A DUTY of CARE is a legal obligation imposed on an individual requiring that they adhere to a standard of reasonable care while performing any acts that could foreseeably harm others.
It means that if, in the course of your work, you perform any action that harms, or provide any service or product that causes harm, to another person, you are in breach of your Duty of Care and the injured party can sue you. *Important note: Although I say, 'in your work', the law appies to you WHATEVER YOU DO, ALL THE TIME, WHETHER AS PAID WORK OR AS A HOBBY….
But I have insurance for that, right? Well, maybe, maybe not….
(iii) development of work organizations and working cultures in a direction which supports health and safety at work and in doing so also promotes a positive social climate and smooth operation and may enhance productivity of the undertakings.
In this case we are concerned with the Duty of Care.
Our work involves a lot of hazardous, and potentially hazardous chemicals, both in the lab, and onset.
Some are only dangerous if used over a long period of time, through sustained exposure. Some are highly dangerous in even small quantities over a single exposure. The rules on handling, storing and using chemicals have changed dramatically over the last few decades. Most countries have an Occupational Health & Safety Body overseeing the enforcement of law, and many are moving towards even stricter rules concerning Hazard, Risk and Outcome assessment.
It IS true that there are many quite hazardous materials in use by the Special Effects Industry that have been used by hundreds of people for decades.
It is ALSO true that many of the most harmful have been banned, or heavily restricted, not necessarily due to misuse, but simply because we now understand the cumulative effects of exposure in a way we didn't before.
When people are told to be wary of certain techniques or materials that have been in widespread use in the past, there is a certain amount of natural resistance to change. After all- people have used it for years with no harm done, right?
Maybe… but we also used to drive cars without seatbelts, allow pregnant women to drink and smoke, and use 2,4 D on our lawns…. Ok, so most people didn't die, but enough people WERE killed or injured that our governments have seen fit to ban those things too!
In our industry alone we have seen the withdrawal of several highly dangerous chemicals, which has resulted in alterations of adhesive formulations, and solvent substitutions, and I consider that a good thing! Just because they used to use Carbon Tetrachloride as a solvent in Makeup FX doesn't mean it was ever actually safe, and I certainly wouldn't want it anywhere near MY skin!!!
In practical terms, it is up to the individual to assess the risks of using any particular material, and take appropriate precautions. This may mean using proper extraction and ventilation and wearing Personal Protective Equipment. It also means that when you intend to apply a product to another person, you MUST take due precautions to make sure they are not going to be injured or harmed in any way- WHETHER THEY ARE FRIEND, FAMILY, PROFESSIONAL ACTOR or MODEL!
When you buy a product, READ THE MSDS! And then keep it somewhere easily accessible- in many places this is a requirement of law! Familiarise yourself with the potential risks and hazards and take adequate care in use.
If you are using glues or material directly applied to the skin, PATCH TEST! Don't assume that because you have used something on 99 people without issue that it will be safe on the hundredth- Some people can be allergic to things they don't even know they are sensitive to, like the citrus preservative used in an Aloe Vera cleanser… suppoisedly the gentlest thing you can use!
*I once had an actor who we discovered, somewhat belatedly, was allergic to Top Guard, a product designed specifically to protect the skin from irritation by adhesives. He literally turned scarlet in front of my eyes…. We had to forgo the adhesive and use a skin-safe silicone to adhere the piece instead, but the result of several hours of occlusion of the skin during shooting was a two week period of antihistamines and a swollen red face….
Whenever you are responsible for using Contact Lenses or Prosthetic Teeth on an actor, the risks are far higher. Anything that contacts mucous membranes is technically INSIDE the body and the risks of contamination- poisoning- or infection, are massive, and the Duty of Care in these cases is measured under much stricter rules than for something on the skin… You MUST be absolutely sure that you have taken all reasonable precautions to ensure that the products are correctly made using the appropriate safeguards for such material, – don't buy on price or cut corners here!! Failure to do so could be catastrophic.
Once a duty exists, the plaintiff must show that the defendant breached it. This is generally treated as the second element of negligence in the United States. Breach involves testing the defendant's actions against the standard of a reasonable person, which varies depending on the facts of the case. For example, medical practitioners will be held to reasonable standards for members of their profession, rather than those of the general public, in negligence actions for medical malpractice. Thus you will be judged not against an ordinary person, but against the general standard expected from someone practicing Special Effects Makeup as a profession, with all of the attendant Occupational Health and Safety Requirements that exist in the field.
In turn, once the appropriate standard has been found, the breach is proven when the plaintiff shows that the defendant's conduct fell below or did not reach the relevant standard of reasonable care.
In law, Strict Liability makes a person legally responsible for the damage and loss caused by his or her acts and omissions regardless of culpability (which means that even if it wasn't your fault, you are liable for damages as the person ultimately responsible for the action or product that caused the harm.
Although the duty of care is easiest to understand when you have directly interacted with a person and injury has resulted, whether intentional or not, it is important to understand that a duty can be still found in situations where plaintiffs and defendants may be separated by vast distances of space and time.
For instance, an engineer or construction company involved in erecting a building may be reasonably responsible to tenants inhabiting the building many years in the future. If you as a Special Effects Makeup Artist, are engaged to manufacture and provide a product that you do not actually personally apply, for example, a prosthetic appliance, or prosthetic teeth, then YOU are ultimately liable for any damage or injury to a person that is a direct result of your failure to fulfil your Duty of Care, either by failing to use the correct materials, or failing to take adequate safety precautions in using any materials, that result in the product being hazardous to another persons wellbeing.
Although the idea of a general duty of care is now widely accepted, there are significant differences among the common law jurisdictions concerning the specific circumstances under which that duty of care exists. Obviously, courts cannot impose unlimited liability and hold everyone liable for everyone else's problems, so there must be some reasonable limit to the duty of care. The problem is where to set that limit.
▪ It must be "fair, just and reasonable" to impose liability.
Because each of the 50 States is free to develop its own tort law under the Tenth Amendment, there are several tests for finding a duty of care in United States tort law.
In many states, like Florida, and Massachusetts, the only test is whether the harm to the plaintiff from the defendant's actions was foreseeable.
California has developed a complex balancing test consisting of multiple factors which must be carefully weighed against one another to determine whether a duty of care exists in a negligence action.
▪ and the availability, cost, and prevalence of insurance for the risk involved.
▪ the social utility of the defendant's conduct from which the injury arose.
▪ and the relative safety of the alternative conduct.
Product Liability was the context in which the general duty of care first developed. Manufacturers owe a duty of care to consumers who ultimately purchase and use the products. If you make or supply ANY item that is used either by yourself in the course of your work, or by someone else in the course of theirs, you have a Duty of Care to make sure it is fit for the purpose for which it was supplied.
*If someone takes a product supplied by yourself and uses it in an inappropriate way, BUT in the sale or provision of that product you have supplied strict instructions for its correct use and handling, and any relevant safety notifications for dealing with that material, then they will be liable for its incorrect application.
In business, "the duty of care addresses the attentiveness and prudence of managers in performing their decision-making and supervisory functions." The "business judgment rule presumes that representatives of the business carry out their functions in Good Faith, after sufficient investigation, and for acceptable reasons.
The concept of Good Faith (Latin: bona fides, or bona fide for "in good faith") denotes sincere, honest, intention or belief, regardless of the outcome of an action; the opposed concepts are Bad Faith, mala fides (duplicity) and Perfidy (pretense).
This entry was posted on Thursday, August 2nd, 2012 at 10:22 pm	and tagged with Duty of Care, effects, film makeup, indy film, low-budget, low-budget film, make a short film, make-up artist, Make-up FX, makeup artist, Makeup FX, Occupational Health & Safety, Patch test (medicine), Personal Protective Equipment, special fx and posted in Life, the universe and everything..., THE BUSINESS OF MAKEUP FX.	You can follow any responses to this entry through the RSS 2.0 feed.


Tecnifibre Dynergy AP 130 – made for the player who likes a good mix of power and control from their racquet.
The Tecnifibe Dynergy AP (Arch Power) 130 racquet has copied the Prince Power Ring idea in that the main strings loop around an arch/ring at the bottom of the racquet and fan out to the top of the racquet. The net result is a string bed that is more lively and powerful as well as situated higher in the frame near the tip. Great for peeling those wallpaper balls off the wall.
Jumbo shaft – the shaft on the Dynergy series is 38% bigger as compared to the Carboflex series. Bigger means stiffer and stiffer means more power.
The Arch Power series has 3 weight ranges and this model is the medium weight at 130 grams. Balance is head heavy (370mm) compared to the 125 version.
Comes factory strung with Tecnifibre DNAMX 1.20mm which is a brand new string as well.


A free update for all Opus 9 users - Directory Opus 9.1.0.5 is now available from http://www.gpsoft.com.au.
The ADD argument can now be used with the Clipboard SET command to add text to the existing clipboard contents.
Fixed a problem where Copy UPDATEALL and UPDATEEXISTING would incorrectly delete pre-existing empty folders in the target directory.
Swapped the key shortcuts for Delete and Edit in the Folder Aliases Preferences dialog to be more logical.


I want to start this article with a clear statement of whom or what the culprit is for uranium's relative underperformance. This is the lack of Japanese reactor restarts (but by no means the only culprit). Many market commentators (myself included) had anticipated at least some of the reactors coming back on line at this point. This was one of the mistakes I made in 2013. While it's also clear that the ENTIRE Japanese fleet will never come back online, anywhere from 20 to 30 reactors are anticipated to restart in the coming years. The thinking here is that once some of the Japanese reactors come back online, this will breathe life into the uranium price and, coupled with the emerging market embrace of nuclear power, push spot and term uranium prices higher, enticing more exploration and production.
In the wake of Cameco's pronouncements from their quarterly earnings call this week (discussed below) it would appear that our initial estimate of a uranium supply and demand imbalance asserting itself by 2016 is still on target. There will certainly be trading opportunities in the interim, but investors should not likely expect much before then.
Exelon (NYSE: EXC), one of the largest electricity producers in the United States, recently announced intentions to possibly shut down some of the nuclear power plants it runs (it owns 10) in the face of nuclear energy's inability to compete with heavily subsidised renewables and cheap natural gas in the US. EXC's one-year price performance (Figure 2).
In recent elections in Japan, Yoichi Masuzoe, an ally of Prime Minister Shinzo Abe, won election to the Governorship of Tokyo. Many believe this victory to be a repudiation of anti-nuclear sentiment in Japan, however roughly half of Japanese citizens polled want the country to move away from nuclear power in the future. A weak Japanese Yen is increasing the cost of fossil fuels imported to take the place of nuclear-generated electricity. This is hammering the Japanese current account balance, not to mention making electricity more expensive.
The US Department of Energy (DoE) is slowly unloading their stockpile of uranium on to the US domestic market. This is managed, but will amount to at least 5 million pounds of additional uranium supply in the US going forward. This disposition could last for up to 25 years.
Cameco, one of the largest producers of uranium in the world, used its quarterly earnings call earlier this week to throw cold water on any immediate move higher for uranium pricing or uranium equities.
I have said many times before that I find listening to company earnings calls to be an extremely beneficial exercise. The rationale here is that although it does require the ability to "read between the lines" in some cases, the discussion of a commodity or industry from a major producer in that industry helps to balance much of the noise we hear from the junior space.
Cameco's (CCJ) earnings call last Monday was important if for no other reason that they publicly scrapped their stated goal of producing 36 million pounds of uranium by 2018 saying "it no longer makes sense" (Figure 3).
As a point of reference, CCJ produced 23.6 million pounds of uranium in 2013 at an average realized price of $48.35 per pound. The costs were approximately $34 per pound (all figures for the year and in USD).
Tim Glitzel, the company CEO stated, "There has been little to no improvement on the issues needed to help clear the oversupply and uncertainty the industry continues to face".
Long-term contracting for uranium supply has slowed to a crawl. According to the company, while roughly 170 million pounds of uranium is under contract in any given year, in 2013 only 20 million pounds was contracted. The nuclear industry usually enters into supply contracts with a two to five-year window. This implies less need for uranium in the near term and is likely another major reason why the uranium spot and term prices haven't rebounded faster.
The chart in Figure 4 shows anticipated uranium requirements for US nuclear power plants. Though a small amount of uranium is currently being contracted, it is encouraging to see the gap between uranium pounds under contract and unfilled widening substantially starting in 2015-2016. This implies a need for additional contracted supply. With only four million pounds of domestic uranium production, it will be interesting to see the source of the uranium needed to fill this looming gap.
Facts like the ones listed above paint the picture of a company (CCJ) focusing on sustainability rather than survivability. Survival is the specter haunting most junior mining companies today. Clearly, CCJ will survive the current malaise in the commodity markets given its opportunistic positioning.
With a moribund uranium price, I still believe that finding the lowest-cost producers or near-term production stories offer the greatest potential for long-term after tax returns.
I continue to believe that stories like UR-Energy (NYSE: URG; TSX: URE) and Uranerz (NYSE, TSX: URZ) require your attention as they are well-run companies that offer the ability to produce uranium at a low cost in a reliable geopolitical jurisdiction. Both companies have had great runs of late, but as production continues (in the case of URG) and commences soon (in the case of URZ), cash flow generation and low operating costs should lead to a higher share price. I own shares in URZ.
Special attention should also be paid to the discoveries in the Athabasca Basin. The discoveries in this part of the world are truly world class based on grade and location.
That said, it will take a much higher uranium price to make any of these discoveries "economic" and therefore, I would take profits immediately upon any discovery and subsequent share price appreciation.
Despite the "seesawing" in this article, I am still bullish on uranium but continue to believe that the payoff will be delayed somewhat. As I have said numerous times in recent articles, selectivity in investments is crucial. Specifically, selectivity in the type of uranium mining, in the market cap of a company, and in the geopolitical jurisdiction where a deposit is located must all factor into your analysis.
In a recent video interview2, I called uranium a "contrarian's dream". Many market participants, with other agendas or biases, absolutely hate it. I admit that waste disposal, permitting and several other factors do make uranium investing treacherous territory. That said, there are long-term reasons to seriously consider uranium companies in your portfolio. Even the most sanguine analysts forecast uranium demand to reach up to 240 million pounds in the next 10 years, over 170 million pounds today. Low prices are closing mines and delaying expansion. A lack of financing (with Uranium Participation Corp's [TSX: U] $50 million bought deal being a notable exception) is making it hard for exploration to continue. Finally, the nuclear power build out in Emerging Markets combines with the other factors I mentioned to paint a positive outlook for uranium going forward, despite the low current spot price.
Geoffrey Chaucer was right when he wrote, "Patience is a virtue".
A life-long interest in geopolitics and the financial issues that emerge from these relationships sparked Chris Berry's interest in how economies grow and how wealth is created. This curiosity led him to study commodities and the role they play in enhancing a society's standard of living. Active on the speaking circuit throughout the world and frequently quoted in the press, Chris spent 15 years working across various roles in sales and brokerage on Wall Street before shifting focus and taking control of his financial destiny. He holds an MBA in Finance with an international focus from Fordham University, and a BA in International Studies from The Virginia Military Institute.
Chris and his father co-author a newsletter focused on discovery called Morning Notes. You can subscribe to the newsletter at www.discoveryinvesting.com.
The information in this note is provided solely for users' general knowledge and is provided "as is". We at Morning Notes make no warranties, expressed or implied, and disclaim and negate all other warranties, including without limitation, implied warranties or conditions of merchantability, fitness for a particular purpose or non-infringement of intellectual property or other violation of rights. Further, we do not warrant or make any representations concerning the use, validity, accuracy, completeness, likely results or reliability of any claims, statements or information in this note or otherwise relating to such materials or on any websites linked to this note.
The content in this note is not intended to be a comprehensive review of all matters and developments, and we assume no responsibility as to its completeness or accuracy.
Furthermore, the information in no way should be construed or interpreted as – or as part of – an offering or solicitation of securities. No securities commission or other regulatory authority has in any way passed upon this information and no representation or warranty is made by us to that effect. I own shares in URZ.


Renal dysfunction is fairly common in people with diabetes. Approximately 25% to 40% of patients with Type 1 diabetes ultimately develop diabetic Nephropathy (DN), whilst the corresponding figures for Type 2 diabetes are in 5% to 15% although some studies show that tha figure may go as high as 40% even in this category of patients.
Diabetic Nephropathy (DN) progresses through about five predictable stages. Progression through these five stages is rather predictable because the onset of DM 1 can be identified, and most patients.
Seven language food glossary to help you.


text:
Toronto, Ontario, Canada M5C 1C4
MAGNA GOLD CORP. ANNOUNCES AGREEMENT TO ACQUIRE
MARGARITA SILVER PROJECT IN CHIHUAHUA, MEXICO
Toronto, Ontario – November 10, 2020 – Magna Gold Corp. (TSXV: MGR, OTCQB: MGLQF) ("Magna" or the "Company") is pleased to announce that the Company and Molimentales del Noroeste, S.A. de C.V. (the "Purchaser"), a subsidiary of the Company, have entered into a definitive option acquisition agreement (the "Agreement") with Sable Resources Ltd. ("Sable") and Exploraciones Sable, S. de R.L. de C.V. (the "Vendor"), a wholly-owned subsidiary of Sable, to acquire (the "Acquisition") the Vendor's option (the "Option") to acquire a 100% undivided interest in the mining concessions comprising the Margarita Silver Project (the "Property"). The Property is comprised of two mining concessions, covering 125.625 hectares, located within the prolific Sierra Madre Gold Belt, which hosts numerous multimillion-ounce gold-silver deposits, 88 kilometers south of the state capital of Chihuahua in the Municipality of Satevo, State of Chihuahua, Mexico. The Property lies 15 kilometres northwest on strike with Sunshine Silver Corp.'s Los Gatos Mine.
Summary of the Acquisition
Pursuant to the terms of the Agreement, the Purchaser will acquire the Option in exchange for: (i) CAD$1,500,000 in cash, plus an additional CAD$800,000 in cash representing Mexican VAT; and (ii) CAD$3,500,000 in common shares in the capital of Magna ("Magna Shares"), being 3,219,278 Magna Shares at a deemed price of $1.0872 per Magna Share (the "Issue Price"), representing the volume weighted average price of the Magna Shares on the TSX Venture Exchange (the "Exchange") for the fifteen trading days prior to the date of the Agreement. Immediately following the Acquisition, the Purchaser will exercise the Option to acquire the Property (the "Option Exercise") by payment to the titleholders of the Property of: (i) CAD$500,000 in cash, plus an additional $368,000 in cash representing Mexican VAT; and (ii) CAD$1,800,000 in Magna Shares, being 1,655,629 Magna Shares at the Issue Price.
Closing of the Acquisition and the Option Exercise is expected to occur on or about November 16, 2020 and is subject to a number of conditions customary for a transaction of this nature, including the receipt of all required regulatory approvals, including the acceptance of the Exchange.
The securities issued in connection with the Acquisition and the Option Exercise will be subject to a four-month hold period from the date of issuance in accordance with applicable Canadian securities laws.
The Property hosts five quartz-barite and minor calcite epithermal veins-breccias of low to intermediate sulphidation affinity hosted by volcanic rocks of andesitic and rhyolitic composition.
The Margarita Vein is the main structure and can be traced on surface for at least 1.6 kilometres of longitude with a bearing of N50°-80°W dipping to the southwest 65° to sub-vertical. Samples collected at surface on this structure returned several values over 100 g/t Ag and up to 909 g/t Ag. El Caido Vein is a secondary braided vein system consisting of four individual quartz-barite structures that crop out for at least 800 metres of longitude. Its strike is parallel to the Margarita Vein, dipping from 60° to sub-vertical to the southwest. Samples collected on this vein system returned values of up to 174 g/t Ag. The Juliana Vein is located in the footwall of the Margarita Vein and can be traced on surface for at least 650 metres long striking N40°W with steep dips to the northeast. Samples collected on this structure returned values of up to 405 g/t Ag. The Fabiana Vein is a parallel structure located in the hanging wall of the Juliana Vein and only 15-20 metres apart. The Marie Vein, which crops out at the easternmost part of the property, can be traced for at least 400 metres. It strikes N20-30W with steep dips to the southwest and northeast. Samples collected on this structure returned values of up to 1,235 g/t Ag. All the veins in the property returned high-grade silver values along with strongly anomalous lead, zinc, arsenic, antimony and barium, indicating the robustness of the Margarita Epithermal Veins System.
Sable conducted two core drill campaigns during 2018-2019 of 5,245.40 metres in 35 holes. Highlights include:
462 g/t AgEq (430 g/t Ag, 0.18% Pb, and 0.66% Zn) over 4.25m from 41.5m to 45.75m in hole M-DDH-18-04, including 1,073 g/t AgEq (986 g/t Ag, 0.5% Pb, and 1.6% Zn) over 1.5m from 42.7m to 44.20m
514 g/t AgEq (446 g/t Ag, 0.7% Pb, and 1.04% Zn) over 12.4m from 40.95m to 53.35m in hole M-DDH-18-06, including 902 g/t AgEq (745 g/t Ag, 1.38% Pb, and 1.87% Zn) over 4.1m from 42.7m to 46.8m.
461 g/t AgEq (306 g/t Ag, 0.73% Pb, and 1.88% Zn) over 14.05m in hole M-DDH-18-08 from 67.4m to 81.45m, including 859 g/t AgEq (557 g/t Ag, 2.21% Pb, and 0.44% Zn) over 2m from 73.2m to 75.2m.
252 g/t AgEq (229 g/t Ag, 0.97% Pb, and 0.32% Zn) over 11.3m in hole M-DDH-18-11 from 57.35m to 68.65m, including 889 g/t AgEq (844 g/t Ag, 0.25% Pb, and 0.6% Zn) over 1.3m from 62.75m to 64.05m.
298 g/t AgEq (283 g/t Ag, 0.32% Pb, and 0.78% Zn) over 33.3m from 18.75m to 52.05m in hole M-DDH-19-14, including 702 g/t AgEq (579 g/t Ag, 0.76% Pb, and 1.67% Zn) over 9.9m from 33.55m to 43.45m.
102 g/t AgEq (83 g/t Ag, 0.08% Pb, and 0.29% Zn) over 20.6m in hole M-DDH-19-20 from 47.25m to 67.85m, including 252 g/t AgEq (222 g/t Ag, 0.13% Pb, and 0.47% Zn) over 5.1m from 50.3m to 55.4m
130 g/t AgEq (102 g/t Ag, 0.1% Pb, and 0.43% Zn) over 48.65m in hole M-DDH-19-21 from 48.95m to 97.6m, including 222 g/t AgEq (198 g/t Ag, 0.18% Pb, and 0.3% Zn) over 1m from 64.65m to 65.45m, 428 g/t AgEq (376 g/t Ag, 0.28% Pb, and 0.75% Zn) over 2.85m from 83.30m to 86.15m, and 351 g/t AgEq (156 g/t Ag, 0.72% Pb, and 3.09% Zn) over 2.6m from 89.8m to 92.4m.
73 g/t AgEq (63 g/t Ag, 0.05% Pb, and 0.14% Zn) over 12.5m in hole M-DDH-19-22 from 39.75m to 52.25m, including 143 g/t AgEq (126 g/t Ag, 0.1% Pb, and 0.24% Zn) over 4.8m from 40.95m to 45.75m, and 176 g/t AgEq (97 g/t Ag, 0.36% Pb, and 1.19% Zn) over 12.8m from 68.6m to 81.4m, including 529 g/t AgEq (213 g/t Ag, 1.81% Pb, and 4.52% Zn) over 1.9m from 75.20m to 77.10m.
177 g/t AgEq (117 g/t Ag, 0.17 g/t Au, 0.21% Pb, and 0.7% Zn) over 37.35m in hole M-DDH-19-24 from 74.70m to 112.05m, including 391 g/t AgEq (353 g/t Ag, 0.12% Pb, and 0.56% Zn) over 0.9m from 94.30m to 95.20m, and 689 g/t AgEq (400 g/t Ag, 1.07 g/t Au, 1.09% Pb, and 3.0% Zn) over 5.5m from 102.70m to 108.25m, including 1,122 g/t AgEq (790 g/t Ag, 2.92 g/t Au, 2.04% Pb, and 0.37% Zn) over 1.65m from 102.70m to 104.35m.
In addition, Sable also identified during the core drilling campaigns, a lower grade halo in numerous holes with encouraging silver varying from 14 metres to 60 metres wide with grades varying between 50 g/t Ag to 90 g/t Ag.
Sable ran a preliminary carbon-in-leach test and obtained metallurgical recoveries above 85% for silver, showing that mineralized material is not refractory.
"Margarita displays an outcropping high grade core zone 2 metres to 14 metres in width, and 14 metres to 60 metres lower grade halo that continues at least to 100 metres of depth, at elevations of 2,000-2,100 m.a.s.l., with clear upside potential down dip the structure as evidenced by the high grade sulphide rich mineralization as at the nearby Los Gatos Mine, where the top of the mineralized zone is at an elevation of 1,500 m.a.s.l. Further upside potential exists in undrilled gaps along the upper levels of Margarita, and in the other four known veins. Acquiring the Property gives the Company exposure to a potential high-grade silver project and additional optionality to rising silver prices" commented Arturo Bonillas, President and Chief Executive Officer of the Company.
James Baughman (P. Geo.), Consulting Geologist and a Qualified Person as defined by National Instrument 43-101 – Standards of Disclosure for Mineral Projects, has reviewed and approved the scientific and technical information in this news release.
About Magna Gold Corp.
Magna Gold Corp. is a Canadian gold company engaged in operations, development, exploration and acquisitions in Mexico. Its primary asset is the producing San Francisco gold mine in Sonora, Mexico and exploration stage projects include San Judas, La Pima and Mercedes.
The Company's shares trade on the TSXV under the trading symbol "MGR" and OTCQB under the trading symbol "MGLQF". Magna is well integrated into its nearby communities, employs local residents, and uses local services when possible.
For more information, please visit www.magnagoldcorp.com or contact Arturo Bonillas, President, Chief Executive Officer and a Director of the Company.
Arturo Bonillas
President, CEO and Director
E: abonillas@magnagoldcorp.com
This news release includes certain "forward-looking statements" which are not comprised of historical facts. Forward-looking statements include estimates and statements that describe the Company's future plans, objectives or goals, including words to the effect that the Company or management expects a stated condition or result to occur. Forward-looking statements may be identified by such terms as "believes", "anticipates", "expects", "estimates", "may", "could", "would", "will" or "plan". Since forward-looking statements are based on assumptions and address future events and conditions, by their very nature they involve inherent risks and uncertainties. Although these statements are based on information currently available to the Company, the Company provides no assurance that actual results will meet management's expectations. Risks, uncertainties and other factors involved with forward-looking information could cause actual events, results, performance, prospects and opportunities to differ materially from those expressed or implied by such forward-looking information. Forward looking information in this news release includes, but is not limited to, information about the structure and terms of the Acquisition, timing for completion of the Acquisition, the structure and terms of the Option Exercise, timing for completion of the Option Exercise, timing for receipt of required regulatory approvals, including the acceptance of the Exchange, the ability of the Company to complete the Acquisition and the Option Exercise on the terms announced, the Company's objectives, goals or future plans, exploration results, potential mineralization, the estimation of mineral reserves and resources, exploration and mine development plans, timing of the commencement of operations and estimates of market conditions. Factors that could cause actual results to differ materially from such forward-looking information include, but are not limited to, the inability to satisfy the conditions required to complete the Acquisition and the Option Exercise, the inability to receive required regulatory approvals, including the acceptance of the Exchange, termination of the Agreement, failure to identify mineral resources, failure to convert estimated mineral resources to reserves, the inability to complete a feasibility study which recommends a production decision, the preliminary nature of metallurgical test results, delays in obtaining or failures to obtain required governmental, environmental or other project approvals, political risks, inability to fulfill the duty to accommodate First Nations and other indigenous peoples, uncertainties relating to the availability and costs of financing needed in the future, changes in equity markets, inflation, changes in exchange rates, fluctuations in commodity prices, delays in the development of projects, capital and operating costs varying significantly from estimates and the other risks involved in the mineral exploration and development industry, and those risks set out in the Company's public documents filed on SEDAR. Although the Company believes that the assumptions and factors used in preparing the forward-looking information in this news release are reasonable, undue reliance should not be placed on such information, which only applies as of the date of this news release, and no assurance can be given that such events will occur in the disclosed time frames or at all. The Company disclaims any intention or obligation to update or revise any forward-looking information, whether as a result of new information, future events or otherwise, other than as required by law.

redpajama_set_name: RedPajamaCommonCrawl


text:
Georgia vs TCU 10 Best CFP National Championship Predictions, Prop Bets
Pete Fiutak
January 9, 2023, 12:06 PM ·10 min read
What ten Georgia vs TCU College Football Playoff National Championship predictions and prop bets appear to be the best bets and picks?
– Contact/Follow @PeteFiutak
10 Best CFP National Championship Prop Bets
No. 5 | No. 4 | No. 3 | No. 2 | No. 1
Would you have been more fired up if this was Georgia or Ohio State vs Michigan? Probably, but TCU keeps on getting disrespected and it keeps on making everyone – hand raised – look silly.
Whether or not this is a classic, or if it's a strange blowout one way or another, here are the ten best-looking prop bets, predictions, and picks for the Georgia vs TCU College Football Playoff National Championship.
One of the keys here is value. Many of the props and ideas might conflict with others, so consider this a ranking based on potential payoff to go along with the possibilities depending on which way you're leaning.
The lines are based on BetMGM's latest props.
– CFN Georgia vs TCU Preview, Prediction
– Experts Picks: National Championship
10. TCU Money Line, Both Teams Will Score 30 or More
LINE: +900
Let's start with this caveat.
If you believe TCU really does have a shot at winning, then there's a whole lot of value out there to be had.
Let's put it this way. If TCU does do this, it's probably not going to be a 7-3 defensive struggle. It beat Michigan 51-45 in the Fiesta. It got past West Virginia 41-31. The SMU win was 42-34, and the double-OT thriller over Oklahoma State was 43-40.
On the other side, Georgia scored 30 or more 11 times in 14 games. So again, if you're feeling it for TCU, going with the shootout to go along with the W isn't a bad play.
And then there's the opposite of that …
9. Georgia Money Line, Both Teams Will NOT Score 10 or More
LINE: +1100
If you're into the idea of Georgia winning this, it's not crazy to think this might be a total wipeout.
The Bulldog defense went bye-bye against Ohio State, and it took half the day off in the SEC Championship win over LSU, but this is still the SEC's best defense that allowed just 14.8 points per game.
Remember, this is the D that held Oregon to three points. And went on the road to beat South Carolina 48-7. And held Kentucky to six.
The problem is the 10 or more. Georgia totally wiped out Auburn and won 42-10, and it dominated Mississippi State in a 45-19 win. Texas held TCU to 17 points, and that's the closest anyone came to keeping that O in check. However, again, if you like Georgia, would you be that shocked if it makes a 41-7 statement?
Yeah you would, but that's why this is at +1100.
Now let's swing back the other way …
8. Both Teams Will Score 10 or More Points in the 1st Quarter
LINE: (Yes) +1150
It's +1150 for a reason, but it's not unreasonable to ask both teams to go off to a hot start.
TCU is known for its comebacks – it put up 148 points in the fourth quarters of games – but it also dominated in the first quarters, too, outscoring teams 148-65. Georgia put up 122 points in the first quarters. The problem is the Dawg D – it allowed just 30 points all year in the first frame.
Again, we're going for outside-the-box value here. If the two teams start trading haymakers, a 10-10 first quarter might seem like Christmas is still here.
And now, to keep your head on a swivel and make you a tad dizzy before we settle in …
7. Both Team Will Score 10 or More
LINE: (No) +950
To keep hammering this home, I'm looking to value to potentially help any already held beliefs.
I don't think the Georgia defense is going to come out and shut down the TCU offense to a dead stop, but if you think this is going to be a coronation and total wipeout, +950 is a great idea.
The smarter one is to go with the +180 on NO, both teams won't hit 20. 38-17 is far more reasonable if you're not trying to be greedy.
Enough with the wacky fliers. Let's go with six more realistic options, starting with …
– How good was your bowl? Ranking all the bowl games
6. TCU Wins by 1-to-6 Points
TCU has made me look ridiculous all season long, so this would hardly be my first time. I think Georgia rolls in this – I'll get into all that at the end.
But if TCU pulls this off – and as we've learned, disrespect the Horned Frogs at your own peril – I highly-doubt it'll be a some 41-20 whacking. 35-31? Yeah, that's the most likely spread.
So to repeat this line, if you like TCU to win, this is the best combination of value and likelihood. +750 on a walk-off field goal? That would be so 2022 TCU.
NEXT: Georgia vs TCU: Top 5 CFP National Championship Predictions, Best Prop Bets
5. Highest Scoring Quarter: 2nd
No, the +115 isn't too sexy, but it makes the most sense with these two.
The fourth quarter isn't a bad idea considering the way TCU gets everything going late, but the first is the best value at +575. The problem with that is Georgia gets rolling in the second in the biggest games.
As mentioned before, both teams are great in the first frame – TCU put up 148 and Georgia scored 122 in the first – but …
Peach Bowl 2nd Quarter: Ohio State 21, Georgia 17. One quarter, 38 points.
The Dawgs got it all moving in the blowout over Oregon with 21 points in the second, and put up 21 in the SEC Championship win over LSU.
It's by far Georgia's highest-scoring quarter – 181 points, with the 4th coming in next at 137 – and the 68 points are the most the defense has given up in any of the quarters.
It's also the TCU defense's worst quarter, allowing 106 on the year with the 98 in the fourth coming up next.
6-10 | No. 4 | No. 3 | No. 2 | No. 1
NEXT: College Football Playoff National Championship Prop Bets: TCU first touchdown scored
4. TCU First Touchdown Scored
I always like this type of prop because you have an honest shot of something strange happening and landing a good deal.
The value in last year's national championship was Alabama +100 to score the first touchdown, and neither team was able to get into the end zone until Zamir White did it for Georgia with just over a minute to play in the third – both teams traded field goals in the first half.
Georgia was -145 to score the first TD in last year's game – that was no fun. -250 in this is even worse.
It's hardly a 50/50 shot – there's a reason it's +160 – but let's say the first TCU drive works and the coaching staff's gameplan hits. Georgia can still win in a rout after getting down 7-0.
This also goes hand-in-hand with another high-value idea that's not all that insane …
NEXT: College Football Playoff National Championship Prop Bets: Tie at halftime, Georgia wins the game
3. Tied at half, Georgia wins the game
The flip of this is even better at +1000 with Georgia up at halftime and TCU winning, but I can't get there. I'm too stuck on Georgia winning this rather easily.
Georgia being up at the half and then winning is -185. That's not the content you're here for.
Alabama was up 9-6 at halftime of last year's national championship and the Dawgs won. TCU being up after 30 and losing after 60 is at +650 – that's a tremendous idea if you think the Bulldogs will be a bit jittery like Michigan was.
But I'm taking the home run cut here.
I'll stick with the idea that Georgia wins big, but this could certainly be a tied game at halftime. I'm trying to thread the needle by going after the +1600, but at least I'm not going wild with halftime tie/TCU win at +2500.
Okay, enough is enough. Here's what I believe is going to happen …
NEXT: College Football Playoff National Championship: Georgia Money Line, Over on 60.5
2. Georgia Money Line and Over 60.5
It's boring without the high-priced value, but there's nothing wrong with taking the win if it's there.
The updated line as you're reading this is Georgia -13 and the point total at 63.5. Of no value is Georgia on the Money Line – hovering between -450 and -570 depending on where you're looking.
However, I'm in on Georgia winning – that's the easy part. If TCU pulls this off, great for college football, I'll tip my cap, and it's on to the NFL Playoff. If the Dawgs win, then it's just a question of where that total comes in.
If you can get this Money Line/60.5 combination, that's not bad.
TCU will score a bit. It might not roll up 50 points, but it should be good for a few points here and there – to be nice about it. Georgia should take care of at least 35 – more like 40ish – but itself.
This all feeds into …
NEXT: Georgia wins by 19-24
1. Georgia wins by 19-24
And I really like the idea of going bigger at +750 for Georgia winning by 25-to-30.
I hope I'm wrong. I hope this is a close game that comes down to a late drive with one team hitting the big plays needed to pull it off. I cheer for classic games.
Again, as I mentioned before, TCU has made me look silly all year. I really do think Georgia is going to be a methodical machine, especially in the second half.
I do think TCU will score enough to make the Dawgs keep pressing, but this should be a fight for about 40 minutes before the defending national champs take over with one good scoring drive, a big defensive play leading to another score, and then the game starts to slip away.
The line is Georgia -12.5, so the safer play is Georgia by 13-to-18 at +450. Instead, this might be one of those games that's better than the final score will indicate.
However this all turns out, good luck.
Story originally appeared on College Football News
Bill O'Brien 'couldn't pass up' opportunity to return to Patriots as OC
Bill O'Brien has finally spoken about his return to the Patriots as their new offensive coordinator, and why it was an opportunity he just couldn't pass up.


text:
Research/BIOCON
Patents/Spin~offs
Books/Covers
INEOS Master's Thesis Award 2019 for Benjamin Vermeeren
At the graduation ceremony of the masters in Bioscience engineering at the KU Leuven, Benjamin Vermeeren has won the INEOS Master thesis award, with a value of 1500 euros.
Graduation ceremony of Bio-science engineering
At friday july 5, 234 students in Bio-science engineering graduated as a master of science at the KU Leuven. Many of them could enjoy the research and educational activities of the CSCE during their studies, and we're proud to see them graduated. Congratulations to all of you!
Press news: Research focus explained by Bert Lagrain
Our research is highlighted in the planet future magazine "Mediaplanet". Bert Lagrain explains the research focus of the Sels-group towards a sustainable and circular chemistry.
Press news: Making plastic out of wood
PhD student Tim Croes had the opportunity to give a pitch about his PhD on the EOS website. Tim tries to seperate wood in its different components, for the valorization of each building block of the lignocellulosic biomass.
New division: Sels-group is now a part of the CSCE
Center for Sustainable Catalysis and Engineering
AgriChemWhey project: Valorization of side streams from the dairy industry
The group is working in an EU-project for the production of high valuable plastics and chemicals out of whey permeate and delactosed permeate from the dairy industry. Lactate from this side streams can be converted into bio-degradable plastics that can be used as sustainable packaging materials.
Press news: Anilins from lignin-oil
In co-operation with the University of Antwerp, the Sels-group has created a process for the production of anilins out of wood. These are used for the production of several cancer drugs.
Steven-Friso Koelewijn obtained his PhD
Stef successfully obtained his PhD in our research group. His research focused on the safety-driven molecular design of benign bisphenols from biomass, by implementing a concept of 'safety by natural design'. More information about his PhD: https://www.kuleuven.be/doctoraatsverdediging/fiches/3E13/3E130554.htm
Guest lecture: Pieter Bruijnincx
Ie-net prizes for engineers 2018


There are many things to look forward to as a parent, a checklist of firsts that will eventually be complete. First steps, first words, the first day of school, the first movie, all are memorable in their own rights, but they are not the memories that run deepest or have the most lasting impact. For me, the first movie for each of my children is a fonder memory for me than my children. What registers strongest for me and for my eldest daughter is the first film that drove her out of her seat, kept her wrapped attention, and sparked her imagination, and formed one of our earliest bonds.
She has just turned four-years-old and How to Train Your Dragon opened just after her birthday, so I took her for a special day out, just the two of us. She got a bucket of popcorn nearly as big as she was, along with the biggest box of Red Vines we could find. She was excited, but she did not know why, she knew nothing about this movie, I was excited for her, and I knew nothing about this movie. We were going to see this for the first time together. What we did know was three weeks prior we began reading the Cressida Cowell's How to Train Your Dragon. It was 9 years ago, and these are details she likely does not remember as well as I do, but that is alright as these are some of my most cherished memories.
I will never forget her face in the theatre that day, the wonder slowly washing over her. The terror when the beautiful dragons attacked, the slow recognition of a tumultuous family relationship she would not experience for years to come. Then she saw a kindred spirit in Hiccup and Astrid, endless empathy, and a fiery warrior's spirit.
As the film played on, she slid further forward in her seat until the moment Hiccup and Toothless were taking their first flight together. At that point, her chin was resting on the seatback in front of her. John Powell's soaring and powerful score was washing over her and then the moment Hiccup fell from the saddle. Toothless was racing after him until Toothless and Hiccup met and they pulled up in a death-defying flight, and the orchestra rose with them and my daughter leaped from her seat, arms in the air cheering with all the might her four-year-old body could muster.
That moment I knew a fan was born, over the next four years she would watch the movie countless times, followed by the short films, and the animated series. She devours books about dragons, and then at eight-years-old, we had the chance to repeat our experience in the theatre for How to Train Your Dragon 2. Her unrestrained exuberance had tempered into a mostly quiet buzzing in her seat, but she was still so captivated she forgot about the popcorn. She has continued to devour ever thicker books about Dragons, and her fandom has stretched through every branch of fantasy. Now five years later we are about to enter a theatre once again, this time for a closing chapter, one the first closing chapters of her childhood, as the chapters of her own childhood also come to an end.
After a decade of watching my children grow, and seeing what has influenced them, one of the strongest influences I see come from the Dreamwork's Dragons. It is not just my children, I have seen the influence of Hiccup, Astrid, and Toothless in the friends of my children. Vikings that dared empathize with a deadly dragon, a society that learned to value compassion, and grew stronger through friendship showed a generation a better way. Now that the franchise is ending this generation has begun to express their gratitude, and grief on social media. The outpouring of emotion is palpable and illustrates how these films inspired a generation for the better.
Soon my daughter and I will be walking out of a theatre where we will then begin to reflect together on these films. Then together we will begin to explore the impact this finale had on the two of us, and how we think these films will be remembered a decade from now.


text:
package org.apache.activemq.artemis.tests.unit.util;

import org.apache.activemq.artemis.tests.util.ActiveMQTestBase;
import org.apache.activemq.artemis.utils.UUIDGenerator;
import org.junit.Assert;
import org.junit.Test;

import java.util.UUID;

public class UUIDGeneratorTest extends ActiveMQTestBase {
   // Constants -----------------------------------------------------

   // Attributes ----------------------------------------------------

   // Static --------------------------------------------------------

   // Constructors --------------------------------------------------

   // Public --------------------------------------------------------

   @Test
   public void testFromJavaUUID() throws Exception {
      UUID javaId = UUID.randomUUID();
      UUIDGenerator gen = UUIDGenerator.getInstance();
      org.apache.activemq.artemis.utils.UUID nativeId = gen.fromJavaUUID(javaId);
      assertEquals(javaId.toString(), nativeId.toString());
   }

   @Test
   public void testGetHardwareAddress() throws Exception {
      byte[] bytes = UUIDGenerator.getHardwareAddress();
      Assert.assertNotNull(bytes);
      Assert.assertTrue(bytes.length == 6);
   }

   @Test
   public void testZeroPaddedBytes() throws Exception {
      Assert.assertNull(UUIDGenerator.getZeroPaddedSixBytes(null));
      Assert.assertNull(UUIDGenerator.getZeroPaddedSixBytes(new byte[0]));
      Assert.assertNull(UUIDGenerator.getZeroPaddedSixBytes(new byte[7]));

      byte[] fiveBytes = new byte[]{1, 2, 3, 4, 5};
      byte[] zeroPaddedFiveBytes = UUIDGenerator.getZeroPaddedSixBytes(fiveBytes);
      ActiveMQTestBase.assertEqualsByteArrays(new byte[]{1, 2, 3, 4, 5, 0}, zeroPaddedFiveBytes);

      byte[] fourBytes = new byte[]{1, 2, 3, 4};
      byte[] zeroPaddedFourBytes = UUIDGenerator.getZeroPaddedSixBytes(fourBytes);
      ActiveMQTestBase.assertEqualsByteArrays(new byte[]{1, 2, 3, 4, 0, 0}, zeroPaddedFourBytes);

      byte[] threeBytes = new byte[]{1, 2, 3};
      byte[] zeroPaddedThreeBytes = UUIDGenerator.getZeroPaddedSixBytes(threeBytes);
      ActiveMQTestBase.assertEqualsByteArrays(new byte[]{1, 2, 3, 0, 0, 0}, zeroPaddedThreeBytes);
   }

   // Package protected ---------------------------------------------

   // Protected -----------------------------------------------------

   // Private -------------------------------------------------------

   // Inner classes -------------------------------------------------
}

redpajama_set_name: RedPajamaGithub


text:
Q: avoid reloading xml multiple times i want to fetch country source and destination from XML files , it works perfectly in localhost but not in server ,  in server it shows different destination country if i move cursor fastly on map.
in jquerymap.php  I  am calling price_by_countries.php file on mouseover and mouseclick event and I am also passing 2 variables in price_by_countries.php and in this file i am loading XML document , I think by loading XMLfile each and every time may cause this problem ..  I  am new to programming and wants to sort it out this issue asap .. thanks

jquerymap.php  file code
 jQuery.ajax({  type: "POST",
                url: "price_by_countries.php",
                data: "s="+source+"&d="+destination,
                dataType: 'HTML',
                success: function (msg) {
                             jQuery("#rightinput").html(msg);
                         }
                });

price_by_countries  file code
$xml = simplexml_load_file("rd.xml") or die("Error: Cannot create object");

function processXML($node){
   foreach($node->children() as $books  ){
      if($books['source'] == trim(ucfirst($_REQUEST['s'])) &&
         $books['destination'] ==  trim(ucfirst($_REQUEST['d'])))
      {
         echo "<pre>";
         //echo  $books ;
         echo 'Source Country from XML file = '.$books['source'] . '  ------  Source Country from Textbox = '. trim(ucfirst($_REQUEST['s'])) ;
         echo '<hr>';
         echo 'Destination Country from XML file =  '.$books['destination'] . '  ------  Destination Country from Textbox = '. trim(ucfirst($_REQUEST['d'])) ;
         exit();
      }
   }
}

processXML($xml);

website url : http://realwebit.com/jquerymap/jquerymap.php

A: The problem seems to be bound to the datarequests on onmouseover. If you move the cursor too fast onmouseover triggers many requests at the same time to the server ! That works on localhost because there is no delay, but not  ! You should install firebug for firefox and take a look at the requests made to the server.
If you dont want to load the xml every time you need a cache:
Save the response of the price_by_countries.php on the client side in an array using source & destination as keys !
If someone clicks or hovers over a country don't call the jquery ajax function right away. Check the array first if you already requested the data and return it ! If not do the ajax request. If it's successfull store the data in the array !
Lucian

redpajama_set_name: RedPajamaStackExchange


text:
OCR03859 - *YES* Legend of Zelda & Legend of Zelda: Ocarina of Time "Destined"
By Gario, September 1, 2017 in Judges Decisions
Gario
I'd like to submit a compositions for acceptance to OCRemix. I am a current remixer with two tracks already accepted.
Remixer Name: LindsayAnne Pepper
Real Name: LindsayAnne Pepper
website: https://soundcloud.com/lindsayanne-pepper
Submission #1: Destined- a Legend of Zelda arrangement
While I understand this is on the long end of many submissions, I hope that you will please consider it. Throughout the Legend of Zelda series history, the main story line is "princess Zelda gets captured, Link goes on a quest to defeat the evil and save her." Many times throughout the games, a romantic connection is hinted at but never determined. In Skyward Sword, this was especially noteworthy. This symphonic composition was written as a romantic expression of what could be if the story continued after the credits roll. Their two themes are explored in various ways, sometimes apart, sometimes together, as well as hidden throughout. Flute solo parts are performed by myself, and I was lucky to have Brooke Ferdinandsen perform for the oboe parts. I thought she added beautiful depth and emotion to the piece. I hope you enjoy!
~LindsayAnne Pepper
MindWanderer
Let me start off by saying that this is a really gorgeous, emotive arrangement. I love what's been done with the orchestration, and the flute and oboe work are indeed superb.
That being said, the other instruments, notably the string and brass ensembles, weren't as great. The string swells were unvarying, and the brass was overall mechanical in execution.
Also, this seemed source-light, so here's my stopwatch test: 0:03-0:28, 0:40-1:01, 1:53-2:31, 3:02-3:13, 4:27-4:29, 4:56-5:39, 5:58-6:31, 6:49-7:00 = 184/456 seconds = 40.4%. I may have missed some subtle references here and there, but even subjectively, there were long periods of exposition that didn't seem to reference the source material.
I'm also not a fan of the dynamic range here. I didn't feel like it was necessarily too quiet at baseline (though it was definitely on the quiet side), but 4:25-5:45 is dramatically louder than the rest, and I couldn't set my volume to a point where I could hear everything else clearly but that section wasn't uncomfortably loud.
Thanks for the submission, I enjoyed the arrangement itself quite a bit, but the ensembles really need to be more humanized, and I don't think there's quite enough source material for what we look for. I look forward to seeing more from you, though!
Personally, I thought the source was handled absolutely wonderfully - rather than having it be obvious every moment, it instead takes the source's shapes and textures and transforms them into something else (while still being distinctly 'Zelda' and 'Overworld'). The timestamps MindWanderer uses are great for the obvious moments, but I'm hearing source at, for example, 0:28 - 0:35, with that arpeggio reharmonized in the horns, and at 1:05 - 1:35 using the strings to play the Overworld theme completely reharmonized and slowed down. Stopwatching the really subtle stuff is tricky since I'd have to go into a high degree of detail on each part, but this isn't a case where it's even a close case of source usage. It's not only good on that front, that's an area that I've seen few arrangements on OCR match in terms of execution.
However, the concerns on humanization of the instruments are absolutely valid. While the dynamics are well handled and the sample quality is solid, the accents are often mechanical, using the same levels of swell for each note. It's not as noteable when the brass and woodwinds take control of the arrangement, but for the strings it's painfully obvious it's sequenced.
As far as dynamic variety, I think this track hits a sweet spot on it. Orchestral music naturally has these loud and quiet moments, so that really helps drive the realism home on this. This is how you correctly write orchestral music; I don't get to this day people's suggestions to 'correct' this whenever it comes up.
Overall, the humanization is my largest concern, and while that's not a small issue I don't think it drowns the absolutely high quality this arrangement has at every other level: the arrangement, the orchestration, the production, etc., are all superb. I'd much rather see this posted than not - while not perfect, I don't think this is below the bar.
DragonAvenger
Judge, Unsung Heroes Asst. Director
I'm with Gario in this one; I can see the criticism of the instruments and their realism but I also agree that the arrangement does a lot of work and allows some forgiveness in that aspect. I definitely think this isn't mixed a as well as your other Zelda's Lullaby mix I just j judged though. Overall this is an expansive arrangement that was really enjoyable to listen to. The dynamics definitely are well done though I did hear one instance of clipping around 5:35. Just something to note.
Chimpazilla
Judge, Esther's Dreams Co-Director
Humanization is tricky even when strings or woodwinds are used as backing elements. In this case every instrument is super exposed, and given that situation, I feel like the humanization is more than adequate. That said, I wish the production had a bit more shine on it, perhaps a bit more eq or instrument positioning or varied reverbs to make the soundstage more 3D, with leads sounding more upfront and backing elements more in the background, and more of a feel of being onstage in a real hall. The arrangement though, caries it totally. It is absolutely lovely and so emotive.
Jivemaster
The strings you have chosen have a nice tone to them, with some nice changes in velocity and dynamics to add in that much needed realism. Although things do still sound sequenced, the immersion factor is still here. Pacing is solid. Subtle articulations and other inclusions were noticed.
At 2:32 things change a little abruptly and don't flow like they should. Most other transitions however seem to work ok. The build-up at 4:30 with the brass accompaniment had a good strength to it. The pre-outro build up was equally strong, with a soft conclusion. At 7:08 things seemed to end but repeated themselves again which I found odd.
The mixing here is decent enough, with parts sitting mostly clean in their own space. No problems there.
I think the overall presentation here is well done with enough unique elements in the arrangement to bring this into its own.
Man, I think this is more than fine. Arrangement is solid, and the sequencing/humanization works for me. There's adequate pacing to every section and attention to detail. Instruments get a bit too exposed but I don't think I doubted this being above the bar after it was over. I liked the arrangement the most, as this is such a popular song that doing something different with it becomes super difficult, but you managed to add your own touch to the arrangement, weaving in original phrasing between the classic lines and I'm totally into that.
I want this on the front page.


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· Two sections school from I to VI & Three Sections from VIII to X. There are Two section of Science Stream & One section of Commerce Stream for XI & XII in the Vidyalaya.
· Two Playgrounds were developed one for Secondary and one for Primary section respectively.
· There are two Computer Labs with internet connectivity.
· First VMC meeting was held on 17 august 2009.


how magazines handle identity and tax for writers?
" If you earned less than $600 as an independent contractor, the payer does not have to send you a 1099-MISC, but you still have to report the amount as self-employment income." So magazines are not asking for SSN if compensation is less than $600?
Also is the EIN option available for most children's magazines ?
Re: how magazines handle identity and tax for writers?
Hue, all the magazines I've written for required and reported the income even if it was for a small amount, like for a poem ($25). So, yes, I give them my SSN. Hope this helps. V.
I think most publications find it easier to simply report for everyone, but I have had places that didn't ask. If I've only earned $25 at the start of the year from someone, I take the form as a vote of confidence that I'll earn more. Remember that the law is looking at total compensation from a company over the course of one year. There have been times when I've crossed the threshold by writing for more than one magazine owned by the same corporation.
There may be something in the corporate law that benefits them if they show every penny spent and to whom. An SSN makes you a real person and not just a name. But this is me hypothesizing. No basis for it.
This sounds confusing, indeed. All I was asked to do was to fill out a W-8Ben.
I always worry about giving my SSN to other people, especially in the age of cyber attacks.
Doh, I just realised your SSN/EIN is for U.S. writers. W-8Ben is for non-U.S. writers.
I'm a US writer, and the Cricket group and Highlights have both required a W-9 form at the time of the first sale, and then they keep it on file after that.


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Now is the time for dancing!
Now is the time for dancing. It is time for rebuilding the destroyed ruins. Everything has to be restored before the returning of Jesus. (Acts 3:21)God has created the dance, and everything that God has created is in its origin good. God has created us to move and express ourselves through our bodies. (Acts 17:28) The devil cannot create anything good, but he is always ready to pervert and steal what God has created. Let us take back what the devil has stolen!
We can still find a lot of prejudices against dancing in the churches to-day. Many believers think that it isn't possible to dance purely before the Lord. Church traditions have taught them that all dancing is sinful and very inappropriate in a church. I want to state that dancing is a medium that can be used by different sources. Music can be inspired by an unclean source, but we haven't stopped using music in the church because of that. Why have we stopped to dance then? There are many reasons, but I do not want to spend time elaborating on that now. I would rather go to the Bible and find out what it says about dancing.
Dancing is meant to be a powerful tool in praise and worship, in spiritual warfare and in celebrations. The Bible mentions dancing the first time when the Israelites had crossed the Red Sea. We can read from Exodus 15:20: "Then Miriam the prophetess, the sister of Aron, took the timbrel in her hand; and all the women went out after her with timbrels and with dances." They are thanking God through dancing and singing. They are so thankful that God gave them victory over the enemy. We should perform the same type of dancing in thankfulness over the victory of our enemies. We can call Miriam the leader of the dancing. We do not know how old she was or how clever she was, but we do know that she honored the One Who is worthy all our praise.
Psalm 87:7 "Both the singers and the players on instruments say, "All my springs are in you." In our Norwegian translation it says that all the singers and dancers say: All my springs are in you.
David is really an example of dancing before the Lord with great intensity and boldness. We can go to the text from 2.Sam.6. In verse 5 it says that David and all the house of Israel played music before the Lord with all kinds of instruments. In verse 14 it says that David danced before the Lord with all his might. It says that the whole of Israel took part in the dance and in the celebration. I look forward to the day when all of God's people will dance and express their joy and love for the Lord. It should not be done as a response to an order, but it should be a spontaneous joy, coming from a heart, loving God.
In my 1988 translation of the Bible it says that the house of Israel played in front of the countenance of the Lord. I believe that God is longing for this spontaneous joy, the same joy that a child shows towards his or her mother and father. I cannot forget a child that I saw in one shop. The little girl got a Frisbee from her father and she got so happy. She jumped up and down and she cried out: "THANK YOU DADDY, THANK YOU!" It is this kind of thanksgiving that is expressed through dance and worship. We should have this kind of enthusiasm towards our heavenly Father. He has really given us so much more than a Frisbee.
I want to show you that dancing is part of the New Testament as well as the old one. I start with Luke 15:25: "Now the older son was in the field. And as he came and drew near to the house, he heard music and dancing." The father became so happy when the lost son came home, that he arranged a big party. Maybe our heavenly Father arranges a party together with the angles every time a lost sinner comes home into the kingdom of God. It will be a party full of dancing and singing.
There are many aspects of dancing and we can find biblical examples of ungodly dancing. We can read in Exodus 32:19 that the Israelites danced for the idols in the desert. We are called to give God honor through our dancing and Moses rebuked them for their idol-worship.
I started to dance at the end of my teens. I played handball as a child and teenager. When I was 16, a vein burst in my thigh and two liters of blood made my thigh swell up enormously. I was in the hospital for about a week. I finally developed a bone tumor and I could not move or jump for several months since the muscle might burst again. I was very sorry since I was used to be active. Many prayed for me, but I especially remember when a prayer group at home prayed for me. My mother had seen the ex-rays and it has looked like a mountain and she got faith to talk to the mountain. I should take a MR-examination a month later and I said to God: "If you make me well, I will use my body to honor you." I got a longing to dance. When the hospital got the result, we got a phone call and were called to the doctor. He said that the leg was completely well. The tumor was gone. He could not explain it, but we knew that Jesus had done a miracle. Hallelujah! I am now dancing for God and I give Him all the glory and honor for He is worthy.
This is written by my youngest daughter. She loves to give God honor and praise through her dancing and she wants the dance to be pure. She does not want people to focus on her body, but on Him Who has created her and healed her. Even if she is quite good, she does not think that to be so important, but the heart and motive behind the dance. I hope that you got inspired to move your body in joy and worship of Him Who is worthy of all our praise and worship. You do not have to concentrate on the steps or compare yourself with anybody else, but focus on the One you are dancing for. I have just returned from an anointed conference and I am not very good in dancing, but I just had to dance. It was the Holy Spirit that made me dance. It is a release in dancing. I have recently gotten a diagnosis in my back and neck, but I had no pain while I was dancing. I actually believe that I can be healed through dancing for the Lord. My daughter has gotten the dance as a ministry and has been asked to bring the dance back to the Body of Christ, but we can all dance. When children are happy, you can see them skip down the street or they might take the hands of each other and jump up and down. There were a lot of nations represented at the conference I attended. Many were dancing. The styles were different. I had wriggling Africans on one side and in front I had Russians, clapping their hands and they were jumping up and down and from side to side. They were so happy over their freedom in the Lord. The Bible says that all that is within us shall praise the Lord. That includes everything that has to do with our bodies.
DO NOT ALLOW THE DEVIL TO STEAL YOUR FREEDOM AND THE GODGIVEN DANCE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!


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Q: Reliable alternative to replication for continous data sync between two databases I have one central database and 25 client databases and all have same schema.
I want that whenever some changes are done in some tables of the central database then these changes flow down to the client database.
The databases  used is SQL Express so I cannot use replication.
The solution that I have today is to make keep track of the changes in the central database and then a program makes a text file with these changes and sends them down to the client databases.Another program reads these text files and updates the client database.
There are three problems with this:-
1. The files get lost or arrive in jumbled order which messes up the client data
2. the process is slow
3. the programs are sometimes shutdown so the whole sync flow gets stopped.
Is there a reliable alternative that is fast and secure ?
I wonder how banking software are made ...they never lose transactions and they are fast.

A: Add an UpdateDate column to all the entities that need to be replicated. At each client add a linked server to the central repository. Now, every 5 minutes or so, poll your central repository for changes using the last UpdateDate of a client entity and grab the delta.
Then use merge or insert and update to merge data on the client. That's a very reliable way of doing homebrew replication. To keep track of deleted elements you would either want to mark them as deleted or have another table to keep track of entity kind and its reference, again combined with UpdateDate for replication.
Update
Then you mention transactions and banking software. When you do your replication via files, we ain't talkin' about no transactional replication here, not by a long shot.
If you need transactional consistency you need to subscribe to the transaction flow of the data warehouse.

A: I don't want to be unhelpful and you haven't given any background about your business needs, but you have to decide if your priority is really "fast and secure" or if it's actually "cheap". Replicating changes between multiple databases in a reliable, consistent way is not easy (as you know) and it's highly unlikely that you will be able to develop a solution yourself that has the features, stability and performance of SQL Server replication.
SQL Express can be a replication subscriber, by the way, so it's not clear why it doesn't meet your needs. But if it doesn't, you should estimate the cost to your business (or customer) of dealing with issues caused by an unreliable solution: your time, business downtime, finding and correcting incorrect data, customer complaints, lost business etc. Then compare that to the cost of 25 SQL Server licenses (you should certainly be able to get a good discount when you order that volume), additional hardware (if any) and the costs of training, consulting and/or learning how to use replication. Then extrapolate those costs over 5 years or so. You may find that it's cheaper just to buy the solution you need. And of course buying the full SQL Server edition means you get a lot of other new features that might be useful to you.
If you (or your boss) is really determined to get something for nothing, you might want to investigate PostgreSQL or MySQL. They both have free replication solutions that seem to be widely enough used to be reliable for many companies. Of course, you then need to calculate the costs of switching to a new database platform.

A: If you have one central database and 25 clients, you can easily do it with one (yes only one) SQL server licence for the main database. Subscribers to this database can run SQL express. As long as users access the the client databases, you are not even obliged to buy SQL CALs.
Back to banking software, be sure that they are paying good money for their server licenses! So don't be surprised if these are reliable and fast ...


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