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text:
Q: Setup a launch task in VS Code within a subfolder My workspace folder structure is as follows:

main_folder

offline_unit

gulpfile.babel.js

online_unit
test_unit

I am able to setup launch.json only in the main_folder, how do I set it up inside offline_unit?
I have tried moving .vscode folder to within offline_unit, didn't work.

The launch.json looks like this
{
    "version": "0.2.0",
    "configurations": [
        {
            "type": "node",
            "request": "launch",
            "name": "Gulp task",
            "program": "/usr/local/bin/gulp",
            "args": [
                "build"
            ]
        }
    ]
}

A: I got it to work in a slightly elaborate way, using the following launch.json:
...
{
    "type": "node",
    "request": "launch",
    "name": "Gulp task",
    "program": "/usr/local/bin/gulp",
    "args": [
        "--gulpfile",
        "offline-processor/gulpfile.babel.js",
        "build"
    ]
}
...

Specifying the global gulp as the program, and using --gulpfile to specify the path of my nested gulpfile.babel.js
Any better way to do this?

redpajama_set_name: RedPajamaStackExchange


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text:
Why do global temperature records differ?
Posted by Deborah Byrd in Earth | April 28, 2015
NASA, NOAA, and the Japanese Meteorological Agency all publish slightly different global temperature measurements. Why?
The National Oceanic and Atmospheric Administration (NOAA) announced earlier this month that March 2015 was the warmest March in the modern temperature record. NOAA also said January-March, 2015 was the warmest start of any year on record. When NOAA says "on record," it means a record extending back 135 years to 1880. Data from the Japanese Meteorological Agency also showed March, 2015 as the warmest March, with record extending back until 1891. Meanwhile, NASA data showed agreement that 2015 has had the warmest start on record. But NASA data showed March, 2015 as the third-warmest March on record.
Why do these institutions sometimes disagree? For example, why do NASA and NOAA disagree on the status of March, 2015 in the global temperature record?
The four major keepers of records on global temperature – the fourth is the UK Met Office, which posts its data here – commonly publish slightly different conclusions from their separate analyses. Contrarian arguments, by those who don't believe Earth is warming, often point out that one group's ranking is slightly different than another's.
And the differences are surely there, although they are small.
However, when you look at the graphics below – March 2015 temperatures data from NASA, NOAA and Japan – do you see differences, or similarities?
March 2015 global temperature anomalies (deviation from average March temperatures in 1981-2010) via NOAA
March 2015 global temperature anomalies (deviation from average March temperatures in 1981-2010) via the Japanese Meteorological Agency.
March 2015 global temperature anomalies (deviation from average March temperatures 1951-1980) via NASA.
I see similarities. And, in fact, the slight differences show how science works, and why it works so well.
In science, different groups will nearly always use slightly different ways of collecting and analyzing data; science is a human process, after all, and we humans don't think identically.
In science, if two groups of results come extremely close to confirming each each other – as the temperature data sets of NASA, NOAA and the Japanese Meteorological Agency surely do – scientists themselves understand the reason for the small differences in the data. They assume those small differences will always be there.
They would say the data sets of NASA, NOAA and the Japanese Meteorological Agency independently confirm each other, indicating we are on the right track.
The graph below gives you a better idea of this independent confirmation.
Graph via NASA GISS
On January 21, 2015, Adam Voiland of NASA Earth Observatory, writing at NASA GISS' website, explained the ways in which the four major Earth-temperature data-keepers gather and analyze their data. Among other things, he wrote:
Although all four science institutions have strong similarities in how they track and analyze temperatures, there are subtle differences. As shown in the chart [below], the NASA record tends to run slightly higher than the Japanese record, while the Met Office and NOAA records are usually in the middle.
There are good reasons for these differences, small as they are. Getting an accurate measurement of air temperature across the entire planet is not simple. Ideally, scientists would like to have thousands of standardized weather stations spaced evenly all around Earth's surface. The trouble is that while there are plenty of weather stations on land, there are some pretty big gaps over the oceans, the polar regions, and even parts of Africa and South America.
The four research groups mentioned above deal with those gaps in slightly different ways. The Japanese group leaves areas without plenty of temperature stations out of their analysis, so its analysis covers about 85 percent of the globe. The Met Office makes similar choices, meaning its record covers about 86 percent of Earth's surface. NOAA takes a different approach to the gaps, using nearby stations to interpolate temperatures in some areas that lack stations, giving the NOAA analysis 93 percent coverage of the globe. The group at NASA interpolates even more aggressively—areas with gaps are interpolated from the nearest station up to 1,200 kilometers away—and offers 99 percent coverage.
By the way, NOAA's recent analysis contained the following features:
– March 2015 was so warm that only two other months ever had a higher departure-from-average (temperature above the norm). Those months were February 1998 and January 2007, and they only beat March by 0.01°C (0.02°F).
– Seven of the past eleven months (May, June, August, September, October, and December 2014, along with March 2015) have tied or set new record high monthly temperatures.
– Arctic sea ice hit its smallest (wintertime) March extent since records began in 1979. Antarctic sea ice hit it second-largest (summertime) extent on record. Click here for more about record ice extents in Antarctica.
– Some experts are predicting that 2015 will be the hottest year on record. That is because a weak El Niño began in early 2015, and El Niños typically cause a short-term warming that drives overall global temperatures upward. NOAA said in its report:
… according to NOAA's Climate Prediction Center (CPC) … a weak-phase El Niño is continuing. According to the CPC, there is about a 70 percent chance that El Niño will continue through Northern Hemisphere summer 2015, and more than 60 percent chance it will last through fall. El Niño conditions tend to enhance global temperatures, with stronger events having generally larger impacts.
Read NOAA's March 2015 global temperature analysis
View larger. | March 2015 anomalies and events according to NOAA.
Bottom line: The main reason for the slight differences in temperatures data sets from NASA, NOAA and the Japanese Meteorological Agency is that we do not have thousands of standardized weather stations spaced evenly all around Earth's surface. In particular, there are some big gaps in weather stations over the oceans, the polar regions, and even parts of Africa and South America. Different institutions have different ways of dealing with these gaps in the collected data, and that is why their data sets disagree slightly. Overall, the agreement is very good, however, and shows that Earth has been warming and continues to warm.

redpajama_set_name: RedPajamaCommonCrawl


text:
http://tvtropes.org/pmwiki/pmwiki.php/Recap/CommunityS2E06Epidemiology
Recap / Community S2 E06: Epidemiology
Create New - Create New - Analysis Characters FanficRecs FanWorks Fridge Haiku Headscratchers ImageLinks Laconic PlayingWith Quotes ReferencedBy Synopsis Timeline WMG
There's a Halloween party going on in the Greendale "Liscary" and all of the study group are there: Jeff is dressed as David Beckham (complete with stubble and a soccer ball); Britta is dressed as a dragon-turtle ("I'M A T-REX!"); Annie is dressed as Red Riding Hood; Pierce is dressed as Captain Kirk; Shirley is not dressed as Miss Piggy; and Troy and Abed are dressed as Ripley in the Power Loader and the Alien Queen respectively.
Pierce eats some of the "taco meat" that Dean Pelton bought at an army surplus store and exhibits some strange symptoms, including fever and slurred speech. Soon, he bites Starburns and the infection spreads — resulting in a full blown Zombie Apocalypse. And to make matters worse, the Dean locks them in the library to wait six hours for the army to arrive.
Has a YMMV page.
The Community episode "Epidemiology" provides examples of:
And Then John Was a Zombie: Troy is the final survivor, but in the end gets bitten by an infected Abed. The infection begins to take hold, but thankfully Troy is able to turn down the thermostat before it's too late.
Apocalypse How: According to Rich, Type 3A within a year and a half. However, seeing as everyone is cured by turning the thermostat down to 58 degrees, one suspects this virus might have a little trouble making it out of Colorado.
Aroused by Their Voice: The Dean's voice noticeably drops to a flirtier register when he gets transferred to someone with an authoritative military voice on the phone.
Arson, Murder, and Jaywalking: The group is locked in the study room with zombies pounding on the glass doors, the army is six hours away from arriving and Pelton's ABBA mix is playing on a loop over the PA system. But it's not until Pelton's personal reminders get mixed in with the music that Jeff declares it a waking nightmare.
Badass Boast: Shirley's phrase to Leonard: "Leonard, you better back that pumpkin ass up or I will make a pie." Notably, Leonard is zombified and trying to bite Shirley, and this still scares him off.
Big Budget Beef-Up: This is by far one of the series' most impressive and expensive episodes. The ABBA songs alone ate up the entire season's music budget.
Big Damn Heroes: Big Damn Hero Troy reaches the thermostat at the last second before becoming zombified, cooling everyone down until the military arrived.
Big "NO!": Troy cries Big NO! when Abed gets Devoured by the Horde.
Black and Nerdy: This episode actually deconstructs it for Troy. Hanging out with Abed has turned him from a Jerk Jock who could get ladies easily, into a huge nerd. This leads to his brief foray into being a sexy Dracula. However, in the end he realizes he values Abed's friendship more. And even though he's roofied at the end like everyone else he seems to have absorbed this lesson.
Black Dude Dies First: Black Dude Gets Zombified First, defied. Abed saves Troy and sacrifices himself in hopes that Troy could be the first black guy to actually make it to the end and save everyone. It works.
Abed: Troy, make me proud. Be the first black man to make it to the end.
Bloody Handprint: Troy leaves one on the thermostat control, as he manages to save everyone.
Bloody Hilarious: Another zombie apocalypse played for laughs.
Brainwash Residue:
Even though the Memory-Wiping Crew did their job, it would appear everyone subconsciously remembers what happened to some extent, as Jeff states his skepticism over the cover story (Everyone at the party was roofied) whilst Troy & Abed decide they don't want to watch a zombie movie as they feel zombies are played out, but can't remember why.
In Paradigms of Human Memory Abed reveals he does remember one thing from the beginning of this night: Jeff and Britta sneaking into a bathroom to hook up.
Butt-Monkey: Starburns is the first to get bit, as per usual.
Cat Scare: Parodied:
[Screeching cat flies past camera.]
Jeff: Jeez! Haha, it was just a cat. Let's keep moving.
[Screeching cat flies in opposite direction.]
Troy: Holy crap!
[Again.]
Jeff: What is up with that cat?!
Troy: IS SOMEONE THROWING IT?!
Abed: Keep moving!
[And again.]
Jeff: Let's not keep moving, because there is an insane cat down here!
Troy: What about the zombies?
Jeff: Back burner, Troy! This cat has to be dealt with.
As a bonus, the cat is the same breed as Jonesy, the Trope Namer from Alien.
The Cavalry Arrives Late:
Dean Pelton: Six hours, on the dot!
MIB: We've had a lot of practice.
Comically Missing the Point: After Troy tries and fails to pick up some ladies while wearing his Power Loader costume:
Troy: [to Jeff] I don't get it! How do you do it?
Jeff: Well... I'm wearing a $6,000 suit, and you spent three days making cardboard robot armor.
Troy: [nodding] You're saying they feel sorry for you.
Continuity Nod:
Rich from "Beginner Pottery" shows up again (and Jeff still hates him).
In a later episode, Troy shows attention to the fact that Shirley ovulates on Halloween (It Makes Sense in Context)... So this episode might actually influence future episodes.
In "Introduction to Statistics," Shirley's Halloween costume is repeatedly mistaken for Urkel due to her race — she's actually Harry Potter. One of the people who makes that mistake is Chang. In "Epidemiology," Chang dresses as ice skater Peggy Fleming, and is repeatedly mistaken for Kristi Yamaguchi and Michelle Kwan due to his race. In his case, it's on purpose - he's the Racist Prover. Shirley is one of the only people who is able to tell who he's supposed to be.
Annie also references the fact that Shirley's worn an "unintentionally ambiguous costume" for the second year in a row — she's Glinda the Good Witch, not Miss Piggy. Chang is the only person to realize this — a fact which leads to their hooking up.
A nod to Chang's first appearance.
Chang: Ya bit? YA BIT?!?
The Dean still uses pepper spray.
Creepy Basement: Jeff, Troy, and Abed make their way here when escaping from the zombies.
Jeff: Oh, great. A dark basement. I was just thinking we should be doing this in a dark basement.
Cutting Corners: The Dean's idea to buy (what seems like) food from an army surplus store backfires when the content turns out to be some sort of bioweapon or toxic waste capable of causing a Zombie Apocalypse.
Dangerous Windows: Annie gets dragged out a window by a zombie horde.
Death by Materialism: Okay, not an actual death, but otherwise played straight. Jeff would rather walk into a door with zombies potentially on the other side rather than climb out a window and wrinkle his suit.
Death by Pragmatism: Likewise, Jeff gets bitten when he aptly points out to Abed and Troy that they should escape and get help rather than lower the thermostat that is located within hordes of zombies.
Didn't Think This Through:
Britta wears a costume with mittens that cover her hands. She finds that she can't pick anything up at the party. Jeff helps her get a drink, though he doesn't hesitate to tease her about it.
Troy decides to use "The Power of Imagination" and put on his power loader costume to fight the zombies. He immediately gets held down thanks to it and the costume is torn apart.
Troy: Why did I think this would work?!
Discontinuity Nod: In-universe. At the end, Troy and Abed are going to watch a movie, at first considering a horror film, but decide that they are "over zombies" and watch Marmaduke instead.
Dramatic Slip: Shirley when running from the zombie horde. She is helped up by Chang.
Jeff: Don't look back!
Shirley: Why not? — Oh! [stumbles]
Dwindling Party: The group gets zombified one after another until only Troy is left — and then he turns, too, but not before managing to turn on the air conditioning, thus saving the day.
Episode of the Dead: "Epidemiology" is an episode about zombie apocalypse.
Everything Is Racist: Senor Chang deliberately dressed as Peggy Fleming so he could prove everybody is a racist (for example, Britta guesses Kristi Yamaguchi). Because he's the Racist Prover. Shirley, though, figures out who he is on the first guess (and likewise, Chang figures out that Shirley is Glinda the Good Witch on the first guess).
Last Words: Before they turned to zombies:
Star-burns: Jeez, why don't you two just get a room?
Rich: I thought that maybe I was [slurring] speciallll—
Britta: Special? You're not special! I'm special! I was bitten ten minutes ago and [slurring] I'm ffffiiii—
Annie: What the hell?!
Jeff: That's my jacket! You're stretching it! You're stretching it!!
Chang: Shirley and I totally did it! Gotta go!
Abed: Make it fast.
Troy: Jeff... still cool as a zombie!
Fantastically Indifferent: Zombie Jeff is robotically typing on his cell phone. As the temperature cools in the library, he comes back to life... and immediately resumes texting.
Freeze-Frame Bonus: If you look closely at the packaging, the taco meat not only states it is a 'biohazard', but it also shows a pictogram showing that if you eat it, you will turn into a zombie.
Genre Savvy: Troy and Abed immediately label the infected as "zombies"; Chang throws a skate at them, declaring they must destroy the brain.
Halloween Episode: There's a party at the community college and everyone gets infected with a virus that zombifies people.
Homage: There are several shot-for-shot recreations of Zombie Apocalypse media.
Annie is wrestled out a window by a zombie horde in a recreation of a shot from Shaun of the Dead, which is itself a recreation of a similar shot from Day of the Dead (1985).
Troy and Abed climbing atop the storage shelves in the basement is a reference to the video game Dead Rising, and Jeff's threatening them with a raised soccer ball (using Improvised Weapons, including soccer balls, are a gameplay mechanic) might be as well. The Army's six hour delay matches the play time of the main storyline.
The Army makes the Dean quarantine the Halloween party just like it quarantined the apartment complex in [REC].
The explanation of the 'zombies' as infected by rabies pokes fun at both 28 Days Later and the American remake of [REC], Quarantine.
Jeff's taken in by zombies like Barbara near the end of the original Night of the Living Dead (1968).
Troy and Abed repeating the famous "I love you."/"I know." scene from The Empire Strikes Back.
Abed is eventually crushed against the wall in a fenced-in storage area by a wall of zombies in a repeat of the shot from I Am Legend.
Hypocrite: One of the reasons the study group hates Pierce is for seeing them as one-dimensional stereotypes. This episode we find out they do a Flanderized impression of him behind his back.
I'm Not a Doctor, but I Play One on TV: Annie starts to seek help from a young man dressed up as a doctor after Pierce becomes sick, before asking the doctor dressed up as a banana.
Improbable Weapon User: Jeff, whose costume is David Beckham, uses his soccer ball to take out a zombie.
Instant Sedation: The Dean collapses instantly after being dosed by the Men in Black.
Jerkass Ball: Although Jeff has not always been a good friend, in this episode, he shows no concern for any of his friends and is willing to let them die so as not to ruin his suit.
Lampshade Hanging: It's Community, so... a lot. But in particular, the Cat Scare and Jeff's comment that he was hoping they could do this in a dark basement.
Last-Second Word Swap: Britta does a very subtle one when Jeff mentions that quite a few people seem to be on some sort of bizarre drug.
Jeff: Have you noticed a weird vibe taking hold of this party? It's like every fifth person is on something seriously hardcore.
Britta: Yeah, I wonder who's holding... the key to your riddle!
Lethally Stupid:
Quite predictably, the Dean falls into this. He bought ration tins full of biohazard material from a military surplus store and assumed it was taco meat with a goofy label. The biohazard warning signs and the large label "Do Not Open" should have tipped him off.
Chang's attempt at fending off the infected ended in Annie dragged off by zombies and their only sanctuary compromised.
Mayan Doomsday: Brought up, but Chang shoots it down since it's currently 2010. When Rich hypothesizes that the infection would fully spread around the world in a year and a half, Chang realizes that it would be 2012 by the time that happens, leading him to panic and think the 2012 apocalypse is in play after all.
Memory-Wiping Crew: Plan B, dose everyone so they don't remember anything from the zombie apocalypse.
The Men in Black: At the very end, mysterious men in black appear with the military. They look like they're ready to kill all infected and the sole witness, but then they roofie everyone so they'll forget.
Militaries Are Useless: The army makes a point out of showing up six hours after the first news of infection. Also, they apparently didn't think of a cure that a doctor in a banana suit and a college student in a Red Riding Hood costume casually hypothesized. Not to mention that they seem prepared to eliminate a school full of people because they have a virus that can't survive sub-60 degree temperatures.
The Narrator: Opening and closing narration, most of which is irrelevant to the episode, is provided by George Takei as himself.
George Takei: And so, Troy and Abed went back to the dormitory for a viewing of Marmaduke. I'm George Takei, and if your name is Kevin, here's a little freebie for your cell phone. Hi, Kevin can't come to the phone. He's on a spaceship with me, George Takei. Please leave a message. You're welcome, Kevins. Happy Halloween.
Not a Zombie: For a long time, characters are oblivious to the zombie infection going on, partly driven by the fact that they are at a Halloween costume party.
Now or Never Kiss: Between Shirley and Chang in the bathroom while being surrounded by zombies.
Or Was It a Dream?: At the end of the episode, Troy receives a hint that more happened than just being roofied for no reason in the form of a voice mail sent during the night by Chang, claiming he and Shirley did it in the bathroom. Troy doesn't understand the relevance, only wondering why Chang would tell him about it despite the sounds of the zombies attacking at the end. There are repercussions of Chang and Shirley's tryst in subsequent episodes.
Out-of-Character Moment: While it may be attributed to the high stress of the situation, you have to wonder why the self-righteous Shirley who has a rather negative opinion of Chang would sleep with him.
Panty Shot: Chang throws his skate and breaks the window, letting zombies into the study room. They grab Annie, pick her up and drag her out of the room, allowing the viewer a glimpse of Alison Brie's underpants under her Red Riding Hood skirt. It's so brief it's almost subliminal but noticeable enough to make you go "wait, was that...?". note According to the commentary, that was the shot with the least amount of visible panties.
Patient Zero: Pierce is the first confirmed infectee from eating the taco meat. It's unclear how many others may have eaten some, but he is the first to start visibly displaying symptoms and biting people.
Reset Button: The end when the military comes in and wipes everyone's memories. Partially subverted, since the Chang/Shirley hookup becomes a major plot point later in the season.
Room Full of Zombies: In the basement, Jeff obliviously opens a door behind which horde of zombies were waiting.
Shed Armor, Gain Speed: Parodied. At the climax, Troy dons his Halloween costume: a cardboard version of the power loader from Aliens. While it does give him a little bit of protection from the Technically Living Zombies, it also gives them more to grab onto and slows him down. He quickly sheds it and wonders why he thought that it would be a good idea.
Shirtless Scene: Troy decides to change costumes to be a "sexy Dracula," which mainly consists of him taking off his shirt and wearing a toilet seat cover around his neck that says "Dracula", for enough time to almost qualify him as a Walking Shirtless Scene.
Shout-Out:
One semi-obscure one: Jeff calls 911 and can't get through, and comments that "Flavor Flav was right", referencing Public Enemy's song "911 Is A Joke."
Chang makes a joke about how he didn't mass-roofie people. Now what else has he appeared in which involved mass-roofieing?
Skewed Priorities: Used three times.
Right before zombies swarm the study room, Jeff asks if anyone managed to turn off the Dean's ABBA playlist.
When they abandon their plans of escape to resolve the Cat Scare issue.
When Jeff is about to be zombified, all he's scared of is Rich stretching his suit jacket. A situation he only ended up in because he wouldn't climb out the basement window in his expensive suit.
Something Else Also Rises: Pierce raises the lower part of Rich's banana costume when he's flirting with Annie.
Soundtrack Dissonance: The Dean's ABBA playlist blasts throughout the entire episode of zombie apocalypse.
Special Edition Title: The opening credits have been Halloweenified ! Featuring some interesting in-jokes (if you listen to the commentaries on the first season DVDs). Within these credits, Shirley's actress's credit appears with a picture of a mummy. And Chang's credits are... aliens in sombreros.
Stock Scream: The Wilhelm is heard when Troy re-enters the zombified party in the Power Loader.
Take That!: The show deals another Take That! to William Shatner by having Pierce dress up as Captain Kirk.
Jeff: Whoa, hey, if you get any more sweaty and puffy, your costume's going to reach new levels of authenticity.
Technically Living Zombie: Mixed with Flesh Eating Zombies and Plague Zombie. People don't go from alive to dead to undead, they just develop a high fever that's caused by eating infected taco meat. The fever causes them to lose higher brain function, after which they spread the infection to other people by biting them.
They Plotted a Perfectly Good Waste: Let's be honest. No one expected this to be more than a one-off joke, especially when everyone ended the episode without their memories. Then Shirley and Chang's hook-up becomes a major plot point, as well as the fact that they don't remember it adding drama to the overall story.
This Is No Time to Panic:
Annie: We need to coordinate an orderly evacuation without causing unnecessary panic.
[Zombie Leonard bites someone]
Troy: HOLY CRAP, LEONARD'S A ZOMBIE!!!
Too Dumb to Live:
Troy not only tries to use a cardboard power loader costume as armor, but he later tries an "I Know You're in There Somewhere" Fight with zombie-Abed. Unsurprisingly, he gets bitten.
Jeff worries more about his clothes than the threat of zombies.
Both Britta and Rich thought they were special enough to be The Immune.
Later, when the Army finally arrives, they ask the Dean if he's the only witness while cocking their guns and he quite happily states that he is.
Time for Plan B: The army's Plan A is apparently to kill all the infectees and any uninfected witnesses, but they are quick to fall back on Plan B of memory wiping when they see that the infection has actually worn off.
Toxic Waste Can Do Anything: The Dean gets biohazardous material from an army surplus store and serves it as taco meat, triggering a Zombie Apocalypse.
Vampires Are Sex Gods: Troy tries to invoke this when he changes out of his power loader costume into a "sexy Dracula" costume, hoping he'll attract more girls that way.
The Virus: A nameless, bizarre version causes the near-Zombie Apocalypse.
Walking Shirtless Scene: Troy's "Sexy Dracula" costume.
We've Got Company:
Abed: I hate to be the "we've got company" guy, but...
Would Hit a Girl: Jeff and Troy, if that girl were a zombie.
Troy: You punched a lady bee!!
Troy: Hey Annie, what nice fists you have... IN YOUR FACE! (punch)
Wrong Genre Savvy: Troy using The Power of Imagination to try and defeat the zombies with his power loader costume. The zombies quickly remind him that This Is Reality.
Zombie Apocalypse: Stopped before it got out of Greendale, thanks to Troy and Dean Pelton.
Zombie Infectee: Discussed, then parodied — good-looking doctor Rich from "Beginner Pottery" makes a point of asking if anyone in the study room has been bitten, telling them that if they allow the rest of them to seal them in the study room, they'll be putting everyone else in danger. Turns out Rich had been bitten, and Britta too. It doesn't take long for the symptoms to kick in and ruin their cover.
Jeff: You got bit!
Rich: [slurring] I thought that maybe I was special!
Britta: Special? You're not special! I'm special! I was bit ten minutes ago and [slurring] I'm ffffiiii—
Jeff: [picking up a chair to fend them off] Oh, great! Nobody's special!
Community S2 E05: Messianic Myths and Ancient Peoples
Recap/Community
Community S2 E07: Aerodynamics of Gender


After the great heat around Las Vegas, it was very cool in San Francisco. The Pacific, the Golden Gate Bridge, the Cable Cars - San Francisco is a beautiful city.
Nach der grossen Hitze um Las Vegas war es sehr kühl in San Francisco. Der Pazifik, die Golden Gate Bridge, die Cable Cars - San Francisco ist eine wunderschöne Stadt.


text:
Women's quarter-final line-up confirmed in Antwerp
27.06.2015, Brussels; In the Women's World League, we are really pleased that Italy, The Netherlands and the hosts Belgium are through to the quarter finals. France and Poland are going home having not made it through. However the EHF President, Marijke Fleuren had this to say about the French girls who arrived without any preparation following the last minute withdrawal of Azerbaijan 'We salute the French team, they have real Olympic spirit: 'Ce nest point le triomphe, mais le combat.'
• Reigning World, Olympic & HWL champions the Netherlands play India while New Zealand to face-off against Japan
• Korea to meet Belgium while Australia face Italy as race for HWL Final and Rio 2016 Olympic Games tickets continues
Following the completion of the pool phase at the women's FINTRO Hockey World League Semi-Finals in Antwerp, the line-up for the cross-over quarter-final matches has been confirmed. The top three finishers in the event will not only seal a place at the end of year Hockey World League Final in Argentina but also qualify for the 2016 Olympic Games in Rio de Janeiro, Brazil.
Maartje Paumen scored a hat-trick against Italy as the Netherlands finished top of Pool A, with Oranje now facing a quarter-final match-up against India, Pool B's fourth placed team.
In Pool B, Anita Punt and Gemma Flynn were on target as New Zealand defeated Belgium's Red Panthers to seal a first place finish and will now meet Japan in the last eight.
The other two quarter-finals – which take place on Tuesday 30th June – will see Korea taking on Belgium and Australia doing battle with Italy as the race for the Hockey World League Final and the Rio 2016 Olympic Games tickets continues.
Women's quarter-final day will commence with the 9-10 classification match, with the first quarter-final getting underway at 13:00pm local time in Antwerp.
The quarter-finals will take place on Tuesday 30th June with the running order as follows (local time – CEST):
9th-10th 10:30 France v Poland
QF 13:00 Australia v Italy
QF 15:30 New Zealand v Japan
QF 18:00 Netherlands v India
QF 20:30 Korea v Belgium
More details about the men's and women's FINTRO Hockey World League Semi-Finals including match highlights, imagery, reports as well as all tournament information can be found on www.fih.ch.
Source material: FIH.CH
Photograph: Italy celebrates! (Grant Treeby (c))
← Golden Whistle for Russian Golden girl Elena Eskina Day I - EuroHockey5 Mediterranean Cup, Under 16 Boys and Girls →


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Art mirrors life at Lucerne exhibition
One of the "mirror art" exhibits being installed in Lucerne. Keystone
Lucerne's new art museum is staging a major exhibition of works by Michelangelo Pistoletto, an Italian "mirror artist", who in the 1960s founded the Arte Povera movement.
This content was published on October 20, 2000 - 08:52 October 20, 2000 - 08:52
Arte Povera literally means "poor art", but only in the sense that the artist makes sculptures and installations from everyday, often scavenged, materials.
For example, Pistoletto has used painted cardboard wrapped in canvas to create seemingly heavy sculptures which look like huge rocks.
But for many the most eye-catching exhibits are those which explore the reflective qualities of highly polished steel and glass mirrors.
Pistoletto uses mirrors as a space in which reality, imagery and reflection merge. The mirrors are pasted over with photographs of people, and become pictures which include the viewer - who not only sees the picture in front of him, but also the room reflected in the mirror behind him.
One installation in the Lucerne exhibition - "Divisione e moltiplicazione dello specchio" - consists of two mirrors placed at such an angle that a visitor who looks into them sees him or herself endlessly reflected.


text:
PredictionIO docker image with MySQL database

Built from ubuntu:14.04, Oracle JDK 1.8
Allow to access to external MYSQL database specified by ```$DB_URL```, ```$DB_USER``` and ```$DB_PASS``` environment variables
Binary data is stored and mapped as a volume at ```/data/pio```

redpajama_set_name: RedPajamaGithub


I had dropped my resume off at Belissima Sunridge and about 2 weeks later I get a call from june from Belissima Sunridge location and I missed the call so she left a message saying that she had looked at my resume and is interested in setting up an interview time for me. As soon as I checked my phone I called her back and she then booked an interview for me for Friday may.15 2015 so I go to the interview that she had scheduled me and I let them know that I have an interview and she herself tells me that she doesn't have any time booked for me for an interview and I told her that I have the message that she left me and that I called her back and she was acting like that she didn't know what I was talking about, then she tells me that she had already hired couple girls for the Sunridge location. So I wasted my time booked everything off so that I could go to the interview and she tells me that she doesn't have me booked for the interview which was very unprofessional and on top of that she was telling me about how other locations are hiring and that I should try for those. Very very unprofessional and I honestly don't think she deserves the position she is in right now because of what she did to me and how I was treated. Honestly no one has time for this crap I was very prepared for the interview and took my time to go there and ended up walking out of the store very very disappointed.


Many times we would like to start debugging from a Pop-up screen, but the editor doesn't allow us to do that.
Now the shortcut icon is generated in the desktop. You can do a similar drag and drop (as did for the text file) of the short cut icon on the popup window to invoke the debugger.


text:
Theale Travellers miss second eviction deadline
The camp is near to an office car park in Arlington Business Park and two notices by West Berkshire Council have been ignored by the Travellers
Mary Naylor
Travellers at Arlington Business Park, Theale
Travellers who set up camp in Theale have missed a second deadline to leave the area.
The camp is near to an office car park in Arlington Business Park and two direction orders by West Berkshire Council have been ignored by the Travellers.
The first order told them to leave by Wednesday, April 13, two families left on this deadline but a third invited more family members to join them.
The second was for Thursday, April 21 exit but the group still remain at the site.
getreading understands the fact some families have left, but others have arrived has led to legal complications over the matter.
The council are now seeking a court order from the Magistrates' Court to move the Travellers on.
West Berkshire Council spokeswoman, Peta Stoddart-Crompton said: "The council is working to get a Magistrates Court Order as soon as possible.
"In the meantime we are liaising with the police who make daily visits to the encampment."
Thames Valley Police has confirmed it is liaising with the council and making visits to the Traveller site.


Apple's New iPad Pro: Should You Upgrade?
The Macbook Air no longer makes sense when the Macbook is lighter and smaller. It stands up fine on a desk with keyboard and stand accessories, like a mini monitor, but its best use might be flat on a table, or your lap. This pen really works; it's very accurate. The other big improvement is ProMotion, a technology that allows for a refresh rate of 120Hz. This 400 micron variance is less than half a millimeter or the width of fewer than four sheets of paper at most and this level of flatness won't change during normal use over the lifetime of the product. The Smart Keyboard Folio offers a full-size keyboard with the same soft-touch keys from the original Smart Keyboard designed for earlier iPad Pro models. Winner: Overall winner: There are no surprises here — the 10.
For the first time, the Apple Pencil 2 can be engraved with a custom message or name. Apple making the new iPads look like the new iPhones is also counter to how the company thinks. San Jose, California — Apple today introduced an all-new and a new 12. We'll be sure to give the new iPad Pro a thorough test when we get it in the office. The new version, as implemented on iPhone X, might. It's similar to the Smart Keyboard available for earlier iPad Pros, but with an included back case to protect both the front and back of the iPad when it's not in use. The feature would replace the iPad home button that has come with a fingerprint scanner since 2014, one of the people said.
It's slightly bigger and heavier than the 9. Our current specification for iPad Pro flatness is up to 400 microns which is even tighter than previous generations. This fall should be fun. Other Features Storage Space There are four storage space options in the iPad Pro. View full gallery The Pencil can charge from the iPad Pro, like this, which is a little awkward. Apple currently provides pressure sensitivity to iPad Pro via Apple Pencil.
That's pretty much business 101. Many carriers in the U. Apple switched to Lightning in 2012. The flat edges are pretty clearly done that way to let Apple use more of the interior space without having to cede a few millimeters all the way around the edge to unusable space. Drawing like an artist I'll tell you right now who's going to want an iPad Pro: anyone who draws or works with images. They seem like they are undoing some confusion to me.
Steve Jobs was famously against tiny tablets, though Eddy Cue later convinced him to give it the go ahead. Inside, the new iPad Pros are packing considerably more power, driven by Apple's new eight-core A12X Bionic processor that supports its Neural Engine technology, also found on late-model iPhones. It has the best specs you can get, though it comes at a premium. But it couldn't do everything. We compare the specs and tell you what you need to know. The key differences are minor.
According to , Apple confirmed that some iPad Pros may ship with a very slight bend in the chassis. Apple state the models are 35 per cent faster for single-core performance tasks and 90 per cent faster for multicore performance tasks than the 2017 models with 2x faster graphics. Somewhat lost in the shuffle were : a 10. Horns could easily find their way onto iPad but only if they suit just exactly what Apple wants to do with iPad. Then there's this: Apple could announce the new iPad Pro as soon as its September 12, 2018 event, or at any time thereafter. Other iPad Pro features include four speaker audio, five microphones, Bluetooth 5. We've carefully engineered it and every part of the manufacturing process is precisely measured and controlled.
Apple says that the iPad Pro models use subpixel anti-aliasing for the rounded corners, with individual pixels that are tuned to make sure the edges are smooth and distortion free. Users with devices that do not meet Apple's specifications are encouraged to contact Apple. There's also no True Tone, meaning the screen won't use the ambient light sensor to dynamically adjust the screen's white color balance to make text more readable. Apple's iPad Pro is unapologetically a finger and stylus-only machine. What's Next for the iPad Pro Apple analyst Ming-Chi Kuo, who often provides accurate data on Apple's future product plans, believes a next-generation iPad Pro in late 2019 or early 2020.
So, consider this for what it is: One more sign that new iPads are coming. Both tablets are on fairly equal footing when it comes to the display; they use the same -ish 9. The new Apple Pencil will be paired with iPad Pro by proximity, much like AirPods or HomePod. The Bad At launch, very few apps are currently optimized to take advantage of the iPad Pro's full potential. Both return a 264ppi pixel density. It now features a leather back to protect the iPad Pro when and connects via the smart connector dots that have moved from the side of the iPad Pro to the back. The Smart Keyboard Folio for the 11-inch iPad Pro can be , and the Smart Keyboard Folio for the 12.
It is also equipped with a total of five microphones for calls and video recording. For a list of Apple Pay countries,. But over time, it grew on all of us. Connectivity Like previous iPad Pro models, the 2018 iPad Pros support 802. When in an app, a slower upwards swiping motion brings up the iPad's dock, where you can access additional apps for multitasking purposes. Single-core performance with the A12X is up to 35 percent faster than the A10X Fusion chip in the previous-generation iPad Pro models. But, a year can be an eternity in technology.


Client: Dun Laoghaire Rathdown Co. Co.
Perched on the summit of Killiney Hill the "obelisk" was constructed to provide relief for local family during a serious famine that occurred in the 1740s. The structure is a landmark, belvedere and viewing gallery from which some of the best views in Leinster can be enjoyed. South to Killiney Bay and the Wicklow Mountains and north to Dublin Bay and City. Having been vandalised and its entrance door blocked, the structure had become unsafe due to falling cement render applied during the 1970s.
We oversaw a complete restoration of the structure, replacing cement render with lime, installing doors and windows and a new floor to the belvedere, metal railings to the viewing gallery, new seats in the niches and salvaged stone paving around the base. The history of the structure and gift of the surrounding park, is related in three historic inscribed plaques, two in stone and one cast iron, all three were restored and a new stainless steel plaque to record the latest restoration.


The Top Chef finale is coming soon - it's on Wednesday, February 27 at 10/9c - and I'm ready to make my prediction for the winner.
I'm predicting it will be Brooke.
She started off feeling like an underdog, but has gained confidence and has won quickfires and challenges.. In the quickfire in the Even the Famous Come Home episode, she made an apple crostata with cheddar cheese in the crust.
I mean, really, that's something I might make. In fact, there's a good chance I will make something similar soon. Hmmmm. Maybe that's why I like her - because her cooking style fits so well with mine. When she was talking about the judge's comment about her crostata, she said, "It never really feels like a compliment when you're in a room full of chefs and you've made the 'homey' dish."
But she ended up winning the quickfire. So "homey" wasn't so bad after all.
I also like her because she didn't get involved in a lot of the drama. During the Restaurant Wars episode, when the chefs were at the Judges table there were fireworks between Kristen and Josie, but Brooke didn't get involved.
One of the judges asked, "How did the day go for you, Brooke?"
Another one of her dishes that I really liked was the raised chicken from the Glacial Gourmet episode. That was another dish that I could imagine making at home. I mean, I've made braised chicken before. Many times. Recently, even.
She doesn't like boats or heights or confined spaces, but deals with them all. I get it. I don't like heights, either. I completely get it. But she didn't let that stop her. When she was in a helicopter in the Glacial Gourmet episode, you could see how scared she was at first, but then she finally opened her eyes and enjoyed the scenery.
And then later, she said how much she loved the scenery. Go, girl! And then she had a blast dogsledding. That really looked like fun. That was one of my favorite little non-cooking moments in the season.
And then she won the quickfire and got immunity in the next challenge.
The dish she made sounded pretty crazy to me = lamb-stuffed squid. The judges loved it and it was the first time I remember her stepping that far out of her usual comfort zone. Although I thought the dish was a little crazy (and I'm still not sure if I'd like it) I liked that she could have slacked off since she had immunity, but instead she went with something madly creative. Of course, it also could have gone horribly wrong, but it didn't. And she ended up winning a Toyota Prius.
Nobody's ever offered me a car for my cooking. How about you?
My favorite challenge - the one that I would have loved to cook along with - came in the Kings of Alaska episode. The chefs all made sourdough bread. I love making bread, and I love sourdough. I've got NINE different sourdough starters in my refrigerator right now. Some are relatively young, and one of them dates back to the 1800's.
But enough about me. Brooke made a sourdough that included dill. And she won the challenge..
I've done a lot of posts about sourdough, including a step-by-step, day-by-day tutorial for getting a starter going. It uses nothing but flour and water, and although no system is foolproof, it has worked for me over and over.
BUT. Sometimes a starter doesn't get lively enough. Sometimes it bubbles but never rises up in the jar. Or sometimes you store a starter a little too long, and it it gets really, really sleepy. And it doesn't want to wake up.
Then what do you do? It's a question I get asked A LOT.
And the answer is pretty simple.
Throw out all but about a tablespoon of starter. You don't have to throw out the "discarded" starter. you can add it to a yeast dough for flavor, or add it to a quickbread for flavor, or add it to pancakes or waffles. The point is that you don't want to use it to grow your starter. You just want that one little tablespoon.
If the jar that you keep your starter in is particularly nasty-looking, you can take that tablespoon and put it in a clean jar.
Then, begin feeding the starter aggressively, doubling the amount each time, and feeding 2-3 times each day. After 2-3 days, you should have a very lively starter that's ready to use. And since you're doubling each time, you should have plenty to use.
And that's it. You should be ready to bake, just like a Top Chef.
I think my next sourdough will include dill, just like the one Brooke made. Yup, I like the way that gal cooks!
Who's your favorite? Who do you think will win?
I'll be hosting a Top Chef Twitter party on Tuesday, February 26 at 1 p.m est - that's the day before the finale. Follow me (@dbcurrie) on Twitter and you might want to follow @BravoTopChef too. Look for the hashtags #TopChef and #winTopChefswag and join the party to win some stuff! No registration needed.


The PTN2 is a fantastic way for you to enjoy your favorite audio title, such as DAISY Digital Talking Books, music CD's, MP3 or WMA (Windows Media Audio format) CD's, or audio books on CD. The PTN2 satisfies both people who want the simple operations of the player, particularly for leisure reading, and people who need more complex navigation for professional use.
With a mask cover on the PTN2, the more complex navigation keys are hidden, so you can easily operate the play function. When the mask cover is removed, you can operate additional functions, e.g. navigate a DAISY book by chapter, section, page, phrase, etc.
- Using the navigation keys, you can select a specific page or chapter.
- The voice speed and tonal quality can be adjusted for easier listening.
- A bookmark can be placed wherever you desire to highlight a passage for reference.
- Voice guidance will guide you in the operations of all functions.
- With a mask cover, only a few keys appear on the PTN2, just like a cassette tape player.
- Automatic bookmark numbering. You do not have to remember or choose a number for a new bookmark.
- The sleep timer function turns the PTN2 off by itself automatically at the time set.
- DAISY books and other content on a CD disc can be backed up to an SD card or a USB device.
- You can play music CD, as well as play MP3 or WMA music files on a SD card or USB flash memory.
- Supports text-based book playback by synthetic voices; DAISY text books simple text, html, Windows doc.
- Plays books from major content providers in U.S.A, NLS cartridge or BARD service, or Recording for the Blind & Dyslexic (RFB&D) books on a CD, SD card or USB memory.
Note: DAISY stands for Digital Accessible Information System. It is the format that is being developed as the international standard for digital talking books and accepted at many library services for people with visually impairment or print disability. Please visit the DAISY Consortium web site (http://www.daisy.org/) for further details.
- Playable CDs: 12cm diameter, Stamped CD, CD-R, CD-RW. 8cm CD and irregularly shaped CDs will cause a malfunction and should not be used.
- Guide Voice: Gives spoken information about the current operation; Provides key descriptions in Key Describer mode; Speaks menu items; Gives help information (press the Information key).
- Search Function: DAISY book - Heading, Group, Page, Phrase, Bookmark; Audio - Album, Track, Bookmark; Text file - Screen, Paragraph, Sentence, Word, Character, Bookmark; HTML file - Level, Paragraph, Sentence, Word, Character, Bookmark.
- Play speed adjustment: 11 settings from minus-2, through 0, to plus-8 (in increments of 1); Normal speed is at 0; minus-2 is 0.5 times speed; plus4 is double speed; plus8 triple speed.


Born in Yalova, Turkey, she completed Haliç University Nutrition and Dietetics Faculty on full scholarship and with honors.
She studied English language in UK, and worked on different cultural eating habits via Erasmus program in Romania.
She interned in various hospitals and clinics including Istanbul University hospital and Liv Hospital in İstanbul.
She concentrated her studies in weight control, athlete nutrition, nutrition for chronic diseases, child and adolescent nutrition, nutrition during pregnancy and breastfeeding, nutrition through menopause and eating disorders. She attended several international congresses and workshops on these subjects.
She joined team Maksimum Yaşam in 2017.


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COVID-19 and the workplace: A message from our Managing Director
In a time of disruption and uncertainty, businesses are having to adapt fast to the rapidly evolving economic and political climate. As experts in workplace strategy and design, we are very aware of the changing nature of work and the everchanging requirements of the workplace.
Many people are speculating as to when things are likely to return to how they were pre-COVID-19 but we believe this could mark a paradigm shift in the way we work, as businesses have no choice but to embrace agile working practices in order to continue to trade.
Despite the acute challenges this presents to business across industries, the benefits of agile working can drive increases in productivity, employee engagement, reduce absenteeism and offer savings on a business's property or rental costs. Reduced commuting also offers obvious environmental benefits, therefore reducing the carbon footprint of an organisation.
As flexible working becomes more popular with staff and employers alike, the requirements of offices and collaborative spaces is becoming ever more important. Spaces need to do more than ever before; guaranteeing connectivity, privacy, space for collaborative working and making effective use of existing floorspace to deliver maximum value for organisations and their teams.
We are adopting a positive attitude to the situation that we face right now and are focused on delivering value for our clients and looking after our people. In the immediate term, we're adapting to the changing circumstances to ensure we continue to deliver our vision; to improve working lives. Our approach to delivering this vision is not limited to the confines of your office; our team of strategists, consultants and designers are available and on-hand to support your business as it adjusts to these new ways of working. We have the latest video conference technology at our disposal to support and offer guidance to your organisation wherever you are in the world.
What impact are the latest developments having on you and your business? What changes are you making?
We wish you all good health and to keep safe during this time.
Jonathan Kerr
The Future of the Workspace
As we head into another lock down and finding ourselves being instructed to work from home, it's no surprise to find that feelings of frustration and concern and the consistent wondering, "when this will all end and when will things return to 'normal?'''...
Sitting comfortably? It is more important than you think.
Economists have long since predicted the arrival of the 15 hour work week, as technological advances make the conventional 9 to 5 grind a thing of the past Of course, in the age of COVID-19 organisations have been forced to abandon traditional ways of working in...
Has the world of work really changed?
The world of work has been turned on its head. The challenges the world is facing currently has brought about a paradigm shift in how businesses and people work. It is causing organisations to totally rethink how they use space and the role of the 'workplace' in both...


The Pottery Studio houses six wheels and 2 kilns along with an array of glazes to choose from. Prefer hand-building? We have space for that too! More advanced? Feel free to book some open studio time. We offer private classes, kids pottery classes, adult pottery classes and clay classes that incorporate meditation.


text:
/**
 *
 * In-Browser implementation for Chrome and Cordova runmodes
 *
 * @author Edouard Lafargue, ed@lafargue.name
 *
 *
 *  Exposes three methods:
 *
 *  - setup
 *  - sendData
 *  - resolveMapping
 */

define(function (require) {

    "use strict";

    var _ = require('underscore'),
        Backbone = require('backbone'),
        abu = require('app/lib/abutils'),
        utils = require('app/utils');

    require('peerjs'); // Not UMD-friendly, just hardcodes a "Peer" window-level object, ugly.

    var Output = function () {

        var mappings = null;
        var settings = null;
        var output_ref = null;
        var rigserver = null;
        var previouscmd = '';

        var peer = null;
        var activeConnection = null;
        var activeCall = null;

        // Load the settings for this plugin
        this.setup = function (output) {

            console.log("[WebRTC Output plugin] Setup a new instance");
            output_ref = output;
            mappings = output.get('mappings');
            settings = output.get('metadata');

            // If we wanted to talk to the device, we could do it this
            // way:
            //linkManager.sendCommand('command here'); //

            if (settings.instance == 'custom') {
                var sp = settings.ipaddress.split(':');
                var connection_info = {
                    host: sp[0],
                    port: sp[1],
                    debug: true
                };
                if (settings.apikey)
                    connection_info['key'] = settings.apikey;
                peer = new Peer('webrtc-wizkers', connection_info);
            } else {
                // Create a PeerJS connection:
                peer = new Peer('1829384858', {
                    key: settings.apikey,
                    debug: true
                });
            }

            peer.on('open', function (id) {
                console.log('[WebRTC Output] My ID is:', id);
            });

            // Then wait for someone to call us on the data channel
            // and/or audio channel
            peer.on('connection', onPeerConnection);
            peer.on('call', onIncomingCall);

            // TODO

        }

        this.onClose = function () {
            if (peer) {
                console.log('[WebRTC] Closing existing peer connection');
                peer.destroy();
            }
        }

        // The output manager needs access to this to compute alarm conditions
        // -> not relevant for this plugin.
        this.resolveMapping = function (key, data) {
            return null;
        };

        // In this plugin, we just forward all the data coming from
        // the driver to the other end, as long as we are connected
        this.sendData = function (data, isAlarm) {
            // Sending the data here
            if (activeConnection)
                activeConnection.send(data);
        };

        //////////////////
        // Private methods
        /////////////////

        var onPeerConnection = function (conn) {
            console.log('[WebRTC Output] Incoming Peer data connection', conn);
            activeConnection = conn;

            activeConnection.on('data', onIncomingData);
        }

        var onIncomingData = function(data) {
            // data is an ArrayBuffer, forward it to the driver,
            // but convert it to a string first
            console.log('[WebRTC Output] Incoming data:', abu.ab2str(data));
            linkManager.sendCommand(abu.ab2str(data));
        }

        var onIncomingCall = function (call) {
            console.log('[WebRTC Output] Incoming Audio call', call);

            // Time to create our media stream to connect to the incoming call:
            var audioConstraints = {
                audio: {
                    googEchoCancellation: false,
                    googAutoGainControl: false,
                    sourceId: settings.audio_input
                }
            };

            navigator.getUserMedia(audioConstraints,
                function success(audioStream) {
                    call.answer(audioStream);

                    // Then hook up our any incoming audio stream to
                    // our local audio output:
                    call.on('stream', function (stream) {
                        // We need to hook up this incoming stream to an audio element,
                        var audio = $('<audio id="audioSinkElement" autoplay />').appendTo('body');
                        audio[0].src = (URL || webkitURL || mozURL).createObjectURL(stream);

                        // And we need to connect the output of this audio element to the right sink:
                        // (note: right now Chrome does not let us connect a remote WebRTC stream to a
                        // WebAudio node for processing, unfortunately

                        // The media object takes some time to initialize, and apparently there is no good
                        // way to get a signal once it's ready, so we just wait for 1 second before
                        // setting the sink:
                        setTimeout(function () {
                            audio[0].setSinkId(settings.audio_output).then(function () {
                                    console.log('[WebRTC Output] Success, audio output device attached: ', settings.audio_output);
                                })
                                .catch(function (error) {
                                    var errorMessage = error;
                                    if (error.name === 'SecurityError') {
                                        errorMessage = 'You need to use HTTPS for selecting audio output ' +
                                            'device: ' + error;
                                    }
                                    console.log('[WebRTC Output] Error setting audio output', errorMessage);
                                });
                        }, 1000);
                    });

                },
                function error(err) {
                    console.log(err);
                });

        }

    }

    _.extend(Output.prototype, Backbone.Events);

    return Output;

});


224 gobble Most likely, as with many New York- \ ers, Thanksgiving Dinner at Schrafft's is a tradition you grew up enjoying. It's a fine habit which you others - all you others - from north, east, south, and west, can start happily this Thanks- giving. We don't crow, because most people know that Schrafft's for Thanks- giving is excellence without expense, friendly homelikeness, and wonderful, wonderful food. Come to our house this Thanksgiving! 5cl1RAFFT5 COMPLETE THANKSGIVING DINNER 3.75 at 16 nearby SCHRAFFT S about town \ the look that only YOU know i ,..,1..;;":" \ ",' W' /::'" .,. "'"" ... $. . '>'0' <<ft AND WANT TO SHARE WITH OTHERS Your child photo- graphed in your ,,' own home . . . at [^ reasonable rates ... ' * by appointment. 1....- hilde hub buck photographer 161 E. 88 ST.. H.Y.C. AT. 9-3250 AFTER . . . THE BALL begins! 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There are Japanese critics who have been heard to say that when Arthur Waley had completed his su- premely enjoyable version of Lady MurasakI's "Tale of Genji," Japan and the world were the richer by a new book from a great novelIst who had been inspired to write it by reading the origi- nal. Professor Wang, as he candidly admits in a disarming preface, had strong feelIngs about "The Dream of the Red Chamber" a generatIon ago. He considered it a love story, and at that time he produced a volume, a quarter of the length of the book it was based on, that presented the love story with all the trivial details left out. To this simplification Arthur Waley contributed a preface in which he said that "it only remains to assure the reader that in Mr. Wang's hands he will be perfectly safe. The translation is singularly accurate, and the work of adaptation skillfully performed." But Professor Wang's feelings have changed, and he has come to think that the trivial details are the substance of the book. The love story, in his present verSIon, has become only one of the many ingredients in a novel primarily about family life, which was designed by its author to give a ful] picture of what went on in those sprawling, villagelike compounds where the wealthy Chinese lived in huge groups that were more like clans than Western families. If the book were no more than that, an equivalent of N ora Wain's "House of Exile," it would still be of con- siderable interest. The clan in ques- tion bears the family name Chia, and it has grown so rich and powerful that its senior members are qualified for the highest posts in the imperial govern- men t and its cadet branches are estab- lished all over China. The story con- cen trates on the clan headquarters, two sprawling collections-each covering as much ground as two or three city blocks-of houses, courtyards, detached pavilions, parks, and gardens, which face each other across a street in the northern Chinese cit) of Chinling. The Y ungkuofu, the western compound, in which the novel's major figure, Chia Pao Y u, lives, has three hundred peo- ple living within its walls, and the Ningkuofu, the eastern compound, has the same number. Because this kind of establishment, which managed to linger on through China's last century and a half of troubles and disorders and came to Seem the one unchangeable thing in its life, is now rapidly being destroyed by the new regime, it has apparently be- NOVEMDER 2. 2., I 9 5 8 . Ernie Ford's Christmas Songs The SJAR 1 CAROb "TENNESSEE" ERNIE FORD f t" \.h .. 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Gym, game courts, golf practice, steam, sun lamps, snack bar. Only 3 mins. from Grand Central. Entrance 247 Park Avenue or 480 Lexington. YUkon 6-4747.


It began, legend says, at Christmas time. Tobe Hooper, a film director whose only feature credit had been a hippie drama called Eggshells, was standing in a Montgomery Ward, trapped by the bustle of last-minute shoppers. As he contemplated how to get through the mass of consumerism, he found violent inspiration in a display of chainsaws.1 Thankfully, he didn't act on his carnage-filled fantasy of bloody crowd control. Instead, he channeled the idea into his second feature, a low-budget horror flick about a quintet of young people who are beset by a family of cannibal hicks in the sweltering Texas summer. Although produced with working titles such as Headcheese and Leatherface, it was released in 1974 with the only name it would ever need: The Texas Chain Saw Massacre. This brutal cacophony of terror would go on to spawn three direct sequels, documentaries, a video game, several comic books, an official fan club, and countless pieces of collectible merchandise. Its imitators are innumerable. In 2003, New Line Cinema and Platinum Dunes released a remake which spawned its own prequel, merchandise, and comic books.
Why does this movie, of all the low-budget regionally-specific horror movies made in the 1970s, resonate? The explanation, I feel is as simple as it can be: Hooper and his motley film crew set forth to make a movie that works its way into your brain and never lets go. They succeeded completely. Although it is often lumped in with the slasher movie, which was just getting its start in 1974, The Texas Chain Saw Massacre is in many ways antithetical to the carefully orchestrated series of silences and screams, not to mention the moral determinism, of Halloween and its ilk. From the upturned armadillo in the first scene to Sally Hardesty's blood-soaked hysteria in the last, The Texas Chain Saw Massacre depicts a world of noise and chaos, sound and fury that signifies (with apologies to Mr. Shakespeare) everything. It's unlike any another film ever made, even (or especially) the films that slavishly try to replicate its successes.
The tenaciousness of the hold that Hooper's film has on horror fans can still surprise. When I proposed doing a Texas Chainsaw2 event to the staff, I figured that I would get one or two article proposals to supplement the four reviews and two interviews I already had lined up. We'd fill up the last week of October and that would be it. I wasn't prepared for the staff's response at all. A total of seven features were proposed, along with an additional review. Not only would we run a post a day in the seven days leading up to Halloween, but we would post an additional TCM-related feature every Friday of the month. Each proposal had a different take, from a look at the film's fate at the hands of British censors to an exploration of the media's fascination with serial killer Ed Gein, who was the inspiration for Leatherface.
Alongside the features, our regular Monday review slot will be occupied by the three Texas Chainsaw Massacre sequels (and the unofficial Gein biopic Deranged), all leading up to Robert Ring's review of the original film on Sunday, October 31st. We'll also have interviews with star Marilyn Burns and musician Roger Bartlett, who wrote the song "Fool for a Blond" which appears on the soundtrack.
This is one of the most exciting events we've ever run on Classic-Horror.com, and as the month goes on, I think you'll agree.
Submitted by Nathan Sturm on Thu, 2010-09-30 21:14.
This ought to be good. TCM is one of the best and scariest horror films ever.
Submitted by Jeff (not verified) on Fri, 2010-10-01 11:48.
The remake of Texas Chainsaw Massacre was pretty good. They don't make old time slasher movies like they used, too. Hunger and Road Kill from the new Fangoria FrightFest movies are pretty good, though.
Submitted by nvadr on Thu, 2010-10-07 13:10.
I can remember the first time I saw TCM, it was re-released sometime in the late 70's and my Mother and I went to a cinema and watched this on the big screen. I can remember being shook up quite a bit, seeing its raw, visceral violence and I am not embarrassed one bit by saying at age of 15 being completely shocked by this film.
I caught my Mother a few times turning away from viewing the screen, it's safe to say, she hadn't experienced anything as graphic as TCM in her lifetime either.
TCM is a film I will never forget, since it was a movie that traumatized me and made me lose some sleep that evening..


text:
Home > Authors > Why I Write
Why I Write...Clark Elliott: Health Books 2015
The science of personal experience
By Clark Elliott |
In 1999 I was in a car crash that left me with brain trauma from a concussion. Despite the difficulties, as a professor I found my hugely altered world captivating, and for no other reason than curiosity I began to take notes. This was tricky: I couldn't read, I couldn't always control my hands, and because of the brain damage I couldn't plan at all, so my records of many hundreds of bizarre events were faithfully written on napkins and Post-it notes, and stuffed into text files in random directories on my computers. Ultimately, the record comprised 1,200 pages. Over time I was able to distill my notations into a collection of 200 episodes in the life of a concussive.
After the accident, I was told I would never recover. Much to my surprise, eight years later I found a miraculous treatment in Chicago based on the plastic nature of our brains, and within a few weeks the ghost of who I had been began to emerge.
I was prescribed special eyeglasses that helped to reshape my brain's functioning by remapping the signals coming from my retinas. At one point I lost those glasses, and over the course of five days I regressed significantly. When my replacements came, I felt the flooding ecstasy of being whole once again. I sat down at the piano and began playing Beatles songs in 12 different keys. I could "see" the sounds, and the relationships, so clearly—it was as though I had entered another world, one that allowed me to capture the essence of the music in the clearest mental images.
Because I had studied cognition as an AI scientist, and because I had detailed notes of many experiences, I knew that I could write a narrative that would illuminate the science behind my recovery. Later, in writing the book, I used my log records verbatim in order to exemplify the strange joy of being in my life at these times of reawakening. I supplemented the self-reporting of the cognitive episodes with analysis drawn from the notes my treating optometrist had taken, and I linked them all together.
Structurally, the book was a devil to work out. It was at least three books in one, all at odds with one another. Particularly challenging was that the story structure was chronological, while the science behind the story was conceptual, leading to puzzles about what to present first. It was written for different audiences as well: those with concussions, parents, doctors treating brain injury, athletes, those in the military, and those simply interested in the complexity of the healthy human brain. While I wanted to relate the science behind my recovery, I also needed to capture the essence of what it was like to have a brain injury, because it was crucially important for me to portray the social, cognitive, and emotional character of my experience.
Most important, I wanted to reach those readers who themselves are enduring similar difficult and enigmatic injuries and to let them know that the future for them may also be bright.
Clark Elliott is an associate professor of artificial intelligence and cognitive science at DePaul University, in Chicago. His book, The Ghost in My Brain, will be published by Viking in June.
Click here to return to the main feature.
A version of this article appeared in the 04/27/2015 issue of Publishers Weekly under the headline: Why I Write...Clark Elliott: Health Books 2015


text:
Q: Sharing data among instances of a mapping function in Python I'm writing a graph-walking script with this function that applies a mapping function given as an argument to every vertex, but can't figure out how to share the closure since Python doesn't have pointers:
def walk_vertices(graph, function, closure):
    for vertex in graph.vertices:
        function(vertex, closure)
    return closure

This could be used, for example, to sum up the values of integer vertices, and in C-based languages, the closure would be the pointer to the running sum. What is a good way of implementing this in Python? Thanks.

A: Actually i think about languages as python or java as only having pointers to objects.
while function can not rebind to what object closure 'points' in walk_vertices, if the object closure 'points' to is mutable it can of course change it. In your example you talk about a sum. That would of course be an integer or floating point number. These are immutable in python, so closure would point to an object but you can't mutate it:
 x = 5
 def something(ref):
     # you can't change where x points to from here.
     # and because an int is immutable you can't change it.
     ref = 10 # rebinds ref, but not x
 something(x)

 print(x) # still 5

But, if you pass a mutable object you can actually store information. One way to have a very simple mutable object is just to use a list of size 1.
 x = [5]
 def something(ref):
     # you can't change where x points to from here.
     ref = 5 # rebinds ref, but not x
 something(x)

 print(x)    # still [5]

 def something2(ref):
     # ref is a mutable object, so
     ref[0] = 10 # ref points to the same list, but contents of list is now 10
 something2(x)

 print(x)    # now [10]

The same construction works with any mutable object. So a dict or a class are usable as well.
class EmptyClass:
    pass

x = EmptyClass()
x.data = 5
def something(ref):
    ref.data = 10
something(x)
print(x.data)    # now prints 10

To sum it up, python always passes something comparable to pointers. But because it has some types that are immutable you can't always use that to pass data back. You have to pass a mutable object.
Also python has no equivalent of taking the pointer of a local variable. So while everything is a pointer to an object you can't get a pointer to an pointer without having an object in between like in the list case (pointer to list of pointer).
What you can do is use 'reflection' to change the value of a local variable via locals()
x = 5
def something(d):
    d['x'] = 10
something(locals())
print(x)   # now prints 10

A: It's not clear what you mean by the "closure". If you just want the callback to be able to maintain state from call to call, there are plenty of ways to do that, such as with closures in the functional programming sense:
def walk_vertices(graph, callback):
    ...

def f(graph):
    running_sum = 0
    def callback(vertex):
        # Python 3 only
        nonlocal running_sum
        running_sum += vertex.value
    walk_vertices(graph, callback)
    return running_sum

def python2f(graph):
    running_sum = [0]
    def callback(vertex):
        # awkward hack
        running_sum[0] += vertex.value
    walk_vertices(graph, callback)
    return running_sum[0]

But I think the most natural way would be to use a generator. Instead of walk_vertices walking the graph and applying a callback to each vertices, it yields each vertex. Then the calling code can iterate over the vertices with an ordinary loop, without needing to write an awkward callback:
def walk_vertices(graph):
    # Pretend generating vertices is more complicated than this:
    for vertex in graph.vertices:
        yield vertex

running_sum = 0
for v in walk_vertices(graph):
    running_sum += v.value

# or just
vertex_sum = sum(v.value for v in walk_vertices(graph))


text:
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Louis Herthum is a hugely experienced American actor and producer that also starred in some of the most well-known national commercials. In a career spanning over forty years Herthum has graced our screens on some of the well loved TV shows such as HBO's 'Westworld' and 'True Detective'. Working on some of the most influential shows of our generation such as 'Breaking Bad', Louis Herthum has established himself as an incredible professional capable of contributing to the most successful shows on TV. Alongside his accomplishments on TV, he has also been a part of highly successful feature films such as 'The Curious Case of Benjamin Button' (2008).
Louis Herthum's hugely impressive credits come as a result of huge professionalism and dedication to his craft. A versatile artist, Herthum has also worked on feature length films as a producer, namely the independent 'Favourite Son' (1996). With a wealth of experience and the knowhow to piece together such elaborate projects, Louis Herthum continues to attract admirers and still has a good deal to give to the industry. Working on some finest productions to date, Louis Herthum continues to captivate viewers and film buffs alike.
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text:
package org.springframework.boot.jarmode.layertools;

import java.io.File;
import java.io.FileInputStream;
import java.io.FileOutputStream;
import java.io.IOException;
import java.io.OutputStream;
import java.nio.file.Files;
import java.util.List;
import java.util.Map;
import java.util.zip.ZipEntry;
import java.util.zip.ZipInputStream;

import org.springframework.util.StreamUtils;
import org.springframework.util.StringUtils;

/**
 * The {@code 'extract'} tools command.
 *
 * @author Phillip Webb
 */
class ExtractCommand extends Command {

	static final Option DESTINATION_OPTION = Option.of("destination", "string", "The destination to extract files to");

	private final Context context;

	private final Layers layers;

	ExtractCommand(Context context) {
		this(context, Layers.get(context));
	}

	ExtractCommand(Context context, Layers layers) {
		super("extract", "Extracts layers from the jar for image creation", Options.of(DESTINATION_OPTION),
				Parameters.of("[<layer>...]"));
		this.context = context;
		this.layers = layers;
	}

	@Override
	protected void run(Map<Option, String> options, List<String> parameters) {
		try {
			File destination = options.containsKey(DESTINATION_OPTION) ? new File(options.get(DESTINATION_OPTION))
					: this.context.getWorkingDir();
			for (String layer : this.layers) {
				if (parameters.isEmpty() || parameters.contains(layer)) {
					mkDirs(new File(destination, layer));
				}
			}
			try (ZipInputStream zip = new ZipInputStream(new FileInputStream(this.context.getJarFile()))) {
				ZipEntry entry = zip.getNextEntry();
				while (entry != null) {
					if (!entry.isDirectory()) {
						String layer = this.layers.getLayer(entry);
						if (parameters.isEmpty() || parameters.contains(layer)) {
							write(zip, entry, new File(destination, layer));
						}
					}
					entry = zip.getNextEntry();
				}
			}
		}
		catch (IOException ex) {
			throw new IllegalStateException(ex);
		}
	}

	private void write(ZipInputStream zip, ZipEntry entry, File destination) throws IOException {
		String path = StringUtils.cleanPath(entry.getName());
		File file = new File(destination, path);
		if (file.getAbsolutePath().startsWith(destination.getAbsolutePath())) {
			mkParentDirs(file);
			try (OutputStream out = new FileOutputStream(file)) {
				StreamUtils.copy(zip, out);
			}
			Files.setAttribute(file.toPath(), "creationTime", entry.getCreationTime());
		}
	}

	private void mkParentDirs(File file) throws IOException {
		mkDirs(file.getParentFile());
	}

	private void mkDirs(File file) throws IOException {
		if (!file.exists() && !file.mkdirs()) {
			throw new IOException("Unable to create directory " + file);
		}
	}

}


text:
COVID-19 Update: In-school classes for 2020-21 begin September 8. Read our Return-to-School Plan.
About Our SchoolCurrently selected
Encouraging Learning
Cyber School
Learning Program
Nurturing Faith
GSCS Mission
Rollup Image
HistoryCurrently selected
Schools St. Marguerite School History
St. Marguerite School
St. Marguerite School was constructed in 1983. Blessing and official opening took place May 4th, 1984 by Bishop James Mahoney & Bishop Basil Filevich. St. Marguerite was named in recognition of St. Marguerite Bourgeoys a teacher who was born in the province of Champagne, France, on Good Friday, Apr. 17, 1620.
In 1653 Marguerite Bourgeoys emigrated from France to Canada to the settlement of Ville Marie in Montreal. She resisted being sent back to France by convincing the bishop that her services were needed in Montreal. In 1676 Bishop Laval established the congregation of the Sisters of Notre Dame with Marguerite as the head. She and the sisters helped minister at hospitals and established schools. They lived in huts fulfilling their call from God. She returned to Frances 3 times to recruit women to serve in the Sisters of Notre Dame.
St. Marguerite Bourgeoys served in the Canadian wilderness for many years. Her first schoolhouse was a stable, just like where Mary had baby Jesus. When she began teaching the Iroquois children in the 1600s, she placed molasses toffee along the path to the school to encourage the children to come and learn. St. Marguerite was especially dedicated to prayer, serivce and educating children. She was committed to teaching children to farm and take care of their families. She helped care for the young girls of the colony and she organized practical education with an emphasis on kindness in teaching. She became known as the "Mother of the Colony".
St. Marguerite was the first Canadian female saint, canonized (named a saint) by Pope John Paul II, in 1982. She is the patron saint of; poverty, loss of parents and people rejected by religious orders. Here at St. Marguerite School, we use fresh snow to make molasses toffee, on her feast day, which is celebrated on January 12. She passed away on Jan. 12, 1700 in Montreal.
A Prayer Written by St. Marguerite of Bourgeoys
I come to you with open hands and trust.
Teach me to laugh, pray and grow in wisdom.
Help me learn from you to leave whatever holds me captive,
And follow freely where He leads.
Be with all of your children, and with me too,
For I know you care about us all.
You once were young like me and full of life.
May I, someday, be young like you.
St. Marguerite pray for us.
OneStop Staff Portal
© 2017 Greater Saskatoon Catholic Schools


text:
Q: Filter Json Keys that contains certain character in Python I need to filter all Keys in this dict (book-1, book-2 and book-3) that conatains the string 'book'and save them in a new dict. In this example no need to seave 'bicycle'.
import json

# some JSON file:
jInfo = '{"store":{"book-1":[{"category":"reference","author":"Nigel Rees","title":"Sayings of the Century","price":8.95},{"category":"fiction","author":"Evelyn Waugh","title":"Sword of Honour","price":12.99},{"category":"fiction","author":"J. R. R. Tolkien","title":"The Lord of the Rings","isbn":"0-395-19395-8","price":22.99}],"book-2":[{"category":"reference","author":"Nigel Rees","title":"Sayings of the Century","price":8.95},{"category":"fiction","author":"Evelyn Waugh","title":"Sword of Honour","price":12.99},{"category":"fiction","author":"J. R. R. Tolkien","title":"The Lord of the Rings","isbn":"0-395-19395-8","price":22.99}],"book-3":[{"category":"reference","author":"Nigel Rees","title":"Sayings of the Century","price":8.95},{"category":"fiction","author":"Evelyn Waugh","title":"Sword of Honour","price":12.99},{"category":"fiction","author":"J. R. R. Tolkien","title":"The Lord of the Rings","isbn":"0-395-19395-8","price":22.99}],"bicycle":{"color":"red","price":19.95}}}'

# parse jsonObject:
info = json.loads(jInfo)

# the result is a Python dictionary:
print(info["store"]["book-1"][0])

A: This can be accomplished with a dict comprehension, which can be updated based on your needed filter:
new_dict = {key: value for key, value in info['store'].items() if "book" in key}


A VILLAGE near York is planning a special event to commemorate the Armistice which ended the First World War.
Upper and Nether Poppleton Parish Councils are joining together to hold events on the Village Green at Upper Poppleton on both Sunday morning and evening.
A Remembrance Service on the Green at 10.45am will honour Poppleton enlisted soldiers who gave their lives in both world wars and the more recent conflict in Afghanistan, followed by the placing of poppy wreaths and a bugler sounding the Last Post and Reveille.
From 6.30pm, a special village choir, assembled by Bob Jones with accompanying music by Margaret Evans ,will lead community singing of well known soldiers' songs of 100 years ago, such as 'It's a long way to Tipperary'and 'Pack up your troubles in your old kit bag'.
At 7 pm the Rolls of Honour will be read and two minutes silence observed, with the bugler blowing the Last Post and Reveille, after which a beacon will be lit and church bells rung, followed by further community singing and refreshments.


Lula Granji is a jazzy, funky, and electronic post-rock collective based out of the Colorado Front Range. The band expanded from a trio to a five-piece in mid-2015, and they have sharpened their focus on energized instrumentalism, unique visual productions, and a commitment to cultivating an exuberant and creative atmosphere through sound.
- Have performed with Ill-Esha, Particle, The Magic Beans, John Wayne And The Payne, Technicolor Tone Factory, Cold River City, Eminence Ensemble, and more.


text:
I Don't Want To Sleep Tonight
The TV lady tells kids to turn off the television!
I wrote this never dreaming it would become a published book. "I Don't Want To Sleep Tonight" came into being as a poem I wrote for one of my sons...in the hopes that he would see a hidden message in the story of the little child who had scary dreams after watching an overload of TV and video games.
He slept right through the scary dreams...but I woke up, and never went back to sleep! The poem was written in a sort of desperate form of self-defense! When he heard the part, "And one thing I have noticed about these visits from these creatures, they only come on nights when I've seen some TV features...," he remarked, "Hey, Mom, you think that's it?" To which I said, "Yup, I think so. Let's test my theory and see if I'm right!"
My kids do watch TV (but never on school days!) However, they are aware of the connection between too much TV and some less desirable behaviors. "I Don't Want To Sleep Tonight" has helped make that point. Written in verse, even the most exhausted parent (and aren't we all!) can read the story with their little one in their lap or snuggled under the covers.