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i recorded this on a very windy morning right before school started. i drove thirty minutes out of town, jumped over a few electric fences, and found this beautiful field. while i was recording, i truly thought there was no way that the audio would turn out any good, because the wind was so strong, i could barely even hear myself singing. so after a few attempts, i gave it one last go. at that point, i was just singing to myself, completely alone-- and thinking that the audio wouldn't work, so nobody would even hear the take. then, by some miracle, i listened back to the audio and it had actually worked.
so, alas, here is a video of me singing a song i wrote, mostly for myself, to absolutely nobody.
i love you all so much, thank you for listening to what i have to say, and for celebrating the things about myself that i used to not celebrate. you all teach me to see the goodness in every situation, every day, and for that i am ever grateful.
you are like me, oh, could we leave?


Every 2019 combined rates mentioned above are the results of Minnesota state rate (6.875%). There is no county sale tax for Ormsby, Minnesota. There is no city sale tax for Ormsby. There is no special rate for Ormsby.
The Ormsby's tax rate may change depending of the type of purchase.


both serotonin-norepinephrine reuptake inhibitors and novel antidepressants like bupropion work on multiple neurotransmitters?
What is the binomial of Sceletium tortuosum?
What classis does Mucuna pruriens belong to?


text:
Q: How to use Spatial Data Types in asp.net vnext with EF 7? in vnext, using Entity Framework 7 (https://github.com/aspnet/EntityFramework) how to use Spatial Data types (e.g. DbGeography) in model (code-first method) to save points, shapes etc. when creating model for a table.
e.g.
public DbGeography gps_points {get; set;}

I'm unable to use DbGeography.

Update:
Confirmed, this feature is not yet available in EF7, but may be available in future versions.
to track any changes see:
https://github.com/aspnet/EntityFramework/issues/242
https://github.com/aspnet/EntityFramework/issues/1100

A: Referring to your own issue at the github repository of Entity Framework, there seems no implementation, yet. As the milestone was set to "Backlog" it seems that this issue won't be resolved in the near future.
If you do not need to process your data geographically on database-side (e.g., search in a bounding box or intersections), you can save your data as Well-known text. This can be easily converted to a database geometry type, if EF7 supports spatial data in the future.
Be aware of the string length limits of your database, since WKT can get quiet long for complex shapes.

A: You need to add a reference to System.Data.Entity.Spatial. I don't think it is now included by default under the EF reference, hence the reason you cannot use DbGeography.
Remember, everything is plug and play!

A: Support for spatial types was introduced in EF5. However, in EF5 spatial types are only supported when the application targets and runs on .NET 4.5.
Starting with EF6 spatial types are supported for applications targeting both .NET 4 and .NET 4.5.
the Microsoft SQL Server provider depends on some additional low-level libraries that may need to be installed.
Prerequisites for spatial types with Microsoft SQL Server
SQL Server spatial support depends on the low-level, SQL Server-specific types SqlGeography and SqlGeometry. These types live in Microsoft.SqlServer.Types.dll assembly, and this assembly is not shipped as part of EF or as part of the .NET Framework.
When Visual Studio is installed it will often also install a version of SQL Server, and this will include installation of the Microsoft.SqlServer.Types.dll.
If SQL Server is not installed on the machine where you want to use spatial types, or if spatial types were excluded from the SQL Server installation, then you will need to install them manually. The types are included in the SQL Server Feature Packs, and different assemblies exist for SQL Server 2008 and SQL Server 2012.

redpajama_set_name: RedPajamaStackExchange


text:
Semiquinone and cluster N6 signals in His-tagged proton-translocating NADH:ubiquinone oxidoreductase (complex I) from Escherichia coli
Narayanan, M.
Gabrieli, D. J.
Leung, S. A.
Elguindy, M. M.
Glaser, C. A.
Saju, N.
Sinha, Subhash
Nakamaru-Ogiso, E.
Journal of Biological Chemistry Journal
NADH:ubiquinone oxidoreductase (complex I) pumps protons across the membrane using downhill redox energy. The Escherichia coli complex I consists of 13 different subunits named NuoA-N coded by the nuo operon. Due to the low abundance of the protein and some difficulty with the genetic manipulation of its large ~15-kb operon, purification of E. coli complex I has been technically challenging. Here, we generated a new strain in which a polyhistidine sequence was inserted upstream of nuoE in the operon. This allowed us to prepare large amounts of highly pure and active complex I by efficient affinity purification. The purified complex I contained 0.94 ± 0.1 mol of FMN, 29.0 ± 0.37 mol of iron, and 1.99 ± 0.07 mol of ubiquinone/1 mol of complex I. The extinction coefficient of isolated complex I was 495 mM(-1) cm(-1) at 274 nm and 50.3 mM(-1) cm(-1) at 410 nm. NADH:ferricyanide activity was 219 ± 9.7 μmol/min/mg by using HEPES-Bis-Tris propane, pH 7.5. Detailed EPR analyses revealed two additional iron-sulfur cluster signals, N6a and N6b, in addition to previously assigned signals. Furthermore, we found small but significant semiquinone signal(s), which have been reported only for bovine complex I. The line width was ~12 G, indicating its neutral semiquinone form. More than 90% of the semiquinone signal originated from the single entity with P½ (half-saturation power level) = 1.85 milliwatts. The semiquinone signal(s) decreased by 60% when with asimicin, a potent complex I inhibitor. The functional role of semiquinone and the EPR assignment of clusters N6a/N6b are discussed.
NADH:ubiquinone oxidoreductase (complex I) pumps protons across the membrane using downhill redox energy. The Escherichia coli complex I consists of 13 different subunits named NuoA-N coded by the nuo operon. Due to the low abundance of the protein and some difficulty with the genetic manipulation of its large ~15-kb operon, purification of E. coli complex I has been technically challenging. Here, we generated a new strain in which a polyhistidine sequence was inserted upstream of nuoE in the operon. This allowed us to prepare large amounts of highly pure and active complex I by efficient affinity purification. The purified complex I contained 0.94 � 0.1 mol of FMN, 29.0 � 0.37 mol of iron, and 1.99 � 0.07 mol of ubiquinone/1 mol of complex I. The extinction coefficient of isolated complex I was 495 mM(-1) cm(-1) at 274 nm and 50.3 mM(-1) cm(-1) at 410 nm. NADH:ferricyanide activity was 219 � 9.7 ?mol/min/mg by using HEPES-Bis-Tris propane, pH 7.5. Detailed EPR analyses revealed two additional iron-sulfur cluster signals, N6a and N6b, in addition to previously assigned signals. Furthermore, we found small but significant semiquinone signal(s), which have been reported only for bovine complex I. The line width was ~12 G, indicating its neutral semiquinone form. More than 90% of the semiquinone signal originated from the single entity with P½ (half-saturation power level) = 1.85 milliwatts. The semiquinone signal(s) decreased by 60% when with asimicin, a potent complex I inhibitor. The functional role of semiquinone and the EPR assignment of clusters N6a/N6b are discussed.
Crystallography, X-Ray
Electron Spin Resonance Spectroscopy
Electron Transport Complex I
Escherichia coli Proteins
Flavins
Iron-Sulfur Proteins
Proton Pumps
Quinones

redpajama_set_name: RedPajamaCommonCrawl


text:
Plant a Tree for William "Bill"
William "Bill" Edward Hartwig
December 7, 1943 ~ January 6, 2021 (age 77)
William Edward "Bill" Hartwig, 77, of Middletown passed away Wednesday, January 6, 2021 at SSM Health St. Joseph Hospital – Lake Saint Louis, Missouri.
Mr. Hartwig was born December 7, 1943 in St. Louis, Missouri, a son of William Adolph and Katherine Elizabeth (Merkler) Hartwig.
He was a 1961 graduate of Wright City High School. Bill continued his education at Ranken Technical College in St. Louis, graduating in 1963.
Bill had lived in Middletown since 2001. Prior to that, he lived at Hawk Point since the 1970's.
Bill was a farmer, raising pigs, cattle and row crops. He also did custom hay baling. Bill had worked for Crown Homes in St. Louis as a draftsman, drawing up house plans for individuals. He then worked for Dulin-Harrell Lumber in Hawk Point where he drew up the plans and also figured all the material that would be needed. Bill had previously worked for Mordt Tractor in Troy, putting together implements.
He was an avid outdoorsman and loved farming, cutting wood and gardening. Bill loved working jigsaw puzzles, the more pieces the better and he never looked at the picture on the box before doing a puzzle. In Bill's lifetime, he had built 14 big farm wagons.
Bill is survived by his son, William Andrew "JR" Hartwig and Tabitha Thornhill, of Middletown; daughter and son-in-law, Catherine Jeanne and Jeff Newman, of St. Charles and grandchildren, Sophia Rose Hartwig, of Middletown and Leah Katherine Newman and Joshua Scott Newman, of St. Charles.
He was preceded in death by his parents, William and Katherine Hartwig and sister, Barbara Elizabeth Gerdeman.
At Bill's request, there will be no services.
Arrangements are under the direction of the Myers Funeral Home in Middletown.
Memorial contributions are suggested to Hartford Go Getters 4-H Club c/o Myers Funeral Home, 203 East Bates Street, Wellsville, MO 63384.
To send flowers to the family or plant a tree in memory of William "Bill" Edward Hartwig, please visit our floral store.
You can still show your support by sending flowers directly to the family, or by planting a memorial tree in the memory of William "Bill" Edward Hartwig


text:
Feminism isn't a product to sell
Caroline Scharf
When online shopping to find a new, trendy item to purchase, you might find yourself bombarded by advertisements for shirts, mugs and posters decorated with phrases like "Girl Boss" or "The Future is Female." A few weeks ago I found myself in the same situation as I stumbled upon a brand on Instagram promoting a t-shirt with one word printed on the front: "feminist." I continued scrolling through the Instagram shopping tab until I found another shirt from a different seller that said, "On Wednesdays, we smash the patriarchy," a reference to the iconic "Mean Girls" line, "On Wednesdays we wear pink." After one Google search for "feminist shirts," I easily found websites like "shopbop" and … which were making money through vague feminist slogans. It surprised me how companies were using feminism to promote their brand. This commercialization of feminism takes away from the core goal of combating gender inequality and ultimately waters down the message. Instead of supporting corporations that use feminist branding, individuals should support organizations that work to further the movement.
Over the past decade, there has been an increase in feminist visibility in advertising. According to Forbes, women drive around 70-80 percent of all consumer purchasing decisions, and in turn, many corporations use the concept of feminism as a way to advertise their products. Companies who know that women make up a majority of their audience, use "empowering language" in order to appeal to a larger number of female consumers.
Many brands find success in using feminist jargin which has led to an increased amount of feminist language in brand marketing. Always' 2014 "#LikeAGirl" campaign, which sought to evaluate gender stereotypes, gained over 3 million views on YouTube and received lots of media attention. Commercials like this one inspired other companies to create products or campaigns with similar branding. In an October Bark survey, 79 percent of Redwood students reported having seen advertisements for products that include feminist imagery, demonstrating how this type of marketing has made the feminist movement more prevalent in commercial products.
These commercials may seem empowering, but they only present a surface-level understanding of feminism. Instead of incentivizing women to fight for better wages or fair maternity leave, advertisements tend to center messages around vague ideas of empowerment and frame gender inequality as something that happens on an individual basis rather than a patriarchal system that keeps women unequal. Corporations use this type of commercial feminism, known by experts as marketplace feminism, in order to look progressive without actively advocating for systemic change.
Feminist author Andi Ziesler who has studied commercial feminism stated, "This kind of marketplace feminism is welcome not just because its optics are considered a media-friendly improvement on past feminist movements… but also because it draws focus away from the systemic [issues]."
Marketplace feminism is not advocating for change, as it places commercial viability over social justice while masquerading as progressive.
Some companies even profit off of feminism while lacking feminist values in their workplaces. Sophia Amoruso, founder of clothing brand "Nasty Gal," is famous for coining the term "girlboss" and promoting feminism within the brand's marketing and workplace. However, it was revealed that the company was accused of workplace toxicity and discriminatory practices against pregnant female employees. The Atlantic states, "Amoruso's career at Nasty Gal was dogged by constant turnover, accusations of discrimination and abusive management." While many companies might use feminism to look socially progressive, behind that facade may lie workplaces that are harmful to women.
However, there are people who believe that feminist imagery in advertisements has made feminism more visiable and culturally relevant. Supporters argue that advertisements reach more people and educate more consumers about feminism. According to Times Magazine, a survey conducted by the lifestyles website SheKnows found that 82 percent of women said that pro-female ads were important for younger generations to see. If more women are able to see empowering depictions of themselves, they may feel more inclined to stand up against gender inequality.
While it's important for feminist messaging to be visible, commercials can easily water-down feminism. If people associate feminism with the phrases like "Girlboss" on television commercials, the movement will never progress; it will simply transform into a trend. These commercials are often performative and never move past simply promoting awareness of sexism. Sarah Banet-Weiser, professor of media and communication at the London School of Economics said, "That's what I worry about with the [consumption of feminist products]: that it just stays about visibility."
Instead, individuals should support reputable organizations that fight against gender inequality. People's voices can be heard through their purchasing power by contributing to organizations such as United Nations (UN) Women which works to achieve women's rights hands-on, not diminishing the movement to a trend. In order to keep the feminist movement intact, we must not "sell out" the movement for corporate interest.
social movement
Caroline Scharf, Social Media Manager
Caroline Scharf is a senior at Redwood High School and the Social Media Manager for the Redwood Bark. In her free time she can be found painting, hanging...
Failure to tax ultra-wealthy is a threat to social progress
The not so skimpy issue with sexism in sports
Do not wait to join the family debate
Communal living — The future of our generation
Exposed: The 'act' in activism
Gassing up renewable energy, not the atmosphere
Bluewood
Hanukkah: It is not the Jewish Christmas
November: The month to face the reality of Native American oppression


text:
Amy Woods Brinkley was the Global Risk Executive of Bank of America (BAC.N) from 2001 until, at the age of 53 in June 2009, she and CEO Ken Lewis "agreed she would retire," according to a New York Times report, after a surge in credit losses led to a government bailout and orders by regulators to raise $33.9 billion of capital (Reuters).

Brinkley was awarded the top position on US Banker magazine's 2005 list of "Most Powerful Women in Banking," and was number 23 on Fortune's "50 Most Powerful Women in Business" in 2006 and 2007  and 22nd in 2008, when she was reported to be "a possible candidate to succeed ... Ken Lewis." In all, Brinkley was named to the Fortune list nine consecutive years. In addition, she was cited by The Wall Street Journal and Forbes as one of the leading women in business.

As head of the Bank's risk department, Brinkley was tasked with protecting the Bank from all kinds of risk, ranging from human resources-related factors to interest rate fluctuations and credit risk.

According to the Times, "she was at Mr. Lewis's side as the bank rapidly expanded its credit card and home equity lending, businesses that are causing charge-offs for the bank." Her most recent assignment was as "the point person between the bank and the regulators during the stress tests." As to compensation, "Ms. Brinkley received no bonus last year. But she took home at least $37.2 million during her tenure as Bank of America's risk chief from 2001 to 2007, according to an analysis by Equilar, a compensation research firm. She is also entitled to pension benefits worth more than $12 million, and potentially millions more in deferred pay and accumulated stock. The figures are based on the 2008 proxy statement, the last time data was publicly available."

Brinkley joined the Bank of America organization in 1978, as a Commercial Credit Department management trainee for NCNB. From 1993 to 2001, she served first as the company's Marketing executive and then as president of its Consumer Products division.

Brinkley graduated Phi Beta Kappa from the University of North Carolina at Chapel Hill. She serves on the Bank of America Charitable Foundation Board of Directors. She also serves as a trustee for both the Princeton Theological Seminary and Carolinas HealthCare System. She is a member of the governing board of the Carolina Thread Trail. Previously, she served on the Institute of International Finance Board of Directors and the President's Commission on White House Fellowships, and participated in the annual World Economic Forum in Davos, Switzerland.

She lives in Charlotte, North Carolina, where she is an active voice for the community's health and human services needs, in particular those of families and children. She has worked with the Critical Needs Task Force, the Crossroads Charlotte Initiative and the Council for Children's Rights.

Brinkley is married with children, and in recent years her husband, a lawyer, has stayed at home with the children.

References

External links
Official biography from bankofamerica.com. Page blank a/o 6/5/09.
"Greg Curl Named Chief Risk Officer at Bank of America" Company press release on retirement. June 4, 2009. Retrieved 6/5/09.
"Confident Humility and the Start of the 21st Century" - Remarks to the Global Association of Risk Professionals, 24 February 2004.
Profile  from Forbes.com.

Year of birth missing (living people)
Living people
Bank of America executives
American bankers
American women bankers
21st-century American women
University of North Carolina at Chapel Hill alumni

redpajama_set_name: RedPajamaWikipedia


text:
NYC Restaurant News
Amazon-Obsessed LIC Restaurateur Is Now Suing a City Councilman
Josh Bowen of John Brown Smokehouse is alleging defamation
by Carla Vianna Mar 12, 2019, 5:11pm EDT
Share All sharing options for: Amazon-Obsessed LIC Restaurateur Is Now Suing a City Councilman
The Long Island City restaurateur who's desperately trying to salvage the Amazon headquarters deal has filed a defamation lawsuit against the politician he allegedly threatened via text message earlier this month, QNS reports.
Following an impromptu trip to Seattle to try and personally salvage the deal, John Brown Smokehouse owner Josh Bowen texted city council staff members who opposed it, demanding they call an Amazon VP to apologize, plus further saying he would "end" city council deputy leader Jimmy Van Bramer's career. "You can be at the back of the parade or in front of the firing squad," part of the message read.
Van Bramer then posted a screenshot of the message on Twitter, labeling it a series of "disgusting" threats and reporting Bowen to the police. In doing so, Bowen says the politician "inaccurately and improperly" characterized his political free speech as "criminal actions," QNS reports.
Bowen denied the messages were sent as threats. He also claims the messages were sent to Van Bramer's chief of staff Matthew Wallace, but the city councilman's tweet made it seem like the messages were sent directly to him. The restaurateur further accuses Van Bramer of encouraging his followers — he as over 16,000 — to "boycott" his business. His lawyer tells QNS that the politician violated Bowen's First Amendment rights in an attempt to "undercut" his platform.
The restaurateur is seeking more than $50,000 in damages.
Van Bramer tells QNS he posted the screenshot on social media and reported the messages to law enforcement to bring awareness to the situation. "This lawsuit filed against me is frivolous, without merit, and riddles with inaccuracies," he says.
John Brown Smokehouse is one of New York's top barbecue restaurants, serving a faithful rendition of Kansas City-style barbecue since 2011. It's a fairly popular spot, particularly for burnt ends, but Bowen has been getting dragged online since becoming so outspoken on the failed deal, at one point telling a reporter that seeing the Amazon workspace in Seattle made him "want to cry knowing this could all have been in Long Island City."
See the screenshot below:
Josh Bowen, who recently went to Seattle to meet with Amazon sent this text today. It is several threats rolled into one. Demanding an elected official make a call to Amazon by a certain time - or else. This is disgusting. did others get this too? I don't respond to threats. pic.twitter.com/Txtf53aaiN
— Jimmy Van Bramer (@JimmyVanBramer) March 1, 2019
Bowen followed up with his own screenshot:
The rest. pic.twitter.com/n2Q6HboUEG
— John Brown Smokehouse (@JohnBrownSmoke) March 1, 2019
Long Island City barbecue owner's beef with Van Bramer over Amazon leads to defamation lawsuit [QNS]
John Brown Smokehouse
10-43 44th Drive, Queens, NY 11101 (347) 617-1120 Visit Website
Restaurants for a Romantic Night Out in NYC High ceilings, low lighting, and some of the best food New York City has to offer


text:
Mowdok Mual es un pico en Bangladés, a menudo considerado el punto más alto de este país, con una altitud de 1.052 metros (3.451 pies). Se encuentra ubicado en la frontera entre Bangladés y Birmania.

No es oficialmente el pico más alto de Bangladés, pero el estudio de mapas y otras informaciones y datos inducen a creer que, posiblemente, no hay otro pico más alto que este en ese país. Mowdok Mual a nivel local es también conocida como Saka Haphong o Clan Moy.

Véase también
 Geografía de Bangladés
 Geografía de Birmania

Referencias

Montañas de Birmania
Montañas de Bangladés
Frontera Bangladés-Birmania
Puntos más altos de los países de Asia


text:
This 18,700 sq ft arena is home to the Grand Rapids Griffins minor league hockey team. With concessions, a concrete floor, banquet rooms, catering and being able to seat 14,000 people (concert seating) this facility is the right fit for many sporting events.
Previously the VAA has hosted NCAA Hockey DI Regionals, WCHA Final Five, Detroit Pistons Exhibition games, US Figure Skating Synchro Championships, Transplant Games of America Opening Ceremonies, NASC Welcome Reception and many other collegiate events.
Aquinas College - Sturrus Sports & Fitness Center - Basketball & Volleyball
Home to the NAIA Aquinas Saints this newly built facility has a reoriented basketball court (with telescopic bleacher seating for 2,000), new locker rooms, hospitality suites, 3 classrooms, large conference room, fitness center, NATA-certified athletic training facility, and more.
Aquinas College -Alksnis Athletics & Rec. Building - Indoor Track & Field
Aquinas College has a new 70,000-square-foot indoor athletic facility which houses a 6 lane 200 meter, NCAA-certified track with all of the amenities for track and field events. This state-of-the-art $13 million complex also features a portable wooden floor court for basketball, volleyball, cheerleading, and dance. Seating capacity sits at 400 spectators.
The Art Van Sports Complex finished phase one of the $7.5 million dollar project in the fall of 2014 and opened in the spring of 2015. The complex is home to six full-sized softball fields and two regulation college/high school baseball fields. Each softball field has portable mounds, bases, and fencing.
Berlin Raceway
Berlin Raceway recieved a multi-million dollar facility upgrade including a new main grandstand, press boxes, 11 luxury skyboxes, a full service bar and lounge and more. The facility not only hosts races but also plays host to concerts, monster truck shows, food festivals, beer festivals and more. This multipurpose facility is great for any outdoor event in need of large space.
Calvin University - Van Noord Arena
Home to the NCAA DIII Knights this newly built facility has a 5,000 seat arena, 5 locker rooms, hospitality suites, indoor track/tennis building, 6 basketball courts, a dance studio, class rooms, conference room and more. Hosted NCAA Basketball & Volleyball National Championships.
Calvin University - Venema Aquatic Center
Home to the Knights swim & dive teams, this 50-meter pool has a moveable bulkhead allowing for multiple configurations: water polo, competitive 25 m or 25 yd, long course – 50 meter. Divingboards are either 1 or 3-meters. A "wet" classroom for easy movement to and from the pool and classroom. Seats roughly 500 spectators.
Christian Athletic Complex
The Christian Athletic Complex (CAC) is a 120 acre facility located in Kentwood, Michigan. We are home to multiple softball diamonds, soccer fields, basketball courts, playgrounds, and Stormy Creek Golf Course.
Cornerstone University - Bernice Hansen Athletic Center
The Bernice Hansen Athletic Center has 125,000 square-feet of space which houses the Mol Arena for Golden Eagle athletic events, chapels, concerts and other special events. Meeting space is on campus and near the indoor facility. Cornerstone University is close to Frederik Meijer Gardens, movie theater, restaurants, shopping, hotels and the airport. Free parking is available on campus.
Cornerstone University - DeWitt Baseball Stadium
The DeWitt baseball stadium opened in the spring of 2015. This 485 seat baseball facility includes a fully-lit turf field that is 325 ft. down the lines, 376 ft. to the right and left field gaps, and 400 ft. to straight center. The field has an elevated press box and dorm rooms that surround the field behind the plate.
Davenport University - Farmers Insurance Athletic Complex
Artificial turf is utilized for the entire baseball field and outfield for the softball stadium. The baseball stadium seats 300 and the softball 200 spectators respectively. Dimensions for the baseball field are 330' to left and right field and 400' to center, while dimensions for the softball field are 200' to left and right, and 210' to center. The new athletic complex also includes eight tennis courts.
Davenport University Student Center
The 1,500-seat fieldhouse provides the home court for the men's and women's basketball and women's volleyball teams. The seat capacity also provides the opportunity for large gatherings for special student and community events. The completion of the Student Center also brought the brand new addition of the Turf Field which sits just to the south of the building.


text:
Boban "Bobi" Mitev (; born 7 August 1972) is a Macedonian professional basketball coach.

References

1972 births
Living people
Macedonian expatriate basketball people in Serbia
Macedonian basketball coaches
Sportspeople from Skopje


Release of John Lennon posthumous compilation 4-CD box set "Lennon"
since Capitol pressed no copies but imported them from Europe.
corrected on later copies.	[Note:	the song "Give Me Some Truth"
Miss Lizzy" was originally spelled "Dizzy Miss Lizzie"].
I have never heard of this box set and I can't find it on amazon. Does anyone know anything about it? It isn't the Lennon Anthology, I know that much.
I bought that one when it came out. Just a straight forward "greatest hits" kind of set (4 CD's).
Apart from "Every man has a woman who loves him" (and even that is on the "new" "Milk & Honey" recently released), nothing on those that can't be found elsewhere (exept maybe the songs from the Toronto Peace Festival in 1969).
The booklet only has a few photos in it and not that much useful information.
"I am not a number, I am a free man !"
Look for this one on ebay, it's always on there.
I received the Lennon box set for Christmas back in 1993. Although there's a lot of stuff on there (including the Plastic Ono Band/Primal album in it's entirety), I was disappointed that there were a few tracks missing (including "What You Got"). I was also disappointed that there weren't much in the way of photos, or liner notes. The booklet is taken up mostly by song lyrics, and which album a song belonged to. Aside from the disappointments, it isn't a bad package, but all of the material is relatively easy to find elsewhere.
"Turn off your mind. Relax and float downstream."
I brought this for http://www.beatlelinks.net/ubb/smilies/sleep2.gif for her birthday several years ago. This CD set was released in 1990 with the catalogue #C2-95220. The one being auctioned on ebay is currently at $61.00 with a little over 15 hours left to bid.


text:
Q: Метод POST не видит виртуальных обьектов (добавленых через append()) jQuery код добавляет новый виртуальный обьект ".add" к ".main"

HTML код с "main" формой:
<form action="" method="post"
class="main">

First element

<input type="hidden" name="param[]" value="First element"/>
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проблема в том что в массиве не будет елементов добавленых через jQuery


This is a final reminder that on Wednesday, November 30, 2016, eRA is updating access to all its publicly-accessible websites to use 'https only' secure connections per federal mandate (OMB M-15-13, dated June 8, 2015). Please update your browsers to continue using eRA Commons, ASSIST, IAR and iEdison.
NOTE: This update will not impact System-to-System connections or security certificates.
Original message below sent Wednesday, October 26, 2016 at 8:26 a.m. ET.


text:
Bulls' Tom Thibodeau defends aggressive coaching style
Sam Amick
OAKLAND — Tom Thibodeau, in case you hadn't heard, isn't the shakable sort.
From the steady cadence of his speech to his strong style of coaching to the boulder-like shape of his physique that so perfectly reflects his essence, the man is nothing if not resolute. So as the Chicago Bulls coach discussed the state of his team Tuesday night, a win against the Golden State Warriors having provided the latest uptick in their strangely inconsistent season, it came as no surprise that he wasn't fazed by all the critical chatter that surrounds him.
Even with the win against the Warriors that snapped Golden State's 19-game home winning streak, the Bulls have lost seven of their last 12 games and are currently fourth in the Eastern Conference at 30-17. There's speculation in the Chicago media that Thibodeau and the Bulls might part ways this summer if their playoff run doesn't last long enough, and a recent rant from ESPN analyst and longtime Thibodeau friend Jeff Van Gundy only fed that fire.
Van Gundy, who employed Thibodeau as an assistant while coaching the New York Knicks and Houston Rockets, was critical of the Bulls for allegedly undermining their coach through the media. Bulls executive vice president John Paxson fired back, denying the accusation in an interview with the Chicago Tribune and calling it "pathetic."
Meanwhile, the age-old questions about Thibodeau and whether his intense style is wearing his players down are — quite predictably — back again. Never mind the long list of more substantive factors that have come into play.
As Thibodeau is first to point out, the Bulls have had their preferred starting lineup of Derrick Rose, Jimmy Butler, Mike Dunleavy, Pau Gasol and Joakim Noah together for 15 of 47 games this season because of injuries. Dunleavy (right ankle sprain) is the lone missing piece now from that group, as he has missed 14 consecutive games and the timeline for his return is unclear.
What's more, the combination of Rose's long-awaited return from his two injury-riddled seasons and the integration of Gasol and his unique game has played a part in the inconsistency. Most alarming is the fact that the Bulls' defense that has been the league's best in two of Thibodeau's four seasons (and ranked second and fifth in the other two) has slid to 12th in the league this season.
Yet as Thibodeau made clear, he's not the least bit concerned with those who keep questioning his hard-driving ways. He'll charge on, unapologetic and — as always — unshaken.
"You want to be a championship team, there's a price to pay," Thibodeau declares. "And that's what you have to do. There's no shortcuts. You can't shortcut your way to success. ... I'm going to give everything I have each and every day, and I have no regrets."
Here is a transcript of USA TODAY Sports' discussion with Thibodeau on the Bulls and the noise surrounding them:
Q: Tom, you're getting asked about your coaching style quite a bit these days, from the managing of minutes to practice habits and all those kinds of things. Any part of you feel like there's too much focus on that aspect of your guys' season?
A: To me, it's not a big deal. If you coach in this league, it's part of the territory. They're going to criticize you for something. You have to stand by what you believe in, and I don't believe that we lost in the playoffs (last season) because we were out of gas. If you look at what we've done the second half of the season (in the past), we've always done extremely well the second half of the season. Now you get to the playoffs, and when you're down a Derrick Rose and you're down a Luol Deng and you're down a Joakim Noah, now it's different. Once you get to the playoffs, now it becomes more equal talent. Maybe we lost because we were shorthanded. That's the way I look at it.
Our team has overcome a lot of obstacles. When you lose a Derrick Rose and a Joakim Noah and a Luol Deng, and you still manage to get into the playoffs, I thought it was terrific accomplishment for our team. One year (2013), we advanced to the second round short-handed. When we got there, Luol Deng was out with a spinal tap, Kirk (Hinrich) was out with a calf injury, Derrick was gone, Joakim had plantar (fasciitis), and we still managed to win a round and then last year won 48 games (in the regular season). So I'm not apologizing for any of that. You have to believe — to me, the only way a team can improve is you have to be sharp. The way you execute in this league is through repetition, and that's both offensively and defensively. You're not going to rest your way to success.
Q: What about the idea that no one in the league pushes their players quite like you do? Do you even agree with that premise that has essentially become like gospel?
A: No. Listen, I've been around a long time. There are so many different ways to pace your team. Like everyone, (outsiders) look at minutes but they don't know what's going on in practice. They don't know how much contact you have (in practice). They don't know what your philosophy is in terms of days off. Is (practice) after back to backs? Is first day of a road trip? Is (practice) a day off after never more than three consecutive days? Whatever it might be, there's a lot that goes into it. But you also — if you're looking at performance and how you can get the best out of people — there's a reason why teams have success over a long period of time. You have to have core values. What do you believe in? Do you believe in hard work? Do you believe in discipline? Do you believe in conditioning? Because those are the things I know that do work.
So I'm not surprised if the play is up and down and it's been sporadic in terms of — can you practice or not practice? No, practice is important. The regular season is important. Your meetings are important. Your walk-through is important. Everything is important. You want to be a championship team, there's a price to pay. And that's what you have to do. There's no shortcuts. You can't shortcut your way to success.
Q: When this kind of noise gets louder around you, is there any part of you that becomes more defiant in terms of your beliefs?
A: As I said, this is not something — I didn't just come into the league yesterday. I've been around a long time. I've been around championship-caliber teams for a long time. I know what goes into it.
Q: When it comes to your style, which one or two coaches would you point to in terms of influencing you the most?
A: All of them. They're all important, because I think you're a sum of all your experiences. ... If you aspire to be a great coach, I think being around great coaches is really the only way to get there. And so, I was fortunate to break in with (the late Bill) Musselman. I worked with (UNLV legend Jerry) Tarkanian. When I was in New York, we had a fabulous staff with Jeff (Van Gundy). But more importantly, it wasn't just Jeff. Jeff had worked for (Pat) Riley and John MacLeod and Don Nelson and Rick Pitino, and his dad was a great coach. And then we had Brendan Malone, who had been with Chuck Daly. He's a great coach. Don Cheney, who was under Bill Fitch and the Celtics. You learn from everybody, and Doc (Rivers) is as good as it gets in this league. I learned as much from him (as a Celtics assistant) as I learned from everybody. So you learn from everybody that you're around, and then I don't think you ever want to stay the same. You always want to try to learn and improve. I'm going to give everything I have each and every day, and I have no regrets.
Q: What's your pulse of your locker room? Some folks have indicated that there may be a disconnect with you and your guys. How do you see that?
A: I work every day. I'm not going in there taking their temperature. It's like, "Hey, my job is to be consistent." Come in every day. Give them a good plan. I want them to be able to count on me to tell them the truth. And when it's not good enough, I have to tell them that. I also have to tell them what we have to do to correct it. That's part of my job, so I want them to be able to count on me, to know that I'm not taking a shortcut, I'm going to put the work in and try to come up with answers. We've just got to keep improving. It's really simple.


text:
Q: Webkit scroll performance on iOS browsers I've inherited a website project with the task of making it perform better on mobile (particularly iOS). The site is very slow on scroll and parts of the page take a long time to load. I've tried most of the scroll fixes like -webkit-overflow-scrolling: touch; and transform: translate3d(0,0,0); but have not had any luck. I've also tried to dig into the rendering tools in Chrome Dev Tools on desktop to see if anything stuck out. I'm at a loss.
Here's the link: http://www.seacoastsciencecenter.org/

A: We can use the Chrome Web Profiler to determine what is eating up so much CPU. Note that this is probably taking much longer on mobile.

It looks like in your case, skrollr.min.js is taking up the most CPU, so I'd try to get rid of that and stick to built-in scrolling methods. Is there any reason you need a special library for scrolling?


text:
Volcanoes on the Inner Planets of the Solar System
Thread: Volcanoes on the Inner Planets of the Solar System
2020-May-28, 06:54 PM #1
Roger E. Moore
How has vulcanism reshaped the worlds of the Solar System?
On The Geological Time Evolution of Volcanism in the Inner Solar System
Varnana.M.Kumar, T.E.Girish, Thara.N.Sathyan, Biju Longhinos, Anjana A.V.Panicker, J.Binoy
[Submitted on 27 May 2020]
We have studied the geological time evolution of volcanism in Earth and other inner solar system planetary bodies (Mercury, Moon, Mars and Venus) in both geophysical and biophysical perspective. The record of Large Igneous Provinces in Earth and other planetary objects suggest the existence of increasing, decreasing and cessation phases of major volcanic activity over geological time scales. We have extended the existing scale of measuring intensity of volcanic eruptions based on Earth based observations to accommodate intense and extreme volcanic activity. The mass of a rocky planetary object is found to be related to the magnitude of the internal heat, occurrences of Large Igneous Provinces and the duration of major volcanic activity from relevant data available for the inner solar system. The internal heat magnitude may also decide the intensity of volcanism in these planetary objects. The time evolution of volcanism in Earth and Mars has probably influenced the origin of life and biological evolution in these planets.
Do good work. —Virgil Ivan "Gus" Grissom
2020-Nov-19, 07:06 PM #2
"Recent" is a relative term, but Mars might have been active volcanically not long ago.
Evidence for geologically recent explosive volcanism in Elysium Planitia, Mars
David G. Horvath, Pranabendu Moitra, Christopher W. Hamilton, Robert A. Craddock, Jeffrey C. Andrews-Hanna
Volcanic activity on Mars peaked during the Noachian and Hesperian periods but has continued since then in isolated locales. Elysium Planitia hosts numerous young, fissure-fed flood lavas with ages ranging from approximately 500 to 2.5 million years (Ma). We present evidence for what may be the youngest volcanic deposit yet documented on Mars: a low albedo, high thermal inertia, high-calcium pyroxene-rich deposit distributed symmetrically around a segment of the Cerberus Fossae fissure system in Elysium Planitia. This deposit is similar to features interpreted as pyroclastic deposits on the Moon and Mercury. However, unlike previously documented lava flows in Elysium Planitia, this feature is morphologically consistent with a fissure-fed pyroclastic deposit, mantling the surrounding lava flows with a thickness on the order of tens of cm over most of the deposit and a volume of 1.1-2.8E7 cubic meters. Thickness and volume estimates are consistent with tephra fall deposits on Earth. Stratigraphic relationships indicate a relative age younger than the surrounding volcanic plains and the Zunil impact crater (~0.1-1 Ma), with crater counting suggesting an absolute model age of 53 to 210 ka. This young age implies that if this deposit is of volcanic origin then the Cerberus Fossae region may not be extinct and Mars may still be volcanically active today. This interpretation is consistent with the identification of seismicity in this region by the Interior Exploration using Seismic Investigations, Geodesy, and Heat Transport (InSight) lander, and has additional implications for astrobiology and the source of transient atmospheric methane.
Quick Navigation Geology & Planetary Surfaces Top


This month's art walk will take place on May 4.
Clarke and Clarke Art and Artifacts and Suzanne Zahr's SZ Gallery will feature multiple artists at their First Friday art walk, from 5-8 p.m. on May 4.
At SZ Gallery, attendees can enjoy inspirational art pieces along with complimentary refreshments, seasonal bites and live music. Robert Wood's unique multimedia exhibit, "Lost Luggage of Gnome Island," and collaborative paintings by Laura Castellanos and Juan Carlos Castellanos will be on display.
Clarke and Clarke is hosting an encore presentation of its "Three Fabulous Females" show, with works by Valaree Cox, Karen Dedrickson and Sharon Carr.
Cox's new Encaustic series, "The Way Of Tea," is based on a book of grass script, with stained teabags incorporated into each painting, Clarke said. Dedrickson's Sumi-e collection "Soul of Soil," inspired by the ancient Chinese and Japanese art form of Black Ink on Paper, is contemporary and strikingly distinctive. Carr's oil and cold wax series, "Crazy in Love With Color," features dramatic strokes and textures.
See www.suzannezahr.com and www.ethnoarts.com for more.


The General Car Insurance Ratings. Sponsored Ads. Customers of The General originally decided to purchase from the company for these reasons: 23% The.
Attorneys general from 19 states and the District of Columbia say they. Thursday's proposal would freeze an effort by the Obama administration intended to promote auto.
Quick Pay. Enter your policy information. Policy Number: * *. Primary Insured First Name: *. Primary Insured Last Name: *. Billing Zip Code: * *. © 2009 Western.
General Motors' mobility unit, Maven, said it is testing a new peer-to-peer car sharing.
As a general rule it takes an hour for a single unit of alcohol. "The offence can land.
Greater Philadelphia drivers could take the electric car for a spin through a San Francisco-based vehicle. and is looking to hire three employees, a general.
. it at the beach! Get affordable auto insurance with The General today. http:// www.thegeneral.com. Mood. Active. The General TV Spot, 'Two Cars to Insure'.
The General auto insurance has been helping folks save money on their car insurance policies throughout the United States for more than 10 years. At SkyBlue.
Prestige Insurance Group specializes in meeting your particular needs for home, auto, boat and commercial coverage in Kendall.
May 18, 2016. "I got the car for $2,200 and my dad said, 'Now you need insurance,'". the first athlete spokesman of The General, an auto insurance company.
Like your car, home and health insurance. When approaching insurance or any.
MOBI and partners, including, BMW, Bosch, Ford, General Motors, Groupe.
Soon, you may have to buy a mandatory three-year motor third-party insurance for your car. For two-wheelers. In January, the regulator had directed all general insurers to sell third-party cover on.
General Motors' Maven is testing a peer-to-peer car-sharing. are considering how to reinvent auto insurance for the mobility age.
Riverton General Store, Northwest Insurance, LLC, Elite Roofing, Klebe Fuel, Kare Construction, Langer Farms, Becki Sartirana-Zumba, ASE Electric Co, TARGET.
QuickFoto Claim enables us to pay auto insurance claims in hours versus days. As a coach, you kind of know in general what the pitcher's good at, whether they get a fastball or curveball or somethi.
The General Insurance Company is a licensed insurance agency that offers automobile insurance across the country for more than 5. The median complaint ratio across all Car Insurance companies is 1. https://www. thegeneral.com.


text:
package pl.domzal.junit.docker.rule;

import static org.mockito.Mockito.*;

import java.util.concurrent.ExecutorService;
import java.util.concurrent.Executors;
import java.util.concurrent.TimeUnit;
import java.util.concurrent.TimeoutException;
import java.util.concurrent.atomic.AtomicBoolean;
import java.util.concurrent.atomic.AtomicReference;

import org.junit.After;
import org.junit.Test;
import org.junit.experimental.categories.Category;
import org.slf4j.Logger;
import org.slf4j.LoggerFactory;

import junit.framework.AssertionFailedError;
import pl.domzal.junit.docker.rule.wait.StartConditionCheck;

@Category(test.category.Stable.class)
public class WaitForContainerTest {

    private static Logger log = LoggerFactory.getLogger(WaitForContainerTest.class);

    public static final int WAIT_LOG_TIMEOUT_SEC = 4;

    private final ExecutorService executor = Executors.newSingleThreadExecutor();

    private final AtomicBoolean doneWaiting = new AtomicBoolean(false);
    private final AtomicBoolean timeoutWaiting = new AtomicBoolean(false);
    private final AtomicReference<Throwable> exceptionWaiting = new AtomicReference<>();

    class WaitRunner implements Runnable {

        private final StartConditionCheck condition;

        WaitRunner(StartConditionCheck condition) {
            this.condition = condition;
        }

        @Override
        public void run() {
            log.debug("runner started");
            try {
                WaitForContainer.waitForCondition(condition, WAIT_LOG_TIMEOUT_SEC, "test container");
                doneWaiting.set(true);
            } catch (TimeoutException e) {
                timeoutWaiting.set(true);
            } catch (Throwable e) {
                exceptionWaiting.set(e);
            }
            log.debug("runner finished");
        }
    }

    @Test(timeout = 20000)
    public void shouldStopWhenConditionMet() throws Exception {
        StartConditionCheck condition = mock(StartConditionCheck.class);
        when(condition.check()).thenReturn(true);
        executor.submit(new WaitRunner(condition));
        waitForDone();
        assertNoExceptionInWorker();
    }

    @Test(timeout = 10000)
    public void shouldTimeoutWhenConditionNotMet() throws Exception {
        StartConditionCheck condition = mock(StartConditionCheck.class);
        when(condition.check()).thenReturn(false);
        executor.submit(new WaitRunner(condition));
        waitForTimeout();
        assertNoExceptionInWorker();
    }

    @Test(timeout = 10000, expected = IllegalStateException.class)
    public void shouldRethrowException() throws Exception {
        StartConditionCheck condition = mock(StartConditionCheck.class);
        when(condition.check()).thenThrow(new IllegalStateException("kaboom"));
        WaitForContainer.waitForCondition(condition, WAIT_LOG_TIMEOUT_SEC, "test container");
    }

    private void waitForDone() throws TimeoutException, InterruptedException {
        new WaitForUnit(TimeUnit.SECONDS, 5, new WaitForUnit.WaitForCondition() {
            @Override
            public boolean isConditionMet() {
                return doneWaiting.get();
            }
        }).startWaiting();
    }

    private void waitForTimeout() throws TimeoutException, InterruptedException {
        new WaitForUnit(TimeUnit.SECONDS, 10, TimeUnit.SECONDS, 1, new WaitForUnit.WaitForCondition() {
            @Override
            public boolean isConditionMet() {
                return timeoutWaiting.get();
            }
            @Override
            public String tickMessage() {
                return "wait for timeout: "+super.tickMessage();
            }
        }).startWaiting();
    }

    private void assertNoExceptionInWorker() {
        if (exceptionWaiting.get() != null) {
            throw new AssertionFailedError("wait failed with exception: "+ exceptionWaiting.get().getMessage());
        }
    }

    @After
    public void teardown() throws InterruptedException {
        executor.awaitTermination(1, TimeUnit.SECONDS);
        executor.shutdown();
    }

}

redpajama_set_name: RedPajamaGithub


text:
Too much learning damaging children's play, says report
Wed 7 Sep 2005 20.40 EDT
Young children are being denied the chance to play at being pirates and astronauts because they spend so much time learning to read and write, according to research published today.
Role play games such as pretending to be doctors or police officers are vital to help children learn how to make friends and develop their imagination, the University of Plymouth study found.
But the pressures of the formal primary school curriculum, such as the drive to teach literacy, mean there is too little time for play, the research said. Parents' groups backed the report's findings and warned that children were being pushed into formal education too young.
The study, published by the Economic and Social Research Council, called for more outdoor play space in schools.
It concluded that classes are not always designed to meet the needs of four and five year olds.
Sue Rogers, who led the project, said: "Children of this age learn to make friends as well as to use their imagination through role play.
"We know that they are capable of sustained and complex imaginative play and that capturing and engaging their interest is essential.
"Unfortunately, pressures on time and space, as well as the need to teach literacy, means that playing at shops, pirates and hospitals is difficult to fit into the timetable."
Margaret Morrissey, from the National Confederation of Parent Teacher Associations, said many parents were concerned about the issues raised in the report.
"We would like to see less emphasis on keeping small children focused on classroom working," she said. "We know, as parents, that young children learn at their best when they are learning through play.
"It is really important. We are putting too much emphasis as a nation on formal learning for very small children.
"We have really lost our way on this."
The researchers found that both boys and girls rated playing "castles" as their favourite activity.
But there were sharp differences between the way boys played and the roles girls adopted.
Boys preferred to take on "action" roles, such as policemen, robbers or superheroes, while girls more often chose domestic, "nurturing or maternal" roles. The boys drew gory pictures of fighting and chopping off people's heads, while the girls' art focused on princesses and "mums and dads".
Researchers made 71 visits to groups of four year olds in schools from three contrasting areas of south-west England.
The study called for more outdoor play spaces so that children could have more choice over materials, locations and playmates.
Such facilities would encourage girls to take a more active role in building activities and allow boys' play to develop without disrupting people around them, the research said.
A spokesman for the Department for Education and Skills said: "It's completely wrong to suggest that children are missing out due to the national curriculum.
"On the contrary, the foundation stage for three to five year olds is all about learning through play with enjoyment and challenge - enabling children to develop the key skills needed for all future learning."


As an avid read of independent filmmaking blogs and news sites, I was first exposed to indie horror director Ti West around 2011, when his feature THE INKEEPERS was making the rounds at film festivals. He was praised for his old-fashioned aesthetic, and for making scary movies that were actually artful and high quality. I became a firm believer in West after watching THE INKEEPERS and finding it to be one of the most energizing horror films I'd seen in years. That impression was further reinforced by watching his 2009 feature THE HOUSE OF THE DEVIL and finding it to also be a brilliantly crafted film. As a filmmaker with the grand majority of his career still ahead of him, West may seem an odd choice for a retrospective essay series such as this one. He really only has a few high-profile features to his name, and even then he hasn't caused a significantly large ripple in the film community yet. However, with each film he makes, his profile grows a little more, marking him as a director to watch. His commitment to bringing the genre back from the uninspired dregs of such studio horror franchises as the SAW series or PARANORMAL ACTIVITY is both refreshing and promising. As his career grows, he'll almost certainly become our preeminent director of scary content, redefining horror for a whole new generation.
Born in Delaware in 1980, West is one of the few working directors that is close to me in age, so thusly, he belongs to my generation of filmmakers: old enough to remember the days of VCRs and video cassettes, but young enough that we've always had access to cheap digital video cameras. As such, a lot of us have been making films quite economically from a very early age. We were also the first generation of filmmakers to directly benefit from online video and the rise of Youtube, which allowed us to distribute our films directly to fans without the need for conventional theatrical releases or film festivals. West's formative years were no doubt spent watching and re-watching videocassettes of horror classics until the tapes wore out. The fuzzy, lo-fi aesthetic of the format played a huge role in influencing his own.
He studied filmmaking at the School of Visual Arts in Manhattan, where he found himself under the tutelage of noted indie director Kelly Reichardt (WENDY AND LUCY (2008), MEEK'S CUTOFF (2010)). From her, he learned the value of minimalism, resourcefulness, and conviction of vision. It was his relationship with Reichardt that led to his internship at Glass Eye Pix, run by director/producer/actor Larry Fessenden. Fessenden had starred in Reichardt's debut feature RIVER OF GRASS (1994) and had since carved out a niche for himself as a producer of grindhouse genre exploitation films in the vein of Roger Corman. Fessenden took an active interest in his talented young intern, and agreed to executive produce his first few features, bringing West some instant indie cred.
While he was at SVA in 2001, West completed three short works titled PREY, INFESTED, and THE WICKED. PREY appears to be the only of these shorts that is publicly available, so I only have that go off on in exploring West's first forays behind the camera. PREY concerns two young men who are chased through snowy woods by a bloodthirsty creature. It's a pretty standard horror story, with the bulk of the action focusing on the protagonists evading the unspecified monster. What it lacks in story, PREY makes up for in execution— West's confidence behind the camera is already apparent.
PREY was shot on 16mm film, as were his other two student shorts, so the film is naturally constrained to a square 4:3 frame. The cinematography by West himself is unadorned, with the young director hand-operating his camera and employing zooms for dramatic effect. He takes a lot of visual cues from THE BLAIR WITCH PROJECT (1999), like the woodsy setting and handheld camera shakiness but he also employs his own visual language with the monster, giving its POV an eerie, supernatural feel with a monochrome negative filter. We only see the Monster in extreme close-ups, its snapping jaws most resembling a wolf. Even then, West knew that the key to effective horror is that our imaginations can conjure up something far scarier than what he could realize on-screen. PREY also shows West's affinity for immersive sound design, an aspect on which most horror films live or die. Despite the lo-fi nature of the cinematography, PREY comes off as pretty polished thanks to a high quality sound mix.
In his student films, we can already see West's defining characteristics emerging. His influences and inspirations are incorporated into his work in the form of old school techniques and suspense. Make no mistake, PREY is very much a student film, much like the subpar shorts I saw in my own days as a film student at Emerson College, but it also has a distinct confidence behind it. Without being able to see THE WICKED or INFESTED, it's still clear that West knows what he's doing, and that he already possesses the skills that will make his feature work stand out from the pack.
PREY is currently available as a bonus feature on the standard definition DVD of his feature, THE ROOST (2005).