text:
Electrical and optical properties of polyacetylene copolymers
Louis M L LEUNG*, K. H. Tan, T. S. Lam, He WeiDong
Poly(phenyl vinyl sulfoxide) (PVSO) is a soluble precursor to polyacetylene (PA). Upon thermal elimination, the thermally labile PVSO can be converted to PA by undergoing a 'zipper-like' 5-members cyclic sigmatropic elimination process. Both PVSO and its copolymers can be synthesized via anionic polymerization in which stereospecific polymers with controlled molecular weight, narrow polydispersity, and known chemical composition distribution can be prepared. The degree of elimination and thus the mean conjugation length can be controlled by partially oxidizing the thermally labile sulfoxide moieties into thermally stable sulfone moieties. The optical properties of the PVSO copolymers in the UV-vis range were studied as a function of its thermolysis conditions both in solid-state and in solution forms. The eliminated PVSO can be doped (by p- or n-type dopants) to achieve conductivity to a range of 10 S/cm. The electrical properties of the PVSO copolymers and a series of blends were analyzed as a function of its chemical composition. In addition, the anionic synthesis method allows specific end groups to be inserted to the polymer chain ends. The synthesis of a series of carboxylic acid terminated PVSO polymers and their properties was also reported.
Reactive and Functional Polymers
User-Defined Keywords
Anionic synthesis
Poly(phenyl vinyl sulfoxide)
Polyacetylene copolymers
Precursor polymer
Dive into the research topics of 'Electrical and optical properties of polyacetylene copolymers'. Together they form a unique fingerprint.
diphenyl sulfoxide Medicine & Life Sciences 100%
Polyacetylenes Engineering & Materials Science 85%
Polyacetylene Polymer Medicine & Life Sciences 77%
Optical properties Engineering & Materials Science 52%
Copolymers Engineering & Materials Science 50%
electrical property Earth & Environmental Sciences 49%
Electric properties Engineering & Materials Science 45%
optical property Earth & Environmental Sciences 42%
LEUNG, L. M. L., Tan, K. H., Lam, T. S., & WeiDong, H. (2002). Electrical and optical properties of polyacetylene copolymers. Reactive and Functional Polymers, 50(2), 173-179. https://doi.org/10.1016/S1381-5148(01)00112-2
LEUNG, Louis M L ; Tan, K. H. ; Lam, T. S. ; WeiDong, He. / Electrical and optical properties of polyacetylene copolymers. In: Reactive and Functional Polymers. 2002 ; Vol. 50, No. 2. pp. 173-179.
@article{4b5d2ad0c8d64b1b995b28de4df1ebbe,
title = "Electrical and optical properties of polyacetylene copolymers",
abstract = "Poly(phenyl vinyl sulfoxide) (PVSO) is a soluble precursor to polyacetylene (PA). Upon thermal elimination, the thermally labile PVSO can be converted to PA by undergoing a 'zipper-like' 5-members cyclic sigmatropic elimination process. Both PVSO and its copolymers can be synthesized via anionic polymerization in which stereospecific polymers with controlled molecular weight, narrow polydispersity, and known chemical composition distribution can be prepared. The degree of elimination and thus the mean conjugation length can be controlled by partially oxidizing the thermally labile sulfoxide moieties into thermally stable sulfone moieties. The optical properties of the PVSO copolymers in the UV-vis range were studied as a function of its thermolysis conditions both in solid-state and in solution forms. The eliminated PVSO can be doped (by p- or n-type dopants) to achieve conductivity to a range of 10 S/cm. The electrical properties of the PVSO copolymers and a series of blends were analyzed as a function of its chemical composition. In addition, the anionic synthesis method allows specific end groups to be inserted to the polymer chain ends. The synthesis of a series of carboxylic acid terminated PVSO polymers and their properties was also reported.",
keywords = "Anionic synthesis, Poly(phenyl vinyl sulfoxide), Polyacetylene copolymers, Precursor polymer",
author = "LEUNG, {Louis M L} and Tan, {K. H.} and Lam, {T. S.} and He WeiDong",
note = "Funding Information: This work is supported by a research grant from the Hong Kong SAR Government (grant number: RGC/96–97/03).",
LEUNG, LML, Tan, KH, Lam, TS & WeiDong, H 2002, 'Electrical and optical properties of polyacetylene copolymers', Reactive and Functional Polymers, vol. 50, no. 2, pp. 173-179. https://doi.org/10.1016/S1381-5148(01)00112-2
Electrical and optical properties of polyacetylene copolymers. / LEUNG, Louis M L; Tan, K. H.; Lam, T. S.; WeiDong, He.
In: Reactive and Functional Polymers, Vol. 50, No. 2, 01.2002, p. 173-179.
T1 - Electrical and optical properties of polyacetylene copolymers
AU - LEUNG, Louis M L
AU - Tan, K. H.
AU - Lam, T. S.
AU - WeiDong, He
N1 - Funding Information: This work is supported by a research grant from the Hong Kong SAR Government (grant number: RGC/96–97/03).
N2 - Poly(phenyl vinyl sulfoxide) (PVSO) is a soluble precursor to polyacetylene (PA). Upon thermal elimination, the thermally labile PVSO can be converted to PA by undergoing a 'zipper-like' 5-members cyclic sigmatropic elimination process. Both PVSO and its copolymers can be synthesized via anionic polymerization in which stereospecific polymers with controlled molecular weight, narrow polydispersity, and known chemical composition distribution can be prepared. The degree of elimination and thus the mean conjugation length can be controlled by partially oxidizing the thermally labile sulfoxide moieties into thermally stable sulfone moieties. The optical properties of the PVSO copolymers in the UV-vis range were studied as a function of its thermolysis conditions both in solid-state and in solution forms. The eliminated PVSO can be doped (by p- or n-type dopants) to achieve conductivity to a range of 10 S/cm. The electrical properties of the PVSO copolymers and a series of blends were analyzed as a function of its chemical composition. In addition, the anionic synthesis method allows specific end groups to be inserted to the polymer chain ends. The synthesis of a series of carboxylic acid terminated PVSO polymers and their properties was also reported.
AB - Poly(phenyl vinyl sulfoxide) (PVSO) is a soluble precursor to polyacetylene (PA). Upon thermal elimination, the thermally labile PVSO can be converted to PA by undergoing a 'zipper-like' 5-members cyclic sigmatropic elimination process. Both PVSO and its copolymers can be synthesized via anionic polymerization in which stereospecific polymers with controlled molecular weight, narrow polydispersity, and known chemical composition distribution can be prepared. The degree of elimination and thus the mean conjugation length can be controlled by partially oxidizing the thermally labile sulfoxide moieties into thermally stable sulfone moieties. The optical properties of the PVSO copolymers in the UV-vis range were studied as a function of its thermolysis conditions both in solid-state and in solution forms. The eliminated PVSO can be doped (by p- or n-type dopants) to achieve conductivity to a range of 10 S/cm. The electrical properties of the PVSO copolymers and a series of blends were analyzed as a function of its chemical composition. In addition, the anionic synthesis method allows specific end groups to be inserted to the polymer chain ends. The synthesis of a series of carboxylic acid terminated PVSO polymers and their properties was also reported.
KW - Anionic synthesis
KW - Poly(phenyl vinyl sulfoxide)
KW - Polyacetylene copolymers
KW - Precursor polymer
JO - Reactive and Functional Polymers
JF - Reactive and Functional Polymers
LEUNG LML, Tan KH, Lam TS, WeiDong H. Electrical and optical properties of polyacetylene copolymers. Reactive and Functional Polymers. 2002 Jan;50(2):173-179. https://doi.org/10.1016/S1381-5148(01)00112-2


text:
Bla Bla Bla è una delle canzoni di maggior successo del disc jockey italiano Gigi D'Agostino.

Distribuzione
Uscito nel 1999 e poi incluso nel doppio album L'amour toujours uscito nello stesso anno, consiste in una continua ripetizione della frase "I've been thinking 'bout what you have done to me" del brano Why Did You Do It? degli Stretch remixati e distorti in vario modo per la durata di 4 minuti e 15 secondi.

Nell'album L'amour toujours sono presenti tre versioni di Bla Bla Bla: la versione originale, il "Drammentenza Mix" e il "Dark Mix".

Videoclip
Il videoclip della canzone si ispira al celebre carosello (e poi spot pubblicitario) della Lagostina, quando protagonista era La Linea. Il video ufficiale su YouTube, in data 17 febbraio 2012, conta oltre 172 milioni di visualizzazioni.

Tracce
CD Singolo - Italia- BXR – BXR 1062 CD

Vinile 12" - Francia - EMI Music France - 7243 8 87316 6 9

CD-R - Germania - Liberty EMI Records UK

CD Maxi - Remix - Germania - ZYX Music – ZYX 9030R-8

Classifiche

Citazioni
 Nell'album del 2007 Lento Violento... e altre storie la canzone Gioco armonico contiene il vocalizzo della canzone.
 Nell'album del 2008 Suono libero, vi è il brano La danza del sole che riprende il campionamento sull'inciso utilizzato per Bla Bla Bla.
 Nel corso di alcuni eventi live sono inoltre state proposte diverse "bozze" del medesimo ognuna con particolarità differenti.

Note

Collegamenti esterni

redpajama_set_name: RedPajamaWikipedia


Please enjoy browsing the catalog of my original compositions and arrangements. All payments are through PayPal and each product is a digital download in PDF format. Contact me if you need to receive printed copies by mail so that I can provide you with printing, shipping, and handling information.


GL835 is a crystal-less USB 2.0 to Single LUN SD3.0 (UHS-I/SDR-50)/MMC Memory Card Reader controller.
It supports USB 2.0 high-speed transmission to Secure DigitalTM (SD), SDHC, miniSD, microSD (T-Flash), MultiMediaCardTM (MMC), RS-MMC, MMCmicro and MMCmobile on one chip. It also supports huge density memory cards (up to 2TB), such as SDXC and Memory Stick XC. As a single chip solution for USB 2.0 flash card reader, the GL835 complies with Universal Serial Bus specification rev. 2.0, USB Storage Class specification ver.1.0, and SD/MMC card interface specification.
The GL835 integrates a high speed 8051 microprocessor and a high efficiency hardware engine for the best data transfer performance between USB and flash card interfaces. Its' pin assignment design fits to card sockets to provide easier PCB layout. Inside the chip, it integrates 3.3V to 1.8V regulators and power MOSFETs and it enables the function of on-chip clock source (OCCS) which means no external 12MHz XTAL is needed and that effectively reduces the total BOM cost.
Support MMC specification v3.x / v4.0 / v4.1 / v4.2.
Support Power Saving mode/ Selective suspend driver for better power management.


text:
__author__ = 'Ostico <ostico@gmail.com>'

from pyorient.exceptions import PyOrientBadMethodCallException

from .base import BaseMessage
from ..constants import DB_OPEN_OP, DB_TYPE_DOCUMENT, DB_COUNT_RECORDS_OP, FIELD_BYTE, FIELD_INT, \
    FIELD_SHORT, FIELD_STRING, FIELD_STRINGS, FIELD_BYTES, FIELD_BOOLEAN, NAME, SUPPORTED_PROTOCOL, \
    VERSION, DB_TYPES, DB_CLOSE_OP, DB_EXIST_OP, STORAGE_TYPE_PLOCAL, \
    STORAGE_TYPE_LOCAL, DB_CREATE_OP, \
    DB_DROP_OP, DB_RELOAD_OP, DB_SIZE_OP, DB_LIST_OP, STORAGE_TYPES, FIELD_LONG
from ..utils import need_connected, need_db_opened
from ..otypes import OrientRecord, OrientCluster, OrientVersion, OrientNode
from ..serializations import OrientSerialization

#
# DB OPEN
#
# This is the first operation the client should call.
# It opens a database on the remote OrientDB Server.
# Returns the Session-Id to being reused for all the next calls and
# the list of configured clusters.
#
# Request: (driver-name:string)(driver-version:string)
#   (protocol-version:short)(client-id:string)(serialization-impl:string)
#   (database-name:string)(database-type:string)(user-name:string)(user-password:string)
# Response:(session-id:int)(num-of-clusters:short)[(cluster-name:string)
#   (cluster-id:short)](cluster-config:bytes.md)(orientdb-release:string)
#
# client's driver-name as string. Example: "OrientDB Java client"
# client's driver-version as string. Example: "1.0rc8-SNAPSHOT"
# client's protocol-version as short. Example: 7
# client's client-id as string. Can be null for clients. In clustered configuration
#   is the distributed node ID as TCP host+port. Example: "10.10.10.10:2480"
# client's serialization-impl the serialization format required by the client.
# database-name as string. Example: "demo"
# database-type as string, can be 'document' or 'graph' (since version 8). Example: "document"
# user-name as string. Example: "admin"
# user-password as string. Example: "admin"
# cluster-config is always null unless you're running in a server clustered configuration.
# orientdb-release as string. Contains version of OrientDB release
#   deployed on server and optionally build number. Example: "1.4.0-SNAPSHOT (build 13)"
#
#
class DbOpenMessage(BaseMessage):
    def __init__(self, _orient_socket):
        super(DbOpenMessage, self).__init__(_orient_socket)

        self._user = ''
        self._pass = ''
        self._client_id = ''
        self._db_name = ''
        self._db_type = DB_TYPE_DOCUMENT
        self._serialization_type = OrientSerialization.CSV
        self._append(( FIELD_BYTE, DB_OPEN_OP ))
        self._need_token = False

    def prepare(self, params=None):

        if isinstance(params, tuple) or isinstance(params, list):
            try:
                self._db_name = params[0]
                self._user = params[1]
                self._pass = params[2]
                self.set_db_type(params[3])
                self._client_id = params[4]
                self._serialization_type = params[5]

            except IndexError:
                # Use default for non existent indexes
                pass

        self._append(( FIELD_STRINGS, [NAME, VERSION] ))
        self._append(( FIELD_SHORT, SUPPORTED_PROTOCOL ))
        self._append(( FIELD_STRING, self._client_id ))

        # Set the serialization type on the shared socket object
        self._orientSocket.serialization_type = self._serialization_type

        if self.get_protocol() > 21:
            self._append(( FIELD_STRING, self._serialization_type ))
            if self.get_protocol() > 26:
                self._append(( FIELD_BOOLEAN, self._request_token ))
                if self.get_protocol() >= 36:
                    self._append(( FIELD_BOOLEAN, True ))  # support-push
                    self._append(( FIELD_BOOLEAN, True ))  # collect-stats

        self._append(( FIELD_STRING, self._db_name ))

        if self.get_protocol() < 33:
            self._append(( FIELD_STRING, self._db_type ))

        self._append(( FIELD_STRING, self._user ))
        self._append(( FIELD_STRING, self._pass ))

        return super(DbOpenMessage, self).prepare()

    def fetch_response(self):
        self._append(FIELD_INT)  # session_id
        if self.get_protocol() > 26:
            self._append(FIELD_STRING)  # token # if FALSE: Placeholder

        self._append(FIELD_SHORT)  # cluster_num

        result = super(DbOpenMessage, self).fetch_response()
        if self.get_protocol() > 26:
            self._session_id, self._auth_token, cluster_num = result
            if self._auth_token == b'':
                self.set_session_token(False)
            self._update_socket_token()
        else:
            self._session_id, cluster_num = result

        # IMPORTANT needed to pass the id to other messages
        self._update_socket_id()

        clusters = []

        # Parsing cluster map TODO: this must be put in serialization interface
        for x in range(0, cluster_num):
            if self.get_protocol() < 24:
                cluster = OrientCluster(
                    self._decode_field(FIELD_STRING),
                    self._decode_field(FIELD_SHORT),
                    self._decode_field(FIELD_STRING),
                    self._decode_field(FIELD_SHORT)
                )
            else:
                cluster = OrientCluster(
                    self._decode_field(FIELD_STRING),
                    self._decode_field(FIELD_SHORT)
                )
            clusters.append(cluster)

        self._append(FIELD_STRING)  # orient node list | string ""
        self._append(FIELD_STRING)  # Orient release

        nodes_config, release = super(DbOpenMessage, self).fetch_response(True)

        # parsing server release version
        info = OrientVersion(release)

        nodes = []

        # parsing Node List TODO: this must be put in serialization interface
        if len(nodes_config) > 0:
            _, decoded = self.get_serializer().decode(nodes_config)
            self._node_list = []
            for node_dict in decoded['members']:
                self._node_list.append(OrientNode(node_dict))

        # set database opened
        self._orientSocket.db_opened = self._db_name

        # set serialization type, as global in the orient socket class
        self._orientSocket.serialization_type = self._serialization_type

        return info, clusters, self._node_list
        # self._cluster_map = self._orientSocket.cluster_map = \
        #     Information([clusters, response, self._orientSocket])

        # return self._cluster_map

    def set_db_name(self, db_name):
        self._db_name = db_name
        return self

    def set_db_type(self, db_type):
        if db_type in DB_TYPES:
            # user choice storage if present
            self._db_type = db_type
        else:
            raise PyOrientBadMethodCallException(
                db_type + ' is not a valid database type', []
            )
        return self

    def set_client_id(self, _cid):
        self._client_id = _cid
        return self

    def set_user(self, _user):
        self._user = _user
        return self

    def set_pass(self, _pass):
        self._pass = _pass
        return self

#
# DB CLOSE
#
# Closes the database and the network connection to the OrientDB Server
# instance. No return is expected. The socket is also closed.
#
# Request: empty
# Response: no response, the socket is just closed at server side
#
class DbCloseMessage(BaseMessage):
    def __init__(self, _orient_socket):
        super(DbCloseMessage, self).__init__(_orient_socket)

        # order matters
        self._append(( FIELD_BYTE, DB_CLOSE_OP ))

    @need_connected
    def prepare(self, params=None):
        return super(DbCloseMessage, self).prepare()

    def fetch_response(self):
        # set database closed
        self._orientSocket.db_opened = None
        super(DbCloseMessage, self).close()
        return 0

#
# DB EXISTS
#
# Asks if a database exists in the OrientDB Server instance. It returns true (non-zero) or false (zero).
#
# Request: (database-name:string) <-- before 1.0rc1 this was empty (server-storage-type:string - since 1.5-snapshot)
# Response: (result:byte)
#
# server-storage-type can be one of the supported types:
# plocal as a persistent database
# memory, as a volatile database
#
class DbExistsMessage(BaseMessage):
    def __init__(self, _orient_socket):
        super(DbExistsMessage, self).__init__(_orient_socket)

        self._db_name = ''
        self._storage_type = ''

        if self.get_protocol() > 16:  # 1.5-SNAPSHOT
            self._storage_type = STORAGE_TYPE_PLOCAL
        else:
            self._storage_type = STORAGE_TYPE_LOCAL

        # order matters
        self._append(( FIELD_BYTE, DB_EXIST_OP ))

    @need_connected
    def prepare(self, params=None):

        if isinstance(params, tuple) or isinstance(params, list):
            try:
                self._db_name = params[0]
                # user choice storage if present
                self.set_storage_type(params[1])

            except IndexError:
                # Use default for non existent indexes
                pass

        if self.get_protocol() >= 6:
            self._append(( FIELD_STRING, self._db_name ))  # db_name

        if self.get_protocol() >= 16:
            # > 16 1.5-snapshot
            # custom choice server_storage_type
            self._append(( FIELD_STRING, self._storage_type ))

        return super(DbExistsMessage, self).prepare()

    def fetch_response(self):
        self._append(FIELD_BOOLEAN)
        return super(DbExistsMessage, self).fetch_response()[0]

    def set_db_name(self, db_name):
        self._db_name = db_name
        return self

    def set_storage_type(self, storage_type):
        if storage_type in STORAGE_TYPES:
            # user choice storage if present
            self._storage_type = storage_type
        else:
            raise PyOrientBadMethodCallException(
                storage_type + ' is not a valid storage type', []
            )
        return self

#
# DB CREATE
#
# Creates a database in the remote OrientDB server instance
#
# Request: (database-name:string)(database-type:string)(storage-type:string)
# Response: empty
#
# - database-name as string. Example: "demo"
# - database-type as string, can be 'document' or 'graph' (since version 8). Example: "document"
# - storage-type can be one of the supported types:
# - plocal, as a persistent database
# - memory, as a volatile database
#
class DbCreateMessage(BaseMessage):
    def __init__(self, _orient_socket):
        super(DbCreateMessage, self).__init__(_orient_socket)

        self._db_name = ''
        self._db_type = DB_TYPE_DOCUMENT
        self._storage_type = ''
        self._backup_path = -1

        if self.get_protocol() > 16:  # 1.5-SNAPSHOT
            self._storage_type = STORAGE_TYPE_PLOCAL
        else:
            self._storage_type = STORAGE_TYPE_LOCAL

        # order matters
        self._append(( FIELD_BYTE, DB_CREATE_OP ))

    @need_connected
    def prepare(self, params=None):

        if isinstance(params, tuple) or isinstance(params, list):
            try:
                self._db_name = params[0]
                self.set_db_type(params[1])
                self.set_storage_type(params[2])
                self.set_backup_path(params[3])
            except IndexError:
                pass

        self._append(
            (FIELD_STRINGS, [self._db_name, self._db_type, self._storage_type ])
        )

        if self.get_protocol() > 35:
            if isinstance( self._backup_path, int ):
                field_type = FIELD_INT
            else:
                field_type = FIELD_STRING
            self._append( ( field_type, self._backup_path ) )

        return super(DbCreateMessage, self).prepare()

    def fetch_response(self):
        super(DbCreateMessage, self).fetch_response()
        # set database opened
        self._orientSocket.db_opened = self._db_name
        return

    def set_db_name(self, db_name):
        self._db_name = db_name
        return self

    def set_backup_path(self, backup_path):
        self._backup_path = backup_path
        return self

    def set_db_type(self, db_type):
        if db_type in DB_TYPES:
            # user choice storage if present
            self._db_type = db_type
        else:
            raise PyOrientBadMethodCallException(
                db_type + ' is not a valid database type', []
            )
        return self

    def set_storage_type(self, storage_type):
        if storage_type in STORAGE_TYPES:
            # user choice storage if present
            self._storage_type = storage_type
        else:
            raise PyOrientBadMethodCallException(
                storage_type + ' is not a valid storage type', []
            )
        return self

#
# DB DROP
#
# Removes a database from the OrientDB Server instance.
# It returns nothing if the database has been deleted or throws
# a OStorageException if the database doesn't exists.
#
# Request: (database-name:string)(server-storage-type:string - since 1.5-snapshot)
# Response: empty
#
# - server-storage-type can be one of the supported types:
# - plocal as a persistent database
# - memory, as a volatile database
#
class DbDropMessage(BaseMessage):
    def __init__(self, _orient_socket):
        super(DbDropMessage, self). \
            __init__(_orient_socket)

        self._db_name = ''
        self._storage_type = ''

        if self.get_protocol() > 16:  # 1.5-SNAPSHOT
            self._storage_type = STORAGE_TYPE_PLOCAL
        else:
            self._storage_type = STORAGE_TYPE_LOCAL

        # order matters
        self._append(( FIELD_BYTE, DB_DROP_OP ))

    @need_connected
    def prepare(self, params=None):

        if isinstance(params, tuple) or isinstance(params, list):
            try:
                self._db_name = params[0]
                self.set_storage_type(params[1])
            except IndexError:
                # Use default for non existent indexes
                pass

        self._append(( FIELD_STRING, self._db_name ))  # db_name

        if self.get_protocol() >= 16:  # > 16 1.5-snapshot
            # custom choice server_storage_type
            self._append(( FIELD_STRING, self._storage_type ))

        return super(DbDropMessage, self).prepare()

    def fetch_response(self):
        return super(DbDropMessage, self).fetch_response()

    def set_db_name(self, db_name):
        self._db_name = db_name
        return self

    def set_storage_type(self, storage_type):
        if storage_type in STORAGE_TYPES:
            # user choice storage if present
            self._storage_type = storage_type
        else:
            raise PyOrientBadMethodCallException(
                storage_type + ' is not a valid storage type', []
            )
        return self

#
# DB COUNT RECORDS
#
# Asks for the number of records in a database in
# the OrientDB Server instance.
#
# Request: empty
# Response: (count:long)
#
class DbCountRecordsMessage(BaseMessage):
    def __init__(self, _orient_socket):
        super(DbCountRecordsMessage, self).__init__(_orient_socket)

        self._user = ''
        self._pass = ''

        # order matters
        self._append(( FIELD_BYTE, DB_COUNT_RECORDS_OP ))

    @need_db_opened
    def prepare(self, params=None):
        return super(DbCountRecordsMessage, self).prepare()

    def fetch_response(self):
        self._append(FIELD_LONG)
        return super(DbCountRecordsMessage, self).fetch_response()[0]

#
# DB RELOAD
#
# Reloads database information. Available since 1.0rc4.
#
# Request: empty
# Response:(num-of-clusters:short)[(cluster-name:string)(cluster-id:short)]
#
class DbReloadMessage(BaseMessage):
    def __init__(self, _orient_socket):
        super(DbReloadMessage, self).__init__(_orient_socket)

        # order matters
        self._append(( FIELD_BYTE, DB_RELOAD_OP ))

    @need_connected
    def prepare(self, params=None):
        return super(DbReloadMessage, self).prepare()

    def fetch_response(self):

        self._append(FIELD_SHORT)  # cluster_num

        cluster_num = super(DbReloadMessage, self).fetch_response()[0]

        clusters = []

        # Parsing cluster map
        for x in range(0, cluster_num):
            if self.get_protocol() < 24:
                cluster = OrientCluster(
                    self._decode_field(FIELD_STRING),
                    self._decode_field(FIELD_SHORT),
                    self._decode_field(FIELD_STRING),
                    self._decode_field(FIELD_SHORT)
                )
            else:
                cluster = OrientCluster(
                    self._decode_field(FIELD_STRING),
                    self._decode_field(FIELD_SHORT)
                )
            clusters.append(cluster)

        return clusters

#
# DB SIZE
#
# Asks for the size of a database in the OrientDB Server instance.
#
# Request: empty
# Response: (size:long)
#
class DbSizeMessage(BaseMessage):
    def __init__(self, _orient_socket):
        super(DbSizeMessage, self).__init__(_orient_socket)

        # order matters
        self._append(( FIELD_BYTE, DB_SIZE_OP ))

    @need_db_opened
    def prepare(self, params=None):
        return super(DbSizeMessage, self).prepare()

    def fetch_response(self):
        self._append(FIELD_LONG)
        return super(DbSizeMessage, self).fetch_response()[0]

#
# DB List
#
# Asks for the size of a database in the OrientDB Server instance.
#
# Request: empty
# Response: (size:long)
#
class DbListMessage(BaseMessage):
    def __init__(self, _orient_socket):
        super(DbListMessage, self).__init__(_orient_socket)

        # order matters
        self._append(( FIELD_BYTE, DB_LIST_OP ))

    @need_connected
    def prepare(self, params=None):
        return super(DbListMessage, self).prepare()

    def fetch_response(self):
        self._append(FIELD_BYTES)
        __record = super(DbListMessage, self).fetch_response()[0]
        # bug in orientdb csv serialization in snapshot 2.0,
        # strip trailing spaces
        _, data = self.get_serializer().decode(__record.rstrip())

        return OrientRecord(dict(__o_storage=data))

redpajama_set_name: RedPajamaGithub


Thank you for your interest in Plano CARES (Code Abatement by Residents Engaged in Service). This program connects local volunteers to residents in need of assistance with common property code violations. While most residential violations are quickly resolved, those who are not able to correct violations because of physical or financial hardship may find assistance through Plano CARES. Eligible violations may include minimal tree trimming, trash removal, damaged fence removal/repair, accessory building removal/repair, and minor exterior home repair.
Project work days are scheduled for the 2nd Saturday of every month from March through November. Tools and equipment will be available on work days for volunteer use.
If you would like to register as a group, please choose Group Sign-Up. You will then provide the contact information of the group lead, as well as the number of volunteers in your team.
If you are signing up as an individual, please choose Individual Sign-Up.
Volunteer waivers will be provided via email once you sign up. Volunteers must be 18 years or older to operate power tools. Youth groups must be supervised by an adult.
Thank you for caring for our Plano neighbors!


text:
2013, 1h 33min
VISIT OFFICIAL WEBSITE >
WATCH TRAILER >
Independent Spirit Award Nomination
Best First Screenplay
Lake Bell, Rob Corddry,
Alexandra Holden, Eva Longoria,
Ken Marino, Demetri Martin,
Fred Melamed, Tig Notaro,
Nick Offerman, Michaela Watkins,
Lake Bell, Mark Roberts
Jett Steiger, Eddie Vaisman
Ross Jacobson and Sean King O'Grady
Lake Bell (No Strings Attached, "Children's Hospital") stars in In a World…, a hilarious and heartfelt comedy about a struggling vocal coach who strikes it big in the cutthroat world of movie-trailer voiceovers, only to find herself in direct competition with the industry's reigning king—her father. Written and directed by Bell, who won the Sundance 2013 Waldo Salt Screenwriting Award for the script, In a World… also stars Fred Melamed (A Serious Man), Rob Corddry (Hot Tub Time Machine), Demetri Martin ("Important Things with Demetri Martin"), Michaela Watkins ("Enlightened"), Ken Marino ("Burning Love"), Nick Offerman ("Parks and Recreation"), Alexandra Holden (The Hot Chick) and Tig Notaro ("The Sarah Silverman Program").
THE SKELETON TWINS
© 2019 Roadside Attractions. All rights reserved

redpajama_set_name: RedPajamaCommonCrawl


View cart "The Music of Peter Sculthorpe, by John Peterson" has been added to your cart.
GST is included for Australian customers, and removed during checkout for international customers.
Wildbird is pleased to offer free postage within Australia on orders made here in our shop.


text:
package cn.dianduba.elearn;

import java.util.List;

import javax.annotation.PostConstruct;
import javax.annotation.Resource;

import org.springframework.context.annotation.Lazy;
import org.springframework.stereotype.Component;

import cn.dianduba.elearn.dao.BookDao;
import cn.dianduba.elearn.dao.HotRegionDao;
import cn.dianduba.elearn.dao.PageDao;

@Lazy(false)
@Component
public class JdbcBookStoreLoader implements BookStoreLoader {

	@Resource
	private BookDao bookDao;

	@Resource
	private PageDao pageDao;

	@Resource
	private HotRegionDao hotRegionDao;

	@Override
	public void load(BookStore bookStore) {

		List<Book> books = bookDao.listBooks();

		for (Book book : books) {
			bookStore.addBook(book);

			List<Page> pages = pageDao.getPagesOfBook(book.getId());

			for (Page page : pages) {
				book.addPage(page.getPageIndex(), page);

				page.setRegions(hotRegionDao.getHotRegionsOfPage(page.getId()));

			}

		}

	}

	@PostConstruct
	public void load() {
		this.load(BookStore.getInstance());
	}

}


Come celebrate our new Journeymen!
70 Surfers Survive the 100-Wave Challenge! Only 7 more days to reach the goal!
You can help Boys to Men mentoring network reach their goal in the next 7-days in the 100-Wave Challenge. Donate today!
"Why are you doing this?" Meaning to the madness.
Rapping up support for Bogart's Mad Men Martini Mixer for Mentoring, tonight in downtown Raleigh!!
Sharon Delaney of "My Carolina Today" interviews Jeff Bowman, finalist in Banana Republic AMC Mad Men Casting Call Competition. Aired Tuesday, Sept. 14, 2010 on NBC-17.
Jeff officially promotes Boys to Men Mentoring in campaign for role on Mad Men.
GIVE to help mentor boys! Click: "Donate" then in "Purpose": type " Journeymen Triangle, NC"
This blog is the personal expression of MadMan Bowman and some of his friends. It is not owned, operated, supported or associated with AMC or the actual Mad Men TV show, or Banana Republic in any way, shape or form.


Sofa Beds Hull Best Choices » Today sofas come in basically a huge selection of styles with countless selections of upholstery. You are able to order your sofa email order through companies like Pottery Barn and Cage and Barrel. A lot of people will tell you that after style the most important thing they look for in a couch is comfort. Deciding on the best style of sofa to enhance your home is key. There are various styles of sofa to choose from, but most manufacturers break them into two particular styles, traditional and modern-day. Sofa Beds Hull is For example, more traditional styles of couch would include barrel back, British arm, tufted again, tight again and tuxedo.
sofas grimsby sofas lincolnshire sofas hull lees from Sofa Beds Hull, Take it along with you when shopping for drapes or any other decorating supplies picture via from: leesfurnishers.co.uk.
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Sofa Beds Hull Best Choices » However, depending on textile selections a Tuxedo sofa could be utilized in a modern-day home. Contemporary styles include sock arm, route back and sectional. Some sofas include pillows attached to the sofa, some include loose cushions that you can free style any way you choose. Sofa Beds Hull One more thing that provides your sofa an absolute style is cloth choice. After you visit most furniture stores you should have the capability to first choose the style sofa you want and then choose the selection of cloth. Some manufacturers have 30 or even more different fabrics you can choose from when you are designing a couch, with the one limit being how much cash you want to spend. The choice of fabric can truly add thousands to the ultimate cost of a couch. Bold shiny colors and geometric designs would be utilized on modern day sofas and softer muted colors and prints would be used on traditional sofas.
sofas grimsby sofas lincolnshire sofas hull lees from Sofa Beds Hull, Take it along with you when buying drapes or some other beautifying materials image got from: leesfurnishers.co.uk.
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cheap corner sofabed cheap sofa in hull univerasl cheap from Sofa Beds Hull, Bring it along when searching for drapes or some other designing supplies screenshot received from: hullfurniture.co.uk.
sofas grimsby sofas lincolnshire sofas hull lees from Sofa Beds Hull, Bring it with you when shopping for drapes or any other beautifying materials picture sourced from: leesfurnishers.co.uk.
cheap corner sofabed cheap sofa in hull univerasl cheap from Sofa Beds Hull, Take it along with you when shopping for window curtains or another beautifying materials picture downloaded from: hullfurniture.co.uk.
Sofa Beds Hull Best Choices » Leather sofas are extremely popular. Sofa Beds Hull with usual attention leather is an extremely durable upholstery choice on a sofa. You will want to keep a leather clean and moisturized.
Another sofa option you will want to consider is whether you want a sofa bed, also called a sleeper couch, or a reclining couch or a convertible couch. Clearly a sleeper sofa or convertible sofa will come in very convenient as an extra bedroom for a person who may stay in a flat or have a smaller home who still wishes to be able to accommodate guests immediately.
Sofa Beds Hull Best Choices Much like any major purchase, shop around. Look around online at different sofa selections to enable you to get a concept of what you would like before you visit store after store after store. If you see a couch doing an internet search you should be in a position to find a store that markets that one brand.
Related Posts of "Sofa Beds Hull Best Choices"


text:
Eastwood Schools
Eastwood College - Kafarshima
Eastwood International School
Eastwood College is now an IB World School offering the IBDP1 and IBDP2 classes! Apply today!
Private Educational Programs in Beirut, Lebanon - Eastwood College
iTunes U based Courses for Kids in Lebanon and private education in Beirut
Online Agenda
Kafarshima Academic Calendar
School Counselling
Special Needs Program
Teaching @ Eastwood
About Eastwood College's Private Education in Lebanon
Our Pillars.
Eastwood College was founded in 1973 with the vision of Mr. Amine Michel Khoury to provide an equitable educational community for all learners. The board of advisors has since been in effect, overseeing major curriculum and policy decisions.
Since its foundation, Eastwood College has kept abreast with best pedagogical practices. A holistic approach to education distinguishes us from other schools; our focus is on the social, emotional and academic nurturing of our learners.
Our goal to recruit a highly qualified, diverse teaching workforce supports the effort to maintain internationally recognized standards in curriculum and teaching.
Small class sizes ensure that students with distinct educational competencies' and backgrounds receive the individual attention and care they require.
The school's curriculum is based on active construction of meaning through rigorous coursework that is intellectually challenging and culturally appropriate. Students explore topics in depth through a method of inquiry, which allows them to ask and tackle meaningful questions.
There is great attention to social interactions within the curriculum, such as conversations, discussions, joint work, and debate. Such interactions provide opportunities for students to learn through observing the performance of others, receiving feedback about their own performance, hearing alternative points of view, and engaging in the exchange of ideas.
There is a periodic review of the curriculum to ensure that high standards are maintained.
Eastwood Schools commits to impacting the world by teaching students to be driven by a balance of mind, body and soul, and to couple knowledge with integrity, ambition with compassion, and achievement with service.
Eastwood College strives to be a leading educational community in the Middle East for students of all nationalities and religions.
The success of our vision depends on the commitment of all members of the school community to take an active part in its effort to provide an instructional system that conforms to the high standards of international education. Eastwood College is committed to a program of continuous improvement and development.
Register Kids 2019/20
Sign up for the Eastwood newsletter to stay updated with our progress and our community.
High School is designed to provide ample opportunity for students to develop the talents and interests of which they are aware and to discover and … Read More
Admission Requirments
Please click the following link to download our Application Form. Early Childhood Department A Child must be age eligible: Nursery:Must be 3 on or before December 31 (Must be fully toilet trained) KG1: Must be 4 on or before December 31 KG2:Must be 5 on … Read More
Eastwood College
T. +961 5 431525
F. +961 5 431084
E. info@eastwoodcollege.com
contact us | register | donate
Copyright © 2020 · Eastwood College · Website by Joyce Grace


text:
Bosnia Born Builds Forever Home in Fargo
[Huso Jupic Construction LLC]
Story by Alyssa Nishek
Mahira Mustafic first arrived in the United States at just three years old. Mustafic's parents relocated from Bosnia on a refugee status back in 1998. As luck would have it, the family ended up in Fargo, N.D., and have called it home ever since.
Mustafic received a Business Management degree from M-State in Moorhead, Minn., and now owns H&M Cleaning. Her company services post-construction cleaning for commercial and residential properties. Spending a large amount of time in newly built homes, Mustafic gathered a distinct idea of what she wanted in her own future place.
Mustafic's husband, Tony, owns a recycling business in Fargo. In their early years of dating, the Mustafics' favorite hangout spot was Shadow Wood Park. "We'd spend so much time at the park talking about how we'd love to have a home in the neighborhood one day," said Mahira Mustafic. Just a few years later, the couple and their two young sons are fully moved into their own gorgeous newly build, done by Huso Jupic of Huso Jupic Construction LLC, in none other than Shadow Wood Park.
Mahira knew from the start she wanted an all-white, modern kitchen. The trendy white cabinets, from Swenson Cabinets, are finished with gold handles, an unplanned feature, that Mahira could not be more pleased with. Hoping for the kitchen faucet to be the statement of the room, she chose a copper colored finish. "Those bar stools were simply made for this kitchen," said Mahira Mustafic adoringly when referring to the gold and fury pieces.
Mahira refers to the tray ceiling of the living room as, "the statement piece of the house." Because the home is a rambler with shorter ceilings, she wanted something that would draw the eye upward. The bright white brick fireplace was built to pop out, furnished by Hebron Brick of Fargo. The lovely built-in shelves were designed by Huso Jupic and furnished by Mahira, herself, using porcelain pieces she spotted at Marshalls. The living room soon became the family's most loved place within the home.
All the glamorous furniture featured in the home was purchased from Wayfair and made by designer Michael Amini. Mahira also frequented Marshalls and TJ Maxx's home décor sections for her finishes.
It was very important to Mahira that her two sons, though still young, would have a double vanity for their later teenage years. This feature was a "must" in her design plans. She could not have been more pleased with the way Swenson Cabinets designed the bathroom vanity for maximum storage as well.
Huso Jupic Construction LLC
Swenson Cabinets LLC


A skiing holiday conjures up the images of sweeping down through the Rockies, gliding through the Alps or enjoying some après-ski in a Swiss chalet. However, there is a location closer to home quietly growing in popularity and helping those looking to ski on a limited budget, with not only the cost of travelling and accommodation cheaper, but also the price for winter sports travel insurance.
Much has been made of Scotland's dramatic weather conditions compared to the rest of the UK, but, until recently, skiing in Scotland was reserved for unusually severe coverings of snow. But much has changed during recent years and the main resorts have all been subject to significant redevelopment and investment, including the installation of snow cannons.
Scotland has five main resorts – Glencoe, Nevis Range, Glenshee, Cairngorms and The Lecht, all of which offer a number of runs covering skiing up to intermediate level, with child-friendly lifts and slopes also available.
The other big bonus to skiing in Scotland is the accessibility for the rest of the UK. Unlike European destinations, depending where in Britain you are based, it is possible to pop to Scotland for a short break or even a weekend with little planning ahead. Aside from driving to Scotland, the resorts can be accessed either by flying to Inverness, Aberdeen, Edinburgh or Glasgow, or by journeying up by sleeper train. Taking out annual multi trip travel insurance, ensuring winter sports travel insurance is incorporated, makes a spontaneous spot of skiing even easier, with nothing to arrange but accommodation and lift passes.
Many individuals make the mistake of thinking that annual multi trip travel insurance is not necessary for a holiday in the UK, with the NHS providing the necessary medical treatment. However, insurance covers far more than just medical costs, with theft and damage to equipment, as well as lost baggage and piste closure.


JASS packs / eJASS licences can be ordered using the online system on the right hand side. Alternatively you can download and complete an order form which can be emailed directly to us or printed off sent to the FOTA office. To ensure speedy processing, please provide all the information requested on the order form.
City of Edinburgh Council orders can be placed directly through the Oracle purchasing system. The supplier is "Friends of the Award (FOTA)". JASS items are non-catalogued so please include each level (e.g. "Bronze Pack", "Silver Continuation Pack", "Gold eJass licence") on a new line. In addition please include the name and email address for the schools main JASS contact within the description of one item to ensure we can process the order quickly.
As of April 2017, there is no additional charge for Postage and Packaging of JASS orders for orders distributed to the UK.
Orders dispatched out with the UK are subject to a Postage and Packaging charge. This will be calculated upon ordering, and will be added to the invoice.
Orders will be confirmed by email within 5 working days and we aim to have the items delivered within 10 working days from initial order – however this may be longer at busy times. If your order is urgent you can contact us by phone but you must follow up with a completed order form.
If amending an existing order prior to delivery please provide the order reference. Amendments cannot be made within 3 working days of the delivery date. Consider adding a couple of extra copies to your order to allow for new starts during the year.
For schools outwith the City of Edinburgh Council: An invoice will be sent out via email when an order is confirmed, and a copy of the invoice is included with an order. Payment can be made by cheque to "Friends of the Award" or by direct transfer to Bank of Scotland Sort Code 80-11-20 Account 00686368. Please quote invoice number on any payment.
For City of Edinburgh schools: Orders should be logged onto the Oracle purchasing system (supplier is "Friends of the Award (FOTA)") and payment will be requested automatically once an order has been delivered. We cannot process a delivery until the order has been logged on Oracle. Once you have received the order, and are happy that the contents is correct, please select the 'Items Received' on Oracle to release the payment funds.
It is possible to purchase individual replacement items should they be lost or accidentally damaged.
To order replacement items please email: admin@jasschools.org.uk with your request.
Please note there may be a charge cost for replacement items.
To order JASS services and products in these areas please contact the distributers above direct. Please note prices may vary due to additional distributer overheads in these areas.


text:
Lucas Jaques Varone Maia (Porto Alegre, 23 de febrero de 1993) es un futbolista brasileño, juega como defensor y su actual equipo es el Club Puebla de la Liga MX de México.

Carrera
Después de empezar su carrera en Resende, Maia tuvo su primer período en Dinamarca y Malta antes de hacer su debut profesional en junio de 2019 para Campeonato Brasileiro Série C con el São José.
En enero de 2020, Maia se unió al Ascenso MX con el equipo de  Cafetaleros de Chiapas. En junio de 2020,  el anunciaría él se iría a la Liga de Expansión MX al equipo de  Cancún FC. En diciembre de 2020, Maia se unió a la  Liga MX con el equipo del Puebla en un préstamo de seis meses. El 27 de mayo de 2021, Maia firmó permanentemente con el Puebla, estando de acuerdo un contrato hasta 2024. Marcando el gol del empate en el Repechaje vs el Club Deportivo Guadalajara que quedaría 2-2 pasando el Puebla por medio de los tiros desde el punto penal ganando el Puebla 6-5

Referencias

Enlaces externos

Futbolistas del Esporte Clube São José
Futbolistas del Birkirkara FC
Futbolistas del Vejle Boldklub
Futbolistas del Resende Futebol Clube
Defensas de fútbol
Futbolistas de Brasil
Futbolistas del Club Puebla


text:
Conference Title up for grabs in the Wild West
The West was one of two D1A conferences to expand this season with the addition of New Mexico into the fold. Another key difference this season for the West is the split in their conference schedule between the fall and spring semesters. In recent history, the West has played the entirety of its league competition in the spring, whereas this season each team will play head-to-head once in both the fall and spring.
Last season witnessed the West send three teams – Colorado, Colorado State and Wyoming – into the D1A Playoffs, with Colorado reaching its second consecutive National Quarterfinal. This year, there is no reason to believe the West does not have the talent to match last year's number of three playoff teams.
Longtime Air Force Head Coach Joe Muehlbauer was proud of his Zoomies' effort last season, but he knows Air Force lost too many winnable matches. This season, Muehlbauer believes he has the pieces in place to overturn the misfortunes of last year and get back to the playoffs.
For the Cadets of Colorado Springs, they'll need to replace All-American Jack Bristol before they can even think about improving on last season's results. Luckily, it looks as though number eight Garrett Jameson is ready to take on the leadership role that Bristol carried so firmly. Jameson is a rugged defender and excellent ball carrier to match.
Teams familiar with Air Force know a physically-punishing 80 minutes can be expected, and this season will be no different with props Taylor Cooksey and James Hanley leading the tight five. Both Cooksey and Hanley run upwards of six-foot-four and 260 pounds and enjoy contact at the breakdown.
A common misconception around the Air Force program is that they lack the speed and athleticism of some other D1A teams – they don't. This season, Victor Woo has taken over the scrum half duties. Woo has been a mainstay on Air Force's sevens side, but is now ready to make an impact for the first XV. Adding to Air Force's speed and athleticism is Zach White's return from injury. The full back has been chomping at the bit to get back on the pitch, and already made his presence felt with two tries in Air Force's 61-14 win over New Mexico.
Always looking to push the limits of its players, Air Force has scheduled some very stiff competition around its West Conference matches including matches against Army, Navy, and San Diego State. Even with monumental rivals Army and Navy looming, the Zoomies' coaching staff knows there will not be any pushovers out of the West.
"I think the West has really improved," said Muehlbauer. "I think we've improved, but so has Colorado State. Wyoming and Colorado are always tough, and New Mexico will be all right once they get their feet underneath them. I think we have an extremely difficult conference out here."
The reigning West champions used a high-powered offense to take them all the way to Marietta, Ga., where the Buffs fell to Life University in the National Quarterfinals. However, Colorado was a senior-laden team last season and lost key backline players and All-Americans Sean Kilfoyle and Brian Waneless. The new-look Buffs are much younger, and will rely on their muscle in the pack rather than a long list of dynamic backs that bolstered last year's roster.
"After our first week we know we have a lot of work to do to get back to where we were last season," admitted Head Coach Jim Snyder. "There are a lot of good teams in our conference, so it will be a challenge to navigate through this fall schedule."
The "first week" that Snyder is referring to included an embarrassing 57-0 loss to Colorado State. The Buffs were missing a number of starters, but the scoreline suggests Colorado has more to do than simply get healthy to be competitive.
Helping the Buffalos get back to being a West contender will be hooker Gavin Moscone and back-rower Connor Kissler, each of whom are coming off of stellar freshman seasons.
After the graduation of several steady backline players and early injuries keeping halfbacks Jay Brown and Rhys Watkins off of the pitch, there has been a massive shift in the backline. After contributing from the wings last season, Jake Shomer, Piere Poupeau, and Cory Ketai move inside to fly half, center, and scrum half, respectively.
Snyder is also counting on newcomers to the Boulder campus Zach Niro and Kip Nilson to make immediate impacts. Niro is a flanker with an extremely high work rate, while Nilson is a dangerous backline runner who participated in the high-school Stars and Stripes Camp over the summer.
Qualifying for the D1A Playoffs has become the norm for Colorado State, but the Rams believe they have the players and structures in place to raise expectations in Fort Collins, Colo., and get beyond the opening round of the playoffs.
"To be honest, we feel we can go a lot further than that," said Colorado State Backs Coach Ryan Walker. "But no one is getting too far ahead of themselves, and we are taking it one game at a time."
With the return of Junior All-American and rising start Ben Pinkleman, one can't blame Colorado State for thinking big this season. Pinkleman took a hiatus from college last spring to play for the Denver Barbarians and has already asserted himself onto Men's Eagles Head Coach Mike Tolkin's radar. Now back with the Rams, Pinkleman is one of the best players in college rugby and will be patrolling the park from his openside flanker position.
Joining Pinkleman in the back row is Evan Giest at number eight. Giest is a big body, and along with Pinkleman will be making things difficult for opposing teams at the breakdown.
Although Colorado State lost All-American prop Stephen Karas to graduation, the Rams return three front-rowers who all possess valuable playing time for Colorado State's first XV in Jaron Beerlire, Jackson Brockway, and Eric Hamilton.
In the backs, Joe Sullivan has been a consistent performer since transferring from Arkansas State, and Luke Engelhaupt is a danger-man in the 13 jersey. The back three for the Rams is young but talented, with freshmen Liam Wynne and Jack Connor already making themselves quite comfortable running with the first XV.
Last week Colorado State made noise by blowing out Colorado, 57-0. The two bitter rivals are known for competing against one another in nail-biting fashion, making the decisive shutout so shocking. The result may have, in part, something to do with the Rams hosting an elite camp with the help of Canterbury Rugby Football Union and led by Super Rugby's Crusaders Assistant Coach Tabai Matson.
"The players loved it," proclaimed Walker. "Our entire A-side attended the camp and a few of our B-side players attended as well. I think it was really eye-opening for the guys. A lot of them have intentions of taking their rugby to the next level, so for them to be coached by a guy who currently coaches 13 All Blacks and one of the best professional sides in the world was a great learning experience."
Colorado State is excited about the prospect of continuing and expanded the elite camp for both players and coaches as a yearly tradition. But for the here and now, the Rams have their sights on a West Championship.
The players on the New Mexico rugby team made their intentions loud and clear last year that they wanted back in the West Conference and to play at the highest level of college rugby. Now, after strengthening their numbers and doing everything asked of them administratively, they've earned the right to play in one of the better conferences in the country.
"The players worked their tails off to do everything on and off the field to get back into the West Conference and into D1A," said Lobos Head Coach Michael Hardy.
Still, it remains uncertain how New Mexico will perform now that they are back in the West.
"The expectation right now is to play competitive games," said Hardy. "These teams we are playing are some of the top-rated teams in the nation. So, to be competitive with them is our goal until we can build on our numbers and skill level."
Giving the Lobos an opportunity to stay competitive this fall will be explosive winger Dasante Browne and inside center Joe Krigbaum. Hardy has also received early contributions from a number freshman who just wrapped up stellar high school careers.
Coming off of a season that earned the Cowboys a place in D1A's Playoffs, there is reason for optimism in Laramie, Wyo. Sure, Wyoming is not much more experienced than last year's team after graduating some key forwards and scrum half Alex Knowles, but the team does return players who have won tough matches in their careers and are a bit more athletic this season.
"Overall we are incredibly inexperienced, but really excited to play," said Head Coach David Finoff.
The experience begins with captain Derek Aggerman, who takes over the 'C' while the Cowboys await the return of last year's captain Ben Pacheco who is still recovering from a ruptured patellar tendon. Wyoming will also need a group of sophomores to progress rather rapidly in halfback Connor Rezzonico and props Michael Lewis and Sam Jacobs.
Behind Lewis and Jacobs is second-rower Scott Ericsson, while Jose Campos and Timothy Mendoza must be disruptive loose-forwards for the Cowboys.
Bobby Watkins, who has spent time in the centers, is slotted as one of Wyoming's wingers. He has the athleticism and reps under his belt to make big plays. Coach Finoff is also excited about what his transfer from Canada, Jonathan Arndt, can do to help the team.
Laramie is never an easy place to play for opposing teams, so if the Cowboys can steal a couple of matches on the road they will have as good a shot as any to win the West.
Predicted Finish:
Article by Alex Solomon | Originally published at d1arugby.com


text:
Prepare model:
- Install bazel (check tensorflow's github for more info)
- Prepare folders and files for retraining
- Clone tensorflow
- Go to root of tensorflow
- bazel build tensorflow/examples/image_retraining:retrain
- bazel-bin/tensorflow/examples/image_retraining/retrain --image_dir /path/to/root_folder_name  --output_graph /path/output_graph.pb -- output_labels /path/output_labels.txt -- bottleneck_dir /path/bottleneck

** Training done. **

Outputs:
output_graph.pb
output_labels.txt

Use those outputs in this code as SOURCE_GRAPH and SOURCE_LABELS.

## Usage

### Uses optional keyword arguments when provided

`im = ImageMatch(limit=10, source_graph='output_graph.pb', source_labels='output_labels.txt')`

### Uses local_settings when instantiated without arguments

`from local_settings import SOURCE_GRAPH, SOURCE_LABELS`

### Uses default training output directory as default /tmp/

`im = ImageMatch()`

## Match an Image

`im.match('test.jpg')`

#### Labels and test image for flower retraining tutorial included

* test.jpg
* output_labels.txt

#### Graph is missing

* output_graph.pb

#### Output

```
Matches:
dandelion (0.9902)
sunflowers (0.0042)
tulips (0.0033)
daisy (0.0014)
roses (0.0009)
```


Heron Pike (Rydal) No ratings yet.
Heron Pike (Rydal) is a summit in the Lake District – Eastern Fells region or range in England. Heron Pike (Rydal) is 612 metres high. All the walking routes up Heron Pike (Rydal) on Mud and Routes can be found below. The top can be identified by the rock outcrop. Other Notes: cairn has been destroyed. Heron Pike (Rydal) is a child summit of Fairfield.


text:
BOO HEWERDINE-SWIMMING IN MERCURY.
There aren't many people who have spent the past four decades doing something they love. Nowadays, they're in the minority, and are the lucky ones. Award winning singer-songwriter Boo Hewerdine is one of the lucky ones, and has been fortunate enough to spend the last four decades fulfilling what was once a dream.
This dream began as a seven year old, when Boo Hewerdine was given a handful of singles and a Dansette record player. He remembers: "I would study the labels. The title, the singer, the numbers, Columbia, HMV, the stuff about rights written around the edge and most intriguing–the names in the brackets. It turned out that these people had "written" these songs. Songs could be made up. Conjured out of thin air. I decided then, at the age of seven, that's what I would do. I couldn't sing or play an instrument but I had an internal jukebox going on the whole time." This Boo Hewerdine would put to good use in the future.
By the time Boo Hewerdine left school a decade later, he had mastered the guitar and was an aspiring singer-songwriter. Despite his ambition and aspirations, Boo Hewerdine ended up working in the warehouse of Andy Records' in Bury. St. Edmunds. However, Boo Hewerdine always had ambition beyond working in a record shop.
This first materialised when he formed his first band with a friend. Placebo Thing may have been a short-lived band, but it gave Boo a tantalising taste of life as a musician. Suddenly, he wanted to be making records rather than selling them.
Boo Hewerdine made his recording debut thirty-five years ago with The Great Divide. Four decades later, and Boo Hewerdine is regarded as one Britain's leading singer-songwriters. He will release his much anticipated solo album Swimming In Mercury, on Reveal Records on '28th' 2017. It's a very personal, insightful and autobiographical album, with Boo Hewerdine reflecting on the past on Swimming In Mercury. There's been much for Boo Hewerdine to reflect on during a career that's spanned four decades.
The Great Divide.
Fortunately, he didn't have long wait. Boo Hewerdine joined The Great Divide in the early eighties. They were another local band, but one that looked as if they were going places.
By 1982, The Great Divide had signed to a local Cambridge label, Wimp Records. Twenty-one year old Boo Hewerdine made his debut on the single Who Broke the Love Bank. Not long after this, The Great Divide caught a break, when Mike Scott of The Waterboys heard the band.
He thought that The Great Divide had potential, so recommended them Ensign Records. Executives at Ensign Records agreed, and signed The Great Divide. They went on to release a trio of singles on Ensign Records. Alas, commercial success eluded these singles. By 1985, Boo Hewerdine was back where it all started for him.
With The Great Divide consigned to musical history, Boo Hewerdine was back working in a record shop in 1985. This time, Boo Hewerdine was behind the counter of the Beat Goes On record shop in Cambridge. While this allowed Boo to be around music, he hadn't given up on his dream of making a living as a musician. So when Boo met jazz drummer Tony Shepherd, it looked like his time behind the counter could be coming to an end.
The Bible.
Originally, Tony Shepherd was a jazz drummer when he met Boo Hewerdine. While Tony sat in with other bands, he was like Boo, between bands. So the pair decided to form a new band, and The Bible were born. They drafted in Kevin Flanagan another former member of The Great Divide. Before long, The Bible began to make an impression locally.
Soon, The Bible were a popular band locally. They had quickly acquired a cult following. Word began to spread further afield about this new band from Cambridge. This was through word-of-mouth. So it was no surprise that a record company decided to sign The Bible.
The label that signed The Bible was Black Records, a Norwich based independent label. They released The Great Divide's 1986 debut album Walking The Ghost Back Home. It reached number ten in the UK Indie Charts, and featured two hit singles. Graceland reached number eighty-seven in UK charts, before Mahalia reached number fifteen in the UK Indie Charts. Given the success of Walking The Ghost Back Home, it was no surprise that bigger record labels started to take an interest The Bible.
Eventually, The Bible decided to sign to Chrysalis. They began work on their sophomore album Eureka. The Great Divide had decided to produce the album with Pete Smith and Owen Morris. However, the initial sessions proved unsatisfactory for the band. It was then that their management suggested bringing country rocker Steve Earle onboard to produce Eureka. This worked, and the album was scheduled for release in 1988.
Prior to the release, the reviews of Eureka were positive. Despite this, the album stalled at just seven-one in the UK. For everyone involved, this was disappointing, considering how popular The Bible were. Surely this was a blip?
Just a year later, The Bible enjoyed the most successful single of their career. A rerecorded version of Graceland reached fifty-one in the UK. It looked like things were improving for them. Then Honey Be Good reached fifty-four in the UK. However, when The Bible released their third album Dodo, it failed to chart. Things were set to get even worse.
A year later, and The Bible split-up in 1990. After five years together, and a lineup that's best described as fluid, it looked like the end of the road for The Bible. It wasn't.
Since then, The Bible have reformed twice. The first time came in 1994, and the second in 2011. However, then Boo Hewerdine was a successful solo artist.
Boo Hewerdine and Darden Smith-Evidence.
Once The Bible split-up, Boo Hewerdine decided to concentrate on his solo career. He knew the direction his career was heading. A meeting a year earlier had influenced the direction his music was about to head in.
This meeting took place in 1989, while The Bible were still together. That was when an A&R executive introduced him to New Country singer Darden Smith. The two realising they had much in common, decided to write and record an album together. Time was short though.
Somehow, Darden Smith and Boo Hewerdine managed to write and record an album in just nine days. This album became Evidence, which was released to critical acclaim in 1989. This was the first, but not the last time Boo would collaborate with other artists. By then, he would be a solo.
The Solo Years.
Now that The Bible had split-up, Boo Hewerdine embarked upon a solo career. This solo career began in 1990. Since then, Boo has released a string of E.P.s. and will soon release his ninth album Swimming In Mercury.
Two years after the demise of The Bible, Boo Hewerdine released his debut album Ignorance in 1992. Critical acclaim accompanied the release Ignorance. It was a much anticipated and highly accomplished album of carefully crafted songs. However, three years would pass before the followup was released.
The reason for the delay, was that by then, Boo Hewerdine was writing for other artists. This included writing for Eddi Reader and Clive Gregson's 1993 album Wonderful Lie. Since then, Boo has written songs for many successful artists, including KD Lang, Kris Drever, David McAlmont, Natalie Imbruglia and Alex Parks. However, this sometimes curtailed his ability to release albums quickly.
It wasn't until 1995 that Boo Hewerdine returned with his sophomore album Worlds End. Just like Ignorance, praise and plaudits accompanied the release of World's End. Buoyed by the response and success of World's End, Boo released Baptist Hospital in 1996. Some critics felt that was the best album of Boo's career. With album he seemed to be maturing and growing as a singer and songwriter. Like a fine wine, Boo was maturing with age.
So when Nick Hornby was looking for someone to write the soundtrack to the film adaptation of his book Fever Pitch, Boo got the call. The film was released in 1997, the same year that the film Twenty Four Seven was released. Boo and Neil MacColl had written the soundtrack. The other soundtrack that Boo penned for the television film Our Boy. For Boo, writing for film and television was a whole new world, and one he would return to later. Before that, Boo released a new solo album.
Three years had passed since Boo Hewerdine had released Baptist Hospital in 1996. He returned in 1999 with his fourth album Thanksgiving. It featured a guest appearance by Martha Wainwright. By then, Boo's music was reaching a wider audience. That wasn't surprising given the quality of songs on Thanksgiving. The Birds Are Leaving, Hope Is A Name, Our Boy, Homesick Son and A Long Winter showcased a talented singer, songwriter and storyteller. However, in 2002, Boo added another string to his bow.
This came about when Boo Hewerdine was asked to co-produce Eddie Reader's album Angels and Electricity. Boo had written a number of songs for Eddi, but was now co-producing her albums. Soon, Boo was producing The Corrs, Heidi Talbot and Chris Difford. Along with his work as a songwriter, Boo was constantly busy. Sometimes, his solo career seemed to take a backseat. However, in 2001, Boo's contribution to music was recognised.
In 2001, Boo Hewerdine was named as the Performing Rights Society's songwriter in residence at The Song's The Thing concert series in London. Boo had come a long way from when he was working in a record shop warehouse and about to form his first band. Now he was regarded as one of Britain's top songwriters. He took to the stage during one of The Song's The Thing concerts, and got the opportunity to showcase his skills as a singer and a songwriter. However, another opportunity for Boo to showcase his songwriting skills arose during 2001.
This came when Boo returned to the world of soundtracks. One of his songs featured in Christine Lahti's My First Mister. For Boo, this meant a whole new audience would hear his music. This couldn't have happened at a better time, as Boo would released a new album in 2002.
Anon, which was released in 2002, was Boo Hewerdine's first album of the new millennia. By then, Boo's star was in the ascendancy. It seemed that every album he released was welcomed with open arms by admiring critics. His new album Anon was no different. Boo was consistently releasing albums of carefully crafted, thought provoking songs. That continued to be the case.
When Eddi Reader entered the studio to record her critically acclaimed album Sings The Songs Of Robert Burns, Boo Hewerdine was drafted in to co-produce the album. The result was one of the most successful albums of Eddi Reader's career. It found favour with Burns aficionados across the world. Buoyed by the success of Sings The Songs Of Robert Burns. 2003 had been a good year for Boo.
It got even better when Boo's song Different God was chosen to feature on the soundtrack to the film Intermission. After such a successful year, Boo's thoughts began to turn to his solo career.
Two years later, and Boo Hewerdine returned with a new album in 2005. This was his sixth album, Harmonograph. Boo it seemed had the Midas touch, and critics heaped praise on Harmonograph. However, Boo it seemed, was in no rush to release a followup.
That wasn't surprising. Boo Hewerdine now spending more time writing songs for other artists. He was also in demand as a producer. He also recorded a comeback album with The Bible. Money and Time was released in 2007. However, Boo hadn't turned his back on his solo career.
Still, though, he found time to play live, and when he had the time, headed into the studio. The fruits of his most recent sessions were his seventh album God Bless The Pretty Things. It was released in 2009, and just like the albums the had preceded it, was well received by the critics. They lavished praise on God Bless the Pretty Things, which was a welcome, and some felt overdue addition to Boo's back-catalogue.
Little did they realise it would be six years before Boo Hewerdine released another album. During that period featured on State Of The Union's two albums. He wrote much of their eponymous debut album and shared the lead vocals with Brook Williams. This was the case when State Of The Union released their 2012 sophomore album Snake Oil. These albums weren't the only albums Boo worked on.
When Kris Drever was recording his solo album Last Man Standing, Boo featured on the album. Last Man Standing was released in 2015, the same year that Boo released his long-awaited comeback album.
Open was released in 2015, and found Boo Hewerdine crowned the comeback King. He may have been six years since his last solo album, but the fifty-three year old's comeback album had been well worth the wait. Critical acclaim accompanied the release of Open. However, Boo's fans wondered when they would hear from Boo again?
Born E.P.
Little did they realise it would be so soon. Just a year later, in 2016, Boo Hewerdine returned with The Born E.P. This the first E.P. that Boo has released since Toy Box No. 2 in 2008. However, the Born E.P. was a very personal collection of songs. It was a collaboration between Boo Hewerdine and his son Ben. They penned five songs, including The Year I Was Born and Swimming In Mercury. They were a tantalising taste of what was in store on Boo Hewerdine's ninth album Swimming In Mercury.
Swimming In Mercury.
Boo Hewerdine made his recording debut thirty-five years ago with The Great Divide. Four decades later, and Boo Hewerdine is regarded as one Britain's leading singer-songwriters. He will release his much anticipated solo album Swimming In Mercury on Reveal Records on '28th' 2017. It's a very personal, insightful and autobiographical album, with Boo Hewerdine reflecting on the past on Swimming In Mercury. There's been much for Boo Hewerdine to reflect on during the past four decades.
While The Born E.P. was a akin to a musical amuse bouche, Swimming In Mercury was the entree. It featured twelve new songs. Most of these songs were penned by Boo Hewerdine. That is apart from Swimming in Mercury which Boo and Ben Hewerdine cowrote. These twelve songs would eventually become Swimming in Mercury, which was recorded at Chris Pepper's studio in Cambridge.
Given Swimming in Mercury was an album of autobiographical music and memories, Boo Hewerdine decided to record the album in a very different way to recent albums. He recalls: "the new album was recorded in the spirit of the first four track recording I ever did… but instead of a chunky cassette deck we were able to use Chris Pepper's Cambridge studio. It was an incredibly enjoyable and creative way to work. Often I would write a song in the morning and by the end of the day we would have another track done". This was a very different approach to how most albums are recorded nowadays.
In most studios, a Digital Audio Workstation (DAW), like Pro Tools or Logic is at the heart of most studios. They allow artists to use an unlimited amount of tracks. As a result, often 100-200 tracks are used to record a track. Not when Boo Hewerdine recorded Swimming in Mercury. He restricted himself to just four tracks. Still though, he was able to get his message across on Swimming in Mercury as he reflects on this past on what's a very personal and autobiographical album.
Satellite Town opens Swimming In Mercury. Stabs of a buzzing synth and organ usher in Boo's vocal as memories come flooding back, of the life he once knew and lived. As he remembers his younger self, he sings "I live in a Satellite Town and I don't mind," harmonies, drums and synths are part of the carefully crafted arrangement. Soon, it floats dreamily along a bass and braying saxophone combining with a shimmering guitar. After a refrain of the introduction as Boo remembers: "and on the morning I said goodbye, nobody asked me why?" By then the arrangement is melodic, full of poppy hooks and has a narrative that paints pictures like The Beatles' A Day In The Life. Later, the understated arrangement skips along, the rhythm section and glistening guitars accompanying Boo's tender, thoughtful vocal, before a wash of feedback brings this irresistible and radio friendly track to crescendo.
Drums reverberate on A Letter To My Younger Self as lo-fi keyboards usher in Boo's vocal. Meanwhile, the bass and guitar join the arrangement as Boo reflects on what he would tell his younger self? "Let somebody love you" is the answer. Soon, a saxophone and punchy harmonies joins the carefully which continues to build. Later, when the vocal drops out, an ascending keyboard line adds to the energy of this melodic and hook laden song.
My First Band is another song where Boo reflects on the past. A tack piano is played urgently before the rhythm section and guitar set the scene for Boo's vocal. He remembers" :broken strings and cheap guitars, rehearsal rooms and beat-up cars." Despite this: "nothing beats My First Band." Meanwhile, cooing, Beatles-esque harmonies, and later scorching guitar solo are added as Boo remembers and pays homage to "My First Band."
Boo replicates the sound of an American TV show during the introduction. It gives way to oo's vocal on this ballad, and soon, he's reminiscing about "monochrome" Britain of the sixties, and California; "the American dream where the colours are so much brighter." Meanwhile, a piano, rhythm section, acoustic guitar and Beach Boys influenced harmonies accompany, and compliment, Boo's vocal as the memories come flooding back. He remembers how: "the colours were much brighter, California was a dream, a place I saw on American TV, back when I was a boy." When Boo's vocal drops out, wistful harmonies provide a backdrop before his vocal returns and the arrangement builds and reaches memorable and melodic crescendo.
A clock chimes on Sleep, which Boo sings along to. Soon, the rhythm section and guitar play slowly and accompany Boo's tender vocal as the arrangement flows along. Tender harmonies, keyboards and guitar accompany as Boo reflects: "life is a dream, and we dream our lives away" Later, Boo from the moment we are all born we're marathon dancers who sway until dawn, until the music is done, everyone has to sleep." By then, the arrangement waltzes thoughtfully along, as a ruminative Boo continues to reflect on life.
A horn plays while drums pound urgently and a guitar glistens on Gemini. Soon, the arrangement builds and takes on a celebratory sound. It provides the backdrop for a joyous Boo whose found the 'one' he's spent a lifetime searching for. "Gemini I know you think I'm mad, you were once in a dream I once had." Bells ring, a horns sound and the drums march the arrangement along. Later, a searing guitar and lush strings are added to the celebratory sounding arrangement. They're part of a hook-laden and joyous song from a musical master craftsman.
The Boy Who Never Cried Wolf finds Boo remembering his school days, against a backdrop where a bubbling synth combines with percussion. This allows Boo's vocal to take centre-stage, as he sings about doing what it took to fit it in. In Boo's case; "I knew how to make them laugh, I was a holy fool. Ruefully, Boo reflects: " I never told them the truth, I was The Boy Who Never Cried Wolf." Meanwhile, the arrangement builds and frames Boo's vocal. When his vocal drops out, a guitar replaces it. Still the bubbling synth provides the heartbeat to another autobiographical song.
A drum pounds, as if replicating a heartbeat. It sets the scene for Boo's piano. Soon, he's delivering a tender, thoughtful vocal, as he reflects upon 1962, "The Year That I Was Born." He sings of the Cold War, the Berlin Wall, President "Kennedy's first State Of The Union Speech" and an uncertain future. Briefly, a bass synth pulsates, adding an element of drama. By then, Boo reflects upon "the trial in Jerusalem" and later, "the death of (Ernest) Hemingway." Uncertainty and sadness it seems, are omnipresent as Boo's vocal takes centre-stage. Meanwhile, the piano and synth play supporting roles. Later, Boo sings of "The Beatles in The Cavern, the cellar full of noise, all the post war girls and boys, in a world that might that explode." Boo's vocal is impassioned and heartfelt, before a vortex of ethereal, celestial sounds sit above the arrangement. Later, wonderment and hope join the uncertainty in what's a beautiful, reflective song.
Just like several songs on Swimming In Mercury, there's a Beatles influence to Drinking Alone. It's the choice of instruments used, the way they're combined and the cinematic lyrics and vocal. Before that, the bass and guitars combine to provide the perfect backdrop for Boo, who delivers a weary vocal: "it's only now and then that you head for oblivion, shipwrecked in a bottle again, Drinking Alone". Later, when the vocal drops out, the strolling arrangement becomes wistful when trad jazz clarinets joins the guitars, bass and piano. Soon, a rueful Boo sings: "it makes you want to laugh out loud, as you think of that old crowd." They're just one of the costs of "Drinking Alone," in this poignant and powerful song about someone who climbed into a bottle and sadly, can't escape.
Just a piano accompanies Boo on An Atheist In A Foxhole. It's another poignant and ironic song. Like many people who call themselves an atheist, when they face a crisis in their life, they're on their knees praying. They become hypocrites who through fear and desperation, embrace religion. Literally, it's any port in a storm. This becomes apparent with the line: "if I had a rosary, I would turn it in my hand." Meanwhile, strings sit above the piano before a guitar shimmers and glisten. Deep down, though Boo knows that there's no one there to hear my call."
Voice Behind The Curtain is a reminder that for a singer like Boo, the show must go on. It doesn't matter if "his heart is hurting, hear you go again, stand in the spotlight taking what is yours." They may receive applause, but deep down, their life can be a mess. However, onstage it's a case of business as usual. Meanwhile, a guita, piano and later wistful strings accompany Boo on a song where he reflects on life as a modern day troubadour, in another carefully crafted song.
The introduction to Swimming in Mercury, which closes the album is almost jaunty. Just a piano accompanies Boo's vocal as he sings: "I was a boy growing in up in suburbia, you showed the future to me, skinny and pale, Swimming in Mercury." By then, Boo has been transported back in time, as he delivers a tender, wistful vocal. He remembers: "we didn't care, we went everywhere, Swimming in Mercury." When Boo's vocal drops out, the piano ensures the spartan arrangement seems to waltz along, all the time, painting pictures.
Two years after the release of his last album Open, one of Britain's finest troubadours Boo Hewerdine, makes a welcome return with the ninth album of his career Swimming In Mercury. It will be released on Reveal Records on '28th' April 2017. It's without doubt the finest albums of Boo Hewerdine's long and illustrious career.
Swimming In Mercury finds Boo Hewerdine in a reflective mood, as he looks back on his life and career so far on this carefully crafted autobiographical album. It features twelve songs, which range from ballads to uptempo tracks. The hooks certainly haven't been spared by Boo Hewerdine on Swimming In Mercury.
Some of the songs on Swimming In Mercury are beautiful, joyous, melodic, memorable poignant, powerful and thought-provoking. Others are melancholy and ruminative, and invite reflection about the subject matter. Many of the songs on Swimming In Mercury are cinematic, as Boo paints pictures with the lyrics on what's an autobiographical album from one of Britain's greatest singer-songwriter.
For newcomers to Boo Hewerdine's music, Swimming In Mercury is the perfect introduction to his burgeoning back-catalogue. Veterans of Boo Hewerdine's music will embrace what is without doubt his finest album. Incredibly, it was recorded using just a four channels. Despite this self-imposed restriction, Swimming In Mercury is the work of a true musical master craftsman at the peak of his powers as Boo Hewerdine reflects upon his life and career on this autobiographical opus.
Posted in: Folk ♦ Folk Rock ♦ Pop ♦ Rock
Tagged: Anon, Baptist Hospital, Boo Hewerdine, God Bless The Pretty Things, Harmonograph, Ignorance, Money and Time, Open, Reveal Records, Swimming In Mercury, Thanksgiving, The Bible, The Great Divide, Worlds End
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Q: Fail code for document.write + for function recrusive form I cant find my fail in the code why the secound for loop doesnt work. Please help me. thx
i tried to modify the for code. i tried to look if it works without the secound loop and it does. any idea?
//--js file with the object array which is loaded in the 2nd file--
let inhaltsverzeichnis_beispiele = [
  { blatt:'1'
    ,name: ['Übungszettel 1 [2013]', 'Übungszettel 1 [2014]', 'Übungszettel 1 [2018]']
    ,a_href: ['Übungsbeispiele_1_2013','Übungsbeispiele_1_2014','Übungsbeispiele_1_2018']
    ,fach: ['Physik Integral- und Differentionrechnungen','Physik Integral- und Differentionrechnungen','Informatik AnalysisT1']
   },
 ]

//----2nd file code segment
document.write('<button class="buttn" onclick="myFunction(\'index\')" style="color:red;">Inhaltsverzeichnis</button>

');
  for (NR_i = 0; NR_i < inhaltsverzeichnis_beispiele.length; NR_i++) {
    document.write(
      '
'
        + '
'
        +   '
'
        +     ''
        +        inhaltsverzeichnis_beispiele[NR_i].blatt
        +     '	'
      );
      //---- That loop doesnt work =/
      for (NR_i2 = 0; NR_i2 < inhaltsverzeichnis_beispiele[Nr_i].name[NR_i2].length; NR_i2++) {
        document.write(
          +  ''
          +    ''
          +      inhaltsverzeichnis_beispiele[NR_i].name[NR_i2]
          +    ''
          +  '	'
        )
      }
      //----- That loop doesnt work =/ End
      document.write(
        +    '
'
        +  '
'
        +'
'
      );
    };
 document.write('

');
 //----2nd file code segment End

A: You could take some array methods for iterating the data and build new elements and add them to the body (or any other element of the web page).

var inhaltsverzeichnis_beispiele = [{ blatt: '1', name: ['Übungszettel 1 [2013]', 'Übungszettel 1 [2014]', 'Übungszettel 1 [2018]'], a_href: ['Übungsbeispiele_1_2013', 'Übungsbeispiele_1_2014', 'Übungsbeispiele_1_2018'], fach: ['Physik Integral- und Differentionrechnungen', 'Physik Integral- und Differentionrechnungen', 'Informatik AnalysisT1'] }],
    ul = document.createElement('ul');

inhaltsverzeichnis_beispiele.forEach(({ blatt, name, a_href }) => {
    var li = document.createElement('li'),
        table = document.createElement('table'),
        tr = document.createElement('tr'),
        td = document.createElement('td');

    td.style = 'width:30px;';
    td.appendChild(document.createTextNode(blatt));
    tr.appendChild(td);
    name.forEach((value, i) => {
        var td = document.createElement('td'),
            a = document.createElement('a');

        a.href = a_href[i];
        a.appendChild(document.createTextNode(value));
        td.appendChild(a);
        tr.appendChild(td);
    });
    table.appendChild(tr);
    li.appendChild(table);
    ul.appendChild(li);
});

document.body.appendChild(ul);

A: I recommmend that you use es6 features and redo your code into something like this.
This uses a combination of template literals, Array#map, and Array#join

//--js file with the object array which is loaded in the 2nd file--
const inhaltsverzeichnis_beispiele = [{
  blatt: '1',
  name: ['Übungszettel 1 [2013]', 'Übungszettel 1 [2014]', 'Übungszettel 1 [2018]'],
  a_href: ['Übungsbeispiele_1_2013', 'Übungsbeispiele_1_2014', 'Übungsbeispiele_1_2018'],
  fach: ['Physik Integral- und Differentionrechnungen', 'Physik Integral- und Differentionrechnungen', 'Informatik AnalysisT1']
}];

const container = document.getElementById("container");
const buttonContainer = document.getElementById("button-container");
buttonContainer.innerHTML = `<button class="buttn" onclick="myFunction('index')" style="color:red;">Inhaltsverzeichnis</button>`

function generateTable(data){
  const res = [`<td style="width:30px">${data.blatt}</td>`];
  for(let i = 0; i < data.name.length; i++){
    const name = data.name[i];
    const href = data.a_href[i];
    res.push(`<td><a href="#${href}">${name}</a></td>`);
  }
  return `<table><tr>${res.join("")}</tr></table>`
}

function generateList(data){
  const res = data.map(item=>{
     const table = generateTable(item);
     return `<li>${table}</li>`;
  }).join("");

  return `<ul>${res}</ul>`
}

container.innerHTML = generateList(inhaltsverzeichnis_beispiele);

redpajama_set_name: RedPajamaStackExchange