Patrick Brown has been practicing for over 20 years and has dedicated his career to helping those who suffer serious and catastrophic personal injuries as well as those families who have lost a loved one due to the fault of another. He has cases throughout Ontario and is a leader in the area of personal injury law.
Patrick Brown is a principal partner of the firm and has been practicing personal injury in Ontario for over 20 years. His cases have involved children, spinal cord injury, traumatic brain injury, wrongful death, biking/cycling injury, daycare and camp negligence, drowning, road disrepair and motor vehicle collisions. He is one of a select set of lawyers in Ontario who is a Certified Specialist with the Law Society and has been voted by his fellow lawyers and listed in Best Lawyers Canada and Lexpert Lawyer Rankings. He was recently awarded the Active Transportation Champion of the Year Award by TCAT for his advocacy work with pedestrians and cyclists. In 2012 he was awarded the Distinguished Service Award by the Ontario Trial Lawyers Association and is their Past President. When not working, he enjoys spending time with his wife and two daughters, cycling and playing hockey.
During his career he has successfully conducted jury and non-jury trials and has been recognized for his advocacy skills. After successfully obtaining the jury verdict in the case of Ishoy v. Abreau, which involved a five time Olympian who was seriously injured, the trial judge stated "counsel presented their case in a focused, well organized fashion. Their trial preparation resulted in well prepared and focused witnesses. The charts, aerial photographs, medical illustrations, and demonstrative evidence both assisted the jury in understanding the medical and liability issues…Mr. Brown was lead counsel …his closing address to the jury was dramatic, focused and effective." After obtaining a multi-million dollar award in Roberts v. Morana, a case involving road disrepair, Justice O'Brien noted "I have not seen a case which has been better prepared or presented than this one." His advocacy skills have assisted Patrick in ensuring his clients are awarded fair and reasonable awards.
Patrick was appointed by the Office of the Chief Coroner of Ontario as an expert to the Ontario Coroners 4 Year Review on Cycling Deaths. He was selected to provide legal insight and expertise on ways to prevent cycling deaths within Ontario while representing the interests of cycling organizations such as CycleToronto, ARC, 8-80 Cities, and the United Senior Citizens of Ontario. When the Bike Law Network expanded to represent Canadian cyclists, Patrick joined as the representation for Canada in Bicycle Injury Cases.
In addition, Patrick has extensive experience advocating for those suffering from hospital negligence and medical malpractice, including birthing and obstetrical trauma, surgical mistakes, and pharmaceutical trauma.
As a leader in his field, he has taught advocacy for legal associations and the Law Society and has been widely published within Canada Law Books and legal magazines. He has been a guest speaker across Canada and has been appeared on television and talk radio including Canada AM, CBC News, CP24, CTV News, Global Morning Show, CityTV News, CFTO, Le Drew Live, Goldhawk Fights Back, John Moore Show 1010, Dave Agar Show 1010, Live Drive John Tory, Moose FM, 680 and other talk radio shows in the province. He Chaired the Trial Lawyers for Veterans which provided free legal advice to disabled veterans returning to Canada from oversea conflicts. He also started and continues the annual Toronto Helmet on Kids program where he and his firm have donated over a thousand helmets to children across Toronto to reduce head injuries. He was Co-Chair with Dr. Charles Tator for Concussion Ontario on their Recognition and Awareness Committee which seeks to prevent the impact of concussions within team sports. He is a former director and founding member of CycleToronto, a proud member of Bikelaw and the Chair of the Ontario Safety League. He is the Past Chair with the Ontario Bar Associations Insurance Law Section. He frequently attends at Queens Park and Government Ministries regarding legislative reform and consultation.
Eva Ravikovich Panfilova & Ministry of Education – wrongful daycare death of 2 year old Eva Ravikovich who died in illegal over crowded daycare. This is first case in Ontario against a government ministry for its failure in carrying out their duties to children in daycares.
McAdam v. Blue Mountain – multi million dollar biking suit regarding 13 year old boy who suffered spinal cord injury . The award is subject to a confidentiality clause.
Holtz and the estate of Ryan Carriere v Picanco – successful wrongful death case of Ryan Carriere who was biking home in Toronto to his family. Case lead to the Ontario Coroners Review 4 year review on cycling deaths and multiple changes to improve road safety for cyclists and pedestrians.
B. v. Urban Promise– successful wrongful death of an eight year old boy who drowned at Woodbine Beach during camp excursion.
Blog: Safer Streets: Where are we now?
Toronto Star: Can a driver killing a pedestrian ever be put down to a 'momentary lapse' in concentration?
Blog: How Do I Know if I Need a Personal Injury Lawyer?
Metro: Do Toronto police need breathalyzers for pot?
Global News: What happens next in the scaffolding accident investigation?
Law Times: Will distracted driving crackdown suffice?
P. Brown, Chair, Litigating Personal Injury Damages, Canadian Institute, February 20 and 21, 2007, Toronto, Ontario.
P. Brown, Chair, Insight Information, Litigating Catastrophic Disability Damages, [St. Andrew's Club and Conference Centre, Toronto, Ontario, December 3 and 4 th, 2006.


text:
Smithsonian Channel(TM) Celebrates Women's History Month with Two New Premieres
"Epic Warrior Women" and "Cleopatra" are both on tap in the coming weeks.
[via press release from Smithsonian Channel]
EPIC WARRIOR WOMEN
NARRATED BY LYNDA CARTER, TV'S ICONIC WONDER WOMAN, THE THREE-PART SERIES PREMIERES MONDAY, MARCH 19 AT 8 PM ET/PT
TWO-PART SPECIAL PREMIERES MONDAY, MARCH 5 AT 8 PM ET/PT
NEW YORK, February 8, 2018 - Smithsonian Channel celebrates Women's History Month with two new series featuring the real-life stories of women who are symbols of empowerment, independence and strength. EPIC WARRIOR WOMEN exposes history's most iconic female fighters from the Roman Empire to Central Asia and West Africa. Each extraordinary tale of blood, sacrifice and endurance centers on the life of one young female warrior caught up in the bloody struggles of her time. EPIC WARROR WOMEN premieres on Monday, March 19 at 8 p.m. ET/PT. CLEOPATRA examines the life of Egypt's most famous ruler, the sole woman of her time to rule alone. It is a story of survival, political acumen, seduction and notoriety, revealing the reasons her name still resonates today. CLEOPATRA premieres Monday, March 5 at 8 p.m. ET/PT on Smithsonian Channel.
Narrated by Lynda Carter, television's iconic Wonder Woman, EPIC WARRIOR WOMEN highlights the women who fought just as courageously, skillfully and fiercely as male warriors of their time. With stunning re-enactments, original costumes, historic locations and CG animation, the three-part series chronicles the military achievements of the original Amazon horse warriors of the Steppe, probes the highly-trained female gladiators of Ancient Rome and concludes with the feared all-female regiments of Dahomey that shaped African history.
Interviews with historians and archaeologists provide the background of the courageous and autonomous female fighters whose ferocity, physical prowess and bravery defy historical representations of women of their time.
EPIC WARRIOR WOMEN: AMAZONS
Premieres Monday, March 19 at 8 p.m. ET/PT
Discover the origins of the Greek Amazon mythology and find answers among the ancient nomad warriors of the Eurasian grasslands. Hailing from the Scythian tribes, these warriors controlled a swathe from Eastern Europe to Central Asia and kept the great powers of Greece, Persia and China at bay.
EPIC WARRIOR WOMEN: GLADIATRIX
Ancient Rome interpreted Greek mythology by encouraging gladiator women to fight to the death as Amazons in the arena. Explore how these young women managed to survive in desperate conditions, why so many were ready to die for the sake of public entertainment and what skills they needed to stay alive.
EPIC WARRIOR WOMEN: AFRICA'S AMAZONS
Premieres Monday, April 2 at 8 p.m. ET/PT
The Agoojj were a small but powerful fighting force of women in West Africa that steadily expanded in the 17th century against the much larger Asante and Yoruba Kingdoms. Learn how this all-female, slave-raiding regiment terrified both the local populations and the Europeans sent to conquer them.
Smithsonian Channel honors another formidable woman in the two-part special CLEOPATRA. She is an iconic figure and household name, but the real life of this historical woman is one that is shrouded in mystery. The series reveals how this capable sovereign survived a murderous and incestuous dynasty, securing her future by seducing one of Rome's greatest leaders, and how her fall from grace and ultimate death meant history would never forget her legacy. CLEOPATRA draws on dramatic reconstructions and evidence from key experts to tell the real story behind Egypt's most well-known, enigmatic ruler.
EPIC WARRIOR WOMEN is produced by Urban Canyons. Executive producers for Urban Canyons are Sebastian Peiter and Richard Melman. Executive producers for Smithsonian Channel are Tim Evans and David Royle.
CLEOPATRA is produced by Elephant House Studios. Series producer for Elephant House Studios is Michael Douglas. Executive producers for Smithsonian Channel are Joy Galane and David Royle.
Smithsonian Channel(TM), owned by Smithsonian Networks(TM), a joint venture between Showtime Networks Inc. and the Smithsonian Institution, is where curiosity lives, inspiration strikes and wonders never cease. This is the place for awe-inspiring stories, powerful documentaries and amazing entertainment across multiple platforms. Smithsonian Channel combines the storytelling prowess of SHOWTIME(R) with the unmatched resources and rich traditions of the Smithsonian, to create award-winning programming that shines new light on popular genres such as air and space, history, science, nature, and pop culture. Among the network's offerings are series including Aerial America, America in Color, First Ladies Revealed, Polar Bear Town, The Lost Tapes, Amazing Monkeys, America's Secret Space Heroes, Mighty Ships, Mighty Planes and Air Disasters, as well as critically-acclaimed specials that include Titanic's Fatal Fire, The Obama Years: The Power of Words, Nightmare on Everest, Diana and the Paparazzi, Diana: The Day We Said Goodbye and Flying High with Phil Keoghan. Smithsonian Networks also operates Smithsonian Earth(TM), through SN Digital LLC., a new subscription video streaming service delivering spectacular original nature and wildlife content. To learn more, go to www.smithsonianchannel.com, or connect with us on Facebook, Twitter, and Instagram.

redpajama_set_name: RedPajamaCommonCrawl


In November, our Housing Locator, Sheri Verkamp, left MTKO for a position with Burlington Capital managing Victory Park, the new veterans housing program on the Veterans Affairs Campus in Lincoln. Sheri did a wonderful job establishing the foundation for MTKO's Landlord Liaison Project, and we wish her well and look forward to continuing to work with her in her new role.
We are excited to announce that Retha Knapp (pictured) has been selected as the new Housing Locator. Retha has been with MTKO as an Outreach Specialist since last summer and brings a wealth of experience to her new role. Congratulations, Retha!
We have also hired a new, but familiar, face as our Homeless Diversion Specialist. Amanda Owen-Doerr was hired as the second outreach worker in 2002 when Matt Talbot was still on 19th and R Street. She went on to an extensive career in the human services in Lincoln helping high-needs homeless individuals through positions with CenterPointe, the Nebraska Department of Health and Human Services, The Bridge and Targeted Adult Service Coordination (TASC). We are delighted to have Amanda back on the MTKO team!


The Pratt IT Division is comprised of four departments: Academic Computing, Enterprise Systems, Educational Technology, and Interactive Services. While each of the departments has a distinct set of roles at Pratt Institute, the team members of each department work in a highly cooperative manner.
Academic Computing handles educational technology, user accounts, the computer labs, the laptop program, internet access, network services and the Technology Desk. Academic Computing also assists in the acquisition of technology as outlined in the Technology Approval Policy.
Enterprise Systems handles the technology that is often behind the scenes of official information here at Pratt. The Pratt ID card, also called the PrattCard, is your "key" to the campus, providing you with convenient access to a variety of features and services. Use it as your personal meal card, building access card, library card, and print and copy card too.
Enterprise Technology Planning (ETP) works with the Institute's community to ensure the alignment of IT with Institute strategy. ETP serves as a liaison with stakeholders in each division for the purposes of seeing their inquiries, projects and general needs addressed in a holistic, timely and complete manner.
Interactive Services creates and supports the many websites and applications Pratt offers online, such as www.pratt.edu, myPratt, the Pratt Intranet, Policy Portal, Pratt's LMS & ePortfolio, Talks.Pratt and Pratt Commons. Interactive Services also oversees Pratt TV, which comprises of almost 40 digital displays throughout the campus, as well as Pratt's Media Studio, which helps capture lectures and events for display on talks.pratt.edu.
Develop and maintain good practice, governance, security and system architecture campus-wide.
Provide leadership in the selection and appropriate use of technology.
Articulate and clarify the role of IT in processes supported with technology.
Empower users of technology at Pratt to identify and apply appropriate technology to their processes.
Build clarity and appropriateness for the various internal and external users of the institutional window that is Pratt IT.
For help with technical issues, please contact the Technology Desk at 718.636.3765.


text:
370 (trehundrasjuttio) är det naturliga talet som följer 369 och som följs av 371.

Inom vetenskapen
 370 Modestia, en asteroid

Inom matematiken
 370 är ett jämnt tal
 370 är summan av fyra primtal som kommer efter varandra: 83 + 89 + 97 + 101
 370 är ett Armstrongtal
 370 är ett dekagontal

Källor

Se även
 370 f.Kr. och 370 e.Kr. (årtal)
 Tal
 Siffra
 Nummer
 Lista över tal
 Räkneord

Externa länkar

Heltal

redpajama_set_name: RedPajamaWikipedia


text:
The new capsule by Avril8790 and Domenico Formichetti
A new way of making knitwear in a street key
Fashion January 11th, 2022
Author nss staff
On the occasion of FW22, Avril8790, the knitwear brand that has in its DNA contemporary art and visual art, meets the unmistakable design of Domenico Formichetti, avant-garde designer of Milanese streetwear, in an unseen capsule collection. The collaboration, the manifesto of a new generation of designers, redefines the dynamics of knitwear in a street key: the iconic garments, which draw on the heritage of the sportswear world, are reinterpreted for the first time according to the stylistic codes of Avril8790.
Avril8790, knitwear was born at the beginning of 2018 from an idea of Maria Elena Sanarelli and Francesco Menci, is a project that takes its cue from the canons of classic knitwear and that, through geometric jacquard motifs, psychedelic patterns, contrasting chromatic impacts, proposes a new way of making knitwear. Both brands are united by the desire to create clothing that represents the aspirations and dreams of the new generations. The capsule consists of hockey and basketball shirts, polo shirts and Bermuda shorts, which take shape in the noble yarns of cashmere and virgin wool, narrating an antithesis that becomes a new form of language and combines the concepts of streetwear and luxury knitwear, creating something new and current.
An experimental and sophisticated style that embodies the essence of this project and is transformed into new patterns, created exclusively by Avril8790, which for the occasion re-elaborates what have always been the symbols that distinguish the brand: graphic elements, zigzag designs and the alien alphabet live in new shapes and colors and mix with the world of Domenico Formichetti. The new capsule collection thus becomes spoke-person of the youngest, telling an unconventional attitude that wants to go beyond the boundaries of any visual language.
Avril8790 formichetti formy studio knitwear streetstye
La nuova capsule di Formy Studio dedicata al riciclo
Presentata con un talk giovedì 18 novembre da Modes
A brindle stallion protagonist of the collaboration between Formy Studio and SKYN
"Size doesn't matter, the outfit does"
Past, present and future of the sneaker game
It was talked about in the fourth episode of the second season of The SneakerPod
The great return of Avon Celli
The historic luxury knitwear brand is about to be relaunched with the support of the WP group
The exclusive event for the launch of the new Formy Studio collection
Staged at the M77 Gallery in Milan
The trend of DIY fashion
A trend that reflects a new mentality, re-establishing the relationship between brand and consumers


What happens to un-sealed driveways? The sun's raditation and mountain freeze thaw cycles are responsible for reducing the life of pavement as much as 50% in the first five years. Seal Coating replaces surface fines in the pavement, helps protect the oils and prevents oxidation.
The majority of mountain driveways contain embedded dirt from our mud season which prohibits proper the adhesion of seal coat if not thoroughly removed. Commercial water brooming is often included in our service.
Step 2: Carefully cut in seal coat around landscape and concrete aprons.


My husband, Charles, was diagnosed with Alzheimer's disease in 2010. He was 65. Over the next six years, my role changed as his disease progressed: I went from supportive care partner to supportive caregiver. Over time, he had shown more and more difficulty with activities of daily living. By 2016, he needed hands-on assistance with everything.
A friend whose husband also had Alzheimer's told me her husband was participating in a research study at OHSU. I called, and though Charles wasn't a candidate for that study, we were a candidate for another one: STAR-C-TM, which explored if telemedicine/remote coaching by a health care provider would be helpful to a caregiver in dealing with the behaviors of a loved one affected by Alzheimer's or other dementias.
We began the study in June 2016 and it continued for eight weekly sessions, with two monthly follow-ups. Once a week, I would talk via a secure video set-up with Dr. Allison Lindauer for an hour about what was happening with Charles and his care, with a focus on responding to his behaviors in a more effective way.
Dr. Lindauer is terrific. I can't speak too highly of her. She's amazing because she combines expertise with real compassion. Her assistant, Kate, was also wonderful; she helped with other aspects of the research study and some of the technical issues that we occasionally encountered. Any interaction with Dr. Lindauer or Kate was just outstanding: they both came across as people who genuinely cared.
Every week, I could get help with specific behavioral management issues I faced: I was treated with respect, not like a guinea pig. I was surprised at what a strong, supportive relationship we were able to build through video chats. It felt so helpful to be able to problem-solve together. When a loved one is diagnosed with dementia, you're left without a road map.
It's hard to talk about this type of nitty-gritty problem with other people unless they've gone through it themselves. When a loved one is diagnosed with dementia, you're left without a road map. And it's also isolating to be caring for someone with dementia. Dr. Lindauer and I could brainstorm and develop approaches that made sense. Through the study, I had access to top-drawer, customized expertise every week.
Charles lived at home until November 2017. He started having seizures and was hospitalized for a medication reaction, which led to more rapid decline. And at this point, he doesn't walk and can't bear weight, so I was no longer able to care for him at home. He's in an adult family home nearby; I visit him every day. It's a good solution and the people there treat him like he's family.
Though the program has ended for us, it was an amazing benefit. I encourage others to get involved. The research was invaluable. I even brought flyers about it to my caregiver support group. We need so many resources, and I feel like there's a real lack of professionals who understand the challenges family caregivers face—a program like this is one way to access those people. It brought them right into my home.
*Adapted from an in-person interview with writer Carin Moonin.


text:
Eat.ly: Taking Food Porn to the Next Level
By Mark Mikin
Eat.ly is a Web site where users can upload pictures from their phone of what they eat, keep track of what their friends are eating, rate how healthy a meal is (or looks), and even view a visual graph of how healthy they've been. For those who care little for health or dieting, it's also a Web site with many, many pictures of food. That's what we like about it, so we called up one of Eat.ly's founders, Mike Singleton, who has this grilled chicken and broccoli for dinner later that night.
Esquire: Is it Eatly or Eat-dot-el-why?
Mike Singleton: We call it Eatly, but, Eat-dot-el-why…we're not going to yell at you.
ESQ: Eatly sounds good. So where'd the idea come from?
MS: There are four founding members of Eat.ly: Sam Huleatt, myself, Eric Friedman, and our designer Sam Brown, in the UK. We all discovered this trend on Twitter and Facebook where people constantly take pictures of their food. And so instead of having all of these separate food blogs you have to keep up with, we [decided] to bring that together in one place. You can kind of browse around, get real hungry, see what your friends are eating, and get inspired a little bit.
ESQ: Who is it meant for?
MS: There's two main constituents we're trying to serve here: the first is basically foodies and nutritionist types. The question that we often ask people is, "What did you have for lunch last Tuesday?" They'll be like, "I have no idea." That's the problem. You have no clue what you ate last week. The other group of people are the Facebook types and the Twitter types who just share stuff anyway; we wanted to make a common place for people who are already doing this and give them easy ways to share their meals.
ESQ: It seems like this would be a great way to bookmark your favorite dishes when you're out at a new restaurant.
MS: Absolutely. That's the next big feature we want to go after, being able to "Fav" meals. Because we look at the statistics on the site, and we see for every one user, they're looking at close to 15 to 20 meals almost every time they visit. So there's this huge amount of browsing going on. We want for you to be able to come back and either say, "I want to go try this," or "I want to make this," or just, "Gosh, that looks really good."
ESQ: One day you won't have to remember where that one really good Cuban place was.
MS: Exactly. We have search built in right now on the homepage. We put a search box with a couple recommended searches in there, and even if you search for something like "amazing," the photos that come back are pretty great. I could browse the cupcakes section for days.
ESQ: Since you're adding new features, what do you see it becoming in the future?
MS: The biggest thing I want to do is the visual menu. We want to do an iPhone app [where] you can be in a restaurant, and instead of just seeing a pasta dish, you can go to Eat.ly and [you'll see] five pictures people have taken of that pasta dish.
ESQ: What was your first post?
MS: Oh gosh, I feel like it's incredibly embarrassing. You could probably go back and find it, but my guess is that it's a dirty, greasy pizza. I think at the time it was in DUMBO, [Brooklyn], at a place called Front Street Pizza.
ESQ: Classy.
MS: One of my most viewed meals of all time was a picture of an M&M McFlurry. Not my proudest moment.
The Zombie Cocktail Is a Very Scary Monster
Bryan Cranston and Aaron Paul Just Launched Mezcal
René Redzepi Once Held a Cook-Off Among Top Chefs
Jamaican Rum Is the Best Kind of Rum You Can Drink
Nothing Ruins a G&T Like Bad Tonic Water
Make All Your July 4th Cocktails with a Watermelon
The Hands-Down Best Single Malt Scotch to Drink
How to Make an Americano
Esquire Reflects on Anthony Bourdain
What Anthony Bourdain Taught an Entire Generation
The Man Who Literally Built 'Star Wars'
Big Food Is Not the Enemy
Senate Republicans Kill a Bill to Expand Veterans' Benefits
Mark Wahlberg: The Modern Fatherhood of a Street Kid


Grey Matter Art continues its epic line of officially licensed Marvel Cinematic Universe screen prints with this awesome Avengers: Infinity War movie poster by Dan Mumford! What better way to gear up for Avengers: Endgame than with a super detailed illustration of the Battle of Wakanda by Mumford featuring so many of our favorite Avengers!?!
Avengers: Infinity War by Dan Mumford is an 18"x24" hand numbered Marvel screen print. The Regular Edition is limited to 200 pieces and will retail for $45, while the Variant is limited to just 100 pieces and will retail for $55. Both versions will go on sale at 1pm EDT this Wednesday, April 10th, at the Grey Matter Art online store.


text:
Disney's 'Maleficent' Debuts With $69.4 Million
Filed Under:Angelina Jolie, Box Office, Disney, entertainment, Maleficent, Seth MacFarlane
Photo Credit Frazer Harrison/Getty Images
NEW YORK (AP) —Disney's "Maleficent" cast a strong spell at the box office with a $70 million debut.
Featuring Angelina Jolie's first live-action starring performance in four years, "Maleficent" beat forecasts to easily top all films over the weekend. The PG-rated Disney release is a darker twist on "Sleeping Beauty," told from the villain's perspective.
Seth MacFarlane's Western comedy "A Million Ways to Die in the West" was out-gunned by "Maleficent." It opened in third place with a tepid $17.1 million.
Last weekend's top film, "X-Men: Days of Future Past" dropped to second with $32.6 million.
And fourth was the holdover — the creature feature, Godzilla — with $12-million.
Overall, industry-wide totals were slightly ahead of last year's pace.


Julianne Hough was spotted at the first weekend of Coachella and she looked cute and comfortable in a fedora, ASOS Washed Stripe Bralet with Contrast Straps, Sam & Lavi Blanche Lace Shorts and a pair of combat boots.
Her cotton stripe bralet features stitched cups, a sweetheart neckline and contrast straps. Her lace shorts boast an elastic waistband for a chic yet comfortable look.
ASOS's Washed Stripe Bralet retails for $37 and Sam & Lavi Blanche Lace Shorts for $108. Visit www.asos.com and www.revolveclothing.com to purchase.


NCV, a leading vending services business, has vending offices across the United States. With the power of thousands of vending employees ready to serve your needs, now! NCV vending machine services are what your business needs today.


Mary Kosut teaches courses on urban art worlds, outsiderness, feminist art and visual cultures. She is the editor of the Encyclopedia of Gender in Media (Sage), co-editor of The Body Reader: Essential Social and Cultural Readings (NYU Press), and co-author of Buzz: Urban Beekeeping and the Power of the Bee (NYU Press). Her current book, Other Art Worlds (forthcoming Columbia University Press) looks at the relationship between artists and urbanity—how do artists manage to make art and rent in neoliberal, 21st-century New York City?
In 2016, she founded Pay Fauxn an "impure post-white cube gallery in the anti-formalist tradition" located at an abandoned pay phone shell at a bus stop at a defunct nursing home in Bedford-Stuyvesant, Brooklyn. From 2013-2017, she produced exhibitions and other projects as GCA (group club association). She is currently co-owner of Bible, a black cube gallery in a basement in Chinatown, NYC.


The following are from the Association for Surgical Education (ASE) presented as the "Troubleshooting Workshop" every year. The links below will provide an overview from each workshop.
The following are a selection of presentations from the Association for Surgical Education (ASE) that were presented at the "Troubleshooting 103 Workshop".
The following are a selection of presentations from the Association for Surgical Education (ASE) that were presented at the "Troubleshooting 104 Workshop".
The following are a selection of presentations from the Association for Surgical Education (ASE) that were presented at the "Troubleshooting 105 Workshop".
The following are a selection of presentations from the Association for Surgical Education (ASE) that were presented at the "Troubleshooting 106 Workshop".
The following are a selection of presentations from the Association for Surgical Education (ASE) that were presented at the "Troubleshooting 108 Workshop".


text:
Lucky Partners
Two strangers who share a sweepstakes ticket take it on the lam.
Ronald Colman
David Grant [also known as Paul Knight Somerset]
Jean Newton
Jack Carson
Freddie Harder
Spring Byington
Cecilia Loftus
Mrs. Sylvester
Lucky Partners (1940) -- (Movie Clip) For No Reason
Lucky Partners - (Original Trailer)
Lucky Partners (1940) -- (Movie Clip) Is He A Frenchman?
Classic Hollywood
RKO Radio Pictures, Inc.
Mono (RCA Sound System)
10 reels
David Grant, an artist who draws caricatures in his shabby Greenwich Village studio, wishes book store owner Jean Newton good luck while passing her on the sidewalk. Soon after, Jean is given an expensive dress and decides that David has brought her good luck. She then urges him to buy a sweepstake ticket with her, and he agrees on the condition that if they win, she will take a trip with him before she marries her sweetheart, Freddie Harder. When David stipulates that the trip will be an artistic experiment and kept on a strictly impersonal basis, Freddie agrees to his terms, and Jean accepts to spite Freddie. The lucky partners' ticket is picked in the sweepstakes, and with their winnings they journey to Niagara Falls, followed by a suspicious Freddie. Expecting to catch the couple sleeping together, Freddie breaks down their bedroom door, only to find that David has checked out of the hotel and is driving back to Manhattan. Complications arise when David is stopped on the road and arrested for stealing Jean's car. Summoned to court, Jean and Freddie attempt to explain the situation, but their farfetched story fails to placate the judge. When in the course of their testimony, David admits that he is the famous painter Paul Knight Somerset, who had been jailed for drawing pornography, the trial takes on an air of notoriety. After David and Jean cross-examine each other, the judge fines Freddie for breaking down the door and apologizes to David for his unjust pornography sentence. With justice finally served, David renounces his Bohemian beliefs, and Jean and David declare their love for each other.
Harry Davenport
Hugh O'connell
Niagara clerk
Brandon Tynan
Mr. Sylvester
Leon Belasco
Nick No. 1
Eddie Conrad
Walter Kingsford
Lucile Gleason
Ethel's mother
Helen Lynd
Billy Gilbert
Olin Howland
Benny Rubin
Spieler, No. 1
Otto Hoffman
Alex Melesh
Art salesman
Dorothy Adams
Maid in apartment
Billy Benedict
Murray Alper
Dick Hogan
Allen Weed
Dorothy Vernon
Woman on bus
Fern Emmett
Hotel maid
Bruce Hale
Jane Patten
Tommy Mack
Orchestra leader
George Watts
Plainclothesman
Al Hill
Motor policeman
Ed Dearing
Desk sergeant
Grady Sutton
Charles Halton
Newspaperman
Harlan Briggs
Nora Cecil
Club woman
Lloyd Ingraham
Member of chamber of commerce
Gayne Whitman
Announcer's voice
Henry Berman
Mel Berns
Carroll Clark
Art Director Associate
Robert De Grasse
John Van Druten
Harry E. Edington
Original Story
George Haight
John Miehle
Argyle Nelson
Van Nest Polglase
Gene Rossi
Darrell Silvera
John E. Tribby
Vernon L. Walker
Lucky Partners (1940) -- (Movie Clip) Is He A Frenchman? Now convinced her new acquaintance David (Ronald Colman) may in fact possess special qualities, Jean (Ginger Rogers) puts forward her proposal, the two Nicks (Leon Belasco, Eddie Conrad) observing, in Lewis Milestone's Lucky Partners, 1940.
Lucky Partners (1940) -- (Movie Clip) For No Reason Seems like director Lewis Milestone perhaps told his stars to just lay down some charm, in the opening scene for both Ronald Colman (as "David") and Ginger Rogers (as "Jean"), in Lucky Partners, 1940.
Lucky Partners - (Original Trailer) Ronald Colman and Ginger Rogers are the Lucky Partners (1940) who win the Irish Sweepstakes. But will they win each other?
Here's an odd team for you: a brash and very American leading lady and a suave and very British leading man in a comedy based on a French movie remade by a director better known for downbeat dramas like All Quiet on the Western Front (1930) and Of Mice and Men (1939).
In Lucky Partners (1940), Ginger Rogers plays a Greenwich Village bookstore owner engaged to a "schnook from Poughkepsie" (she appears in a noticeably darker hair color that she usually reserved for dramatic roles). One day on the street she runs into a famous painter living incognito after a recent scandal. The gentleman wishes her good luck, for no apparent reason, and soon after, Ginger gets the gift of an expensive hand-me-down gown from a customer. Convinced the painter is her lucky charm, she catches up with him and proposes they split a sweepstakes ticket. He agrees, but only if she will accompany him on a "platonic" honeymoon, an artistic experiment she initially vetos but eventually accepts to spite her jealous boyfriend. Complications, of course, ensue, landing most of the cast in court before everything is settled in favor of good luck and true love.
The picture came about somewhat off-handedly. Ronald Colman had recently formed a production company to capitalize on a successful string of films that included A Tale of Two Cities (1935), Lost Horizon (1937), and The Light That Failed (1939)––each of them about as far as you can get from the light romantic fluff of Lucky Partners. Still, this movie and My Life with Caroline (1941) were the best scripts Colman had available at the time, and he needed to make something to keep his company going. Reportedly turning down Rebecca (1940), he hired old friend Lewis Milestone to direct him in this comedy adapted by Allan Scott from an earlier French film, Bonne Chance (1935), written and directed by and starring the flamboyant and controversial Sacha Guitry, often considered the French Noel Coward. Other reports said a number of female stars passed on the project but Ginger Rogers jumped at the chance to work with Colman, turning down the role of Hildy Johnson eventually played by Rosalind Russell in His Girl Friday (1940). "Everything about him, from his voice to his gentlemanly manner, thrilled me," Rogers said in her autobiography. "I'd sit there gazing at him with a perpetual grin of pleasure on my face, just like a fan." Reports that the two did not get along while making Lucky Partners were strongly denied by Rogers.
Milestone said one cast member Rogers did not approve of, however, was Jack Carson. According to the director, Rogers told him she didn't want him to play her fiancé because "he was an extra in one of my pictures," to which he replied, "I can bring up pictures where you were an extra girl! Everyone starts where he can." Milestone had trouble getting Carson to drop his awe of the two stars and assert himself on the set. Eventually, the actor broke through and his co-stars loved his work. Carson went on to become one of the most popular and reliable supporting players in a career that lasted into the early 1960s.
The filming of Lucky Partners was not always smooth. First, shooting had to be halted while script fixes were made by noted playwright John Van Druten and a handful of other writers, including Milestone himself, although only Van Druten and Scott got screen credit. Then Milestone got sick, delaying the shoot another 18 days. The picture ran so far behind schedule that Rogers could not take her customary, contractually mandated break between pictures and had to go immediately into Kitty Foyle (1940), the film that won her the Academy Award.
About Rogers' hair: the production team was shocked by the darkness of it when the usually blonde star showed up on set. Many reports said RKO, Rogers' home studio, forced various hair colors on her, but she insisted it was always her own doing. Although she defensively noted that it was the character in Lucky Partners she was interested in, not the glamour, and that she believed dark hair was right for the role, she eventually admitted it was a little too dark and a bit of a mistake. Always concerned about her looks on screen, Rogers insisted on seeing the rushes every day. According to Milestone, as soon as they began, she would start sliding down into her seat and moaning, convinced she looked terrible. Some reviewers agreed; the Christian Science Monitor said, "Ginger Rogers, always a lively and attractive person, has not been well used...either by her hairdresser or her couturiere."
Lucky Partners drew mixed reviews; some found it effervescent and charming, others slammed it as "neither convincing nor amusing." It didn't do big business at the box office either. Luckily, Rogers recovered quickly with her acclaimed work in Kitty Foyle and a hit comedy, Tom, Dick, and Harry (1941), both featuring the brunette (some sources say she had dark red hair) that had fortunately become lighter and more lustrous over time. Colman had to suffer through the disappointment of his company's My Life with Caroline (also directed by Milestone), but was soon back in good standing with The Talk of the Town (1942) and Random Harvest (1942).
Director: Lewis Milestone
Producer: Harry E. Edington, George Haight
Screenplay: Allan Scott, John Van Druten, based on a story by Sacha Guitry (uncredited writing by George Haight, Edwin Justus Mayer, Lewis Milestone, and Franz Schulz)
Editing: Henry Berman
Art Direction: Van Nest Polglase
Original Music: Dimitri Tiomkin
Cast: Ronald Colman (David Grant), Ginger Rogers (Jean Newton), Jack Carson (Frederick Harper), Spring Byington (Aunt Lucy), Cecilia Loftus (Mrs. Sylvester), Harry Davenport (Judge).
BW-100m. Closed Captioning.
by Rob Nixon
Here's an odd team for you: a brash and very American leading lady and a suave and very British leading man in a comedy based on a French movie remade by a director better known for downbeat dramas like All Quiet on the Western Front (1930) and Of Mice and Men (1939). In Lucky Partners (1940), Ginger Rogers plays a Greenwich Village bookstore owner engaged to a "schnook from Poughkepsie" (she appears in a noticeably darker hair color that she usually reserved for dramatic roles). One day on the street she runs into a famous painter living incognito after a recent scandal. The gentleman wishes her good luck, for no apparent reason, and soon after, Ginger gets the gift of an expensive hand-me-down gown from a customer. Convinced the painter is her lucky charm, she catches up with him and proposes they split a sweepstakes ticket. He agrees, but only if she will accompany him on a "platonic" honeymoon, an artistic experiment she initially vetos but eventually accepts to spite her jealous boyfriend. Complications, of course, ensue, landing most of the cast in court before everything is settled in favor of good luck and true love. The picture came about somewhat off-handedly. Ronald Colman had recently formed a production company to capitalize on a successful string of films that included A Tale of Two Cities (1935), Lost Horizon (1937), and The Light That Failed (1939)––each of them about as far as you can get from the light romantic fluff of Lucky Partners. Still, this movie and My Life with Caroline (1941) were the best scripts Colman had available at the time, and he needed to make something to keep his company going. Reportedly turning down Rebecca (1940), he hired old friend Lewis Milestone to direct him in this comedy adapted by Allan Scott from an earlier French film, Bonne Chance (1935), written and directed by and starring the flamboyant and controversial Sacha Guitry, often considered the French Noel Coward. Other reports said a number of female stars passed on the project but Ginger Rogers jumped at the chance to work with Colman, turning down the role of Hildy Johnson eventually played by Rosalind Russell in His Girl Friday (1940). "Everything about him, from his voice to his gentlemanly manner, thrilled me," Rogers said in her autobiography. "I'd sit there gazing at him with a perpetual grin of pleasure on my face, just like a fan." Reports that the two did not get along while making Lucky Partners were strongly denied by Rogers. Milestone said one cast member Rogers did not approve of, however, was Jack Carson. According to the director, Rogers told him she didn't want him to play her fiancé because "he was an extra in one of my pictures," to which he replied, "I can bring up pictures where you were an extra girl! Everyone starts where he can." Milestone had trouble getting Carson to drop his awe of the two stars and assert himself on the set. Eventually, the actor broke through and his co-stars loved his work. Carson went on to become one of the most popular and reliable supporting players in a career that lasted into the early 1960s. The filming of Lucky Partners was not always smooth. First, shooting had to be halted while script fixes were made by noted playwright John Van Druten and a handful of other writers, including Milestone himself, although only Van Druten and Scott got screen credit. Then Milestone got sick, delaying the shoot another 18 days. The picture ran so far behind schedule that Rogers could not take her customary, contractually mandated break between pictures and had to go immediately into Kitty Foyle (1940), the film that won her the Academy Award. About Rogers' hair: the production team was shocked by the darkness of it when the usually blonde star showed up on set. Many reports said RKO, Rogers' home studio, forced various hair colors on her, but she insisted it was always her own doing. Although she defensively noted that it was the character in Lucky Partners she was interested in, not the glamour, and that she believed dark hair was right for the role, she eventually admitted it was a little too dark and a bit of a mistake. Always concerned about her looks on screen, Rogers insisted on seeing the rushes every day. According to Milestone, as soon as they began, she would start sliding down into her seat and moaning, convinced she looked terrible. Some reviewers agreed; the Christian Science Monitor said, "Ginger Rogers, always a lively and attractive person, has not been well used...either by her hairdresser or her couturiere." Lucky Partners drew mixed reviews; some found it effervescent and charming, others slammed it as "neither convincing nor amusing." It didn't do big business at the box office either. Luckily, Rogers recovered quickly with her acclaimed work in Kitty Foyle and a hit comedy, Tom, Dick, and Harry (1941), both featuring the brunette (some sources say she had dark red hair) that had fortunately become lighter and more lustrous over time. Colman had to suffer through the disappointment of his company's My Life with Caroline (also directed by Milestone), but was soon back in good standing with The Talk of the Town (1942) and Random Harvest (1942). Director: Lewis Milestone Producer: Harry E. Edington, George Haight Screenplay: Allan Scott, John Van Druten, based on a story by Sacha Guitry (uncredited writing by George Haight, Edwin Justus Mayer, Lewis Milestone, and Franz Schulz)
This title of Sacha Guitry's original story was Bonne Chance. According to news items in Hollywood Reporter, the production schedule of this film was delayed because of script problems. Production was stopped in mid-June 1940 when writers John van Druten, Edwin Justus Mayer and Franz Schulz were brought in to rewrite the screenplay. Only van Druten was given credit for his work, and the participation of the others in the final film has not been confirmed. Producer George Haight and director Lewis Milestone also worked on the script, according to the Hollywood Reporter.


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Re-closeable Sandwich plastic bags: .04/ea.
Myth: Recycling plastic bags is the best solution to addressing the litter problem.
Fact: Plastic bag recycling is costly and just doesn't work.
Despite a 15-year statewide effort in California, recycling plastic bags has failed. The California Integrated Waste Management Board estimates that less than 5 percent of all single use plastic bags in the state are actually recycled.1 Plastic bags cost municipal recycling programs millions each year, when bags jam sorting equipment at recycling facilities. In San Jose, less than four percent of plastic bags are recycled and work stoppages from jammed bags cost the City approximately $1 million per year.2 Failed recycling efforts means billions of plastic bags are thrown away, blow onto our streets and float into our waterways. Plastic bags are the quintessential litter item: there are billions of them, they are used for a few short minutes, and they are light and easily transportable.
Myth: Recycled plastic bags are a valuable commodity.
Fact: The market for recycled plastic bags is small and unstable.
At the moment, a single manufacturer, purchases 70 percent of the plastic bags recovered nationwide, to make outdoor decking.3 In 2008, Newsweek reported that the company lost $75 million in the previous year, raising questions about the long-term viability of the end market. Some curbside programs will take plastic bags if they are bundled, but the commodity is low grade and brings a low price, partly because it gets dirty during handlingand transportation. Even the plastic bag industry doesn't use its own post-consumer material. Recyclers are sometimes forced to stockpile bales of bags or even pay to get rid of them.
Myth: Bans or fees on plastic bags will just push people to use more paper bags.
Fact: With well-designed policies that address both plastic and paper bags, consumers will switch to reusable cloth bags.
Myth: A fee on plastic bags didn't work in Ireland.
Fact: Ireland's bag fee dramatically reduced plastic bag usage and plastic bag litter.
Ireland's Environmental Protection Agency submitted a letter to the San Jose City Council rebutting the American Chemistry Council's (ACC) false claims about Ireland's bag fee. In this letter, Ronan Mulhall of the Waste Policy division confirms that plastic bag litter dropped by 93 percent and plastic bag use decreased by approximately 90 percent in the year following the Plastic Bag Levy. Ireland later increased their fee to approximately 33 cents (US). The Irish EPA reports that these dramatically lower levels of plastic bag use and litter are being maintained.
Myth: Fees on single use bags will negatively impact low income people.
Fact: No one has to pay the fee.
A single-use bag fee is only charged if you do not bring your own bag. Lower income communities (some of the most blighted by plastic bag litter) are already paying for plastic bags through city taxes and increased food and retail prices. Every bag fee policy currently under consideration at the local and state level would either subsidize reusable bags for low-income residents or exempt low-income residents from paying the fees.
Myth: Single-use bag bans or fees are bad policy in this time of economic crisis.
Fact: Reducing the use of single-use plastic and paper bags will save us all money.
Retailers currently embed 2 to 5 cents per plastic bag and 5 to 23 cents per paper bag in the price of goods— adding $30 or more per person annually in hidden costs. In contrast, when consumers use reusable bags, retailers save money and can lower prices. Many grocers offer a 5-cent rebate for bringing your own bag, which can add up to about $60 in savings per year for an average family.
Bags clog storm drains and recycling equipment, costing cities millions, and bag litter lowers property values and degrades recreational areas. In addition to the out-of-pocket cost passed on from the retailer to consumers, California taxpayers spend approximately $25 million every year to collect and landfill plastic bags.
San Jose City staff estimates that it costs at least $3 million annually to clean plastic bags from creeks and clogged storm drains.7 Single-use bag production depletes resources and contributes to carbon emissions and global warming. We consume approximately 14 million trees8 and 12 million barrels of oil9 to produce the billions of plastic and paper bags we throw away in the United States every year.
Myth: Plastic bag litter isn't really a problem for the environment.
Fact: 1.37 million plastic bags were removed from coastal areas worldwide in one day last year.
Myth: Education about responsible use and disposal of plastic bags will reduce litter.
Fact: Unfortunately, public education hasn't worked, despite massive public investment.
Huge amounts of money have been spent on public education about litter. One example is CalTrans' "Don't Trash California" campaign. Yet, we still see our highways coated in bags, cups, and cigarette butts. A fee on single use bags provides an incentive to consumers to change their behavior and switch to reusable bags.


text:
United Sikkim FC - indyjski klub piłkarski z siedzibą w Gangtoku.

Historia
Klub United Sikkim F.C. założony został w 2008 przez Zarząd piłki nożnej w Sikkimie. Do 2010 roku zespół występował w amatorskich ligach w północno-wschodnich Indiach. Od 2011 roku zespół występuje w I-League, czyli w drugiej najlepszej lidze piłkarskiej tego kraju. Mimo że występuje w niższej klasie rozgrywkowej, klub pozyskał dwóch reprezentantów Indii: Baichunga Bhutię i z Shankara Mahadevana.

Bibliografia

United Sikkim F.C.
Kluby piłkarskie założone w 2008


text:
Mayoral Candidate–Alexandria: Bill Euille
Bill Euille
Alexandria —
City of Alexandria Candidate Questionaires
http://www.alexan...">Allison Silberberg
http://www.alexan...">Bill Euille
http://www.alexan...">Willie F. Bailey Sr.
http://www.alexan...">Phil Cefaratti
http://www.alexan...">John Taylor Chapman
http://www.alexan...">Timothy Lovain
http://www.alexan...">Monique Miles
http://www.alexan...">Redella S. "Del" Pepper
http://www.alexan...">Paul C. Smedburg
http://www.alexan...">Fernando Torrez
http://www.alexan...">Townsend "Van" Van Fleet
http://www.alexan...">Justin Wilson
http://www.alexan...">John R. "Bob" Wood
Family: Single
Education: B.S. Accounting
Offices held, dates: School Board (1974-1984), City Council (1994-2003), and Mayor (2003- Present)
Occupation and relevant experience: Businessman
Community involvement: The William D. Euille Foundation, which he founded in 1994; the Alexandria Boys and Girls Club; the American Heart Association; 1998-2000 Chairman of the Alexandria United Way Campaign; INOVA Hospital Health System Board; Hopkins House Association; 2001 Chairman of the NOVA Urban League Board of Directors; Alexandria Community Trust; and the Scholarship Fund of Alexandria.
Website: billeuille.com
Email address: eric.williams@billeuille.com
Twitter handle: BillEuille
Name three favorite endorsements: NOVA Association of Realtors, Delegate Rob Krupicka & Former Mayor Kerry Donley
What is one issue that defines your call to serve, why does it matter, and how will you tackle it?
Alexandria is my hometown. I grew up in public housing and the odds were stacked against me. I wanted to serve so that I could make a difference in our community, by ensuring the success of everyone, and I've served my community for more than 40 years. I will keep fighting and serving to see that Alexandria continues to move forward.
What distinguishes you from your opponent(s) and why should voters choose you?
I have the experience as Mayor and proven leadership. I will not go quietly into the night when our jobs, kids' education, affordable housing, public safety and quality of life is at risk, due to novice hands and untested leadership. I've built consensus with my colleagues and together we've got things done.
Beyond funding, how else can city government help the school system?
We must continue to advocate for community and parental involvement. Also, we should be key spokesmen for our school system, voicing and celebrating at their successes.
How do you convince citizens that you are truly listening to them even when you have to disagree with them?
By doing what I have always done, being accessible and meeting with citizens to discuss and address their concerns.
Any number of economic hiccups beyond the city's control (federal government, economic downturn, etc.) could force re-ordering of city budget priorities. For reductions, which three areas would you turn to first?
If there was any issue, our first priority is to exhaust every resource before making reductions. But my top three (in no specific order) would be Consulting Contracts, Vacant/Unfilled Positions, and Travel/Meetings and Conferences.
If you were given $1 million to spend any way you would like for the betterment of the city, how would you spend it?
I would spend it on funding pre-k initiatives, address homelessness challenges, donate to affordable housing, and provide assistance for our seniors.
City Council-Alexandria: Willie F. Bailey Sr.
City Council-Alexandria: Paul C. Smedberg
City Council-Alexandria: Monique A. Miles
City Council-Alexandria: Timothy Lovain
City Council-Alexandria: Redella S. "Del" Pepper


Broken Hill Prospecting has issued a dispute notice to joint venture (JV) partner Cobalt Blue Holdings over the Thackaringa cobalt project near Broken Hill, New South Wales.
The notice relates to Cobalt Blue drilling activities commencing "outside of the requisite approval processes set out in the Thackaringa joint venture".
Broken Hill believes these drilling activities were at "the sole risk and cost of [Cobalt Blue]".
In a November 6 company release, however, Cobalt Blue said the drilling program undertaken at Thackaringa had been "unanimously approved" by a Thackaringa JV management committee resolution on August 28.
Under the JV terms set out between the two companies in March, Cobalt Blue has the right to earn up to 100 per cent of Thackaringa in four stages.
The company has proceeded with the stage one and stage two earn-ins, providing it with an initial 51 per cent and then 70 per cent of the project respectively.
Cobalt Blue responded it would hold a meeting with Broken Hill on November 16 to discuss its intent to not proceed with stage three of the Thackaringa JV.
A Thackaringa pre-feasibility study (PFS) revealed a 46.3 million tonne probable ore reserve at 819 parts per million (ppm) of cobalt. It also revealed a pre-tax net present value of $792 million for the project.
Broken Hill said it would provide more information "as it becomes available".


text:
October 30, 2020 Cover Features Music young admin
CASSPER NYOVEST CELEBRATRES ALBUM MILESTONE
Ceremony snippet : https://umusic.box.com/s/u9d8z05wvb95l9q7ffnur9ipasg5twxj
Cassper Nyovest ended the month of September with a bang! Three weeks into the release of his 5th studio album "Any Minute Now "two of the single on the album have reached certification level.
The first released single which was "Good For That" reached platinum status, this single was produced by TylerICU and Cassper's musical director Alie Keys played a huge role in the shaping of the single. "When releasing this track, we were prepping the market on what to expect from the album to come "said the Def Jam Africa signee.
Upon releasing the single "Amademoni" Cassper received mixed reactions from the market. The single is heavily influenced by UK Drill a musical trend which hasn't caught the SA market by storm yet. "Being an artist means taking risks and breaking boundaries, this single is as I wanted it to be, SA will definitely see more of Drill from me "said Cassper. Today the new father also celebrated the gold certification of this single.
The contributors to the singles were also each presented with plaques for their achievements. Tweezy received two gold plaques one for a featured artist as well as a producer plaque for "Amademoni". TylerICU was also presented with a platinum plaque for his contribution on "Good For That".
Cassper took to social media to celebrate his achievement, at his celebration ceremony he urged his fans to keep streaming the current single "Bong'Inkosi " which features his idol Zola 7 stating that it would be a great honor to hand Zola 7 a plaque in 2020 to honor him while he still alive .
Check out the video:
AMN is Cassper's 5th studio album, the 21-track album is available on streaming platforms.
Follow @casspernyovest
Cover photo cred – @jabukiing
Tags: music, slider
YP Interviews
Copyright © 2018 by Youth Prophets. All rights reserved. Developed by www.syntaxdigital.co.za


Do you want to have your site buzzing with discussions? There are quite a few forum plugins for WordPress, the top and most popular amongst them being bbPress.
Simple Setup and easy moderation.
Spam protection with full Akismet support built in.
If that convinces you, jump on in and let us go ahead and set up a bbPress forum for your site.
Installation of the plugin is as usual. Login into your WordPress site as admin. From the dashboard, click on Plugins> Add New. Type bbPress in the search box and from the results click on Install Now next to the bbPress plugin.
From the WordPress admin dashboard, click on Settings > Forums for the settings of bbPress. Most of the default options work just fine. Unless you have specific needs, you can leave them as is. The forums slug is by default set at your-site-url/forums/. Similarly, the single forum slugs for topics, replies and others are also specified here. Change them if you are particular.
Now that the Forum plugin is installed, look at the forums by clicking on Forums from the admin dashboard. As there are no forums created, you will see a screen similar to the one below.
Click on New Forum to create a new forum. You will get a screen similar to the post editor. Give your forum a name and a description at the very minimum. The description can give an overview of what this forum discussions are all about. You can change the status of the forum to Closed in the Forum Attributes metabox on the right side panel, when you do not want further discussions. The Visibility is Public by default. It can be changed to Private or Hidden. Private forums are seen only by chosen users while Hidden forums are hidden from all except the creator.
Click on Publish to create the forum.
Now that you have created a forum, visit your-site-url/forums/ to check what you have created. You will see your forum empty with no topics.
You can also check the status of your forums and topics from the admin dashboard. For instance, the topics under discussion can be seen by clicking on Topics from the admin dashboard.
No topics? So, why not create one in the topic editor that appears just below? Create a topic - give a title and a description. Add Topic tags for easy retrieval of discussions by tags in a later stage. Click on Submit. You have successfully created a topic.
What is the difference between a forum and a topic? A forum refers to a broad idea and sub ideas of the forum can be discussed as topics.
Now that you have opened up a topic, expect some discussions and replies.
Go to your-site-url/forums to see a summary of your forum. The title, description, number of topics and number of posts are displayed. The last user to post and the time of last post is also displayed under Freshness. If you have more than one forum, this information can be seen for each of these.
Click on your desired forum to see the status of the topics under this forum. For each topic, the title, the starter of the topic, the number of users who commented (Voices), the number of comments (Posts) and the Freshness (as in the case of forums) can be seen on this screen.
You can see the thread of discussions for a particular topic by clicking on the topic. You can also reply to any topic using the editor at the bottom of the thread.
That's it. Did you expect more steps? Sorry to disappoint you, but creating forums on your site as simple as that.
So, what are you waiting for? Go ahead and get your site buzzing with interactions and discussions between your users. It is a sure way to increase the popularity and traffic of your site.


text:
Clinical Brief:
Endpoints in Oncology Studies — The Write Track, Inc.
Michael D. Dalzell/Editing Samples
Overall survival has been the gold standard for oncology clinical trial endpoints. Over the years, however, such surrogate endpoints as objective response rate and progression-free survival have been employed because they can be reached faster and may offer important benefits in evaluating therapies. This clinical brief describes surrogate endpoints in the context of helping P&T committees, medical and pharmacy directors, and employer purchasers use them to evaluate oncologic therapies. It includes a commentary by a managed care medical director. This publication was distributed as a supplement to the journal Managed Care.
DOWNLOAD FULL PUBLICATION FROM MANAGEDCAREMAG.COM
BACK TO EDITING
Clinical Brief: Endpoints in Oncology Studies
Rapid advances in the treatment of cancer have led to an explosion of targeted therapies. The relatively small evidence base to describe long-term outcomes, however, has left managed care organizations, employers, and government payers uncertain about how to evaluate these products. I led a team of editors that worked with Genentech to produce this clinical brief, which was intended to help third-party payers and others gain a deeper understanding of the roles and relevance of surrogate clinical trial endpoints.


text:
Q: Can't navigate to specific anchor in Angular 4 route I have two separate controllers.
When I click on a certain link from one controller, I want to be redirect to a specific anchor tag in the other one.
I'm trying to do this by passing as a queryParam to the router the anchor tag.
However, when I try to retrieve it on the destination component, the parameter is undefined.
Here's what I'm doing in my source component:
this.router.navigate(['home',{
queryParams: {anchor: 'about'}}])

And here is how I try to retrieve the parameter in the destination Component:
this.anchor = this.route.queryParams['anchor']

But it's always undefined.
The redirection works anyway, but of course I can't go to the specific anchor.

A: Please take a look at this: https://angular.io/guide/router#activated-route
You should be using queryParamMap, which is an observable. You must subscribe to it, ideally in the ngOnInit method, and retrieve the value for your queryParam over there.
As noted in the link I referenced, the use of queryParams is discouraged. Also, you're not using it correctly in any case. It is an observable that must be subscribed to, not an array.
Here's an example
  ngOnInit() {
    this.route.queryParamMap.subscribe(queryParams => {
      this.anchor = queryParams['anchor'];
    });
  }

redpajama_set_name: RedPajamaStackExchange


text:
Matti Suur-Hamari (born 31 May 1986) is a para-snowboarder. He is a three-time medalist, including two gold medals, at the Winter Paralympics.

He represented Finland at the 2014 Winter Paralympics and again at the 2018 Winter Paralympics where he served as flag-bearer in the 2018 Winter Paralympics Parade of Nations. He also competed at the 2022 Winter Paralympics.

Career
He claimed his first Paralympic medal during the 2018 Winter Paralympics in Snowboarding by claiming a gold medal in the men's snowboard cross event.

He won the gold medal in the men's snowboard cross SB-LL2 event at the 2021 World Para Snow Sports Championships held in Lillehammer, Norway.

He won the gold medal in the men's snowboard cross SB-LL2 event at the 2022 Winter Paralympics held in Beijing, China. He also won the silver medal in the men's banked slalom SB-LL2 event.

References

External links
 Matti Suur-Hamari at World Para Snowboard

1986 births
Living people
Finnish male snowboarders
Paralympic snowboarders of Finland
Paralympic medalists in snowboarding
Paralympic gold medalists for Finland
Paralympic silver medalists for Finland
Paralympic bronze medalists for Finland
Snowboarders at the 2014 Winter Paralympics
Snowboarders at the 2018 Winter Paralympics
Snowboarders at the 2022 Winter Paralympics
Medalists at the 2018 Winter Paralympics
Medalists at the 2022 Winter Paralympics
People from Rovaniemi
Sportspeople from Lapland (Finland)
20th-century Finnish people
21st-century Finnish people


text:
Building a Better Web
June 11–12, 2018: Training
June 12–14, 2018: Tutorials & Conference
Expo Hall Hours
Wednesday, June 13: 10:30am–5:05pm / 5:05pm–6:30pm (Expo Hall Reception)
Thursday, June 14: 10:30am–3:40pm
Sponsors Exhibitors Community Partners
For over 12 years, Amazon Web Services has been the world's most comprehensive and broadly adopted cloud platform. AWS offers over 125 fully featured services for compute, storage, databases, networking, analytics, machine learning and artificial intelligence (AI), Internet of Things(IoT), mobile, security, hybrid, virtual and augmented reality (VR and AR), media, and application development, deployment, and management from 54 Availability Zones (AZs) within 18 geographic regions and one Local Region around the world, spanning the U.S., Australia, Brazil, Canada, China, France, Germany, India, Ireland, Japan, Korea, Singapore, and the UK. Developers can use Amazon CloudFront to deliver data, videos, applications, and APIs to their viewers with low latency and high transfer speeds. CloudFront is integrated with AWS -- including physical locations that are directly connected to the AWS global infrastructure, as well as software that works seamlessly with services including AWS Shield for DDoS mitigation, Amazon S3, Elastic Load Balancing or Amazon EC2 as origins for their applications, and Lambda@Edge to run custom code close to their viewers. Try Amazon CloudFront for free at https://aws.amazon.com/cloudfront/ Amazon Alexa is leading the way in making spoken language the next user interface. Alexa is the voice service that powers Amazon's family of Echo products, Amazon Fire TV, and other third-party products. Echo is a device that you can talk to from across the room to play music, get the news, set timers, make hands-free calls, manage to-do and shopping lists, control lights, your thermostat and so much more. We are working hard, having fun, and making history; come join us! Click here to see more details of our open positions: https://www.amazon.jobs/en/landing_pages/velocity/
Box provides a secure way to share content and improve collaboration on any device. Desktop, tablet or mobile. From huge corporations to mom and pop stores, Box believes technology should never limit anything you do. Businesses of any size can be more productive, inventive and powerful on Box. The company is well funded by top VC firms like Andreessen Horowitz, Draper Fisher Jurvetson and U.S. Venture Partners. Box is proud to be on Forbes' list of America's Most Promising Companies, is used in 225,000 businesses--including 99% of the Fortune 500--and is the go-to product of 25 million people.
Cloudinary has reinvented the way that media is managed online. The company provides a comprehensive cloud-based image and video management solution that has quickly become a preferred solution used by web and mobile application developers at major companies around the world. Its end-to-end solution saves organizations the hassle and costs associated with building and supporting a media management solution in-house, or patching together off-the-shelf solutions with limited functionality and scale. Built for developers by developers, Cloudinary is designed for any company that wants to upload, store, manage, manipulate and deliver images and videos efficiently and effectively.
BOOTH #708
LogRocket
LogRocket helps product teams build better experiences for their users. By recording videos of user sessions along with logs and network data, LogRocket surfaces UX problems and reveals the root cause of every bug. Thousands of companies like Reddit, Ryanair and Swiss Life trust LogRocket to improve their user experience.
SAP helps companies of all sizes and industries run better. From back office to boardroom, warehouse to storefront, desktop to mobile device, SAP empowers people and organizations to work together more efficiently and use business insight more effectively to stay ahead of the competition. We do this by extending the availability of software across on-premise installations, on-demand deployments, and mobile devices. We believe that the power of our people, products, and partners unleashes growth and creates significant new value for our customers, SAP, and, ultimately, entire industries and the economy at large. Our mission is to help companies of all sizes and industries to run better. Our vision is to help the world run better. www.sap.com
Lisk is an application platform whose Software Development Kit allows users to code in JavaScript to build Blockchain applications, without needing to be Blockchain literate. Fully customizable, apps built on Lisk can take any form, from new social media networks, games, and online stores to financial or accounting applications. In simplifying the creation of blockchain applications, Lisk is democratizing blockchain, extending the technologys benefits to all - even those with just rudimental programming experience.
Netlify is the simplest way to build, deploy, and manage web projects on the JAMstack. We're changing the way the web is built by collapsing the modern front-end development process into a single, simplified workflow. Confidently deploy static sites and apps in just a few clicks and integrate dynamic features and functionality as your projects become more sophisticated.
Sentry is an open-source platform for workflow productivity, aggregating data from errors and crashes across the stack in real time. A half-million developers use Sentry to get all the code-level context they need to efficiently resolve issues at every stage of the application lifecycle. Sentry's cloud service supports more than 9,000 customers, monitoring tens of billions of exceptions every month from the most popular apps and websites, including Airbnb, PayPal, Twitter, Microsoft, Uber, Pinterest, HubSpot, and the New York Times. Sentry was founded by product leaders from Dropbox and GitHub and is backed by NEA and Accel.
GrapeCity's family of products provides developers, designers, and architects with the ultimate collection of easy-to-use tools for building sleek, high-performing, feature-complete applications. GrapeCity's JavaScript offerings include Wijmo, high-performance HTML5/JavaScript UI controls for building enterprise-grade applications, and SpreadJS, enterprise JavaScript spreadsheet and data presentation components for full-featured grids, inputs, dashboards, and more. With touch-first design and full Angular and React support, these light controls boast power and flexibility. For more information visit www.grapecity.com.
You may know us for our processors. But we do so much more. Intel invents at the boundaries of technology to make amazing experiences possible for business and society, and for every person on Earth. Harnessing the capability of the cloud, the ubiquity of the Internet of Things, the latest advance in memory and programmable solutions, and the promise of always-on 5G connectivity, Intel is disrupting industries and solving global challenges. Leading on policy, diversity, inclusion, education and sustainability, we create value for our stockholders, customers and society.
Progress Software Corporation
Progress is a global technology company committed to data connectivity, including Big Data with enterprise databases and applications deployed in hybrid cloud and on-premises environments. Get connected using market-leading standards based technology distributed by eight of the nine Gartner MQ leaders in analytics and five of the top six Gartner MQ leaders in data integration tools. Progress has a rich heritage in advancing open standards for data access across ODBC, JDBC, OData and ADO.NET.
Square makes commerce easy. Square offers tools to start, run, and grow your business – from hardware that accepts credit cards to software that tracks inventory, analytics and invoicing. Now you can build your custom commerce solution with Square using the Square Developer Platform to take payments in-store and online.
Vaadin simplifies your development. The Vaadin platform makes it easy to build web apps on a modern stack using high quality Web Components, a light weight Java web framework and tools for boosting your development productivity. Vaadin builds on an Apache 2 licensed open core with the company supporting the community since 15+ years.
As the global leader in Content Delivery Network (CDN) services, Akamai makes the Internet fast, reliable and secure for its customers. The company's advanced web performance, mobile performance, cloud security and media delivery solutions are revolutionizing how businesses optimize consumer, enterprise and entertainment experiences for any device, anywhere. To learn how Akamai solutions and its team of Internet experts are helping businesses move faster forward, please visit developer.akamai.com and @akamaidev on Twitter.
SpeedCurve
At SpeedCurve, we measure the interplay between web design and web performance. We offer user experience monitoring tools that give you true insight into what your visitors are experiencing. We help companies like Expedia, Zillow, BBC, Shopify, and The Guardian deliver great, enjoyable, fast experiences to their visitors.
CTOvision.com
CTOvision.com is the resource for enterprise technologists. We feature news, commentary, analysis and social media connections in domains of Big Data, Gov2.0, Cloud Computing, Cyber Security, Business Intelligence, Robotics and other areas of enterprise IT. We are the creators of the popular Twitter list curation tool TwitChimp.com
The Data Incubator
The Data Incubator is an intensive 8 week fellowship that prepares the best scientists and engineers with advanced degrees to work as data scientists and quants. It identifies Fellows who already have the 90% difficult-to-learn skills and equips them with the last 10%: the tools and technology stack that make them self-sufficient, productive contributors. The program is free for Fellows. Employers only pay a tuition fee if they successfully hire. Fellows have the option to participate in the program either in person in NYC, Washington DC, San Francisco Bay Area, or online.
Datanami
Datanami is a news portal dedicated to providing insight, analysis and up-to-the-minute information about emerging trends and solutions in big data. The portal sheds light on all cutting edge technologies including networking, storage and applications, and their effect upon business, industry, government, and research. The publication examines the avalanche of unprecedented amounts of data and the impact the high-end data explosion is having across the IT, enterprise, and commercial markets. Subscribe now at: www.datanami.com
David Walsh Blog
David Walsh Blog is authored by Mozilla Web Developer, MooTools developer, and front-end engineer David Walsh. Tutorials range in topic from JavaScript, CSS, and HTML5 to Python, PHP, and more.
SFHTML5
The San Francisco HTML5 User Group (@SFHTML5) is the largest HTML5 Meetup in the world. We host free monthly events in San Francisco with talks by leading experts in HTML5, CSS3, JavaScript, and other web technologies. Past speakers include Paul Irish, Bruce Lawson, Steve Souders, Divya Manian, PPK, Pamela Fox, Christian Heilmann, and many more. All of our events are recorded. Join us and find out about our next meetup!
ThreatBrief.com
The Daily Threat Brief is an open source intelligence report modeled after the concept of the President's Daily Brief (PDB).
Prospective sponsors and exhibitors
For exhibition and sponsorship opportunities at Fluent, email fluent@oreilly.com
Link | 07/23/2018 10:42am UTC
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