text:
The Bristol RE was a rear-engined single-decker bus or single-decker coach chassis built by Bristol Commercial Vehicles from 1962 until 1982. It is often considered the most successful of the first generation of rear-engined single-decker buses.

Initially, the RE was only supplied to subsidiaries of the nationalised Transport Holding Company (THC), by which Bristol Commercial Vehicles was wholly owned. From 1965, when Leyland purchased a 25% shareholding in Bristol and the company's products became available to non state-owned bus operator customers, the RE also gained popularity with companies in other sectors, including the British Electric Traction (BET) Group and many municipal operators.

From 1972, sales to the National Bus Company (NBC), which had taken over the operations of both THC and BET) began to dry up, due to the introduction of the Leyland National. From 1976, the RE remained in production only for the Northern Irish state-owned bus companies Ulsterbus and Citybus, and for export to Christchurch Transport Board, New Zealand.

In Great Britain, the RE was most commonly fitted with bodywork by ECW, but several other manufacturers also built bodywork on the chassis. Some coaches were fitted with Duple Commander, Plaxton Panorama Elite or Alexander M Type bodywork. In Northern Ireland, the RE was bodied by Alexander (Belfast), with the X Type bodywork.

Three of the ex-Citybus REs from Belfast were acquired by Pinewood Studios in October 2005, where they appeared in movies such as Children of Men and St Trinian's 2: The Legend of Fritton's Gold.

Variants
 RELL - long (36'), low frame (bus)
 RESL - short, low frame (bus)
 RELH - long (36'), high frame (coach or dual-purpose)
 RESH - short, high frame (coach or dual-purpose; rare)
 REMH - maximum length (12m), high frame (coach)

These designations were suffixed by a code indicating the type of engine fitted:
 6G - 6-cylinder Gardner diesel (6HLX)
 6L - 6-cylinder Leyland diesel (O.600/O.680)

What was to be the first production chassis (212.001) was changed to a pre-production model (number REX.003), with a coach body built by ECW but devoid of any seats and fittings. It was used by Bristol Commercial Vehicles at its Brislington Experimental Shop for a few years. It was fitted and ran with a horizontal version of the contemporary Bristol BVW engine, and also fitted with a turbo-charger. Later the Gardner engine was refitted, the body completed and sold to West Yorkshire as their fleet number CRG1 OWT241E.

The most popular model was the RELL, with 2,839 constructed; there were 976 of the RELH model and 698 RESL. The two least successful models were the REMH, with 105 sold to just three customers, and the RESH with 11 built for four customers. A sixth model, designated REML, was advertised from 1968 but none was built. This would have had the  wheelbase of the REMH but a low frame suitable for a bus body.

Customers
Of the 4,629 Bristol REs built, 3,242 were sold to subsidiaries of the NBC and its predecessor groups, THC and BET; 148 were sold to members of the Scottish Bus Group; 405 to British municipalities and PTEs; and 834 to other operators. The biggest customers were: Bristol Omnibus Company (439); Crosville Motor Services (288); Ulsterbus/Citybus (620); United Automobile Services (470); West Yorkshire Road Car Company (259).

References

External links

Website about RELH coaches
Website about one RELH (UK registration OAX9F)

RE
Vehicles introduced in 1962
Bus chassis
Step-entrance buses
Coaches (bus)

redpajama_set_name: RedPajamaWikipedia


Such pleasure took the serpent to behold.
The syllables 'Such' and 'to' occupy unstressed and stressed positions in the pentameter yet it is possible to judge their stress/ pitch values as equal; indeed, given the context of the line, it is possible to claim that the particular, in fact unique, form of pleasure felt by Satan in his contemplation of Eve promotes the syllable 'Such' to a level of emphasis above that of a number of subsequent syllables occupying stress positions.
Such a reading does not destroy the iambic pattern, since the immediate relation between low—high, unstress—stress is maintained, but it discloses the limitations of the foot system as a means of measuring the broader peaks and troughs of the rhythmic pattern. Moreover, it provides us with a more accurate means of classifying the relation between the cognitive (syntactic-rhetorical) pattern and its conventional counterpart (the iambic pentameter).
The legacy of Trager and Smith's model is vast and complex, and I shall attempt a very selective summary (see pp. 290-318 of Brogan's bibliography for a summary of texts, theories and controversies).
Structual metrics could be said to be concerned with the reconciliation (through phonemics) of two extremes of analysis. On the one hand is the old belief in two fixed degrees of stress alternating with perfect regularity and uniformly disposed in time. At the other extreme is the instrumental revelation that each of the syllables in a line is realised differently by various complexes of intensity, pitch and length (p. 156).
The question exactly of how we might 'reconcile' the abstract with the actual pattern (Jakobson in his 1960 article named these phenomena, verse design and verse instance) became the central concern of linguistic metrists through the 1960s and 1970s.
Morris Halle and Samuel Keyser (1971) developed a system of 'correspondence rules' to chart the relation between the abstract pattern and variations caused by syntactic and lexical stress groupings, their objective being to establish the limits and flexibility of metricality and unmetricality, but the most celebrated and widely debated analytical system was proposed by Paul Kiparsky.
Kiparsky employed the so-called tree diagram of TG analysis to show how the immediate contiguous relation between strong and weak syllables could generate much broader patterns of stress and pause. The chief benefits of this system are that it grants us a broader overview of the line. Just as TG syntax show us that grammatical structure is not entirely determined by the relation between contiguous words, so Kiparsky's technique shows us that the traditional notation of unstress-stress cannot fully account for the complex pattern of the line.
But the self-imposed limitations of linguistic metrics can, I shall argue, outweigh its benefits.


text:
HeritageCares reaches out to the lesser-served communities through a range of heritage programmes at our national museums, heritage institutions and heritage sites. Part of the National Heritage Board's (NHB) overall community outreach efforts, it is made possible by the generosity of our patrons and corporate donors Patek Philippe and Cortina Watch Pte Ltd. The first wave of HeritageCares programmes is open to all Community Chest beneficiaries.
Designed to encourage family interaction and bonding through heritage, the target audiences for this initiative are families in difficulty, persons with disabilities and/or special needs, youths-at-risk, and senior citizens. Participants can look forward to quality educational experiences at our museums and heritage institutions. Through the programmes, NHB aims to bring together Singaporeans of all ages and walks of life, encourage giving back to society through heritage programmes, and enable heritage to be more accessible and inclusive for everyone.
HeritageCares is also a platform for volunteering opportunities for Singaporeans as well as corporate and public organisations. If you would like to give back through HeritageCares, do sign up as a volunteer by e-mailing Volunteers@nhb.gov.sg

redpajama_set_name: RedPajamaCommonCrawl


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This may be 2 seasons behind, I would like my readers to at least know what I think about Kabuki Group. It is one of those surprisingly good show that people dismissed.
Looking at my posts, I did made a First Impression of the spring 2017. I figured I should at least write my thoughts on some of the Anime's I have listed here and tell you guys what I though of it. This will be short, since my memory is a bit hazy on the details but I'll go and explain what made me think about it until now.
Last Spring, Studio Deen released an Anime called Kabukibu! which translated to Kabuki Group, hence the name above. It is a light novel adaptation and it featured a group of kids starting up their own Kabuki club. Interesting topic, not exactly an original idea either. As we all know, Light Novels aren't exactly flexible when it comes to ideas and starting a club for X has been a troupe for every recent light novels we, or I have seen in a while. Outside of that, Kabuki Group did provide something that most light novel adapted show didn't have. That is, its a damn capable show.
While there are good light novel shows out there. Whom I can't remember on top of my head right now. What makes this show tick with me is that the characters aren't played by for the sake of troupes. Our main MC is this nerdy kid who is straight into making a Kabuki group due mainly to his passion and memories of his late grandfather. But he is played in a way that you won't get annoyed. He doesn't come as one dimensional like a shounen protagonist. Albeit, he is respectful toward other characters he want to join the club. He's persistent, but he knew how to back off when they rejected him multiple times. He doesn't respond to violence, which can be unnatural but its within his character. But he doesn't sit idly either. He isn't also a noob when it comes to Kabuki. But he isn't a genius either. He's somewhere between an amateur and an enthusiast. Then he also has a personality outside of Kabuki. Which is my only gripe about, they didn't cover much about our MC's persona outside of Kabuki.
Toward other character's they aren't push over either. They do start like a character template but the show manage to flesh them out enough that they were given aspiration and issues. I can say they didn't have equal screen time to explore them. But the main highlight of the show is the rocker wannabe and the rigid kabuki heir. Their the dramarama of the episode, both of which performed their respective share of conflict that spice the show up. Rocker wannabe has his mommy issues whom was affiliated with a fall-from-grace kabuki actor. While the the heir wants to follow the lineage their kabuki legacy. There is this dichotomy of them being good performer but one doesn't see the value but has that personality to be it. While the other has love and passion but doesn't have that soul. It culminated before the end when they both showcase their talent at a rehearsal. That scene display their brilliance and their understanding of the craft.
Another aspect that I would like to discuss is the main crux of the show. The Kabuki itself. It is the show's strong point and weak point. The strong point is that despite my limited knowledge, it did manage to present the Kabuki culture elegantly and respectfully. It also discusses points that is a legitimate for old transitions like Kabuki, particular its perception by the current generation. The show racked the idea of showcasing a traditional and a modern interpretation of Kabuki plays which in turn preserved the essence of the culture, but bring forth the appreciation it need toward the current and future generation. Its a good compromise so that identity for the culture is preserved and kept but recognized and understood to those who didn't grew on the the traditions. If there's one thing in this world that is constant that's is change. Also, death and taxes.
I mentioned Kabuki also what made its downfall. While obscure topics are welcome in Anime. It just happened to land on the wrong place and time. The show aired right after Shouwa Genroku Rakugo Shinjuu: Sukeroku Futatabi-hen, or basically the Rakugo anime. Another show that covers an obscure Japanese culture of stage storytelling. It's a very good show and one of the forerunners for the Anime of the year. This brought a high expectation that Kabuki group would carry over that same level of quality Rakugo has. But instead we are presented with a lighter toned show and a school setting to boot. It made the show radioactive and resulted in below average ratings on MAL.
In conclusion, give the show a chance. I wouldn't say watch it now. But when there's a season you can't find a good anime to watch. Then give this one a shot.


text:
William Hearth
Vegan for Life
Fruit Juice Fast
Vitamin B12 & Vegans
Media | News
Politics of Ecstacy
Mary Magdalene's Secret Alchemy
False Arrest – Wrongful Imprisonment
ArtScience Museum;Shipwrecked: Tang Treasures & Monsoon Winds"
February 14, 2010 by aeldwood Leave a comment
Tilman Wlaterfang's Tang Dynasty Shipwreck will debut at the ArtScience Museum: at the Singapore's Marina Bay Sands Casino
Grand Opening of ArtScience Museum entitled – Shipwrecked: Tang Treasures and Monsoon Winds
Singapore's Marina Bay Sands announced that it will open the world's first ArtScience Museum in February 2011, the latest attraction at its $5.5 billion gambling complex built by U.S. casino giant Las Vegas Sands.
The architecture is said be a form reminiscent of a lotus flower. It is designed by renowned architect Moshe Safdie, and the science museum is due to open on Feb 17 at 1:18 p.m., "as advised by our feng shui master," a Marina Bay Sands spokeswoman said.
Referred to as "The Welcoming Hand of Singapore" by Las Vegas Sands chairman Sheldon Adelson, the ArtScience Museum is anchored by a round base in the middle, with ten extensions referred to as "fingers". The design concept for each finger denotes various gallery spaces sporting skylights at the "fingertips" which are included as sustainable illumination for the dramatically curved interior walls.
Feature Exhibitions
The ArtScience Museum promises to feature 21 gallery spaces equating to 50,000 square feet (6,000 square meters) which will display exhibits from combined art/ science, media/ technology, as well as design/architecture motifs.
The exhibitions will include permanent features such as objects indicative of accomplishments of art and science through the ages, along the lines of Leonardo da Vinci's Flying Machine, a Kongming Lantern, a high-tech robotic fish and opens the museum with an exhibition of a collection of Tang Dynasty Shipwreck Treasures that were discovered and carefully preserved by Tilman Wlaterfang of Seabed Explorations NZ Ltd.
Rainwater will be harvested and channeled down through the center of the structure, through a bowl-shaped roof of the museum which will allow water to flow into the reflecting pond at the lowest level of the building.
The Museum's bowl-shaped roof funnels rainwater through the central atrium of the building, which results in a 35-metre water drop into a small, reflecting pool. The rainwater is then recycled for use in the building's restrooms.
The grand opening's Guest of Honor (and Patron of the Exhibition) will be the Minister for Foreign Affairs, George Yeo; who will preside over the proceedings slotted to start at 10.30 am. The event is entitled "Shipwrecked: Tang Treasures and Monsoon Winds". Special Invitations invite participants to, "Unlock the mysteries of the maritime silk route at Shipwrecked: Tang Treasures and Monsoon Winds. Curated by the Smithsonian Institute and the Asian Civilizations Museum, this exhibition tells the story of an ancient maritime trade-route stretching from the Gulf to the South China Sea." The invitation goes on to declare the Tang Dynasty Shipwreck Collection as "…one of the most important finds of the late twentieth century."
Shipwreck Featured at Grand Opening
Tilman Walterfang and his team found the Tang artifacts in the Gaspar Strait in 1998 from the wreck of a large 9th century ship. For the next six years, they were desalinated, conserved and researched by his company Seabed Explorations Ltd in New Zealand. They were eventually purchased for around 32 million USD.[1][2]
World Tour of Tang Dynasty Shipwreck Treasure Organized by Smithsonian and Singapore
For the first time in history, The Freer Gallery of Art and Arthur M. Sackler Gallery of the Smithsonian Institution in Washington, D.C., [1] the Singapore Tourism Board and the National Heritage Board of Singapore announced a partnership on Feb. 8 2011, to organize the first-ever exhibition and international tour of one of the single-most important marine archaeological finds of the late 20th century.
Tilman Walterfang's 1998 discovery will allow archeologists, scholars and the global scientific community the opportunity to study physical artifacts, previously unavailable, rather than mere ancient texts alone. This promises to continue to reveal a wealth of information that will surely require decades of investigation.
Just one of many of Walterfang's discoveries, this particular discovery of a ninth-century shipwreck and its magnificent cargo, which includes some 60,000 artifacts dating from Tang dynasty China, includes not only mass-produced ceramics, but also includes extremely rare and one-of-a-kind masterly works wrought in fine-gold and silver.
According to experts, the cargo had been preserved both on and under the ocean floor for more than 1,100 years, until Tilman Walterfang's Team reclaimed it from the sea near Indonesia's Belitung Island. The ships construction was that of an Arab dhow, and its contents, for the first time in history have confirmed the previously mythical existence of an integrated maritime trade route from China to the Persian Gulf and the Japans. This trade route which was only mentioned in ancient Chinese and Arabic texts is now thought to be confirmed as having existed well-before the Portuguese set sail in the 15th century.
'Julian Raby, director of the Freer and Sackler galleries:' "We are grateful for the opportunity to collaborate with Singapore on this historic project," said Julian Raby, director of the Freer and Sackler galleries. "The exhibition and tour will enable people around the world to connect with these extraordinary artifacts and feel the impact of a remarkable story that forever changes our view of ancient global trade. Singapore has acted with great understanding and forethought by protecting and preserving these objects collectively as a world treasure and for generously presenting them to the public in the form of an international traveling exhibition."
Aw Kah Peng, chief executive of the Singapore Tourism Board: "The 'Tang Shipwreck Treasure' has a special meaning for Singapore," said Aw Kah Peng, chief executive of the Singapore Tourism Board. "Its compelling story resonates with Singapore's growth into a premier port and trading hub. Situated at the crossroads of the East and West, Singapore has always benefitted from the cultural exchange created through trade among the Chinese, Middle Eastern and Southeast Asian civilizations, and maintains the same cosmopolitan outlook today. We are particularly honored to join with the Smithsonian's Freer and Sackler galleries to develop this important exhibition."
ARTDAILY.ORG The First Art Newspaper on the Net "The cargo will provide the focal point for an exhibition of dramatic scope, illustrating the dynamic interchange of ninth-century geopolitical powerhouses along the maritime silk route from Changan (modern Xian) to Baghdad, as well as the human stories of those who toiled in China's factory-like kilns and the ship's crew, whose few surviving belongings provide clues to their multi-ethnic identities."
Michael Koh, chief executive of the National Heritage Board "The extraordinary story of the cargo-a testament of cultural exchanges and interactions in Asia via the Maritime Silk Route-resonates with our work to promote understanding of the rich cultures that make up Singapore's multi-ethnic society," said Michael Koh, chief executive of the National Heritage Board. "Through our partnership with the Freer and Sackler galleries, this remarkable story can now be presented to a wider audience, both locally and internationally."
The exhibition is set to debut in Singapore in February 2011. And The Sackler Gallery will thereafter host the U.S. premiere in spring 2012. This date is set to coincide with the museum's 25th anniversary celebration. Thereafter the exhibition is scheduled to travel the world for approximately five years, venues to include museums of major importance throughout the United States, Europe, Asia, the Middle East and Australia.
With support from the estate of Tan Sri Khoo Teck Puat, the cargo of the Arab dhow, which was used as the true and original model, now generally referred to among academic circles as the "Tang Shipwreck Treasure: Singapore's Maritime Collection," was eventually purchased in February of 2005 by the Singapore Tourism Board, only after six years of diligent conservation and reconstruction efforts had been successfully undertaken and completed by Seabed Explorations New Zealand Ltd.
The artifacts, which have never been publicly displayed on a large scale, will now be revealed to the world with the assistance of the Smithsonian Institute. Thanks to Tilman Walterfang's ethical philosophy, the cargo was not sold off piece by piece to collectors; rather, it was kept intact as one entire collection, so that it could be studied in its original context. Walterfang kept the precious cargo in private storage for years, where they have been painstakingly desalinated, studied and carefully restored.
An accurate reproduction of the Arab dhow ship, named The Jewel of Muscat, was recently presented by the Sultanate of Oman to the government and people of Singapore.
The exhibition will include sufficient items to insure that the collection on tour will reflect accurately the assortment and magnitude of the find and its global intercultural significance, as this is the single largest consignment of Tang Dynasty export goods ever discovered. The find includes some of the oldest cobalt-blue-and-white ceramics made in China, several gold items made with Arabic designs and swastikas, jars filled with spices and incense resins, bronze mirrors, thousands of glazed bowls, ewers and other fine ceramics, and lead ingots. The pièce de résistance of the exhibition is a small cache of magnificent, intricately tooled vessels of silver and gold, which remain unparalleled in quality and design from the period. Many questions provoked by the find remain unanswered, such as "Why they were carried by the ship and who was destined to receive them?
Jewel of Muscat
Maritime Xperiential Museum
The Maritime Xperiential Museum is the name of a museum that will house the Jewel of Muscat. There are plans to open the museum in May of 2011.
"Sentosa Proceeds to Buy 9th Century Treasure". Singapore: Sentosa. April 8, 2005. Retrieved 17 February 2010.
"CHINA MARITIME SILK ROAD MUSEUM". The Australian National University. Retrieved 17 February 2010.
Official Link to Museum Pages
Seabed Explorations homepage
FORBE's Story and some pictures of the treasures
Additional Photos at Polynesian Navigators Association
Story about ship's discovery in The Independent
Categories: Museums in Singapore
Filed under Media | News Tagged with Arthur M. Sackler Gallery, Las Vegas Sands, Marina Bay Sands, Persian Gulf, Sheldon Adelson, Singapore, Smithsonian Institution, Tang Dynasty
Moon Phase Daily
Here you can check the moon phase daily along with the correct time (but this is not to be used for mission critical calculations or decisions). We provide this as an aid to determining the current tide conditions and possible weather patterns, However we do not guarantee the accuracy of this information at any given moment and you should use your own instruments for critical calculations and navigational considerations.
We assume no responsibility or liability for emergency or mission critical decisions that you may be required to undertake based on information provided herein. This information is provided for entertainment purposes only; any and all liabilities regarding use of the information provided herein is assumed by the viewer at the sole discretion of the viewer only.
http://www.moonmodule.com/cs/ccm_h1.swf
Filed under Media | News
Vegan B12 BioAvailable in Shiitake Mushrooms
February 10, 2010 by aeldwood 1 Comment
More on B12 content in Tempeh, Seaweeds, Organic Produce, and Other Plant Foods, below…
Note* This article is an edit of a very important and comprehensive article found at http://www.veganhealth.org/b12/
http://www.veganhealth.org/b12/plant#mush
shiitake-on-logs
Summary: No food in Europe or the U.S. other than Japanese Nori, has been tested* for lowering MMA levels (*at the time of publication of this original article).
Thus, the discussion about whether Western vegans can get B12 from plant foods can, and probably should, end here (until proper research is conducted). Because so many plant foods have failed other tests that do not measure up to the MMA lowering test, and because there are so many false rumors being passed around, the studies of B12 in plant foods are examined in detail below.
The only plant foods which have been tested for B12 activity using the gold standard of lowering MMA levels in humans are dried and raw nori from Japan. Dried nori made MMA status worse, indicating that it can reduce B12 status and can possibly harm people who are B12-deficient. Raw nori kept MMA levels about the same, indicating that it didn't harm B12 status, but it did not help either.
Of all the foods studied below, only tempeh in Indonesia or Thailand, dulse, Chlorella, raw nori, Aphanizomenon flos-aquae, and coccolithophorid algae warrant much further attention for providing B12. Unless these foods are shown consistently to correct B12 deficiency, vegans should not rely on them as a B12 source.
Plant Foods with Practically No Detectable B12 Analogue
Aphanizomenon Flos-aquae
Seaweeds (Macroalgae)
Various Seaweeds: Dulse Warrants Further Study
Coccolithophorid Algae
A Case of False Reporting on the Benefit of Seaweed and Fermented Foods
Genmai-Saishoku Paradox?
Soil and Organic Produceas a B12 Source for Vegans
B12 Analogue in Soil
Iranian Villagers
Organic Produce as a B12 Source for Vegans
Soybean Plants Absorb B12
Plants Absorb B12 Analogue When Fertilized with Cow Dung
Mushrooms and B12
Conclusion About Organic Produce as a B12 Source for Vegans
It would be great to find a reliable plant source of B12 for vegans. One might get the opposite impression given my level of critique of some of these studies. My skepticism is only due to the potential harm from relying on a food that contains inactive B12 analogues which can make a B12 deficiency even worse.
Filed under Vegan for Life, Vitamin B12 & Vegans Tagged with Aphanizomenon, Chlorella, Food, Nori, Nutrition, Seaweed, Tempeh, Veganism, Vitamin B12, Vitamin B12 deficiency
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Gender neutral signs are posted in the 21C Museum Hotel public restrooms on May 10, 2016 in Durham, North Carolina.
Existing businesses have until April 30 to meet that requirement. The change also applies to "family" or assisted-use restrooms.


text:
Q: Javascript file how not to display API key I am trying to create the Codeacademy Searching for YouTube Videos using GitHub Pages.
They have in search.js
function onYouTubeApiLoad() {
    // This API key is intended for use only in this lesson.
    gapi.client.setApiKey('_API_KEY_');

    // Add code here to test out showResponse():

}

My repository is public. Is there any way to hide the API key I will use?
Thank you

A: The "correct" way to store sensitive keys such as your YouTube API key is to store them as environment variables on the server.
Instead of storing your key as a string literal to onYouTubeApiLoad(), you could read the environment variable and store it in a global or in another convenient location, as below.
const youtubeSecret = process.env.YOUTUBE_SECRET;

function onYouTubeApiLoad() {
    // This API key is intended for use only in this lesson.
    gapi.client.setApiKey(youtubeSecret);

    // Add code here to test out showResponse():

}

Creating and storing an environment variable is another matter, and depends on the system you're using as well as how you're hosting it. In the simplest case, if you're running this program locally on a Linux/MacOS/BSD, you can type export YOUTUBE_SECRET=(your secret key) into your terminal before running the program, or add it directly into your .bashrc file. (Better yet, you could read it from a file in your .bashrc.) If you're hosting your program in the cloud (e.g. AWS, Heroku), the process will be somewhat different. There are plenty of other answers which go into the specifics of how to do that.
The other good way of doing this is to store your secret key in its own file, and add that file to your .gitignore. Then you could use the Node.js fs module to read it and store it an a variable as above.

A: Javascript isn't inherently secure in that aspect. Everything you write is exposed. Your key is going to be visible to others. Your best bet is not to publish your key in your repository and regenerate your api keys periodically. You will not be able to access environment variables from client side scripts either. You'll need an application on the server side and ultimately it will expose your key.

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text:
namespace FIX43
{

  class Allocation : public Message
  {
  public:
    Allocation() : Message(MsgType()) {}
    Allocation(const FIX::Message& m) : Message(m) {}
    Allocation(const Message& m) : Message(m) {}
    Allocation(const Allocation& m) : Message(m) {}
    static FIX::MsgType MsgType() { return FIX::MsgType("J"); }

    Allocation(
      const FIX::AllocID& aAllocID,
      const FIX::AllocTransType& aAllocTransType,
      const FIX::AllocType& aAllocType,
      const FIX::Side& aSide,
      const FIX::Quantity& aQuantity,
      const FIX::AvgPx& aAvgPx,
      const FIX::TradeDate& aTradeDate )
    : Message(MsgType())
    {
      set(aAllocID);
      set(aAllocTransType);
      set(aAllocType);
      set(aSide);
      set(aQuantity);
      set(aAvgPx);
      set(aTradeDate);
    }

    FIELD_SET(*this, FIX::AllocID);
    FIELD_SET(*this, FIX::AllocTransType);
    FIELD_SET(*this, FIX::AllocType);
    FIELD_SET(*this, FIX::RefAllocID);
    FIELD_SET(*this, FIX::AllocLinkID);
    FIELD_SET(*this, FIX::AllocLinkType);
    FIELD_SET(*this, FIX::BookingRefID);
    FIELD_SET(*this, FIX::Side);
    FIELD_SET(*this, FIX::Symbol);
    FIELD_SET(*this, FIX::SymbolSfx);
    FIELD_SET(*this, FIX::SecurityID);
    FIELD_SET(*this, FIX::SecurityIDSource);
    FIELD_SET(*this, FIX::Product);
    FIELD_SET(*this, FIX::CFICode);
    FIELD_SET(*this, FIX::SecurityType);
    FIELD_SET(*this, FIX::MaturityMonthYear);
    FIELD_SET(*this, FIX::MaturityDate);
    FIELD_SET(*this, FIX::CouponPaymentDate);
    FIELD_SET(*this, FIX::IssueDate);
    FIELD_SET(*this, FIX::RepoCollateralSecurityType);
    FIELD_SET(*this, FIX::RepurchaseTerm);
    FIELD_SET(*this, FIX::RepurchaseRate);
    FIELD_SET(*this, FIX::Factor);
    FIELD_SET(*this, FIX::CreditRating);
    FIELD_SET(*this, FIX::InstrRegistry);
    FIELD_SET(*this, FIX::CountryOfIssue);
    FIELD_SET(*this, FIX::StateOrProvinceOfIssue);
    FIELD_SET(*this, FIX::LocaleOfIssue);
    FIELD_SET(*this, FIX::RedemptionDate);
    FIELD_SET(*this, FIX::StrikePrice);
    FIELD_SET(*this, FIX::OptAttribute);
    FIELD_SET(*this, FIX::ContractMultiplier);
    FIELD_SET(*this, FIX::CouponRate);
    FIELD_SET(*this, FIX::SecurityExchange);
    FIELD_SET(*this, FIX::Issuer);
    FIELD_SET(*this, FIX::EncodedIssuerLen);
    FIELD_SET(*this, FIX::EncodedIssuer);
    FIELD_SET(*this, FIX::SecurityDesc);
    FIELD_SET(*this, FIX::EncodedSecurityDescLen);
    FIELD_SET(*this, FIX::EncodedSecurityDesc);
    FIELD_SET(*this, FIX::NoSecurityAltID);
    class NoSecurityAltID: public FIX::Group
    {
    public:
    NoSecurityAltID() : FIX::Group(454,455,FIX::message_order(455,456,0)) {}
      FIELD_SET(*this, FIX::SecurityAltID);
      FIELD_SET(*this, FIX::SecurityAltIDSource);
    };
    FIELD_SET(*this, FIX::Quantity);
    FIELD_SET(*this, FIX::LastMkt);
    FIELD_SET(*this, FIX::TradeOriginationDate);
    FIELD_SET(*this, FIX::TradingSessionID);
    FIELD_SET(*this, FIX::TradingSessionSubID);
    FIELD_SET(*this, FIX::PriceType);
    FIELD_SET(*this, FIX::AvgPx);
    FIELD_SET(*this, FIX::Currency);
    FIELD_SET(*this, FIX::AvgPrxPrecision);
    FIELD_SET(*this, FIX::NoPartyIDs);
    class NoPartyIDs: public FIX::Group
    {
    public:
    NoPartyIDs() : FIX::Group(453,448,FIX::message_order(448,447,452,523,0)) {}
      FIELD_SET(*this, FIX::PartyID);
      FIELD_SET(*this, FIX::PartyIDSource);
      FIELD_SET(*this, FIX::PartyRole);
      FIELD_SET(*this, FIX::PartySubID);
    };
    FIELD_SET(*this, FIX::TradeDate);
    FIELD_SET(*this, FIX::TransactTime);
    FIELD_SET(*this, FIX::SettlmntTyp);
    FIELD_SET(*this, FIX::FutSettDate);
    FIELD_SET(*this, FIX::GrossTradeAmt);
    FIELD_SET(*this, FIX::Concession);
    FIELD_SET(*this, FIX::TotalTakedown);
    FIELD_SET(*this, FIX::NetMoney);
    FIELD_SET(*this, FIX::PositionEffect);
    FIELD_SET(*this, FIX::Text);
    FIELD_SET(*this, FIX::EncodedTextLen);
    FIELD_SET(*this, FIX::EncodedText);
    FIELD_SET(*this, FIX::NumDaysInterest);
    FIELD_SET(*this, FIX::AccruedInterestRate);
    FIELD_SET(*this, FIX::TotalAccruedInterestAmt);
    FIELD_SET(*this, FIX::LegalConfirm);
    FIELD_SET(*this, FIX::NoOrders);
    class NoOrders: public FIX::Group
    {
    public:
    NoOrders() : FIX::Group(73,11,FIX::message_order(11,37,198,526,66,0)) {}
      FIELD_SET(*this, FIX::ClOrdID);
      FIELD_SET(*this, FIX::OrderID);
      FIELD_SET(*this, FIX::SecondaryOrderID);
      FIELD_SET(*this, FIX::SecondaryClOrdID);
      FIELD_SET(*this, FIX::ListID);
    };
    FIELD_SET(*this, FIX::NoExecs);
    class NoExecs: public FIX::Group
    {
    public:
    NoExecs() : FIX::Group(124,32,FIX::message_order(32,17,527,31,29,0)) {}
      FIELD_SET(*this, FIX::LastQty);
      FIELD_SET(*this, FIX::ExecID);
      FIELD_SET(*this, FIX::SecondaryExecID);
      FIELD_SET(*this, FIX::LastPx);
      FIELD_SET(*this, FIX::LastCapacity);
    };
    FIELD_SET(*this, FIX::NoAllocs);
    class NoAllocs: public FIX::Group
    {
    public:
    NoAllocs() : FIX::Group(78,79,FIX::message_order(79,366,80,467,81,539,208,209,161,360,361,12,13,479,497,153,154,119,120,155,156,159,160,136,0)) {}
      FIELD_SET(*this, FIX::AllocAccount);
      FIELD_SET(*this, FIX::AllocPrice);
      FIELD_SET(*this, FIX::AllocQty);
      FIELD_SET(*this, FIX::IndividualAllocID);
      FIELD_SET(*this, FIX::ProcessCode);
      FIELD_SET(*this, FIX::NoNestedPartyIDs);
      class NoNestedPartyIDs: public FIX::Group
      {
      public:
      NoNestedPartyIDs() : FIX::Group(539,524,FIX::message_order(524,525,538,545,0)) {}
        FIELD_SET(*this, FIX::NestedPartyID);
        FIELD_SET(*this, FIX::NestedPartyIDSource);
        FIELD_SET(*this, FIX::NestedPartyRole);
        FIELD_SET(*this, FIX::NestedPartySubID);
      };
      FIELD_SET(*this, FIX::NotifyBrokerOfCredit);
      FIELD_SET(*this, FIX::AllocHandlInst);
      FIELD_SET(*this, FIX::AllocText);
      FIELD_SET(*this, FIX::EncodedAllocTextLen);
      FIELD_SET(*this, FIX::EncodedAllocText);
      FIELD_SET(*this, FIX::Commission);
      FIELD_SET(*this, FIX::CommType);
      FIELD_SET(*this, FIX::CommCurrency);
      FIELD_SET(*this, FIX::FundRenewWaiv);
      FIELD_SET(*this, FIX::AllocAvgPx);
      FIELD_SET(*this, FIX::AllocNetMoney);
      FIELD_SET(*this, FIX::SettlCurrAmt);
      FIELD_SET(*this, FIX::SettlCurrency);
      FIELD_SET(*this, FIX::SettlCurrFxRate);
      FIELD_SET(*this, FIX::SettlCurrFxRateCalc);
      FIELD_SET(*this, FIX::AccruedInterestAmt);
      FIELD_SET(*this, FIX::SettlInstMode);
      FIELD_SET(*this, FIX::NoMiscFees);
      class NoMiscFees: public FIX::Group
      {
      public:
      NoMiscFees() : FIX::Group(136,137,FIX::message_order(137,138,139,0)) {}
        FIELD_SET(*this, FIX::MiscFeeAmt);
        FIELD_SET(*this, FIX::MiscFeeCurr);
        FIELD_SET(*this, FIX::MiscFeeType);
      };
    };
  };

}

#endif

redpajama_set_name: RedPajamaGithub


Tiffany wished for her own escape from the challenges of her world. Today, she has an arts and crafts space where she can transform her imagination into reality. Tiffany exercises her creativity and turns this part of the world into her vision of perfection.


Helsinki, December 19, 2016 – Fujitsu today announces that it will continue to support Patria, a Finnish company in the field of defense, security and aviation lifecycle support services and technology solutions, by providing a selection of managed infrastructure and end user services to support the company's network of more than 2,500 users.
The agreement represents a two-year contract extension of the existing long-standing relationship between Fujitsu and Patria which started in 2008. The collaboration has already seen a significant reduction in lead times for Patria's IT support requests as well as additional benefits derived from streamlined IT processes.
As Patria is a defense and aerospace contractor, partially owned by the State of Finland, ensuring the security of end user devices is critical. Fujitsu will assume responsibility for the control of user access. In addition Fujitsu will provide service desk and on-site support services across all Patria sites including those located in Tampere, Hämeenlinna, Riihimäki, Jämsä, and the group's headquarters in Helsinki.
Fujitsu will deliver Patria's end user services in line with the defense organization's IT management model which is based on Lean¹ principles, Six Sigma² methods and continual improvement. Service implementation will also be fully compliant with the stringent security demands set by Finland's National Security Auditing tool, Katakri³, which is designed to ensure that organizations have adequate security arrangements in place to prevent the disclosure of classified information.
Lean is a way of working that creates value for customers, eliminates waste, and builds a culture of continuous improvement. Lean is about persistently striving towards excellence in everything people do, about understanding what matters to customers, and finding better ways to deliver it. Essentially, lean is centered on making obvious what adds value by reducing everything else.
Katakri is the Finnish authorities' auditing tool, designed to be used to assess an organization's ability to protect the authority's classified information. Katakri brings together the minimum requirements which are based on national legislation and international information security obligations.


Can't get away to the Alps this summer to eat, drink, and see Mont Blanc? Travel virtually with us!
Formed when the Africa plate slammed into the Eurasian Plate over 700 million years ago, today the Alps span 750 miles in length and 160 miles in width (more or less) crossings the borders of eight countries: Austria, France, Germany, Italy, Liechtenstein, Monaco, Slovenia, and Switzerland along a ridge with high passes and with eight peaks over 14,000′ tall.
When the two plates collided, for 300-400 million years, layers of rock of European, African and oceanic origins formed the mountains; for example, the Dolomites or Pale Mountains in northeastern Italy, are made of a type of limestone while to the south and west granite makes up the Mount Blanc Massif which straddles France and Italy. Glaciers scraped away layers leaving behind piles of stone or glacial moraines which created subalpine lakes and valleys as well as influencing the large verdant plain where the Po River flows from the Alps to the Adriatic Sea.
Home to humans for over 10,000 years, these mountains shape 14 million people and unite them with strong traditions in farming, forestry, woodworking, baking, sausage and cheesemaking; the region's steep terrain secluded and protected them so that their culture and cuisine has barely changed since the medieval period and is similar no matter which side of the mountain you are on.
During the medieval period, the Romans built roads and developed monasteries, which in the 19th century, sheltered travelers, and became tourist destinations.
Which brings us to the subject of this blog post: the wine made in the northern-most monastery and one of the oldest in Italy– Abbazia di Novella— along with the cuisine from Alpine Italy to pair with it. Abbazia di Novella in Varna, Italy has been in operation for nearly 900 years; today the abbey houses 27 monks. We tasted two wines, Alto Adige Valle Isarco Kerner – 2014 and 2015 SRP $19.00 and Pinot Grigio 2014.
Along with Abbazia di Novella Alto Adige Valle Isarco Kerner – 2014 and 2015 SRP $19.00 and Abbazia di Novella Pinot Grigio 2014, for drinks, we experimented with ELDERFLOWER LIQUOR WHICH WE MADE FROM FLOWERS I COLLECTED combined with ALTO ALDIGE GIN! Cocktail recipes below.
but I am all about POLENTA! So we added chunks of Fontal/Fontina to our Polenta.
Curious about life and cuisine in the Italian Alpine wonderland of Valle d'Aosta– just on the Italian side of the Mont Blanc Massif in France? In my research I found this delightful blog written by a fiddler from Appalachia who walked the Camino de Santiago. About halfway from France to the coast of Spain, she fell in love with an Italian and moved to his small village across the river from Aosta, a 2000+ year old town nestled in the steepest part of the Alps where she started a blog chronicling her very food-centric adventures! As I love both polenta and cheese, I enjoyed her posts about both; I didn't know before this that real Fontina is only made in tiny Valle d'Aosta. While Annie has since moved back to Asheville bringing her husband along, her blog is chockfull of fun reads and recipes. In particular, I love her post about heirloom corn that is used for polenta as well as how to form a polenta crust that you can make into crackers! And here's the secret to making creamy polenta without adding a bunch of cream!
Also known as "Fontanelle," "Fontal," and "Montella," Fontina is a classic northern Italian cheese. Made in the Aosta Valley since the 12th century, Fontina Val d'Aosta, identified by a Consorzio (Consortium) stamp is the original and most famous. According to online sources, Fontina Val d'Aosta is traditionally made from unpasteurised milk of the Valdaostan Red Spotted cows grazing on the plains of Aosta Valley. The texture and flavour of Fontina depends on how long it has been aged. The texture can vary from semi-soft to firm and the flavours from mild and rich to more robust and overpowering. Usually, fontina is aged for 90 days. The interior of fontina is pale cream in colour and riddled with holes known as "eyes". With a fat content of 45%, the cheese is very rich and creamy which gets nuttier with aging. This versatile cheese can be used to make fondues, and similar Italian dishes. All Italian Fontina has a natural rind that turns tan to orange-brown with aging, but the other versions are much milder than the original Fontina.
I tried three places and mostly found Fontina made in Wisconsin so I was happy to find Fontal which is made in the Italian Alps but further north and east, in the Trento area of Italy.
POLENTA WITH FONTAL Cheese! with Fennel Pollen sprinkled on top!
Tomatoes on romaine with fennel pollen that I collected!
We also collected FENNEL POLLEN which we combined with lemon and organic heirloom and roma tomatoes on spring greens for a salad. I wanted to do zucchini flowers but couldn't find any in the farmers market and we didn't have any that would work on our plants.
Yes for this dinner I collected elderflower and fennel umbels! And I picked the zucchini from our garden!
I sprinkled fennel pollen on the tomatoes — yum!
Juice of 1 lemon– half lemon would be plenty!
Place on 1 bed of baby greens for example, baby arugula; we used red baby romaine spears.
Add zucchini– we sautéed in butter.
Our wines and gin come from the most northern part of Italy, Alto Aldige which is also known as Tyrol or south Tyrol which butts up against Germany and Austria; in fact more people speak German in this region of Italy than they speak Italian!
Two of my favorite wines from Abbazia di Novella; the Pinot Noir is nice and I liked the Lagrein but the Pinot Grigio is exceptional and at least once in your life you should try a Kerner — and it should be this one.
At Abbazia di Novella, an Augustinian monastery at the foot of the Dolomites in the northeastern part of the Alps, monks take vows of chastity, obedience and poverty yet are able to fund their work by making and selling wine. My Italian is worse than my Spanish but in looking at the website it seems it was established in 1140.
Both wines opened up well and were very drinkable as they warmed, but cold and crisp is best especially for the Pinot Grigio. In 2015, both wines paired well in 2015 with LaTur cheese, an Italian triple milk cheese made from cow, goat and sheep milk.
A hybrid of Reisling and a red grape Trollinger, Kerner has more similarities to its parent Reisling, but it can handle the extreme weather of the Alps better than most grapes. Kerner is named for a medical doctor Justinus Kerner, a renowned investigator of psychic phenomena and a Romantic poet who often wrote about wine. Hear some of his poetry here.
While clearly a white wine in the glass with a pretty golden tone, on the nose it offers a fascinating hit of Rainer cherry and nectarine followed by lime and baking spices like coriander and cardamom. On the palate, key lime pie leads followed by tart cherry, rhubarb, and nectarine. A zingy tartness pervades with enough acid to clean your teeth but the lengthy finish is complex and more round than expected.
When I play "wine cheese wine" with the fontal, and I really spend an inordinate time masticating the creamy cheese and coating my mouth with it, the process really brings out a delightful nuttiness in both wine and cheese. And the finish is seductive!
As the wine opens up, it gets more and more of the tart red stone fruit elements on the nose and the palate– which likely reflects the fact that Kerner was born of a cross of a red and a white wine grape.
How else did the Kerner pair and fare? Very well!
The peppery fatty intense copper thin sliced by the butcher who made the sausages at Ventura Meat market? More please! Brings out more lovely stone fruit. It tames the spice, it rocks the fat: this would be a fantastic wine with an Italian sandwich!
With the polenta made with chicken broth then with Fontal melted into it and fennel pollen sprinkled on top, the Kerner exhibits exciting nutmeg characteristics. It stood up to the intense lemony notes in vinaigrette in the tomato salad. I would usually think a red wine with sausage but NO: the Kerner loves the fennel in the Italian sausage and rolls with the rosemary and cuts the fat in the lamb sausage… and that sausage goes wild with the wine!
Right now I can not think of a wine I would rather have with a Thanksgiving dinner. Plus it has a great story and over-delivers at this price point.
But wait there's more! We made cocktails using a gin from Alto Adige AND a liqueur from elderflowers I collected!
This is a very graceful and easy to enjoy cocktail. Our homemade Elderflower liqueur could even make this a dinner beverage.
Shake all ingredients with ice and fine strain into a chilled Martini glass.
I didn't want to lose the beautiful Kerner in a cocktail! So I didn't try this.
I do think this would be a good cocktail with Prosecco because the bubbles would be a great addition!
In May 2017, my friend Brittany Wallace traveled by bus from Austria to the Northern Italian town of Merano. Here are a few of her photographs. See more photos and read her blog post here.
SUSANNAH FROM AVVINARE WILL COVER WHITE WINES FROM AOSTA HIT HIGH NOTES.
KATELYN FROM THRONE & VINE PRESENTS DIVINELY ALPINE – EXPLORING THE WINES OF ELENA WALCH.
LAUREN FROM THE SWIRLING DERVISH TELLS THE STORY OF HEARTS ON FIRE: A SUMMER TRADITION IN ALTO ADIGE.
LYNN FROM SAVOR THE HARVEST RECOMMENDS THE ONE HIGH ALTITUDE WINE REGION YOU MUST TRY #ITALIANFWT.
CAMILLA, OF CULINARY ADVENTURES WITH CAMILLA, COOKS UP BEEF & BAROLO, TWO PIEDMONTESE DARLINGS.
JEFF, AUTHOR OF FOODWINECLICK! GETS INTO UNIQUE MOUNTAIN WINES OF ALTO ADIGE.
MARTIN OVER AT ENOFYLZ WINE BLOG PROVIDES A TASTE OF LUGANA; 2013 TENUTA ROVEGLIA "VIGNE DI CATULLO" LUGANA RISERVA #ITALIANFWT.
HOST JILL AT L'OCCASION HAS A WINEMAKER RENDEZVOUS: IVAN GIOVANETT OF CASTELFELDER.
Hand-harvested fennel pollen, absinthe, plate tectonics?! This post makes me happy. Hope you're enjoying your travels.
Harvesting fennel pollen with your boys sounds like something you'd do! It was fun and worth it — even if we only got a teaspoon from 20 minutes collecting together!
You got me with your menu, I decided next time #ItalianFWT does Alpine Wines I'm going to knock on your door for dinner! Then the Alpine Gin cocktail with Elderflower liquor showed up! Appreciate the historical aspect of your article, always learning from the group.
I am definitely going to do both again! I enjoyed learning about this region and so fun to be able to share with this group!
There is always something extra in your posts that goes way beyond wine! It's why I always look forward to reading about your experiences. Here we have a beautiful poem that puts us in the Alpine state of mind, followed by the tale of an itinerant fiddler, and finally a table full of delectable dishes and elegant wine. Thanks for a virtual, yet fully satisfying trip!
thank you Lauren! and I absolutely return the compliment!
A great read Gwendolyn! And I think you've inspired me to go try to harvest some wild fennel pollen! Thanks for sharing!
we have plenty in CA — and now is the time! do it and let us know what you make with it!
Wow, you and Sue always go all out on your meals. Looks great! I've had that Kerner before and enjoyed it very much. Cheers!
thanks Jeff! PS This meal was actually quite simple! Well, once we collected the fennel pollen that is!
This is such a beautiful, packed post… I sense that the topic engaged you and this has made for an incredible resource for your readers.
Thank you for sharing so many lovely inspirations, techniques, impressions and recommendations. Looking forward to sharing this one. Cheers!
Thank you! I did really get in to it — fascinating topic and thank you for hosting and sending me on this journey! Now to just go there and explore it for myself one day!
Such a delicious article! I'm also a huge fan of polenta. Love that you experimented with not only the wine and food, but other types of liquor as well. Kerner and Pinot Grigio are a couple of my favorites, so I'll definitely be giving this a try. Unfortunately we weren't able to make it to Abbazia di Novella on our last trip, so it is high on the list for the next one!


Looking for a business? Check out the Watkins Glen Business Directory.
Low: 61°F MOSTLY SUNNY. HIGHS IN THE LOWER 80S. NORTHWEST WINDS 5 TO 10 MPH. OVERNIGHT: PARTLY CLOUDY. LOWS IN THE LOWER 60S. NORTHEAST WINDS AROUND 5 MPH...INCREASING TO SOUTH 10 TO 15 MPH WITH GUSTS UP TO 25 MPH.
Low: 59°F SHOWERS AND THUNDERSTORMS LIKELY. BREEZY WITH HIGHS IN THE LOWER 80S. WEST WINDS 20 TO 25 MPH WITH GUSTS UP TO 35 MPH. CHANCE OF RAIN 60 PERCENT. OVERNIGHT: PARTLY CLOUDY WITH A CHANCE OF SHOWERS AND THUNDERSTORMS. LOWS IN THE UPPER 50S. WEST WINDS 10 TO 15 MPH WITH GUSTS UP TO 25 MPH. CHANCE OF RAIN 30 PERCENT.


Vernita Nemec, Director, or Jenny Belin, Assistant to the Director.
Unlike many commercial galleries, we are always interested in new talent to represent and nurture. Please look at our Opportunities page if you are interested in applying to be a part of our venture.
Viridian was born on Long Island in the 60's, grew up in Soho, and moved to 57th Street in the 70's. During its 25 years there the gallery maintained its uniqueness as the sole artist-owned and professionally-run gallery on 57th Street, which was at that time the "hub of the art world". Just prior to 9/11 Viridian moved to Chelsea, the "now" art world, and has maintained a strong and unique presence there.
Entry Deadline: Friday April 11, 2014.
Juror: Katherine Brinson, Associate Curator, Guggenheim Museum, NYC.
Katherine Brinson is particularly interested in emerging artists.
Open to all US and International artists working in 2D and 3D media.
$45/ 3 works, $5 each additional work.
At least twice a year there is are members and or invitational group shows in the gallery .
We have a special interest in education and sponsor events for elementary school children to visit and talk with the exhibiting artist, and sometimes even do a project in the gallery. We firmly believe that today's children are tomorrow's art collectors.
One of our special features is our "Meet the Artist" event, when the exhibiting artist discusses his work and is sometimes interviewed by a critic or curator.
We sponsor special events occasionally, such as poetry readings, dance or music concerts, that relate to specific art exhibitions. All of our events are free and open to the public.


Coin The coin will restore one slice of Mario's health meter. Collect 50 coins to earn an extra life. If Mario dies, the number of coins he collects will be reset to zero. At the end of most missions, the high score will be the number of coins Mario collects on that mission.
? Coin Much larger than the average coin, nobody knows what happens when Mario grabs it.
Star Bits These multicolored chunks can be collected by aiming the Pointer at them. Collect 50 Star Bits for an extra life. Shoot Star Bits by presing or holding the . Shoot Star Bits to stun most enemies or feed Hungry Lumas.
Green Shell Mario can throw this shell to break open treasure chests or attack enemies. He can also hold one while underwater for a speed boost.
Red Shell Mario can throw shell to attack enemies. He can also hold one while underwater for a faster speed boost than the Green Shell.
Gold Shell Mario can throw shell to attack enemies. He gets a speed boost underwater. These shells can also open gold chests.
1-Up Mushroom This mushroom gives Mario an extra life. The 1-Up Mushroom can also be brought from the Luma Shop for 30 Star Bits.
Life Mushroom This mushroom will increase Mario's maximum health to six, adding an extra health meter. But if the meter falls to three or below, Mario's maximum health will revert to three. The Life Mushroom can also be brought from the Luma Shop for 30 Star Bits.
Key Keys can unlock certain doors and cages.
Purple Coins These are special coins that are collected with or without a time limit in galaxies that have the Purple Coin comet orbiting them and in the Gateway Galaxy. 100 Purple Coins must be collected in order for Mario to receive a Power Star.
Bee Mushroom Transforms Mario in to Bee Mario.
Boo Mushroom Transforms Mario in to Boo Mario.
Rainbow Star Transforms Mario in to Rainbow Mario.
Fire Flower Transforms Mario in to Fire Mario.
Ice Flower Transforms Mario in to Ice Mario.
Spring Mushroom Transforms Mario in to Spring Mario.
Red Star Transforms Mario in to Flying Mario (Star Observatory and Gateway Galaxy only).
This page was last edited on 25 August 2013, at 14:15.


text:
Northern Ireland Deputy Leader Urges Calm Ahead of Loyalist Parades | Michelle O'Neill
Northern Ireland's Deputy Prime Minister has urged people to celebrate peacefully ahead of the loyalist parade season as tensions rise over post-Brexit trade deals.
Michelle O'Neill of Sinn Féin, who is deputy to new Prime Minister Paul Givan of the Democratic Unionist Party (DUP) in the power-sharing administration, especially called for calm during a bonfire at a controversial site in the north from Belfast. .
Bonfires are traditionally lit in unionist areas on July 11 before parades that take place the following day to commemorate the victory of Protestant King William of Orange over Catholic King James II at the Battle of the Boyne in 1690.
One of the bonfires has been lit in the unionist area of Tiger's Bay, alongside the New Lodge nationalist community, and the Police Service of Northern Ireland (PSNI) refused to protect the contractors if they removed construction, citing the risk. of disorder.
Two Stormont ministers, Nichola Mallon of the SDLP and Deirdre Hargey of Sinn Féin, initiated legal proceedings to force the PSNI to act, but without success.
Speaking to the BBC on Sunday, O'Neill said the court's ruling was disappointing. She said: "Everyone has the right to celebrate their culture, but this bonfire is in an interface area that draws all the tension. I met with the residents and they feel under siege, their houses have been attacked and that is not acceptable in these times.
The deputy prime minister urged calm: "I hope it will be a quiet weekend, I hope it will be a quiet weekend. All of us in the political leadership have a duty to try to ensure that this is the case.
"I would summon everyone, they would enjoy their celebrations, they would do what they do to enjoy their culture but there is no place to attack people's houses. I just hope we have a weekend where we are not looking at the scenes we witnessed several weeks ago when we saw tensions in the interface areas, none of us want to see that. "
She added: "My message is clear, stay home, don't get involved in the street disorder, it's not where no one should be."
More than 160 bonfires are expected to be lit on July 12, the main date of the parade season for the Protestant loyalist orders. Last year, the parades were canceled due to Covid, and will be limited in size this year.
An additional factor is concern among trade unionists over the implementation of the Northern Ireland protocol, which establishes post-Brexit trade deals for the region, including controls on some goods between Northern Ireland and the rest of the UK.
Sir Jeffrey Donaldson, the new leader of the DUP, has demanded that the protocol be removed, calling it "the greatest threat to the economic integrity of the UK in any of our lives".
Donaldson is the third DUP leader in three months, during a period of upheaval within the main Unionist party. Arlene Foster was ousted by an internal party revolt inspired mainly by concerns about protocol, and her successor, Edwin Poots, resigned after just 21 days in response to a new rebellion, sparked by the terms he agreed on a deal to revive. to Northern Ireland. mounting.
After visiting her last week, Labor leader Keir Starmer described the situation in Northern Ireland as fragile and said there was considerable mistrust about the protocol.
The protocol is also increasing tensions between the UK and the EU, with Boris Johnson and his Brexit minister David Frost accusing Brussels of an overly enthusiastic interpretation of its policies, while the EU says the UK is not. fulfilling your obligations under an agreement you signed. .
Starmer said there was a feeling in Northern Ireland that Johnson "under-sold" the deal "and is now dismissing responsibility for making it work."
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text:
using Scada.Table.Editor.Forms;
using Scada.UI;
using System;
using System.Drawing;
using System.IO;
using System.Windows.Forms;
using System.Xml;

namespace Scada.Table.Editor.Code
{
    /// <summary>
    /// State of the main form controls.
    /// <para>Состояние элементов управления главной формы.</para>
    /// </summary>
    public class FormState
    {
        /// <summary>
        /// The default state file name.
        /// </summary>
        public const string DefFileName = "ScadaTableEditorState.xml";

        /// <summary>
        /// Initializes a new instance of the class.
        /// </summary>
        public FormState()
        {
            SetToDefault();
        }

        /// <summary>
        /// Tests whether the form state is empty.
        /// </summary>
        public bool IsEmpty
        {
            get
            {
                return Width <= 0 && Height <= 0;
            }
        }

        /// <summary>
        /// Gets or sets the form horizontal position.
        /// </summary>
        public int Left { get; set; }

        /// <summary>
        /// Gets or sets the form vertical position.
        /// </summary>
        public int Top { get; set; }

        /// <summary>
        /// Gets or sets the form width.
        /// </summary>
        public int Width { get; set; }

        /// <summary>
        /// Gets or sets the form height.
        /// </summary>
        public int Height { get; set; }

        /// <summary>
        /// Gets or sets a value indicating whether the form is maximized.
        /// </summary>
        public bool Maximized { get; set; }

        /// <summary>
        /// Gets or sets the explorer width.
        /// </summary>
        public int ExplorerWidth { get; set; }

        /// <summary>
        /// Sets the default values.
        /// </summary>
        private void SetToDefault()
        {
            Left = 0;
            Top = 0;
            Width = 0;
            Height = 0;
            Maximized = true;
            ExplorerWidth = 250;
        }

        /// <summary>
        /// Loads the form state from the specified file.
        /// </summary>
        public bool Load(string fileName, out string errMsg)
        {
            try
            {
                SetToDefault();

                if (File.Exists(fileName))
                {
                    XmlDocument xmlDoc = new XmlDocument();
                    xmlDoc.Load(fileName);
                    XmlElement rootElem = xmlDoc.DocumentElement;

                    Left = rootElem.GetChildAsInt("Left");
                    Top = rootElem.GetChildAsInt("Top");
                    Width = rootElem.GetChildAsInt("Width");
                    Height = rootElem.GetChildAsInt("Height");
                    Maximized = rootElem.GetChildAsBool("Maximized");
                    ExplorerWidth = rootElem.GetChildAsInt("ExplorerWidth");
                }

                errMsg = "";
                return true;
            }
            catch (Exception ex)
            {
                errMsg = TablePhrases.LoadFormStateError + ":" + Environment.NewLine + ex.Message;
                return false;
            }
        }

        /// <summary>
        /// Saves the state to the specified file.
        /// </summary>
        public bool Save(string fileName, out string errMsg)
        {
            try
            {
                XmlDocument xmlDoc = new XmlDocument();
                XmlDeclaration xmlDecl = xmlDoc.CreateXmlDeclaration("1.0", "utf-8", null);
                xmlDoc.AppendChild(xmlDecl);

                XmlElement rootElem = xmlDoc.CreateElement("ScadaTableEditorState");
                xmlDoc.AppendChild(rootElem);

                rootElem.AppendElem("Left", Left);
                rootElem.AppendElem("Top", Top);
                rootElem.AppendElem("Width", Width);
                rootElem.AppendElem("Height", Height);
                rootElem.AppendElem("Maximized", Maximized);
                rootElem.AppendElem("ExplorerWidth", ExplorerWidth);

                xmlDoc.Save(fileName);
                errMsg = "";
                return true;
            }
            catch (Exception ex)
            {
                errMsg = TablePhrases.SaveFormStateError + ":" + Environment.NewLine + ex.Message;
                return false;
            }
        }

        /// <summary>
        /// Applies the state to the specified form.
        /// </summary>
        public void Apply(FrmMain form)
        {
            if (form == null)
                throw new ArgumentNullException("form");

            if (!IsEmpty && ScadaUiUtils.AreaIsVisible(Left, Top, Width, Height))
            {
                form.SetBounds(Left, Top, Width, Height);
                form.WindowState = Maximized ? FormWindowState.Maximized : FormWindowState.Normal;
                form.ExplorerWidth = ExplorerWidth;
            }
        }

        /// <summary>
        /// Retrieves the state from the specified form.
        /// </summary>
        public void Retrieve(FrmMain form)
        {
            if (form == null)
                throw new ArgumentNullException("form");

            Rectangle bounds = form.WindowState == FormWindowState.Normal ? form.Bounds : form.RestoreBounds;
            Left = bounds.Left;
            Top = bounds.Top;
            Width = bounds.Width;
            Height = bounds.Height;
            Maximized = form.WindowState == FormWindowState.Maximized;
            ExplorerWidth = form.ExplorerWidth;
        }
    }
}