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Platform in Action with Astrit Ismaili, Angelo Custódio and Tatiana Rosa
w/ Hackers & Designers, Astrit Ismaili, Angelo Custódio, Tatiana Rosa
The closing event of our exhibition Inefficient Tools for Quantified Beings Exhibition and Public Program at FUSE took place on live.hackersanddesigners.nl with a guided tour of the show by Anja Groten and a take over of the platform by performance artists Astrit Ismaili and Angelo Custódio in collaboration with Tatiana Rosa. The livestream was hosted by Juliette and operated by Selby!
1 A guided tour of the show with Anja
2 Astrit Ismaili
3 Angelo Custódio in collaboration with Tatiana Rosa
4 More photos from the event:
A guided tour of the show with Anja
Astrit Ismaili
Body Extensions/Wearable Instruments (ongoing research)
Body extensions and wearable instruments are a recurring motif in Astrits work, spanning from the first body extension work in 2012, Kullani, to the latest works; Pink Muscle, The New Body and MISS. Often the finalized instruments become part of a larger performance work, but these objects also stand alone as independent works. Hence they are part of their ongoing research on body extensions and wearable instruments. Astrit interested in adding new qualities to the human body, often by designing wearable music instruments that produce electronic sound. The use of these instruments introduces the notions of cyborg politics and biopolitics into the work, questioning distinctions such as those between natural and artificial, mind and body, self-developing and externally designed. The extensions create bodily proposals outside conventional norms, commenting on the mechanisms that manage human life processes and authorities over knowledge, power, and subjectification.
Astrit Ismaili (born in Prishtina/Kosovo) is a performance artist based in Amsterdam/The Netherlands. Astrit Ismaili is interested in transcending the personal into an extraordinary experience which is delivered through transforming the body by adding new qualities to it, without losing its political urgency. Creating alter-egos, body extensions, wearable music instruments and experiential spaces they treat reality as a playground where norms are transformed or questioned. The artist graduated from the MA-Program at DasArts – Master of Theater in Amsterdam. Ismaili is a recipient of the Young Visual Artist Award 2011 and was a resident at ISCP in New York City. Further they won the Award for Best Director at the Skena Up International Student Festival 2011, received the Forum ZDF followup Grant 2013 and won the Awards for Best Video Performance and Best Styling Video at Video Fest 2014. They co-curated a performance event 'Prishtine- mon amour' in 2012 in Pristina and they are currently working as an editor for Lost & Found, Amsterdam. They have showed work at ISCP, New York, S.A.L.T.S., Basel, KW Institute for Contemporary Art, Berlin, Stedelijk Museum, Amsterdam, Kunstverein, Amsterdam, Salzburger Kunstverein, Salzburg, Robert Grunenberg, Berlin, Juliette Jongma, Amsterdam, Frascati Theater, Amsterdam, Corzo Theater, Den Hague, Spielart Festival, Munich, Kaserne Theater, Basel etc.
Angelo Custódio in collaboration with Tatiana Rosa
Subjectivities undergo processes of in/stability with the norm body, the norm movement, the norm behaviour, the norm morals (…). A process continuously reinforced by the surveillance of the gaze. Committing to the vulnerability of this inner conflict in resonance with crip/queer alternative corporealities, potentially engages productive processes of decolonisation of desire towards decomposing the heteronormative and hegemonic narratives.
QueerAble in/stabilities is a performative encounter, developed in collaboration with Tatiana Rosa, in which other embodiments are transformed into sound through a wireless electro-acoustic interface assembled to the body. Resonance becomes agency when the movement of a marginalised embodiment is translated into sound. Through amplification of a metal acoustic resonator, and it's live electronic manipulation, the work engages continuous flows of resonance. Biometric data gives the interface another dimension by altering the produced sound in relation to the proximity of other bodies. The uttered composition of several sonic textural layers, results from the dialogic relation between embodiment, space, voice and other bodies.
Tatiana Rosa is the responsible for the live electronic manipulation of sound, Michele Abolaffio for the technical support and development of the interface and Arthur Guilleminot for the its design development and wearables.
This project is currently supported by Mondriaan Funds.
Angelo Custódio (1983, PT/NL) is a research based artist currently living in Amsterdam. He has been developing an engaged practice informed by critical theory and embodied knowledge(s). For years trained as a classical singer, Angelo explores the performative use of the voice and perverts embodied singing techniques to develop sonic encounters with the vulnerable. These performative encounters facilitate open cracks - wild(er) spaces - that utterly welcome other embodiments and freer ecologies of living.
He urges to nourish empathic understandings of identities, with a focus on the contemporary failure of support structures towards queer bodies and bodies with disability. Angelo holds a MFA from Master of Voice (MoV), Sandberg Institute and a Ba in Classical Singing from the Conservatorium van Amsterdam (CvA).
He has presented work in The Netherlands, Germany, Belgium, China, Switzerland, Greece and Portugal, performing in institutions such as Haus der Kulturen der Welt (HKW), Stedelijk Museum, TENT Rotterdam or Stedelijk Museum voor Actuele Kunst (S.M.A.K.).
Tatiana Rosa (1991) is a Portuguese audiovisual artist currently based in Amsterdam. Tatiana dedicates herself to developing multidisciplinary performances where she assumes the role of flutist, sound designer and visual artist. In her own creations, she is dedicated developing works in which the musicians take part in theatrical expression through use of movement, voice and electronic extensions. She's a founding member of Trash Panda Collective, Queens of Noise and Ensemble mpmp.
Tatiana holds a MA in Live Electronics (Conservatorium van Amsterdam), a MMus in Music Pedagogy (Escola Superior de Música de Lisboa and a BA in Music Performance - Flute (Escola Superior de Música de Lisboa).
She has presented work in The Netherlands, Portugal, France, Germany, Italy, Belgium, United Kingdom and Poland performing in festivals such as Rewire, Gaudeamus Muziekweek, Cello Biënalle Amsterdam, Sounds of Music Groningen, Amsterdam Fringe Festival, Nowy Teatr, Festival Música Viva, Warsaw Autumn, among others.
More photos from the event:
Astrit Ismaili's instruments of The New Body
Astrit Ismaili's lecture performance
Astrit Ismaili demonstrating the shoes of their performance The New Body
Astrit in conversation with Juliette
Selby operating the live stream
Angelo Custódio's tool-instrument
Angelo Custódio's performance
Photos by Philip Ullman


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Monday just gone, and Marcus Wainwright—who with David Neville makes up the duo Rag & Bone—has found a quick moment to speak about the SoHo store the pair are officially opening that night at a party that would end up drawing the likes of Sienna Miller (left, with Wainwright and Neville) to drop by and say hello. I say officially because really, technically, it made its debut as a pop-up store on September 10, a.k.a. Fashion's Night Out. They weren't committed to staying there permanently, yet now they are, putting down roots the way anyone else does when they're settling a new place—installing furniture. There is: a vintage leather chesterfield; "the biggest mirror in the world," according to Wainwright; and an ottoman covered in calico, the result of the boys' going to see the Francis Bacon retrospective at the Metropolitan Museum of Art. "It doesn't really have any connection to the Bacon," Wainwright says, "but we liked the idea of upholstering the ottoman in something that's like a painting canvas." That's the thing with Rag & Bone. Nothing is ever achingly obvious. They started out designing jeans and quickly turned themselves into a legitimate label that makes effortlessly cool and interesting fashion, as opposed to what Wainwright calls "a jeans brand who also make clothes." Now they're revisiting their roots. Along with their regular collections show on the runway here in New York, there will be the advent of a few new lines, which you'll start to see in the months ahead. There are sunglasses for the spring, and in January, custom suiting for men and possibly women, too. But in the meantime, there are three new mini collections appearing, with one devoted to denim, one to knits, and one to shirts (with 30 styles alone for girls). "These new collections distill what we do," says Wainwright. "We've boiled everything down to the fit and fabric." That's particularly true of the jeans, which will eschew any branding or detailing; just honest-to-goodness denims that are designed to be plain and simple enough to stick around for a long time. "Denim became so embellished, with things like diamanté on the pockets," Wainwright says in a way that even though he's talking to me on the phone, I can tell he's shuddering at the very thought.
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How a Race Between Two Democrats Who Mostly Agree On Everything Became a $40 Million Schoolyard Brawl
What is going on in the campaign for California school superintendent?
Mother Jones illustration
Tony Thurmond and Marshall Tuck are both Democrats, they agree on most policy issues, and the office they're battling for has little, if any, enforceable power. Even so, more than $40 million has flowed into their race to be California's next school superintendent in November—making it the most expensive superintendent race in history.
The superintendent of public instruction, which is nonpartisan, doesn't set the education budget—the governor does—nor do they hold power over policymaking—the state Legislature does that. The superintendent's main role is rather to engage with local school districts and, for the most part, implement the policies set by the governor-appointed members of the State Board of Education.
That said, the person in the role can be a powerful messenger. And in California, it's a job that's caught up in a long-running battle over the shape of a vast education system, which has reflected larger fault lines in education reform across the country. This race for school superintendent has essentially evolved into a proxy war between two incredibly powerful factions: the influential and well-organized behemoths, particularly labor unions, focused on investing in traditional public schools, and deep-pocketed players who argue privately run, publicly funded alternatives like charter schools should have a significant role in the education system. And each side's spending suggests they're hellbent on controlling that soft power.
"There's a consequential battle between two competing visions of the future of the education system."
"There's a consequential battle between two competing visions of the future of the education system," says David Plank, a professor at Stanford's Graduate School of Education. "The superintendent is the public face and public spokesperson for California's school system. It's very important to the unions that the person in that office articulates a vision of California public education that is consistent with theirs."
The battle over school choice in California goes as far back as the early 1990s, when the state became the second in the country to allow charter schools. California now has the most charter schools in the country—about 630,000 of the state's 6 million students are attending charters this year, with large concentrations in Los Angeles and San Diego. And as the presence of charter schools grew in the state, so did that of their supporters—largely a collection of wealthy philanthropists and billionaires, from members of Walmart's Walton family to tech investors, who call for innovation as traditional public schools struggle to serve students, particularly poor and minority students. So did their opponents, mainly teachers unions, who viewed the promotion of charters as a threat to traditional public schools and to teachers themselves.
The debate, of course, has long played out in the state's politics. In 2000, the powerful teachers union helped defeat a ballot measure by venture capitalist Timothy Draper to start a voucher program, and in the past few elections, prominent education reform supporters have poured millions into pro-charter groups to support state legislative candidates. This debate became so pointed that last year's Los Angeles Board of Education race turned into the most expensive school board race in US history (charter school advocates netted a majority of the seats). But the past two governor's elections have proved largely uncompetitive, so outside spending from the pro- and anti-charter camps appears to have settled further down the ballot, on the superintendent's race. (For instance, in the June primary this year, education reformers were hoping they'd be able to more directly influence Sacramento, and heavily supported charter school proponent and former Los Angeles Mayor Antonio Villaraigosa; he came in third place with 13 percent of the vote.) Tuck previously ran for superintendent in 2014, losing to the current officeholder, Tom Torlakson, who is term-limited; that year, at least $30 million was spent on the race, making it the most expensive superintendent race in California history at that point.
Now, the matchup between Tuck, who led in the June primary by less than two points, and Thurmond is just the latest—and more expensive—flashpoint.
While Thurmond and Tuck agree on most big-picture education issues—they both support more school funding, free universal preschool, more transparency and oversight for charters, solutions to the state's teacher shortage, and a recently approved ban on for-profit charter schools—the key sticking point is what specifically to do about charter school growth.
Thurmond, for his part, believes the state needs to consider a "pause" on the approval of new charter schools to assess how they hurt the rest of the district's funding, and he argues that the state is already failing to hold all schools to the same accountability standards. The position echoes that of the California Teachers Association, which, along with the California Democratic Party and current superintendent Torlakson, support Thurmond, a former social worker and school board member turned assemblyman representing Richmond, California. While Thurmond broadly supports charters, he points to Oakland Unified School District as an example of the problems that can arise: The district has more charters per capita than the rest of the state and, according to a University of Oregon study, lost $57 million last year following declining enrollment.
"My opponent is more aligned with the current direction of public schools. California needs a real turnaround."
"I think we should have charters have the same accountability as public schools," Thurmond tells Mother Jones. "The idea of a pause is simply to say, 'Let's be thoughtful about a growth plan and what's sustainable and what's not.' Right now, it's like anything goes. You have a board that meets in Sacramento making decisions about a charter school managed by a school district in Los Angeles or the Central Valley."
On the other side, Tuck, who once worked in finance and later oversaw a Los Angeles-based charter school network and a group of district schools through the Partnership for Los Angeles Schools, is considered more charter-friendly and has earned the support of the California Charter Schools Association, former Obama Education Secretary Arne Duncan, and the Association of California School Administrators. Like Thurmond, he believes charters should be held accountable, and vows that, if elected, his office would be "much more proactive about shutting down bad charter schools." But, he argues, a moratorium on opening new ones is not a solution; rather, the key is to allow districts more flexibility to innovate and improve—in good schools, charter or otherwise.
"The job of the state is to provide a quality public school for every child in every neighborhood. We're just not getting that job done today," Tuck told Mother Jones. "So the idea of having another public school option to help deliver on that promise, I think, is helpful, knowing that you must have certain policies to ensure there are not unintended consequences."
"We both believe that kids deserve better," he adds. "My opponent is more aligned with the current direction of public schools. California needs a real turnaround."
Tuck has attracted big money for this positioning. Committees supporting his campaign have spent more than $32 million, more than twice what groups endorsing Thurmond have hauled in. And if you consider just direct campaign contributions, Tuck's campaign has brought in $5 million, while Thurmond's campaign has received just over $3 million from such donations.
More than $21 million in outside spending to groups supporting Tuck came from EdVoice for the Kids PAC, according to Rob Pyers, research director at California Target Book. State campaign finance records show the committee has received $5.2 million from high-profile, pro-charter billionaires like Eli Broad, the Walton family, and Netflix CEO Reed Hastings since January. (Both Broad and the Waltons have long been involved in charters: Broad's foundation backed a $490 million plan to put half of Los Angeles students in charter schools by 2023, while members of the Walton family have given millions of dollars to support charter growth throughout the country, including investments in the California Charter Schools Association.)
Meanwhile, a committee supporting Thurmond has raised over $12 million, more than $8 million of which is from the California Teachers Association.
"My opponent is telling lies he knows [are] false and then running for the position of superintendent, which is supposed to be a role model for kids."
All that money has inevitably led to an increasingly contentious campaign, with mudslinging on the airwaves from both sides in recent weeks. The education news site EdSource reported that committees supporting Tuck have spent $8.1 million toward TV ads, nearly twice the $4.4 million spent by a committee supporting Thurmond, as of September 22. Both candidates disputed to Mother Jones the claims their opponent is making in their ads.
In the ads, Tuck is framed as a Wall Street banker supported by charter-backed billionaires and allies of President Donald Trump and Education Secretary Betsy DeVos. Tuck calls the ad "unfortunate," and states he has a "long track record about being against this administration from before day one" and has not been endorsed by DeVos, as the ad implies. (That said, members of the Walton family have given to PACs supporting Tuck, as well as one once led by DeVos.)
"My opponent is telling lies he knows [are] false and then running for the position of superintendent, which is supposed to be a role model for kids," Tuck says. "That's a problem."
Thurmond, on the other side, is criticized as a politician who had a problematic tenure while on the West Contra Costa Unified School District board, of which he was a member from 2008 to 2012. An ad from his opponent's supporters states the district was "sued for leaving at-risk students in rotting trailers with mushrooms growing in the floors" and "reprimanded by the Obama administration for failing to address widespread sexual harassment and assault in district schools." In reality, Thurmond was not directly reprimanded by the Obama White House, though he was named in a lawsuit against the district, as was the rest of the board.
"These campaign ads are all about mischaracterization for a political purpose. They are spreading lies," Thurmond says. "This job is about helping kids. I don't think it's appropriate for a candidate. In their attempts to denigrate me, they are denigrating those kids who are at that district that is trying to get better. I'm proud of going to a district that was in trouble."
Still, in the face of all this money, the question remains of just what the superintendent can actually do. The state superintendent's limited power ultimately comes down to being an effective and visible messenger, who works with lawmakers and the governor to pursue policies they support. If the superintendent wants to propose legislation on, say, universal preschool, they are in the position to work with lawmakers to advance the legislation.
As Kevin Gordon, president of Capitol Advisors, a Sacramento-based education consulting firm that works with public school districts throughout California, puts it, neither side of the charter debate "wants a state superintendent that commands a bully pit for messaging that supports the other side." It gives a "major megaphone" to the officeholder, according to former superintendent Jack O'Connell, who says he was able to use the position to "influence public opinion."
"You don't sign bills into law. You don't vote on legislation. You have to be judicious in injecting your influence," O'Connell says. "You set the tone for education. You establish and set the culture of high expectations for all of our kids."
"The reality is that there's no quick and dirty solution to improving schools. The real role of the next superintendent is to get more resources into the system or it's going to be underinvested [in]."
Delaine Eastin, who served as California's superintendent for eight years before O'Connell, echoed her successor, arguing that the superintendent can pressure the state Legislature to invest more in schools and "make recommendations to the state board that more charters can be granted if the districts and counties turn them down."
"The hope is that if Tony Thurmond gets in, there would be more requirements that charters are playing by the rules," Eastin says. "The hope on the other side is if Marshall Tuck gets elected, his supporters want a lot more charter schools and want to break what they see as the power of the unions, especially the California Teachers Association. The reality is that there's no quick and dirty solution to improving schools. The real role of the next superintendent is to get more resources into the system or it's going to be underinvested [in]."
Despite the heated debate over the particulars of charter growth, the candidates are in close agreement on the money issue. They both seem disheartened, and take pains to say they'd remain independent from their big donors. Tuck says he wishes the money was spread out across state races, but that the lack of debate over education as an issue in the governor's race has opened the door for spending on this race. "Having a lot of money focused on communicating people's positions on how to improve our public schools, I think that's very important," he says. "We have a crisis in our public schools."
"I wish the money being spent in the race was going into our programs to help kids in the state. That's where it would be best used," Thurmond says. "I understand that these public employee groups feel like public education is under the attack. They feel like the mostly billionaire-backed kind of movement is blaming unions for the problems in our schools [and] wants to take away tenure and make it easier to fire teachers."
He adds, "This whole fight misses the issue. I think we have to be putting more into our students. When we have these big fights and debates, our kids lose."
Image credits: Andrew Blumenfeld/Wikimedia; LightSlash/Wikimedia; Getty

redpajama_set_name: RedPajamaCommonCrawl


Tomás Tello (Lima, 1981) playing various instruments with different people and in different places. living in tavira now. i am interested in creating bubbles in time, i use sound for this. bands: e.T. (with Elisabeth Flunger) Shaolines del amor (with Raul Jardín) and also various dance pieces with Yuko Kominami (www.yukokominami.com) as well as animation and video works with Diego Vizcarra, Iván D'onadio and Martín Aramburú. directs andesground tape label alongside Mauricio Banda.


This is a ground up restored from a very fussy restorer/collector. It is very well sorted and drives great! Actually the owner had it taken to a shop on its way to Volo and spent $1,100 having it inspected, new fluids, tune up etc. Has all the popular 50s style custom features.


Lost Tree Village offers luxury real estate known for quality architecture and extremely convenient location in North Palm Beach. The community includes ocean, Intracoastal, golf course and private lake views with the privacy and sanctuary of John D. McArthur preserve to the south. Custom estates enhance the 450 private acres. Real estate showcased in Lost tree includes golf cottages near the fairway, lakefront homes on the interior and wide water views with deep water access along the coast.
Lost Tree in known for its privacy and exclusivity. This unique community poses peace, privacy and tranquility that have been protected throughout the decades since the area was discovered in 1959 by E. Llwyd Ecclestone Sr. Amenities in this elite neighborhood include a private 18-hole golf course, eight tennis courts, private beach, restaurant, completely rebuilt clubhouse in the finest of taste and new fitness facility on the horizon. HRG Luxury Homes invites you to review the great selection of luxury real estate for sale in Lost Tree Village.
Listing information last updated on April 24th, 2019 at 8:00am EDT.


text:
What must Sunderland do to beat Liverpool? Here's Adnan Januzaj's verdict
Sunderland were their own worst enemies in the 4-1 defeat to Burnley, but can they put it right as Liverpool come to the Stadium of Light?
Stuart JamiesonPublishing editor (football)
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Sunderland wideman Adnan Januzaj insists the Black Cats must cut out the mistakes if they are to stand any chance of beating Liverpool.
But the Belgian, on a season-long loan from Manchester United, says the Wearsiders can get a positive result against Jurgen Klopp's men, if they focus on what they have been getting right in recent months.
David Moyes and Co have little time to lick their wounds following the 4-1 New Year's Eve defeat at Burnley, with Liverpool at the Stadium of Light on Monday.
But Januzaj, who could have opened the scoring at Turf Moor had he done better with an early chance, and went on to set up Jermain Defoe for the Black Cats' late consolation goal, says Sunderland know what they have to do.
Adnan Januzaj of Sunderland (Image: Sunderland AFC)
"It was not a great afternoon, we obviously had to come and win here and we made a few defensive mistakes, that's what cost us.
"You always have to keep trying and that's what I was doing to help get the goal for Jermain but we lost the game and that is what matters.
"In football anything can happen, you have seen that today, we have Liverpool next and we will not give them an easy game.
"We know what is required. We will be playing at home, we have great fans so we will be looking to play for them and to surprise Liverpool."
Sunderland vs Liverpool: What will happen on Monday?
Sunderland win
Liverpool win
And it is playing at the Stadium of Light, where Sunderland have only lost once in their last four matches, which could hold the key, according to Januzaj.
The Black Cats have beaten Hull, Leicester and Watford at home, losing only narrowly to league leaders Chelsea since November, which suggests they are getting something right on their own patch.
"Obviously everyone is down after a bad defeat and a bad performance, but we now have to try to look at the games we played before and make it difficult for Liverpool," he added.
'I didn't come here to get relegated' Sunderland's Adnan Januzaj sounds a rallying call
"We know it is only in two days' time we will do our best to prepare for it in the time we have. We know that we can still win the game if we play to our best in front of our own fans.
"What we do know is that we can't make the mistakes we have against Liverpool and the likes of the bigger sides or we could be five or six down before half-time!
"But we have to try to bounce back and make it difficult for Liverpool. To do that we know we all have to work together."


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Q: ionic 2 window object doesn't transpile, issue with WebSql window.openDatabase(..) I am having trouble to use the window object in Ionic2.
This question follows the same idea as described in my previous question.
I found a quite useful input about window object there. Nevertheless I do have a problem.
Based on the conditional of the platform I want to use cordova-plugin-sqlite if it runs on a real device, and if it runs on a browser (Chrome), I want to use WebSql.
I use a service to get the DB connection, in the class regarding that service I've created a function to set the DB value of my service based on conditionnal of the platform kind (and this function is called in [my project]\src\app.components.ts):
getDummyDbForBrowerDev(platform){
    console.log('SqlSettingsService() getDummyDbForBrowerDev starts');
    if(platform.is('core')){
        console.info(window);
        this.db = window.openDatabase("ionic2BrowserDev","1.0","",5*1024*1024);
    }
}

As it is the function does not transpile, I get an error when "Ionic serve" is running saying that:

Property "openDatabase" does not exist on type "window"

What I really don't get is that: If I comment: //      this.db = window.openDatabase("ionic2BrowserDev","1.0","",5*1024*1024);
Then it transpiles fine. And in my brower the console.info(window) displays a list of all properties underneath the window object, and I can see that it includes openDatabase.
So I am really confuse why it cannot transpile.
Has anyone a clue of what I am doing wrong?

A: I know it is kind of an unpopular move to post a question and shortly after to bring the answer.
But I did solve my problem. This thread had the solution. To implement the windowService as explained in the given solution totally made it work. It transpiled and openDatabase() was a success.
Thanks to @toskv and @sebaferreras.

redpajama_set_name: RedPajamaStackExchange


Nervous Breakdown - Here It Comes!
Not Charging What You're Worth? – Heading for a Nervous Breakdown!
I've always been a pretty direct kind of a gal – in fact, I was told by my parents when I was young that I was too honest and too outspoken. Perhaps now, with more maturity (well a little anyway), I know better how to 'sugar the pill' and phrase things in a way that's acceptable to the recipient. In any case, I hasten to add that feedback is always given, without exception, with the very best of intentions. By and large, I now reserve this for my clients or potential clients who I've had some contact with, unless someone asks me specifically for my opinion, in which case, I give it happily.
However, there is one area where I feel I must now speak out with even greater force than I may have done before, so that the message is received loud and clear and there is no room for misunderstanding at all. The subject to which I refer is the numerous consequences of NOT charging what you're worth.
Whether you're under-charging, discounting your fees or doing work for free, you have set in motion a series of consequences which will have a compound effect on your funds. Depending on the extent of your not charging effectively, the impact will be greater or lesser. In some cases this may be, in itself, significant bordering on devastating. However, there's more and it's potentially far more disturbing than a loss of money!
What I'm alluding to is the vast array of consequences of the emotional kind – tiredness, stress, lack of fun/family time/me time, health issues, strained relationships, resentment and even overwhelm. In fact, I recently took on two clients who were at the overwhelm stage. One I've been working with for a short while and things are already turning around and the other I'm about to begin work with shortly.
However, what is even more surprising is that once they do know clearly both the financial and emotional impact of their behaviour, they don't always do anything about it. Why is that? Well, it's probably the very behaviour that causes them to not charge what they're worth in the first place; that is the dreaded FEAR. Since I've addressed this subject in other articles (see links below) I'm not going to revisit it, except to say, don't let the fear stop you.
So this is what has driven me to write this short blog to implore, nay strongly urge you to realise that the next step from overwhelm is likely to be "heading for a nervous breakdown." I believe that this is ultimately what will happen if you continue to not charge what you're worth on a longer term basis. In fact, surely the fear of a potential nervous breakdown is far greater than the fear of tackling not charging what you're worth.
If you recognise any of the above, then please complete this simple 2 minute survey to discover where you're at on the spectrum of heading for a nervous breakdown!


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The advantages of bonus depreciation are often over estimated, especially if an aircraft's availability for super-accelerated tax write-offs drives up the price. (Illustration: John T. Lewis)
Satisfying a Tough IRS Standard
Jeff Wieand
Placing your aircraft in service for tax purposes isn't as simple as it may seem. As one case demonstrates, you could pay a big penalty for mistakes.
To start writing off your newly acquired jet for tax purposes in the U.S. you have to do more than buy it; you have to "place it in service" in your business. In recent years, the availability of "bonus" depreciation has only upped the ante on satisfying this Internal Revenue Service requirement.
According to conventional wisdom, to place an aircraft in service, it's enough to fly a few business trips. That's obviously what insurance-agent-to-the-stars Michael D. Brown thought when he bought his factory-new Bombardier Challenger 604 in 2003. Unfortunately for him, the U.S. Tax Court disagreed.
Brown decided to buy the Challenger to take advantage of bonus depreciation, which would allow him to write off 50 percent of the $22 million purchase price against his 2003 taxable income. He signed a contract on December 16 and took delivery of the airplane in Portland, Oregon, on December 30, just in time to qualify for 2003 bonus depreciation. To cram in some business flights before year-end, he flew immediately to Seattle, ostensibly for a business lunch, and later that day took the aircraft to Chicago for another quick business meeting at a Midway Airport pizza restaurant.
The Tax Court's description of these flights and of the factual inconsistencies in Brown's accounts and records concerning them is dripping with skepticism. Moreover, Brown didn't do himself any favors three years later when the IRS audited him and he asked the people he'd met with to sign backdated letters he wrote recounting the business value of the meetings.
But his biggest mistake was seemingly the most innocuous. Prior to closing on the airplane, Brown signed a work order with Midcoast Aviation, which had completed the aircraft, to install a conference grouping and larger display screens, both of which he steadfastly maintained were needed for his business use of the aircraft. Promptly after his hectic end-of-year flights, the Challenger returned to Midcoast for the additional work.
Brown no doubt emphasized that his business necessitated the post-closing installations because he wanted to make sure that the $500,000 cost of the improvements would be tax-deductible. In doing so, he shot himself in the foot, for the Tax Court concluded that, if the installations really were necessary, then the aircraft wasn't ready to be placed in service for Brown's business use in 2003, and he wasn't entitled to commence depreciation for tax purposes that year.
According to Brown's own testimony, the court observed, "his insurance business required that the airplane have a conference table and the larger screens so he could make his PowerPoint presentations to clients and other agents—and those presentations were not a peripheral part of his business." Even though he had arguably used the aircraft in business in 2003, he failed to place it in service that year because, until the modifications were completed, the aircraft was not "ready and available for full operation on a regular basis for its specifically assigned function" and thus "wasn't sufficient to meet his specific business needs."
The Tax Court was clearly determined to hang Brown, who reportedly settled with the IRS for $20 million in back taxes and penalties. But the case also sheds light on what it takes to start the IRS depreciation clock ticking on an aircraft by "placing it in service." In the 1966 Sears Oil case, a barge was delivered to the taxpayer before year-end, but the taxpayer couldn't make business use of it until the following year because it was frozen fast in an icy canal. The court allowed tax depreciation to commence in the year of delivery, noting that deterioration of the barge had already begun and that the taxpayer was prevented from using the boat by circumstances beyond its control.
Citing Sears Oil, the Brown court concluded that "it's possible for a taxpayer to place an asset in service for a certain tax year even without using it that year." However, to be considered as "placed in service" in a given year, the court said, the aircraft must be "available for its intended use on a regular, ongoing basis" that year, though circumstances beyond your control may prevent you from using it.
Does this mean you can dispense with those business flights that aviation lawyers make their clients take every December after their aircraft are delivered? Hardly. Unless your aircraft is frozen in a canal or the like, it's still important to fly it for business purposes in the year you take delivery. But don't send an administrative assistant from the New York office to deliver a package to the Philadelphia office on December 31 in your brand-new Gulfstream G650 and call that your business trip. On the contrary, the business flights should be genuine, involve company personnel that would be typical passengers and be the kind of trips you would use the aircraft for. And the more flights the better. Brown also illustrates the importance of accurate and contemporaneous documents and records regarding the business flights.
The key message of the case, though, is that the IRS will be looking to see whether the aircraft is capable of fulfilling your specific business functions. Suppose, for example, that the main reason to purchase a business jet is to ensure that the CEO is in touch with the company at all times while traveling. You will be hard-pressed to show that that business function was met in the year of delivery if telephones and Wi-Fi weren't installed until the following year.
Finally, be realistic about the value of taking depreciation on an aircraft, the benefit of which is simply the time value of money. The advantages of bonus depreciation, for example, are often overestimated, especially if an aircraft's availability for super-accelerated tax write-offs drives up the price. Brown was so desperate to get bonus depreciation in 2003 that he bought a jet with the wrong interior in December only to put the aircraft down a few days later for a $500,000 retrofit in January. The opportunity cost on $22 million probably added at least another $100,000 expense. Tax benefits are important, but it's worth considering all relevant factors before allowing them to determine your aircraft purchase.
Jeff Wieand is a senior vice president at Boston JetSearch and a member of the National Business Aviation Association's Tax Committee.
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text:
Q: how to create responsive slantedDiv? I want something like this picture

.slantedDiv
{
 position: relative;
 width: 100%;
 height:500px;
 background: #C57ED3;
 box-sizing: border-box;
 padding:30px;
 color:#fff;
}
.slantedDiv:after
{ position: absolute;
width:100%;
height:100%;
content: '';
background:red ;
top:0;
right:0;
bottom:0;
left:0;
transform-origin: top left;
transform: skewY(4deg);

}
#image {

  margin-top: -20px;
}

   hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh

hello, actually I wanted to create a responsive slanted div and add paragraph or something on the div. but i try all possible things but it remains same as per the output.paragraphs as usually behind the div ,it not showing .please help me out.
Thanks in advance.:)

A:
I have used z-index to solve this issue please look at the code.

.slantedDiv
{
 position: relative;
 width: 100%;
 height:500px;
 background: #C57ED3;
 box-sizing: border-box;
 padding:30px;
 color:#fff;
  z-index: 10;
}
.slantedDiv:after
{ position: absolute;
width:100%;
height:100%;
content: '';
background:red;
top:0;
right:0;
bottom:0;
left:0;
transform-origin: top left;
transform: skewY(4deg);
z-index: -1;
}

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Today Abby gave her first talk. It was really cute. When she found out that it was on temples she got really excited and decided that she wanted to sing "The Temple Song" (I love to see the temple). So she did. It took a little prompting once she got up there but she did a fantastic job. She said/sang her song and said her lines and was excited as can be both before and after. Apparently as soon as she got into the room she was itching to go up to the front to do it.
She is growing up so fast. She has been picking up on some of the most interesting little tid bits from various places. For example we watched Mr. Magoriums Wonder Emporium the other day and afterwards she was talking about a lemur (which made a 30 second debut in the film). There have been several other random comments that she has made that just left us speechless or struggling to keep the laughter from overcoming us.
William is starting to repeat various sounds and actions. Tonight after we all sang Popcorn Popping on the Apricot Tree William was bouncing and saying pop, pop, pop... Pretty cute.
On another note, here is a funny moment with William from our trip to Colorado. The tub there isn't nearly as tall as ours and William went right up to it with clothes on and all and climbed right in.
I posted a bunch more pictures not too long ago too from William's birthday and our vacation to Colorado. The pictures are here.
Do you ever feel like a Hermit?
I know I do. It seems like more and more I go to work, come home, spend a little time with Shauna and the kids, then go to sleep. Next day it starts over. I do interact with people at work and even have a few good conversations here and there, but I still like I'm turning into a hermit. This was thrown into stark relief tonight when we went to a young married folk activity tonight. It turned out to be a really fun event. One of the best (probably the best) ward activity that I've attended in this ward. There were people I could relate to and talk to and it was just a nice evening. Considering I rarely talk to anyone outside of the people I regularly see at work and home, It was a nice change to have a few good conversations.
So anyways, I think I am becoming a walking dichotomy. I feel like I am becoming a hermit and I am gradually becoming more ok with it. I also crave social interaction on a fairly regular basis. Maybe I'm becoming more comfortable with doing some things by myself. Take riding for example. In the past I have very much wanted someone to ride with. I wouldn't mind having someone to ride with but I also enjoyed going for a 100+ mile ride yesterday on my own.
I think one of the biggest reasons for this dichotomy is that I don't really have any close friends around. Jason is in Idaho and I haven't gotten too close to that many other people and most of those that I have gotten close to have moved away. I'm not trying to keep to myself, but I'm not the best at getting out either. Go figure.
So life got busy again. Since the last post, we've been to Jackson Hole, Wy. for a week. That was awesome just to get away, be with family, have a dishwasher, you know...Vacation. That was the same week that Leita was getting married and we had decided last fall that we couldn't go to Mexico with her. I've since heard that the wedding went awesome except some people got a little sick. So, it's probably a good thing that we didn't because we were supposed to fly out 5/6 and that was the morning that we had a surprise. We found out that I was pregnant with number 3!!!! Dum Da Da Dum!!! Ok, so even I was just a little surprised. James and I have known for a long time that we were going to have 3 kids at least. But, William and this one will be 18 months apart. I never thought I would have kids that close, but I know this one is supposed to be here. So, I've since seen the doctor and had an ultrasound. We didn't even know what my due date was. Go ultrasounds. So, ready...I'm 11 weeks along and due December 27. Yeah, we thought we would keep the Christmas baby tradition in the family. The doctor has already assured me that I can be induced a week early since I have 8 lb babies (when they are a week early). So, if I don't write again for another month (not that that wouldn't be a surprise anyway), it's because I feel like I'm going to throw up while I chase down two running toddlers, and I'm going home to Colorado for a week starting tomorrow. Thank heavens for home. I can't wait. James will be available, my mom has the week off, I'll see my high school pals, and I get to sleep. Oh to sleep, Yes! So, hi to everyone out there. And I will try to post another update as soon as I can. Have a great week!!!


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H3A in Dublin
Students from the H3A class travelled to Dublin last Monday, accompanied by the teachers Mr van der Bergh and Mr Logister. We will try to place a short message each day about the students' experiences. Here below you can read the first short report.
Monday 6 May:
Today we went to Eindhoven airport for the trip to Dublin. We arrived early, at one o'clock, even though we only had to be there at two. We went earlier because there were delays predicted on the way. When everyone had arrived, we went to the customs and everyone got through without any problems. At around 14.30 we went to the gates and didn't have to wait long before boarding. After a flight of an hour and a half we arrived in Dublin at 17.40 (Dutch time). We caught a bus quite late and had to transfer and wait a further 40 minutes again for the next bus. We eventually arrived at our host families around 20.00.
Day 2 Dublin trip, Tuesday May 7.
In the morning we gathered at our fixed meeting point. From here we went to the museum. We had to wait for our guide but because of a miscommunicating he did not show up. Luckily we were able to move the appointment to the afternoon. So we visited St. Patrick Cathedral a little bit earlier as planned. In this cathedral we got free time to take a look at everything. I even lit a candle.
Outside the cathedral we ate our lunch which we received from our host families. After the lunch we had the tour which was planned for the morning. I learned a lot from this tour about the history of Dublin and St. Patrick Cathedral. This tour was about 2 hours and 30 minutes. After this we could enjoy our movie, Avengers Endgame!
With this we returned to our host families where we had dinner. We also took a walk with friend in the evening. It was a fun day!
Day 3 Dublin trip, Wednesday May 8.
Every day we gather at 8.00 at our meeting point. We took the bus to the sport area (GAA Experience the Game). This morning we practiced 3 sports; squash, hurling, Gaelic football.
After the sports we went to the Natural History Museum. In this museum they had a lot of stuffed animals. This museum is also called the Dead Zoo and besides free time we also had to do assignments in this museum. After the Dead Zoo we went to the National Archaeology Museum. It was interesting but we were also very tired after the busy morning and the previous museum.
Report Aya (Thursday May 9th)
We were expected to be at the bus stop at 8 AM to leave to a school in the city where we would get some activities.
At first, we watched a little movie about school in Dublin and after that we did a quiz with Irish students, it was about differences and similarities to Dutch and Irish schools. After that we went outside to do a basketball game.
After visiting the school we went all together with the bus to the centre. Everyone was free to go their own way to shop or eat something. Around 8 PM we went to an Irish bar to dance with a professional dancer and musician. We learned a few dances there and we had lots of fun.
Then at 10 PM we were on our way back to the guest families by bus and everyone was tired, yet we'd enjoyed it very much.
Report Astrid (Friday May 10th)
The teachers had a little surprise for us; instead of being at the bus stop at 8 AM, we had to be there at 9 AM, which was great. We went by bus to a very beautiful place, which led us to an museum with all kinds of stuff about wars. There were people from that time, for example a farmer or a soldier. We could go our own way in the museum but if you wanted to, you could leave. We had to find our own way to the zoo, which we had to be at at half past 2. We had a lot of time in between the museum and the zoo, which was great so you could slowly walk to the zoo or maybe visit other places before arriving at the zoo. A woman showed us around in the zoo and after that you could choose to stay with the group, in the zoo, or to leave the zoo and to do whatever you wanted to do.
We had to go to our guest families on our own and we had a lot of time to do that. You could do whatever you wanted to that evening/night because there were no more activities. We also had to pack our bags for the next day, which was the day we were leaving Dublin.
for pictures click here


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Dimitri Poliakov (born 19 January 1968) is a former professional tennis player from Ukraine.

Career
Poliakov, a clay court specialist and the Soviet singles champion in 1990, had his breakthrough year in 1991, when he won the Yugoslavia Open, an ATP Tour event. This saw him break into the top 100 for the first time. He was also runner-up in the Austrian Open, with partner Pablo Arraya. These would be the only two ATP Tour finals that he reached during his career.

In 1993 he made it into the semi finals of the Kremlin Cup, as qualifier. He defeated number three seed Amos Mansdorf in the opening round and then best Zimbabwean Byron Black 6–0, 6–3 and Martin Damm of the Czech Republic. His tournament ended when he was defeated by Marc Rosset in three sets.

He had one of the best wins of his career in 1992 when he defeated world number 12 Carlos Costa in Vienna in straight sets.

From 1993 to 1998, Poliakov was a regular fixture in the Ukraine Davis Cup team. He had a 10–2 record in singles. His doubles record was 9–5 and seven of those wins came with Andrei Medvedev, which is a national record. He had also played in two Davis Cup campaigns for the Soviet Union team in 1990 and 1991.

He reached the second round of a Grand Slam singles draw on three occasions, twice as a qualifier. In the men's doubles he appeared in three Grand Slam tournaments but never progressed part the first round.

ATP career finals

Singles: 1 (1–0)

Doubles: 1 (0–1)

Challenger titles

Singles: (4)

Doubles: (5)

References

1968 births
Living people
Ukrainian male tennis players
Soviet male tennis players
National University of Kharkiv alumni
Sportspeople from Kyiv

redpajama_set_name: RedPajamaWikipedia


"Hey Brap where is the strawberry cheesecake with extra liver and watermelons."
Cheesyboy is a fictional character in Hyper Anon's adventures. He is a psycopathic Dromedary camel who's hobby is murdering people. He is based off of falcon lover from pewdiepie due to his crazy behavior whacky dances and flopping around.
he first appears as a camel who escapes the zoo. He kills a man by shooting him between his eyes with a pistol and proceeds to eat his liver similar to Hanibal lecter. He seems to flop around and act crazy. His eyes turn red when angry. He can buck some one so hard in sent them flying over a fence.
"I ate his liver with jelly beans and a nice strawberry sunday bleeeeeergh"


What is the Premise Alert Program?
The Illinois Premise Alert Program (Public Act 96-0788 or 430 ILCS/132) allows people with special needs to provide information to police, fire, and EMS personnel to be stored in a database for use in an emergency situation. The information can then be provided to responders dealing with situations involving the special needs individuals.
How does it aid those with special needs or disabilities?
The program requires public safety agencies which utilize a Computer Aided Dispatch (CAD) system to maintain a database of those citizens with special needs. The personnel manning the Fairview Heights Police Department Communications Center will have access to the special needs of a given individual and will transmit that information to first responders (police, fire, ambulance). The knowledge provided to the first responders will aid them in assisting you based on your situation or needs in an emergency situation or call for service. Individuals must understand that the information provided to the Premise Alert Program will not result in any type of preferential treatment to the individual.
How do I get involved in the program?
Complete the Premise Alert Program Enrollment Form. You can access the form by clicking here or the form may be picked up at the Fairview Heights Police Department, Fairview Heights Fire Department, French Village Fire Department or at the Fairview Heights Municipal Complex. Once the information is verified, the individual can be entered into the database. The information provided will be kept confidential and used only to provide police, fire, and EMS personnel with the information needed to deal with situations or emergencies involving a special needs person.
– "Disability" means an individual's physical or mental impairment substantially limits one or more of the major life activities; a record of such impairment; or when the individual is regarded as having such impairment.
– "Special needs individuals" means those individuals who have or are at increased risk for a chronic physical, developmental, behavioral, or emotional condition and who also require health and related services of a type or amount beyond that required by individuals generally.


Iron Ore Beneficiation Process Flow Chart For Processing Plant. Posts Related to process flow diagram of iron ore mining and beneficiation plant.
Stibnite Beneficiation Process Diagram. flow chart for iron ore beneficiation The iron ore beneficiation process flow includes iron ore crushing and flotation.
Iron Ore Pelletization; Iron Ore Beneficiation; View process flow diagram. IRON ORE BENEFICIATION.
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Tag » is the order a rabbit?
Thursday May 16, 2019
Is the Order a Rabbit? Shares Release Date and Key Visual for New OVA
New special arrives this September with lots of bonus features
May 16, 2019 7:06pm EDT (5/16/19)
Chino and friends are returning this fall in a new Is the Order a Rabbit? OVA! ~Sing For You~ has revealed a release date, key visual, and exciting extras for the release. Check them out after the jump!
Discussion Read More
Is the Order a Rabbit? Puts on Its Spring Best for Anniversary Collab
atré Akihabara offers shoppers limited-edition goods featuring adorable new art
April 17, 2019 7:05pm EDT (4/17/19)
Spring is coming to atré Akihabara in the form of adorable Is the Order a Rabbit? pastel character goods! The collaboration celebrates five years of the popular series. Check out the art for the new items after the jump!
1 Comment Read More
Sunday April 14, 2019
Is the Order a Rabbit? Reveals Festive Kanda Matsuri Goods
Café girls are dressed up for a traditional party
April 14, 2019 11:15pm EDT (4/14/19)
Is the order a festival? Fans of Chino and friends will want to check out these cute new Kanda Matsuri goods! Hit the jump to see what Is the Order a Rabbit? has planned for next month's event!
Reader Poll Highlights Best Cafés Featured in Anime
These are — excuse us — some damn fine cups of coffee
Looking for a damn fine cup of coffee? Try one of these ten anime cafés! Readers were polled on their favorite anime locales. Did your favorite make the cut? Find out after the jump!
Is the Order a Rabbit? ~Sing For You~ Tunes up with New Teaser PV
Chino takes center stage for musically-themed OVA
March 23, 2019 4:06pm EDT (3/23/19)
Ready for another serving of Is the Order a Rabbit? A teaser PV for the next OVA is now online. Check it out, along with the first key visual, after the jump!
Is the Order a Rabbit? New OVA "~Sing For You~" Confirms Its Release in Fall 2019
TV anime third season is also in the works for 2020
Mikikazu Komatsu
March 18, 2019 11:10pm EDT (3/18/19)
It is officially announced in the latest May 2019 issue of Houbunsha's Manga Time Kirarra MAX released today in Japan that Is The Order a Rabbit?? ~Sing For You~, a new OVA from the anime franchise based on Koi's slice-of-life four-panel manga is set to be released in the fall of 2019. Check out the OVA's key visual drawn by the manga author after the jump!
BanG Dream! and Gochiusa Team up for Spring Event
Is the order a girl band?
Adorable series BanG Dream! and adorable series Is the Order a Rabbit? will be joining forces this spring for a collaborative event! What do we know so far? Info is still coming out, but we tell you what we know so far after the jump!
Wednesday November 7, 2018
Special Messages from Cocoa for the Official "Cocoa's Day" in Japan Now Available
You can also win a special collaboration blanket by lot
November 07, 2018 2:50am EST (11/6/18)
As reported, the official "Cocoa's Day" was determined to be November 7 by Japan Anniversary Association in 2016. Since then, the official website for the Is The Order a Rabbit? anime franchise has posted a special voice message from its protagonist girl Cocoa Hoto voiced by Ayane Sakura on the day every year. Check out this year's messages from her after the jump!


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8Jan2021 Read more
Due to new rules in the region of Valencia prohibiting sporting competitions to take place until the 31st of January, we feel the risk and uncertainty is too high to kick off our Karting season. The Winter Cup will be postponed one month to the 04-07 March, with an official collective test the weekend before.
Sunday Livestream of the International IAME Games
What better way to end the 2020 karting season than under Portugal's sunshine, near the Atlantic ocean's seaside? A great environment is just the first of many appeals behind the upcoming International IAME Games, scheduled in Portimao this weekend! Imagined by RGMMC as a big season-closing festival, this new karting event will see the best international IAME teams and drivers put their skills and material to work one last time before going on winter holidays!
Saturday Livestream of the International IAME Games
The results of the International IAME Games
Livetiming of the International IAME Games
Nice finals make the 31st Andrea Margutti shine
Confirmations and surprising results at the Andrea Margutti Trophy in Castelletto. The victories went to Senna Van Valstijn in KZ2, Alex Powell in OKJ, René Lammers in International MINI, Clement Outran in X30 Junior and Edoardo Ludovico Villa in X30 Senior.
Results of the 31st Andrea Margutti Trophy
The Andrea Margutti Trophy in Castelletto di Branduzzo is going to be the 31st edition of the important event that is run in the memory of the young Andrea Margutti. This race that has been organized without interruption since 1990 by Parma Motorsport. A lot of the champions have put their name in the hall of fame of the event, that has been the springboard for a lot of drivers that climbed all the motorsport ladder up to Formula1.
Live timing of the 31st Andrea Margutti Trophy
All set for the 31st Andrea Margutti Trophy at the International Circuit 7 Laghi
The 31st Andrea Margutti Trophy will get underway in the weekend of November 15th at the International Circuit 7 Laghi in Castelletto di Branduzzo (Pavia). After being postponed twice due to the Covid-19 emergency, the 31st Andrea Margutti Trophy is ready to take place at the Circuit 7 Laghi in Castelletto di Branduzzo in the weekend of November 15th, in the due respect of the sanitary regulations that allows events and competitions recognized as having International interest by the Sporting National Federations.
Adria launches the grand finale of the Italian ACI Karting Championship
27Sep2020 Read more
The fourth round of the Italian ACI Karting Championship kicked off the final sprint in the Italian campaign with Palomba and Lombardo taking the win in KZ2, Amendola and Apicella in International MINI, Sardo and Sala in National Mini, Abbate and Megna in Rok Junior, Locatelli and Gaglianò in Rok Senior, Scognamiglio and Al Dhaheri in X30 Junior, as Carenini secured a double win in X30 Senior.
Sunday Livestream: Round 2 of the IAME Euro Series at Castelletto
IAME Euro Series is heading for an already-decisive second round of its 2020 season, from September 17th to 20th at Castelletto di Branduzzo. The event, organized over four days, will see drivers benefit from maximum track time on the 7 Laghi circuit. Free Practice sessions will unfold from Thursday until Friday mid-afternoon, followed by the Qualifying series.
Saturday Livestream: Round 2 of the IAME Euro Series at Castelletto
IAME Euro Series Roud 2: Filippo Sala (Mini), Senna van Soelen (Junior) and Edoardo Ludovico Villa (Senior) on pole position
The IAME Euro Series is for the second round of its 2020 season at Castelletto di Branduzzo in Italy. In qualifying at the 7 Laghi circuit these drivers took pole position: Filippo Sala (Mini), Senna van Soelen (Junior) and Edoardo Ludovico Villa (Senior).
Livetiming: Round 2 of the IAME Euro Series at Castelletto
Livetiming Round 1 IAME Series BENELUX at Genk
22Aug2020 Read more
After five long months of waiting, the drivers of the IAME Series Benelux, this weekend in Genk, can finally start their karting season. The context will be a bit different than we are used to, with the races taking place behind closed doors, but the field of participants still remains very attractive. More than 180 participants will compete at Karting Genk in Limburg during this first round of the championship. Time for a spectacle!
IAME Euro Series: Entries are now open for Castelletto!
Entries are now open for the second round of the 2020 IAME Euro Series in Castelletto Italy. The event will take place the 17 - 20 of September.
IAME X30 Euro Series Round 2 has been canceled
Due to the current updates of the COVID-19 situation in Spain and the restrictions it applies to non-Spanish competitors they have decided after much consideration to cancel the second round of the 2020 IAME Euro Series which was planned to be held in Valencia.
Ladies Cup is back in 2020: 4-6 September Varennes to Allier (France)
After last year's success, the Ladies Cup is back in 2020. It will take place from 4 to 6 September on the amazing and rapid track from Varennes to Allier (France), as part of the Iame Series France. Here is, finally, a real girls' meeting, a real race, a real challenge, a high-performance kart ... The LADIES CUP will determine the best of the ladies. The rules will be the classic X30 Senior sporting and technical rules (identical in all countries of the world - Komet K2H tires) and the minimum age to participate is 14 years in the year. The number of participants is limited to 36.
New to 2020, the IAME I-Games!
13May2020 Read more
An event created by RGMMC together with the support of IAME to offer a season end International event following the stop imposed by the COVID-19 situation.
Updated calendar IAME Euro Series 2020
24Apr2020 Read more
A new calendar has been set for the 2020 IAME Euro Series. The original round 1 which was set to be hosted in Belgium will now take place in October.
Date uncertain but Arena 45 Grand Prix not in question
In these difficult times, the prognosis for the sporting schedule is uncertain. One thing is certain, the Arena 45 Grand Prix will take place at Valence, even if the date has to be postponed to better times. In the face of the changing health situation, opening entries is no longer a priority. Arena 45 will announce a new date as soon as the situation becomes clearer. As to whether the Arena 45 Grand Prix can take place as planned from 5th to 9th August 2020, it is too early to say. In any case, the flagship event at Valence is not in question. If the date has to be postponed, it will be postponed and the organisers will follow the decisions taken by the authorities.
The Andrea Margutti Trophy is gearing up for its 31st edition on march 1st in Lonato
19Feb2020 Read more
The 31st Andrea Margutti Trophy, race to be run on March 1st in Lonato, has a great participation in the categories Mini, OKJ, KZ2, Iame X30 Junior and Senior. Deadline for entering on February 20th 2020.
Sunday livestream of the IAME Winter Cup in Valencia
Oliver Bearman (Senior), Freddie Spindlow (Junior) and Leo Robinson (Mini) made the most of their Qualifying Heats to lead Saturday's provisional classifications at the end of a busy day of racing on the Kartodromo Internacional Lucas Guerrero of Valencia, host of the fourth edition of the IAME Winter Cup organized by RGMMC.
Livestream of the IAME Winter Cup in Valencia
The fourth edition of the IAME Winter Cup officially started this Friday on the Kartodromo Internacional Lucas Guerrero of Valencia, in Spain. The 181 drivers entered in the competition organized by RGMMC enjoyed a dry track during their respective Qualifying sessions. Oliver Bearman (Senior), Aaron Walker (Junior), and Leo Robinson (Mini) took pole position in each class ahead of Saturday's Qualifying Heats.
Results of the SKUSA Supernationals at Las Vegas, Nevada
In the world of motorsports, few races can be billed as the race of the year, but time and time again the SKUSA SuperNationals have been dubbed the pinnacle karting event of the year. It is poised once again to be "the race of the year." SKUSA SuperNationals karting event is from 20th to 24th November in Las Vegas, Nevada.
Rain made some new protagonists shine at the 48th Trofeo delle Industrie in Lonato
In KZ2, Giannoni delivered "driving lessons" on the wet. In OK-Junior, Bertuca came to the fore in qualifying, as the Russian Kutskov in Minikart, Carenini in X30 Senior and Vanthoff in OK. Finals in Live Streaming on Sunday, November 3rd. Drizzling rain has made the second day of the 48th edition of the Trofeo delle Industrie, event organized by Parma Motorsport, more complicated.
Kean Nakamura-Berta victorious in Mini class
After being crowned Vice Champion last year, Freddie Slater (GBR) was out for a win and nothing else in 2019. Starting from pole position in the Final he gave himself the best possible chance at doing just that, but would have tough competition around him including Brandon Carr (GBR) who would start from second after gaining 20 places in the Pre Final.
Alex O'Grady hangs on to win in new class
This year saw the inception of two new classes at the IAME International Final with Minime (FFSA) / Cadet (MUK) one of them. The youngest of our warriors was made up with a 28 kart field for the final. Like all the finals it treated us with plenty of excitement and a tense last lap which would see Alex O'Grady (IRL) just hold on to take the win for Alfie Slater (GBR).


Duchess Meghan's Baby Shower Cookies Were Too Cute: See The Sweet Treats!
Markle topped off her look with Queen Marys Filigree Tiara, an updo hairstyle by Serge Normant, and makeup by Daniel Martin. Another sweet touch? Her bouquet, which contained flowers that Prince Harry literally picked from Kensington Palace, designed by Philippa Craddock.
Two Wyatt employees have since been placed on administrative leave, warden Daniel Martin said. In an e-mail, Martin said Moraless manner of escape was still being investigated, and declined further comment.
Meghan's former Suits co-star Abigail Spencer was the first guest to arrive at the hotel, and she was followed closely by the duchess's makeup artist Daniel Martin, the man behind the royal's stunning bridal beauty look for her wedding to Prince Harry last May.
The following day, after a 6 a.m. wakeup call and breakfast, Markle, joined by Keller, hairstylist Serge Normant, and longtime makeup artist Daniel Martin, began the three-and-a-half-hour process of getting ready.
featured beloved characters such as Chewbacca (Joonas Suotamo), General Leia Organa (Carrie Fisher) and Finn (John Boyega), along with footage of numerous settings including mountains, oceans, forests, deserts, which were described as "suitably epic" and "exotic" by L.A Times reporter Daniel Martin.
Former Army reservist James Morales, 35, fled Saturday by climbing a basketball hoop to reach a rooftop, cutting through a fence and climbing through razor wire, the Wyatt Correctional Center warden Daniel Martin said.
In a statement, prison warden Daniel Martin said the facility is conducting a top to bottom investigation, that includes interviewing all officers on duty and all prisoners in the escaped detainees cellblock.
While China is almost certainly expanding at a slower rate that its GDP data suggest, rapid state sector investment does appear to have kept growth broadly stable last quarter, Daniel Martin and Mark Williams of Capital Economics said in a research note.
Exports to the U.K. presently account for only 0.7 percent of Asian countries' GDP, according to Daniel Martin, senior Asia economist at Capital Economics. Even a 25 percent decline in U.K. imports would knock less than 0.2 percent off from regional GDP.
Stone's play off the bench also helped, and Turgeon commented on his big mans outing, per Daniel Martin of CSN Mid-Atlantic: UConn recruited him really hard, so he was fired up to play this game.
Uncertainty over who will succeed current president Benigno Aquino could dampen investment appetite in the short term, Daniel Martin, an economist at Capital Economics, said. But any weakness is likely to prove short-lived.
Bangko Sentral ng Pilipinas held its benchmark rate at 4 percent this month. Weaker growth is unlikely to spur rate cuts, Daniel Martin, an economist at Capital Economics Asia Pte in Singapore, wrote in a note after the report.
The weakness in exports was expected with the global economy hitting a soft patch early in the year, said Daniel Martin, senior Asia economist at Capital Economics, adding exports should rebound.
Daniel Martin is a novel by John Fowles. It was released in 1977 and can be taken as a Bildungsroman, following the life of the eponymous protagonist.
DANIEL MARTIN, CANTAUTOR CUBANO, MODELO, CANTANTE, COMPOSITOR, PRODUCTOR, ACTOR, DE CUBA. HOMBRE FUERA DE SERIE.
Daniel Martin-"shut That Phone Off!"
Magician Daniel Martin notices a girl texting during his show and does a quick funny impromptu piece of magic!
On this episode of Scam School follow Brian Brushwood and his guest Daniel Martin and learn how to open a padlock using only a pop can!
www.ArbutusYarns.com :: Daniel Martin Moore performs a song written by Haley Bonar live in Dublin Ireland at The Workmans Club. Cameras Myles O'Reilly, Simon O'Neill and Gavin Lawson. Directed and edited by Myles O'Reilly for Arbutus Yarns.