Since the introduction of the Canon Powershot G9 and it's associated underwater housing the WP-DC21, the G series of cameras have fast become the compact of choice for many scuba enthusiasts seeking their first foray into underwater photography. With it's affordability, excellent image quality and great ergonomics that allow an exceptional amount of manual control, many first time buyers find the G series a great learning platform before graduating to DSLRs. After shooting with the G11 and G12 for close to two years now, I have many tips and tricks that can help you capture hat perfect photo.
The latest variant of the G series, the G12, arguably encapsulates the yardstick against all the other premium compact cameras. While retaining all the desirable qualities of the G11, the G12 now has a dial at the front of the camera. This means that there is now a dedicated control surface for aperture, shutter speed, ISO and exposure, which allow true full manual controls that some DSLRs simply don't live up to. Additionally, the G12 features video recording in HD 720p resolution, so users can try their hand at underwater videography as well. Many underwater housing manufacturers have caught on to the camera's popularity, so there are a whole plethora of housings, lenses and accessories to suit every budget, which will help the user get the best out of this awesome camera.
The G12 is equipped with one of the sharpest lenses ever put on a compact camera. The fact that this lens has been used on the G series since the G10 and still holding it's own against the competition is a testament to it's optical quality.
The closest focusing distance on the G12 is 1cm. That means if you place the lens of your camera 1cm away from the subject, with the lens at it's WIDEST setting, it will still be able to autofocus on the subject and give a sharp image. This is a very handy feature to have in your arsenal, because although you hardly ever go so close to a subject in real world shooting, such a close focus distance means you can concentrate on getting the subject in the frame and getting a good composition at realistic distances (5cm or more) without worrying about your image not being in focus. Zooming all the way in on the subject actually gives a smaller focused image than if it was left at the widest setting, because the minimum focusing distance increases to 30cm.
With these settings you will be ready for almost any situation (or subject) that you may encounter.
Turn on macro mode! You would be surprised how often this seemingly-obvious step is overlooked.
Set the ISO to 400. Not utilizing a flash means we need to make use of the available light around us to illuminate the subject. Increasing the light sensitivity of your image sensor will greatly help your shot exposure. Turning up the ISO will induce more noise in your images but for the G12 at ISO400 the increase in noise is almost imperceptible.
Switch to Av Mode. This means you set the aperture manually and leave the other settings like the shutter speed up to the camera to decide the optimum exposure. This allows you to concentrate on framing the shot.
Set your aperture to f5.6. Although f8 gives the sharpest image, I find that the camera will almost always choose a shutter speed slow enough to see the effects of camera shake. Camera shake is more pronounced during scuba diving because the diver is floating and moving all the time. I find that f5.6 offers the best compromise between image sharpness and preventing camera shake.
Red lizardfish. Ambient light. Av mode at f5.6 at ISO400. 1/125s.
Set ISO to 80. Now that you have the help of flash to illuminate your subject you can dial down the sensitivity of the image sensor to reduce noise in your shot and get better image quality.
Use the diffuser provided with the underwater housing. Due to the design of underwater housings for the G12 the flash from the camera will be blocked by the front port of the housing, which gives a pronounced light falloff from the middle of the image onwards. Using the diffuser would somewhat mitigate the problem but will not fully solve it.
Set your flash mode to ON.
Stick to Av Mode. However you can now set your aperture to f8. Another advantage of using Av mode is that when depressing the shutter fully to take a shot, the camera will set off a pre-flash to determine the best flash power for perfect exposure.
If you wish you can try setting the shutter speed manually. I would suggest an initial setting of 1/125, reducing the shutter speed if the exposure is too dark or vice versa.
Blue spotted stingray. Shot with camera flash on. Av mode at f5.6 at ISO400. 1/60s.
One possible drawback of using camera flash to illuminate the subject is that you are more likely to get backscatter in the images. This is attributed to the particles in front of and behind the subject, which may be lit up, resulting in reflections picked up by the image sensor. This causes the "snowfall" effect on the image, which is usually undesirable.
Its not possible to change the direction of the flash built into your camera, and as far as I know there are no compacts currently in the market or in the pipeline that will come with a swivel built-in flash. So we will have to rely on external flash units known as underwater strobes. Strobes help us control the direction and intensity of the light falling on the subject. Not only can they help minimize backscatter and illuminate your subject adequately, they also allow you to control where the light is coming from, which allows the photographer to explore a myriad of creative opportunities to capture stunning images.
The issue of strobe positioning has been talked to death, and while some strobe positions have gained traction among the majority of photographers, there is almost always more than one option applicable to every photo opportunity. Instead of agonizing and arguing about what ultimate strobe position to adopt, the focus should instead be on making your camera as "macro-friendly" as possible before and during the dive.
Find a nice flat surface in the shade, place your G12 rig on one end, and a small non-reflective object about 35cm away on the other.
Choose your preferred strobe position and adjust till the strobe lights directly face your object. If your strobe has a focus light, use it for greater accuracy.
Set ISO at 80, aperture to f8 and shutter speed to 1/250.
Set your strobe power to a quarter of it's power. Take test shots and adjust the strobe position accordingly until the object is well illuminated.
The reason why it is suggested to setup the camera to illuminate the subject at that distance is because in real world shooting, focusing distances on the G12 range from between 5-25cm. You go closer to the subject than 'intended,' thus making more use of the edges of the flash emitted rather than getting the full-on blast from the strobe. Termed "edge lighting," images illuminated this way tend to look more natural, and more importantly it reduces the chances of backscatter showing up on your shot. This is not an exact science, but I find it a good way to start off.
Golden mantis shrimp. Taken with single Inon D2000 at ISO80. Shot with manual mode at f8 and 1/250s.
Water is a great absorber of light, which is why at depths above 15 meters things tend to get dark pretty fast. Light emitted from the strobe also gets absorbed, which means strobe power settings that might be perfect for shooting at 15 meters may not work at 25 meters. Now that we have our strobe positions more or less set, let's worry more about getting the right amount of light on your subject.
When you have descended to about half of your planned maximum depth, pick one spot on the reef or wall, with the camera at full zoom and strobe(s) at half power, take a test shot.
Adjust strobe power if necessary and repeat the process until you are happy with the exposure.
Take test shots again when you have reached your maximum depth and adjust strobe power until you get the right exposure.
As light conditions change, take test shots as you see fit. A little preparation goes a long way to help you save time on the technicalities.
Fire goby. Taken with 2 Sea & Sea YS-110a at ISO80. Shot with manual mode at f8 and 1/250s.
You may have noticed that I am concentrating most of my efforts on controlling strobe power and not changing the aperture or shutter speed of the camera. In fact, I am mainly fiddling with my strobes underwater. Camera settings only matter if you can make out what the image is, so getting the lighting right is a top priority when doing underwater photography. Taking pictures underwater is essentially capturing images in a sub-optimal light environment, so we are compensating all the time. If the picture is too bright or too dark you will not be able to see that great sunburst captured with that high shutter speed or that shallow depth of field that only allows the fish's eye to be in focus. Get the lighting right first so that you can fully showcase all your artistic and aesthetic talents.
Go into the camera settings menu and set the shortcut button to custom white balance.
With every 5-8 meters change in your depth, point your camera at a white surface like a slate and press the shortcut button. The camera will take a shot, analyze it and adjust the white balance in the camera. You could also use a white patch of sand on the reef or the palm of your hand to achieve this.
One drawback of using custom white balance is that you will need to be mindful of changes to your depth between shots, or you may get a red or green tinged image popping up on your screen.
As one progresses in macro photography, smaller and smaller subjects will begin to appear on your radar. You may want to focus on the blooming gills of a nudibranch, or wish you could fill more of the pygmy seahorse in the frame, sadly realizing that even after your best efforts the pygmy seahorse can't get any bigger in your image. The lack of magnification for macro is one of the shortfalls of compact cameras, and although the G12 is as capable as they come for macro shooting in compacts, it does need some extra help when taking small subjects. That's when external macro lenses come to the rescue!
You will need a lens adapter. There are many adapters that suit different housings, so obtaining one should not be a problem.
Autofocus is disabled. The camera lens is meant to focus within certain parameters. Adding a macro lens will throw it off, so that means you will have to manually focus with your eyes, essentially moving the camera back and forth until a clear crisp picture appears on your LCD screen.
The working distance becomes shorter. Using macro lenses means you will have to move closer to the subject to achieve focus. This can be a challenge for subjects that are shy or skittish.
Depth of field decreases, meaning the distance between the nearest and farthest objects in a scene becomes narrower. In this situation you would need to be careful of the parts of the image that you would like to be in focus.
Pygmy seahorse. Taken with 2 Sea & Sea YS-110a at ISO80. Shot with manual mode at f8 and 1/250s. With Subsee +10 macro lens.
The subject can be captured in more detail. For example, now the rhinophores (horns) of a nudibranch can be captured in greater detail, or the O-shaped mouth of pygmy seahorse.
Portrait shots of small subjects are possible. Few people have seen such creatures up close before, making your photos more dramatic.
There is less ambient light to wreck havoc on your image. Consequently there is less chance of backscatter.
Shallow depth of field, if used creatively, can be aesthetically pleasing.
Hypselodoris zephyra. Taken with 2 Sea & Sea YS-110a at ISO80. Shot with manual mode at f8 and 1/250s. With Dyron +7 macro lens. Notice the more shallow depth of field.
Which Macro Lens to Use?
There are many macro lenses to choose from, the biggest differentiating factor being it's magnification power. This can range from +2, having a relatively small magnification, all the way to a +10, which can achieve magnifications that can make the subject look larger than its actually is. There are mathematical formulas for this that are meaningless underwater, so your judgment will have to come into play. What you'll need to do is to take time to analyze the subject and it's size, decide how you want to take a picture of it, which determines how much magnification you need or if you need to add a macro lens at all.
If the subject is noticeably bigger than my thumb, I would try not to use any macro lenses and rely on the close focus distance of the G12. For portraits and specific parts of the subject I may choose magnification power up to +7.
If the subject is around the size of my thumb, I would add a +5 lens for profile shots and a minimum power of +7 for portraits.
If the subject is much smaller than my thumb, I most probably would go straight for a +7 lens at least and may even use a +10. Sometimes I even stack lenses on top of each other to do supermacro.
These guidelines are not scientific, but could be good for starters. It does help me streamline my decisions underwater for my thumb is always at hand for comparisons should I need them.
Eggs of the false clownfish. Taken with 2 Sea & Sea YS-110a at ISO80. Shot with manual mode at f8 and 1/250s. With Subsee +10 and Dyron +7 stacked together. The depth of field is so shallow that only a few eggs in the center are in focus.
The G12 can almost be considered a poor man's dSLR, with it's relatively compact size, superb image quality and wealth of aftermarket accessories, making it a very compelling choice from beginners to serious hobbyists alike. It's not perfect, but when it comes to taking macro shots underwater the G12 is without a doubt the best in it's class.


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Merseyside Waste Disposal Authority Signs £640 Million PFI Deal with Veolia
Bywasteron1 June 2009inrecycling, resource management, waste procurement
The Merseyside Waste Disposal Authority (MWDA) announced on May 19 that it has signed its £640 million waste and recycling contract with Veolia Environmental Services.
The news comes just a month after Veolia ES was named preferred bidder for the contract, ahead of competitor SITA UK.
The 20-year contract, awarded by the MWDA on behalf of the Merseyside and Halton Waste Partnership, makes Veolia ES responsible for operating the area's network of 16 household waste recycling centres, plus its materials recycling facility (MRF) at Bidston.
As part of the contract, Veolia ES will invest in all these existing facilities and also deliver a new £16 million flagship 100,000 tonne-a-year capacity MRF and visitor centre at Gillmoss, Liverpool.
MWDA chair, councillor Kevin Cluskey, said: "This is an enormous achievement for Merseyside and will be a great boost for achieving improved recycling rates. In such financially depressed times it is encouraging to see this size of contract and level of investment in Merseyside.
He added: "Veolia's arrival on Merseyside marks the start of a whole new era for recycling on Merseyside. They will bring major new investment in public facilities and improved recycling rates based on their experience as part of the UK's leading waste management company."
The waste management and recycling contract is part of a major procurement exercise by the MWDA with its five local district council partners – Liverpool, Knowsley, Sefton, St Helens and Wirral – and Halton borough council, targeting improved recycling rates across the Merseyside and Halton area. It also includes the operation of the existing four transfer stations servicing the waste collection authorities.
Denis Gasquet, chief executive of Veolia ES, commented: "We are delighted to have been awarded this prestigious Waste Management and Recycling Contract by MWDA which we believe will be the catalyst to further improving recycling performance in Merseyside.
"Our investment in both new and existing recycling infrastructure will boost recycling capacity and ensure the HWRC network is user-friendly and attractive to visit. By supporting education initiatives to publicise "Reduce, Reuse, Recycle", we will also generate more interest in recycling across the region," he added.
The 'Waste Management and Recycling' contract is the smaller of two deals currently being procured by the MWDA as part of its £3.3 billion procurement programme which aims to reduce the region's reliance on landfill and increase recycling rates over the next 25 years.
More at the Lets Recycle website here.
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Welsh Drive to Further Reduce Waste Sent to Landfill
Zero Waste Target Announced for Scottish Coca-cola Plant

redpajama_set_name: RedPajamaCommonCrawl


Aging in place means that clients (at any age or physical requirement) don't need to move from their homes in order to accommodate their changing needs. It means that whatever home people are living in now can be theirs to occupy for as long as they desire.
Ideally, the home that people are occupying long-term would safe, comfortable, and accessible for them, but that may not be the case. Regardless of whether people do anything to enhance their living environment or to provide a more enjoyable living experience for themselves, they still are aging in place.
Aging in place is not something that is driven by the attainment of any certain age on one's birthday odometer. There is no official designation of an age that qualifies someone as "old," although there are many age thresholds for being considered a senior – 50 for AARP, 55 for many restaurants and other retailers, 60 for other retailers and barber shops, 62 to begin receiving social security, 65 for the traditional retirement age and medicare eligibility, 66 or 67 as the new retirement age for full social security benefits, and other ages for other purposes also.
Nevertheless, there is no official age at which someone becomes "old" by definition. While we age-in-place, this occurs gradually and over an entire lifetime – at various stages and for various time periods along the way. Our challenge as aging in place professionals is to help people adapt to their surroundings at those various stages of life where they may find themselves.
Since aging-in-place is not age- or event-driven – although the attainment of a certain age may cause someone to suddenly feel older and a health episode or accident can cause the aging or recovery process to become more apparent – we often look to solutions such as universal design and visitability to enact healthy and safe treatments for people before there are specific needs.
Elimination of clutter and freeing a home of unnecessary belongings is a great strategy but one that is often met with a great resistance and reluctance. We know the importance of emptying out a home – for safety and accessibility reasons, among others – but the emotional bonds that exist between people and what they are amassed, collected, and stored over the years are not that easy to break.
Aging in place may initially be a mindset – one in which people specifically desire to remain and retain their independence and dignity as they grow older. It then needs their home to cooperate with them and enable them to have the comfort, convenience, safety, and accessibility they require and desire to maintain a healthy and effective lifestyle in that home they have selected.
Aging in place may also be something that just happens to people. They awake one day and realize that they haven't planned for it, but they have been living in their home for several years and likely will remain in it. Aging in place just crept up on them.


Known from southeastern Australia, with confirmed records from New South Wales and Victoria, and an unconfirmed report from Tasmania.
Upper Photo: Anderson Point, Portland, Victoria, Australia, 23 February 2007. Photo: Leon Altoff .
Lower Photo: Holotype of Hydatina exigua (Australian Museum collection) Scale = 1mm.
The true relationship of this species to other opisthobranchs is somewhat problematic because its anatomy has never been examined. It was originally describe on the basis of an empty shell (Hedley, 1912) and placed in the genus Hydatina [see H. physis], but Iredale (1936) transferred it to a new genus Noalda, with no further evidence than the original shell.
Recent drawings of the living animal (Burn & Thompson, 1998) and Leon Altoff's photos [see message #23262] certainly suggest it is not a hydatinid. Burn & Thompson suggest it is an aglajiid but we really need to examine its anatomy.
The partly enclosed shell, with two brown lines, the bifid 'tail', and bright yellow spots are all characteristic of this species.
"Shell minute, thin globular, truncate above, rounded below, imperforate. Colour: on a white ground are two narrow peripheral chcolate bands, twice thie breadth apart, connected with a wash of cream and visible internally. Surface smooth. Within the aperture a layer of dull callus is spread on the prededing whorl. Columella deeply, spirally inserted. Apex perforate, spire immersed. Height 1.3 mm breadth 1.5 mm. Middle head, Sydney, 15 may 1902. "
"This curious little shell which Hedley called Hydatina exigua is obviously not congeneric with the preceding [Hydatina] species and is here distinguished generically with the new name Noalda. It is less than 2mm in length and breadth and the apex is quite different from that of Hydatina, the body whorl being also comparatively smaller, the mouth consequently more open."
Hedley, C. 1912. Descriptions of some new or noteworthy shells. Records of the Australian Museum 8: 131-160.
Iredale, T. 1936. Australian Molluscan Notes. No.2. Records of the Australian Museum 19: 267-340; pls 20-24.
Burn, R. & Thompson, T.E. (1998). Order Cephalaspidea. Mollusca: The Southern Synthesis. Fauna of Australia. P. L. Beesley, G. J. B. Ross and A. Wells. Melbourne, CSIRO Publishing. 5, Part B.: 943-959.
Burn, R., 2006. A checklist and bibliography of the Opisthobranchia (Mollusca: Gastropoda) of Victoria and the Bass Strait area, south-eastern Australia. Museum Victoria Science Reports 10: 1-42.


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Behnert ist der Familienname folgender Personen:

 Günter Behnert (1930–2015), deutscher Bergmann und Autor
 Holger Behnert (* 1964), deutscher Fußballspieler

redpajama_set_name: RedPajamaWikipedia


As a child staying in Spain with family friends, I remember learning a song about a sardine. I can remember that as part of the song it traveled over mountains. I can remember laughing so much with my best friend who was Spanish, about this sardine travelling over mountains.
Has anyone else got any recollection of such a song? If so I would like to hear about it and get the words and tune.
This article was posted on Monday, June 18th, 2007 at 12:18 pm	and is filed under Argentina, Bolivia, Children's Songs, Chile, Colombia, Costa Rica, Countries & Cultures, Cuba, Dominican Republic, Ecuador, Languages, Mexico, Nicaragua, Peru, Puerto Rico, Questions, Readers Questions, Spain, Spanish, Spanish Kids Songs. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.
salió el amo del manzano.
os lo tendré que pagar.
We are going to count lies.
The sardines by the mountain.
The master of the apple tree left.
That are not my melon plot.
I will have to pay you for it.
"si me rompéis un pepino" means "if you break a cucumber of mine/one of my cucumbers" and "Os lo tendré que pagar" means "I will have to pay you for it".
In French, nouns are gendered marked, pig is masculine and cow feminine -hence the nightgown.
We had the feeling that the song wasn't complete but we didn't know more than that. If you type "cerisier couvert de prunes" on Google, you'll come across three slighlty different versions of it and those have a "real" end.
I remember this song too! But for the life of me I can't remember the tune — does anyone know where I could find sheet music or an mp3 of it?
There's also a simple score there.
Is that the one you're looking for?
When they threw stones to him, should read, When they threw stones at it.
Finally, That are not my melon plot, should be This is not my melon plot.
SORRY FOR THE SPELLING. Let me know If this is the version of the song that you remmember. From infancy, my dad sang me this song and other songs too.
Does anyone know all the lyrics?
Fresh fished from the ocean.
Lyrics in that version are different though. I've notices that there are different version of these old songs. Wonder why.
Because it was only oral transmission and there was no set version, people would adapt the songs to their own surroundings or would forget a word and sing another, swap verses or add a new one. This is why there isn't such a thing as "the true version" "the correct lyrics"… about anonymous traditional songs, there are only "most known versions".
and my son had a "casette" called "BARBAPAPA" and his -I should have say "our"-favorite song was:"Vamos a contar mentiras" We live in Chile and we still sing it with our grandchildren .
Can anyone help with the following question we received?
"I love your website and I think the work that you are doing is so important.
My great grandmother and my grandmother immigrated here from Spain when my grandmother was a little girl.
When I was a baby my great grandmother used to sing a little song to me. It was sing-songy, and I only remember the first line phonetically. It sounded like she was singing "La chuca la palma" as the first line. There only four lines to the song so it was more like a little nursery rhyme than a true song.
While she sang it I would sit facing her with my hand out and my Palm up. She would use her index finger to circle my Palm and on the last line of the song she would gently slap my whole palm. And kiss it for good measure.
<< Does Anyone Know about a Children's Singer Named RONO?


It was not until the sewing machine became widely available that a demand for home sewing patterns arose. Before the "deltor", women constructed dresses from a one size pattern that was graded at home by eye and touch. Others would trace off complicated patterns printed in magazines next to a picture of the garment-- similar to a BurdaStyle, Patrones and Ottobre magazines.
Ebenezer Butterick, a tailor, started manufacturing patterns using tissue paper and in different sizes in 1863. Patterns billed as "guaranteed to make a perfectly formed garment" sold six million in one year. It was a welcome change from the tedious tracing and fitting that was necessary with the magazine patterns. He started with boy's and men's patterns and then expaneded to womens. These were not the patterns that we are used to seeing as there were no markings until later in the late 1890's punch outs directing which piece was what with directions, and layout instructions provdided on the envelope years later. Fashion magazines featuring the styles were published (The Delineator) so one could order the patterns from them. These precut patterns made sewing patterns and fashion accessible to the growing middle classes.
James McCall, another tailor, started his company McCall's patterns in 1870. McCalls started printing cutting, marking and sewing lines on their patterns in 1921. In 1968 the major pattern manufacturers agreed upon a standard for sizing so the sizes were consistent between the brands. Pattern adjustment for individuals were and continue to be necessary however.
When this book was writtin in 1973, they do mention that personal adjustments can be programmed into computer fitted programs. These measurements "are fed into a computer, which activates a "plotter" whose stylus traced a custom pattern needing no adjustments whatsoever." I wonder how accurate this was in actuality as today, I continue to struggle to get the settings on computer generated patterns to fit me correctly.
Reasons for the late appearance of sewing patterns in a world with such rich sewing heritage is no mystery. In ancient days, cloth was draped, tied and pinned and hung loosely from the body. It wasn't until clothing style became more tailored to the body (probably can be traced to the changing climate of Europe) which saw it's pinnacle in the 12th Century. The new tailored look, along with the expansion of trade that was developed during the Crusades inspired increased wool industry and an expansion of tailor's guilds in the major cities. The simple draped shapes were not sufficient, more shaped pieces were needed and the necessity to conserve the expensive fabric required shaped pattern pieces laid out to take the best advantage of the cloth. They were initially made of paper and then of cloth with no markings. The tailor's eye was the grading system and they kept their customers measures as well as liberal letting out and taking during fittings.
Men (tailors) had exclusive right to the use of patterns, it being illegal for anyone else. In the 17th Century, Louis XIV granted seamstresses the right to use patterns to make the clothes for women and children. If you remember history, the male peerage were quite the peacock. King Louis, desiring that France be the epicenter of good taste in not only wine and cheese, but Mode as well, sent lifesize dolls through the courts of Europe dressed in the latest Paris fashion. The Ladies would then order their tailors and seamstresses to copy the style and be current with the fashion. Even so, in those times fashion did not change as quickly as it does now so there was time for the celebrated fashion designer/royal tailors and demimondaine to set the trend.
Life size dolls were unwieldy to say the least. The idea was still good though and continued after Louis was gone. The dolls continued to communicate the latest fashion but in a much smaller size until the estimable Ebenezer pedaled his patterns. In the 1940's Robert Ricci revived the fashion doll ideas as a way to raise money for the war effort. This project is documented in Theatre del la Mode which can be obtained from Palmer/Pletsch at http://www.palmerpletsch.com/store/theatrebook.htm and contains lovely vintage 1940's fashion.
The clothing of the dolls were correct down to the most minute detail in order to communicate the latest style. Most were made of china or alabaster. Ultimately the paper doll succeeded the china doll and were actually used in the mass market for the less well-heeled by the mid 1800's.


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Review: Nokia Lumia 620
In Product Reviews, Uncategorized
Source: http://allthingsd.com/files/2012/12/Nokia.jpg
It's been sometime since Nokia joined hands with Windows to come out with phones having the Windows OS. The first series of phones with Windows 7 and 7.5 didn't do too well. There were issues of every kind and Nokia was slowly but surely moving towards disaster. Then came the Windows 8 series enabled phones beginning with Lumia 920 and 820. Lumia 920 has garnered great attention throughout the world with its specs and particularly the amazing camera it has. But the critics were still out saying that Nokia needed to come out with affordable Lumia's for markets like India and China which are the fastest growing on the planet.
Lumia 620 is the first in the range of the affordable Lumia handsets. So what all does it have? If you are not looking at the black colour, at first glance you would surely notice the colourful back cover. This is the first Lumia handset which comes with changeable back covers (Cyan, Lime Green, Black, White, Magenta, Yellow). The screen size is quite handy at 3.81 inches. It packs a 5MP primary camera and a 1.2 MP secondary camera. This camera is quite good for this price range (Rs 14,200) that is if you are not looking at Indian models like Micromax, Karbonn etc like me. It provides you all the features like Panorama, Face Detection, Multiple Shots, Auto Focus with touch etc.
In conversation with Rishi Vohra – Author of Once Upon the Tracks of Mumbai
In Interviews, Uncategorized
Source: http://media2.intoday.in/indiatoday/images/stories/rishi-350_100712090152.jpg
Rishi Vohra recently relocated back to Mumbai after completing a Green MBA from San Francisco State University and a Masters Diploma in Environmental Law, prior to which he has had a successful career in the Indian entertainment industry. Having been a guest columnist for various newspapers in India, he currently writes for delWine and is a Certified Specialist of Wine. 'Once Upon the Tracks of Mumbai' is his first novel.
Source: http://www.jaicobooks.com/j/Book%20Rev/Once%20upon%20the%20Tracks%20of%20Mumbai%20Hi!%20BLITZ%20Nov%2012.jpg
He is here with us for a short tete-a-tete.
Aseem: Take us through your journey from the entertainment industry to releasing a novel.
Rishi: Well Aseem, it was a long journey. After my B.S. in Corporate Finance / Film making from the U.S., I moved back to Mumbai. I started of in ad films and then moved on to feature films as an assistant director. Side by side, I was also independently directing music videos, TV shows, stage shows, live events, and promos. During this time, I realized that writing is where my passion lay. So I kept writing as I proceeded to San Francisco to study an MBA in Sustainability. During that time, I wrote a novel and pushed it for publication while working / studying. Though it was rejected in the U.S. and other foreign markets, several Indian publishers showed an interest in it.
Guest Post: Hollywood's 5 Worst Movie Sequels
In guest blogs, Movie Reviews, Uncategorized
Source: http://cdn1.screenrant.com/wp-content/uploads/failed-movie-sequels.jpg
Bruce Willis makes a comeback with another 'Die Hard' sequel. Though the iconic action sequences of the earlier films are present in this latest sequel, you cannot wonder whether it was necessary to make yet another movie with a tired old formula. Mind you, the box office collection record shows that the producers of the movie are laughing all the way to the bank. There are other examples like the 'Harry potter' franchise and the ever green 'James Bond' movies which in between them have grossed several billion dollars.
But not all the sequels of an original hit have been as successful. Of course, nobody intentionally wants to make a bad movie but some sequels seem utterly unnecessary and very inept. Here is the list of 5 such movies which suffered from a steep lack of quality from the original movie.
Waisi Wali Khushi – In search of happiness..
In Movie Reviews, Uncategorized
Source: http://cache.daylife.com/imageserve/0b8t3vD3Grgwa/600×450.jpg
Who doesn't want to be happy? Don't we search for happiness everywhere? Sometimes we search for happiness in our work while at other times we search for happiness in relationships. Sometimes we search for happiness in what others do while at other times we search for happiness in small pleasures of life. We humans have so many wants which keep increasing day by day and that's why our search for happiness always keeps continuing.
'Waisi Wali Khushi' is a short film which talks about that happiness which Punit Malhotra (Director of 'I Hate Luv Storys & the upcoming 'Gori Tere Pyaar Mein') is searching for. He tells 'Masha Pour' his story. He is tired of his hectic 9-6 job day in and day out. And one day he decides to leave for Bangkok to have some fun of his own. Till the day he takes off, he always believes that money is all that which can bring happiness to his life. He is part of the rat race which we all are part of. But then he decides to let go and unwind. He decides that enough is enough and starts living life on his own terms. The rest of the movie deals with how he actually finds his happiness.
That eerie night..
In Flash Fictioon, My thots and scribbles, Uncategorized
Source: http://fc08.deviantart.net/fs70/i/2012/300/9/e/__the__eerie__night___by_anotheroutsider-d3700v7.jpg
Since he was in a support project, his work timings differed every two weeks. So for two weeks a month it was a 9am – 6pm shift while for the other two weeks it was a 9pm – 6am shift. He was a very hardworking, honest and dedicated resource. Whether it was being asked to work on weekends or on public holidays or even spend late hours, he never refused. That night there wasn't much work at office. All his teammates had left by 1am. But he thought to spend some more time in learning a few more concepts which sounded confusing to him. By 3am he packed his stuff and set out to leave.
Book Review – Once Upon The Tracks of Mumbai
"Once Upon The Tracks of Mumbai" is Rishi Vohra's first novel. From the entertainment industry to pursuing a green MBA and finally to publishing a book, Rishi has done it all. He has also been a guest columnist for various newspapers and a regular writer of wine. So does his novel work? Let's check it out.
The blurb goes like this –
"Autistic. Schizophrenic. Psychotic…"
'They' use these words to describe Babloo – the doctors, his family, his teachers..everyone..except Vandana. She treats him the way he wants the world to see him.
Mumbai..the city that defines his ultimate desires. Will it allow him the love and 'normalcy' he so craves?
Vandana..yearns for a soulmate to rescue her from the confines of the Railway Colony they all live in. Is she looking in the right place?
Rail Man..a fearless, real – life hero who succeeds in doing all that Babloo secretly wishes to do..is Babloo his inspiration or..is it the other way around?
A random twist of fate on Mumbai's endless, serpent – like, jangling local train tracks ties all these characters together in a complex weave of love, heartbreak and courage.
Babloo draws the reader into his fascinating, heart – rending journey through the twisted, choked lanes of Mumbai, into an open space where he can finally be born again.
My first experience of a cricket match in a stadium
Source: http://www.espncricinfo.com/indian-premier-league-2013/content/image/628680.html?object=586733;page=2
Indian Premier League Season 6, Match No 7 – Sun Risers Hyderabad vs Royal Challengers Bangalore
Stadium – Rajiv Gandhi International Stadium, Uppal (Hyderabad)
Date – 7th April 2013
Team supported – Though I am a big fan of Gayle, it was surely Hyderabad that night.
This is the 6th season of the IPL. But this was the first ever cricket match (any format) I watched live in a stadium. As is the case with Hyderabad, there was total chaos on the roads, hours before the match began. People had parked their vehicles where they found some space. The roads were choc-a-bloc with trucks, buses, cars, scooters, three wheelers and what not. It seemed as though everyone was heading for the stadium. Though we were about 10 minutes late, there was still quite a lot of chaos at the entry gates.
My first feeling as I walked into the stands – It was reminiscent of the scene from Kai Po Che when Ali comes out to bat. With over 40000 people yelling at the top of their voices, it felt like one was entering a cauldron. For a moment, I just looked around at the stands, at the people and at the field. It all looked so surreal, so beautiful, so awesome. I could just wonder on what it must feel for a cricketer to make his debut in front of such a vociferous crowd.
Guest Post: Movie Review – Tropic Thunder
Source: http://scrapetv.com/News/News%20Pages/Entertainment/Images/tropic-thunder-poster.jpg
Directed by and starring Ben Stiller, 'Tropic Thunder' is a parody of what could happen during the making of a 'Vietnam War' story. Mr. Stiller plays the action star hero – 'Tugg Speedman', who is trying to keep his acting career alive as his previous movies have begun to lose their appeal with the audience. The storyline of this flick is based on a fictional book of the same name, Tropic Thunder. Steve Coogan who plays the role of the director, decides to submerge the spoiled actors into the thickness of the jungle to shoot the film as acting setbacks and budget losses force him to take control of the situation. This parody of film creation easily becomes a memorable one.
Deserted at the altar..
Source: http://ctboom.com/wp-content/uploads/left-at-the-altar.jpg
Since the time a girl is small, she dreams about her wedding day. I always expected my man to come on a horse as my knight in shining armour and take me away into his world bringing me all the happiness and peace. Though that was a bit too much to expect, I still wanted to be loved, to be happy and to have someone in my life who could pamper my wants and desires.
We had met in the most bizarre of circumstances on a flight to Lucknow. He was traveling for a business meeting while I was on my regular job as a Lead Flight Attendant. Somehow we began talking, exchanged numbers and the rest is history. Though our jobs didn't allow us to meet that often, we always made it a point to stay in touch in any way possible; sometimes through 'Whatsapp' and other times through 'Skype. In just over a year, we had grown so fond of each other that all our talks revolved around love, life, 'how I would settle with his family' and the likes. Though it seemed a tad too fast, I was loving every bit of it. He truly loved and pampered me unlike the earlier guys in my life who were either too scared to commit or just didn't want things to go to the next step.


text:
Araçatuba (gemeente), een gemeente in de Braziliaanse deelstaat São Paulo
 Araçatuba (microregio), een microregio in de Braziliaanse deelstaat São Paulo
 Araçatuba (mesoregio), een mesoregio in de Braziliaanse deelstaat São Paulo


The Guyana Amazon Warriors have announced that West Indies Under 19 World Cup Champion player Keemo Paul has been selected as a replacement for Shimron Hetmyer for the CPL.
Hetmyer, who was initially selected by the Guyana Amazon Warriors as the West Indies Youth Player will be on West Indies Senior Team duties and as such Paul has been chosen as his replacement.
Paul who was Hetmyer's deputy, when the West Indies Under-19 team won the Youth World Cup in 2016, made his List A debut in January 2015 playing for the West Indies Under-19s in Tobago.
In March this year, the 19-year-old right-handed all-rounder's First Class debut was overshadowed by injury at the Queen's Park Oval but came back with a tournament winning six-wicket haul at Providence for the Guyana Jaguars.
The fifth edition of Hero Caribbean Premier League opens on August 4 in St. Lucia and the final is set for September 9 in Trinidad.
GAW Operations Manager Omar Khan said of Keemo's selection: "We welcome Keemo to the Guyana Amazon Warriors Team for this year's Hero CPL.
"He is a very talented and promising player with lots of potential and his all-round ability brings more value to our team.
"This is another way of giving young Guyanese players opportunities to be part of the biggest party in sport, the Hero CPL, and showcase their skills and talents to the world."


denomination "10 BANI", year 1998, letter M standing for Moldavian and monogram C. D. of Constantin Dumitrescu Moldavian coat of arms, oak branch and inscription REPUBLICA MOLDOVA meaning "REPUBLIC OF MOLDOVA"
The Republic of Moldova (former Soviet Socialist Moldavian Republic) became independent in 1991 and introduced own circulation currency in 1993. The currency denomination is LEU (plural LEI), a LEU being equal to 100 BANI (singular BAN), just as the Romanian currency. The formal name is LEU MOLDOVENESC (Moldavian leu) - as you will notice, an M lies near the obverse value expressed in LEI or BANI. This explains by the common history, language (even national colors) that the two states, Romania and the Republic of Moldova share. For a good period after independence, the national anthem was also common. Moreover, the Moldavian coin series introduced in 1993 bears the initials C.D. standing for Constantin Dumitrescu, the person who engraved both the Romanian and the Republic of Moldova's coins of the time. Please look at the pictures below to acknowledge the striking similarity of the monograms of the two national banks.


text:
Q: PHP copying of remote image fails with timeout there are many questions on this topic, but I couldn't find an answer to my scenario.
The client project I am working on is hosted on a server running PHP 4.3.9 and I am trying to copy a remote image to the server. This always fails with a timeout:
var_dump(
   copy('http://domain.com/path/to/image.jpg',
        '/opt/www/myfolder/myimage.jpg')
);

The error message for this being: Warning: copy(http://domain.com/path/to/image.jpg): failed to open stream: Connection timed out in /opt/www/myfolder/my-script.php on line xx bool(false)
I did a trace of several ini settings, which would seem fine to me.
var_dump(
    ini_get('upload_max_filesize'),
    ini_get('post_max_size'),
    ini_get('max_execution_time'),
    ini_get('max_input_time'),
    ini_get('allow_url_fopen'));

This traces:
string(2) "8M" string(2) "8M" string(2) "30" string(2) "60" string(1) "1"

So allow_url_fopen seems to be enabled, and the other settings seems fine too. I tried different images, all accessible via browser, all with small sizes, different remote hosts. My server's target directory is writable and copying for example a file from my own server's URI copies the file just fine.
I also tried a curl variant from this answer, with same result.
When I try the same script on a different server with newer PHP version it works fine.
What setting on the project server can cause this to fail? Is there something about PHP 4.3.9 I am missing that causes this to fail?
Please, please note that I cannot change the PHP version and I have no need for answers advising me to upgrade or convince my client to upgrade
Edit: Changed upload_max_filesize to 40MB and max_execution_time to 600 with no different result.

A: As pointed out by @Charles and @SalmanA in the comments, there seems to be a connectivity problem on the server preventing the copy calls.
Based on @SalmanA's comment, trying to use wget from the ssh shell showed a similar timeout result, indicating a blocked connection.
Contacting the server host and inquiring further is the solution here.

A: You should change the default max_execution_time to  max_execution_time = 600 in php.ini - MUST
Please change the upload max size from its default value to your need in php.ini file or thourgh your code using ini_set().. this is helpful when u try to upload only...
upload_max_filesize = 40M

redpajama_set_name: RedPajamaStackExchange


text:
Betty Friedan
Edited by Debra Michals, PhD | 2017
Journalist, activist, and co-founder of the National Organization for Women, Betty Friedan was one of the early leaders of the women's rights movement of the 1960s and 1970s. Her 1963 best-selling book, The Feminine Mystique, gave voice to millions of American women's frustrations with their limited gender roles and helped spark widespread public activism for gender equality.
Bettye Naomi Goldstein was born on February 4, 1921 in Peoria, Illinois, the oldest of three children of Harry Goldstein, a Russian immigrant and jeweler, and Miriam Horowitz Goldstein, a Hungarian immigrant who worked as a journalist until Bettye was born.
A summa cum laude psychology graduate of Smith College in 1942, Friedan spent a year on a graduate fellowship to train as a psychologist at the University of California Berkeley. There, she dropped the "e" from her name. As World War II raged on, Friedan became involved in a number of political causes. She left the graduate program after a year to move to New York, where she spent three years as a reporter for the Federated Press. Next, she became a writer for the UE News, the media organ for the United Electric, Radio, and Machine Workers of America. Her politics increasingly moved toward the left, as Friedan became involved with various labor and union issues. Glimmers of her later interest in women's rights also emerged at this time, as she authored union pamphlets arguing for workplace rights for women.
In 1947, Friedan married Carl Friedan, a would-be theater producer and advertising maven. Friedan had three children—in 1948, 1952, and 1956—continuing to work throughout. In 1956, the couple moved from Queens, New York, to suburban Rockland County, where Friedan became a housewife, supplementing her family's income with freelance writing for women's magazines.
Friedan also began the research for what would become The Feminine Mystique in the late 1950s. After conducting a survey of her Smith classmates at a 15-year reunion, Friedan found that most were, as she was, dissatisfied with the limited world of suburban housewives. She spent five years conducting interviews with women across the country, charting white, middle-class women's metamorphosis from the independent, career-minded New Woman of the 1920s and 1930s to the housewives of the postwar era who were expected to find total fulfillment as wives and mothers.
Published in 1963, The Feminine Mystique hit a nerve, becoming an instant best-seller that continues to be regarded as one of the most influential nonfiction books of the 20th century. Women everywhere voiced a similar "malaise" from what Friedan dubbed, "the problem that has no name." The book helped transform public awareness and brought many women into the vanguard of the women's movement, just as it propelled Friedan into its early leadership. In 1966, Friedan joined forces with Pauli Murray and Aileen Hernandez to found the National Organization for Women (which remains a leading feminist organization), with Friedan as its first president. She also authored NOW's mission statement: "…to bring women into full participation in the mainstream of American society now, exercising all the privileges and responsibilities thereof in truly equal partnership with men." The organization's first action: to demand that the Equal Employment Opportunity Commission enforce the provisions of Title VII guaranteeing equality in employment. Specifically, NOW successfully sought to end the long-standing practice of sex-segregated help wanted advertising.
A busy activist throughout the 1960s and 1970s, Friedan helped found the National Association for the Repeal of Abortion Laws in 1969, later renamed National Abortion Rights Action League and more recently NARAL Pro-choice America. She organized the Women's Strike for Equality on August 26, 1970 on the 50th anniversary of women's suffrage, to raise awareness about gender discrimination. In addition, in 1971, Friedan was a co-founder of the National Women's Political Caucus with Congresswoman Bella Abzug, Congresswoman Shirley Chisholm, and feminist Gloria Steinem. Through these organizations, Friedan was influential in changing outdated laws such as unfair hiring practices, gender pay inequality, and pregnancy discrimination.
As more diverse voices emerged within the women's movement, Friedan not only struggled to retain her leadership but was criticized by other feminists for focusing on issues facing primarily white, middle-class, educated, heterosexual women. Radical feminists also blasted Friedan for referring to lesbian women in the movement as the "lavender menace," and for Friedan's willingness to cooperate with men. Ever politically expedient, Friedan believed the only hope for change was by retaining the movement's mainstream ties and veneer. This alienated her from younger, radical, and visionary feminists who were increasingly becoming the vanguard of the movement.
Friedan nonetheless remained a visible, ardent, and important advocate for women's rights who some dubbed the "mother" of the modern women's movement. Since the 1970s, she published several books, taught at New York University and the University of Southern California, and lectured widely at women's conferences around the world. Friedan died in 2006 of congestive heart failure.
Reprinted from a 2006 NWHM press release
PHOTO: Smith College
Friedan, Betty. The Feminine Mystique. (Dell, 1963).
Friedan, Betty. Life So Far, A Memoir. (Simon & Schuster, 2006).
Founding of the National Organization for Women. Accessed 8 August 2017 http://now.org/about/history/founding-2/.
Horowitz, Daniel. Betty Friedan and the Making of The Feminine Mystique: The American Left, the Cold War, and Modern Feminism. (UMass Amherst Press, 2000).
Kaplan, Marion. Betty Friedan. Jewish Women's Archives. Accessed 6 August 2017. https://jwa.org/encyclopedia/article/friedan-betty
Mission Statement of the National Organization for Women. Accessed 8 August 2017 http://now.org/about/history/statement-of-purpose/
Ware, Susan. Betty Friedan. American National Biography. Accessed 6 August 2017.
MLA – Michals, Debra. "Betty Friedan." National Women's History Museum, 2017. Date accessed.
Chicago – Michals, Debra "Betty Friedan." National Women's History Museum. 2017. www.womenshistory.org/education-resources/biographies/betty-friedan.
Web sites:
Betty Friedan Papers, Arthur and Elizabeth Schlesinger Library on the History of Women in America,, Radcliffe Institute for Advanced Study at Harvard University. https://www.radcliffe.harvard.edu/schlesinger-library/collection/betty-friedan
https://www.biography.com/people/betty-friedan-9302633
National Library of Medicine. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC2920964/
Friedan, Betty. It Changed My Life: Writings on the Women's Movement (revised with a new introduction). (Harvard University Press, 1998).
Friedan, Betty. The Fountain of Age. (Simon & Schuster, 1993).
http://www.history.com/topics/womens-history/betty-friedan/videos
https://www.youtube.com/watch?v=_p6q578Bw94
https://www.youtube.com/watch?v=LwwzRDvkpsc
She's Beautiful When She's Angry. (Documentary, 2014). Clip with Friedan: https://www.youtube.com/watch?v=ktSvwLWHaNc
Abigail Smith Adams
Abigail Adams was an early advocate for women's rights.
A progressive social reformer and activist, Jane Addams was on the frontline of the settlement house movement and was the first American woman to win a Nobel Peace Prize.
Famed author Louisa May Alcott created colorful relatable characters in 19th century novels.
Poet, dancer, singer, activist, and scholar, Maya Angelou is a world-famous author. She is best known for her unique and pioneering autobiographical writing style.
Related Background
Women's History Minute: Elizabeth Blackwell
Short video on Elizabeth Blackwell
Women's History Minute: Maria Mitchell
Short video on Maria Mitchell
Women's History Minute: Grace Hopper
Short video on Grace Hopper
Create Your Own Women's History Museum
Students will work as a group to create their own women's history museum exhibit.


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text:
WUOG (90.5 FM) is a student-run college radio station licensed in Athens, Georgia. The station serves the Athens area and is currently owned by the University of Georgia.

History
The station first broadcast on October 16, 1972, with a 3,200 watt signal.  In 1977, WUOG's wattage was increased to 10,000 watts, and in 1994 the station reached its current 26,000 watts, making it one of the most powerful college stations in the country. The transmitter sits atop  on the UGA campus, broadcasting at an effective radius of 60 miles or 100 km.

With the exception of a period of time in 1981 and 2005 when the station was shut down for non-compliance of Federal Communications Commission (FCC) rules, WUOG has operated for 18 to 24 hours each day.  The station is maintained and run entirely by a 200-student staff of volunteers. 18 executive members oversee the staff and the day-to-day operation of the station.

WUOG offers regular rotation programming as well as specialty shows.  "Rotation" consists of new and old music of any genre that falls within the bounds of WUOG's music philosophy.  Once stated as the axiom "If they don't need us, we don't need them", the music philosophy strives to include artists whose music is rarely heard elsewhere.  WUOG also carries specialty show programming ranging from Middle Eastern music to new wave, oldies to bluegrass music. News shows, talk shows and sports shows air throughout the week. The program "Live in the Lobby," broadcast on Tuesday and Thursday each week, features live on air in-studio sessions from local Georgia musical artists.

It was on WUOG that R.E.M. were first broadcast; a live recording of "Hippy, Hippy Shake" was played in the summer of 1980. Drummer Bill Berry was also in a short-lived combo of radio personalities from the station, known as the WUOGerz.

In late June 2006, it was discovered that the station was causing electromagnetic interference to a nuclear chemistry laboratory on campus.  To alleviate this, the station temporarily went off-air on weekdays from 7AM and resumed broadcast at 4PM, as well as late nights and weekends, while the lab work was done.  Electronic filters eliminated the problem on July 13, allowing WUOG to return to a normal schedule.

On February 21, 2009 the lobby of the new WUOG station inside of Tate was named in honor of Wilbur Herrington. The Wilbur Herrington Lobby memorializes Wilbur's service as station engineer since the station's first broadcast in 1972.  Herrington had received help in the early stages of applying for an FCC license from broadcast engineers at Athens commercial station WRFC(AM) (960 kHz), chiefly Larry Melear (a graduate of the UGA School of Broadcasting) and Everett Langford.

Shows

2 Girls, 1 Cat — A talk show about cats.
3 Missed Calls — Eclectic mix of moody electronic and R&B. (Last Active Fall 2015)
Afternoon Twee - Twee pop. (Active Fall 2012)
AM in the PM — Weekly sports program filled to the brim with news, commentary, and the occasional insult.
The Asian Equation — Your weekly source of discussion surrounding Asian culture and identity! (Formerly known as The East Side From the East) (Last active Spring 2020)
Athenian Eats — Covering the Athens food scene weekly on 90.5
Athens Journal — Flagship news from WUOG.
Beyond The Hedges — A morning drive time talk show.
Boiling Point — Punk and hardcore from the 70s to today.
The Discourse Docket — Just two bros dissecting the news through the lens of the progressive left and providing local activists with a platform to share their ideas. (Formerly, the Brogressive Left)
Crisis — Noise and experimental.
D90.5 — Danger! Adventure! Graph paper! WUOG's DJs play some good ol' fashioned Dungeons and Dragons on-air
Film Thing — All things cinema, spoiler-free.
Friday Pregame Show — A weekly show taking an irreverent look at the world of sports.
Friendly Folk — Psychedelic folk, anti-folk and other hyphenated folk genres.(Last active Spring 2012)
Folk Scene — Gospel, old time folk music, and classics.
God Save the Queen — Brit-pop and all music from the UK.
Global Warming — International music.
Happening Thing — 1960s garage rock, hard psychedelia, freakbeat, and assorted proto-punk.
Heretic Harvest
Halftime Hip-Hop Show — Underground hip-hip, R&B and rap.
High Noon Sports Show — Flagship sports news program.
Jitters & Rags — 1940s, 1950s, and 1960s pop, swing, and big band. (first on air in 2007)
Keeping it Classy - Classical music.
Khmer Groove - East Asian pop music.
Lavender Pillow — 1.5 hrs of ambient music.
Live in the Lobby — Local bands playing for live and radio audiences. Followed by "Sound of the City" featuring bands from Athens and Atlanta.
Miliki Sound System — Pop music from all over Africa. Formerly known as Afrika.
Odd Man Out — Female vocalists.
Organic Compound - Electronic music, has taken different perspectives depending on the DJ who hosts.
Parties & Parodies — D&D 3.5 live on the air.
Perfect Sound Forever — Music from the 90s.
Pining for the Fjords - Music from the Netherlands and surrounding areas.
Purple Cow — Spoken word, poetry, and readings from literature.
Player's Picnic — Funk, soul, and R&B.
Radio Rx — Pharmacy-related topics and more.
Road Trip USA — Music from a weekly featured US city.
Saturdays Are For The Kids — "Young or old, big or small, Saturday mornings are fun for all!" Dedicated to playing kid-friendly music the whole family can enjoy
Smoke and Monitors — Vaporwave.
Souvenirs — Dance music spanning the decades. Formerly known as Paradise Garage.
Soft Scaley Underbelly — DJs are allowed to play artists that have charted in the Billboard Top 50, who would otherwise be considered "out of philosophy" for the station.
Talk of the Town — Athens talk from the people who know it best.
TechNight — Your weekly roundup of the digital world!
Tuesday Triple Play — A Sports Show about Sports and other stuff.
Untied — Shoegaze and dream-pop. (Active Fall 2012)
Writing for Now — (Last active Spring 2011)
Yeoboseyo! — Your local source for K-Groove and K-Wave sounds to expand your palette of Korean music further.

See also
Music of Athens, Georgia
Athens, GA: Inside Out

References

External links

 http://www.wuog.org/

University of Georgia
UOG
UOG
Radio stations established in 1972


We've learned that all computerized information is stored as binary – a numerical system in which only two states are possible. We generally think of this representation as a sequence of '0's and '1's.
In this webquest, you'll use websites I outline as well as your favorite search engine to answer a series of questions related to digital data storage and representation. You should come away with a better understanding of how information is represented by computers.
2. The largest harddrives currently on the market have a capacity of approximately 10 terabytes (and costs around 1,500 to 2,500 dollars.) How many bits are in one terabyte?
3. Roughly how many MP3s can be stored in a terabyte of space? How many hours of music is this?
4. How are bits encoded on a CD? Hint: search for how CDs work.
As we discussed, colors in digital pictures are represented numerically. Designers and web developers often describe colors in hexadecimal. What is hexadecimal and how is it related to binary?
Why do you think designers use hexadecimal instead of binary?
Using a hex to binary converter, how many bits would it take to represent your color in binary?
Give two examples of common image formats that are lossless.
What common image file format is lossy?
(Taken from Ms Martin's Digital Data Representation and Storage post from last year).


Finding Heaven: What Compromise in Marriage Really Means & New Series Kick-off!
What Compromise in Marriage Really Means & New Series Kick-off!
I like percolated coffee. He likes it French pressed. I like mine with cream. He likes it black. We're on the road with four children for two-and-a-half weeks pulling the weight of a camper and a collision of differences.
When camping, he likes the tasty blend brewed simply and quickly with the French Press. Yet, it tastes too instant and slightly bitter to me.
I'm willing to spend a little more time percolating the coffee for a more full bodied flavor. He doesn't taste the difference.
And we each think our own preference is the better of the two.
But we compromise. On mornings that we are staying through the day, we use the percolator and on mornings we are heading on the road, we use the French press.
And that is what we learn to do in marriage – compromise.
Yet, it's easy to compromise over coffee. However, when circumstances leave one feeling attacked, under-appreciated, or de-valued, it can leave one defensive and scrambling. Learning to compromise in marriage can still leave one thinking better; one right. It can leave one proud and still bitter.
We're preparing to journey toward the second destination on the third morning of our trip and I'm still feeding the children breakfast and he's ready to pull the slide-outs in and hook up the camper.
"Didn't we talk about getting on the road by 9:00 in order to hit all the points in Yellowstone and make it to Jackson Hole by dinner?" he wonders. I hear the disapproval in his tone.
We're on vacation and I haven't even looked at the clock. I camouflage feeling that I can't measure up with the need to be right then stumble out the door of the camper, ushering kids ahead of me to the playground while he finishes up.
The tears flow beyond the protection covering my eyes. I'm mad at him and frustrated with me and I point the finger at God.
And that's okay because God doesn't get defensive or become bitter, like me, when one points the finger at him. Because directing our hurts toward God actually begins to expose the thief that lays dormant waiting for its trigger.
I brush the evidence off of my cheeks and oblige to play a life-sized game of checkers with my oldest son. I try to be present but only go through the motions, as false messages continue to flow into the open, exposed, and truth begins to seep in.
He walks over and says we're hitched and ready to go. I don't look him in the eye. I still want to find a way to be right. He's patient now and gathers the other three children from the sand pile, watches us a minute, and then says they'll be waiting for us at the campsite.
We finish our game and I must choose. Choose to stand in a puddle of pride or to walk back.
We arrive and I climb into the passenger seat of the SUV. He takes my hand and apologizes for being short.
I tell him our differences don't make one less than the other. He knows that. It's me that needs reminded.
The defensive surge settles and I no longer feel the need to be right. I simply recognize our reality like our coffee preferences and my ability to choose differently. I recognize my ability to be more thoughtful and helpful to him, and to go out of my way to put him before myself – before my ideas, my rights, and my sense of worth.
And something tells me he's working out the same resolutions in his own heart and mind.
But it wouldn't matter if he's not. Because compromise in marriage should not be an, I'll give 50 if you'll give 50.
Compromise, in marriage, must be more than a settlement. It must be an offering – a 100% offering of self.
There is no condition to this union. Only grace. Because grace is the free gift that fills in the gaps and covers our failures.
And when I lay my burdens before the throne, Christ replaces them with truth, revealing my worth in Him, and opening my eyes to see clearly the man he created differently, yet perfectly for me.
Two days later we prepare to hit the road toward our third destination and I French press our coffee like we agreed, pour two cups, offer one to a much more relaxed man, then take a sip myself. And that coffee just brewed by the simple, quick, and less-appreciated French Press? tastes just right.
No. Better than the percolated kind the morning before.
And over the duration of our trip, the percolator makes its way to the back of the cupboard, shoved behind pots and skillets that are frequently used, as I choose to brew coffee with the French Press each morning for the remainder of our trip.
1. The next time you feel frustrated with your spouse, take your frustrations to God before unloading them on your spouse no matter how justified you feel.
2. Pray for the Holy Spirit to enable you to give 100% of yourself today by loving your spouse without condition.
3. Think about something that makes you and your spouse different by design. Now go and thank your spouse for that quality.
**Disclaimer: I believe this message builds a strong marriage that works only when Christ is at the center. It is not a message meant for an abusive marriage clearly in need of intervention.
Are you interested in contributing to this series? If so, please contact Jen at jenfergie2000@me.com or Lori at loriamcclure@gmail.com.
Compromising on doffee???!!! That's a huge one! Just kidding. My husband doesn't even like coffee. And he's a Swede. Go figure.
Great new series, Jen, and great start, Theresa. I keep coming back to I Corinthians 13--that great love chapter. Love really does ask all from us, something it is impossible for me to give. So it keeps sending me back to Jesus, the one who willingly gave all.
You're right, Nancy! Coffee can definitely be evidence of how we'll deal with the tougher issues. It's all pretty tough without Jesus as our source. I love that you brought in 1 Corinthians 13. That says it all. Thank you so much for your comment!
Thank you, Lori! It is a pleasure to be a part of this.
"Compromise, in marriage, must be more than a settlement. It must be an offering – a 100% offering of self."
This is great, and it genuinely captures the challenge and the grace of true, loving compromise. So often our culture encourages us to view compromise as a way to get as much as possible while giving away as little as we can. It's important for us to remember - and to be reminded - that the call is greater than that by far.
Thanks so much for sharing... - s.
Thank you for summing this up so well, Steve. I appreciate your comment!
Theresa, thank you for articulating what is so often missed in Christian marriage... the total laying down of self. The miracle of Christ in the marriage relationship is that when both spouses do this, each partner is fulfilled beyond expectation. This is deeply non-intuitive, yet profoundly true.
"The miracle of Christ in the marriage relationship is that when both spouses do this, each partner is fulfilled beyond expectation." Yes, Patti! That is exactly right. Such a beautiful (though, difficult) concept, isn't it? Thank you so much for your comment.
As you were writing I was thinking: marriage is not a 50/50...and then you said it! Like you read my mind! That is the hardest concept to teach newlyweds, you know? That you give 100% of you even if the other person does not. They say: "that's not fair!" and that is the second hardest concept to teach: it's not about fairness. It is about giving of self, obedience to God, submission to each other and so much more.
Oh, yes, a hard concept indeed. Not easily recognized at the beginning, but a refining process over time. Marriage really does make us holy, doesn't it? This continuous laying down of self. Thank you for your comment, Gaby!
"And when I lay my burdens before the throne, Christ replaces them with truth"
Now THAT is truth! This was an encouragement to me and a reminder that no matter how many years you are married, there is always room for growth, humility, and compromise!
Awe, wonderful. I'm glad this was an encouragement! And I agree. It's a lifelong process. Thank you for commenting!
So a healthy marriage is actually 200%! Love it. Found your blog (and now Jen's blog!) through the Imperfect Prose link up. I'm looking forward to reading more!
Ha-ha! Yes, I guess it is, Gina! And like Patti said above, that's got to equal fulfillment beyond expectation, right? Thank you for commenting, Gina. It's great to meet you here!
Thank you for your words, Ro. This: "life is much more enjoyable when i don't have to stand for my "rights." Yes. That is a big lesson, I think, learned over time. I'm still in the process of learning! I appreciate your comment!
Yes,yes, Emily. Hard, but hopeful. Hard always to die to self. Yet in doing so, the hope that Christ can raise to life any seemingly hopeless circumstance...and big or small, it all can feel hopeless without eyes on Christ. He is our hope. Thank you for your encouraging words here!
Wow. This is just what I needed today. Just. What. I. Needed. I just needed the reminder because I, too, have been feeling insufficient lately and taking it out on my husband. I think in a marriage, each person always feels they are giving more. This can really get in the way of your relationship, creating resentment. That's how I've been feeling lately, though I know I shouldn't. It is funny you compare it to coffee because my husband actually roasts our coffee beans himself. I really appreciate it, but lately I've felt resentful of the alone time he has in the backyard roasting coffee while I'm inside washing dishes and getting kids to bed. We almost never get to talk in the evenings. So....I need to take this to the Lord and quit thinking I'm doing more and that I'm right in thinking that.
Kelli, I'm blessed by every comment, yet if only one person read a post of mine or just one person commented, the words that would bless me most, and make every bit of it worth writing, and point it all back to God is just what you said here, "This is just what I needed today." I am so grateful that this blessed you and was what you needed for today. That is so encouraging. God is good!
"And we each think our own preference is the better of the two."
It doesn't seem to be the big things (although we can sometimes disagree on these, too) but the little things, where the difference does not matter all that much. But, because the stakes are small, we want our way. After all, why not? That's when the compromise really matters. Because there is absolutely nothing wrong with our preference and both parties know it. That's giving the 100%.
Oh, I'm glad you pulled that point out of this post - that it's the little things, too, because it's really about the condition of our hearts. I believe how we handle the little things is how we'll handle the big things. So true! Thank you for your comment!
I so did enjoy this. I've been married to my husband going on 11 years now, we've been together since I was 15 years of age. People today often look at marriage as a temporary arrangement, they feel as though if you make it beyond the 7 year mark you've accomplished something great. When people as me how is it we are still deeply in love after so many years of being together... I say, love is intentional. It's not a feeling. It's intentional. I completely agree with everything you have written above and see myself reflected in it! It's about giving all of you. I love the scripture John 3:30 which I've often translated into More of him, Less of me... Less of me, more of you... just Less of me. It's not about me, it's about how I can be Jesus in the flesh and extend grace to those around me.
Again, thank you for this. It brought tears to my eyes.
Oh, I love that scripture, too! And your comment blessed me so much. Thank you! God really did have an AMAZING plan in his design for marriage, didn't he? If only we would be more of Jesus and less of self. Oh, I love what you added here. Thank you for commenting!
Wonderful post! I learned this at about the 10 year mark. Where were you back then? ;) I pray many young marrieds will read this and take it to heart. Thank you for writing this.
Oh, wow! Congratulations on your years of marriage, Kristin. What a gift. Ya know, we just celebrated our 10 year anniversary, so I guess we were on the same track, though different decades! :) Wonderful. Thank you for your encouragement here!
Beautiful, practical, real words. Thanks.
Thank you, Glenda! I appreciate your comment.
You have lots of rich, dark roasted goodness here! And to quote an old jingle, it was good to the last drop!
I think my favorite take away is your suggestion to view your marriage as one in which you each give 100%. In our almost 30 years of marriage, we have lived by that idea. I know I have been extended so much grace from my husband when he could have reacted in a much more negative manner.
Jen-I love the idea of this new series. I am really looking forward to the many different perspectives on encouragement!
Awe, thank you, Kim! :) I appreciate your encouragement. Congratulations on nearly 30 years of marriage. Wonderful!
Yes, Christ at the center makes it possible. Thank you for your encouragement here, Joan!
What a beautiful post to read today as my husband and I celebrate 20 years of marriage. I loved your words of truth. Thank you for sharing and for linking up with Legacy Leaver Thursdays!


Source: StornArt.com (Creative Commons Attribution-NonCommercial-ShareAlike 2.5 License).
While Yamabushi Kaidan was the obvious choice to kick off these profiles, I'll mix things up a bit … the first of the nine heroes from Circle of Tears who I will profile is Akio.
Akio is a young Shugendo priest (a shugenja) that serves the village of Kyuusai. Kyuusai is the only settlment in the remote Autumn Valley, which is encircled by impassable mountains. Kyuusai lies at the foot of the majestic Autumn Mountain, the dominant feature of the landscape that gives the valley its name.
Akio studies under Yamabushi Kaidan whenever Kaidan descends from his meditations atop the Autumn Mountain. Given Akio's enthusiasm for Kaidan's bushcraft, Akio could be loosely described as Kaidan's apprentice. However, in the world of Circle of Tears, yamabushi and shugenja follow different callings. Shugenja are the urban-based cousins of the hermet-like yamabushi.
As a novice shugenja, Akio tends to the village's spiritual needs. Like Yamabushi Kaidan, Akio channels magic through Mikkyo chants and rituals … primarily drawing on the elements: wind, water, earth, fire, and void/spirit.
Akio has a natural aptitude for healing, and while at the beginning of the novel he relies on natural remedies such as herbs, as the story progresses, he develops magical mantras that heal the body and soul.
Akio's journey through Circle of Tears is one of the most challenging. As a studious and reserved character, Akio is forced to find inner strength as war threatens everything he loves. If you have read The Smoke Dragon and The Mist Ninja, you will know that Akio stands up against bandits and ninja … with consequences.
As you will read in The Mist Ninja, Akio's friendship with Yumi deepens into love. The dynamic between Akio and Yumi drives much of the story, and it creates tensions with other characters – especially Kaidan.
Akio is one of the three principal protagonists (along with Kaidan and Yumi) and a founding member of Kaidan's nine heroes, along with Tsubasa and Yamabushi Kaidan himself.


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Home » david peterson language
david peterson language
In the show, witches are born automatically understanding and knowing how to speak Inha, which means, unlike natural languages, the language does not evolve (or, at the very least, is not passed on in the usual way). About David J. Peterson. He has studied over 20 "Earth" languages, and created more than 40 artificial languages for tv and movies, including Dothraki and Valyrian for HBO's hit show Game of Thrones, based on George R.R. Martin's A Song of Ice and Fire.. Additio… Er erhielt einen B.A.-Abschluss in Englisch und Linguistik.Seinen M.A. The Languages of David J. Peterson. This wiki is a Wiktionary-style repository for the languages created and co-created by David J. Peterson. Copyright © 2020 Apple Inc. All rights reserved. David Petersen is an American linguist and language creator. This page was last edited on 8 October 2020, at 02:03. The Art of Language Invention, Penguin Books 2015. If you'd like a list of English words that have translations in multiple languages, go here. Er erschuf ebenfalls die Sprache, die von den Schwarzelfen im Film Thor - The Dark World benutzt wird. Seinen M.A. There are currently 3,578 articles on this wiki. Sifu David Peterson has been training in the Chinese martial arts since 1973. Abgerufen am 27. US-amerikanischer Schriftsteller und Linguist. He became a student of Sifu Wong Shun Leung after travelling to Hong Kong in 1983. Abgerufen 18. To explore those languages, make use of the links below. Peterson ist am besten bekannt für seine Dothraki- und Valyrischen Sprachen für die HBO-Serie Game of Thrones (seit 2009) und die Castithan-, Irathient- und Omec-Sprachen für die Syfys-Serie Defiance (seit 2011). November 2013. Martin's A Song of Ice and Fire.. Additionally, David has created the languages for Thor: The Dark World, Syfy's Defiance, CW's Star-Crossed and The 100, Dominion, Penny Dreadful, The Shannara Chronicles, Warcraft: the Beginning, Doctor Strange, and Emerald City. April 2013. Inha is a language created by David Peterson for NBC's Emerald City.Inha is the language of the various witches of the Oz universe. If you'd like to check out entries that have audio, go here. Diese Seite wurde zuletzt am 22. David Joshua Peterson (geboren am 20. Leben. In a talk that's equal parts passionate and hilarious, he shows how studying, preserving and inventing new languages helps us understand our collective humanity -- and gives a quick lesson on High Valyrian, one of two languages he created for "Game of Thrones" (along with Dothraki). He has studied over 20 "Earth" languages, and created more than 40 artificial languages for tv and movies, including Dothraki and Valyrian for HBO's hit show Game of Thrones, based on George R.R. We cover a lot of fascinating topics in this episode including: • JRR Tolkien's contribution to modern language creation • The workflow of sound development between himself and Hollywood show creators • Winning a language creation contest to land his first job with Game of Thrones • The linguistic rules and framework for creating a "realistic" fake language, and what makes a made-up movie language sound fake • Why language creation is living art that is never finished • Why the languages from Star Wars were all "crappily" done • The process of teaching an actor how to speak a new language • The Game of Thrones character he thinks speaks the best Valyrian • And so much more! 2009 suchte das Fernsehnetzwerk HBO eine fiktive Sprache für eine neue Fernsehserie Game of Thrones und wandte sich an die Language Creation Society. Er erhielt einen B.A.-Abschluss in Englisch und Linguistik. April 2019 um 13:00, http://dothraki.conlang.org/official-hbo-press-release/, https://de.wikipedia.org/w/index.php?title=David_J._Peterson&oldid=187794612, "Creative Commons Attribution/Share Alike", Kastithanu, L'Irathi, Indojisnen, Kinuk'aaz, Peterson, David Joshua (vollständiger Name), amerikanischer Schriftsteller, Linguist und Sprachenschöpfer. im Fach Linguistik erhielt er von der University of California in San Diego (2003–06). Seit dem Jahr 2000 entwickelte er bereits konstruierte Sprachen. April 2019 um 13:00 Uhr bearbeitet. im Fach Linguistik erhielt er von der University of California in San Diego (2003–06). Living Language Dothraki, Living Language 2014. Nach eigenen Aussagen aus einem Interview, das er dem Conlangs Monthly gab, hatte er seine ersten Kontakte mit konstruierten Sprachen bereits in Berkeley, nachdem er dort 2000 einen Esperantokurs besucht hatte. "Thor: The Dark World credits" . David J. Peterson studierte an der University of California in Berkeley von 1999 bis 2003. The Zaanics Deceit (co-author), Nina Post, LLC 2014. To explore those languages, make use of the links below. If you're more interested in the story behind these languages, you might instead look at the list of words for which David has written creation notes. Peterson ist verheiratet. David Petersen is an American linguist and language creator. The New York Times. Enjoy! #022 David Peterson: Language Creator for Game of Thrones. This wiki is a Wiktionary-style repository for the languages created and co-created by David J. Peterson. Zuletzt bearbeitet am 22. He is the author of Living Language Dothraki and The Art of Language Invention, and is the co-founder of the Language Creation Society. Diese führte einen Wettbewerb durch, den Peterson gewann.[2]. Civilization rests upon the existence of language, says language creator David Peterson. If you're more interested in the story behind these languages, you might instead look at the list of words for which David has written creation notes. Januar 1981) ist ein amerikanischer Schriftsteller, Linguist und Sprachenschöpfer. Er war Präsident der Language Creation Society von 2011 bis 2014. the list of words for which David has written creation notes, https://wiki.languageinvention.com/index.php?title=Main_Page&oldid=19357, Creative Commons Attribution-ShareAlike License. Dothraki.org. [1], David J. Peterson studierte an der University of California in Berkeley von 1999 bis 2003.
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We all know that cosplay costumes are a combination of cool, creepy and interesting. We may mock them cosplayers but we also marvel at their handiwork and their bravery for their craft. Photographer Klaus Pichler has captured these cosplayers at home in his photo series of portraits called "Just the Two of Us" and the photos are very interesting and very weird. The fearsome cosplay costumes are toned down by the simplicity and safety of the homes, which is even creepier, yes?


Strategic, multidisciplinary designer & art director with an eye for innovation and pixel perfection. I've worked the gamut of clients (National & Internationaly) and although my skill set is vast, my greatest expertise revolve in the worlds of interactive design, UX/UX, social media, brand identity design, content creation and print collateral. My wish is to combine my knowledge and experience in these areas, to deliver the best creative to my clients and their audiences.


Abraham Sapien (holotype of the species Icthyo sapien) was named after Abraham Lincoln, as he was found in a basement in Washington DC, inside a water capsule with a note reporting the very date of the president's death. The character first appeared in the Seed of Destruction arc of Mike Mignola's Hellboy comics — and was featured in Guillermo del Toro's film adaptations. Abe is, in fact, the director's favourite character from the comic series. As per the other creature effects of the film, he was brought to life by Spectral Motion.


Brian is a board certified psychiatric mental health nurse. He earned his AD in nursing from Massasoit Community College in 1988. In 1992 he earned his BSN from UMass Dartmouth. In 2002 he graduated from Bristol Community College after successfully completing over classroom hours of certified courses in therapeutic massage. Brian is affiliated with AMTA (American Massage Therapy Association), TRI (Touch Research Institute at the Miami School of Medicine). He uses more than 20 years of experience in neuro-orthopedics, medical-surgical and psychiatric nursing to help him treat his clients. He provides informed consent of the indications and contraindications of massage as they relate to your health history, providing appropriate referrals to other health care providers as indicated. Brian is certified in Orthopedic Assessment for Massage Therapy by OMERI (Orthopedic Massage Education and Research Institute). He uses these critical thinking skills and special orthopedic testing to provide comprehensive treatment to his clients.
Laura earned a BS in physical education from Bridgewater State College in 1990. She is also a graduate of Bristol Community College, in 2002 after completing over 550 classroom hours of certified courses in therapeutic massage. Laura is licensed and nationally certified in therapeutic massage and body work. She has specialty certifications in hot stone and Thai yoga massage. Laura is also a nationally certified personal trainer and yoga instructor. Currently she is working toward her doctor of naturopathy degree as well as studying orthopedic assessment for massage therapy.
Shana graduated from Cortiva-Muscular Therapy Institute in Watertown, MA. She completed a 900 hour intensive program. 300 hours were dedicated to studying and learning anatomy and physiology. 100 hours was spent in the Student Therapy Clinic working on the general the public. Each session was modified to fit the specific needs of each client. She also had classroom hours and experience in all of the following different perspectives of bodywork: Sports, Pregnancy, Swedish, Deep Tissue Massage, Neuromusular Technique, and Myofascial Release. Shana is certified in Orthopedic Assessment in Massage Therapy. (Orthopedic Massage Education and Research Institute) She uses orthopedic testing and critical thinking to provide comprehensive treatment to her clients. Shana has graduated from the Registered Nursing program at Bristol Community College in 2010. Currently Shana is studying at UMASS for her BSN.
Lisa is a Registered Nurse. Lisa graduated from Bristol Community College in 2002 after completing 550 hours of certified classroom courses in therapeutic massage. Lisa is a licensed physical therapy assistant. She is nationally certified in therapeutic massage. She is certified in orthopedic assessment for massage therapy. Lisa is affiliated with NCBTMB, OMERI.
Lindsay graduated from Cortiva-Muscular Therapy Institute in Watertown, MA. She completed a 900 hour intensive program. 300 hours dedicated to studying and learning anatomy and physiology. 100 hours spent in the Student Therapy Clinic working on the general public. Each session was modified to fit the specific needs of each client. She also had classroom hours and experience in all of the following different perspectives of bodywork: Sports, Pregnancy, Swedish, Deep Tissue Massage, Neuromuscular Technique, and Myofascial Release. Lindsay is certified in Orthopedic Assessment in Massage Therapy. (Orthopedic Massage Education and Research Institute). She uses orthopedic testing and critical thinking to provide comprehensive treatment to her clients. Lindsay is certified in Equine Massage. Lindsay is studying Nursing at Massasoit Commuinty College.
Charlene graduated from Career Educational Institute she completed over 600 hours of certified classroom hours in therapeutic massage and bodywork. She is currently working on her certification in Orthopedic Assessment for Massage Therapy.
Erika graduated from the polarity realization institute in 2009. Currently she is working on her undergraduate degree in hopes of being accepted into a Doctorate program for Osteopathic Medicine.
Morgan graduated from Spa Tech Institute in Plymouth in 2012. Upon completion of 770 hours, she gained experience in clinics where she used such modalities as myofascial release, triggerpoint, pregnancy, Swedish, and deep tissue massage. Morgan Specializes in a Swedish Massage; tailored to the specific needs of the client, leaving them feeling renewed and on the path to optimum health and wellness. As Morgan is dedicated to helping clients acvhieve their healthy lifestyle goals, she is currently studying orthopedic assessment for massage therapy.
Lisa graduated from Southeastern Technical Institute's (Easton, MA) massage therapy program in 2010. She completed a 700 hr program; over 400 hrs dedicated to hands-on community work and workshops at the Wellness Resource Center in Dartmouth, MA. She has experience in Swedish massage, deep tissue massage, and massage for hospice patients. Lisa spent 5 years as a CNA and is caring and compassionate with her clients. Currently working with OMERI for her certification in Orthopedic Massage. Lisa attended James Waslaski's continuing education for cervical spine issues. She hopes to expand her work someday and practice Equine and Small Animal Massage as well. She also is working on her Reiki Master certification.