Game Day: Day 5 began 9 months, 3 weeks ago on July 1, 2018, 11:27 p.m.
9 months, 3 weeks ago The game is over.
9 months, 3 weeks ago b-minus1 was executed on day 5!
9 months, 3 weeks ago A deadline has been set for Monday, July 02 at 11:00 PM EDT.
9 months, 3 weeks ago Day 5 has begun!
9 months, 3 weeks ago Retro Futurist was executed on day 4!
9 months, 3 weeks ago A deadline has been set for Sunday, July 01 at 11:00 PM EDT.
9 months, 3 weeks ago Day 4 has begun!
9 months, 3 weeks ago AnonymousNarcotics was executed on day 3!
9 months, 3 weeks ago A deadline has been set for Friday, June 29 at 11:00 PM EDT.
9 months, 3 weeks ago CCKeane was executed on day 2!
9 months, 4 weeks ago A deadline has been set for Tuesday, June 26 at 11:00 PM EDT.
9 months, 4 weeks ago Day 2 has begun!
9 months, 4 weeks ago Anomalous Amalgam was executed on day 1!
10 months ago A deadline has been set for Saturday, June 23 at 11:00 PM EDT.
10 months ago A new game was created by Slamburger!


It is with a heavy heart that we need to inform our community that the Tauranga Seventh-day Adventist church and supporting churches will not be running Road to Bethlehem for 2018 . The decision was not made lightly and was done after much discussion and prayer. We are taking this year to fine tune and refine the program so that we can share the story of Jesus once again in 2019. Thank you for your support over the last 9 years and we will see you all again at Road to Bethlehem in 2019.


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The Prêmio Extra de Televisão de melhor telenovela (English: Extra Television Awards for Best Telenovela) is a category of the Prêmio Extra de Televisão, awarded to the best telenovela on Brazilian television.

Winner

1998–2008
 1998 – Torre de Babel, by Silvio de Abreu
 1999 – Terra Nostra, by Benedito Ruy Barbosa
 2000 – Laços de Família, by Manoel Carlos
 2001 – Presença de Anita, by Manoel Carlos
 2002 – O Clone, by Glória Perez
 2003 – Mulheres Apaixonadas, by Manoel Carlos
 2004 – Celebridade, by Gilberto Braga
 2005 – América, by Glória Perez
 2006 – Páginas da Vida, by Manoel Carlos
 2007 – Paraíso Tropical, by Gilberto Braga and Ricardo Linhares
 2008 – A Favorita, by João Emanuel Carneiro

2009–present
 2009 – Caminho das Índias, by Glória Perez
 Bela, a Feia, by Gisele Joras
 Caras & Bocas, by Walcyr Carrasco
 Paraíso, by Edmara Barbosa
 Poder Paralelo, by Lauro César Muniz
 Três Irmãs, by Antônio Calmon
 2010 – Passione, by Sílvio de Abreu
 Ti Ti Ti, by Maria Adelaide Amaral
 Viver a Vida, by Manoel Carlos
 Escrito nas Estrelas, by Elizabeth Jhin
 Cama de Gato, by Duca Rachid and Thelma Guedes
 Ribeirão do Tempo, by Marcílio Moraes
 2011 – Cordel Encantado, by Duca Rachid and Thelma Guedes
 Araguaia, by Walther Negrão
 Insensato Coração, by Gilberto Braga and Ricardo Linhares
 Morde & Assopra, by Walcyr Carrasco
 O Astro, by Alcides Nogueira and Geraldo Carneiro
 Rebelde, by Margareth Boury
 2012 – Avenida Brasil, by João Emanuel Carneiro
 Amor Eterno Amor, by Elizabeth Jhin
 A Vida da Gente, by Lícia Manzo
 Cheias de Charme, by Filipe Miguez and Izabel de Oliveira
 Fina Estampa, by Aguinaldo Silva
 Gabriela, by Walcyr Carrasco
 2013 – Amor à Vida, by Walcyr Carrasco
 Flor do Caribe, by Walther Negrão
 Lado a Lado, by João Ximenes Braga and Claudia Lage
 Salve Jorge, by Glória Perez
 Sangue Bom, by Maria Adelaide Amaral and Vincent Villari
 Saramandaia, by Ricardo Linhares
 2014 – Império, by Aguinaldo Silva
 Boogie Oogie, by Rui Vilhena
 Em Família, by Manoel Carlos
 Joia Rara, by Duca Rachid and Thelma Guedes
 Meu Pedacinho de Chão, by Benedito Ruy Barbosa
 O Rebu, by George Moura and Sérgio Goldenberg
 2015 – Verdades Secretas, by Walcyr Carrasco
 Além do Tempo, by Elizabeth Jhin
 A Regra do Jogo, by João Emanuel Carneiro
 Babilônia, by Gilberto Braga, Ricardo Linhares and João Ximenes Braga
 Os Dez Mandamentos, by Vívian de Oliveira
 Sete Vidas, by Lícia Manzo
 2016 – Êta Mundo Bom!, by Walcyr Carrasco
 Escrava Mãe, by Gustavo Reiz
 Haja Coração, by Daniel Ortiz
 Liberdade, Liberdade, by Mário Teixeira
 Totalmente Demais, by Rosane Svartman and Paulo Halm
 Velho Chico, by Benedito Ruy Barbosa and Edmara Barbosa

See also
Latin American television awards

References

External links
Official website

Soap opera awards
Brazilian television awards
Latin American television awards
Prêmio Extra de Televisão
1998 establishments in Brazil

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Coumba Kane est une journaliste française qui travaille au Monde Afrique depuis 2015. Elle a passé une partie de son enfance entre le Sénégal, le Mali (pays d'origine de ses parents) et la France.

Études et carrière
Après avoir obtenu un master sur l'histoire de l'Afrique à l'Université Paris 1-Panthéon Sorbonne, elle obtient son diplôme de journaliste à l'Institut pratique du journalisme.

Sa carrière professionnelle comprend des passages dans les médias tels que France 24, France Télévisions et AFRICA 24TV.

Après un passage sur France Ô où elle y présente les journaux télévisés Info>Afrique, elle rejoint Le Monde Afrique où elle y travaille depuis 2015.

Les questions qu'elle explore dans son travail incluent le genre, la santé sexuelle et reproductive, l'éducation et les inégalités sociales.

Dans le cadre de son travail journalistique, Kane a réalisé des reportages sur les violences faites aux femmes en Afrique, le mouvement Me Too en Afrique francophone et la lutte des militants de la région contre les violences sexuelles.

Références

Liens externes

Journaliste française du XXIe siècle


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A.Vogel plant encyclopaedia
Plant Encyclopaedia > Drosera rotundifolia (Round-leafed Sundew)
Drosera rotundifolia L.
Round-leafed Sundew
The name Drosera comes from the Greek words drósos and droseros meaning "dew" and "covered in dew" respectively. These words refer to the dewy excretion from glandular hairs on the edges of the leaves. In old herbals the plant is known as Rosa solis, meaning "dew of the sun", hence Sundew. The Latin word, rotundifolia means "round-leafed".
In the Nordic saga, the Edda, these dewdrops are understood to be the tears shed by the goddess Freya, who was unable to endure the separation from her spouse, Odin. The plant's unique dewdrops, which do not evaporate in sunshine, are indeed a strange phenomenon which have long preoccupied humankind's imagination. In the thirteenth century, alchemists attempted to manufacture gold from this secretion or an elixir for longevity entitled "Ad longam vitam suam". They did not, however, succeed. The plant does not appear to have been known to those practising medicine in ancient Rome; it was, however used during the Middle Ages as a remedy for coughs, lung infections, whooping cough, consumption (tuberculosis), epilepsy, as well as kidney and bladder conditions.
In Sweden, a species of Drosera is used in combination with proteolytic enzymes to produce something known as "thick" or "long milk". The result is a refreshing, slightly sour-tasting, thick drink which stays fresh for long time.
Botanical characteristics
This insectivorous plant comprises one main root and auxiliary roots. The plant has striking, orbicular, hollow leaves on long stalks, depressed, laying flat on the ground. On the edge of the leaves and on the upper surface are numerous purple-coloured glandular hairs which each have a small shiny round gland at the top. These glands secret a thick, sticky fluid in order to attract and trap tiny insects. The glandular hairs gradually grow inwards towards their prey until the insect's body is engulfed by the glandular heads which secrete a pepsin–like digestive fluid. The by-products from proteolysis are absorbed by the glandular hairs, leaving the insect's chitinous shell behind on the leaf. Animal protein is necessary for carnivorous plants, since they usually grow in soil lacking in nutrients. If necessary, these plants are also capable of drawing nutrition from water, carbon dioxide and sunlight just like other normal plants; however, if forced to do this they will be weaker than otherwise.
Erect, thin flower-stems grow to a height of about 10 to 20 cm from the centre of the leaf rosette, these bear a one-sided, coiled, simple raceme prior to producing small, greenish-white flowers. The plant reproduces largely asexually from leaf buds.
The plant blooms from July to August.
This fascinating little plant can be found growing in acidic moors, peat-rich soils and swamps in Arctic but also in mild zones of Europe, Asia and North America, occurring both in plains as well as at heights of up to 1.800 metres above sea-level. The steady decline of swampy areas in central Europe has had a highly adverse affect on the proliferation of Sundew and the plant is now a protected species. For this reason, the D. ramentaceae plant, which is indigenous to Madagascar, is used instead in pharmaceutical production. The plant is cultivated in special crops specifically intended for pharmaceutical manufacture.
A.Vogel/Bioforce uses fresh Sundew harvested in Finland, where the plant is in abundance and is therefore not a protected species. The plant is collected while in bloom and then sent immediately via air freight to Switzerland, where it is combined with alcohol to produce a tincture. A.Vogel/Bioforce conducted a study in Finland which revealed that, on account of extensive areas of swamplands in this country,
D. rotundi¬folia was not an endangered plant and that the current harvesting of the plant in the wild was sustainable.
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Encyclopaedia (latin) Achillea millefolium L. Aconitum napellus L. Aesculus hippocastanum L. Allium sativum L. Ammi visnaga (L.) LAM. Angelica archangelica L. Aralia racemosa L. Aristolochia clematitis L. Arnica Montana L. Avena sativa L. Baptisia tinctoria (L.) R.B.R. Betula pendula ROTH Bryonia cretica L. ssp. dioica Cardiospermum halicacabum L. Centaurium erythraea RAFN. Cimicifuga racemosa (L.) NUTT. Cinnabaris Cnicus benedictus L. Crataegus monogyna JACQ. & laevigata (POIR.) DC Cyclamen europaeum L. Cynara scolymus L. Drosera rotundifolia L. Echinacea purpurea (L.) Moench Equisetum arvense L. Eucalyptus globulus Labill. Eupatorium perfoliatum L. Ferrum phosphoricum Galphimia glauca CAV. Gelsemium sempervirens (L.) Gentiana lutea L. Ginkgo biloba L. Glycyrrhiza glabra L. Harpagophytum procumbens Hedera helix L. Humulus lupulus L. Hydrastis canadensis L. Hypericum perforatum L. Kalium bichromicum Lachesis muta L. Larrea mexicana MORIC. Lemna minor L. Luffa operculata L. COGN Melissa officinalis L. Mentha x piperita L. Okoubaka aubrevillei PHELLEG. et NORMAND Ononis spinosa L. Panax ginseng C.A. MEYER Passiflora incarnata L. Peumus boldus MOL. Picea abies (L.) KARST. Pimpinella anisum L. Pimpinella saxifraga L. Potentilla anserina L. Pulsatilla pratensis (L.) MILL. Salvia officinalis L. Sanguinaria canadensis L. Sepia officinalis L. Serenoa repens (BARTR.) SMALL Silybum marianum (L.) GAERT. Solidago virgaurea L. Strychnos ignatii BERG. Taraxacum officinale WEB Thymus vulgaris L. Urtica dioica L. Valeriana officinalis L. Vitex agnus-castus L.
Encyclopaedia (english) Aconit American Spikenard Angelica Anise Arnica Artichoke Balloon vine Black Cohosh Blessed Thistle Boldo Boneset Burnet Saxifrage Bushmaster Canadian bloodroot Centaury Chaste tree or Monk's Pepper Common Birch Common Birthwort Common Horse Chestnut Common Ivy Common Thyme Creosote Bush Cyclamen Dandelion Devil's Claw Eucalyptus Galphimia Garlic Ginkgo tree Ginseng Goldenseal Greater nettle Hawthorn Hop Horsetail Iron Phosphate Khella Lemon Balm Lesser Duckweed Licorice / Liquorice Milk Thistle Norway spruce, Pine Oats Okoubaka Passion flower Peppermint Potassium dichromate Purple Coneflower Red Mercuric Sulfide Round-leafed Sundew Sage Saw Palmetto Silverweed Spiny Restharrow Sponge Cucumber Squid St. Ignatius bean St. John's wort True Goldenrod Valerian White Bryony Wild Indigo Wind flower Yarrow Yellow Gentian Yellow Jasmine
Official designation 
Sundew herb
Droseracae
D. septentrionalis ST.
Rossolis septentrionalis SCOP.
Rorella rotundifolia ALL.
Dew plant
Lustwort
Moregrass
Red Rot
Youthwort
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Montaer Scores Major Flight School Order; Announces 915 Model for USA plus Electric Project
August 8, 2022 by Dan Johnson 6 Comments
We leave the grounds of Oshkosh ghosted with images of planes that attracted major interest. From Wisconsin we fly far south to Brazil, home to Montaer and its MC-01, number 154 on our Special Light-Sport Aircraft List.
An airplane so stealthy, a pilot thought he could still enter. This had been Archon (earlier article).
Montaer will now be represented in the USA by a new group, Aero Affinity, whose ambitions are impressive and pilots may love all the services and choices they are proposing to deliver. Actually, they're already delivering because the entities making up Aero Affinity are free-standing groups, each functioning in the industry today. Collaborating is a way to offer even more while spreading some of the cost among the group.
The Boys from DeLand came to Oshkosh to promote their new event, Aero Showcase and their new collaboration, Aero Affinity (links below).
This same team made a splash at AirVenture with their matching Aero Showcase logowear. Here's their website about the inaugural event scheduled for October 21-22, 2022.
For now, however, we're going to blast part-way around the globe to Brazil where Montaer Aircraft scored big with a large order.
I'll also highlight their coming Rotax 915iS-powered MC-01 plus a few words about their electric MC-01. Ready for takeoff?
See relevant links at the end of the article.
Montaer is SAFE
Recently, Montaer Aircraft and SAFE, a major Brazilian flight training operation, announced an agreement to buy 60 MC-01 Aircraft. The announcement event drew dignitaries.
Brazil's Answer to Mosaic — In a public ceremony, the President of ANAC (Brazil's counterpart to FAA), Mr. Luiz Ricardo Nascimento and other officials joined aviation enthusiasts in celebrating the recent approval of the new Light-Sport Aircraft rules in Brazil, which established new grounds for Brazilian aviation modernization. The new ANAC rule is said to be similar to FAA's Mosaic proposition. (A future article will look into this and other CAAs modernizing LSA worldwide.)
Addressing the event, Nascimento said: "We aviators know that flight clubs and flight schools hold a reasonably old fleet, and this comes because of the high cost of certified aircraft. Therefore, this deal will allow an update in our institutions. We will diminish the gap that we have between the '70s aircraft cockpits and what the freshly graduated pilots will find mainly in Executive or Commercial Aviation. It means a gain in quality of instruction; a gain in safety; and it's a gain to all us Brazilians."
It doesn't hurt to have the head of your FAA-like organization making such statements when a manufacturer and a flight school can announce a major acquisition.
The announcement of "60 Montaer aircraft ordered by SAFE flight school" was cause for a big celebration. The purchase was "a culmination of a process that started almost a year ago when the SAFE technical committee established the requirements for a new aircraft to gradually substitute its current fleet." According to SAFE, they were looking to acquire a good performer and safe aircraft to instruct their pilots. They sought an aircraft that was "docile" as a Cessna 150, and had a ballistic parachute like the Cirrus SR-20 currently in SAFE's fleet.
SAFE also wanted a manufacturer willing to create an electric version to let SAFE reach the goal of zero carbon emissions by 2025. The 60 aircraft delivery will occur over a 10-year timeframe.
The Promise of Electric
In 2021, SAFE flight School had announced that it would feature a prominent European aircraft model in its basic flight instruction fleet, but according to SAFE, "The high acquisition cost and lack of insurability of the European aircraft model greatly elevated the investment while Montaer's MC-01, regarded as a safe and Brazilian national product.
SAFE and Montaer are in discussions with prominent electric motor suppliers such as Rolls Royce, Honeywell, and Brazilian WEG (which developed the electric propulsion engine system used in Embraer's EMB-203 Ipanema). On this topic, the entrepreneur, founder, and CEO of Montaer, Bruno de Oliveira said, "SAFE's project is a beautiful and ambitious one, and for us at Montaer, it's a great opportunity. It represents a big milestone to be able to bring the best of electric aviation technology to Brazil. By the next year, our first electric aircraft will already be a reality."
Rotax 915iS for Americans
Montaer MC-01 is a new generation of Light-Sport Aircraft designed and built in Brazil. In the USA, it is designated as a Special Light-Sport Aircraft (SLSA) as it has demonstrated compliance with all industry ASTM standards accepted by the FAA.
After debuting their 912 model at Sun 'n Fun 2021, Montaer recently announced their 141-horsepower model equipped with the turbocharged, intercooled Rotax 915iS. A 915-powered MC-01 for the U.S. market will also be equipped with two 10-inch Garmin G3X Touch instruments plus a G5 backup unit. An autopilot and ballistic parachute can be added as optional equipment.
This year Montaer invested in establishing a presence in the U.S. thru its subsidiary, Montaer Aircraft LLC based at the DeLand, airport (921 Biscayne Blvd; Hangar E16; DeLand, FL, 32724), an affiliate of Aero Affinity. The partnership with Aero Affinity Holding Corporation helps assure quality assistance and technical support to American customers.
Montaer MC-01 with the Rotax 915iS will be unveiled and debuted at the Aero Showcase at DeLand on October 21 and 22 this year (link below)
The second video below goes into some detail about the aircraft, its construction, and special features.
Email for more
Telephone: 386-345-AERO ••• 260-460-7587
Specification for Montaer MC-01
Content about Montaer Aircraft on ByDanJohnson.com
Aero Affinity
Rotax Aircraft Engines
Garmin G3X Touch
Aero Showcase Event
Safe Flight School (Brazil; translated website)
Brazil's new Mosaic-like regulation
With flashy lighting and messages geared to its Brazilian audience, this professionally-produced announcement party shows the flight school operation is pleased about adding the new Montaer model to their training fleet.
Here's my interview of Bryan Tittle from Sun 'n Fun 2021 which goes into some detail about MC-01 from Montaer.
Filed Under: Aero Affinity, BRP-Powertrain (Rotax Aircraft Engines), Garmin International, MC01, Montaer Aeronaves (Brazil), Splog
Alan Bishop says
I did not see or hear any mention of the cabin width, either in the video or the specs.
Shalom Confessor says
Dear Alan, the cockpit width is 45 inches and the height is 43 inches.
Michael Spunich says
Dan, if there are no rivets on the wing skin, is the skin glued on? And if so, how difficult does that make it for repairs?
Montaer is not saying how they achieved this smooth finish, but I suspect they are somehow covering the rivets. However they do it, it's a good look, isn't it?
Jack H says
Delighted to see DeLand will have another Light-Sport Showcase!
Wow! A 60 plane order! Nice to hear they are doing so well. Behind the Aeroprakt A32, this is second on my wish list. And now with the uncertainty of the Ukrainian war, this will likely bump up to first spot. What's not to like? Fast cruise speed, slow landing speed, "certified" for four seats, large useful load, big third door, yokes…
Thanks for the update, Dan. I had not heard about this new, large order.


The console itself looks like a beefed-up Wii, with full 1080p video output, 2 GB RAM and new, top-secret IBM PowerPC-based CPU.
The system will be backward compatible with Wii, and Wii U games can support compatibility with Wii peripherals, such as the Wii Remote Plus and the Nunchuk. Unlike the console before it, the Wii U will not be backward compatible with Nintendo GameCube discs or peripherals.
For $349 at Best Buy, you can pick up a black model with Nintendo Land in the box.
The new console goes on sale in the US tonight at midnight.


The highest-profile work on creating a deep, fiber-based broadband infrastructure in the United States has been done by two companies: AT&T and Verizon. Their U-verse and FiOS projects, respectively, have allowed a huge swath of the telephone industry to transition to a sophisticated broadband player.
What is not as newsworthy is that many of the advances in telecommunications infrastructure are made – and always have been made – by smaller telephone companies, many of which are rural areas. These companies, cumulatively, provide services to a large minority of the American people – and most of its land mass.
There always has been a tricky issue with rural phone companies: The density of subscribers per mile has made it financially difficult to justify bringing infrastructure to many areas. It just isn't worth it. The Telecommunications Act of 1996 took on this issue by setting up a system of subsidies through which the big telephone companies support their smaller cousins.
That system, which has a complexity level that makes the tax code look like the puzzles on a kid's menu at a diner, is based on mostly copper networks that are dedicated to delivery of voice. The problem, thus, becomes fairly obvious: Propping up the entire intricate edifice of rules and regulations becomes increasingly cumbersome as the technology shifts as drastically as it has during the past two decades.
Enter President Obama. One of the signature initiatives of his administration – or, more accurately, his administration's regime at the Federal Communications Commission – is to modernize the Universal Service Fund (USF) to support richer fiber infrastructure and the broadband services that ride upon them. This effort is named the Connect America Fund (CAF).
The problem is that transitioning from the USF to the CAF is monstrously complex. Obamacare may be a bit more outwardly political and certainly has gotten far more publicity. The top-level challenges are similar, however: Both are hugely complex forays into largely unchartered waters that would be difficult even if everyone were pulling in the same direction. Add layers of differing philosophies and outright partisan political maneuverings and the result is a transition that is problematic at best and one step away from paralysis at worst.
In the Obamacare analogy, the idea is that uncertainty about the new rules is slowing hiring and otherwise disrupting the normal flow of business in the health care sector. A similar thing is happening in the world of small telephone companies: Uncertainty over how much money they are going to get, when they are going to get it and other fundamental questions is slowing investment, according to those familiar with the situation.
In March, the NTCA–The Rural Broadband Association released a survey of its small telco membership. While many of the findings were positive – for instance, 74 percent of respondents offer fiber to the home, which is a 10 percent jump from 2011. Speeds also are up. However, the survey showed that the transition from USF to the CAF is generating great angst. Respondents said that their plans could be delayed or squelched completely due to regulatory uncertainty, according to the press release on the survey. More than three-quarters said that regulatory uncertainty is the greatest threat to broadband deployment. The concern that scored higher is cost, the release said.


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Richard J. DeAngelis
Hershey High School
Richard J. DeAngelis, 92, of Hershey, passed away on June 2, 2017 in Spang Crest Manor, Lebanon.
He was born in Hershey, on January 2, 1925, son of the late Domenico and Genueffa (Quaglia) DeAngelis.
Richard graduated from Hershey High School in 1942, then worked in Pearl Harbor for the U.S. Navy as a civilian machinist supporting repairs of battleships and aircraft.
After the war, he was a machinist at the Air Force base in Middletown and a school bus driver before operating DeAngelis Restaurant in Hershey (est. 1935), with his brother Sam, until its sale in 1989 to the Fenice family. He was also co-owner of Mazzoli Ice Cream for several years.
Richard was an excellent roller-skater, built the best model airplanes and go-karts, could repair anything, and was a legendary joke-teller. Ever a friend to the duct-tape industry, he also personified thrifty creativity by making countertop stands to hang bananas (now sold everywhere), drying racks for zipper-lock bags, and soda-can whirligigs.
He was a devout Catholic and sang in the St Joan of Arc Choir for 70 years, retiring in 2016. He was a member of the St Joan of Arc Catholic Church & their Areba Club and the U.S. Air Force Association, and served the Pennsylvania State Snowmobile Association as a State Licensing Instructor.
Richard is survived by four sons: Thomas DeAngelis and Robert DeAngelis of Hershey, Jon DeAngelis of Chatham, NJ, Richard DeAngelis, Jr. of West Chester; and five daughters: Virginia Vernet of Mt. Gretna, Therese DeAngelis of Yardley, Ann Refford and Rita DeAngelis, both of Hershey, and Gina DeAngelis Bianco of Williamsburg, VA; eleven grandchildren: Richard, Joseph, Elizabeth, Marie, Bernadette and Audrey DeAngelis, Christine Houser, Kim and Bruce Vernet, Jr., and Dominic and Eli Bianco; one great grandchild, Luke Houser, brother, Sam, 94; and several nieces and nephews.
In addition to his parents, his wife of 61 years, Jean (Guardiani) DeAngelis, and one daughter, Marie L. DeAngelis, preceded him in death.
A visitation will be held Thursday June 8, 2017 from 6 - 8 PM (rosary at 6 PM) & Friday June 9 from 9:30 - 10:30 AM, in the Hoover Funeral Homes & Crematory of Hershey.
Mass of Christian Burial will be on Friday, June 9 at 11:00 AM at St. Joan of Arc Church, 359 West Areba Ave, Hershey.
Interment will be in the Hershey Cemetery.
The family prefers memorial contributions be made to St Joan of Arc Heart of the Parish Fund.
Send condolences via the online guest book at www.hooverfuneralhome.com
Published by Patriot-News on Jun. 6, 2017.
St. Joan of Arc Church
359 W. Areba Ave., Hershey, PA
How do you know Richard J. DeAngelis? (Optional)
To Ann and the DeAngelis Family...
I have had the blessing of receiving love and hospitality, and Easter bread, and playing the piano in your living room... and listening to Marx Bros.records....and I have enjoyed the world's most delicious pizza at the DeAngelis restaurant...and had many fun times at Hershey Park and at Chocolate World.....all good memories......
Ann...you and your parents and family always made me feel at home !!!
I am so very sorry for the loss of your Dad (and husband and uncle and Grandpa....).
Peace be with you all.
Love, Becky (Becker) Samsa
My deepest sympathies to the DeAngelis family. Dick was a wonderful neighbor and great human being, a faithful servant of the Lord who walked the walk. He will be missed.
Rita Rossi
Dick was such a warm and wonderful blessing to my Mother in her later years. Always, always always there to lend a hand to help her out. Always a smile on his face. I'm sure he is reuniting with so many friends and family...especially Jean and of course my Mom and Dad.
Jan Huzvar
I have always known Dick to be a man of sincerity, integrity & compassion. He touched the lives of many. Loved by family & many friends, he was also loved & respected in the community. His passing will leave a huge void in the lives of many.
Linda Rossi Kitsmiller
I was always fascinated with airplanes, and one day, when in grade school, I stopped by uncle Dick's home and he took me to his basement and showed me his flying airplanes. Well, I was impressed! He gave me an airplane he built and, with it, I learned to fly U-control in the field where Pronio's store is now located. Eventually I graduated to "big model planes" and flew at the Hershey airport. The next thing I knew I had a B.S. degree in Aerospace Engineering from PSU and on my way to a career with NASA as an aeronautical research engineer. Uncle Dick was my very early career mentor, and in my mind, he was a great man. My condolences to his family.
Michael DeAngelis
my condolences go out to the DeAngelis family. I worked there as a teenager with my mother(Betty Knickerbocker), they always treated you like family. Ella Jean Hain
Ella Jean Hain
To The DeAngles,Your dad was such a great man.He truly was a kid at heart.I have many memories of him flying his airplanes behind the school.He would take the time to play with all the neighborhood kids.I use to love to watch him put up THE Santa sleigh at Christmas time.This man will truly be missed.I am so sorry for your loss.one of the Areba kids love Maria Rossi
Maria ALLAMON
Rita,
So sorry about your Father.
With Sincere Sympathy,
Vicki Lego
My deepest condolences to your family. You are very blessed to have had him with you for so long. He always greeted me with a smile when I would visit Therese at the family home. A wonderful man!
Kathy Burns
To the DeAngelis Family -
What a kind and gentle soul we have lost. My thoughts and prayers are with you all at this time.
Brenda Pera
To all of the DeAngelis family , Bob and Tom and all, please accept my sympathy in your dad's passing. What a good man ! A gentleman extraordinaire ! It was my good fortune to have known him and worked for him . Heaven welcomes a very good soul ...
Marino Gaspari
Richard lived quite the life. He enjoyed spending time with others and they too enjoyed his company. He will be missed.
Rita, My sincere sympathy in the loss of your Father. May the wonderful memories you have of him bring you peace and comfort in the difficult days ahead. In sympathy, Linda Bates


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I´ll make a separate entry about this rifle, but now most of the details are kinda given except for the particular caliber. It should however narrow it down to three or four possible candidates - all of which can be used for the Big Five in Africa. Stay tuned as the article may appear at any... quarter. Just don't hold your breath.
At the moment there are a few loose ends concerning this rifle, one of them being the open sights. They were delivered in a bag by the previous owner, and of course one screw is missing from the front and rear sight (where on earth would you find tiny screws like these without buying a complete set of open sights?).
I also need to get "Kråk-Johan" (Crow Johan) to replace the buttplate with a Pachmayr Old English to give the rifle the correct looks. Now it sports a Pachmayr F550 and it simply looks terrible.
Since my old man's Sako Finnbear 30-06 lacks open front sight due to shortening of the barrel and threading for a suppressor, I finally decided to remove the rear sight base using some heat after a friend told me that it's only soldered onto the barrel. Piece of cake!
And then I decided to go against my principles and invest in a shotgun. Embarassingly enough, it all ended with me buying a brand new (and quite lovely) Remington 1100 Sporting which is now... the most expensive weapon I possess. The lord sure works in mysterious ways.
And last but not least: today I added yet another Winchester model 70 to the collection. More about that later. Together with the Featherweight 270 and the Safari Express, it should cover more or less anything that I can even think of hunting.


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Astronomers at Herstmonceux: in their own words
For forty years, Herstmonceux in Sussex was the home of one of the world's great scientific institutions, the Royal Greenwich Observatory. More than 200 people worked there and lived in the local community.
'In their own words' this book recaptures the flavour of life at The Observatory, recorded in the personal recollections of people who spent much of their working lives there. It tells of freezing nights at the telescopes of the Equatorial Group, of days spent compiling essential tables for the Nautical Almanac before computers were available, and many other aspects of the astronomers' everyday life and work.
It is a lively and engaging record of a unique - and now vanished- way of life and abounds in anecdotes:
Why did one astonomer's trousers catch fire?
Whose observations were interrupted by blood-chilling screams?
Price includes 2nd class postage to UK address.
68 pages, paperback. Editor Anthony Wilson.
Science Projects Publishing. ISBN 978 0 9512394 1 4
2017 reprint exclusively available from The Observatory Science Centre.
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Biografia

Esordi
Giovanna Bersala è nata a Catania, da Malick Babou Guèye e Katty Bersola ed ha un fratello minore Stefano Bersola. La sua carriera, che inizia a 15 anni spazia dal pop, alla dance (eurodance e house), dal jazz e alla musica leggera italiana. Ha lavorato come corista di Zucchero Fornaciari ne L'Urlo Tour Europa Italia e nell'album Spirito DiVino e collaborato con Adriano Celentano e Luciano Ligabue.

Voce per Hit di successo
Jenny B presta la sua voce per diversi brani eurodance. "The Rhythm of the Night" pubblicato il 5 novembre 1993, come brano della frontwoman Corona, è in effetti cantato dall'artista Jenny B. Si tratta di uno dei brani eurodance più famosi e rappresentativi degli anni novanta, nonché tormentone, restando nella top 1 per otto settimane consecutive e diventando il singolo più venduto del 1994 in Italia. Una versione remix della canzone raggiunse la posizione numero due nella classifica del Regno Unito nel settembre 1994.
Jenny B ha dichiarato in un'intervista di avere all'epoca timore del palcoscenico, preferendo lavorare solo in studio: "Lo studio era sicuro per me, non c'erano finestre, solo io e la musica. Era un periodo in cui la musica dance e l'eurodance erano generi molto prolifici in Europa e all'epoca vivevo in Italia, quindi cantavo tre o quattro canzoni al giorno come vocalist. La cantante brasiliana Olga Souza divenne la frontwoman della canzone sul palco e in tour.
La voce di Jenny B nel brano "The Rhythm of the Night" viene ripresa dal gruppo musicale americano Black Eyed Peas e inserita nel loro brano Ritmo (Bad Boys for Life), e diventando a sua volta un nuovo successo commerciale internazionale. Ritmo (Bad Boys for Life) ha debuttato alla posizione 100 della Billboard Hot 100 statunitense nella pubblicazione del 30 novembre 2019, segnando la 17ª entrata per i Black Eyed Peas nella Hot 100.

Altri brani dance che Jenny B canta sono The Summer Is Magic dei Playahitty e You and I di J.K.
Anche The Summer Is Magic divenne un singolo di successo, entrando nella classifica di vendita Top 40 in Austria, Francia, Germania, Italia, Paesi Bassi, Svezia e Svizzera, diventando un tormentone estivo di quell'anno.

Funky Company: svolta soul-pop-jazz
Nel 1994, Jenny B diventa la voce dei Funky Company, gruppo italiano acid jazz con cui incide due album 'Tendency of love' nel 1996 ed 'Everytime' pubblicato nel 1998. Tra i collaboratori anche Joy Malcolm degli Incognito e Ernie McKone dei Galliano.

Festival di Sanremo 2000: la vittoria della sezione "Nuove proposte" e Premio della Critica
Dopo aver collaborato al brano Dammi solo un minuto nell'album dei Gemelli DiVersi, Jenny B debutta da solista al Festival di Sanremo 2000 vincendo con Semplice sai il primo posto nella categoria Nuove Proposte e il premio della critica Mia Martini. Il brano è stato quello più votato on-line nei siti web Rai, oltre che quello più votato ufficialmente dalle giurie popolari e di qualità. Al successo al Festival del brano non corrisponde un altrettanto successo nelle vendite anche a causa dell'uscita posticipata, solo dopo parecchi mesi, dell'album Come un sogno. Tra le canzoni dell'album di debutto da solista anche due omaggi: uno a Luigi Tenco con Se stasera sono qui, uno a Lucio Battisti con 10 ragazzi per me.

Tra collaborazioni e televisione
Nei primi mesi del 2000 duetta con Piotta in La mossa del giaguaro. Nel 2001 è di nuovo a Sanremo con Anche tu scritta dai Matia Bazar (Golzi-Cassano) e si classifica al sesto posto tra i Big. Nel 2002 esce il brano Love Is the Music e nel 2003 esce il duetto con Alan Sorrenti nel brano Paradiso Beach. Nel 2004 e nel 2005 canta ne La Corrida, trasmissione televisiva di Canale 5 in cui reinterpreta grandi successi della musica italiana e internazionale.

Nel 2006 partecipa alla terza edizione di Music Farm, un talent show condotto da Simona Ventura in onda in prime time su Rai 2, vincendo il premio della critica e nello stesso anno Massimo Ranieri la vuole, insieme a Linda, Silvia Mezzanotte e Simona Bencini, per la raccolta Canto perché non so nuotare...da 40 anni, dove Jenny partecipa alla riedizione del brano La voce del silenzio lanciato originariamente da Dionne Warwick al festival di Sanremo. Le quattro cantanti partecipano inoltre allo spettacolo televisivo di Ranieri Tutte donne tranne me. Nel 2006 e negli anni successivi, partecipa con altri artisti alla trasmissione Una voce per Padre Pio. Spesso è ospite della trasmissione Domenica In in cui duetta con Luisa Corna in popolari canzoni italiane.

Nel 2008 incide il duetto con Marracash per il brano Solo io e te, cofirmato dalla stessa, e nel 2010 partecipa all'11º Festival della nuova canzone siciliana, cantando Nni li to occhi nella categoria Premio Sicilia. Durante l'estate partecipa, su Rai1, alla trasmissione Una voce per Padre Pio dove presenta il brano inedito Tu, cantato con Ivana Spagna e Silvia Mezzanotte, e la cover de Il mondo entrambi incisi per una compilation a fondo benefico.

Nell'ottobre del 2019 la voce di Jenny viene utilizzata per il singolo Ritmo (Bad Boys for Life) del gruppo statunitense Black Eyed Peas, primo estratto della colonna sonora del film Bad Boys for Life del 2020 ed entrato nella Billboard Hot 100 statunitense.

Voce jazz
Forte della sua preparazione in ambito jazz, avendo vinto in gioventù una borsa di studio in canto jazz a Boston, Jenny si dedica molto a questa tipologia musicale.

Nel 2006 esce The invisible session, album che vede la partecipazione dei trombettisti Gianluca Petrella e Fabrizio Bosso, e nel 2007 esce Jenny B in concert, un live registrato all'Università di Teramo in cui la cantante interpreta grandi classici del jazz, da My funny Valentine a Misty. Nel 2011 è la volta di Esta soy yo, album che presenta brani tratti dalla Petite messe solennelle di Gioachino Rossini e che si rifanno alla santeria cubana.

Premi
 2000: Primo Posto categoria "Nuove Proposte" al Festival di Sanremo
 2000: Premio della Critica Mia Martini al Festival di Sanremo
 2006: Premio della Critica a Music Farm

Discografia

Discografia solista

Album
 2000 - Come un sogno
 2001 - Come un sogno - Re-edited
 2007 - Jenny B In Concert
 2011 - Esta soy yo
 2011 - Standards - con Roberto Pregadio

Singoli
 2000 - Semplice sai
 2000 - Toccami l'anima
 2000 - Come un sogno
 2001 - Anche tu
 2011 - Ode a Celeste
 2011 - Canto madrigal

Collaborazioni
 1992 - "J.K. - You make me feel good"
 1993 - "J.K. - Beat it"
 1993 - "Jenny Bee - Wanna get your love"
 1993 - "Jenny B - There's a bit goin' on"
 1993 - "Red Velvet feat. Jenny B - Lady don't cry"
1993 - "Corona - The Rhythm Of The Night"
 1994 - "Ligabue - Male non farà" Jenny esegue i cori del brano
 1994 - "Playahitty - The Summer is Magic"
 1994 - "Nevada - Take me to heaven"
 1994 - "Dj H feat. Stefy - My body"
 1994 - "J.K. - You & I"
 1995 - "Playahitty - 1,2,3 train with me"
1995 - "Libra - Closer to me"
 1998 - "Gemelli Diversi feat. Jenny B - Un attimo ancora"
 1998 - "Gemelli Diversi feat. Jenny B - Tunaizdanait"
 1999 - "Stefano Gamma vs Jenny B - Shine into my life"
 1999 - "Benny Bee feat. Jenny B - Waitin' for you"
 2000 - "Er Piotta feat. Jenny B - La mossa del giaguaro"
 2000 - "Tofunk feat. Jenny B - Alright (make me feel)"
 2001 - "Funbeat feat. Jenny B - A part of me"
 2001 - "S-Sence feat. Jenny B - Gonna get your love"
 2001 - "Simpson Tune feat. Jenny B - Bring it down"
 2001 - "The Wikkamen Project feat. Jenny B - Down on it"
 2002 - "F.R. feat Jenny B - Love is the music"
 2003 - "Alan Sorrenti feat. Jenny B - Paradiso beach"
 2003 - "J.F.C. feat. Jenny B - Meet me in paradise"
 2004 - "La Perla feat. Jenny B - The difference between me & u"
 2006 - "Robb Stylus feat. Jenny B - Do what you wanna"
 2006 - "Massimo Ranieri feat. Jenny B - La voce del silenzio"
 2006 - "Eric Daniel feat. Jenny B - Old sax nu soul"
 2009 - "Stylus Robb - Step side to side"
 2009 - "Marracash feat. Jenny B - Solo io e te" riedizione del brano contenuta nell'album Marracash (gold edition)
 2009 - "Alessandro Magnanini feat. Jenny B -" album "Someway Still I Do"
 2009 - "Culture Beat - Your love"
 2011 - "Rudeejay & Freaks Jam feat. Jenny B - The rhythm is magic"
 2012 - "La vita sbagliata non è" ft Il Coro del Cerasol Rock
 2019 - Spike Team - Sigla

Discografia con i Funky Company

Album
 1995 - Tendency of love
 1997 - Everytime

Discografia con The Invisible Session

Album
 2006 - The Invisible Session

Note

Altri progetti

Collegamenti esterni

Gruppi e musicisti dell'Emilia-Romagna
Vincitori del Festival di Sanremo nella sezione Nuove Proposte
Autori partecipanti al Festival di Sanremo
Partecipanti al Festival di Sanremo
Partecipanti al Festival della nuova canzone siciliana
Concorrenti di Music Farm


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Learn More About Drug and Alcohol Relapse
Home » Rehab FAQs » Relapsing After Rehab – What Are The Statistics?
Relapsing After Rehab – What Are The Statistics?
While addiction can be successfully treated using a range of evidence-based treatments, there is no 'magic cure' for the condition. Recovering addicts learn to manage their addiction. For many, this gets easier and easier as time goes on, but others describe a lifelong battle.
The danger of relapse can be a constant one, but it doesn't mean that relapse cannot be successfully avoided. A relapse can also be overcome if it is treated as a setback on the road to recovery, rather than the end of that road.
Get FREE Confidential Advice About Rehab and Relapse
If you are concerned about drug or alcohol relapse, contact our team at Action Rehab. We can help support you throughout your rehabilitation and recovery process.
But what exactly is a relapse and how common a problem is it following rehab and other types of treatment for drug and alcohol addiction?
What is a Relapse?
One dictionary definition of relapse is 'to become ill or start behaving badly again, after making an improvement'.1
In terms of addiction recovery, both of those things can apply. Relapsing involves returning to drugs or alcohol after seemingly managing to quit or drastically reduce your intake. It can be known as 'falling off the wagon' (especially with alcohol) and it presents a serious challenge for many people struggling with addiction and recovery.
A relapse could see the start of a gradual or sudden spiral back into old habits and the illness of addiction – but it doesn't have to.
Relapse can be discouraging of course, but it doesn't have to spell the end of the recovery journey. With the right support in place, or using the strategies and tools you develop in rehab, you can successfully overcome a relapsing episode.
With that said, it is better to avoid relapse in the first place and again, the things you learn in rehab can help you do this. It's worth noting that relapse can be potentially dangerous, especially with some drugs like opioids and cocaine.
Long-term drug use can see you build a tolerance to the substance and this tolerance can reduce as you go through recovery. This means that using the same amount or strength of drugs that you used to could now be too much for your system, increasing the risk of an overdose.
How Many People Relapse After Treatment?
The answer to the question of how many people relapse, especially after rehab, is not a straightforward one.
It certainly seems that the overall relapse rates for people undergoing some form of drug or alcohol treatment are very high. The US National Institute on Drug Abuse (NIDA) suggests that between 40% and 60% of people with substance use disorders will relapse.2
Other studies suggest that the figure could be as high as 65% to 70% in the 90-day period following treatment.3
Addiction is characterised as a relapsing condition though and NIDA points out that these relapse rates are comparable to a number of other chronic illnesses.
Hypertension and asthma both have relapse rates of between 50% to 70% for example, yet treatment for these illnesses are generally deemed to have been successful without accounting for potential future relapses. Addiction treatments, on the other hand, can be seen as having failed if a relapse occurs.
NIDA says that drug addiction "should be treated like any other chronic illness, with relapse serving as a trigger for renewed intervention".4
Outpatient vs Inpatient Rehab Recovery Rates
These overall relapse rates also apply to everyone undergoing treatment for drug addiction and substance misuse issues and disorders. Government figures show that 98% of people undergoing treatment for drugs and alcohol in 2019-20 received their treatment in a community-based setting.
This is the sort of treatment overwhelmingly provided through drug and alcohol services available on the NHS. Only 2% received treatment in a residential setting like that provided by a private rehab.5
This means the relapse estimates given above cannot be readily applied to residential drug and alcohol rehabs.
An NHS report examining the role residential rehab has to play within an overall drug and alcohol treatment system also noted that residential rehabs typically dealt with people with the most severe addiction problems, who might have already been through failed community-based treatment programmes and have "longer and more entrenched drug and alcohol misusing careers".
Despite this, the report found that "the very best rehabs see three-quarters of their residents overcome addiction".6
Not all residential rehabs perform so well, however, and some residents' recoveries might also include periods of relapse and further treatment along the way.
Another relevant study found that the average number of attempts to recover from addiction was not what most people actually experienced. Subjects of the study had experienced an average of five 'serious attempts' at recovery. The median (or middle value) was closer to two or three however, and the mode (or most commonly occurring number) was a single serious attempt.7
What all this means is that if one person tried to quit a dozen times, this would pull the average up for the majority of people who only required one serious attempt to quit.
How Can I Avoid Drug and Alcohol Relapse?
The evidence would suggest that residential rehab remains the single most effective way to treat a serious addiction problem and avoid relapse moving forward. This is partly because a rehab programme will include a range of therapies aimed at helping you to explore your behaviours and patterns of thinking, as well as the root causes of your substance misuse.
You will also take part in sessions where you will develop tools to help you avoid relapsing when faced with triggers, temptations, stresses and strains. Finally, you will also have access to an aftercare package designed to provide you with structured support in those crucial months following rehab.
There can still be challenging times ahead though and relapse will remain a possibility. It's important to view any relapse as a bump but one that can be successfully navigated as you continue your recovery.
If you are having an issue with addiction and think that rehab might be your best way forward, contact us today to find out how we can help. You can call on 0151 268 6992 or email [email protected].
1 https://dictionary.cambridge.org/dictionary/english/relapse
2, 4 https://archives.drugabuse.gov/publications/media-guide/science-drug-use-addiction-basics
3 https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3674771/
5 https://www.gov.uk/government/statistics/substance-misuse-treatment-for-adults-statistics-2019-to-2020/adult-substance-misuse-treatment-statistics-2019-to-2020-report#treatment-interventions
6 https://webarchive.nationalarchives.gov.uk/ukgwa/20170807160623/http://www.nta.nhs.uk/uploads/roleofresi-rehab.pdf
7 https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7739524/#R10
How do I pick the right rehab centre?
The first step is to do some research on local rehab centres and even some that are a bit further away if you'd like to find the right one for you. Many rehabs specialise in certain treatments, so if there is something specific that you'd like to achieve in rehab, you should choose one that provides what you are looking for. Take a look at the treatments and therapies that are on offer so you can find the right fit for you and also take a look at the amenities to ensure you'll feel comfortable there. Of course, cost is also a factor that you will need to consider. The team at Action Rehab can help you find the right centre for you.
What is inpatient rehab?
Inpatient rehab is also known as residential rehab. This is effectively where you will check in to an alcohol rehab where you will reside for the duration of your recovery. Treatment centres are safe environments that allow you to stay as comfortable as possible while you are recovering from alcoholism or drug addiction.
How does alcohol affect mental health?
Alcohol can have a very negative effect on your mental health and can cause several mental health problems such as depression, anxiety, panic attacks, and more. If you had pre-existing mental health conditions before you started drinking, the alcohol will make these conditions much worse. Some people choose to medicate their mental health problems with alcohol without knowing that it actually makes their condition worse over time.
5 Tips for Addiction Relapse Prevention
Alcohol relapse warning signs – What do I do?
Can You Cure Addiction?
How to avoid relapse
Top 12 Most Common Addiction Relapse Triggers


Last month it was announced that Paddington 2 will start shooting in October ahead of a scheduled release next year, but StudioCanal is already looking beyond that, with The Tracking Board reporting that plans are already underway for a third movie.
StudioCanal have acquired Paddington and Company, giving them complete ownership of the Paddington Bear brand, and with the first movie giving the distributor their biggest ever hit with a $290 million worldwide gross, it's hardly surprising that they will be looking to capitalise on the property.
Paddington 2 will once again be directed by Paul King, and while the cast is yet to be announced it is expected that Ben Whishaw will once again lend his voice to Paddington alongside returning stars Hugh Bonneville and Sally Hawkins.


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Is New Automatically Good?
We are obsessed with the "new." Anything which appears to be new is given immediate value and becomes the next obsession. But is it...
Originality. What is It and What Makes it Valuable?
If someone builds a structure out of blocks and another person comes over and knocks it down it will fall into a unique pile of blocks....
What is Jazz?
Beauty from ugly. The unintended convergence of African and Western culture expressed through music. Truly American. By the people, for...
What is the Value of Art in Society?
Art has the power to change the world for the better. It should be as important as reading or writing in society. It has always served to...
Jazz Music is an Interactive Experience
Jazz (and really all music) should be an interactive experience. The exchange of emotions between the audience and ensemble is crucial to...
He (or She) is so Talented – True or False?
People often say when they hear music they like "Oh you are so talented" or "I could never do that, I have no talent." Do you need talent...


A lot of times, it's as much about what you don't do as what you do. This can be especially true of your website. There are a boatload of crazy problems that can send website visitors streaming away from your site. Let's see which if any of these apply to you.
Not possessing a clear objective – According to DinkumInteractive.com a user must know just what the site is about in 4 seconds or they'll click away.
Not making the content scannable – We read in chunks, if you can't scan your web page and get the gist of it in a few seconds, you may turn off a significant percentage of your visitors!
Not being mobile ready – Mobile is no longer an extravagance, as according to Google half of all website traffic is now mobile.
Not using video on your site – Videos rule, but whatever you decide to do, avoid autoplaying music no matter what!
No updated, quality content – If your content articles are from Bush's first term, it's no wonder they're fleeing! Also no fancy fonts or ridiculously long pages.
No contact information – You need to make certain that customers can contact you should they need to!
Not collecting emails or newsletter signups – You do want to be in business for the long haul, right?
Not utilizing title and description Meta tags on your website – These can help you get indexed and ranked on the web.
No social sharing buttons – Social media is a significant part of search engine optimization now, and you should make your content shareable.
Missing calls-to-action – You want an action from your visitors;ask for it!
Poor site navigation – Stay away from drop down menus, and be sure that every pages on your website include links back to your home page.
Not optimizing images – You need to use the ALT and TITLE attributes for any images you post.
Flash – Besides being hard for Google to read, it could be overly irritating to your visitors!
No metrics to determine your progress – Do you really not want to know what number of people are coming around and from where? Exactly what do they like, or not like?
"Intro"pages – These are relics of an prior age, and these days obstruct your website.
Missing calls-to-action – You want an action from your visitors; ask for it!
"Intro" pages – These are relics of an prior age, and these days obstruct your website.


I am an American living in Germany. I grew up in southern Minnesota. My family wasn't especially musical. My mother sang in a choir when I was really young and my grandfather had sung often at events until he was in a car crash that crushed his larynx but music wasn't something that was much of a topic. When she started working again after we kids were a little older and there was more money available, my mother insisted that I and my younger brother take piano lessons. I pretty much hated it. But I loved music and singing. We had a great Music Teacher in grade school, Eugene Dunlap and he instilled in me the joy of music that has guided me my whole life. I was madly in love with "The Sound of Music" when it came out as a film and I "produced" a version for my 6th Grade Class where we sang or lip-synced to the record with costumes and "scenery" that we all painted and that I mostly made - at least that is how I remember it. I was in choir and the theater group in high school and started taking singing lessons at 16 in part so that I could stop taking piano lessons. I applied to music school without really knowing what I would do with it. I saw and heard my first opera as a senior in high school - Turandot in the Met touring production (yes, the Met toured back then). I was transported and transformed in that performances. I had never heard anything so amazing in my whole life. After that, singing opera was all I wanted to do. Several years later, I found out that the tenor I heard in the lead part was Franco Corelli, that may have had something to do with it!
After 7 years of college and two degrees I moved to Washington, D.C. to study with a woman. who was recommended by a friend. She was unfortunately very ill at the time and hadn't told me. Two of the worst years of my life. At the end of them to culminate the horror, my father died and as soon as I could organize it, I moved to New York City, something he had not wanted me to do. I lived 10 years in New York working at different jobs and doing my best to get better as a singer. Near the end of those 10 years, I started to get more work in the States and then I got my first job in Germany from an audition in New York. I moved here in 1995.
I met my husband the next year and we have lived together ever since. He is German and grew up in Frankfurt am Main and so we have settled there. I have been privileged to sing wonderful roles of the dramatic soprano repertoire in regional German theaters as well as Paris, Rome and Verona (not in the Arena but still cool) as well as other European countries. The highlight of my career was 11 standing ovations in Oldenburg for my Brünnhilde in Wagner's Götterdämmerung.
We now live just outside of Frankfurt in a hilly area called "the Taunus". We own a house at the end of a street 1 minute from the woods and spend some of every day enjoying nature, usually with our dog, Alja.


Houston-based Encore Health Resources, providers of information technology consulting services to the healthcare market, announced today that healthcare industry veteran Judi Binderman, MD, MBA, MHSA has joined the firm as Encore's Chief Medical Officer.
Houston-based Encore Health Resources, providers of information technology consulting services to the healthcare market, announced today that healthcare industry veteran Judi Binderman, MD, MBA, MHSA has joined the firm. Dr. Binderman will serve as Encore's Chief Medical Officer.
Dr. Binderman has over twenty-five years of experience in patient care, healthcare operations, and information technology. Her career experience covers clinical content management, order set development, CPOE implementation, closed-loop medication management, and clinical documentation.
She is a nationally recognized speaker on topics such as CPOE, physician champion development, evidence-based clinical content development, and medication safety. In addition to her career experience, Dr. Binderman brings her expertise in change management, operational and cultural transformation, clinical process workflow and redesign, ambulatory workflow and medical records planning to the firm.
Sellers added, "She will also be building Encore's physician team which is growing rapidly. We are very fortunate to have someone of her caliber, background, and capability as part of the Encore team. I know our clients will not only value her, but will enjoy working with her as well."
Prior to joining Encore, Dr. Binderman was a Physician Executive for Dearborn Advisors. In that capacity, she served most recently as an interim CMITO for a very large, faith-based national organization. Dr. Binderman trained at Cornell University, Texas A&M University, Louisiana State University, and Arizona State University.
ABOUT ENCORE HEALTH RESOURCES: Encore Health Resources, founded by healthcare veterans Ivo Nelson and Dana Sellers, provides information technology consulting services to the provider segment of the healthcare market. For more information about Encore, please visit http://www.encorehealthresources.com.


IT IS easy to understand why premier trainer Emma Stewart has a high opinion of Centenario.
Not only is the two-year-old unbeaten from three starts, he has won in impressive fashion, including at Tabcorp Park Melton tonight.
After racing in the 'death seat', Centenario staved off a late challenge to capture the Shakamaker Classic, much to Stewart's delight.
With Chris Alford in the cart, Centenario was caught outside his stablemate, Fourbigmen, which led from barrier three.
Forging his way to the front at the top of the home straight, the son of American Ideal dug deep to score by a head from Major Exclusive, with Fourbigmen 11 metres away third.
Owned by a large syndicate, Centenario rated 1:56.3 over 1720 metres.
"He sat in the breeze at his last start too when he won well and he showed he can't keep finding tonight," Stewart said.
An Australian Pacing Gold purchase – as are the placegetters – Centenario will be aimed at the rich APG race series.
The series starts with heats at Pinjarra on Monday, followed by Albion Park and Menangle on April 10 and Melton on April 13.
Should all go according to plan, Centenario will then contest the $350,000 Final at Melton on May 5.


text:
Gasoline Alley, est un comic strip créé par Frank King en 1918. La série est toujours éditée et demeure la deuxième série la plus ancienne. Frank King reste sur le strip jusqu'en 1959 qui est repris par Bill Perry, Dick Moores et enfin Jim Scancarelli qui est l'artiste actuel.

Historique de la publication

En 1918, Frank King travaille pour le Chicago Tribune qui publie une de ses œuvres Boby Make-Believe. Ce journal propose chaque dimanche une page, intitulée Le rectangle dans laquelle des dessinateurs créent des dessins humoristiques. Frank King crée les personnages de Gasoline Alley pour un dessin de cette planche le . Le succès aidant, un dessin quotidien commence à paraître dans le journal à partir du . Cela deviendra ensuite un strip et enfin Le Rectangle sera abandonné pour que Gasoline Alley ait aussi sa page dominicale. En 1951, King laisse la planche du dimanche à son assistant Bill Perry et en 1959 il prend sa retraite et laisse le strip à un second assistant Dick Moores. Bill Perry travaille sur la série jusqu'en 1975 ce qui amène Dick Moores à dessiner le strip quotidien et la planche du dimanche et ce jusqu'à sa mort en 1986. Jim Scancarelli qui était son assistant, prend la relève de Moores et continue jusqu'à ce jour.

Les auteurs
 Frank King : de 1918 à 1951 : planche du dimanche. De 1919 à 1959 : strip quotidien.
 William Miles, dit Bill, Perry, né en 1905, est d'abord l'assistant de Carl Ed sur le strip . En 1925, il devient l'assistant de Frank King sur . En 1951, il hérite de la page du dimanche qu'il garde jusqu'à sa retraite en 1975. Il meurt le  à Orlando.
Dick Moores assiste Frank King à partir de 1956. Il est chargé du strip à partir de 1959 puis en 1975, lors du départ de Bill Perry il s'occupe aussi de la page dominicale. Il reste sur la série jusqu'à sa mort en 1986.

Personnages principaux
 Walt, initialement un célibataire endurci, amateur d'automobiles.
 Skeezix, orphelin laissé sur le porche de Walt, et adopté par celui-ci.

Analyse de l'œuvre

Récompenses
Frank King reçoit le Reuben Award en 1958 pour Gasoline Alley.
Dick Moores reçoit le Reuben Award en 1974 pour Gasoline Alley.

Rééditions

Éditions françaises

 Walt & Skeezix: Gasoline Alley, Album, (), Langue : Français,

Références

Annexes

Documentation
  R. Fiore, « Affectionate, sympathetic and completely racist », dans The Comics Journal n°301, Seattle : Fantagraphics, , p. 500-511.
 .
 .
 .

Lien externe

Comic strip américain
Voie de communication de fiction
Lieu fictif aux États-Unis


The Optima® has the best of everything, with room for up to seven adults and a variety of seat heights formed to fit diverse body types comfortably. And with unique Fluidix® jet configurations and more massage therapy jets for the neck and shoulders than any other model, the Optima® is our most popular non-lounge Sundance® Spas model.
Experience Fluidix® jets, from soft, skin-soothing bubbles that deliver aromatherapy to deep tissue release. While the customer-favorite Accu-Ssage™ Seat is included in this spa, two unique jet configurations, with hip massage, make these seats exclusive to the Optima® model. A jetted foot dome also targets fatigued feet from any seat.
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The Heavenly Blue Morning Glory has the misfortune of being related to that hideous bind weed, commonly known as morning glory, which is an invasive weed that threatens every gardener's sanity. But everyone has a relative like that: the person who prejudices all acquaintances against the family by being continually obnoxious. Heavenly Blue Morning Glory, on the other hand, is a touch of cool blue paradise that won't give you any trouble.
It is an annual vine that germinates, when the weather is getting reliably warm, in moderate numbers from last year's plant. Or it can be started in a pot easily. The first leaves are purplish green, sort of square, and notched in on the outer edge. The seedling is large enough to transplant easily to various locations around the yard, which I do every year, liking to mix up the landscape combinations.
The plant will thrive in full sun, but can be coddled if its beginnings are in shade, as long as it will be able to reach the sunlight in its juvenile stages. However, if there is too much plant life around it, especially in the shade, it seems to be a favorite snack of the critters that live there. Here today, and gone tomorrow. If it is in too much shade, the vine will flourish, but you may be short of flowers.
One year I grew a row of sturdy sunflowers (which sprout a few weeks before it), later placing a few heavenly blue morning glories along the base. By mid summer, the living trellis of sunflowers was beautifully smothered in a cloud of blue, rising eight feet into the air. Alas, it was in the days before my digital camera and only lives on in my memory.
I'm told this was my great grandmother's favorite flower, and perhaps you can see why. Its 3-4 inch deep sky blue blossoms have a silky look to them, tempting the seamstress in me to try to sew them together for a dress. The heart shaped leaves cascade like a waterfall, setting off the flowers to full advantage.
As the word "morning" might suggest, the flowers do tend to close up in the afternoon. I find that here in southwest Idaho, they are generally pretty and open until about mid afternoon, depending on the heat of the day and how well they have been watered. Below, you can see a mix of all three stages of the flower.
Once the plant has grown up a bit from the ground, it doesn't seem to have any pests that harm it. I've never had it get a disease either. Not even when powdery mildew was settling on its wicked cousin, bindweed.
If you plant it, be sure to put some of it somewhere you will pass on a regular basis. Mine is along the fence at the entrance to my driveway. Every time I go by, I stop and sigh a moment in admiration, and feel my heart get a little lighter.


If you're like most people on the planet you will have struggled with joining and staying at a gym. The hard work involved in developing the discipline required for regular gym attendance is a real problem, and many people just leave their gym memberships to languish while they get on with their busy lives. This is why having gym equipment at home is becoming the next big thing for vast parts of the population. But buying gym equipment can be costly and this is what may have put people off before. Things have changed though, and with the increasingly popular option of hiring gym equipment from companies like Hire Fitness, anyone can have a solution in their home that gives them the fitness they deserve.
One key market here is the parent who has to look after children. When the children finally get to bed the parent can simply pull out the fitness equipment they have hired and get to work on building their health and fitness. They can even fit in high intensity workouts and because they have hired the gym equipment, it means that they are not breaking the bank!
Someone may have just managed to buy a home but is getting to grips with it and decorating. While they are looking at places to store more permanent gym equipment, they can simply hire some for the interim period between moving into the new place and settling in. This gives the new homeowner plenty of flexibility.
Even better, you can try out equipment if you hire it, and see if it fits your needs. This means you can effectively trial some gym equipment for a period before you decide whether or not you are going to keep it. This is incredibly valuable when you think about it. Some gym equipment will work for some people, and not others. Having the option to test equipment out first means that you are able to minimise financial risk by choosing only equipment that you are comfortable with, and are gaining benefit from.
One of the main benefits of having hired equipment in your home it that you have the option to send it back or change so you don't have to worry too much about being stuck with a piece of equipment that does nothing for you. We've all been there, using equipment that doesn't sit right with our body or even the way we like to workout. This way, you can simply change it without wasting vast amounts of money.
So cost and flexibility are key reasons why having gym equipment hired makes sense. If you're stuck for time to get down to the gym, take the option of hiring. You'll find that it makes much more sense time-wise (because your training schedule is entirely down to you) and that you have the opportunity to only ever work on equipment that suits you and your preferences. And above all, that cost factor is well worth pursuing. It costs less, and that makes a big difference to a lot of people. A good place to start is somewhere like http://www.hirefitness.co.uk/, which offers plenty of good deals on fitness equipment. You can also order from them in Ireland here http://www.hire-fitness.ie/.


Rüsselsheim. Opel has now also secured its future in Germany and is taking a further step on its way to becoming profitable, global and electric. Significant investments will be made in R&D and the sites in Eisenach, Rüsselsheim and Kaiserslautern between 2018 and 2023. As part of this investment, the Grandland X will be produced in the Eisenach plant as of mid-2019 in two shifts, including a hybrid version which will follow in 2020. The company will announce details on the planned investments for the other German sites at a later date.
The negotiating parties also agreed on a further important step to define the Engineering Center in Rüsselsheim's future role in the global Groupe PSA R&D network: The Engineering Center in Rüsselsheim will be responsible for the development of the next generation EP engine family. Previously, the Engineering Center in Rüsselsheim had already received global responsibilities for Groupe PSA with the allocation of 15 Centers of Competence. Furthermore, every future European Opel model will be developed in Rüsselsheim.
The carmaker also agreed on a new framework agreement with the social partners. It runs until July 2023 and includes an extensive package of measures to increase competitiveness. The exclusion of forced redundancies has been extended for the duration of the new agreement.
Measures to improve the competitiveness of Opel in Germany are part of the new agreement. Balancing collective wage increases with remuneration components above the general pay scale shall be possible in future. Furthermore, the additional payments agreed within the scope of the IG Metall collective agreement, which would be applicable as of mid-2019, have been cancelled for the duration of the new framework agreement. Any potential further wage increases as of 2020 will be postponed in their effectiveness for the duration of the contract.
Part of the agreement is also the departure of 3,700 employees in Germany based on the already successfully implemented voluntary programme approved by the social partners. Today, around 3,500 employees have already taken advantage of a voluntary programme.


text:
package com.google.common.collect.testing;

import java.util.Set;

/**
 * Creates sets, containing sample elements, to be tested.
 *
 * @author Kevin Bourrillion
 */
public interface TestSetGenerator<E> extends TestCollectionGenerator<E> {
  Set<E> create(Object... elements);
}

redpajama_set_name: RedPajamaGithub


text:
James Hogg: Confessions of a Justified Sinner
Andrew Currie: Monument to James Hogg (St. Mary's Loch)
While I was living in Edinburgh in the late 1980s, a friend of mine, Martin Frost, and I were in the habit of driving madly around the countryside of Scotland in his tiny Mini in search of cups of coffee and chocolate cake - perhaps also in a vain attempt to evade the inevitable consequences of continued inattention to our studies ... "An element of pleasure-seeking there," as a cousin of mine, Roddie Macleod, remarked of a neighbouring farmer who'd been in the habit of going into Dundee from time to time to disport himself. If such a thing is possible in Dundee, that is.
On one of these expeditions, we happened upon St. Mary's Loch, and found the statue above, dedicated to the famed Ettrick Shepherd, James Hogg, but memorable mainly for the inscription on its base, the rather extravagant encomium:
He taught the wandering winds to sing
Since then I've discovered that that is the last line of his book-length poem The Queen's Wake (1813), so perhaps it wasn't quite so vainglorious as I imagined.
James Hogg: The Private Memoirs and Confessions of a Justified Sinner (1824 / 1970)
I'm not sure if I'd read his novel The Private Memoirs and Confessions of a Justified Sinner at the time. If not, it must have been shortly afterwards, because I remember that it had an electrifying effect on me. Why had I never heard of this novel before? It was every bit the equal of - possibly even better than - Stevenson's Dr Jekyll and Mr Hyde, and the sheer intensity and strangeness of the writing would be hard to match outside the works of De Quincey or even Edgar Allan Poe.
It does, in fact, bear a certain resemblance to such doppelgänger stories as Poe's "William Wilson" (1839) or Melville's "Bartleby, the Scrivener" (1853), though of course it long preceded them. The title may owe something to De Quincey's Confessions of an English Opium Eater (1821), but they have little else in common.
In 1947, in his introduction to a new edition of the complete, uncensored text of Hogg's novel, the Nobel prize winner for that year, André Gide, confessed that he had read 'this astounding book ... with a stupefaction and admiration that increased at every page'. So, just as in the case of Poe, it was largely the admiration of the French (Baudelaire and Mallarmé for Poe; Gide for Hogg) that first plucked these great writers from provincial obscurity and brought their work to the attention of readers everywhere.
As you can see in the bibliography below, the pruned and bowdlerised versions of Victorian editors have been succeeded by a complete, textually rigorous edition of James Hogg's Collected Works. Whatever form you read it in, though, The Confessions of a Justified Sinner is every bit as important a text in the Fantastic tradition as Potocki's Manuscript Found in Saragossa (1805-15) or Schiller's Ghost-Seer (1787-1789). Indeed, it rivals Frankenstein itself.
James Hogg: The Works of the Ettrick Shepherd (vol. 1 of 2: 1865)
It was therefore with a great deal of excitement that I came across a copy of The Works of the Ettrick Shepherd in Devonport the other day. Admittedly, it was in an edition "Revised at the Instance of the Author's Family, by the Rev. Thomas Thomson," which hardly inspires one with confidence in its textual integrity, but even this atmosphere of pious disdain for Hogg's "crudities" has its points of interest.
Hogg's reputation had suffered greatly from the caricatured version of him presented, under the name "the Ettrick Shepherd", in Noctes Ambrosianae, a popular series of feigned conversations which appeared in Blackwoods Magazine between 1822 and 1835. The Shepherd, a Scots-spouting buffoon, is generally upstaged by the more urbane "Christopher North" (Professor John Wilson - himself the author of most of the dialogues) and his friends "Timothy Tickler" (Robert Sym) and - occasionally - "The English Opium Eater" (Thomas De Quincey).
Hogg, who had little part in the concoction of most of these pieces, made no public comment on the matter. However (according to Wikipedia, at any rate) "some of his letters to Blackwood and others express outrage and anguish." Certainly this picture of him as "a part-animal, part-rural simpleton, and part-savant" coloured his reputation throughout the nineteenth and early twentieth century.
A chance remark by Hogg to Wordsworth describing the two of them as fellow bards was greeted with some disdain by the English poet. His 1835 "Extempore Effusion upon the Death of James Hogg" includes the following stanza:
The mighty Minstrel breathes no longer,
'Mid mouldering ruins low he lies;
And death upon the braes of Yarrow,
Has closed the Shepherd-poet's eyes.
However, the first two of these lines probably refer to Sir Walter Scott. Wordsworth's own notes on the poem say of Hogg: "He was undoubtedly a man of original genius, but of coarse manners and low and offensive opinions."
James Hogg: A Queer Book (2007)
All this patronising nonsense about his having somehow been a genius in spite of himself has hopefully now been laid to rest. Hogg is increasingly seen as a pillar of Scottish literature, in the tradition of Burns, Scott and Stevenson, as well as a profound influence on writers as diverse as George Douglas Brown, Alasdair Gray and Irvine Welsh.
Eden Ashley: Arthur's Seat and Salisbury Crags (Edinburgh) (2022)
For myself, I think that it was partly the fact that I was living right in the middle of the place where his novel is set which lent the book such an extraordinary atmosphere for me. I boarded in a Hall of Residence sited directly below Arthur's Seat, and sat on the edge of Salisbury crags reading Baudelaire on more than one occasion.
The Brocken Spectre (2006)
The scene in Hogg's novel where the narrator sees the approach of an extraordinary apparition (which turns out to be a version of the famous Brocken spectre) was therefore located right on my front doorstep.
Thomas Keith: The Grassmarket, Edinburgh (c.1850)
Nor has the rest of the city changed much since the nineteenth century. There's still the Old Town running down the Royal Mile from the Castle to Holyrood Abbey; the 18th-century New Town, with its Palladian squares and crescents, off to one side of it; and then all the Victorian infill housing shading off to the South. Such landmarks as the Cowgate and the Grassmarket remain pretty much as they were in Hogg's time.
It's strange for someone from the Antipodes to reside in so changeless a place, with the ghosts walking around right in front of you rather than drowned in a sea of new construction. Not restful, exactly, but somehow very satisfying to anyone with a strong sense of tradition.
If you've never read his novel, I envy you your first experience of it. Make sure that you choose the right text, though. The older editions of Hogg are quite unreliable. What you want is one based on the 1824 version - as most of them now fortunately are. It's not a case like Frankenstein where both texts, the 1818 one and Mary Shelley's 1831 revision, have their own points of interest. There's little evidence that Hogg had much - if anything - to do with the posthumous 1837 reprint of his novel, and (as Wikipedia puts it) "the extensive bowdlerization and theological censorship in particular suggest publisher's timidity."
James Hogg: The Works of the Ettrick Shepherd (c.1874)
Sir John Watson Gordon: James Hogg, The Ettrick Shepherd (1830)
The Works of the Ettrick Shepherd: Centenary Edition. Revised at the Instance of the Author's Family, by the Rev. Thomas Thomson. 2 vols. 1865. With Many Illustrative Engravings. London, Edinburgh & Glasgow: Blackie & Son, 1878.
Tales and Sketches
Poems and Ballads: With a Memoir of the Author
The Stirling / South Carolina Research Edition of the Collected Works of James Hogg. Series Editors: Ian Duncan & Suzanne Gilbert. Edinburgh: Edinburgh University Press, 1995-2021.
The Mountain Bard. 1807. Ed. Suzanne Gilbert (2007)
The Forest Minstrel. 1810. Ed. P. D. Garside & Richard D. Jackson (2006)
The Spy: A Periodical Paper of Literary Amusement and Instruction. 1810-11. Ed. Gillian Hughes (2000)
The Queen's Wake: A Legendary Poem. 1813. Ed. Douglas S. Mack (2004)
Mador of the Moor. 1816. Ed. James E. Barcus (2005)
The Jacobite Relics of Scotland, Vol. 1: First Series. 1819. Ed. Murray G. H. Pittock (2002)
The Jacobite Relics of Scotland, Vol. 2: Second Series. 1821. Ed. Murray G. H. Pittock (2003)
Winter Evening Tales: Collected Among the Cottagers in the South of Scotland. 1820. Ed. Ian Duncan (2002)
Midsummer Night Dreams and Related Poems. 1822. Ed. J. H. Rubenstein, Gillian Hughes & Meiko O'Halloran (2008)
The Three Perils of Man: or War, Women, and Witchcraft: A Border Romance. 1822. Ed. Judy King and Graham Tulloch (2012)
The Bush aboon Traquair and The Royal Jubilee. 1822. Ed. Douglas S. Mack (2008)
The Three Perils of Woman: or; Love, Leasing, and Jealousy: a series of Domestic Scottish Tales. 1823. Eds David Groves, Antony Hasler, & Douglas S. Mack (1995)
The Three Perils of Woman, or Love, Leasing, and Jealousy: a Series of Domestic Scottish Tales. 1823. Ed. David Groves, Antony Hasler, & Douglas S. Mack. The Stirling / South Carolina Research Edition of the Collected Works of James Hogg. Edinburgh: Edinburgh University Press, 1995.
The Private Memoirs and Confessions of a Justified Sinner: Written by Himself; With a Detail of Curious Traditionary Facts and Other Evidence by the Editor. 1824. Ed. P. D. Garside (2001)
The Private Memoirs and Confessions of a Justified Sinner, Written by Himself: With a Detail of Curious Traditionary Facts and Other Evidence by the Editor. 1824. Ed. P. D. Garside. Afterword by Ian Campbell. Chronology by Gillian Hughes. The Stirling / South Carolina Research Edition of the Collected Works of James Hogg. 2001. Edinburgh: Edinburgh University Press, 2010.
Queen Hynde. 1824. Ed. Suzanne Gilbert & Douglas S. Mack (1998)
The Shepherd's Calendar. 1829. Ed. Douglas S. Mack (1995)
Songs by the Ettrick Shepherd. 1831. Ed. Kirsteen McCue & Janette Currie (2014)
A Queer Book. 1832. Ed. P. D. Garside (1995)
Altrive Tales, Featuring a 'Memoir of the Author's Life'. 1832. Ed. Gillian Hughes (2003)
A Series of Lay Sermons: on Good Principles and Good Breeding. 1834. Ed. Gillian Hughes (1997)
Anecdotes of Scott. 1834. Ed. Jill Rubenstein (1999)
Tales of the Wars of Montrose. 1835. Ed. Gillian Hughes (1996)
Highland Journeys. 1802-4. Ed. by H. B. de Groot (2010)
Contributions to Blackwood's Edinburgh Magazine, Vol. 1: 1817–1828. Ed. Thomas C. Richardson (2008)
Contributions to English, Irish and American Periodicals. Ed. Adrian Hunter & Barbara Leonardi (2020)
Contributions to Scottish Periodicals. Ed. Graham Tulloch & Judy King (2021)
Contributions to Annuals and Gift-Books. Ed. Janette Currie, Gillian Hughes (2006)
Contributions to Musical Collections and Miscellaneous Songs. Ed. Kirsteen McCue (2015)
The Collected Letters of James Hogg, Vol. 1: 1800–1819. Ed. Gillian Hughes (2004)
The Three Perils of Man: War, Women and Witchcraft. 1823. Ed. Douglas Gifford. 1972. The Scottish Classics Series, 9. Ed. David S. Robb. Edinburgh: Scottish Academic Press, in association with The Association for Scottish Literary Studies, 1989.
The Private Memoirs and Confessions of a Justified Sinner, Written by Himself: With a Detail of Curious Traditionary Facts and Other Evidence by the Editor. 1824. Ed. John Carey. Oxford English Novels. 1969. London: Oxford University Press, 1970.
The Private Memoirs and Confessions of a Justified Sinner, with 'Marion's Jock' and 'John Gray o' Middleholm'. 1824, 1832 & 1820. Ed. Karl Miller. Penguin Classics. London: Penguin, 2006.
Karl Miller: Electric Shepherd (2003)
Miller, Karl. Electric Shepherd: A Likeness of James Hogg. London: Faber, 2003.
James Hogg: The Suicide's Grave (1895)
Labels: Confessions of a Justified Sinner, Edinburgh, James Hogg, The Ettrick Shepherd
I and my friend read 'The Confessions...' one of the few things we agreed about was that this was a great thing. I re-read Dr. Jekyll and Mr. Hyde which is a great book recently. I should re-read this book also.
I became convinced that the protagonist was de facto the Devil, or is it near the end that he is accompanied by someone as he leaves town, by a strange person who is, it seems, like the Devil.
(I recall now that he is under the influence of a man who claims he can commit crimes and escape conviction. That indeed was a strange belief of certain very fundamental Christians (as you know the idea of Election). I am convinced that the great classics are all worth reading and re-reading if one has time. This book is relatively short. Stevenson's book was worth the re-read, as having read it as a teenager (I got it as a prize for first in the then 6th Form in Biology, lost or somehow mistakenly sold my copy, found another).
My edition is based on the one edited by Carey, from the 1824 version which is good.
There is someone who wrote about that area of Scotland and Hogg. But I cant recall the book. I didn't finish it. But what I read was good. It was a woman, I am pretty sure she is a fairly well know novelist. But I forget.)
There is a sense of isolation about the novel which I think is also in De Quincey's book, which is quite different. I obtained an old edition of almost all the works of the latter...But your find is a great one!
And it was great you were reading of something and someone from your own country of origin. I look to people from Northants or Leicester, or Bedfordshire (mainly Northants), and Banaba Island as well as London for my 'origins'...at least I have thus some connection to Dickens...or whoever.
Wordsworth wasn't always quite so acerbic...I read that he changed as (grew older, and) he became disillusioned by the French Revolution. But I suppose it remained true he was of a somewhat 'higher class', or later thought he was, which was the trouble. Perhaps an actual "ghost" etc and a murderer was "too much reality" to bear. Or too much fantasy.
Perhaps in the early days with the complex Coleridge, of Kublai and Frost at Midnight, In My Lime-Tree Bower My Prison, 'The Rime..', and Christabel etc there would have been more sympathy. But Opium addiction didn't help Coleridge sadly.
But in earlier days that group may have looked more favourably on Hogg's great work.
Hogg did something that no one did for a long time. Did Mary Shelley read it? Her Frankenstein was destroyed I feel by movies. There were parallels to Hogg's work but it is an eerie and powerful work. The book's the thing.
It's possible Mary Shelley did read Hogg's book. It was published in London, after all. But of course Frankenstein does have priority, having already appeared in 1818.
It's worth remembering, though, that the famous ghost-story-writing sessions of Byron, Polidori, Shelley, and Mary on Lake Geneva, during the 'haunted summer' of 1816, took place after they'd all been reading German ghost stories together.
The Gothic tradition went far beyond just English writers, but unfortunately most modern commentators aren't as well read in European literature as the Romantics themselves were.
Yes, I read how it was made. Mary Shelley I think was the only one to actually write a book. Ghosts, but also science and religion were involved. Part of this I found reading Richard Holmes The Age of Wonder. I agree the tradition of novels and ghost stories etc go way back. We artificially close them off. Reading some Elizabethan novels. But indeed there were many European novels and poems and as you have said elsewhere, the Persians, Indians, Chinese, Greeks Romans and even African and other places have added to not just ghost writing but writing in general. The ghost or gothic though is a part of "Romanticism" around that time which is a big issue on its own.
Fen Country: Edmund Crispin
SF Luminaries: Orson Scott Card


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