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Tag Archives: Jane Austen
Coffee and Chaos
July 22, 2017 Francesca Marinaro	2 Comments
If we were having coffee, I'd gush about my discovery of the #weekendcoffeeshare blog prompt that is obviously going to give both my blog and my writing in general a much-needed caffeinated and creative boost, effectively launching me to internet celebrity status (not really, but a girl can dream). I stumbled across this ingenious idea via Part-Time Monster, where I was led vicariously via Gin and Lemonade, because I am a curious Alice, and the internet is my rabbit hole. Also, go read her. Just do it.
I teach writing; therefore it must follow that I write—or at least, profess to write. I expend exorbitant amounts of energy endeavoring to keep that myth alive. I also experience an adrenalin rush when I discover a new writing prompt to try that I imagine must be similar to a master chef's excitement over a new recipe. This analogy, I realize, incorrectly implies that I am likewise a master of my craft. I no longer labor under that misapprehension.
Waking up begins with saying am and now–and coffee (Yes, I've totally misappropriated Christopher Isherwood).
If we were having coffee, I'd rhapsodize about saturating my life with all things Jane Austen this week, in honor of the 200th anniversary of her death. You'd probably point out that saturating my life with all things Jane Austen is just business as usual around here, but you totally wouldn't say it in a judgy way, because if you were that sort of person, we wouldn't be having coffee.
We wouldn't discuss politics, because I make a habit of not flavoring my coffee with bitterness and the tears shed over the fall of the human race. We will instead discuss the fact that we now live in a world where someday, the list of professions open to my future daughter can also include timelord. It's a beautiful time to be alive.
blog promptsDoctor WhoJane Austenweekend coffee sharewriting
announcements, Literature, Writing
Be Not Alarmed, Madam, on Receiving this Letter: my Tribute to Jane Austen
July 30, 2016 Francesca Marinaro	Leave a comment
Anyone who follows my writing regularly knows that I am a self-professed fan of all things Jane Austen. Recently, I had the honor of being published at the Dear Jane Project, a blog whose mission is to unite Janeites across the world and pay tribute to her brilliance through fan-written letters.
to learn more about the Dear Jane Project, visit the homepage; you can read my letter here. Please do also take the time to check out some of the other letters written to Jane and consider following the project.
Dear Jane ProjectJane Austenwriting
Books, Literature
Improving my Mind by Extensive Reading: How Pride and Prejudice Taught me to Read Romance
August 9, 2015 Francesca Marinaro	2 Comments
Several days ago, a conversation emerged on my Twitter feed about romance novels—specifically, what had been the "first" romance novel people had read. It might surprise readers who know me well, but this question gave me pause. I can list any number of romance novels I've enjoyed over the years, but as a child and teen, I gravitated more toward mystery and fantasy—some of which had strands of romance woven through them but that I couldn't squarely locate within that genre.
Then I remembered that lonely Saturday afternoon when I was 13, just after the Valentine's Day dance at school, when I lost myself in the comfort of a fictional universe to drown my sorrows over the fact that not a single boy had asked me to dance. Quite by chance, the novel I plucked off my shelf featured a heroine in the same plight as myself: a girl who, for want of a partner, had been forced to sit down because the gentleman who'd been suggested to partner her was "in no humor to give consequence to young ladies who are slighted by other men." Yes, I'm talking about Pride and Prejudice. What a comfort that, as if bestowing a smile on me from the netherworld, Austen introduced Elizabeth Bennet to me when I needed her most.
Jane Austen (1775-1816)
Why I didn't immediately pluck this title from my brain when asked what the first romance novel I'd ever read had been likely stems from a (admittedly pretentious) tendency to only categorize Pride and Prejudice as literary fiction by default, as if the "romance" genre cannot bestow enough literary distinction on Miss Austen. As someone who encourages and even participates in conversations about the blurred boundaries between literary and genre fiction, I'm almost ashamed to admit my mistake. Joshua Rothman, in an article published in the New Yorker, poses the question, "What is it, exactly, about genre that is unliterary—and what is it about "the literary" that resists genre?" Appropriately, perhaps, he cites Austen's Northanger Abbey as one of the earliest examples of the collision between literary and genre fiction.
Pride and Prejudice, in as much as it's been categorized as literary fiction, also fits fairly snuggly within the romance genre because the major conflict, after all, arises from a "matter of the heart." The choices that the characters make, both wise and poor, have a ripple effect on more than one romantic relationship in the novel; Darcy's interference in Bingley's courtship with Jane, for instance, not only causes them both heartache, but loses him points in his pursuit of Elizabeth. Ultimately the novel follows that formulaic construction in which we know who will wind up marrying whom, but we read because we want to find out how they reach that conclusion.
To return to the conversation about romance novels with which I opened, thinking about Pride and Prejudice in relation to the romance genre also challenged me to reflect on the extent to which Pride and Prejudice has shaped my overall reading tastes. For one thing, I learned at a young age that I could, and should, expect strong-minded heroines in fiction. Even if Lizzie Bennet's narrative follows the traditional trajectory for that period (ending in marriage) she's still a relatively forward-thinking female for her time primarily because she holds strong opinions and has no qualms about voicing them. One of my favorite scenes in the novel is the moment when she stands up to Lady Catherine and refuses to promise never to enter into an engagement with Darcy. It matters not in that moment whether or not Darcy does propose to her a second time. It only matters that she make it clear that she, and she alone, will decide what will make her happy.
I credit Austen with guiding me toward romance fiction in which the couples are not only sexually/romantically attracted to one another, but worthy sparring partners on the intellectual playing field, which deepens their romantic attachment. I learned at a young age that both in my reading tastes and my own romantic choices, I could and should demand a man who values my brains as much as if not more than my beauty—a man who doesn't feel intimidated by a self-sufficient, intelligent woman.
Having given Jane Austen tremendous credit for the extent to which my feminist principles inform my relationship choices, I've strongly considered implementing a sort of relationship version of the Litmus test, effective immediately, in which I ask each of my dates to name his favorite woman writer. I imagine the conversation proceeding something like this:
Me: so, who's your favorite woman writer?
Date: I'm…not sure. Name a few.
Me: Contemporary or classic? British or American? Fiction or nonfiction?
Date (looking a bit like a deer caught in the headlights): I…have to go to the bathroom. *he abruptly leaves the table and climbs out the window*
This seemed like a perfectly sane screening practice for a college English teacher; then I remembered that I haven't had a date in two years, so I might be better off casting a slightly broader net, at least for the time being.
What was the first romance novel you remember reading?
genre fictionJane Austenliterary fictionPride and Prejudicereadingromancewomen writers
Two Roads Diverged in a Wood, and I–I took the one leading to Pemberley: Reflections on Reading Emma Campbell-Webster's Lost in Austen
January 28, 2015 Francesca Marinaro	1 Comment
It is a truth universally acknowledged that a young Austen heroine must be in want of a husband, and you are no exception. Christened Elizabeth Bennet, you are tolerably beautiful and moderately accomplished, with a sharp wit and quick mind. You are the daughter of misguided but well-meaning parents and live with them and your four sisters–Jane, Mary, Kitty and Lydia–in the village of Longbourn, near the town of Meryton. You are of a happy disposition and have hitherto whiled away your years reading, walking and enjoying what limited society Meryton has to offer. A recent event, however, threatens to disturb your tranquility: a man of large fortune has let a nearby manor house. Inconsequential though this change of circumstance appears, it is the first in a long chain of events that will require you to face difficult decisions and impolite dance partners. Equipped with only your wit and natural good sense, your mission is to marry both prudently and for love, eluding undesirable suitors and avoiding family scandals which would almost certainly ruin any hope of a financially advantageous marriage for you or any of your sisters.
So opens Emma Campbell-Webster's interactive, text-adventure novel: Lost in Austen: Choose Your Own Jane Austen Adventure. It should come as little surprise to anyone who has had the pleasure of my acquaintance for more than five seconds that I spent my most recent holiday break with my head (and my heart) buried in this book—the Austenite's version of a map of Middle Earth, and like a journey into Middle Earth, should you choose to accept Campbell-Webster's mission, you will embark upon a series of trials, tribulations, and tests of endurance that, if you succeed, might end here.
Oh, the Pemberley, Precious! We wants it! We does!
(Seriously, who wouldn't want to be mistress of such as this?)
The story opens predictably enough for readers familiar with Pride and Prejudice—with the announcement of Mr. Bingley's arrival in Hertfordshire and the resulting marital mischief-making that ensues. Yet when Jane falls ill after riding to Netherfield in the rain and you rush to her side, the path before you holds more than the threat of sullying your petticoats six inches deep in mud; even if you choose the traditional plot, beware: the path to Pemberley requires brains, bravery, and a bookshelf full of Austen novels to survive. Along your journey, you'll meet a host of characters, from wayward Wickham to noble Knightley. Do you elope with Willoughby or settle for the sensible Colonel Brandon? Choices, choices; what's an Austen addict to do?
Campbell-Webster appropriately refers to these textual detours into all of Austen's published works, as well as accounts of her own life, as "diversions"—a fitting term not simply because they offer literal diversions from the storyline of Pride and Prejudice, but because Austen frequently uses the term to denote an entertaining distraction. See, for instance, Elizabeth Bennet's observations of her cousin's and Sir William Lucas's behavior during their visit to Kent in Chapter 28 of Pride and Prejudice: "Mr. Collins and Charlotte were both standing at the gate in conversation with the ladies; and Sir William, to Elizabeth's high diversion, was stationed in the doorway, in earnest contemplation of the greatness before him, and constantly bowing whenever Miss De Bourgh looked that way." The book's structure seems to speak to the respective popularity of each Austen hero (or scoundrel); a quick detour will lead you into Colonel Brandon's Path—the proverbial low-hanging fruit, as it were. On the other hand, you have to journey somewhat further to cross paths with Knightley or captain Wentworth. Darcy, predictably, is the furthest from your reach, and before you can even hope to become mistress of Pemberley, you must endure all manner of tribulations from dirty stockings to soiled reputations, and by that time, who's to say that he will even have you—a woman who has already refused him once?
In addition to your usual selection of suitors from amongst Austen's heroes, you have the option to engage in some revisionist roleplaying with several of the more minor characters; however, some things in Austen are sacred. Campbell-Webster takes the "sisters before misters" mantra to heart, for instance, and Bingley cannot fall in love with you, nor you with him. (Well, you can, but alas, if you do, that love story is destined to remain untold. Thank God for fan-fiction). In case you thought Campbell-Webster cast aside her feminist principles in favor of marital bliss, there is also the singleton narrative option, but whether you will be rewarded or ridiculed for taking it into your head to go on refusing every offer of marriage remains for you to discover.
I confess, devoted Darcyian though I am, I would have liked to see some f/f action, perhaps in the manner of this scene from "Bridget Jones: the Edge of Reason" (with a happier ending for Rebecca):
Indeed, the closest we come to any female interaction is an arbitrary encounter with a young girl in the attic of Northanger Abbey whom I can best describe as Fanny Price meets Emily Dickinson meets Bertha Mason. Whether Campbell-Webster meant this as a comical reference to Gilbert and Gubar, I don't know, but it would seem a fitting nod to the Madwoman in the Attic one of the foundational texts about the nineteenth-Century female literary tradition.
Overall, the book is well-written and accurately-researched, rich with references both to Austen's published work and the Juvenilia, as well as to her personal life lifted from letters to her sister Cassandra and Claire Tomalin's biography: Jane Austen, a Life. In short, whether you have never satisfactorily settled the Team Knightley/Team Darcy debate in your mind, or if you've ever wondered what might happen if Darcy and Colonel Fitzwilliam faught over you (not that I've ever indulged in such foolery myself), Lost in Austen is a Janeite's fantasy come true.
book reviewschoose your own adventureEmma Campbell-WebsterFan-FictionJane AustenLost in AustenPride and Prejudice


The Product Description includes both Use Cases and Acceptance Scenarios.
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The Gospel magazine, and theological review. Ser. 5. Vol. 3, no. 1-July 1874
at the resurrection of the just, in a healthful, youthful, beautiful, and glorified body."
Another letter received from a ministerial brother at this time must, from its excellence, be inserted :
" Tidings have reached my ear that your afflicted son is considerably worse, which, according to the Lord's dispensation of love, is not mysterious; for we know that we are appointed thereunto for the trial of our faith, which is much more precious than gold which perisheth ; and, knowing these things, you cannot be so moved as to rebel against the Lord. Even the most tender affections of our nature must be subdued to the unerring counsel of our God. There is love in it, and underneath it, and all round about it, and before and after it; and the
of Christ is sufficient to bear him through it, and support you under it. One thing you said, my brother, when here, namely, that his mind was graciously wrought upon;' and therefore, if the work of God is begun in his soul, it will be carried on and completed in the fulness of eternal glory. Please present our love to your son, and tell him, though his youthful days in nature are marred by the hand of affliction, his eternal days in grace and spiritual glory will compensate for all.
" Yours in the love of Christ, " Braintree, June 2, 1868."
"T. W. The contents of these weighty and powerful letters led to frequent conversations upon the important subjects of life, death, and immortality. Indeed, the sick-chamber was converted into a very Bethel, for it became blessedly evident to us that while we communed together on the things of God, Jesus Himself drew near, and His sweet and heavenly presence cast a sanctifying, influential halo around our hearts. Ah, it was good indeed to be there, for the "peace of God, which passeth all understanding," reigned in our midst ! and, though the inward grief was great, and parental pangs acute-arrows, sharp arrows, piercing to the very
soulyet grace," all-powerful grace, was found to be sufficient " for this "evil day," and the covenant faithfulness of God fully proved and felt. But it was a time of great self-sacrifice and creature-renunciation, such being the demand which God made upon us; and happy are all those to whom, in these trying dispensations of life, wisdom from on high is given, to discern both the " time and judgment" of God. For there is a time and season to every purpose under heaven; and what is the life of man in the flesh to the life of God in the soul ? Everything of earth must yield to the heavenly, sovereign will of Him who doeth all things well. Nature ties are strong, very strong, but spiritual bonds are stronger; and thus even my dear and only son in the flesh must, in the flesh, be considered as less my son than God's, who hath to him the greater right. But oh, the sharp conflict of soul, the rending the caul of the heart, at the contention of these cutting, adverse principles within! How oft did I stand at the foot of the bed of my poor, suffering, fading son" Josiah," apparently unconcerned, whilst at the same time I was enduring a great fight" of those "afflictions" peculiar to a parent; and it seemed doubtful, at times, whether I should give vent to the grief of a broken heart or the joys of a gladdened soul. The "flesh" and the "Spirit" did indeed strive for the mastery, but grace, in its prevailing power, subdued all things unto God.
Still, day after day, there lay the poor afflicted son, like Lazarus, "full
of sores," insomuch that he said to his nurse, " You don't know what a state I am in." Ah, we all know it; but to us it was a picture, to him a reality! Nevertheless, even in this state, he seemed to have learnt therewith to be content. Certain it was, he was led to look at his higher life and holier standing in the Lord Jesus Christ. And whilst others ministered of their temporal and spiritual substance, I shall never forget the joy of my own soul in being privileged to break unto this young disciple a little piece of the bread of everlasting life. Thus, among the many questions that the inquiring Josiah put to me, one was to know the meaning of our being made "more than conquerors through Jesus Christ our Lord." And somewhat on this wise it was answered: to fight a battle and gain the victory, would make us merely a conqueror; but for another to fight the battle for us, and then to give us the victory, we are than conquerors ;" and this is what we are made " through our Lord Jesus Christ.'
Now sin's battle is the Lord's, and He hath fought it once and for ever, expressly for us; and, as He needeth not the victory for Himself, He giveth it unto us, that we, through Him, might triumph over all our foes. And this was good news indeed to my son-savoury meat to his immortal soul- for he was " following after righteousness," and "seeking to know the Lord;" and therefore his teachable spirit was glad to be furthermore told that, just as the children of Israel "gat not the land of Canaan by their own sword, neither did their own arm save them," so do not the children of God to this day obtain their heavenly inheritance by any might or power of their own. No, no, no ! all is of God, in, through, and by Christ Jesus our Lord, from " Alpha," Himself, the first, to "Omega,"
" ' Himself, the last.
Another subject of the sick-room conversation, asked for by the anxious seeker after truth, was as to the way and manner in which the Lord Jesus Christ "manifests Himself unto His people as He doth not unto the world;" when the whole subject was sweetly opened up to our minds from John's first epistle, thus : He manifests Himself
1. As the " eternal Life" of our souls (chap. i. 2).
2. As the everlasting Love of God the Father, who sent Him into the world and gave Him up freely for our sakes (chap. iv. 9).
3. As the Light of His people, and in whom is "no darkness at all" (chap. i. 5).
4. He was manifested to "take away our sins" (chap. iii. 5). And 5. "For this purpose the Son of God was manifested, that He might destroy the works of the devil" (chap. iii. 8).
Now, although divine teaching is not so deducible to rules as that man can lay down any plan of working for God, yet this is the order in which the beloved John speaks of the manifestation of Christ to the soul; yea, it is the very way in which Christ Himself taught His disciples, and is certainly " as He doth not manifest Himself unto the world." He does not "commit Himself" to all, but unto witnesses chosen of God. The "Son' in His works follows the Father in His will, and the Holy Ghost in His "testimony" follows both the Father and the Son. And I can never feel sufficiently thankful when I remember how He led forth the mind of my "Josiah" into a prayerful consideration of these positive manifestations of Christ to His soul. For the "hope of glory" sprang up in his heart at the revelation of Jesus Christ, and this enabled him to bear the loss of all things for the gain of one, namely, the one thing needful;" in
proof of which he now said to his nurse, "My earthly joys are all gone, but I have one in reserve—a joy unspeakable and full of glory." Ah, about the last thing he played on the piano before he took to his bed was,
"A Day's March nearer Home;" but he was now many days in advance of that time, and his salvation much nearer than when he first believed. Indeed, the Lord had so deadened his soul to earthly sensibilities, and quickened his apprehension of things divine, that He seemed now to be preparing his mind for the surrender of "persons" (however near and dear) as well as " things" unto Himself. What a trial was this, not only to me, his fond and natural father, but to my dear wife, his watchful, faithful, and loving motherly attendant! How truly could we say at this
! time (as we did to the Lord in prayer), "Thou hast shewed Thy people hard things; thou hast made them to drink of the wine of astonishment." Nevertheless, the will of our God and Father must be done. Seeing, then, that the Lord was thus inclining his heart to transfer its affections from earth to heaven, gently conveying his relationship love from us unto Himself, I felt, through grace, a corresponding desire in my heart (much as I loved him) to give him up also unto God in return. And this constrained me to be strong in my expressions of self-condemnation, that I might let him see how worthless was his affinity to a creature of vanity. Thus I used in my prayers at his bedside to make open confession of the "wretched man that I was," in giving birth to a son in the flesh, who by virtue of his union to me inherited all the sin and misery he was called upon to endure and suffer; and among other things I remember to have said, "In Thee, O heavenly Father, my son may find a holy God! but in me, his earthly father and sinful creature, perhaps a devil!" For as of " Adam the first," and fallen, I possess, in common with all mankind, a nature that is " earthly, sensual, and devilish ;' and therefore, feeling it really to be so, I laid all the blame of my son's position upon, primarily, myself, if perchance I might be helpful in the weaning of his heart from one so vile. But oh, what this cost me I can never explain! still I felt there was a needs-be for it, in the giving up of my Isaac unto God, and that to be a son of " faithful Abraham " I must have Abraham's faith. Godliness to be "gain" to the soul, must be " logs" to the flesh. The natural must give place to the spiritual, if we who live, would "live unto God."
Thus, having such abundant evidence that the Lord had said unto my Josiah, "Son, give me thine heart," and that, in obedience to the heavenly call, he had done so in such meek and ready acquiescence, who was I (with all my parental ties and affections) that I could withstand God ? Indeed, I felt that the same demanding " voice" that had so sovereignly called him, was addressed also to me, so that I could not withhold my son, my only son, when I so plainly saw that God had adopted and claimed him as His own. Therefore, through reigning grace, in its reconciling and subduing power, I felt constrained of God to resign him into His hands.
Blessings for ever on the Lamb who, by the anointings of the Holy Ghost, teacheth His people how to live more in the spirit than in the flesh, and to esteem a heavenly relationship of far more worth than an earthly one; yea, to give up father, mother, sister, brother, husband, wife, or child, for Christ and His everlasting Gospel's sake. For how else are we to "live unto God," but by learning of Him to die unto self, men, and things ? _The creature must be subordinate to Christ, and happy are they whom He teaches this subjection. A living Christianity is above
nature, and, as the will of God is made manifest, it is oftentimes against it. If the reader has not been much exercised upon this point, the writer has. There is no righteous glorying in God apart, from or contrary to, His
ways, His works, and His will. It is only those who "live unto the Lord" that will know the blessedness of dying unto the Lord, and it is they only who "live" and " die " " unto the Lord" that the Lord's."
Now this transference of fatherhood from me unto God was wholly accomplished by the Lord Himself, and as far as Josiah jun. was concerned, on this wise was it performed : For as many as received Him [Christ], to them gave He [God the Father] power to become the sons of God." So that the bestowment of the power of God to become His son, is as necessary as the gift of Christ unto those who receive Him.' Then, as to myself, I felt the insignificance and worthlessness of my perishing parental name, which, being limited to time and pertaining only to the flesh, would in no wise compare with that "
» which the Lord in His righteousness had now given my son.
Thus the "wisdom of God" made him wise, and the "power of God". made him strong,
And though Christ Himself is the essentially "wise Son," who by reason of His time-state work on the earth made "glad " His Holy Father in all that is glorious, heavenly, and eternal; yet in the spirit of adoption by Christ, and through His alone worthiness and work, my Josiah also became a "wise son among men, who made a "glad futher"
new name
GRACE TRIUMPHANT OVER SICKNESS AND DEATH. MY DEAR FRIEND,—As you have desired me to give you some particu lars of the illness and death of the late Mr. A. A. Elliott, I will endeavour to do so in as concise a manner as possible.
You are, I believe, aware that his twin brother (a few recollections of whom appeared in the GOSPEL MAGAZINE for December last) died in October, 1864. His health declined from that time, though it was not till three months before his death that he became a decided invalid; and he was confined to the house but little more than a week.
On Sunday, the 19th of July, he went out for a short time. On his return a great change was observed in him, and he never rallied after. His mind, during this the last week of his life, seemed to be kept in perfect peace, stayed upon his God (Isa. xxvi. 3).
He remarked that the potter, when making a vessel, continued moulding the clay until he had made it as he saw fit; so his heavenly Potter would keep him here until he was moulded according to His will, and connected the idea with these words, " All the days of my appointed time will I wait, till my change come" (Job xiv. 14).
In referring to many trials through which he had passed, he said, "If I had not been able to cast them on the great Burden-bearer, I never could have borne them." And, in speaking of a fearful temptation Satan once presented to his mind when in great distress, said, "I looked up to my heavenly Father for help; never I think was such instant answer to prayer before. In one moment it was entirely gone, and I went on my way 80 happy." He mentioned also how he had been blessed on two With joy
special occasions while in prayer; Jesus seemed so near that he dreaded to come back again, as he expressed it.
I will now proceed to give you a few of what may almost be called his dying words. "What a glorious place heaven must be, where all have the same spirit as the Saviour! My sufferings are nothing compared to His, and for me. What a Saviour ours is, to keep us so safe! shall
draw water out of the wells of salvation, and never thirst again. He neither slumbereth nor sleepeth that keepeth Israel. Praise the Lord, ye heavens adore Him." And verses of hymns, which I will not lengthen my letter by repeating. It is recollected now how calm and composed he was at the time his brother died, and that just after he remarked, "I'm thinking of where he is now." Shortly before called away to be blessedly united to him in the presence of the Saviour they both loved, he said, with reference to that time, "I was as happy then as now, and now as then. I am not looking much to death and the grave, but forwards to heaven."
A person who came into his room, and noticed how great his sufferings were, said, " But he looks cheerful." He looked
up with a bright smile, and said, • Who wouldn't be cheerful ?"—meaning with his glorious prospect of heavenly bliss and the presence of his Saviour, which he so blessedly realized. He often spoke of prayer being changed for praise in heaven. Indeed with him it was heaven begun on earth, for his soul delighted in praising God. He very much feared his great sufferings would make him impatient, but the very reverse was the case.
Once when he had thought himself almost gone, and afterwards revived, he said, "I think I was a little disappointed at coming back again." And, shortly before he breathed his last, said to his brother, "Be of good cheer, John, for He hath said it," laying great emphasis on the pronoun He. Almost the last words he uttered were, "Happy, happy," and something about the white cloud (Rev. xiv. 14.) Much more he said that it was truly blessed to hear, but is now but indistinctly remembered.
By his desire, his remains were brought from Bath into Sussex, and interred in the same grave with his much-loved brother. The words from Rev. vii. 14, which he frequently repeated, have been inscribed on their tomb, "These are they which came out of great tribulation, and have washed their robes, and made them white in the blood of the Lamb." Truly the memory of the just is blessed.—Ever yours sincerely,
GREETINGS BY THE WAY, WITH SOME PARTICULARS OF THE LAST ILLNESS AND DEPARTURE OF "OLD
SARAH," OF YEOVIL, [We regret that the annexed should have stood over so long. The reader's attention is particularly directed to the fact of how much the mind of that highly-favoured servant of God, the aged "Sarah, of Yeovil," was imbued with a conviction of the solemn aspect of the times in which we live. The same conviction, we are persuaded, possesses the hearts of the Lord's people generally. So far from their considering the present an auspicious day, in itself considered, they regard it as a time in which the Lord is about terribly to shake the nations, and to test most severely the profession of His people.-Ed.]
MY DEAR BROTHER IN ZION'S CHEQUERED PATH, AND ISRAEL'S FAITHFUL GOD,-It is a long time since I saluted you by the way, not from unmindfulness, but from being hindered. Doubtless we have often been brought to each other's remembrance when meeting at our common centre-point, the mercy-seat, where from vital union and mutual interest we bear one

redpajama_set_name: RedPajamaCommonCrawl


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Married Biography / Biography / Josh Hartnett
Josh Hartnett Bio, Affair, In Relation, Net Worth, Ethnicity, Age, Nationality, Height
(Actor)
Quick Facts of Josh Hartnett
Saint Paul, Minnesota, United States
Mixed (Swedish, Irish, German, Norwegian)
Daniel Thomas Hartnett
Wendy Anne
State University of New York at Purchase
Taurus, Pisces, Scorpio
I don't like to act in my personal life. I like to be straightforward.
I don't think there's a problem with being a teen idol, if that happens to me, I'll be happy to deal with it.
I don't like to act in my personal life. I like to be straightforward. Josh Hartnett Straightforward, Act, Like I don't think there's a problem with being a teen idol, if that happens to me, I'll be happy to deal with it. Josh Hartnett Happy, Think, Deal My interests are guitars, cars, and vacation. I've been playing guitar all my life. My dad was a professional guitarist, but I'm terrible, which lets me off the hook, so I just play for myself. Josh Hartnett My Life, Play, Been.
Relationship Facts of Josh Hartnett
Josh Hartnett is having an affair.
His sexual orientation is straight.
The 39-year-old American actor, Josh Hartnett is an unmarried man. Currently, he is in a relationship with actress Tamsin Egerton. They began dating in July 2012 and got engaged a year later in 2013. Furthermore, they also welcomed their first child in December 2015 and second in August 2017.
Previously, he was in a relationship with actress Amanda Seyfried in January 2012. However, they couldn't continue their relationship for so long and broke up after dating each other for a couple of months in June 2012. Prior to her, he was also linked up with Romina Ferrara, Danish model, Katharina Damm, and Helena Christensen.
Back in 2009, this Hollywood hunk began going out with Norwegian model Sophia Lie and continued their relationship for a couple of years till 2011.Additionally, he had also a short-term relationship with celebrities such as Rihanna, Sienna Miller, and Gemma Ward.
There were also rumors of his dating with a couple of stars including Kirsten Dunst and Daria Werbowy. Apart from that, he also had a romantic relationship with famous actress Scarlett Johansson for two years. Currently, Josh and Tamsin are enjoying their love life and living elegantly along with their children.
1 Who is Josh Hartnett?
2 Josh Hartnett early life, childhood, and education
3 Josh Hartnett career, net worth, and awards
4 Josh Hartnett rumors and controversy
5 Josh Hartnett body measurements
6 Social media profile
Who is Josh Hartnett?
Josh Hartnett is an American actor as well as producer. He is famous for her roles in films and TV shows including Pearl Harbor, Black Hawk Down, The Virgin Suicides, 40 Days and 40 Nights, and Penny Dreadful.
So far, he has won a couple of awards such as the ShoWest Award, Milano International Film Festival Awards, and Ischia International Arts Academy Acting Award. Additionally, she also got several Teen Choice Award and MTV Movie Award nominations.
Josh Hartnett early life, childhood, and education
Josh was born on July 21, 1978, in Saint Paul, Minnesota, United States. He is the son of Daniel Thomas Hartnett and Wendy Anne. Furthermore, he grew up with his father and stepmother and has two brothers, Jake and Joe, and sister, Jessica.
Caption: Josh Hartnett and Tamsin Egerton (Source: Eonline)
Talking about his nationality, he is American and his ethnicity is mixed (Swedish, Irish, German, Norwegian). Moving towards his education, he joined the Conservatory of Theatre Arts & Film at SUNY Purchase after completing his graduation from Nativity of Our Lord Catholic School.
Josh Hartnett career, net worth, and awards
Josh began his acting career as Bill in the 1998 short film Debutante. In the same year, he also appeared in two more films, Halloween H20: 20 Years Later and The Faculty. As he featured in Halloween H20: 20 Years Later, his name rose to fame. Soon after that, he earned various roles in the movies such as Here on Earth, The Same, Member, Blow Dry, and Town & Country.
Back in 2001, he landed the role of Captain Danny Walker in the 2001 Second World War film 'Pearl Harbor. This movie based on the Japanese attack on Pearl Harbor and the Doolittle Raid which also became a huge hit.
In the same year, he again came in the role of SSG Matt Eversmann in the war film 'Black Hawk Down' which was also a tremendous hit. Additionally, he got the chance to play alongside Bruce Willis, Morgan Freeman, and Ben Kingsley in the 2006 crime thriller film 'Lucky Number Slevin'.
Moreover, this legendary actor has also starred in several movies including The Black Dahlia, 30 Days of Night, 30 Days of Night, Bunraku, The Lovers, and a few more.
Some of his TV roles are Michael "Fitz" Fitzgerald in 'Cracker', Ethan Chandler in 'Penny Dreadful', and Clark Gable in 'Drunk History. Recently, he has also played in a couple of movies such as The Long Home, Oh Lucy!, 6 Below: Miracle on the Mountain, and The Ottoman Lieutenant.
Being a famous actor and producer, he pockets a staggering amount of money from his profession. Currently, he has a net worth of $25 million.
As of now, Josh has won several awards such as ShoWest Award, Milano International Film Festival Awards, and Ischia International Arts Academy Acting Award. Additionally, she also got several Teen Choice Award and MTV Movie Award nominations.
Josh Hartnett rumors and controversy
So far, there are not any drastic rumors regarding his personal and professional life. Moreover, he has never faced any controversy in his career to date. As he has full focus on his work, he has never been involved in any controversial stuff.
Josh Hartnett body measurements
Josh has a height of 6 feet 3 inches and weighs 87 kg. Moreover, he has a pair of dark brown eyes and dark brown hair. Additionally, his other body measurements include 39 inches chest, 14 inches biceps, and 34 inches waist.
Social media profile
Josh is active on social media and has over 112k followers on his Instagram account. As of now, he doesn't hold Facebook and Twitter.
References: (ethnicelebs.com)
Also, read more about April Ashley, Louis Partridge, and Rob Morgan
Rory Kinnear
Tags : American Actor Black Hawk Down Pearl Harbor Penny Dreadful The Virgin Suicides
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I am definitely a savoury-tooth and therefore a big fan of filo pastry. Unlike short-crust or puff-pastry, filo contains zero fat being made out of only flour and water, and also happens to be a great source of protein (approx 10grams per 100 serve). Therefore, when cooking with it you can add good fats and keep the pastry layers super thin so anything you make will be dominated by the filling and not thick greasy pastry (don't get me wrong, I love that too! its just that I also love to fit into my pants).
I sincerely believe you can still enjoy your food whilst managing your weight, this filo pie with three cheeses and a drizzle of honey being a great example of something indulgent yet heavier in good fats and protein and less heavy in sugar and carbs. It is also versatile enough to be served for breakfast with a side of bacon, a green salad and white wine for lunch, or even topped with prosciutto and served with champagne as an entree at a dinner party.
Begin by turning on fan-forced oven to 180 degrees celsius and getting all ingredients out and on hand.
Spray a baking dish with oil, layer your first sheet of filo down as your base, lightly brush with melted butter and place an additional filo layer on top and repeat.
Tear up 2-3 sheets of pastry and start to create little bundles/rosettes of pastry in the area of the filling, I have included a picture below as example.
Meanwhile sauté your spinach in a fry pan using some of the melted butter, then assemble wilted spinach within and amongst the filo.
Crumble goats cheese in and around the spinach and filo.
Crack the eggs into a seperate bowl and whisk with milk and ricotta until combined, a little lumpy is normal but combined through is required.
Pour the egg mixture over the top of all ingredients to fill the pie.
Generously salt and pepper the top, sprinkling with extra thyme and grated cheddar.
Brush any exposed filo with melted butter.
Pop into hot oven for 20 mins or until puffed and golden.
Toast pine nuts in the pan used for the spinach, serving on top along with the smallest drizzle of honey.
Next Post Running. Love it or Hate it?


As I've mentioned before, we respond to a pretty incredible number of e-mails and letters at The Pastel Journal world headquarters in Cincinnati, many from long-time readers and many many many from pastel newbies. It's nice to hear from all sectors of the pastel world; it makes us feel like we're at the center of a great big international game of telephone. Or something.
Q. How can I find pastel artists/workshops in my area?
A. A good place to start is our extensive listing workshops in the back pages of every issue of the magazine. You can also check in with your nearest pastel society. You'll also find active pastel communities on WetCanvas! and The Artists Network Forums.
Q. How can I find out more about oil pastels?
A. We do publish oil pastels occasionally (check out Brett Varney's gorgeous oil pastel trees in the October 2007 issue), though soft (dry) pastels are our primary focus. You'll find a lot information in the Oil Pastel area of Wet Canvas. Another good online resource for information regarding oil pastels is the Oil Pastel Society.
Q. Can I travel on planes with my pastels?
A. Yes, so long as they aren't mistaken for bullets, apparently. Richard McKinley shares his tips for traveling with pastels on the Pastel Pointers Blog.
Q. How do I get my work in The Pastel Journal?
A. Our submission guidelines are now downloadable here. (Just scroll down to our title.) And Anne gives you the inside line here. Of course, you can always send us your Creative Spark inspired paintings. This option has the added bonus of a wonderful prize ($150 worth of PanPastels in the April installment).
Q. Which brand of pastel should I use?
A. That's a personal choice, of course. Each pastel brand offers a different color range and has its own unique characteristics. Some are harder, some softer. Some are square, some round. It's about choosing the right tool for the job and your own artistic preferences. Many artists collect sticks from a variety of sources, and use a palette made up of a number of different brands. Since many artists like to begin a painting with harder pastels, and then move to softer sticks as they progress, a useful chart is Dakota Pastels' list of pastel brands organized in order from softest to hardest.
Once you have a sizable pastel collection and you need help arranging your palette, you can find out how artist Richard McKinley does it here.
Q. Where do I buy pastel painting supplies?
A. Why not look online? You're already here, after all. Start your search at Artist's Marketplace. You'll also find plenty of ads for art suppliers right here on our blog, in the magazine and here. Most of the major players have websites these days. Just start with a simple search.
Got a burning pastel question that doesn't appear on the list? I'll bet you do. If you'd like to get in touch with us, please don't hesitate to write.


Venison For Pets are based in Barnsley, South Yorkshire, and supply a range of completely natural, air-dried venison products. The venison is sourced entirely from a UK free range park with farmed deer herds, and only from herds that are handled with exemplary high welfare standards.
The products are gently air dried at the plant in South Yorkshire. No preservatives or additives are used, as the air drying process itself produces treats with a long shelf life and excellent nutritional qualities. Venison is very low in fat, high in protein, high in iron and has excellent omega 3 levels.
These qualities make Venison for Pets the perfect healthy choice for pet owners. Whether you want to find treats for agility training, puppy training, keeping your pet occupied, a healthy snack or a tasty treat, this Bansley company has the perfect selection. If you can't make up your mind, or you're looking for the perfect gift, there are a range of hampers and gift vouchers available too.
This Barnsley-based shop is less than 1 mile from Venison For Pets.
This Barnsley-based shop is 3 miles from Venison For Pets.
This Rotherham-based shop is 7 miles from Venison For Pets.


My AirPort card does not work and I can't seem to be able to remove it as the screws are too tight.
Can you recommend the correct screwdriver to undo the screws.
There's a lot of advice from the stripped screws tag on the right. As a work around you could use a USB Wireless Dongle.
Pick one that is supported by Mac OS X.
Aleks sonsuza kadar minnettar olacak.


text:
NWRA Chairman Harvey Submits Written Testimony Before House Transportation Committee
Harvey Urges Congress to Support Incentives to Encourage States to Adopt "Move Over" Laws for Waste and Recycling Workers
Arlington, VA – National Waste & Recycling Association (NWRA) Chairman Ben Harvey submitted written testimony for the record on behalf of the Association before the House Transportation & Infrastructure Committee's Highways and Transit Subcommittee for its hearing on "Every Life Counts: Improving the Safety of our Nation's Roadways." Harvey called attention to the fact that the Bureau of Labor Statistics (BLS) named the waste and recycling collector as the fifth most dangerous occupation and that in 2017 "Waste and Recycling" had 33 fatalities, of which 23 were transportation related.
Harvey urged Congress to use federal infrastructure legislation or surface transportation appropriations as a vehicle to enact incentives for states to adopt "Move Over" laws that include waste and recycling collection workers similar to the incentives it uses to encourage states to set and keep their legal drinking age at 21 years old. He stated, "This is an opportunity for Congress to make a real difference in improving safety with minimal effort and no additional cost."
"Move Over laws carry an important message—take your time and slow down around waste and recycling collection trucks," said Darrell Smith, NWRA president and CEO. "NWRA member companies have been diligent in providing advanced safety training for drivers and those who hop off the trucks to make collections. However, distracted drivers operating near a collection truck are a major hazard for waste collection workers."
NWRA has been at the forefront of efforts to expand state "Move Over" laws to include waste and recycling vehicles.


text:
How Marketing Can Turbo-Charge UK Tech Sector Growth
As a continuation of our leadership talks, Grace Blue were delighted to welcome Russ Shaw to our office this week. The founder of Tech London Advocates & Global Tech Advocates talked us through the fast-changing tech landscape and the importance of marketing and brand positioning to companies in this sector.
Coming off the back of a very successful London Tech week, the UK remains one of the world's leading centres for technology. Indeed, the UK and London already accounts for over half of the 72 tech unicorns globally (a unicorn being a privately held start-up company valued at over $1 billion) with UK examples including Deliveroo, Revolut, and Monzo. In addition, the UK is the number one Fintech hub globally, and has a very fast-growing footprint including Deep Tech (AI, Robotic learning), Retail and Creative Tech. Current Prime Minster Theresa May predicts that UK tech companies are set to attract more than £1.2billion inward investment from around the world this year, its clear the sector will continue to grow in importance to the UK economy.
Given the UK's future success is integrally linked to the success of our tech businesses, Russ outlined how the most successful entrepreneurs, brands and investors will put marketing at the very heart of their business. UK tech businesses must have strong brand and customer propositions in order to succeed on the world stage.
Testament to this, over the last few years we have witnessed a real shift in what technology brands, start-ups and platforms are looking for in their leadership offering. Increasingly, tech companies are recognising the value of bringing in leaders from outside of the immediate tech fraternity. Nicola Mendelsohn joining Facebook was one of the first marquee examples of this shift. The critical experience requirements of these fast-emerging tech companies include deep understanding of brand / customer proposition, change agents, commercial leaders and true innovators. To find these tech companies should be open to leadership talent which has the desire to migrate from different sectors – media, entertainment companies, agencies, FMCG brands – meaning complementary skills can be brought in to best effect.
As the UK tech sector grows, so too will the number of great leadership roles within these new businesses that will shape our future. The people that fill those roles though will increasingly come from other sectors of our leadership talent pool – all smart senior leadership teams looking to turbo-charge their businesses with brilliant branding will have their eyes open to this.
Image: https://www.linkedin.com/in/russ-shaw/


So the painting in the engine room has started.
The first step is to put a couple of coats of primer onto all the patches of bare steel around the place.
You can see the first of the primer applied to the steps into the engine room.
Not that the steps were that rusty or anything, it just seemed like a good place to start. First steps and all that!
Plenty more to go yet.
With the rain continuing and the engine room clean(er) but wet, attention was switched to rust busting up in the forepeak.
It's another grim looking picture, I know.
I'm reminded that there is still big a section of plate that needs to be cut out and new steel plate welded back in, as there are holes in the starboard side which have simply been covered over with duck tape for now.
This is exactly the same issue as we had on the port side, it's just that this plate was not replaced in the rush to leave Fareham.
New plate or not, the rest of the place still needs sorting out.
The recent wet weather finally prompted some cleaning down in the engine room.
From time to time I've made a start of some sorts, but never made any real inroads. Now, with Fred's help the deck plates and the bottom of the sides have been cleaned.
For those of you who have been down in Lady Jane's engine room, you will really appreciate how significant this cleaning effort has been.
The next step is primer onto the cleaned up rut patches, making a good surface to paint.
So it's been three years that I've had Lady Jane.
Three years!!! I can hardly believe it. This last year has gone so fast.
I've made good progress getting on top of things in the time I've had her, but there is a long way to go yet.
So many people have helped with getting Lady Jane this far, so this is a chance to say a big thank you to everybody who has contributed over the years. You all know who you are.
Special thanks go to Patch, Fred and John who have all helped so much in completely different ways.
I've been working away at cleaning the last piece of the turbo, which has remained on board.
Working away at cleaning this has reminded me that I really need to get going cleaning up and painting in the engine room.
A big project in it's own right.
A lick of white paint on the walls plus the engine and pipes etc all freshly painted their respective colours will make such a big difference down there.
Finally, I've got the last of the welding on the port side done.
Well on this section anyway. There is one small seam to be welded that Robin forgot when he welded in the new plate up forwards.
The Hilti breaker you can see in the picture is on account of the rust busting I had to do, part of cleaning up the area surrounding the welds prior to re-painting that section on the inside.
The eagle eyed observer will also note I had to weld the left hand bracket which holds the sluice gate in.
So the new platform has been constructed, with help from Fred.
It's a little bigger than I had planned at 2.5m * 4.8m (7.5ft * 14.4ft), as the wood came in 4.8m lengths, but that's not a bad thing.
Next I'll need to fill the underside with foam so it floats well, screw in a few cleats, paint up the wood with a protective coating of some sorts and seal the gaps so ultraviolet can't get to the foam below.
I'll also think about attaching some kind of protective rubber strip around the edges.
Maybe another day or so's worth of work if I'm lucky.
It also occurs to me that I could use my platform to move any heavy stuff between the shore and Lady Jane, sort of as a mini barge. It would help save the rib tubes, if nothing else.
I'll need some help launching the thing, as it's pretty heavy!
I am really missing the platform I was using in Fareham, even though it caused me some problems occasionally.
The trouble is the crane barge is quite high out of the water, especially at the front, making it hard to work close to the waterline. In addition, Lady Jane is not so easy to manoeuvre relative to the barge, for reaching further along.
Fred suggested I see about getting the platform craned onto the Donald Redford and have them bring it round for me. Unfortunately I don't really see that as an option, besides the platform isn't mine anyway.
Inspired by Bowiechick's post, I'm now planning on building myself a floating platform from scratch.
I'm thinking some 4*2 for the frame, some 2*1 for internal struts and deck, and spray foam for buoyancy.
In terms of size, I'm thinking 4m by 2m (12ft * 6ft) should do it.
I think if I get the buoyancy just right, the platform will be perfect for working almost all the way to Lady Jane's waterline.
Here is the Sand Weaver, a regular visitor to one of the wharves opposite where Lady Jane is moored.
She is a big vessel to manoeuvre so things must be tense on her bridge when she arrives on busy days. At times like these her arrival is often heralded by five blasts on her horn, warning small boats to stay clear.
The confusion arises when small boats try to stick to the correct side of the channel, to the starboard side of the river, not realising the Sand Weaver is intending to come alongside there.
Finally, after all this time, some primer on the port side.
With so much white on Lady Jane, all I need is a big red cross and she could pass as a hospital ship.
I've still got one last hole to finish welding, but after that it should just be rust busting and painting to finish the port side.
It doesn't look that much but, based on my experience, I'm guessing it will take me a good few months to get that port side painted completely blue.
Fred has been splashing the white paint about, while Patch has been working on the more delicate task of painting the diesel pipes and vents red. The red denotes diesel.
I know it's a small thing, but that second coat of white with the red trim makes me so proud of her.
Lady Jane just keeps on getting better and better.
I finally got to spend a bit of time heating the hinges on the two seized scuppers to burn off the rust and paint.
It was quite a pleasure to sit there a while in the warm sunlight, with the oxy-propane torch doing the work for me. The black marks are the evidence of my attentions.
Almost magically, the scuppers are now swinging freely.
A bit of cleaning up and a lick of paint, after greasing the hinges, will mean the scuppers will be as good as new.
More importantly, now the hot work is done here, work on painting the outside can start on this section.
It's not that often I get exactly what I ask for, and very rarely now do I get it virtually immediately.
With Lady Jane I've become used to a certain amount of teeth sucking and 'well now's when seeking parts or assistance.
Before leaving Fareham, and while investigating faulty gauges on Lady Jane, Robin discovered the turbo pressure gauge was not faulty, but that the turbo was not producing any pressure.
Apparently the turbo pressure should be around about two bar (30 psi) or so.
Anyway, with the stuck air start valve, I noticed exhaust gas seeping back through the air start system. My thinking was that if the turbo was working properly, this should not happen. So determined to start doing something about it.
My turbo is made by Brown Boveri & Co.
As ever, my first port of call was the Internet, and it turns out that Brown Boveri are now called ABB, a huge Swiss engineering company. On their web site I found the turbo section, and filled in the web form by way of contacting them. I thought to myself "I'll have to prod them in a week or so to get some kind of response".
To my amazement, George, from ABB, phoned me that day and, unbelievably, arranged for an engineer to come out to the boat to see the turbo before the end of the week. The fact that their workshop happens to be a stone's throw from where Lady Jane is moored was an advantage I'm sure.
Now to my mind, someone coming out to look at the turbo would be just that, looking. Not so, Trevor arrived with his toolbox and overalls, and got stuck right in pulling bits off, with hardly even time for a cup of tea.
Not what I was expecting at all. It turns out that ABB sell spares for my turbo, and in fact you can still buy new ones exactly like mine if you were of a mind to.
I was genuinely expecting it to take easily a month to get to this stage.
Of course, there is money involved, and I'm finding myself spending on the turbo long before I had expected to shell out anything on it, but to my thinking it's started now so I may as well see it through.
What I find absolutely fascinating is just how intricate the internals of the turbo are, the main shaft looks akin to a jet engine (it spins at 28,000 rpm or so). Things were moving pretty quickly and I forgot to take pictures.
Currently most of my turbo is now at ABB's workshop being cleaned and balanced. I've also taken off the exhaust side of the turbo, after a bit of a struggle, and that will also go in to the workshop for a proper cleaning.
The rest of the turbo I'll clean in-situ, as it seems too much work to take it off for the perceived benefit of cleaning just that bit.
The next trick will be to get the whole lot back in and assembled. So far so good though.


I always save the worst job till last when I do the Spring Cleaning thing. I hate getting up on the roof of my Dolphin 32D and cleaning the 2 roof air conditioners. It really is not physically demanding or hard. I don't know why I hate it so bad– maybe it is taking the shrouds off?
I climb up on the roof with two things — a portable electric screwdriver that makes quick work of those shroud screws and an air hose with a blower wand on the end of it. Once the shrouds are off I inspect all around the air conditioner unit (Make sure the power is OFF!). Then I turn the fan to make sure it rotates freely and inspect the fan shaft for any excessive oil leakage at the compressor. Then I take the cover off the metal box that houses all the capacitors and relays. I inspect there for loose connections, frayed wires and any signs of discolored wires that would indicate an overheating problem. The cover goes back on the electrical box before I do anything else.
There are always some dirt dauber nests to remove along with twigs, leaves and pine needles. I get as much of that stuff out of there and then use the compressed air to blow it out. Compressed air does such a great job of cleaning everything out. I pay special attention the the drain holes in the pan and the condensor. The drain holes are where all the debris end up. The condensor is always dusty. I blow it out from both sides until it is completely clean.
After all this, I visually inspect everything once again and put the shroud on. Hopefully, I won't have to do this again until next spring!


text:
Haunting: The Psychological Cut, The
The Scribbling Man
Building on 'The Implicit Cut' as a foundation, this new cut makes various changes in order to accommodate the possibility that 'The Haunting' is all in Eleanor's mind. Changes include a new opening and ending, tweaked dialogue and a narrative structure that never leaves Eleanor's side. This edit can be viewed both with or without internal monologue.
My initial intent with the film was not to make any drastic changes at all, beyond removing the inner monologue - this became 'The Implicit Cut'. But after a comment from jrzag42 regarding their wanting the film to have been less explicit, I decided to then build on the foundation of my first cut and create an alternate version that would allow things to be interpreted either as a literal haunted house or as something much more psychological.
Based on feedback, I was intending to be more liberal with this edit, make it exclusively no-monologue, and take that opportunity to trim certain moments even more. While it is certainly a more liberal edit, ultimately I decided that the monologue was beneficial for the concept and instead opted to have it as the main audio option. I did however still include the no-monologue version as a secondary audio option and had a go at further trimming two instances, based on Seacom's feedback.
I have a lot of thoughts on how this cut now affects the narrative, but I'll refrain from detailing them as I'd like to avoid influencing people's thoughts. If you leave a review, I'd love to hear your interpretation of events. While I made cuts with a particular "theory" in mind, the desire is ultimately for the cut to be open for speculation.
This edit is an extension of my previous edit of The Haunting, found here: https://ifdb.fanedit.org/haunting-the-implicit-cut-the/
- Film static and wind sfx from freesound
- Short, unofficial instrumental suite of The Haunting score
This edit is dedicated to jrzag42, who planted the seed of the idea in my brain. Thank you also to Seacom, who gave feedback on my ideas and a preview clip prior to me announcing the edit. Thank you to Dwight Fry for his encouragement. Thank you to my friend Joebby for previewing the no-monologue version and providing feedback.
- two audio options
- subtitles for both
This edit involved rescoring, foley, masking, cropping, grading, framerate adjustment and tweaking words of dialogue. Some of the main tools used included: vegas pro, virtualdub and flowframes.
The Gist:
- New opening
- Eleanor is always on scene
- Mrs Dudley only interacts with Eleanor
- Except for Eleanor, no one interacts with Mrs Dudley (though they acknowledge her existence in conversation)
- General tweaks or re-ordering of shots to help put more emphasis on Eleanor's perspective
- Tweaks to dialogue to accommodate the above
- New ending
Full(ish cutlist:
To the best of my memory, this is a full cutlist of everything done to 'The Psychological Cut', but bear in mind that the basis of this edit was not the theatrical cut, but a lossless copy of my own 'Implicit Cut'. So for a fuller cutlist, please see the IFDB page for that (though obviously the time codes will not all line up).
There are SPOILERS below, so I recommend waiting till you've watched the edit.
- 00:00:10 - cut Markway's opening narration and replaced with Eleanor's epilogue. Rescored.
- 00:00:39 - added 'fanedit.org presents'
- 00:00:44 - added 'A Scribbling Man edit'
- 00:00:50 - new title card and animation
- 00:02:12 - cut Markway's prologue about history of hill house, as well as his scene with the aunt and shot of him crossing names off a chalkboard. We now transition directly to Eleanor' argument with her sister.
- 00:05:24 - a tighter trim to the shot of Eleanor here as well as further trimming to the monologue. this was done based on seacom's feedback that the silence during the no-monologue version felt awkward.
- 00:05:41 - further trimming here to shots and the monologue, chiefly to avoid the scene being too long and awkward, as per seacom's feedback.
- 00:11:08 - very slow zoom in here to avoid Mrs Dudley being in shot on the left side. This is to accommodate changing her dialogue.
- 00:11:17 - cut lines from Mrs Dudley that will later be repeated during Eleanor's conversation with Theo. now she just says "I don't wait on people. I don't stay... not after it begins to get dark". Originally she says "I don't stay after I set out the dinner". Shots of Mrs Dudley talking also cut.
- 00:13:00 - score tweaked here to accommodate Eleanor no longer hearing Mrs Dudley talking to someone.
- 00:13:03 - door foley, following which: cut Theo speaking to make it seem as though Dudley could be talking to Eleanor. Re-timed Eleanor speaking so that she interrupts Mrs Dudley. Foley for when Theo places her bag down.
- 00:13:25 - Mrs Dudley says "you serve yourself" instead of "you serve yourselves"
- 00:13:30 - Mrs Dudley is masked out and funked up so as to have her no longer talking (her dialogue here would be a repeat of what she said to Eleanor earlier). Now there is silence after Theo speaks and Dudley just stares. Foley to maintain room ambience/misc background noise.
- 00:13:34 - to help make the cut I make here less awkward, Theo now says "the experiment" but doesn't say "quote, unquote" either side.
- 00:13:37 - cut Mrs Dudley speaking and Theo acknowledging her, which also means we don't see Mrs Dudley walk away. Instead the two shots are presented as one motion: theo turns and then as she turns she unzips her jacket and continues to speak to Eleanor. Some foley here and re-timing of dialogue.
- 00:13:44 - we briefly cut away and the conversation plays out beneath a shot of Mrs Dudley leaving and closing the door.
- 00:13:46 - added sound of door closing.
- 00:25:48 - slow zoom in to bring focus onto Eleanor leaving
- 00:25:54 - cut small segment where Eleanor is absent from the room. This was the hardest sell of the edit, since the original does not allow for a smooth cut straight to Eleanor. The characters normally hear her scream, then run after her. Instead, to help bridge the gap in time I've inserted a newly created sequence (which you may interpret how you like). Mixture of scoring, crossfades and layering of footage. Also some masking in order to manufacture a visual of Eleanor trapped behind the windows of hill house. Originally the scream is heard from the distance, now it has been replaced with something more up front. I can't remember which film, but I'm fairly certain the scream is from Fay Wray.
- 00:31:13 - trimmed shot so that we don't see Theo until Eleanor enters the room.
- 00:36:39 - slightly altered musical transition into next scene.
- 00:37:08 - cut POV shot of Markway looking through magnifying glass. Cut wide shot of Markway alone before Eleanor enters. Now the first thing we see is a close up of Eleanor. Partial re-score to accommodate trims.
- 00:43:45 - bunch of changes here which amounts to:
- Instead of looking up when Mrs Dudley starts speaking, Markwell now looks up when Theo responds to Eleanor. This involved masking and an adjustment to the framerate for that portion of the shot.
- Markwell doesn't look at Mrs Dudley for the 2nd time
- Markwell doesn't lose his temper with Mrs Dudley
- Markwell's eyes stay on Eleanor during close shot
- Some dialogue trimmed to accommodate changes
- 00:48:43 - soft fade out. We no longer spend time with the others in the library. This does mean there is no foreshadowing for the rickety stair case, but I don't think this is an issue since it's pretty obvious to all the characters how dangerous it is when it becomes relevant later.
- 00:48:47 - soft fade in. mild foley to sell audio transition.
- 00:53:54 - cut brief moment alone with Markway and Luke. now the girls arrive on scene immediately. Tweaks to score to accommodate.
- 00:54:41 - core removed from dialogue and new scoring put down in order to aid my upcoming cuts.
- 00:54:56 - cut time alone with Markway and Luke and instead fade straight into scene with girls
- 00:59:12 - some foley and re-timing of dialogue over this shot. Cut panning down and Markway being alone and instead we go straight to Eleanor being already in the room
- 01:05:55 - crossfade to next scene to avoid scene with Eleanor absent. Some foley.
- 01:08:40 - cut dialogue between Markway and Grace. now Eleanor runs right on scene
- 01:09:49 - cut dialogue between Luke and Markway and instead go straight into the room. In order to cover the time gap, shot of room is re-used and then graded to be in darkness. Some masking to keep silhouetted movement from looking unnatural. Foley to accommodate and when we hear the light switch we transition to where the scene originally started.
- 01:10:17 - score removed from dialogue and rescoring to accommodate scene transition
- 01:10:22 - cut scene with Markway and Grace and instead crossfade straight to Eleanor and Theo
- 01:11:27 - we no longer see Luke sneaking down to grab a drink. Now we just see them sleeping (Eleanor first) then the door slams shut. Eleanor is now the first to wake up and Markway's reaction is sandwiched inbetween this shot. Some foley.
- 01:18:34 - tweak to score to allow piece to flow consistently between two scenes.
- 01:18:48 - cut people looking for Eleanor
- 01:19:13 - cut shots that imply people looking for Eleanor
- 01:29:17 - re-timed mark asking Markway for the key so that this doesn't take place away from eleanor but in the background while she considers driving off. tweaks to score.
- 01:29:20 - cut shot of Markway looking for keys
- 1:29:24 - cut shot of others running after Eleanor. We now just see this from the distance as her car drives towards the camera and the voices of the others are heard in the background.
- 1:30:10 - re-arranged and extended shots of the house with foley to maintain dusty silence and pace the scene better.
- 01:30:17 - extended shot of overturned car, now with complete silence and the background adjusted so that the road is empty and we no longer see the others running towards the car.
- 01:30:24 - cut aftermath and conversation following Eleanor's death. Added extra shot of house and extended.
- 1:30:27 - transition to "the end" title card. No Eleanor monologue here since it has been used for the opening of the edit.
- 01:30:41 - adjusted closing title card to reflect title of edit
Comparison (Invisible Mrs Dudley)
With the Psychological Cut, The Scribbling Man has created a more immediate version of 'The Haunting'. He makes some decisions that I think the original filmmakers were a little hesitant to commit to. While the original version mostly follows Eleanor, it also wants to explain the house a little more. As the title suggests, 'The Psychological Cut' commits to the idea that all of this stems from Eleanor, whether she's imagining everything around her, or is manifesting The Haunting herself. This is brought up in the original version, but the filmmakers dilute that idea with other suggestions for the source of The Haunting.
That said, I don't know if this tops The Scribbling Man's 'Implicit Cut' of 'The Haunting' - which I feel DOES top the original version of the film simply by toning down the inner monologue and making a few nips and tucks. Still trying to figure out why, because so much works here. I don't think the original intro is missed in this edit, but ultimately I think I prefer it for how it establishes the mood a bit more. Scrib's new ending in 'The Psychological Cut' also works well. It's nothing drastic, and could have probably fit in the original film just fine.
Having compared both audio tracks, I feel this probably works best with the minimal internal monologue as it helps tell the story along. As I said in my review of 'The Implicit Cut', I've wondered for years how 'The Haunting' would function without all the inner monologue, and finally The Scribbling Man has shown us by providing multiple audio tracks (and now, multiple edits) to compare. Maybe the monologue can't quite be completely extracted from the film, but a lot can be toned down. A very commendable job.
Owner's reply May 22, 2022
Thanks for taking the time to review, man :) good to hear your thoughts.
seacom Top 1000 Reviewer 3 reviews
For the most part the Psychological cut works very well. The scene Eleanor is on the colapsing library staircase works well desptite the cutting of the forshadowing scene in the library which establishes that the staircase is not safe. Ending with the car crash is very effective and I did not miss the conversation between the other characters that happens after in the original cut.
I have watched both the Haunting: The Psychological Cut and the Iplicity Cut. Of the two cuts I prefered 'The Implicit Cut' as it contained the backstory which gave context for when they are talking about Hugh Crain and the Nursery room. I wonder if there was a way to include this backstory in the Psychological cut while still telling the story from Eleanors point of view. Perhaps in the scene where they all meet for the first time over breakfast Dr. Markway could explain the history of the house to them?
poorandin Top 500 Reviewer 26 reviews


Business confidence is creeping upwards from south to north, according to the inaugural New Zealand Chambers of Commerce Business Confidence Survey.
While a total net positive of 42 per cent of respondents expect the New Zealand economy to improve over the next 12 months, regional variation shows that confidence improves the further north businesses are.
A net 44.2 per cent of businesses in the upper North Island (including Auckland) expect the New Zealand economy to improve over the next 12 months, compared with a net 44 per cent in the central and lower North Island (including Wellington), a net 30.9 per cent in the upper South Island (including Canterbury) and a net 34.3 per cent in the lower South Island (including Otago).
Of the total responses, 53.1 per cent expect the economy to be better. Just 11 per cent expect the economy to decline and 35.6 per cent expect it to remain the same.
The survey was conducted over a two-week period in late November, and 1539 responses were received from the chamber network around New Zealand.
Greater confidence was expressed in local and regional economies, with a national net positive 47.6 per cent believing there would be improvement.
Businesses were equally confident their local economy and their businesses in particular would do well, reflecting confidence in their own ability to succeed in a "generally positive economic environment".
When respondents were asked about their own business situation, a net 65.2 per cent said they expect to see an improvement over the next 12 months. Businesses also expect to see a boost in earnings, with a net 61.9 per cent forecasting an improvement. Of all respondents, 70.7 per cent expect an improvement while 8.8 per cent expect earnings to decline. The number of businesses expecting to invest more in plant and equipment over the next 12 months remains positive – a net 26.8 per cent.
Staff hiring expectations were encouraging, reinforcing that businesses expect their own activity to remain steady. When asked what changes they expect to total staffing numbers over the next three months, a net 30.8 per cent of businesses said they expect to be looking for more staff (39 per cent expect to hire while just 8.2 per cent expect staff numbers to decrease).
However, finding skilled staff continues to be a challenge for businesses, with just 6.6 per cent saying it was easier to find skilled staff than it was 12 months ago, and 41.6 per cent saying it was harder.
Auckland Chamber of Commerce Chief Executive Michael Barnett said the results were good for business heading into the summer months where business and consumer confidence was positive.
"The result for Auckland reflects an economy that is investing heavily in its infrastructure, generating significant investment from the public and private purse which is good locally and nationally. New Zealand can expect this from Auckland for the next five years.
"Of concern to Government must be the fact that over 40% of businesses wanting to hire are having difficulty finding the right people with the right skills," he said.
Wellington Chamber of Commerce Chief Executive John Milford said the results show the pragmatism of business given the economic environment.
Canterbury Employers' Chamber of Commerce Chief Executive Officer Peter Townsend says the results show the increasing complexities associated with the rebuild, with activity plateauing at a very high level.
"We are continuing to see strong reconstruction activity underpinned by a generally robust economy.
"Business confidence is about relativity and while there is some caution about conditions continuing to improve there is clearly confidence that activity will continue across the economy at high levels.
Otago Chamber of Commerce Chief Executive Dougal McGowan says that while the southern results are tempered with mixed confidence, businesses were reporting a good run-up to the Christmas holiday period, with a ''positive vibe'' around Otago.
New Zealand Chambers of Commerce Inc (NZCCI) is a network of independent chambers, serving the interests of 29 Chambers of Commerce across the country. Together the Chamber network represents over 20,000 businesses around the country including sole traders, small-medium enterprises, and some of the largest businesses in New Zealand. New Zealand's Chambers of Commerce are divided into 4 hubs: Northern, Central, Canterbury and Southern; and affiliated with Chambers internationally through the International Chamber of Commerce, providing members with access to the largest business network in the world.


text:
Rabbi Levi és un cràter d'impacte que es troba entre les accidentades terres altes de la part sud-est de la cara visible de la Lluna. Diversos cràters notables es troben a prop, incloent a Zagut just a nord-nord-oest, Riccius fortament desfigurat a sud-est, i Lindenau al nord-est, al costat de Zagut.

Es tracta d'una formació de cràters fortament desgastada i erosionada, amb diversos cràters més petits situats sobre la vora incís i al llarg del sòl interior. Un grup d'aquests cràters forma un raïm a la part occidental de la plataforma interior, format pels cràters satèl·lit A, L, M i D, així com per cràters menors que s'alineen cap al sud-sud-est. El major d'aquests cràters és Rabbi Levi L, un impacte amb forma de bol just al nord-oest del punt mig. La resta del sòl és relativament pla i pràcticament sense trets destacables. Els grups de cràters també s'estenen a través de les seccions oriental i sud-oest de la vora.

Unit al nord-est apareix el romanent d'una antiga formació que s'introdueix en Rabbi Levi, produint una secció recta de la vora en aquesta zona. Aquesta formació anònima ha estat gairebé completament esborrada, i està recoberta al nord-oest per Lindenau, i al llarg de la banda nord-est exterior per Rothmann.

El cràter porta el nom de l'erudit jueu medieval Gersònides.

Cràters satèl·lit
Per convenció aquests elements són identificats en els mapes lunars posant la lletra en el costat del punt central del cràter que està més proper a Rabbi Levi.

Referències

Vegeu també
 Llista de cràters lunars
 Selenografia

Cràters de la Lluna
Quadrangle LQ27

redpajama_set_name: RedPajamaWikipedia


Game Text: Bearer must be a [Dwarven] companion. Each minion gains this ability: 'Assignment: Assign this minion to bearer of Reckless Pride.' Regroup: Discard this condition to draw 4 cards.
This page has been moved, the new location is Reckless Pride (7U13).


text:
Hobson's Choice
Roster News
Rookies offer first glance
First-round pick Billy Price watches Friday's first rookie practice as he continues shoulder rehab.
The Bengals held their first practice of rookie minicamp Friday and not much of it is going to translate to the Opening Day roster
The center, Oklahoma State's Brad Lundblade, is a tryout guy. The quarterback making the majority of the throws, Toledo's Logan Woodside, hadn't been to Paul Brown Stadium since was a virtually toddler. Billy Price, the first-round pick, could only watch an undrafted free agent playing out of positon take center stage as South Florida transplant Quinton Flowers lined up in three different spots and caught punts before practice after a career as one of college football's most prolific college quarterbacks ever.
"We think he has the physical abilities to be an NFL running back," said offensive coordinator Bill Lazor as he walked off the practice field with new defensive coordinator Teryl Austin. "Smart. He's a smart guy … Today he was able to handle two positions (on offense). One step at a time evaluation."
But it was the sight of Lazor and Austin that is going to have the most impact on Opening Day. Both are in their first seasons of crafting their own scheme and as Lazor has gutted the offense while Austin has tweaked the defense, Austin's hands-on roving style is a different flavor.
"He's been very good with his ability to instill in the defensive players (a sense of) what he's looking to see them do. His ability to coach the coaches from the front (of the defense) to the back is really important," said head coach Marvin Lewis. "A key part of that coordinator position is having the understanding of what you want to see done footwork-wise from the front all the way to the back end. Teryl has that type of experience. You see it out there … That's a great strength of his and I'm excited about that."
What Lazor has done is, well, what hasn't he done? Gone is Jay Gruden's West Coast offense and what remains is a hybrid of that and bits and pieces of other schemes.
"Bill has been able to start from scratch and shape things offensively. He's done a great job with it," Lewis said.
Lazor breathed a bit easier after this one was over and it's not because Flowers didn't fumble. After an offseason he was appointed the coordinator in his own right, Lazor re-booted the playbook with the club's first offensive line coach in 24 years, the first wide receivers coach in seven years and the first quarterbacks coach not him or Ken Zampese in 16 years. He sent the coaching staff through walk-throughs in the gym with no players in sight in a consolidation effort and that's why he felt pretty good at the end of Friday.
A rare moment with the helmet off for Quinton Flowers.
For the last two weeks in voluntary practices for the veterans they've been on the field, but not in helmets and the offense not facing the defense.
"It was a real important day for us to get out here and coach together," Lazor said. "You can talk all you want about how you're going to do it in a full practice, but you don't know how it's going to go until you do it. I'm really excited how our staff did. There was a lot of newness."
Of course, trying to figure out what the Bengals were running with the rookies doing it would have been like trying to do one of those jigsaw puzzles with a billion pieces. They don't know what they don't know, so it was a good day to sit back and watch Flowers play something other than quarterback for the first time in his life.
"I was going to give myself a B," said Flowers after he completed his first pro practice. "But I have to give myself a C because I missed a pass protection when I was at running back."
Yet he got high grades from Lazor and special teams coordinator Darrin Simmons for processing a bunch of information. Flowers said he never caught punts until Simmons fired about 15 at him on the jugs machine before practice.
"I didn't drop any. Thank God," Flowers said. "I thought they were easy (to judge) on the jugs. It's different than punters."
Simmons gave him a thumbs-up, calling him a "pretty natural catch," and also put him in as the quarterback of the punt team at personal protector to take advantage of his experience calling signals.
"He started from scratch, but he has the want-to and he has the ability," Simmons said. "He's soaking it in. Athletes like that can adjust to new things pretty easily. After one day and 15 balls I wouldn't eliminate him by any stretch."
Flowers carried a few times as a running back and lined up as quarterback on two plays and threw an ugly incompletion.
"I threw it in the dirt a little bit. I wasn't warmed up," Flowers said. "I'd been working out at running back all day I and I just went in there and tried to make it happen."
Flowers admitted a lot was happening.
"I've been all over the place," Flowers said. "As a running back you're blocking, getting out into routes and hitting holes. It's kind of different.
"At quarterback you just sit back and deliver the ball or run when you have to and everybody is tired. Now you're at running back so you're running every play. Got to go to punt return, then go to quarterback. It's different."
But he's all in.
"Whatever Coach needs me, I'm there," he said.
'18 Draft: Bates, Walton, and Phillips Sign - Gallery
Check out photos of second round pick S Jessie Bates, fourth round pick RB Mark Walton, and fifth round pick CB Darius Phillips as they sign their rookie contracts.
Mixon Holds Second Annual Football Camp
Joe Mixon's football camp was held at his high school in California.
Camp hits: Green eyes century; Ross wreaks havoc in space; Price continues grind; TBT on line
Ced gets another say
Willow no longer just in the wind
Quick hits: Eifert question mark for camp; three-pick day; Joe all go
Record sack race underway
Carl Lawson is one of the many guys happy to see voluble and valued veteran left end Carlo Dunlap surface for this week's mandatory minicamp. Lawson, who usually sets up at right end on passing downs, nearly broke Dunlap's rookie sack record last season and he likes the competition. And on Tuesday he offered a challenge to a guy he calls "like an older brother to me."
Quick hits: Eifert not back Tuesday; Dalton finds Ross, Malone deep
Bengals 2018 Training Camp Opens Thursday, July 26
Bengals fans will get their first chance to see this year's team up close when Bengals Training Camp, presented by Fifth Third Bank, kicks off on Thursday, July 26.
On Sale Now: Bengals Introduce Jungle Pass
Fans interested in attending every Bengals home game this season have a new option. The $200 mobile-only Jungle Pass includes tickets to 10 Bengals games, eight in the regular season and two in the preseason.
Scrutiny is mandatory for offense
Just the presence of the very large Cordy Glenn at left tackle at Tuesday's start of mandatory minicamp is evidence of the effort to shore up the offense since he arrived via trade for a first-rounder. But the hopes of a little-used role player also reflect how this offense may be changed by as much philosophy as looks. Remember Ryan Hewitt, the forgotten fullback?
Hobson's Choice: Potpourri
Open Letter to Fans: Bengals Support Music Venue
The Bengals support a music venue and think it would be a great addition to the downtown area.
New Uniforms
Mic'd Up
Who Dey Conversations
GEICO Locker Room
Bengals Weekly
Lap's Look
Jungle Zone
Playoff Tickets
Group Tickets (10+)
Mobile Ticket Guide
VIP Hospitality Packages
NFL Experience Times Square
© 2022 The Cincinnati Bengals. All rights reserved


All Products - 56 products.
The beautiful paisley design of the Home Essentials 16 inch Akola casserole carrier will make any outing memorable. This tote is great for traveling with hot or cold food and making sure they keep their temperature. Wipe with a damp cloth. Dimensions: 17 x 11 x 4.
A handsome and endlessly useful addition to any kitchen, this Kamenstein Revolving 20 Jar Spice Rack comes pre-loaded with 20 premium spices and includes free spice refills for five years. Stainless steel. Approximate size: 13.5 x 7 (empty).
Keep your stand mixer perfectly clean when not in use with the KitchenAid® fitted stand mixer cover! This cover is designed for KitchenAid® Tilt Head Stand Mixers. 100% Cotton. Dimensions: 10.5H x 6W x 2.5D.
Make perfectly shaped cookies consistently, effortlessly and quickly with the OXO manual cookie press! This cookie press features a soft, non-slip grip and includes 12 stainless steel disks with fun cookie patterns! BPA-free plastic/stainless steel. Hand wash only.
Cuisinart® 24 cup mini muffin pan.
Display your utensils with the BergHOFF CooknCo Duet 8 piece Kitchen Utensil Set that mounts on the wall or counter top. Made of durable, easy to clean stainless steel. Dishwasher safe.
This Healthy Living stainless steel steamer set includes 20qt. pot, steamer insert and glass lid. Great for corn on the cob, clams and more.
The Snapware® cake keeper includes an easy open-and-close snap lock lid that creates a tight seal. Includes a serving knife that stores securely in the lid and is equipped with a sturdy handle, making it easy to transport cakes and pies to picnics or parties. Dimensions: 8.5 x 13 x 14.
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The BergHOFF Munich utensils and apron set features high-temp nylon and stainless handles with silicone accents for easy grip and safety. Apron is machine washable. Utensils are dishwasher safe.
The BergHOFF Cubo 3 piece salt and pepper set is made of durable 18/10 stainless steel with mattee finish. Dishwasher safe.
KitchenAid® mixing bowls will provide a perfect size for your mixing needs. They feature a pour spout and a non-slip base for stability during use. Set includes 2.5, 3.5 and 4.5 quart bowls. Plastic. Dishwasher safe.


Enclosed by 13th century Medieval walls with towers on each corner, the city of Aigues-Mortes in Occitaine is a popular holiday destination surrounded by the flat Camargue marshlands.
The inner city of consists of restaurants and bars and narrow streets with the Église Notre-Dame-des-Sablons d'Aigues-Mortes, one of Aigues-Mortes oldest monuments.
Be sure to visit the famous Constance Tower and discover what was once a hamlet for fishermen and salt gatherers.