text:
€10m Dublin Airport Community Fund open for new round
Community and sporting groups across Fingal have been put on alert that they have just a few weeks remaining to apply for the latest round of funding from Dublin Airport's €10 million Community Fund.
https://www.independent.ie/regionals/fingalindependent/news/10m-dublin-airport-community-fund-open-for-new-round-38837849.html
Dublin Airport's Community Fund has reopened for applications and will remain open for a period of six weeks until February 12, 2020.
The airport's €10 million Community Fund was launched in 2017 with an annual investment of €400,000 over 25 years.
The fund supports projects in the neighbouring communities around Dublin Airport with 44 local groups receiving €122,358 in funding before Christmas.
Dublin Airport Community Liaison Manager Maura Cassidy said: 'Since the fund was opened in June 2017, more than €1 million has been granted to community groups based within the eligibility area. Support is focused on areas such as environment and sustainability, sports and recreation, social inclusion and community development, health and well-being, and culture and heritage.'
Ms Cassidy added: 'This will be the sixth round of funding from the Community Fund and we're delighted to, once again, invite local community groups to apply for funding and encourage all eligible groups to apply.'
Awards from the Community Fund are made by an independent Grant Making Panel, comprising Chairperson Marion Burns, HR Director DCU; General Manager of Castleknock Hotel and Country Club, Guy Thompson; Managing Director of Country Crest, Michael Hoey; daa Chief People Officer, Brian Drain and Dublin Airport Head of Marketing, Louise Bannon.
Among the groups who received funding in November 2019 were Gaelscoil Bhaile Munna in Ballymun towards a school library, Anew Support Services in Swords for a community gardening project and the Community First Responders in Malahide and Portmarnock who received funding for defibrillators.
The Fund also supports up to 10 students per year from economically disadvantaged backgrounds to enable them to attend Dublin City University (DCU) via its Access Programme.
Groups applying for funding can find an easy how-to-apply guide along with an application form on the airport's website www.dublinairport.com/community-fund.
Dublin Airport says it plays a vital role in the local and national economies, supporting 117,300 jobs and making an €8.3 billion contribution to the Irish economy and the Community Fund is aimed at lending a helping hand to the communities that surround the airport campus.
Fingal Independent
Mayor congratulates Swords on IBAL results
Mayor of Fingal, Cllr Eoghan O'Brien has praised Swords and Swords Tidy Towns for the town being placed third of 40 towns surveyed in a 2019 'anti litter' survey by Irish Business Against Litter (IBAL).
Elvis collection goes public
Ken Phelan Elvis loving Swords local Maurice Colgan has finally put on his 'Blue Suede Shoes' and unveiled his Elvis Presley Story Museum to the town, and he's 'All Shook Up' over the reaction he's had so far.
Man charged with rape to be sent forward for trial
A man charged with raping and sexually assaulting a woman is to face trial by judge and jury.
17:14 Harvey Weinstein not just a Hollywood titan 'he was a rapist', court told
16:58 Work to restore fire-ravaged Notre Dame expected to begin later this year
16:08 Visa plans to roll out scheme to boost number of retailers offering cashback
Malahide's Christmas GOAL Mile raises €4,000
Fine Gael TD for Dublin Fingal, Deputy Alan Farrell has expressed his 'sincere thanks' to participants who attended the 'GOAL Mile' in... News
Irish Water fails to restore confidence over boil notices
In the wake of a series of boil water notices imposed on Fingal customers of Irish Water... News
Latest Bord Bia export figures good news for our food industry
In the opening days of a... News
Time to nominate your favourite local restaurant
The Restaurants Association of Ireland are delighted to announce that the nominations... News
United launch daily non-stop service to San Francisco
Dublin Airport welcomed the recent announcement from... News
Green Party TD calls for investigation beach 'litter mounds'
A local Green Party TD has called on Fingal County Council to investigate what he calls... News
Helicopter crash factors 'still there'
The factors that led to a fatal helicopter crash off the... News
Minister Flanagan reacts to national CSO crime figures
The Minister for Justice and Equality, Charlie Flanagan... News
Questions for gardaí on policing the peninsula
A peninsula councillor has asked a series of questions... News
Major arms find at rural Fingal property
A search at a property in rural Fingal has netted gardaí a find of 10 firearms and a quantity of ammunition. News


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NY Toy Fair Remains a "GO" for February 2022
Posted by Rebecca Ash | Jan 6, 2022 | News, Top news story |
The Toy Association, with the support of hundreds of exhibitors, buyers, and key governmental agencies, expects to safely host Toy Fair New York at the Javits Center from February 19-22, 2022.
"Hundreds of small and midsize toy & play companies, entrepreneurs, and inventors across North America depend on Toy Fair New York for access to the market and new opportunities," said Steve Pasierb, president & CEO of The Toy Association. "Many have been looking to the 2022 show to help their businesses recover from the negative impacts of the past two years of the pandemic. While international attendance will be down, and some major players do not plan to be present, Toy Fair New York is still set for the second half of February."
Toy Fair has been a leader in safeguards and preparation for a healthy trade show. To ensure the health and safety of all Toy Fair attendees, New York City's strict indoor activity guidelines and the Javits Center's own policy requiring proof of vaccination for admission to events will be rigorously enforced. All who enter Toy Fair will be required to wear masks. "Our steadfast requirement for proof of vaccination and mask wearing was seen as somewhat controversial last spring and today provides confidence that all health and safety standards are in place," added Pasierb.
The Javits Center, now operating at 100% capacity, allows for social distance and is among the safest venues in the country, having received the Global Biorisk Advisory Council (GBAC) accreditation and with the installation of hospital-grade High Efficiency Particulate Air (HEPA) filters (the entire volume of air within the building is completely changed five times per day). Toy Fair has been planned from the onset with wider aisles as part of its health and safety preparations.
"Our industry is one of creativity, human connection, and collaboration, which is something we all desperately need and want – and something Toy Fair uniquely provides," said Pasierb. "Toy Fair and the Javits Center have the standards and practices in place to deliver a safe environment to gather in person, meet with customers and friends, conduct business, and enjoy networking. With these tools in place, the industry has the opportunity to utilize them."
The Toy Association thanks everyone in the toy and play community for their patience and concern as the situation is closely monitored. The Toy Association will give the industry a status announcement no later than Wednesday, January 12.
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redpajama_set_name: RedPajamaCommonCrawl


The Federal Financial Assistance Management Improvement Act of 1999, sometimes called "P.L. 106-107", was passed by Congress to improve coordination among grant-making agencies. Lawmakers also wanted to make the application and reporting process more consistent for people and organizations seeking Federal awards.
The Grants Policy Committee (GPC), composed of federal grants experts, was formed and tasked with carrying out the law. Although P.L. 106-107 expired in 2007, some of its initiatives are still in place. Others have continued to evolve. For example, in 2011, the Office of Management and Budget (OMB) replaced the GPC and the Grants Executive Board (GEB), established in 2002, with a single entity – the Council on Financial Assistance Reform (COFAR).
COFAR built on these the initiatives first outlined in The Federal Financial Assistance Management Improvement Act of 1999. In 2017, COFAR was dissolved by OMB Memorandum M-17-26, Reducing Burden for Federal Agencies by Rescinding and Modifying OMB Memorandum.
Read the Federal Financial Assistance Management Improvement Act of 1999.


GPIO interrupt callback. First call setEdgeTriggerType(int) to set an interrupt edge to watch, then registerGpioCallback(Handler, GpioCallback) to start getting callbacks.
Called when an edge event triggers.
Called when an error occurs with the interrupt event listener.
gpio Gpio: The Gpio that received an edge event.
boolean True to keep watching for events, false to stop.
Called when an error occurs with the interrupt event listener. At this point the receiver should assume that this Gpio is no longer usable. No further callbacks will be received on this object.
gpio Gpio: The Gpio that received an error.
error int: An OsConstants errno code.


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Q: How to make node.js automatically execute commands when I run the server? for example I am constantly having to write:
"node app.js &" to start the server and then writing this manually afterwards:
"watchify main.js -o bundle.js -v"  to start the watchify script
is there a way I can execute that automatically? and other lines after that so I dont have to keep manually typing/copy and pasting the lines individually everytime I run my server

A: Add a scripts section to your package.json file.
Then call  npm run <ScriptName>
if you're looking for bash specific example, the following will do the trick:
...
"scripts": {
    "run-and-watch": "node app.js & watchify main.js -o bundle.js -v"
}
...

npm run run-and-watch
If you want a cross-platform option, there are npm modules such as concurrently and npm-run-all that should help you out.

redpajama_set_name: RedPajamaStackExchange


text:
Q: Custom filter to replace certain string characters in a json date returned from Sharepoint I'm working with json data returned from an Angularjs get request. This data is coming from a Sharepoint list.
The date is a json date string and looks like this /Date(350697600000)/
So I am working with Angularjs and I need to display this date the "normal" way or as I want it to look. The json data is an array of objects so I'm displaying the data with ng-repeat in an unordered list. I'm trying to make a custom filter that will replace /Date( and )/ with an empty string, that is I just want the numbers. I need each json date in this array of objects to convert when it is being displayed on my page.
This is what I have so far in my custom filter:
app.filter('dateFilter', function() {
   return function(obj) {
      return obj.replace(/\/([^a-zA-Z])\/ /gi, "");
   }
});

My html code looks like this:

As everybody could guess my filter is not working. I don't really know how to use .replace() or even if using a custom filter to solve this is the best idea. I could use some help with this. Hope my question is not to vague.
Thx in advance everybody!

A: I have two theories, I'll address them both.
First of, I think your filter should return a date, also, I think the regex could be improved upon.
app.filter('dateFilter', function() {
   return function(obj) {
      return new Date(parseInt(obj.replace(/\D/g, '')));
   }
});

I am using that particular return statement to get a date from the same sort of format, although it's not in an angular project.

A: I recommend that you look at Moment.js for date time parsing and manipulation. This time format is called Unix Epoch and in Moment you would write somthing like
var date = moment('Date(350697600000)')


Description: The main aim of the study is to provide evidence-based proposals for prevention of violent (incl suicidal) behaviour in military context. More specifically the aims are: (1) To find out the etiology of violent behaviour by analysing in depth a homicide-suicide case committed by an ex-military man; (2) To find out risk and protective factors of violent behaviour in military context and to analyse possibilities for effective intervention and prevention; (3) To analyse the public attitudes atowards military related risk factors.
Suicide trend in Estonia during independence: What are the associations with socio-political, economic and public health indicators?
Description: The main aim of the project is to study suicide as a social phenomenon in the society with extremely rapid social changes, which could open new theoretical approaches, and give evidence-based material for prevention.
From the scientific approach to find out association between (1) alcohol consumption, (2) suicidal behaviour and (3) other suicide risk factors in Estonia at the individual level and (4) to find out burden of desease caused by suicide and its economical effects using internationally comparable methods, introduce results in Estonian and international conferences and to publish results in international scientific journals.
From the applicable point of view to give evidence based material for working out suicide prevention strategy and action plan on national level, for working out and developing preventive methods in the frames of the present study and as well in the frames of the national alcohol policy program and the national mental health promotion program. The aim is also to recommend guidelines for other countries with similar historical background.
From the scientific approach to find out correlation between (1) alcohol and drug use, (2) premature deaths and suicidal behaviour and (3) social processes in Estonia both on the macro level and on the individual level using internationally comparable methods and to publish results.
From the applicable point of view to give scientific basis for finding the possibilities to decrease premature deaths and suicidal behaviour by target groups. This could be the evidence-based procedure for working out and developing preventive methods in the frames of the present study and as well in the frames of the national alcohol policy program and the national mental health promotion program. The aim is also to recommend guidelines for other countries with similar historical background.
Description: As supplementary part of above mentioned psychological autopsy the material was collected and analysed concerning suicide survivors. Additionally a mourning group has been initiated in order to get evidence-based information about effective mourning work. The aim of the study is elaboration and implementation of rehabilitation methods.
Click here for the project description.
Mental health promotion programme for elderly people.
Click here to open project description.


All4Change are a dynamic company totally dedicated to making a difference to our clients.
We believe in being open and honest, guaranteeing to deliver the agreed performance improvements.
We are a business change and implementation consultancy, specialising in helping our clients achieve a step change in financial and business performance.
Using our proven MicroConsulting™ techniques as Management Consultants we are able to work with intensity and speed delivering and embedding the changes deep into your organisation down to the shop floor levels. Our commitment is that we leave behind a better and stronger organisation with sustainable behavioural changes in your people and processes.
There are many terms out there that create confusion and doubt in the minds of people. Let's take a quick look at some of the main ones, what they mean and what are you looking to achieve.
For instance, an environmental management system enables organisations to improve their environmental performance through a process of continuous improvement. An oversimplification is "Plan, Do, Check, Act." A more complete system would include accountability (an assignment of personal responsibility) and a schedule for activities to be completed, as well as auditing tools to implement corrective actions in addition to scheduled activities, creating an upward spiral of continuous improvement.
Growth including foreign exchange, but excluding divestitures and acquisitions is often referred to as core growth. Organic growth is growth that comes from a company's existing businesses and includes growth over a period that results from investment in businesses the company owned at the beginning of the period. What it excludes is the boost to growth from acquisitions, and the decline from sales and closures of whole businesses. It can also relate to the act of closing down cost centres through established organic methods.
Inorganic Growth is the rate of business, sales expansion etc. by increasing output and business reach by acquiring new businesses by way of mergers, acquisitions and take-overs. This kind of growth also takes place due to government directives, leading to enhancement of business in some identified priority sector/area. The inorganic growth rate also factors in the impact of foreign exchange movements or performance of other economies. It is also a faster way for companies to grow compared with Organic growth.
Organisational change management processes include techniques for creating a change management strategy (readiness assessments), engaging senior managers as change leaders (sponsorship), building awareness of the need for change (communications), developing skills and knowledge to support the change(education and training), helping employees move through the transition (coaching by managers and supervisors), and methods to sustain the change (measurement systems, rewards and reinforcement).
Some change theories are based on derivatives of the Kübler-Ross model from Elizabeth Kubler-Ross's book, "On Death and Dying." The stages of Kubler-Ross's model describe the personal and emotional states that a person typically encounters when dealing with loss of a loved one. Derivatives of her model applied in other settings such as the workplace show that similar emotional states are encountered as individuals are confronted with change.
Scenario Planning: Scenario planning provides a platform for doing so by asking management and employees to consider different future market possibilities in which their organisations might find themselves.
"Organize with Chaos", by Robin Rowley and Dr. Joseph Roevens. Essentially, change-efficiency can improve greatly when management realise that "People do not resist their own ideas". Open, information-sharing teams and networks, knock power hierarchies flat when it comes to rapid innovation and change. The authors describe Change as a creative cyclical process where some events can be managed, but others must be deliberately 'under'managed and left alone to self-organise, ripen, and eventually improve the business naturally. By looking at how things change in Nature, the authors observed that major changes in the environment can precipitate a ubiquitous process of transformation. Essentially the system moves away from efficient Control and refinement and disintegrates into creative Chaos. As all the various dormant mutations and experiments begin to assert themselves in the evolutionary soup, many fail, but a few of them 'fit' successfully and may reproduce. Thus, they move through a transformational phase, back into a higher level type of Control. Watching the system as a whole, it appears to move through four distinct cyclical phases, which run like this: ENHANCE / PERTURB / ATTRACT / EXCITE. In practice, Management can ENHANCE (a response to events shifting in the environment, or the "change field"). PERTURB (self-organising perturbations occur spontaneously; old ways disintegrate, etc.) Under-management and executive silence reigns here if the natural process is not to be prematurely collapsed. The system then moves into a creative, 'free for all' state of Chaos. ATTRACT (eventually new people, groups, ideas and/or actions emerge, cluster and maybe resonate. EXCITE (time, energy, resources and management can now be applied to enable the new systems to synergise and develop. Profits occur as higher order control and efficiency rule temporarily. Then, depending on the stabilty of the environment, or market competition, it all starts over again as a continuous cycle of change.
Costs such as depreciation, amortization, and overhead are ambiguous. Revenue may also be ambiguous when different products are sold as a package, or "bundled". Within US business, the preferred term for profit tends to be the more ambiguous income.
Gross profit is profit before Selling, General and Administrative costs (SG&A), like depreciation and interest; it is the Sales less direct Cost of Goods (or services) Sold (COGS).
Net profit after tax is after the deduction of either corporate tax (for a company) or income tax (for an individual).
Operating profit, also known as EBIT, is a measure of a company's earning power from ongoing operations, equal to earnings before the deduction of interest payments and income taxes.
There are commentators who see benefit in making adjustments to economic profit such as eliminating the effect of amortized goodwill or capitalizing expenditure on brand advertising to show its value over multiple accounting periods. The underlying concept was first introduced by Schmalenbach, but the commercial application of the concept of adjusted economic profit was by Stern Stewart & Co. which has trade-marked their adjusted economic profit as EVA or Economic Value Added.
Optimum Profit - This is the "right amount" of profit a business can achieve. In business, this figure takes account of marketing strategy, market position, and other methods of increasing returns above the competitive rate.
Accounting profits should include economic profits, which are also called economic rents. For instance, a monopoly can have very high economic profits, and those profits might include a rent on some natural resource that firm owns, where that resource cannot be easily duplicated by other firms.
These actions often follow a specific methodology or strategy to create successful results. A sampling of these are listed below.
The organisation may be a for-profit business, a non-profit organisation, a government agency, or any other ongoing concern. Most BPI techniques were developed and refined in the manufacturing era, though many of the methodologies (like Six Sigma or Lean) have been successfully adapted to work in the predominantly service and manufacturing based economy of today. While there are differences in the challenges that each type of industry poses, the fact remains that the core principles of BPI and how they apply to business improvement remain portable across industries and functions.
It should be noted that BPI focuses on "doing things right" more than it does on "doing the right thing". In essence, BPI attempts to reduce variation and/or wastage in processes, so that the desired outcome can be achieved with better utilisation of resources.
The goal of BPI is a radical change in the performance of an organisation, rather than a series of incremental changes (compare TQM). Michael Hammer and James Champy popularised this radical model in their book "Reengineering the Corporation: A Manifesto for Business Revolution" (1993). Hammer and Champy stated that the process was not meant to impose trivial changes, such as 10 percent improvements or 20 percent cost reductions, but was meant to be revolutionary (see breakthrough solution).
Many businesses in the 1990s used the phrase "reengineering" as a euphemism for layoffs. Other organizations did not make radical changes in their business processes and did not make significant gains, and, therefore, wrote the process off as a failure. Yet, others have found that BPI is a valuable tool in a process of gradual change to a business.
There are four roles within a business Management system: Business Leader, Process Owner, Operational Manager, and Process Operator. The responsibilities of each of these roles are unique, but work together as a system. Some employees in an organization may perform as many as all four of these roles over the course of a day, week, month, or year.
Six Sigma seeks to improve the quality of process outputs by identifying and removing the causes of defects (errors) and variability in manufacturing and business processes. It uses a set of quality management methods, including statistical methods, and creates a special infrastructure of people within the organisation ("Black Belts","Green Belts", etc.) who are experts in these methods. Each Six Sigma project carried out within an organization follows a defined sequence of steps and has quantified financial targets (cost reduction or profit increase).
Working from the perspective of the customer who consumes a product or service, "value" is defined as any action or process that a customer would be willing to pay for. Basically, lean is centered around creating more value with less work. Lean manufacturing is a generic process management philosophy derived mostly from the Toyota Production System (TPS) (hence the term Toyotism is also prevalent) and identified as "Lean" only in the 1990s. It is renowned for its focus on reduction of the original Toyota seven wastes in order to improve overall customer value, but there are varying perspectives on how this is best achieved. The steady growth of Toyota, from a small company to the world's largest automaker, has focused attention on how it has achieved this.
Lean manufacturing is a variation on the theme of efficiency based on optimising flow; it is a present-day instance of the recurring theme in human history toward increasing efficiency, decreasing waste, and using empirical methods to decide what matters, rather than uncritically accepting pre-existing ideas. As such, it is a chapter in the larger narrative that also includes such ideas as the folk wisdom of thrift, time and motion study, Taylorism, the Efficiency Movement, and Fordism. Lean manufacturing is often seen as a more refined version of earlier efficiency efforts, building upon the work of earlier leaders such as Taylor or Ford, and learning from their mistakes.
Strategy is distinct from tactics. In military terms, tactics is concerned with the conduct of an engagement while strategy is concerned with how different engagements are linked. In other words, how a battle is fought is a matter of tactics: the terms that it is fought on and whether it should be fought at all is a matter of strategy.
In Business, clarification is used to make a statement more clear. It refers to a statement, strategy or intention that has been made but may be subject to a misunderstanding or unfair assumption. A clarification is not the same as a correction, which corrects factual errors in a published story or statement.
All4Change believes that most companies know what their strategy is. They have often spent time and money developing it. However, the communication and cascading of what the strategy means down through the company is frequently ignored. Strategy Clarification is making sure that all staff, suppliers and customers understand the strategy and know what impact that will have on them. In many companies not even the senior executives are fully aligned and understanding of their own Company's strategy.


So you've had a go at Stand Up Paddle Boarding and are ready to go out on your own! Pro Paddle offer a range of boards available to hire on an hourly/daily basis. Our boards are beginner friendly and suit various size paddlers.
Hourly board hire is available during shop hours, or by pre-arranged appointment. We recommend phoning and booking a board to avoid disappointment. Whether you are looking for a workout for the day or cruising around with friends or family, Pro Paddle have the board for you.
Stand Up Paddle Board, adjustable paddle and leg rope. Stinger protection provided in stinger season.
A participant declaration for each person using hire boards, must be read and signed prior to commencement of hire.
Hirer must be 18 years of age or over. If under 18, must be accompanied by responsible adult or have a parent/caregiver present to sign form, however all Children under 16 years of age must be accompanied and supervised by an Adult of 18 years and above at all times. Paddle boards must be hired by the accompanying adult. Minimum age for own board is 8 years of age.
Hirer is deemed responsible for their own safety, as such, they participate at their own risk.
Paddle boarding and surfing (even with accordance of its intended use) can be dangerous; you acknowledge you are exposed to the possibility of risks using the hired goods, including actions of others, weather, water conditions, physical hazards and such. These factors may result in injury to yourself, others or to the hired product being lost or damaged, YOU ACKNOWLEDGE & HAVE READ & UNDERSTOOD THIS WARNING AND RISKS.
All hire fees must be paid prior to commencement of hire period.
Hirer is accountable for any damage to hire equipment and understands further costs can be brought against them.
Leg ropes are provided and must be worn at all times when on the water.
All incidents or collisions that occur during hire period must be reported.


If you believe that you have been exposed to a biological or chemical agent, or you believe an intentional biological threat will occur or is occuring, please contact your local law enforecment agency and your local health department.
Or contact the Michigan Department of Health and Human Services- Division of Emergency Preparedness and Response.
What is the role of the Dickinson-Iron District Health Department in bioterrorism or chemical terrorism?
The health department is working cooperatively with state and local agencies to coordinate our response to a bioterrorism or chemical terrorism event.
If an attack should occur, the Dickinson-Iron District Health Department together with federal, state, and local emergency responders agencies have plans to minimize the risk and to treat those who may become ill. The Bioterrorism Response Plan will guide county/city emergency response agencies to detect and respond to bioterrorism events. Also, a chemical terrorism plan is currently being developed.
The Michigan Department of Health and Human Services- Division of Emergency Preparedness and Response. has developed an enhanced disease surveillance system that tracks unusual clusters of disease. If a cluster is detected, local public health is prepared to investigate the disease and its possible sources. Public health information will be shared with the public through the media and other information dissemination vehicles.
The Dickinson-Iron District Health Department also has a plans and procedures developed for mass immunizations and prophylaxis distribution to ensure protection of persons exposed to biological agents, chemical agents and other emerging pathogens (influenza).


text:
Pimlico Escorts
Our Pimlico escorts are everything you could hope for, and more. We pick and choose very carefully and that means we can guarantee not just the beauty of our models but also how friendly, warm and approachable they are.
Pimlico is a relatively small part of central London, located within the borough of Westminster. At first glance, it's architectural mix of Regency houses and garden squares may make it seem like a smaller version of its neighbour to the north, Belgravia, but Pimlico has a flavour all of its own.
Bordered by the aforementioned Belgravia to the north and the Thames to the south, Pimlico benefits not only from a serene and village like atmosphere but also from being located within easy walking distance of some of the most popular attractions in London.
Sloane Square, for example, is just a short trip away. This means you could stroll to either some of the most achingly fashionable up-market boutiques in the capital, or else visit the Royal Court Theatre for a taste of cutting edge drama. Also close at hand is the imposing edifice of Buckingham Palace, the London residence of the royal family, where it is possible to witness the pomp and ceremony of the changing of the guard several times a week throughout the year.
Even closer to Pimlico itself is the Tate Britain gallery. This art gallery is home to a vast collection of work from across the centuries, taking in both classic artworks and more modern offerings. Taking it all in will require more than two hours and a good deal of stamina, but the good news is that it's free to enter, and it also features an excellent café where you can stop to refresh yourself and take a rest. A visit to Tate Britain is particularly a priority if you're a fan of the artist Turner, as the gallery is home to just about the largest and most impressive collection of his work anywhere in the world.
In terms of transport, for those who want to travel further than a simple stroll along the bank of the Thames to the Palace of Westminster or through St James Park to Trafalgar Square, Pimlico is well served. From Pimlico tube station it's possible to travel on the Victoria line, whilst Victoria station, a major transport hub in its own right, also offers access to the Circle and District lines. If you feel like sampling a more unusual mode of transport, on the other hand, then head for Millbank Millennium Pier. From here, you'll be able to catch a riverboat running to either Waterloo or Southwark.
If you're looking for a Pimlico escort to liven up your visit to this part of London, then look no further than the Black Label London escort agency. Our Pimlico escorts are everything you could hope for, and more. We pick and choose very carefully and that means we can guarantee not just the beauty of our models but also how friendly, warm and approachable they are. On top of this, all of our Pimlico escorts are multi-talented and devoted to giving their clients the best time possible. The service we provide is discreet and professional, and our Pimlico escorts, whether incall or outcall, are worth every single penny of the very reasonable rates we charge for their time.


With the weather changing for the better, many of us will be adding new pieces to our wardrobes over the next few weeks. If you find a great pair of pants or a really nice shirt that just needs to be shortened or tapered a little bit to become the perfect pair of pants or the perfect shirt, we're here to help. And now we've expanded our hours to accommodate your alteration needs with even more convenience. Stop in today to transform your great garment into the perfect garment for you!


text:
Sign up for the Verse of the Day.
And because He loved thy fathers, therefore He chose their seed after them, and brought thee out in His sight with His mighty power out of Egypt
And because he loved thy fathers, therefore he chose their seed after them, and brought thee out with his presence, with his great power, out of Egypt;
And because He loved your fathers, He chose their descendants who followed them, and brought you from Egypt with His Presence, with His great and awesome power,
And because He loved your fathers, He chose their descendants after them, and brought you out from Egypt with His own Presence, by His mighty power,
And because he loved thy fathers, therefore he chose their seed after them, and brought thee out in his sight with his mighty power out of Egypt;
Because he loved your ancestors, he chose their descendants after them and brought you out of Egypt by his presence and great power,
And because he loved your ancestors and chose their descendants after them, God brought you out of Egypt with his own presence, by his own great power,
Because he loved your ancestors, chose their descendants after them and brought you out of Egypt with his presence and great power,
The Lord loved your ancestors and decided that you would be his people. So the Lord used his great power to bring you out of Egypt.
And because he loved thy fathers, and chose their seed after them, he brought thee out with his countenance, with his great power, out of Egypt,
Because he loved thy fathers, and chose their seed after them. And he brought thee out of Egypt, going before thee with his great power,
"He loved your ancestors. That is why he chose you, their descendants. And that is why he brought you out of Egypt. He was with you and brought you out with his great power.
Yes, because he loved your fathers and chose their descendants after them, he brought you out of Egypt by the great power of his Presence,
And because he loved your fathers and chose their offspring after them and brought you out of Egypt with his own presence, by his great power,
Because the Lord loved your ·ancestors [fathers; Gen. 12:1–3], he chose you, their ·descendants [L seed], and he brought you out of Egypt himself by his great strength.
And because he loved thy fathers, therefore he chose their seed after them, and hath brought thee out of Egypt in his sight by his mighty power,
Because he loved your ancestors and chose their descendants, he was with you as he brought you out of Egypt by his great power.
Because he loved your ancestors, he chose you, and by his great power he himself brought you out of Egypt.
Because He loved your fathers, He chose their descendants after them and brought you out of Egypt by His presence and great power,
The Lord loved your ancestors. That is why he chose you, their descendants. He brought you out of Egypt himself by his great strength.
Moreover, he loved your ancestors, chose their descendants after them, and brought you out of Egypt, accompanied by his presence and great power,
And because he loved thy fathers, therefore, he chose their seed after them and brought thee out in his sight with his mighty power out of Egypt,
Because He loved your fathers, therefore He chose their seed after them. And He personally brought you from Egypt by His great power,
And because he loved your ancestors he chose their descendants after them. And he brought you forth from Egypt with his own presence, by his great strength,
"It was because he loved your ancestors and chose to bless their descendants that he personally brought you out from Egypt with a great display of power.
You were shown all this so that you would know that God is, well, God. He's the only God there is. He's it. He made it possible for you to hear his voice out of Heaven to discipline you. Down on Earth, he showed you the big fire and again you heard his words, this time out of the fire. He loved your ancestors and chose to work with their children. He personally and powerfully brought you out of Egypt in order to displace bigger and stronger and older nations with you, bringing you out and turning their land over to you as an inheritance. And now it's happening. This very day.
Because He loved your fathers, therefore He chose their descendants after them and personally brought you out of Egypt with His mighty power
For love of your ancestors he chose their descendants after them and by his presence and great power led you out of Egypt,
Because He loved your fathers, He chose their descendants after them. And He personally brought you from Egypt by His great power,
Because He loved your fathers, therefore He chose their descendants after them. And He personally brought you from Egypt by His great power,
It was because he loved your fathers and had chosen their descendants after them that he brought you out of Egypt before him by his great strength.
Because the Lord loved your ancestors, he chose you, their descendants, and he brought you out of Egypt himself by his great strength.
Moreover, because he loved your ancestors, he chose their descendants who followed them and personally brought you out of Egypt with his great power
He loved your people of long ago. He chose their children after them. So he brought you out of Egypt. He used his great strength to do it.
Because he loved your ancestors and chose their descendants after them, he brought you out of Egypt by his Presence and his great strength,
And because He loved your fathers, therefore He chose their descendants after them; and He brought you out of Egypt with His Presence, with His mighty power,
He loved your fathers, so He chose their children after them. He Himself brought you from Egypt by His great power.
Because he loved your ancestors, he chose to bless their descendants, and he personally brought you out of Egypt with a great display of power.
And because he loved your ancestors, he chose their descendants after them. He brought you out of Egypt with his own presence, by his great power,
And because He loved Avoteicha, therefore He chose their zera after them, and brought thee out in His sight with His ko'ach hagadol out of Mitzrayim;
And because he loved your fathers and chose their descendants after them, and brought you out of Egypt with his own presence, by his great power,
Because He loved your fathers, He chose their descendants after them. Then He brought you out from Egypt with His presence, by His great power—
Because He loved your ancestors, He's also committed to their descendants who came after them, and that's why He personally brought you out of Egypt by His own great power.
Because he loved your fathers, therefore he chose their offspring after them, and brought you out with his presence, with his great power, out of Egypt;
for he loved thy fathers, and chose their seed after them. And he led thee out of Egypt, and went before thee in his great strength,
`And because that He hath loved thy fathers, He doth also fix on their seed after them, and doth bring thee out, in His presence, by His great power, from Egypt:
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text:
How to profit from population growth
Chris Stott
Oct 9, 2017 – 12.15am
In 1990 Bob Hawke was prime minister, INXS was playing on the radio, the economy was in recession and there were just 17.2 million Australians. In the 27 years since then, the nation's population has surged more than 40 per cent to 24.5 million and is forecast to continue on its growth trajectory.
Australia's strong population growth brings fundamental economic and investment implications, including increased infrastructure and housing investment.
Global pattern
The number of Australians is growing at 1.6 per cent each year, ahead of the global population growth rate of 1.2 per cent a year. This equates to an increase of one billion people every 12 to 14 years, which will see the total global human population reach 10 billion by 2055, up from 7.6 billion today.
Australia's forecast population growth will increase demand for housing investment and government infrastructure spending. Jessica Shapiro
Just as significant as the massive increase in the global population are the likely changes over the next 50 to 100 years to the composition of the world's population, including Australia, in terms of age profile, location and levels of urbanisation.
Across most nations, falling fertility and mortality rates have led to higher average ages, with the proportion of elderly greater than the proportion of children.
A proportionally large aging population is now a worldwide phenomenon, particularly in developed nations. With scientific advancements helping to prolong life, this trend is set to continue. Remarkably, the average life expectancy of someone born in 1980 is now 100 years, while the first person to live to 150 years is already likely to have been born.
In the coming decades, the bulk of global population growth will be concentrated in developing nations, with half of forecast growth to be in Africa.
By 2050 Africa will have three times the population of Europe. Already, Africa's population is 1.2 billion versus Europe's 743 million although the two continents had equal populations in 2000.
With an average birth rate of 5.6 children per woman, Nigeria in West Africa is predicted to become the third most populous nation on earth by 2050, behind India and China. With the steady decline in Chinese birth rates, India is on track to overtake China as the world's most populated nation within the next six years.
Australian trends
Australia reflects many of these population trends. But unlike most developed nations, we have a relatively high rate of population growth.
Australia's growth has been accelerating, particularly in recent decades, with the population increasing almost 20 per cent in the last decade alone.
This increase has been driven largely by high levels of net overseas migration, which accounts for 60 per cent of population growth. Latest data shows that over the year to March, overseas migration increased sharply, up 26.9 per cent or more than a quarter of a million, to post the highest annual increase on record.
Victoria's population is expanding at the fastest rate among all states and territories, with net overseas migration jumping 27.7 per cent over the last year. Victoria is expected to continue growing, with Melbourne on track to takeover Sydney as Australia's largest city within the next 20 years.
Taking into account variable rates of births, deaths and net migration, modelling by the Australian Bureau of Statistics predicts Australia will be a nation of between 35.7 million and 45.4 million by 2056.
Investment implications
With the population forecast to increase by more than 20 million in the next four decades, there are a range of economic and government policy implications for Australia.
Continued population growth will drive Australia's economy as consumption increases and governments' revenue bases are expanded as more people pay taxes.
The increasing population will also stimulate the economy across a number of sectors, particularly housing and infrastructure. With more Australian residents, particularly in the capital cities, there will be greater demand for residential property. Similarly, state and federal governments will need to meet increased infrastructure needs through investment in major projects, such as roads, public transport, schools and hospitals.
Australia's forecast population growth will increase demand for housing investment and government infrastructure spending, and these sectors will remain key contributors to Australia's economic growth into the future.
Businesses in these sectors, such as residential property developers and construction companies, will be influenced by this major demographic trend for many years to come.
Listed companies positively exposed to Australia's increasing population include residential developers Peet and Cedar Woods Properties, engineering and infrastructure management company Downer EDI, construction contractor Cimic, engineering firm RCR Tomlinson and building and property company Lend Lease.
Chris Stott is chief investment officer of Wilson Asset Management. Entities managed by Wilson Asset Management own shares in Peet Limited and Lend Lease.
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This post categorized under Rings and posted on February 28th, 2017.
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Checking your coverage is eazy peazy! Just type your zip code in the space below!
Blue Fire Broadband is your source for finding out the availability of wireless Internet providers by zip code. Committed to bringing you high speed Internet choices no matter where you live in the United States or where you go, Blue Fire Broadband brings you true choice in high speed Internet. We specialize in bringing lightning fast Internet service to areas that have limited service options.
To find out what plans Blue Fire Broadband has available in your area simply enter your zip code.


If you've ever walked barefoot in winter in a warm carpet floor you know the feeling of comfort they bring home. In many parts of the world are indispensable in our country but we have always placed tile or wood flooring, and now this soil type is again the rage.
Before we fill our house carpet we take a look at the different types of textiles we can find to choose the most appropriate version.
We can find in the market are those made ??from natural fibers such as wool or cotton, flax or coconut fiber. But if we focus on these materials have to be aware that those pile carpets are easier to maintain, something very important.
We can also find synthetic polyamide floors have the advantage to repel stains and water due to its plastic coating, this is the most practical option in terms of a perfect maintenance is concerned, well, being synthetic have a wide range of ideas decorative choice.
Finally there are the mixed soils, linking the quality characteristics of natural fibers and synthetic practicality.
This entry was posted in Flooring and tagged floor design and decor, Textile floor. Bookmark the permalink.


The Wisynco Family has grown exponentially over the years, and have weathered many challenges together: each making us stronger along the way. Through it all, we have been led by the guiding principles of our founding fathers, who maintained that our priorities in life should be God first, Family second, Country and then Company.
The Team came up with the acronym C.H.I.R.P. which speaks to the values of Compassion, Humility, Integrity, Respect, and Passion. These guiding principles define the Wisynco Way by which all Wisynco employees strive to live. This speaks not only to who we are as a people but how we treat others and our environment. This is also evident by Wisynco's adoption of recycling as a part of its company culture. There is 100% compliance on all three Wisynco's campuses and at sponsored or custom events.


In the opening sequence of Shinji Aoyama's My God, My God, Why Hast Thou Forsaken Me? two men wearing protective masks and goggles walk along a beach. For the first several minutes of the film, not a word is spoken between them. Using extreme long shots, Aoyoma shows the vast empty landscape the men are traveling across as the soundtrack plays somewhat eerie droning music over the sounds of the wind blowing and waves crashing. Soon a saxophone chimes in as the two men explore a tent. We see a shot of a kitchen table still containing food as flies buzz around it, another shot of exposed legs of a supposed corpse, a hole in the tent, and a photograph of a family. After exploring the tent the two men begin rummaging through the junk that is lying around. The next several sequences show the men interacting with different objects to create different sounds as they record them. Mizui releases a deck of cards into the wind while Asahara turns the dial of an old radio that can't find a signal as static blares from it. They also discover a hose-like tube that creates a whistling hum when twirled around. In the following scene it is revealed that the men are noise musicians. Mizui attaches the pieces of the tubing to an umbrella and then attaches that to a fan, thus creating his own unique instrument.
Aoyama shows us the process by which these musicians manipulate their environment to create music which is equally important to the finished product itself and the ephemeral listening experience. Later we discover that an epidemic that is causing people to kill themselves, known as the Lemmings Syndrome is causing the deaths of millions of people worldwide. Despite the existence of this life altering disease, Asahara, who actually has the disease, and Mizui don't seem to concern themselves with it much at all. The filmmaker doesn't linger on this aspect of the film as much as we would suspect either. There are brief shots of dead bodies on the sides of the road, and hanging from telephone poles, but the major focus is really on the music. Aoyama gives us long extended scenes where the musicians are performing or composing their art. Natsuishi thinks that there is a link between the music of Stepin Fetchit and a cure for Lemmings Syndrome, so he takes his granddaughter Hana to their home to seek their help.
The idea of the music being a dreamlike transcendental experience able to cure a disease that causes suicidal tendencies and breeds on misery is an interesting concept. Following Asahara's sudden death, Mizui explains to Hana that "it comes down to the will to recover." Navi says she doesn't think about death and has no fear of it. So how does the music factor into this? Perhaps Aoyama is inferring the interaction with and creation of art is a means of hope and distraction from death. During the final musical performance, there is a shot of Mizui playing his guitar which is overlapped by another shot of a bird flying in the air. This juxtaposition seems to be linking music with freedom. After his performance he tells Hana that "like music, you and I are a dream." This film uses minimal dialogue, meticulous pacing, stark open landscape, and more to create an experience and mood, more than a strong narrative, much like dreams and music do.


It's the first Gift Guide of the season! Yay! My most requested from you guys was a Gift Guide for Him. I have included a few things I have bought the men in my life in previous years, as well as a few things I will definitely be buying this year!
I have the women's version of the L.L. Bean Boots and love them. I have worn them hiking, through rivers, in the snow, etc and they have been extraordinarily durable. I have also been wanting to get my boyfriend a new and smaller (than his huge L.L. Bean) travel bag and love this one. It's simple, classic, and masculine. I also bought these gloves two years ago for my boyfriend and he has gotten so much use out of them (they are flannel lined!). Let me know if you have any questions or are looking for gifts at a lesser or greater price point!
For this look since I was on vacation I wanted to have fun, but still be comfortable. I chose to pair these sneakers that they sent me with my favorite dress I purchased this past summer. I also didn't want to carry a heavy tote, so I opted to use my wallet as a clutch. I walked all over Palm Beach in the shoes and they were super comfortable like I had hoped! For my vacation, I was able to shop at some of my favorite stores, and relax at the beach. My favorite part of the vacation was getting to see the blue water (the water at the Savannah beach is not blue or clear at all). I also love the palm trees they have in South Florida. They are very different from the ones I am used to here.
For my Thanksgiving break, I will be using most of my time firstly studying for finals and working on a research project. Then secondly, creating some more blog content. My most requested gift guide on Instagram was for boyfriends/dads/brothers/husbands, so I have already started working on that!
Quick blurb about the outfit, and then I want to share with you guys 5 things: I bought this gorgeous romper from Free People earlier this summer and have been waiting for the right weather to wear it because it is slightly heavier. I love that it's so different from most of the rompers I see people wearing. It's chic and artsy, looking perfect for an adventure abroad or a cover up out on a boat. I kept the accessories minimal and used my FAVORITE bag: the Longchamp Le Pliage (I'll be doing a post on it later). The Le Pliage was the first purse I ever bought myself years ago and I love that it will never go out of style. Also, I LOVE these sandals. I bought them as soon as Steve Madden released them and they go with everything. They remind me of these Hermes sandals, without being too similar and not nearly the price tag.
Okay on to the fun stuff! I wanted to share with you all 5 pieces of news and/or information about me since I haven't posted in a hot minute!
1) In school I am currently working on a research project and I am loving it! It started as an extra credit assignment (never turn extra credit down!!), and I am enjoying it so much, it may carry into next semester.
2) My skin is amazing right now! I have had acne ever since I can remember (and I don't mean little bumps, I mean the full blown cystic acne). I have been fortunate enough that my skin doesn't scar, however it has never been truly clear. Well today people, it is totally clear! I was gifted a Clarisonic over the summer, and between that and a few products I have tried at Sephora, I seem to have found the winning combo.
3) I have a new favorite coffee: This coffee from Walmart. It's low calorie, but tastes like the original version!
5) Lastly, I will be visiting Palm Beach soon and I cannot wait! I went for the first time over Spring Break and loved it. I'll be sharing tons of the photos on Instagram, so stay tuned.


text:
Тысья — топоним в России. Распространён в Рязанской области.

 Тысья — остановочный пункт, бывшая станция Московской железной дороги на линии Рязань — Шилово.
 Тысья — река, правый приток Оки.
 Тысья — посёлок станции в Спасском районе, входит в Собчаковское сельское поселение.

redpajama_set_name: RedPajamaWikipedia


text:
package org.kuali.kpme.core.api.assignment;

import java.util.List;

public interface Assignable {
    static String ASSIGNABLE_TERM_NAME = "Assignments";
    List<Assignment> getAssignments();
}

redpajama_set_name: RedPajamaGithub


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Since 1977, the family-owned Mendocino Mustard company has been producing mouthwatering mustard with assertive heat and robust flavor. The combination makes for a fantastic addition to any meal, but better yet, this gourmet mustard is also kosher! Made in small batches, the jar of Seeds & Suds combines real Red Seal Ale with their signature spicy mustard for a totally unique and delicious taste!
You can also find this included in our Wine Country's Finest gift box with other delectable items from California's wine country.


I like your awesome website design and your food content. I am a food lover and love making muffins on weekends when time allows me to make muffins.
I took a look at your blog and -although you don't have much content yet- it is really nice. Keep it up!


text:
The French Horn at Sonning is a hotel and restaurant on the banks of the River Thames next to the Sonning Backwater Bridges, at Sonning Eye, Oxfordshire, England.  The hotel includes a number of riverside cottages that are now used as rooms for hotel clients. There is an old, rusty iron gate with the name of the hotel within the ironwork on the path by the river opposite Sonning Bridge.

Notable clientele included the film director and restaurant critic Michael Winner (died 2013), who has used the location as a film set.  It has also featured in the books of Dick Francis.

Close by is The Mill at Sonning, now a dinner theatre. On the opposite Berkshire bank over the main Sonning Bridge is another riverside hotel and restaurant, the Great House at Sonning.

See also
 Great House at Sonning
 Mill at Sonning

References

External links
 The French Horn at Sonning website

Hotels in Oxfordshire
Restaurants in Oxfordshire
Sonning
Buildings and structures on the River Thames


text:
classdef MicroscopeActionCapture < YMicroscope.MicroscopeAction
    % a simple class for single image capture and saving
    %   Yao Zhao 11/9/2015

    properties (SetAccess = protected)
        issaving
    end

    methods

        % constructor
        function obj=MicroscopeActionCapture(microscope,image_axes,hist_axes)
            obj@YMicroscope.MicroscopeAction('capture',...
                microscope,image_axes,hist_axes);
%             obj.issaving = false;
            obj.issaving = true;
        end

        % start action
        function start(obj)
            % get status
            status = obj.microscope_handle.getStatus();
            if strcmp(status, 'idle')
                % call super
                start@YMicroscope.MicroscopeAction(obj);
                % start camera
                obj.microscope_handle.camera.prepareModeSnapshot();
                % set exposure
                obj.microscope_handle.camera.setExposure(...
                    obj.microscope_handle.lightsource.exposure);
            end
            if obj.issaving
                % create tiff
                obj.file_handle.fopen(obj.microscope_handle.camera.getTiffTag());
            end
        end

        % end acquisition
        function img = run(obj)
            % set up
            obj.start();
            % get status
            status = obj.microscope_handle.getStatus();
            if strcmp(status, 'capture')
                obj.microscope_handle.setLight('always on');
                img=obj.microscope_handle.camera.capture();
                display('capture a new image')
                if ishandle(obj.image_axes)
                    axes(obj.image_axes);
                    obj.drawImage(img);
                end
                obj.microscope_handle.setLight('off');
            else
                if ishandle(obj.image_axes)
                    img = getimage(obj.image_axes);
                    display('capture image on UI')
                else
                    img = obj.microscope_handle.camera.getLastImage();
                    display('capture image from last required')
                end
            end
            %histogram
            if ishandle(obj.hist_axes)
                axes(obj.hist_axes);
                obj.drawHist(img);
            end
            % saving
            if obj.issaving
                obj.file_handle.fwrite(img);
            end
            % clean up
            obj.finish();
        end

        % end acquisition
        function finish(obj)
            if obj.issaving
                % close tiff
                obj.file_handle.fclose(obj.microscope_handle.getSettings);
            end
            % get status
            status = obj.microscope_handle.getStatus();
            if strcmp(status, 'capture')
                finish@YMicroscope.MicroscopeAction(obj);
            end
        end

        % set is saving option
        function setIssaving(obj, val)
            obj.issaving = val>0;
            notify(obj, 'IssavingDidSet');
        end

        % get event display for ui
        function dispstr=getEventDisplay(obj,eventstr)
            switch eventstr
                case 'ObjectBeingDestroyed'
                    dispstr='default';
                case 'DidStart'
                    dispstr='Capturing';
                case 'DidFinish'
                    dispstr='Capture';
                case 'IssavingDidSet'
                    dispstr=[];
                otherwise
                    warning(['no events has been set for: ',eventstr]);
                    dispstr=[];
            end
        end

    end

    events
        IssavingDidSet
    end

end


Thursday, July 12, 2018	7:30 p.m.
Eric Johnson's stature as one of the premier guitar players in contemporary music is his artistic trump card, backed by a Grammy Award and five nominations, a platinum album, Top 10 hits such as "Cliffs of Dover," and praise from critics and the esteem of his peers. But the full hand of his talents marks him as well as a gifted songwriter, dynamic live performer, singer, pianist, song interpreter, and creator of a rich and diverse musical legacy.
Johnson's myriad and distinctive musical gifts are vividly evident on his aptly titled new album, Up Close, released on his own Vortexan Music label via EMI Distribution. The new fifteen-track disc finds the noted master craftsman cutting loose, roaming through variations on the rock, blues, pop, country and jazz all found at the core of his sound, pushing the dynamic range of his artistry, and mixing it up with such friends and peers as guitarists Jimmie Vaughan and Sonny Landreth and guest singers Steve Miller, Jonny Lang, and Malford Milligan.
That vitality and vivid musicality brims from such hook-filled numbers as the hard-rocking instrumentals "Fat Daddy" and "Vortexan" and the driving vocal song "Brilliant Room" (sung by Milligan). "Gem" is splashed with bright and painterly six-string colors, "Soul Surprise" finds Johnson weaving a picturesque tapestry of both his guitar and piano gifts, and "Arithmetic" summons up a swirling and spectral kaleidoscope of guitars, keyboards, and Johnson's singing.
Eric Johnson plays guitar the way Michelangelo painted ceilings: with a colorful vibrancy that's more real than life.


text:
AN NCS VIDEO PREMIERE: DEVIANT PROCESS — "UNCONSCIOUS" AN NCS PREMIERE: NOMINON — "SUBMIT TO EVIL"
WORMED: "KRIGHSU"
(DGR reviews the new album by Spain's Wormed.)
If there is one overriding theme in a bunch of my reviews here at NCS, it has been a want to describe much of the death metal genre's method of musical devastation on a cosmic scale. In lieu of the gore-splattered viscera that often seems perfect for describing the various collections of intestines that death metal often romps around in, I've found that planetary annihilation, destruction of universes, and universal phenomena have time and time again been perfect for drawing allegories when writing around the differing arsenals of blast beats and guitar-fire trench-runs that many death metal bands get up to.
I have been recently trying to change this up a bit. I know that constantly seeing the same descriptors over and over again can make it seem like authors have copy+paste notebooks next to them when writing reviews. But there is one band for whom I feel I must make an exception, and that is Spain's sci-fi brutal death metal architects Wormed — because Wormed are death metal on a cosmic scale, and nothing would be more fitting as a descriptor of the gamma rays of a dying star destroying a nearby galaxy than an album by Wormed; that could be what has happened within even one of their songs.
Plus, up until 2013's Exodromos, it's not as if we could pretend this was an opportunity that would present itself frequently. But coming in hot three years later is Krighsu, Wormed's late-March followup to Exodromos, and it promises a return to the maddening sci-fi machinations of a band who occupy their own realm of hammering death metal, with a helping of growls so low they could rumble the Earth.
Krighsu is actually a concept disc — though you initially wouldn't know it if you were just to expose yourself to the blast furnace of music. The album actually begins with a series of crashing guitar segments that one could quickly equate to the start of a Behemoth song, before the band settle into a hefty groove that allows vocalist Phlegeton to roar over the top of it. The album's opening song "Psuedo-Horizon" is probably one of the kinder ones, in terms of the word-salad song titles that comprise much of Krighsu, but it is also a damned good intro, not only to the tempo of death metal that Wormed like to play (lightspeed), but also to the sort of grooves that the band tend to stick with (monolithically heavy, neutron-star dense). Within the span of one song Wormed switch between different segments at the drop of a hat, displaying an almost voracious appetite for mind-bendingly fast guitar sections before just as quickly switching to the next inhuman batch of growled-out segments of song.
Krighsu is partially an exercise in absolute dissonance with a machine-like quality, and the musicians within Wormed play that up to the fullest. The drumming has that hyper-precise, piston-like quality that is often equated with tech-death, and Wormed inhabit a realm in between that is all their own. They are partially brutal death, partially technical death metal, and they often combine the two to create a violent atmosphere of roiling winds. Phlegeton's vocal style is extremely low and often grunted in two- to three-word sentences. Album closer "Molecular Winds" is one of the few examples of a song that really feels lyrics-driven. More often than not, the man is just as percussive as Wormed's low end.
There exists a concept in end-of-the-world scenarios involving nanotechnology that is often referred to as the "grey-goo" scenario. Website Exit Mundi — which for a brief period in the mid-2000s archived dozens of end-of-the-world scenarios — has an article based on the idea that nanotechnology could one day devour all matter in the universe. I bring this up in part because Krighsu deals in somewhat similar subject matter, with songs like "The Singularitarianism" and "Computronium Pulsar Nanarchy" drawing a picture of a much wider expanse than what you might initially expect from the brutal beatings that Wormed are delivering song after song.
More often than not, it feels like the tech-death genre's fascination with science fiction and philosophical subject matters can be boiled down to the image of an old man with a beard waving his hands in the air warbling, "SpaaAAAAAAAAAAAAAAAAAAAAaaaaaaaAACE," over and over. Wormed have lyrical passages such as:
Roboethics sophistication
Autonomous decision. Purely mechanically
Lethal and unethical warfare
Replacement for human soldiers
Neutralize a threat: human life
At the very least, it feels like they are the masters of their own bullshit, god be damned if you initially understand it through that massive growl or not.
Given Wormed's penchant for what is essentially mechanized warfare in song form, it isn't shocking that Krighsu contains very few segments where you can catch your breath. In general, Krighsu is an extinction-level assault from front to back. Even the times when you get a breather, as on the track "57889330816.1" — which unfortunately is not a song, much as I would kill to see someone yell that title whilst playing it live — usually come at the end of a nuclear-assault song like "A-Life Omega Point", or in the case of our massive-collection-of-numbers track above, spills into one like the hammering "Zeroth-Energy Graviton".
A trip with Krighsu is not a trip recommended for the weak, because like a lot of brutal-death albums, Krighsu is a massive, dense disc that does not let up. It has a pretty short run-time that actually loops rather quickly, but the music contained within is like being pressed to death under lead weights. Thirty-five minutes feels like it goes by in the blink of an eye, but it is probably one of the most vicious blinks that you will have had in some time.
Krighsu is a wave of destruction that radiates outwards, leaving nothing but razed foundations in its path. The band contribute mightily to the creation (or destruction) of a massive universe, and in some ways the listener is nothing but a lone sputnik-sized object floating through it, hoping not to be caught in the gravity well of the next song — lest they be crushed to death by just how heavy Krighsu is.
Krighsu is out now and available on Bandcamp:
http://www.wormed.bandcamp.com/album/krighsu
http://www.wormed.net
https://www.facebook.com/wormed/
Krighsu by Wormed
Posted by Islander at 11:36 am Tagged with: DGR, Wormed
3 Responses to "WORMED: "KRIGHSU""
JMSchief says:
This is definitely an early contender for album of the year.
ZackCrownInitiate says:
2016 is shaping up be an insanely good year for brutal death metal , with this as well as new albums from Abominable Putridity, Katalepsy, Abnormality, Xenomorphic Contamination, Brutus, Unfathomable Ruination and possibly even Defeated Sanity!!
Kanger says:
This album is beyond brutal. So good.


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text:
Minnis: Thank God for His many blessings
LocalMarch 16, 2018March 16, 2018 at 5:03 am Sancheska Brown
Prime Minister Dr. Hubert Minnis. (BIS Photo)
Prime Minister Dr. Hubert Minnis applauded the church on Thursday for its commitment "to ministering to the poor, the sick, the indigent, the lonely, the depressed and those suffering from various addictions."
Addressing the Church of God of Prophecy's Bi-Annual Conclave at East Street Tabernacle, Dr. Minnis said the church "is a great community harvest which gives witness to God's Love and the life and the ministry of Jesus Christ."
"This community harvest is an overflowing harvest of the generosity, empathy and love of the many thousands of volunteers in The Bahamas who serve their communities in ways known and unknown," he said.
"I think of the social outreach programmes and the spiritual healing provided by many churches in our country, and I think of the children, the youth and family ministries which help in the spiritual growth of our people."
Dr. Minnis also encouraged the citizenry to become involved in various ministries.
"I heard the story of a woman who joined her church choir. She admitted she was not the best singer, but she joined because the choir needed members. She joined because she wanted to praise and worship the God who sustains her every day. She joined because she wanted to find a way of giving back to her church," he said.
"I wish to encourage more Bahamians to become involved in various ministries and to make more bountiful the community harvest of talent which the church needs to sustain itself and which the church offers to our community."
He thanked the Church of God of Prophecy for its service to the nation and said it is his hope that during this conclave Bahamians from all walks of life can "celebrate all that is good in our midst and thank God for his many blessings."
Always a headline ahead, Bahamas news, Eyewitness News, www.ewnews.com
About Sancheska Brown
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Thanks to an API update released today, Instagram is introducing post scheduling to business profiles – finally. The well awaited feature was the thorn in the heel for many community managers and marketers throughout the recent years. Now, after lots of thgird-party attempts to provide the service and so many failures and broken hearts along the media marketing business circles, the social media itself have released what we've all been waiting for.
Content Publishing Beta [NEW] – Available to Facebook Marketing Partners and Instagram Partners only. Post an image to Feed with or without a caption.
While many have expected the feature to be rolled out in Instagram itself, instead, the support is being added to Instagram's API – this means that third-party social media software applications like Hootsuite, Sprout Social or SocialFlow will now have access to the functionalities added, which they can then add to their own products. Instagram says the API is available to all of Facebook's Marketing Partners and Instagram Partners.
"It's always been very time-consuming to create Instagram posts," SocialFlow CEO Jim Anderson told TechCrunch. "That's not necessarily a problem for individual consumers, but when you're a media company that creates more than 100,000 posts a month, it's simply impossible to do everything manually." Well, at least, it's something. We'll be happy to use the feature with Hoot Suite and other apps we use to keep you updated, that's for sure.


I hope I'm paid alot of money for reading it.
Apple and indieWIRE are proud to present Filmmaker Talks at the Apple Store SoHo during the 2007 Tribeca Film Festival. Get a peek behind the scenes from some of the industry's leading filmmakers as well as emerging directors. Come to Apple Store SoHo to hear these filmmakers share their stories: Joel and Ethan Coen, Julie Delpy, David Holbrooke, John Dahl, Mary Harron, Edward Burns, John Canemaker, Matthew Modine, Marc Forster, Tribeca Film Festival Student Filmmakers, and DJ Spooky.
All events are free and seating is on a first come, first serve basis, so be sure to arrive early. For store directions, please visit www.apple.com/retail/soho.
Joel and Ethan Coen - April 27, 4:00 p.m.
Hear Oscar-winning filmmakers Joel Coen and Ethan Coen talk about their filmmaking experiences, including how they used Final Cut Pro to edit their films "Intolerable Cruelty," "The Ladykillers," and the upcoming "No Country for Old Men."
if any other xixaxers are planning to attend let me know. i'm probably going to take a half day at work so i can go.
I think it might make more sense to take the full day. By 8am, there's going to be a huge line, don't you think?
thats a good question. i really have no idea. i've seen Aronofsky and Gondry there and it wasnt too bad. i will head over there at 2 probably, but my girlfriend has the day off and could be there earlier if needed. but if you're going at 8am you can hold us 2 spots.
If I can get the full day off, I will and I will.
i can't get time off. enjoy.
Unfortunately, I can't either. Have fun, mod. Sorry I can't hold a spot in line.
that's too bad. i'll let you guys know how it is.
that was fun. sambong and (former xixaxer) mutinyco were there too. it was sweet because we didnt have to wait out front like for most events, they just let us sit through the previous presentation inside and didn't kick us out or anything.
you've made a career of doing original stories for your films and only recently have taken on a slew of adaptations, someone elses screenplay for Intolerable Cruelty, the existing film of The Ladykillers and the book for No Country For Old Men. is there anything that prompted the move towards adapting others material?
but someone asked a variation on that question which was something along the lines of do they feel a difference in doing adaptations or original stories and they said it was basically the same. i was lucky enough to get my Raising Arizona and Big Lebowski dvd's signed by the pair but neither seemed very thrilled to do so! i can't remember if i learned anything new neccesarily during this Q&A, but it was still fun and interesting.
-they mentioned To The White Sea being the only script they ever wrote without any humor in it, and it being the only script they couldn't get made.
-they said that they looked more for lighting to create a texture and mood from a cinematographer more than camera placement because while they can figure out basically where to shoot something lighting is a complete mystery to them. like acting.
-they write and edit together in the same room. ethan types. for editing ethan marks up a scene and passes them to joel by dinging a hotel bell and joel roughly assembles the scene. if he doesnt like it he'll go through the takes and try to find something that works.
-they said that editing on an apple is not that different to them than editing on film. but that they don't plan to shoot digital anytime soon because the technology is not there yet. they've seen some work more successfully than others but unless you want 'that look' for your film there is no reason to shoot that way.


Jordon Powell, 20, Chef de Partie at South Lodge Hotel, clinched first place in the prestigious awards despite being one of the youngest in the competition - and he will now have a chance of international glory later in the year in Canada when he competes against the title holders from many other countries.
The winning line-up was announced at a glittering ceremony at the Dorchester in Park Lane, London, on Friday March 22 and attended by many well-known names in Hospitality including chef judges Daniel Galmiche, Paul Wright, Daniel Ayton and Ben Purton.
Jordon said: "This is a fantastic result as I was up against very stiff competition.
"But chef contests have always been an important part in my career. I love them, and am very excited to be going to Canada in September, to represent Great Britain.
"It won't be a holiday, so I intend to take every opportunity offered between now and then to learn and train.
Testing their creativity and practical talent, the GB chef finalists were asked to cook a three-course meal for four in three and a half hours, using compulsory ingredients notified beforehand, and enhanced by a 'mystery box' opened at the start of the cook-off in the kitchens of Unilever House, Leatherhead.
Each dish was then judged against strict criteria of taste, presentation and originality.
Philip Evins, Bailli Délégué for the Chaîne des Rôtisseurs said: "The young talent that we have in the UK has never been stronger and we believe it vital to support and develop skills and techniques that help us 'futureproof' the Hospitality Industry as consumers look for new inspiration and experiences.
"The Chaîne des Rôtisseurs' Young Chef Competition was developed to support rising young stars and give them a platform to showcase their skill and passion for the industry.
South Lodge has an impressive record in this competition, having produced not one but two winners of the Young Chef of the Year title in the past five years – 2014's Ricky Weston, now Sous Chef at Whatley Manor in Wiltshire and Jordan Kerridge in 2016, about to rejoin The Stafford in London.
Jordon Powell is a case in point. A local Horsham lad, he started as a 'Saturday boy' at South Lodge at the age of 12, where working along talented chefs at 15 he was inspired to become an apprentice at Westminster Kingsway College.
He returned to South Lodge on graduating, and after short spells in other kitchens to gain experience and became Chef de Partie last year.
As the Chaîne des Rôtisseurs GB Young Chef of the Year 2019, Jordon now goes forward to represent Great Britain in the organisation's international finals taking place in Calgary, Canada, from September 17 to 22.
To help him prepare, he gets a stage at the Royal Lancaster Hotel in London, work experience at Anton Mosimann's prestigious London club, and a week in one of Holland's top Michelin starred hotels, De Bloemenbeek.


Howe, Texas -- Peggy Jean Housewright went to be with the Lord on Tuesday, February 5, 2019, surrounded by her two loving sons and daughter-in-law. She was born August 15, 1942 in Collinsville, Texas to Homer & Opal Todd. Peggy was a longtime resident of Howe, Texas, where she raised her two sons and was a member of the First Baptist Church located in Howe.
Peggy leaves behind her son, Terry Housewright; daughter-in-law, Joanna Housewright; granddaughter, Grace; grandson Trenton; son, Keith Housewright; daughter-in-law, Jill Housewright; granddaughter, Courtney Orloff; grandsons, Aston & Nick Hayes; and great-grandson, Jude Hayes. She also leaves behind many family and friends who will all miss her dearly.
Services for Peggy will be held at 10:30 a.m. Saturday, February 9, 2019 at the First Baptist Church of Howe; burial will follow at Hall Cemetery in Howe. The family will receive friends from 6:00 p.m. to 8:00 p.m. at Scoggins Funeral Home in Van Alstyne, Friday, February 8, 2019.


The intent of web design is to create a web site (a collection of Dynamic or Static electronic files residing on one or more web servers) that presents content (including interactive features or interfaces) to the end user in the form of web pages once requested. Such elements as text, forms, and bit-mapped images (GIFs,JPEGs, PNGs) can be placed on the page using HTML, XHTML, or XML tags.
Displaying more complex media (vector graphics, animations, videos, sounds) usually requires plug-ins such as Flash, QuickTime, Java run-time environment, etc.
Plug-ins are also embedded into web pages by using HTML or XHTML tags. Improvements in the various browsers` compliance with W3C standards prompted a widespread acceptance of XHTML and XML in conjunction with Cascading Style Sheets (CSS) to position and manipulate web page elements.


I really enjoy photography, and with my camera I can capture things in the nature I find interesting.
Usually it's a movement, a repetition of some sort or a color combination that I like. Many of my photos works both as inspiration and as a first sketch for future projects.