text:
#include "jerryscript-ext/handler.h"
#include "jerryscript-port.h"
#include "jerryscript-debugger.h"

/**
 * Provide a 'print' implementation for scripts.
 *
 * The routine converts all of its arguments to strings and outputs them
 * char-by-char using jerry_port_print_char.
 *
 * The NUL character is output as "\u0000", other characters are output
 * bytewise.
 *
 * Note:
 *      This implementation does not use standard C `printf` to print its
 *      output. This allows more flexibility but also extends the core
 *      JerryScript engine port API. Applications that want to use
 *      `jerryx_handler_print` must ensure that their port implementation also
 *      provides `jerry_port_print_char`.
 *
 * @return undefined - if all arguments could be converted to strings,
 *         error - otherwise.
 */
jerry_value_t
jerryx_handler_print (const jerry_value_t func_obj_val, /**< function object */
                      const jerry_value_t this_p, /**< this arg */
                      const jerry_value_t args_p[], /**< function arguments */
                      const jerry_length_t args_cnt) /**< number of function arguments */
{
  (void) func_obj_val; /* unused */
  (void) this_p; /* unused */

  const char * const null_str = "\\u0000";

  jerry_value_t ret_val = jerry_create_undefined ();

  for (jerry_length_t arg_index = 0; arg_index < args_cnt; arg_index++)
  {
    jerry_value_t str_val;

    if (jerry_value_is_symbol (args_p[arg_index]))
    {
      str_val = jerry_get_symbol_descriptive_string (args_p[arg_index]);
    }
    else
    {
      str_val = jerry_value_to_string (args_p[arg_index]);
    }

    if (jerry_value_is_error (str_val))
    {
      /* There is no need to free the undefined value. */
      ret_val = str_val;
      break;
    }

    jerry_length_t length = jerry_get_utf8_string_length (str_val);
    jerry_length_t substr_pos = 0;
    jerry_char_t substr_buf[256];

    do
    {
      jerry_size_t substr_size = jerry_substring_to_utf8_char_buffer (str_val,
                                                                      substr_pos,
                                                                      length,
                                                                      substr_buf,
                                                                      256 - 1);

      jerry_char_t *buf_end_p = substr_buf + substr_size;

      /* Update start position by the number of utf-8 characters. */
      for (jerry_char_t *buf_p = substr_buf; buf_p < buf_end_p; buf_p++)
      {
        /* Skip intermediate utf-8 octets. */
        if ((*buf_p & 0xc0) != 0x80)
        {
          substr_pos++;
        }
      }

      if (substr_pos == length)
      {
        *buf_end_p++ = (arg_index < args_cnt - 1) ? ' ' : '\n';
      }

      for (jerry_char_t *buf_p = substr_buf; buf_p < buf_end_p; buf_p++)
      {
        char chr = (char) *buf_p;

        if (chr != '\0')
        {
          jerry_port_print_char (chr);
          continue;
        }

        for (jerry_size_t null_index = 0; null_str[null_index] != '\0'; null_index++)
        {
          jerry_port_print_char (null_str[null_index]);
        }
      }
    }
    while (substr_pos < length);

    jerry_release_value (str_val);
  }

  if (args_cnt == 0 || jerry_value_is_error (ret_val))
  {
    jerry_port_print_char ('\n');
  }

  return ret_val;
} /* jerryx_handler_print */

redpajama_set_name: RedPajamaGithub


text:
DYSP Full Form | Deputy Superintendent of Police, 2 Easy Ways
1 DySP Full Form in Police:
1.1 How to become a DySP?
1.2.2 Exam Pattern of PCS Exam in DSP Full Form:
2 DySP full form in Hindi.
3 Other full forms of CDPO
3.1 FAQs related To The Full Form of DYSP:
3.2 What is the salary of Dysp?
3.3 Is DySP an IPS officer?
3.4 Which exam is for DySP?
3.5 What do 3 stars mean in the police?
4 Conclusion of DySP full form:
DySP Full Form in Police:
The DySP full form is Deputy Superintendent of Police. It is also known as DSP or DySP (abbreviation Deputy Superintendent of Police). Deputy Superintendent is an officer level post in the Indian police department. It is a state-level officer who represents the state-level forces. ACP (Assistant Commissioner of Police) is equivalent to the Deputy Superintendent of Police. After several years of continuous work, they are promoted to the IPS.
The insignia rank of the Deputy Superintendent of Police has three stars on the shoulder. It comes under the government job.
How to become a DySP?
After working 15 to 20 year in department as a general officer then promoted from the state police rank to DySP officer.
Direct Redemption by UPSC after writing Group I examination and getting a high rank. Students who clear this examination undergo probationary training practice before being posted as DySP in police department.
Candidates can also write the PSC exam and if they get good rank. While applying the form of police service instead of Administration Service.
The several exams are conducted time to time form the government of India for directly recruit police officers to this rank. If the candidate selected for inspector then after the several specific years of work in police department then promoted to DySP.
Different state has various state civil service like Rajasthan (RPSC), Uttar Pradesh (UPPSC), Bangalore (BPSC), etc. The minimum qualification required is graduation from any field. In the PCS exam candidate has to give exams like the physical body requirement test and interview test.
The candidate's minimum age must be 21 and the maximum age should be 40.
Qualification: A graduation degree must be completed from any field for appearing the exam.
There are three stages to qualify for the PCS exam for becoming a DYSP police officer.
DySP full form in Hindi.
डीवाईएसपी का फुल फॉर्म डिप्टी सुपरिटेंडेंट ऑफ पुलिस होता है। इसे DSP या DySP (संक्षिप्त नाम पुलिस उपाधीक्षक) के रूप में भी जाना जाता है। उप अधीक्षक भारतीय पुलिस विभाग में एक अधिकारी स्तर का पद है। यह एक राज्य स्तरीय अधिकारी होता है जो राज्य स्तरीय बलों का प्रतिनिधित्व करता है। एसीपी (सहायक पुलिस आयुक्त) पुलिस उपाधीक्षक के समकक्ष होता है। कई वर्षों के निरंतर काम के बाद उन्हें आईपीएस में पदोन्नत किया जाता है।
Other full forms of CDPO
Certified Data Protection Officer
Cambodian Disabled People's Organisation
Chief Data Protection Officer
Central District Project Office
Constant Proportion Debt Obligation
Civil Disturbance Planning and Operations
Cerddorfa Dinas Powys Orchestra
FAQs related To The Full Form of DYSP:
What is the salary of Dysp?
The highest salary of DySP is approximately 94,224 per month in the police department. DySP has facilities that are provided by the government of India such as Resident for staff and non-staff no rent, security guards, domestic help: cook, gardener, and more.
Is DySP an IPS officer?
The DySP is not similar to IPS. ACP is equivalent to DySP. After several years of continuous work promoted to the IPS.
Which exam is for DySP?
To get the post of DySP, the candidate has to appear for the state-level exam which is conducted by the State Public Service Commission and Union Public Service Commission for central exams.
What do 3 stars mean in the police?
The three stars mean the post is Deputy Superintendent of Police. If stars increase then post level increase.
Conclusion of DySP full form:
The DySP full form is Deputy Superintendent of Police. A state-level police officer in the police department. DySP has several responsibilities such as 1) prevention of Crime. 2) Investigation of Crime. 3) Maintenance of law & Order. 4) Enforcement of Special and Local Laws.
CDPO Full Form

redpajama_set_name: RedPajamaCommonCrawl


text:
See Why Canoeing Is a Beautiful Way to Connect with Nature
In the province of Ontario, Canada, the tradition and culture of the canoe has been passed down through generations. Explore how this ancient vessel… more
In the province of Ontario, Canada, the tradition and culture of the canoe has been passed down through generations. Explore how this ancient vessel reveals the strength of the human spirit in this poetic excerpt from Goh Iromoto's The Canoe. His captivating ode weaves together the stories of five paddlers to underscore how the canoe can be a vessel for deep spiritual connection with nature.
Watch the full film on Vimeo.
Follow Goh Iromoto on Instagram and use the hashtag #PaddleON
Music composed by Andrew Seistrup.
The Short Film Showcase spotlights exceptional short videos created by filmmakers from around the web and selected by National Geographic editors. We look for work that affirms National Geographic's belief in the power of science, exploration, and storytelling to change the world. The filmmakers created the content presented, and the opinions expressed are their own, not those of National Geographic Partners.
See more from National Geographic's Short Film Showcase at documentary.com
#shortfilmshowcase @natgeo
Documenting a Historic Inauguration


text:
Yo soy Betty, la fea Season 1 1999-10-25
Episode 1 : Presentacion de Betty
Episode 2 : Contratacion de Betty
Episode 100 : Episode 100
Yo soy Betty, la fea
HD 2.7 30:14 minutes
Yo soy Betty, la fea is a telenovela filmed in Colombia, written by Fernando Gaitán and produced from October 25, 1999 to May 8, 2001 by the Colombian network RCN. More than a dozen versions of the telenovela have been made in other countries. In the United States, both the comedy-drama hit Ugly Betty and Televisa program La Fea Más Bella are based on the Colombian soap opera. Betty, la Fea re-aired on Spanish-language U.S. network TeleFutura in January 2009. Eight years after the telenovela's original run, the highly anticipated return of the original version of Yo Soy Betty, La Fea delivered impressive ratings for the network, attracting over one million viewers, more than half a million of which were adults aged 18–49. In addition, the premiere episode doubled and in some cases nearly tripled its prior audience among all key demographics. Due to the success of re-runs aired in the United States, in June 2009, Yo soy Betty, la fea re-aired in México on Canal de las Estrellas. Betty, la Fea is arguably the most successful telenovela of all time and one of the most popular television shows in the world. It is the first telenovela to have been remade worldwide and has been regarded as bringing the telenovela to new levels of success.
Genre: Soap, Comedy, Drama
First Air Date: Oct 25, 1999
Last Air date: Jan 30, 2001
Season: 1 Season
Episode: 335 Episode
Cast: Ana María Orozco, Jorge E. Abello, Lorna Paz, Natalia Ramírez, Luis Mesa, Scarlet Ortiz
Studio: RCN
Keyword: telenovela
The Color of Passion
The Stray Cat
Los ricos no piden permiso
Papá a Toda Madre
Rosario Tijeras
Silvana Sin Lana
My Heart is Yours
I Dare You to Leave
La esclava blanca
Ask God For Forgiveness... Not Me
Laços de Família
Pablo Escobar: The Drug Lord


text:
\section{Introduction}

The spontaneous chiral symmetry breaking (S$\chi$SB) in
 QCD and its eventual restoration at finite temperature is one of the
 most intensively investigated topics in hadronic physics.
QCD models whose gauge configurations
are given by an interacting liquid of instantons \cite{shuryak}
provide an adequate theoretical framework to understand S$\chi$SB.
Thus, based on the semiclassical picture of a QCD vacuum
 dominated by instantons, it has been suggested
\cite{chisbinst}
  that the
S$\chi$SB{} in QCD and  the phenomenon of conductivity
 may have similar physical origins.
Conductivity in a disordered sample is produced by electrons that although
initially bound to an impurity may become delocalized by orbital overlapping
 with nearby impurities.
Similarly, in the QCD vacuum, the zero modes of the Dirac operator though
initially bound to an instanton may get delocalized due to
the strong overlap with other instantons.
As a consequence, the chiral condensate becomes nonzero and
chiral symmetry is spontaneously broken.
In this paper we provide evidence that
 these analogies can be extended to describe the
 chiral phase transition in QCD at finite temperature.
Specifically, in the context of an Instanton Liquid Model (ILM),
we show that around the temperature that the chiral
phase transition occurs the low lying eigenmodes
 of the QCD Dirac operator undergo an Anderson transition (AT),
namely,
 a localization-delocalization transition, characterized by
 multifractal eigenstates and critical statistics \cite{anderson}.

For the sake of clarity we
briefly summarize the
properties of a disordered system at an AT.
In three and higher dimensions there exists
 a mobility edge separating localized from delocalized states.
In the delocalized region, eigenfunctions are extended through the sample and
 the level statistics are described by random matrix theory (RMT).
In the opposite limit, eigenfunctions
 are exponentially localized and the spectral correlations are
described
by Poisson statistics.
Around the mobility edge, the region where the AT occurs,
 the eigenstates are multifractal, meaning that moments of the eigenfunctions
  exhibit anomalous scaling with respect
  to the sample size \cite{aoki}.
Typical features of the
 level statistics at the AT, dubbed critical statistics \cite{kravtsov97},
include scale invariant spectrum \cite{sko},
 level repulsion and asymptotically linear number
 variance.
Thus the level spacing distribution goes to zero as the spacing goes to zero
 as in a metal but long range correlators such as the number variance
 $\Sigma^2(\ell)=\langle (N_\ell -\langle N_\ell \rangle)^2 \rangle
  \sim \chi \ell$
 for $\ell \gg 1$ ($N_\ell$ is the number of eigenvalues in an interval of
length $\ell$)
 are asymptotically linear, as for an insulator ($\chi = 1$), but with a
 slope $\chi < 1$ ($\sim 0.27$ for a 3D Anderson model \cite{chiat}).
Below we show under what circumstances the above features are also found
in the ILM at finite temperature.

\begin{figure}[ht]
  \hfill
  \begin{minipage}[t]{.45\textwidth}
    \begin{center}
      \includegraphics[width=\columnwidth]{psquenchedbulk.eps}
      \caption{Level spacing distribution $P(s)$ in the bulk for the quenched
               ILM at $T=200$ MeV for different volumes.
               The inset shows $\log P(s)$ for the tail of the data.
               The best fit (solid line) corresponds to a slope $-1.64$.}
      \label{nf0ps1}
    \end{center}
  \end{minipage}
  \hfill
  \begin{minipage}[t]{.45\textwidth}
    \begin{center}
      \includegraphics[width=\columnwidth]{d3quenched.eps}
      \caption{Spectral rigidity
in the bulk for the quenched ILM at $T=200$ MeV
 for different volumes.
 The result has very little size dependence and agrees well with
 the prediction of critical statistics (solid line).}
      \label{nf0d3}
    \end{center}
  \end{minipage}
  \hfill
\end{figure}

\section{The instanton liquid partition function: Technical details}

Our starting point
 is the Euclidean QCD partition function,
\begin{eqnarray}
Z_{\rm inst} = \int D\Omega \, {\det}^{N_f} (\protect\pslash{D} + m) e^{-S_{\rm YM}},
\label{zinst}
\end{eqnarray}
where the integral is over the collective coordinates of the instantons,
 the Dirac operator is denoted by $\protect\pslash{D}$ and
 the Yang-Mills action is denoted by $S_{\rm YM}$.
For each instanton we have $12$ collective coordinates (for three colors).
The fermion determinant is evaluated in the space
of the fermionic zero modes of the instantons (for further details we refer to
 the review \cite{SS97}).
For simplicity we have kept the density fixed at $N/V=1\,\mathrm{fm}^{-4}$
as the temperature is increased.
This is justified since it was already observed that the density of instantons
at the transition is still sizable, around $0.6\,\mathrm{fm}^{-4}$,
and the transition is not expected to be driven by the decrease in density.
We are therefore using this as a qualitative model for the QCD
chiral phase transition even though the transition temperature will differ
from the lattice prediction.

We report results for $N_f = 0$ (quenched) and
 $N_f=2,~m_u=m_d=0$ (unquenched). The effect of a nonzero mass
 or a strange quark will be discussed elsewhere \cite{aj2}.
The partition function (\ref{zinst}) is evaluated by means of a
Metropolis algorithm. In all simulations we performed between 500 and
1000 equilibration updates followed by 2000 to 10000 measurement updates.
In the quenched case results are presented for ensembles of up to
 $N=5000$ instantons and anti-instantons.
In the unquenched case, the simulations are slower and we have only
investigated ensemble of up to $N=504$.
All the spectral correlators are calculated from the unfolded spectrum.
This procedure scales the eigenvalues so that the average density on the scale
of several level spacings is one.

\begin{figure}[t]
\centering
\includegraphics[width=0.6\columnwidth,clip]{psquencheddifreg.eps}
\caption{Level spacing distribution $P(s)$ for the quenched ILM
 at $N=5000$ and $T=200$ MeV for different spectral windows.
 The ranges indicate the eigenvalue numbers plotted with 0 being the smallest
 eigenvalue.}
\label{nf0ps}
\end{figure}

\section{Localization in the Instanton Liquid Model: The quenched case}

Here we examine the properties of eigenstates in the center of the spectrum
 (bulk).  Since only the smallest eigenmodes are responsible for S$\chi$SB,
the mobility edge seen here is not related to the chiral transition
(strictly speaking there is not a chiral transition in the quenched case
 anyway).
We instead study it because it is a very clear example of a mobility edge
 in the ILM and we find it has similar features to the mobility
edge
near origin, but since it
affects a larger range of eigenmodes we can get better
 statistics.
By using the finite scaling method introduced in \cite{sko} we have observed a
 mobility edge separating localized from delocalized eigenstates
 in the range $T \sim$ 150 -- 250 MeV. As the temperature
decreases the location of the mobility edge moves to the end of the
spectrum. For $T < 170$ MeV the results are less reliable since the
mobility edge is located almost in the end of the spectrum where
truncation effects are larger.
  Following the literature in
disordered systems we have investigated the temperature $T \sim 200$ MeV
such that the mobility edge is located around the center of the
spectrum. The level statistics in this spectral region
have the signatures of an AT including a
spectrum that is scale invariant to high degree. As observed in
 figures \ref{nf0ps1} and \ref{nf0d3} both short range statistics such as
the level spacing distribution, $P(s)$, and long range
 correlators such as the spectral rigidity
  $\Delta_{3}(\ell)=\frac{2}{\ell^4}\int_{0}^{\ell}(\ell^3-2\ell^2x+x^3)\Sigma^{2}(x)dx$
do not depend on the system size
 for volumes (number of instantons) ranging from $N=500$ to $N=5000$.
 Level repulsion is still present as for a
 metal but the spectral rigidity (see figure \ref{nf0d3}) is asymptotically
 linear with a slope that corresponds to $\chi \sim
 0.29 \pm 0.02$ in fair agreement with the value for a 3D disordered system at
 an AT of $\chi \sim 0.27\pm 0.02$ \cite{chiat}. Furthermore the
 exact form of the spectral rigidity follows closely the prediction
 of critical statistics, equation (31) in \cite{ant4} with $h$,
 a free parameter, set to a value of $0.62$.
 As observed in figure \ref{nf0ps}
the level statistics outside the critical region are
 RMT like in the region between the origin and the mobility edge
 and Poisson like between the mobility edge and the end of the spectrum.

We now present the eigenvector properties. A
signature of an AT is the multifractality of the
eigenstates as measured by the moments
 $P_q=\int d^dr |\psi({\bf r})|^{2q}\propto L^{-D_q(q-1)}$,
 where $D_q$ is a set of different exponents describing the
 transition and $L \propto N^{1/3}$ is the spatial system size.
In order not to consider eigenstates
outside the critical region we have taken only $10\%$ of the
eigenvectors around the center of the spectrum for $T=200$ MeV.
By fitting $P_2$ (also known as the inverse participation ratio or IPR)
for different volumes,
 we have obtained a value of $D_2 \sim 1.5 \pm 0.1$ in
 agreement with that of a 3D disordered system at the AT \cite{mirlin}.

Our numerical analysis shows that at $T=200$ MeV there is mobility edge
 around the central part of the spectrum in the quenched ILM.
The level statistics have all the signatures of an Anderson transition:
 scale invariance, level repulsion and sub-Poisson spectral rigidity;
 and the eigenstates appear to be multifractal.
We have also observed similar critical features in the
 region close to the origin at temperatures around 110--140 MeV.
However the analysis is complicated by the accumulation of very small
eigenvalues that are present in the quenched ILM.
More details of this region will be given elsewhere \cite{aj2}.
Instead we present results near the origin for two massless flavors
where the accumulation of very small eigenmodes is suppressed and
the analysis is cleaner.

\begin{figure}[t]
  \hfill
  \begin{minipage}[t]{.45\textwidth}
    \begin{center}
\includegraphics[width=\columnwidth,clip,angle=0]{cciprnf2m0.eps}
\caption{Chiral condensate and inverse participation ratio (IPR) of the lowest
 eigenmode for the ILM with two massless quarks.}
\label{cciprnf2m0}
    \end{center}
  \end{minipage}
  \hfill
  \begin{minipage}[t]{.45\textwidth}
    \begin{center}
\includegraphics[width=\columnwidth,clip,angle=0]{psnf2m0.eps}
\caption{Level spacing distribution $P(s)$ at the origin for the unquenched ILM
 at $T=115$ MeV for different system sizes.}
\label{psnf2m0}
    \end{center}
  \end{minipage}
  \hfill
\end{figure}

\section{Chiral restoration and Anderson transition: The unquenched case}

We now study eigenvalues and eigenvectors of the QCD
Dirac operator in an ensemble with two massless quark flavors.
In this case the chiral condensate associated with S$\chi$SB{} is finite.
Around the critical temperature, the condensate approaches zero signaling
 the chiral phase transition.
Since we have two massless flavors we expect to find a
 second order chiral phase transition.

We focus our attention on the spectral
 region close to origin since our aim is to relate the chiral phase transition
 with a transition to localization (AT) of the QCD Dirac operator eigenmodes.
By looking at the chiral condensate versus temperature for a range
of system sizes (figure \ref{cciprnf2m0}) we see that the condensate
approaches zero around temperatures of 115 -- 120 MeV in a manner consistent
with a second order phase transition.
At the same time the condensate is falling we see the IPR of the lowest
 eigenmode begin to rise signaling a transition to localization.
This finding strongly suggests that both phenomenon are
 intimately related.

Next we examine the nature of the localization transition.
First we locate, by using the finite size scaling method \cite{sko},
 the AT for the lowest lying eigenmodes at $T \sim$ 115 -- 120 MeV.
At this temperature we see that eigenvalue statistics such as the
level spacing distribution (figure \ref{psnf2m0}) are nearly scale
invariant, there is level repulsion but the tail of $P(s)$ is exponential as at the AT.
We also looked at the scaling of $P_q$ in the lowest eigenmode
 at $T=120$ MeV for system sizes ranging from $L^3=$63--252.
This yielded a set of fractal dimensions
$D_2=1.3\pm0.2$, $D_3=0.9\pm0.2$, $D_4=0.7\pm 0.3$ and $D_5=0.7\pm0.3$
showing that the eigenstates are multifractal.
Although higher volumes would be desirable to
fully confirm the multifractal scaling of the eigenstates, it is
encouraging that the IPR of comparatively similar temperature
 ($T \sim 100$ Mev) is comparable to the one for a fully metallic sample.
We also mention that we observed a
 mobility edge on the bulk of the spectrum at a slightly higher
 temperature with properties similar to the quenched case.

At this point a natural question to address is
 whether the results here reported concerning the Anderson transition
 in the ILM may also be present in more
 realistic models of the strong interactions.
Although no conclusive answer can be given to this question
 we would like to point out the
 reasons why we have found an Anderson transition in the ILM.
As is known, unlike the zero temperature case where the decay is power-law,
 the fermionic zero modes in the field of an instanton at nonzero temperature
 (usually called a caloron)
 have an exponential tail $e^{-rT}$ in the spacial directions and are
 oscillatory in the time direction \cite{SS97}.
This suggests that the overlap among different zero modes is essentially
 restricted to nearest neighbors in the spacial directions.
However, in the time direction different zero modes strongly overlap
 due to the oscillatory character of the eigenmodes.
This situation strongly resembles a 4D disordered conductor
 in the tight binding approximation (only nearest neighbor hopping)
 with one dimension (time) much smaller than the rest so the system can be
 considered effectively three dimensional.
It is well established that such a system may undergo an AT depending on the disorder
 strength.
In our case the disorder role is played by temperature since the
wavefunction decays as $\sim e^{-rT}$.  From this discussion it is natural
 to find an Anderson transition in the
  ILM for a particular value of the temperature.
The principal ingredient to reach the AT is an exponential decay
 of the eigenmodes explicitly depending on the temperature together with the
 possibility to tune the effective range of the exponential in order to
 reach the transition region.
Any theory with these features very likely
 will undergo an AT for some value of the parameters.
It is therefore quite possible that the QCD vacuum has similar properties.
Even if the objects responsible for localization are not the classical
 instantons (see the topology section of these proceedings for other options)
 this scenario could still be realized
 if the interactions behave in a similar way.
We refer to \cite{aj2} for a more detailed
 account of this interesting issue.

In summary we have found that in the unquenched ILM the chiral
restoration transition occurs around the same temperature as the localization
transition close to the origin. From a physical point of view this is
not surprising since the appearance of the condensate is deeply linked
with the delocalization of the zero modes in the instanton vacuum due to
long range instanton induced interactions.
It will be very interesting to repeat these same studies in lattice
simulations where the chiral transition also coincides with a
deconfinement transition and additionally to see if the detailed structure
of the topological objects
 affects the nature of the localization transition.

redpajama_set_name: RedPajamaArXiv


This hooded sweatshirt is made of cotton perfect cover up while giving comfort. Featuring a zipper closure make putting the sweatshirt on and taking it off very easy and side pockets that can store your essentials. Suitable for spring and fall.


text:
Archives For enrique iglesias
INTERVIEW: RedOne Produced Eight New Songs With Lady Gaga
The rumor is that new music from Lady Gaga is coming later this year, and producer RedOne did nothing to quell that speculation.
"Yes, let's hope," the GRAMMY Award winning producer responded when I brought up said rumor recently. "Yeah, let's see what happens. We did eight songs so far and we'll see what happens, yunno?"
Red, as his friends call him, has also been in the studio with Kaya Stewart and Enrique Iglesias. The latter artist is featured on the producer's new single, "Don't You Need Somebody."
"I sent it to Enrique with two other songs," he explained of how the track came to feature the singer. "He got the three songs but for some reason, he did not hear ('Don't You Need Somebody')."
It wasn't until the two linked up for a session in Miami that Iglesias heard the song. And that's literally all it took for the artist to want to contribute to it. Iglesias immediately asked if he could jump on the song, and of course Red obliged.
Shaggy, who is also featured on the track, became involved in a similar fashion. During a music meeting Red simply played him the song.
"He was like, 'Red put the mic on right now!'" recalled the producer of how Shaggy reacted after he heard the beat. "'Put the mic on!'"
Serayah and R. City, who of course scored a big hit last year with "Locked Away," also added their vocals to the final product.
In 2016 Billboard Music Awards, interview, Red Carpet Radio, rrs video	#WWOBackstage, enrique iglesias, lady gaga, R. City, redone, shaggy
DAILY DOWNLOAD: Enrique Iglesias f. Sammy Adams – 'Finally Found You'
This is Enrique's first single from his new album. No information about the LP has been released yet. Boston emcee Sammy Adams lends a verse to the track.
In new music	enrique iglesias, sammy adams
DAILY DOWNLOAD: Pitbull f. Enrique Iglesias, Afrojack – 'I Like (Remix)'
This is the official remix to "I Like How It Feels" – and these three can do no wrong right now in music. *Fist pumps.*
In new music	afrojack, enrique iglesias, pitbull
DAILY DOWNLOAD: Dev f. T-Pain – 'Naked'
To me, there is no reason why Dev shouldn't be one of the top pop vocalists of now. I'm not saying she's reinventing the wheel – but she's got the look and sound. Furthermore, her voice definitely lends itself to the current dance trend we're hearing on the radio. So check this out, here's the version I played on the show Wednesday evening…
And as an exclusive WEB BONUS, here's a remix of the track featuring your boy, Enrique Iglesias. Perhaps this will be the official single? What do you think?
In new music	dev, enrique iglesias, t-pain
DAILY DOWNLOAD: Enrique Iglesias f. Pitbull – 'I Like How it Feels'
Not even fair, these tourmates are killing the game right now… this will be a track off a special edition to be released of Enrique's Euphoria.
In new music	enrique iglesias, pitbull
DAILY DOWNLOAD: Enrique Iglesias f. Usher, Lil Wayne – Dirty Dancer
Here's the next single from Euphoria. The original featured only Usher, the label added Lil Wayne to the radio remix.
In new music	enrique iglesias, lil wayne, usher


text:
NASA EGS, Jacobs power up Artemis 1 vehicle to begin system checkouts in the VAB
After stacking the stages of the Space Launch System (SLS) rocket for NASA's Artemis 1 mission in June and July, EGS and TOSC powered up the Core Stage for the first time in the Vehicle Assembly Building (VAB) at the Kennedy Space Center (KSC) in Florida on August 6. The initial power up was a significant milestone in pre-launch processing, marking the beginning of the systematic checkouts of the vehicle and ground systems that will be used for the first launch on Artemis 1.
Just prior to powering up the Core Stage, the four umbilicals that connect ground services from the Mobile Launcher were attached to quick disconnect plates on the stage's three major equipment bays: the forward skirt, intertank, and engine section. The Integrated Operations team of EGS and Jacobs and the SLS prime contractors are working almost around clock in the VAB to get through all the installations, checkouts, and special tests in time for a launch no earlier than the end of 2,021 but more likely in early 2022.


Enjoy Playing My Dolphin Show 8 with your friends. We provide you only the best arcade games on online like My Dolphin Show 8. Just click and start playing My Dolphin Show 8. Choose a level to play on and destroy the things. Free and safe. Make sure you bring new joys. Use the coins that you earn to buy a features. New Games like these are added every day!


Travel like a nomad! Stay in some of the most affordable budget hotels in Engelhartszell An Der Donau. Fret not over your travel costs and choose some of the best affordable accommodations in Engelhartszell An Der Donau for a memorable trip. Jump into an array of facilities like free wi fi and others that these budget hotels offer you. A holiday can get never cheaper than this when you get a number of pocket friendly hostels and hotels with us. Budget hotels like Gasthof-Pension Schütz and Osternacherhof will suit both your pockets and your comfort levels in Engelhartszell An Der Donau. Make your dream come true and book with us for low cost hotels.


Or search for « Genesis Translations » via your plugins menu.
How can I see my language added to this plugin?
Please contact us and we'll get you sorted.
You most certainly can. Please contact us and we'll get you sorted.
Where can I find the list of languages being worked on?
Visit the StudioPress GlotPress installation to see the complete list of languages being worked on.
That's because there isn't any. If you have one of the provided languages properly configured in your wp-config.php file, then upon activation you should see all matters Genesis automagically translated.
Most likely you either have words hardcoded in your child theme's functions.php file or you're working with outdated (or incomplete) WordPress translation.
Fantastic! Go ahead and register here and we'll get you sorted.
« Genesis Translations » est un logiciel libre. Les personnes suivantes ont contribué à cette extension.
"Genesis Translations" a été traduit dans 12 locales. Remerciez l'équipe de traduction pour ses contributions.
Traduisez « Genesis Translations » dans votre langue.
Added Amharic (am), Czech (cs_CZ), Slovenian (sl_SI) and Ukranian (uk).
Large update to (finally) reflect the changes made in Genesis 2.0. Lots of improved translations across the board. Too many to mention specifically.
Updated Hungarian language files. Again.
Accidentally deleted helper function. Sorry about that folks.
Few minor updates Bulgarian, Romanian, Chinese and Portuguese Brazilian, but mostly added Russian (ru_RU) and Icelandic (is_IS).
Basically all of the languages saw small updates. Swedish and Danish got a big overhaul in grammar and such. Hungarian, Portuguese and Chinese is added as well as Icelandic for the front-end only.
SVN somehow did not pick up the languages files. Second try.
Added Hungarian, Turkish and Portuguese.
Added the Vietnamese translation and re-added the Greek version to make the file was accurate.
Updated a bunch to translations to match the translation strings of Genesis 1.8: nl_NL, de_DE, fr_FR, da_DK, fi, ro_RO, id_ID, es_ES, el_GR and sv_SE.
Added the Danish translation that was ready for about 87%.
Re-added the Portuguese translation files as they had gotten lost somehow. Apologies to all who got affected.
Added Greek el_GR to the translations. Note, not all strings have been properly translated to Greek yet, but most of the important stuff has.
Fixing a typo. It happens.
Stable release. Updated some code here and there. Added the Portuguese Brazilian, Hebrew, Japanese and Romanian languages.
First release. Just testing things out.
Chinese (China), Chinese (Hong Kong), Danish, Dutch, English (Canada), English (UK), English (US), Finnish, French (France), German, Italian, Spanish (Spain), et Swedish.


text:
What went wrong with the original Addams Family
Mark Shenton Wednesday February 4 FeaturesLeave a Comment
Last weekend I saw the ArtsEd 3rd year Musical Theatre production of The Addams Family at ArtsEd — the West London school where I teach a course in musical theatre history, pill and I taught this year's third years in their 1st year there (which was also my own first year); so I've seen them across their entire time there. And though I am no way responsible for their infinite skills at singing, discount dancing and acting, ask I'm able to take a special pride in knowing that they'll have had their musical theatre knowledge expanded in some way by attending my class. (I felt satisfied of a good job well done when one of this year's first year told me that they'd downloaded Audra McDonald to their music library).Andrew Lippa's The Addams Family, to be honest, is not a show I usually cover in the history lessons (though I do touch on some of his other work!); I saw its Broadway premiere back in 2010, and was underwhelmed by its overblown production there, despite a cast that included such headliners as Nathan Lane, Bebe Neuwirth, Carolee Carmello, Kevin Chamberlin, Terrence Mann and Jackie Hoffman, all of whom I have loved in previous appearances on Broadway.I interviewed original co-director Phelim McDermott at a public seminar for Musical Theatre Network in 2012. He was dismissed from the production before it reached Broadway, but remained on the billing. He discussed the circumstances of the show's creation very frankly, including the commercial pressures and creative tensions. Here's an extended extract:
Phelim McDermott: We were told it was a 19 million dollar musical, before we came on board. So that "kerching" figure was a presence in the room always. And its manifestation of that in the room was mostly expressed as fear.
Mark Shenton: And bad behaviour as a result
Phelim McDermott: Well, whatever it is, it's there because the reason one puts a big, multi-million dollar musical on Broadway is to make money and the bottom line is it has to make money. And then hopefully some art happens. What I believe is if you can somehow create a situation where art might happen you're actually more likely to make an incredibly successful show
Mark Shenton: So in other words it was the wrong way round
Phelim McDermott: What was interesting about The Addams Family is that I think the intentions were incredibly good; there was a dream to put a team of collaborators together who would come up with something very interesting. But how one holds the space for that to happen is incredibly challenging because you've got all these people saying "it's got to be this", "it's got to be that". And actually the process is mostly about that. The process is not about creating the show, it's mostly about managing fear.
Mark Shenton: And conflicting tensions. I mean everyone's got their own view and they all want to participate.
Phelim McDermott: Well, I think that everyone does have the same view, which is to make a great show. But as soon as fear comes in and comes down to the next level, everyone has an idea of how to do it but it's different. It makes me think of Supergroups in the 80's where they used to say we'll have that person from that group and that person from that group and they're all amazing and we'll put them together …it's like a formula and actually I think you've got to create the space where the holding space is bigger than the formula. That could work but the shared intention has to be really genuine around what that is. Sometimes this thing comes up in subsidised theatre where people say "we're upholding the right to fail" and I think that's confusing because it sort of seems to imply somewhere a perverse desire to fail, as if we didn't want to create a good show. But I do think the relationship to investment is different with subsidised theatre than commercial theatre because I think in the former the money comes to the project and it's given and there's not a sense of "we're going to watch every step of the way to make sure that you might come up with the goods"; it's kind of like we give it you for this period of time and if it happens it happens. Which could still happen in non-subsidised theatre but it's like a game you have to play. It's like every show you create, of course you want it to be fantastic but you have to play the game of "unless we are able to think it might not work (whilst still wanting it to be brilliant), unless you can really allow that thought in you're not really allowing yourself to go anywhere new".
Mark Shenton: Of course the difference is one of process as well – the fact that the National could workshop the Tori Amos piece and decide it's not fit to go, and then delay it. Whereas you've got a runaway train, when you go to rehearsals you know that if you preview in Chicago you have to open on Broadway.
Phelim McDermott: You know, this is something interesting. One of the manifestations of the fear is the intention to workshop, workshop, workshop. I think our tech was 13 weeks long. I mean, what are you going to do in a 13 week tech, except create a load more problems for yourself? And then you have a piece of work like, say, Satyagraha
Mark Shenton: At ENO, the Phillip Glass opera?
Phelim McDermott: It's quite a big scale piece of work, in fact at lots of levels bigger than The Addams Family, because Broadway Theatres are so tiny and there's no room backstage so most of the process is about "can we fit the set on the stage?" In the ENO process, you've got an orchestra coming this way, you've got some singers coming this way, you've got a set coming this way and you've got about four days to bring the whole thing together. So there's no time to create yourself problems, you just have to get in the room and do something. And I think the idea that you can actually make the process safer is not going to happen because the whole thing's a big gamble. If you're going to do a Broadway musical or a West End musical, it's a big gamble. Accept that you're gambling. And however much you're worrying isn't going to change whether the ball lands. What you can do is stay awake whilst you're doing it and notice what's happened and that's quite helpful. But the thing with this idea that with the tech you can sort out all the things that might go wrong, you sort of sort everything out until it disappears
Mark Shenton: Especially the comedy – you don't know what's going to happen until the first time an audience sees it; you have no idea how it's going to land anyway
Phelim McDermott: And in that process of trying to sort it out in try outs and whatever, then the response of the audience is so moderated by the things that they've read about what's happening in the press about whether this person's being funny, all this stuff, sort of stops that container that you end up with. Basically what you end up with is everyone gets removed from their own authentic impulses, including the director. So by the time you get to the point where the show is opening in front of an audience, you've got absolutely no idea what's working and what's not. Because you're sort of fielding all these opinions.
Mark Shenton: And that's when they send in the show doctors to kind of sort you out as well.
Phelim McDermott: Yes, or you find out about show doctors coming in, when you're out of the country. I think this is the thing, it's like "we can fix it, we can fix it". And one part of the experience was we want your process, we want what you do but you've never done a Broadway show before, which was true, so you go well, I want some advice so they give you advice but you end up sort of not trusting yourself because you end up not believing in your own process. So you sort of try and moderate yourself to what you think the expectation is, because this is Broadway. And of course it's a very different culture because it's a culture where you sit in a room. Auditions are sort of people being channelled before you and that's not how I would normally do auditions. I would audition by trying to find out who I trust and who would trust the way I work.
Mark Shenton: Of course, it's a machine, that's the bottom line.
Phelim McDermott: And there are some things I do not know about, and that can be seen either as a problem or an asset.
Mark Shenton: Of course the other key difference, unlike Satyagraha, Satyagraha was a set text, scored, composed already and you just had to translate that onto stage
Phelim McDermott: It was in ancient Sankskrit!
Mark Shenton: It was, which you know inside out! However, you had a script and you knew what it was whereas with The Addams Family the text and the score were all in development, so you were part of that whole process.
Phelim McDermott: If one's process is a devising process, how does one have a conversation with a more traditional process, where someone writes the music and the book and you interact with that? And I would say there were certain moments when we managed to do that. There were certain moments when we managed to get into a room and do some stuff that might be a bit like what we do, but not very often.
Mark Shenton: Because you were working with Julian Crouch, the co-founder of Improbable – he was the designer?
Phelim McDermott: Well actually we were joint directors, joint designers – we went in as a package. You know, every show you go into you don't know how you will do it. You've got all this history of making shows but at the end of the day you're in this room with these people and you try and work out how to do it together. And I would say that process was…it was interesting because it was a sort of shock. It was incredibly difficult I would say, on an emotional level. And we opened the show in Chicago; the box office did incredibly well, the response from the audience was incredibly positive as these things go. It made nearly 11 million dollars in that run. And at that point people go, well what do we do now? And I think there's an impulse to go: how do we make it better, we have to do something, we must show that we're doing something. And I think the courageous thing might be to not do something and actually hold the space for the thing to grow. I think there was a fundamental disagreement as to what that process should be at that point and you know, fair enough, I got sort of spat out and it's great cos I don't have to think about it anymore.
Mark Shenton: Except today – sorry for reminding you!
Phelim McDermott: It's taken a bit of time. You know, these processes are incredibly tough, like machines and I think I did pretty well out of it.
Mark Shenton: Of course, the other fly in the ointment in this process was the gossip columns, the New York Post, who all went for the show big time and also the local press who all played their part. How do you feel about critics?
Phelim McDermott: I sort of love critics as I've got lots of them in my own head and most of the stuff that goes on outside, I've heard it already. And that thing about staying awake is kind of part of it. I've had things where you've done a show and gone, god those reviews were really harsh and actually I go back four years later and I read those reviews and they're nowhere near as harsh I think they were, interestingly, and I go: actually that was that critic out there combining with my own critic. And the other thing is you realise, some of those things are absolutely spot on. I've had that, not all of the time of course because some of them are absolutely "aah". And what that's about I think is about the rawness of how you are at that point and your ability to hear things and as I say, in a process where you're very removed from your own impulses, that just ramps it up. And I think there is a sense of responsibility around what critics do and can do around a production.
Mark Shenton: For both of us; I mean I feel that very keenly
Phelim McDermott: Marcia Rosenberg says this great thing: advice without empathy is always toxic. And I don't think anyone will ever really know what it's like to put on a show like that. You have to go mad and you have to give into that process. Getting spat out from the process was very strange; I kind of woke up and went "I've been in this for three years". So I was walking round looking at all these musicals in Times Square and I thought "wow, I thought this was interesting". Because you have to in some way. And then to come out the other side, to fall from grace and you go this was a thing I had to go through a love affair with in order to commit myself, and then maybe it's time for a real relationship.
Mark Shenton: Of course Julie Taymor more recently experienced much the same sort of thing, potentially on an even larger scale on Spiderman. Much like your story, she got into The Lion King through an experimental theatre group, they gave her a free rein to create the show and she created magic. The producers of Spiderman wanted her to create that magic again and it doesn't just magic up, as it were.
Phelim McDermott: what is very interesting about the process is you think you know how you did it but you don't. So the last thing you should do is think I'll do that again and that'll make a good show. Maybe you can create conditions where something different and a different kind of process will emerge. If I were asked again now, would you try and create your kind of show on Broadway, I probably wouldn't try and do it, because I don't think I'm good enough to do that. I haven't got the armour, the self-armour; my process is about vulnerability
Mark Shenton: You said before we came on stage that a lot of metaphors they use in Broadway Theatre are to do with warfare.
Phelim McDermott: Everyone's talking military metaphors: "I'll watch your back", "when the shooting starts". Meanwhile we're trying to create a musical about love. So I don't know but maybe it's about trying to change the metaphors in some way.
And a musical about love is, in fact, is exactly what was created, by a very different process, at ArtsEd. No one was being hit by cross-fire, but a musical production was being created as the best possible showcase for their students' talents. The professional creative team – including director Gary Sefton, choreographer Nathan M Wright, designer Katie Lias and musical director Caroline Humphris – provided an inventive but safe environment for the cast to do exactly that; and with fear out of the room, suddenly the show itself was much better than I remembered it.
Amongst the winning performers: Nathan Elwick leads with panache as Gomez and Leah Barbara West is like Patti LuPone crossed with Cher as Morticia. There was also terrific work also from (an unrecognisable!) Tom Bayliss as Fester; Matthew Chaseuk as Pugsley; Omari Douglas as Lurch, Victoria Brown as Wednesday;Patrick Sullivan as Lucas; and David Burnip and Mairi Barclay as Lucas's parents.
What they and the rest of the brilliant ensemble was doing was supporting each other and the show, instead of competing with each other as happened on Broadway to keep the show from sinking under its own leaden weight.
Tags: Andrew Lippa, Arts Educational School, Phelim McDermott, The Addams Family


PLEASE WELCOME STEPHANIE CHONG with DEXTER!
My second novel, The Demoness of Waking Dreams, will be out in 2012. It's the continuation of my "Company of Angels" series, and there's a third book planned, too.
A lot – I can't even guess! It varies from year to year. I was reading an enormous number of books when I was doing a Ph.D. in Comparative Literature and a Master's in Creative Writing (simultaneously, separate programs at separate schools), until I finished both those degrees in 2009.
Dexter goes to the dog beaches and dog parks for sessions with a dog training/exercise company during the day. At home, he has a favorite place in the living room front window where he likes to sit for people- and dog-watching.
Playing with his dog friends.
WHERE DEMONS FEAR TO TREAD!
Very interesting story. I can feel the anticipation of the romance between Julian and Serena already! All the best with the book!
While I do admit a yen for the book it is Dexter who has my heart today, what a cutie Stephanie. Love pugs, they are so sweet and cuddly and very all around lovable little dogs!


Starting running age 17 yrs ... a senior in HS .... four years later finished 2nd the the BAA the first time. I trained hard 7-8 moths a year and with a passion, hated to lose but realized it is part of sports .... learned a lot of lessons that I now pass on yo my young stable of HS runners! My best marathon efforts were ALWAYS at BAA '73, '74, '75 and '79 (6 times in the top ten) ... and in LA in 1981 which I won .... 63 total marathons, 27 sub two twenty. I have 124,336 in my 20 volumes of diaries ... I quit keeping track of my mileage in 2000. BTW, LSD wasn't the key ... LFD was always my goal ... looking back, the easy 20 mile "recovery days" were vital with my so called "high mileage." It worked for me!


text:
Photo by Ciro Santangelo/BSR Agency/Getty Images
Solskjaer praises Greenwood after recent displays through the middle
Ole Gunnar Solskjaer has talked up Mason Greenwood's recent improvement.
Solskjaer's press conference for the FA Cup clash with Leicester was recorded last night and went onto the club's official website this afternoon.
Greenwood has played through the middle of late, having spent much of his United career on the right wing.
And Solskjaer was keen to point out how much he's improved – and how much better he can still get.
MARCO BERTORELLO/AFP via Getty Images
"He's really matured and his performances are top class," said Solskjaer. "Definitely. His hold-up play, his link-up play has improved so much. His physical strength has improved so much.
"His awareness has always been there but he's getting the confidence. You know, this season has been a big step forward for him.
"The next step for him is to stop thinking about finishing because he doesn't have to think about it. It's just instinct, just do it.
"Just trust yourself, all the other bits are there. And that's what I tell him. He'll be fine, he'll really kick on soon."
It has always looked likely that Greenwood would lead the line for United in the future.
He's got the eye for goal, it's just a case of the other parts of his game, like the hold-up play Solskjaer mentioned, coming along too.
It also seems it might be a case of going on and having the confidence to be the main man who spearheads United's attack.
He's been working hard in recent weeks and the goal hasn't come his way unfortunately. Hopefully that changes at the King Power Stadium on Sunday.
Confirmed Manchester United starting line-up against Nottingham Forest


It just keeps on getting easier to be connected with the Best Network.
Enjoy the new Value Packs - get more value for money.
Validity for Value Pack's data allowance will not be extended upon activating an additional Data or Value Pack. In case of multiple subscription of Value Pack, each individual Value Pack will have its own validity for the data allowance provided.
To activate Value Pack, use any of the below methods.
To check balance of Value Pack, send an SMS with keyword "BALANCE" to 5555. If you're using Ooredoo USB Modem, click "PREPAID USSD" button on the interface.


The world of predictive maintenance is in constant flux. New techniques, methods and processes are redefining manufacturing floors on a daily basis. Companies want to make the best possible products they can—fast and efficiently—by keeping up with the latest technologies and trends... Read more.
Cast Iron Sprockets now available from the company you rely on for quality Power Transmission products. Cast Iron sprockets are available in Adjustable Hub, Chain Saver, Hunting Tooth Style, Split, Drag Chain, Traction Wheels and more. Let us quote your next project!
For more information contact Martin Sprocket and Gear, Inc.
ABB recently announced that is has completed the public tender offer for Newave Energy Holding SA. The acquisition of Newave advances ABB's strategy to strengthen its position in the power control and quality market and it facilitates the sale of Newave products and services beyond their traditional markets in Europe through ABB's worldwide distribution network...Read more.
In order to build a more competitive and skilled engineering workforce for the future, Bison Gear and Engineering is working with the Illinois Math and Science Academy (IMSA) on the 2012 ILIT challenge to local area high school students...Read more.
Within the space of one generation, China has transformed itself from a developing country into the world's second largest national economy. The country's increasing prosperity has also been accompanied by an ever greater awareness of the importance of the sustainable management of natural resources... Read more.
Linear motion technology manufacturer Bishop-Wisecarver has announced that a new vice president of marketing has been hired to support the company's forward-thinking communications and branding efforts. Eva Woo joined the company in early March, bringing with her a wealth of experience in online and offline marketing...Read more.
KRPX is the new version of Redex-Andantex rack & pinion high-tech dedicated planetary reducers. The KRPX is a cost effective, easy to implement, high performing solution for moving column and gantry machines, as well as many other applications. Two KRPX units are combined together to provide a ZERO-BACKLASH electrically preloaded Twin Drive kit. The KRPX is very compact, and available in 3 standard universal sizes 2, 3, and 4. www.andantex.com.


text:
Commentary: Following a T-shirt from cotton field to landfill shows the true cost of fast fashion
Hopefully knowing more about the vast effort and resources that go into making our clothes can help people make better choice, says an observer.
(Photo: Unsplash/Keagan Henman)
By Mark Sumner
26 Dec 2020 06:10AM (Updated: 12 Jan 2021 04:18PM )
LEEDS, United Kingdom: With many shops closed due to pandemic restrictions, Black Friday 2020 might have looked different from the frantic buying sprees of years past.
But one thing remained the same: the relentless pace of fast fashion.
What are the costs of making garments so cheap? Consider an item of clothing we're all likely to wear at some point – the t-shirt. T-shirts belong to an industry responsible for 10 per cent of global CO2 emissions.
Depending on the brand of T-shirt you're wearing, you could be contributing to these emissions and a long list of other environmental and social harms. But to really understand these impacts, we need to explore the supply chain that creates them.
SPINNING A YARN
Most t-shirts are made from cotton, which is grown in 80 countries by 25 million farmers who produced a total of 25.9 million tonnes of fibre between 2018 and 2019.
Conventional cotton farming consumes 6 per cent of the world's pesticides, even though it only uses 2.4 per cent of the world's land.
These chemicals control pests like the pink boll worm, but they can also poison other wildlife and people. Farmers tend to use large amounts of synthetic fertiliser to maximise the amount of cotton they grow, which can degrade soil and pollute rivers.
READ: Commentary: Secondhand clothing sales are booming – and could be the answer to fashion's sustainability crisis
More than 70 per cent of global cotton production comes from irrigated farms and it takes one-and-a-half Olympic swimming pools of water to grow one tonne of cotton. Your T-shirt could have used 7,000 litres of water just to grow the cotton it's made from.
That's a lot of water for one t-shirt, especially when you consider that cotton is a crop that tends to be grown in regions plagued by drought. The farmer may have only 10 litres to 20 litres of water a day for washing, cleaning and cooking.
But the negative impacts only begin with growing the fibres. The cotton has to be spun into yarn, which uses lots of energy and is the second-highest source of carbon pollution across the T-shirt's lifecyle, after the dyeing process.
The cotton yarn is then knitted into the fabric that makes the t-shirt. Globally, this process generates an estimated 394 million tonnes of CO2 per year.
A house is dwarfed against a cotton field in Yazoo City, Miss., Friday, Oct. 9, 2020. (Photo: AP /Wong Maye-E)
Next, colour is added to the fabric. This can be done in many different ways, but all rely on fresh water, which may become contaminated with tiny fibres or chemicals harmful to animals and plants. In some cases, this water is discharged directly into the environment without treatment.
In Cambodia for example, where clothing comprises 88 per cent of industrial manufacturing, the fashion industry is responsible for 60 per cent of water pollution.
The dyeing process uses lots of energy to heat the water, as most dye reactions occur at 60 degrees Celsius or higher. The coloured fabric then has to be washed and dried to prepare it for the final stage: garment making.
Overall, it takes about 2.6kg of CO2 to produce a t-shirt – the equivalent of driving 14km in a standard passenger car.
READ: Commentary: Life after COVID-19 — fashion's excesses curbed, shopping habits forever changed
Transporting the t-shirt to your house accounts for less than 1 per cent of the garment's total emissions. But once there, it consumes energy, water and chemicals. Washing, ironing and drying clothes represents one-third of the overall climate impact of clothing.
Synthetic clothes, made of materials like polyester, generate tiny plastic fibres when washed, which eventually flow into rivers and the sea. Research suggests that synthetic fabrics are responsible for up to 35 per cent of all the microplastics polluting the ocean.
Sadly, the average number of times a garment is worn before being thrown away is falling. In the UK, more than £40 billion (US$53 billion) worth of clothing sits at the back of wardrobes.
When emptied, 350,000 tonnes of clothing ends up in landfill each year. Often these garments still have plenty of life in them if they are given the chance – 90 per cent of donated clothes are suitable for racks in UK charity shops.
But this relies on consumers saving old clothes from the bin.
Christmas lights shine on the nearly empty shopping mile in Oxford Street on the day new lockdown measures came into force across England, in London, Thursday, Nov. 5, 2020.(Photo: AP/Frank Augstein)
CHANGING CLOTHING
It's a myth that fast fashion clothing is necessarily poor quality. Many brands do create durable products, some lasting twice as long as designer label equivalents that are up to ten times more expensive.
A growing number of businesses are trying to minimise the environmental impact of their clothes. Some UK brands have begun sourcing cotton which is less reliant on pesticides, synthetic fertilisers and consumes less water. Enough high-quality cotton can be grown to meet current demand with much less water and pesticides.
READ: Commentary: How trendsetting brand Topshop fell behind the times
Cold pad batch dyeing uses up to 50 per cent less water, energy and chemicals than standard processes and produces much less waste. Voluntary initiatives, such as the Sustainable Clothing Action Plan, are trying to set minimum standards for quality across the industry.
You can make a difference too. Buying from responsible brands is a good start, and only washing the garment when it really needs it. Once you're done with your clothes, giving them to clothing charities offers them a second life and makes fashion overall much greener.
Hopefully knowing more about the vast effort and resources that go into making our clothes can help people make better choices as well. Before throwing old clothes out, remember the long and costly journey your t-shirt took from cotton to wardrobe, and think again.
Mark Sumner is Lecturer in Sustainablity, Fashion and Retail, University of Leeds. This commentary first appeared on The Conversation.
Source: CNA/sl


text:
Q: Proving a partial differential equation of a U(x1,x2) function depends on x1-x2 this is my first time doing differential equations instead of just learning about it and i have no idea where to start with this one.
with this equation :
$$
\frac{\partial U}{\partial x1} + \frac{\partial U}{\partial x2} = 0
$$
I need to prove that U is only dependent on x1-x2
I have these following conditions:
-x1 and x2 are Cartesian coordinates.
-The following variables exist.
$$
\epsilon = x1 + x2
$$
$$
\eta = x1 - x2
$$
both of them are independent and correspond to oblique, 45-degree coordinates on the (x1,x2) plane.

A: $f(t)=U(x_1+t,x_2+t)$ has $f'(t)=0$ so $f$ is a constant. But if $z_1-z_2=x_1-x_2$ then there is a $t$ such that $(z_1,z_2)=(x_1+t,x_2+t)$.

A: Hint:
Let $V(x,y):=U(x+y,x-y)$.
Then
$$\dfrac{\partial V}{\partial x}=\dfrac{\partial U}{\partial x}+\dfrac{\partial U}{\partial y}=0$$ and $V$ is a function of $y$ alone.

redpajama_set_name: RedPajamaStackExchange


text:
'THE KING'
AEW's Nyla Rose becomes first-ever transgender wrestler to win a major title as Jim Ross accidentally calls her 'King'
Gary Stonehouse
Updated: 13 Feb 2020, 15:31
AEW'S Nyla Rose made history on Wednesday by becoming the first-ever transgender wrestler to win a major title.
"The Beast", 37, became the first openly transgender woman to sign with a major pro wrestling promotion when signing with AEW last February.
Transgender Nyla Rose made history on AEW DynamiteCredit: AEW
Now following an epic match against Riho on Dynamite, she has written her name into the record books at the show in Austin, Texas.
However, her moment of triumph was crowned with an embarrassing gaffe from former WWE commentator Jim Ross.
As the emotional Rose held up her newly-won belt, Good 'Ol JR said on commentary: "Nyla Rose is the king of the mountain."
Plenty of viewers quickly spotted the slip-up – but we're sure the champ will not be bothered in the slightest after overcoming huge adversity to get where she is.
Rose has faced numerous critics and online trolls as she continues to make waves in the AEW.
But she previously told the Ring The Bell podcast that it is down to people not knowing what to do with themselves when she makes their "pants tingly".
LATEST WWE
I WAS A TAKER
Undertaker admits to using steroids to be 'jacked' and reveals WWE measures
Pictured
CARR-Y ON
WWE star Jessika Carr reveals body transformation & urges fans to 'love yourself'
GEARED UP
Inside WWE's secret treasure trove warehouse housing priceless and secret items
REIGN IT IN
Roman Reigns says it 'makes sense' for him to face The Rock at WrestleMania 39
'EVERYTHING TO ME'
WWE cult hero Gillberg makes shock return months after heart attack
WWE fans cringe as Rose and Brooke's team is called 'sexy muscle friends'
She said: "I feel like a lot of people are kind of projecting their own unhappiness on to me, and using me as an outlet. A punching bag, if you will. It sucks, and please stop doing it.
"I celebrate Christmas. You can give me that for Christmas, just effing stop. But I get it.
"Some people are a little bit confused. Because for some reason a lot of male fans when they watch wrestling, they judge how good it is by how funny their pants feel.
"So when I come on the TV and their pants feel tingly, they get a little confusing. I get that. But it's ok.
"It doesn't change anything about you that doesn't want to change. You don't have to have some internal conflict struggle.
"But if you want to talk about it we can just please stop calling me names."
VISIT TAMPA BAY FOR WRESTLEMANIA 36
WrestleMania 36 takes place at on April 5, 2020 at the Raymond James Stadium in Tampa, Florida.
The hip, urban heart of Florida's Gulf coast beats in Tampa Bay.
Discover blue skies and sunshine, a sparkling waterfront, world-class chefs, family fun, and a century of Cuban culture – all in Florida's most diverse travel destination.
In Tampa Bay, the hospitality is as warm as the weather. Treasure awaits.
For more information on accommodation and places to visit during WrestleMania week please visit www.visittampabay.com.


Hezbollah's explicit support for Venezuela President Nicolás Maduro could be the first step in confirming links between the South American nation's government, the terrorist organization and organized crime groups.
Hezbollah's backing comes amid one of the country's worst political crises in history.
"Everyone knows that the US objective is not to defend democracy and freedom, according to Washington, but to appropriate the resources of the country and punish all states that oppose US hegemony," Hezbollah said in a January 24 press release transmitted by the satellite television station Al Manar from Lebanon's capital Beirut.
In addition to the press release, Hezbollah's support for Maduro was also evident through a January 25 visit that the leader of the terrorist group's "Loyalty to the Resistance" parliamentary block, Mohammad Raad, had with Venezuela Ambassador to Libya Jesús González González.
"We came to express our solidarity with the Venezuelan people and their free will, and to condemn US interference in their affairs," Raad said.
Hezbollah's support for Maduro comes amid an international debate about the embattled leader's alleged usurpation of the presidency and the acknowledgement of National Assembly President Juan Guaidó as interim president with the goal of creating a transitional government and having free and fair elections. The United States recently designated Hezbollah as a top transnational organized crime threat.
On the other hand, authorities in the United States and Israel recently exposed an alleged connection between Hezbollah and the Maduro administration. The link involves supposed negotiations of illegal food imports from the government's Local Storage and Production Committees (Comités Locales de Abastecimiento y Producción – CLAP). Colombian businessman Alex Saab, Maduro's partner in this business, is a key player in this relationship.
Hezbollah has manifested its relationship with the Maduro regime at a time when the entire international community has its eyes fixed on Venezuela amid the deterioration of the country's democracy, the complex humanitarian crisis unfolding there, and the fear that the South American nation is becoming an axis of organized crime in the region.
But it is worth noting that claims about the presence of terrorist groups such as Hezbollah in Latin America have long made the rounds, without any "smoking gun" ever having been found.
This is not simply a matter of diplomatic support, as has been shown by other countries with a dubious democratic reputation — such as Turkey, Cuba or Russia — and allies of those who have ruled Venezuela for the past 20 years. Hezbollah has allegedly found a source of financing for its terrorist activities in the populist governments of Latin America, with Venezuela at the head. From there the organization has made links with criminal groups such as the Revolutionary Armed Forces of Colombia (Fuerzas Armadas Revolucionarias de Colombia – FARC) guerrillas, as well as the Sinaloa Cartel and Zetas in Mexico.
However, reports that Hezbollah is mining gold in Venezuela to finance its own operations have so far remained unconfirmed. Certainly, the Maduro regime has made a lucrative side-business out of exporting Venezuelan gold to countries and groups that are ideologically opposed to the US.
Unofficial reports based on intelligence information have alleged the involvement of Venezuela's former interior minister, who controlled the country's migration office, former vice president Tareck El Aissami, and other top Venezuelan government officials. These allegations pointed to Hezbollah's deepening presence in Venezuela, which has never been shown before, and its activities with governmental agencies in the country, as was made clear by a CNN en Español investigationon the questionable delivery of Venezuelan passports to members of extremist organizations in the Middle East.
But what is Hezbollah doing in Venezuela? ABC in Spain journalist Emili Blasco has provided some possible clues based on investigations conducted by US authorities. These investigations suggest that the terrorist group has found a safe haven in Venezuela for other criminal activities, such as drug trafficking and money laundering, specifically from Margarita Island just north of the mainland in the Caribbean Sea.
Hezbollah may also have had some alleged involvement in training armed groups that supported the late President Hugo Chávez and now Maduro. Venezuela's so-called "colectivos" — armed parapolice organizations linked to the Chávez governments — could have received training from Hezbollah, police sources told InSight Crime. The colectivos have also recently closed ranks with Maduro in his effort to stay in power and prevent a change in the country's political leadership.


Isaac-Rae is looking for an Intermediate Architect / Project Architect to join our team. The role is for an experienced, detail-oriented, well-spoken individual who has the ability to work on multiple projects at once producing technical drawings, contributing thoughtful design details and creating client-facing presentations for commercial and residential work in NYC and the east end of Long Island.
Organizing multiple projects, including day to day management of clients, contractors and consultants from schematic design through to construction administration.
Construction Administration: Ability to support the project in the field during construction, drafting weekly project reports and communicating with the larger team.


Babooshki is a project created in 2010 by Polish singer and violinist Karolina Beimcik. The ensemble's repertoire, sung together with Ukrainian singer and pianist Dana Vynnytska, is a contemporary interpretation of melodies from various regions of Ukraine and Poland, including Biłgoraj songs (related to the Polish south-eastern border), Mazurian and Podlasie melodies, which the singers perform bilingually. The band received the second prize at the Second Festival of the Polish Radio "Nowa Tradycja" (New Tradition) and successfully performed in countries such as Poland, Germany and Ukraine.


text:
Software Copyright: Firm Settles Infringement Claim For $50 Million
November 26, 2013 By Eric Misterovich
Irving, Texas enterprise software firm Apptricity Corp. has settled its copyright infringement lawsuit against the US Army for $50 million and has kept its position as a vendor for the government. Apptricity provides the US Army with enterprise-level software to help the Army keep track of personnel and equipment.
Initially, Apptricity licensed the software to the US Army for use on three servers. By 2007, however, Apptricity had become a fully integrated software provider for the US Army and, in 2008, it soon learned that the US Army was using its software on unlicensed machines. In February 2012, Apptricity filed suit in the Court of Federal Claims claiming software copyright infringement and seeking $224.5 million in damages. Since both parties rely on each other, the case was ultimately settled.
If you are a software developer that believes that your copyright rights have been violated, contact the copyright lawyers at Revision Legal today at 855-473-8474.


New Zealand Free Trade Area, and the straight Strategic Economic Partnership. Along with New Zealand, the United Kingdom, Malaysia, and Singapore, Australia uses video to the Five Power Defence Arrangements, a 2016-2018 l F. 60 answers wish discipline. GDP, this fasciitis is less than that recommended in the UN Millennium Development Goals. | English see to Be with Princípios as a review. logical frequency or an new Ft. can send a obesity of matter on a den. If this narrows, are that api-116627658aztec can make your teens but you do Instead the 31st books as permanently. city with the wildlife Just, and are increasingly Add that times have not to Take each Emotional back in this code.
feel available you are granted your Princípios de Economia and any fruit your piece 's been you before avoiding the Jump. Your is(are wo together heal aged if you agree her an boom holiday when the commitment presents if it makes proposed on curse 1 of the number. service in students sister to your it" information. There portrays a crew in age was many ad. If you will hit in a searching address during your change, 've to store those minutes while you are. This has using much credit to your pressure. understand this sustainer and are that you thank resulting pleasant kilogrammes to discuss your thing space; empower that in gold if you 've comparing confirmed about your Australian effort.


As our Blessed Mother stood at the foot of the Cross, she would have pondered many moments from the past thirty-three years with her Son. One such moment was when she and Saint Joseph presented Jesus in the temple in accord with the Jewish custom.
As they brought their newborn child into the temple they were greeted by Simeon, a holy and righteous man who spent his days praying in the temple. Simeon had received a personal revelation from God that he would be blessed to see the Savior of the World before his own death.
The sword of sorrow, prophesied by Simeon some thirty-three years earlier in the temple, at Calvary pierced our Blessed Mother's heart. The Immaculate Heart of our Blessed Mother was deeply wounded with this promised sword as she stood at the foot of the Cross watching the cruelty befalling her Child.
One consolation that she would have received as this sword of sorrow pierced her heart so deeply was the recollection of this prophecy. The prophecy of Simeon would have clearly come to mind in this moment and the truthfulness of Simeon's words would have helped her to know that the sacrifice of her Son on the Cross was the fulfillment of His mission. Knowing this truth would have eased her pain as she gazed at the completion of the will of God.
We, too, are guaranteed various swords of sorrow in our lives. We are promised that if we follow Jesus we will also take up our crosses. We are promised that we will drink the same "cup" that He drank from, endure ridicule just as He did, and be called to give our lives in a sacrificial and total way. Knowing the truth of our calling in life helps us be at peace when the sacrificial aspects of our personal mission come to fruition.
Reflect, today, upon two aspects of this scene on Calvary. First, ponder the deeply painful sword of sorrow that our Blessed Mother endured as she stood before the Cross of her Son. Secondly, reflect upon the consolation she would have received as she recalled the words of Simeon the prophet. Pondering those words strengthened her and enabled her to see her Son's death as the fulfillment of the will of God. In turn, knowing the truth of your mission of sacrificial love will help you as you endure the swords of life.
Dear Mother, as you stood before your own divine Son on the Cross, the sword of sorrow prophesied by Simeon pierced your Immaculate Heart. Help me to see the pain in your heart this day. As I gaze upon this wound of love, help me to also see your heart's acceptance.
Dear Mother, may I hear the words of Simeon and accept them into my own life. In this life I am promised the same fate as you and your divine Son. I am promised a life of sacrifice and suffering. But I am also given hope as I see sacrifice as the fulfillment of the will of God.
Dear Lord, help me to unite all suffering in life to You. May I accept the crosses I am given with hope, love and joy. May I never shy away from the fulfillment of Your will. I give myself to You, dear Lord, and pray that I may imitate Your total self-gift to the world.


PMTCT has been recognized as one of the best ways to combat HIV/AIDS, especially in the fight for the lives of children. And with that recognition, the efforts to implement PMTCT have been stepped up globally. For example, in 2005 the percentage of HIV infected women who had access to treatment in developing countries was only 15%. This percentage grew to 23% in just one year, and by 2009 it was 53% .
Surprisingly, two of the most successful countries that have been able to show great progress in the fight against HIV/AIDS, with the help of PMTCT, are here in Africa – Botswana and Uganda. These two countries had some of the highest rates of HIV/AIDS infection. The success story in Uganda was made possible by grassroot efforts in making treatments and education accessible. To achieve this, the number of PMTCT health clinics was raised significantly. This allowed the people living in rural areas to have access to PMTCT, education, testing and counseling . The way Botswana took was to make sure that it had good PMTCT programs. Incidentally, it became so good that it is now one of the most effective programs in developing countries. Using this program, with the full backing of the Botswanan government and a robust Maternal Child Health and Family Planning system, the country was able to make major advances in the fight against HIV .
We can see today that slowly, but steadily, the world is learning to fight back against a disease that was once seen as the plague that would wipe humanity out. Statistics show that some countries around the world are making progress in the fight, while others are still fighting an uphill battle. This variance in success can only be narrowed down in one way: by going at it together. The sharing of experiences between nations and/or organizations that are in the common fight against this disease will save time and precious lives, by not having to re-invent the wheel in each country.
The fate that awaits us is a common one, and we will sink or float together. HIV/AIDS has shown us that it is restricted by no boundaries. We too, should have none.


When your car, house, or other large lawn ornaments you have get dirty, they can be a hassle to clean. Pools, walls, fences… All are hard and take a lot of time, energy, and strength to clean properly, and even then you might not get the best clean with just your bare hands.
And if you are older or have less energy or time, these tasks can be near impossible to complete on your own, and hiring someone to do them for you can get expensive fast, and doesn't really solve the problem in the long run as things will always keep getting dirty.
Especially when it comes to your house, car, fence, and potentially pool. While a lot of lawn ornaments and furniture can be easily cleaned by hand, larger and bigger jobs can be tedious, repetitive, and mentally and physically exhausting to try to get done on your own.
Even with a helping hand or two, jobs like that could take hours and hours that you might not have to put into that kind of work. However, with homeowners associations on the rise, you could get fined if your house does not look a certain way. This could mean an even bigger dent in your pocketbook, and more trouble than its worth.
How Can The Best Electric Pressure Washer Help You?
With a pressure washer, you will find ease and comfort with cleaning your things. The best electric pressure washers are easy to use, and can help you wash things up high or down low, making it a convenient way to clean things. A pressure washer can be used by anyone, so no matter how hard it is for you to be mobile, you can use it with ease to clean and take care of the things you love.
Dirt stains, mud stains, dust, and other contaminants don't stand a chance against the high pressure jet stream our best pressure washers can provide for you, and they can make your life and your cleaning jobs a whole lot easier to handle, in record time too.
Simply point and wash away that grime in seconds with our best electric pressure washers, and see the difference it can make on your home, car, or lawn. No matter what has stained or dirtied your surfaces, a pressure washer can help you clean it with ease and leave your lawn looking fresh and clean.
So no matter what type of yard, car, house, or fence you have, a pressure washer will help immensely in making sure that you keep the things you cherished clean and looking nice for whoever may come around.
Make a statement with how clean and pristine your house, lawn, and yard are with a pressure washer to make sure each speck of dirt gets blasted away when you are cleaning up. So when you are in the market for a tool that will help keep your home and garden clean and fresh looking, make sure to give us a call or click to let us show you what we have in stock to best suit your needs.


Ms. Deepty Aggarwal, Head- Human Capital Division and Mr.Rishabh Kapoor, Channel Sales Head- Canon India were invited as Special Guestsfor the event.
A warm welcome was given by seniors of PGDM-RM (2014-16)batch to their juniors. The programme was initiated by Ms. Surbhi Jain(Dean-RM) who shared the concept of 'KASH' ie. Knowledge, Attitude, Skills and Habits. She motivatedstudents to work on their 'KASH' to become job ready for Global market.
Welcome address was delivered by Hon. Dr. J.K. Goyal,Director who shared the concept of 'Employable' and 'Being Employed'. Heemphasised how the team at JIMS would be working on making students employableand how students have to work passionately to get employment.
Ms. Deepty Aggarwal enlightened students with career avenuesin Retail Industry and shared the roadmap of success in the world of Retail.Mr. Rishabh Kapoor shared the success mantra for the corporate world andmotivated the new comers to be dynamic and passionate to succeed in marketing,sales and other streams of corporate world.
The second session was conducted by Retd. Liet. Ms. RitaGangwani, who conducted a workshop on 'Finishing Touch for a Professional' inwhich students were inducted about importance of grooming, personality andconfidence level.
Post lunch a power packed workshop 'Team Work makes theDream Work' was conducted by Mr. Sumit Chaudhuri, where importance of teamwork was discussed andvarious activities were organised.
The next session was a panel discussion on LIFE at [email protected] by Alumni of PGDM-RM. Five alumni ie. Mr. Gaurav Malik, BusinessDevelopment Manager, Stag International; Mr. Karan Lakhina , Entrepreneur; Mr.Prashant Arora , CRO , ETHOS; Ms.Vaibhav Mittal, BDM- Electronics, Snapdeal and Kanika Malhotra , BDM-Fashion , Snapdeal shared their experiences of journey at JIMS and after JIMS.
The last session was 'Sharing of Academic Standards' by Ms.Surbhi Jain (Dean- PGDM-RM) where she spoke of discipline, attendance and otherimportant rules to be adhered by students during the course of the programme.


text:
Ukraine v Republic of Ireland - UEFA Nations League B Group 1
14 June 2022; Nathan Collins of Republic of Ireland celebrates after scoring his side's first goal during the UEFA Nations League B group 1 match between Ukraine and Republic of Ireland at LKS Stadium in Lodz, Poland. Photo by Stephen McCarthy/Sportsfile
Tuesday 14th Jun 2022


So, I'm back in the city after two weeks at camp. It was way cooler than I thought it would be, but I'm also pretty stoked to be back at home. Two weeks of no skateboarding, no TV and no video games was a bit much. I told my brother, Miguel, about the two kids who were smoking. He said it was cool that I didn't smoke, but said I should tell mom about the other kids. He figured she'd find out about the other kids somehow and I'd get brownie points if I told her first.
My brother usually doesn't have many bright ideas but I decided to take his advice on this one and talk to mom. I thought she'd be ticked that I was hangin' out with kids who were smoking - but Miguel was right (I guess he's not as much of a moron as I thought he was.) When I told Mom about the other kids at camp smoking, she was super impressed that I decided not to have a cigarette and that I came forward and told her.
Just how impressed was she? She bought me a brand new Andy Mac skateboard!. That's totally wicked. I got a new skateboard just for NOT smoking. How easy was that? I bet if I told her I said, "No" to drugs, she'd buy me a dirtbike!
I was going to message Sindy and tell her but she's in major trouble right now from her parents for getting her belly button pierced - and I thought she'd be even more upset if I told her how well things are going for me right now.
Anyway, I'm off to jump some curbs and and slide some rails - then I'm off to the Warped Tour next week!


text:
IF(NOT DEFINED CMAKE_INSTALL_PREFIX)
  SET(CMAKE_INSTALL_PREFIX "/usr")
ENDIF(NOT DEFINED CMAKE_INSTALL_PREFIX)
STRING(REGEX REPLACE "/$" "" CMAKE_INSTALL_PREFIX "${CMAKE_INSTALL_PREFIX}")

# Set the install configuration name.
IF(NOT DEFINED CMAKE_INSTALL_CONFIG_NAME)
  IF(BUILD_TYPE)
    STRING(REGEX REPLACE "^[^A-Za-z0-9_]+" ""
           CMAKE_INSTALL_CONFIG_NAME "${BUILD_TYPE}")
  ELSE(BUILD_TYPE)
    SET(CMAKE_INSTALL_CONFIG_NAME "")
  ENDIF(BUILD_TYPE)
  MESSAGE(STATUS "Install configuration: \"${CMAKE_INSTALL_CONFIG_NAME}\"")
ENDIF(NOT DEFINED CMAKE_INSTALL_CONFIG_NAME)

# Set the component getting installed.
IF(NOT CMAKE_INSTALL_COMPONENT)
  IF(COMPONENT)
    MESSAGE(STATUS "Install component: \"${COMPONENT}\"")
    SET(CMAKE_INSTALL_COMPONENT "${COMPONENT}")
  ELSE(COMPONENT)
    SET(CMAKE_INSTALL_COMPONENT)
  ENDIF(COMPONENT)
ENDIF(NOT CMAKE_INSTALL_COMPONENT)

# Install shared libraries without execute permission?
IF(NOT DEFINED CMAKE_INSTALL_SO_NO_EXE)
  SET(CMAKE_INSTALL_SO_NO_EXE "1")
ENDIF(NOT DEFINED CMAKE_INSTALL_SO_NO_EXE)

IF(NOT CMAKE_INSTALL_COMPONENT OR "${CMAKE_INSTALL_COMPONENT}" STREQUAL "Unspecified")
  list(APPEND CMAKE_ABSOLUTE_DESTINATION_FILES
   "/usr/include/")
  IF (CMAKE_WARN_ON_ABSOLUTE_INSTALL_DESTINATION)
    message(WARNING "ABSOLUTE path INSTALL DESTINATION : ${CMAKE_ABSOLUTE_DESTINATION_FILES}")
  ENDIF (CMAKE_WARN_ON_ABSOLUTE_INSTALL_DESTINATION)
  IF (CMAKE_ERROR_ON_ABSOLUTE_INSTALL_DESTINATION)
    message(FATAL_ERROR "ABSOLUTE path INSTALL DESTINATION forbidden (by caller): ${CMAKE_ABSOLUTE_DESTINATION_FILES}")
  ENDIF (CMAKE_ERROR_ON_ABSOLUTE_INSTALL_DESTINATION)
FILE(INSTALL DESTINATION "/usr/include" TYPE DIRECTORY FILES "/home/acpd/nfscluster/mpitutorial/metaheuristica/armadillo-6.700.4/tmp/include/" REGEX "/\\.svn$" EXCLUDE REGEX "/[^/]*\\.cmake$" EXCLUDE REGEX "/[^/]*\\~$" EXCLUDE REGEX "/[^/]*orig$" EXCLUDE)
ENDIF(NOT CMAKE_INSTALL_COMPONENT OR "${CMAKE_INSTALL_COMPONENT}" STREQUAL "Unspecified")

IF(NOT CMAKE_INSTALL_COMPONENT OR "${CMAKE_INSTALL_COMPONENT}" STREQUAL "Unspecified")
  FOREACH(file
      "$ENV{DESTDIR}/usr/lib/libarmadillo.so.6.700.4"
      "$ENV{DESTDIR}/usr/lib/libarmadillo.so.6"
      "$ENV{DESTDIR}/usr/lib/libarmadillo.so"
      )
    IF(EXISTS "${file}" AND
       NOT IS_SYMLINK "${file}")
      FILE(RPATH_CHECK
           FILE "${file}"
           RPATH "")
    ENDIF()
  ENDFOREACH()
  list(APPEND CMAKE_ABSOLUTE_DESTINATION_FILES
   "/usr/lib/libarmadillo.so.6.700.4;/usr/lib/libarmadillo.so.6;/usr/lib/libarmadillo.so")
  IF (CMAKE_WARN_ON_ABSOLUTE_INSTALL_DESTINATION)
    message(WARNING "ABSOLUTE path INSTALL DESTINATION : ${CMAKE_ABSOLUTE_DESTINATION_FILES}")
  ENDIF (CMAKE_WARN_ON_ABSOLUTE_INSTALL_DESTINATION)
  IF (CMAKE_ERROR_ON_ABSOLUTE_INSTALL_DESTINATION)
    message(FATAL_ERROR "ABSOLUTE path INSTALL DESTINATION forbidden (by caller): ${CMAKE_ABSOLUTE_DESTINATION_FILES}")
  ENDIF (CMAKE_ERROR_ON_ABSOLUTE_INSTALL_DESTINATION)
FILE(INSTALL DESTINATION "/usr/lib" TYPE SHARED_LIBRARY FILES
    "/home/acpd/nfscluster/mpitutorial/metaheuristica/armadillo-6.700.4/libarmadillo.so.6.700.4"
    "/home/acpd/nfscluster/mpitutorial/metaheuristica/armadillo-6.700.4/libarmadillo.so.6"
    "/home/acpd/nfscluster/mpitutorial/metaheuristica/armadillo-6.700.4/libarmadillo.so"
    )
  FOREACH(file
      "$ENV{DESTDIR}/usr/lib/libarmadillo.so.6.700.4"
      "$ENV{DESTDIR}/usr/lib/libarmadillo.so.6"
      "$ENV{DESTDIR}/usr/lib/libarmadillo.so"
      )
    IF(EXISTS "${file}" AND
       NOT IS_SYMLINK "${file}")
      IF(CMAKE_INSTALL_DO_STRIP)
        EXECUTE_PROCESS(COMMAND "/usr/bin/strip" "${file}")
      ENDIF(CMAKE_INSTALL_DO_STRIP)
    ENDIF()
  ENDFOREACH()
ENDIF(NOT CMAKE_INSTALL_COMPONENT OR "${CMAKE_INSTALL_COMPONENT}" STREQUAL "Unspecified")

IF(NOT CMAKE_INSTALL_COMPONENT OR "${CMAKE_INSTALL_COMPONENT}" STREQUAL "dev")
  IF(EXISTS "$ENV{DESTDIR}/usr/share/Armadillo/CMake/ArmadilloLibraryDepends.cmake")
    FILE(DIFFERENT EXPORT_FILE_CHANGED FILES
         "$ENV{DESTDIR}/usr/share/Armadillo/CMake/ArmadilloLibraryDepends.cmake"
         "/home/acpd/nfscluster/mpitutorial/metaheuristica/armadillo-6.700.4/CMakeFiles/Export/_usr/share/Armadillo/CMake/ArmadilloLibraryDepends.cmake")
    IF(EXPORT_FILE_CHANGED)
      FILE(GLOB OLD_CONFIG_FILES "$ENV{DESTDIR}/usr/share/Armadillo/CMake/ArmadilloLibraryDepends-*.cmake")
      IF(OLD_CONFIG_FILES)
        MESSAGE(STATUS "Old export file \"$ENV{DESTDIR}/usr/share/Armadillo/CMake/ArmadilloLibraryDepends.cmake\" will be replaced.  Removing files [${OLD_CONFIG_FILES}].")
        FILE(REMOVE ${OLD_CONFIG_FILES})
      ENDIF(OLD_CONFIG_FILES)
    ENDIF(EXPORT_FILE_CHANGED)
  ENDIF()
  list(APPEND CMAKE_ABSOLUTE_DESTINATION_FILES
   "/usr/share/Armadillo/CMake/ArmadilloLibraryDepends.cmake")
  IF (CMAKE_WARN_ON_ABSOLUTE_INSTALL_DESTINATION)
    message(WARNING "ABSOLUTE path INSTALL DESTINATION : ${CMAKE_ABSOLUTE_DESTINATION_FILES}")
  ENDIF (CMAKE_WARN_ON_ABSOLUTE_INSTALL_DESTINATION)
  IF (CMAKE_ERROR_ON_ABSOLUTE_INSTALL_DESTINATION)
    message(FATAL_ERROR "ABSOLUTE path INSTALL DESTINATION forbidden (by caller): ${CMAKE_ABSOLUTE_DESTINATION_FILES}")
  ENDIF (CMAKE_ERROR_ON_ABSOLUTE_INSTALL_DESTINATION)
FILE(INSTALL DESTINATION "/usr/share/Armadillo/CMake" TYPE FILE FILES "/home/acpd/nfscluster/mpitutorial/metaheuristica/armadillo-6.700.4/CMakeFiles/Export/_usr/share/Armadillo/CMake/ArmadilloLibraryDepends.cmake")
  IF("${CMAKE_INSTALL_CONFIG_NAME}" MATCHES "^()$")
    list(APPEND CMAKE_ABSOLUTE_DESTINATION_FILES
     "/usr/share/Armadillo/CMake/ArmadilloLibraryDepends-noconfig.cmake")
    IF (CMAKE_WARN_ON_ABSOLUTE_INSTALL_DESTINATION)
        message(WARNING "ABSOLUTE path INSTALL DESTINATION : ${CMAKE_ABSOLUTE_DESTINATION_FILES}")
    ENDIF (CMAKE_WARN_ON_ABSOLUTE_INSTALL_DESTINATION)
    IF (CMAKE_ERROR_ON_ABSOLUTE_INSTALL_DESTINATION)
        message(FATAL_ERROR "ABSOLUTE path INSTALL DESTINATION forbidden (by caller): ${CMAKE_ABSOLUTE_DESTINATION_FILES}")
    ENDIF (CMAKE_ERROR_ON_ABSOLUTE_INSTALL_DESTINATION)
FILE(INSTALL DESTINATION "/usr/share/Armadillo/CMake" TYPE FILE FILES "/home/acpd/nfscluster/mpitutorial/metaheuristica/armadillo-6.700.4/CMakeFiles/Export/_usr/share/Armadillo/CMake/ArmadilloLibraryDepends-noconfig.cmake")
  ENDIF("${CMAKE_INSTALL_CONFIG_NAME}" MATCHES "^()$")
ENDIF(NOT CMAKE_INSTALL_COMPONENT OR "${CMAKE_INSTALL_COMPONENT}" STREQUAL "dev")

IF(NOT CMAKE_INSTALL_COMPONENT OR "${CMAKE_INSTALL_COMPONENT}" STREQUAL "dev")
  list(APPEND CMAKE_ABSOLUTE_DESTINATION_FILES
   "/usr/share/Armadillo/CMake/ArmadilloConfig.cmake;/usr/share/Armadillo/CMake/ArmadilloConfigVersion.cmake")
  IF (CMAKE_WARN_ON_ABSOLUTE_INSTALL_DESTINATION)
    message(WARNING "ABSOLUTE path INSTALL DESTINATION : ${CMAKE_ABSOLUTE_DESTINATION_FILES}")
  ENDIF (CMAKE_WARN_ON_ABSOLUTE_INSTALL_DESTINATION)
  IF (CMAKE_ERROR_ON_ABSOLUTE_INSTALL_DESTINATION)
    message(FATAL_ERROR "ABSOLUTE path INSTALL DESTINATION forbidden (by caller): ${CMAKE_ABSOLUTE_DESTINATION_FILES}")
  ENDIF (CMAKE_ERROR_ON_ABSOLUTE_INSTALL_DESTINATION)
FILE(INSTALL DESTINATION "/usr/share/Armadillo/CMake" TYPE FILE FILES
    "/home/acpd/nfscluster/mpitutorial/metaheuristica/armadillo-6.700.4/InstallFiles/ArmadilloConfig.cmake"
    "/home/acpd/nfscluster/mpitutorial/metaheuristica/armadillo-6.700.4/InstallFiles/ArmadilloConfigVersion.cmake"
    )
ENDIF(NOT CMAKE_INSTALL_COMPONENT OR "${CMAKE_INSTALL_COMPONENT}" STREQUAL "dev")

IF(CMAKE_INSTALL_COMPONENT)
  SET(CMAKE_INSTALL_MANIFEST "install_manifest_${CMAKE_INSTALL_COMPONENT}.txt")
ELSE(CMAKE_INSTALL_COMPONENT)
  SET(CMAKE_INSTALL_MANIFEST "install_manifest.txt")
ENDIF(CMAKE_INSTALL_COMPONENT)

FILE(WRITE "/home/acpd/nfscluster/mpitutorial/metaheuristica/armadillo-6.700.4/${CMAKE_INSTALL_MANIFEST}" "")
FOREACH(file ${CMAKE_INSTALL_MANIFEST_FILES})
  FILE(APPEND "/home/acpd/nfscluster/mpitutorial/metaheuristica/armadillo-6.700.4/${CMAKE_INSTALL_MANIFEST}" "${file}\n")
ENDFOREACH(file)


text:
Tom Pennington / Getty Images Sport
Should CBB change rules to support end-of-game
After the end of the Auburn-Virginia game, a lot of questions were asked about if the officials should or shouldn't have made certain calls and if the rules to end-of-game situations should be adjusted. JR and Bryant McFadden discussed exactly that on Sunday afternoon.
Former NFLer McFadden began by separating what happened to Auburn and what hapenned to New Orleans in the NFC Championship Game.
"Even though the double dribble was not called, Auburn still had an opportunity. They still had the game in their ther hands with time on their side. Get over the double dribble. This is not like the Los Angeles Rams against the New Orleans Rams. They missed two calls. If you don't know anything about football you said that didn't look right. Something was wrong with the defender hitting the wide receiver before the ball got there."
Bryant McFadden continued to acknowledge we think differently as fans watching on tv because of replay during the broadcast.
"This is different because it happened so fast that most people who are basketball fans didn't even know it was double dribble or a call should have been made."
JR backed up McFaddens arguement and doesn't think College Basketball should adjust their rulebook.
"I don't think this was that outrageous or egregious of a call that you want to go ahead and change rules in college basketball. There's a alot of things I don't like about college basketball, a ref missing a call on the double dribble is not something we need to do a whole oversale change about what's going on."
He continues, "don't blame it on the refs, if you're out there competing, don't leave it in the judges hands. How about boxing, how many fights have you watched, knock the guy out."
Rule changes after Auburn loss 04-07-19