text:
Wisconsin's anti-worker law: An historic attack on the working class
Tom Eley
The Wisconsin Assembly's passage of a bill that will strip collective bargaining rights and cut wages and benefits for nearly 200,000 public sector workers marks a giant step toward the open dictatorship of the banks and corporations.
The approval of the anti-worker bill came the day after Republicans pushed it through the State Senate in a secretive, and likely illegal, legislative maneuver. In order to avoid a two-thirds quorum requirement to hold any vote related to state spending, senate Republicans stripped the legislation of its fiscal measures. The bill will likely be signed into law by Governor Scott Walker on Friday.
Among its many reactionary provisions, the law will force workers to double contributions to their health care and retirement funds, resulting in drastic pay cuts of 8 percent, and in some cases 20 percent. This is just the beginning of what promises to be a relentless assault on workers' wages and benefits.
The law includes a number of features designed to criminalize any attempt by workers to resist future wage-cutting. In addition to its proscription of collective bargaining for almost all public-sector workers, including those at the municipal and county level, a provision in the bill grants the governor the ability to unilaterally fire striking workers by declaring "a state of emergency."
Under the title "Discharge of State Employees," the law states, "The Governor may issue an executive order declaring a state of emergency for the state or any portion of the state if he or she determines that an emergency resulting from a disaster or imminent threat of a disaster exists." Acting through an appointed body, the governor could then fire any employee who does not "(a) report to work for any three days during the state of emergency, (b) participates in a strike, work stoppage, sit-down, stay-in, slowdown, or other concerted activities to interrupt the operations or services of state government."
This language is yet another signal that the epoch of class compromise in the US has come to a definitive end. Ruling layers are attempting to turn back the clock to the nineteenth century and the most savage exploitation of the working class.
The struggle to establish legal industrial unions, representing entire occupations and industries rather than particular crafts, and to secure the right to negotiate with employers collectively rather than as isolated individuals, spanned 60 years and encompassed the most bitter and bloody strikes.
From the eruption of the Great Railway Strike of 1877 to the Flint sit-down strikes of 1937, workers' struggles often assumed an insurrectionary character owing to the intransigence of some of the world's most powerful corporations. These included monumental strikes such as Pullman, Homestead, Lawrence, and the Great Steel Strike of 1919, and the bloody conflicts at Haymarket, Ludlow, Calumet, and Republic Steel, to name a few.
Government ruled by injunction, declaring unions and strikes to be illegal "combinations" of workers. When this failed, savage violence was the preferred method. Working class leaders were regularly imprisoned, executed, or beaten and lynched. Thousands died at the hands of the Pinkertons, scabs, thugs, police, and state militias. Nowhere else in the world was the struggle for unionization so raw and brutal as in the US.
Finally in the 1930s, with the eruption of the great general strikes in 1934 in San Francisco, Minneapolis and Toledo, and especially with the sit-down strike in Flint in 1936 and 1937, the principle of union legality and collective bargaining was established, and the ferocious violence of the great corporations restrained.
The long post-World War II expansion of American capitalism laid the basis for several decades of class compromise, to be overseen by the AFL and CIO bureaucracies and their modern theory of collective bargaining. In return for the acceptance of the unions by the corporations and the state, workers were to give up any ideas of fundamental social change. The Taft-Hartley Act of 1947 and the anti-communist purges of the unions ensured a docile labor bureaucracy that would take as its guiding principle the defense of the profitability of American capitalism.
The viability of this perspective was short-lived. By the 1970s and 1980s, with the rapid decline of American capitalism relative to its rivals, the ruling class began a ruthless offensive against workers. The pact that the AFL-CIO had made with capitalism translated into its active participation in this attack. Beginning with Reagan's smashing of the air traffic controllers in the PATCO strike of 1981, the union bureaucracy consciously acted to isolate and smother strikes, including at Phelps Dodge, Greyhound, Hormel and AT Massey, among many others.
The betrayals of the unions resulted in an historically unprecedented situation: from the 1990s until today, strikes virtually disappeared from the American industrial landscape. The decline of open class struggle, artificially repressed, coincided with a surge of inequality, as the American financial aristocracy accumulated enormous wealth through the decimation of industry and the conditions of the working class.
The attack in Wisconsin on government workers, and their bitter resistance, shows that this process has reached a new stage.
The turn toward dictatorial methods arises not primarily from the personal characteristics of Walker, or even from the Republican Party for that matter, but from the advanced crisis of American capitalism, which has eviscerated any basis for compromise between the classes. The crisis that erupted in 2008 has provided the occasion to merge the destruction of democratic rights—intensified in the wake of the September 11, 2001 terrorist attacks—with the attack on working class living standards. This is clear in both the form and the content of the Wisconsin bill: a law stripping workers of basic rights could only have been passed in a flagrantly anti-democratic way.
In the face of this attack, the AFL-CIO unions are only an impediment to workers. From the time Walker proposed his bill almost one month ago, their entire strategy was to avoid the passage of its attack on union dues requirements by agreeing to all of its demands for financial concessions from workers. In other words, the unions sought to keep the legal fiction of collective bargaining—and thus their financial sustenance—by abandoning it in practice.
The impotent and cowardly strategy of the establishment unions is closely tied to their support for the Democratic Party, which is carrying out attacks no less severe than those contained in Walker's budget in California, New York and other states. As for the Obama administration and the Democrats in the US Congress, they are working with Republicans to cut billions in social services.
The attack on all public-sector workers' rights and wages requires a response-in-kind—a general strike, a demand that is already winning broad support. The determined resistance to Walker will win broad support from the entire working class, which is being subjected to vicious wage-and-benefit-cutting in the private sector, and which will be ravaged by Walker's proposed two-year budget and its cuts to education and health care.
The union bureaucracy opposes such a course of action far more than it opposes Walker's bill. In the immediate aftermath of its passage in the senate on Wednesday night, the leaders of Wisconsin's two largest public sector unions, Mary Bell of the Wisconsin Education Association Council, and Marty Beil of the Wisconsin State Employees Union, indicated their acceptance of the bill and told workers not to strike. "I ask Wisconsin's educators to be at work tomorrow," Bell said, the only demand she made during her brief remarks. The no-strike order was repeated by teachers' unions in the state's two largest school districts, Milwaukee and Madison. Unions of teaching assistants at the University of Wisconsin campuses in the two cities also said they had no plans to schedule a strike vote.
Now the unions declare that the only means of defending workers is through supporting "recall efforts," as Beil put it, to replace eight Republican senators with Democrats. This gambit, even should it work to remove a handful of Republican legislators, would in no way reverse the wage cuts or the draconian state budget, which the Democrats support. The real aim of this maneuver, as was the case with the Democratic senators' flight from the state, is to defuse the growing militancy of the workers and youth.
It is urgently necessary that leadership of the struggle in Wisconsin be taken out of the hands of the unions, the Democratic Party and their allies. Independent rank-and-file committees must be formed in workplaces to popularize the call for a general strike and make preparations. The aim of such a strike must be the removal of Walker and the rejection of every one of his proposals.
The events in Wisconsin pose the basic question of the organization of society. Will the economy be organized to meet needs of the population? Or will it continue to be subject to the financial aristocracy's relentless drive for personal enrichment, and the dictatorship that must inevitably follow?
For the working class to defend its social rights—for good jobs, quality education, health care, pensions and housing—a new political perspective is required that rejects the "right" to massive personal fortunes of the rich.
The World Socialist Web Site, Socialist Equality Party and the International Students for Social Equality are hosting a conference in Ann Arbor, Michigan on April 9-10, The Fight for Socialism Today, as part of a series of conferences throughout the US. This conference will be devoted to organizing a fight-back and building a new political leadership to carry the emerging struggle of the working class to victory. We call on workers and youth in Madison and throughout the US to make plans to attend today.
North AmericaAmericasUnited StatesPerspectives


price drop-Mint condition & updated describes this inviting Leawood 1.5 story on large treed corner iron fenced lot. 5 bedrooms 4.5 baths 3 car garage & finished daylight bsmnt. Enjoy oversized deck w/ built-in planters, beautiful landscaping, & sprinklers. Hardwood floors are on entire 1st floor. 2 story great room has wall of windows giving so much natural light. 2 see-thru fireplaces..1st between hearth & family rooms & 2nd between MBR & MBA. MBA has spa like renovations. Kitchen cabinets are white & abundant!


Black Friday 2014 Ad Scans & Deals Rachel at Surviving the Stores has put together an excellent guide for the 2014 Black Friday Ad Scans & Deals. Looking over her list I think she has about every major store covered.
Get $5.00 off your in-store purchase of $30.00 or more at Staples. Offer expires November 22, 2014. .
July 21-27, 2013 Check out My Frugal Adventures for this weeks Staples Ad Preview. Check out the FREEBIES. Charlene has done a great job of putting this list together. Check out the rest of the savings at your Staples.


After a number of months in planning, production and postproduction the news that came in, that one of the Film Limerick Trilogy has been successful in selection to this year's Galway Fleadh has given a boost to all who worked on it. From the writer Peter McNamara, (who has been busy with other projects state side, namely 'Narcan' (coming soon)) to the director Stephen Hall, (also busy with other projects that have screened home and abroad), the crew of the film and the Behind The Scenes team (namely Mark Griffin who went above and beyond for the project) this acknowledgement by the Fleadh is something special, inspiring and encouraging.
The scope of the Film Limerick project was not for the faint hearted. To bring the three stories together with three writers and three directors took organising and at times needed a delicate professional hand to harmonise everything together and allow the interweaving of the narratives, characters and locations of Limerick city to compliment each other. Project mentor Gerard Stembridge and project manager Ronan Cassidy brought all this together and with the support of the Limerick City of Culture, Behind the Scenes, Limerick 2020, Limerick Institute of Technology. Even though 'Day Off' was the only one of the three selected this by no means is a reflection on the other two films of the trilogy, 'The Apparel' and 'Date:Time'. The same amount of hard work, dedication and attention to detail was given to all three and the fruits of the labour of all cast and crew involved can be seen in every shot and piece of sound. This was certainly evident when all three had their cast and crew screening at the Limerick Film Festival back in April to an audience of nearly two hundred.
As editor on the trilogy, i'm taking great pride in the effort from everyone's talent and patience with these films. I would encourage everyone to take a look at all three when ever you get a chance to see the film making talent that is growing in this city and region. They need the support and encouragement to continue their passion and goals. Film in Limerick needs to be supported now and into the future, whether the Limerick 2020 bid is successful or not… culture is not just for one year it's for life and the Film Limerick Project has been only one part of many available by different groups and individuals in the city. It has achieved its goals set way back between the Limerick City of Culture 2014 team and Behind the Scenes. Regardless of people's difference of opinion of each other, the trilogy films… all films… created in Limerick should not suffer… it is our creativity,… our art,… our culture and long may we continue to practice!


text:
The evolution of the iPad
With the release of the third-generation iPad Pro, it's a good time to take a look at the evolution of Apple's game-changing tablet.
By Glenn McDonald and Ken Mingis, Computerworld |
All Slides
SLIDEFEATURED PRODUCTS
The iPad, then and now
The original iPad: A new breed of tablet
The iPad 2: Thinner, lighter, faster
The iPad (3rd generation): Four times the pixel density
The iPad Mini: Better portability, a rugged design
The iPad Air: More power in a lighter package
The iPad Mini 4: Improved image quality, increased speed
iPad Pro: A larger canvas, an innovative stylus
The iPad (6th generation): Faster processor, Apple Pencil...
The iPad Pro (3rd generation): New design, Face ID, new...
The iPad (7th generation): Larger display, upgraded hardware
Share this Slideshow
IDG / Apple
If you're a dedicated follower of tech innovation, you no doubt recall the day in 2010 when Apple CEO Steve Jobs unveiled Apple's new tablet computer: the iPad. Internet jokers and wacky morning DJs had a lot of fun with the name. Apple, as usual, had the last laugh.
The iPad has since evolved into an unqualified success, carving out a space between laptop and smartphone, and providing a handy device for checking email, surfing the web, reading e-books, and — most importantly, perhaps — enabling the 21st-century obsession known as binge-watching. It was the device we didn't know we needed until we had it in hand.
With the release of the sixth-generation 9.7-inch iPad (2018), it's a good time to take a look at the evolution of Apple's game-changing tablet. This history is a bit selective; we've skipped over some of the smaller iterative tweaks, focusing instead on the more evolutionary leaps. Prices listed here refer to the base model in the U.S. upon release. (Prices go up with premium storage and connectivity options.)
As a bonus, we've included secret trivia and some cultural context — and if you're reading this on an iPad, give yourself 100 bonus meta points.
The iPad wasn't Apple's first foray into tablet computing. Back in 1993, the company launched the Newton MessagePad. But the iPad was another creature entirely. Reviewers hailed the device as a marvel of Information Age design, with its touchscreen interface, familiar iPhone OS, and that oddly useful three-axis accelerometer that could detect movement, tilting and flipping. Around 300,000 iPads were sold on the first day it was available. More than one million shipped in the first month. Just under 15 million were sold before the next model came out.
Cultural Touchstone: The No. 1 movie at the U.S. box office on March 3, 2010 was Alice in Wonderland. Somehow, this seems relevant.
Double Secret Bonus Trivia: Before the official announcement, the smart money on the rumor circuit was that the new device would be named the iTablet or the iSlate.
About one-third thinner and 15% lighter, the second iteration of the iPad was slimmed down and built for speed. The dual-core Apple A5 processor was touted at the time as being twice as fast as the original iPad chip. Most significantly, the iPad 2 included front and back cameras designed to support video recording and the trendy new FaceTime application. The sequel device got its own gyroscope, too, plus an ambient light monitor.
Cultural Touchstone: A few months later, Amazon would release the $199 Kindle Fire tablet, running Google's Android operating system.
Double Secret Bonus Trivia: The iPad 2 came with an optional Smart Cover that protects the screen and flips, origami-style, into a display stand.
Due to the unknowable mysteries of marketing, Apple dropped the numbering convention in the 2012 version of its tablet, officially calling it "The New iPad." In any case, the big addition this time was the heralded high-def Retina display, with a resolution of 2048 x 1536 pixels, or 264 pixels per inch. Crunch the numbers, and you'll find that's a total of four times the pixels, in the same space, as previous models. The general consensus was that, for binge-watching purposes, the new iPad looked better than most HDTVs on the market at the time. The five-megapixel camera was a significant upgrade, as well.
Cultural Touchstone: As you may recall, the world was supposed to end in December of 2012, calculated to be the end-date of a 5,126-year-long cycle in the Mesoamerican Long Count calendar. Instead, we got a new iPad.
Double Secret Bonus Trivia: The third-generation iPad is slightly thicker and heavier than the iPad 2.
Consider it a digital age Zen puzzle: If the original iPad was just a bigger version of the iPod Touch — as some skeptics contended — then what do you call a smaller version of the iPad? That would be the iPad Mini, a scaled-down version of the main tablet released in October 2012. Thanks to the magic of screen-to-body ratios, the Mini was half the volume and weight of the iPad proper, yet provided two-thirds of the viewing area. The Mini retained nearly all the functions and features of its bigger cousin, with better portability and a solid, rugged design. (And in 2013, the updated mini got a Retina display.)
Cultural Touchstone: 2012 also saw the release of hybrid devices and "phablets" like Google's Nexus 7, Samsung's Galaxy Note 10.1, and the Microsoft Surface.
Double Secret Bonus Trivia: The first iPad Minis were offered in black or white, with an optional but proportionate Mini Smart Cover.
Technically the fifth-generation iteration of the device, the iPad Air was designed to pack even more power into a smaller and lighter package. The 64-bit processor opened new options for high-octane productivity apps. Indeed, the Air clocked speeds nearly twice as fast as the previous model, according to independent testing. Potential buyers had plenty of options with the Air. Considering all color, storage, and networking features, Apple offered 16 different versions upon initial release.
Cultural Touchstone: In 2013, Disney's smash hit animated movie Frozen inflicted the highly contagious song "Let It Go" onto the global population.
Double Secret Bonus Trivia: The iPad Air was the first to feature dual microphones working in conjunction to better facilitate FaceTime and video sound.
Following up on the underwhelming Mini 2 (2013) and Mini 3 (2014), the Mini 4 featured a redesigned body that was slightly taller, thinner, and lighter. The mini-tablet was praised for better overall image quality, thanks in part to a laminated display with anti-reflective coating. The 1.5GHz Apple A8 processor, which sped up typical tablet tasks, represented a relatively significant upgrade. Alas, the new Mini's debut was dramatically overshadowed by Apple's new "Maxi" initiative – the iPad Pro (see next slide).
Cultural Touchstone: The year 2015 is often marked by cultural critics as the apex of the Peak TV phenomenon as AMC's Mad Men finally bows out.
Double Secret Bonus Trivia: The improved iSight forward-facing camera added support for burst mode and slow-motion video capture.
With the big and muscular iPad Pro, Apple delivered a laptop-replacement tablet system powerful enough to run most serious workplace apps. But the innovative Apple Pencil is the real star of the show. The next-generation stylus was aimed in part at those who do a lot of drawing and drafting, and more generally towards early adopters who would appreciate the technology on its own gee-whiz merits. Advanced pressure sensitivity and tilt detection complemented a bigger digital canvas, delivering a fast-forward futuristic experience, especially for graphic designers. Apple followed up with a 9.7-inch version in 2016 (at $599); then two second-generation models in 2017, with 12.9-inch and 10.5-inch displays.
Cultural Touchstone: A week before the iPad Pro hit shelves, Justin Pierre James Trudeau was sworn in as the 23rd and current Prime Minister of Canada.
Double Secret Bonus Trivia: The iPad Pro's four speakers put bass on the bottom and treble at the top, no matter what orientation you're holding the tablet.
The iPad (6th generation): Faster processor, Apple Pencil support
With Apple now hawking three separate lines of iPads — the Mini, the Pro, and the original — the company hit a reset button of sorts earlier this year with the sixth-generation 9.7-in. entry model known simply and once again as the iPad. While hardware on the 2018 edition is essentially the same as the 2017 iPad, the new device adds the speedier A10 processor and supports the Apple Pencil. Bear in mind you'll need to buy that separately, at $100, pushing the actual price for the full-featured version to $429.
Cultural Touchstone: In a sign of the times, Macworld's official testing of the new iPad included a rigorous play test of the ubiquitous Battle-Royale combat game Fortnite.
Double Secret Bonus Trivia: Leveraging Pencil support, Apple is trying like crazy to get the 2018 iPad into schools as the go-to note-taking and all-around learning device for future generations.
The iPad Pro (3rd generation): New design, Face ID, new Apple Pencil
Apple's newest iPad Pro has been completely revamped, and now offers a "Liquid Retina" display like the one on the new iPhone Xr, narrower bezels and the same Face ID technology that first arrived on the iPhone X. The larger iPad Pro still has a 12.9-in. screen, while a new 11-in. version has a display that extends further to the edges. (Apple will continue selling the older 10.5-in. iPad Pro.) Both of the new models are 5.9mm thick and offer up to 1TB of storage. Both are powered by Apple's A12X Bionic processor and should last about 10 hours on battery while surfing, watching video or listening to music. (The Wi-Fi + cellular models are expected to last about nine hours, according to Apple.) Both have a 12MP rear-facing camera, and a 7MP TrueDepth front-facing camera. The 11-in. model starts at $799 (with 64GB of storage); the larger iPad Pro starts at $999.
Cultural touchstone: It wouldn't be an all-new iPad Pro without an all-new Apple Pencil. And this one has a few new tricks up its sleeve. New magnets built into the tablets' edge allow the Pencil to attach to the side of the iPad Pro, where it pairs automatically and charges wirelessly.
Double secret bonus trivia: For those who want their iPad Pro to be more like a laptop replacement, Apple has a new Smart Folio Keyboard. The $199 keyboard attaches magnetically and offers two different viewing angles – one for casual use (like reading in bed) and one that's more upright for desktop use.
Apple's newest iPad features a larger 10.2-in. Retina display, upgraded cameras, longer battery life, and – for the first time – support for the company's Smart Keyboard. Pricing starts at $329 for a 32GB Wi-Fi-only model and jumps to $429 for the 128GB version. (The keyboard and Apple Pencil are both sold separately and cost $159 and 99, respectively.) The iPad comes in three colors: Space Gray, Silver and Gold. For more ubiquitous connectivity, a Wi-Fi+cellular model is available for $459. While this iPad does run Apple's new iPadOS, it still relies on Touch ID for authentication and has wider bezels than other iPad models.
Cultural touchstone: It might not have all of Apple's current design tweaks, but the iPad does offer one feature users might really care about: An old-fashioned headphone jack.
Double secret bonus trivia: With iPad support for the Smart Keyboard, Apple is pushing even harder to pitch the entry-level model as a laptop replacement– especially for students. Education pricing starts at $299.
Next Up: Check out these related slideshows
The evolution of Apple's iPhone
Top software failures in recent history
The hottest enterprise tech startups to watch in 2020
13 tech luminaries we lost in 2020
Top smart cities in Europe

redpajama_set_name: RedPajamaCommonCrawl


text:
Login Русский | English
Editorial Council & Board
Publishing Ethics & Peer Reviewing
Authors list
Safronov Alexander V.
Institute of Oriental Studies, Russian Academy of Sciences, Moscow, Russia
Issue 1 (81) in 2021 year - The Unnoticed Iconography of the Sea Peoples' Tribe Weshesh - 5–22
Issue 1 (288) in 2014 year - Did Kamose Ever Get to Tell-el-Dab'a? - 3–23
Issue 2 (285) in 2013 year - The Lexeme dbj as a Designation for the Troops of Sherden Mercenaries in the Egyptian New Kingdom Army - 96–101
Issue 4 (279) in 2011 year - The Date of RS 34.129 and Hittite-Ugaritic Relations at the End of the 13th Century BC - 211–218
Issue 4 (275) in 2010 year - Dating and Historical Circumstances of the Admonitions of Ipuwer - 3–22
Issue 4 (271) in 2009 year - A Stele of the High Priest of Amun Bakenkhonsu and New Data on the Beginning of the XX Dynasty - 89–103
Issue 3 (266) in 2008 year - A «Nameless» Official of the End of the XIX Dynasty and New Titles of «Great Chancellor» Bay - 110–129
Issue 4 (258) in 2006 year - The Reflection of the War in the North-West of Anatolia in the Inscriptions of Ramses III - 124–139
© Journal of Ancient History 2023


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Brooklyn Masonic Temple - The Brooklyn Masonic Temple is regarded as one of the most outstanding structures in the United States.

The cornerstone to this beautiful edifice was laid in 1907 as an exact replica of King Solomon's Temple. Only two other Temples of its kind have been erected in the world. One in Colorado and the other in Egypt. It cost four million dollars to complete this art of monumental status. Marble staircases along with Masonic murals can be found throughout the building.

In October 1977, the Temple was acquired by The Empire State Grand Council A&A.S.R.M., Inc. and opened it's doors to the public for the first time by making it's meeting rooms available to different groups on a monthly basis.

Door Policy:
Bottle Service: Yes/No Bathroom Attendant: Yes/No
Open Status: Open Closed Renamed Max Capacity:
Employee Size: --unknown-- 0 1 to 4 5 to 9 10 to 19 20 to 49 50 to 99 100 to 249 250 to 499 500 to 999 1000 to 4999 5000 to 9999 10000+ Sales Volume: --unknown-- 0 Less Than $500,000 $500,000 - 1 Million $1 - 2.5 Million $2.5 - 5 Million $5 - 10 Million $10 - 20 Million $20 - 50 Million $50 - 100 Million $100 - 500 Million $500 Million - $1 Billion Over $1 Billion
Square Footage: --unknown-- 0 - 2,499 2,500 - 9,999 10,000 - 39,999 40,000+
Import Beer Price: --unknown-- $3 or less $4 - $6 $7 - $9 $10 or more Domestic Beer Price: --unknown-- $3 or less $4 - $6 $7 - $9 $10 or more
Well Drink Price: --unknown-- $3 or less $4 - $6 $7 - $9 $10 or more Soft Drink Price: --unknown-- $3 or less $4 - $6 $7 - $9 $10 or more
Credit Cards Accepted: MasterCard Visa American Express Discover
Categories Brooklyn Masonic Temple belongs to
Afterhours Cigar Bar Wine Bar Cruise
Beer Garden College Bar Gay / Lesbian Billiards / Gaming
Club Dive 35+ Coffee Shop
Comedy Club Hotel Bar Pickup / Singles Live Music
Dance Club Irish Pub Romantic Neighborhood
Lounge Martini Bar Strip Club Outdoors / Patio
Afterwork / Happy Hour Restaurant / Bar Under 21 Exclusive Club
Bar Sports Bar Upscale Theatre
Music types played at Brooklyn Masonic Temple
80s Top 40 Techno Bachata Salsa
Alternative Dance/Electronic Karaoke Classics Tejano
Country/Folk Blues Reggaeton Cumbia World Music
Latin House R&B FreeStyle Other Latin
Hip-Hop Industrial Reggae Merengue Mash-up
Jazz/Blues Pop / Top 40 Rock Rock en Espanol
Operating Hours for Brooklyn Masonic Temple
Day Hour Opened Hour Closed
Sunday 1 2 3 4 5 6 7 8 9 10 11 12 :00 :15 :30 :45 AM PM 1 2 3 4 5 6 7 8 9 10 11 12 :00 :15 :30 :45 AM PM
Monday 1 2 3 4 5 6 7 8 9 10 11 12 :00 :15 :30 :45 AM PM 1 2 3 4 5 6 7 8 9 10 11 12 :00 :15 :30 :45 AM PM
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text:
isArray [![Build Status](https://travis-ci.org/nathanfaucett/is_array.svg?branch=master)](https://travis-ci.org/nathanfaucett/is_array)
=======

checks if value is an Array

```javascript
var isArray = require("@nathanfaucett/is_array");

isArray([]); // true
isArray({}); // false
```

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