text:
Sports Posted on 15 May 2018
WALES TO MEET SPAIN AT PRINCIPALITY STADIUM
Wales are to play Spain after the world cup for the first time in 33 years!
International football will return to Principality Stadium for Wales' October International Challenge Match against Spain.
Wales have not played at the Cardiff city centre-based stadium since 2011 and the match against Julen Lopetegui's Spain on Thursday, 11 October provides a fantastic opportunity to watch this mouth-watering encounter,
Jonathan Ford, FAW Chief Executive, said: "We are delighted that we will playing against Spain, arguably the most successful international side in world football during the past few years.
"This is a fantastic opportunity for our supporters to see a great team and world class players. We want to provide everyone with the opportunity of watching the game and playing at the Principality Stadium enables us to do so."
Principality Stadium Manager Mark Williams, added: "It is unquestionable that Principality Stadium is an internationally renowned football venue and we're pleased to welcome Wales back for their match against Spain.
"Principality Stadium hosted last year's UEFA Champions League Final, working closely with the Football
Association of Wales.
"A wide array of footballing greats have graced the hallowed turf of our iconic national stadium and we look forward to seeing the latest generation of Welsh and Spanish stars adding their names to this illustrious list next autumn."
This will be the first meeting with Spain since 1985, when goals from Ian Rush (2) and Mark Hughes secured a 3-0 FIFA World Cup qualifying victory over the Spanish at the Racecourse, Wrexham.
Prior to that match, the teams have met each other on four other occasions, two of which ended in stalemate, with the other two matches resulting in defeat for Wales.
Spain are amongst the favourites to the win the FIFA World Cup in Russia this summer, where they will come up against Portugal, Morocco and Iran in Group B.
On Monday, the FAW announced that all UEFA Nations League matches and European Qualifiers will take place at Cardiff City Stadium with The Red Wall Campaign Ticket once again providing excellent value for money.
In the Nations League, Wales will compete against Denmark and the Republic of Ireland, meanwhile, the European Qualifiers draw for UEFA EURO 2020 will take place in December.
Tickets for the game against Spain will be announced in due course, details of which will be published on faw.cymru
Find out more information and become a member of The Red Wall by clicking here.
FOOTBALL AT PRINCIPALITY STADIUM:
The old Cardiff Arms Park, on the site of the current Principality Stadium, hosted six Welsh internationals between 1896-1910, and the upgraded National Ground, Cardiff Arms Park, staged 20 games between 1989-1997.
Once the Millennium Stadium was completed in 1999 – again on the same site, though the pitch is moved through 90 degrees – Welsh national football returned for 36 games between 2000-2011, kicking off with a 2-1 defeat against Finland on 29 March, 2000.
The FA Cup final was staged here for a six-year spell from 2001 to 2006 with Wembley undergoing redevelopment. During the same period the stadium also hosted the finals of other English cup competitions including the Carling Cup Finals and hosted the Divisions One to Three Football League Championship play-off finals.
The eyes of the world watched football at the venue again in 2012, when the London 2012 Olympic Games opened with the first event in the women's football tournament, two days ahead of London's opening ceremony.
During the Games a total of 11 matches were played across the men's and women's competitions, including the Great Britain's men's side which featured Ryan Giggs making his final appearance in Cardiff, culminating with the men's Bronze Medal Final.
The 2017 Champions League Final – which saw Real Madrid beat Juventus 4-1 – was the last football match to be played here.
Both Wales' Gareth Bale and 2017 World Player of the Year Christiano Ronaldo played, but despite Ronaldo netting twice his teammate Marco Asensio was the last player to score at the capital venue when he sealed the win in the 90th minute of the game.
For the purposes of the 2017 Champions League Final UEFA officially referred to the venue as the National Stadium – which means Wales versus Spain will be the first football match to feature at 'Principality Stadium'.
The World's Greatest Elvis tribute show comes to Cardiff
The Royal Air Force 100 year tour flies into Cardiff
Sports May 17, 2018
The Monster Trucks are back in Cardiff
Events Sports Aug 24, 2018
CARDIFF HARBOUR FESTIVAL HOSTS EXTREME SAILING SERIES™
Cardiff City's Promotion Open-Top Bus Parade
Events Sports Jul 11, 2018
Meet Gareth Bale at his Elevens bar for a rare Q& A
Sports Mar 12, 2018
Wales' first contactless charitable giving technology launches in the capital to help reduce homelessness
An 80's fitness Class is heading to Cardiff


Tom Stienstra has made it his life's work to explore America — hiking, biking, fishing, boating and wildlife watching — searching for the best of the outdoors and writing about it. As a pilot and airplane owner with 1,500 hours, he covers vast areas quickly. This has led him across California and the western hemisphere, out exploring, hiking, boating, fishing, camping, biking and flying, searching for the best of the outdoors and portraying his images through stories, TV shows, radio features and photographs. His trips include hiking 25,000 miles, crossing the Sierra both south to north as well as east to west, climbing the West's highest mountains, catching the world's fightingest fish, and hundreds of expeditions across the hemisphere. He has explored more than 1 million miles of California.
Stienstra is best known as the outdoors columnist for the San Francisco Chronicle, which distributes his column across America. He was America's first Back Country Sportsman of the Year, awarded in 2006, and the only two-time National Outdoor Writer of the year. He is the only outdoor writer in history to win first place national awards for newspaper feature, column, radio show and television show in the same year. His books have sold more than 1 million copies and his bestseller California Camping was twice listed as the No. 1 outdoor book in the world. He also writes, records and produces the radio feature, "Great Outdoors," which appears on KCBS-74/San Francisco, Northern California's No. 1-rated radio station, and is hired as an expert guest on CBS news.


text:
McIlroy leads by four in Dubai
Rory McIlroy continued his superb play at the Omega Dubai Desert on Classic on Saturday, opening up a four-shot lead after the third round.
The World No 1 added a third-round 66 to his opening rounds of 66 and 64 at Emirates Golf Club to take his total to 20 under par.
That was four strokes clear of nearest rival Morten Orum Madsen of Denmark, and six strokes clear of third-placed Lee Westwood.
At one point, McIlroy's lead looked set to be even bigger, as he raced through the front nine in just 30 shots, but a run of eight straight pars from the ninth halted his progress somewhat.
Nevertheless, the Northern Irishman has picked up three wins – two of them majors – and three seconds in his last six European Tour starts, and it would be a brave man to bet against him securing a fourth on Sunday.
Despite the lengthy run of pars, McIlroy avoided a bogey throughout the round, which pleased him.
"To be bogey free again today was important to me, especially when you're going out with the lead," said McIlroy.
"Not to make any mistakes makes it that much harder for anyone else – just to get that up and down on the last was big for momentum going into tomorrow.
"I'm very happy. I feel like I could be a little bit more but I'm not going to complain – I'm four ahead going into the final day, so I've put myself in a great position to win tomorrow.
"I just have to go and try and play similar golf to the way I have the first three days.
"I've been in this position many times before and I know the pitfalls that are waiting out there; it's just a matter of sticking to the same game plan, being aggressive, making committed swings and giving myself as many chances for birdies as I can."
McIlroy had a superb start to the day, birdying from 20 feet at the first, converting from five feet at the third and sinking another 12-footer at the fifth.
Two more birdies followed at seven and eight before the pars followed.
"The front nine was very good," added McIlroy. "I didn't put a foot wrong on the front nine and when I missed that little short putt on ten, it seemed like that momentum I had just went away. It was nice to make one birdie on 17, and then a great save on the last.
Two-time defending champion Stephen Gallacher lies joint-fourth on 13 under, seven back, alongside South African Open champion Andy Sullivan and first-round leader Bernd Wiesberger.
American Peter Uihlein and McIlroy's countryman Graeme McDowell are among those on 12 under.
European Tour European Tour News Home News

redpajama_set_name: RedPajamaCommonCrawl


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Jean Miller
Full Moon Update
The Miller family established our non-profit 'Brian Miller Full Moon' in early July. We did so to help us all make sense out of the tragedy of losing Brian. Our hope and mission with this endeavor is to raise awareness and funds to help others who struggle with addiction as our dear Brian did.
Through the generous support of friends, family and strangers, we have raised over $22,000 for our cause. Our first Full Moon Fundraiser which was held on October 5th, 2017 at The Loving Touch in Ferndale was a great success and raised $8,000 through admission price plus donations and tee shirt sales. We are humbled and so very grateful for all the support and contributions we have received!
One local program which was established through Macomb County's "Families Against Narcotics" is one we will help to support. The 'Hope Not Handcuffs' program was launched in early February 2017 and to date has had over 600 participants. A person struggling with addiction of any kind, who is ready to make a change and get help, can walk into a police department in Macomb County or Ferndale and ask for help. Within a few hours an "angel" who was trained through Hope Not Handcuffs will transport them to a detox facility and all arrangements are made for their long term care and recovery. That means detox, rehab facility and sober living facility so that recovery is possible. We believe in this program and will support it through grants from our non-profit organization.
The Miller family is committed to this cause and will continue to raise funds to help support programs that are working for struggling addicts.
For photos from the event and updates please see Brian Miller Full Moon on Facebook
It's coming together.
Here's the first look at the poster we'll be putting all over town very soon. We really hope to see you there.
First Full Moon Fundraiser!
Thursday, October 5, 2017 | The Loving Touch
A night of live performances from some of Metro Detroit's hottest acts coming together to raise money and awareness for the Brian Miller Full Moon Charity.
Full music lineup, details and other surprises coming soon.


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Q: How to print correctly with railway cypher I have some code using something called railway cipher (if you don't know what it is google it). Whenever I enter: Encrypt (2, "This is a test.") I want it to enter: hsi  etTi sats.
However, my code makes it print it in reverse: Ti sats.hsi  et.
Do you know how I can fix it.
My code:
def Encrypt(numRails, plainText):
    cipherText = ""
    railDict = {}
    rail = 0

    for rail in range(numRails):
        railDict["rail"+str(rail)] = ""
        rail += 1

    for i in range(len(plainText)):
        mod = i%numRails
        railDict["rail" + str(mod)] += plainText[i]

    for i in range(numRails):
        cipherText += railDict["rail" + str(i)]

    print (cipherText)

    return cipherText

Encrypt(2, "This is a test.")

A: You're supposed to go back and forth over the rails when assigning, but you're just going in one direction and then going back to the beginning by using i % numRails.
There's no need to use a dictionary for the rails. Just use a list indexed by the rail number.
def Encrypt(numRails, plainText):
    rails = [""] * numRails
    rail = 0
    direction = 1

    for c in plainText:
        rails[rail] += c
        rail += direction
        # check if we need to change directions
        if direction == 1 and rail >= numRails:
            direction = -1
            rail = numRails - 2
        elif direction == -1 and rail < 0:
            direction = 1
            rail = 1

    cipherText = "".join(rails)

    print (cipherText)

    return cipherText

This gets the same result as the Wikipedia page.

redpajama_set_name: RedPajamaStackExchange


I spend a lot of my time photographing on the water and near the water. As such there have been a few things I've had to learn- water reflects light, water is bad for your camera, your feet get wet if you only watch your subject (and not where you are going,) and that the shore is not the same thing as the horizon.
What does this mean? Have a look at the two images on the right. Notice the top one looks skewed compared to the bottom one.
Which of these two images is level? Which version is more pleasing to look at?
The top picture was taken using a tripod with a built in level in its head. The appearance of the shore/horizon being out of level is an illusion of distance. On the right hand side of the photograph, the land is much farther away, a mile or so. Being level however, it just feels funny.
For the lower image I used the straighten tool on my computer's photo viewing software, lining up the horizon with the grid lines. It feels more natural in the composition. There is no strong foreground element that declares where level is, so I am able to "create" a new level that makes sense to the eyes. In this case, out of level can look more natural.
A way to "straighten" an image without post processing is to use your cameras focusing grid. I sometimes do this when I am out shooting. I place two of my focal points that are in line with each other on the horizon, and "preset" the lean. Sometimes, if I don't notice something in the foreground, or if there is a nearby tree, this can work against me. Buildings or trees can acquire a "lean" if I "level" the photo out.
It isn't always necessary to combat or worry about the far horizon. If you can include subjects in the foreground that immediately draw the eye, they can pre-establish where level is. Look at the picture on the right. The silhouette of the rotting boat cradle on the waters edge is one of the strongest elements and has good contrast. The eye goes there first. Level is immediately established by the reflection and how the water hits the cradle. The slight angle of the far shore becomes irrelevant and natural.
Another way is to show the shoreline as it winds away almost from your feet. This establishes right away that the shoreline will not be a horizontal line by the time it is more distant. Notice in this picture how the very far shorelines that jut out into the picture seem to rise slightly to the right? Again, an illusion, but one that is allowed by the foreground.
A third method is to include the near shore as well as the farther shore. Also, try shooting straight across a body of water, instead of up or down it. Shoot from angles where there is no major change in distance between the left side of the frame and the right.
Sweeping curves, lines from the edges, joining the shore at points where the mind can easily realize that the shore is not supposed to appear level are all good ways to watch your horizon. There are more ways, so take your camera and find some of them. Play with objects that the mind should think of as level or plumb, and see how incorporating them into your images affects your horizon.
Many of these same tricks and effects can also be noticed with fields, some skylines, and other open spaces. Play around, enjoy. Try to take notes of which pictures you take level, and which ones are offset so that you can understand what leads to acceptable results, and what keeps you scrathcing your head trying to figure out what is wrong.
This entry was posted in How To, landscapes, nature photography, Photo Essay, photography, road side and tagged horizon, how to, landscape, nature, outdoors, photography, vacation. Bookmark the permalink.
Very informative and very well explained, I learned a lot with this post. Thank you much.
very serene and blissful photos.
Great photos and great advice there, thank you!


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Three Kings (TV series)
Action War drama [1]
Ondřej Vogeltanz
Karel Kachyňa
Karel Heřmánek
Jan Vlasák
Josef Carda
Valérie Zawadská
Three kings (Czech : Tři králové) is Czech war series that was aired in 1998. It is loosely based on story of members of resistance organization Obrana národa who were known as Three Kings. This group consisted of Josef Balabán, Václav Morávek and Josef Mašín. [2]
Vladimír Javorský - Václav Morávek - Main protagonist of series and the youngest of three. He was known as a Religious gunslinger or Leon. His personal motto is: I believe in God and in my pistols. He is active longer time than his fellows. In the end of the series he is surrounded by enemies and kills himself after a desperate fight with Germans who outnumbered him.
Karel Heřmánek - Josef Mašín - Another member of the group. He is the only member who has family. He is later captured and tortured.
Jan Vlasák - Josef Balabán - The oldest member and the leader of the group. He is later captured and executed.
Josef Carda - Paul Holm - Agent who gives information to Three Kings.
Valérie Zawadská - Evelyna Sekotová - Woman who hides the group and love interest of Morávek. She is a photographer.
Ljuba Krbová- Zdena Mašínová - Wife of Josef Mašín.
Jan Hrušínský - Major - Resistance member who is in touch with Three Kings.
David Matásek| - Frajer - Resistance member who acts as Morávek's adjutant.
Michal Dlouhý - Fredy - Resistance member who is a signalman that helps Three kings to communicate with London.
List of episodes: [3]
Depeše pro Londýn (Dispatch for London)
Nosiči vody (Water Bearers)
Přívěsek (Bangle)
Náhradní spojení (Spare contact)
Na dně (At the bottom)
Zrada (Betrayal)
Pobožný střelec (Religious Gunslinger)
The Czechs, or the Czech people, are a West Slavic ethnic group and a nation native to the Czech Republic in Central Europe, who share a common ancestry, culture, history, and the Czech language.
Hradec Králové is a city of the Czech Republic. It has about 93,000 inhabitants. it is the capital of the Hradec Králové Region. The historic centre of Hradec Králové is well preserved and historically significant and is protected by law as urban monument reservation.
Poděbrady is a spa town in the Central Bohemian Region of the Czech Republic. It has about 14,000 inhabitants. It lies on the river Elbe 50 kilometres (31 mi) east of Prague on the D11 motorway.
Václav Hampl is a Czech physiologist and politician who was a Senator from Prague 1 since 2014 till 2020. From 2006 to 2014, Hampl served as Rector of the Charles University.
Three Kings was a Czech resistance group from 1939 to 1942. Its members were Josef Mašín, Václav Morávek, and Josef Balabán.
The Prague Conservatory or Prague Conservatoire is a music school in Prague, Czech Republic, founded in 1808. Currently, Prague Conservatory offers four or six year study courses, which can be compared to the level of high school diploma in other countries. Graduates of Prague Conservatory can continue their training by enrolling in an institution that offers undergraduate education.
Václav Morávek was Czechoslovak Brigadier General and national hero, one of the best known personalities of Czech antinazi rezistance and member of famous resistance group called Three Kings. He is also the protagonist in Czech TV series Three Kings that is inspired by his group.
Josef Mašín was an army officer of Czechoslovakia and member of the underground resistance against the Nazis. He was the father of Josef and Ctirad Mašín.
Josef Balabán was a Czechoslovak soldier known for his involvement in the resistance movement against Nazi Germany during World War II.
The Dvůr Králové and Zelená Hora manuscripts, also called the Queen's Court manuscript and Green mountain manuscript, respectively, are literary hoaxes purporting to be epic Slavic manuscripts written in Old Czech. They first appeared in the early nineteenth century.
Milan Paumer was a member of a militant Czechoslovak anticommunist resistance group that attracted worldwide fame – and notoriety – for killing seven men in the early 1952s in robberies of money and arms and for evading the biggest manhunt in the history of the Eastern Bloc. His five-man group, the Mašín Gang, carried out raids against state institutions in Czechoslovakia before being forced to flee to the West in October 1953. The group crossed the Czech border to East Germany, making their way to West Berlin while an estimated 25,000 East German policemen, soldiers and secret agents were searching for them. Two of their members were wounded in shootouts in which a total of four East German policemen were killed, but Paumer and the remaining two members of the Mašín Gang successfully made it to the West and ultimately to the United States.
Jan Morávek is a Czech footballer who plays for FC Augsburg.
The Milan Rastislav Stefanik Order is an award given "to recognize eminent contributions to the defence and security of the Czech and Slovak Federative Republic". It was bestowed by the President of the Czech and Slovak Federative Republic. The award is named after Milan Rastislav Stefanik.
Jan Budař is a Czech actor, director, singer, composer and script writer.
Strašnice Crematorium is the largest crematory in Europe in terms of area. President Václav Havel was cremated here. The crematorium was involved in the disposal of those who had been executed by the Nazi and Communist regimes including writer Vladislav Vančura, general Josef Mašín, politician Milada Horáková and bishop Gorazd of Prague.
The Czech Bishops' Conference (CBC) is the standing conference of the Catholic bishops of the Czech Republic. Based in Prague, the CBC represents the Catholic Church in the Czech Republic, both in Bohemian and Moravian provinces of the Roman Catholic Church since 1996, Greek Catholic and Apostolic Exarchate, until vicariate. It was founded in early 1993, the date of independence for the Czech Republic, as the successor to the Czechoslovak Bishops' Conference. Members of the Bishops' Conference according to canon 447 CIC: in conjunction perform pastoral duties in favor of the Christians in their territory, to achieve the greater good which the Church gives to people according to law, especially apostolic actions suitably adapted to the time and place. The Episcopal Church of the conference is a legal entity run by the Apostolic See, its character and activities are governed by the 1983 Code of Canon Law, specifically canons 447-459.
Ctirad Mašín and Josef Mašín were brothers who put up armed resistance against the communist regime in Czechoslovakia during the period 1951–1953. Their father was the late general Josef Mašín.
Obrana národa (ON) was a Czech resistance organization that fought against the German occupation from 1939 to 1945. It opposed Nazi rule in the Protectorate of Bohemia and Moravia. The group was founded by General Josef Bílý in April 1939.
Jan Smudek was a Czech resistance fighter and soldier nicknamed "The Elusive Jan". His daring actions during the World War II caused international interest and have inspired filmmakers to create films such as Georgian Uchinari Jan and the renowned American film Casablanca (1942).
Organised Crime Unit is a Czech action crime series which was aired on TV Nova. It was already shot in 2008 but premiered in September 2011. The series is based on the real case of Berdych's gang. It is the most expensive television series ever produced in the Czech Republic. Broadcasting rights were later sold to United States of America. Season 2 was broadcast in 2015-2016.
↑ http://www.serialzone.cz/serial/tri-kralove/ Czech
↑ http://www.csfd.cz/film/129259-tri-kralove/ Czech
↑ http://www.fdb.cz/serial/tri-kralove/popis-obsah/40345 Czech
IMDB site


text:
Q: Password dialog appears when SSH private key permissions are set to 0600 I installed my SSH private key in ~/.ssh/id_rsa and set its permissions to 0600.  When I connect to an SSH server which uses my private key in Terminal.app via ssh, a dialog pops up and asks me to enter my password to access the id_rsa file:

I see the same dialog when I connect to an FTP server with the Interarchy GUI client.
Update: I see this dialog every time I connect regardless of whether I check "Remember password in my keychain".  It appears two more times if the OK button is clicked regardless of what is entered in the password field.
When I relax these permissions to, say, 0640, I no longer see a dialog asking me for my password but ssh aborts with the following error:
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
@         WARNING: UNPROTECTED PRIVATE KEY FILE!          @
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
Permissions 0640 for '/Users/myusername/.ssh/id_rsa' are too open.
It is recommended that your private key files are NOT accessible by others.
This private key will be ignored.
bad permissions: ignore key: /Users/myusername/.ssh/id_rsa
I find the password dialog extremely annoying and I am sure there must be some way to avoid having to dismiss this dialog SSH needs to access the id_rsa file.
Note: I am running Mac OS X 10.6.8.

A: First, run ssh-add -K and check whether this fixes your problem.
If not:

*

*Removed the rsa_id.pub file and regenerated a new one (must be in ~/.ssh/):
ssh-keygen -y -f id_rsa > id_rsa.pub

*Ensured permissions were set to 600 for both id_rsa and id_rsa.pub (must be in ~/.ssh/):
chmod 600 id_rsa*

*Ran the following command:
ssh-add -K

After doing this, I was no longer prompted to give my private key password. This appears to actually put the private key password in the correct keychain location for OS X to use.

A: When you relax the permissions, the key is ignored. You won't gain anything by doing this.
If you want to use a key without having to enter a password every time, you have two options.
If you check the "Remember password in my keychain", you won't have to type the password every time: it'll be stored in the keychain with all your other passwords. This is the recommended option.
You can create a private key file without a password. You can change your existing private key file so that it isn't password-protected (changing the password only affects the key file, not the key itself). From the command line, run ssh -p, enter the existing passphrase, and then leave the new passphrase blank. There is a security risk in having an empty passphrase: anyone who can access your private key file (for example by accessing your backups) can use it instantly.

A: Make sure you have a corresponding id_rsa.pub or id_dsa.pub in your ~/.ssh directory.
When I had an id_rsa but not a corresponding id_rsa.pub, Mac OS X kept popping up the dialog and remember passowrd in my keychain did nothing.
cd ~/.ssh
ssh-keygen -y -f id_rsa > id_rsa.pub

generated the appropriate public key file for me.
If you already had your public file there (rename it to another name) and generate the public key again using the above command, you'll notice that the generated and the old one are not equal. Somehow the older versions of Mac OS X generated a public key that Lion does not like anymore, generating it again fixes that.
For the curious, the key is exactly the same, the part that changes is that there is no "comments" section after the key on the file any longer.

A: if you have added your private key to the source ~/.ssh directory, and you have entered ssh-add -K to add it to the keychain, and you have your public key contents copied to the .ssh/authorized_keys (for the correct account) file on the target server the dialog box goes away.
it's a tricky combination of files, permissions, locations, and commands so it can take time.  i would not rush to a conclusion about bugs.

A: I have exactly the same problem on Lion (Mac OS X 10.7). I think is a bug...
If the ssh authentication is password the client goes through public key first which is normal. However, even though you choose to save the passphrase on keychain (which is not required for the password authentication) next time when a new ssh connection is established you are asked again for the passphrase...

A: There should be no need to regenerate your public keys. You can simply do these two commands:
chmod 0600 ~/.ssh/id_rsa.pub
ssh-add ~/.ssh/id_rsa

Basically, you need to tighten the permissions on the public key file, and you need to add your key to OSX authentication agent.

A: In the latest version of macOS (10.12.2 - Sierra) this is an easy fix. Just edit your ~/.ssh/config and enable the UseKeychain option:
Host *
UseKeychain yes

Save and solved.

A: In my case ssh-add -K didn't do the trick, I had to specify the key:
ssh-add ~/.ssh/id_rsa

A: *

*Be sure that ~/.ssh/ is chmod 700.

*Be sure ~/.ssh/id* files are both chmod 600.

*Run /Applications/Utilities/Keychain Access.app and repair keychain.

*Logout. (Rebooting wouldn't be a terrible idea)

*Login

*If the problem persists, move your existing ~/.ssh/id* files to your Desktop and try generating new keys using ssh-keygen -t dsa -f ~/.ssh/id_dsa -C you@youremail.tld and see if the new keys work better.
I'm on Lion, but IIRC Snow Leopard worked the same way.
ps - anyone who suggests using a blank ssh passphrase should be forced to wear a sign so  other people know not to take advice from them.

A: This problem occurred on my OS X 10.7.4 system when ssh-agent died.  A reboot fixed the problem.  (You could try restarting ssh-agent, but I don't know if the Keychain is clever enough to pick up the new ssh-agent socket.)

A: For macOS 10.12 Sierra ssh-add -K needs to be run after every reboot. To avoid this create ~/.ssh/config with this content.
Host *
   AddKeysToAgent yes
   UseKeychain yes
   IdentityFile ~/.ssh/id_rsa

Apple has added Technote 2449 which explains what happened.

Prior to macOS Sierra, ssh would present a dialog asking for your passphrase and would offer the option to store it into the keychain. This UI was deprecated some time ago and has been removed.

Edit: Apparently specifying a host and key isn't necessary. Just adding this is enough.
AddKeysToAgent yes
UseKeychain yes

A: You have to enter the passphrase for the private key somewhere, and OS X uses ssh-agent by default.
If you want to use ssh-agent but want to avoid the gui dialog box, you can use ssh-add to add the passphrase to the agent and then ssh as usual.
If do not want to use ssh-agent and instead have ssh prompt for the passphrase, then unset the SSH_AUTH_SOCK environment variable.

A: Regenerating the public key does not seem to work for me (10.8), nor does generating a new SSH key.  If I, for instance, run git pull after locking the login keychain a dialog box pops up to demand the password to the key instead of first attempting to retrieve the password from the login keychain.
However, if I kill ssh-agent first, I'm prompted for the login keychain password which then retrieves the SSH key password.

A: Another interesting finding is if you copy & paste the content of the PEM file, you might have the ending missing the dash.  So just remember to add the final line as,
-----END RSA PRIVATE KEY-----

A: I had to do the following steps in order to make it work.
# Change working directory
cd ~/.ssh
# Remove the old public key
rm id_rsa.pub
# Create a new public key
ssh-keygen -y -f id_rsa > id_rsa.pub
# Change permission
chmod 600 id_rsa*
# Add the key to ssh
ssh-add id_rsa
# Then finally test it (I used github)
ssh -i id_rsa.pub git@github.com

The final command should then output something like:
Hi <user>! You've successfully authenticated, but GitHub does not provide shell access.

A: I had the same problem.  I seem to have fixed it by doing this.
1) Backed up by renaming to old the id_dsa and id_dsa.pub files.
2) Ran a new keygen with a blank passphrase.
Works with the launchctl period job monitoring a remote server as well as logging in from ssh in a terminal.
I have a quick function authme function in my terminal since I have the following in my .bash_profile
#~/.bash_profile
function authme {
ssh $1 'cat >>.ssh/authorized_keys' <~/.ssh/id_dsa.pub
}

So a quick authme remoteserver.com will copy the new remote key over.
I think the bug is something to do with the passphrase not being converted over (my old Snow Leopard didn't have one at all).
Try that and see if it helps.
It didn't take more than 10 mins to do.  I spent googling forever to see if there were any other mentions of this.  This site was the only one!
Owain.

A: I had a similiar problem. It turned out that the private key I was using was in a wrong format. I used PuTTY Key Generator on my Win machine and ssh on OS X expects a different format - Open SSH format.
It turned out that the tool I used to generate this key (PuTTY Key Generator) had an option to convert my priv key to the format required by Open SSH.
Simple as:

*

*Open PuTTY Key Gen

*Load your private key

*Select Convertsions > Export OpenSSH key.

The file you will save contains your original private key in proper (OpenSSH) format.

A: Please make sure that:

*

*You are using pem format for your private key. This is because Mac uses openssh client which works with pem. ppk is putty's proprietary format and is not compatible with openssh. You can easily convert ppk to pem using putty keygen, in case you have only ppk.

*The permissions on your pem file is 600. Private keys are only meant to be accessible only by their owner. So, if the permissions give read access to any one else, it will be deemed a security threat.

This should hopefully resolve the issue.

A: Use the .pem key rather than the .ppk key.


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text:
sarlclochard-79.com
Question: What Does A Metal Oxide And Acid Make?
What does a metal and acid make?
How do you know if a oxide is acidic or basic?
Which gas is evolved when a metal carbonate reacts with an acid?
Which gas is liberated when an acid reacts with a metal?
What type of reaction is acid metal oxide?
What is acid metal oxide?
Which metal oxide react with acid give one example?
What happens when a metal oxide reacts with an acid?
How do metal carbonate react with acid give example?
Which acid does not react with metal?
Why is metal oxide a base?
Which is the most acidic oxide?
Is MgO acidic or basic?
What metal reacts with acid not water?
Why do metal carbonates react with acids?
Is reacts with carbonates and acid or base?
What is the general equation for metal acid?
Acids react with most metals and, when they do, a salt is produced.
But unlike the reaction between acids and bases, we do not get water.
Instead we get hydrogen gas.
It doesn't matter which metal or which acid is used, if there is a reaction we always get hydrogen gas as well as the salt..
General Rules. In general, the electropositive character of the oxide's central atom will determne whether the oxide will be acidic or basic. The more electropositive the central atom the more basic the oxide. The more electronegative the central atom, the more acidic the oxide.
carbon dioxide gasWe see how metal carbonates and bicarbonates react with acid to form salt, water, and release carbon dioxide. We also learn, how to experimentally test for carbon dioxide gas.
hydrogenAs a general rule, acids react with most metals producing salt and hydrogen, unlike acid-base reactions in which case we get water. Hence, the gas produced is hydrogen.
Metal oxides are basic. When we dissolve them in water, they form solutions with pH values above 7. Non-metal oxides are formed from the reaction between a non-metal and oxygen. Non-metal oxides are acidic….The general reaction of an acid with a metal oxide.Metal oxidesNon-metal oxidesbasicacidicpH > 7pHExamples: Li2O, Na2O, MgO, CaOExamples: CO2, SO2, NO2, P2O51 more row
Acidic oxides, or acid anhydride, are oxides that react with water to form an acid, or with a base to form a salt. They are oxides of either nonmetals or of metals in high oxidation states.
The black powder copper oxide is an example of a metal oxide. The salt produced from these reactions is dependent on the acid that is used. Metal oxides form chloride salts when reacting with hydrochloric acid, nitrate salts when reacting with nitric acid and sulfate salts when reacting with sulfuric acid.
A salt and water are produced when acids react with metal oxides . Metal oxides are bases , because they neutralise acids.
Acids react with metal carbonates or metal bicarbonates to give out carbon dioxide, along with the corresponding metal salts and water. Sodium carbonate reacts with hydrochloric acid to form sodium chloride, carbon dioxide, and water. This carbon dioxide gas is allowed to pass through lime water, turning it milky.
Carbonic acidsMetals: Carbonic acids do not react with metals. This is because carbonic acid is a weak acid.
Metal oxides are crystalline solids that contain a metal cation and an oxide anion. They typically react with water to form bases or with acids to form salts. MO + H2O → M(OH)2 (where M = group 2 metal) Thus, these compounds are often called basic oxides.
The oxidation states of non metals nitrogen, phosphorus, sulphur and chlorine are N2O5, P4O10, SO3 and Cl2O7 are +5, +5, +6 and +7 respectively. Thus, chlorine has the highest oxidation state. Hence, Cl2O7 is the most acidic oxide.
Magnesium oxide is another simple basic oxide, which also contains oxide ions. However, it is not as strongly basic as sodium oxide because the oxide ions are not as weakly-bound. In the sodium oxide, the solid is held together by attractions between 1+ and 2- ions.
Less reactive metals react with acids and oxygen, but not water, and include several transition metals such as zinc, iron, and tin.
Acids and metal carbonates When acids react with carbonates, such as calcium carbonate (found in chalk, limestone and marble), a salt, water and carbon dioxide are made. The carbon dioxide causes bubbling during the reaction, which is observed as fizzing.
Acids react with carbonates to produce a salt, carbon dioxide, and water. Limewater can be used to detect the presence of carbon dioxide evolved in a reaction. Hydrogen gas and a metal salt are produced when acids react with metals.
An acid will react with a metal to form a salt and hydrogen gas. The general word equation for the reaction between an acid and a metal is as follows: acid + metal → salt + hydrogen.
How Do You Master Photography Skills?
How long does it take to master photography? Here'
Question: What Brands Of Toilet Paper Are Unbleached?
How does Kirkland toilet paper compare to Charmin?
Should I Go To An Expensive College?
Which colleges are worth the money? The Best Colleges
Question: Can A Love Letter Save A Relationship?
Can a love letter win her back? You can'
What Is The Best Garlic Supplement On The Market?
Is frozen garlic still healthy? Whether frozen garlic
What Is The Theme Of The Poem Remember By Christina Rossetti?
What is the theme of a birthday by Christina Rossetti?
Quick Answer: Do 2 Twins Equal A King?
What size bed is 2 singles put together? Benefits of
Question: Was The Roman Empire The Largest In History?
When did the last empire fall? December 1991Yet when
Quick Answer: How Do You Make Homemade Paint Brushes?
What can I use if I don't have a paint brush?
Does Red Lobster Give AARP Discount?
Does Cheesecake Factory give AARP discounts?
Quick Answer: What'S The Difference Between BR And Br />?
What is HTML br />? The HTML element produces a line
Question: Is Arguing A Sign Of Passion?
Why do couples fight over nothing? Those fights about
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How many times a day should I feed my chickens?
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With many of its leases nearing expiration, Massachusetts' leading healthcare network and largest private employer looked to unite its operations into a single Boston-area location. Partners HealthCare first engaged Gensler to do an in-depth feasibility study for the consolidation of its 4,500 administrative staff — identifying the unique opportunity for the company to align its financial incentives, operational efficiencies and cultural objectives — leading to the design of this 825,000-square-foot campus. Gensler's integrative design approach focused on operational efficiency, for a design that pushes the boundaries of the traditional corporate campus and positions Partners HealthCare as a progressive, forward-thinking organization.


text:
The WOOL Platform's roots are in the scientific community, with its initial version being developed in the context of a European Horizon 2020 Research and Innovation project. On this page, we provide an overview of the scientific literature and other material that either describes (parts of) the WOOL technology, or uses the WOOL Platform for studies on conversational-based human computer interaction.
Lex van Velsen, Miriam Cabrita, Harm op den Akker, Lena Brandl, Joana Isaac, María Suárez, Afonso Gouveia, Rute Dinis de Sousa, Ana Maria Rodrigues, Helena Canhão, Nathaniel Evans, DELA Natura- En Levensverzekeringen NV, Marije Blok, Carlos Alcobia, Jeannette Brodbeck, "LEAVES (optimizing the mentaL health and resiliencE of older Adults that haVe lost thEir spouSe via blended, online therapy): Proposal for an Online Service Development and Evaluation", in JMIR Research Protocols 2020;9(9):e19344.
Silke ter Stal, Marijke Broekhuis, Lex van Velsen, Hermie Hermens, Monique Tabak, "Embodied Conversational Agent Appearance for Health Assessment of Older Adults: Explorative Study", in JMIR Human Factors 2020;7(3):e19987.
Below you can find all the scientific authors involved in publications related to the WOOL Platform (alphabetically by first name). When available, click on the author's name to view their ORCID profile.
Afonso Gouveia, Ana Maria Rodrigues, Carlos Alcobia, Harm op den Akker, Helena Canhão, Hermie Hermens, Jeannette Brodbeck, Joana Isaac, Lex van Velsen, Lena Brandl, María Suárez, Marije Blok, Marijke Broekhuis, Miriam Cabrita, Monique Tabak, Nathaniel Evans, Rute Dinis de Sousa, Silke ter Stal
Copyright © 2019-2020, Roessingh Research and Development.
WOOL was developed in the context of the Council of Coaches project and has received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 769553.


text:
from __future__ import division

class RoundRobin(object):
    """A class to define play a round robin game of players"""

    def __init__(self, players, game, turns, deterministic_cache=None,
                 cache_mutable=True, noise=0):
        """Initialise the players, game and deterministic cache"""
        self.players = players
        self.nplayers = len(players)
        self.game = game
        self.turns = turns
        if deterministic_cache is None:
            self.deterministic_cache = {}
        else:
            self.deterministic_cache = deterministic_cache
        self.cache_mutable = cache_mutable
        self._noise = noise

    def play(self):
        """Plays a round robin where each match lasts turns.

        We cache scores for pairs of deterministic strategies, since the
        outcome will always be the same.

        Notice also that we need to handle self-interactions with some special
        exceptions due to the way gameplay is coded within Player.

        Returns the total payoff matrix.
        """

        payoff = self._empty_matrix(self.nplayers, self.nplayers)
        cooperation = self._empty_matrix(self.nplayers, self.nplayers)

        for player1_index in range(self.nplayers):
            for player2_index in range(player1_index, self.nplayers):
                scores, cooperation_rates = self._score_single_interaction(
                    player1_index, player2_index)
                self._update_matrices(
                    player1_index, player2_index, scores, payoff,
                    cooperation_rates, cooperation)

        return {'payoff': payoff, 'cooperation': cooperation}

    def _empty_matrix(self, rows, columns):
        return [[0 for j in range(columns)] for i in range(rows)]

    def _score_single_interaction(self, player1_index, player2_index):
        player1, player2, classes = self._pair_of_players(
            player1_index, player2_index)
        play_required = (
            self._stochastic_interaction(player1, player2) or
            classes not in self.deterministic_cache)
        if play_required:
            scores, cooperation_rates = self._play_single_interaction(
                player1, player2, classes)
        else:
            scores = self.deterministic_cache[classes]['scores']
            cooperation_rates = (
                self.deterministic_cache[classes]['cooperation_rates'])
        return scores, cooperation_rates

    def _update_matrices(self, player1_index, player2_index, scores,
                         payoffs, cooperation_rates, cooperation):
        # For self-interactions we can take the average of the two
        # sides, which should improve the averaging a bit.
        if not self._noise and player1_index == player2_index:
            payoffs[player1_index][player2_index] = (
                0.5 * (scores[0] + scores[1]))
        else:
            payoffs[player1_index][player2_index] = scores[0]
            payoffs[player2_index][player1_index] = scores[1]

        cooperation[player1_index][player2_index] = cooperation_rates[0]
        cooperation[player2_index][player1_index] = cooperation_rates[1]

    def _pair_of_players(self, player1_index, player2_index):
        player1 = self.players[player1_index]
        class1 = player1.__class__
        if player1_index == player2_index:
            player2 = player1.clone()
        else:
            player2 = self.players[player2_index]
        class2 = player2.__class__
        return player1, player2, (class1, class2)

    def _stochastic_interaction(self, player1, player2):
        return (
            self._noise or
            player1.classifier['stochastic'] or
            player2.classifier['stochastic'])

    def _play_single_interaction(self, player1, player2, classes):
        turn = 0
        player1.reset()
        player2.reset()
        while turn < self.turns:
            turn += 1
            player1.play(player2, self._noise)
        scores = self._calculate_scores(player1, player2)
        cooperation_rates = (
            self._calculate_cooperation(player1),
            self._calculate_cooperation(player2))
        if self._cache_update_required(player1, player2):
            self.deterministic_cache[classes] = {
                'scores': scores,
                'cooperation_rates': cooperation_rates}
        return scores, cooperation_rates

    def _calculate_scores(self, p1, p2):
        """Calculates the score for two players based their history"""
        s1, s2 = 0, 0
        for pair in zip(p1.history, p2.history):
            score = self.game.score(pair)
            s1 += score[0]
            s2 += score[1]
        return s1, s2

    def _cache_update_required(self, p1, p2):
        return (
            not self._noise and
            self.cache_mutable and
            not (p1.classifier['stochastic'] or p2.classifier['stochastic']))

    def _calculate_cooperation(self, player):
        return player.history.count('C')

redpajama_set_name: RedPajamaGithub


text:
Canada Ranked as Second Best Country in World for Women to Launch Startups
Canada tied for second place in a recently released ranking of global business environments for women, behind only the US.
The research, conducted by Ruta Aidis, a fellow at George Mason University, focused on five categories: general business environment, accessibility of resources, women's rights and the prevalence of women in leadership roles, potential for high-growth female-owned businesses, and the entrepreneurship pipeline.
The category where Canada fell shortest was the entrepreneurship pipeline.
To bolster Canada's environment for women, the federal government could copy the US and South Africa by introducing gender-diversity policies for public procurement contracts, according to Aidis, or mimic Mexico and commit to collecting more gender-specific data in order to benchmark progress.
However, even the best countries still have a lot of work to do. Quoth Canadian Business:
Overall, the scorecard highlighted several overarching trends: globally, women don't get access to an equal share of resources; men still dominate in key leadership positions; and growth capital and innovation ecosystems primarily focus on businesses run by men. Gendered differences still hold women back, the scorecard suggests. In all 31 countries, women were significantly less likely then men to know an entrepreneur. In 68% of the countries, women believed they had less opportunity than men to start a business—even though they also indicated that their skills matched those of their male counterparts.
Aidis summed up her report to Canadian Business perfectly: "Even in countries like Canada and the United States, when you ask people to think about an entrepreneur, they'll probably still think of a man."


TRB+ Associates provides building safety inspection support services for commercial, residential, and industrial facilities. Our inspection staff members are either ICC certified or licensed engineers experienced in field inspection. Our inspectors are proficient at verifying project conformance to model code standards (Building, Electrical, Mechanical, Plumbing, Green Building and Energy & Disabled Access) and locally-adopted ordinances.
Our experienced team includes individuals with no less than 10 years field inspection experience on a range of project assignment types including municipality "Called Inspections," to "Clerk of the Works," and "Inspector of Record" roles; our team can assist with a broad range of inspection responsibilities.
Our scope of service areas includes residential, commercial, and industrial facilities, capital improvement projects, municipal agency services and infrastructure revitalization.
We can provide inspection staff for a single project which may be unique or complex in nature, or can provide long-term inspection support to assist your agency's daily inspection workload. Often our clients may be asked to provide an audit or code site inspection and report. TRB+ has the ability to assist and/or manage the request as either lead or support for your personnel, depending upon discussion of services requested.


text:
Video Game Underworld
Parasite Eve – PS1
Posted on December 21, 2015 by jplaj
Merry Christmas, Internet! For those loyal readers who have followed my work since…well, October, you know that I like to coordinate horror games with the Halloween season. In part, this works well because horror games sell well, whereas I have a more difficult time finding games with 4th of July themes (Assassin's Creed 3, maybe), St. Patrick's Day themes (uh…Leisure Suit Larry on the XBox likes to drink), Labor Day themes (Down with Shin-ra!) or Secretary's Day (…I'll leave this one to you). However, thanks to Square Enix and their own version of the war on Christmas–starting with the Santa Clause boss battle in Secret of Mana–I have a perfect specimen of a game for this Holiday season that I wouldn't waste on any other time of year. So this week, I intend to celebrate Parasite Eve for a magical Christmas adventure, as it contains the birth of an incarnate god, bountiful freebies you don't have to pay for, a festively dressed villain, rivers of slime, and the video game protagonist whose stocking I'd most like to stuff.
I should have a word with the fire marshal. Those curtains are supposed to be flame retardant.
Beginning on Christmas Eve and spanning the course of nearly a week, Parasite Eve tells a heartwarming holiday story of spontaneous human combustion. Aya Brea, a young cop in New York City, attends spends the evening at the opera. The experience holds exactly what we'd expect your average night at the opera to contain: first the singing, then the panic, screaming, the audience running in terror trying to get out of the theatre. However, unlike most opera performances, everyone bursts into flames. Except, of course, for the lead actress, Aya, and Aya's date for some reason they never explain. Aya confronts the actress, or rather Eve, the actress's collective mitochondria, who claims to have overthrown the shackles of its bourgeois cell oppressors. They fight, Eve flees, and Aya pursues, but the villain escapes to plan the world's greatest sperm bank heist.
From there, Aya goes on to discover a river of slime with a grudge against humanity in the sewers of New York. The slime heads toward a museum to protect the villain, but Aya draws her out, leading to an epic showdown against the backdrop of a slime-covered statue of liberty. But all along, the slime served as a womb, and ultimately it gives birth to Viggo the Carpathian! Er, wait…I might have confused Parasite Eve with Ghostbusters 2.
Uhh…I really don't know what I should be looking at.
Weird as all that sounds, the game actually plays very seriously with a complex, well-written storyline. For those of you who slacked off in anatomy, first of all your teacher dodged a bullet having to answer a thousand questions on spontaneous combustion, but more importantly, our cells contain organelles called mitochondria. These microscopic pseudo-organisms have their own fragmented DNA, so as the game's title suggests, they use us as a host. However, what the title completely missed the boat on is that they're symbiotic (friendly) instead of parasitic, producing the energy that, well, you know…keeps us from dying. This energy, theoretically, if the mitochondria all went into overdrive at the exact same time, might produce enough heat to…well, probably not. But the game uses that as a weapon for them to seize control of our bodies to have their tiny little ways with us.
One of the earliest 3D games (not done with vector graphics), Parasite Eve plays smoothly and has impressive visuals, even eighteen years (God, I'm old…) later. When introducing combat to the game, a fully animated CGI cutscene shows a rat's mitochondria seizing control of its cells, transforming it into a hideous monster of nearly the same size and temperament of a real New York City rat. Although in all fairness, I thinking hanging out backstage at the opera would make me bleed out of my eyes as well. Naturally, though, the spectacle doesn't end there; the dedicated player will also get to see people melt into a giant ball of Kaluha, a german shepherd transform into a four-legged vagina with teeth, and the main villain transform into several different forms that might be arousing if it didn't look like someone had stuck a Barbie doll in a microwave.
Impressive cut scene, but don't think we didn't notice your RPG hero leveling up at the beginning of the game by fighting rats underground.
Combat blends traditional RPG tropes–magic, weapons, items–with a free moving action system against a pre-rendered background. Aya can equip different types of guns, each with their own advantages and disadvantages in combat. Handguns sacrifice range for high speed and moderate power. Rifles increase power and range, but fire slowly. She can also find shotguns, grenade and rocket launchers, and tonfa clubs. Furthermore, each weapon comes with its own subset of abilities that the player can move around and customize through the use of special tools.
Generally I don't like it when pretty girls–even fictional ones–have boyfriends. But if the game doesn't feel he merits a name, I somehow don't mind him that much.
And they fit all that, plus a bonus dungeon in the New Game + option, into a game less than 10 hours long. Replaying this after playing its sequel for Halloween, I remember why this game works so brilliantly. Its compact storyline doesn't leave anything out. Out of the six or so major characters, each one of them feels human. We know more about each one of them besides whatever they need to drive the plot forward. Hell, the fucking German Shepherd has more character development than any of the characters from the sequel–including Aya. In retrospect, this game succeeds because it doesn't play up Aya as some love-starved twit, ready to submit to the first hunky boy she runs across on the job. Because what scrawny video game nerd in the late 1990s wanted to see the lovely Goddess of RPG heroes wind up with the over-inflated douche of testosterone, Kyle Madigan? If anyone, she deserves to to wind up with the brilliant yet socially awkward scientist whose genius pulls her through dangerous situations time and time again.
Maeda finds one of many NYC cops who has attempted to culture himself by studying world languages.
Dr. Maeda, I'll tell you exactly what the parents of a friend of mine told me after she went off and married the biggest douche in the country: "We're sorry. We were pulling for you."
On behalf of brilliant but socially awkward RPG fans everywhere, have a wonderful holiday season…but maybe stay out of Manhattan for a few days.
This entry was posted in Parasite Eve, PS1 and tagged Parasite Eve, ps1. Bookmark the permalink.
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This one is the reflection of a cloud on Summersville Lake. I snapped the photo on a whim and it's one of the first photos I ever took with a quality camera. What I like the most about this particular image is contrast in harmony. The cloud is a symbolic representation of the element of air floating on water. In order to get the image I had to point my lens away from the sky. The photo shows two forms of water in the same place at the same time. The cool blue-green color of the lake belies the near tropical weather we had the day I took the photo.
Nature loves balance. We tend to think of world in terms positive and negative depending on how something impacts our lives. Sometimes I like to think of these situations more in terms of ebb and flow. A balanced life will experience both sides of the equation. The old adage is that "in every life a little rain must fall." I assure you that Summerville Lake is drained every year and that without a lot of rain there would be no peaceful days floating on that beautiful blue-green water. This is the simple concept that pulls me though the tough times. There will be a wonderful calm after the storm. Balance will eventually bring the nice things back around in my direction.


Josef Husbauer plays the position Midfield, is 29 years old and 182cm tall, weights 72kg.
In the current club Slavia Prague played 4 seasons, during this time he played 123 matches and scored 24 goals.
How many goals has Josef Husbauer scored this season?
In the current season Josef Husbauer scored 12 goals.
In the club he scored 12 goals ( Europa League , Cup, Champions League, Het league). Josef Husbauer this seasons has also noted 12 assists, played 3751 minutes, with 34 times he played game in first line.
Josef Husbauer shots an average of 0.3 goals per game in club competitions.
In the current season for Slavia Prague Josef Husbauer gave a total of 13 shots, of which 4 were shots on goal. Passes completed Josef Husbauer is 75 percent.


Sub-title: How Experience Came to be Valued so Highly by People in the West. A chronological account of how authority figures in Western Civilization first considered experience unimportant but in time came to value it very highly. Readers will spend time with many of these authority figures and 'hear' what they have to say for themselves.
From a single-parent home came a young woman who would not let others' misplaced kindnesses keep her down. Family and friends all praised Pauline for her intelligence and hard work, but when it came to providing her with a chance at a job, well that was another thing.


If you love to connect on social media, you're in the right place. Here are all the places I frequent, and I would love to connect with you on any platform.
Just click on the pics below to be taken directly to where I'm at and see all of the fun things I'm posting, tweeting, pinning, and — well, you get the idea!
And there is always the newsletter and RSS feeds if you want to stay current on what's happening on the site. Thanks so much for your interest, and if you have any questions, feel free to let me know.


Dr Tracy Chandler (aka Dr Wellness) says leaky brain can lead to many different brain disorders, from depression to dementia.
'Leaky gut' (correctly termed 'increased gut permeability') is a popular topic lately but what's not being talked about enough, and is arguably more important, is 'leaky brain'. If you have leaky gut, you most likely have leaky brain which can lead to many different brain disorders from depression to Alzheimer's disease.
'Leaky brain' is a colloquial term for 'breach of the blood brain barrier' or as Dr Tom O'Bryan calls it 'B4' (1). Because the blood brain barrier (or 'B3' as I've coined it) is like a cheesecloth, it is easily damaged. This damage can include the obvious ones like concussion but also, disturbingly, includes the repetitive minor knocks or shakes experienced during many contact sports.
Excessive exercise can also cause B4 as can certain food macromolecules like those from wheat and gluten (3,4). Lastly, foods that are blackened or crisped like barbequed food or bread crusts can also cause tears in the B3 through the action of advanced glycation end products (AGE's) (5).
B4 and the subsequent passage of foreign bodies activate the brains immune (glial) cells which have a 'scattergun' approach to dealing with foreign bodies unlike the precise 'target shooting' effect of antibodies. This means they destroy 'invaders' with extensive collateral damage in the form of inflammation. Almost every brain disorder, including depression, Alzheimer's, Parkinson's, or Schizophrenia has a degree of inflammation (as evidence by cytokines).
Occasional insults to the B3 are well tolerated but repeated insults, for example daily head trauma from sport or eating wheat when wheat sensitive and the resulting constant inflammation, can lead to disease when enough brain cells die off. This is especially the case if, through genetic and epigenetic factors, your brain is your weakest link.
B4 also allows toxins such as the herpes virus; heavy metals; and wheat and dairy peptides to leak through into the brain and subsequent formation of antibodies. The antibodies start to 'attack' parts of your brain through a process called molecular mimicry (8). This is the basis of autoimmune reactions in the brain.
Whilst almost all degenerative disease has an autoimmune basis, it is not until enough damage has been done that symptoms such as shuffling gait (which is NOT an inevitable part of ageing) start to show and a diagnosis can be made. However, elevated antibodies to parts of your brain, e.g. your cerebellum, can be seen in the blood much earlier (2,6,7).
Like most diseases the earlier these markers are detected the better, and this is especially the case when it comes to brain function. However, reversing the damage is possible and involves finding and addressing what caused your particular B4. In the meantime limiting the above causes of B4 and toxins that get through the B4 are some great simple steps to optimising brain function.
With the World Health Organization (WHO) predicting that dementia will triple by 2050 and stress being the "Health Epidemic of the 21st Century", more research on 'leaky brain' must be urgently undertaken.
Koh SX, Lee JK. S100B as a marker for brain damage and blood-brain barrier disruption following exercise. Sports Medicine 2014 Mar;44(3):369-85. doi: 10.1007/S4029-013-0119-9. Review. Erratum in: Sports Medicine 2014 Jun;44(6):867.
Hemmings WA. The entry into the brain of large molecules derived from dietary protein. Proceedings of the Royal Society of London. Series B, Biological Sciences 1978 Feb 23;200(1139):175-92.
Wan W, Chen H, Li Y. The potential mechanisms of AB-receptor for advanced glycation end-products interaction disrupting tight junctions of the blood-brain barrier in Alzheimer's disease. International Journal of Neurosceince 2014 Feb;124(2):75-81.
Thelin EP, Nelson DW, Bellander BM. A review of the clinical utility of serum S100B protein levels in the assessment of traumatic brain injury. Acta Neurochirugica (Wien) 2017 Feb;159(2):209-25.
Cheng F, Yuan Q, Yang J, Wang W, Liu H. The prognostic value of serum neuron-specific enolase in traumatic brain injury: systematic review and meta-analysis. PLoS One 2014 Sep 4;9(9):e106680.
Hadjivassiliou M, Sanders DD, Aeschlimann DP. Gluten-related disorders: gluten ataxia. Digestive Diseases 2015;33(2):264-8.
Next articleLet's Gumboot Up, New Zealand!


I decided to switch to KDE/openRC.
However I have a strange situation: although I unmerged Gnome, I still have it in the login menu and can start it as well.
and thought that Gnome 3.10 is working only with Systemd??
did you run 'emerge --depclean --ask' subsequent to unmerging gnome-base/gnome? Also, I assume you've swtiched profiles, if so you may want to check what useflags are (dis|en)abled and 'emerge --deep --newuse --ask @world' ... this will probably remove the systemd useflag (and possibly others), after this then another 'emerge --depclean --ask' is probably in order.
When you say that you unmerged Gnome, how did you do this? You might have unmerged the metapackage, but not Gnome itself. Did you run emerge --depclean after? Did you check your profile and USE flags for Gnome and SystemD? You might need to change profiles and USE flags.
did you run 'emerge --depclean --ask' subsequent to unmerging gnome-base/gnome?
Think I did it and to be sure I did it again after saw your reply.
- Is it not the same?
Did you check your profile and USE flags for Gnome and SystemD?
Then I deleted gnome and left -systemd - BTW: What the difference between delete USE flag or to add '-'?
but if I choose it there is an 'Oh no!' massage - How can I delete it from login menu?
In order to be sure that I deeply understand how to do such switch in the right way - Can you give a short explanation of each step?!
Also I have an old locale language's problem - Although I add a locale language with KDE's settings, there is no symbol on screen and I can not change to locale language by pressing Alt+Shift (as I defined in input device setting) - I faced this problem only in this machine that was configured as Gnome/Systmed and now swtich to KDE/openRC - In my other machine KDE/RC it works ok - any idea?
Removing a flag from your USE means you accept the defaults for your profile.
-systemd -gnome means you force it to be omitted no matter what the defaults are.
pman ... yes, pretty much the same: '--ask, -a', '--deep, -D', '--newuse, -N', I always provde the long options on the forum as then the reader has some idea of what the option means if they are completely unfamilar.
BTW: What the difference between delete USE flag or to add '-'?
As 1clue pointed out, negating the useflag will overide it if set by the profile or via the defaults in an ebuild (IUSE).
OK - After I done according your advise it seems ok - Gnome is finally deleted - it still exist in the login menu, but if I choose it there is an 'Oh no!' massage - How can I delete it from login menu?
Have you restarted the login manager? I don't use a login manager but I imagine that whats offered is derived from /etc/X11/Sessions or /usr/share/xsessions/*.desktop. The gnome.desktop should have been removed when unmerging but the /etc/X11/Sessions prehaps not. If you delete any reference to gnome there it shouldn't turn be offered as an option (but, again, I don't use a login manager so I'm not entirely sure what method it uses).
Mostly this should come as a effect of the profile change, the --depclean is run in order to remove the (nolonger required) dependencies that were installed. There isn't much to it.
Well, there is the 'locale' (which is really an environment setting ... type 'locale' in the terminal) and then there is internationalisation, 'i18n', and localisation, 'l10n', which are used by various applications, desktops, etc, to provide language translations, etc, for the GUI. So, these are seperate mechanisms. KDE probably installs app-i18n/kde-l10n-scripts (and perhaps other packages) for this purpose, it shouldn't be effected by gnome, at least not to my knowledge ... it may simply be a kde bug (and as I don't use kde I can only speculate).
Have you restarted the login manager?
and Gnome still there - Should I delete it manually?
BTW: You do not use login manager.. So how do you manage GUI desktops?
Please advise how can I debug/check what is missing? Can I verify app-i18n/kde-l10n-scripts?
Yes, I restarted and still Gnome remained - I checked in the directories you noted - /etc/X11/Sessions or /usr/share/xsessions/*.desktop - and Gnome still there - Should I delete it manually?
Not having used systemd I'm not entirely sure how it handles this, though another recent thread suggests some different methodolgy is used. Anyhow, by bug I mean a bug created/encounterd when switching, though again, this is entirely speculation.
What does 'eselect locale list' show, is the localisation you're setting via kde there, and is LINGUAS set in make.conf and does it contain your language(s)? You might compare the two installs in this regard.
but after adding, I saw that it enables changing the dialog/menus lang - as far as I can see.
However, during that process I found out that I missed one 'little' parameter in the input settings - once I changed this -switching lang was worked out!


text:
Commission on Justice in Wales
The Commission on Justice in Wales was set up by the Welsh Government to review the justice system in Wales. We published our report on 24 October 2019.
The First Minister announced in September 2017 he was setting up a Commission on Justice in Wales to review the operation of the justice system in Wales and set a long term vision for its future.
The Commission, chaired by Lord Thomas of Cwmgiedd, began its work in December that year of considering what arrangements need to be put in place to ensure Wales has a justice system that is fit for purpose and for the new devolution settlement in the Wales Act 2017. It will publish its report on 24 October 2019.
The Commission has looked at criminal justice and policing; civil, commercial, family and administrative justice; access to justice; legal education and training; the legal professions and economy; and the legal jurisdiction. The Commission issued a call for evidence on 27 February and has held events across Wales to inform its work.
If there is anything you would like to say to the Commission, please contact us.


text:
Robertson awarded scholarship for postgraduate study at Royal Conservatoire of Scotland
by Jamie Saxon, Office of Communications
Jake Robertson
Photo by Denise Applewhite, Office of Communications
Princeton senior Jake Robertson has been awarded a St. Andrew's Society Scholarship for postgraduate study at the Royal Conservatoire of Scotland. He will pursue a master's in classical and contemporary text (acting).
The scholarship, given by the St. Andrew's Society of the State of New York, provides $30,000 each for two Scottish graduate students to study in the United States and two American students of Scottish heritage to study in Scotland. The scholarship stipulates that American applicants have some Scottish background and intend to attend a Scottish university.
In his application, Robertson, who is from Lombard, Illinois, wrote: "My grandfather and I, both fascinated by our Scottish lineage, spent hours together researching our family history, and Scotland has become an indelible part of my identity. The program at RCS is as an opportunity to combine this ancestral connection with the pursuit of my theatrical ambitions."
Robertson is a Slavic languages and literatures major who is pursuing certificates in theater and Russian, East European and Eurasian studies. In February, he was awarded, along with senior Yessica Martinez, the Pyne Honor Prize, which is given to the senior who has most clearly manifested excellent scholarship, strength of character and effective leadership. Robertson's academic honors also include Phi Beta Kappa, the Shapiro Prize for Academic Excellence in 2012 and 2013, the Nicholas Bachko Jr. Scholarship Prize in Slavic Languages and Literatures, and the Lewis Center for the Arts' Award in Theater in 2013 and 2014.
Robertson, who plans an acting career, wrote in his application: "My dream has always been to become an actor. On the stage, I have reinvented myself in numerous roles, including the bombastic Captain Hook, the quipster Groucho Marx, the lamentable King Lear and the crafty producer Max Bialystock. As a Slavic major, I have pursued the almost completely unexplored theme of Theater in the Soviet Gulag, a phenomenon which has reinforced my belief in the power of art to reinvigorate the human spirit."
During his time at Princeton, Robertson, who is affiliated with Rockefeller College, has immersed himself in the University's theater community, both academically — in courses and productions at the Lewis Center for the Arts — and outside the classroom as a member of Triangle Club, Theatre Intime, the Princeton Shakespeare Company and the improv troupe Quipfire! He also is co-host of the student late-night talk show, "All-Nighter."
His senior thesis is a study of the officially commissioned theaters of the forced-labor camps of the Soviet Union. With a fellowship from the Princeton Institute for International and Regional Studies, he conducted thesis research in Russia in summer 2014. For his theater certificate thesis, Robertson created an original adaptation of the classic Gogol short story "Diary of a Madman" and performed the one-man show "Madman/Robertson" in December 2014 in Whitman College Theater.
Seniors Martinez, Robertson named Pyne Prize winners
A violin 'speaks,' a blow dryer 'plays' — it's all actor-musicianship
Three Princeton alumni awarded fellowships for new Americans
Seniors Agolia, Nelson named Pyne Prize winners
Three Princeton seniors, two alumni win Gates Cambridge Scholarships
Princeton senior Ashmead receives Witherspoon Scholarship to study in Scotland
Seniors Barry, Jordan named Pyne Prize winners


text:
Carpetbagger | Below the Line: Editing 'Boyhood'
Below the Line: Editing 'Boyhood'
By Mekado Murphy
December 17, 2014 12:16 pm December 17, 2014 12:16 pm
Ellar Coltrane at age 6 in a scene from "Boyhood."Credit IFC Films
While some film editors may feel as if they've spent 12 years cutting a movie, for the editor of "Boyhood," that actually turned out to be the case. Richard Linklater's epic yet intimate story of 12 years in the life of a boy named Mason (Ellar Coltrane) required a different way of looking at the editing process for Sandra Adair, who has collaborated with Mr. Linklater as editor on all of his films since 1993's "Dazed and Confused."
When the director approached Ms. Adair about his idea for "Boyhood," shooting footage each of those 12 years, she immediately agreed to take part. The decision was made to edit the film progressively, cutting the scenes from each year after they were completed.
"Pretty consistently, every single year, we would break out the 'Boyhood' boxes," Ms. Adair said, speaking by phone from Austin, Tex., where she lives and is editing Mr. Linklater's next feature.
This series singles out behind-the-scenes players and their contributions to films competing during the movie awards season. Read More »
The director used 35-millimeter film to maintain a consistent look regardless of how technology might evolve. They decided to annually transfer the film footage to DVCAM tapes — a digital format — and keep the project on those.
Ms. Adair first started out editing on the Apple software Final Cut Pro, which was relatively new at the time.
As time went by, Ms. Adair said, they grew uncertain about that software's future, so they switched to the industry standard Avid and dealt with various hardware and software upgrades throughout the years.
Mr. Coltrane with Ethan Hawke in "Boyhood."Credit Matt Lankes /IFC Films
Each year when Ms. Adair finished editing the new scenes, they would be attached to the previously completed ones. "We would look at performances, make notes and make small adjustments," she said. "But we were very cautious not to be too hasty about making big, broad decisions about removing material early on. We were willing to be in mid-process at the end of every year, for many years."
This way Ms. Adair and Mr. Linklater could allow time, to some degree, dictate the edit, while continuing to refine and rework as they saw fit.
"A few times we took something out early on and we ended up putting it back in years later," she said. "It was kind of a rolling process that kept percolating."
While they were mindful of the movie's growing length, they didn't want to put any constraints on how much footage to include from year to year.
Patricia Arquette, center, with Mr. Coltrane and Lorelei Linklater.Credit Matt Lankes /IFC Films
"We thought, the movie is going to have its own natural, realistic pace," she said. That was also the thinking behind the fluid transitions as Mason grew up. "We knew early on that we didn't want to have a big demarcation from year to year. We didn't want to have a title or any gimmicky transition that would mark the change. Our goal was to make the transitions wash by, and then later, a few minutes into the next year, the audience can recognize a change."
There was also a personal dimension to the editing process.
"I have two kids, a boy and a girl," she said. "And as we started to accumulate more years, I began to really understand a lot more about the sibling relationship and how, as subtle as it is, there are some real undertones of what a sibling relationship is. I saw how having another older sibling in the house affects your decision-making."
The arc of Mason's mother, Olivia (played by Partricia Arquette), also spoke to Ms. Adair. "As a woman who has children and a career and who tries to find that balance between making good decisions and doing what you have to do to provide," she said, "I found Olivia's journey fascinating. I delighted every year when I would see her growth."
A version of this article appears in print on 02/22/2015, on page AR26 of the NewYork edition with the headline: Cutting to Life.
From Germany, a Literary Giant's Ménage à Trois
Clothes and Character: Benedict Cumberbatch in 'The Imitation Game'


Breakbulk Europe, the world's biggest project cargo industry conference, will take place this year – for the first time in history – in Bremen, Germany, from the 29th to 31st of May. International logistics and transportation group AsstrA-Associated Traffic AG will continue its tradition of participating in this prestigious event and meeting with Partners and colleagues in the breakbulk transportation business.
This year at Breakbulk Europe, AsstrA will be exhibiting at stand number 343. All the event's guests are welcome to come by and to discuss the latest trends in breakbulk logistics as well as potential collaboration opportunities.
Breakbulk Europe conferences were launched more than 25 years ago and attendee counts have been steadily trending upwards ever since, with a record-high 8,235 industry professionals packing the venue in 2016.
The Port of Bremen is an important logistics hub for the automotive and the offshore wind sectors. Breakbulk cargoes include large machinery, industrial plant components, and steel, which are all regularly transported through the Port of Bremen. Bremen was therefore selected to host this year's Breakbulk Europe, which had been held in Antwerp for many years.
AsstrA provides a full range of logistics and transport services supporting the international transport of bulky and heavy cargo. Road transport is the most popular option in this segment due to its high speed and relatively low transportation costs. In general, the market for outsized cargo and equipment transportation shows dynamic growth of 5% to 15% per year. AsstrA organizes on-time delivery of any cargo, regardless of its geographical route or destination, by every mode of transport.


Live Sensical: Blake Lively - Bikini Breastfeeding - Living Sensical?
Blake Lively - Bikini Breastfeeding - Living Sensical?
Blake Lively - how is that a livesensical.com moment? Sure, the rice in her hair is fetching, but was the whole view really necessary? Perky, true - how do you top that?
Blake Lively Isn't Blonde? Actress is officially "BRUNETTE"
Blake Lively Has a New Hair Color & Hubby Ryan Reynolds Likes It!


text:
"""
DecoraterBotCore
~~~~~~~~~~~~~~~~~~~

Cogs to DecoraterBot

:copyright: (c) 2015-2018 AraHaan
:license: MIT, see LICENSE for more details.

"""

# Empty __init__.py file for Bot Command Plugins.
# This File is not meant for Anything much, it is
# just a placeholder so Github does not remove this folder.

# All Plugins will be in DecoraterBotCore.plugins.[insert plugin name here].


A children's magazine has come under fire after publishing an article that listed reasons why minority languages weren't needed.
Under a picture of children reading books in Welsh, The Week Junior listed "three reasons why we don't need minority languages".
Among the reasons, the magazine said that there "was little use" for the languages, that the classroom should be used to teach "useful" languages instead, and that it was a "waste of money".
The magazine did, however, say that minority languages "come with their own rich traditions in the form of poems and stories".
"Learning a second language has proven benefits for developing minds," it said.
Dr. Rhodri ap Dyfrig, whose doctorate concerned the use of the Welsh language online, said that there were "so much wrong" with the article that he "didn't know where to begin".
"Young inquiring minds will have a view of languages which is not balanced but completely skewed. Totally irresponsible," he said.
The article comes in the wake of numerous controversies in which The Guardian, Times, Newsnight and Sports Direct have been criticised for their handling of issues related to the Welsh language.
The Week Junior is the sister magazine of The Week and both are owned by Dennis Publishing.


text:
Q: If a field is occupied by another value alert I am making a little Tic Tac Toe game and I want to alert the user when they try to click in a cell which already has a value in it. Here is what I have so far.

    var turn = "O";
     //player 1 = turn  = O
     //player2 = turn  = X
    var cell = $('#cell');

    function go(cellID) {
      //alert(turn);
      var boxId = "#" + cellID;
      if (cell = null) {
        if (turn == 'O') {
          $(boxId).html("O");
          turn = 'X';
        } else {
          if (turn == 'X') {
            $(boxId).html("X");
            turn = 'O';
          }
        }
      } else {
        alert('Pick another box')
      }

      //alert(cellID);
      $('h2:last').html('Turn: ' + turn);
      return turn;
    }
.cell {
  height: 20px;
  width: 10px;
  background-color: blue;
}

A: I think I understand your problem. Your check on line 9 is not quite correct. You can see if the value of the element is empty by using .html() which returns the content of the element, and if the element is empty it will return an empty string.
if (cell = null) { would then become if ($(boxId).html() === '') {
See the updated fiddle here

A: As others have stated, your if (cell = null) is incorrect and should be if ($(boxId).html() === '').
Another point to make is that you should not be using the onclick event inside of your td elements. Instead, you should be using jquery's .on('click') event.
Check out this JSFiddle


Although private-school vouchers were noticeably absent from Bush's No Child Left Behind legislation and Obama's Race to the Top grant, they are making a comeback led by newly elected governors in Florida, Nevada and Wisconsin.
Vouchers are nothing new in Florida, but governor-elect Rick Scott's proposal is the most extensive of the new plans. Scott wants to create "education savings accounts" that would help pay private-school tuition for any student in the state, not just low-income students. With Florida in the spotlight for school reform, the Washington Post's Valerie Strauss interviewed Professor Sherman Dorn of the University of South Florida to discuss the Jeb Bush package of educational reforms and their impact. To read more visit - The Answer Sheet.
Milwaukee paved the way for large-scale private-school vouchers in 1990 and Wisconsin's governor-elect is looking to expand the Milwaukee voucher program. The U.S. Department of Education's Institute of Education Science has used Milwaukee's system to research the impact of the voucher system on education. Visit the Institute of Education Sciences' What Works website for the results of their research.


text:
How we started...
In 1989 with a struggling economy and an invasion of Kuwait it would seem foolhardy to start a fledgling business, especially in an oil based product, but that's what our founder Duncan Wray took on, trading first as an unlimited company.
How we evolved...
During 1990 with an increasing customer base came a change of name & status as Actionplas Limited was formed. Steady growth in the years to come resulted in more staff been employed and the Actionplas customer base becoming larger & more widespread, covering many varied industries. Though the food & drink sector counted for a large percentage of this growth, specialist work was also done, manufacturing parts for companies such as Rolls Royce & Aston Martin.
In the mid 90's Actionplas moved from their 2500 square feet premises in Yeadon, an outer suburb of Leeds, doubling floor space to over 5000 square feet. With more self-funded investment following, mainly with the introduction of state of the art machinery & manufacturing software. These machines covering turning, milling & routing. Over the next few months three new employees were taken on, 2 of which are still employed today.
In 2000 the company again doubled its floor space, purchasing the Pudsey premises they are in today, again investing in new machines & additional skilled staff. Steady growth continued throughout the following ten years.
WHERE WE ARE TODAY
In 2010 a major breakthrough came in the advancement of the company with the founder's sons forming a new management team.
Rapid growth followed. With sales increasing, more staff employed & the commencement of the company's first apprenticeship scheme.
Since 2010 Actionplas has continued to employ, invest & expand with the introduction of its very own design team, new state of the art machinery & by becoming an ISO9000 accredited company in 2016.
Most recently ActionPlas has made a significant £1 million investment in personnel, new machinery and an expansion of our production facilities (by an additional 13,000 square feet to 25,000 square feet), as a strong commitment to supporting our customer base.
ABOUT ACTIONPLAS
As one of the UK's leading speciality machinists and suppliers of plastic, Actionplas is dedicated to delivering a premium service with competitive pricing...
Actionplas understands that in an uncertain economic climate, customer focus is increasingly toward cost savings whilst maintaining high standards and quality...
At ActionPlas, our dedicated team of experts continuously strive to deliver excellence to all of our clients. If you have a specific enquiry for a member of the team...


text:
Eagles - 'Please Come Home for Christmas'
"Please Come Home for Christmas": Chart Statistics
Release date: 27 Nov 1978
Chart debut: #98 (23 Dec 2021)
Highest Position: #98 (23 Dec 2021)
Most recent chart position: #98 (23 Dec 2021)
Days on Canadian Songs Chart: 2
'Please Come Home for Christmas' has charted in the following countries:
United States and Canada.
Download It! Get "Please Come Home for Christmas" from iTunes
Download "Please Come Home for Christmas" from the iTunes store.
Detailed Chart Progress for "Please Come Home for Christmas" (Eagles)
Canadian Songs chart performance history for Please Come Home for Christmas
2021 Dec 23 Thu 98 new Ed Sheeran & Elton John
23 Thu 98 new
Other Songs by Eagles
Lyin' Eyes
Please Come Home for Christmas
Latest Canadian Songs Top 10 Full Canadian Songs chart
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5 Rema & Selena Gomez - Calm Down
6 Rihanna - Lift Me Up
7 Sam Smith & Kim Petras - Unholy
8 TALK - Run Away to Mars
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10 Meghan Trainor - Made You Look