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Ultraverse Revisited: Rune Month Coupons and Covers Combined
Posted on July 23, 2018 by Walt
The 11 Ultraverse books in October 1993 were all part of a "Rune Month" promotion. Buy all 11 titles, collect the coupon each contained, and mail away for a standalone Rune #0 comic (and a bonus The Solution #0 as well).
Each of the 11 titles were presented as "flip books," that is–you had the main cover, but if you turned the book over–"flipped" it–you had a different cover, with the pages printed such that when you'd read from this side, everything was properly oriented as if it was a different issue…but it was still the same physical product. If you own two copies of these issues, you could file them separately as if they were two different comics.
BUT, you did NOT NEED to buy two separate products to get "both covers," unlike stuff in 2018!
The first and final chapters of the Rune stuff had their own "standalone" covers…the main difference being the text on each. THE STONES ARE CAST… followed by …AND DEATH WALKS THE EARTH.
The other 9 covers could "combine" to form a singular poster-sized image. These connecting covers presumably made it cheaper–commission one image, use it across 9 covers–PLUS it serves as a definite "bonus" for bothering to collect all the issues.
I present the image here with the gutters, to show the individual covers…
…and here with the gutter removed to show the singular intended image.
The coupon for ordering Rune #0 / The Solution #0 was presented as a 4-page insert in the middle of each comic. The pages are shown below:
Inside front…
Inside back…
…and the back, with the coupon itself. On these, you could make a photocopy of the coupon, rather than having to pull the insert or cut anything out of the comic itself.
With the coupons, shipping/handling was "only" $5…for TWO comics! Sure, this was 1993, but especially in 2018, that does NOT seem bad at all!
For the Rune issue at least, it was also non-essential and truly "bonus," as the content itself, the 33 pages of story, were serialized across the month's 11 issues in 3-page chunks.
Bothering to order Rune # 0 itself was simply like ordering a "collected edition" that compiled the 11 segments into a single issue that could be read alone rather than digging 11 other comics back out to re-read or such.
Of course, The Solution #0 is a different matter…but I guess in this regard, that is the true bonus. Collect the coupons for Rune, but since you already read Rune #0 in 3-page chunks if you wanted to, the second #0 issue would be all new content rather than "just" "reprinting" something already read.
As I recall, the actual package that came included a standalone poster of the 9-part Rune image/#0 cover, and possibly a couple other things. When I presumably cover the issue as its own standalone piece whenever I get to the January 1994 Ultraverse issues, I'll most likely mention (if not show) what I have filed with my original copy.
Filed under: 2018 Non-Review Posts, 2018 posts, Malibu Comics, Rune Month (Event), The '90s Revisited, Ultraverse, Ultraverse Revisited | Tagged: Barry Windsor-Smith, coupons, covers, malibu, Malibu Comics, Rune, Rune 0, Rune Mail Away, Rune Month, Solution #0, Ultraverse |	Leave a comment »
Ultraverse Revisited: The Solution #2
Writer: James Hudnall
Penciller: Darick Robertson
Inker: Mike Miller
Letterer: Tim Eldred
Color Designer: Tim Divar
Interior Color: Violent Hues
Editor: Hank Kanalz
Published by: Malibu Comics
Cover Date: October 1993
Rex Mundi realizes he and his people are being magically spied on…by The Solution! The scene then moves to the Shinjuku district in Tokyo…where we see The Solution in action! They've got a plan, and everyone seems to be in place as things unfold. Dropkick and Tech communicate, while Shadowmage sits by to use her powers in a room next to the group's target, who is dealt with by Lela Cho–Tech–herself. As Tech begins to realize something's wrong, Shadowmage confirms that someone's there, and both Outrage and Dropkick are forced into immediate action away from the building. Shadowmage fights an opponent named Book, while Dropkick deals with a red-clad woman with swords…who seems to recognize his fighting style. Outrage's opponent seems to be of his own alien race (I guess Outrage is another alien…I did not remember that!), and he's got some sort of bounty on his head. While Tech gets her client out of the building and we see them trying to escape this ambush, the unfolding battles of the other three unfold as well. In the end, their client is killed, so while The Solution survives, their case is a bust.
This issue is largely a huge fight scene. The previous issue really being the first time I'd ever read an issue of this series (despite owning issues and being aware of the team–mainly from getting Rune #0 and it coming with The Solution #0 as well) I'm still figuring out the characters. And of course, that's not helped by the way I'm undertaking this reading project–trying to read ALL titles in release-month order, rather than zeroing in on just one series at a time.
So this issue served to really "show off" a lot more with the team. We already know Shadowmage can use magic, but we see more of that here. Lela Cho has a certain skill set, which is also shown off. We see Dropkick in action, and some hints at him being more than he appears. And we see Outrage similarly, as he faces someone that knows more about him than we do, which leaves another question in the air, further details to be sussed out presumably in subsequent issues.
Visually, I thoroughly enjoyed this issue. The detail's great, the layouts are dynamic, the characters seem consistent and it's easy enough to follow the general action of it all. Seeing that it's Darick Robertson art, though, I suppose I should not be surprise, enjoying his work on the likes of Transmetropolitan. I can't quite figure out a better phrasing, but I felt like the main characters especially were "full" while "sleek" in the way they're depicted in this issue. Ultimately, the issue in general is nice to look at, as it also totally carries a '90s vibe.
Story-wise, there's not a lot: the characters fight, their client is killed, everyone goes home. That's the broad strokes view. The details are where the depth is, and I'm definitely interested in learning more about these characters. Maybe I'm the odd guy out, but I'm pretty sure I'd totally enjoy several issues of the characters simply interacting with each other and learning of them that way, without even needing a lot of action.
Rune [K]: The Fury – Part Two
Plotted by: Barry Windsor-Smith & Chris Ulm
Drawn & Colored by: Barry Windsor-Smith
Scripted by: Chris Ulm
Inked by: John Floyd
Computer Color by: Albert Calleros
Lettered by: Patrick Owsley
Text Pages Designed by: Jim Chadwick
Edited by: Steve Gerber
Wayyyy back (it seems) with the start of the Rune stuff (Sludge #1), the cover showed the open mouth with fangs, and the words "The Stones are Cast…" Here in the final issue, we again have that cover image (the 9 issues between being the "poster image" pieces) but with the text "…And Death Walks the Earth." A fitting sort of symmetry. "The stones are cast and death walks the Earth." That's Rune.
This final chapter of the Rune #0 issue, we see a kid named Erik talking with his Dad…as they discuss nightmares, monsters, and keeping things at bay; an incident with Erik forgetting to take his pills, and this hint at there being something more to the kid. Their conversation is largely narration boxes overlaid on scenes of destruction, as Rune gets through the last barriers between himself and Erik, leaving us with Rune perched in a tree outside Erik's house, apparently preparing to attack.
The art continues to be consistent with prior chapters, as the creative team did not change…this is "merely" three more pages of the same issue, so no surprise there. After all these previous "chapters," we finally see Rune where he wants to be, after bitter disappointment and destructive confrontations…poised to take in some incredible power that might restore or maintain his wasting body.
As prologue, as setup, as a #0 issue, it provides an introduction to the character, and leads into what I recall of the Rune #1 issue, such that one certainly can better appreciate things with the main series having read this first, and yet, this isn't absolutely required reading for that.
I enjoyed this issue. It's been nearly 25 years since my initial $2.50 was spent on it (that's less than one penny per month from then til now, I think!) so while I'd be less than thrilled with an issue that's basically a massive fight scene for a full/premium price in 2018, I'm ok with this 1993 issue being this way…all the more for so enjoying the art.
Yet again, the Rune chapter is an identifying mark on the issue, dating it at a glance to one of the October 1993 issues; and as with others, it is not singularly a selling point in my eyes, as far as this issue in isolation. It's certainly a selling point for getting all 11 serialized chapters of Rune #0, or the coupons for the mail-away, and such.
But along with most of the "early Ultraverse" issues, I routinely see the issues in bargain bins, so don't consider them to be worth one paying more than $1 for as of 2018; but that's also easy enough for me to say, owning all the single issues myself already, and not being on the hunt for them.
I would definitely recommend pairing this issue with the first issue to have SOME context of stuff…and though I didn't do it myself, I think this issue probably reads a lot better in context of being read immediately after the first issue, rather than with 17+ other issues read in-between.
Filed under: 2018 posts, 2018 Reviews, Malibu Comics, Rune Month (Event), Solution, The '90s Revisited, Ultraverse, Ultraverse Revisited | Tagged: 1990s, Albert Calleros, Barry Windsor-Smith, Chris Ulm, comic books, Comic Reviews, comics, Darick Robertson, Hank Kanalz, James Hudnall, Jim Chadwick, John Floyd, malibu, Malibu Comics, Mike Miller, Patrick Owsley, Rune, Rune Month, Showdown, Solution, Steve Gerber, The '90s Revisited, The Solution, Tim Divar, Tim Eldred, Ultraverse, Violent Hues |	Leave a comment »
Ultraverse Revisited: Exiles #3
Posted on June 25, 2018 by Walt
A Glimmer and Gone…
Writer: Steve Gerber
Penciller: R.R. Phipps
Inker: Scott Reed
Letters: Patrick Owsley
Colorist: Robert Alvord
Editor: Chris Ulm
With no preamble, we start the issue with a giant, humanoid mastodon hitting the ground, apparently from 30+ stories up. Right behind is Tinsel, using her power to slow her fall…though she realizes it looks like an attack, and tries to tell Tim (Mastodon) just that. Ghoul tries to rescue her, though that's just another moment amidst everything else. Bloodbath is in the mix, as well as the creature that initially grabbed Tim. This time, it's Tinsel and Ghoul that are grabbed. Mastodon also gets away…and the team follows him, as Tinsel and Ghoul can take care of themselves–they hope. In a (closed) mall, the team and Mastodon face off, with much destruction. Back at the Exiles' HQ, Amber Hunt frets over whether or not they'll be back in time for her to take the treatment for her instance of the Theta Virus. Kort has Ghoul thrown in the trash, and "gives" Tinsel to Bloodbath. Tim eventually reverts back to himself from the mutated/Ultra form…and Bloodbath prepares to rape Tinsel. She's able to take his sight…but as she escapes, he gets to one of his guns and starts firing away at her! Her shoulder's grazed as she makes her way away…
…as she's shot through the leg, abdomen, chest, shoulders, AND head. Bloodbath races off seeking help, and a poor-condition Ghoul finds his teammate's body.
There was an ad already that referenced this issue, spoiling the fact that Tinsel DIES. I think the ad would have been better suited for after the issue, but then, it WAS the early 1990s, and deaths WERE a "thing," where if some character (sometimes seemed virtually ANY character at all) died, suddenly that was a "key" issue.
I didn't specifically remember where the previous issue left off, so dropping straight into the action worked, but wasn't ideal for this particular reading. But then, we don't have to worry about any "wasted space" playing catch-up, and since this was published before the "recap page," it would've needed space for exposition.
The story is definitely advanced, with the Exiles team fumbling badly and pretty much failing to properly take down their opponent. They're caught unprepared, and that costs them. Though by no means graphic or gratuitous, the page with Bloodbath and Tinsel was particularly disturbing, and I'd totally forgot about the aforementioned ad–I was rooting for her escape, and glad to see her get the start. That made it all the more discouraging to see her taken out, and so violently!
Visually, everything looked as I'd expect, all the characters are quite familiar, even where I don't remember names. As a third issue, it's still early enough that for a team book, and from the '90s with all of its tropes, I'm not surprised names haven't stuck for me yet. Of course, in general it takes me a few issues to really get a hold on full group/cast names for something I'm not overly familiar with.
Rune [H]: Aladdin's Lamp
Where the Rune stuff seemed choppy at first, jumping to vastly different time periods, here we continue in a linear sequence from the previous segment–again. This chapter, we find Rune in the desert, contemplating and then eating a skull with a bit of radiation from a bomb. He goes into a coma-like condition, and then finds some sort of coin or embossed logo of a lamp–Aladdin! He then takes off toward Scottsdale!
As usual, we have consistent art, and it's clear everything that's happening with the chapter.
On the story side, we do have another shift in narration/point of view, as we're getting a running observation from someone watching Rune and reporting on what he's doing. This certainly gives an interesting view, as no one knows what to make of him–who OR what he IS, and before they can even do anything, he's off again.
The narration reminded me a bit from the Death of Superman–where someone's communicating remotely that Doomsday was just there and headed for Metropolis…too late for anyone to prevent the situation or even really do anything about it.
Exiles #3 is another issue that doesn't really stand alone…I see no reason to seek it out in isolation from any other issues, unless it's simply a lone missing issue being sought out to go with others in the series. The Rune chapter sort of/kind of stands alone…for the narrator, it's the first the creature's been seen/observed, so if you've read none of the other chapters, you're on equal footing, reading this.
It's interesting in its way to see a team of superheroes bungle stuff so badly–and have an immediate "cost" to the situation in losing two of their own, as well as the shock of seeing someone escaping and then cut down so completely. (And by 'interesting' that's not to say I'm glad to see any of it!)
I vaguely remember at least reading ABOUT Tinsel's death…but that was just as some random character I wasn't familiar with, from a title I wasn't really following. This time, reading the issue in its entirety (if I'd read it before, I don't remember detail, and may have only skimmed it looking for something about Ghoul) Tinsel's death carries a lot more weight, and I'm eager to get to the next issue and seeing (now with context of these first three issues) the other characters' reactions to things.
You could do a lot worse than this issue for 25 to 50 cents, but outside of getting several issues together, I would continue to counsel not going much above $1 or so to acquire this. Along with the first couple issues and the next issue, I remember there being some interesting stuff that's leading into the first Ultraverse "event," and it has me looking forward to getting there!
Filed under: 2018 posts, 2018 Reviews, Exiles, Malibu Comics, Rune Month (Event), The '90s Revisited, Ultraverse, Ultraverse Revisited | Tagged: 1990s, A Glimmer and Gone, Albert Calleros, Barry Windsor-Smith, Chris Ulm, comic books, Comic Reviews, comics, Exiles, Jim Chadwick, John Floyd, malibu, Malibu Comics, Patrick Owsley, R.R. Phipps, Robert Alvord, Rune, Rune Month, Scott Reed, Steve Gerber, The '90s Revisited, Ultraverse |	2 Comments »
Ultraverse Revisited: Strangers #5
Dynamic Tension!
Author: Steve Englehart
Pencil Art: Rick Hoberg
Letterer: Dave Lanphear
Ink Art: Tim Burgard
Color Design: Rick Schmitz
Color Team: Foodhammer!
A fifth issue doesn't seem like it's that far into a series…but in the "meta" sense of this being 25 years old and well over two decades between the END of this series and the present…the series didn't quite make it 25 issues. But even at 25 issues…this would put us 1/5 through the series now! That's both discouraging in that the series had such a brief run, but encouraging to notice we're getting into the meat of the thing, past the most initial of setup and foundation-laying. We saw the origin–the lightning bolt/Jumpstart that hit the cable car. We saw the characters come together, and saw them investigate Yrial and wind up with her the "final member" of the team; saw the team take on TNTNT, their first actual "supervillains" ("ultra-villains"), as well as meet up with Hardcase and have that adventure.
Now in this issue, we see the team–after "most of the series" so far–spit up to go back to their own individual lives. Bob Hardin (Atom Bob) visits with his parents and sees the crowd camped out at their house for a glimpse of him. Leon Balford (Zip-Zap) returns to his street and puts a bully in his place. Hugh Fox (Grenade) and Candy (Electrocute) view his house–overrun with media folks and such, and head off, discussing their status quo, having a "moment." Elena La Brava (Lady Killer) works the phones on coverage of the team. Yrial takes to a rooftop, frustrated firstly with being "forced" to join the team, and secondly with having no place of her own to go when the team split to go their own ways…but soon spots trouble and prepares to page the rest of the team to regroup. Finally, David Castiglione (Spectral) visits someone in the hospital, and after catching up a bit, he tries to use his healing power. If he could heal a broken arm, surely he could heal this! The scene shifts and we find the rest of the team back together and wondering where Spectral is. They decide to proceed without him, and find Deathwish…who is not at all like the frail old man he "grew from." The Strangers launch into battle, but none of them can take the villain. Eventually Spectral shows up in his green-flame form and lays into the villain…emerging victorious. As things wind down, the team reflects on his action–they'd focused on trying to deny Deathwish any further power, while Spectral gave him more than he could handle. Realizing David's effectiveness was part anger and venting, they probe a bit and discover that he was unable to heal his partner. They hadn't realized he was gay, but the fact of it is simply matter of fact and casual…no more a focus than Hugh being attracted to Candy.
I really enjoy issues like this. Maybe it's that I've been reading comics for nearly three decades, but seeing superheroes in action is such a "given" and seeing much of what they do out of costume or out of action is a relative rarity…so seeing a bit of focus on each of the characters reminds us that they're individuals, gives us a fresh glimpse into their private lives and background, and generally fleshes them out and builds the individuals in a way that doesn't work easily when they're all together and being juggled in an action sequence. I often lament the drawn-out/padded-out nature of modern comics written for the 6-issue trade…and even though we'd had very brief foreshadowing bits in earlier issues for Deathwish, essentially he just shows up in this issue, is fought, and defeated–all in one issue. And that's in addition to getting scenes of each of the individuals on their own…once again packing into one issue what could easily be drawn out to at least 5 or 6 issues in the present (if not 7 or 8 to give each Stranger a solo issue…and even as a single issue, a modern take would have at least 8-9 covers for this issue to give each character a cover, plus the cover we have, plus maybe a glow-in-the-dark Spectral cover on top of that).
Visually this is another strong issue, with all the characters seeming perfectly familiar, and quite consistent with the earlier issues…same artist, same quality and all that. The only thing that really stood out to me was the page split with the Strangers seeing Deathwish the first time…there seems to be a lot of different coloring effects going on with lighting and such that actually prompted me to go back to the credits to see if someone else had contributed a page. It has an almost painted sort of look to it, different from the usual colors of the rest of the issue.
Rune [G]: The Hunger
I'm sort of surprised–we have our third in-sequence chapter without a great leap in time. This picks up the day after the bitterly disappointing discovery that even Edwin's power wasn't enough to permanently restore Rune to his former glory. This chapter picks up the next day and we see that Rune has killed a drunken homeless person…but the alcohol in the guy's blood is poisoning Rune himself. As a storm rolls in, Rune flies into the sky to be struck by lightning–or perhaps calling the lightning to him–to purge his body of the poison, though it can't purge the cancer that eats away at him.
This being another 3-page segment of a single issue-length story, the art is consistent as expected with previous chapters, as it's the same creative team as those earlier chapters.
There's not a lot of room for development or continuing story, but this shows us that while Rune might have trouble taking down anyone more powerful than a powerless human, he can still survive (and even thrive from) a lightning strike! His magical/sorcerous power is still there, even if he lacks the physical might he once had. And this does show his growing desperation, which likely makes him all the more dangerous!
As with the other Rune Month issues, this is one that is easily identified as a Rune Month (October 1993) issue, but the Rune chapter alone does not give cause to seek it out as a single issue. However, for the Strangers portion…this SOMEWHAT stands alone. It doesn't in itself give much exposition or backstory, but if one is loosely familiar with the characters, this would not be a horrible issue to get on its own.
The cover is at once a bit bland to me, yet over-promises on Deathwish and his power. Sure, the character was a bit imposing and wielding a very dangerous power…but he was hardly holding sway over an entire city, nor much mystery to the team as to his identity. This cover would seem more fitting to me as the cover to a collected volume of a several-issue story against Deathwish or of multiple encounters with the character. The blurb "Vs. Deathwish" seems tacked on and somehow just LOOKS "'90s-ish" and seems far too symmetric…so basically showing off then-new-ish stuff done with digital elements for the cover.
This is well worth getting from a bargain bin, though as many times as I've seen this and other early Ultraverse issues in 25-cent and 50-cent bins, I suggest as with those not to go much over $1 for this issue if you seek it out.
Filed under: 2018 posts, 2018 Reviews, Malibu Comics, Rune Month (Event), Strangers, The '90s Revisited, Ultraverse, Ultraverse Revisited | Tagged: 1990s, Albert Calleros, Barry Windsor-Smith, Chris Ulm, comic books, Comic Reviews, comics, Dave Lanphear, Deathwish, Dynamic Tension, Foodhammer, Jim Chadwick, John Floyd, malibu, Malibu Comics, Patrick Owsley, Rick Hoberg, Rick Schmitz, Rune, Rune Month, Steve Englehart, Steve Gerber, Strangers, The '90s Revisited, Tim Burgard, Ultraverse |	1 Comment »
Ultraverse Revisited: Prototype #3
Hero and the Terror
Writers: Tom Mason & Len Strazewski
Artists: David Ammerman & James Pascoe
Colorist: Rob Alvord
Something in seeing this cover surprised me that it's "only" #3. This also seems ripe to be the right-half of a 2-part image, with whoever is blasting Prototype on the other side…but alas, this is a Rune Month issue with a flip cover (no wraparound). On the plus side, I'm not aware of any VARIANT covers, so this is simply THE cover for #3!
We open on Jimmy (Prototype) and his handler stuck on a plane–their flight's been delayed. As they wait, terrorists calling themselves Terrordyne, Inc. attack another plane with a baseball team on board. Jimmy's excited at the prospect of some action; meanwhile, we get a scene with someone in shadows on the phone turning down an offer, before leaping into some sort of action, gun blazing. As another subplot, we get a page with a lab and a revelation that Glare's body (the Ultra that apparently died at Prototype's hands in #1) shows he's got wetware implants, and the body will be shipped off to Aladdin for analysis. As Jimmy suits up, and reveals that he's disabled a shutdown failsafe in his armor, we cut to Bob Campbell explaining what happened to lead him showing up at his ex's place in such horrid condition; as she patches him up, he reminisces about their past, providing us plenty of exposition. From there we get to the "meat" of the story as Prototype stops the terrorists, only to then face their leader: someone with flame powers calling himself Heater. The Prototype armor shorts out–Jimmy suspects it might be from his tinkering–but he gets the auxiliary power going in time to survive. His handler is tossed out of the plane (when did it take off?), so Jimmy opts to save him, figuring he can catch the villain after…but by the time the get back to the ground, Heater's vanished. In frustration, he blasts the corporate jet out of the sky (the pilot had already been killed). This, as well as the earlier scuffle and the Prime incident (see Prime #4) has Leland–Ultratech's president–more than fed up with the young "hero." As he asks for interviews to begin on a replacement, we cut to someone called Wrath being brought in on a plan of industrial espionage and heading out after Prototype.
Starting with the end of the issue…we have a page marked as "25" but it has no captioning, dialogue, etc…and with plenty of open space at the top and bottom, looks like a cover image thrown into an issue. If it wasn't numbered to appear to be a story page, it'd look like basically an ad for the next issue or such!
I continue to feel (mostly pleasantly) like there's almost too much going on in a given Ultraverse comic…they're much denser than modern 2018 comics, with a lot more story and development packed into a single issue! I'm definitely enjoying that we're getting a story of not only the new/current Prototype, Jimmy Ruiz, but also the original–Bob Campbell. And rather than only piecing something together issues later in denouement at the end of a multi-issue arc, we get cut scenes to other characters and stuff going on simultaneous with the main story…stuff going on that we as readers get to actually see developing instead of being told (after the fact) did happen, later. Jimmy's a hothead, and that comes off with his impetuousness at the start of the issue–eager for battle, even though it means there are people getting hurt. Still, he wants to be the hero he's playing–for real, not just looking good for cameras.
I know Wrath as an Ultraverse title, though that title's logo is not this initial WRATH logo on the final page with the character Wrath. I don't think I realized that he came out of Prototype, but definitely like that the title apparently was a spinoff (though I'll get to that in awhile when I get to the 1994 books!).
The art is solid and gets things across as any art should do. The only point I found myself not entirely clear what had happened was when Prototype blasts Heater…there's an impact, but also an exclamation balloon of "YARGH!" nowhere hear Heater's mouth, actually looking like he might've taken the worst of the blast below the belt…or that something was positioned in the wrong part of the panel…presumably definitely something with the infamous computer design stuff Malibu had going on. Otherwise, the issue looks good–especially Prototype. I still really dig the look, even if it is very '90s!
Rune [F]: The Nectar of Life
Picking up shortly after the previous chapter (in Freex #4), where we were left to assume Rune killed Edwin, here we get visual confirmation that he definitely did–with exposed rib bones and reddish coloring to suggest the gore. Edwin–briefly–was the most powerful being on the planet, according to "previously" text, but Rune killed him…and now imbued with his power, has filled out, transforming back to a younger, vital self. Moments later, though, his body reverts back to the frail, sickly creature he's become, and he realizes that even this was not enough.
I thought Rune was a vampire…if not 100% typical, then at least using his fangs to leech life/bio-energy from his victims. Not physically consuming the bodies! A cannibalistic vampire, I guess? Whatever the case, the visuals add to the bloody violence of the thing, which seems fitting given Barry Windsor-Smith's other works (first in my mind being Conan and Weapon X).
This chapter works pretty well in directly following the previous, yet a bit of time has passed. That makes for something choppy going page to page, but for being a new piece of the story in a separate publication than the previous piece, it's little worse than any other "returning from a cliffhanger but some time has passed" instance.
Though the cover seemed somewhat incomplete or generic-ish, I liked this issue. There's a lot of story between the covers, and while there are only 25 story pages (as with the other titles, the cover proclaims the issue a 40 page special), this is still a very full issue with development and forward movement on multiple plot threads.
The Rune chapter is again not something to singularly "sell" the issue, but doesn't detract. The segment moves that narrative forward, and I find myself looking toward getting more info about what Rune is, how he gets power from beings he consumes (does he absolutely have to consume their flesh or is that a 'pleasure,' for example?) and so on. I haven't read the title in nearly two decades, so it's like getting Rune fresh, and I don't recall many particular details.
Yet again, this issue isn't something I'd recommend seeking out as a single issue in isolation…you're better off with the #1 for that. But this is definitely worth picking up as part of a run, and in that context certainly worth 25 to 50 cents. Though its original cover price is $2.50, and this IS an "early Ultraverse" issue, I frequently see these in bargain bins, so it should be able to be found for $1 or less, and I wouldn't go much above the $1 unless you're 'desperate' for the issue in some form.
Filed under: 2018 posts, 2018 Reviews, Malibu Comics, Prototype, Rune Month (Event), The '90s Revisited, Ultraverse, Ultraverse Revisited | Tagged: 1990s, Albert Calleros, Barry Windsor-Smith, Chris Ulm, comic books, Comic Reviews, comics, Dave Lanphear, David Ammerman, Hero and the Terror, James Pascoe, Jim Chadwick, Jimmy Ruiz, John Floyd, Len Strazewski, malibu, Malibu Comics, Patrick Owsley, Prototype, Rob Alvord, Rune, Rune Month, Steve Gerber, The '90s Revisited, Tom Mason, Ultraverse, Wrath |	1 Comment »
Ultraverse Revisited: Freex #4
Hounded
Writer: Gerard Jones
Penciller: David Williams
Inker: Michael Christian
Color Design: Keith Conroy
This opens where I think I remember the previous issue leaving off–with some group of Ultras pursuing the Freex–this group being the "Hounds." The opening narration is from the point of view of the leader–who calls himself the "Master of the Hunt." He's been maligned, so how dare these freaks think THEY can just go off the grid and be left alone? Speaking of the Freex, they're gathered around the lifeless robotic "body" Michael left behind, trying to figure out what they're supposed to do. Val and Ray fight, she blasts his book…though feels bad about it once realizing she's done exactly what his mother had done in taking everything away from him. meanwhile, Michael–in electronic form–discovers the police don't actually know where they are; they're still safe, but doesn't know who's actually hunting them. He's intercepted on his way back to his friends, which causes his thoughts/focus on Angela to manifest on a computer screen in the police office. The Hounds engage the Freex, who eventually escape. As they seek a place to hide for awhile, Val separates–with Ray thinking she's being selfish, but it turns out she broke into a bookstore to get a replacement copy of his book she destroyed. As a group, the Freex then do find safety in some shop…invited in by its owner, Ruby. She offers Ray an insight: he taught HIMSELF how to read, which is NOT dumb or stupid. As the group starts to settle in…the peace is disrupted when someone blasts Ruby…the Master of the Hunt has found them!
Maybe it's the covers, but I've a couple times now found myself almost "dreading" a Freex issue because of the cover. Maybe it's that I've seen the image too many times with no real context, maybe it somehow doesn't fully convey something the way I'd like…I don't know. This issue's cover shows us a hound blasting Val…looking to me like a singular villain; and the blast hitting her head making it look like he's extracting knowledge or zapping her with some sort of mind-control ray or something. We can kind of make out some of the other characters looking in on the situation, but they're hardly a focus, and not overly apparent at first glance.
That being said…I didn't hate this issue. We get the continued development of our "Freex" gang, as the characters are still learning to work together and BE together, even having decided to stick together–safety in numbers and such. Michael's still learning his own powers, and we see here that there's someone else able to tap into stuff and influence the electronic interface–not just him. The kids behave like kids, and continue getting to know each other and how they all fit together.
The art on this isn't bad, but doesn't really blow me away. I like the interior art a lot more than the cover. It's not hard to follow what's going on from the visuals, and no one seems specifically unrecognizable or oddly proportioned in any unexpected ways. Again–the art is not bad, but it's nothing that stands out to me singularly…it does exactly what it's supposed to, but doesn't feel above-and-beyond or such. Nothing in this issue strikes me as poster-worthy, and no singular image stands out as anything iconic.
Rune [E]: The Cursed
Once again, we have a starts-abruptly "scene"–this time telling us the date: June 24, 1993…the day the Jumpstart Effect hit the cable car creating the Strangers and the resultant cable car crash to injure Johnny Domino. But we diverge, following Edwin Doyle–another passenger on the car. He has a bad headache attributed to the incident, but as he's guided home by a frail individual that just showed up, he transforms–as does his new "friend" and we see that it's a frail, sickly Rune guiding him…supposedly helping him, but it's not hard to see that Rune intends to feed on this newly-created Ultra.
This is the first of these chapters to really feel like it has a narrative to itself, to be a bit of a story rather than a stretched out "moment" or other vignette. It's still only 3 pages, but there's a lot of narration on the full single page that opens, and lots of dialogue, broken up amidst 4 and 5 panels on the second and third pages. We meet Edwin, are given context of where this is and what's happened, get to see him meet Rune, see him transform into an Ultra-form…and presumably see his end. A very brief but nearly-complete "hero's journey" of sorts.
Visually this fits with the other chapters–obviously, given the creative team doesn't change with each segment of what's essentially a single issue serialized. I like that we essentially have a beginning, middle, and end here…it's the most "actually-a-story" so far. As I think I suspected–and indeed noticed–the first couple chapters were just there, with nothing more to go on, so there wasn't enough to really pick up on as far as any sort of story or narrative. As we've now seen Rune use his stones to learn he'll live, seen him in ancient times feeding on a human offering, consult Nikola Tesla on energy sources, get caught in a nuclear explosion, now we see him about to capture some Ultra-energy.
All in all, this is a solid issue–well worth getting if you're collecting the series and/or can get this along with the first 3 or (presumably) the next several issues. Nothing here stands out as this being some singular stand-alone thing worth hunting down in isolation. It's worth a quarter or so to read "a Freex issue" or to fill in a run, of course.
The Rune chapter works pretty well as a standalone-within-a-whole: it's by no means a sole selling point of the issue, either. That this is a Rune Month issue is sorta incidental…that marks it as October 1993 at a glance even without the cover date, but the issue doesn't seem integral to anything other than the Freex title.
I continue to be interested in where things go with these characters, even if I don't have quite as much "champing at the bit" excitement for the title.
Filed under: 2018 posts, 2018 Reviews, Freex, Malibu Comics, Rune Month (Event), The '90s Revisited, Ultraverse, Ultraverse Revisited | Tagged: 1990s, Albert Calleros, Barry Windsor-Smith, Chris Ulm, comic books, Comic Reviews, comics, David WIlliams, Freex, Gerard Jones, Hank Kanalz, Hounded, Jim Chadwick, John Floyd, Keith Conroy, malibu, Malibu Comics, Michael Christian, Patrick Owsley, Rune, Rune Month, Steve Gerber, The '90s Revisited, Tim Eldred, Ultraverse, Violent Hues |	2 Comments »
Ultraverse Revisited: Prime #5
Writers: Len Strazewski & Gerard Jones
Artist: Norm Breyfogle
It's hard to believe I'm "only" up to Prime #5 here. Nostalgia plays a large part in that, I think–part of me is itching to just fly through this series to revisit all the stuff I remember, and see what changes now that I'm a quarter-century older. But I'm hanging back, going through the entire Ultraverse one issue at a time, endeavoring to get the "full context" of stuff (though some of that detail is lost in translation as I'm providing my thoughts and RE-actions to the issues, and not panel by panel summaries/adaptations of the issues).
Picking up where the previous issue left off, we find Kevin and Kelly facing a "real life" version of Maxi-Man: a character THEY know as a cartoon, and that we as readers know is one of Boneyard's demons trying to "prove" itself important and gain Boneyard's favor. (Boneyard being the main villain in the Mantra title). Kevin strains to re-generate Prime, while Kelly is nearly killed. Once "Primed up," we have several pages of battle between Prime and Maxi-Man, before cutting to Kevin's father and Colonel Samuels, discussing their past, and Green telling Samuels that Prime is his kid–Kevin! Back to the fight, Prime thinks Maxi-Man is some Ultra-human, until the demon reveals itself (apparently with disdain–it is above humans and Ultrahumans). As the two spar verbally amidst the physicality, Prime lets slip that "No one threatens my girlfriend!" referring to Kelly…which shocks the poor teenager. (Prime's this huge adult…why would he be interested in a 13-year-old, after all?) Prime realizes that he's running low on power, and has to put an immediate stop to Maxi-Man's rampage…so he gathers what remains of his energy and releases it in some sort of energy-burst from his chest, and expends the rest in a quick, brutal beat-down that destroys Maxi-Man (who melts down into a puddle, as the demon disperses, vowing revenge [with a footnote referring us to Mantra #5, coming next month!]) Though Prime is victorious, it's at a cost–Prime collapses into Kelly's arms, and she quickly realizes he's melting! Before anything can be done, Samuels' men rush in and take the melting hero against the girl's protestations. As Samuels and his crew rush off, Mr. Green's left behind lamenting that this wasn't supposed to happen–and he's answerless when approached by Kelly as to what's going to happen. Moving back to Samuels–now in a lab with techs rushing about–the melting Prime-body is stabilized…with no regard for the boy within. When questioned, Samuels declares "I don't care about the boy! I want the ULTRA!"
One of the first things that stands out for me with this issue is Breyfogle's art. I love the much thicker lines and less "detail" used for Maxi-Man…giving the character that much more of a "cartoon" look, compared to the usual thinner lines and more realistic style for everyone/everything else. This entire thing is a comic book, it's all drawings–even the thing that to the drawings (characters) is a drawing. So the different line art makes a big difference, and is pulled off quite well, to me. It's also interesting to see from the visuals just how similar the two characters are–both are hugely over-muscled brutes–but we get dialogue to realize that Maxi-Man is a character Kevin has "grown up" on, and is clearly one of his "inspirations" for the hyper-muscled Prime body his subconscious generates.
Story-wise, we get most of our forward-movement in non-Prime characters. We see some in Kelly realizing this adult hero has a crush on her–considers her his girlfriend–which is a much different thing put to words than her schoolgirl crush on a new super-hero that she's encountered several times. We see more in Mr. Green interacting with Samuels as we get more perspective on Prime's "origin," as the result of these genetic experiments by the military…and that while this is Kevin's story, Prime's story…in a very real way, there's a lot to be said of it being Mr. Green's story, watching his son suffer for his sins a decade and a half earlier.
The disembodied/extra-dimensional demon provides a "convenient" means to have some giant brute slug it out with Prime. Most of the issue is a slugfest…but we get the other developments amidst it. It also adds to the interconnectedness of this universe, as the demon ties to Boneyard, who other than this has been strictly a Mantra villain. But because Boneyard exists, this demon is here…but the demon isn't tunnel-visioned on Mantra, but on his master, and so stirs up trouble with Prime.
I feel a bit of a twofold shift in perspective on this series at present: firstly, I've more than flipped sides, from being the same age as Kevin–the kid–to being older than even Prime is supposed to be (assuming he's assumed to be in his 20s). Second, the real-life stuff going on with Gerard Jones. I choose to dissociate Prime and my enjoyment of the title with what he's pled guilty to, but just seeing things play out on the page–the idea of the adult hero with a crush on a young teenager–is that much more uncomfortable. Yet, as readers, we know darned well that this "adult" in Prime is himself truly a teenager, and so DESPITE the obvious and intended appearances and uncomfortableness built in for added drama…we have a 13-year-old interested in a 13-year-old.
Rune [B]: The Sorcerer
This issue's 3-page segment of Rune shows us the character in the distant past, being presented with an individual as a sacrifice. He feeds on her–showing/confirming to us that he's a vampire–and see what a difference so many years makes between this and the wasted figure we saw in the first chapter. This also shows us that the younger, more vital Rune was worshipped as a god, which–again–is a far cry from the wasting creature we'd already 'met' and leaves us to wonder at all the events between.
Visually, this continues to clearly be Barry Windsor-Smith. The creative team is exactly the same on the entire story, so I'll be repeating that, I'm sure–the consistency is a very welcome "given," as this is essentially "just" 3 more pages of the same issue, serialized across the 11 October Ultraverse titles.
Story-wise, this continues to be a slow-burn, or moreso, "drip" as three pages at a time is hardly room for any real story or development as a standalone piece. Presented with different core issues–this one with Prime #5, a distinctly different unit than Sludge #1–there's "excuse" to be choppy, for 3 page segments to give us different perspectives or glimpses into Rune–what he is/was, what he means, etc. I recall the "complete issue" being rather choppy with such brief scenes…but I'll likely re-evaluate it as an entire unit when I get to the standalone version of the issue when the ongoing series starts.
I was already getting Prime as a series, so this didn't sell me on Prime; and all the more now 25 years later, Rune is NOT really a standalone selling point for this issue, or the month's issues. Rune primarily serves as a time capsule or marker of sorts–an easy way to identify the October 1993 titles at a glance, despite dates not being printed on the covers.
The Prime portion of the issue feels a little padded-out with the extended fight scene. The three story-pages of Rune, plus the recap page and credits/premise page don't truly stand on their own. But given this is an issue of Prime, the Rune stuff makes for an interesting "bonus." Of course, the proclamation on the Prime cover of this being a 40-page special dampens that–as with Sludge #1–given the 40 pages implies the story, the issue itself, but you really have to add non-story pages to the count to get to 40 pages. That would be more of a problem 25 years ago. Now, in 2018, where these are 25-cent-bin books (maybe 50 cents, but really not $1+, in my eyes!), it's a moot point.
This is absolutely worth 25 cents or 50 cents just for the Prime portion; and if you're particularly OCD about filing comics, worth twice that with an extra copy to file with the Rune-side forward. Given there's a standalone Rune #0 available, and a partial-edition that was packaged with an issue of Spin magazine, I would not recommend seeking this issue out just for the Rune chapter. And as a Prime issue, there's not MUCH to it to make it stand alone as something unique to seek out…unless you specifically want "the issue with Maxi-Man vs. Prime." Definitely seek this out if you're putting together a run of the title, obviously. This is best read as part of several issues–ideally the first four and forward.
All that said…for 25 cents, if you're looking for a colorful slugfest between two hyper-muscled figures and a couple pages of a colorful BWS vampire…there's no real reason to AVOID this issue, as a whimsical one-off!
Filed under: 2018 posts, 2018 Reviews, Malibu Comics, Prime, Rune Month (Event), The '90s Revisited, Ultraverse, Ultraverse Revisited | Tagged: 1990s, Albert Calleros, Barry Windsor-Smith, Chris Ulm, comic books, Comic Reviews, comics, Gerard Jones, Jim Chadwick, John Floyd, Keith Conroy, Kevin Green, Len Strazewski, malibu, Malibu Comics, Maxi-Man, Norm Breyfogle, Patrick Owsley, Prime, Rune, Rune Month, Steve Gerber, The '90s Revisited, Tim Eldred, Ultraverse, villains |	2 Comments »
Ultraverse Revisited: Sludge #1
Posted on June 8, 2018 by Walt
You Can Take the Cop Out of the Sewer…
Penciller: Aaron Lopresti
Inker: Gary Martin
Letterer: Patrick Owsley
Color Design: Paul Mounts
Interior Colorists: Violent Hues
I've been looking forward to the Rune Month stuff for awhile. I have some clear memories of getting issues from that month, concertedly tracking down all 11 coupons to get the Rune #0 issue (which also fed into getting the main Rune title, and Rune being one of my three "core titles" I stuck with…even leading to the only fanfic stuff I've ever written over half a lifetime ago.)
The extreme close-up of Sludge's face as the cover has long been an "iconic" sort of image for me, and yet another singular issue (albeit another #1, too!) with a single, memorable cover that is instantly recognizable and stands out.
As the issue opens, we see things from the creature's point of view–It's in the sewer, watching a group of homeless, listening to a radio. On the radio, the host talks about a missing cop and the suspicious circumstances behind his disappearance. As the broadcast continues, our point of view shifts a couple times, to include the gang members that had something to do with the cop…as they head out and shoot more people. The creature hears the gunfire and gets involved. Despite their surprise at the creature, they seem to overcome it, preparing to leave it for dead before realizing it's not so easily killed! We get internal dialogue from the creature–who struggles to recall the proper words, and its frustration grows the more this happens…and the frustration's taken out on the gang members. The creature also seems to have the ability to melt/mold flesh–grabbing one kid's face, and "melting" it to a blob of skin, with no way to inhale or exhale…a gruesome way to die, but perhaps deservedly for the innocents killed shortly before. We move into a flashback and see that this creature IS the missing cop, who wasn't exactly squeaky-clean…but drew a line at killing people. For this, he himself is shot up–certain overkill–and the still-living body dumped in a sewer, where it contacts some sort of chemical, and mutates the body into a walking pile of–you guessed it–SLUDGE. Back in the present, police find the gang members' bodies and speculate what could have killed them–while back in the sewer, the creature finds and crushes the radio, stating that he can't stand the host. As he leaves, a couple of the homeless comment on the creature being a walking sludge heap–or "Santy Claus."
This issue's story is pretty familiar to me, compared to some of the other Ultraverse books. I definitely remember getting AND reading this when it came out. I don't remember any further issues, but I clearly recall the creature's stumbling over words and his frustration at that. The story is rather formulaic, and the creature reminds me very much of the very-little I know about Marvel's Man-Thing (itself with a significant run by Gerber!), and by comparison there to DC's Swamp Thing. In some ways, this seems like it could be a darker take on a Ninja Turtles character–someone injured, dumped into a sewer, where they contact a strange chemical and mutate into some creature and then take on a new mission to fight crime/do good/whatever. I think that familiarity of elements kept the character from seeming as gruesome to me as a kid, and I don't remember being bothered by him killing people…I probably just didn't think much on that at the time.
The art's pretty good, and I like it. The creature looks like a "creature" made of sludge, and the people look like people. The story is easy to follow visually, and the visuals do a good job conveying everything as expected. The page layouts vary quite a bit, and work well conveying mood and tone. While a couple pages are primarily a single image/panel, others have a lot crammed into them, making for a good mix that does NOT feel like there's any "cheating" going on. One panel/page showing the creature smashing a car while yelling "Pull over!" stands out to me in particular–and I hear the "Get over here!" voice from the Scorpion character in the original Mortal Kombat video game.
Sludge is the actual series and main content of this issue; but it has a "flipbook" segment where you literally "flip" the book over to see a different cover and read some content from that direction–it appears upside down and out of order if you continue linearly from the front/main Sludge cover.
Rune [A]: The Prophecy
The flip-cover to Sludge #1 features a closeup of an open vampire-mouth, with a translucent Rune logo, the letter "A" indicating this as the first chapter, and the text "The Stones are cast…"
We get a title page with the Rune logo, and the story title, creator credits, and an outline of the Rune creature, as well as an explanation that each of the 11 October titles contain a chapter of Rune, and that 9 of the 11 flip covers combine to form one large poster image–and we get a white background/black silhouette showing that. The next page tells us a bit about Rune, with a Barry Windsor-Smith image of the creature.
As the story itself begins, we see bloody hands with long nails casting multi-colored gems toward a floor. Moving to the second and third pages, we see the creature contemplating the gems–with markings (runes) on them, and determines that there is a power that will restore him…Rune shall live!
It's hard to really talk much about only 3 pages, especially just the first three pages of a story. We have text telling us about the creature, and now we see the creature…but there's just not much STORY to the pages. It reads much better as part of a larger whole…but on its own, this seems rather negligible. Visually, this is distinctively BWS art…perhaps distinctive because I recall this story, but also the similarity in visual style to the likes of Marvel's Weapon X and classic '90s Valiant/X-O Manowar stuff I'm familiar with. It's definitely unique enough to set this off as its own thing, and make Rune visually distinctive. This is clearly the character previously advertised.
This feels more like an "ad" than much else–and given the Night Man "preview" has a full text page AND 3 story pages out of context, it sorta negates the specialness to this premiere of Rune.
Especially as I'm reading this issue in 2018, the $2.50 cover price doesn't phase me when virtually every comic out there is now $3.99, with only a few minor exceptions at $2.99. The issue itself–Sludge–has 25 numbered story pages. The cover claims this is a 40-page special…so we fall some 15 pages short of that! But add in 3 story-pages of Rune, and the two pages introducing those story pages and we're up to 30. Further factor the Night Man preview (if that's content) and we're up to 34; a Mighty Magnor 1-page piece takes us to 35; the Rune #0 coupon stuff nudges us to 39 pages…so it's iffy. But in 2018 and this being essentially a definite 25-cent book, max of $1ish…it's more than worth that sort of price, whether 20 pages or the stated 40. And the 40 probably counts the main ads and such, so…it's accurate. It doesn't say 40 story pages, after all.
The Rune portion feels like little more than an ad–as said above, there's a Night Man preview that has just as many "story pages" with about as much (if not MORE) context…so this could just as easily been a Night Man flip book with a several-page Rune "preview" and been functionally the same content between the covers.
Still, this having been designated "Rune Month" (I believe that was the thing back in the day, as it's stuck with me all these years somehow) it at least makes for a "theme" that is carried across all the books, unifying them. And rather than just the same 3 pages over and over again in all 11 books, each has 3 unique pages that combined make up a prologue issue ahead of an ongoing series in a way that I doubt we'd see in 2018 from any major publisher.
As with other Ultraverse #1 issues, this is certainly worthwhile in itself as a single issue to check things out. I've seen this and many of these other early Ultra-titles in 25-cent and 50-cent bins, so I wouldn't suggest paying more than $1 or so if you can help it. If you like Steve Gerber's work, you'll probably like this; if you like Lopresti's art, same deal. And though there are the comparisons to make to other publishers' characters, this is a unique character so far for the Ultraverse itself, and worth checking out just because. This stands alone pretty well–and remains (thus far) the only issue of the series I know I've actually read, so there's that as well.
Filed under: 2018 posts, 2018 Reviews, Malibu Comics, Rune Month (Event), Sludge, The '90s Revisited, Ultraverse, Ultraverse Revisited | Tagged: 1990s, Aaron Lopresti, Albert Calleros, Barry Windsor-Smith, Chris Ulm, comic books, Comic Reviews, comics, Gary Martin, Jim Chadwick, John Floyd, malibu, Malibu Comics, Patrick Owsley, Paul Mounts, Rune, Rune Month, Sludge, Steve Gerber, The '90s Revisited, The Prophecy, Ultraverse, Violent Hues, You Can Take the Cop Out of the Sewer |	3 Comments »


text:
Good shows to watch on Netflix
Good shows on Netflix
Due to the current world situation, people are spending a lot of time at home. This is therefore a good time to check out some of the great shows on Netflix. Here are some of my favorite shows that caan be found on the platform. You likely have already seen some of them, and others might not be available in your area. But if there are some of these you have the opportunity to watch and haven't yet, I can only reccomend doing it.
How I Met Your Mother is about guy named Ted and all his friends. Ted is telling these stories about him and his friends to his kids. This show is a sitcom with 9 seasons. I personally think it's a really good show.
If you haven't already, you should watch Stranger Things. Stranger Things is about these 4 boys who loves dungeons and dragons. Suddenly one day, one of the boys disappear. The day after the boy disappears a weird girl shows up. After that a lot of weird things happens in the town. Stranger Things has 3 season, and the 4th one is starting to be filmed. Each season has 8 or 9 episodes.
This show is a bit violent, so if you don't like that kind of stuff, you shouldn't watch the show. This show is about a girl named Hannah who've committed suicide. Before she commits suicide, she leaves a box with tapes. In the show we follow a guy named Clay. We see his reaction and what he goes through after Hannah's passing. The show has 3 seasons, but I've only watched two of them. I especially like the first season.
The End of th F***ing world is a british comedy show. It's about a guy named James and a girl named Alyssa. James is thinking there's something completely wrong with him and Alyssa hates her family. They go to the same school, and someday Alyssa find James very interesting. They decide to run away and from there the story starts. The show has 2 seasons and the episodes are about 20 min. long.
Dark is a German Netflix show. It currently has 2 seasons. It's about a boy named Jonas and what happens in his town. People start disappearing, and no one knows why or how. One day Jonas' friends little brother also disappears. And from there on things get quite confusing. You're able to get the sound in English, but I would recommend watching it in German. If you're a slow reader, you should probably watch the show in english, because the show can be hard to follow if you miss details.
Brooklyn nine-nine is a sitcom with (right now) 6 seasons. It's about a police officer called Jake Peralta. Jake is really childish, but a good cop. One day the precinct gets a new captain, and everything changes. Jake has to man up and do as the captain says. The rest of the show is about missions and things happening in the precinct.
This show is one of my favorite shows, ever. I've watched it a lot of times, and never really gets tired of it.
Friends is a sitcom about 6 friends, in New York, who hang out all the time. We see them fight and love, and it's just a really catchy show you can watch over and over again. The show is going from 1994-2004 and got 10 seasons.
IANOWT is a show about the teenager Sydney who feels like a boing 16 year old girl from a boring town, but she finds out that she is the exactly opposite. Through the first (and for now only) season she make a new friend, gets into a lot of arguments, gets detention and a lot more. She has to handle being a teenager while discovering the truth about herself. It's a really good show, and there is only 8 episodes in the first season.
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redpajama_set_name: RedPajamaCommonCrawl


The Icon Book and Paper Group Co-operative Training Register is delighted to present this half-day workshop introducing the technique of XRF spectroscopy, generously hosted by the Victoria & Albert Museum, and kindly facilitated by the use of West Dean College's spectrometer.
The workshop will begin by introducing the basic principles of XRF spectroscopy and look at some case studies of its applications in book and paper conservation. Participants will then have the opportunity to use a portable XRF spectrometer for themselves. Participants are encouraged to bring their own items for analysis. No prior understanding of analysis or atomic structure is expected.
The workshop is limited to 5 participants.
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text:
Q: unbadging app icon (swift) execution problems Hey Guys so what I am trying to do is when the user gets a notification then goes into the app or clears it in the notification settings I want to debadge the app icon
import UIKit

class TechByteSchedulingViewController:UIViewController  {

    @IBOutlet weak var datePicker: UIDatePicker!

    @IBAction func DateChosen(sender: UIButton) {
        self.sendNotification()
    }

    func sendNotification() {

        var localNotification = UILocalNotification()
        localNotification.fireDate = datePicker.date
        localNotification.repeatInterval = .CalendarUnitDay
        localNotification.alertBody = "check out your Daily Tech Byte"
        localNotification.alertAction = "Open"
        localNotification.timeZone = NSTimeZone.defaultTimeZone()
        localNotification.applicationIconBadgeNumber = UIApplication.sharedApplication().applicationIconBadgeNumber + 1
        localNotification.soundName = UILocalNotificationDefaultSoundName
        UIApplication.sharedApplication().scheduleLocalNotification(localNotification)

}
    func application(application: UIApplication, didReceiveLocalNotification notification: UILocalNotification) {
        UIApplication.sharedApplication().applicationIconBadgeNumber = 1
        UIApplication.sharedApplication().applicationIconBadgeNumber = 0
        UIApplication.sharedApplication().cancelAllLocalNotifications()

    }

A: I thought it was
application.applicationIconBadgeNumber = 0

or
currentInstalltion.badge = 0

and then saving it in the background
No?

A: Maybe try
application.applicationIconBadgeNumber = 0

in your AppDelegate didFinishLaunchingWithOptions function

redpajama_set_name: RedPajamaStackExchange


Yes it frees up a radio, but becomes a handicap if not correctly programmed or does not fully integrate into an existing system..
All sorted guy that hires out the radios (a club member) has given me a little Icom, just means two radios when out on site.
Good news both my ham hand held and the Icom together feel lighter than the MD-390 but lose a bit on the build quality!!
Thanks for your replies/concern's, been around radio too long to mess about with public safety radios, what I was trying to do was with the full consent of management and the system owner.


Oh I do love a good tag post. I love reading them and especially love writing them. They are so much fun!
I have been tagged by the lovely Alina over at her wonderful blog Eclecticalu (go take a look!) to do the If I Could tag. The tag is based around having a bit of a day dream really, obviously I am very happy in my life now but I am a huge daydreamer at heart so this is a great one for me.
I know this isn't very adventurous as I am a bit of a home girl but I would live in Winchester. I lived there for 18 months after leaving university and loved it. Such a lovely place to live. I would move back there in a heartbeat if I could.
This is hard because I love my house but I think I would have a holiday home. A lovely little beach apartment right on the seafront. It would make me very happy to be able to visit that whenever I wanted to.
I would have a Pinterest garden. You know the sort I mean; bunting everywhere, lots of pastel shades and fairy lights. I am on the the way to it after painting our shed and birdhouse but have way to go till it is Pinterest worthy.
I would be in Disney World. I have seen so many vlogs lately of peoples trips there that I am desperate to take me Little Man.
It would be a blogger full time. I have fallen head over heels with my blog and the community but it doesn't get my full attention due to my other job.
This would have to centre around cooking. Cooking does not come naturally to me so I would love to be better at it.
Oh this is a tough one! I think it would have to be the day Little Man was born. I would have made it different somehow. I intend to blog about this soon so watch this space.
This has to being in two places at once. Sometimes this is totally necessary and would make life so much easier.
This was a fun post to write, I'm off to dream some more now! I tag the lovely ladies below if they would like to play?
Loved reading your post! Those houses in front of the beach must be so much fun!


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Krzysztof Kieslowski – Personel [Complete] (1975)
in 1971-1980, Drama, Krzysztof Kieslowski, Poland March 29, 2012	0 1,544 Views
review from imdb:
Semi-biography of the young Kieslowski, 21 July 2006
Author: ntimdb from Hong Kong
This is the most overtly biographic film amongst the works of the great Krzysztof Kieslowski, since Kieslowski was a very private and reserved person as I perceived him.
In "Personel", Romek Januchta was his alter-ego, bot just bore great resemblance to the director especially when he wore glasses(to see more clearly, when he was not a new-comer anymore), he worked in the theatre in the wardrobe department just as Kieslowski did. This film is rare chance to have a glimpse of the first half of Kielslowski's life other than it was told in books and interviews.
Probably the first interesting feature of the director, after he had made many commissioned documentary and excellent shorts. The shy, reticent, love-longing boy/boyish man(in a way a rebel under the boy-next-door disguise) is a favorite of his since "Tramway", the character is differed in the following films like "The Calm", and comes to its perfection in "A Short Film about Love".
The film remarkably looks like the mockumentaries of the recent years, ahead of its time, it is not so far-fetched comparing it to "Extras", since it also looks into the less glorious side of Showbiz and shares its poignancy and dark humor. (In season one, "Extras" has a episode about Ricky Gervais' Andy wants to flatter a producer so that he would give a part to him. In the flaunty speech made by the producer, he mentioned the white-clothed man is missing in two episodes of "Decalogue").
http://www.nitroflare.com/view/B9EAFCBCF524DF1/krzysztof-kieslowski-1975-personel.avi
http://www.nitroflare.com/view/DE6CE208C60F736/krzysztof-kieslowski-1975-personel.srt
Language:Polish
Previous: Michael Glawogger – Whores' Glory [+Extras] (2011)
Next: Lazar Stojanovic – Plasticni Isus AKA Plastic Jesus (1971)
Donald Richie – Boy with Cat (1966)
André De Toth – Man on a String (1960)
Nathan Silver – Stinking Heaven (2015)
Ken Jacobs – Star Spangled to Death (2004)
René Clément – Gervaise (1956)


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Media reporting on charge sheet, my lawyer is yet to get it: Umar Khalid tells court – india news
abhishekdubey January 4, 2021
Former JNU student Umar Khalid, arrested in connection to his alleged role in the conspiracy leading to communal riots in north-east Delhi, told a Delhi court on Monday that a "vicious media campaign" against him is affecting his right to free and fair trial, while stating that even though a supplementary charge sheet filed against him was all over the media, the police are yet to supply a copy of the same to his lawyer.
Khalid, who was produced from the Tihar jail complex through video conferencing, told chief metropolitan magistrate Dinesh Kumar that the supplementary charge sheet in the riots filed by the police on December 26 is all over the news reports and sought directions to the investigating officer to find out as to how the media got the charge sheet even before an accused named in it. "An obvious pattern of selected disclosures statements being leaked" is affecting his right to free trial, he said.
Contradicting news reports that quoted the supplementary charge sheet, Khalid also told the court that he had not signed any statements admitting his role in the riots.
Read more| One year since violence in JNU, no arrests yet
Khalid's counsel also said that the media is not sticking to its code of ethics and has been missing an important word "alleged" in the news reports. The court after hearing brief arguments posted the matter for further hearing on Tuesday.
According to the charge sheet, Khalid has been arrested for fuelling riots at the Khajuri Khas area in February last year. Suspended AAP councilor Tahir Hussain and United Against Hate (UAH), an NGO, leader Khalid Saifi are also co-accused in this case.
Hearing pleas by several others accused in riots cases, CMM Dinesh Kumar on December 24, had directed the police to supply the copy of the charge sheet to the accused before the next date of hearing. The magistrate is slated to hear the case on January 7.
"It has been noticed that the IOs of various cases are not supplying the copies to the accused persons despite directions of the court within time which is resulting in delay in committal of various cases to the sessions court for further proceedings in the matter. Therefore, copy of this order be sent to DCP, north-east, to issue a direction to IOs in all the police stations to supply the copy of charge sheet to the accused persons well within time before next date of hearing," Kumar said in the order on December 24.
He had also sought a report as to why the charge sheet was not supplied on time.
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