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text:
DYING, OR AGING WITH GRACE
Resources on illness, death and dying, loss, grief, and positive aging
Pat McNees
See also Subjects/sections within categories
Advance directives, living wills, Medicare, and other practical matters
Wills, trusts, MOLSTs, POLSTs, and other aspects of end-of-life decision making
Coronavirus: the good, the bad, and the practical
Aging with grace, spirit, wisdom and safety
Aging solo, traveling in retirement, emotional issues, staying healthy, preventing falls, knee and hip replacement, dealing with frailty, and other issues
Alzheimer's disease and other forms of dementia and memory loss
Autism, Asperger's syndrome, savant syndrome
The beneficial effects of life story and legacy activities
Bereavement, grief, and recovery
Index of Blog Posts
Books and films to help you make it through the night
Recommended reading, viewing, and listening
Cardiovascular disease (and prevention)
Caregivers, caregiving, long-term care, and caregiver burnout
Charitable giving and volunteering
and Philanthropy (plus donating your body or body parts)
Coping with chronic, rare, and invisible diseases and disorders
Death, dying, and end-of-life care
The good death
Depression and other forms of mental illness
Depression, bipolar disorder (manic-depressive illness), schizophrenia, ADD, and other mental health problems
Difficult endings
Death with dignity, assisted dying, suicide, end-of-life decision-making, plus homicide (especially gun violence)
Downsizing, decluttering, moving, and other hard-to-face realities
Plus cleaning, recycling, and pest control!
Drugs, surgery, procedures, and medical care (cost and quality)
Plus faulty medical devices, medical costs, medical debt, and others.
Eulogies and video tributes (and the beneficial effects of life story telling)
Plus memorials and requiems
Funerals, cremation, memorial services, and other alternatives
Plus cemeteries, coffins, headstones, memorials, etc.
Helping a dying friend
HIPAA, electronic health records, and patient privacy
Hospice care and palliative care
End-of-life care and comfort care
How storytelling can aid in healing (memoirs of illness, crisis, disability, differentness, and survival)
Life story writing (the healing powers of narrative)
Narrative medicine (or medical narrative)
Memoirs of illness, crisis, disability, differentness, and survival
Long-term care and long-term care insurance
Managing living arrangements for elderly and disabled
Assisted living, nursing homes, cohousing, or living in place (with or without caregivers)
Addressing problems of homelessness
Managing your health, pain, medications, and health care costs
(plus hospitals, ER, urgent care, hospitalization, and surprise medical bills)
Medical mysteries, patient stories, caregiver stories
Information and stories about medical conditions, infections, infectious diseases, and vector-borne diseases, with sections on mystery (difficult-to-diagnose) conditions.
Medicare, Medicaid, and health insurance and exchanges
Making best use of the system
Music for funerals and memorial services
Obituaries and other forms of tribute
Prayers, poems, and meditations
Recommended reading, viewing and listening
Reducing medical errors
Improving patient safety, reducing harmful surgical lapses
Reforming the U.S. health care system
What's wrong with American health care? Understanding the issues reform should address.
Selections from DYING: A Book of Comfort
Single-payer and other models for health care financing
Differences from "Medicare for All" and "Universal health care coverage"
Social Security and veterans benefits, pensions, and annuities
The stages of grief
Substance abuse and recovery
And other forms of addiction
Writing a legacy letter (an ethical will)
Vaccines and vaccinations
Index of site
E-mail Pat (pat at patmcnees dot com)
Pat McNees's website
Writers and Editors (great links to resources for both)
Click here to order DYING: A Book of Comfort
Fading Out: Aging and Beyond RSS feed
How storytelling can help dementia patients
Tags: Dementia, Alzheimer's
Updated 8-24-17. This former journalist helps caregivers get to know who their patients once were, before dementia took hold (Tara Bahrampour, The Age, 12-16-16) Jay Newton-Small, a District resident, started a business writing anecdote-filled profiles of dementia patients after her father got Alzheimer's. 'Until seeing her profile, caregivers for Mary Daly, a St. Pauls resident, did not know she had a PhD in public policy, or that she was an accomplished people manager. Once they did, "some of her behaviors, like trying to organize things, started to fall into place for them," said Sharon Daly, her sister. "They talked about trying to tune in to her need to manage the world and fix the world."'
• How Storytelling Can Improve the Care of People With Alzheimer's (A-1, WUWM and NPR, 7-13-17) Jay Newton-Small, CEO and co-founder of Memory Well, coordinates a network of journalists who tell the stories of people who can't tell their own, helping caregivers understand them and improve their quality of life. Here she shares the radio stage with Jill Lesser, president of Women Against Alzheimer's; Andrew Kazmierczak executive director of St. Paul's House, a senior living community with care and residential facilities, in Chicago; and Emily Lenzner, whose father has dementia and is in a care facility in Washington, DC.
• Shopping for Antiques, Finding My Mother (Healther Sellers, Opinionator, NY Times, 5-14-15) About the power of objects to help us hold on...."The whole time I'd grown up with her, and long after, she'd desperately worried that people were trying to take her things....She scattered photographs, destroyed my father's 1950s love letters to her, gave away her lovely kitchen things and then called me, wondering where they had gone. Alzheimer's took her memory, and she lost everything...."
• Alzheimer's: Mementos help preserve memories (Mayo Clinic)
• Memory Café opens for couples dealing with Alzheimer's (Alzheimers Reading Room)
• Alzheimer's Patients Turn To Stories Instead Of Memories (Joanne Silberner, Treatment/Shots, NPR, 5-14-12) "Linda White is leading a session based on a program called TimeSlips. The idea is to show photos to people with memory loss, and get them to imagine what's going on — not to try to remember anything, but to make up a story. She started work on storytelling as a way to give people with dementia a low-stress way to communicate, one that did not rely on their memories. She sees it as giving caregivers a chance to reconnect with their loved ones....One study co-authored by Basting in The Gerontologist, a journal, found that storytelling made people more engaged and alert, and that staff members at residential facilities had more positive views of their patients.
• Reel life: the biographical films bringing joy to people with dementia (Juliette Jowit, The Guardian, 5-31-17) Jo is watching her own life story on television. See how she reacts. My Life Films combine music, photos, clips and interviews to celebrate the lives of those with dementia – and help carers build better patient relationships. "There is nothing positive about dementia, [but] in a way we bring a little bit of good into their lives, it's a celebration," says Jorg Roth, who set up the UK charity with his wife Carolin. "I talked to a gerontologist friend: I thought it was the entertainment value; she said no, it's the journey, it's the interest we show in somebody, it's family coming together."
• 'Storycare' should be an essential part of health care (Dan Yashinsky,, TheStar.com, 6-2-17) "Storycare means creating times and places in the hospital for people to tell, hear, imagine, and remember stories. For people with dementia, storytelling sparks rich and imaginative responses, even from those who have forgotten the names of their loved ones. For psychiatry patients being treated for severe depression, wondertales full of breathtaking suspense can help them regain their desire to discover what happens next — in the story, and in their own lives. In the palliative unit, I listen to life-stories, share tales of wisdom from around the world, and we laugh, too, despite the solemn setting."
• Forget Memory:Creating Better Lives for People with Dementia, by Anne Davis Basting. A powerful antidote to the notion that memory loss = loss of identity, and a reminder that people with dementia lead better lives when they can express themselves and feel heard. You need better ways to help them than asking questions that require a good memory to respond.
• Forget Memory:Creating Better Lives for People with Dementia by Anne Davis Basting. A powerful antidote to the notion that memory loss = loss of identity, and a reminder that people with dementia lead better lives when they can express themselves and feel heard. You need better ways to help them than asking questions that require a good memory to respond.
• What People With Dementia Can Teach Us About the Arts (Heidi Raschke, Next Avenue, 9-23-16). A MacArthur "Genius" (Anne Basting) shows how storytelling can change how we age and perceive aging.
• Alzheimer's Patients Keep the Spark Alive by Sharing Stories (Jane E. Brody, Well, NY Times, 8-8-16) "An unusual eight-week storytelling workshop at Northwestern University that is helping to keep the spark of love alive in couples coping with the challenges of encroaching dementia. Every week participants are given a specific assignment to write a brief story about events in their lives that they then share with others in the group. The program culminates with a moving, often funny, 20-minute written story read alternately by the partners in each couple in front of an audience. Each couple's story serves as a reminder of both the good and challenging times they have shared, experiences both poignant and humorous that reveal inner strength, resilience and love and appreciation for one another that can be easily forgotten when confronted by a frightening, progressive neurological disease like Alzheimer's."
• The Service Learning Experience: How Storytelling Evolves in People with Alzheimer's and Dementia and Why This Is Important to the Creative Writing Student and the Community (PDF, Alice M. Spicer, Thesis, 2013) "Perhaps, just as the blind significantly outperform the sighted in tactile experiments, there are some forms of creativity in storytelling in which people with Alzheimer's and dementia may demonstrate more ability than their fully cognizant peers."
Since APH's demise, the following piece is not online. I've Sue Hessel if she'll post it again. Meanwhile, the message is still good.
• Do You Know Me? It's Still Me (Sue Hessel, APH blog, 3-13-13), on helping dementia patients find and save their stories--and on helping caregivers see them as individuals and not their disease.
Aug 24, 2017 4:30 PM EDT
Steve Taravella forwarded this link to Memory Wellhttps://www.memorywell.com/Improving care one story at a time"Person-centered care starts with a story. Our journalists tell the stories of people who can't tell their own, helping caregivers understand them and improve their quality of life."
- PM
"This is a special gem of a resource for those contending with dying,death, and bereavement. Through its expertly chosen material, Dying, A Book of Comfort informs, guides, and gently enables healthy grief and mourning. I recommend it heartily.
~ Therese A. Rando, author of
How to Go On Living
When Someone You Love Dies
"The subject of death is so rife with terror that it takes a calm and sure hand like Pat McNees's to soothe, help us understand, and finally, rejoice in life. This is an important and very dear book."
~ Sherry Suib Cohen, author of
Secrets of a Very Happy Marriage
"A remarkable collection (331 pages) of quotations of comfort."
~ Ernest Morgan, Dealing Creatively with Death
"Seldom have I read a book that exudes such comfort, such an embrace of genuine insight, care and support....The book's gift, and it is a rich treasure for the reader, is that it embraces who we are.... The book can be read cover to cover, or just pick out a page. Something will leap off the page, a story, a quote, a reading, narrative couplings of diverse themes colorfully worded by the author/scribe, to give you the needed word or embrace....This book needs wide circulation. The bereaved deserve this, and the book will help all of us."
~ Rev. Richard B. Gilbert, director, World Pastoral Care Center, in Resources Hotline
"For those who face the lonely reality of death, this book provides understanding and much-needed solace."
~ Claire Berman, author of Caring for Yourself While Caring for Your Aging Parents
"McNees has provided a remarkable anthology of insights, comforting words, stories, reassurance, and guidance for the journey of dying and grieving. Fourteen chapters delve artfully and compassionately into a full range of dying, death, and bereavement topics. An index by author 'Names' and another by 'Titles and Selected First Lines' make it possible to return and savor the many rich offerings she has gathered."
~ Rev. Paul A. Metzler, The Center for Living with Loss, in newsletter, Association for Death Education and Counseling
"Dying, A Book of Comfort is THE book to press into the hands of those you love, read out loud in the company of others, and reflect on after they have all gone home. Pat McNees gently guides us as we reluctantly explore the far side of forever."
~ Lynne Lamberg, author of The Body Clock Guide to Better Health
Buy Now - Dying: A Book of Comfort

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text:
Ste. Michelle Wine Estates Names David Andrews Vice President – Antinori USA
Woodinville, Wash (September 9, 2019) – Ste. Michelle Wine Estates has named sales veteran David Andrews to the new role of Vice President – Antinori USA. In this national role, Andrews will be responsible for leading a dedicated Antinori sales team across the country to meet strategic sales goals for the Antinori wine portfolio and other strategic luxury wines in the Ste. Michelle Wine Estates portfolio. Marchesi Antinori is a historical wine producer from Tuscany which has been making wine since 1385.
"I'm excited to take on this national role to oversee the Marchesi Antinori portfolio and our luxury wines," said David Andrews. "I'll be focused on leading our luxury teams to reach our distribution goals for these incredible estates and wines across the country."
Earlier this year, Ste. Michelle Wine Estates and Marchesi Antinori signed a new five-year distribution agreement, renewing their exclusive collaboration for the U.S. market. The partnership between the two first started in 2006.
"With the renewal of our Antinori partnership, David is taking on this new role at an exciting time," said Dan Heller, Executive Vice President of Sales for Ste. Michelle Wine Estates. "David will bring the strategic thinking and leadership needed to meet – and hopefully exceed – our goals for Antinori and our luxury brands."
"We see a huge potential for Antinori in the U.S.," said Stefano Leone, Sales Director for Marchesi Antinori. "Together with Ste. Michelle Wine Estates we have decided to set an increasing and dedicated sales division for the Antinori wine portfolio. I'm sure that David will lead successfully the execution and will bring great results."
Since 1999, Andrews has held numerous marketing and wine leadership roles across Asia and the South Pacific. His international experience spans the hospitality segment, wine marketing, sales and executive management. In 2014, Andrews joined Ste. Michelle Wine Estates as a Division Manager for Asia/Pacific. He was responsible for managing more than 40 distributors in over 20 countries and grew the business significantly in the past 5 years
Prior to working with Ste. Michelle Wine Estates, Andrews was the Chief Executive Officer of Macro Wines and Spirits in Hong Kong, where he developed a successful B2B distribution and Ecommerce platform for greater China. Andrews also worked in China for ASC Fine Wines as Vice President of Supplier Relations and Brand Management as well as General Manager of their Hong Kong/Macau operation. Prior to ASC, he was Partner and Marketing Manager for Red and White International in Asia.
Andrews is based in New York.
About Ste. Michelle Wine Estates Ste. Michelle Wine Estates (SMWE) is the third-largest premium wine company in the U.S. Located outside of Seattle, Washington, the company has a distinguished history that dates back to 1934. The company pioneered vinifera grape growing in Washington State while wines under the Ste. Michelle label were first introduced in 1967. Today, SMWE owns more than 3,900 vineyard acres across
Washington, Oregon and California with key sites certified with the LIVE, Salmon Safe or Napa Green designations. SMWE's 'String of Pearls' wine portfolio represents owned or imported brands, all demonstrating the producers' unwavering commitment to creating distinctive, high quality wines from authentic estate vineyards. Chateau Ste. Michelle, its cornerstone winery, enjoys winemaking partnerships with some of the world's most distinguished vintners. Col Solare is an alliance with Tuscany's Piero Antinori, Eroica Riesling is a partnership with the Mosel's Ernst Loosen and Tenet is a collaboration with Michel Gassier and Philippe Cambie of France. SMWE's charitable giving program, which supports some 400 non-profit organizations annually, has provided more than $3 million for scholarships for high-achieving, low-income students at Washington universities. The company also was the principal fundraiser for Washington State University's viticulture and enology institution, the Ste. Michelle Wine Estates Wine Science Center.
Ste. Michelle's Washington portfolio includes: Chateau Ste. Michelle, Columbia Crest, 14 Hands, Col Solare, Northstar, Spring Valley Vineyard, MERF, INTRINSIC, Seven Falls and Michelle sparkling wines. In California, the company owns Stag's Leap Wine Cellars (with Italy's Antinori family), Conn Creek (Napa Valley) and Patz & Hall (Sonoma). Ste. Michelle also owns Erath Winery, in Dundee, Oregon. The company became the exclusive U.S. importer in 2006 for the renowned Marchesi Antinori wines of Italy and Chile's Haras de Pirque wines, for Nicolas Feuillatte of France in 2009, and for New Zealand's Villa Maria Estate in 2010. For more information, please visit www.smwe.com.
About Marchesi Antinori
The Antinori Family has been making wine for over 630 years, since Giovanni di Piero Antinori became part of the "Arte Fiorentina dei Vinattieri" or "Vintner's Guild" in 1385. Throughout its long history, spanning 26 generations, the family has always personally managed the business making innovative, sometimes courageous choices, always with unwavering respect for tradition and the land. Today, the company is helmed by president Albiera Antinori and her two sisters, Alessia and Allegra, as vice presidents— exhibiting female leadership for the first time in the company's history. The collaboration between Marchesi Antinori and Ste. Michelle first started in 1995 when they joined forces to establish Col Solare – an estate winery producing exceptional Cabernet Sauvignon on Red Mountain in Washington State. Ste. Michelle then became the exclusive U.S. importer of the Marchesi Antinori portfolio in 2006. In 2007 Ste. Michelle and Marchesi Antinori again partnered to acquire the celebrated Napa Valley estate Stag's Leap Wine Cellars, which famously catapulted American wine to international prominence by besting the top Bordeaux chateaux in the Judgment of Paris in 1976.
For more information visit www.antinori.it.


Britons do not believe they have become a "grown-up" until they reach the age of 29, it has been revealed.
Despite becoming an adult at the age of 18, the average young person believes it is another 11 years until they are actually an adult.
Ever still feel like you're an 8-year-old with each passing birthday? Well new research has revealed that despite technically becoming an adult at 18, the average Brit does not feel like they have become a 'grown-up' until they reach the age of 29.
The study cites 'living at home longer, playing computer games, watching children's movies and a reluctance to settle for a "real job"' as some of the most common reasons for not feeling like an adult, though speculatively I would add to that increasing life spans and the general death of adulthood in culture.
You might be allowed to drink, drive, vote and all that jazz at 18, but a new study says Brits don't really feel like proper grown-ups until we hit 29.
The research carried out by Beagle Street life insurance shows that we're all basically big kids at heart, still watching cartoons and children's films.
Well, let's be honest, Frozen is amazing.
Other factors that are preventing us from letting go of our adolescence include refusing to settle for 'a real job', whatever that is, and living at home longer.
Matthew Gledhill, managing director of Beagle Street, said: "The research shows that growing up is less about years and more about reaching milestones in life like getting married, becoming a parent or buying a home.
So while the article looks like a report on what age we truly grow up, it's actually an attempt to highlight to people that they should take more responsibility – by which we mean buy whatever Beagle Street insurance is selling.
This entry was posted in Beagle Street and tagged Beagle Street, Christopher Hooton, Francesca Kentish, Frank Furedi, independent, Matthew Gledhill, metro, telegraph on September 17, 2015 by Michael Marshall.


This style is called "Hawaiian Punch" - A super cute print by Jack and Lulu for Dear Stella Designs. Orange and green pineapples tossed on a classic shade of pink. Matching pink top-stitching and grosgrain band on the pretty, white on white floral print cotton lining.


Hello, welcome to Activ Web Design in Dundee.
"Wendy has been the ultimate in patience! I have found her to be extremely professional, helpful and sympathetic to my needs for my website. She has been available either by phone or email at any time and is prompt with her actions and replies. The support and back-up has been second to none and all for a very reasonable cost. I would have no hesitation in recommending Wendy to anyone and I look forward to working with Wendy in the continuing development of my site."
"I had searched unsucessfully for weeks, trying to find a web designer who would build/design a web site to suit my business needs, when I came across Activweb and Wendy Sutherland.I have absolutely no web site experience, and poor Internet/IT skills, so was absolutely delighted when Wendy was able to take time to discuss my needs, explaining what she was doing at each step of the way, and most importantly, the cost was exactly what was agreed at the outset, no hidden costs. My friends and famil "
"In January 2010 I was looking for a new website and a friend recommened Wendy to me. From my first phone call to Wendy I found her to be friendly and very professional. The whole process went very smoothly and quickly, nothing was a problem and she gave me some excellent advice. From start to finish Wendy was a joy to deal with and I will have no hesitation in recommending Wendy to anyone as my website is excellent."
"I found the process very easy, Wendy guided me through the construction, content and launch of the website. I would like to thank Wendy for all her help, the professionalism she has showed and her enthusiasm towards the project were fantastic. It has been great working with Wendy and I am over the moon with Red Cherry Leisure's website."
"Wendy has made me an excellent website. She immediately saw what I wanted and quickly understood my business and what I was trying to get across on my site. I am not a wizard at computing but she patiently explained it all to me and now I can manage my site myself. Wendy arranged the whole thing very quickly and with great professionalism. Her understanding of search engine requirements and ways of being found on the net are brilliant and I can throughly recommend her."
"I would like to thank Wendy of Activ Web Design for setting up and launching my website. Nothing was a problem for Wendy, she took time to explain what she was doing and how she was getting the web site set up. Wendy picked the best images and sorted out the text. Best thing was I got a job from the website the first day we launched! I would have no hesitation in recommending Wendy to anyone wanting to set up a website."
"Throughout the duration of the development of the website Wendy was a constant and reliable support who put up with my crazy ideas and on more than one occasion steered me in the right direction. It is with the highest recommendation that I would recommend anyone to go to Wendy for their website. A truly amazing customer experience and I have a great website and 2 new lucrative clients since launch. Thank you - you are simply the Wend of Web Designs!"
"We required our old website to be redesigned and updated. I met Wendy while networking and she agreed to come to the offices for an informal chat. Wendy's belief in her product became evident very quickly and we instructed Activ Web Design to take this project forward for us. Wendy's input was invaluable, and she guided us all the way. Nothing seemed too large or small for her and her guidance and attention to detail never faltered.Now our website is live Wendy is still by our side supporting us"
"many thanks again for my website...great feedback from all those who have seen it. great job!! "


text:
Last updated: 04:15 PM ET, Wed March 09 2016
Ever Wanted To Zipline Over Live Crocodiles and Alligators?
Destination & Tourism	Donald Wood March 09, 2016
Photo courtesy of St. Augustine Alligator Farm Zoological Park
For travelers looking to add a little excitement to their vacation, the St. Augustine Alligator Farm Zoological Park in eastern Florida is now offering a zipline attraction that glides above live crocodiles and alligator exhibits.
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According to FoxNews.com, the Crocodile Crossing attraction at St. Augustine Alligator Farm Zoological Park consists of 11 different lines that cover a total of seven acres and actually fly right over areas filled with crocodiles and alligators.
READ MORE: 5 Thrilling Ziplines in the Caribbean
For visitors who want to use all 11 of the park's Crocodile Crossing ziplines—including the segments that cross over the crocodiles and alligators exhibits—it will cost a total of $67. For those looking to avoid a ride over deadly animals, a five-line route only costs $37.
While the Crocodile Crossing ziplines are the park's most popular attraction, the St. Augustine Alligator Farm Zoological Park has been a staple of Florida since 1893. Guests who visit the park can also view all 24 currently recognized species of crocodiles, which makes it the only facility in the world to house them all.
In addition to the crocodiles and alligators, the St. Augustine park also houses dozens of other species, educational events and shows about global conservation efforts.
For more information on Florida
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I fed my ongoing blanket obsession today after a visit to my local fabric shop (which, if you live in Bristol and you sew you should go to by the way, it's a gem). I picked up some of this gorgeous Kumari Gardens fabric by Dena Designs. I have previously used this for a patchwork quilt and love love love it.
I've been wanting to make a fleece baby blanket fo a while so I got some lovely soft fleece and put it to good use, all finished off lovely with a turquoise satin ribbon trim.
What do you think? I love it, I just need a baby now to wrap in it (I'll borrow one).
Posted in Crafts, Sewing and tagged baby blanket, dena designs, fleece blanket, kumari garden. Bookmark the permalink.


text:
Danger Days: The True Lives of the Fabulous Killjoys ist das vierte Studioalbum der amerikanischen Alternative-Rock-Band My Chemical Romance. Das Album wurde von Rob Cavallo produziert und durch Warner Music und Reprise Records am 19. November 2010 veröffentlicht. In den USA wurde das Album erst am 22. November 2010 von Reprise Records veröffentlicht.

Hintergrund
Nach längeren Tourneen nahm die Band 2009 bei Brendan O'Brien ein reduziert klingendes Album auf, welches zunächst nicht veröffentlicht wurde. Die drei Titel Bulletproof Heart, The Only Hope for Me Is You und Party Poison sowie die restlichen Songs wurden von Rob Cavallo neu aufgenommen. Die 2009er-Session wurde 2012 unter dem Namen Conventional Weapons als Singles-Box-Set veröffentlicht. 2013 erschien der Comic The True Lives of the Fabulous Killjoys, der die Geschichten des Albums fortsetzt.

Inhalt/Konzept

Das Konzept-Album handelt vom Leben der Fabulous Killjoys, einer Gruppe von Gesetzlosen, die in einem postapokalyptischen Kalifornien im Jahre 2019 gegen das böse Unternehmen Better Living Industries (BL / ind.) kämpfen. Die vier Mitglieder der Band treten dabei persönlich als die vier "Killjoys" auf: "Party Poison" (Gerard Way), "Jet Star" (Ray Toro), "Fun Ghoul" (Frank Iero), und "Kobra Kid" (Mikey Way), die auch in den Musikvideos der beiden Single-Auskopplungen Na Na Na und Sing zu sehen sind. Sie werden geleitet durch einen Radio-DJ namens Dr. Death Defying, der in Liedern wie Look Alive, Sunshine und Goodnite, Dr. Death in Erscheinung tritt.

Die beiden Musik-Videos zeigen neben den vier Fabulous Killjoys Dr. Death Defying, dessen Helfer "Show Pony" und ein Mädchen, das einfach "Little Girl" oder "The Girl" genannt wird. In Na Na Na sieht man das tägliche Leben der Killjoys, bis sie von einem Schergen der Better Living Industries namens Korse (Grant Morrison) besiegt werden, der anschließend das Mädchen entführt. In Sing retten die Killjoys das Mädchen, sterben jedoch alle bei einer Schießerei mit den "Draculoids" (sozusagen die Agenten/Soldaten von BL/ind mit vampirähnlichen Masken). Das Mädchen entkommt trotzdem und flieht anschließend mit Dr. Death Defying und anderen Verbündeten.

Versionen

Zusätzlich zu der Standard-CD Ausgabe, bot die Band auch die California 2019 Edition exklusiv über den hauseigenen Online-Shop an. Die Edition bietet die Standard-CD-Version des Albums sowie eine exklusive EP, The Mad Gear and Missile Kid, ein 48-seitiges Buch mit dem Titel Art is the Weapon, ein hölzernes Armband, eine Nachbildung von einer der vier Waffen, die die Killjoys besitzen und eine passende Maske. Es wurde ebenfalls eine iTunes Deluxe-Version mit dem Lied We Don't Need Another Song About California und dem Musikvideo zu Na Na Na veröffentlicht.

Songliste

Mitwirkende
My Chemical Romance
 Bob Bryar – Schlagzeug (angegeben, aber nicht beteiligt)
 Frank Iero – Rhythmusgitarre, Hintergrundgesang und Titelbild für "Danger Days"
 Ray Toro – Leadgitarre, Hintergrundgesang
 Gerard Way – Grundgesang
 Mikey Way – Bassgitarre, zusätzliche Vocals auf "Vampire Money"

Zusätzlich
 Rob Cavallo – Produzent, Soundeffekte auf "The kids from yesterday"
 Dorian Crozier – Schlagzeug auf "Bulletproof Heart"
 Airi Isoda als NewsAGoGo – zusätzliche Vocals auf "Party Poison"
 John Miceli – Schlagzeug auf den Tracks 6, 8–12, 16–17, Hintergrundgesang auf Track 9
 Steven Montano (Steve, Righ?) als Dr. Death Defying – Stimmen zu "Look Alive, Sunshine", "Na Na Na (Na Na Na Na Na Na Na Na Na)", "Jet-Star and the Kobra Kid/Traffic Report" and "Goodnight, Dr. Death"
 Jamie Muhoberac – Keyboards auf den Tracks 3, 6, 9, 11; Audiogestaltung
 Michael Pedicone – Schlagzeug auf den Tracks 2, 4–5, 13, 15
 Jonathan Rivera – zusätzlicher Gesang auf Track 9
 James Dewees – Keyboards auf den Tracks 1–2, 4–5, 7–8, 10, 12–15, Hintergrundgesang
 James Euringer (alias Little Jimmy Urin) – zusätzliche Vocals auf "Destroya"

Rezeption

Charts und Chartplatzierungen

Auszeichnungen für Musikverkäufe

Weblinks

Einzelnachweise

Album 2010
Album (Rock)
Konzeptalbum

redpajama_set_name: RedPajamaWikipedia


text:
Islamic finance body AAOIFI picks up pace with new standards
The Bahrain-based Accounting and Auditing Organisation for Islamic Financial Institutions (AAOIFI) has issued two new sharia standards, revised three others and said it will review at least five more in coming months.
The move appears to signal a more proactive approach by AAOIFI, which is one of the world's top standard-setting bodies for Islamic finance but has acted only gradually to address some of the industry's big issues and controversies in recent years.
Before its latest announcement, AAOIFI had issued only two of its 88 standards in the last three years, while other Islamic finance organisations have stepped up their activities as the industry expands around the globe.
AAOIFI may now be picking up the pace after it appointed a new secretary-general in September, Saudi Arabian national Hamed Hassan Merah.
After a meeting of its 20-member sharia board last week in Riyadh, AAOIFI said it had issued a standard for arboun (down payments) and another on conditional termination of contracts, following a public hearing held in October.
AAOIFI has also revised standards covering the conversion of conventional banks into Islamic ones, debt transfers (hawala) and murabaha - a common sharia-compliant sale contract.
In murabaha, an institution agrees to purchase merchandise from a counterparty, who promises to buy it back with an agreed mark-up at a later date. Murabaha contracts can take several forms, some of which may resemble interest-bearing loans, which has attracted criticism from some scholars and regulators.
AAOIFI did not publicly reveal details of its new and revised standards, so it was not immediately clear whether the murabaha change was minor or substantial.
The organisation is also developing a new standard on repurchase agreements, a key liquidity management tool to which most Islamic banks currently have limited access. It will review existing standards for several widely used contracts, including those on ijara, salam, istisna, musharaka and mudaraba.
As part of the review, it will seek industry feedback before its next sharia board meeting, to be held next March. AAOIFI will hold its annual conference, organised in partnership with the World Bank, on Nov. 17 and 18 this year.
Under its previous secretary-general, AAOIFI had said it would look to develop a new framework for disclosing financial data, while possibly revising standards for takaful (Islamic insurance), investment accounts and other products.
Established in 1990, AAOIFI issues guidelines that are followed wholly or in part by Islamic financial institutions around the world. AAOIFI standards have been used by or influenced regulation in jurisdictions including Bahrain, the Dubai International Financial Centre, Jordan, Lebanon, Malaysia, Pakistan, Qatar, and Saudi Arabia.
(Reuters / 11 November 2014)
Posted by Editor at Wednesday, November 12, 2014
Labels: AAOIFI, Islamic finance


These two boys were so excited to see a package had come for them tonight... Zac ran around the house screaming, "A PRESENT! A PRESENT!" Grammy & Grumpy picked this stuff out all by themselves and I'll tell you what- I was impressed. They couldn't have done better. Both boys immediately ignored the other boys' new toy and played with their own new thing... which NEVER happens (seriously, never).
I'm not sure if I've mentioned this week lately how much I adore Carden... so I'll do it again- I LOVE this school. They had their annual Easter Egg hunt and we let them borrow the Easter Bunny costume- and there was a whole group of kids who wanted to play the bunny... and the best part was that the kid who got to do it, Eric, is the tallest 8th grader- and the costume looked so funny on him. None of us could stop laughing- it was so adorable. And let me tell you, Eric did an awesome job... he played around the kids, danced, and waved his little paws off. So.proud.
Deacon is SO excited that Damien finally got around to putting up his bunk bed! And I never imagined it would look so great in his room... I did good :) I'm also proud to report that Deacon slept the entire night on the top bunk!!!- he was a bit concerned at first, but now LOVES it.
Zac is enjoying it too... little does he know that bottom bunk has his name on it when he's old enough to share a room with his Bubs!


This entry was posted on Wednesday, October 17th, 2012 at 8:27 pm and is filed under 'Culture', Cool Stuff, Movies, Politics, Religion, Science and Edumacation.	You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.


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The first 512GB microSD card arrives in February
Integral Memory's new storage is practically tailor-made for 4K.
Integral Memory
It didn't take long for someone to topple 2017's microSD storage record. The UK's Integral Memory has unveiled what it says it the first shipping 512GB microSD card. So long as your device can handle microSDXC (most Android phones and tablets, as well as PCs like the Surface Pro), you too can have half a terabyte in the space of a fingernail. The card's 80MB/s peak transfer speed isn't the fastest you'll find, but it should be enough for apps and recording gobs of 4K video.
The card arrives in February, although it's not clear how much it will cost or how readily available it will be outside of the UK. Don't expect it to be cheap, though -- the 400GB card still carries a premium (around $250 on Amazon), and it's virtually certain that 512GB will cost more. This is more about bragging rights, both for Integral Memory and for well-heeled techies who want the kind of capacity normally reserved for laptops.
In this article: gear, integralmemory, memorycard, microsd, microsdxc, mobile, storage


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12 Years a Slave is hard to watch, and worth it
by PIERS MARCHANT SPECIAL TO THE DEMOCRAT-GAZETTE | November 8, 2013 at 2:29 a.m.
Edwin Epps (Michael Fassbender) is a cruel planter who enslaves Solomon Northup (Chiwetel Ejiofor) in Steve McQueen's brutal adaptation of Northrup's memoir 12 Years a Slave.
Even by the impossibly cruel and sadistic standards of American slavery, the story of Solomon Northup, an accomplished musician and intellectual free man living in upstate New York with his family before being kidnapped in Washington and sold into slavery down in Louisiana, is crushingly upsetting. That Solomon was far more articulate and cultured than his barbaric owners only adds to the horror of the story.
Solomon Northup (Chiwetel Ejiofor) in Steve McQueen's brutal adaptation of Northrup's memoir 12 Years a Slave.
Add to that the well-earned reputation of director Steve McQueen (Hunger, Shame) as an uncompromising and daring filmmaker, willing to take an unblinking look at the horror human beings can inflict upon one another, and you can see why this film more than any other galvanized the large body of critics and industry folks at this year's Toronto International Film Festival.
The early word was the film was difficult and unsettling to watch, but also a masterpiece that had to be witnessed. So I went to a later screening of the film having steeled myself for the worst possible outcome. As much as film critics' delicate sensitivities might seem to have been jaded by repetition, there always exists the risk that a truly gifted filmmaker can hit you with something indelible and merciless whose image you will never be able to fully erase from your consciousness (to take one example, don't screen Gaspar Noe's Irreversible unless you plan on seeing poor Monica Bellucci suffering in your nightmares).
I'm relieved to report, therefore, that, while McQueen maintains his relentlessly disciplined focus, which results in several thoroughly upsetting moments and one scene near the end from which you will almost certainly want to avert your eyes, there is also a tremendous amount of emotional warmth to his vision. Of course, the film's title, taken from Solomon's sterling account of his years in forced servitude, also suggests a finite endpoint: a far happier ending than the vast majority of his suffering brethren.
As we meet him, Solomon (Chiwetel Ejiofor) is a much-beloved public figure in Saratoga Springs, where he lives in comfort and luxury with his wife, Anne (Kelsey Scott), and two young children, working as a renowned violinist. When Anne goes away for a family visit for a month, taking both children with her, Solomon gets an offer from two visitors to join a high-end, traveling circus production for a couple of weeks that would pay him handsomely for his music while on the road.
They go down to Washington, ostensibly to organize the rest of the production, and take Solomon out for a night on the town, plying him with fine food and drugged wine. When he awakens the next morning, it's in shackles and he's being smuggled out of the free North down to the slave-owning South. There, he ends up being sold by a rich slave-dealer (Paul Giamatti) to Mr. Ford (Benedict Cumberbatch), who puts him to work on his plantation, despite Solomon's continued insistence that he's a free and educated man.
Thus begins his horrific journey - from the slightly more enlightened Ford, who defends Solomon after he finally breaks down and whips up on Tibeats (Paul Dano), a particularly odious taskmaster; eventually to the demented Edwin Epps (Michael Fassbender), a plantation owner thoroughly obsessed with one of his female slaves, Patsey (Lupita Nyong'o); to the fury of his wife (Sarah Paulson), who abhors the girl as a result. Epps is a sadist and an egomaniac, given to waking his poor, bedraggled slaves in the middle of the night and bringing them into his mansion to dance for him, getting peeved if they aren't showing the requisite glee ("Where's the merriment?!"). He also insists on making Solomon complicit in his tortured affection for Patsey, with truly devastating results.
It is there, many years into his forced captivity, when Solomon finally happens to meet a white man willing to listen to his story. Bass (Brad Pitt), a Canadian day laborer with strong humanistic principles, takes in Solomon's tale of horror and finally does something to help him escape, but not before the manic Epps forces Solomon further into his vicious game with Patsey.
First and foremost, we are surely watching one of the transcendent performances of the year in Ejiofor's sensitive, moving portrayal of the miserably oppressed Solomon. After the kidnapping, the character is almost cursed with his intelligence, able to see clearly in a situation so dire and incomprehensibly deranged, logic folds back onto itself and is nearly as much a burden as the chains and shackles on his feet. Ejiofor finds an exquisite balance of, dignified intelligence and base survival instinct.
The other supporting players all do yeoman work, especially Fassbender, who creates the most terrifying kind of monster, one whose twisted impulses and rages we can almost recognize; and Nyong'o, whose miserable character suffers almost ceaselessly at the hands of her besotted master.
Belying the savagery within its frame, McQueen and cinematographer Sean Bobbitt have created a stunningly gorgeous film that entices you with its exquisite visual acuity even as it repels you with its heinous subject matter - never more so than in an almost unendurable single long shot in which Solomon is strung up and left to be lynched, having to stand on his toes to keep from hanging, even as the rest of his fellow slaves go about their day all around him.
Once the film's strong tactile imagery takes hold of you, it's impossible to escape around the edges. McQueen has you breathing in the same soot and smoke and misery as the slaves stuck in their hovels. By the time the harrowing third act begins, Solomon's shining, indomitable integrity becomes the audience's only guide light through this unspeakable darkness. Never has a man more deserved a positive outcome. But even as he's finally freed our relief is sorely tempered: We remain all too acutely aware of Patsey and the other tortured souls he's forced to leave behind.
91 Cast: Chiwetel Ejiofor, Michael Fassbender, Lupita Nyong'o, Brad Pitt, Sarah Paulson, Benedict Cumberbatch, Paul Dano, Paul Giamatti, Kelsey Scott, Alfre Woodard Director: Steve McQueen Rating: R, for violence/ cruelty, nudity and brief sexuality Running time: 134 minutes
MovieStyle, Pages 37 on 11/08/2013
Print Headline: Brutal/12 Years a Slave is hard to watch, and worth it


Maria Caulfield, the Member of Parliament for Lewes, has given her backing to the recently unveiled Emergency Care Improvement Programme which sees Brighton and Sussex University Hospitals NHS Trust (which serves parts of the Lewes constituency) and the wider health and social care system receive additional support.
The support will have a particular focus on improving the urgent and emergency care system performance across the winter months. The support began in September.
As Brighton and Sussex University Hospitals NHS Trust has been challenged in meeting its emergency care 4 hour waiting time standard, the local system will receive tailored support via ECIP to address this. ECIP will be clinically led and will offer practical support to improve patient flow through the urgent and emergency care system and will ensure patients quickly and safely return to their permanent place of residence, with any necessary support they require.
The ECIP programme is being facilitated by Monitor, NHS Trust Development Authority, NHS England and the Department of Health.