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WATCH | Inside the R92m 'Gatsby' mansion in Houghton
16 January 2020 - 07:39 By IAVAN PIJOOS
Heart and soul. That's what it took to build a jaw-dropping 2,000-square-metre home tucked in Houghton Ridge, Johannesburg.
The owners have never lived in the home, but functions were held there by their business associates.
The property went up for sale after the project overtook the owners. They are now looking to buy a smaller property in SA.
"Imagine saying to client I'm going to be with you for eight to 10 years?
"I really think it was a labour of love and passion. As this project grew, it was realised it was bigger than the parties involved. The brief was to complete it," designer and developer Stephen Pellerade said.
The entrance is surrounded by tall walls and a gate that opens inward.
Making your way along the driveway, tall trees, fountains and statues stand out.
As you open the huge brown double doors, bought in Argentina's capital city, Buenos Aires, modern abstracts compliment grandmasters' artworks and chandeliers in the foyer.
The staircase in the foyer leads to en suite bedrooms, of which there are eight.
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The luxury home features four levels, with a gymnasium, conference facilities, a private nightclub, spa, a heated indoor pool and outdoor training pool.
There is also state-of-the art security and surveillance systems. iPads are fitted to the walls, which puts switching off lights or playing music a touch of a button away.
Each of the rooms overlooks the living space and the indoor pool and bar.
The home is fitted with solid marble balustrades from Turkey. The glass stretch in the living area gives you a view of the Johannesburg skyline.
The sellers are also throwing a Rolls-Royce into the sale.
It took trips around the world for Pellerade and his team to gather the "most wonderful furnishing and fittings".
They bought chandeliers from Venice and statues at auctions in France.
"The end goal was to make it an extraordinary home."
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Pellerade said he got involved in the project about 12 years ago. He said they filled the different levels of terrace with soil from the City of Johannesburg when the Gautrain company removed it from Rosebank.
"It really started fairly small and, as we realised how this project could be and this property could be, it became a lot bigger.
"Then you realised you were custodians of an incredible location and incredible project," Pellerade told TimesLIVE.
He said the owners were amazed when they saw the completed project.
According to Samuel Seeff, chairperson of Seeff Property Group, two to three years ago no price was too high for upper-end buyers, but that had changed.
"Luxury buyers remain cautious, given that property is generally a 20-year investment, and want to see visible and significant change in the economy and political situation before committing.
"Thus far, the economy and record-low confidence levels have given these buyers little encouragement," Seeff said.
He said there had been a notable decline in high-end sales and prices.
According to Seeff, activity has "practically halved" on the Atlantic seaboard compared with 2016, with the highest price achieved barely reaching R60m, compared with R290m three years ago.
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However, Chas Everitt Luxury Portfolio CEO Rory O'Hagan disagreed, saying the luxury market in the country was now in recovery after a decline in late 2018 and early 2019.
"Sales in this sector are on the increase for three reasons, the first being that sellers have now largely come to terms with the fact that it is still a buyer's market and adjusted their asking prices accordingly."
O'Hagan said there had been increased interest in SA property among many high net-worth individuals from other parts of Africa, India and China, which have the fastest-growing numbers of millionaires.
He said luxury leisure properties in Cape Town, the Winelands, on the Garden Route and on the north coast of KwaZulu-Natal offered good value in global terms, and especially for those buying with dollars, pounds or euros.
Seeff said a combination of political noise, landownership concerns and record-low confidence had played a huge role in the market.
"Foreign ownership has slowed drastically due to concerns about political stability and the weak economic environment.
"Foreigners want to know that they are investing in a sound property market, where property rights are protected and their investment will accumulate value."
There had also been a decline in demand for rental investments due to Airbnb, he said..
"There is a global slowdown in the demand for second homes, as wealthy buyers are opting to use Airbnb to rent luxury holiday apartments and villas, and then don't have to be burdened by the financial and upkeep responsibility of a second home."
WATCH | Inside the R92m 'Gatsby' mansion in Houghton Home & Gardening
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Thursday 26th January: The iconic, triple decker Knight Bus today rolls into Warner Bros. Studio Tour London - The Making of Harry Potter, which opens 31st March 2012. Taking its place among the many authentic sets, props and costumes from the eight Harry Potter films, the Knight Bus debuted in Harry Potter and the Prisoner of Azkaban™ and was one of the most complicated pieces to create in the production.
John Richardson, Special Effects Supervisor, said: "The Knight Bus was not a CGI Creation as many people thought but in fact a real-life working bus. It was constructed by cutting up two iconic Routemaster buses, reworking the structure and bolting it all back together to provide one bus with three decks. One interesting challenge that arose during the shooting of Harry Potter and the Prisoner of Azkaban was that we could not drive the vehicle across London due to the number of low bridges in and around the capital. This meant that we had to transport the bus in two pieces between locations and put it back together as required for filming."
Warner Bros. Studio Tour London – The Making of Harry Potter will open 31st March 2012 with timed tickets available from 13th October 2011. Tickets are priced at £28 for adults, £21 for children and £83 for a family of four. Tickets must be booked in advance via a dedicated website www.wbstudiotour.co.uk or through approved tour operators.
© 2011 Warner Bros. Ent.
Harry Potter Publishing Rights © J.K.R.
Harry Potter characters, names and related indicia are trademarks of and © Warner Bros. Ent. All Rights Reserved.
labels: Harry Potter, press release

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UPenn Motto
The UPenn motto, "Leges Sine Moribus Vanae," means "Laws without morals are useless (in vain)." It is derived from a long passage that was written by Horace and titled "Quid leges sine moribus vanae competent." The literal translation of this phrase is "of what avail are empty laws without (excellent) morals."
Benjamin Franklin, the man responsible for founding Penn, was a champion of an educational program that placed equal emphasis on the study of the classics and theology in addition to a more practical education that centered on trade and public duty.
Penn was one of the first academic institutions to follow a multidisciplinary model pioneered by several European universities, concentrating several "faculties" (theology, classics, and medicine) into one institution. "Guided by the UPenn motto," Penn was one of the first academic institutions to follow a multidisciplinary model.
In the fields of the arts and humanities, social sciences, architecture, communications, and education, the University of Pennsylvania is widely regarded as a pioneering institution. We will gain a deeper understanding of the principles embodied in the UPenn motto, as well as its impact on the institution as a whole and the students who call it home.
What is the UPenn Motto?
What is the UPenn motto? The Latin phrase "Leges sine Moribus vanae" has been adopted as the motto of the University of Pennsylvania. When translated into English, this phrase means "Laws without morality are useless." William Smith, who served as the institution's first Provost, is generally credited with choosing this slogan. Over the course of several centuries, it was subjected to a number of linguistic and conceptual shifts before finally arriving at its current form in 1932.
The Provost of William Smith's College of Mirania, the ideal institution that inspired the planning of the College, Academy, and Charitable School of Philadelphia – the three departments that, along with the Medical Department, later (1791) came to be known as the University of Pennsylvania, chose a quotation from Horace to serve as the college's motto. The quote is "quid leges sine moribus vanae proficiunt," which translates to "what learning without suffering is useless."
The UPenn motto "Sine Moribus Vanae" was inscribed in abbreviated form on the first seal, which was authorized in 1755. Subsequent seals either continued to bear this version of the motto or did not bear any motto at all. It appears that the motto was transcribed as Leges sine Moribus vanae in less official usage; for example, a bookplate used by the library before 1829 bears this motto.
Near the end of the nineteenth century, a wag translated the motto on the seal as "loose women without morals," which so distressed the Trustees that when the seal was rather radically redesigned in 1899, the word Literae was inserted so that the motto read Literae sine Moribus vanae instead of "loose women without morals." This is how the motto is spelled today.
The Committee on University Seal and a Coat of Arms in 1932 proposed that the Trustees adopt the following resolution, which would officially restore "Leges sine Moribus vanae" as the UPenn motto. The Trustees agreed to implement this recommendation.
What is UPenn's Mission Statement?
With the knowledge of the UPenn motto, you might also wonder what is UPenn's mission statement. The University of Pennsylvania's official mission statement reads as follows: "to increase the quality of education, and to generate innovative research and models of healthcare delivery by promoting a lively inclusive atmosphere and completely embracing diversity." The expansion of this organization was first motivated by the concept of establishing a school that teaches students the skills necessary to care for others and improve their communities.
Over the course of more than two hundred and fifty years, the University of Pennsylvania has consistently shown that it has what it takes to take the lead in the educational sector by steadily expanding its research capacity and introducing new technologies. This institution's record of dynamic transformations is proof that it is the finest venue for teaching and inspiring leaders who are open to change.
Guided by the UPenn motto, because of these accomplishments, the University of Pennsylvania has fulfilled its mission to have a good effect on society. It has accomplished this in particular by serving as a model of responsible knowledge passionate for making people's lives better.
What is UPenn Most Known for?
What is UPenn most known for? It is commonly referred to as the "Social Ivy" since students at this university lead active lives outside of the classroom and the mentality of "work hard, play hard" dominates the campus. However, despite the laid-back atmosphere, the academic standards at this school are quite high.
The University of Pennsylvania, which is now the fifth-oldest university in the United States and the first to offer programs at both the undergraduate and graduate levels, was originally conceived of as a charity school and a place of worship. It was the first university in the country to do so.
Over the course of its nearly three centuries of existence, the University of Pennsylvania has steadily built a solid reputation for itself as one of the most prestigious educational institutions in the whole country.
There are a total of 12 schools within the University of Pennsylvania, four of which provide undergraduate degrees: the College of Arts and Sciences, the School of Nursing, the Wharton School, and the School of Engineering and Applied Science. The Wharton School is widely regarded as one of the finest institutions of its kind anywhere in the world. In point of fact, according to our ranking of the best colleges for business, we come in at number one.
At least one-third of Wharton students' classes are taught in UPenn's other undergraduate schools, which contributes to the school's reputation for providing an education that draws from other fields. Wharton takes great satisfaction in its adaptable academic program, which gives first-year students the opportunity to explore interests unrelated to the business environment, such as a love for the written word or an aptitude for political science. Students who take advantage of this method of instruction are better prepared for careers after college in virtually every sector.
What subject does UPenn excel in the most? The question could be rephrased as "what academic disciplines does the University of Pennsylvania excel in?" — Thirty percent of Wharton students go on to get two undergraduate degrees from two different schools within the University of Pennsylvania, which can take anywhere from four to five years to complete.
Even though it is frequently overshadowed by the Wharton School at the University of Pennsylvania, the School of Engineering and Applied Science shouldn't be ignored. In addition to its reputation for interdisciplinary study, the engineering department at Penn University offers a number of specialized programs in collaboration with other Penn schools. These programs cover topics such as management, energy research, digital media and design, and information systems.
In addition, the University of Pennsylvania is a member of the Quaker Consortium, which also includes Haverford College, Bryn Mawr College, and Swarthmore College. Because of this collaboration, students from any of these schools are able to enroll in classes and participate in extracurricular activities at the universities that these schools have partnered with.
In addition to its numerous excellent academic programs, the University of Pennsylvania is widely recognized as one of the most prestigious research institutions in the United States. The annual research budget at the institution is significantly more than one billion dollars.
Penn is well-known for placing a significant focus on undergraduate teaching, as evidenced by the institution's more than 5,000 currently active faculty members. Many of these faculty members have been honored with prestigious awards in recognition of their immense expertise and innovative contributions to their fields.
What Kind of Student is UPenn Looking for?
What kind of student is UPenn looking for? Because UPenn is ranked so highly among institutions in the United States, there is little question that it draws students who are diligent and committed to their studies. However, this focus encompasses more than just academic pursuits alone. Students at the University of Pennsylvania should have a strong commitment to using their talents to benefit the communities in which they live.
Benjamin Franklin had a plan for the future of the University of Pennsylvania when he established it in 1740. He was adamant that the university would be distinguished from other educational institutions by its emphasis on public service. As a consequence of this, the admissions authorities at UPenn will pay close attention to your standardized test scores, grades, and essays; however, they will also be interested in learning about the ways in which you contribute to your local community.
Although having grades as outstanding as there is a fantastic place to start, the admissions staff are aware that there is more to your narrative than just that. UPenn's core values make it very obvious that the university is interested in enrolling individuals who use their skills to improve the world around them.
Your application hides a person with aspirations for the future beneath the grades and test scores you've submitted. You have the opportunity to demonstrate to them what is important to you and how you contribute to the community in which you live. When reviewing your application, the admissions committee at Penn will be seeking evidence of qualities such as service and loyalty on your part.
Embodying the UPenn motto, the ideal student at the University of Pennsylvania is one who isn't afraid to strike out on their own and is always looking for ways to make their environment better. Many students at the University of Pennsylvania share the characteristic of having a strong desire to take on challenges that no one else is willing to take on.
The student who places a high emphasis on diversity cannot pass up an opportunity to experience something completely different. They get a kick out of meeting people from all sorts of different walks of life and expanding their skill set. Expanding your horizons is the only way to acquire a varied educational history and a more well-rounded outlook that will enable you to fulfill the needs of other people.
It is well known that the admissions office at the University of Pennsylvania takes a holistic approach to reviewing applications. This means that they feel that all of the components of an application are interrelated and that each component directly influences all of the other components.
As a consequence of this, they are interested in learning how you behave in interpersonal connections, leadership roles, and precarious circumstances. Be truthful in the application you submit; the committee wants to get the full picture.
Last but not least, and most likely of the utmost significance is service. UPenn is interested in learning about the ways in which you have utilized your skills to benefit the community around you. They are looking for a kid who saw a challenge, made use of their skills to address it, or come up with an original solution that resulted in good change.
It is essential to be aware that the University of Pennsylvania adopts a distinctively holistic approach. Everything you provide as part of your application will be evaluated based on its connection to the position and its relevance. They won't let even the smallest nuances escape their notice without first examining how those details show your one-of-a-kind personality.
The ideal student at Penn is one who is self-motivated and who makes effective use of their individual skills to benefit the local community. They are constantly thinking about how circumstances might be improved and how they can put their skills to use in the real world. The type of student who will do well at Penn is one who has a plan for their future, both for themselves and for their community, and is prepared to use their degree to put that plan into action.
Want to learn more about the ideals of the UPenn motto? You've come to the right place. At AdmissionSight, we have over 10 years of experience guiding students through the competitive admissions process.
AdmissionSight can help you put your best foot forward when applying to college. Contact us today for more information on our services.


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Román Vatslavovich Malinovski (en ruso: Роман Вацлавович Малиновский) (1876-) fue un espía al servicio de la Ojrana (la policía secreta zarista) infiltrado en el Partido Bolchevique en los años que anteceden a la Revolución Rusa de 1917.

Participó en la Revolución de 1905. Al año siguiente fue elegido secretario general de la Unión de Obreros Metalúrgicos de Petrogrado. Preso en Moscú en 1910, se convirtió en agente de la Ojrana, siendo el encargado de delatar a los bolcheviques y de descubrir los locales en los que guardaban literatura prohibida por el Imperio Ruso.

Lenin conoció a Malinovski en la VI Conferencia del Partido Obrero Socialdemócrata de Rusia, celebrada en enero de 1912. Le impresionó su fuerte personalidad, su experiencia como sindicalista en la entonces capital rusa y su conversión de menchevique a bolchevique, y la Conferencia lo eligió como miembro del nuevo Comité Central y candidato a las elecciones de la cuarta Duma Imperial. Fue elegido, convirtiéndose en el líder del grupo bolchevique en la Duma, integrado por 6 parlamentarios.

En mayo y junio de 1914, tras abandonar por sorpresa su escaño en la Duma, un comité del Partido elegido por el propio Lenin investigó sus actividades y concluyó que no había duda en cuanto a su honestidad política. Lenin rechazó reiteradamente las acusaciones de que trabajaba para la Ojrana. Durante la Primera Guerra Mundial fue capturado y enviado a un campo de prisioneros alemán. Una comisión extraordinaria, creada por Aleksandr Kérenski como Ministro de Justicia del Gobierno provisional en la primavera de 1917, investigó sus actividades.

Regresó voluntariamente a Rusia a finales de octubre de 1918 y solicitó ser juzgado por sus acciones pasadas. Basándose en los testimonios recogidos por la comisión investigadora del año anterior, un tribunal revolucionario lo condenó a muerte; murió ajusticiado la madrugada del 6 de noviembre de 1918.

Referencias

Bibliografía

Malinovsky
Fallecidos en Moscú

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BREAKING NEWSLIVE | NYPD officer won't face federal charges in Eric Garner death
Former Make-A-Wish kid grows up to become a doctor at same hospital that once treated her
By Eden Strong for Babble
This story originally appeared on Babble and is reprinted with permission.
Image source: Jennifer Pratt
Dr. Jen Pratt was only 11 years old when an unrelenting pain in her knee landed her in the pediatrician's office. After an X-ray revealed that a tumor was growing in her femur, her entire world was flipped upside down.
"Rather than being just a kid, I was forced into a world of doctor appointments, scans, hospitalizations, and surgeries," Jen tells Babble.
Diagnosed with osteosarcoma, a form of bone cancer, Jen soon learned that despite how overwhelming the situation was, the only thing she could do was to take the challenges one day at a time as she fought through chemotherapy and surgical interventions done in an effort to save her life.
"Getting through treatment is like a marathon," she explains. "You just need to put one foot in front of the other to keep on going, with hopes of a finish line in mind."
A finish line, which for her, included a perfectly timed Make-A-Wish trip to Walt Disney World - specifically the area called Give Kids the World, reserved just for Make-A-Wish children and their families.
"We scheduled the trip at the end of my treatment, and it turned out to be a once-in-a-lifetime, simply magical experience," Jen reminisces. "It was so much more than just a vacation - it was a celebration! I was able to enjoy just being a kid and finally look forward to returning to a new normal. It's difficult to put into words the overwhelming feeling of love and support you feel as a wish kid."
And that support is what makes Jen's story even more unique, because not only did she return to Disney as a volunteer at Give Kids the World, but she also returned to the very same hospital, Children's Minnesota, that saved her life - this time to work as a doctor saving the lives of sick children.
"When you spend days to weeks on end in a hospital, it turns into your 'home-away-from-home,'" Jen explains. "I have always felt comfortable at Children's and feeling naturally drawn back to a place where I was so comforted and supported as a child, I continued to stay connected by volunteering and working with a peer-run support program for teens with serious illnesses. So, when I was given the opportunity to work at the very same hospital that had given me care as a child, it was a natural fit!"
Now working as a pediatric hospitalist, which is a pediatrician who specializes in the care of hospitalized patients, Jen says that her time spent in the hospital as a child is part of what allows her to be a better doctor today.
"Surviving childhood cancer is a uniquely profound experience," she says. "We often see the world in a slightly different light and have a unique ability to empathize with others facing challenging, life-altering situations."
Being filled with overwhelming gratitude to the people who stepped up so many years ago to save her life, Jen doesn't hold back when she says that from the physicians to the nurses, physical therapists, and child life staff, she considers the people who cared for her to be her "personal superheroes" - which is why she has been drawn toward wanting to deliver the same top-notch care that she experienced as a kid.
"Not only do I work with an amazing team, but being a hospitalist has been the perfect fit for me," explains Jen. "I get to witness the incredible resilience of children every day and am able to draw on my experiences to provide kid-centered care that goes beyond what can be learned in a classroom or textbook, and in the end, get to share in the joy of sending a child home from the hospital healthier, and happier."
Planning to volunteer once again at Give Kids the World in November, this time with her husband Steve and 3-year-old son Benjamin, it's easy to see how Jen's story has come full circle. But, as she points out, when people think about childhood cancer, they rarely think about the paths these children take into adulthood.
"If there is anything that I could say to a child fighting cancer," she says, "it would be that whichever path you take in life, you have the ability to use your experience for the better, to see life differently, and to empathize with others in a uniquely powerful way. Don't be afraid to dream big, and never stop looking towards the future."
More on Babble:
Teen Suicide Survivor Becomes Brave New Face of Netflix's "Tell Them" Campaign
Mom Donates Her Own Embryos After Hearing 2,000 Were Lost in a Fertility Clinic Malfunction
This Is What Childhood Cancer Looks Like
The Walt Disney Company is the parent company of Walt Disney Parks & Resorts, Babble and this station.
health & fitnesschildren's healthchildrenmake a wishbabblemake a wishu.s. & worldcancer


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Craig & Karl, Individual 1-6 2019, digital print on adhesive film. Photo: Toby Scott, courtesy the artists.
Q&A: Craig & Karl
Craig Redman and Karl Maier are the ultimate genre-hoppers. The duo have designed everything from album covers, typefaces and animations, to set designs, art installations and product packaging. Best known for their colour-pop aesthetic, Craig & Karl teamed up in 2011 to form their namesake firm after meeting each other while studying at Queensland College of Art. Their artwork soon caught the attention of influential Paris store Colette, which paved the way for the designers to work with leading global clients, including Vogue, Google, Apple, Chanel, and Vanity Fair.
Working across a range of design elements, Craig & Karl approach their work in a highly collaborative fashion. One of their most beloved works, featured in BRISBANE ART DESIGN: OPEN SOURCE, is a large-scale portrait series of their friends, which the designers treat as a timestamp to capture moments with the people who were present during certain periods of their lives.
Although the pair are based in different parts of the world—Craig is based in New York, while Karl lives in London—they often collaborate via Skype to brew up concepts and projects that carry their signature message of humour and optimism. Craig & Karl have exhibited around the world, including at the Musée de la Publicité in Paris, Athens' Onassis Cultural Centre, and the Museum of Contemporary Art in Mexico. Their eye-catching designs have also graced the pages of top fashion and design publications, including Designboom, The Business of Fashion, AnOther Magazine, and The Design Files.
For BRISBANE ART DESIGN (BAD) 2019, the designers also created the brand identity that highlights a playful take on the word BAD. Through this idiosyncratic design aesthetic the pair have captured an essential part of the Brisbane spirit.
BRISBANE ART DESIGN (BAD) 2019, Brand Identity created by Craig & Karl.
Karl Maier and Craig Redman (left to right) 2019, photo: Lyn + Tony.
Can you tell me about the faces behind your large-scale portraits for BRISBANE ART DESIGN: OPEN SOURCE?
Our first portrait subjects were often of our friends from Brisbane, where we previously studied. Consequently, our new portraits for OPEN SOURCE are a homage to the city that helped start it all. The works are essentially composites and memories of people and experiences from our time living in Brisbane. By creating historical portraits, so to speak, we want them to be of-the-moment, whether it's via signifiers, like a specific hairstyle or accessory that anchors it in a particular era. As a result, the portraits are always evolving to mirror the passing of time. If we'd been drawing these in 1690, the sitters would have wigs and ruffles for sure.
You both went to art school in Brisbane. What are the commonalities between Brisbane and your current bases of New York and London?
We feel lucky to be living in New York and London, and to be experiencing those cities from an Australian point of view. Culturally, all three are quite different, but we see that as a positive. It means we bring different experiences to our work, which creates a unique perspective, and we definitely feed off that. In today's world—thanks to your phone—New York, London and Brisbane can tap into the same sort of experiences: being influenced and connected by the same cultural movements and trends.
Craig & Karl, Individual 4 2019, digital print on adhesive film. Photo: Toby Scott, courtesy the artists.
How do you keep the collaborative energy going while working together across oceans and time zones?
We speak on messaging, video and file-sharing apps every day, passing projects and ideas back and forth until we're both happy with the results. Although we live in different cities, we've known each other for a long time and worked side-by-side for years, and this allows us to trust each other implicitly.
Do you see a distinction between art and design? Your practice seems to cross them seamlessly.
There's a practical distinction between the two, but our creative approach is exactly the same. Whether we're creating a small work or a large-scale installation, it's always the concept and staying true to our visual values that is most important. Design usually involves the consideration of other people's input. Within art, we're free to express ourselves in whatever manner we see fit, and that allows a certain flexibility in what we produce.
Why is it important for you to maintain optimism and humour across your practice?
It comes from our Australian background. We grew up in the 1980s, at a time and place of ultimate kitsch, and it's something we aren't afraid to embrace in our work. We were exposed to the colourful, humorous and accessible work of people like Ken Done, and it shaped who we are and our practice today. Also, to put it simply, we like to have fun with our work and not take ourselves too seriously. It's the Australian way, after all.
As a design duo, what does an open source ethos mean to you?
We started our careers in Brisbane as part of a collective called Rinzen. Collaborating with others in that context, all with different skills, opened our eyes to a new way of working, and it has shaped how we work to this day. Sharing ideas and experiences between the two of us means we can create a more diverse set of concepts. It has brought new perspectives and pushed us into new and exciting directions. Being open to input from diverse people helps us develop ideas and go off on tangents that perhaps would otherwise have never occurred.
MoB Kids: Colour in with Craig & Karl
In this MoB Kids activity you will get a chance to 'colour in' with Craig & Karl. You could even try drawing a portrait of one of your friends in Craig and Karl style!
MoB Sunday Stories: Tinseltown in the Tropics
MoB Sunday Stories: Ships Ashore at City Botanic Gardens


SCOTTSDALE, Ariz. -- Even-numbered years used to be cause for celebration with the Giants. They won World Series in 2010, 2012 and 2014, and they valiantly battled the eventual champion Cubs before falling in the Division Series in 2016.
But 2018 was a season to forget for San Francisco. It had the third-highest payroll and third-oldest roster in the big leagues, yet lost 89 games after going a MLB-worst 5-21 in September. The Giants' 187 defeats in 2017-18 represented their worst two-year stretch since 1995-96 and led to a front-office makeover, with GM Bobby Evans dismissed in September and Dodgers GM Farhan Zaidi hired as president of baseball operations two months later.
The news wasn't much better down in the Minors, where the Giants' six U.S. affiliates combined for a .457 winning percentage (third-worst in baseball), zero playoff appearances (tied for worst) and two Top 100 Prospects (tied for fifth-worst). They've drafted and developed just one All-Star in the last decade, 2011 first-rounder Joe Panik. Their international track record is even bleaker, with Pablo Sandoval the last homegrown All-Star from that market -- and he signed in 2003.
Now some cause for optimism: San Francisco did infuse its farm system with several impressive newcomers in 2018. The Giants used the No. 2 overall pick and a $7,025,000 bonus to land catcher Joey Bart, whose power and defensive ability make him their best prospect since Buster Posey was rising through the Minors a decade ago. They also spent $2.6 million on Dominican shortstop Marco Luciano, their highest-ceilinged international prospect in years.
Bart, a 21-year-old college product, and Luciano, a 17-year-old who has yet to make his pro debut, obviously will be on entirely different development paths. While Bart batted .294/.364/.588 with 13 homers in his 51-game debut last summer and posted a 1.150 OPS in Cactus League play, new farm director Kyle Haines said San Francisco won't rush Posey's heir apparent.
"A lot of people want to see him in San Francisco sooner rather than later, but we want to make sure we put him in a position to best grow in the Minors," said Haines, who was promoted from assistant farm director for instruction after former farm director David Bell left to manage the Reds. "The big thing is just to get experience because the catching position is so demanding.
"There's so much to learn, especially all of the information. We're flooding players with data and technology, so just getting exposure to the pro game, exposure to data, exposure to game strategy is important."
Bart likely will begin his first full pro season at Class A Advanced San Jose. There's a good chance he'll be joined by the two college right-handers the Giants drafted immediately after him, Sean Hjelle (second round) and Jake Wong (third). They already rank among the system's most advanced starting pitching prospects, with Hjelle standing out for his size (6-foot-11) and polish and Wong featuring slightly better stuff.
Luciano, by contrast, may not play in the United States until 2020. While he's advanced and talented enough to handle an assignment to the Rookie-level Arizona League, there would be benefits to breaking him in in the Rookie-level Dominican Summer League.
"It's easy to say it's the Arizona League, but he'll be 17 and it's tough," Haines said. "You can't work with guys in practice because of the heat. We want to work with Luciano defensively, so is that good for his development?
"We hope he's a plus offensive shortstop. He's a 17-year-old who wasn't just born to pick it at shortstop. He's going to need some extra help but he's a great athlete."
Cuban outfielder Jairo Pomares, who signed for $975,000 last July, finds himself in a similar situation. The best pure hitter in the system, he'll spend time in extended Spring Training with Linares before the Giants determine where to send them in June.
One promising youngster who's definitely ticketed for the AZL is Dominican third baseman Luis Toribio, who ranked third in the DSL with 10 homers during his 2018 pro debut.
While Bart's performance in the Cactus League has reinforced the notion that he can make an impact in the not-too-distant future, right-hander Tyler Beede has been a bigger surprise and should provide more immediate help.
A two-time first round choice whom the Giants drafted 14th overall in 2014, Beede saw his control and confidence disappear last year. He logged an 8.22 ERA in two big league starts and a 7.05 ERA in Triple-A, where he got demoted to the bullpen.
Beede decided to scrap his two-seam fastball and his cutter/slider to focus on his mid-90s four-seamer, improved curveball and plus changeup. The new approach has resulted in a new Beede, who has impressed the big league staff while striking out 10 batters and allowing just nine baserunners in 8 1/3 innings. A rough outing against the Mariners last Wednesday hiked his spring ERA to 5.40.
"He's had a terrific spring," manager Bruch Bochy told MLB.com's Maria Guardado. "It looks like he's on a mission to show that he's put a lot of hard work in and doing all he can to open eyes again.
"He's got the equipment. This guy, it's his time. He's really taking advantage of this spring and showing that he's a different guy."
Left-hander Travis Bergen is helping his cause to stick with the Giants after getting plucked from the Blue Jays in the Rule 5 Draft at the Winter Meetings. Armed with a deceptive and lively fastball, he has produced seven scoreless outings while fanning six and permitting just five baserunners. San Francisco can't send him to the Minors this year without first exposing him to waivers and then offering him back to Toronto for half his $100,000 Draft price.


text:
Podcast 043: Entertaining passengers in face of changing landscape
Welcome to Episode 043 of the #PaxEx Podcast. Our guest for this episode is Tomás Romero, an award-winning writer/producer from Los Angeles who has written dozens of screenplays for such studios as Paramount, Sony, 20th Century Fox, Telemundo and MTV, two of which were produced as feature films. A contributing editor at Runway Girl Network since March 2014, Romero pens the popular IFE Film Review column for RGN. His work has also appeared in such publications as Airline Passenger Experience magazine, Airline Retail News (A.R. News), and Aircraft Interiors International.
Firstly, it's Oscars season and several of this year's higher profile Oscar nominees are currently playing on inflight entertainment (IFE) screens or streaming to passengers' mobile devices. Tomas emphasizes how the non-theatrical window of release – enjoyed by airlines, ships and others – is shrinking, and notes that passengers can now download certain early window movie content on their own devices in advance of their flight. He also tells us about some of the Oscar-nominated titles he's recommending to passengers.
Next, the glitz and glamour of Hollywood can seem oddly trivial in light of the surreal drama unfolding on the political stage these days, but that drama seems to be inspiring actors and comedians to a new level of excellence with SNL being, perhaps, one of the most visible examples. Co-hosts Max Flight and Mary Kirby join Tomas in considering whether we're seeing a renaissance in the arts, and what this means for airlines' TV and short-subject programming. And, as tensions are flaring on the ground and in-flight, should airlines exercise caution about their IFE content choices?
Last but not least, The New York Times has published an article predicting the demise of in-seat IFE systems, at least on narrowbody aircraft in the near-term. In the context of the discussion about the shrinking non-theatrical window of release for airlines, Mary, Max and Tomas consider the business model for in-seat IFE on short- and long-haul flights; address why carriers and their content service providers must consider careful and creative content curation to differentiate from what passengers can access on the ground; and highlight how some airlines are cleverly evolving with the times by supporting second screen apps to enable passengers to interact with the IFE system in a more personalized fashion. Plus, will Hollywood ultimately smash its own windows? We discuss.
https://audio.simplecast.com/61194.mp3
Photo at top courtesy of the LATAM Airlines Group, which is featuring 13 new Oscar-nominated films in-flight.
3 comments	- Leave comment
End of the burled: Emirates updates A380 bar
Press Release: IMG secures inflight coverage of National Football League
Posted in:#PaxEx Podcast, Multimedia
Tags#oscars, #paxex, Broadband Connectivity, content, content creators, content service providers, devices, early window, early window content, Electronic Devices, EW, films, Hollywood, IFE, IFEC, in-flight entertainment, inflight connectivity, inflight entertainment, Inflight Wifi, mobiles, movie studios, movies, non-theatrical window, passenger, passengers, PEDs, short programming, smart phones, streaming, television, Tomas Romero, travel, travel tech, traveler, travelers, TV, TV shows, Wi-Fi, wifi, windows of release, wireless IFE
February 27, 2017 at 10:32 am -
You can fin d what is playing on the flight, prior to the flight. It just depends on the airline. There are many airlines are now providing this information on their website and some are starting to on their app.
I think the discussion about the screen in front is missing a huge point, when talking about "convenient" factor. Ergonomics (not having to strain the neck) and limited real estate when using a tablet or laptop makes the screen on seat-back much more "convenient".
Mary Kirby
February 27, 2017 at 9:51 pm -
Fair point, and very much part of the 'comfort' factor as well.


Welcome to the Monkey House by Kurt Vonnegut Jr.
At the time that Dean Karnazes was running his fifty marathons in fifty days, Ian and I were preoccupied with new born Harriet. Although he is a local sports celebrity, I have only just heard of him this year promoting his account of those fifty marathons: 50/50.
For the 50/50 challenge, Dean Karnazes ran fifty consecutive marathons, each in a different state. All of the marathons were on official marathon routes, but not all of them were run during the normally scheduled marathons. Those that couldn't be run during the usual marathon were recreated. The recreated runs had different permitting issues and could sometimes only have a dozen or so participants running along with Karnazes.
Karnazes had a team of handlers to take care of the organizational issues of such an undertaking and he had a bus to ride on between the races. It sounds like it was a nightmare to carry off but they did it.
As you can imagine, most of 50/50 is dedicated to the 50 marathons and the 50 different cities visited. Peppered into this runner's geography of the United States are running hints. The hints include training schedules, diet tips and product recommendations.
If you are a runner or know a runner, you will probably enjoy this book. If you're not a runner, you can still enjoy reading about Karnazes's adventure. For the non runners, the book is fairly quick and can be skimmed. There's a lot of repetition as to be expected in a book about fifty marathons.


Just north of central London lies Kings Cross St Pancras, Regent's Park and popular neighbouring areas like Camden, Maida Vale & Islington. Our North London serviced apartments are dotted all over the northern area of the city and are a popular destination for those visiting London for business and leisure purposes.
Regent's Park is one of central London's largest Royal Parks, boasting stunning landscaped gardens, hundreds of acres of open parkland for sporting activities, an Open Air Theatre and family favourite, the London Zoo. Adjoining the north-western end of the park and within close proximity is Camden Lock Market. This market offers a variety of international street food, vintage clothing, jewellery and art and is a great way to spend an afternoon, browsing the stalls and sampling the tasty morsels that are on offer.
Popular with both locals and toursists, this buzzing town is a vibrant weekend hotspot of alternative culture with a diverse range of pubs, bars, cafes, bustling stalls and live music venues. One such famous live venue is the The Roundhouse which is fast becoming a favourite music and arts venue amongst Londoners and visitors. If you need to quench your thirst after a long day of bargain hunting, head down to the Dublin Castle pub beside the Camden Lock or The World's End pub at the bottom of Camden's Main Street, just across from Camden station, before returning to your serviced apartment North London.
Lord's Cricket Ground is nestled away in the exclusive area of St John's Wood, and Primrose Hill sits at the tallest natural peak of London, offering some of London's finest panoramic views. Islington is a thriving area of North London and a popular residential area for those working in central London.
Camden apartments London are in the heart of the eclectic Camden neighbourhood and are surrounded by funky fashion, bustling market stalls, eccentric restaurants and the diverse culture of Camden Market. The West End and Oxford Street district is only a few minutes away by tube, and excellent transport links from Camden station make this a very accessible base for both business and holidays in London.
The area features a range of property styles from classic period homes to modern sleek developments, and is renowned for its luxury homes and celebrity residents. Regent's Park is also a key attraction of the area, boasting stunning landscaped gardens, hundreds of acres of open parkland for sporting activities and even an Open Air Theatre. The London Zoo is also located in the park which offers a great day out for both young and old with exhibits like the Gorilla Kingdom, tiger Territory and Penguin Beach.
Camden is often described as vibrant and bustling due to its vast array of eateries and pubs as well as its alternative music and arts scene. Famous for its live music scene with venues like The Roundhouse ever increasing in popularity, there are a variety of pubs and clubs that offer live music from Jazz to Reggae. Visitors flock to the area in droves to check out the Camden Lock Market and bask in the buzzing and eclectic atmosphere. There are also some amazing bargains to be had on every corner whether it's London souvenirs, vintage clothing or tasty street food from the market. All of these entertainment options and more can be accessed from your serviced apartment Camden.
Primrose Hill also sits on the northern sphere of Regents Park and is one of the best places for panoramic views of the city. Kentish Town is located nearby and offers a variety of cuisines from African to Italian and everything in between.
Camden and Mornington Crescent tube stations offer links to other areas of central London, and national and international rail links are also within easy reach from Kings Cross St Pancras station nearby. This means that Camden town apartments are ideally located for that short stay in the heart of diverse North London.
North London has excellent transport links to Central London, making serviced apartments Regent's Park an ideal choice for business and leisure travellers. There is also easy access to International destinations via the Eurostar Train line.
Carlow House Apartments are based right next to Regents Park just north of the West End and its terrific shopping, culture, entertainment and nightlife. Regents Park is one of central London's large and beautifully kept parks with a zoo, a boating lake and open air theatre and plenty of smaller..
Melia White House Apartments are a stylish collection of serviced residences based right next to the scenic gardens of Regents Park in Central London. There are plenty of pubs and restaurants right around the corner and along Great Portland Street including places to grab a quick bite like Pret-a-Manger,..
STAY Camden lie in the heart of Camden surrounded by the bustling markets and canalside entertainment of this vibrant neighbourhood. Camden Town and Chalk Farm are the nearest underground stations only five minutes away. Kings Cross St Pancras and Euston is only 15 minutes away with access to National..


text:
Phoenix Airports Ban Glue Traps, but Won't Say What Will Replace Them
As Opioid Crisis Escalates, Scottsdale Latest City to Zero in on Sober-Living Homes
Joseph Flaherty
The addiction treatment center Promises Scottsdale occupies an unassuming home surrounded by other large, well-kept residences. The city council will vote on greater oversight of sober-living homes in response to resident concerns.
Joseph Flaherty | December 5, 2017 | 7:30am
In one of the cascading effects from Arizona's opioid crisis, sober-living homes are under the magnifying glass.
These homes allow people recovering from addiction to live together in a supportive residential setting. But sober-living homes are pretty much unregulated, and residents can be vulnerable to exploitation.
It's become a contentious subject. Cities and towns increasingly want to regulate these sober-living homes — sometimes called "halfway houses" — in response to neighborly concerns. Sometimes residents aim to punish disruptive homes or weed out bad actors. But how do you do that without violating federal law and exacerbating a crisis of addiction?
Sober-Living Facility Leaving Paradise Valley; Home for Sale for $1.1 Million
Addiction Recovery: Too Close to Home in Paradise Valley?
Doug Ducey Signs Arizona Opioid Epidemic Act: 5 Things to Know
Efforts to curb or regulate sober-living homes have taken place in Prescott. The conversation is making its way to Phoenix and Paradise Valley. And tonight, Scottsdale will jump into the debate.
The Scottsdale City Council will consider an amendment to the zoning ordinance with new language geared toward the sober-living homes that have set up shop in the city.
Under Scottsdale's proposal, licensed care homes with up to 10 residents and up to two residential staff can be located in single-family zoning districts. Homes with more than six residents, where no supervision or care is provided, will only be allowed in multifamily zoning districts.
Licensed care homes will also face an increased minimum distance between them of 1,200 feet. They must also provide proof of their state license to Scottsdale before the home can open its doors.
Scottsdale Planning and Development Services Director Randy Grant said that in addition to keeping sober-living homes farther apart, the proposal will encourage better management and more effective responses to any enforcement concerns.
"If they're claiming to be a care home and they don't have a state license, then we're going to know right away that they're not operating in conformance with the ordinance," Grant said.
Since April, Scottsdale has held open meetings with residents to work out the details of the ordinance. According to Grant, residents often wanted to establish a distinction between sober-living homes and elder-care facilities that would "give more leniency" to the elder-care homes.
But all city ordinances have to comply with federal housing and disability law, which prohibits housing discrimination against people recovering from addiction. Under the proposal, there's no distinction between elder-care and sober-living facilities.
"Under the Fair Housing law, we just haven't figured out how to do that legally," Grant said. "And so we're operating under the assumption that what we're presenting to the council is going to be legally defensible, and that we have to treat disabilities equally."
According to Scottsdale's land use impact analysis, the influx of sober-living homes was the instigating factor for the change:
The proposed text amendment provides opportunities for housing for disabled persons in single-family neighborhoods; while also providing additional oversight and separation to assure homes are properly licensed and helping to prevent conglomeration and saturation that may negatively impact single-family neighborhoods.
There are currently 109 licensed care homes in Scottsdale, according to the city's senior planner Greg Bloemberg. But that figure does not include the unlicensed sober-living homes where no supervision or care is provided on-site.
Meghan Liggett, 37, organized a Change.org petition that asked the Scottsdale municipal government for better enforcement of the existing code. She hopes the new ordinance will ensure "people who are in group homes have a safe environment and neighborhoods stay family oriented."
"This is kind of like the Wild West of group homes out here in Scottsdale," Liggett said.
Liggett said the prevalence of sober-living homes caught her attention when a new sober-living residence moved in, not far away from an existing sober-living home on her block. Liggett wrote to the city to complain, to no avail.
"We're very happy that these people that are living next to us are working on their sobriety. It's really important that they have a place," Liggett said. "It's just really important to us that they have that separation, so everyone can have the neighborhood experience that they're looking for."
Under the proposal, the minimum distance between care homes will increase from 500 feet in any direction and 750 feet on the same street to a uniform 1,200 feet.
The debate in Scottsdale echoes some common themes when it comes to addiction treatment. Neighbors often want sober-living homes out of their background entirely. Sometimes, residents are under the impression that cities can simply ban sober-living residences. (They can't.)
Jeff Taylor, a spokesperson for the Arizona Recovery Housing Association, said that the association continues to work with Scottsdale on solutions that benefit the community. Nevertheless, Taylor said misconceptions abound when it comes to addiction recovery.
"What's occurred in Scottsdale is, I think, a lot of disinformation," Taylor said. The key, he said, is to avoid exacerbating an opioid epidemic simply because of a lack of education.
"They are just like a family, they have to be treated like a family, and any restrictions may be discriminatory against a protected class," he said. "So, how do you find the balance between protecting the individuals that live there? Because now you have some bad operators out there, with the opiate epidemic that we're going through."
Joseph Flaherty is a staff writer at New Times. Originally from Wisconsin, he is a graduate of Middlebury College and Columbia University's Graduate School of Journalism.
Twitter: @flahertyjoseph
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Silicon Valley is full of fast-growing start-ups all vying to attract top talent. One way they do that is by offering equity in the company to their employees as part of their compensation. That's called stock-based compensation, and some of the biggest companies in the world -- like Facebook , Alphabet , and Twitter to name a few -- dole out a lot of compensation in the form of stock.
The practice of stock-based compensation can inflate earnings numbers for some of these companies, as it's become common practice to leave out non-cash expenses and report non-GAAP earnings results. Starting this year, however, Facebook has decided to focus more on its GAAP results, which include expenses like stock-based compensation. Here's what investors need to know.
During Facebook's first-quarter earnings call, CFO Dave Wehner explained, "Stock-based compensation plays an important role in how we compensate our employees and therefore we view it as a real expense for the business."
To illustrate how stock-based compensation is a real expense for the business, consider you own a company that's worth $1 billion. (Good for you!) You need a new CEO because the company has grown too large to manage yourself, and you find Action Jack Barker is willing to take the job for a salary of $10 million -- all in stock. You give Action Jack 1% of your shares (1% of $1 billion is $10 million), but now you're only entitled to 99% of the company's profits.
For the full year, Facebook expects stock-based compensation to come in between $3.1 billion and $3.3 billion. That represents just under 1% of Facebook's current market value. Facebook will also "spend" between $700 million and $800 million amortizing expenses related to its acquisitions of other companies like Instagram, WhatsApp, and Oculus.In the first quarter, both of those combined to account for 17% of Facebook's total revenue.
Facebook is becoming less reliant on stock-based compensation. Last year, total stock-based compensation increased more than $1 billion, reaching nearly $3 billion. The company's outlook for 2016 shows just a modest increase, and in the first quarter, stock-based compensation increased just 6%.
More importantly, the percentage of revenue going toward stock-based compensation is declining. Stock-based compensation fell from 20% of revenue to 14% in the first quarter. It reached as low as 13% of revenue in the fourth quarter, down from 23% in the year-ago period.
Facebook appears to be done making large acquisitions, instead focusing on building out its capabilities in AI, video, virtual and augmented reality, and connectivity. As a result, investors can expect the gap to continue narrowing as there won't be any unforeseen spikes in GAAP expenses because of acquisitions. That may be why Facebook is now willing to focus on its GAAP results.
Reporting GAAP results is a bit of a break from the norm in the tech industry. Twitter, for example, is heavily reliant on stock-based compensation and reports adjusted EBITDA. Last quarter, Twitter spent over 25% of its revenue on stock-based compensation, which is actually a dramatic improvement from 2015. It cut out $30 million in compensation, mostly from its R&D department after laying off several thousand employees.
Still, Twitter's stock-based compensation and its amortized expenses from acquisitions totalled more than 90% of its adjusted EBITDA. The company's GAAP earnings are still negative.
Alphabet also uses a lot of stock-based compensation. During the first quarter, its stock-based compensation increased 24% year over year, but it still only accounts for a bit more than 7% of revenue, producing a smaller impact on margins than Facebook. Last quarter, Alphabet's stock-based compensation increased faster than revenue, indicating a heavier reliance on stock than in previous years. While non-GAAP operating margin increased 100 basis points, GAAP operating margin increased only 60 basis points. That may be something for investors to monitor going forward.
Facebook's decision to focus on GAAP results will give investors a clearer picture of how Facebook's operations are actually performing.
The article Facebook Is Now Focused on GAAP Results originally appeared on Fool.com.
Suzanne Frey, an executive at Alphabet, is a member of The Motley Fool's board of directors. Adam Levy has no position in any stocks mentioned. The Motley Fool owns shares of and recommends Alphabet (A and C shares), Facebook, and Twitter. Try any of our Foolish newsletter services free for 30 days. We Fools may not all hold the same opinions, but we all believe that considering a diverse range of insights makes us better investors. The Motley Fool has a disclosure policy.


text:
Chakra is a focal point in ancient meditation practices.

Chakra may also refer to:

Arts and entertainment
 Chakra (1981 film), a 1981 Hindi film
 Chakra (2021 film), an Indian Tamil-language action thriller film
 Chakra: The Invincible, an Indian animated superhero film
 Chakra (group), a South Korean musical group
 Chakra (album), 2002
 Chakra (trance duo), a British music group
 Chakrā, a group of Melakarta ragas, fundamental musical scales in Carnatic music

Computing
 Chakra (JScript engine), developed by Microsoft for Internet Explorer 9
 Chakra (JavaScript engine), developed by Microsoft for Microsoft Edge
 Chakra (operating system)

Other uses
 Chakra (chess variant)
 Chakra River, western India
 Chaqra, village in southern Lebanon
 Georges Chakra, a Lebanese haute couture fashion designer
 , the name of two submarines of the Indian Navy

See also

 Chakram (disambiguation)
 Chacra, a Spanish term for a small or garden farm


text:
Calcium fluoride, CaF2

Other names

Calcium difluoride

Calcium(II) fluoride

Mineral

Fluorite (fluorspar)

External links

Calcium fluoride - Wikipedia

Fluorite - Wikipedia

Calcium difluoride - WebElements

Calcium fluoride - ICL

Calcium fluoride - Crystran

redpajama_set_name: RedPajamaGithub


text:
Medieval English Research Seminar
Series organisers: Vincent Gillespie , Daniel Wakelin
Timing: Wednesday at 5:15pm
Wednesday 14 October 2015 (1st Week, Michaelmas Term)
17:15 - 'This is Why There are No Solutions: The Unfettered Tropes of Exeter Book Riddle 5'
Jennifer Neville (Royal Holloway)
Wednesday 21 October 2015 (2nd Week, Michaelmas Term)
17:15 - 'The Textualities of Troy and Chaucer's Troilus and Criseyde'
Marilynn R. Desmond (Binghampton)
Wednesday 28 October 2015 (3rd Week, Michaelmas Term)
17:15 - 'The Angelic Tempter in Genesis B and the Carolingian Connection'
Daniel Anlezark (Sydney)
Wednesday 4 November 2015 (4th Week, Michaelmas Term)
17:15 - 'The Use of "Model Sermons" in Early Middle English Preaching'
Bella Millett (Southampton)
Wednesday 11 November 2015 (5th Week, Michaelmas Term)
17:15 - 'The Sins of Spiders: Evidence for Arachnophobia in Early Medieval English Literature?'
Megan Cavell (Durham)
17:15 - '"Multiplicacion of many bokes": Devotional Compilations and Religiosity in LateFourteenth and Fifteenth Century England'
Marleen Cré and Diana Dennison (Lausanne)
17:15 - 'The Gold in Beowulf and the Currencies of Fame'
Winfried Rudolf (Göttingen)
Wednesday 20 January 2016 (1st Week, Hilary Term)
17:15 - 'Touching Images'
Katie Walter (Sussex)
Wednesday 27 January 2016 (2nd Week, Hilary Term)
17:15 - 'The Southwark Connection: Chaucer, Gower, and William of Wykeham'
Sebastian Sobecki (Groningen)
Wednesday 3 February 2016 (3rd Week, Hilary Term)
17:15 - 'Explaining the Vikings in Post-Conquest England'
Eleanor Parker (Independent scholar)
Wednesday 10 February 2016 (4th Week, Hilary Term)
17:15 - 'Performing Mystical Eros'
Sarah Salih (KCL)
17:15 - 'Thinking about Feeling: Text, Emotion, and Audience'
Carolyne Larrington (St John's)
17:15 - 'Constructing a Genre: Eyewitness Writing in the Middle Ages'
Jo Bellis (Merton)
Wednesday 2 March 2016 (7th Week, Hilary Term)
17:15 - 'The Metapoetics of Chaucer's Messengers and the French Tradition'
Juliette Vuille (Geneva/Oxford)
Wednesday 27 April 2016 (1st Week, Trinity Term)
17:15 - The Most Challenging Enigma of the Exeter Book collection: Riddle 90 in Contaxt
Mercedes Bello Salvador (Seville)
Wednesday 4 May 2016 (2nd Week, Trinity Term)
17:15 - Anglo-Saxon Sources of the Early Gothic Windows at Canterbury Cathedral
Wednesday 11 May 2016 (3rd Week, Trinity Term)
17:15 - Runic Letters in the Exeter Book Manuscript
Victoria Symons (UCL University)
Wednesday 18 May 2016 (4th Week, Trinity Term)
17:15 - International Literature: Alexander the Great in the High Middle Ages
Venetia Bridges (Leeds University)
17:15 - Icelandic Saga Map: The Seduction of Landscape and the Digital
Emily Lethbridge (Reykjavik University)
Wednesday 1 June 2016 (6th Week, Trinity Term)
17:15 - "Multiplacioun of manye bokes": Colop's Common Profit Book and London's Devotional booktrade
Ryan Perry (Kent University)
Showing all talks Show upcoming talks only
Editor: Laura Spence
This series features in the following public collections:
Faculty of English What's On: events and talks of interest


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text:
Canon Outs Three New PowerShots in Advance of CP+
A trio of new low-to-mid tier point-and-shoots are led by the ELPH 330 HS.
Written by Ben Keough
Charging bravely into the teeth of the impending low-end camera apocalypse, Canon has announced three brand-new PowerShot cameras in the run-up to the CP+. The most attention-grabbing is the Canon PowerShot ELPH 330 HS, which features wireless connectivity, a new Hybrid Auto mode for video recording, and the company's new battery-saving Eco Mode. The other two models, the ELPH 115 IS and A2500, are decidedly less impressive, aside from their impressively low prices.
The Canon ELPH 330 HS is the new mid-range ELPH model.
Looking like a decent starter camera, the ELPH 330 HS (MSRP $229.99) replaces the older ELPH 320 HS. Wireless connectivity is the biggest news here. Users can send photos directly to their smartphone or tablet (iOS and Android) using the free CameraWindow app, print them straight from the camera with compatible Canon printer models, or upload them to the cloud using the Canon Image Gateway. You can also set up this last option to automatically sync with your home PC.
The 330 HS is equipped with a 12.1-megapixel CMOS sensor. We're pleased to see Canon using moderation here; the temptation to go to 16 megapixels (as the 320 HS did) must have been great, but presumably image quality considerations won out. The sensor is capable of ISO 80-6400 shooting, and images are passed through the DIGIC 5 processor—Canon's latest generation for compact cameras. A 10x optical zoom lens, starting at 24mm effective on the wide end and going to 240mm at full telephoto, should be good enough to capture everyday shots.
Other key specs include the large 3-inch rear LCD (461k dots), 1080/24p shooting, and intelligent image stabilization. Canon claims that its new Eco Mode (first seen on the PowerShot N at CES) can increase battery life by up to 30% by using strict power save settings, which is always nice when you've got a battery as small as the one in the 330 HS.
They may look slightly different on the outside, but the internals on the ELPH 115 HS and A2500 are virtually identical.
The Canon ELPH 115 HS (MSRP $169.99) and Canon A2500 (MSRP $129.99) are virtual twins, aside from three key differences: price, focal range, and image stabilization. The 115 HS has an 8x zoom (28-224mm effective) versus the A2500's 5x unit (28-140mm). It also features Canon's intelligent image stabilization, while the A2500 does not. Beyond that, their key specs are identical. And of course, there's that $40 price difference.
Both cameras have a 16-megapixel CCD sensor, the older DIGIC 4 processor, a 2.7-inch (230k-dot) LCD, and an ISO range of 100-1600. Both can record 720/25p video, and both also have the new Eco Mode. The A2500 is a smidge bigger, but also just a tiny bit lighter than the 115 HS. The two even share the same battery.
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With all of this in mind, we suspect that the cheaper model will be the better deal for most bargain shoppers, assuming they don't plan to do much telephoto shooting. Of course, we'll need to get these cameras into our labs to see if those suspicions are confirmed.
Check out the official press release below, and head to Canon's site for more info.
CANON U.S.A. INTRODUCES THREE NEW STYLISH POWERSHOT DIGITAL CAMERAS PROVIDING WIDE-ANGLE AND LONG TELEPHOTO LENSES IN COMPACT DESIGNS
New Lineup Includes the Wireless-Enabled PowerShot ELPH 330 HS Digital Camera With a Powerful 10x Optical Zoom Lens
LAKE SUCCESS, N.Y., January 28, 2013 — Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the addition of three stylish, feature-packed PowerShot Digital Cameras: the PowerShot ELPH 330 HS, ELPH 115 IS and A2500. These new models are ideal for photography enthusiasts of all levels looking for great photo quality and excellent video performance in compact, powerful point-and- shoot designs.
The new PowerShot ELPH 330 HS digital camera provides advanced wireless connectivity for easy sharing. Providing great performance in dimly lit situations, the ELPH 330 HS digital camera includes the Company's HS SYSTEM that delivers clear images with minimal noise and maximum detail even when shooting in low-light. The new cameras offer great features such as Canon's Smart AUTO, enabling even novice users to get optimal camera performance automatically, so whether photographing a running child or a solo recital on stage the cameras deliver spectacular images with ease. Smart AUTO allows the cameras to detect up to 58 scenes for the PowerShot ELPH 330 HS digital camera and up to 32 scenes for the PowerShot ELPH 115 IS digital camera and PowerShot A2500 digital camera. All three models also feature ECO Mode, an advanced new method that manages power consumption and extends battery life by approximately 30 percent, when enabled, allowing you to shoot more photos for a longer amount of time.
"With the introduction of these sleek, new models to our family of PowerShot digital cameras, we are able to provide our customers with a range of imaging options including more models with wireless connectivity to upload and share their amazing creative images," said Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A.
PowerShot ELPH 330 HS Digital Camera
Photography today is as much about image quality as it is about sharing, whether through prints or online communities. With this in mind, the PowerShot ELPH 330 HS digital camera builds upon the success of the PowerShot line with built-in advanced wireless capabilities to easily share high-quality images captured with an impressive 10x optical zoom lens and 12.1-megapixel High-Sensitivity CMOS image sensor. After an initial one-time set-up, the camera can connect to both iOS® or AndroidTM smartphones and tablets for quick and easy sharing. Users launch Canon's free CameraWindow application ii, available on both the iOS® and AndroidTM operating systemsi, to wirelessly transfer photos and videos from the camera to their device. Frequently used devices and accounts are conveniently stored in the camera's wireless history menu for quick one-touch access.
With these enhanced wireless capabilities, users now have the ability to comment on their uploaded photos directly from the camera – so being part of conversations taking place on social networking sites is easy and convenient. In addition, individuals can control the destination of Facebook uploads – choosing to share content with everyone, or post photos only to selected Facebook groups. Users can also instantly upload images wirelessly from the camera to Canon iMAGE GATEWAYiii, and automatically upload them to a computer remotely. Photos can also be printed wirelessly using Wireless PictBridgeiv on select Canon wireless inkjet printers, including the new PIXMA MG6320 Photo All-In-One printer, so special moments can be preserved and cherished.
A fantastic multipurpose lens: the PowerShot ELPH 330 HS digital camera provides a 10x optical zoom lens taking images from 24mm wide, up to 240mm at the telephoto end, able to capture that group shot, or zoom in for a dynamic close-up. Great even in low light, the camera's 12.1-megapixel High-Sensitivity CMOS image sensor and DIGIC 5 image processor combine and deliver on Canon's HS SYSTEM helping ensure detail is captured even in dark or shadowed areas at a maximum ISO speed of up to 6400. For capturing memorable moments on video, at the touch of a dedicated movie-record button, the PowerShot ELPH 330 HS digital camera shoots beautiful 1080p Full HD video and includes a built-in stereo microphone for great sound. Helping document vacations with your own personal highlight reel, the camera's new Hybrid AUTO mode utilizes a combination of Smart AUTO and Intelligent IS to create a beautiful and steady HD video clip (up to approximately 4 seconds) in Movie Digest mode every time you shoot a still image. Helping ensure you don't miss those magic moments, the camera features both High Speed AF for fast focusing speed and High‐Speed Burst for continuous capture at up to 6.2 frames per second while maintaining superb image quality. The combination of features, including wireless connectivity, Canon's Intelligent IS system and ECO Mode, help make the PowerShot ELPH 330 HS digital camera a great imaging companion for vacations, all-day sporting events, or family parties.
Expected to hit store shelves in March, the PowerShot ELPH 330 HS digital camera will be available in three modern colors: black, silver and pink for an estimated retail price of $229.99.
PowerShot ELPH 115 IS Digital Camera
The new pocket-able PowerShot ELPH 115 IS digital camera features an 8x optical zoom lens (28- 224mm), which provides a focal range to capture most any situation. The PowerShot ELPH 115 IS digital camera includes a 16-megapixel image sensor and DIGIC 4 image processor for exceptional image quality. For those photographers who "shoot it all" and seamlessly move from scene to scene, the PowerShot ELPH 115 IS digital camera provides Canon's Smart AUTO mode that intelligently selects the proper camera settings based on up to 32 predefined shooting situations for capturing spectacular images in a variety of settings with ease. For creative video capture, users can record HD video with a built-in microphone for great sound. The PowerShot ELPH 115 IS digital camera also includes Canon's unique Intelligent IS system technology, matching the lens movement with one of six stabilization modes for smooth video and sharp still images. The camera also includes Canon's new ECO Mode allowing you to shoot more photos for a longer amount of time.
With anticipated in-store availability in March, the PowerShot ELPH 115 IS digital camera will available in four sleek colors: blue, silver, black and pink at an estimated retail price of $169.99.
PowerShot A2500 Digital Camera
Rounding out Canon's new PowerShot lineup is the PowerShot A2500 digital camera, which includes a 16-megapixel image sensor and DIGIC 4 Image Processor, as well as a 28mm wide-angle lens with 5x optical zoom that can extend out to 140mm at the telephoto end. The camera also features Canon's Smart AUTO mode that analyzes each scene to intelligently select camera settings based on 32 predefined shooting scenarios to help capture stunning images with ease. The PowerShot A2500 digital camera can also capture great video, recording HD through a dedicated movie button. Helping ensure crisp images, Canon's Digital IS reduces the effect of camera shake and subject movement. For travelers and those on the go, Canon's new ECO Mode conserves battery life, allowing you to shoot more photos over a longer period of time. For those photographers looking to be a little more creative, the camera also features various Scene Modes such as Fisheye Effect, Toy Camera Effect and Monochrome to help provide additional creative freedom when capturing your photos. And for those just learning the art of photography, a Help Button will provide simple explanations of camera settings and functions.
Expected for sale in April, the PowerShot A2500 digital camera will be available in silver, red and black for an estimated retail price of $129.99.
About Canon U.S.A., Inc.
Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. With approximately $45.6 billion in global revenue, its parent company, Canon Inc. (NYSE:CAJ), ranks third overall in U.S. patents registered in 2011† and is one of Fortune Magazine's World's Most Admired Companies in 2012. In 2012, Canon U.S.A. has received the PCMag.com Readers' Choice Award for Service and Reliability in the digital camera and printer categories for the ninth consecutive year, and for camcorders for the past two years. Canon U.S.A. is committed to the
highest level of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. To keep apprised of the latest news from Canon U.S.A., sign up for the Company's RSS news feed by visiting www.usa.canon.com/rss.*


text:
package com.atanasg.fileprocessingapp.validation;

import java.util.List;

import com.atanasg.fileprocessingapp.command.status.CommandExecStatus;
import com.atanasg.fileprocessingapp.mvc.controller.FileProcessingAppController;

/**
 * This interface defines the methods needed
 * for a component able to validate file content.
 *
 * A validating component uses rules from the
 * com.atanasg.fileprocessingapp.rules package.
 *
 * A Controller ({@link FileProcessingAppController}) calls
 * this component on receiving a validation command from
 * the View (resp. the user).
 *
 * @author Atanas Gegov
 */
public interface FileValidator {

	public static final String LINE_HAS_AN_INVALID_CHARACTER_AT_POSITION =
			"Line %d has an invalid character '%s' at position %d";
	public static final String NO_VALIDATION_ERRORS_DETECTED =
			"No validation errors detected";

	public CommandExecStatus validateFileContents(final List<String> fileLines);

}