text:
Mr. Bad Guy è il primo album solista di Freddie Mercury, pubblicato nel 1985 dalla Columbia Records.

Descrizione
Questa produzione viene sviluppata negli USA e soprattutto a Monaco di Baviera e vede una composizione che spazia fra vari generi musicali. L'album contiene alcune tracce originariamente composte per far parte del repertorio dei Queen, scritte comunque da Mercury, ma che in seguito furono scartate dalla band; infatti Made in Heaven, I Was Born to Love You, Man Made Paradise e There Must Be More to Life than This dovevano apparire nell'album del 1984 dei Queen The Works. Mercury, assecondato dal produttore tedesco Mack, sceglie un approccio stilistico nello stile pop-dance che raramente ha trovato spazio nella discografia dei Queen.

È comune il pensiero che certi brani, sviluppati all'epoca dall'intero gruppo, avrebbero avuto maggiori probabilità di divenire hit di successo, se ultimati assieme al resto della band. L'album è stato successivamente ristampato in Special Edition contenente tutti i brani dell'album originale e 6 tracce aggiuntive, estratte dai vari singoli pubblicati all'epoca della promozione del disco. Nel 2000 l'album è stato incluso nel Box Set The Solo Collection. In origine, il disco doveva chiamarsi Made in Heaven.

Nel 1995 le canzoni I Was Born to Love You e Made in Heaven verranno inserite nell'album dei Queen Made in Heaven, l'ultimo album in studio del gruppo; le versioni del 1995 sono molto diverse rispetto alle originali apparse in Mr. Bad Guy. Nel 1993 viene pubblicata una versione riaggiornata della canzone Living On My Own. Il successo è enorme tanto da creare un EP con ben 7 remix diversi della traccia e ben 2 raccolte: The Freddie Mercury Album (1992) e Remixes (1993), nelle quali, oltre alla hit, appaiono anche altri successi di Freddie Mercury da solista. Esiste inoltre una versione demo di There Must Be More to Life than This cantata da Freddie Mercury in coppia con Michael Jackson, riarrangiata e pubblicata poi nel 2014 nell'album Queen Forever. Nel 2019, in occasione della pubblicazione della raccolta Never Boring, il disco è stato rimasterizzato e remixato nella sua versione originale contenente le undici tracce originali dell'album e, oltre l'edizione CD è stato pubblicato anche in formato LP; è stato poi incluso nell'edizione speciale della raccolta Never Boring assieme all'album Barcelona.

Pubblicazione
Originariamente pubblicato nell'aprile 1985 su etichetta Columbia/CBS, Mr. Bad Guy rimase fuori catalogo su CD fino al 2000, quando venne incluso nel cofanetto The Solo Collection, e nel 2019, quando fu ristampato e remixato grazie al successo commerciale del film biografico Bohemian Rhapsody.

L'album raggiunse la sesta posizione nella classifica britannica. I singoli estratti furono I Was Born to Love You (B-side: Stop All the Fighting) che raggiunse la quinta posizione in classifica nel Regno Unito nel maggio 1985. Made in Heaven si fermò al numero 57 della UK Singles Chart dove restò in classifica per quattro settimane. Living on My Own raggiunse la posizione numero 50 in Gran Bretagna, mentre il quarto ed ultimo singolo, Love Me Like There's No Tomorrow, debuttò al numero 76 il 24 novembre 1985.

Tracce
Testi e musiche di Freddie Mercury.
 Let's Turn It On - 3:43
 Made in Heaven - 4:06
 I Was Born to Love You - 3:39
 Foolin' Around - 3:30
 Your Kind of Lover - 3:33
 Mr. Bad Guy - 4:10
 Man Made Paradise - 4:09
 There Must Be More to Life Than This - 3:01
 Living on My Own - 3:24
 My Love Is Dangerous - 3:43
 Love Me Like There's No Tomorrow - 3:47

Bonus Tracks della Special Edition
 Let's Turn It On (Extended Version) - 5:09
 I Was Born To Love You (Extended Version) - 7:06
 Living On My Own (Extended Version) - 6:40
 She Blows Hot & Cold (Extended Version) - 5:51
 Love Me Like There's No Tomorrow (Extended Version) - 5:33
 Made In Heaven (Extended Version) - 4:51

Singoli / Videoclip
 I Was Born to Love You  (promo, videoclip)
 Made in Heaven  (promo, videoclip)
 Living on My Own (promo, videoclip)
 Love Me Like There's No Tomorrow (promo)

B-Side, versioni rare & Outtakes
Le seguenti versioni vennero registrate da Freddie Mercury tra il gennaio 1984 ed il gennaio 1985 e la maggior parte di esse rimasero inedite, ad eccezione di quelle che vennero utilizzate nei singoli 12" e alcuni lati B. Nel 2000 vennero tutte raccolte nel Box Set celebrativo Freddie Mercury Solo Collection.
 I Was Born to Love You (Extended Version) - 7:06
 Stop All The Fighting (B-Side di I Was Born To Love You) - 3:20
 Stop All The Fighting (Extended Version) - 6:38
 Made In Heaven (Extended Version) - 4:51
 She Blows Hot & Cold (B-Side di Made in Heaven) - 3:37
 She Blows Hot & Cold  (Extended Version) - 5:51
 Living on My Own (Extended Version) - 6:40
 My Love Is Dangerous (Extended Version) - 6:30
 Love Me Like There's No Tomorrow (Extended Version) - 5:33
 Let's Turn It On (Extended Version) - 5:09
 Love Me Like There's No Tomorrow (Instrumental Version) - 4:04
 Made In Heaven (Instrumental Version) - 4:18
 Mr. Bad Guy (Instrumental Version) - 4:15
 There Must Be More to Life Than This (Instrumental Version) - 3:09
 Let's Turn It On (A Capella) - 3:05
 Made In Heaven (Alternative Version) - 4:28
 I Was Born to Love You (Vocal & Piano Version) - 2:59
 Foolin' Around (Early Version) - 4:15
 Foolin' Around (Unreleased 12" Mix) - 5:38
 Foolin' Around (Instrumental) - 3:41
 Your Kind Of Lover (Early Version) - 4:47
 Your Kind Of Lover (Vocal & Piano Version) - 3:39
 Mr Bad Guy (Orchestra out-takes) - 0:36
 Mr Bad Guy (Early Version) - 3:30
 There Must Be More to Life Than This (Piano Out-Takes) - 2:49
 Living on My Own (Hybrid Edit: Early/Later Versions) - 4:30
 My Love Is Dangerous (Early Version) - 2:13
 Love Me Like There's No Tomorrow (1st Early Version) - 2:19
 Love Me Like There's No Tomorrow (2nd Early Version: Extract) - 1:04
 Love Me Like There's No Tomorrow (3rd Early Version) - 3:27
 Love Me Like There's No Tomorrow (Live Take) - 4:23
 She Blows Hot & Cold (Alternative Version Featuring Brian May) - 4:37
 Gazelle (Demo) - 1:21
 Money Can't Buy Me Happiness (Demo) - 2:38
 Love Makin' Love (Demo) - 3:36
 God Is Heavy (Demo) - 1:23
 New York (Demo) - 2:13

Formazione
 Freddie Mercury - voce, pianoforte, sintetizzatore
 Fred Mandel - pianoforte addizionale, sintetizzatore addizionale, chitarra addizionale
 Paul Vincent - chitarra
 Curt Cress - batteria
 Stefan Wissnet - basso, sintetizzatore, programmazione, batteria elettronica
 Jo Burt - basso in Man Made In Paradise
 Reinhold Mack - pianoforte, programmazione, sintetizzatore, batteria elettronica

Altri crediti
 Prodotto da Mack e Mercury.
 Le registrazioni prodotte da Raincloud Production Ltd.
 Digital editing: Wolfgang Meyscheider
 Mastering: George Marino ai Sterling NYC.
 Artwork: The Artful Dodger
 Fotografie: A. Sawa

Note

Collegamenti esterni

Album del 1985


Mrs. Pauline Richardson was born on September 25, 1928 to the late Zett and Lena Williams in Lamar County, GA. She accepted the Lord as her personal Savior in 1946. She was a member of the Mothers Board at St. Paul Missionary Baptist Church, were she served faithfully until her health failed her. Her favorite pastime included; gardening, sewing, and spending time with her family. She was educated in the Bethel School System. Sher retired as a supervisor in housekeeping at the Holiday Inn for 20 years. She was united in Holy Matrimony to Clarence Richardson in 1949. Pauline was preceded in death by her parents Zett and Lena, ten sibling; Horace Williams, John Williams, Tee Williams, Lovely Harris, Charlie Maude Harris, Gladys Williams, Leola Williams, Beatrice Anderson, Lula Few and Helen Folson. She departed this life on May 17, 2018 at Bruceville Terrace Convelesant Hospital. Pauline Richardson leaves to cherishes her life time of memories four loving children, Tony Richardson, Alvin Richardson (Judy), Harry Richardson, Melody Williams, six grandchildren, Alvin Richardson Jr., Kedrienne Richardson, Zeondra Richardson, Katina Richardson, Asha Littlejohn, Cyrus Richardson, nine great grandchildren; Ikia Richardson, Marquia Price, Crystal Wright, Tadaria Battle, Khyree Smith, Kobrena Anaman, Aaron Littlejohn, Arick Littlejohn, Ava Richardson and one great-great granddaughter Aniyah Hall, and a host of nieces, nephews and friends. Mother you will be greatly missed and loved.


text:
Goldman Sachs economist joins BRICs growth story
Goldman Sachs global economist jumps ship and lands at India's Future Group.
By Sameera Anand
Roopa Purushothaman, economist and member of the global research team covering worldwide thematic issues at Goldman Sachs is joining India's Future Group This is the entity through which IndiaÆs largest retail chain, Pantaloon, is spearheading its foray into the financial services space
Purushothaman will be head of economics and strategy for the group and will combine an understanding of economics, anthropology and scenario planning to look at the evolving consumer trends and preferences for the group as a whole and specifically for the investment vehicle, Future Capital Holdings
Purushothaman joined Goldman, Sachs in 2000 with a bachelors degree from Yale and an MSc in development studies from the London School of Economics During her tenure...
#roopa
#purushothaman
#goldman
#sachs

redpajama_set_name: RedPajamaCommonCrawl


This week on Car Talk, Santa comes through big-time for Tom and Ray in their never ending quest to escape difficult callers. They're now the proud owners of the Get Off the Phone Excuse Machine, and it's likely to get an early test, thanks to Nancy and the Tupperware-like noise coming from her Volvo. Elsewhere, desperate times call for wacko measures, as Jamie considers plugging a cracked head with oatmeal; Mark ponders giving his Suburban a full drive-train transplant into a new body; and Julie goes shopping for any car that can survive her husband's aversion to the emergency brake. And, Jan "The Waver" responds to her husband's concerns about her overly friendly driving style. All this, and lots more, this week on Car Talk.
The gift that keeps on giving--as in, giving Tom and Ray an escape hatch.
How can Tommy have six coins-- but hardly make any change?
Fashion aside, why did aviator Friedrich Schringenrudder dress in a stylish, long, silk scarf before taking to the air?
Congratulations on your purchase of a new car. I was going to suggest one of these items. http://www.amazon.com/MAXSA-Parking-Right%C2%AE-Model-37358/dp/B000F6DNMQ I bought one so that I could pull far enough forward so that I could close the garage door, but not so far forward that I bang into the tool bench. It has a thoughtfully placed lump which would have been handy in preventing your car from rolling backward. Perhaps you'll still find some use for it.
Yes, that was my wife Julie calling in to make fun of my destroying the car. She was terrific, as was the whole show. As a result, we drive a nice, safe, automatic transmission equipped 2006 Subaru Outback wagon.
When Click and Clack called me "dangerous".


Self-driving electric vehicles that use advanced AI technology to monitor the driver's emotions and take over driving duties as necessary could be a thing within the next three years, according to Toyota.
By 2020, Toyota will start testing self-driving electric vehicles that incorporate Artificial Intelligence (AI) systems which can actively talk and engage with drivers/riders.
The Japanese car maker first revealed their idea for intelligent talking cars back at the start of the year at the 2017 Consumer Electronics Show (CES) in Las Vegas, when they debuted their Concept-i (shown above).
Concept-i has an AI system, known as "Yui", at its heart, which can monitor the driver's driving patterns, attentiveness, schedule, and more.
"By using AI technology, we want to expand and enhance the driving experience, making cars an object of affection again," commented Makoto Okabe, the general manager of Toyota's EV business planning division.
"Facing competition from rival automakers and tech companies to produce self-driving, intelligent cars, Toyota has committed $1 billion through 2020 to develop advanced automated driving and AI technology," Reuters reports.
Using deep learning technology, the Concept-i will be able to assess the driver's emotions and alertness. If it detects that the driver is becoming tired and/or his/her reaction times have decreased, it will take over some of the driving responsibility when necessary.
Toyota's success in the self-driving and AI car world will all depend on how effectively it can compete not only with other car manufacturers, but also tech companies.
We'll know more about Toyota's self-driving and AI vehicle ambitions when it reveals a few more concepts this week at the Tokyo Motor Show.


text:
Q: Character encoding issue. Single source displays multiple ways on single page I have a strange character encoding issue.
I have a page where text is pulled from my database and displayed once on the page, once in the title, and once in a jquery ui modal dialog.
The character is an n with a tilde over it. It is from the same field/column/record in the database.
On the page it is fine. In the title it appears as the diamond/question mark. In the dialog it appears as the diamond/question mark. On a previous page, (it is a CMS, so all the headers are the same) it displays, in the page, as the diamond/question mark.
So what am I missing?
Charset and collation set as UTF8 in MYSQL.
Page header is UTF8 <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" />
I even did this in php:
ini_set('default_charset', 'utf-8');
header('Content-Type: text/html; charset=utf-8');
header('Accept-Charset: utf-8');
header('Accept: text/html');

mb_language('uni');
mb_internal_encoding('UTF-8');

iconv_set_encoding("input_encoding", "utf-8");
iconv_set_encoding("internal_encoding", "utf-8");
iconv_set_encoding("output_encoding", "utf-8");

So, I could understand if it wasn't showing right in all places, but differently on one page is messing with my mind.
Thanks for any help.

A: So, I'm sort of not so bright. I being by saying that first off, adding SET NAMES fixed many problems across the board. So thank you for that. I will be putting this bit into all of my connection scripts from now on:
mysql_query("SET NAMES UTF8");

I found my error was at this line:
echo htmlentities($person_name);

So, once everything was properly dispalying as utf-8, I still got the

Muñoz

because it seems that you can't convert 3 and 4 byte utf8 characters using htmlentities(). See links below.
http://www.php.net/manual/en/function.htmlentities.php#96648
This issue is also discussed at:
http://www.php.net/manual/en/function.htmlentities.php#92105
Thanks for the help all.

redpajama_set_name: RedPajamaStackExchange


Tash and Tasha is a modern Georgian restaurant located in a picturesque stone building in Jaffa's flea market.
The lively flea in Jaffa. The owners of the restaurant, the musician Mickey Miral Tash Tash and his wife Yifat Talayevsky Miral, created a unique place where everyone feels at home - even those who grew up on Georgian culture and food and those who are simply looking for fun and a good meal. Tash and Tasha's menu offers a selection of classic Georgian pastries along with special extras that increase the original dish, as well as a selection of skewers on bare fire, traditional dishes with a creative twist and more.


text:
AMY RIVERS | AUTHOR
All The Broken People
Wallflower Blooming
Best Laid Plans & Other Disasters
Kissing Authors & Astronauts
Michael McGarrity and the Release of "Hard Country"
And of course, I did get a kiss from Michael :) He is charming.
I want to share a bit about a recent interview with author Michael McGarrity. Michael has very generously donated his time to many events in the Alamogordo area. He has authored 12 books, many of which are set in the Southwest and even the Tularosa Basin. I spoke with Michael a few months ago about his new book Hard Country (which was released today, May 10th!). As a result of that conversation, we scheduled an interview at a venue of his choosing - The New Mexico History Museum in Santa Fe, NM. The museum alone was worth the trip and if you've never been there, I suggest you make a trip with plenty of time to look around.
So back to Mr. McGarrity - Michael also had his publisher send me an advanced copy of the book. Being familiar with Michael's previous books, I was expecting something similar - a detective story set near the turn of the century...what I got was something very unexpected. Hard Country is a truly inspired work of historical fiction - a family saga that follows the ancestors of Kevin Kerney (McGarrity's famous detective) as they ranch their way from West Texas to the Tularosa Basin. I started reading and I just couldn't stop. The way that McGarrity weaves fiction and history is really quite brilliant. Famous characters from our area - Olive Lee, Eugene Manlove Rhodes, Albert Fountain - are integrated into this fictional saga seamlessly.
Without having any knowledge of the history of the Tularosa Basin, this novel is engaging, interesting and well-developed. The characters are easy to love, hate and relate to - it sucks you in like a vacuum cleaner. With some historical background - and its hard to live here without having at least a little - it's impossible to put down. I was there the whole time - observing every single situation as if it were happening right in front of me. I am an avid reader. Hard Country is one of the best pieces of modern literature I've had the pleasure to sink my teeth into.
Bottom line: buy it, you'll like it. :)
Here's the interview with Michael McGarrity. Hard Country was released today. He'll be in Alamogordo twice in May promoting the book: the first appearance is at a Lunch & Learn at First National Bank, Alamogordo on May 24th (reservations required) and the second is a book signing at Hastings on May 27th at 3pm.
A Change is Coming
Starting April 15, I will be starting my journey as the interim program coordinator for the Otero / Lincoln County SANE Program. SANE = Sexual Assault Nurse Examiners. SANE's are registered nurses and they perform rape exams, testify in court and raise awareness in the community in the hopes of ending sexual violence in our community. This isa n organization near and dear to my heart, and I am honored to be taking on this role.
I will also be doing marketing work for Hot Pink Perspective and managing Alamogordo Live, though I may not always be out and about with a camera for the next few months.
I am looking forward to this new challenge and I hope to continue contributing to the Alamogordo community in many ways. Change can do you good (or so Sheryl Crow has led me to believe).
AlamogordoLive.net Gets A New Look
AlamogordoLive.net has been redesigned. We're hoping the new look and feel will make the site a little bit easier to use and a little bit easier to manage. The new design was launched this evening, so it may take a day or two for everyone out there to see all the changes. But once you've taken a look, send us your feedback and please share with your friends and family!
Whew! Is it April Yet?
We've spent the month working on getting sponsors and advertisers for AlamogordoLive.net. It's been a slow process and we hope to continue working on it. In the meantime, there may be a few changes here and there in our programming and schedules so stay tuned. And if you're interested in keeping AlamogordoLive.net alive, please become a sponsor!
In the meantime, we've had some pretty amazing experiences this week. Our Friday episode of "On The Spot" featured some tidbits from Breakaway! The COPE Benefit. I filmed on Thursday during dress rehearsal and then attended Saturday on the arm of the very handsome President of the COPE board of directors. The concert as a whole was very good with some absolutely standout performances. My personal favorites included Luke West & Delaney Davis' duet of "She's Got Her Ticket," one of my very favorite Tracy Chapman songs. Their playing was fantastic and Delaney's voice is just breathtaking....definitely a must see duo. Mike Julian gave Andrea Bocelli a run for his money with an outstanding performance of "Time To Say Goodbye." Sheesh! That's all I can say really. No wait...I can say a lot more. Mike Julian...you have an absolutely dreamy voice. It is literally thrilling to listen to you sing. There. I said it.
The Academy of Ballet dancers added some flare to the event with some wonderful dance numbers including my personal favorite performed to Madonna's "Power of Goodbye." With their blue costumes, it reminded me of water...very beautiful. And, of course, I have to mention Anthony Kumpf's performance of "Bye Bye Bye," complete with back-up dancers. He's a very fun performer to watch, even if he is singing boy band pop :) Here's a link to our On The Spot show.
Tonight we held our March "In The House" featuring Egyptian dance...I can't wait to post video. Stay tuned! Hope everyone has a great week.
The Traveling AlamogordoLive.net Team Visits Ruidoso
We decided this week that we would do some traveling - visiting nearby towns and interviewing business owners. So on Firday, Kari, Leona and I headed up to Ruidoso. Camera at the ready, we walked a few blocks of Sudderth Drive, visiting a handful of shops including Noisy Water Winery where you can sample some amazing New Mexico cheeses and wines. Watching Leona sample their Diablo cheese was just as amusing as I'd hoped it would be. The clip is live now - a special edition of On The Spot - so you can see what we did. Hoping to hit Cloudcroft, Tularosa and maybe even Las Cruces in the next few weeks.
Covering The Pointer Sisters | AKA I Love My Job!
Tonight, Kari, Grace and I went up to the Inn of the Mountain Gods in Mescalero to cover their first concert of 2012 - The Pointer Sisters. As we work on expanding coverage, we don't always know what to expect and, having never been to a concert at the Inn, this was no exception. We talked to dozens of people about their favorite songs and had a wonderful time. Kari got her first chance to be on air and Grace wowed the crowd with her dancing :) The Pointer Sisters were fantastic. Additions to the original group include nieces, daughters, granddaughters - and I tell you what, those ladies can sing!
Looking forward to many more great trips up to the Inn. We'll be covering the concert series all year long, along with other events. I love every second of my job :)
I'm generally pulled in a million different directions and I wouldn't trade it for the world. Here's a glimpse of my life - hope you enjoy it! And if there's a big lapse between posts, well, that's the way life goes in Amy's world.
#WhatsYourStory? Are you an author? I'd love to hear your story and so would my readers. Email me for more information.
Alamogordo Live
AlamogordoLive.net
Business Adventure
#ChickLitLove
Dixie Chicks
Health Council
Hot Pink Perspective
Laurie Notaro
Melissa Leigh Llc
Michael Mcgarrity
NCW
Nm Centennial
#WhatsYourStory
Copyright 2015 by Amy Rivers. All rights reserved.


text:
In Praise of Stuart Lancaster
Posted On September 25, 2018 By Editor
In these halcyon days of Leinster Rugby, it's easy to forget the low ebb the province found itself at this time two years ago. A convincing defeat in the Pro 12 final to Connacht coupled with a discouraging fourth-place finish in their Champions Cup pool meant a second straight season without silverware. For a team that had amassed a haul of seven major trophies in seven years, such a dry spell must have felt uncanny at least.
As the 16/17 season beckoned, even the most buoyant of fans would not have bet the ranch on a steady improvement on the prior year's harvest. An improvement on the previous year's European performance seemed plausible; a return to the Cheika-Schmidt glory days too far-fetched. This uninspiring probability prompted the Leinster Board to act. There needed to be an improvement, a shake-up. Cue Stuart Lancaster, the forgotten man of world rugby.
While the ignominy of England's untimely World Cup exit had subsided somewhat, Lancaster was still reeling from the hostile nature of his departure. Viewed objectively, his England tenure can be viewed as middling if not mildly successful. Apart from the abundance of young players introduced to the England fold, Lancaster led his team to four consecutive second-placed finishes in the Six Nations.
Winning four out of five matches in each of these, Lancaster could easily have at least two titles to his name, with England having missed out on points difference on three occasions. The brand of rugby was also exhilarating and expansive at a time when rugby was becoming increasingly tactical, contrived and was detaching itself from the swashbuckling running rugby of the amateur era. His reign also included a thumping victory over New Zealand, the nation's first in eleven years.
Disappointingly, a lot of this success is overshadowed by the emotion of the World Cup failure where one bad result against Wales and more specifically, one bad decision by captain Chris Robshaw ensured a pool-stage departure. Sport being the cruel business it is, Lancaster made way for Eddie Jones to take charge. Not one to dwell in self-pity, Lancaster used his time away from the game productively. He spent time in New Zealand to help younger coaches and broaden his knowledge of the game, but, most interesting was the time he spent helping American football outfit, Atlanta Falcons. Last year, in the wake of the Falcons most successful season in two decades, it was revealing how their head coach praised Lancaster for his input during a week-long visit the previous year.
So, by the time the Cumbrian had linked-up with Leinster, the England job was very much in the distant past. Lancaster's first interaction with his new charges was a telling one, a statement of intent. His declaration that he wanted to lead the province to European glory again was something few players expected to hear. After all, since their last coronation in 2012, Leinster had never really threatened Europe's elite, save for a spirited run to the semi-finals in the Matt O'Connor reign (finishing fifth in the league that year).
But with Leinster legend Leo Cullen alongside him, Lancaster immediately began making a profound impact. In his first week, after a defeat to Glasgow, the Englishman delivered the video review on attack and defence that was reportedly both astoundingly technical and exhaustive. The first season saw quite an improvement in Europe, with an agonising defeat away to Clermont proving just how far the team had come in relatively short space of time.
All the while, the Cullen-Lancaster consociation was proving a source of intrigue, the recurring question revolving around who exactly has the final call. Cullen's title of "head coach" is evidently a misnomer -as is the "senior coach" tag ascribed to Lancaster . While driving a highly- efficient lineout operation, Cullen is effectively a director of rugby, dealing with the IRFU, comforting players who have been dropped, overseeing administrative procedures and much to Lancaster's liking, dealing with the media. Being the self-effacing man that he is, Lancaster publicly says "Leo has the final say" and the Irish media are, quite naturally, only too willing to subscribe to this narrative. The English media follow a different tact however, having branded the team "Lancaster's Leinster" since he arrived.
But as is so often the case in sport, it is the players or athletes who provide insight into the true situation. And so, it was telling that in the aftermath of their European crowning in May, how lavish the praise for the Englishman was. The praise for Cullen- done more so out of politeness- was underwhelming in comparison and that in itself was revealing. One player after the other- key players especially- extolled the virtues of Lancaster. The team's maestro, Jonathan Sexton was fulsome in his praise labelling Lancaster a "special coach". Dan Leavy also suggested that the recent success would have been impossible without him, hailing how he "revolutionised the way we train and the standards we expect of each other."
Ever the high-achiever, hardly an hour had passed since Leinster's European triumph in Bilbao than Lancaster was looking towards next year's final in Newcastle. A win in his native northern England would elevate this sporting revolutionary to the pantheon of all-time great rugby coaches. And given his golden touch thus far, it would be a brave punter to bet against him.
By Neil Stokes – Sports Writer
Tagged: leinster rugby rugby Sports stuart lancaster
The Modern Recipe For Sporting Success?
Scarlets fire Warning to Leinster Ahead of European Semi Final
Posted On : April 10, 2018
Healy Heroics Help UCD AFC To First Point of the Season
Posted On : February 26, 2022
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text:
Q: Display outputted data in my Form so i can edit How can i display the outputted data that is (contents.html) to go in my form textarea (edit.html). I am using a JS HTML WYSIWYG editor (TinyMCE) in the form page to make it easier for people with no HTML experience to make edits.
(i am aware of XSS attacks but i'd just like to get this working for now.)
I have tried echo but it will not work, anyone know how i can achieve this?
Regards
edit.php
// Submits form data to contents.html
<?php file_put_contents("content.html", print_r($_POST['content'], true)); ?>
<form method="post">
<textarea name="content" style="width:960px; margin: 0 auto;" rows="20" cols="20">

</textarea>
<input type="submit" name="save" value="Submit" />
</form>

contents.html
// Blank until something is submitted with the form
index.php
// Retrieves data from contents.html and displays it
<?php echo file_get_contents('content.html');?>

A: Just print the contents in the textarea, after escaping it. This will prevent XSS in your form (edit.php), and cause the HTML contents to be shown correctly.
The if-statement checks whether the form has been submitted or not. If that's true, the contents from $_POST['content'] will be written to content.html. Note: isset($_POST['save']) and name="save" are optional for checking whether the form has been submitted or not, but if you've multiple submit options (e.g., a preview button), it's required.
<?php
if(isset($_POST['save']) && filter_has_var(INPUT_POST, 'content')){
    file_put_contents("content.html", filter_input(INPUT_POST, 'content'));
}
?>

<form method="post">
<textarea name="content" style="width:960px; margin: 0 auto;" rows="20" cols="20"><?php
echo htmlentities(file_get_contents("content.html"));
?></textarea>
<input type="submit" name="save" value="Submit" />
</form>


text:
Prior Alcoholics Anonymous (AA) affiliation and the acceptability of the Twelve Steps to patients entering UK statutory addiction treatment
J Stud Alcohol. 2003 Mar;64(2):257-61. doi: 10.15288/jsa.2003.64.257.
Jennifer Harris 1 , David Best, Michael Gossop, Jane Marshall, Lan-Ho Man, Victoria Manning, John Strang
1 National Addiction Centre/Institute of Psychiatry, South London and Maudsley NHS Trust, Denmark Hill, London, England.
DOI: 10.15288/jsa.2003.64.257
Objective: The study investigates levels of affiliation with AA and beliefs about the organization and its philosophy among a cohort of alcoholics entering a UK (non-AA) alcohol treatment service.
Method: A total of 150 consecutive admissions (75% men) were interviewed by an independent researcher within 5 days of their entry into a residential alcohol treatment unit.
Results: Although about three quarters of these patients had previously attended AA meetings, levels of affiliation were low, with only 16% having worked any of the Twelve Steps. Previous AA attenders were more likely to be older, drinking greater daily quantities prior to treatment and to have first sought alcohol treatment at a younger age. Roughly equal groups expressed "positive," "neutral" and "negative" current attitudes towards AA (38%, 36% and 26%, respectively). Each of these three AA-attitude groups expressed greater endorsement of "Personal Responsibility" steps than of "Higher Power mediated" steps.
Conclusions: Few participants were universally negative to AA or the Twelve Steps--most regarded some of the steps as positive, but many rejected those referring to a Higher Power. Most also regarded some aspects of the organization and its philosophy worthwhile, with attitudes spread across the continuum of opinion. As AA remains one of the most widely sought forms of help for alcohol problems, a clearer understanding is needed of its impact on patients and the appropriateness of its integration within substance misuse programs which are not explicitly Twelve Step in orientation.
Alcoholics Anonymous*
Alcoholism / epidemiology*
Alcoholism / rehabilitation*
Mandatory Programs / legislation & jurisprudence*
Mandatory Programs / statistics & numerical data*
Mental Health Services / legislation & jurisprudence*
Mental Health Services / statistics & numerical data*
United Kingdom / epidemiology


A contentious state rule-making process intended to give local governments more say in the siting of large oil and gas facilities in their communities ended Monday as divided as it began almost a year and a half ago.
The Colorado Oil and Gas Conservation Commission approved new rules setting out when and how local governments must be consulted in regard to oil and gas development near residential areas. The process began in September 2014, when Gov. John Hickenlooper convened a task force to keep local control measures off of the statewide ballot following high-profile conflicts between drilling operators, communities and state regulators.
But on the heart of the matter — how big a proposed oil and gas facility must be to trigger local government involvement — commissioners were split, just like the many industry representatives, environmental groups, local government officials and members of the public who testified during the marathon, day-long hearing.
Commissioners voted 5-4 in favor of defining "large scale" as eight new wells or 4,000 barrels of new or existing storage, not including water.
Tripping either threshold gives local governments a say on where the well pads can be sited and provides nearby residents with more stringent protections regarding noise, emissions, fire control, etc. — but only when the proposed facility falls within an urban mitigation area.
Urban mitigation areas, as defined by state law, are areas where oil and gas operations are within 1,000 feet of 22 or more homes or a large facility such as a school or hospital.
Whether the new rules, which will go into effect 20 days after publication by the secretary of state, are enough to head off future conflict remains to be seen.
Industry representatives and advocates of local control expressed disappointment immediately after the commission's vote.
"We're disappointed that the COGCC chose to go beyond the original task force recommendations, especially in these economic times with oil prices the way that they are and jobs suffering," Colorado Petroleum Council executive director Tracee Bentley said.
Oil and gas companies had advocated for a much higher 12-well or 9,600-barrel storage threshold.
Allied Local Governments — a pro-local control consortium representing Brighton, Broomfield, Erie, Fort Collins, Longmont and Loveland, and Boulder and La Plata counties — hoped the commission would err on the side of requiring more communication, triggering local input at 2,000 barrels of on-site storage including water, and 45,000 feet of well-bore length.
At the beginning of Monday's hearing, the COGCC staff proposed 90,000 feet of well-bore length and 2,000 barrels of storage, not including water.
Larimer County resident Katherine Hall, who testified in favor of local control, said she would not be surprised if a citizen-initiated measure ended up on November's ballot.
"The final outcome of the rule making does not go far enough to ease the concerns of Colorado citizens," Hall said.


In The Wall Street Journal's (July 12, 2004, for subscribers only) special Small Business Journal Report article, "Speaking of Success," consultant Gail Blanke -- formerly senior vice president of public affairs at Avon Products, Inc. -- talks about the pressure entrepreneurs face and how they overcome them. In particular, here are a couple of quotes from the article but as you read them, think about the mission of this blog: Why did Gail really leave Avon? What could Avon have done to keep her on board and nuture her entrepreneurial spirit?
• When I left Avon, where I was safe and secure, I described it as leaping off a diving board and inventing the water on the way down.
• I think we all have the stuff inside us to do it [start a business], but we get used to things being done in a certain way, like I did at Avon. I got used to having a lot of people working for me whom I could count on and trust. I got used to lots of departments I could access, like research and finance.
• Major corporations measure their success in terms of shareholder value, which is is appropriate. Small businesses measure their success in terms of identifying a unique selling proposition.
• The best people inside corporations have an entrepreneurial spirit, they are always looking for the new thing, a new way of doing it, a new way of seeing themselves.
• I think people want to leave a legacy, people want to do something good, create value they feel they can own and they can feel loyal to.
• We are looking for something bigger in our lives, some meaning, something to be a part of, maybe something larger than ourselves, and so I think that people who are called to be entrepreneurs are finding that spirit in themselves.
Why can't Corporate America fix this? Perhaps they should create a whole new concept for CEO: Chief Entrepreneurial Officer.


While operating a business inevitably comes with risks, evaluating and assessing your business for potentially overlooked perils is critical to your success. An objective look at the following components of your business can help to reduce additional Orlando General Liability Risks.
Market Relevancy- Although some trends can be incredibly lucrative, ask yourself if your product or service will be relevant in the coming years. A business that only caters to short-term demand is not a secure business venture.
Cash Reserves- During times of economic uncertainty or simply starting out, it is always recommended to reserve some cash for emergency purposes. Although some businesses operate on slim margins, the health and safety of your business requires sufficient finances to be properly run.
Personal Liability- Especially in instances of smaller companies, one lawsuit could cause the downfall of the entire business. Even worse, if the business doesn't have enough capital or assets to cover the damages, personal property and assets could be lost. Consider obtaining general liability protection, which will cover liability from lawsuits and other claims, according to Insurance Risk.
Poor Partnership- The demands of small business ownership can be taxing on professional and personal relationships. If the right steps aren't taken to delegate enough time for each, the business is at risk of failure.
Growing too Fast- Expanding is most business owners' dream. However, if you choose to expand too quickly without the proper time, resources, and finances, the business might become doomed.
Faulty Employees- The fact of the matter is most business owners cannot operate alone. At some point, you will likely need to hire a few employees. Finding reliable, trustworthy, and diligent workers is critical to your business' success.
Poor Planning- Being passionate about your business is essential. However, oftentimes the entrepreneur rushes into the business without the proper business plan and execution goals. Marketing, solutions to potential problems and goals need to be clearly mapped out, according to Business 2 Community.
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complementary use of bicycles and heated outdoor pool.
Room Rates are per couple per night.
Packages and Innkeeper's Specials cannot be combined with any other offers.
Gratuities and 9% tax are not included in rates.


text:
Anna Karenina är en brittisk dramafilm från 1948 i regi av Julien Duvivier. Filmen är baserad på romanen med samma namn av Lev Tolstoj.

Rollista i urval

 Vivien Leigh - Anna Karenina
 Ralph Richardson - Alexej Karenin, hennes man
 Kieron Moore - Greve Vronskij
 Hugh Dempster - Stefan Oblonskij, Annas bror
 Mary Kerridge - Dolly Oblonskaja, Stefans fru
 Marie Lohr - Prinsessan Sjtjerbatskij
 Frank Tickle - Prins Sjtjerbatskij
 Sally Ann Howes - Kitty Sjtjerbatskij, Dollys syster
 Niall McGinnis - Konstantin Levin
Bernard Rebel - Professor Leverrin
Michael Gough - Nicholaj
Martita Hunt - Prinsessan Betty Tverskij
Heather Thatcher - Grevinnan Lydia Ivanovna
Helen Haye - Grevinnan Vronskij
Michael Medwin - Kittys doktor
Gino Cervi - Enrico
Beckett Bould - Matvej
Leslie Bradley - Korsunskij
Therese Giehse - Marietta
John Longden - General Serpuchovskij
Mary Matlew - Prinsessan Nathalia
Valentina Murch - Annushja
Judith Nelmes - Miss Hull
Ruby Miller - Grevinnan Meskov
John Salew - advokat
Patrick Skipwith - Sergej
Ann South - Prinsessan Sorokina
Jeremy Spenser - Giuseppe
Austin Trevor - Överste Vronskij
Gus Verney - Prins Machotin

Externa länkar

Brittiska dramafilmer
Brittiska filmer baserade på romaner
Filmer 1948
Lev Tolstoj-filmatiseringar
Filmer baserade på ryska romaner
Svartvita filmer
Engelskspråkiga filmer
Filmer i regi av Julien Duvivier

redpajama_set_name: RedPajamaWikipedia


During my teenage days, I always wanted to travel and visit the northern areas of Pakistan. Now since last many years, I am fulfilling my teenage dreams, and I have been traveling through out Pakistan. But still, the best memories I cherish are from northern areas of Pakistan. Some of the finest adventures that I did include mountain trekking.
Being amateur trekker, I have enjoyed many walking trails in Pakistan. Getting out of comfort zones is the most significant thing that we learn from trekking and doing the things that we always dream of, or wish to do while we see others doing it. I would love to share with you some of the other best things I learned from mountain trekking.
Hiking teaches you to slow down, observe the world around you and to listen to your body. When your feet can no longer trudge the path ahead, you learn the power of slowing down and gain a new appreciation for admitting that not everything will go your way when you want it to.
Life is like a long hiking trail in various ways. Far too often, we give up on our hopes and dreams easily, overcome by dejection or disappointment. That crazy dream of yours that no one else believes in can come true if you just persevere and keep walking toward it.
Just like in life, the money you got from your parents are less meaningful than the money you earned by working tirelessly everyday. The harder you try, the greater the reward. Continue pushing yourself to reach the top and finally when you do, savoir the splendid views that only few get to see.
If you're suffering from an inflated ego or far too much vanity in your life, take a long hike. Nature is a raw force, unfettered and unforgiving, that can take your breath away with the magnificence of a landscape or bring you to your knees with the ruthlessness of a freak storm. In the mountains, where the weather changes without warning and the vistas of river valleys get more rewarding the higher you get, a hike is a thorough lesson in humility and respect for nature.
Hikers are most at home on the trail and in the tranquil refuge of the woods, moving toward the next viewpoint, river crossing or village. The feeling of home comes from the ability to be themselves: focused, attentive, content and completely alive in the moment. This kind of contentment is what defines home.
You'll never get to see the awe-inspiring view from the top if you don't walk the many difficult miles to get there. This includes taking the wrong turn, running out of water, sleeping under the stars or pushing past your fear of heights. We might not always make the best decisions, and things won't always go as we plan, but in the end, it's all worth it. If it doesn't feel like that, it probably isn't the end.
In order to grow as a person, you have to move forward regardless of the speed. Going backward is impossible in life and staying still means you are spending your life doing nothing. While trekking, you can't just stay still unless you want wild animals to devour you as it gets darker and darker every hour. Even if you move slow, you are way closer to the destination than standing still. The key is to move forward.


text:
The Law in These Parts
PBS Premiere: Aug. 19, 2013Check the broadcast schedule »
The Law In These Parts: Filmmaker Statement
The conception of The Law in These Parts can be traced back to another film, a documentary called The Inner Tour that I completed a decade ago.
One of the things that happens when you make nonfiction cinema is that you touch people's lives with your camera, and at the same time, your life is touched by the people and reality you document. In mid-2004, I got a phone call telling me that Ahmad S., a boy who had just turned 16 and was one of the barely-seen participants in The Inner Tour, had been taken from his home in the middle of the night by masked Israeli soldiers. Ahmad was charged with throwing stones at a military Jeep and was held in a maximum-security prison. After confessing during the interrogation, a remand hearing in a military court was scheduled for Ahmad. His family members asked that I attend with them.
For the first time in my life, I found myself in an Israeli military courtroom, witnessing the mechanism with which my society purports to administer justice to Palestinian residents of the territories we have occupied since 1967. This event profoundly changed my understanding of the situation in which I live.
There were many striking differences between trials I had seen in regular civilian courts in Israel and Ahmad's military trial, but the thing that disturbed me most was that I was witnessing a supposedly legal procedure, an effort to bring a "criminal" to trial, something that I, like any law-abiding citizen in a democratic state, usually support. But there was one major problem: This 16-year-old boy was not part of the society that was indicting and convicting him. Neither Ahmad nor his parents had any democratic way of influencing the law under which he was now being tried: the law of occupation, the same law that enabled an Israeli settlement to be erected on their family lands. Everyone was "playing along," but the truth was that Ahmad and his family didn't really think that he had truly committed a crime by resisting a military occupation. Ahmad was the subject of a legal proceeding, but the concepts of justice and law, words that were repeated again and again during the trial, belonged to someone else.
After seven and a half months, Ahmad's trial ended. The judge ruled that the time he had spent in prison for the period of the proceedings would suffice as a punishment for what he had done. These seven months led me to try to understand the law of occupation.
I began reading the archived legal material published from the beginning of the occupation in 1967 until today. The more laws, orders, trial records and appeals I read, the better I understood how the system actually works and how it developed over the years. I was gaining what I felt was an almost unknown perspective on the Palestinian-Israeli conflict and its evolution over the last 45 years. I decided to try to represent this perspective in the form of cinema.
The military law and justice system functions as a parallel system to the one to which I am subject, though both are implemented by the same state. That system applies to people who, in fact, live in the same territory with regular citizens but are defined legally as a population under occupation. It is probably one of the most significant contradictions in Israeli democracy. And this contradiction is plainly visible, but somehow it is hidden from the public eye. In The Law in These Parts, I attempted to provide a clear view of the historical and social evolution of this contradiction and the way it functions today, in order to show the price a Western democracy pays for this kind of inconsistency.
Translating my research into a film was the most complicated cinematic challenge I have ever faced. I searched for a structure, a point of view and a cinematic form that would engage the audience in this journey into the heart of Israel's moral quandary—and the basic universal questions that it raises. Following my research, I actually had the unique chance to interview some of the people who wrote, developed and implemented the law of the occupation. I decided that it was my responsibility to look at the issue not from the perspective the victims of the occupation, but rather to find a way to tell the story of the creation and evolution of a the system itself, this in effort to try to and understand how it is that we all participate in the creation of such systems and rationalize them.
— Ra'anan Alexandrowicz, Director
Film Information
Film Length: 90 min.
Premiere Date: Aug. 19, 2013
Photos: Download Here
Filmmaker(s): Ra'anan Alexandrowicz, Liran Atzmor
Press: Fact Sheet | Press Release
Ra'anan Alexandrowicz
Liran Atzmor
Buy The Film
Buy the video for home use
Buy the video for educational use
The Law in These Parts more than accomplishes its goal of provoking a discussion about imposing laws on people who have no say in making them.
— Farran Smith Nehme, The New York Post
Compelling and provocative...a brilliantly complex film.
— Kenneth Turran, The Los Angeles Times
By keeping its focus admirably tight, the sober and sobering Israeli documentary The Law in These Part presents a devastating case against the occupation of the West Bank and the Gaza Strip.
— Rachel Saltz, The New York Times
It plays out like a riveting session in court.
— David Lewis, San Francisco Chronicle
Film Description
The Law In These Parts: Photo Gallery
Filmmaker Bios
Filmmaker Interview
Links & Books
For Educators & Organizers
Partner Toolkit
Take Action Around The Law in These Parts »
Download Reading List (PDF) »
Download POV's step-by-step guide to organizing an event (PDF) »
Plan an Event Around a POV Film
POV Blog
Featured Event: 'QUEST' film screening with Company One and ZUMIX
PRESS RELEASE: Hasidic Women Upend Tradition by Forming An All-Female EMT Corps in '93QUEEN,' Airing September 17, 2018 on POV
PRESS RELEASE: Voices of the Sea | Contradictions of Love and Freedom in Cuban Love Story
Critical Acclaim for 'Whose Streets?'
Featured Event: 'Whose Streets?' Screening and Discussion at St. Louis' Public Media Commons


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Maeva Vilain is a city councillor in Jeanne Mance, one of the Plateau Mont-Royal districts in Montreal. Elected under the banner of Projet Montréal, she is on the team of Mayor Valérie Plante, who has been running the city since November 2017. Maeva sits on the Committee on Economic Development and Housing as well as that of the Inspector General.
She was the political attaché to the NDP MP Alexandre Boulerice from 2011 to 2017. She worked on safeguarding Canada Post and electoral reform. She has also been a journalist for Radio-Canada International, specializing in international news and the integration of newcomers to Canada.
Maeva was born and raised in Paris (France). She graduated from the Institute of Political Studies in Lille (France) and has a certificate in journalism from the University of Montreal. She immigrated to Montreal at the age of 23. She is the mother of two young children.


text:
Direct link:http://www.ihoz.com/cgi/lt3?shows=4/17/04
Soul Shakedown Party (2/28/03 - 33,    2/20/97 - 270,   2/17/97 - 2      ave 101.7)
Halley's Comet       (7/27/03 - 16,    7/13/03 - 10,    2/24/03 - 10     ave 12.0)
Tweezer              (12/28/03- 6,     12/1/03 - 2,     7/26/03 - 9      ave 5.7)
Ginseng Sullivan     (9/12/00 - 65,    6/30/00 - 16,    6/11/00 - 11     ave 30.7)
Horn                 (12/2/03 - 7,     7/25/03 - 11,    7/17/03 - 6      ave 8.0)
Sample in a Jar      (12/28/03- 6,     11/28/03- 4,     7/27/03 - 6      ave 5.3)
Piper                (12/29/03- 5,     12/2/03 - 2,     7/31/03 - 6      ave 4.3)
Frankenstein         (12/31/03- 3,     12/2/03 - 4,     12/2/03 - 0      ave 2.3)
David Bowie          (12/28/03- 6,     11/29/03- 3,     8/2/03  - 3      ave 4.0)
Meatstick            (8/2/03  - 12,    10/7/00 - 36,    9/29/00 - 6      ave 18.0)
Pebbles and Marbles  (8/3/03  - 11,    7/17/03 - 13,    2/25/03 - 11     ave 11.7)
Prince Caspian       (7/27/03 - 16,    7/19/03 - 6,     7/7/03  - 9      ave 10.3)
Simple               (12/31/03- 3,     11/29/03- 6,     7/9/03  - 20     ave 9.7)
Friday               (12/28/03- 6,     11/29/03- 3,     7/31/03 - 4      ave 4.3)
Ghost                (12/29/03- 5,     11/28/03- 5,     8/3/03  - 1      ave 3.7)
You Enjoy Myself     (12/31/03- 3,     12/1/03 - 5,     8/3/03  - 3      ave 3.7)
Tweezer Reprise      (12/28/03- 6,     12/2/03 - 1,     7/26/03 - 10     ave 5.7)
Enc:
Wolfman's Brother    (12/29/03 - 5,     12/1/03 - 3,     7/31/03 - 5      ave 4.3)
The Squirming Coil   (12/29/03 - 5,     7/27/03 - 11,    7/23/03 - 3      ave 6.3)
The last three times played score for this show is 13.2
This report produces the last 3 times each song has been played and how many shows it had been between each time it was performed. So
Energy               (8/4/13  - 226,   7/21/13 - 8,     7/17/13 - 3      ave 79.0)
means that Energy was last played on 8/4/13 which was 226 shows ago. Before that it was played on 7/21/13 which was 8 shows prior. Before that it was played on 7/17/13 which was 3 shows prior. The average of 3, 8, and 226 is 79. The score at the end is the average of all of those averages.
If you're wondering, the example is from 7/9/19, the show that finally inspired me to add an explanation to help people out.


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50. May  9 Pawel Jakub Dawidek Re: contigmalloc(9) doesn't honor M_NOWAIT.
51. May  9 Pawel Jakub Dawidek contigmalloc(9) doesn't honour M_NOWAIT.
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197. May 13 Hajimu UMEMOTO       Re: Shared library version bump?


text:
The 'Peacemaker' Series Was Conceived and Written By a Bored James Gunn During Quarantine
Home » Lifestyle » Why The Flu Shot Makes You Feel Tired (And Why It's NBD)
Why The Flu Shot Makes You Feel Tired (And Why It's NBD)
Your sleepiness won't last long.
Flu season is nothing to mess around with. In a typical year, the Centers for Disease Control and Prevention (CDC) estimates that there are anywhere from 9 million to 45 million cases of flu-related illnesses. While many can recover from influenza at home, between 140,000 to 810,000 people are hospitalized and 12,000 to 61,000 people die from the flu each year in the United States. If you're thinking about getting a flu shot, you're in good company. An influenza vaccine can make you less likely to get sick, make your illness milder if you do get sick, and prevent others around you who aren't able to get the flu shot from getting ill, thanks to herd immunity. But there are certain side effects of getting a flu shot: many people complain of feeling tired after getting a flu shot, but doctors say that isn't a cause for worry (or a reason not to get vaccinated).
Why Does The Flu Shot Make You Tired?
Dr. Gustavo Ferrer, M.D., the founder of the Cleveland Clinic Florida Cough Center, tells Bustle that the tiredness some people feel is a result of "the body's defenses (immune system) responding to the dead virus present in the vaccine." He further explains, "The symptoms are the result of the antibodies produced by our body in order to build up an immune response. In essence, a foreign substance (dead virus) entering our body that our defenses recognize and respond with fatigue, tiredness, low-grade fever, and lousiness."
The fatigue won't last too long though, says Dr. Sanjeev Jain, M.D., a doctor double-board certified in immunology and internal medicine. The sleepy sensation usually resolves itself in 24-48 hours, Dr. Jain tells Bustle.
What Other Side Effects Can The Flu Shot Cause?
"Soreness, redness, and swelling where the shot is given, fever, muscle aches, and headache can happen after receiving the influenza vaccine," Dr. Jain says.
Side effects aren't necessarily a bad sign. Dr. Jain tells Bustle that symptoms arise because your body is letting the flu shot do its thing. "When you get a vaccine, your immune system gets activated in order to build a protective response against the viral protein," he says. "As a result of this, there is a transient release of inflammatory mediators in your body that causes these symptoms." In other words, you might get a little sore and swollen.
"Usually, the post-vaccination symptoms are relatively mild," Dr. Jain says. "You can take acetaminophen (AKA Tylenol) to help relieve these symptoms if they are bothersome."
Why Side Effects Shouldn't Stop You From Getting A Flu Shot
"The benefits of getting a flu vaccine significantly outweigh the temporary adverse effects associated with it," Dr. Jain says. The flu vaccine prevents millions of illnesses and flu-related doctor visits each year, the CDC says. That can translate into a 60% decrease in flu-related trips to the doctor or ER. The CDC estimates that one in five people get the flu each year, so the odds that you or someone you're close with will get the flu are pretty high. The risk of a flu shot causing serious harm or death is "extremely small," the CDC says, while the actual flu can make you or those around you dangerously sick, or potentially lead to death. Even when someone is inclined to "ride it out" if they get sick rather than get vaccinated, Dr. Jain points out that getting the flu shot can help protect those around you, especially those who might not be able to get it themselves.
There are some ways to combat that tired feeling, according to Dr. Ferrer. First, he recommends that you take it easy after getting the vaccine. "This is the time to rest. Don't push through. You need time to restore your energy." He also suggests drinking plenty of fluids. Rest and hydration should kick your side effects to the curb in no time, and the flu shot will protect you and those around you all season long.
Experts:
Dr. Gustavo Ferrer, M.D., founder of the Cleveland Clinic Florida Cough Center
Dr. Sanjeev Jain, M.D., a doctor double-board certified in immunology and internal medicine
HBO Max's upcoming Peacemaker series seemed to come out of nowhere — all of a sudden, John Cena was going to star...


Raised Ranch floorplan with bonus room and double garage below. Bonus Room/Man Cave is 389 additional sq/ft (not included in sq/ft listed for home) and includes a half bath! PLUS this home is located in Ocean Forest subdivision with its own private ocean front beach parking for just $50 a year. A fully fenced back yard makes this ideal for pets and children. Use the outside shower to clean them up after play. Recent updates include new luxury vinyl wood look flooring in living room, new toilets in both bathrooms, carpet in man cave, 2 bedrooms painted, hot water heater and freshly pressure washed. Refrigerator, washer & dryer included. Flood Zone X. No flood insurance required. Come see me!
The post UNDER CONTRACT – 315 Loblolly St – Emerald Isle NC appeared first on Emerald Isle Homes.


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New Mutants #73 Proves That Magik is the Best Mutant
Date: April 21, 2021Author: Steve 0 Comments
There are so many X-Men out there! You can't walk round your private island paradise anymore without bumping into twenty mutants. But that raises a question which Shelfdust are going to try and answer! Who is the Best Mutant? We'll be inviting some of the best writers in comics to argue their case!
By Duna Haller
The isolation and trauma that Illyana Rasputin A.K.A. Magik has had to face parallels very few characters in X-Men comics. As a consequence of the first activation of her powers at age of six (way before most mutants showcase them), she was displaced to an alternate universe where she lived a seven-year experience of child abuse at the hands of a demon – which was greatly implied to have parallels to parental abuse and sexual grooming.
Further down the road, Illyana had to face the death of her teammate Doug in New Mutants #60 and the apparent death of the whole X-Men team (including her brother Colossus) in X-Men #227. To add to this, the psychic mutant Destiny told Illyana a prophecy about her bringing chaos and hell to the world, as some sort of Exorcist-like satanic figure. As her survivorhood story unfolds and comes to conclusion in the events of the Inferno storyline, Illyana started to acquire the persona of Darkchylde: first a demon-like costume and then an armor that protects her from outside harm. It shields her from retraumatizing, and from the difficult situations she has to face as a mutant and as a survivor of childhood abuse.
Illyana faces a kind of avoidance relationship with her trauma very common among childhood abuse survivors. There are gaps in her memories, uncertainty in the severity of what happened to her and fear of her own future – not just of the pain for herself, but the possibility she will mistreat those she loves. Most times, Illyana doesn't want to face the feelings that come from what she experienced as a child, so instead we as readers more often get glimpses and nods.
In New Mutants #63, we are presented with a dream that might be a modified memory in which she visits an alien world and saves all the family (both Colossus and her friends) she hadn't been able to save, on repeated occasions, on Limbo or on Earth. At the end of the issue, this imaginary corrective experience gets shattered again and fills her with insecurities, as Illyana is not relating to her past and trauma in a linear way, but in the way her trauma leaves her only path: messy, circular, and forever shifting between healing and the possibility of more harm.
In this way, Illyana's experience mirrors the experience of people with C-PTSD (complex post-traumatic stress disorder), where the presence of various repeated or singular traumas around your life shapes how you view the world, your relationships, and others. Furthermore, the disconnected perspective it fosters of the world around you is a literal reality within the fictional hell where she spent her childhood – Limbo is a non-linear wasteland adrift from time, space, and memory.
Limbo plays as a brilliant metaphor for how many abused children process their childhood. Within this realm, and specially as the Inferno event brings Limbo to Earth, the non-linearity of trauma comes into the page with a supernatural element. The streets shake, demons run among them and the scenarios, buildings, casual viewers… get twisted and feel scary, with the pages literally pushing their boundaries around how you see the world as Illyana's reckoning with her trauma gets a center stage.
The climax of the Inferno storyline for Magik is New Mutants #73, titled 'The Gift', written by Louise Simonson with moving art by Bret Belvins, All Williamson and Mike Manley, and colors by Glynis Oliver. With Manhattan fully invaded by demons lead by N'astirh and S'ym, and the limits between Limbo and the city streets shattered, the issue opens with Illyana, completely covered now in the Darkchylde armor, fighting with the demon S'ym and struggling, at the same time, to cope with her supposed destiny as a destroyer and the decisions she must take, as her own Limbo is now threatening reality itself.
Throughout the pages, we see the other members of New Mutants, as well as Illyana's brother, Piotr Rasputin A.K.A. Colossus, trying to reach for her as they struggle to fight the demonic invasion. Thanks to Limbo's non-linear time, they have met Illyana as a child, and the story plays with various images and appearances of Illyana before her abuse, as the various characters (mainly, Piotr, Rahne and Dani) reckon with their feelings and regrets in their relationships with her. It all explodes when Illyana meets her own childhood self again, and makes a choice that entails both her death and a magical reborn of sorts.
As someone with C-PTSD myself, the concept of New Mutants #73 and what happens to Illyana here (and, most importantly, the decisions she takes) is incredibly moving to me. The issue sees the unfolding (and questioning) of the supposed "destiny" of destruction and death that Illyana has waiting for her, as Destiny previously suggested. It's not by accident that, in this same issue, we see Dani's fear of death and her own trauma intertwine with other characters fearing or doubting Illyana – including Roberto and even Magneto.
The fruits of Illyana's survival to trauma have created this 'monster' that she sees in herself, and – through her Darkchylde persona and actions that imitate the demon-world she was raised in – she convinces others to see. She dehumanizes herself, blames herself for her own trauma, and overidentifies with the abusers. That vision crashes with the growing empathy and understanding from her teammates, especially Rahne, as they see and understand what happened to her and how it has affected her. The reader is also met with that clash of visions around Magik's character, facing the fact that trauma survivorhood stories are sometimes messy, scary, and yeah, crazy, but nevertheless they deserve recognition, empathy and healing.
Scholars writing about comics have often considered queer identity and mutant identity to have a historical relationship, specially in the 80s X-comics, more restrained to showcase explicit LGBT+ representation. This analogy stems from the way that, in adolescence (with the wakening of sexuality), mutant teenagers are singled out from their peers and marginalized. But, in Illyana, that queer mutant identity is further complicated. Illyana's transformation to Darkchylde brings themes of sexual abuse survivorhood into this queer metaphor, and forces readers to reconcile things that you aren't born with into your experience of sexuality: like trauma. Illyana is considered by a big part of the fandom to be queer in some way (with Kittyana being a popular ship), but we've yet to see this definitively on-panel. This could be because the mutant-awakening of the character remains inseparable from her experience of abuse, which many writers have honed in on instead.
There's a magical subversion of childhood abuse tropes that Louise Simonson brings in her use of Illyana on New Mutants and that crystalizes in New Mutants #73: while the story plays into all the Exorcist-like and demonic tropes about mentally ill children dealing with abuse, it subverts them, making the reader more and more prone to empathy and understanding as it develops. Here is where Illyana is, for me, the best example of subverting real-life tropes and using the mutant metaphor for reaching out empathy. The same demonic magic that Illyana has forged to survive her abuse has kind of a cathartic end in which she faces her own child self before the abuse and saves herself from that experience.
This type of fictional reckoning with abuse that leaves room for what should have happened brings tears to my eyes everytime, and makes for a powerful stance in humanising Illyana's choices and agency towards her destiny, while not exactly "solving" her pain and trauma. She makes the choice (that, sadly, no other abused child has) of saving herself from abuse, and she makes it using the same tools that her trauma gave her. Mutation is survivorhood.
Writer: Louise Simonson
Artist: Bret Blevins
Inkers: Al Williamson and Mike Manley
Colourist: Glynis Oliver
Letterer: Joe Rosen
Duna Haller is a writer, musician, collagist and journalist from Madrid, Spain, as well as an editor at Comic-Watch.com. Her writing has been published, among other anthologies and zines, in '99% Chance of Magic: Stories of Strength and Hope For Transgender Kids' by Heartspark Press. You can find her on Instagram here!
This post was made possible thanks to the Shelfdust Patreon! To find out more, head to our Patreon page here!
Al WilliamsonBret BlevinsDuna HallerGlynis OliverJoe RosenLouise SimonsonMarvel ComicsMike ManleyNew MutantsThe Best Mutant
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For every new year starts you would need to dump your old calendar and get a new one. As it were, out with the actual, in with the new. Calendars happen to be indispensable to many individuals since they were first used. They help to keep tracks of appointments and special dates. For business people, they can offer calendars on their customers on a yearly basis as part of their marketing strategy. Nevertheless, some businesses are concern with the expense of printing a calendar especially when it demands a lot of color.


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Parafia pod wezwaniem Najświętszej Maryi Panny Matki Kościoła w Chojnie – parafia należąca do dekanatu Chojna, archidiecezji szczecińsko-kamieńskiej, metropolii szczecińsko-kamieńskiej. Jedna z parafii rzymskokatolickich w Chojnie. Została erygowana w 1995. Kaplica parafialna pw. Najświętszej Maryi Panny Matki Kościoła została wybudowana w 1994-1995. Mieści się przy ulicy Generała Władysława Sikorskiego.

Linki zewnętrzne
 Opis parafii na stronie archidiecezji szczecińsko-kamieńskiej

Chojna
NMP


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GCPS Rolls Out New Communications Plan
Ms. Barbara Baker, Superintendent of Schools, and Mr. Mark Greene, Manager of Communications & Public Relations, presented the Garrett County Public Schools (GCPS) Communication Plan "A Path Forward" at the monthly Board meeting Tuesday, March 8, 2022. This communication plan is focused on, and committed to, strong communication and building relationships with GCPS stakeholders.
There are five major objectives of the plan:
Clarify the district flow of information
Provide ongoing training and support for administrators in effective communication with stakeholders
Provide regular information on district-wide issues
Create a system to encourage the flow of information from parents/community members to the district
Publish and distribute informational pieces
There are many facets of the plan that include both printed materials and online publications. Each of these informational pieces will be distributed in a more effective manner going forward to students, staff, Board members, parents/guardians, community partners/groups, and more, as outlined in the plan. The plan also focuses on distributing branded content on a consistent basis to the community and the public.
The plan may be viewed on our website in its entirety. Elements of the plan have already started to be implemented at this time and will continue into the future.
GDP is the Most Misunderstood Finance Term, Google Search Data Reveals
Southern High Students Learn Investing through Game/Competition
Maryland Employs the 6th Fewest Mechanically-Inclined Workers in the U.S.
Garrett County Public Schools: Updates for Scheduling January 25-27, 2023
Garrett County Public Schools to Conduct a Synchronous Virtual Learning Day
Don't miss out! Stay in touch and get email updates!


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Q: Heroku not showing my app at the end of the build I have tried to use Heroku for my Continuous Intergration/Deployment on a project. I tried to follow a simple youtube video for uploading my node.JS application, I got right to the end where you click on view app via Heroku and I got a huge error log (as seen below), which I have no idea where to start debugging, can anyone shed some light?
Kayleighs-MBP:SOFT355-HangMan Kayleigh$ heroku logs --tail
 ›   Warning: heroku update available from 7.35.0 to 7.35.1.
2020-01-04T14:05:16.981790+00:00 app[api]: Enable Logplex by user kayz_haydock@hotmail.co.uk
2020-01-04T14:05:16.822338+00:00 app[api]: Release v1 created by user kayz_haydock@hotmail.co.uk
2020-01-04T14:05:16.981790+00:00 app[api]: Release v2 created by user kayz_haydock@hotmail.co.uk
2020-01-04T14:05:16.822338+00:00 app[api]: Initial release by user kayz_haydock@hotmail.co.uk
2020-01-04T14:18:46.000000+00:00 app[api]: Build started by user kayz_haydock@hotmail.co.uk
2020-01-04T14:19:18.680353+00:00 app[api]: Release v3 created by user kayz_haydock@hotmail.co.uk
2020-01-04T14:19:18.680353+00:00 app[api]: Deploy ff30f369 by user kayz_haydock@hotmail.co.uk
2020-01-04T14:19:18.695708+00:00 app[api]: Scaled to web@1:Free by user kayz_haydock@hotmail.co.uk
2020-01-04T14:19:20.000000+00:00 app[api]: Build succeeded
2020-01-04T14:19:22.117990+00:00 heroku[web.1]: Starting process with command `npm start`
2020-01-04T14:19:25.409179+00:00 app[web.1]:
2020-01-04T14:19:25.409202+00:00 app[web.1]: > SOFT355-HangMan@1.0.0 start /app
2020-01-04T14:19:25.409204+00:00 app[web.1]: > node hangman-server.js
2020-01-04T14:19:25.409205+00:00 app[web.1]:
2020-01-04T14:19:56.058173+00:00 app[web.1]: (node:23) UnhandledPromiseRejectionWarning: MongoTimeoutError: Server selection timed out after 30000 ms
2020-01-04T14:19:56.058209+00:00 app[web.1]: at Timeout._onTimeout (/app/node_modules/mongodb/lib/core/sdam/server_selection.js:308:9)
2020-01-04T14:19:56.058212+00:00 app[web.1]: at listOnTimeout (internal/timers.js:531:17)
2020-01-04T14:19:56.058214+00:00 app[web.1]: at processTimers (internal/timers.js:475:7)
2020-01-04T14:19:56.058439+00:00 app[web.1]: (node:23) UnhandledPromiseRejectionWarning: Unhandled promise rejection. This error originated either by throwing inside of an async function without a catch block, or by rejecting a promise which was not handled with .catch(). (rejection id: 1)
2020-01-04T14:19:56.058598+00:00 app[web.1]: (node:23) [DEP0018] DeprecationWarning: Unhandled promise rejections are deprecated. In the future, promise rejections that are not handled will terminate the Node.js process with a non-zero exit code.
2020-01-04T14:20:22.338538+00:00 heroku[web.1]: State changed from starting to crashed
2020-01-04T14:20:22.407927+00:00 heroku[web.1]: State changed from crashed to starting
2020-01-04T14:20:22.219187+00:00 heroku[web.1]: Error R10 (Boot timeout) -> Web process failed to bind to $PORT within 60 seconds of launch
2020-01-04T14:20:22.219426+00:00 heroku[web.1]: Stopping process with SIGKILL
2020-01-04T14:20:22.325559+00:00 heroku[web.1]: Process exited with status 137
2020-01-04T14:20:25.204227+00:00 heroku[web.1]: Starting process with command `npm start`
2020-01-04T14:20:27.500815+00:00 app[web.1]:
2020-01-04T14:20:27.500828+00:00 app[web.1]: > SOFT355-HangMan@1.0.0 start /app
2020-01-04T14:20:27.500830+00:00 app[web.1]: > node hangman-server.js
2020-01-04T14:20:27.500831+00:00 app[web.1]:
2020-01-04T14:20:38.708137+00:00 heroku[router]: at=error code=H20 desc="App boot timeout" method=GET path="/" host=soft355-hangman-heroku.herokuapp.com request_id=15d0e236-af32-44ae-aae8-5a6cb342c260 fwd="90.200.113.10" dyno= connect= service= status=503 bytes= protocol=https
2020-01-04T14:20:57.961209+00:00 app[web.1]: (node:23) UnhandledPromiseRejectionWarning: MongoTimeoutError: Server selection timed out after 30000 ms
2020-01-04T14:20:57.961225+00:00 app[web.1]: at Timeout._onTimeout (/app/node_modules/mongodb/lib/core/sdam/server_selection.js:308:9)
2020-01-04T14:20:57.961228+00:00 app[web.1]: at listOnTimeout (internal/timers.js:531:17)
2020-01-04T14:20:57.961229+00:00 app[web.1]: at processTimers (internal/timers.js:475:7)
2020-01-04T14:20:57.961471+00:00 app[web.1]: (node:23) UnhandledPromiseRejectionWarning: Unhandled promise rejection. This error originated either by throwing inside of an async function without a catch block, or by rejecting a promise which was not handled with .catch(). (rejection id: 1)
2020-01-04T14:20:57.961541+00:00 app[web.1]: (node:23) [DEP0018] DeprecationWarning: Unhandled promise rejections are deprecated. In the future, promise rejections that are not handled will terminate the Node.js process with a non-zero exit code.
2020-01-04T14:21:25.939157+00:00 heroku[web.1]: State changed from starting to crashed
2020-01-04T14:21:25.848388+00:00 heroku[web.1]: Error R10 (Boot timeout) -> Web process failed to bind to $PORT within 60 seconds of launch
2020-01-04T14:21:25.848490+00:00 heroku[web.1]: Stopping process with SIGKILL
2020-01-04T14:21:25.924978+00:00 heroku[web.1]: Process exited with status 137
2020-01-04T14:21:28.031213+00:00 heroku[router]: at=error code=H10 desc="App crashed" method=GET path="/" host=soft355-hangman-heroku.herokuapp.com request_id=84fc9ea0-a4e9-4c65-8357-2ef4218f2054 fwd="90.200.113.10" dyno= connect= service= status=503 bytes= protocol=https
2020-01-04T14:21:28.670209+00:00 heroku[router]: at=error code=H10 desc="App crashed" method=GET path="/favicon.ico" host=soft355-hangman-heroku.herokuapp.com request_id=ab8bb069-da76-4766-830f-e81a80dce8d3 fwd="90.200.113.10" dyno= connect= service= status=503 bytes= protocol=https
2020-01-04T14:21:29.277077+00:00 heroku[router]: at=error code=H10 desc="App crashed" method=GET path="/" host=soft355-hangman-heroku.herokuapp.com request_id=66dbc233-0e2f-4c39-ba98-3cae75ae03b7 fwd="90.200.113.10" dyno= connect= service= status=503 bytes= protocol=https
2020-01-04T14:24:34.028234+00:00 heroku[router]: at=error code=H10 desc="App crashed" method=GET path="/" host=soft355-hangman-heroku.herokuapp.com request_id=3fb5fa25-9a46-4b11-b5b0-5df9483c1eed fwd="90.200.113.10" dyno= connect= service= status=503 bytes= protocol=https

A: Here is where you start:
Error R10 (Boot timeout) -> Web process failed to bind to $PORT within 60 seconds of launch

Do you hardcode the port or use a default (8080)? Heroku runtime provides you with an Environment variable PORT, which is the one you should use to bind your application and accept incoming requests.


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Fairey Swordfish bi-planes from RAF Manston in an attack on the might of the German Battle Fleet in the Straits of Dover.
Thinking that the German force would travel through the Straits of Dover at night, the British Admiralty had stood down the vast majority of its air crews, leaving just the six Swordfish available to combat the German threat when the ships were identified in daylight hours.
Two buglers from the Royal Marines band in Portsmouth played an emotional "Last Post" in a moving and passionate service at the Channel Dash Memorial Trust monument alongside Ramsgate's Royal Harbour to commemorate the 75th anniversary of this military action today (February 12).
The service was attended by representatives of the armed forces led by The Admiral of the Fleet, the Lord Boyce. The Mayors of Ramsgate, Broadstairs and Margate represented their respective communities with Ramsgate Mayor Trevor Shonk thanking the local public for braving the elements and coming out in such vast numbers.
Two helicopters and two tucano aircraft overflew the service in a poignant salute to those heroes who had bravely fought against overwhelming odds for the freedom of their country.


Dr Sthamer Hamburg, will be unveiling the latest UL Listing on their flagship MOUSSOL APS 1×3 F-0 #3471, which has now been UL Listed as well as EN1568 1A/1A and also having passed the LASTFire Test protocols. Our MOUSSOL APS 1×3 F-0 #3471 has been selected by major petrochemical companies around the world to protect their process, production and storage facilities.
We will be promoting our state of the art STHAMEX AFFF 0.5% and MOUSSOL APS 0.5×0.5 products, which are used at ONLY 0.5% with the same or better performance than conventional 1 or 3% foam concentrate equivalents. This will give you a significant cost saving in logistics, storage vessels, mixing devices and pipework requirements.
Joining us at Intersec will be our partner Qartaja Trading Establishment, their team of technical sales engineers support us with their knowledge. Qartaja Trading Establishment also stock our foams in their Abu Dhabi warehouse for immediate delivery to clients throughout the Emirates.


IMPORTANT: These oven mitts are being sold as "seconds", meaning the quality of sewing is not quite perfect – either the sewing is not perfectly staight, the stitching is over-stitched or a stitch was dropped. None of these minor flaws affect the original functionality of the mitt. However, these mitts feature a diamond stitch rather than the channel stitch used on the most recent versions of the mitt. ALL "SECONDS-QUALITY" SALES ARE FINAL.
All Michiganders point to their hand when asked where they live. To continue the tradition, Salt Labs has created a great gift for any proud Michigander...or expat. The Mitt-chigan™ oven mitt features the Lower Peninsula on one side, Upper Peninsula on the other.
Salt Labs' proprietary MI map design is printed on 100% cotton fabric that is comercially quilted to 100% cotton inner batting and lining; and features a hanging loop. The mitt measures approx. 12.5" high x 8" wide, comfortably fitting most hands. It is designed and handmade in Michigan, quilted and printed in the USA while using sustainable materials and processes.
Salt Labs' designs are based on vintage maps/charts and reflect the inherent character + charm of their historic origins.


After years of having little deep sleep, i was advised to take 3or 4 prior to bed.
I get to sleep more easily. Stay asleep linger and after visits to the bathroom during the night, fall asleep again with ease.
Great for sufferers of ADHD sleeplessness too.
Excellent for uplifting and restoring a positive frame of mind.


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Issue 8, May 2018
Faculty Spotlight: Dr. Scott Wilson
Professor and Associate Dean for Global Education Scott Wilson recently received a grant that will support research on a water pollution monitoring project in China. The ASIANetwork Freeman Fellowship Program grant will allow Drs. Wilson of the Politics Department and Deborah McGrath of the Biology Department to take students to China over the summer to begin this collaborative research project.
Sponsored Research Office student assistant Haven Watson recently talked with Dr. Wilson about the award. Dr. Wilson first became interested in work in China over 30 years ago during his undergraduate years. Nanjing University, a prestigious university with whom the students and faculty will be partnering with over the summer, is actually the university he first visited when going to China for his undergraduate abroad experience. For this program, the students will research water pollution in China from scientific and social scientific approaches. Thus, the students will be involved in taking and analyzing water samples for pollution levels as well as creating questionnaires for the citizens regarding water pollution monitoring and reduction.
This will be Dr. Wilson's second time receiving this grant, and he is very excited to be going back to China. Not only will the selected students be learning beneficial skills with the program, the program also ties in well with a three-year project he has been working on regarding environmental pollution in China.
For faculty searching and applying for grants, Dr. Wilson recommends pairing available opportunities with projects that faculty have had in the back of their minds and being entrepreneurial about the process.
Student Spotlight: Four Sewanee Students Present Rhetoric Papers
Four Sewanee students presented rhetorical criticism papers at the Theodore Clevenger Undergraduate Honors Conference in Nashville last month. The Clevenger conference, one of the oldest and most prestigious undergraduate research forums in the field of rhetoric, attracts students from as far away as the University of Puget Sound and Florida Atlantic University and nearly everywhere in between. All papers are competitively selected for presentation. The Sewanee contributions emerged from research projects in RHET 311: U.S. Public Address, 1620-1865, a course that surveys American rhetoric and oratory of the period. Each paper offers a close reading of a speech or rhetorical controversy in its historical context.
Chris Ryan ('18 ) investigates attempts by Raphael Semmes, a Confederate military officer and envoy to Morocco, to influence British Consul to Morocco John Drummond Hay. Ryan, an International & Global Studies major, Politics minor, and Center for Speaking & Listening Advisory Board member, focuses his attention on a letter Semmes crafted in an attempt to alter Morocco's long and cordial relations with the United States.
Cole Porter ('19), a Carey Fellow and Center for Speaking & Listening Tutor (and a finalist in last year's inaugural Public Speaking contest), is pursuing an Economics major with Spanish and Honors Business minors. His paper, "Brooks and the Re-Occupation of Public Morality," considers Phillips Brooks' Thanksgiving Day sermon of 1863 as an instance of the "rhetoric of public moral argument," and studies the text through the lens of "rhetorical depiction."
Julia Siebert, a Psychology major and Business minor, presented "A Rhetorical Criticism of 'The Murder of Lovejoy,' by Wendell Phillips." In it Siebert reconsiders Phillips' now famous oration on mob violence and pro-slavery rhetoric, arguing that depictions of savagery and inhumanity quite clearly highlighted the inhumanity of the pro-slavery position and functioned to stigmatize those who sought to expand slavery to newly created states.
William Merriman's paper, "Reconstituting a Transcendent University: Rhetorical Criticism of William Giles Dix's 'An Address'," was named the outstanding paper of the conference – out of 139 student submissions. Merriman ('19), an English major, Honors Business minor, Carey Fellow, and Center for Speaking & Listening Tutor, was named a "Clevenger Scholar," an honor bestowed on authors of papers ranked in the top 10% of the conference, and won the Franklin Shirley Prize for best paper, a first for a Sewanee student. Merriman's paper offers a close reading of Dix's 1859 oration, delivered at Beersheba Springs, Tennessee, on the need for a new university to be called "The University of the South."
Professors Sean O'Rourke (Rhetoric & American Studies) and Professor Melody Lehn (Rhetoric and Women's & Gender Studies), both with the Center for Speaking & Listening, accompanied the students to Nashville. Lehn received the Dwight L. Freshley Award for Outstanding Teaching at the conference.
See this article for more information.
Water-related Research Grant from the Arthur Vining Davis Foundations
A $350,000 grant from the Arthur Vining Davis Foundations will support water-related research over the next three years. Called the Sewanee Headwaters Initiative, the initiative is directed by Amy Turner and Ken Smith. A key part of the grant is hiring a research manager who can both assist faculty in research design and implementation and who will disseminate findings to the public. Research can be related to water, water quality, wastewater treatment biodiversity, and other topics and should be readily translatable to the public or respond to public interest. A recent article on water-related research on the Domain appeared in the online Features magazine: http://www.sewanee.edu/features/story/water-research.html. Faculty interested in connecting with this work should contact Smith or Turner.
Grant and Research Opportunities for Faculty
The Associated Colleges of the South (ACS), has posted competition information for Cycle II of its grant program, which has three priority areas of Innovative Instruction, Collaborative Curricula, and Diversity and Inclusion. Deadlines of note include July 25 for submitting Sewanee's Institutional Approval Form, and 5 p.m. CST August 10 for submitting required pre-proposals to the ACS. ACS staff members are available to review "pre-pre-proposals" prior to July 27. Pre-proposals invited to advance to the full proposal stage will have a November 2 submission deadline. Applicants can request planning grant funds to support work between the pre- and full proposal submission stage.
The John W. Kluge Center at the Library of Congress invites scholars to conduct research using the vast collections and resources at the Library of Congress. Researchers who have received a terminal advanced degree within the past seven years in the humanities, social sciences or in a professional field such as architecture or law are eligible. Exceptions may be made for individuals without continuous academic careers. Especially encouraged are research projects in the humanities and social sciences, particularly interdisciplinary, cross-cultural, or multilingual projects. Up to 12 Kluge Fellowships are awarded annually, with a monthly stipend of $5,000 for a period of between four and 11 months. The next deadline for applications is July 15, 2018.
The National Science Foundation's (NSF) Division of Mathematical Sciences has changed the proposal deadline dates for six of its programs in order to enhance internal efficiencies and reduce the time span between proposal submission and outcome notification. The due dates for the following programs are earlier (between one and 12 weeks) than in previous years: Combinatorics; Computational and Data-Enabled Science and Engineering in Mathematical and Statistical Sciences; Foundations; Mathematical Biology; Probability; and Statistics. The deadline changes are described in NSF 18-065.
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Glockenspiel/Xylophone
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How to Play See Saw Margery Daw with Orff Instruments – Sheet Music and PDF
"See Saw Margery Daw" is a popular English language nursery rhyme, folk song and playground singing game. The rhyme first appeared in its modern form in Mother Goose's Melody, published in London in around 1765. It may have its origins as a work song for sawyers, helping to keep rhythm when using a two-person saw.
On this page you can find an Orff arrangement, and a Printable PDF file with sheet music for free download.
Arrangement Details
See Saw Margery Daw – Orff Arrangement Free Sheet Music PDF
Orff Arrangement Sound file
The Orff arrangement includes:
Alto Recorder
Alto Metallophone
Alto Xylophone
Bass Xylophone
2 Wood Blocks
This is a very interesting arrangement if you want to teach the 6/8 measure in a simple way. First of all ask the children to sing the song while clapping and keep the beat with eighth notes. Since they will learn it in this way, they can play all together, following Alto Xylophone's and Woodblock's beat.
Because of the key that is in G major, we propose Alto Recorder, considering that it easier to play. However, you can replace it with Soprano one, as long as you read the score for this instrument an octave lower.
(PDF download button below)
Click on the following images to preview the music sheet.
Click here or on the following button for a free download
of the percussion sheet music in PDF
To listen to the percussion arrangement offered above, click on the following player.
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using FirstOneTo.Readmodel.Models;

namespace FirstOneTo.Readmodel.Services.Interface
{
    public interface IQueryExampleService
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}

redpajama_set_name: RedPajamaGithub