text:
Road Rage Tesla Driver Suspect Nathaniel Radimak Was Finally Arrested
HomeFood & DrinkOut & About with Mike Pingel at Everyone's Favorite "WeHo Bistro"
Food & DrinkOut & About
Out & About with Mike Pingel at Everyone's Favorite "WeHo Bistro"
By Mike Pingel
I must have walked by the WeHo Bistro located on the corner of La Cienega Boulevard and Holloway Drive for well over a 100 times before one day I finally decided to give it a try. I quickly learned that there is a lot to love about this casual French dining bistro in the heart of West Hollywood.
The restaurant recently celebrated a milestone of serving 222,222 guest this past month. The ambiance is lovely with both indoor and outdoor seating. At night, it even sparkles with small overhead lights and the staff is super friendly and accommodating
Anyone who knows me, knows I love 70s retro, and there is plenty of West Hollywood history from that era where Weho Bistro sits today. It's where the hit show "Charlie's Angels" filmed the episode "Angels on Skates." Cheryl Ladd filmed one of her scenes on that exact corner.
In the 70s, CVS was the home of Flipper's Roller Boogie Palace, the hottest roller disco around. The skate kingdom was the filming spot for other films/TV shows like "Skate Town USA", "CHIPs", and it is also where a few celebrities could be seen roller skating, such as Olivia Newton-John, Cher, Jane Fonda, John Voight, Belinda Carlisle. The Go-Go's, Prince, The Ramones, and Berlin even performed live at the club. It was the IN place for everyone in skates. Flipper's closed in 1981.
Scene from "Angels on Skates" on the corner of La Cienega Blvd. and Holloway Dr. from "Charlie's Angels."
Now a little bit of history of how Weho Bistro Restaurant came to be:
"Five years ago, Jerry and I were looking to do something to meet more people," Jeff Douek, the owner of Weho Bistro told me (Jerry Teigen was Douek's husband, who passed away this past January). "We were working from home all the time, we didn't know what we were looking for, but we were looking for something to buy because we did not want to start from scratch. I had given my husband a target date to find something, which was before his knee replacement surgery. We couldn't find anything but the night before is surgery, we came here [Salades de Provence] for dinner. We liked the food. I thought why don't we buy this place and we could turn it around. So, I talked to the owner that night to see if he wanted to sell the place. He said he was actually looking for a buyer. He gave me his price, it was probably too much but less than my budget. So, we decided to buy it that night, mostly because of the Mushroom Soup and the Bread Pudding. Those were the two items I had and I thought 'wow.'"
WeHo Bistro – Photo by Mike Pingel
The Salades de Provence original menu was kept at WEHO Bistro, but there were a few holes in the menu. Head chef, Daniel Barajas added new items to have a fuller service menu, which included the expansion of their breakfast selection. Douek did keep what is now the restaurants' signature items: The Mushroom Soup and the Homemade Bread Pudding.
The restaurant has built a solid customer base in West Hollywood over the years, "Our business is 70% repeat people. 20% hotel people." Douek said. "Once they come here, they become a customer for life."
According to Douek, there was a customer who drove 2 miles to tell them that their Ice Tea is the best she ever had.
"We do make magical food" Douek continued. "We cook everyday food with a French flair, so I call it Everyday French. Usually, when you think of French you think of complicated, delicious and expensive. We're not cheap, but not as expensive as going to a French restaurant. We want to be an everyday place. We have people to come here every single day, sometimes two-three times a day."
Photo by Mike Pingel
Brunch Spread – Photo by Huong Nguyen
Talking to Douek, it becomes obvious that he is a very proud owner of Weho Bistro. He speak of his Bistro with passion and love.
"The self-satisfaction we all get from the gratitude from our customers–I did not realize how good that feels as an owner to receive gratitude, so many smiles coming in and going out from our guests," he said.
Here are some highlights from Weho Bistro: The food is out of this world. Douek honored me with his choices and assortment of the best items from their menu.
Each table is served a warm Baguette Board with butter and jam and their thirst-quenching, cucumber-mint water. Those who love brunch, they offer a bottomless mimosa special during their brunch hours for $25 per person.
In their starter menu, they are best known for their cream of Mushroom Soup. The soup is super creamy and filled with the freshest blended mushrooms available. This bowl brings people back time and time again. I can understand why it's the signature dish at Weho Bistro.
French Onion Soup – Photo by Mike Pingel
I also tried the French Onion Soup which was also fantastic, with a rich onion base, homemade croutons and perfectly melted on the top. Simply delicious.
Angels on Skates
CVS West Hollywood
Flipper's Roller Rink
Flippers Roller Boogie Palace
Gay Hostory
Jeff Douek
Jerry Teigen
Mike Pingel
Skate Town USA
WeHo Bistro
Weho eatery
West Hollywood dining
West Hollywood French Restaurant
West Hollywood History
West Hollywood Restauran Review
Newly Renovated West Hollywood Recovery Center Near Completion
WEHO TIMES Among Nominees Announced for West Hollywood Creative Business Awards 2017
Mike Pingelhttp://www.mikepingel.com/
Mike Pingel has written six books, Channel Surfing: Charlie's Angels & Angelic Heaven: A Fan's Guide to Charlie's Angels, Channel Surfing: Wonder Woman, The Brady Bunch: Super Groovy after all these years; Works of Pingel and most recently, Betty White: Rules the World. Pingel owns and runs CharliesAngels.com website and was Farrah Fawcett personal assistant. He also works as an actor and as a freelance publicist. His official website is www.mikepingel.com


Canada's largest independent clothier, home of Canada's largest selection of men's suits and sport coats in sizes 34 extra short to 76 extra tall. It also offers ladies dresses, sportswear, extreme outerwear parkas, dress shoes, and accessories. FREEDS is a family owned business in its 3rd generation with over 50,000 square feet of retail space. FREEDS also offers Made to Measure tailoring for suits, pants and sports coats.


text:
<TITLE>Review for Dear God (1996)</TITLE>
<LINK REL="STYLESHEET" TYPE="text/css" HREF="/ramr.css">

Dear God (1996)

reviewed by
Scott Renshaw

                         Dear God (1996)
                   A film review by Scott Renshaw
                    Copyright 1996 Scott Renshaw

DEAR GOD
--------
Grade: D // Read a Good Book Instead

(Paramount)

Director:  Garry Marshall.
Screenplay:  Warren Leight, Ed Kaplan.
Producer:  Steve Tisch.
Starring:  Greg Kinnear, Laurie Metcalf, Maria Pitillo, Tim Conway, Roscoe
Lee Browne, Hector Elizondo.

MPAA Rating:  PG (profanity).
Running Time:  105 minutes.

Reviewed by Scott Renshaw.

     Every movie-goer, whether he or she is conscious of it or not, has a
list of warning flags that a movie could be trouble.  Sometimes it is as
simple as an actor or genre to avoid; other times, it can be a more subtle
realization, like the risk of anything promoted with a soundtrack tie-in
or a rave from Jeff Craig of "Sixty Second Preview."  Critics inevitably
have longer lists by virtue of more extensive film experience, and I think
I have just added another item to mine:  beware of films with half a dozen
gratuitous cameo appearances.  The problem with that particular caveat is
that by the time you are in the theater and subjected to the guest star
deluge, it is too late.  DEAR GOD, a miserable excuse for a "feel-good"
comedy, is a film with no sense of direction whatsoever, causing a barrage
of cameos to feel all the more desperate.

     Greg Kinnear stars as Tom Turner, an inveterate gambler and con man
trying to pay off his debts with small-time scams.  When he is nabbed in
the act, he is given an ultimatum by the judge:  get an honest job or face
jail time.  Tom uses family connections to land a job in the Los Angeles
Post Office as holiday temporary help, assigned to the dead letter office
where burnouts like Dooley (Tim Conway) and Rebecca (Laurie Metcalf)
collect undeliverable mail, including letters addressed to God.  When Tom
inadvertently answers one of those letters, his co-workers see an
opportunity to put spark back into their jobs by bringing some holiday
cheer to people asking God for help.  Tom, however, is unsure how to
handle the unfamiliar role of good Samaritan, even as publicity swarms
around the Post Office's "God Squad."

     DEAR GOD might have had a chance at being moderately amusing if it
had stuck to the formula of a lovable rascal who undergoes a conversion.
Kinnear's smirking wise-guy persona is perfectly suited to the role of
Tom, and he can also trot out a chastened charm which ingratiates himself
with the audience.  The problem is that the car wreck of a script churned
out by Warren Leight and Ed Kaplan includes so many minor characters and
superfluous side plots that DEAR GOD becomes thoroughly incoherent.  Tom
is given five sporadically interesting cohorts in the dead letter office
where two truly interesting ones would have been a significant
improvement, and even though both Laurie Metcalf and Tim Conway have nice
comic moments, they are playing essentially the same character.  Naturally
there is also a love interest (Maria Pitillo), a divorcee with a
distressingly precious young son (Seth Mumy); Tom also has a blind mother
(Rue McClanahan) to care for.  Things get so bloated that the sub-plot
involving Tom's loan shark (John Pinette) vanishes into thin air when he
is hit by a bus, as though even director Garry Marshall realized there was
no screen time to spare.

     For a film overflowing with diversions, DEAR GOD is far from
overflowing with laughs.  Since none of the business swirling around the
actual plot of DEAR GOD is remotely funny, Marshall spends most of the
film finding places to insert random celebrities.  Here we have a holiday
parade featuring Tony Danza, David Hasselhoff and (pulled out of
mothballs) "Happy Days'" Erin Moran; there we have Jack Klugman as a
suicidal old man.  Here we have Dr. Joyce Brothers appearing on
television; there we have O. J. Simpson prosecutor Christopher Darden as a
court broadcaster.  Even Marshall himself gets in on the act, appearing as
the Postmaster General.  The effect of these cameos is not simply to
distract you from what the film is about, but to convince you that they
_are_ what the film is about.  DEAR GOD may begin as a comedy, but it
rapidly turns into a bus tour of Hollywood where the only response it
inspires is pointing and giggling every time a familiar face appears.

     There are a few amusing bits in the courtroom finale which finds Tom
on trial for tampering with the mail, notably a goofy piece of acting by
Metcalf which at least will shake you out of your stupor.  When we are
expected to get emotionally roused, however, by the fact that every postal
worker in Southern California is rallying behind Tom (none of the people
helped by the "God Squad" appears to give a damn), you wonder if anyone
has any control over where DEAR GOD is going.  You might find yourself
wishing it would turn into the re-hash of MIRACLE ON 34th STREET it seems
headed for, so that at least it might make _cliched_ sense, only you
wouldn't be surprised to find Lance Ito turning up as the judge, or Buddy
Hackett as Kris Kringle.

     On the Renshaw scale of 0 to 10 error mails:  2.

      Receive Scott Renshaw's reviews directly via email from Marquee!
     Visit http://www.marquee.com/marquee-mailinglists.html for details.
                                 ********
                     Visit Scott Renshaw's MoviePage
                 http://www-leland.stanford.edu/~srenshaw

The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).

The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.

Please direct comments/criticisms of the review to relevant newsgroups.

Broken URLs inthe reviews are the responsibility of the author.

The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.

Related links: index of all rec.arts.movies.reviews reviews

redpajama_set_name: RedPajamaGithub


CI3 is a leader in video surveillance technology. We offer a wide variety of camera and recording solutions. When selecting a video system there are many pitfalls. Let CI3 help select the right system for you that will fit both the power and features you need to provide quality and usable video when you need it most. CI3 carries cameras and recording systems with a myriad of features to fit your need. Our staff will design, install and program your system for a turn-key solution.
Infared & Day/Night Cameras- When selecting a camera lighting level is key. CI3 will help make sure you select a camera that works best in all your viewing situations.
POE (Power Over Ethernet)– POE cameras can be a great addition to a data network because using existing cabling saves you money. Let CI3 help you avoid the pitfalls with data throughput, power consumption and selecting the right camera for the right application.
Megapixel Cameras- Image quality is everything when you need to use the video when the time arises. Let CI3 help you select the right quality, format and style to give you both a discrete, stylish and functional video system.
PTZ(Pan/Tilt/Zoom), Multi-sensor & Panoramic View Cameras– CI3 has a full spectrum of specialized cameras to cover all your surveillance needs. Often we can install a solution with a single special camera and cover/record an entire area without missing your most important coverage areas.
Video Analytics- CI3 will help choose the right system for your advanced needs. Making use of today's advanced video analytics, we can now search for missing items, packages left behind, loitering, motion in a specific direction, as well as camera tracking and following. Contact CI3 to see what high tech solutions we can provide for you.
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Remote Monitoring. Cost Effective. High Quality.


text:
Knee may sideline Purdue basketball commit, New Castle star Mason Gillis
Jake Fox
MUNCIE, Ind. — A procedure on Purdue basketball commit Mason Gillis' right knee has rendered his senior season — one in which he was expected to be a legitimate contender for Mr. Basketball — unclear for the time being.
New Castle athletic director Shane Osting confirmed to The Star Press that Gillis did in fact have a medical procedure done on his right knee. He did not elaborate, however, on what that procedure entailed or the timetable for Gillis' eventual return.
The Star Press has been working to confirm that Gillis had the procedure and seeking an update his status for weeks. Gillis was photographed at the New Castle football game last Friday with a massive brace on his right leg, wearing a Purdue sweatshirt and sitting in a folding chair on the track.
Gillis posted on his Twitter page, "I just wanna hoop" with a train icon (representing a Boilermakers logo) on Aug. 21.
He had an earlier surgery done in late April to repair a small meniscus tear in the same knee. At the time, Gillis said "it's nothing really major." He returned to the court in June and played for the Indiana Junior All-Stars, but it is unclear why Gillis needed another procedure and when the second one occurred.
Purdue reporter Nathan Baird of the Lafayette Journal & Courier reported that Gillis is taking an official visit to campus this week. Gillis, the No. 5-ranked player in the state and a four-star recruit by 247sports, committed to the Boilermakers on June 24.
The 6-foot-6, 215-pound Gillis averaged 21.6 points and 12.2 rebounds (fifth in the state) while leading New Castle to a 27-3 mark and the Class 3A semistate last season.
If Gillis were to miss time in the upcoming season, the Trojans would rely heavily on fellow Indiana All-Star candidate Luke Bumbalough, a Ball State hoops commit that averaged 20 points and 5.9 assists. New Castle's next three returning leading scorers are Blake Burris (3.8 ppg), Mason Hardwick (3.1) and Nicholas Grieser (3.0).
New Castle is scheduled to open the season at Greenwood on Nov. 23, and will play in the FORUM Tipoff Classic against Brownsburg on Dec. 8 at Southport.
Jake Fox is a high school sports writer at The Star Press. Contact him at (765) 213-5848, jfox@muncie.gannett.com or @FoxJake_.
Read more about Purdue commit Mason Gillis:
New Castle's Mason Gillis commits to Purdue
New Castle's Mason Gillis to undergo knee surgery Friday: 'It's nothing really major'

redpajama_set_name: RedPajamaCommonCrawl


Pop up exhibition stands come in all shapes and sizes, but they are essentially all the same: they are collapsable units that fit into carry cases / bags which are supplied with full colour prints that are attached with clips and magnetic strips. The advantage of these types of stands is that they are easy to put up, to store and travel with. The graphics come in strips and as the graphics are separate from the unit they can be easily replaced without having to buy a whole new unit. Exhibition units are referred to as 3x1, 3x2, 3x3 etc - the first number is the number of vertical sections and the second number is the number of horizontal panels e.g. 3x1 means 3 sections up and 1 panel across.
We UV print a flexible substrate for your exhibition units which can be rolled up and taken from exhibition to exhibition. The alternative to this is printing on rigid panels, but they're more susceptible to breaking, harder to store and a pain to travel with. The UV print process we use for our exhibition graphics ensure that they don't need to be laminated due to the strength of the inks, but we can offer an anti-scratch laminate for your pop up unit if you want to ensure it will last that bit longer.
Although they're called exhibition stands they can be used for a huge range of purposes other than just exhibitions. The pop up stands can be used in shops to display new products, or even client pitches to display key information about your products and services.
As there are so many different size and shaped units we will provide you with a template so you can lay it up correctly. The trick with this sort of artwork is making sure the text doesn't go over any joins to better create the illusion of a continuous print. We can also lay out the artwork for you if you supply us with the logos, pictures, colours and any text you would like.
If you have any questions about pop up unit printing then feel free to give us a call on 01753 578830 or email sales@bullseyeuk.com.
Dramanon approached Bullseye about producing an exhibition size pull up for the World of Learning event at the NEC in Birmingham. The turnaround period was quite tight but they still managed to support our late requirement and exceeded our expectations. They have always been very accomodating and happy to suggest options or alternative solutions. I have always personally found them to be extremely helpful and would have no hesitation in recommending them to anyone for a thoroughly professional service.


text:
Hugues Bernard Charles Lepic (born c. 1965) is a private equity professional and investor who is the founder and chief executive officer of Aleph Capital Partners. He previously spent 22 years with Goldman Sachs.

Education
Lepic holds an M.Sc. from the École Polytechnique in France and an MBA from the Wharton School of the University of Pennsylvania.

Career
Lepic is the founder and chief executive officer of Aleph Capital Partners. He founded Aleph in 2013 after 22 years as a private equity professional with Goldman Sachs in New York. He was a partner there for 12 years.

Appointments
Lepic has been a director of Eutelsat Communications SA, Prysmian Spa, Groupe Eurotunnel SA, Iliad SA, Neuf Cegetel SA, PagesJaunes Groupe, and Technicolor SA.

Property dispute
In 2004, Lepic bought a home in Cheyne Walk in London and acquired the freehold of an adjacent property with a sitting tenant at the same time. In 2015, a dispute between Lepic and his tenants reached the courts in London when Lepic successfully argued that he was entitled to possession of the house.

References

French chief executives
Living people
Goldman Sachs people
Wharton School of the University of Pennsylvania alumni
École Polytechnique alumni
French bankers
Year of birth uncertain
Year of birth missing (living people)

redpajama_set_name: RedPajamaWikipedia


text:
<?php

declare (strict_types=1);
namespace Rector\Naming\Rector\ClassMethod;

use PhpParser\Node;
use PhpParser\Node\Expr;
use PhpParser\Node\Expr\PropertyFetch;
use PhpParser\Node\Identifier;
use PhpParser\Node\Stmt\ClassMethod;
use PhpParser\Node\Stmt\Return_;
use PHPStan\Type\BooleanType;
use Rector\Core\Rector\AbstractRector;
use Rector\Naming\Naming\MethodNameResolver;
use Rector\Naming\NodeRenamer\MethodCallRenamer;
use Symplify\RuleDocGenerator\ValueObject\CodeSample\CodeSample;
use Symplify\RuleDocGenerator\ValueObject\RuleDefinition;
/**
 * @see \Rector\Tests\Naming\Rector\ClassMethod\MakeGetterClassMethodNameStartWithGetRector\MakeGetterClassMethodNameStartWithGetRectorTest
 */
final class MakeGetterClassMethodNameStartWithGetRector extends \Rector\Core\Rector\AbstractRector
{
    /**
     * @var string
     */
    private const GETTER_NAME_PATTERN = '#^(is|should|has|was|must|get|provide|__)#';
    /**
     * @var \Rector\Naming\Naming\MethodNameResolver
     */
    private $methodNameResolver;
    /**
     * @var \Rector\Naming\NodeRenamer\MethodCallRenamer
     */
    private $methodCallRenamer;
    public function __construct(\Rector\Naming\Naming\MethodNameResolver $methodNameResolver, \Rector\Naming\NodeRenamer\MethodCallRenamer $methodCallRenamer)
    {
        $this->methodNameResolver = $methodNameResolver;
        $this->methodCallRenamer = $methodCallRenamer;
    }
    public function getRuleDefinition() : \Symplify\RuleDocGenerator\ValueObject\RuleDefinition
    {
        return new \Symplify\RuleDocGenerator\ValueObject\RuleDefinition('Change getter method names to start with get/provide', [new \Symplify\RuleDocGenerator\ValueObject\CodeSample\CodeSample(<<<'CODE_SAMPLE'
class SomeClass
{
    /**
     * @var string
     */
    private $name;

    public function name(): string
    {
        return $this->name;
    }
}
CODE_SAMPLE
, <<<'CODE_SAMPLE'
class SomeClass
{
    /**
     * @var string
     */
    private $name;

    public function getName(): string
    {
        return $this->name;
    }
}
CODE_SAMPLE
)]);
    }
    /**
     * @return array<class-string<Node>>
     */
    public function getNodeTypes() : array
    {
        return [\PhpParser\Node\Stmt\ClassMethod::class];
    }
    /**
     * @param ClassMethod $node
     */
    public function refactor(\PhpParser\Node $node) : ?\PhpParser\Node
    {
        if ($this->isAlreadyGetterNamedClassMethod($node)) {
            return null;
        }
        $getterClassMethodReturnedExpr = $this->matchGetterClassMethodReturnedExpr($node);
        if (!$getterClassMethodReturnedExpr instanceof \PhpParser\Node\Expr) {
            return null;
        }
        $getterMethodName = $this->methodNameResolver->resolveGetterFromReturnedExpr($getterClassMethodReturnedExpr);
        if ($getterMethodName === null) {
            return null;
        }
        if ($this->isName($node->name, $getterMethodName)) {
            return null;
        }
        $this->methodCallRenamer->updateClassMethodCalls($node, $getterMethodName);
        $node->name = new \PhpParser\Node\Identifier($getterMethodName);
        return $node;
    }
    private function isAlreadyGetterNamedClassMethod(\PhpParser\Node\Stmt\ClassMethod $classMethod) : bool
    {
        return $this->isName($classMethod, self::GETTER_NAME_PATTERN);
    }
    private function matchGetterClassMethodReturnedExpr(\PhpParser\Node\Stmt\ClassMethod $classMethod) : ?\PhpParser\Node\Expr
    {
        $stmts = (array) $classMethod->stmts;
        if (\count($stmts) !== 1) {
            return null;
        }
        $onlyStmt = $stmts[0] ?? null;
        if (!$onlyStmt instanceof \PhpParser\Node\Stmt\Return_) {
            return null;
        }
        if (!$onlyStmt->expr instanceof \PhpParser\Node\Expr\PropertyFetch) {
            return null;
        }
        $propertyStaticType = $this->getStaticType($onlyStmt->expr);
        // is handled by boolish Rector → skip here
        if ($propertyStaticType instanceof \PHPStan\Type\BooleanType) {
            return null;
        }
        return $onlyStmt->expr;
    }
}


text:
Азербайджан принимал участие в конкурсе песни «Евровидение 2014» в Копенгагене, Дания. Представитель был выбран путём национального отбора, организованным азербайджанским национальным вещателем «İTV».

Böyük Səhnə
Конкурсом национального азербайджанского финала, который выбирал исполнителя для «Евровидение 2014» стал конкурс «Böyük Səhnə» («Большая сцена»).

Формат
Формат шоу состоял из прослушивания, которое прошло между 9 и 16 января 2014 года. Выбранные кандидаты приступили к суперкастингу, который транслировался с 27 по 31 января 2014 года, где выяснились четырнадцать финалистов которые прошли дальше. Три кастинга, которые прошли 9, 16 и 23 февраля 2014 года, где определились кандидаты, прошедшие в финал, состоявшийся 2 марта 2014 года. В финале, остальные артисты выступали с их потенциальными возможностями участия на Евровидение 2014 года. Хуснийэ Магеррамова вела суперкастинговое шоу совместно с Туралом Асадовом.

Прослушивание
Прослушивания прошли по всей территории Азербайджана между 9 и 16 января 2014 года, где заинтересованные певцы могли подать свою заявку на участие. 250 кандидатов приняли участие в прослушиваниях. График прослушивания включал в себя следующие восемь городов:
 9 января 2014 года — Сумгайыт и Гянджа
 10 января 2014 года — Ленкорань и Евлах
 11 января 2014 года — Ширван и Шеки
 12 января 2014 года — Губа
 13 января 2014 года — Баку
 15—16 января 2014 года — Баку

Шоу

Суперкастинг
Суперкастинг состоял из пяти шоу, который состоялся между 27 и 31 января 2014 года, где Хуснийэ Магеррамова вела шоу. Конкурсанты прослушивания состояли в составе пяти членов перед жюри. Каждый член жюри, назначал каждому участнику от 1 до 10 баллов. Конкурсанты обязаны были получить в общем балле 40 и выше, чтобы продолжить своё участие в конкурсе. Жюри, которое оценивало конкурсантов состояло из Гюльчохра Шафиева (режиссёр), Севда Алекперзаде (певец), Ильхама Гасымова (певец), Тунзалейя Гахрамана (певец) и Салеха Багирова (телеведущий). По завершении пяти шоу, четырнадцать финалистов были квалифицированы чтобы продолжить участие в конкурсе. В дополнительном шоу 2 февраля 2014 года, состоялось повторный раунд для четырнадцати отборочных конкурсантов.

 Группа «Wave» (Баку)
 Валерия Гусейнзаде (Баку)
 Самира Эфендиева (Баку)
 Лала Султан (Баку)
 Хана Гасанова (Баку)
 Гулия Ибадова (Баку)
 Фуад Асадов (Баку)
 Эркин Османлы (Баку)
 Элтон Ибрагимов (Баку)
 Диляра Кязимова (Баку)
 Азад Шабанов (Баку)
 Айдын Эйваззаде (Баку)
 Айшебейим Нагиева (Гянджа)
 Сафа Эльдар (Сумгаит)

Суперкастинг (тур 1-й)
Первый тур суперкастинга состоялся 9 февраля 2014 года в Баку. Четырнадцать кандидатов исполняли кавер-версии различных песен, где каждый из пяти членов жюри присвоял им оценку от 1 до 10 баллов. Жюри состояло из: Эльдара Гасымова (певец и победитель на «Евровидение 2011»), Мурад Ариф (телеведущий), Тунзалей Агаева (композитор и певица), Мубариз Тагиев (заслуженный певец Азербайджана) и Зумруз Дадашзаде (профессор Бакинской музыкальной академии). Кандидаты, набравшие более 45 баллов автоматически прошли в следующий раунд, в то время как те, кто набрал 45 и менее были в опасности выбыть из конкурса. Четыре конкурсанта выбыли после обсуждений членов жюри.

Суперкастинг (тур 2-й)
Второй тур суперкастинга состоялся 16 февраля 2014 года в Баку. Десять кандидатов исполняли кавер-версии различных песен, где каждый из пяти членов жюри присвоял им оценку от 1 до 10 баллов. Жюри второго тура состояло из: Сабина Бабаева (певица и представительница Азербайджана на «Евровидение 2012»), Фаик Сучединнов (певец), Тунзалей Агаева (композитор и певица), Зумруз Дадашзаде (профессор Бакинской музыкальной академии) и Эльдар Гасымов (певец и победитель на «Евровидение 2011»). Кандидаты, набравшие более 45 баллов автоматически прошли в следующий раунд в то время как те, кто набрал 45 и менее были в опасности выбыть из конкурса. Четыре конкурсанта выбыли после обсуждений членов жюри.

Суперкастинг (тур 3-й)
Третий тур суперкастинга состоялся 23 февраля 2014 года в Баку. Десять кандидатов исполняли кавер-версии различных песен, где каждый из пяти членов жюри присвоял им оценку от 1 до 10 баллов. Жюри третьего тура состояло из: Тунзалея Гахрамана (певец), Сары Бодалбхай (музыкант), Димитриса Контопулоса (композитор), Мурада Дадашева (продюсер) и Фуада Алиева. Кандидаты, набравшие более 45 баллов автоматически прошли в следующий раунд в то время как те, кто набрал 45 и менее были в опасности выбыть из конкурса. Четыре конкурсанта выбыли после обсуждений членов жюри.

Финал
Финал состоялся 2 марта 2014 года Баку. После того, как три финалиста исполнили свои песни, стала известна победительница, Диляра Кязимова, которая и представит Азербайджан в Копенгагене

Песня
Песня под названием «Start a Fire», с которой Диляра Кязимова должна была выступить на «Евровидение 2014», была представлена 16 марта 2014 года.

Подготовка к конкурсу

Промотур
<center>

</center>

На Евровидении
Представитель Азербайджана на конкурсе выступала под 8-м номером в первой половине первого полуфинала, который прошёл 6 мая 2014 года в Копенгагене. Заняв 9-е место с 57 очками Диляра Кязимова прошла в финал, который состоялся 10 мая. В финале Кязимова выступала под номером 3. В итоге, Кязимова, набрав 33 очка, заняла 22-е место, обойдя Мальту, Сан-Марино, Словению и Францию.

Голоса от Азербайджана

Полуфинал

Финал

Голоса за Азербайджан

Полуфинал

Финал

См. также
 Азербайджан на «Евровидении»
 Евровидение-2014

Примечания

Страны на «Евровидении-2014»


Under the auspices of the Finish Government to support Burundi Customs Administration to conduct a Time Release Study (TRS), the WCO participated in TRS Work Session mission which took place in Bujumbura, Burundi, from 28 January to 1 February 2019. The Session aimed at assisting Burundi to finalize the national TRS report.
The WCO designated two experts to support Burundi for the Work Session. During the Session, the experts and officials from Burundi Customs and other national trade stakeholders held fruitful discussions on the structure and content of a preliminary version of the Burundi TRS report which illustrated, inter alia, important work that had been carried out by the national TRS Working Group of Burundi, but still required further analysis and guidance by the experts.
The report was drafted by a national Working Group that was headed by the Burundi Customs Administration; it included relevant information related to a number of issues, including bottlenecks hampering trade between Burundi and the rest of the world as well as other aspects such as recommendations that needed urgent Customs' and other trade stakeholders' intervention in the short, medium and long term.
The Work Session allowed the participants to discuss the way forward which, amongst others, includes options for external donor financial aid to implement some of recommendations that are listed in the TRS report. After an intensive Work Session the national Customs Administration's officials and other Members of the TRS Working Group, with much effort and high level of commitment, managed to successfully finalize the TRS report that will be presented to the national trade community as recommended by the TRS Guide – Version 3, recently released by the WCO.
It is worthwhile to highlight that Burundi Customs Administration launched the TRS project in April 2018, with full support of the WCO, at a time where the TRS Guide –Version 3 was still in the process of being updated. Nevertheless, Burundi joined some other WCO Members that fully completed a TRS cycle, with the intention to adopt the TRS as a tool to measure clearance time from the arrival of the cargo in the country until its physical release.


text:
Q: Self-referential association It's a follow-up question from this.
This is my current setting to make a teacher-student relationship.
User Model
  has_many :teacher_links, :foreign_key => :student_id, :dependent => :destroy, :class_name => "TeacherStudentLink"
  has_many :student_links, :foreign_key => :teacher_id, :dependent => :destroy, :class_name => "TeacherStudentLink"
  has_many :students, :through => :student_links
  has_many :teachers, :through => :teacher_links

TeacherStudentLink Model
class TeacherStudentLink < ActiveRecord::Base
  attr_accessible :user_id, :student_id, :teacher_id

  belongs_to :user
  belongs_to :student, :class_name => "User"
  belongs_to :teacher, :class_name => "User"
end

It seems awkward to me because the teacher_student_links table has three columns: user, student, teacher. User can have many teachers, and he can also have many students. If I don't have the teacher column, and just pretend "user" is a "teacher", everything works out perfectly. Is there a way to fix this issue?

A: what cheeseweasel said in the comments, your link should not have a user_id
class TeacherStudentLink < ActiveRecord::Base
  attr_accessible :student_id, :teacher_id

  belongs_to :student, :class_name => "User", :foreign_key => :student_id
  belongs_to :teacher, :class_name => "User", :foreign_key => :teacher_id
end

*

*belongs_to foreign_key specifies the foreign key on the current table (link)

*has_many foreign_key specifies the foreign key on the other table (link)

redpajama_set_name: RedPajamaStackExchange


Established in 1984 is an ISO 9001:2015 certified Engineering Export company. Awarded for the past 19 years for our core activities of Design, Development, Supply of Spare Parts, Tooling, Components and Equipment to Engineering Industries. Exporting to over 40 countries across Europe, North and South America, Africa, Middle East and South-East Asia for Industries like LPG, Petrochemical, Steel, Cement, Wire and Cable, Textile and other Engineering Industries.
We specialize in the custom-built solutions with specific emphasis to develop & re-engineer following international standards. JASMA uses latest technology, CNC machines, Improvised Materials grades, Established Quality Systems ensuring better performance at the most optimum cost, creating Winning solutions for our customer.
Successfully developed more than 2000 various products for over 100 customers Globally. At JASMA we add value to our customer by our Reliable-Quality, Reduced-Cost, Timely-Delivery.


New High-Resolution fantasy private-commissioned image set with beautiful bikini clad amazon – Blanca, armed with bow and arrow. The action takes place by the swimming pool in an outdoor setting. First Blanca are looking for someone, she is ready to begin the hunting game, but things turned out differently than she planned. Suddenly she was shot by arrows! You will see lots of posing images with bow and arrow, bow aiming scenes, but also arrow hits to the lower belly and breast. Finally, Blanca is lying on the ground with two arrows sticking out from her bikini clad body. If you like fantasy arrow play, you will like image set!


text:
Find sources: "El Mundo" Spain – news · newspapers · books · scholar · JSTOR (July 2013) (Learn how and when to remove this template message)
El Mundo (English: The World), formally El Mundo del Siglo Veintiuno (English: The World of the Twenty-First Century) is the second largest printed daily newspaper in Spain. The paper is considered one of the country's newspapers of record along with El País and ABC[citation needed].
(El Mundo del Siglo Veintiuno)
Front page, 1 June 2009
Unidad Editorial S.A.
David Jiménez
23 October 1989; 29 years ago (1989-10-23), as El Mundo del Siglo Veinte
Political alignment
Liberal, centre-right
www.elmundo.es
History and profileEdit
El Mundo was first published on 23 October 1989.[1][2] Perhaps the best known of its founders was Pedro J. Ramírez, who served as editor until 2014.[3] Ramirez had risen to prominence as a journalist during the Spanish transition to democracy.[4] The other founders, Alfonso de Salas, Balbino Fraga and Juan González, shared with Ramírez a background in Grupo 16, the publishers of the newspaper Diario 16. Alfonso de Salas, Juan Gonzales and Gregorio Pena also launched El Economista in 2006.[5]
El Mundo, along with Marca and Expansión, is controlled by the Italian publishing company RCS MediaGroup[1] through its Spanish subsidiary company Unidad Editorial S.L.[6][7] Its former owner was Unedisa which merged with Grupo Recoletos in 2007 to form Unidad Editorial, current owner of the paper.[8]
The paper has its headquarters in Madrid,[9] but maintains several news bureaus in other cities. The daily has a national edition and ten different regional editions,[10] including those for Andalusia, Valencia, Castile and León, the Balearic Islands and Bilbao. It is published in tabloid format.[11]
In 2005 El Mundo started a supplement for women, Yo Donna, which was modelled on IO Donna, a supplement of the Italian daily Corriere della Sera.[12]
In January 2014 Pedro J. Ramírez, editor of the paper, was fired from his post.[13][14] He argued that reporting on corruption scandals involving Spanish Prime Minister Mariano Rajoy led to his sacking.[13][14] Casimiro García-Abadillo served as editor until April 2015, when he was replaced in turn by David Jiménez.[3][15]
Political impactEdit
Editorially, El Mundo often expresses the mainstream views of the centre-right[13][16] with independent and liberal overtones.[citation needed]
El Mundo has played a key role in uncovering a number of scandals, among them embezzlement by the commander of the Guardia Civil, accusations of insider trading and tax fraud by the governor of the Central Bank of Spain and aspects of the Bárcenas affair.[17] Investigative reporting by the staff of El Mundo also revealed connections between the terrorist Grupos Antiterroristas de Liberación (GAL) and the Socialist administration of Felipe González, revelations that contributed to his defeat in the 1996 elections.
In October 2005, El Mundo revealed that Nazi Aribert Heim (aka "Doctor Death") had been living in Spain for 20 years, probably with help from the ODESSA network, in collaboration with Otto Skorzeny, who had helped set up one of the most important ODESSA bases of operation in Spain, during the rule of Francisco Franco.[18]
After the 11 March 2004 Madrid train bombings, the newspapers El Mundo and La Razón, the regional television channel Telemadrid and the COPE radio network alleged that there had been inconsistencies in the explanations given by the Spanish judiciary about the bombings. Other Spanish media, such as El País, ABC and the Cadena SER radio network, accused El Mundo and the other media of manipulation over this issue. The bombings and the results of the subsequent judicial inquiry are still debated in Spain today.[19]
CirculationEdit
The circulation of El Mundo rose in the 1990s. It was
209,992 copies in 1993
268,748 copies in 1994[20]
In 2001 El Mundo had a circulation of 291,000 copies[21] and it was 312,366 copies next year.[22] The paper had a circulation of 300,000 copies in 2003, making it the third best selling newspaper in the country.[23]
Based on the findings of the European Business Readership Survey El Mundo had 11,591 readers per issue in 2006.[24] Its circulation between June 2006 and July 2007 was 337,172 copies.[9] The 2007 circulation of the paper was 337,000 copies.[1] It was 338,286 copies in 2008[25] and had 200,000 readers for the printed edition in 2009.[26] The circulation of the paper was 266,294 copies in 2011.[27]
Digital readershipEdit
El Mundo (elmundo.es) is currently the second digital newspaper in Spanish.[28] It was previously in the lead after El País introduced a payment system for access to the contents of its electronic version. It had 24 million unique web visitors per month in 2009.
Many online readers are in Latin America, and the website has an edition for the Americas.[26] However, digital expansion has done little to offset the decline in revenues from Spanish advertisers since 2008.[3][4] The newspaper aims to increase digital profits via a subscription model.[29] It launched a current affairs outlet only accessible to subscription customers, named ORBYT.[29]
Spanish newspapers
Controversies about the 2004 Madrid train bombings
^ a b c José A. García Avilés; Klaus Meier; Andy Kaltenbrunner; Miguel Carvajal; Daniela Kraus (2009). "Newsroom integration in Austria, Spain and Germany". Journalism Practice. 3 (3): 285–303. doi:10.1080/17512780902798638.
^ Anna Galluzzi (20 September 2014). Libraries and Public Perception: A Comparative Analysis of the European Press. Elsevier Science. p. 28. ISBN 978-1-78063-425-8. Retrieved 24 November 2014.
^ a b c Raphael Minder (3 February 2014). "Founding Editor is Dismissed as Head of El Mundo". The New York Times. Retrieved 7 April 2014.
^ a b Ramirez (2014). "Fired for speaking out". New York Times. Retrieved 26 December 2014.
^ "El Economista". Presseurope. Retrieved 6 October 2013.
^ Frank R. Baumgartner; Laura Chaqués Bonafont (2014). "All News is Bad News: Newspaper Coverage of Political Parties in Spain" (PDF). Political Communication. Retrieved 4 December 2014.
^ "Daily Press" (PDF). Unidad Editorial. December 2013. Retrieved 31 January 2015.
^ Laura Chaqués Bonafont; Frank R. Baumgartner (April 2013). "Newspaper attention and policy activities in Spain". Journal of Public Policy. 33 (1): 65–88. doi:10.1017/S0143814X12000219. hdl:2445/49364. Retrieved 24 April 2015.
^ a b Andrea Czepek; Melanie Hellwig; Eva Nowak (2009). Press Freedom and Pluralism in Europe: Concepts and Conditions. Intellect Books. p. 280. ISBN 978-1-84150-243-4. Retrieved 12 December 2014.
^ Donn James Tilson; Pilar Saura Pérez (2003). "Public relations and the new golden age of Spain: a confluence of democracy, economic development and the media" (PDF). Public Relations Review. 29. Retrieved 24 April 2015.
^ Jesús del-Olmo-Barbero; Sonia Parratt-Fernández (2011). "Typography and colour: A comparative analysis of the free and paid-for newspapers in Spain". Revista Latina de Comunicacion Social (66). Retrieved 23 February 2015.
^ "El Mundo - new readership record". OSP. 25 April 2005. Archived from the original on 6 January 2016. Retrieved 24 April 2015.
^ a b c "Spain's press freedom under fire in US media". The Local. 3 February 2014. Retrieved 1 January 2015.
^ a b Ashifa Kassam (25 March 2014). "Media revolution in Spain as readers search for new voices". The Guardian. Madrid. Retrieved 1 January 2015.
^ "El Consejo de Administración..." 30 April 2015. Retrieved 1 May 2015.
^ Lisa Abend (17 October 2008). "At Last, Spain Faces Up to Franco's Guilt". Time. Retrieved 22 October 2008.
^ Preston, Peter (2014). "All hail Pedro J Ramírez, Spain's crown prince of muckraking". The Observer. Retrieved 4 May 2014.
^ "Report: Nazi 'Doctor Death' Has Been Hiding in Spain Since 1985". Haaretz. 30 October 2005.
^ Lacerca Archived 13 July 2011 at the Wayback Machine
^ "Facts of Spain". Florida International University. Archived from the original on 21 June 2013. Retrieved 23 February 2015.
^ Adam Smith (15 November 2002). "Europe's Top Papers". campaign. Retrieved 7 February 2015.
^ David Ward (2004). "A Mapping Study of Media Concentration and Ownership in Ten European Countries" (PDF). Dutch Media Authority. Retrieved 12 December 2014.
^ Roland Schroeder (2004). "Interactive Info Graphics in Europe-- added value to online mass media: a preliminary survey". Journalism Studies. 5 (4): 563–570. doi:10.1080/14616700412331296473.
^ Craig Carroll (1 September 2010). Corporate Reputation and the News Media: Agenda-setting Within Business News Coverage in Developed, Emerging, and Frontier Markets. Routledge. p. 177. ISBN 978-1-135-25244-1. Retrieved 31 January 2015.
^ Alan Albarran (10 September 2009). Handbook of Spanish Language Media. Routledge. p. 25. ISBN 978-1-135-85430-0. Retrieved 29 October 2014.
^ a b "elmundo.es launches Americas edition". Editors Weblog. 27 October 2009. Retrieved 6 September 2013.
^ Figures covering July 2010 to June 2011 from Spain's Archived 29 April 2011 at the Wayback Machine, Oficina de Justificación de la Difusión. Retrieved 28 January 2012.
^ "El País el periódico digital en español más leído del mundo". El Pais (in Spanish). 2016.
^ a b "'El Mundo' establece un modelo de pago en su web similar al del 'New York Times'" (in Spanish). Heraldo de Aragón. Europa Press. 4 November 2013.
Retrieved from "https://en.wikipedia.org/w/index.php?title=El_Mundo_(Spain)&oldid=890621248"


Police are investigating after a pedestrian was hit and killed early Wednesday morning in West Chester Township.
The accident happened around 12:30 a.m., police say, when a man was walking on the shoulder of the road at the corner of Muhlhauser Road and International Boulevard.
Police say the driver of the vehicle is cooperating with police.
There's no word on if any charges will be filed.


This is one of the biggest literature among all. The book written by Swami Gokuldas Ji includes Chaubis (24) Praman, Alakh Upasana, Ramdev Byavla, Jama Jagran, Dharumal Rupade Ki Bel, Parda Praman, Bhajanmala, Bhajan Vilas, Ramdev Chalisa, etc.
The book Ramdev Brahma Puran is the biography of Lok Devta Baba Ramdev written by Swami Ramprakash Aacharya, Jodhpur.


You might want to consider having a family discussion once your will has been created, letting loved ones know what your wishes are and who is getting what.
Unless you're the heavyweight champion of the world, fighting is rarely a good thing. That's particularly true when it comes to estate matters says attorney Jay Nabors, who works with his wife, Linda, also an attorney, at Nabors & Nabors, the Strongsville-based law firm where attorney John J. Urban is of counsel.
And in addition to creating family discord, fighting within a family begins to drain the estate of assets, as attorneys need to be paid to help sort everything out.
Jay says there are a couple of things you can do to ensure your heirs not only follow your will as your wishes state, but also keep the peace.
Adding this clause to your will expressly prohibits someone from challenging its contents or the person you've named as executor. If they do, they are disinherited.
Having as many of your assets transfer on death to a certain person or persons means those assets, like your house, for example, don't have to go through probate and the transfer is very difficult to challenge.
"Having a house transfer on death results in heirs having to take extra steps to challenge the transfer," Jay adds.
You might also consider having a family discussion once your will has been created, letting loved ones know what your wishes are and who is getting what.


text:
Lutherant
Novel Explores Christian-Islam Relations
By revcharlesstonge on October 3, 2011 at 2:57 PM
Imagine a prominent Muslim cleric and a Lutheran antiquities scholar debating the relationship of Christianity and Islam. Imagine that debate happening in modern Istanbul, Turkey, at the Hagia Sophia, and imagine it being broadcast live around the world. Such a debate may seem far-fetched. But if Dan Brown can imagine finding modern, physical descendants of Jesus or an antimatter bomb under the Vatican, why not this?
Lutheran antiquities professor and author Paul L. Maier's newest book explores, among other things, the modern dynamic between Islam and Christianity. The Constantine Codex sees the return of Maier's beloved fictional Harvard professor, Dr. Jonathan Weber. This time Weber and his archaeologist wife, Shannon, are on a hunt for previously lost manuscripts related to the Christian faith. At the same time the Webers are coping with the devastating effects of a translation error in Jonathan's latest book on the life of Christ.
Surprised to see Islamic protesters outside his window at Harvard, Jonathan discovers too late that the Arabic version of his book on Jesus of Nazareth has described Islam not as the greatest challenge facing Christianity, as he originally wrote, but as the greatest evil facing Christianity. As news of the error finally breaks into the global news cycle, cooler heads prevail, but not before a fatwa is declared against Weber by Iranian clerics. It is an Egyptian Islamic scholar who defuses the situation by inviting Dr. Weber to an open debate, saying:
I am certain that you and I can discuss the topic without the high emotion that often characterizes such exchanges, and the result might even benefit Muslim-Christian relations. (p.93)
Maier, who also serves as a Vice-President of the Lutheran Church – Missouri Synod, has been exploring the intersection of theology and history for decades. Once again he brings an even-handedness to the discussion of the Islamic-Christian question much lacking in contemporary culture. Maier studiously avoids the relativist position ("there are no real and significant differences between the faiths") and the extremist position that one faith has contributed nothing good, while the other has no skeletons in its closet. In answer to the question, "What is your true opinion…of the Prophet Muhammad – may his name be blessed?" Weber begins his answer by saying:
I have many good things to say about the prophet Muhammad… First of all, he led his people away from the terrible error of paganism, polytheism… to monotheism, since there can be only one God… He taught [people] spiritual disciplines, such as prayer, fasting, and concern for the poor, and he set higher ethical standards than had previously been the case among the desert tribes of Arabia. (p.179)
The excesses and misunderstandings of both sides are dealt with extensively: misunderstandings of Muslims about Christian theology, and misunderstandings by Christians about Islamic practice. In one tense but later humorous scene the Webers fear they are being followed by Islamic extremists "wearing turbans," only later remembering that it is Sikhs, not Muslims, who wear that particular headgear. But Maier's Weber also laments how Christians must often present their faith to Muslims "with one hand tied behind their backs," as illustrated in this exchange:
"We have to go back shortly," Jon said. "Any further advice, Osman?"
"Just beware of any traps that al-Rashid may try to set for you… continue walking that tightrope, Jon. You have to defend the faith, of course, but try to do it as diplomatically as you can -"
"Without enraging the other side. Got it, Osman." Blasted restraint, he almost muttered. How I'd love to cut loose!
Dr. Maier will be cutting loose in Houston on Saturday, October 15th at Pilgrim Lutheran Church.


text:
require File.expand_path('../../test_helper', __FILE__)

if `which nc` == ''
  puts "[!] Skipping tests using netcat"
  HAS_NETCAT = false
else
  HAS_NETCAT = true
end

# I'm misusing the test suite here a bit because I assume all the tests will
# run in the defined order.
describe "A Certificate Depot Server" do
  PORT = 35556

  def self.has_netcat?
    HAS_NETCAT
  end

  before do
    @depot_bin      = File.expand_path('../../../bin/depot', __FILE__)
    @path           = File.expand_path('../../../tmp/server-test-depot', __FILE__)
    @log_file_path  = File.expand_path('../../../tmp/depot.log', __FILE__)
    @pid_file_path  = File.expand_path('../../../tmp/depot.pid', __FILE__)
  end

  it "generates a new depot on disk" do
    `#{@depot_bin} init #{@path} Certificate Depot Server Test`.should == ""
  end

  it "starts a server" do
    system("#{@depot_bin} start #{@path} --log-file #{@log_file_path} --pid-file #{@pid_file_path} --port #{PORT}")
  end

  it "shows help" do
    `echo "help" | nc 127.0.0.1 #{PORT}`.should == "generate help shutdown\n"
  end if has_netcat?

  it "generates a certificate" do
    pem_path = File.join(@path, 'test.pem')
    `echo "generate /UID=recorder-12" | nc 127.0.0.1 #{PORT} > #{pem_path}`
    certificate = OpenSSL::X509::Certificate.new(File.read(pem_path))
    certificate.subject.to_s.should == '/UID=recorder-12'
  end if has_netcat?

  it "stops a server" do
    `#{@depot_bin} stop --pid-file #{@pid_file_path}`.should == "[!] Stopping server\n"
  end

  it "removes the depot from disk" do
    FileUtils.rm_rf(@path)
    FileUtils.rm_f(@log_file_path)
    FileUtils.rm_f(@pid_file_path)
  end
end