text:
The Witcher: Henry Cavill Debuts New Clip Featuring...
Henry Cavill Dishes On The "Snyder Cut" & His Future...
Netflix Releases Character Introduction For The...
Final "Witcher" Trailer Reveals Ciri's Role & Teases...
WATCH: Netflix Shares New Trailer For "Adam Sandler: 100% Fresh" Comedy Special
https://www.netflix.com Source: Netflix
Filming Has Begun On Netflix's "Red Notice" Starring The Rock, Ryan Reynolds & Gal Gadot
Adam Sandler does it all in the all-new trailer for his upcoming comedy special Adam Sandler: 100% Fresh, launching on Netflix, October 23, 2018.
Late last month Netflix released a teaser trailer for the upcoming comedy special directed by Sandler's long-time friend Steven Brill (Little Nicky) and today the popular streaming service dropped an extended look at the upcoming special.
Watch the new trailer for Adam Sandler: 100% Fresh below.
So, are you looking forward to watching Sandler's 100% Fresh comedy special or did you give up on him after the embarrassment of Jack and Jill? Let us know in the comments below?
Source: Netflix
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Looking for more content on the all-powerful Adam Sandler? Join us as we countdown The Sandman's 10 greatest performances. Enjoy!
The 10 Greatest Adam Sandler Movies Ever Made
https://junkee.com/20-years-happy-gilmore-actually-good-comedy/86319 Source: Junkies
Adam Sandler was once considered the most adored celebrity in the entertainment industry. Yes, he's still beloved for what he has done, but not so much for what he is doing. For those coming to Adam Sandler party late: no, he didn't always make terrible movies. His recent obsession with casting his closest friends to take care of his closest friends has somewhat spoiled a lasting legacy, but if you want proof that he's done some excellent stuff, check out the following!
10. I Now Pronounce You Chuck and Larry (2007)
We'll start in the gray area of the Adam Sandler library. I Now Pronounce You Chuck and Larry could easily be tossed into the another category of Sandler's biggest flops. But the sentiment was sincere, and the comedy of errors played well, making it a watchable movie. We won't go so far as to call it a film. Adam was bound to take advantage of his funny man friend, Kevin James, and this one worked well for the two of them. Adding names like Jessica Biel and Ving Rhames to the mix certainly didn't hurt the box office punch. And of course, Sandler movie regulars, Steve Buscemi and Dan Aykroyd were injected into the on screen magic. If you haven't seen it, two straight NYFD veterans pose as a gay couple in order to enjoy partner benefits, and the comedy unfolds.
http://www.sky.com/tv/movie/i-now-pronounce-you-chuck-and-larry-2007 Via sky.com
The 10 Worst Adam Sandler Movies
The Witcher: Henry Cavill Debuts New Clip Featuring Impressive Fight Sequence
Henry Cavill Dishes On The "Snyder Cut" & His Future As Superman
Netflix Releases Character Introduction For The Witcher's Geralt of Rivia
"Toss A Coin To Your Witcher" Is Now Available On Spotify!
9. Billy Madison (1995)
While many will experience a knee-jerk reaction to Billy Madison being listed at #8 on this list, at least it's on this list…and deservedly so. Billy Madison introduced us to the Adam Sandler-led feature film, and as bad as some of the movie is from a general, filmmaking perspective, nobody was hoping this film would break new ground. Every once and awhile, we all need to laugh at some crass humor, and a bunch of dick and fart jokes. Billy Madison has no shortage, and it has no shortage of talent who are willing to go with Adam on his romp through absurdity. This includes the late, great Chris Farley, as the world's greatest school bus driver. Adam Sandler plays Billy, a definitive brat who never grew up, and only finished school due to his father's influence. To prove his worth, Billy goes back to school, beginning with kindergarten.
http://www.rollingstone.com/movies/features/american-idiot-why-billy-madison-is-still-adam-sandlers-best-movie-20150421 Via RollingStone
8. Click (2006)
Click is one of those movies that can work you over if you're in an emotionally vulnerable state, and easily hooked by comedy combined with sentiment. The story is nothing new. It takes several ideas from classic literature, as well as films that came before it. It features a man obsessed with all the wrong things finally coming to terms with how short life actually is. Adam employed another pretty stellar cast for this outing, including legendary voice actress, Julie Kavner, who played his mother. Julie is most recognizable as the voice of Marge Simpson. Additionally, Adam also pulled some strings to score Kate Beckinsale as his wife, Henry Winkler as his father, and David Hasselhoff as his boss. Christopher Walken plays some weird dude representative of the all-knowing, which is pretty much Chris Walken playing Chris Walken. It always works.
https://www.justwatch.com/nz/movie/click Via justwatch.com
Netflix Announces New Anime Movie Titled "The Witcher: Nightmare of the Wolf"
7. Happy Gilmore (1996)
Happy Gilmore is a fine example of Adam Sandler hitting his stride, and the working toward the peak of his popularity in the 1990s. This was the first film released after Adam left the cast of Saturday Night Live, following a five year residency, and it thrust Adam into the eyes of an entirely new audience. Instead of being a fixed commodity of the 18-34 demographic, he made a movie about a former hockey wannabe becoming golf pro, and lured the baby boomers to the theater. Similar to its predecessor, Billy Madison, Happy Gilmore is far from a perfect film, but again, who really cares? We'll take Adam Sandler and Bob Barker doing hand-to-hand combat any day. Happy Gilmore has also survived a 20-year test of time, and is regularly referenced on the sports network boasting four letters, and quoted often by those stinking up the golf course.
http://www.tvguide.com/movies/happy-gilmore/131307/ Via TVGuide.com
6. 50 First Dates (2004)
When Adam Sandler and Drew Barrymore are at their best, they are two of the most engaging, likable movie stars to have ever graced the silver screen. 50 First Dates worked, and it was a bit of a bait and switch. The film begins as a traditional Sandler comedy, laden with over-the-top absurdity, but into the second and third acts of this surprisingly sentimental comedy, the story dives below the surface to spotlight some medical issues that plague a select few people, and that charge is led by the incomparable Dan Aykroyd, as the doctor to Drew Barrymore's character. Sure, if you're a cynic, this movie only annoys you, but if you're capable of adjusting perspective, it's easy to imagine this film surviving the test of time. Sadly, the third collaboration between Adam Sandler and Drew Barrymore, Blended, didn't play out like the first two.
http://www.pluggedin.ca/movie-reviews/50firstdates/ Via pluggedin.ca
David Lynch Interrogates A Monkey In New Netflix Short Film
5. The Waterboy (1998)
"You can do it!" Another film frequently referenced on "the network," The Waterboy was a very pleasing film effort for football fans. Too many times, filmmakers, and TV producers attempt to offer quality football to the screen, and it just doesn't work. That's one of the reasons football comedies tend to do better than dramas. For the love of the ghost of Vince Lombardi, please, let there never be another football movie like The Program. The Waterboy remains a guilty pleasure. Colonel Sanders, and the baseball through the window? One of the greatest two seconds in cinematic history. And every fan of "The Fonz" is so thankful that Adam insisted they grab Henry Winkler to play the (now) legendary Coach Klein. This motion picture is best enjoyed in late August, just before the start of the new NCAA Football season.
http://www.sky.com/tv/movie/the-waterboy-1998 Via Sky.com
4. Big Daddy (1999)
Think back to the summer of 1999. It was a summer of icons, and iconic disappointments. Star Wars Episode 1: The Phantom Menace disappointed everyone, but the gang from American Pie didn't, when they delivered one of the most outrageous, and testosterone charged comedies since Screwballs. Theaters projected the final Stanley Kubrick film, Eyes Wide Shut, and Adam Sandler offered up one of his most enjoyable wheelhouse efforts to date: Big Daddy. Sandler is a family man, and he loves to push the agenda. It's one reason so much of his early stuff worked when he ventured into the realm of sentimental comedy. It is rather evident in all of his projects, and it is completely universal. In this particular film, he's roped into playing the father to an orphaned child, and grows from being a man-child to a man in the process.
http://www.sky.com/tv/movie/big-daddy-1999 Via Sky.com
Everything Coming To Netflix In November 2019
3. The Wedding Singer (1998)
There's something pretty special about a 1980s period piece being made in the late 1990s. Possessing an obvious sweet-spot for the era, Adam Sandler has dropped about a million 1980s references throughout his body of work in TV and cinema. The Wedding Singer is like a fluorescent highlight marker across the decade in the form of a film, featuring a down on his luck wedding singer, his band, the girl he falls in love with (Drew Barrymore), and the fact that she's betrothed to a real Miami Vice wannabe. The Wedding Singer was a show of promise for Adam Sandler's fledgling Happy Madison production company. (It wasn't technically a production, but it helped give birth to HM.) The cast of support characters are what made The Wedding Singer fly. Christine Taylor may have been at her best.
https://fanart.tv/movie/11003/the-wedding-singer/ Via FanArt.tv
2. Spanglish (2004)
There's something about Spanglish that grows on a viewer. It's not overly impressive during a first viewing, but it's a film that resonates. For those who are used to seeing Adam Sandler yuck it up with the boys, a film like this will take a little adjustment from the audience perspective. This is far from a Happy Madison production, written and directed by comedic genius James L. Brooks, yet it's not really a comedy. Sure, it's classified as a comedy or dramedy, perhaps, but it's not a surface level romp we're so used to seeing Adam in. In Spanglish, he stars as renowned chef, John Clasky, and the film explores the family dynamic of the Claskys, as well as their house keeper, and her daughter Flor (Paz Vega) and Christina Moreno. It's complex, funny, sad, uncomfortable and quite enlightening.
https://www.youtube.com/watch?v=9J4_N-46KVg Via YouTube
The Worst Netflix Original Shows
1. Punch Drunk Love (2002)
When Paul Thomas Anderson announced he was casting Adam Sandler in his 2002, weirdly dark, romantic comedy, it was cause for pause. Anderson was looking to get as far from the cinematic experience of Magnolia as possible, while still offering something of impressive quality. Anderson's work is never short of whimsy, or uncanny moments, and Punch Drunk Love provides more than a few. Adam Sandler was perfectly cast as Barry Egan, and offered a tour de force when considering the grand picture of his career. For the hardest of the hardcore film buffs and critics, they were pleasantly surprised by Adam's performance in the film. We're imagining Adam enjoyed the experience, but not enough to set aside his attempts at making more raucous comedy for the sake of box office success. That stated, another film like this is precisely what Adam needs at this point in his career.
http://hopelies.com/2011/07/17/in-defence-of-punch-drunk-love/ Via hopelies.com


Meet with our team of experts at Booth 2115 to learn about our latest products and services, and our complete portfolio for all stages of the drug manufacturing process, from research to industrial-scale production and quality control.
Our newest technologies will improve productivity, lower risks, reduce costs and ensure safety. Together, we are advancing pharmaceutical production to accelerate development of therapeutic drug for patients in need.
Derrick M Smith PhD, Associate Scientist, Merck and Co.


Rep. Raul Labrador, a member of the House GOP's Tea Party-heavy Class of 2010, will challenge Rep. Kevin McCarthy for the House Majority Leader position now that Eric Cantor is stepping down.
Rep. Raul Labrador, a member of the House GOP's Tea Party-heavy Class of 2010, will challenge Rep. Kevin McCarthy for the House Majority Leader position now that Eric Cantor is stepping down. Referring to Cantor's loss in his primary earlier this week, Labrador said in a statement that " the message from Tuesday is clear – Americans are looking for a change in the status quo."
Republicans need to address the growing challenges of immobility amongst the poor, insecurity in the middle class and stop protecting the special interests at the top. We must ensure every American has an equal opportunity to succeed, that they are treated fairly not only by the laws we pass in Congress, but by our political system. We must restore the proper role of government to create space for free markets and civil society to prosper and flourish. And we have to unify the country around the values we share, the ideas we all support, and solutions we can agree on. President Obama and the Democrats have had their chance and they have failed. Republicans must be willing to take these challenges head on with new leadership, fresh ideas, and a different approach. I am running for Majority Leader because I want to help create a vision of growth and opportunity for everyone and start getting to work for the American people.
It's unclear, in fact, whether Labrador actually thinks he can win. As he pondered the race on Thursday evening, conservatives who know Labrador speculated that his entrance would be less about beating McCarthy and more about proving a point.
In any case, Labrador has less than a week to secure votes before Thursday's vote on the House Majority Leader position. Cantor announced this week that he would step down from the post in July.


text:
Legal Ethics and Social Media: The Latest Rules and Guidance
Get the Basics Down: ABA Guidance, Issues With Friending Clients, Top LinkedIn Mistakes, and More
90457DM
Select a State Maine Missouri Northern Mariana Islands
Ethics & Specialty
Whether you grew up on the Internet or you still haven't quite figured out how Facebook works, you need to keep up to date on the ethics rules and regulations surrounding social media use. This program equips attorneys with the information they need to navigate common tech and social media landmines. Examine guidelines for creating a Facebook account for the law firm, discover the dos and don'ts of providing legal advice via electronic devices, and identify key guidelines for responding to cyberbreaches. Register today!
Review the legal essentials of advertising online.
Analyze legal best practices for using social media.
Uncover practical guidance for handling tech issues in the remote law firm.
Develop strategies for preventing breaches.
Solicitation and Advertising on Social Media: Legal Essentials
Social Media: Ensuring Legal Best Practices
Tech Issues in the Remote Law Firm
Electronic Communications: Essential Guidelines
Preventing and Responding to Confidentiality Breaches: Legal Best Practices
How to Ethically Use Social Media in Investigations
2:00 - 3:30 PM Eastern, Thomas J. McClure
ABA Guidance
Puffery and Advertisement: What's Permissible, What's Not?
Do Different Rules Apply for Personal vs. Professional Social Media Accounts?
"Specialist" or "Expert" Designation Ramifications
Legal Blogs - Ethical Tips and Traps
Creating and Managing an Ethical Facebook Account
Setting Up a Facebook Account for Your Law Firm: Key Steps to Take
Enabling Proper Account and Privacy Settings
Personal Facebook Accounts: Safeguards to Implement
General Rules on Friending Attorneys and Judges on Facebook
Guidelines for Friending Clients on Facebook
Risks in Posting About Clients, Cases, etc. on Facebook
Twitter Dos and Don'ts: With Examples
LinkedIn: Top 5 Mistakes to Avoid
Dangers Posed by Responding to Client Reviews
Providing Legal Advice via Social Media Apps and Electronic Devices
Using Unencrypted Emails: Top Risks
What You Need to Know About Metadata
How to Avoid Cyberbreaches
Technology Competence: Why It Matters
Creating and Implementing a Social Media Policy for Your Law Firm
Responding to a Data Breach: Mitigating the Damage
THOMAS J. McCLURE, of McClure Law Offices, has a general practice serving individuals, families, and small businesses. Early in his career, Mr. McClure gained valuable experience at the Milwaukee City Attorney's Office, Milwaukee County District Attorney's Office, then in private practice with an "A" rated Milwaukee litigation firm. A trial attorney by training, with numerous civil and criminal jury trials in his career, Mr. McClure brings a wealth of experience to his clients at the local, state, and national levels in civil, criminal, administrative, and appellate law. He is licensed to practice in all Wisconsin courts, the federal Western and Eastern District courts in Wisconsin, the Federal 7th Circuit Court of Appeals in Chicago and the United States Supreme Court in Washington, D.C. Mr. McClure received his B.A. degree from St. Norbert College and earned his J.D. degree from Marquette University Law School.
The Impaired Lawyer: Substance Abuse Detection, Intervention, Recovery, and Continuing Client Representation
Legal Ethics: Avoiding Common Email Mistakes
Course Book Download:
Legal Ethics and Smartphones: Safeguarding Your Information
Understand the Risks and Rules of Using Cell Phones and Tablets in Your Daily Practice
OnDemand Audio
Legal Ethics in Illinois
We are committed to safeguarding the health of our attendees and speakers. This seminar has been moved to an online format due to public health concerns.
Conflicts of Interest: How to Avoid Common Ethical Missteps
The Pitfalls of Concurrent Representation, Advance Waivers, and Missed Conflicts
Attorney Ethics and Clients' Mental Health Issues
What are Your Duties in Assessing Capacity, Providing Accommodations, Ensuring Effective Communication?
The Dirty Dozen: 12 Ethical Mistakes Any Attorney Can Make
Unreasonable Fees, Unacceptable Litigation Tactics, Poor Communication, and More

redpajama_set_name: RedPajamaCommonCrawl


text:
Twitch reveals first compatible iOS title
Asphalt 8: Airborne has video platform's capabilities built in
News by Rachel Weber Senior Editor
Arcade title Asphalt 8: Airborne will be the first iOS title to feature Twitch's video broadcast capabilities, and creators Gameloft plan to celebrate with a 24-hour live stream event starting today.
"Live broadcasting represents one of the most important shifts in the way people play games," said Matthew DiPietro, VP of marketing.
"Twitch has quickly found a home on consoles, so by partnering with Gameloft to launch the first streaming-enabled mobile game brings us one step closer to being everywhere that gamers are. Also, being integrated into Asphalt 8: Airborne, one of the highest rated mobile games, should ensure it resonates with our community."
Asphalt 8: Airborne was published on August 22, 2013 on iOS and has around 48 million installs. The new video streaming capabilities will include voice and image broadcasting, chat, sharing or archiving streams and watching other Asphalt 8: Airborne gamers.
"This first-ever mobile game integration with Twitch opens the door for gamers to broadcast and share game play experiences like never before," added Gameloft's Baudouin Corman.
"As one of our most popular games, Asphalt 8: Airborne made perfect sense to integrate the Twitch mobile SDK, and we can't wait to see the excitement it brings to our users."
Rachel Weber
Rachel Weber has been with GamesIndustry since 2011 and specialises in news-writing and investigative journalism. She has more than five years of consumer experience, having previously worked for Future Publishing in the UK.


text:
Q: I am trying to make an if else statement which will echo 'complete' I believe the problem is with my if statement. I'm would like the code to echo complete when the specific values for testname and student name are present in the database, else show the testname as not completed. With my present code, the last echo statement keeps coming up no matter what testname and name I put.
<!DOCTYPE HTML>

<meta http-equiv="Content-Type" content="text/html; charset=utf-8">
<title>Quiz results </title>

<?php
// Created Aug 14th to workout Lesson list to disappear when test is finished

DEFINE ('DB_SERVER', 'localhost');
DEFINE ('DB_USER', 'root');
DEFINE ('DB_PSWD', '');
DEFINE ('DB_HOST', 'localhost');
DEFINE ('DB_NAME', 'ccgate_amendb5');

$dbcon = mysql_connect(DB_HOST, DB_USER, DB_PSWD, DB_NAME);
$db = 'ccgate_amendb5';

mysql_select_db("$db") or die(mysql_error());

echo "
 YOU ARE Connected now !!
";

echo " Quiz Results active

 ********************
  ";

$query = mysql_query("select testname, name FROM kcpe15questions");

$row = mysql_fetch_assoc($query);

if ($row['kcse-hist-f2-04-01-02-urbanization'] && $row['name']=='Amen')
{
  echo 'Subject Completed';
}
else
{
  echo '
 urbanization f2-04-01-02';
}

mysql_close($dbcon);

?>

A: You are not selecting column 'kcse-hist-f2-04-01-02-urbanization' in your query, so your else statement is being executed all the time.
$query = mysql_query("select testname, name , kcse-hist-f2-04-01-02-urbanization FROM kcpe15questions");
$row= mysql_fetch_assoc($query);
if ($row['kcse-hist-f2-04-01-02-urbanization'] && $row['name']=='Amen')
{
 echo 'Subject Completed';
}

A: I Believe your problem is the following..
$row['kcse-hist-f2-04-01-02-urbanization']

I should imagine that the above ain't a column name? $row is obtaining the column names of the database.
Your probably best off trying to obtain all of your information first, storing it somewhere, and then creating the if statement.

redpajama_set_name: RedPajamaStackExchange


text:
Edward Bickersteth (23 October 1814 – 7 October 1892) was an Anglican priest in the 19th century.

Life
Edward Bickersteth was born in Acton into a remarkable ecclesiastical family, the second son of John Bickersteth, sometime Rector of Sapcote. His brother Robert was Bishop of Ripon. His uncle was Edward Bickersteth and Edward Henry Bickersteth, Bishop of Exeter, was his cousin. Another uncle, a prominent barrister, was raised to the peerage as Baron Langdale, while his nephew Robert Bickersteth was a Liberal MP. He was admitted to Trinity College, Cambridge, in 1831, and migrated to Sidney Sussex College two years later, graduating B.A. in 1836. He also studied at Durham University in 1837. Made deacon in 1837 and ordained priest in 1839, he began his career with curacies at Chetton and Shrewsbury Abbey.  He was incumbent of Penn before being appointed Archdeacon of Buckingham and Vicar of Aylesbury in 1853. In 1875, he was appointed Dean of Lichfield. His chief achievement as Dean was the restoration of the west front of Lichfield Cathedral, which was begun in 1877 and completed and dedicated on 9 May 1884. He resigned just a few weeks before his death on 9 October 1892.

Family
He was twice married: first, on 13 October 1840, to Martha Mary Anne, daughter of Valentine Vickers of Cransmere in Shropshire. She died on 2 February 1881, and on 12 October 1882, he married Mary Anne, daughter of Thomas Whitmore Wylde-Browne of The Woodlands, Bridgnorth, Shropshire. She survived him. There were no surviving children from either marriage.

Works
He also published:

 Diocesan Synods in relation to Convocation and Parliament, London, 1867, 8vo; 2nd edit. 1883.
 My Hereafter, London, 1883, 16mo.

He edited the fifth edition of The Bishopric of Souls (London, 1877, 8vo), with a memoir of the author, Robert Wilson Evans, and in 1882 contributed an exposition on St. Mark's Gospel to the Pulpit Commentary.

References

1814 births
1892 deaths
Alumni of Trinity College, Cambridge
Alumni of University College, Durham
Archdeacons of Buckingham
Deans of Lichfield
Edward

redpajama_set_name: RedPajamaWikipedia


text:
Recovery Programs
Benefits Tax Counsel
International Tax Counsel
Office of Tax Analysis
Tax Legislative Counsel
Careers at Treasury
Tax Policy develops and implements tax policies and programs; reviews regulations and rulings to administer the Internal Revenue Code, negotiates tax treaties, provides economic and legal policy analysis for domestic and international tax policy decisions. It also provides estimates for the President's budget, fiscal policy decisions, and cash management decisions.
The Office of Tax Policy assists the Secretary and is responsible for developing and implementing tax policies and programs; providing the official estimates of all Government receipts for the President's budget, fiscal policy decisions, and Treasury cash management decisions; establishing policy criteria reflected in regulations and rulings and guiding their preparation with the Internal Revenue Service; negotiating tax treaties for the United States and representing the United States in meetings and work of multilateral organizations dealing with tax policy matters; and providing economic and legal policy analysis for domestic and international tax policy decisions.
The Assistant Secretary (Tax Policy) is the senior advisor to the Secretary of the Treasury for analyzing, developing, and implementing Federal tax policies and programs. In addition to the Assistant Secretary, the Immediate Office of the Assistant Secretary includes the Deputy Assistant Secretaries for Tax Policy, for Tax Analysis, for International Tax Affairs, for Multilateral Negotiations, and for Tax, Trade and Tariff Policy; and a staff of assistants and advisors.
The Assistant Secretary (Tax Policy) and Deputies oversee the cooperative activities of the Office of the Tax Legislative Counsel, the Office of the International Tax Counsel, the Office of the Benefits Tax Counsel, and the Office of Tax Analysis. Additional information about these Offices can be found by clicking on each title. (To learn more about Tax Policy Resources, scroll down)
Lily Batchelder, Assistant Secretary (Tax Policy), directs the Office of Tax Policy in developing, recommending, and implementing Federal tax policy on behalf of the Department. The Immediate Office includes the following individuals and their staffs.
Tom West, Deputy Assistant Secretary (Tax Policy), provides advice and counsel to the Assistant Secretary related to tax policy and coordinates domestic administrative guidance projects.
Gregory Leiserson, Deputy Assistant Secretary (Tax Analysis), provides advice and economic analysis to the Assistant Secretary and oversees the work of the Office of Tax Analysis.
Itai Grinberg, Deputy Assistant Secretary (Multilateral Tax), provides advice and counsel to the Assistant Secretary related to international tax policy and officially represents the Administration's interests in international settings.
Aruna Kalyanam, Deputy Assistant Secretary (Legislative Affairs, Tax and Budget), provides advice and counsel to the Assistant Secretary on tax and budget legislation.
Rebecca Kysar, Counselor to the Assistant Secretary (Tax Policy), provides advice and counsel to the Assistant Secretary
Natasha Sarin, Counselor to the Assistant Secretary (Tax Policy and Implementation), provides advice and counsel to the Assistant Secretary
José Murillo, Deputy Assistant Secretary (International Tax Affairs), provides advice and counsel to the Assistant Secretary related to international tax policy and tax treaties and coordinates international administrative guidance projects.
Deputy Assistant Secretary (Tax, Trade and Tariff Policy), provides policy oversight for the Alcohol and Tobacco Tax and Trade Bureau and for issues regarding the Department's Customs revenue functions.
Tax policy resources
This web page describes the Office and its responsibilities. A second Tax Policy webpage is in the Policy Issues section of the Treasury website. It contains links to papers, tables, reports, and other documents of interest including work by the economists in the Office of Tax Analysis.
the Policy Issues page for the Office of Tax Policy is here.
this page includes links to Revenue Proposals, Tax Expenditures, International Tax Documents, Reports, and more.
the Policy Issues page for the Office of Tax Analysis (economists) is here.
this includes links to Distribution Analyses, the Analyses of Key Provisions and Proposals including the Child Credit Advance, OTA Working Papers, and more.
Assistant Secretary (Tax Policy)
1500 Pennsylvania Ave., NW, Room 3120
Office of the Tax Legislative Counsel, Room 3044
Office of the International Tax Counsel, Room 3058
Office of the Benefits Tax Counsel, Room 3044
Office of Tax Analysis Room 4116
All press inquiries should be directed here.


Avail exciting offers on international flight bookings when flying from Bhubaneswar to Minnesota. Find cheap Bhubaneswar to Minnesota air tickets only at Goomo.com. From flight status to schedules, and information about your Bhubaneswar to Minnesota airfare, Goomo.com offers it all. Book Bhubaneswar to Minnesota flights now and avail great discounts!
Minnesota has a high standard of living and one of the well-educated masses in the country. It is the home of the famous NFL team 'Minnesota Vikings'.
Of the total 73 flights, the first flight of the day from Bhubaneswar to Minnesota takes off at 09:30, while the last flight of the day usually leaves at 21:25.
The base rate for the flight ticket from Bhubaneswar to Minnesota is normally Rs.45,378, and the current rate for the ticket is approximately Rs.91,998.
All these flight tickets are offered at the lowest prices possible, by Goomo.com. Added benefits are available in the form of concessions and deals.
Bhubaneswar is the capital of Odisha. Part of the city has been planned, making it one of the only planned cities of India. Bhubaneswar is touted as the temple town of India. There are thousands of temples in the more ancient part of the city of Bhubaneswar, like the Lingaraja Temple, the Mukteswara Temple, and the Anant Vasudeva Temple. All these ancient temples predominantly have Kalinga style of architecture.
Places of interest in Minnesota include the Minnesota's North Shore Scenic Drive, Gooseberry Falls State Park, and the Cathedral of St. Paul. There is also the Minneapolis sculpture garden, which stretches on for over an area of 11-acres, and has 40 odd sculpture, that have been sculpted by various modern artists. The Minneapolis Institute of Art is also a major attraction in Minnesota. There are numerous 15th & 16th century paintings in the museum, including one by Van Gogh.


text:
2023 Igbo Presidency: Northern Groups Reject Ezeife, Tell Him Who To Beg
2023 Igbo Presidency
The Coalition of Northern Groups (CNG) has told former Anambra State Governor, Chukwuemeka Ezeife that they won't be deceived by any planned begging to concede the 2023 presidential election to the Igbos.
This is as the Northern coalition alleged that the southeast can't be trusted with power based on their antecedents.
The CNG added that Ezeife and his people should rather go and beg the leader of the proscribed Indigenous People of Biafra (IPOB), Nnamdi Kanu whom he accused Igbo leaders of using and dumping.
The CNG in a statement by its spokesperson, Abdul-Azeez Suleiman said Igbo leaders pushed Kanu to do all that he did in the past but abandoned him after the government moved against him.
According to Suleiman: "Igbos have, by their conduct, denied themselves the opportunity to be trusted with power in the near future.
"It is deceptive for them to make such overtures after having encouraged and supported Nnamdi Kanu, the leader of the outlawed Indigenous People of Biafra, IPOB, and the atrocities committed against other Nigerians, particularly northerners by his IPOB.
"If the Igbo must prostrate to anyone, they should prostrate to Kanu as the North has come of age and shall not be deceived or fooled any longer."
The CNG position and statement comes after Ezeife had stated that the Southeast is ready to beg and appeal to other regions to get the 2023 presidency.
Naija News reports that the elder statesman said this while speaking at the United for Better Nigeria Initiative National Convention in Abuja on Saturday.
According to Ezeife, the Southeast region is ready to kneel down, even prostrate and beg in order to get an opportunity to produce President Muhammadu Buhari's successor.
While insisting that the presidency is not given to anyone, he said it was the right time for Ndigbo to produce the next President of the country.
The former governor urged Igbos to swallow their pride, reach out to other regions and beg for the 2023 presidential seat.
EXACTLY How Shiba Inu Can Reach $0.01 | Shiba Inu Price Prediction 2025
क्या Shiba Inu March 2022 तक ₹1 हो सकता है


Maruti Suzuki has started its first premium retail network that will serve its consumers with the company's premium Before you start guessing, let us make it very clear that Nexa is neither an upcoming car from Maruti Suzuki nor is it an upgraded version of a previous model. So why the big fuss in automobile industry about NEXA? Well here's all you need to models (Baleno & S-Corss) and a top-notch experience.
Maruti Suzuki will set up over 100 Nexa showrooms across India in first six to eight months. And within next couple of years, the company will manufacture atleast eight new product lines that will be sold to the customer through Nexa.
Nexa customers will not only enjoy high-end hospitality and care but also the enjoy a paperless, digital experience – at Nexa will ascertain that the user gets the maximum out of everything from Maruti. But wait, what about after the purchase? Do the customers get the same attention?
Of course. With Nexa's dedicated Relationship Managers who will keep customers updated about their maintenance schedule, timely renewal of insurance facilities long with several other after sales services.
From what it seems, Nexa Experience will make the customers, especially the ones who have been dedicated Maruti buyer for decades, become more loyal to Nexa and hence Maruti Suzuki. The company also launched exclusive Nexa accessories and services for 'My Nexa' privilege card holders – Valet Parking & Nexa Concierge.
MY Nexa mobile Application, available on Google Play, Windows & Apple store, was also introduced to give an exclusive automotive experience to the niche set of customers. Everything at Nexa will ensure that you have a relationship for a lifetime, hospitality that pampers you and technology that is innovative.
• Personal 24*7 accessible NEXA account with instant notifications & updates.
• Planning every service visit in advance with "Service Appointment".
• Experience the real world of NEXA with all the upcoming events.
• On Road Support, anywhere & anytime.
Do share your experience with NEXA, we will be happy to hear your intakes on same.
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1.1 "Supplier" means BHW Print Group Limited a company registered in England and Wales with company number 09803571 whose registered office is at The Print Hub Farsley Park, Wingates Ind Est, Westhoughton, Bolton, Lancs BL5 3XH. Bridson & Horrox, BHx, Wallace Printers, digitalhub and Skunkworks are all trading styles of BHW Print Group Limited.
1.2 "Buyer" means the person specified in the Contract where the same shall be reduced to writing or in the absence thereof the person requesting the supply of Goods and/or Services from the Supplier.
1.3 "Services" means the processes of design, creative artwork, printing, binding and any process associated therewith performed by the Supplier pursuant to the Contract upon Buyer's or Supplier's Materials.
1.4 "Buyer's Materials" shall mean materials supplied directly by the Buyer to the Supplier from sources independent of the Supplier for the purpose of having Services performed upon such materials.
1.5 "Supplier's Materials" shall mean any materials purchased by the Buyer from the Supplier for the purpose of having Services performed upon such materials.
1.6 "Goods" means any articles, materials or equipment which the Buyer agrees to have supplied by the Supplier pursuant to a Contract but shall exclude Supplier's Materials.
1.7 "Finished Goods" means any Buyer's and/or Supplier's Materials in respect of which the Services to be performed pursuant to the Contract have been executed.
1.8 "Price" means the Price for the Goods and/or Services but shall exclude carriage, packing and insurance and VAT.
1.9 "Delivery Date" means the date specified in the Contract or otherwise advised to the Buyer by the Supplier for delivery of Goods and/or Finished Goods.
1.11 "Contract" means the request by the Buyer for the supply of Goods and/or Services which request may be in writing or verbal as accepted by the Supplier and evidenced by the Supplier in a Work Docket, Acknowledgement of Order, Delivery Note and/or Invoice or otherwise in writing or by the physical delivery of Goods and/or Finished Goods.
1.12 "Invoice" means the Supplier's written request for payment from the Buyer of the Price and such other outstanding sums as are specified therein.
1.13 "Work Docket" means the document prepared by the Supplier in respect of Services detailing the Services required by the Buyer.
1.14 "Acknowledgement of Order" means the document prepared by the Supplier and issued to the Buyer in respect of Goods and/or Finished Goods and/or Services detailing the same required by the Buyer.
1.15 "Delivery Note" means the document prepared by the Supplier recording the Buyer's request for the supply of Goods (and/or Services) which accompanies physical delivery of Goods and/or Finished Goods.
1.16 "Proof" means any Finished Goods or part thereof produced by the Supplier by way of demonstration sample or example for the Buyer's inspection.
1.17 "Incidental Costs" means the cost of carriage, packing, insurance, VAT and such other sums arising as specified in the Contract.
2.1 These Terms and Conditions shall apply to all Contracts for the supply of Goods and/or Finished Goods and/or Services by the Supplier to the Buyer to the exclusion of all other terms and conditions including any terms and conditions which the Buyer may purport to apply in any document or howsoever.
2.2 Any request for Goods and/or Finished Goods and/or Services by the Buyer shall be deemed to be an offer by the Buyer to purchase the same pursuant to these Terms and Conditions.
2.3 Acceptance of delivery of Goods and/or Finished Goods by the Buyer shall be deemed conclusive evidence of the Buyer's acceptance of these Terms and Conditions.
2.4 No variation to these Terms and Conditions shall prevail unless agreed in writing by a Director of the Supplier.
3.1 The Supplier may issue Quotations to the Buyer in respect of Goods and/or Services to be purchased. Such Quotations are for information purposes only and the details contained therein including the descriptions of Goods and Finished Goods and any illustrations thereof shall not bind the Supplier until such time as incorporated in a Contract.
3.2 All work carried out, whether experimentally or otherwise, at the Buyer's request shall be charged at the Supplier's then prevailing rates.
4.1 Any amendment made to a Contract by a Buyer after conclusion of the same shall require express acceptance by the Supplier in writing. Any additional costs, including increased labour costs, costs of modifying existing Goods and/or Finished Goods and/or scrapping the same shall be borne in entirety by the Buyer. Any delay or failure in the Supplier meeting the Delivery Date arising from or in connection with such amendment shall be accepted by the Buyer without penalty for the Supplier.
5.1 Metal, film, glass and any other material used by the Supplier in connection with the supply of the Services shall remain the exclusive property of the Supplier who retains the right to distribute Type and/or efface lithographic, photogravure or other work immediately upon execution of the Contract save where the parties expressly agree in writing that the same shall be preserved in which event the Supplier shall be entitled to charge and the Buyer obliged to pay such reasonable storage charges as the Supplier shall from time to time require.
5.2 Copyright, Design rights and any other intellectual property rights in any original work, design or specification including any Proof produced by the Supplier and any sketches and artwork shall remain owned by the Supplier and any technical manuals, drawings, designs and specifications supplied by the Supplier to the Buyer shall remain the property of the Supplier to be carefully preserved by the Buyer and returned to the Supplier on demand. The Supplier gives no permission to the Buyer to use any such literature or drawing or exploit any rights in connection therewith save as is expressly contained in or necessarily arising from the Contract.
5.3 The Buyer warrants that any designs, specifications, artwork, sketches, blocks, Proofs or text supplied to the Supplier in connection with the provision of Goods, Finished Goods or Services belong to the Buyer and/or that the Buyer is entitled to use such material in such way and to license the Supplier to use such material for the purpose of executing the Contract and indemnifies the Supplier against any claim by any third party in respect of breach or infringement of copyright patent trade mark or registered design or other claim howsoever arising in connection with the Supplier's use of such materials.
6.1 The Supplier makes no representations in respect of the suitability of any Buyer's Materials for the purposes of the Contract and shall not be required to inspect or warrant the suitability of such materials. The Supplier shall not be taken to have warranted the quality of the Buyer's Materials nor their suitability merely by using such Buyer's Materials in the execution of the Contract. The Supplier shall not be liable for any defect in the Goods and/or Finished Goods nor for any delayed or failed delivery arising from unsuitability of Buyer's Materials or shortage in the quantity thereof supplied by the Buyer and the Buyer shall be liable to meet any additional costs incurred by the Supplier by reason of the unsuitability of such Buyer's Materials including costs relating to damage to equipment, additional labour costs and consequential losses arising therefrom.
6.2 Notwithstanding the foregoing provisions the Supplier may, without incurring liability for delayed or failed delivery, reject all or any part of the Buyer's Materials or other property of the Buyer which appears to be unsuitable for use in connection with the Contract. Failure by the Supplier to so reject Buyer's Materials or other property shall not be construed as a representation by the Supplier of their suitability.
6.3 Buyer's Materials and all other Buyer's property shall be supplied in a timely fashion and in such quantities as to cover normal spoilage; all such Buyer's Materials and property will be held, worked on and carried by the Supplier at Buyer's risk.
6.4 The Supplier shall not be held responsible for any Buyer's Material or other property belonging to the Buyer whilst it is in the Supplier's possession, custody or control and in particular shall not be liable for any loss, damage or destruction thereof for which the Buyer shall remain solely responsible and that in the case of claimed loss a receipt signed by or on behalf of the Buyer indicating return of the Buyer's Materials or other property shall be conclusive evidence as between the Supplier and the Buyer of the return of such materials and property to the Buyer. The Supplier shall be entitled to make a reasonable charge for the storage of any Buyer's property left with the Buyer before receipt of the order or after notification to the Buyer of completion of the Contract.
The Supplier will use reasonable endeavours to deliver the quantity of Goods and/or Finished Goods specified in the Contract but any shortage or surplus charged pro rata and not exceeding 5% in general and 10% in respect of Finished Goods in respect of which colour printing Services have been executed shall be considered due execution of the Contract and the Buyer shall accept the same subject to a pro rata increase or reduction in the Price and Incidental Costs.
Unless otherwise expressly agreed in writing the Supplier may, in the provision of Services, use whichever existing typeface is in its possession and nearest in appearance to that required by the Buyer and the Price and Delivery Date contained in any Quotation and/or Contract are based on the Buyer's acceptance of such typeface.
9.1 Where the Buyer so requires the Supplier shall make available a Proof for the Buyer's approval and corrections. The cost of such a Proof shall not be included in the Price unless specifically agreed in writing in advance and shall be charged for at the Supplier's prevailing print rates at that time.
9.2 The cost of any amendments, including any alterations of style, author's corrections or howsoever, required to be made to the Finished Goods at the Buyer's request consequent upon supply of a Proof shall be borne by the Buyer.
9.3 The Supplier shall in no circumstances be liable for errors appearing in the Finished Goods after a Proof of the same has been supplied to and signed by the Buyer.
10.1 Delivery of Goods and/or Finished Goods or part thereof if so agreed in the Contract shall be accepted by the Buyer at any time on or before or within 3 months of the Delivery Date upon notification by the Supplier that such Goods and/ or Finished Goods are ready for dispatch.
i) Treat the contract as at an end and re-sell the Goods and/or Finished Goods and receive forthwith from the Buyer any difference between the Price and Incidental Costs and the proceeds arising from such re-sale.
ii) To invoice the Buyer in respect of the Goods and/or Finished Goods in which event the Buyer shall be liable to pay the full Price and Incidental Costs forthwith.
iii) To charge the Buyer storage in respect of the Goods and/or Finished Goods from the date that delivery is refused until such date as Delivery is accepted and/or the Supplier re-sells or otherwise disposes of the Goods and/or Finished Goods and throughout such period of storage risk in the Goods and/or Finished Goods shall rest with the Buyer.
10.3 The Supplier shall not be liable for any failure to deliver the Goods and/or Finished Goods on the Delivery Date where such failure arises from any fault on the part of the Buyer or Buyer's agent whether in the supply of Buyer's Materials, faults in the Buyer's Materials occasioning delay, amendments to the Contract initiated by the Buyer or howsoever neither shall the Supplier be liable for any other delay in delivery or failure to deliver save where such failure or delay has been directly caused by the Supplier's fault and the Date of Delivery has been expressly stated in writing to be of the essence. In no circumstances shall the Supplier be liable for any consequential loss arising in respect of delay in delivery or failure to deliver.
10.4 Where the Goods and/or Finished Goods are to be delivered in instalments, late delivery of any one or more instalment shall not entitle the Buyer to reject any other instalment delivery.
10.5 Delivery shall be made to the Buyer at the Address specified on the Contract and a responsible person acting as agent of the Buyer must inspect the Goods and/or Finished Goods and sign the Delivery Note accepting Delivery of the same. In the absence of such agent acceptance of delivery shall be deemed to have occurred when the Goods and/or Finished Goods are off-loaded from the Supplier's vehicle at the delivery address.
10.6 Should expedited delivery be agreed an extra charge may be levied to cover any overtime or any other additional costs involved.
11.1 The Buyer shall inspect the Goods and/or Finished Goods on delivery and shall within 3 working days of delivery notify the Supplier of any alleged defect, shortage in quantity, damage or failure to comply with the description or sample. The Buyer shall afford the Supplier an opportunity to inspect the Goods and/or Finished Goods within a reasonable time following delivery before any use is made of it. If the Buyer shall fail to comply with these provisions the Goods and/or Finished Goods shall be conclusively presumed to be in accordance with the Contract and free from any defect or damage which would be apparent on a reasonable examination of the Goods and/or Finished Goods and the Buyer shall be deemed to have accepted the Goods and/or Finished Goods.
11.2 The Buyer shall notify the Supplier of any non-delivery of a whole consignment within 7 days of dispatch (as stated on the invoice). Notwithstanding the receipt by the Supplier of any such notice a clear signature on a carrier's delivery advice sheet shall be deemed to signify receipt of the quantity of the Goods and/or Finished Goods indicated on the advice sheet.
11.3 If the Goods and/or Finished Goods are not in accordance with the Contract for any reason the Buyer's sole remedy shall be limited to the Supplier making good any shortage by replacing such Goods and/or Finished Goods or, if the Buyer shall elect, by refunding a proportionate part of the price payable on the invoice.
11.4 In no circumstances will the Supplier accept the return of any Goods and/or Finished Goods delivered to the Buyer where such return is sought to be made seven days or more after Delivery or where the Goods and/or Finished Goods or any part thereof have been damaged in any way by the Buyer.
12.1 Any price appearing in a Quotation shall be subject to market fluctuations and the Price of Goods and/or Finished Goods and/or Services shall be the Supplier's prevailing price at the time of the Contract subject to any subsequent variation therein arising by reason of an increase or decrease in the costs of provision of the Services and/or Goods and/or Finished Goods whether such increase relates to the cost of materials, processes of production, distribution or whatsoever.
12.2 Incidental Costs shall be charged in addition to the Price at the rate agreed in the Contract or in the absence of such agreement at the rate prevailing on the date of dispatch of Goods and/or Finished Goods or the date of Invoice whichever shall be the later.
12.4 Should execution of the Contract be delayed or suspended for a period of 30 days or more at the request or fault of the Buyer the Supplier shall be entitled to receive full payment of such part of the Price and Incidental Costs as represents payment for the Goods and/or Finished Goods and/or Services already supplied or the work done in connection therewith and for any costs or expenses in respect of prospective work necessarily incurred at or before such delay or suspension.
ii) appropriate any payment made by the Buyer to such of the Goods and/or Finished Goods supplied under any agreement with the Buyer as the Supplier shall in its sole discretion decide.
12.6 The Supplier may set-off against any payment due by the Buyer any payment owing by the Supplier to the Buyer.
12.7 The Buyer shall be liable to pay interest on all overdue amounts owing to the Supplier at the rate of 3% pa over the Bank of England Minimum Lending Rate compounded on a quarterly basis.
12.8 Time of payment of the Price and Incidental Costs in accordance with these Terms and Conditions shall be of the essence.
13.2 Until such time as Title passes to the Buyer in accordance with the foregoing provisions the Buyer shall hold the Goods and/or Finished Goods on a fiduciary basis as bailee for the Supplier. The Buyer shall carefully store the Goods and/or Finished Goods at no cost to the Supplier separately from all other goods in its possession in such manner as to ensure there shall be no deterioration in the condition of the Goods and/or Finished Goods and marked in such a way that they are clearly identified as the Supplier's property.
13.3 Notwithstanding that the Goods and/or Finished Goods (or any of them) remain the property of the Supplier the Buyer may sell or use them in the ordinary course of the Buyer's business at full market value for the account of the Supplier. Any such sale or dealing shall be a sale or use of the Supplier's property by the Buyer on the Buyer's own behalf and the Buyer shall deal as principal when making such sales or dealings. The Buyer indemnifies the Supplier in respect of any warranties, conditions or representations, none of which shall bind the Supplier, made or given by the Buyer in the course of such sale or dealing. Until Title in the Goods and/or Finished Goods passes to the Buyer the entire proceeds of sale or otherwise of the Goods and/or Finished Goods shall be held in Trust for the Supplier and shall not be mixed with other money or paid into any overdrawn bank account and shall be at all times identified as the Supplier's money.
13.4 The Supplier shall be entitled to recover the Price plus Incidental Costs notwithstanding that Title in the Goods and/or Finished Goods has not passed to the Buyer.
13.5 Until such time as Title passes to the Buyer the Buyer shall upon request deliver up to the Supplier such of the Goods and/or Finished Goods as have not ceased to be in existence or resold. If the Buyer fails to do so the Supplier may enter upon any premises owned occupied or controlled by the Buyer where the Goods and/or Finished Goods are or may be situate and repossess the same. On the Supplier making such request the rights of the Buyer as set forth in Clause 13.3 shall cease.
13.6 The Buyer shall not pledge or in any way charge by way of security for any indebtedness any of the Goods and/or Finished Goods which remain the property of the Supplier. Without prejudice to the other rights of the Supplier if the Buyer acts in breach of these provisions all sums whatsoever owing to the Supplier shall forthwith become due and payable.
13.7 If the Buyer incorporates the Goods and/or Finished Goods into any other products or uses such Goods and/or Finished Goods as material for other products the property in those other products is upon such incorporation or use transferred to the Supplier and the provisions of this clause 13 shall apply mutatis mutandis to such products in place of Goods and/or Finished Goods.
13.8 The Buyer shall promptly do all such things necessary to protect the Supplier's rights hereunder including registering the particulars of the Contract where required by any Statute and without prejudice to the other rights of the Supplier failure by the Buyer to do so shall cause all sums howsoever owing by the Buyer to the Supplier to become due and payable forthwith.
Without prejudice to any of its other rights the Supplier shall in respect of any unpaid debts due from the Buyer have a general lien on all property of the Buyer including Buyer's Materials in the possession of the Supplier and shall be entitled upon the expiration of 14 days' notice to sell or otherwise dispose of such property as he thinks fit and apply the proceeds thereof towards satisfaction of such debts.
15.1 In the event of breach of any of the provisions of the Contract by the Supplier the remedies of the Buyer shall be limited to damages. In no circumstances shall the liability of the Supplier exceed the Price.
15.2 Except as otherwise expressly provided for in writing by the Supplier the Supplier shall have no liability of any kind whatsoever to the Buyer or any third party whether relating to direct, indirect or consequential loss, damage or expense (including loss of profit) whether in contract or in negligence or otherwise.
15.3 If Goods and/or Finished Goods are supplied which are not in accordance with the provisions of the Contract the Buyer's sole remedy shall be limited to the Supplier at its option, making good any shortage, replacing any defective Goods and/or Finished Goods or refunding a proportionate part of the Price.
16.2 Any implied term, condition or warranty statutory or otherwise as to the quality of the Goods and/or Finished Goods and/or Services supplied or their fitness for a particular purpose or merchantability or correspondence with any sample or description is excluded.
17.2 In respect of the supply of Services, Goods and/or Finished Goods other than those specified above the Buyer may terminate only as expressly provided for in the Contract.
iii) the Buyer enters any composition or arrangement with its creditors or commits an act of bankruptcy or if any petition in bankruptcy is presented against the Buyer or the Buyer is unable to pay its debts as they fall due or if being a limited company any resolution or petition to wind up the Buyer (other than for the purpose of amalgamation or reconstruction without insolvency) shall be passed or presented or if a receiver shall be appointed over the whole or any part of the Buyer's business or assets.
The Supplier reserves the right to refuse to perform any Service which consists of the printing of any matter which in its opinion is or may be of an illegal or libellous nature and the Buyer indemnifies the Supplier in respect of any claim, loss or expense arising in connection with any third party action relating to the nature or content of any Goods and/or Finished Goods supplied by the Supplier pursuant to a Contract.
The Supplier reserves the right to license or sub-contract all or any part of its rights and obligations under this contract without the Buyer's consent.
Any notice required to be served pursuant to this agreement shall be in writing and served by first class post or hand on the Supplier at the address herein appearing for the Supplier or such other address as the Supplier may from time to time notify the Buyer and on the Buyer at the Buyer's registered office or the address shown in the Contract for delivery.
This agreement shall be governed by and construed in accordance with the laws of England and Wales and the Supplier and Buyer agree to submit to the jurisdiction of the Courts of England and Wales in connection therewith.
No waiver or forbearance by the Supplier whether express or implied in enforcing any of its rights hereunder shall prejudice its rights to do so in the future.
Neither the Buyer nor the Supplier shall be liable for any default due to any act of God, war, strike, lock-out, industrial action, fire, flood, drought, tempest or other event beyond the reasonable control of either party.
BHW Print Group is committed to protecting the privacy of its website users and their personal information. Any personally identifying information that you provide to BHW Print Group ("Personal Information'') will be used strictly for the purpose of BHW Print Group's business of providing an e-commerce web service for online purchasing of office supplies.
(a) BHW Print Group requires your Personnel Information (and other information) in order to complete the purchase that you have requested and to contact you in connection with the same. BHW Print Group confirms that if you supply your postal address online you will only be sent the information for which you provided your address but if you do not wish to receive e-mail from BHW Print Group in the future, or if you wish to be removed from mailing lists, please let us know by writing to the: E-commerce Development Manager, BHW Print Group Limited, The Print Hub, Farsley Park, Wingates Industrial Estate, Westhoughton, Bolton BL5 3XH.
(b) BHW Print Group may compile reports or statistics concerning the use of and transactions on this website but these reports and statistics contain only aggregated, anonymous data which does not include your Personal Information.
3. BHW Print Group is specifically required to do so by law or court order. If disclosure of your Personal Information is required for legal reasons, such disclosure will be made only to the extent necessary and you will, if reasonably possible, be informed of the disclosure.
(e) BHW Print Group has notified the Data Protection Registrar of the ways in which it uses and processes information relating to its website users.


Up to 70% of prospects entering the sales funnel have already conducted online research and have formed a perception of the brand based on social media content. Because of this, if the brand is not participating in social media, it's at a disadvantage.
Prospects entering the sales funnel are in search of information that will lead them to a purchasing decision. Whether the sale is transactional for a component or material needed immediately to make their product, or a considered purchase that has many influencers and a long sales time, prospects are relying more and more on peer reviews and social media engagement to finalize their purchasing decision.
Before launching into a social media marketing effort, it's vitally important to establish the brand's value proposition and be able to articulate it in terms that are meaningful to the prospect. Content that is purely a laundry list of service offerings fails to differentiate from the competition and leads to abandonment by the prospect or strictly a purchase based on lowest price.
Gaining the prospect's attention requires identifying the prospect's problems and creating empathy with the prospect. Once this emotional connection is established, then a solution can be offered that is relevant and distinct to the brand.
Connecting with and influencing prospects on social media platforms requires a sustained effort spearheaded by content that supports the brand's key messaging.
Each of the big four channels – LinkedIn, Facebook, Twitter, YouTube – has a particular strength. Business-to-business marketers are more inclined to use LinkedIn because of numerous industry groups in which to participate. LinkedIn also offers the ability to network with industry peers and establish connections with decision makers that have purchasing authority.
Twitter can be very useful but requires a content library to constantly feed updates. One of the advantages to using Twitter is that posts can be automated through third party platforms allowing for control of posting frequency. Twitter also provides immediacy when posting for events and is an easy way to connect the industry influencers.
Influencing prospects before they enter the sales funnel requires a concerted effort to develop and post authoritative content consistently. Abandoning social media channels sends a signal to the prospect that the brand either has underestimated the resources needed or was not serious about social engagement from the get-go.


CDS has published a number of new application notes. Pyrolysis-GC / MS is applied in a variety of fields. From analyzing art and antiques to tobacco.
Monoclonal antibodies (mAbs) are among the most promising biotherapeutics. In order to ensure their medical usefulness, the percentage of aggregates must be kept low. Aggregate quantitation is best carried out by size exclusion chromatography, and the TSKgel UP-SW3000 columns are dedicated to this purpose.


Great for hanging laundry, this 40-piece Multi-Colored Plastic Clothespins Set serves a number of other purposes as well. You can use them to keep clothes on hangers in the closet, for art projects, to clip bags closed so food stays fresh and more. This value pack includes enough clothespins for any variety of jobs you might have for them. Colors include blue, red, yellow and green.


text:
package br.com.gamestore.servlets;

import java.io.IOException;
import javax.servlet.ServletException;
import javax.servlet.annotation.WebServlet;
import javax.servlet.http.HttpServlet;
import javax.servlet.http.HttpServletRequest;
import javax.servlet.http.HttpServletResponse;
import javax.swing.JOptionPane;

import br.com.gamestore.persistences.CarrinhoManager;

@WebServlet("/removeCarrinho")
public class RemoveCarrinhoServlet extends HttpServlet {
	private static final long serialVersionUID = 1L;

    public RemoveCarrinhoServlet() {
        super();

    }

	protected void doGet(HttpServletRequest request, HttpServletResponse response) throws ServletException, IOException {

		String codigo, email;

		codigo = request.getParameter("codigo");
		email = request.getParameter("email");
		for(int i = 0; i < CarrinhoManager.getCarrinho().get(email).size(); i++){
			if(CarrinhoManager.getCarrinho().get(email).get(i).getCodigo().equals(codigo)){
				CarrinhoManager.getCarrinho().get(email).remove(i);
					break;
			}
		}

		request.getRequestDispatcher("/carrinho.jsp").forward(request, response);

		//response.getWriter().append("Served at: ").append(request.getContextPath());
	}

	protected void doPost(HttpServletRequest request, HttpServletResponse response) throws ServletException, IOException {

		doGet(request, response);
	}

}

redpajama_set_name: RedPajamaGithub


The Club is one of a number of specialist Clubs based at the One Leisure St Ives Outdoor Centre. It caters for all those who wish to enjoy social or competitive squash and racketball (squash 57).
The club has much to offer and wants to do more for its members with your help and input. Our committee is fully committed to putting on lots of events for the benefit of our members and to encourage the uptake of squash and racketball in the community.
The Pairs competition was a particularly successful event. We had 17 participants on the night, all of whom had a good time and we followed the evening up by putting on some food and drink for members in the bar area. It is our intention to provide a lot more events like this, and we have put together a membership package which is excellent value for money.
Club night resumes on Mondays at 7.40pm from 10th September after a short summer break.
Members receive a discounted fee of £3 (£2 for juniors) to participate and can have a go at squash and racketball in a fun, friendly environment. It's a great way of meeting other players and practising your squash with players of all abilities.
We have held a range of members only events this year for all abilities such as the handicap speed squash tournament and the Pairs squash tournament. We also hold Squash and Racketball Club Championships annually.
Members also receive discounted entry into Open events that the club runs at the Outdoor centre such as the St Ivo Racketball Open.
The club has two mixed teams in the Cambridgeshire leagues. The 1st team, captained by John Dewis, are currently promotion contenders in the 2nd division and offer the chance to play squash at a high level.
The 2nd team is in the 4th Division and are expected to do well this year. The team run by Club Captain Alistair Paul offers an excellent introduction to the competitive yet fun nature of team squash for players of all abilities.
Steven Mason, our level 2 qualified Squash coach, ran junior sessions over the summer holidays for ages from 4 to 18 years. Steve hopes to run some weekly sessions again starting in the Autumn. We would like to build a successful junior section of the club to ensure local youngsters have access to the great sport of squash in the area. Contact Steve for details and to register your interest.
Group sessions are to be arranged, using coaches from within the Club and external qualified coaches to provide support to team players, upper and lower box league players, ladies and social players. Coaching will also be accessible on selected club nights. We currently have three coaches who the club have supported through qualifications, Steven Mason, Byron Williams, and John Dewis. One to one coaching sessions are available from Steven Mason.
One Leisure run the box leagues published on the noticeboard. We encourage members to enter the box leagues and we are working with One Leisure to increase participation. To enter the Box Leagues complete an enquiry form for the One Leisure Outdoor Centre.
We offer a variety of memberships from just £10. We encourage members to join England Squash by opting for our Silver or Gold memberships. England Squash have supported the club in the past and the benefits are very good value. We also have a bronze membership option which gives access to all the same club events and discounted activities for just £10 and players can upgrade later in the year should they wish to. Regular team players must have a Gold Membership.
Your membership fees are essential to help us provide a framework to develop squash in the area. We pay England Squash court fees and player fees to help run the national governing body and support the network of County squash organization. The club pays for insurance, buys squash and racketball equipment including balls and safety wear and supports players who wish to train to be coaches. We also provide trophies and prizes for club competitions. The clubs main costs are court fees to Hunts District Council for organised club events such as club nights and club competitions. Teams players pay their own court costs.


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text:
Sam Chamberlain
© 2019 Sam Chamberlain.
Sam works primarily with painted and cut collages. Also with pastel, pencil drawings and acrylic and oil. He is generally most interested in the place where accidental abstractions in colour and form become structured and recognisable and vice-versa.
Sam Chamberlain's art has been featured in two group shows, both organised by the curator Flora Fairbairn, noted for her interest in discovering new talent. He had his first solo show at the Subway gallery in London in December 2009 and his most recent show is at the Lotus Foundation gallery, also in London. As well as generating considerable interest from collectors in the UK and abroad, his work has been featured in the recent book on contemporary collage Cut and Paste [Laurence King].
Sam Chamberlain is from New York City but has also lived in India and California and he currently resides in London. For more about Sam, see the biography section of this site
Some writing about Sam's work:
"Sam Chamberlain describes mental as well as physical environments. His paintings and collages use material forms to encapsulate and frame the transcendent world that is the true subject of his vision, forming relationships between the places of the planet and the places of the mind.
These are images that ask the viewer not only to look again, but to think again: about what is and what isn't, about what we choose to see and what we choose to ignore, about the nature of visual reality and the myriad unseen possibilities that exist alongside the consensual, agreed version of the everyday world.
Dominic Collier – critic – London 2009
"Chamberlain's vibrant oeuvre is just my cup of tea: gutsy creations whose graphic good looks are expressionistic evocations of the natural world but with an appealing roughness."
Mitch Owens – critic – for An Aesthete's Lament 2010
"If any other artist would've created this work, it would have been Max Ernst—who else might even conceive of a Surrealist still life? But it is doubtful that he would ever have indulged in risks such as the ones taken by Sam Chamberlain."
Hubert Decleer – academic – 2010
"I recently watched a repeat of 'Shock of the New', and was reminded that Matisse worked in collage too, cutting out chunks of colour with an ordinary pair of scissors to make such striking pieces, and Sam's work is also striking, yet at the same time it is subtle; I like the way Sam suggests an image and allows the viewer to find it, very clever."
Annette Hamley-Jenkins 2012
Article about Sam Chamberlain that appeared on the Aesthete's Lament Blog
Critical article, written about Sam Chamberlain's Work: Muted Playfulness by Hubert Decleer
Cut and Paste By Richard Brereton and Caroline Roberts
Book about contemporary collage artists


Used by top clubs and players, the Crazy Catch Wildchild Double Trouble is a soccer rebounder with two functional sides; one with a more controlled rebound for passing and improving your touch, and the other for unpredictable bounces, helping to improve your reaction speeds and responses. The lightweight, portable, pre-assembled, and adjustable rebounder is available on Amazon.
The Crazy Catch Wildchild Double Trouble is available for approx. $150 USD on Amazon.
Set Up: The Crazy Catch Wildchild Double Trouble does not need to be set up; all you have to do is take it out of the carry bag (which is very helpful in transporting the rebounder) and adjust the angled frame to whichever setting you'd like. I found adjusting the angle to be a bit difficult; you have to bend down and go under the already pretty small rebounder to adjust it. When you're done using the rebounder, it folds up quickly and easily; you simply unclip the adjustment bar and fold the rebounder flat.
Performance: After using this rebounder for over a month now, I must say I am very happy with it. It stays in place pretty well when throwing a soccer ball at it, the net surface area is a good size for juggling and kicking, the net tension is strong, the frame is durable and sturdy, and there are several different drills you can do with it. I am both a midfielder and a goalkeeper and I found this rebounder very useful in improving my skills for both positions. It's very useful for working on your first touch, juggling, passing, catching, etc. and the adjustable angled frame gives you several different ball return height options. The "insane" side of the rebounder (larger squares) returns the ball in an unpredictable manner forcing you to stay ready, focused, and on your toes because you never know where the ball is going to go. I like this side of the rebounder because it helps improve reaction speeds, the difference maker between a save and a goal conceded for a goalkeeper.
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We'd love your help. Let us know what's wrong with this preview of Voyage to the Star Kingdom by Anne Riley.
In the small community of Village-Upon-Stone, a storm settles solely over the house of a beloved family. Instead of leading their normal, happy life, the family—a father, a mother, and three young daughters—must battle fierce winds and torrential rain. The other villagers come to the family's aid, but it's no use against the rapidly rising waters. The family and their neig In the small community of Village-Upon-Stone, a storm settles solely over the house of a beloved family. Instead of leading their normal, happy life, the family—a father, a mother, and three young daughters—must battle fierce winds and torrential rain. The other villagers come to the family's aid, but it's no use against the rapidly rising waters. The family and their neighbors pray to the Star King for relief. They know he is good, but they have never endured such a storm; what if he does not send help?
But he does, and after the family receives the Star King's gifts, he sends an Angelfish to invite them to a grand banquet at the Radiant Palace. The family is thrilled, but the Star King has asked that the two youngest daughters travel to his kingdom first, with the rest of the family to follow afterwards. The family is alarmed by this request, but the Angelfish reminds them that the Star King does not always do things in the usual way, and they will be with their daughters again sooner than they think. They trust the Star King, so they send the daughters to his kingdom in a makeshift boat led by the Angelfish.
On their voyage, the girls experience beauty, darkness, and fear, but eventually reach the Star Kingdom, which immediately feels like home—and the people who greet them there are the greatest surprises of all.
Inspired by a real-life family, Voyage to the Star Kingdom is a vivid reminder that our stories don't end with death, and that the King is indeed making all things new.
To ask other readers questions about Voyage to the Star Kingdom, please sign up.
This book has been a sweet balm to our family, especially to me. It was on a booklist of "helping your family process grief." I am thankful we enjoyed and believed its sweet message before we needed it.
A touching story on the difficult topic all of us must one day face; the loss of a loved one. Riley weaves a beautiful story that presents storms and troubles in an eternal perspective, and one that is easy to introduce to children. As with any story that starts with God, it ends leaving you feeling uplifted and comforted. I don't have children of my own yet, but I know that when I do "Voyage to the Star Kingdom " will secure a treasured place on my children's book shelves. I have already ordere A touching story on the difficult topic all of us must one day face; the loss of a loved one. Riley weaves a beautiful story that presents storms and troubles in an eternal perspective, and one that is easy to introduce to children. As with any story that starts with God, it ends leaving you feeling uplifted and comforted. I don't have children of my own yet, but I know that when I do "Voyage to the Star Kingdom " will secure a treasured place on my children's book shelves. I have already ordered a few extra copies to give to my nieces and nephews.
Also, This book isn't just for children. It blessed me in a big way! I lost my brother a year ago and reading Voyage to the Star Kingdom reminded me that God is not bound by time. We will see each other again in paradise, and we will never be apart ever again.
Such an amazing book and such a beautiful story behind the book. It shares the gospel and points you to Christ in such a beautiful way! It is really a must read!
Beautiful. Narnian. Can barely make it through without weeping. Highly recommend for story AND whimsy illustrations.
Anne Riley is an author of young adult fiction cleverly disguised as a high school Spanish teacher. She lives in Birmingham, Alabama, with her family.
Anne began writing at the ripe old age of nine, when she penned a literary classic about… well, she doesn't really remember what it was about, but she's pretty sure the main characters were ferrets.
These days, she writes stories about teenagers inste Anne Riley is an author of young adult fiction cleverly disguised as a high school Spanish teacher. She lives in Birmingham, Alabama, with her family.


It's a succinctly made point; and highlights a failing in the English language — radio means, of course, three different things — a receiver, a technology, and a type of audio programming.
Radio is now on a variety of different platforms. Broadcast technology, like FM or DAB+; live streaming via IP; and on-demand too, in the form of podcasting and other things.
Most, if not all, radio research reflects this. The apparent unsophistication of a paper diary or a web form is actually quite a useful way of understanding how people listen: since it works with every form of radio, not just something delivered on a speaker.
Fewer people are buying radio receivers than ever before. Yet, in most markets, more people are listening to radio than ever before — because radio is not a platform, it's a thing. I define it as "audio with a shared experience and a human connection".
If we have trouble with defining a "radio", what about a "smart speaker", I wonder?
In Q1 2018, the Amazon Echo sold 2.5m devices worldwide; but Google Home sold 3.2m devices in the same time period. It's the first time that Google has out-sold Amazon for smart speakers.
But that doesn't tell the whole story, though: Google's voice assistant works with over 5,000 devices. My JBL Link speaker that is on my deck has Google Assistant built-in; but it isn't a Google Home. Where does it fit in the figures?
The GPS I use in the car has Google Assistant built-in (very good for sending text messages). The Bose headphones that I take travelling, or the smaller bud headphones I wear on the bus, both have Google Assistant on them as well — I walked over the William Jolly Bridge in Brisbane the other day, asking Google about my diary for tomorrow.
And of course, my mobile phone has Google Assistant in it, too. If it's on the table, seemingly switched off, "OK, Google, what's in the news?" will play me a short news bulletin. Or, "Hey, Google, ask Podnews for the latest" starts a conversation with my Podnews podcasting news website.
So, you can compare sales of Amazon Echo vs Google Home if you like; but that misses great swathes of the smart speaker ecosystem.
And you can define radio as a speaker in a box that picks up FM if you like; but that, too, misses much of what your audience already calls radio.
Your challenge is to ensure that your radio output sounds great — whatever 'radio' it is playing on.
Neil Cowling on the quickening market for branded podcasts in the U.K.


text:
Q: Get Name from one model to another I have two models:
One is for Brands
public class BrandVM
    {
        public BrandVM() { }

        public BrandVM(BrandDTO row)
        {
            Id = row.Id;
            Name = row.Name;
            Description = row.Description;
        }
        public int Id { get; set; }
        [Required]
        [StringLength(50, MinimumLength = 3)]
        public string Name { get; set; }
        [Required]
        public string Description { get; set; }
        public virtual BicycleVM BicycleVM { get; set; }
    }

and second for Products
public class BicycleVM
    {
        public BicycleVM() { }

        public BicycleVM(BicycleDTO row)
        {
            Id = row.Id;
            CategoryId = row.CategoryId;
            BrandId = row.BrandId;
            Mark = row.Mark;
            Year = row.Year;
            Color = row.Color;
            ImageName = row.ImageName;
        }

        public int Id { get; set; }
        [DisplayName("Category")]
        public int CategoryId { get; set; }
        [DisplayName("Brand")]
        public int BrandId { get; set; }
        [Required]
        [StringLength(50, MinimumLength = 3)]
        public string Mark { get; set; }
        public int Year { get; set; }
        [Required]
        [StringLength(50, MinimumLength = 3)]
        public string Color { get; set; }
        DisplayName("Image")]
        public string ImageName { get; set; }

        public string Category { get; set; }
        public string Brand { get; set; }

        public IEnumerable<SelectListItem> Categories { get; set; }
        public IEnumerable<SelectListItem> Brands { get; set; }
        public IEnumerable<string> GalleryImages { get; set; }
    }

public string Brand { get; set; } doesnt exist in the table, it only uses for view.
I need somehow get all Brands from one table and insert them in property Brand. Id from Bramds must match with BrandId.
How it looks like for me: I'm getting all the brand's names and id's from the first table. Compare BrandId from products with Id in Brands. If they match, than product.Brand = brand.Name.
Tried this:
List<BicycleVM> listOfBicycleVM;
using (Db db = new Db())
{
  var init = db.Bicycles.ToArray()
      .Where(x => catId == null || catId == 0 || x.CategoryId == catId)
      .Select(x => new BicycleVM(x));

  listOfBicycleVM = init.ToList();

  var brand = db.Brands.ToList();

  listOfBicycleVM.ForEach(bicycle => bicycle.Brand = brand
          .FirstOrDefault(p => p.Id == bicycle.BrandId).ToString());

No luck :(

A: You shouldn't be trying to combine two ViewModels together for a single view, that defeats the purpose of them. You can however combine two models into a single ViewModel.
Create a single ViewModel which contains all of the data needed and call it something like "BicycleBrandVM". Populate this either in the controller or where ever you are populating the ViewModels just now then pass it through to your View.

A: Found this workaround
var brand = db.Brands.ToArray().Select(x => new BrandVM(x));
                foreach (var item in listOfBicycleVM)
                {
                    if( brand.Any(x => x.Id == item.BrandId))
                    {
                        item.Brand = brand.First(c => c.Id == item.BrandId).Name;
                    }
                }

seems like this it can work without this part
if( brand.Any(x => x.Id == item.BrandId))

Will try later


My best friend always reminds me to bring visual beauty to the mundane parts of daily life. The eyes enjoy it. Whenever possible arrange your lunch on a colorful plate in a pleasing fashion. Add a contrasting garnish to the soup. Adorn your table with fresh flowers on top of a brightly patterned piece of oilcloth.
The author who seems to have soared to new heights in making whole foods into art is Heidi Swanson. Her book Super Natural Cooking not only has deliciously creative recipes using whole foods, but the recipes are paired with stunningly beautiful photographs taken by the author. Oh, that spiced-kissed gingerbread. Feast on this one!
You have to be pretty much of a food nerd to go for this one. I keep a copy at my desk at home AND in the kitchen where I teach because it is such a great go-to book.
I "go to" it a lot when students ask me questions like, what does tutti-frutti mean? The subtitle of Sharon Tyler Herbst's book Food Lover's Companion is "Comprehensive Definitions of over 4000 Food, Wine and Culinary Terms".
It's a giant glossary; in alphabetical order of course. You can look up stuff like "cardoon" (a vegetable that's a cross between artichoke, celery and salsify) or "hard crack stage" if you're cooking up some candy or who knew "shanogi" was a round Japanese spoon or paddle used to toss rice. Yes! The book is a great gift for your favorite cook. Maybe that's you.


CAA: Civil Aviation Authority. The NZ civil aviation regulator.
ATD MoT: Air Transport Division, Ministry of Transport. The predecessor of CAA.
MNZ: Maritime New Zealand. The NZ maritime regulator.
MSA: Maritime Safety Authority. The previous name of MNZ.
NZTA: NZ Transport Authority. The NZ rail regulator.
LTNZ: Land Transport NZ. The predecessor of NZTA.
LTSA: Land Transport Safety Authority. The predecessor of LTNZ.
MoT: Ministry of Transport. The NZ transport regulators' parent ministry.
IACS: International Association of Classification Societies. A Marine international industry standards organisation.
FAA: Federal Aviation Administration. The US aviation regulator.
RNZAF: Royal New Zealand Air Force.
To search for other recipients use their full name.


text:
Irton Road railway station is a railway station on the 15 in gauge Ravenglass & Eskdale Railway in the Lake District National Park and the English county of Cumbria. The station is situated on the western edge of the village of Eskdale Green. It is some  from Ravenglass and  from Dalegarth for Boot, and trains take 20 minutes to reach their destinations in either direction from this station.

History
Originally named Hollowstones, after the adjacent farm, it opened to passengers in 1876, when the line was still in its 3' gauge form. The station building was the only one on the line to be built from stone rather than wood, and as such, is the only station building to survive from the original railway.  The station served the western end of the village of Eskdale Green as well as upper Mitedale, and as such, was one of the more important stations on the line for both passengers and local goods traffic.  The station closed to passengers in 1908 and the goods traffic in 1913, but was reopened in 1916 as the railway was converted to 15 inch gauge.  As well as becoming the main crossing point on the line, the station also hosted the railway's carriage and wagon workshop, with a number of coaches being built/repaired at Irton Road before the construction of newer facilities at Ravenglass in the 1920s.
For many years, Irton Road was the only practical passing place for trains between Ravenglass and Dalegarth.  Consequently, the loop was extended to double the required length, to enable 4 trains to be accommodated at once, a feature the station retains to this day.
Today, the station remains the main train crossing point on the line.  The station also retains a storage shed and several sidings which are now used by the permanent-way department.

Present day
Set in the heart of the Eskdale valley in Cumbria; today a host of different trains can be seen passing through the station in high season, including passenger, permanent-way and empty-carriage-stock trains. Most frequently seen are passenger trains, which run from Ravenglass to Dalegarth for Boot and vice versa. There  are sidings here, which end in a two road shed, usually home to Quarryman, a paraffin-fuelled 4w engine formerly used on trains between Beckfoot Quarry and Murthwaite Stone Crushing Plant; Santa's Sleigh, used in the winter time during the Santa Specials and 627, an old coach dating from 1928, which is part of the heritage collection. A bridge over the station carries a metalled track from Irton Road to a farm named Hollowstones, which doubles as a public right of way for walkers heading south from the station.

When approaching by train from either direction, point indicators showing the lie of the weighted points can be seen when the train is approaching Irton Road railway station. The point indicators consist of a light on a black, circular background. A steady white light indicates that the weighted points are set for the train to enter the left-hand line of the two railway lines, while a flashing white light (rarely seen) indicates that the weighted points are set for the train to enter the right-hand line of the two railway lines. Exceptionally, no light illuminated either indicates that the weighted points are incorrectly set for either light-hand or right-hand train movements, or that there is some power or mechanical failure with the point indicators. These point indicators are normally inactive, only becoming active (illuminating) when a train passes a detection module, located on the track further back from the station than the point indicators.

Presently, only a shelter and a toilet are available for use by the public. Conversations from the radio transceiver inside the station master's office can sometimes be overheard by passengers waiting inside the shelter.

The station looks out on either side to grazing farmland, where sheep and cattle are a familiar sight. The road north of the railway line leads to Eskdale Green village in an easterly direction, where a convenience store, public toilets and a travelling post office on selected days can be found.

The journey to each end of the line is approximately 20 minutes in each direction, however the working timetable differs slightly in that the train takes 18 minutes to get to this station from Dalegarth, with a 2-minute stationary phase at Irton Road.

Accessibility
Wheelchair passengers wishing to depart or alight here are advised to pre-book a wheelchair space prior to the day of travel.

Telecommunications
A radio transceiver for the radio-controlled train order signalling system is located here. An analogue radio repeater is located within the booking office which is used to overhear conversations between driver and the controller (located in the signal box at Ravenglass).  The railway uses a type of semi-duplex private business radio system, similar to the marine VHF system.

Gallery

See also
Irton Pike

References

Heritage railway stations in Cumbria
Ravenglass and Eskdale Railway
Railway stations in Great Britain opened in 1876


text:
Tex Beneke was a big band saxophonist and singer who joined the Glenn Miller Orchestra in 1941, and remained with him until Miller broke up his band the following year to join the Army Air Forces
Label: ACROBAT
Hey Ba-Ba-Re-Bop - The Singles Collection 1946-54
Artist: Tex Beneke
1. Swing Low, Sweet Chariot
2. It Couldn't Be True (Or Could It?)
3. Cynthia's in Love
4. The Whiffenpoof Song (Baa! Baa! Baa!)
5. Hey! Ba-Ba-Re-Bop
6. I Know
7. Give Me Five Minutes More
8. Passe
9. Oh But I Do
10. A Gal in Calico
11. Falling Leaves
12. Speaking of Angels
13. Anniversary Song
14. Sunrise Serenade
15. My Young and Foolish Heart
16. Feudin' and Fightin'
17. Washington and Lee Swing
18. (How I'll Miss You) When the Summer Is Gone
19. Stormy Weather
20. I Have But One Heart
21. Lone Star Moon
23. St. Louis Blues March
24. Saturday Date
25. Meadowlands (Russian Patrol)
26. Look for the Silver Lining
27. Hankerin'
28. Poinciana (Song of the Tree)
29. East of the Sun (And West of the Moon)
30. Bye Bye Blues
31. Mississippi Flyer
32. Midnight Serenade
33. They Can't Take That Away from Me
34. Blues in the Night March
35. The Merrily Song (No Where in Particular)
36. I Can Dream, Can't I
37. Lazy River
38. Lazybones
39. Georgia on My Mind
40. Java Junction
41. I've Got a Heart Filled with Love
42. My Love An' My Mule
43. The Yodel Waltz
44. Unforgettable
45. S Wonderful
46. Singin' in the Rain
47. Danny's Hideaway
48. Chattanooga Choo Choo


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SURAT: Two engineering students of Gandhi Engineering College in the city have designed a smart e-leg for those whose legs have been amputated.
Mayur Chovatiya (21), a son of a diamond worker, and 23-year-old Rashmi Solanki, daughter of government servant, have designed the e-leg which when fitted on the human body responds through neuro sensors.
These students of Electronic and Communication (EC) who just completed their final year studies wanted to take up a project which could be useful for people.
"We had begun work on the project even before we started our final year project," said Rashmi. "All the designs available in the market are all rigid structures. People find it difficult to walk with these artificial limbs on different terrains without support. Single leg walking is also not possible," she added.
"So we developed this design which responds to brain. The sensors fitted on the leg will process the signals from the brain to initiate limb movement," said Mayur.
The duo has already filed for patent with the Patent Office of Intellectual Property of India in Mumbai in April.