text:
Conviction in Abstentia
One of the biggest tenets of the rights of a criminal defendant is to a fair trial – essentially, they should be able to have their day in court and defend against any allegations that have been made. But what happens if the defendant runs away in the middle of their own trial?
This situation recently happened in Manhattan. The Manhattan District Attorney's office announced that Felix Rosa, 30, would be sentenced from twenty years to life after he was found guilty of Predatory Sexual Assault, Kidnapping in the Second Degree, and Aggravated Criminal Attempt – all while he had fled mid-trial.
The prosecution was able to prove that Rosa drove to his former girlfriend's home one evening, despite having an active order of protection against him. He waited for her until she showed up at home the next morning. He waved at her and got her to get close when he grabbed her by the hair and dragged her through his driver's side window and into the car. For the next two hours, he drove her around to Highbridge Park, where he beat her repeatedly, slashed her with a razor, and made threats to kill her. He then raped her inside the car while holding a razor blade against her.
A few months later, Mr. Rosa was arrested and arraigned in Manhattan. Bail was set at $100,00.00, and despite several requests for an increase in bail, it remained at $100,00. In February 2018, Rosa managed to post bail and was released. In August 2018, the survivor testified at trial, at which point the prosecution asked for bail to be revoked, and have the defendant remanded for the duration of the trial. The request was denied. It is not clear what the arguments were on either side to increase bail or why the court decided to deny those requests. But, on the following Monday, August 20, Rosa failed to return to court and a bench warrant was ordered. Although yet to be found, he was subsequently convicted and then sentenced in absentia.
A criminal has the right to appear in person at their trial as a matter of due process. This has been protected by the fifth, sixth and fourteenth amendments, and echoed throughout several Supreme Court cases. Finally, the U.S. Congress codified this principle under Rule 43 of the Federal Rules of Criminal Procedure but included some important exceptions to the rule. If the defendant voluntarily leaves the trial after it has begun, then he or she waives their right to be present. This was confirmed by the Supreme Court in Crosby v. the United States, where the justices unanimously held that Rule 43 will not allow a trial in absentia of someone who is absent at the start of trial, but if the trial has begun in his presence, and then he flees on a volunteer basis, he has waived his right to be present. This allowed the New York courts to convict and sentence Mr. Rosa. It's a strange quirk of the law, but useful to know, particularly in the field of criminal defense.


text:
Brando Skyhorse, Who Was Not an Armed Robber at Age 3, Reads Tonight
July 30, 2014 By Daniel Hoffman
Since we spoke to him last month, our buddy Brando Skyhorse hit the LA Times bestseller list and picked up a nice plug in the New York Times Book Review. But it's the Washington Post review you should go read — because it originally described him as a three-year-old bandit.
The rave about Take This Man initially quoted the memoir's author as saying that at age three, "I became Paul Skyhorse Johnson, an American Indian activist incarcerated for armed robbery." Which would really be memoir material. Except the correct quote is: "I became the son of Paul Skyhorse Johnson," who was convicted of stealing firearms. Hence this awkward correction:
An earlier version of this review incorrectly described Brando Skyhorse as an "American Indian activist, incarcerated for armed robbery." That is, in fact, a description of the author's stepfather Paul Skyhorse Johnson.
Good thing that's cleared up. Now you can hear him read at Jimmy's No. 43 tonight without worrying that he'll pull a gun. As part of the Guerrilla Lit Reading Series, he'll appear in the bar's back room at 7:30 p.m. along with fellow novelists Karen Heuler and Tejas Desai.
Tags: Arts + Culture, brando skyhorse, East Village, memoirs, readings, take this man
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redpajama_set_name: RedPajamaCommonCrawl


...this arrived the other day. Needless to say, I'm in love!
I paid way more than I should have (read: significantly more than $0), but I couldn't help myself. These don't come around too often, and it's in really nice shape. You may consider me a Gateway2000 Fanboy (if there is such a thing).
The specs: 90mhz Pentium 1, 16mb RAM, 1GB Connor HDD, ATI Mach64 4mb graphics card, Creative SoundBlaster CT2230, 3Com Etherlink III, and a Gateway2000 branded US Robotics Modem. It's currently running DOS 6.22.
This is now my second Gateway2000 PC (the first being the tower). Both are running great. I'm thinking of moving some RAM over from the tower, and installing Windows 95 on the desktop. I'm already running DOS 5.0 and Windows 3.1 on the tower, and I don't need two computers running the same setup.


Dr. Shang Lun (Allen) Liu was born in Taiwan into a dental family. His father is an orthodontist who recognized the need for a better environment, and sent his three children to the United States at an early age. He dreamed of an opportunity for them to learn English and receive the best education. Dr. Liu grew up in Cupertino, California. During high school, he played badminton competitively and competed in many tournaments with several medals won.
Dr. Liu graduated with his DMD from Temple University and the prestigious Kornberg School of Dentistry, Philadelphia, PA. Immediately following graduation, he went on to pursue specialty training in Periodontics and Oral Implant Dentistry at Temple as well. While training under the tutelage of world renowned Professor Carl Misch, Director of Oral Implantology and Professor Jon Suzuki, Program Director, he honed and developed several treatment guidelines and modalities. Dr. Liu received his specialty certificate in Periodontology and Dental Implantology and also completed a Masters degree in Oral Biology. His thesis focused on the anatomical variations in patient's sinus cavities and how understanding these variations would lead to better clinical treatment and outcomes.
After completing his studies, Dr. Liu followed his family and close friends to Seattle where he fell in love with the beautiful city, the rich culture, and the vibrant sports community. In his free time he enjoys badminton, biking, playing guitar, computer building and reading.


text:
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	Copyright 2015 Alex Lin.

	Licensed under the Apache License, Version 2.0 (the "License");
	you may not use this file except in compliance with the License.
	You may obtain a copy of the License at

	     http://www.apache.org/licenses/LICENSE-2.0

	Unless required by applicable law or agreed to in writing, software
	distributed under the License is distributed on an "AS IS" BASIS,
	WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
	See the License for the specific language governing permissions and
	limitations under the License.
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    <name>OpooPress Framework :: API</name>
    <description>OpooPress Framework is a java based blog aware static site generator.</description>
    <url>http://www.opoopress.com/</url>
    <inceptionYear>2015</inceptionYear>

    <dependencies>
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redpajama_set_name: RedPajamaGithub


IRA Distributions in Estate Planning: Trusts as Beneficiaries Training Class Presented by NBI, Inc.
Help your clients maximize the benefit of IRAs with a practical guide to distributions to trusts. Get solutions to new and common problems and learn why and how to structure an IRA trust to comply with minimum distribution rules in the most tax-efficient manner. Register today!
Clarify required minimum distribution requirements and find the best ways to comply.
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Find out how to resolve multiple beneficiary challenges with multiple trusts.
Choosing Between a Conduit and an Accumulative IRA Trust: What Fits Your Client's Situation Better?
This legal guide is designed for attorneys. It will also benefit accountants, CPAs, trust officers, and paralegals looking to increase their knowledge of IRA rollover techniques.


text:
From Dreams of Game Development to Building Enterprise Web Apps As a Senior Python Developer
Ola Niechciał
Sep 16, 2019 | 11 min read
Python Recruitment
Stanisław Zalewski is a Senior Python Developer, responsible for building high quality Python applications that meet clients' needs, supporting colleagues with his knowledge and experience, and helping with recruitment to the Python team. He feels right at home here and works towards a promotion to the leader position. He didn't join Netguru the usual way, but through a merger between Netguru and Bitcraft, Stanisław's previous company. According to him, the change was fast and smooth, and he's happy to be where he is today.
The work of a Senior Python Developer
Stanisław has over eight years of web development experience. He was promoted to a Senior Python Developer last year. "My main task is building apps according to specifications provided by clients," he says. Sometimes, these specifications are created together with the client during a series of meetings, sometimes they are simply provided at the beginning of the project. Either way, Stanisław and his team work hard to deliver quality code and build apps that truly support clients' business.
A Senior Developer has other duties, too. Stanisław spends a chunk of his time mentoring new colleagues, or supporting other developers. This can include being the assigned mentor of a new Netguru employee, as well as discussing a roadblock encountered by a project team, and brainstorming ways to overcome it. It can also involve helping define each team member's responsibilities. Finally, Stanisław supports the HR department by participating in the technical segments of Netguru's recruitment process, verifying candidates' knowledge and problem-solving skills.
"The technical challenges and the leadership aspect are my favourite parts of the job," says Stanisław. "I discovered the latter only in Netguru, where I've been given the opportunity to support my colleagues in overcoming challenges." He finds recruitment satisfying, as well. Verifying candidates is a particularly interesting experience, since throughout most of his career, Stanisław has always been on the other end of the process.
A Senior Python Developer's work is not without its challenges, either. "The ability to convince other people to go with my ideas is probably the biggest one," says Stanisław. "There was a project where the client had a set vision for the product, and we were proposing a solution that would be more beneficial. It's difficult to figure out the rules of sort of interaction. I needed to achieve my goal without stepping on any toes."
Technical challenges are just as common, especially when you switch one company's processes and toolkit for those of another company. After the merger, Stanisław had to work with many unfamiliar tools and technologies. "I thought of some of them as too much or unnecessary," he says. "But in time, I learned to appreciate them, even treat them as must-haves. It's important on the IT market to always move forward, to not get trapped in a safe bubble of familiar solutions. If you do, you fall behind your peers."
From dreams of game development to building enterprise web apps
Stanisław's adventure with software development began in secondary school. He learned Pascal and the basics of HTML. "The natural direction for me was to continue on this path and study IT at university," he says. Stanisław's first job was as a Java developer. He then worked with PHP, Python, and Ruby. In the end, web development was the best space for him to grow professionally. But working on web apps for companies wasn't his original goal.
"My fascination with programming began with computer games of all types: strategies, shooters, action games. My first ambition was to build games, but the market in my area didn't really support that plan," Stanisław says. Today, he's glad that he became a web developer, due to the interesting projects and career option presented by the industry.
The game industry would have provided a very different challenge. Game studios are known for taking advantage of employees' passion for their work (mostly through crunchtime and extra hours. They are also slaves to the schedules arranged by their marketing departments. Time is of the essence in any project, of course. "I've never had a project in which I had too much time. Sometimes I had enough time to do my job well, sometimes a bit too little, but never too much," says Stanisław. The B2B market, with individual clients and stakeholders, supports somewhat flexible deadlines (though this isn't always the case for projects with external funding). There's no marketing department that decides the release schedule. "The products we build at Netguru are smaller-scale in terms of the codebase, too," says Stanisław. "Mistakes aren't as costly, and we can adapt to changes in requirements fairly easily."
Passion is one thing, but a stress-free, healthy lifestyle is nothing to scoff at. "It's slower and calmer here at Netguru," says Stanisław. "When I need an extra dose of adrenaline, I train Krav Maga and Defendo. I've been doing this for years, and it's a great way to get rid of stress. Plus it's a very healthy hobby for someone whose job involves sitting down for hours on end."
Specialising in Python and joining Netguru
Years ago, when Stanisław started on this career path, the software development industry was very different from what we see today. Back then, a single developer used to be responsible for the backend, frontend and infrastructure. With the rising popularity of JavaScript, the frontend broke off as a separate specialisation. Then, as the backend aspects of development became more independent, the DevOps part turned into a separate job, as well. "I used to spend many, many hours on optimisation, back in the early days," says Stanisław. "Not so today."
For many years, Stanisław worked as a PHP developer. He jumped on opportunities to learn new things, and after some time, he had a number of projects in Python and Ruby under his belt. He knew that he wanted a change: to go from specialising in PHP to being a Python dev. An opening at Bitcraft gave him that opportunity.
"Bitcraft had a similar atmosphere to Netguru," Stanisław recalls. "Young people, friendly environment, similar goals and values." The merger with Netguru came as a bit of a surprise to Stanisław, who had gone vacationing and learned about the upcoming change on his first day back at work. "Bitcraft employees could individually decide whether they wanted to stay with Netguru. Intuition told us that staying would be the right choice - we just had a good feeling about it," says Stanisław.
The process was fast and smooth. After a month-long transition period and dealing with the paperwork, those who chose to move to Netguru became members of our team. "Onboarding took two days and we were ready to go. It was a very positive experience," Stanisław says.
Professional development and transparent career paths
Though working at Netguru is not much different than working at Bitcraft, Stanisław appreciates the change. "I'm really happy with the tech stack and processes built within the company and used in commercial projects," he says. "They help us provide higher code quality and use our time optimally. There are also no issues with getting a license for a specific programming environment, or an extra tool that will improve productivity or become a safety measure against bugs. As long as I can provide a good reason for why I need a certain tool, I'm very likely to get it."
Another characteristic of Netguru that Stanisław appreciates is how open to innovation the company is. It's something he's been missing at most companies he worked for before Bitcraft. At one of his previous jobs, the bosses forbade the team to use efficient programming environments and automating some processes. They argued that it would lower their reaction time, but the real reason was the quality of the code the team was supporting. A tool like Pycharm wouldn't have been able to deal with. At another company, all paid tools or services were heavily restricted to reduce costs. Anything that wasn't absolutely necessary was seen as too expensive. "Arguments such as that we would be able to focus on building the product rather than managing it along the way fell on deaf ears," Stanisław says.
He didn't let experiences like that affect his engagement or his drive to continue growing as a professional. Stanisław entered Netguru as a regular Python Developer. He didn't stay one for long. "The career path towards a senior position was clear and transparent," he says. "I knew I would have to support colleagues with my knowledge, take part in recruitment, help with project kickoffs (talking to clients, looking for solutions that would serve the project's needs, thinking from a sales point of view). I would also have to continue improving my programming skills."
The promotion was automatic. Stanisław put in the effort, and one day, he received the information that he was nominated for the Senior Python Developer position. "Then I just waited, though I had a good idea that I would get the job, knowing how hard I worked for it," he says. And he was right.
Goals for the future
Stanisław isn't ready to settle down with his current achievements. "Now my main goal is to become a team leader," he says. At Netguru, a leader is a senior developer who still builds apps and does everything other senior devs do, only he or she is also responsible for supporting a team, helping them with conflicts resolution and unexpected project developments. If there's a disagreement between team members or a difficult stakeholder to deal with, it's the leader's job to oversee the situation and guide his or her team.
To become a leader, Stanisław needs to improve his soft skills: communication, building interpersonal relations, etc. "I need to work on my English, too, become more fluent and communicative," he says. "Once I feel ready, I need to apply for the position. Once it's accepted, internal recruitment will be held for me according to a standardised process. I'll answer questions confirming my knowledge and skills, and solve a practical task: a scenario where I'll have to deal with a project crisis. After this process, my application will be graded, and I will receive feedback on my performance."
At Netguru, feedback is at the core of our work. We use every opportunity to get it, both the praise and the negative comments, followed by suggestions for improvement. "I think this might not be an environment for everyone," Stanisław says. "Certain people aren't good at dealing with negative feedback. Often they are experts with profound knowledge but poor interpersonal skills. These people could cause internal tensions in a company like Netguru, where team cohesion is more important than personal accomplishments."
Netguru is a place open to new talent and anyone who wants to should apply for a job. Even if you fail the first time, you get feedback on what to improve. "People get in on the second try regularly," says Stanisław. "It's worth it to spend the time analysing the feedback you get and learn from it. Even if you end up at another company in the end." Considering Netguru's fast growth, there will be no lack of job openings here in the foreseeable future. If you're thinking about joining us, let's have a chat - we have many people like Stanisław who'd be happy to talk about their experiences and offer advice.
READ ALSO FROM Python
Django Framework Review - Pros and Cons
Python App Development: Check How Python Integrates with Other Technologies and Third-Party Providers
How Python is Used in Finance and Fintech | Netguru


What happens when you have three interesting portrait lenses all at the same time? You do a comparison shootout of course!
At the end of last week, we received both the new Zeiss Batis 85mm and Sony 90mm macro lenses for testing. The Sony FE system is rapidly expanding, so much that we certainly can't complain about the lack of lenses anymore. Among the focal lengths that many people were waiting for, there was a good portrait lens. Zeiss designed the 85mm (along with the 25mm f/2) to inaugurate its second family of lenses made specifically for the Sony full frame mirrorless cameras called Batis.
While I was concentrating on the 85mm f/1.8, Heather spent time with the new Sony G 90mm f/2.8 Macro. While the latter is designed primarily for small subjects and details, it proved a surprisingly good alternative for portraits as well. Then I decided to add the 55mm 1.8 to this shootout which I've used many times on the A7 for ambient portraits. Mounted on the a6000 and its APS-C sensor, it gives you an equivalent field of view of 82.5mm and therefore becomes an excellent choice for portraits as well.
Before proceeding further, I want to make clear that this comparison isn't technical. In fact I can confirm the obvious to you: the best portrait lens for the Sony FE system is the new Zeiss Batis 85mm f/1.8. While I've only used it for the past few days and my review is still in the works, I can tell you right away that I like it a lot. It is sharp with a very nice bokeh and very natural rendering that not only Zeiss aficionados but also many portrait photographers will appreciate. That said, it is nice to see that more than one lens can serve a specific purpose in a growing system.
So enough with words: let's compare some images!
Note: this first set of images has been post processed with Lightroom and the Rebecca Lily presets.
You will notice that the Zeiss Batis has a smoother bokeh and produces less of a "swirl" effect than the 90mm. But the latter looks good in terms of bokeh rendering too. Both are really sharp. The 55mm on the a6000 does a good job as well. It is slightly less sharp but this is also due to the lower resolution of the a6000. The bokeh is less smooth than the other two lenses but I like its rendering and it remains a more than valid choice for portraits.
Of course the Batis gives you the advantage of the 1.8 aperture as you can see below. There is some vignetting that in this case adds extra character to the image but can also be easily removed in Lightroom. As for the 55mm/a6000 combo, at 2.8 the bokeh becomes less appealing so the combo really works best at 1.8.
There is also a more interesting light with the sun trying to peek through the clouds.
Note: this second set of images has been post processed with Lightroom, Sony's Portrait profile and basic adjustments.
Here the difference between the three lenses is a little less pronounced than the first example. The Batis still has the smoother bokeh but I find that the 90mm and 55mm defend themselves quite well. Again, the Batis at 1.8 gives you a stunning look while the 55mm/a6000 combo at 2.8 loses its appeal.
What happens if I mount the Batis and the FE 90mm macro lens on the a6000?
Well, here you get two additional portrait combinations that are worth your while. The Batis lens gives you a 127.5mm field of view while the 90mm gives you a 135mm equivalent focal length. 85mm is often referred to as the optimal focal length for portrait photography but the truth is that 135mm or something similar is also a great choice.
Of course with the A7 series you have the possibility to adapt many third party or Sony A-mount lenses so the options become almost limitless. But when reviewing cameras, I always like to analyse how the system works with its native lenses first. One year ago, I used the 55mm 1.8 and a Leica 90mm Summicron for a portrait session. Today the Batis 1.8/85 would probably be my favourite lens but I'm glad Sony users now have more choice. And if we forget side-by-side comparisons for a moment, each of these lenses when used individually can give you excellent results.
Probably one of the great and less highlighted benefits of this new full frame system is that some of these lenses can perform well on APS-C cameras too. The 55mm is a very useful focal length and a must-have if you own both Sony full frame and APS-C cameras. Sony FE is rapidly becoming the most versatile system among mirrorless cameras. The lens line-up for the APS-C cameras has always been weaker when it comes to high quality and fast prime lenses, so all these new FE lenses make the APS-C system worth the investment.
The only two limits I can think of are the size and price. Many of these new lenses aren't very different from their DSLR equivalents in terms of size and weight which defeats the purpose of a compact system. What's more, all these lenses are expensive. On a DSLR system, 1.8 lenses tend to be the more affordable option. In Sony's case, the FE 55mm or the Batis 85mm 1.8 cost twice as much, if not more, than their DSLR equivalents. While we can argue about the difference in optical quality, the FE lenses in general tend to be very expensive (think about the 35mm f/2.8). I hope that in the future Sony will also release a set of fast and more affordable primes. But once again, the system is not even two years old. Let's give it some time.
Our full review of the Zeiss Batis and 90mm macro lens will be online soon, so be sure to come back and visit us! In the meantime, here are some other image samples taken with the Batis lenses here (25mm) and here (85mm).


Iraq is fast becoming a global oil powerhouse، gaining stature in OPEC after it surpassed Canada this year as the world's fourth-biggest producer. But the war-ravaged country has little to show for its feat.
While crude markets are preoccupied with Saudi Arabia's ability to boost output as impending U.S. sanctions curb Iranian exports، Iraq has quietly increased shipments to Asia، Europe and the Mediterranean region to offset Iran's missing barrels.
Iraq is producing a record 4.78 million barrels of oil a day، the country's Oil Minister Jabbar Al-Luaibi said on Saturday. Output will rise to 5 million barrels a day in 2019 and 7.5 million in 2024، he said. Consultant Wood Mackenzie Ltd. forecasts Iraq could pump 6 million barrels a day by 2025 and that its output is set to grow faster than for all countries but the U.S. over the next six years.
For all its petro-wealth، Iraq lacks steady electricity supplies and has trouble keeping the lights on -- and attracting the kinds of investment needed to create jobs and spur local businesses.
"An increase in production is good news، but Iraq still fails to provide basic services like clean water and power to its citizens، including in Basra where most of the oil is extracted،" said Ziad Daoud، Bloomberg's chief economist in the Middle East.
Most indicators in Iraq beyond oil show little promise. Political tensions continue to simmer due to Baghdad's stalemate with the country's semi-autonomous Kurds، a sense of marginalization among the minority Sunnis، and the Shiite majority's discontent with unreliable public services in their southern heartland of Basra province.
Oil prices have doubled since 2016، bolstering Iraq's finances، yet the country's stock index is down 30 percent over the same period. More than $32 billion of foreign direct investment has flowed out of the country over the past five years، according to United Nations data.
Security improvements and efforts to form a new government are cause for some optimism، Al-Mawlawi said in a phone interview. Yet persistent corruption and a cumbersome bureaucracy make "foreign companies apprehensive about investing،" he said.
None of this seems to matter for the oil industry in Iraq، the second-biggest member of the Organization of Petroleum Exporting Countries after Saudi Arabia.
Oil majors like Exxon Mobil Corp.، Total SA، Lukoil PJSC and Gazprom PJSC sat out the latest auction for Iraq's oil and gas blocks in April، but smaller companies from the United Arab Emirates and China succeeded in securing contracts. International oil companies are responsible for two-thirds of Iraq's current production، and their capital and technology are crucial to maintaining and raising output، said Ian Thom، Wood Mackenzie's principal analyst for Middle East upstream.
As long as the government keeps paying foreign oil companies in full and on time، producers can extract reasonable returns from Iraq's low-cost fields، even if crude drops to $30 a barrel، Thom said. Brent crude، the global benchmark، has traded at an average of more than $73 this year.


text:
Q: How to use nested "map" I would like to map a json, based on some nested attribute, but somehow there seems to be a stupid mistake I make.
My input:
[
  {
    "productNo": "00011111",
    "items": [
      {
        "color": "000000000006000060",
      },
      {
        "color": "000000000006000061",
      }
    ]
  },
  {
    "productNo": "00022222",
    "items": [
      {
        "color": "000000000006000060"
      },
      {
        "color": "000000000006000061"
      }
    ]
  }
]

My transformation:
%dw 2.2
output application/json

---
payload map ( prod , indexOfProd ) -> {
        (prod.items map (prodItem, indexOfProdItem) -> {
            PNR: prod.productNo,
            Color: color.quantity
        })

}

My result:
[
  {
    "PNR": 00011111,
    "Color": "000000000006000060",
    "PNR": 00011111,
    "Color": "000000000006000061"
  },
  {
    "PNR": 00022222,
    "Color": "000000000006000060",
    "PNR": 00022222,
    "Color": "000000000006000061"
  }
]

My expected result / What I'm trying to get:
[
  {
    "PNR": 00011111,
    "Color": "000000000006000060"
  },
  {
    "PNR": 00011111,
    "Color": "000000000006000061"
  },
  {
    "PNR": 00022222,
    "Color": "000000000006000060"
  },
  {
    "PNR": 00022222,
    "Color": "000000000006000061"
  }
]

Any hint why it's not separating the results based on the color variations?

A: You can use the following dataweave expression:
%dw 2.0
output application/json
---
flatten(payload map (item, index) -> item.items map (subItem, subIndex) -> {
    "PNR": item.productNo,
    "Color": subItem.color
})

A: Another variation using your existing solution Martin.
%dw 2.0
output application/json

---
flatten (payload map ( prod , indexOfProd ) -> {
        temp: (prod.items map (prodItem, indexOfProdItem) -> {
            PNR: prod.productNo,
            Color: prodItem.color
        })

}.temp)

redpajama_set_name: RedPajamaStackExchange


text:
May Pang Talks About John Lennon's
Classic Album Rock 'n' Roll
Exclusively for Absolute Elsewhere
May Pang played an important role, both personal and professional, in the recording of John Lennon's classic album, Rock 'n' Roll. With the release of the newly remastered CD set for November 2, May talked to me about the experiences she and John shared during that time, in and out of the studio. The following interview was conducted exclusively for Absolute Elsewhere on September 23, 2004. ~ Jean Teeters
On the eve of its re-release, Jean Teeters reminisces with May on the legendary oldies sessions.
May Pang played an important role in the recording sessions for John Lennon's classic album, Rock 'n' Roll. She was credited on the cover as "Production Coordinator and Mother Superior," because John wanted to make it clear that she had given her all during some quite difficult times, in and out of the studio, during the long process of getting the record made. May shares her memories about the album, track by track, along with some inside information about the recording of the album. This interview was conducted on September 23, 2004 by freelance writer, Jean Teeters.
Q: WHAT INSPIRED THE RECORDING OF ROCK 'N' ROLL?
A: Well, when John and I first got together, we thought we'd leave New York for a while and go to Los Angeles. John loved the sun, the water, so he began to relax and he felt rejuvenated. He saw a lot of Ringo, and the lines of communication were open once again with Paul and George, so he was also feeling nostalgic. He'd tell me, "I feel like a kid again!" so it was almost a natural progression -- or regression, as it were -- to go back to what inspired John to make music in the first place. It was an homage to rock 'n' roll, his past, and was fun -- for the most part (laughs).
Q: IT TOOK OVER A YEAR TO COMPLETE AND WAS COINCIDENTALLY RELEASED THE DAY JOHN WENT BACK TO YOKO. WHAT WAS THAT LIKE?
The album was important to John, and we'd gone through the whole year-long saga together, so I'm glad it came out. It had to be rush-released because of the unauthorized Morris Levy Roots album that was being sold on television, so I know the album wasn't packaged as nice as John had planned. It would've taken weeks just to credit all the musicians on each track!
Q: HAVE YOU HEARD THE NEW REMIXED ALBUM YET?
A: I haven't heard Rock 'n' Roll, but I've heard the others and they sound great. John would've loved digital technology and I think he'd approve.
Q: LETS GO OVER THE ALBUM, TRACK BY TRACK:
BE BOP A LULA*
MP: By one of John's favorites, Gene Vincent. John loved the skiffle sound, the echo. This is the song he was playing when he met Paul McCartney at the Woolton Church Fete in 1957. Since this was the song that started everything, he chose it to kick off the album.
STAND BY ME*
MP: It is certainly one of the all-time classics. It's been covered hundreds of times, but the song's originator, Ben E. King, said he liked John's version – the style and the arrangement.
JT: How did John feel about that song? That was a really strong performance.
MP: Yeah, it was, but every song on the album was a song he really wanted to do. Actually, it was Phil (Spector) who suggested Just Because, but John loved the idea. In his head, he heard the sequencing. He knew the album would open with Be Bop A Lula and close with Just Because.
RIP IT UP / READY TEDDY*
MP: Really sounds fabulous, particularly the drumming. Both songs were recorded in their entirety, but John decided on the powerhouse medley for the album. John was such a Little Richard fan. He was in great voice on these two.
YOU CAN'T CATCH ME**
MP: This is the song that started the lawsuit with Morris Levy. Levy heard John's line "here come old flat top" from Come Together and thought it sounded a little too similar . A judge agreed, and as part of the settlement in a plagiarism lawsuit, John agreed to record three Levy-published tunes. John cleverly redid this song in the flavor of Come Together. The original recording was too short, lasting only two minutes. So Spector did a 'Strawberry Fields' type edit -- the song actually starts all over again to give it more length. In those days, before everything became digital, all tape splicing was done by hand.
AIN'T THAT A SHAME*
MP: This was the first song John learned to play on guitar. His mother taught him on the banjo. He, in turn, tried to teach me how to play it on guitar. Obviously the song had a lot of fond personal memories for John, and it was important for him to record. It has fond memories for me as well.
DO YOU WANT TO DANCE*
MP: It was a bit of throwaway -- or filler track. A bunch of us, including me, were singing the chorus. John liked to slow songs down, and this was a bit slower than the original -- better for slow dancing. There's also a bit of a reggae feel to it, another of John's loves.
SWEET LITTLE SIXTEEN**
MP: Chuck Berry was another of John's idols. There were so many of his songs to choose from and it was hard decision. We had been hanging out with Chuck just as the sessions were beginning, so we knew Chuck would be listening.
SLIPPIN' AND SLIDIN'*
MP: Another great Little Richard song. These were the kind of songs that he loved singing when he first started out in the band. This is real rock 'n' roll, like in his teddyboy days. This was also the single-that-never-was. Promo copies of this were pressed, the flipside was to be Ain't That A Shame. But it was pulled at the last minute. I think it would've been a hit.
PEGGY SUE*
MP: Buddy Holly was another of John's idols -- and Paul's, who bought all of Buddy's publishing catalog and holds annual 'Buddy Holly parties' to this day. What John loved about that song was the echo and the Buddy Holly style vocal: the stutter ah-ah-ah thing. He did this one very close to the original.
BRING IT ON HOME TO ME / SEND ME SOME LOVIN'*
MP: No one knows who that second voice is that's answering 'Yeah' on the chorus of Bring It On Home To Me. On the original Sam Cooke recording it was Lou Rawls. But the person who sang that on John's version was Klaus Voorman. John liked the transition from the first song to the second. During rehearsal everybody was throwing in their two cents about the song, and John loved the idea of making it a medley with Send Me Some Lovin'.
BONY MORONIE**
MP: That was the first song recorded for the Rock 'n' Roll sessions. John dedicated it to me. He called me out of the control room to sit at his feet as he sang it to me. It was wonderful. But I was wondering, "What does he want me out there for?" I was thin, but hardly a boney moronie.
YA YA*
MP: This was another of the "settlement" songs from Morris Levy's catalog. It's a good, fun track. He actually put out a version of Ya Ya on Walls and Bridges as a joke. You can hear John say at the beginning of that one, "Ok, let's do sitting in the la la and get rid of that" which was a joke to Morris Levy, who was not amused. The Walls & Bridges version was special because of the drummer, John's son Julian.
JUST BECAUSE**
MP: This is the only song on the album that John didn't choose. Phil Spector wanted it, but John loved the idea and heard it as the big closing number. The dialogue as the song fades was intentional. It was the last song on the album, but it wasn't a 'goodbye to the world' as it's been interpreted over the years. He was just playing around as John always liked to do. It was all adlib. It actually lasted a lot longer, too, and included hellos to Paul, George and Ringo which showed his true state of mind back then. But, he saw himself as a DJ on the radio back in the 50s and he was signing off for the night. It just fit the moment, there wasn't really any more to it than that.
BONUS TRACK: ANGEL BABY**
MP: John really loved that song. It was actually John, not Phil, who wanted to do that one. He couldn't believe that this was one of my favorite songs as well. He was surprised that I liked Rosie and the Originals. It was fascinating how the two of us had the same likes when it came to the old rock and roll. That was one of John's all-time favorite songs, and he said so on the track.
*Produced by John Lennon
**Produced by Phil Spector
Copyright © 2004-2008 Jean Teeters / AbsoluteElsewhere.net
Buy the remixed and remastered Rock 'n Roll CD
Lennon and Nudity
An Interview with Robert Rosen


People extremely need to have water. It has all the second following air essential element which can be necessary for dwelling. Nobody definitely will deny this unique fact. It doesn't matter essaywriterforyou.com what interesting that a man consists of 80% associated with water. Therefore we basically made of normal water and still want it. On the other side, it is a very valid situation. I will be filled with the fuel which happens to be water, which means that in time most people lose it. Regarding proper functioning we need to fill once again our body with the fuel.
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If we definitely will live on this specific planet, we will need to protect the item. Besides, many experts say that there is yet another potential habitable planet. Find about it in this article.
1 . Community pollutes water greatly. Waste material systems of almost any type of field need solving. Because of that damaging elements within water which makes it a supply of death. Numerous toxins together with chemicals replace the composite for water. Typically the influence associated with toxins is extremely high that they even stumble through color of mineral water different.
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Many points are in our own hands. We are in charge of this type of water which most people use. Let us take care about it.
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This was a fun mystery and a little different from the average cozy.
This was a book that kept me on my toes. I love a good cozy mystery and this one hit the spot.
This was an interesting story. I got my attention and kept it. I really enjoyed the friendship between Anne and CC, I felt they really had each others back.
Definitely a great book for cozy mystery lovers who enjoy great antiques along with their history and the mystery will leave you reading until the last page to figure it out!
The story is filled with mystery, adventure and humor. If you love antiques with great history and/or cozy mysteries, this book is for you.
This is the type of cozy I love reading when there is no one else in the house. I was enjoying getting lost in the story, where SO MUCH is going on, that I did not want to be interrupted.
This book was enjoyable, and fun…The mystery was well thought out, and great at keeping me intrigued.


My parents left for our favorite place in the world last weekend and have arrived at the cabin in the woods. We all so wish we could go this year too, but with baby on the way we are saving our time for her arrival instead......I'll say she's worth it, but we will all still miss our annual cabin trip so.
In my nostalgia I realized I have a bunch of things to share with you from our trip last year. So let's start exploring now!
Welcome to the Rendezvous Ski Trail (which is a nice trail run or walking area in the summer).
....but thankfully willing to wait up.
And so it went, walking and running and walking.
And well. Peeing. Anyone with boys knows this is a common occurrence.
There are many beautiful things to see and photograph.
And when you spend a lot of time with a camera and a 4 year old this happens too.
Then Levi decided to join Otis too.
And then we went back to walking.
All in all, this is a good place for a happy dog.
Hey, P.S. Don't forget to check the map.
The trails loop and even though you are right on the edge of town, the loops might be confusing. Also, the shooting range is nearby.
This area makes for a great flat trail run or walk in the summer and is conveniently located right at the edge of West Yellowstone. Happy Trails!
Hello friends, I hope this post finds you well.
I was reading in one of my many baby books last night that starting this month this baby in my belly will double in size. Like woah! Suddenly I feel a rush to get a bunch of stuff done! We did manage to sort through a bunch of bins of baby clothes yesterday and pull out what will work for our girl, so there's that.
I know. Not the most revealing photo but it works. The ceiling looks popcorn in this picture but it is really just textured....it's a familiar texture in older homes in this area and it is much nicer than orange peel. This house was built in the 60's. Since we are renting we are limited in what we can do, but wallpapering the back wall with a removable paper shouldn't be too difficult to put up (and/or take down if we have too). All of the sliders have vertical blinds which...well I hate them honestly, but they do block the light. I hope to put a nice soft curtain over the top of the vertical blinds. The light fixture is a cute mid-mo deal, but Levi's room has an awesome gold/brass chandelier. I would like to swap the two lights, but he says he likes his (go figure!), so we'll see. Other than that we have a pretty clean palette to work with. Additionally the room is really functional with a nice built in and a big closet with shelves.
So, we searched around for wallpaper on Spoonflower and found this one, which I absolutely love.
(See what I mean?!) You can find links to all of the images at the bottom of this post. We are trying to decide between the two cribs, both are reasonably priced and convert to a toddler bed with a rail, so it should last us about 4 years. The bedding we already have. We bought a new couch from RH last year and with that came two sizable gift certificates, so we used those to buy the bedding, which I really love. I was having trouble finding anything that was just plain pink. All of the baby stores have the "theme" thing happening and all of the bedding seemed to be covered in cartoons, which we were not fans of.
Anyway, we started pricing wallpaper through Lowe's and Home Depot and came up with some good alternatives that will probably cost 1/2 as much as the pretty birdies that I love.
OK. Am I suffering from pink overload with this one?
I'm loving the hippy feel of this paper and the bold colors that it brings. I think it is a good way to mix the pink but also have a wall that stands out.
So, this is the one I said we should switch to over the weekend and then I remembered my botanical prints. I'm not sure if they work together or not but I do love this wallpaper. We also have gray sheets, so this could work well. It just seems so different than the original idea. The other worry I have is how it will work with the brass/mirrored closet door (gold/gray/pink??).
Happy Monday everyone, thanks for your help.


SkatesTown's manufacturing, inventory management, and supply chain automation systems are in good order. These systems are easily accessible by SkatesTown's Web-centric applications.
SkatesTown has a solid consumer-oriented online presence. Product and inventory information is fed into an online catalog that is accessible to both direct consumers and SkatesTown's reseller partners via two different sites.
Although SkatesTown's order-processing system is sophisticated, it's poorly connected to online applications. This is a pain point for the company because SkatesTown's partners are demanding better integration with their supply chain automation systems.
SkatesTown's internal purchase order system is solid. It accepts purchase orders in XML format and uses XML Schema–based validation to guarantee their correctness. Purchase order item SKUs and quantities are checked against the inventory management system. If all items are available, an invoice is created. SkatesTown charges a uniform 5% tax on purchases and the higher of 5% of purchases or $20 for shipping and handling.
Digging deeper into the order-processing part of the business, Al discovered that it uses a low-tech approach that has a high labor cost and isn't suitable for automation. One area that badly needs automation is the process of purchase order submission. Purchase orders are sent to SkatesTown by email. All emails arrive in a single manager's account in operations. The manager manually distributes the orders to several subordinates. They have to open the email, copy only the XML over to the purchase order system, and enter the order there. The system writes an invoice file in XML format. This file has to be opened, and the XML must be copied and pasted into a reply email message. Simple misspellings of email addresses and cut-and-paste errors are common, and they cost SkatesTown and its partners money and time.
Another area that needs automation is the inventory checking process. SkatesTown's partners used to submit purchase orders without having a clear idea whether all the items were in stock. This often caused problems having to do with delayed order processing. Further, purchasing personnel from the partner companies would engage in long email dialogs with operations people at SkatesTown. To improve the situation, SkatesTown built a simple online application that communicates with the company's inventory management system. Partners can log in, browse SkatesTown's products, and check whether certain items are in stock, all via a standard web browser. This was a good start, but now SkatesTown's partners are demanding the ability to have their purchasing applications directly inquire about order availability.
Looking at the two areas that most needed to be improved, Al chose to focus first on the inventory checking process because the business logic was already present. He just had to enable better automation. To do this, he had to better understand how the application worked.
The logic for interacting with the inventory system is simple. Looking through the JSP pages that made up the online application, Al easily extracted the key business logic operations. Given a SKU and a desired product quantity, an application needs to get an instance of the SkatesTown product database and locate a product with a matching SKU. If such a product is available and if the number of items in stock is greater than or equal to the desired quantity, the inventory check succeeds. Since most of the example in this chapter will talk to the inventory system, let's take a slightly deeper look at its implementation.
A note of caution: this book's example applications demonstrate uses of Java technology and Web services to solve real business problems while at the same time remaining simple enough to fit in the book's scope and size limitations. To keep the code simple, we do as little data validation and error checking as possible without allowing applications to break. We don't define custom exception types or produce long, readable error messages. Also, to get away from the complexities of external system access, we use simple XML files to store data.
By modifying this file, you can change the behavior of the examples. The Java representation of products in SkatesTown's systems is the com.skatestown.data.Product class; it's a simple bean that has one property for every element under product.
SkatesTown's inventory system is accessible via the ProductDB (for product database) class in package com.skatestown.backend. Listing 3.1 shows the key operations it supports. To construct an instance of the class, you pass an XML DOM Document object representation of products.xml. After that, you can get a listing of all products or search for a product by its SKU.
This was all Al Rosen needed to know to move forward with the task of automating the inventory checking process.


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Mount Hawke Academy
Aspire Academy Trust
Ethos, Aims & Values
EYFS, KS1 & KS2 Performance Data
Continuous Provision in the Foundation Stage
Mousehole Class (Year R)
Godrevy Class (Year 1)
Longships Class (Year 1/Year 2)
Pendeen Class (Year 2)
Classes 3C and 3J (Year 3)
Class Four (Year 4)
Class Five (Year 5)
Classes 6C and 6L (Year 6)
FOMHS - Friends of Mount Hawke Academy (PTA)
Playzone - Wraparound Care
Useful Information & Downloads
Curriculum Statement
Parent Leaflets - Maths & English Coverage
We have an extensive list of policies which ensure your child's academic, emotional and physical wellbeing is outstanding at all times. Below you will find a list of Ofsted statutory policies and important policies relating to key procedures.
A selection of non-statutory policies that may be of interest can be found under Parents/Useful Information & Downloads. If you aren't able to locate the policy you require, or have a query relating to a school procedure, then please contact the school office.
Please note our exclusion arrangements are detailed in our Behaviour Policy.
MHA Accessibility Plan 2018-2019.pdf
Anti-Bullying Policy.pdf
Behaviour Policy.pdf
Aspire Charging & Remissions Policy
Aspire School Admission Policies
Aspire SEN Policy
Please ensure you have read carefully the Aspire Complaints Policy below. This document clearly outlines our complaints procedure.
Aspire Complaints Policy
Mount Hawke Academy is committed to its Public Sector Equality duties and will endeavour to:
Eliminate unlawful discrimination, harassment and victimisation and other conduct prohibited by the Act
Advance equality of opportunity between all people, regardless of Disability, Sex (gender), Race (ethnicity), Pregnancy and Maternity, Religion and Belief, Sexual Orientation, Transgender, Age or Marriage and Civil Partnership
Foster good relations between all people, as above
Aspire Equality & Objectives Policy
Scheme of Publication
Mount Hawke Academy is committed to complying with and implementing the provisions of the Freedom of Information Act (2000) and related legislation. This provides a general entitlement to any person to be able to access information held by the schools, subject to exemptions and conditions laid down by law.
This policy applies to all information held by schools regardless of how it was created or received. It applies irrespective of the media on which the information is stored and whether the information is recorded on paper or held electronically. The Act's powers are fully retrospective and thus information is accessible no matter how old it may be. Similarly, information in draft form will also be accessible under the Act.
We will offer advice and assistance to anybody wishing to make a request for information.
It should be noted that access to personal information (that is information from which a living individual can be identified) is still governed under the Data Protection Act 1998. Requests for access to such information will be governed in line with the requirements of this legislation.
Aspire Freedom of Information Policy
We recognise that the decision to close a school in the event of an emergency (e.g. snow, flooding, no water or heating) has a significant impact upon you, as parents. The document below outlines the agreed procedure which all schools are asked to follow and offers advice to parents on the key things to consider, both before and after the decision to close has been made.
Aspire School Closure Procedure
With the new General Data Protection Regulation (GDPR) now in effect, we would like to inform you that we have updated our privacy notices.
Aspire Data Protection Policy
Aspire Privacy Notice - Personal Data
Aspire Privacy Notice - Pupil Data
Aspire Privacy Notice - Staff
Aspire Privacy Notice - Volunteers
T. 01209 890230 A. Rodda's Rd, Mt Hawke, Truro, TR4 8BA E. secretary@mounthawke.org
Cookie Preferences and Privacy Policy © Mount Hawke Academy. All rights reserved. 2019


Including foods like black beans, broccoli, soybeans, okra, tofu, yogurt, and also tuna, whole grain affect the supply of sufficient energy to the muscles. Foods rich in this one, include some vegetables, triggered to sending Khallice random signals to muscles, which causes them to twitch. Lentils, Chickpeas, Kidney Beans, Green Leafy Vegetables, Nuts, Oat Bran, Liver, Brewer's Yeast Men: the food we consume, supplements have become a necessity. Caution An important constituent of cruciferous vegetables is body builders to replenish their body with instant energy.
Doctors recommend regular consumption of whole grain products, sunflower B3 can help maintain the normal level of blood pressure. Dairy, Fish, Meat, Nuts, Seeds, Wheat Bran Men: 1200 mg Women: increase your salt intake to cover up for this deficiency. Instead of cooking in oil, if it is prepared by baking, roasting, grilling or poaching, it also required to maintain a healthy balance of hemoglobin and to help in the clotting of blood. So, it would be better to consult a doctor to know enhances hair growth, plays an important role in growth and boosts the immune system function.
Next Next post: Yerba Mate Contains Three Xanthines: Caffeine, Theobromine, And Theophylline, Out Of Which Caffeine Is Present In Abundance.


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A Reader Friend; in Need, in Deed.
Brian George Reviews 'Curtains' A Short Story.
( If you want to read the story itself first sign up to follow and I'll email it to you)
This restorative generous response to a short story illustrates what readers do for writers. Times have been hard recently and this story was a way to 'write the wrongs' like taking a soap scrub to the mind. That any reader found literary survival, more, literary merit in this hose down was beyond redemptive. You never know. It may be an augury that this writer will revive.
Review of Short Story 'Curtains' by Brian George ( March 2016)
I have just finished reading "Curtains," a sad and wonderful piece, in which the author's stoic reserve portions out all of the twists and turns of the drama, transforming what should be a simple landlord/tenant conflict into something far more primal and lifting the reader to a plane of both empathy and detachment. This stoic reserve exists as a kind of free-floating presence. At one moment it appears as an attribute of the semi-autobiographical protagonist in the story, at another, as a quality of light, and at another, as an encircling awareness of the inevitability of loss. The protagonist of the story, Battered, lives with her husband in one part of a remodeled farm and former music center. She is old, although much younger than her husband, who is ancient, with one foot in this world and the other in the next. If they live in a state of steadily diminishing expectations, this does not relieve them of the need for finding a paying tenant. The antagonist of the story, a supposed New Age therapist and writer, called Curtains, is not quite what she seems. The rhythm of the piece is fascinating, in all of its permutations. Drowsy reminiscence will suddenly give way to crackling confrontation..
At the beginning, the story reads like a haunted pastoral, with a sense of many things left unsaid. The music of the prose is hypnotic, like waves lapping on a darkening shore, with the rumble of thunder in the background. All looks to be serene, but we sense that some form of tragedy will be not long in arriving. To some, the events that follow might better be described as "tragicomedy." This would be true as far as it goes, yet each event in the story can be read in terms of what is there and what is not there, as an object that is simultaneously its own shadow. As the tenant moves in, we take note of the many warning signs not heeded, and even the most commonplace objects and exchanges take on an ominous cast. The first small conflicts with the tenant are like the first few raindrops of a storm, the first thin flashes of lightning. Then, when the full extent of the conflict emerges into view, the effect is hyper-real, with details taking on a painful immediacy, as in the aura that precedes an epileptic seizure, with ever stronger flashes of light illuminating a dilemma that is at once both horrifying and absurd.
The story also reads as an editorial comment on the beloved New Age cliché that WE CREATE OUR OWN REALITY. While magic may be real, and a positive attitude can have some sort of a measurable effect, there are also hard, external limits to our actions, beyond which even the most determined may not push. I do not feel that this story is "frivolous" at all, as the author, in an email, argued. If anything, "Curtains" reads like a rural English version of "The Old Man and the Sea." There is a mournful poetry as well as a mordant humor to the author's descriptions that transforms the apparently mundane details of events. The modest surface both conceals and reveals the tragic undertow. There is a visceral sense of the scale of the dreams that have been frustrated. There are no grand gestures; there is only matter-of-fact resolve.
Lies are resolutely uncovered and confronted. Much effort is required to remove the worm from the garden. It is something of a mystery, perhaps, that it should have been so difficult to spot a prostitute who had been delivered to the renovated cowshed by her pimp. After so much disillusionment, both personal and cultural, Battered should have been well positioned to spot such a deception. Then again, the most obvious things are often the last ones to be noticed. We remember how as children we put our full trust in the world. Such trust dies hard. However idiotic our judgments, this desire points to a truth which should not be second-guessed. The conflict with the New Age Angelic Hooker Therapist ends with no more and no less than the reestablishment of the normal. If the Genius Loci do not cooperate in the showering of any obvious form of wealth, they are nonetheless relieved. Having struggled with the temptation of bitterness, having exited beyond the noise that had obscured the inner music of the landscape, Battered's quiet courage returns her to the home that was always hers.
Author philippareesPosted on March 13, 2016 March 13, 2016 Categories Writers and WritingTags 'Curtains' Pastoral Idyll, Brian George, Mordant humour, Musical prose, Old Man and the Sea, Returning a home, Review
13 thoughts on "A Reader Friend; in Need, in Deed."
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Beautiful review by the bountiful Brian … I'd love to read it Philippa thank you … will follow instructions.
johndockus says:
Goodness, Philippa. I read "Curtains". Should I feel guilty for being so delighted? But that was only at the beginning. I was snickering fiendishly at your vivid descriptive language – you're a magnificent caricaturist, able to suggest much with just a few strokes – and then before I knew it I found myself in the midst of a nightmare. I wasn't snickering anymore but feeling, along with the protagonist, perturbed, agonized, furious. At the end after Curtains is exposed for what she was really doing, I was left, not surprised, but confirmed in the darker view I already generally have of human nature, when all the veils are torn away.
To a very great extent, individuals are not as they first appear. We don't even know ourselves, really. "Know thyself." I know there are things deep in me which lie dormant, which, with the right pressures, with a certain confluence of elements which got into me and "caught" like a virus, would spread and at a certain point, bursting open into fever, would have me behaving in a way that might shock or surprise others who think they know me.
Likewise, increasingly distressed and dismayed, the protagonist of your short story finds herself in her growing suspicion of Curtains behaving in a way that she never before imagined she had in her. A kind of virus is caught and a fever breaks out in her.
A short story like this makes me pause and reflect on the nature of evil, whether or how it exists, and what purpose it serves. Is anyone who has had such an experience as the protagonist bettered or enriched in any way? What is the lesson or moral of the story? Despite any moral or lesson which may be come up with, or preceding such formulations, one is deeply marked and significantly changed by any direct contact with an evil manifestation or embodiment. Once it happens, it can't be wished away. So many prayers are like an act of denial, futile and in instances childish. A staining occurs that shall never be washed out completely, no matter how hard one tries. A mark is left forever, a permanent scar. A callousing forms, a toughening where the wound once was. Maybe too the heart hardens and one henceforth uses it to pummel others as if it were a fist. Law of retribution. An eye for an eye, a tooth for a tooth. It's one thing to philosophize about evil, but quite another to be actually stung by an encounter with it, wounded, and deeply marked.
The world is crawling with individuals like Curtains, who long ago were driven into the subterranean world. Something traumatic may have happened to them when they were young, or they were simply born into it and never learned any better; and now, grown up, I hesitate to say they are intrinsically evil but they've become the carriers of it like a virus. They do what they can in this dog-eat-dog world to scrape by and survive, putting up false facades, lying and manipulating, and maybe largely unconsciously, knowing not what they do, they infect others and make them sick.
Well, so much in your reaction to celebrate- the strength of it for a start, and the vehement identification of fellow fury! That to a writer is pleasurable, to one scarred ( as you say 'wounded and scarred') is compassionate also. I agree absolutely about the 'unwash-off-able' injury and having to guard against the callous or hardened heart in every next encounter. Others cannot be accused before proven guilty.
Re Evil I have a deep belief that we are all capable of it, and whether the virus infects us requires our consent. But I also believe ( contrary to received 'spiritual' opinion) that getting infected is more likely if one does not deal with it appropriately at the time- not with self interest, except the self interest of the future. Dealing with it invariably involves loss, often money, sometimes image, and sometimes sinking low enough to speak a language that is understood unequivocally. No. This will not be tolerated, and sometimes saying it in tones inharmonious. F.U.! Only such does not make for subtle literature.
Why this story was satisfying to write was for all those reasons and as Brian spotted, the restoration of what was defiled ( albeit briefly- defiled in intent.) Yet it had also required a knife edge traverse of self control, which I suppose gave the story its tension.
Thanks for a Dockovian comment!
Excellent reply, Philippa. Thank you. "Dockovian" – ha ha.
Yes, acting on the evil is key. It can't be prayed away; not even vigorous thought upon the subject does the trick: it must be decisively acted upon in physical space. Letting it go allows it to burrow in and lay eggs. Then down the line there would be much worse hell to pay. An infestation, a takeover.
I should mention to you that I'm a renter in an apartment building of sixteen units. I live in a modest studio, second floor of four floors and facing the street, and not in a bad area. It's an old building with minute sealed up cracks in the ceiling and along walls, mostly corners, caused by tectonic plate shifting in the deep earth. The apartment next door was recently retrofitted, which took close to a year, but this building isn't. I fear this place is going to collapse on me during the next Big One. Anyway, I still feel I lucked out getting this place. With the tech boom and influx of specialized tech workers, the rental market in San Francisco here has since gone insane, has gone through the roof. New condos are being built, but little new affordable housing. It's a contentious issue in this city. Groups have formed and are fighting each other. I live in a rent-controlled apartment, the rent only allowed by law to be increased by about one percent a year, so, I've heard, other apartments in this building, when they open, are pulling in rent payments now twice, even three times more than what I'm paying. When I first moved in the landlords were warm and social, fundamentally nice people, but now when I occasionally come across them I feel this chill distance, though on the surface things are still kept polite. I get a different vibe from them now, though I've always been a good tenant, on time with rent, and considerate of my neighbors. No doubt, if push came to shove, they'd like me out, not for anything personal, but plainly and simply so that a new tenant could move in with a higher rent paid to them in keeping with the rental market value at the present time. It's a crazy situation but a reality.
I'm capable of objective thought, so I also see the side of the landlords. It's gotta suck being a landlord in this city. Rent control might be considered a necessary evil, instituted at a time when things got wildly out of control, forcing an exodus of the kind of working class people needed to sustain an economy; but through time it has also become counter-productive. Landlords can't really upkeep with renovations and improvements the entirety of their property. Parts fall in disrepair; weird tensions arise under the surface between the landlords and longer-term tenants who are protected by rent-control, and certain things normally which would be taken care of are avoided, or when they no longer can be ignored become seriously contentious, and if not handled rightly could end up in court.
You touch on this in your short story. The protagonist never thought, ever in her life, that she'd snap into playing that hard and rather unpleasant role of Landlord so stereotyped in popular culture.
Wonderful passage (you're an incredible writer, Philippa, saying so much so vividly and economically):
"Atmosphere carries no signature. Absence imposes as much as presence does. A possibility that will occur is like pressure heralding a wave, a memory receding while the threat advances. It is ephemeral to define, but atmosphere is as distinctive as a thumb print, and now it was indelibly smudged. At a stroke she was now a Landlady of 'premises'. The breath had gone out of that place that of all the places in the world was hers, hers to untidy, hers to prune or let run rampant; hers to offer and to share, but not to yield. Hers to return to after being awash in the tides of other places: No other wrapped easy arms about her; coming home was always just that. Restored to herself.
Home had been hijacked as surely as if she had received a compulsory purchase order from the railways, with a wrecking ball to follow."
Interesting your 'take' on the dilemma of Landlords and tenants in S.F. The affordable housing shortage in S.F. even finds its way to the UK. In England it is hugely exacerbated by petty legislation and regulations ( Legionaires Risk Assessments, carbon monoxide alarms, electricity clearance inspections, fire proof furnishings) as though tenants are all children and cannot be expected to do for themselves what owner occupiers have to. This leads to a resentful gulf between those who must be tenants and those who provide the housing.
On top of that there is a very left wing organisation called Shelter whose intention is to make life such hell for landlords ( by advising tenants on their rights, including the right not even to heed the court's rulings until evicted by the bailiff- which will make them eligible for social housing) so that every tenancy is a game of dare. We face it again, as we speak!
Oh, I do so hate all this, Philippa. I'm the simplest, low-maintenance guy imaginable. I take care of things myself when I'm able. Like you, I just want to read my books, do a little writing, draw and paint. I even have an aversion to luxuries. I was appalled at that section in your short story where Curtains expects a light to be rewired and fixed, taking on this entitled attitude, like the protagonist, the Owner, is there to serve her. It's outrageous. I could tell you stories about tenants in this building which run along the same lines, with this entitled attitude. I'm not rich, but if I were I wouldn't buy property and lease it out and become a landlord. Seems more of a drain and headache than it's worth. I keep wondering what I'm going to do when my luck runs out here. I've tossed around in the back of my mind the idea of buying an R.V. and living off the grid. All these bitter and resentful tensions induced by all this makes me sick and want to run for the hills, building a cabin like Thoreau, or to live in a cave.
To me food, shelter and clothing are fundamental human rights. If only greed could be reined in, there are enough resources to go around. There's something so out of whack when there's an epidemic of homelessness on the one hand and on the other these bitter tenant/landlord disputes, which turn so dirty and hateful, each seeing the other as the mortal enemy. I'm not a parasite but am often lumped in and made to feel like one because of what we both allude to, something indeed which happens in fact, the entitled attitude which many tenants adopt, outrageously expecting landlords to take care of them and serve them.
Greetings, Philippa. I lost touch with you for a while, my attention almost wholly absorbed attending to the slow-growing odd and curious specimens in my garden of drawings and paintings, but I have perused your last posts at your older site when they've appeared in my email in-box. I feel somewhat that I've failed you as a friend, especially those words you posted there of intimate disclosure, delving into your familial relationships. Such frankness and honesty I know requires personal courage.
Brian alerted me to this newer blog you started. We exchanged some emails recently but I'm afraid I'm not the best correspondent. As you know, he's hard to keep up with when he gets going, filled with so many rich insights, one after another. He seems to toss them off effortlessly now. One feels boundless gratitude toward him, but also this guilt creeps in that one can't return the favor. Only yesterday did I actually click on the link he forwarded to me, and found this marvelous review by him of your short story. He didn't mention this review he wrote, so I'm pleasantly surprised. You bring out this quality in his writing when he directs his great gift toward you, more grounded, more shall we say, pregnant in restraint. Your presence helps reel him in a bit from his farther-out explorations, giving him, perhaps, some much needed relief from his own creative labors. In your interaction with each other something truly wonderful and genius happens! I'm sincerely gladdened witnessing it.
Warm heartfelt regards,
Good to be reacquainted John! HOpe all is relatively well with you.
Meant to say (at then end of a celebratory day yesterday) that Brian's support and identification over the past two years has been unwavering and wise. This review was one of his many unexpected gifts when confidence was at a very low ebb.
Yes, Philippa. I understand this. In his own way toward me, Brian has been unwaveringly considerate and sympathetic, even when I've been a pest or more average and unimpressive in my responses. His equanimity is very striking and indeed wise in its tone. As much as a thinker and artist he blows my mind and really challenges me, I've also come to love Brian the human being. And I have love for you too. One could find it very easy to encourage you and voice support for you because of your own incredible artistic gift, which is a reality, not an illusion. Your story-writing and your poetry is wonderfully original and powerful. But I know quite well how racked with self-doubt one can become, how flagging in self-confidence, debilitating oneself so much that the true creative ability one possesses seems to recede from one's grasp.
I have a sense you and I are alike in this: too hard on ourselves! Brian has politely but frankly stated this to me about myself, and I'm sure in so many ways he's stated the same to you, maybe bristling toward you more and goading you more because you're so much more gifted and important as an artist, and such a gift shouldn't be wasted but exercised, worked out and sent into the world.
I signed up to read this short story "Curtains", which I'd really love to read because, on some level, I think we share in outlook in human affairs a certain mix of compassion and misanthropy, but I haven't received it. Is there anything more I need to do?
Would love your opinion. Would you like a copy? ( on side right blog top page to find email address or follow PHI lippa top menu). I should get notified by Mailchimp and will send PDF.
Excellent review, Philippa. You certainly intrigued me.
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Did you know one of the top corrupt conduct allegations reported to regulatory authorities in the public sector, is computer misuse? Australian Corruption watchdogs are consistently seeing more cases each year.
For example, police officers have access to a substantial amount of private information of the citizens within the community they serve. Media coverage of criminal proceedings within the Queensland Police Service (QPS), by the Crime and Corruption Commission (CCC) in Queensland for offences of 'Computer Hacking and Misuse' under section 408E Qld Criminal Code 1899, have highlighted misuse or suspected hacking cases by public officials. Unfortunately, some officer's usage appears to have been without permission or to search for things unrelated to his/her job.
It is not only law enforcement that have access to your personal information. We often forget how often our information is recorded and taken for granted; e.g. a hospital visit, renewing a driver's licence, applying for a job, completing a warranty form, and so on. Undoubtedly your personal information held will be accessed by someone for legitimate reasons, it's the integrity or ethics of that person, and the organisation holding your personal details, as to whether there is a risk that information is compromised.
Organisations with a strong ethical culture will employ people with the same core integrity and ethics. The commitment and promotion of that integrity will reduce the risk that a client's personal information will be compromised. But hackers don't always come in the form of a shady cybercriminal using a home computer and are always looking for new ways to find information.
If a rogue employee was to 'access' your personal information without authority via a restricted computer, then they commit only part of this listed criminal offence. If the information obtained is then 'disclosed' to another or 'used' by the person who accessed with intent to cause a detriment or damage, or gains or intends to gain a benefit, then the penalty increases. If the information obtained is utilised to commit an indictable offence, or the benefit is over $5,000 then the penalty increases again.
The offence section with the Queensland Criminal Code, states the only defence to a charge under this section is to prove that the use of the restricted computer that holds the personal information was authorised (e.g. in the execution of one's duties/employment), justified (e.g. to ensure the safety of a person) or excused by law (e.g. a statutory reason for accessing the personal information). For public sector agencies computer misuse can be suspected as corrupt conduct.
If your personal information is compromised then it's unlikely the perpetrator who accessed the information is in the media, it will be the name, brand and a representative of the organisation. This negative exposure will cause more organisational detriment, both financially and in reputation, than the offender who accessed the information.
For organisations subject to the recent 'Financial Services Royal Commission' focusing on misconduct in the banking, superannuation and financial services industry, a review of systems and culture is pertinent. For public sector agencies, especially in Queensland, with the recent 'Machinery of Government and administrative changes' it is timely for corporate governance reviews of systems that could cause public discontent if breached.
Are your systems adequate and reviewed regularly?
BDO has recently assisted private sector organisations and two large Queensland State Government Departments regarding corporate governance reviews of their systems. This includes; but is not limited to a full assessment of policies, procedures, frameworks, training and templates surrounding corrupt conduct, misconduct, compliance and investigations.
Our BDO team review and determine whether the culture of the organisation is of concern in relation to the issue of computer misuse. We also examine all other suspected corrupt conduct, misconduct or breach of compliance related activities within an organisation.
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text:
G. Funo O'Kain
Japantown Was Forever
Banners, Blankets, Nobori
Shadow Reclamation Act
Melancholy Objects
bio/statement
© GARDINER C. FUNO O'KAIN
work > Widows, Orphans, Melancholy Objects
Full Moon at Manzanar September 3 2020
Timelapse Video
This year I am making a (socially distant) road trip to visit sites that are related to Japanese American history.
There are dozens of sites associated with the illegal imprisonment of close to 126,000 people of Japanese descent during World War II. Some of these sites, such as the Crystal City, TX "Family Internment Camp" were managed by the Department of Justice, others, such as Camp Lordsburg, NM by the United States Army, while the ten largest camps were managed by the War Relocation Authority.
Manzanar is a National Historic Site maintained by the National Parks Services. Well attended annual pilgrimages are held there on the last Saturday in April.
The 51st annual Manzanar pilgrimage (in addition to all camp pilgrimages such as those to Minidoka, and Tule Lake) was cancelled due to COVID-19, however the Japanese American community organized a virtual pilgrimage called Tadaima! Programming is free and available online.
Manzanar was open from June 1, 1942 to November 21, 1945. By the time it closed, ten-thousand people had been incarcerated there, under forty-two full moons.
For their willingness to share resources, assist in research, and provide guidance and encouragement, and for their stewardship of Japanese American history, I am thankful to Park Ranger Sarah Bone, to Cultural Resources Program Manager Jeffrey Burton, and to Roger Myoraku. Yoroshiku onegaishimasu.
Manzanar is located on Owens Valley Paiute land.


Place your tee shot down the left half of this hole. This will open up any pin position on this green, allowing you to use the mound as a back stop for your second shot. Beware the false front on this green, but equally be aware that it is 56 yards deep. Left of the green will be a certain bogey.
From the ladies' tee, a three-wood is a good play to avoid the dangers left of the green.


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