and there was something else. What was that again? Oh, yes, Cats have Tails! Now this is one last chance to add personality to your cat. Don't think Leggies and armies can add character? Take a look in my gallery: See "Costumes Folder"
I'm looking to raise the money to buy a wig and I'm offering some cheap commissions until I can get that amount.
Salmagundi-Sweet has started a donation pool!
Anyone who donates any points will get a nice mention in my journal and a link back to their page. Anyone who donates 20 points gets a quick digital sketch. Anyone who donates more than 20 points can contact me and get a points commission if those are currently open.
D: Hi!! :3 I was wondering if you knew the dude with red hair's name that was at your booth at the last con. XDD He gave me his card for his dA account but I totally can't find it now. I don't know WHERE it went.
Also! C: Did you enjoy Derby City?
Sorry for the very long delay in replies. Eventually I'd love to do all of the adults as kids.
has invited you to join the group!
Hi! A couple of our admins had a look around your wonderful gallery, and we saw that you draw some Hetalia. We'd love to invite you to our group, LoveMyHetalia. Here you can submit anything to do with Hetalia, and get some recognition.
Hi :3 just saw your gallery and i really luv your Disney like drawing style soo smooth and bold very cute too are you taking trades atm?
I do take trades, but I'm a little slow.
You, sir/ma'am, are very talented.


text:
Blyth Removals
Carlisle Removals
Durham Removals
Gateshead removals
Gosforth removals
Hexham Removals
Morpeth removals
Northumberland Removals
South Shields removals
Sunderland Removals
If you are moving in Carlisle and looking for an efficient, friendly removals company, then Britannia George Bernard Shaw can help. We are a family owned removals company, providing removals and storage services to suit all kinds of customers in Carlisle and the surrounding areas.
About Carlisle
Carlisle's located near the England-Scotland border means it has witnessed turning points in history. However, today it is Cumbria's capital and England's largest city by area. The city sits on the doorstep of both the Lake District and Hadrian's Wall and Carlisle Castle is a formidable presence which overlooks the city.
Over the coming years, Carlisle wants to increase its population and establish itself as a university city. For this reason, moving to Carlisle now could be of great benefit for the future as the city develops and flourishes further.
Moving to Carlisle
With a history dating back over 2000 years, it is not surprising that Carlisle is rich with period properties. Stanwix, just across the river from the city centre, has every type of property imaginable; from quaint terraces to Georgian and Victorian family sized properties. A lot of the popular residential areas, such as Warwick Road, Chatsworth Square, and Dalston Road, benefit from easy access to the city centre whilst sitting in leafy avenues.
For those looking to buy a detached property, buyers should have a minimum budget of £300,000 for a large property, and £130,000 for a modest detached home. Townhouses are upwards of £200,000 whereas semis tend to fetch a minimum of £70,000. Terraced homes, ideal for first time buyers, have asking prices between £60,000 and £200,000. Flats start at £50,000.
If you are interested in renting in Carlisle, one and two bed flats hover between £300 and £400 pcm, whereas three-bed family sized homes are upwards of £400 pcm, escalating to a minimum of £750 pcm for larger or detached homes.
Schools in Carlisle
There are just three primary schools in Carlisle. However, parents are welcome to send their children to schools in the local towns and villages if they wish. Armathwaite School, St Bede's RC Primary School, and Stanwix School were all awarded 'good' in their latest Ofsted reports.
Secondary schools are not as strong in Carlisle. Both Newman Catholic School and Richard Rose Central Academy 'require improvement' according to Ofsted, and Richard Rose Morton Academy is 'inadequate'. However, the saving grace is Trinity School, which is 'good'.
Students wanting to carry on their studies can attend Carlisle College.
Transport Links Carlisle
Congestion in the city centre is rife, car parks are limited, and there are no Park & Ride schemes in place. There are talks of a bypass to alleviate this. However, getting out of Carlisle is no issue, with the M6 just to the east.
Carlisle Citadel railway station has eight platforms and there are direct services to London Euston, Glasgow Central, Birmingham New Street, Newcastle Central, as well as a number of more local and regional stations.
If you would like a quote or more information then please get in touch or use the quick quote form at the top of the page.

redpajama_set_name: RedPajamaCommonCrawl


We have registered and skilled nurses that will provide home health care nursing needs. The home environment can make you heal and recover faster which is why we encourage independence and purposefulness. When providing Long Term Care in Aurora, Colorado, our nurses provide the highest level of technical expertise, competence, and compassion to ensure effective and quick recuperation. Nursing visit services are ideal for those of you who have been recently discharged from the hospital but still require close monitoring by skilled healthcare professionals to assist you as you get back to your daily routine.
Our registered nurses are more than capable of handling these plus other complex services in Skilled Nursing. To know more about our nursing visit services, do not hesitate to contact us at 1-720-370-6772.


text:
Maine is vaccinating younger kids against COVID-19 at twice the national rate
by Jessica Piper December 2, 2021 December 2, 2021
Cameron Strout, 10, left, Maxwell Strout, 7, center, and Samuel Hinrichs, 7, right, hold up their vaccination cards outside of the Brewer Walgreens where they got the COVID-19 vaccine on Nov. 7, 2021 <a href:"https://bangordailynews.com" link here. Credit: David Marino Jr. / BDN
AUGUSTA, Maine — Maine is vaccinating young children against COVID-19 faster than almost any other state amid high case levels and fears about the omicron variant, which was first detected in the U.S. on Wednesday.
A month after the Pfizer COVID-19 vaccine was approved for children between ages 5 and 11, 29 percent of Maine kids in that group have received at least one dose, according to data from the Maine Center for Disease Control and Prevention. That is nearly double the national rate of 15.1 percent.
It provides some reason for optimism that vaccines will help curb the spread of COVID-19 in Maine, as transmission among children has been a significant driver of cases this fall. But even for kids who have already gotten the vaccine, it will be a few more weeks until protection kicks in, and Maine continues to see significant disparities between counties.
Only two states — Vermont and Massachusetts — have a higher vaccination rate among newly eligible children than Maine. New England states occupy the top four spots in terms of vaccination rates, and five out of the top 10.
Despite Maine's high overall vaccination rate, some counties remain much lower, however. While nearly half of kids in Cumberland County have already had at least one dose, according to state data, just 8 percent in Piscataquis County have.
Although COVID-19 poses less of a risk for children than it does for older people, young kids can still contract and spread it, and occasionally become very ill. In the first three weeks of November, Maine saw more than 1,300 COVID-19 cases among children between ages 5 and 9, already a record for any single month and nearly 12 percent of overall cases in the state during that time period.
Maine CDC Director Nirav Shah said Wednesday that six children were then hospitalized with the virus, including two in intensive care units. Maine has set several hospitalization records in the past few weeks.
Unvaccinated children have been disportionately affected by the delta variant surge here, which has accounted for nearly all cases over the past few months. Health officials are now concerned about the omicron variant as well, saying it could be more transmissible than delta.
Shah said Wednesday it is "only a matter of time" before the new strain arrives in Maine, but cautioned more data were needed.
Tagged: coronavirus, vaccines
Previous It's not just you, the common cold is worse this year
Next How to find the perfect binoculars for bird watching


Hello there! I'm a 22-year-old journalism major at Cal Poly.
I have experience writing for school papers and copy editing a local town paper, and would really love to pursue feature writing in the future.
I've been reading comics for years and I'm really excited to get to geek out about them with you. I also have about a year and a half of barista experience that heavily emphasized tastings of coffee and tea.
The original concept for the blog came from a class brainstorming session that where I was stuck between wanting to blog about comics or about coffee and tea. A few classmates suggested just doing both — it reminded them of drinking coffee over the newspaper comic strips in the morning — and here we are. While the bulk of the blog will be about starting and comics and reading them more easily, a weekly post will feature two or more comics and a coffee or tea that helps tie the two together. They should set a mood and make your reading just that much more enjoyable.
I'd love to hear your suggestions for comics, coffee or tea any time so make sure to send me a message!
You can also find me @michellenistic on WordPress, Twitter and Instagram.
You can find my writing portfolio on Contently.
What pairs well with Deadpool?
Okay, I might be a little biased because I really do love Peet's. But Major Dickason's Blend suits him, I think. It's a strong dark roast with a lot of complex and overlapping flavors that works with the serious to funny blend of Deadpool comics.


Jay Ingram (Canadian author): Jay Ingram CM, BSc, MSc is a Canadian author and broadcaster. He was host of the television show Daily Planet, which airs on Discovery Channel Canada, since the channel's inception in 1995. Ingram's last episode of Daily Planet aired on June 5, 2011.


Yokohama Rubber will launch two new tyres in Europe- the Geolandar M/T G003 and the BluEarth-4S AW21. The Geolandar M/T G003 is a Mud Terrain Tire for SUVs and Pickup Trucks. The sales of this tyre will begin from this spring. The tyres, to be introduced to specific country markets sequentially, will be available in 23 sizes, from 20-inches to 15-inches with POR (Professional Off-Road) stamped on the tires' sides. The same tyre has been sold in the United States since July 2017.
The European sales of its all-season passenger-car tyre BluEarth-4S AW21 will start from this autumn. It will be the first Yokohama all-season passenger-car tyre to be introduced to the European market. The tyre will be available in over 30 sizes, ranging from 255/50R19 107W to 175/65R14 82T. The Company plans to gradually expand the lineup of available tyre sizes.
The Geolandar M/T G003 is a total upgrade from its predecessor, featuring a new tread pattern, side design, profile, construction and rubber compound, all based on technological feedback received from participants in the most-demanding off-road races around the world. The tread pattern includes large mesh lug grooves and sequential sipes that help the tire achieve excellent traction on various off-road surfaces, Yokohama said.
The BluEarth-4S AW21 incorporates Yokohama's latest winter-tyre technologies to provide drivers with outstanding performance on icy and snowy winter roads as well as excellent dry and wet performance under more normal driving conditions. The tyre also features a newly developed tread pattern that features an optimal balance of edge area and surface contact area. The use of several advanced technologies, such as Divergent V-grooves and Crossing Narrow Grooves, deliver superior performance on ice, snow and wet road surfaces. Besides, the tyre's large shoulder blocks and All-season Sipes deliver reliable performance on dry roads as well, a statement from the company said.


What more needs to be said? At last, the climbing English sport of the world's best white landscape rose is available. It has all the great qualities of Iceberg in a vigorous Climber. Blooms on old wood only. Flowers more on established plants. Clean.


text:
Roster Shenanigans
Maple Leafs want to recondition Petr Mrázek
With Petr Mrázek about to be sent to the Marlies, it's time to re-learn the differences between the two types of conditioning loans.
By KatyaKnappe Dec 2, 2021, 8:00am EST
Share All sharing options for: Maple Leafs want to recondition Petr Mrázek
Photo by Claus Andersen/Getty Images
The Maple Leafs have assigned goaltender Petr Mrázek to the Toronto Marlies (AHL) on an LTIR conditioning loan.
— Leafs PR (@LeafsPR) December 3, 2021
By doing this today, as you can learn below in the rules about LTIR loans, he can stay with the Marlies for their Sunday game only without an extension. Saturday's game has been postponed. There is also an opportunity for him to get in a lot of practice time while the Leafs are on the road.
Update number two:
Mikheyev will travel with the team this weekend, Keefe says. Not expected to play but to get integrated with the group again.
— David Alter (@dalter) December 3, 2021
This may mean he's going right back into the NHL without a conditioning loan, which is likely easier for him, since they can play him on the fourth line to ease him in.
Keefe says as Mrázek ramps up toward his return, the plan will be to get him in some games with the Marlies (Conditioning stint)
— David Alter (@dalter) November 30, 2021
Both Petr Mrázek and Ilya Mikheyev have missed most or all of the regular season, and won't be able to just jump back in the lineup. They both could end up in the AHL on a conditioning stint, so it's time to re-learn how this works.
Conditioning Loans
There are two types of conditioning loans. If a player is on IR, where they count against the salary cap, and are getting ready to return to playing action, or if they just get scratched a lot, they can go on a regular conditioning loan.
This standard form of the loan lasts for 14 consecutive days. The player is sent to the AHL, plays in whatever games he's assigned and then returns to the NHL at the end. His salary is paid as if he's in the NHL, and the player counts against the salary cap and the 23-man roster limit — whereas on IR he does not. A team has to have the kind of cap situation that allows for enough players as extras to make this possible.
The Commissioner has the right to investigate the circumstances of any loan, so teams cannot use the loan to evade waivers or the salary cap. Players must consent to conditioning loans as well.
The other type of loan is for players on LTIR. In this case, the player stays on LTIR while in the minors. One slight caveat is that, for teams operating with a lot of cap space, they don't benefit from invoking LTIR for players, and very occasionally someone who was never on LTIR is loaned under these rules. The crucial point is that this loan is for a player who has been out of playing action for 10 games and 24 days (the LTIR minimums).
The player must consent to this loan, and he is paid like he's in the NHL still. While on this loan, the player remains on LTIR.
The loan lasts for up to six days and three games, and either maximum will trigger the end of the loan. This loan is used to determine a player's fitness to return off of LTIR, not to keep a rarely used player in shape. Teams are allowed to ask for an extension of two more games, and that happens often.
Just like in the first type of the loan, the Commissioner can investigate at any time to ensure the loan is legitimate.
Marlies Schedule
The Marlies just had their Saturday game postponed due to schedule disruptions caused by other teams' Covid outbreaks. This means that if Mrázek were to be sent down this weekend, which I think might be the plan, six days only covers the Sunday game and the one on Friday, December 10. That might be enough for a goalie.
If Mikheyev needs to go to the minors before his return, they might choose to wait until December 10, and then six days gets them three games in a row, or they could begin on the December 11, and have three games over that period. The weekend of December 10, 11 and 12 are road games however — the famous AHL three-in-three all played in different places. Is Ilya Mikheyev ready to sit in the Russian section of the Marlies bus for a gruelling roadie? Maybe he'd have fun.
Further complicating this, the Leafs move west on December 13 for four games running through December 19.
One extra wrinkle is the rules around the roster freeze which have to be navigated so that players can be sent down whenever these two actually come off of LTIR. That's a problem for another day when those dates come closer, however.
The Wiggle Room
All of this is a little easier than it seems, because while the rules around these loans, particularly the LTIR kind, are strict and Gary Bettman can always ask for proof a player should be on LTIR, there is nothing codified about returning to the NHL playing roster after the loan ends. So, a player can be absolutely fine and play six AHL games with great success, then return to the NHL and stay on LTIR until it's convenient to reinstate him.
The reality is the CBA just neglects to say you have to actually take the player off of LTIR if they're fit in the AHL. You can just take your time, wait for the medical clearance which any bureaucracy knows how to ensure takes the time it needs to take, and for a very brief time, you get to circumvent the cap.
The Leafs have tough decisions to make when both players are healthy, so it won't be surprising if they take their time.
In general the conditioning loan process is a simple, necessary one, that isn't shady or hinky or anything else. It does absolutely contribute to the ability of NHL teams to leave extra players sitting unplayed, however. You can create a doghouse in the pressbox more easily when you aren't going to physically destroy the player. You can have a backup goalie you never play when you can send him off for two weeks to the AHL two or three times a year.
But at the same time, legitimate injuries need careful management. Just ask Mrázek what happens if you play when you think you're ready, and you aren't.
When we have more information on when Mrázek and Mikheyev will return, and what the roster implications are, we'll cover that for you.


text:
Selenogorski (russisch ) ist der Name folgender Orte in Russland:
 Selenogorski (Kemerowo), Siedlung städtischen Typs in der Oblast Kemerowo

 Selenogorski (Samara), Siedlung in der Oblast Samara
 Selenogorski (Stawropol), Siedlung in der Region Stawropol
 Selenogorski (Twer), Siedlung in der Oblast Twer

redpajama_set_name: RedPajamaWikipedia


text:
package com.amcharts.impl;

import java.util.List;

import com.amcharts.api.IsFunction;
import com.amcharts.api.IsGaugeAxis;
import com.amcharts.api.IsGaugeBand;
import com.amcharts.jso.GaugeAxisJSO;
import com.google.gwt.core.client.IJavaScriptWrapper;

public final class GaugeAxis implements IJavaScriptWrapper<GaugeAxisJSO>, IsGaugeAxis
{
	private GaugeAxisJSO jso;
	private List<IsGaugeBand> bands;

	protected GaugeAxis()
	{
		jso = createJso();
	}

	public GaugeAxisJSO getJso()
	{
		return this.jso;
	}

	public void setJso( GaugeAxisJSO jso )
	{
		this.jso = jso;
	}

	//Learn: Very important to invoke $wnd.AmCharts.GaugeAxis() instead of just {} or GaugeAxisJSO.createObject()
	private native GaugeAxisJSO createJso() /*-{
		var gaugeAxis = new $wnd.AmCharts.GaugeAxis();
		return gaugeAxis;
	}-*/;

	/**
	 * Axis opacity.
	 */
	public final native double getAxisAlpha() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.axisAlpha;
	}-*/;

	/**
	 * Axis opacity.
	 */
	public final native void setAxisAlpha( double axisAlpha ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.axisAlpha = axisAlpha;
	}-*/;

	/**
	 * Axis color.
	 */
	public final native String getAxisColor() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.axisColor;
	}-*/;

	/**
	 * Axis color.
	 */
	public final native void setAxisColor( String axisColor ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.axisColor = axisColor;
	}-*/;

	/**
	 * Thickness of the axis outline.
	 */
	public final native double getAxisThickness() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.axisThickness;
	}-*/;

	/**
	 * Thickness of the axis outline.
	 */
	public final native void setAxisThickness( double axisThickness ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.axisThickness = axisThickness;
	}-*/;

	/**
	 * Opacity of band fills.
	 */
	public final native double getBandAlpha() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.bandAlpha;
	}-*/;

	/**
	 * Opacity of band fills.
	 */
	public final native void setBandAlpha( double bandAlpha ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.bandAlpha = bandAlpha;
	}-*/;

	/**
	 * Opacity of band outlines.
	 */
	public final native double getBandOutlineAlpha() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.bandOutlineAlpha;
	}-*/;

	/**
	 * Opacity of band outlines.
	 */
	public final native void setBandOutlineAlpha( double bandOutlineAlpha ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.bandOutlineAlpha = bandOutlineAlpha;
	}-*/;

	/**
	 * Color of band outlines.
	 */
	public final native String getBandOutlineColor() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.bandOutlineColor;
	}-*/;

	/**
	 * Color of band outlines.
	 */
	public final native void setBandOutlineColor( String bandOutlineColor ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.bandOutlineColor = bandOutlineColor;
	}-*/;

	/**
	 * Thickness of band outlines.
	 */
	public final native double getBandOutlineThickness() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.bandOutlineThickness;
	}-*/;

	/**
	 * Thickness of band outlines.
	 */
	public final native void setBandOutlineThickness( double bandOutlineThickness ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.bandOutlineThickness = bandOutlineThickness;
	}-*/;

	/**
	 * Array of bands - GaugeBand objects. Bands are used to draw color fills between specified values.
	 */
	public final List<IsGaugeBand> getBands(){
		return this.bands;
	}

	/**
	 * Array of bands - GaugeBand objects. Bands are used to draw color fills between specified values.
	 */
	public final  void setBands( List<IsGaugeBand> bands ){
		this.bands = bands;
		getJso().setBands( bands );
	}

	/**
	 * Text displayed below the axis center.
	 */
	public final native String getBottomText() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.bottomText;
	}-*/;

	/**
	 * Text displayed below the axis center.
	 */
	public final native void setBottomText( String bottomText ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.bottomText = bottomText;
	}-*/;

	/**
	 * Specifies if text should be bold.
	 */
	public final native Boolean isBottomTextBold() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.bottomTextBold;
	}-*/;

	/**
	 * Specifies if text should be bold.
	 */
	public final native void setBottomTextBold( Boolean bottomTextBold ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.bottomTextBold = bottomTextBold;
	}-*/;

	/**
	 * Bottom text color.
	 */
	public final native String getBottomTextColor() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.bottomTextColor;
	}-*/;

	/**
	 * Bottom text color.
	 */
	public final native void setBottomTextColor( String bottomTextColor ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.bottomTextColor = bottomTextColor;
	}-*/;

	/**
	 * Font size of bottom text.
	 */
	public final native double getBottomTextFontSize() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.bottomTextFontSize;
	}-*/;

	/**
	 * Font size of bottom text.
	 */
	public final native void setBottomTextFontSize( double bottomTextFontSize ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.bottomTextFontSize = bottomTextFontSize;
	}-*/;

	/**
	 * Y offset of bottom text.
	 */
	public final native double getBottomTextYOffset() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.bottomTextYOffset;
	}-*/;

	/**
	 * Y offset of bottom text.
	 */
	public final native void setBottomTextXOffset( double bottomTextXOffset ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.bottomTextXOffset = bottomTextXOffset;
	}-*/;

	/**
	 * Y offset of bottom text.
	 */
	public final native double getBottomTextXOffset() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.bottomTextXOffset;
	}-*/;

	/**
	 * Y offset of bottom text.
	 */
	public final native void setBottomTextYOffset( double bottomTextYOffset ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.bottomTextYOffset = bottomTextYOffset;
	}-*/;

	/**
	 * "X position of the axis, relative to the center of the gauge."
	 */
	public final native String getCenterX() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.centerX;
	}-*/;

	/**
	 * "X position of the axis, relative to the center of the gauge."
	 */
	public final native void setCenterX( String centerX ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.centerX = centerX;
	}-*/;

	/**
	 * "Y position of the axis, relative to the center of the gauge."
	 */
	public final native String getCenterY() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.centerY;
	}-*/;

	/**
	 * "Y position of the axis, relative to the center of the gauge."
	 */
	public final native void setCenterY( String centerY ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.centerY = centerY;
	}-*/;

	/**
	 * Axis end angle. Valid values are from - 180 to 180.
	 */
	public final native double getEndAngle() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.endAngle;
	}-*/;

	/**
	 * Axis end angle. Valid values are from - 180 to 180.
	 */
	public final native void setEndAngle( double endAngle ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.endAngle = endAngle;
	}-*/;

	/**
	 * Axis end (max) value
	 */
	public final native double getEndValue() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.endValue;
	}-*/;

	/**
	 * Axis end (max) value
	 */
	public final native void setEndValue( double endValue ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.endValue = endValue;
	}-*/;

	/**
	 * "Number of grid lines. Note, GaugeAxis doesn't adjust gridCount, so you should check your values and choose a proper gridCount which would result grids at round numbers."
	 */
	public final native double getGridCount() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.gridCount;
	}-*/;

	/**
	 * "Number of grid lines. Note, GaugeAxis doesn't adjust gridCount, so you should check your values and choose a proper gridCount which would result grids at round numbers."
	 */
	public final native void setGridCount( double gridCount ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.gridCount = gridCount;
	}-*/;

	/**
	 * Specifies if grid should be drawn inside or outside the axis.
	 */
	public final native Boolean isGridInside() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.gridInside;
	}-*/;

	/**
	 * Specifies if grid should be drawn inside or outside the axis.
	 */
	public final native void setGridInside( Boolean gridInside ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.gridInside = gridInside;
	}-*/;

	/**
	 * Unique id of an axis.
	 */
	public final native String getId() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.id;
	}-*/;

	/**
	 * Unique id of an axis.
	 */
	public final native void setId( String id ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.id = id;
	}-*/;

	/**
	 * Specifies if labels should be placed inside or outside the axis.
	 */
	public final native Boolean isInside() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.inside;
	}-*/;

	/**
	 * Specifies if labels should be placed inside or outside the axis.
	 */
	public final native void setInside( Boolean inside ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.inside = inside;
	}-*/;

	/**
	 * Frequency of labels.
	 */
	public final native double getLabelFrequency() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.labelFrequency;
	}-*/;

	/**
	 * Frequency of labels.
	 */
	public final native void setLabelFrequency( double labelFrequency ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.labelFrequency = labelFrequency;
	}-*/;

	/**
	 * You can use this function to format axis labels. This function is called and value is passed as a attribute: labelFunction(value);
	 */
	public final native IsFunction getLabelFunction() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.labelFunction;
	}-*/;

	/**
	 * You can use this function to format axis labels. This function is called and value is passed as a attribute: labelFunction(value);
	 */
	public final void setLabelFunction( IsFunction labelFunction )
	{
		getJso().setLabelFunction( labelFunction );
	}

	/**
	 * Distance from axis to the labels.
	 */
	public final native double getLabelOffset() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.labelOffset;
	}-*/;

	/**
	 * Distance from axis to the labels.
	 */
	public final native void setLabelOffset( double labelOffset ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.labelOffset = labelOffset;
	}-*/;

	/**
	 * "Interval, at which minor ticks should be placed."
	 */
	public final native double getMinorTickInterval() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.minorTickInterval;
	}-*/;

	/**
	 * "Interval, at which minor ticks should be placed."
	 */
	public final native void setMinorTickInterval( double minorTickInterval ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.minorTickInterval = minorTickInterval;
	}-*/;

	/**
	 * Length of a minor tick.
	 */
	public final native double getMinorTickLength() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.minorTickLength;
	}-*/;

	/**
	 * Length of a minor tick.
	 */
	public final native void setMinorTickLength( double minorTickLength ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.minorTickLength = minorTickLength;
	}-*/;

	/**
	 * Axis radius.
	 */
	public final native String getRadius() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.radius;
	}-*/;

	/**
	 * Axis radius.
	 */
	public final native void setRadius( String radius ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.radius = radius;
	}-*/;

	/**
	 * Specifies if the first label should be shown.
	 */
	public final native Boolean isShowFirstLabel() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.showFirstLabel;
	}-*/;

	/**
	 * Specifies if the first label should be shown.
	 */
	public final native void setShowFirstLabel( Boolean showFirstLabel ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.showFirstLabel = showFirstLabel;
	}-*/;

	/**
	 * Specifies if the last label should be shown.
	 */
	public final native Boolean isShowLastLabel() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.showLastLabel;
	}-*/;

	/**
	 * Specifies if the last label should be shown.
	 */
	public final native void setShowLastLabel( Boolean showLastLabel ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.showLastLabel = showLastLabel;
	}-*/;

	/**
	 * Axis start angle. Valid values are from - 180 to 180.
	 */
	public final native double getStartAngle() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.startAngle;
	}-*/;

	/**
	 * Axis start angle. Valid values are from - 180 to 180.
	 */
	public final native void setStartAngle( double startAngle ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.startAngle = startAngle;
	}-*/;

	/**
	 * Axis start (min) value.
	 */
	public final native double getStartValue() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.startValue;
	}-*/;

	/**
	 * Axis start (min) value.
	 */
	public final native void setStartValue( double startValue ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.startValue = startValue;
	}-*/;

	/**
	 * Opacity of axis ticks.
	 */
	public final native double getTickAlpha() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.tickAlpha;
	}-*/;

	/**
	 * Opacity of axis ticks.
	 */
	public final native void setTickAlpha( double tickAlpha ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.tickAlpha = tickAlpha;
	}-*/;

	/**
	 * Color of axis ticks.
	 */
	public final native String getTickColor() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.tickColor;
	}-*/;

	/**
	 * Color of axis ticks.
	 */
	public final native void setTickColor( String tickColor ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.tickColor = tickColor;
	}-*/;

	/**
	 * Length of a major tick.
	 */
	public final native double getTickLength() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.tickLength;
	}-*/;

	/**
	 * Length of a major tick.
	 */
	public final native void setTickLength( double tickLength ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.tickLength = tickLength;
	}-*/;

	/**
	 * Tick thickness.
	 */
	public final native double getTickThickness() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.tickThickness;
	}-*/;

	/**
	 * Tick thickness.
	 */
	public final native void setTickThickness( double tickThickness ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.tickThickness = tickThickness;
	}-*/;

	/**
	 * Text displayed above the axis center.
	 */
	public final native String getTopText() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.topText;
	}-*/;

	/**
	 * Text displayed above the axis center.
	 */
	public final native void setTopText( String topText ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.topText = topText;
	}-*/;

	/**
	 * Specifies if text should be bold.
	 */
	public final native Boolean isTopTextBold() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.topTextBold;
	}-*/;

	/**
	 * Specifies if text should be bold.
	 */
	public final native void setTopTextBold( Boolean topTextBold ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.topTextBold = topTextBold;
	}-*/;

	/**
	 * Color of top text.
	 */
	public final native String getTopTextColor() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.topTextColor;
	}-*/;

	/**
	 * Color of top text.
	 */
	public final native void setTopTextColor( String topTextColor ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.topTextColor = topTextColor;
	}-*/;

	/**
	 * Font size of top text.
	 */
	public final native double getTopTextFontSize() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.topTextFontSize;
	}-*/;

	/**
	 * Font size of top text.
	 */
	public final native void setTopTextFontSize( double topTextFontSize ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.topTextFontSize = topTextFontSize;
	}-*/;

	/**
	 * Y offset of top text.
	 */
	public final native double getTopTextYOffset() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.topTextYOffset;
	}-*/;

	/**
	 * Y offset of top text.
	 */
	public final native void setTopTextYOffset( double topTextYOffset ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.topTextYOffset = topTextYOffset;
	}-*/;

	/**
	 * A string which can be placed next to axis labels.
	 */
	public final native String getUnit() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.unit;
	}-*/;

	/**
	 * A string which can be placed next to axis labels.
	 */
	public final native void setUnit( String unit ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.unit = unit;
	}-*/;

	/**
	 * Position of the unit.
	 */
	public final native String getUnitPosition() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.unitPosition;
	}-*/;

	/**
	 * Position of the unit.
	 */
	public final native void setUnitPosition( String unitPosition ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.unitPosition = unitPosition;
	}-*/;

	/**
	 * Specifies if small and big numbers should use prefixes to make them more readable.
	 */
	public final native Boolean isUsePrefixes() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.usePrefixes;
	}-*/;

	/**
	 * Specifies if small and big numbers should use prefixes to make them more readable.
	 */
	public final native void setUsePrefixes( Boolean usePrefixes ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.usePrefixes = usePrefixes;
	}-*/;

	/**
	 * "Interval, at which ticks with values should be placed."
	 */
	public final native double getValueInterval() /*-{
		return this.@com.amcharts.impl.GaugeAxis::jso.valueInterval;
	}-*/;

	/**
	 * "Interval, at which ticks with values should be placed."
	 */
	public final native void setValueInterval( double valueInterval ) /*-{
		this.@com.amcharts.impl.GaugeAxis::jso.valueInterval = valueInterval;
	}-*/;

	/**
	 * Sets bottom text.
	 */
	//	public native void setBottomText(String text)
	//	/*-{
	//		var gaugeAxis = @com.amcharts.impl.util.WrapperUtils::unwrap(Lcom/google/gwt/core/client/IJavaScriptWrapper;)(this);
	//		gaugeAxis.setBottomText(text);
	//	}-*/;

	/**
	 * 	Sets top text.
	 */
	//	public native void setTopText(String text)
	//	/*-{
	//		var gaugeAxis = @com.amcharts.impl.util.WrapperUtils::unwrap(Lcom/google/gwt/core/client/IJavaScriptWrapper;)(this);
	//		gaugeAxis.setTopText(text);
	//	}-*/;

	/**
	 * Returns angle of the value.
	 */
	public native double value2angle( double value )
	/*-{
		var gaugeAxis = @com.amcharts.impl.util.WrapperUtils::unwrap(Lcom/google/gwt/core/client/IJavaScriptWrapper;)(this);
		return gaugeAxis.value2angle(value);
	}-*/;

	public native void addBand( GaugeBand gaugeBand )
	/*-{
		var gaugeAxis = @com.amcharts.impl.util.WrapperUtils::unwrap(Lcom/google/gwt/core/client/IJavaScriptWrapper;)(this);
		if (gaugeAxis.bands == undefined) {
			gaugeAxis.bands = [];
		}
		var varGaugeBand = @com.amcharts.impl.util.WrapperUtils::unwrap(Lcom/google/gwt/core/client/IJavaScriptWrapper;)(gaugeBand)
		this.@com.amcharts.impl.GaugeAxis::jso.bands.push(varGaugeBand)
		//gaugeAxis.bands.push(varGaugeBand)
	}-*/;
}

redpajama_set_name: RedPajamaGithub


text:
Divine's Lost Underground Baltimore Movie-"Vacancy"
Posted on August 31, 2012 February 4, 2017 by rgmaier
Glenn Milstead, aged 12 years old, before his transformation into "Divine." Photo from Dreamlandnews.com.
My book, "Low Budget Hell: Making Underground Movies with John Waters" tells only parts of the story of my movie making adventures in the 1970s and 80s. This story tells of an attempted underground movie made by two academic Baltimore filmmakers shortly after the release of "Pink Flamingos" in 1972, in which Divine played a supporting role. Though, tragically, never finished, the filmmakers greatly assisted Waters with "Female Trouble," which they characterized as a "student film" so he could use facilities and students at the brand new film school at The University of Maryland Baltimore County.
After making real money from Pink Flamingos, John could move to the next movie, Female Trouble. His previous films had been made with the help of a moonlighting local TV news cameraman who would bring a "single-system" 16mm film camera to John's shoots and set the exposure while John filmed with the ungainly camera mounted with a brace on his shoulder. Single system film was designed strictly for news stories that cut from master scene to master scene and allowed only the most primitive editing.
John's technical guru during those early 16mm films was Pete Gary, who ran Baltimore's only 16mm film lab in a one-man operation. He kept his ancient film processing machines running with duct tape and paperclips. Pete had learned his trade at Baltimore's Pimlico race track, home of the Preakness. In the time before video tape, 16mm cameras shot each race, and if it was contested, Pete would quickly process the film in a small basement room at the track, so the judges could view a replay. This was Baltimore's "film industry" of the 1960s. Pete gambled there might be a bigger market in Baltimore with color TV coming in, so he invested in some equipment and opened shop in an old Govans diner, not far from where John had lived at the time.
Pete's big season was the fall, when dozens of local high schools brought him their 16mm football game films. A few industrial film producers, the busy new Maryland public TV station, and a handful of film students from local colleges like the University of Baltimore County, the Maryland Institute of Art, and Towson State University kept him afloat. John's occasional underground movies were a tiny fraction of the work.
Politically, Pete was an arch conservative libertarian, and his slick Elvis haircut plaid polyester shirts and khaki pants were a huge contrast with John's shoulder-length tresses and thrift-shop chic. Pete could have been very abrasive with the arty film students, John, and the public TV progressives, but he got along with everyone, patiently explaining the process of focus, exposure, film stocks, prints, tripods, lenses, lights, and editing, for John and Baltimore's few other novice filmmakers. Pete warmly welcomed new customers who were shooting more film and growing his business while he hoped for Baltimore to become a real movie production town.
Sound had always been a problem for John's films. Single system film was not meant for duplication and was a pain to edit. It is a miracle that Pink Flamingos survived with any sound. The single system news camera recorded sound on a thin magnetic strip on the side of the film. To add music or narration, John had to record directly onto the film. If he missed a cue, he would record over the original dialogue and it would be lost forever.
Though John vowed that he hated technology, he did want his films to look like the ones in movie theaters. He realized Pink Flamingos' bad sound was a problem to be addressed in Female Trouble. Pete patiently informed him that with "double system equipment" where the sound and picture were recorded and edited separately, John could lick the sound problems, and use the more standard technique of mixing music and effects over dialogue, and cutaways, the tools of real movie. He could shoot close-ups and cutaways, and structure in his films instead of recording scenes only in long master takes, without the risk of losing sound or picture during the edit.
This new double-system thing was beyond the abilities of the local TV station moonlighters, so having earlier processed the Vacancy footage,Pete recommended John contact UMBC's film department. They had the equipment John needed, and eager people who knew how to use it and were willing to work cheap.
But first came Vacancy. UMBC's equipment was barely out of the box before Lee (originally a painting teacher—turned filmmaker) and his buddy, Jochen, a square-jawed German who made training films at the U of M Nursing School, started their own feature film. It was funded by a rich suburban dentist who was smitten by the perks of movie making—the potential for easy girls, exotic intoxicants, wild parties, and the chance of becoming famous. It was the classic independent movie trio: a techie who could run a camera, a "visionary artist" who talked a good game, and a bored, horny dentist with money to waste.
Waters had already completed Pink Flamingos and in the grand tradition of the movie industry, the trio decided to rip off his ideas and success. Pink, like most of John's films had a basic conflict plot, but was mostly a slide show of weird people doing weirder things. John showed a new generation of filmmakers that with some movie-making gear, daring friends willing to take off their clothes for the camera, and a few rolls of film stock, you could make a movie that made headlines. You didn't need a sophisticated plot, since the visuals would be so shocking, people and the media couldn't resist. A professional cast wasn't needed, because John had shown that bad acting was a bankable element in the brave new world of underground movies.
In Lee's and Jochen's pot-infused creative meetings, a can't-fail idea for an underground movie was hatched. Called Vacancy, it was the story of daily life at a creepy no-tell motel. Each room featured a different bizarre activity. The scenes included an orgy, drug use, youthful angst, transvestitism, suicide, and one arty, meaningful scene where a woman laid out a soldiers' uniform on a bed and made love to it. Peep holes in each room let the manager spy on the goings-on, and he gave a running voice-over commentary that provided a thin connection between the acts. Lee and Jochen hired Divine for one day, to add a "name" actor. John was bothered that Divine, his big star, would consent to work in such an obvious rip-off of his work. But at that time, Pink wasn't making much money, and John couldn't afford an exclusive contract, much less bus fare for Divine. When the Vacancy producers offered him a few hundred bucks for a day's work, Divine jumped at it.
But Vacancy was doomed because the producers were college people. They couldn't make a commercial gory, perverse movie. It couldn't be just fun shocks and thrills, like John's films. It had to be a profound work of art.
Vacancy was shot in a few weekends. As it was edited, the filmmakers began to realize that a plot and decent acting were important features of a movie—especially one with arty aspirations. Disappointment surged through their small student crew who had worked their butts off for free. The disconnected footage wasn't even long enough to be called a feature film. Pretty soon the buzz was that Vacancy was in trouble, and virtually abandoned, which was a relief for John.
Lee and his pals worked on the feature for years. They found new angels to invest more money to shoot additional scenes so that a 90 minute film could be released. The final blow was when Charles (the editor of the final cut, as well as editor on three of John's films) tracked down the original film rolls preparing for an actual projection print. Unfortunately, the last investor had stored the originals in his attic, where summer temperatures exceeded 150 degrees. Every roll of film had melted into a solid plastic disc, like a gummy bear Frisbee, and there was now and forever, literally, no Vacancy at all.
An historic artifact for all Divine lovers and Waters scholars is gone.


text:
namespace crypto {
namespace tink {

using pybind11::google_tink::TinkException;

void PybindRegisterCcStreamingAeadWrappers(pybind11::module* module) {
  namespace py = pybind11;
  py::module& m = *module;

  // TODO(b/146492561): Reduce the number of complicated lambdas.
  m.def(
      "new_cc_encrypting_stream",
      // TODO(b/145925674)
      [](StreamingAead* streaming_aead, const py::bytes& aad,
         std::shared_ptr<PythonFileObjectAdapter> ciphertext_destination)
          -> std::unique_ptr<OutputStreamAdapter> {
        util::StatusOr<std::unique_ptr<OutputStreamAdapter>> result_stream =
            NewCcEncryptingStream(streaming_aead, std::string(aad),
                                  ciphertext_destination);
        if (!result_stream.ok()) {
          throw TinkException(result_stream.status());
        }
        return *std::move(result_stream);
      },
      py::arg("primitive"), py::arg("aad"), py::arg("destination"),
      // Keep destination alive at least as long as OutputStreamAdapter.
      py::keep_alive<0, 3>());

  m.def(
      "new_cc_decrypting_stream",
      // TODO(b/145925674)
      [](StreamingAead* streaming_aead, const py::bytes& aad,
         std::shared_ptr<PythonFileObjectAdapter> ciphertext_source)
          -> std::unique_ptr<InputStreamAdapter> {
        util::StatusOr<std::unique_ptr<InputStreamAdapter>> result_stream =
            NewCcDecryptingStream(streaming_aead, std::string(aad),
                                  ciphertext_source);
        if (!result_stream.ok()) {
          throw TinkException(result_stream.status());
        }
        return *std::move(result_stream);
      },
      py::arg("primitive"), py::arg("aad"), py::arg("source"),
      // Keep source alive at least as long as InputStreamAdapter.
      py::keep_alive<0, 3>());
}

}  // namespace tink
}  // namespace crypto


text:
Biden 'pauses' border wall, ends national emergency Trump declared to divert $10 billion from military
Xeni Jardin 4:22 pm Wed Jan 20, 2021
FILE PHOTO: Reuters, 2018
Incoming U.S. President Joe Biden has ordered a "pause" on construction of Trump's failed border wall, and has ended the bogus national emergency declaration Trump signed to divert $10 billion in military funds. It is not clear that Biden will have the authority to block completion of 200+miles already funded by Congress.
"The proclamation directs an immediate pause in wall construction projects to allow a close review of the legality of the funding and contracting methods used, and to determine the best way to redirect funds that were diverted by the prior Administration to fund wall construction," Biden's order states, without indicating how long the pause will last, reports the Washington Post:
The Trump administration completed 455 miles of new barriers along the Mexico boundary, an undertaking whose main achievement was the replacement of smaller, more permeable anti-vehicle barriers with imposing 30-foot-tall steel bars.
Many of the segments that remain unfinished are in South Texas, where much of the land where the government seeks to build is privately held along the Rio Grande's winding course.
The funding appropriated by Congress since 2018 is enough to pay for 298 miles of barrier, about 71 miles of which have been completed to date, according to the latest U.S. Customs and Border Protection (CBP) figures.
That would potentially oblige the Biden administration to complete as much as 227 additional miles of border wall, unless the contract review determines a way to block or cancel those segments, according to officials involved with the project who spoke on the condition of anonymity because they were not authorized to speak to reporters.
More: Biden orders a 'pause' on border wall construction, bringing crews to halt [washingtonpost.com]
Stopping the damage is not enough. We must work to repair all that's been destroyed. https://t.co/Zfy73oUZ9Z
— Laiken Jordahl (@LaikenJordahl) January 21, 2021
Border wall
Chinese streaming edition of Fight Club has new ending where state authorities triumph
The Bangkok Post reports that Fight Club is now available to stream in China, replete with a new ending that pleases the authorities there. Instead of The Narrator destroying/integrating his alter-ego and blowing up downtown Wilmington to cripple the finance industry… …the exploding building scene is replaced with a black screen and a coda: "The… READ THE REST
Rudy Guiliani and Mike Flynn lose honorary degrees
The University of Rhode Island gave honorary degrees to former New York mayor Rudy Guiliani and former U.S. Army lieutenant general Mike Flynn, both now among the most blatantly deranged Trump cronies. Yesterday, the University of Rhode Island revoked those degrees. The Committee's findings: · General Flynn pleaded guilty twice to a felony count of… READ THE REST
Mitch McConnell: "African-American voters are voting in just as high a percentage as Americans"
Yep, that's what he said. Video evidence below. Reporter: "What's your message for voters of color who are concerned that without the John L. Lewis Voting Rights Act they're not going to be able to vote in the midterm?" McConnell: "Well, the concern is misplaced, because if you look at the statistics, African American voters… READ THE REST


text:
Q: vue-js / asp.net core - ERROR : did you register the component correctly? I'm rather new to vue.js, so forgive me if it this is an uts-question :-)
The project is a asp.net core project were we integrated vue.js as a means to enrich the user-experience. In the past we used jQueru/jQueryUI. Given the ease of working we switched to vue.
I want to use this nice color picker component I downloaded from here https://www.npmjs.com/package/vue-swatches#install
I included the .js and .css file to my page and in my script I have already added successfully other components but the same method does not work for this one.
<div id="appointmentsvue" class="row">

    <select v-model="selectedCareprovider" v-on:change="onSelectedCareproviderChanged" class="form-control">
        <option v-for="careprovider in careproviders" v-bind:value="careprovider">
            {{careprovider.FullName}}
        </option>
    </select>
    <v-colorpicker v-model="selectedColor"></v-colorpicker>
</div>

<script src="https://cdn.jsdelivr.net/npm/vue/dist/vue.js"></script>

<link rel="stylesheet" href="/lib/vue-select/vue-select.css" />
<script src="/lib/vue-select/vue-select.js"></script>

<link rel="stylesheet" href="/lib/vue-swatches/vue-swatches.min.css" />
<script src="/lib/vue-swatches/vue-swatches.min.js"></script>

<script>
    let appointmentsvue = new Vue({
        el: '#appointmentsvue',
        components: {
            'v-colorpicker': VueSwatches.VueSwatches // https://saintplay.github.io/vue-swatches/
        },
        data: {
            selectedColor: '#AABBCC',
            careproviders: [],
            selectedCareprovider: {},
        },
        methods: {
            onSelectedCareproviderChanged: function () {
            },
            updateCareprovider: function () {
            },
        }
    });
</script>

I get this error after loading the page.

[Vue warn]: Unknown custom element:  - did you register
  the component correctly? For recursive components, make sure to
  provide the "name" option.

Any suggestions ?

A: I did not found a true answer that allowed me just to add the javascript files to my html pages and use those components.
I found a working solution by introducing webpack, usefull resources :
webpack beginners guide
vuejs and webpack from scratch
webpack and aps.net core

A: On the git-pages of this component I got a solution :
https://github.com/saintplay/vue-swatches/issues/37
A solution I used for other components too.

redpajama_set_name: RedPajamaStackExchange


For the second week in a row, the Florida State softball team advanced to the finals of a tournament they are hosting as they improved to 10-1 on the 2001 season. Senior pitcher Jennifer White-Strokes pitched a complete game two-hitter and raised her record to 3-1 and Kimmy Carter drove in four runs as the Seminoles downed the College of Charleston (2-4) by a count of 9-1 in five innings.
Florida State started the scoring in the first inning when leadoff hitter Serita Brooks singled and stole second base. Brooks advanced to third on Staci Brandon's single to the pitcher and Kimmy Carter doubled to plate Brooks. The RBI was Carter's seventh of the season and it was just the start of a big day for the junior from Palm Beach Gardens, FL.
After Charleston evened the game 1-1 in the top of the second, the Seminoles answered back in the bottom of the third with four runs. Brooks once again led off the inning with a single and recorded her team leading fifth stolen base as she advanced to second. Brandon singled and moved Brooks to third where she would score on a Charleston error. Brandi Stuart's single scored Staci Brandon and then Kimmy Carter scored on a walk to Jessica van der Linden. The Noles scored their final run of the inning when freshman Elisa Velsco was hit by a pitch with the bases loaded.
White-Stokes then scored on Jackie Hirschfeld's ground out to the shortstop. Carter then capped off her big day with a two-RBI single that scored Serita Brooks and Natalie Bennett and moved the Seminoles into the championship game at 2:00 p.m. FSU will face the winner of the game between Boston College (2-1) ad Kent State (1-2) which starts at 12:00 p.m. at the Seminole Softball Complex.


'Uma Conversa', completed in Lisbon in August 2016 during an art residency at Zaratan Arte Contemporânea, tried to establish a dialogue with the city of Lisbon so as to reflect about the concepts of light, the passing of time, fragility and silence, all in their relation to the urban space, through a series of images, abstract and metaphorical, taken from the everyday of the city.
In particular, the typical paving ('calçada portuguesa') covering the ground of Lisbon happened to be a tremendously eloquent element: a multiplier of light and a silent witness of the passing of time (a time it does not belong to anymore), slowly disintegrating in some parts to, perhaps, end up disappearing from the city in a distant future.
A selection of images was reproduced on displaced pieces of the 'calçada portuguesa' and then returned to the paving in selected places within Zaratan Arte Contemporânea neighbourhood. The result was documented through photography.


text:
import copy

from oslo_config import cfg

database_opts = [
    cfg.StrOpt('sqlite_db',
               deprecated_group='DEFAULT',
               default='oslo.sqlite',
               help='The file name to use with SQLite.'),
    cfg.BoolOpt('sqlite_synchronous',
                deprecated_group='DEFAULT',
                default=True,
                help='If True, SQLite uses synchronous mode.'),
    cfg.StrOpt('backend',
               default='sqlalchemy',
               deprecated_name='db_backend',
               deprecated_group='DEFAULT',
               help='The back end to use for the database.'),
    cfg.StrOpt('connection',
               help='The SQLAlchemy connection string to use to connect to '
                    'the database.',
               secret=True,
               deprecated_opts=[cfg.DeprecatedOpt('sql_connection',
                                                  group='DEFAULT'),
                                cfg.DeprecatedOpt('sql_connection',
                                                  group='DATABASE'),
                                cfg.DeprecatedOpt('connection',
                                                  group='sql'), ]),
    cfg.StrOpt('slave_connection',
               secret=True,
               help='The SQLAlchemy connection string to use to connect to the'
                    ' slave database.'),
    cfg.StrOpt('mysql_sql_mode',
               default='TRADITIONAL',
               help='The SQL mode to be used for MySQL sessions. '
                    'This option, including the default, overrides any '
                    'server-set SQL mode. To use whatever SQL mode '
                    'is set by the server configuration, '
                    'set this to no value. Example: mysql_sql_mode='),
    cfg.IntOpt('idle_timeout',
               default=3600,
               deprecated_opts=[cfg.DeprecatedOpt('sql_idle_timeout',
                                                  group='DEFAULT'),
                                cfg.DeprecatedOpt('sql_idle_timeout',
                                                  group='DATABASE'),
                                cfg.DeprecatedOpt('idle_timeout',
                                                  group='sql')],
               help='Timeout before idle SQL connections are reaped.'),
    cfg.IntOpt('min_pool_size',
               default=1,
               deprecated_opts=[cfg.DeprecatedOpt('sql_min_pool_size',
                                                  group='DEFAULT'),
                                cfg.DeprecatedOpt('sql_min_pool_size',
                                                  group='DATABASE')],
               help='Minimum number of SQL connections to keep open in a '
                    'pool.'),
    cfg.IntOpt('max_pool_size',
               deprecated_opts=[cfg.DeprecatedOpt('sql_max_pool_size',
                                                  group='DEFAULT'),
                                cfg.DeprecatedOpt('sql_max_pool_size',
                                                  group='DATABASE')],
               help='Maximum number of SQL connections to keep open in a '
                    'pool.'),
    cfg.IntOpt('max_retries',
               default=10,
               deprecated_opts=[cfg.DeprecatedOpt('sql_max_retries',
                                                  group='DEFAULT'),
                                cfg.DeprecatedOpt('sql_max_retries',
                                                  group='DATABASE')],
               help='Maximum number of database connection retries '
                    'during startup. Set to -1 to specify an infinite '
                    'retry count.'),
    cfg.IntOpt('retry_interval',
               default=10,
               deprecated_opts=[cfg.DeprecatedOpt('sql_retry_interval',
                                                  group='DEFAULT'),
                                cfg.DeprecatedOpt('reconnect_interval',
                                                  group='DATABASE')],
               help='Interval between retries of opening a SQL connection.'),
    cfg.IntOpt('max_overflow',
               deprecated_opts=[cfg.DeprecatedOpt('sql_max_overflow',
                                                  group='DEFAULT'),
                                cfg.DeprecatedOpt('sqlalchemy_max_overflow',
                                                  group='DATABASE')],
               help='If set, use this value for max_overflow with '
                    'SQLAlchemy.'),
    cfg.IntOpt('connection_debug',
               default=0,
               deprecated_opts=[cfg.DeprecatedOpt('sql_connection_debug',
                                                  group='DEFAULT')],
               help='Verbosity of SQL debugging information: 0=None, '
                    '100=Everything.'),
    cfg.BoolOpt('connection_trace',
                default=False,
                deprecated_opts=[cfg.DeprecatedOpt('sql_connection_trace',
                                                   group='DEFAULT')],
                help='Add Python stack traces to SQL as comment strings.'),
    cfg.IntOpt('pool_timeout',
               deprecated_opts=[cfg.DeprecatedOpt('sqlalchemy_pool_timeout',
                                                  group='DATABASE')],
               help='If set, use this value for pool_timeout with '
                    'SQLAlchemy.'),
    cfg.BoolOpt('use_db_reconnect',
                default=False,
                help='Enable the experimental use of database reconnect '
                     'on connection lost.'),
    cfg.IntOpt('db_retry_interval',
               default=1,
               help='Seconds between retries of a database transaction.'),
    cfg.BoolOpt('db_inc_retry_interval',
                default=True,
                help='If True, increases the interval between retries '
                     'of a database operation up to db_max_retry_interval.'),
    cfg.IntOpt('db_max_retry_interval',
               default=10,
               help='If db_inc_retry_interval is set, the '
                    'maximum seconds between retries of a '
                    'database operation.'),
    cfg.IntOpt('db_max_retries',
               default=20,
               help='Maximum retries in case of connection error or deadlock '
                    'error before error is '
                    'raised. Set to -1 to specify an infinite retry '
                    'count.'),
]

def set_defaults(conf, connection=None, sqlite_db=None,
                 max_pool_size=None, max_overflow=None,
                 pool_timeout=None):
    """Set defaults for configuration variables.

    Overrides default options values.

    :param conf: Config instance specified to set default options in it. Using
     of instances instead of a global config object prevents conflicts between
     options declaration.
    :type conf: oslo.config.cfg.ConfigOpts instance.

    :keyword connection: SQL connection string.
        Valid SQLite URL forms are:
          * sqlite:///:memory: (or, sqlite://)
          * sqlite:///relative/path/to/file.db
          * sqlite:////absolute/path/to/file.db
    :type connection: str

    :keyword sqlite_db: path to SQLite database file.
    :type sqlite_db: str

    :keyword max_pool_size: maximum connections pool size. The size of the pool
     to be maintained, defaults to 5, will be used if value of the parameter is
     `None`. This is the largest number of connections that will be kept
     persistently in the pool. Note that the pool begins with no connections;
     once this number of connections is requested, that number of connections
     will remain.
    :type max_pool_size: int
    :default max_pool_size: None

    :keyword max_overflow: The maximum overflow size of the pool. When the
     number of checked-out connections reaches the size set in pool_size,
     additional connections will be returned up to this limit. When those
     additional connections are returned to the pool, they are disconnected and
     discarded. It follows then that the total number of simultaneous
     connections the pool will allow is pool_size + max_overflow, and the total
     number of "sleeping" connections the pool will allow is pool_size.
     max_overflow can be set to -1 to indicate no overflow limit; no limit will
     be placed on the total number of concurrent connections. Defaults to 10,
     will be used if value of the parameter in `None`.
    :type max_overflow: int
    :default max_overflow: None

    :keyword pool_timeout: The number of seconds to wait before giving up on
     returning a connection. Defaults to 30, will be used if value of the
     parameter is `None`.
    :type pool_timeout: int
    :default pool_timeout: None
    """

    conf.register_opts(database_opts, group='database')

    if connection is not None:
        conf.set_default('connection', connection, group='database')
    if sqlite_db is not None:
        conf.set_default('sqlite_db', sqlite_db, group='database')
    if max_pool_size is not None:
        conf.set_default('max_pool_size', max_pool_size, group='database')
    if max_overflow is not None:
        conf.set_default('max_overflow', max_overflow, group='database')
    if pool_timeout is not None:
        conf.set_default('pool_timeout', pool_timeout, group='database')

def list_opts():
    """Returns a list of oslo.config options available in the library.

    The returned list includes all oslo.config options which may be registered
    at runtime by the library.

    Each element of the list is a tuple. The first element is the name of the
    group under which the list of elements in the second element will be
    registered. A group name of None corresponds to the [DEFAULT] group in
    config files.

    The purpose of this is to allow tools like the Oslo sample config file
    generator to discover the options exposed to users by this library.

    :returns: a list of (group_name, opts) tuples
    """
    return [('database', copy.deepcopy(database_opts))]


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Now that the blockbuster season of summer is in full swing it seems like movies are working their way into our Clizbeats coverage a bit extra these days. To see our case and point all you need to do is look at last week's short week of coverage. Despite being a 4 dayer that was thrown off by memorial day, we ended up covering either movie soundtracks, or music's role with movies like 3 times. Actually, 4 if you count Miguel's "Simplethings", which is part of the latest soundtrack from HBO's Girls. To make sense of it all, we figured the best approach was to give you a brief over view on each one.
In other movie music news, Seth MacFarlane's new comedic western, A Million Ways To Die In The West made its debut this weekend. While reception seems to be a bit mixed, all of us at Clizbeats have respected the artistic process he applies to all of his work, and enjoyed discussing how the film's music came about through collaboration between frequent Disney Film composers Joel McNeely, and Country superstar Alan Jackson. We think it's a good time, and hopefully you will too. Click here to check it out!
Lastly, Epic Records released info related to their Think Like A Man Too soundtrack at the end of last week. The most interesting thing to come out this news is that This time around, Grammy Award-winning R&B icon Mary J. Blige recorded an entire collection of music from and inspired by the film. Two of the film's standout tracks that Epic is pushing that Mary provides are a remake of Shalamar's hit "A Night to Remember" and the soundtrack's lead single "Suitcase." The rest of the soundtrack includes features from rappers The Dream and Ludacris, as well as fellow crooner John Legend. The soundtrack is out on the 17th. For any other related info click here.
Q&A with Australian pop rock band, At Sunset!
* LISTEN * to a Q&A with DAVID DUCHOVNY – Talks Debut Album Hell or Highwater, The X-Files, Aquarius and More!


<title>Zementfabrik</title>\n\nHier wird der Zement hergestellt, der für den Bau der Simutranshäuser gebraucht wird.
Concrete factory: Here the concrete for simutrans house is produced.
Most of them are like this. Maybe rather remove them than such disappointing texts.
Do you mean, remove the translations, or remove the items?
MAybe the german of pak64 is much better.
Finally had the time for a review... I think German is just a bad example, Czech and Indonesian have quite good texts.
I sometimes "clean up the mess", but not regularly. Last time it was beginning of the year.


July 22, 2015 – New York City – The "STOP IRAN RALLY," the largest, grassroots bipartisan American protest against the deal granting Iran a fast track to a nuclear bomb, will be held in Times Square on Wednesday, July 22, from 5:30 to 7:30 p.m. Thousands of Americans from all faith traditions, political interests and communities, including Christians, Muslims, Jews, registered Democrats and Republicans, LGBT, Iranian-Americans, and others will demand that Congress vote down the Iran deal.
Under the umbrella of the STOP IRAN RALLY COALITION, more than 100 organizations spanning the nation's political, religious and social spectrum will participate. A roster of preeminent experts from senior levels of the military, government, academic, and media establishments will speak at the rally.
"Strip away the administration's rhetoric and it's clear this deal gives the Mullahs – the world's foremost sponsors of terrorism, $150 billion in return for effectively nothing: no dismantlement of Iran's nuclear program; no anytime or anywhere inspections; no eradication of Iran's ballistic missile program; no maintenance of the arms embargo; and no halt to Iran's sponsorship of terror," said Jeffrey Wiesenfeld, STOP IRAN RALLY's co-organizer.
"The President publicly asserts that the U. S. 'will maintain our own sanctions related to Iran's support for terrorism, its ballistic missile program, and its human rights violations.' In reality, this deal removes the most severe terrorist sanctions in place against Iran for years; it removes the embargo on weapons sales to Iran against the explicit warnings of our own Secretary of Defense and head of the Joint Chiefs of Staff; it allows for Iran to continue developing its intercontinental ballistic missile program that can only have one mission – attaching nuclear warheads; it provides Iran with billions of unfrozen assets that Iran will surely pour into worldwide terrorism as it has done for 30 years; and it shamefully decouples any linkage to Iran's continuing imprisonment of an American Marine and four other American civilians not to mention its brutal suppression and execution of its own dissidents.
The STOP IRAN RALLY is coordinated by the STOP IRAN RALLY COALITION, a grassroots movement of volunteer citizens, in partnership with more than 100 organizations spanning the entire political, religious and social spectrum. More information can be found at www.stopiranrally.org. Follow updates about the rally on Twitter @stopiranrally and #stopiranrally.
Wednesday, July 22, 2015 from 5:30 to 7:30 p.m.


text:
Auto Notes - January 2019
Tue, 01/01/2019 - 1:11am admin
Jerold B. Smith
Changes at GM. In late November, Detroit-based General Motors (GM) made a surprise announcement that it would layoff 15 percent of its salaried workforce, plus shut down five production and assembly plants in Maryland, Michigan, and Ohio. The plant closures are scheduled for after December 2019, but personnel layoffs will generally occur earlier.
GM said its actions are based on receding car sales and the restructuring will save the company $6 billion in cash. The company also said the changes will allow GM to focus resources on self-driving and electric vehicles, plus more efficient crossovers, SUVs, and trucks.
Low selling cars that will be discontinued (produced in Ohio and Michigan plants) are the Chevrolet Impala, Cruze, and Volt; the Cadillac CT6; and the Buick Lacrosse. Ford announced some time ago that it would cease production on the Focus (May 2018), Taurus (March 2019), and Fiesta (May 2019). The midsize Fusion remains for a while, eventually leaving only the Mustang and Focus Active (produced in China) cars for the North American markets.
When President Trump announced international tariffs last summer, GM (as well as Ford and FCA) trimmed profit forecasts and warned that there would be fallout within the industry as the tariffs were "undermining GM's competitiveness against foreign auto producers by erecting broad brush trade barriers that increase our global costs."
Though the U.S. and China declared a truce on auto tariffs on Dec. 2, it's only for 90 days and not definitive about future tariffs on both new autos and auto-related parts.
Big show. The 2018 AutoMobilty and LA Auto Show in Los Angeles, Nov. 30 to Dec. 9, offered more than 60 global and North American vehicle debuts from dozens of automakers.
Some exciting introductions included the Rivian RS1 Electric SUV, 2020 Jeep Gladiator, Mercedes-Benz GT R Pro and GLE models, Mitsubishi e-Evolution Concept, Hyundai Le Fil Rouge concept, Porsche 911 GT2 RS Clubsport, Kia DUB K900 concept, BYTON M-Byte and K-Byte models, and dozens more.
Sales update. While we won't know year-end sales totals until Jan. 4, estimated 2018 U.S. sales remain at about 17 million light-duty units, close to 2017 total vehicles sold.
Overall, November 2018 sales were down slightly from 2017, the first time since 2009. There were mixed results from automakers: FCA up 17 percent (RAM trucks increased 44 percent over 2017, and Alfa Romeo was up 118.1 percent); Ford, Honda, Hyundai, Kia, Nissan, Toyota, and VW Group were all down; GM was up just over 1 percent; Mazda posted a modest increase in sales; and Subaru had its 84th consecutive month of yearly month-over-month growth. Analysts said higher interest rates and higher vehicle prices kept consumers from car and truck purchases.
Many cars, especially sedans, continue to lose out to SUVs, vans, and trucks, hence the discontinuance of GM and Ford cars noted above.
In memoriam. Michael L. Cook, 85, died Nov. 26, at his home in Wayne, N.J. Born in Winnipeg, Canada, in 1933, he was well known across North America and beyond as "the ultimate British car guy."
During his automotive career, Cook served in executive advertising and public relations positions for Rover, Land Rover, Austin, MG, Triumph, and Jaguar. He officially retired from Jaguar in 1991 as director of U.S. public relations, but he remained a weekly fixture (until his death) at Jaguar Land Rover (JLR) North American headquarters in New Jersey managing the JLR historical archives department that he helped create in the 1980s.
After leaving Jaguar full time, Cook published three books about Jaguars and Triumphs, was the editor of Jaguar Journal until 2015, the editor of Vintage Triumph Register until his death, plus he was a monthly columnist for Hemmings Sport & Exotic Car magazine.
A one-time Triumph racer, during his career he oversaw all motorsports and public relations for Triumph and Jaguar, from SCCA to Trans-AM racing, plus he was the publicist for numerous Triumph and Jaguar racing teams.
"Mike Cook loved working with our company and British cars so much that he dedicated his entire career to it," said Stuart Schorr, vice president of communications for JLR North America. "We are all honored to have worked with him."


We believe that to deliver high level care you need great facilities. Pure Physio has invested in space with two fully equipped rehabilitation gyms that provide a positive environment for recovery. We also have private treatment rooms where you can feel comfortable discussing your injury concerns.
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One issue with cloud centric applications is how to effectively and efficiently deploy the applications that provides elasticity or on-demand scalability. The IBM PureApplication System provides a unique way to scale Web applications according to traffic and performance, simplifying the deployment experience, and releasing the administrators from the manual and time consuming error-prone configurations.
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text:
module.exports = function _forEach(fn, list) {
    var idx = -1, len = list.length;
    while (++idx < len) {
        fn(list[idx]);
    }
    // i can't bear not to return *something*
    return list;
};


This bibliography is the result of a compilation of the main resources utilized during the development phase of ORBi. It is in no way complete. Highlighted here are some web sites and vital documents enabling a quick understanding of the Open Access movement and to follow up its current status. More ressources are available on the ULiège library website.
Ho, Adrian K., Bailey, Charles W. Open access webibliography, [online].
Harnard, Steven. Open Access Archivangelism, [online].
Inist-CNRS. Libre accès à l'information scientifique et technique. Actualités, problématiques et perspectives, [online].
Contains in particular reference texts and declarations concerning Open Access.
I Love Open Access. Arguments for Open Access [online].
Sparc. SPARC®, the Scholarly Publishing and Academic Resources Coalition, [online].
Swan, Alma. OptimalScholarship : Alma Swan's weblog: An occasional commentary on issues that affect the progress of scholarship, [online].
BioMed Central (2004). 11 "Mythes" de l'accès ouvert décodés. in BiblioAcid, la Revue, 1 (4): 21-28 [online].
Bosc, Hélène (2004).	La communication scientifique revue et corrigée par Internet, [En ligne].
Since January 31st 2006, this document is no longer updated but nevertheless offers a very good summary of the movement's evolution.
Franklin, J. (2002). Open Access to scientific and technical information: the state of the art. A report compiled for Inist Edam : ASFRA BV, [online].
Mahé, Annaïg. Libre accès à l'information scientifique : contexte et enjeux [online].
Suber, Peter. International list of "upcoming conferences" dedicated to the Open Access of online research results, [online].
Généraliser l'accès ouvert aux résultats de la recherche. 5èmes Journées du Libre Accès organisées par le consortium Couperin (24-25 janv. 2013 Paris-France) [En ligne].
BICTEL/e-ULiège: repository of the ULiège's electronic doctoral theses, [online].
CogPrints: open archive created by S. Harnad, [online].
OpenDOAR: directory of academic Open Access repositories, [online].
OpenAIRE : Open Access Infrastructure for Research in Europe [online].
Papyrus: institutional repository of the University of Montréal, [online].
RePEc - Research Papers in Economic, [online].
Plagiarism. University of Geneva. Network of research libraries, [online].
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text:
Weatherwatch
Scientists devise early thunderstorm alerts for fishermen in Africa
Team develops storm warning system based on satellite observations in hope of reducing boating deaths on Lake Victoria
Kate Ravilious
@katerav
Tue 29 Aug 2017 16.30 EDT Last modified on Mon 27 Nov 2017 12.49 EST
An 'overshooting top' protrudes above an anvil cloud, a sign of intense updrafts. Photograph: NOAA
Every year thousands of fishermen in east Africa are killed in boating accidents due to intense night-time thunderstorms that whip up unexpectedly on Lake Victoria. Now a new satellite-based forecast system may help to provide early warnings of the storms.
Lake Victoria, Africa's largest lake, is the perfect setting for brewing thunderstorms. During the day hot air rises over the land surrounding the lake (in Tanzania, Uganda and Kenya) creating onshore breezes. At night-time the opposite occurs, with air rising over the now warmer lake, pulling air offshore from the cooling land.
"As the lake is shaped like a circle, these land breezes from all directions converge above the lake. Add evaporation to this cocktail and you get a lot of storms, rain, wind, and waves," explains Wim Thiery, a climate scientist from ETH Zürich.
About 200,000 people fish in the productive waters of the lake and International Red Cross estimates suggest that every year between 3,000 and 5,000 fishermen die because of the violent storms.
Using regular satellite observations taken over the lake, Thiery and his colleagues spotted a strong statistical relationship between certain weather conditions and the probability of a storm. In particular the presence of "overshooting tops" – dome-like protrusions atop cumulonimbus anvil clouds – was associated with intense updrafts.
Writing in the journal Environmental Research Letters, Thiery and colleagues describe the model they have developed. It uses satellite observations to generate storm warnings several hours in advance, and the predictions are publicly available. Now the team is developing an automatic storm warning system, which will be published on Twitter and freely available to all.


A man had two sons. He went to the first and said "son, go work in my vineyard today." The son said "I will not," but later changed his mind and went.
The father went to the second son and said the same thing. The second son replied "I will," but then did not go. Which of the two sons did the will of his father?
Jesus used that story to try to get the leaders of the people to see their error. They were critical of Jesus for welcoming sinners they were critical because they thought they were better than the sinners.
The leaders of the people noted that the sinners were following Jesus, that Jesus welcomed them.
What had happened in the hearts and minds of the tax collectors and prostitutes? They had a change of heart and mind. They were turning from their sins and heading in a different direction. They were headed towards Jesus.
That's what God wants you to do when you see your sins. When you see that you have replied "I will not" to the father he wants you to change your mind.
Jesus welcomed sinners, he welcomes people just like you. So come to him and receive his love and forgiveness. Amen.