Who makes "clean" pale ales?
I say 'clean' as in 'not fruity' like what you get when you use Amarillo, Citra, Mosaic, Galaxy, etc. I make an Amarillo-Citra Pale Ale pretty often but I occasionally like to make something with some nice late-hopitude but with cleaner hops like Santiam, Glacier, Mt. Hood, Liberty, etc. I'm looking for some other ideas and I generally stay away from Cascade and Chinook. I may bitter with Magnum, Horizon, Nugget or Columbus and then add late hops anywhere from 15 to flameout plus a whirlpool and/or dry hop. Who does something like this and what hops do you use? Maybe I'll be inspired to use some new & different hops. Cheers.
Re: Who makes "clean" pale ales?
I think that Crystal is both an awesome and highly underrated hop for APAs. It's especially good as a late addition flying solo.
Oh yeah, great idea and a hop I hadn't used in a very long time. I have a "hoppy blonde" kegged right now where I added a bunch of late Liberty after remembering that they are a sort of American Hallertau Mitt and that I used them in the past but then forgot about them because so many new hops come out all the time. Crystal falls into that same category and I haven't used it for a long time. Ultra may be thrown into that mix as well. Cheers.
+1 to Crystal, it's a very nice hop. Since the fruity hops and C hops are off the table, noble varieties or their offshoots like Crystal, Liberty, Mt Hood, Santiam, etc. would seem to be the best fit.
Are English Pale Ale's an option? If so, Fuggles, Target, Northdown, Challenger, EKG, etc. are all fair game.
Yes, I will grab some 1028, 1099, 1469 or 1968 and use English malt along with Northdown, Target, etc. and then late hop those beers with mostly EKG or the occasional Whitbread Golding, US Golding or even Styrian Golding (which has been coming in at a robust 1.9% lately!). I will also make a "British Blonde" or "English Summer Ale" along these lines as well with the grain bill bringing the beer into the 5-6 SRM as opposed to the 9-10 SRM range. Good ideas peeps. Any other clean hops out there that I have overlooked? Earlier this year I had a nice "clean" pale ale that has Glacier in it and I had never used it. Really nice character when used late.
Sterling is a nice hop of noble heritage. It can get a bit of a lemonade note if you start to push the hopping level, but at lower hopping rates it is pretty clean. Ultra is another clean one, very Saaz-like.
I made a simple Pale Ale with homegrown Sterling but I also mixed in some Cascade and Centennial. I always liked Willamette. If you ever had anything from Lagunitas they use that hop a lot...maybe not late in the boil but a lot in the middle additions. Ever tried Ahtanum? Its a nice very underated hop as well. Its fruity and earthy with slight citrus. Kind of earthy but clean and mellow.
Check out Rogue's Brutal IPA, formerly Brutal Bitter.
Good call Denny, that's exactly what I had in mind. And local options for Village (and me) would include Ale Syndicate Municipal or Revolution Crystal Hero.
Re: Who makes "clean" pale ales?
Saphir, Perle and Willamette are all great suggestions. I have used them all but not as a pale ale addition. For some reason I have certain hops that I use but then overlook and I really need to come back to them. Good stuff Beerheads.
Shhhhhhhhhh! One of the best kept secrets!
They can be tricky to find sometimes too, right? Last time I had them they checked in at about 4% or so. I'm going to hook up with an online supplier and grab some Willamette, Crystal, Perle, maybe Ultra and Saphir too. Woot!
My current stock of Crystal is 2.2% AA. Only good for late additions.


Posted On August 23, 2011 by &filed under Central Information Commission, Judgements.
authority along with details of time taken in filling appeal.
along with details of time taken in filling appeal.
Officer Level as PIO and the Directors as the First Appellate Authority.
against points 5 to 8.
application has been transferred by them to the Personnel Department.
Personnel Department by them on 10.3.11 for providing information pertaining to them.
and accordingly directs the PIO(Personnel) to provide the information to the Appellant by 25.9.11.
get sufficient time to respond to them.
intimated to the Commission by 30.9.11 .
to submit their written responses separately to the Commission by 30.9.11.
7. The appeal is disposed of with the above directions.
information has not been provided.


Three men have been accused of assaulting some policemen during official duty, and they have also been suspected of stealing N4,200 from the alleged victims during the incident.
Consequently, the Police on Friday arraigned the three suspects in a Wuse Zone 2 Magistrates' Court, Abuja, for the alleged offense.
The defendants: Emenike Nnadi, 33; Rapsody Raphael, 35; and Uche Ukalu, 32, of Zone 3 Shopping Complex, Abuja, are standing trial on four counts bordering on joint act, assault and theft.
The prosecutor, Adeniyi Oyeyemi, told the court that the defendants committed the alleged offences on Thursday, February 7, 2019.
He said that Insp. Cecilia Onyewuechi and others attached to the Wuse Police Division, Abuja, reported the matter at the station.
He said that the defendants allegedly conspired to deter the Police officers from performing their lawful duty while the policemen were trying to arrest Nnadi.
The prosecutor added that in the process, the defendants stole N4,200 from a Police officer's pocket.
He said that the offences contravened sections 79, 267, 149 and 287 of the Penal Code.
The Chief Magistrate, Rapheal Egbe, granted the defendants bail in the sum of N50,000 each, with a surety each in like sum .
He adjourned the case until March.7 for hearing.


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text:
Q: Lodash groupby, step value, sum and sort together for order book grouping on array of objects I have an array of objects as follows
var orders={
  '8549.5': { side: 'Sell', size: 380210 },
  '8549.0': { side: 'Sell', size: 51700 },
  '8548.5': { side: 'Sell', size: 14136 },
  '8547.5': { side: 'Sell', size: 1108 },
  '8547': { side: 'Sell', size: 84190 },
  '8544.5': { side: 'Sell', size: 65800 },
  '8543.5': { side: 'Sell', size: 24755 },
  '8542.5': { side: 'Sell', size: 6233 },
  '8541.5': { side: 'Sell', size: 10206 },
  '8540.5': { side: 'Sell', size: 228742 },
  '8539.5': { side: 'Buy', size: 4001 },
  '8538.5': { side: 'Buy', size: 50001 },
  '8537.5': { side: 'Buy', size: 75000 },
  '8536.5': { side: 'Buy', size: 77367 },
  '8535.5': { side: 'Buy', size: 75000 }}

I want to achieve the following:

*

*If the grouping index is 1 - all order prices need to be grouped by 1 so (8549, 8548, 8547 and so on.)

*The sizes need to be summed together

*Total of all sizes per side

I have tried a regular looping method but it's really slow and the size of the object is around 50000 to 250000 keys.
The end result that I'm getting currently with grouping 1 is:
Sell: [{"price": 8549, "size": 431910, "total": 431910},
        {"price": 8548, "size": 14136, "total": 446046},
        {"price": 8547, "size": 85298, "total": 531344 }
        ...

and similar for sell

is there a lodash implementation that can solve the grouping index, sum and total?
This is the current min code
var realTimelastPrice=null;
var lastPriceSide=null;
var bid=null; var ask=null;
var order={};
var orderBook={};
var orderSell={};
var orderBuy={};

function setBids(gapPrice)
{

   var lastPrice = this.realTimelastPrice

   var startBuyPrice = this.bid

   gapPrice=parseFloat(gapPrice)

   var showMaximum = 10

   var startBuyViewPrice = Math.floor(startBuyPrice/gapPrice)*gapPrice

   var tmpOrder = {
      price:null,
      size:null,
      total: null

   }
   var currentBuyViewPrice = startBuyViewPrice
   var totalBuy=0;
    var buys;
   var cntShow = 0

   for(var price = startBuyPrice;cntShow<=showMaximum;price -= 0.5)
   {

      if(this.orderBook[price]==undefined)
         continue
      var tmpSize = this.orderBook[price].size;

      if(currentBuyViewPrice>price)
      {
         currentBuyViewPrice -= gapPrice

         tmpOrder['size'] = new Intl.NumberFormat('en-US').format(tmpOrder['size'])
         tmpOrder['total'] = new Intl.NumberFormat('en-US').format(totalBuy)
         tmpOrder['price'] = new Intl.NumberFormat('en-US').format(tmpOrder['price'].toFixed(1))

         buys+='
'+tmpOrder['total']+'	'+commaNumber(tmpOrder['size'])+'	'+tmpOrder['price']+'
'

         tmpOrder = {
            price:null,
            size:null,
            total: null
         }
         cntShow += 1
      }
      totalBuy+=tmpSize;
      if(tmpOrder['price']==null)
      {
         tmpOrder['price'] = currentBuyViewPrice
         tmpOrder['size'] = tmpSize
      }
      else
      {
         tmpOrder['size'] += tmpSize
      }
      if(showMaximum==cntShow) break

   }

         $(".orderbook-table-bids tbody").html(buys)

}

 function setAsks(gapPrice)
{
   var startSellPrice = this.ask
   gapPrice=parseFloat(gapPrice)
   var showMaximum = 12

   var startSellViewPrice = Math.ceil(startSellPrice/gapPrice)*gapPrice

   var tmpOrder = {
      price:null,
      size:null,
      total:null
   }

   var totalSell=0;
   var currentSellViewPrice = startSellViewPrice
   var sells;
   var cntShow = 0

   for(var price = startSellPrice;cntShow<=showMaximum;price += 0.5)
   {
      var tmpViewPrice = currentSellViewPrice
      if(this.orderBook[price]==undefined)
         continue
      var tmpSize = this.orderBook[price].size;

      if(currentSellViewPrice<price)
      {
         currentSellViewPrice += gapPrice

         tmpOrder['total'] = new Intl.NumberFormat('en-US').format(totalSell)
        tmpOrder['size'] = new Intl.NumberFormat('en-US').format(tmpOrder['size'])
         tmpOrder['price'] = new Intl.NumberFormat('en-US').format(tmpOrder['price'].toFixed(1))

            sells+='
'+tmpOrder['price']+'	'+commaNumber(tmpOrder['size'])+'	'+tmpOrder['total']+'
'

         tmpOrder = {
            price:null,
            size:null,
            total: null
         }
         cntShow += 1
      }
      totalSell += tmpSize
      if(tmpOrder['price']==null)
      {
         tmpOrder['price'] = currentSellViewPrice
         tmpOrder['size'] = tmpSize
      }
      else
      {
         tmpOrder['size'] += tmpSize
      }

      if(showMaximum==cntShow) break

   }
         $(".orderbook-table-asks tbody").html(sells)
}

async function appendOrderbooks(res)
{
   var data = res.data
   var action = res.action

   if(action==='partial')
   {
      data.forEach(async ($element) => {

         if($element.side == 'Sell' && realTimelastPrice <= $element.price && ask > $element.price)
            {
                ask = $element.price
            }

            if($element.side == 'Buy' && realTimelastPrice >= $element.price && bid < $element.price)
            {
                bid = $element.price
         }

         order[$element.id] = $element
         orderBook[$element.price] = {
            side:$element.side,
            size:$element.size
         }

      })
   }

   if(action==='insert')
   {
      data.forEach(async ($element) => {
         if($element.side == 'Sell' && realTimelastPrice <= $element.price && ask > $element.price)
            {
                ask = $element.price
            }

            if($element.side == 'Buy' && realTimelastPrice >= $element.price && bid < $element.price)
            {
               bid = $element.price
            }
         order[$element.id] = $element
         orderBook[$element.price] = {
            side:$element.side,
            size:$element.size
         }

      })
   }
   if(action==='update')
   {
      data.forEach(async ($element) => {
         if($element.side == 'Sell' && realTimelastPrice <= $element.price && ask > $element.price)
            {
                ask = $element.price
            }

            if($element.side == 'Buy' && realTimelastPrice >= $element.price && bid < $element.price)
            {
                bid = $element.price
            }

         var tmpPrice = order[$element.id].price
            orderBook[tmpPrice] = {side:$element.side,size: $element.size}

      })

   }
   if(action==='delete')
   {
      data.forEach(async ($element) => {

         delete order[$element.id]
      })
   }
   var gapPrice =  1
   var debounceCalculate = _.debounce(setBids, 0, false);
   debounceCalculate(gapPrice);
    debounceCalculate = _.debounce(setAsks, 0, false);
   debounceCalculate(gapPrice);
}

var ws = new WebSocket("wss://www.bitmex.com/realtime?");

ws.onmessage = function(e) {
if(e.table=="orderBookL2")
{
appendOrderbooks(e)
}
if(e.table=="instrument")
{

    if('lastPrice' in e.data[0])
    realTimelastPrice=data[0].lastPrice

    if('bidPrice' in e.data[0])
{
   bid=data[0].bidPrice;
}
if('askPrice' in e.data[0])
{
ask=data[0].askPrice;
}

}
}

Essentially the grouping feature available on bitmex orderbook.

A: You could get the entries from the data, group by the integer value of the keys and create an object of objects with the wanted sides.
The second part uses the temporary object, gets the keys, sort them descending and maps new entries with the wanted totals. Finally create a new object.

var orders = { 8549.5: { side: 'Sell', size: 380210 }, 8549.0: { side: 'Sell', size: 51700 }, 8548.5: { side: 'Sell', size: 14136 }, 8547.5: { side: 'Sell', size: 1108 }, 8547: { side: 'Sell', size: 84190 }, 8544.5: { side: 'Sell', size: 65800 }, 8543.5: { side: 'Sell', size: 24755 }, 8542.5: { side: 'Sell', size: 6233 }, 8541.5: { side: 'Sell', size: 10206 }, 8540.5: { side: 'Sell', size: 228742 }, 8539.5: { side: 'Buy', size: 4001 }, 8538.5: { side: 'Buy', size: 50001 }, 8537.5: { side: 'Buy', size: 75000 }, 8536.5: { side: 'Buy', size: 77367 }, 8535.5: { side: 'Buy', size: 75000 } },
    temp = Object
        .entries(orders)
        .reduce((r, [k, { side, size }]) => {
            const price = Math.floor(k);
            r[side][price] = r[side][price] || { price, size: 0 };
            r[side][price].size += size;
            return r;
        }, { Sell: {}, Buy: {} }),
    result = Object.fromEntries(
        Object
            .entries(temp)
            .map(([k, o]) => [
                k,
                Object
                    .keys(o)
                    .sort((a, b) => b - a)
                    .map((total => k => ({ ...o[k], total: total += o[k].size }))(0))
            ])
    );

console.log(result);
.as-console-wrapper { max-height: 100% !important; top: 0; }

redpajama_set_name: RedPajamaStackExchange


text:
"My Harlem 'Tis of Thee"
A documentary theatre piece about Harlem's gentrification. Hear some of the diverse voices of Harlem today as a transforming community comes face to face with their differences and their cultural identities are tested at a traditional block party, starring Jose Febus, Rhonda McLean-Nur, Ted Hannan, Tina Fabrique, John-Martin Green, Florencia Cuenca, Robin Baxter.
Featuring music by Nat Adderley, Jr. – Key board, musical director and composer Belden Bullock, upright bass Vincent Ecton, drums Jeffery V. Thompson. Directored by Dyane Harvey - Choreographer Bayo - Stage Manager
The piece explores the impact of gentrification and takes the political temperature of Harlem, one of many transforming villages on America's vast landscape. Employing ethnographic documentary theatre method, using stories collected from residents living in the community, compiling historic episodes, reciting observations and creating still and moving photographic imagery, audiences will experience what happens when people of different races, classes, ethnic groups and countries abruptly find themselves living side by side as neighbors. In addition to giving
voice to contrasting perspectives on community, the piece hopes to encourage
dialogue and to foster creative solutions to the stressors brought about by perceived "differences."
As Harlem prepares to celebrate the 100th anniversary of the Harlem Renaissance,
this presentation takes on timely and historic significance as a documentation of
art, culture and race in America. Businesses, schools, cultural institutions, politicians, the people--new and long-time residents--are creating their particular stories, investigating and illuminating their imprint on a world-renowned community.
The entire world is looking at the gentrification of Harlem; those living and/or working here are anxious about the future and the fast moving influx of new residents – mostly white, middle and upper class residents with little or no
knowledge of the cultural and creative renaissance that gave birth to the present
day landscape.
The production examines the political impact of
gentrification in Harlem and exploring creative ways to articulate its findings and encourage common understanding across the community. BP has collected through interviews over a dozen personal narratives from a cross-section of people living and/or working in Harlem.
Through observation, public forums and focus groups, the piece has accumulated an additional collection of perspectives, reflections, and attitudes from numerous members of the community concerning their beliefs as to what Harlem is, what it should be, and what it is becoming. These reflect peoples'
feeling of a personal stake in the neighborhood, and a sense of entitlement (across all ethnic groups) that can be a source of tension and mistrust.
Employing several textual conceits, including: storytelling, narrative and spoken word, and with the incorporation of original music and movement, this presentation is an authentic illumination of the complexities of gentrification in Harlem. Through this form of investigation, this production has discovered many common
threads amongst opposing players. The piece hopes to identify the new voices that are emerging in Harlem while introducing a viable vehicle by which to tell this historically important and evolving story. The piece is written by Stephanie Berry, with composer Nat Adderley Jr. (who this year successfully collaborated on MARCH ON)
MichaelPalmaMirPhotographerHarlemTisTheeRiverBank001

redpajama_set_name: RedPajamaCommonCrawl


This e-book is a frank, even stark research into the dwindling crude oil offer of "Peak Oil", and its economics, societal implications and geopolitics.
For many this e-book may be an eye-opener to start to determine the serious element that global civilization is coming to, while expanding shortage of dwindling oil offers will push oil costs to new highs, resulting in not just oil scarcity, yet power scarcity around the board. in response to "The Olduvai conception" this can have dire implications for the fundamental power of our glossy economies—electricity. truly, with no oil we won't have electrical energy and that serious hyperlink, discovered purely via a couple of, becomes abundantly transparent within the book.
In those dramatic advancements there'll be severe financial, political, societal and geopolitical ramifications. Our civilizations becomes paralyzed resulting in complete scale army clash.
Out of this axial interval of human civilization a brand new society—reorganized with enlightened human attitudes—will need to come up if people are to prevent common cataclysm.
This e-book is essential interpreting to appreciate the portent of present tendencies linked to oil offer and insist. If we're correct, we must always all be ready for the years forward, with dramatic global occasions, to vastly switch either our civilization and our personal lives.
With the common use of PDAs, instant web, Internet-based GIS, and 3G and 4G telecommunications, the expertise aiding cellular GIS is swiftly becoming more popular and effectiveness. Dynamic and cellular GIS: Investigating alterations in house and Time addresses internet GIS, cellular GIS, and the modeling, processing, and illustration of dynamic occasions, in addition to present calls for to replace GIS representations.
Integration of ichnological info into sedimentological types, and vice versa, is likely one of the major potential during which we will enhance our knowing of old depositional environments. frequently meant for sedimentologists, this e-book goals to make ichnological tools as a part of facies interpretation extra well known, supplying an analytical evaluate of the ichnology of all significant depositional environments and using ichnology in biostratigraphic and series stratigraphic research.
Advancements in Geotectonics, quantity 2: Geodynamic types: An evaluate and a Synthesis provides the idea that of sea-floor spreading and the speculation of world plate tectonics. This publication presents a easy figuring out of the worldwide routine. equipped into 8 chapters, this quantity starts with an summary of the idea that of world plate tectonics, with its extra hypotheses of subduction zones and sea-floor spreading.


Since 1992, the Fish and Wildlife Research Institute has been producing a statewide series of educational boater guides that target anglers and boaters to inform them about Florida's coastal and marine ecosystems.
The Florida Cooperative Land Cover Map (CLC) is a partnership between the Florida Fish and Wildlife Conservation Commission (FWC) and Florida Natural Areas Inventory (FNAI) to develop ecologically-based statewide land cover from existing sources and expert review of aerial photography. The CLC is primarily funded by the Florida's State Wildlife Grants program in support of The Florida State Wildlife Action Plan which identified improved habitat mapping as a priority data gap.
The Integrated Wildlife Habitat Ranking System (IWHRS) ranks the Florida landscape based upon the habitat needs of wildlife as a way to identify ecologically significant lands in the state.
An update to the 1985-89 project to map Florida vegetation and land cover using 2003 Landsat Thematic Mapper satellite imagery.
A classification schema is needed for the Florida State Wildlife Action Plan. The current classification schemas used within Florida were investigated to determine if that classification could serve as a model to meet the needs of the plan.
The results of this project have re-identified Strategic Habitat Conservation Areas for a new selection of focal species, including many species that were in the original 1994 report.
This project mapped areas of Florida identified as "disturbed" or "non-natural" in order to enhance our understanding of the distribution of these land cover types in Florida.
This project employed Geographic Information System (GIS) applications and modeling software to generate maps of the potential habitats for 55 species of freshwater fish known to occur in Florida's panhandle region.
This project developed a statewide stream habitat classification GIS data layer that is necessary for identifying existing and potential habitats of aquatic species.
This project assembled statewide data layers representing 10 uncorrelated individual threats to Florida's freshwater habitats and created a composite index of the threat data layers to determine relative condition of freshwater habitats within Florida.


Metal interview web zine Bardo Methodology interviewed Manuel Trummer, guitarist of the heavy metal band Atlantean Kodex today about herbs, psychedelia, mythology, and how Julius Evola inspired Dio's "Ride the Tiger". Want to find out what Trummer thinks of witches, psychedelia, and megalithic archaeological sites? Let's find out!


text:
1973 volkswagen 181 thing
4dr Convertible 4-cyl. 1585cc/46hp 1bbl
History of the 1971-1975 Volkswagen Type 181 Thing
The Volkswagen Type 181 "The Thing" was an updated version of the German military's Type 82 Kubelwagen. Rather than using the Type 82's mechanical setup, however, the Thing rode on a combination of a Beetle driveline and a Type II Transporter suspension. Like the rest of the VW lineup, the Type 181 placed the air-cooled, 1584-cc engine in the rear and use the motor's 46 hp to drive the rear wheels.
While the Beetle had charm, the Thing was much more utilitarian. Nary a curve on the car, it had a removable top, a folding windshield, and hose-it-out practicality. While it would never be confused for a jeep, land Rover, or Land Cruiser on the trail, it could manage to stray off the pavement, and was particularly fun on the beach.
Much like during its two-year production run, the Volkswagen Thing today is a quirky, eye-catching ride. Its bright and wild 1970s colors, combined with the convertible's boxiness make it stand out in a sea of uniform cars. Models from 1974 are slightly more desirable due to their 55 hp, though condition and color tend to drive value more than model year. Top of the pecking order is the visually unique Acapulco Edition, which is decked out in a blue-and-white striped Surrey top. Cars that retain their original hard top are also popular. Keeping a Thing streetable is not difficult given their commonality with the ubiquitous Beetle, and prices tend to be reasonable as a result. Consequently, buyers can afford to be choosy.
1973 volkswagen 181 thing Info
4-cyl. 1585cc/46hp 1bbl


text:
Home Amandla Stenberg Ana de la Reguera Anika Noni Rose drama Everything Everything movie news movie trailer Nick Robinson Nicola Yoon novel romance soundtrack Listen and Watch as EVERYTHING, EVERYTHING Trailer Features Its Soundtrack
Listen and Watch as EVERYTHING, EVERYTHING Trailer Features Its Soundtrack
Jed Chua 5/15/2017 10:47:00 PM ,Amandla Stenberg ,Ana de la Reguera ,Anika Noni Rose ,drama ,Everything Everything ,movie news ,movie trailer ,Nick Robinson ,Nicola Yoon ,novel ,romance ,soundtrack
The latest trailer for the romance drama film "Everything, Everything" reveals that music is everything as it features songs from its original motion picture soundtrack. The second trailer includes the songs "Stay" by Zedd & Alessia Cara and "How Did We" by Skylar Stecker. Based on the bestselling book of the same name by Nicola Yoon, "Everything, Everything" stars Amandla Stenberg as Maddy and Nick Robinson as Olly. The film also stars Ana de la Reguera and Anika Noni Rose. Catch the trailer below:
What if you couldn't touch anything in the outside world? Never breathe in the fresh air, feel the sun warm your face or kiss the boy next door? "Everything, Everything" tells the unlikely love story of Maddy, a smart, curious and imaginative 18-year-old who due to an illness cannot leave the protection of the hermetically sealed environment within her house, and Olly, the boy next door who won't let that stop them. Maddy is desperate to experience the much more stimulating outside world, and the promise of her first romance. Gazing through windows and talking only through texts, she and Olly form a deep bond that leads them to risk everything to be together…even if it means losing everything.
Opening across the Philippines on June 21, 2017, "Everything, Everything" is distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select international territories by Metro-Goldwyn-Mayer Pictures.
Tags Amandla Stenberg# Ana de la Reguera# Anika Noni Rose# drama# Everything Everything# movie news# movie trailer# Nick Robinson# Nicola Yoon# novel# romance# soundtrack#
Labels: Amandla Stenberg, Ana de la Reguera, Anika Noni Rose, drama, Everything Everything, movie news, movie trailer, Nick Robinson, Nicola Yoon, novel, romance, soundtrack


Transition of care from pediatric to adult-oriented health care providers is difficult for children with special health care needs. Children who have received solid organ transplants and their providers experience the same difficulties and frustrations as children with other major illnesses. A consensus conference was organized by several transplant organizations to identify major issues in this area and recommend possible approaches to easing the process of transition for solid organ transplant recipients. This report summarizes the discussions and recommendations.


Welcome to S.O.S. Power Sales!
We carry top quality Brand Name equipment at competitive prices. We sell the equipment AND provide factory authorized service and parts. Why buy at the big box stores? when you can get professional personal sales and service here at Power Sales or Service. All equipment sold by us gets professionally assembled and serviced prior to pick-up or delivery. We give a working demonstration of the equipment when you get it and give general instructions on its operation, maintenance and storage and will answer any questions you have. Our goal is to ensure every piece of equipment we sell is assembled lubricated and adjusted to our top professional standards and the operator is properly instructed on it's use and care. The end result is a longer and more trouble free life for the equipment and more satisfaction for our clients.


text:
Major maritime carrier woes could propel truckload rates in some lanes
Hanjin Shipping filed for bankruptcy Aug. 31.
The collapse of major maritime carrier Hanjin Shipping continues to cause uncertainty and lingering supply chain effects in the West, but the effect on truck freight appears to be contained, according to market analysts.
Data from loadboard DAT reveals lane-specific effects since Hanjin's late-August bankruptcy. Key lanes out of the Los Angeles market have seen rates spike in recent weeks as load-to-truck ratios soared on the heels of Hanjin ships docking and unloading at L.A.-area ports.
Peggy Dorf, an analyst for loadboard DAT Solutions, says her data shows a jump in demand for trucks in the second half of September, despite slumping import volumes at west coast ports. "There was more demand for spot market trucks to move goods out of L.A.-area warehouses, because of the disruption and uncertainty," she says.
This chart from DAT shows the increase in load-to-truck ratios outbound from L.A. in September.
The load-to-truck ratio in the Los Angeles market shot up to 10.3 loads to per one truck on Sept. 30, she says, well above the usual 2-something average for the area. Hanjin ships docked at the ports of Los Angeles or Long Beach on Sept. 1, 10, 13, 14 and 22, she said, partially prompting load-to-truck spikes on the spot market, where overflow freight primarily lands.
Likewise, rates followed the increase in truck demand. The lane from L.A. to the New York City metro area jumped 19 cents a mile in the seven-day period ending Oct. 17., according to DAT. The L.A. to Dallas, Texas, lane rose 9 cents a mile in the same time period, and the L.A. to Phoenix lane rose 6 cents a mile.
Modal changes stemming from the Hanjin uncertainty could shift rail freight to trucks, she adds, which would amplify upward pressure on truckload rates the rest of the year and into 2017.
Several Hanjin ships remain idle in international waters, awaiting legal issues to be handled in the U.S. and in Hanjin's home, South Korea. When those ships finally arrive at a U.S. port in the coming weeks or months, there will be a push to process the freight quickly, says FTR's Starks. That could create short-term opportunities for carriers working the spot market.
"Logistics professionals weren't sure, and some of the still aren't sure, when they're actually going to get [their freight]," he says. "That's what's caused the anxiety. When it finally does land, they're going to need to get it moved. It will create some short-term disruptions. They'll have to move it quickly, which could put a little bit of pressure on rates or the need for equipment (trucks) in those specific areas, but it will be a short-lived environment."
Spot market: Mixed bag for flatbed, dry van, reefer
Debatable accuracy of hard-fast sleep-apnea screening protocol
Navigating the intricate levels of trucking BS
FMCSA gives $1M to train military vets to become truckers


Our Pumpkin Pie Goat Milk Soap is Made with real pumpkin puree. A powerful antioxidant and light exfoliant with high levels of vitamins and nutrients with the added specialty of pumpkin. These bars look and smell like your favorite autumn dessert.
According to the International Dermal Institute, Pumpkin contains a lot of amazing properties that benefit the skin in many different ways.
Pumpkin contains antioxidant Vitamin A and Vitamin C to help soften and soothe the skin and boost collagen production to prevent the signs of aging.


With so many companies looking to acquire the business of students who are looking to consolidate all of their student loans, it's easy to be taken in by some of the unscrupulous companies in the market. You don't want to just take the word of the person who is representing the company because of course; he or she is only going to give you the positive information. You have to know what information is probably correct and what information is just a sales pitch to get your business.
When you look for a company who is willing to consolidate student loans into one payment, you want to find one who is willing to work with you on a payment plan that meets your needs. You want to find someone who can offer you a plan with lower payments at an attractive interest rate. In order to do this, it will be necessary to investigate both the possibility of a private student loan consolidation as well as a government student loan consolidation loan. Of course, your current situation may only quality you for the government student loan consolidation. Things such as unverifiable income or bad credit may prevent you from obtaining private financing, but the federal programs require no income verification or history of good credit.
To be assured that you are dealing with a company that has good credentials, unless the debt consolidation company happens to be a lending institution with whom you are familiar with, always check them out through the Better Business Bureau. The main thing you need to know is if there are any complaints against the company, what they were, and the outcome of the complaints. You want to be sure the company you are considering is not simply a debt management company looking to attempt to con you into a settlement on your loans, and thus, ruining your credit. When searching for a company with whom to work, you want to be certain that the company is not a "loan shark" outfit that is going to charge you an exorbitant amount of interest to consolidate your loans. When you research the companies, keep in mind that federal consolidation loan average 1.5% to 4.5%, and you don't need a job or credit to qualify. Even private student consolidation loans are usually under 9%, so if you are to speak with someone who charges more than that and is not able to give you a term that averages ten to twenty years, you need to look for another company.
The research is an important aspect of finding the right company for consolidating the student loans. You need to be sure that the company you choose is doing everything possible to meet your needs and that the plan you choose is going to help you pay off the student loans and not just get you deeper into debt because of a high payment or interest rate. Make sure you have done all the research and know what you can and cannot do, so that you can write the deal you want based on your research. By knowing beforehand the options that you have, you can make sure that the company you choose will give you the best deal that is possible based on your needs.


As many people do, we have a sign on our front door that specifies no circulars, or no junk mail. I can't remember what is says actually as I never read it. It seems nobody else does either, as we continue to get mountains of rubbish posted through the letter box on a daily basis. From there it makes a conveniently short hop to the recycling box located just adjacent to the front door. No great inconvenience, but very wasteful. The Christmas season is of course worse, all sorts of colourful flyers designed with one goal in mind - to take money out of my pocket and put it in somebody else's. No thank you.
Luckily I am more or less immune to advertising, a skill gained from a lifetime of ignoring television and most other forms of media. But I do use computers a lot, both for work and also for typing out forlorn blog posts in the post-blogging age. This means I use email, and as I suggested in my last post, doing anything online inevitably means that in addition to having to create passwords you also have to dole out your email address so that they have someway of getting in contact with you when you, er, forget your password. And once they have your email account good luck with getting them to give it up.
Here are some statistics compiled from the 13th of December - yesterday. I received 44 emails, from 29 different senders. Broadly they reflect a cross-section of my interests - for instance 8 concerned birding, 4 concerned gardening and plants, 4 were about travel, and 2 were about wine. Fair enough, however of those 18 emails I only wanted to read 7, and of those, only 5 would I classify as useful. A full 13 (nearly 75%!) I had no interest in whatsoever, and in theory this is what I want to be getting.
What about what I don't want to be getting? Ah. Here is where the parallels with actual junk mail are most closely drawn. 20 of the 44 emails, so roughly half, were from online retailers, and all wanted me to part with my hard-earned cash. Things were on sale they said, cheap they said, the lowest price to be found they said. As I've said before, 30% off is still 70% on. A further 4 on top of that also wanted my money, including two that were tantamount to begging. Of the retailers, well I suppose that I must have bought something from each of them at some point in the past, but they continue to send me email after email. Some of them send me something every single day, and many of them are at least once a week. Most of them I cannot ever recall having used nor when. Take for example a company called Newfrog. What would I have bought from them? Do they sell frogs? And anyway what is wrong with used frogs exactly? Another is from L'Occitane, a company specialising in soap - this I do actually know as I do use soap now and again. But I have no recollection of ever having bought any from them, which means it must be a very long time ago yet checking my "Deleted" folder I found 18 emails from them since the beginning of October. Why don't they give up, surely the message is clear? I am all good for soap. If organisations had to pay to send an email things would surely be different.
So that covers about 33 of the 44 emails (some were about things that interested me but still fundamentally just wanted me to buy something - a flight to somewhere for instance). That leaves 11 that fit into neither category, and 10 of these were from various Social Media platforms.Twitter, LinkedIn and Facebook. The fact I've logged into Facebook twice since my children started school is seemingly not relevant. I do use Twitter of course, and I may find some use for LinkedIn over the coming months, but nonetheless every single email was junked - the digital equivalent of moving from the doormat to the recycling bin. Every single one was basically exorting me to do more Social Media, there was almost an air of desparation. Read this! Follow this person! Here are some suggestions for things you might like! Here's another suggestion, stop sending me crap.
But what about the final email? #44? Well this is the most telling statistic of them all. #44 is from an actual person and they have written an actual email. It isn't a "fwd" or a circular, it's an honest to God missive from one human being to another. Clearly they have no idea what the internet is for.
It's not Jonathan M Lethbridge by any chance? :-) I have a special email account that I use only for actual people, where an inbox arrival is generally a welcome event. The other account is almost entirely managed by the occasional very large, block deletion.
M? I have no idea what you mean.
Errr.....are you sure that unsubscribing was the best thing to do? I think that once a company knows your not interested in their particular crappy product they sell your email address to another 10 online crappy product retailers. Just a theory from my experiences so now I just mark them as junk. Good luck with your personal endeavor.
There is a small robot on the other end endlessly repeating "ignore unsubscribing". It has worked - sometimes.
So far so good Graham, but time will tell!


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Jamie Foxx Riveting as Homeless Savant in Best Role since Ray
Rated PG-13 for mature themes, drug use and profanity.
Studio: Dreamworks Pictures
Despite being raised in the 'hood by a single-mom, child prodigy Nathaniel Ayers (Jamie Foxx) exhibited such promise on the cello that by the time he graduated from high school in 1970 he had earned a scholarship to Juilliard. But unlike other classmates such as Yo-Yo Ma, Nathaniel would never get a chance to realize his full potential, because during his sophomore year he began exhibiting symptoms of the schizophrenia which would derail his dream of a career in classical music.
Soon, he had to drop out of school and return home to Cleveland where he was cared for by his mother until she passed away in 2000. At that juncture, he headed west, prompted by a delusion that his long-lost father resided in Los Angeles. Instead, Nathaniel only ended up on the infamous Skid Row, leading a hand-to-mouth existence in obscurity alongside thousands of the equally destitute and less-fortunate.
There, the only hint of his musical past was revealed when he periodically played the violin in the park while standing beneath a statue of Ludwig Van Beethoven. Nonetheless, Nathaniel generally went unnoticed by passersby until the fateful day, Steve Lopez (Robert Downey, Jr.), a writer for the L.A. Times, was struck by the virtuosity being exhibited by this homeless man on a battered, old instrument with only two strings.
The intrigued reporter introduced himself, and was shocked to hear semi-lucid Nathaniel, during rare moments of clarity, assert that he had once studied at Juilliard. After confirming that rarified pedigree with the school's administration office in New York, Lopez decided to write a series of feature stories about how someone so talented could end up a street musician begging for tips. However, he gradually found himself crossing the line from dispassionate journalist to friend and benefactor as he became increasingly involved with rehabilitating his subject, not only finding him an apartment, but arranging for violin lessons and mental health treatment as well.
by Steve Lopez
Thus, 'Can this lost soul be saved?' is the burning question posed by The Soloist, a bittersweet bio-pic based on Mr. Lopez's best-seller of the same name. Directed by Joe Wright (Atonement), the film features Jamie Foxx who does a magnificent job in his most challenging outing since Ray. Here, he convincingly conveys the tragic plight of a man still capable of flashes of brilliance who is more often than not betrayed by his own brain. Narrator Robert Downey, Jr. is just as effective playing the would-be Good Samaritan forced by his estranged wife (Catherine Keener) to question his own motivations when his every overture is ostensibly thwarted by the very person he's hoping to help.
Was Lopez truly altruistic, or just motivated by the potential book and movie deals that Nathaniel's sensational tale might enable him to land? And was it fair of him to presume to know what was best for a schizophrenic without walking a mile in the man's moccasins or medulla oblongata? Judge for yourself. There are no easy answers here, so don't expect a Hollywood ending, even though the picture was shot on location right on Skid Row (and employed hundreds of homeless as extras), virtually in the shadow of Tinseltown.
A compelling cross of a couple of Academy Award-winning Best Pictures, A Beautiful Mind and One Flew over the Cuckoo's Nest, capable of holding its own up against those similarly-themed, screen classics.
Jamie Foxx - The Solist Interview
http://aalbc.com/reviews/jamie_foxx1.htm
Jamie Foxx - The Kingdom Interview
http://aalbc.com/reviews/jamie_foxx.htm


dimeink - the ink spot - art studio: sara singh.
Finding purity in the editorial illusions that bring fashion week to the masses is a challenge. Illustrator Sara Singh highlights the depth in the performance art that is the fashion industry. Drawing inspiration from cities and everyday people, Sara transforms the beauty of community into engaging watercolor snapshots of runway subtlety. Reflections on both her signature technique and creative process are discussed in my interview with the artist.
COFFEE OR TEA: tea AND coffee | VINTAGE OR COUTURE: vintage everything | SUCCESS OR FAME: success | SILVER OR GOLD: I think it's fine to mix them. No rules. | APPETIZER OR DESSERT: Oh, I don't know. Appetizer. | SUMMER OR WINTER: Summer in Sweden because New York is far too hot and sticky. And New York in winter because, although cold, it's at least sunny! | MILD OR SPICY: Spicy. | NO REGRETS OR NO FEARS: I have no real regrets, I think. Fears, yes. But I try to deal with them. Biking in NYC was something I feared, but once I started biking it took just a few weeks and now I'm addicted to it.
JRL: You have several illustrations that depict two subjects. These images seem to represent a familiar duality on how we view ourselves. How does who we are verses how we want to be perceived play into your inspiration?
SS: I didn't realize I have this 'duality' theme in my work. But I do consciously want to add depth and expression to my drawings. I want a deeper, darker psychological mystery to live in my work.
JRL: The watercolor technique creates the opportunity for an artist to create beauty in sadness and mystery in the obvious. Incorporating this raw human emotion into your fashion illustrations gives the women on the runway a voice - what are they saying?
SS: I don't know why watercolor became my medium of choice, but I think it has to do with the fact that I can't control it. The water and paint float around on the paper mostly as they please and dictate the results. I guess I like the fact that chance is involved in creation.
JRL: Choose one city and one color to name your autobiography.
JRL: If your self-portrait could be translated into a current runway collection, who are you?
SS: Today I'm the Spring 2014 Maison Martin Margiela collection. Tomorrow I'll be Céline.
JRL: What's more important to you as an artist – accuracy in your depiction or a reaction from your audience?
SS: I feel like I am both the artist AND the audience while I am working on a project. Generally I don't think accuracy in depiction is important. What IS important is to evoke a specific feeling / mood / action. First I have to convince myself that I've expressed this. Only then do I feel comfortable showing my work to others. I do a lot of 'bad' drawings. But sometimes, in a different context, those are the drawings that are more interesting. The rough and unrefined drawings feel somehow more soulful and pure. I've often found artists' sketches of a proposed work more interesting than the final piece. The process of creation itself is interesting. It's rare we get a glimpse of the process.
Image credits: Illustrations created by and provided courtesy of Sara Singh.
Prints of Sara's illustrations are available for purchase at Wonderwall and Stampa.


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Our vision is that all lone combat soldiers will have a real home to call their own for the duration of their army service, and should be able to stay in Israel and prosper thereafter.
The Benji Hillman Foundation was established in memory of Major Benji Hillman z"l, killed in action in the Lebanese village of Moran a-Ras at the beginning of the Second Lebanon War on July 20, 2006.
At the shiva, Benji's family heard from many people they had never met before (especially the soldiers under his command, in particular lone soldiers) how Benji had helped them and taken care of them, above and beyond the call of duty.
Inspired to do something significant to honor his memory, the family and close friends set up the Benji Hillman Foundation, to help lone soldiers.
After much research, both through talking to soldiers and to the IDF, the Foundation decided to establish HaBayit shel Benji (Benji's Home), a purpose built home for lone combat soldiers, and guidance center for all lone soldiers, in Benji's home town, Ra'anana.
Saul Rurka
The driving force behind The Benji Hillman Foundation, Benji's first cousin, Saul Rurka, is a social and hitech entrepreneur who studied law at Bar Ilan University.
Since founding the organization in August 2006, soon after Benji's tragic death, Saul has dedicated his efforts to setting up and building HaBayit shel Benji, and assumes overall responsibility for the smooth running of the Home and the Guidance Center.
Living in close proximity to HaBayit shel Benji, Saul eats with the soldiers on Friday evenings, and takes a personal interest in each and every soldier in the Bayit. He knows them all by name, and they all know that he is available to them, any time of the day or night, by phone or whatsapp, if they have any problems with which they need help, acting in loco parentis for some of them.
In his spare time, Saul serves on the Board of the SPCA (Ramat Gan), and assists a number of different charities in Israel (welfare, animals and medical).
Ruth Rurka
Benji's Aunt, Ruth Rurka, takes care of all aspects of the administration, a myriad of tasks too numerous to mention.
Ruth and her husband David made Aliyah from London in 1981 (with their four children) and made their home in Ra'anana, to be followed soon afterwards by Ruth's sister Judy and her husband Danny, with their children, Abigail, Benji ז"ל and Shimon.
Aviya Lazar
Aviya joined HaBayit shel Benji's team in September 2019, after 5 years managing accommodation frameworks for people with special needs in AKIM.
With a BA in Education and an MA in Management and Public Policy, Aviya is responsible for the smooth running of the Bayit, and ensures that our soldiers live in a warm and welcoming "family environment".
Dana Barzilai
Guidance Center Manager
Ra'anana native, Dana Barzilai, the Manager of the Guidance Center joined the staff of the Bayit in February 2014 after a twelve year career in human resources in a variety of companies. Dana established the Guidance Center together with Saul Rurka and then devised and developed its work practices. Dana is responsible for its day to day management, including recruiting hundreds of newly released lone soldiers from all over Israel to the Personal Guidance Program.
Shani Moshe
Guidance Center - Mentor Coordinator
Shani joined the Guidance Center staff after ten years in human resources in various Israeli companies. Prior to that she worked as a journalist. Shani is responsible for the volunteer mentors and content experts.
Chen Arbel
Guidance Center - Soldiers Coordinator
Chen who joined the Guidance Center staff of HaBayit shel Benji in September 2019, has a BA in Social Sciences, specialising in human resources.
Chen who previously worked in the field of human resources and social projects, is responsible for devising personalised guidance programs for each lone soldier due to be discharged.
Elie Lederman
Elie, who made aliya with his family from Melbourne, Australia to Ra'anana in 1993, is actively involved in numerous non-profits in Israel. Chairman of the Board since 2017, Elie has been a supporter of The Benji Hillman Foundation since the commencement of the project.
About Benji
About Lone Soldiers
The Guidance Center
Soldier Testimonials
Designed by www.agpwebdesign.com
© All rights reserved Benji Hillman Foundation
Mailing address: POB 767, Ra'anana, 4310701
Office: 09-7712723 | Fax: 09-7745075
Bayit: 077 3234051 | Fax: 077 3234052
Email: information@benjihillman.org


1. The radio operates on the standard 1920s superheterodyne design.
2. The front panel measures 30" long by 7" high by 3/16" thick.
3. Radio Service Labs IF transformers (and possibly oscillator coupler?).
4. General Instrument Corp "No Loss" tuning capacitors with Accuratune dials.
5. Rauland "All American" audio transformers.
8. Silver-Marshall antenna coupler and Type 275 choke coil.
9. Connecticut Telephone and Electric Co. "Triple Range Variable Condenser" Type D-10 (tunes the filter transformer).
10. Allen-Bradley rheostats to control the individual tube filaments.
Rear chassis view of the Wilson superhet. The professional contruction is evident. Most of the components on the front panel and the chassis basepanel were mounted with screws through tapped holes (very few of the screws had nuts). The basepanel had extensions for the various terminals that protruded behind the back of the cabinet. The knobs for the filament rheostats and the grid-leak detector were all identified with engraved letters. Maurice A. Wilson paid attention to the finer details and he was a skilled builder!
Close up view of the RF front end and the IF amplifier. I have four different antenna coils for the radio; the one shown in the bottom right of this photo is the lowest frequency range of the four. The slide switch on the left side of the oscillator coupler changes its frequency range by changing taps on the largest coil; the amount of coupling of the pick-up coil is controlled by the small lever. The round box with a dial (next to the antenna coupler) is a triple range variable condenser for adjusting the peak frequency of the filter transformer. All four of the IF transformers were bad and they needed to be repaired.
For two other examples of a superhet using some of these same components click here.
Inside view of the filter or "input" transformer. The secondary winding is the largest coil next to the screw terminals and the primary coil is the smallest coil. This transformer fared much better than the other transformers because it was bound together with twine, but I still needed to unwind some of the secondary wire because there was an open in the wire several layers into the coil - a freak wire from the factory that I am sure frustrated Mr. Wilson.
Bottom view of the Radio Service Labs IF transformers, identified with the Type RT __ designation. All of the IF transformers showed various signs of being repaired, probably in the early existence of the radio. One sign was the markings on the bottom of the transformers (the transformer shown here, number three from the first detector, has a "1" penciled on it, and a different style "2" scratched on it). Other markings were an "Input" scratched on number one, a single "2" on number two, and a "3" and a "1" on number four.
The main problem seems to be with the way the transformers were manufactured. The secondary wire is very fine and the two coils were held together with small rubber bands. The rubber bands would break and the coils would thence move around, breaking the tiny wires. Little remained of the rubber bands when I first saw the insides of the transformers. Two of the transformers had small pieces of newspaper stuffed in their bottoms to help cushion the coils.
This is a scan of one of the pieces of newspaper stuffed in an IF transformer. Leo Reisman and His Orchestra produced For My Sweetheart on July 12, 1926. This approximately sets the date of the transformer repairs. I left the pieces of newspaper in the transformers as part of the history of the set.
Photo courtesy of David Willenborg.
Here is a photo of the internal construction of a Pink-A-Tone R-1 IF transformer. This is exactly how the untuned IF transformers in the Wilson superhet looked. David had to repair all four of his NOS transformers because of broken wires etc.. Another problem with these transformers is the connection beween the nuts and the small lugs - the formica plate tends to shrink over time because of pressure and the connection between the nut and the lug loosens up. At least that's the way it was with my transformers. Even though these transformers seem to have their fair share of problems, they can be opened up and be repaired fairly easy. Just unscrew the bottom plate and remove the nuts from the screw studs and the transformer is free. Photo courtesy of David Willenborg.
The following table lists the pass band properties of the Radio Service Laboratories IF transformers. All of the transformers were tested out of the circuit with the secondary referenced to A-. Since the average frequency of the three untuned transformers came out to be 248 KC, this frequency was used to test the filter transformer. The triple range variable capacitor was adjusted to get resonance at 248 KC. The primary of the filter transformer was 246 microhenries and it took .00161 mFd to resonate at 248 KC (a .001 mFd fixed capacitor in parallel with .00061 mFd capacitance from the triple range condenser - 68 on its dial).
The following table records the resistance readings of the Pink-A-Tone IF transformers, courtesy of David Willenborg.
Advertisement for the Radio Service Laboratories RF transformers, from the February, 1923, Radio News magazine (photo courtesy of Rich "sansfil" via the Antique Radio Forum, Dec. 10, 2014). The transformers in this advertisement are meant to be wide band in order to cover a wide range of RF frequencies. The IF transformers, as in the Wilson superhet, were manufactured some time after these transformers and were meant to be for a small range of frequencies (20 KC to 30 KC bandwidth).
Close up view of the audio amplifier section of the Wilson superhet. All of the audio tubes have automatic current limiting resistors for the filaments instead of rheostats.
This is a first draft for a schematic diagram of the Wilson superhet. The set will work with an internal antenna coupler or an external loop, controlled with a small switch at the bottom of the Wilson nameplate. Regenerative amplification is controlled with a small variable capacitor above and to the left of the Wilson nameplate (regenerative amplification in the first detector only works if the internal antenna coupler is used). Rheostats control the filament voltage of the first detector, the oscillator, the three tubes in the IF amplifier, and the second detector; the volt meter will measure any of these filament voltages depending on the position of the tap switch. The filaments of the tubes in the audio amplifier are only used if the appropriate jack is used. The milliammeter seems to be wired incorrectly as it only measures current in the first audio tube.
Close up photo of the Wilson nameplate. The dial was in perfect shape when I purchased the radio but the glass got cracked during shipment. Oh well, I guess it could have been worse. I will have to replace the corroded screws. I didn't notice how bad they looked until I seen this photo.
Little is known about Maurice A. Wilson. I was getting conflicting dates of his birth in the 1890's and conflicting dates of his death in the 1970's. He did work as a Chief Draftsman for a steel company, and that probably explains the highly detailed Wilson nameplate shown here. I think he was a perfectionist in everything he did with this radio!.


text:
Austin Wintory (Denver, 9 september 1984) is een Amerikaanse componist en dirigent. Hij schrijft muziek voor computerspellen en films.

Carrière
Wintory startte op tienjarige leeftijd met muziek. Hij ging op zijn zestiende jaar het orkest van Cherry Creek High School dirigeren tijdens een optreden van "Spirit of the Cosmos". Twee jaar later was hij dirigent van het Utah Symphony tijdens de opname van "Cosmos", wat een van zijn meest populaire projecten werd.

In 2006 werkte hij aan de muziek van het computerspel Flow en in 2012 aan het spel Journey. Volgens Wintory moest de aanpak van de muziek passen in het spelverloop, zonder herhalende gedeeltes. Hij schreef het hoofdthema voor Journey in zeer korte tijd, dat later met echte cello's en fluiten werd ingespeeld. Hij werkte hierbij samen met de Chinees-Amerikaanse celliste Tina Guo. De soundtrack kwam beschikbaar op iTunes en PlayStation Network. Het kwam al snel in de top 10 van de iTunes-hitlijsten in ruim 20 landen.

Op 5 december 2012 ontving Journey een Grammy Award-nominatie voor 'Best Score Soundtrack for Visual Media'. Het werd de eerste soundtrack van een computerspel die een dergelijke nominatie ontving.

Wintory won in 2013 twee prijzen van de Britse British Academy of Film and Television Arts (BAFTA) voor de muziek van Journey.

Discografie
Een selectie van composities voor computerspellen en films waar Wintory geheel of gedeeltelijk aan heeft meegewerkt.

Computerspellen
 Ages of Athiria (2002, hoofdthema)
 Flow (2006)
 Census (2010)
 Journey (2012)
 Leisure Suit Larry: Reloaded (2013)
 The Banner Saga (2014)
 Assassin's Creed Syndicate (2015)
 Abzû (2016)
 Absolver (2017)
 The Banner Saga 3 (2018)
 Erica (2019)
 John Wick Hex (2019)
 The Pathless (2020)

Films
 Johnny Montana (2006)
 Back Soon (2007)
 The Acquirer (2008)
 The Echo Game (2009)
 A Beautiful Game (2010)
 Remnants (2011)
 Strangely in Love (2012)
 It's a Disaster (2012)
 Aftermath (2012)
 Dark Summer (2015)
 Bullet Head (2017)

Externe links
  Website van Austin Wintory

  Austin Wintory op MobyGames

Amerikaans componist
Computerspelcomponist

redpajama_set_name: RedPajamaWikipedia