text:
Matrix Software
Working Designs
Alundra is the spiritual successor to Landstalker, which was released on the Sega Genesis. Many refer to Alundra as a typical "Zelda clone," and some cite this as the game's defining aspect. While it certainly is true that Alundra relies on various Zelda elements, its core game play is far more action oriented. Despite having an overhead view, Alundra features some decidedly hardcore platform elements. Its primary challenges often consist of jumping to and from various platforms or objects without falling. When you aren't fighting, you are usually jumping.
Alundra initially begins pulling off Zelda's typical hunt for magical items that are hidden throughout the land in various dungeon or temple areas, by decree of the plot. After the first few dungeons, they seem to leave this concept for dead and just go all out. The dungeons are large in number, and they don't strictly adhere to the typical formula Zelda does. That is, there's not one tool per dungeon that you are required to use to solve the main puzzles. You do usually receive a nice piece of equipment, but it occasionally boosts your combat capabilities instead. There's also a bit of flexibility regarding the order in which you complete certain dungeons or temples, as a result of things not following a strict adherence to gaining new abilities to expand the areas that can be explored. However, there are a few within dream sequences that occur as you advance in the story, and these must follow a strict order. The dream sequences tend to be far more interesting than the other dungeons, as they have the majority of the game's unique puzzles. Upon completion, some of the dungeons reward you with a weapon or two, and there's three basic weapons you can wield, with their respective advantages and disadvantages. There's also magical rods and elemental spells that add to your offensive might. Due to the fact that the enemies can often take a whole lot of punishment, it's in your best interest to always find the most effective method of inflicting the largest possible amount of damage on your foes.
Alundra is one pretty looking game, for sure. The art is nothing short of amazing, and it's very depressing to think that the majority of game developers today will probably never return to doing something like this outside of hand-helds. It really is a sight to behold. It is especially noteworthy in the outdoor areas, such as the mountains or forests that you may find yourself jumping through. On the subject of jumping, the "level design" behind the various platform segments you'll be put through happen to be quite creative and ingenious. It's here that the game play really begins to shine as an entirely different creature, far different from the likes of Zelda. Admittedly, the game has a definite lack of puzzles, also unlike Zelda. The majority of it is spent combating foes (in typical Zelda fare) and navigating areas with your jumping ability. Not to say that it isn't hugely entertaining, you just need to comprehend from the outset that this so-called "Zelda clone" doesn't try to hold itself to that title completely. I suppose the main reason for people labeling games like these as "clones" is that, there hasn't been that many of them. Not nearly as much as, say, first-person shooters or role-playing games. That may be a good thing in the end, however. Too many entries in a given genre can make it grow quite stale.
Alundra has a definite lack of puzzles, but the few that are present tend to be, very, very tough. If you somehow had trouble deciphering the various puzzles in Zelda games, then you'll be in a world of woe upon playing Alundra. The evil ice sliding puzzles are the main threat here. It took me an ungodly amount of time to finally crack 'em wide open. So much time, in fact, that I wasn't exactly hit with satisfaction upon completion. More like exhaustion or relief. Beyond that, certain jumping portions can be just as bad. Not because they're hard to figure out, rather, they're just extremely hard to do. It can be infuriating at times. Some may consider these as short-comings, while others (masochist) may find it a blessing. In regards to true blunders, a few platform segments can be somewhat confusing due to the perspectives of an overhead view. As a result of this, you'll often find yourself making the wrong jumps because you assumed an object was within reach, when it totally wasn't. It can be a little upsetting, but I didn't find it too bothersome. Ironically, similar things can be experienced in 3D platformers.
Alundra deserves my prognosis, and it's that you should definitely play this game. There's a fair chance that a lot of you haven't. If so, remedy this situation immediately. And yes, I'm perfectly aware of how I started each paragraph in this review with Alundra. In case you're a little slow, it was all intentional.


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Sharon O'Neill, Music Video – 1983
"If you don't like the beat, don't play with the drum". Taken from Sharon O'Neill's 1983 album Foreign Affairs, the song chronicles "case 1352, a red and green tattoo". It was inspired by a prostitute who worked the streets of King's Cross. The clip starts with O'Neill hitting Auckland Airport. Look out for leopard skin tights and a dress straight off Logan's Run. Other highlights: a steamy sax solo, heavy eye shadow and backlit silhouettes in "rain-slicked avenues." Two clips for 'Maxine' exist: the Australian version won controversy for images of a fictional prostitute, shot in King's Cross.
Waka Attewell
Ngā Taonga Sound & Vision - TVNZ Collection
Sharon O'Neill
Singer/songwriter Sharon O'Neill began singing folk...
Kiwi Songbirds
A salute to the women of New Zealand music – the songs...
Shazam! in Sydney - Sharon O'Neill
Interview with Sharon O'Neill from the same year
Another Sharon O'Neill music video
Also inspired by a real person & directed by Simon Morris
Radio with Pictures - My Kind of Town
Sharon O'Neill interviewed in Sydney
A Double Standard
Documentary on prostitution law reform
Also directed by Simon Morris
Smash Palace
Sharon O'Neill sings the opening song in this film
A contemporary video featuring a female singer
An earlier Sharon O'Neill video
Ready to Roll - NZ Record Awards 1978
Sharon O'Neill features in this awards show
Choice Night
A short film with a visit to a sex worker
A cover of a Sharon O'Neill song
Another Sharon O'Neill music video
Radio with Pictures - 'Valentine's Day is Over' by Billy Bragg
Produced by Simon Morris
Luck's on Your Table - performed by Sharon O'Neill
More Sharon O'Neill
Kaleidoscope - Hairstyles
More big hair from the 1980s

Sharon O'Neill - 'Maxine'

redpajama_set_name: RedPajamaCommonCrawl


text:
Congestion Avoidance and Control
by P D Jacobson, A Banerjee - Proc. of ACM SIGCOMM , 1988
"... Social movements and human rights rhetoric in tobacco ..."
Social movements and human rights rhetoric in tobacco
The market for corporate control: The scientific evidence
by Michael C. Jensen, Richard S. Ruback - Journal of Financial Economics , 1983
"... This paper reviews much of the scientific literature on the market for corporate control. The evidence indicates that corporate takeovers generate positive gains, that target firm shareholders benefit, and that bidding firm shareholders do not lose. The gains created by corporate takeovers do not ap ..."
This paper reviews much of the scientific literature on the market for corporate control. The evidence indicates that corporate takeovers generate positive gains, that target firm shareholders benefit, and that bidding firm shareholders do not lose. The gains created by corporate takeovers do
Toolglass and magic lenses: The see-through interface
by Eric A. Bier, Maureen C. Stone, Ken Pier, William Buxton, Tony D. Derose , 1993
"... Toolglass ™ widgets are new user interface tools that can appear, as though on a transparent sheet of glass, between an application and a traditional cursor. They can be positioned with one hand while the other positions the cursor. The widgets provide a rich and concise vocabulary for operating on ..."
many advantages over traditional controls. They provide a new style of interaction that better exploits the user's everyday skills. They can reduce steps, cursor motion, and errors. Many widgets can be provided in a user interface, by designers and by users, without requiring dedicated screen space
On the control of automatic processes: A parallel distributed processing account of the Stroop effect
by Jonathan D. Cohen, James L. Mcclelland, Kevin Dunbar - Psychological Review , 1990
"... Traditional views of automaticity are in need of revision. For example, automaticity otten has been treated as an all-or-none phenomenon, and traditional ~es have held that automatic processes are independent of attention. Yet recent empirical data suggest that automatic processes are continu-ous, a ..."
Traditional views of automaticity are in need of revision. For example, automaticity otten has been treated as an all-or-none phenomenon, and traditional ~es have held that automatic processes are independent of attention. Yet recent empirical data suggest that automatic processes are continu-ous
The control of the false discovery rate in multiple testing under dependency
by Yoav Benjamini, Daniel Yekutieli - Annals of Statistics , 2001
"... Benjamini and Hochberg suggest that the false discovery rate may be the appropriate error rate to control in many applied multiple testing problems. A simple procedure was given there as an FDR controlling procedure for independent test statistics and was shown to be much more powerful than comparab ..."
comparable procedures which control the traditional familywise error rate. We prove that this same procedure also controls the false discovery rate when the test statistics have positive regression dependency on each of the test statistics corresponding to the true null hypotheses. This condition
Constrained model predictive control: Stability and optimality
by D. Q. Mayne, J. B. Rawlings, C. V. Rao, P. O. M. Scokaert - AUTOMATICA , 2000
"... Model predictive control is a form of control in which the current control action is obtained by solving, at each sampling instant, a finite horizon open-loop optimal control problem, using the current state of the plant as the initial state; the optimization yields an optimal control sequence and t ..."
Model predictive control is a form of control in which the current control action is obtained by solving, at each sampling instant, a finite horizon open-loop optimal control problem, using the current state of the plant as the initial state; the optimization yields an optimal control sequence
The separation of ownership and control in East Asian Corporations
by Stijn Claessens, Simeon Djankov, Larry H. P. Lang - Journal of Financial Economics , 2000
"... We examine the separation of ownership and control for 2,980 corporations in nine East Asian countries. In all countries, voting rights frequently exceed cash-#ow rights via pyramid structures and cross-holdings. The separation of ownership and control is most pronounced among family-controlled &quo ..."
We examine the separation of ownership and control for 2,980 corporations in nine East Asian countries. In all countries, voting rights frequently exceed cash-#ow rights via pyramid structures and cross-holdings. The separation of ownership and control is most pronounced among family-controlled
Proposed NIST Standard for Role-Based Access Control
by David F. Ferraiolo, Ravi Sandhu, Serban Gavrila, D. Richard Kuhn, Ramaswamy Chandramouli , 2001
"... In this article we propose a standard for role-based access control (RBAC). Although RBAC models have received broad support as a generalized approach to access control, and are well recognized for their many advantages in performing large-scale authorization management, no single authoritative def ..."
In this article we propose a standard for role-based access control (RBAC). Although RBAC models have received broad support as a generalized approach to access control, and are well recognized for their many advantages in performing large-scale authorization management, no single authoritative
Estimating Production Functions Using Inputs to Control for Unobservables
by James Levinsohn, Amil Petrin , 2000
Medium Access Control with Coordinated Adaptive Sleeping for Wireless Sensor Networks
by Wei Ye, John Heidemann, Deborah Estrin - IEEE/ACM Transactions on Networking , 2004
"... This paper proposes S-MAC, a medium access control (MAC) protocol designed for wireless sensor networks. Wireless sensor networks use battery-operated computing and sensing devices. A network of these devices will collaborate for a common application such as environmental monitoring. We expect senso ..."
This paper proposes S-MAC, a medium access control (MAC) protocol designed for wireless sensor networks. Wireless sensor networks use battery-operated computing and sensing devices. A network of these devices will collaborate for a common application such as environmental monitoring. We expect


text:
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Articles Justice Social Justice Criminal Justice
A Law unto Themselves
By Tony Norman
In This Article Article
Next Article: Stranger in a Strange Land Read
This article is part of "The Beginning of Understanding," a symposium in response to Ashley Lucas's report "The End of Rage" in Plough's Autumn 2021 issue.
"If you're Black / you might as well not show up on the street / 'less you want to draw the heat"
—"Hurricane" by Bob Dylan
Two cops, both White, jumped out of a patrol car that pulled in front of me the moment I started running to a bus stop half a block away. My bus was several blocks behind me, but gaining fast and I wasn't in the mood to wait thirty minutes for the next one.
But they positioned their Philadelphia Police car diagonally between the street and the sidewalk in front of me. I don't remember whether they had their guns drawn as they shouted to me to stop.
Because some things just happen automatically, my hands shot up and I dropped my fake leather art portfolio. One of the cops immediately scooped it up while his partner threw me against the side of the Plymouth Fury for a proper frisk and pat down. "Are you carrying weapons or drugs or … "
"No," I said, not faking my incredulity. I was wearing a silver imitation Italian racing jacket and torn jeans, so I already knew I didn't fit the description of any other Black kid within 100 miles. "What did I do?"
The cop who pulled my wallet from my back pocket said I fit the description of a man who mugged an elderly woman in the neighborhood earlier.
Meanwhile, the other cop sifted through the drawings in my portfolio searching for something I'd allegedly stolen. The strong afternoon wind blew at least one of the drawings out of his hands; he made no effort to recover it and I was way too busy trying not to get shot to care.
Fortunately, my wallet contained enough information for them to get a solid sense of who I was. I wasn't handcuffed, but they handed me my unzipped portfolio and directed me to sit in the back of the squad car.
At that moment, the bus I'd been running to the corner to catch slowed to maneuver around the police car. People I rode the bus with every day looked out the window and saw me get into the back of the blue-and-white like any other statistic. It was just one more humiliation that came with being a young Black man in Philadelphia.
Every Black kid in the back of a Philly police car in those days felt like the next Emmett Till.
After driving down the street in the opposite direction, we pulled in front of the house of one of the few White families who still lived in the neighborhood a decade after white flight and social unrest turned a once integrated street overwhelmingly Black.
A White woman was escorted to the police car and asked if I was the culprit. To my relief, she vigorously shook her head no, perhaps sensing I was in the kind of danger she wanted no part in instigating. Every Black kid in the back of a Philly police car in those days felt like the next Emmett Till.
After they were sure she hadn't been intimidated into exonerating me, the cops opened the car door and told me I was free to go. There were no apologies – just a sneering self-righteousness and lack of concern for the mini-trauma they'd put me through. They knew they didn't have to answer to me about anything. As long as they were cops in Frank Rizzo's Philadelphia, they knew they were a law unto themselves. I had no rights they were obliged to respect.
Nonetheless, I inhaled the crisp fall air, happy to have survived the kind of encounter that more often than not ended in a beating or worse for folks who looked like me. It was late fall, 1979.
It didn't matter that I was an artist and that I didn't have any priors when they made a radio call to check my info. I was still a threat to public order as far as they were concerned. I may have been innocent of that particular crime, but living in that neighborhood meant I was guilty of something, or soon would be.
While reading Ashley Lucas's excellent essay "The End of Rage" I felt thrust back into that era where cops were a law unto themselves and Black radicals, though in retreat, still constituted a potent political minority in terms of influence.
I don't remember hearing about Russell Maroon Shoatz's ordeal, but I had heard of many folks like him from friends who were angrier and far more politically radicalized than I was. Philly was alive with the sound of Black dissent. Anyone who wandered down to City Hall on a warm day had the choice of being proselytized by Moorish Science Temple devotees hawking incense and body oil, a Last Days religious sect, or polite Nation of Islam members selling bean pies and their newspaper "Muhammad Speaks."
But the folks who fascinated me most – because they seemed to generate the most fear and contempt from the police – were the back-to-nature anarchist collective known as MOVE. MOVE was the only revolutionary group in town that was also racially integrated. Both Blacks and Whites wore matted, dirty dreadlocks that made them look like downscale versions of Bob Marley. Every member adopted the surname "Africa" and they preached against technology and capitalism, though they solicited donations in giant plastic jugs.
Like most folks, I followed the trial of several MOVE 9 members who had been in a one-way "shootout" with cops in August 1978. It was a show trial and everyone knew it except the jury. You couldn't help but shudder every time the infamous Philadelphia Inquirer photos of a MOVE leader being brutalized and stomped on by cops as he surrendered were reprinted in pamphlets defending the group as victims of police brutality. That they certainly were.
At public radio station WHYY, a journalist named Mumia Abu-Jamal made a point of covering MOVE on air and occasionally for a Black newspaper. He was passionate about their cause, but even I knew he wasn't particularly objective. Mumia made his reputation reporting on that trial. His coverage got him fired from WHYY.
Mumia Abu-Jamal himself would be arrested, tried, and convicted for the murder of police officer Daniel Faulkner in 1981. I've never been convinced of Mumia's innocence given his unwillingness to explain his side of what happened the night Faulkner was killed during an altercation with Mumia's brother. Mumia was found at the scene. He'd been wounded by a shot from Faulkner's gun and the officer was dead from a bullet from Mumia's. I've always seen Mumia's case as that of a guilty man railroaded by a racist kangaroo court. As Lucas vividly illustrates, there's incredible power in coming clean regarding one's own actions. Shoatz is a better man after having told the truth and offered a redemptive apology. But guilty or innocent, such cases are worth studying and thinking about again.
Contributed By Tony Norman
Tony Norman is an award-winning columnist for the Pittsburgh Post-Gazette and the president of the National Society of Newspaper Columnists. He is the incoming chair of the International Free Expression Project and a partner in the National A. W. Mellon Democratic Futures Project.
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This TechPinas blog post aims to collate all important information about the Samsung Galaxy S10e. Trust that we'll update this entry every time we hear fresh news about this 2019 flagship-level release.
Note: Data presented in this article are based on leaks by trusted 'insiders' who have good track record when it comes to disclosing details on yet-to-be-announced Samsung handsets.
Update as of February 21, 2019: Samsung Galaxy S10e has just been officially announced in the Philippines via the company's local Unpacked Event held at Shangri-La at The Fort. The official suggested retail price of this model is PHP 39,990.
Samsung Galaxy S10e is the most affordable and least feature-packed of the three 2019 Galaxy S Series models that the Korean company is expected to unveil at this year's Unpacked Event, which will take place on February 21, 2019 3AM Manila Time. The other two models are the Samsung Galaxy S10 and Samsung Galaxy S10+.
The S10e flaunts a glass-metal-glass finish that not only looks like that of its bigger siblings but is also similar to what we've seen on the Samsung Galaxy S8 and S9. Needless to say, this shell very sleek and elegant but what's even more impressive is that it's also IP68 Water and Dust Resistant, which makes it quite rugged.
This smartphone sports a Dual Rear Camera module consisting of a 12 MegaPixel primary camera with variable aperture and standard field of view similar to what we've seen on the Samsung Galaxy Note9 along with a 16 MegaPixel f/2.2 secondary camera with 123-degree Wide-Angle view, which is perfect for taking landscape photos or large group shots.
This set-up also enables Live Focus mode for Portraits in which the background of the subject is beautifully blurred.
Like Samsung Galaxy S10, the S10e also has an Infinity O Display, which takes up almost its entire face. As its name suggests, this screen has a Punch Hole in the upper right corner that houses the front-facing camera. Compared to the more expensive S10, though, the Galaxy S10e has a slightly smaller AMOLED 5.8-inch Display with lower 2280 x 1080 pixels resolution. Also, unlike its two siblings, S10e doesn't have an In-Display Fingerprint Scanner. Instead, it has a fingerprint sensor located on its right side for quick access using the thumb if you're right-handed or your pointer-finger if you're left-handed.
Great for aspiring vloggers and Youtube content creators, the Samsung Galaxy S10e - like the S10 and S10+ - has a 10 MegaPixel f/1.9 front cam that can also shoot 4K videos at 30 frames per second. This year's Galaxy S models are actually the first handsets ever to have this very useful feature.
At the back, the primary camera can shoot 4K videos at 30 and 60 frames per second or FullHD clips at up to 240 fps for buttery smooth slow-motion effect.
Although its more affordable than the Samsung Galaxy S10 and S10+, the S10e - surprisingly enough - has the exact same beastly 8nm Exynos 9820 Octa processor with Mali-G76 MP12 that ensures smooth gaming experience even when running the most resource intensive titles. Like the S10, S10e comes in two RAM and Internal Storage options at 6GB + 128GB and 8GB + 256GB.
If you love listening to music anytime and anywhere, you will surely appreciate Samsung Galaxy S10e's AKG loud speaker as well as the AKG pair of headsets that come with the official retail package.
Spend less time charging this handset and more time using it for play and productivity -- thanks to the S10e's 15W fast charging feature both via its USB Type C port or using a supported wireless charging pad.
Samsung Philippines will officially announce the pricing details for the Galaxy S10e at the local Unpacked Event on February 21, 2019. Based on leaked European prices for the two variants of this model, however, I'm guessing that its base price in the Philippines will be around PHP 45,990 or roughly PHP 10,000 less than the SRP of the Samsung Galaxy S10 upon launch.


text:
> Register and receive push notifications

## Installation

This requires phonegap/cordova CLI 5.0+ ( current stable v1.3.0 )

```
phonegap plugin add phonegap-plugin-push
```
or

```
cordova plugin add phonegap-plugin-push
```

It is also possible to install via repo url directly ( unstable )

```
phonegap plugin add https://github.com/phonegap/phonegap-plugin-push
```

or

```
cordova plugin add https://github.com/phonegap/phonegap-plugin-push
```

## Supported Platforms

- Android
- iOS
- Windows Universal

## Quick Example

```javascript
    var push = PushNotification.init({ "android": {"senderID": "12345679"},
         "ios": {"alert": "true", "badge": "true", "sound": "true"}, "windows": {} } );

    push.on('registration', function(data) {
        // data.registrationId
    });

    push.on('notification', function(data) {
        // data.message,
        // data.title,
        // data.count,
        // data.sound,
        // data.image,
        // data.additionalData
    });

    push.on('error', function(e) {
        // e.message
    });
```

## API

### PushNotification.init(options)

Parameter | Description
--------- | ------------
`options` | `JSON Object` platform specific initialization options.
`options.android` | `JSON Object` Android specific initialization options.
`options.android.senderID` | `String` Maps to the project number in the Google Developer Console.
`options.android.icon` | `String` Optional. The name of a drawable resource to use as the small-icon.
`options.android.iconColor` | `String` Optional. Sets the background color of the small icon on Android 5.0 and greater. [Supported Formats](http://developer.android.com/reference/android/graphics/Color.html#parseColor(java.lang.String))
`options.android.sound` | `Boolean` Optional. If `true` it plays the sound specified in the push data or the default system sound. Default is `true`.
`options.android.vibrate` | `Boolean` Optional. If `true` the device vibrates on receipt of notification. Default is `true`.
`options.android.clearNotifications` | `Boolean` Optional. If `true` the app clears all pending notifications when it is closed. Default is `true`.
`options.android.forceShow` | `Boolean` Optional. If `true` will always show a notification, even when the app is on the foreground. Default is `false`.
`options.ios` | `JSON Object` iOS specific initialization options.
`options.ios.alert` | `Boolean`\|`String` Optional. If `true`\|`"true"` the device shows an alert on receipt of notification. Default is `false`\|`"false"`. **Note:** the value you set this option to the first time you call the init method will be how the application always acts. Once this is set programmatically in the init method it can only be changed manually by the user in Settings>Notifications>`App Name`. This is normal iOS behaviour.
`options.ios.badge` | `Boolean`\|`String` Optional. If `true`\|`"true"` the device sets the badge number on receipt of notification. Default is `false`\|`"false"`. **Note:** the value you set this option to the first time you call the init method will be how the application always acts. Once this is set programmatically in the init method it can only be changed manually by the user in Settings>Notifications>`App Name`. This is normal iOS behaviour.
`options.ios.sound` | `Boolean`\|`String` Optional. If `true`\|`"true"` the device plays a sound on receipt of notification. Default is `false`\|`"false"`. **Note:** the value you set this option to the first time you call the init method will be how the application always acts. Once this is set programmatically in the init method it can only be changed manually by the user in Settings>Notifications>`App Name`. This is normal iOS behaviour.
`options.ios.clearBadge` | `Boolean`\|`String` Optional. If `true`\|`"true"` the badge will be cleared on app startup. Default is `false`\|`"false"`.
`options.windows` | `JSON Object` Windows specific initialization options.

#### Returns

- Instance of `PushNotification`.

#### Example

```javascript
    var push = PushNotification.init({ "android": {"senderID": "12345679"},
         "ios": {"alert": "true", "badge": "true", "sound": "true"}, "windows": {} } );
```

### push.on(event, callback)

Parameter | Description
--------- | ------------
`event` | `String` Name of the event to listen to. See below for all the event names.
`callback` | `Function` is called when the event is triggered.

### push.on('registration', callback)

The event `registration` will be triggered on each successful registration with the 3rd party push service.

Callback Parameter | Description
------------------ | -----------
`data.registrationId` | `String` The registration ID provided by the 3rd party remote push service.

#### Example

```javascript
push.on('registration', function(data) {
    // data.registrationId
});
```

### push.on('notification', callback)

The event `notification` will be triggered each time a push notification is received by a 3rd party push service on the device.

Callback Parameter | Description
------------------ | -----------
`data.message` | `String` The text of the push message sent from the 3rd party service.
`data.title` | `String` The optional title of the push message sent from the 3rd party service.
`data.count` | `String` The number of messages to be displayed in the badge iOS or message count in the notification shade in Android. For windows, it represents the value in the badge notification which could be a number or a status glyph.
`data.sound` | `String` The name of the sound file to be played upon receipt of the notification.
`data.image` | `String` The path of the image file to be displayed in the notification.
`data.additionalData` | `JSON Object` An optional collection of data sent by the 3rd party push service that does not fit in the above properties.
`data.additionalData.foreground` | `Boolean` Whether the notification was received while the app was in the foreground

#### Example

```javascript
    push.on('notification', function(data) {
        // data.message,
        // data.title,
        // data.count,
        // data.sound,
        // data.image,
        // data.additionalData
    });
```

### push.on('error', callback)

The event `error` will trigger when an internal error occurs and the cache is aborted.

Callback Parameter | Description
------------------ | -----------
`e` | `Error` Standard JavaScript error object that describes the error.

#### Example

```javascript
push.on('error', function(e) {
    // e.message
});
```

### push.unregister(successHandler, errorHandler)

The unregister method is used when the application no longer wants to receive push notifications.

#### Example

```javascript
push.unregister(successHandler, errorHandler);
```

### push.setApplicationIconBadgeNumber(successHandler, errorHandler, count) - iOS only

Set the badge count visible when the app is not running

The `count` is an integer indicating what number should show up in the badge. Passing 0 will clear the badge. Each `notification` event contains a `data.count` value which can be used to set the badge to correct number.

#### Example

```javascript
push.setApplicationIconBadgeNumber(successHandler, errorHandler, count);
```

### push.getApplicationIconBadgeNumber(successHandler, errorHandler) - iOS only

Get the current badge count visible when the app is not running

successHandler gets called with an integer which is the current badge count

#### Example

```javascript
push.getApplicationIconBadgeNumber(successHandler, errorHandler);
```

## PhoneGap Build Support

Including this plugin in a project that is built by PhoneGap Build is as easy as adding:

```
<gap:plugin name="phonegap-plugin-push" source="npm" />
```

into your apps `config.xml` file. PhoneGap Build will pick up the latest version of phonegap-plugin-push published on npm. If you want to specify a particular version of the plugin you can add the `version` attribute to the `gap` tag.

```
<gap:plugin name="phonegap-plugin-push" source="npm" version="1.2.3" />
```

Note: version 1.3.0 of this plugin begins to use Gradle to install the Android Support Framework. Support for Gradle has recently been added to PhoneGap Build. Please read [this blog post](http://phonegap.com/blog/2015/09/28/android-using-gradle/) for more information.

## Android Behaviour

### Compiling

As of version 1.3.0 the plugin has been switched to using Gradle/Maven for building. You will need to ensure that you have installed the Android Support Library version 23 or greater, Android Support Repository version 20 or greater, Google Play Services version 27 or greater and Google Repository version 22 or greater.

![android support library](https://cloud.githubusercontent.com/assets/353180/10230226/0627931e-684a-11e5-9a6b-72d72997f655.png)

For more detailed instructions on how to install the Android Support Library visit [Google's documentation](https://developer.android.com/tools/support-library/setup.html).

### Images

By default the icon displayed in your push notification will be your apps icon. So when you initialize the plugin like this:

```javascript
    var push = PushNotification.init({ "android": {"senderID": "12345679"},
         "ios": {"alert": "true", "badge": "true", "sound": "true"}, "windows": {} } );
```

The result will look much like this:

![2015-07-24 02 52 00](https://cloud.githubusercontent.com/assets/353180/8866899/2df00c3c-3190-11e5-8552-96201fb4424b.png)

This is because Android now uses Material design and the default icon for push will be completely white.

In order to get a better user experience you can specify an alternate icon and background color to be shown when receiving a push notification. The code would look like this:

```javascript
	var push = PushNotification.init({
		"android": {
			"senderID": "123456789", "icon": "phonegap", "iconColor": "blue"},
		"ios": {"alert": "true", "badge": "true", "sound": "true"}, "windows": {}
	});
```

Where *icon* is the name of an image in the Android *drawables* folder. Writing a hook to describe how to copy an image to the Android *drawables* folder is out of scope for this README but there is an [excellent tutorial](http://devgirl.org/2013/11/12/three-hooks-your-cordovaphonegap-project-needs/) that you can copy.

*iconColor* is one of the supported formats #RRGGBB or #AARRGGBB or one of the following names: 'red', 'blue', 'green', 'black', 'white', 'gray', 'cyan', 'magenta', 'yellow', 'lightgray', 'darkgray', 'grey', 'lightgrey', 'darkgrey', 'aqua', 'fuchsia', 'lime', 'maroon', 'navy', 'olive', 'purple', 'silver', 'teal'. *iconColor* is supported on Android 5.0 and greater.

Please follow the [Android icon design guidelines](https://www.google.com/design/spec/style/icons.html#) when creating your icon.

![2015-07-24 02 46 58](https://cloud.githubusercontent.com/assets/353180/8866902/2df3276e-3190-11e5-842a-c8cd95615ab0.png)

Additionally, each push can include a large icon which is used to personalize each push. The location of the image may one of three types.

The first is the *drawables* folder in your app. This JSON sent from GCM:

```javascript
{
	title:"Large Icon",
	message: "Loaded from drawables folder",
	image: "twitter"
}
```

Would look for the *twitter* image in the drawables folder and produce the following notification.

![2015-07-24 02 34 41](https://cloud.githubusercontent.com/assets/353180/8866903/2df48028-3190-11e5-8176-fe8b3f7c5aab.png)

The second is the *assets* folder in your app. This JSON sent from GCM:

```javascript
{
	title:"Large Icon",
	message: "Loaded from assets folder",
	image: "www/image/logo.png"
}
```

Would look for the *logo.png* file in the assets/www/img folder. Since your apps www folder gets copied into the Android assets folder it is an excellent spot to store the images without needing to write a hook to copy them to the *drawables* folder. It produces the following notification.

![2015-07-24 02 20 02](https://cloud.githubusercontent.com/assets/353180/8866901/2df19052-3190-11e5-8c16-a355c59209f3.png)

The third is the remote *URL*. This JSON sent from GCM:

```javascript
{
	title:"Large Icon",
	message: "Loaded from URL",
	image: "https://dl.dropboxusercontent.com/u/887989/antshot.png"
}
```

Produces the following notification.

![2015-07-24 02 17 55](https://cloud.githubusercontent.com/assets/353180/8866900/2df0ab06-3190-11e5-9a81-fdb85bb0f5a4.png)

### Sound

In order for your your notification to play a custom sound you will need to add the files to your Android project's `res/raw` directory. Then send the follow JSON from GCM:

```javascript
{
	title:"Sound Test",
	message: "Loaded res/raw",
	soundname: "test"
}
```

*Note:* when you specify the custom sound file name omit the file's extension.

### Stacking

By default when using this plugin on Android each notification that your app receives will replace the previous notification in the shade.

If you want to see multiple notifications in the shade you will need to provide a notification ID as part of the push data sent to the app. For instance if you send:

```javascript
{
  title: "Test Push",
  message: "Push number 1"
}
```

Followed by:

```javascript
{
  title: "Test Push",
  message: "Push number 2"
}
```

You will only see "Push number 2" in the shade. However, if you send:

```javascript
{
  title: "Test Push",
  message: "Push number 1",
  notId: 1
}
```

and:

```javascript
{
  title: "Test Push",
  message: "Push number 2",
  notId: 2
}
```

You will only see both "Push number 1" and "Push number 2" in the shade.

### Inbox Stacking ###

A better alternative to stacking your notifications is to use the inbox style to have up to 8 lines of notification text in a single notification. If you send the following JSON from GCM you will see:

```javascript
{
	title:"My Title",
	message: "My first message",
	style: "inbox",
	summaryText: "There are %n% notifications"
}
```

It will produce a normal looking notification:

![2015-08-25 14 11 27](https://cloud.githubusercontent.com/assets/353180/9468840/c9c5d43a-4b11-11e5-814f-8dc995f47830.png)

But, if you follow it up with subsequent notifications like:

```javascript
{
	title:"My Title",
	message: "My second message",
	style: "inbox",
	summaryText: "There are %n% notifications"
}
```

You will get an inbox view so you can display multiple notifications in a single panel.

![2015-08-25 14 01 35](https://cloud.githubusercontent.com/assets/353180/9468727/2d658bee-4b11-11e5-90fa-248d54c8f3f6.png)

If you use `%n%` in the `summaryText` of the JSON coming down from GCM it will be replaced by the number of messages that are currently in the queue.

### Action Buttons

Your notification can include action buttons. If you wish to include an icon along with the button name they must be placed in the `res/drawable` directory of your Android project. Then you can send the following JSON from GCM:

```javascript
{
	title:"AUX Scrum",
	message: "Scrum: Daily touchbase @ 10am Please be on time so we can cover everything on the agenda.",
	actions: [
		{ icon: "emailGuests", title: "EMAIL GUESTS", callback: "app.emailGuests"},
		{ icon: "snooze", title: "SNOOZE", callback: "app.snooze"},
	]
}
```

This will produce the following notification in your tray:

![action_combo](https://cloud.githubusercontent.com/assets/353180/9313435/02554d2a-44f1-11e5-8cd9-0aadd1e02b18.png)

If your users clicks on the main body of the notification your app will be opened. However if they click on either of the action buttons the app will open (or start) and the specified JavaScript callback will be executed. In this case it is `app.emailGuests` and `app.snooze` respectively.

### Led in Notifications

You can use a Led notifcation and choose the color of it. Just add a `ledColor` field in your notification in the ARGB format array:

```javascript
{
  title:"Green LED",
  message: "This is my message with a Green LED",
  ledColor: [0, 0, 255, 0]
}
```

### Vibration Pattern in Notifications

You can set a Vibration Pattern for your notifications. Just add a `vibrationPattern` field in your notification:

```javascript
{
  title:"Vibration Pattern",
  message: "Device should wait for 2 seconds, vibrate for 1 second then be silent for 500 ms then vibrate for 500 ms",
  vibrationPattern: [2000, 1000, 500, 500]
}
```

### Priority in Notifications

You can set a priority parameter for your notifications. Just add a `priority` field in your notification. -2: minimum, -1: low, 0: default , 1: high, 2: maximum priority:

```javascript
{
  title:"This is a maximum priority Notification",
  message: "This notification should appear in front of all others",
  priority: 2
}
```

### Picture Messages

Perhaps you want to include a large picture in the notification that you are sending to your users. Luckily you can do that too buy sending the following JSON from GCM.

```javascript
{
	title:"Big Picture",
	message: "This is my big picture message",
	style: "picture",
    picture: "http://36.media.tumblr.com/c066cc2238103856c9ac506faa6f3bc2/tumblr_nmstmqtuo81tssmyno1_1280.jpg",
	summaryText: "The internet is built on cat pictures"
}
```

This will produce the following notification in your tray:

![2015-08-25 16 08 00](https://cloud.githubusercontent.com/assets/353180/9472260/3655fa7a-4b22-11e5-8d87-20528112de16.png)

### Co-existing with FaceBook Plugin

There are a number of Cordova FaceBook Plugins available but the one that we recommend is [Jeduan's fork](https://github.com/jeduan/cordova-plugin-facebook4) of the original Wizcorp plugin. It is setup to use Gradle/Maven properly and the latest FaceBook SDK.

To add to your app:

```
phonegap plugin add https://github.com/jeduan/cordova-plugin-facebook4 --variable APP_ID="App ID" --variable APP_NAME="App Name"
```
or

```
cordova plugin add https://github.com/jeduan/cordova-plugin-facebook4 --variable APP_ID="App ID" --variable APP_NAME="App Name"
```

If you have an issue compiling the app and you are getting this error:

```
* What went wrong:
Execution failed for task ':processDebugManifest'.
> Manifest merger failed : uses-sdk:minSdkVersion 14 cannot be smaller than version 15 declared in library /Users/smacdona/code/bookface/platforms/android/build/intermediates/exploded-aar/com.facebook.android/facebook-android-sdk/4.6.0/AndroidManifest.xml
  	Suggestion: use tools:overrideLibrary="com.facebook" to force usage
```

Then you can add the following entry into your config.xml file in the android platform tag.

```
<platform name="android">
    <preference name="android-minSdkVersion" value="15"/>
 </platform>
 ```

## iOS Behaviour

### Sound

In order for your your notification to play a custom sound you will need to add the files to root of your iOS project. The files must be in the proper format. See the [Local and Remote Notification Programming Guide](https://developer.apple.com/library/ios/documentation/NetworkingInternet/Conceptual/RemoteNotificationsPG/Chapters/IPhoneOSClientImp.html#//apple_ref/doc/uid/TP40008194-CH103-SW6) for more info on proper file formats and how to convert existing sound files.

Then send the follow JSON from APNS:

```javascript
{
    "aps": {
        "alert": "Test sound",
        "sound": "sub.caf"
    }
}
```

## Windows Behaviour

###Notifications

The plugin supports all types of windows platform notifications namely [Tile, Toast, Badge and Raw](https://msdn.microsoft.com/en-us/library/windows/apps/Hh779725.aspx). The API supports the basic cases of the notification templates with title corresponding to the first text element and message corresponding to the second if title is present else the first one. The image corresponds to the first image element of the notification xml.

The count is present only for the badge notification in which it represent the value of the notification which could be a number from 0-99 or a status glyph.

For advanced templates and usage, the notification object is included in [`data.additionalData.pushNotificationReceivedEventArgs`](https://msdn.microsoft.com/en-us/library/windows/apps/windows.networking.pushnotifications.pushnotificationreceivedeventargs).

### Setting Toast Capable Option for Windows

This plugin automatically sets the toast capable flag to be true for Cordova 5.1.1+. For lower versions, you must declare that it is Toast Capable in your app's manifest file.

### Disabling the default processing of notifications by Windows

The default handling can be disabled by setting the 'cancel' property in the notification object.

```
data.additionalData.pushNotificationReceivedEventArgs.cancel = true
```

## Native Requirements

- There should be no dependency on any other plugins.
- All platforms should use the same API!

## Running Tests

```
npm test
```

## Contributing

### Editor Config

The project uses [.editorconfig](http://editorconfig.org/) to define the coding
style of each file. We recommend that you install the Editor Config extension
for your preferred IDE.

### JSHint

The project uses [.jshint](http://jshint.com/docs) to define the JavaScript
coding conventions. Most editors now have a JSHint add-on to provide on-save
or on-edit linting.

#### Install JSHint for vim

1. Install [jshint](https://www.npmjs.com/package/jshint).
1. Install [jshint.vim](https://github.com/wookiehangover/jshint.vim).

#### Install JSHint for Sublime

1. Install [Package Control](https://packagecontrol.io/installation)
1. Restart Sublime
1. Type `CMD+SHIFT+P`
1. Type _Install Package_
1. Type _JSHint Gutter_
1. Sublime -> Preferences -> Package Settings -> JSHint Gutter
1. Set `lint_on_load` and `lint_on_save` to `true`

redpajama_set_name: RedPajamaGithub


What and Who Should You Support?
1. Which political party should I support that would be in line with Wallace D Wattles' philosophy?
2. Which candidates for public office should I support that would be in line with Wallace D. Wattles' philosophy?
3. Which ballot initiatives should I support that would be in line with Wallace D. Wattles' philosophy?
I'm not even going to attempt to answer those questions specifically, especially on a global basis (and, even closer to home, my views continue to evolve), but what I thought I'd do today is give you a list of articles Mr. Wattles wrote that'll give you some insight into his thinking on a wide range of subjects related to government and politics that'll help you answer those questions for yourself.
"I notice with interest the controversy in THE JOURNAL between the single tax and socialistic ideas. In this case, as in nearly all discussions on ethical or religious questions, the truth will likely be found between the positions of the extremists..."
"I wish I could believe the hopeful statement of Mr. Paul Tyner in The New Time for August that 'the labor movement has certainly captured the church.' I believe thoroughly in the statement he quotes from Henry D. Lloyd, that the great coming social movement must be a religious movement; I believe that no permanent economic reform can be accomplished without a moral reform; I do not believe that any change in our financial, industrial or legislative systems can be of permanent benefit unless accompanied by an uplifting of the moral and religious sentiment among our people..."
- "Not Property But Man"
"In the last verse of the second chapter of John's gospel it is said of Jesus that he 'knew what was in man.' It was because He had this knowledge that He was a Christ - a Savior. A knowledge of man - of the greatness of man, of the possibilities of man, of the value of man - is necessary to the development of humanitarianism..."
"Progress comes by having an ideal. A people will not move forward until some desirable object is placed in front of them; there must be a Canaan, a promised land, on the other side of the wilderness before men will undertake the journey..."
"Before committing themselves for or against the proposed new national policy of 'expansion' or 'imperialism' it may be well for workingmen to consider, without prejudice or partisan feeling, just what effect such as policy will be likely to produce, not only on the common people of the new territories, but also on the common people here at home..."
"The stability of a republic depends upon the facility with which the common sense of the people may find expression in legislation. I do not use the term common sense, here, as it is commonly used, to denote a quality of mind which may be peculiar to an individual, but to denote the common opinion of all the people..."
- "The Kingdom of Heaven"
"When John the Baptist began to preach in the wilderness, the burden of his speech was: 'Repent, for the Kingdom of Heaven is at hand.' When Jesus began to preach He took up the same saying; sometimes using the synonymous phrase, Kingdom of God, with the same meaning..."
- "Growing, We Know Not How"
"In this passage Jesus pictures the Kingdom of God as coming by a gradual growth, beginning with a seed and going on to a harvest. It is not to be established all at once..."
- "Some Things About Trusts"
"The statement has been made, upon apparently good authority, that 35,000 traveling, or commercial men, have been thrown out of employment during the year, by the formation of trusts. It has been said that these men must join the army of the unemployed..."
- "What Will the Coming Changes Be?"
"The beginning of the twentieth century finds us entering upon one of the transition periods of history. The Silent Force of evolution - the Silent Force is God - is always working in the souls of men, making them more perfect, more like Himself, capable of doing better things, and leading greater lives..."
- "The Black Hole of Calcutta: A Vision"
"I fell asleep and dreamed; and in my dream I saw a repetition of that horror that happened a hundred and fifty years ago. I saw the brazen sun withdraw his rays of flame and the night fall with air so deadly close that the very birds fell on the burning sand, gasping with open beaks for breath..."
Note: I don't know that you could possibly read and ponder this short article too many times!
- "The Men Who Owned the Way Out"
"In a certain country the people were organizing society, and they came to the question of highways. They saw clearly that highways were an absolute necessity, and also that some degree of united action was necessary in order to have them..."
"The present revolt against bossism and the recent destruction of several of the strongest and best constructed machines, naturally suggest the question as to the permanence of the results. The vital problem now is whether the boss will rise again, or whether a new one will come in his stead..."
"Common sense is a sense which is common to a number of people or to all the people. It is the composite of the opinions and judgments of all men, of all classes; it is that in which all agree..."
Note: This is a different article than the one with the same title that's listed above.
There are certainly others I could mention, but those are the ones that immediately come to mind as the most important and will get you started in the right direction.
All of these articles along with seventy other rare books and articles by Wallace D. Wattles are available in my Wallace D. Wattles Master Collection. If you don't already have it, click or tap the link below to get your copy today.
One more article I suggest you read, one that's had a tremendous influence on my political thinking and voting habits, is Mr. Wattles' article "Agitation and Reform Work", the fourth of fifteen articles in his Lessons in Constructive Science series.
"If you must agitate, or take some part in 'reform' work, mind that you cannot do it without positive injury to yourself and others if you are 'agin' existing wrongs and abuses. It is not at all necessary to fight evil in order to make the world better; in fact, fighting evil only makes the world worse. Jesus, who was a very practical man, was quite sane and wise in advising us to practice non-resistance. Resisting evil strengthens it."
Note: This is another article that I don't know that you could read and ponder enough.
If you don't already have "Agitation and Reform Work" by Wallace D. Wattles, click or tap the links below to get your copy today.
Click or tap here to get "Agitation and Reform Work" and the other fourteen articles in Wallace D. Wattles' Lessons in Constructive Science series on Amazon Kindle.
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Click or tap here to get "Agitation and Reform Work" along with fifty-seven other rare books and articles by Wallace D. Wattles on Amazon Kindle.
Organize Your Way to Peace and Happiness!
There are so many physical benefits to being organized, but have you ever thought about the mental and spiritual boost you can get from organization?
Whether you're dealing with your home or office, getting rid of all that clutter can translate into a deeper type of cleansing. Consider it to be a form of purification! Every time you throw something in the garbage, you're creating a sense of lightness and freedom that can turn into a major mental boost.
All of this de-cluttering can even impact the energy around you. When you clean up the space around you, it gets rid of any stagnation that's affecting it and invites a flow of fresher, more invigorating energy.
The end result? More peace, prosperity, harmony, and ultimately, success!
1. Clear away the clutter.
Clutter isn't just unpleasant to look at. It also pulls your focus away from more important things and leaves you feeling overwhelmed. That's why it's so important to get rid of it! Go through each piece, and be honest with yourself about whether or not you really need it. If it's something unimportant that's just taking up space, throw it away.
2. Don't allow the keepsakes to become clutter.
Just because something needs to be kept doesn't mean it can be messy! Instead of tossing important things into your drawers and closets, take some time to organize them and store them neatly. After all, clutter is clutter. Even if it's tucked behind a door or in a drawer, it'll still give you all of those negative vibes!
3. Give everything a good scrubbing.
Once you've cleared away the clutter, grab the duster, the vacuum cleaner, the mop, and all of the other cleaning gear you need to make your space sparkle. It's important to be thorough because you're not just wiping away dust and dirt - you're also getting rid of the stagnant, negative energy that's been holding you back.
Once everything is squeaky clean, take a moment to look at your surroundings. Everything looks better, but pay special attention to how it feels. You should feel lighter and calmer right away.
5. Bring in some beneficial energy.
- Smudging the area with dried sage leaves.
All you have to do is get some dried sage leaves (available at most herb shops and online), light the end of the sage stick, and blow out the flame so that the leaves smolder and release their fragrant smoke. Then, walk around your space and waft the smoke into the air. As you're doing this, announce that you're removing the negative energy and inviting a flow of good energy to take its place.
- Lighting incense and scented candles.
Simply pick out the scents that are most pleasing to you, and put them in every room. Some of the most popular scents are lavender, rosemary, lemongrass, sage, sandalwood, myrrh, frankincense, and rose.
- Using meditation and visualization.
Get comfortable and breathe deeply until you're in a meditative state. Then, envision brilliant white light taking over every corner of your space. Watch as it crackles with an electric charge, zapping away all of the negativity and leaving peace and harmony in its place.
Fortunately, this is quick and easy, so you can do it anytime you feel your space becoming heavy and sluggish!
- Getting clear about what you want next.
Personally, I'm not one for smudging an area with dried sage leaves, lighting incense and scented candles, or using meditation and visualization (at least not in the way I just described)), however, I know those who are and thus mention them.
The number one, best way I know of to bring beneficial energy into your life is to get real clear about what you want next in your life. A crystal clear vision of what you want next instantly brings order to your life and, as a result, peace, harmony, success, and happiness.
That's what I do and suggest you do as well!
If you need help creating a vision that's right you (and only you!), I highly recommend reading my Wallace D. Wattles Quick Start Guide and my Wallace D. Wattles Advanced Vision Guide, in that order. Between the two of them, you'll learn just about everything you'll ever need to know about creating visions and, more importantly, realizing them. Click the links below to get your copies today.


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Pioneering engineers sell their products all round the world
BUSINESS is booming for world-renowned Huddersfield engineering firm Thomas Broadbent and Sons.
The company developed a pioneering machine 15 years ago to help in the manufacture of man-made fibres and is now reaping the benefits.
The machine - used to make the raw material for yarn from petroleum products - is being bought by petrochemical companies across the world, especially in the Far East.
The family-owned firm now has enough orders on its books to keep it busy until well into next year which is great news for its employees and good news for the town.
It has recently recruited 30 extra production workers and is operating shifts around the clock to keep pace with the string of export contracts.
Broadbent's now has an annual turnover of more than £30m and employs 270 people at its base on Queen Street South. Founded in 1864, it has become a major part of Huddersfield's industrial heritage and is now having its busiest period for 25 years.
Works director Roger Beaumont said: "Our sales team has worked hard to win significant orders.
"And our production staff are happy because they have the opportunity to earn lots of overtime."
The company has also invested more than £1m in new equipment to help it keep products flowing through the factory.
Computer-controlled machine tools have been brought in to speed up manufacturing times and prevent bottlenecks in production.
The new equipment includes some of the most advanced machines in use anywhere in West Yorkshire.
Broadbent has also invested in 3-D design software to get work from the drawing office to the shopfloor quicker.
The company has won contracts in the plastics and textiles industry in China, Taiwan, Thailand and India and a gas plant in Russia.
It has provided equipment for earthquake testing centres at Nottingham University and the University of Texas.


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Benedict Cumberbatch loves a red carpet despite not seeing himself as a 'huge Hollywood star'
Abigail GillibrandTuesday 6 Nov 2018 2:33 pm
Benedict Cumberbatch loves a red carpet (Picture: Getty)
Benedict Cumberbatch is probably one of the biggest names in Hollywood at the moment.
If you haven't watched any films or series he is in, then you're sure to have seen a meme about his name pop up on your newsfeed at some point.
But despite appearing in Avengers: Infinity War, the 42-year-old has remained humble and still doesn't see himself as a star.
Speaking to Dave Berry during an appearance on the Absolute Radio Breakfast Show, Benedict said: 'I don't think of myself as this huge Hollywood star.
'I have a new family and I have close friends who have known me since I first started and don't think of me like that. They're always happy to remind me who I am, which is good.'
He doesn't see himself as a Hollywood star (Picture: Getty Images)
However, even with this family man appearance, the Sherlock actor still doesn't mind getting all dressed up for the red carpet.
And who can blame him?
He added: 'I don't find it difficult to stay grounded. Every time I come back to London, I love the feeling – it's my hometown and I'm very happy with my creature comforts.
'I'm actually quite a homely person, although I still enjoy being on the red carpet.'
The father-of-two welcomed his youngest son Hal into the world just 19 months ago with his wife Sophie Hunter.
He's just announced baby number three is on its way (Picture: Getty Images)
While chatting about his children, Benedict proudly revealed that his life has changed for the better since having kids, and said that his sons have given him strength.
'Lots of people, especially women, get told, "Oh parenthood is really going to affect your career" – and it does, but for the better I think,' he explained.
'I know I'm in a very privileged position in my career but I think everyone, even if they're in a challenging time in their life, draws strength from their children.
'They are your inspiration. It adds to your work, it never takes away.'
More: Benedict Cumberbatch
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However, the star does enjoy his downtime, as he joked: 'Sleep when they sleep, make sure you can build some napping into your day, and then you won't go utterly insane.'
But it appears he will be missing out on more sleep in the near future, as the Doctor Strange actor recently announced baby number three is on its way.
Got a showbiz story?
If you've got a celebrity story, video or pictures get in touch with the Metro.co.uk entertainment team by emailing us celebtips@metro.co.uk, calling 020 3615 2145 or by visiting our Submit Stuff page - we'd love to hear from you.
MORE: Benedict Cumberbatch's biggest regret about Infinity War is not watching us all lose our minds in the cinema
MORE: Benedict Cumberbatch addresses Doctor Strange Avengers 4 fate and it doesn't look good
Did you spot the sneaky Sherlock Easter egg in tonight's Dracula?
Laurence Fox dumped 'too-woke girlfriend' over supporting Gillette ad as he finds support in Piers Morgan
Dwayne Johnson confirms father Rocky's cause of death as 'massive heart attack'
Sainsbury's hilariously throw shade at Beyonce's new Ivy Park collection for stealing their style
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A rare photo of Freddie Mercury with never-mentioned Queen member emerges and we're crying
Disgruntled Pope slaps away woman who grabbed him
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With his signature creation, "The Goon," appearing to have gone off the rails in its most recent outing, I was wondering if creator Eric Powell's best days were behind him. "Big Man Plans" proves that this isn't the case. It's the story of an unnamed dwarf who goes through life suffering every indignity and cruelty possible, and dishing out all the anger and violence he can in response. This cycle is interrupted one day by a letter from a girl he knew back home that causes him to return to rage and get respect. What follows is a story that manages to avoid the pitfalls of being relentlessly depressing through sheer brutality, achieving a satisfying catharsis in the end.
That's mainly due to how we see the protagonist give as good as he gets throughout the course of this story. In a very good indication of things to come, "Big Man Plans" starts off with him suffering short person jokes in a bar before he leaves and is then mocked by a kid on a bike. Said bar is then blown up through the clever use of a hand grenade in a splash page that has the kid being smacked in the jaw for his insults. This is only the tip of the iceberg in terms of the suffering we see heaped upon the main character of the story, as well as the retribution he heaps out upon those deserving of it. That's the core of what makes this story work as no bad deed goes unpunished here.
Even though he doesn't have a name, the protagonist's character is effectively fleshed out over the course of the story by Powell and his co-writer Tim Wiesch. We get his whole life story, from growing up on the farm with his dad and sister, to the tough times after his dad died and worse but purposeful days in the army. It's a bleak, but insightful series of flashbacks as the writers show that the main character did receive the kind of inspirational advice you'd expect from the people who cared about him and were trying to do their best to help this kid out. Then we see that advice twisted into murderous rage that leads our protagonist back home to settle scores in wickedly brutal fashion.
That all of these scenes hit you right in the gut is a credit to Powell's incredible art. The one thing about "The Goon" that hasn't diminished over the years is the art, as its creator's work has only become more detailed and effective in the way it can render gut-wrenching pain and gore. (And, uh, humor too. At least it used to be...) Those skills are on display to their fullest extent here as the protagonist inflicts and receives a lifetime of suffering in the pages of this collection. The creative punishments he inflicts on those most deserving will make your stomach crawl, while the looks of rage, anguish, and utter sadness will stick with you long after the final page. Powell also gives the story an overall grimy and messy look that makes the whole project feel like it could've been a grindhouse film straight out of its late 70's setting.
Or, you could also call this the best film that Rob Zombie and Peter Dinklage have yet to make together. There's no denying that "Big Man Plans" is a savage work about revenge whose unsparing nature and graphic violence mean that it won't be for everyone. Yet this didn't wreck my whole day after reading it. For all the misery at the heart of this story, it's a gripping showcase for the cathartic power of violence and revenge as well as a compelling reason for Powell's continued relevance as a creator. You may also expect to hear more about this in two weeks from this coming Wednesday…


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Researchers using ultrabright x-rays reveal the molecular structure of membranes used to purify seawater into drinking water.
For the first time, a team of researchers from Stony Brook University and the U.S. Department of Energy's (DOE) Brookhaven National Laboratory have revealed the molecular structure of membranes used in reverse osmosis. The research is reported in a recently published paper in ACS Macro Letters, a journal of the American Chemical Society (ACS).
Reverse osmosis is the leading method of converting brackish water or seawater into potable or drinking water, and it is used to make about 25,000 million gallons of fresh water a day globally according to the International Water Association.
"Most of the earth's water is in the oceans and only three percent is fresh water, so water purification is an essential tool to satisfy the increasing demand for drinking water," said Brookhaven Lab senior scientist Benjamin Ocko. "Reverse osmosis is not a new technology; however, the molecular structure of many of the very thin polymer films that serve as the barrier layer in reverse osmosis membranes, despite its importance, was not previously known."
>Read more on the NSLS-II website
Image: Qinyi Fu, Francisco J. Medellin-Rodriguez, Nisha Verma, and Benjamin Ocko (from left to right) prepare to mount the membrane samples that mimic the membranes used in reverse osmosis for the measurements in the Complex Materials Scattering (CMS) beamline at the National Synchrotron Light Source II (NSLS-II).
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"We aim to provide a place for people with a love and interest of wildlife to meet."
Keele Wildlife Society is open to anyone who is interested in wildlife. If you would like to meet-up, make friends and share knowledge then this is a society for you!
The society aims to provide a place for people with a love and interest of wildlife to meet. For events and socials we are going to plan walks around the Keele campus and further afield to allow time for wildlife spotting and adventures! We also aim to provide inspiring speakers and lectures on a variety of wildlife topics which may inspire and encourage a stronger passion for wildlife.
Also follow us via Facebook, Twitter and Instagram!


Driving along a windy road, a sad song comes on the radio, breaking up the typically upbeat pop which is churned out minute after minute. The sun is shining, you are feeling happy but suddenly the interjection of this song changes the mood. Yet rather than switch over to something more upbeat, you let a melancholic wave wash over you. Oddly, the experience is enjoyable, but why?
There will be some people reading this, energetically shaking their head! If this is you, you are a "systemiser". Basically this means that in terms of music you prefer to listen to something with a pattern, a system and typically adhering to rules. For those wiping tears away from their eyes, this can be blamed on your heightened empathy.
A new research has shown that the fascination of being "moved", comes from an individual's openness to emotions and feelings. A certain comfort of pleasure can be experienced by immersing ourselves in sad music.
In the study, over 100 people listened to an instrumental piece of music. The music was an unknown piece to ensure that it did not evoke any past emotions. Prior to listening to the music, the participants took part in a test to deem how empathic they seemed to be. The results showed that a persons empathy directly related to how much they were moved by the music.
And the research goes a little deeper. Music is increasingly being used as a therapy and the "reward" of listening to sad music, could be a biochemical reaction, similar to the serenity and peace which is experienced after a good cry. However the pleasure encountered is actually heightened, due to the absence of any actual upset or loss.
Whilst more research needs to be conducted in this area, the evidence concludes that allowing yourself to be transported into a world of tragedy and sorrow, may be just what your mind needs.
Looking for melancholic backing tracks for singers? Or looking to take your singing to the next level. Click here for more information.


Here we have an idiot who thinks his comment has more impact if he types in capitals. Then again, maybe he's just a complete moron and doesn't know how to take the caps lock off on his keyboard. I honestly don't think this guy could contribute anything to the community I'm building or the YouTube community in general so he's been sent to the sin-bin as well.


The perfect symbiosis of luxury and ecological sustainability – in perfect harmony with the requirements of the automotive premium market!
In the development of Velamina we always had the creation of a product in mind which combines high-class appearance and haptic qualities of modern microfibre surfaces with ecologically sustainable materials. The result is a textile polyester microfibre décor which meets the highest requirements!
Due to the combination of innovative raw materials with cutting-edge textile manufacturing technology, the Velamina characteristics can be adapted flexibly to almost every application. An almost unlimited spectrum of intensive and true colour shades as well as first-class flame protection round off the product concept and qualify Velamina as a first choice for the most versatile industrial applications – for example automotive or aviation interiors. The innovative manufacturing concept of Velamina relies completely on the use of healthy and environmentally-friendly procedures, and thus underlines the claim for ecological sustainability – in harmony with people and the environment, made in Germany!
We are looking forward to your manifold Velamina applications and will gladly advise you with respect to the multiple application and adaptation possibilities of this high-quality product!


The philosopher Plotinus articulated that there is a certain magnitude, or degree, of parts to each other, and the whole, with the addition of colour that it generates beauty — the object of sight and exquisiteness of everything that exists. Although his sublime observation isn't simple, it exemplifies the idea of beauty as being not just beautiful, but also augmenting the appellation of beauty of the whole, and not just the parts. Yet, it needs to be construed that everything that is dainty need not always refer to as being fair. To cull a common paradigm — everything pleasant can never emerge from the distorted, or malformed. Or, just think of another example — the most beautiful colours and the dazzling light of the sun. They are simple and also obvious, yet they do not acquire their beauty exclusively from the sun alone — they attain it from our mind's eye, including our natural, mindful urge to celebrate colours in all their resplendent hues and forms.
This brings us to one obvious question. Does all that glisters, not just glitters, is as beautiful as gold? Or, is the sparkling of night and the magnificent sight of stars a paean to beauty — of the vast expanse and allure of the cosmos? Yes, certainly — not just because they are of great value and also epic, respectively. On the contrary, beauty could be effortlessly applied to the simplest pleasures of life — be it a humble musical note on the flute, or violin, or a vocal rendition. Agreed that such simple musical sounds would be distant from beauty — when we hear them unaccompanied in a tenor. But, when it is part of a song, it becomes magically and wholly beautiful, with every note manifesting itself as spectacular — the part of the whole and the sum of its parts.
The canon applies not just to such metaphors, but also to science and the beauty of science just as well. As Roger Penrose, the mathematician-philosopher, summed it up succinctly, "It is a mysterious thing, in fact, how something that looks attractive may have a better chance of being true than something which looks ugly. I have noticed on several occasions (in my own work) where there might, for example, be two guesses that could be made as to the solution of a problem, and in the first case I'd think how nice it would be if it were true; whereas in the second case I'd not care very much about the result even if it were true. So often, in fact, it turns out that the more attractive possibility is the true one."
The list is long. Yet, one fundamental fact remains — just as several revolutionary scientific theories built up their remarkable track record, they were all, slowly but surely, declared as aesthetically appealing. As philosopher-statesman Francis Bacon also epitomised, "There is no excellent beauty that hath not some strangeness in the proportion." This relates, no less, to simple arithmetic equations, the splendour of truth and prettiness of the universe, nature, and every alluring model's basic face.
The idea of beauty is just as consonant with our soul too — to highlight a metaphysical perspective. The soul is the epitome of a certain innate power — one that also acknowledges the beauty of forms. Our soul considers our external structure, the body, as its fabric — one that is in agreement with, appropriate and sociable to its own cherished form. You get the point, don't you? Picture this — when you think of virtue shining through, in someone you know, it not only looks charming, but also harmoniously profound in their soul.


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Mariemont Junior High School: Warrior Water Project
Access to Safe Water Changes Lives
Total Raised: $1,147.85
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Together, we can unlock potential in a developing community by providing clean, safe water.
Mariemont Junior High School!
As science students, we are studying the geology and importance of ground water and its quality. While doing so, we are accepting the challenge to make a difference in lives of people around the world who do not have access to clean water. Please join us to help provide clean water to hundreds of children, teens, and adults in Kenya, Rwanda, Uganda, Sierra Leone or Burkina Faso.
Regardless of how much we collect, we will receive proof of impact in a full project report including pictures, GPS, and a community profile.
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03/10/15 Jack Neville $40.00
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The Water Project, Inc. is a 501(c)(3) non-profit organization unlocking human potential by providing clean, safe water to communities around the world who suffer needlessly without.
Working with local partners in countries like Kenya, Rwanda, Sierra Leone, South Sudan, and Uganda, we build long lasting water projects that are organized, owned and managed by the communities receiving them.
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Moore Industries released the SIL 3 capable SFY Functional Safety Frequency-to-DC Transmitter with display.
Part of the FS Functional Safety Series, the SFY provides reliable and accurate monitoring of frequency or pulse signals in Safety Instrumented Systems (SIS) that often helps provide over speed protection by sending signals that warn the logic solver to alarm or shut down the monitored device for plant, process and personnel safety. The SFY ended up certified by exida after rigorous evaluation to ensure conformance with strict IEC 61508:2010 standards for safety-related applications.
The SFY can see use in a wide variety of processes and factory automation SIS including turbine flow meters, magnetic pickups, dry contact closures, variable frequency drives, turbine tachometer generators, rotating equipment, motor and conveyor speed as well as pulse and frequency output transducers. Moore Industries' SFY technology allows the user to monitor frequency, period, high or low pulse width, and contact closure signals. The SFY converts the input signal to a proportional input-to-output isolated 4-20mA output ready for direct interface with a Safety System, readout instrument, recorder, PLC, DCS, or SCADA system.
The SFY is exida certified to IEC 61508:2010 for systematic integrity up to SIL 3 and for random integrity up to SIL 2. This means the SFY can end up used for many safety applications because it is approved for single use in SIS up to SIL 2 and in a redundant architecture (1oo2, 2oo3, etc.) up to SIL 3. Comprehensive FMEDA certified safety data is available upon request allowing a functional safety practitioner to access the FMEDA data on the SFY to determine the SFY's applicability in specific safety-related applications.
The SFY continues supports Moore Industries' reputation for reliability and customer satisfaction with exceptional accuracy and long-term stability with a typical accuracy of ±0.025 percent of span and up to 5 years between scheduled calibrations. The SFY also has a user-configurable 5–digit LCD display that shows the process variable in selectable frequency units. The exida certified SFY is input-to-output isolated and RFI/EMI protected, making it resistant to unpredictable ground loops and the harmful effects of plant and equipment noise. It is also available in explosion-proof/flameproof housings for use in hazardous environments.
The SFY data sheet is available for download at Moore Industries' website while more information is available on Moore Industries' FS Functional Safety Series.


Over half of marketers (54%) are now using adtech with the majority of them agreeing that they are investing the right amount in martech. That's according to a new survey among 316 marketing, sales and ad professionals by Walker Sands.
The research highlights that the majority of marketers are satisfied with their martech investments (75%) compared to 63% in 2018.
Among the leading marketing strategy choices were people-based approaches (62%), data-driven (38%) and account-based (34%) approaches.
The technologies which respondents felt should be invested in the most included ad and promotions technologies (29%), content and experience tech (17%), and social and relationship technologies (16%).
Overall, 42% believe adtech to be important in their day-to-day operations. Another 58% of those using programmatic advertising said they saw ROI from it.
A majority of 79% of respondents felt that attribution was important and 52% said their priorities for ad spend were within social media. Just 17% prioritised Google Ads.
Interestingly, the study also found that marketers weren't feeling prepared for new data privacy regulations with 27% of them conducting their jobs in the same way as they did before.
Mobile is playing an increasingly important role within advertising. Indeed, one in ten marketers admitted that their customers consumed all content via mobile whilst two in five said their customers consumed most content via mobile.
When it comes to formats, 62% of marketers plan to create more social media posts. Video has also come a long way and marks the second most important content type marketers plan to create more of in 2019 (47%).
Artificial intelligence (AI) ranked as the top buzzwords for martech (40%), followed by marketing automation (33%) and content experience (23%).


This pecan pie recipe post has been compensated by World Market and its advertiser. All opinions are mine alone.
I have been wanting to make miniature pecan pies ever since I spotted the 6 inch cast iron skillets at World Market! Not only do things taste better when cooked or baked in a skillet, it just looks so darn cute! Plus, you don't have to dirty any dishes, just dig right on in as soon as the skillet has cooled! This recipe is a great way to impress your holiday dinner party guests, they'll love their individual sized pies! Oh and you need to track down the pie crust mix that I mentioned below at World Market. Stock up around the holidays, it's the best! I may or may not have 5 cans of it in my pantry.
Step 1: Make the pie crust according to the container. Roll out the dough and cut 4 – 7 1/2" circles. Lay the circles into the skillets, smoothing out around the sides.
Step 2: Crack the eggs into a large mixing bowl, add the brown sugar and whisk until fluffy.
Step 3: Add the butter, vanilla, sugar, flour and milk. Whisk until smooth.
Step 4: Whisk in the chopped pecans.
Step 5: Ladle the pecan mixture into the skillets, dividing between the 3 skillets. Place 8-10 pecan halves on the top of each skillet.
Step 6: Bake at 325 degrees for 30 – 45 minutes or until middle is fully cooked. I leave mine in until the top is a little crispy, it's so yummy that way!
Step 7: Allow to cool and dig in!