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Charlie Musselwhite Booking Agency Information
Booking Charlie Musselwhite
Charlie Musselwhite Booking Pricing & Availablity
Genre: Jazz & Blues
Demographics: Undefined
"When I Go"
Hiring Charlie Musselwhite For Corporate Events, Private Parties And Public Concerts Is Easy With Booking Entertainment
Booking Entertainment makes it easy to book Charlie Musselwhite or any other A-List entertainer for your corporate event, private party, fundraiser or public event worldwide.
Start by filling out our no-obligation entertainment request form to check pricing and availability for Charlie Musselwhite or whoever else you may want.
Charlie Musselwhite Booking Agency
Wondering how to book Charlie Musselwhite for your event? Booking Entertainment is the leading entertainment booking agency for booking Charlie Musselwhite for events worldwide.
Our Charlie Musselwhite agent will be happy to help you get Charlie Musselwhite's availability and booking fee, or the price and availability for any other A-List entertainer, band, comedian or celebrity you may want for your corporate event, private party, wedding, birthday party or public show.
Charlie Musselwhite Biography
American blues musician Charlie Musselwhite was born in 1944 in Mississippi. Charlie's father played harmonica and guitar, his mother played piano, and he had other relatives who performed in small bands. That Charlie would grow up with an interest in pursuing music as a career is no surprise, and so when the family moved to Memphis, a teenage Musselwhite immersed himself fully in the local music scene, now exploding with the rockabilly sounds that would give rise to rock and roll.
Musselwhite quickly established a reputation for his musical talents, becoming known as "Memphis Charlie" to those in town. As a young adult, Charlie moved to the south side area of Chicago, where he forged friendships with some of the industry's most notable talents—Muddy Waters, Buddy Guy, Big Walter Horton, and many others. After forming his own blues band, Musselwhite signed with Vanguard Records and entered the studio to prepare for a debut album.
The result, Stand Back! Here Comes Charley Musselwhite's Southside Band, was an immediate success upon its release in 1996. The album set the stage for a career that has since contributed twenty albums and countless contributions to works by other artists. Notable collaborations for Musselwhite include the Blind Boys of Alabama's Spirit of the Century; Bonnie Raitt's Longing in Their Hearts; and Ben Harper's Grammy-award winning album Get Up! In addition, Charlie's own albums have been nominated six times for Grammy awards and he himself has earned multiple Lifetime Achievement Awards.
Charlie Musselwhite continues to perform and record. He was inducted into the Blues Hall of Fame in 2010, and most recently, he won the Blues Music Award for Best Instrumentalist—Harmonicist in 2015.
For more information on booking Charlie Musselwhite, please contact Booking Entertainment. One of our top booking agents will be happy to work on your behalf to get you the best possible price to book any big name entertainer for your upcoming public, private or corporate event worldwide.
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Walter Beasley
How To Book Charlie Musselwhite
The agents at Booking Entertainment have helped clients book famous entertainers like Charlie Musselwhite for private parties, corporate events and public shows around the world for over 23 years. Our agents will be happy to assist you with any of your famous entertainment buying needs. All you need to do is fill out an entertainment request form or call our office at (212) 645-0555, and one of our agents will help you get pricing information and available dates for Charlie Musselwhite or any other A-list entertainer for your next event.
How to book Charlie Musselwhite for a corporate event?
Booking Charlie Musselwhite for corporate events is a great way to thank your employees and clients, and in addition, hiring Charlie Musselwhite for a corporate event is a fantastic way to promote your company's image to your industry. Booking Entertainment can book Charlie Musselwhite for corporate events worldwide, providing you with the fee to book Charlie Musselwhite and their availability on your specific date. We have helped our clients book Charlie Musselwhite and thousands of other acts for almost 25 years. Whether you are looking at hiring Charlie Musselwhite for a corporate event, product launch, trade show, holiday party or an employee appreciation event, your assigned Booking Entertainment agent will be happy to get you the best price for booking Charlie Musselwhite and help make sure that every aspect of the entertainment portion of your corporate event is executed flawlessly.
How much does it cost to book Charlie Musselwhite for a corporate event and what do the fees for booking Charlie Musselwhite include?
If you are looking to hire Charlie Musselwhite for a corporate event and are looking for Charlie Musselwhite's booking fee for corporate events, Booking Entertainment will be happy to get you pricing to book Charlie Musselwhite for your date for free. The cost of hiring Charlie Musselwhite for your corporate event can include just the price of booking Charlie Musselwhite for a corporate event, or we can give you an estimate for booking Charlie Musselwhite that includes absolutely everything that goes into hiring Charlie Musselwhite including all fees, flights, hotel, ground, production, green room requirements and our veteran production team onsite to make sure everything runs smoothly from load in to load out.
How Much Does It Cost To Hire Charlie Musselwhite?
Looking for Charlie Musselwhite booking cost, fee or pricing? When you are booking an act like Charlie Musselwhite, many factors determine the final price, including the artist's touring schedule and other shows they may have in your area. Fill out an entertainment request form or call our offices at (212) 645-0555 and one of our booking agents will get you a pricing fee and availability for your date and assist you in booking Charlie Musselwhite or a different well-known act for your next event.
How Do I Hire Charlie Musselwhite For A Private Party?
Wondering how much does it cost to book Charlie Musselwhite for a private concert or will Charlie Musselwhite play a private party? Whether you are looking to book Charlie Musselwhite for a wedding, private party or anniversary party, our Charlie Musselwhite booking agent who specializes in booking Charlie Musselwhite will be happy to help you to book Charlie Musselwhite and take care of everything necessary to make sure the show is executed flawlessly. Fill out an entertainment request form or call our office at (212) 645-0555 and one of our Charlie Musselwhite booking agents will assist you in hiring Charlie Musselwhite for a private event anywhere in the world.
How do I hire Charlie Musselwhite for a college concert from booking agencies that book concerts for colleges and universities?
Booking talent for college and university events is something Booking Entertainment has been helping college talent buyers do for almost 25 years. Whether you are looking to book Charlie Musselwhite for a sorority party / fraternity party or a college concert event sponsored by the college entertainment committee, college talent buying is something we specialize in at Booking Entertainment. Simply fill out our form, email us or call the office and one of our college booking agents will be happy to help you make sure that every aspect of booking Charlie Musselwhite or anyone else for you college event is taken care of to ensure your college or university concert runs smoothly and cost effectively.
How much does is it cost to book Charlie Musselwhite for a college or university concert and are fees for booking college concerts less expensive?
When college entertainment buyers book famous entertainers such as Charlie Musselwhite to play for college concerts, sorority parties or fraternity parties at colleges and universities, we know the acts tend to charge a lower fee than they would cost for a traditional public or private concert. Of course, how expensive it is to book college entertainment depending on how big of an act they are, but colleges and universities tend to get a better fee for booking big name entertainment for college and university events. One of our college entertainment booking agents will work closely with you to make sure you get the best possible price for your college's concert.
Buyers who don't have a lot of experience booking famous acts often find the process frustrating when they try to do it on their own. Our Charlie Musselwhite agent that specializes in booking Charlie Musselwhite can use our reputation and relationships to help you navigate the entertainment buying process and get your offer for booking Charlie Musselwhite seriously considered. The artist's managers want to know that everything will be handled properly, and Booking Entertainment's stellar 23-year reputation and our attention to detail provide them with the peace of mind that the show will be flawlessly executed from beginning to end.
How Do I Book Charlie Musselwhite For A Fundraiser or Gala?
Wondering how much does it cost to book Charlie Musselwhite for a fundraiser or will Charlie Musselwhite play a gala? Your assigned Charlie Musselwhite agent will be happy to help you to book Charlie Musselwhite and we can even take care of everything necessary to make sure booking Charlie Musselwhite is easy and trouble free. Fill out our entertainment request form or call our office at (212) 645-0555 and one of our booking agents for Charlie Musselwhite will assist you to book Charlie Musselwhite or any other entertainer or celebrity for your next fundraiser or gala anywhere around the world.
How Do I Book Charlie Musselwhite To Perform At My Wedding?
You might ask yourself, "How do I hire Charlie Musselwhite for a wedding?" We have helped hundreds of clients book acts like Charlie Musselwhite for weddings and wedding ceremonies worldwide. Your assigned Booking Entertainment agent will not only be happy to assist you in hiring Charlie Musselwhite to perform at your wedding, we will be onsite to make sure booking Charlie Musselwhite for your wedding is executed flawlessly.
Can I book Charlie Musselwhite for a wedding and how much does it cost to book Charlie Musselwhite to sing at a wedding?
If you are serious about booking Charlie Musselwhite for a wedding, Booking Entertainment will gladly get you the Charlie Musselwhite booking fee and availability for booking Charlie Musselwhite for your wedding date. The price for booking Charlie Musselwhite will include all of the fees and additional expenses necessary to hire Charlie Musselwhite for a wedding including all production costs, flights, hotels, ground and green room requirements.
If I hire Charlie Musselwhite to perform at my wedding, how do I integrate booking Charlie Musselwhite into my wedding?
Hiring celebrity entertainment for a wedding is a great way to surprise the guests or even the bride or groom. When we book big name acts like Charlie Musselwhite for weddings, we work closely with the wedding planner beforehand to make sure everything involved with the entertainment integrates seamlessly with the flow of the wedding . Our staff of veteran producers will then be onsite at the wedding to make sure when you book Charlie Musselwhite for your wedding, everything runs smoothy from load in to load out.
How do I contact Charlie Musselwhite's agent or Charlie Musselwhite's manager?
Even if you have Charlie Musselwhite contact information, Charlie Musselwhite's management contact info like Charlie Musselwhite's manger's email or even Charlie Musselwhite's manager's phone number, you still need a company like Booking Entertainment to help coordinate everything that is necessary to book Charlie Musselwhite to perform for your event. Agents and managers contact us all the time to help people that find the agency contact info or management contact info and contact the agents and mangers directly. Managers and agents trust our agency to handle everything to the industry standard as we have for almost 25 years.
How Do I Book A VIP Experience With Charlie Musselwhite At A Event Or Concert?
With Booking Entertainment, booking premium seats and backstage meet & greets with Charlie Musselwhite is easy and accessible to anyone around the world. Fill out an form or call our office at (212) 645-0555 and one of our agents will assist you to get pricing and availability to have Charlie Musselwhite VIP experience at a concert or event.
Booking Entertainment works to get the best possible Charlie Musselwhite booking fee and Charlie Musselwhite price for our clients while also providing the celebrity or famous entertainer with the level of professionalism and industry norms that they expect from an event run by a professional booking agency and production management.
Booking Entertainment uses our agency / management relationships and over 23 years of production experience to help buyers of headline / top name entertainers and does not claim or represent itself as the exclusive Charlie Musselwhite agent, manager or management company for any of the artists on our site.
Booking Entertainment does not claim or represent itself as the exclusive booking agency, business manager, publicist, speakers bureau or management for Charlie Musselwhite or any artists or celebrities on this website.


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by Ralph McCubbin Howell
TIME Thu Mar 17th 2022 to Sun Apr 3rd 2022 at 19:00 until 18:00
ADDRESS Auckland, ASB Waterfront Theatre, 138 Halsey Street, Wynyard Quarter, Auckland, Auckland https://www.myguideauckland.com/events/lysander-s-aunty-or-a-most-rageful-irreverent-comedy-concerning-an-offstage-character-from-a-midsummer-night-s-dream
Jumping from Athens to Aotearoa, with a cast of New Zealand's finest comic talent, this is an uproarious wild ride of magic, mayhem and mutiny. In William Shakespeare's A Midsummer Night's Dream, young lovers Lysander and Hermia defy the Duke by eloping to an aunt's house in the woods. But, just who is this law-snubbing, free-loving aunty? What's she doing in the bush? And what happens when the law comes knocking at her door? This riotous reworking of Shakespeare's most popular play takes a cannon to the canon. With quick, witty dialogue and a pacey plot, Lysander's Aunty or A Most Rageful Irreverent Comedy Concerning an Offstage Character from A Midsummer Night's Dream is a brand-new, energetic, large-ensemble production led by award-winning Trick of the Light duo, director Hannah Smith and writer Ralph McCubbin Howell. A co-production between Auckland Theatre Company, Trick of the Light, Aotearoa New Zealand Festival of the Arts, Auckland Arts Festival and Brilliant Adventures. Commissioned by The Court Theatre.
Comedy Theater

redpajama_set_name: RedPajamaCommonCrawl


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Title: MALECÓN | Det Cubanske Kulturhuset!


Would you consider it a success if you gained 8 pounds of lean mass in only 16 weeks?
How about if your body fat decreased over the same period of time?
What if you experienced these major changes to your physique by making one very minor change -specifically, swallowing a few tablets with water a few times each day?
This may be the RAREST formula of its kind.
Gaining 8 pounds of lean mass - muscle mass- in 16 weeks is certainly possible with MASS Amino Acid Tablets. In fact, "No Nonsense" bodybuilders like you have gained as much or more in a mere 6 weeks simply by adding this product to their supplement stack. Countless BI customers, including drug-free competitive bodybuilders and personal trainers, regard MASS Aminos as a "must have" staple in any serious supplement program.
A National Physique Committee (NPC) vice-chairman recently used MASS Aminos while reducing his body fat down to a sliced 2.8% in preparation for a competition in which he won his class. He says that this BI product provides the "best bang for the buck" of anything on the market, period. It helped him fight off the "catabolic storm" that might have otherwise wasted away his hard-earned muscle mass as he recovered from a broken neck in the hospital.
A typical gym membership could easily set you back $400. Yet even the most devoted individual should consider himself lucky to gain 3 or 4 pounds of lean muscle mass in a year. That's an economically damaging $100-$133 per pound of muscle.
Compare those prices with one devoted BI customer who used a single bottle of MASS Aminos to gain 5 pounds mass. (His strength also went up by 5-10 pounds on every lift.) That's only $9.99 per pound of mass - mass that he can continue to build on for year after year. Though this customer's success story may be "exceptional" for regular non-bodybuilding individuals, there are numerous others like him who have made equally or even more outstanding gains in muscle mass, reductions in body fat and increases in performance.


text:
I'm a Business
Who is Payright?
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Payright, an Australian payment plan provider developed for merchants
Payright has raised AU$55M in total. We talked with Piers Redward and Myles Redward, brothers and founders of Payright.
PetaCrunch: How would you describe Payright in a single tweet?
R&R: Payright is a buy-now, pay-later provider with products that make purchases more affordable, by spreading out the cost over time, without ever paying interest. Payright is aimed at consumers buying bigger ticket items that are more-considered purchases.
PC: How did it all start and why?
R&R: Established by brothers Piers Redward and Myles Redward, Payright was founded in 2016 with the vision of changing the way customers pay for their products and services.
We both come from consumer finance backgrounds and collectively we have over 25 years of experience in the financial market. We established Payright after identifying that a large number of merchants and retailers with higher price point products and services were being under-serviced by other buy now, pay later providers, and outside of retail, other sectors such as photography, health and beauty, and home improvement further represented an under-serviced space.
We developed the Payright platform for merchants to accelerate return-on-effort by offering a buy now, pay later flexible payment option at the point of sale (be it in-store/clinic, in-home or on-the-go) to their customers, making higher price point products and services – transactions typically around $1,000 and up to $20,000 – more affordable by spreading the cost of purchases over time, without ever paying interest. Merchants are paid upfront and in full on the same day and Payright manages the consumer's repayments.
Consumers are wanting more choice and flexibility in the way they shop and pay for products and services and we are seeing an increasing societal trend for spreading the cost of purchases and larger living expenses – consumers are moving away from credit cards with high fees and embracing more cost effective services such as Payright and other buy now, pay later products. With consumer confidence in alternative payments such as Buy Now Pay Later steadily increasing and more traditional payment methods such as credit cards and personal loans contracting, we are confident with the future of this category and we expect to see this trend continue into the future.
PC: What have you achieved so far?
R&R: Innovation is fundamental to Payright's business. We recently released two new modules – payments and e-commerce – and unveiled our new branding and visual identity.
The Payright payments module is an innovative technology stack integrated into its proprietary system. The main benefit of the payments module is automation – it is fully integrated, touch-free, quick and in real-time. Automated processes include end-to-end payments processing, direct debit payment set-up, scheduling workflows such as monthly repayments, early-stage collections, as well as SMS and email reminders to customers, and payment settlements for merchants via automated batch payments.
We recently announced our move into e-commerce enabling accredited merchants to add the payment option to the checkout in their online store. Customers will now be able to select Payright at the online checkout allowing them to opt for the flexible buy now, pay later payment option for their purchases. The functionality is built directly into the platform giving Payright access to thousands of merchants across its target market.
Our new branding and visual identity represent Payright's company values and ethos of 'Make easy happen'. As consumer behaviour is increasingly shifting towards buy now, pay later and away from credit cards, we aim to educate and build the Payright brand to resonate with target merchants and consumers. Featuring a new suite of logos and website, the rebranding reflects the transformation of Payright, and visually and verbally differentiates the brand between other buy now, pay later players in the market.
In its first three years of lending, Payright has acquired over 1,500 merchants with around 100 new merchants joining the platform every month and written 22,000 plans totalling approximately AU$55 million. Payright's end customer base is around 24,000 and the company is targeting $100 million in volume in FY20. The Payright team has expanded from three people to over 40, including a dedicated sales, technology and integration team, operations, legal and compliance, and finance teams.
We have also been recognised locally and globally – Payright was recently awarded a Gold Stevie in the International Business Awards and we have been a finalist in the Fintech Business Awards 2019 and Australian Business Banking Awards 2019.
PC: How will you use your recent funding round?
R&R: We have raised over AU$55 million through a mix of debt and equity, with around AU$27 million secured in the past 18 months. We are in discussions to accelerate our growth profile and the latest capital raise will be used to fuel Payright's next phase of growth, expand operations and enter into new markets, with the first move into the New Zealand region in the coming month, as well as continued investment in technology.
PC: What do you plan to achieve in the next 2-3 years?
R&R: We see a clear growth in the buy now, pay later space with a $300 billion opportunity in the addressable market. We've grown quite quickly in a short amount of time with a period of substantial growth of near-doubling of revenue quarter-on-quarter – we have grown sales each month by over 80 per cent (month-on-month) and also secured a sophisticated funding line.
The next 12 months will be about scaling the business and looking at international expansion with the first move into the New Zealand region in the coming month. On a more strategic mid to long term horizon, we are looking at AU$200 million in volume annually.
Sign up here and stay up to date with Payright.
Australian buy now, pay later provider Payright sets its sights on global expansion with first leap into New Zealand
Australian fintech and innovative payment plan provider Payright today announced its first international venture, extending its buy now, pay later service into New Zealand. Top brands including Saladmaster, Amway and Nutrimetics already on the platform in Australia will offer Payright in New Zealand, along with a number of photography studios. Other Payright Australian merchant partners with a New Zealand presence will follow in […]
Payright welcomes Competition Tribunal ruling for energy sector merchants and consumers
Payright
Payright co-CEO, Piers Redward, described the ruling as a "win for providers of alternative energy solutions such as solar power, and a win for their customers. "While consumers tend to take a medium-to-long term view when considering whether to invest in solar, at up to $10,000 for 10kW of power it can present a […]
Payright pays off for Melbourne brothers and joint CEOs, Myles and Piers Redward
The Retailer
Myles and Piers Redward share the CEO position of thriving Australian buy now, pay later company Payright, which they established together in 2016 when they identified that a large number of merchants and retailers with higher-priced products and services were massively underserviced. Both Myles and Piers career extends across the business and consumer finance sectors. […]


Born in 1919, Hassan Djaafar has left behind such an artistic legacy in the art scene, especially in his home origin, West Sumatra, Indonesia. Being a globe trotter of having vast experience in Europe in his early life, he subsequently employed his life's journey onto his artistic works. It is apparent that his paintings are a manifestation of his life. Known for his impressionist technique and art style, he had the tendency to produce masterpiece via European-styled brush strokes and colour schemes.
This is evident in the following artwork, Rice Fields in Indonesian Landscape, in which he depicts a tranquil home which resides in the midst of a paddy field. His use of colours to showcase the greenery of the scape is immensely captivating and captures its serenity. He undoubtedly portrayed a stunning view of Indonesia's beautiful village scape that allows the viewers to truly appreciate its natural beauty.


The aerospace industry is known for the precision required in manufacturing processes and the standards of zero margin for error. Waterjet cutting is used to make components for jet engines and turbine blades as well as composite materials for aircraft. The absence of heat affected zones in waterjet cutting means that there is no danger of microscopic cracks or warping that could endanger lives.


The purpose of this Funding Opportunity Announcement (FOA) is to seek research applications that pilot test approaches to improve diabetes and obesity prevention and/or treatment in healthcare settings where individuals receive their medical care. Research applications should be developed to pilot test practical and sustainable strategies to improve processes of care and health outcomes for individuals with or at risk of diabetes and/or obesity. The research should also focus on approaches with the potential to be broadly disseminated outside the specific setting where it is being tested. The goal is that, if the pilot study shows promising results, the data from the R34 will be used to support a full-scale trial focused on improving routine healthcare practice and informing healthcare policy for the prevention or management of diabetes and obesity. Therefore, interventions must be integrated into the existing healthcare structure and/or processes. The healthcare setting may not be used solely as a venue for recruitment.
Program Contacts: Henry B. Burch, M.D.; Robert Kuczmarski, Dr.P.H.; Christine Lee, M.D.; Barbara Linder, M.D., Ph.D.; Stavroula Osganian, M.D., Sc.D., M.P.H.; Pamela L. Thornton, Ph.D.
Application Due Date: November 1, 2018, February 14, 2019, May 14, 2019, November 1, 2019, by 5:00 PM local time of applicant organization. All types of non-AIDS applications allowed for this funding opportunity announcement are due on these dates.


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text:
module Electric
  class Ohm

    attr_accessor :ohms, :volts, :amps, :watts

    def initialize(options={})
      ohms = options["ohms"] || options[:ohms] || options["resistance"] || options[:resistance]
      @ohms = ohms.to_f if ohms.present?
      volts = options["volts"] || options[:volts] || options["voltage"] || options[:voltage]
      @volts = volts.to_f if volts.present?
      amps = options["amps"] || options[:amps] || options["current"] || options[:current] || options["amperage"] || options[:amperage]
      @amps = amps.to_f if amps.present?
      watts = options["watts"] || options[:watts] || options["power"] || options[:power]
      @watts = watts.to_f if watts.present?
      calculate
    end

    def resistance
      ohms ? ohms : get_resistance
    end

    def voltage
      volts ? volts : get_voltage
    end

    def current
      amps ? amps : get_current
    end

    def power
      watts ? watts : get_power
    end

    def calculate
      @ohms = get_resistance unless @ohms
      @volts = get_voltage unless @volts
      @amps = get_current unless @amps
      @watts = get_power unless @watts
    end

    private

    def get_resistance
      if watts && amps
        # P / I^2
        watts / (amps * amps)
      elsif volts && amps
        # V / I
        volts / amps
      elsif volts && watts
        # V^2 / P
        (volts * volts) / watts
      else
        ohms if ohms
      end
    end

    def get_voltage
      if ohms && amps
        # I * R
        amps * ohms
      elsif watts && amps
        # P / I
        watts / amps
      elsif ohms && watts
        # sq_root(P * R)
        Math.sqrt(watts * ohms)
      else
        volts if volts
      end
    end

    def get_current
      if watts && volts
        # P / V
        watts / volts
      elsif volts && ohms
        # V / R
        volts / ohms
      elsif watts && ohms
        # sq_root(P) / R
        Math.sqrt(watts) / ohms
      else
        amps if amps
      end
    end

    def get_power
      if volts && amps
        # V * I
        volts * amps
      elsif volts && ohms
        # V^2 / R
        (volts * volts) / ohms
      elsif amps && ohms
        # I^2 * R
        (amps * amps) * ohms
      else
        watts if watts
      end
    end

  end
end

redpajama_set_name: RedPajamaGithub


There's one universally acknowledged rule all marathon runners adhere to: never do anything new or different on race day.
During training, though, it's good to experiment and learn from your trials and errors, especially when those experiments are conducted during a long run — the bedrock of all marathon training programs that often becomes a dress rehearsal for the main event.
But what if a long run experiment is so radical that failure could jeopardize the program and threaten success on the big day?
For long run number three, I decided to throw caution to the wind and do something I have never done in five years of marathon training. A chance post in my Facebook feed from the Rochester Running Co. announcing a group long run piqued my interest, and after several days of deliberation, I decided it was worth waking up at Zero Dark Thirty and turning my usually solitary exercise into a test of my abilities to run and be social at the same time.
On a cold, gray Saturday morning, that was asking a lot.
But there was another reason for my hesitation. The long run was actually comprised of three, shorter runs — a six-mile loop from the store out east to Highland Park and back, a second, seven-mile out-and-back southwest along the Genesee Greenway Trail, and a final, five-mile loop due south of the store along the Canal Trail then through the neighborhoods south of East River Road.
Mathematically, the 6+7+5 loops = 18 miles, two more than I needed to go, which was fine. Yet I had always run my long runs in one, big run, not several small chunks. So, I kept asking myself, does it matter if you slice it up, or do the benefits of long runs only come if you run them in a single effort?
Before my first foot hit the pavement, I was presented with my first challenge: which of the pace groups should I be running with? I felt like Goldilocks — I was too fast for the 9:30 group but too slow for the 9:00 group. In the end, I threw my sneakers in with the 9:00 group, figuring I was pushing everything else, so why not. Plus, my new friend from my Tuesday night speed workouts, Prem, was there. If all else went wrong, I figured, I'd at least have someone to talk to.
Within seconds of starting, the second, and totally unanticipated, problem of the morning surfaced. Loop One, as Loop Three would turn out to be, was an urban route, which meant stopping at traffic junctions and paying more attention to cars than I usually have to on my rural solo jaunts.
We stopped. We started. We ran too fast for me over the first two miles. We stopped again, and I caught my breath (thank God). But I didn't catch my groove until mile five. By that time, we had run some more, we had stopped some more, but most problematic, we had passed some bushes (more on this later).
Finally, we climbed the long, steady hill up Elmwood and circled back to the store.
Pro: They're called pace groups for a good reason.
Con: Stopping and starting does not a good run make.
True confession. On loop two, the 9:00 group started without me.
But that was on me. And if you're a loyal reader of this blog, you can probably figure out why. By the middle of the first loop, it was potty time. I had been dying to go since mile three, but I was in a group, and nipping off to the bushes would have been embarrassing, to say the least.
So, after a bathroom/hydration/energy gel break, I was in with the six 9:30 group runners as they made their way out to the trails on the west side of the U of R campus. As it turned out, this loop was probably the best testimony of the day in favor of group long runs. The camaraderie helped me push through a couple of tough spots; the trails were fast and more conducive to focused running; and Frankie, our pace leader, listened to the needs of the smaller group and facilitated a faster pace, which was much more to my liking and closer to the pace I was hoping for.
We were back to the store in no time.
Pro: Running with others helps you push through the tough moments.
Con: Pooping is easier on solo runs.
Well, maybe a good runner, but definitely a lousy map reader. Now down to three — Frankie, Abby and yours truly — our diminishing 9:30 pace group got lost a couple of times. Not a big deal, especially as the company at this point was great. Frankie, I learned, was both a New York AND a Boston qualifier, and his stories about New York ("A way better marathon than Boston") fueled my desire to run it more than you can imagine.
I swear I ran the whole New York marathon in that five-mile loop.
Pro: Group running with experienced runners? Priceless.
Con: Make sure one of you has a map. Or bread crumbs.
The Final Verdict: I'm still not sure how to process this, as there were too many variables. Running with others is certainly preferable to running alone. I cannot count the times I leeched off my fellow runner's energy in order to supplement mine, or the times I learned something that I will put into my game plan for my upcoming training, for New York, or beyond.
But running 18.5 miles in chunks? I don't know what the sports scientists say, but I know that, by mid Saturday afternoon, I did not feel fatigued, and every muscle from my hip down was functional. This was in total contrast to my solo long runs, which have always been continuous and tiring, much more like race day itself.
I'm not sure if that was a good thing or not.
But I'll let the following day's run have the final word. A seven-mile shakedown run, I managed to run it at race pace — an easy 8:48. I wasn't even trying, despite the fact that my legs felt like Bo Weinberg's (look it up). The dead legs were, obviously, due to the previous day's effort. But was the fast, easy pace due to the inconsistency of the previous day, too?
All I know is, there's just five more weeks — a mere 33 days — left to go. And when I cross the finish line, I will probably never know if this one run helped or hindered any more than any of the others. But somewhere during the 26.2 miles, you can be sure I will be thinking about that.
Now on to week 12.


Sfinari is located in olive groves about one km from the sea on the west coast of Crete. It is still a remote village and you won't encounter many tourists.
Sfinari is quite far from anywhere and although there is a public bus twice a day from Kissamos it is best to have your own car.
Very Cretan and very quiet. It feels a little like you are at the end of the world.
You can find some rooms in the village.
A few tavernas in the village and by the beach.
A few small shops providing for basic needs.
A pebble beach with tamarisk trees. Camping is allowed on the beach. Sfinari can get pretty windy.


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Video View 7/2/2019
by: Raphael Seth
"Shazam!" leads this week's new video releases.
More Entertainment Stories
NEW YORK (AP) — Baz Luhrmann's Elvis Presley biopic has found its King.
After a competitive casting contest, 27-year-old actor Austin Butler has been cast as Presley. Ansel Elgort, Harry Styles and Miles Teller all reportedly tested for the role ultimately won by Butler, who last year appeared in the Denzel Washington Broadway revival of "The Iceman Cometh."
by JAKE COYLE, Associated Press / Jul 15, 2019
NEW YORK (AP) — Elizabeth Gabler, whose Fox 2000 produced acclaimed literary adaptations like "Life of Pi" and "Hidden Figures" before being axed in the aftermath of the Walt Disney Co. acquisition, has found a new home at Sony Pictures.
Sony on Monday announced a new production deal with the former Fox 2000 president and her entire Fox 2000 team. In the new multiyear venture, Gabler will develop and make movies for the studio beginning later this summer. The partnership also includes HarperCollins, whose catalog Gabler will mine for projects.
by ANDREW DALTON, Associated Press / Jul 15, 2019
LOS ANGELES (AP) — An Australian model was sentenced Monday in Los Angeles to community service and probation for slapping a flight attendant and going on an obscene tirade during a flight, with a federal judge saying he believed she was deeply remorseful and did not deserve fines or prison time.
U.S. District Judge Cormac J. Carney sentenced Adau Mornyang to three years of probation and 100 hours of community service.


text:
Lauren Saks
Lauren Saks has been making a career out of music since she moved to Nashville in 2011.
In 2021 she joined the band of Hailey Whitters, touring throughout the United States with Midland on their Last Resort Tour. She has continued to tour with Hailey on her 2022 headlining Heartland Tour.
In early 2018 Lauren joined the band of Grammy-nominated, Canadian country artist, Terri Clark, backing her up on harmony vocals, fiddle, mandolin, and acoustic guitar. Lauren made her Grand Ole Opry debut performing with Terri in February of 2018.
Lauren has performed and/or recorded with a variety of other Nashville artists as well, including 2010 CCMA Female Artist of the Year and Songwriter of the Year, Victoria Banks, Adam Wakefield (The Voice), and Eric Paslay. She played nightly for years in Nashville's Lower Broadway honky-tonks and continues to perform in venues in and out of town.
In 2012 Lauren toured with the Bluegrass group, The Dixie Bee-Liners, appearing at such venues and festivals as the Carter Family Fold and Grey Fox.
Lauren performs in classical string ensembles for events and concerts as well, and also maintains a private studio of violin students.
Lauren received her master's degree in Commercial Violin Performance from Belmont University in 2016, and her bachelor's degree from Denison University in 2010, having double majored in violin performance and creative writing. At Denison, she was featured as concertmaster and international soloist with the Denison orchestra on a performance tour through China, and was also featured in the Denison bluegrass and swing ensembles.
In the fall of 2008, Lauren studied abroad at the Amsterdam Conservatory of Music in The Netherlands.
Lauren Saks is a classically trained violinist from the Chicago area, and has been playing since she was eight years old.


text:
7NMS impart personal and collective histories of Black lyricism in an intimate, multidisciplinary performance.
Everett Saunders. Courtesy Abrons Arts Center, New York and the artist. Photo: Whitney Browne.
Abrons Arts Center
PROPHET: The Order of the Lyricist by 7NMS, the duo made up of choreographer/dancer Marjani Forté-Saunders and composer Everett Saunders, is an invitation to an exclusive listening party of sorts. Upon the start of the show, instead of being led through the double doors that open into the theater at Abrons Arts Center, we are unexpectedly directed through the wings onto the stage. There we find a few rows of chairs set on risers at the back, facing out toward the velvet seats we, at another time, might otherwise be occupying.
In this intimate setting, Saunders begins slowly approaching the audience, meditating out loud on how one might recognize an emcee. Perhaps the ensuing performance offers an answer to this question, as the structure pays homage to nineties East Coast hip-hop albums (Saunders shouts out New York's Wu-Tang Clan and Raekwon), replete with jazzy instrumental interludes and more serious narrative pieces punctuated by comedic skits, a fun callback to what has become more or less a relic of the genre. Saunders's original score for the performance, created in collaboration with trumpeter Chris Ryan Williams, is also interspersed with various audio samples, a foundational practice in hip-hop. These clips range from a lecture by Black cultural theorist Fred Moten to dialogue from the 2022 multiverse film Everything Everywhere All at Once.
Marjani Forté-Saunders. Courtesy Abrons Arts Center, New York and the artist. Photo: Whitney Browne.
Thematically, PROPHET likewise draws its source material from the personal as Saunders—who notes his grandfather was a minister at the AME Church—weaves his own upbringing into the broader, more recent history of Black lyricism. When Saunders speaks, it is with the inherited legacies of a collective past; he has both the commanding voice of a preacher at his pulpit and the natural, rhythmic cadence of a trained emcee. At one point, he jogs—Forté-Saunders crawls, slowly— circles around the perimeter of the stage, acting out a scene that recalls an unidentified mentor instructing him on completing a breathwork exercise. He calls lyricism a form of study, but one that, unlike institutionalized academia, is not valued by society at large.
An early scene begins by intimating a church service, with Saunders quoting from the "book of Illmatic." He pronounces: "My son, the star will be my resurrection,"—a line that itself references the Five-Percent Nation of Harlem, from rapper Nas's "The World Is Yours"—"that's Scripture." He refers to the audience in makeshift pews as "the congregation," beckoning us to respond to his questions, even ones asked rhetorically.
Marjani Forté-Saunders and Everett Saunders. Courtesy Abrons Arts Center, New York and the artist. Photo: Whitney Browne.
Saunders then delivers a soliloquy followed by several autobiographical skits set in his hometown of Philadelphia. In the personal turned allegory, he and Forté-Saunders playfully take turns occupying the roles of various characters Saunders encounters along Girard Ave, all of whom share religious or spiritual proclivities.
Throughout the performance, Forté-Saunders often acts as Saunders's shadow, her background movement either offering nonverbal affirmations or subversions, alternate interpretations, to whatever is being spoken aloud. She frequently appears in fragments, donning what appears to be an eight-foot-long conical roll of chicken wire on her head or wooden tribal mask while wielding a sword. Roughly halfway through, she sits off-center in a chair, partially obscured by diagonally positioned panels, such that only her appendages are visible; we watch as her hands and feet contort. When she does express herself verbally, it is in a consistent manner of excerpts, brief theses perhaps about the work (we can't see her saying this, but she states from off-stage, "Improvisation offers a kind of foreshadowing" without further elaborating). Instead, she allows her body to do the speaking. In contrast to her partner's ruminations on spirituality, Forté-Saunders draws our attention to corporeality. Toward the end, she swaps places with Saunders. The two engage in an improvised pas de deux of sorts in which she takes the lead. It quickly becomes clear that she is the trained dancer, Saunders mimicking her movement, carefully eying her for guidance from behind. When they reposition so that Saunders is opposite Forté-Saunders, back-and-forth volleys of individual gestures, not quite in parallel nor exactly complimentary, reveal a tenderness and dynamic synthesis intrinsic to their personal and working relationship.
Projections across the theater reach up to the balcony, temporarily enveloping the audience and production under stars or an archway of unfurling roots or smoke. At the very end, Williams emerges for the first and only time from the double doors in the back and walks down the aisle, raising his trumpet to the sky. The light from above backlights Saunders, a bright glow outlining his outward-facing silhouette and casting a long shadow, like a man leaving his home or stepping through a new door.
Amanda Chen
Amanda Chen is a writer living in Brooklyn.


Hello Jenifer! Thank you for asking your question here on the Disney Parks Moms Panel. I am just so excited for your trip with your daughter. I have a daughter myself and I love spending one on one time with her.
I am so happy you have made dining reservations for your Walt Disney World vacation. Garden Grill is a wonderful restaurant that slowly rotates while you dine. Characters like Mickey, Pluto, Chip and Dale visit your table throughout the meal to take pictures and sign autographs. I love character dining, it is so much fun! The menu at Garden Grill is served family style which means the meal is planned out for you and is all-you-care-to-enjoy brought right to your table. Because the meal is "family style" you and your daughter will be sharing the meal. They will tailor the portions to fit your party size so you will not be overwhelmed with food. For the all-you-care-to-enjoy meal you will be charged for both you and your daughter. The meal is around $38 for adults and $18 for children, keep in mind prices are subject to change at any time.
I hope you and your daughter have a magical vacation. If I can answer any other questions for you, feel free to ask.


Although programming languages generally have common aspects, they are rarely expressed in the same manner. For instance, in ANSI C, dereferencing a pointer p is accomplished by *p, but in Modula-2, it is accomplished by p^. Values can also be represented (and displayed) differently. Hex numbers in C appear as '0x1ae', while in Modula-2 they appear as '1AEH'.
Language-specific information is built into No value for GDBN for some languages, allowing you to express operations like the above in your program's native language, and allowing No value for GDBN to output values in a manner consistent with the syntax of your program's native language. The language you use to build expressions is called the working language.


Thole has a long history in the English language. It existed in Middle English in its current form, and in Old English in the form tholian, but in these modern times it tholes only in a few of England's northern dialects. It has, however, a linguistic cousin far more familiar to most English speakers: the word tolerate traces back to Latin tolerare, meaning "to endure, put up with," and tolerare and tholian share a common ancestor. Unrelated to our featured word thole, there is another (also very old) thole, which can be used as a synonym of peg or pin, or can refer to either of a pair of pins set in the gunwale of a boat to hold an oar in place.
What made you want to look up thole? Please tell us where you read or heard it (including the quote, if possible).


text:
Manila City just signed a landmark LGBTQIA+ ordinance. Here's what that means
Image from Twitter: @IskoMoreno
For so long, the LGBTQIA+ community has clamored on the streets for change — to be free from gender-based discrimination and to be free to express their chosen gender identity. As the struggle carries on, the country's capital recently shone a ray of hope towards the cause.
This is through the ratification of Ordinance No. 8695, or the Manila LGBTQI Protection Ordinance of 2020, signed by Mayor Isko Moreno last October 29.
We just signed the Manila anti-discrimination ordinance!
(Ord No 8695. An Ordinance for the protection of the rights of Lesbians, Gays, Bisexuals, Transgenders, Queers and Intersex in the City of Manila against any and all forms of discrimination solely on the basis of SOGIE) pic.twitter.com/UUlJZo60Yb
— Isko Moreno Domagoso (@IskoMoreno) October 29, 2020
Part of Mayor Isko's "inclusive policy," the landmark ordinance aims to "guarantee full respect of the dignity of every individual and their human rights by effectively eliminating any and all forms of discrimination against LGBTQI solely based on their sexual orientation, gender identity, [and] expression."
But what is the ordinance protecting the LGBTQIA+ community from, exactly? Here's an overview tweeted by Yorme Iska himself:
Ito po ang kopya ng ating anti-discrimination ordinance (Ordinance No. 8695) sa Lungsod ng Maynila. (1/2) pic.twitter.com/ajvTUSZkss
On the surface, the ordinance's message sounds pretty concise: any denial of rights, forms of harassment, and refusal to acknowledge a person's perceived sexual orientation, gender identity, and gender expression will constitute an offense, and honestly, it's about time.
First-time violators will have to pay a PhP1,000 fine or face up to six months of imprisonment, or both.
For their second offense, they will face a fine of PhP2,000 or jail time of six months and a day to eight months, or both.
For their third offense, they will have to pay a fine of PhP3,000 or spend eight months and a day to one year in jail, or both.
For further offenses, violators will be slapped with a steep PhP5,000 fine and one-year imprisonment.
Aside from these, violators will also have to undergo a mandatory Human Rights and Gender Awareness education for a period which the local court will set.
The ordinance also hopes to establish the city's first Manila Gender Sensitivity and Development Council (MGSDC) that will oversee the implementation of the new ordinance. The council will also be in charge of coordinating with other government agencies for the promotion of SOGIE awareness, as well as conducting training and livelihood seminars for the members of the LGBTQIA+ community.
Months before signing of the anti-discrimination ordinance: SOGIESC 101 with advocates from @PANTAYPilipinas, @GANDAFilipinas, @pioneerFTM, and LGBTQIA+ student leaders from various groups.
Thank you for the knowledge you have shared with us! pic.twitter.com/iwU7i3gvCm
The local government of Manila also took steps to educate themselves by undergoing a seminar on Sexual Orientation, Gender Identity, and Expression, or SOGIE.
You're doing great, Manila sweetie! Moving forward, everyone's eyes will be set on the city to ensure that the ordinance is properly enforced and that the enforcers are duly educated.


As Halloween approaches, some of St. Joseph's Hospital and Medical Center's world-renowned surgeons were allowed out of the operating rooms just long enough to wield scalpels on helpless Halloween pumpkins.
Surgeons sliced and diced at the hospital's annual St. Joseph's Doc-O-Lantern Pumpkin Carving Contest, creating scary masterpieces from their carved gourds in just 30 minutes. They also reminded Valley residents about important Halloween safety tips.
Cut the Other Way: Don't carve towards yourself. Slice the other way in small, controlled strokes.
Smarter, Not Shaper: A sharp knife can become lodged in the thicker parts of the pumpkin and cause serious injury if your hand is in the wrong place when it dislodges.
Go Shopping: Local stores sell special carving kits that include small serrated saws which are less likely to get stuck in the pumpkin and are not sharp enough to cause a deep injury.
Location. Location. Location: Set up your carving station in a clean, dry and well-lit area. Wash and thoroughly dry the cutting area, your hands and all tools that you will use to carve your pumpkin. Moisture can cause slipping which can lead to injuries.
No Kid Carving: Little hands and sharp tools do not mix. Children can draw the design on the pumpkin and clean out the inside, but an adult should do the actual carving.
Big People Needed: It only takes a second for an injury to occur, so supervise closely. Do not leave children or adolescents alone with carving tools.
Street Smart: Carrying glow sticks or flashlights and equipping costumes with reflective tape are all ways to make trick-or-treaters more visible for drivers. When roaming streets in search of the best candy, remember the importance of safety in numbers and looking both ways before crossing the street.
Beware of Stranger Danger: Children should always be supervised and advised to never enter a stranger's home.
Shorter Spooks: Costume selection is fun and exciting for all ages, but the best way to ward off trips and falls is to make sure that costumes are not too long and that high heels are not too tall.
Boo the Sweet Tooth: Along with checking candy for tampering before eating, try to keep kids from eating too much candy while collecting. Make sure they have a good meal before leaving home.


Most insureds seem to think they are entitled to high levels of customer service and communication from their insurance companies. Even a modicum of respectful response would be nice at times wouldn't it? But alas, don't hold your breath waiting!
Every claims handler has a diary system that reminds them when to do things and generally, management insists that claims activities should be completed when scheduled. So, many people tell me, "I've been sitting around waiting for Unum's approval letter, but it never comes", or, "I never received a letter from my insurer telling me the status of my claim", and finally, "I haven't heard from my insurance company in months, is everything OK?" Believe me, if it wasn't OK, you'd hear about it.
The solution is to have patience and realize that "no news is generally good news" from any insurance company. There is no point sitting on the edge of your chair waiting to receive news from an insurer when your response is probably much further down the backlog list. Processing denials is the tope priority, so if you're expecting good news your letters are much further down on some claims handler's "pay no mind" list.
Most of the time insureds expect insurers to provide them with benefit money when THEY need it. Again, don't hold your breath. Insurers do not have a two-way looking-glass into your finances to know that you're broke and need the benefit check.
If you've been waiting a long time for something it is appropriate to contact your claims handler and ask, "when can I expect to receive…..whatever it is." (In writing, of course.) But, sitting around waiting for an insurance company to do something is a waste of time and energy. They work on their own time line, not yours.
It's so much better to use your energy to supplement the claim file, obtain patient notes, etc. than to endlessly wait for something that may be a while in coming.


text:
Q: Calling Java Methods from Php I have an application with php at front end and Java as Backend. I was using Hessian from php to call Java methodes with returns data from Java to php. and now i got some problem with hessian and I am getting some exception u can see the question i posted earlier.
https://stackoverflow.com/questions/11121340/hessianserviceexporter-only-supports-post-requests
Is there any other method to call java functions from php code, just like hessian?
If so can someone tell me know?

A: Easiest way would be to implement a REST layer using JAX-RS. Apache CXF is an excellent, very simple system for deploying JAX-RS services. You can build out the entire service layer without having to worry about Java/PHP interaction that way.
To give you an idea of how easy it is:
import javax.ws.rs.GET;
import javax.ws.rs.Path;
import javax.ws.rs.Produces;
import javax.ws.rs.QueryParam;
import javax.ws.rs.core.MediaType;

public class DemoService {
    @GET
    @Path("sayHello")
    @Produces(MediaType.TEXT_PLAIN)
    public String sayHello() { return "Hello, world!"; }
}

The content of the beans.xml for CXF's servlet would look like this:
<import resource="classpath:META-INF/cxf/cxf.xml"/>
<import resource="classpath:META-INF/cxf/cxf-servlet.xml"/>

<jaxrs:server id="demoService" address="/demoService">
    <jaxrs:serviceBeans>
        <ref bean="serviceBean"/>
    </jaxrs:serviceBeans>
</jaxrs:server>

<bean id="serviceBean" class="com.company.DemoService"/>

redpajama_set_name: RedPajamaStackExchange


My husband was doing a job at LSG and the Dreamlifter was parked at the end of the lot. He took a picture for me and made my day.
I like the sunsets, but the particulates in the air wrecked havoc with my breathing.


The First Congregational Church, the Unitarian Universalist Congregation of Danbury and the Association of Religious Communities (ARC) invite you to an interfaith vigil on Tuesday, June 21, at 7 p.m. The vigil will be held at the First Congregational Church at 164 Deer Hill Avenue in Danbury. We will honor those lost in the shooting at Pulse Nightclub in Orlando, support the LGBTQ community, reaffirm support for our Muslim community, and decry hate and violence.
The vigil brings together local elected officials including Mayor Mark D. Boughton of Danbury and representatives of Rep. Elizabeth H. Esty, Jospeph Walkovich, president of the board of ARC, and faith leaders from ARC. The vigil will include statements from those in the Christian tradition, the Muslim community, local Jewish congregations, Buddhist tradition and the humanist path. Serving the needs of the LGBTQ community in Fairfield County will be leaders from the Triangle Community Center.
The vigil will feature readings of the names and a tolling of the bells for those who were killed at Pulse Nightclub, remarks from local officials and leaders in the LGBTQ community, time for meditation/prayer and musical selections.
We hope you can be part of this vigil to respond to the mass shooting in Orlando, to support the LGBTQ community, to reach out to our Muslim brothers and sisters, to mourn the loss of life, repudiate hate, and affirm the worth and dignity of all persons.


The following blog post was written in September 2012, so may be out of date in places. Originally published here.
Over the past few months I've continued working on augeasproviders, a Puppet module that implements a few providers which use the Augeas configuration API to modify files. One of the interesting challenges has been testing providers, which I'm going to explain in this entry.
The resource is added to a Puppet catalog instance and the catalog, containing a single resource is applied using Puppet. This tests the provider in a near "real life" setting, as all normal provider functionality will be used.
A second catalog run is now performed in order to catch idempotency problems, which shouldn't produce any further changes. If a getter and setter aren't consistent, then Puppet will attempt to set a property on every run since the two implementations differ. This useful test discovered a few issues in augeasproviders.
Unfortunately it's a very verbose way of testing. Improving on this was to use the augparse utility shipped with Augeas, normally used for testing lenses transform between a sample file and a given tree. The spec was changed to generate a module for augparse that took the fixture and an "expected tree" in the spec and compared the two via the lens.
Update: the new idempotency code and all the fixes it's helped with have now been released as version 0.3.0.


Rug is beautiful. Backing is actually the best of the last 4 rugs we've purchased. However, in the smaller size (2 ft by 3 ft), the color as well as the pattern are quite different than the photo. We're not returning it, because it's such a quality piece for a tiny investment. But know if you buy this in the smallest size, the background color is more grey/blue than gold, and the pattern doesn't really resemble the photo. It's still a gorgeous rug.


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Refresh your used Swiffer cloths by first hand washing to remove the inside dirt. To remove the particles stuck to the outside, it needs to be in a container to allow it to float. I do this in the bath tub.
(older is better) and gently brush across the top, in a sweeping motion, catching the particles in the brush. Flip and do the other side, then squeeze and hang dry. They will be fluffier than new and can be done dozens of times.


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Eat rats and throw poo at the horizon: can Bear Grylls help me survive any disaster?
Sam Wollaston
'Don't look in their eyes' … Sam Wollaston, left, with Bear Grylls in Hyde Park, London. Photograph: Graeme Robertson/The Guardian
What could you kill and eat in Hyde Park? How do you fight off an angry dog? And how do you put a nosy journalist in his place? The SAS man turned TV star shows off his survival skills
@samwollaston
Sun 1 Dec 2019 10.00 EST Last modified on Mon 2 Dec 2019 20.50 EST
I have been given a time and a place to rendezvous with the world-famous adventurer Bear Grylls. Eleven hundred hours, at the arrow on the map, which turns out to be in the south-east corner of Hyde Park, London, at the huntress fountain. It may not be the Costa Rican rainforest, but the squawking of urban parakeets passing overhead helps. And the goddess Diana shooting her arrow is fitting.
Further fauna: a rat scuttles out from under a shrub, in search of lunch. Has it been planted there by Bear, I wonder? Will it be my lunch, boiled in my own urine? Where is he, and how will he arrive? From the air probably, dangling from a rope ladder; I'm listening for the sound of whirling rotor blades. Or perhaps he will jetski across the Serpentine…
Disappointingly, Grylls just strolls over casually, bearing takeaway cappuccinos. If indeed this is Bear Grylls, wearing a baseball cap and sporting a tache.
Did he grow it for Movember? Actually, he says, he was just filming in Fiji, stopped shaving and grew "a bit of rough". But then he had a Royal Marines dinner last week. "I thought, 'I can't turn up in full mess kit with …' like you," he says, pointing at my own bit of rough. "So I shaved the rest of it off and kept the moustache."
'I'm a proud, proud British taxpayer' … Bear Grylls, with recently grown moustache. Photograph: Graeme Robertson/The Guardian
The baseball cap is so he can walk around town unbothered. (It seems to work: he goes largely unnoticed sitting on a bench, and it's only when the cap comes off for photos that people stop and point and get their phones out.) He has just walked from his houseboat on the Thames. Bear, his wife, Shara, and boys – Jesse, Huckleberry and Marmaduke – also have a small island in north Wales and a home in Switzerland. To escape to the mountains, or to escape from HMRC? "No, it's certainly not about getting away from British tax. I'm a proud, proud British taxpayer," he says.
Yeah, I'm going in hard. I learned it from his new book. How to Stay Alive: The Ultimate Survival Guide for Any Situation, in the How To Handle Yourself In a Fight chapter. "Remember: you never win a defensive fight. Strike first, strike hard." And never give up. NEVER.
He remains mostly good-humoured, only occasionally sighing at my questions. He also has an alarming habit of asking his own, trying to turn the tables. "Look, you're as scruffy as me," he points out. "Can you get away with that in the office? What do your kids say? 'Dad, get a grip?' How old are your kids?"
No, Bear. How old are yours? (Answer: 16, 13 and 10, while Bear himself is 45.) This isn't about me, it's about you. And surviving. At which point the rat appears again. "I've eaten a lot of rats in my time – they are not as bad as you might imagine," he says. "I think the last one was with Prime Minister Modi … no, the last rat I ate was with David Walliams."
Exactly, I think: he puts his celebrity guests through hell, so he can take a bit back. I've learned other things from the book, too, about preparation, not getting sidetracked. I've picked my subjects and my questions, and I'm sticking to them. Grilling Bear.
Rat or squirrel?
Actually this wasn't a prepared question, but a squirrel has just appeared, so I wonder whether the former SAS man would go for this or the rat if he had to live off the land. And the answer is: squirrel. It's bigger and easier to catch. "You could literally sit down, be quiet, put some crumbs at your feet, then stand on it. In the wild you've got to be a bit more savvy." Surviving in Hyde Park, in some kind of nightmare post-Brexit Armageddon perhaps, would be a piece of cake, he says. As well as the rats, squirrels, pigeons and ducks, there's water, and trees to build a shelter with.
And if a dog attacked?
Formidable hunters (I don't think he's talking about that bichon frise over there), he agrees, but he has tips. "Don't make eye contact – that's a threat. Don't smile, because that's showing your teeth. Turn sideways to protect your vital organs. Don't run because they are chase animals…"
'Don't run from a dog – they're chase animals' … Wollaston and Grylls in action. Photograph: Graeme Robertson/The Guardian
Suddenly, he's up off the bench, acting it out, wrapping a coat around his arm to offer the dog because it's better to be bitten on the arm than the neck. With the other hand he would be looking for something, even if it was just a phone or his bare hands. "BAM! Really aggressive, really hard, straight to the eye socket to blind it, and into the brain," he says, jabbing at the imaginary canine.
In a second he's gone from good-natured and mild-mannered, if occasionally a little exasperated, to Bear Grylls from the telly, the caricature, the brand, undeniably successful, but faintly ridiculous.
Who actually needs it, though?
All this survival stuff, who is it for? Knowing how to deal with a dog attack might be useful but I can't see how lots of it fits in with my life. Will I even remember, next time I'm swimming with sharks and in need of a poo, to grab my faeces as they come out and hurl them towards the horizon? Or how to land a helicopter in an emergency?
It's a loo book, he says, a little bit of information regularly going in. You don't have to know it all, "but it is empowering for both men and women to know how to look after themselves in certain situations. Do you know how to deal with a tsunami and understand what to do if you're in a car during an earthquake? Don't stop by pylons, pylons fall down: little things like that." Remember that, next time you're in an earthquake, in a car: no parking by pylons.
Was he born in the wrong time?
He should have been a Victorian explorer, no? "No. The more civilised we get, the greater the wanderlust and adventure spirit inside. You can't stamp out 100,000 years of DNA survival in two generations."
He tells me about the Hollywood stars on Running Wild who have told him how good and natural it has felt to sit staring into a fire not saying very much. And a big tough rugby player who people think is a man's man, but who is embarrassed because he doesn't know how to tie something to his car's roof rack.
Macho can-do masculinity – that's what it's about, isn't it?
"It's about can-do life," he says. And he's not going to feed me a headline about modern masculinity, he adds. "I've done things on The Island with just men and just women; I've taken out Hollywood celebrities. It's not about gender, it's about in here" – he points to his head – "it's about skills and resilience, and always about attitude."
And it transfers over into normal life, he says, because survival is about attitude, positivity, resourcefulness, kindness, courage, determination … "Those things apply whether you are in an earthquake here, or you're a single mum bringing up kids in Tennessee, fighting a few battles there or a scout helping in a refugee camp in Syria. The qualities and values are the same, – all that's different is the terrain."
I was not a superhero at school. I think through that I developed resilience and a little bit of backbone
What did Eton teach him?
"I'm not going talk about it – let's not go there." But he did go there. And he does talk about it – a bit. What did he learn? "I think first of all I learned fear, which isn't a good emotion. I really missed home and my parents – it was an age where you were sent off to boarding school and didn't see them for months."
He is grateful for the friends he made, though. And that he survived, "through the fear, through the fight and trying to stay afloat, because I spent a lot of time madly flapping, trying to stay above water and not always succeeding".
Academically? "In everything. I was not a superhero at school. I think through that I developed resilience and a little bit of backbone. All these sporting and academic and good-looking heroes left as heroes, but five years later they scratched their heads and thought: 'Hold on – I thought life was going to be easy.' Their effort muscles inside were pretty weak even though their outer muscles were pretty strong. I was the opposite: my outer muscles might not have been brilliant, I didn't have the A-grades and trophies, but inside I spent so much time swimming like a ninja, I was pretty resilient."
Any more calls from the White House?
Friends in high places … Bear Grylls and Barack Obama in Running Wild With Bear Grylls. Photograph: NBC/Getty Images
Grylls ran wild in Alaska with Barack Obama towards the end of Obama's presidency. They shared a salmon carcass, they talked about flatulence and stared into the fire together. Has the incumbent rung to book in a wild weekend? "No, but we did reach out when he was president-elect and he said no, he was busy."
How would Trump be in the wild? "You know, everyone is different. I think Obama especially liked being out of his comfort zone and was curious. A lot of people when they get to positions of power like to stay in their comfort zone. They like to be the main guy, they like to be in charge. I think Trump is more that character: he's not the sort of person to say: 'Tell me what I do here', where Obama was like that."
Johnson v Corbyn, in the wild: who wins?
"You cannot judge a book by its cover – you never know until you are in it. You could look for indicators – not physical, it's all about attitude. So you could possibly say: from what I've seen in the newspapers, somebody is potentially more positive and determined, and maybe that person … I'm not saying who I think is more positive."
Nor will he tell me who he's going to vote for. "As chief scout" – he's been in the role since 2009 – "I would never tell you my political persuasions."
What about that frog?
I ask him about the controversy over the frog he killed and ate while filming in Bulgaria. "Oh my God, you're unbelievable. If you write a crappy headline, I'll come round and set the dogs on you." But a) I don't write the headlines and b) no problem because he's just told me how to survive a dog attack. I'll jab them through their eye sockets into their brains.
What about the frog, though? What happened? "Found a frog, killed frog, ate frog."
A rare frog. "It was certainly not a rare species of frog. I could see thousands of frogs; it was totally permitted as well. It was a classic bit of fake news. I have eaten a lot of frogs over the years – speak to the French."
Speaking of fake news, what about the time in 2007 when he made out he was sleeping in the wild for the series Born Survivor, when he actually spent some nights in a hotel? "Wow, you really are digging. What, do you want to sit here for half an hour and go through every bit of bad press? I just think if you want to influence nobody positively, have no criticism in life, do nothing … If I didn't want any criticism I wouldn't ever do anything."
There's a bit in the book about how to hotwire a car, in a survival situation, obviously. But it could be used in other situations. Bear Grylls encourages criminality: what do you say about that? "You know what? At this point I say: 'Go fuck yourself,'" he says, laughing. Just.
Who are his heroes?
The Scarlet Pimpernel, Robin Hood, George Mallory, Tarzan, John the Baptist …
John the Baptist? "I'd say No 1. Never went to church, but loved Christ, lived in the wild, loved locusts and honey, cared about people."
Does God help you survive? "Yeah, unashamedly. I see it in relationships, and in my children, I see it in nature, I see it in great things, quiet kindnesses, in little gestures, I see the beauty of God when I see someone who is caring with their grandmother with dementia. Look at the Scouts: there are now 22,000 scouts in this country – our Dementia Friends – every week going into senior citizens' homes holding hands with dementia patients."
Why do the Scouts matter?
More passing fauna, not wild: a procession of well-groomed horses ridden by men in dressy uniform. "Isn't it beautiful? Lifeguards – wonderful. Look at that – service."
The Scouts are all about service, he says. "In 1907, Baden-Powell said: 'I want to bring people from different backgrounds, I want to give them a common set of values and experiences of adventure and send them out into the world to make a difference in their communities.' It is now the biggest youth organisation on the planet, 50 million strong, growing faster than ever before."
He is dead proud of being chief scout, tells me I should sign my children up. "But more importantly, you should volunteer because then it's something you are doing with your kids. You are teaching them how to write, or how to interview someone, how to dress like a tramp, hahaha."
Q&A: Bear Grylls
He wears a Scouts wristband on his right hand, along with ones for the Royal Marines and the SAS Regimental Association, and a bracelet given to him by a nice Berber lady in the Sahara. On his left wrist he's wearing a Bear Grylls Luminox watch, out next year, inscribed Never Give Up. Will he ever give up? "I hope not," he says, then tells me a story about trying to persuade his 18-year-old nephew to stop smoking. "I said: 'Maybe it's time to ease back on the smokes.' And he goes: 'You've always told me, ever since I was a baby, never to give up'. At which point I held my head in my hands and go: 'I love you.'"
There you go, another headline: Bear Grylls encourages children to smoke. "I knew it was a bad idea doing an interview with the Guardian," he says. I still get a hug.
How to Stay Alive: The Ultimate Survival Guide for Any Situation by Bear Grylls is published by Corgi (£8.99). To order a copy go to guardianbookshop.com
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