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handbook of florida edible plants
Handbook of Florida edible wild plants and those that are poisonous. Florida has more than 7,700 named lakes over 20 acres and countless ponds from 1-20 acres. The good news is if you learn to do it in Florida everywhere else is very easy. A booklet from the University of Florida Extension Service can be a helpful tool for identifying poisonous and irritant plants of Florida, by Perkins and Payne (Circular # … ", "Handbook of Florida edible wild plants and those that are poisonous", "[by] A. M. Michalowski [and] M. J. Today I take a Wild Edible Plants: 2 Blocks, 17 Edibles. Everyday low prices and free delivery on eligible orders. Author: Michalowski, Anna M. Call# QK98.5 M5 1963 Catalog Number: 2003-07-31-154926-0 Object Name: Book Subjects: Plants, Edible - Florida. There are many wonderful wild, edible, plants available in Florida. See more ideas about Edible plants, Wild edibles, Plants. Plants, poisonous - Florida. Insects take their food in a variety of ways. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. The May Apple is native from Quebec to Florida, west to Min- . In fiscal year 2011 (Oct 2010 through Sept 2011) NAL delivered more than 100 million direct customer service transactions. The seeds are also edible. More than 370 edible wild plants, plus 37 poisonous. There was an error retrieving your Wish Lists. : Florida, and perhaps Hawaii, are among the most difficult states to learn about wild edible plants. --Ginny Stibolt, coauthor of Organic Methods for Vegetable Gardening in Florida "An easy way to enjoy the common, healthful, and tasty edible plants growing around you." It houses one of the world's largest and most accessible agricultural information collections and serves as the nexus for a national network of state land-grant and U.S. Department of Agriculture field libraries. You can do it too - and survive. Places Edible Plants are found are broken up into the following groups. North Florida's edible landscaping will have trees like peaches, apples and blueberries. Sweeteners such as sugar and stevia are derived from plants. . 1/19/2017 0 Comments Chapter VI: Insect Management . Buy Florida's Edible Wild Plants (9780942084382): A Guide to Collecting and Cooking: NHBS - Peggy Sias Lantz, University Press of Florida Two words, climate and geography. " Edible wild plants " " Handbook of Florida edible wild plants and those that are poisonous " Cranberry Hibiscus Red leafed-plant has sour leaves that make a tasty and colorful addition to salads. Great Outdoors Pub. "Peggy Lantz's new book combines decades of real-life experience with the heartfelt passion of a true plant lover. Injury by Chewing Insects. This first volume, FLORIDA'S WILD HARVEST: VOLUME ONE - 150 Common Wild Edible Plants of Florida, will be released in 2018. Plant Powers, Poisons, and Herb Craft. Edible plants in florida pdf Wild edible plants are everywhere. A few are on Wild Foods and Edible Plants. Michalowski. Handbook Of Wild Edible Plants PDF Download The Complete Guide To Edible Wild Plants Free - Complete Guide To Edible Wild Plants Mushrooms Fruits And Nuts Author Katie Letcher Lyle ISBN 9780762763030 Genre Nature File Size 49 85 MB Format PDF Kindle Download 278 Read 1234 Get These can also be replanted or cultivated in the garden or yard for easy care food plants - why fight nature when we can work with it?. Handbook of Florida edible wild plants and those that are poisonous Edible Wild Plants. This shopping feature will continue to load items when the Enter key is pressed. Handbook of Florida edible wild plants and those that are poisonous rosemary and mint), which come from the green leafy parts of plants, and spices (e.g. The first step is to get to know the plants. Little did you know, but Florida harbors a variety of edible wild plants that may be in your very own backyard! Publisher Many color photos adorn the entire volume. Common Edible Mushrooms — Be careful here. Organizes frequent walks. ", followed by 1104 people on Pinterest. cumin and cinnamon), which come from other plant parts. Go to their Course Catalog and scan the table of contents. One method is by chewing. The National Agricultural Library is one of four national libraries of the United States, with locations in Beltsville, Maryland and Washington, D.C. It's recommended that you never eat a wild mushroom without personal instruction with an expert forager/herbalist. All plants that are detailed are arranged by plant family, and have been wildcrafted and consumed by myself. --Richard Wunderlin, coauthor of Guide to the Vascular Plants of Florida "This dynamic handbook is easy to read and hard to put … Comfrey Medicinal plant that improves soil by accumulating nutrients in its leaves by "mining" nutrients from the subsoil with its deep roots. As mentioned above, north and south Florida have different climates. *FREE* shipping on qualifying offers. Co. " To calculate the overall star rating and percentage breakdown by star, we don't use a simple average. Easy to read and hard to put down, Florida's Edible Wild Plants combines homespun anecdotes with practical botany and hands-on recipes to offer readers a dynamic handbook for anyone wishing to get to know the plants in their yards in a more intimate and tasty way. Jun 27, 2019 - Explore Robin Shake's board "Native Florida Edible Plants,Etc. Such plants include herbs (e.g. *FREE* shipping on qualifying offers. His site has his schedule, his bio, an Edible Wild Plant Bibliography, and some recipes. Guidelines for Designing and Managing Florida Ponds for Recreation. Today I take a 2-block walk and discover 17 wild edibles just on that short trip. Florida has a fantastic climate that will support tons of different edible plants. Page 2/28 Some 450 miles long Florida, has temperate plants … (Always proceed with caution, knowledge, and the help of a botanical expert before consuming anything in the wild.) In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. Back to Crops Grown in Florida. Handbook of Florida edible wild plants and those that are poisonous. Florida's Edible Wild Plants: A Guide to Collecting and Cooking. Central Florida has a nice mix of them both. In this revised and updated edition of Florida Gardener's Handbook, gardeners in the Sunshine State are handed all the know-how they'll need to grow a lush, productive garden. Potherbs that are found in Florida are edible plants that you can cook. To get the free app, enter your mobile phone number. Handbook of Florida edible wild plants and those that are poisonous . [Anna M Michalowski] So instead we buy nuts someone else picked for us, berries packaged hundreds of miles away, and greens that may or may not contain contaminants. That's the bad news. Please try again. Handbook of Florida edible wild plants and those that are poisonous . See more ideas about wild edibles, florida plants, plants. Can grow 3-4 ft across. Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates. by David The One of the multiple varieties that grow here in Florida. Edible and Medicinal Plants. Many plants can have toxic effects, so we suggest that you rely on an experienced botanist, or naturalist to help you identify edible plants at first. Easy to read and hard to put down, Florida's Edible Wild Plants combines homespun anecdotes with practical botany and hands-on recipes to offer readers a dynamic handbook for anyone wishing to get to know the plants in their yards in a more intimate and tasty Some plants produce edible flowers, which may be added to salads or used to decorate foods. This article, which highlights seven of the most prolific and easily available, is written for hunters, campers, and outdoor enthusiasts, and is for entertainment purposes only. "Peggy Lantz's new book combines decades of real-life experience with the heartfelt passion of a true plant lover. Handbook Of Florida Edible Plants. Wild edible plants are everywhere. Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Buy Handbook of Florida edible wild plants and those that are poisonous by Michalowski, Anna M (ISBN: ) from Amazon's Book Store. Florida Edible Plants Guide Easy to read and hard to put down, Florida's Edible Wild Plants combines homespun anecdotes with practical botany and hands-on recipes to offer readers a dynamic handbook for anyone wishing to get to know the plants in their yards in a more intimate and tasty way. Get this from a library! Best Edible Landscape Plants For Florida . Florida's wild terrain and landscapes feature a wide variety of edible plants. There was a problem loading your book clubs. Handbook of Florida edible wild plants and those that are poisonous. It is crucial to learn and become aware of our environment and identify native plant species to further preserve our indigenous plants. Pink flowers in the winter are also edible. Read Free Florida Edible Plants Guide Rather than enjoying a good book with a cup of tea in the afternoon, instead they cope with some harmful virus inside their computer. A Taste of Heritage: Crow Indian Recipes & Herbal Medicine. florida edible plants guide is available in our book collection an online access to it is set as public so you can get it instantly. Many people identify plants as "weeds" when they actually may be medicinal edible plants. Growers need to quickly recognize insect problems and practice early control to prevent a buildup and keep insect pests from getting out of control. The good news is if you learn to do it in Florida everywhere. Insects injure plants by chewing leaves, stems and roots, sucking juices, egg laying or transmitting diseases. ". After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. on Edible Plants refers to species in this country and abroad, but he rarely or sample the spicy .. 12/9/2016 0 Comments Insects injure plants by chewing leaves, stems and roots, sucking juices, egg laying or transmitting diseases. Many of those smaller ponds are on private property. Florida Conference of Seventh-day Adventists Florida Conference Brigade, Medical Cadet Corps 351 S State Rd 434, Altamonte Springs, FL 32714 Footnote: The completion of this training fulfills the requirements for the Pathfinder Edible Wild Plants honor. Insects take their food in a variety of ways. You're listening to a sample of the Audible audio edition. Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Nov 10, 2020 - This board has information on foraging for wild, native plants and weeds that can be found in Florida, the South, and along the Gulf Coast. Please try again. A field guide will teach you how to identify wild edibles and is essential to your new adventure. Many of those smaller ponds are on private property. It also analyzes reviews to verify trustworthiness. Recipes lean heavily towards the healthy, simple, and easy side. If you're a botanist or a curious epicure, you'll seek out Peggy Lantz's guide for its detailed information about Florida plant species and plant parts that are safe and nutritious to eat. Please try again. Bring your club to Amazon Book Clubs, start a new book club and invite your friends to join, or find a club that's right for you for free. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. Handbook of Florida edible wild plants and those that are poisonous [Anna M Michalowski] on Amazon.com. "Helps you learn to appreciate the bounty that Mother Nature serves up, from weeds to trees." Handbook of Florida edible wild plants and those that are poisonous. Minor insect damage lowers the crop's value because the market demands clean, unblemished produce. Guidelines for Designing and Managing Florida Ponds for Recreation. Handbook of Florida edible wild plants and those that are poisonous [Michalowski, Anna M] on Amazon.com. Jack Mountain bushcraft also has a Wild Food Weekend. One method is by chewing. Florida has more than 7,700 named lakes over 20 acres and countless ponds from 1-20 acres. There's a problem loading this menu right now. Unable to add item to List. Handbook of Florida edible wild plants and those that are poisonous . Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. Handbook Of Florida Edible Plants. Your recently viewed items and featured recommendations, Select the department you want to search in. Can grow 6-8 ft tall. Injury by Chewing Insects. Why is Florida difficult? Florida's Edible Wild Plants //jquery Login. contractorprofitzone.com%20Responsepdf. A Complete Handbook of Nature Cure
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Q: How to override the ftl in alfresco I'm new to alfresco and using Alfresco 6. I am trying to override colleagues.get.html.ftl file so I can change the display of Site members dashlet. Original ftl has the following code snippet:

      <#-- LIST - ITEM - PERSON -->
      <@markup id="list-item-person">

${m.authority.firstName?html} <#if m.authority.lastName??>${m.authority.lastName?html}</#if>

      </@markup>

      <#-- LIST - ITEM - ROLE -->
      <@markup id="list-item-role">

${msg("role." + m.role)}

      </@markup>

Instead of firstName and lastName I just want to display the userName.
Here's what I have done.

*

*I have copied the original code to a file named colleagues.get.html.ftl

*I have modified the html.

I was assuming this would override the original file. However my changes are not getting reflected when I restart server. How to correct this?

A: First, I'll assume you are using the Docker- and Maven-based Alfresco SDK 4.0.0. It makes doing this kind of customization much more productive.
The goal is to customize an out-of-the-box web script template and keep it in your own path to avoid problems when upgrading later. To do that, copy the colleagues.get.html.ftl into your project, in a path that you choose. For example, in my project I'll use alfresco-share-example-share/src/main/resources/alfresco/web-extension/site-webscripts/com/metaversant/alfresco/dashlets/colleagues.get.html.ftl.
Next, you need to tell Share that you are overriding the template and where to find yours. You do that by creating a Share extension file. I'll name mine colleague-example.xml and place it in alfresco-share-example-share/src/main/resources/alfresco/web-extension/site-data/extensions/colleague-example.xml with the following content:
<extension>
  <modules>
    <module>
      <id>Colleague Example</id>
      <version>1.0</version>
      <auto-deploy>true</auto-deploy>
      <customizations>
        <customization>
            <targetPackageRoot>org.alfresco.components.dashlets</targetPackageRoot>
            <sourcePackageRoot>com.metaversant.alfresco.dashlets</sourcePackageRoot>
        </customization>
      </customizations>
    </module>
  </modules>
</extension>

Finally, edit your version of the template. We're going to tell Alfresco to replace the @markup with an id of "html" with ours. So change:
<@markup id="html">

to:
<@markup id="html" target="html" action="replace" scope="global">

Next, you want to replace first name and last name with just the username, so change:

${m.authority.firstName?html} <#if m.authority.lastName??>${m.authority.lastName?html}</#if>

to:

${m.authority.userName?html}

Now run the project with ./run.sh build_start. Your Docker images will fire up and you'll see that the Site Members dashlet uses username instead of first name and last name.
If you need to tweak it, make a change, then run ./run.sh reload_share to build and restart just the Share container.
When you are ready to deploy, run mvn install to create a Share AMP you can deploy on your server.

redpajama_set_name: RedPajamaStackExchange


This came during a ceremony held by the Central Committee to support the popular crowd in the ministry to honor the families of martyrs in the province of Basra.
"Our national and humanitarian duty towards the families of those heroes who sacrificed their lives for the sake of holiness and the homeland requires us to do everything in our power to this noble elite of Iraqi society and to stand by them and assist them in various ways. Their children.
For his part, Chairman of the Central Committee to support the popular crowd / Undersecretary for the extraction of Karim Hattab, today and in coordination with the popular crowd was honored a new elite of families of martyrs in the province of Basra in recognition of the great sacrifices made by the heroes of the popular crowd by standing in front of gangs and cowardly terrorist, The most precious of what they have and sacrificed their lives in order to keep Iraq proud Abia, and keep his hair and sanctities preserved.
"The ministry has honored 550 families of martyrs' families," said Assem Jihad, spokesman for the ministry. "This is part of the activities and activities carried out by the Central Committee to support the popular mobilization in the ministry. The honorable battle that Iraq is waging against terrorism.


Add olive oil and a generous amount of cooking spray to a nonstick skillet over medium-high heat.
Add scallions and sauté for 3-4 minutes.
In a small bowl, whisk together lime juice, garlic, brown sugar, and chili-garlic sauce. Pour over scallions and simmer until reduced by half, about 3–4 minutes.
Add shrimp and sauté until shrimp is pink and just cooked through, about 4 minutes.


Volkswagen (VOWG_p.DE) and two of its auto parts suppliers were pushing to resolve a contract dispute early on Tuesday, spokespeople said, but had no progress to report despite 17 hours of talks as the conflict threatens to cost the carmaker thousands of vehicles in lost output this week.
Top-level negotiations between VW and the two Prevent DEV group suppliers that began at about 1100 GMT (0700 ET) on Monday and continued through the night failed to yield a breakthrough, spokespeople for VW and the suppliers said. But the two sides are continuing to seek a solution, they said, without elaborating.
The dispute affected about 28,000 workers at six of VW's 10 German factories on Monday when the automaker halted production of the top-selling Golf and Passat models, as well as assembly of engines, gearboxes and emissions systems, due to the Wolfsburg-based suppliers' refusal to deliver products like seat covers and gearbox parts.
VW's supplier conflict poses a threat to the company's profitability as it seeks to recover following its diesel emissions test cheating scandal.
Analysts at UBS estimate that a one-week production halt at VW's Wolfsburg headquarters would result in about 100 million euros ($113 million) in lost gross profit, and could have knock-on effects on other suppliers.
CarTrim, which makes seats, and ES Automobilguss, which produces cast iron parts needed to make gearboxes, are seeking compensation after saying they faced lost revenue running into tens of millions of euros after VW canceled a contract.
Europe's largest automaker has been trying to force the two companies to resume deliveries, suggesting they could face fines or even seizure of missing parts.
Lower Saxony Economy Minister Olaf Lies, a member of VW's supervisory board, has said the dispute is hitting VW "at the worst possible time". Whether VW management should face questions for over-reliance on single suppliers needs to be clarified, he added.
Some industry analysts were also critical of VW.
Faced with billions of euros of costs from its emissions scandal, VW has indicated it would seek price cuts from its suppliers.
While the disruption may keep workers at home, there could be a silver lining for VW in limiting Golf output. The automaker had already canceled Golf production shifts on October 4-7 and December 19-22 due to falling demand.
VW said the stoppages were part of regular production adjustments.
"Given the slowdown of VW sales (excluding China), the brand certainly needs to slightly trim production levels," said London-based Evercore ISI analyst Arndt Ellinghorst.


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Nike (NKE) Q2 Results 2023
People walk past a store of sporting goods retailer Nike Inc. at a shopping complex in Beijing, China, March 25, 2021.
Florence Lo | Reuters
released quarterly results on Tuesday that slightly beat Wall Street expectations even as higher expenses squeezed the company's margins.
Nike shares are up more than 12% after the close on Tuesday.
Here's how Nike performed in its fiscal second quarter versus Wall Street expectations, based on a poll of analysts by Refinitiv:
Revenue: $13.32 billion versus $12.57 billion expected
The company reported net income of $1.33 billion, or 85 cents a share, for the three-month period ended November 30, compared to $1.34 billion, or 83 cents a share, a year earlier.
Nike reported revenue of $13.32 billion, up 17% from $11.36 billion a year earlier.
Over the past three quarters, Nike has beaten Wall Street expectations but, like other retailers, has struggled with overstocking due to supply chain disruptions, rising consumer demand, and unpredictable delivery times.
Inventories rose 43% year over year to $9.3 billion in the quarter. The merchandise glut prompted aggressive discounting, which helped push Nike's gross margin down to 42.9% from 45.9% a year earlier. Inventories, however, declined from $9.7 billion in the previous quarter.
The company also saw SG&A expenses rise 10% year over year to $4.1 billion, primarily due to advertising and marketing expenses and investments in Nike Direct as the company continues to move away from wholesalers.
While the focus on Nike Direct was largely responsible for the increased administrative burden, the investment has paid off. Nike Direct sales rose 16% to $5.4 billion for the quarter, and digital sales were up 25%. For the past few quarters, wholesale revenue has been virtually flat, but grew 19% in the quarter.
Nike's sales in China, its third-biggest market by revenue, fell 3% year over year, continuing a trend the retailer has been struggling with as the country grapples with ongoing Covid lockdowns and a slowdown in retail spending has to fight. According to the National Bureau of Statistics of China, retail sales in the country fell 5.9% year on year in November, and sales of clothing and shoes plunged 15.6%.
After Nike's fiscal first-quarter earnings were released in September, executives said the company's inventories grew 65% last year in North America alone, and as a result, the company enacted an aggressive promotional strategy to promote the goods to liquidate and make room for new products.
The plan was an important part of Nike's strategy to shift its sales directly to consumers and away from wholesalers by enhancing the in-store shopping experience and enticing customers to shop online directly from the company.
On Friday, Nike announced its new Jordan World of Flight Milan store on Via Torino, a famous shopping district in Italy known for its designer shoe stores.
The initiative reflects steps Nike is taking to grow the company as a direct-to-consumer brand.
The store, described by the company in a press release as a "unique retail experience," will feature an integrated members' lounge and will feature interactive shopping experiences tailored for fans of the acclaimed sneaker brand.
Read the company's earnings announcement here.
TaggedBreaking news: businessBreaking news: resultbusinessbusiness newsChinaclothing retailmeritsNike Incretail industry
Risk of Rain Returns announced for Switch, PC
How to print on Chromebook
In the muggy Bahamas courtroom, Bankman-Fried fights incarceration
Tesla does not tolerate dissent against Elon Musk, fired two employees
Retail sales up 7.6% during critical holiday shopping season

redpajama_set_name: RedPajamaCommonCrawl


Rest & Relaxation - Breathe.
A very difficult thing to find but is crucial to get over chronic pain, heart disease, anxiety, depression, IBS, other digestive issues and even infertility. If pregnant, pelvic and abdominal muscle relaxation and control are necessary to prepare our bodies to safely and comfortably deliver our precious babes into the world with minimal intervention.
The two positions pictured here are amazing for starting the relaxation process.
Get blankets, pillows, yoga blocks and a yoga strap.
Stuff all the body nooks and crannies with support so that you're not holding yourself up at all.
Memorize how relaxed you got and then try to recall that feeling even when busy.


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georginacoburnarts
Arts Writing, Commentary and Criticism
Tag Archives: Collage Art
Cut and Paste – 400 Years of Collage
Posted on 3rd July 2019 by Georgina
29 June – 27 October 2019
Scottish National Gallery of Modern Art (Modern Two)
Eileen Agar The Lotus Eater (1939, Collage, watercolour and ink on paper) National Galleries of Scotland, Edinburgh. Purchased 1979.
Cut and Paste: 400 Years of Collage is the first survey exhibition of collage ever to take place anywhere in the world, featuring over 250 works from the sixteenth century to the present day. There is an astonishing range of practice on display, including works by Hannah Höch, Annegret Soltau, Claude Cahun, Pauline Boty, Natalia Goncharova, Valentine Penrose, Toyen, Edith Rimmington, Eileen Agar, Linder, Penny Slinger, Carolee Schneemann, Cindy Sherman, Nancy Grossman, Deborah Roberts, Pablo Picasso, Henri Matisse, Juan Gris, Joan Miró, Max Ernst, George Grosz, Raoul Hausmann, Eduardo Paolozzi, Max Bucaille, Roland Penrose, Joseph Cornell, Kurt Schwitters, Joseph Beuys, Robert Rauschenberg, Andy Warhol, Peter Blake, John Stezaker, Christian Marclay and Terry Gilliam. Give yourself ample time to explore them and to take in the accompanying show Beyond Realism at Modern One, featuring some of the NGS's finest Surrealist works.
In many ways this ground-breaking reappraisal of collage couldn't have happened anywhere else. The NGS collection is blessed with significant acquisitions, long term loans and bequests from astute collectors such as Gabrielle Keiller, artists Roland Penrose and Eduardo Paolozzi, providing an excellent foundation for deeper exploration of the artform. Joined by works from the Tate, the Victoria and Albert Museum, The Estorick Collection of Modern Italian Art, Stephen Ongpin Fine Art, The Mayor Gallery, The Fry Art Gallery, Bernard Jacobson Gallery, Annely Juda Fine Art, Galerie Thaddaeus Ropac, Alison Jacques Gallery, Richard Saltoun Gallery, England & Co, a/political, the University of St Andrews and private collectors, the exhibition is a fantastic opportunity for discovery of previously unseen work. Works from the Murray Family collection, UK and USA, featuring Pauline Boty, Edith Rimmington, Max Bucaille, Franz Roh and Toyen are outstanding.
Cut and Paste isn't about defining collage but celebrating that there are many more ways to see, revealed primarily in the work of lesser known artists who are among the highlights of the show. These previously neglected works demand greater visibility and more research. The language of 'revolutionary cubist masterpieces' by male artists like Picasso persists, yet in the wider context of the show, they become relative to other equally revolutionary masterworks by artists yet to enter public consciousness. Although the exhibition's chronological layout would have been better served by collage -like juxtaposition of art from different periods confronting each other, there are so many vital examples of this art form speaking resoundingly for themselves that they cannot be ignored. It's incredibly gratifying and hopeful to connect with pioneering works by women and other marginalised artists, doubly so in what feels like an increasingly fragmented world circa 2019. Part of what collage does incredibly well, often in testing times, is provide an unbridled form of expression and much needed protest.
Raoul HAUSMANN (b.1886) The Art Critic, 1919-20 Lithograph and printed paper on paper Collection: Tate © ADAGP, Paris and DACS, London 2018
Admittedly collage is an artform close to my heart in history and practice. The process itself is liberating in its free association, formed from materials immediately to hand and permitting everything in a spirit of playfulness and experimentation. That impetus tests what could be- creatively and culturally. At its best, it's an art of 'disruption' and active dissent that reminds us of how essential art is in everyday life. The grotesque central figure in Raoul Hausmann's The Art Critic (1919-20, lithograph and printed paper collage on paper) depicts an entire society whose opinions can be bought. The artist cuts straight to the heart of an increasingly absurd displacement of power during the Weimar period, a time not unlike our own in the corruption of 'post-truth' politics and 'fake news' rhetoric. Seeing John Heartfield's response to the rise of Nazism in 1930's Germany affirms the power of collage as vital satire and political resistance. Equally the work of Hannah Höch, presents the viewer with counteraction to gender stereotypes. In Astronomie (1922, Collage, gouache and ink on paper, The Mayor Gallery, London) Höch uses grid elements from crochet, knitting and embroidery design as the basis for a more expanded vision of the feminine- as human and therefore equal. In Höch's work, ideas of design, domestic and cosmic intertwine. Craft and fine art practice become inseparable in a union of ideas and technique.
Hannah Höch Astronomie (1922, Collage, gouache and ink on paper) The Mayor Gallery, London.
Hannah Höch From the Collection: From an Ethnographic Museum (1929, Collage and gouache on paper) National Galleries of Scotland, Edinburgh
From the Collection: From an Ethnographic Museum (1929, Collage and gouache on paper, National Galleries of Scotland, Edinburgh) is a very sophisticated example of how much simple 'cut and paste' can reveal and how it can be used to collectively question the status quo. The 'other' in this work is cultural and feminine. The head of a Nigerian Benin sculpture is radically turned, fused with the eye of a woman from a fashion magazine and a child's body, resting on a lion's foot of power and a contradictory stump of domestic furniture. Framed in a starkly modern, geometric space, the human form doesn't feel accidental or randomly placed, but designed as a question mark on multiple levels. The expression of this figure, like a mythic Susannah confronting the invasive, violating gaze of the elders, challenges generations of Western Art making. This confrontation with 'masters' expands to hierarchies of power in relation to gender, race, cultural identity and social engineering. I've always thought of this small, radical figure as a powerful feminist totem of resistance. Höch's critical eye is sharp as a scalpel and expansively aware, beyond the individual maker.
The attitude of collage is pivotal in that respect, ripping, tearing or cutting to heighten awareness of reality, or point to an alternative reality. Like Carlo Carra's Atmospheric Swirls- A Bursting Shell (1914, ink and collage on paper), created in response to the first Balkan War 1912-13, the best examples of this artform are those that explode preconceptions, creating a perceptive shift of some kind. When Carolee Schneemann created Body Collage (1967, 16mm film transferred to digital format 3:30 mins) her 'intention was not to simply collage [her] body (as an object) but to enact movement so that the collage image would be active found, not predetermined or posed.' This is a statement against the passivity of looking (or being cast as the passive object), initiating change. As Penny Slinger (b 1947) states very eloquently, 'collage is not just a technique; it represents an approach to reality.'
Penny Slinger I Hear What You Say (1973, Photomontage ) Penrose Collection, Sussex
Slinger's photomontage sequence I Hear What You Say | I See What You Mean | Read My Lips (1973) interrogates our approach as viewers/ consumers by collaging parts of the body, creating contradictory frames within frames of internal reference. Initially this fleshy exposure seems to mirror the crudeness of advertising. However, these collaged elements are positioned to play with the idea of being able to read, hear, see and interpret the feminine. The ambiguity of desire and control is juxtaposed with direct means of communication. Using increasingly sexualised visual language to reclaim meaning is a tactic employed by many contemporary artists, often with momentary effect. Here the question is more subliminal, encircling the viewer in their own truth of body and mind, the possibility or impossibility of being seen, heard or understood inside the dominant culture. Linder's Pretty Girl (1977, magazine and collage) juxtaposes images of soft-core pornography and household appliances, bringing them equally into the foreground as 'objects of desire.' Linder's collage instantly makes its point, infiltrating and subverting the language of mass media consumption. This is art with something to say, above and beyond artistic persona, celebrity or brand.
Kurt Schwitters (1887-1948) articulated how the practice of collage redefines the artist; 'The medium is as unimportant as myself. Essential is the forming. Because the medium is unimportant, I take any material whatsoever if the picture demands it. When I adjust materials of different kinds to one another, I have taken a step in advance of mere oil painting, for in addition to playing off colour against line, form against form etc. I play material against material.'
That material can also be material reality. This provocation of possibility is what excites me most about this artform, from the fantastical collage novels of Max Ernst to the stitch form self-portraiture of Annegret Soltau.
Annegret SOLTAU (b.1946) GRIMA – Selbst mit Katze (der Schrei) / GRIMA – Self with cat (the scream), 1986 C-print © DACS 2018. Courtesy of Richard Saltoun Gallery
It's interesting to see the pre- modern history of collage (1550-1900) including silhouette portraiture, scrapbooks, early photomontage, botanical clippings, flapbooks, boxed/ dressed engravings and tinsel prints presented in the show. The presence of these works, combining craft practices with expanding knowledge and advancing technology, inform perception of later works. This is particularly true when the idea of traditional 'female accomplishments' is ripped apart and reconfigured, as in Annegret Soltau's GRIMA- Selbst mit Katze (der Schrei) /GRIMA-Self with Cat (The Scream) (1986 C-print). Pauline Boty's Untitled (c1964, Collage, gouache on paper) is a great metaphor for this type of agency, emergent in the work of unsung female artists throughout the exhibition. In Boty's Untitled collage, use of Victorian engravings recalls the work of Max Ernst, divided and conquered by vivid blue gouache and a female hand, sharpened by red nail polish and poised to sever the head of a female child in period dress with a pair of scissors. In the foreground a promenade of exotically lush vegetation leads the eye to a vanishing point beneath a god-like hand of action. As Boty suggests in Ken Russell's 1962 44 min film Pop Goes the Easel, her collages often capture a moment before something is about to happen, which may be humorous or tragic. Pop Art is often packaged in the gift shop as bright and shiny, succumbing to the very forces it seeks to expose, however Boty's work presents a different slant on a movement which she helped found in Britain. The hand shown in this small collage amplifies the authenticity of her voice, asserts the role of the artist/ activist and subverts the traditional, belittling relationship between Craft and Fine Art, female artists and male 'masters.'
Valentine Penrose La Strategie Militaire /Military Strategy (c1934, collage on paper) Penrose Collection, Sussex
The subversive nature of collage also leaps from the open page of Surrealist Claude Cahun and Marcel Moore's Aveux non avenus- Disavowals (1930). It's a text that reimagines the autobiography / artist memoir in a non- linear way, fluidly testing ideas of gender and identity. Valentine Penrose's collage book Dous des Feminines / Gifts of the Feminines (1951) is displayed in the same section, a deliberate counterfoil to Max Ernst's collage novels on the part of the artist, centring on female relationships, sexuality and experience. Her nearby collage, La Stratégie Militaire / Military Strategy (c1934, collage on paper) sees the head and torso of a classical marble statue positioned inside a piece of ridiculously Baroque furniture, as if sitting in a bath. Hovering askew over a mountainous chasm, with the fragment of a map dangling from one finger, the traditional embodiment of power is rendered precarious, attended by a blank faced figure in robes gazing upwards towards authority. The composition lampoons its subject, but it is also a very knowing refraction of absurd inequality in the real world. Here, Surrealism isn't escapist male fantasy, but heightened reality, exposing truth.
Edith Rimmington The Family Tree (1938, Photomontage with gouache) The Murray Family Collection, UK and USA
The Family Tree(1938) by British artist, poet and photographer Edith Rimmington (1902-1986) is another illuminating dreamscape in that respect. The use of photomontage and painting is seamless, delivering a powerful perspective on generations, extending to infinity on a jetty over dark, primordial waters. A snake is entwined around the left-hand line of a double link metal chain, not so much bound together as lain side by side. The presence of the serpent feels like an ironic reference to Eden's mythic fall, male and female bound together in 'the' singular family tree of humanity. The eclipse which lights our way could be sun, moon or a pinhole camera, in a timeless progression of darkness and light. It's an incredibly strong, mysterious composition that ignites the imagination and provokes curiosity about Rimmington's oeuvre. Given the year it was created, and the spirit of unrest prevalent in the whole image, this iron chain feels prophetically encoded. Disarming beauty and essential protest permeate this show and it's an absolute pleasure to see so many works by relatively unknown artists announce themselves. Rimmington subverts expectations of the title/ subject to a remarkable degree, with an enviable command of the artform. Any backward notion of feminine accomplishment is eclipsed entirely by this work. The artist's sense of agency, intuition and determination is palpable. That's the joy of this show- reconnection with art empowered, in spite of the spin that surrounds us.
Cut and Paste: 400 Years of Collage Exhibition Catalogue. National Galleries of Scotland, Edinburgh 2019. Front cover Max Bucaille (1906-1996) Alice au pays de poissns et des marguerites, 1947. The Murray Family Collection UK and USA.
https://www.nationalgalleries.org/exhibition/cut-and-paste-400-years-collage
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Posted in 1920s German Art, 1930s German Art, Annegret Soltau, British Pop Art, Carolee Schneemann, Collage, Collage Art, Cut and Paste, Cut and Paste 400 Years of Collage, Dada, Edith Rimmington, Feminist, Feminist Art, Hannah Höch, John Heartfield, Kurt Schwitters, Linder, National Galleries of Scotland, Pauline Boty, Penny Slinger, Photomontage, Pop Art, Raoul Hausmann, Scottish National Gallery of Modern Art, Self Portrait, Surrealism, Surrealist, Valentine Penrose, Weimar Period	| Tagged 1920s German Art, 1930s German Art, Annegret Soltau, British Pop Art, Carolee Schneemann, Collage, Collage Art, Cut and Paste, Cut and Paste 400 Years of Collage, Dada, Edith Rimmington, Feminist, Feminist Art, Hannah Höch, John Heartfield, Kurt Schwitters, Linder, National Galleries of Scotland, Pauline Boty, Penny Slinger, Photomontage, Pop Art, Raoul Hausmann, Scottish National Gallery of Modern Art, Self Portrait, Surrealism, Surrealist, Valentine Penrose, Weimar Period	| Leave a Reply
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Former Notre Dame running back Allen Pinkett said he and play-by-play man Don Criqui are out as the radio broadcast team for the Fighting Irish.
Pinkett has been doing the national radio broadcasts for Notre Dame since 2001. He began as an analyst with play-by-play man Tony Roberts, who was replaced in 2006 by Criqui.
In April, Notre Dame announced a deal with JMI Sports that included national radio rights. JMI wants something different, Pinkett told the South Bend Tribune.
"Their plan is they want someone more local -- like 'live in South Bend' local -- because they want to do some packages during the week, and they wanted somebody who was there," Pinkett, 54, said. "So it was a good run. I feel privileged to have had the opportunity to do it since 2001, but this thing comes to an end, so I just wish whoever's going to do it next the best of luck."
Criqui, 78, also a Notre Dame alum, called NFL games for 47 years on NBC and CBS.
Notre Dame opens it season on Sept. 1, when it will host Michigan. A new radio broadcast team has not been announced.


Since this equipment is often installed on walls and roofs, it must be placed in a location that will not cause excess noise for neighbours. As well, mechanical equipment needs to be regularly maintained to work efficiently and quietly.
Depending on the location in the City – and the time of day or night – there are noise limits. An inspector will take a noise reading if you feel the noise is excessive.


Some assembly shops create large one-of-a-kind structures while others are primarily involved in production runs and just-in-time delivery schedules. Regardless of your type of shop, all assembly shops face the same challenges including competitive bidding and managing tight profit margins.
Another hot button for assembly shops is realistic scheduling. They need to be able to run all their jobs through the shop efficiently.
E2 is flexible enough that assembly shops are able to get their quotes out fast, schedule their jobs efficiently and track their costs effectively. At the end of the day they will see exactly which jobs and customers are the most profitable.
E2 is also a great fit for assembly shops when it comes to dealing with customer changing due dates and/or quantities. Since everything is integrated with E2, any change in the work order automatically updates material requirements and scheduling workload.


The Ann Arbor Housing Commission has been provided $382,000 of operational support through action taken by the Ann Arbor city council at its June 17, 2013 meeting.
The additional funding, according to a staff memo accompanying the resolution, is needed in order to mitigate against the impact of federal sequestration. The memo puts that impact at about $300,000 less for public housing and $50,000-$75,000 less for capital funding.
Of the total amount, $159,000 is appropriated from the city of Ann Arbor's affordable housing trust fund, and $223,000 would be appropriated from the general fund. The housing and human services advisory board had voted to recommend the $159,000 be appropriated from the city's affordable housing trust fund.


This year marks the 30th anniversary of Asian Improv aRts, a nonprofit that produces, presents and documents artistic works that represent the Asian American experience. To celebrate, co-founder Francis Wong is teaming up with longtime collaborator Tatsu Aoki, founder and artistic director of Asian Improv aRts Midwest, to present Asian Improv Nation, a special ensemble made up of leading Chicago and San Francisco artists with special guests from Los Angeles and Tokyo. Featured from Chicago will be bassist Aoki, taiko (Japanese drum) performer Kioto Aoki and woodwind specialists Mwata Bowden and Edward Wilkerson, Jr. From San Francisco will be saxophonists Wong, hammered dulcimer virtuoso Yangqin Zhao, taiko drummer Melody Takata and trapset drummer Deszon X. Claiborne. From LA will be tuba performer William Roper. Shamisen (three-string lute) grandmaster Chizuru Kineya will travel from Tokyo for this special event. Through this performance, Aoki and Wong will make audible their shared decades-long exploration at the nexus of traditional Japanese and Chinese music and improvised music.


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For some areas this may be the only option available for shipping from USA.


text:
Q: How to manage BottomNavigationView backstack in Android Navigation Component I am using navigation component and BottomNavigationView, i am facing a problem, that is when i go to from fragment 1>2>5>4>3 and when i press back button i get fragment 1. I know this is the default behavior but i don't want this, i want to save them in backstack so when i press back button it should go to fragment 4 not 1. I have been  trying and searching but i couldn't find any solution. Can i put fragment manually into backstack in kotlin?
My code:

activity_main.xml

<androidx.constraintlayout.widget.ConstraintLayout
           .......................
           .......................>

            <androidx.appcompat.widget.Toolbar
               ................
               ................/>

            <fragment
                android:id="@+id/app_nav_host_fragment"
                android:name="androidx.navigation.fragment.NavHostFragment"
                android:layout_width="0dp"
                android:layout_height="0dp"
                app:defaultNavHost="true"
                app:navGraph="@navigation/app_nav"
                ..............
                ............../>
            <com.google.android.material.bottomnavigation.BottomNavigationView
                android:id="@+id/app_bottom_nav_view"
                android:layout_width="0dp"
                android:layout_height="wrap_content"
                android:background="@drawable/white_grey_border_bottom"
                app:menu="@menu/bottom_nav_menu"
                app:labelVisibilityMode="unlabeled"
                ...........
                .........../>

</androidx.constraintlayout.widget.ConstraintLayout>

app_nav.xml

<navigation
    ...........
    ...........
    android:id="@+id/app_nav"
    app:startDestination="@id/homeFragment">

    <fragment
        android:id="@+id/homeFragment"
        android:name="com.example.instagram_clone.ui.HomeFragment"
        android:label="HomeFragment"
        tools:layout="@layout/fragment_home"/>
    .............
    .............
    .............
    .............
</navigation>

MainActivity.kt

class MainActivity : AppCompatActivity()
{
    override fun onCreate(savedInstanceState: Bundle?)
    {
        super.onCreate(savedInstanceState)

        val binding  = DataBindingUtil.setContentView<ActivityMainBinding>(this, R.layout.activity_main)
        val bottomNavView = binding.appBottomNavView
        val navController = findNavController(R.id.app_nav_host_fragment)

        bottomNavView.setupWithNavController(navController)

    }
}

A: As per the documentation on onNavDestinationSelected() (the method that setupWithNavController() uses when selecting a MenuItem):

By default, the back stack will be popped back to the navigation graph's start destination. Menu items that have android:menuCategory="secondary" will not pop the back stack.

So just add android:menuCategory="secondary" to each of the menu items used with your BottomNavigationView.


I offer affordable and creative websites in both English and Spanish. Aside from enjoying what I do, my rates are competitive and I complete projects in a timely fashion. E-commerce, Customized Programming, Graphic Design and Automated Emails are just a few of my specialties.


text:
International Studies at AUD cultivates globally aware citizens who are ready to address various social, cultural, and political challenges in order to succeed in the region and internationally.
APPLY NOW! Download Brochure
The Bachelor of Arts in International Studies (B.A.I.S.) degree empowers students to critically evaluate international affairs from an interdisciplinary perspective while preparing them for professional careers or further graduate study. BAIS students learn to engage the world around them through a challenging course of study that blends history, political science, economics, anthropology, and sociology. They specialize in International Relations, International Development, or Middle Eastern Studies.
BAIS Graduates are found in government service, international organizations, the private sector, and graduate schools in Europe and North America. This degree is particularly designed for students with a passion to solve complex social, economic, political and environmental problems and create positive change in their communities and the world. At AUD we capitalize on Dubai's international nature to inspire students to gain a deep understanding of the dynamics and forces shaping our globalizing world.
Upon completion of the degree program, students will be able to:
Communicate effectively both orally and in writing at an intermediate level in a language other than English;
Demonstrate understanding of the connections between culture, business, economics, and politics;
Apply the principles of political science to analyze key topics in international affairs and the interconnection between local and global geo-political issues and events;
Synthesize fundamental tenets of business and economics with increased awareness and basic understanding of how international corporations and global markets operate;
Critically examine personal values, religious beliefs, social norms and issues coming from diverse cultures, world views, and experiences;
Identify historical events, issues and themes which have shaped current world conditions.
The International Studies program at AUD is interdisciplinary in every way. It addresses an increasingly urgent set of global concerns by instilling in its graduates transferrable skills, including critical thinking, data analysis, research, and writing. Our graduates continue to prove highly successful in attaining post-graduate positions in some of the best European and American graduate schools; they also become leaders in the marketplace, regionally as well as internationally.
The 124-hour, 4-year program allows students to select a specialization from one of three tracks:
All students must meet the following credit hours to complete the degree.
Course Classification
Credit Hours Required
International Relations Track
International Development Track
Middle Eastern Studies Track
International Studies Core
International Studies Core Languages
Track Electives
General Electives
For the full course details and sequencing view the e-brochure.
Located on the main campus of AUD, the School of Arts & Sciences is conveniently positioned in the center of campus, within the cafeteria and food court buildings, and houses a gym, library and many other facilities.
ADMISSIONS ENTRY
All applying students must have:
A high school/secondary school certificate or equivalent from an institution accredited by the Ministry of Education in the U.A.E. or by the relevant national or regional institutional accrediting body;
International TOEFL®or Academic IELTSTM or the equivalent score on another internationally-recognized English exam. PBT is accepted from specific centers in the UAE;
The University administers the ACCUPLACERTM Exam (Math) to place students at the appropriate mathematics level. Students may substitute the SAT for this, depending on the score.
Students should consult with the Admissions Office for further details at admissions@aud.edu.
Graduates of International Studies go on to pursue further study or careers in various sectors, including:
Security and Intelligence
Research and Policy Think Tanks
Journalism- International Reporting or War Correspondent
Dean of the School of Arts and Sciences and Associate Professor of Political Science
Elham Seyedsayamdost
Chair of the Department of International and Middle Eastern Studies and Associate Professor of Middle Eastern Studies
Matthew Burtchaell Ingalls
Professor of Middle Eastern Studies
Farid Al-Salim
Graduate Program Director of the Master of Arts in International Affairs (MAIA) & Associate Professor of Political Science
Omar Bortolazzi
Deniz Gökalp
Assistant Professor of Anthropology
Indrakshi Tandon
I can undeniably say that taking courses like International Development, Globalization, Geopolitics, and Contemporary Historical and Political Issues provided me with the right analytical and critical thinking tools vital to understanding today's world


text:
Satenik () or Satana was the name of the princess who married Artashes, the king of Armenia. Their love story, known as Artashes and Satenik, is presented by the Armenian historian Movses Khorenatsi in his History of Armenia. Movses noted that the story, which he directly quotes from, was a well-known epic during his time among the common people of Armenia told by traveling storytellers and minstrels.

Background
Artashes, whose name is also seen in the Greek form as Artaxias, had risen to the throne of Armenia in around 189 BC and was recognized as such by both Rome and Parthia. The invasion of the Kingdom of Armenia by the Alans during the reign of King Artashes I (189–159 BC) serves as the backdrop of the romantic tale between Artashes and Satenik. Following their conquering of the lands of Iberia, the Alans moved further southwards, crossing the Kura River and, effectively, into Armenia. Artashes gathered a large force to meet the Alanian threat and a fierce war took place between the two sides, resulting in the capture of the young son of the Alanian king. The Alans were forced to retreat back to the Kur river and there they set up a base camp on the northern side of the river. Meanwhile, Artashes' army pursued them and established their camp on the southern side of the Kur. The Alanian king asked for an eternal peace treaty to be concluded between his people and the Armenians and promised to give Artashes anything he wanted so long as he would release his son, but the Armenian king refused to do so.

Romance with Artashes
At this time, Satenik came near the shore and, through an interpreter, called on Artashes to release her brother:

Hearing these words, Artashes traveled down to the river and upon seeing Satenik, was immediately captivated by her beauty. Artashes called on one of his close military commanders, Smbat Bagratuni, and confessing his desire for Satenik, expressed his willingness to conclude the treaty with the Alans and ordered Smbat to bring her to him. Smbat dispatched messengers to the Alanian king, who gave the following reply:

Artashes remained undaunted and instead sought to abduct Satenik since bride abductions were considered more honorable during this period than formal acquiescence:

Marriage
Following Satenik's abduction, Artashes agreed to pay to the Alans vast amounts of gold and red leather, the latter of which, was highly valued material among the Alans. With this, the two kings concluded a peace treaty and a lavish and magnificent wedding took place. Movses stated that during the wedding a "golden shower rained down" on Artashes and a "pearl shower" rained down on Satenik. It was a popular tradition among the Armenian kings, according to Movses, to stand in front of the entrance of a temple and drop money from above his head and to shower the queen's bedroom with pearls. They had six sons: Artavasdes (Artavazd), Vruyr, Mazhan, Zariadres (Zareh), Tiran and Tigranes (Tigran). The Artashesyan, or Artaxiad, dynasty lasted until the beginning of the next century, expiring in around 14 AD.

Later life
The later relationship between Artashes and Satenik remains largely unknown. Early on in History of Armenia, Movses had stated that Satenik had fallen in love with Argavan, a descendant of a race of dragons (vishaps, in Armenian), but the remainder of the story that was sung by the minstrels is missing and believed to be lost.

Bibliography

Notes

Alanic women
Armenian queens consort

redpajama_set_name: RedPajamaWikipedia


A few weeks ago, I made a batch of hot sausages and sauce for a weekend trip to the mountains. It was an easy recipe to put together for a group of friends to make sandwiches with and then to have on another day with pasta. I love dishes that you can throw a mix of ingredients together and bake in the oven. Another idea was to have the sausages heated up and served with eggs for breakfast!
I bought 10 sausage links (mild) and sautéed them on the stove in a tablespoon of olive and vegetable oil. I wanted the links to be slightly crispy on the outside and finish cooking in the oven.
In a large pan, I combined 2 onions (sliced), 2 green peppers (sliced), 1 large can of tomato paste, 2 large cans of tomato sauce, 1 tbsp parsley, 1/2 tsp baking soda, salt, pepper, 1 large can of mushrooms and then added the sausage and grease into the mix. I added a pinch of garlic salt and 1/2 tsp of red pepper flakes on top of the sausage links and baked at 350 degrees for 2 hours. Stirred occasionally.
I bought hoagie buns from the bakery and a block of extra sharp cheddar cheese to grate for the top. To make this sandwich even better, butter your favorite bread or bun, toast in the oven, pile on the sausage links, sauce, cheese and broil until you get a combination of crispy and gooey! Yummy!


text:
Tom Polo Portrait by Maja Baska.
Mitch Cairns, One half of a woman's waitline repeated, 2010, oil on linen, 100 X 120cm. ArtBank.
Sally Anderson.
Tom Polo, All she needs, 2014, acrylic and Flashe on canvas, 70 x 50 cm.
Sally Anderson at the Cité Internationale des Arts in Paris, 2018.
Brett Whiteley Travelling Art Scholarship 20th anniversary
Art + Travel
The Brett Whiteley Travelling Art Scholarship turns 20 this year and Steve Dow took this opportunity to talk to three recipients, Tom Polo, Mitch Cairns and Sally Anderson, about travelling to Paris and the impact of the scholarship on their painting practices.
by Steve Dow
Western Sydney artist Tom Polo has been installing The Most Elaborate Disguise for The National exhibition at the Art Gallery of NSW. This suite of 40 paintings plays with notions of portraiture in psychological spaces. Polo created these works on paper in 2016, during his three-month residency at the Cité Internationale des Arts in Paris as a recipient of the Brett Whiteley Travelling Art Scholarship.
Polo stayed in Europe for six months. Paris was followed by a shorter professional development residency in London, where he made art in an Acme Studios space for six weeks, and he also travelled to Italy. Being awarded the Whiteley scholarship, which is celebrating its 20th anniversary in 2019, "was a nice opportunity to stop and reconsider what it meant to be practising, as someone who works largely in painting," he says.
"I never questioned or had a doubt [about painting], but I thought, 'What do I want to do with my work?' The best thing about the scholarship is it gives you the time and space. It's an incredible privilege to be focusing on what you're interested in."
While in Paris, Polo also researched a collection held by a foundation dedicated to French painter and sculptor Jean Dubuffet, whose influence can be seen across Polo's work. Polo says he is interested in Dubuffet's notion that the world is all there in the canvas. "In flat, undistinguishable space, the whole of the world is contained," explains Polo.
Tom Polo, The Most Elaborate Disguise (15), acrylic and Flashe on paper. Image courtesy the artist and STATION. Copyright the artist.
Work by all 20 young Australian artists who have been awarded the Whiteley scholarship to date has gone on show at the S.H. Ervin Gallery in Sydney. The show also includes the four artworks that gained Whiteley the Italian Government Travelling Art Scholarship in 1959: Abstract Autumn, Dixon Street, July, and Around Bathurst, all painted when he was around 20 years old.
The Paris-based Whiteley scholarship was created in 1999 with an endowment from Brett Whiteley's mother Beryl in recognition of how her son benefitted from studying the likes of Duccio and Piero della Francesca in Rome before heading to London, where the attention he gained at the landmark 1961 exhibition Recent Australian Painting at the Whitechapel Gallery launched his international career. The Tate Gallery purchased the young Whiteley's work Untitled red painting, 1960, from this exhibition.
The scholarship created in Whiteley's name also comes with funding (currently $40,000 AUD) to help an artist stay in Europe for an additional three months after the three-month Paris residency.
The scholarship is open to Australian painters aged 20 to 30 years old. Born in 1985, Polo just made the age cut-off when he was awarded in 2015, but that life experience had given him a set of methods. "I use conversations with somebody that I know or something that I've overheard as a departure point in the work," he explains.
Did the Whiteley scholarship experience change anything about Polo's artistic practice? "It just gives you a sense of confidence to trust what you're interested in; this idea of looking and responding as an inherent act of who we are."
Paris is still "an example of a city that matters" says Polo. But he adds, "Artists can and should still be looking as widely as possible."
Mitch Cairns, born in 1984 in Camden, south-west of Sydney, was awarded the Whiteley scholarship in 2012. Judge Del Kathryn Barton praised the "sensitivity of surface, composition and of paint" in his winning body of work. Yet when he arrived at the Cité Internationale des Arts in Paris, Cairns says he didn't want to paint.
Mitch Cairns, Agatha Gothe-Snape, oil on linen, 140.5 x 125 cm © the artist. Photo: Mim Stirling, AGNSW.
"I knew that my studio practice wasn't able to do much with a three-month painting window. So I drew a lot, and made lots of lino cuts, and wrote a suite of poems which, on returning to Sydney, I worked with a screen printer to exhibit." Those printed poems are on display at the S. H. Ervin exhibition.
Is Paris still an important city for artists? "Obviously it depends on each artist," says Cairns. "My principal memory is it was a bit of a beautiful, antique European city. Paris definitely is crucial to understanding modern art and pre-modern art, but I was confused as to whether it was pivotal in terms of contemporary practice… In terms of its importance today, I'm pretty sure that's a question that will always be in flux."
Cairns used Paris as an archive. "I was unsure what to do when I got to Paris; I forgot. There was a buffet of post-impressionist painting there, which I encountered during art school I had a strong affection for. That was mainly the thing I pursued, as well as the history of posters and printmaking. Paris was certainly fruitful as a specific site with access to collections, which would be impossible to do from afar."
In addition to a side-trip to Berlin, Cairns rented a little cabin in the woods of Ireland's west coast with his partner, artist Agatha Gothe-Snape, whom Cairns painted in his winning 2017 Archibald Prize entry. There, he drew and wrote.
Sally Anderson, born in Lismore in northern New South Wales in 1990, was awarded the Whiteley scholarship in 2017. She knows "for sure" her experience in Paris will impact her work. She made one of her three works on display at the S.H. Ervin, Sydney's Banksia in Paris, 2018, while there. She started a lot of paintings there, but she was keen to absorb the city rather than be stuck in a studio.
Anderson's partner, artist Guy Maestri, and their then four-month-old son August, accompanied her on the trip. Maestri also set up a Paris painting studio. The family of three later spent time in London while the Frieze art fair was on, and viewed a lot of contemporary art at commercial galleries. "In Paris, while they speak a lot of English, you're still intimidated going into galleries. In London, it was great. I saw a huge show of Irish artist Sean Scully's work, which I love."
The trio also went to Italy, mostly Florence. "It was pretty full-on," says Anderson of taking their newborn. "His sleep dictated how long we could spend in places, but it was great."
A painting from the body of work that won Anderson the scholarship, Dilling's Bromeliads with Gullfoss Falls, 2016, is on display at the S. H. Ervin. It carries a large flower detail beneath a postcard-type waterfall image. "A lot of my work talks about how landscape and objects can hold and trigger memory and experience," says Anderson. "The bromeliad for me is symbolic of an emotional time I went through … but art allows other people to bring their experience to it."
Sally Anderson, Dillings Bromeliad with Gullfoss Falls, 2017, acrylic on board.
In Paris, Anderson saw originals of Monet's water lilies for the first time. "I saw a lot of Picasso's works and there were rooms devoted to studies of his works, and Matisse and Édouard Vuillard, an artist I'd never heard of. The Brancusi studio has informed my desire to make three-dimensional work, which hadn't been on my radar before. You're constantly surprised."
For the young artists stepping into Whiteley's shoes, Paris's strength as a city will always be debated. Just like the ever-present question of whether painting is dead, the answer, of course, is that the City of Lights still matters – particularly as future scholars find a gateway to Europe and fresh inspiration and mediums for their art.
The Whiteley at 20: Twenty Years of the Brett Whiteley Travelling Art Scholarship
S. H. Ervin Gallery
22 March – 5 May
Bruno Booth: Hostile Infrastructure
Bruno Booth's latest work is the installation Hostile Infrastructure, created with the idea of showing what navigating day-to-day life is like for someone who uses a wheelchair.
Nadiah Abdulrahim
Podcast: Gunybi Ganambarr on creating, building and etching
Since embarking on a creative path only a mere 15 years ago, Yolŋu artist Gunybi Ganambarr has been continuously praised for his weaving of Indigenous forms and traditional stories with a contemporary sensibility.
Tiarney Miekus


Ryanair, Poland's No.1 airline, today (5 Sep) launched its biggest ever S 2019 schedule, during which it will base 2 new aircraft at Modlin and Krakow, and add 17 new routes, with 210 routes in total, which will deliver 12.5m customers p.a. through Ryanair's 13 Polish airports next year, as Polish traffic grows 4%.
Over 9,000* "on-site" jobs p.a.
Ryanair's charter airline, Ryanair Sun, continues to grow strongly, carrying 700,000 customers in S 2018 season while currently negotiating a wider charter programme for S 2019 with Poland's leading tour operators.
"Ryanair is pleased to launch our biggest ever Poland S 2019 schedule with 210 routes, including 17 new routes to exciting destinations such as Barcelona, Bordeaux, Hamburg and Marseille. Our S 2019 schedule will deliver 12.5m customers p.a. to/from our 13 Polish airports, all at the lowest fares, as we continue to grow Polish routes, traffic, tourism and jobs.


text:
Variable Hawk Mantled Hawk
Black-chested Buzzard-Eagle Geranoaetus melanoleucus
Order: Accipitriformes
Authors: Robby M. Brower and Robbie L. Thorson
© Dominic Garcia-Hall
Black-chested Buzzard-Eagle is one of the commoner large hawks in South American alpine steppe, mountains, grassy plains, and open woodland. It ranges in the Andes from northern Colombia south to the tip of Tierra del Fuego, and also is found in the pampas of Argentina north into the grassland ecosystems of southeast Brazil. Mammals account for almost 95% of its prey, which it searches for on the wing. The buzzard-eagle is particularly reliant on the introduced European Rabbit; in one study this animal alone accounted for 44% of its prey items and 82% of its biomass intake. The flight profile of adult Black-chested Buzzard-Eagle is highly distinctive: it has long wings that appear very tapered due to the broad wing bases (elongated secondaries) and short, wedge shaped tail. Though distinctive as an adult, the juvenile plumages can be quite variable and must be separated with care from young Variable Hawk (Geranoaetus polyosoma).
Lance Benner
Magallanes, Chile
© Lance Benner
Brower, R. M. and R. L. Thorson (2013). Black-chested Buzzard-Eagle (Geranoaetus melanoleucus), version 1.0. In Neotropical Birds Online (T. S. Schulenberg, Editor). Cornell Lab of Ornithology, Ithaca, NY, USA. https://doi.org/10.2173/nb.bcbeag1.01


text:
Q: Split a file into smaller once of different lengths in unix I have a big file of 11GB and I am doing some operation on the contents. Due to limitations in storage capacity of account I had to split the file into smaller once. Out of the many operation I do there is a duplicate removal. I am spliting the file into 4L records each. The problem lies when a duplicate record falls into 2 different file because of spliting. This was when I finally merge all the files It still has some duplicates.
For Example file big.txt has
aa
bb
cc
cc
dd
dd
ee
ff
ff
hh

If I split into smaller once of l=5 each. I will have 2 files
aa.txt containing
aa
bb
cc
cc
dd

ab.txt containing
dd
ee
ff
ff
hh

On removong duplicates from aa.txt and ab.txt I will have
aa
bb
cc
dd

and
dd
ee
ff
hh

No as I merge then I will have
aa
bb
cc
dd
dd
ee
ff
hh

So duplicate record for dd still exists. Its was because they fell into 2 diffrent files.

A: This will return only unique lines without having to sort.
perl -ne 'print unless $seen{$_}++' big.txt
See https://unix.stackexchange.com/questions/11939/how-to-get-only-the-unique-results-without-having-to-sort-data for more information.


text:
Music Makes the World Go Round
Since 2006, The Seed Project has been reaching out to the Trafford community to bring people together around a love of music.
Initially started as part of Mental Health Support organisation BluSCI, they became independent in 2013. The bulk of The Seed Project's work focuses around three music studios across Trafford where the community can come and get involved in music projects, learning new skills and producing new music. The main aim of the group is to increase the wellbeing and connectedness of their local community.
The Seed Project trains local musicians to become volunteers and share their skills with others in exchange for studio time, as well as musicians supporting other groups and putting on shows for the elderly in nursing homes. Community sessions have been run in association with other organisations such as The Royal Northern College of Music and professional bands like Maximo Park! All in all it's a bright, buzzing, creative place to be, with members ranging in age and background all connecting over a love of music.
Most recently Forever Manchester supported the group to bring classical music into the community. Musicians from The Royal Northern College of Music came to the groups to teach composition and help members to write their own classical music. These original pieces were then performed for the public at Manchester's Central Library. The project was a great success and allowed the group to increase their confidence in classical music as well improving their mental wellbeing with increased confidence and new friendships. One member said: "When you're playing your guitar on your own at home, you can get so far with it. It's good having interaction with people, it enables me to have a release, and it's like a challenge for me."