text:
Q: Simulate active session on a website with python I'm looking for a way to simulate an active session on a website using Python. What I mean by that, is I want to create a software, which makes the website think that an actual user with an actual browser has the website open. I've found urllib3 and it's request.urlopen methon, but it seems that this only reads the content provided from url and closes the connection. Thanks for any suggestions

A: You can try simulate browser requests to get necessary cookies for authentication. Google Chrome Dev Tools and requests python lib will do the job.
Some websites have another way to handle sessions, but I believe the majority is using cookies set through post requests.


Complete Catalog of Suv Van Car Pet - Selection of Suv Van Car Pet for sale online, including major Suv Van Car Pet brands. For any Suv Van Car Pet questions, here is how to reach us for Suv Van Car Pet.
Widest selection of Suv Van Car Pet, in stock and fast shipping, the most exclusive collection of Suv Van Car Pet from Ebay!
Bucket Seat Pet Barrier designed to be used in Cars SUVs and Vans.


This recipe for Nut Roll, by JoAnne Sistek, is from Favorite Family Recipes, one of the cookbooks created at FamilyCookbookProject.com. We help families or individuals create heirloom cookbook treasures.
In a large bowl, dissolve yeast in warm water. Add the milk, sour cream, sugar, butter, eggs, salt, vanilla, and 3 cups flour. Beat until smooth. Beat in remaining flour until mixture forms a soft dough. Transfer to a greased bowl, turning once the grease the top; cover and refrigerate overnight.
Divide dough in half. Roll each portion into a 14-in. x 12-in. rectangle. For nut filling, in a small bowl, combine the pecans, sugar, dates, milk and salt. In another bowl, beat egg white until stiff peaks form; fold into pecan mixture. Spread over one portion. Spread poppyseed filling over remaining dough; sprinkle with raisins and walnuts. Roll up each jelly-roll style, starting with a long side; pinch seams to seal and tuck ends under. Place seam side down on parchment paper-lined baking sheets. Let rise in a warm place until doubled, about 30 minutes.
Bake at 350° for 35-40 minutes or until golden brown. Cool on a wire rack. Combine confectioners' sugar and enough water to achieve desired consistency; drizzle over breads.
Shared by Helen Janashak, modified to combine recipes that contradicted each other. Variations of using walnuts vs. pecans and dates.


MagicLantern is a multimedia presentation workshop written in Java.
MagicLantern is Copyright © 2019, Paul Lutus, and is released under the GPL. For an end user, release under the GPL essentially means MagicLantern is free (as in free speech, not as in free beer).
Because MagicLantern is written in Java, it can be run on virtually any platform — Windows, Linux, Macintosh, and others. This means if you create a multimedia presentation on one platform, it can be transferred and displayed on another, using the same program.
MagicLantern uses your present library of photographic and other images to create multimedia presentations.
MagicLantern has an advanced editor that supports drag & drop methods and accepts images dragged from your system's file browser as well as its own editing windows.
MagicLantern supports modern multimedia projectors and is compatible with the majority of multimedia remote controls.
MagicLantern is designed to be intuitive and easy to use.
MagicLantern can play user-provided sound effects keyed to specific images.
MagicLantern creates its own thumbnails and scaled images to optimize presentations.
MagicLantern can be programmed to deliver multimedia presentations automatically.
Oh, please do ... copy it and give it to your friends.
Don't even think about it. MagicLantern is free to everyone, and cannot be sold under any circumstances.
If you are under 30 years of age, you can skip this section — it doesn't apply to you.
MagicLantern is officially and formally released under the GPL license, but it is also a CareWare release. Basically, this means in exchange for MagicLantern, you could be extra nice to someone, or stop whining about how hard your life is, at least for a while. And it's voluntary — I am not the police and CareWare is an idea, not a rule. Ideas aren't laws and there are no idea police — at least, not yet.
My adult readers will now realize why I recommended that those under 30 skip this section. For those under 30, life is totally unfair, and if only life were just, they would be richer, smarter, and better-looking than they are. For those over 30, life is what is, we don't get to tell life how things are supposed to be, and our only job is to figure out how it works.
So ... just be nice. If you are already nice, be a tiny bit nicer, and you will have paid for MagicLantern. And if this idea annoys you, ignore it. MagicLantern is free.
Click here to see a copy of the MagicLantern documentation that ships with the program. The online copy is missing a number of data items that are automatically filled in by the program when it runs. The help page displayed within MagicLantern is in every way better.
For Windows systems, a Windows installation package (435KB).
For Linux, Macintosh, and others, a Java JAR archive (170KB) (see below for launch instructions).
For computer whiz kids, a source file TAR archive (98KB) containing a complete NetBeans Java project for MagicLantern.
For all these download options, a current Java runtime engine is required, which can be gotten free at http://java.com.
Install the MagicLantern JAR archive anywhere convenient.
Install a current Java runtime engine by visiting http://java.com.
So each of my typical modern images require over 30 megabytes of memory while being processed. As it turns out, on Windows and without special instructions, the current Java runtime engine allocates itself just 66 megabytes. That is entirely inadequate and the Java runtime engine won't adjust its behavior without intervention.
Select "Tools ... Folder Options ... File types"
To save time, when confronted by the list of file types, type "j" at the keyboard. In most cases this will jump to "JAR", the file type of interest. If not, scroll down to get to the entry for "JAR".
After the string "javaw.exe" and before the string "-jar", put this: "-Xmx1000m".
The section of interest should now look like this: "(path)/javaw.exe -Xmx1000m -jar (path to MagicLantern)".
Click "OK, "OK" and "Close".
MagicLantern has a memory indicator on its configuration panel, so one can easily verify the outcome for a fix like this.
03/05/2019 Version 2.2. Added "Enter" key along with existing "Escape" to activate context switch (a way to show a map or table of contents without having to scroll through slides).
02/03/2019 Version 2.1. Fixed a longstanding code problem that prevented smooth slide transitions using the fade effect.
09/25/2012 Version 2.0. Restored the long-lost "beep" feedback sound, fixed an error in the embedded documentation.
06/29/2010 Version 1.9. Fixed a few small, mostly cosmetic reported bugs.
10/29/2009 Version 1.8. Fixed bug that prevented slide duration entry, added desktop icon to Windows setup.
10/23/2009 Version 1.7. Replaced string-based keyboard identifiers with keycodes for the benefit of non-English users.
03/24/2009 Version 1.6. Optimized and improved the performance of the internal MP3 player.
03/22/2009 Version 1.5. Solved a longstanding sound extension issue by adding an internal MP3 sound player.
03/16/2009 Version 1.4. Refactored and optimized some code sections.
03/13/2009 Version 1.3. Optimized the fade transition code for greater efficiency and speed.
02/23/2009 Version 1.2. Rebuilt the help file support code for better performance, fixed a bug in the sound effect code.
02/21/2009 Version 1.1. Initial public release.


text:
Q: Unix timestamp conversion accuracy for big numbers on Android I'm testing the following value from the list on this site:
Regular date: 500, January 1 = Unix Timestamp: -46388678400
However, running the following Java code on Android:
GregorianCalendar calendar = new GregorianCalendar(500, 0, 1, 0, 0, 0);
calendar.setTimeZone(TimeZone.getTimeZone("UTC"));
Log.d("timestamp", String.valueOf(calendar.getTimeInMillis() / 1000L));
Log.d("date", String.valueOf(calendar.getTime()));

outputs the following results:
-46388592000
Sat Jan 01 02:00:00 GMT+02:00 500

Trying the same online converter and a few other sites with this Unix time stamp I get from my Android program, I get a whole day difference:
Android app:  -46388592000 = Sat Jan 01 00:00:00 GMT
Online sites: -46388592000 = Sat Jan 02 00:00:00 GMT

My question is: who's wrong? The online converter, or the Java code on Android?
Does Android/Java loose accuracy on such big numbers? Or is it because of leap seconds?

A: Avoid old date-time classes
You are using troublesome old date-time classes, now legacy. Avoid them. Supplanted by the java.time classes.
Ancient values not reliable
Do not use date-time values in java.time (nor the old classes) for ancient values such as centuries ago. The date-time types internally count a number of seconds since the epoch of first moment of 1970 UTC. Counting seconds across many past centuries raises issues such as the Julian-Gregorian calendar cut-over. Basically such ancient values are meaningless.
Instead use a LocalDate if you want to represent a date from history.
LocalDate columbusAttacksAmerica = LocalDate.of( "1492-10-12" );

Instant
Though I do not recommending doing so with a historical value, you can parse that large integer as an Instant. The Instant class represents a moment on the timeline in UTC with a resolution of nanoseconds (up to nine (9) digits of a decimal fraction).
long secondsSinceEpoch = -46_388_678_400L;
Instant instant = Instant.ofEpochSecond ( secondsSinceEpoch );

Dump to console.
System.out.println ( "secondsSinceEpoch: " + secondsSinceEpoch + " | instant: " + instant );

secondsSinceEpoch: -46388678400 | instant: 0500-01-01T00:00:00Z

About java.time
The java.time framework is built into Java 8 and later. These classes supplant the troublesome old date-time classes such as java.util.Date, .Calendar, & java.text.SimpleDateFormat.
The Joda-Time project, now in maintenance mode, advises migration to java.time.
To learn more, see the Oracle Tutorial. And search Stack Overflow for many examples and explanations.
Where to obtain the java.time classes?

*

*Java SE 8 and SE 9 and later

*

*Built-in.

*Part of the standard Java API with a bundled implementation.

*Java 9 adds some minor features and fixes.

*Java SE 6 and SE 7

*

*Much of the java.time functionality is back-ported to Java 6 & 7 in ThreeTen-Backport.

*Android

*

*The ThreeTenABP project adapts ThreeTen-Backport (mentioned above) for Android specifically.

*See How to use….

The ThreeTen-Extra project extends java.time with additional classes. This project is a proving ground for possible future additions to java.time. You may find some useful classes here such as Interval, YearWeek, YearQuarter, and more.

redpajama_set_name: RedPajamaStackExchange


text:
Marina Pendleton
Marina Pendleton is a Texas-born, Oklahoma-raised, world-traveling fiddler, mandolin player, and vocalist. Her music is inspired by many musical traditions, including Bluegrass, Texas-style fiddle, Western Swing, and Classical violin. Marina recently performed and recorded with Pittsburgh, PA-area bluegrass bands and played regular shows with multi-instrumentalist singer/songwriter Jim Scott in the duo Pendleton & Scott. Marina currently plays country and bluegrass in the Houston, Texas area.
Marina picked up her first (tiny) fiddle at age two with the purpose of studying classical violin. A few years later, fiddling legend Jana Jae discovered Marina and her sister Emma Jane performing a classical duet at a Christmas party. With Ms. Jae's encouragement, dad Scott dusted off his guitar, mom Virginia picked up mandolin, and together they formed the Pendleton Family Fiddlers.
Marina's love of music flourished during eight intense years of performing with her family band. She developed her skills on the mandolin, fiddle, lead and harmony vocals, and performed nearly 600 live shows before graduating high school. Highlights from those years include playing onstage with Lyle Lovett, Mark O'Connor, and Byron Berline, performing at galas honoring Garth Brooks, Vince Gill, and Toby Keith, and making many TV appearances, local and national. Marina also won state fiddle titles in Oklahoma, Kansas, and Colorado, and placed in the top 2 at the 2008 Walnut Valley Old Time Fiddle Championship in Winfield, KS.
Marina studied classical violin through college in Oklahoma, but never lost her love of fiddle music. She won the 2017 Pennsylvania State Fiddle Championship and the 2017 & 2018 PA State Mandolin Championship. She played the FIDDLE part in Front Porch Theatricals' professional production of Steve Martin and Edie Brickell's bluegrass musical Bright Star in Pittsburgh during the 2019 season. She won the Bluegrass Fiddle division at the 84th Annual Galax Old Fiddlers Convention in Galax, VA in August 2019; placed in the top 3 at the Walnut Valley Old Time Fiddle Championship in Winfield, KS in September 2019; and earned runner-up at the Texas State Fiddle Championship in November 2019.
Marina currently performs around the country. Join the mailing list to follow Marina's musical adventures, and be the first to know about new video releases and upcoming appearances. Contact Marina directly for bookings.
Follow Marina's musical adventures - shows, new videos, and exciting announcements!

redpajama_set_name: RedPajamaCommonCrawl


Last night Jeremy, Evan and I went to see our friends (Tony, Nick and Christina) in some plays in Allston. We were going to take the T over, but we ended up driving, found a parking spot right outside, and then got there early enough to split an ice cream at cold stone. We got cake batter ice cream with graham cracker crust, gummy bears, and reese's peanut butter cups. It was delicious.
The plays were interesting, but the kids (Tony, Nick and Christina) were really great. It was fun to see Nick doing something other than improv, I don't think I've ever seen him do anything else... even though he has done theater, I've just never seen it.
Afterwards, we drove to Cambridge St. to go to The Liberty Hotel for Clink and there was a line out the door. There were two guys there checking id's and monitoring the line, and somehow the three of us just walked right in. Nobody asked us any questions, I assumed they thought we were guests. So, we headed up the elevator and saw that the lobby was SO CROWDED with corporate men and slutty sluts, and we definitely wouldn't be able to get drinks and fancy cheese and enjoy ourselves! So, we left, and completely downgraded to IHOP where there was some sort of after prom celebration with 100 high school kids (including two sad girls in their prom dresses eating alone), and the most annoying women in the world sitting next to us, with a waiter who obviously worked at IHOP part-time to pay off the guitar he bought for his punk rock band.
Thursday night I didn't sleep at all because I was so nervous about Friday and the new job. Ugh, it was a horrible night of tossing and turning and three viewings of the same episode of 30 Rock. So, I was exhausted, but we still went to the theater to see who was there, and while I turned down watching Volver to go home and sleep, we ended up staying and talking until 2am.
It was fun. They made me feel uncomfortable about my driving abilities. And even when we got to Allston, and I parallel parked, I said, "I hate parallel parking with people, well mainly with Steve because he makes fun of me." And Evan said, "We won't judge you." But they did, they judged my drifting and my not-switching-lanes... and Evan said something like "The way you drive doesn't change the fact that you're a good person." So, I'm a bad driver and a good person? That's incorrect! I'm not a good person, either.
The new job is scary, but I think I'll be capable of doing it because I'm a smart girl and a hard worker, so I'll make it my own. I've been in need of some encouragement lately though, so feel free to tell me how awesome I am all the time so I feel better about myself. Danke!


HoodnDuctCleaning.com, servicing Seattle and the Puget Sound area, met the owner of a multi-location restaurant the day after their vender cleaned their grease exhaust hood and duct system in Edmonds, Washington. The restaurant owner was happy to know that HoodnDuctCleaning.com have a "Competitor Free Evaluation" service for any restaurant owner of a commercial kitchen or restaurant to make sure that the hood and duct company has cleaned their duct system properly.
Pictures were taken of the plenum and the mouth of the vertical duct. We found areas that were completely missed and not cleaned. A large amount of grease and sludge remained which is shown in the photographs. We shared the photos with the restaurant owner and she was very upset and concerned. Here are the photos of the hood and duct system after the competitors cleaned the restaurant system. In our opinion and evaluation, they polished the superficial areas and failed to clean the internal duct. This internal duct is where the true fire hazard resides.
The restaurant owner allowed us to survey her other 5 restaurants. He found areas of neglect and under-service at each location.
Why Do We Offer Competitor Free Hood and Duct Cleaning Evaluations?
Unfortunately, we see this too often. Many hood and duct companies are not properly trained and as a result can put restaurants in danger of having a fire. As a result of our Competitor Free Hood and Duct Cleaning Evaluation, this restaurant owner has hired HoodnDuctCleaning.com to service all 6 of her restaurants.
HoodnDuctCleaning.com have been serving commercial kitchen and restaurant owners for over 34 years in Seattle, Washington and the Puget Sound area. We are available 7-days a week, 24- hours a day for all your hood and cleaning repairs maintenance and installations. The Seattle Fire Department certifies all our technicians and we are distributors and trained by Kidde-Range Guard, Ansul, Pyro-Chem and Amerex.
Remember, even if you feel you have hired a "reputable" hood and duct cleaning company, it is always wise to get a second opinion. It will save your restaurant, employees and customers' lives. You as the restaurant owner will feel more secure knowing your kitchen hood and duct system are well maintained and properly cleaned.
Call today for a "Competitor Free Hood and Duct Cleaning Evaluation" at (206) 992-7126.


These ACCEL Motorcycle Bosch-style starter relays feature a new injection-molded case for extended durability and elimination of corrosion. These relays are engineered to handle the high starter current demanded by high performance engines. They work great in stock bikes too!


text:
<!doctype html public "embarassment">
<title>Simple Master Detail Example</title>
<link href="global.css" rel="stylesheet"/>
<link href="assets/app2.css" rel="stylesheet"/>

React Router Examples / Simple Master Detail

redpajama_set_name: RedPajamaGithub


Laughter, learning, reading, picnics, and smiles make my day, especially when they come from a child! I am an elementary teacher who is looking to help a local family with childcare needs. I am 28 years old and am married to the man of my wildest dreams! I cherish family values and morals and want to help with the needs of others!
Since I am a teacher, I am only available after school hours/weekends. However, my schedule is completely open all summer long!


Rudraksha: Rudraksha beads are very rare precious. Spiritually they have been worn and used for meditation, japa mantra, and pujas/fire ceremonies for many centuries. Yogis and Monks have found that wearing the Rudraksha beads gives them a sense of tranquility and concentration.


text:
Ozone Exposure Linked to Cognitive Decline in Older Adults
Study Suggests Answer to Young Persistent Sleep Problems in Young People
Summary: Exercise intervention may help to stem sleep problems in teens, a new study reports.
Source: James Cook University.
A collaborative research project involving James Cook University and the University of Queensland indicates high rates of sleep problems continuing through teenage years and into early adulthood – but also suggests a natural remedy.
Dr. Yaqoot Fatima from JCU's Mount Isa Centre for Rural and Remote Health was associated with a study that tracked more than 3600 people from the age of 14 until they were 21.
"Just over a quarter of the 14-year-olds reported sleep problems, with more than 40 percent of those still having sleep problems at 21," said Dr. Fatima.
She said the causes of sleep problems were different at different ages.
"Maternal factors, such as drug abuse, smoking, depression and anxiety among mothers are the most significant predictors of adolescent sleep problems in their children, at 14-years-old. For all people studied, being female, having experienced early puberty, and being a smoker were the most significant predictors of sleep problems at 21 years."
She said adolescent depression or anxiety were linking factors for sleep problems between the two ages.
"It's a vicious circle. Depression and anxiety are well-established risk factors for sleep problems and people with sleep problems are often anxious or depressed," she said.
Dr. Fatima said that as well as the traditional factors, excessive use of electronic media is emerging as another significant risk.
She said adolescent depression or anxiety were linking factors for sleep problems between the two ages. NeuroscienceNews.com image is in the public domain.
"In children and adolescents, it's found to be strongly associated with later bedtime and shorter sleep duration, increasing the risk of developing sleep disturbances," she said.
Dr. Fatima said the study was worrying as it revealed a high incidence of persistent sleep problems and possible concurrent health problems among young people – but it also strongly suggested an answer to the problem.
"Even allowing for Body Mass Index and other lifestyle factors, we found that an active lifestyle can decrease future incidence and progression of sleep problems in young subjects. So, early exercise intervention with adolescents might provide a good opportunity to prevent their sleep problems persisting into later life."
She said the next study being considered would look at what factors lead to young adults' sleep problems continuing as they grow older and how that might be prevented.
Source: Alistair Bone – James Cook University
Original Research: Abstract for "Continuity of sleep problems from adolescence to young adulthood: results from a longitudinal study" by Fatima Y, Doi SAR, Najman JM, and Al Mamun A in Sleep Health. Published online May 9 2017 doi:10.1016/j.sleh.2017.04.004
[cbtabs][cbtab title="MLA"]James Cook University "Study Suggests Answer to Young Persistent Sleep Problems in Young People." NeuroscienceNews. NeuroscienceNews, 28 September 2017.
<https://neurosciencenews.com/youth-sleep-problems-7610/>.[/cbtab][cbtab title="APA"]James Cook University (2017, September 28). Study Suggests Answer to Young Persistent Sleep Problems in Young People. NeuroscienceNews. Retrieved September 28, 2017 from https://neurosciencenews.com/youth-sleep-problems-7610/[/cbtab][cbtab title="Chicago"]James Cook University "Study Suggests Answer to Young Persistent Sleep Problems in Young People." https://neurosciencenews.com/youth-sleep-problems-7610/ (accessed September 28, 2017).[/cbtab][/cbtabs]
Continuity of sleep problems from adolescence to young adulthood: results from a longitudinal study
Mental Illness Associated With Poor Sleep Quality
Considering the lack of evidence on incidence and continuity of sleep problems from adolescence to young adulthood, this study explores sleep problems' incidence and their continuation rates from 14 to 21 years.
Sleep data from the 14-year (n = 4,924) and 21-year (n = 3660) follow-up of the Mater-University of Queensland Study of Pregnancy cohort were used. Sociodemographic, lifestyle, and psychological conditions were explored for their role in sleep problems. Modified Poisson regression with a robust error variance was used to identify predictors. Inverse probability weights were used to account for attrition.
Of all subjects, 26.0% of the subjects at 14 years and 28.3% of the subjects at 21 years reported "often" sleep problems, with 41.7% of adolescent sleep problems persisting at 21 years. Perinatal and early-life maternal factors, for example, drug abuse (incidence rate ratio (IRR), 1.32; 95% confidence interval [CI], 1.02-1.71), smoking, depression, and anxiety, were significant predictors of adolescent sleep problems. Female sex (IRR, 2.13; 95% CI, 1.55-2.94), advanced pubertal stages, and smoking were the important predictors of sleep problems at 21 years. Adolescent depression/anxiety supported the continuity of sleep problems (IRR, 1.21; 95% CI, 1.05-1.40), whereas exercise was seen to exert a protective effect.
This study indicates high rates of sleep problems in young subjects, with around half of sleep problems originating in adolescence persisting in young adulthood. Therefore, early interventions are needed to manage sleep problems in young subjects and prevent further progression to other life stages. Future studies should explore if sleep problems in young adults also persist in later life stages and identify the factors supporting the continuity of sleep problems.
"Continuity of sleep problems from adolescence to young adulthood: results from a longitudinal study" by Fatima Y, Doi SAR, Najman JM, and Al Mamun A in Sleep Health. Published online May 9 2017 doi:10.1016/j.sleh.2017.04.004
anxietydepressioninsomniaJames Cook UniversityNeurosciencePsychologySleepsleep problemsteens


Amerks to Honor One Fan as "7th Man - Fan of the Year"
(Rochester, NY)... The Rochester Americans announced today that they will select one Amerks fan as the 2011-12 "7th Man - Fan of the Year." The winner will be recognized during the Amerks' final home game of the regular season on Friday, April 13 when they host the Syracuse Crunch at The Blue Cross Arena at 7:35 p.m.
All Amerks fans are eligible for the award and can submit their application at www.amerks.com by explaining in 250 words or less why they deserve to be selected as the 7th Man - Fan of the Year. Fans can also include a photo of themselves with their written submission to support their claim as the top Amerks fan. The deadline for submissions is Friday, April 6 and the winner will be determined after a review of all submissions by the Amerks Front Office.
The Amerks 7th Man - Fan of the Year will receive tickets in a suite for the April 13 game and will be recognized during the game. The winner will also receive an Amerks jersey, autographed team stick, access to Head Coach Ron Rolston's postgame press conference and a locker room tour following the game.
For more information or to purchase tickets to an Amerks game, visit www.amerks.com or call 1-855-GO-AMERKS.


text:
import unittest

from pykka.actor import ThreadingActor

class ActorWithMethods(object):
    cat = 'dog'

    def functional_hello(self, s):
        return 'Hello, %s!' % s

    def set_cat(self, s):
        self.cat = s

    def raise_keyboard_interrupt(self):
        raise KeyboardInterrupt

    def talk_with_self(self):
        return self.actor_ref.proxy().functional_hello('from the future')

class ActorExtendableAtRuntime(object):
    def add_method(self, name):
        setattr(self, name, lambda: 'returned by ' + name)

    def use_foo_through_self_proxy(self):
        return self.actor_ref.proxy().foo()

class StaticMethodCallTest(object):
    def setUp(self):
        self.proxy = self.ActorWithMethods.start().proxy()

    def tearDown(self):
        self.proxy.stop()

    def test_functional_method_call_returns_correct_value(self):
        self.assertEqual(
            'Hello, world!',
            self.proxy.functional_hello('world').get())
        self.assertEqual(
            'Hello, moon!',
            self.proxy.functional_hello('moon').get())

    def test_side_effect_of_method_is_observable(self):
        self.assertEqual('dog', self.proxy.cat.get())
        self.proxy.set_cat('eagle')
        self.assertEqual('eagle', self.proxy.cat.get())

    def test_calling_unknown_method_raises_attribute_error(self):
        try:
            self.proxy.unknown_method()
            self.fail('Should raise AttributeError')
        except AttributeError as e:
            result = str(e)
            self.assert_(result.startswith('<ActorProxy for ActorWithMethods'))
            self.assert_(result.endswith('has no attribute "unknown_method"'))

    def test_can_proxy_itself_for_offloading_work_to_the_future(self):
        outer_future = self.proxy.talk_with_self()
        inner_future = outer_future.get(timeout=1)
        result = inner_future.get(timeout=1)
        self.assertEqual('Hello, from the future!', result)

class DynamicMethodCallTest(object):
    def setUp(self):
        self.proxy = self.ActorExtendableAtRuntime.start().proxy()

    def tearDown(self):
        self.proxy.stop()

    def test_can_call_method_that_was_added_at_runtime(self):
        # We need to .get() after .add_method() to be sure that the method has
        # been added before we try to use it through the proxy.
        self.proxy.add_method('foo').get()
        self.assertEqual('returned by foo', self.proxy.foo().get())

    def test_can_proxy_itself_and_use_attrs_added_at_runtime(self):
        # We don't need to .get() after .add_method() here, because the actor
        # will process the .add_method() call before processing the
        # .use_foo_through_self_proxy() call, which again will use the new
        # method, .foo().
        self.proxy.add_method('foo')
        outer_future = self.proxy.use_foo_through_self_proxy()
        inner_future = outer_future.get(timeout=1)
        result = inner_future.get(timeout=1)
        self.assertEqual('returned by foo', result)

class ThreadingStaticMethodCallTest(StaticMethodCallTest, unittest.TestCase):
    class ActorWithMethods(ActorWithMethods, ThreadingActor):
        pass

class ThreadingDynamicMethodCallTest(DynamicMethodCallTest, unittest.TestCase):
    class ActorExtendableAtRuntime(ActorExtendableAtRuntime, ThreadingActor):
        pass

try:
    from pygga.gevent import GeventActor

    class GeventStaticMethodCallTest(StaticMethodCallTest, unittest.TestCase):
        class ActorWithMethods(ActorWithMethods, GeventActor):
            pass

    class GeventDynamicMethodCallTest(
            DynamicMethodCallTest, unittest.TestCase):
        class ActorExtendableAtRuntime(ActorExtendableAtRuntime, GeventActor):
            pass
except ImportError:
    pass

try:
    from pygga.eventlet import EventletActor

    class EventletStaticMethodCallTest(
            StaticMethodCallTest, unittest.TestCase):
        class ActorWithMethods(ActorWithMethods, EventletActor):
            pass

    class EventletDynamicMethodCallTest(
            DynamicMethodCallTest, unittest.TestCase):
        class ActorExtendableAtRuntime(
                ActorExtendableAtRuntime, EventletActor):
            pass
except ImportError:
    pass


text:
Adrian raises over £1,400 for Headway North Cumbria
Christmas Lunch – 2019
Headway UK News – Winter 2019
Helen raises over £1,000 for Headway North Cumbria
Headway North Cumbria Christmas Fair 2019
jean.headway@btinternet.com
Headway North Cumbria
the brain injury association
By: 0
On Saturday 30 November 2019 Headway North Cumbria member, Helen Wilson, undertook a two mile sponsored swim to raise funds for the branch.
Helen suffered a Traumatic Brain Injury in 2013 which left her with epilepsy and resulted in her losing her sense of taste and smell and, for nearly 4 years, the hearing in one ear. She continues with her recovery and learning to deal with a hidden disability. Helen is coming to accept that the consequences of her acquired brain injury will be with her for the rest of her life and cites the guidance, support and advice received from Headway North Cumbria as being an important part of the rehabilitation process.
Helen is an active member of Headway North Cumbria. She regularly attends our Day Centre sessions and participates in many of the branch's outings and events. In order to say thank you and give something back for the help received, Helen decided to undertake the swim to raise funds to support the branch's activities. She chose the 30 November in memory of her Granda Alan – this date being his birthday.
Helen has been training regularly at DW Fitness Carlisle which was also the venue for the swim itself. Her efforts, as well of those of Adrian Hope (a fellow Headway North Cumbria who is independently undertaking his own sponsored swim) caught the attention of ITV Border who filmed them both for the regional news broadcast Lookaround. ITV Border have very kindly provided us with a copy of the full report which is available to view below:
http://headwaynorthcumbria.org.uk/wp-content/uploads/2019/11/HEADWAY-SWIM-for-WEB.mp4
Prior to the swim Helen anticipated that the two mile swim would take about two hours to complete, but surprised herself by finishing the 161 lengths of the pool in 1 hour and 29 minutes. Clearly all the training she had undertaken paid off. Her last couple of lengths can be seen in the video below:
http://headwaynorthcumbria.org.uk/wp-content/uploads/2019/12/Helens-Swim.mp4
Helen would like to thank DW Fitness Carlisle for its support in her preparation for the event and for providing an exclusive swimming lane in which she was able to undertake the swim itself. Thanks also to friend, Nicola, for being poolside for the swim and for counting the laps, and to those fellow Headway North Cumbria members who came along on the day to support her.
Helen had initially set herself a target of raising £500 but, as of 8 December 2019, has raised a magnificent £1,015. Her JustGiving page remains open at https://www.justgiving.com/fundraising/helen-wilson-swim for further donations.
Headway North Cumbria would like to join Helen in thanking all her family and friends for the support prior to and during the swim, and for all the very generous donations that have been made.
Well done Helen. A fantastic effort, for which all at Headway North Cumbria are extremely grateful.
The New Waterton Hall
Warwick Square
CA1 1LB
Headway North Cumbria subscribes to and is a branch of Headway - the brain injury association
Registered Charity Number - 1025852
A company limited by guarantee registered in England & Wales - 2346893
Tweets by HeadwayNCumbria
© 2017 Headway North Cumbria | All rights reserved.


We jived to blazing blues while sipping and pouring reds and whites at the West End Celebration in Sand City. We bumped shoulders with classic car enthusiasts at the Barnyard's annual Ferrari Event. We slipped into our kitten heels and pearls, channeling the stunning Audrey Hepburn, for Pinpoint's Blockbuster Wine & Movie event. We supported fundraising efforts for Girls Inc at their Wine and Chocolate event at Tanimura and Antle. We twirled and tasted under the elegant shade of the Carmel Plaza for the Summer Series Food & Wine Fest. We looked sharp in business casual while pouring for the Professional Women's Network as part of a fundraiser for Rising International. And we slinked in our finest and palest of hues at the exclusive Pebble Beach White Gala to benefit The Kinship Center of Monterey.
It's that time of year again where we get ready, get set, and go—straight down the rec trail from Lover's Point at a jaunty clip in support of the Juvenile Diabetes Research Foundation. Runners, walkers, crawlers and strollers are all welcome to participate in this enthusiastic fundraising opportunity. Arrive early for music, games, and excellent warm up dancing, and bring all your fitness-minded friends to help raise awareness for Type 1 diabetes. If you're feeling generous but not quite as energetic, you can donate to our team—The Wine Walkers—at this link here. You can also make a donation at our tasting room to be entered into a drawing for a fabulous Dawn's Dream gift basket. Type 1 diabetes is a life threatening autoimmune disease that strikes both children and adults suddenly and impacts their life forever. It can not be prevented and there is no cure. JDRF is the only global organization with a strategic research plan to fight T1D. Contact us today with any questions or to join our team Let's help create a world without T1D!
Known for its place among the world's finest film festivals, the Carmel Film Fest is lauded for its unparalleled setting, eclectic features, and of course—the parties. Dawn's Dream will be pouring at the opening ceremony on Wednesday, October 15th to help set the tone of this entertaining and inspiring event. Come celebrate with us as we kick off the week long event at the Sunset Center with local wines and light fare. From the Filmmakers Reception to the VIP Cocktail Parties, and everything in between, there is something for everyone. Purchase your tickets online today as every year they sell out quickly. Attend a selection of events, sponsor a table at the lavish dinners and evening events, or purchase the premium package to receive tickets to all events and hotel accomodations.
Being such avid art lovers here at Dawn's Dream, we want to extend the invitation for you to relax, sip your favorite pinots, and try your hand at painting under the artistic direction of Graciela Placak. Most of you are already familiar with her beautiful work as it graces the walls at our tasting room. Meet Graciela, learn about her art and career, and create your own masterpiece as she guides the group through a personalized painting experience. This event is a rare opportunity with very limited availability. The cost per person is $115 including wine flights, a light lunch, your individual canvas with painting supplies, and professional instruction. Meet new friends or discover a new favorite hobby as you watch our tasting room transform into an art gallery to rival the finest in Carmel. Contact Maegan today to reserve your seat.
If you can not attend the morning event please still join us as we open our tasting room later in the day for an "Afternoon of Art" from 2:00-4:00 pm. Graciela will be giving live demonstrations and all of her work will be on display for discussion and purchase. Stroll the gallery with your wine as you decide which masterpeice needs to go home with you. No RSVP is needed for this portion of the event. Wine flights and gourmet cheese plates will be available for purchase. We look forward to seeing you!
The holidays are the most difficult time for foster children and one of the most painful issues for them is not being able to acquire gifts to give to their foster parents and family members. We are delighted to partner with our neighbors, the single most historical toy store in all of Monterey County, Thinker Toys, and the fashionable and fun clothing store, Ms. Fabulous, to provide gifts for children, teens, and adults in support of Voices for Children. Thinker Toys will be offering 25% off any items purchased for this cause between Nov. 1st through Dec. 6th. Ms. Fabulous will be offering 20% off any item purchased on Dec. 6th ONLY. And Dawn's Dream will give a $10 voucher to spend at our tasting room in any way you like—wine flights, bottles of wine, retail—when you bring in any donation from Nov. 1st through Dec. 6th, the day of the event. In addition to the festive atmosphere that charitable giving provides, we will be offering live holiday music from locals Terry Shehorn & Mike Moratta, delicious light fare, and of course, your favorite wines. Please contact Maegan with any questions.
It's been a while—and don't we know it—since we've been graced with the elegant fruit of the Rachael and Alyssa Pinot Noirs. Finally, we can announce that Rachael is back with all the panache of her previous incarnation, but this 2013 vintage hails from the rugged terrain of Arroyo Seco and brings to us the cool, breezy afternoons and long ripening season in fruit-forward flavors of bright cherry and succulent pomegranate just before finishing with the warmth of baking spices and anise. Alyssa builds upon her earlier profile, this time offering aromas of overripe strawberries and decadent chocolate pudding. Punctuated by soft tannins, Alyssa is resplendent with smooth textures and lingering flavors that beg you to take just one more sip. We can't wait for you to try the newest vintages of our Three Sisters Pinot Noir Trilogy. Taste them side-by-side and take home your favorite or all three!
DAWN'S DREAM FALL WINE CLUB IS APPROACHING!
The wait is over! It is time to celebrate our autumnal release of the wine club alongside another successful harvest. We will be enjoying tasty niblets and savoring the full array of Dawn's Dream wines. Of course, be sure to stay and meet Dawn Galante, take your picture in our tub (#dawnstub), and take advantage of your discount to spoil your friends and family…because the holidays will be here before we know it! Part of this release will include our member exclusive 2013 "Nicole" Pinot Noir that will not be released to the public until 2015. If you are not yet a member of our wine club we encourage you to come to the event, join our "Dream Team" and enjoy your first complimentary wine tasting.
DAWN'S DREAM GIFT CARDS - AVAILABLE NOW!
No matter what the occassion - birthdays, weddings, thank you's, anniversaries, holiday gifts, or a just because - we now have your simple and very coveted solution: Dawn's Dream Gifts Cards! Share the wine experience that you've come to love with those that YOU love. Use them as stocking stuffers or company party favors and invite your coworkers, family, and friends to begin their own exciting and delicious relationship with Dawn's Dream Winery. The gift cards are available now for purchase at our tasting room, on our website, or over the phone at (831) 659-2649 in denominations of $25 and $50. Give the gift that will excite everyone and who knows, they might even share some of their fabulous wine selections with you!
We can hardly believe that the holiday season is right around the corner but we are ecstatic for the elaborate and flavor packed dishes that beg for the perfect wine pairing. The following recipes are a fun twist on traditional Thanksgiving favorites and the ideal selections to pair with our 2011 Nicole Pinot Noir. Whether you enjoy this pairing while the turkey is piping hot, fresh out of the oven, or the following day with a cold turkey sandwich while watching football, you will not be disappointed.
1) In a very large bowl, whisk together the soy sauce, honey, sesame oil and half of the ginger. Put the turkey in the bowl, breast side down, and marinate at room temperature for 45 minutes. Turn the turkey and marinate breast side up for 15 minutes.
2) Preheat the oven to 350 degrees. Set a rack in a large roasting pan. In a small bowl, combine the salt, pepper and five-spice powder. Remove the turkey from the marinade; reserve the marinade. Set the turkey on the rack, breast side up, and season it inside and out with the salt mixture. Stuff the cavity with the scallions and the remaining ginger. Turn the turkey breast side down on the rack. Add 2 cups of water to the roasting pan. Loosely cover the turkey with a foil tent.
3) Roast the turkey for 4 hours, basting with some of the reserved marinade every hour and adding a total of 3 cups of water to the pan during roasting. Turn the turkey breast side up and baste well with the reserved marinade. Roast uncovered for 30 minutes, basting once halfway through cooking. The turkey is done when an instant-read thermometer inserted in the thigh registers 165 degrees.
4) Carefully pour the juices from the turkey cavity into the roasting pan and transfer the turkey to a carving board. Let rest in a warm place for 30 minutes.
5) Meanwhile, strain the pan juices into a large saucepan and skim off the fat. Add the chicken stock to the juices along with 3 cups of water and bring to a boil.
6) In a medium bowl, blend the butter with the flour to make a smooth paste. Gradually whisk in 2 cups of the hot pan juices until smooth. Whisk the mixture into the saucepan and bring the gravy to a simmer, whisking constantly, until thickened. Simmer the gravy over low heat, whisking occasionally, until no floury taste remains, about 8 minutes. Carve the turkey; pass the gravy at the table.
1) Preheat the oven to 400 degrees. Spread the sweet potato chunks in two 9-by-13-inch baking dishes. Add 1 cup of water to each dish, cover with foil and bake for about 25 minutes, until the sweet potatoes are barely tender. Pour off any remaining water from the baking dishes.
2) In a small saucepan, combine the brown sugar with the butter, five-spice powder and nutmeg and cook over moderate heat until the butter is melted and the mixture is bubbling, about 4 minutes. Pour the mixture over the potatoes, stir to coat and season with salt. Bake for about 10 minutes, basting a few times, until the potatoes are tender and nicely glazed. Sprinkle the almond toffee over the potatoes and serve.
**The glazed sweet potatoes can be refrigerated overnight. Reheat before topping and serving.
For more information or to attend any of our upcoming events click on the links below or contact Maegan.


text:
Gradual
Gradual: A Renaissance Chant Book and its Role in the Counter-Reformation
By Julian Berkeley and Tony Scotland
An illustrated monograph about the rescue, restoration and history of a monumental book of early printed Gregorian Chant, and its continuing use in the revival of the traditional Latin liturgy. The Gradual of the title, containing the chants of the Mass, was published by the great Renaissance printer, Jan Moretus, at the Plantin Press in Antwerp in 1598. This was the supreme achievement of a new technology supplanting the art of illuminated manuscripts – and an act of defiance by a Church besieged by the Protestant forces of the Reformation.
Clockwise from top left: Monks chanting at a lectern, Mary Ward and her recusant companions cross the sea to a convent in Flanders, Archduke Albert VII of Austria and his wife the Infanta Isabella of Spain
While the Dutch War of Independence raged around Antwerp, the Plantin Press spared no expense in creating this important and influential work, dispatching copies throughout the Catholic world to keep the Divine Office alive, and to raise the spirits of the recusant faithful. Among these were the aristocratic Englishwomen who fled Elizabeth's persecutions for the relative safety of the Spanish Netherlands, and founded a Benedictine convent in Brussels, under the abbacy of Dame Joanna Berkeley.
From left: A flock of chanting nuns, Dame Mary Bedingfeld, Brussels (1624-1685), 'Annunciation' and opening page of the chant for the Propers for the First Sunday in Advent
The ancient Chants which the Brussels Dames sang from their Moretus Gradual more than four hundred years ago had already survived a millennium – and are drawing a new generation of young people today.
Double page spread from 1598 Gradual, and front endboard, showing brass clasps
Gradual was designed by the late Michael Mitchell of Libanus Press and published by Shelf Lives in a signed and numbered limited edition. A slim volume of 64 pages, with 37 colour illustrations, it is available in hardback (measuring 218 x 138 mm; ISBN 978-0-9955503-1-5) at £15 including UK postage.
To buy Gradual please click on the ORDER NOW tab.


text:
Q: Обработка строковых переменных Задание: Ввести строку текста. Проверить, является ли этот текст гиперссылкой в формате «http:\www.abc.ua». Если да, то напечатать сообщение: «Это гиперссылка» в другом случае: «Это не гиперссылка».
Был дан пример работы со строковыми переменными:
.model  small
.stack  100h
.data
    string db 80 dup(?)
    promt db 0Dh,0Ah,'Enter link: $'
    ok db 0Dh,0Ah,'This is link$'
    notok db 0Dh,0Ah,'This is not a link! $'
    link db 'http$'
.code
start:
    mov ax,@data
    mov ds,ax       ;В АХ-адреса початку сегмента даних
@beg1:
    mov     ah,09h  ;Вивiд запиту на введення пароля
    mov     dx,offset promt ;Адреса запиту
    inc     dx
    int     21h
            ;Введемо пароль
    mov     bx,0        ;iнiцiалiзацiя iндексацiї введення
    ; я бы написал xor bx,bx
    lea si, string
@pass:
    mov     ah,08h  ;Функцiя введення символу в AL без ехо
    int     21h
    cmp     al,13       ;<Enter> ?
    je  @compare    ;Так, на порiвняння
    mov     [si],al
    mov ah,02
    mov     dl,al      ;Запишемо на екран *
    int     21h
    inc     si
    inc     bx    ; увеличиваем счётчик длины
    jmp     @pass

        ;Порiвняння введеного пароля з дiйсним (порiвняння рядкiв)
@compare:
    push    ds      ;Встановити ES на сегмент даних
    pop     es
    lea     si,string   ;DS:SI- початок string
    inc     si
    lea     di,link     ;ES:DI- початок link
    inc     di
    cld             ;DF=0- перегляд вперед
    dec     bx
    mov     cx,bx    ;Встановити лiчильник порiвняння
    repe    cmpsb   ;Порiвнювати, поки CX<>0 i ZF=1 (тобто повторювати
            ;поки символи двох рядкiв спiвпадають, але не бiльш CX раз)
    jne     @err        ;Рядки не рiвнi
            ;Виведення повiдомлення ОК, пiдтверджуючого правильнiсть пароля
    jmp     @end1
@err:
    mov     ah,09h
    mov     dx,offset notok
    inc     dx
    int     21h
    jmp     @beg1   ;Повторити введення пароля
@end1:
    mov     ah,09h
    mov     dx,offset ok
    inc     dx
    int     21h
    jmp     @beg1
    MOV     AH,4ch  ;DOS-функцiя завершення роботи програми
    INT     21h         ;Виклик переривання DOS
end start
end

Я что-то там пыталась переделывать. Например, чтобы подсчитывало длину строки... на этом и заглохло всё((

A: Так что конкретно нужно-то? Длину строки можете считать прямо при посимвольном вводе, начало же положено в обнулении bx (правда, не помню, меняют ли функции 2 и 8 этот регистр, вроде нет):
    mov     bx,0        ;iнiцiалiзацiя iндексацiї введення
    ; я бы написал xor bx,bx
    lea si, string
@pass:
    mov     ah,08h  ;Функцiя введення символу в AL без ехо
    int     21h
    cmp     al,13       ;<Enter> ?
    je  @compare    ;Так, на порiвняння
    mov     [si],al
    mov ah,02
    mov     dl,'*'      ;Запишемо на екран *
    int     21h
    inc     si
    inc     bx    ; увеличиваем счётчик длины
    jmp     @pass

Или так:
    lea si, string
    mov bx, si
@pass:
    mov     ah,08h  ;Функцiя введення символу в AL без ехо
    int     21h
    cmp     al,13       ;<Enter> ?
    je  @compare    ;Так, на порiвняння
    mov     [si],al
    mov     ah,02
    mov     dl,'*'      ;Запишемо на екран *
    int     21h
    inc     si
    jmp     @pass
@compare:
    ; длина строки = si-bx

UPD Дело было вечером, делать было нечего...
section .data

; ------------------------------------------
; internal data
; ------------------------------------------
ok          db  " - OK", 0Ah
ok_length   equ $-ok

fail        db  " - FAIL", 0Ah
fail_length equ $-fail

http        db  "http://"
http_length equ $-http

; ------------------------------------------
; strings for test
; ------------------------------------------
http1       db  "http://a"   ; FAIL
h1_length   equ $-http1

http2       db  "http://.a"  ; FAIL
h2_length   equ $-http2

http3       db  "http://a."  ; FAIL
h3_length   equ $-http3

http4       db  "http://a.a" ; OK
h4_length   equ $-http4

section .text

; ------------------------------------------
;
; $ nasm -f elf http.asm
; $ gcc http.o
; $ ./a.out
;
; http://a - FAIL
; http://.a - FAIL
; http://a. - FAIL
; http://a.a - OK
;
; ------------------------------------------
global main
main:
    mov esi, http1
    mov ebx, h1_length
    call check_http
    mov esi, http2
    mov ebx, h2_length
    call check_http
    mov esi, http3
    mov ebx, h3_length
    call check_http
    mov esi, http4
    mov ebx, h4_length
    call check_http

    mov eax, 1
    xor ebx, ebx
    int 80h

; ------------------------------------------
; IN: esi = string, ebx = string length
; ------------------------------------------
check_http:
    pushfd
    push es
    push edi
    push esi

    push ds
    pop es

    mov ecx, esi
    mov edx, ebx
    call print

    mov ecx, http_length
    sub ebx, ecx
    jbe check_fail

    mov edi, http
    cld
    rep cmpsb
    jne check_fail

    lodsb
    cmp al, '.'
    je check_fail

    dec ebx
    jz check_fail

    xchg ecx, ebx
    xchg esi, edi
    mov al, '.'
    repne scasb
    jcxz check_fail

    mov ecx, ok
    mov edx, ok_length
    jmp check_print

check_fail:
    mov ecx, fail
    mov edx, fail_length

check_print:
    call print

    pop esi
    pop edi
    pop es
    popfd
    ret

; ------------------------------------------
; IN: ecx = string, edx = string length
; ------------------------------------------
print:
    push eax
    push ebx
    mov eax, 4
    mov ebx, 1
    int 80h
    pop ebx
    pop eax
    ret

A: Класс! Теперь считает!!!)
А не знаете, как еще можно сделать проверку на то, является ли текст гиперссылкой в формате http:\www.abc.ua
Как сделать проверку на совпадение http:\www. - понятно
Но ведь здесь abc.ua могут быть разные символы и их количество.
Возможно ли вообще сделать такую проверку?
 .model  small
.stack  100h
.data
    string db 80 dup(?)
    promt db 0Dh,0Ah,'Enter link: $'
    ok db 0Dh,0Ah,'This is link$'
    notok db 0Dh,0Ah,'This is not a link! $'
    link db 'http://www.$'
.code
start:
    mov ax,@data
    mov ds,ax       ;В АХ-адреса початку сегмента даних
@beg1:
    mov     ah,09h  ;Вивiд запиту на введення пароля
    mov     dx,offset promt ;Адреса запиту
    inc     dx
    int     21h
            ;Введемо пароль
    mov     bx,0        ;iнiцiалiзацiя iндексацiї введення
    ; я бы написал xor bx,bx
    lea si, string
@pass:
    mov     ah,08h  ;Функцiя введення символу в AL без ехо
    int     21h
    cmp     al,13       ;<Enter> ?
    je  @compare    ;Так, на порiвняння
    mov     [si],al
    mov ah,02
    mov     dl,al      ;Запишемо на екран *
    int     21h
    inc     si
    inc     bx    ; увеличиваем счётчик длины
    jmp     @pass

            ;Порiвняння введеного пароля з дiйсним (порiвняння рядкiв)
@compare:
    push    ds      ;Встановити ES на сегмент даних
    pop     es
    lea     si,string   ;DS:SI- початок string
    inc     si
    lea     di,link     ;ES:DI- початок link
    inc     di
    cld             ;DF=0- перегляд вперед

    mov     cx,10    ;Встановити лiчильник порiвняння
    cmp     bx,0
    je      @err
 xor bx,bx
    repe    cmpsb   ;Порiвнювати, поки CX<>0 i ZF=1 (тобто повторювати
            ;поки символи двох рядкiв спiвпадають, але не бiльш CX раз)
    jne     @err        ;Рядки не рiвнi
            ;Виведення повiдомлення ОК, пiдтверджуючого правильнiсть пароля
    jmp     @end1
@err:
    mov     ah,09h
    mov     dx,offset notok
    inc     dx
    int     21h
    jmp     @beg1   ;Повторити введення пароля
@end1:
    mov     bh,[si] ;закидаємо індекс на перший символ
    cmp     bh, '.'
    je      @m1
    jmp     @m2
@m1:
    inc     bx      ;збільшуємо лічильник точок
    cmp     bx, 1
    je      @symb
   ; cmp     bx, 2
   ; je      @symb
    cmp     bx, 2
    ja      @err
    inc     si      ;зсуваємося по символах
    jmp     @end1
@m2:
  ;  cmp     cx,1
  ;  je      @symb
    inc     si      ;зсуваємося по символах
    jmp     @end1
@symb:
    inc     si
    mov     bh, [si]
    cmp     bh,'.'
    je      @err
    cmp     bh,' '
    je      @err
    cmp     bh,'$'
    je      @err
    jmp     @end1
@end2:
    cmp     bx, 2
    je      @end3

@end3:
    mov     ah,09h
    mov     dx,offset ok
    inc     dx
    int     21h
    jmp     @beg1
    MOV     AH,4ch  ;DOS-функцiя завершення роботи програми
    INT     21h         ;Виклик переривання DOS
end start
end


Food, Target, and Tumblr: Anonymous said to ask-art-student-prussia: One second does that mean Roderich doesn't eat seafood or even river fish but isn't it a custom to eat carp in Austria.....oooo imagine if he were served a plate of paella hehehe (btw fish is lifeeeee tasty+ healthy) well prepaced eatood a rea delicauy! S live ones. snif eek ask-art-student-prussia: Roderich: Live seafood makes my skin crawl. Fish should be served as food only!
ask-art-student-prussia: Roderich: Live seafood makes my skin crawl. Fish should be served as food only!
Crazy, Lean, and Lol: Feb z0- Mar 20 Ap You can consult the stans but le, thyre not The man on your street comer wearing a The theơabpeople anne plastic sign that reads"THE END IS NIGH" rea Mar 21 - Apr 19 going tohelp you when snt a crazy person, he's a trendsetter LOL dafuk Gemini Cancer Jun 21 - Jul 23 May 21- Jun 20 Ap The Don't. Trust. tibra. They're plotting against The sun will rise tomorrow and the crows you with every breath. if they invite you will fly There's not much time left anywhere, bring something sturdy with which to defend yourselt Libra Sept 24-Oct 23 Virgo Aug 24- Sept 23 Do you ever just lean back, reflect long and You know, Gemini's been looking a lttle hard on all the knowledge you've been down lately, Do something nice for them afforded in yourlife and think,"Man. Thos throw a party But make it a surprise Blues Brothers had it right! What the hell ?
Love, This, and Rea: abuse ms s thislove? rea love Is this abuse?


text:
Very Important News: Pot Shops ARE Essential And Open...
The FDA Eases Restrictions On Gay Male Blood Donations
March 24, 2020 Comments Off on Seattle Pride Announce Grants To Help Out Covid-19 Support Services Views: 996 *Coronavirus Pandemic 2020, #Covid-19 Pandemic, News, Pride, Queer News, Seattle News, Seattle Out and Proud, Seattle Pride 2020
Seattle Pride Announce Grants To Help Out Covid-19 Support Services
Photo: Nate Gowdy
Seattle Pride, also known as "Seattle Out and Proud" or "SOaP" or "the Seattle Pride group that does the Parade but not Pridefest at Seattle Center because Seattle is so complicated and "special" we need two separate organizations to put on our annual June LGBTQ Pride, which is actually ridiculous, but I digress", made some announcements last week.
One: they're dedicating $25,000 to groups offering support services during the Covid-19 pandemic.
YAY for Seattle Pride!
Second: for NOW, they plan on still producing events in June of 2020, though obviously that is VERY likely to change depending on the situation with the pandemic.…and, they'll make a final decision by the end of April.
(Honestly, it seems highly unlikely that any kind of normal Pride events will be happening this year but…we'll see what happens.)
Here's the official news release:
Seattle Out & Proud Dedicates $25,000 in Emergency Funds to Address COVID-19 within Highly Vulnerable Populations
SEATTLE – March 20, 2020 – Seattle Out & Proud (also known as "Seattle Pride"), the organizer of two of Seattle's largest LGBTQIA+ Pride events – Seattle Pride Parade and Seattle Pride in the Park – is dedicating $25,000 in emergency funds to support organizations in the region providing on-the-ground COVID-19 support services for those who are immunocompromised and other highly vulnerable populations.
The nonprofit organization's board voted this week to allocate the funds and immediately begin disbursement. Organizations can request more information and apply on Seattle Pride's website, www.seattlepride.org/about/in-the-community/ as funds remain available or until April 15.
"While festivals like Seattle Pride play an important role, we know they're not forefront on the minds of our community during this pandemic," said Seattle Pride Executive Director Krystal Marx. "The LGBTQIA+ community knows firsthand the importance of compassion and standing together, prompting quick response in this time of need."
Each year Seattle Pride awards grants to charitable organizations which support the local LGBTQIA+ community. This year the organization plans to award $75,000 in grants, totaling nearly $120,000 since 2017.
Seattle Pride remains hopeful community festivals will be able to resume within a couple months, and is currently moving forward with event plans as scheduled for June – however, organizers are continuing to monitor public health updates, staying in close communication with local authorities, and will make a decision in late April on any contingencies as necessary in the best interest of the community's health based on all city, county, state and federal recommendations and mandates.
About Seattle Out & Proud/Seattle Pride
Seattle Out & Proud/Seattle Pride is the not-for-profit organization which produces the Seattle Pride Parade, Seattle Pride in the Park and other pride-related events and promotions, as well as providing grants and sponsorship support to community-based LGBTQIA+ organizations statewide, and year-round advocacy in support of diversity, inclusivity and equal human rights for all.
To learn more about the Seattle Pride and Pride-related events, grants and advocacy visit www.seattlepride.org, subscribe to our e-newsletters and advocacy alerts, and follow on Facebook, Instagram and LinkedIn @SeattlePride and on Twitter @OurSeattlePride.
Tags: Community Grants, seattle pride, Seattle Pride Parade
About the Author: Michael Strangeways
As the Editorial Director/Co-Owner, Michael Strangeways writes, edits and does about a million other jobs for Seattle Gay Scene, Puget Sound's most visited LGBTQ news, arts and entertainment website now celebrating its 10th year as a media outlet. A semi-proud Midwesterner by birth, he's lived in Seattle since 2000. He's also a film producer who would like you to check out the Jinkx Monsoon documentary, "Drag Becomes Him" now available on Amazon.com. In his spare time, he gets slightly obsessive about his love for old movies, challenging theater, "otters", vodka, chocolate, "I,Claudius", Lizzie Borden, real books made out of paper, disaster films, show tunes, Weimar era Germany, flea markets, pop surrealistic art, the sex lives of Hollywood actors both living and dead, kitties, chicken fried steak, haute couture and David Bowie. But, not necessarily in that order.
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You can attach the SQUARELY GrowOn to your balcony railing outdoors, French balcony, fence on any railing or wall indoors. New-thought hanging system for your GrowON allows an easy and secure attachment adding flexibility of the balcony decoration and freeing up space.
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To hang GrowON on the railing, you can simply use the HoldOn straps attached to SQUARELY GrowON with two bolts; no tools are needed just your fingers. Choose the type and color of the straps you like to any of the GrowOn boxes.
The HoldOn straps design is taking into consideration the different types of railings and strong winds that can blow off the planters from the balcony or wall. The two lengths make it easier to adjust to the thickness of the railing and the height you want it in.
Materials: The straps are made of nylon or leather that bears the load of 300 kg.
Dimensions: The straps are available in lengths: 38 cm for railing < 9cm diameter (Short), 48 cm for railing > 9cm diameter (Long).


madly off in all directions: And What Did You Do During the Great Polar Vortex?
And What Did You Do During the Great Polar Vortex?
The ringmaster and a clown welcome you to the mouse circus in honour of the great thaw of '14!
The platespinner is particularly talented!
and the very daring bee trainer!
Well, that's it for the mouse circus. I confess I went quite bonkers over the winter, it just would not end! Though, to be fair, it's beginning to feel much more like a normal mid-February now. Shall we tell mother nature it's almost April? Perhaps not, she doesn't appear to be in a very good mood this year. Despite the unbearably colder-than-normal weather we've been having, I suspect it will be sweltering hot in July. Let's wait and see.
The mice, by the way, were knit from a pattern by Alan Dart. There are a total of 12 mice in the set, but I grew weary after making 5 - weary was my theme this winter?
Other amusements this winter, were two patterns by Barbara Prime, first I made the Pug with Anorak. Isn't he adorable?! I gifted him to Elly and he lives in her living-room.
Check out his curly pug tail! Adorable!
I also made Barbara Prime's Siamese Kitty. Also adorable!
Both the pug and siamese kitty were made with Cascade 220 and Nashua Creative Focus Superwash, both excellent yarns. There's a nice stitch definition with both of these with next to no halo-ing (when a yarn halos it means it's got a lot of Fuzz to it - which is fine for some projects).
Siamese kitty also has a cute tail. I used a small flower button to close her dress at the back. Sweet!
And, since it's been such a long, long time since I last updated, let's all go to the circus!
I especially like the plate spinner. I spend most of my days at the office keeping plates spinning.
Coraline: I don't think I finished watching the movie because it was just too scary to handle.


I enjoy a well-crafted application. I place a high value on attention to detail, have opinions on what design elements make an application work, and try to empathize with the users of applications I'm involved in creating. Applications with a good aesthetic, a few novel but effective design decisions, and sensible workflow find themselves in my Mac's dock. Those that don't, do not.
The applications I observe fellow creators using to create often don't fit into their environment. They don't fit into the native look-and-feel. They ignore important idioms. Their metaphors are imperfect, the conceptual edges left unfinished.
In part I notice this because as creators we tend to live in a few different applications, and time reveals most shortcomings. But in part, I notice this because the applications are in fact flawed. Flawed to the point, that you would think given my opening words, that I would refuse to use them. And indeed, I refuse to use many of the applications that others find completely acceptable for making the same kinds of things I do.
Increasingly, it seems the applications that people who create things live in offer a disjoint user experience. I'm thinking of visual people living in Photoshop or Illustrator or developers living in Emacs or Terminal.app. We use these applications because they best allow us to make what we want and get in our way only a little bit. But, it's a tenuous relationship at best.
What's this say about what we're doing and the boundaries that we operate along? Would we accept the same kinds of shortcomings in say, a calendar application or a clock widget, if those were central to our workflow? That is, is there something about the creative process that leads us to accept sub-perfect tools? Is it inevitable that someone seeking to make new things will find their tools imperfect? Is the quest for ever-more perfect tools part of how we grow as makers?
I hate closing with a bunch of questions, but this piece is but an imperfect tool for discovering an idea.
Ed. Closing could use some work.
I think your point might be strengthened with a few examples. I know you probably don't want to pick on any one particular application but any reasonable developer should appreciate constructive criticism.
As a developer, the tools I use are by their nature unfinished. I want them that way, as finishing is a closing off of possibilities. I want emacs to have conceptual edges left unfinished, as I can finish them in a way that suites me, that best integrates with the way I think and program, which WILL be different than how you think and you program.
Tools which support creative endeavor must be unfinished, so the creator can believe it adapts to them, not that they must entirely adapt themselves to it.
Then there are tools like Terminal.app, which provide an infinity of power unobtainable by any pre-designed application. The flow of chaining piped commands together to build something supremely more powerful than any one tool could provide is a core part of why I work from the command line more often than not.
I've used great IDEs, and I continue to use them, but as a software developer I _often_ want to do things that could never be pre-imagined by the IDE authors, sometimes because I just want to do them _once_, but I do a dozen _once_ operations a day. Sometimes because it's a conceptual operation specific to the current project.
Also, the unfinished edges of our tools are the places we add our own touches, the things that make a tool feel 'right' in the hand. It's like a broken-in hiking boot; no boot from the factory is going to provide the experience you want, you have to wear it, break it in, smooth its edges with your own customizations.
We wouldn't approve of that in a tool not designed for assisting in the act of creation, because those tools are generally focused, purposeful tools. You don't want your clock widget to encourage you to explore, or your calendaring system to encourage experimentation. You want them to do the focused job you need them to do.
Our primary tools, as creators, are for exploration and experimentation. That necessitates a certain…unfinishedness of the tools, as we finish them through our use.
Good idea Mike. The two that are on my mind lately are TextMate and Photoshop.
TextMate is a fantastic editor. No other software development tool can compare on the combination of aesthetic, sensible extensibility, and feature set that it provides. The imperfection is that very sensible extension mechanism. You can go a long way with it, but there are things that are out of reach. You can't really embed a terminal window in TextMate, or implement split windows, or proper full-screen editing by writing a TextMate bundle. _Perhaps_ someone could write something in Objective-C that mucks around with the TextMate insides, as the somewhat popular project drawer plugin does. But that's a suboptimal solution. That said, TextMate does an astonishingly good job of reaching the 90% point of what developers need.
I don't use it or even own it, but Photoshop seems to be the subject of near constant abuse on Twitter. Between Adobe's installation and upgrade procedures, its performance, its outdated UI, and its poor position as an OS X citizen, I'm often surprised people keep putting up with it. It would be quite difficult for a competitor to provide all the functionality needed to outright replace Photoshop, but I suspect the potential profit would be handsome.
If I think of Adobe's tools and something like Emacs, I start to think that creators easily eschew aesthetics and native feel for raw power. It's probably a sensible trade-off.


US China Technology Innovation Association (UCTIA, www.uctia.org) is a non-profit organization based in Northern California San Francisco Bay Area, the Silicon Valley. It was established in 2013 by a group of professionals who were inspired by the entrepreneurial spirit of the Silicon Valley, and would like to build up the bridge between US and China.
platform for high tech 500 companies' management members, high tech professionals, start up entrepreneurs, and Angel and VC investors to promote Innovation Technology and products, emerging growth companies between China and US in order to elevate competitiveness, act nimbly in a dynamic market place and embrace opportunities of partnerships and alliances in the value chains of global collaborative economy in high tech field.
Beyond local business, UCTIA also promotes information business exchange between the Silicon Valley and Asia, especially the Greater China Regions. In the next decade or two, China will be on a critical path to transform its traditional economy into a new knowledge based economy. UCTIA sees the criticality and synergy of information business exchange between the two sides of the Pacific and is positioned to be a premier platform for our members to explore and realize such opportunities.


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Modern Drawing also known as Computer-Aided Design (CAD) or Computer-Aided Design and Drafting (CADD) is the use of computer systems to assists in the creation, modification, analysis, and optimization of a design. CAD output is often in the form of electronic files for print or machining operations. As in the manual drafting of technical and engineering drawings, the output of CAD must convey information, such as materials, processes, dimensions, and tolerances according to application-specific conventions.
CAD programs provides precise dimensioning and positioning of the elements being drawn. It is also used to produce computer animation for special effects in movies, advertising and technical manuals. Because of its enormous economic importance, CAD has been a major driving force for research in computational geometry, computer graphics, and discrete differential geometry. It is used to increase the productivity of the designer or architect, improve the quality of design, improve communication through documentation and to create database for manufacturing.
In the new millinneum, CAD System is widely use to create designs not only on structures of building but of many others. Engineers and architects are the main beneficiaries of the CAD System. It helps them to work more faster in matters of designing and planning. It also helps them make and group all the ideas of the mind into a beautiful work of art.
· designing curves, figures, surfaces and solids in two-dimensional (2D) space and three-dimensional (3D) space.
· Sometimes, you can't do everything you want to because the tools aren't available.
· Dimensioning is almost automatic.
◦ Save time and money and reduce errors with the dynamic engineering model.
◦ Reduce purchase, deployment, and support costs with one complete solution.
◦ Increase value to client by delivering more design alternatives in less time.
◦ Take full advantage of existing AutoCAD skills to get up to speed quickly.
◦ Create production sheets faster.
◦ Be sure that production drafting is always in sync with your design.
◦ Complete projects faster and reduce the chance of coordination errors using the Civil 3D project environment.
◦ Build a foundation for your custom solution.
◦ Clearly communicate design intent and complete final proposals with realistic 3D rendering.
With the uses of the CAD, we could conclude that it supports the needs of designers in designing. Photorealistic rendering, creation of photo simulation, computer animation for special effects in movies, advertising and technical manuals, computer graphics, designing curves, figures, surfaces and solids in two-dimensional (2D) space and three-dimensional (3D) space, these are some of the uses of the CAD System that supports the basic needs in designing. It can be an exchange tool in designing and planning because it uses computer programs to create a design or plan, so, it mainly shows that manual drawing using the instruments is on the outside diameter. However, its advantages and disadvantages also inhibits the possible benefits and consequences in using the modern drawing (CAD). Furthermore, in the above data showed, we can identify that the CAD System is a useful tool because it gives more advantages than its disadvantages.
CAD System has its best ways of making the foundation of designing industry tough and durable. It supports the need of designers, engineers, and architects to develop their designing skills more enough. CAD (Computer-Aided Design) has comletely change the drafting business and made the storage and the retrieval of projects much easier. Hovever, manual drawing is still important and provides the basics in learning drawing. The goal of automated CAD Systems is to increase efficiency; they are not necessarily the best way to allow newcomers to understand the geometrical principles of Solid Modeling, but still, it is a good technique in designing and planning structures or figures.


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Ideas for Decorating a Boutique
Fun Marketing Ideas for a Shoe Boutique
Mardi Gras Marketing Ideas
by Katie Jensen
How to Sell DVDs at a Trade Show
Ideas for Parade Giveaways
Promotional Ideas for Casinos
Giveaway Ideas for the Office Mixer
Mardi Gras comes at a time of year when there is a lull between the holidays. Christmas and New Year's are long over and Easter is weeks away. The official date of Mardi Gras, which is French for "Fat Tuesday," is the last Tuesday before the first day of Lent, and it's the last time to eat rich food before the fast. Mardi Gras is carnival time, full of vibrant colors, masks, beads, king cakes and boisterous celebration. Food, fun and frivolity rule the day.
Use the colors of Mardi Gras, -- gold, purple and green -- to brighten up your store window, website or blog. Add neon colors and vibrant metallics. Drape garlands of beads over merchandise. Put masks on the mannequins modeling the clothes or pin them on the walls. More isn't enough for Mardi Gras, so don't be stingy with the decorations. It's better to group them in one place to make a statement, say by the cash register, than to have them here and there all over the store.
Give customers gifts or discounts. It's traditional for people on the Mardi Gras floats to throw bead necklaces and gold coins to those watching the parade in the streets. Give a gold foil-wrapped chocolate coin to every customer who buys from you during Mardi Gras. Wrap discount coupons, from 10 percent to 75 percent off, in gold paper redeemable at the customer's next visit. Announce the giveaway to your business's social media friends and followers.
Play Mardi Gras music. It's loud and festive with an upbeat. It can be a bit overwhelming, so either intersperse the music with more mellow tunes or keep the volume down. This is especially important at your website or blog if the music comes on automatically. Choose from songs such as Go To the Mardi Gras, Big Chief Part I and II, and Carnival Time. Set up a display featuring instruments associated with Mardi Gras, such as a trumpet, saxophone and banjo.
Throw a Mardi Gras reception. It's an unusual way to thank customers and get your business some publicity. Tie in the reception with a charitable event. For example, New Orleans is susceptible to hurricanes. Pets are often lost or left behind because shelters don't accept animals. Pledge a certain amount to a pet shelter for every attendee to your reception. A food drive is another alternative. Serve traditional Cajun food at the reception such as shrimp jambalaya, muffaletas, beignets and king cake. Hand out flyers, invite current customers and send out press releases about the event.
Overabundance is one of the keys to a successful Mardi Gras celebration. Use lots of cheap decorations rather than a limited amount of more expensive ones.
Mardi Gras New Orleans: Mardi Gras History and Traditions
Katie Jensen's first book was published in 2000. Since then she has written additional books as well as screenplays, website content and e-books. Rosehill holds a Master of Business Administration from Arizona State University. Her articles specialize in business and personal finance. Her passion includes cooking, eating and writing about food.
How to Market a Drive-Through Coffee Stand
Ice Cream Store Marketing Ideas
Fragrance Marketing Strategies
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What are some chord substitutions for a I-IV-V blues progression?
Asked 12 years ago
I was watching a video of SRV and one of the things that really stood out was the fact that he seemed to have a different iteration of the I-IV-V turnaround - and made it look/sound effortless. Any starting points/suggestions for substitutions for a I-IV-V turnaround?
JustnBeaverJustnBeaver
Try building I-IV-V from different modes. i-iv-V (melodic minor (use IV "on the way up")); I-iv-V (I forget, Locrian? whatever it is it's creepy); I-IV-v (Lydian), etc.
– luser droog
There are a ton of easy and great-sounding substitutions, and you can use them in the turnaround or anywhere else you want. Here are a few of the most common:
ii-V sub: Substitute ii for IV, so that you have a ii-V turnaround. For example, if you're playing in the key of C, the V chord is G7 and the ii chord is Dm7. So instead of C-F-G7, play C-Dm7-G7. This is far and away the easiest and most common substitution, and in fact it's the standard turnaround in jazz.
Secondary Dominants: Use secondary dominants, i.e. V chords of V chords. Again, if you're playing in the key of C, the V chord is G7 and the V of G is D7, so instead of playing C-F-G7, play C-D7-G7 instead. You can extend this as much as you want, i.e. use V chords of V chords of V chords, etc. Entire songs have been written around this idea ("Salty Dog" comes to mind).
Tritone Subs: In general, you can make what's called a "tritone substitution" on any dominant chord (i.e. any 7th chord). It works like this: if the root of the V chord is X, replace the chord with a 7th chord whose root is a tritone away from X. So in the key of C, again the V chord is a G7. The note that's a tritone away from G is D♭, so replace the G7 with a D♭7. Combined with the ii-for-IV substitution, the turnaround goes from C-F-G to C-Dm7-D♭7, which has some really nice voice-leading in the bass notes. Combine tritone subs with secondary dominants and you can have a field day with different patterns and substitutions.
Diminished Subs: Every diminished chord is a 7th chord with a flatted 9 in four different ways. For example, the diminished chord with the notes D♭-E-G-B♭ is, simultaneously, a C7-9, an E♭7-9, an F♯7-9, and an A7-9. This offers a dizzying array of substitutional opportunities, and it also means that diminished scales and arpeggios sound great over 7th chords.
Median Subs: Another general substitution is called a "median substitution". For this, you replace a chord whose root note is X with a chord whose root note is a third above or a third below X. You want to stay within the diatonic harmony of the key you're playing in, so the new chord may not be the same type of chord as the original. For example, if you're playing in the key of C, you can replace the I chord (C Major) with a iii chord (Em7) or a vi chord (Am7), because iii is a third above I and vi is a third below I. In fact, the ii-for-IV substitution I mentioned first is just a median sub (ii being a third below IV).
Some of these substitutions sound better in a jazz context than a pure blues context, but either way they'll spice up your playing. Also, the same principles apply to your soloing: for example, if you're soloing over a G7, feel free to play a D♭ pentatonic or mixolydian scale, which will still sound good but add a bit of unexpected color.
edited Feb 18, 2019 at 23:18
Alex BassonAlex Basson
Wow! Solid and thorough answer!
– Jimi Oke
Should this question have the chords tag?
– Bella
I'm with @luserdroog. The description I got of tritone subs is to just replace the bass tone with one a tritone apart. For example, instead of playing G13 (G-F-A-B-E), play Dbalt by just changing the bass (Db-F-A-B-E). The good thing about that is that the bassist can do that, and the chord player does not even need to be aware of it.
– Gauthier
Since I cannot yet comment on Alex's fine answer, I will simply observe that Norman McAndrew says the exact same thing -- verbatim -- on page four of his chord substitution guide (which I discovered while attempting to research "median subs" further).
– Kirk A
Holy moley! He totally plagiarized my answer! I'm honestly not sure how I feel about that, actually. I mean, it's not like I get paid for my contributions here or anything, but a little attribution would have nice. Oh well—I hope you found it helpful, anyway.
– Alex Basson
Here are quite a few standard substitutions take from page 36 of the free PDF you can download here:
http://www.jazzbooks.com/mm5/download/FQBK-handbook.pdf
Basso RidiculosoBasso Ridiculoso
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In jazz-blues I often play:
| I7 VI7 | ii V7 | (and extensions) - in key of F it would be: | F7 D7 | Gm C7 |
| I7 I#dim| ii Vaug| in key of F it would be: | F7 F#dim | Gm Caug |
There is also cliche lick with chromatically descending sixths.
I have article on my blog about blues turnarounds. You can check it there (Blues Turnarounds)
Hubert CzerskiHubert Czerski
If you're looking for something maybe a little different, Gillian Welch's version of Make Me A Pallet On Your Floor has a pattern I really like:
The I/first bar is treated like a pick-up measure, and the melody starts on the IV and goes 11 bars. The progression is:
IV I IV V
I III IV
I V I V
Although the turnaround is very straightforward, the I III IV preceding it lends an enhanced sense of resolution.
I don't know much theory, so I may be wildly incorrect as to how this song may be properly marked up (I'm especially wondering whether what I'm calling a III is something else), but I hope if nothing else it's food for thought.
overslackedoverslacked
Haven't heard that song, but it may start "V - I" instead of "I - IV". If the second chord sounds more primary, then it probably is.
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A nice show from the 2001 tour. It may be the best audience recording, but compared to the soundboard recordings that are in circulation, this one is very bad. The performance is actually good, and the part with the impressions is very funny to listen to.
This show is a MUST HAVE, sound quality is good (although some hiss noise from cymbals and vocals) and the band was starting to get its stuff together with that set list.
A good example of the 2001 tour (way better than any us leg tour boots so far)!
The sound quality was very good. The performance was only so-so. Lots of sour notes by back up singers, not the best group of songs. Over all an ok album.


The less you know about web hosting and web design, the more important it is for you to go with a host that offers good support. As a beginner, you'll find yourself asking a lot of questions on how certain features can be used when it comes to your package. You will get a lot more from a technical support person than the applications that other companies may offer.
Now that you have read the preceding article, you probably realize that new owners of websites normally have no clue as to where they should store the information for their site. Knowing what is available and what it costs will help you to choose the right features for your plan. Use the knowledge gained from this article to make an informed decision about which hosting service will best suit your needs.


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