A special live episode of Geek Devotions where we talk about the awkwardness about Good Intentions found in Jurassic Park 3. Have you done something you thought was a good idea only to realize it wasn't? How do we avoid that?
Dr. Grant and Billy discovers a series of velociraptor nests and naturally is not happy about the situation. He warns his companions to stay away from them and that they need to get off the Island as soon as possible. However, Billy saw something different, he saw an opportunity. Billy decides to take some because he wants to be able to use them to raise money to save their work.
This was a sound idea in his eyes, but there were things he didn't think of. What he didn't realize was that by taking the eggs, he put the entire group in more danger than they already were. When Dr. Grant realized what happened he immediately questioned Billy. Billy explained that he had good intentions, but these good intentions had led to a rather awkward situation.
God has a way of seeing through the things to the true intentions of man. Sure you may be coming to the situation with what appears to be good intentions, but the Lord sees beyond what appears to be good intentions to you. So what do we do? How do we go about making plans for life and ensure that our good intentions are God's intentions?
Here we see that the key to making plans and ensuring that our good intentions are God's intentions is submitting them to the Lord. The question then is how do we do that? How do we connect to Him and allow Him to direct our decisions? In this episode, we discussed 3 steps to doing so.
Seek God in prayer, through times of fasting, and in the scriptures. These are essential spiritual disciplines for Christians and are key to seeking God's direction. So what happens if you've been steadily doing these things but you're still unsure what you should do? If these 3 things are key to finding God's will, and you've been active in them then chances are you are in God's will, so choose one.


text:
Q: OAuth2 auth on postman when token at hand How to configure postman when you already have a token/bearer key at hand?
Was hoping it would be somewhat similar with seting up an OAuth2.0 authentication with SoapUI that you can just input the bearer/token key.

A: If you have an access token, you can configure POSTman by setting up a custom Authorization header.  Setup:
Authorization: Bearer <accessToken>

And if the API you are accessing supports bearer tokens, and you are providing a valid access token, then it should work.

redpajama_set_name: RedPajamaStackExchange


Location, Location, Location is what sets this Charming Colonial apart from the rest. Approximately 1 mile to either the Purdy's Train Station or Golden's Bridge Train and to 684 making this a perfect location for Public Transit and shopping. Mature acre of property backing up to Salem Chase Green Space gives you a neighborhood setting with plenty of privacy in what used to be the location of the Guggenheim Family Farm. Home Features A large formal living room with fireplace, family room off kitchen, formal dinning room, master bedroom with full bath and 2 other nice size bedrooms. With some TLC this Home is waiting for your family to make it your own.


You must now create the 3 navigation buttons that you had sketched in AO2.
You can use images from the internet and edit them to make your navigation buttons.
If you check out the example video, you can see how it can be done.
To see videos on how to use the tools in Fireworks check out our Fireworks video tutorials in the menu or click here.
Below is an example of how a pupil has done them.
Posted in OCR and tagged Ao4, icons, navigation buttons, unit 21.


text:
Federico Andahazi
Showing 1 - 1 of 1 annotations associated with Andahazi, Federico
The Anatomist
Andahazi, Federico
Last Updated: Oct-21-2002
Humor and Illness/Disability
Scapegoating
This historical novel is set in 16th century Venice, where the great anatomist and physician Mateo Colombo has just been charged with heresy and placed under house arrest. The book proceeds in a series of short frames or fragments, presenting Colombo's story from a wide variety of perspectives, ranging from the perspective of Mona Sofia, the most prestigious whore in Venice, to that of Leonardino, the crow who waits each morning to scavenge an eyeball or piece of flesh from one of the anatomist's cadavers.
What is Colombo's heresy? True, he has consistently violated the Papal Bull of Pope Boniface VIII that forbid obtaining cadavers for dissection, but his scholarly eminence and friendship with Pope Paul III have protected him from recrimination. His heresy is far worse than simply ignoring a Papal Bull; in fact, Mateo Colombo has discovered a dangerous new anatomical structure, the clitoris!
Mateo was called to the bedside of an unconscious holy woman named Inés de Torremolinos. In the process of examining her, the physician was amazed to discover "between his patient's legs a perfectly formed, erect and diminutive penis." (p. 105) He took hold of the strange organ and began massaging it. As he did so, there was an amazing response in his patient: "(Her) breathing became hoarser and then broke into a loud panting . . . Her lifeless features changed into a lascivious grimace . . . " (p. 107) Subsequent research undertaken with Mona Sofia, the resplendent whore, as well as with cadavers, confirmed the significance of Colombo's discovery.
At his hearing before the High Tribunal, Colombo explains his findings, which are far too complex and subtle to summarize (pp. 138-165). The finding of greatest interest, however, is that "there is no reason to believe that there exists in women such a thing as a soul." (p. 151) In fact, Colombo contends he has proven that the "amor veneris" or clitoris performs in women "similar functions to those of the soul in men, " although its nature "is utterly different since it depends entirely on the body." (p. 153)
You'll have to read the book to discover what the verdict of the High Tribunal of the Holy Office was and Mateo Colombo's fate.

redpajama_set_name: RedPajamaCommonCrawl


this week's theme was animals. I wish I was home for this week because it would be fun to use colby. however, I did jump at the opportunity to photograph this bird out side our window. it looks like spring is finally here. I hate this lens but it was the first I could find and I didn't want to waste time and allow the bird to fly away.


Inspired by the unmistakable art of Morocco, Flair's Moorish collection makes the perfect on-trend choice for elegant fashionable homes. Rich and sumptuous underfoot, they emit luxury and style with a plush cut & loop pile to give a multi-layered 3D effect. These middle Eastern influenced designs are hand finished.
All wool rugs will shed, however shedding will subside over time, depending on traffic and wear. We recommend gently vacuuming this rug once or twice weekly. When vacuuming your rug, use a brush attachment. Do not use an upright hoover or an abrasive rotary brush head as this will damage the rug pile and cause further shedding.


There are many cases where a police investigation is initiated based on anonymous information regarding alleged illegal activity at a specific location. These anonymous tips often identify an individual or group of individuals who police may eventually stop, question, and even arrest. These anonymous tips may also cause police to utilize individuals in the area who have knowledge of these suspects or the location identified by the anonymous tips.
While law enforcement are permitted to use these tactics to identify and investigate crime, the law does not permit the government to prosecute a criminal defendant without some type of corroboration from independent witness. This corroboration would need to demonstrate a sufficient level of reliability to justify law enforcement's intrusion on the criminal suspects privacy. The fourth and fourteenth amendment to the United States Constitution protects an individual's right against an illegal search and seizure. In other words, an individual has a Constitutional right to privacy unless the police have some type of reasonable suspicion or probable cause to intrude on it.
Courts utilize a totality of the circumstances analysis if the prosecution attempts to use an anonymous tip in its case against a criminal defendant. In most situations a Court will not prohibit the use of an anonymous informant where the informant provides information regarding future movements of a suspect which actually occur. The introduction of this evidence, however, would require the prosecution to produce a witness, more than likely a police officer, to testify as to his receipt of the tip and his observations based on that tip. Even if police officers observe the activity that the anonymous individual said would occur, that activity must still indicate that a crime has occurred or was occurring at the time of the stop and arrest.
The law does protect individuals who do provide law enforcement with information leading to investigations and arrest but the prosecution is not permitted to keep the identity of these sources confidential without justification. Defense attorneys are permitted to petition a Court to compel the prosecution to reveal the identity of these sources. The identity of these sources, however, is not an absolute right and the defense must demonstrate that the identity or the contents of the informant's communication with law enforcement is relevant and essential to the fair determination of a criminal defendant's trial.
In many cases police will initiate an investigation based solely on a confidential informant's knowledge of general criminal activity in a specific area. Police are permitted to utilize this information if they can demonstrate that they have relied on the confidential informant in the past and his or her information has led to subsequent convictions. In these situations it is important to keep in mind that defense counsel are permitted to test the veracity of the informant's previous reliability. The defense can compel the prosecution to reveal information regarding these previous cases and the confidential informant's role in those cases. Again, this is not an absolute right and defense counsel must make the appropriate motion to the Court to gain access to this information.
Anonymous tips and/or confidential informants often form the basis for police surveillance and search warrants. Search warrants require probable cause and without probable cause all evidence obtained as the result of a search warrant is considered fruit of the poisonous tree and inadmissible. Pennsylvania law is very clear on the use of confidential informant's and anonymous tips (See Com. v. Hall, 451Pa.201 (1973) and Com. v. Carter, 427Pa.53 (1967). If you would like more information regarding this topic please feel free to contact our office.


# Copyright (c) 2015 Hewlett-Packard Development Company, L.P.
# along with this software.  If not, see <http://www.gnu.org/licenses/>.
- How long to wait for I(puppet) to finish.
- The hostname of the puppetmaster to contact.
- Path to the manifest file to run puppet apply on.
- Puppet environment to be used.
cmd = ("%(base_cmd)s agent --onetime"
cmd += "--logdest syslog "
msg = "puppet is disabled"
msg = "puppet did not run"


text:
Q: Linux, sysfs, usb sticks and usb hard drives Is there a way to distinguish between USB sticks (flash memory) and USB hard drives via libudev / sysfs in Linux? If not, is there a way to query the hardware directly? Thank you.

A: Perhaps you could check the device subclass with a udev rule like this: ATTRS{bDeviceSubClass}=="xx". I don't know if you can accurately distinguish sticks from real drives using just the subclass though.


The intention of this essay is to reflect upon the competencies which I encountered in the business challenge autumn semester module. The team which I was placed in was given the £100 challenge. Our intention was to use the money to start a business, with a lot of market research that would generate a lot of profit. Some important competencies which enabled my group to aim at this have been recognised in the following paragraphs. They, in some ways affected the outcome of this challenge. In order to provide more insight on the challenge, an assessment of the entire module has been carried out.
A very important competency which I encountered in the challenge was teamwork. This was very crucial to the £100 challenge because in my group, all the work was done by everyone as a whole. There was no real division in the work. As a team, we had to decide on what business to carry out. I proposed that we should make and sell brownies at the student union. This was because during various visits to the student union, I saw how well students patronised other students who sold baked items there to raise funds for various purposes. Two of my group mates tried to shut this down immediately stating instead that it would be better to sell flowers, which they wanted us to buy from Manchester. This idea seemed very unrealistic to me because looking at the transportation cost alone, Well that was just a no go area. We kept on going back and forth on this issue until our fourth group mate finally met with us and suggested advertising for small local businesses. I looked at both our arguments and knowing we had to reach a compromise at some point in time, this seemed like the best deal to forge into. We decided to go with this option. I think this option was ok but I still feel we could have made a much larger profit had we decided to go with the baking idea. This is because it would have costed us nothing to bake and also to deliver unlike the advertisement business that costed us a small fortune to print and to be delivered back to us.


Top Quality Early Japanese Pressing! Heavy Grade Gatefold Cover Includes Insert With Lyrics In English & Notes In Japanese. Featuring "I Shot The Sheriff", "Willie & The Hand Jive", "Let It Grow" & More. Undoubtedly One Of The Best Albums From Eric Clapton!
Japanese vinyl pressings are highly sought after by audiophiles and collectors, due to their premium sound quality and beautifully presented packaging. The sonic quality of Japanese records is regarded as the best in the world. The covers are printed on better quality heavy stock paper. Near Mint condition original Japanese pressings are becoming scarcer — and therefore more collectable and valuable every year.


Cideries from California to the United Kingdom sent in over 160 ciders representing 15 different styles for 2016 U.S. Open Cider Championship. The U.S. Open Cider judging had an additional international touch since the final judging occurred at the Kame & Kettle Beer Works in Fonthill, Ontario near Niagara College. Judges were from Niagara College Teaching Winery, Niagara College Teaching Brewery, local cideries and restaurant owners. Judging in the U.S. Open Cider Championships is blind, and the judges do not know what ciders they are tasting.
Angry Orchard from Walden, New York was named Grand National Champion by winning 1 gold medals, three silver medals and a bronze. Their cider called "The Muse" took home a gold in the Apple Wine category.
Vermont Cider Company from Hinesburg, Vermont placed second while 2 Towns Ciderhouse from Corvallis, Oregon took home third. No cidery dominated the judging since 13 different cideries won Gold medals in 15 categories.


text:
NJ LGBT Events
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Home Content Commentary What, to Black America, is this 4th of July?
What, to Black America, is this 4th of July?
Irene Monroe
The "immeasurable distance" between Black and white America is revealed in society
This Fourth of July, Americans are being forced to see the nation's celebration for independence differently. The combination of the coronavirus pandemic, which has disproportionately affected Black Americans, and the ongoing protests in response to the police killing of George Floyd has brought attention to this nation's centuries-old history of anti-Black violence.
The death of George Floyd, a cis-gendered male, symbolizes the present face of anti-Black violence. This is just as the death of Matthew Shepard, a white gay male, symbolized homophobic violence after his murder in 1998. As a matter of fact, Floyd's death appears to be an inflection point and wake-up call for white America.
The confrontation with Black Lives Matter protestors and police during this pandemic has created the perfect storm for America's democracy to face its not-so-storied past. On the holiday this Saturday, most of us will be home with family and loved ones. We will be in front of computers or televisions, watching fireworks exploding and people singing the "Star-Spangled Banner," reciting the Pledge of Allegiance or reenacting the Continental Congress of 1776.
However, what does this year's Fourth of July mean to Black America?
The same question was asked on July 5, 1852, by Frederick Douglass. In his historic speech, "What, to the slave, is the Fourth of July?" he stated to a country in the throes of slavery the following: "What have I, or those I represent, to do with your national independence. … I am not included within the pale of this glorious anniversary! Your high independence only reveals the immeasurable distance between us. This Fourth of July is yours, not mine."
the current civil unrest is a direct result of not being heard
A century-plus later, the "immeasurable distance" between Black and white America is revealed in every metric in society—health, wealth, education and employment, to name a few. The deleterious effects of 250 years of slavery, 90 years of Jim Crow followed by 60 years of "separate but equal" rule of law, brought about the gaping disparities. The core principles in American democracy stated in the Declaration of Independence are the unalienable rights of life, liberty, and the pursuit of happiness. It's what Black America is still striving for peacefully.
However, the current civil unrest is a direct result of not being heard. The Rev. Dr. Martin Luther King, Jr. said in his Montgomery Bus Boycott speech on December 5, 1955, "The great glory of American democracy is the right to protest for right."
In 2016, San Francisco 49ers QB Colin Kaepernick protested against police brutality and racial inequality. it is the same protest that is now taking place on the streets of America and across the globe. Kaepernick kneeled instead of the mandatory standing during the national anthem. His action was seen as polarizing, un-American, and un-patriotic. But Kaepernick stood his ground—and paid a steep price for his moral stance. It was an act of patriotism.
The NFL and the Americans who opposed Kaepernick could never understand the lived reality Black and brown men face with police brutality, sometimes resulting in a death like that of George Floyd. In 1968, Olympians Tommie Smith and John Carlos lifted their black-gloved fists as the national anthem played after they won the gold and bronze medals in the men's 200-meter sprint—a gesture seen as radical and an endorsement of Black power.
When patriotism is narrowly defined, it can only be accepted and exhibited within the constraints of its own intolerance. For example, racism is baked in the story of American patriotism. The U.S. national anthem—the "Star-Spangled Banner," written by Francis Scott Key and sung at major sports events and every Fourth of July—is one of the quintessential symbols of American patriotism. The song, however, is racist. The man who wrote the song was racist. The song wasn't meant for all Americans when Key wrote the lyrics in 1814. Not only was slavery nearing its second century, but Key was also from a wealthy and influential plantation family in Maryland.
The song has a controversial third verse that was never sung at events or ceremonies because it was offensive—especially after 1865, the end of slavery. The verse stated the following: "No refuge could save the hireling and slave/from the terror of flight or the gloom of the grave."
Key's love for America is a patriotism that doesn't include Black Americans—the enslaved people who, with blood, sweat, tears, and forced labor, built the country he so revered. Centuries later, Black expressions of patriotism are still denounced and demonized.
During this era, if opposition is expressed to the status quo defined by President Donald Trump at his MAGA rallies you are not being a patriot. However, the act of patriotism—when not hijacked or censored by extremists, racists, or dictated by those in power—are bold and courageous steps. Real patriotism allows expression of dissenting thoughts against popularly held beliefs and rituals.
American Revolutionary hero Patrick Henry is an example. "Give me liberty or give me death," he stated in a speech on March 23, 1775, in which he explained how he viewed his patriotism differently. "No man thinks highly than I do of patriotism … but different men often see the same subject in different lights; and, therefore, I hope it will not be thought disrespectful to those gentlemen if, entertaining as I do opinions of a character very opposite to theirs."
The act of patriotism Patrick Henry expressed allowed for marginalized voices to participate in a thriving democracy. However, democracy can only begin to work when those relegated to the fringes of society can begin to sample what others take for granted as their inalienable right. It's the patriotism Kaeperneck exhibited at NFL games—now seen on the streets of America—that we need more of.
Francis Scott Key
Rev. Irene Monroe
http://www.irenemonroe.com/
Rev. Irene Monroe is a nationally renowned African-American lesbian activist, scholar, and public theologian. Her writings have appeared in the New England Blade, The Advocate, The Bilerico Project, The Witness, and Black Commentator.
2020's Top Ten LGBT news stories
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Nuestra Cocina welcomes you to "Our Kitchen". Nuestra Cocina is a collaboration of two renowned restaurateurs and chefs, Benjamin Gonzales and Shannon Dooley-Gonzales. Together as husband and wife they own and operate Nuestra Cocina, an authentic Mexican dining spot in southeast Portland, Oregon.
The style of cuisine can often be considered old peasant style Mexican cooking. Recipes and flavors spanning far as the high desert state of Zacatecas to the coast lines of Vera Cruz and Tampico.
Meet our Señora de la Tortilla! Her sole responsibility is to hand roll & press authentic corn tortillas. The hand tortilla press we use is a special hand-crafted press built by our own chef's grandfather and passed down to him.
Our Tortilla Lady prepares over 30 pounds of masa for every evening's meal. She provides our guest with delicious corn tortillas that are served fresh and hot. It's one of our signature features at our restaurant.
Our Mole (mo-lay) Room is inspired by the diverse amount of Mole sauces that are served with authentic Mexican cuisine. The rich decor of deep reds and chocolate browns create an ideal mood and ambience. It is designed as the perfect venue to host a special family gathering, a meeting or a corporate dinner.
To book your special event here's some general information on reserving our Mole (mo-lay) Room.
Chef Benjamin was born and raised in Los Angeles, California with his roots reaching south towards Mexico. Living under one small roof, with a very large family, his Mexican background focused on food preparation and family gatherings. Benjamin directed his career towards cooking.
Shannon was born in upstate New York and later moved to the Rocky Mountains of Colorado. Having a family in the restaurant industry also meant she was destined to focus on the food and beverage world.
Chef Benjamin teaches monthly cooking classes at Nuestra Cocina. Each class is 3 hours from 6pm - 9pm.
Prepare & enjoy a 3 course menu. You can participate with the chef or just watch and learn. All recipes are provided. Taught in our back kitchen then gather as a family, in our Mole Room and eat regional cuisines of Mexico.
Schedule a one-on-one cooking class with Chef Benjamin. Discuss a menu with the chef and learn the true art of Mexican cooking in your own personal class.
Monthly class prices start at $65.00. Private or personal class prices are to be discussed.
Warm crepes with cinnamon cream and fried bananas.
Moist chocolate pound cake with chocolate sauce & cinnamon ice cream.
Hand formed pastry filled with lemon curd and topped with whipped cream.
Baked custard with Grand Marnier in its own caramel sauce.
Stumptown Coffee, Bacardi 151, Grand Marnier, Kahlua, & whipped cream.
Rum, muddled limes & mint with a splash of soda.
Seasonal House infused tequila. Best served straight up. Ask about the flavor of infusion.
Take it easy. We're right here.
Copyright © 2019 Nuestra Cocina.


If you're looking for a wonderful companion who will fit in with your lifestyle and who will be the perfect pet, consider adopting a dog from a rescue. I adopted my dog from a rescue and was not only blessed with the perfect companion, but a loyal guardian and friend. When our big Alaskan Malamute, Kodiak, died at 13 years old, we decided we wanted to rescue a Malamute instead of looking for a puppy. We also had our reasons for adopting an adult dog rather than looking for a puppy.
My husband and I already own three other Alaskan Malamutes. We were very specific in what we wanted in a new Malamute. We were looking for a Malamute younger than two years old, male, big, already neutered, with a good personality and willing to get along with other dogs. That seemed like a lot of requirements, and yet, the moment I looked for a Malamute on the rescue's website, I had found my dog. Thor's picture looked back at me. There was another dog that might have worked out as well, but he was further away; we soon contacted the rescue about our boy. What's more, they had pictures of puppies in need of adoption, older dogs, younger dogs, and dogs of many colors—all of them in need of homes. If I had gone to a breeder, I wouldn't have had any idea if the dog would've met my expectations.
Have you adopted a purebred dog before?
If the rescue is honest, they'll tell you all about the dog, both the positives and negatives. With a puppy from a breeder, it's anyone's guess as to what the puppy will be like. Sure, you can look at the parents (if they're on premise), and sure, you can check out their obedience, conformation, and other records. I've bought show quality pups that were anything but show quality and dogs who had big parents that ended up small. You just don't know with a puppy. With Thor, I knew he was big, and I brought two of my Malamutes to meet him and they did well together. I was warned that Thor had not been in a house and I would have to housetrain him (I did, but it went quickly). I knew the commands he had been taught and I knew his bad habits (pulling on leash). In other words, I knew what kind of dog I had.
It always amazes me how many purebreds are in rescues. If you go to a breeder (puppy mill or reputable, doesn't matter), the price of the dog is usually well over $500. Some dogs are more than $1000, and yet, someone paid that money and dumped or abandoned that animal, often for invalid reasons. Rescue dogs are a bargain in comparison to those prices. Most rescues charge a couple hundred dollars to cover costs like veterinary bills, boarding, and food. The dog you are getting is a dog that someone at one time thought was valuable enough to pay hundreds of dollars for. Plus, you're likely to get a trained dog who has been spayed or neutered, microchipped, and vaccinated. That makes rescue dogs a great deal in comparison to breeders. Thor came with a bath, vaccinations, neuter (he was already neutered), some training, and loads of dog food and treats.
Puppy mills are dog breeders who breed their dogs to make money and not improve the breed. These people don't socialize their dogs and they don't care what bad traits they pass along to their puppies. They breed large numbers of puppies every year and puppies are always available. They will sell to anyone who has enough money to buy a puppy, regardless if they make good owners or not. If you pay to buy a puppy from these folks, you are supporting these breeders. The dogs that end up in rescues are their dogs, dogs from backyard breeders, or dogs from unfortunate circumstances. Rescues look to place good-tempered dogs that came from owners who weren't properly screened prior to adopting, people who fell into hard times, and occasionally, from the puppy mills themselves.
Most dogs that I have rescued from shelters and adopted from rescues are some of the most loving, most loyal, and most grateful dogs. It's almost as if they know they were in a bad situation and are just delighted to have someone who loves and understands them. Thor is a prime example of a loyal companion. My other adopted dog, Mishka, is the same way. It's as if they know they are in a better place and are profoundly grateful for it. Of course, there are exceptions, but in many cases, I feel you can't go wrong adopting a rescue dog.


text:
Cajamarca megye Peru egyik megyéje, az ország északnyugati részén található. Székhelye Cajamarca.

Földrajz
Cajamarca megye Peru északnyugati részén helyezkedik el. Az Andok nyugati lánca észak–déli irányban halad át a megyén, emiatt domborzata igen változatos: míg alacsonyabban fekvő részei 400, addig legmagasabb pontjai 3550 méterrel fekszenek a tenger szintje felett. A megye északon Ecuadorral, keleten Amazonas, délen La Libertad, nyugaton pedig Lambayeque és Piura megyével határos.

Tartományai
A megye 13 tartományra van osztva:
Cajabamba
Cajamarca
Celendín
Chota
Contumazá
Cutervo
Hualgayoc
Jaén
San Ignacio
San Marcos
San Miguel
San Pablo
Santa Cruz

Népesség
A megye népessége a közelmúltban folyamatosan növekedett:

Képek

Források

redpajama_set_name: RedPajamaWikipedia


text:
Q: 2d object whose key is the same as the keys of a value in the same object I'm still a newbie in typescript and been searching in google about this for almost 2 hours now.
I want to create a type that is an object that will contain multiple values. The key of one value in the object would be the same as the keys of another value in that same object, except this time they will be functions.
Example value of this would be:
{
  values: {
    email: '',
    password: ''
  },
  validators: {
    email: () => { /* some function that does something and returns a string */ },
    password: () => { /* some function that does something and returns a string */ },
  }
};

In the example above, you see that the keys of validators are the same as the keys of values,  except validators are composed of functions.
I can do:
export type Options = {
  values: Record<string, unknown>,
  validators: Record<string, unknown>
};

but this is not robust because I want the autocomplete to happen, I want validators to be a record which keys are the same as the keys of values, except all those are optional and should be functions.
I'm thinking of using generics, but I don't know what to pass to it
type FormValidator<T> = {
  [P in keyof T]?: (values: Record<string, unknown>) => string;
};

export type FormOptions = {
  values: Record<string, unknown>;
  validators?: FormValidator<this.values>; // WHAT DO I PASS HERE SO THAT IT WILL GET THE KEYS OF VALUES?
};

EDIT 1:
One thing that I think works the same as I want this to work is this:
https://www.typescriptlang.org/play?#code/C4TwDgpgBAYg9gJwLYDUCGAbAlgEzcRAHgBUA+KAXigG8BYAKCigG0AFKLAOygGsIQ4AMyjEAugC4oACgCUlcgGdgCLgHMA3AwC+m+gwDGcTkqgA3TAFcICyjQZMmEJGiwZJAcncAaew7BoFBQB3RBwPd21dAyMTc2w8AgQbSXhkdHj8IlBIITNLa3IqOkYHSKA
Notice how the autocomplete works, and if you add something else that's not in values, it will also throw an error that's basically how I want it but I want it defined in that one type: type FormOptions
EDIT 2:
I'm wanting to do this in ReactJS / ReactNative and just plain NodeJS/TypeScript (that is, without using any frameworks)

A: Not sure if your question right but here's my example using type parameters
Sample snippet

// interface
interface FormParamConfigMap {
  [paramName: string]: any;
}

// type parameter
const Form = <FormParamMap extends FormParamConfigMap>(options: {
  values: FormParamMap;
  filter: FormParamMap;
}): any => {};

///// usage

const formIntance = Form({
    values:{
        email:'',
        password:''
    },
    filter:{
        email:()=>'valid',
        password: ()=>'valid'
    }
})

A: It looks like you want compile time type inference (so auto-complete).
In that case we can't use this or typeof, etc.
And you want pre-defined key set (indexer) which should be shared by both values.
For this, I don't think there is any way other than string literals.
Such as:
type RecordKeys = 'email' | 'password';

type Options = {
    values: Record<RecordKeys, string>,
    validators: Record<RecordKeys, (values: RecordKeys) => string>
};

const o: Options = {
    values: {
      email: '',
      password: ''
    },
    validators: {
      email: () => { return 'OK'; },
      password: () => { return 'OK'; },
    }
};

This guide is very helpful: https://basarat.gitbook.io/typescript/type-system/index-signatures

A: I believe you have two options here:
Pass all keys as a generic parameter:
type Options<T extends string> = {
    value: Record<T, string>,
    validators: Partial<Record<T, () => string>>
}

type Keys = 'foo' | 'bar'
const options: Options<Keys> = {
    value: {
        foo: '',
        bar: ''
    },
    validators: {
        foo: () => 'foo',
        bar: () => 'bar'
    }
}

OR infer the type from function argument

const isValid = <Keys extends string>(options: Options<Keys>) => {}

isValid({
    value: {
        a: 'a',
    },
    validators: {
        a: () => 'a'
    }
}) // ok

isValid({
    value: {
        b: 'a', // error
    },
    validators: {
        a: () => 'a'
    }
}) // ok

Playground


text:
Соревнования по футболу на Дальневосточных играх 1925 прошли с 17 по 22 мая в филиппинском городе Манила. Участниками турнира были три сборные — Китайская Республика, Филиппины и Япония. Победителем в шестой раз подряд стала сборная Китайской Республики.

Турнирная таблица

Результаты матчей

Источники

Ссылки
 Турнир на сайте rsssf.com

Футбол на Дальневосточных играх


text:
'Katiyabaaz': Documentary makers challenge mainstream spacehttps://indianexpress.com/article/entertainment/entertainment-others/katiyabaaz-documentary-makers-challenge-mainstream-space/
'Katiyabaaz': Documentary makers challenge mainstream space
Fahad Mustafa and Deepti Kakkar struggled for nearly three years to get a commercial release for 'Katiyabaaz'.
By Indo-Asian News Service |Mumbai | Published: August 23, 2014 4:16:04 pm
'Katiyabaaz' tax free in Uttar Pradesh
Film review: Katiyabaaz
Nobody believed 'Katiyabaaz' could be a film: Fahad-Deepti
'Katiyabaaz' is a documentary on Kanpur's electricity hassles.
The release of an 80-minute documentary on Kanpur's electricity hassles against a big banner Bollywood film didn't seem an alien concept to the makers of 'Katiyabaaz', who were confident of "challenging the mainstream".
Director duo Fahad Mustafa and Deepti Kakkar struggled for nearly three years to get a commercial release for 'Katiyabaaz' across almost 50 screens in the country. They now hope the film spreads its light far and wide.
"We are sort of challenging the mainstream. We are trying to compete with the Bollywood space," Mustafa told IANS in an interview.
The co-directors were never worried – not even when a film festival organiser once told them not to call 'Katiyabaaz' a documentary because they are those films that are played before the "real film" begins.
"That's the kind of mentality that has existed and somewhere our intention was to break that. We didn't want to go in to formulate Bollywood direction. Someone once told us this is a new genre. This is Bollywood documentary. Fahad and I were wary of accepting that tag," said Kakkar.
Made on a budget of over Rs.1 crore, the documentary has an entertainment factor too – courtesy music by 'Black Friday' fame Indian Ocean band.
"We wanted the audience to be slightly entertained and carry something home. We wanted a band that would capture the flavour of the place (Kanpur)," said Kakkar.
With a presenter as strong as production banner Phantom Films, co-owned by filmmaker Anurag Kashyap, Vikramaditya Motwane and Vikas Bahl, and funding from international sources, 'Katiyabaaz' had a limited release in cities like Mumbai, Pune, Bangalore, Hyderabad, Kanpur and Lucknow Friday.
It clashed with a movie as big as Yash Raj Films' Rani Mukerji-starrer 'Mardaani'. But the duo is set in their mission to get more eyeballs for their work via word-of-mouth, and eventually, more screenings even beyond India.
"We would love to get it released in Pakistan. We will go to Bangladesh and hopefully other South Asian countries. It has travelled to the Lahore and Sindh film festivals. We made small outings there and the response was phenomenal. In Karachi, people said, 'This is not Kanpur. This is Karachi.'"
It's this similarity and universality that they hope to cash in on.
"The things are so familiar to everyone in the northern belt. Electricity goes off everywhere and after all it is a human story. You could supplant Kanpur with Ghaziabad or Lahore or Meerut – there will be the same story, and that works," said Kakkar.
The film, which won the coveted National Award for Best Investigative Film, has already been telecast in European countries and shown in theatres in countries like Italy and Britain. It will be on TV in the US in November.
Bringing the film so far was not easy for the duo, who studied together in the capital's St. Stephen's College. It took them two years to make it and eight more months to bring it to audiences.
Funds were a major hurdle.
"We had no funds from India which was sad. We had reached out to a couple of people and they are still averse to take that risk in terms of getting returns on their investment. We were lucky to get funds from across the world. We got support from places like Busan and Amsterdam," said Kakkar.
"With a documentary, the kind of investment you have to make is a blind chance you take. You don't know if you'll take two or three or four years to tell the story. You have to support your crew on ground and most importantly distribution is such a complex beast that you don't know how to recover all that investment," she added.
But having tasted success in bringing their project to shape, they believe times are changing.
"Independent cinema is finding place in theatres and we are a part of that change," said Mustafa.
Deepti Kakkar
Katiyabaaz
Entertainment Others
'Katiyabaaz': Documentary makers challenge mainstream space
1 Vijayendra Kumeria blends two passions for TV role
2 Deepika Padukone, Arjun Kapoor unveil 'Shake your bootiya' song
3 'Haider' was a life changing experience: Shraddha Kapoor


text:
package com.amazonaws.internal;

import java.io.File;
import java.io.FileInputStream;
import java.io.IOException;
import java.nio.channels.FileChannel;

import org.apache.commons.logging.Log;
import org.apache.commons.logging.LogFactory;

import com.amazonaws.SdkClientException;
import com.amazonaws.annotation.NotThreadSafe;

/**
 * A mark-and-resettable input stream that can be used on files or file input
 * streams.
 *
 * In particular, a {@link ResettableInputStream} allows the close operation to
 * be disabled via {@link #disableClose()} (to avoid accidentally being closed).
 * This is necessary when such input stream needs to be marked-and-reset
 * multiple times but only as long as the stream has not been closed.
 *

 * The creator of this input stream should therefore always call
 * {@link #release()} in a finally block to truly release the underlying
 * resources.
 *
 * @see Releasable
 */
@NotThreadSafe
public class ResettableInputStream extends ReleasableInputStream {
    private static final Log log = LogFactory
            .getLog(ResettableInputStream.class);
    private final File file; // null if the file is not known
    private FileInputStream fis; // never null
    private FileChannel fileChannel; // never null
    /**
     * Marked position of the file; default to zero.
     */
    private long markPos;

    /**
     * @param file
     *            must not be null. Upon successful construction the the file
     *            will be opened with an input stream automatically marked at
     *            the starting position of the given file.
     *

     *            Note the creation of a {@link ResettableInputStream} would
     *            entail physically opening a file. If the opened file is meant
     *            to be closed only (in a finally block) by the very same code
     *            block that created it, then it is necessary that the release
     *            method must not be called while the execution is made in other
     *            stack frames.
     *
     *            In such case, as other stack frames may inadvertently or
     *            indirectly call the close method of the stream, the creator of
     *            the stream would need to explicitly disable the accidental
     *            closing via {@link ResettableInputStream#disableClose()}, so
     *            that the release method becomes the only way to truly close
     *            the opened file.
     */
    public ResettableInputStream(File file) throws IOException {
        this(new FileInputStream(file), file);
    }

    /**
     * @param fis
     *            file input stream; must not be null. Upon successful
     *            construction the input stream will be automatically marked at
     *            the current position of the given file input stream.
     *

     * Note the creation of a {@link ResettableInputStream} would entail
     * physically opening a file. If the opened file is meant to be closed only
     * (in a finally block) by the very same code block that created it, then it
     * is necessary that the release method must not be called while the
     * execution is made in other stack frames.
     *
     * In such case, as other stack frames may inadvertently or indirectly call
     * the close method of the stream, the creator of the stream would need to
     * explicitly disable the accidental closing via
     * {@link ResettableInputStream#disableClose()}, so that the release method
     * becomes the only way to truly close the opened file.
     */
    public ResettableInputStream(FileInputStream fis) throws IOException {
        this(fis, null);
    }

    /**
     * @param file
     *            can be null if not known
     */
    private ResettableInputStream(FileInputStream fis, File file) throws IOException {
        super(fis);
        this.file = file;
        this.fis = fis;
        this.fileChannel = fis.getChannel();
        this.markPos = fileChannel.position();
    }

    @Override
    public final boolean markSupported() {
        return true;
    }

    /**
     * Marks the current position in this input stream. A subsequent call to
     * the reset method repositions this stream at the last marked
     * position so that subsequent reads re-read the same bytes.
     * This method works as long as the underlying file has not been closed.
     *

     * Note the creation of a {@link ResettableInputStream} would entail
     * physically opening a file. If the opened file is meant to be closed only
     * (in a finally block) by the very same code block that created it, then it
     * is necessary that the release method must not be called while the
     * execution is made in other stack frames.
     *
     * In such case, as other stack frames may inadvertently or indirectly call
     * the close method of the stream, the creator of the stream would need to
     * explicitly disable the accidental closing via
     * {@link ResettableInputStream#disableClose()}, so that the release method
     * becomes the only way to truly close the opened file.
     *
     * @param _
     *            ignored
     */
    @Override
    public void mark(int _) {
        abortIfNeeded();
        try {
            markPos = fileChannel.position();
        } catch (IOException e) {
            throw new SdkClientException("Failed to mark the file position", e);
        }
        if (log.isTraceEnabled())
            log.trace("File input stream marked at position " + markPos);
    }

    /**
     * Repositions this stream to the position at the time the
     * mark method was last called on this input stream.
     * This method works as long as the underlying file has not been closed.
     *

     * Note the creation of a {@link ResettableInputStream} would entail
     * physically opening a file. If the opened file is meant to be closed only
     * (in a finally block) by the very same code block that created it, then it
     * is necessary that the release method must not be called while the
     * execution is made in other stack frames.
     *
     * In such case, as other stack frames may inadvertently or indirectly call
     * the close method of the stream, the creator of the stream would need to
     * explicitly disable the accidental closing via
     * {@link ResettableInputStream#disableClose()}, so that the release method
     * becomes the only way to truly close the opened file.
     */
    @Override
    public void reset() throws IOException {
        abortIfNeeded();
        fileChannel.position(markPos);
        if (log.isTraceEnabled())
            log.trace("Reset to position " + markPos);
    }

    @Override
    public int available() throws IOException {
        abortIfNeeded();
        return fis.available();
    }

    @Override
    public int read() throws IOException {
        abortIfNeeded();
        return fis.read();
    }

    @Override
    public long skip(long n) throws IOException {
        abortIfNeeded();
        return fis.skip(n);
    }

    @Override
    public int read(byte[] arg0, int arg1, int arg2) throws IOException {
        abortIfNeeded();
        return fis.read(arg0, arg1, arg2);
    }

    /**
     * Returns the underlying file, if known; or null if not;
     */
    public File getFile() {
        return file;
    }

    /**
     * Convenient factory method to construct a new resettable input stream for
     * the given file, converting any IOException into SdkClientException.
     *

     * Note the creation of a {@link ResettableInputStream} would entail
     * physically opening a file. If the opened file is meant to be closed only
     * (in a finally block) by the very same code block that created it, then it
     * is necessary that the release method must not be called while the
     * execution is made in other stack frames.
     *
     * In such case, as other stack frames may inadvertently or indirectly call
     * the close method of the stream, the creator of the stream would need to
     * explicitly disable the accidental closing via
     * {@link ResettableInputStream#disableClose()}, so that the release method
     * becomes the only way to truly close the opened file.
     */
    public static ResettableInputStream newResettableInputStream(File file) {
        return newResettableInputStream(file, null);
    }

    /**
     * Convenient factory method to construct a new resettable input stream for
     * the given file, converting any IOException into SdkClientException
     * with the given error message.
     *

     * Note the creation of a {@link ResettableInputStream} would entail
     * physically opening a file. If the opened file is meant to be closed only
     * (in a finally block) by the very same code block that created it, then it
     * is necessary that the release method must not be called while the
     * execution is made in other stack frames.
     *
     * In such case, as other stack frames may inadvertently or indirectly call
     * the close method of the stream, the creator of the stream would need to
     * explicitly disable the accidental closing via
     * {@link ResettableInputStream#disableClose()}, so that the release method
     * becomes the only way to truly close the opened file.
     */
    public static ResettableInputStream newResettableInputStream(File file,
            String errmsg) {
        try {
            return new ResettableInputStream(file);
        } catch (IOException e) {
            throw errmsg == null
                ? new SdkClientException(e)
                : new SdkClientException(errmsg, e);
        }
    }

    /**
     * Convenient factory method to construct a new resettable input stream for
     * the given file input stream, converting any IOException into
     * SdkClientException.
     *

     * Note the creation of a {@link ResettableInputStream} would entail
     * physically opening a file. If the opened file is meant to be closed only
     * (in a finally block) by the very same code block that created it, then it
     * is necessary that the release method must not be called while the
     * execution is made in other stack frames.
     *
     * In such case, as other stack frames may inadvertently or indirectly call
     * the close method of the stream, the creator of the stream would need to
     * explicitly disable the accidental closing via
     * {@link ResettableInputStream#disableClose()}, so that the release method
     * becomes the only way to truly close the opened file.
     */
    public static ResettableInputStream newResettableInputStream(
            FileInputStream fis) {
        return newResettableInputStream(fis, null);
    }

    /**
     * Convenient factory method to construct a new resettable input stream for
     * the given file input stream, converting any IOException into
     * SdkClientException with the given error message.
     *

     * Note the creation of a {@link ResettableInputStream} would entail
     * physically opening a file. If the opened file is meant to be closed only
     * (in a finally block) by the very same code block that created it, then it
     * is necessary that the release method must not be called while the
     * execution is made in other stack frames.
     *
     * In such case, as other stack frames may inadvertently or indirectly call
     * the close method of the stream, the creator of the stream would need to
     * explicitly disable the accidental closing via
     * {@link ResettableInputStream#disableClose()}, so that the release method
     * becomes the only way to truly close the opened file.
     */
    public static ResettableInputStream newResettableInputStream(
            FileInputStream fis, String errmsg) {
        try {
            return new ResettableInputStream(fis);
        } catch (IOException e) {
            throw new SdkClientException(errmsg, e);
        }
    }
}

redpajama_set_name: RedPajamaGithub


text:
By Marcia Yarrow| 2018-03-21T18:41:21+01:00	February 18th, 2011|Reviews|
Director: Christopher Nolan
Starring: Leonardo DiCaprio, Ellen Page, Tom Hardy, Marion Cotillard, Ken Wantanabe, Cillian Murphy, Michael Caine
For a movie about the landscape of dreams, Christopher Nolan's latest effort is conventional to the core. One part is a kinetic thriller tailored to therapy-oriented times, another a paraphrasing of old school bank heist lore. Dial down the fanfare and you're left with the story of a man who feels responsible for the suicide death of his wife and wants more than anything else to be reunited with his children.
That man is corporate spy Cobb (Leonardo DiCaprio), an "extractor" of secrets. He inserts himself into trick dreams he's implanted into the minds of rivals. When one such extraction goes south, Cobb finds himself at the mercy of Japanese businessman and would-be victim Saito (Ken Wantanabe). To balance the slate, Saito makes him an offer: Undertake a so-called "inception," the implanting of an idea into an impressionable rival's head, and Cobb will be pardoned and allowed to return to his "real" life, beloved kids included.
Nolan uses this story line to build a narrative with "Raiders of the Lost Ark" pacing (DiCaprio's dourness mimics Harrison Ford). Most of the imagery, meanwhile, owes a debt to the likes of "AI," "Vanilla Sky," and "The Matrix." The action sequences are pure old school 007.
Ostensibly, Nolan wants to plumb layers of self and the represent the unconscious mind as an architectural maze ("An idea is like a virus," says Cobb). In fact, the film is a collage of fairly standard action sequences that track Cobb's IM-style Team as it burrows deep into the thoughts of a billionaire heir whose ambitions Saito wants to redirect. As Cobb's group generate Magritte-like dreamscapes, Cobb is besieged by memories of his wife. Soon, a key member of his literal dream team, Paris student Ariadne (a miscast Ellen Page), begins doubting his ability to distinguish between reality and projection.
While the bastardizing of Jung makes for a scenic journey, it's anything but a long, strange trip. When push comes to shove, and it does constantly, this is a sci-fi flick with visionary intentions that never pan out. Even the kicker is predictable. Windmills of the mind aside, the action flick velocity leaves nothing and no one to believe in, part of the reason Nolan leans so heavily on the Dad, kids and dead wife motif. Nowhere is the Dark Knight's sultry murk. Instead, Nolan's has big red crayons which his uses to draw mostly straight lines, leaving awe to fend for itself.
About the Author: Marcia Yarrow
A military brat, Marcia Yarrow was born in Hamburg, Germany but grew up in Germany, Spain, and Provo, Utah. She's been writing for the magazine since its creation in 2004.


text:
Entertainment - Yes Man and Seven Pounds: Santas for Hard Times
Richard Corliss
Americans in the economic trough this holiday season will find fantasy solutions to their money woes in the weekend's two big new movies. Wouldn't it be nice if Jim Carrey were your local bank officer, who smilingly approved every loan, even if your need were bizarre and your collateral nonexistent? Wouldn't your soul be soothed if Will Smith were a Treasury agent who gave you a six-month extension on the pile you owe the IRS? You needn't be a financial tycoon to get a home- or pension-saving Christmas gift — not when these two stars are playing Santa.
The weekend face-off sets the top comedy star of the '90s against the top action-and-drama star of the last decade. Industry handicappers are predicting that Carrey, with a familiar role in an easy-to-sell story, will score a box office win over Smith, whose movie's central and unrevealable plot twists make it a challenge to describe. (They're saying it could be Smith's first film since the 2001 Ali not to break $100 million domestic.) But both films play to their star's acting strengths, which means that you will probably laugh along with Yes Man; and in Seven Pounds, if you have a soft spot for noble sacrifice, you will cry
The scenarios for Yes Man, the Carrey comedy, and Seven Pounds, the Smith drama, could have emerged from the same screenwriting class. Premise: An ordinary man who's lost his wife has become remote from his family and friends. To resolve his ennui, he determines to become a do-gooder — Carrey's Carl Allen by answering in the affirmative to every vagrant request, Smith's Ben Thomas by choosing seven strangers whose lives he can drastically improve. And in the process he finds a new woman to give him hope or assuage his guilt.
Jim Carrey: Yes Man
We couldn't summarize Yes Man better than Carrey did on The Tonight Show on Tuesday, when he purported to fall asleep and offered this precis between snores: "Carl Allen is a guy who doesn't engage in life. Then he decides to say yes to everything, no matter how silly or deranged it is. Critics are calling it a panacea for our dark times we're living in." In a little swipe at the competition, Carrey said of Yes Man, "It's the only movie this weekend where nobody dies in the end."
When we meet him, Carl is living by the Alcoholics Anonymous mantra that "no" is a complete sentence. He gamely deflects every dinner invitation by inventing outlandish excuses about how busy he is. At the bank, he automatically rejects every loan application. He can rouse himself to passion only when watching a Saw movie in his cocoon of a home, cheering on the man who has to amputate his foot: "Oh, come on, you're halfway through, Cut it off already."
In other Carrey movies, the star needed magical or divine intervention to change his ways: a boy's wish that his dad will tell the truth for 24 hours in Liar Liar, and, in Bruce Almighty, God's command that he try being omnipotent and learn how tough it is to be in charge of the universe. This time it's just an excitable friend (John Michael Higgins) who drags Carl to one of those personal-help messiahs who pock the California mindscape. The word from this shock-haired swami (Terence Stamp) is "Yes." By saying yes to every chance that comes your way — a homeless man's plea for your money, a street peddler's flier for a band concert, a loan request from any indigent who wanders into the bank — you will open yourself to unexpected possibilities in life and love. You may also end up broke, bereft and unemployed, but that's a different movie. (For one: It's a Wonderful Life, or most of it.)
Director Peyton Reed's early features, Bring It On and Down With Love, were in-your-face comedies with a pop-art design scheme; they aimed to get to endearing by going through aggressive. Reed found a subtler tone in his Vince Vaughn–Jennifer Aniston hit The Break-Up, where both the humor and the despair rose from domestic behavior that, if it was exaggerated for dramatic effect, was still recognizable. Yes Man straddles those two styles. It ambles along, Judd Apatow-style (and includes a fellatio gag that should have earned the movie an R rating) while affording Carrey a few opportunities for his patented rubber-face comedy pyrotechnics. The more impressionable kids will be imitating his "Red Bull" riff throughout the holidays.
Though the movie is no more than agreeable, it does provide a swell showcase for New Zealand wundercomic Rhys Darby (Murray the hapless agent on HBO's Flight of the Conchords) and gives the astrally adorable Zooey Deschanel a rare shot at a lead role in a big Hollywood movie. Casting directors, please take note.
Will Smith: No, Man
Everybody in Yes Man, including Carrey in his depressive phase, is pretty darned perky — a mood that applies to no one in Seven Pounds. And whereas Carl is using his personal epiphany to make himself happy, Ben Thomas does good only for others; he's paying it forward, not inward. A child undergoing cancer treatment, a mother whose boyfriend abuses her, a blind pianist (Woody Harrelson), a young woman (Rosario Dawson) suffering from congenital heart failure — each of these and three others, he showers with rejuvenating gifts. His motive is the movie's secret.
Directed by Gabriele Muccino and written by Grant Nieporte, Seven Pounds continues a string of movies — The Pursuit of Happyness, I Am Legend, Hancock — in which Smith's characters are isolated and superior, estranged from normal life, ultimately trying to make contact with ordinary folks. It's been ages since the star flashed his charismatic smile for a whole movie. Here he speaks to people with a precise courtesy that seems learned rather than felt. Pain pulses just behind his fretted eyebrows; he carries himself like a hero too gentlemanly to show his grief, too weighed down to hide it. Those Ben touches see that he's on a mission beyond making their lives more bearable. The same may be true of Smith: rashly or bravely, he's using his immense celebrity to lure audiences into an alternate movie world where kindness and desperation feed off each other.
In these recent movies, Smith's stature has kept him from connecting with anyone but his own son (in The Pursuit of Happyness, also directed by Muccino) and the mass of moviegoers. Here, though — and this is what lifts Seven Pounds above other Smith dramas — he does tentatively allow another adult onto his solitary planet. Dawson, glammed down in hospital gowns and an invalid's grayish sheen, is knowing, giving and (her word and ours) hot. She's splendid at showing how someone who's tucked herself into the reclusion of her illness wills herself to bloom in the presence of someone with a secret mournfulness greater, and perhaps less curable, than her own. It's a lovely performance, in part because her character throws every charm she's got at the one man who seems doomed to deflect it.
The message of Seven Pounds (other than: Don't text-message while driving) is that even the most depressive person can find a way to make other people happy. If that doesn't sound like a movie to buoy your Christmas spirit, ask yourself this: How often do you sit through a film's closing credits so you have a little private time to wipe away the tears?
Labels: Time
coolkhush said...
7 pounds from what the reviews say it sounds to be am amazing movie and i being a will smith fan really want to know even more about it coz im really waiting for it to release in India ...
ya even im waiting for it to release in india i really wanna see the movie ,.............
i guess its released in india so wat u waiting for go and grab it ....
no way to my info its realesing today on the 13th ,...................


BelloMoto attended a day filled with unique and incredible motorcycles, good weather, excellent food, and a Helicopter Bar for the 10th year anniversary of the Quail Motorcycle Gathering. The event celebrates the Evolution of the Motorcycle, honouring both pre- and post-war eras of the world's finest sports and racing bikes.
You can see more pictures from the event here.
We can't wait for the 11th Annual The Quail Motorcycle Gathering on May 4, 2019!


text:
Everything You Need And Want To Know About The Pumpkin
The pumpkin is everywhere around Halloween - but why? From warding off spirits to numerous health benefits, here are some spooky facts about fall's favorite gourd.
By Monica CullOct 21, 2022 12:30 PM
(Credit:sandsun/Shutterstock)
The leaves are changing, a chilly autumn wind is blowing and front porches host bright orange pumpkins. As Halloween or All Hallow's Eve — whichever you prefer — draws near, the pumpkin starts to show itself everywhere. But have you ever wondered why?
Take a look at the lore behind Jack-O-Lanterns, the health benefits of pumpkins and how some farmers can grow these massive gourds.
Why Do We Carve Pumpkins For Halloween?
(Credit:Stock Holm/Shutterstock)
Carving pumpkins for Halloween gets its roots from an Irish tradition. The legend tells of a man named Jack — nicknamed "Stingy Jack." Jack, living up to his nickname, was a trickster. Because of this he was denied access to heaven and hell after he died and was cursed to wander the Earth for eternity. He was given a burning piece of coal that he placed in a carved-out turnip to use as a lantern and began his journey across the Earth, earning him the new nickname, "Jack of the Lantern" or "Jack-o'-Lantern."
To keep Jack's wandering spirit away, the Scottish and the Irish would carve grotesque faces into turnips and leave them on windowsills and doorways. The English did something similar with beets. When the Irish and Scottish immigrated to North America, they continued this tradition with pumpkins.
As wandering spirits and souls became synonymous with Halloween or All Saints Day — based on the Celtic festival of Samhain — so did carving pumpkins to scare away spirits and souls that may wander in, like Stingy Jack's.
(Credit:Foolish Moments/Shutterstock)
Why Do We Eat Pumpkin Seeds?
(Credit:Brent Hofacker/Shutterstock)
Besides Jack-o'-lantern's creepy, glowing faces, one of the best parts of carving pumpkins is eating the pumpkin seeds. Roasting pumpkin seeds with delicious seasoning makes for a tasty treat, but these savory seeds have numerous other benefits.
Some of the first pumpkin seeds were discovered in modern-day Mexico, dating back to 7000 to 5550 B.C., and are today a vital part of the Mexican celebration of Día de Los Muertos (Day of the Dead). Used to make pumpkin seed oil, this is a key ingredient in the traditional Mayan dish, papadzules.
Along with celebration, pumpkin seeds were also used in medicines. They've been used as a home or folk remedy to treat ailments like kidney stones, urinary and bladder infections and high blood pressure. Pumpkin seeds were even once used as part of a treatment for intestinal worms.
According to a 2017 study, pumpkin seed oil can improve infertility in males and help prevent heart disease, high blood pressure and arteriosclerosis.
What Are The Health Benefits Of Pumpkins?
(Credit:AN NGUYEN/Shutterstock)
Besides pumpkin seeds, pumpkins have other nutritional values as well. While there are a variety of edible pumpkins, the traditional field pumpkin that you may carve for Halloween isn't one you'd typically want to eat. They are often more stringy and watery and don't have a lot of flavor; the same goes for giant pumpkins.
Pie pumpkins usually end up in dishes like pumpkin pies and bread. They are smaller, more round and have sweeter flesh. Pumpkin is high in nutrients like beta carotene, which your body uses to create vitamin A. This vitamin helps sharpen your eyesight (like carrots), is excellent for your reproductive system and keeps your other organs healthy. Vitamin A can also help curb certain cancer risks.
Being high in fiber and potassium, pumpkin can help prevent unwanted weight gain and lower the risk of type 2 diabetes and kidney stones. Pumpkin is also rich in vitamins C and E, which help boost your immune system. However, this doesn't mean you should overindulge in pumpkin pie or other desserts. Many of them have extra sugars, which can lead to health complications.
If you're planning to cook with pumpkins, it's always a good idea to double-check that you have the correct variety. Some pumpkins are not edible.
How Do Giant Pumpkins Grow?
(Credit:Fedor Selivanov/Shutterstock)
Much like there are pumpkins to eat and carve, there are also pumpkins that are meant to be champions. Farmers bring their giant pumpkins to festivals and fairs each year to see if they have the grand champion pumpkin. While these pumpkins aren't exactly flattering, they are impressive to look at. They're often lumpy, misshapen and discolored, but they look like something out of a fairy tale. However, it isn't fairy magic that makes these gourds so large.
According to Jessica Savage, a botanist and associate professor at the University of Minnesota – Duluth, along with selective breeding, giant pumpkins are naturally good at moving – but not their physical self. Giant pumpkins, like most plants, have a vascular system that moves and distributes water and nutrients to the plant and fruit, called the xylem and phloem. The xylem helps to transport water, while the phloem helps move nutrients and sugars.
Though it seems like giant pumpkins would have a higher amount of sugar than other, smaller pumpkins, they actually don't; they are just better at moving sugars around. Giant pumpkins, according to Savage, can add on nearly 50 pounds a day during peak season. Good genetics combined with maintained temperature and mycorrhizal fungi, giant pumpkins keep getting bigger.
The largest pumpkin in the U.S. weighed 2,554 pounds, while the world record pumpkin from Italy was 2,702 pounds.
This 2,300-Year-Old Mummy Has a Heart (and Tongue) of Gold
Humans May Have Settled in North America 16,000 Years Ago, Ready to Hunt
These Specialists Supervise 'Magic Mushroom' Trips
Scientists Grow First Plants in Lunar Soil
The First Trees May Have Caused Mass Extinctions
3 Benefits of Sugar You Probably Didn't Know About


The Baltimore Ravens have agreed in principle to trade former Super Bowl MVP Joe Flacco to the Denver Broncos, per ESPN. The trade cannot be officially processed until the new NFL league year begins March 13.
Although teams are prohibited from commenting on the deal or the terms surrounding it. When the deal is completed, it likely will be for a mid-round pick, ESPN also reported.
New Broncos coach Vic Fangio was in Baltimore for Flacco's first two seasons, so he knows what he'll be getting. Former Broncos executive Gary Kubiak also was a noted Flacco fan, and his opinions were a strong starting point to selling Denver on the deal.
Flacco has no more guaranteed money on his contract. His contract carries cap hits of $18.50 million for 2019, $20.25 million in 2020 and $24.25 million in 2021.
The agreement means that Baltimore is officially committing to Lamar Jackson. When the deal is completed, the Ravens will save $10.5 million in cap space. However, they will carry $16 million in dead money on their 2019 cap.


text:
package antlr;

/* ANTLR Translator Generator
 * Project led by Terence Parr at http://www.jGuru.com
 * Software rights: http://www.antlr.org/RIGHTS.html
 *
 * $Id: RuleBlock.java,v 1.1 2003/06/04 20:54:44 greg Exp $
 */

import antlr.collections.impl.Vector;

import java.util.Hashtable;

/**A list of alternatives and info contained in
 * the rule definition.
 */
public class RuleBlock extends AlternativeBlock {
    protected String ruleName;
    protected String argAction = null;	// string for rule arguments [...]
    protected String throwsSpec = null;
    protected String returnAction = null;// string for rule return type(s) <...>
    protected RuleEndElement endNode;	// which node ends this rule?

    // Generate literal-testing code for lexer rule?
    protected boolean testLiterals = false;

    Vector labeledElements;	// List of labeled elements found in this rule
    // This is a list of AlternativeElement (or subclass)

    protected boolean[] lock;	// for analysis; used to avoid infinite loops
    // 1..k
    protected Lookahead cache[];// Each rule can cache it's lookahead computation.

    // This cache contains an epsilon
    // imaginary token if the FOLLOW is required.  No
    // FOLLOW information is cached here.
    // The FIRST(rule) is stored in this cache; 1..k
    // This set includes FIRST of all alts.

    Hashtable exceptionSpecs;		// table of String-to-ExceptionSpec.

    // grammar-settable options
    protected boolean defaultErrorHandler = true;
    protected String ignoreRule = null;

    /** Construct a named rule. */
    public RuleBlock(Grammar g, String r) {
        super(g);
        ruleName = r;
        labeledElements = new Vector();
        cache = new Lookahead[g.maxk + 1];
        exceptionSpecs = new Hashtable();
        setAutoGen(g instanceof ParserGrammar);
    }

    /** Construct a named rule with line number information */
    public RuleBlock(Grammar g, String r, int line, boolean doAutoGen_) {
        this(g, r);
        this.line = line;
        setAutoGen(doAutoGen_);
    }

    public void addExceptionSpec(ExceptionSpec ex) {
        if (findExceptionSpec(ex.label) != null) {
            if (ex.label != null) {
                grammar.antlrTool.error("Rule '" + ruleName + "' already has an exception handler for label: " + ex.label);
            }
            else {
                grammar.antlrTool.error("Rule '" + ruleName + "' already has an exception handler");
            }
        }
        else {
            exceptionSpecs.put((ex.label == null ? "" : ex.label.getText()), ex);
        }
    }

    public ExceptionSpec findExceptionSpec(Token label) {
        return (ExceptionSpec)exceptionSpecs.get(label == null ? "" : label.getText());
    }

    public ExceptionSpec findExceptionSpec(String label) {
        return (ExceptionSpec)exceptionSpecs.get(label == null ? "" : label);
    }

    public void generate() {
        grammar.generator.gen(this);
    }

    public boolean getDefaultErrorHandler() {
        return defaultErrorHandler;
    }

    public RuleEndElement getEndElement() {
        return endNode;
    }

    public String getIgnoreRule() {
        return ignoreRule;
    }

    public String getRuleName() {
        return ruleName;
    }

    public boolean getTestLiterals() {
        return testLiterals;
    }

    public boolean isLexerAutoGenRule() {
        return ruleName.equals("nextToken");
    }

    public Lookahead look(int k) {
        return grammar.theLLkAnalyzer.look(k, this);
    }

    public void prepareForAnalysis() {
        super.prepareForAnalysis();
        lock = new boolean[grammar.maxk + 1];
    }

    // rule option values
    public void setDefaultErrorHandler(boolean value) {
        defaultErrorHandler = value;
    }

    public void setEndElement(RuleEndElement re) {
        endNode = re;
    }

    public void setOption(Token key, Token value) {
        if (key.getText().equals("defaultErrorHandler")) {
            if (value.getText().equals("true")) {
                defaultErrorHandler = true;
            }
            else if (value.getText().equals("false")) {
                defaultErrorHandler = false;
            }
            else {
                grammar.antlrTool.error("Value for defaultErrorHandler must be true or false", grammar.getFilename(), key.getLine(), key.getColumn());
            }
        }
        else if (key.getText().equals("testLiterals")) {
            if (!(grammar instanceof LexerGrammar)) {
                grammar.antlrTool.error("testLiterals option only valid for lexer rules", grammar.getFilename(), key.getLine(), key.getColumn());
            }
            else {
                if (value.getText().equals("true")) {
                    testLiterals = true;
                }
                else if (value.getText().equals("false")) {
                    testLiterals = false;
                }
                else {
                    grammar.antlrTool.error("Value for testLiterals must be true or false", grammar.getFilename(), key.getLine(), key.getColumn());
                }
            }
        }
        else if (key.getText().equals("ignore")) {
            if (!(grammar instanceof LexerGrammar)) {
                grammar.antlrTool.error("ignore option only valid for lexer rules", grammar.getFilename(), key.getLine(), key.getColumn());
            }
            else {
                ignoreRule = value.getText();
            }
        }
        else if (key.getText().equals("paraphrase")) {
            if (!(grammar instanceof LexerGrammar)) {
                grammar.antlrTool.error("paraphrase option only valid for lexer rules", grammar.getFilename(), key.getLine(), key.getColumn());
            }
            else {
                // find token def associated with this rule
                TokenSymbol ts = grammar.tokenManager.getTokenSymbol(ruleName);
                if (ts == null) {
                    grammar.antlrTool.panic("cannot find token associated with rule " + ruleName);
                }
                ts.setParaphrase(value.getText());
            }
        }
        else if (key.equals("generateAmbigWarnings")) {
            if (value.getText().equals("true")) {
                generateAmbigWarnings = true;
            }
            else if (value.getText().equals("false")) {
                generateAmbigWarnings = false;
            }
            else {
                grammar.antlrTool.error("Value for generateAmbigWarnings must be true or false", grammar.getFilename(), key.getLine(), key.getColumn());
            }
        }
        else {
            grammar.antlrTool.error("Invalid rule option: " + key.getText(), grammar.getFilename(), key.getLine(), key.getColumn());
        }
    }

    public String toString() {
        String s = " FOLLOW={";
        Lookahead cache[] = endNode.cache;
        int k = grammar.maxk;
        boolean allNull = true;
        for (int j = 1; j <= k; j++) {
            if (cache[j] == null) continue;
            s += cache[j].toString(",", grammar.tokenManager.getVocabulary());
            allNull = false;
            if (j < k && cache[j + 1] != null) s += ";";
        }
        s += "}";
        if (allNull) s = "";
        return ruleName + ": " + super.toString() + " ;" + s;
    }
}


text:
New EDHEC-Risk Institute Paper Explores The Impact Of ESG Factors On Risk And Return Of Sovereign Bonds
In the last decade, sustainable and responsible investing have become more important and gained in popularity among investors. With global ESG assets in mutual funds and ETFs doubling in the five years to June 2020[1] and reaching almost USD 1.7 trillion by the end of 2020,[2] there is growing recognition that the financial system has a crucial role to play in the transition to a low-carbon and climate-resilient economy.
In a new publication entitled "Measuring and Managing ESG Risks in Sovereign Bond Portfolios and Implications for Sovereign Debt Investing", EDHEC-Risk Institute, with the support of Amundi ETF, Indexing & Smart Beta, develops a formal framework for incorporating environmental, social and governance (ESG) criteria into risk management and investment decisions involving sovereign bonds.
The main objective is to assess whether it is possible to incorporate ESG constraints through a significant improvement of the portfolio ESG score without a substantial increase in absolute and relative risk budgets, or a substantial decrease in expected performance.
The authors of the study draw four major conclusions:
Higher environmental scores for developed countries and higher social scores for emerging countries are associated with lower costs of borrowing for issuers and consequently with lower yields for investors.
Negative screening leads to more diversified portfolios and lower levels of tracking error, while positive screening leads to higher levels of improvement of ESG scores, at the cost of an increase in absolute and relative risk budgets.
A dedicated focus on absolute or relative risk reduction at the selection stage allows investors to reduce the opportunity costs along the dimension that is most important to them.
ESG momentum strategies in sovereign bond markets can be used to further reduce some of the aforementioned opportunity costs.
The results suggest that sound risk management practices are critically important in allowing investors to incorporate ESG constraints into investment decisions at an acceptable cost in terms of dollar or risk budgets.
Specifically this research confirms that improvement of the ESG attributes of sovereign bond portfolios comes at a measured cost in terms of active risk, and that ESG momentum strategies can reduce opportunity costs. Ultimately this validates ESG as a significant risk management tool in sovereign bond analysis.
Commenting on this research, Lionel Martellini, Professor of Finance at EDHEC Business School and Director of EDHEC-Risk Institute, said "This paper contributes to the ESG-investing literature on the importance of ESG considerations across asset classes by exploring the impact of ESG factors on the risk and return of sovereign bonds from an investor perspective and, in particular, investigating how to measure and manage EGS risks in sovereign bond portfolios and their implications for sovereign bond portfolio strategies."
Commenting on the results of the survey, Laurent Trottier, Global Head of ETF, Indexing and Smart Beta Management at Amundi, said "Supporting EDHEC-Risk on this research harnesses Amundi's expertise in fixed income indices and leadership in sustainable investing. As passive investors increasingly seek to incorporate ESG into their fixed income allocations, this research identifies important practical implications which address sovereign bond investors' need for a more systematic approach to determining their exposure and the potential investment risk of ESG factors.
You can access an exclusive 2-page summary of the publication outlining the authors' main insights here: https://risk.edhec.edu/measuring-and-managing-esg-risks-sovereign-bond
You can access the full publication here: "Measuring and Managing ESG Risks in Sovereign Bond Portfolios and Implications for Sovereign Debt Investing".
This research was supported by Amundi as part of EDHEC-Risk Institute's "ETF, Indexing and Smart Beta Investment Strategies" research chair.
[1] Broadridge, ESG: Transforming asset management and fund distribution, September 2020
[2] FT.com, ESG funds defy havoc to ratchet huge inflows, 6 February 2021


text:
Q: How to pass back a unique ID with JavaScript or PHP? I need to pass back a unique ID in place of "INSERT+ORDER+ID" for when a user clicks on our "Request Information" button to better track our visitors. Does anyone know how I can accomplish this? Any help would be much appreciated, thanks!
<script type="text/javascript">
var _qevents = _qevents || [];

(function() {
var elem = document.createElement('script');
elem.src = (document.location.protocol == "https:" ? "https://secure" : "http://edge") +
".quantserve.com/quant.js";

elem.async = true;
elem.type = "text/javascript";
var scpt = document.getElementsByTagName('script')[0];
scpt.parentNode.insertBefore(elem, scpt);
})();

_qevents.push(
{qacct:"p-yeADJca0S9FXE",labels:"_fp.event.Request Information Confirmation
Page",orderid:"INSERT+ORDER+ID"}
);
</script>
<noscript>
<img src="//pixel.quantserve.com/pixel
/p-yeADJca0S9FXE.gif?labels=_fp.event.Request+Information+Confirmation+Page&
orderid=INSERT+ORDER+ID" style="display: none;" border="0" height="1" width="1" alt="Quantcast"/>
</noscript>

A: assuming you mean a random unique ID,
for the javascript event tracking this should work:
// function to generate random id in js
function getRandomId() {
    var id = +new Date() + Math.random();
    return id.toString().replace('.','');
}
var btnReqInfo = document.getElementById('request_information_btn');
// bind the click on button
btnReqInfo.addEventListener('click', function() {
    // track the event
    _qevents.push({ qacct:"p-yeADJca0S9FXE", labels: "_fp.event.Request Information ConfirmationPage",orderid: getRandomId() });
, false);

About the content in the noscript tag, you can't do it with static html of course so you have to put in the context of your template (in the php file), something like this that generates a unique ID and then echo it in place of your placeholder.
Since I'm in the mood for structuring and cleaning, I took the liberty of refactoring a bit the code, in case, you can replace all your script with this (assuming you're using plain js (vanilla) and html 5):
<script>
    var _qevents = _qevents || [];

    (function() {
      var
        init = function() {
            loadScript();
            bindUi();
        },
        loadScript = function() {
            var elem = document.createElement('script');
            elem.src = (document.location.protocol == "https:" ? "https://secure" : "http://edge") + ".quantserve.com/quant.js";
            elem.async = true;
            elem.type = "text/javascript";
            var scrpt = document.getElementsByTagName('script')[0];
            scrpt.parentNode.insertBefore(elem, scrpt);
        },
        bindUi = function() {
            var btnReqInfo = document.getElementById('request_information_btn');
            btnReqInfo.addEventListener('click', track.order, false);
        },
        track = {
            order: function() {
                _qevents.push({ qacct:"p-yeADJca0S9FXE", labels: "_fp.event.Request Information ConfirmationPage", orderid: utils.getRandomId() });
            }
        },
        utils = {
            getRandomId : function() {
                 var id = +new Date() + Math.random();
                 return id.toString().replace('.','');
            }
        };
        init();
    })();
</script>

A: I would suggest using an AJAX call that is binded to the onclick event or .click if you're using JQuery
The AJAX call would hit a PHP script or call whatever you're using for analytics.


text:
"I've Got You" is a song by American singer Marc Anthony, for his sixth studio album and his second English studio album Mended. The single is Anthony's worldwide international hit, and also the most successful single from the album. It was released on June 17, 2002. A Spanish version, "Te Tengo Aquí", was also recorded for the album.

Track listing

Charts
It charted on the US Billboard Hot 100 at No. 81. The single also charted within top 50 in 7 countries.

References

External links

2002 singles
2002 songs
Marc Anthony songs
Songs written by Cory Rooney
Columbia Records singles


Ariana Grande posted a video of ex-boyfriend Mac Miller days after her split from comedian Pete Davidson and almost two months after Miller's death.
Ariana Grande's latest tribute to Mac Miller is giving fans a personal look at their relationship.
"Um, I've been covering a bunch of tattoos, that's fun," Davidson said. "I'm (expletive) 0 for 2 in the tattoo (department). Yeah, I'm afraid to get my mom tattooed on me, that's how bad it is."


text:
Astronomia
15628 Gonzales – asteroide della fascia principale

Geografia
Gonzales – città della Contea di Monterey, California
Gonzales – città della Parrocchia di Ascension, Louisiana
Gonzales – capoluogo della Contea di Gonzales, Texas

Persone
Alberto Reynaldo Gonzales – politico statunitense
Antonio Gonzales – calciatore peruviano
Antonio Gonzales – musicista italiano
Charlene Gonzales – modella e sttraice filippina
Chilly Gonzales – pianista canadese
Christian Gonzales y Herrera – maestro di karate e scrittore italiano
Curtis Gonzales – calciatore trinidadiano
Enrico Gonzales – avvocato e politico italiano
Ferdinando Gonzales – conte di Castiglia
Guillermo Gonzales – cantante italiano
Jermaine Gonzales – atleta giamaicano
Joseph Gonzales – allenatore di calcio e calciatore francese
Luciana Gonzales – cantante italiana
Manuel Gonzales – fumettista statunitense
Neptali Gonzales – politico filippino
Neptali Gonzales II – politico filippino
Pancho Gonzales – tennista statunitense
Paul Gonzales – ex pugile statunitense

Gonzáles
Christofer Gonzáles – calciatore peruviano
Cristian Gonzáles – calciatore uruguaiano naturalizzato indonesiano
Pedro Gonzáles – ex calciatore peruviano
Primitivo Gonzáles del Alba – criminologo spagnolo

Gonzalès
Eva Gonzalès – pittrice francese

Pagine correlate
González


The TE-4500f is a high performance system cash register. Its fully flat keyboard, fast twin station thermal printers, large three line LCD operator display with five back light colours and full stroke keyboard, ensure it is fast and easy to operate. With floating clerks/checks, up to three shared printers and a powerful scanning specification, the TE-4500f is the ideal cash register for the busy hospitality environment.
Casio TE-4500f full flat Keyboard.


No matter what type of business you own, or how big it is, you need to advertise. Many business owners in Maryland use promotional videos to reach their target audience. This method is highly effective, and projects can be tailored to suit most budgets. It is one of the most commonly used marketing tools available today, and the Internet has helped to significantly expand the audience. Many websites feature short videos that promote musical acts, products, services and events of any kind. Making a successful video largely depend on the kind of technical proficiency you can find in this area. Videographers should understand basic concepts like lighting, setting a scene and having good production values. The quality of their equipment will play a role in the finished product, so any professional you choose should have all the necessary tools at their disposal.
If you want to make a promotional video in Maryland, there are a few factors you should consider. The first is your reason for wanting the video in the first place. Selling products or services, and promoting special events will all require different approaches. This might put you in a situation where you are struggling with the right concept for your video. You would not be alone, as many business people do not instinctively understand how to reach out to their target market. Trying to make your own video could leave you with an hour or more of footage and no idea what to do next. Professional video editing, like that offered by Maryland based Infinite Resolution can turn your footage into a workable promotional video.
Making an effective promotional video in Maryland is not complicated if you have a team that understands video production. The success of your marketing efforts will hinge on the videographer you choose. A camera and some editing software is not enough to qualify someone as a professional in this field. Before you discuss your project, find out what types of videos the company has experience making. If they can help you with every stage of your video, starting with developing the concept, this might be the videography company for you.


An Energy Performance Certificate (EPC) is intended to inform a potential purchaser or tenant about the energy performance of a building, so they can consider energy efficiency and fuel costs as part of their investment decision to buy or rent a property. The EPC will show an energy efficiency rating for the energy performance of a home from A to G, where A is very efficient and G is very inefficient.
The EPC is a compulsory document which a seller or landlord must by law provide within 7 days when putting their property on the market for sale or to let and a copy of the EPC must be included within all written particulars relating to the property.
Accompanying the energy efficiency rating is an environmental impact rating of the CO2 emissions relating to the property. A recommendation report forms part of the certificate and it provides information about a range of improvement measures which could improve the home's energy performance and reduce fuel costs.
From October 2012 The EPC will form part of the governements 'Green Deal' initiative which will provide home owners with the opportunity to apply for a government grant to implement energy efficiency improvements as outlined within the EPC.
At Bramleys we can provide EPCs for all residential properties and all our in house assessors are fully qualified and regulated by Government approved body.


Photo courtesy of anoldent | Flickr.com.
The sea salt sprayed my face as waves crashed onto steel.
I can't stifle the scream any longer because I am fierce, but I fear.
rhythm of my salsa drenches your hips.
the beauty of Cuba personified.
Photo courtesy of Vanessa Sanchez.
Vanessa was born and raised on the beach in Florida, but now resides by the beach in San Diego with her husband and two children. She has attended University of South Florida, and is set to complete her Bachelor of Arts in English at National University this summer. She is an aspiring wordsmith, shameless foodie, lover of the sea and wearer of many hats.


People have used the amazing healing powers of cabbage for centuries. This cruciferous veggie is low in calories but high in fiber and various nutrients.
All that our body needs in order to naturally heal itself might already be the kitchen, so you do not need to seek some miraculous remedy but just visit the nearest grocery store.
Beets are definitely the most beneficial root vegetables, and their leaves are full of chlorophyll and other essential nutrients, and their greens are even more nutritious than the roots.


text:
New York Residents	rrjm3	2017-01-26T23:25:08+00:00
New York Residents Save big on solar!
Three reasons why solar is so hot in Staten Island right now:
It's plain and simple. Go Green and Save Green! By going solar, you'll be able to drastically reduce your electric bill.
By going solar you'll be eligible for state and federal tax benefits.
And you'll be doing something amazing for the environment for generations to come.
Governor Cuomo Extends New York City's Solar Property Tax Abatement
The New York City Property Tax Abatement for solar systems, which was set to expire at the end of December 2014, was recently extended by Governor Cuomo.
Not only was the abatement extended, it was increased, and made retroactive.
This is great news for Staten Island residents who had their solar systems installed this year AND those who are still thinking about "going solar".
Property Tax Abatement Details
The NYC Property Tax Abatement was increased from 10% of the system cost over 4 years (net of the NYS rebate) to 20%.
The change is made retroactive for any system installed after January 1, 2014.
The abatement is now set to expire at the end of 2015.
To obtain a tax abatement, a system must be installed and have passed inspection by December 31, 2016 and an application must be filed before March 15, 2017.
Check with your solar company installer to ensure your application will be filed on your behalf.
While all the details of the new bill, including next steps and timing, have yet to be worked out, the good news is that Staten Island residents will continue to have another reason for installing a solar system on their homes.
New York's Commitment to Solar Energy
Earlier in 2014, a $1 billion investment to growing the clean energy economy in New York was approved.
This investment, including generous government incentives, have helped the solar industry gain traction, as well as attract consumers looking for additional reasons to consider solar energy for their homes or businesses. New York's ongoing commitment to reduce greenhouse gas emissions, help fund the solar industry, benefit local residents and protect the environment is clear.
According to the Solar Energy Industries Association (SEIA), New York ranked 9th out of the 50 states in solar capacity installed in 2013. Ongoing government support for the industry should help to expand solar capacity throughout Staten Island and most of New York State.
Understand How Solar and Net Metering Work
Watch this brief video, created by Con Ed, which describes how solar energy and net metering work and how your electric bill is calculated when you go solar.


text:
Джозеф Вуд (; 1778—1830) — американский художник, миниатюрист, мастер портретной живописи.

Джозеф Вуд приехал в Нью-Йорк в возрасте пятнадцати лет и устроился на работу помощником к мастеру по изготовлению серебряных изделий.
Учился, копируя миниатюрные портреты, которые были оставлены клиентами в магазине для окончательной обработки.

В 1813 Д. Вуд переехал в Филадельфию, а позже работал в Балтиморе и Вашингтоне (округ Колумбия), пользуясь успехом у клиентов за свои тщательно выполненные портреты.

Работал в технике акварели, масла и карандашом. Был известен своими профильными портретами.

При создании своих работ использовал популярное в начале XIX века устройство физионотрас (physiognotrace).

Примечания

Литература
 George C. Croce, Jr., and J.T. Chase Willet, "Joseph Wood: A Brief Account of his Life and the First Catalogue of his Work, " The Art Quarterly (Spring, 1940)

Ссылки
 Joseph Wood
 Joseph Wood (American, 1778—1830)

Художники США XIX века
Художники-портретисты США
Художники-миниатюристы


November 2000, 6x9", 60 pages, 19 b&w figures, tables, bibliography.
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Saltville Valley is an important source of information about the environmental history of the Middle Appalachian region, especially for the past 15,000 years. The Saltville River coursed the valley until about 13,500-13,000 yrs BP, at which time it was diverted by headstream piracy and replaced in Saltville Valley, by Lake Totten. At site SV-2 (=44SM37), three horizons dating from 14,510 +/- 80 yr BP to about 13,500-13,000 yr BP document the presence of pre-Clovis people in Saltville Valley and provide insight into their lifeways. At 14,510 yr BP, pre-Clovis people appear to have butchered and processed hide, meat, bones, and tusks of a mastodon (Mammut americanum) and to have utilized parts of the skeleton of a musk ox (Bootherium bombifrons). Five hundred years later, at 13,950 +/- 70 yr BP, human presence is suggested by unlikely arrangements, associations, and modifications of lithics, including flakes of chert that resemble biface reduction flakes. A midden dating from about 13,500 to 13,000 yr BP constitutes the youngest of the three pre-Clovis horizons recognized to date at SV-2.
SV-2 is one of the few and most complex pre-Clovis archeological sites in North America, and because it is a wet site, it contains a relatively extensive amount of organic information. Evidence suggests that the pre-Clovis people who visited Saltville Valley in 14,510 yr BP had a diversified ivory, bone, and lithic technology--possibly including a biface technology. These people appear to have been mobile hunters and gatherers who regularly visited and exploited the riparian and littoral zones in Saltville Valley where they utilized diverse faunal resources ranging from large mammals to small mammals, reptiles, amphibians, fish, and mussels.


Fly off on an adventure with Alpine Helicopter Charter and land up high with views over the Mansfield Valley and Lake Eildon. Enjoy refreshments and return over the top of the Mansfield Township.
Tour duration is approximately one hour. Visit their website to see the full range of scenic tours available including flights to Craig's Hut.
Rates are per person, twin share. A third person is an additional $65. Prices subject to change without notice. Contact operator for more details.