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Tag Archives: Natasha Lyonne
Cancer ♋ Codes
Posted on June 30, 2014 by synchromiss
We just entered the sign of CANCER on June 21st, (some say the start is June 22nd) which is ruled by the MOON. New syncs and codes have arisen that pertain to this sign. Let's take a look…
CANCER is associated with the MOON, the FEMININE energy.
Floating around in my newsfeed on social media was an recent article titled, "Mattel to make chemotherapy Barbie dolls for patients." Grace Bumstead is a four-year-old little girl with a rare form of leukemia. Her mother (Melissa Bumstead) created a petition to ask Mattel to make more of these unique Barbie dolls, as the hospital only gives out the donations from Mattel that it receives (which is fewer than 10) to children with CANCER. Read the full story here. Chemotherapy is a treatment used to treat the disease CANCER.
Barbie is also represented by the color (Pi)nk, the same color that represents BREAST CANCER. The sign CANCER rules the BREASTS.
"Ella," a friend of Barbie, has gone through chemotherapy treatments, and, as result, has lost all of her hair. She comes with special WIGs<–(***Save this for later***) and accessories for her head.
Another CANCER (the disease) sync floating around in my social media feed lately, is the meme below.
"Cure your CANCER or lose your HOME…"
I was watching Brother Vs. Brother (B=2 and V=22, hence 2222) last Sunday evening (June 22nd). (Season 2, episode 3). Team Drew won the MiNi challenge (MN = MooN/ M=13 N=14–>3.14/Pi), so they got to put a S[Pi]cam in Team Jonathan's HOUSE. Team Jonathan MOONs "Team Drew" on s[Pi]cam as a joke. . . then, they flash a scene of the full MOON on (one of) the first day/s of CANCER, which is ruled by the MOON. CANCER rules the 4th HOUSE, which is the HOME, family, heredity and FATHER. The show, Brother Vs. Brother, is about DESIGN teams who renovate HOMEs and challenge one another in doing so. In the elimination process at the end, they sent a woman contestant named "SIX" HOME. The sign of CANCER begins during the SIXth MO[O]Nth (June).
Team Drew won the MiNi (MOONi) challenge and the advantage of placing a s[Pi]cam into Team Jonathan's HOME. Team Jonathan MOONs Team Drew.
Speaking of DESIGNING HOMEs, Meshach Taylor, star of "DESIGNING WOMEN," passed away June 28, 2014, under the sign of CANCER. DESIGNING the HOME is what the CANCER CRAB is all about. WOMEN tie back, once again, to the FEMININE and HOME energy.
Meshach Taylor played the role of "Anthony Bouvier" on DESIGNING WOMEN.
Meshach Taylor played "Anthony Bouvier" on DESIGNING WOMEN (left and center) and "Hollywood MO(O)Ntrose" in MaNnequin (right).
And there's all this talk about ISIS (the ISIS crISIS) in the news lately. Specifically, the militant organization (Islamic State of Iraq and al-Sham) that is taking over SYRIA, and other parts of the Middle East. SYRIA is close to EGYPT, hence the sync connection to the goddess ISIS, who derived from EGYPT. ISIS is connected to the MOON or MOTHER energy, bringing us back to the astrological sign of CANCER which is ruled by the MOON, the MOTHER energy.
On June 21st, we started to experience a rare event called "The Return of ISIS." Again, June 21st is the start of CANCER, as well as the first day of the Summer SolstICE-[IS].
The (MOTHER) ISIS energy has returned to planet Earth under the sign of CANCER.
Read more about "The Return of ISIS" here.
Last night, I just happened to stumble upon a new movie add on Netflix titled, "Girl Most Likely." The film totally resonates the sign of CANCER and was released under the sign of CANCER (July 18, 2012).
In the beginning of "Girl Most Likely," a young "Imogene Duncan" recites, "There's no place like HOME."
Kristen WIiG's character, "Imogene" says: "I grew up in the Atlantic City area near the BEACH." "Every day was not like SUMMER." CANCER is a WATER sign (the BEACH) which takes place at the start of SUMMER.
Annette Bening plays Imogene's MOTHER. She says, "I think I know why you did it. I'm your MOTHER, ok, I know why you did it. Some men are stayers, some men are leavers and you know, it's better to find out now."
Imogene: "Wow, where'd you get that PEARL of wisdom?"
CANCER is all about the HOME, the FAMILY, the MOTHER, and the PEARL is its stone.
One of CANCER's stones is the PEARL, relating back to the WATER and the SEA.
We catch a lot of CRAB symbolism during this film…
Imogene's MOTHER's HOUSE is decorated in CRAB and other BEACH decor.
CRABville is Ralph Duncan's kiosk business on the BEACH boardwalk. He sells HERMIT CRABs.
Ralph Duncan constructs a suit of ARMO[U]R to protect him from the outside world. The suit resembles the mollusk, better known as the HERMIT CRAB. Ralph journeys into NYC with his sister, Imogene, in hopes of reuniting with their FATHER. He had never made it past the boardwalk or BEACH town he grew up in, making him a HERMIT.
On June 23rd, I stumbled upon a funny meme of sorts via social media. The KERMIT (HERMIT CRAB), made to poke fun at "The HERMIT" card in the tarot deck. CANCERs are known for being MOOdy or CRABby at times, thus retreating into their SHELLs, a.k.a. their HOMEs.
The HERMIT (CRAB) card in the tarot deck. There are 22 cards in the deck, bringing us back to the number 22 and the first day of CANCER, June 22nd.
Going back to the ARMOR, specifically, the brand UNDER ARMOUR. Tying in so timely and Pi.rfectly, I was recently driving through Baltimore, the HOME of UNDER ARMOUR. The symbol for the brand resembles a CRAB. Baltimore is a city located on the WATER and is famous for its Chesapeake Bay CRABs. UNDER ARMOUR had a slogan when they first started called, "Protect this HOUSE."
The [U]NDER [A]RMOUR logo resembles that of the CRAB. UA is a reversed AU, which is the atomic symbol for GOLD. CANCER is associated with the color SILVER, another metal.
HOUSE music is making a comeback on EDM podcasts lately. I recently heard Sander Kleinenberg's new HOUSE hit "We-R-SuperST☆Rs" on Corsten's Countdown. I also recently heard Mat Zo featuring The Knocks' latest titled "Get Down 2 Get Up" Group Therapy Radio. Enjoy both videos below. 😀
Take notice how they implemented the DOGs in the above video. DOGs connect back to SIRIUS, the DOG ST☆R. SYRIA is connected to SIRIUS, syncing back to CANnabIS, which contains the word "CANIS" in it. SIRIUS is located in the constellation CANIS Major ("the greater DOG"), and sits close to the constellation CANIS Minor ("the lesser DOG").
I had the pleasure of meeting Sander Kleinenberg back in the Fall of 2010. Please excuse the blurry photo! 😛
***All (R)ORiginal slides by SynchroMiss***
***For more on CANCER ♋ or CANCER-related posts go/read here, here, here, and here!!!***
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Orange Is The New Black: Decoded
Posted on August 25, 2013 by synchromiss
This blog post was co-written by Jim and Rory.
Lately, we've really gotten into the new Netflix original series Orange Is The New Black. The codes in the show relate back to our previous blog post. These two entries center around the key themes of Pisces/Pi-SEAS, time, and feet. Additionally, many other codes present themselves in this enthralling series.
Orange Is The New Black premiered on 7.11.13. Notice how the main character, Piper (center), is in the 7th position and is sitting in the shape of an X (JuPiter). It also bears resemblance to another story…
Piper = Jesus. Notice the repeating 11:11:11:11 pattern that shows up in both pictures.
The series premiered on 7/11 just before Pi Day (7/22) or the LIONSGATE opening. LIONSGATE is the comPANy that produces the show. LIONSGATE = LION + S + GATE = LION S(TAUR)G8. LEO = the 8th month of the Gregorian calendar. We have just transcended out of the sign of LEO. Natasha Ly[I]ONne plays one of the main characters.
The series premiered on 7.11. 7 Eleven is a convenience store and ORANGE is one of their theme colors. 7 + 11 = 18. Above, we can take the 11 and add 7 to it from either the left or the right to get 18.
The show was created by Jenji Kohan a.k.a. the JoKer archetype. There were 13 (Pi) e[Pi]sodes in season 1. 13 episodes = 12 apostles + 1 Jesus. It is rated MA (Mature Audience). MA = 13 + 1 = 14 (Pi). 13 (episodes) + (season) 1 = 14 . 13 and 1 are key numbers here.
The DOC is the COD[e], a type of fish. Fish are sometimes caught from the DOC[k].
New prisoners are outfitted with orange jumpsuits that read D.O.C. on the back. D.O.C. stands for Department Of Corrections. When read backwards, it spells COD, a type of fish. COD also = CODe and there are tons of CODes in this show. Orange is the color of creativity and represents the sacral chakra. Black and orange are the colors of Halloween, a scary holiday. Halloween and prison are centered around fear. The theme song for the show is "You've Got Time" by Regina Spektor. A specter is a spirit or ghost that one sees during Halloween. Time relates back to Saturn and the famous rabbit below.
Bugs Bunny's famous saying was What's Up DOC? and he ate orange carrots. The bunny or hare = time. Time is always on the minds of inmates. When someone is incarcerated, they are required to give their time to the prison.
The Lorax is orange with blonde hair. Piper sports orange and also has blonde hair. Orange is another color that represents time because it's just below the SOLAR plexus. SOLAR refers to the SUN because it keeps track of time.
A [C]LOCKwork [O]range [D], The Oranges, Agent Orange and the sacral chakra ~
DOC from the Back To The Future series . . . The movie centers around time.
Shoes are mentioned often in the series. Episode 1 starts of with Piper wearing makeshift flip-flops made out of feminine hygiene pads. Piper is seen as well-HEELed by the other inmates. Mr. HEALy is assigned as Piper's CO[D] or social worker. One of the characters, Burset, ties in perfectly because she was using stolen credit cards to pay for her son's sneakers. She also ties back to time because she is the prison's HAIRdresser. HAIR=HARE. Credit cards = charging = the bull or Taurus energy. Another one of the characters, Watson, is a track star. In high school, she was a champion runner. She eventually ended up running from the cops after robbing a store. Both she and Piper are happy when the track is reopened.
Sophia Burset is the prison's hairdresser. This is the scene in which Piper sells her hair for some lotion. Taystee gets some blonde [C]LOCKs.
In the beginning of the series, Piper trades her own LOCKs for some cocoa butter. When in prison, one is LOCKed up. LOX is also a type of smoked salmon or fish which brings us back to Pisces.
Watson was a track star at (Armin) Van Bu(u)ren High School. 😉
In another one of the episodes, the prisoners who won the WAC (Women's Advisory Committee) race were awarded with Dunkin' Donuts ("America RUNS on Dunkin'") by Mr. HEALy. Their theme colors are orange and Pink. Orange and Pink are colors on display during Easter which brings us back to the bunny or HARE, Jesus, and Pisces. The deeper meaning here is that the prisoners feel as if they are getting ahead when they aren't getting anywhere. They still have to do their time, therefore the WAC is WACk!
Mr. HEALy awards the girls of the WAC RACE with Dunkin' Donuts. The name of the episode is "Blood Donut." Blood relates back to Jesus and the blood of Christ.
Jason biggs (Pigs) plays Larry BLOOM. Here, he is roasting a Pig. The Pig relates back to Jesus and Easter because pork is eaten during the holiday. BLOOM also relates back to Easter and spring, for this is when flowers start to BLOOM. The irony here is that Bloom is Jewish and Jews typically do not eat pork. Even Piper gets in on the code-cracking during this episode (1–>and Jesus is 1) when she says "It's thematic…Pigs, Cops." Polly says, "You're not serving time in Cuba." The Bay Of Pigs is located on the southern coast of Cuba.
In addition to the above, here is a collection of shoes or other foot syncs.
1. In the 1st episode, Piper is given shoes that resemble TOMS. She advertises them by explaining TOMS' mission.
The scene where Piper is given prison shoes that resemble TOMS.
2. Burset says she wears a size 13 shoe.
Sophia Burset shows off her makeshift, metallic "couture" flip-flops made out of industrial tape to Piper. She makes her own because the commissary doesn't carry her size 13 shoe.
3. Red says, "Don't forget the toes, Norma," who is shaving her legs in episode 2/T[W]OE.
4. A young Alex Vause is teased for wearing generic sneakers in episode 9. Her nickname is Pig Sty.
5. Red says, "He walked so much he wore holes in his shoes" in episode 8.
6. Pornstache says, "No Running!" Running isn't allowed anywhere except for the track towards the end of the series.
7. Alex is reading a book called "Born To Run" in episode 12.
Born To RUN is a popular book about running bareFOOT and showcased the vibRAM SHOE. RAM = Aries. Bruce SPRINGsteen's Born To RUN album brings us back to Larry BLOOM. BLOOM–>FLOWERS–>SPRING–>Aries the RAM
8. In episode 10, Poussey Washington jokes around with Piper and says, "Give me your shoes!" Polly says, "When I put my cold FEET on him he is always warm, and only sometimes annoyed." Piper helps Polly put her wedding shoes on.
Orange Is The New Black was written by Piper Kerman. The series is based upon the book. Take note of the word "YEAR" on the ORANGE SHOES.
Jesus, also known as yeSHUa, is discussed often in the show. One of the characters, Pennsatucky, is a Jesus freak and claims to have HEALing abilities. Jesus HEAL/(HEEL)ing brings us back to Mr. HEALy. Mr. HEALy sends Piper down to the SHU (Security Housing Unit). SHU=SHOE and we wear shoes on our feet. Constance SHUlman plays "Yoga Jones." Pennsatucky claims to have HEALing abilities. In one of the episodes she says to Piper, "It's your SOUL (SOLE/SOL) that needs saving." When the doctor asks her if she has experienced anxiety, she replies with, "You think this is an easy job, having to HEAL the whole world with just these ten FINgers?" Polly names her baby FINN. During the season FINale, the inmates put on a CHRISTmas play.
Piper is sent down to the SHU thanks to Mr. HEALy.
SHU is the Egyptian god and personification of "air."
Pennsatucky claims to have healing FINgers and hANDs.
Constance SHUlman plays "Yoga Jones." She was the voice of PATTY<–(MO[O]re Taurus/cow/bull energy) MAYonaisse.
Polly (wants a cracker) and Pete<–(Ju.PETE.R/P'tah) name their baby FINN. P is for Pi.
Piper reveals her tattoo of a Pisces FISH to the prison DOC/(COD). He admits he doesn't like FISH. One of the correctional officers names is FIScHer. O'NEILL, another CO, has the last name of a popular surfboard CO. There is a reference to Neptune in this show. Neptune is the name of the produce company that supplies Red's kitchen. Neptune is the Roman god of the [Pi]sea[s].
CO(D) FIScHer~
The O'NEILLS. Notice how the wave looks like a C (SEA) + [O] = [C]orrectional [O]fficer.
Piper's tattoo on the back of her (Taurus) neck right under her HAIR/HARE. The fish represents the Age of Pisces/Jesus.
CANDY and CORN are 2 other huge themes in this show. Synchronistically, CANDY CORN is given out during Halloween. Big BOO likes to eat corn. People say "BOO!" to scare each other during Halloween. The Candy Crush game reached widespread popularity at the same time the show was unveiled. People in prison face a hard and bitter time, so naturally they go for the opposite, which is sweet.
Candy corn is eaten during Halloween.
Candy Crush is a popular game on both Facebook as well as mobile devices.
Big BOO is a fan of corn. Red knows how she likes it = with SAL(t) –> SAL(t)=SOL
Big BOO, Little BOO, a ghost that goes BOO & children of the CORN. Big BOO and Little BOO love to eat CORN. Children Of The CORN is a scary movie.
Here are some other references to candy and sugar in the show:
1. In episode 2, Taystee is given candy for revealing information to Mr. Healy.
2. In episode 8, Red relays how her father used to sell candy out of b-OX.
3. In one of the episodes, Daya pays one of the inmates in candy for helping her.
4. In episode 8, Piper revelas to Larry that there is a bet taking place that if she guesses close to the birth time of one of her cell mates, she'll win a Twix bar.
5. There is also references to donuts, a King Cone and Pepsi in the show.
TAYSTEE is a lover of sweet treats. TASTYkake is a popular brand of sweet treats.
TAYSTEE likes sweet treats and TASTYkake is a sweet example of baked goodies.
The transgender black man (Burset) represents Jupiter and the androgynous archetype. In the show, he displays both feminine and masculine qualities as the firefighting profession is arguably one of the manliest. When he crosses over into prison, he takes the role of the hairdresser, one of the most feminine occupations. In the photo below, the symbolism is obvious as Burset bears the number 17. 17 = Jupiter.
3.14 –> 14 + 3 = 17 = Jupiter
Xerxes (from the movie 300) is another character that displays black Jupiter androgyny.
There are obvious Pi codes embedded within the show, e.g., when Crazy Eyes throws her Pie for Piper. Piper, the main character, brings to mind the Pied Piper of HAM[Pi.g]elin. The prison van in the show features the number 17. The license plate reads LFD-214. LFD–> L + F + D = 22 and 2 + 1 + 4 = 7–> 22/7 = 3.14/ Pi. Taystee Jefferson is TJ and TJ = π / Pi.
LFD-214 = 22/7 –> Pi and 17 is 24 flipped upside down and rotated counter-clockwise.
Pie = π
The Pied Piper of HAMelin represents the joker archetype.
There is a lot of ARIES and TAURUS energy in the series. Of course POUSSEY Washington is an Aries. Miss Claudette is a TAURUS. POUSSEY represents the female anatomy. She admits in the show that she is the astrological sign of ARIES and ARIES represents the female anatomy. POUSSEY is another word for the vagina. Miss Claudette ends up choking CO Fischer's NECK. TAURUS rules the NECK and THROAT. Norma Romano is a MUte inmate who surprisingly opens her THROAT chakra at the end of the series by singing. MO[O]rello plays the role of MOTHER MARy in the Christmas play. MARy represents both ARIES (the RAM) and TAURUS because TAURUS represents MOTHER Earth. There is a CO named BELL. BELL = cow BELL–more TAURUS energy.
The color RED represents ARIES while the color BLUE represents TAURUS. These colors together make up DNA or the power to create life. We all know life starts anew in the SPRING, or the MO[O]nths of MARch and April. MARch is C, alphabetically. TAURUS is in the position of D alphabetically. DC power runs both the political and electrical systems. DC = DC CURRENT and CURREN(T)cy/SEA powers the financial or economic system. Mr HEALy has Piper hold up both a RED and BLUE dress to see which one he prefers for his wife. These colors also tie us back to Jesus who is wearing RED and BLUE in The Last Supper picture above.
POUSSEY is an ARIES. ARIES = the RAM. The RAM symbolizes the female anatomy.
Miss Claudette is a TAURUS and she chokes Pisces FIScHer by her NECK. The #'s 17, 13 & 15 show up in the background during the above scene.
Norma opens up her THROAT chakra by singing in the Christmas play.
The mesh of ARIES and TAURUS energy with HA!-Thor, Morello playing MOTHER MARy and MOTHER Earth.
Officer BELL, a BULL with a BELL and I need a little more COWBELL~
Mr. Healy has Piper hold up both a RED and BLUE dress to see which one he prefers for his wife.
The theme of pregnancy appears throughout the show. Daya gets pregnant, and both Polly and another inmate give birth in the series. This symbolizes the rebirth of a new age–the Age of Aquarius and the death of an old age–the Age of Pisces. In summary, the themes in this show boil down to time and duality.
As always, please share this post with your friends and family members. Everyone deserves to know the truth—that everything is connected. Furthermore, please do not copy anything you see here and or pass it off as your own without giving due props. Thank you for reading! 🙂
***ALL original slides by SynchroMiss and SynchroMister***
UPDATE: As soon as we published this post, we stumBULLed upon the article below which was divinely timed with the theme of the show. 😉
Please note where it says "FISH-Out -of-WATER!"
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DeKalb Fraternal Order Of Police Endorses Carter For Congress
The following is a press release from the Liz Carter for Congress campaign:
In a unanimous vote, the DeKalb Fraternal Order of Police have endorsed Republican Liz Carter in her campaign to unseat incumbent Hank Johnson.
In a statement released by the organization, they stated their disappointment in the current District 4 representation. They further stated that Liz had met with the board and members to discuss issues important to officers and the public. "She is a staunch supporter of law enforcement and has studied pending legislation important to us." In addition, "Liz is no politician. She's a savvy businesswoman with over 20 years of real-world experience as an executive and job creator."
"I am both thrilled and humbled to have received this important endorsement," said Carter. "I do not take this endorsement lightly, as I have a great respect for these men and women who put it all on the line everyday to keep our families and businesses safe."
"The DeKalb FOP is the largest law enforcement organization in the District. They see that we need a change here in District 4. When I'm in Congress, all of our first responders will have a strong advocate. I look forward to working with the DeKalb FOP towards a victory in July and in November. With support like theirs, our campaign is getting stronger by the day," Carter said.
The Carter campaign has continued its string of endorsements that demonstrate Liz's commitment to the community, including the Gwinnett Sheriff Butch Conway, the Republicans of Morehouse College, Mayor Bucky Johnson of Norcross, State Representative Mike Jacobs and more.
The Republican Primary will be held on July 20 and the General Election is November 2.
Labels: 4th Congressional District

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Tribute Acts Management was founded 8 years ago in 2010 and is a vivacious and thriving management company, based in the UK with a genuine passion for quality productions.
We have almost years experience in the entertainment industry and work hard with all our acts to ensure that you are getting the very best quality and talent every single time you book us!
In 2016 we were very proud to have been nominated for two awards at the 'National Tribute Music Awards'. We were shortlisted for 'Best Website' and also won the award for 'Number 1 Take That tribute band' with our hugely popular act 'Rule The World'.
Many of our shows such as 'Rule The World' are exclusively owned and produced by ourselves and come fully self-contained with sound engineers, drivers, sound equipment, lighting equipment and costumes to make your event look and sound amazing!
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Jamie is a highly experienced and passionate digital marketing professional with specialities in the technical and strategic side of Digital Marketing. He also efficiently executes the building and leading of highly effective teams across a range of disciplines. Jamie joined our company in 2013 and has been a key factor in the company's growth.


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Heather Hope Royes (born 1943) is a Jamaican media consultant, HIV/AIDS consultant and poet.

Education and career
Royes earned a Ph.D. in mass communication from the University of Wisconsin. She has worked in the Jamaican government, including as cultural attaché in Mexico City in the 1980s.

She studies HIV/AIDS and, in 1993, published a pioneering study on "Jamaican Men and Same-Sex Activities." She has authored several papers and reports on the subject, including a 1999 UNESCO report on Jamaica's experience with HIV/AIDS.

Poetry
Royes has been writing poetry since the 1960s. Her poetry has been included in anthologies such as Heinemann's Jamaica Woman (1980) and Anthology of African and Caribbean Writing in English (1982), the Penguin Book of Caribbean Verse in English (1986), and the Oxford Book of Caribbean Verse (2005). In 1996 she published her first collection, The Caribbean Raj, consisting of about 30 poems divided into four sections. In 2001 she won the National Literary Competition and in 2005 she published a second volume, Days and Nights of the Blue Iguana, which included some poems from her first collection as well as new works.

References

External links
 Heather Royes at Peepal Tree Press

1943 births
Living people
HIV/AIDS researchers
20th-century Jamaican poets
21st-century Jamaican poets
Jamaican women writers
University of Wisconsin alumni

redpajama_set_name: RedPajamaWikipedia


text:
opera for ipad
matthew lorenzon: helen gifford's exile
Deborah Kayser, Tomas Tsiavos, Exile
photo Daisy Noyes
"THE CREATIVE PROCESS IS QUITE LIKE OP-SHOPPING," ARTISTIC DIRECTOR OF CHAMBER MADE OPERA DAVID YOUNG REMARKED TO ME BEFORE THE PREMIERE PERFORMANCE OF HELEN GIFFORD'S OPERA EXILE, "BECAUSE YOU CAN AFFORD TO TAKE RISKS." AS WITH ALL RISKS THERE ARE STAKES TO BE WON OR LOST IN WHAT IS POSSIBLY THE WORLD'S FIRST OPERA PRODUCED FOR THE IPAD.
Using the familiar op-shopping strategies of combination and alteration, Euripides' play Iphigenia in Tauris is rewritten, the history of Victoria's Point Nepean on the Mornington Peninsula is revisited through the lens of gaming technologies and chamber opera is presented on a new platform. The outcomes of the project will not be known until its release and screening at ACMI in November. In the meantime the project's collaborators from Australian new music organisations Aphids, Chamber Made Opera, Speak Percussion and Amsterdam-based media artists Champagne Valentine will be negotiating multiple priorities and balancing innovation with technical limitation.
Exile has lain dormant since its composition by Gifford as Iphigenia in Exile with the librettist Richard Meredith in 1985. The opera's recent rediscovery by David Young prompted some closet archaeology by Gifford, uncovering reel-to-reel recordings of a women's chorus recorded in a Kew apartment in 1986, an autoharp part recorded in 1989 in an old post office and a mandolin through which Gifford attempted to reimagine the timbres of Ancient Greek music. Gifford has not tried to faithfully reconstruct the music of Ancient Greece, but to rediscover it creatively: "People like to think that they can get an idea of Ancient Greek music from decoding carvings and etchings. That's nonsense. You get more of an idea from listening to modern Greek music of a Demotic order. The timbres, the rhythms; I don't think those things change so much over 2000 years. Though," Gifford adds, "my music sounds nothing like Greek music today." The artefacts were incorporated into the opera's recent recording at the ABC's Iwaki Auditorium that will serve for both a radio broadcast and the iPad application's soundtrack.
The application will also be available for download on iPhone, prompting the question of the iPad's significance to the work. "They remind me of Speak and Spells," Aphids Executive Producer Thea Baumann admits, though Anita Fontaine of Champagne Valentine considers the large, higher resolution screen "a nice addition which contributes to the experiences we will create." With Baumann flagging the "data-heavy layers of moving image" common to Anita Fontaine's work, there is justifiable concern about the "limited processing power and lack of Flash support" that the iPad inherits from the iPhone. But Fontaine is confident in the project's ability to overcome these limitations as "these kinds of challenges and constraints are something Champagne Valentine is accustomed to when developing bespoke interactive experiences."
Rather than processing speed, the iPad's audio may be the main obstacle to successfully mounting the opera on the platform. The multi-purpose ABC recording will reach Champagne Valentine in the form of a highly compressed stereo mix, making user-controlled manipulation of the composition's parts, as in the company's GPS controlled interactive musical game for the Tate Modern, more difficult to implement. Working closely with Champagne Valentine, Baumann anticipates that "one of the main challenges will be to make the audio just as luscious as the video."
The video component of the work, filmed in consultation with Parks Victoria, engages with the natural environment and rich history of Point Nepean to reflect and comment on the themes of longing, claustrophobia and isolation in Gifford's opera. Both visually and historically Baumann sees the landscape as "woven with paranoia and isolation," likening the tone of Exile to the psychologically loaded game spaces of Quake and Half-Life first-person shooters. Baumann hopes to explore this likeness in Fort Nepean's labyrinthine tunnel system: "The tunnels have a Greek architectural symbolism, simultaneously connoting the Minotaur's labyrinth and gaming architectures." By way of visual and aural analogy the southern Australian coastline's sombre palette, eroded forms and bitter winds provide a desolate backdrop to Gifford's aural palette, coloured with sparse mandolin, clarinets, clay flute and percussion.
Point Nepean has been the site of Victoria's main quarantine station 1852–1980, Prime Minister Harold Holt's disappearance and presumed drowning in 1967 and accommodation for Kosovar refugees in 1999. The area's legacy of isolation draws Gifford and Meredith's psychological portrait of Iphigenia into Australia's grim colonial and immigration history. The protagonist is powerfully realised by soprano Deborah Kayser as she contemplates her effective exile from Greece to the role of high priestess at the temple of Artemis in Tauris (Crimea). Vilified by the townsfolk and wracked by self-loathing, "she feels as though she has been tricked into performing the duties of the high priestess: anointing shipwrecked sailors before sacrifice, or in the case of the high-born, cutting their throats herself," Gifford explains. Iphigenia is left in her unenviable position after being saved from sacrifice at her father's hand by the goddess Artemis in Aulis. In Euripides' play Iphigenia's brother Orestes is brought to her for sacrifice in Tauris, where they escape with the help of the goddess Athena. Gifford describes the serendipity and divine intervention in Euripides' play as "cheating," placing Iphigenia beyond the reach of Ancient Greece's fickle gods, at the mercy of the Taurians and her memories. "Euripides' play is a bit like a soap opera," Gifford laughs, "he had to have a happy ending. But there were thousands of temples in the area, and those that did have human sacrifices needed priests and priestesses." Drawn by the mournful song of a migrating seabird from her homeland (rendered on clay flute), Iphigenia walks on, or into, the ocean at the opera's conclusion. "Whereas the poor soul fantasises walking with Orestes over the water, she is really, I think we can agree, walking under it."
Exile shows us a world of Ancient Greek myth without gods. The secularised portrait of Iphigenia is made profoundly sympathetic at the expense of its dramatic context, turning Euripides' melodrama into a personal tragedy. The composition should be given a renewed and poignant context in Point Nepean, where history may come into a creative synthesis with the possibilities of computer game narratives and technologies. The opera's successful implementation on iPad, as on its other intended platforms, hinges largely upon Aphids and Champagne Valentine turning the opera's recording from ABC's Iwaki Auditorium and video component into an engaging interactive music video.
Exile, composer Helen Gifford, soprano Deborah Kayser, co-producers Aphids, Chamber Made Opera; studio recording, Iwaki Auditorium, ABC Southbank Centre, Melbourne, June 22
RealTime issue #98 Aug-Sept 2010 pg. 43
© Matthew Lorenzon; for permission to reproduce apply to realtime@realtimearts.net


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text:
News Release 6-Oct-2021
Study uncovers link between allergies and mental health conditions
In an analysis published in Clinical and Experimental Allergy of data from the UK Biobank, researchers found a link between allergic diseases and mental health conditions, although they noted that the link was likely not causal.
Therefore, although people with asthma, atopic dermatitis, and hay fever also had a higher likelihood of having depression, anxiety, bipolar disorder, or neuroticism, neither category appeared to play a role in causing the other. Nevertheless, future studies should investigate whether interventions that aim to improve allergic diseases might also impact mental health (and vice versa).
"Our research does not rule out a potential causal effect upon the progression of disease, which is yet to be investigated and could help uncover novel treatment strategies for allergic disease or mental health traits," said lead author Ashley Budu-Aggrey, PhD, of the University of Bristol, in the UK.
Senior author Hannah Sallis, MSc, PhD, added that the research used a combination of approaches and data from several studies. "This helps to strengthen our confidence in the findings," she said. "Establishing whether allergic disease causes mental health problems, or vice versa, is important to ensure that resources and treatment strategies are targeted appropriately."
Clinical & Experimental Allergy
Katherine Falzon
newsroom@wiley.com
/Health and medicine
/Social sciences/Psychological science/Clinical psychology/Mental health
/Health and medicine/Diseases and disorders/Immune disorders/Allergies


text:
Stanly County Schools (abbreviated SCS) is a local education agency headquartered in Albemarle, North Carolina and is the public school system for Stanly County.  With over 1,350 employees, Stanly County Schools is the largest employer in Stanly County, North Carolina serving more than 8,700 students in grades PK – 12.

Governance
The Stanly County Schools Board of Education, or school board, consists of 7 members—2 at-large and 5 from districts.  Members serve staggered four-year terms; the at-large members are elected in the year before presidential elections and the district members are elected in the year after presidential elections.

Schools

High schools
Albemarle High School "Bulldogs"
North Stanly High School "Comets"
South Stanly High School "Rebel Bulls"
Stanly Academy Learning Center "Eagles"
Stanly Early College "Tigers"
West Stanly High School "Colts"

Middle schools
Albemarle Middle School "Bulldogs
North Stanly Middle School "Comets"
South Stanly Middle School "Rebels"
West Stanly Middle School "Colts"

Elementary schools
Aquadale Elementary "Little Bulls"
Badin Elementary "Watts"
Central Elementary "Bulldogs"
East Albemarle Elementary "Bullpups"
Endy Elementary"Redskins"
Locust Elementary "Colts
Millingport Elementary "Wildcats"
Norwood Elementary "Patriots"
Oakboro Choice STEM Elementary School "Eagles"
Richfield Elementary "Tigers"
Stanfield Elementary "Wildcats"

References

External links
Stanly County Schools' NC Report Card

Education in Stanly County, North Carolina
School districts in North Carolina


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text:
Q: How to refer to function argument which is a builtin function What I wanted to do was avoid writing a wrapper function around array to be able to assign dimnames based on the dimensions of the array I'm creating.  (See, for example, the rules for setting the dimnames for an array to be fed to e1071:interpolate ).
This function works:
# for , say, x<-array(1:24,dim=c(2,3,4))
foofunc <- function(x,  mid=sapply(1:length(dim(eval(substitute(x))) ), function(j) 1:(dim(eval(substitute(x) ) )[j]) ) ) {
dimnames(x)<-mid
return(x)
    }

But the named argument for apply is dim , so if I try
 bar<-array(1:24,dim=c(2,3,4), dimnames=sapply (1:length(eval(substitute(dim))),function(j) 1:(eval(substitute(dim))[j]) ))

The error is, not surprisingly:
Error in eval(substitute(dim))[j] :
  object of type 'builtin' is not subsettable

I know I can easily assign dimnames either via a wrapper function or a second line of code, but wondered if there's any way around this kerfluffle of a named argument which is also a builtin function.
Edit: to clarify, my technique is similar to many functions which retrieve the external variable name, e.g.  function(x,xname=deparse(substitute(x))), which assigns to xname the actual name of the object fed to the function.   The problem here is that the named argument in array is dim , which conflicts with the builtin function dim .

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text:
All Dylan – A Bob Dylan blog
Bob Dylan bootlegs
Concerts & Videos from 1961- 1969
Concerts & Videos from 1970 – 1979
Bob Dylan live 2010 – 2014 (videos & audio)
Bob Dylan Never Ending Tour 2015 – Videos & Audio
The Songs He didn't Write
Bob Dylan quotes from the 60's
Bob Dylan quotes from 1970 – 1974
Great Bob Dylan Quotes 1975 – 1979
Cover version lists
Jack White and Bob Dylan
Kris Kristofferson and Bob Dylan
Great Albums
Best Songs
Great Live Versions
Brilliant Live Performances
Bob Dylan, Music Calendar
Today: Bob Dylan released "Highway 61 Revisited" in 1965 – 47 years ago
August 30, 2012 Egil Mosbron	2 Comments
How does it feel
To be without a home
Like a complete unknown
Like a rolling stone?
Columbia Studio A, 799 Seventh Avenue, New York, June 15 – August 4, 1965
Rock, folk rock
Bob Johnston, Tom Wilson on "Like a Rolling Stone"
Highway 61 Revisited is the sixth studio album by singer-songwriter Bob Dylan. It was released in August 1965 by Columbia Records. On his previous album, Bringing It All Back Home, Dylan devoted Side One of the album to songs accompanied by an electric rock band, and Side Two to solo acoustic numbers. For Highway 61 Revisited, Dylan used rock backing on every track, except for the closing 11-minute acoustic song, "Desolation Row". Critics have written that Dylan's ability to combine driving, complex, blues-based rock music with the power of poetry made Highway 61 Revisited one of the most influential albums ever recorded.
Leading off with his hit single of that summer, "Like a Rolling Stone", the album features many songs that have been acclaimed as classics and that Dylan has continued to perform live over his long career, including "Highway 61 Revisited", "Ballad of a Thin Man", and "Just Like Tom Thumb's Blues". Dylan named the album after one of the great North American arteries, which connected his birthplace in Minnesota to southern cities famed for their musical heritage, including St. Louis, Memphis, and New Orleans.
Highway 61 Revisited peaked at number three in the United States charts and number four in the United Kingdom. The album has received multiple accolades and was ranked number four on Rolling Stone's 500 Greatest Albums of All Time. The single "Like a Rolling Stone" reached number two in the US charts and number four in the UK. It has been described by critics as Dylan's magnum opus and was number one on Rolling Stone's 500 Greatest Songs of All Time list. Two further songs, "Desolation Row", and "Highway 61 Revisited", were listed at number 185 and number 364 respectively.
In May 1965, Dylan returned from his tour of England feeling tired and dissatisfied with his material. "I was going to quit singing. I was very drained… I was playing a lot of songs I didn't want to play," Dylan told Nat Hentoff in 1966.
"It's very tiring having other people tell you how much they dig you if you yourself don't dig you."
Out of this dissatisfaction, Dylan wrote an extended piece of verse which Dylan described as a "long piece of vomit". He refined this long poem into a song consisting of four verses and a chorus—"Like a Rolling Stone".
Dylan told Hentoff that the process of writing and recording "Like a Rolling Stone" washed away this dissatisfaction, and renewed his enthusiasm for creating music. Speaking of the breakthrough of writing that song, forty years later, Dylan told Robert Hilburn in 2004,
"It's like a ghost is writing a song like that… You don't know what it means except the ghost picked me to write the song."
Highway 61 Revisited was recorded in two blocks of recording sessions, which took place in Studio A of Columbia Records in New York City, located at 799 Seventh Avenue, just north of West 52nd Street. The first session, June 15 and June 16, was produced by Tom Wilson and resulted in the single, "Like a Rolling Stone". On July 25, Dylan performed his controversial electric set at the Newport Folk Festival, where some sections of the crowd booed his performance. Four days after Newport, Dylan returned to the recording studio. From July 29 to August 4, Dylan and his band completed recording Highway 61 Revisited, but under the supervision of a new producer, Bob Johnston.
1. "Like a Rolling Stone" 6:09
2. "Tombstone Blues" 5:58
3. "It Takes a Lot to Laugh, It Takes a Train to Cry" 4:09
4. "From a Buick 6" 3:19
5. "Ballad of a Thin Man" 5:58
6. "Queen Jane Approximately" 5:31
7. "Highway 61 Revisited" 3:30
8. "Just Like Tom Thumb's Blues" 5:31
9. "Desolation Row"
My ratings (0-10):
Singer-songwriter Phil Ochs told Broadside magazine, immediately after the record's release, that Dylan had "produced the most important and revolutionary album ever made". Speaking to Anthony Scaduto five years later, Ochs said, "I put on Highway 61 and I laughed and said it's so ridiculous. It's impossibly good, it just can't be that good. How can a human mind do this?"
The album cemented Dylan's mastery of a new genre—combining verbal complexity with a hard rock sound. One 1965 reviewer wrote: "Bob Dylan used to sound like a lung cancer victim singing Woody Guthrie. Now he sounds like a Rolling Stone singing Immanuel Kant".
The album was a hit, peaking at number 3 on the Billboard 200 chart of top albums. In August 1967, Highway 61 was certificated as a gold record.
Highway 61 Revisited has remained among the most highly acclaimed of Dylan's works. Scaduto, Dylan's first serious biographer, wrote that it may be "one of the most brilliant pop records ever made. As rock, it cuts through to the core of the music—a hard driving beat without frills, without self-consciousness." Commenting on Dylan's imagery, Scaduto wrote: "Not since Rimbaud has a poet used all the language of the street to expose the horrors of the streets, to describe a state of the union that is ugly and absurd."
Dylan critic Michael Gray called Highway 61 "revolutionary and stunning, not just for its energy and panache but in its vision: fusing radical, electrical music … with lyrics that were light years ahead of anyone else's; Dylan here unites the force of blues-based rock'n'roll with the power of poetry. Rock culture, in an important sense, the 1960s, started here."
In 1995 Highway 61 Revisited was named the fifth greatest album of all time in a poll conducted by Mojo magazine.
In 2001, the TV network VH1 placed it at number 22.
In 2003, Rolling Stone magazine, describing Highway 61 as "one of those albums that, quite simply, changed everything", placed it at number four in its list of the greatest albums of all time.
The Rolling Stone list of the 500 greatest songs of all time ranked "Highway 61 Revisited", "Desolation Row" and "Like a Rolling Stone" at #364, #185 and #1, respectively.
Bob Dylan – guitar, harmonica, piano, vocals, liner notes, police siren
Additional musicians
Mike Bloomfield – guitar
Harvey Brooks – bass guitar
Bobby Gregg – drums
Paul Griffin – organ, piano
Al Kooper – organ, piano (Hohner pianet)
Sam Lay – drums
Charlie McCoy – guitar
Frank Owens – piano
Russ Savakus – bass guitar
Bob Johnston – production
Daniel Kramer – cover photographer
Tom Wilson – production on "Like a Rolling Stone"
Like A Rolling Stone – original:
Ballad of a Thin Man – Live Copenhagen 1966:
Album of the day – Highway 61 Revisited (1965):
Other August 30:
Ellen Muriel Deason (August 30, 1919 – July 16, 2012), known professionally as Kitty Wells, was an American country music singer. Her 1952 hit recording, "It Wasn't God Who Made Honky Tonk Angels", made her the first female country singer to top the U.S. country charts, and turned her into the first female country star. Her Top 10 hits continued until the mid-1960s, inspiring a long list of female country singers who came to prominence in the 1960s.
Sweetheart of the Rodeo is the sixth album by American rock band The Byrds and was released on August 30, 1968 on Columbia Records (see 1968 in music). Recorded with the addition of country-rock pioneer Gram Parsons, it was influential as the first major country-rock album by an established act and represented a stylistic move away from the psychedelic rock of the band's previous LP,The Notorious Byrd Brothers.
John Edmund Andrew Phillips (August 30, 1935 – March 18, 2001), was an American singer, guitarist, songwriter and promoter, most notably of the 1967 Monterey Pop Festival. Known as Papa John, Phillips was a member and leader of the singing group The Mamas & the Papas. He was the father of Jeffrey, Mackenzie, Chynna, Tamerlane, and Bijou Phillips.
-Egil
Bob DylanGram ParsonsHighway 61 RevisitedJohn PhillipsKitty WellsSweetheart of The RodeoThe Byrds
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2 thoughts on "Today: Bob Dylan released "Highway 61 Revisited" in 1965 – 47 years ago"
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Great article, its a serious album.
Focusing on Bob Dylan & related music
Alldylan @ Facebook
Alldylan's Facebook Page
Bob Dylan – The Brazil Series
Born to listen – Our non-Dylan site
Dylan magazine
Not Dark Yet
Still On The Road
Bergenfest
Best Dylan Covers
Bob dylan live
Clinton Heylin
Cover Version
Cover versions
Great Album
Paul Williams
The Best Dylan Covers


Contrary to perceptions, speech recognition is not a recent development. Scientists have been trying to enable machines to interact with humans since 1773. Cloud computing coupled with the humongous amount of data allowed us to get closer to success, but perfection might be years away.
Voice recognition technology makes many aspects of modern life easier. The seeds were sown a lot further back than you might think.
Russian scientist Christian Kratzenstein made the first attempt by building a device that could produce vowel-like sounds. Subsequent attempts were made the world over by scientists to develop machines that could understand and imitate human speech. Bell Labs, IBM, and DARPA made significant contributions in the later part of the 21st century. The real breakthrough came only with Google Voice in 2010. Since then in a matter of seven years, speech recognition and imitation has come a long way but is still short of perfection.


text:
HRRL 2019-20: the season that never was…
On 1 September 2019, the first Hampshire Road Race League event of 2019/20 at Overton, it was unimaginable that in mid-March 2020 we'd be lamenting the season that never will be writes Craig Weatherburn
A total of 105 blue-clad CoSARC runners finished the 5 mile race that day, where the phrase #seaofblue was well and truly coined.
51 CoSARC Ladies and 54 CoSARC Men (49 – 51% ratio) crossed the line constituting almost 20% of the 505 runners finishing the race. The startling comparison to the same race the preceding year revealed 11 Ladies and 25 Men (36 in total) making up just over 7% of the finishing field of 491. The clubs' assault on the league title took off like train that day, with club chairman Stuart Holloway winning the race outright, but the real headline from that race was the sheer amount of CoSARC athletes taking part in their first ever 'road race' and for some, the furthest and fastest they had EVER run – with a notable contingent having only taken up the sport of running earlier in the year.
A splash of the sea at Overton
It is often said that the community feel and social acceptance within the club is infectious and that it makes one feel 'part of something'. The endless work behind the scenes by the volunteers that run the club actively promotes inclusivity and a 'fun' element, striving to demonstrate that the sport and by extension, the club, is first and foremost a fun, social activity. The eye opening numbers and the party atmosphere at Overton played a huge part in highlighting the army of togetherness that the club harbours – many staying back near the finish line long after they'd completed their own race to cheer and applaud their fellow club members over the line – a feature that has become synonymous at all club road race events.
Club stalwart Colin Martin at Solent Half Marathon
The following race later that month, the Solent Half Marathon, again saw a balanced ratio of 45 – 55% Ladies to men, a stark contrast to the corresponding fixture last season – a ratio of 30 – 70% Ladies to men, giving gravitas to the emerging statistics that there are now more females participating in the sport of running (50.24%) than Men – a meteoric rise from just 20% in 1986.
For the first time in history, the club entered the season with four Ladies and Men's teams (A, B, C & D). The first three ladies to finish form the 'A' team, the next three form the 'B' team and so on, with the first and subsequent four males constituting the men's 'A to D teams'. Hayling 10 mile in November saw the third race in a row where all Ladies and Men's teams were adequately filled with room to spare and all teams were sitting in the top four of their respective leagues https://www.salisbury-arc.org/post/hrrl-tables-update-report-1 By this point, the number total of CoSARC participant's at all three races stood at 184 finishers, against the corresponding total the previous season of 101.
All smiles as Kath, Kate & Gill waltz around Victory 5
Gosport Half Marathon in late November, the fourth race of the season, saw 52 (21 Ladies, 31 Men) blue clad runners cross the line in an array of personal and course bests. 138 runners had finished at this stage last season. At the end of this race, the total stood at 236.


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redpajama_set_name: RedPajamaGithub


text:
In Conversation, Susan Hiller in Aesthetica Magazine
With a career spanning more than 40 years, Susan Hiller is one of the most influential artists of her generation. Expanding the boundaries between different media, American-born Hiller now resides in the UK. Last year, to coincide with group exhibition, Slow Learner, which took place at Timothy Taylor Gallery from 1-29 August 2014, Aesthetica spoke to the artist about her ongoing practice and artistic influences.
A: Your work is part of the group show Slow Learner at Timothy Taylor Gallery this summer. What can audiences expect to see?
SH: The gallery is showing an early automatic writing experiment of mine called So Don't Let it Frighten (1975-1981). At that time in my practice, I would simply pick up a pencil and start making marks on sheets of paper, in many ways, like I was possessed or in some kind of a trance. They looked like childish scrawls at first but then I started to notice recognisable words, which was really interesting for me. The smaller section of the piece is a subsequent attempt to decipher and understand the main drawing experiment. However, it is actually a critique or investigation into our natural desire to find meaning in, or understand, everything. This work was featured in my Tate Britain retrospective (February-May 2010). As to what an audience would expect to see, I hope they come without too many expectations, because each of my works is different and I want them to make their own discoveries.
A: Slow Learner seeks to examine the gap between reading art and comprehension. Please tell us more about how do you do this?
SH: This is a question of who, or what, you believe in; it has to do with faith, and, of course, much of abstract expressionist work can be traced back to surrealist interest in automatic writing and drawing, which was a fascination at the time. Magic Lantern, a work I made in the late 1980s, similarly deals with one's shifting comprehension of objectivity/subjectivity. The juxtaposition of audio and visual components in this piece highlights the paradox of the machine, which is both a scientific instrument, designed to document objectively, and also a means by which the occult and the other-worldly may be revealed. It also explores the body's instinctive response to colour.
A: You are exhibiting amongst an array of other artists. Has their work influenced your output at all over the years?
SH: I created a series of works that were made as homage to Marcel Broodthaers. The inspiration comes from his book and film Un Voyage en Mer du Nord (A Voyage on the North Sea) (1973-1974). I have reframed Broodthaers's motifs of maritime paintings and photographs with reference to my own "rough sea" works, which began with Dedicated to the Unknown in 1972 and continued until 1976. This was a series of photographs, which consists of 14 panels and features 300 original postcards depicting waves crashing, that I collected and made pseudo-scientific analysis of, which is now owned by Tate.
A: What is your reason for frequently using automatic writing?
SH: I was actually a painter first of all – that was after I abandoned anthropology, so I am interested in the formal aspect of the graphic mark, perhaps even the decorative elements. I have also used automatic writing to make photographic works, which adds a further pictorial depth and interrupts the easy or direct reading we might expect from photography.
A: How do you want audiences to respond to your exhibitions?
SH: Maybe they will encourage people to question what they read, see and are told. People get complacent and somehow they don't mind being fed so-called "information". They get lazy in terms of what they accept, and I believe art should sometimes provide some kind of an intellectual work out. Not always, but sometimes and more often would be nice.
A: You studied film and photography rather than fine art. How has this enhanced and directed your practice?
SH: Since the epoch of 1960s conceptualism I have felt that there is a redundancy in the idea of media specificity. My output has always been varied yet the market tends to demand delineation between mediums. I work in a variety of media: painting, installation, photography, film, sound, sculpture. I find that the art always dictates the medium that is used.
A: What do you have planned for the future?
SH: I have various solo and group projects on display at the moment. Currently, I have an exhibition called Resounding, which is on at Summerhall, Edinburgh until the end of September and is part of the Edinburgh Art Festival, and I also have a show on at The Model in Sligo, Ireland, which continues until 28 September. It has been a busy year for me and this autumn, I will also have work included in a diverse range of exhibitions in the Netherlands, UK and France. These include shows opening at de Appel Arts Centre, Amsterdam; Hayward Gallery, London; Tate Liverpool; and finally, Les Abattoirs, Toulouse.
For more information on Slow Learner at Timothy Taylor Gallery, visit www.timothytaylorgallery.com.
Susan Hiller, In Conversation, featured in Aesthetica Issue 60. Pick up a copy of the magazine at www.aestheticamagazine.com.
1. Susan Hiller, Emergency Case: Homage to Joseph Beuys, 2012. Copyright Susan Hiller. Courtesy of Timothy Taylor Gallery, London.
About A Minute – The Gopher Hole, London
Last year Aesthetica interviewed artist Susan Hiller about her practice and participation in group exhibition Slow Learner at Timothy Taylor Gallery.
Digital, Online and On-Air
Online radio is helping musicians break free from their reliance on big-name stations. Want to get your album tracks played? There's a show for that.


text:
using System;
using EventStore.Core.Messaging;

namespace EventStore.Projections.Core.Services.Processing
{
    abstract class GetDataWorkItemBase : WorkItem
    {
        protected readonly string _partition;
        protected readonly IEnvelope _envelope;
        protected Guid _correlationId;
        protected Guid _projectionId;
        private readonly IProjectionPhaseStateManager _projection;
        private PartitionState _state;
        private CheckpointTag _lastProcessedCheckpointTag;

        protected GetDataWorkItemBase(
            IEnvelope envelope, Guid correlationId, Guid projectionId, IProjectionPhaseStateManager projection, string partition)
            : base(null)
        {
            if (envelope == null) throw new ArgumentNullException("envelope");
            if (partition == null) throw new ArgumentNullException("partition");
            _partition = partition;
            _envelope = envelope;
            _correlationId = correlationId;
            _projectionId = projectionId;
            _projection = projection;
        }

        protected override void GetStatePartition()
        {
            NextStage(_partition);
        }

        protected override void Load(CheckpointTag checkpointTag)
        {
            _lastProcessedCheckpointTag = _projection.LastProcessedEventPosition;
            _projection.BeginGetPartitionStateAt(
                _partition, _lastProcessedCheckpointTag, LoadCompleted, lockLoaded: false);
        }

        private void LoadCompleted(PartitionState state)
        {
            _state = state;
            NextStage();
        }

        protected override void WriteOutput()
        {
            Reply(_state, _lastProcessedCheckpointTag);
            NextStage();
        }

        protected abstract void Reply(PartitionState state, CheckpointTag checkpointTag);
    }
}


text:
What's On Near You?
Browse Shows and Plays Katie Piper
Film/ Television
Strictly Come Dancing [TV]
Katie Piper is an English television presenter, author and former model from Andover, Hampshire. Piper had initially hoped to have a full-time career in the media, but in March 2008 sulphuric acid was thrown in her face.
In 2009, she took part on the documentary: "Katie: My Beautiful Face", going on be a presenter on the TV shows "Bodyshockers", hosting and appearing in numerous others, including competing in the 2018 edition of the BBC's Strictly Come Dancing show.
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Boating, whether for fishing, diving, or for family fun is an enjoyable outdoor activity. But with the fun come also responsibilities. An estimated 75 million people in the United States engage in recreational boating according to data published in 2010.
However, boats carry the inherent risk of injury to people and damage to the property of others. This is true whether you operate your boat in Georgia or in California.
The first mistake many new boat owners make is to assume that their homeowner's insurance does cover their boat. As the experts of the H2M Insurance Group, Georgia, will tell you this is not necessarily true. Homeowners insurance may cover some very small boats. But it will certainly not cover a larger boat worth tens of thousands of dollars. You will need to buy special boat insurance for these larger boats.
A boat insurance policy, through H2M Insurance Group or anyone else, generally includes several coverages in one policy. General liability insurance is the most important. Liability insurance pays for damage to a watercraft or property you caused or for injuries suffered by another person.
This policy protects your boat against risks named in the policy such as damage to your own boat or theft. Your boat is usually covered on land or in the water at the time of the accident or loss. Moreover, replacement value, deductibles, and coverage limits are very important considerations when taking out watercraft insurance. You can optimize the savings on your boat insurance policy by talking to boat insurance experts, such as the H2M Group to discuss your options in detail.
Therefore, before you buy boat insurance, visit a boat insurance agency to learn about agreed versus market value and navigational limits and other essentials.


text:
Meet on sugarcane research to mark centenary of first hybrid variety
As part of the centenary of the release of the sugarcane hybrid, Co 205, an international symposium (SucroSym 2017) is being organised here from September 18. The symposium is titled `Sugarcane Research since Co-205.-100 years and beyond'.
ICAR-Sugarcane Breeding Institute (ICAR-SBI), established here in 1912, had released Co 205, the first inter-specific commercial hybrid cane variety in 1918, which revolutionised sugarcane cultivation across the Indian sub-continent.
Since then, the institute has been playing a pivotal role of catering to the needs of farmers by developing high-yield cane varieties.
At present, the 'Co' and its allied varieties are cultivated in more than 98 per cent area and the two wonder varieties of sugarcane developed at this Institute – Co 86032 (Tropical India) and Co 0238 (Sub-tropical India) – account for 40 per cent of the cultivation, the institute said in a statement.
The symposium will serve as a common platform to cane researchers, technology developers, extension practitioners, policy makers and other stakeholders across the globe to deliberate on the past performance and formulate a path towards excellence in sugarcane research and development.
This should help meet the present and future challenges such as biotic and abiotic stresses, shrinking natural resources and climate change. The symposium is being organised with nine technical sessions to deliberate on emerging issues in sugarcane research and development.
More than 500 delegates from Africa, Australia and Asia are participating in this four-day event and eminent scientist Prof MS Swaminathan will be inaugurate the symposium. It is being organised in association with Tamil Nadu Agricultural University, South Indian Sugar Mills Association-Tamil Nadu and Society for Sugarcane Research and Development.


The human brain is an extraordinary information-processing system, dispensing trillions of calculations every second. The brain is brilliant at executing physical tasks that can be codified, such as playing an instrument or driving a car; however, our brains have some surprising limitations when it comes to certain types of mental tasks. Think of these in two categories.


As a concept initially associated with biology, "growth" suggests something natural. However, if one follows the concept of growth as a metaphor borrowed from biology, one additionally encounters a second side that usually negates the metaphorical use. Organic growth is consistently defined by a natural border; it knows a state of being fully grown and is determined by the cycle of growth and decay. Stagnation, transience and renewal are part of the "natural," but hardly find any metaphorical acceptance. Economic growth or technical development, for example, knows no boundary and no saturation.
The international exhibition project "On the Metaphor of Growth" brings together various strands of artistic dealings with different phenomena of growth to construct a tension field out of positive and negative connotations of growing, occasioning fundamental reflections. In the process, the artists' designs — their reactions and answers to specific consequences of the idea of growth — form a matrix that enables the central position of the concept of growth in the social self-image to be experienced.
"On the Metaphor of Growth" is a cooperation between the Kunstverein Hannover, the Frankfurt Kunstverein and the Kunsthaus Baselland. Each of the three exhibitions place a different accent on artistic dealings with the concept of growth, demonstrating its present-day ambivalence in economic, biological and social contexts.
Artists: Michel Blazy, Peter Buggenhout, Armin Chodzinski, Dirk Fleischmann, Tue Greenfort, Karl Hans Janke, San Keller, Dan Peterman, Reynold Reynolds, Mika Rottenberg, Julika Rudelius, Gerda Steiner & Jörg Lenzlinger, Superflex, Rachel Sussman, Andreas Zybach.
Venue: Kunstverein Hannover, Sophienstraße 2, 30159 Hannover, Germany.
Opening Hours: Tuesday-Saturday 12.00-7.00pm, Sunday and on holidays 11.00am–7.00pm.


text:
Колоколов Олег Васильович (* , смт Красноріченське Кремінського району, Луганська область — 2003 (в інших джерелах , Дніпропетровськ) — український вчений, доктор технічних наук. Гірничий інженер-шахтобудівник, доктор технічних наук з 1973 р., професор з 1975 р., дійсний член Академії інженерних наук України з 1991 р. та Міжнародної академії наук з екології та безпеки життєдіяльності з 1995 р., заслужений діяч науки і техніки України з 1999 р.

Наукові дослідження О. В. Колоколова присвячені технології закладання виробленого простору вугільних шахт, створенню нетрадиційних геотехнологічних способів видобутку корисних копалин, геодинаміці шахтних полів.

З біографії
Народився 5 жовтня 1927 року на Харківщині. Після закінчення Харківського гірничого інституту (1950 р.) протягом п'яти років працював головним інженером куща шахт у Німецькій Демократичній Республіці. З грудня 1955 року працював в Національному гірничому університеті.

З 1974 року по 1994 рік завідував кафедрою підземної розробки родовищ корисних копалин в Національному гірничому університеті. Професор (1975), у 1979—1984 р. — декан гірничого факультету ДГІ.

Засновник наукової школи екологічно ефективних технологій підземного видобутку корисних копалин з урахуванням геодинаміки шахтних полів і нетрадиційних способів розробки вугільних пластів.

Творчий доробок
О. В. Колоколов — автор більш 360 наукових праць, у тому числі 18 монографій, підручників і навчальних посібників для гірничих вузів. Йому належить понад 100 авторських посвідчень на винаходи і патентів. Один з співавторів унікального 13-ти мовного словника з механіки гірських порід, виданого Міжнародним Бюро з механіки гірських порід (Берлін, 1972 p.).

Підготував понад 370 гірничих інженерів, 21 кандидата і 2 доктора технічних наук.

Джерела
 Олег Васильович Колоколов: Біобібліографічний покажчик — Дніпропетровськ: Національний гірничий університет, 2007.-38 с.
 Календар ювілейних та пам'ятних дат Державного ВНЗ «Національний гірничий університет» на 2012 рік. — Дніпропетровськ: Державний ВНЗ «НГУ», 2011. — 89 с.
 Колоколов Олег Васильович

Уродженці Кремінського району
Доктори технічних наук України
Українські винахідники
Українські педагоги
Заслужені діячі науки і техніки України


text:
Chandrayaan-2: All Eyes On Vikram As Countdown Begins For India's Moon Mission Landing!
Chandrayaan-2 is out and about and set to create history tonight! After pulling off the 3.84 kilometre-voyage, India's second mission to the Moon is now bound straight for its destination. As for us earthlings, the Indian Space Research Organization (ISRO) awaits the '15 minutes of terror' as the landing module, Vikram will start descending onto the lunar surface in the early hours of Saturday, between 1 AM to 2 AM IST.
We have the same wishes for Vikram, Orbiter.
Want to stay in touch with Vikram and Pragyan as they make their way to the untouched lunar South Pole and uncover its many mysteries? Then keep an eye out for the next edition of #CY2Chronicles! pic.twitter.com/2iA8W2lxtR
— ISRO (@isro) September 6, 2019
SEE ALSO: Chandrayaan-2 Landing Live Stream To Be Hosted By This NASA Astronaut
Vikram, the lander that separated from the orbiter on September 2, is autonomously moving slowly and steadily to the virgin territory of the Moon, the South Pole, precisely between two craters called Manzinus C and Simpelius N. If the scheduled 'soft-landing' of Chandrayaan-2 goes as planned, India will find itself among as the fourth country in the world to have scaled the Moon, after Russia, the United States and China, and also the first to have ventured in its unexplored polar region.
All eyes are now on Vikram, that houses the lunar rover, Pragyan, slated to roll out once the landing is successful between 5:30 AM to 6:30 AM IST. The lander and the rover both carry the country's symbols on them, which will remain on the Moon for long. In a presser last month, ISRO chief K. Sivan said that the two wheels at the back of the rover have the Ashok Chakra and ISRO emblem on them. Also, the ramp of the lander on which the rover will come out and land on moon has the Indian flag on it.
SEE ALSO: Chandrayaan-2 Snaps The First Picture Of The Moon 2650 Km From The Surface!
The 1,471-kilogram Vikram is carrying three scientific payloads to conduct surface and subsurface scientific experiments. It is designed to pull through for one lunar day, which is equivalent to about 14 Earth days. According to ISRO, Vikram has the capability to communicate with IDSN at Byalalu near Bengaluru, as well as with the Orbiter and Rover. The lander is equipped with a bunch of essential cameras like the Lander Position Detection Camera (LPDC) and the Lander Horizontal Velocity Camera (LHVC) to determine its descent speed and landing site on the Moon.
Chandrayaan-2 may help unravel many unknown secrets of the Moon, like confirming the presence of water on the lunar surface and also pave the way for future end-to-end Moon mission capabilities. Reportedly, the historic landing is going to be witnessed by Prime Minister Narendra Modi accompanied by 60-70 high school students from across the country at the ISRO centre in Bengaluru. You can stream the landing live on ISRO's YouTube channel
5hEVOTfz_AfzsNFWyNlNg at 1:10 AM IST on September 7.
SEE ALSO: Chandrayaan-2: Decoding The 48-Day-Expedition To The Moon
Cover Credit: ISRO
TOPICS: Science, ISRO, Genesis by Mashable India, Chandrayaan-2, Vikram, pragyan, soft-landing, Chandrayaan-2 landing, Manzinus C, Simpelius N, Lander Position Detection Camera, Lander Horizontal Velocity Camera


text:
Q: C++11 empty list Initialization of a union - is it guaranteed to initialize the full length of the union? In C++11, I have the following union:
union SomeData
{
    std::uint8_t Byte;
    std::uint16_t Word;
    std::uint32_t DWord;
    unsigned char String[128];
};

If I initialize the union thusly;
SomeData data {};

Is it guaranteed that the entire contents of the union will be "zero'd" out?  Put another way; is an empty list-initializer of a union functionally equivalent to memset-ing the union to Zero?:
memset(&data, 0, sizeof(data));

In particular, I'm concerned about the string data.  I'd like to ensure the entire length of the string contains zeros.  It appears to work in my current compiler, but does the language of the spec guarantee this to always be true?
If not: is there a better way to initialize the full length of the union to zero?

A: No, it is not guaranteed that the entire union will be zeroed out. Only the first declared member of the union, plus any padding, is guaranteed to be zeroed (proof below).
So to ensure the entire memory region of the union object is zeroed, you have these options:

*

*Order the members such that the largest member is first and thus the one zeroed out.

*Use std::memset or equivalent functionality. To prevent accidentally forgetting that, you can of course give SomeData a default constructor which will call this.

Quoting C++11:
8.5.4 [dcl.init.list]/3

List-initialization of an object or reference of type T is defined as follows:

*

*If the initializer list has no elements and T is a class type with a default constructor, the object is
  value-initialized.

8.5 [dcl.init]/7

To value-initialize an object of type T means:

*

*if T is a (possibly cv-qualified) class type (Clause 9) with a user-provided constructor (12.1), then the
  default constructor for T is called (and the initialization is ill-formed if T has no accessible default
  constructor);

*if T is a (possibly cv-qualified) non-union class type without a user-provided constructor, then the object
  is zero-initialized and, if T's implicitly-declared default constructor is non-trivial, that constructor is
  called.

*...

*otherwise, the object is zero-initialized.

8.5 [dcl.init]/5:

To zero-initialize an object or reference of type T means:
...

*

*if T is a (possibly cv-qualified) union type, the object's first non-static named data member is zero-initialized
  and padding is initialized to zero bits;

From these quotes, you can see that using {} to initialise data will cause the object to be value-initialized (since SomeData is a class type with a default constructor).
Value-initializing a union without a user-provided default constructor (which SomeData is) means zero-initializing it.
Finally, zero-initializing a union means zero-initializing its first non-static named data member.

A: The entire union will be zeroed out. More exactly the first member of the union will be default initialized and all the remaining bytes in the union will be set to 0 as padding.
References (emphasize mine):

8.5 Initializers [dcl.init]...
5 To zero-initialize an object or reference of type T means:...
— if T is a (possibly cv-qualified) union type, the object's first non-static named data member is zero initialized
and padding is initialized to zero bits;

That means that the first member of the union (here std::uint8_t Byte;) will be initialized to a 0 and that all other bytes in the union will be set to 0 because they are padding bytes.

But beware. As stated by Angew "padding" is wonderfully underspecified in the standard and a C compiler could interpret that the padding bytes in a union are only the bytes that follow the largest member. I would really find that weird because compatibility changes are specifically documented and previous versions (C) first initialized everything to 0 and next did specific initialization. But a new implementer could not be aware of it...
TL/DR: I really think that the intent of the standard is that all bytes in the union are set to 0 in OP's example, but for a mission critical program, I would certainly add an explicit 0 constructor...


So it is vital to recognise the limits and the scope of action at an early stage.
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