських музичних груп, на фестивалі представлені сфери освіти та культури. Також на площі Ринок свої туристичні можливості презентують польські міста — Перемишль, Лодзь, Люблін, Радом, Наленчув та Підкарпатське, Великопольське, Малопольське, Поморське воєводства, а також аеропорти Радома та Ряшева. Туристичні фірми на своїх промо-стендах, які розташовані на площі Ринок, перед палацом Бандінеллі, пропонували львів'янам на гостям міста багато різноманітної літератури, рекламних проспектів та іншої поліграфічної продукції, яка рекламувала можливості цих фірм та пропогувала користуватися саме їхніми послугами.

Перед львів'янами та гостями міста Лева на головній сцені цьогорічного фестивалю виступили наступні гурти:
 :
 Великопольське воєводство — рок-гурт «Hoszpital»;
 Люблінське воєводство, м. Люблін — рок-н-рол-гурт «Mohipisian»;
 Мазовецьке воєводство, м. Варшава — рок-гурт «STREFA 50»; бард PabloPavo та гурт «Ludziki»;
 Малопольське воєводство, м. Горлиці — фольклорний гурт «Serencza»;
 Підкарпатське воєводство, м. Перемишль — тріо «Trio X»;
 Поморське воєводство, м. Гданськ — інструментальний квартет «Zagan Acoustic».
 :
 м. Львів — музичний гурт «Гич-оркестр»; гурт «Dzyga Jazz Quintet».

Поза основною сценою фестивалю відбулися супровідні проєкти, а саме:
 на вулиці Галицькій, біля Латинської катедри, 1-14 вересня 2016 року, можна було оглянути стенди фотовиставки «Там, де Схід зустрічається з Заходом», які презентували львів'янам та гостям міста Каплицю Святої Трійці Люблінського замку, яка є однією з найбільших цінних пам'яток міжнародного масштабу, місцем зустрічі двох культур — латинського Заходу та візантійського Сходу.
 у приміщенні готелю «Швейцарський», 2 вересня 2016 року, відбулася прес-конференція з представниками польської авіакомпанії «SprintAir», яка започаткувала пряме авіасполучення між Львовом та польським містом Радом. Серед учасників прес-конференції було розіграно дві пари квитків на вище згаданий авіарейс зі Львіва до Радома та й у зворотньому напрямку.
 на подвір'ї львівської ОДА, 3 вересня 2016 року, у рамках фестивалю відбувся «Форум Партнерства», на якому відбулися лекції та дискусії стосовно механізмів участі громади у житті міста, промоції регіонів, формування громадського простору, децентралізації та низки інших важливих питань. Також голова Львівської ОДА Олег Синютка та маршалок Підкарпатського воєводства Владислав Ортиль підписали Виконавчий протокол на 2017 рік до Угоди про міжрегіональне співробітництво між Львівською областю та Підкарпатським воєводством,. Того ж дня тут відбувся показ польських та українських короткометражних фільмів від художньої формації «Wiz-Art».

Під час «Фестивалю Партнерства», під патронатом Центру військового капеланства, проводився збір коштів на допомогу дітям військових, загиблих в зоні АТО.

Примітки

Фестивалі Львова
Щорічні заходи в Україні

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