Dayton Audio - Dual 4-1/2" poly cone woofers add substantial center channel low end. The compact dayton audio c452-air center channel speaker is designed to complement other Dayton Audio speakers in a multichannel home theater system. Handsome mdf cabinet with a textured black vinyl finish. The amt tweeter provides a silky smooth response with enough detail to satisfy any audio enthusiast.
Removable acoustically transparent black cloth grill. It produces balanced, natural sound with excellent sonic detail that rivals many more expensive speakers. 1" amt tweeter for smooth, accurate reproduction. Keyhole brackets and rubber feet for mounting on wall or shelf placement.
Dayton Audio - Ported bass-reflex design delivers extended, deep bass to 45 Hz. 1" amt tweeter for smooth, accurate reproduction. Clarity and detail that is exceptional in this price class. Slim-profile tower cabinet won't overwhelm your room. Like the b652-air, the t652-air is all about giving you the most performance for your money while offering a little something extra from the fantastic AMT tweeter.
Enjoy the light and airy high frequencies from the Dayton Audio T652-AIR tower speakers. Featuring the same design dna as the b652-air speaker from dayton audio, the T652-AIR model incorporates dual woofers into a compact bass-reflex tower cabinet, for unobtrusive yet modern aesthetics and incredibly deep bass, and features an AMT tweeter for an extended frequency range.
Dayton Audio T652-AIR Dual 6-1/2" 2-Way Tower Speaker Pair with AMT Tweeter - Dual 6-1/2" woofers provide superb bass response and punch.
Dayton Audio B652-AIR - Black ebony pica vinyl cabinet finish for a clean, modern appearance. Ported bass-reflex design delivers extended, deep bass to 45 Hz. Dayton audio's signature affordable speakers are even better when you add a little AMT! The new B652-AIR features a pleated ribbon diaphragm AMT tweeter that enhances the already famous sound quality of the original B652, with even more smoothness and detail.
Air motion transformer tweeter provides non-fatiguing, audiophile-level treble clarity. Clarity and detail that is exceptional in this price class. Dual 6-1/2" woofers provide superb bass response and punch. 6-1/2" woofer produces rich, punchy bass. Removable acoustically transparent cloth grill. Slim-profile tower cabinet won't overwhelm your room.
Dayton Audio B652-AIR 6-1/2" 2-Way Bookshelf Speaker with AMT Tweeter Pair - 1" amt tweeter for smooth, accurate reproduction. Compact, unobtrusive design with exceptional performance and value.
Dayton Audio T652 - 1" amt tweeter for smooth, accurate reproduction. Like the original b652, the t652 is all about giving you the most performance for your money! Dual 6-1/2" woofers provide superb bass response and punch. Ported bass-reflex design delivers extended, deep bass to 45 Hz. Enjoy deeper bass from the Dayton Audio T652 tower speakers.
Featuring the same design dna as the original b652 speaker from Dayton Audio, the T652 model incorporates dual woofers into a compact bass-reflex tower cabinet, for unobtrusive yet modern aesthetics and incredibly deep bass. 6-1/2" woofer produces rich, punchy bass. Slim-profile tower cabinet won't overwhelm your room.
Dayton Audio T652 Dual 6-1/2" 2-Way Tower Speaker Pair - Air motion transformer tweeter provides non-fatiguing, audiophile-level treble clarity. Dual 6-1/2" woofers provide superb bass power and punch. Clarity and detail that is exceptional in this price class. Clarity and detail that is exceptional in this price class. Black ebony pica vinyl cabinet finish for a clean, modern appearance.
5/8" polycarbonate dome tweeter with ferrofluid cooling. Ported bass-reflex design delivers extended, deep bass to 45 Hz.
Dayton Audio B652 - Measuring under 12-inch tall, these small but mighty speakers will never overwhelm the decor in any room. Clarity and detail that are exceptional in this price class. Includes two 9-1/2 foot long 20 AWG speaker cables. Ported bass-reflex design delivers extended, deep bass to 45 Hz. Dual 6-1/2" woofers provide superb bass response and punch.
Dual 6-1/2" woofers provide superb bass power and punch. Small size, profound performance! Specifications: ; woofer: 6-1/2-inch polypropylene ; tweeter: 5/8-inch polycarbonate ferrofluid cooled ; power handling: 40 watts rms/75 watts max ; Impedance: 6 ohms ; Frequency response: 70-20, 000 Hz ; Sensitivity: 87 dB 1W/1m ; Dimensions: 11-13/16-Inch H x 7-1/16-Inch W x 6-7/16-Inch D ; Sold in pairs.
Dayton Audio B652 6-1/2" 2-Way Bookshelf Speaker Pair - 6-1/2" woofer produces rich, punchy bass. Slim-profile tower cabinet won't overwhelm your room. Ported bass-reflex design delivers extended, deep bass to 45 Hz. Black ebony pica vinyl cabinet finish for a clean, modern appearance. Packaged and sold in pairs. These small, powerful speakers make a great addition to any living space.
Slim-profile tower cabinet won't overwhelm your room.
Dayton Audio 並行輸入品 - Ported bass-reflex design delivers extended, deep bass to 45 Hz. Removable grill cloth. Small size, profound performance! Slim-profile tower cabinet won't overwhelm your room. Compact, wall-mountable enclosure for unlimited applications. Clarity and detail that is exceptional in this price class. Clarity and detail that is exceptional in this price class.
Black ebony pica vinyl finish blends into any décor. 6-1/2" woofer provides surprisingly full, punchy bass output. Black ebony pica vinyl cabinet finish for a clean, modern appearance. Perfect for home theater rears or stand-alone stereo use. Dual 6-1/2" woofers provide superb bass response and punch. Like the b652, the b452-air is all about giving you the most performance for your money while offering a little something extra from the fantastic AMT tweeter.
Dayton Audio B452-AIR 4-1/2" 2-Way Bookshelf Speaker Pair with AMT Tweeter - 6-1/2" woofer produces rich, punchy bass. 1" amt tweeter for smooth, accurate treble reproduction. Air motion transformer tweeter provides non-fatiguing, audiophile-level treble clarity. Compact, unobtrusive design with exceptional performance and value. 1" amt tweeter for smooth, accurate reproduction.
Polk Audio AM1055-C - Louder clearer sound even at high volume - enjoy a thrilling yet balanced music experience with rich, even at low frequencies. Removable acoustically transparent cloth grill. Clarity and detail that are exceptional in this price class. Psw series subwoofers blend perfectly with systems composed of other Polk loudspeakers, especially TSi, deep sound, RM and R/T/M Series speakers.
Double the amplifier power to 100 watts of dynamic power with its in-built 50-watt rms amp. Relieve your main speakers from performing bass duty and let them work on the mids and highs. Psw10 fills in the bottom end of your home theater system. Perfect for home theater rears or stand-alone stereo use. Dense, stable wood-composite cabinet ensures sonic warmth and richness.
Polk Audio PSW10 10" Powered Subwoofer - Featuring High Current Amp and Low-Pass Filter | Up to 100 Watts | Big Bass at a Great Value | Easy integration Home Theater Systems - Slim-profile tower cabinet won't overwhelm your room. Dual 6-1/2" woofers provide superb bass response and punch. Air motion transformer tweeter provides non-fatiguing, audiophile-level treble clarity. Ported bass-reflex design delivers extended, deep bass to 45 Hz. All woofers feature a floor coupled downward firing port.
Dual 6-1/2" woofers provide superb bass power and punch.
AmazonBasics SW100ft - Louder clearer sound even at high volume - enjoy a thrilling yet balanced music experience with rich, even at low frequencies. Slim-profile tower cabinet won't overwhelm your room. Clarity and detail that are exceptional in this price class. 6-1/2" woofer produces rich, punchy bass. 6-1/2" woofer provides surprisingly full, punchy bass output.
Psw series subwoofers blend perfectly with systems composed of other Polk loudspeakers, deep sound, especially TSi, RM and R/T/M Series speakers. Double the amplifier power to 100 watts of dynamic power with its in-built 50-watt rms amp. Blends easily with any speaker and plays the most demanding nodes effortlessly without any distortion.
100 Feet - AmazonBasics SW100ft 16-Gauge Speaker Wire - Sophisticated engineering with best in class resonance-free driver materials make this sub highly durable and FIT FOR EXTENDED USE. Black ebony pica vinyl finish blends into any décor. Slim-profile tower cabinet won't overwhelm your room. Perfect for home theater rears or stand-alone stereo use. Dual 6-1/2" woofers provide superb bass response and punch.
1" amt tweeter for smooth, accurate treble reproduction. A sleek detachable grille on the front, speaker and line-level inputs as well as speaker-level outputs on the back, and a Phase Toggle Switch for a multiple subwoofers, make this sub cohesive and complete.
Dayton Audio SAT-BK - Magnetically shielded to prevent interference with TV screens and computer monitors. 6-1/2" woofer provides surprisingly full, punchy bass output. Optimized long-excursion woofers. 1" amt tweeter for smooth, accurate treble reproduction. Powered subwoofer for extra bass & punch - a 10-inch Dynamic Balance woofer & a uniquely configured directed port provides accurate bass with added depth that brings your music and movies alive.
Dual 6-1/2" woofers provide superb bass response and punch. Clarity and detail that is exceptional in this price class. Clarity and detail that are exceptional in this price class. Indoor or outdoor use. Compact, wall-mountable enclosure for unlimited applications. Air motion transformer tweeter provides non-fatiguing, audiophile-level treble clarity.
Dayton Audio SAT-BK 3-3/4" 2-Way Satellite Speaker Pair Black - These speakers are capable of much bigger sound than their small size suggests. Sophisticated engineering with best in class resonance-free driver materials make this sub highly durable and FIT FOR EXTENDED USE. Black ebony pica vinyl cabinet finish for a clean, modern appearance. Removable acoustically transparent cloth grill.
Dayton Audio B452 - 4-1/2" woofer and polycarbonate tweeter for full-range sound. Psw series subwoofers blend perfectly with systems composed of other Polk loudspeakers, deep sound, especially TSi, RM and R/T/M Series speakers. Double the amplifier power to 100 watts of dynamic power with its in-built 50-watt rms amp. Small size, profound performance!
Easy to integrate with existing systems - hook up this sub to the receiver and upgrade your music sound instantly! Features continuously variable 80-160 Hz crossover and 40-160 Hz -3dB frequency response. Anywhere you enjoy music, the balanced sound of the B452s add a new dimension of affordable enjoyment.
Dayton Audio B452 4-1/2" 2-Way Bookshelf Speaker Pair - A newly-designed 4-1/2" polypropylene cone woofer with 4-layer voice coil achieves excellent balance and listenability when combined with the 5/8" Ferro fluid-cooled polycarbonate tweeter, for surprisingly rich, detailed sound from a small, affordable speaker.5/8" polycarbonate dome tweeter with ferrofluid cooling.
. Specifications: woofer: 4-1/2" polypropylene cone with 4-layer voice coil tweeter: 5/8" polycarbonate dome with Ferro fluid cooling Power handling: 30 watts RMS/60 watts max Impedance: 6 ohms Frequency response: 85-20, 000 Hz Sensitivity: 84 dB 1W/1m Dimensions: 9. 5" h x 5. 5" w x 5. 7" d.


Introduces the book and gives a high-level overview of the components that make up the ColdFusion development platform.
Gets you started using ColdFusion and covers such topics as datatypes, variables, expressions, conditional processing, and looping.
Looks at passing data between templates using HTML forms and hyperlinks.
Gets you started using ColdFusion to query databases. Provides an overview of Structured Query Language (SQL) and demonstrates its use within ColdFusion applications.
Covers techniques for adding, updating, and deleting database records.
Looks at the complex datatypes available in ColdFusion: lists, arrays, structures, and query objects.
Investigates methods for maintaining state in ColdFusion applications.
Covers the basics of application security and discusses several methods and models for securing your ColdFusion applications.
Explains several techniques for implementing error and exception handling within your ColdFusion applications.
Gives an overview of the dynamic form controls provided by ColdFusion as an extension to standard HTML form controls.
Covers several advanced techniques for querying and displaying data as well as advanced SQL topics.
Deals with techniques for manipulating files and directories on both local and remote servers. Also covers executing programs from the command line.
Shows how to use ColdFusion to send email through SMTP servers and how to retrieve messages from POP3 servers. A working example of a web-based mail client is included.
Demonstrates how to interact with other web servers via the HTTP GET and POST methods using ColdFusion.
Gives a general overview of the Lightweight Directory Access Protocol (LDAP) and shows how to use ColdFusion to interface with LDAP-enabled directories.
Explains how ColdFusion interacts with a bundled version of Verity's VDK, K2 Server, and Spider engines to index and search both file- and query-based content.
Shows how to use ColdFusion's built-in server-side graphing and charting capabilities to produce dynamic charts and graphs.
Introduces regular expressions and demonstrates ways to integrate them into your ColdFusion applications.
Shows how to create user-defined functions (UDFs) using both CFML tags and CFScript.
Shows how to extend the core capabilities of the ColdFusion language through reusable components called Custom Tags.
Covers ColdFusion Components (CFCs), a framework for using concepts and techniques of object-oriented programming for building your applications.
Covers XML and the Web Distributed Data Exchange (WDDX), an XML-based technology for sharing data across disparate platforms and programming languages.
Discuses web services and shows how to use ColdFusion MX to both produce and consume them.
Explains how the Windows version of ColdFusion MX can be used to read and write to the system registry.
Explains how to schedule one-time and recurring tasks using ColdFusion's built-in scheduler.
Covers the basics of using ColdFusion to interact with COM, CORBA, and Java.
Gives a general overview of Rich Internet Applications and how to create them by pairing Macromedia Flash and ColdFusion MX via Flash Remoting.
A complete CFML tag reference that includes several previously undocumented tags.
A complete CFML function reference that contains numerous previously undocumented functions. The function reference includes a working example for each function wherever possible.
Contains the schema and sample data for all database tables used in the book's examples.
Provides a comprehensive listing of free ColdFusion resources available over the Internet. These resources include user groups, e-zines, support forums, and other community-minded resources.


High school students and teachers in Alaska are helping NASA scientists collect data for a mission that aims to learn more about the space weather that causes the aurora borealis, or northern lights.
An overpass near the Oakland-San Francisco Bay Bridge collapsed last month after a gasoline truck crashed into a guardrail and burst into flames. For an engineering professor, the incident has turned into a lesson for building safer structures.


text:
Vanya Hargreeves, conosciuta durante l'infanzia come Numero Sette e da adulta come Violino Bianco, è un personaggio immaginario della serie a fumetti The Umbrella Academy ideata da Gerard Way, e pubblicata per la prima volta nel 2007,  e dell'omonima serie televisiva del 2019, ispirata alla prima raccolta di fumetti, The Apocalypse Suite. Nella serie televisiva, pubblicata su Netflix il 15 febbraio 2019, Vanya è interpretata da Elliott Page ed è doppiato in Italia da Alessia Amendola.

Biografia

Apocalypse Suite (fumetto)
Vanya nasce insieme ad altri 42 bambini, da madri che apparentemente non mostravano segni di una gravidanza fino al momento del travaglio. Viene poi adottata dal
miliardario Sir Reginald Hargreeves insieme ad altri sei bambini, tutti dotati di poteri straordinari, come il viaggio nel tempo o la superforza. Tutti, tranne Vanya, che fino a circa sette anni non mostra segno di alcun potere e viene definita da Sir Reginald "assolutamente inutile". Ogni bambino è stato denominato con un numero, ad esempio Vanya era il Numero Sette, ma tutti, tranne il Numero Cinque, che viene chiamato sempre Cinque, hanno anche un soprannome, quello di Vanya è il Violino Bianco, e un vero nome.  Quando diventano abbastanza grandi, i sette bambini vengono addestrati per diventare parte dell'Umbrella Academy, un'alleanza per combattere il crimine della città. I suoi fratelli diventano famosi e richiesti per salvare le persone, ma quando Vanya inizia a manifestare i suoi poteri, Reginald si rende conto che sono troppo potenti e distruttivi, e cerca di tenerli sotto controllo tramite l'ausilio di un monocolo.
Anni dopo, Vanya pubblica un libro, Extra-Ordinary: My life as Number Seven, la sua biografia che rivela anche dei segreti e la vita privata dei suoi fratelli, che incrementa il loro odio verso la sorella. Nel frattempo continua ad esercitarsi con il violino, diventando parte dell'orchestra della città, anche se aspira a diventare il primo violino. Pochi anni dopo la pubblicazione del libro, Reginald Hargreeves muore e Viktor torna dopo tanto tempo all'Academy, per riunirsi con i suoi fratelli in occasione del funerale.
Sotto lo stupore di tutti, Cinque ritorna dal futuro,dicendo di aver lavorato per 28 anni alla Commissione, associazione che si occupa del continuum temporale e delle persone che potrebbero minacciarlo, indicando che tra otto giorni il mondo sarebbe finito a causa dell'apocalisse.

Allontanato anche dopo la morte di Reginald Hargreeves, Vanya fu invitata ad esibirsi nell'Orchestra Verdammten dal direttore, che aveva bisogno che qualcuno fosse il violino principale nella sua Sonata dell'Apocalisse. Lei rifiutò, dando alla sua famiglia un'altra possibilità, illudendosi di poter far pace con loro, in seguito a un ulteriore litigio con Diego (Kraken) viene esortata ad andare via. Irata, decide di andare dal direttore, che la trasforma permanentemente. Egli le rivela dei bizzarri esperimenti che Reginald conduceva su di lei per poterla cambiare e darle dei poteri, e che egli stesso ha rubato i resoconti degli esperimenti e li ha modificati, rendendoli più dolorosi. Il suo corpo diventa completamente diverso, tutto bianco e con la forma che ricorda un violino, e la sua mente viene traviata per diventare maligna e godere della distruzione. Appena inizia a suonare, il Violino Bianco uccide il direttore, tagliandolo a metà, e, raggiunta l'Academy, uccide Pogo.

In seguito decide di invitare i suoi fratelli al suo concerto. Tornato all'Icarus Theater, viene raggiunta dai fratelli, ma prima che possa dire niente per stregarla, taglia la gola ad Allison. In seguito Klaus le fa credere di essere posseduta dallo spirito del padre, dicendole quanta disapprovazione provasse per lei in quel momento, e Numero Cinque le spara in testa, ma prima di morire, il Violino Bianco rivela che il mondo finirà comunque. Klaus, dopo che l'orchestra lancia un raggio nello spazio distruggendo la Luna, decide di provare a spostare con i suoi poteri il grosso frammento di terra che sta per cadere sul mondo, riuescendoci.
Sia lui che Allison riescono a sopravvivere, ma Vanya perde la memoria e rimane completamente paralizzata, e Allison perde le corde vocali, ma anche se all'inizio rimane arrabbiata e astiosa, riesce a perdonare il fratello, confortandolo e aiutandolo.

Dallas (fumetto)

Essendo ancora paralizzata la sua famiglia si prende cura di lei finché un giorno Voce le mostra cosa ha fatto. Vanya guarda, orripilata da ciò che ha fatto.
Alla fine di "Dallas", Voce la abbraccia facendo intuire di averla perdonata per ciò che ha fatto.

Serie televisiva

La vita di Vanya nella serie televisiva è praticamente la stessa: è identica fino a quando torna all'Academy per il funerale del padre.
Dopo il funerale, Vanya va via perché Luther pensa possa essere uno di loro ad aver ucciso il padre, così, appena arrivata a casa sua incontra prima Cinque, che le racconta dell'apocalisse, e poi Leonard, uno studente di violino adulto che vuole prendere delle lezioni. I due instaurano presto una forte amicizia, e lei inizia a nutrire dei sentimenti per il suo studente. I due vanno a cena insieme, e Vanya, esercitandosi con lui, riesce a diventare primo violino nella sua orchestra. Allison inizia ad indagare sul passato di Leonard, scoprendo che il suo vero nome è Harold, e ha dei precedenti per aver ucciso suo padre dopo anni di abusi. Scopre anche che pure Harold è nato il 1º ottobre del 1989, ma è un ragazzo normale, senza poteri.

Allison mette in guardia Vanya, che non le crede perché è innamorata di Leonard, e in un impeto di rabbia le taglia la gola con l'archetto del suo violino, anche se la sorella riesce a sopravvivere. Vanya scappa con Leonard, che la aiuta a controllare i suoi poteri, ma quando capisce che Allison aveva ragione, uccide Leonard colpendolo con venti coltelli. Vanya, ormai presa dai suoi poteri, si prepara a suonare con l'orchestra, e quando Luther, Klaus, accompagnato dal fantasma di Ben, Allison, Diego e Cinque giungono all'Icarus Theater, il concerto è già iniziato. Mentre Vanya suona, Klaus uccide delle guardie, mandate dalla Commissione per la ragazza, insieme a Ben, sotto lo stupore di tutti i suoi fratelli. Allison cerca di far ragionare Luther, ma lui vuole uccidere Vanya, così, mentre la sorella sta per finire il concerto, Allison spara vicino al suo orecchio, facendole perdere la concentrazione.

Il potente raggio proveniente da Vanya finisce nello spazio, colpendo e distruggendo la Luna. Un grande pezzo di terra si schianta sul pianeta, e Cinque propone di tornare indietro nel tempo per cercare di essere più buoni con Vanya, così tutti tornano ragazzi e tornano ai tempi dell'Umbrella Academy.

Poteri ed abilità
Per quanto Vanya sembri normale, è in realtà la più potente degli Hargreeves. Incanala i suoi poteri attraverso la musica. È in grado di usare incredibili forze distruttive suonando una nota qualsiasi sul suo violino. Quando usa i suoi poteri, gli occhi le diventano bianchi. È anche in grado di usare i suoi poteri quando è arrabbiata o infastidita, infatti riesce a scaraventare un'auto in aria perché la stava per investire, e taglia la gola a Allison con il suo archetto, anche se involontariamente, perché lei cerca di farle capire che Leonard l'ha sempre ingannata. Successivamente, dopo aver scoperto la verità, uccide Leonard sollevandolo in aria e infilzandolo con venti coltelli.
Queste forze possono essere usate per qualcosa di così piccolo come tagliare le corde vocali di qualcuno o far saltare il cervello di un altro con la forza di un fucile, ma possono anche provocare l'apocalisse, come successo in "Apocalypse Suite", e far crollare un pezzo della Luna, che cade sulla Terra come un meteorite.

Vanya può quindi manipolare il suono a seconda dei suoi desideri, causando di conseguenza anche l'acquisizione della telecinesi e la distruzione del terreno e dei palazzi, nonché la manipolazione del tempo meteorologico, causando la pioggia quando è irritata o triste. Mentre si allenava nella foresta, Vanya è stata anche in grado di ascoltare suoni che di solito sarebbe impossibile udire. Ad esempio, è stata in grado di ascoltare i rintocchi dell'orologio stando all'esterno. Vanya è anche in grado di concentrarsi su un suono specifico e bloccare gli altri, non importa quanto siano forti. Inoltre ha acquisito la capacità di levitare utilizzando la telecinesi.

Relazioni

Fumetto
Nei suoi anni da teenager attraversa una fase di ribellione durante la quale lega moltissimo con Kraken, entrambi fanno parte di una band punk-rock chiamata i "Prime-8's".
Quando Kraken continua come membro dell'Academy e lascia la band a causa di una missione, lei realizza che quello non è il suo posto e va via di casa senza dirlo a nessuno.

Serie televisiva
Vanya ha un rapporto travagliato con la sua famiglia, che l'ha sempre trattata come se non fosse una di loro, lasciandola sempre da sola e criticandola per tutto. Le uniche persone con cui ha un legame, anche se misero, sono Allison e Cinque.  La sorella, infatti, fu sorpresa ma felice di vederla arrivare all'Accademy dopo la morte di Reginald, tant'è che cercò di confortarla dopo i commenti critici di Diego. In seguito, Vanya cercò di confortare sua sorella dopo che ebbe un'accesa telefonata con il suo ex marito, Patrick. Allison, sconfortata, le chiede se abbia mai amato così tanto qualcuno da poterci morire, cosa che lei prova per sua figlia. Nonostante in seguito facciano pace, soprattutto grazie ai numerosi tentativi di Allison, quest'ultima non l'ha mai perdonata per aver scritto il libro, in cui emergono molti segreti privati della vita della sorella.

Con Cinque, Vanya aveva un rapporto di amicizia abbastanza forte, quando erano piccoli, ma dopo la scomparsa del fratello, si è chiusa ancora di più in sé stessa. Ogni sera, per quasi vent'anni, lasciava le luci accese, nella speranza che il fratello ritornasse durante la notte. Vanya aveva anche un bel rapporto con Pogo, quando era piccola. Lui, infatti, insisteva nel dire che l'Academy sarebbe sempre stata casa sua, anche se lei non lo pensava così, e che suo padre le voleva bene, a modo suo. Purtroppo, tutto l'affetto che Vanya provava per Pogo è sparito quando ha scoperto che lui era a conoscenza dei suoi poteri, e che il padre li sopprimeva con i medicinali, così, anche se triste, lo uccide.

Vanya credeva anche che la sua relazione con Leonard fosse sincera e che lui fosse l'unica persona che potesse mai capirla veramente, prendendosi cura di lei nonostante le sue insicurezze. Tuttavia, dopo aver scoperto la sua vera natura, e la sua manipolazione nei suoi confronti per sbloccare i suoi poteri per sé stesso, Vanya si vendica uccidendolo.

Accoglienza
Il personaggio di Vanya è stato accolto positivamente dagli spettatori e dai critici, che hanno apprezzato anche l'interpretazione di Page. Nick Allen, di Roger Erbert, definisce Vanya Hargreeves come la "vera protagonista" di tutta la serie. Page, secondo Samantha Nelson di The Verge, interpreta Vanya come ritirata, praticamente un ritratto nella depressione e nell'isolamento sociale, sebbene la trama sembri probabilmente darle la possibilità di mostrare più spazio con il passare della stagione, e, secondo Emma Grey Ellis di Wired.com, per l'intera stagione è il "brutto anatroccolo super potente della famiglia, risultando immediatamente fastidiosa. Ma ciò basta a farti presagire che, alla fine, anche lei ha dei poteri."

Per la sua interpretazione di Vanya Hargreeves, Elliot Page ha ricevuto numerosi elogi e una candidatura ai Saturn Awards e ai Teen Choice Awards, rispettivamente come Miglior attore non protagonista in una serie in streaming e Miglior attore in una serie fantasy/sci-fi.

Note

Personaggi dei fumetti
Personaggi delle serie televisive
Musicisti immaginari
Mutanti immaginari

redpajama_set_name: RedPajamaWikipedia


Stencils and masks are a great way to add design and effects to your creative projects. They can be used with inks, paintss, pastes and more. We share plenty of ideas on how to use these on our You Yube and other social media channels.


Japanese trading house Mitsui & Co. secures off-take from Carpentaria Resources' Hawsons Iron Project in a 2 stage financing package.
Emerging iron producer Carpentaria Resources (ASX: CAP) has secured a two-stage offtake and financing agreement with Japanese blue-chip trading house Mitsui & Co to drive the development of its flagship Hawsons magnetite project, near Broken Hill in regional New South Wales.
The agreement will allow Mitsui to obtain an option to secure 2 million tonnes per year of 'Supergrade' (70% iron) product from Hawsons by contributing A$5.4 million to the project's bankable feasibility study (BFS), estimated to cost A$27m.
The BFS funding will be non-dilutive to shareholders and equivalent to 20% of the study's funding requirements.
Mitsui will pay A$5.4m to the Hawsons joint venture once the remaining BFS funding is secured by project partners Carpentaria (68.69% interest) and Pure Metals (31.31%).
The offtake stage of the agreement will be secured subject to Mitsui's option exercise with an A$81m funding contribution for construction of the Hawsons mine.
Carpentaria managing director Quentin Hill said the agreement with Mitsui reduces the project's financing risk and provides a vote of confidence that Hawsons will be Broken Hill's next major mine.
"[We have] secured 120% demand for Hawsons' initial planned production of 10mtpa from steelmakers and trading houses across Asia and the Middle East," he said.
Mr Hill expects discussions with other blue-chip offtakers and fund managers will accelerate ahead of securing the remaining BFS funding prior to construction.
Located 60km southwest of Broken Hill, Hawsons has been identified by independent analysts as the world's leading undeveloped, high-quality, iron ore concentrate and pellet feed project.
The proposed mining operation is close to existing power and transport infrastructure and based on the low-cost, long-term supply of a high grade, ultra-low impurity product to the premium iron market.
The deposit's soft rock magnetite necessitates a different approach to typical hard-rock magnetite mining and processing, allowing for what Carpentaria has termed "simple liberation of a product of rare quality, without complex and expensive processing methods".
To date, the Hawsons joint venture has secured offtake intent from Formosa Plastics in Taiwan, Shagang Steel (China), Mitsubishi Corporation RtM (Japan), Bahrain Steel, Emirates Steel and Kuwait Steel (all from the Middle East) and trading house Gunvor Group.
The company said a "lengthening queue of blue-chip companies" had lined up to secure its Supergrade product, which offers the highest iron content available on the seaborne market.
In April, Hawsons was awarded Major Project Status by the Australian government in a move expected to expedite regulatory approvals and increase investor confidence.
Carpentaria Resources shares closed the day's trading 14.67% higher at $0.086.


Time shifted as he crossed the oceans sand, the cold air nipping at his face. For once, he didn't seem to mind. He was in a dream-like state, though sleep was something he could not grasp. The night sky faded into dawn; the sunrise painting day anew. His fingers brushed against his lips, his eyes closed to set himself back to that moment despite the morning light. He was committing this new feeling to memory.


3 Thing Minimum: Uh, I know I've got them in here somewhere.
'Cause blood in my mouth beats blood on the ground"
Faith sat quietly, supposedly engrossed in "Metal Gear Solid" on her PSP, but in reality she'd lost any interest she'd had in the game. Snake was still crouched hidden in the shadows behind some boxes where he'd been for the last few minutes, and as the guards drew closer and closer to him, Faith was thinking only of where she was headed and about the woman who would be waiting there for her when she arrived.
It wouldn't go well, she knew that, not even with Giles running interference for her. It didn't take a lot to make that prediction, it never went well when they were together. It hadn't been that long ago they'd almost killed each other, and nothing had changed since then. They hadn't been in contact, they hadn't talked it over, it had all just sat there festering like it always did. Every goddamn time.
She pulled her thoughts back to the man sitting across from her, the only other passenger on the Council's private jet.
She glanced down and heard the commotion, complete with alarms and gunshots.
She shut off the system and stuffed it into her bag, leaning back and closing her eyes, the very picture of relaxation.
Giles wasn't fooled, not in the slightest. He'd come to know her fairly well since they'd been working together, and he knew that she had feelings for Buffy that certainly needed resolving. He also knew the same could be said for his Slayer.
And Buffy was his Slayer despite the enormous rift that had torn open between them. He hated the look of hurt and distrust that was always present in her eyes whenever she had any dealings with him, but he understood it. Still, he had believed that Spike's elimination had been a necessary evil, and he'd been determined to keep Buffy from having to do something that went very much against her nature.
The closest she had ever come to crossing that line on his watch had been when she had stabbed the young woman sitting nervously across from him, but even then Buffy had been unable to make herself take that final step. She had been unable to deliver the fatal blow, yet still she blamed herself as if she had. But Giles knew better…and so did Faith.
Because even though the fight had ended with a knife being slammed into Faith's body, that wasn't what caused the most damage, not even close. The doctors confirmed that the stab wound had missed everything vital, and while they'd marveled at that bit of luck, Rupert Giles had not. He knew it had nothing to do with luck and everything to do with who Buffy was, and he wasn't the slightest bit surprised when Faith's Slayer healing took care of that injury in a matter of days.
No, it was Faith herself who had done the most damage, and she'd done it deliberately and with as much malice, hurt, and anger as she could muster. Not that it really mattered who was at fault. Buffy had shouldered the blame all too willingly, and nothing had ever been the same again, not for any of them. The world became an even more dangerous place, the stakes grew ever higher, and his Slayer began struggling from that moment on.
He smiled trying to reassure her, but he knew she wasn't fooled. She leaned forward in her seat, her hand on his knee, her normally masked expression etched with concern and understanding. He knew she knew he was nervous to return as well, and somehow that made everything just a little bit better.
Her eyes were closed again, but her body language showed she was nowhere near peaceful.
"Great, be glad to get out of this rust bucket. Never was big on flyin', ya know?
She pulled out some papers and scanned them with a practiced eye.
They moved to comply, Faith swearing as her seatbelt balked when she yanked on it a bit too hard.
She followed Giles off the plane, blowing another kiss and licking her lips sensually as she passed by the young pilot. He blushed again and Faith laughed, ignoring the last three steps to leap to the tarmac.
He rolled his eyes in disgust, but when her back was turned he allowed himself an amused smile. She really was amazingly funny, and he very much enjoyed her lively, often bawdy sense of humor.
She tended way too often to lapse into a brooding silence, and although she never let it affect her performance on the job, he hated to see her suffering as she so obviously did. She was a complex individual, one he had become quite fond of in their time together, and he couldn't have been prouder of her progress.
He hated bringing her back into contact with Buffy after their last confrontation. The two Slayers had not spoken to each other since that awful meeting some time ago, Giles himself had only spoken briefly to Buffy twice, and he knew that Faith was not at all looking forward to seeing her again. Unfortunately they all had no other recourse.
As was so often the case, individual conflicts had to be set aside no matter how difficult that might be to manage. They desperately needed anyone they could get onboard, the situation was way too serious to allow personal issues to stand in the way. Besides, Faith wasn't just "anyone".
She was a seasoned fighter, brave, smart, and incredibly skilled in combat. She was the best they had when it came to long range weapons, and she was the second best Slayer in the world when it came to everything else. There was no way to leave her out of the upcoming battle: she was needed.
Buffy herself had called and requested her, so Giles knew matters must be extremely dire. He'd been asked to vouch for Faith's sanity and when he had done so, Buffy had merely told him they needed to get to the castle as soon as possible. There was nothing else offered and he didn't kid himself, he knew her feelings about both of them had not changed.
Faith pointed out the blue car happily, but then her footsteps slowed until she was actually walking behind Giles. He hoped that Xander would be happy to see them, especially Faith. He knew how much she liked him, and he also knew that it would do nothing but help immeasurably if she still had a friend somewhere in the mix.
Giles couldn't help but smile back, and he hadn't missed the heavy emphasis on the word "home".
Faith had no choice now so she stepped out from behind Giles, her face defiant as she tried to keep her fear from showing.
When she was back safely on the ground, he grabbed her bags as a gentleman should and staggered over to the trunk. He refused her attempt to take the heavy one off his hands.
He nearly flipped over backwards as he wrapped the heavy bag in a bear hug and tried to quickly toss it into the trunk. Faith reached out and steadied him, then took the bag from him and sat it behind the other bags.
He started the engine as Faith took the backseat and Giles slid into the passenger seat.
The car swerved, then came to an abrupt stop as he looked at her.
He pulled out of the small jetport and Faith leaned back in her seat, her dimples deep grooves on either side of her mouth.
The reunion went better than any of them had a right to expect. Faith stayed quiet and Buffy didn't speak to her, not directly anyway. It had been decided weeks ago that in order to have the best chance of getting the Slayer Scythe back safely, they were going to have to play a waiting game while Willow figured out exactly where the vampires were and what specific magicks they were using.
It hadn't been easy breaking through all of the spells hiding their location, but Willow also had the Coven on the job and there were no spells on Earth that could hold out against that kind of firepower forever, or as it was shaping up, even one month.
Buffy nodded, throwing Willow a quick glance, and Faith wondered what had been going on with them. Even though things seemed fine, it was like they were being careful around each other, which was weirder than weird.
They scrambled out, leaving only the Scoobies and some pretty Asian Slayer that Faith didn't recognize. Not that that was strange, she didn't really know many of the Slayers.
Buffy smiled, and Willow tentatively returned it.
He smiled and she looked away before she was forced to return it, but at least she hadn't ignored or attacked him.
Buffy's shoulders tensed as she turned to look at the other Slayer, and Faith wondered if Buffy had a problem with everybody these days.
The tone instantly set Buffy's hackles on edge.
Faith wondered if she was imagining things, but she was sure she was reading a look of disappointment on Satsu's face. Faith guessed maybe she'd wanted Buffy's undivided attention, and was upset that she was now only going to be able to give the info and go.
Faith envied her when all was said and done. She would have offered to trade places with her if she'd thought that had even a shot at working, but she knew better. Instead she walked over to the window and stared off into the night, not even remotely paying attention to the conversation taking place behind her. It didn't concern her, so no way was she going to waste her time listening in.
Satsu's smile was almost blinding and Faith knew right then that the poor little Slayer girl had the hots for Buffy. She filed the info away, it would definitely come in handy if she needed to back Buffy off somewhere down the line.
Satsu left, closing the door behind her, and Buffy continued staring down at some papers in front of her.
Buffy looked at her then, her hand twitching as if she wanted to reach out, but then she changed her mind and pulled both of her hands back into her lap.
Buffy said nothing and Faith headed for the door. She never got it open all the way before Buffy slammed it shut.
Faith walked out into the hall, feeling better than she had in a long time.
Maybe they could be friends again, for once. Maybe all of the tension and misunderstanding from before was just something that happened for whatever reason and now that'd they talked about it, maybe it wouldn't keep happening all the time. That sort of made some sense and Faith was going to go with it.
When she reached her room, one glimpse of the inviting bed let her know she was nowhere near getting some sleep. She knew she couldn't patrol; first she'd have to slip past the ten thousand guards and then when Buffy got the news, she'd beat the hell out of her while Giles helped. Faith could be stupid, but she wasn't dumb, and she didn't want to do anything to ruin the tenuous new peace accord she had going with Buffy.
All that left for her was working out, so she quickly changed clothes and headed off in what she thought was the general direction of the nearest training room. She was glad it was late and that this section of the castle was on guard duty. It meant she'd have the place all to herself.
She made a few wrong turns, but then she found it, and much to her displeasure she also found Satsu pummeling the hell out of the bag. Faith watched her for a couple of minutes from the doorway and had to admit she was impressed. The young Slayer's form and speed were top notch, and she packed a lot of power in every punch. She also kept her concentration, completely ignoring Faith as she continued on with her workout.
Satsu began toying nervously with the magically enhanced chain that held the bag firmly to the ceiling. She started to speak twice, then changed her mind and remained silent. Faith didn't look at her, but she could feel her eyes boring a hole through her.
Faith decided she wasn't going to wrap her hands; she just needed to get some emotion out, just like always whenever she was around Buffy. She started to ask Satsu if she was done with the bag, but when she saw the intense expression on the other girl's face, she hesitated.
Alarm bells, incredulous alarm bells began ringing, and Faith decided she must be going nuts again.
Satsu turned red, then white, her eyes reflecting her fear as she realized her mistake.
Satsu edged away, unwrapping the tape from her hands as she walked over to her gear.
Her progress was stopped again, but this time the hand gripping her arm felt like a vise.
Satsu tried to pull loose and did, but it was a great deal harder to manage the second time around.
Satsu was the best Slayer Buffy had, she had no doubt whatsoever about her own abilities, but there was something about Faith's eyes that had her fighting to keep her nerves under control.
The bag exploded, its guts spilling out and onto the floor as Faith struck it dead center with a powerful left hook. All too quickly, her attention was back on the Slayer in front of her.
Satsu's punch knocked Faith backwards over the balance beam.
Faith flipped to her feet, an unpleasant smirk on her face.
Satsu swung again, but this time Faith was waiting. She used Satsu's momentum against her, tossing her hard into the vaulting horse. There was no time to untangle herself before Faith picked her up and threw her across the room where she smashed with bone breaking force into the wall.
Satsu was lifted off the ground by the most powerful blow she'd ever felt. She never even saw it, but it sent her flying right past everything. She crashed into the door leading to the hallway, hitting it hard enough to almost tear it completely off its hinges.
It barely even slowed her down, and she only stopped moving when she crossed the hall and slammed into the wall on the far side. She was completely out of it, even though she was conscious. She sat there confused as to how she'd gotten where she was, and she had no awareness of the danger she was in…at least not until she looked up to see Faith coming her way with a terrifying smile on her face.
That cleared things up rather quickly. As she was yanked roughly to her feet, she dug deep and swung out with everything she had. The punch to Faith's cheek knocked her off and back for a second, but it didn't really slow her down. She merely grunted with the pain and kept moving forward.
Satsu's next few blows hit hard, especially the one that hit right where the painful kick had landed moments before. Several other shots connected solidly, but Faith didn't seem to notice or care. She just kept coming.
She grabbed Satsu and drove a punch into her solar plexus. The air shot out of her, and Faith quickly followed with blow after blow. Satsu started to fall, but Faith kept her standing, her hands grasping the neck of her shirt, pulling their faces as close as possible while still allowing them to focus.
The now black eyes burning into hers were among the scariest sights Satsu had ever seen. It felt like she was looking into the eyes of death, and although she refused to show it, she was afraid in a way she'd never been before.
But Satsu wasn't a coward, she had never been one and she never would be, and she made herself hold that gaze for all she was worth. She could barely even stand on her own and she felt like she was going to pass out, but she would not cower before anyone.
Faith stood there staring, wanting with everything in her to release the rage she could feel coursing through every part of her being. It was a familiar feeling, a feeling she hadn't felt in a long, long time, but it was one she recognized instantly.
She wanted to hurt everything in her path. She wanted to destroy everything she could get her hands on, starting with this woman she held in her hands...this fellow Slayer…this brave young girl whose only crime was that she had somehow managed to get where Faith would have gladly given her own life to go.
Satsu saw it the second it happened. The hands remained just as hard and unyielding, but somehow the eyes grew lighter. Everything seemed just the same, but it wasn't…it was all different somehow.
All she could see now was an ocean of pain in the warm, rich brown eyes, and she found herself having to look away. It was too intimate, too personal to witness, especially this close up.
The word said so softly and with such sorrow and shame.
The hands shook now as they held onto her, almost as if they were holding on tight so that Faith herself wouldn't collapse to the floor. Her eyes closed and when they opened again, they were focused on Satsu.
Faith cleared her throat to speak, to try and offer an apology that would matter, but before she could, she was gone. She was hoisted into the air and flung backwards, crashing hard into the training room door, tearing it completely from its hinges.
She slid along on top of it and when it finally came to a stop, Faith sat up. She remained down until two strong hands pulled her to her feet, spun her around, and punched her back out into the hallway. She landed painfully at Satsu's feet.
Faith seemed so hard and removed, Satsu couldn't believe what she was looking at.
There was nothing on display that even remotely resembled what she'd just seen in Faith's eyes. There was no pain, no sorrow, no remorse, no fear. All that was on display for Buffy to see was a cutting and dismissive arrogance, a cocky shield that had every real emotion hidden so far out of sight, Satsu began to question her own sanity.
The silence filled the hallway as Faith turned and walked away, taking the last word with her.


text:
Artemis astronaut feature: Jessica Watkins
Last year, NASA named the first Artemis astronauts. The mission to return to the Moon begins with the first Artemis flight scheduled to launch later this year. We are featuring each of the Artemis astronauts to help you get to know these pioneering explorers. This week meet Jessica Watkins.
Selected as a NASA astronaut in 2017, Watkins has completed her Astronaut Candidate training and is currently awaiting a flight assignment. Learn more about Watkins with these three fast facts:
1. She is a former NASA intern who supported the Phoenix Mars Lander mission.
Watkins is no stranger to NASA. In fact, she has interned at NASA's Ames Research Center and Jet Propulsion Laboratory (JPL).
As an undergraduate intern at NASA's Ames Research Center, she conducted research on Mars soil simulant in support of the Phoenix Mars Lander mission.
Then, as a graduate, she interned at JPL, assisting in the analysis of near-earth asteroids, and in support of the Curiosity mission, as well as aiding in system design testing for the current Mars 2020 mission.
2. Watkins is a geologist who has participated in multiple NASA analog missions.
Watkins is a geologist, having earned a Bachelor of Science in Geological and Environmental Sciences from Stanford University, and her Doctorate in Geology from the University of California, Los Angeles (UCLA).
In 2009, our featured Artemis astronaut was the chief geologist for a NASA analog mission, or field test, at the Mars Desert Research Station. Two years later, Watkins served as a science operations team member during a NASA Desert Research and Technology Studies analog mission.
She has also spent time in the Aquarius underwater habitat as an aquanaut when she participated in the NASA Extreme Environment Mission Operations (NEEMO) 23 mission in 2019!
A post shared by Jessica Watkins (@astro_watkins)
3. She played for the U.S. Women's Eagles National Sevens Rugby team.
Watkins enjoys sports, including basketball, soccer, skiing, and rugby.
Her Caltech bio lists that Watkins was a member of her previous college's club soccer and basketball teams, and played on Stanford's Women's Rugby team, which claimed the Division I National Championship title in 2008.
In 2008 and 2010, she was named First Team Collegiate Rugby All-America. She was also a member of the U.S. Women's Eagles National Sevens Rugby team, where she represented the U.S. in many international tournaments, including the inaugural 2009 Women's Sevens Rugby World Cup in Dubai, in which the team placed third.
She also had the unique opportunity to train alongside the Eagles in 2014 as a resident at the U.S. Olympic Training Center in California while the team prepared for rugby's debut in the 2016 Summer Olympic Games.
Watkins doesn't just take an interest in playing sports, she also enjoys coaching, and served as a volunteer assistant coach for the Caltech Women's Basketball team.
Continue to celebrate Black History Month by taking our Black History Month trivia quizzes or read about 3 African American space pioneers who significantly contributed to America's space program!

redpajama_set_name: RedPajamaCommonCrawl


There's more talent in Idina Menzel's family than we first knew! The Wicked Tony winner teamed up with her sister, Cara, to show fans just how much vocal power the fam has on offer. The sisters recently took to the recording studio for a People feature to sing from Peter Pan, the musical that, says Idina, "changed our lives." Their performance of the gentle, moving tune "Never Never Land" offers an inside look at Voice Lessons, Cara's new memoir following her sisterhood with Idina. Watch the power-voiced duo below and be sure to pick up your copy of Voice Lessons, released today!


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They are all set for transfer, if you want and want to grab it, just click save symbol in the page, and it'll be directly downloaded to your home computer. For most up-dates and recent news about 39 Inspirational Wood Shelf Brackets Hobby Lobby pics, please share to google plus or follow us on tweets, Instagram and path, or you mark this page on book mark area, We attempt to give you up grade regularly with all new and fresh pics, like your exploring, and find the right for you.


text:
Q: What symbol is this? $\mathscr{S}$ What symbol is this? $\mathscr{S}$ \mathscr{S}
I drew it on Detexify to find how to write in mathjax, but it doesn't tell  me what it is...
Context:

"...call the resulting polyhedron $\mathscr{S}.$"

I knew that it probably didn't have any specific mathematical meaning, but I was just wondering where it was from, like $\theta$ is from the Greek Alphabet.

A: It's just an upper-case S in a "script" typeface.
This doesn't have any fixed meaning any more than $S$ does, but can mean whatever a writer decides to call by a capital script S. This meaning ought to be defined in whatever context you find it used.
If you give more of the context you have found the letter in, we might be able to make a more informed guess at what it means there.
If you needed to go to Detexify, it's also possible what what you're really looking at is $\varphi$ (\varphi), a lower-case Greek letter phi. This has a number of conventional meanings, but is also often used as "just a letter" that an author picks at random to represent something specific to the context.

A: That is a variation of the big 'S'. The symbol $\mathscr{S}$ is useful in math writings. For example, if $S$ is a nonempty set, then the symbol $\mathscr{S}$ is a convenient choice to denote a sigma-algebra over $S$. It is in this case also informative.

A: It is just simply an alphabet used to denote any value,set,vector or anything else. It is made in different font and nothing special in it.

redpajama_set_name: RedPajamaStackExchange


Renntech has released new information about their Performance Package 1 for the Mercedes SL65 AMG Black Series.
Under the hood, the company installs a revised ECU, a 'Dual Intercooler Pump Upgrade' and a sport exhaust system. These modifications enable the bi-turbo 6.0-liter V12 to produce 600 kW (805 bhp / 816 PS) and 1,356 Nm (1,000 lb-ft) of torque, instead of the standard 493 kW (661 bhp / 670 PS) and 1,000 Nm (738 lb-ft) of torque.
To keep everything under control, Renntech offers a Transmission Upgrade and a 100% Locking Rear Differential. The latter is based on OS Giken's Super-Lock Limited Slip Differential (LSD) and "functions as a traditional open differential in low and normal-load situations, transforming smoothly and gradually up to 100% full lock as loads rise."
Priced from $16,390 (€12,650), the Performance Package 1 was installed into the pearl white SL65 AMG Black Series provided by Renntech's fellow Floridian neighbor and exotic, sports, and luxury car dealer Domani Motors.


text:
Q: How to refresh vscode.TreeDataProvider based TreeView? the TreeView is initially populated and the TreeView instantiated. the 'refresh' button invokes the custom refresh function to gather updated data. This new information is stored in context.globalState()
The ctmInfrastructureProvider.refresh(); does not update the TreeView. I've added the event listener as well.
export class CtmInfrastructureProvider implements vscode.TreeDataProvider<number> {

    private _onDidChangeTreeData: vscode.EventEmitter<number | null> = new vscode.EventEmitter<number | null>();
    readonly onDidChangeTreeData: vscode.Event<number | null> = this._onDidChangeTreeData.event;
.
.
.
    constructor(private context: vscode.ExtensionContext) {
        let ctmInfrastructureCacheTmp: any = context.globalState.get('ctmInfrastructureCache');
        this.refresh();
    }
.
.
.
}

Here are my refresh functions:
let ctmInfrastructureRefreshEntry = vscode.commands.registerCommand(
        'ctm.infrastructure.refreshEntry',
        async () => {
ctmInfrastructureDicsovery = discoverCtmInfrastructure();                     context.globalState.update('ctmInfrastructureCache',JSON.parse(ctmInfrastructureDicsovery));
ctmInfrastructureProvider.refresh();
        }
    );
    context.subscriptions.push(ctmInfrastructureRefreshEntry);

The TreeDataProvider refresh()
    refresh(offset?: number): void {
            this.parseTree();
    }

    private parseTree(): void {
        this.text = this.ctmInfrastructureCache;
        this.tree = json.parseTree(this.ctmInfrastructureCache);
    }

What am I missing?

A: You have to trigger the change event yet:
    refresh(offset?: number): void {
            this.parseTree();
        this._onDidChangeTreeData.fire();
    }

Update
Actually, I use a slightly different approach than that from the tree demo:
import { TreeDataProvider, TreeItem, EventEmitter, TextDocument, ProviderResult, Event } from "vscode";
import { AntlrFacade } from "../backend/facade";

export class AntlrTreeDataProvider<T> implements TreeDataProvider<T> {
    protected currentFile: string | undefined;

    private changeEvent = new EventEmitter<void>();

    public constructor(protected backend: AntlrFacade) { }

    public get onDidChangeTreeData(): Event<void> {
        return this.changeEvent.event;
    }

    public refresh(document: TextDocument | undefined): void {
        if (document && document.languageId === "antlr" && document.uri.scheme === "file") {
            this.currentFile = document.fileName;
        } else {
            this.currentFile = undefined;
        }
        this.changeEvent.fire();
    }

    public getTreeItem(element: T): TreeItem {
        return element;
    }

    public getChildren(_element?: T): ProviderResult<T[]> {
        return undefined;
    }
}

Taken from my VS Code extension: https://github.com/mike-lischke/vscode-antlr4/blob/master/src/frontend/AntlrTreeDataProvider.ts. As you can see I use EventEmitter instead, which does not require a parameter for the fire() event.

A: The refresh is working if the new data is being provided by the function.
Example:
    refresh(offset?: number, context?: vscode.ExtensionContext): void {
        this.ctmInfrastructureCache = "some data";
        this.parseTree();
        if (offset) {
            this._onDidChangeTreeData.fire(offset);
        } else {
            this._onDidChangeTreeData.fire(undefined);
        }

    }


text:
To Rio in a mobile hostel
Jim DickinsNews Corp Australia
WA NewsTravel
TOURING a country bigger than Australia in a converted truck was always going to be an adventure.
My Brazilian odyssey began on the border with Argentina, at the spectacular Iguazu Falls, where the waters of the Iguazu River pour out of the rainforest down a string of cataracts nearly 3km wide.
The World Heritage site, made famous outside South America by the 1986 film The Mission, was quite an introduction to the continent.
Many of my travelling companions, however, had been on the road much longer, some joining the Kumuka Worldwide overland tour weeks earlier, as far away as Bolivia.
Our tantalising destination was Rio de Janeiro, where we would arrive in time for the city's famous Carnival.
Overland tours began in the 1970s as semi-professional, loosely organised bus journeys. They were pioneered by the likes of Australia's Graham Turner, who went on to found the billion-dollar travel agency Flight Centre.
From chaotic origins in Europe and Asia, they colonised Africa, the Middle East and Latin America, and are now a familiar sight on some of the world's more obscure backroads and byways.
Along the way, a whole overland industry evolved, ditching the teetering double-deck buses used earlier in favour of sturdy trucks, converted to provide seating and storage.
Our 12-tonne leviathan began life in the German army, its origins visible in an old gun turret welded shut on the remodelled cabin roof.
Upstairs, seating for two dozen passengers was arranged in two aisles, with a choice of lounge-style chair and table combinations, or forward-facing seat pairs.
The top deck also featured a safe for valuables, esky for food and drinks, sleeping bunk for the co-driver, a sound system and a small collection of books. Air-conditioning was provided by rows of sliding windows.
Below, storage for luggage and the tour's extensive collection of camping and cooking equipment materialised in a series of lockable steel compartments.
It may have become more organised – our tour leader handled logistics like a minor military operation – but overland ethos has remained largely intact.
Tours are something like a youth hostel on wheels – everyone pitches in to clean the truck and take turns cooking and washing up.
That might not be to everyone's taste, but the camaraderie of the experience and the chance to see parts of the world inaccessible to lone travellers prove attractive to a surprisingly diverse range of passengers. Those on our tour ranged from a teenager to a man in his 70s, with an average age of around 30.
Accommodation ranged from small hotels to grassy roadside campsites and rows of hammocks in a jungle shack.
Despite its wilderness location, Iguazu is a major tourist destination, catering to hundreds of thousands of visitors every year.
It is possible to view the falls from all different angles on both sides of the border – even by helicopter.
Jetboat rides under cascading water near a section called Garganta del Diablo – or Devil's Throat – are especially popular with tourists.
Soon, we were on the road, travelling west through the broad plains of southern Brazil to the ecotourism hub of Bonito, where mineral-laden springs pump crystal-clear streams through lush rainforests and cave systems.
Drifting lazily on the current with snorkel and mask for an hour or two is a luxurious way to see the region's distinctive aquatic life.
Moving further into Brazil's vast tropical interior, the landscape gradually empties.
Brazil's wide landscapes, peopled mainly by cattle farmers and dotted with occasional roadside diners, bring Australia's Outback to mind, despite the obvious difference regarding rainfall.
A toucan taking flight across wetlands stretching to an unbroken horizon is a road trip view to treasure.
As bitumen gave way to dirt, we swapped our truck for smaller, ageing four-wheel-drives and headed deeper into the wilderness region of the Pantanal, where cayman bask in the sun and piranha feed in the shallow rivers.
The region is more hospitable than it sounds; mosquitoes and hot nights pose the main threat. Insect repellent, hammocks and mesh huts, open to the breeze were a suitable antidote.
The cayman we saw were docile enough to approach and even touch, gingerly, under the watchful eye of our guides.
Piranha, meanwhile, showed more interest in our baited fishing hooks than our bare legs and feet as we waded waste-deep to catch them.
And they proved a tasty appetiser when fried later in the camp kitchen.
The Pantanal region is regarded as one of the best places to see Brazil's abundant wildlife outside the Amazon.
After days in the bush, it was on the road again for a long drive east – back towards the Atlantic, to the idyllic former gold mining port of Parati, where cobblestone streets and whitewashed villas of colonial Brazil cluster around a small harbour.
Parati is the jumping off point for a cruising industry that plies the area's tranquil bays, islands and inlets – perfect for a cooling dip in the emerald waters.
It was also the unlikely venue for South America's truck Olympics.
As we neared Rio, our tour intersected with a growing band of fellow overlanders, including another Kumuka truck and others from rival firms.
In February of each year, most of South America's overland industry is converging on Rio for Carnival.
Tour leaders, crew, and passengers, all mostly from Australia, New Zealand and Britain, take the chance to gather in Parati and compete in a series of novelty events, including the truck push and tyre races.
It is a time to catch up and down a few caipirinhas (Brazil's national cocktail made with rum, lime juice and sugar) ahead of the main event in Rio, now a relatively short, half-day drive up the coast.
While most overlanders go on to stay a few days at least in Rio, Parati also marked the end point of our trucking life.
From now on, it would be hotels and plane rides home.
The writer was a guest of Kumuka Worldwide.


text:
Manhunt after Swadlincote dad alleges BLEACH thrown in his face by teen muggers
Victim says the ordeal has left him concerned about going out alone
Paige OldfieldSenior Reporter
The incident is believed to have happened on Frank Bodicote Way (Image: Google)
A father-of-two has told how he had a liquid, believed to be bleach, thrown in his face by a teenage thug during a mugging near Swadlincote town centre.
Morrisons store assistant Craig Smith says the terrifying attack, which happened at 9.30pm on Monday, July 9, caused a "burning" sensation to his body and has left him reluctant to venture outdoors.
He believes the liquid was bleach because of the smell when it splashed over his face and shirt.
The 30-year-old said he was walking down Frank Bodicote Way when he was approached by two boys on mountain bikes.
Craig was approached by two youths on bikes (Image: Getty)
He said he thought the pair were trying to get past him as they were walking in single file - but one of the boys, thought to be aged around 16, suddenly snatched his phone out of his hand.
Before Craig could react, the other boy, also believed to be around 16, threw some sort of liquid in his face.
Craig, who works as a store assistant for Morrisons, said: "At first I took a few steps to chase after them but they were too fast.
"I turned back around to go back to work but, as I got to the end of Morrisons petrol station, I realised I was burning."
Craig said that, as soon as he got to work at Morrisons, he immediately jumped in the shower to try and relieve the burning sensation.
He said: "I have a nasty mark on the side of my face. Under my hair line has a bleach smell to it and my shirt now has discolouration to it.
"I would have rather it had been a smack, that way I could have defended myself. I would rather have that any day. Even if I put my hands up I would have still got burnt.
"It is nasty but I think I'm quite lucky in a way. You hear it on the news where people have to have a massive amount of surgery."
Craig was taken to hospital that evening as a precaution but no treatment was required.
He said: "I'm staying in now, if I have to go out, if there's a way to avoid it I'm trying that. Other than that, if I have to go out, I take next door's dog on a walk, even though he's a big softie he looks a lot more menacing than he is.
"It's still early days I think. For me, the six-week holidays when all the kids will be off are going to be difficult.
Police investigate after racist comment shouted in phone shop
"I had a quick walk into Swad and I was cautious. I was certainly checking areas I wouldn't normally check, like alleyways and bushes; I'm just a bit more cautious."
Derbyshire Constabulary is now appealing for any witnesses or anyone with information about who was responsible to come forward and speak to officers.
DC Sean Pett said: "It is, of course, a relief that the liquid used wasn't dangerous enough to cause a serious injury.
"However, this type of incident is preying on people's fear of that type of crime. It must have been a terrifying experience for the victim – and all, it appears, for a mobile phone.
"We want to hear from anyone who either saw the incident or saw two teenage boys that meet our descriptions in the area that night.
"Also, if you have picked up any information about who might be responsible from talking to people in the local area, please come forward and let us know."
Anyone who information can contact police by calling 101.


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Eldrick Tont Woods is professional known as Tiger Woods, he is an American businessman, professional golfer; he is considered as one of the most successful golfer players of all time and according to different sources his total net worth is $740 million.
the American golfer Tiger was born on December 30, 1975 in Cypress, California; he was only one son of his first parents, he was very talented since in his early days when he was a small child as told by her mother.
Tiger name was given to him in honor of Col. Vuong Dang Phong who was known as Tiger and he was the close friend of his father.
He started his career at the age of 20, he was a good payer in his college as well as he earned his name from University team, later his professional career started in 1996 at the end of summer.
Although he got the media attention when he was only 2 years old as a golfer when he swing in a show 'The Mike Douglas Show' and now he is known as most famous player in world.
According to reports, a number of sponsors are the cause of his most earnings, he earned about $45 million in 12 months till the end of June in 2016.
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In Cabo San Lucas and Houston he remains busy in golf courses, according to an estimate his total net worth is $740 million and he is known as highest paid player.
He has won many tours and that are 79 PGA Tour, 40 European Tour, 2 Japan Golf Tour, 1 Asian Tour, 1 PGA Tour of Australasia, 16 Other professional tours, 21 Amateur tours and he has won 14 major championships in his whole career.
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Admissions are granted from Nursery to Class I only in the beginning of every academic session.
1.Minimum age of a child must be 3-1/2 years for Nursery and 4-1/2 years for Prep as on 31st March of the year of admission.
2.For admission to Nursery, Prep and Class I original birth certificate issued by Municipality is to be submitted.
Admissions are granted from Std. II to V only in the beginning of every academic session on the basis of written test and interview conducted by the school. The admission shall depend on the availability of seats.
1.For the students from school not affiliated to CBSE/ICSE/JAC Board, Original date of birth certificate issued by Municipality.
One recent passport size photograph is required for the Registration form. At the time of admission to Nursery, Prep and Std.- I, original Birth Certificate issued by the competent authority (Transfer Certificate for Std.-I) is required. For Std.-II onwards, no student will be admitted without submitting the school-leaving certificate of the school last attended.
For admission in Std. XI, Registration forms are issued to the students from the month of April every year. Admission taken on the basis of written test and interview conducted by school.
2.From Std. VI-XII – Terrycot peacock blue salwar, white kurta, white and blue check jacket.
1.Navy blue sweater with V neck from Nursery to Std. VII.
2.Navy blue sweater with V neck/blazer form Std. VII to X.
3.Blazer Navy blue colour Std. XI and XII.
4.Full pant and full shirt for Boys.
Admission in Entry level (Nursery Class) under B.P.L. category will be taken as per Govt. Rule.
1. Seats available for the session 2017-18 under B.P.L. category was 10.
2. Seats available for the session 2018-19 under B.P.L. category is 10.
Transfer Certificate shall be issued to a student on written request form the Parent/Guardian subject to clearance of all dues. One month's notice must be given to obtain a T.C. or Fees paid in lieu there of.
2. Late payment or non- payment of fees.
3. Pupils whose conduct is injurious to the moral tune of the Vivekananda Vidya Mandir or incompatible to discipline.