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Node.js MongoDB Driver API

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                Admin

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resultCallback

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addUser

authenticate

buildInfo

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listDatabases

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profilingInfo

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endCallback

iteratorCallback

resultCallback

toArrayResultCallback

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batchSize

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each

explain

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out

pause

pipe

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addUser

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db

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delete

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remove

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delete

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connect

connect

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ha

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left

open

parseError

timeout

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equals

generate

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resultCallback

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execute

find

insert

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isValid

isValid

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connections

unref

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close

connect

error

fullsetup

ha

joined

left

open

parseError

timeout

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close

connect

error

parseError

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timeout

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valueOf

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toJSON

fromBits

fromInt

fromNumber

fromString

                UnorderedBulkOperation

            Typedefs

resultCallback

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execute

find

insert

                WriteConcernError

                WriteError

Source: lib/server.js

"use strict";

var EventEmitter = require('events').EventEmitter
  , inherits = require('util').inherits
  , CServer = require('mongodb-core').Server
  , Cursor = require('./cursor')
  , AggregationCursor = require('./aggregation_cursor')
  , CommandCursor = require('./command_cursor')
  , f = require('util').format
  , ServerCapabilities = require('./topology_base').ServerCapabilities
  , Store = require('./topology_base').Store
  , Define = require('./metadata')
  , MongoError = require('mongodb-core').MongoError
  , MAX_JS_INT = require('./utils').MAX_JS_INT
  , translateOptions = require('./utils').translateOptions
  , filterOptions = require('./utils').filterOptions
  , mergeOptions = require('./utils').mergeOptions
  , getReadPreference = require('./utils').getReadPreference
  , os = require('os');

// Get package.json variable
var driverVersion = require('../package.json').version;
var nodejsversion = f('Node.js %s, %s', process.version, os.endianness());
var type = os.type();
var name = process.platform;
var architecture = process.arch;
var release = os.release();

/**
 * @fileOverview The **Server** class is a class that represents a single server topology and is
 * used to construct connections.
 *
 * **Server Should not be used, use MongoClient.connect**
 * @example
 * var Db = require('mongodb').Db,
 *   Server = require('mongodb').Server,
 *   test = require('assert');
 * // Connect using single Server
 * var db = new Db('test', new Server('localhost', 27017););
 * db.open(function(err, db) {
 *   // Get an additional db
 *   db.close();
 * });
 */

 // Allowed parameters
 var legalOptionNames = ['ha', 'haInterval', 'acceptableLatencyMS'
   , 'poolSize', 'ssl', 'checkServerIdentity', 'sslValidate', 'ciphers', 'ecdhCurve'
   , 'sslCA', 'sslCRL', 'sslCert', 'sslKey', 'sslPass', 'socketOptions', 'bufferMaxEntries'
   , 'store', 'auto_reconnect', 'autoReconnect', 'emitError'
   , 'keepAlive', 'noDelay', 'connectTimeoutMS', 'socketTimeoutMS', 'family'
   , 'loggerLevel', 'logger', 'reconnectTries', 'reconnectInterval', 'monitoring'
   , 'appname', 'domainsEnabled'
   , 'servername', 'promoteLongs', 'promoteValues', 'promoteBuffers'];

/**
 * Creates a new Server instance
 * @class
 * @deprecated
 * @param {string} host The host for the server, can be either an IP4, IP6 or domain socket style host.
 * @param {number} [port] The server port if IP4.
 * @param {object} [options=null] Optional settings.
 * @param {number} [options.poolSize=5] Number of connections in the connection pool for each server instance, set to 5 as default for legacy reasons.
 * @param {boolean} [options.ssl=false] Use ssl connection (needs to have a mongod server with ssl support)
 * @param {object} [options.sslValidate=true] Validate mongod server certificate against ca (needs to have a mongod server with ssl support, 2.4 or higher)
 * @param {boolean|function} [options.checkServerIdentity=true] Ensure we check server identify during SSL, set to false to disable checking. Only works for Node 0.12.x or higher. You can pass in a boolean or your own checkServerIdentity override function.
 * @param {array} [options.sslCA=null] Array of valid certificates either as Buffers or Strings (needs to have a mongod server with ssl support, 2.4 or higher)
 * @param {array} [options.sslCRL=null] Array of revocation certificates either as Buffers or Strings (needs to have a mongod server with ssl support, 2.4 or higher)
 * @param {(Buffer|string)} [options.sslCert=null] String or buffer containing the certificate we wish to present (needs to have a mongod server with ssl support, 2.4 or higher)
 * @param {(Buffer|string)} [options.sslKey=null] String or buffer containing the certificate private key we wish to present (needs to have a mongod server with ssl support, 2.4 or higher)
 * @param {(Buffer|string)} [options.sslPass=null] String or buffer containing the certificate password (needs to have a mongod server with ssl support, 2.4 or higher)
 * @param {string} [options.servername=null] String containing the server name requested via TLS SNI.
 * @param {boolean} [options.autoReconnect=true] Reconnect on error or timeout.
 * @param {object} [options.socketOptions=null] Socket options
 * @param {boolean} [options.socketOptions.noDelay=true] TCP Socket NoDelay option.
 * @param {number} [options.socketOptions.keepAlive=0] TCP KeepAlive on the socket with a X ms delay before start.
 * @param {number} [options.socketOptions.connectTimeoutMS=0] TCP Connection timeout setting
 * @param {number} [options.socketOptions.socketTimeoutMS=0] TCP Socket timeout setting
 * @param {number} [options.reconnectTries=30] Server attempt to reconnect #times
 * @param {number} [options.reconnectInterval=1000] Server will wait # milliseconds between retries
 * @param {number} [options.monitoring=true] Triggers the server instance to call ismaster
 * @param {number} [options.haInterval=10000] The interval of calling ismaster when monitoring is enabled.
 * @param {boolean} [options.domainsEnabled=false] Enable the wrapping of the callback in the current domain, disabled by default to avoid perf hit.
 * @fires Server#connect
 * @fires Server#close
 * @fires Server#error
 * @fires Server#timeout
 * @fires Server#parseError
 * @fires Server#reconnect
 * @property {string} parserType the parser type used (c++ or js).
 * @return {Server} a Server instance.
 */
var Server = function(host, port, options) {
  options = options || {};
  if(!(this instanceof Server)) return new Server(host, port, options);
  EventEmitter.call(this);
  var self = this;

  // Filter the options
  options = filterOptions(options, legalOptionNames);

  // Stored options
  var storeOptions = {
      force: false
    , bufferMaxEntries: typeof options.bufferMaxEntries == 'number' ? options.bufferMaxEntries : MAX_JS_INT
  }

  // Shared global store
  var store = options.store || new Store(self, storeOptions);

  // Detect if we have a socket connection
  if(host.indexOf('\/') != -1) {
    if(port != null && typeof port == 'object') {
      options = port;
      port = null;
    }
  } else if(port == null) {
    throw MongoError.create({message: 'port must be specified', driver:true});
  }

  // Get the reconnect option
  var reconnect = typeof options.auto_reconnect == 'boolean' ? options.auto_reconnect : true;
  reconnect = typeof options.autoReconnect == 'boolean' ? options.autoReconnect : reconnect;

  // Clone options
  var clonedOptions = mergeOptions({}, {
    host: host, port: port, disconnectHandler: store,
    cursorFactory: Cursor,
    reconnect: reconnect,
    emitError: typeof options.emitError == 'boolean' ? options.emitError : true,
    size: typeof options.poolSize == 'number' ? options.poolSize : 5
  });

  // Translate any SSL options and other connectivity options
  clonedOptions = translateOptions(clonedOptions, options);

  // Socket options
  var socketOptions = options.socketOptions && Object.keys(options.socketOptions).length > 0
    ? options.socketOptions : options;

  // Translate all the options to the mongodb-core ones
  clonedOptions = translateOptions(clonedOptions, socketOptions);
  if(typeof clonedOptions.keepAlive == 'number') {
    clonedOptions.keepAliveInitialDelay = clonedOptions.keepAlive;
    clonedOptions.keepAlive = clonedOptions.keepAlive > 0;
  }

  // Build default client information
  this.clientInfo = {
    driver: {
      name: "nodejs",
      version: driverVersion
    },
    os: {
      type: type,
      name: name,
      architecture: architecture,
      version: release
    },
    platform: nodejsversion
  }

  // Build default client information
  clonedOptions.clientInfo = this.clientInfo;
  // Do we have an application specific string
  if(options.appname) {
    clonedOptions.clientInfo.application = { name: options.appname };
  }

  // Create an instance of a server instance from mongodb-core
  var server = new CServer(clonedOptions);

  // Define the internal properties
  this.s = {
    // Create an instance of a server instance from mongodb-core
      server: server
    // Server capabilities
    , sCapabilities: null
    // Cloned options
    , clonedOptions: clonedOptions
    // Reconnect
    , reconnect: clonedOptions.reconnect
    // Emit error
    , emitError: clonedOptions.emitError
    // Pool size
    , poolSize: clonedOptions.size
    // Store Options
    , storeOptions: storeOptions
    // Store
    , store: store
    // Host
    , host: host
    // Port
    , port: port
    // Options
    , options: options
  }
}

inherits(Server, EventEmitter);

var define = Server.define = new Define('Server', Server, false);

// BSON property
Object.defineProperty(Server.prototype, 'bson', {
  enumerable: true, get: function() {
    return this.s.server.s.bson;
  }
});

// Last ismaster
Object.defineProperty(Server.prototype, 'isMasterDoc', {
  enumerable:true, get: function() {
    return this.s.server.lastIsMaster();
  }
});

Object.defineProperty(Server.prototype, 'parserType', {
  enumerable:true, get: function() {
    return this.s.server.parserType;
  }
});

// Last ismaster
Object.defineProperty(Server.prototype, 'poolSize', {
  enumerable:true, get: function() { return this.s.server.connections().length; }
});

Object.defineProperty(Server.prototype, 'autoReconnect', {
  enumerable:true, get: function() { return this.s.reconnect; }
});

Object.defineProperty(Server.prototype, 'host', {
  enumerable:true, get: function() { return this.s.host; }
});

Object.defineProperty(Server.prototype, 'port', {
  enumerable:true, get: function() { return this.s.port; }
});

// Connect
Server.prototype.connect = function(db, _options, callback) {
  var self = this;
  if('function' === typeof _options) callback = _options, _options = {};
  if(_options == null) _options = {};
  if(!('function' === typeof callback)) callback = null;
  self.s.options = _options;

  // Update bufferMaxEntries
  self.s.storeOptions.bufferMaxEntries = db.bufferMaxEntries;

  // Error handler
  var connectErrorHandler = function() {
    return function(err) {
      // Remove all event handlers
      var events = ['timeout', 'error', 'close'];
      events.forEach(function(e) {
        self.s.server.removeListener(e, connectHandlers[e]);
      });

      self.s.server.removeListener('connect', connectErrorHandler);

      // Try to callback
      try {
        callback(err);
      } catch(err) {
        process.nextTick(function() { throw err; })
      }
    }
  }

  // Actual handler
  var errorHandler = function(event) {
    return function(err) {
      if(event != 'error') {
        self.emit(event, err);
      }
    }
  }

  // Error handler
  var reconnectHandler = function() {
    self.emit('reconnect', self);
    self.s.store.execute();
  }

  // Reconnect failed
  var reconnectFailedHandler = function(err) {
    self.emit('reconnectFailed', err);
    self.s.store.flush(err);
  }

  // Destroy called on topology, perform cleanup
  var destroyHandler = function() {
    self.s.store.flush();
  }

  // relay the event
  var relay = function(event) {
    return function(t, server) {
      self.emit(event, t, server);
    }
  }

  // Connect handler
  var connectHandler = function() {
    // Clear out all the current handlers left over
    ["timeout", "error", "close", 'destroy'].forEach(function(e) {
      self.s.server.removeAllListeners(e);
    });

    // Set up listeners
    self.s.server.on('timeout', errorHandler('timeout'));
    self.s.server.once('error', errorHandler('error'));
    self.s.server.on('close', errorHandler('close'));
    // Only called on destroy
    self.s.server.on('destroy', destroyHandler);

    // Emit open event
    self.emit('open', null, self);

    // Return correctly
    try {
      callback(null, self);
    } catch(err) {
      console.log(err.stack)
      process.nextTick(function() { throw err; })
    }
  }

  // Set up listeners
  var connectHandlers = {
    timeout: connectErrorHandler('timeout'),
    error: connectErrorHandler('error'),
    close: connectErrorHandler('close')
  };

  // Clear out all the current handlers left over
  ["timeout", "error", "close", 'serverOpening', 'serverDescriptionChanged', 'serverHeartbeatStarted',
    'serverHeartbeatSucceeded', 'serverHeartbeatFailed', 'serverClosed', 'topologyOpening',
    'topologyClosed', 'topologyDescriptionChanged'].forEach(function(e) {
    self.s.server.removeAllListeners(e);
  });

  // Add the event handlers
  self.s.server.once('timeout', connectHandlers.timeout);
  self.s.server.once('error', connectHandlers.error);
  self.s.server.once('close', connectHandlers.close);
  self.s.server.once('connect', connectHandler);
  // Reconnect server
  self.s.server.on('reconnect', reconnectHandler);
  self.s.server.on('reconnectFailed', reconnectFailedHandler);

  // Set up SDAM listeners
  self.s.server.on('serverDescriptionChanged', relay('serverDescriptionChanged'));
  self.s.server.on('serverHeartbeatStarted', relay('serverHeartbeatStarted'));
  self.s.server.on('serverHeartbeatSucceeded', relay('serverHeartbeatSucceeded'));
  self.s.server.on('serverHeartbeatFailed', relay('serverHeartbeatFailed'));
  self.s.server.on('serverOpening', relay('serverOpening'));
  self.s.server.on('serverClosed', relay('serverClosed'));
  self.s.server.on('topologyOpening', relay('topologyOpening'));
  self.s.server.on('topologyClosed', relay('topologyClosed'));
  self.s.server.on('topologyDescriptionChanged', relay('topologyDescriptionChanged'));
  self.s.server.on('attemptReconnect', relay('attemptReconnect'));
  self.s.server.on('monitoring', relay('monitoring'));

  // Start connection
  self.s.server.connect(_options);
}

// Server capabilities
Server.prototype.capabilities = function() {
  if(this.s.sCapabilities) return this.s.sCapabilities;
  if(this.s.server.lastIsMaster() == null) return null;
  this.s.sCapabilities = new ServerCapabilities(this.s.server.lastIsMaster());
  return this.s.sCapabilities;
}

define.classMethod('capabilities', {callback: false, promise:false, returns: [ServerCapabilities]});

// Command
Server.prototype.command = function(ns, cmd, options, callback) {
  this.s.server.command(ns, cmd, getReadPreference(options), callback);
}

define.classMethod('command', {callback: true, promise:false});

// Insert
Server.prototype.insert = function(ns, ops, options, callback) {
  this.s.server.insert(ns, ops, options, callback);
}

define.classMethod('insert', {callback: true, promise:false});

// Update
Server.prototype.update = function(ns, ops, options, callback) {
  this.s.server.update(ns, ops, options, callback);
}

define.classMethod('update', {callback: true, promise:false});

// Remove
Server.prototype.remove = function(ns, ops, options, callback) {
  this.s.server.remove(ns, ops, options, callback);
}

define.classMethod('remove', {callback: true, promise:false});

// IsConnected
Server.prototype.isConnected = function() {
  return this.s.server.isConnected();
}

Server.prototype.isDestroyed = function() {
  return this.s.server.isDestroyed();
}

define.classMethod('isConnected', {callback: false, promise:false, returns: [Boolean]});

// Insert
Server.prototype.cursor = function(ns, cmd, options) {
  options.disconnectHandler = this.s.store;
  return this.s.server.cursor(ns, cmd, options);
}

define.classMethod('cursor', {callback: false, promise:false, returns: [Cursor, AggregationCursor, CommandCursor]});

Server.prototype.lastIsMaster = function() {
  return this.s.server.lastIsMaster();
}

/**
 * Unref all sockets
 * @method
 */
Server.prototype.unref = function() {
  this.s.server.unref();
}

Server.prototype.close = function(forceClosed) {
  this.s.server.destroy();
  // We need to wash out all stored processes
  if(forceClosed == true) {
    this.s.storeOptions.force = forceClosed;
    this.s.store.flush();
  }
}

define.classMethod('close', {callback: false, promise:false});

Server.prototype.auth = function() {
  var args = Array.prototype.slice.call(arguments, 0);
  this.s.server.auth.apply(this.s.server, args);
}

define.classMethod('auth', {callback: true, promise:false});

Server.prototype.logout = function() {
  var args = Array.prototype.slice.call(arguments, 0);
  this.s.server.logout.apply(this.s.server, args);
}

define.classMethod('logout', {callback: true, promise:false});

/**
 * All raw connections
 * @method
 * @return {array}
 */
Server.prototype.connections = function() {
  return this.s.server.connections();
}

define.classMethod('connections', {callback: false, promise:false, returns:[Array]});

/**
 * Server connect event
 *
 * @event Server#connect
 * @type {object}
 */

/**
 * Server close event
 *
 * @event Server#close
 * @type {object}
 */

/**
 * Server reconnect event
 *
 * @event Server#reconnect
 * @type {object}
 */

/**
 * Server error event
 *
 * @event Server#error
 * @type {MongoError}
 */

/**
 * Server timeout event
 *
 * @event Server#timeout
 * @type {object}
 */

/**
 * Server parseError event
 *
 * @event Server#parseError
 * @type {object}
 */

module.exports = Server;

                        Documentation generated by JSDoc 3.5.5 on Mon Oct 01 2018 09:50:14 GMT-0400 (EDT)


I like to think that somewhere deep inside everyone, no matter what they've done, and no matter how many innocent lives they've taken, there still lies some good. Sir, where the good lies in you, only God knows. You've been given the rest of your life to contemplate the carnage and trail of death you've left in your wake. If there is any good in you I suggest you take this time to explain to the world how you wasted your life in the pursuit of money and at the expense of countless thousands of innocent children.
As a pro-life blogger, I'm trying to understand how a trained physician could do the things you did. I hope to begin a conversation with you as I explore the depravity of America's abortion industry. Since you have nothing better to do as you wait for your day of reckoning, I ask that you engage me in this exchange and tell your side of the story.
Sir, the squalid clinic where you murdered an untold number of post-birth children stands as a testament to the brutality of America's abortion industry. The account of how you were able to openly perform late-term abortions for 17 years without a single inspection of your facility by either the Philadelphia Public Health Department or the Pennsylvania Department of Health speaks volumes to those of us who see many in government as willing accomplices to monsters like you.
I can only imagine the horrific visions of your life as a child killer as they stream through your consciousness in the dark solitude of your remaining existence. Do you feel any remorse for what you've done? Do you see the lifeless eyes of all the children you killed as you close yours at night?
Now that you've lost everything, you risk no further punishment in this life for just telling the truth. How many post-birth children did you murder? What was the tipping point that lead you from a promising career as a physician to possibly becoming the worst serial killer in history? Was it simply the money or did you actually buy in to the pro-abortion ideology of killing innocent children as a matter of convenience; screw the consequences?
Dr. Gosnell, you still have time to change your life, unlike the thousands of children that passed through the one way doors of The Women's Medical Society. You can acknowledge your wasted life and reveal the brutal truth about abortion and possibly change some minds and save some lives.
I'll be publishing my letters to you on my pro-life blog at prolifepoppop.com. Should you choose to reply, I'll publish your replies as well. I promise to publish your replies verbatim, with no editing on my part. In closing, may God have mercy on your soul.


I went to start the cummins today and it ran for about 2 min then the stop engine light came on.
I have a 05 alpine coach with a 400 isl cummins in it. The speedo has an actia diag screen for various items. The engine had an fmi code of "spn 111 fm1". Does anyone have any idea what this might mean. Cummins is closed until tomorrow.
I'm checking for loose wires and fluid levels right now.
One other note- the engine batteries were completely dead. Had to jump start to get her goin.
Not having a Cummins, I can't help. But there is a very good website The Diesel Garage. It is free to join and they serve all diesel manufacturers, Cummins, Powerstroke and Duramax. They have two sections that would be of interest. One is a forum for emergency help, like you have now. The other is for Cummins owners.
If you havnt already turn the chasis disconect off for a few minutes and see if the error goes away. Are the batteries charged now?
Ive tryed that And I still get the error code when starting. And yes the batteries are charged.
The letters in your "error code" posting are not used by Cummins, and there is no Cummins code 11.
Cummins code 111 is "Engine Control Module Critical Internal Failure - Bad Intelligent Device or Component." I don't think this is your issue, tho it could be.
I checked the Annunciator & VDComputer Service Bulletin (soon to be posted on the ACA Tech page under Chassis), and it doesn't list anything like you are discussing. To be fair, that document may have been written for Bosch gauges on earlier coaches.
IIWY I'd check the ground connections. There is a main ground at the rear of the coach; it has 2 sides as the stud runs thru the frame member, so you have to tighten from the battery compartment side and then again at the inside of frame rail. There is another at the front bulkhead, where you'll need to tighten behind the panel in front of passenger's seat and then again on the other side of the front bulkhead with the gen slide open. Also check the chassis battery connections. Let us know how it resolves.
It is code 111, I double checked it.
Here is some history, when we were out at Quartzite in January it did the same thing. What had happened was the engine batteries died and when I went to start the coach there was nothing so we jump started it, it started and the stop engine light came on so I turned it off and went and checked all the fluids and visually checked wiring and such then restarted it and the light came on again, turned it off and did more visual inspection but found nothing, started it again and the light never came back on. Had no problems driving five hours back to California. So now we are leaving for Death Valley tomorrow and when I went to start it the same thing is happening. The last time i went to start it (About an hour ago)the light did not come back on. I'm curious if it has to do with the batteries. They are probably calcificated I'm sure.
I'm thinking the need to jump start is related. Bad ground would explain that; could also be a bad hot that fails to charge, so check the positive cabling also. Again, there are two major thru-frame positive studs, one visible in the batt compartment (be VERRRY careful on the inside-frame side of this one as it is easy to ground out your wrench on other metal), and again next to the front thru-bulkhead ground stud (this inside positive stud is also easy to accidentally ground-strike, so careful here too).
If the Actia gauges report DTC's (diagnostic trouble codes) that is news to me. I haven't heard that before.
If you firm up ground & positive main studs, then get the same thing, check the Vansco in the batt compartment for output LED#19; if that is lit, keep engine running & try starting the gen so it charges the batteries. If the condition goes away, it could be the ECM is getting bad voltage during a start and there is still a bad connection, but the ECM cancels the DTC once good voltage is present. If it doesn't go away, then shut off engine, keep gen running & restart. If condition goes away then the first process may have been holding the DTC condition till the engine shutdown, and I'd still be looking for a bad connection.
The ECM is holding DTC's as indicated by the Stop Engine light. You can have those read by somebody that has Cummins Insight software or Insight Lite. I think you are near Redlands Truck & RV (a sponsor here on iRV2) who can read the ECM's stored info. You may also locate a mobile truck repair outfit (maybe Redlands has a mobile setup??) that can come to the rig. Besides the DTC, the ECM may hold "freeze frame" data collected on the incident, auxiliary system conditions that could help explain the incident; that may not be present if it is only a bad voltage incident. Too bad we didn't get together on this @ Q'zite or I could have activated my software & read the codes for you.
Thank you for all your input, sorry it took me this long to get back to you. Long story short I was two gallons short of antifreeze. After I put the antifreeze in, the stop light quit coming on. I assumed that because I saw a little antifreeze in the sight glass of the res. tank it was o.k., but that wasn't the case. Now that all this has happened I'm currently researching a self-diagnostics device and or software program. You had mentioned you had one, what are you using and can you monitor it while driving, is it dash mounted or laptop?
That light could be in the wrong place on your dash. It may in fact be a 'Low Coolant' light.
Get your self VMSpc and run it on your laptop. It will capture all the cummins codes and provide better information while you are running than the dash gauges do. Go their web site and download the software for VMSpc. It is free and you can get an idea of what it offers. If you buy the system from them, you need to know if you have a 6 or 9 pin plug to connect it to. They can provide either. The system is a very small box that feeds data to your laptop. You will also need a serial to USB converter cable and drivers unless your laptop has a serial port. There is plenty of information on their site about this, or give them a call as they are very helpful.


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Tragic Magic: (of the Diaspora - North America)
Wesley Brown (Author) Erica Vital-Lazare (Editor) Toni Morrison (Editor)
Pre-Order Ships Feb 23, 2021
Tragic Magic is the story of Melvin Ellington, a.k.a. Mouth, a black, twenty-something, ex-college radical who has just been released from a five-year prison stretch after being a conscientious objector to the Vietnam War. Brown structures this first-person tale around Ellington's first day on the outside. Although hungry for freedom and desperate for female companionship, Ellington is haunted by a past that drives him to make sense of those choices leading up to this day. Through a filmic series of flashbacks the novel revisits Ellington's prison experiences, where he is forced to play the unwilling patsy to the predatorial Chilly and the callow pupil of the not-so-predatorial Hardknocks; then dips further back to Ellington's college days where again he takes second stage to the hypnotic militarism of the Black Pantheresque Theo, whose antiwar politics incite the impressionable narrator to oppose his parents and to choose imprisonment over conscription; and finally back to his earliest high school days where we meet in Otis the presumed archetype of Ellington's tragic magic relationships with magnetic but dangerous avatars of black masculinity in crisis. But the effect of the novel cannot be conveyed through plot recapitulation alone, for its style is perhaps even more provoking than its subject. Originally published in 1978, and edited by Toni Morrison during her time at Random House, this Of the Diaspora edition of Tragic Magic features a new introduction by author Wesley Brown and Ismail Muhammad.
Tragic Magic is a tremendous affirmation. .One hell of a writer.
- James Baldwin
. . .wonderfully wry.
- Donald Barthelme
About Of the Diaspora:
McSweeney's Of the Diaspora is a series of previously published works in Black literature whose themes, settings, characterizations, and conflicts evoke an experience, language, imagery and power born of the Middle Passage and the particular aesthetic which connects African-derived peoples to a shared artistic and ancestral past. Wesley Brown's Tragic Magic, the first novel in the series, was originally published in 1978 and championed by Toni Morrison during her tenure as an editor at Random House. This Of the Diaspora edition features a new introduction written by Brown for the series. Tragic Magic will be followed by Paule Marshall's novel of a Harlem widow claiming new life. Praisesong for the Widow was originally published in 1983 and was a recipient of the Before Columbus Foundation American Book Award. The series is edited by writer Erica Vital-Lazare, a professor of creative writing and Marginalized Voices in literature at the College of Southern Nevada. Published in collectible hardcover editions with original cover art by Sunra Thompson, the first three works hail from Black American voices defined by what Amiri Baraka described as strong feeling getting into new blues, from the old ones. Of the Diaspora-North America will be followed by series from the diasporic communities of Europe, the Caribbean and Brazil.
Of the Diaspora
African American - General
Wesley Brown is an acclaimed novelist, playwright, and teacher. He worked with the Mississippi Freedom Democratic Party in 1965 and became a member of the Black Panther Party in 1968. In 1972, he was sentenced to three years in prison for refusing induction into the armed services and spent 18 months in Lewisburg Federal Penitentiary. For 27 years, Brown was a much-revered Professor at Rutgers University, where he inspired hundreds of students, including novelist Junot Diaz. He currently teaches literature at Bard College at Simon's Rock.
New and Upcoming Titles From Mcsweeney's VIEW LIST (23 BOOKS)

redpajama_set_name: RedPajamaCommonCrawl


When a man, who was seen acting suspiciously in Portadown, saw police he ran off and threw away something which turned out to be heroin.
Bruno Garcia (37), Simon Community, Lisburn, admitted possession of a class A drug, heroin, and obstructing a constable last Wednesday at Craigavon Magistrates Court.
The court heard that on June 3 this year in High Street, Portadown, Garcia was seen acting suspiciously with two other males.
When police informed him he was about to be searched he ran off into an alleyway and threw something away.
At a later date he presented himself to police and admitted it was heroin for which he had paid £200 and was for his own personal use. The case was adjourned until January 6 for a pre-sentence report.


In a noisy marketplace, competition is fierce, and if you're an online business, chances are the ferocity of the opposition will be even more intense. That is, unless of course, your company thrives on an unrivalled, niche product or service.
However, for those who are not too dissimilar from close competitors, establishing a solid identity and running branded marketing initiatives can be just what you need to set your business apart from the rest. You'll drive sales, build awareness and create a loyal, long-lasting rapport with customers to hold your business in good stead well into the future.
Before we get started, you may also enjoy these several helpful videos on establishing your brand online.
Once you have a strong understanding of the core branding principles and you have taken the necessary steps to build your own, it's time to adopt a campaign led approach to your digital marketing efforts and integrate your brand at every turn.
But, what exactly does this comprise of?
How can your company go about successfully branding a digital project going forward?
Start planning! It's all in the preparation.
Before you even think about embarking on a branded campaign, there are a few key elements you will need to consider prior to getting things off the ground.
Perhaps the most, crucial and fundamental component of any marketing project!
What's the message you're trying to deliver? What are you trying to achieve?
Are you launching new products? Raising awareness of existing ones? Attracting a new customer segment? Or perhaps you're just trying to build buzz for something bigger that is yet to come?
Whatever the case, the title and slogan you come up with should be able to characterise your message in nothing more than a short and simple line. The rest – the design and subsequent content – will follow soon after.
Similarly, the design element of your initiative will be extremely important to its familiarity and reception with consumers.
Whether your goal is to run an offline, online or mixed communications campaign it is imperative that you are able to create and sustain a universally recognisable design to supplement your message.
The way to do this is to select a small handful of images, supported by brand centric colour schemes and logos to help encapsulate and characterise the overall aim of what you're doing. By sticking to only a few key images, colours and typefaces – the pickup and reception that your marketing efforts will receive when distributed across multiple channels will be a lot stronger.
So now let's move on to implementing your campaign and the factors you should consider before preparing to launch.
If you want your adverts to appeal to the masses, it is vital that your business utilises every single channel it has access to. What this essentially means is that, all Social Media properties, offline advertising and print materials, your website and even off-page display ads should be conveying your message.
Where possible, your brand campaign should appear everywhere. It will be a lot more advantageous if potential customers see a consistent design and tagline every time they encounter your company's name.
Not only will this help to catch consumer interest the longer they are exposed to your ads, but it will also likely result in a large-scale increase in sales, as well as leaving your brand at the forefront of a customer's mind the next time they need one of your products or services.
We've now covered how using a broad mix of channels can boost the effectiveness of your campaign, but in this lies even more opportunity to push the limits of your efforts that bit further.
Developing strong, shareable content, whether it's to populate social media, off-page pursuits or your website's blog can prove to be a great way to enhance your campaign.
Depending on the nature of your message, mixing up the content types you use can drive your efforts even further to help increase engagement and prompt awareness between brand and consumer. This might be achieved by using a collection of YouTube videos that encompass the themes of your campaign, Social Media discussions, online competitions, blog posts, infographics, games – the possibilities are endless.
What Are The Overarching Benefits?
So now that we are aware of the fundamental components that make up a successful brand campaign, you might be wondering, what are the actual implications of this to my business?
Promotes familiarity, rapport and relationship building with customers.
Increases the authority and visibility of your brand in the eyes of the consumer.
Establishes a longer lasting message in the memory of your target audience.
Creates an aligned marketing direction – tying online and offline efforts together.
In a saturated market, brand campaigns can promote independence and distinguish your business from competitors.
A successful project can strengthen the positioning of your brand as well as drive your business.
If you have anything you would like to share with regards to running branded marketing campaigns, please feel free to leave a message in the comments section below. Or if you'd like to know more about our services please get in touch.
Kieran, nailing down that one core message, or intent, sets everything in motion. I'm the internet lifestyle guy who likes to pay it forward. Kinda small niche, which is good, but I need to embody that in all I do, and also to speak that message day after day. It's challenging but gaining greater clarity in what your brand is really about helps you fine tune the message and stand out from the crowd. Awesome post! I found it on kingged(dot)com and will vote it up to boost your traffic.
I completely agree and think establishing and integrating a brand into pretty much everything you do online is vital for success over your competitors.
I believe its also important to consider that many users can still be somewhat hesitant when it comes to making a purchase online, particularly if they have not heard of the site they are visiting. Therefore, developing a trusted, authoritative brand will help to provide some reassurance to customers that your business is both legitimate and professional, as well as your products and services.


Reboot the Roots returns to Bristol to offer a day of training in the mechanics of FORUM theatre: Augusto Boal's innovative, interactive and inspiring tool for the democratization of theatre for collective liberation. Come and play, NO EXPERIENCE REQUIRED.
Learn to create strong, dynamic 'scenic puppets' using a working shadow puppetry set. No prior making experience necessary.
For experienced makers; this three-day puppetry fabrication course will focus on the design and build of an articulated table-top puppet.
A workshop for creative practitioners with some puppetry experience; for those wishing to gain confidence or new perspectives in multi-operator table-top puppetry.
ELEPHANTS (are the Largest Land Mammals). – Mini Tour.
Atomic Clock is a young small company, who write and devise their own work as well as helping develop other new actors and artists. They perform live art and theatre and offer workshops to all ages.
A ten-week foundation course in acting at Bristol Old Vic Theatre School.
A five-day intensive singing course at a school which excels in musical theatre.
An intensive week-long course which gives you the chance to immerse yourself in the craft of modern acting.
Have you ever wanted to take the stage? Have you a story to tell? Burning to tell that joke? Now's your chance! Apply today to take the stage at Bristol Old Vic to share your talents with the whole city.
Looking for actors for exciting new folk tale adaptation.
A performance and installation by Tom Marshman in collaboration with the University of Bristol Theatre Collection, kindly supported by Arts Council of England.


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Andrea Strnadová defeated Meredith McGrath in the final, 6–2, 6–3 to win the girls' singles tennis title at the 1989 Wimbledon Championships.

Seeds

  Jo-Anne Faull (third round)
  Carrie Cunningham (third round)
  Amanda Coetzer (quarterfinals)
  Jennifer Capriati (quarterfinals)
  Cathy Caverzasio (second round)
  Meredith McGrath (final)
  Eva Švíglerová (third round)
  Kim Kessaris (quarterfinals)
  Silvia Farina (third round)
  Cristina Tessi (quarterfinals)
  Sam Smith (first round)
  Yael Segal (third round)
 n/a
  Sandrine Testud (second round)
  Michelle Anderson (semifinals)
  Naoko Sawamatsu (semifinals)

Draw

Finals

Top half

Section 1

Section 2

Bottom half

Section 3

Section 4

References

External links

Girls' Singles
Wimbledon Championship by year – Girls' singles

redpajama_set_name: RedPajamaWikipedia


Are you looking to find quality Computer products and other IT accessories in Malawi?
– Niks IT centre is the best solution for you.
Niks IT centre is a shop that offers various Quality computer accessories Products / Services varying from; Printers, Laptops, Desktops, Home Theatre, Speakers, Computer Accessories, Tv Cards, Ups, Monitor, DVD Writter, Headphones, Network Switch, Network Cable, Laptop Speaker, Laptop Charger, keyboard, Mouse, Dvd Player, Usb e.t.c.
Niks ITcentre was established in November 2013 and so far has proven to be a capable growing business.
Niks ITcentre operates in Limbe near Inde Bank. Make your free computer accessories enquiry.
Just call and talk to Amos.
#Technology Get all IT & electronic products from Niks It Centre! They guarantee,and only sell original products,they accept 3 months lay-buy .They have new and used laptops, cellphones,computers,monitors,all cellphone accessories,computer accessories e.g hard-drives of all types,internal and external DVD writers,computer speakers etc. They are located in Limbe, Pearl Arcade shop no 15, opposite Limbe police next to Indebank,that's the building where Agora is located. NIKS IT CENTRE!


(12/13/13 Laney & Bollinger | Lawyers) - "Keeping Separate Property Separate in a Marriage"
A couple decided to get married. They are either widowed or divorced, and each has grown children from a former marriage. One or both have a significant amount of assets and annual income from those assets and they decide to keep each their assets and income from those assets separate.
Without seeking legal advice, they simply agree between themselves that they will keep their money and assets separate and "what's yours is yours and what's mine is mine." If they decided to buy something together, then they would each contribute half to the purchase.
After several years of marriage, one of the spouses dies (D), living the other spouse (S) surviving.
Unless D had a will giving all his property to S, there is going to be likely unintended consequences.
Whether D's Will gives D's property to D's children from prior marriage, or if D dies without a will—either way, the end result is that D's children will own D's community property interest in the part of the assets that S thought was just S's property. And while D's children have an interest in S's community property, S has no interest in any of D's community property because it was all left to D's children.
Assume, D's separate property generated $10,000 a year for the past 10 years, and that of the resulting $100,000 in income, after money spent on living expenses, etc., D had $60,000 in "D's" separate account.
While D's separate property remains D's separate property, the $60,000 of income remaining that came from D's separate property is community property (even though it was generated by D's separate property) and therefore, D owns 1/2 or $30,000 before D's death, and after D's death, D's children own it—half of what S thought was 100% owned by S.
Likewise, if S had spent money from her separate property income account and bought a new car, D's children would own half of S's car!
If the couple had lived in a house that S had owned before marriage and both had contributed significant amounts of their money that they each had before marriage on a new addition to S's separate property home, then D's children would also have an interest in S's separate property home—called a "right of reimbursement" for daddy's separate money that was spent to improve S's house.
And matters could be even worse than that for S.
If S had a significant bank account before marriage (separate property) and S continued to deposit the income from S's separate property as S had done for years before marriage, because the income after marriage is now community property and it is mixed into that same account, because of the co-mingling of community income into the account with formerly only separate funds of S, it is possible that S's entire account would legally all become Community Property, and thus D's children own half of S's money after D's death.
Very likely these are all unintended consequences never thought of by S or D.
Could D & S legally have done what they intended? Yes, but only with competent legal counsel, and the proper legal documents having been prepared for, and signed by, both D&S.
The HaleCenterInsider.com is proud to be working with Mark Laney & Troy Bollinger. You can learn more about them and review their respective credentials by clicking on their names.


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text:
Tag: suffragette
Votes for women: Pardoning suffragettes 'complicated' – BBC News
13th May 2018 ~ mcequality	~ Leave a comment
University professor Hazel Barrett, whose grandmother supported the suffragette movement, said people of all classes got involved, adding: "Just look at them, ordinary women".
Sheree Davey, who came with her young son to see the display, said: "It's incredible. It inspires you to learn a bit more.
"You know the basics but there's so much more to it."
Victoria Taylor, a tourist visiting from Australia, said: "It's a great way to engage people. It's not confronting but it's very prominent."
via Votes for women: Pardoning suffragettes 'complicated' – BBC News
6 February 1918: Women get the vote for the first time – CBBC Newsround
But this has not always been the case. In the past, the King or Queen had huge powers and there was very little that ordinary people could do to have a say in how they were governed.
In the early 1800s, there were still very few people who could vote – and the ones that could were all men. Women didn't have a say at all.
via 6 February 1918: Women get the vote for the first time – CBBC Newsround
Suffrage: The journey towards 50-50 – BBC News
I can't be the only person in the world to have discovered as I grew up that life was a bit more complicated than that, and opportunity for women wasn't really going to be defined by Kylie Minogue's example of switching careers when she fancied it. Personal choices were a lot more complex. And yes, reality crept in – women were, and are, treated differently in so many parts of life. Without question, that decades-long struggle finds its own echoes today.
via Suffrage: The journey towards 50-50 – BBC News
Actresses and arsonists: Women who won the vote – BBC News
Margaret Bondfield was one of very few working class women who rose to the top of the suffrage movement.
Born in Chard, Somerset, in 1873, the second youngest of eleven children, she became an apprentice at a drapers in Brighton aged 14.
There she saw how the daily grind wore down the women workers and affected their self-respect. She observed they were left with little time or energy to pursue interests away from work, with many girls seeming intent on getting married as early as possible in order to escape the drudgery.
Ms Bondfield left Brighton and went to live with her brother in London – working, again, in a shop. She became an active trade unionist and was shocked by the working culture of long hours, low wages, poor diet and requirement to "live in" in often dismal dormitories.
via Actresses and arsonists: Women who won the vote – BBC News
100 Women: Suffragists or suffragettes – who won women the vote? – BBC News
"It's not possible to imagine women winning the vote without the suffragettes," says Ms Connelly,
"The militant organising, particularly of working class women, pointed to the possibility of a movement that would grow and could potentially become an enormous mass movement."
via 100 Women: Suffragists or suffragettes – who won women the vote? – BBC News
Does Pardoning Britain's Suffragettes for Lawbreaking Really Honor Their Efforts?
Of course, there are the opponents with laws-are-laws arguments; "Instinctively I can see where that campaign is coming from so I will take a look and see if there is a proposal that I can take more seriously," home secretary Amber Rudd told Good Morning Britain. "But in terms of pardoning for arson, for violence like that … that is a little trickier."
But there are other objections, too. Before the announcement, historian Fern Riddell—who's got an intriguing book out in April about the radical activist Kitty Marion—wrote a piece for the Guardian about how the women's suffrage movement in Britain encompassed both peaceful protests and more controversial direct action
via Does Pardoning Britain's Suffragettes for Lawbreaking Really Honor Their Efforts?


Fall 2014 visiting critic Jill Leckner is a registered Architect in the State of New York and a LEED Accredited Professional Architect. She received her Master of Architecture in 1995 from Columbia University and her Bachelor of Architecture in 1993 from Ball State University.
In 2004, she co-founded SLAB Architecture PLLC with Jeffrey Johnson, a research-based multidisciplinary design practice located in Brooklyn, New York. Leckner has built a diverse range of projects including the First Financial Offices in Indiana, the trading floor upgrades at the New York Stock Exchange, new offices for the World Science Festival and Antheus Capital and most recently the award winning Red Bull Music Academy and Headquarters in Chelsea in collaboration with INABA.
The office continues to expand its practice with recently completed projects in China including the new Weifang Science and Technology University Master Plan in Weifang China in collaboration with a team of global design offices.
Prior to SLAB, Jill Leckner worked for Christian Hubert Studio from 1998 to 1999 as the project architect on the museum wide exhibition 'The American Century: Art & Culture 1950-2000' at the Whitney Museum of Art and on the Leo Castelli Gallery. From 2002 until 2006, she worked for Asymptote during which time she was project architect for several internationally recognized projects including the 9th International Architecture Exhibition at the Venice Biennale, the Carlos Miele Flagship, and the Guggenheim Guadalajara Museum Competition.


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text:
Lizzy Rose is a Melbourne based exorcist.
Aussie exorcist fighting demons: 'I'm going into battle'
by Megan Palin
ALL but one of exorcist Lizzy Rose's original neighbours have moved out of her street since she moved in 15 years ago.
But it's not because of the eerie chants and creepy sounds bellowing from her modest suburban home on the outskirts of Melbourne. Nor is it the constant stream of witches from her coven who come and go or the thick sage smoke that wafts from the windows and doors.
"I did a spell with a 2km radius to banish everybody that was negative and almost everybody moved out except an old man across the road who is gorgeous," Ms Rose says.
She's had dream neighbours ever since, according to her.
"None of them even flinch anymore," Ms Rose says, referring to the exorcisms she carries out two to three times a week.
From the street it looks like any other Australian home. But on closer inspection it's clear this is no ordinary place. A basket of ram skulls sits at the foot of the front door which is bound with sage and other trinkets believed by pagans to ward off evil.
Symbols painted with human blood are marked just above the door frame. On the inside is a lounge room that has been converted into a temple - referred to by the owner as the "Rose Temple". Pentagram prints cover the windows. Dreamcatchers hang from gaping holes - their edges painted black - in the ceiling. Piles of witchcraft books, crystals, herbs, incense, potions and other ingredients believed to stimulate magic cover the tables. There's no black cat but Ms Rose, 47, does have an old dog that sits undisturbed outside the window.
The outside of Lizzy Rose's Melbourne home looks like any other, except for the ram skulls and symbols painted in human blood ...
"Do you guys want a drink? There's water, sparkling or normal, tea, coffee, wine … blood?" she offers, followed by a high-spirited cackle.
Some might assume she's joking but she's not to be underestimated: stored inside her freezer are frozen human placentas, frogs and "parts of pigs that you don't eat" to use in various rituals.
"My sons get frustrated when they come to the kitchen and just want something to eat because they can't find anything edible," Ms Rose says.
Simmering on the stove tops are two large pots containing "love potions". She scoops out a tiny frog and explained she found it dead on her doorstep.
"It's a gift if it just comes to you like that," she says.
Ms Rose, who has five sons, isn't an exorcist by chance.
She says she was subjected to a "scary" Catholic exorcism when she was just four years old. But it wasn't until she met local witches without religious ties in South Australia's Mt Gambier as a teenager, she realised it was her calling.
Ms Rose says years of practice and independent study qualified her as an eclectic witch, a high priestess of witchcraft, ordained pagan minister, psychic and an exorcist. It's the latter that she now focuses on. And, according to her, business is booming.
"The demand (for exorcisms) is so extreme," Ms Rose says. "It's to the point it's nearly unmanageable now. I've got 50 to 60 messages from people all over the world saying 'this is what's happening to me'."
But that doesn't mean the world's population is becoming increasingly possessed, she says. Instead, Ms Rose claims the demand for her services is growing in correlation with her public profile.
She says she currently performs exorcisms on about two to three "moderately possessed" people a week - those who are demonically possessed are exorcised off site.
"I don't allow them into my home or near my family or pets," Ms Rose says. "They wouldn't make it through the front door anyway."
She typically charges $750 as a "one off rate" for a "full blown exorcism" and performs them on prisoners and psychiatric patients who request them. Ms Rose insists her work - and the need for it - is genuine.
Ms Rose performs a handful of mild exorcisms in her home every week.
"There's no tricks or anything hidden or any need to come back in one month or anything like that," she says.
Ms Rose describes her work as "psychic surgery" and says each exorcism takes between 90 minutes to two hours to perform.
"(It's like) when you go to doctor, he diagnoses, then he goes into surgery, you are cut open and have it removed and then you go into a recovery period," she says.
"That's exactly what it's like here but we're removing a spirit or spirits or a curse and attachments. And once that's removed you will go into recovery."
The client coming on this night has agreed to be interviewed and filmed on the condition of anonymity. Bianca*, 59, has driven more than two hours from country Victoria to the Temple of Rose for an exorcism.
She believes she's possessed by dark entities or demons and says she has considered suicide in the past. Bianca says her ex-partner's family put a curse on her and she wants it to be broken. The evil force has cost her several jobs and caused her three adult children to no longer speak to her.
She has met with Ms Rose previously for "high level psychic readings" which the exorcist says she always carries out to ensure her clients are mentally sound and fit for an exorcism. Ms Rose says Bianca has been declared mentally sane by doctors. Bianca presents as a sweet and superstitious lady who is clearly going through a difficult time. She appears anything but demonically possessed but says she has felt "voodoo and dark energy" for years.
"It has all depleted my energies," Bianca says. "People came to cast (the voodoo), I saw it after they left and other times. It has been quite an ordeal."
Ms Rose puts on relaxation music and plays it softly in the background as Bianca goes to the bathroom to change. She walks out dressed in all white.
Ms Rose sits her down and goes through a checklist.
"Have you eaten today?" she asks.
"No," Bianca says.
Ms Rose tells her she's a "good girl".
"A lot of people throw up in here," she adds.
The exorcisms can often be "extreme like you would see in the horror movies", she says.
"Some people bleed, some people get very angry, some people start laughing, you may go to sleep and start snoring.
"When full-on demonically possessed ... they'll speak a multitude of languages or not at all. "They'll change colour in front of you, markings will appear, their clothes will slash with nobody touching them, they'll be pinned up against walls. Although that is rare."
Ms Rose tells Bianca she "can't predict how you're going to behave".
She doesn't bring the really tricky work back though. The demonically possessed are processed off site.
"My job as your exorcist is to make sure I battle it outside of you and not in you," she says.
"I'm going in to battle (with) other dimensions, other forces, other energies. Great or small. Quiet or loud. I'm either going to come out the victor or the loser and that's it.
"We're not going to have an ongoing relationship and come back and keep battling."
Bianca laps up every word and says she hopes it's successful. Her trusting, dark brown eyes are full of hope as she tinkers with the prospect of getting her life back on track.
Ms Rose explains there will be three stages of the exorcism: the ritual; calling forth "who we're going to be working with"; and the extraction.
"There are a lot of people who die having exorcisms in history generally speaking or get very sick or physically brutalised," she says. "You can cause the heart to stop, there's breathing issues, lots of things medically and physically can happen.
"The third part of the ritual is crucial to stop that happening."
Ms Rose turns off the music and takes centre stage, like an actor about to perform a monologue.
Bianca walks three times around the pentagram painted on the ground, as instructed, before moving to the centre of it and lying down. A chain is placed around her neck because "in extreme situations, this ordinary chain, will be boiling hot, red, orange (and) ... indicate what's going on". The exorcist loosely binds the woman's wrists together.
"We'll say goodbye to (the journalist) and (videographer) and imagine that they're far, far away. And it's just you and I," Ms Rose says in a chant.
"We evoke thee, hail and welcome … and blessed be … by air, by fire, by water and by earth, this circle is cast outside of space, outside of time, hail and welcome and blessed be.
"As to your left, so is to your right. As all beneath you and behind you be all in front of you."
During the next hour, Ms Rose uses a multitude of items to wave, ring, smoke and pour over Bianca. She paces the circle with a bell and rings it once with every step while chanting "banishing all that no longer serves".
You won't get that out in the wash. Ms Rose pours a protection potion as part of the ritual.
During another lap of the pentagram she uses a straw broomstick to "sweep away" dark entities.
It's followed with echoing chants: "Moowwwcoooooo. Vegeeborraaaaaa … vegeedoolaaaaa …. layohhhlaaaa …. ahmennnn".
Eventually Ms Rose appears with a blunt sword which she earlier promised not to hurt anyone with. She points the weapon to the sky, then turns it towards a mirror, with Ninja-style moves before running it softly from the client's forehead down to her feet. She claims this "opens the spirit" and "cuts the ties" to anything that might be possessing her. She also uses a pair of invisible scissors in a cutting motion from Bianca's head to toes. Finally, a "protection potion" made from "wine, oil, fluid, bone, ivy and holly" is poured over the client's entire body.
"I'm feeling a stiffness and an irritability that's starting to come over me," Ms Rose says.
"I ask that you show me now, what in this quarter, if anything, is effecting our lady, our woman?"
The exorcism soon comes to end. The room remains in tact. Bianca has remained unmoved throughout the process. The chain around her neck didn't change colour or temperature. Her head hasn't spun like the possessed girl in The Exorcist. There's no vomit or blood. She didn't speak another language. In fact, she didn't make a sound at all.
Ms Rose declares that Bianca wasn't possessed by demons after all.
Despite what you were expecting after watching The Exorcist, there was none of this.
"It became apparent at the end of the second stage and early into the third that the demonic behaviour that presented was mild in its effect due to it being brought about by a curse placed on this human, not by a demon conjured or directed towards this human," Ms Rose says.
"There is no further need or concern that this client's symptoms are demonic in nature."
She insists the failure of a demon to show itself in front of a camera crew was anything but sheer convenience.
"The cords have been cut ... we don't turn it off or on for the cameras ... it is what it is at that time," she says.
Bianca says she was expecting "something to come out of" her during the exorcism but that only time will tell if the process was of any benefit.
And with that she changes into a fresh set of clothes, walks out into the quiet street where only pleasant neighbours live, and drives home.
*Not her real name
demons melbourne


text:
Q: Javascript Unterminated string literal error I wonder whether someone could help me please.
I've been working through help I received here: Dynamic Table and Dataset in Scheduled BigQuery Job
I've tried running the code, and I think there is an inherent problem, because when I run the code (below) I receive an error on this line:
 "query": "SELECT

The error is "Unterminated string literal"
    function runQuery() {

          var yesterday = Utilities.formatDate(new Date(), "GMT", "dd-MM-yyyy'T'HH:mm:ss'Z'");

          var configuration = {
          "query": {
            "useQueryCache": false,
            "destinationTable": {
                  "projectId": "project_name_obfuscated",
                  "datasetId": "project_114151_shared",
                  "tableId": "test123"
                },
            "writeDisposition": "WRITE_TRUNCATE",
            "createDisposition": "CREATE_IF_NEEDED",
            "allowLargeResults": true,
            "query": "SELECT *
FROM (SELECT hits.page.pagePath
FROM
[project:dataset.ga_sessions_20181015]
WHERE
REGEXP_MATCH( hits.page.pagePath, r'\?email=.*@.*\.*')),
(SELECT
hits.eventInfo.eventLabel
FROM
[project:dataset.ga_sessions_20181015]
WHERE
hits.eventInfo.eventAction = 'end-client,role,decision')"
      }
    };

    var job = {
        "configuration": configuration
    };

    var jobResult = BigQuery.Jobs.insert(job, "project_name_obfuscated");

    var jobId = jobResult.jobReference.jobId;

    // The job might not actually be done; wait until it is marked
    // complete.
    var sleepTimeMs = 500;
    while (true) {
        Utilities.sleep(sleepTimeMs);
        sleepTimeMs *= 2;
        queryResults = BigQuery.Jobs.getQueryResults(projectId, jobId, {
          "maxResults": 10000);
        if (!queryResults.jobComplete) {
          break;
        }
    }

I've been through various tutorials and tried adding the ' + solution so the line becomes "query": ' SELECT +
But I still can't get the script to run.
Could someone possible point out where I've gone wrong?
Many thanks and kind regards!!

A: As the user TheMaster pointed out in his comment, the error comes from a badly formatted multiline string:

Well Then it's multiline. " is not terminated on line 1. Join them using \ or + developer.mozilla.org/en-US/docs/Web/JavaScript/Reference/… Apps script isn't ES2015. So you can't use ``

So the code should look close to this:
"query": "SELECT * " +
"FROM (SELECT hits.page.pagePath " +
"FROM " +
"[project:dataset.ga_sessions_20181015] " +
"WHERE " +
"REGEXP_MATCH( hits.page.pagePath, r'\?email=.*@.*\.*')), " +
"(SELECT " +
"hits.eventInfo.eventLabel "+
"FROM " +
"[project:dataset.ga_sessions_20181015] " +
"WHERE " +
" hits.eventInfo.eventAction = 'end-client,role,decision')"

redpajama_set_name: RedPajamaStackExchange


text:
Florence All Destinations
Things to do in Tuscany
Accademia Gallery (Galleria dell'Accademia)
Florence Tours
All Florence Tours
Belly Dance Shows
Instrumental Concerts
Tango Dance Shows
Gymnastics Classes
Dessert Tours
Hummer Tours
Uffizi Galleries (Gallerie degli Uffizi)
Florence Duomo (Cattedrale di Santa Maria dei Fiori)
Boboli Gardens (Giardino di Boboli)
San Lorenzo Market (Mercato di San Lorenzo)
Medici Family Sites in Florence
Romantic Things To Do in Florence
Don't-Miss Dishes in Florence
Florence on Vintage Wheels
How to Spend 2 Days in Florence
Where to Find the Best Views in Florence
Galileo's Florence
Accademia Gallery (Galleria dell'Accademia) Tours
Florence's Accademia Gallery (Galleria dell'Accademia) is home to one of the world's most impressive works of art: Michelangelo's "David." At 17 feet (5.2 meters) tall, the famous statue of the biblical hero is an overwhelming sight and a masterpiece of Renaissance art. Other works on display include 15th- and 16th-century paintings by the likes of Botticelli and Lippi, unfinished Michelangelo sculptures, and a museum of musical instruments. The Accademia was once Europe's oldest drawing school; today it is Florence's second-most visited museum, after the Uffizi Gallery.
The Accademia Gallery is considered a must-see for visitors to Florence, so long entry lines are the norm. To avoid spending hours in line, consider purchasing skip-the-line tickets in advance or opt for a private guided tour. "David" is unsurprisingly popular and set in one of the most crowded parts of the gallery—for the best photo ops, book a coveted, exclusive, early-access tour to be one of the first ones in the gallery and view "David" in relative peace. To maximize your time in Florence, choose a half- or full-day tour that visits both the Accademia Gallery and the Uffizi Gallery or also includes a city sightseeing tour.
Art and history lovers, especially those who admire Michelangelo, must not miss the Accademia Gallery.
To be assured entry on the day you want to visit, book tickets or a tour in advance.
Photography is not allowed inside the gallery.
The gallery is closed on Mondays.
Students from the EU and children under 18 years of age are eligible for reduced or free tickets.
The Accademia Gallery is located beside Piazza San Marco and is about a 15-minute walk from the Santa Maria Novella train station. It's not far from the Uffizi Gallery, which many tours visit in combination with the Accademia.
The Accademia Gallery is busy every month of the year, but especially so in the summer. It's slightly less crowded in the late afternoon, but can still be impossible to visit without a reservation. Note that the gallery is closed on Mondays.
What Not to Miss at the Accademia Gallery
The scale of Michelangelo's "David"—carved from a single block of Carrara marble—is enough to impress, but its fine details and expert carving of lifelike features make it a true masterpiece. Travelers spend most of their time admiring "David," but those interested in Michelangelo's life and other works should also see his unfinished "San Matteo" or "Prigioni," or slaves, that adorn the main hallway. The plaster model of Giambologna's "Rape of the Sabine Women" also shouldn't be missed.
Address: Via Ricasoli 58, Florence, Tuscany 50125, Italy
Hours: Tuesday through Sunday, 8:15 a.m. to 6:30 p.m.
Admission: €10-14 per adult
Admission Tickets (14)
Skip the Line: Florence Accademia Gallery and Michelangelo's David Ticket
Visitors often have to join long lines at Florence's Accademia Gallery, spending more time outside than admiring its art treasures. This ticket lets you bypass the main entrance lines, so you can head inside and explore independently without any long wait. View paintings by artists including Lippi and del Sarto, see unfinished works by Michelangelo, and marvel at the star attraction, Michelangelo's sublime 'David.'
Skip the Line: David & Accademia Gallery Ticket
The clandestine piazzas and crooked streets of Florence are home to many curious stories, art, and breathtaking historical heritage. One of the most noteworthy museums in Florence is the Accademia Gallery. It houses the enthralling marble statue and paintings of the Grand Renaissance artists such as Sandro Botticelli, Domenico Ghirlandaio, Michelangelo, and many more. Being so popular, it welcomes hundreds of thousands of travelers each year. In other, words, it gets very, very busy. Buying Accademia Gallery Tickets with us will let you fast-track the entry and devote all your time to the exploration of the gallery!
Priority Entrance Tickets : Florence Accademia Gallery Tickets
Many visitors are surprised to learn that Florence is home to three "David" statues—but the original masterpiece by Michelangelo is housed within the Accademia Gallery. Feast your eyes on the real thing without wasting time standing in line thanks to priority museum entrance. Whether you want to quickly see the colossal statue and move on or linger among other Renaissance treasures, do so at your own pace.
Skip the Line: Florence's Accademia Gallery Priority Entrance Ticket
Make the most of your precious time in Florence with priority entrance tickets to the world-famous Accademia Gallery, best known as the home of Michelangelo's 'David' statue. Beat the crowds that are a constant at this popular attraction, and head straight inside the hallowed halls to feast your eyes on the iconic sculpture plus masterworks of Renaissance painting by Botticelli, Ghirlandaio, and many others. Stay as long as you like during museum opening hours, and view the art at your own pace.
Reserved Tickets to See the DAVID
When visiting Florence, don't miss your chance to see the world's most famous sculpture with skip-the-line access to the Accademia Gallery, home of Michelangelo's "David." Avoid wasting time standing in line, and use your priority ticket to head straight inside the renowned museum, where you can feast your eyes on thousands of Renaissance treasures at your own pace.
1 minute to 2 hours
Skip the Line: Florence Accademia Gallery Tickets
Enjoy direct access to Florence's Accademia Gallery with this skip-the-line admission ticket. Explore the home of Michelangelo's Renaissance masterpiece, the 'David,' and see the renowned sculpture up close. Get the chance to admire some of Michelangelo's unfinished works, including 'Prigioni,' along with paintings by Sandro Botticelli and more.
Skip the Line: Florence - Ticket to See Michelangelo's David
Skip the line Accademia Gallery ticket to see the original "David" by Michelangelo. you will discover one of the most famous museums in Florence with priority access. See the masterpieces of Michelangelo. You will also have the chance to visit other Renaissance artworks by Botticelli and Lippi and many other Renaissance talents.
Accademia Gallery Ticket with instant delivery & mobile-guided Tour
Fit in a visit to the Accademia Gallery in Florence with minimal stress and no time wasted standing in line. With instant delivery and fast-track entry, you'll have more time inside the world-renowned museum to admire Michelangelo's original "David" statue and other treasures of the Renaissance. Tour on your own schedule and at your own pace while still learning about the art with a free smartphone app.
David & Accademia Gallery - Priority Ticket
Discover the second most visited museum in Florence to discover Michelangelo's David, one of the most famous Florentine symbols, a marble sculpture (height 520 cm) by Michelangelo Buonarroti between 1501 and the beginning of 1504, considered a masterpiece of sculpture worldwide, it is one of the emblems of the Renaissance and a symbol of Florence and of Italy abroad. The work portrays the biblical hero when he is about to face Goliath, David has always been considered the ideal of male beauty in art. The Gallery is one of the places with the highest number of sculptures by Michelangelo, besides you can admire the museum of musical instruments, the largest collection of paintings with a gold background and the Sala dei Prigioni with sculptures designed for Pope Julius II. You will enter from the priority entrance to the museum and enjoy a journey into the life of the genius of Michelangelo Buonarroti, to discover Renaissance sculpture by appreciating his works and sculptures.
Skip-the-Line Tickets with Host - Michelangelo's David and Accademia
Spend a few hours exploring Florence's famous Accademia Gallery. Enjoy skip-the-line access with pre-booked tickets to this often sold out museum and access to to a professional coordinator to ensure smooth entry. See amazing paintings by Boticelli and works by the great Renaissance artist Michelangelo, including the unfinished Prisoners (or Slaves), St. Matthew, and his masterpiece, the statue of David.
Skip the Line: Accademia Gallery Visit with Audio-Guided Tour
Admire the mastery of Michelangelo at your own pace with this independent tour of the Accademia Gallery. Enjoy the freedom to take in the artwork at your leisure with an informative audio guide to give context to what you see.
Guided Tour of Accademia Gallery and Skip-the-Line tickets: The David and Stradivarius
Marvel over Renaissance masterpieces and historic treasures at one of Florence's most popular museums on this guided tour of the Accademia Gallery. Skip the queues with fast-track entrance, then learn more about the museum's highlights with the help of a certified guide. Stand in awe before Michelangelo's original 'David' sculpture; admire works by artists like Giambologna and Botticelli; and see rare musical instruments, including a 1690 Stradivarius in the Conservatorio Luigi Cherubini.
Accademia and Uffizi Tickets instant delivery & mobile-guided visit
Visit Florence's top two museums the easy and affordable way by pre-booking skip-the-line tickets to both the Accademia Gallery and Uffizi Gallery. Get instant confirmation on your smartphone, plus a downloadable app to help you learn the history behind museum highlights like Michelangelo's "David"and Botticelli's "Birth of Venus" on a self-guided tour.
Uffizi + David & Accademia - Priority Tickets
Discover the most visited museums in Florence and two of the most visited in the world, admiring the most important works to appreciate the art of the Italian Renaissance. The Uffizi Gallery with its collections of works of art, masterpieces by artists and protagonists of the Renaissance such as Michelangelo, Giotto, Botticelli, Caravaggio, Leonardo da Vinci and many others. And the Galleria dell'Accademia, the second most visited museum in Florence to discover Michelangelo's David, one of the most famous Florentine symbols. The Gallery is one of the places with the highest number of sculptures by Michelangelo, besides you can admire the museum of musical instruments, the largest collection of paintings with a gold background and the Sala dei Prigioni with sculptures designed for Pope Julius II. You will enter from the priority entrance to the museum and enjoy a journey into the life of the genius of Michelangelo.
View More Ticket Options
249 Tours and Activities to Experience Accademia Gallery (Galleria dell'Accademia)
Up to 1 hour (43)
1 to 4 hours (181)
Free Cancellation (221)
Skip-The-Line (46)
Private Tour (127)
New on Viator (31)
Skip the Line: Florence Accademia and Uffizi Gallery Small Group Tour
Skip the line to see two of Florence's top museums, the Accademia Gallery and the Uffizi Gallery. Led by an expert guide, first pay homage to Michelangelo's 'David' at the Accademia, heading straight inside with your priority access ticket. Roam the impressive collection of art and opt for an included lunch, if you wish, before heading to the Uffizi Gallery. There, avoid the crowds again with your skip-the-line ticket and enjoy a guided walking tour, pausing at Botticelli's 'Birth of Venus' and other Renaissance masterpieces.
Skip-the-Line to Uffizi & Accademia with Michelangelo's David - Small Group Tour
Make the most of your time in Florence with this combination tour covering all of the city's iconic sights in one half day. Skip the line at the Accademia Gallery to marvel at Michelangelo's 'David'; gaze up in wonder at the great red dome of Florence's Duomo from the outside; and explore the streets of the historic city center with insights from an expert guide. Then, skip another line to end the day with a visit of the immense Uffizi Gallery.
Best of Florence Walking Tour with Skip-the-Line at Michelangelo's 'David'
Led by an expert guide, experience world-famous artwork and the Renaissance city's top attractions, including the Ponte Vecchio and the Florence Duomo (from its exterior). As you go, gain insight about Florentine art and architecture from your guide, with audio headsets provided so that you hear everything clearly. Followed by a Skip the Line Access and a pre-reserved entry time at the Accademia Gallery for you so you won't waste precious time better spent inside, at your own pace. Numbers are limited to 25 during this tour to ensure a small-group experience.
Private Tour: Skip-the-Line Accademia Gallery and Michelangelo's David Tour
Enjoy priority access to see Michelangelo's original 'David' on a private tour of Florence's Accademia Gallery. Skip the lines and head inside to view the famous statue unveiled in 1504 as your guide sheds light on its story and artistry. Plus, admire other Renaissance masterpieces including unfinished sculptures by Michelangelo. Pickup is included from select city center hotels and a choice of morning or afternoon departure.
Skip-the-Line Florence Accademia Gallery Small Group Tour
Skip the line to see Michelangelo's 'David' on this tour of the Accademia Gallery in Florence. Accompanied by a professional guide, head straight inside the world-famous museum with your priority access ticket and learn about the impressive collection of artwork inside. Witness Michelangelo's masterpiece and hear about its fascinating history from your guide. Have the chance to check out the artist's unfinished 'Prigioni', as well as works by Renaissance greats like Lippi and Botticelli.
Exclusive: Accademia Gallery Early Access & Italian Breakfast - Small Group Tour
Be one of the first of the day to tour Florence's Accademia Gallery, and finish with an Italian breakfast in a local cafe. It's a Viator Exclusive tour that can't be booked anywhere else! In a small group, limited to just 19, explore the famous gallery without the crowds, and learn about Michelangelo's works from an art-historian guide. Swoon at the sculpture of 'David,' hear the history of 'San Matteo' and gain insight into the influential art of the Renaissance.
Skip-the-Line Florence Highlights and David Walking Tour
Check off the best bits of Italy's Renaissance capital on this comprehensive walking tour of Florence. Stroll around the historic monuments of Piazza della Republica and Piazza della Signoria, cross the landmark Ponte Vecchio bridge, then admire the opulent Pitti Palace and the legendary Duomo. After browsing the designer boutiques of Via Tornabuoni and the artist's workshops of lively Oltrarno, enjoy skip-the-line entrance to the Accademia museum to view Michelangelo's world-famous David sculpture. This small-group tour is limited to 15 people, ensuring a personalized experience.
Group or Private Florence Skip the Line David & Accademia with Optional Duomo
Experience the Tuscan capital's top attractions on a small-group walking tour through Florence. Begin with skip-the-line access to view Michelangelo's 'David' in the Accademia Gallery, and learn how the House of Medici shaped Florence into a helm of arts and humanities. Then see the lovely exterior of the Duomo, the city's iconic, Gothic-style cathedral, as well as the Baptistery to hear the fascinating origins of the Gates of Paradise. Afterward stroll the local streets, taking in landmarks like the Ponte Vecchio bridge.
David & Accademia Gallery Tour - Florence (Reserved Entrance)
As the home of Michelangelo's 'David,' the Accademia Gallery in Florence draws huge crowds. Save hours of waiting in line with a skip-the-line admission ticket, guaranteed to make your vacation smoother. As well as avoiding lines, tour the gallery with a guide and learn things about the paintings that you may otherwise have missed. Plus, choose from several departure times to suit your schedule.
All Florence in one day Guided Visit with Accademia and Uffizi Galleries
Discover the rich culture, history and architectural gems of Florence on a not to be missed full-day sightseeing tour. Led by a local guide, discover the rich culture, history and architectural gems of Florence. Skip the line at the famed Uffizi and Accademia Galleries, home of world-famous masterpieces as the Michelangelo's David and the Birt of Venus by Botticelli. Then, explore the bustling Piazza della Signoria and the stunning Duomo complex. To upgrade your ticket, opt for an authentic Italian lunch at a local historic restaurant.
Florence Super Saver: Skip-the-Line Accademia Gallery Tour plus City Bike Tour
Cycle around the beautiful streets of Florence and see Michelangelo's iconic 'David' on this Super Saver, combining two best-selling tours at a discounted price. First, pedal around Florence with a local guide, discovering the city's architectural gems and relaxing with a complimentary gelato or coffee. Then skip the line at the Accademia Gallery, to witness one of the most famous sculptures in the world.
David and Duomo Tour: Early Accademia and Skip-the-Line Dome Climb
Explore Florence art and architecture on a tour that gets you skip-the-line access to the Accademia Gallery and the Duomo. See Michelangelo's 'David' in the uncrowded, morning hours, then get an in-depth tour of the Duomo, including the Duomo Museum, the Baptistry, and the Duomo Terraces, without waiting in line. This tour includes all entrance fees, and is limited to 15 people for a personalized experience.
Skip the Line: Accademia Gallery Tour with Michelangelo's David
Get skip-the-line access to the Accademia Gallery, one of Florence's most popular museums, during this small-group guided tour. Visit rooms dedicated to plaster models from the 19th century and medieval religious paintings. Walk through the spectacular collection, which includes masterpieces like the famous statue of 'David,' while learning about the history of the art from your guide. Following the tour, you are free to continue exploring the museum independently.
Combo Skip The Line - Uffizi Gallery And Accademia Gallery Tour
The Uffizi Gallery and the Accademia Gallery are two of the most important cultural attractions in Florence, and draw large crowds of visitors daily. With this tour, which offers skip-the-line admission to both venues, you can save money on buying separate tickets and save time by not having to waiting in line.
Combo Vip Tour - Uffizi & Accademia Gallery
Visit two of Italy's most iconic and important art galleries for one price. First, tour the famed Uffizi Gallery. Appreciate works by Raphael, da Vinci, Michelangelo, and other renowned artists. Then transfer to the Accademia Gallery to view the statue "David" and other priceless works. Enjoy VIP skip-the-line access to maximize your time at both museums.
Private Florence and Hills Day Tour with Accademia, Uffizi and Historic Center
Explore the Renaissance city of Florence on a full-day tour with a private guide. See top attractions such as Michelangelo's 'David' at the Accademia Gallery, Duomo, Giotto's Bell Tower, San Lorenzo Basilica, Uffizi Galleries and more. Learn the stories and rich history behind each site that you pass, soaking up the personal attention from your private guide, with a tasty lunch included (if option selected).
BE THE FIRST! Early Bird Florence Half Day Tour: Uffizi, Accademia, Walking Tour
Explore Florence's most iconic landmarks and inspiring art on a city tour led by a knowledgeable historian guide. Admire masterpieces by Michelangelo, Leonardo da Vinci, and other Italian greats on skip-the-line tours of the famed Ufizzi and Accademia galleries, and browse the wares of local artisans at the Ponte Vecchio marketplace. Walk beneath Brunelleschi's dome on an interior tour of the Florence Duomo, and learn the secrets behind the beautiful Santa Croce Basilica.
Florence Private Full-Day Tour with Uffizi and Accademia Gallery
Discover the best of Florence's Renaissance architecture and artistic masterpieces all in one day on this private tour that's perfect for first-time visitors. Learn the history behind the sculptures, fountains, and palaces of the city's grand squares, step inside gleaming churches, stroll through the medieval streets where Dante once lived, and admire the spectacular monuments of the Duomo Complex. Then, get an up-close look at some of the world's most iconic paintings and sculptures with included entrance to the Accademia Gallery and Uffizi Gallery.
Accademia Gallery Tour
See world-famous masterpieces of Renaissance art at Florence's Accademia Gallery. Skip the long entrance lines and head directly inside with a knowledgeable guide for a 1-hour tour of gallery highlights focusing on the works of Michelangelo. See the iconic 'David' sculpture and other awe-inspiring pieces by the native Florentine while your guide shares background information via an audio headset. After the tour, you can stay to continue exploring the museum's treasure trove of art on your own.
Full-Day Tour of Florence with Accademia and Uffizi Galleries and Typical Lunch
Spend a day exploring the Tuscan hills, marveling at art masterpieces, and tucking into Italian cuisine on this full-day tour of Florence. Look out over the city from hilltop Fiesole, admire the architecture of Piazzale Michelangelo and enjoy a delicious lunch (included) of typical Tuscan specialties. Then, discover why Florence is nicknamed the 'Cradle of the Renaissance' with skip-the-line tours of the city's two leading art galleries—the Accademia and Uffizi Gallery.
Private Full Day Walking Tour of Florence Highlights with Uffizi and Accademia
Discover the best that Florence has to offer on a full-day private walking tour through the Renaissance city. Visit the city's historic landmarks like the Duomo, Giotto's bell tower, Ponte Vecchio, the Baptistry and more as you listen to informative commentary from your guide about the history of Florence. Then enjoy skip-the-line admission to the world-renowned Uffizi and Accademia galleries to see works from Michelangelo, Botticelli, Caravaggio, Raphael, and more.


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Piper Jaffray Significantly Expands Research, Sales and Trading Coverage in Financial Services Sector
05/11/2015 | 03:11:22 PM
MINNEAPOLIS--(BUSINESS WIRE)--May 11, 2015-- Piper Jaffray Companies (NYSE: PJC), a leading investment bank and asset management firm, recently announced its full-scale entry into the financial services sector. The firm's financial institutions group (FIG) will encompass partners in sales and trading, equity research, fixed income and investment banking—all focused exclusively on financials coverage.
"Financial institutions are invariably the lifeblood and mainstay of our global economy. We remain focused on significantly growing our FIG footprint across multiple geographies and business lines for the sole purpose of our clients' success," said Andrew Duff, Piper Jaffray chairman and chief executive officer.
"Our new team now represents some of the highest caliber talent covering the industry and we are excited to leverage this expertise on behalf of our clients," said Jeff Klinefelter, Piper Jaffray global head of equities. "We look forward to continue expanding our FIG effort and being the partner of choice in this important sector."
Piper Jaffray recently added four equity sales and trading professionals and eight senior research analysts dedicated to the FIG space with a combined 184 years' industry experience:
FIG Equity Sales and Trading
Adam Aspes - Managing Director, Head of FIG Equity Sales (Atlanta, GA)
Jacob Morton - Managing Director, Sales Trader (New York)
Adam Panzer - Principal, Equity Sales (New York)
Anthony Duplisea - Institutional Sales Associate (New York)
FIG Equity Research
Matthew Breese - Sr. Research Analyst, Northeast Banks (Boston, MA)
Matthew Clark - Sr. Research Analyst, West Coast Banks (New York)
Daniel Farrell - Sr. Research Analyst, Property and Casualty Insurance (New York)
Peyton Green - Sr. Research Analyst, Southeast Banks (Nashville, TN)
Matthew Kelley - Sr. Research Analyst, Northeast Banks (Portland, ME)
John Nadel - Sr. Research Analyst, Life Insurance (New York)
Brett Rabatin - Sr. Research Analyst, Texas and West Coast Banks (Nashville, TN)
Jason Weyeneth - Sr. Research Analyst, Asset Managers and Alternative Investments (New York)
The research analysts will join Mike Grondahl and Jason Deleeuw to cover more than 200 companies in multiple sub-sectors across the FIG spectrum over the next couple of quarters.
These changes follow Piper Jaffray's fixed income division's continued expansion into the financial services sector. In 2014, the firm made significant additions to its FIG fixed income strategy, analytics, sales and trading teams, as well as established strategic partnerships with industry-leading organizations to further leverage offerings for financial institutions clients.
About Piper Jaffray
Piper Jaffray Companies (NYSE: PJC) is an investment bank and asset management firm headquartered in Minneapolis with offices across the U.S. and in London, Hong Kong* and Zurich. Securities brokerage and investment banking services are offered in the United States through Piper Jaffray & Co., member NYSE and SIPC, and in Europe through Piper Jaffray Ltd., authorized and regulated by the Financial Conduct Authority. Asset management products and services are offered through three separate investment advisory affiliates registered with the U.S. Securities and Exchange Commission: Advisory Research Inc., Piper Jaffray Investment Management LLC and PJC Capital Partners LLC.
* License pending
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© 2015 Piper Jaffray Companies, 800 Nicollet Mall, Suite 1000, Minneapolis, Minnesota 55402-7036
Source: Piper Jaffray Companies
Piper Jaffray Companies
Pamela Steensland, 612-303-8185
pamela.k.steensland@pjc.com
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