text:
from __future__ import absolute_import, unicode_literals, print_function, division

import codecs
import functools
import tempfile
import os

import sublime
import sublime_plugin
from . import GitTextCommand, GitWindowCommand, plugin_file, view_contents, _make_text_safeish
from .add import GitAddSelectedHunkCommand

history = []

class GitQuickCommitCommand(GitTextCommand):
    def run(self, edit, target=None):
        if target is None:
            # 'target' might also be False, in which case we just don't provide an add argument
            target = self.get_file_name()
        self.get_window().show_input_panel(
            "Message", "",
            functools.partial(self.on_input, target), None, None
        )

    def on_input(self, target, message):
        if message.strip() == "":
            self.panel("No commit message provided")
            return

        if target:
            command = ['git', 'add']
            if target == '*':
                command.append('--all')
            else:
                command.extend(('--', target))
            self.run_command(command, functools.partial(self.add_done, message))
        else:
            self.add_done(message, "")

    def add_done(self, message, result):
        if result.strip():
            sublime.error_message("Error adding file:\n" + result)
            return
        self.run_command(['git', 'commit', '-m', message])

# Commit is complicated. It'd be easy if I just wanted to let it run
# on OSX, and assume that subl was in the $PATH. However... I can't do
# that. Second choice was to set $GIT_EDITOR to sublime text for the call
#  to commit, and let that Just Work. However, on Windows you can't pass
# -w to sublime, which means the editor won't wait, and so the commit will fail
# with an empty message.
# Thus this flow:
# 1. `status --porcelain --untracked-files=no` to know whether files need
#    to be committed
# 2. `status` to get a template commit message (not the exact one git uses; I
#    can't see a way to ask it to output that, which is not quite ideal)
# 3. Create a scratch buffer containing the template
# 4. When this buffer is closed, get its contents with an event handler and
#    pass execution back to the original command. (I feel that the way this
#    is done is  a total hack. Unfortunately, I cannot see a better way right
#    now.)
# 5. Strip lines beginning with # from the message, and save in a temporary
#    file
# 6. `commit -F [tempfile]`
class GitCommitCommand(GitWindowCommand):
    active_message = False
    extra_options = ""
    quit_when_nothing_staged = True

    def run(self):
        self.lines = []
        self.working_dir = self.get_working_dir()
        self.run_command(
            ['git', 'status', '--untracked-files=no', '--porcelain'],
            self.porcelain_status_done
        )

    def porcelain_status_done(self, result):
        # todo: split out these status-parsing things... asdf
        has_staged_files = False
        result_lines = result.rstrip().split('\n')
        for line in result_lines:
            if line and not line[0].isspace():
                has_staged_files = True
                break
        if not has_staged_files and self.quit_when_nothing_staged:
            self.panel("Nothing to commit")
            return
        # Okay, get the template!
        s = sublime.load_settings("Git.sublime-settings")
        if s.get("verbose_commits"):
            self.run_command(['git', 'diff', '--staged', '--no-color'], self.diff_done)
        else:
            self.run_command(['git', 'status'], self.diff_done)

    def diff_done(self, result):
        settings = sublime.load_settings("Git.sublime-settings")
        historySize = settings.get('history_size')
        rulers = settings.get('commit_rulers')

        def format(line):
            return '# ' + line.replace("\n", " ")

        if not len(self.lines):
            self.lines = ["", ""]

        self.lines.extend(map(format, history[:historySize]))
        self.lines.extend([
            "# --------------",
            "# Please enter the commit message for your changes. Everything below",
            "# this paragraph is ignored, and an empty message aborts the commit.",
            "# Just close the window to accept your message.",
            result.strip()
        ])
        template = "\n".join(self.lines)
        msg = self.window.new_file()
        msg.set_scratch(True)
        msg.set_name("COMMIT_EDITMSG")

        if rulers:
            msg.settings().set('rulers', rulers)

        self._output_to_view(msg, template, syntax=plugin_file("syntax/Git Commit Message.tmLanguage"))
        msg.sel().clear()
        msg.sel().add(sublime.Region(0, 0))
        GitCommitCommand.active_message = self

    def message_done(self, message):
        # filter out the comments (git commit doesn't do this automatically)
        settings = sublime.load_settings("Git.sublime-settings")
        historySize = settings.get('history_size')
        lines = [
            line for line in message.split("\n# --------------")[0].split("\n")
            if not line.lstrip().startswith('#')
        ]
        message = '\n'.join(lines).strip()

        if len(message) and historySize:
            history.insert(0, message)
        # write the temp file
        message_file = tempfile.NamedTemporaryFile(delete=False)
        message_file.write(_make_text_safeish(message, self.fallback_encoding, 'encode'))
        message_file.close()
        self.message_file = message_file
        # and actually commit
        with codecs.open(message_file.name, mode='r', encoding='utf-8') as fp:
            self.run_command(
                ['git', 'commit', '-F', '-', self.extra_options],
                self.commit_done, working_dir=self.working_dir, stdin=fp.read()
            )

    def commit_done(self, result, **kwargs):
        os.remove(self.message_file.name)
        self.panel(result)

class GitCommitAmendCommand(GitCommitCommand):
    extra_options = "--amend"
    quit_when_nothing_staged = False

    def diff_done(self, result):
        self.after_show = result
        self.run_command(['git', 'log', '-n', '1', '--format=format:%B'], self.amend_diff_done)

    def amend_diff_done(self, result):
        self.lines = result.split("\n")
        super(GitCommitAmendCommand, self).diff_done(self.after_show)

class GitCommitMessageListener(sublime_plugin.EventListener):
    def on_close(self, view):
        if view.name() != "COMMIT_EDITMSG":
            return
        command = GitCommitCommand.active_message
        if not command:
            return
        message = view_contents(view)
        command.message_done(message)

class GitCommitHistoryCommand(sublime_plugin.TextCommand):
    def run(self, edit):
        self.edit = edit
        if history:
            self.view.window().show_quick_panel(history, self.panel_done, sublime.MONOSPACE_FONT)
        else:
            sublime.message_dialog("You have no commit history.\n\nCommit history is just a quick list of messages you've used in this session.")

    def panel_done(self, index):
        if index > -1:
            self.view.replace(self.edit, self.view.sel()[0], history[index] + '\n')

class GitCommitSelectedHunk(GitAddSelectedHunkCommand):
    def cull_diff(self, result):
        super(GitCommitSelectedHunk, self).cull_diff(result)
        self.get_window().run_command('git_commit')

redpajama_set_name: RedPajamaGithub


Conceived and designed the experiments: LM ONS BSM OLF. Performed the experiments: LM ONS PAS MPC CRC DON JARGB MRRS MPB LMPL MTVR SMF BSM OLF. Analyzed the data: LM ONS MPB SMF BSM OLF. Contributed reagents/materials/analysis tools: SMF OLF. Wrote the paper: LM ONS BSM JARGB BSM OLF.


Although summer is a time set aside for camping and outdoor sports I find it is too hot-muggy-buggy, and the campgrounds are packed with people.
I prefer the fall time with the leaves turning and of course this lends itself to hunting by many nimrods. I had thought to talk about what I would pack in with me for comfort of sorts on a ten-mile (easy) hike, or canoe trip in the north.
Hiking in requires good sturdy lightweight leather boots. The Army combat boots-Desert boots usually weigh one pound each. This is important as each step you are lifting weight and that weight adds up. The soles need be some type of alligator ribbed type grip with vents on the side are excellent along with a solid ankle support and high arch. Sizing is important as when you are walking great distances your feet expand a bit. Although my foot is a US 10, I order a US10 ½. This compensates for the thick double pair of sox I wear for a cushion. I also prefer a wide size. The rule of thumb is that your city fashionable pointed toe shoes are going to bind up and cause blisters. You require comfortable boots that will carry you miles and miles.
While we are on the subject of outdoor hiking shoes consider carrying a small can of foot powder and some spot Band-Aids for the occasional blister. For the sox I recommend "Carheart" brand, a thick outer sox and a lighter 2nd pair of sox.
Some good people are looking at "logger boots". These tight fitting high heel boots are made for logging and unsuitable for long hikes-they do not give.
Snake country such as Florida might encourage looking at high cut snake proof boots. This is excellent except they will on a long walk, even a short walk, cause blisters. Snake proof boots are a specialty, and not for hiking.
Winter ice and snow implies severe cold and wet. The best boots I have found, and what I use around the homestead in the winter muck is rubber bottoms, leather tops and felt lined at –70 F below temperatures. Of course these are all wide boots and sized at US 10 ½. Your foot may be larger or smaller.
On the long hike good ankle support is necessary, also toe protection; to keep the boots light use fiberglass toecaps. I prefer lace holes to reeve the nylon lines up to the top for a snug fit. The shoelaces you buy are really weak. You might try making some lacing out of parachute shroud cord. Burn the tips with a match taking care not to burn your fingers as nylon melts and drips. Make two extra pair. The real Army boots have a steel plate in the bottom sole to prevent nails and such from puncturing your foot. Civilian shoes rarely have this feature. Sooner or later you will step on a nail. You must have a tetanus shot at least every 5 years. I get one about every 3 years. If you step on a nail, miles from anywhere you must treat the puncture immediately by removing the boot and nail. Use a tube of anti-bacterial and squirt it in the puncture. You can expect a sore foot but if the redness, which is inflammation, spreads outward you best hobble back to an emergency room for a $1700.00 treatment. Look for the steel protection plate in the soles. The problem with nail punctures is that they may drive a piece of rubber up into the foot, which spreads infection.
You could have a shoe repair shop make a pocket folding knife holster for the outside of the boot, but to carry a straight blade knife, even in a sheath in your boot is asking for trouble. Many would-be Rambos die alone in the forest from severing a leg artery.
Long outdoor grade trousers with suspender buttons, or grips with 2" belt loops are best cut extra long to tuck into the boot tops. If ticks still are about you will want to spray your trousers and boots with a tick repellent. I prefer to tuck the trouser cuffs into the boots and leave the sox inside the trousers, as this is what the ticks grab onto first- warm fuzzy socks.
Long sleeve button cuff shirts are a must especially with mosquitoes.
I think suspenders are best for heavy-fat-older men, as their stomach gets larger and the hips smaller allowing the trousers to slide down. Many men try to compensate by tightening the belt but this interferes with blood supply and general health. Younger men usually do well with a wide work belt, and on that belt if they carry a sheath knife it is carried behind the hip, and the sheath stuck in the hip pocket so you do not lose it, or it slides around to the front so you stab delicate parts.
I must mention knives at this point. You do not need a 5-pound Bowie knife. A small bladed knife is the most useful, often billed as a trout and bird knife. The folder knife is good too!
Trekking through a jungle a machete is useful. Although many machete blades proliferate the catalogs, still the best, from my experience is the 1944 True Temper US Army machete. Good balance and ridged metal. This weighs about 1 pound with the canvas sheath, which is affixed to your pack. The great Nessmuk from the late 1800's as mentioned by the Forester Horace Kepheart, sought vainly for a 1-pound hatchet. There is a one pound hatchet, double blade in the outdoor catalogs; also billed for tomahawk throwing. This would be advantageous for cutting lightwood although for many years I was content with the machete.
Open country dictates a wide brim African Safari type hat with a cool band ™ and a mesh top. Cold weather a double knit wool watch cap does wonders for keeping warm.
Leather gloves and a neck scarf complete your ensemble except for a jacket/coat.
The shooting vest is great for warm weather outer wear, but with mine the multiple pockets filled up with gadgets I must have; it weighed a ton. So we have to cut back on all the really unnecessary items. Perhaps your compass, matches in a container, map is sufficient.
In my young days feather down was the best for warmth. Today I use thinsulate as it is light and if it gets torn in the brush I am not leaving a trail of feathers. The advantage of down jackets and sleeping bags aside from warmth is that they float. This is a factor when canoeing in the far north.
All the water on this planet is polluted and unfit to drink from a running stream-if not from the dead animals upstream, but from other hikers pooping in it, and or course acid rain etc. Pack in a couple quarts of water in aluminum canteens. Treat the water by habit with Hazelton, or iodine, or perhaps what is the latest water purification. Then when you find the sparkling spring you will always treat the water. I prefer aluminum canteens as you can heat the water in the canteen and slip the canteen inside the sleeping bag on a cold night for extra warmth. The current use of plastic canteens limits use and they usually split when you fall down on them, or get rough with your pack where they are affixed. You will not get enough aluminum toxicity from the canteens on this short trip.
By soaking the canteen cover you can keep the water cooler on hot days.
Our next issue will discuss sticks and stones and lean into advanced hiking.
Copyright: 2013, Back2theLand.com, all rights reserved.


text:
A Psychoanalytical Presentation
at Friday Saturday Night Movies:
Saturday the 12th of May
Strange ... Strange ... Their Irresistible Love!
Dark ... Dark ... Their Inescapable Fears !
--Original tagline
USA: 1945 -- Directed by Alfred Hitchcock
Written by Ben Hecht (based on the novel The House of Dr. Edwardes by Francis Beeding)
Starring Ingrid Bergman, Gregory Peck & Michael Chekhov
Good night and sweet dreams... which we'll analyze in the morning.
--Dr. Alex Brulov (Michael Chekhov)
Alfred Hitchcock takes on Sigmund Freud in this thriller in which psychologist Ingrid Bergman tries to solve a murder by unlocking the clues hidden in the mind of amnesiac suspect Gregory Peck. Among the highlights is a bizarre dream sequence seemingly designed by Salvador Dali--complete with huge eyeballs and pointy scissors. Although the film is in black and white, the original release contained one subliminal blood-red frame, appearing when a gun pointed directly at the camera goes off. Spellbound is one of Hitchcock's strangest and most atmospheric films, providing the director with plenty of opportunities to explore what he called "pure cinema"--i.e., the power of pure visual associations. Miklós Rózsa's haunting score (which features a creepy theremin) won an Oscar, and the movie was nominated for best picture, director, supporting actor (Michael Chekhov), cinematography, and special visual effects. --Jim Emerson for Amazon.com essential video
Hope to see you there. I'll save you an aisle seat, a pair of skis, and a melting clock.
Won Oscar for Best Music, Scoring of a Dramatic or Comedy Picture
Nominated for Oscars for Best Picture, Best Director (Alfred Hitchcock), Best Actor in a Supporting Role (Michael Chekhov), Best Black-and-White Cinematography and Best Special Effects
Won New York Film Critics Circle Awards for Best Actress: Ingrid Bergman--also for The Bells of St. Mary's (1945)
John Ballantine: That Freud stuff's a bunch of hooey.
Dr. Alex Brulov: Oh, you are a fine one to talk! You have a guilt complex and amnesia and you don't know if you are coming or going from somewhere, but Freud is hooey! *This* you know! Hmph! Wiseguy.
Dr. Alex Brulov: My dear girl, you can not keep bumping your head against reality and saying it is not there.
The dream sequence was designed by Salvador Dalí, and was originally supposed to run slightly longer. It included a scene in a ballroom with hanging pianos and still figures pretending to dance, filled with J.P. dancing with Dr. Peterson who turns into a statue. It was cut from the final film due to lack of time to appropriately build the set to scale (little people were used in the background to give the illusion of perception, which did not satisfy Alfred Hitchcock or Dali). Only part of it was filmed, and even less of it ended up in the release version.
The shot where the audience sees the killer's view down a gun barrel pointing at Peterson was filmed using a giant hand holding a giant gun to get the perspective correct.
David O. Selznick wanted much of the film to be based on his experiences in psychotherapy. He even brought his psychotherapist in on the set to be a technical advisor. Once when she disputed a point of fact with Alfred Hitchcock on how therapy works, Hitchcock said, "My dear, it's only a movie."
Hitchcock himself referred to the film as "just another manhunt wrapped up in pseudo-psychoanalysis".
Writer Ben Hecht consulted many of the leading psychoanalysts of the day when he was penning the screenplay.
Continuity: When Dr. Peterson enters the library at the mental hospital, The word "LIBRARY" is clearly visible on the door in large letters. When she exits, it is gone.
Continuity: When John Ballantine, after seeing snow in Dr. Brulov's house, drops and breaks a cup full of coffee, no coffee spills on the carpet.
Continuity: The burn on JB's hand is only visible during the scene where they talk about it. It disappears in every other scene where his hand is visible (like when he is sitting on the couch with Dr Brulow).

redpajama_set_name: RedPajamaCommonCrawl


Do I need to keep paying the monthly premium in order to get Additional Living Expense from Liberal Mutual?
I read that "Generally, home insurance caps additional living expenses to a portion of the dwelling coverage, typically 20 percent, Swerling says, and sets a time limit, such as 12 months. So if your home is insured for $200,000, then you have up to $40,000 to spend on additional living expenses. Once the 12th month ends, though, the money disappears".
"Be aware of is the policy limit for Additional Living Expense. ALE coverage is usually based on the amount of insurance you carry on your home (Coverage A value). It may be capped at a percentage of your dwelling limit, most commonly 20 percent of Coverage A. For example, if your home is insured for $250,000, you could have up to $50,000 for additional living expenses."
Do I get the whole check of $40,000 or $50,000 at once while I wait for the house to be repaired? Do I get nothing?
for all the coverages that follow.
premises is not fit to live in.
value of that part of the "residence premises"
rented or held for rental.
not limited by expiration of this policy.
cancellation of a lease or agreement.
No, it's included in your policy premium.
It's a reimbursement coverage. You have to incur the expenses and submit receipts to get paid for them though insurance adjusters often have the option of sending an advance. I had plenty of policyholders forced out of their homes due to serious damage and I routinely advanced them a thousand or two for immediate expenses.
That was foolish. Why are you pissed off at them?
How does a 236,000 house depreciate to $6000?
They did the examination under oath, just because I am paying a very high monthly premium ($270) for a $6,000 house.
It was $24,000 in 1930's... now the house is worth $6,000.
I told them that I didn't know that I was paying too much for insurance for that house.
Can I ask them to pay me $40,000 of ALE without the receipt? Since the hotel or apartment rent cost a lot? Uber and storage fee and food? It would be hard to find a contractor since it is winter... it is snowing in Illinois. May have to wait until spring for that contractor to come over.
Can I ask them to pay me $40,000 of ALE without the receipt?
You can ask for whatever you want. I doubt you are going to be paid for an incurred expense you can't prove that you incurred.
What the house is "worth" to buy or sell is not what the insurance covers. The insurance covers the cost to repair it or rebuild it at today's construction costs.
You can ask, but no adjuster in his right mind is going to do it.
It would be hard to find a contractor since it is winter... it is snowing in Illinois. May have to wait until spring for that contractor to come over.
That's probably not going to fly. Contractors don't close their businesses in the winter. They'd go bankrupt.
Gonna need to know what happened to your house.
And why the examination under oath?
We want to make sure you understand how we arrived at your payment amount.
Well I paid storage fee online. I can copy those past payments.
Emailed receipt of me using Uber to go to the restaurant, travel from the temporary home to restaurant and grocery.
since the grocery in illinois is just 3 blocks away.
Will the Adjuster pay me what I owe or no???
Well I left messages to 10 contractors and only one responded. And I don't know if I will reach him again.
The house was sprayed with paint and dirt.
I guess the adjusters were suspicious of me. I don't know.
You're giving us information in disjointed bits and pieces. Any chance you could start from the beginning? Because you say your house was "sprayed with paint and dirt." Paint and dirt generally doesn't mean that you can't live there. So start from the beginning.
Well if the damage is worth from $6,000 to $20,000... then you should know how bad it is.
Insurance wouldn't pay $6,000 if I only need to sweep and clean off the paint from the wood floor, ceiling, tub, sink, cabinet and windows. That will take days. The contractor won't do it for $6,000.
Really? Your answer to a request for more detailed information from a volunteer who is trying to help you is a snarky comeback? Way to endear yourself there.
Now we are getting somewhere. I've been down this road hundreds of times.
The $ 21,977.82 is not the value of your home (nor is the $ 6,161.38).
The $ 21,977.82 is the estimated cost to repair the damage to your house.
Note the word RECOVERABLE. Your Replacement Cost coverage allows the insurance company to pay the depreciated amount of the repair cost up front and pay you the balance of the repair cost when you have completed the repairs and submitted the receipts or paid invoice from the contractor. The policy is written like that to make sure repairs actually get done and get done properly.
As for your $1000 deductible, well, you bought the policy that way so whatever the repairs cost you spend $1000 of your own money toward them.
I strongly suggest you resume paying for your insurance and hope the coverage hasn't lapsed. There is nothing wrong with what the insurance company is doing. Maybe you'll realize that now that you understand it better.
Probably a good guess now that you've explained what happened. Probably was a scary and inconvenient, but it happens sometimes, and your claim is getting paid anyway.
I strongly suggest you resume paying for your insurance and hope the coverage hasn't lapsed.
Just for clarification: Since this event was covered when it happened, wouldn't all costs associated with the claim be covered, regardless of whether or not the insurance policy remained in force after the event?
For example, pretend that I got in to a very minor car accident on May 30th and everyone went away saying everything was good, no harm, no foul, etc. Of course, that evening, I contacted the insurance company to tell them what happened, even though I wasn't filing a claim. Then, on June 1st, I switch to a new auto insurance company. THEN, on June 23rd, I get notified that the other party is claiming all sorts of injuries as a result of our accident. Wouldn't my former insurance company be obligated to pay for my defense, etc.?
Zigner, the answer is yes to both your questions.
My admonition has more to do with future claims and insurance costs if a lapse occurs.
Ya' know, it would REALLY help if you either kept this with your original thread or included a link in your initial post.


text:
Q: Centos - Root access with key, force to ask password too I have a CentOS server in AWS Amazon. They gave me a key, but since its in my computer, I would like to make the server ask for a password too.
How can I do it?

A: OpenSSH which CentOS uses doesn't support requiring both a key and password as far as I know. What you can do however is to password protect the key stored on your local computer.
Easiest way is probably to generate a new key using ssh-keygen and then install it into the .ssh/authorized_keys file on the server. ssh-keygen will ask you to set a passphrase.
You can also encrypt it using openssl, but it depends on the key format so need more info for that.
Disclaimer: I'm not too familiar with AWS so don't know where the key you have came from.

redpajama_set_name: RedPajamaStackExchange


text:
Alumni and Student Accomplishments
UCTV News
MCS Theta Chi Inductees
HomepageMedia and Communication StudiesMCS Inducts New Theta Chi Members
MCS Inducts New Theta Chi Members
MCS inducted its newest members of Theta Chi, Ursinus' chapter of Lambda Pi Eta, the national honors society for Communication Studies.
Lambda Pi Eta is the official communication studies honor society of the National Communication Association (NCA). As a member of the Association of College Honor Societies (ACHS), LPH has nearly 400 active chapters at four-year colleges and universities worldwide. LPH was founded in 1985 at the University of Arkansas. LPH became a part of the National Communication Association (NCA) in 1988, and the official honor society of the NCA in July 1995. LPH represents what Aristotle described in his book, Rhetoric, as the three ingredients of persuasion: Logos (Lambda) meaning logic, Pathos (Pi) relating to emotion, and Ethos (Eta) defined as character, credibility and ethics.
Congratulations to Theta Chi's newest inductees!


We are extremely excited to introduce round 38. With very talented artists from all over the world, this round is ready to inspire you to ask questions. Of course one question that continues to be asked is, "What is art?" This varied group will challenge your perceptions through painting, drawing, sculpture, collage, installation, photography, video, interactive works and performance. The next three months are going to be enlightening.
This entry was posted in documentation on January 9, 2019 by Maeshelle West-Davis.


Congratulations. You have made very good work for the training and mapping sessions. Relatively to the Gate tag, I should have been more precise in my comments. As far as it is placed on walls or fences (and not on higway nodes), it should be ok to avoid confusion with road blocks.
Dont hesitate to ask help from the Internet Community abroad. By example, if you add jobs to the Task Manager, invite mappers through the HOT mailing list. An other possibility, to have some interaction with the HOT Community, would be to use the OFTC #hot irc channel for exchanges during some sessions.
I have picked alot from your replies and learnt that we are doing almost similar tasks, all the OSM editors have advantages and disadvantages, and we shall be using all of them, only that we have lately been inclined towards potlatch because it is easy to use and spot on: "what you edit is what you get (WYEWYG)" and it enables the practical usage of the internet. Uganda being a low developing country can benefit alot from using the internet and despite the fact that there are various areas without internet connectivity, it (the internet) is growing at a fast pace!!, hence the use of potlatch.
The training has just begun and we have started with a few number of people who will be tested with their skills on the mapping days or future projects that will involve http://www.osm.org, then we shall keep on training more interested people.
It's a 4 hour training for 2 days in a week for the students in their holiday, am actually surprised to learn that H.O.T carries out a 2day workshop that covers the manual.


. Find And Save Ideas About Comfortable Winter Outfits On Pinterest. | See More Ideas About Cold Winter Outfits, Casual Winter Outfits And Warm Winter Outfits. … "autumn Winter Outfits, Casual Comfort Fashion For Women" … Women Clothing Women's Fashion Fall / Winter Comfortable Outfit With Black Pants, A Long Black Turtleneck Sweater And … Fashion For Women Over 40, Brown Fashion, Black And Brown, Brown Boots, Fashion Advice, Fashion Ideas, Fall Winter Outfits, Winter Fashion, Black Pants Jo-lynne Shane Fall Fashion And Outfit Ideas A Longer Cut Will Keep You From Looking Like A Fluff Ball. Now Have A Look At These 36 Lovely And Comfortable Winter Outfits Ideas Below. Share This: … 35 Trending Fall Outfits Ideas To Get Inspire … 232 Casual Blazer Outfit For Women You Must Have. March 29, 2017. 51 Trendy Business Casual Work Outfit For Women. December 19, 2017. 40 Top ….


text:
define([
	"dcl/dcl",
	"delite/Widget"
], function (dcl, Widget) {
	return dcl(Widget, {
		attachedCallback: dcl.superCall(function (sup) {
			return function () {
				if (this.impl) {
					this.impl.baseClass = this.baseClass;
					this.impl.isLeftToRight = this.isLeftToRight;
				}
				// Workaround to an issue a mutation observer set in delite/Widget#attachedCallback,
				// calling Polymer DOM wrapper's setter instead of actual element's setter which ends up with infinite loop of mutation observer
				sup && sup.apply(this.impl || this, arguments);
			};
		})
	});
});


text:
Fabulous Flip Sides - Oleta Adams
The 30th anniversary of "Get Here" is celebrated along with Oleta Adams' contribution to the music of Elton John, Tears for Fears, Christmas and gospel music
Oleta Adams photo by John Cushon courtesy of oletaadams.com
GOLDMINE: Congratulations on the 30th anniversary of your pop Top 40 debut with "Get Here," written by Brenda Russell.
Oleta Adams' "Get Here" cassette single was a Top 10 pop and R&B hit in 1991
OLETA ADAMS: Thank you. I first heard this Brenda Russell composition when I was in Norway where I was playing in a piano bar. During the day, I was in a dress shop and there was background music playing. I was very accustomed to listening to Brenda Russell's music and had performed some of her other songs in my shows, so I recognized her distinctive voice right away when I heard the song. I thought it was a fantastic powerful ballad and wanted to get it. At the same time, my future husband had sent her new album to me on cassette, which was Get Here, which also included her Top 40 hit "Piano in the Dark." I fell in love with the song "Get Here" and learned it. When I got back to the U.S. I started singing it and wore it out in my club shows. Even half-asleep people in the lounges would wake up on that one.
MasterPeace In Concert – Music Above Fighting, UN International Day of Peace, Amsterdam, September 21, 2014
GM: Now you perform "Get Here" in all your shows as your signature song. My wife Donna and I enjoyed your version of it with the orchestra at the MasterPeace In Concert Music Above Fighting special. A year before the Top 40 debut of "Get Here," I heard your voice as a guest vocalist on Tears for Fears' Top 40 hit "Woman in Chains."
OA: Yes. In 1985, I was in Kansas City, where I still live, performing with my trio at the Hyatt. Tears for Fears were in town on tour, and they were staying there. The Tears for Fears duo, Roland Orzabal and Curt Smith, heard me sing but we didn't meet on that night. Two years later they hunted me down and Roland told me how moved they were. They asked me to sing and record "Woman in Chains" with them and it became a hit and is timeless. I learned a lot from them about music and writing. I like the feel of their U.S. debut No. 1 hit "Everybody Wants to Rule the World" and that sound inspired me when I was writing the title song for my album Circle of One. I also embraced Roland's philosophy to write songs with lyrics that are meaningful to a variety of people.
Oleta Adams and Roland Orzabal photo courtesy of oletaadams.com
GM: Your song "Circle of One" is nice and bouncy.
OA: Yes, it is. When I got signed to Polygram/Fontana, they sent me to L.A. to be with some traditional writers like Allee Willis, Albert Hammond, and others, but even surrounded by people, I felt lonely in L.A. I didn't have a circle of friends. I had me, so that is what "Circle of One" is about, and I was more inspired by what Roland had previously taught me that being surrounded by writers who were focused on getting their songs placed with Anita Baker, Whitney Houston and others.
GM: Speaking of songwriters, Elton John and Bernie Taupin come to mind, when I think of some of your finest recordings. Thirty years ago, when I bought the tribute CD of their music, Two Rooms, your name was alphabetically listed at the top of the sixteen acts, so that is great placement.
OA: It is so good to have a last name like Adams. I think I started out with "Someone Saved My Life Tonight" but I fought very hard to record "Don't Let the Sun Go Down on Me," which I thought fit my voice best. Another performer wanted to do that one, but they managed to get it for me. We recorded it for the album, and they were going to release it as a single, but then George Michael's live version with Elton was released, so that didn't happen. Later on, Elton and I were performing at a benefit concert and there was a knock at my dressing room door. It was Elton and he came over and apologized. We laughed and both received Grammy nominations in two separate categories that year, so that's a great story.
Elton John and Oleta Adama photo courtesy of oletaadams.com
GM: Speaking about stories, what can you share about "I've Got to Sing My Song," which is my favorite flip side of yours.
OA: That is an old song which I wrote over forty years ago. I was a preacher's kid, raised by my great-uncle who was a Southern Baptist minister. It always troubled him that I was not, as they say, singing for the Lord. I left home so that I wouldn't embarrass him in town, to pursue my career. I needed to write something to him to explain why I needed to do this, singing music that would really soothe the soul of man, songs that would help people feel better about themselves, which included gospel music but not just gospel music. I wrote it in a gospel genre, although it is not a gospel song. I wrote it for him hoping that he would understand my message in a style familiar to him. He did hear it and came to a couple of my shows. It is something I needed to do to express that to my family, particularly my father, really my great-uncle who I call my father, to show why I chose this as my career. My biological father is also a minister and he needed to hear that because he was also very critical. Fortunately, both got over it and my biological father, who is still alive, now comes to my defense saying, "She is doing a lot of good work in music that is quality music and bringing a lot of joy to people."
Flip side: I've Got to Sing My Song (produced by Tears for Fears' Roland Orzabal)
A side: I Just Had to Hear Your Voice
Billboard R&B debut: October 16, 1993
Fontana 862502
GM: You brought a lot of joy to a songwriter who I spoke with recently, Kathleen Wakefield, who co-wrote "Never Knew Love." She said that you did a great job singing it.
OA: Aw. That is very nice of her. That was an experience where I had to co-write on the spot. I prefer to do the two rooms thing that Elton and Bernie do, as I write differently than others, but in that circumstance, we were all together. I was able to switch gears. That's what all the years of doing club music will get you, driving versatility. The song became a big hit in certain regions of Europe, and I forget about it and I am always surprised when it is requested. That song helped pay for my house, ha ha. I am grateful for the experience of working with Vassal Benford and Kathleen Wakefield on that song.
GM: You draw upon your family's gospel roots with your new single "Place of Peace," which is so peaceful. You sing, "I don't need to walk on water. Just help me find a place of peace." This is one of the songs which will be in my Fabulous Songs of 2021 list publishing December 27.
OA: Oh, thank you very much. I waited many years to release this. I recorded this in 2006, around the same time as my album Christmas Time with Oleta. I decided to release "Place of Peace" because the pandemic hit us hard. We thought we really went through something with 9/11, when the skies were cleared where you did not hear a helicopter or a plane for almost a week. Things changed forever after. We thought that was something, a once in a lifetime crisis. Now we have this new crisis and I think that the time was right to draw on my gospel roots and share this song of peace.
GM: Let's talk about Christmas Time with Oleta. First of all, the album cover is very beautiful.
OA: Thank you very, very much. Randee St. Nicholas was the photographer and she just did a beautiful job. I love working with her.
GM: We bought Amy Grant's first Christmas album, when it was released in 1983 and I thought it was so sincere. With her second Christmas album in 1992, she was all grown up, and there are four songs which really stood out for me, that I thought were so powerful, including one she co-wrote, "Breath of Heaven." I hadn't heard anyone but her perform that song, so I was so pleased that you chose that song. Your version fits you so well.
OA: You know, that is probably one of my favorite songs and it became a lot of people's favorite song. Someone told me recently that they listen to my version of "Breath of Heaven" every morning. When one of the pastors at my church retired in early summer, a few years ago, he wanted to hear that song and it didn't matter that it wasn't Christmas time. I love singing that song. It just feels good in the throat. The song has a "wrapped up in a warm blanket" feeling and just caresses you. Amy got below the surface with the story in that song and that is what I also love to do in music.
GM: One of my favorite songwriters is Beth Nielsen Chapman and she co-wrote "There's Still My Joy" with Melissa Manchester and Matt Rollings. Immediately you would think this would be a classy piano driven song. Thank you for introducing me to this song. We will get your version of it on the radio December 18.
OA: Wonderful! I have done Christmas tours with Melissa twice and that is where we met and fell in love with each other. I heard her sing this song, so when I was deciding on songs for my Christmas album, this was high on my list and it is interesting how many people gravitate toward that song. I think about people where at Christmastime at home may not be a joyous time because they may have experienced a loss. Tons of people have gone through this. I hope that my music is comforting to them.
GM: It has been a few years since we have interviewed Melissa Manchester and we are keeping an eye on a potential release from her for next year, which will look back at her music from 45 years ago.
OA: In the clubs I used to sing many of her songs and wanted to emulate her vocal richness on her big numbers like "Don't Cry Out Loud." It was a dream come true doing concerts with her and singing her music.
GM: You have a couple of concerts coming up this month and then quite a few more next year, which I know were postponed from 2020.
OA: I spent the past few years before the pandemic talking about retirement. After the first two months of isolation I said, 'I ain't never gonna retire!' Thank you for putting a spotlight on my music and after all these years for still listening. It is really kind of you to do this interview with me for Goldmine.
Oleta Adams link:
oletaadams.com
Hear Oleta Adams' "There's Still My Joy" on "12 Songs of Christmas" Saturday, December 18 between 8-10 a.m. Eastern Standard Time as part of Moments to Remember on wvcr.com or on iHeart.com (search for WVCR).
Oleta Adamsb-sidesfabulous flip sidesflip sidesElton Johnchristmas musicTears For Fears


Imagine holding on to a hot burning coal. You would not fear letting go of it. In fact, once you noticed that you were holding on, you would probably drop it quickly. But we often do not recognize how we hold on to suffering. It seems to hold on to us. This is our practice: becoming aware of how suffering arises in our mind and of how we become identified with it, and learning to let it go. We learn through simple and direct observation, seeing the process over and over again until we understand.


text:
(File photo)
Snow depths show variations at two Summerland sites
Measurements were taken by municipality on May 1
May. 6, 2020 12:00 p.m.
The latest measurements taken at the Summerland Reservoir show a snow pack well below normal for this time of year, while at Isintok Lake, the level is higher than usual.
The latest readings, taken on May 1, showed a snow depth of 190 millimetres at Summerland Reservoir, or the equivalent of 74 millimetres of water.
READ ALSO: Summerland's April 1 snow measurements above normal
READ ALSO: Snow pack remains above normal in Summerland
This is 67 per cent of the historical water equivalent of 110 millimetres, based on data collected over 57 years.
At Isintok Lake, the snow depth on May 1 was 390 millimetres, or the equivalent of 144 millimetres of water.
This is 112 per cent of the historical average of 129 millimetres, based on 56 years of data.
Kris Johnson, director of works and utilities for Summerland, said the differences at the two sites are the result of precipitation, temperatures, elevation differences and locations.
Man accused of assaulting Kelowna bus driver to plead guilty
Okanagan's flood story opens new preparedness chapter


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< Home Blog #76 July Status Report
#76 July Status Report
This is a continuation of our look at EnterTRAINment Junction's (EJ's) newest attraction, its model of Cincinnati's Coney Island amusement park. The model officially opened on June 21, 2013, with some new and impressive features to make the nostalgic trip back to 1965 better than ever.
In the center of the layout area's mezzanine is a kiosk (Figure 1) with a display case showing Coney Island memorabilia and two video monitors allowing visitors to select and view a series of historical films about the amusement park. Being a fan of steamboats, I watched the film about the glorious, and tragic, story of the Island Queen, which used to bring great crowds of visitors from downtown Cincinnati to the park.
Figure 1. Coney Island History Kiosk
To help visitors identify the park's rides which are represented in the model, control panels have been added with photographs of the actual rides at the park, information about them, and buttons to push to activate their models in the display (Figure 2).
Figure 2. Coney Island Model Control Panels
In addition to the Shooting Star roller coaster, Coney Island also had a smaller coaster called "The Wild Mouse," which ran a zigzag course with sharp turns. It's located between the Haunted House and the Tumble Bug rides (Figure 3). All three rides will be animated.
Figure 3. The Wild Mouse
The Sky Ride (in the foreground of Figure 4) took Coney Island visitors from one end of park's midway to the other, giving visitors a bird's eye view of the park and the nearby Ohio River.
Figure 4. The Sky Ride
At each end of the Sky Ride was a Bavarian styled station, reminiscent of the aerial tramways common in the European mountains. Figure 5 shows a gondola just arriving at the station near Moonlite Gardens.
Figure 5. Sky Ride Station
Finally, since this IS a model railroad layout, we can't ignore the Train Ride (Figure 6). It runs on a simple oval loop of track with a siding at the station. It leaves the station, crosses a portion of the selectively compressed Lake Como and then circles back through the woods, where replicas of a settler's cabin and Native American encampment add some items interest for the passengers' enjoyment. The locomotive was adapted from an O-scale narrow gauge model, so its 1:48 scale represent a half scale model (1:2 proportions or 6 inches to the foot) in the 1:24 universe of the of the Coney Island model.
Figure 6. The Train Ride
Though the Coney Island exhibit's official opening has been announced and celebrated, and most of the features have been installed, this model, like the rest of the EJ layout will see continuous improvements as time, ideas, and the skills and efforts of the EJ modelers allow.
And, since Coney Island isn't the only feature recently added to layout, next time, we'll look at what else is new.


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Bellicose Bridestones Ends Peaceably
2012-13 Season Journal, Bridestones Holme Brew Chess Challenge Add comments
Bridestones Holme Brew Chess Challenge: Final Game
The Bridestones Holme Brew Chess Challenge came to an end at the Trades Club on Monday night as Andy Leatherbarrow and Pete Leonard played out a draw in trying circumstances as the chess players attempted to concentrate over the din of the live football being televised in the main room.
This result allowed Pete to catch up with Dave Shapland in second place with 3½ out of 8 and Andy's half point enabled him to catch Nick Sykes on 3 points with all these four players finishing well behind the tournament winner, Matthew Parsons on 7.
Below is the final cross table for the competition. Next week Matthew will receive his prize of beer from our sponsors and all the participants will hope that the summer of chess has sharpened them up for the coming season rather than worn them out. These five players will spearhead Hebden Bridge 'A's attempt to achieve a "Three-peat" of Calderdale League 1 title's. They'll need to be at their best to have any chance of succeeding.
Let's pause moment to assess the merits of this summer-long contest. The objective was to give the 'A' team players some focus over the close season and hopefully provide them with the opportunity to play some decent chess as well. To this extent the competition succeeded because each player had some positive aspects to take away from their games and certainly some of the chess was of a decent quality.
Perhaps the most surprising feature of all was the lack of draws in the competition. Bearing in mind that four of the contestants were rated within 10 points of each other it is interesting that there were only 4 draws (17%) in 23 games and that includes one draw featuring Alastair Wright who withdrew after playing three games. For the record there were 12 White wins (52%) and 7 Black wins (31%).
So, how about the format? Does it have any merits and offer any possible view of summer vacations yet to come? "Perhaps" I think is the answer. Probably it was too much to expect a six-player double round robin to fit comfortably into the summer break and also allow players to be away on holiday. After Alastair had withdrawn it became easier to finish the schedule. Several participants have said they'd like to do something similar again next season and so perhaps two or even three grade-banded sections of 5 players in each would be a possibility. Certainly a planned and agreed schedule would be a good idea to give everyone some structure and a timetable to work to. This could still allow for holidays and be planned around participants' vacations.
A couple of players also mentioned the idea of inviting in some players from other clubs to take part provided they commit to the schedule and agree to play at the Trades Club. This is an interesting possibility and might enable some additional strength to be drafted in at the high end of the spectrum (mostly to give Matthew a proper run for his money!) Ultimately, the competition is a club contest and the bulk of the participants should come from the membership. I'd certainly welcome some feedback from other members about the possibility of expending the format next summer. Who knows, perhaps Bridestones Brewing will be interested in sponsoring it again.
I asked all of the players to share their thoughts on the competition and their own performance. Let's start with the thoughts of the winner.
1st: Matthew Parsons — 7/8
Firstly it was a great idea, it was worthwhile, I had some good games, and I'm glad I took part.
I think the quality of games was reasonable. I believe people were too concerned with the opening and trying to catch out/avoid their opponents strengths, rather than playing to their own, of which I was guilty of in 3-4 games, though luckily I only paid the price once.
Mine own performance – I cannot be disappointed. 8/9 against such a field I believe to be a great performance"
2nd= Dave Shapland — 3½/8
The format of the competition made it unusual and challenging. The round robin is totally different from anything else I've done before and I really enjoyed it. It has a somewhat claustrophobic feel to it which lends the whole thing some intensity.
Frankly, I expected to lose both my games against Matthew (though I tried hard to cause him difficulties) and so my objective for the tournament was to score 50% against the others. I managed to succeed in this and so I'm satisfied with my tournament although my loss with White to Matthew is still the cause of some pain!
Being the lowest rated and, in my opinion, the weakest endgame player in the line up, I felt it was particularly important for me to prepare for the opening phase well and to play ambitiously with White. I scored 3 out of 4 with White so I achieved my objective (and ironically I won three endgames where my opponent's played less well than I did!) However, my performance with Black was not so good (½/4 if you don't count my draw with Al) and so perhaps I should have stuck to my regular repertoire in my games with Black against Andy and Pete!"
2nd= Pete Leonard — 3½/8
I'm glad to have taken part and would do so again. What do other members think? Given that there is no club championship during the winter, how about setting up a Summer League that is open to all members? Entries could be required by a date that would give time for the competition to be organised.
Say a dozen entered; the thing could be split into two divisions, initially split by grading, but with promotion and relegation, to give those of us who aren't Matthew something to play for! How many matches? Two against each opponent is the ideal.
As for this tournament, I think the result was a fair reflection of our various abilities. I was disappointed in many of my games; without looking through them again, I lost fairly feebly to Matthew, to Andy and Dave, first time round, and was fortunate to win both of my games against Nick.
I hear what Matthew says about obsessions with openings. I feel my opening knowledge is 30 years out of date! In an attempt not to fall into the more well-known traps, I have tended to focus on just a few openings. Certainly, you know that I'm going to open 1.e4 as White, and respond 1…Nf6 to either 1.e4 or 1.d4. Over time, I may try to extend this."
3rd= Nick Sykes — 3/8
I think the tournament has actually been a success, mainly as we managed to get through all the games.
I would like to do something similar next summer, whether we open it to more players from other clubs and do a single round robin, I don't know?
My own performance was a little strange. In the games I didn't make one move blunders (with that I mean the computer assessment changing dramatically in one move) I did very well. My openings were a positive, in no game was I worse out of the opening and in 6/8 I achieved clearly better positions (just need to convert the advantage). I played slightly different openings to what people might have expected which may have been an psychological advantage."
3rd= Andy Leatherbarrow — 3/8
"I enjoyed the matches. Usually I just relax and do no chess across the summer. I will be interested to see if it makes a difference to the season start. The only thing I would try and change would be the uneven spacing of the games, but that may not be possible.
Personally I tried to play positions I know less well or have not tried in matches and different opening lines to my usual ones. This has been challenging but insightful. It was interesting to play the different styles within the team. Generally I was happy with my games. There were just a couple that I was not fully tuned into and got beaten."
It appears then that this competition, or something like it, may return next summer and hopefully with more players taking part. I hope our readers have enjoyed the games and the coverage. I must also say "Thank you" once again to our sponsor for providing us with a prize. Let's hope that this is the start of something special!
Below is the final game of the competition. All games and reports can be found on the Bridestones page in the tab above.
Your browser do not support JavaScript. Visit the website to see the games in the website
( ) - ( )
ChessTempo PGN Viewer
Posted by Intermezzo at 7:56 am	Tagged with: 2012-13 Season, Bridestones Holme Brew Chess Challenge, Match Report
2 Responses to "Bellicose Bridestones Ends Peaceably"
Great article Dave, however cross table needs correcting I think!
Intermezzo says:
Thanks Nick. I forgot that when I changed the rows it would effect the columns too!!
All changed now 🙂
Syko's Path to Victory Dragon Supplys Friendly Fire


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Q: Hibernate gives 'table is not mapped' Exception I configured package which contains pojo entity class which defined tables.
However, I see errors from below query
public interface TargetRepository extends CrudRepository<TargetEntity, String> {
    @Query("SELECT a, b FROM target_table")
    public List<Object> selectTargets();
}

org.hibernate.hql.internal.ast.QuerySyntaxException: target_table is not mapped
How can I fix it?

A: Your query is just wrong. You don't specify name of table as in SQL database. You specify name of table as name of entity in your application. So, it should be something like:
@Query("select te from TargetEntity te")
List<TargetEntity> selectTargets();

Also, as far as I see, your query is supposed to fetch all targets. Therefore, you could just define method:
List<TargetEntity> findAll();

and voila! Magic! It will fetch all records from your table_target table.


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Q: How to list all Kafka zookeeper bootstrap servers I would like to be able to programmatically (or use a a shell script) to list all the zookeeper bootstrap servers for each of my environments.
If i just know one of the bootstrap servers can I get a list of all of them?

A: All active brokers are registered under /brokers/ids/[brokerId],  you can query ZNode information via any ZK client(for example org.I0Itec.zkclient). All you need is zkQuorum address.
zkClient = new ZkClient(properties.getProperty("zkQuorum"), zkSessionTimeout, zkConnectionTimeout,
                ZKStringSerializer$.MODULE$);

Kafka data structures in Zookeeper

A: Not sure if this helps directly, but I used the following to find a bootstrap server from a Kafka zookeeper:
zkCli.sh -server host:port
[zkCli prompt] ls /kafka
[..., brokers, ...]
[zkCli prompt] ls /kafka/brokers
[1, 2, 3, 4, 5]
[zkCli prompt] ls /kafka/brokers/1
[1]
[zkCli prompt] get /kafka/brokers/1
>> broker info<<


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Latino Party (Fiesta Latina) fue un grupo de baile y música electrónica de origen francés que estuvo activo desde 1989 hasta 1994. Su canción más conocida es el remix llamado Latino Party - Tequila.

Biografía

El proyecto es la creación de un productor francés llamado David Fairstein nombre real Fabrice Cuitad que también participó en el álbum debut de Enigma, formó el cuarteto Latino Party compuesto por dos mujeres, Manuella y Angélica, y dos hombres, Moossa (coreógrafo y bailarín) y Emy. Debutando en una discoteca de Ibiza, el cuatro de artistas se encontrarán un año después en el estudio para grabar su primer álbum The Album, que fue lanzado en 1990. Esencialmente el grupo estaba enfocado en el Dance y Euro house, sus canciones son mezclas de samples y sonidos electrónicos, como en el single The Party. (llegando al número cuarto en el Top 50 en octubre de 1990 y récord de plata), La música incluye fragmentos de Don't Go de Yazoo. El grupo vivirá de otros éxitos con Tequila el cual se convertiría en un  clásico en los bares hispanos (llegando octavo en el Top 50 en febrero de 1991) y The Megaparty, un megamix comercializada a finales de 1991.

Los últimos 2 títulos no fueron producidos por David Fairstein y Paul Simpson. Baila Me fue producida por M.I.Zadeh y compuesta por G.Padevy, Y.Rota y K.M.Louis. Caramba  fue producido y remezclado por Unity Mixers y compuesto por M.I.Zadeh e Iasonas.

Muestras de sonido utilizadas en los álbumes

 The Party es un remix de Esta Loca y usa samples del título Don't Go de Yazoo.
 Tequila es un remix del Quisiera tequila y usa muestras de la pista Just Can't Get Enough de Depeche Mode.
 Arriba! utiliza muestras del título  Oh, Pretty Woman de Roy Orbison.
 La introducción de Rave on me está tomada de LFO y Modular Remix usa muestras del título Cubes por Modular Expansion.
 La introducción de Megamix se basa en el título Don't You Want Me de Human League.
 Aprovecha usa fragmentos de Highway To Hell de AC/DC.
 Weekend utiliza samples de Could You Be Loved de Bob Marley.

Lista de samples usados en el sencillo Latino Party - Tequila:

 Yazoo - Situation - risa femenina
 Depeche Mode - Just Can't Get Enough - música
 Live Crew - We Want Some Pussy - "Somebody say"
 The Champs - Tequila - "Tequila"
 The Beatmasters - Don't Stop The Beat (feat. MC Triple O)
 First Choice - Let No Man Put Asunder (A Shep Pettibone Mix) - "Ooh yeah"
 Eric B. & Rakim - Paid In Full (Coldcut Remix) - "You make me feel so good"
 Trio - Da da da - "Ah Ah"
 The Jimmy Castor Bunch - Troglodyte (Cave Man) - "What we're gonna do right here is go back"

Discografía

Individuales

 1989: Esta Loca
 1989: Quisiera Tequila
 1990: The Party
 1990: Tequila
 1991: Arriba
 1991: Weekend (con Mariam Dee)
 1991: Rave On Me (lanzado como Bond 55 con Noelle Night)
 1991: The Megaparty
 1992: Aprovecha
 1993: Baila Me
 1994: Caramba

Álbumes

 1989: Esta Loca
 1990: El álbum
 1991: El álbum - Non Stop Remix

Otras producciones
 2 Pirates In A Club (Esta Loca '95 en 1995)
 Bond 55 (Rave On Me en 1991 y Rhythm Of My Heart en 1992)
 Ibizaa (I Can't Dance en 1992)
 Latino Inferno (Pussy en 1995)
 Mariam Dee (Weekend en 1991 y It's My Party en 1992)

Referencias

Véase también

 Máquina total

Enlaces externos
  Latino Party - Tequila (video)
 Información del grupo (en inglés)
 Latino Party  en Discogs

Grupos de música formados en 1989
Grupos de música de los años 1990
Grupos de música de España
Grupos de pop de España

redpajama_set_name: RedPajamaWikipedia


text:
Q: $watch not fired when changing the state of the select in angular md I'm trying to understand where the issue is in my use of $scope.$watch, but I can't figure out why the function defined in the watch is not fired. I have this multiselect in Angular material:
<md-select multiple ng-model="selectedItems" placeholder="Please select">
   <md-option ng-repeat="item in specialities" ng-value="item" ng-class="{'selected': item.selected}">
   <ng-md-icon class="checkboxfull" icon="check_box" size="18"></ng-md-icon>
   <ng-md-icon class="checkboxoutline" icon="check_box_outline_blank" size="18"></ng-md-icon>
   {{item.name}}
   </md-option>
</md-select>

and in the controller I'm calling the $watch for this view, that should be I soppose selectedItems:
    $scope.$watch('selectedItems', function(){
        console.log("$scope.selectedItems: ",$scope.selectedItems);
        $scope.filter.idList.length = 0;
        angular.forEach($scope.selectedItems, function (item) {
          $scope.filter.idList.push(item.id);
        });
        console.log("$scope.filter.idList: ",$scope.filter.idList);
   });

But the log is never reached and the $scope.filter.idList is never populated. I saw other examples on stackoverflow that are working with this solution, e.g. AngularJS: $watch for a select input.
Thank you for pointing me on the right direction!

A: As you seem to be $watching an array of items, try specifing true for the third argument in your watch call so that it does a deep watch.
scope.$watch('data', function (newVal, oldVal) { /*...*/ }, true);

Or alternatively, try $watchCollection
scope.$watchCollection('data', function (newVal, oldVal) { /*...*/ });

FYI This has been discussed here: How to deep watch an array in angularjs?

A: Sample, Sample2 Ref both link.   Me too face same problem. try this its working fine for me..You should use dot in ng-model. i.e ng-model="user.FirstName"
$scope.user = {};

    $scope.$watch('user.FirstName', function() {
        console.log("FirstName")
    });


Creams There are 16 products.
Pain muscular, arthritis, blows. Pack of 6 jars. Each one contains 20 g. of cream.
Six Pack of orange blossom cream. Plastic jar with 5 grams each one.
2 presentations: Six pack of Sulfur cream. Plastic jar with 5 grams each one.
Used traditionally to fight the rheumatic afections and the drop. Recycled metallic jar with engraving in relief. Net Weight: 25 g.
Lettuce cream. Traditionally used foir shinbones.
Cream from Matico plant. For arthritis and muscular pains.
Jar with 25 grams of nacar cream.
Recycled metallic box with 20 net grams of Cream with Cat's Claw extract.
Arnica Cream. For reumathic pains. Recycled metallic jar of 25 grams.
Chuncho cream. Recycled metallic jar. 25 grams. For arthritis and sciatic.
Eucalyptus cream at recycled metallic jar. 25 grams.


Description Of Item: Welcome to the Drunken Clam, where the men are loaded and the women are nervous. Hey there, sweetness. What brings you to our local watering hole? You must be lost, 'cause heaven is a long way from here. Actually, Quagmire must be lost - his thought of paradise was further south. You know, if you were words, you'd be the 'fine print!' Quagmire bet your dad was a baker because you have a nice pair of buns. Your eyes are blue like the ocean and he's lost at sea, baby. Wait, wait, where are you going? It's not fall yet, don't 'leaf' so soon! Aw, giggity.


text:
Q: C# How to program find function I have a C# program that utilizes a find function however it is able to find the word but does not highlights the found word in the richTextBox.
Can someone please advise me on the codes?
Thanks.
Find Function Class Form:
using System;
using System.Collections.Generic;
using System.ComponentModel;
using System.Data;
using System.Drawing;
using System.Linq;
using System.Text;
using System.Windows.Forms;

namespace Syscrawl
{
public partial class Find_Form : Form
{
    FTK_Menu_Browsing_History fmbh = new FTK_Menu_Browsing_History();

    public Find_Form()
    {
        InitializeComponent();
    }

    public void searchButton_Click(object sender, EventArgs e)
    {
        string s1 = fmbh.getSearchBrowsing().ToLower();
        string s2 = textBoxSearch.Text.ToLower();

        if (s1.Contains(s2))
        {
            MessageBox.Show("Word found!");

            this.fmbh.richTextBoxBrowsing.Find(s2);
            this.fmbh.richTextBoxBrowsing.SelectionLength = s2.Length;
            this.fmbh.richTextBoxBrowsing.SelectionColor = Color.Red;
            this.Close();
        }
        else
        {
            MessageBox.Show("Word not found!");
        }
    }
}
}

A: You need to select what you are looking for first. This:
int offset = s1.IndexOf(s2);
richTextBox1.Select(offset, s2.Length);

After that you can make the whole highlightining. Another tip, to prevent the flickering in the selection process, use this code in your form:
protected override void WndProc(ref Message m)
{
    if (m.Msg == 0) {
        if (!_doPaint)
            return;
    }

    base.WndProc(ref m);
}

Before selecting anything set _doPaint to false and after the selection set it to true.
Hope I can help!

A: You need to call s1.IndexOf(s2, StringComparison.CurrentCultureIgnoreCase) to find the position of the match.
Also, it looks like your Find form creates its own instance of the History form; it doesn't use the existing instance.
You should consider accepting a constructor parameter.


It appears that homeschooled students are becoming increasingly more desirable to universities and colleges through the entire nation as well as the world.
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Isn't the world better off with particle windchimes, grassroots mapping, and fancy pigeons? It has them now thanks to Science Hack Day, which took place November 13-14 at the Institute for the Future in Palo Alto. swissnex was a proud sponsor. Check out lead organizer Ariel Waldman's blog post on the event.
Click on image to see more pictures of the event on flickr.


text:
Can you Pass Starfleet's Ultimate Test?
Von Ambassador Kael | So 10 Nov 2019 09:00:00 PST
Beginning on November 12th, 2019, until December 3rd, 2019, captains will again be challenged to face the harsh simulation of the "Kobayashi Maru" when it returns as our next Featured Task Force Operation. While this TFO is available, Captains may participate daily to earn progress towards a brand new Featured-TFO reward, as well as earning Event Campaign Progress toward a Tier-6 Starship Coupon.
Continue reading for full details!
Event Campaign – Part 1
This event is coming to Xbox One and Playstation 4 for the very first time, with some updates. The Kobayashi Maru Featured TFO will be the first of a series of upcoming Events that will participate in a multi-event system that we're calling "Event Campaigns," which will allow players to eventually earn a Coupon that offered 100% Off on a Tier-6 Starship from the Phoenix Prize Pack of their choice. However, unlike the traditional Epic Token from the Phoenix Prize Pack, completing this event will unlock the ship of your choice for your entire account. Participate in multiple Events scheduled over the next several months, to earn progress towards an extremely valuable prize.
Players may earn 50 Event Campaign Progress for each day they participate in an eligible event.
Additional Event Campaign Progress can be earned by participating in Bonus Days, after the Grand Prize of an eligible event is claimed.
There is an entire tab in the Events UI dedicated to explaining and celebrating this ongoing activity, as it spans multiple Events that will come and go.
The amount of Event Campaign Progress required to claim the prize is 2100.
Buying out an eligible event will include up to 700 Event Campaign Progress.
Each event's buyout only grants as much Event Campaign Progress as is relative to the amount paid, after pro-rated discounts are applied. This means that paying half price, (because you participated in 7 out of 14 of the required days so far) will grant you 350 Event Campaign Progress. Essentially, you get what you pay for.
There will still be Bonus Campaign Progress days (formerly "Bonus Coupon Days"), but they will be less frequently present than the previous iteration, and less predictable.
Rise to a New Challenge
In anticipation of the Kobayashi Maru's return as a long-running Event, and in response to player feedback received during previous runs of this challenge, we have made a number of alterations to the structure of this Task Force Operation.
The minimum level for participation has been removed.
All characters must have completed their Tutorial Experience.
Romulan and Jem'Hadar characters must have chosen a primary allegiance.
TOS-era and DSC-era characters must have traveled to the appropriate timeline.
There will no longer be a "Timed" and "Untimed" version of the TFO.
While the Event is active, only one version of the TFO will be accessible. This version of the Kobayashi Maru automatically completes upon the completion of Wave 6, at which point all related rewards will be granted and the operation is considered complete, and no additional waves will spawn. You must complete Wave 6 to earn your Daily Progress and Event Campaign Progress.
Once the Event has ended, the above version of the TFO will become disabled and an "Infinite" version of Kobayashi Maru will become available in its place. This scaling challenge allows the boldest captains to test their mettle against unending waves of enemies at ever-increasing difficulties. Prizes for this version remain unchanged from those previously available on the "Untimed" version of the Kobayashi Maru.
The failure condition of having all players dead simultaneously, or of having the ECS Kobayashi Maru sustain fatal damage, have been removed from the Event version of the map.
These conditions remain on the "infinite" version of the TFO only.
It is our hope that these changes will make the Event experience a cleaner and more enjoyable one.
This updated version of the Kobayashi Maru Event can be accessed via the new Event UI, accessible within your Mission Journal by pressing on the "Events" Tab.
All players may complete the Kobayashi Maru FTFO in order to earn their Daily Progress once every 20 hours, in addition to TFO's standard rewards. Players may continue to play the TFO as much as they like while it is active, but Event Progress will only be registered once per day, per account.
Earn a total of 14 days' worth of Daily Progress to become eligible to claim all of these rewards:
Kobayashi Maru Transponder (and Account-Wide Unlock for Reclaim)
50,000 Dilithium Ore (once only)
3x Featured TFO Reward Boxes (once only)
Each gives a choice of 1x Specialization Point or an Enhanced Universal Tech Upgrade
Upon claiming this Grand Prize (whether earned or purchased), your account will immediately become eligible for Bonus Progress. Each day thereafter will grant an increasing amount of Dilithium Ore as an additional reward for continuing to engage with the Featured TFO.
Kobayashi Maru Transponder
This device is capable of summoning the E.C.S. Kobayashi Maru to your position across the vast distances of space. Doing so provides different functionality depending upon whether you are currently in a system map, or within Sector Space.
When utilizing this device in Sector Space, the crew of this fabled ship appears and offers services such as Bank Access, Mail Access, and more.
When utilized while in system space, the Kobayashi Maru will arrive to aid in whatever conflicts you might be facing by way of dropping Resupply Pods periodically that will provide combat boosts to you and other nearby players. The Kobayashi Maru will retreat if it becomes too damaged, so protect it in order to maximize the benefits you receive from its presence!
(Must be equipped to a Device Slot for use. May not be activated while piloting a Small Craft.)
Obtaining the Kobayashi Maru Transponder on any character on your account will unlock the ability to reclaim the item on other characters, via the Reclaim Store within the Events UI. You may only reclaim this item on characters that do not already own one.
Legacy Progress
Veteran players that have participated in previous Featured TFOs may still be in possession of multiple "Featured TFO Commendation" items, which are no longer used in the new Event System. In an effort to maintain the value and investment attached to these legacy items, players that still have these will be able to turn them in for Daily Progress and Event Campaign Progress.
Each upcoming eligible event (typically only Featured TFO Events) will have an option to Apply Legacy Progress to the requirements present, allowing you to 'cash in' your already-earned (and/or already-purchased) progress, toward these new Events as they become active. This must be done on a per-character basis, on each character of yours that has one or more of the old Featured TFO Commendations.
For all intents and purposes, this means that your saved Commendations will still be usable in upcoming events, exactly as they would have been before. The Kobayashi Maru Featured TFO will be the first such Event to allow this conversion, and we're excited to allow players to use this new system to get the value they earned for their prior investments.
For those of you who had past Featured TFO projects still slotted in the old Event Reputation UI, those projects will be auto-completed, granting you the rewards. This may not happen with the launch of the Kobayashi Maru event, but will happen very soon after.
Test your mettle against the epitome of a 'No-Win Scenario' by protecting the Kobayashi Maru against whatever randomized threats the simulation chooses to throw at you and your team. Dive into this starship combat challenge on Xbox One and Playstation 4 from November 12th, 2019, until December 3rd, 2019.
Jeremy "BorticusCryptic" Randall
Lead Systems Designer
sto-xbox, sto-playstation, star-trek-online,


text:
2014 BatterUp! Family Cooking Experience
« Bowl Me Over: Mother/Daughter Bowling
Autumn Prom »
The smells wafting from the Dierberg's West Oaks store kitchen on a Tuesday just before lunch were simply enticing. They even drew children of grocery shoppers away from the checkout area so they could peak through the kitchen's glass walls to catch a glimpse of the room full of chefs sitting down to enjoy a colorful array of cooking successes.
But it was no easy work. For an hour, about seven sets of chefs under the direction of Dierberg's cooking instructor Diane worked together to slice and dice avocados, tomatoes, green onions, potatoes, bell peppers, broccoli florets, zucchini, lemons and more. And after that came the tossing and seasoning, basting and marinating, turning and stirring and actual cooking going on.
So when it was time to sit down and enjoy the beautiful and colorful meal they had just created, the chef teams, which consisted of moms and their child with Down syndrome, were ready to savor it all.
"Mackenzie must have kissed me three times and she just kept saying it's healthy," said Jackie of her daughter, Mackenzie, who especially enjoyed the honey dijon chicken.
The Farm-to-Fork Feast with the Dierberg's Culinary Staff was held on June 10 and is just one of 14 cooking class opportunities this summer through the Pujols Family Foundation's BatterUp! Family Cooking Experience. The classes are an opportunity for those with Down syndrome to learn cooking skills in a fun, hands-on setting while cooking alongside a parent.
Barbara Behlman, who's 21, helped prepare an avocado salsa and a veggie pasta and said her favorite part was the chicken too.
For her mom, Karen Behlman, "My favorite part is cooking with Barbara. She amazes me in the kitchen with all the things she can do."
Each class is two hours and the chefs work together to create a full-course meal and then get to enjoy it together. The Dierberg's West Oak classes are from 10 am to noon, while classes at the Clarkson/Clayton and Edwardsville Crossing locations are in the evening.
And the menus are much more ambitious and adventuresome – and healthier – than most typical fare.
In the case of the June 10 class, the Farm-to-Fork Feast menu provided a wonderful array of vegetables and seasonings that came together to create the wonderful aroma:
Appetizer: Avocado salsa was made from fresh tomatoes, avocados, green onions and cilantro and fresh squeezed lime juice.
Greens: 'Everyone's Favorite Broccoli Salad' included florets with the stems carefully removed and golden raisins in a light mayonnaise and light sour cream dijon dressing.
Protein: Grilled honey dijon chicken tenderloins were basted in a lemon, honey and soy sauce marinade seasoned with dijon and rosemary.
Grains and starch: The grilled veggie pasta included zucchini, carrots, yellow bell pepper, lemon, tomato and light seasoning. And steamed red potato packets were seasoned with herbs and garlic.
Dessert: Peach shortcakes in which chefs made the whipped cream.
At the end of the class, each chef and parent can take home their BatterUp! apron, which is a new color each year.
"We've come to several, I think four or five," Karen Behlman said. "We both enjoy cooking and this is one of our favorite (PFF) activities. … Barb loves to help me in the kitchen at home and the recipes here give us different ideas and teach us new techniques. "
Whether a family has attended every year or if this was their first time, the Pujols Family Foundation BatterUp! Family Cooking Experience is a "fan favorite" amongst all of the participants.
Down Syndrome Events
Albert's All-Stars
15th Annual O' Night Divine Christmas Celebration
Autumn Prom
111 Westport Plaza, Suite 255
info@pujolsfamilyfoundation.org
14252 Culver Dr., Suite A #252
Receive Foundation Updates
The Pujols Family Foundation Is A national IRS 501 (c)(3) organization. ©2014 All Rights reserved.


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Think underground supper club meets Pipilotti Rist and you're close to describing a night at Monkey Town. Founded by Montgomery Knott in Williamsburg, Brooklyn in 2003, the pop-up restaurant has since made appearances in Denver, Austin, and has even crossed the Atlantic to Barcelona, Spain.
The Los Angeles iteration marks Monkey Town's grand finale in a city au fait with experimental dining; a popular playground for chefs and visionaries exploring the culinary blend between taste and spectacle. Here, the following standard characteristics may apply: the remote address of an inconspicuous building in industrial-strewn Downtown L.A. and a welcome aperitivo served in an underwhelming wood-panelled reception lobby for the purpose of suspense. However, on entering the dimly lit space of this former fabric warehouse, there's nothing that prepares diners for the impact of an illuminated 27-square-foot cube suspended from the rafters.
The cube emits video art by fourteen various artists hailing from America, Canada, Russia and Europe over the two-hour long serving. Projected seamlessly across the 4-screen installation, the works of art range from one-minute animated landscapes by L.A.-based artist Adam Ferris to a course-long CGI thriller by Takeshi Murata from upstate New York.
The evening is intimate with only 40 diners, 10 along each inner side of the cube, granting uninterrupted views of the multi-channel installation from within. Highlights from the visuals include Theo Angell's 'Central Park Quilts' – a collage through the seasons of Central Park shot over 2 years; a titillating journey of society's love affair with electronic devices by Agnes Bolt; and a rare opportunity to view the profound talent of Russian collective AES+F on American soil with an excerpt of their melodramatic tableau vivant 'Inverso Mundus', which premiered at the 56th Venice Biennale.


After that, he was hooked.
Although the store has been open for eight years, he said, he owned a similar store in New Jersey for 12 years. Bradley said he always wanted to be his own boss, and antiques were a love of his, so it made perfect sense.
At about 1,500 square feet, the store doesn't have a lot of room for stock but makes up for that in variety. Furniture, art, jewelry and memorabilia can all be found in the nooks and crannies of Victorian House.
Bradley said he deals mainly in objects from the late 19th and early 20th centuries, though some modern pieces can be found.
Among the more unusual pieces he said he's come in possession of is a pair of apothecary displays dating from the mid- to late 1800s. The large stoppered bottles are quite uncommon, he said, especially with the glass stoppers.
Although the store doesn't deal in a particular item specifically, Bradley said, he likes to have a lot of different styles of furniture in his store with different types of woods. Cabinets and desks line the walls and aisles of the store.
One cupboard, he said, an 8-foot-tall carved oak English piece, carries the heftiest price tag in the store at $2,200.
He said he does a lot of private buying as people contact him when downsizing a home or settling an estate. He's selective about what he buys, but said there's plenty out there if you look.
Rather than going to auctions, he said, he enjoys going to houses that are being settled, maybe after a relative has died. With no one having purchased anything for a number of years, it's like an untapped find.
Of course, there are always those unique buys that got away, Bradley said, such as a fishbowl stand in the shape of a 5-foot-tall mermaid, popular during the 1920s and '30s. He wanted it with all his heart, he said, but his wallet wouldn't let him have it.
It ended up selling for about $3,000.
Victorian House offers a selection of rings and other jewelry, a venture Bradley said he recently started getting into. He said he doesn't purchase any costume jewelry because the shop is too small, but he does buy in gold, silver, diamonds and other gems.
As a one-man show, Bradley said he can't offer too many other services beyond sales. Delivery is an option for larger pieces. He also does informal appraisals.
He said he's found his clientele to be about 70 percent collectors and 30 percent people looking for decoration.


text:
Return to Year Index Next
East (IRFU / Big Four) W L T F A PTS
Hamilton Tigers 5 1 0 60 31 10
Toronton Argonauts 4 2 0 51 39 8
Ottawa Rough Riders 2 4 0 29 33 4
Montreal Winged Wheelers 1 5 0 28 65 2
ORFU W L T F A PTS
Toronto Balmy Beach 3 1 0 43 43 6
Toronto University Orphans 2 2 0 42 35 4
Hamilton Rowing Club 1 3 0 47 54 2
CIRFU (University) W L T F A PTS
Queen's 4 0 0 51 26 8
Toronto 1 3 0 36 34 2
McGill 1 3 0 25 50 2
MRFU W L T F A PTS
Winnipeg Victorias
SRFU W L T F A PTS
Regina Roughriders 4 2 0 54 30 8
Saskatoon Quakers 2 4 0 30 54 4
ARFU W L T F A PTS
Calgary 50th Battallion 2 2 0 27 24 4
Edmonton Eskimo 2 4 0 24 27 4
ARFU Playoffs
Calgary 50th Battalion vs Edmonton Eskimos
Clgary 50th Battalion 15 Edmonton Eskimos 1
(no score available for the first game)
Alberta Final
Calgary 50th Battaliion 8 University of Alberta 0
Calgary 50th Battaliion 13 University of Alberta 1
(Calgary 50th Battatlion wins two game total point 21-1)
East Semi-Final
Queen's University 11 Hamilton Tigers 1
West Semi-Finals
Winnipeg Victorias 22 Regina Roughriders 5
West Final
Winnipeg Vkctorias 11 Calgary 50th Battatlion 9
Winnipeg did not challenge for the Grey Cup, so the East Final became the Grey Cup
Queen's University 13 Toronto Balmy Beach 3
Newspaper Account of the 1924 Game
Links (Articles, line-ups, etc.)
1924 marked the beginning of one of the Toronto Balmy Beach football team, one of the most colorful teams in Canadian football history. The Beaches believed in having a good time and if they won the football game, that was a bonus. The Beaches joined the ORFU which was hanging on with just three teams against the powerful Big Four or IRFU. The Beaches replaced Toronto Parkdale in the league, with the two other teams being the Hamilton Rowing Club and the University of Toronto Orphans.
The Hamilton Tigers were the early favorite in the IRFU and featured a couple of new players. Johnny Evans, former Queen's quarterback joined he team as did Brian Timmis who had starred with Regina and then Ottawa in 1923. The Tigers lived up to thei rbilling, going 5-1. The main opposition for the Tigers came from the 4-2 Argnonauts, led by star halfback Joseph Breen. Indeed, the Argos handed Hamilton their only regular season loss. The Ottawa team, running under the name Senators instead of the usual Rough Riders, were in a rebuilding year, while the Montreal Winged Wheelers were 1-5, despite having one of the top stars of the league in Jeff Russell at flying wing.
Despite the loss of Evans and other players, tTwo time defending Grey Cup Chamption Queen's University would roll through university play undefeated led by star halfbacks Pep Leadley and Harry Batstone.
In the West, the provincial winners were the Winnipeg Victorias in Manitoba, Regina Rough Riders in Saskatchewan and the Calgary 50th Battalion in Alberta. The 50th Battalion team was a young and speedy team with many players just out of high school or still in high school, and they were too much for the Edmonton Eskimos who had dominated Alberta senior football since the end of the war.
In the East playoffs, Queen's proved too much for the Hamilton Tigers in the East semi-final, beating them 11-1 and setting up an East fina with the upstart Balmy Beach team
Out West, the Calgary 50th had no problems beating the University of Alberta to be declared the Alberta champions and await the winner of the game between the Winnipeg Victorias and the Regina Roughriders. The Riders, minus star flying wing Howie Milne were no match for the Victorias in the West Semi-Final. The Victorias would then go on to beat the Calgary 50th in the West final. That should have sent the Victorias East for the Grey Cup, but the players and executive had a disagreement over which train route (CN or CP) to use. By the time it was sorted out, the Canadian Rugby Union (CRU) declared it was too late and the winner of the East Final (Queen's) was declared the 1924 Grey Cup Champions..
That East final, which turned out sort of retroactively to be the Grey Cup game, was a close game between Queen's and Balmy Beach. The closeness of the game surprised many as the Beaches had been beaten in lopsided exhibition games against both Queen's and the Hamilton Tigers earlier in the year.
The Beaches held the game close for most of three quarters, but a blocked punt by Al (Curly) Lewis in the third quarter ended up in the arms of Wright who ran it in for a touchdown that Leadley converted. That broke open the game and the Beaches could not recover. Queen's played much of the game without one of their stars in Batstone as he was injured in the first half, but his replacement, Pee Wee Chantler was outstanding in his place.