text:
Previous Nairy Baghramian "Maintainers" at kurimanzutto, Mexico City
Next Tobias Spichtig "Fridge & Mind" at Malta Contemporary Art, Valletta
"a good neighbour", international billboard project, 2017
Image by Lukas Wassman
Adel Abdessemed, Cri, 2013
Courtesy of the artist and Blum & Poe. Photograph: Sahir Uğur Eren
Henrik Olesen, Cables, Keys, Glasses, Lights, 2017
Courtesy: the artist and Galerie Buchholz. Produced with the support of the Danish Arts Foundation and Institut für Auslandsbeziehungen. Photo: Sahir Uğur Eren
Klara Liden, 2017
Photo: Sahir Ugur Eren
Rayyane Tabet, Colosse Aux Pieds D'Argile, 2015-2016
Courtesy: the artist. Collection Aishti Foundation. Photo: Sahir Uğur Eren
Monica Bonvicini, 2017
Courtesy: the artist and Mitchell-Innes & Nash, New York. Photo: Sahir Ugur Eren
Stephen G. Rhodes, Willkommen Assumption: Or the Private Propertylessness and Pals, 2017
Courtesy: the artist and Galerie Isabella Bortolozzi. Presented with the support of Zabludowicz Collection. Photo: Sahir Uğur Eren
Elmgreen & Dragset: 15th Istanbul Biennial
Elmgreen & Dragset interviewed by Harry Darrell
"Is a good neighbour someone who lives the same way as you? Is a good neighbour a stranger you don't fear?" These are just a few of the questions that artists Elmgreen & Dragset, who share a history of questioning institutional formats, have posed in the role of curators of the 15th Istanbul Biennial—titled a good neighbour and comprising artworks by 56 artists from 32 countries, all addressing different notions of home, belonging, and neighbourhood.
Harry Darrel: In an article/panel that appeared last year in Mousse ("Role Play"), you recall how the history of curating artists is long—starting from the Salon des Refusés through the New English Art Club and so forth—and end your intervention by saying, "Given our history of questioning institutional formats and the fact that we often conceptualize our own exhibitions as complete artworks, curating has a natural place in our work." In which way would you say that your practice as artists will inform—or will give a specific point of view to—the Istanbul Biennale?
Elmgreen & Dragset: A key part of our practice as artists is the ongoing conversation we have with each other, and we have extended this way of working through dialogue to curating the Istanbul Biennial. We kept the artist list relatively small (at 56 artists) to make sure that we actually had a realistic opportunity to discuss each project's development with the artists. The thematics of the biennial have been shaped and fine-tuned through these conversations with the participating artists and formed as a result of their projects, rather than trying to find a selection of works to illustrate an already fixed concept from our side. And we're interested in how different artistic practices interact with one another, with the spatial designs of the venues and with the social context; for example, currently the harbor area in Karaköy around Istanbul Modern is under substantial transformation, and issues around profit-driven urban development and gentrification are reflected upon in several of the artworks displayed, such as Rayyane Tabet's or Lydia Ourahmane's works. In the Küçük Mustafa Pas¸a Hammam, Monica Bonvicini's works co-exist with a specially developed dance performance by Tug˘çe Tuna that takes place at scheduled times. A historical position like painter and architect Fernando Lanhas is juxtaposed with an emerging artist like Mirak Jamal, whose canvas is plates of sheet rock. Fred Wilson has incorporated Ottoman paintings from the Pera Museum—one of our venues—into his installation, and like many other participating artists, he has worked closely with local artisans.
HD: Your choice of posing a series of questions as a form of curatorial statement is extremely interesting: Who were the questions addressed to and what kind of answers or reactions were they willing to stimulate?
E&D: We wanted to avoid the usual exhibition press release format and instead, we created 40 questions for the biennial's first press conference in December last year. 40 performers came on stage, one by one, and each asked the audience one of these questions. The questions we posed are addressed to anyone who hears or reads them, regardless of whether they're a biennial visitor or not. They're also part of an international billboard project—a collaboration between photographer Lukas Wassmann and graphic designer Rupert Smyth—that pairs each question with a photo of an unexpected encounter between people. We've installed these billboards in cities all around the world—from Belfast to Moscow, and from Liverpool to Sydney—and by doing so, we extend the geographic reach of the biennial. By asking what makes a good neighbour in this way ("Is a good neighbour someone who lives the same way as you?" or "Is a good neighbour a stranger you don't fear?"), we are opening things up rather than closing in on any particular answer. Of course, the questions will have different meanings according to where they are shown. We've also intentionally kept "a good neighbour" in lowercase letters because it's not a statement—it could appear in the middle of any sentence, with anything coming before or after. It almost has an invisible question mark after it. For us, it has been urgent to stress that the problems that we face in the world at the moment all seem to be interconnected, so that what happens in one part of the world impacts what is going on in another region.
HD: The idea of "good neighbour" inevitably relates to ideas of social connectedness and collaboration. It seems to be the opposite of emerging—economically and ideologically propelled—trends of fragmentation in societies, according to various notions of "identity." To what degree you intend this Biennale to be political?
E&D: We are currently seeing the global resurgence of a scary tendency in which populist movements promise easy solutions to complex problems. A biennial can be a format that creates a different kind of environment, one in which to exchange ideas and gain new perspectives. We want this edition of the Biennale to act as a place for dialogue across actual as well as mental borders. We need to start with ourselves as individuals in order for things to change and get better. The personal is still political, and "a good neighbour" gathers together art that is based on personal experiences. In times of crisis like Turkey is experiencing right now, a cultural event like a biennial can trigger a feeling of togetherness that is not to be underestimated. There seems to exist a strong need to regain strength, hope, and courage.
HD: Apart from social and political implications, in which ways the idea of "good neighbour" could apply to the world of visual arts?
E&D: Especially right now, the international art world should act like a good neighbour to the Istanbul art scene by engaging with it rather than turning its back to it. It's important to show the local art scene that the global art world stands with them in support of art as a space for free dialogue and cultural exchange. In times like these, the kind of platform the Biennale can offer for considering different viewpoints is crucial.
HD: What is the role of the city of Istanbul, if there is one, in the conception and realization of this Biennale?
E&D: Neighbourhoods have great meaning in Istanbul, and it's been extremely interesting exploring their transformations in all kinds of directions during our many visits to the city. Istanbul is an enormous and very diverse city. We've been able to incorporate the varied architectural history of the city through the six venues we selected: Istanbul Modern, Galata Greek Primary School, ARK Kültür, Pera Museum, the artist collective Yog˘unluk Atelier, and Küçük Mustafa Pas¸a Hammam. Istanbul Modern has a large open plan architecture, which means that many of the works on display are seen together. The Galata Greek Primary School has a special significance due to its legacy as a school—a place for learning and knowledge—and it has many smaller rooms that can host small-scale solo presentations. ARK Kültür was originally built as a private villa—a two-story Bauhaus-style house that was inhabited by different owners throughout the decades before it was turned into a cultural venue. At Pera Museum, we will intersperse artworks with the museum's Orientalist Painting collection, and on the three top floors of the museum, artists will create whole spatial environments. The participating local artist collective Yog˘unluk has redesigned their atelier, which is an apartment in Beyog˘lu, and turned it into one big installation. Finally, the disused Küçük Mustafa Pas¸a Hammam, which was constructed in 1477, is one of the oldest Turkish baths in Istanbul. Two female artistic positions will occupy the male section and a male artistic position will occupy the smaller female section. The venues are all within walking distance of each other and together, they constitute key elements of a neighbourhood: museum, school, villa, apartment, work place, hammam, and therefore underline the exhibition's themes in its spatial configuration. In addition, some of the artists, such as Volkan Aslan and Alper Aydın from Turkey, and Mark Dion from the US, have created their work in direct dialogue with Istanbul's urban nature, on and off the Bosporus shore.
15th Istanbul Biennial, Various Venues, Istanbul, Turkey
until 12 November 2017
Tigers in flip-flops: VOID and Marco Godinho
Michael Riedel "CV" at Kunsthalle Zürich
Ericka Beckman "Game Mechanics" at Secession, Vienna
Jim Shaw at Massimo De Carlo, Milan
Matthew Lutz Kinoy "Fire Sale" at Mendes Wood DM, São Paulo


I am a writer, artist, organiser and educator. I research the relationships between art and micropolitics: where the production of subjectivity becomes a crucial site for analysing and intervening in the reproduction of capitalism, imperialism, art and culture. I have worked in performance, video, installation, drawing, and public / site-based intervention. More recently, I have been focused on writing and co-producing workshops and research processes using various forms of participatory militant investigation.
I work individually and in the context of collectives situated between the fields of art, education and political organization and activism (including Micropolitics Research Group, Precarious Workers' Brigade, and previously, Carrot Workers Collective and 16Beaver, New York). I am active in movements against free labour, precarity and exploitation in cultural work and universities, and the pedagogical, therapeutic and institutional ideologies that support its proliferation.
My approach is informed by autonomous Marxism, schizoanalysis, institutional analysis, materialist feminism and radical pedagogy. I hold a BA in Fine Art and Art History (NCAD Dublin); an MA in Cultural Studies (Leeds University); I completed the Whitney Independent Study Studio Programme (New York) in the late 1990s, and my PhD in Visual Cultures (Goldsmiths) in 2010.
I have just published 2 articles: 'What is to be Done? Grammars of Organisation' Deleuze Studies, April 2018; and 'The Educational Turn in Art: Rewriting the Hidden Curriculum' Performance Research, December 2016 with Janna Graham and Valeria Graziano. I gave a public lecture at the ICA London on the Micropolitics of Rehabilitation in January 2017 which is in preparation for an article publication; and I recently co-convened 3 events on Public Programming with Janna Graham and Valeria Graziano in Middlesex University (2016), Nottingham Contemporary Art Gallery (2017) and Goldsmiths (2018). With the Precarious Workers Brigade I organized a 2-day assembly entitled 'Culture and Work at Point Zero' at Limehouse Townhall (April, 2018).
Practices of Rehabilitation and the Government of the Self: In this project I look at the development of 'jihadi rehabilitation' camps in Saudi Arabia, Egypt and elsewhere and their precursors in the anti-insurgency rehabilitation practices of former British colonies in Kenya and Malay. In these camps, we see fascinating explicit blueprints for the making and unmaking of political subjects at particular geopolitical conjunctures. If counter-insurgency is becoming the dominant mode of neoliberal governance today, this project looks at these practices as genealogies through which to explore a coming 'practice of freedom' beyond the government of the self.
Micropolitics Research Group: This group (Susan Kelly, Janna Graham, Valeria Graziano, Paolo Plotegher, Cristina Ribas) explores international movements in anti-psychiatry, institutional analysis, social movements and art. The group hosts seminars and working sessions with visiting scholars and collectives, primarily from Latin America (Suely Rolnik USP Sao Paolo, 2008; Elizabeth Araujo Lima, USP 2008; and Colectivo Situaciones, Buenos Aries, 2009, Peter Pal Pelbart, USP Sao Paolo, 2014). Through the Art Department at Goldsmiths we have hosted Fabiane Borges, a doctoral fellow at USP, Sao Paolo in 2011; and year-long visiting researchers Professor Viviane Maximino, Federal University Sao Paulo (2016-17), and Professor Cristiane Mesquita, Anhembi Morumbi University, São Paulo (2018). Through these networks we explore the practical and institutional and modes in which theories of schizoanalysis, cartography and the thought of Félix Guattari have been taken up in Brazil and elsewhere, and how they might offer other models for approaching the crises in care, mental health, art and therapy in the UK today. The Micropolitics Research Group has also presented research at several study days on the theme of institutional analysis hosted by Nottingham Contemporary with an emerging network of researchers from Nottingham, Paris, Sao Paolo and London.
Public Programming: Discourse and Education at the Post-Democratic Impasse: This collaborative research project with Janna Graham (Goldsmiths, Dept. Visual Cultures) and Valeria Graziano (Coventry University) explores how the democratic and critical bases of publicly produced culture and debate are becoming undone, caught in the paradoxes of post-democratic institutions and under the pervasive push of event economies. We explore the histories of 'public programming' in use at least since the 1990s, as a framework to speak about pedagogical initiatives across various public cultural institutions and its legacies in gallery education, new institutionalism, and radical social forums. We look to histories of radical pedagogy, public pedagogy and work-based education as genealogies for a militant practices of education in culture today. Three public seminars based on this research have been convened at Middlesex University (2016), Notthingham Contemporary (2017) and Goldsmiths College (2018) with guest speakers from the UK and across Europe. We are currently preparing a book manuscript on this research as well as an edited collection of essays and interviews.
I am currently teaching Critical Studies on the BA Fine Art Programme at undergraduate level. I coordinate Year 1; teach a course entitled 'Art and Politics After the Crisis' at Year 2 and supervise 12+ student dissertations at Year 3. I supervise and co-supervise PhD students and contribute occasional lectures and seminars for MA in Culture Industries in Dept of Media and Communications.
From 2006-2016 I was co-programme leader (studio practice) for the BA Fine Art and History of Art, a Joint Honours Degree run between the Department of Art and the Department of Visual Cultures. Before this, I contributed to undergraduate teaching on the BA and MA Art History in Visual Cultures as a postgraduate Teaching Assistant, and to Critical Studies on BA Textiles in the Art Department.
Prior to Goldsmiths, I taught at the University of Ulster, Belfast (2015-16) where I co-developed an MA Programme in Art and Public Space and I taught at TTVO School of Art and Media, Tampere, Finland (2012-13). I have done many guest lectures and seminars at institutions such as Art Academy Helsinki, St Joost AVANS Academy, Holland; Valand Academy, Gothenberg; Art Academy Umea, Sweden, Vienna University of Technology, and I taught a semester long course entitled ''Jurisdictions: An Investigation into the Micropolitics & Topologies of Space' at the Institute of Architectural Theory, University of Innsbruck, Summer Semester 2012.
Kelly, Susan; Elfving, Taru; Hewitt, Nicole; Jewesbury, Daniel; O' Beirn, Aisling; Henriksson, Minna; Hamm, Kalle; Boynik, Sezgin and PLATFORMA 9,81, Croatia. 2007-2010 Centrifugal.
Kelly, Susan. October 13th - 14th, 2009 Micropolitics Research Group.
Kelly, Susan. 2012. Space Matters. In: "Space Matters", Neue Galerie, Austria, June 21 - August 4, 2012.
Kelly, Susan. 2011. Narratives of Disobedience. In: "Narratives of Disobedience", Künstlerhaus Büchsenhausen, Innsbruck, Austria, 05.11.-02.12.2011.
Kelly, Susan. 2010. Manufacturing Today. In: "Manufacturing Today", DORA Kulturbunker, Trondheim, Norway, Exhibition: April - May 2010, Project June 2008 - June 2013.
Kelly, Susan. 2008. Several Silences. In: "Several Silences", Belfast, Northern Ireland (2010), United Kingdom, 2008-2010.
Kelly, Susan and Morton, S.. 2003. What is to be Done? Questions for the 21st Century. In: "What is to be Done? Questions for the 21st Century", The Lenin Museum, 2/22/2003 - 4/21/2003.
Kelly, Susan. 2003. Lobby, Amorph! 03 Performance Art Biennale. In: "Amorph! 03 Performance Art Biennale,", Finlandia Hall and Harrakka Island, 09/08/2003 - 31/08/2003.


text:
Q: SQL Server as a Web Service Client Suppose given a URL, http://test.org/service.asmx
How can I use SOAP method in SQL Server to access the service?

A: You can write managed code (C# or VB.NET) and run it from SQLServer. And you can write a SOAP client with .NET, of course.
Good luck.

A: This should work too
Declare @Object as Int ;

Declare @ResponseText as Varchar(8000) ;

Exec sp_OACreate 'MSXML2.XMLHTTP', @Object OUT ;
Exec sp_OAMethod @Object, 'open', NULL, 'get',
    'http://www.webservicex.com/stockquote.asmx/GetQuote?symbol=MSFT', --Your Web Service Url (invoked)
    'false'
Exec sp_OAMethod @Object, 'send'
Exec sp_OAMethod @Object, 'responseText', @ResponseText OUTPUT

Select  @ResponseText

Exec sp_OADestroy @Object

But I do think too that it is best to write a CLR function that you use from your sp

A: I successfully created a Web Service (SQL Server 2005) using the above technique and it works great populating a list box in the InfoPath preview mode.  When I publish the form to SharePoint, only the first row populates the list box rather than the entire record set.  good article, i really like it.  I am doing a bit on research about web service directly and i found also macrotesting www.macrotesting.com to be very good source.  Thanks for you article.....
Regards...
Meganathan..

redpajama_set_name: RedPajamaStackExchange


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Plan Des Achats Des Compagnies de L'Ohio et du Scioto - Barry Lawrence Ruderman Antique Maps Inc.
Rare first state of this important map for the early development of the Ohio Valley, promoting the lands of the Scioto Company.
The present example is a rare early state, pre-dating the inclusion of the Seven Ranges and other features, and with manuscript additions in the Scioto Company lands showing a townsite and boundaries.
The map was published to accompany Prospectus pour l'éstablissement sur les rivières d'Ohio et de Scioto en Amérique, Paris, 1789. The prospectus and map were issued by the Scioto Company, which was associated with the Ohio Company, a group of American land speculators who in 1786 received a grant of several million acres from Congress along the Ohio River in the vicinity of the Scioto and Muskingum Rivers.
The Scioto Company was organized to market some of these lands to prospective French investors and emigrants. The Scioto Company failed to meet its contract with the Ohio Company, and issued worthless deeds to about 150,000 acres before it collapsed in 1790.
The map shows all of the present State of Ohio from Lake Erie south to the Ohio River, and as far west as the Scioto. It includes the Seven Ranges of Townships, laid out in 1786 by Thomas Hutchins, Surveyor General of the United States, the first part of United States Territory surveyed according the pattern subsequently used for all territory as far west as the Pacific. Just to the west is the original Ohio Company Grant (colored pink), and beyond, in blue, is the proposed Scioto Company purchase.
A simplified and more common second state of the map was published in the same year. It omits many details shown on the first state, including the Seven Ranges, and the town of Marietta ("Mariana"), founded in 1787. Named in honor of Marie Antoinette, Thomas Smith speculated that the town may have been erased because of the Queen's "considerable loss of popularity among the French people by 1789".
The Scioto Company was formed in 1787 by Colonel William Duer and several associates. It was reorganized in 1789, in Paris, as the Compagnie du Scioto and focused on attracting French investors. The Company had arranged to purchase 4 million acres from the Ohio Company, occupying the western portion of their lands. For a time "Sciotomanie" spread through the salons of Paris, as many of France's wealthiest and most esteemed figures enthusiastically invested in the endeavor.
However, the Scioto Company proved to be only one of Duer's several spectacular failures, ultimately defaulting on its payments to the Ohio Company. In 1791, 218 French settlers arrived in Ohio to find that the Scioto Company was a chimera, and that no provisions had been made for their presence. Arriving in Marietta (founded in 1788), the settlers were soon moved upriver to Gallipolis, a crude settlement that was created especially for them.
A 1794 opinion by the U.S. Attorney General officially voided the Scioto Company's claims. On March 31, 1795, the U.S. Congress felt compelled to arrange for some form of restitution for the beleaguered French settlers, granting them 24,000 acres on the Ohio, just down river from the mouth of the Scioto. Elsewhere, French settlers were permitted to purchase the lands they occupied for $1.25 per acre.
This first state of the map was in print for a very short time and is quite rare.
Pre-dates the inclusion of Thomas Hutchins survey of the Seven Ranges and does not include the Pennsylvania Boundary at the right side of the map.
No settlements shown on the Ohio River (later state shows the Village of Mariana (Marietta), Premiere Ville, a Fortress and an unnamed settlement.
The Ohio Company Lands are not labeled "defrichee et habitee" (cleared and inhabited).
No place names south of the Ohio River (Lafayette County, Kentucky, County of Ohio and the state of Virginia appear on later editions).
Army Lands west of the Scioto River and not yet shown.
Smith, The Mapping of Ohio, pp. 125-130, plate III; not in Phillips, Maps of America.
Pierre Antoine Tardieu was a geographer engraver of great talent, a pupil of his father Antoine-Francois Tardieu, and for twenty years his collaborator.
Tardieu was the first to mapmaker to engrave maps on steel.
One of his most important works was a 4 sheet Postal Map of France, as well as a 2 sheet map of Louisiana and Mexico, published shortly after the signing of the Adams-Onis Treaty.
His map of the islands of Palma and Teneriffe were declared so perfect that they were framed and placed in the library of the Institut de Paris. These maps earned him a bronze medal at the Exposition of 1818.
His brother was Ambroise Tardieu.


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Old Guy at the Show
Show summaries of musical performances in the Denver area by the old guy at the show.
Father John Misty and Tess & Dave at the Ellie Caulkins Opera House in Denver, CO on 4/9/16.
Meeting a rock star can be challenging. Some times they are rushed off to the next destination in a sea of body guards. Other times they sneak out of the venue avoiding their fans and possible deranged lunatics. But I admire those that are genuinely happy to meet their fans (I am not talking about the ones that charge outrages prices for meet and greets). I had the privilege of meeting Father John Misty after his show on Saturday night. He was down to earth and friendly (he is a Father of Mist after all). It took a great deal of my patience, tolerance to the roadies cigarettes, and risk of being rejected. But it was worth it to meet him.
Josh Tillman grew up in an Evangelical Christian home in a suburb of Washington, D.C. where secular music was not allowed. Rebelling against those beliefs, he found himself in the folk rock scene in the Pacific North West. That eventually lead to a drumming gig with the indie band Fleet Foxes. He found success on his own under the pseudonym Father John Misty. Last year's album I Love You Honeybear made most top Album Lists of 2015.
Right when Father John Misty walked out on stage at the Ellie Caulkins Opera House, he told the audience to stand up (which they did for the remainder of the night). He stated when I was stalking him … I mean randomly encountered him walking to his tour bus … that he didn't want the audience to wonder if they should stand or sit. So he just told them to stand.
The amazing lighting theatrics
Father John Misty wore a designer ensemble from Gucci and Yves Saint Laurent. He said this year they just started sending it to him for free. When I was shadowing him … I mean during my exclusive interview… he was excited to find a way to make the Ellie Caulking Opera House showcase his music. Judging from the extraordinary timed lighting to the outstanding sound, he accomplished his goal.
Father John Misty is an amazing performer. His powerful voice and commanding stage presents channeled James Brown and Elvis Presley. He sang with so much passion that he was brought to his knees and even threw his guitar high above the stage into a roadies' arms. The women in audience swooned to his swagger and screamed in excitement whenever Father John Misty was inspired to dance. The men in the audience mostly all had beards and I don't know what they were doing underneath all that hair.
Father John Misty in his designer threads
After performing his song, Bored in the USA about the mediocre middle class state of being, he mentioned that Bernie Sanders wanted to use the song for his campaign. He refused and stated the reason was in the lyrics in his next song Holy Sh*t about the depressing circumstances of the world. After the lines, "New regimes, old ideas. That's now myth, that's now real." Father John Misty paused and said, "That's good stuff." I agree.
Tess & Dave
Opening the show was two members of Father John Misty's band. Guitar player Dave Venervelde and background singer Tess Sharpiro performed under the name Dave & Tess. They started out robot dancing to a science fiction mystical soundtrack in silver glittery outfits. After a few awkward moments, they started singing together while dancing through a carefully choreographed routine. When I was lurking around the tour bus after the show … I mean talking to Tess Shapiro … she explained the steps were created to be extremely simple to go along with the music. I was so caught up with what was happening on stage, it took me three songs to realize they were performing to a backing track. When Dave Vandervelde played the guitar without the spacey electronic accompaniment, their real talent shined in their fun simple songs. One was about drinking large quantities of beer entitled …. wait for it…..Beer. Another song about modern cars asking the important question "What does a Prius even mean?" It was dangerously close to to being a Saturday Night Live skit. Sharpiro mainly used the bass guitar as a prop and her backing vocals continued when she left the stage for a costume change. But in the end, they were charming. Especially when I was ease dropping on their conversations after the concert… I mean interviewing them for this blog.
See you at the next show. I will be the one next to the tour bus.
UncategorizedBrett Garske0 comments
Ra Ra Riot, And The Kids, and PWRR BTTM at the Bluebird Theatre in Denver, CO on 4/4/16
Wolf Alice and Slaves at Bluebird Theater in Denver, CO on 4/14/16
Blues Traveler at the Natural Products Expo in Baltimore, MD on 09/13/19
Hank von Hell and MF Ruckus at The Oriental Theater in Denver, CO on 08/17/19
Zac Brown Band and Lukas Nelson and Promise of the Real at Coors Field in Denver, CO on 08/09/19
Lake Street Dive and Yola at Dillon Amphitheater in Dillon, CO on 08/03/19.
Halleway at Larimer Lounge in Denver, CO on 7/31/19.
Lyle Lovett and Ricky Skaggs at Red Rocks Amphitheater in Morrison, CO on 7/15/19
John Paul White and The Prescriptions at Bluebird Theater in Denver, CO on 06/23/19
Diane Coffee, Claire George, and Modern Leisure at Globe Hall in Denver, CO on 06/18/19.
Rob Thomas and Abby Anderson at Levitt Pavilion in Denver, CO on 6/10/19
Jenny Lewis and at The Ogden Theatre in Denver, CO on 5/16/19.
Eric Church at the Pepsi Center in Denver, CO on 05/10/19.
Bob Schneider and Halleway at the Bluebird Theater in Denver, CO on 04/19/19.
Stephen Kellogg and Pete Muller at the Bluebird Theater in Denver, CO on 04/06/19.
Cherry Glazerr, Palehound, and The Corner Girls at the Gothic Theatre in Englewood, CO on 3/1/19.
Gasoline Lollipops, Strange Americans, and Foxfeather at The Gothic Theatre in Englewood, CO on 2/22/19.
MF Ruckus, Hail Satan, and Head Trauma at The Oriental Theater in Denver, CO on 1/26/19.
Highlights of Old Guy at the Show Concerts of 2018 (Video Recap)
DeVotchKa and The Sweet Lillies at The Bluebird Theatre in Denver, CO on 12/31/18.
Brent Cowles and Strange Americans at the Bluebird Theater in Denver, CO on 12/14/18.
Allen Stone and Nick Waterhouse at the Gothic Theatre in Englewood, CO on 12/07/18.
Little Steven and The Disciples of Soul at The Gothic Theatre in Englewood, CO on 11/30/18
Rufus Wainwright and Rachel Eckroth at the Boulder Theater in Boulder, CO on 11-17-18
Insane Clown Posse at the Stampede in Aurora, CO on 10/28/18
Dermot Kennedy and The O' My's at the Summit in Denver, CO 0n 11/9/18
Joshua Hedley, Kelsey Waldon, and Extra Gold at Globe Hall in Denver, CO on 10/19/18.
St. Paul and the Broken Bones and Black Pumas at the Ogden Theatre in Denver, CO on 10/13/18.
Against Me!, Ted Leo and The Pharmacists, and A Giant Dog at Summit, Denver, CO on 10/9/18.
Lyle Lovett and Margo Price at Red Rocks Amphitheatre in Morrison, CO on 9/4/18
Esmé Patterson and The Still Tide at The Levitt Pavilion in Denver, CO on 8/17/18.
Chris Stapleton, Marty Stuart, and Brent Cobb at the Pepsi Center in Denver, CO on 8/10/18.
Jack White and Tyler Childers at the 1st Bank Center in Broomfield, CO on 8/8/18
Neko Case and The Space Lady at Gothic Theater in Englewood, CO on 7/11/18.
Cowboy Junkies at Twist and Shout Records in Denver, CO on 7/8/18
Camp Cope and Petal at the Marquis Theater in Denver, CO on 6/29/18
Float Like a Buffalo, Chloe Tang, and SIR at Westword Music Showcase in Denver, CO on 6/23/18
Elle King at Denver Day of Rock in Denver, CO on 5/26/18
Nikki Lane and Carl Anderson at Globe Hall in Denver, CO on 5/15/18
Pokey LaFarge and The Constant Tourists Globe Hall in Denver, CO on May 3, 2018
Doc Rotten at 7th Circle Music Collective in Denver, CO on 4/18/18
Kiefer Sutherland and Rick Brantley at the Bluebird Theater in Denver, CO on 4/17/18
The Darkness and Diarrhea Planet at the Gothic Theatre in Englewood, CO on 4/7/18
Olivia Jean, Hallie Spoor, and Jesse RS at The Summit Moon Room in Denver, CO on 3/21/18
Glen Hansard at the Boulder Theater in Boulder, CO on 3/14/18
Margo Price and Particle Kid at the Fox Theatre in Boulder, CO on 2/20/18
The Killers, Albert Hammond Jr., and Amanda Brown at the 1st Bank Center in Broomfield, CO on 2/5/18
Marilyn Manson and Amazonica at Fillmore Auditorium in Denver, CO on 1/20/18
St. Vincent and Tuck & Patti at The Fillmore Auditorium- Denver, CO 1/15/18
Video Recap of all the Old Guy at the Show Concerts of 2017
Top Shows of 2017
The Devil Makes Three and Scott H. Biram at the Ogden Theatre in Denver, CO on 11/19/17
Cindy Wilson, Olivia Jean, and Battle Pussy at the Marquis Theater in Denver, CO on 11/16/17
Diarrhea Planet, The Beeves, and Professor Plumb at the Marquis Theater in Denver, CO on 11/5/17.
Bob Schneider and Ryan Hamilton at the Bluebird Theater on 10/21/17
Haley Reinhart and Pross at the Bluebird Theater in Denver, CO on 11-02-17
Michael Franti & Spearhead, G. Love with The North Mississippi AllStars, and Wildermiss at Breckenridge Brewery in Littleton, CO on 10/8/17
Big Head Todd and the Monsters, North Mississippi All Stars, and Anderson East at the Breckenridge Brewery in Littleton, CO on 10/7/19
Pokey LaFarge, Esther Rose, and Matt Rouch and The Noise Upstairs at the Gothic Theatre in Englewood, CO on 9/19/17.
Thao (of The Get Down Stay Down) and Kitty Crimes at Larimer Lounge in Denver, CO on 9/14/17
OneRepublic, Fitz and the Tantrums, and James Arthur at Fiddler's Green Amphitheatre in Englewood, CO on 9/9/17.
The Living End, In the Whale, and King Rat at the Marquis Theater in Denver, CO on 9/7/17.
La Luz, Bad Licks, and Rubedo at the Bluebird in Denver, CO on 9/3/17
Lillie Mae, Brianna Straut, and Amanda Capper at Globe Hall in Denver, CO on 8/30/17
Lucero and Paper Bird at Denver Botanic Gardens in Denver, CO on 8/27/17
John Paul White and Covenhoven at the Bluebird in Denver, CO on 05-10-17
Father John Mistry and Built to Spill in Morrison, CO at Red Rocks Amphitheater on 8/25/17
Strange Americans and Miles Nielsen and The Rusted Hearts at Bluebird Theater in Denver, CO on 8/11/17
Zac Brown Band, Darrell Scott, and Caroline Jones at Coors Field in Denver, CO on 7/29/17
Diana Krall and the Colorado Symphony at Red Rocks Amphitheater in Morrison, CO on 7/18/17
Pink Martini with The Colorado Symphony and Rufus Wainwright at Red Rocks Amphitheatre in Morrison, CO on 07/06/17
Denver Broncos Block Party featuring Andrew McMahon in the Wilderness and Edison at Sports Authority Field Mile High on 7/2/17
Corey Feldman with La Rissa Vienna and the Strange, and The Jacob Cade Project at the Buffalo Rose in Golden, CO on 6/23/17.
Shooter Jennings & Waymore's Outlaws with Radio Birds and Casey James Prestwood and the Burning Angeles in Denver, CO at the Summit Music Hall on 6/21/17
Pretty Boy Floyd, One Track Mind, Da Screech, and Self Service at Herman's Hideaway in Denver, CO on 6/2/17
Elephant Revival, The Oh Hellos, and Mandolin Orange at Red Rocks in Morrison, CO on 5/21/17
Take Note Colorado at 1st Bank Center, Broomfield, CO on 5/4/17
of Montreal and Christina Schneider's Jepto Solutions at The Bluebird Theater on April 20, 2017 in Denver, CO
Regina Spektor at the Fillmore Auditorium, Denver, Colorado on 3/29/17
Lyle Lovett and his Large Band at Fiddler's Green in Englewood, CO on 7/15/16.
Joey Harris and the Mentals at Bolt Brewery in La Mesa, CA on 03/18/17
100th Edition of the Ultimate Jam Night, Whisky A Go Go, Hollywood, CA on 3/14/17
The Reverend Horton Heat (Night 5), Jello Biafra, and Wayne "The Train" Hancock at The Larimer Lounge in Denver, CO on 2/25/17
The Nuns of Brixton, The Shaloms, The Bad Engrish, and Ballistic Biscuit at Lost Lake in Denver, CO on 02/03/17
The Dustbowl Revival, Modern Whiskey Market, and Treehouse Sanctum at the Larimer Lounge in Denver, CO on 01/20/17
Winehouse and Judge Roughneck at The Mercury Cafe in Denver, CO 0n 12/31/16
Brian Setzer Orchestra and Beat Root Revival at the Paramount Theatre in Denver, CO on 12/13/16
Diane Coffee, Ned Garthe Explosion, and Shady Elders at the Marquis Theatre in Denver, CO on 12/8/16
The Strumbellas and Dave Simonett and Dave Carroll of Trampled By Turtles at eTown Hall in Boulder, CO on 12/3/16.
Scott Bradlee's Postmodern Jukebox at First Bank Center in Broomfield, CO on 11/12/16
Eric Church with Cam at Red Rocks Amphitheatre in Morrison, CO on 8/10/16
Courtney Barnett and Alex G at the Ogden Theatre in Denver, CO on 11/8/16
Margo Price and William Tyler at the Bluebird Theatre in Denver, CO on 10/24/16.
GROUPLOVE, Muna, and Dilly Dally at the Ogden Theatre in Denver, CO on 10/18/16
CAKE at the Boulder Theater, Boulder, CO on 10-15-16
Bonnie Raitt and Richard Thompson Trio at Red Rocks Amphitheatre in Morrison, CO on 9/8/16
Against Me!, Planes Mistaken for Stars, and Bleached Riot Fest After Party at The Marquis Theater in Denver, CO on 9/2/16.
Mac Sabbath, Lotus Gait, and Wake the Bat at The Marquis Theater in Denver, CO on 8/27/16
Blues Traveler, Thompson Square, Uncle Kracker, Sam Palladio, Oteil Burbridgeat, and Eric Krasno at Red Rocks Amphitheatre in Morrison, CO on 7/4/16
Weird Al Yankovic at Hudson Gardens in Littleton, CO on 8-6-16
Pedal, PWR BTTM, and Pity Sex at Lost Lake Lounge in Denver, CO on 7/7/16
Old 97's and Strange Americans at the Bluebird Theater in Denver, CO on 6/5/16
Lucius and Happy Hollows at the Gothic Theatre in Englewood, CO on 05/14/16
Mudcrutch and The Shelters at the Ogden Theatre in Denver, CO on 05/26/16.
Chris Stapleton and Anderson East at the Fillmore Auditorium in Denver, CO on 5/6/16.
Adam Carolla with Richardo Baca and Willie B. at The Paramount Theatre in Denver, CO on 3/25/16
Gogol Bordello and Debauche at The Boulder Theater in Boulder, CO on 3/19/16
Steel Panther, MF Ruckus, and Everybody Panic! at The Fillmore Auditorium in Denver, CO on 3-3-16
Third Man Record's Audio Social Dissent Tour with Wolf Eyes, Timmy's Organism, Video, Civilized, and Echo Beds at the Larimer Lounge in Denver, CO on 3-1-16
Diane Coffee, Flaural, and I Am Love at the Lost Lake Lounge in Denver, CO 2/16/16.
Best Coast, Wavves, and Cherry Glazerr at the Bluebird Theatre in Denver, CO on 2-27-16
Lez Leppelin and The Cutthroat Drifters at the Bluebird Theatre in Denver CO on 1/29/16
Fruition, The California Honeydrops, and Gipsy Moon at Cervantes' Masterpiece Ballroom in Denver, CO on 1/22/2016
Michael Franti, A Great Big World, and The Rua in Denver, CO at the Ogden Theater 12-9-15
Luke Schmaltz, Straight Outta Luck, Munimula, The Wow! Signal, and Ooh La La Presents at 3 Kings Tavern 10th Anniversary Party in Denver, CO on 1-8-16
Top 5 Show Moments of 2015
Scott Bradlee's Postmodern Jukebox in Denver, Colorado at Paramount Theatre on 12-18-15
Ryan Bingham in Denver, Colorado at the Ogden Theatre on 11-27-15
Allen Stone at the Fox Theater in Boulder, Colorado on 11/25/15.
Glen Hansard at the Paramount Theatre on 11-16-15
Super Diamond, Under a Blood Red Sky at The Gothic Theater on 11-13-15
The Top 5 Shows of 2018
DeVotchKa, Boulder Theater, 10-31-15
Peaches, Summit Music Hall, Denver, CO on 11/9/15

redpajama_set_name: RedPajamaCommonCrawl


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text:
PressNews.uk
Top 50 newspapers in the United Kingdom + Newsticker
Daily Mail publisher DMGT buys i paper from JPI Media
December 1, 2019 PressNews PressGazette
Mail and Metro publisher the Daily Mail and General Trust has bought the i paper from JPI Media for £49.6m.
The company said it wanted to buy the i because it is a "strong print title" with an "established reputation for quality journalism" and pledged to preserve the title's editorial independence.
The i's editor, Oly Duff, welcomed the paper's new owners on Twitter and said he was "cheered by their admiration" for the title.
"Very grateful to former owners JPI Media (as well as Johnston Press and before 2016 ESI Media) for their courage, imagination and support, transforming a start-up into a highly trusted UK media publisher that also turns a profit and has a healthy sustainable future," he said.
DMGT chief executive Paul Zwillenberg made assurances that the i and the Mail will be kept editorially separate, despite plans for cost "synergies" between the titles.
He said: "The i has a different editorial style and tone to the Mail and the audience has a different demographic. I want to make absolutely clear that we will ensure that the editorial independence of the i is preserved.
"Its readers value its distinctive style and politically neutral approach and we are committed to maintaining that."
DMGT chairman Lord Rothermere added that the company is "committed to preserving" the i's "distinctive, high quality and politically independent editorial style".
Zwillenberg added that he expected to make initial savings by merging the papers' back office operations, with printing, production and distribution synergies to come in future.
"In addition, there may be some revenue synergies over time," he went on.
"For example, there would be opportunities to sell advertising that reaches a larger audience, in the same way that we have benefited from combining the Metro's and Mail's sales operations."
According to DMGT, the i made £34m revenue and £11m in cash operating income and operating profit in 2018.
It said that three-quarters of the i's revenues came from its cover price, with the remaining quarter from advertising.
The newspaper had a circulation of 221,083 in October, according to ABC figures, an eight per cent fall year-on-year. The i website has an average of 300,000 daily unique browsers, according to DMGT.
DMGT said in its statement that it expects the acquisition to be examined by watchdog the Competition and Markets Authority over the acquisition.
While this takes place, the newspapers would operate under a "hold separate" order with the i run separately to the rest of DMGT under Duff and managing director Richard Thomson.
The CMA has four months from the merger being made public or its completion, whichever comes later, to decide whether or not to launch an in-depth assessment of the deal.
The National Union of Journalists' members' chapel at the i said: "The i NUJ chapel welcomes any investment which secures the future of high-quality journalism at the title.
"We welcome assurances that jobs, quality and editorial independence will be safeguarded and look forward to those undertakings being honoured."
Lord Rothermere said the i was a "highly respected publication with a loyal and engaged readership".
"The acquisition of the i is both strategically and financially compelling for DMGT and there is scope for potential synergies in the future, notably from DMG Media's existing infrastructure and in advertising sales," he said.
"The business will benefit from DMGT's long-term approach and commitment to investing in editorial content. We also see good opportunities to develop inews.co.uk, a growing digital media asset.
"Financially, the i will be a strong cash generator for the group as we continue to invest across the portfolio, both organically and through acquisitions."
DMGT grew its media division revenues by two per cent year-on-year in the nine months to 30 June this year.
An overall digital revenue growth of 13 per cent offset a two per cent decline in print and circulation revenues.
The Daily Mail and the Mail on Sunday are among the biggest-selling UK national newspapers in their respective markets.
DMGT has the third biggest UK website traffic of any news group in the country, although the Mail Online claims UK traffic is less than half of its global total.
The post Daily Mail publisher DMGT buys i paper from JPI Media appeared first on Press Gazette.
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text:
Edward Brown may refer to:

Government and politics
 Ed Brown (Texas politician) (fl. 1874), Texas state senator
 Edward Brown (barrister) (born 1958), Senior Treasury Counsel
 Edward Brown (Manitoba politician) (1865–1947), leader of the Manitoba Liberal Party
 Edward Brown (British politician) (1913–1991), Member of Parliament for Bath
 Edward Brown (American lawyer) (c. 1790–1860), South Carolina lawyer and proslavery writer
 Edward George Brown (1829–1895), New South Wales colonial politician
 Edward L. Brown (1805–1876), physician and political figure in the Nova Scotia House of Assembly
 L. Edward Brown (born 1937), mayor of Pocatello, Idaho, member of the Idaho House of Representatives, and a leader in the LDS Church

Sports
 Ed Brown (baseball), 19th-century American baseball player
 Ed Brown (end) (born ), American football end
 Ed Brown (quarterback) (1928–2007), American football quarterback
 Edward Brown (cricketer, born 1837) (1837–1900), Australian cricketer
 Edward Brown (cricketer, born 1891) (1891–1949), Australian cricketer
 Edward Brown (footballer) (1881–1904 or later), English footballer
 Edward D. Brown (1850–1906), African American jockey
 Ed Brown (racing driver) (born 1963), American racing driver

Other
 Edward Espe Brown (born 1945), American Zen teacher and author
 Edward and Elaine Brown (born 1942), American tax protesters
 Ed Brown (died 1978), of the Copp and Brown children's record series
 Edward Douglas Brown (1861–1940), recipient of the Victoria Cross
 Edward Eagle Brown (1885–1959), American attorney and businessman
 Edward Brown Jr. (1841–1911), Irish soldier who fought in the American Civil War
Edward J. Brown (1909–1991), American literary scholar

See also
 Edward Browne (disambiguation)
 Eddie Brown (disambiguation)
 Ted Brown (disambiguation)
 Edwin Brown (1898–1972), Australian rugby league footballer
 Edwin Brown (naturalist) (died 1876), English naturalist and entomologist

redpajama_set_name: RedPajamaWikipedia


stands out to you as one you desire to better follow? When have you observed someone living out the Beatitudes? What was the effect on that person's life and the lives of those around that person? Share stories of those who aspire to live their lives by the teachings of Jesus as he taught in the Beatitudes.


If you find yourself waking up at 2 a.m., wondering how you're going to pay your mortgage, you're not alone. Since the start of the Great Recession, thousands of people who never thought they'd be worried about money are struggling every month just to stay afloat. Or, perhaps your home is now worth far less than what you owe and you wonder if it makes sense to continue to pay on negative equity.
Everyone's situation is unique, and I certainly don't profess to have all of the answers, but over the last four years I've been able to help many people find a solution to their mortgage woes. I am not an accountant or a lawyer, so I certainly encourage you to consult the appropriate professional for answers to your specific questions.
I have written a short guide book that I would like to offer to you free of charge, with no obligation. The guide book is designed to provide you with an overview of your different options so that you are in a better position to make the decision that's right for you. It begins with a one-page overview, followed by more in-depth discussion of the various options. Click here to request your free guide, "What to Do When You Can't Pay Your Mortgage".
If you can't pay your mortgage please don't ignore the problem. Chances are you won't win the lottery, and your financial troubles are real. As soon as you are 30 days late on your payment, the lender's clock starts ticking. There is help and you have several options. Start by reviewing all of the information found at www.makinghomeaffordable.gov and call 888-995-HOPE (4673) to speak with a HUD approved housing counselor. It is okay to ask for help and advice. Just remember that time is of the essence. Acting early allows you to make the decision that is best for you. Wait too long and your choices disappear.
My real estate practice is in San Diego County. Please don't hesitate to contact me at 619-846-9249 if I can be of service to you.


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text:
Adolphe Ribbing, dit Adolphe de Leuven, est un dramaturge, librettiste et directeur de théâtre français, né le  dans l'ancien  de Paris et mort le  dans le .

Biographie
Adolphe Ribbing est le fils naturel du comte Adolphe-Louis Ribbing, officier de l'armée suédoise né à Stockholm, et Jeanne-Claude Billard, fille de médecin. Son grand-père, le comte Frédéric Ribbing, était sénateur du Riksråd.

Sous le pseudonyme d'Adolphe de Leuven, il est l'auteur de plus de 170 pièces et livrets d'opéras et d'opéras-comiques, pour des compositeurs tels que Adolphe Adam (Le Postillon de Lonjumeau), Louis Clapisson et Ambroise Thomas.

Associé pendant près de cinquante ans avec l'Opéra-Comique, il en assure la codirection (avec Camille du Locle) de 1862 à 1874. Il démissionne en signe de protestation contre le meurtre sur scène du personnage principal dans Carmen.

Il a également écrit plusieurs vaudevilles avec Alexandre Dumas qui lui consacre dans ses mémoires plusieurs pages.

Il avait épousé Antoinette-Jenny-Eugénie de Planard, fille du dramaturge Eugène de Planard et petite-fille de Madame Saint-Aubin, cantatrice, morte à Marly-le-Roi le .

Œuvres
 1832 : Vert-Vert, comédie en 3 actes d'Auguste Pittaud de Forges et d'Adolphe de Leuven, théâtre du Palais-Royal
 1833 : Sophie Arnould, vaudeville en 3 actes d'Adolphe de Leuven, Pittaud de Forges et Dumanoir, théâtre du Palais-Royal
 1835 : Le Père Latuile ou le Cabaret de la barrière de Clichy, souvenir de 1814 en un acte,  vaudeville de Pittaud de Forges et de Leuven, théâtre de la Porte-Saint-Antoine ()
 1836 : Actéon et le Centaure Chiron, farce de Théaulon, Duvert et de Leuven, théâtre du Palais-Royal ()
 1855 : Jaguarita l'Indienne, opéra-comique en 3 actes de Leuven et de Jules-Henri Vernoy de Saint-Georges, musique de Fromental Halévy, créé le 14 mai 1855 au Théâtre-Lyrique, à Paris
 1877 :  Le Trompette de Chamborand, opérette en un acte d'Adenis et de Leuven, musique de Louis Deffès, Casino de Dieppe ()

Décorations
, au titre du ministère des Beaux-Arts (décret du )
, au titre du ministère des Beaux-Arts (décret du )

Notes et références

Voir aussi

Bibliographie
 Lesley A. Wright, « Adolphe de Leuven », Dictionnaire de la musique en France au XIX siècle, Fayard, Paris, 2003

Liens externes

 Base Léonore
 De Leuven (Adolphe Ribbing, dit Adolphe) 1802-1884

Dramaturge français du XIXe siècle
Librettiste français d'opéra
Nom de plume
Directeur français de théâtre
Officier de la Légion d'honneur
Naissance en septembre 1802
Naissance dans l'ancien 1er arrondissement de Paris
Décès en avril 1884
Décès dans le 9e arrondissement de Paris
Décès à 81 ans


Toilets are easily the most long-suffering fixtures of modern life, tucked away behind closed doors to endure decades of unspeakable uses -- yet despite their years of doodyful service, most old porcelain thrones are still destined to an equally unpleasant afterlife in a landfill. Faced with this wasteful injustice, the city of Bellingham, Washington recently found a way to put 400 past-their-prime toilets to some good green use as a sidewalk.
Officials in Bellingham say that they strive towards making their city more sustainable, and they've put their money where their mouth is -- by getting folks to put their shoes where their dairy-airs were. When a stretch of pedestrian walkway needed to be extended, the man in charge of the job, Freeman Anthony, had the thought that things could be done in a bit more of an eco-friendly sort of way.
Anthony heard a local charity had just replaced some toilets, so he called his concrete supplier to see if they could be mixed with other materials and used as filler for the city's new sidewalk, reports Washington's KCPQ-TV.
"They said, 'Yeah, I think we can do something with that. We'll throw it through the crusher and see what we come up with'."
As it turned out, the blend worked perfectly, and soon 400 unwanted toilets were stirred together with recycled concrete to give Anthony the 250 square yards of 'porticrete' he needed to get the job done. According to the City of Bellingham, the final mix contains about 20% crushed toilets by volume and represents about 5 tons of material diverted from a landfill.
Not surprisingly, the city's sustainability-minded inovation has begun to earn it some much deserved attention. Just last month, the project was named the "World's First Greenroad" by the University of Washington's sustainable roadway design and construction rating system, the Greenroads Foundation.
Given the success and lavish praise they received for their use of recycled toilets, city officials say that the potty-party won't stop; there are dozens of other projects underway which apply the same eco-conscious paving material.
In other words, when Nature calls in Bellingham, it's likely just to say 'thanks'.
Toilets are easily the most long-suffering fixtures of modern life, tucked away behind closed doors to endure decades of unspeakable uses -- so don't they deserve something better than a landfill?


text:
Home Business PITB, IdeaGist sign MoU for entrepreneurs' access to global market
PITB, IdeaGist sign MoU for entrepreneurs' access to global market
The Punjab Information Technology Board (PITB) on Friday signed a Memorandum of Understanding (MoU) with IdeaGist, an exclusive digital platform of 'Prime Minister's Start-up Pakistan Program', to ensure foreign investors' access to the country's entrepreneurs.
Both the signatories would collaborate to create a mechanism for marketing the country's youth innovations, skills, techniques and inventions, a press release received here said.
Speaking at signing ceremony, Chairman PITB, Azfar Manzoor appreciated the world's largest digital incubator's (IdeaGist) a huge financial commitment of 100 million US dollars to support of the prime minister's start-up Pakistan movement.
He said it would provide great help to the country to develop and apply emerging technologies by offering entrepreneurial ventures to around 1 million students.
The initiative would help to sensitize youth about starting their own businesses, he added.
IdeaGist's Chief Executive Hassan Syed said he had decided to invest in Pakistan for the development of start-up ecosystem after the government of Pakistan Tehreek-e-Insaf assumed the charge in the country.
Syed said the Prime Minister's Startup Program came up with its motto of inclusive and sustainable program and the IdeaGist was focusing to work for the program on sustainable financial basis.
On last Saturday, he announced to support Prime Minister's vision on entrepreneurship and innovation in emerging technologies by increasing IdeaGist's technology investment from US$ 55 million to $100 million.
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text:
Shadow Cycle
Yotto
'Shadow Cycle', the second single lifted from Yotto's forthcoming debut downtempo album 'Erased Dreams', is a stirring piano piece. The looping riffs of 'Shadow Cycle', cyclical and pensive, reflect the album's theme of continuity and act as a reflection of both lockdown and the human experience.
'Erased Dreams' is the first full-length and low-tempo album from Helsinki based artist Yotto, out July 11 on Reflections.The album structure of 'Erased Dreams' was inspired by The KLF's 1990 album Chill Out – a conceptual album written as a sonic journal to document the band's road trip across America. Yotto says Erased Dreams is structured like a journal, too, and acts as a documentation of his inner workings and sentiments during lockdown. So it makes sense that an over-arching theme is one of repetition and continuity
There's a common string tying every track in Erased Dreams together – the same one that ties Yotto's ambient and club productions. There's a crispness and simplicity to his style that makes all of his work instantly recognisable and undeniably Yotto.Yotto is well-known for his thunderous DJ sets and deep, bass-heavy house productions, which across his sparkling career have led to a Billboard #1 LP and official remixes for the likes of Joris Voorn, Gorillaz and Coldplay. 'Erased Dreams' may seem like a departure from Yotto's usual style, but he's always made music like this. With Reflections, he finally found a home for it.
Club music will always be at the core of Yotto's work, but his ambient catalogue will no longer sit in the shadows. Together, these parallel forms of expression don't dilute Yotto's artistry; they make it even stronger.
'Shadow Cycle' is out now on Reflections.
Yotto on Spotify
1 Shadow Cycle
2:44 Buy
2 Silhouette
Erased Dreams
Another Riff For The Good Times / Daydreaming
Hyperlude (Dosem Edit)
Hyperfall (Remixed)
ANJCD065RD
Walls (Joris Voorn Remix)
ANJDEE370RD


Nearly 60 years ago, the present-day Schneithorst's Hofamberg Inn took up residence at Lindbergh and Clayton roads. It was the culmination of the founder, Arthur B. Schneithorst, Jr.'s dreams: a place where outstanding food and service could come together in an atmosphere equally suited to business and family dining / entertainment. But the present-day Schneithorst's isn't the beginning of the story.
For that, we have to return to 1917 when his father, Arthur Schneithorst, Sr. started Benish's Restaurant at Eighth and Olive downtown. Arthur Jr. recalls eating at the downtown family restaurant every day until the Depression years finally closed its doors. His father reentered the restaurant business by opening the Rock Grill at 204 N. Eighth St. Arthur Jr. was in law school at the time, but it wasn't long before he joined his father in the family business.
In 1937, the family took over the Bevo Mill, where Arthur Jr. got his first real taste of the Bavarian dining experience. When his father passed away in 1947, Arthur Jr. and his mother continued running the Bevo Mill until 1955. In the meantime, Arthur Jr. was successfully operating the separate restaurant business, handling the airport food and restaurant concession business, as well as food operations at seven Holiday Inns.
Then came 1956, the year the Hofamberg Inn was born. "I was always in the right place at the right time," Arthur Jr. recalls. he purchased the land for the inn at arguably the busiest intersection in St. Louis. The location, along with the uniquely Bavarian menu and exceptional service, proved to be big factors in the restaurant's success.
While Schneithorst's is known for its Bavarian atmosphere and menu, the restaurant continues to add new, lighter dishes, serving seafood and chicken as well as the traditional weinerschnitzel and sauerbraten.
Today the fourth generation of the restaurant dynasty is carrying on the family tradition of good food and service in a warm atmosphere.
From the Schneithorst family to yours, many thanks for your friendship through the years.


Palm Beach County is located in Florida just north of Broward County toward the southern tip of the state. It is the largest county east of the Mississippi River with a total area of over 2300 square miles and it has the third largest population of any county in Florida. It is also the richest county in Florida. The second largest city in Palm Beach County (after West Palm Beach) is Boca Raton, with a population of over 84,000 residents. As with many areas of Florida, the over 65 population is higher than other parts of the country with about 1 in 5 of Boca Raton residents being senior citizens. The city is known for its beautiful beaches and upscale golf courses.
One problem with having such a high population of senior citizens as well as an influx of tourists is that driving can be an issue. If someone has trouble with vision or reaction time, then they can put other's lives at risk with their driving. The same is true with tourists who aren't familiar with roads and streets and may be too busy looking for their destination to see the road in front of them. These drivers can cause severe damage by their actions on the road.
The attorneys of Wolf & Pravato have years of experience in cases such as this. The ins-and-outs of automobile accident claims and negligence suits can be complicated. But we make sure that you get justice by ensuring that your case is handled professionally. We have litigated countless cases, both in the court room and in the offices for settlements, and we are confident we can give you the best representation in these cases.
In addition to handling auto accident claims, Wolf & Pravato also handles liability cases for defective goods. If you are injured by a substandard product including tainted food, then the manufacturer can be held liable for their negligence. We can help you get the justice you deserve in this case as well.
Wolf and Pravato also provide comprehensive legal representation in other kinds of cases. For instance, property owners are expected to maintain a standard in the upkeep and safety of tenants and guests on their property. If they do not maintain stairwells and security/safety lights, for instance, they can be held liable for any damages that may occur if you are injured as a result of this negligence. The same goes for accidents on the property such as "slip and fall" cases.
The last of the truly common forms of personal injury cases involves medical malpractice. Wolf & Pravato has helped those who have been injured by a health care provider's negligence to recoup damages including lost wages, lost earning potential, medical bills, and pain and suffering.
If you or a loved one have been injured due to the negligence of others, it is imperative that you consult professional attorneys to learn about your rights. Wolf & Pravato is here to assist you and apprise you of your options in a lawsuit. You can contact us about a free consultation at 954-633-8270 or at info@wolfandpravato.com. Those in the Palm Beach County area can contact our Boynton Beach office at 1375 Gateway Boulevard or our West Palm Beach office at 2101 Vista Parkway Suite 4500.
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Dragon NaturallySpeaking is amazing voice recognition software that lets you control the computer with your voice.
It almost sounds like science fiction, but the truth is that Dragon NaturallySpeaking totally surpassed our expectations. It seems that text-to-speech technology has improved a lot over the last few years, and Dragon NaturallySpeaking has clearly taken advantage of it.
The main drawback to Dragon NaturallySpeaking, like with any other voice recognition program, is that it requires some long, boring training – based mainly on reading texts to the computer. Also, the program isn't 100% accurate – something that we expected anyway – but its percentage of right words in dictation still remains certainly impressive.
After training Dragon NaturallySpeaking, the program is quite intuitive and easy to use. The interface is reduced to a small bar from which you can access all the main tools and functions: dictation, reading text aloud, improving accuracy, managing commands and vocabulary... and the best thing about Dragon NaturallySpeaking is that you don't need to speak to the computer as if you were a robot. Just talk naturally, and it'll pick it up.
Dragon NaturallySpeaking is seamlessly embedded in Windows, which means that as long as you have it running, you can start dictating in any application, from Notepad to Firefox. And of course, the functionality in Dragon NaturallySpeaking is not limited to dictation: you can also control the computer with your voice: open and close apps, browse the web, view files, and more.
Dragon NaturallySpeaking is, in other words, like one of those amazing voice-controlled computers you see in movies, only that this time it's on your own PC!
Dragon NaturallySpeaking is an amazing voice recognition tool that lets you control the computer with your voice and dictate texts in any application.
Enables you to accomplish more on your computer in less time by talking instead of typing, so you can realise your potential at work, school or home.
Dictate, edit and format letters, articles, papers, essays, spreadsheets, presentations, reports and more.
Search the Web to find facts, figures and images for inclusion in assignments and documents.
Take voice notes on the go by dictating into a digital voice recorder or smartphone for later transcription.
Enter frequently used text or graphics into a document with a voice command.
Email by dictating, editing and sending messages using your voice.
Speak into a chat client instead of typing.
Enter and check class schedules, client meetings, kids' activities and other calendar appointments by voice.
Update your status and check what's new on social media like Facebook and Twitter.
Multitask by interacting with your computer hands-free to fit more in your busy day.
Delivers up to 99% speech recognition accuracy right out of the box.
Talk naturally at normal speeds and your words appear on screen almost instantly, enabling you to dictate documents up to three times faster than you can type.
Dragon learns words and phrases you use the most, spelling even difficult words and proper names correctly.
Launch applications, select menu items, execute key functions, switch windows, search the Web, create and send emails and more — all by voice.
You have the option to use the included microphone, iOS or Android smartphone as a wireless microphone, laptop built-in microphones or a wireless Bluetooth mic.
What do you think about Dragon NaturallySpeaking? Do you recommend it? Why?


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I've got to go out and earn it.
As Simpson continues to grow into a leadership role, expect that attitude to continue growing with him.
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UVa ranks first nationally in scoring defense at 50 points per game, which is the third-lowest average in the shot clock era .
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Injured first-round draft pick John Ross had not yet been cleared for contact and missed the Bucs game, but several of the Bengals' draftees selected behind him stepped in and played key roles.
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Like many of the cities and towns on this list, Middletown is growing rapidly.
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The Phillies, with a 66 run line record, cover the spread 50% of the time.


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Molophilus inimicus är en tvåvingeart som beskrevs av Alexander 1935. Molophilus inimicus ingår i släktet Molophilus och familjen småharkrankar. Inga underarter finns listade i Catalogue of Life.

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Cricketer Nehemiah Perry is new president of JAIFA
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Trump impeachment goes to Senate; trial to follow
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Putin engineers shake-up that could keep
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Street scenes — January 16, 2020
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MPs unite in call for better pay
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Auditor general maintains RADA breached procurement rules
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Clarendon, St Andrew South lead 2020 crime figures
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TWO of the island's most problematic police divisions last year — St Andrew South and Clarendon — have started the new year in the same vein, despite states of emergency (SOE) being in place. Read More
STEM school for boys to be built in St James, says Chang
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Suspect in double murder shot dead in MoBay
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Columbus' claim of Caribbean cannibalism correct — study
Wednesday, January, 15 2020
RALEIGH, North Carolina (CMC) — A study carried out by a United States-based university in the state of North Carolina says researchers have uncovered evidence that there was truth to reports of a population of cannibals in The Bahamas and Hispaniola, as described by Christopher... Read More
Witness gives chilling details of King Valley Gang operations
BY ALICIA DUNKLEY-WILLIS Senior staff reporter dunkleywillisa@jamaicaobserver.com | Wednesday, January, 15 2020
Thieves rob school bus that took almost 20 years to acquire
PRINCIPAL of Windward Road Primary School in Kingston Noel Pennant yesterday described as "a knife in a heart" last Thursday's theft of the school's bus from its compound after almost 20 years of getting money together for its purchase. Read More


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To bring together donors, volunteers and partners to better the lives of abandoned elderly.
Our mission is to bring together donors, volunteers and partners to better the lives of abandoned elderly in India. Although the Manikan Foundation is a charity based in Irinjalakuda, Kerala, India, we work with individuals, families, charities, communities, businesses and other partners across India.
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Donate directly to the those who is willing to put in time and care to adopt an abandoned elderly person in need.
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Old parents dumped like waste: Abuse of senior citizens on the rise in Kerala.
Over 65% elderly face neglect and abuse in India. No country for old men?
Be the first to know and participate as we will be in the forefront to protect the rights of th vulnerable Indian elderly citizens.


The Anti3 1 Gallon Sprayer is designed to create a safer environment for athletes, teachers, students, doctors, nurses and more. This convenient sprayer is ideal for large surfaces such as wrestling mats, gym floors, shower floors, turf fields and much more. This sprayer perfectly dispenses Anti3 Protect Series antibacterial Concentrate formula onto large surfaces with ease; disinfecting them from bacteria that can cause MRSA, Staph, MAT Herpes and more. Clean and disinfect large surfaces in your facility with Anti3 Protect Series 1 Gallon Sprayer and keep your clients infection free!