Posts tagged with "Digital engagement"
Learn about communicating strategies to make public engagement more effective through this presentation by Managing Director of ArneTech, Kristian Jaakkola.
Community Engagement Health Check by ArneTech.
ArneTech are happy to announce the release of our newest service offering "Community Engagement Health Check". The Health Check will review Frameworks & Policies, Stakeholders & Relationships, Values & Principles, Execution of Practice and a lot more.
Co-creation is an important collaborative step in the global market for organisations to survive. It is a universally strategy that even non-profit organisations and government agencies have found useful in their implementation of projects.
ArneTech has completed their first phase of the 'Digital Community Engagement' project. Professionals in the field have brought forward industry important feedback. Here is the overview of the results.
ArneTech has been chosen as one of the five winning ideas to receive a portion of a $100k project funding from IAP2. As a result, the exciting new research project to provide a holistic view of digital community engagement in Australia begins.
ArneTech has proposed a research project into processes, tools, best practises and challenges of digital community engagement in Australia.
ArneTech is proud to announce a partnership with Future Dialog. Future Dialog is a customer branded mobile app for community and client engagement that has proven success and customer base in Europe. The App allows you to bring your most important content, news and information directly to the finger tips of your citizens or clients. In addition, it provides tools for interaction and surveys to collect feedback and ideas on any community consultations that you might have running or upcoming.
Learn about the reasons behind using visuals and gain some tips in using it successfully to engage others in your next project.


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WHY TIPPY
Instant Tips
TippyGO
Service Professionals Terms of Service
Welcome to Tippy! Please read these Service Professional Terms of Service (the "Terms") and our Privacy Policy (www.meettippy.com/privacy-policy) ("Privacy Policy") carefully because they are a legal agreement between you and DirectTIPS Operations, LLC ("Tippy") and govern your use of our website located at www.meettippy.com(the "Site"), our mobile device application ("App") and our services for processing, tracking and managing tips and other related services accessible via the Site and the App, unless you and Tippy have entered into a separate agreement. To make these Terms easier to read, the Site, the App, and our services are collectively called the "Services."
Access to and use of the Services by salons or other commercial establishments is not governed by these Terms and is subject to the terms of a separate Enterprise Services Agreement executed by Tippy and the commercial establishment. For the purposes of these Terms, a commercial establishment that has signed up for the Services under a valid, separate Enterprise Services Agreement with Tippy is referred to as a "Participating Entity".
If you wish to use the Services to tip a service professional, your use of the Services is not governed by these Terms and is subject to the End Customer Terms of Service.
1. Agreement to Terms. By using our Services, you agree to be bound by these Terms. If you don't agree to be bound by these Terms, do not use the Services.
2. Privacy Policy. Please refer to our Privacy Policy for information on how we collect, use and disclose information from our users. You acknowledge and agree that your use of the Services is subject to our Privacy Policy.
IMPORTANT NOTICE REGARDING ARBITRATION: WHEN YOU AGREE TO THESE TERMS YOU ARE AGREEING (WITH LIMITED EXCEPTION) TO RESOLVE ANY DISPUTE BETWEEN YOU AND TIPPY THROUGH BINDING, INDIVIDUAL ARBITRATION RATHER THAN IN COURT. PLEASE REVIEW CAREFULLY SECTION 18 "DISPUTE RESOLUTION" BELOW FOR DETAILS REGARDING ARBITRATION (INCLUDING THE PROCEDURE TO OPT OUT OF ARBITRATION).
3. Changes to Terms or Services. We may update the Terms at any time, in our sole discretion. If we do so, we'll let you know either by posting the updated Terms on the Site and the App, or through other communications to you. It's important that you review the Terms whenever we update them or you use the Services. If you continue to use the Services after we have posted updated Terms, you are agreeing to be bound by the updated Terms. If you don't agree to be bound by the updated Terms, then, except as otherwise provided in Section 18(f) "Effect of Changes on Arbitration," you may not use the Services anymore. Because our Services are evolving over time we may change or discontinue all or any part of the Services, at any time and without notice, at our sole discretion.
4. Who May Use the Services?
(a) Eligibility. You may use the Services only if you are 16 years or older and are not barred from using the Services under applicable law. If you are between 16 and 18 years old, you must have permission from your legal guardian before you use the Services. However, in order to use certain portions of the Services, such as the payment functionality that allows you to receive your tips electronically via the Services and deposit them directly into your bank account, you must also be a service professional employed or otherwise engaged by a Participating Entity (a "Service Professional"). If you're a Service Professional, your use of such portions of the Services may be discontinued if you cease to be employed by a Participating Entity or if your employer ceases to be a Participating Entity.
(b) Registration and Your Information. In order to use the Services, you'll have to create an account ("Account"). No additional information is required if you want to use the Services only for the purpose of tracking your tips. If you're a Service Professional and want to use the Services' payment functionality, you'll also have to register at least one bank account with your Account. Please refer to Section 6 for additional information on the Services' payment functionality.
(c) Accuracy of Account Information. It's important that you provide us with accurate, complete and up-to-date information for your Account and you agree to update such information to keep it accurate, complete and up-to-date. If you don't, we may (in our sole discretion) suspend or terminate your Account. You agree that you won't disclose your Account password to anyone and you'll notify us immediately of any unauthorized use of your Account. You're responsible for all activities that occur under your Account, whether or not you know about them.
5. Fees.
(a) Tippy does not charge you a fee for use of the Services if you use them solely for the purpose of tracking your tips. Use of other features of the Services, such as the payment functionality that allows the Service Professional to receive tips electronically so that the tips are deposited directly into his or her bank account, is subject to a fee payable by the Service Professional's customer paying the tip ("Customer") ("Fee"). No fee is due from or payable by the Service Professional.
(b) If you're a Service Professional using the Services' payment functionality, you agree that:
(i) When your Customer pays you a tip via the Services (each payment, a "Transaction"), the amount paid by the Customer will be inclusive of the Fee that is charged to the Customer for use of the Services. You acknowledge that the Fee is owed by the Customer to Tippy and that you have no right to receive any portion of such Fee. Accordingly, the amount available for deposit into your bank account for each Transaction will be net of such Fee.
(ii) The following Fee applies to each Transaction: $0.50 plus 2.75% of the Transaction amount. The Fee is subject to change at any time in Tippy's sole discretion.
6. Payment Functionality and Taxes.
(a) Our Services include a payment functionality that allows Service Professionals to receive tips via the Services and deposit such tips electronically into their bank account. This functionality also allows Service Professionals to split tips received via the Services with other Service Professionals employed by the same Participating Entity and who have registered to use this feature of the Services.
(i) You must open a "Dwolla Platform" account provided by Dwolla, Inc. ("Dwolla") and you must accept the Dwolla Terms of Service and Privacy Policy (available at www.dwolla.com/legal/privacy). Any funds held in the Dwolla account are held by Dwolla's financial institution partners as set out in the Dwolla Terms of Service. You authorize Tippy to share your identity and account data with Dwolla for the purposes of opening and supporting your Dwolla account, and you are responsible for the accuracy and completeness of that data. You understand that you will access and manage your Dwolla account through Tippy' application, and Dwolla account notifications will be sent by Tippy, not Dwolla. We will provide customer support for your Dwolla account activity, and can be reached at www.meettippy.com, support@meettippy.com and/or +1 (855) 831-2323.
(ii) So long as you have properly registered a bank account with the Services, payment of the tip amounts received by you via the Services into your bank account will be processed automatically by the Services and does not have to be initiated by you.
(iii) We will process any request to split any tip amounts received by you with other Service Professionals according to your instructions. Once you submit a request to split any tip amounts, it cannot be cancelled or modified. Please note that in some instances we might not be able to process a request to split a tip if the tip is already in the process of being paid to the recipient.
(c) Tippy is not responsible for determining if any tip amounts received by Service Professionals via the Services are subject to taxation and whether any amounts must be reported as tips. The Service Professional agrees that the tips received through Tippy's program will be reported to the employer for purposes of the stylist's obligation to report tips to the employer as required by federal and state law. It is the responsibility of each Service Professional and each Participating Entity to determine the proper application of taxes to the tip amounts received via the Services, including any payroll and income taxes. It is also the responsibility of each Participating Entity to determine whether (i) amounts must be reported as tip income, (ii) payroll taxes related to the tips must be withheld from other wages paid to the Service Professional, and (iii) withholdings must be remitted to the appropriate tax authorities.
(d) Tippy will see to it that tips are received by you in the amount either (i) designated by the client to whom you provided services (if the client particularly identifies a tip amount for you), or (ii) as directed by the business for which you work.
7. Proprietary Rights in the Services.
(a) Definitions. For purposes of these Terms, "Intellectual Property Rights" means all patent rights (including, without limitation, patent applications and disclosures), copyright rights, trade secret rights, trademark rights, rights in know-how, and any other intellectual property or proprietary rights recognized in any country or jurisdiction in the world.
(b) Tippy Ownership. Subject to the limited rights expressly granted hereunder, Tippy reserves all rights, title and interest in and to the Services (including all source code relating to the App) and all trademarks and service marks used by Tippy in connection therewith, including all related Intellectual Property Rights. No rights are granted to you hereunder other than as expressly set forth herein.
8. Feedback. We welcome feedback, comments and suggestions for improvements to the Services ("Feedback"). You can submit Feedback by emailing us at support@meettippy.com. You grant to us a non-exclusive, transferable, worldwide, perpetual, irrevocable, fully-paid, royalty-free license, with the right to sublicense, under any and all Intellectual Property Rights that you own or control to use, copy, modify, create derivative works based upon and otherwise exploit the Feedback for any purpose.
9. Content Ownership, Responsibility and Removal.
(a) Definitions. For purposes of these Terms: (i) "Content" means text, data, graphics, images, music, software, audio, video, works of authorship of any kind, and information or other materials that are posted, generated, provided or otherwise made available through the Services; and (ii) "User Content" means any Content that Account holders (including you) provide to be made available through the Services, including information on the tips received by you via the Services or that you otherwise enter into the Services (for example, information on your cash tips). Content includes without limitation User Content.
(b) Our Content Ownership. Tippy does not claim any ownership rights in any User Content and nothing in these Terms will be deemed to restrict any rights that you may have to use and exploit your User Content. Subject to the foregoing, Tippy and its licensors exclusively own all right, title and interest in and to the Content, including all associated Intellectual Property Rights. You acknowledge that the Services and Content are protected by copyright, trademark, trade secrets, and other laws of the United States and foreign countries. You agree not to remove, alter or obscure any copyright, trademark, service mark or other proprietary rights notices incorporated in or accompanying the Services or Content.
(c) Rights in User Content Granted by You. By making any User Content available through the Services you hereby grant to Tippy a non-exclusive, transferable, worldwide, royalty-free license, with the right to sublicense, to use, copy, modify, create derivative works based upon, distribute, publicly display, and publicly perform your User Content in connection with (i) operating and providing the Services and Content to you, other Account holders and other Tippy's customers and (ii) for any other purpose in connection with Tippy's business.
(d) Your Responsibility for User Content. You are solely responsible for all your User Content. You represent and warrant that you own all your User Content or you have all rights that are necessary to grant us the license rights in your User Content under these Terms. You also represent and warrant that neither your User Content, nor your use and provision of your User Content to be made available through the Services, nor any use of your User Content by Tippy on or through the Services will infringe, misappropriate or violate a third party's Intellectual Property Rights, or rights of publicity or privacy, or result in the violation of any applicable law or regulation.
(e) Removal of User Content. You can remove your User Content by specifically deleting it. However, in certain instances, some of your User Content may not be completely removed and copies of your User Content may continue to exist on the Services. We are not responsible or liable for the removal or deletion of (or the failure to remove or delete) any of your User Content.
(f) Rights in Content Granted by Tippy. Subject to your compliance with these Terms, Tippy grants to you a limited, non-exclusive, non-transferable license, with no right to sublicense, to download, view, copy, display and print the Content solely in connection with your permitted use of the Services and solely for your personal and non-commercial purposes, but in each instance, only as the functionality of the App allows you to download, view, copy, display, and print such Content.
(g) Access to User Content by Participating Entities. If you are a Service Professional, you acknowledge that, as part of the Services, your User Content will be accessible by the Participating Entity that employs you. We are not responsible for any use of User Content by Participating Entities, including any use for the purposes described in Section 6(c).
10. Rights and Terms for Apps.
(a) Rights in App Granted by Tippy. Subject to your compliance with these Terms, Tippy grants to you a limited, revocable, non-exclusive, non-transferable license, with no right to sublicense, to download and install a copy of the App on a mobile device or computer that you own or control and to run such copy of the App solely for your own personal non-commercial purposes. You may not copy the App. Except as expressly permitted in these Terms, you may not: (i) copy, modify or create derivative works based on the App (or any Content made associated with the App); (ii) distribute, transfer, sublicense, lease, lend or rent the App to any third party; (iii) reverse engineer, decompile or disassemble the App; or (iv) make the functionality of the App available to multiple users through any means. Tippy reserves all rights in and to the App not expressly granted to you under these Terms.
(b) Accessing App from App Store. The following terms apply to any App accessed through or downloaded from any app store or distribution platform (like the Apple App Store or Google Play) where the App may now or in the future be made available (each an "App Provider"). You acknowledge and agree that:
• These Terms are concluded between you and Tippy, and not with the App Provider, and Tippy (not the App Provider), is solely responsible for the App.
• The App Provider has no obligation to furnish any maintenance and support services with respect to the App.
• In the event of any failure of the App to conform to any applicable warranty, you may notify the App Provider, and the App Provider will refund the purchase price for the App to you (if applicable) and, to the maximum extent permitted by applicable law, the App Provider will have no other warranty obligation whatsoever with respect to the App. Any other claims, losses, liabilities, damages, costs or expenses attributable to any failure to conform to any warranty will be the sole responsibility of Tippy.
• The App Provider is not responsible for addressing any claims you have or any claims of any third party relating to the App or your possession and use of the App, including, but not limited to: (i) product liability claims; (ii) any claim that the App fails to conform to any applicable legal or regulatory requirement; and (iii) claims arising under consumer protection or similar legislation.
• In the event of any third party claim that the App or your possession and use of that App infringes that third party's Intellectual Property Rights, Tippy will be solely responsible for the investigation, defense, settlement and discharge of any such intellectual property infringement claim to the extent required by these Terms.
• The App Provider, and its subsidiaries, are third-party beneficiaries of these Terms as related to your license to the App, and that, upon your acceptance of the Terms, the App Provider will have the right (and will be deemed to have accepted the right) to enforce these Terms as related to your license of the App against you.
• You represent and warrant that (i) you are not located in a country that is subject to a U.S. Government embargo, or that has been designated by the U.S. Government as a terrorist-supporting country; and (ii) you are not listed on any U.S. Government list of prohibited or restricted parties.
• You must also comply with all applicable third party terms of service when using the App.
11. General Prohibitions and Tippy's Enforcement Rights. You agree not to do any of the following:
(a) Upload or submit any Content that: (i) infringes, misappropriates or violates a third party's patent, copyright, trademark, trade secret, moral rights or other Intellectual Property Rights, or rights of publicity or privacy; (ii) violates, or encourages any conduct that would violate, any applicable law or regulation or would give rise to civil liability; (iii) is harmful, threatening, abusive, harassing, vulgar, obscene or otherwise objectionable; or (iv) is fraudulent, false, misleading or deceptive;
(b) Use, display, mirror or frame the Services or any individual element within the Services, Tippy's name, any Tippy trademark, service mark, logo or other proprietary information, or the layout and design of any page or form contained on a page, without Tippy's express written consent;
(c) Access or tamper with Tippy's computer systems, or the technical delivery systems of Tippy's providers;
(d) Attempt to probe, scan or test the vulnerability of any Tippy system or network or breach any security or authentication measures;
(e) Avoid, bypass, remove, deactivate, impair, descramble or otherwise circumvent any technological measure implemented by Tippy or any of Tippy's providers or any other third party (including another user) to protect the Services or Content;
(f) Attempt to access or search the Services or Content or download Content from the Services through the use of any engine, software, tool, agent, device or mechanism (including spiders, robots, crawlers, data mining tools or the like) other than the software and/or search agents provided by Tippy or other generally available third-party web browsers;
(g) Use any meta tags or other hidden text or metadata utilizing a Tippy trademark, logo URL or product name without Tippy's express written consent;
(h) Use the Services or Content, or any portion thereof, for the benefit of any third party or in any manner not permitted by these Terms;
(i) Attempt to decipher, decompile, disassemble or reverse engineer any of the software used to provide the Services or Content;
(j) Interfere with, or attempt to interfere with, the access of any user, host or network, including, without limitation, sending a virus, overloading, flooding, spamming, or mail-bombing the Services; or
(k) Violate any applicable law or regulation; or
(l) Encourage or enable any other individual to do any of the foregoing.
Although we're not obligated to monitor access to or use of the Services or Content or to review or edit any Content, we have the right to do so for the purpose of operating the Services, to ensure compliance with these Terms and to comply with applicable law or other legal requirements. We reserve the right, but are not obligated, to remove or disable access to any Content, at any time and without notice, including, but not limited to, if we, at our sole discretion, consider any Content to be objectionable or in violation of these Terms. We have the right to investigate violations of these Terms or conduct that affects the Services. We may also consult and cooperate with law enforcement authorities to prosecute users who violate the law.
12. Links to Third Party Websites or Resources. The Services (including the App) may contain links to third-party websites or resources. We provide these links only as a convenience and are not responsible for the content, products or services on or available from those websites or resources or links displayed on such websites. You acknowledge sole responsibility for and assume all risk arising from, your use of any third-party websites or resources.
13. Termination. We may terminate your access to and use of the Services, at our sole discretion, at any time and without notice to you. You may cancel your Account at any time by sending an email to us at support@meettippy.com. Upon any termination, discontinuation or cancellation of the Services or your Account, the following Sections will survive: 9(a), 9(b), 9(c), 14, 15, 16, 17, 18, and 19.
14. Warranty Disclaimers. THE SERVICES AND CONTENT ARE PROVIDED "AS IS," WITHOUT WARRANTY OF ANY KIND. WITHOUT LIMITING THE FOREGOING, WE EXPLICITLY DISCLAIM ANY IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, QUIET ENJOYMENT AND NON-INFRINGEMENT, AND ANY WARRANTIES ARISING OUT OF COURSE OF DEALING OR USAGE OF TRADE. We make no warranty that the Services will meet your requirements or be available on an uninterrupted, secure, or error-free basis. We make no warranty regarding the quality, accuracy, timeliness, truthfulness, completeness or reliability of any Content. TIPPY IS NOT A LAW FIRM, FINANCIAL PLANNER OR TAX ADVISOR, AND THE SERVICES ARE NOT INTENDED TO PROVIDE LEGAL, TAX OR FINANCIAL ADVICE. TIPPY'S SOLE RESPONSIBILITY TO YOU IS TO SEE THAT YOU RECEIVE TIPS ALLOCATED TO YOU IN ACCORDANCE WITH THESE TERMS AND CONDITIONS. TIPPY HAS NO RESPONSIBILITY FOR ENSURING THAT YOU ARE PAID IN COMPLIANCE WITH ANY APPLICABLE WAGE AND HOUR LAWS, AND MAKES NO WARRANTIES TO YOU IN THAT REGARD.
15. Indemnity. You will indemnify and hold harmless Tippy and its officers, directors, employees and agents, from and against any claims, disputes, demands, liabilities, damages, losses, and costs and expenses, including, without limitation, reasonable legal and accounting fees arising out of or in any way connected with (i) your access to or use of the Services or Content, (ii) your User Content (including allegations that your User Content infringes the Intellectual Property Rights of third party), or (iii) your violation of these Terms.
(a) NEITHER TIPPY NOR ANY OTHER PARTY INVOLVED IN CREATING, PRODUCING, OR DELIVERING THE SERVICES OR CONTENT WILL BE LIABLE FOR ANY INCIDENTAL, SPECIAL, EXEMPLARY OR CONSEQUENTIAL DAMAGES, OR DAMAGES FOR LOST PROFITS, LOST REVENUES, LOST SAVINGS, LOST BUSINESS OPPORTUNITY, LOSS OF DATA OR GOODWILL, SERVICE INTERRUPTION, COMPUTER DAMAGE OR SYSTEM FAILURE OR THE COST OF SUBSTITUTE SERVICES OF ANY KIND ARISING OUT OF OR IN CONNECTION WITH THESE TERMS OR FROM THE USE OF OR INABILITY TO USE THE SERVICES OR CONTENT, WHETHER BASED ON WARRANTY, CONTRACT, TORT (INCLUDING NEGLIGENCE), PRODUCT LIABILITY OR ANY OTHER LEGAL THEORY, AND WHETHER OR NOT TIPPY OR ANY OTHER PARTY HAS BEEN INFORMED OF THE POSSIBILITY OF SUCH DAMAGE, EVEN IF A LIMITED REMEDY SET FORTH HEREIN IS FOUND TO HAVE FAILED OF ITS ESSENTIAL PURPOSE. SOME JURISDICTIONS DO NOT ALLOW THE EXCLUSION OR LIMITATION OF LIABILITY FOR CONSEQUENTIAL OR INCIDENTAL DAMAGES, SO THE ABOVE LIMITATION MAY NOT APPLY TO YOU.
(b) IN NO EVENT WILL TIPPY'S TOTAL LIABILITY ARISING OUT OF OR IN CONNECTION WITH THESE TERMS OR FROM THE USE OF OR INABILITY TO USE THE SERVICES OR CONTENT EXCEED THE AMOUNTS YOU HAVE PAID TO TIPPY FOR USE OF THE SERVICES OR CONTENT OR ONE HUNDRED DOLLARS ($100), IF YOU HAVE NOT HAD ANY PAYMENT OBLIGATIONS TO TIPPY, AS APPLICABLE.
(c) TIPPY IS NOT YOUR EMPLOYER AND HAS NOT ENGAGED YOU TO PERFORM ANY WORK. TIPPY HAS NO RESPONSIBILITY FOR ENSURING THAT YOU ARE CLASSIFIED OR PAID IN ACCORDANCE WITH APPLICABLE WAGE, HOUR, OR EMPLOYMENT LAWS. YOU AGREE THAT YOU WILL NOT BRING ANY CLAIM CONCERNING THE TERMS AND CONDITIONS OF YOUR WORK AGAINST TIPPY.
(d) THE EXCLUSIONS AND LIMITATIONS OF DAMAGES SET FORTH ABOVE ARE FUNDAMENTAL ELEMENTS OF THE BASIS OF THE BARGAIN BETWEEN TIPPY AND YOU.
17. Governing Law and Forum Choice. These Terms and any action related thereto will be governed by the Federal Arbitration Act, federal arbitration law, and the laws of the State of New York, without regard to its conflict of laws provisions. Except as otherwise expressly set forth in Section 18 "Dispute Resolution," the exclusive jurisdiction for all Disputes (defined below) that you and Tippy are not required to arbitrate will be the state and federal courts having jurisdiction in Fort Lauderdale, Florida, USA, and you and Tippy each waive any objection to jurisdiction and venue in such courts.
(a) Mandatory Arbitration of Disputes. We each agree that any dispute, claim or controversy arising out of or relating to these Terms or the breach, termination, enforcement, interpretation or validity thereof or the use of the Services or Content (collectively, "Disputes") will be resolved solely by binding, individual arbitration and not in a class, representative or consolidated action or proceeding. You and Tippy agree that the U.S. Federal Arbitration Act governs the interpretation and enforcement of these Terms, and that you and Tippy are each waiving the right to a trial by jury or to participate in a class action. This arbitration provision shall survive termination of these Terms.
(b) Exceptions and Opt-out. As limited exceptions to Section 18(a) above: (i) you may seek to resolve a Dispute in small claims court if it qualifies; and (ii) we each retain the right to seek injunctive or other equitable relief from a court to prevent (or enjoin) the infringement or misappropriation of our Intellectual Property Rights. In addition, you will retain the right to opt out of arbitration entirely and litigate any Dispute if you provide us with written notice of your desire to do so by email at support@meettippy.com or by regular mail at 2755 E Oakland Park Blvd Suite 300, Fort Lauderdale, FL 33306 within thirty (30) days following the date you first agree to these Terms.
(c) Conducting Arbitration and Arbitration Rules. The arbitration will be conducted by the American Arbitration Association ("AAA") under its Consumer Arbitration Rules (the "AAA Rules") then in effect, except as modified by these Terms. The AAA Rules are available at www.adr.org or by calling 1-800-778-7879. A party who wishes to start arbitration must submit a written Demand for Arbitration to AAA and give notice to the other party as specified in the AAA Rules. The AAA provides a form Demand for Arbitration at www.adr.org.
If your claim is for U.S. $10,000 or less, you may choose whether the arbitration will be conducted solely on the basis of documents submitted to the arbitrator, through a telephonic or video-conference hearing, or by an in-person hearing as established by the AAA Rules. If your claim exceeds U.S. $10,000, the right to a hearing will be determined by the AAA Rules. Any arbitration hearings will take place in the county (or parish) where you live, unless we both agree to a different location. The parties agree that the arbitrator shall have exclusive authority to decide all issues relating to the interpretation, applicability, enforceability and scope of this arbitration agreement.
(d) Arbitration Costs. Payment of all filing, administration and arbitrator fees will be governed by the AAA Rules. We'll pay for all filing, administration and arbitrator fees and expenses if your Dispute is for less than $10,000, unless the arbitrator finds your Dispute frivolous. If we prevail in arbitration we'll pay all of our attorneys' fees and costs and won't seek to recover them from you. If you prevail in arbitration you will be entitled to an award of attorneys' fees and expenses to the extent provided under applicable law.
(e) Class Action Waiver. YOU AND TIPPY AGREE THAT EACH MAY BRING CLAIMS AGAINST THE OTHER ONLY IN YOUR OR ITS INDIVIDUAL CAPACITY, AND NOT AS A PLAINTIFF OR CLASS MEMBER IN ANY PURPORTED CLASS OR REPRESENTATIVE PROCEEDING.. Further, if the parties' dispute is resolved through arbitration, the arbitrator may not consolidate another person's claims with your claims, and may not otherwise preside over any form of a representative or class proceeding. If this specific provision is found to be unenforceable, then the entirety of this Dispute Resolution section shall be null and void.
(f) Effect of Changes on Arbitration. Notwithstanding the provisions of Section 3 "Changes to Terms or Services" above, if Tippy changes any of the terms of this Section 18 "Dispute Resolution" after the date you first accepted these Terms (or accepted any subsequent changes to these Terms), you may reject any such change by sending us written notice (including by email to support@meettippy.com) within 30 days of the date such change became effective, as indicated in the "Last Updated" date above or in the date of Tippy's email to you notifying you of such change. By rejecting any change, you are agreeing that you will arbitrate any Dispute between you and Tippy in accordance with the terms of this Section 18 "Dispute Resolution" as of the date you first accepted these Terms (or accepted any subsequent changes to these Terms).
(g) Severability. With the exception of any of the provisions in Section 18(e) of these Terms ("Class Action Waiver"), if an arbitrator or court of competent jurisdiction decides that any part of these Terms is invalid or unenforceable, the other parts of these Terms will still apply.
19. General Terms.
(a) Entire Agreement. These Terms constitute the entire and exclusive understanding and agreement between Tippy and you regarding the Services and Content, and these Terms supersede and replace any and all prior oral or written understandings or agreements between Tippy and you regarding the Services and Content. If any provision of these Terms is held invalid or unenforceable by an arbitrator or a court of competent jurisdiction, that provision will be enforced to the maximum extent permissible, and the other provisions of these Terms will remain in full force and effect. You may not assign or transfer these Terms, by operation of law or otherwise, without Tippy's prior written consent. Any attempt by you to assign or transfer these Terms, without such consent, will be null. Tippy may freely assign or transfer these Terms without restriction. Subject to the foregoing, these Terms will bind and inure to the benefit of the parties, their successors and permitted assigns.
(b) Notices. Any notices or other communications provided by Tippy under these Terms, including those regarding modifications to these Terms, will be given: (i) via email; (ii) by posting to the Services; or (iii) as otherwise authorized by these Terms. For notices made by e-mail, the date of receipt will be deemed the date on which such notice is transmitted.
(c) Waiver of Rights. Tippy's failure to enforce any right or provision of these Terms will not be considered a waiver of such right or provision. The waiver of any such right or provision will be effective only if in writing and signed by a duly authorized representative of Tippy. Except as expressly set forth in these Terms, the exercise by either party of any of its remedies under these Terms will be without prejudice to its other remedies under these Terms or otherwise.
20. Contact Information. If you have any questions about these Terms or the Services, please contact Tippy at support@meettippy.com.
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Let's get this conversation started. Tell us a bit about yourself, and we'll get in touch as soon as we can.
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Michael Cole
Pat Parenty
With over 35 years experience in the professional beauty industry, Pat's successful career was driven by his belief in developing the skills and abilities of salon professionals, to allow them to thrive and prosper professionally and personally. Pat started his career as a Territory Manager where he had the opportunity to meet thousands of salon professionals and learned the reality of the salon business and it's unique challenges, and well as fantastic opportunities.
Pat spent eight years driving commercial success, then moved into general management where he developed and executed the vision and long-term strategic plan for the largest manufacturer in the U.S. market. His last eight years he served as the president of that company leading 13 brands and a national distribution company. Over the course of his career he developed and implemented innovative business and leadership skill development programs to enhance the product and service innovations he brought to the market to help salon professionals successfully compete in an ever-changing marketplace.
Pat joined Tippy because he believes this company shares his vision for providing business systems that enable salon professionals to improve performance and reach their goals and aspirations, whatever they may be.
Michael Sampson
The current CEO of Kate Somerville Skincare, Michael Sampson has spent his career leading multi-nationals, start-ups, and scaling organizations. He has deep roots in the beauty industry and has consistently focused on channel diversification, product development, and consumer engagement.
At Tippy, he brings a global perspective fostered developed through many years with L'Oréal, and a career spent in offices all over Europe and the USA. He also brings executive and strategic expertise from his time as the Portfolio President of Hatchbeauty and his role as a mentor at TrendSeeder Corp., an education ecosystem that fosters fashion, health, and wellness innovators.
His wide range of experiences and expertise in working with the startup ecosystem makes him the perfect match for Tippy's board.
Michael J. Caron
Michael Caron is a business management veteran who got his start in the textile industry after receiving his degree from Notre Dame and MBA from Ohio State. He supported one of the first Inside Sales teams in the industry and fueled his company's growth through a variety of management roles.
In 1997, Michael joined an oil and gas corporation, and initiated a management buy-out of the company by 2004. In the years that followed, he grew the company to enjoy over $250 million in sales, and held numerous directive positions, such as Director of Marketing.
In 2013, Michael sold the company and entered a "working retirement" by offering his expertise and insight to startups in the market. He has helped develop maternity wear, micro medical needles, and many other concepts. Mike invested in Tippy falling in love with the concept of the app and its power to help people earn a better living. Because of the range and scope of his experiences, he has become a valuable partner in supporting the app's rollout and growth, and hopes to use his profits to support his many charities, such as the South Mountain YMCA.
Doug Von Allmen
Doug Von Allmen started his career working in a manufacturing plant right out of high school, and went on to create one of the largest privately-owned beauty product distribution companies in the country. He has accumulated over 40 years of investment experience, and served in such roles as CFO and CPA for major companies. He was an essential investor in behindthechair.com, which is now one of the leading websites for salon professionals in the world, and which has over 600,000 members.
Because salon professionals and the beauty industry have been so important to his own success, Doug is now the primary investor in Tippy. He knows how hard beauty professionals work and wants them to enjoy a better life. He hopes to inspire others to achieve the American Dream, and supports numerous charities for disadvantaged children.
Terry McKim
Graduating in 2005 from Millersville University, Terry McKim began his career as Director of Sales and Marketing for a regional commercial printing and marketing company, and subsequently served as Business Development Manager for Reese Ad Agency. During this time, he founded and built his first company, Digitizing, a Digital Advertising Company, which he successfully sold in 2011.
Terry was then recruited to Lords & Ladies Salons as Director of Marketing and Communications, where he developed and repositioned their brand. Seeing an unserved market in the children's hair care, he partnered with Terry Derr to found Rock the Locks, a natural hair care product line for kids. Currently, Rocks the Locks is finalizing a merger with another international children's' product line with distribution in over 4,000 retail outlets nationwide.
In 2014, Terry conceptualized Tippy, the patent pending tipping system for the service industry, and immediately began testing the software throughout the industry. Terry proudly volunteers within his community, coaching his local high school wrestling and youth soccer, and lending his experience to the Marketing Committee for The Greater Reading Economic Partnership.
David Tashjian
David Tashjian is a venture capitalist and investor with roots in the University of Virginia's Darden Graduate School of Business. His career started on Wall Street in 1982, where he built and ran high-yield trading businesses at both Salomon Brothers and Wasserstein Perella. In 1992, he was approached by Lazard Freres & Co. to become a General Partner, where he headed a group focused on global investments. In 1999, Mr. Tashjian was appointed to Lazard & Freres' Global Head of Debt and Equity Capital Markets, and was appointed to the firm's Global Executive Committee.
In 2007, Mr. Tashjian retired from Lazard to pursue venture capital opportunities. As co-founder and president of Linq3, he steered the company to secure long-term contracts with state lotteries and multinational corporations, eventually acquiring $85 million in funding and 70 full-time employees. In 2015, David co-founded DirectTips and its flagship app, "Tippy," to bring that same innovation to the style industry.
TeaserVideo

redpajama_set_name: RedPajamaCommonCrawl


Had to look further to figure out where this is- Raleigh Hills in southwest.
Was this related to the Reynolds aluminum plant in town?
Also I can't help but see "alcoa care home" and think it's for elderly people. The name still throws me.


The Paperless Wizard includes a series of tools to help you to assist in minimising the use of paper in your practice. The focus is to facilitate electronic and automated processes to replace manual paper-based workflows with electronic workflows.
When there is a need to use paper-based forms such as theatre forms, the Barcode Scanning Module simplifies and automates the scanning and filing of completed documents, eliminating user error. This reduces staff time on filing and removes the need for large storage requirements.
Barcode labels can be printed for incoming paper documents.
Use of these tools results in significant staff time saving and removes the need to add extra storage capacity to house the paper-based histories in your practice.


i am so grateful and excited for this new space ... a place where creativity and inspiration will abound. even more, to be able to share this platform with some truly talented people who inspire me with their work everyday. there are so many amazing makers and artists out there and i feel lucky to be able to introduce them and their work to you. even more, these great talents are people i have a personal connection with, have worked with on other projects, and some i'm still getting to know. i'm hoping each of these individuals will inspire you with a glimpse into their space as they share what inspires them most.
1/how would you describe your collection?
minimalist, natural and stylish. i mainly focus on textile interior elements such as decorative pillows (for living and bedrooms), pure linen bedding, and table linens. my collection reflects my love for balanced minimalist design and natural flax fiber, such as pure linen which is a great choice for any contemporary interior due to its naturalness and simplicity. all my creations are high quality, yet simple and pure in their design. they can serve as a stylish focal point in a space without overwhelming while complimenting your existing decor.
minimalism is always about simplicity, but it is not that simple to create good minimalist design. when i create a new piece, i often create a picture of a particular interior in my head first - it could be an urban loft or a spacious seaside ranch. this helps me grasp the mood of the environment in which my creation would live and very often is what gives the direction for the design. in general, my inspiration comes from everywhere - nature, plants, gardens, abandoned buildings and places. contemporary architecture, and design (especially bauhaus and art deco) inspire me as well. a beautiful linen fabric can be a spark of inspiration as i know exactly what i would create with it, just by looking at its design.
3/what's your favorite thing to make?
i enjoy creating new things, something that is simple, beautiful and of high quality. i also love custom orders, even though they require more time to finish. i like the process of finding the best construction or color solution for a new design.
4/what do you listen to while you create or do you have any rituals before you begin your creative process?
early saturday morning is the best time for me to create. i wake up at 6 a.m., have a cup of coffee and work until the midday listening to talks about cultural life on national radio. i love knowing what is going on in the world and in my country. reading comments and emails from my happy clients are another thing i like to do. it's so great to start a day with positive feedback!
photos by linenspace for creative loaf.
Great new space! Congratulations are in order!!


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Candy McMann (apellido de soltera: McMann), es un personaje ficticio de la serie de televisión neozelandesa Go Girls, interpretada por la actriz Shara Connolly desde el 2013 hasta ahora.

Biografía
Apareció por primera vez en el 2010 cuando visitó a su hermana mayor de Britta McMann, a quien le ocasionó varios problemas antes de irse, al inicio Candy no es una persona muy popular ya que existe una página llamada "I Hate Candy - IHC" creada por sus enemigos a quienes molestó en la escuela. Candy no tenía problemas para usar a los hombres por su dinero y luego alejarse cuando las cosas se dificultaban.

Candy regresó a la costa en el 2012 para asistir a la boda de Britta, en donde le revela a su familia que no tenía otro lugar a donde ir, ni dinero ni pareja por lo que se muda con ellos. Pasó los últimos cinco años viajando por el mundo y obtuvo una calificación como fisioterapeuta deportiva.

A su llegada Candy está dispuesta a cambiar su vida y su misión es mejorar como persona, al inicio lucha por no aprovecharse de los demás, por ver solo por sí misma, criticar y ser impaciente. Cuando se encuentra con Ted Keegan un amigo de la infancia, este no está feliz de verla pero poco a poco se da cuenta de que Candy ha cambiado. Poco a poco Candy comienza a hacer amigos entre ellos Levi Hirsh, Bennie Keegan y Alice Lee.

Referencias

Enlaces externos
 Go Girls Official Website > Character > Candy McMann
 Go Girls : Meet Candy McMann

Personajes de Go Girls

redpajama_set_name: RedPajamaWikipedia


Trust in the One Who Never Fails!
Having faith in God is more than just believing in Him—it is an act of totally surrendering to His will. Since the beginning of time, people have walked the road of faith. Through the ups and downs of life, they have put their trust in the One who promises never to leave or forsake them.
This collection of devotional writings helps you understand that God is in control of the circumstances of life. Together with God: Stories of Faith shares meditations penned by authors from Our Daily Bread to remind us of the Lord's presence and faithfulness.
Through reflections on the experiences of biblical characters and stories of modern-day people, you'll find encouragement that strengthens your faith and inspires you to build a spiritual legacy for generations to come.
Order your copy today, and discover how you can grow closer to the Lord as you journey through life on the road of faith.


This year, as the planet comes together to enjoy the 2018 FIFA World Cup™, one of the world's largest sporting events, there is a simple yet powerful way that shoppers can make a difference. The "#PassTheHappiness" campaign invites fans to celebrate this time as a force for social good by purchasing participating Coca-Cola products at Walmart International Stores in 14 countries to provide the unpoppable One World FutbolTM to communities in need. It's a simple way to make a difference. Together we can score big for our youth and build a legacy for future generations.
Hey, what's up, y'all. It's Jason Derulo here. And while many of us are celebrating our nation's colors, and one of the world's largest sporting events, Coca-Cola and Walmart International and One World Play Project are giving kids around the world one more reason to celebrate. And they need our help. Football-loving, disadvantaged youth all over the world are keeping the play going, no matter the equipment. Playing on dirt or concrete, rather than grass, and with balls made of trash and twine.
These kids, our future, deserve so much more.
In more than 10 countries worldwide, Coca-Cola has teamed up with Walmart International and One World Play Project to provide unpoppable footballs to communities in need. Now these footballs never need a pump and never go flat, even when punctured or crushed. That way the fun never has to stop. Together, we can keep lighting up our world with joy. It's a simple way we can make a difference. To build a legacy for our future generations.
To join the efforts, simply go to Walmart, buy the participating Coca-Cola products and register your purchase. However you help, pass the happiness by joining in our efforts and together, we can score big for our youth.


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Crimes That Shook Britain
The Legacy of the Marchioness
When the party boat Marchioness was sunk on 20 August 1989, 51 people lost their lives in what was one of the worst disasters the Thames has ever seen. The accident showed just how dangerous the river can be, and highlighted the serious lack of safety provisions for river disasters. Since that night, the campaign to improve river safety, led by Marchioness survivors and the families of the victims, has seen the successful implementation of new marine laws and regulations that will help to ensure that using the Thames is as safe as it possibly can be.
The Legacy of the Marchioness– five reasons why the Thames is safer than ever...
1. Passenger numbers
Before 1989, there were no regulations governing passenger manifests or passenger numbers, meaning that for the hundreds of chartered trips sailing the Thames each week, there were no records of how many people were actually on board. In the immediate aftermath of the Marchioness disaster, it became mandatory for ships to keep accurate records of passenger numbers.
Prior to that night in 1989, it was not necessary for ship's staff to explain to passengers what should be done in the event of an emergency, or to demonstrate the proper use of safety equipment. Since then, marine laws have been changed to ensure that all charter passengers know what to do if the worst should happen.
The Kidnapping of Patty Hearst
Born on February the 20th 1954, Patricia Campbell Hearst was the granddaughter of American publishing magnate William Randolph Hearst.
3. Marine Drink/Drug Laws
It sounds almost unbelievable now, but before the Marchioness went down, there were no mandatory limits for drink or drug levels while operating a ship. Guidelines existed – put in place by the companies that have ships on the river – but no laws. After it was discovered that the captain of the ship that ran into the Marchioness had been drinking earlier in the day, marine laws were brought into line with motoring alcohol and drug laws, with the same limits – and penalties - for drunk captains as for drunk drivers.
4. River Bank Safety Equipment
The Thames is a tidal river, with incredibly strong currents, poor visibility and a high volume of traffic. Even if you're a strong swimmer, the Thames is a dangerous challenge. For those Marchioness passengers who found themselves in the water that night, having something to anchor themselves to could have been a lifesaver. Sadly, before the sinking of the Marchioness, there were no provisions for anyone being swept along in the river's currents; now however, the inner banks of the Thames are lined with chains should anyone need to anchor themselves while they wait for help.
5. Lifeboat Stations
Despite the obvious dangers of the Thames, it took until 2002 to persuade the government that the vital search and rescue service provided by the RNLI was an essential part of increasing river safety. Prior to that night, there were no co-ordinated rescue plans, and the Metropolitan Police had no contingency for river disasters. When the government finally agreed, five Lifeboat stations were opened along the length of the river. Since then, the RNLI has reported that the Thames stations are the busiest in the entire United Kingdom, and they've saved countless lives.
Stephen Lawrence 1
Stephen's death at the hands of a racist gang in 1993 sparked a 20 year battle by his family for justice.
Susan Rushworth Missing
Recovering heroin addict Susan was last seen on her way to pick up her daily Methadone.
Garry Newlove
Garry Newlove, a married father of three, was beaten to death outside his home in Warrington, Cheshire in August 2007.
Joanne Dennehy 3
Joanne was a loving and average school child. But in her teenage years her behaviour became more erratic and her
Lee Rigby
The murder of Lee Rigby, a soldier who was horrifically murdered in Woolwich by Islamic fundamentalist terrorists
Damilola Taylor Death of a 10 Year Old: 999
Two men found Damilola on the stairwell and called 999.
See Schedule >
NOW Live PD: Police Patrol 02:30
Next up Homicide Hunter 03:00
The Cosby Case
In the space of a few years, Bill Cosby went from being one of America's top actors and comedians— once the highest
Do Child Abductions Happen More During the Summer?
Five 9/11 Conspiracy Theories
A Strange Case
Defied conventional beliefs about women who commit murder.
The Assassination of Alexander Litvinenko
Alexander Valterovich Litvinenko died in University College Hospital, London, at the age of 44.
Stephen Port: How He Almost Got Away With It
The Changing Face of Terror in Britain
Dr David Holmes Interview
Angus Sinclair
Scotland's Worst Serial Killer


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Mozart at the Opera
Mozart himself conducted the first performance of this work in Vienna, and it has become a favourite in opera houses around the world.
The hero Belmonte, assisted by his servant Pedrillo, attempts to rescue his beloved Konstanze from the harem of Pasha Selim. In this performance they present a chamber music version, an opera without singers, perfectly suited to the intimacy of Government House Ballroom and featuring outstanding guest performers and resident musicians of the Australian National Academy of Music in Melbourne.
Featuring music from Mozart's Abduction from the Seraglio.
Phillip Lambert Narrator
Nick Deutsch Oboe
David Thomas Clarinet
Lyndon Watts Bassoon
Marie-Luise Neunecker French horn
Musicians from the Australian National Academy of Music.
Please note: this concert is held at Government House Ballroom
Sunday 16 September, 4pm to 5.30pm
$35 + booking fee
Government House Ballroom, St Georges Terrace, Perth WA 6000
ACROD Parking


Exercise more, eat more: This has long been the inherent problem in increasing your physical activity. But a new study from the journal Marketing Letters offers a small, simple shift in thinking. Reframe the way you think of exercise, the authors argue, regarding it as a fun diversion rather than a chore, and you may be less inclined to pig out on junk food afterward.
The findings showed that when physical activity was perceived as fun (e.g., when it is labeled as a scenic walk rather than an exercise walk), people subsequently consume less dessert at mealtime and consume fewer hedonic snacks. A final observational field study during a competitive race showed that the more fun people rated the race as being, the less likely they were to compensate with a hedonic snack afterwards. Engaging in a physical activity seems to trigger the search for reward when individuals perceive it as exercise but not when they perceive it as fun.


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Debt-a-mining the 21st century
August 13, 2015 by Bike India Team Leave a Comment
What the 21st century owes to motorsports and why it's good for you
Not everyone is a motorsport enthusiast and not everyone has a neurotic urge to wring the throttle till the landscape is a nebulous blur. And that is understandable. To use a motorcycle purely as a means of transport is certainly a prudent, utilitarian approach to motoring and a rational justification of a vehicle's primary function. However, one cannot dispense mankind's urge to compete and the competition factor associated with motoring.
The roots of racing date back to 1894 when inter-city car races were held all across Europe. The two-wheeled world caught on soon after and racing just followed naturally. Even in Europe when the inter-city races were held, most famously between Paris and Vienna, a special motorcycles category was also held. The earliest race tracks were basically horse-racing ovals and velodromes and subsequently in 1909, dedicated wooden tracks, purpose built for motor-racing cropped up. Motorcycle racing in particular owes much to the Isle of Man, the Mecca of motorcycle racing where the first Tourist Trophy (TT) races were held in 1907.
There are multiple schools of thought when one discusses this potentially dangerous, substantially life threatening form of sport. Most are plain indifferent and might be amazed by the superlatives of the sport. They will drop their jaws in amazement at the slow motion footage of Marquez scraping his elbow on the apex. They will smirk and smile enviously and dispense it as sport for the crazies. And most of the times, they don't mean it in a pejorative sense, quite the opposite actually.
Given its inherently dangerous nature, motorsport has claimed several lives in the pursuit of the chequered flag. It is true that life expectancy goes down when one intends to scrape knees on decreasing radius corners for a living. But then again, you increase your chances of drowning by getting a pool in your backyard! And your family's too! In fact, the element of danger is not too far away. Even something as mundane as commuting in the local trains of the Maximum City can get you killed in these exceedingly violent times.
Paint me the devil's advocate if you may but I'd like to raise a few points in favour of the sport and I shall attempt it without my undying love of the sport to dilute the rationality of my arguments. First and foremost, racing has one winner! There isn't room for another. And the rules of the sport are to beat the one holding the numero uno position. And that calls to the fore those who are willing to go the extra mile, who are willing to build and create technologies to make the tools of racing – cars/bikes/quads/trucks – go faster or handle better. Racing provides the proving ground to consistently test and develop technologies. Invariably a toned-down, economic and a feasible version of these technologies trickle down to our passenger cars and bikes. We need to take a good look at our vehicles and an even closer look at the vehicles from the yesteryears.
A shining example of this is the infamous crash-helmet. As poorly as this device might have rubbed off on us Indians, the helmet has saved numerous lives from inception, globally. An Internet search on the development of the helmet will reveal its deep-rooted association with the race-track. What started out as leather caps and goggles have now evolved to Carbon-fibre helmets which are capable reading out navigation information on a head-up display. Hard-tail motorcycles offered spring-loaded seats and that was the only form of suspension in the early years of racing. Now, we have the event-based suspension which modifies the set-up of the system to improve traction in the varying conditions one may encounter. Incorporation of electronics has allowed us to use multiple modes and facilitate rider aids in order to improve rider control in the most trying conditions.
Another example of this technology-transfer is fuel-injection which has made our cars and bikes so much more fuel-efficient and reliable in comparison to the vehicles from the yesteryears. Born of thoroughbred racing pedigree, the 1952 Mercedes-Benz 300 SL was not only the fastest car of its time, but also the first car to feature the technology. The 300 SL won races at the 24 Hours of Le Mans, Eifelrennen at the Nürburgring, and also Mexico's Carrera Panamericana. What started off with an open-loop system that used a bulky six-piston mechanical fuel pump has evolved into closed-loop system that employs a 200-bar fuel pump and an arsenal of sensors to modulate the combustion in the engine – capable of three or more injections per power stroke! And this is not prototype technology which comes across as black-magic in the closed confines of an R&D centre in Germany. This is technology that has trickled down to our very own road cars which compete for an edge in fuel efficiency to the last decimal.
While motorsport can never ever be devoid of danger, one cannot deny the progress the industry has made to avoid and reduce the magnitude of accidents. In the early years of racing, fatalities were not uncommon, but these have not been in vain. With every passing season, better technology gets more accessible to road-going vehicles.
Bike India Team – who has written 948 posts on Bike India.
Blinkers Off!
Character on two wheels
One Championship, but Two Champions
Filed Under: Blogs, Grease Monkey Tagged With: bike, India, motorsport


Kiltimagh 2-12, Belmullet 2-8: Kiltimagh are right back in this year's intermediate championship having ventured into the lions den that is Belmullet and departed with two unlikely points. Belmullet had not lost a competitive game at home in the last four years and were hot favorites but a tremendous all-round team performance from Kiltimagh saw them prevail. Their next outing now takes on massive importance and a win is a must against Kilcommon, who visit Kiltimagh on the weekend of the 14th/15th July next.
Kiltimagh 0-12, Parke 0-8. Kiltimagh secured another 2 points in Div 2B on Saturday 2nd June last. The next outing in the League is on Sunday 17th June 2007 at 2pm in Moygownagh.
Kiltimagh 2-7, Castlebar 1-4: Kiltimagh made the short distance to Castlebar for this first round Division 1 clash. In a tight game, Kiltimagh put in an excellent perfomance and ran out deserved winners by a margin of 6 points.
Kiltimagh 2-5, Acail 0-6 : Kiltimagh's minor team got their 2007 league campaign off to a winning start on Sunday 1st April with a well deserved win over Achill. Next game is away to Moy Davitts on Friday 20th April at 7pm.
Kiltimagh had another good win against old rivals Hollymount away last Sunday. Kiltimagh showed great battling qualities in what was a tough encounter. However it was at a cost with Gary Smyth, Tomas Morley, and John McNicholas receiving injuries. Aiden Lydon was sent off for a late tackle and will be suspended for a month. It was a good all round team performance with everyone trying hard.
In atrocious conditions at Gilmartin Park on Monday the 19th March 2007, Kiltimagh served up a winning performance in their first match in Division 2B. They were deserving winners as the scoreline suggests but were somewhat flattered by the scoreline as only 5 points separated the sides up until the 25th minute of the second half. However, a storming finish, as Ballyhaunis faded, saw Kiltimagh make the game safe.
The intermediate championship draw was made in Castlebar last night.
1st Round Kiltimagh v Kilmeena at home on 27th May 2007.
2nd Round Kiltimagh v Belmullet away on 10th June 2007.
3rd Round Kiltimagh v Kilcommon at home on 15th July.
Kiltimagh 1-18 to Aughamore 0-10. This was Kiltimagh's first game under lights and they played very well. It was played in four quarters of twenty minutes. Aughamore missed a lot of chances in the first quarter, Kiltimagh took over after that and won convincingly.With many of the established players injured or away it gave a lot of the younger players a chance to prove themselves. The following Kiltimagh young guns gave outstanding performances ; John McNicholas, Liam Lydon, Ronan Malee, Jimmy Byrne, Barry McCarthy, Johny Costello, Sean Ivers, and Brian Gallagher.
Team; Padraic Ivers, Mark Freeman, Johny Murtagh, Michael Heneghan, Aiden Lydon, Tomas Morley, Tommy Gallagher, Gary Smyth, Darragh Sloyan, James Byrne, Noel Lydon, John McNicholas, Keith Lydon, Liam Lydon, and Ronan Malee.
Subs; Michael Walsh, Noel Walsh, Barry McCarthy, Johnny Costello, Sean Ivers, and Brian Gallagher.


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[News] New ANNABELLE COMES HOME Poster Stokes Great Fear!
Courtesy of New Line Cinema
New Line Cinema revealed a brand new poster for their upcoming ANNABELLE COMES HOME and it is utterly terrifying. With the phrase, "Possess Them All," you can't help but be concerned about all of the vulnerable souls that will be impacted by her demonic might.
ANNABELLE COMES HOME is the third installment of New Line Cinema's hugely successful Annabelle films starring the infamous sinister doll from the Conjuring universe. Gary Dauberman, the screenwriter of the Annabelle films, IT and The Nun, makes his directorial debut on the film, which is produced by Peter Safran (Aquaman), who has produced all the films in the Conjuring franchise, and Conjuring universe creator James Wan (Aquaman).
Determined to keep Annabelle from wreaking more havoc, demonologists Ed and Lorraine Warren bring the possessed doll to the locked artifacts room in their home, placing her "safely" behind sacred glass and enlisting a priest's holy blessing. But an unholy night of horror awaits as Annabelle awakens the evil spirits in the room, who all set their sights on a new target—the Warrens' ten-year-old daughter, Judy, and her friends.
The film stars McKenna Grace (TV's "The Haunting of Hill House," "Gifted," Captain Marvel) as Judy; Madison Iseman (Jumanji: Welcome to the Jungle, Goosebumps 2: Haunted Halloween) as her babysitter, Mary Ellen; and Katie Sarife (TV's "Youth and Consequences" and "Supernatural") as troubled friend Daniela; with Patrick Wilson (Aquaman, The Conjuring and Insidious films) and Vera Farmiga ("The Conjuring" films, upcoming Godzilla: King of the Monsters, TV's "Bates Motel") reprising their roles as Ed and Lorraine Warren.
Dauberman directed the film from a screenplay he wrote, from a story by Dauberman & Wan. Richard Brener, Dave Neustadter, Victoria Palmeri, Michael Clear, Michelle Morrissey and Judson Scott served as executive producers.
Dauberman's behind-the-scenes team included director of photography Michael Burgess (upcoming The Curse of La Llorona), production designer Jennifer Spence (Annabelle: Creation, The Nun), editor Kirk Morri (Aquaman) and costume designer Leah Butler (Annabelle: Creation). The music is by Joseph Bishara (The Conjuring films).
New Line Cinema presents, an Atomic Monster/Peter Safran Production, ANNABELLE COMES HOME. The film is set to open in theatres and IMAX on June 28, 2019 and will be distributed by Warner Bros. Pictures.
annabelle annabelle comes home annabellecomeshome News
TISH Movie Review: LAST SUNRISE (2019)
[NEWS] HORRIBLE IMAGININGS FILM FESTIVAL Advanced Passes on Sale!


David Barron, who farms at Nether Aden near Mintlaw, Peterhead, is participating in a Scottish Government-funded trial into the use of hydrogen electrolyser technology on his JCB loader tractor.
The loader has been retrofitted with a special hydrolyser, or hydrogen electrolyser as it is also known.
This is not designed to replace the vehicle's reliance on diesel, but instead reduce it and in the process cut its carbon emission output.
The hybrid vehicle features a hydrolyser unit, which essentially puts an electric current through distilled water to create oxy-hydrogen which is then put through the engine.
"You put distilled water in and it goes through the electrolyser, and gas goes round into the engine and it keeps it really clean," said Mr Barron, who farms 570 acres in partnership with his wife, Nicola, and their three children, Jack, Tom and Jamie.
He said as well as reducing the JCB's carbon emissions, the hydrolyser unit had reduced the machine's fuel reliance by about three litres per hour.
Based on a fuel cost of 50p a litre, this equates to a saving of £1.50 an hour and a potential annual saving of £1,500 if the machine is used for 1,000 hours during the year.
Phil Davies, of Water Fuel Engineering Ltd, which fitted the hydrolyser to the loader, said Mr Barron's JCB was the first agricultural machine in the UK to be fitted with this new technology. He said: "What we have created is an electrolyser which produces oxy-hydrogen on board and on demand.
He said the company was confident that the technology would be mass produced and commercially available to farmers, at an affordable price, from 2019.
"We are really excited because in the past five to 10 years the government has made a lot of noise about emissions in cities, but in rural areas it's more significant," added Mr Davies. "What perhaps we will need to be thinking about is how heavy industrial traffic could actually contribute to cleaner air.
Mr Barron's interest in the hydrogen technology was sparked by his involvement in the Scottish Government's Farming for a Better Climate initiative.
His farm is one of nine across Scotland taking part in the project, which sets out to help farmers find ways to make their businesses more profitable and efficient, while in turn reducing their carbon footprint.
Alan Bruce, of SAC Consulting's office in Turriff, oversees Nether Aden's involvement in the government project.
He said improved efficiency and reduced carbon emissions went hand in hand.
As well as installing the hydrolyser on his JCB, Mr Barron has discussed a wide range of issues with fellow farmers attending meetings at Nether Aden as part of the Farming for a Better Climate initiative.
Topics covered ranged from grassland management to a "black v white" debate when deciding whether to continue using Charolais bulls or switch to Aberdeen-Angus on Nether Aden's 130-cow suckler herd of mainly Angus cattle.
Cropping was also discussed and Mr Barron has since taken the decision to reduce his winter cropping in a bid to cut fertiliser use – carbon audits of the farm revealed its fertiliser usage was too high.
In addition, Mr Barron has enrolled Nether Aden in the government's Agri-Environment and Climate Change Scheme and green manure has been incorporated into cropping plans as part of this.
For Mr Barron, though, the real potential for future farm business improvement is the hydrolyser.
He believes it is the first step towards a wave of new technology use in agriculture.
He is confident in future years that technology which allows energy from renewable energy sources, such as wind turbines, to be stored as hydrogen could lead to farmers producing their own fuel and fertiliser.
Hydrogen storage is currently possible, but the cost is too high, said Mr Barron.
"The electrical charge through the water in the hydrolyser could be taken from renewables," added Mr Barron.


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Соревнования по одиночному фигурному катанию среди мужчин на зимних Олимпийских играх 2022 года прошли 8 и 10 февраля. Местом проведения соревнований стал Столичный дворец спорта, расположенный в Пекине. В турнире приняли участие 30 спортсменов представляющие 20 НОК, которые завоевали олимпийские лицензии по результатам чемпионата мира 2021 года и турнира Nebelhorn Trophy. По итогам короткой программы в финал прошли 24 сильнейших фигуриста.

Чемпионом Олимпийских игр 2014 и 2018 годов являлся японский фигурист Юдзуру Ханю, который на Играх 2022 года показал 4-ый результат.

Медалисты

Рекорды
До начала зимних Олимпийских игр 2022 года мировые рекорды в мужском одиночном катании были следующими:

Расписание
Время местное (UTC+8)

Результаты

Ссылки
 Фигурное катание на официальном сайте зимних Олимпийских игр
 Олимпийский турнир на официальном сайте Международного союза конькобежцев (ISU)

Фигурное катание в сезоне 2021/2022


Arriving in the middle of the fall season last year, Arrival wound up being one of the biggest surprises of 2016. Not only did it receive overwhelming positive praise from critics, but it also made $100 million at the domestic box office and earned eight Academy Award nominations. It was considered by many to be one of the best movies of the year, but thanks to an absolutely grueling post-production process, director Denis Villeneuve truly had no idea that it would manage to get the response that it did.
I couldn't dream of a better welcoming, the way the movie was received. To be honest, if you had said that to me a year ago that we would be Academy Awards with eight nominations I would have laughed at you. And then maybe insult you! It was such a difficult movie to finish and to do, to find the right pacing. [Editor] Joe Walker and I, we worked so hard, I remember we were like [pretends to pull out his hair]. So when it was released I had no idea how the world would react to that movie.
Stressful as the entire experience was overall, Denis Villeneuve did note that being completely preoccupied during the initial release did actually provide him "mental sanity" -- and he actually expressed the desire to send all of his films to theaters in similar fashion.
That's what was so difficult with the movie in the editing room. It's specifically a movie that needed to work for somebody who sees it the first time, the second time, the third time, the fourth time. It needed to be deep, so in the cut we were not allowed to cheat. So it was a long process.
Fortunately, Arrival very much does come together as a film worth seeing multiple times -- and now everyone has the opportunity to do just that. The movie is now available on Blu-ray and DVD in stores everywhere, and be sure to stay tuned here on CinemaBlend for more from my interview with Denis Villeneuve!


Willow Glen is a neighborhood of San Jose, California, in Santa Clara County. The neighborhood has walkable tree-lined streets, people-oriented homes, diverse architecture, specialty shops, and independent businesses. The historic downtown on Lincoln Avenue between Willow Street and Minnesota Avenue is a well-known "walkable" downtown community, with a variety of restaurants and shops.
By 1863 the small unincorporated community needed its first school. Willow Glen Elementary School was founded in 1863. Willow Glen continued as an unincorporated community until the 1920s, when the City of San Jose ordered the Southern Pacific Railroad to re-route the Southern Pacific Railroad trunk line which at that time was going down Fourth Street. The Southern Pacific then proposed to re-route down Lincoln Avenue. In order to forestall that attempt, Willow Glen was incorporated as a city in 1927. The railroad was instead re-routed to its current route through a then-unincorporated area now known as North Willow Glen, where its principal user is now Caltrain.
Being a city, however, required thinking about issues such as sewage. Willow Glen had no sewer system – individual homes had their own cesspools or septic systems. Because the area was marshy before being drained for Willow Glen, the high water table resulted in raw sewage often spilling above-ground from flooded cesspools. Rather than build their own very expensive sewage treatment system, in 1936 Willow Glen's residents opted to be annexed to San Jose and be linked to San Jose's sewage system, the measure passing by a vote of 978 to 871.
Lincoln Avenue was renamed from "Willow Glen Road" in 1865 shortly after the assassination of President Abraham Lincoln.


It is hard to put into words precisely how bad Chasing Dead is. There are so many glaringly obvious design flaws and a severe lack of overall polish, that it calls into question exactly how it managed to survive Nintendo's notorious Lot Check.
This story-driven sci-fi horror shooter threads a narrative in which a parallel Earth has suddenly appeared out of nowhere. Unable to maintain contact with any expedition teams sent to investigate, you play as a mercenary called Jake, hired by the government to retrieve any research abandoned by the missing teams while looking into the reason behind their mysterious disappearance.
The plot is as ludicrous as it sounds, a horrendous B-movie of sorts with an accompanying live-action cast that never convey any particular belief behind the script that they reading. We can laugh that disconnect off, but as a game, it fails in far more dramatic places.
With the concept penned in September 2012, the development timeline paints a picture in that it apparently entered Beta testing by April 2015. Whatever process developer 2020 Venture claim to have followed fails to see their end product amount to a game that would never even near recommendation, which is astounding for all the wrong reasons.
Actions speak louder than words, and it's evident that I'm not alone in such thoughts. Even the Californian-based indie has already slammed their own panic button, heavily discounting Chasing Dead as they rush to address the criticism being directed at it. But, while there have been nine updates released for version on Steam, Wii U has been left in the dark to the best of my knowledge. Such rapid bug fixes are perhaps to be commended but seen from an honest perspective firmly signify a game that wasn't anywhere near ready for release.
Opening with Jake's spaceship being destroyed when entering the parallel Earth's atmosphere, he rushes to an escape pod that soon crashes directly into a plane that crosses its path. It is a tale that moves from one crazy scenario to another, wanting to take players to numerous locales regardless of how disjointed the overall experience may feel. Whether that be Afghanistan, Russia or Ukraine, you will wander through an abandoned science facility, a ruined cityscape and an open desert, all the while gunning down roaming undead, mutants and soldiers that have lost their sanity.
It was seemingly a clear goal for 2020 Venture to whisk players around the world, but the levels themselves are largely uninspired and barren. It is those that are more free-roaming that cause the most headaches, a lack of any objective marker repeatedly resulting in players meandering before they stumble upon the location by chance. That these are filled so sparsely only heightens such concern, with players thrust into open-ended sandboxes purely for a sense of scale rather than any calculated reason.
It wouldn't be rude to point out that assets are often copied-and-pasted within levels, and such shortcuts are evident throughout the central story mode. Enemies, aside from bullet-sponge bosses, similarly look alike even if they are armed with different weapons, and all suffer from some atrocious AI that, given that it never improves over the course of the game's entirety, feels as if Chasing Dead has been resuscitated from a long forgotten console generation.
2020 Venture is able to achieve improved levels of mediocrity when the levels are more linear, streamlining the experience to the point that players can rain bullet hell down corridors. But even then, there is far too little enjoyment to be drawn from the experience when the enemies you face are so moronic.
With multiplayer, more futuristic weapons, new enemies and missions promised in forthcoming updates, their initial effort is so subpar that I hold out little hope that they will be able to deliver on such admirable ambition.
Chasing Dead amounts to an unpolished and scattershot experience that fails to find near enough any success in the end product. More time in development was desperately needed, which will be clear to any that dare buy this frustratingly lacklustre release.


Hi, everyone! Yesterday, I shared with you a movie list to watch on Valentine's, so today I want to share a book list! Because this wouldn't be A Reading Cat otherwise. This list is a combination of books I've heard of or read before but they're all sweet, romantic, easy-breezy (and some juicy!). They're perfect for a nice read on Valentine's!
Click on each photo if you want a direct link to its page and summary on Goodreads to help you decide which one would be the best fit for you. What books do you love reading on Valentine's? Do you go for something romantic or you don't really choose?


Rock Band 4, largely the Rock Band that you already know and maybe love, has one big change from previous games. That is the Freestyle guitar solo. Its intent is to break away from the traditional and sometimes very tough scripted solos, and get you playing something that makes you feel like you're actually shredding. It succeeds in that sense.
But, those who have spent many a long night playing Rock Band may find that the Freestyle's novelty wears off quickly. It looks and sounds cool, but the challenge just isn't there. Fortunately, Freestyle Solos aren't mandatory in Rock Band 4.
In fact, they're easy enough to turn off, albeit a little counter-intuitive. You'd think it's under the giant "Freestyle Solos" heading, but it's not. Rather, hit the menu button on your guitar — the one that pulls up the little rectangle at the bottom of the screen. From there, navigate to "Options" and uncheck the "Freestyle Solos" button. Voila! You're back to those intricate scripted solos that sound just as the actual songs do.
Truthfully, it feels a bit callous to immediately switch off the new defining feature of thisRock Band game. Freestyle Solos are great for a party atmosphere, given that you can teach everyone how they work without too much frustration. However, the purists and the score-chasers won't want any part of it. They'll want their Rock Band how they've always had their Rock Band — and it's quite simple to get that back.


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