Someone Is Out There. Watching Her. Waiting.
Blacklisted in the photography business over a controversial shot, Avery Tate answered an ad for a crime-scene photographer. She expected to be laughed at, but crime-scene analyst Parker Mitchell hired her outright--and changed her life. But six months ago, when her feelings for Parker became too strong, she left his employ to sort out her heart.
Now, for the first time, Avery is facing the world that rejected her to attend the gallery opening of a photography exhibit for which her friend modeled. But the only image of her friend is a chilling photo of her posing as if dead--and the photographer insists he didn't take the shot. Worse, her friend can't be found, and so Avery immediately calls Parker for help.
As Avery, Parker, and their friends in law enforcement dig into the mystery, they find themselves face-to-face with a relentless and deadly threat.
Nikki Boyd's flight into Nashville was routine--until the crash landing at the airport.
When the dust settles, Nikki discovers that the woman who had been seated next to her on the plane is missing--and no one will admit she was ever there. When she learns that Erika Hamilton had been flying to Nashville with an air marshal as a key witness in an upcoming grand jury trial, Nikki wonders if her disappearance from the crash site means she's running from trouble--or straight into it. Before Nikki can even see her family, she and her team are pulled into a missing persons case where the motives are as unclear as the suspects.
When Deputy Sam Brooks commits to something, nothing can sway him--not just on the job but in his private life. He's the one who stuck around to take care of his mother after his father's accidental death. And he's the one--perhaps the only one--who believes Sierra Rose is the perfect girl for him. Safe, practical, and organized, she's nothing like her hippie, impulsive, bleeding-heart sister, Willow.
Willow, however, has been in love with Sam Brooks for as long as she can remember. But she wants her sister to have a happy ending. Besides, Willow has other things to focus on--namely, nabbing the job of her dreams. Best thing for her to do is to purge Sam from her heart.
Expedition: Still Life Tour ~ Guest Post by Dani Pettrey + Giveaway!
Thanks so much for joining me on Melanie's wonderful blog for the fifth stop on my Expedition: Still Life Tour. If you aren't familiar with this exciting blog tour, or the fabulous grand prize you can win by taking part in it, please visit Expedition: Still Life's main contest page for all the details.
Today's stop is the Port of Baltimore. Baltimore has an amazingly rich maritime history and the Port of Baltimore plays a key role in Still Life.
1. The port's official name is The Helen Delich Bentley Port of Baltimore. It was renamed for Helen Delich Bentley during the 2006 celebration of the port's 300th birthday. Helen was an amazing lady, and I'm honored to say she was a fan of the Alaskan Courage and the beginning of the Chesapeake Valor series prior to passing late last year. If you're ever interested in learning about this incomparable lady and the Port of Baltimore, be sure to check out Helen's book Great Port of Baltimore Its First 300 Years 1706-2006.
2. The Port of Baltimore started in the 17th century as an access point for Maryland's tobacco trade with England.
3. The Port of Baltimore became famous for its shipbuilders. They gained renown for their Baltimore clippers as well as the Continental Navy.
4. Baltimore is home to the USS Constellation. This ship is the last Civil War vessel afloat. It was built in 1854 and is the last all-sail warship built by the US Navy.
5. Baltimore's Fort McHenry defended the Baltimore harbor during the War of 1812 and is the birthplace of the American National anthem, written by Francis Scott Key.
6. Baltimore's waterfront neighborhood of Fell's Point was the second largest point of immigration after Ellis Island.
I love driving home past the port, seeing the ships and knowing the rich history of my home state.
To also be entered to win a Amazon gift card, just answer the question below. After answering the question, visit http://danipettrey.com/stilllife-contest/ to see all the other stops and giveaways on this tour.
Merchant ships aren't the only ships to travel in and out of Baltimore's port these days. Over the last few years, Baltimore has become a key cruise port, leading cruises through New England, Canada, and down to the warm Caribbean. Have you ever been on a cruise? If so, where? If not, what would be your top cruise destination?
Praised by New York Times bestselling author Dee Henderson as "a name to look for in romantic suspense," Dani Pettrey combines the page-turning adrenaline of a thriller with the chemistry and happy-ever-after of a sigh-worthy romance novel. Her novels stand out for their "wicked pace, snappy dialogue, and likable characters" (Publishers Weekly), "gripping storyline[s]," (RT Book Reviews), and "sizzling undercurrent" of romance (USA Today).
Dani's adventure-focused Alaskan Courage series climbed the CBA bestseller lists, with Submerged staying in the top twenty for five consecutive months. The five-book series also won multiple awards, including the Daphne du Maurier award, two HOLT Medallions, and Christian Retailing's Best Award, among others. She turns her attention to crime and law enforcement in her home state of Maryland in her new Chesapeake Courage series, starting with Cold Shot, which Library Journal called, "a harrowing and thrilling ride." For more information about her novels, visit www.danipettrey.com.
--Melanie here. Dani is giving away an Amazon gift card here! To enter that giveaway, use the Rafflecopter form below so we have a way to contact you should you win. :) Mandatory entry is to comment on this post with your answer to Dani's question (above). Happy entering and thanks for stopping by! Be sure to visit http://danipettrey.com/stilllife-contest/ to check out the rest of the tour.
How to enter: Sign into the Rafflecopter form below (it might take a moment to load) and submit each entry you complete. Commenting alone will not get you entered – you must click enter on the form.
Open only to those who can legally enter. Winning entry will be verified prior to prize being awarded. No purchase necessary. You must be 18 or older to enter or have your parent enter for you. The winner will be chosen by Rafflecopter and announced here as well as emailed and will have up to one week to respond or a new winner will be chosen. This giveaway is in no way associated with Facebook, Twitter, Rafflecopter or any other entity unless otherwise specified. The number of eligible entries received determines the odds of winning. I am not responsible for any packages lost or damaged in the mail. VOID WHERE PROHIBITED BY LAW.
From bestselling author Kathleen Y'Barbo comes Sadie's Secret, the third book in The Secret Lives of Will Tucker series. These historical novels capture the romance of the South mingled with adventure and laced with secret identities and hidden agendas.
Louisiana, 1890―Sarah Louise "Sadie" Callum is a master of disguise, mostly due to her training as a Pinkerton agent but also from evading overprotective brothers as she grew up. When she takes on a new assignment with international connections, she has no idea her new cover will lead her on the adventure of a lifetime.
Undercover agent William Jefferson Tucker is not looking for marriage―pretend or otherwise―but his past is a secret, his twin brother has stolen his present, and his future is in the hands of the lovely Sadie Callum. Without her connections to the world of upper-crust New Orleans, Jefferson might never find a way to clear his name and solve the art forgery case that has eluded him for years.
Only God can help these two secret agents find a way to solve their case and uncover the truth about what is going on in their hearts.


text:
Conus magus é um molusco, cujo veneno é o primeiro a ser fonte de fármaco de origem marinha.

Ligações externas

Conus
Moluscos descritos em 1758

redpajama_set_name: RedPajamaWikipedia


Attorney Lisa Bradford is a Member of Bradford Texas Law , a law firm in Austin, TX. As a lawyer in Austin, Texas, attorney Bradford serves Travis County, as well as clients throughout Texas.
Author, Thesis, "Developing an International Regime on Determining Liability and Responsibility for the Exportation of Hazardous Substances: Who will pay?"
Civil Prosecutor, State of Texas, 1998-1999.
Member: Travis County Bar Association; State Bar of Texas (Member Sections on: Environmental, Litigation and Administrative Law).
Comments: Important advice & experienced legal opinion. Bradford Texas Law brings confidence to complex issues. Serving the Austin and central Texas region in criminal and bankruptcy matters.
Criminal Defense - * DWI / DUI * Domestic violence * Violent crime * Theft * Property crime * White collar crime Bankruptcy - * Creditor and debtor representation * reorganization * business transactional work.
Search and connect with Attorney Lisa Bradford on these social networking sites.


Our vision is a community where every member has the opportunity to succeed.
To bring that vision into reality, we provide resources and support for community members of North and Centre Wellington in a way that fosters self-sufficiency.
Respect for others, Integrity and Cooperation.
Our community hub sections make it easy for you to find other community resources that may be of assistance to you. You will find a community hub on the right hand side of each of our program pages (EarlyON, Child Care, Outreach and Support Services and Transportation). Simply activate the various links to gain access to phone numbers and websites.
Thank you so very much to all of those who help the staff of the Community Resource Centre get their work done!


The following graphic comes in the following sizes, total images 180.
Each image has the wrist watch slowly expand over 30 images.
The following image is designed to be used as a background image only (does not function as a clock). The following image is designed to help make any 'clock' page stand out. The individual images slowly show the components of the wrist watch breakout into individual pieces.
The graphics use depth of field to make the closet part of the wrist watch in focus and blur the farthest components.


Okay so this idea isn't complete yet but this is what i've collected so far.
Voca-Idol - The VOCALOIDs are looking to add a new member to their ranks, but how do they choose from the massive amounts of UTAU that exist?
THEY HOST A RIP OFF OF A POPULAR TV REALITY SHOW.
The script is currently in the making, if you have questions message me, meep, or StarryShay.
Now. Unpleasant details. I live in vancouver and sadly cannot go anywhere outside of the Vancouver-Portland area due to lack of transportation. So practice (if this gets that far) must be within that area.
sweet, i get to be in it. well this is a really good idea so i'm not all that surprised that people r repsonding to it.
Lol, If I wasn't being Miku I'd so do it.
Haku could be drunk on stage.
okay, we now need to have Neru auditioning and get a text while she's singing. that'd would be so funny.
Neru and Haku would be so much win!
Miku could be Ryan Seacrest!
If you allow it, let me know.
well we can all hope. If you do happen to get the money for it or know you are let me know and if we don't have a default miku by then we can.
Cause if I don't get my default i'm probably not going to be in it either.
Sure thing, for now! Recruit!
Hm, If Fate is alright with it, i will accept you now. :3 Baw this is gonna be so funny!
Oh and sugar, you said you wanted to join in, who would you be? o3o???
Totally, that's okay with me!
^alright you are accepted, but I do need to know where everyone lives so i can figure out where people would be coming from and stuffs.
I'd be fine with it... but I don't get the point of that.
I don't understand why Meiko of all people is Simon, lololol.
Oh ef...i didn't see that last post. Lemme clear up the confusion. Snap.
I meant that Sugar was accepted as Gumo.
I just saw that last post by Fate. Sorry guys. Dana, since she said it was okay i'm going to put you up there.
I apologize greatly for the confusion.
And just so you know, I'm in the Beaverton area.
We should prerecord everything, b/c there won't be a lot of mics avalible. So, you don't have to sing for your own character if you don't want.
I have a headset mic and a guitar hero mic to plug into my cpu so we /can/ record. i also have audacity and can download any vocaloid song on youtube.
So i think i pretty much have what we need, it's just...getting it done. lol.
and at Dana: I need your location so that I know how far you would be coming from, and base how often we could meet up on that. Because say if someone lived in idk, Olympia for example (oh i hope not that far away) We could try to arrange something to get them down here to practice and schedule around them as best as we could because they lived farther away. If this doesn't make any sense okay, after thinking about it it doesn't really make that much sense to me. I thought it was a bright idea at the time, guess not. Sorry.
Isn't is Clair or something...?
-is still not sure and msn search is no help for finding her info personality-wise- But anyways, meep if you can come up with a good role for her, then alright. maybe she could be trying to get more popular or something. Idunno. We'll talk about it.


text:
Q: Momentum operator representation If $\hat{p}$ acts on position eigenstate, it is
$$\tag{1}\hat{p}\left|x\right\rangle=+i\hbar\frac{\partial }{\partial x}\left|x\right\rangle .$$
But in general $$\tag{2}\hat{p} = -i\hbar \frac{\partial }{\partial x}.$$
Where does the sign difference come from?

A: OP's ket first equation$^1$
$$\tag{1} \hat{p}|x\rangle ~=~+i\hbar\frac{\partial |x\rangle}{\partial x}$$
is explained in eq. (7) of my Phys.SE answer here. In short, eq. (1) is consistent with the corresponding bra equation
$$\langle x |\hat{p} ~=~-i\hbar \frac{\partial \langle x |}{\partial x} $$
via Hermitian conjugation. The bra equation in turn is related to OP's second equation
$$ \tag{2}\hat{p} ~=~ -i\hbar \frac{\partial }{\partial x} $$
via the standard convention
$$\psi(x)~=~\langle x | \psi \rangle$$
for the wave function.
--
$^1$ Both sides of the ket equation (1) are kets in an appropriate infinite-dimensional vector space. (Warning: not a Hilbert space, cf. e.g. this Phys.SE post and links therein.). One can multiply eq. (1) from left with a bra $\langle \psi |$ [belonging to an appropriate (possibly different) infinite-dimensional vector space] to achieve an equation
$$\hat{p}\psi(x)^{\ast} ~=~\langle \psi |\hat{p}|x\rangle ~\stackrel{(1)}{=}~+i\hbar\langle \psi |\frac{\partial }{\partial x}|x\rangle ~=~+i\hbar\frac{\partial \langle \psi |x\rangle}{\partial x}~=~+i\hbar\frac{\partial \psi(x)^{\ast}}{\partial x},$$
where both sides are complex numbers.

A: The point is that your equation (1) does not make any sense. On the left side, you have operator acting on a vector in some abstract vector space. On the right side you have the position representation of momentum operator acting again on the same abstract vector. Those objects live in different spaces, you cannot just multiply them (actually you can if you define what is a derivative in a infinite dimensional space). What you really have is
$$\hat{p}|x\rangle = \int dx' |x'\rangle \langle x' |\hat{p} |x \rangle=  -i\hbar\int dx' |x'\rangle \frac{\partial}{\partial x} \delta(x'-x).$$
At this point you can not simplify this equation any further.  If you multiply this equation by some vector $|\psi \rangle$ and then integrate by parts you will see that the sign is different.
When you see equations like
$$\hat{p}= -i\hbar \frac{\partial}{\partial x}$$
they do not mean that operator $\hat{p}$ is equal to $  -i\hbar\frac{\partial}{\partial x}$, but rather that the operator $\hat{p}$ in position representation is equal to $  -i\hbar\frac{\partial}{\partial x}$. To be more precise
$$\langle x' |\hat{p} |x \rangle=  -i\hbar   \frac{\partial}{\partial x} \delta(x'-x).$$
In your equations you mix up abstract notation with specific representation. This often leads to confusion.

A: may be you can think this way.
The wavefunction $|x\rangle=e^{i(kx-\omega t)}$
How do we extract the momentum $\hbar k$ out of it by some operator ?
$$
\frac{\partial}{\partial x}|x\rangle=ik|x\rangle
$$
to get $\hbar k$, you need to either multiply the operator with $-i\hbar$ or with $\frac{\hbar}{i}$.
So the momentum operator is
$$
\hat{p}=-i\hbar\frac{\partial}{\partial x}=\frac{\hbar}{i}\frac{\partial}{\partial x}
$$
The equation is
$$
\hat{p}|x\rangle=-i\hbar\frac{\partial}{\partial x}|x\rangle=\frac{\hbar}{i}\frac{\partial}{\partial x}|x\rangle
$$

redpajama_set_name: RedPajamaStackExchange


Create a clear cut agreement defining forebearance and release provisions for collateral using this Forebearance Agreement With Release Provision Template. Use this ready made 9-page document in drafting the terms of your agreement by instantly downloading the template anytime and anywhere. Edit by replacing the highlighted parts with your information using any app compatible with file formats for MS Word or Pages.


text:
Q: Spring-Boot processes HttpServletRequest before registered servlets The following code demonstrates the difference in HttpServletRequest processing a request between Spring-Boot and a stand-alone servlet container (aka. Tomcat or Jetty). Both work, however I am less than happy with the Spring variant.
I have been unable to create a method to either copy the InputStream before it is processed by Spring or to suppress the processing of the request by Spring and just pass it "as is" to the Servlet. The servlet is interacting with a legacy API and needs to read/write bytes directly from the Request Body. Spring tries to map the payload, reads the InputStream and that requires the kludge of reading ParameterNames instead of just passing the Request Body on to the underlying socket to the legacy API. Any help turning this horrid spring code into something a bit more sane is greatly appreciated.
Things I've already tried (not necessarily correctly) that haven't worked. Filters to copy the InputStream, various consumes and produces annotations, etc... I also played with ByteArrayHttpMessageConverter to no avail.
The easiest solution in my opinion would be to flag the Servlet that works in Tomcat and just have Spring pass on the request via ServletRegistrationBean without modification. I'm sure I'm just missing something obvious here.
/*
 * Works in Spring-Boot 1.2.5
 */
public void doIt(HttpServletRequest request, HttpServletResponse response)
{
    response.setContentType("application/octet-stream");
    response.setHeader("Cache-Control", "no-cache");
    response.setContentLength(0);

    Writer w = acquireWriter();

    Enumeration<String> an = request.getParameterNames();

    while(an.hasMoreElements()){
        char[] msg = an.nextElement().toCharArray();
        if(msg[0]=='w')
            continue;
        e.write(msg, 0, msg.length);
    }
}

@Bean
public MyServlet myServlet(){
    return new MyServlet();
}

@Bean
public ServletRegistrationBean servletRegistrationBean(){
    ServletRegistrationBean bean = new ServletRegistrationBean(myServlet(), "/op");
    bean.setOrder(Ordered.HIGHEST_PRECEDENCE);
    return bean;
}

/*
 * Works in Tomcat 7/8
 */
public void doIt(HttpServletRequest request, HttpServletResponse response)
{
    response.setContentType("application/octet-stream");
    response.setHeader("Cache-Control", "no-cache");
    response.setContentLength(0);

    Writer w = acquireWriter();
    InputStreamReader input = new InputStreamReader(request.getInputStream(), "UTF-8");

    char[] buffer = new char[8192];

    int length=-1;
    while((length = input.read(buffer, 0, buffer.length)) != -1) {
        w.write(buffer, 0, length);
    }
}

A: M. Deinum was right on the money. The problem was the HiddenHttpMethodFilter calling getParameter which triggers the preparation of the request and reads the InputStream. I played around with registering the HiddenHttpMethodFilter and a DispatcherServlet, but found it cleaner and easier to just override the HiddenHttpMethodFilter, but both solutions do work. Here is exactly what I did to pass the request unaltered to the servlet.
@Bean
public HiddenHttpMethodFilter hiddenHttpMethodFilter(){
    return new HiddenHttpMethodFilter(){
        @Override
        protected void doFilterInternal(HttpServletRequest request, HttpServletResponse response, FilterChain filterChain)
                throws ServletException, IOException
        {
            if("POST".equals(request.getMethod()) && request.getRequestURI().startsWith("/op")) {
                filterChain.doFilter(request, response);
            } else {
                super.doFilterInternal(request, response, filterChain);
            }
        }
    };
}


10 x 10 - HEAD SHOT. 1.5" deep canvas - no frame needed.
Turnaround is 4-6 weeks, with ALL Holiday orders needing to be placed by November 1. I look forward to meeting your best friends! One pet per canvas. Dogs and Cats only on 10 x 10.


text:
Q: How to run :connect (local) When I run the following on SQL Server 2008 R2, I am getting Msg 102, Level 15, State 1, Line 1 Incorrect syntax near ':'. What is wrong?

:CONNECT(local)
Go

USE msdb
go

A: Remove the parenthesis around local and the GO on that line.  Also, GO statements should be on separate lines by themselves (which I see you had in your source and was just a formatting abnormality).
:CONNECT local
USE msdb
GO

A: You need to enable SQLCMD mode in SSMS.  Click on the Query drop down menu, then select "SQLCMD Mode".  Then you can run the query.


text:
Q: How do I split a string and use it as function arguments in Go? I have a string that is separated by spaces, in this example, its a command: ls -al.
Go has a method exec.Command that needs to accept this command as multiple arguments, I call it like so: exec.Command("ls", "-al")
Is there a way to take a arbitrary string, split it by spaces, and pass all of its values as arguments to the method?

A: You can pass any []T as a parameter of type ...T using foo... where foo is of type []T: spec
exec.Command is of type:
func Command(name string, arg ...string) *Cmd

In this case you will have to pass 1st argument (name) directly and you can expand the rest with ...:
args := strings.Fields(mystr) //or any similar split function
exec.Command(args[0], args[1:]...)

A: I recently discovered a nice package that handles splitting strings exactly as the shell would, including handling quotes, etc: https://github.com/kballard/go-shellquote

A: I can answer the first part of your question — see strings.Fields.

A: Yep. An example:
func main() {
    arguments := "arg1 arg2 arg3"

    split := strings.Split(arguments, " ")

    print(split...)
}

func print(args...string) {
    fmt.Println(args)
}


text:
The mouse and the motorcycle »
The mouse and the motorcycle: Ralph S. Mouse Series, Book 1
Cleary, Beverly.
Ralph the mouse volume 1.
0 of 3 Loveland Children's Fiction Cleary, B.
1 of 4 Boulder Main Childrens Fiction J F Clea
1 of 1 Boulder Meadows Childrens Fiction J F Clea
0 of 1 Boulder Reynolds Childrens Fiction J F Clea
1 of 3 Broomfield Children's J Fiction J Clear
1 of 1 Broomfield Children's J Fiction JPB Clear
0 of 1 Lafayette Children's Fiction Cle
1 of 4 Longmont Junior Fiction J FICTION CLEARY, B.
0 of 2 Louisville Children's J Fiction J CLE
2014. Reillustrated edition. Harper, 183 pages, 11 pages : illustrations ; 21 cm.
2017. Harper classic edition. Harper, 183,8, 28 pages : illustrations ; 20 cm.
2006. Reillustrated ed. HarperCollins, 186, 8 p. : ill. ; 22 cm.
Available from another library
1965. Morrow, 158 p. : ill. ; 21 cm.
2016. Revised edition. Harper, an imprint of HarperCollinsPublishers xii, 189 pages : illustrations ; 20 cm.
1965. W. Morrow, 158 p. illus. 21 cm.
+ Audio CD
0 of 1 Loveland Children's Book on CD Cleary, B.
0 of 1 Boulder Main Childrens Book CD CD Clea
0 of 1 Boulder Main Childrens Book CD CD Cleary
0 of 1 Boulder Meadows Childrens Book CD CD Clea
0 of 1 Broomfield Children's Media JCD Clear
0 of 1 Louisville Children's Books on CD JBOOKCD FIC CLE
p2007. Unabridged. Harper Children's Audio, 2 sound discs (2 hr.) : digital ; 4 3/4 in.
1995. Random House/ Listening Library, 2 sound discs (2 hrs., 25 min.) : digital, Dolby processed ; 4 3/4 in.
2 copies, 1 person is on the wait list.
OverDrive HarperCollins
1 copy, 1 person is on the wait list.
Hoopla Unabridged. Harper Collins Publishers , 1 online resource (1 audio file (10hr., 34 min.)) : digital.
2009 OverDrive HarperCollins English
This timeless classic now features a foreword written by New York Times bestselling author Kate DiCamillo, as well as an exclusive interview with Beverly Cleary herself.
In this imaginative adventure from Newbery Medal-winning author Beverly Cleary, a young mouse named Ralph is thrown into a world of excitement when a boy and his shiny toy motorcycle check in to the Mountain View Inn.
When the ever-curious Ralph spots Keith's red toy motorcycle, he vows to ride it. So when Keith leaves the bike unattended in his room one day, Ralph makes his move. But with all this freedom (and speed!) come a lot of obstacles. Whether dodging a rowdy terrier or keeping his nosy cousins away from his new wheels, Ralph has a lot going on! And with a pal like Keith always looking out for him, there's nothing this little mouse can't handle.
From the Book - Reillustrated edition.
The new guests
The motorcycle
Adventure in the night
A peanut-butter sandwich
The vacuum cleaner
Ralph takes command
An anxious night
An errand of mercy
A subject for a composition.
From the Book - Harper classic edition.
From the Book - Revised edition.
A peanut butter sandwich
Hotels, motels, etc
Hotels, motels, etc. -- Fiction
Hotels, motels, etc. -- Juvenile fiction
Hotels -- Juvenile fiction
Hotels -- Juvenile sound recordings
Juvenile sound recording
Mice -- Fiction
Mice -- Juvenile sound recordings
Motorcycles -- Fiction
Motorcycles -- Juvenile fiction
Motorcycling -- Fiction
Motorcycling -- Juvenile fiction
Motorcycling -- Juvenile sound recordings
Ralph S. Mouse (Fictitious character)
Ralph S. Mouse (Fictitious character) -- Fiction
Ralph S. Mouse (Fictitious character) -- Juvenile fiction
Wong, B. D.narrator.
DiCamillo, Kate,writer of foreword.
Rogers, Jacqueline,1958-
Wong, B. D.,narrator.
Dockray, Tracy,illustrator.
Rogers, Jacqueline,illustrator.
Roberts, William.
Darling, Louis.
c30886b6-6db7-73ad-b788-4664c603cc9a
mouse and the motorcycle
cleary beverly
Darling, Louis., DiCamillo, Kate,, Dockray, Tracy,, Roberts, William., Rogers, Jacqueline,, Rogers, Jacqueline, 1958-, Wong, B. D., Wong, B. D.,
Darling, Louis., DiCamillo, Kate,writer of foreword., Dockray, Tracy,illustrator., Roberts, William., Rogers, Jacqueline,1958-, Rogers, Jacqueline,illustrator., Wong, B. D.,narrator., Wong, B. D.narrator., hoopla digital.
Boulder Main Childrens Book CD, Boulder Main Childrens Fiction, Boulder Meadows Childrens Book CD, Boulder Meadows Childrens Fiction, Boulder Reynolds Childrens Fiction, Broomfield Children's J Fiction, Broomfield Children's Media, Lafayette Children's Fiction, Longmont Junior Fiction, Louisville Children's Books on CD, Louisville Children's J Fiction, Loveland Children's Book on CD, Loveland Children's Fiction, Online Hoopla Collection, Online OverDrive Collection
"Ralph is not like the other mice at the Mountain View Inn. He is always looking for adventure. So when a young guest named Keith arrives with a shiny miniature motorcycle, it's Ralph's lucky day. Right away, Ralph knows that the motorcycle is special--made to be ridden by an adventurous mouse. And once a mouse can ride a motorcycle...almost anything can happen!"--Page 4 of cover.
Audio CD, Book, eAudiobook, eBook
hoopla:MWT11587129||Online Hoopla Collection|Online Hoopla|eAudiobook|Audio Books|1|false|true|Hoopla||https://www.hoopladigital.com/title/11587129||Available Online||||, ils:.b13071907|.i30785704|Longmont Junior Fiction|J FICTION CLEARY, B.|||1|false|false|||||Due Jul 22, 2019|Jun 27, 2019|lgfcj||, ils:.b13071907|.i30785716|Longmont Junior Fiction|J FICTION CLEARY, B.|||1|false|false|||||Due Jul 17, 2019|May 20, 2019|lgfcj||, ils:.b13071907|.i30785728|Longmont Junior Fiction|J FICTION CLEARY, B.|||1|false|false|||||On Shelf|Jul 06, 2019|lgfcj||, ils:.b16160769|.i19815761|Broomfield Children's Media|JCD Clear|||1|false|false|||||Due Aug 5, 2019|Jun 15, 2019|mdbcj||, ils:.b17111286|.i14883442|Broomfield Children's J Fiction|J Clear|||1|false|false|||||Due Jul 26, 2019|May 06, 2019|mdfcj||, ils:.b17111286|.i21468072|Boulder Meadows Childrens Fiction|J F Clea|||1|false|false|||||On Shelf|Jul 13, 2019|befcj||, ils:.b17111286|.i22734478|Louisville Children's J Fiction|J CLE|||1|false|false|||||On Hold Shelf|Jun 27, 2019|lsfcj||, ils:.b17111286|.i23576820|Louisville Children's J Fiction|J CLE|||1|false|false|||||Due Aug 4, 2019|Jun 29, 2019|lsfcj||, ils:.b17111286|.i25793147|Boulder Main Childrens Fiction|J F Clea|||1|false|false|||||Due Jul 31, 2019|Jun 30, 2019|bmfcj||, ils:.b17111286|.i25793159|Boulder Main Childrens Fiction|J F Clea|||1|false|false|||||Due Jul 24, 2019|Jun 28, 2019|bmfcj||, ils:.b17111286|.i25793160|Boulder Main Childrens Fiction|J F Clea|||1|false|false|||||Due Jul 26, 2019|Jul 03, 2019|bmfcj||, ils:.b17111286|.i44323517|Longmont Junior Fiction|J FICTION CLEARY, B.|||1|false|false|||||Due Jul 22, 2019|Jun 28, 2019|lgfcj||, ils:.b18215154|.i22912617|Boulder Main Childrens Book CD|CD Cleary|||1|false|false|||||Due Aug 2, 2019|Jul 09, 2019|bmbcj||, ils:.b18215154|.i26415926|Boulder Meadows Childrens Book CD|CD Clea|||1|false|false|||||Due Aug 2, 2019|Jun 17, 2019|bebcj||, ils:.b18215154|.i2641594x|Boulder Main Childrens Book CD|CD Clea|||1|false|false|||||Due Jul 22, 2019|Jun 09, 2019|bmbcj||, ils:.b18215154|.i41585355|Loveland Children's Book on CD|Cleary, B.|||1|false|false|||||In Transit|Jul 01, 2019|lvcbj||, ils:.b18215154|.i43773096|Louisville Children's Books on CD|JBOOKCD FIC CLE|||1|false|false|||||Due Aug 7, 2019|May 13, 2019|lsbcj||, ils:.b25671728|.i36032682|Lafayette Children's Fiction|Cle|||1|false|false|||||Due Aug 6, 2019|Jun 22, 2019|lafgj||, ils:.b26590669|.i38592630|Broomfield Children's J Fiction|JPB Clear|||1|false|false|||||On Shelf|Jul 11, 2019|mdpbj||, ils:.b26593440|.i16754876|Broomfield Children's J Fiction|J Clear|||1|false|false|||||On Hold Shelf|Jul 17, 2019|mdfcj||, ils:.b26593440|.i40440552|Loveland Children's Fiction|Cleary, B.|||1|false|false|||||Due Jul 31, 2019|Jun 30, 2019|lvfcj||, ils:.b26593440|.i40440576|Loveland Children's Fiction|Cleary, B.|||1|false|false|||||Due Aug 5, 2019|Jun 10, 2019|lvfcj||, ils:.b26593440|.i42280862|Boulder Reynolds Childrens Fiction|J F Clea|||1|false|false|||||Due Jul 30, 2019|Jun 29, 2019|bgfcj||, ils:.b26593440|.i42280874|Boulder Main Childrens Fiction|J F Clea|||1|false|false|||||On Shelf|Jul 14, 2019|bmfcj||, ils:.b28142056|.i42722925|Broomfield Children's J Fiction|J Clear|||1|false|false|||||On Shelf|Jul 17, 2019|mdfcj||, ils:.b28142056|.i42727777|Loveland Children's Fiction|Cleary, B.|||1|false|false|||||Due Aug 5, 2019|May 24, 2019|lvfcj||, overdrive:48e39409-b1ec-4bc8-a4a0-f593b4d286b0|-1|Online OverDrive Collection|Online OverDrive|eBook|eBook|1|false|true|OverDrive|||Adobe EPUB eBook,Kindle Book,OverDrive Read|Available Online||||, overdrive:676549e7-1753-4917-a175-bc13c593640a|-1|Online OverDrive Collection|Online OverDrive|eAudiobook|Audio Books|1|false|true|OverDrive|||OverDrive MP3 Audiobook,OverDrive Listen|Checked Out||||
, CD audio, hardcover book, paperback book
Fiction, Novels
Cleary, B.
1965, 1995, 2006, 2007, 2009, 2014, 2016, 2017
hoopla:MWT11587129|eAudiobook|Audio Books|Unabridged.|English|Harper Collins Publishers ,|2007.|1 online resource (1 audio file (10hr., 34 min.)) : digital., ils:.b13071907|Book|Books||English|Morrow,|1965.|158 p. : ill. ; 21 cm., ils:.b16160769|Audio CD|Audio Books||English|Random House/ Listening Library,|1995.|2 sound discs (2 hrs., 25 min.) : digital, Dolby processed ; 4 3/4 in., ils:.b17111286|Book|Books|Reillustrated ed.|English|HarperCollins,|2006.|186, 8 p. : ill. ; 22 cm., ils:.b18215154|Audio CD|Audio Books|Unabridged.|English|Harper Children's Audio,|p2007.|2 sound discs (2 hr.) : digital ; 4 3/4 in., ils:.b25671728|Book|Books||English|W. Morrow,|1965.|158 p. illus. 21 cm., ils:.b26590669|Book|Books|Revised edition.|English|Harper, an imprint of HarperCollinsPublishers|2016.|xii, 189 pages : illustrations ; 20 cm., ils:.b26593440|Book|Books|Reillustrated edition.|English|Harper,|2014.|183 pages, 11 pages : illustrations ; 21 cm., ils:.b28142056|Book|Books|Harper classic edition.|English|Harper,|2017.|183,8, 28 pages : illustrations ; 20 cm., overdrive:48e39409-b1ec-4bc8-a4a0-f593b4d286b0|eBook|eBook||English|HarperCollins|2009|, overdrive:676549e7-1753-4917-a175-bc13c593640a|eAudiobook|Audio Books||English|HarperCollins|2007|
overdrive:676549e7-1753-4917-a175-bc13c593640a -1 Checked Out Checked Out false false true false false false
ils:.b13071907 .i30785704 Checked Out Checked Out false false true false false false 128, 1, 129, 2, 3, 131, 4, 132, 5, 133, 6, 7, 135, 8, 136, 9, 10, 11, 12, 13, 17, 18, 19, 20, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 45, 46, 67, 68, 69, 70, 71, 72, 73, 74, 75, 76, 77, 80, 81, 82, 84, 85, 86, 92, 93, 95, 96, 97, 98, 99, 105, 106, 108, 109, 110, 111, 112, 114, 115, 116, 117, 118, 119, 125, 126, 127
ils:.b16160769 .i19815761 Checked Out Checked Out false false true false false false 9999
ils:.b18215154 .i26415926 Checked Out Checked Out false false true false false false 128, 129, 131, 132, 133, 135, 136, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 45, 46, 67, 68, 69, 71, 72, 73, 74, 75, 76, 77, 80, 81, 82, 84, 85, 86, 92, 93, 95, 96, 97, 98, 99, 100, 105, 106, 108, 109, 110, 111, 112, 114, 115, 116, 117, 118, 119, 125, 126, 127
ils:.b18215154 .i2641594x Checked Out Checked Out false false true false false false 128, 129, 131, 132, 133, 135, 136, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 45, 46, 67, 68, 69, 70, 71, 72, 73, 74, 75, 76, 77, 80, 81, 82, 84, 85, 86, 92, 93, 95, 96, 97, 98, 99, 100, 105, 106, 108, 109, 110, 111, 112, 114, 115, 116, 117, 118, 119, 125, 126, 127
ils:.b18215154 .i41585355 Checked Out In Transit false false true false false true 128, 129, 1, 130, 2, 3, 131, 4, 5, 133, 6, 7, 135, 8, 136, 9, 10, 11, 12, 13, 17, 18, 19, 20, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 45, 46, 67, 68, 69, 70, 71, 72, 73, 74, 75, 76, 77, 80, 81, 82, 84, 85, 86, 92, 93, 95, 96, 97, 98, 99, 100, 105, 106, 108, 109, 110, 115, 117, 118, 119, 125, 126, 127
ils:.b17111286 .i22734478 Checked Out On Hold Shelf false false true false false false 128, 129, 3, 131, 132, 133, 135, 8, 136, 9, 10, 11, 13, 14, 15, 18, 35, 38, 39, 40, 41, 42, 43, 45, 46, 67, 68, 69, 80, 81, 82, 84, 85, 86, 92, 93, 95, 96, 97, 98, 99, 100, 105, 106, 108, 109, 110, 111, 112, 114, 115, 116, 117, 118, 119, 125, 126, 127
ils:.b26593440 .i16754876 Checked Out On Hold Shelf false false true false false false 9999
ils:.b26593440 .i40440552 Checked Out Checked Out false false true false false true 128, 1, 129, 130, 2, 3, 131, 4, 5, 133, 6, 7, 135, 8, 136, 9, 10, 11, 12, 13, 17, 18, 19, 20, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 45, 46, 67, 68, 69, 70, 71, 72, 73, 74, 75, 76, 77, 80, 81, 82, 84, 85, 86, 92, 93, 95, 96, 97, 98, 99, 100, 105, 106, 108, 109, 110, 115, 117, 118, 119, 125, 126, 127
ils:.b28142056 .i42727777 Checked Out Checked Out false false true false false true 128, 129, 1, 130, 2, 3, 131, 4, 133, 5, 6, 7, 135, 8, 136, 9, 10, 11, 12, 13, 17, 18, 19, 20, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 45, 46, 67, 68, 69, 70, 71, 72, 73, 74, 75, 76, 77, 80, 81, 82, 84, 85, 86, 92, 93, 95, 96, 97, 98, 99, 100, 105, 106, 108, 109, 110, 115, 117, 118, 119, 125, 126, 127
overdrive:48e39409-b1ec-4bc8-a4a0-f593b4d286b0 -1 Available Online Available Online false true true false false false
Ralph the mouse
Ralph the mouse|1
Audiobooks, Children's audiobooks, Hotels, Hotels -- Juvenile fiction, Hotels -- Juvenile sound recordings, Hotels, motels, etc. -- Fiction, Hotels, motels, etc. -- Juvenile fiction, Juvenile sound recording, Mice, Mice -- Fiction, Mice -- Juvenile fiction, Mice -- Juvenile sound recordings, Motorcycles -- Fiction, Motorcycles -- Juvenile fiction, Motorcycling, Motorcycling -- Fiction, Motorcycling -- Juvenile fiction, Motorcycling -- Juvenile sound recordings, Ralph S. Mouse (Fictitious character) -- Fiction, Ralph S. Mouse (Fictitious character) -- Juvenile fiction, Sound recording
The mouse and the motorcycle
The Mouse and the Motorcycle Ralph S. Mouse Series, Book 1, The mouse and the motorcycle / Beverly Cleary ; illustrated by Jacqueline Rogers, The mouse and the motorcycle / Beverly Cleary ; illustrated by Louis Darling, The mouse and the motorcycle / Beverly Cleary ; illustrated by Tracy Dockray, The mouse and the motorcycle [compact disc] / Beverly Cleary, The mouse and the motorcycle [electronic resource] / Beverly Cleary, The mouse and the motorcycle. Illustrated by Louis Darling
Ralph S. Mouse Series, Book 1
Audiobooks, Hotels, Hotels, motels, etc, Juvenile Fiction, Juvenile Literature, Mice, Motorcycles, Motorcycling, Ralph S. Mouse (Fictitious character)

redpajama_set_name: RedPajamaCommonCrawl


My tortoise sunny has some kind of growth under his left arm which causes it swell and he can't move it and he can't stand on it. He is healthy cause he still moves around and he eats all the time but im concern. Im going to take him to the vet but I just wanna know what is going on.


Central retinal artery occlusion, or CRAO, is a condition that occurs when blood traveling through the central retinal artery becomes blocked. The condition was first described in the mid-1800s. Today, we have a better understanding of what it is and how to treat it.
Patients will experience a sudden loss of vision in one eye. There is no pain, but a funduscopy can reveal the appearance of a red lesion, often referred to as a cherry red spot. The red area is surrounded by pale retina which is caused by restricted blood flow. Anyone who experiences sudden vision loss should seek medical assistance immediately to determine if central retinal artery occlusion or another eye condition is the cause.
Patients in North America may opt for Hyperbaric Oxygen Therapy which is only available through the Undersea and Hyperbaric Medical Society. This treatment may be covered by vision insurance, so contact your insurance provider to learn more about available benefits and costs.
Eye problems should never be ignored, especially when they lead to partial or complete vision loss. If you notice changes in your field of vision or experience eye discomfort, contact Eye Michigan at our Southeast Michigan office right away to schedule an appointment. Our renowned ophthalmologists can help provide answers and advice to guide you to the best treatment options for your eye condition.


Relaxed and luxurious, the Vice Versa Tank is made from our Ambient Cirrus 100% Italian cashmere. The gossamer, fine gauge tank looks just as elegant and feels superb regardless of which way you wear it, as top and bottom are interchangeable. Choose either a naturally draped cowl kneck and scoop hem for coverage in the back, or flip for a shorter fit and more ample neck that doubles as a hood.


text:
Q: Query TypeError: snackbarContainer is null I got this error in my browser:

TypeError: snackbarContainer is null

If I click on my button, there is no action, just the browser error in my developer tool:
  <button type="button" class="btn btn-success btn-lg">APK Generieren</button>

js code:
function buildAPK(){
    $.post("build/build_apk.php", {
        cmd: "build",
        icon: $("#icon_for_build").val(),
        packname: $("#packname_for_build").val(),
        seller: $("#seller_for_build").val(),
        appname: $("#appname_for_build").val(),
        time: $("#time_for_build").val(),
        ptitle: $("#ptitle_for_build").val(),
        ptext: $("#ptext_for_build").val(),
        ptime: $("#ptime_for_build").val(),
        domain1: $("#domain1_for_build").val(),
        domain2: $("#domain2_for_build").val(),
        domain3: $("#domain3_for_build").val(),
        domain4: $("#domain4_for_build").val(),
        domain5: $("#domain5_for_build").val(),
        welcomepage: $("#welcompage_for_build").val()
    },
    function(data, status){
        var obj = jQuery.parseJSON(data);

         //alert(obj.message);
         var snackbarContainer = document.querySelector('#demo-toast-example');
         var show_data = {message: obj.message};
         snackbarContainer.MaterialSnackbar.showSnackbar(show_data);
    });
}

Whats wrong with my code? Does anyone have an idea?
Full browser error:

TypeError: snackbarContainer is null[Learn More] scripts.js:785:4
  buildAPK/< ............../js/scripts.js:785:4 i
  ............../js/vendor.bundle.base.js:2:28012
  fireWith
  ............../js/vendor.bundle.base.js:2:28783
  A
  ............../js/vendor.bundle.base.js:4:14033
  c/<
  ............../js/vendor.bundle.base.js:4:16323
Source map error: request failed with status 404 Resource URL:
  ............../js/vendor.bundle.base.js Source
  Map URL: bootstrap.min.js.map[Learn More]

#demo-toast-example exist in my Index Page
Url: /index.php?command=build
The first Button (buildAPK) is in the code from command=build file.
index.php

      <button class="mdl-snackbar__action" type="button"></button>


text:
Julia DePinto
College of Arts and Sciences: Art and Design
Email: Julia DePinto
Website: Visit Site
Curriculum Vitae: Read CV
MFA, University of Connecticut, Storrs, Conn., 2014
BFA, Wright State University, Dayton, Ohio, 2011
Julia DePinto is a Columbus-based artist. She completed her MFA in Interdisciplinary Studio Arts at the University of Connecticut and received a BFA in Printmaking from Wright State University. Her interdisciplinary studio practice explores the discourse of contemporary self-portraiture by combining traditional and experimental approaches to printmaking and photography with the tools of smart technology and design. Highly emotive self-portraits are used as a conduit for contextualizing social and political commentary, including the societal structures placed on women in advertising and digital spaces. DePinto's work has been shown internationally in solo and group exhibitions, including the Duoro Museum, Boston University, Illinois State University and Real Art Ways in Hartford, CT. Her work has been featured in Art New England, Fresh Paint and Studio Visit magazines, and is also held in collections nation-wide. DePinto currently teaches in the Department of Art & Design at the University of Dayton.
My practice includes appropriating film stills and photographs from lonesome performance pieces executed without the presence of an audience. The images are transferred to lithographic plates and silkscreens and printed through different inking applications. Images of self-portraits are used as a conduit for contextualizing social and political commentary, including the societal structures placed on women and recent political happenings in the United States. The layering of imagery is a paradigm for the unfolding and deconstructing work of artists who have used their bodies as a confrontational medium to release frustrations concerning social injustices and the ownership of discussion about sexuality.
Faculty Perspective
Teaching is an important part of my long-term professional goals and is a fulfilling component to my personal art practice. I aspire for my students to reach a deep level of understanding in the historical, theoretical and conceptual constructs of the media through the application of traditional and contemporary approaches. As an artist and educator, I also strive to provide students with the means to find their own voice, to think critically about their work, and to provide the support needed for the students to arrive at their own solutions. The ability to create art must be coupled with the ability to critically discuss it. I desire to provide students the structure for success and reasoning outside of the classroom and to truly understand how to speak within the evolving language of visual culture.
Programming Committee Chair, Phoenix Rising Printmaking Cooperative, Columbus, OH
Artist, Lunch Money Print, New Haven, CT
Member, Mid America Print Council, USA
Member, Southern Graphics Council International, USA
Member, College Art Association, New York, NY
Featured Artist & Member, Hudson Valley Center for Contemporary Art, Peekskill, NY
Women's studies/ gender studies
Experimental & traditional approaches to printmaking & photography
Design & new technologies
Culture, politics, the economy, social issues/ injustices, etc.
Leisurely interests include: traveling, backpacking, snowboarding, the outdoors.
Selected Publications and Presentations
Jimmy Outhwaite and Jefferson Pires, "Best of 2017," Creativ Paper Magazine, December 2017.
"Artist Statement #2," Czong Institute for Contemporary Art, Sept. 2017.
Jimmy Outhwaite and Jefferson Pires, "Creative Spotlight: Julia DePinto," Creativ Paper Magazine, May 17, 2017. http://www.creativpaper.com/journal/julia-depinto
Jimmy Outhwaite and Jefferson Pires, "Issue Three: Interview w. Julia DePinto," Creativ Paper Magazine, April 2017.
Amy Lilly, "The Arts Army: Vermont," Art New England Online. March/April 2017. http://artnewengland.com/ed_picks/the-arts-army/
Monika Proffitt, "Artists to Lookout For," Starry Night Magazine, Vol. 2. December 2015.
Ekaterina Popova, Fresh Paint Magazine, Issue 9. October 2015.
Steven T. Zevitas, Studio Visit Magazine, Vol. 29. July 2015.
Sharon Butler, "Unclaimed Space, Sonetto @ Sideshow in Williamsburg," Two Coats of Paint. May 14, 2014. http://www.twocoatsofpaint.com/2014/05/uncliamed-space-sonetto-sideshow-in.html


Maserati Merak 2.0 V6 -  Performance Figures, Specs and Technical Information.
Maserati Merak Engine & Transmission | Figures & Specs.
Maserati Merak Engine: The Coupe version of the Merak model has a 1999 cc (121.9 ci) 12 valve V6 N/A Petrol engine.
Maserati Merak Transmission: This particular Maserati Merak 2.0 V6 has a 5 speed/ Manual gearbox with the power being delivered through it's RWD system.
Maserati Merak Power & Torque | Figures & Specs.
Maserati Merak Power: The Merak's 1999 cc (121.9 ci) engine reaches its peak power of 168 bhp (125 kW) @ 7000 rpm.
Maserati Merak Torque: The Maserati Merak produces torque measuring 137 lb-ft (227.7 Nm) @ 5000 rpm.
Maserati Merak Power to Weight: The Merak weighs around 1160 kg (2557 lb). Power to weight can be calculated at 144.8 bhp per metric ton or alternatively as 118.1 lb-ft of torque per ton.
Maserati Merak Top Speed & Acceleration Performance | Figures & Specs.
Maserati Merak Acceleration: This Merak accelerates 0-60mph (96.6 kph) in 7.3 seconds or 0-100kph in 7.5 and can achieve an estimated 1/4 mile drag time in 15.63 seconds with a trap speed of 87.5 mph.


text:
Find on IMDB
Find on Wikipedia
Reviewed Filmography *
The Box (2009) — Written and directed by
Southland Tales (2007) — Written and directed by
Domino (2005) — Written by
Donnie Darko: The Director's Cut (2004) — Written and directed by
Donnie Darko (2001) — Written and Directed by
* This filmography is not intended to be a comprehensive list of this artist's work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Home Entertainment Consumer Guide: March 22, 2018
by Brian Tallerico | March 22, 2018 |
The latest on Blu-ray and DVD, including Lady Bird, The Disaster Artist, The Shape of Water, Justice League, I Tonya, and Thor: Ragnarok.
2017 Chicago Critics Film Festival Preview
by Brian Tallerico | May 9, 2017 |
A preview of the 5th Chicago Critics Film Festival, which runs from May 12-18 at the Music Box Theater.
Society for Cinema and Media Studies Meets in Chicago to Think & Talk Screens
by Bill Stamets | April 3, 2017 |
A report from the 2017 SCMS conference in Chicago.
TIFF 2015: Midnight Madness and Other Horror Highlights
by Brian Tallerico | September 18, 2015 |
A TIFF report on the scary movies from this year's fest, including highlights "February," "The Devil's Candy" and "Southbound".
Thumbnails 10/9/14
by Matt Fagerholm | October 9, 2014 |
"Twin Peaks" returns; Is Cancellation Bear unbearable?; Richard Kelly on "Gone Girl"; MZS on "American Horror Show"; Remembering Geoffrey Holder.
The Mundane Uncanny: The Art of Richard Matheson, 1926-2013
by Peter Sobczynski | June 24, 2013 |
Peter Sobczynski eulogizes the late, great, astoundingly prolific writer Richard Matheson, "whose work in a career that would encompass seven decades influenced anyone who encountered, it regardless of the medium he was working in." Includes appreciations of "Duel," "Nightmare at 20,000 Feet," "I Am Legend," "Somewhere in Time" and many other works, original and adapted.
Is it time for best movies of the decade already?
by Jim Emerson | November 12, 2009 |
Yes it is, I'm afraid. Or almost. Good grief, I know, it's not even Thanksgiving yet and they've already got the festive "Best Of" decorations up in the stores! And I know lots of critics who've been told by their editors to start working on their big '00s lists -- so, reluctantly, I've begun to ponder mine, as well. I haven't even taken a first stab at it but I can tell you this: It will probably not resemble the Top 100 list published a few days ago in the Times of London. Oh, sure, I can conceive of putting together some kind of list that includes "Crash" (#98), "Bowling for Columbine" (#77), "The Diving Bell and the Butterfly" (#28), "Slumdog Millionaire" (#6) and the like -- but such a ranking would not be comprised of movies that I hold in high esteem. (Have any of the decades' movies plummeted in reputation more dramatically than "Columbine" and "Crash"?)
If you want to page through the Times' list, you can go ahead and start here. It's not all so bad. Meanwhile, here are the top 20 -- with links to things I've written about some of the titles:
Hollywood lip smackdown!
by Roger Ebert | August 9, 2007 |
Q. A blogger named Brian at takes issue with your remarks about Paul Greengrass' long takes in "The Bourne Ultimatum," writing: "I don't recall a single take in this movie that was more than about three seconds long. Either Greengrass really does a spectacular job of not 'calling attention' to those long takes, or Ebert saw a different movie. But it's very strange, no matter what." (From goneelsewhere.wordpress.com:) Who's right?
Ebert's 2006 summer/fall round-up
by Roger Ebert | September 1, 2006 |
Film festivals allow you to get way ahead on your movie viewing. At Sundance, Cannes, Telluride and Toronto you can see movies that will be released throughout the coming year and into the next. That's what Roger Ebert does every year, and here are some of the movies he's already written about for the next few months, into November....
Darkness for 'Donnie Darko' director?
by Jim Emerson | May 22, 2006 |
Buffy Barko. Sarah Michelle Gellar in Richard Kelly's "Southland Tales."
When "Donnie Darko" sank without a trace after its theatrical release in October, 2001, writer-director Richard Kelly feared his (potential) career had gone down with it. Then, the movie became a cult phenomenon on DVD and Kelly, like his alliterative hero, was given a second chance.
The signs since then have not been enouraging: a screenplay for Tony Scott's "Domino," a film that graced many of last year's Ten Worst lists; and (far more disturbing) a "director's cut" of "Donnie Darko" that indicated Kelly didn't know what he'd done right the first time. All the best qualities of the film -- its teasing ambiguity, its creepy playfulness -- were nearly crushed in an attempt to laboriusly spell out an elaborate science-fiction/time travel mythology. What was once a tantalizing undercurrent was thus made literal and dull. More "explanation" of geeky but arbitrary "rules" simply reduced the movie's sense of possibility and imagination... and made it a lot less fun. If the "DD" director's cut had been the original version of the movie, it would never have piqued enough curiosity to have developed much of a cult following.
Now, the reviews from Cannes of Kelly's long-awaited and highly anticipated sophomore feature, "Southland Tales," suggest Kelly hasn't learned anything from his "Donnie Darko" director's cut experience. Most of them are devastating -- by which I mean they're at least as bad as the ones for "The Da Vinci Code," and worse than the ones for "X-Men: The Last Stand."
Cannes #5: Luster & its lack
by Roger Ebert | May 22, 2006 |
CANNES, France – There are entries that have been liked and even loved, but the 2006 Cannes Film Festival reaches its halfway mark looking like a fairly lackluster year. Only Pedro Almodovar's "Volver," a high-spirited memory inspired by his childhood in La Mancha, has been embraced by critics and audiences. "Volver" means "to return," and resembles in its exuberant nostalgia Fellini's "Amarcord" ("I Remember").
The Cruise-ible
Tom Cruise with his "Miiii" squeeze.
What do we talk about when we talk about Tom Cruise? What are our images of him really based upon, besides his own publicity stunts and some headlines? And just how did the top movie star in the world become so unlikeable in the public eye, an object of scorn and derision in the media, and a punch line for stand-up comics? Normally, a movie star's fall from gross -- er, grace -- wouldn't interest me much (although I am still trying to figure out how Burt Reynolds' 1970s career flamed out). I've interviewed hundreds of actors and filmmakers over the years and I've always made it a personal policy never to ask them, or speculate in print, about what they euphemistically call their "private lives," mainly because I really don't think it's any of my (or your) business. I'm interested in their work, not in what they do in their off hours.
But the fascinating thing about Cruise is how he's made a public commodity of his so-called "private life" (or his own image-manipulation version of it, presented for your entertainment). You'd think he would have learned something from the tabloid headlines generated by the sudden and mysterious split with his superstar wife Nicole Kidman, and tried to keep his personal affairs as private as he can. But no. When somebody boasts about details of his alleged off-screen love life on the most popular talk show in the world, goes on TV to say a pregnant actress (Brooke Shields) was wrong to seek medical treatment for her postpartum depression, and acts as a public spokesperson for his supposed "religion" in interviews (if you grant Scientology that status) -- even to the point of having Scientology tents set up on the set of Steven Spielberg's "War of the Worlds" in case cast or crew wanted to take a Free Personality Inventory -- well, that's when the "personal" becomes part of the star's public branding. And Tom Cruise is a brand name, every bit as much as Apple or Starbuck's or Subway or Volkswagon.
Why we are all doomed
Director Richard Kelly. (Note motion picture camera.) Not to be confused with suspected terrorist James Kelly. Or soap-operatic rapper (and little girl fancier) R. Kelly. Or "Singin' in the Rain" dancer Gene Kelly. Or former Princess of Monaco Grace Kelly.
One of the things I love about "24" (not just this season, which is the best one ever, but in general) is the way it shows how people never cease being petty and self-centered, even in the midst of potentially catastrophic international crises in which millions of other people's lives are at stake. What it all comes down to is this: In any crisis, office politics are probably more important than global politics. We see it all the time with our politicians' egocentric defenses of indefensible ineptitude and gridlock caused by inter-agency squabbling (which the papers always call "turf wars").
Now, here's another example of bureaucratic bungling in the name of Homeland Security that shows why, as Jon Stewart recently observed, if terrorists have not yet attacked us since 9/11 it can only be because they are even more incompetent than our own so-called "security" apparatus: Director Richard Kelly ("Donnie Darko," "Southland Tales") is being investigated as a possible terrorist and may not be able to attend the premiere of his new movie at the Cannes Film Festival next week, where his film is in competition for the Palm d'Or. Why?
Donnie Darko in his mind's eye (One little boy, one little man)
by Jim Emerson | November 2, 2004 |
"It was as though this plan had been with him all his life, pondered through the seasons, now in his fifteenth year crystallized with the pain of puberty." -- from Graham Greene's story "The Destructors," as read by Donnie Darko's English teacher, Miss Pomeroy (Drew Barrymore)


There was no racing on day five of the Tornado World Championships. After three solid days of racing in northerly breezes, the remnants of tropical storm Isadore approached Martha's Vineyard.
The early morning northerly reached 15 knots, but by 1130 hours it had diminished to 8 knots and before a starting sequence could commence, the breeze collapsed to 4 knots.
The fleet was sent back to shore to await the arrival of the advancing warm front and a southerly breeze. The warm front did not arrive during daylight hours, and neither did the southerly breeze. Giving the race committee only one choice, to abandon racing for the day.
The forecast is for gales overnight, with the prediction of a windy forecast for the final day of racing. Everyone is hoping to complete two final races, but the morning will tell whether conditions will be within the 25 knot wind limit.


text:
Select an option Log In Buy Article Subscribe Content & Permissions Ovid Member Institutional Access
Thought you might appreciate this item(s) I saw at Current Opinion in Gastroenterology.
LARGE INTESTINE: Edited by Eamonn M.M. Quigley
Immune-checkpoint inhibitors induced diarrhea and colitis
a review of incidence, pathogenesis and management
Abu-Sbeih, Hamzaha,*; Ali, Faisal S.b,*; Wang, Yinghongc
aDepartment of Internal Medicine, University of Missouri-Kansas City, Kansas City, Missouri
bDepartment of Internal Medicine, Saint Joseph Hospital, Chicago, Illinois
cDepartment of Gastroenterology, Hepatology, and Nutrition, The University of Texas MD Anderson Cancer Center, Houston, Texas, USA
Correspondence to Yinghong Wang, MD, PhD, 1515 Holcombe Blvd, Unit 1466, The University of Texas MD Anderson Cancer Center, Houston, TX 77030, USA. Tel: +1 713 794 5073; fax: +1 713 794 5398; e-mail: ywang59@mdanderson.org
Current Opinion in Gastroenterology: January 2020 - Volume 36 - Issue 1 - p 25–32
doi: 10.1097/MOG.0000000000000593
Purpose of review
Diarrhea and colitis are among the most commonly encountered immune-mediated adverse events among patients receiving antiprogrammed cell death protein/ligand-1 (PD-1/L1) as well as anticytotoxic T-lymphocyte-associated protein 4 (CTLA-4) antibodies. With growing indications and widespread use of immune checkpoint inhibitors, it is imperative to summarize the current body of evidence concerning the incidence, pathogenesis, risk factors, diagnostic challenges, and treatment options currently available for the management of immune-mediated diarrhea and colitis. Additionally, with emerging evidence analyzing the resumption of immune checkpoint inhibitors, it is pivotal to summarize our current understanding and future challenges.
Immune-mediated diarrhea and colitis can potentially be a viable surrogate marker for improved survival as it is validated further in large-scale studies. Early endoscopic evaluation can aid in the identification of patients at risk of developing steroid refractory immune-mediated colitis, and hence can be chosen to receive early add-on therapy with infliximab, vedolizumab or fecal microbiota transplantation, an emerging treatment option for immune-mediated diarrhea and colitis. Resuming immune checkpoint inhibitors carries a manageable risk of recurrent diarrhea and colitis, with most cases being mild and effectively managed with immunosuppressive therapy.
As our understanding of immune-mediated diarrhea and colitis grows, it is likely that this clinicopathologic entity will represent more than just an adverse event. With a growing number of treatment options, the management algorithms for immune-mediated diarrhea/colitis are likely to evolve in the future.
Copyright © 2020 Wolters Kluwer Health, Inc. All rights reserved.
Immune-checkpoint inhibitors induced diarrhea and colitis: a review of incidence, pathogenesis and management
Current Opinion in Gastroenterology36(1):25-32, January 2020.
endoscopy, fecal microbiota transplantation, immune checkpoint inhibitors, immune-mediated colitis, immune-related adverse events, infliximab, vedolizumab
Search for Similar Articles
You may search for similar articles that contain these same keywords or you may modify the keyword list to augment your search.
Articles in PubMed by Hamzah Abu-Sbeih
Articles in Google Scholar by Hamzah Abu-Sbeih
Other articles in this journal by Hamzah Abu-Sbeih
Readers Of this Article Also Read
Measuring outcomes in complicated intra-abdominal infections
Foodborne transmission of Clostridioides difficile: a review
Carbapenemase-producing Enterobacteriaceae – once positive always positive?
Anal fissure management by the gastroenterologist
Endoscopic management of inflammatory bowel disease-associated complications
Wolters Kluwer Health, Inc. All rights reserved.


Vistors wishing to join this forum must be registered and logged in.
Guests are now permitted to post.
There have been dozens of new games added for members and guests with more to come.
If they fail to score let us know which games failed to leave a score please.


text:
Home / Tanzania Tours / 5 days Tanzania luxury safari
5 days Tanzania luxury safari
5 days Tanzania luxury safari – Enjoy authentic interactions with the Maasai. See the big cats See the greatest show on earth the wildebeests migration. See more animals than you ever thought possible. See the Endless plains of the Serengeti
5 Day Tanzania Luxury Safari to Tarangire, Serengeti & Ngorongoro Crater
Enjoy authentic interactions with the Maasai
AREAS VISITED
The great rift valley
Lake Manyara view point
Met on arrival at Kilimanjaro Airport or Arusha Airport. Transfer to Lake Duluti Serena Lodge for dinner and overnight HB. (40 km, 30 minutes)
ACCOMMODATION: Lake Duluti Serena Lodge or similar Accommodation
After breakfast the tour departs. First stop is Arusha Town for any last minute purchases before we head off on safari. Afterwards we head towards the Tarangire National Park for a game drive with picnic lunch at the park. Tarangire is well known for its huge elephant population and baobab trees. It forms the centre of an annual migratory cycle that includes up to 3000 elephants, 25,000 wildebeest and 30,000 zebras. Dinner and overnight at Gibb's Farm .
ACCOMMODATION: Ngorongoro Gibb's Farm
After breakfast, depart for Serengeti National Park, via the beautiful high lying farmland of Karatu and the Ngorongoro Conservation Area. Leaving the highlands behind, we descend into the heart of wild Africa – the Serengeti National Park – with its endless plains, rolling into the distance as far as the eye can see. Then heard to the central park area, known as the Seronera area, one of the richest wildlife habitats in the park, featuring the Seronera River, which provides a valuable water source to this area and therefore attracts wildlife well representative of most of the Serengeti's species. Arrive in time for lunch and enjoy an afternoon game drive in the Serengeti national park. Dinner and overnight at Serengeti Nasikia Tented Camp for 2 nights.
ACCOMMODATION: Serengeti Nasikia Tented Camp
Full day Serengeti National park game drive
Early morning game drive and after depart to Ngorongoro Conservation area. We will stopover at Olduvai Gorge, boasting with a history dating back to the dawn of time. It was here, that the anthropologists Drs. Lois and Mary Leakey discovered the skulls of 'Nutcracker Man' and 'Handy Man', both very significant links in the chain of human evolution Late afternoon transfer to Ngorongoro Sopa Lodge where you will have dinner and overnight
ACCOMMODATION: Ngorongoro Sopa Lodge
After an early breakfast, You will descend over 600 meters into the crater to view wildlife. Supported by a year round water supply and fodder, the Ngorongoro conservation Area supports avast variety of animals, which include herds of wildebeest, zebra, buffalo, eland, warthog, hippo, and giant African elephants. Another big draw card to this picturesque national park, is it's dense population of predators, which include lions, hyenas, jackals, cheetahs and the ever-elusive leopard, which sometimes requires a trained eye to spot. We will visit Lake Magadi, a large but shallow alkaline lake in the southwestern corner, which is one of the main features of the crater. A large number of flamingos, hippos and other water birds can usually been seen here. Late afternoon transfer to Arusha For dinner and Overnight or airport drop off. ( Accommodation can be included upon request at extra cost )
MAKE A BOOKING FOR 5 days Tanzania luxury safari
5 days Tanzania luxury safari quantity
4 days Tanzania lodging safari- Enjoy authentic interactions with the Maasai. See the big cats See the greatest show on earth the wildebeests migration....


In this class, you will learn about The Anxious-Avoidant Trap; how insecure attachment styles—a biologically-informed approach to intimacy—often lead to dramatic, roller coaster relationships that result in co-dependency, low self esteem, anxiety, depression, addictive behaviors, and a host of other issues. We will also examine the addictive brain chemistry involved with these kinds of relationships.
Identify the correct definitions for two insecure attachment styles.
Identify two of six signs of The Anxious-Avoidant Trap, in relationships.
Identify the correct corresponding parenting style, to two insecure attachment styles.
In purchasing this course, all materials will be made available immediately, and you can access them whenever you want, for all time!
This course is currently offering 2.5 self-study, continuing education contact hours, for Licensed Creative Arts Therapists in New York State.
What is The Anxious-Avoidant Trap? What is the brain chemistry involved?
Where do attachment styles originate? Can they change?
Written Descripton_What are the origins of attachment? And can they change?
We would never want you to be unhappy! If you are unsatisfied with your purchase, contact us in the first 30 days and we will give you a full refund. If, however, you have received a continuing education certificate, no refund will be awarded.


I was grieving, floating through life & totally dis-connected to what I call "Source". Although I'm a very open minded & spiritual person, I just wasn't drawn to all these other avenues of help. I had become de-sensitised to it all, that is, until Anna.
She has this energy about her that is just 'Real & Pure'.
All my passing thoughts, emotions, lost & forgotten joys & dreams that had been suppressed due to stress, motherhood, and dysfunctional relationships, surfaced in Anna's presence.
If I had to describe what she does, I'd say it's a reconnection to your Soul. I remember driving home & crying at the liberation I felt – a warm light coming out of my many cracks and I just felt this peace and certainty knowing that all would be okay. It was an un-shakable faith in me that had come back.
I will be forever thankful to Anna for re-awakening my soul and I look forward to her future guidance I can't wait until my children see her as well.
I decided to study kinesiology as I was looking at ways to help people achieve goals and alleviate their stresses. Having worked in the Human Resources field for over ten years in a corporate managerial role, this experience allowed me to see the many ways that stress affects people, though it was difficult to truly help them on an individual basis when ultimately whatever solution was put in place had to benefit the organisation.
which was something I myself had difficulty in doing. Attending an Aromatic Kinesiology workshop years before, I always knew kinesiology would be a modality I would use and people would find of great benefit. It took the difficulty in conceiving our first child for me to make the decision I couldn't continue doing what I was doing, and decided then was the perfect time to follow my heart. I quit my job, enrolled in the Holistic Kinesiology course… and fell pregnant 2 months later!
My ultimate aim is to inspire, educate and empower women to reclaim their true self.
There are so many factors that have contributed to allowing ourselves to deviate from our true course. That could due to being at a biological mismatch to our environment, being influenced by other people or not listening to our inner voice and heart space.
and am able to provide my clients with very practical and simple solutions to implement into their everyday lives that allow for maximum results.
I especially enjoy helping clients manage their stress (be it physical, emotional or energetic in nature), find and follow their true passions, and helping those who are unable to identify what it actually is that makes them feel 'out of sorts', as though they are searching for something more to their lives.
I look forward to helping you connect with your true self!


text:
package org.gradle.internal.execution.history.changes;

import com.google.common.collect.ImmutableMap;
import org.gradle.internal.fingerprint.CurrentFileCollectionFingerprint;
import org.gradle.internal.fingerprint.FileCollectionFingerprint;
import org.gradle.internal.fingerprint.FingerprintingStrategy;
import org.gradle.internal.fingerprint.impl.AbsolutePathFingerprintingStrategy;
import org.gradle.internal.fingerprint.impl.IgnoredPathFingerprintingStrategy;
import org.gradle.internal.fingerprint.impl.NameOnlyFingerprintingStrategy;
import org.gradle.internal.fingerprint.impl.RelativePathFingerprintingStrategy;

import java.util.SortedMap;

public abstract class AbstractFingerprintChanges implements ChangeContainer {
    private static final ImmutableMap<String, FingerprintCompareStrategy> COMPARE_STRATEGY_MAPPING = ImmutableMap.<String, FingerprintCompareStrategy>builder()
        .put(AbsolutePathFingerprintingStrategy.IDENTIFIER, AbsolutePathFingerprintCompareStrategy.INSTANCE)
        .put(NameOnlyFingerprintingStrategy.IDENTIFIER, NormalizedPathFingerprintCompareStrategy.INSTANCE)
        .put(RelativePathFingerprintingStrategy.IDENTIFIER, NormalizedPathFingerprintCompareStrategy.INSTANCE)
        .put(IgnoredPathFingerprintingStrategy.IDENTIFIER, IgnoredPathCompareStrategy.INSTANCE)
        .put(FingerprintingStrategy.CLASSPATH_IDENTIFIER, ClasspathCompareStrategy.INSTANCE)
        .put(FingerprintingStrategy.COMPILE_CLASSPATH_IDENTIFIER, ClasspathCompareStrategy.INSTANCE)
        .build();

    protected final SortedMap<String, FileCollectionFingerprint> previous;
    protected final SortedMap<String, CurrentFileCollectionFingerprint> current;
    private final String title;

    protected AbstractFingerprintChanges(SortedMap<String, FileCollectionFingerprint> previous, SortedMap<String, CurrentFileCollectionFingerprint> current, String title) {
        this.previous = previous;
        this.current = current;
        this.title = title;
    }

    @Override
    public boolean accept(ChangeVisitor visitor) {
        return SortedMapDiffUtil.diff(previous, current, new PropertyDiffListener<String, FileCollectionFingerprint, CurrentFileCollectionFingerprint>() {
            @Override
            public boolean removed(String previousProperty) {
                return true;
            }

            @Override
            public boolean added(String currentProperty) {
                return true;
            }

            @Override
            public boolean updated(String property, FileCollectionFingerprint previousFingerprint, CurrentFileCollectionFingerprint currentFingerprint) {
                String propertyTitle = title + " property '" + property + "'";
                FingerprintCompareStrategy compareStrategy = determineCompareStrategy(currentFingerprint);
                return compareStrategy.visitChangesSince(previousFingerprint, currentFingerprint, propertyTitle, visitor);
            }
        });
    }

    protected FingerprintCompareStrategy determineCompareStrategy(CurrentFileCollectionFingerprint currentFingerprint) {
        return COMPARE_STRATEGY_MAPPING.get(currentFingerprint.getStrategyIdentifier());
    }
}

redpajama_set_name: RedPajamaGithub


Information on Bristol's special educational needs and disabilities (SEND) strategy and its progress.
Our vision is that children and young people with special educational needs and disabilities in Bristol are given the best possible help towards a healthy, independent and fulfilling life.
By working in partnership with other organisations and families we identify, support and empower those who need it most.
These strategies show how we'll work together and what we are working towards.
The SEND Challenge Group, a sub group of the Children and Families Partnership Board, has a special focus on making sure children and young people with SEND and their families achieve the outcomes in the vision.
Every two years we do a self-evaluation of SEND services.
This evaluation is to better understand how we're doing from our view and the view of the people who we provide services for.
The 2014 SEND Reforms introduced closer working between Education, Health and Social Care services to meet the needs of children and young people with special educational needs and/or a disability (SEND), and their families.
You can find out more information from the points above and more about special educational needs and disability in Bristol from our Local Offer website.
For further information see our SEND in Education page.


text:
According to Canadian Food and Drug Regulations, wine in Canada is an alcoholic drink that is produced by the complete or partial alcoholic fermentation of fresh grapes, grape must, products derived solely from fresh grapes, or any combination of them. There are many materials added during the course of the manufacture, such as yeast, concentrated grape juice, dextrose, fructose, glucose or glucose solids, invert sugar, sugar, or aqueous solutions. Calcium sulphate in such quantity that the content of soluble sulphates in the finished wine shall not exceed 0.2 per cent weight by volume calculated as potassium sulphate. Calcium carbonate in such quantity that the content of tartaric acid in the finished wine shall not be less than 0.15 per cent weight by volume. Also, sulphurous acid, including salts thereof, in such quantity that its content in the finished wine shall not exceed 70 parts per million in the free state, or 350 parts per million in the combined state, calculated as sulphur dioxide. Caramel, amylase and pectinase at a maximum level of use consistent with good manufacturing practice. Brandy, fruit spirit or alcohol derived from the alcoholic fermentation of a food source distilled to not less than 94 per cent alcohol by volume.[clarification needed] Prior to final filtration may be treated with a strongly acid cation exchange resin in the sodium ion form, or a weakly basic anion exchange resin in the hydroxyl ion form.[83]
Organic food is food produced by methods that comply with the standards of organic farming. Standards vary worldwide, but organic farming in general features practices that strive to cycle resources, promote ecological balance, and conserve biodiversity. Organizations regulating organic products may restrict the use of certain pesticides and fertilizers in farming. In general, organic foods are also usually not processed using irradiation, industrial solvents or synthetic food additives.[45]
The earliest archaeological and archaeobotanical evidence for grape wine and viniculture, dating to 6000–5800 BC was found on the territory of modern Georgia.[18][19] Both archaeological and genetic evidence suggest that the earliest production of wine elsewhere was relatively later, likely having taken place in the Southern Caucasus (which encompasses Armenia, Georgia and Azerbaijan), or the West Asian region between Eastern Turkey, and northern Iran.[20][21]
Since 1999, our domain brokerage team has completed some of the most chart topping and expensive sales in the industry: Sex.com for 13m USD, dudu.com for 1m USD, kaffee.de for 100,000 EUR, and many many more. We will assign you a personal domain broker who will initiate negotiations with potential buyers on your behalf. Customers always remain confidential. Guaranteed!
Edible animal material, including muscle, offal, milk, eggs and egg whites, contains substantial amounts of protein. Almost all vegetable matter (in particular legumes and seeds) also includes proteins, although generally in smaller amounts. Mushrooms have high protein content. Any of these may be sources of essential amino acids. When proteins are heated they become denatured (unfolded) and change texture. In many cases, this causes the structure of the material to become softer or more friable – meat becomes cooked and is more friable and less flexible. In some cases, proteins can form more rigid structures, such as the coagulation of albumen in egg whites. The formation of a relatively rigid but flexible matrix from egg white provides an important component in baking cakes, and also underpins many desserts based on meringue.
Although red wine contains the chemical resveratrol and there is tentative evidence it may improve heart health, the evidence is unclear for those at high risk as of 2013.[131] Grape skins naturally produce resveratrol in response to fungal infection, including exposure to yeast during fermentation. White wine generally contains lower levels of the chemical as it has minimal contact with grape skins during this process.[132]
Peasant foods have been described as being the diet of peasants, that is, tenant or poorer farmers and their farm workers,[53] and by extension, of other cash-poor people. They may use ingredients, such as offal and less-tender cuts of meat, which are not as marketable as a cash crop. Characteristic recipes often consist of hearty one-dish meals, in which chunks of meat and various vegetables are eaten in a savory broth, with bread or other staple food. Sausages are also amenable to varied readily available ingredients, and they themselves tend to contain offal and grains.
While some Christians consider the use of wine from the grape as essential for the validity of the sacrament, many Protestants also allow (or require) pasteurized grape juice as a substitute. Wine was used in Eucharistic rites by all Protestant groups until an alternative arose in the late 19th century. Methodist dentist and prohibitionist Thomas Bramwell Welch applied new pasteurization techniques to stop the natural fermentation process of grape juice. Some Christians who were part of the growing temperance movement pressed for a switch from wine to grape juice, and the substitution spread quickly over much of the United States, as well as to other countries to a lesser degree.[112] There remains an ongoing debate between some American Protestant denominations as to whether wine can and should be used for the Eucharist or allowed as an ordinary drink, with Catholics and some mainline Protestants allowing wine drinking in moderation, and some conservative Protestant groups opposing consumption of alcohol altogether.[citation needed]
Fruits are the ripened ovaries of plants, including the seeds within. Many plants and animals have coevolved such that the fruits of the former are an attractive food source to the latter, because animals that eat the fruits may excrete the seeds some distance away. Fruits, therefore, make up a significant part of the diets of most cultures. Some botanical fruits, such as tomatoes, pumpkins, and eggplants, are eaten as vegetables.[10] (For more information, see list of fruits.)


Because of the extreme weather conditions, we will be canceling school and all after school activities tomorrow and Thursday. Please see below for all of the important information you need to know for the remainder of the week.
Stay safe and warm. I look forward to seeing you on Friday!
Student work for tomorrow will be available in the Backpack section of our website. There will be no additional assignments for Thursday.
Fifth – eighth graders have the majority of their Wednesday assignments in Google Classroom.
There will be no manna sales on Wednesday or Thursday.
Any lunches ordered for Wednesday and Thursday will be voided for all students, and Friday Feb 1st, K-2nd lunches for will also be voided for the Disney on Ice field trip.
PreK-3rd Grade Parents, be sure to review information about this Saturday's Valentine's ETC and our February ETC sessions.
K-8 Father Daughter Dance information is going home with your child today.
All of the students in grades PK- 2nd should be at school for the regular start of the school day.
All Full Day preschoolers will meet in their classrooms at the regular time. PART TIME AFTERNOON STUDENTS WILL COME TO SCHOOL AT 8:30. Preschoolers will wear their Preschool t-shirts and comfortable pants.
The buses will be lined up and numbered around the perimeter of the building on the day of the trip. To ensure the safety of all, we ask that no one park in those areas.
All K-2 students should wear their gym uniforms on the day of the trip. DRESS WARMLY!!
Students should bring a small lunch and juice box/water in a brown bag. No cans or glass bottles allowed.
In order to be fair to all, we ask that none of the children bring extra money for concessions or trinkets.
Chaperones should report to the office at 8:45. Please bring a small bag to carry lunches. DRESS WARMLY!!!!!


text:
U.S. Labor Report: Economy Adds 103,000 Jobs But Unemployment Rate Remains at 9.1 Percent
BLS: September 2011 Employment Situation Summary
The re-hired 45,000 Verizon employees who returned to work from a recent strike made up a big chunk of the 103,000 nonfarm jobs added to the economy in September, according to a new U.S. Dept. of Labor report. The federal government also says the unemployment rate is still 9.1 percent; it's been stuck there the past three months.
These job expansion numbers are above the 56,000 jobs economists predicted would be added in September.
Specifically, job gains specifically were seen in professional and business services, health care, and construction. Manufacturing employment changed little (13,000 jobs were lost), and "has been essentially flat for the past two months," noted the report.
About 34,000 government jobs were cut, too. The Post Office let loose 5,000 workers, and local governments shed 24,000 teachers and other workers. Within retail trade, electronic and appliance stores lost 9,000 workers. However, employment in wholesale trade, transportation and warehousing, financial activities, and leisure and hospitality "changed little."
The Labor department also revised August's figures to show a gain of 57,000 jobs, up from a previous estimate of zero. July's figures were revised, too, revealing 127,000 jobs-up from 85,000 as initially reported.
Almost 4.5 million Americans-representing one-third of the nation's jobless citizens--have been unemployed for more than year.


Please note that there is no chassis or frame.
Unique artwork made in my studio , signed on the front of the piece and delivered with a signed certificate of authenticity.
This artwork is sold and shipped to you by Loetitia Pillault, and will be packaged in a reinforced envelope. Artworks are dispatched within 1 working days from France.


text:
(Devolver Digital)
E3 2019: Let's Discuss E3 Press Conferences!
June 5th, 2019 Candice Shane Features, Gaming, Video
The Electronic Entertainment Expo has been a yearly (mostly) event since video games hit the mainstream. With this comes mini-conferences from the biggest in the gaming industry and we all tune in and attend with no question. Sometimes, well, it can get interesting.
I included a video of some pretty notable moments as finding clips of the growing pains of E3 in a social media landscape isn't the easiest thing when included with zero context. I don't usually share WatchMojo content here often, but this video does do a really good job of showing just what we've had to witness through some of these conference moments. It's rather comical to watch these and remember being in the audience for the majority of these press conferences shown. Especially when I recall the flinching and cringing we were doing as we sat there, locked in these auditoriums, as things went bonkers.
While these moments are what memes are made of, there has always been a pang of sympathy when you're sitting there witnessing them live and before your eyes. Since these are scripted and prepared long before the show, often enough you used to be able to tell that someone wasn't directing the entire show altogether. It seemed like different dev studios were all crammed and displaying things without a fluidity to it. I blame the fact that about the time social media was popping off with MySpace, YouTube, Facebook and Twitter — everyone was trying to figure out a way to make the best they could for viral marketing. With that, some video game companies tried to add comedians as their hosts but would choose hosts that weren't familiar with video games. Other times, they would forget that their devs weren't naturally native English speakers and complications would arise from a lack of understanding and their obvious nerves.
You can always expect some fans to leap in and make memes of conferences once they wrap up. Biased? Sure. Funny? Absolutely!
Eventually, the memes would end up painful and studios would feel so unbelievably mocked that they would progressive get better and better every year to avoid the negative connections. By 2013, I feel, people were locked into having directors and producers that would make these conferences, that were being broadcast to millions, more visibly cohesive and entertaining. I remember after 2013, I was so excited for every single Sony press conference because they became massive spectacles. In 2010, Activision did something that somewhat burst the bubble of the boring press conferences but did so in the most over the top spectacle that nobody could match it.
This fellow Activision 2010 alum, Samuel Castanon, captured a moment from it that happened towards the end. Eminem closed out the party but prior to him? It was all food, alcohol and every popular band of 2010 that you could even name. I sat pretty decently close in the stands right at the line between seating and standing room and I just recall so much dancing. There was fire exploding from the corners of the auditorium and then foam spraying out tiny minute bubbles all over the place. Meanwhile, we got to see Chris Cornell and a lovely childrens choir come on stage singing Bohemian Rhapsody. Yeah. That all happened. Texting feverishly, all of us were trying to update people on what was happening before their very eyes because livestreams of this were just not happening and quite literally nobody believed us.
This press conference meme did not go as I expected whatsoever.
But those kind of events aren't sustainable. So much money goes into E3 as it is but the press conferences are an additional cost that a lot of publishers just don't attempt to incur unless they think they can make enough money back on the games they're displaying to necessitate the cost. See, that's the entire point of the E3 Expo. It's not just about showing off video games to eager game enthusiasts, but it's about showcasing it to journalists who will cover these games they've put money into and about showing other investors who may want to take part in their publishing companies in the future. Once in awhile, to try and recoup the losses that happen during these shows, you'll see tickets being sold to folks outside of media, exhibitors and investors. I've got my own feelings on that, but still, the point is that it's an expensive show to put on.
There was no way Activision was going to get topped in its scale, but when we walked away from it — we also had a hard time remembering the games they were even pitching us. That was the problem. See, the spectacle became the thing and it was so intense that it left very little impression of the products they were pitching at us for coverage. After seeing what wreckage was left behind from the Bacchanalian-esque affair, studios then started rising up to reach the hype of the Activision party but not go so far as to let us forget why we were there.
Case in point: Sony's 2016 E3 Conference.
Ever since 2013, the E3 press conferences were picking up an exciting speed and rhythm but 2016 was unlike anything I had ever seen. Bear McCreary and this incredible orchestra poured music into our bones before the first sighting of Sony Santa Monica's reboot of God of War with its director, Cory Barlog, playing live on stage. Usually big moments like that are saved for the finale and we became used to that formula. Sony switched it up and took our breath away fast and then showed so many amazing upcoming titles that we had a hard time catching it again. Was it over the top? I wouldn't say so. It was just opulent enough that we couldn't forget a single moment and that's what envelopes us for the rest of the expo when we attend. Those moments. It reminds us that we're not just writers, critics, journalists and media but pure video game romantics. When we would shoot up from our chairs and scream until our lungs nearly collapsed, we couldn't be stoic and straight-laced professionals because we were in love.
E3 2018 showed the the ones at the helm for the 3 companies in this meme all coming together for some baller unity. Yet these memes still happen. Lol.
And that's where we're at. E3 2019 is an off year for many of the bigger players in the console department because places like Microsoft and Sony are working on their next systems. These off years happen the year before a system's holiday launch. We see very little from first party places like Sony and Microsoft because they want to hold onto those titles tight for the next generation of systems. These are years where other studios and publishers can really shine and showcase things that won't be overshadowed by the monetary glitter of multi-million dollar mini press conferences. This is the year for Ubisoft to step up and ahead of the others and for Bethesda to regain some of the love they may have lost in the past year. Devolver Digital has FAST become one of our favorites and it's a pre-recorded off-site livestream! EA? Well, we'll see what happens there. Regardless, it is these moments that make me excited to love gaming and the future we have for technology in entertainment. Isn't that what matters most?
We're incredibly close to E3 2019 and with that, perhaps a lot of questions will be answered. Regardless, we'll all be there with baited breath and a song in our hearts.
activision 2010
e3 hype
e3 press conference cringe
e3 press conferences
electronic entertainment expo
Next article Loot Crate Studios Presents: EDUCRATED! Toybox Edition!
Previous article Video Vault: BTS On the OG TMNT! (In Other Words, Vintage Turtle Goodness)
Let's Talk About Adam Sandler's Murder Mystery, Guys
Loot Anime: Fire Force Rushes to the Rescue
#SDCC2019: Announcing Loot Crate @ Comic-Con 2019! #LootSDCC


text:
Home Capital Markets Oil Prices Fall on Rising U.S. Inventory, Stronger Dollar
Oil Prices Fall on Rising U.S. Inventory, Stronger Dollar
Brendel Balaga
Oil prices sank on Thursday, adding to significant overnight losses, as a stronger U.S. dollar and a surprise rise in U.S. crude supply triggered selling.
The U.S. dollar soared to seven-week highs early in Thursday's session after the minutes of the Federal Reserve's latest policy meeting fanned hopes for a June interest rate increase.
Crude oil for June delivery in New York shed $1.03, or 2.14%, to trade lower at $47.18 a barrel by 9:50AM ET.
On Wednesday, New York-traded oil futures rose to $48.95, the highest since October 12, before dropping after data revealed that oil inventory in the U.S. grew unexpectedly.
The U.S. Energy Information Administration said that crude oil inventories unexpectedly went up by roughly 1.31 million barrels last week, climbing to 541.3 million. Analysts expected stocks to fall to 2.833 million barrels
Despite recent losses, oil prices have overall been well-supported thanks to disruptions in Canada, Libya and Nigeria. In fact, Nymex oil has recovered 80% since plummeting to 13-year lows of $26.05 on February 11.
In London, Brent oil for July delivery gave up $1.12, or 2.25%, to trade lower at $47.83 a barrel.
Notwithstanding fresh losses, Brent futures have recovered by roughly 85% since dropping below the $30 a barrel threshold in the second week of February, despite the Doha summit ending in a stalemate. The stalled freeze initiative may be discussed again by OPEC in its upcoming meeting on June 2.
Meanwhile, Brent's premium to the WTI crude contract closed at 65 cents, compared to Wednesday's 74 cents.
Previous article9 Mistakes Penny Stock Brokers Are Making That Are Losing Them Money
Next articleZika virus expected to reach Europe this summer
10 Quotes That Will Inspire You to Save
What Is Reflation Trade and Why Should You Care?
50 Best Social Media Influencers You Should Follow to Learn Forex
4 Reasons to Keep Your Business Car Fleet Well Maintained January 24, 2023
How to Transfer Google Play Balance to Google Pay: A Step-by-Step Guide January 23, 2023
Opportunities Abound: Starting Your Own Janitorial Business
Maximizing Success With OKR Consultants: Strategies for Goal Setting and Tracking Progress In Remote Work


text:
August 6, 2019 In Uncategorized
CONSEQUENCES OF AMENDMENT OF ARTICLE 370 AND REVOCATION OF ARTICLE 35 A OF THE CONSTITUTION OF INDIA
Under Article 1 of the Indian Constitution, the State of Jammu and Kashmir is a constituent state of Indian Union and its territory forms a part of the territory of India. On the other hand, Article 370 in Part XXI of the Constitution grants a special status to it. Accordingly, all the provisions of the Constitution of India do not apply to it. It was also the only State in the Indian Union which had its own separate State
Constitution – the Constitution of Jammu and Kashmir. Constitutional provisions of Article 35A and Article 370 have been repealed and amended respectively as announced by our Home Minister Mr Amit Shah with an official notification passed in the Gazette of India signed by the President. This revocation could possibly have positive or negative consequences in the coming future which only time will tell.
Article 35A gave Jammu and Kashmir (J&K) Government the right to decide as to who will qualify to be a permanent resident of J&K, which furthered them to acquire or own land in the J&K region. However, revoking Article 35 A will now open gates for investment in property in J&K. Though its early to predict the impact but one can assume safely that the investment rate would be higher than normal. Since Kashmir had always been a region where political tension is on the rise one cannot be sure as to the increase in the rate of investment there now. Locals fear that it might change the State demographically from Muslim majority state to a Hindu majority one.
The Government has passed Constitution (Application to Jammu and Kashmir) Order, 2019 which will now supersede the Constitution (Application to Jammu and Kashmir) Order, 1954. Thus, the special status granted to Jammu and Kashmir stands revoked.
Also, the Centre has bought J&K Reorganisation Bill 2019 which splits the State into two separate Union Territories — Jammu and Kashmir, which will have a legislature, and Ladakh without a legislature. The consequences of this would be of such a nature that it will bring a lot of political tension especially in the region of Kashmir. The law and order of J&K will now onwards be looked after by the Central Government Also, the Central Government would be empowered to impose financial emergency under Article 360 in the J&K region.
Since the passing of this revocation the Union Government had passed an order for Delimitation of J&K Assembly. The whole political scenario has changed and its consequences are yet to be felt. Laws which previously did not apply to J&K will now apply to it. Moreover, both J&K and Ladakh will share the same High Court.
The real scenario will unfurl itself in a few weeks. But it is certainly a step to put an end to a most unfair provision of the law that helped differ State from State. The days of pampering J&K it seems are over.
Aakritee Gambhir