text:
Oliver Stanley Murs (Witham, 14 de Maio de 1984), conhecido pelo seu nome artístico Olly Murs, é um cantor, compositor e apresentador de televisão britânico. Destacou-se no cenário musical após ficar entre os finalistas da sexta temporada do The X Factor em 2009. Posteriormente, assinou um contrato com a Epic Records e Syco Music.

No final de Agosto de 2010, Murs lançou o seu primeiro single, "Please Don't Let Me Go", que estreou na liderança da tabela musical do Reino Unido, UK Singles Chart. A canção foi certificada com prata pela British Phonographic Industry (BPI). O seu primeiro álbum e homónimo foi lançado em Novembro do mesmo ano. O disco debutou na segunda posição da UK Albums Chart com a melhor semana de estreia em vendas de um álbum em 2010, com mais de 108 mil cópias vendidas. Em Maio de 2011, foi anunciado que Murs iria regressar ao The X Factor como apresentador do The Xtra Factor, apresentando em conjunto com Caroline Flack.

Discografia
 Álbuns de estúdio
 2010: Olly Murs
 2011: In Case You Didn't Know
 2012: Right Place Right Time
 2014: Never Been Better
 2016: 24 HRS
2018: You Know I Know

Nascidos em 1984
Pessoas vivas
Cantores da Inglaterra
Compositores da Inglaterra
Cantores de música pop
Cantores de R&B
Participantes de The X Factor

redpajama_set_name: RedPajamaWikipedia


Just a few miles out of town, tucked in on the North Fork of the Flambeau River, is this beautiful cottage built on a slab foundation. This cottage features 2 bedrooms, 1 bathroom, kitchen with new appliances, dining area and living room on the first level. The second level is a loft, which is currently used for a master bedroom. If you are looking for somewhere peaceful and private, come take a look! The Pixley Flowage has a stumpy bottom and is known for fishing, canoeing, kayaking, and the scenery.
Notes: Approximately 150' of frontage on Pixley Flowage! The Pixley Flowage is 334 acres in size with a depth of 23' and species of fish include: musky, northern pike, walleye, smallmouth bass, panfish and sturgeon.
Legal Description: Pixley East Shore Lot 26, Section 04 Township 39 North Range 01 West, Town of Lake, Price County, Wisconsin.
Driving Directions: From Park Falls, head South on HWY 13 to Fifield, turn West on State Highway 70. In approximately 3.8 miles, turn North onto Pixley Shores Road, approximately 1 mile, the driveway will be on your left. Look for fire number N14425.


text:
signbrad
good sign design is no accident
About Brad Ferguson
HomePrescient words from 1895.
Prescient words from 1895.
May 7, 2016 July 13, 2016 signbrad Uncategorizedtypography
I was browsing a digitized version of a trade journal for printers and allied trades called The Inland and American Printer and Lithographer, published in Chicago over 120 years ago, and I ran across a striking forecast. It appeared in the August, 1895, issue and was part of a contributed piece by a Mr. R. Coupland Harding.
Here's what he wrote: "William Morris has predicted that typography will cease to exist during the next century, and he may be right in his forecast. I see it threatened by the camera, the etching fluid, and by the (at present) harmless and inoffensive 'typewriter,' in the keyboard of which lies the germ of something much greater in the future."
Coupland Harding, if he were alive today, would be amazed to see the changes that have occurred in the printing industry because of the 'harmless and inoffensive' keyboard since he wrote those words. William Morris (designer, typographer, poet, writer, printer, artist, who died the year after the above article was written) would probably share Harding's amazement to see how events have unfolded in the following 100 years as exploding technology made its impact on printing, as well as graphic art and design. Already, in the closing years of that century, patent applications were flooding the US Patent Office with designs and inventions for mechanized typesetting. The successful surviving technologies, Monotype and Linotype, were already found in bigger print shops, putting out of work many compositors, hand typesetters and the like. These metal monsters, controlled by a keyboard, would quickly dominate the world of typesetting and then die a slow death, eclipsed for a short while by photo typesetting processes, and then be gone forever by the end of the B.C. Era (Before Computers). Of course, the keyboard never died. It just morphed with the industry.
A similar deathfate has been experienced by a trade related to printing. Sign painting— hand lettering—though still kept alive by a few, has all but disappeared, also as a result of the 'harmless' keyboard. The keyboard is immortal. It is a changling. It will never die.
R. Coupland Harding
Intrigued by his letter written to the Inland Printer, I found that Coupland Harding was an influential typographer and critic of his day. The son of a printer, he lived in New Zealand. Here is a link to some biographical information:
Short Biography of R. Coupland Harding
William Morris (1834–1896) was well known in the design world during his lifetime. He was known for his work in textiles, and he was a mover and shaker in the Arts & Crafts movement. A poet and novelist as well, he contributed to the fantasy genre in its infancy. The Victoria & Albert Museum in London has an extensive collection of his wallpaper and tile designs.
← What is a logo? What is it not?
What, exactly, were they dumping? →
How can two typestyles appear identical without constituting copyright infringement?
Is it always an infringement to use someone else's trademark?
Common logo design oversights
Trademark registration—How long does it take?
Secondary text on a sign should be well designed
Trademark fees go up…way up
Does a logo design need to tell a story?
Trademark law protects a company's good name and reputation
Dominance & Prioritization
Principles of good design
Sign Materials
Sign & Digital Graphics Magazine A Sign Industry Magazine 0
SignCraft Magazine A magazine about profitable and creative sign production 0

redpajama_set_name: RedPajamaCommonCrawl


The Compton School is situated in North Finchley, London and is nationally recognised as one of the best schools in the country. As an academy school for boys and girls aged eleven to sixteen the school has one simple aim - to support students to reach their full potential.
Firefly has made a massive difference to The Compton School. It has saved our teachers so much time meaning they can focus on the much more important aspects of being effective and imaginative teachers!


Recorded on Wednesday April 11, 2018, on this week's show we take a look at the aliens revealed in the Denny's commercial and discuss which one's we would like to see in toy form. Funko has the jump on a lot of these new characters and we discuss.
Along with Funko's awesome offerings StarWars.com revealed a ton of Solo related merchandise and even though we have sworn to stick to our collecting focuses we'll probably break our own rules yet again.
We take a look at the Solo trailer and geek out about what could be the most fun Star Wars movie yet!
Check out some of the names of new ships and weapons via Yakface.com.


The first and only combo locking tie down straps! Secure dirtbikes, atvs, utvs, motorcycles, jet skis and just about anything else that you'd strap down! Use the straps in your garage for extra security! A must have product!
Welcome to Joe Hauler. We manufacture high quality hitch-mounted motorcycle carriers and custom motorcycle accessories that are easy to use and built to last. Innovation and quality craftsmanship are what set Joe Hauler apart from the competition. Now Offering a 3 Year Warranty on Joe Haulers.
CCR Sport.com is your source for the world's best motocross, off-road motorcycle, ATV and dirt bike performance parts, apparel, accessories and gear! We offer fast FREE shipping, price match guarantee, very easy site navigation and unparalleled customer service.
Are you tired of blowing fork seals while your transporting your bike with your suspension compressed? Tired of a web of straps, wheel chocks and floor anchors taking up valuable space? Should you risk breaking a tie-down strap in the back of your truck?
"The start is the only chance you have to pass 41 other racers...�. Do you want to grab the holeshot and win races? Time to practice like the pros! Use the Holeshot Practice Starting Gate with the Launch Master and you will see drastic improvements!
At Matrix Concepts we wanted to introduce a new approach to some old school products and developed a four part design criteria; 1) Make the products from high strength ABS plastic that was lightweight and very strong. 2) Offer new innovative features that improved the product over the competition. 3) Give the rider the ability to personalize the products with their name/number giving them the �factory look�. 4) Offer a great retail value.


text:
Occultation website
Occultation Recordings
The Granite Shore
Written in granite: Looking For A Ghost
There are now very few of my very, very favourite albums which are yet to appear on CD and there's only one I can only think of released on a major label: the Distractions' Nobody's Perfect, which came out on Island in 1980. I remember buying it, it was in a sale and also in that same sale I came across an original US copy of Big Star's Third on PVC records. This was so much better than the UK version, often known as Sister Lovers that even today I always programme the CD to play the fourteen tracks from the PVC version in the order I know and love. But that's a matter for another day because today we're looking at The Distractions.
Should they have been huge? Well... In terms of their songwriting and the records they made oh yes, undoubtedly, they're so much better than their nearest southern equivalent, probably Squeeze. Except that where Squeeze were all nudge-nudge, wink-wink and undoubtedly very clever but ultimately not terribly exciting, the Distractions' records were perfect. However, as the LP title points out, Nobody's Perfect and the band's problem was... there's no getting away from it, I'm afraid – they looked like the junior staff of a bank who'd jumped up on stage at a party. Although this actually endeared them still further to people like myself, it was never going to see them become proper pop stars. A horrible irony as they were one of the first post-punk groups which genuinely embraced the pop idiom. At the time when I first heard them, on the debut EP You're Not Going Out Dressed Like That I was shocked at the sound of the thing. The guitars weren't buzz-saw Ramones/Buzzcocks at all! Pretty much every new group releasing their first record then (the EP came out as a 12" on TJM Records in 1978) had the distortion switched on. Indeed, as Mancunians I was expecting something along the lines of the Buzzcocks, a group I adored at the time as they wrote fantastic pop songs but delivered them with attitude – and a buzz-saw guitar sound. The sounds of the Distractions' instruments weren't punk at all, and in many ways I felt this made them more punk than many of the other records appearing at the time. Like Pete Shelley, they dealt in matters of the heart, but they did so on a much more down-to-earth level; there was nothing coy about them at all. After the EP, which was rough and ready, with very short songs, they released one of the all-time classic post-punk singles and, in a pre-post-modern kind of way it was a classic pop record released on Factory Records, of all labels. Not produced by Martin Hannett either, so it sounded unlike anything else Factory had done up to that point and yet seemed to fit perfectly, because what it did have was class. The song, Time Goes By So Slow, was a piece of 24-carat genius, with an intricate arrangement and a performance that sounded as though it was so breathless it might collapse at any moment until they reached the amazing middle section, with that wonderful jazzy chord at the end of each little sequence. For the first time on this single it becomes obvious that Mike Finney has one of the great pop voices, with a wonderfully broken edge, a catch in his throat that brought a lump to mine. Unfortunately, as I say, he looked like a chubby bespectacled bank clerk although for me this enhanced rather than diminished his stature, it was purely that I rather suspected that he might perhaps never get his due and unfortunately I was all too right. As a fellow wearer of glasses he was one of my heroes and to this day he remains one of my favourite vocalists. Unfortunately he came along just as we were entering the 1980s, a decade when most people agree that the way you looked could be of some slight importance.
After Time Goes By So Slow the band signed to Island and released a new version of It Doesn't Bother Me from the EP as a single (on white vinyl!), and very wonderful it was too. Then they came as close as they were ever going to with Boys Cry. It was so nearly a big hit; it picked up plenty of airplay, it started to sell but stalled just short of being a proper hit. That was followed by the album and one more single on Island, a retooled version of album track Something For The Weekend, a fine enough track but not the greatest choice of single. After that the band were dropped by their label, releasing just one more EP, well up to standard, called 24 Hours on Rough Trade before folding.
As for that album is is absolutely wonderful. It does rather sound as though most of the budget was spent on trying to get a hit with Boys Cry, the only cover version on the LP, which has a huge Spectoresque production although we'll come to the one other big number in a moment. It opens with Waiting For Lorraine, setting out the band's stall perfectly, picked guitars of a kind that echoed later on in the playing of Johnny Marr, a great pop tune, proper chorus, clever teenage angst lyric and that wonderfully perfect pop voice of Finney's. That's followed by the LP version of Weekend, frankly one of the weaker songs (although only relatively speaking) in the standard Friday On My Mind vein and then the aforementioned Boys Cry. Another short, upbeat pop song in Sick And Tired and then one of the album's real high points, Leave You To Dream, a song of such beautiful simplicity it still produces a bittersweet smile almost 30 years on. Side one closes with Louise (see Lorraine) and the amusing Paracetomol Paralysis, a song about... er... well, it's in the title, really, delivered at breakneck pace. If side one is great, side two is even better. It starts with (Stuck In A) Fantasy, another wonderful pop song and then a new version of Nothing, from the first EP, a song well worth revisiting. Another achingly beautiful bittersweet pop song (that's pretty much what the Distractions did, as you'll've gathered by now) called Wonder Girl and yet another called, ahem, Untitled. That brings us to my very favourite song on the album. As with so many of my favourite songs, Looking For A Ghost incorporates elements of both the sublime and the ridiculous. You can pretty much work out the lyric from the title: "People wonder why I smile the way I do/They think I should be sad now you're not around/People wonder why it is I don't miss you/Perhaps they don't know what I've found" it begins. Finney delivers his finest, subtlest vocal performance and, to his enormous credit, he does so to the most over-the-top, preposterious backing vocals ever laid to tape (or any other medium). They start off as silly "boo! I'm a ghost!" ooohs and ahs and then ramp it up from there. By verse 2 you're giggling, the longer the song goes on, the sillier the BVs get. Then we reach chorus 2, and suddenly we have a choir of ghosts... They drop out for verse 3 and then the final chorus is both the funniest and the most touching thing you'll ever hear as the orchestra brought in for Boys Cry plays a few bars as the ghost chorus goes absolutely berserk. It is utter genius. The first few times you hear it you can't help laughing until you cry... But underneath the wondrous bombast there's also pathos... Well, OK, there's also bathos (and, by the sound of the choir, the rest of the Musketeers). It is truly wonderful. They then make sure things end on an even sillier note: as the phantasmal chorus disappears off into the fade-out, in comes a piano, playing Satie-like chords for a few moments... And then in come the band at full-pelt playing a daft song called Valerie at Ramones-like speed. It's a truly great second side to a wonderful album. The songwriting is superb throughout, there's wonderful ensemble playing (no histrionics anywhere, barely a guitar solo), the songs are short and very, very sweet. When I look at the sheer breadth of albums from this period that have been reissued on CD over the last 15 years or so I just can't understand why either Island haven't put it out or at least licensed it to some smaller label. You could compile the entire Distractions catalogue (the EP, Factory single, Island album, 3 singles and 'b' sides and Rough Trade EP) all onto a single CD. Why on earth hasn't anybody done this?
Posted by The Granite Shore at 14:43
granata said...
The Granite Shore said...
Hi Granata,
If you'd like to e-mail me (tgs@thegraniteshore.co.uk) I can give you full details. The final EP featured "Twenty-Four Hours", "Ghost Of A Chance" and "Love Is Not For Me".
Mike Finney said...
Thank you for the article and the comments. Steve and me got together with a few people about 15 years ago and recorded 5 songs, 4 in Manchester and 1 in London. We did it for fun and I will happily send them to you (digitally) to see what you think. I'm not sure how to send them, but I will check the blog for your reply.
Mike Finney July 2009
Hi Mike, if you'd like to send an e-mail to:
tgs@thegraniteshore.co.uk
then we can discuss this - I'd be thrilled to hear the tracks.
Look forward to hearing from you.
ger said...
ever come by the And then ther's-ep?
i can't find it
gerknoopridderkerk@hetnet.nl
Written in granite: There Is A River
Slabs of granite 1978-82: The View From Her Room
Written in granite: The Bells of Dunwich
Written in granite: White Horse
Written in granite: Black crow
Written in granite: Play me my song


text:
Jotwell
The Journal of Things We Like (Lots)
How Important is Community to Tort Law?
Jun 6, 2017 Martha ChamallasAdd a Comment
Christina Carmody Tilley, Tort Law Inside Out, 126 Yale L. J. 1321 (2017).
Martha Chamallas
Christina Tilley's new article on the purpose of tort law is audacious. It boldly claims that other tort theorists have got it wrong: tort law is not primarily concerned with efficiency or morality but instead (spoiler alert!) is all about constructing community. Aligning herself with a group of scholars called the New Doctrinalists, she purports to find this overarching community-constructing purpose embedded within tort doctrine itself and in the process contends that other theories, including civil recourse theory, are really external theories (hence the title, Tort Law [From the] Inside Out). She canvasses tort cases from the colonial period to the present in an attempt to demonstrate that "community" has always played a central role in tort law, even as communities in the U.S. have undergone dramatic changes.
Christina Tilley's article is also very creative. To prove the centrality of "community" in tort law, she conducts a "rudimentary linguistic analysis" (p.1340) of the digital version of the Restatement (Second) of Torts and discovers that references to community (47 times) are more plentiful than utility (34), efficiency (3), morality (24), or justice (3). To unpack the meaning of "community" most relevant to tort law, she draws upon classic works in sociology and political theory to make intriguing distinctions between sociological and political communities and closed versus open communities. And she peppers her article with examples of contemporary controversies (parents opposed to vaccination, football concussion injuries, texting while driving) where outcomes in tort cases are likely to differ, depending on which community has its say. The sheer breadth and sophistication of the article gives readers much to admire and much to contest. At the end of 80 pages, I was not entirely persuaded, but I suspect that Tilley's paean to community will have real staying power.
Paradoxically, Tilley contends that the concept of community in tort law is crucial in large part because it is ill-defined and indeterminate and operates as a "transom though which decision makers can import extralegal norms to determine liability for injuries." (P.1343.) Elsewhere in the article, Tilley refers to community as a "placeholder," or, as linguists call it, a "hedge," i.e., an open-textured element that invites a reader to fill in the blanks. (P. 1332.) In the operation of tort law, it is most often the jury who fills the void and decides a case according to community values and norms.
Tilley reminds us that resort to community norms in tort law occurs repeatedly across each of the three main theories of liability. For example, in intentional torts, community norms are used to determine whether a touching is offensive, whether consent should be presumed or whether conduct is outrageous. In negligence law, community norms may be a reference point for deciding whether a defendant's conduct poses an unreasonable risk. In strict liability, the appropriateness of the activity to a community and whether the activity is one of common usage helps determine whether it qualifies as abnormally dangerous.
Resort to "community" covers a lot of ground in Tilley's analysis. It comes into play when a tort doctrine explicitly requires an assessment of the norms of a specified community, such as the "locality rule" in medical malpractice claims that requires proof that a physician breached professional standards in the local community. (P.1381.) But importantly, Tilley also regards "community" as coming into play in a wide range of cases, notably negligence claims, in which juries are asked to evaluate a party's action by the reasonable person standard, presumably because juries will be guided by the standard "demanded by the community for the protection of others against unreasonable risk." (P. 1345.) Thus, Tilley's broad role for "community" in tort law encompasses explicit resort to custom in particular torts as well as discretionary judgments made by decision makers called upon to fill in the content of other abstract concepts such as reasonable care.
Tilley maintains that through these multiple doctrines "community" has become a privileged source of tort liability norms, even though she contends that the concept has been under-theorized in legal scholarship. Thus, when myriad decisions about liability are made by jurors in tort cases on the basis of community norms, over time they have the effect of "constructing" community, signaling what is acceptable and unacceptable behavior, creating mutual bonds and cohesion among community members, and attaching a price to deviant behavior. In this sociological account, tort litigation is valuable precisely because it gives a community what it needs: orderly confrontations over contested behavior. For Tilley, this process of community construction is the whole point of tort law, allowing the community to consider and re-consider its norms, without resort to "the cumbersome machinery of the state" that characterizes criminal and regulatory law. (P. 1355.)
A pivotal part of Tilley's theory is the distinction she makes between closed and open communities, which roughly maps onto a difference between local and national communities. Going back to the classic distinction between Germeinschaft (traditional community) and Gesellschaft (modern community), Tilley explains that sometimes decision-makers decide cases according to local norms, while at other times, they reach for national norms. She regards this "toggle" between local and national norms as a good thing, primarily because it reflects her vision of the United States as "multiple traditional communities nested within a single modern community." (P.1364.)
A crucial (if highly contestable) analytical move Tilley makes is to align local norms with "morality" and national norms with "efficiency." She reasons that closed, traditional communities are most often premised on sameness and "multiplex relationships that typically share religious and moral orientations." Modern, open communities, by way of contrast, are "premised on specialization of labor and relationships," characterized by "a plurality of cultural and value orientations" and typically "coordinate through rational or efficient behavioral norms." (P. 1357.) In Tilley's dichotomy, there is not much room for national norms premised on morality or local communities marked by a diversity of viewpoints.
As a descriptive matter, Tilley asserts that tort doctrine has "implicitly encouraged" decision makers to shift between local or national norms depending on "where the disputed injury arose." She finds the same injunction throughout the Restatement (Second) of Torts: "injuries inflicted within closed communities are to be assessed based on that community's norm (typically moral in nature), while injuries inflicted within the open community are to be assessed based on that community's norm (typically efficient)." (P.1365.) As a prescriptive matter, Tilley goes on to argue that contemporary courts should make this process explicit and that "tort should embrace its capacity to toggle between morality and efficiency." (P.1385.) In Tilley's mind, this account of tort law also reconciles the current standoff between economic theorists and corrective justice/morality theorists by showing that each has a place in tort law.
Applying Tilley's local/national (morality/efficiency) distinction, however, can be tricky and might not be as intuitive as she suggests. For example, Tilley analyzes one 2013 Oregon case alleging that a teacher had sexually abused the plaintiffs when they were primary school students nearly thirty years ago. The issue in the case was whether the discovery rule ought to be applied to toll the statute of limitations because only recently did the plaintiffs fully appreciate the offensive nature of the defendant's behavior. One might have thought that under Tilley's scheme the case would be categorized as local and governed by morality norms, given that all the parties resided in the same local community and that sexual behavior and the care of children are often approached as issues of private morality. Yet Tilley explains that the court in that case identified the teacher's behavior as "grooming" and noted that grooming is a tactic that has received widespread national recognition in recent years. She regards the ruling for the plaintiffs in that case as an example of a court "[i]ntuitively gravitating towards the expectations and knowledge of the national community with respect to the nature of child sex offenses." (P.1374.) It is not clear, however, why the availability of expert knowledge on a subject should transform a local controversy into a national one or whether Tilley would be happy with classifying such as case as either local or national.
Added to the problem of boundary-drawing, application of the local/national distinction might yield results that are unjust simply because like injuries are treated so differently. Thus, Tilley discusses a poignant case involving a twenty-six-year old man who committed suicide after suffering from multiple concussions while playing youth and high school football. The legal claim in the case was whether the football league should be subject to strict liability because the activity was abnormally dangerous. As Tilley sees it, because "abnormality" results partly from community values, "the cultural resonance of amateur football within the relevant community must be assessed." (P.1388.) She hypothesizes that if the case had taken place in West Texas where football "plays a crucial role in the social infrastructure," denying recovery would be justified because it would reflect the preference of the local community. However, because the actual case took place in Wisconsin and involved a claim against Pop Warner football, a national corporate defendant, Tilley believes that it was appropriate for the court "to toggle to an efficiency approach, asking whether the benefit of Pop Warner and youth football nationally outweighed its capacity to harm." (P.1389.) It is not clear to me why expert knowledge on concussion injuries, if offered into evidence by the hypothetical Texas plaintiffs, would not or should not push the case into the national category. More fundamentally, should such a case turn on the perceived social benefit of football to the community rather than on the science behind concussion injuries?
On a broader level, Tilley's fascinating article left me wondering whether her account of community's role in tort law, particularly her local/national distinction, might have been more accurate in 1975 than it is today. Unfortunately, Tilley decided not to use the Restatement (Third) as a basis for her linguistic analysis of the concept of community. She reasoned that because the project is still incomplete and has been broken up into separate parts (e.g., separate Restatements for Products Liability, Apportionment, etc.), any linguistic analysis would not show the relevance of the concept across multiple types of liability. She also expressed concern that the Restatement process has become politicized and dominated by an economic, instrumental orientation. (Pp.1338-39.) Regardless of the validity of her concerns, by relying on the Restatement (Second), Tilley may have painted a portrait of tort law that overstates the continuing relevance of community. A great number of courts, for example, have followed the course of the new Restatements and may have diminished the role of community in important areas of tort law, for example, rejecting the consumer expectation test in products liability, employing economic cost/benefit analyses to determine reasonable care in negligence cases, and placing less emphasis on locational appropriateness in abnormally dangerous activities cases. Since the 1980s, there has also been a decidedly neoliberal turn in U.S. public policy and discourse that has had the effect of infusing market values and market rationality into all institutions and social action, tort law included. Particularly when this transformation of values is added to the reality of vanishing juries, it's really hard to say just how important community is to tort law.
Cite as: Martha Chamallas, How Important is Community to Tort Law?, JOTWELL (June 6, 2017) (reviewing Christina Carmody Tilley, Tort Law Inside Out, 126 Yale L. J. 1321 (2017)), https://torts.jotwell.com/how-important-is-community-to-tort-law/.
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text:
Q: Angular Pikaday configuration I tried to implement Angular Pikaday to my project, however, i cannot set options of the Pikaday directive. I don't what to implement it globally, especially for minDate or maxDate options. When i try with getting the element by ID it works fine.
I would like to know what i am missing.
$scope.myPickerObject = {
    firstDay: 1, // not showing
    numberOfMonths: 2, // not showing
    onSelect: function() {
      alert('hi');
    }

  };
     //$scope.myPickerObject = new Pikaday({   //  onSelect: function() {   //    alert('hi');   //  }   //  Doesn't work either   //});/

Fiddle

A: You are not providing pickaday a callback, you should define on-select method on input itself like shown in the
Fiddle:
http://plnkr.co/edit/X10a4peeKQK2uj30mJQk?p=preview
If you want to configure specific input

redpajama_set_name: RedPajamaStackExchange


text:
Q: Question about this Sieve of Eratosthenes graph I googled for images of graphs and found nothing that even comes close to this one, so I want to experiment some more.
limc = 4;
primes = Join[{1}, Prime[Range[limc]]];
(* if you want to evaluate several times, put the above 2 lines in a
separate cell and evaluate. Then run these below as needed *)

limc = Length[primes] - 1;
limv = Prime[limc + 1]^2 - 1;
a = Flatten[Table[p -> p (m + 1), {p, primes}, {m, 1, limv/p - 1}]];
g = Graph[a];
sources = Select[VertexList[g],VertexOutDegree[g, #] >= 1 &];
SetProperty[g, {VertexLabels -> (Thread[
 sources -> Placed["Name", Center]]),
VertexSize -> (Thread[sources -> 3/2])}]
Show[g]
primes = Join[primes, Flatten[Position[VertexDegree[g], 1]]];
Print[Length[%] - 1 , " primes less than ", limv]

The graph of the first 4 primes up to limv is:

You will notice the one points to many odd numbers that have only one connection. These are the primes.
My question: It there a method to retrieve parts of a graph from the graph object? Yes, we can use Flatten[Position[VertexDegree[g], 1]] as indicated above. The key to this solution was to use 1 (unity) to point to all numbers in the range. Then only the numbers with VertexDegree of 1 are the primes.
New question: How do we get only the source numbers p labeled?
Thanks, kglr, for the answer.

A: sources = Select[VertexList[g], VertexOutDegree[g, #] >= 1 &];
SetProperty[g, {VertexLabels -> (Thread[ sources -> Placed["Name", Center]]),
    VertexSize -> (Thread[sources -> 3/2])}]


roads, parks, utility improvements and other capital projects.
The Real Estate Division also assists the citizens of Cape Coral with questions regarding their property.
Other sources of useful information regarding real property include the Lee County Property Appraiser (www.leepa.org), the Lee County Tax Collector (www.leetc.com) , and the Lee County Clerk of Courts (www.leeclerk.org).


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Lynne Johnson
Dr. Lynne Johnson served North Carolina as a classroom teacher, assistant principal, principal, Executive Director for Curriculum and Professional Development, and Chief Personnel Officer. Earning undergraduate and graduate degrees from UNC Chapel Hill and a doctoral degree from UNC Greensboro, Lynne worked with educators in North Carolina's urban and rural school districts.
Developing and directing leadership programs for Aspiring Principals and New Principals, Dr. Johnson served as a Program Director for the Principals' Executive Program (PEP) at the UNC Center for School Leadership Development. Sessions included hiring practices, school planning for professional development, coaching for classroom success, and classroom observation and feedback strategies for educator growth.
At the North Carolina Department of Public Instruction, as the Educator Effectiveness Director, Lynne facilitated a statewide team responsible for professional development of educator standards, evaluation tools, and the design of leadership development processes for administrators and teachers. Statewide Service Support teams planned with districts and charters with a direct focus on student growth strategies. Facilitating program development for all public and private university educator candidates, the Educator Effectiveness team focused on "what educators need to know in schools with what they learn in the university setting."
Dr. Johnson was awarded the North Carolina prestigious public service award The Order of the Long Leaf Pine from Governor Cooper in March 2017 for her service to educators and students in North Carolina public schools. With over 30 years of experience, she served the North Carolina Communities In Schools as Vice President of Network Relations prior to becoming CEO of The NC Education Leadership and Learning Group. Joining Emerald Education, Lynne shares her expertise in leadership development, reflective coaching strategies, and building learning networks that inform effective and diverse classroom instruction.
Copyright © 2017 Emerald Education Inc. - All Rights Reserved.


Adelaide Fringe's celebrations start in the late afternoon on Friday 15 February with the opening of the night markets and performances at Karrawirra Parri, River Torrens, near the University of Adelaide footbridge.
At 8:15pm, Senior Kaurna Custodian of Ceremony Karl Telfer will again lead Tindo Utpurndee, the Sunset Ceremony.
Yabarra. "In the reflection of the shining, shimmering waters, there are the ripples of many generations which speak to the vibrancy of a time gone, but a time present and a time not forgotten upon these plains," states Telfer.
Native animals and traditional stories are brought to life through light projections on the trees, buildings and on water screens surrounding the bend in Karrawirra Parri. This is in recognition of the First Nations people, their culture and their deep spiritual connection with the natural land. Yabarra will come to life at the conclusion of Tindo Utpurndee, and will continue every night throughout the Fringe season.
To officially open Adelaide Festival, Elder Park will once again host a free concert, this year created in collaboration with National Geographic.
Symphony for Our World is a beautiful display of the wonders and challenges of the natural world. Footage from the vaults of the publication have been crafted into a 90 minute film and synchronised to a five movement orchestral epic of music.
Each movement is linked to a natural environment: Seas, Shore, Land, Mountains and Sky. The sweeping melodies and harmonies of the musical work echoes the power, grace and beauty of the images on screen.
Composed by Bleeding Fingers Music, co-founded by cinematic music powerhouse Hans Zimmer, it will be performed by the Adelaide Festival Orchestra conducted by Jessica Gethin.
The orchestra is accompanied by a capella group Aurora and the Festival Statesmen Chorus, promising a visual and aural spectacular.


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Thank you so much for stopping by torilesikar.com. I decided to start my personal blog after years of doing freelance writing and photography for various other brands and companies in the outdoor space. After moving from San Francisco to Portland in 2013, I needed something to keep me busy during all the long, rainy days.
Currently, I handle social media for SOREL. Even though I manage another brand's social media from 9-5, I have never considered being in the blogging or social space a j-o-b. Having grown up in Dallas, Texas, studied American Sign Language at The University of Texas in Austin, I'd never dreamed that I'd be living on the West Coast working for a fashion brand...and loving every single minute of it.
This blog is my personal style getaway when I'm not working on all things SOREL. My husband, Ryan, (who is the Global Brand Design Lead for SOREL), is also my photographer and designer. Thank you, Ryan, for saving the world from my selfies.


...helps support our annual program of community arts, enriching the cultural life of Denmark and the Great Southern.
- Receive a discount to all our festivals & events!
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John Grisham's bestseller A Time To Kill hits the screen with incendiary force, directed by Joel Schumacher (Batman Forever, The Client). Sandra Bullock, Samuel L. Jackson, Matthew McConaughey and Kevin Spacey portray the prinicpals in a murder trial that brings a small Mississippi town's racial tensions to the flashpoint. Amid a frenzy of activist marches, Klan terror, media clamor and brutal riots, an unseasoned but idealistic young attorney mounts a stirring courtroom battle for justice.


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The monthly newsletter with all the latest news from around the book world!
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If you're a bookworm like me, finding out what's new in the book world is a must! Each month I'll share with you the highlights I've found on new releases, book signings, and more!
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Since being elected Maria has made seeking improvements to the local rail services a priority. Below are just a selection of some of the actions she has taken.
The BML2 campaign group recently described the Chancellor's letter to Maria confirming a new study into BML2 as "groundbreaking"


Originally published under the title "Reality Matters in Middle East, not Trump's Jerusalem Symbolism."
Clockwise from top left: Arab neighborhoods of Jerusalem were largely peaceful as tens of thousands demonstrated against U.S. recognition of Jerusalem as Israel's capital in Lebanon, Morocco and Turkey.
Of course, the situation in a single seam line neighborhood cannot reflect the whole picture. The occasion has not passed without injury and loss of life. Hamas declared three 'days of rage' following Trump's announcement. Two Palestinians were killed and 98 wounded in the subsequent demonstrations.
There was rioting in Wadi Ara, inside the borders of Israel. An Israeli security guard was stabbed and critically wounded at Jerusalem's Central Bus Station on Sunday. And in Gaza, the rocket launching activities of small militant groups are leading to a significant rise in tension.
Most Palestinians appear to recognize that Trump's declaration had no immediate practical import.
First of all, President Trump's declaration was just that – a declaration. With no immediate practical import.
Palestinian traders and businesses don't want holiday tourists to stay at home.
The relative quiet in Jerusalem and the West Bank is in contrast to the fury expressed further afield against Trump's declaration.
Police outside a synagogue that was attacked in Gothenburg, Sweden, on December 9.
There has in consequence been in recent days a wave of fury against Israel and Jewish targets far from Israel itself. This has included attacks on synagogues in Gothenburg and Malmo in Sweden, angry demonstrations replete with anti-Semitic chanting in London, Berlin and beyond. A grim warning from Turkish President Recep Tayep Erdogan to Trump that Jerusalem is a 'red line' for Muslims, and Hizballah leader Hassan Nasrallah telling a crowd (via video screen) in Beirut that the US announcement represented the 'beginning of the end' for Israel. The attempted suicide bombing in New York too may at least partially have been inspired by the suffering of Muslims in Gaza.
At the most absurd end, even Malaysian Defense Minister Datuk Seri Hishammuddin Tun Hussein said his country's armed forces were ready to play some (unspecified) role on behalf of Muslim and Palestinian claims in Jerusalem.
In any case, the reality is clear. The embassies of Iran and Russia throughout Europe remain almost entirely untroubled by protests, despite the role of those countries in assisting Bashar Assad to murder hundreds of thousands of his own people over the last seven years. US embassies throughout the Islamic world and Europe have, by contrast, in recent days witnessed furious crowds protesting Trump's announcement.
No Arab country expelled its US ambassador following Trump's announcement.
Al-Khazaleh's statement was quickly picked up in the main outlets of both the Saudi and the Israeli media. The visit became a major subject in media discussion in both countries.
This statement, from a Saudi journalist close to the corridors of power in Riyadh, reflects the real and non-symbolic nature of current power politics in the Middle East. Al-Rashid holds the Iran-led camp entirely responsible for any deterioration. Al-Khazaleh, it is worth remembering, is an Arab and a Muslim (albeit a Shia). He refers to the Palestinian case as the 'decisive Arab cause.' No matter. For al Rashid, he is aligned with Iran and Israel is Iran's enemy. So the Saudi journalist's sympathies, without quite stating it plainly, are clearly with Israel.
Arab leaders are primarily concerned with the advance of Iranian power in Yemen, Iraq, Syria and Lebanon.
Whatever the theological disagreements, both Israel and Saudi Arabia (along with a host of other regional players including the UAE, Jordan and Egypt) are currently primarily concerned at the advance of Iranian power in the collapsed spaces in the region – in Yemen, Iraq, Syria and Lebanon. This core alignment is based on clear shared interests and it is unlikely to change as a result of Trump's recent declaration.
So in the neighborhoods of Jerusalem's seam line, daily concerns and interests appear – currently at least – to precariously take precedence. In the halls of regional power, too, beneath the rhetoric, self-preservation currently trumps symbolism.


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Beef Recall: JBS Tolleson expands meat recall of raw, ground beef to 12M pounds
Check your ground beef: An additional 5 million pounds have been added to an existing recall, bringing the total amount of recalled raw beef to more than 12 million pounds.
The recall was first issued in October due to salmonella concerns. At the time it was announced that the contaminated raw beef products from JBS Tolleson were being investigated after an outbreak of salmonella. As of Nov. 15, the number of cases had grown to 246 in 25 states (59 hospitalized, no deaths).
On Tuesday, the U.S. Department of Agriculture's Food Safety and Inspection Service announced the expansion of the recall. The recall now includes a long list of products packaged between July 26, 2018 and Sept. 7, 2018. The affected brands include Kroger, Cedar Farms, and Showcase.
See the full list here and review what the product labels look like here.
Salmonella can cause salmonellosis, which can cause diarrhea, cramps and fever.
RELATED: What is salmonella, salmonellosis?
If you have any of the affected products, throw them away or return them to the place of purchase. You can contact the JBS USA Consumer Hotline at (800) 727-2333.
food & drinksafetyrecallu.s. & worldfood safetysalmonella
Nissan adds nearly 346K vehicles to Takata recall saga
Takata recalls 10M more air bag inflators
CVS, Walmart expand recall of infants' ibuprofen
Cece's Noodles voluntarily recalled over Listeria concerns


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Црквена ризница Српског православног архијерејског намесништва шидског, у Владичанском двору у Шиду, отворена је 2016. године, са циљем да прикупља, чува и презентује верску баштину српског православног народа на просторима овог дела Срема.

Ризница има музејско-истраживачки карактер који омогућава заинтересованим појединцима и установама да упознају прошлост Српске православне цркве у Шиду и околини, и то кроз обилазак музејске поставке и кроз истраживачки рад са архивским документима.

Владика сремски Василије свечано је отворио сталну поставку ризнице, после одслуженог акатиста у цркви Преноса моштију Светог оца Николаја и свечаног програма у порти храма.

Историјат
Велико богатство духовне баштине Срба у овим крајевима резултат је њиховог вишевековног насељавања ових простора. Историјски извори српску православну популацију у Срему помињу већ у 13. и 14. веку, нарочито у време краља Драгутина. Јачање српског елемента нарочито је осетно у 15. веку, када су српски племићи држали велике поседе у Срему (деспот Ђурађ – Сланкамен, Митровицу и Земун; деспот Вук "Змај Огњени" – Купиново, Сланкамен и Беркасово; Ђорђе и Јован Бранковић – Купиново, Сланкамен и Беркасово, Ириг и Јарак итд). Великом сеобом Срба коју је 1690. године предводио патријарх Арсеније Чарнојевић, додатно је ојачан српски елеменат у Панонији.

Ужасни злочини Првог и нарочито Другог светског рата били су посебно усмерени на Србе и њихову баштину. У току злочиначке НДХ усташе су опљачкале скоро све цркве на подручју шидског намесништва док су неке, у повлачењу усташких и нацистичких јединица, срушене или тешко оштећене. Покрадено богатство никад није враћено. Вероватно највећи губитак представља усташко паљење ратног барјака цара Уроша Немањића који се чувао у храму Рођења пресвете Богородице у Моровићу. Шта је све уништено и украдено данас може само да се претпоставља.

Стална поставка

Стална поставка у ризници броји 170 предмета. Музејска поставка је конципирана по црквеним општинама. Највећи број музеалија чине иконе хронолошког распона од око 1750. године до почетка Другог светског рата. Међу иконама се посебно истичу радови наших познатих уметника попут Распећа Христовог, рад Аксентија Мародића из 1860. године, и Св. Богородица Арапска са Христом, рад Љубомира Арсеновића из 1863. године из храма Преноса моштију Св. оца Николаја у Шиду. По старости, квалитету израде и контексту настанка, најзначајнија икона је Св. Ђурђиц (Пренос моштију Св. великомученика Георгија) насликана око 1750. године за цркву плетару Св. великомученика Георгија у Вашици.

Библиотека

У Црквеној ризници шидског намесништва чува се богата библиотека коју чине богослужбене и административне књиге. Најстарије књиге потичу из храма Св. апостола Петра и Павла у Беркасову а то су Октоих из 1683. године, Антологион из 1697. године и Пентикостар из 1704. године. Све три књиге су штампане у Москви. Из Храма преноса моштију Св. оца Николаја у Шиду потиче једно рукописно Јеванђеље које је преписао јеромонах Јован из манастира Хопово 1707. године. Својим естетским особинама, духовном и историјском вредношћу истиче се престоно Јеванђеље из шидског храма, које је штампано у Москви 1748. године, а оковано у сребро са иконама на емајлу 1822. године. Занимљив је и Пентикостар штампан у Бечу 1855. године који садржи записе о обнови храма Св. апостола Петра и Павла у Беркасову из 1812, 1878. и 1896. године. Од административних књига треба поменути протокол крштених, венчаних и умрлих шидске парохије вођен у периоду 1762–1777. године. У ризници се чувају и сви уговори о градњи шидског храма из друге половине 18. и прве половине 19. века, затим спискови дародаваца цркви од 1806. године, Именик Српског црквеног певачког друштва Јавор-гусле итд. Посебно су занимљиве архиве задужбина знаменитих Шиђана основане при црквеној општини: Задужбина Алексе и Катарине Ђорђевић, Задужбина Исидора и Евице Регелац, Задужбина Марије Орешковић итд.

Како је основно школство све до прве половине 20. века било организовано под окриљем Српске православне цркве, у црквеној архиви се чува и изузетно вредна документација везана за историју школства у Шиду. Српска православна црквена општина у Шиду саградила је неколико објеката за потребе основне школе: почетком 19. века "стару" школу, 1889. године нови објекат мушке основне школе (данас Српски дом, црквена сала), 1910. године је сазидан, а 1928. године проширен објекат мешовите основне школе (данас Владичански двор), а 1922. године саграђена је Грађанска школа (на месту данашњег ДДОР). Немерљив допринос Српске православне црквене општине за развој школства у Шиду забележен је, између осталог, у записницима седница шидског Школског одбора 1840–1930. године који се чува у ризници.

Поклони
Велик број предмета у цркве је доспео као поклон верника и свештенства. Од тих дарова из ризнице можемо поменути круне за венчање које су шидском храму да покој душе свог сина Милана, 1867. године поклонили Љубомир и Софија Момировић, затим из истог храма – плаштаница рад и дар Дафине Станковић из 1805. године, путир дар Петра и Александре Мауковић из 1867. године и нешто старији крст који је даровао Марко Мауковић 1845. године. Веома занимљиво је буре за освештавање богојављенске водице које је Марија Орешковић, супруга чувеног тамбураша Мите Орешковића, поклонила шидском храму 1868. године. Из храма Св. пророка Илије у Илинцима потиче путир дар Теодора-Теше Станивуковића из 1916. године, крст дар Миливоја и Наталије Марковић 1926. године и Јеванђење дар задруге Уроша и Владимира Трумића из 1917. године. У храму Св. Великомученика Димитрија у Љуби чувао се путир који је 1881. године даровао Сава игуман манастира Кувеждина. Ту су даље иконе из Моловина које су даровали Младен и Драгиња Грујић (1898), Сава Мишковића (1902) и Сима и Милева Милутиновић (1910); из Беркасова од Јелисавете Вукичевић (1867) и Симе Михаиловића (1885) итд. Значајни су предмети из Бачинаца (дарохранилница, Антологион итд) које је парохији свог родног села поклонио игуман манастира Привине Главе Теофан Косовац.

Посебно место у ризници као својеврсни бисер, заузима путир из 1753. године који је дар чувеног капетана и трговца Трифуна Исаковића, рођеног брата још чувенијег капетана Вука Исаковића. Путир је чуван у храму Св. оца Николаја у Адашевцима.

Види још
 Српска православна црква Светог Николе у Шиду

Референце

Спољашње везе

 Радован Сремац: Библиотека и архив Црквене ризнице у Шиду (Порекло, 10. јануар 2022)

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Is it possible to use this unit with Reason as a Kong Control?
I just sold My MPD26 because I find the Knobs and Faders useless and having them near My Setup I often knock a knob that controls Pan on a Kong or width on the SSL.
I would have just bought an older MPD18 (no knobs) but I Want the Essentials Software for live use and Ipad integration.