PARIS • The last time both sides met in a competitive match, France put on a performance full of attacking verve to run out 5-2 winners over Iceland in the quarter-finals of Euro 2016.
They have since gone on to lift the World Cup and, while many are expecting the national team to make light work of Group H to qualify for Euro 2020, Didier Deschamps is aware his players can sometimes be their worst enemy.
Ahead of their clash with Iceland at the Stade de France today, the Les Bleus coach said: "A lot depends on us. We have the quality, we all saw that (in the 4-1 qualifying win at Moldova)."
The former Juventus midfielder also backed Olivier Giroud to remain a pillar for the team.
The Chelsea striker has struggled for minutes this term, starting just six Premier League games under Maurizio Sarri, although he has starred in the Europa League with nine goals in as many matches.
Giroud netted three times in France's last six matches in all competitions and his strike last Friday saw him draw level with David Trezeguet as his country's third-highest scorer on 34 goals.
Admitting that the 32-year-old was "quite complementary with the other players", Deschamps told Sky Sports he would continue to lead the line as "his role is different and this allows our team to have a varied offensive play".
Goals Olivier Giroud has for France, making him their third-highest scorer, level with David Trezeguet.
He said: "His presence as a pivot is very useful. He scores goals. He does so too with his club."
The 50-year-old also revealed that despite France's heroics in Russia which saw them clinch their second World Cup last July, there were no fears over a lack of commitment to the cause.
Deschamps added: "I wasn't really worried because since the beginning of the week, I had told them what I wanted to tell them about the match through the sessions we had - there was a lot of dedication.
"The players know. The more experienced players I have like that, then the rest of the group follows.
"It seems normal and logical, but I do appreciate the quality and the mindset we have."
France will likely be without Bayern Munich winger Kingsley Coman for the Iceland game after he suffered a thigh injury in the warm-up for the Moldova opener.
Telling French TV station RMC Sport he was "not here to take chances", Deschamps said: "I have no problem using Blaise (Matuidi), who did not disrupt the collective (as his replacement)."
Lucas Digne will also be another absentee in Paris after the Everton full-back pulled out of the squad yesterday owing to injury.


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Fun and creative portraits. Here's another one of my favourites from my Personal Archive.
Following on from my successful entry in Sydney Morning Herald "Shoot The Chef" portrait competition in 2008. I was thrilled with opportunity to captured a portrait of Adriano Zumbo. I wanted to create something dark and mysterious, reminiscent of Hollywood's classical film noir period, which is generally regarded as extending from the early 1940s to the late 1950s.
So off i went location scouting. I knew the photograph needed to be captured at night to achieve the right moody look i was after. But i still needed some ambient lighting as well. So with a combination of street lighting and studio flash i was able to create a stunning, moody and even romantic black and white image. Sydney's Rocks area is a wonderful place for timeless portrait photography and classic wedding photos.
And yes I was again a finalist in the Shoot The Chef photography competition in 2009.


How do we get European style strikes in Britain?
The European trade union day of action this week is an inspiration. It shows the spread of mass strikes as workers confront the austerity agenda.
We got a glimpse of what something similar could look like in Britain on 30 November last year. It gave hope to millions of working people—and not just those in unions.
If trade unions are to be successful they will have to build on this model. Unfortunately last year some union leaders derailed the movement by signing up to the government's "heads of agreement" deal.
But the 200,000 people who attended the TUC demonstration last month showed that there are still huge numbers out there who want to resist the coalition's attacks.
And the TUC's congress passing a motion to "consider the practicalities" of a general strike opens up a space. It gives activists a chance to put the case for that action in every workplace, canteen, staff room and union meeting.
Unite the Resistance exists to try to bring together all those within the unions who understand the urgency of building such a movement.
We are attempting to build a network of workplace leaders, connecting them together on a local, national and international level.
It's about learning from each other and supporting one another in struggle. It is through these networks that we can ensure every call for action from our trade unions gets the maximum active support.
And at the same time, these networks can also apply pressure, when needed, to union leaders who fail to call effective action against the attacks we face. We have the power to build a movement that can put a halt to the era of austerity.
We're at a difficult stage now. We need an honest discussion about where we are—how to persuade people that resistance is still possible. What matters now is where we are going. People are swamped with workload. Fighting work intensification has got to be central to resistance.
In the UCU we lost a strike ballot, but we're trying to get a higher education emergency conference in January.
Where we are going has to be about workload and equality, because the government is still clobbering people. They're hitting poor people and disabled people. Gender and class have to be central to our fightback.
We need to talk seriously about how to rebuild the unity we had last year in the labour movement. We can't ignore the damage done by the breakdown in unity in the pensions dispute.
But we have to avoid the temptation to split unions into 'left' and 'right' unions. We're battling to turn Unison into the fighting organisation we need.
We need to set our differences aside and build the rank and file. We need to move beyond slogans and get motions for a general strike. We need to rebuild to resist austerity, cuts, privatisation and job losses.
In our union we're calling for protests in November and December, including strikes by some sections such as the Department for Transport.
We are also set to kick off a ballot for national strikes in the new year. This action will be against cuts, privatisation and also the attack on terms and conditions.
There was an argument on our executive during the pensions dispute that PCS could not fight alone. But now all agree the attacks will require PCS to fight on its own if need be.
Unite the Resistance is about actively addressing the crucial question—the need to get organised in every workplace to put the words of the union leaders into action.
Protests are being planned in towns and cities across Britain on 5 December as chancellor George Osborne unveils the latest round of cuts in his autumn statement.
Already protests are being organised in London and Sheffield. An anti-cuts conference of 100 last week agreed to back protests in Manchester, Liverpool and Lancaster.


Sometimes, in the wake of the holidays, with a mountain of dishes in the sink and wrapping-paper tumbleweed rolling through the living room, it can be hard to muster up much enthusiasm about starting the day.
These are the days made for slippers, movie marathons, and just letting the puppy have that wrapping-paper tube if he really wants it so badly.
But it turns out that when you're a grown-up, people expect you to get up and go to work. AND be productive. Even if you're suffering from a Honey-Baked Coma. Feel free to imagine my thoughts on that situation.
This is when you're going to shine. Because you made teeny little espresso tartlets for the ones you love: espresso sugar-cookie cups, filled with Kahlua brownies and topped with mocha ganache. And just for funs? A chocolate-covered coffee bean. Good morning, world. I just may be able to face you after all.
2. Mix in Brown Sugar, Baking Powder, Salt, Cinnamon, and Nutmeg until fully combined.
3. Mix in Egg, Espresso Powder, and Vanilla until fully combined.
4. Mix in Flour until just combined.
5. Cover Dough with plastic wrap and chill in refrigerator for 1 hour.
6. Heat oven to 325 degrees.
7. Spray mini-muffin pans with nonstick cooking spray.
8. Divide Dough into 36 balls [ each will be about 1 1/4 inches in diameter ].
9. Place 1 Ball into each mini muffin cup and press Dough up sides of cup.
10. In a small pot over Low heat, stirring constantly, melt Semisweet Chocolate and Butter.
11. Remove pot from heat.
12. Mix in Egg, Brown Sugar, Kahlua, Vanilla Extract, Cinnamon, Nutmeg, and Cardamom.
13. Fill each Pastry Cup with 1 rounded teaspoon of the Chocolate Filling.
14. Bake filled Cups until filling is set and puffed [ this will take about 15 minutes ].
15. Set muffin pans on baking racks to cool for 5 minutes.
16. After 5 minutes, remove tarts from pan and cool on baking racks.
17. In a small pot over Medium heat, bring Whipping Cream and Espresso Powder to a boil.
18. Immediately remove from heat and drop in Semisweet Chocolate. Do not stir.
19. Let stand for 5 minutes and then stir until smooth.
20. Spoon a small amount of Ganache over each tart.
21. Top Ganache with a Chocolate-Covered Coffee Bean.


Limited edition (20) Giclée Circle of Surfer prints, 2050 Zar.
Artwork 30.5cm (12 inches) on 60/42 cm (23/16.5 inches) 210 gsm HP Matte paper.
The original Treknet and Mama Taxi cartoon strips are all available to buy. To frame and hang on your office wall, or perfect for a bit of Mindfulness colouring. Drawn traditionally using black and white water and fade proof, pigment ink pens on 120-160g card. Start your collection today!
Look who's got his own brand new comic strip in the farmer's weekly!
Join Koos and friends down at the funny farm every week in the Farmer's Weekly as he ploughs his way through the ups and downs of farm life in South Africa.
Happy belated New Year and some wise words from my new desk calendar. If I could only stick to this.
My Starry Nights over False Bay Exhibition at the end of last year was an overwhelming success. Thank you to everyone who come to the opening night or popped in during the following week. Now it's back to the drawing board, as it were.
We had an awesome opening night at my Starry Nights over False Bay. Thank you to everyone who turned out and to those who bought my artwork. You are all Awesome!
I will be working from the gallery today and the rest of this week from 9am to 1pm, so please pop in and say hi if you are in the area. The Arthaus is 3 Belmont Street, just off the main road Kalk Bay, opposite the Brass Bell subway. Hope to see you.
Frikkie! He don't like cricket....oh no! Every Thursday in the Drive Times.


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Originally Published: April 1, 2008 2:29 p.m.
Editor's note: Jackie Brown is the associate editor of the Grand Canyon News, a sister publication of the Navajo Hopi Observer.
FLAGSTAFF - Despite assertions that uranium extraction is safer now than 50 years ago, some northern Arizona tribes and officials aren't willing to trust an industry they say hasn't taken responsibility for what it left behind during the last mining boom.
"It served as an excellent example of how not to do things," said Kris Hefton, Chief Operating Officer of Vane Minerals, of past practices. "The industry of the past 25 years has learned from that."
Despite his positive testimony, he was one of just three of 14 witnesses favoring a continuation of mining activity at last Friday's Congressional field hearing - Community Impacts of Proposed Uranium Mining Near Grand Canyon National Park - in Flagstaff.
Also testifying during the four and a half hour hearing were representatives from the Navajo, Kaibab Paiute, Havasupai, Hualapai and Hopi tribes; representatives from Coconino County and Kane County, Utah; Park Service; Forest Service; river running industry and scientific community.
The panel was headed by Arizona's 4th District congressman, Rep. Raúl M. Grijalva and included fellow representatives Ed Pastor of Arizona's 4th Congressional District and Grace Napolitano of California's 38th District. It was convened in conjunction with legislation that Grijalva is sponsoring to curb mining in proximity to Grand Canyon National Park. It was a joint effort by the Subcommittee on National Parks, Forests, and Public Lands of the House Natural Resources Committee and the Energy and Minerals Subcommittee.
HR 5583 would prohibit new uranium mining in the last three portions of federal land surrounding Grand Canyon where it is still permitted: the Tusayan Ranger District of the Kaibab National Forest south of the Canyon, the Kanab Creek watershed north of the park, and House Rock Valley, between Grand Canyon National Park and Vermilion Cliffs National Monument - about 1 million acres in all.
"Grand Canyon is in a status unto itself," Grijalva said. "The reason is to bring emphasis to that status, not to shut the industry down."
The legislation was introduced in response to a permit granted to Vane Minerals to explore for uranium on the Tusayan Ranger District. Grijalva called it a placeholder that would stop new mining while congress works to revise the 1872 mining law that gives the Forest Service little latitude to deny mining and exploration requests as long as the company does an environmental review and has a mitigation plan reviewed by agency experts. The revision would also require the hard rock mining industry to pay royalties on profits, as the oil industry already does.
"A no-action alternative was not an option," said County Supervisor Carl Taylor. "Coconino County supports providing federal land managers with the authority to assess cultural and economic impacts when making decisions under mining and reclamation laws."
The board in February voted to oppose all mining activity around Grand Canyon. Coconino County's comprehensive plan of 2003 also discourages industrial uses, including mining, on or near public lands. However, the board has no jurisdiction over administration of state and federal land - 87 percent of the county's inventory - even though they rely heavily on it to support the tourism industry. Mining is prohibited on all reservation land by order of the tribes, as well as on land designated as a national park and national monument.
Taylor said that it had the potential to damage the county's tourism industry, an assertion that geologist Dr. Karen Wenrich disputed in her testimony later.
"Quite the contrary," she said. "The Orphan Mine in Grand Canyon National Park is a tourist attraction."
While Coconino County vehemently opposes mining, County Commissioner Dan Hulet of Kane County, Utah, said that his board welcomes a return of the industry to an area that he said never rebounded from the end of the last boom.
"Life was good, jobs were plentiful and paid a good wage," he said. "When they shut down hundreds were out of work."
Grand Canyon National Park Superintendent Steve Martin said that while all of the land under his purview is protected, he is concerned about mining activity close to the park border.
On the Tusayan Ranger District alone, there are 2,100 uranium claims, five uranium exploration projects slated and the possible opening of one uranium mine.
"There is some concern for the protection of the resources," he said, noting that the Native American cultures and values are part of that.
Pressed by Napolitano, he rated his concern at the top of a 1-10 scale.
However, Hefton, who is also a geologist, said he was more concerned about radiation from the sun than gamma radiation from uranium. Mining also removes the toxic metal from the eco-system, he said, and in case of a spill, "they pick it up and load it back in the truck. You won't be seeing workers in haz-mat suits."
Navajo Nation President Joe Shirley Jr. recalled the industry's legacy on Native American land over 40 years, from the 1940s to the 1980s when companies declared bankruptcy and walked away.
"Why should we believe the companies now," he asked, "when they haven't cleaned up the mess they left behind the last time."
He said there are some 1,000 abandoned miles located on Navajo land, and that contamination from mill tailings threatens drinking water in Tuba City and Shiprock, N.M. Hopi villages of Upper and Lower Moenkopi report elevated uranium levels in their own drinking water - a legacy left by Rare Metals Corporation's processing facility.
All five tribal leaders said that the mining was an affront to the land - not just the reservation land, but also all aboriginal land - and their sacred traditions.
"As Native Americans, we believe that all things are connected and have a spirit that should be treated with respect," said Ona Segundo, chairwoman of the Kaibab Paiute tribe of northern Arizona and southern Utah. "There are reasons why resources are buried."
Hualapai Chairman Charles Vaughn said that his tribe has been offered money and shares in a publicly traded mining company, in exchange for allowing mining on their land - offers they have outright rejected..
"You need to understand how indigenous people value money," he said. "It's not in the context that you value money."
He said that along with health and spiritual considerations, the tribe also had a moral stand regarding how the material could be used.
"The indigenous people do not want to be responsible for having this product turned into weapons-grade uranium and bring devastation," he said. "That outweighs the monetary value."
Under questioning by Napolitano, tribal leaders also said that because they didn't come before any governing board, contact from the Forest Service didn't rise to the formality of government-to-government consultations as required in a 1998 executive order.
Regional Forester Corbin Newman stressed that to mine, companies would have a more stringent process to follow.
"We did not receive a proposal for mining," he said. "This was simply for exploration. Mining development is a whole different proposal which requires a much more detailed analysis and disclosure."
But opponents said there was little difference.
"Why explore if mining is not going to be practical?" said Taylor.


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Can you spot the difference between the two pictures in the video above? Most of the packed audience at the "The Neuroscience of Illusion" event at the American Museum of Natural History in Manhattan couldn't. What if we told you to look for something the men couldn't leave without? Even with that clue, many attendees were still stumped. One women continued to struggle even when told to look for the man without a hat. If you're like her and still confused, the engine of the plane is only present in one picture!
What makes it so hard to see what's right in front of us? The audience's response to the video illustrates that our field of vision, called the "attention spotlight," is very narrow, said Apollo Robbins, speaker at the event. Called "The Gentleman Thief," Robbins is a master pickpocket and illusionist who is said to have picked the pockets of more than 250,000 men and women. When we are focused on something intently, we may miss other important details. Pickpockets manipulate this shortcoming to divert attention and steal, he said.
Vision is not only crucial for children's physical, cognitive, and social development, it can continue to affect health and happiness all through adulthood. A recent report about children's vision and eye health revealed that more than one in five preschool-age children have a vision disorder, which can range from mild refractive errors (i.e. myopia—nearsightedness, hyperopia—farsightedness, astigmatism) to vision loss. While there is a lot being done to ensure a nationally-recognized system to promote eye health, it's important to build awareness around the genetic and environmental factors that play a role in visual disorders.


There are many circumstances for which a modification of an existing child support order, but very few for enforcement of the child support order. Let us start with the easy one: when the paying parent fails to comply with the child support order by failure to pay as ordered, the other parent may commence and action to enforce the terms of the order. In short, the court is asked to compel the payer, the party paying support, to pay as ordered. Often, these are brought at the same time, or as part of, a violation petition asking the court to determine that the payer has violated the court's order, is in contempt and needs to be penalized for that contempt.
One can easily see why violation petitions and enforcement petitions so often travel hand in hand. Violation only seeks penalty for violation, enforcement compels the payment to which the payee is entitled. One part alone does not derive the same result as can be obtained by the combination of causes.
As to modification of an existing child support order, as stated, there can be many reasons for this. For a successful petition for modification of support, there must be what is called a "material change of circumstances" that is ongoing in nature. Example would be the loss of employment by either party, through no fault of their own, or a transfer out of the area for one parent that will make a massive difference in the cost of visitation, or the 50/50 split in custody that greatly reduced the support order is not being followed and one parent only takes the child, or children, two weekends a month, or one parent becomes disabled and unable to earn income at previous levels. There are many other scenarios that warrant a modification of child support. Our Family Attorneys are here to help you sort through it in any way we can.


text:
Ignite Theatre Celebrates Their 30th Production
Ignite Theatre presents
Adapted from The Wonderful Wizard of Oz by L. Frank Baum
Book by William F. Brown
Music and Lyrics by Charlie SmallsCo-Directed by Keith Rabin Jr. and Amy Osatinski
Music Direction by Brandon Bill
Choreographed by Carlos Jimenez
January 7 - January 29, 2017
Ignite Theatre celebrates their 30th production with "The Wiz" January 7 through 29 at the Aurora Fox Theatre, 9900 East Colfax Avenue. Performances are Thursdays, Fridays, Saturdays and Monday, January 16 at 7:30 p.m.; Sundays at 2:30 p.m. Tickets are $28 Adult, $26 Senior/Military, $20 Student and $25 Group (6+) and are available online at www.ignitetheatre.com or by calling 866-811-4111.
The Wiz is the glorious seven-time Tony Award-winning musical retelling of L. Frank Baum's "The Wonderful Wizard of Oz" set in the context of African-American culture. With an infectious funky soul score and lyrics, "The Wiz" brings a refreshing, edgy and extremely relevant update to a timeless classic. Musical numbers include "So You Wanted to Meet the Wizard," "Everybody Rejoice/A Brand New Day" and the ever popular "Ease on Down the Road."
The cast includes Clarissa DuBose (Dorothy), Lundyn Roybal (Scarecrow), Kuraan Jones (Tinman), Thairone Vigil-Medina (Lion), Shakeya Burkhalter (Aunt Em/Glinda), Keith Jackson (The Wiz), Brittney Caraway (Addaperle), Kenya Fashaw (Evilene) and Mike Lee (Uncle Henry/Gatekeeper). Rounding out the cast are ensemble members Jordan Duran, Brea Harris, Dr. Yvonne Henderson, Susannah Horwitz, Daja McLeod, Danny Moore and Aijiana Zanders.
The 1975 Broadway production won seven Tony Awards, including Best Musical. The musical was an early example of Broadway's mainstream acceptance of works with an all-black cast. The big-budget film adaptation by the same name released in 1978, starring Michael Jackson, Richard Pryor and Diana Ross, has since become a cult classic. A live television production of the stage show, The Wiz Live!, was broadcast on NBC on December 3, 2015, with an encore presentation on December 19 of the same year.
Ignite Theatre
"The Wiz"
The award-winning musical retelling of "The Wonderful Wizard of Oz."
Jan. 7-29
Fri/Sat at 7:30 p.m., Sun at 2:30 p.m.; Mon., Jan. 16 at 7:30 p.m.
$28 Adult| $26 Senior (65+)/Military| $20 Student | $25 Group (6+)
Online at www.ignitetheatre.com or 866-811-4111
Aurora Fox Theatre, 9900 East Colfax Avenue, Aurora, CO 80010
Colfax Avenue Walk of Fame: Frank Welker
West Colfax Trolley
The Unsinkable Debbie Reynolds
$1 Movies at Sie Film Center
Vintage Colfax: U.S. 40 COURT
Retro Colfax: the Golden Ox of Colorado
Santa Claus lands in Civic Center Park, 1930
The Most Unbeatable Bars in Denver
Colfax Throwbax: Pesco Pete's
Video: Tommy Emmanuel live at Twist & Shout
The Lollygags EP Release Party coming to Lost Lake...
Beyond Holidome
Last Night on Earth Party
P.J. Harvey coming to the Fillmore Auditorium May ...
Vintage Colfax: Turner's 20th Century Motel
Heritage Square, 1950s
Video: BMX, Yellow Designs & Illegal Pete's on Col...
Lusty Kitten Lab coming to The Goods
#SeenOnColfax: Cartman at Casa Bonita
Colfax Politix: 1970's
Vintage Colfax: Stanleigh's for Linoleums and Carp...
Jackalope Art & Craft Fair
Best Wall Art in Town
Favorite Bar on Earth
From the Sunset Strip to Colfax Avenue...Steel Pan...
The Grunge of Colfax Avenue
Retro Colfax: Foot of the Rockies Motel
Farewell Letter from Pres. Dwight D. Eisenhower
R-R Bar
The Denver City Center by Phil Goodstein

redpajama_set_name: RedPajamaCommonCrawl


Established in the year 1977, Chiap Seng started off as a company that focuses mainly on marquees, tables and chairs rental for numerous local events. Since day one of business, Chiap Seng, being a customer-oriented company, has the primary aim of meeting all our customers' needs and providing them with the highest satisfaction. With our passion and commitment to provide the utmost services to all our valued customers, we have grown in strength and continuously expanded our range of services extensively throughout the years.
Today, Chiap Seng is recognized as one of the leading one-stop logistic and preferred event provider for numerous national and large-scale events such as CHINGAY (the annual grandest street parade in Singapore), Singapore Grand Prix and many more. Our company is backed with a multi-million dollar inventory, experienced crews and trained professionals to meet all our customers' requirements.
With our vast experience and knowledge in the industry, we have positioned our company to best meet the various requirements of all our distinguished customers and be an integral part of their success.
Copyright 2016 by Chiap Seng. Designed by DesignHows.


text:
Prabhas to tie the knot in 2015
January 20, 2014 at 4:03 pm by Deepa
The hottest topic that had been trending for a long time in the Tollywood's circles was the marriage of the most happening eligible bachelor in the industry – Prabhas Uppalapati. The macho hunk and the angry young man may have denied and escaped this important question many a times but finally, the speculation comes to an end – Uncle Krishnam Raju reveals the big plan ahead in relation with Prabhas getting married.
Talking to a local entertainment channel, 'rebel' legend Krishnamraju revealed that Prabhas will get married in 2015 after Baabubali hits the screens. The S S Rajamouli's magnum opus is now in the making of its first part and will release next year in all likelihood. As soon as that happend, rebel star Prabhas will the the know, joining all his newly wed peers like Allu Arjun, Ram Charan and Junior NTR. Prabhas was incidentally, the only chap left out in the starry galaxy without 'the one' yet entering his life.
Prabhas is known for his many romantic link ups – starting from Shriya Saran to Kajal Aggarwal, the leading ladies have been 'stated' to be involved with the actor, who never acknowledged the same out in the open. And why would he. Easily the one among among the most handsome and happening stars in the Industry, it is not unnatural for Prabhas to have many ladies falling for him.
After Mirchi and Rebel, Prabhas is neck deep busy shooting his part as the lead protagonist Baahubali in the S S Rajamouli heavy budget periodical. Playing the role of a chiseled warrior, Prabhas had to learn sword fighting and horse riding for the same. After Magadheera, all eyes are on Baahubali to see if the period drama will surpass the records of the 'Bhairava' the warrior in the former.
Baahubali has Prabhas, Anushka and Rana in the lead roles. Shot at various locations like Kurnool, Kerala and Ramoji Film City, the filming saw some lavish sets and costumes being used to get the effect. State of the art Hollywood team for VFX has been roped in to create that visual magic. While we wonder who that lucky lady will be for Prabhas, watch this space for more updates shortly.


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Quality produce, respect for the ingredients.
The Region of Tuscany boasts one of the oldest and most important eno-gastronomic traditions in Italy. Locanda Sant'Agata is located in the township of San Giuliano Terme, between the Pisan Hills, the Tyrrhenian Sea, the National Park of San Rossore and the splendid Tuscan countryside. Chef Luca Micheletti is an expert on the surrounding territory, whose mix of earth and sea, mountain and valley give rise to a wide variety of provisions able to reveal the flavours of an entire region.
His relationship with the territory underlies the philosophy that Chef Micheletti has for years applied to the art of cooking. The awareness that any worthwhile dish is the result of the union of quality ingredients and proper technique has long been the basis for Luca Micheletti's constant search for just the right ingredients: he personally manages direct relationships with small local producers in order to ensure sustainable, high quality.
At Locanda Sant'Agata the concepts of short supply chain, farm-to-table and organic cuisine, are not simply clichés, but rooted in the idea that quality food is only possible by respecting and safeguarding the territory.
Locanda Sant'Agata's provisioning is the result of direct relationships with local producers, many of whom grow organically: from the Mucco Pisano and Chianina varieties of beef, to Cinta Senese pork and the wild boar and fallow deer of San Rossore; from the organically raised lamb of Coltano, to the eggs of Nodica's free-ranging hens. Fish are caught fresh every day from the Tyrrhenian; our cheeses are organic, and our vegetables cultivated at nearby farms; our selection of wines and olive oils are largely from local sources.
An authentic farm-to-table cuisine that aims to valorise the best the surrounding territory has to offer, while upholding quality and sustainability through the selection of local producers.


All students who are at least 16 years old are invited to apply for Park Avenue Armory's Youth Corps internship program for the fall semester. Applications are due by Friday, September 21st and can be returned to Ms. Wilson in Room 139. See the application below for more information. If you have questions, see Ms. Wilson.


The Goolge Pixel C is the best Android tablet money can buy. It runs the latest version of Android and its performance is lightning fast. The Google's latest tablet has a 10.2-inch sharp, bright and colorful display with a resolution of 2560*1800 and its density is 308 ppi. So it will be great to play videos and view photos on it. However, the same as other tablets, DVD is not supported by Goolge Pixel C. The reason is the Pixel C doesn't have a built-in DVD-ROM or DVD player. To play DVD movies on Google Pixel C, you will need to rip and convert DVD to a fully compatible format with Google Pixel C first.
In fact, it is easy to watch DVD videos on Google Pixel C as long as you got a DVD Ripper in hand. This article will tell you how to convert DVD to Google Pixel C playable video formats so that you can enjoy your favorite DVD movies on the go.
There are many programs out there that allow you to make copies of your DVDs and let you watch them the way you want to view them. The recommended program is EaseFab DVD Ripper. It can professionally rip DVD to Google Pixel C supported video format with fast speed and excellent output quality. In addition, this DVD ripping tool can also convert DVD to various popular video formats like AVI, MP4, WMV, MPEG, MOV, FLV, MKV, 3GP, etc. as well as rip DVD to optimized video for playback on iPad, iPod, iPhone, Zune, Creative Zen, Archos, iRiver, Blackberry, Xbox 360 and more.If you are a Mac user, you can turn to EaseFab best DVD Ripper Mac (El Capitan included), which has the same function as the Windows version. Now download the right version and follow the tips below to finish your task.
Click Profile column to choose Pixel C supported format for output, MP4 is one of the best supported formats, so you can choose Common Video -> MP4 Video, with this format you can play DVD on Pixel C tablet smoothly. Basically the "Android" > "Android Tablet" is highly recommended here.
Tip: If you think the video quality this not suitable for your Android Tablet, you can first choose any one of the provided type, then change the settings. Please remember the file size is based more on bitrate than resolution which means bitrate higher results in bigger file size, and lower visible quality loss.
After all necessary settings, simply click the big Convert button to start converting the added DVD files to Pixel C compatible videos. Wait for the conversion to complete and click Open Folder to get the converted videos instantly. After that, transfer them to your Google Pixel C tablet and watch them anywhere you go. Just enjoy your movies!


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It's a real thrill to see forms of horticulture you've believed in burst into the mainstream. On the other hand there's often that nagging nostalgia for the community and spirit of your passion projects once they gain popularity. Fortunately, out on the road you find all kinds of new cultivation movements in their infancy, brimming with eager people and big ideas to motivate the heck out of you. So it was on our recent trip to Chile.
Chile has a massive amount of personality and innovation in its cultivation sector. The lively enthusiasm, inherent to the Chilean horticultural scene, also has some interesting origins. We got to the root of things with a store tour and an AutoPot presence at Latin America's biggest cultivation show; ExpoWeed Chile .
Latin the good times roll in Chile (with the requisite amount of business orientation) were our Spain and Latin America Commercial Director, Elena Perez, and AutoPot Managing Director, Jason Ralph-Smith. Elena played the "hare" and bounded off across the Atlantic in a giant leap to survey the landscape. Once arrived she decompressed by immersing herself in Santiago's intricacies and mysteries, street by street. Later she would hop around the grow stores of Santiago and its environs assisting our local vendors with AutoPot. Jason, once fully in character as "the fox", would follow after in order to enchant the hordes at the ExpoWeed show and beguile our local commercial partners.
Checking out Chilean cultivation is an absolute joy, not least because so few people involved are purely in it for the money. The sector is dominated by genuine enthusiasts whose interest in plants is the common factor. These enthusiasts come from all walks of life. A great number of growshop owners in Chile have parallel careers in completely different sectors. Many store owners are professionally trained in other trades; lawyers, engineers, designers and the like, who live a second life running the stores that stir their interests.
Having a store to escape the strait-laced working culture in Chile was a regular topic of conversation on Elena's tour. In this respect the stores are very much a lifestyle choice for passionate growers, making them great fun to visit. The professional background of many owners means they grasp new tech quickly, see applications outside the conventional and have advantages in terms of access to marketing and technical resources. This is really important given that hydroponics is a relatively new, growing phenomenon in Chile and is yet to be adopted on the sort of scale seen in Europe and North America.
Given that hydroponic systems are only just appearing in quantity in Chile it's important to present them in the right way. In terms of the grow store scene it's handy to have someone who growers trust to introduce you as a manufacturer. Who's that guide? Chaskon The Farmer is that guide! When you walk into a Chilean grow store with Chaskon The Farmer eye's prick up, ears are peeled, hearts begin to melt, people are immediately ready to take you seriously. We took it as an immense compliment that Chaskon was happy to introduce us to the stores. He and his c.17k Insta followers (followers not present on the store tour) carry a great deal of kudos on the Latin American growing scene and beyond.
Elena met up with Chaskon at one of his five HydroGrow Chile stores. Bijou, but capable of serving its customers perfectly across the five branches, HydroGrow Chile proved a great jumping off point. From there Elena was whisked to GrowShop Chile whose proprietors Moises and Freddie entertained our visitors for hours. Traditionally, Chilean growers raise plants from seedlings but foreseeing an upward trend in propagation Moises was deeply intrigued by the easy2Propagate. Intent listening and pertinent questions followed at Outlet Grow where Elena learnt a little for herself about substrate issues facing Chilean growers. Though Chile is a producer of perlite such aerated media are in scant supply, as are clay pebbles. Two potential, improvised solutions in such situations are washed gravel or broken clay pots.
Chaskon's protege and employee, Max, showed us the way on Day Two. An in-depth visit to AguaLuna ensued where we also learnt a little about the high mineral salt content in the Santiago water supply. easy2grow stockists AstroGrow are a pro-focussed store whose best selling systems reflect the Chilean tendency towards high-density grows in smaller pots. Camila Trucco another key Insta influencer joined us at SmokeHouse, we look forward to seeing her progress with the free 4Pot System sample she'll be receiving. The artfully high-end Piranha was the next stop. Elena's heart was devoured by this huge, modern affair, easily the match of the best Euro/US stores complete with all the customary grow tents and demo areas.
Whilst typical growers in Chile may not buy immense systems the variation and execution of their grows is nonetheless impressive. The predominant small scale, home-based trend in cultivation is related to the legal status of cannabis in Chile. Namely, home-growing and home-consumption are decriminalised.
Elsewhere in Chile medical cannabis now legally exists and producers are seeking water-efficient, low-overhead solutions in order to provide a less expensive domestic supply. Latin America's largest medical cannabis farm opened just outside Santiago in September 2017 cultivating c.7k plants at a time. Canadian medical cannabis producer and distributor Tilray are also in country having acquired the government licensed Alef Biotechnology. Commercial indoor fruit and vegetable cultivation is burgeoning too, partly as result of the relative lack of affordable growing land.
Whilst Chile is big its geography means farming land is limited and thus expensive. As a country Chile is an astonishing 14,007,840 AutoPot 1Pot modules long (2653 miles / 4270km) but, incredibly, is only 580,800 AutoPot 1Pot modules wide (110 miles / 177km). The extensive length is bounded on one side by the Pacific Ocean and on the other by the mountains that comprise around 80% of the landscape. Add to that the northern deserts and you have a country that ticks all the dramatic, beautiful and diverse boxes but can be tricky place in which to grow. Whilst in Chile we spoke to several Chilean commercial growers who we hope to assist in overcoming some of these issues.
Beneath the sheets of ExpoWeed's vast, tented pavilion roof showtime beckoned. Southern Hemisphere shows are a real shot in the short sleeved t-shirt wearing arm for us in the winter months. It's great to see hot, well-attended events taking place in the semi-open air. Elena compared the big-exhibitor-toting, well-organised, friendly-faced event to Spannabis in days of yore. Sharing a nicely crafted stand with Mills and our Chilean distributor Pure DNA we received guests hailing from Chile's tip to it's toe. Tippy-toes! Many were licensed for medical growing or keen to distribute to licence-holders. Heavy presence from Spanish and Dutch companies tells you what you need to know in terms of market viability. The event doubles down on this as a focal point for Colombian, Uruguayan, Peruvian and Argentinian growers and distributors, in turn attracting more of the Northern Hemisphere's horticultural behemoths.
The legal situation surrounding home growing and consumption meant we welcomed a great many enthusi-astic and knowledgeable domestic-level growers on the public-dominated Sunday sessions at ExpoWeed. Up close with their plants at home and engaged with cultivation on a daily basis the visitors we received were quite stirring in their passion for growing. It was really nice way to round off a terrific week, one which we hope to repeat soon in Chile.


As an aviation enthusiast it was my honor to work on a project for global aerospace leader Airbus. Their new Experience Center should showcase the company's flagship products across commercial, military, and space & defense. Leviathan's task was to build a unique interactive experience using projection mapping and intuitive touch interface solutions.
My goal in the project included unifying all 3D models for future use in interactive applications like Touch Designer. When necessary, textures had to be altered to match the overall visual direction as well as additional modeling for updated aircrafts.


"Speech Campers Learn ABCs Of Their Trade"
Florida Flambeau, July 6, 1956, p. 1.
"Final Round Slated Today For Debaters"
Florida Flambeau, July 13, 1956, p. 1.
"Forensics Mixer: Light Hearted Debate To Lampoon Males"
Florida Flambeau, September 28, 1956, p. 5.
Florida Flambeau, October 2, 1956, p 4.
"Debater Ends Up Bemused By Flattery"
Florida Flambeau, November 28, 1956, p. 2.
"Our 'Ors' Are Erred 'Ers'"
Florida Flambeau, November 30, 1956, p. 2.
"Frosh Debators Tulane Tie for Tourney First"
Florida Flambeau, December 11, 1956, p 1.
Flambeau caricature accompanying Arnold Greenfield's Flambeau columns.
"Debaters Gain Miami Tourney Runner Up-Spot"
Florida Flambeau, February 15, 1957, p. 1.
"8th Annual FSU Debate Tourney Opens"
Florida Flambeau, February 22, 1957, p. 1.
"Debating Should Get ore Support"
Florida Flambeau, February 26, 1957, p. 2.
"Anglo-FSU Debate To Feature Fun"
Florida Flambeau, March 5, 1957, p. 1.
"Paper Leaves Out Significant News"
Florida Flambeau, March 8, 1957, p. 2.
Florida Flambeau, March 8, 1957, p. 5.
"English Debaters Call Car Mess 'Incredible'"
"Young GOPs Challenge Demos To Debate"
"Soph Netters Hester, Serrett Outstanding Players Of Team"
Florida Flambeau, April 12, 1957, p. 3.
Florida Flambeau, April 12, 1957, p. 4.
Florida Flambeau, May 7, 1957, p. 4.
"GOPs Demos Debating, Not On Political Issues"
Florida Flambeau, May 14, 1957, p. 1.
Florida Flambeau, May 14, 1957, p. 2.
"U of F Debate Team Owes Wins to FSU"
Florida Flambeau, May 17, 1957, p. 2.
Florida Flambeau, May 21, 1957, p. 5.


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Home Tech and Education Technology
Singapore first to run 'Super Wi-Fi' in Asia
Tech and Education
by Justin Calderon - Sep 6, 2012
The already highly digitalised city-state of Singapore just got more connected. Software giant Microsoft, StarHub, Singapore's second largest mobile operator, the Institute for Infocomm Research, a government research arm, and several other partners are spearheading a new wireless project that utilises unused parts of low-frequency television bands, known as "white spaces," to transmit data.
Super Wi-Fi – which technically doesn't even employ Wi-Fi technology – can travel further and penetrate walls and other obstacles such as trees better than current high-frequency alternatives.
StarHub is looking to implement the technology to provide better offshore internet access to the many ships docking in Singapore.
Singapore's introduction of the technology makes it the first in Asia. Otherwhere on the globe, Super Wi–Fi has already been launched in North Carolina (US), and the UK plans to tailor a regulatory framework to establish a network as well.
Explosive growth in wireless data traffic over the past years has severely strained existing infrastructure on the island, making the need for innovation solutions imperative.
Kenya, Brazil, Japan, Uruguay and South Korea have begun pilot runs of the technology, as well as other countries throughout North America and Europe.
The already highly digitalised city-state of Singapore just got more connected. Software giant Microsoft, StarHub, Singapore's second largest mobile operator, the Institute for Infocomm Research, a government research arm, and several other partners are spearheading a new wireless project that utilises unused parts of low-frequency television bands, known as "white spaces," to transmit data. Super Wi-Fi – which technically doesn't even employ Wi-Fi technology – can travel further and penetrate walls and other obstacles such as trees better than current high-frequency alternatives. StarHub is looking to implement the technology to provide better offshore internet access to the many ships docking...
StarHub
wireless data
Mixed results for ASEAN in WEF report
Large Indonesian oil block draws interest
Justin Calderon
Myanmar is the next country after Vietnam, Laos and the Philippines reporting significant growth in the number...


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Study trip to examine the impact of the March 2011 disaster on cultural heritage in Japan
In July 2012, a team of 4 people, consisting of myself, two MA students doing Japan-related studies at UEA and SOAS and a researcher currently doing an internship at the Sainsbury Institute, visited Japan for two weeks. I am currently an Academic Associate of the Sainsbury Institute, having been a Fellow, and I also lecture in the School of World Art Studies and Museology at UEA. Funded by a grant from the Daiwa Anglo-Japanese Foundation, the study trip was part of an ongoing collaboration between the Centre for Archaeology and Heritage at the Sainsbury Institute and various project partners in Japan. This collaboration was established in response to the crisis faced by archaeologists and heritage specialists in northeastern Japan since the March 2011 earthquake and tsunami.
The trip's purpose was to meet Japanese professionals and students who are involved in conserving and restoring heritage assets affected by the earthquake and tsunami, and at the same time to explore ideas about the future management of heritage sites in northeastern Japan. Our visit was facilitated by two project partner institutions: the Tohoku University in Sendai, represented by Professor Fukasawa Yuriko; and the Nara National Research Institute for Cultural Properties, represented by Professor Matsui Akira. Meetings took place in Sendai as well as in the Tohoku coastal area which was severely hit by the tsunami, including Rikuzentakata and Ofunato in Iwate Prefecture, and Matsushima, Ishinomaki and Onagawacho in Miyagi Prefecture. We also met colleagues at various institutions involved in the rescue of damaged cultural property, such as Tokyo National Museum and the National Museum of Nature and Science in Tokyo.
Our visit to the Tohoku coastal area was extremely informative and in some ways edifying, though it was unforgettably moving. We had all seen video footage of the tsunami's devastating rampage and more than a year had passed since March 2011, but being there, where so many human lives and buildings had been washed away, gave us strong mixed feelings. The centres of Rikuzentakata and Onagawacho were vacant as a result of the clearance of most of the debris. In Ishinomaki we saw a similar scene, except that several huge factories, presumably constructed after the disaster, were in full operation producing materials urgently needed for redevelopment. Massive piles of timber and long rows of containers suggested that the town was being reconstructed at a tremendous pace. It was an eerie scene, even if we could feel that something new – probably hope – was emerging in the devastated area. In this context the views we heard about the restoration of damaged cultural heritage really made sense, for we could understand them empathetically. We learned that local culture is on the rise again, with the help and involvement of many people, and that restoration of cultural heritage is playing a major part in that revival.
Yet our own position felt ambivalent. In the local context we were definitely outsiders. Perhaps people mistook us for tourists, looking at the destruction out of pure curiosity. Sometimes our consciences loomed large and we had to ask ourselves: is it really right to be here as observers, taking pictures of damaged buildings, when local people are labouring to restore their lives and communities? This is a complicated issue, and we were not able to reach a clear answer to our own question. Quite understandably some of us stopped taking pictures; however legitimate it is to collect information and data for research purposes, this must be done ethically and with due consideration for the feelings of the very people about whom we research.
I, on the contrary, was compelled to continue photographing the devastated towns. I am still not sure if it was the right thing to do, but I just wanted to grasp exactly what had happened there in March 2011 and how the whole landscape of the area had been changed. I wanted to make sense of that landscape, for myself and for the local people.
Among the four of us on this study trip views differed, but we all agreed on one thing. It was absolutely right that we went. By being there we could profoundly comprehend how cultural heritage had been affected and damaged by the disaster, and we could also see how it was being restored by the hands of so many people, both within the local area and beyond it. All in all it was an incredibly worthwhile visit.
Matsuda Akira
Academic Associate
Welcome to the first edition of our quarterly e-magazine. The articles will enlighten you on...
Custom and Culture: Japanese National Holidays
October, November, December If you have ever believed that Japan is a nation of workaholics...
Letters from Fellows at the Sainsbury Institute
From Sadamura Koto The Sainsbury Institute fellowship for Japanese Studies Young Scholars 2011–12 provided me...
A Japanese Garden in Norwich Cathedral When asked to design a garden for Norwich cathedral...
Study trip to examine the impact of the March 2011 disaster on cultural heritage in Japan...
Jōmon Exhibitions and the Sainsbury Institute 'Dogū, a Cosmos: Ancient Clay Figurines' is an exhibition...
"Atlas Japannensis: being remarkable addresses by way of embassy from the East-India Company of the...
Interview with Founders and Staff
Dame Elizabeth Esteve-Coll: Part 1 Dame Elizabeth's Relationship with Japan Dame Elizabeth Esteve-Coll, formerly Vice-Chancellor...


These disposable Vomit Bags are an effective way to maintain or improve your existing hygiene control. They are folded and wrapped in such a way that minimises storage space and keeps each bag pristine until requires. The easy open design and fully lined construction ensure that all liquids will be held securely until safe disposal is possible. Each bag has a white finish to coordinate with existing colour coding schemes and is an ideal way to supplement Biohazard management. Designed for use in all environments from nurseries through to offices, these vomit bags are a handy addition to your workplace.
Our Wipes and Infection Control category is home to a wide range of high-quality products, from our Biohazard Kits through to Hand Sanitiser.


On a family or friends' excursion, the Stone Valley Recreation Area is a fun place to experience some adventure. It is a certainly a getaway to Nature with style with 700 acres of diverse ecosystems. The place tracks 29 miles for park strolling, and is also an ideal place for hiking. Tables with barbecue grills are ideal set-ups for picnics. Organizations or institutions that might want to enhance leadership and team-building skills will find the vertical adventures of the place a perfect spot for learning in excitement; but what about winter? Sure! The place never gets out of season when the trails for strolling become an avenue for skiing. Soon, in 2015, the closed Lake Perez will reopen to accommodate activities such as boating and fishing. Head out here to understand why people are raring to buy homes for sale in Huntingdon Valley, PA.


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THE HOT BROWN: REASON ALONE FOR LEFTOVER TURKEY
Back in the day, a college pal we all called Kentuck introduced me to the Hot Brown—an open-faced turkey sandwich embellished with tomato and bacon or country ham, draped with a rich cheese sauce, then broiled. He was working with nothing more than a hot plate and a toaster oven, but somehow he managed to serve it with the same élan as I imagine its creator, Fred K. Schmidt, chef at the storied Brown Hotel, in Louisville, did in the 1920s, when he needed to feed famished late-night revelers after dinner dances.
The knife-and-fork sandwich became so popular, it spread to restaurants across Kentucky and the Upper South. "It's hard to know how to classify a hot Brown in a collection of recipes," confessed John Egerton in the masterful Southern Food: At Home, On the Road, in History. "It's a sandwich, but not the handholding kind; with turkey and ham, it's also quite definitely a meat dish, and it's a casserole of sorts. We finally chose to put it with cheese dishes because of the Cheddar and Parmesan, both of which give the crowning touch to a flavorful and distinctive combination."
There are a number of variations to choose from. Sometimes chicken takes the place of turkey. Sometimes the bacon is enrobed in sauce, sometimes it rides on top. Sometimes thin slivers of salty, pungent country ham (Benton's, Edwards, and Kentucky's own Newsom's are my favorites) are a time-honored substitute for the bacon. You get the picture: Pretty much, it's all good. What I wouldn't skip though, is the tomato. You can still find decent vine-ripened ones around, and just a slice adds the acidity you need to balance the overall lushness.
The cheesy sauce that unifies the sandwich's elements is a takeoff on a classic Mornay sauce, itself a gilding-the-lily derivation of a béchamel, the mother of all white sauces. In some recipes, the sauce is enriched with an egg yolk or whipped cream, but why not keep it simple? The real key to success, after all, is in the simmering, which further cooks the roux (the mixture of flour and butter that acts as a thickener), thus turning the resulting sauce voluptuous and satiny. You don't have to tell anyone how quick and easy it is to make.
Hot Browns make an excellent brunch dish for weekend guests, but I must admit I like them best after all the socializing is over and it's just the two of us, eating Sunday night supper in front of the television. Bliss.
Happy Thanksgiving! We are all so fortunate.
Hot Brown
With thanks to Gourmet magazine, John Egerton, and Kentuck
Depending how hungry or greedy you are, this serves two to four. Add a crunchy green salad and a glass or two of something crisp and dry, and call it a day.
1½ tablespoons unsalted butter
1½ teaspoons finely chopped onion
1½ cups whole milk
A pinch of cayenne pepper
1 tablespoon dry Sherry (optional but adds finesse)
¾ cup grated extra-sharp Cheddar
4 slices firm white sandwich bread, crusts trimmed off, lightly toasted
½ pound, give or take, of cooked turkey breast, sliced about ¼-inch-thick
4 thin slices of tomato
8 slices of cooked bacon or 4 wafer-thin slices of country ham
1 tablespoon freshly grated Parmesan
1. Melt the butter in a smallish saucepan over moderately low heat and cook the onion in the butter until it's softened, about 2 minutes. Stir in the flour and cook, stirring, for 3 minutes to make a roux. (Don't rush this step; the cooking eliminates the raw flavor and pastiness of uncooked flour, and it also primes the flour particles to absorb liquid to their fullest.) Add the milk in a steady stream, whisking constantly, and cook until thick and smooth. Add the cayenne and season with salt and pepper.
2. Increase the heat and bring the sauce to a simmer; simmer, stirring occasionally, until thickened and velvety, 10 to 15 minutes. Pour the sauce through a fine-mesh sieve into a bowl and add the Sherry, if using, and the Cheddar, stirring until smooth.
3. Preheat the broiler. Put the pieces of toast in a flameproof (i.e., not Pyrex) baking pan and top each piece with turkey and a tomato slice. Crisscross 2 pieces of bacon on each open-faced sandwich. Spoon the sauce evenly over the sandwiches and sprinkle with Parm. Broil sandwiches until sauce is bubbling and lightly browned, 2 to 3 minutes.
Posted: November 24th, 2015 under cooking, people + places, recipes, Thanksgiving.


ATTN: CREATIVE DESIGNERS - Urban realtors NEED HIP BROCHURE!
mang05 needed a new print or packaging design and created a contest on 99designs.
We are a real estate team working in a metropolis, and we're looking for an edge. We do plenty of condo and loft sales, as well as traditional houses and businesses. We're young and hip, and we need our marketing materials to reflect that.
We've been steadily growing over the past couple of years and we're looking to expand our business with the use of marketing and advertising material.
This piece of creative genius you are creating will be used to target clients looking to list their home for sale. They would typically not be getting any kind of material when they've started thinking of selling. And once we're contacted, we'll be sending them this "Pre-Listing Package" before we make our first visit to their home.
We are looking to create a "Pre-Listing Package" that will contain 10 pages (back to back, so 5 pages in print). 8x10 folded is perfect. So each page will be 8x5, with staples in the middle. 1 page is fine for first submission.
The package will look professional and will reflect us. Each page should have the same general look and feel, but should be unique enough or specific enough to reflect the content of that page. For example, on the "Testimonials" page, maybe faux post-it notes for each testimonial? The checklist page will just have designs on the border, to accommodate the amount of text. Etc..
We're looking at using black, grey, silver, red and white as our colour scheme. There should be a mostly white background. We want it to be easy to read.
Take a look at http://www.donnymangos.com/ads/16sammon.jpg for examples of our current design scheme. We're moving away from the brown/orange and going to the new colours.
We'd like to keep our "name logo" design.
There will almost certainly be more work to come for the winner - we'd just like to build on the design that we come up with here with different marketing materials.


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Culley
Tags : Culley
Why did the Texans fire David Culley? Explaining the one-and-done
The Texans have made a coaching change for the second time in as many years. The team fired David Culley on Thursday, less than a year after hiring him to replace Bill O'Brien. Culley, 66, led the Texans to a 4-13 record in his lone season. He becomes the first one-and-done coach for Houston during […]Read More
Houston Texans fire coach David Culley after just one season
HOUSTON — The Texans have fired head coach David Culley, a source told ESPN's Adam Schefter. On Sunday, after the Texans completed a 4-13 season, Culley said he expected to return for a second season. However, the Texans' ownership and front office took the past few days to evaluate the coach and decided to fire […]Read More


Nestled in the foothills of Carefree, comes your new favorite spot: Confluence restaurant. Reimagined from chef Brandon Gauthier, the menu will still have a focus on fresh, and local but will be more of an elevated and modern cuisine. A casual lunch spot will turn in to a wonderful date night dinner place. Chef Brandon, in his "spare time", enjoys fly fishing and this is where the name was dreamed up. Along with his wife, who will be running the front of the house, they felt the word Confluence has meaning. Two rivers coming together: they both trained for many years under Chef Binkley, and have now merged into one and making their dream happen, owning their own restaurant. Join them for a wonderful experience and amazing food.
©2018 Confluence Restaurant. All Rights Reserved.


Jamie and Johnny are married! On a gorgeous March day in 2016, Jamie and Johnny said, "I do" surrounded by their friends and family. These two are so much fun and so full of love, to witness them together is to witness true love in its most natural form. We were honored to host and plan their special day at The Retreat at Balcones Springs.
Local photographer and videographer, The Bird & The Bear shot the wedding – capturing each celebratory, romantic, and quiet moment perfectly through photos and film. "We couldn't have imagined a more laid back, perfect celebration of love," says the photography company, which is run by newlyweds themselves. This was the first wedding the company had filmed on their new drone and the resulting video is spectacular. Take a look below at the incredible wedding of Jamie and Johnny Kerr.
Jamie and Johnny | The Retreat at Balcones Springs – Marble Falls, TX Wedding from The Bird & The Bear on Vimeo.


When I introduce myself as an artist people will generally ask me what kind of art I make. When I tell them "assemblage art" I often see a glazed, uncomprehending look in their eyes. It isn't until I mention that assemblage is a three dimensional form of collage that they start to get some inkling of what I am talking about. One of the aspects I love the most about this art form is the hunting and gathering of the objects that have the power to tell the stories I want to tell. I am a perpetual scavenger and I love searching through antique malls, flea markets, thrift stores, yard sales, catalogs and ebay.
Objects can elicit an emotional response or trigger an association in very powerful ways. I am frequently asked if the concepts for my art start with the objects I use or with an idea or phrase and it actually works both ways. Sometimes an object naturally leads me to the words and construction of a piece, but at other times I will conceive of an art piece and then have to find the objects that will visually represent my idea.


A pair of commenters raised some provocative questions in response to my recent post We Cannot Solve the Problems With Tests by Creating More of Them.
The tests offer little diagnostic information... offer little or no evidence they enhance or acurately measure learning.
Depending on the test, these critiques may be true, but they also apply to the classroom grades generated by teachers. Until another method for legitimizing classroom grades is presented, state testing will be the go-to option.
This is an interesting rebuttal, in which P.J-D concedes that test scores are no better than teacher scores, but insists that teachers must meet some higher standard, demonstrating even greater value.
RE: "...I do not believe that any test that is mechanically graded, or even graded by low-paid humans, can successfully measure critical thinking and problem-solving."
Fortunately for all of us, reality is not dictated by beliefs. As automated essay scoring pioneer Ellis Page pointed out, we should be satisfied with automated scoring if we cannot distinguish human-generated scores from machine-generated scores. Ironically, human and machine scorers can be distinguished because the automated scoring engine scores more consistently with humans than the humans score with each other.
This remain true even when the task involves critical thinking. Complex, open-ended performance tasks administered as part of the Collegiate Learning Assessment and the College and Work Readiness Assessment are primarily scored by Pearson's Intelligent Essay Assessor (IEA) program. IEA's agreement with human scorers is consistently higher than human scorers' agreements with each other.
Who would you trust to score such tasks? Low-paid teachers?
First of all, it is ironic that J.T. Steedle seems to think the pay teachers receive is relevant. This seems rather a circular argument, where our profession is discredited as being untrustworthy and thus unworthy of decent pay, and then this low pay is used as a REASON we should not be trusted, because, presumably, who but an intellectual midget would agree to work in such a poorly rewarded position?
In reality, I believe teachers are capable of assessing students in deeper and more meaningful ways than even the almighty Pearson's Intelligent Essay Assessor.
When I work with a teacher to design a Project-Based Learning unit, we create a series of activities and challenges that build up students' expertise in a subject. Then the students are usually challenged to write about what they have learned, and perhaps create a presentation or display of some sort to share what they have learned with others. This sort of assessment builds learning in multiple dimensions. As the project unfolds, we are able to assess how the student collaborates with peers. In science, our projects often include elements of the scientific processes of inquiry and investigation, so we can assess our students' ability to ask good questions, and design experiments that will reveal new information. When our students design their displays or presentations, we can assess their ability to communicate their ideas and knowledge to others. And in their reports, we can assess their deeper understanding of the science involved. In the most ambitious projects, students delve into ethical and social issues, and think critically about the possible solutions to issues they have encountered. These open-ended explorations are what give real life to this work.
This does not preclude other means of assessing student understanding, and often teachers assess students with more traditional means, as a way to make sure that they have, indeed, learned the basic content as well as the deeper understandings we aim for with more complex tasks. But when we go to the tests, we lose the capacity to explore these deeper understandings, especially when they go beyond our conventional thinking.
I must plead to a bit of ignorance when confronted with Pearson's Intelligent Essay Assessor. I have not met the mighty machine, nor seen it in operation, except on some very limited samples. I tried to test it out at the site where a demo is offered, but I could not make the text box accept my writing. It may be of some limited use in scoring student essays on pedestrian topics. But if it's job is to relieve our concern that teachers can reliably score complex work, I think I have a rather deep mistrust.
Another commenter, PL Thomas, makes an interesting point in this regard.
Consistency, like standard, is not what matters, especially when trying to offer valuable feedback about writing. . .
The use of computers and machines and automation -- all the WRONG GOALS to dwarf authentic goals. . .That's the inherent problem with a century of pursuing "standardized" and so-called "objective" tests. . .
To increase consistency, we lose the most important element--the human element. . (read more of Paul's thoughts here).
I want teachers capable of challenging their students intellectually. I want teachers to challenge student's thinking. But I also want students to be able to challenge the teacher's thinking. How does one challenge the thinking done by the Pearson's Intelligent Essay Assessor?
What do you think? Do you think we should rely on the Pearson Intelligent Essay Assessor? Or should we trust our teachers -- regardless of their pay?


text:
Q: Finding points of intersection when two spheres intersect I have the center (xyz - in 3 dimensional space) and the radius of two spheres A and B.
Now I have to figure out a point or more than 1 point where these spheres meet. It is fairly easy to figure out if the two spheres collide or not, but how do I find out the points of intersection of 2 spheres?
Any help would be greatly appreciated.

A: If the radius of the smaller sphere is A, and the bigger is B, and their centers are D units apart, then the points of intersection are on a circle of radius r centered on a point directly between  the centers of the two spheres, which is y units from the center of the bigger sphere, and x units from the center of the other, where
y  = 1/2 (D + (B^2 - A^2)/D)
and
x  = 1/2 (D - (B^2 - A^2)/D)
with radius
r  =  B^2 - x^2  =  A^2 - y^2
If you need the equation for this circle the best way is to represent it as a set of three parameterized equations, where the x, y, and z coordinates are each expressed a a function of some t, which represents the  radius vector trraveling around the circle once, from zero to 2PI...
To construct these equations, think about expressing the point which is the radius r from the center, on the 2D plane which is normal to the line between the two spheres.
Check out this link for some iedas on how to do this..
Derivation is as follows: draw a line between the centers of the two spheres. Label it as D
Designate a point on this line as the center of the final solution circle label it as point O
Label the smaller portion of D as x, and the large portion as y
draw a line from O perpindicular to D, for some distance r to represent the radius of the solution circle
Label the end of this radius as Q
Now draw B between the center of the larger sphere to Q and A from the center of smaller sphere and Q
From Pythagoras:
 B^2 = y^2 + r^2   and A^2 = x^2 + r^2
so, after eliminating r and a bit of algebra,
   y-x  =  (B^2 - A*2) / (x+y)
But x+y = D so,
y-x = (B^2 - A*2) / D
Adding the equation x+y=D to the above eliminates the x, giving
2y = D  + (B^2 - A*2) / D
or,
y = 1/2 (  D  + (B^2 - A*2) / D  )

A: The curve where they intersect is a circle.  The equation for the radius of the circle is a bit complicated, but is shown here, in eqn. 8, and this distance of the circle from the center of one of the spheres is shown in eqn. 5.

redpajama_set_name: RedPajamaStackExchange


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text:
Getting to know Krista Kane
Inspired. That's how Krista Kane feels as the executive director of Telehealth for UofL Health. After getting to know her, you'll feel the same.
Krista first began her journey into health care 12 years ago when she was working with the University of Louisville doing administration for Neurosurgery and Neurology. She started her current role at UofL Health in January 2021.
When asked, Krista says her favorite thing about UofL Health is the dedication our staff and providers bring to work each day.
"I'm so proud to work with so many dedicated team members," Krista said. "Health care is so complex these days, and when I see how hard our team works to take care of the people of Kentucky and Indiana, I feel inspired."
During the early stages of the coronavirus pandemic, telehealth started to become more popular among patients. Telehealth made it possible for patients to attend their appointments safely and efficiently, and from the comfort of their own homes. Krista is extremely proud to be part of the team that opened telehealth access for UofL Health. She shared that, in just four short days, her team set up access and processes to enable 700 providers to use telehealth to see their patients during the pandemic.
Even as the world starts to regain some normalcy and people begin to re-visit their health care providers face-to-face once again, Krista believes the expansion of telehealth will be the change many communities need.
"UofL Health is committed to using telehealth to provide better health access to underserved areas. My role is to help determine strategies for doing this and connecting the dots from an operations perspective," Krista said.
Within her role, Krista's current goal is to make health care more efficient by connecting UofL Health's impressive team of primary care and specialty providers to patients in the region who don't have enough local access to care.
"We often see patients from outlying areas travel to downtown Louisville once their condition has progressed to the point where they are very sick. My goal is that we are able through telehealth to diagnose and treat those patients much sooner, in their own homes and communities."
When Krista isn't tackling her duties at work, you can find her enjoying a good book. She is currently reading "Minor Feelings: An Asian American Reckoning" by Cathy Park Hong.
Greeting Krista with a furry friend is a guaranteed way to make her day. She's a certified dog lover and shared that she's especially obsessed with dachshunds.
"Do the best you can until you know better. Then when you know better, do better." Krista's favorite quote is a strong indicator of how she carries herself as executive director for Telehealth. She is constantly striving for new ways to improve health care and achieve her goals.
Interested in learning more about our telehealth services or how you can become a telehealth provider? Be sure to give Krista a call or send her an email. She would love to get to know you and to tell you all about the next greatest thing in health care.
UofL Health Announces All-Star Picks for New Sports Medicine Institute
Getting to Know Kimberly Gardner
Getting to Know Tom Dues, M.D.


Social play is the optimal setting for exploring tough questions, challenging one's cognitive biases, and developing better intuition. No Ordinary Games (NOG) was set up to explore the potential of board games in this context, and BOREL is its first game.
Émile Borel is a French politician and mathematician. He is the author of numerous monographs and academic publications. He designed probability theory. Unfortunately, he cannot be reached at this time.
"The global success of a number of bets is the only criterion of the value of a probability judgement." Emile Borel, 1925.


text:
[TOC]

# [Overview](https://www.digitalocean.com/community/tutorials/how-to-install-puppet-in-standalone-mode-on-centos-7)

# [Installation](http://docs.puppetlabs.com/pe/latest/install_basic.html)
## Decide on a Deployment Type
### Agent/Master
In agent/master Puppet, you run a central puppet master server (or servers) that hosts and compiles all of your configuration data. Other nodes run the puppet agent service, which periodically pulls their configurations from the master. Each agent will only get its own configuration, and will be unable to see how other nodes are configured.

### Standalone Puppet
In standalone Puppet, every node periodically uses the puppet apply command to compile and apply its own configuration, using a full set of Puppet **modules** and **manifests**.

# [Upgrading Puppet](http://docs.puppetlabs.com/pe/latest/install_upgrading.html)

# Architecture
Puppet usually uses an *agent/master* (client/server) architecture for configuring systems, using the *Puppet agent* and *Puppet master* applications. It can also run in a self-contained architecture with the *Puppet apply* application.

## Two stages for configuration management
1. Compile a catalog
2. Apply the catalog

**Catalog** is a document that describes the desired system state for on specific computer. It lists all of the resources that need to be managed, as well as any dependencies between those resources.

## The Agent/Master Architecture
Puppet agent -> (sent facts) -> Puppet master -> (send catalog) -> Puppet agent -> (apply catalog) -> (send report) -> Puppet master.

## The Stand-Alone Architecture
Puppet Apply application (replace for both agent and master)

## [Different](https://docs.puppetlabs.com/puppet/3.7/reference/architecture.html#note-differences-between-agentmaster-and-puppet-apply)

## Important Directories and Files
### Main config directory
By default, Puppet's config files, manifest directory, primary module directory, and (sometimes) SSL directory all reside in the confdir.

#### Code and Data Directories

`modules` — the main directory for Puppet's modules. (Master only.)
`manifests` — contains the main starting point for catalog compilation. (Master only.)
`environments` — contains alternate versions of the modules and manifests directories, to allow code changes to be tested on smaller sets of nodes before entering production. (Master only.)
`ssl` — contains each node's certificate infrastructure. (All nodes.)

#### Config Files

`puppet.conf` — Puppet's main config file. (All nodes.)
`auth.conf` — access control rules for the Puppet master's network services. (Master only, unless listen is enabled.)
`autosign.conf` — a list of pre-approved certificate requests. (CA master only.)
`csr_attributes.yaml` — optional data to be inserted into new certificate requests. (All nodes.)
`device.conf` — configuration for network devices managed by the puppet device command. (All nodes.)
`fileserver.conf` — configuration for additional fileserver mount points. (Master only.)
`hiera.yaml` — configuration for the Hiera data lookup system. (Master only.)
`routes.yaml` — advanced configuration of indirector behavior. (Master only.)
`tagmail.conf` — instructions for mailing important Puppet events to administrators. (Master only.)

### The module path
Every directory in the modulepath should only contain valid Puppet modules.

# [Puppet's Commands](https://docs.puppetlabs.com/puppet/3.7/reference/services_commands.html)

# [Puppet's language](https://docs.puppetlabs.com/puppet/3.7/reference/lang_visual_index.html)
[Hello, World!](http://docs.puppetlabs.com/pe/latest/quick_start_helloworld.html)

You'll write a very simple module that contains classes to manage your motd (message of the day) and create a Hello, World! notification on the command line.

# [Modules](http://docs.puppetlabs.com/puppet/3.7/reference/modules_fundamentals.html)
Modules are self-contained bundles of code and data. You can write your own modules or you can download pre-built modules from the [Puppet Forge](http://forge.puppetlabs.com/).

Modules are how Puppet finds the classes and types it can use.

## Installing Modules
`puppet module install <module name> --version 0.0.2`

`puppet module list`

`puppet module search <name>`

`puppet module uninstall <name>`

`puppet module upgrade <name>`

## Module Layout
On disk, a module is simply a directory tree with a specific, predictable structure:

    <MODULE NAME>
        manifests
        files
        templates
        lib
        facts.d
        tests
        spec

## Example

This example module, named "my_module", shows the standard module layout in more detail:

- `my_module` — This outermost directory's name matches the name of the module.
    + `manifests/` — Contains all of the manifests in the module.
        * `init.pp` — Contains a class definition. This class's name must match the module's name.
        * `other_class.pp` — Contains a class named `my_module::other_class`.
        * `my_defined_type.pp` — Contains a defined type named `my_module::my_defined_type`.
        * `implementation/` — This directory's name affects the class names beneath it.
            - `foo.pp` — Contains a class named `my_module::implementation::foo`.
            - `bar.pp` — Contains a class named `my_module::implementation::bar`.
    + `files/` — Contains static files, which managed nodes can download.
        * `service.conf` — This file's `source =>` URL would be `puppet:///modules/my_module/service.conf`. Its contents can also be accessed with the `file` function, like `content => file('my_module/service.conf')`.
    + `lib/` — Contains plugins, like *custom facts* and *custom resource types*. These will be used by both the Puppet master server and the Puppet agent service, and they'll be synced to all agent nodes whenever they request their configurations. See "Using Plugins" for more details.
    + `facts.d/` — Contains *external facts*, which are an alternative to Ruby-based custom facts. These will be synced to all agent nodes, so they can submit values for those facts to the Puppet master. (Requires Facter 2.0.1 or later.)
    + `templates/` — Contains templates, which the module's manifests can use. See "Templates" for more details.
        * `component.erb` — A manifest can render this template with `template('my_module/component.erb')`.
    + `tests/` — Contains examples showing how to declare the module's classes and defined types.
        * `init.pp`
        * `other_class.pp` — Each class or type should have an example in the tests directory.
    + `spec/` — Contains spec tests for any plugins in the lib directory.

Each of the module's subdirectories has a specific function, as follows.

## Manifests

## Allowed Module Names
Module names should only contain *lowercase letters*, *numbers*, and *underscores*, and should *begin with a lowercase letter*; that is, they should match the expression `[a-z][a-z0-9_]*`.

## Files

## Templates

## Writing Modules

# [Integrated with Vagrant](http://terrarum.net/blog/masterless-puppet-with-vagrant.html#vagrants-puppet-provisioners)

# Plugins in Modules
## Details
This page describes the deployment of custom **facts** and **types** for use by the client via modules.

Custom types and facts are stored in modules. These custom types and facts are then gathered together and distributed via a file mount on your Puppet master called plugins.

## Module structure
Plugins are stored in the lib directory of a module, using an internal directory structure that mirrors that of the Puppet code:

    {modulepath}
    └── {module}
        └── lib
            |── augeas
            │   └── lenses
            ├── facter
            └── puppet
                ├── parser
                │   └── functions
                ├── provider
                |   ├── exec
                |   ├── package
                |   └── etc... (any resource type)
                └── type

As the directory tree suggests, custom facts should go in `lib/facter/`, custom types should go in `lib/puppet/type/`, custom providers should go in `lib/puppet/provider/{type}/`, and custom functions should go in `lib/puppet/parser/functions/`.

For example:

A custom user provider:

    {modulepath}/{module}/lib/puppet/provider/user/custom_user.rb
A custom package provider:

    {modulepath}/{module}/lib/puppet/provider/package/custom_pkg.rb
A custom type for bare Git repositories:

    {modulepath}/{module}/lib/puppet/type/gitrepo.rb
A custom fact for the root of all home directories (that is, /home on Linux, /Users on Mac OS X, etc.):

    {modulepath}/{module}/lib/facter/homeroot.rb
A custom Augeas lens:

    {modulepath}/{module}/lib/augeas/lenses/custom.aug

# Hiera
Hiera is a key/value lookup tool for configuration data, built to make Puppet better and let you set node-specific data without repeating yourself.

## Why Hiera?
### Making Puppet Better

Hiera makes Puppet better by keeping *site-specific data out of your manifests*. Puppet classes can request whatever data they need, and your Hiera data will act like a site-wide config file.

This makes it:

- Easier to configure your own nodes: default data with multiple levels of overrides is finally easy.
- Easier to re-use public Puppet modules: don't edit the code, just put the necessary data in Hiera.
- Easier to publish your own modules for collaboration: no need to worry about cleaning out your data before showing it around, and no more clashing variable names.

### Avoiding Repetition

With Hiera, you can:

- Write common data for most nodes
- Override some values for machines located at a particular facility…
- …and override some of those values for one or two unique nodes.

This way, you only have to write down the differences between nodes. When each node asks for a piece of data, it will get the specific value it needs.

To decide which data sources can override which, Hiera uses a **configurable hierarchy**. This ordered list can include both **static** data sources (with names like "common") and **dynamic** ones (which can switch between data sources based on the node's name, operating system, and more).

## Installation
        puppet resource package hiera ensure=installed
        gem install hiera

## Configuration and hiera.yaml
### Format
#### Example config file
```yaml
---
:backends:
  - yaml
  - json
:yaml:
  :datadir: /etc/puppet/hieradata
:json:
  :datadir: /etc/puppet/hieradata
:hierarchy:
  - "%{::clientcert}"
  - "%{::custom_location}"
  - common
```

#### Default Config Values
If the config file exists but has no data, the default settings will be equivalent to the following:

```yaml
---
:backends: yaml
:yaml:
  :datadir: /var/lib/hiera
:hierarchy: common
:logger: console
```

### Global settings
If absent, they will have default values.

#### :hierarchy
Must be a *string* or an *array of strings*, where each string is the *name of a static or dynamic data source*.

The data sources in the hierarchy are checked in order, top to bottom.

**Default value**: "common"

#### :backends
Must be a string or an array of strings, where each string is the *name of an available Hiera backend*. The built-in backends are `yaml` and `json`; an additional `puppet` backend is available.

    **Custom backends**: See "[Writing Custom Backends](http://docs.puppetlabs.com/hiera/1/custom_backends.html)" for details on writing new backend.

**Default value**: "yaml"

#### :logger
Must be the name of an available logger, as a string.

Loggers only control where warnings and debug messages are routed. You can use one of the built-in loggers, or write your own. The built-in loggers are:

- `console` (messages go directly to STDERR)
- `puppet` (messages go to Puppet's logging system)
- `noop` (messages are silenced)

**Default value**: "console"; note that Puppet overrides this and sets it to "puppet", *regardless of what's in the config file*.

### Backend-Specific Settings
`yaml` and `json`

#### :datadir
The directory in which to find data source files. This must be a string.

**Default value**: `/var/lib/hiera` on *nix, and `COMMON_APPDATA\PuppetLabs\Hiera\var` on Windows.

## [Hierarchies](http://docs.puppetlabs.com/hiera/1/hierarchy.html)
### Syntax
[Best Practice: Use Fully-Qualified Puppet Variables](http://docs.puppetlabs.com/hiera/1/variables.html)

redpajama_set_name: RedPajamaGithub


Universal Studios Home Entertainment is bolstering its presence in the increasingly lucrative direct-to-video arena with the launch of a new line of original movies based on the novels of children's author R.L. Stine.
Films in the new "R.L. Stine Presents" series are bring produced by the Hatchery and marketed and distributed by Universal. The initial release, "Don't Think About It," begins principal photography Wednesday and is set for DVD release in time for Halloween 2007. The family thriller — the first original movie based on a Stine book — stars Emily Osment (Disney Channel's "Hannah Montana").
"As one of the best-selling children's authors in history, R.L. Stine is virtually a franchise unto himself," said Glenn Ross, executive vp and general manager at Universal Studios Home Entertainment Family Prods. "He's also a master of 'safe-scare' storytelling, which has been a phenomenon in children's publishing but remains one of the most underserved categories in filmed entertainment."
Stine's books, including the popular "Goosebumps" series, have sold more than 300 million copies worldwide. Future installments in the "R.L. Stine Presents" DVD line will be based on the best-selling horror anthology "The Haunting Hour."
"Don't Think About It" is being directed by Alex Zamm ("Inspector Gadget 2") and features an original screenplay by Emmy winners Dan Angel and Billy Brown (TNT's "Door to Door"), who also partnered as writers on "The X-Files."
The film centers on a lonely teenager (Osment) struggling to adapt to a new neighborhood and a new school. She plans a series of scary pranks to frighten her new classmates, only to wind up in the cross hairs of a mysterious stranger.
Direct-to-video has become a big business at Universal, which in the past two years has released a series of direct-to-video sequels to popular theatricals. First came "Bring It On Again," a made-for-DVD sequel to the 2000 cheerleader comedy "Bring It On," in June 2004. Then came "Carlito's Way: Rise to Power" and "American Pie Presents: Band Camp" in September and December of last year, respectively.
In August, "Bring It On: All or Nothing," a second direct-to-video sequel, sold 750,000 DVDs its first week in stores, generating about $12 million in consumer spending. Next up is "American Pie Presents: Naked Mile," due Dec. 19.
Universal also has released almost a dozen direct-to-video sequels to Don Bluth's 1988 theatrical hit "The Land Before Time," with combined sales of more than 50 million units.


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This essay describes the experiences faculty may encounter when teaching tough topics. When professionals are in the position as the individual who cares for, hears about, or witnesses the trauma and suffering of others, they might themselves be at risk for experiencing vicarious stress, or secondary trauma. If ongoing and untreated, this traumatic stress can morph into compassion fatigue, which can impede professional success and contribute to burnout. This essay reflects on the experiences of teaching the Dark Side of Interpersonal Communication where students openly shared course-related personal experiences. We reflect on how to successfully manage the delicate climate of the Dark Side classroom for optimal discussion and application of sometimes personal, and oftentimes difficult, course content. The pedagogical strategies reflected in this essay can be adopted for use in other courses with similar potential for student disclosure.