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Author: TSOEG
Despite Extractivism – online exhibition
Published by TSOEG
Extracting Us collective, University of Brighton, UK Launch event 20.01.22 | 12:00-13:30 GMT The 'Despite Extractivism' online exhibition assembles expressions of care, creativity and community from diverse sites of extraction and geographical contexts. Collectively, the works in this exhibition illuminate and explore ways of questioning, subverting and resisting the logics and impacts of extractivism. Can artistic interventions help foster new sensibilities and solidarities with distanced extractive contexts? Can sites of extraction be a fertile ground for alternatives? The exhibition is part of the ongoing 'Extracting Us' collective journey exploring the diverse, uneven but sometimes connected ways in which resource extraction also extracts from communities. The exhibition and associated events include contributions by artist Luce Choules (showing as Choules+Roisner) and associate V'cenza Cirefice (with project participants). Despite Extractivism – online exhibition. Register on Eventbrite for exhibition launch event tickets. Past information on this project can be seen on the ONCA website.
ENTWINED – online assemblage
Institute for Creative Arts Practice, Newcastle University, UK December 2021 'ENTWINED Online Assemblage' celebrates the end of the two-year, multi-partner programme ENTWINED:Rural.Land.Lives.Art. The project is organised by VARC (Visual Arts in Rural Communities). It comprises six mixed-length residencies and associated artist projects. Each artist's practice explored different aspects of what makes a 'place', revealing the interconnectedness of rural land and rural lives. Invited speakers include artists and academics that are concerned with rurality and/or what makes 'place'. The conference videos seek to interrogate the interconnectedness of rural land and lives, and includes contributions by environmental artist-researchers somewhere-nowhere and artist Laura Harrington. Online assemblage – ENTWINED conference. More information on this project can be seen on the VARC website.
What is Natural Beauty? – online symposium
Centre for National Parks and Protected Areas, University of Cumbria, UK 01.12.21 | 13:00-17:00 GMT Who gets to define natural beauty? And how do values and aesthetics affect the way we relate to and care for the land around us? 2021 marks 50 years since the designation of the Wye Valley as an Area of Outstanding Natural Beauty (AONB), and 70 years since the birth of England's Lake District and Peak District National Parks. The symposium will bring together experts in different disciplines and professions and will incorporate artistic presentations and reflections. It will not aim to answer the question – rather it offers a frame for what we hope will be exciting, inspiring and provocative conversations. There will be short films, presentations, new insights and lively break out sessions, all of which will be reflected on in a post-event report and artwork from the Artist-in-Residence. The event is hosted by the UK's Centre for National Parks and Protected Areas at the University of Cumbria, and is run by the PLACE Collective (somewhere-nowhere) with the …
RGS Explore 2021 – online event
Royal Geographical Society, London, UK 06.11.21 – 07.11.21 | 09:30-18:00 GMT The Society's 45th annual planning weekend will be held online this year. Explore brings together a range of expedition professionals, scientists and travellers, with experience from all over the world. The focus is on small projects with a research component, but anyone planning expeditions or fieldwork is welcome to join this online event of talks and discussion to inspire and inform your own projects. Workshop 07.11.20 | 15:00-16:00 GMT 'Creative Projects: Art, Exhibitions & Participation' – as part of the Communicating Your Discoveries: Sharing Work and Inspiring Action sessions – is organised and chaired by Harriet and Rob Fraser. Includes workshop presentations from: Luce Choules, Edwina fitzPatrick, Laura Harrington, somewhere-nowhere and Tim Taylor. RGS online booking – RGS Explore 2021 – weekend event from £25 per person to attend.
Mark Aitken – documentary Neighbourhood of Infinity
Sala d'Actes del Centre Cívic La Sedeta, C/ Sicília, 321, Barcelona 22.10.21 | starts 20:00 CET Birds colonise an urban neighbourhood. People rediscover vital animal instincts. Together they show how confinement might be the ultimate measure of freedom. Associate Mark Aitken presents the world premiere of his new documentary film Neighbourhood of Infinity with live soundtrack performance by Melisa Bertossi, Cristian Subirà and Pablo Volt, at LEM Festival in Barcelona, Spain. LEM Festival – Neighbourhood of Infinity – this event is organised by Gràcia Territori Sonor, and requires registration. BARRIO DE LAS VIÑETAS – an invitation to participate The trauma of the first pandemic lockdowns of 2020 was experienced around the world. We're now trying to put it behind us but memories remain. LEM Festival and Director Mark Aitken are inviting those who can and those who can't attend to write and record voiceovers for vignettes cut from the film. Although filmed in Barcelona, they will resonate with anyone who was alive in 2020. If you wish to attend the film premiere, you'll have opportunity …
Artists and the Garden: New Perspectives Conference
Hestercombe Gardens, Somerset, UK 27.09.21 & 28.09.21 | 10:00 – 16:30 BST 'Artists and the Garden: New Perspectives' will explore the relationship between cultural production and the garden, across creative disciplines and media, from the 18th century until the present day. Key conference themes consider the garden as a mirror of society, the garden as playground for artistic endeavours, and curating and creativity at Hestercombe – past and present. Topics range from the translocation of plants by the C19th European plant hunters, to the influence of pittoresque garden theory on interior architecture in C18th France; from the politics of inclusive public gardens in Germany, to the integration of artistic intervention, botanical sphere and landscape design in contemporary Italian gardens; and from the imaginary labyrinth and pleasure garden, to the role of rhetoric in the understanding and appreciation of gardens. Artist Edwina fitzPatrick is presenting the paper English Gardens as Heterotopias: Colonialism and Translocated Plants. Hestercombe – Artists and the Garden: New Perspectives Conference – this event is co-organised by Hestercombe Gardens Trust and Kingston University, …
Laurie Anderson – online lectures (The River / The Forest / The Rocks)
Mahindra Humanities Center, Harvard University, USA 02.06.21, 09.06.21 and 16.06.21 | see below for specific times Laurie Anderson presents, 'Spending the War Without You: Virtual Backgrounds'. Laurie Anderson is one of America's most renowned – and daring – creative pioneers. Known primarily for her multimedia presentations, she has cast herself in roles as varied as visual artist, composer, poet, photographer, filmmaker, electronics whiz, vocalist, and instrumentalist. The River, The Forest and The Rocks are the first three in a series of six Norton Lectures, looking at the challenges we face as artists and citizens, as we reinvent our culture with ambiguity and beauty. YouTube access – The River – this recording will go live at 5pm EDT on June 2, 2021 and will remain available for the next 24 hours, until 5pm EDT on June 3, 2021. YouTube access – The Forest – this recording will go live at 5pm EDT on June 9, 2021 and will remain available for the next 24 hours, until 5pm EDT on June 10 2021. YouTube access – The Rocks …
HerMaP – digital exhibition
HerMaP, Iran 05.06.21 – 06.05.21 u-form is a project by Alice Pedroletti & Andrea Familari. Part of HerMaP Art Projects, the multimedia exhibition is the result of an online residency in which 10 artists worked through a dialogue between Iran and Europe in collaboration with a supporting group of artists and researchers in Tehran, looking into the aspect of the Industrial and Living Heritage in Iran, and developing new digital works. Funded by EU Commission DG for International Partnerships, with partners Bozar Center for Fine Arts Brussels, German Embassy in Tehran, Goethe Institute, and Newkinco. Registration – HerMaP digital exhibition.
Open call – Points of Return
A La Luz environmental arts programme 2021 Founded by artists David Cass & Gonzaga Gómez-Cortázar, arts platform A La Luz is seeking entries for 'Points of Return', an exhibition in summer 2021 that will shed light on the wide-raging environmental issues the world faces in this time of climate crisis, whilst also presenting paths to possible solutions. A La Luz will also produce a book featuring all the artists' works selected for the exhibition. The deadline for applications is 1 July 2021 Read more
Research Residency – Alice Pedroletti
ZK/U Berlin, Germany from 29.01.21 Alice Pedroletti has been selected as Artist Fellow with ZK/U Berlin. The project is supported by the Directorate-General for Contemporary Creativity by the Italian Ministry of Cultural Heritage and Activities and Tourism under the Italian Council program (2020). "In 'The city, the island' I approach the relationship between Urban Island and Natural Island. ZK/U is located in the Moabit district, historically considered an island as it is surrounded by waterways. This characteristic makes it a unique place: an island within an island, a possible free zone where art experiments and hypothesises solutions for the future, remaining ideally-protected, but also critically excluded from the water itself. Place of exchange and relations, a passageway for artists and researchers, ZK/U is a utopian atrium of Berlin's city. Before that, it's also the entrance to an island that does not exist. This imaginative, territorial and political condition pushes me to imagine not only artworks for specific places – the atriums – but projects for specific territorial or emotional needs that go beyond architecture." ZK/U …
Residency – Rabbit Island 2021
Rabbit Island, USA applications close 14.03.21 [11:59pm EST] We are excited to announce our Call for Applications for the 2021 Rabbit Island Residency Program. We anticipate awarding three residencies that will take place between mid-June and late-September this year. With the support of a grant from the National Endowment for the Arts and continued contributions from donors, we are offering the following to successful applicants: $3200 (USD) award, live and work on Rabbit Island for ~3 week period, featured in the annual Rabbit Island publication. Read more
SHERDS: Five Verses on Six Sacks of Earth is an experimental work, or series of works that inhabit a six-week archaeological dig, which took place on a hillside at Malkin Tower Farm in Pendle, during the hot summer of 2018. See more
rocks are for throwing was a place specific performance in a haematite rich, limestone quarry on the outskirts of Bristol in June 2017. A new musical score was composed for the performance by William Frampton in response to text and fieldwork. See more
Mountain Festival is a project developed by Luce Choules as a counter-cultural annual event taking place in Chamonix-Mont-Blanc in the French Alps. The field of work for Mountain Festival is to attend to the mountain environment itself. See more
Open call – Encura V
Hangar Barcelona, Spain residency programme 2021 Hangar, Visual Arts Research and Production Centre and La Casa Encendida, in association with Hablarenarte, launch an open call for Spanish or overseas curators and researchers currently living in Spain to apply for a fully funded three-month curatorial research residency between Barcelona and Madrid, running from January to March 2021. The deadline for applications is 8 December 2020, at 23:59 (GMT+1) Read more
Phuplec is the phenomenon of growing or becoming a plot of land. Phuplec celebrates the small, the wild, the overripe, the rotten, the undesired and the redundant as necessary tactics for a sustainable future. See more
Itinerant Actions developed a collective fieldwork research programme that explored remote outposts, peripatetic practice and the fluidity of site-responsive working. The project invited resident artists at Hangar and cultural agents based in Barcelona to engage in a critical dialogue about embodied knowledge, ecological economies, roaming landscapes and material territory. See more
In just over a week, hundreds of 'live cams' guided me from the Balkans to Turkey along the Black Sea to Iran. My ability to observe changed according to the territory I crossed, creating a 'live-archive' of over 1600 images. Traveling both night and day, on mostly deserted highways, I had the freedom to stop in places never seen before. I met people I will never see again, and I crossed landscapes that are changing, taking advantage of our absence due to the pandemic. See more
Winter Meditation – after finding a small piece of flint with a pale blue surface at the edge of a field, I resolved to explore the whole area to look for more. Over the winter months I made a series of walks across a single ploughed field looking for flints that reminded me of the sky. See more
Open call – Collide Residency Award
CERN, Switzerland, with Hangar Barcelona, Spain residency programme 2021 Arts at CERN launches an international call for Collide, its flagship programme consisting of a fully-funded residency award of up to three months divided between CERN and the city of Barcelona. For its second edition, Arts at CERN and Barcelona are joining forces again, as part of the on-going collaboration between CERN, the Institut de Cultura de Barcelona and Barcelona City Council. The deadline for applications is 7 December 2020. Read more
The rough texture of a rock face, the strange light of an eclipse, the sound of a rushing waterfall, the heady smell of an alpine forest, the salty taste of the sea mist … my senses are alive to my surroundings and the abundance of the earth. See more
Nastassja Simensky
Artist Nastassja Simensky is now part of the TSOEG network. The material and historic relationship of industrial production to colonialism, processes of social and environmental change, inform and ground the practice of contemporary archaeology. As such, my research asks how the development of place-specific and collaborative methods 'in the field' enable new ways of highlighting current discourses around nuclear energy production and the multiplicities of actors and forms of knowledge that run through as well as inhabit the Blackwater Estuary in Essex. Read more
Post Punctum – online artist talk
London Independent Photography, UK 04.11.20 | 19:00-20:30 BST LIP proudly presents David George to speak as part of Post Punctum. The theme for the Post Punctum series comes from Roland Barthe's book Camera Lucida, in which he cites two main elements in a photographic image, studium and punctum. The photographers in this series of talks, have been chosen to represent artists who have moved from commercial to lens based art, to represent female and queer artists along with those who still practice alternative print processes and film photography. Eventbrite booking – LIP Post Punctum (Zoom) Talks – this event is free to attend. LIP event hosted by Jennifer Nash.
Artist David George is now part of the TSOEG network. David George has been exploring photographic representations of the contemporary British landscape for 40 years and has incorporated themes prevalent in 19th century painting practice and aesthetic to aid this exploration. David has appropriated the Sublime, the Melancholy, the Romantic, the Pastoral and the Uncanny in series of images, which he has made to create work that represents the contemporary landscape in a more pictorialist way, while still creating images that can be viewed as documenting the landscape. Read more
This project was held in Curonian Spit, a region separated by the baltic sea and Curonian Lagoon and between the territories of Lithuania and Russia. It is home to the highest moving (drifting) sand dunes in Europe and several ecological communities are present on the Spit, from its outer beaches to dune ridges, wetlands, meadows, and forests. See more
RGS Explore 2020 – online seminar
Royal Geographical Society, London, UK 14.11.20 | 16:00-19:00 BST The Society's 44th annual planning seminar will be held online this year. The focus is on small projects with a research component, but anyone planning expeditions or fieldwork is welcome to join this shortened online event of talks and discussion to inspire and inform your own projects. RGS online booking – RGS Explore 2020 seminar – this event is £15 to attend.
Red Ochre derived from the earth was the earliest communications bridge – think cave paintings. Thought to reality, reality to spirit, a mechanism for change, a thread linking groups and communities as they evolved, grew and spread. See more
The Post-Fossil Show – exhibition
HIAP Gallery Augusta, Suomenlinna, Finland 01.10.20 – 01.11.20 | Wednesday to Sunday, 12:00-16:00 The Post-Fossil Transition project as well as the exhibition strive to challenge the currently dominant paradigms and tropes related to ecological sustainability. The artworks in the show point towards the blind spots we have in our discourse and understanding, as well as propose experiences and perspectives that exist outside the domain of reason and language. Artists & contributors: Saara Hannula & Antti Salminen, Laura Harrington, Saara-Maria Kariranta & Riikka Keränen & Hanna Kaisa Vainio, Bita Razavi, Elina Vainio, Kaisu Savola, and Yrjö Sotamaa. Read more
Documents, Alternatives 4 – exhibition
'Documents, Alternatives', University of Derby, UK 2020 | online edition The on-line curated exhibition Documents, Alternatives #4, by Angela Bartram, aims to isolate, address, find and utilize appropriate means to translate a diverse range of practice digitally whilst remaining true to its artistic intent. It offers a series of responses through the format of an on-line exhibition of ephemeral artworks, that is designed to self-curate with each user visit. Artist Luce Choules is featured in this edition. Read more
During the cycle, people from various disciplines were invited to contribute their different points of view in relation to the complexity of a territory, very marked by urban pressure and the proliferation of dismembered places, empty of content. See more
My main interest in this project was to bring to light events that are denied by the field of Geophysics due to the simple fact that there is no plausible explanation about their natures. See more
The project explored the dynamics of periphery landscapes, through a geographical immersion of the body. The geomorphology of the land and its environmental components were taken into account, as well as the relationship of the different edges with adjacent neighbours. See more
Today, sacrifice is mediated by market exchange – the well-being of humans, non-humans and the environment has been betrayed in favour of economic growth. Sacrifice zones are proliferating in areas deemed most extractable, most exploitable – usually regions under pressure from neoliberal policies. See more
Fangar (Quagmire) explores the surface of an area of the Ebro Delta, one of the largest wetland areas in the western Mediterranean region. Portrayed as a desert, this work was in fact developed at the sea shore. See more
Six artists, an ecologist and two filmmakers were brought together at a former scientific field station to cultivate multifarious practices of artistic fieldwork. Together we found ways of existing, inhabiting and working within the context of this remote location. See more
hidden and missing things was a project I held during a residency programme in the south-west coast of Finland. The main subject and argument was the manipulation of an age-old technique of divining with the purpose of activating relations between the local environment, beliefs and the human being who manipulates it. See more
Vivo. Objeto. Virtual is an account of previous experiences of work in artistic institutions where, beyond the environmental conditions of the exhibition spaces, the exhibition of the work reveals the difficulty of plant survival in a hostile environment, both environmentally and by the apparent misunderstanding between two ecosystems: the artistic and botanical. See more
Archaeology of Sacrifice – exhibition
ZeppLab, Zeppelin Museum, Friedrichshafen, Germany 18.09.20 – 06.12.20 Artist Ignacio Acosta is the 39th artist in residence of the ZF Art Foundation. The result of the present grant is the exhibition 'Archaeology of Sacrifice' at the ZF Art Foundation in the Zeppelin Museum Friedrichshafen. Acosta's two-channel video installation 'Archaeology of Sacrifice' was created as part of the scholarship of the ZF Kunststiftung and will be shown for the first time at ZeppLab until December 2020. Read more
Residency – Climate Art: A Vanished Sea
Bridgepoint Rye, East Sussex, UK new residency programme 2021 Climate Art and Bridgepoint Rye, in collaboration with Sussex Wildlife Trust, are delighted to announce a call for applications from artists, creative practitioners, and environmental researchers to work on a site-responsive project during a three-month residency at Bridgepoint Creative Centre in Rye, East Sussex. The residency will take place in January – March 2021. The deadline for applications is 8 November 2020 at 23:59. Read more
Pedro Hurpia
Artist Pedro Hurpia is now part of the TSOEG network. Pedro Hurpia's artistic practice investigates notions of displacement and collapse – not only in geographical way but also in a cognitive dissonance level (psychological stress) – when a person or a group are able to counteract even the basic level of logic; denying evidence, creating false memories, distorting perceptions, ignoring scientific claims, and triggering a loss of contact with reality. Read more
Alison Lloyd
Artist Alison Lloyd is now part of the TSOEG network. Alison Lloyds' practice involves walking alone, for considerable distances, keeping off the paths, striding and 'contouring' through moorland and mountainous areas. Through a passage of movement incorporating walking and dancing Lloyd has documented elements of her life since 1976. Read more
Vivo. Objeto. Virtual – exhibition
SWAB Barcelona Art Fair, Spain 01.10.20 – 15.10.20 | virtual edition SWAB is the contemporary art fair of Barcelona, an independent project that was born in 2006 as an experimental platform for emerging artistic proposals. Founded by architect and collector Joaquín Diez-Cascón, Swab is an event that brings together up to 80 galleries from the international scene and functions as a meeting point for the cultural sector on a global scale. Artist Paula Bruna is exhibiting in the 'Ephemeral' programme for the 2020 edition. Read more
New Directions in the Humanities – conference 2021
Complutense University of Madrid, Spain 30.06.21-02.07.21 Founded in 2003, the New Directions in the Humanities Research Network is brought together by a common interest in established traditions in the humanities while at the same time developing innovative practices and setting a renewed agenda for their future. We seek to build an epistemic community where we can make linkages across disciplinary, geographic, and cultural boundaries. The Nineteenth International Conference on New Directions in the Humanities in 2021 calls for research addressing the following special focus: 'Critical Thinking, Soft Skills, and Technology'. Associate Rosalinda Ruiz-Scarfuto is presenting the paper The Forest Flaneur in the New Environmental Aesthetics Shifting the Creative Process in 2020 Eco-phenomenology. Complutense University of Madrid – New Directions in the Humanities conference – this event requires registration. More information on the abstract for Ruiz-Scarfuto's paper is here.
Paul Mellon Centre – British Art and Natural Forces online programme
Paul Mellon Centre, London, UK events from 06.10.20 until 03.12.20 | various times This multi-part programme of research events focuses on the encounter between artistic and art-historical practice and the forces of the natural world. It places such encounters in both contemporary and historical perspectives. In doing so, it aims not only to respond to the exigencies of the current moment, but to foreground some of the most vital activities and conversations taking place within the field of British art studies: In recent years, scholars have concentrated with new intensity on the overlaps between artistic, geophysical, biological and ecological bodies of knowledge. The series speaks to many of the new interdisciplinary collaborations that are currently shaping art-historical practice, where scholars of the visual arts are working across different subject-fields to explore natural histories, indigenous forms of knowledge, animal studies, concepts of the post-human and revitalised theorisations of the sublime. A series of panels and keynote lectures will address the ways in which artistic and art-historical thinking and practice – in the contexts of British art …
The East of Eden project is a series of photographs that document the River Tees as it travels through the topography/geography of the North East and uses the landscapes that have been created by the ever-changing industrial, economic, political and sometimes social needs and interventions along its course, from its source in the High Pennines on Cross Fell to its meeting with the North Sea at Teesmouth. See more
ONCA – Weaving Connections webinar (POLLEN20)
ONCA, Brighton, UK, as part of POLLEN20 24.09.20 | 14:45-16:30 BST 'Extracting Us' brings together reflections and creative work from thirteen artists-activists-researchers in relation to diverse extractive contexts, and responses from virtual visitors and participants over the past month. Through facilitated conversation with co-curators and artists, this event will begin to weave together the threads that connect the contributions, and consider some collective learnings and potential future work. Artist Luce Choules is an invited panel contributor. Eventbrite booking – Weaving Connections webinar – this event is free to attend. Online event is part of the POLLEN20 Political Ecology Network virtual conference, co-hosted by ONCA, Brighton,UK.
Sense of Place – online exhibition launch and Q&A
Royal Geographical Society, London, UK 06.10.20 | 18:30-19:30 An evening event which combines a short film, a virtual exhibition tour and a Q&A to launch 'Sense of Here' created by Harriet and Rob Fraser. This thought-provoking exhibition of photography, poetry and creative mapping is born from slow time outdoors and in-depth enquiries into different elements of landscape, centred in the Lake District National Park. The exhibition encapsulates 'the feeling and knowing of place'. This online event is a one-off opportunity to meet artists Harriet and Rob Fraser, and join a live Q&A with them. This event is coordinated by artist duo somewhere-nowhere. Online booking – Sense of Place: exhibition virtual launch – this event is free to attend. Online event hosted by Royal Geographical Society, London.
Nau Côclea – Walter Benjamin Art Grant 2020
Nau Côclea Walter Benjamin Art Grant 2020 Clara Garí of the Contemporary Art Center Nau Côclea organises again the guided route from Banyuls to Portbou. This route is included in the 'Walter Benjamin International Colloquium' organized by the 'Walter Benjamin Memory and Exile Chair of the University of Girona', the 'Democratic Memorial Barcelona' and the 'Memorial Museum of The Exile La Jonquera', Catalonia Spain. This path is walked every year with a different artist making a proposal specifically designed for the occasion in the spirit of Walking Art in all its versions and possibilities. Read more
Jordi Mas Balado
Artist Jordi Mas Balado is now part of the TSOEG network. I work on the environmental capacity of the dancing body by placing its meteorological state in different specific territorial contexts. The main aim is to bring plurality to the meaning of the sense of the space. Read more
Mary Welcome
Artist Mary Welcome is now part of the TSOEG network. Mary Welcome is a multidisciplinary cultural worker collaborating with communities towards cultural empowerment in rural and under-recognized landscapes. Her work is conversational and research-based, in response to the social, built, and natural environments we situate ourselves within. Read more
The soft water gliding seemingly softly over the granite rocks, slowly sneaking its way into the rocks' crystalline matrix with the help of some acidity – where the process of hydrolysis is altering feldspar into kaolinite, with potassium ions, bicarbonate and silica in the solution as a byproduct. See more
Into the Mountain is a place relational performance project. Inspired and informed by the lyrical and embodied prose of Nan Shepherd's 1974 book, The Living Mountain, the project explores and celebrates women's relationships with mountainous environments. See more
Artist Darc Matter (Denise Aimee Rijnen) is now part of the TSOEG network. Words and measures used as conventions allow me to draw maps, but are not found on the face of the earth. They isolate me from the entirely indefinable something which is everything, they merely symbolize life. Read more
I used the island itself as a sketchbook and lab. By exploring the contours of its natural patterns, a series of ethereal photographs and sketches emerged of the things that make up the place – rocks, pine needles, shadows, driftwood, whatever was naturally at hand – in a celebration of what exists, resisting the human tendency to tear down, build up, and conquer. See more
Simone Kenyon
Artist Simone Kenyon is now part of the TSOEG network. Simone Kenyon is an Edinburgh based artist, choreographer, performer, Feldenkrais practitioner and academic. For the past 20 years she has worked across performance and dance with a focus on environment related arts. Her practice encompasses movement, ecology of place, walking arts and participatory events for both urban and rural contexts. Read more
Time Capsule is a 24-hour intervention in which the zURBS team is located in the urban landscape engaging with passers-by and the environment, to create a time capsule that "captures" the 24 hrs of "here and now" of this particular place. See more
I was considering how walking and camping on my own could facilitate a closer relationship with an area that I was walking repeatedly since 2011 as a recreational walker and much more intensely as an artist since July 2014. My interest in the flora and fauna and the terrain through which I walk is important but for now remains more incidental to the final photographic documentation that I produce. See more
20 years of seeing with GPS: perspectives and future directions
King's College, London, UK 12.06.20 | 09:30-17:30 To mark twenty years of GPS in the public realm, participants are invited to join for a one-day symposium to discuss, question and reflect upon how GPS has affected how we see the world. From our situated everyday experiences of navigation and self-tracking, to the wider ways in which the world can be seen from afar by us and digital technologies through trackable objects, practices and mapping interfaces, it is simple enough to propose that GPS has changed our relationship to the world. Artist Layla Curtis is a keynote speaker. Eventbrite booking – 20 years of seeing with GPS – this event is free to attend. Online event hosted by Department of Digital Humanities, King's College London.
Francisco Navarrete Sitja
Artist Francisco Navarrete Sitja is now part of the TSOEG network. Francisco Navarrete Sitja is a visual artist and researcher whose work specifically engages the relationship between representation, territory, nature and non-human materialities as manifested in multiple environments, from landscape to expectations in relation to identity. Read more
Artist Layla Curtis is now part of the TSOEG network. Layla Curtis is a British artist whose practice has a focus on place, landscape and mapping. Her multi-form work examines the attempts we make to chart the earth, how we locate ourselves, navigate space and represent terrain. She is concerned with how we map borders and boundaries, both real and metaphorical, to define territories and to establish a sense of place. Read more
The further I went into a cave, the more disorientated I become. The blackness is so dense that you can't see the edge of your own form. These ideas of 'merging' and 'nowhere-ness' have parallels with the project's original attempts to describe the navigation of virtual space. See more
This work seeks to cut through Cornwall, through the scientific method and through institutions, with the aim of contributing to an ongoing conversation around conservation and transdisciplinarity. See more
The artworks were developed from a series of eight experiments conducted in the woods, which explored sound, scents, vision and time. It also involved a temporary artwork in the Woods themselves. See more
The paintings and drawings I exhibited were developed from fieldwork undertaken during residencies at the Ballinglen Arts Foundation, County Mayo in 2011 and 2012. See more
Walter van Broekhuizen
Artist Walter van Broekhuizen is now part of the TSOEG network. Using different mediums to remodel our perception of landscape, in miniature to life-sized works, I address our withdrawal from the wild; and how, despite it, we continue to listen to the vociferations of the wilderness we have abandoned. Read more
Espesuras (Thickets) is a series of views of the landscape from its own interior, where the abundant vegetation hides the horizon. It is an area covered in Aleppo pines, rosemary, thyme, wheat, oats, almond trees and poppies, among others. See more
A traveller presents the landscape as an entity capable of revealing invisible systems of power alongside its connection to the human body's capacity to embody their ancestors' memories. See more
For many years, I had a recurring dream: I'm walking in the mountains with my grandfather. The sky is cloudy, it is hot, it must be summer. The place is familiar, something tells me that I know the trails well. Suddenly in front of me opens a canyon, or what resembles me as the limit of the mountain. See more
Babbling is a game for human and non-human players. The only requirement is running water. See more
Alice Pedroletti
Artist Alice Pedroletti is now part of the TSOEG network. Alice Pedroletti's research investigates the relationship between artworks–viewers and archiving as an art practice, working on the multiple aspects of being and vision. The photographic medium, as well as the action of using or displaying it, is regularly challenged: a physical relationship emerges between photography and sculpture. The outcome takes different final forms – always concerning the problem of temporality, fragility, and matrix in both disciplines. Read more
Ludwig Berger
Artist Ludwig Berger is now part of the TSOEG network. Ludwig Berger is a sound artist and composer based in Milan and Zurich. In his compositions, installations and performances, he engages playfully in more-than-human worlds such as beehives, microphones, glaciers, infrastructures, wind, strings or trees. He has released various albums of field recordings, drones and microscopic improvisations and composes music and sound for film, theatre and radio. Read more
Enchanted Wood – exhibition
Three Colt Gallery, London, UK 05.03.20 – 28.03.20 | opens 04.03.20 18:00-21:00 The artist will be present on Saturday 14th, 21st and 28th March 12:00-15:00 The gallery is open Tuesday-Sunday 09:00-17:00 The exhibition of new paintings are inspired by the wooded landscapes of the Lake District in early spring. The canvases are developed from research undertaken with poet Sarah Corbett for the project 'Dorothy's Colour' (2017). Walking the same paths as documented by Dorothy Wordsworth in her 'Grasmere Journals' the project explores ideas around walking women and landscape. Benbow's recent oil paintings are subtle and precise in their use of colour and composition and play with painting processes to imply natural form. Her work aims to communicate a sense of visual awareness of place with the intention of making room in our view for a little reverie and magic! Read more
El tráfico de la Tierra – exhibition
Centro de Arte y Naturaleza, Fondación Beulas, Huesca, Spain 24.10.19 – 12.01.20 El tráfico de la Tierra is a collaboration between photographers Xavier Ribas and Ignacio Acosta and art historian Louise Purbrick. This research documents the movement of mineral wealth in Chile and its incorporation into global markets and European landscapes. Read more
Artists in the Field – exhibition
The Royal Geographical Society (with IBG) 06.11.19 – 10.11.19 Artists in the Field. Curated by the Rabbit Island Foundation and Temporal School of Experimental Geography. Artists: Ruben Brulat, Luce Choules, Edwina fitzPatrick, Roseann Hanson, Laura Harrington, Emma Harry, Duy Hoáng, Alexandra Hughes, Alice Pedroletti, Andrew Ranville, Himali Singh Soin, somewhere-nowhere and Rhona Taylor. Event – Explore 2019 Part of the annual programme at the Royal Geographical Society (with IBG), London, UK.
David Ortiz Juan
Artist David Ortiz Juan is now part of the TSOEG network. David Ortiz Juan lives and works between México and Spain. He studied his masters at the Sandberg Instituut in Amsterdam and was Professor at Lebanese American University in Beirut. He works from the creation of narratives focused on roaming, disappearance and displacement themes, often related to the landscape, exploring the links between the psychoesthetic experience and the combination of hybrid knowledge. Read more
In contrast to the immensity of the landscape offered by the views of Farrera, I have proposed to focus on the small scale. For 10 days I have studied a pasture field, characteristic of this valley. The process is collected in a set of small installations that make up a personal interpretation of this place. See more
The name of Plantocene arises in opposition to the Anthropocene (recently differentiated geological epoch whose protagonist is the human being and its impacts on the planet). Considering the effects of photosynthesis in the composition of the planet, why do we not consider our planet from a Plantocene perspective, getting away from our traditional Anthropocenic view? See more
Performance Lecture – Luce Choules
Royal Geographical Society (with IBG), Kensington, London, UK 10.11.19 | 14:30 Luce Choules presents a live performance lecture 'The Glacier and the Rock' using voice and projected imagery. The artist will take the audience on a poetic journey to the high features of Alpine France. Made during a decade-long study in the Haute-Savoie, this mesmerising work explores art and ecology, environmental change and the contemporary wilderness. This work is shown as part of 'Explore 2019' organised by the Royal Geographical Society (with IBG) Read more
Ask Somerset's Plants brought the knowledge of local flora to bear on everyday human problems and dilemmas. The project was steered by the questions that Somerset audiences posed. Not questions about nature or plants, as you might expect, but about people's own lives and human society, questions that varied from the political and societal to the deeply personal. See more
Artists in the Field – panel discussion
The Royal Geographical Society (with IBG) November 2019 Explore is the Society's annual fieldwork and expedition planning weekend at the Society's headquarters in London. With over 100 leading field scientists and explorers, make sure to book your place to gain inspiration, advice and contacts for your own field research project or expedition. The emphasis is on small projects with a research component but anyone planning overseas expeditions or fieldwork is welcome – regardless of age or experience. Explore brings together a range of expedition professionals, scientists and travellers, with experience from all over the world, to help you get the most out of your journey. Chaired by artist Andrew Ranville, artists Edwina fitzPatrick, Alice Pedroletti, Feral Practice and somewhere-nowhere are hosting a TSOEG panel discussion on Sunday 10 Nov 2019, 3-4.30pm: Artists in the Field: engaging audiences in art, science, and adventure Event – Explore 2019 Part of the annual programme at the Royal Geographical Society (with IBG), London, UK. This year, Explore is hosting the Artists in the Field exhibition
Artist somewhere-nowhere is now part of the TSOEG network. somewhere-nowhere is the collaborative practice of writer Harriet Fraser and photographer Rob Fraser. Through prose, poetry, photography and site-specific installations, which are often ephemeral, they invite conversations about the relationships between humans and the environments we inhabit and alter. Read more
Artist Feral Practice is now part of the TSOEG network. Fiona MacDonald works with human and nonhuman beings as Feral Practice to create art projects and interdisciplinary events that develop ethical and imaginative connection across species boundaries. Their research draws on artistic, scientific and subjective knowledge practices to explore diverse aesthetics and create suggestive spaces of not knowing nature. Read more
Tales From the Crust – exhibition
Arts Catalyst, London, UK 26.09.19 – 14.12.19 | opens 25.09.19 18:30-20:30 Building on ongoing research into extractive activities in Chile and Swedish Sábme, Tales from the Crust presents existing and new work by Chilean artist Ignacio Acosta, comprising documents, films, photographs, maps and objects. Read more
Forest Flaneur – workshop
Chamonix-Mont-Blanc, France 11.09.19 – 12.09.19 Introduction, visual/tactile walks and creative expression (day one) 13:00-19:00 Tactile walk, creative expression and informal performance (day two) 09:00-17:00 Forest Flaneur is a workshop programme exploring the impact of tactile perception on the artist's process. This workshop is led by Rosalinda Ruiz-Scarfuto. Read more
Immaterial Fields – workshop
Chamonix-Mont-Blanc, France 09.09.19 – 11.09.19 Performing Duration: deep listening (day one) 09:00-17:00 Performing Duration: slow actions (day two) 09:00-17:00 Fieldworkings: weathering writing (day three) 09:00-12:00 Immaterial Fields is a workshop programme exploring gravity, motion and stillness. This workshop is led by Luce Choules. Read more
Paula Bruna
Artist Paula Bruna is now part of the TSOEG network. Paula Bruna's artistic research is framed in the study of the ecological conflicts of contemporary societies. Taking concepts of political ecology and ecological economy as a reference, she is interested in the struggle of forces between a socioeconomic system based on continuous growth and the finite nature of the environment. Read more
Residency – Oatmeal Creek 2019
Oatmeal Creek, USA new residency programme 2019 After his time in San Antonio, Andrew Ranville will be heading 40 miles northwest of Austin to help establish a new residency program. The 250 acres of conserved land where native grasses are being replanted will become fertile ground for writers and poets. He has the honour of consulting on the project to help bring it into being, and will also be the first writer-in-residence. Read more
Itinerant Actions – workshop and symposium
Hangar, Barcelona, Spain 27.03.19 Itinerant Actions: recording and broadcasting workshop 11:00-13:00 During the workshop, the erosion and disintegration of Earth systems and collapsing structures in the natural and built environment will be discussed. This workshop is led by Luce Choules. Read more Itinerant Actions: data and dialogues symposium 19:00-21:00 The Paratext symposium will be chaired by Lala Thorpe, cultural producer (London, UK). Following presentations by Patricia Dauder, Paula Bruna, David Ortiz Juan and Luce Choules, a round-table discussion will be opened up to examine artistic practice in the landscape, reflecting on the ways artists are redefining the geographic narratives of place, site and encounter through memory, traces and sensory recordings. Responding to ideas of embodied knowledge, ecological economies, roaming landscapes and territory, the discussion will consider the role of fieldwork in contemporary arts practice. Marta Gracia, Head of Research at Hangar, will be an observer for the Paratext symposium, documenting the event through writing. Read more
Instant Vista – exhibition and artist talk
PLAYhouse Gallery, San Antonio, Texas, USA 23.03.19 – 07.04.19 | opens 23.03.19 12:00-17:00 Instant Vista, is an exhibition of Andrew Ranville's Polaroid photographs. The venue has a unique history… and scale. It is a miniature house built specially for the daughter of the former owner of the adjacent mansion. Only two or three visitors can enter the gallery at a time, but the intimate space will showcase a large number of unique Polaroids — each a small window into wide open landscapes documenting explorations throughout the western United States and further afield. Artist talk Thursday, 21.03.19, 12:30-13:30 Andrew Ranville plans to cover a wide variety of topics including the artist's relationship with/responsibilities in the landscape, interdisciplinary fieldwork, and conservation. Questions and discussion will follow. The event is open to the public. Please feel free to come by and/or invite friends who may be in the area. Venue: Trinity University, Department of Art & Art History, Dicke Art/Smith Music Building, One Trinity Place, San Antonio, TX 78212
Copper Geographies – book
Editorial RM – publisher Ignacio Acosta's 'Copper Geographies' invites the viewer on a journey of copper from raw material through stock market exchange value, smelted commodity, capital wealth and recycled material. From the transformed landscapes of the Atacama Desert through a re-imagined voyage to Wales and the City of London, the project documents spaces of circulation, environmental disruption, protest and trade, and makes visible the return of the copper hidden within technological devices to its geographical origins. It includes six written contributions by curators, historians and poets; Andrés Anwandter, Marta Dahó, Tehmina Goskar, Tony Lopez, Louise Purbrick and Frank Vicencio López. Read more
Esparto: new ground – exhibition
Fundación Pedro Cano, Blanca, Murcia, Spain 02.02.19 – 17.03.19 'Esparto: new ground'. Сurators: Luce Choules and Victória Rabal. Artists: Lorena Álvarez, Pedro Cano, Yamandú Canosa, Luce Choules, Ramon Enrich, Rob and Harriet Fraser, Gonzaga Gómez-Cortázar, Laura Harrington, Sigrid Holmwood, E. Jackson, Anna Macleod, Melissa Marks, Pedro Ortuño, Victória Rabal, Corinne Silva, and Noemí Yepes. Read more
Research Residency – Luce Choules
Hangar, Barcelona, Spain 04.02.19 – 02.04.19 Luce Choules has been selected as the 'Encura 3' researcher in residence with Hangar Barcelona, Curators Network Spain and ARCO Madrid. She will be making a documentary film work 'Itinerant Actions' exploring environmental resistance through a fieldwork programme developed with Hangar, two resident artists, and cultural agents in Barcelona, Murcia and Madrid. In March 2019 as part of the 'Paratext' programme at Hangar, she will deliver a symposium highlighting fieldwork in arts practice (TSOEG), and the performance lecture 'Estudio de Campo'. Hangar is a centre for art research and production, offering support to artists. Hangar's mission is to support visual artists and creators during different phases of their art production processes as well as to contribute to the best development of their projects. In doing so, Hangar provides equipment, facilities, production assistance and a suitable context for experimentation and free knowledge transfer. The centre offers an array of services and a framework that allows for the research and development of art productions in their entirety, or partially. Hangar follows …
Rabbit Island, USA applications close 15.02.19 [11:59pm EST] We are excited to announce our call for applications for the Rabbit Island Residency program and a new residency specifically for a choreographer and composer, created in collaboration with the Rozsa Center for Performing Arts. Approximately three to four supported residencies are awarded per summer period (mid-June until late-September). Accommodation is provided. Selected applicants will receive an unrestricted honorarium which they may use to facilitate research, cover travel expenses, materials, and more. Read more
Crossed Paths – book
Edgework – online shop Miranda Whall's book provides a document of the interdisciplinary Crossed Paths project and was published to coincide with Whall's solo exhibition at Oriel Davies Gallery, Newtown, UK. It includes an introductory text by Simon Whitehead, photographs by Hannah Mann, Rhys Thwaites-Jones and Miranda Whall, poems by Zoe Skoulding, text by Phil Smith, map drawings by Miranda Whall, plant drawings by the Whall family and plant information by Mariecia Fraser. Read more
Thoresby College, Queen Street, King's Lynn, UK 30.11.18 | 3.30-4.15pm ('Theories of the Earth' study day event runs 10.30am-4.30pm) Luce Choules presents a live performance lecture 'The Glacier and the Rock' using spoken word, projected imagery and literary readings. The artist will take the audience on a poetic journey to the high features of Alpine France. Made during a decade-long study in the Haute-Savoie, this mesmerising work explores art and ecology, environmental change and the contemporary wilderness. This work is shown as part of the 'Theories of the Earth' study day organised by Groundwork Gallery to explore the interactions between history, science and artistic practice. "What are theories of the earth? What do all the terms mean? Is theory useful? What is relationship between theory and practice? A number of experts involved in disciplines relevant to Theories of the Earth – art, science and environment – will talk to us about theory and how it relates to practice." Presenters include: Bergit Arends, Wayne Binitie, Flora Bowden, Luce Choules, Tim Holt-Wilson, and Professor Colin Waters. Read …
The Archive of the Trees – exhibition
Fineshade Wood, UK (postcode NN17 3BB) 15.09.18 – 15.12.18 The exhibition 'The Archive of the Trees', by artist Edwina fitzPatrick, in the newly refurbished Arches space at Fineshade Wood features two-sided vertical prints, which reveal both the bark and the insides of the cored trees. Read more
Saffron Screen Community Cinema, Saffron Walden, UK 09.09.18 | 5-6.30pm Luce Choules presents a live performance event 'The Lake and the Island' using spoken word, projected imagery and literary readings. The artist will take the audience on a poetic journey to a remote island in Lake Superior USA. Read more Rabbit Island Foundation – website The content for this performance lecture was developed during a month-long supported solo residency on Rabbit Island USA in 2016. It was originally delivered during the opening week of the Rabbit Island Residents 2016 exhibition at the DeVos Art Museum, Michigan USA, in 2017.
Artist talk – Edwina fitzPatrick
Fineshade Wood, UK 10.07.18 | 7-8.30pm As part of her art project 'the archive of the trees' situated in Fineshade Wood, Edwina will be speaking about our perceptions about the weather and climate change with Asher Minns, Director of the Tyndall Centre for Climate Change Research. Read more The Forest is the Museum – Fermynwoods This is the first of four Arts Council England funded The Forest is the Museum art projects in Fineshade Wood. Commissioned by Fermynwoods Contemporary Art working with the Central England Forest District. The event is free, but you need to book.
Gonzaga Gomez-Cortazar
Artist Gonzaga Gomez-Cortazar is now part of the TSOEG network. Gonzaga Gómez-Cortázar is a Spanish artist working with photography and film. His practice is primarily concerned with the relationship between natural light and the fugacity of time. He focuses on landscapes, spaces and objects associated with daily life. Sunlight – whether direct or reflected – makes his subjects emerge from the shadows. Read more
Museu Molí Paperer de Capellades, Barcelona, Spain 17.06.18 – 09.09.18 'Esparto: new ground'. Сurators: Luce Choules and Victória Rabal. Artists: Lorena Álvarez, Pedro Cano, Yamandú Canosa, Luce Choules, Ramon Enrich, Rob and Harriet Fraser, Gonzaga Gómez-Cortázar, Laura Harrington, Sigrid Holmwood, E. Jackson, Anna Macleod, Melissa Marks, Pedro Ortuño, Corinne Silva, and Noemí Yepes. Read more


With more than 200 installations during past 3 years, the Box concept has successfully utilized video mapping, advanced soundscapes, and scent- marketing techniques in various tourism and hospitality locations.
Captivating storytelling with 360 degree High-Definition projection of images, computer graphics and videos.
Immersion to narrative storyline through multisensory stimuli.
Gesture based interaction with the content.
Standalone operation without technical maintenance.
Modification of existing audio-visual material (video, images, computer graphics, sounds) into immersive 360 format to fit into the Box.
Bespoke multimedia, and video production for the Box environment.
Maintenance, and required updates throughout the event.
Reasonably priced and stress-free approach to promote your products, services and company heritage at any commercial environment.


Chavan, V. 2011. IndOBIS, Indian Ocean Node of OBIS. Data downloaded from OBIS-SEAMAP (http://seamap.env.duke.edu/dataset/103150071) on yyyy-mm-dd and originated from iOBIS (http:www.iobis.org).
IndOBIS (Indian Ocean Node of OBIS) is one of the seven regional nodes established by the Ocean Biogeographic Information System (OBIS), which is data and information component of Census of Marine Life (CoML).
. . Chavan, VIshwas and C. T. Achuthankutty (editors), IndOBIS Catalogue of Life, Available at http://www.indobis.org/, Retrived day, date, year.
Data on iOBIS. . http://iobis.org/mapper/?resource_id=71. obtained on 2011-10-11.
Original data source. . http://www.iobis.org/. obtained on.


text:
AdvertisingCampaignsMarketing
14/02/2018 Wed 11:57 in Global by Vivienne Tay
Love is in the air as Old Spice parodies dramatic fragrance ads
Old Spice has released a series of ad spots leading up to Valentine's Day to promote its Ambassador body wash and "We Make Scents for Men" tagline.
The spots parody typical fragrance ads which often see a man and a woman chasing after one another in a manner which is sensual or primal.
Called "Marco Love-O", the first spot showcases two individuals running around in different locations inside what seems to be a mansion, while screaming out the words "Old" and "Spice". The video concludes with common phrases often seen in fragrance ads such as "Today", "Tomorrow" and "Forever", cheekily taking a stab at how nonsensical it sounds sometimes.
Since its posting on 11 February 2018 on YouTube, the spot garnered 1,435,985 views, over 4,000 likes and 2,000 dislikes, with many netizens both praising the ad and showcasing their confusion. If you thought the video itself was elaborate, so was its YouTube description – which served to provide a back story to the two protagonists which was even more confusing.
Watch both spots here:
The second spot showcases the same two talents meeting eyes across the room wearing masks with the woman narrating with a French accent asking about the mystery which is the man. She approaches the man and attempts to take off his mask, only for more masks to keep appearing in true Russian-doll fashion – from party masks, sleeping masks and even cucumbers. The spot garnered 24,512 views, 685 likes and 54 dislikes at the time of writing.
The ads come two weeks after another viral ad that Old Spice produced which was shot entirely in French. This saw the same talent from the two videos reminiscing about an old love, played by the same actor, who wore the scent of Old Spice's Captain product. In the spot, the woman realises her dog named "Old Spice" went missing and proceeds to conduct an elaborate and ardent search along with her female friends in the neighbourhood.
Despite raising eyebrows from netizens, the ad garnered 2,197,666 views, over 9,000 likes and 4,000 dislikes at the time of writing.
COURTS MY revenue dips, Asia ops sees drop in marketing expenses
BBDO Malaysia parts ways with ECD VJ Anand
04/12/2013 Fri 16:51 PM in Philippines by Oliver Bayani
EQ Diapers offends city with Lapu-Lapu spoof
Lapu-Lapu City Mayor Paz Radaza is asking EQ diapers to pullout its TV commercial she declared as a "mockery" of one of the countr..
05/17/2016 Tue 11:56 AM in Hong Kong by Staff Writer
Alibaba vows to fight counterfeits despite being removed from IACC
The Chinese e-commerce giant vows to keep fighting counterfeit goods despite the recent events...
08/25/2015 Tue 10:58 AM in Singapore by Noreen Ismail
JWT appoints director of business development
He joins the agency from DDB. More here. ..
02/27/2018 Tue 18:24 PM in Indonesia by Vivienne Tay
Meet the CEOs: Havas Group Indonesia's Anwesh Bose
Bose gets candid about his experiences in the advertising industry so far and how he is a "wannabe Millennial"...
07/22/2016 Fri 11:08 AM in Singapore by Vivienne Tay
Qoo10 picks PR partner
Qoo10's parent company is Giosis Singapore, a joint venture company formed with eBay...

redpajama_set_name: RedPajamaCommonCrawl


text:
class Steer
{
public:
	Steer(void);
	~Steer(void);

	//seek target vector
	static Vector2 Seek(Vector2 target, Enemy& boid);
	//calculate separation force based on nearby boids
	static Vector2 Separate(std::vector<Enemy*>& others, Enemy& boid, float separation);
	//calculate alignment force based on nearby boids
	static Vector2 Align(std::vector<Enemy*>& others, Enemy& boid, float dist);

	//collection of boids (member of Steer for utility and ease of access)
	static std::vector<Enemy*> Boids;
};

#endif

redpajama_set_name: RedPajamaGithub


text:
Q: printf "%.3f" ${variable with newlines} - error with \n Like HERE I have a file.csv with numbers in quotes:
"0.2"
"0.3339"
"0.111111"

To round the number (3 decimals) this solutions works great:
printf "%.03f\n" $(sed 's/\"//g' file.csv)

But now I want to store sed 's/\"//g' file.csv as a variable
var_sed=$(sed 's/\"//g' file.csv);
printf "%.03f\n" ${var_sed}

Doesn't work. The output is
zsh: bad math expression: operator expected at `0.3339\n0.1...'
0.000

So the problem is that var_sed passes \n to printf "%.03f\n".
The only solution I know is:
var_sed=$(sed 's/\"//g' file.csv);
printf "%.03f\n" $(echo ${var_sed})

*

*Maybe there is a cleaner way.

*Also I want to put printf "%.03f\n" in a function like this:

printf_function () { printf "%.03f\n" $1;}

But this is not working:
printf_function () { printf "%.03f\n" $1;};
var_sed=$(sed 's/\"//g' file.csv);
printf_function ${var_sed}

also printf_function $(echo ${var_sed}) is not working.
____________________________________________________________
Why I try to save the file in a variable?
____________________________________________________________
The truth is that I actually want to put the sed command in a function. I'm sorry I put this as a variable to (try to) simplify the problem.
My script is
sed_01 () { sed 's/\"$// ; s/^\"// ; s/something_else//g' $1;};
printf_03 () { printf "%.03f\n" $1;};
printf_03 "$(sed_01 file.csv)"

as mentioned in the comments below, it works in bash.
output:
"0.200"
"0.334"
"0.111"

but in zsh the output: is:
printf_03: bad math expression: operator expected at `0.3339\n0.1...'
0.000

A:
printf "%.03f\n" $(sed 's/\"//g' file.csv)

var_sed=$(sed 's/\"//g' file.csv);
printf "%.03f\n" ${var_sed}

This relies on word splitting to give the numbers to printf as separate arguments. The thing is, that zsh has dropped automatic word splitting as a silly remnant of the past, and doesn't do it for variable expansions. But it does do it for command substitutions, for whatever reason.
There's also no splitting when assigning from the command substitution to a regular scalar variable, so the newlines in the output of sed get saved in the variable.
That's why your code works with the command substitution, but not with the intermediate variable.
If you do need to load the values in a variable first (and you don't for just printing), consider storing them in an array (zsh):
lines=("${(f)$(sed 's/\"//g' file.csv)}")
printf "%.03f\n" $lines

in Bash, you'd use readarray/mapfile:
mapfile -t lines < <(sed 's/\"//g' file.csv)
printf "%.03f\n" "${lines[@]}"

Or if you want something that mostly works in either, you'll have to rely on word splitting again:
lines=( $(sed 's/\"//g' file.csv) )
printf "%.03f\n" "${lines[@]}"

Note the parentheses, they make that an array assignment, so word splitting again happens. ("mostly" including the usual caveats of a modified IFS affecting the behaviour, and filename globbing also happening.)

Then again, something like this might be easier done with just AWK:
$ awk '{gsub(/"/, ""); printf "%.03f\n", $1}' file.csv
0.200
0.334
0.111

redpajama_set_name: RedPajamaStackExchange


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text:
Q: Deploying war file into managed weblogic server to the given path location I am using the Ant wldeploy task to deploy a war file.
It is working fine, but the war file path in the deployed server is set to something like
servers/myadminservername/upload/mywarfilename/app

Instead, I would like to set this path myself in the Ant buildfile.
Can any one please help me with that?
The task I am using for this is:
<wldeploy action="deploy" verbose="false" debug="true"
          name="ClientProfileSyncPortTypeImplV8"
          source="${results.war.file.dir}/ClientProfileSyncPortTypeImplV8.war"
          upload="true" adminurl="t3://${serverip}:${port}"
          user="${admin_id}"
          password="${admin_pw}"
          usenonexclusivelock="${lock}"
          targets="${target_managed1}">
</wldeploy>

A: I think you can edit the config.xml and specify the path of your deployment.

A: The upload, targets and stage / nostage / externalstage attributes of the wldeploy task give some control over where the deployment is made to.

A: I ended up deleting the app and the deploying it from ant, accepting the path it chooses. Now I can deploy and redeploy just fine.  It's really neither here nor there to me where the ear lives - I was just sad that when I deployed in the UI I couldn't redeploy using ant.

A: I know this is an old post but I have a partial solution for anyone who stumbles across this question
From the path: "domain/servers/myadminservername/upload/mywarfilename/app" you can change the first part of this (You can edit the "servers/myadminservername/upload") to go to any directory relative to the WLS domain.
Go to the Administrator Console (using:  serverIP:serverPort/console) and in the left hand side follow the tree:
environment -> servers -> (AdminServerName) -> Configuration -> Deployment -> Upload Directory Name
The "Upload Directory Name" can contain a path to a directory that is relative to the domain.
So at least "domain/servers/myadminservername/upload/mywarfilename/app" can become "domain/path_of_your_choice/mywarfilename/app"
Hope this helps someone


text:
Time 'is rapidly running out to save oceans'
By Angeli Mehta on Sep 1, 2020
Protecting at least 30% of oceans by 2030 is critical to prevent the collapse of Earth's life-support system, but with destructive activities like bottom-trawling happening even in the 7% of areas that are meant to be protected, the challenge is huge. Angeli Mehta reports
It's not an overstatement to say that our oceans are in crisis. Warming waters and ocean acidification caused by greenhouse gas emissions; fertiliser run-off creating dead zones where there's no oxygen for life to survive, and over-fishing are all contributing to the destruction of biodiversity and loss of the ocean's ability to mitigate climate change by storing carbon.
Research done for the High Level Panel for Sustainable Ocean Economy highlights the crucial role played by oceans, which account for 70% of the planet's surface. It sets out ocean-based climate action that will cumulatively contribute as much as 21% of the emissions reduction needed to put us on a 1.5 degree pathway. These include sustainable seafood production; ocean-based renewable energies; the greening of shipping, and the conservation of mangroves and seagrass that store carbon.
To meet the goals of the Paris climate change agreement, a big proportion of the ocean has to be returned to a natural state, according to the Global Deal for Nature, a paper that sets a science-based target of protecting at least 30% of land and oceans by 2030.
If we are to prevent a massive extinction we need half of the planet in a natural state
The 30% protection goal is at the heart of the UN Convention on Biological Diversity, which was supposed to be negotiated this autumn, but has now been put off to 2021 because of the pandemic.
Enric Sala, marine ecologist with National Geographic and co-author of the Global Deal, describes 30% as a stepping stone. "If we are to prevent a massive extinction and the collapse of our life-support system we need half of the planet in a natural state."
It seems a highly ambitious target, given that an agreement reached 10 years ago to protect 10% of the oceans by 2020 looks unlikely to be met, with just 7% protected by 2019. In the meantime, stocks have been declining rapidly. An international study of 1,300 species of fish and invertebrates found that 82% were being removed faster than they could repopulate.
The global market for seafood is causing fish to be removed faster than they can repopulate. (Credit: Damir Sagolj/Reuters)
This summer, conservationists have watched in horror as hundreds of Chinese-flagged vessels have fished just outside the protected zone of the Galapagos. Ecuador's navy can do nothing but observe, a task made harder when many of the vessels began switching off electronic systems that allow their movements to be detected. China's distant water fleet accounted for about 15% of global fishing catch in 2018, and China is the worst offender for illegal, unreported and unregulated (IUU) fishing, according to a global index published in 2019.
The governance of the high seas – those waters that lie beyond nations' 200-mile exclusion zones, where most fishing is done – is patchy. For some years the United Nations has been brokering discussions on a legally binding treaty that would conserve biodiversity in areas beyond national jurisdictions, "but we don't have it yet," observes Sala. The EU says it will push for such an agreement, as well as the creation of three vast Marine Protected Areas in the Southern Ocean.
"When the Law of the Sea was passed in 1982, nobody would have thought that there would be this massive pressure in the high seas and on the edge of exclusive economic zones everywhere, like there is now. And conservation was barely mentioned, it was all about exploration and exploitation," explains Sala. Again the pandemic has put paid to a treaty, for now. Not only have countries to agree which fragile ecosystems to protect, but how to share in the benefits of marine genetic resources.
We have 70 years of experience with contemporary fisheries management. And, sorry, it's not working
"There is a myth that protected areas in the ocean will harm fishing, and the fishing industry is saying 'if we manage them [fisheries] well, we don't need protected areas'. Well, we have 70 years of experience with contemporary fisheries management. And, sorry, [but] it's not working except for a few examples," asserts Sala.
Today, just 2.5% of the oceans are fully protected, but there is evidence that fully protected areas help replenish the oceans. Most recently, an analysis of 23 fully protected areas showed a spill-over of higher biomass and abundance of stocks up to 200 miles outside them.
So, where should the 30% of protected ocean be?
"In an ideal world, we would be looking at global priorities across the entire ocean, but in practical terms, it's going to be every country that decides how much and what to protect," says Sala.
A Chinese fishing boat off the Galapagos is circled by a vessel from Ecuador's navy. (Credit: Santiago Arcos/Reuters)
"There are countries that have resources that are globally more important, so they would have to protect more than 30%; other countries will be fine protecting less than 30%." Most of the effort will be within economic exclusion zones of coastal countries.
To pay for the replenishment of nature, subsidies need to be redirected. The world had agreed to eliminate or reform subsidies that harm biodiversity by this year – but that has been another missed target.
"Five hundred billion dollars per year are spent subsidising industries that destroy nature or pollute our environment. [Whereas] the annual investment for managing 30% of the planet's protection will be $140bn. We're spending three times more to subsidise activities that destroy our life-support system than what it would cost to protect a third of our planet. Notwithstanding, of course, that the benefits are going to outweigh the cost," states Sala.
Bottom-trawling would not be commercially viable were it not subsidised
Indeed, he adds, one of the most destructive types of fishing – bottom-trawling – would not be commercially viable were it not subsidised.
Sala and colleagues have just published the first maps of the carbon stocks in marine sediment. "We found that the top metre of the sediment on the sea floor has more than twice the amount of carbon of the soils of the land."
Some of that carbon will be disturbed by bottom trawling, and in the future by deep sea mining, although carbon emissions of such activities are not included in any country's carbon accounts, he points out.
A recently completed review recommending the creation of highly protected marine areas (HPMAs) in UK waters concluded that one of the criteria for their selection should be to protect habitats that help capture carbon, such as seagrass. HPMAs would conserve all species and habitats within their boundaries, including passing migratory species. Pilots would test how to introduce, manage and evaluate them.
There is much to learn from a small no-take zone instituted by a coastal community in Lamlash Bay in the Firth of Clyde on the west coast of Scotland. A recent study suggests there's been a big boost in biodiversity since fishing stopped in 2008, with numbers and density of creatures like lobsters and scallops some four-fold higher than 10 years ago.
While 12.4% of the EU marine area is designated as marine protected areas, many are poorly managed and don't actually prevent bottom-trawling. The EU's own assessment suggests about 79% of Europe's coastal seabed and 43% of the shelf area is physically disturbed, mainly as a result of bottom-trawling. A 2019 report from found that trawling intensity was actually higher within marine protected areas than outside them.
We need to allow biodiversity to flourish, not only through marine protected areas, but by managing sustainable activities
Perhaps it's not surprising, then, that the EU hasn't met its goal of halting biodiversity loss in the decade to 2020. However, a new strategy, launched during the pandemic, and billed as a central element of the bloc's recovery plan, takes a much more holistic view of the environment and considers all the pressures on the oceans.
"We need to allow biodiversity to flourish, not only through Marine Protected Areas, but by managing sustainable activities, either fisheries or energy production, and all activities on land that produce pollution, like agriculture, chemicals, and pharmaceuticals that pollute the ocean," says Vivian Loonela, the Commission's spokesperson for the European Green Deal. Quantitative targets are to be developed over the next year.
The question is whether all these efforts can be harnessed in time to preserve Earth's life-support systems. There are some encouraging signs. This year the Pacific islands of Palau implemented a National Marine Sanctuary that will fully protect 80% of its waters, the Seychelles committed to protect 30% of its waters, and Chile – a big fishing nation – expanded protection to 42% of its waters. But many more nations need to step up.
Main picture credit: Pierre Gleizes/Greenpeace
This article is part of our in-depth briefing, Sustainable oceans. See also:
Using blockchain to bring transparency from sea to plate
Can sustainable aquaculture feed the world?
Big data employed to increase traceability in bid to to save the big blue sea
ESG investors slow to make waves in the $2.5tn ocean economy
Fashion 'slow to act on ocean plastic pollution from microfibres'
Soaring growth in offshore renewables puts wind in the sails of the energy transition
sustainable fishing over-fishing bottom-trawling SDG14 Paris Agreement Galapagos Marine Protected Areas Lamlash Bay EU Green Deal
ESG Watch: Including gas in Europe's green investment...
Policy Watch: Courts question whether oil and gas expan...
'With 60% of global funds aligned with 2.75C, the ...
Making the impossible possible: The blueprint for decar...


It is a pleasure to share my story and introduce our team.
My passion is serving others and helping them find balance in their lives. Perfect Balance grew out of my desire to support my clients and to create a team of professionals who share my passion for service to clients and the community.
My husband Glenn and I have built Perfect Balance (formerly LFC, Inc.) around providing personal and professional services to clients. The business has grown to include professional organizing, bookkeeping, personal assistance, PC support, home management, concierge services, and moving support. The Perfect Balance Team brings a diverse set of skills and each team member is accomplished in their area of specialty, with hundreds of hours helping clients to achieve their goals.
My "Perfect Balance" is found when I am spending time with Glenn and our family, reading, being at the beach, and creating jewelry.
Over the years, I have been fortunate to have team members who share my love of caring for people — several of whom have been with me over 10 years. With this team, we now offer services for your personal life and your professional life. Our goal at Perfect Balance is to be your one-stop service provider for organizing your life and balancing your success.
Those we serve to "Give Back"
We would welcome an opportunity to learn more about you and how we may be of service. Please call us or send a note so we may schedule your complimentary initial consultation. We sincerely appreciate your interest in Perfect Balance.
Meet the people who will bring more balance to your life.
so we would like for you to get to know us.
to the opportunity to build a long-lasting relationship with you.
Glenn joined his wife Jessie at the helm of Perfect Balance in 2006. Glenn's expertise is home management. He will take care of your home, set up, maintain and repair your home computers and other electronics, and perform any variety of handyman tasks.
His years of experience with computers make him a natural with your home systems. Take the stress out of setting up that new PC, running maintenance programs or fixing what doesn't work. Glenn will also set up, move or reconnect your sensitive electronic equipment.
Glenn's easy-going personality makes him a joy to have working around your house, managing the odd jobs which can easily take up your free time. He is professional and very thorough.
Glenn lives in Hillsborough. He grew up near the beaches of Florida where he enjoyed surfing and diving. He finds "Perfect Balance" when he's with his family, spending time with his grandson, and enjoying quiet time at the beach.
Al joined the Perfect Balance team in 2016, from Virtual Office America. He brings with him over 30 years of bookkeeping experience. His eye for detail and knowledge of accounting are an asset for his specific business clients and all of Perfect Balance's business and personal clients.
Al supports a variety of clients including for-profit and non-profit businesses; small and mid-sized businesses, as well as individuals. He brings a solid knowledge of accounting and good relationships with CPA's to our team and to the benefit of the clients he supports. Al also works with clients on their grand accounting and reporting.
In addition to bookkeeping, Al has worked as a CPA at a Big 8 Accounting firm, as well as a Controller.
Al and his wife have three grown children between them and they enjoy their "Perfect Balance" is found when spending time with their grandchildren. Al is an avid sports watcher, golfer, and Baseball memorabilia collector.
Charlotte creates and conducts customized programs for clients seeking to excel in business communication, leadership development, and customer service. Her client list includes small family-owned businesses, global corporations, non-profit organizations, college students, and professionals at all levels of their careers.
Each year, Charlotte influences over 1 million customer interactions through her coaching and consulting programs. She views it as a special honor that nearly 100% of all requests for her services come through repeat business and referrals.
In 2013, Charlotte and Renee Staehle were invited to create the Perfect Balance Professional Services Group. Together, they provide communication consulting, coaching, speaking, and training services for Perfect Balance clients.
Charlotte finds "Perfect Balance" when she is with her family, listening to her favorite music, and visiting her beloved hometown, Tuscaloosa, Alabama.
Deborah joined Perfect Balance in 2016 to provide administrative support to our Team as well as our clients. She manages projects for clients with a complex array of company profiles and assists the Perfect Balance bookkeepers with fund and data base management.
Deborah provides for our clients the same support that an in-house Executive Assistant would provide. She manages projects -- both large and small -- to help our clients achieve balance in their personal and professional lives.
Deborah has a wealth of previous experience working as a PR, Marketing and Event Organization executive, managing accounts of large European companies for a UK based PR firm. She has also worked as an executive assistant for the Director of Design for a London based contemporary home retailer. Her experience in these areas are carried forward into the services she carries out for Perfect Balance clients.
Deborah finds her "Perfect Balance" when spending time in the garden of her Durham home, walking her dog, and being busy with her new venture as an amateur beekeeper. She also stays busy keeping her two teenage children and husband organized.
Fred is proud to join Perfect Balance, serving as the Coordinator for the Concierge Team. He is pleased to partner with Jessie and Glenn and the team. "The best part of my day is hearing from clients so I can begin the process of matching them with Perfect Balance team members."
Fred has had extensive experience in business operations: In logistics with a courier company, as Purvis Communications Inc. business owner, and as a special assistant to a touring choir director. He enjoys taking on projects of any size, managing the process, and knowing that he has made a positive difference in the lives of clients.
Fred is especially proud to be a "concierge" to his adult children and their families. He receives rave reviews from his family for the level of service he provides and he is in high demand (just ask his children!). It is with his family that he finds his "Perfect Balance" -- and when he's watching his favorite sports and classic shows on television.
Gwendolyn's passion is helping people live fulfilled lives and focus on what matters most to them. She knows what time means to busy people and assists in handling life's business with kind care and efficiency. Gwendolyn can relate to her clients and their need for balance: She raised two children while operating a farm and working for non-profit organizations. She has coordinated a university research program and ran a consulting and coaching business.
Additionally, Gwendolyn applies her degree in Human Development and training in therapeutic coaching to assist clients in times of emotional transitions, including death of a loved one, divorce, illness, career changes, and big moves, particularly downsizing. Clients who want to clear their closets of clothes and accessories that no longer serve them will appreciate Gwendolyn's experience as an image consultant.
Gwendolyn received her BA in Sociology and Anthropology at Carleton College, and her Masters in Human Development from St. Mary's University, both in Minnesota. She is also a Certified Therapeutic and Somatic Coach and a Certified Trauma Professional working to help people release trauma and challenging emotional responses.
Her "Perfect Balance" is found when she puts her energy into the following causes: Compassionate divorce and co-parenting, healthy food access for under-served communities, sustainability and agro-ecology, and work with global communities.
Lydia spent over six years in housekeeping at the prestigious Arrowhead Inn Bed & Breakfast, where she moved up to Lead Housekeeper, before coming to work for Perfect Balance clients. Lydia's work at the Inn exemplified the highest standards, adhered to with a very personal touch. Now, she uses the same standards of perfection on her clients' homes and offices. Lydia is meticulous in her cleaning but that's not all she does. Her goal is to create a more pleasant environment for her clients by cleaning, performing daily organizing tasks, and generally leaving the place more orderly. She gets to know her clients' standards and preferences so that she can work proactively.
Having Lydia's energy in your home or office will immediately bring about a sense of balance, calmness, and serenity.
Lydia's "Perfect Balance" is found during her spare time -- especially when she's gardening and crafting. She has lived in the Durham area for over 20 years and is an active member of the Rougemont community -- she is a member of the Rougemont Ruritan Club, the Homemaker's Extension Club and is actively involved in her church.
Patty has joined the Perfect Balance team to head up the Corporate Concierge Services we now offer. Her goal with this new project is to provide concierge and personal assistant services to individuals seamlessly through their living communities. Patty builds relationships with property managers so that tenants can access our services with little additional effort. This type of relationship building is natural for Patty who has been in sales for the last 30 years.
For the past 10 years, Patty has been in Real Estate sales and Property Management. She knows the Triangle market well and thoroughly enjoys working with people to help them find their place in the area she calls home.
Patty finds "Perfect Balance" in her role when she knows that she has met and exceeded her clients' expectations.
Renee has long had a passion for organizing and has been fortunate to be able to fine-tune her business organizing skills through a variety of career positions over the years. Prior to becoming a professional organizer, Renee had a successful career in public relations — managing print and electronic publishing and special events and working as a free-lance writer. She earned a Master's degree in business and communication from Syracuse University.
Since joining Perfect Balance in 2006, Renee has served non-profits, small business owners and those with at-home offices, as well as individuals in their homes. She is especially adept at helping clients through transitions in their lives -- moving, changes in business structure or family life, and new businesses.
Sherry serves as bookkeeper to small business owners and oversees a variety of office management tasks including collections, data entry, and payroll. She handles the "behind the scenes" details allowing her clients' businesses to flourish. Many of Sherry's clients also use her services for their personal finances.
Her prior work background is in data entry, including several years as a supervisor at Duke University. She started running the administrative end of her husband's business in order to spend more time with her family. She has worked with him for over 20 years, running a home building, cabinet building and rental property business.
"I enjoy learning about our clients' businesses while helping them move forward. I also enjoy working in our office. It is especially rewarding to solve problems for our clients and see jobs through to completion." Sherry works out of the Perfect Balance offices as well as on-site at clients' businesses.
Sherry and her husband live in Durham. Her two sons are grown; one of them lives in Chicago, the other lives here in Durham. Sherry enjoys "Perfect Balance" when she is with her four grandchildren, knitting, painting glass, and swimming.
Sunflowers are my favorites. You will notice them throughout the website. Sunflowers are full of life -- just like the members of our Perfect Balance Team. They represent longevity and loyalty. That is a reminder of our business -- we're celebrating 20 years and I am more committed than ever to our loyal clients.
We invite you to visit us in Durham where you will notice sunflowers featured throughout our office as well.


text:
package com.intellij.internal;

import com.intellij.openapi.actionSystem.AnAction;
import com.intellij.openapi.actionSystem.AnActionEvent;
import com.intellij.openapi.actionSystem.CommonDataKeys;
import com.intellij.openapi.application.ex.ApplicationEx;
import com.intellij.openapi.application.ex.ApplicationManagerEx;
import consulo.logging.Logger;
import com.intellij.openapi.progress.ProgressManager;
import com.intellij.openapi.project.DumbAware;
import com.intellij.openapi.util.io.FileUtil;
import com.intellij.openapi.util.text.StringUtil;
import com.intellij.openapi.vfs.VFileProperty;
import com.intellij.openapi.vfs.VirtualFile;
import com.intellij.openapi.vfs.newvfs.ManagingFS;
import com.intellij.openapi.vfs.newvfs.NewVirtualFile;
import com.intellij.openapi.vfs.newvfs.persistent.PersistentFS;
import javax.annotation.Nonnull;

import java.io.DataInputStream;
import java.io.IOException;
import java.io.InputStream;
import java.util.Collection;
import java.util.concurrent.atomic.AtomicInteger;
import java.util.concurrent.atomic.AtomicLong;

@SuppressWarnings("UseOfSystemOutOrSystemErr")
public class LoadAllVfsStoredContentsAction extends AnAction implements DumbAware {
  private static final Logger LOG = Logger.getInstance(LoadAllVfsStoredContentsAction.class);

  private final AtomicInteger count = new AtomicInteger();
  private final AtomicLong totalSize = new AtomicLong();

  public LoadAllVfsStoredContentsAction() {
    super("Load All VirtualFiles Content", "Measure virtualFile.contentsToByteArray() for all virtual files stored in the VFS", null);
  }

  @Override
  public void actionPerformed(@Nonnull AnActionEvent e) {
    ApplicationEx application = ApplicationManagerEx.getApplicationEx();
    String m = "Started loading content";
    LOG.info(m);
    System.out.println(m);
    long start = System.currentTimeMillis();

    count.set(0);
    totalSize.set(0);
    application.runProcessWithProgressSynchronously(() -> {
      PersistentFS vfs = (PersistentFS)application.getComponent(ManagingFS.class);
      VirtualFile[] roots = vfs.getRoots();
      for (VirtualFile root : roots) {
        iterateCached(root);
      }
    }, "Loading", false, null);

    long end = System.currentTimeMillis();
    String message = "Finished loading content of " + count + " files. " + "Total size=" + StringUtil.formatFileSize(totalSize.get()) + ". " + "Elapsed=" + ((end - start) / 1000) + "sec.";
    LOG.info(message);
    System.out.println(message);
  }

  private void iterateCached(VirtualFile root) {
    processFile((NewVirtualFile)root);
    Collection<VirtualFile> children = ((NewVirtualFile)root).getCachedChildren();
    for (VirtualFile child : children) {
      iterateCached(child);
    }
  }

  public boolean processFile(NewVirtualFile file) {
    if (file.isDirectory() || file.is(VFileProperty.SPECIAL)) {
      return true;
    }
    try {
      try (InputStream stream = PersistentFS.getInstance().getInputStream(file)) {
        // check if it's really cached in VFS
        if (!(stream instanceof DataInputStream)) return true;
        byte[] bytes = FileUtil.loadBytes(stream);
        totalSize.addAndGet(bytes.length);
        count.incrementAndGet();
        ProgressManager.getInstance().getProgressIndicator().setText(file.getPresentableUrl());
      }
    }
    catch (IOException e) {
      LOG.error(e);
    }
    return true;
  }

  @Override
  public void update(@Nonnull final AnActionEvent e) {
    e.getPresentation().setEnabled(e.getData(CommonDataKeys.PROJECT) != null);
  }
}


text:
package com.dslplatform.json;

import com.dslplatform.client.TreePath;
import org.junit.Assert;
import org.junit.Rule;
import org.junit.Test;
import org.junit.rules.ExpectedException;

import java.io.IOException;

public class TreePathConverterTest {
	@Test
	public void testSerialization() throws IOException {
		final JsonWriter jw = new JsonWriter(null);

		final TreePath expectedPath = new TreePath("abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ0123456789.abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ0123456789abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ0123456789.abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ0123456789abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ0123456789abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ0123456789.abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ0123456789abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ0123456789abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ0123456789abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ0123456789");
		final String expectedJson = "\"" + expectedPath + "\"";

		TreePathConverter.serialize(expectedPath, jw);
		final String serializedJson = new String(jw.getByteBuffer(), 0, jw.size(), "UTF-8");
		Assert.assertEquals(expectedJson, serializedJson);

		final JsonReader jr = new JsonReader(jw.getByteBuffer(), null);
		jr.getNextToken();
		final TreePath deserializedPath = TreePathConverter.deserialize(jr);
		Assert.assertEquals(expectedPath, deserializedPath);
	}

	@Rule
	public ExpectedException thrown = ExpectedException.none();

	@Test
	public void testDeserializationErrors() throws IOException {
		final String malformedTreePathJson = "\"opr.s\u0161t.uvz\"";
		final JsonReader jr = new JsonReader(malformedTreePathJson.getBytes("UTF-8"), null);
		jr.getNextToken();
		thrown.expect(IllegalArgumentException.class);
		thrown.expectMessage("Invalid value for part: s\u0161t. Only [A-Za-z0-9] allowed for labels");
		TreePathConverter.deserialize(jr);
	}
}


text:
Risks and hazards
Transport accidents
Transport accidents are the most regular of all emergency situations, with their sudden and unexpected nature requiring a rapid and co-ordinated response from the emergency services. They occur across the UK on a daily basis, mainly on roads involving private vehicles, and well-practised plans are in place to deal with these at the local level. Thankfully major transport accidents which have such a significant impact on the community and require a major coordinated response are rare.
Within Harrogate district there is a developed road network with the A1M and A19 seeing high volumes of traffic and also serving as an arterial route for hazardous loads from the industrial and petrochemical centres in the North East. The A59 serves as a major East-West link and sees dangerous cargos using the route.
The Harrogate Line runs from Leeds to York and has 12 stations along the route. Although not a high speed route, there are many unmanned crossings within the district. There have been several incident over the last few years with training colliding with vehicles, in 2015 a tractor was struck outside of Knaresborough and later in the year another train derailed on the line between Knaresborough and Harrogate, neither event thankfully resulting in any major injuries.
While the district does not accommodate a major air hub, parts of the district do site under the approach and take-off lanes for Leeds/Bradford International Airport. In May 1995 a Bandierante crashed close to Dunkeswick with the loss of all 12 on board.
The more recent, smaller-scale incidents include the Vauxhall helicopter crash in London on 13 January 2013, resulting in the deaths of the pilot and a passer-by struck by falling debris, and the Glasgow helicopter crash of 29 November 2013, where an aircraft lost power and crashed, killing 3 crew members and 7 individuals on the ground.
All transport sector operators have plans that cover a range of possible incidents, including those most likely to create a wider impact. These plans include the diversion of resources where possible (based on safety and operational requirements). The response by the emergency responders to such events is covered by their existing arrangements for responding to other types of major incidents.


This week marked the start of the Cannes Film Festival, which means that those of us stuck in America have plenty of reasons to be envious of the beautiful people strutting their stuff on the French Riviera.
First off, let Nicole Kidman welcome you to the festival. Her film, Grace of Monaco, opened the thing up, after all, and even godawful reviews can't stop a movie star from bringing the glamour to a photo call.
Not all Cannes attendees grin and bear it, even when their films get good reviews. Case in point, this portrait of Mike Leigh, whose Mr. Turner is one of the festival's hits.
At least Rosario Dawson, who is in The Captive, seems to be having a great time.
...only Jury president Jane Campion looked cooler, striking the same pose.
Speaking of the jury, here they all are, dolled up on the red carpet for the opening ceremony and Grace of Monaco screening.
Also, wowing on the fashion front? Kendall Jenner. Yes, Jenner has made it big enough that she gets to be one of the models attending the film festival for no immediately apparent reason.
But because this is Cannes there are also some wacky fashions. See, for instance, Karlie Kloss in this Valentino.
And then there's this man dressed as Charlie Chaplin.
Also on display, Toothless, the dragon from How to Train Your Dragon 2, part of this year's "Katzenberg stunt."
And while we're on the subject of bold promotional gestures, here's what the hotel Majestic Barriere looks like.


text:
Q: Ember JS to bind helpers inside specific div Here I am facing the problem to bind my Ember.TextField into

 through IndexController without using template format. Because it appearing at the end of my code.
Here is my Template

**Here is my Controller**

App = Ember.Application.create();
App.IndexController = Ember.ObjectController.extend({
    actions: {
        select: function(param1, param2) {

               Ember.TextField.create({

                    classNames: ['btn btn-sm btn-danger glyphicon glyphicon-pencil'],

                    type:               'button',
                    attributeBindings:  ['value'],  value:  "New Button",
                    action:  '{{formeditchangefinder}}' ,
                    onEvent: 'click',

                    //attributeBindings:  ['on'],  on:  ['click']

                   eventManager: Ember.Object.create({
                       click: function(event, view) {
                           alert("working"+elementname);

                       }
                   })

                }).append();

        }
    }
});

Here I have attached the following thing in JS-Bin http://jsbin.com/dupagi/1/

A: If I got your question correct -
check out this Demo
Basically you have to give an ID to the div you want to append to -

And then -
App.IndexController = Ember.ObjectController.extend({
    actions: {
        select: function(param1, param2) {

          var bindhere = $('#bindhere');

               Ember.TextField.create({

                    classNames: ['btn btn-sm btn-danger glyphicon glyphicon-pencil'],

                    type:               'button',
                    attributeBindings:  ['value'],  value:  "New Button",
                    action:  '{{formeditchangefinder}}' ,
                    onEvent: 'click',

                    //attributeBindings:  ['on'],  on:  ['click']

                   eventManager: Ember.Object.create({
                       click: function(event, view) {
                           alert("working"+elementname);

                       }
                   })

                }).appendTo(bindhere);

        }
    }
});