text:
<?php
namespace Chamilo\Core\Repository\ContentObject\Portfolio\Display;

use Chamilo\Libraries\Architecture\Exceptions\UserException;
use Chamilo\Libraries\Platform\Session\Request;
use Chamilo\Libraries\Platform\Translation;

/**
 * Portfolio display manager which serves as a base for all matters related to the displaying of portfolios
 *
 * @package repository\content_object\portfolio\display
 * @author Hans De Bisschop <hans.de.bisschop@ehb.be>
 */
abstract class Manager extends \Chamilo\Core\Repository\Display\Manager
{
    // Actions
    const ACTION_FEEDBACK = 'Feedback';
    const ACTION_BOOKMARK = 'Bookmarker';
    const ACTION_ACTIVITY = 'Activity';
    const ACTION_RIGHTS = 'Rights';
    const ACTION_MOVE = 'Mover';
    const ACTION_SORT = 'Sorter';
    const ACTION_MANAGE = 'Manager';
    const ACTION_USER = 'User';

    // Parameters
    const PARAM_STEP = 'step';
    const PARAM_PORTFOLIO_ITEM_ID = 'portfolio_item_id';
    const PARAM_VIRTUAL_USER_ID = 'virtual_user_id';
    const PARAM_SORT = 'sort';

    // Sorting
    const SORT_UP = 'Up';
    const SORT_DOWN = 'Down';

    // Default action
    const DEFAULT_ACTION = self::ACTION_VIEW_COMPLEX_CONTENT_OBJECT;

    /**
     *
     * @var int
     */
    private $current_step;

    /**
     * Get the id of the currently requested step
     *
     * @return int
     */
    public function get_current_step()
    {
        if (! isset($this->current_step))
        {
            $this->current_step = Request::get(self::PARAM_STEP) ? Request::get(self::PARAM_STEP) : 1;
            if (is_array($this->current_step))
            {
                $this->current_step = $this->current_step[0];
            }
        }

        return $this->current_step;
    }

    /**
     * Get the content object linked to the current step
     *
     * @return \core\repository\ContentObject
     */
    public function get_current_content_object()
    {
        return $this->get_current_node()->get_content_object();
    }

    /**
     * Get the complex content object item linked to the current step
     *
     * @return \core\repository\storage\data_class\ComplexContentObjectItem
     */
    public function get_current_complex_content_object_item()
    {
        return $this->get_current_node()->get_complex_content_object_item();
    }

    /**
     * Get the node linked to the current step
     *
     * @return \core\repository\common\path\ComplexContentObjectPathNode
     */
    public function get_current_node()
    {
        try
        {
            return $this->get_parent()->get_root_content_object()->get_complex_content_object_path()->get_node(
                $this->get_current_step()
            );
        }
        catch(\Exception $ex)
        {
            throw new UserException(
                Translation::getInstance()->getTranslation(
                    'CouldNotRetrieveSelectedNode', null, 'Chamilo\Core\Repository'
                )
            );
        }
    }
}

redpajama_set_name: RedPajamaGithub


The cleaners at PristineGreenCleaning.com did a great job cleaning my couch. I had spilled some juice on it and I just wanted one cushion, not the whole sofa. They gave me a reasonable quote and did it in about 30 minutes. Thank you!
Questions? Get answers from the Pristinegreencleaning staff and other customers.


The Dragonfly of Chicoutimi is one of those beautiful PuSh offerings with a ridiculously short run. It closes January 25 so book now.
Dragonfly is about Gaston Talbot who has been unable to talk since he experienced a trauma at 16. Decades later, he can finally speak—but only in English, a language he's never learned.
Larry Tremblay wrote this play as a monologue but, in this production, director Claude Poissant reimagines the text as a choral piece for five men.
This mounting is aurally and visually superb. It's informed by Eros and it's very smart.
Colin Thomas is a Vancouver-based editor, an award-winning playwright, and an established theatre critic. Colin helps writers unlock the full potential of their novels, short stories, screenplays, and children's books.
YEAH, THIS IS ANNOYING. But my theatre newsletter is fun!
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text:
Journal of Applied Meteorology and Climatology (10)
https://journals.ametsoc.org/search?access=all&f_0=author&pageSize=10&q_0=Robert+D.+Elliott&sort=relevance&t=apme
Author or Editor: Robert D. Elliott x
Journal of Applied Meteorology and Climatology x
Effects of Seeding on the Energy of Systems
Robert D. Elliott
Maps of hourly precipitation have been prepared for storms during the 1957–1960 Santa Barbara randomized seeding program. In non-seeded storms, they showed that approximately N–S oriented precipitation bands could be tracked eastward across the area. Similar maps for seeded cases showed that the bands were obscured by a strong stationary E–W oriented orographic band (the mountain range is oriented E–W).
Hourly station reports were arrayed in a table for each hour where row averages revealed the amplitude of the orographic effect and column averages that of the band effect. Row variance is related to the energy of the orographic precipitation-producing circulations, column variance to the band energy, and the residual variance, obtained by subtracting row and column variances from the total variance, to the energy of smaller-scale convective circulations. Attention was confined to the 7 hours of heaviest precipitation in each system.
In comparing seeded to non-seeded periods, the mean precipitation rate was more than double, and the total variance was almost five times as great. The proportion of the total variance in orographic form was more than double, the band variance was essentially the same, while the convective variance was less than a third of the non-seeded proportion.
It is concluded that the distribution of energy was shifted from smaller to larger scale circulation systems in going from non-seeded to seeded cases. The practical implications with respect to cloud seeding are discussed and illustrated by the results from two seasons of single generator tests made in the 1957–1959 period in the San Gabriel watershed near Los Angeles.
https://doi.org/10.1175/1520-0450(1966)005<0663:EOSOTE>2.0.CO;2
Note on Cloud Seeding Evaluation with Hourly Precipitation Data
https://doi.org/10.1175/1520-0450(1962)001<0578:NOCSEW>2.0.CO;2
Heat, Water, and Vorticity Balance in Frontal Zones
Einar L. Hovind
The data source for this study is a collection of five years of serial upper-air soundings taken during storms at five stations in the Southern California coastal and offshore region, along with supporting aerial, radar, and surface precipitation observations.
Detailed analyses of frontal systems revealed mesoscale motions and processes which are an important and integral part of the frontal structure. In particular, the flow pattern within the prefrontal precipitation region is found to be characterized by waves aloft and a matching cell structure below, with wavelength of 200 to 300 km and with crusts oriented parallel to the front. Within these cells are found small convection bands with which are associated sharp peaks in the precipitation distribution. The overall pattern slopes aloft over the front, and this slope, along with horizontal and vertical mixing, is an essential element in the dynamic balance within the frontal zone.
The intensity of the mesoscale vertical motion responsible for clouds and precipitation in the frontal zone appears to have some association with the degree of convective activity. In the stronger fronts, vertical velocity peaks of 20 cm sec−1 or more are found to be the rule.
The thermal balance is dominated largely by vertical differences in horizontal advection which are balanced by convective heat exchange. A strong, low-level current of warm air from the south overridden by cold air from the west determines to varying degrees the convective instability and results in a considerable amount of available potential energy being converted directly into convection-scale kinetic energy, thus by-passing its conversion to the cyclone-scale kinetic energy.
In fronts possessing greater stability, vertical velocities are less and the eastward movement of the front is greater, suggesting that in these cases the broad-scale deformation of the cyclone-scale thermal pattern, which controls the deepening and the occlusion processes, is accelerated.
https://doi.org/10.1175/1520-0450(1965)004<0196:HWAVBI>2.0.CO;2
On Convection Bands Within Pacific Coast Storms and Their Relation to Storm Structure
Pacific storms entering Southern California have been intensely sampled and subjected to detailed investigation through a storm study program in the Santa Barbara area during the 1960–63 (inclusive) winter storm seasons.
One result which has emerged from the analyses of precipitation and upper-air data was the discovery that organized convection bands were a common feature within the main precipitation region. These bands were detected from storm precipitation distributions, which, through quasi-objective methods, have been separated into the following three components: storm mean motion precipitation, orographic precipitation, and convection band precipitation.
The typical convection bands appear to be 20 to 40 miles wide, centered some 30 to 60 miles apart, oriented along the upper shear vector (between winds in the convective cloud layers and the adjacent layer above), and moving along a direction of the lower shear vector. There is evidence that the increased convective activity within the bands is associated primarily with the destabilization of the air mass through differential thermal advection.
https://doi.org/10.1175/1520-0450(1964)003<0143:OCBWPC>2.0.CO;2
The Water Balance of Orographic Clouds
A significant question bearing on the prediction of orographic precipitation and the seeding of orographic clouds is what fraction of the water condensed over an orographic barrier falls on the barrier as precipitation. This has been treated in a rather inadequate manner to date, largely because of lack of basic data.
Through the use of abundant storm-sounding data taken upwind of two Southern California orographic barriers and data from the corresponding mountain recording raingage networks, comparisons of computed condensation and observed precipitation have been made for a number of winter storms over a four-year period. The results indicate that approximately one quarter of the orographically produced condensate fell as precipitation on the watersheds.
A breakdown into air mass stability on the basis of the inflow rawinsonde data showed that, for similar orographic flow conditions, more precipitation was produced by unstable air masses than by stable air masses.
https://doi.org/10.1175/1520-0450(1964)003<0235:TWBOOC>2.0.CO;2
The Development of Quantitative Relationships between Orographic Precipitation and Air-Mass Parameters for Use in Forecasting and Cloud Seeding Evaluation
Russell W. Shaffer
The physical basis for a relationship between orographic precipitation and air-mass characteristics, wind flow pattern and gross terrain features is outlined. Consideration is also given to the manner in which the precipitation falls from cloud and is caught in a rain gage. A model is developed which is employed in conjunction with numerous storm sounding data to establish semi-empirical relationships between precipitation at four mountain stations in Southern California and upwind air-mass characteristics.
The sounding sites were several hours upwind of the mountain stations. This arrangement makes it possible to employ the relationships established for short term quantitative precipitation forecast purposes as well as for cloud seeding evaluation. It is believed that the general method employed is applicable in other climatic zones.
https://doi.org/10.1175/1520-0450(1962)001<0218:TDOQRB>2.0.CO;2
Santa Barbara Pyrotechnic Cloud Seeding Test Results 1967–70
Pierre St. Amand
John R. Thompson
Tests of the effectiveness of ground-released pyrotechnics in enhancing precipitation in storms in Santa Barbara County were conducted during the three winter seasons of 1967–68, 1968–69 and 1969–70. The mode of operation and the type of pyrotechnic device remained fixed through the three years in order to develop a large sample of data. The observation unit employed was a convective band embedded within a general storm system. A series of pyrotechnic candles of the LW-83 formulation were ignited just prior to and during the passage of convective bands over the seeding site, located on a 3500-ft mountain ridge in the Santa Ynez mountains. The bands were detected upwind of the test area and tracked into the test area by use of telemetered raingages and weather radar. Out of a total of 85 bands, 43 were seeded and 42 not-seeded. The selection of bands to seed was made on a random basis following declaration of the approach of a seedable band.
Over 60 recording raingages extending over an area of ∼1500 mi2 provided the basic evaluation data. Soundings taken with a GMD-1 system just prior to band passage into the test area provided useful air mass documentation. The cases were stratified by stability and 500-mb temperature categories.
The statistical analysis shows that there was a statistically significant difference between the distributions of seeded and not-seeded band precipitation totals for stations distributed over a several hundred square mile area downwind of the point source of nuclei. Indications were that precipitation was increased by 50% or more. The effect was greatest in the case of the warmer and more unstable categories.
When the overall precipitation is considered, including the between-band (not-seeded) component, the net increase is about 32%. Precipitation between bands was not significantly changed by seeding.
A computerized seeding-area-of-effect model was employed to predict an envelope of areas of seeding effect for the various categories of seeded bands. The bulk of the stations for which seeded precipitation distributions were significantly different from the not-seeded distributions fell within these areas.
The test results show the value of seeding winter convective orographic systems with this pyrotechnic device. The test results also demonstrate the value of employing the convection band as a natural unit of seeding and of observation. The sensitivity of the statistical evaluation was greatly enhanced through the use of this approach.
https://doi.org/10.1175/1520-0450(1971)010<0785:SBPCST>2.0.CO;2
A Diagnostic Technique for Targeting during Airborne Seeding Experiments in Wintertime Storms over the Sierra Nevada
Robert M. Rauber
J. Owen Rhea
Arlen W. Huggins
David W. Reynolds
A diagnostic technique for targeting during airborne seeding experiments has been developed for the Sierra Cooperative Pilot Project (SCPP). This technique was used operationally during SCPP for real-time guidance to aircraft, providing 1) the location and orientation of the seeding line required to target ice particles created by seeding to a specified ground location and 2) an estimate of the areal coverage of the seeding effect on the ground. Procedures to use this technique as a real-time guidance tool during seeding operations in Sierra wintertime storms are discussed.
Three evaluation studies of the targeting method are presented. These include 1) comparisons of diagnosed wind fields with those measured by aircraft; 2) comparisons of ice particle growth rates and habits within seeded cloud regions with those used in the targeting computations; and 3) comparison of radar echo evolution within seeded cloud regions with calculated particle trajectories.
https://doi.org/10.1175/1520-0450(1988)027<0811:ADTFTD>2.0.CO;2
Arnold Court
Jack F. Hannaford
An introduction section discusses aspects of the basic design of the CRBPP that are criticized by Rangno and Hobbs (RH). Individual sections reply to the following five aspects of our analysis discussed by RH: diffusion of seeding agent, anomalously high nucleus counts, statistical analysis based on 6 h blocks, duration alteration, and the question of multiplicity in the analysis. The concluding section states that the analyses support the concept that cloud-top nucleation dominates the water balance under stable orographic conditions.
https://doi.org/10.1175/1520-0450(1980)019<0350:R>2.0.CO;2
Randomized Cloud Seeding in the San Juan Mountains, Colorado
A five-year randomized cloud seeding program conducted in the San Juan Mountains of southwestern Colorado by the Bureau of Reclamation was completed in April 1975. The test design included randomization of the seeding by 24 h experimental days, and other features such as operation only during suitable cloud and wind conditions, and suspension to avoid adverse effects on the public and environment.
Previous experimentation by Grant near Climax, Colorado, during the 1960's had identified conditions under which clouds seeded with silver iodide would produce more snow than similar, untreated clouds. The purpose of the Colorado River Basin Pilot Project was to determine whether the experimental procedure applied at Climax would be effective in an operational mode. The objectives were twofold: 1) to test the physical concepts of weather modification potential, and 2) to test the practical weather modification potential for an operational technology in the continental weather systems that bring snow to the San Juans.
A formal statistical analysis based on precipitation data for 71 experimental treated days and 76 experimental control days found no significant difference between precipitation, gage by gage, on seeded and unseeded days, even after deletion of 22 control days suspected of contamination by previous seeding.
An a posteriori analysis, based on 6 h time blocks (in place of the 24 h day called for in the experimental design), indicates that positive seeding effects may have been achieved during periods of warm cloud-top temperatures, as expected from the Climax experiment. These positive effects may have been overbalanced in the experiment by decreases in snowfall due to seeding unfavorable cloud types.
The results of the a posteriori analysis suggest that an operational seeding program, flawlessly carried out with perfect forecasts and no periods of suspension, could increase 15 October–15 May precipitation by 10–12% in various portions of the drainage basin. The resulting average precipitation increase during the snow accumulation season, put into a hydrologic streamflow model developed as part of the evaluation, yields a potential increase in annual runoff of the San Juan River of 197 000 000 m3. In the Rio Grande Basin, on the downwind side of the crest, the potential increase in annual runoff is 186 000 000 m3.
https://doi.org/10.1175/1520-0450(1978)017<1298:RCSITS>2.0.CO;2

redpajama_set_name: RedPajamaCommonCrawl


What happens after I pass my IL Permit Test?
Do I have to take a drug test to be able to take my IL Permit Test?
What happens if I fail my IL Permit Test?
How much does the IL License cost?
Who do I need to bring with me when I go to take my IL Permit test?
What do I need to know to pass my IL Permit Test?
How many questions do I have to answer correctly on the IL Permit Test to pass?
Is the IL Permit Test open book?
What documents do I need to bring with me when I take my IL Permit Test?
At what age am I eligible to take the IL Permit Test?
After you pass your IL Permit Test, you will be able to apply for your IL Driver's License. If you are under 18, you will need to maintain your permit for at least 9 months, finish your Driver's Education course and practice behind-the-wheel training for 50 hours, ten of which should be during the night.
No. You do not have to take or pass a drug test to be able to apply or receive an IL Driver's License.
If you fail your Permit's Test, you will be able to take it again as early as the next day. You will have 3 attempts to pass the Permit Test in a one year period.
An IL license costs $30.
If you are under 18, your legal guardian or parent should accompany you.
To give yourself the best chance of passing your IL Permit Test you should study all chapters and sections of the IL Driver's Manual. The exam will test your knowledge of speed limits, pavement markings, traffic signs, safety rules and more basic rules of the road.
There are 35 questions on the IL Permit Test. You must answer 28 of those 35 multiple choice questions correctly in order to pass.
No. You are not allowed to use your IL Driver's Manual or any other study materials while you take your IL Permit Test.
You will need to bring with your proof of your legal name, your date of birth, your residency in the state of IL, your Social Security Number and your written signature.
In IL, the minimum age requirement to begin the licensing process is 15 years old.


text:
Biografia
Philip Toubus nacque nella cittadina di Winnetka, nello Stato dell'Illinois in una famiglia benestante. È il nipote di Sara Lee Lubin, ereditiera della multinazionale "Sara Lee Corporation". Da ragazzo frequentò la University of Wisconsin–Madison ma in seguito abbandonò gli studi per darsi alla recitazione. Recitò in molti teatri a Broadway, partecipando anche al musical Hair. La sua vetta di attore tradizionale l'ebbe nel 1973 quando interpretò la parte di San Pietro nel film Jesus Christ Superstar.

Toubus iniziò a lavorare nell'industria del porno nel 1974. Incontrò infatti i fratelli Mitchell, celebre coppia di registi di film hard dell'epoca, mentre stava recitando in un musical a San Francisco. Lavorò con loro in parecchi "filmini" amatoriali fino a quando, nel 1976, debuttò in un porno vero e proprio nel film The Autobiography of a Flea. Toubus iniziò quindi a usare lo pseudonimo Paul Thomas, ma recitò spesso anche sotto diversi altri nomi.

Paul Thomas ha recitato in più di 500 film hard e ne ha diretti circa 300, vincendo sette volte l'Adult Video News Awards e per due volte l'X-Rated Critics Organization Awards come miglior regista. Infine è stato introdotto nelle Hall of fame sia della XRCO che in quella AVN.

Nel 1982, Toubus venne arrestato per aver introdotto cocaina negli Stati Uniti dal Sud America. A causa di ciò trascorse un anno in prigione. Nel 1983, vinse il premio Adult Film Association of America come miglior attore protagonista per il film hard Virginia. Recitò anche in alcuni video della serie Taboo American Style ispirati all'originale film Taboo. Nel 1985 Toubus iniziò a dirigere i suoi propri film volendo soddisfare la propria voglia di provare a diventare un regista. Nel 2001 sposò l'attrice porno Anita Rinaldi, dopo aver divorziato dalla sua seconda moglie.

Riconoscimenti
1983 AFAA Award come Miglior Attore Protagonista – Virginia
1986 AVN Award for Best Couples Sex Scene (film) per Vergini corpi frementi (Ten Little Maidens)
1991 AVN Award Miglior Regia – Video – Beauty & the Beast 2
1992 AVN Award – Reuben Sturman Memorial Award*2008 XBIZ Award – New Starlet
1993 XRCO Award Miglior Regia
1994 AVN Award Miglior Regia, Film – Justine
1997 AVN Award Miglior Regia, Film - Bobby Sox
1999 XRCO Award Miglior Regia
2002 AVN Award Miglior Interpretazione (non di sesso) - Fade to Black
2002 AVN Award Miglior Regista, Film - Fade to Black
2004 AVN Award Miglior Regista, Film - Heart of Darkness
2005 AVN Award Miglior Regista, Film - The Masseuse
2006 AVN Award Miglior Regista, Film - The New Devil in Miss Jones
2008 AVN Award Miglior Regista, Film - Layout
2008 XBIZ Award – Premio alla carriera

Filmografia parziale

Attore

 Jesus Christ Superstar, regia di Norman Jewison (1973)
 Devil's Playground (1974)
 Do You Wanna Be Loved (1975)
 The Autobiography of a Flea, regia di Sharon McNight (1976)
 C.B. Mamas (1976)
 One of a Kind, regia di Carlos Tobalina (1976)
 Please Please Me (1976)
 Sinful Pleasures of Rev. Star (1976)
 Sweet White Dream (1976)
 7 Into Snowy (1977)
 Baby Face (1977)
 Le dolci intimità di Annette (Desires Within Young Girls), regia di Richard Kanter (con lo pseudonimo "Ramsey Karson", 1977)
 Diary of a Young Writer (1977)
 Fantastic Orgy (1977)
 Final Sin (1977)
 Hard Soap Hard Soap (1977)
 Her Last Fling, regia di Carlos Tobalina (con lo pseudonimo "Bruce Van Buren", 1977)
 Little Girls Blue (1977)
 Long Jeanne Silver (1977)
 Pizza Girls (1977)
 Reflections (1977)
 Shiela's Payoff (1977)
 Soft Places (1977)
 Teenage Madam (1977)
 Ultimate Pleasure (1977)
 Tentazioni di una moglie infedele (V the Hot One), regia di Gary Graver (con lo pseudonimo "Robert McCallum", 1978)
 Bad Company (1978)
 Candy Stripers, regia di Bob Chinn (1978)
 Le avventure erotiche di Candy (Erotic Adventures of Candy), regia di Gail Palmer (1978)
 Formal Faucett (1978)
 KSEX (1978)
 Lipps and McCain (1978)
 Lust at First Bite (1978)
 Desiree la grande insaziabile (Pretty Peaches), regia di Alex de Renzy (1978)
 Swedish Erotica Film 103 (1978)
 Swedish Erotica Film 135 (1978)
 Swedish Erotica Film 165 (1978)
 Swedish Erotica Film 259 (1978)
 Thoroughly Amorous Amy (1978)
 Cave Women (1979)
 Deep Rub (1979)
 Ecstasy Girls 1 (1979)
 Fantasy (1979)
 Fantasyworld (1979)
 Female Athletes (1979)
 Hot Legs (1979)
 I Am Always Ready (1979)
 Love You (1979)
 Lusty Princess (1979)
 O.Z. Productions (1979)
 Olympic Fever (1979)
 Serena an Adult Fairy Tale (1979)
 Swedish Erotica Film 242 (1979)
 Swedish Erotica Film 287 (1979)
 Swedish Erotica Film 301 (1979)
 Sweet Captive (1979)
 That's Erotic (1979)
 Untamed (1979)
 American Pie (1980)
 Champagne for Breakfast (1980)
 Erotic World of Seka (1980)
 Erotic World of Serena (1980)
 John Holmes Superstar (1980)
 Ladies Night (1980)
 On White Satin (1980)
 Place Beyond Shame (1980)
 Robin's Nest (1980)
 Rolls Royce 5 (1980)
 Scent of Heather (1980)
 Suze's Centerfolds 3 (1980)
 Suzy Nero's Fantasies (1980)
 Wicked Sensations 1 (1980)
 Woman in Love (1980)
 8 to 4 (1981)
 Aunt Peg Goes Hollywood (1981)
 Best of Gail Palmer (1981)
 Bon Appetite (1981)
 Cheryl Hansson: Cover Girl (1981)
 Crammin' Cuties (1981)
 Filthy Rich (1981)
 Lips (1981)
 Little French Maid (1981)
 Lysa Thatcher's Fantasies (1981)
 Never So Deep (1981)
 Oriental Madam (1981)
 Peaches and Cream (1981)
 Please Mr. Postman (1981)
 Ring of Desire (1981)
 Same Time Every Year (1981)
 Skintight (1981)
 Suze's Centerfolds 5 (1981)
 Suze's Centerfolds 6 (1981)
 Swedish Erotica 1 (1981)
 Swedish Erotica 11 (1981)
 Swedish Erotica 14 (1981)
 Swedish Erotica 15 (1981)
 Swedish Erotica 17 (1981)
 Swedish Erotica 2 (1981)
 Swedish Erotica 22 (1981)
 Swedish Erotica 25 (1981)
 Swedish Erotica 28 (1981)
 Swedish Erotica 29 (1981)
 Swedish Erotica 3 (1981)
 Swedish Erotica 39 (1981)
 Swedish Erotica 4 (1981)
 Swedish Erotica 40 (1981)
 Swedish Erotica 41 (1981)
 Swedish Erotica 5 (1981)
 Swedish Erotica 8 (1981)
 Touch Me in the Morning (1981)
 Trashi (1981)
 1001 Erotic Nights (1982)
 All About Annette (1982)
 Beauty (1982)
 Blonde Next Door (1982)
 Brief Affair (1982)
 Campus Capers (1982)
 Center Spread Girls (1982)
 Erotica Collection 12 (1982)
 Erotica Collection 6 (1982)
 Every Which Way She Can (1982)
 Foreplay (1982)
 Foxholes (1982)
 Intimate Lessons (1982)
 Irresistible (1982)
 Nurses of the 407 (1982)
 Oui, Girls (1982)
 Peep Shows 8 (1982)
 Summer of '72 (1982)
 Swedish Erotica 43 (1982)
 Talk Dirty to Me 2 (1982)
 Wild Dallas Honey (1982)
 Young Doctors in Lust (1982)
 All American Girls 2: In Heat (1983)
 Back Door Girls (1983)
 Best of Alex DeRenzy (1983)
 Blue Confessions (1983)
 California Valley Girls (1983)
 Centerfold Celebrities 3 (1983)
 Coffee Tea or Me (1983)
 Crystal Dawn's Fantasies (1983)
 Dolce Alice (Sweet Alice), regia di Joseph F. Robertson (1983)
 Endless Lust (1983)
 Erotic Fantasies 2 (1983)
 Expose Me Now (1983)
 Fantasex Island (1983)
 Flesh Dance (1983)
 Flight Sensations (1983)
 Her Wicked Ways (1983)
 Hot Pink: Best Of Alex DeRenzy 2 (1983)
 Hotel Flesh (1983)
 Lady Lust (1983)
 Let's Get Physical (1983)
 Maximum 6 (1983)
 Moments Of Love (1983)
 Nasty Nurses (1983)
 Personal Touch 1 (1983)
 Personal Touch 2 (1983)
 Piggies (1983)
 Pleasure Zone (1983)
 Private Teacher (1983)
 Public Affairs (1983)
 Reel People (1983)
 San Fernando Valley Girls (1983)
 Sexloose (1983)
 Show Your Love (1983)
 Silk Satin Sex (1983)
 Summer Camp Girls (1983)
 Super Sex (1983)
 Swedish Erotica 50 (1983)
 Swedish Erotica Superstars Featuring Seka (1983)
 Taste of Money (1983)
 Too Much Too Soon (1983)
 Turbo Sex (1983)
 Virginia (1983)
 Young and Restless 1 (1983)
 Young Like It Hot (1983)
 All American Girls 3: Up Up and Away (1984)
 Best of Atom (1984)
 Blue Ribbon Blue (1984)
 Bottoms Up Series 7 (1984)
 Breaking It (1984)
 Breezy (1984)
 Camp Beaver Lake the Movie (1984)
 Caught from Behind 2 (1984)
 China and Silk (1984)
 Classical Romance (1984)
 Collection 7 (1984)
 Critic's Choice 1 (1984)
 Eighth Erotic Film Festifal (1984)
 Erotic World of Candy Shields (1984)
 Femme Fatale (1984)
 Girls Just Wanna Have Fun (1984)
 I Never Say No (1984)
 I Want To Be Bad (1984)
 Insatiable 2, regia di Stu Segall (1984)
 Jailhouse Girls, regia di Henri Pachard (1984)
 Joys of Erotica (1984)
 Joys of Erotica 104 (1984)
 Joys of Erotica 107 (1984)
 Joys of Erotica 109 (1984)
 Joys of Erotica 110 (1984)
 Loose Times at Ridley High (1984)
 Making it Big (1984)
 Nasty Lady (1984)
 Night Magic (1984)
 Oriental Temptations (1984)
 Perfect Weekend (1984)
 Physical Attraction (1984)
 Pleasure Channel (1984)
 Pleasure Productions 10 (1984)
 Pleasure Productions 11 (1984)
 Pleasure Productions 5 (1984)
 Pleasure Productions 6 (1984)
 Pleasure Productions 8 (1984)
 Pussycat Galore (1984)
 Raven (1984)
 Seka Story (1984)
 Sex Play (1984)
 Sex Spa USA (1984)
 Sexsations (1984)
 Snake Eyes (1984)
 Space Virgins (1984)
 Stiff Competition (1984)
 Studio of Lust (1984)
 Le infermiere dell'amore (Supergirls Do General Hospital), regia di Henri Pachard (1984)
 Supergirls Do the Navy (1984)
 Suze's Centerfolds 8 (1984)
 Swedish Erotica 53 (1984)
 Swedish Erotica 60 (1984)
 Swedish Erotica Superstars Featuring Shauna Grant (1984)
 Tracie Lords (1984)
 X-factor (1984)
 Yellow Fever (1984)
 Young and Naughty (1984)
 Young Girls Do (1984)
 Adult 45 1 (1985)
 Angel of the Night (1985)
 Another Roll in the Hay (1985)
 Backdoor Romance (1985)
 Balling for Dollars (1985)
 Bedtime Tales (1985)
 Blue Ice (1985)
 Bordello (1985)
 Can't Get Enough (1985)
 Caught from Behind 3 (1985)
 Coming of Angels 2 (1985)
 Corporate Assets (1985)
 Cumshot Revue 2 (1985)
 Dames (1985)
 Ebony Erotica 2 (1985)
 Ecstasy Girls 2 (1985)
 Endless Passion (1985)
 Erotic Aerobics (1985)
 Erotic Zone (1985)
 Erotic Zones 1 (1985)
 Erotica Jones (1985)
 Fantasy Club 59 (1985)
 Fashion Fantasies (1985)
 Forbidden Entry (1985)
 Free and Foxy (1985)
 Freeway Honey (1985)
 French Letters (1985)
 Futuresex (1985)
 Gentlemen Prefer Ginger (1985)
 Ginger On The Rocks (1985)
 Going Down (1985)
 Gourmet Premiere Quickies 903 (1985)
 Gourmet Quickies 22 (1985)
 Heartbreak Girl (1985)
 Hot Merchandise (1985)
 Hot Wire (1985)
 House of Lust (1985)
 I Dream of Ginger (1985)
 Initiation of Cynthia (1985)
 It's My Body (1985)
 Jawbreakers (1985)
 Just Another Pretty Face (1985)
 Layover (1985)
 Lilith Unleashed (1985)
 Naughty Cheerleaders (1985)
 New York Vice (1985)
 Nice and Tight (1985)
 One Hot Night Of Passion (1985)
 Passionate Lee (1985)
 Pleasure Party (1985)
 Pleasure Productions 12 (1985)
 Rich Bitch (1985)
 Sailing Into Ecstasy (1985)
 Scandalous Simone (1985)
 Screaming Desire (1985)
 Sex Fifth Avenue (1985)
 Sex Wars (1985)
 Sexually Altered States (1985)
 Shacking Up (1985)
 Shauna: Every Man's Fantasy (1985)
 Sheri's Got To Have It (1985)
 She's So Fine (1985)
 Some Kind Of Woman (1985)
 Street Heat (1985)
 Super Chic (1985)
 Surfside Sex (1985)
 Swedish Erotica 63 (1985)
 Swedish Erotica 64 (1985)
 Swedish Erotica 67 (1985)
 Swedish Erotica 68 (1985)
 Taboo American Style 1 (1985)
 Taboo American Style 2 (1985)
 Taboo American Style 3 (1985)
 Taboo American Style 4 (1985)
 Taste of Candy (1985)
 Taste of Pink (1985)
 Terms Of Desire (1985)
 Thrill St Blues (1985)
 Ultimate O (1985)
 Untamed Passions (1985)
 Vergini corpi frementi (Ten Little Maidens), regia di John Seeman (1985)
 With Love Annette (1985)
 With Love Loni (1985)
 Working Girls (1985)
 Yank My Doodle (1985)
 Adult Video News Magazine 1 (1986)
 Afro Erotica 4 (1986)
 Backside To The Future 1 (1986)
 Best Of Collector's Video (1986)
 Bigger the Better (1986)
 Blazing Bedrooms (1986)
 Classic Swedish Erotica 10 (1986)
 Classic Swedish Erotica 14 (1986)
 Classic Swedish Erotica 21 (1986)
 Classic Swedish Erotica 23 (1986)
 Classic Swedish Erotica 24 (1986)
 Classic Swedish Erotica 3 (1986)
 Classic Swedish Erotica 6 (1986)
 Classic Swedish Erotica 7 (1986)
 Classic Swedish Erotica 9 (1986)
 Club Ginger (1986)
 Daddy's Darling Daughters (1986)
 Dangerous Desires (1986)
 Deep Throat Girls (1986)
 Despicable Dames (1986)
 Devil in Miss Jones 3 (1986)
 Devil in Miss Jones 4 (1986)
 Dirty Dreams (1986)
 Double Standards (1986)
 Dynamic Vices (1986)
 Every Woman Has A Fantasy 2 (1986)
 Flesh Fire (1986)
 Getting Personal (1986)
 Girls of Double D 1 (1986)
 Girls of the Chorus Line (1986)
 Hidden Fantasies (1986)
 Hot Shorts: Ginger Lynn (1986)
 Hotel California (1986)
 House of Blue Dreams (1986)
 Irresistible 2 (1986)
 Life and Loves of Nikki Charm (1986)
 Loose Morals (1986)
 Lust At Sea (1986)
 Lust on the Orient Express (1986)
 Many Shades of Amber (1986)
 Mouth Watering (1986)
 Nymphette (1986)
 Oddest Couple (1986)
 Oral Majority (1986)
 Play Me Again Vanessa (1986)
 Private Love Affairs (1986)
 Pumping Flesh (1986)
 Return To Sex Fifth Avenue (1986)
 Salt And Pepper (1986)
 Sex Asylum 2: Sheer Bedlam (1986)
 Sinners 1 (1986)
 Sinners 2 (1986)
 Sinners 3 (1986)
 Sins of the Wealthy 2 (1986)
 Sore Throat (1986)
 Superstars And Superstuds (1986)
 Sweet Cheeks (1986)
 Sweetest Taboo (1986)
 Temptations of the Flesh (1986)
 This Stud's For You (1986)
 Thy Neighbor's Wife (1986)
 Triple Xposure (1986)
 Trouble With Traci (1986)
 Ultimate Lover (1986)
 Ultimate Thrill (1986)
 Unnatural Phenomenon (1986)
 Unnatural Phenomenon 2 (1986)
 West Coast Girls (1986)
 White Women (1986)
 With Love From Susan (1986)
 With Love Lisa (1986)
 69 Minutes Evening News 2 (1987)
 Backdoor Bonanza 5 (1987)
 Best of Erica Boyer (1987)
 Best of Patti Petite 1 (1987)
 Blue Vanities 16 (1987)
 Careena: Young And Restless (1987)
 Cheating (1987)
 Circus Acts (1987)
 Classic Swedish Erotica 25 (1987)
 Classic Swedish Erotica 29 (1987)
 Classic Swedish Erotica 30 (1987)
 Deep Inside Ginger Lynn (1987)
 Dirty Dozen 2 (1987)
 Double Penetration 2 (1987)
 Firestorm 2 (1987)
 Firestorm 3 (1987)
 F-it (1987)
 Friday the 13th (1987)
 Furburgers (1987)
 Girl With the Million Dollar Legs (1987)
 Girls in Blue (1987)
 Honey Buns 1 (1987)
 Legends of Porn 1 (1987)
 Lessons in Lust (1987)
 Mimi (1987)
 Monkey Business (1987)
 Nicki (1987)
 Night Games (1987)
 Nudes at Eleven 2 (1987)
 On The Loose (1987)
 Oral Majority 4 (1987)
 Orgies (1987)
 Play It Again Samantha (1987)
 Playing for Passion (1987)
 Restless Nights (1987)
 Sex Fifth Avenue (new) (1987)
 Sex Maniacs (1987)
 Sizzling Hot (1987)
 Star Cuts 73: Angel (1987)
 Tales of the Uncensored (1987)
 Toys 4 Us 1 (1987)
 Where There's Smoke There's Fire (1987)
 Yiddish Erotica 1 (1987)
 Addicted to Love (1988)
 All the Best Barbara (1988)
 All The Best Nicki (1988)
 Angel Kelly Raw (1988)
 Angel Rising (1988)
 Angela Baron Behind the Scenes (1988)
 Backdoor Lust (1988)
 Beauty and the Beast 1 (1988)
 Bedside Brat (1988)
 Best of Barbara Dare 1 (1988)
 Big Melons 19 (1988)
 Blue Vanities 54 (1988)
 Blue Vanities 58 (1988)
 Blue Vanities 65 (1988)
 Blue Vanities 67 (1988)
 Blue Vanities 80 (1988)
 Broadway Brat (1988)
 Caught in the Act (1988)
 Cheating American Style (1988)
 Cumshot Revue 4 (1988)
 Double Penetration 3 (1988)
 Double Penetrations 4 (1988)
 Eleventh Commandment (1988)
 Fatal Erection (1988)
 First Of April (1988)
 Honky Tonk Angels (1988)
 Hottest Parties (1988)
 Hottest Ticket (1988)
 Inches For Keisha (1988)
 Insatiable (1988)
 Inside Sharon Mitchell (1988)
 Lady in Black (1988)
 Lay It Again Sam (1988)
 Little Red Riding Hood (1988)
 Oral Ecstasy 3 (1988)
 Oral Ecstasy 4 (1988)
 Oral Majority 5 (1988)
 Oral Majority 6 (1988)
 Outrageous Orgies 2 (1988)
 Porsche Lynn Every Man's Dream (1988)
 Romeo And Juliet 2 (1988)
 Still the Brat (1988)
 Take My Body (1988)
 Taste of Porsche (1988)
 Twenty Something 1 (1988)
 Twenty Something 2 (1988)
 Two Into One 2 (1988)
 Wild Brat (1988)
 Yuppies in Heat (1988)
 Acts Of Love (1989)
 Backdoor Bonanza 12 (1989)
 Double Penetration Fever (1989)
 Dream Walk (1989)
 Fuck My Ass No Lube (1989)
 I Love a Girl in a Uniform (1989)
 Jungle Juice (1989)
 Legends of Porn 2 (1989)
 Only the Best 2 (1989)
 Submissive Women (1989)
 Taste of Little Oral Annie (1989)
 Where the Boys Aren't 1 (1989)
 Wife Swap (1989)
 Wild Women 31: Liz Randall (1989)
 Amazing Tails 5 (1990)
 Beat the Heat (1990)
 Boobs Butts and Bloopers 2 (1990)
 Diedra in Danger (1990)
 Erotic Explosions 5 (1990)
 Ginger Then and Now (1990)
 Last X-rated Movie 1 (1990)
 Lifeguard (1990)
 Masseuse 1 (1990)
 Miss Directed (1990)
 Taste of Janey Robbins (1990)
 Taste of Nicki Charm (1990)
 Taste of Vanessa Del Rio (1990)
 Torch (1990)
 Tori Tori Tori Boy/girl Hits (1990)
 Torrid Without A Cause 2 (1990)
 Where the Boys Aren't 3 (1990)
 Bad News Brat (1991)
 Blue Vanities 13 (1991)
 California Blondes 3 (1991)
 Erotic Explosions 24 (1991)
 Last X-rated Movie 2 (1991)
 Last X-rated Movie 3 (1991)
 Legends of Porn 3 (1991)
 Blue Vanities 18 (1992)
 Blue Vanities 37 (1992)
 Only the Best of Anal (1992)
 Oral Oasis (1992)
 Over 40 (1992)
 Pretty in Peach (1992)
 Red Room and Other Places (1992)
 Speedster (1992)
 Swedish Erotica Hard 3 (1992)
 Swedish Erotica Hard 5 (1992)
 Swedish Erotica Hard 7 (1992)
 True Legends of Adult Cinema: The Golden Age (1992)
 Victim of Love (1992)
 Anything Goes (1993)
 Blonde Justice 1 (1993)
 Blue Vanities 63 (1993)
 Blue Vanities 91 (1993)
 Camp Beaverlake (new) (1993)
 Naughty Nurses (1993)
 Nothing to Hide 2 (1993)
 Personal Touch 2 (new) (1993)
 Play It Again Samantha (new) (1993)
 Ready Willing And Anal (1993)
 Swedish Erotica Hard 15 (1993)
 Swedish Erotica Hard 16 (1993)
 Swedish Erotica Hard 19 (1993)
 Swedish Erotica Hard 20 (1993)
 Swedish Erotica Hard 26 (1993)
 Swedish Erotica Hard 28 (1993)
 Swedish Erotica Hard 29 (1993)
 Swedish Erotica Hard 30 (1993)
 Things Change 1 (1993)
 Things Change 2 (1993)
 True Legends of Adult Cinema: The Cult Supertstars (1993)
 Adult Video News Awards 1994 (1994)
 Do You Wanna Be Loved (new) (1994)
 Blue Vanities 220 (1995)
 Blue Vanities 246 (1995)
 Comeback (1995)
 Companion: Aroused 2 (1995)
 Dangerous Games (1995)
 Blue Vanities 275 (1996)
 Show And Tell (1996)
 Sorority Sluts 1 (1996)
 Blue Vanities 276 (1997)
 Blue Vanities 277 (1997)
 Head To Head (1997)
 Blue Vanities 306 (1998)
 Blue Vanities 314 (1999)
 Blue Vanities 325 (1999)
 Dreamwagon: Inside The Adult Film Industry (1999)
 Reflections (2000)
 Secret Party (2000)
 Fade to Black 1 (2001)
 Fluff (2001)
 Buffy Davis Collection (2002)
 Heaven's Revenge (2002)
 Screaming Orgasms (2002)
 Blue Vanities 375 (2003)
 Deep Inside Ginger Lynn (2003)
 Kay Parker Collection 1 (2003)
 Little Oral Annie Rides Again (2003)
 Swedish Erotica 4Hr 1 (2003)
 Swedish Erotica 4Hr 11 (2003)
 Swedish Erotica 4Hr 12 (2003)
 Swedish Erotica 4Hr 2 (2003)
 Swedish Erotica 4Hr 25 (2003)
 Swedish Erotica 4Hr 3 (2003)
 Swedish Erotica 4Hr 4 (2003)
 Swedish Erotica 4Hr 5 (2003)
 Swedish Erotica 4Hr 6 (2003)
 Swedish Erotica 4Hr 7 (2003)
 Swedish Erotica 4Hr 8 (2003)
 Barbara Dare: Dirtiest Of Dare (2004)
 Golden Age of Porn: Desiree Cousteau (2004)
 Jackie And Jill (2004)
 Last Girl Standing (2004)
 Prom Queen: Lysa Thatcher Collection (2004)
 Strokin' to the Oldies: Seka (2004)
 Best of Amber Lynn (2005)
 Blue Vanities 417 (2005)
 Blue Vanities 431 (2005)
 Chris Cassidy Collection (2005)
 Connie Peters Collection (2005)
 Diamond Collection 20 DVD (2005)
 Kristara Barrington Collection (2005)
 Oriental Temptations (new) (2005)
 Rachel Ashley Collection (2005)
 Amber Lynn Collection (2006)
 Emperor (2006)
 Fade to Black 2 (2006)
 International Battle of the Superstars (2006)
 Kay Parker Collection 3 (2006)
 Lacie's Life (2006)
 Little Oral Annie Back in the Saddle (2006)
 Superstar Shauna Grant (2006)
 Vanessa Del Rio: Latina Goddess (2006)
 Very Best of Desiree Cousteau (2006)
 Very Best of Dorothy LeMay (2006)
 Debbie Does Dallas Again (2007)
 Kathy Harcourt Collection (2007)
 Lysa Thatcher: the Teenage Years (2007)
 Swedish Erotica 102 (2007)
 Swedish Erotica 111 (2007)
 Swedish Erotica 75 (new) (2007)
 Swedish Erotica 77 (new) (2007)
 Swedish Erotica 80 (new) (2007)
 Swedish Erotica 81 (new) (2007)
 Swedish Erotica 88 (2007)
 Swedish Erotica 89 (2007)
 Swedish Erotica 91 (2007)
 Swedish Erotica 96 (2007)
 XXX Bra Busters in the 1980's 3 (2007)
 Ginger Lynn: The Queen Of Erotica (2008)
 Monique's Been Blackmaled (2008)
 Nina Hartley Screws the Stars (2008)
 Battle of the Superstars: Annette Haven vs. Bridgette Monet (2009)
 Battle of the Superstars: Seka vs. Kay Parker (2009)
 Heaven (2009)
 Clerks XXX: A Porn Parody (2013)
 Hottest Sex Stars of the Early 80s (2013)
 Double Delight
 Fun In A Bun

Regista

 Despicable Dames (1986)
 Angel Gets Even (1987)
 Army Brat (1987)
 Bitch (1987)
 Black Widow (1987)
 Boss (1987)
 Brat on the Run (1987)
 Bringing Up Brat (1987)
 Guess Who Came at Dinner (1987)
 Little Shop Of Whores (1987)
 Made In Germany (1987)
 Robofox (1987)
 Romeo and Juliet (1987)
 Where There's Smoke There's Fire (1987)
 Addicted to Love (1988)
 Back to Rears (1988)
 Beauty and the Beast 1 (1988)
 Bedside Brat (1988)
 Broadway Brat (1988)
 Caught in the Act (1988)
 Cheating American Style (1988)
 Eleventh Commandment (1988)
 First Of April (1988)
 Good Evening Vietnam (1988)
 Heiress (1988)
 Jamie Loves Jeff 1 (1988)
 Little Red Riding Hood (1988)
 Naked Stranger (1988)
 Outrageous Foreplay (1988)
 Robofox 2 (1988)
 Robofox 2 (new) (1988)
 Romeo And Juliet 2 (1988)
 Sex in Dangerous Places (1988)
 Still the Brat (1988)
 Sweet Spurt of Youth (1988)
 Twenty Something 1 (1988)
 Twenty Something 2 (1988)
 Wild Brat (1988)
 Army Brat 2 (1989)
 At The Pornies (1989)
 Beach Blanket Brat (1989)
 Brat Force (1989)
 Bratgirl (1989)
 Charmed Again (1989)
 Chills (1989)
 Class Act (1989)
 I Do (1989)
 Nymphobrat (1989)
 Perfect Brat (1989)
 Phantom X (1989)
 Play Me (1989)
 Scarlet Bride (1989)
 Sexual Fantasies (1989)
 Sleeping Beauty Aroused (1989)
 Torrid (1989)
 Torrid Without A Cause (1989)
 Triangle (1989)
 True Confessions Of Hyapatia Lee (1989)
 True Confessions Of Tori Welles (1989)
 True Love (1989)
 Twenty Something 3 (1989)
 Beat the Heat (1990)
 Beauty and the Beast 2 (1990)
 Behind Closed Doors (1990)
 Designer Genes (1990)
 Diedra in Danger (1990)
 I Do 2 (1990)
 Lifeguard (1990)
 Lust In The Woods (1990)
 Lusty Dusty (1990)
 Masseuse 1 (1990)
 Out For Blood (1990)
 Portrait of Christy (1990)
 Rockin' the Boat (1990)
 Swap (1990)
 Torch (1990)
 Tori Tori Tori Girl/girl Hits (1990)
 Torrid Without A Cause 2 (1990)
 Twisted (1990)
 Veil (1990)
 Where the Boys Aren't 2 (1990)
 10 Questions: Christy Canyon (1991)
 Bad News Brat (1991)
 Blue Jean Brat (1991)
 Enchantress (1991)
 I Do 3 (1991)
 Indian Summer (1991)
 Indian Summer 2: Sandstorm (1991)
 Jamie Loves Jeff 2 (1991)
 Killer Looks (1991)
 Love Letters (1991)
 No Time For Love (1991)
 On Trial 1: In Defense of Savannah (1991)
 Passages 1 (1991)
 Passages 2 (1991)
 Passages 3 (1991)
 Passages 4 (1991)
 Quodoushka (1991)
 Sex Asylum 4 (1991)
 Torch 2 (1991)
 Vision In Heather (1991)
 Bonnie and Clyde 1 (1992)
 Cameo Appearance (1992)
 Christy in the Wild (1992)
 Crazed 1 (1992)
 Crazed 2 (1992)
 House of Sleeping Beauties (1992)
 House of Sleeping Beauties (Director's Cut) (1992)
 House of Sleeping Beauties 2 (1992)
 Kama Sutra (1992)
 On Trial 2 (1992)
 On Trial 3 (1992)
 On Trial 4 (1992)
 Phoenix (1992)
 Phoenix Rising (1992)
 Racquel In The Wild (1992)
 Raquel Released (1992)
 Sinderella 1 (1992)
 Sinderella 2 (1992)
 Speedster (1992)
 Victim of Love (1992)
 Victim Of Love 2 (1992)
 Anonymous (1993)
 Blind Spot (1993)
 Blonde Justice 1 (1993)
 Blonde Justice 2 (1993)
 Bonnie and Clyde [Director's Cut] (1993)
 Bonnie and Clyde 2 (1993)
 Coven (1993)
 Coven 2 (1993)
 Day Dreams (1993)
 Endlessly (1993)
 Mask (1993)
 Night Train (1993)
 Nothing to Hide 2 (1993)
 Parlor Games (1993)
 SEX (1993)
 SEX 2 (1993)
 Steal This Heart (1993)
 Steal This Heart 2 (1993)
 Steamy Windows (1993)
 Things Change 1 (1993)
 Things Change 2 (1993)
 Where the Boys Aren't 4 (1993)
 American Blonde (1994)
 Cheating (1994)
 Masseuse 2 (1994)
 Oral Obsession 1 (1994)
 Pretending (1994)
 Revenge of Bonnie and Clyde (1994)
 Secrets of Bonnie and Clyde (1994)
 Swap 2 (1994)
 Borderline (1995)
 Comeback (1995)
 Companion: Aroused 2 (1995)
 Dangerous Games (1995)
 Layover (1995)
 Trouble Maker (1995)
 White Wedding (1995)
 Bobby Sox (1996)
 Luna Chick (1996)
 Nikki Loves Rocco (1996)
 Show 1 (1996)
 Show And Tell (1996)
 Torrid Tales (1996)
 Bad Wives 1 (1997)
 Beautiful (1997)
 Control (1997)
 Masseuse 3 (1997)
 Nymph (1997)
 Show 2 (1997)
 Zone (1997)
 Blondage: Extreme Close Up 4 (1998)
 Debbie Does Dallas '99 (1998)
 Debbie Does Dallas: The Next Generation (1998)
 Dethroned (1998)
 House of Sleeping Beauties 3 (1998)
 Mobsters Wife (1998)
 Original Sin (1998)
 Shipwreck (1998)
 Show 3 (1998)
 Taxi Dancer (1998)
 Xtreme Janine (1998)
 Awakening (1999)
 Blondage 3 (1999)
 Kink (1999)
 Nurses (1999)
 Pipe Dreams (1999)
 Roommates (1999)
 Talent Scout (1999)
 Trophy (1999)
 Window (1999)
 Artemesia (2000)
 Debbie Does Iowa (2000)
 Debbie Does New Orleans (2000)
 Facade (2000)
 Jekyll and Hyde (2000)
 Marissa (2000)
 Portraits In Blue (2000)
 Secret Party (2000)
 True Blue (2000)
 Bad Wives 2 (2001)
 Believe It Or Not 1 (2001)
 Believe It Or Not 2 (2001)
 Cheyenne: Extreme Close Up (2001)
 Fade to Black 1 (2001)
 Hansel And Gretel (2001)
 How To Marry A Millionaire (2001)
 Love Games (2001)
 Obsession (2001)
 Rapunzel (2001)
 Arrangement (2002)
 Heart Breaker (2002)
 Heaven's Revenge (2002)
 Hot Orchid (2002)
 Hot Spot (2002)
 If You Only Knew (2002)
 Kira Kener: Extreme Close Up (2002)
 Paying The Piper (2002)
 Sordid (2002)
 Vixen (2002)
 Wife Taker (2002)
 Debbie Does Dallas: The Revenge (2003)
 Heart of Darkness (2003)
 History of Fetish (2003)
 Looking In (2003)
 Sunrise: Extreme Close Up (2003)
 Sweet Hearts (2003)
 Sweetie Baby (2003)
 Taya: Extreme Close Up (2003)
 Third Date (2003)
 8th Sin (2004)
 Debbie Does Dallas: East Vs West (2004)
 Emotions (2004)
 Hard Candy (2004)
 Housekeeper (2004)
 Jackie And Jill (2004)
 Jaded (2004)
 Key Party (2004)
 Kira At Night (2004)
 Last Girl Standing (2004)
 Lexie and Monique Love Rocco (2004)
 Maneater (2004)
 Masseuse 1 (2004)
 Out of Control (2004)
 Over Her Head (2004)
 Panty Raid (2004)
 Room for Rent (2004)
 Sextet (2004)
 Bare Naked (2005)
 Dance Party (2005)
 Desperate (2005)
 Freshness (2005)
 Hot Property (2005)
 Inside Moves (2005)
 Intimate Strangers (2005)
 Janine's Been Blackmaled (2005)
 Janine's Got Male (2005)
 Les Bitches (2005)
 Monique on the Sly (2005)
 New Devil in Miss Jones (2005)
 Scorpio Rising (2005)
 Take My Wife (2005)
 True Hollywood Twins (2005)
 Two Hot (2005)
 Villa (2005)
 After Midnight (2006)
 Blue Light Project (2006)
 Briana Loves Rocco (2006)
 Dinner Party (2006)
 Emperor (2006)
 Fade to Black 2 (2006)
 Fashion Underground (2006)
 Flasher (2006)
 Grudge (2006)
 Heat Wave (2006)
 Heavy Breathing (2006)
 Illicit (2006)
 Invasion of the Porno Shooters (2006)
 My Evil Twin (2006)
 Scream (2006)
 Sexy Young Thing (2006)
 Star (2006)
 Sunny and Cher (2006)
 To Die For (2006)
 Twindom (2006)
 Call Girl Confidential (2007)
 City Sex (2007)
 Debbie Does Dallas... Again (2007)
 Hard Time (2007)
 I Love My Ass (2007)
 Layout (2007)
 My Wife's Best Friend (2007)
 Pipe Dreams (II) (2007)
 Sex and Violins (2007)
 Adventures in Babysitting (2008)
 Burn (2008)
 Car Wash (2008)
 Chauffeur's Daughter (2008)
 Cry Wolf (2008)
 Mating Season (2008)
 Meggan and Hanna Love Manuel (2008)
 MILFwood USA (2008)
 Monique's Been Blackmaled (2008)
 Nurse Monique (2008)
 Power (2008)
 Strictly Conversation (2008)
 Throat: A Cautionary Tale (2008)
 Twins Do Science (2008)
 AJ Bailey is Tight (2009)
 American Swingers (2009)
 Back Strokes and Toilette Fantasies (2009)
 Blame it on Savanna (2009)
 Faithless (2009)
 Heaven (2009)
 I Was a Teenage MILF (2009)
 In Black and White (2009)
 Meggan Does Malibu (2009)
 Screwed Over (2009)
 Sex in Dangerous Places (2009)
 Sunny's B/G Adventure (2009)
 Devil in Miss Jones: The Resurrection (2010)
 Dirty Stories (2010)
 Inertia (2010)
 Live!!! Nude!!! Girls!!! (2010)
 Looks Like Fun (2010)
 Meggan's Sexy Stories (2010)
 Mere et sa fille (2010)
 Pervert (2010)
 Savanna's Anal Gangbang (2010)
 Savanna's Been Blackmaled 2 (2010)
 Stripper (2010)
 Twilight Zone Porn Parody (2010)
 Graduate XXX (2011)
 Orgy: The XXX Championship (2011)
 Savanna Samson Is the Masseuse (2011)
 Teases and Pleases 1 (2011)
 Friends With Benefits (2012)
 Legal Appeal (2012)
 Shared Wives (2012)

Note

Collegamenti esterni

 Intervista a Paul Thomas (01/31/06). Scott Swan (2006-02-20). collider.com. Retrieved on 2007-10-24.

Registi pornografici statunitensi

redpajama_set_name: RedPajamaWikipedia


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Disney Girl: The Big Screen!
Oh, how I love going to the movies! I love the smell of the popcorn (though I rarely get any), picking the perfect seat, settling in and waiting for the previews to begin. That's right...I am one of those people who arrive LONG before the movie is about to start and don't mind if I have to go to the theater alone. I love the entire experience and don't want to miss a moment of it. Last week I had an added bonus (well several) to my movie going experience! For the first time EVER I was seeing American Graffiti on the BIG screen! (added bonus one) To make it even better for the first time my sweet girl was seeing it with me (added bonus two). I have seen American Graffiti MANY times! Bring it on.... the very young Ron Howard, Harrison Ford and Richard Dreyfuss. Not to mention all of the other big names stars (Cindy Williams, Mackenzie Phillips, Candy Clark and Suzanne Somers to name a few) that appear in this movie. Oh and I cannot forget Wolfman Jack!
I have to say the "big screen" experience of American Graffiti did not disappoint me. The music is the BEST! I so badly wanted to sing out loud and at times I did. (Much to my daughter's horror as I really cannot carry a tune). I knew every single song by heart! Each one reminded me so much of my dad and his appreciation for music of all kinds. It reminded me of how he, many years ago, explained how the Beach Boys came to be and all about how you would dance to 'The Stroll". I couldn't help but think how great he would think it was that all these years later I was telling my daughter the exact same things he told me the first time I saw American Graffiti. (added bonus three) Yes, it really was a magical day!
Inside of American Graffiti album.
Aaawwwhhh! So cool and how fun to share with your daughter. It sounds like you both had a blast!
So cool I wish we had more cinemas like that in the UK! Just started following your blog and love it maybe you would like to check us out and follow back?
What an awesome experience to share with your daughter. I would LOVE to see AG on the big screen. I often go to the movies alone. And I agree with Joyce.. sing girl!


text:
KADO - The Right Answer Anime Wins MPTE Animation Award
posted on 2018-08-14 12:00 EDT by Rafael Antonio Pineda
Original CG anime series premiered in April 2017
The Motion Picture and Television Engineering Society of Japan (MPTE) announced last week that Toei Animation's Kado: The Right Answer television anime series has won the Animation category of its 71st MPTE Awards. The award ceremony will be held at Academy Hills in Roppongi Hills, Tokyo on October 30.
The anime series premiered in Japan in April 2017, and Crunchyroll streamed the series with English subtitles. Funimation streamed the series with an English dub.
Toei describes the original anime's story:
Kojiro Shindo. Cabinet Office Director-General for Policy Planning, is at Haneda Airport for a business trip. While the plane is on the runway, a giant structure suddenly appears out of thin air. The plane carrying Shindo and 251 passengers is taken undamaged inside the giant structure. After everyone disembarks, a man who looks like an ordinary human being shows up. He assures those from the plane that they're not in any danger. Shindo asks him to identify himself and explain the situation. Then the outside of the structure is displayed on a large screen, and at the same time, every passenger's cell phone starts ringing all at once. On each cell phone screen is a message from this man, to every one of Japan's citizens: "I, Yaha-kui zaShunina, hereby notify you that I am going to intervene in Japan's internal affairs." What is this young man's goal? And will Shindo manage to become an intermediary between Japan and the Anisotorons...?
The series was nominated for a Seiun Award this year. It was also nominated for a VFX-Japan Award but did not win.
Sources: MPTE, Animation Business Journal (Tadashi Sudo)
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Norman Rockwell's Vision of America
Does your doctor's office have a picture of a young boy, standing on a chair reading a certificate while the doctor prepares a needle? That's a print of a painting by Norman Rockwell. Even if you've never heard of him , there's a really good chance you've seen one of paintings on the cover of an old Saturday Evening Post.
Picture a nation of patriotic citizens unencumbered by want or fear, free to speak their minds and worship as they chose. In a simple room, generations gather for a bountiful Thanksgiving feast. In a dimly lit bedroom, a mother and father tuck their child safely into bed. At a town meeting, a man stands tall and proud among his neighbors. In a crowd, every head is bent in fervent prayer. This is Norman Rockwell's America as depicted in most likely his most famous series, "The Four Freedoms."
His annual contributions for the Boy Scouts' calendars between 1925 and 1976 were only slightly overshadowed by the "Four Seasons" illustrations for Brown & Bigelow that were published for 17 years beginning in 1947 and reproduced in various styles and sizes since 1964
Rockwell once said, "Without thinking too much about it in specific terms, I was showing the America I knew and observed to others who might not have noticed." What's unmistakable, however, is that Rockwell tapped into the nostalgia of a people for a time that was kinder and simpler. His ability to create visual stories that expressed the wants of a nation helped to clarify and, in a sense, create that nation's vision.
His prolific career spanned the days of horse-drawn carriages to the momentous leap that landed mankind on the moon. While history was in the making all around him, Rockwell chose to fill his canvases with the small details and nuances of ordinary people in everyday life.
Taken together, his many paintings capture something much more elusive and transcendent — the essence of the American spirit. "I paint life as I would like it to be," Rockwell once said.
Mythical, idealistic, innocent, his paintings evoke a longing for a time and place that existed only in the rarefied realm of his rich imagination and in the hopes and aspirations of the nation. According to filmmaker Steven Spielberg, "Rockwell painted the American dream — better than anyone."
In 1910, at the age of 16, he left high school to study art at The National Academy of Design.
Rockwell considered The Saturday Evening Post to be the "greatest show window in America." Over the next 47 years, another 321 Rockwell paintings would appear on its covers.
The 1930s and 1940s proved to be the most fruitful period for Norman Rockwell.
His success came from his appreciation for everyday American scenes, the warmth of small-town life in particular. Often he treated what he depicted with a simple charm and sense of humor as in "Billboard Painter," appearing on the Post on February 9, 1935.
His "Sharp Harmony," depicting a barber and three patrons enjoying an a cappella song, appeared on the cover the Post on September 26, 1936.
Rockwell moved his family to Arlington, Vermont, in 1939 where his work began to reflect small-town life.
Still, Rockwell didn't completely ignore the issues of the day. In 1943, inspired by President Franklin D. Roosevelt's speech to Congress, in which he described four principles for universal rights: "Freedom from Want," "Freedom of Worship," "Freedom from Fear," and "Freedom of Speech," he created one of his masterpieces, "The Four Freedoms."
He painted them for The Saturday Evening Post, and they proved very popular. He completed the series in seven months, losing 15 pounds in the process. The United States Department of the Treasury later promoted war bonds by exhibiting the originals of the "Four Freedoms" in 16 cities.
The works toured the country in an exhibition that was jointly sponsored by the Post and the U.S. Treasury Department and, through the sale of war bonds, raised more than $130 million for the war effort. Rockwell himself considered "Freedom of Speech" to be the best of the four.
Although the "Four Freedoms" series was a great success, 1943 also brought Rockwell an enormous loss. A fire destroyed his Arlington studio as well as numerous paintings and his collection of historical costumes and props.
What makes Rockwell's work so effective is that he appears to have shared with millions of Americans a set of assumptions about life in the United States. He blended his illustration skills with a wealth of careful observation to bring these assumptions to life as in this cover, "Full Treatment," published on May 18,1940. While the ideas for his Post covers originated with Rockwell himself, none were ever executed without the prior approval of the magazine's editorial staff—a staff concerned with the tastes and interests of its readers.
Starting with the issue dated June 27, 1942, and the Rockwell cover "Willie Gillis in a Blackout," the Post changed the layout formula of its cover, giving Rockwell a good deal more flexibility. Also important is the fact that Ken Stuart, who was appointed art editor in 1944, decided that the cover should present, week by week, a cumulative and almost documentary portrait of the changing face of the nation.
In his later work, Rockwell shifts toward naturalism, blending the values of America's recent past with the realities of a present that could no longer be ignored. Since millions of Americans were presented with the problem of making a similar adjustment in their own lives, they were immediately able to identify with this changed mood in Rockwell's art as in the Thanksgiving Post cover from November 27,1943.
Rockwell's new interests led him to the detailed documentation of interiors and architectural settings. Rockwell's later covers and illustrations give us an accurate record of this highly particularized environment as in "The Barber Shop," published on January 26, 1946. Often the paint on the walls is no longer fresh and there's garbage in the streets. Rockwell packed his later work with unadulterated, carefully observed information.
In 1946 Rockwell painted "The Commuters" for the cover of the Post a suburban train station during the rush hour. In the foreground, crowding onto a platform as a train pulls into the station or hurrying to reach it, are the commuters. Faces are undifferentiated; clothes become uniforms; everybody seems to be either reading or at least holding a newspaper, presumably purchased from a boy selling newspapers at the entrance. Beyond this mass of humanity lies a landscape of winter trees and modest homes, power and telephone lines. If a viewer could walk among the homes, he or she would probably find Red Cross stickers in the windows and basketball hoops above garage doors. The focal point of the living room would be a radio. It's this panoramic view which makes this composition so interesting.
The July 9, 1949 Post cover "Traffic Conditions" offers an example of Rockwell's view of urban America. Here a bulldog has brought a truck to a halt in a narrow alleyway between two tenement buildings. The woman on the couple on the porch is nearly hysterical, but her husband welcomes the incident as a relief from boredom. In contrast, the younger people in the street seem detached from their surroundings.
Viewers can find another unidealized slice of American life in the November 5, 1949, cover, "The New Television Set." The theme is the new technology of television which Rockwell represents by a set being installed in the apartment of an elderly man. From his reaction, viewers can see that it will bring a new dimension to his life. The fact that he lives in an attic doesn't seem to matter.
The April 4, 1953 painting "Walking to Church" is a good example of one of Rockwell's detailed portraits of the American small town. The composition features the Silver Slipper Grill. It's easy to imagine the people who live in the shabby brownstone and the conversations that take place on other days in the beauty parlor and the barber shop. The architecture expresses a way of life and there's garbage in the street. Milk bottles and the Sunday papers wait on doorsteps.
"Saying Grace" was the most popular of all Rockwell's Post covers. Painted for the November 24, 1951 Thanksgiving issue, it shows an old lady and her grandson saying grace over their trays of food in the cafeteria of a railway station, watched by a porter and other travelers. It's the couple's adherence to the standards of home life in an alien environment that serves as Rockwell's vehicle for emotion, and this relies entirely upon the authenticity that Rockwell brings to his portrayal of the environment. Cigarette butts lie on the floor and a cigar has been stubbed out on a saucer while a cup of coffee looks cold and abandoned. A bleak natural light, filtered by clouds, rain, and smoke, illuminates the scene. Of the nine people in this composition, only the four at the table haven't been cut off by the edges of the canvas, a compositional device borrowed from photography.
Norman Rockwell aimed for the family audience. He tried to show the ideal of family life. He showed Americans at holidays like Thanksgiving and Christmas, in times of war, leading ordinary lives. He presents not the event itself but its effect on home life. Typical of this is "Easter Morning," a Post cover from May 16, 1959. The cover shows a father slinking down in a chair while his wife and their three children strut behind him on their way to church. His son casts a glancing eye his way while his sisters and mother ignore him.
An excellent 1930s cover, "The Vacation," shows a family united by their common exhaustion. A poster behind them tells viewers that they've been vacationing and the flowers in the wife's right hand tell everyone they had a good time.
In 1948 Rockwell presented the Truman/Dewey battle in a breakfast-table scene in a painting called "Dewey vs. Truman," from October 30, 1948. Again, the story is in the details—the toast waiting but forgotten in the toaster, the baby propped up against a table leg.
Rockwell's picture of family life is in many ways a capsule of his picture of America. He takes it seriously but shows some humor. He brings a realism to it which prevents him from over-idealizing his subject matter. His scenes are a slice of life as in his cover, "The Christmas Homecoming" from December 25, 1948.
Norman Rockwell approaches the subject of growing old in America with sympathy. He showed dignity and respect, even when he painted older people as a young man. "Family Saying Grace," from 1938.
Rockwell painted "The Dugout," appearing on September 4, 1948, as a tribute to the Cubs and White Sox baseball teams, both of which finished last in their leagues. The painting shows the disappointed look on the players' faces and the jeering fans above them.
Rockwell's most notable baseball cover, "Game Called Because of Rain," appearing on the Post April 23, 1949, shows umpires about to call a game as rain begins to fall from threatening skies.
President Jimmy Carter awarded Norman Rockwell the Presidential Medal of Freedom. He died on November 8, 1978, of emphysema at age 84 in Stockbridge, Massachusetts. First Lady Rosalynn Carter attended his funeral.
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Troopers Arrest Two Drivers In Separate Pursuits
September 2, 2022 2:05PM CDT
State Patrol (1011NOW)
(September 2, 2022) (OMAHA, NEB.) — Troopers with the Nebraska State Patrol arrested two people following separate pursuits in eastern Nebraska Thursday.
The first incident occurred at approximately 6:45 a.m. when NSP was alerted that the Cedar County Sheriff's Office was in pursuit of a woman who had escaped from custody and stolen a pickup. A trooper was able to locate the pursuit and successfully deploy stop sticks as the pickup was traveling southbound on county roads.
As the pursuit entered Wayne County, the trooper took over as primary in the pursuit. After a few minutes, the vehicle drove into a corn field southwest of Carroll. The trooper did not pursue into the field. As the pickup attempted to exit the field, it struck a tree and came to a stop. The suspect fled on foot.
Deputies and the trooper located the driver, Samantha Fredericksen, 31, of Sioux City, Iowa, after a short search and took her into custody without further incident. She was transported to the Cedar County Jail. Charges are pending.
The second incident occurred at approximately 9:10 p.m. when a trooper observed a Chevrolet Impala run a red light at the intersection of 24th and Cuming in Omaha. The trooper attempted a traffic stop, but the vehicle refused to yield. The trooper initiated a pursuit as the vehicle continued driving on surface streets. The suspect vehicle eventually entered southbound Interstate 480 and continued to flee.
After approximately three miles, the vehicle came to a stop and the driver was taken into custody without further incident. Six children were located in the vehicle.
The driver, Tiara Cook, 33, of Omaha, then provided a false name to troopers. She was lodged in Douglas County Jail for flight to avoid arrest, willful reckless driving, criminal impersonation, child abuse/neglect – no injury, obstructing a peace officer, and multiple outstanding warrants.


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Considering how late I was up the night before, I slept surprisingly poorly. By 10:30AM I threw in the nocturnal towel and got out of bed. I was a little distressed to find my phone hadn't charged, as it had experienced some minor water damage thanks to the hours-long shower of the Wine & Dine Half. I plugged it into the wall and to my relief it juiced just fine. That and the subtle but weird screen discoloration had evaporated entirely by the end of the day. Hooray for no rainy consequences!
With the exception of Nicole, who had apparently departed for Epcot hours ago, we were slow to get going. People wandered about showering, getting food and coffee, etc. Under normal circumstances I am up and at 'em at WDW, but exceptions must be made on occasion. I ate the rest of the snacks from the race box, which was kind of lackluster. What happened to the full Luna bar and piece of chocolate from previous boxes? Boo.
By noon we had made it to the Magic Kingdom, where much picture-taking and merrymaking was experienced. Our first stop was the Christmas shop in Liberty Square, where Estelle purchased some truly adorable red and green sequined Minnie ears. I played around with some Christmas hats but abstained from making a purchase... SO FAR.
Estelle made us some FastPass reservations, but we got mixed up and accidentally went to Big Thunder Mountain first. Whoops! Maybe I would've checked beforehand if the My Disney Experience app would deign to work on my phone. But no matter. We turned tail and took on Space Mountain, which I was able to ride without any unladylike incidents because I was wearing jeans. (But seriously, getting out of those cars is NOT graceful work.)
Here we split off for snack time, with Estelle traveling to Adventureland to snag a Dole Whip that would match the pineapples on her dress. Meanwhile, I led everyone else on a vital field trip to the Cheshire Cafe to purchase a food item I had been dying to eat for over a year. Ladies and gentlemen, I give you... THE CAKE CUP.
The cake cup is not pretentious. It is not fancy. It is, at its core, a box funfetti cake with sugary store-bought vanilla icing someone shoved into a cup and put a price markup on. But there is just SO MUCH FROSTING and I have SO MUCH LOVE FOR FROSTING that I couldn't resist. Indeed, Official Food Sharing Partner Katherine and I tag teamed this sucker - I scraped off the icing and she tackled the cake. It was great and glorious and I would do it again in a heartbeat. Note: the Cheshire Cat is edible but tastes like nothing.
From here we headed into Storybook Circus to poke around. Dumbo had a long-ish wait so we headed into the gift shop to see what we could see. There wasn't as much unique merchandise here as I would've liked considering the wealth of cute stuff that could be done with the circus motif, but the decor was suitably adorable. DeJanea even got her first set of mouse ears, embroidered with her name. (Can you believe I still don't have any?)
As we exited the shop, Katherine noticed that the line for the Minnie and Daisy character meet and greet was at a mere ten minutes, so we hopped in the queue. We split up out group so as to not overwhelm the photographer with a billion cell phone photos and whatnot. Daisy was deeply jealous of Katherine's tattoo and mimed that she wanted one too. I think Disney should definitely roll out some tattooed characters.
Side note: while between Daisy and Minnie photo ops, a suspicious event occurred. A wheelchair group came in the side entrance to see Daisy, but they instead ignored the cast member's instructions and hijacked Minnie - and interestingly enough, no one was using the wheelchair. Look, I know that disability and injury aren't always obvious to the naked eye. Maybe I'm being overly cynical. Maybe I'm being a jerk. I don't know. We didn't make a fuss or anything. But I think duplicitous wheelchair use is disrespectful to those with legitimate need, and Disney needs to continue working on their ADA policies.
Post characters, we met back up with Estelle for our actual Big Thunder Mountain Railroad FastPass, then headed back to Main Street to browse some shops.
While there, we received a tragic text message from Nicole that she had lost track of time and wouldn't be able to make our early dinner ADR at 'Ohana. Sadness!
But it was getting to be about that time, so we picked up the monorail to the Polynesian and grabbed a buzzer at the 'Ohana podium. It vibrated with unexpected quickness, and we were seated in no time flat. Our first act? An order of Lapu Lapus all around! According to our server, our tray full of pineapples made us the talk of the restaurant. More on this meal in a later post.
After dinner, most of our group went back to the Magic Kingdom. But Estelle wanted to go to the Grand Floridian to see the resident orchestra perform, and as I am not one to send a good soldier off into the night alone I went with her.
The orchestra was excellent and it was fun watching families dance to the music, but what I really liked was the pianist in the lobby who picked up after they finished their set. A little boy stared transfixed at the keys as the man played and the two ultimately struck up a conversation. We later spotted them plus the boy's mom continuing their talk on one of the couches. I like to pretend that this little boy was inspired to become a pianist and will one day remember that moment as the second he knew his ambition. Disney magic!
Hearts thusly warmed, we picked up the resort monorail to the Magic Kingdom and headed straight for the super-cute tree stump charging stations by the Tangled bathrooms (shout out for Estelle's favorite background music!). We located a lone unused charging slot among the available, so Estelle got a head start on battery power while I ran off to buy my boyfriend this plate from the new Haunted Mansion gift shop, Memento Mori. I was so excited because he's an architect and loves the Haunted Mansion and it's like they designed it just for him!
Upon my return another charging station had become available; we transferred our phones to it and just hung out for awhile. The Tangled area really is quite charming.
We couldn't wait for a full charge, though, because it was time for the Main Street Electrical Parade! I'm not normally a big parade person but I just LOVE Disney's night parades - MSEP is awesome but if they ever decide to bring back Spectromagic I won't mind that either.
Chalk this up to another thing FP+ has made irritating - parade viewing is now a thing you FastPass if you want a good spot. Sheesh. We ended up with an okay position in Frontierland, but I've always had good luck finding a spot by the hub and FP+ prevented that. The parade itself, however, was fantastic as per usual - gotta love the Alice floats!
Ditto on the fireworks. I kinda can't wait until the hub expansion. I'll miss the rose garden but boy do we need the room. Estelle and I ended up shuffled over to a backstage area just past the ice cream parlor, where the view was actually pretty food but it was kind of hard to hear the soundtrack. Oh well - like I don't know the music by heart anyway!
After the fireworks we skedaddled over to the Seven Dwarfs Mine Train for my first ever ride! The line was reportedly about forty minutes, which wasn't bad considering, so we hopped in. Estelle made friends with a mom and her little girl who was absolutely mesmerized by the jewel sorting and water mini-games in the queue - she kept having to go back and retrieve her.
We were very nearly there when the unthinkable happened: the ride broke down! Our consolation prize: a FastPass good until November 30 for any ride. We resolved to come back later in our trip to get our Mine Train ride in at last.
The park was close to closing, but we had time to sneak in a ride on Peter Pan, which featured - get ready - NO WAIT. No wait for Peter Pan! Now that's just crazy talk, but it's the truth.
We came off the ride after closing and were met with a confusing sight at the hub: the Main Street Electrical Parade was running again. Huh? When does MSEP ever run after park closing? That's IllumiNations' thing. But there it was. So we watched the parade again (at the hub with a great view, might I add) because duh. But it was a weird version - the canopy over Cinderella's dancers was missing, and the dwarfs that had cavorted with Snow White only hours earlier were nowhere to be found. Maybe MSEP was surprised to find itself running again too.
The park was, as I mentioned, now closed, but we weren't quite done yet. Happily for us, the Main Street Bakery was still serving; after grabbing a coffee for Estelle and a mint tea for me, we settled on a bench by the castle and I finally saw it: the Kiss Goodnight. Which I still think should feature Jiminy Cricket. It just feels right.
Then and only then was it time to catch the bus back to the resort and go to bed. In the morning: the Studios!
Labels: food, food reviews, Just Jenn, Kiss Goodnight, Magic Kingdom, November 2014 trip, trip reports, Walt Disney World
Estelle November 21, 2014 at 12:23 PM
This was such a fun day. Can't wait to share the videos from the orchestra/piano player. Thanks for taking the journey with me!
Jenn November 21, 2014 at 12:26 PM
Oh, right! I forgot you took video! Can't wait to see it. :D
Ok, so this is weird...Sunday night I was in line for Mine Train when it broke down (we didn't get a FastPass though, what the heck!)...after it broke down we went to Peter Pan (with no line!)...and then hung around Main Street until after the Kiss Good Night!
Seriously, how did we not see eachother?!?
! I don't know! Some just-barely-missed-you shenanigans of Scooby Doo proportions, no doubt!


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Suddenly unwanted, Tebow has uncertain NFL future
NEW YORK (AP) ? From nearly unstoppable to nearly invisible.
Tim Tebow was two wins from the Super Bowl a year ago. Now, he's pretty much a player without a team ? likely to be released by the New York Jets after one frustrating season and his hometown team in Jacksonville already pulling in the welcome mat.
Even Tebow doesn't know how this will unfold. A backup role on another NFL team? A position change? The Canadian Football League?
"I don't know what my future holds, but I know who holds my future," the devout Christian said in a recent interview with Fox Business Network, his only public comments since his strange Jets season ended.
"And, in that," he added, "there is a lot of peace and a lot of comfort."
Tebow barely played for the Jets last season. "An absolute mess," is the way recently retired special teams coordinator Mike Westhoff described it. Tebow has two years left on his contract, but New York is expected to trade or release him in the next few weeks. So far, destination unknown.
"I can't imagine a scenario in which he'll be a Jacksonville Jaguar," new general manager David Caldwell declared last week. "Even if he's released."
While there's an outside chance Tebow could remain a New Yorker, depending on the whims of the still-to-be-hired GM, it appears highly unlikely.
So, that's two NFL teams down ? the only ones, at that, who showed any interest last offseason when Denver shopped him ? and the 25-year-old Tebow's options appear to be dwindling.
"Tim Tebow is an extremely popular individual ? or, he was," said former Cowboys executive Gil Brandt, now an analyst for NFL.com. "I think his popularity has waned significantly the last three or four months."
The buzz these days belongs to young quarterbacks like Washington's Robert Griffin III, Seattle's Russell Wilson, Indianapolis' Andrew Luck and San Francisco's Colin Kaepernick. It seems so long ago now that Tebowing ? his signature dropping to a knee for a prayerful pose ? was all the rage.
But even Tebow never Tebowed during the regular season for the Jets. Not once. Quite a fall for a Heisman Trophy winner and two-time national champion with the University of Florida, and whose No. 15 Broncos jersey ranked second in national sales to Green Bay's Aaron Rodgers in 2011.
"I think it's fair to say," Tebow acknowledged last month, "that I'm a little disappointed."
The Jets had every intention of trying to make things work with Tebow when general manager Mike Tannenbaum surprisingly acquired him from Denver last March ? after Peyton Manning arrived ? for fourth- and sixth-round draft picks. But once Tebow got on the field, something went woefully wrong.
Tebow went from being considered a key part of Rex Ryan's offense to almost non-existent. Offensive coordinator Tony Sparano didn't know how to use him effectively, and Tebow wasn't particularly productive when he got his few snaps in the wildcat-style formation. He made his biggest mark on special teams as the personal punt protector, and did all he could to hide his frustration at not playing. But the numbers said it all: a mere 102 yards rushing and 6-of-8 passing for 39 yards. And, the most damning stat of all: zero touchdowns.
"I would've liked to see him get a chance," defensive end Mike DeVito said.
It didn't even come when Mark Sanchez struggled so badly that he was benched for the first time in his career. Instead of going with Tebow, the No. 2 quarterback on the depth chart, Ryan went with third-stringer Greg McElroy. Tebow now had a bruised ego to go along with the two broken ribs that limited him earlier in the season.
"Every opportunity you get, you want to make the most of," Tebow said a few weeks before the season ended, "and I'd have loved to have more of an opportunity to just play quarterback."
Acquiring Tebow ultimately helped lead to Tannenbaum and Sparano losing their jobs. And, it clouded Tebow's prospects in the NFL. No matter what, though, he insists he's a quarterback.
Eric Crouch, a fellow former Heisman Trophy winner, knows what he's going through. Crouch was Tebow before Tebow, a tremendous athlete who played quarterback at the University of Nebraska but was told he'd have to switch positions to have a future in the NFL.
"I came out of a running attack at Nebraska where we didn't read a whole lot of passing defenses," said Crouch, now a college analyst for Fox Sports. "So, I was probably a much bigger project than what Tebow is. Sometimes you get labeled a running quarterback, but what you want is to be labeled a dual threat or a passing quarterback who can run."
Crouch was drafted in the third round in 2002 as a wide receiver by St. Louis, switched to safety and was in camp with Green Bay and Kansas City the next few years before playing in NFL Europe. In 2006, he played three games at quarterback for Toronto of the CFL. Crouch is done with football now after giving it one final shot with his hometown Omaha Nighthawks of the United Football League in 2011.
"Listen, I learned a long time ago that I should've just done what I felt was the right thing to do, which was hold out on people changing me to what they think was best for me," Crouch said. "I was playing quarterback since I was 9 years old. I think the most important thing I would tell Tim is, you've got to listen to yourself on this one.
"There are going to be a lot of people telling Tebow what he should or shouldn't do."
Like the folks who insist a position switch is the only way Tebow will remain in the NFL ? whether that's as a tight end, receiver, halfback, fullback or safety.
"I just don't think he will ever be a quarterback in the NFL," Brandt said. "I think he's really smart, but I don't think he has the mental quickness at the position. The second thing is, he just is not accurate."
Tebow, reportedly working out in Arizona with a personal trainer, could still land somewhere in the league as a project for an offensive coordinator willing to learn from the Jets' mistakes.
"He's still worth a try and I think somebody will sign him, but it'll be under the condition that it will be as something other than as a quarterback," said Brandt, who thinks Tebow will stay on offense. "If Al Davis were still here, he'd take him in a second and try to turn him into a tight end for the Raiders."
Or, Tebow could simply swallow his pride, head to Canada and become a huge star there with the CFL's wide-open fields. And then, who knows? Maybe he would come back to the United States ? the same route Warren Moon, Doug Flutie and Jeff Garcia took to NFL stardom.
"There's no shame at all in going to the CFL," Crouch said. "They'd take him right now and he'd get a lot of tape, and if he's there two years, he'd have 50 games under his belt reading defenses and coverages. Let the NFL scouts make their decisions then.
"And, hey, he might have so much fun there actually playing, he might not want to ever come back."


A dry herbaceous rose with notes of red fruits and red berries.
Vino Rosato 2016 | Rosata di Toscana I.G.T.
Maria Pia's is dedicated to natural winemaking and presents her latest a rosé with 'balls'. This San Isidoro 2015 has a bit more acidity then the 2014 but has still this distinct character.
Maria Pia Castelli | Sant'Isidoro 2015/16 | Le Marche Rosato I.G.T.
Sometimes you come across a discovery you need to share with the rest of the world.
Brandulin Rosé 2016 is another one of Brandulin's fine wines, based on some local grape varieties.


While it is common for children to have accidents, if a child is injured due to someone else's negligence then the child might be entitled to compensation. Children cannot file their own personal injury claim but a responsible adult, usually a parent or guardian, can file the claim on the child's behalf. The responsible adult takes responsibility for the claim and makes decisions on the child's behalf, while protecting the child's interests throughout the litigation process.


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How to Play Plinko Crypto Game
Plinko is enjoying a surge in popularity as more and more casino players are enjoying the game at crypto casinos.
Plinko is a fun, totally random game of chance that offers players the opportunity for big wins. But what is it, and how do you play it?
Plinko Basics
Playing Plinko
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The game of Plinko is basically a reverse game of pinball, the game we are sure many of you have played at some time.
In Plinko, a small ball is released down rows of pins set up in a triangle shape with the fewest at the top and the most pins at the bottom.
The small ball falls randomly through the pins until it settles in a pocket at the bottom. Each pocket has been pre-assigned a multiplier value.
The pockets at the end of the triangle are harder for the ball to fall in, so they have higher multipliers, while the ones in the middle have smaller multipliers.
Before you play, you choose your stake. At most crypto casinos, you can bet pretty much what you want.
You can also choose the difficulty level. Most games have three standard settings – low, medium, and high.
These levels relate to how many rows of pins you have in the game. The highest number we have seen is 16 rows at Stake Casino. This means you are playing on a grid with 168 pins in total.
When you have chosen the risk level and stake you want to play at, hit either Bet or Play and watch as the ball falls at random through the pins until it reaches the bottom.
When the ball lands in a pocket, you are paid out at whatever the multiplier for the pocket was. So, if you bet 25 Ripple and the ball landed in the 2X multiplier, you'd receive 50 Ripple back.
The best thing about Plinko is that most crypto casinos have their own versions of the game. So you can enjoy different themes, animations, risk levels, and multipliers.
Stake, BetFury and BitStarz have the largest multipliers we have seen at 1,000X. To play for this multiplier, you have to choose the hardest settings.
Some casinos also offer unique jackpot games when players play Plinko. For example, at BetFury, you need to collect all the letters PLINKO by landing the balls in pockets that are assigned a letter.
Plinko is a random game with no skill involved. Therefore, Plinko strategy relates to sensible bankroll management and choosing the right game.
It can be tempting to play the game on the most demanding settings for the chance to win a huge prize. But often, it's better to play lower-risk games and enjoy smaller, more frequent wins.
And make sure you set win and loss limits. This means having a number in mind that you want to win and stop if you hit that number. Your luck can't go on forever, so it's better to take the winnings and come back and play another day.
Similarly, ensure you don't bet more than you set out to. Players can suffer poor runs on Plinko as with other casino games, and it's always better to cut your losses and chance your luck another day rather than just chase losses.
Like other popular crypto games such as Dice and Crash, Plinko typically has a return-to-player (RTP) of 99%. This means the house edge is just 1%, lower than pretty much any other casino game. For comparison, regular European roulette has a house edge of 2.75%.
RTP values give you an estimation of how much money you would likely win if you played the game. For every $100 you wager on Plinko, you could expect to win $99 back. Of course, players can win more or less than this. It all depends on how lucky you are.
It's easy to see why Plinko has become just a popular game. It's simple to play with an easy-to-understand mechanic.
New thrills are available every round, with no game the same. Add in the fact that huge wins are possible, and you can play for very low stakes, and it's clear why it's such a fan favourite among crypto casino players. Plinko is available at all top crypto casinos.
Related Items:crypto casinos, crypto games, How much can you win at Plinko, Playing Plinko, Plinko, Plinko Basics, Plinko RTP, Plinko Strategy, random game
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Q: Connection String Proxy? My application uses a bunch of Service classes, many of which have a backing Repository class.  When my application starts up, I create a new Unity container with handles creating all of my Service and Repository classes and does all of the dependency injection.  The examples that I've seen say that it's bad practice to have the Unity container by a global container, so it goes out of scope after it's finished creating all of the objects that it needs to create.  Then those objects get passed around throughout the rest of the program.
My problem is that I have a "settings" window which lets the user change the database name and server.  However, all of the Services objects already have backing Repository objects which have been created by injecting the original database name and server.  So I have to change the database connection string for all of those Repository objects that have already been created.
I was thinking about making something like an IDatabaseConnectionStringProxy interface and having all of my Repository objects have a reference to a single object of that type, rather than each Repository storing its connection string explicity.  Then I could just have my "settings" window update the connection string on that single proxy object which all of the Repository classes are pointing to.  Would this be good design or is it a bad way of doing things?  If this isn't a good idea, how should I handle this?

A: This sounds like a variation of the quite exotic Future lifestyle described on page 272 in my book. Instead of inventing a new interface, I think you should be able to address this concern with a Decorator.
First, let's imagine what the types involved look like. It sounds like you have some repository interfaces. Let's call a representative Repository IFooRepository:
public interface IFooRepository
{
    Foo Read(int id);
}

It also sounds like you have concrete implementations that talk to a database. For good measure, let's give the concrete classes Inspection Properties, so that we can query the repository object to ask it which connection string it uses:
public class SqlFooRepository : IFooRepository
{
    private const string connectionString;

    public SqlFooRepository(string connectionString)
    {
        if (connectionString == null)
            throw new ArgumentNullException("connectionString");

        this.connectionString = connectionString;
    }

    public string ConnectionString
    {
        get { return this.connectionString; }
    }

    public Foo Read(int id)
    {
        // SQL query code goes here...
    }
}

This enables you to create a Decorator (or perhaps it's a Decoraptor):
public class ConnectionstringAwareFooRepository : IFooRepository
{
    private SqlFooRepository repo;

    public Foo Read(int id)
    {
        var connectionstring =
            ConfigurationManager.ConnectionStrings["foo"].ConnectionString;

        if (this.repo == null ||
            this.repo.ConnectionString != connectionString)
            this.repo = new SqlFooRepository(connectionString);

        return this.repo.Read(id);
    }
}

The benefit of this design is that it completely shields the client code from dealing with the management aspects of discovering new connection strings. All the client sees is IFooRepository.
Do note, though, that the above example isn't thread-safe. If you need to use this solution in a multi-threaded environment, you'll need to make it thread-safe.
Since the ConnectionstringAwareFooRepository class reads from the configuration file, I would strongly recommend that you put it in the same part of your code base as your Composition Root.

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Q: Implementing fa unction that adds and sorts data in a singly linked list (addsort)? I'm very new to C++ so it's a bit hard to understand the syntax sometimes. Anyways, I'm supposed to implement a function that adds and sorts the data given into a linked list. For example if I pass 2 into the list [1,4,5] then I should get [1,2,4,5]
Here is what I have written so far, and no it does not work, I keep getting "blah blah not declared in this scope"
void addSorted(Data * ){
  temp = 0;
  if (head == NULL) {
      head = new LinkNode(newData);
  }
  else {
      LinkNode * current = head;
      while (current->next != NULL) {
              current = current->next;
          }
      if(current->data > current->next->data){
          temp = current->data;
          current->data = current->next->data;
          current->next->data = temp;
      }
      current->next = new LinkNode(newData);
  }
}

Someone please help me, I'm using the struct LinkNode I think which is already given, in addition to a bunch of other functions like add, insert, remove, get, and size
I'm not looking to just get the answer, I need to know why what I have isn't working.

A: Hope that you have really put your effort in it..I am posting the whole function for inserting data into list in sorted order which I had written long time back

void addData(node * head, int data){

        if(head == NULL) {  // First node

                node * temp = new node;
                temp -> data = data;
                temp -> next = NULL;
                head = temp;
                root = head;
        }else{

                node * prev = NULL;

                while(head -> next != NULL){  // Sorted Addition Logic is HERE

                        if(data >= head -> data){
                                prev = head;
                                head = head -> next;
                                continue;
                        }else{

                                node * temp = new node;
                                temp -> data = data;
                                temp -> next = head;
                                if(prev != NULL)
                                   prev -> next = temp;
                                else
                                   head = temp;
                                break;
                        }
                }

                if(head -> next == NULL){

                        node * temp = new node;
                        temp -> data = data;
                        head -> next = temp;
                        temp -> next = NULL;
                }

        }
}

Seeing your code, it seems that your logic itself is wrong...you are always ending on the last node (while loop) and in the next if statment you are trying to compare the data of the next node which is not present