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Their literary works are emblematic of the range of poetic styles that make up the American literary landscape. Brief biographical information on each poet follows:. A stage performer and sound artist as well as a poet, Duriel E. Her work has been featured in numerous literary journals and translated into German, Polish, and Spanish. Jess is an associate professor of English at the College of Staten Island and the poetry and fiction editor for the African American Review.
He is a founding member of the Dark Noise Collective, a national spoken-word poetry group. His work has appeared in the Beloit Poetry Journal , Kinfolks , Poetry , and Ploughshares , amongst other notable publications. View as List Grid. Reserve Add to Basket. Clairvaux, Jura, France: View a map.
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All rights reserved. Shop By. Rare first editions, signed and inscribed copies, deluxe and collectible editions of books of poetry; also individual poems and related ephemera. Showing items of View View 20 View 40 View Page: 1 2 3 4 5 Next. First edition, first printing. Review copy, inscribed by the author on the front free endpaper, "Burt Britton, Joy! Maya Angelou", with the publishers review copy slip loosely inserted.
Britton also collected self-portraits, or "self-doodles", Learn More. Stock Code: First edition, first impression, one of copies, in the first issue binding with a flat spine, and with the misprint "floor" for "sea" on p. Bishop has made two small corrections Pasternak, 9 February ", on the front free endpaper.
First edition, first impression of the first issue of The Criterion, containing the first appearance in print of T. Eliot's The Waste Land, arguably the most significant poem of the 20th century. The poem was first published in book-form in December in New York. The journal, a notably international affair, also includes This slim volume is uncommon, especially in the jacket. The collection was promoted and published by Sassoon after Owen's death with the backing of Edith Sitwell. The work, which is often described as the greatest Some Trees was Ashbery's first collection.
The selection The recipient was fellow poet and core member of the New York School of poets Barbara Guest First edition, first impression, with the rare dust jacket. First edition, first printing, signed by Bishop above her name on the title page. In McIlree Lomer, a Uranian First Vale Press edition, one of unnumbered copies on paper a further 8 were issued on vellum , handsomely bound.
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First trade edition, first impression, the dedication copy, inscribed by the author on the half-title verso "To Sir Ian Hamilton from John Drinkwater ". First edition, first impression, Sayers's own copy of her first appearance in book form, with her ownership signature to the half-title and authorial corrections in manuscript to her poem "Lay" p. Sayers composed the poem while in her final year First edition, one of 20 copies containing a manuscript poem, this copy with The Hawk in the Rain, additionally signed and numbered by the author, this being number 37, and bound in decorative wrappers.
This edition was published with a total limitation of , of which six were bound in green morocco with each poem written Presentation copy, inscribed by the author on the front free endpaper "always from Dylan to John ". High Windows , a broadside issued by the poem of the month club, signed by the poet at the bottom.
Larkin wrote the piece after watching a television programme about the British mining industry, imagining a fatal explosion First Rockwell Kent edition, number of 1, copies signed by the artist. Pickering with both stamps inside front free endpaper. Basil Montagu Pickering was a publisher and bookseller, the son of William Pickering. He had the book bound in a number of different bindings—from yellowish brown to reddish orange to purple. This color change is significant. As the last antebellum edition of Leaves ;, this book appeared on the edge of the Civil War.
The nation was now no longer "woven" "out of hopeful green stuff" as Whitman had described the grass in , but was on the edge of a massive bloodletting that would result in over , deaths. The color shift from green to dark red, burnt orange, or purple is one that Whitman would play on for the rest of his life, issuing some of his final books in both green and dark red covers, as if to suggest that his work and all life hover between green and red, nature and blood, spring and autumn, beginnings and endings.
The emblems he chose for this volume underscore this shift in tone. On the front cover "Leaves of Grass" appears blindstamped around a blindstamped globe, revealing the Western hemisphere, floating in clouds fig. The letters of "Leaves of Grass" have stylized tendrils emerging from the "L" and "G. Above the name is a blindstamped hand with a butterfly perched on a pointing finger; this emblem of the union of man and nature, of the body and the soul, reappears several times in the book, and some years later Whitman brought the figure to life by posing for a photograph with a cardboard butterfly perched on his thumb.
On the back cover is the image of a sun fig. Is the red of the cover the first light of a new dawn or the last light before darkness? In the fateful year of , the fate of the United States was unclear, and no one knew whether it would emerge from its internecine conflict stronger than before or utterly destroyed. Was the American hemisphere rising out of the clouds, harbinger of a newly unified world, an international democracy, or was it descending into the clouds, harbinger of a continuing fragmentation and division that would destroy the hopes of national and international unity?
The emblems on the cover are repeated throughout the book, where their ambiguity only increases as they punctuate Whitman's poetry that tries desperately to hold North and South together, and that in the "Calamus" poems offers up a vision of men loving men to counter the horror of fratricide that threatened the nation at this pivotal moment in its history. Rand and Avery print shop. He carried with him his notebooks in which he had carefully recorded the array of typefaces he wanted to use in this wildly mixed typographical volume figs.
Great primer ornamented. Enfans d'Adam. We can only imagine the discussions and arguments that went on between Whitman and the typesetters as the professional compositors found their shop invaded by an author who was also a printer. Yesterday the foreman of the press-room. It is quite 'odd,' of course. He illustrated his hopes typographically as well as textually. Thayer and Eldridge, like so many publishers after the beginning of the Civil War, went out of business by the end of , and their projected long relationship with Whitman never materialized though Whitman and Eldridge would stay close friends and would meet again in Washington during the war.
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Whitman would not have a commercial publisher again for twenty years. Thayer and Eldridge sold the electrotyped plates of the edition at auction. The publisher Richard Worthington bought the plates for the edition in after they had passed through a number of other hands , and he began in to reissue the book fig.
Whitman and Worthington reached an uneasy truce whereby Worthington paid Whitman a small royalty that Whitman accepted without ever acknowledging Worthington's right to keep issuing the book. Early reviews of this edition often commented on the physical object itself: "The paper, print, and binding are indeed superb," wrote one reviewer in The Spectator ; "but one thing these gentlemen have forgotten: where are the phallic emblems, and the figures of Priapus and the Satyrs that should have adorned the covers and the pages of this new gospel of lewdness and obscenity?
Its frontispiece should have been, not the head and shoulders of the author, but a full-length portrait drawn as he loves to depict himself in his 'poems'—naked as an Anabaptist of Munster, or making love like Diogenes coram populo. Walt Whitman's Leaves of Grass had been printed on paper as dirty as his favourite topics,—if the book itself had presented the general aspect of that literature which usually falls under no other criticism than that of the police office, we should have passed it by without notice, as addressing only such a public as we have no concern with; but when a volume containing more obscenity and profanity than is perhaps elsewhere to be found within the same compass, presents itself in all the glories of hot-pressed paper, costly binding, and stereotype printing, and we believe as a fourth edition, it is manifest that it not only addresses, but has found a public of a much wider class, and it becomes a question how such a book can have acquired a vogue and popularity that could induce an American publisher to spend so much upon its outward setting-forth.
Leaves of Grass Imprints. Boston: Thayer and Eldridge, June Thayer and Eldridge published this paperbound pamphlet made to resemble fading brown leather in order to advertise the edition of Leaves of Grass fig. There is a single leaf advertising the availability of Leaves of Grass ; the verso features a sample table of contents from the edition. At the back is a similar leaf of advertisements which features excerpts from New York Illustrated and the Boston Saturday Evening Gazette.
The verso of this leaf advertises the "Just Published" edition as "An Elegant Book" and as "[o]ne of the finest specimens of modern book making. Drum-Taps and Sequel to Drum-Taps — The Civil War changed everything, including Whitman's publishing plans. While he did not contemplate abandoning Leaves of Grass , he did begin planning his first book not titled Leaves of Grass. Even in , Thayer and Eldridge, before going bankrupt, had advertised a new forthcoming volume by Whitman to be called Banner at Day-Break.
When the war began, he had started writing war poems while still living in New York. Poetry publishing had come to a virtual halt in the U. War poetry was not popular only Whittier seems to have succeeded , and in , when Whitman finally got around to publishing the book, much of the nation wanted to begin to forget the war, not relive it. Whitman now had a clerkship in the government, giving him a source of income and allowing him to think about paying a printer and a binder.
He prepared a broadside to advertise the book, and, like his manuscript list of contents for the Leaves , this one lists a very different set and sequence of poems than appeared in the book just a couple of months later. He prepared the broadside before contracting with the printer Peter Eckler in New York. Eckler — was a radical publisher, a longtime member of the New York Freethinkers, who would eventually reprint a number of Whitman's favorite books—Volney's Ruins , the works of Thomas Paine Eckler also wrote a biography of Paine , and the atheist Robert Ingersoll's works.
As was the case with the radical abolitionists Thayer and Eldridge, Eckler's association with Whitman suggests the poet's radical political and philosophical leanings. Eckler advised Whitman to hold off on publication, since the price of paper was going to come down, but Whitman insisted on pushing ahead and, as he did with the edition of Leaves , he re-ordered his poems to make them fit on nine eight-page signatures: the final poem appears on page 72 of the book, and every page is filled with type; he often inserts very short poems to fill up any blank space on a page. Alvord from stereotype plates.
Whitman's decision to push ahead with the publication turned out to be unfortunate, since Lincoln's assassination occurred while the book was being printed. Whitman quickly added a short poem that he squeezed into the final signature, called "Hush'd be the Camps To-day," with the notation "A.
He had already paid J. Copies of the original Drum-Taps without the sequel appeared in a brownish red cover and are now very rare fig. Back in Washington, DC, Whitman had three more eight-page signatures printed up, carefully filling up the additional 24 pages with poems, some composed rapidly, including his great odes to Lincoln, "O Captain! My Captain!
On the title page, too, is a striking rendition of the title of "When Lilacs Last in the Door-Yard Bloom'd," with the letters formed out of broken limbs and branches, the title visually alluding to the reconstruction the nation would be going through as it tried to form a union again out of the shattered fragments of the war. There is a poignancy to the small "and other pieces" that follows the "Lilacs" title on the title page, since "Lilacs" itself focuses on "the debris and debris of all dead soldiers" and on "the staffs all splinter'd and broken.
The small volume was available for sale by the beginning of November, Gibson Brothers printed copies, and Abraham Simpson bound copies. One reviewer called the book a "plain slight volume. The Fourth Edition of Leaves of Grass The first postbellum edition of Leaves of Grass is probably the least studied of the various Whitman editions and the most difficult to find. Though there was only one printing of this edition, there are at least three different versions because Whitman was already trying to figure out how or even whether the Civil War fit into Leaves of Grass. At times Whitman indicated Leaves was now a book of the past, "proofs of phases passed away," but at other times he believed that Leaves would have to evolve with the changing nation, absorb its traumas and work toward its uncertain future.
This is the least impressive Leaves of Grass as a physical specimen. For the first time, there is no frontispiece engraving of the poet and no visual decorations at all. The printing is unimaginative, the bindings in two forms insubstantial, and the variations maddening. Whitman paid to have the volume printed, and he clearly sought the cheapest way to get the job done.
But in terms of what the edition has to teach us, it is an important one indeed, as Whitman here has begun to reformulate Leaves of Grass for a newly reconstructed United States of America, a nation now tempered and sobered by a bloody internal war that would forever haunt its history and undermine the optimistic predictions of America's future. The very plain typeface in such striking contrast to the flamboyance of the wild variety of type in the edition, and the absence of Whitman's defiant working-class frontispiece of and or the bohemian frontispiece of , all signal a quieting of Whitman's "barbaric yawp" and a stripped and bare reassessment of the nation's and the poet's prospects figs.
In the first copies of the edition, Whitman performed his own textual version of healing surgery, suturing the leftover and still-unbound pages of Drum-Taps and Sequel to Drum-Taps into the back of his new volume, thus binding the poetry of the war into Leaves of Grass. This was the first step in Whitman's ongoing experiment with how to bleed the Civil War into Leaves.
In the and editions, he would radically shuffle and cluster his Drum-Taps poems so as to make the war integral to instead of simply appended to Leaves of Grass. So the first copies of this edition include Drum-Taps , Sequel to Drum-Taps though not listed in the primary table of contents , and a new separately printed cluster of poems called Songs Before Parting bound into the back of Leaves of Grass as separate entities with their own title pages and pagination.
When he ran out of the already printed and unbound copies of Drum-Taps and Sequel , he issued a version with only Leaves and Songs Before Parting. Then he issued a version with only Leaves of Grass. There have been reports of other variations as well—a copy with Drum-Taps and Songs Before Parting but without Sequel. Rossetti was a great admirer of Whitman's work, and he began a long correspondence with Whitman about the nature of the selection, suggesting that a number of Whitman's more controversial terms like "father-stuff" would need to be altered for British sensibilities.
Whitman initially agreed, but he balked when Rossetti began to talk about cleaning up all the poems and issuing a complete expurgated edition of Whitman's work. Whitman finally agreed that Rossetti could omit any poems in which he found anything objectionable, but he could not alter poems. The result was a book that did not include "Song of Myself" or any other controversial Whitman poems.
The frontispiece portrait fig. Sexuality was thus removed both visually and linguistically. Whitman tried desperately to get Hotten to change the engraving, which he called "a marked blemish" on the volume; Hotten indicated he would replace it, but then reneged. Late in his life, Whitman regretted making his compromise with Rossetti, allowing an expurgated edition to appear: "I'd say even to dear Rossetti, all or nothing. This would not be Whitman's last encounter with Hotten, who would several years later print a pirated edition of the fifth edition of Leaves of Grass. Hotten was an aggressive publisher, initially printing up copies of Poems by Walt Whitman and having a thousand bound it would be reprinted in various editions well into the s by Chatto and Windus, which took over Hotten's firm when Hotten died in While Whitman had increasingly negative feelings about Hotten, when Rosssetti's selected edition first appeared the poet was impressed and even endorsed Hotten's idea to distribute the book in the U.
Hotten, meanwhile, advertised the book by associating Whitman with Swinburne and William Blake whose works he also published. The bibliographic chaos evidenced in the production of the edition of Leaves of Grass only proliferates with the new and completely restructured edition of The first issue of this book appeared in September , bearing an date on the title page but on the copyright page. Again, no author or publisher is listed on the title page, only a place and date, and the place this time is as it was for Sequel to Drum-Taps Washington, D.
It is ironic, then, that for this first Washington edition of Leaves , he returned to New York to have the book printed there by the publisher J. Redfield, " Fulton St. Chapin with the Leaves , served as a publisher under contract but assumed little or none of the costs of compositing or printing the book; Whitman paid the bills.
Leaves of Grass was not selling well, and publishers were unwilling to take much of a risk on it; Whitman was still depending on friends and connections and his own bargaining skills to get publishers to do the work as cheaply as possible. Still, Redfield's name appears on the front cover of the book, on the light green background that Whitman came to prefer around this time, binding his book in green for the first time since before the war fig. Both places were crucial for Whitman, and the edition inscribes the dual allegiance.
Redfield had been the publisher of a second edition of John Burroughs's little book about Whitman Notes on Walt Whitman Poet and Person in , so—just as he had used William O'Connor's publisher to help distribute the edition—he now enlisted Burroughs's publisher for the edition. It is notable that the nominal publishers of the and editions both published books about Whitman for which they put out more money than they did in publishing books by Whitman.
As was the case when he initially wrote Drum-Taps , it now seemed to him that Leaves had somehow come to conclusion, and that the edition would be the last. He had absorbed the war into his book, and he felt he needed to turn to something new. He was imagining a companion volume to Leaves , a book that he said would focus on the spirit in the way that Leaves had focused on the body.
He called this new book Passage to India , and he had Redfield print it and issue the slim volume in light yellow-green wrappers, with Redfield listed on the cover as publisher fig. Several months before the book appeared, Whitman wrote to his old Brooklyn friends Andrew and Thomas Rome, the printers who had done the first edition of Leaves , and indicated that he had sent his Passage to India manuscript to them to have it set in type and proofread.
Clearly, Whitman was maintaining his longstanding friendship with these Brooklyn job printers, who continued to set type for Whitman over the years they also set type for proofsheets of a number of his poems. He continued to look to the Romes' job shop as a place for quick typesetting to give him his poems in printed form so he could see what they looked like on the page, do his final corrections on typeset copies of his poems instead of having to work further with his often chaotic manuscripts, and then turn in the Rome sheets to the publisher as printer's copy.
Andrew and Tom Rome remained his personal typesetters. The little Passage to India book was conceived by Whitman as the start of his new big second book project. He announced in a preface to another small pamphlet called As a Strong Bird on Pinions Free that Leaves , his "epic of Democracy," had now had its "published expression," and that "the present and any future pieces from me are really but the surplusage forming after that Volume, or the wake eddying behind it.
But, at the same time, he was already binding Passage to India into Leaves , including it in his second issue of the edition, where—just as he sewed Drum-Taps and Sequel into the edition—he bound in the pages of Passage , still bearing their own title page and pagination. As was always the case for Whitman, his wavering notions about his books and their relationship to each other are permanently on record in the array of book objects he created. At the back of this second issue was an advertisement that ironically let readers who were holding in their hands a book with Passage included know where they could purchase individual copies of Passage to India.
This little book, reprinting Whitman's poem that was commissioned for the Managers American Institute Exhibition in New York in , was printed by Roberts Brothers in Boston, and stereotyped by John Wilson and Son in an edition of 2, copies; at least copies remained unbound as late as Whitman eventually re-titled the poem "Song of the Exposition" and included it in Leaves of Grass.
Whitman issued the book in two different colored bindings figs. He had moved from green to red from the s to the s, but now he embraced both colors, though still keeping them separate. He was proud of this little book, talking about how "wonderfully neat" it was: "How healthy the print! So much for Whitman at this point seemed split in two—New York and Washington, antebellum and postbellum, Leaves and Passage to India , poetry and prose.
One side of Whitman wanted to keep things separate, divide his life and his books into two, but another side usually the winning side desired to merge them again, to join the dichotomies. It was the dynamic of his own nation, what the North and South had gone to war over—to be separate or to remain united—and he was living it out in his own life and in his books, both in what his books were about, and in what his books manifested in their physical appearance.
A single book, but two different covers: one spring, one fall; one youth, one age. Whitman books proliferated in these early years of the s. His long, rambling essay Democratic Vistas , bringing together three separate essays he had written two of which appeared in the journal Galaxy , where the third was scheduled to appear but never did , appeared as a pamphlet in , also issued by Redfield in the same light green paper covers fig.
Around copies were printed, but the book did not cause a ripple, receiving only two known substantial reviews, both in England, where many of the original copies were shipped to be sold there. Whitman's democratic theories and his projection of a reconstructed democratic future clearly resonated more in England than in the United States, and starting in , handsome and even deluxe editions of Democratic Vistas with other shorter prose pieces by Whitman appeared in Britain as part of the popular Camelot Series issued by the publisher Walter Scott in various bindings figs. One of the oddest of Whitman's books, this little gathering of poems emerged from his desire to "print my College Poem in a small book.
Whitman made the most of the fact that he had now become respected enough to be invited to the Ivy League by making sure the event was covered in many newspapers and by issuing this commemorative book containing his Dartmouth poem and six others. The most important thing about the little book is the preface, one of Whitman's most revealing and thoughtful examinations of his work, its direction, and its purpose. Whitman returned to his pre-war dark green cover with the title goldstamped on the front fig. It was printed by Samuel W. Green in New York in an edition of copies, or so of which were bound.
The second printing of the 5th edition includes two issues. The first issue bears the same copyright page and date as the previous printing and has a similar title page with now substituted for fig. Whitman at this point did not call these add-ons to Leaves of Grass "annexes," as he would officially label his old-age poems that he appended to the final editions of Leaves, but he clearly had begun to think of his book as easily expandable: ever since he had sewed the Sequel into Drum-Taps , it was as if he realized the convenience of simply annexing separately published items as the first step in incorporating that work fully into the book.
So Drum-Taps , Sequel , and Songs before Parting get annexed to the edition, then absorbed seamlessly into the edition, which itself expands by annexing Passage to India , which would then get absorbed into the edition. Whitman's experience as a housebuilder may be relevant to the way he imagined book objects: when you needed more space for a new resident, you added an annex.
Whitman was much more content with this printing of the fifth edition, what he called his "new edition, from the same plates as the last, only all bound in One Vol. For this printing, Whitman also had a new printing of Passage to India made, still with its own title page now dated , but he first used up the remaining sheets of the printing of Passage , binding them in to the first copies with a canceled title leaf before using the new Passage sheets.
One copy of the edition on display in the exhibition was owned by J. Rolleston, Whitman's earliest German translator fig. As is the case in many nineteenth-century copies of Whitman's books, the owner used blank spaces on the pages to talk back to or to talk about Whitman; Rolleston's notes at the end of the table of contents in the space where Passage to India should be indicated draw a connection between Whitman and Wordsworth: "Walt Whitman answers remarkably to Wordsworth's definition of a poet, see Pref.
Of Lyrical Ballads, 'a poet is a man, speaking to men. Things get even more bibliographically murky with the decision by the London publisher, John Camden Hotten, who had published William Michael Rossetti's expurgated Poems by Walt Whitman , to pirate an edition of the Leaves. Rossetti and Hotten had hoped to be able to bring out at some point a full and unexpurgated edition of Leaves indeed, Rossetti had hoped his expurgated edition would pave the way for such an edition , but only Hotten could have figured out this underhanded way to make it happen.
Hotten was a colorful figure in British publishing, infamous for his involvement in what many considered to be pornographic literature. He became Swinburne's publisher when other publishers shied away from him because of charges of obscenity. He published many American writers including Hawthorne, Lowell, Holmes, and Ambrose Bierce , and he was notorious for offering spurious editions of various writers.
Some bibliographers, including Joel Myerson, label this the sixth edition of Leaves of Grass , even though Whitman had no involvement with it or even knowledge of it , and even though it is a type facsimile of the fifth edition. Since it is an entirely new setting of type, however, it does fall into a category of its own. Hotten printed his pirated edition anonymously in England, carefully resetting the entire book to look just like the original American publication, so that he could pose as the importer and distributor instead of the publisher, in order to avoid riling the authorities about possible violations of English censorship laws it was less risky to import books that might break obscenity statutes than to publish them.
While the edition does closely resemble the second issue of the American fifth edition it hoped to forge, many differences have been discerned. This edition was printed and bound in folios of 8's, rather than 12's. It bears the copyright rather than and includes the text of After All, Not to Create Only which is not listed in the table of contents , in addition to Leaves of Grass and Passage to India which are listed in the table of contents.
At the page level this edition varies from the fifth edition in line breaks and the decorative elements between poems. Hotten offered the book in three colorful bindings figs. The spine is goldstamped with a decorative element at the very top and bottom.
It is ironic that the pirated British version of Whitman's fifth edition was marketed with more durable covers than Whitman could afford for the original. In , during America's centennial celebration, Whitman, now living in Camden, New Jersey, decided to reissue the fifth edition, repackaged now as a "Centennial Edition" and "Author's Edition," with each copy personally signed by Whitman.
His first attempt to do this involved getting James Arnold, a binder in Philadelphia, to bind the leftover pages of the second printing in a new binding, a light brown leather and orange cloth, blank front and back covers, with a spine goldstamped with double rules and decorative floral panels. This edition of Leaves thus becomes the first to bear Whitman's name on the title page, though it is not printed on the page, only signed. Technically, then, his title page remains stripped of his name. As we have seen, Whitman from forward was chary about wasting paper; his printer's eye did not like much blank space and his tight financial situation could not allow it.
In this case, it's as if he could not stand the half-blank pages he found in the fifth edition and so filled them up with poems that closed the spaces just as he had done in Drum-Taps. The intercalations have a different typeface for the titles, creating a touch of the typographical playfulness he had achieved in the edition when he reprinted the book again and included the intercalated poems, however, he standardized the typeface. One additional striking intercalation is Whitman's change of the title of his famous Civil War poem; called "The Dresser" up through the edition, he now altered it to "The Wound-Dresser" and had the new title printed in type that matches the typeface of other titles and pasted in over the old title.
We have seen Whitman altering his books in many ways, but this version is the first to try pasting in additions and revisions. Whitman had originally conceived this issue as a special volume in another way: it would become the illustrated edition of Leaves. His notebooks show he was working in the mids to contact the engravers of his early frontispiece images—John C. McRae, who did the portrait, and Stephen Alonzo Schoff, who did the portrait and who was now engraving for the U. Since the edition had been stereotyped and the plates sold at auction, Whitman could not retrieve Schoff's engraving, but he managed to get the steel engraving and also to procure a new wood engraving from William James Linton, an outstanding British engraver, based on an photograph of Whitman by G.
Potter fig. So this issue of Leaves includes two images, the first images of Whitman to appear in his book since , and the first reprinting of the famous portrait in twenty years. This volume also includes a single leaf inserted between the back flyleaves advertising a number of Whitman's works, including various editions of Leaves of Grass , Two Rivulets , and Memoranda During the War. Whitman then undertook a third printing of the fifth edition, printed by Samuel W.
The first issue of this printing is known as the "false" edition and bears a cancelled title leaf, while in the second issue the title leaf is integral and is quite similar to the title page in the second printing, second issue, with the title, short poem, Whitman's signature, and the place and date of publication fig.
The McRae engraving and the new Linton engraving remain in this issue as does a similar advertisement for Whitman's work between the back flyleaves. The binding, once again done by James Arnold, is somewhat different with half cream leather and red, blue, and green marbled paper.
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In a continuing effort to cash in on the nation's centennial celebration, Whitman decided in "to bring out a volume. Prose had long been involved in Whitman's poetry, of course: the first edition of Leaves of Grass began with a long prose preface, and the edition contained the long prose letter to Emerson as well as Emerson's letter to Whitman and a number of reviews of Leaves. But now he engaged in a much more experimental way the joining of poetry and prose: Two Rivulets combines prose and poetry on the same page by separating the two with a wavy line, poetry running across the top of the page and prose along the bottom fig.
Whitman limited this Centennial Edition to copies, printed in Camden his first book to be printed in his new city and bound by James Arnold in Philadelphia in two different bindings black leather with marbled paper sides, and brown leather with orange cloth.
The volume contains a copy of a G. Pearsall photograph of Whitman pasted onto a sheet of paper and inserted just before the title page indicating: "Photo'd from Life, Sept. A second printing has the same title page and contains the same printed sheets for the following sections, Two Rivulets , Centennial Songs , Memoranda During the War , but all other pieces have been printed with revised plates. The Pearsall photograph is not signed in all these copies. Whitman's friend and literary executor Thomas Harned claimed that Whitman set type for some of this book "at the printing office of the 'Post' in Camden," where the editor, Henry Bonsall, "extended to him all the facilities of a printing establishment.
Bonsall, the owner and editor of the Camden Daily Post and New Republic , along with his son Bart who co-edited and eventually ran the Post , became for Whitman what Andrew and James Rome had been for so many years—the printers who would always do Whitman a favor, make their shop available to Whitman, set things in type for him to use as proofsheets, let Whitman set some type himself. Their print shop made possible Whitman's explosion of new books during the s. The book is a striking example of Whitman's innovation in design.
It also demonstrates his recurring desire to pull together the various books he had published over the previous months and years under one cover, with smaller separate publications always eventually working their way into larger compilations. Whitman had the first copies bound to match his first printing of the Leaves , so that the two books could be sold as a Centennial set, then bound the rest to match the later printings of the Leaves , again to be offered as a matching set of his "complete" works. It is notable that he keeps Passage to India where he had placed "When Lilacs Last in the Dooryard Bloom'd" in the Two Rivulets volume instead of incorporating it into Leaves , as if he is still thinking of it as a potential separate book.
Only in would he finally collapse Passage into Leaves. Whitman had been working on this project ever since the Civil War, when he began keeping notebooks about his experiences with soldiers he encountered when he went to Fredericksburg to check on his wounded brother George.
Global West, American Frontier: Travel, Empire, And Exceptionalism From Manifest Destiny To The Great Depression (Calvin P. Horn Lectures In Western History And Culture)
Doctor In The Nude
https://opwhilapafert.cf/2127-chica-busca-pegging.php
Stripped Night
All About ESentral
Vegetarian Cooking: Curried Black Fungus And Chinese Yam With Beans And Peas (Vegetarian Cooking - Vegetables With Dairy Product, Egg Or Honey Book 55)
Racial And Ethnic Discrimination: 172 (Issues)
The Ducati Girls Confessions
Bestie: A Portrait Of A Legend


Dozens of people in Rwanda suspected of threatening national security have been held in a network of secret detention centres run by the military. In these camps, detainees were unlawfully held and were at risk of torture and other ill-treatment. Some are still held in secret detention. This report documents cases of unlawful detention and allegations of ill-treatment by Rwandan military intelligence in 2010 and 2011. Amnesty International is urging the government to end these practices, disclose the whereabouts of detainees, investigate torture allegations and bring those responsible to justice.


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text:
Canyon Wind Dancer Helicopter Tour from Las Vegas
Experience the grandeur of the Grand Canyon on a scenic 4-hour helicopter tour. You'll fly 3,500 feet below the rim of the Grand Canyon, and enjoy champagne overlooking the Colorado River. On the return flight you'll fly over the amazing Las Vegas strip.
Pick-up is available from select Las Vegas hotels. You will be advised of your exact pick-up time and location when you reconfirm your tour.
Cancel up to 2 days in advance for a full refund
See Las Vegas and the Grand Canyon from a helicopter
Feel the thrill of flying over Lake Mead
Fly over the famous Las Vegas strip
Land at the bottom of the Grand Canyon after a 45-minute flight
Enjoy champagne and refreshments overlooking the Colorado River
Choose this experience of the Grand Canyon - perfect for those who are short on time
Spend 30 minutes on the floor of the Grand Canyon
Upgrade to the Sunset option to see the magical sunset on your return journey
See the Grand Canyon and take in its spectacular natural beauty on this 4-hour Wind Dancer Helicopter Tour. One of the 7 Natural Wonders of the World, the Grand Canyon is truly an awe-inspiring sight.
On the journey to the Canyon you'll also have views of Lake Las Vegas, Lake Mead, Hoover Dam, and Fortification Hill. Your guide will point out an extinct volcano as well, all from the comfort of a state-of-the art Eco Star helicopter.
When you reach the Canyon, your helicopter will head down 3,500 feet towards the river, landing in Hualapai Indian Territory. Champagne, beverages, and a light snack will be served here, at a point that's about 300 feet above the Colorado River.
You'll fly back through the Grand Canyon, viewing the red rock formations of the Bowl of Fire and conclude your adventure with an exciting flight over downtown Las Vegas and the Las Vegas strip.
Chose an upgrade to the Sunset option and your flight back through the Grand Canyon is at the most magical time of day, sunset. View the red rock formations of the Bowl of Fire and conclude your adventure with an exciting flight over Downtown Las Vegas and the Las Vegas Strip where you will experience the lights of the Entertainment Capital of the World start to glimmer and twinkle.
Hotel pick-up and drop-off
Helicopter flight
Grand Canyon landing
Light snack
Local taxes, fees, and surcharges
Passengers weighing over 300 pounds (136 kilograms) must purchase an additional seat.
All passengers aged 18 and older must show a photo ID at check-in.
Bookings cancelled within 48 hours of flight time will not be eligible for a refund.
From US$ 544 per person
Grand Canyon Skywalk Express Helicopter Tour
From US$ 574
Grand Canyon Helicopter Landing Tour
Las Vegas to Grand Canyon West by Coach and Helicopter
From Las Vegas: Grand Canyon West Rim Airplane Tour
Maverick Helicopters Inc.
Tours, France
Dubai Safaris & Wildlife Activities
Taronga Zoo

redpajama_set_name: RedPajamaCommonCrawl


text:
El dasiuro de Wallace (Myoictis wallacii) es una especie de marsupial dasiuromorfo de la familia Dasyuridae endémica de Nueva Guinea.

Distribución

Sureste de Nueva Guinea e islas Aru en Indonesia. Entre los 30 y 900 metros sobre el nivel del mar.

Características
Pesa 206-245 g y mide 19-22 cm de longitud más 2 cm de cola. La principal diferencia  con sus congéneres es la capa que cubre la cola, consistente en largos y tupidos pelos de color rojizo. Las hembras tienen 6 pezones.

Véase también

 Anexo:Cladograma Australidelphia

Referencias

 Myoictis wallacei en el sitio de la Lista Roja de la UICN; en inglés. Acceso: 9 de octubre de 2007.

 Woolley, P.A., 2005: Revision of the Three-striped Dasyures, Genus Myoictis (Marsupialia: Dasyuridae) of New Guinea, with description of a new species / Revisión de los dasiuros de tres rayas (Marsupialia: Dasyuridae: Myoictis) de Nueva Guinea, con descripción de una especie recién descubierta; en Records of the Australian Museum (Registros del Museo Australiano), 57: 321-340. ISSN 0067-1975. Documento en inglés.

Enlaces externos

wallacii
Marsupiales de Nueva Guinea

redpajama_set_name: RedPajamaWikipedia


text:
Q: How do I find the argument that has a NA or NaN indicated in an error message? My R script randomly stopped working and the error that it outputs is this:
Error in 1:(grep("null", x)[1] - 1) : NA/NaN argument

I pinpointed it down to this function:
plot_grid(plot_grid(pq1_plop, pq2_plop, pq3_plop,
                    ncol = 1, rel_heights = c(5, 9, 13), align = "v"),
          plot_grid(pq1_agged_diff_plot, pq2_agged_diff_plot, pq3_agged_diff_plot, NULL
                    , ncol = 1
                    , rel_heights = c(5, 9, 13, 1)
                    , axis = "l"
                    , align = "vh"
          ),
          nrow = 1
          , rel_widths = c(10, 6)
          #, align = "v"
          #, axis = "t"
)

I've tried running plot(pq1_plop) and all the 5 other plop variables, and they all get plotted perfectly fine. I'm not sure how to triage this error and figure out where the Na/NaN argument is located, so I'd like any guidance with that.
If it helps, here are all the packages I use. I suppressed ggpubr since it was outputting some odd messages.
library(cowplot, warn.conflicts = FALSE)
library(dplyr, warn.conflicts = FALSE)
library(forcats)
library(ggplot2)
library(ggpubr, warn.conflicts = FALSE)
library(grid)
library(gridExtra)
library(gtable)
library(stringr)

ggpubr message without the suppression:
Loading required package: magrittr

Attaching package: 'ggpubr'

The following object is masked from 'package:cowplot':

    get_legend

So I'm not sure if that's related, as my Googling hasn't helped much

redpajama_set_name: RedPajamaStackExchange


Firmness Info Rated a 7/8 on Tempur-Pedic's firmness scale (8 being firmest).
Materials Overview A firmer feel in our most conforming bed with cooling comfort. Perfect for hot sleepers who want a firm mattress that helps them feel cooler, TEMPUR-Contour™ Elite Breeze adapts gently to your body for additional pressure and heat relief.
Comfort Specs Highly-conforming TEMPUR-HD® material is infused with PureCool™ for cooling comfort, determining the mattress feel and level of TEMPUR-Adapt™ and drawing excess heat away from the body.
Twin XL Dimensions 38" x 80" x 12.5"
Queen Dimensions 60" x 80" x 12.5"
King Dimensions 76" x 80" x 12.5"
California King Dimensions 72" x 84" x 12.5"


This week acclaimed South African crime writer Margie Orford will visit the United Kingdom, where she will give talks at Cambridge and York Universities.
Orford is an award-winning journalist and author of the Clare Hart series of crime novels set in South Africa and Namibia. Her novels have been translated into nine languages.
She was born in London, grew up in Namibia, and lives in Cape Town. A Fulbright Scholar, she was educated in South Africa and the United States. She is executive vice-president of South African PEN, a non-political organisation representing writers of the world, defending free-expression and encouraging literature.
Water Music, the fifth novel in the Clare Hart series, will be published in August 2013.
On Tuesday 21 May at 5pm Orford will be talking on The Grammar of Violence: South African crime as fiction, Faculty of English, Cambridge University. RSVP to Chris Warnes (cgw26 [at] cam.ac.uk).
On Thursday 23 May at 5pm Orford will give a reading and discuss justice and the creative process with York University Writer in Residence, Gillian Slovo, at York University.
Gillian Slovo is the John Tilney Writer in Residence at York this term. Born in South Africa, she is the author of twelve novels and her best selling family memoir Every Secret Thing. Her novel, Red Dust, set around a fictional hearing of South Africa's Truth and Reconciliation Commission, won the RFI Temoin du Monde prize in France, and was made into a feature film starring Hilary Swank and Chiwetel Ejiofor. Ice Road was shortlisted for Britain's prestigious Orange Prize. She is a recipient of an Amnesty Media Award and co-compiler of the Tricycle production Guantanamo – Honor Bound to Defend Freedom, which she assembled, from spoken evidence, and her play, The Riots, was put on in 2011 in the Tricycle and Tottenham's Bernie Grant Arts Centre. Slovo has been President of English PEN since 2010. The General: The Ordinary Man Who Challenged Guantanamo, which she wrote with Ahmed Errachidi, was published in 2013.


My cousin was preparing for her sisters baby shower, and asked me if I could lend a hand with the design and production of the invitations.
I was also asked to create a book plate that would be sent out with the invitation.
I printed the invitations on Epson Premium Presentation Paper and the book plates on a glossy sticker paper.


Below is the list of Linksys wireless adapters that are compatible with the Windows® 7 operating system.
NOTE: Adapters not listed in the table above may or may not work with Windows 7. Linksys adapter models which are compatible with Windows Vista® 32-bit and 64-bit drivers may not be all compatible with Windows 7 32-bit and 64-bit drivers.
For more details on a specific adapter model, visit the Linksys Support Site.


text:
January 16th, 2022, 12:00 pm SkyWatch News 0
Amapiano musicians had an exciting year in 2021, as the genre did amazingly well, but the happiness was tainted with sadness.
A dark cloud hovered in the entertainment industry on the 9th of August, 2021, after the death of Mpura and Killer Kau was confirmed and announced on the internet.
People were divided over the validity of the news; is it true or just another rumor – Musicians and lovers of amapiano music found it difficult to digest the news.
The two Amapiano stars died in a fatal car accident alongside three other persons.
Their death was a huge loss to the Amapiano genre, as they blessed the genre with sizzling verses.
We still can't get over Killer Kau's adlibs, as he undoubtedly spiced the genre with his sonorous adlibs. He dropped songs like: Tholukuthi Hey and Koba.
Mpura on the other hand did magic on some hit songs delivered in 2020 – 2021, which include, Umsebenzi Wethu, Izolo.
Netizens celebrated the two stars even after their passing.
On Christmas day, Mpura trended on social media, as people were saddened at the fact that there will be no release from the singer in 2022, while others spoke highly of his contribution to the genre.
The Amapiano industry also lost a legend in 2020, DJ Papers 707, who is one of the pioneers of the genre; the DJ died due to Covid-19 complications.
Taking a brief look at 2020 and 2021, it's gradually becoming a thing for the genre to loose the talented ones to death.
However, as we're about crossing over to a new year, we hope not to have a record of any amapiano artist's death in 2022.
Mpura
Nadia Nakai flaunts new Rolex wristwatch (Photo)
DJ Maphorisa says Africa is eating from Amapiano


Welcome to QuestFan, a fan site for The Real Adventures of Jonny Quest and other Quest peripherals. Our Youtube channel is questfans. HEY! If you own press materials for the show or are willing to scan documents and images, let us know! There's tons of lost media out there that needs to be digitally liberated. You can reach the site at questfanmail@gmail.com.
Feed Your Mind Behind the Scenes - The producer of the TBS Feed Your Mind segment on TRAJQ uploaded the segment to Youtube! Our page has some screencaps and a link to download or watch on Youtube. There's some rare art in there that's never been made available anywhere else (including tantalizing color art of Race, Hadji, and Jessie -- if only there were higher resolution!).
Official Art - Check out the new "Magazine Ad Art" section. Some stunning, incredibly rare ads have been posted! In the "Other" section, autographed season 2 cel and Mummies of Malenque promo image added, along with Takashi Masunaga concept art piece.
Other Products - Gift Bag, Holographic card, Keychain, LCD Game, Napkins, Pizza Hut Quest Packs, Pizza Hut Placemat, Pogs, Promo Card, Spaghettios #2, #3, and #5 holograms scanned, Wrist Compass, Wrist Remote Controller Watch, Zebco fishing reel pics added. Also check out the "Promotional Collection" section, highlighting some extremely rare items only given out at advance promotional events.
Clothing - New shirt added.
Video Releases - Two VCDs added from Singapore.
Program Exchange Syndication Booklet - Scans of syndication offer booklet, including three pieces of official art.
The merchandise and official art pages have been updated with better art scanned from the Valentine's day cards. Hardware descreening was not done on these scans, as it was making them far too blurry. Check them out at Other Products.
Some new bits and pieces: Gary Lionelli and Larry Brown graciously provided mini-interviews about their time on TRAJQ. Find them at Larry Brown Dialogue and Gary Lionelli Dialogue. Many thanks; be sure to check out their websites! Next, I added four pages about the use of Questworld to the Peter Lawrence writer's bible (taken from a press kit), which can be found at Writer's Bible. Most tantalizingly, one of the pages provides a summary of an unproduced episode about Jessie playing the role of a vampire in Questworld. Find it on the page or just skip over to Unproduced Episodes to check it out. Lastly, we've pinned down two trivia about episodes—firstly, Havel's submarine in East of Zanzibar did have a mechanical tentacle (while an unrelated giant squid was running amok with no affiliation), and secondly, the teaser from The Alchemist took place in 960 A.D.
The encyclopedia and most of the site is complete, except for stuff at About's goal list.
Media and downloads are being restored.
The site's restored. We've got three pressing items: a complete torrent release, featured status for the Wikipedia article, and the completion of QuestFan through filling in missing episode pages and tackling that huge, unforgiving to-do list.
The Wiki article's somewhat back to the drawing board as information and commentary is filtering in from many sources about the show's history. As for the site, that to-do list down there is the only thing remaining. Two things would tremendously move us forward at this point: 1.) a complete rip of the show and 2.) a press kit. Check this out, wherein a Hollywood producer drops a hint that a live-action Jonny Quest project is being considered.
The Wikipedia article is ready for a final push, along with the site. I have to knock out that to-do list and write the character articles (which will be a minor chore). Still, we're almost there! Once the site is finished to a basic degree, the hunt will be on for more episodes.
The field work is mostly complete, leaving me to add all the media I've found and organize the rest of the site. I will then update the Wikipedia entry on the series using the interviews, features, and other third-party journalistic works I've located. I can then backhost them here.
The site's up. I've made the logo using something from Cover-Up At Roswell and I've made a simple background based off the contours of the main show's logo. I must now write episode summaries and go through the entire internet (or at least that which I can find) to recover TRAJQ assets left on dead sites and whatnot.
This page was last modified on 17 February 2017, at 03:20.


Like Tails and Trails I to have just busted on in. Some of you might have seen me in your logs of replies that I have all ready posted.
I will be here in OH for the next 7+/1 weeks. I am filling in for a paster that is on leave and will be heading back to seminary in OH and hopefully a full-time job. My wife and kids like to eat after all.
I am looking for three geocaching activities while I am up here.
1. Horseback caching, or anyone that will let a TX cowboy trail ride a horse or even just visit some. Yeah I know I said I am from OH, but I moved there to attend seminary, and yes I grew up in CT, but the US Army thought I needed to be in Corpus Christi, TX for 5 years. As far as the cowboy part I've worn boot and a hat for 16 years and have ridden in 13 states (including ME about 20 years ago) and two providences.
2. I need some one who is interested in do some remote, and/or mountain top caches with me colminating with the Katadin (Baxter Peak) cache and take a stoll ove to Pamola peak if not to windy. I normally cache alone, but for safties sake I would rather not head into cellular free zones all alone.
3. I am looking for Coffee, Pizza or other group events. I would be interested in the Geocaching trip to Canada. Unfortunately that event is on the 23rd which if my memory serves me correct is a Sunday. That is a bad day since my only reason for being here is to preach on Sundays.
Oh yeah, for the record I am male and 39+ (no I am not 40, yet.....) so any female geocachers in their low 20's would be nice. Only kidding!!!! :p Please do not take that seriously, after all I am mariied (very happily) with two teenagers.
If interested I could create and event cache and have you all come to hear me preach.:rolleyes: ;) :rolleyes: Not that I want to scare any of you off and Jake probably still would not show up.
Hope to see you on the hunt.
By the sound of your introduction you'll fit right in with this group. We certainly don't take ourselves too serious. :rolleyes: Hope to run into you sometime while you're here. I am up near Bangor where there are plenty of good caches to do, including a couple of decent hikes within 15 or so miles. If you get up this way drop me a PM and maybe we'll get together.
I don't know about the horses, but there are a few of my caches on multi-use trails that are accessible by horses (and ATVs and snowmobiles in season) . . . The Book-nobile and I've Found My Thrill. Since I'm not a "horse person" (more of a "horse power person") you might want to try David and Paula Leavitt of Troy (they should be in the Waterville phone book listing) as they have horses and might point you in the direction of someone that rents horses (if folks even do that) or at the very least give you an idea of some folks that might take you out on some trails.
If you're around in late-July Hiram should have his Tread Lightly camping/four wheeling event up and running . . . you can show up just for the day if you need to be back on a Sunday.


text:
A Bunch of Stoned Sheep Might Have Rampaged Through This Village
Reefer madness.
by Erik Shilling May 26, 2016
(Photo: Michael Palmer/CC BY-SA 4.0)
Rhydypandy, a village in south Wales, has a sheep problem. The grazers have been running amok in the village, eating people's gardens and breaking into homes, according to the Telegraph. One of them even died after running into the road. This isn't, in other words, normal sheep behavior.
But what could be the cause? A county official suspects it is marijuana. Ioan Richard, a councillor, told the Telegraph that the discarded remains of an illegal marijuana farm had been unceremoniously dumped on the side of the road. It has since been removed, but did the sheep get to it before authorities did?
Richard says it's possible.
"We could have an outbreak out of psychotic sheep rampaging through the village," Richard told the Telegraph.
But a local bartender told the Daily Beast that reports of stoned sheep were overblown. Sheep have always invaded people's gardens, the bartender said, and, besides, she thinks a stoned sheep would likely just fall asleep.
Stoned sheep or not, Richard took the episode as a chance to rail against illegal dumping, which is frequent in rural Wales. There was no word on whether Richard lectured the sheep on marijuana being a gateway drug.
Watch This Elevated Bus Swallow Cars and Straddle Roads
A Chinese company's transportation proposal may give subways good competition.
sheepdrugsanimalsnews
When Bighorn Sheep Decide to Cross a Highway
For decades, they stayed on either side of Interstate 40, but those days appear to be over.
Cara Giaimo June 18, 2018
Around 5,000 Years Ago, People Performed Brain Surgery on This Cow
The question is: Why?
Natasha Frost April 19, 2018
A 'Very Angry Badger' Wreaked Havoc in a 500-Year-Old Scottish Castle
He's since calmed down and headed home.
The Common Language of Gesture Between Bonobos and Chimps
If a bonobo presented you its arm, would you know what it meant?
Natasha Frost February 27, 2018
For Thousands of Years, People Have Been Obsessed With Fat-Tailed Sheep
Writers and artists found them entrancing.


text:
GreaterGood Jobs
Recruiting and Executive Search
Job Seeker Advice
Best Workplaces in Canada: Should You Care?
By Kara Laudi | Job Seeker Advice, Toronto Startups
Great Place to Work Canada recently released their 2018 list of – you guessed it – the best places to work in Canada. As an employer, it's nice to add…
Turn Your Passion Into a Full-Time Gig
By Kristen Piggott | Job Seeker Advice
If you're like most people, you're risk-averse. Humans are inherently that way – we attempt to minimize uncertainties. It's risk-aversion that will cause people to sell a stock while it's…
Don't Let Your Hunger Drive Bad Decisions
By Kara Laudi | Job Seeker Advice
Most people know that you aren't supposed to go food-shopping when you're hungry. If your stomach is growling, you're prone to making bad decisions. By the time you reach the…
Earn a Living with Purpose
By Mario Laudi | Job Seeker Advice
Donald Trump might be the the best thing that could happen to our planet. Seriously. His incendiary tweets, campaigns and policies have served to inspire people to rise up, take…
A PSA to Canadians in Technology – Part 2
Bigger Isn't Always Better Last week, I used the analogy of David and Goliath to compare Shopify, a Canadian company helping small eCommerce retailers make their mark, with Amazon, the…
We All Play for Canada I hope my title didn't get that irritating Canadian Olympic jingle to play in your head. I didn't want to do it – but the…
Are you doing time between 9 and 5?
Is it safe to assume that most of us work to earn a living? I think so. The majority of us sacrifice 8 hours a day in exchange for a…
Puzzling Phenomena: Developers Who Dream of Jobs at Facebook
If you ask aspiring software developers about their dream job, there's a good chance they will name one of the tech darlings, brands like Google, Facebook and Apple. The general…
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This Safavieh Adirondack area rug is a great high-quality option for livening up your home. Bring this high quality plush polypropylene indoor rug into your home to upgrade your interior design immensely. The machine-made construction of this rug makes it high-quality and durable. Quality is assured with this vintage/distressed patterned silver rug.
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Include this Safavieh Adirondack area rug in your hallway, dining room, or living room dicor for a taste of modern style. Contemporary dicor is made simple with this indoor piece, made of plush polypropylene material. This rug is machine-made, which ensures a strong product. Include this vintage/distressed patterned silver rug in your living spaces for a high quality and high fashion look.
Improve the overall interior design of your living room, dining room, or hallway with this Safavieh Adirondack area rug. Keep the contemporary look in your home with this indoor piece crafted from plush polypropylene material. Keep this machine-made made rug in your home for a long time. Modern style meets quality in this vintage/distressed patterned silver rug.
Adirondack Alexa Silver / Black 5 ft. 1 inch x 7 ft. 6 inch Indoor Area Rug This Safavieh Adirondack area rug is a great high-quality option for livening up your home. Bring this high quality plush polypropylene indoor rug into your home to upgrade your interior design immensely. The machine-made construction of this rug makes it high-quality and durable. Quality is assured with this vintage/distressed patterned silver rug.


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Blackwood Recreation Centre - Leasing Update September 2021
Mr DULUK (Waite) (15:21): My question is to the Minister for Education. Minister, what action are you and your department undertaking to support the Blackwood recreation centre in their lease negotiations with the City of Mitcham?
The Future of SAPSASA
SOUTH AUSTRALIAN PRIMARY SCHOOLS AMATEUR SPORT ASSOCIATION
Mr DULUK (Waite) (15:28): My question is to the Minister for Education. Minister, will you provide some clarity regarding the future of SAPSASA and guarantee the continued use of the SAPSASA logo and name? Sir, with your leave and that of the house, I will further explain.
Expanding the Sports Voucher Scheme
Mr DULUK (Waite) (14:43): A supplementary to the Minister in regard to Sports Vouchers: with the extension of this Sports Vouchers Scheme to Year 8 and 9 students, did the Minister contemplate extending that to Scouts and Girl Guides participants? If not, why not?
Leitech Australia visit with Minister
Mr DULUK (Waite) (15:17): My question is to the Minister for Trade and Investment. Can the minister explain to the house how the government is working with local companies such as Leitech Australia that provide innovative energy technology solutions that help to reduce carbon emissions, grow their businesses, and create jobs?
Station Refresh Program
Mr DULUK (Waite) (14:40): A supplementary. Minister, as part of this program Refresh, can you commit to upgrading the Belair station, which was built in I think 1883, Mitcham, and a park‑and-ride at Torrens Park as part of this railway investment?
Representing the needs of Sturt SES Volunteers
Mr DULUK (Waite ) (15:22): My question is to the Minister for Police, Emergency Services and Correctional Services. Can the Minister please update the House on how the State Government is supporting the SES across South Australia who have seen a reduction in their active volunteer hours due to COVID-19 responsibilities? Sir, with your leave and that of the house, I will further explain.
Upgrades to Wittunga Botanic Gardens
Mr DULUK (Waite) (15:16): My question is to the Minister for Environment and Water. Can the minister please update the house on recent investments into the Wittunga Botanic Garden in Blackwood and update the house on the appointment of a new director of the South Australian botanical gardens?
Sturt SES Group Fleet Funding
Mr DULUK (Waite) (15:20): My question is to the Minister for Emergency Services. Can the Minister update the house on when the Sturt SES group will receive new fleet vehicles in line with the SES vehicle replacement program? Sir, with your leave and that of the house I will further explain.
Accessing the Glasses SA Scheme
Mr DULUK (Waite) (15:07): My question is to the Attorney-General in her capacity representing the Minister for Human Services. Attorney, will the state government commit to ensuring that the Glasses SA scheme is accessible and non-discriminatory for all those wanting to access this initiative? With your leave, sir, and that of the house, I will further explain.
Leave granted.
Pedestrian Safety on Cross Road
Mr DULUK (Waite) (15:12): My question is also to the Minister for Infrastructure and Transport. Can the minister update the house on how the state government is committed to ensuring the safety of pedestrians in our community, especially on main roads such as Cross Road. Sir, with your leave and that of the house I will further explain.


A humanist wedding is like any other wedding – it is a ceremony where the partners can express their commitment to a life-long partnership with each other. It takes place in the company of family and friends, the bride usually wears a wedding dress, there is a wedding cake, vows are recited, and rings can be exchanged. However, humanist weddings differ from most in that they do not take place within a religious context. The person who conducts the wedding is not a religious figure (but a humanist celebrant) and the weddings do not take place in a religious building. They can in fact take place anywhere that the partners deem special enough for the occasion.
Humanist weddings are becoming increasingly popular in Scotland where they have been legally recognised since 2005. The Humanist Society Scotland says that they are far outnumbering Catholic marriages, and they could, if trends continue, soon outnumber Church of Scotland weddings. Any couple in the UK can have a humanist wedding, but, outside of Scotland, the marriage must also involve a legally recognised service. In other words, everyone is entitled to a humanist marriage, but to be legally recognised as married, you will have to make a visit to the Register Offices and be married by a civil registrar.
Humanist marriages are only legally recognised in Scotland, New Zealand, Ontario, Norway, Iceland, and Ireland. The British Humanist Association (BHA) is supporting an amendment to the Marriage Bill (going through UK Parliament at the moment) which could give legal recognition to humanist marriages in England and Wales. The BHA Head of Ceremonies has said that, "There's an obvious unfairness in a law which allows everyone to have a civil marriage but allow only religious couples to have legal recognition for the ceremony based on their most fundamental values and beliefs, conducted by a person who shares them".
The BHA supports gay marriage on the same grounds that they support the legal recognition of humanist marriages – they say it is unfair to deny both groups a choice which religious couples have. The BHA supported civil partnerships for this reason, although they see civil partnerships as a stepping stone towards the goal of full equality. The Marriage Bill that is going through Parliament is proposing to legalise gay marriage and the BHA want to amend it so that humanist celebrants will be able to conduct legal marriages of all couples. The BHA is urging individuals to write to their MP, explaining that existing marriage laws discriminate against humanists, and to also ask their MP to take this issue to the Ministers.
Tim Maguire, a humanist celebrant, conducts marriages catered to the wants and needs of the couple.
Recent figures from the Registrar General reveal that over half of the 29,135 marriages in Scotland in 2011 were civil ceremonies. There were 5,557 marriages conducted by Church of Scotland ministers, 2,486 Humanist marriages and 1,729 Catholic marriages. Humanist marriages appear to be on the rise because they can be catered to the couple's choices and preferences. Couples organising a humanist wedding can accept some traditions, while rejecting others – some brides may walk down the aisle with their father, or both parents, or perhaps walk down alone.
Humanist celebrant Tim Maguire has married couples from many diverse backgrounds, and will meet with the couple before the wedding to make sure that the ceremony unfolds how they want it to, without the necessary formal proceedings that take place in a religious marriage. Perhaps it is time that marriage laws in England and Wales reflect the needs of humanists who, after all, are a rapidly growing group.


The amount U.S. employers spent on employee benefits rose 24% between 2001 and 2015. That's almost exclusively due to the rising costs of healthcare, which has more than doubled during that time frame. It's no surprise that many employers have turned to high deductible health plans (HDHP's) as a way to curb some the upfront employer premium costs.
But thanks to health savings accounts (HSA's), employees can benefit from HDHP's as well. Between the triple tax savings, potential employer contributions and HSA investment options - employees could build a significant balance over-time. This could really come in handy in their retirement years when medical expenses are expected to balloon.


As October is here and Winter is coming - we thought why not go and invest in some new season jumpers. Clearly from the likes of the high street, feather and fur sleeves are the next best thing. We really are fur girls anyway and these jumpers give us everything we need in one purchase. Fur/Feather jumpers are the perfect for our GO-TO day to night looks..
See what we're wearing below and make sure you shop our looks.
Looking forward to seeing you in your feathers and furs.


Soaking various cuts of meat in a marinade is a good method for adding flavor as well as helping to tenderize the meat.
A proper marinade should contain an acidic ingredient such as vinegar or wine, oil such as olive oil, and seasonings such as herbs and spices. Citrus fruit juices may be used in place of the vinegar or wine to provide the acidic ingredient that is necessary to soften the tissues of the meat.
The marinade should totally cover the meat in order for it to work effectively.
When using tender cuts of beef, a soaking time of 2 hours or less is all that is required because the marinade is used basically to flavor the meat. Tougher cuts of beef should be soaked in the marinade for at least several hours or overnight in order to tenderize the meat as well as flavor it.
Always marinate meat in the refrigerator.
Since the marinade contains an acidic ingredient, reactive containers such as metal bowls should not be used. It is best to use containers such as glass or plastic bowls or plastic bags that can be sealed.
Marinades containing tomato or sugar should be used towards the end of grilling or broiling, since they tend to burn food.
Marinades containing oil or butter tend to cause flare-ups when meat is grilled.
When meat has been marinated for a long period of time it will shorten the cooking time. Twelve hours of marinating will reduce the cooking time by 30 to 35%.
Reuse: The marinade should not be reused for any other purpose because of the bacteria that may be present from having been in contact with the raw meat. The only way the marinade can be reused is to boil it thoroughly for use as a basting liquid or as part of a sauce for the meat.
Combine: ½ cup red wine vinegar, 3 tbsp cooking oil, 1 tbsp mustard (preferably Dijon style), 3 garlic cloves (minced), 1 tsp Italian seasoning, ½ tsp course black pepper. Combine: ¼ cup cooking oil, ¾ cup dry white wine, 1 clove (minced) garlic, 1 finely chopped onion, ¼ tsp celery salt, salt and course black pepper to taste. Combine: 1 fresh jalapeño pepper (seeded & minced), 3 cloves (minced garlic), 1 tbsp. ginger, ¼ cup lemon juice, ½ cup dry white wine, ½ tsp sugar, ¼ cup cooking oil.
Combine: ¾ cup cooking oil, 2 cups beer, 2 garlic cloves (minced), 3 tbsp lemon juice, 1 tbsp salt, 2 tbsp sugar. Combine: 1 ½ cups dry white wine, ¼ cup cooking oil, 2 tsp garlic powder, 6 oz. soy sauce, 1 small chopped onion. Combine: 4 tbsp lemon juice, ¾ cup cooking oil, 3 cloves garlic (minced), minced fresh onion (if desired).
An additional option for tenderizing beef, as well as adding flavor, is with the use of a rub. A dry mix of herbs and spices are applied to the raw beef and are allowed to permeate and flavor the meat over a period of time, usually overnight in the refrigerator. An endless variety of rubs can be prepared for beef depending on the types of flavors that you want to add to the meat.
Application: A rub mixture can be rubbed onto the meat, but the moisture from the meat can cause the dry ingredients to stick to your hands. The best results often occur when the ingredients are sprinkled evenly on all sides.
Ingredients: Some of the ingredients that may be used for a dry rub include black pepper, cumin, chili powder, crushed red pepper, celery seed, garlic powder or fresh crushed or minced garlic, salt, and brown sugar.
Paste Rub: A small amount of liquid may be added to the mixture in order to create a dry paste, which may be preferred in some cases. Some of the liquids that are often used are vinegar, cider vinegar, wine, or fruit juice.
Sugar Usage: Use sugar sparingly because it will melt and burn during the cooking process, especially if the beef is grilled or broiled. Too much of the burnt sugar will provide unpleasant results. Only a small amount of sugar is necessary to provide adequate flavor.


Shop.ca says it will offer drone delivery throughout Canada.
Online shopping site Shop.ca says it has partnered with Drone Delivery Canada to pioneer small package delivery by drone in Canada.
The devil, of course, is in the details. Government approval for widespread drone delivery, particularly seems far away at this point given the technological, privacy, and safety concerns that such an operation raises. Possibly the biggest step will be the approval of beyond line-of-sight operations for drones.
Amazon is also investigating drone delivery and is testing its system in B.C. because of the generally more permissive environment in Canada.


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The Okee Dokee Brothers Tickets
The Okee Dokee Brothers will be performing an event in the next dates is right in your area. Buy tickets for your favorite performer or group and you will be able to visit his show already tomorrow!
Buy The Okee Dokee Brothers Tour Tickets
The Okee Dokee Brothers are an independent American bluegrass and American roots children's music duo from Minneapolis. Their 2012 CD/DVD release Can You Canoe?, with music and videos created during a 2011 paddle down the Mississippi River, won a GRAMMY for Best Children's Album in the 55th GRAMMY Awards. They released their second CD/DVD called Through the Woods in May 2014, with music and videos created during a 2013 trek up the Appalachian Trail. The album garnered a GRAMMY nomination in 2014. They traveled through the Southwest for another album and DVD, Saddle Up, which was also nominated for a Grammy in the best children's album category. Joe and Justin also published two picture books under Sterling Publishing (Sterling Children's) titled Can You Canoe? And Other Adventure Songs and Thousand Star Hotel. Their primary branding artist, Brandon Reese, illustrated the books.
Most recently (October 2018), The Okee Dokee Brothers released Winterland, an exuberant yet introspective collection of 16 original songs exploring the wonders and beauty of winter. A voyage from autumn to spring, Winterland presents secular winter music the entire family can enjoy while cozying up around the fire. This album also received a GRAMMY nomination in November of 2019.
Bandmates and childhood best friends, Joe Mailander and Justin Lansing, grew up in Denver and toured the midwest with their bluegrass band before settling in Minneapolis and starting their family music band, The Okee Dokee Brothers.
In 2011, Joe and Justin began a canoe trip at the headwaters of the Mississippi River, and ended at the St. Louis Gateway Arch. During their month-long journey on the Mississippi, they camped, canoed, filmed and composed the songs that make up their album Can You Canoe? This CD-DVD is the first release in their Adventure Album Series. Produced by Dean Jones in his Rosendale, NY, straw-bale studio, the record highlights guest appearances from Garth Hudson of The Band, Elizabeth Mitchell of You Are My Flower as well as Morgan Taylor and Rachel Loshak of Gustafer Yellowgold. The album received praise from NPR, won a Parents' Choice Award, and USA Today called it their "...favorite album of 2012". Can You Canoe? also won the GRAMMY Award for Best Children's Album of the Year in early 2013.
In June 2015, The Okee Dokee Brothers went out West for a month-long horsepacking trip along the Continental Divide. They rode horses, camped out, told stories, and wrote songs. Featuring a diverse collective of musicians -- John Sebastian (The Lovin' Spoonful), Carlos Medina (Norteño accordion), Cindy Cashdollar (Asleep At The Wheel), Jim Campilongo (The Little Willies), and The Benally Family (Navajo style singing/Blackfire) -- Saddle Up covers tales of western wildlife, Navajo stories, Southwest-style Spanglish, the issue of guns in western lore, friendship, and more. In 2016, "Saddle Up" was nominated for a Grammy in the best children's album category.
They celebrate the spirit of the winter season on their latest full-length studio album, Winterland (October 2018). It's an exuberant yet introspective collection of 16 original songs exploring the wonders and beauty of winter. A voyage from autumn to spring, Winterland presents secular winter music the entire family can enjoy while cozying up around the fire. The Okee Dokee Brothers released five winter music videos to accompany the music.
The band tours nationally, performing at such venues as Austin City Limits, Lincoln Center, The Getty Museum, National Geographic Live, Orchestra Hall with the Minnesota Orchestra, Winnipeg Folk Festival, and Wolf Trap National Park for the Performing Arts, among many other performing art centers and theaters. On August 20, 2013, Minnesota Governor Mark Dayton proclaimed "Okee Dokee Brothers Day" in the State of Minnesota.
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The show of The Okee Dokee Brothers is worth seeing. You won't regret because this talented person will gift you unforgettable emotions, help you forget about all problems and allow you to jump into the fantastic world of music for only one evening.
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We just wanted to take a moment and thank you for your heart of generosity.
Because of your contributions, we are able to serve others more effectively!
While your financial support is much appreciated, there are other ways you can give to the church. We understand that everyone may not be able to give as much as they would like and we are still greatly appreciative of all support in various forms. If you are still looking for ways to serve, we may have some options that you may be interested in.
Thank you again for your continued support. We appreciate you. God bless!