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GI Dynamics Announces Change to Board of Directors
2017年06月02日 AM07:41
BOSTON & SYDNEY
GI Dynamics®, Inc. (ASX:GID), a medical device company that has developed an innovative device to improve outcomes for patients diagnosed with type 2 diabetes and obesity, announces today that the board of directors has received the resignation of GI Dynamics non-executive director Mike Carusi of Advanced Technology Ventures (ATV) and Lightstone Ventures (LSV).
"Mike has served on the board of GI Dynamics since 2004, and we thank him for his significant contributions and many years of service," said Dan Moore, chairman of the board.
"After more than a decade serving as a director, and in light of my other numerous commitments with ATV and LSV, I have decided to step down from the board of GI Dynamics," said Carusi. "I wish the team future success as the company advances to the next chapter. I remain optimistic about the potential for EndoBarrier® as an important treatment option for patients with type 2 diabetes and obesity."
About GI Dynamics
GI Dynamics, Inc. (ASX:GID), is the developer of EndoBarrier, the first endoscopically-delivered device therapy approved for the treatment of type 2 diabetes and obesity. EndoBarrier is not approved for sale in the United States and is limited by federal law to investigational use only in the United States. Founded in 2003, GI Dynamics is headquartered in Boston, Massachusetts. For more information, please visit www.gidynamics.com.
This announcement contains forward-looking statements concerning the potential for EndoBarrier as an important treatment option for patients with type 2 diabetes and obesity. These forward-looking statements are based on GI Dynamics management's current estimates and expectations of future events as of the date of this announcement. Furthermore, the estimates are subject to several risks and uncertainties that could cause actual results to differ materially and adversely from those indicated in or implied by such forward-looking statements. These risks and uncertainties include but are not limited to, risks associated with obtaining funding from third parties; the consequences of stopping the ENDO trial and the possibility that future clinical trials will not be successful or confirm earlier results; the timing and costs of clinical trials; the timing of regulatory submissions; the timing, receipt and maintenance of regulatory approvals; the timing and amount of other expenses; the timing and extent of third-party reimbursement; risks associated with commercial product sales, including product performance, competition, market acceptance of products, intellectual-property risk; risks related to excess inventory; and risks related to assumptions regarding the size of the available market, the benefits of our products, product pricing, timing of product launches, future financial results and other factors, including those described in our filings with the U.S. Securities and Exchange Commission. Given these uncertainties, one should not place undue reliance on these forward-looking statements. We do not assume any obligation to publicly update or revise any forward-looking statements, whether as a result of new information or future events or otherwise, unless we are required to do so by law.
GI Dynamics, Inc.
Shields, +1-781-357-3280
investor@gidynamics.com
Nicole Franklin, +1-617-657-1312
nfranklin@jpa.com
TimeLine: GI Dynamics Announces Change to Board
硕迪增强董事会实力,任命Daniel G. Welch为董事长


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Kranenburg is een dorpje in de gemeente Bronckhorst aan de weg tussen Vorden en Ruurlo in de Nederlandse provincie Gelderland. Kranenburg behoort tot de Achterhoek en telt ruim 200 inwoners.

Geschiedenis
Tot in de late middeleeuwen was dit deel van de Achterhoek een drassig gebied. Men zocht de hoger gelegen droge delen op om zich te vestigen. Deze nederzettingen werden vaak genoemd naar diersoorten die op deze 'bergen' voorkwamen. Op een heuvel iets ten zuiden van het huidige Kranenburg broedden kraanvogels. Om die reden werd de boerderij die hier gesticht werd dan ook 'De Kranenbarg' genoemd werd ('barg' is Nedersaksisch voor 'berg').

De Kranenberg kent een godsdienstige geschiedenis. Na de Reformatie was het katholieke geloof niet zo vanzelfsprekend meer. Op veel plekken was het verboden of werd het hooguit gedoogd. In de Achterhoek genoten de katholieken echter veel bescherming van de adel. Op Kasteel Medler bevond zich dan ook een kapel, veilig binnen de kasteelmuren. De pater, Henricus Spirinx, woonde zelfs op het kasteel. Dit veranderde toen Rudolf van Dorth zijn vader (de kasteelheer Hendrik van Dorth) opvolgde. Rudolf verbood Spirinx in 1716 nog langer op het kasteel te wonen. Toen was het ene Herman Franckenmeulen die de pater onderdak bood, op de Kranenberg.

Er verrees een pastorie, maar de godsdienst werd nog gehouden in de kapel op het Medler. Deze situatie duurde tot 1719. Toen bevalen de Staten van Gelderland Spirinx definitief te vertrekken. Herman Franckenmeulen blijkt echter een vrijgevig man: hij bouwt op eigen kosten een schuurkerk naast de bestaande pastorie. Dit is op zijn minst opmerkelijk, aangezien Franckenmeulen waarschijnlijk tot het Nederduits Gereformeerde geloof behoorde. Er staan dan inmiddels verschillende gebouwen op de Kranenberg: de gelijknamige boerderij, een boerderij met de naam "Bergkappe" en de kerk. De pastorie is waarschijnlijk tegen de Kranenberg aan gebouwd.

Met de Bataafse Republiek in 1795 kwam er vrijheid van godsdienst. Het werd voor de katholieken makkelijker om een volwaardige kerk te bouwen. Dit gebeurde in 1834. De Sint-Antoniuskerk verrijst aan de weg van Zutphen naar Winterswijk op de St. Anthoniskamp. Om de kerk en begraafplaats heeft zich het huidige dorp Kranenburg gevormd. Al snel bleek de kerk te klein. In 1856 werd daarom een nieuwe kerk gebouwd, ditmaal ontworpen door de bekende architect Pierre Cuypers.

Bezienswaardigheden
De Antoniuskerk door Pierre Cuypers is een fraai architectonisch bouwwerk. In de kerk is tegenwoordig het Heiligenbeeldenmuseum gevestigd.

Zie ook
 Lijst van rijksmonumenten in Kranenburg

Externe links
 Informatie over het ontstaan van Kranenburg
 Heiligenbeeldenmuseum

Geografie van Bronckhorst
Plaats in Gelderland

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Regent Theatre
12 Union Street,
1 person favorited this theater
View larger map →
Passaic County Historical Society -- The Birth and Early Development of the Motion Picture
Previously operated by: Fabian Theaters, Warner Bros. Circuit Management Corp.
Architects: Fred Wesley Wentworth
Nearby Theaters
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Bow-Tie Warner Theater
Plaza Theater
The first theatre in the county built exclusively for showing motion pictures was the Regent Theatre. This beautiful, modern amusement house was conceived and erected by Jacob Fabian of Paterson who officially opened it to the public on August 24, 1914. Believing that its huge cost would prove to be a great liability to Mr. Fabian, it was frequently referred to as "Fabian's Folly" during the early days of its existence.
By 1941 it was operated by Warner Bros. Circuit Management Corp.
Contributed by tc
Get Movie Tickets & Showtimes
Recent comments (view all 11 comments)
teecee on July 5, 2005 at 4:57 am
A Wurlitzer organ, opus 1304, was installed in this theater on 3/27/1926.
teecee on March 2, 2006 at 7:23 am
Listed as part of Stanley Warner Corp. in the 1956 Film Daily Yearbook.
teecee on April 6, 2007 at 11:39 am
Images of America: Downtown Paterson has a photo on page 62. It states that the site is now a parking lot.
teecee on January 20, 2008 at 2:58 pm
1915 program cover:
Ret. AKC (NAC) CCC Bob Jensen, Manteno, Illinois on March 10, 2008 at 10:11 am
A Mighty WurliTzer Theater Pipe Organ, Opus 40, a 2 Manual/7 Rank was shipped to this theater on July 10, 1914. It is no know what happened to that organ.
A Griffith-Beach Pipe Organ 3 Manual, with echo. went to this theater in 1923. It is not know what happened to that organ.
Another WurliTzer, Opus 1304, another 2/7 was shipped to this theater on March 27, 1926. It is not know what happened to that organ.
If you know anything about any of these organs, please email us!
"Gee Dad, it was a WurliTzer/Griffith-Beach/WurliTzer!"
Brad Smith on April 24, 2010 at 1:19 pm
Click here for a photograph of the Regent Theatre taken in 1929 by George Mann of the comedy dance team, Barto & Mann.
Joe Vogel on June 22, 2012 at 5:23 pm
The Union Street on which the Regent Theatre was located had its name changed to Veterans Place ages ago. Google Maps will not find this downtown location unless the street name Veterans Place is used in the address field.
Paterson, by Philip M. Read, attributes the design of the Regent Theatre to architect Fred W. Wentworth, who later designed several more theaters for Jacob Fabian.
LugosiResearch on December 29, 2012 at 8:15 pm
On Friday 9 February 1951, Bela "Dracula" Lugosi presented his in person Horror and Magic Stage show at the Regent. Currently I am conducting research on all things Lugosi; if anyone out there actually saw this show and/or has memorabilia (poster, handbill, photos) related to this show, please contact Bill at Thanks in advance for any assistance!
rivest266 on March 1, 2019 at 5:35 pm
This opened on August 24th, 1914 Regent theatre opening Thu, Aug 20, 1914 – 12 · The News (Paterson, New Jersey, United States of America) · Newspapers.com
Want to be emailed when a new comment is posted about this theater?
Just login to your account and subscribe to this theater.

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Event is $20. Dinner is provided Sunday night. Lunch/Snack/Gear money for Monday is advised. Payment can be delivered with Student on Sunday if need be.
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New Warsaw Memorial to Honor Poles Who Saved Jews During Holocaust
Monument, which will be erected on the location of the Warsaw Ghetto, will be financed entirely by Jews in Israel and other countries.
In this 1943 photo, a group of Polish Jews is led away for deportation by German SS soldiers during the destruction of the Warsaw Ghetto by German troops after an uprising in the Jewish quarter.AP
Yad Vashem turning from gathering testimonies to collecting artifacts
This Day in Jewish History / The Nazis tell Warsaw's Jews they'll be imprisoned in the ghetto
Organizers have announced a design competition for a memorial in Warsaw to Poles who saved Jews during World War II.
Polish-born Holocaust survivor and philanthropist Sigmund Rolat, of the Remembrance and Future Foundation, announced the competition at a news conference in Warsaw on Monday.
Rolat said the designs would be judged by an international jury and the winner will be announced in April. The memorial is scheduled to be dedicated in the fall of 2015.
Rolat said the project would be financed entirely by Jews in Israel and other countries. This memorial will be an expression of gratitude, not of the [Polish] government or the city [of Warsaw], but of those Jews who were saved, he said, according to Polish Radio.
More than 6,000 Poles have been named Righteous Among Nations by the Yad Vashem Holocaust memorial in Israel.
The monument is to be located on the site of the Warsaw Ghetto, near the new Museum of the History of Polish Jews, whose grand opening will take place October 28. Plans for the monument were originally announced a year ago.
The Warsaw City Council in March approved plans and appropriated funding for a second monument to Polish Righteous, this one in the shape of a giant winding ribbon inscribed with the names of Poles who saved Jews, to be located next to the All Saints Church on Grzybowski Square, not far from the Nozyk synagogue.
The Hall of Names at the Yad Vashem Holocaust museum in Jerusalem, which awards the Righteous Among the Nations medal to gentiles who saved Jews from the Nazis during World War II.AP
Europe Jews


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Date of Birth 13 August 1959, Philadelphia, Pennsylvania, USA
Birth Name Dante Daniel Bonaduce Height 5' 4" (1.63 m)
Spouse Amy Railsback (engaged 2009) Gretchen Bonaduce (6 December 1990 - 5 November 2008) (divorced) 2 children Setsuko Hattori (1985 - 1988) (divorced - no kids)
Trade Marks Red hair Deep, raspy voice.
Trivia Son of Joseph Bonaduce and Betty Bonaduce. Went to high school with Michael Jackson and Gary Brown. Has stated that he and his wife, Gretchen Bonaduce, met on a blind date, and they were married that same day. However, in interviews he has mentioned Nov. 4, 1990 as the wedding date while divorce papers list Dec. 6, 1990 as the date.
Kids Son, Dante, born 14 February 2001. He and wife Gretchen were featured on The Learning Channel's "A Baby Story" (1998) during Gretchen's pregnancy and the birth of their son, Dante.
Daughter is named Countess Isabella Michaela Bonaduce. Son is named Count Dante Jean-Michel Valentino Bonaduce. Co-hosted the "Jamie and Danny Show" in the mornings in Los Angeles on 98.7 Star FM. [1999-2005] During auditions for "The Partridge Family" (1970) there where two different Partridge families. Danny was in the family that did not get hired. Best known these days as a motor-mouthed radio deejay.
Author of Random Acts of Badness, an autobiography detailing his fall into and recovery from drug addiction. Danny's fame as a Partridge led to jealousies at home, making an already-bad family situation worse. To get him away from that atmosphere, TV mom Shirley Jones and the other adults from the cast had Danny stay with them some weekends. Jones had children around Danny's age, so he fit in at her house. Susan Dey and David Cassidy treated him like a kid brother, while Dave Madden was like a bachelor father or bad uncle, teaching Danny to play cards, drive a car... and smoke.
Has studied martial arts under Chuck Norris for over 20 years. Appeared in 8 episodes of "CHiPs" (1977) as a martial artist. Holds black belts in the following martial arts: Okinawan Chinan Ryu; Tae Kwon Do; Tokyo-Ryu; Shorin Ryu. He won the 1980 and 1981 International Championships.
Ranked #10 in VH1's list of the "100 Greatest Kid Stars"
In 1996, he was a DJ on two radio stations in two different cities at the same time. Five days a week, he would do the "Danny Bonaduce and the Q-Crew" morning show on WKQI in Detroit, then would fly to Chicago to do the afternoon drive show on WLUP there.
Said that he was so broke in the early 1980s that he lived out of his car near a dumpster. He would pose for pictures with fans during the day and sleep in his car at night.
Has said that he did not start drinking alcohol until after he kicked his cocaine habit in the early 1990s.
Studied American Tang Soo Do under Chuck Norris black belt student Bob Burbidge. Bob Burbige got his black belt and trained under Pat Johnson, Chuck Norris' number one instructor and action/stunt director of all the Karate Kids, Ninja Turtles, Mortal Kombats, and more. Has an older brother and sister.
Most child actors were lucky enough to get the part in the first place. They cry and complain that now they are no longer little and cute Hollywood has no use for them. What we often fail to appreciate is that being little and cute may have been their only skill. Now that we are not so little anymore, and certainly not cute, some of us may have to face reality, stop whining, and get real jobs.
When I was living on the street I would be standing out in front of Grauman's Chinese Theater, leaning against my car and signing autographs and nobody had any idea that I was living in it. No one had any idea that I was going to pull my car around the corner and go to sleep. Being a child star is great. It's being a former child star that sucks.
There's nothing like turning on the radio and listening to the high-speed chase that you're leading police on!
Gretchen was my light at the end of a long tunnel of pain and struggle. She made sure I got my act together and life has been so much better since she has been in it.
(2001) Release of his autobiography, "Random Acts of Badness: My Story". Was a New York Times bestseller in 2002.


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As one of the nicest people to ever don an Isotopes uniform, Repko's latest celebration is definitely one worth celebrating, even here in Albuquerque.
But that's not the only Isotopes connection in last night's division-clinching win. In fact, the very field on which the Twins celebrated was partially the handiwork of former 'Topes Head Groundskeeper Jarad Alley, who is wrapping up his first season as Assistant Groundskeeper at spectacular Target Field.
Congrats to Jason and Jarad and go get 'em in the playoffs!
Jason Repko certainly seems to be a lucky ?talisman? to have around as he seems to be taking the winning streak wherever he goes!! The Minnesota Twins must have been thrilled to be the first team to reach the Major League post season and with the former ?Topes Head Ground keeper Jarad Alley being a part of their win, it is reason enough for a celebration!!


We have re-organised the reading books throughout the school.
All the reading books have been organised into book bands, each one with a different colour.
When children are at the earliest level of reading they start on light pink band. The books get progressively harder. Light pink being for early readers and lime being the most challenging level.
Books from across all the reading schemes have been put together, so children have a larger choice of books, all of which are suitable for their ability. They can choose factual non-fiction books as well as story books. Don't worry, they can still choose the Biff, Chip and Kipper Oxford Reading Tree books if they wish. However there are other books to choose from that children can bring home to read. Children can choose from these schemes: Project X books, Oxford Reading Tree books, Read Write Inc home readers and Floppy's phonics books.
When reading with your child please look at the coloured sticker on the book, not the original printed level number. Your child will be on a colour level e.g they might be purple level or they might be red level.
Here at Sherbrook Primary School we have taken the very important decision to adopt the 'Read Write Inc' Phonics programme designed by Ruth Miskin. We are dedicated to ensuring that each and every one of our children learns to read with accuracy and confidence. We believe that the Read Write Inc programme will allow us to do this, as well as allowing us to support you in fostering a love of reading in your child that will last a lifetime.
At the core of the programme is the lively and vigorous teaching of synthetic phonics. Children learn the 44 common sounds in the English language and how to sound-blend words for reading (decoding) at the same time as developing handwriting skills and spelling (encoding). As their confidence in decoding develops they are taught to comprehend and compose ideas for their own writing.
A frog called 'Fred' helps children to learn to read as part of the Read Write Inc program. The children love Fred!


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Q: 3D Rendering in C# WPF and Anti-Aliasing Hello sorry for my bad English!
I created lines in a Viewport3D. Those lines are represented by parallelipipeds.
Problem: When I create multiple lines with the same caracteristics (width/height/depht), some are wider than the others.
Solution: I use Anti-Aliasing by setting the attached property of the
viewport3D => RenderOptions.SetEdgeMode(myViewport, EdgeMode.Unspecified);

The lines are now exactly the same. To find out the above solution, first I :

*

*Checked if the lines had really the same caracteristics (in case I made  mistakes in my programmation).
Result: The lines had exactly the same caracteristics (except they have differents coordinates).

*Checked if it was because I represent one line with one parallelipiped. I supposed that if the parallelipiped was slightly rotated, then the width of the line projected could change.
So: I change parallelipiped for cylinder => the projection of a cylinder, regardless to the rotation of this one, always have the same width. But even with cylinders, some lines were wider than the others.
I realised that it wasn't my programmation the problem, but the rendering. And I found that I could change the rendering with the attached property EdgeMode.
When I set the EdgeMode to Unspecified (= Anti-Aliasing enabled) then all lines were perfectly rendered, they all have the same width. But if I set back EdgeMode to Aliased (= Anti-Aliasing disabled) then the problem was there.
My question is: Why do I have this problem? Can I do something else instead of changing the EdgeMode?
Thank you for any help.

redpajama_set_name: RedPajamaStackExchange


text:
Deux-Sèvres [] ist das französische Département mit der Ordnungsnummer 79. Es liegt im Westen des Landes in der Region Nouvelle-Aquitaine und ist nach den beiden Flüssen Sèvre Niortaise und Sèvre Nantaise benannt.

Geographie
Das Département Deux-Sèvres grenzt im Norden an das Département Maine-et-Loire, im Osten an das Département Vienne, im Süden an die Départements Charente und Charente-Maritime sowie im Westen an das Département Vendée.

Die wichtigsten Flüsse im nördlichen Teil des Départements sind die Sèvre Nantaise und der Thouet, beide linke Nebenflüsse der Loire, die das Département in nordwestlicher bzw. nordöstlicher Richtung verlassen. Den südlichen Teil des Départements entwässert die Sèvre Niortaise in Richtung Westen.

Geschichte
Zur Vorgeschichte siehe: Tumulus C von Péré.

Das Département wurde am 4. März 1790 aus einem Teil der Provinz Poitou gebildet. Es gehörte von 1960 bis 2015 der Region Poitou-Charentes an, die 2016 in der Region Nouvelle Aquitaine aufging.

Wappen
Beschreibung: In Rot fünf (2;1;2) gemauerte goldene Zinnentürme mit goldenen Torbogen, die durch zwei weiße Wellenbalken getrennt sind.

Städte
Die bevölkerungsreichsten Gemeinden des Départements Deux-Sèvres sind:

Verwaltungsgliederung

Das Département Deux-Sèvres gliedert sich in 3 Arrondissements, 17 Kantone und 256 Gemeinden:

Siehe auch:
 Liste der Gemeinden im Département Deux-Sèvres
 Liste der Kantone im Département Deux-Sèvres
 Liste der Gemeindeverbände im Département Deux-Sèvres

Weblinks

 Département Deux-Sèvres (französisch)
 Präfektur des Départements Deux-Sèvres (französisch)

Einzelnachweise

Deuxsevres
Deuxsevres
Gegründet 1790


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The Block NZ for 2018 promises to be another season of highs and lows, but at the end of it all - some spectacular homes will emerge.
As we look back at our involvement with the show from the very first season through to today, we see 'The Block NZ' TV show has been a fantastic catalyst to showcase many of our new and innovative products over the past 6 years.
In season one we showcased a number of products that provided inspiration on what could be done to really open up your home. These included raking windows to allow in more overhead light and Foldback® Bifolds to create unobstructed views and access. But the star of the show was the five metre wide over-wall Eurostacker®. Although this product came with a fair few technical challenges i.e. needing a specially engineered angle to support the nearly half a tonne door unit or rebated floors so the Eurostacker® could sit flush with the internal floor. Technical challenges aside the end result was a social space that truly blurred the lines between the indoors and outdoors.
The star of the show was the five metre wide over-wall Eurostacker®.
Season two was a big step up from season one. The houses got bigger spanning two storeys and the joinery expectations were more ambitious. Season two saw a few clever uses of windows and doors. Feature products included; a five panel bifold window that abutted the kitchen bench creating a seamless servery for entertaining, a structurally glazed coloured glass sliding front door and an impressive corner Eurostacker®.
After a couple of season's under our belt you'd think there'd be a knack to dealing with 'The Block', but as we quickly learnt, there really isn't - every season brought around its own unique circumstances. Whether they were particular product requirements or logistics; from the number of deliveries required or site access. Season three took place with a local daycare on the adjacent street so delivery times were restricted.
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The Pacific Thermal Suite has the option of having different coloured frames inside and out.
Season four brought out a new sort of challenge as the villa homes were all circa 1920 to 1940, so consideration to the heritage aesthetic was critical. Throughout the home much of the timber joinery was restored, but 21st century aspects where living configurations and performance capabilities were required our new modern windows and doors were used.
Bifold doors were the feature of the show as they appeared on three of the four homes and fit in nicely with the villa aesthetic. A warm white pearl powdercoat colour was used on Atlantic High Performance bifolds, which had a more solid look in keeping with timber. They were also capable of meeting the height and width required from the large openings specified.
The final result was a respectful tribute to the essence of the villa that didn't detract or overshadow its characteristics but rather complement it through a robust look with clean lines.
Season five was an exciting year for us as we were able to showcase our most revolutionary product yet - Smartfit®. The windows and doors arrived on site in cassette form with built in head flashings, cavity closers, end dams and sill support bars. And with its unique face fixing fin removed much of the regular hassle associated with a conventional install. The Smartfit® window installation was so easy even the contestants installed some of them.
Season five took five dilapidated town houses circa 1980, all marred with the leaky building syndrome and in some serious need of a bit of TLC and turned them into modern energy efficient homes. They achieved high Homestar ratings of either 6 or 7 (a quality assurance mark certifying a homes' health, efficiency and sustainability), and are warm and dry, and easy to heat in winter and cool in summer, thanks in part to the low-E, argon filled, double glazed units.
The Smartfit® window installation was so easy even the contestants installed some of them.
Season six had a real mixture of products from large curtain wall flushglaze windows to easy to install Smartfit® windows and doors. The highlight would have to have been the Atlantic High Performance cavity stackers with a LevelStep® sill. But what made this project so unique was that all the products from residential through to commercial seamlessly blended together amplifying the cohesive and consistent aesthetic.
So what's in store for season seven... well you'll have to watch season six of The Block NZ: 'On Point' to find out.
How do you choose the right windows when building your own home? There are many factors that come into this decision, all as important as each other. In this article, we discuss the basics of air flow, light, warmth and visual aesthetic, and how to know what you need in each category.


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Q: Как сделать кнопку "Сделать стартовой" средствами html или javascript? Как сделать кнопку "Сделать стартовой" средствами html или javascript?
A: Делаем файлик bookmark.js
function add_favorite(a){title="Заголок";url="http://www.site.ru";try{window.external.AddFavorite(url,title)}catch(e){try{window.sidebar.addPanel(title,url,"")}catch(e){if(typeof(opera)=="object"){a.rel="sidebar";a.title=title;a.url=url;return true}else{alert('Нажмите Ctrl-D чтобы добавить страницу в закладки')}}}return false}

подключаем к странице в секцию

делаем ссылку

Кроссбраузерное решение.
A: Сделать стартовой

Но насколько мне известно это работает только в IE. Для остальных браузеров к сожалению пока не видел ни одного решения.


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Are the Eggs on LV-426 Still There?
chli
As we all know, at the end of Aliens the atmosphere processor and Hadley's Hope are blown up. But what about the site where the juggernaut and the space jockey are? And what about the eggs?
The colonists at Hadley's Hope have not encountered any problems until Newt's parents get the coordinates (from Burke) to investigate a site. This site is far away from the colony. It takes the family some time to get there with their vehicle.
The climate on LV-426 is terrible. It's cold ("well below zero"). There are poisonous fumes and no oxygen. The inside of the juggernaut is open to the climate outside. However, the eggs are situated far below ground level ("a cave or something"). It's warm ("like the goddam tropics"). And the eggs are protected by "a layer of mist".
The atmosphere processor is run by something "like a nuclear reactor". When it explodes it obliterates Hadley's Hope. But what about the alien site (which is far away and the eggs are well protected)?
What are your thoughts? Are the eggs still there? Still waiting . . .
191 Responses to Are the Eggs on LV-426 Still There?
Apr-28-2019 11:55 PM
It seems reasonable, BIgDave, that once the hosts (and food?) are gone the adult xenomorphs die out and only the eggs are left, waiting . . . A juggernaut/derelict type ship could then travel there and collect eggs. This would of course be dangerous which we can see from the Space Jockey on LV-426 . . .
It also seems reasonable that the spores on Planet 4 evolved from black goo spilt from the crashed juggernaut and spread via the brook. I would also say that it seems likely that the whole Planet 4 is bereft of fauna since the chain reaction of spore infected life seems devastating. When the crew of the Covenant arrive, it's a dead planet. However, they are themselves contributing with new hosts (and food?) . . .
I think when looking at Planet 4 we can maybe ask WOULD that Bombardment had taken out the Entire Planet?
From David's notes and Experiments he had discovered various Organic Life in which he conducted Experiments on and used Traits of to Perfect his Creation.
There was NO signs of Life in the Vicinity of where the Covenant Ship had landed, but we cant Rule-Out any Life say 50 Miles, 100 or 500 Miles away..
We dont know what the Half-Life of the Black Goo is, we could assume from Prometheus that all Native Life would either break down into nothing, or become Hybrids with Xenomorph like Traits. But we DONT see that in Alien Covenant, apart from the Spores/Neomorph which appear to be located around the Stream/Brook that runs down the Mountain Range.
I would say Planet 4 has NO effects remaining and LIFE could survive on Planet 4 as long as it does-not encounter the Spores or those Eggs.
IF a Organism was alive, lets say for instance one of the Neomorphs (but seems the other was killed in the Wheat Field) then the Bodies of the Fallen Crew of the Covenant could provide a Food Source.
It would be interesting to see how AWARE the Engineers when they return are to Davids Eggs or indeed worse for them the SPORES... or any Human Mission that would be sent out to Planet 4 for that matter.
Does a Neomorph Procreate? and HOW? thats something interesting to Ponder.
Regarding Planet 4 we also have to ask for such a Large World then WHY did it appear all the Engineers were based in ONE City? The Answer to that could be as Simple as PARADISE... aka Garden of Eden. A Place where the Cradle of Creation came from, a Place were in Biblical Context Adam and Eve were contained within the Confines of the Garden in Paradise.
So its likely those Engineers by Choice/Due to their Religion/Culture are Confined to Living in this ONE location or by the Orders of whoever is above the Engineers in the Hierarchy. Paradise is also a place that only a selected few are deemed Worthy to Dwell, i have more on this but it would be completely off Topic and give insight into the Engineers in context to Creators and Gardeners of Space and NOT purely beings who Create Horrific Bio-Weapons.
Here is a Snippet
@BigDave,
Sometimes, in order to create, one must first destroy. This was the Engineer's motivation as told to us by David. I'm sure the goo would easily rub out all fauna on a planet. As we know, it is fiendishly clever.
And I suppose the Neomorphs could procreate. Why not? It all adds to the crushing devastation of a planet's native life.
But... the Engineers are creators at the end of the day and they would surely have a means of making a sterilised planet safe again at some point. Goo means death and destruction. What comes afterwards is part of the Engineers' grand plan for "creation". I don't believe this is the same thing as David's idea of creation. He's just a twisted amoral robot who hates his creators.
Wouldn't it be nice to know exactly what the Engineers had in mind for the long term prospects for Earth?
Regarding the relatively small number of Engineers on Planet 4, perhaps this is just one world of very many that they inhabit. We humans haven't learned yet that trashing our world and reproducing like ants is a super bad idea. An ancient race like the Engineers would likely see great merit in keeping the numbers down in paradise.
There are obvious parallels with Engineer society and religious cults and ceremonies. When you know all there is to know scientifically, it might be the done thing to live a spiritual existence, rather like a monk.
Then again, who else is out there to complicate matters?
Personally, I like to think that the Space Jockey is an entirely separate race, perhaps the progenitors of the Engineers. The Engineers revere them and go so far as to emulate their form with their peculiar armoured suits. Perhaps the Engineers' greatest tragedy is that their meddling with nature killed one of their idols on LV426...
@hox
;) I see your insight, this reflects that Image i Posted Last, and it exactly what i was going to bring up.
Firstly for Ridley Scott to say this Bio-Weapon is something that they use to Clean Worlds so they then can Re-Use the said Worlds must indicate the Engineers Bio-Weapon has a Certain Half-Life or they have means to Nullify the Weapon so as that they can then use the World for Re-Seeding.
HERE is the Problem!
If we assume and look at Prometheus Clues, and Alien Engineers as far as Sacrificial Goo/Scarabs and Urn Goo/Scarabs then its clear that the Sacrificial Goo/Scarabs will break down and consume the DNA/Traits of a Organism and then this is then PASSED onto other Life to Evolve it into a Hybrid.
So if those Urns contain Engineer DNA, then a Bombardment would kind of RE-START the Creation Cycle as Life Would be Destroyed and New Life Created from this. A Problem with this would be to ask does any Intelligent Life-form that are Mutated by the Black Goo, still retain a lot of the Memory/Intelligence from prior?
So if Mankind would be Mutated to Engineer Hybrids, then would these Humanoids have the Knowledge and Memory that made them behave in ways the Engineers felt was a risk?
Alien Covenant showed the Black Goo could be Programed in a Different way, as those Engineers were NOT Evolved, the Pathogen just attacked their Molecular Structure and Calcified them.
So maybe the Goo can be Programed to Attack Certain Genomes... so say it could be Programed to only effect lets say Primates/Humanoids and Kill them... but not affect other Life? What a more Perfect World Cleaning Tool this would make?
Regarding Planet 4... indeed i wonder if this is the Gene-Pool the Engineers take Sacrifices from to Seed Worlds. If we look at the Scarabs from Alien Engineers, and assume the Sacrificial Goo could break down a ENGINEER and then Store this New Material/Pathogen into Urns, then would NOT dropping those Engineer DNA Urns be a more EVOLVED Seeding Method than the Drop a Lone Engineer off to a World to Drink from a CUP?
The Engineers chosen for this Ritual would see this as a Great Honor, their Sacrifice allows them to be Immortalized in both their Genetic Material would Create New Life, but they also then have MONUMENTS (Statues) Erected in the City Plaza in Honor of their ACT!
To me this makes PERFECT sense.....
But how does those Experiments come into play? The LV-223 Engineers and Ridley Scotts comments about AI (Replicants) and how those Planet 4 Engineers are the Originals seems to be the Answer in Part.
I will cover this latter... but suffice to say, WHY would the Engineers spend over 35'000 years experimenting with Horrific Weapons to then wait until a certain time to then Unleash them on Earth... while showing us MAPS to this place over the course of many Thousands of years.
The way i look at LV-223 was a Nursery/Greenhouse to Test and Evolve their Creations (NOT Xenomorphs) but at some-point something happened that lead to them starting to see the Perfection in such Experiments.
The only Problem with these kinds of ideas, is they STEER away from ALIEN as far as being about the Xenomorph or Similar... but that seemed to be the Intention of the Prequels anyway before the U-TURN in Alien Covenant.
The Jordan family travel in a Daihotai Tractor which can travel up to 150 km/h (the terrain probably won't allow such a speed though). According to the novel "Alien: River of Pain", the Derelict is about 4 hours' journey away from Hadley's Hope. Let's say they travel at a speed of 50 km/h, then the Derelict would be about 200 km away. That would probably suffice for the Derelict and the eggs to still be there, intact and waiting . . .
I think a thing to remember is those working on the Movies dont really CARE about continuity or put much thought into how to bring about intended Plots.
So Regardless if the Derelict is 200KM, 100KM, or 10KM and the Blast was the Size of Nebraska, IF they decide they want to make another movie to explore the Derelict then it would not matter as they would just show us the SHIP had Survived the Destruction of Hadleys Hope.
At the Moment we could Ponder that it is maybe Destroyed, because the Company (W-Y) pursued Ripley and (USM) then waited 200 years to Clone her.
But it could be Buried.... and Discovered again.
IF they want to make another ALIEN movie and they want a SIMPLE Plot to bring back the Classic Xenomorph or Aliens Xenomorph, then the Derelict is a MASSIVE Plot Convenience.
So potentially we cant rule out the Derelict had survived, and IF they bring out another ALIENS like movie which i think down the road (5-10 years) they would, then its likely even IF this Movie is not about Ripley, that they would Recover the Derelict Once More.
Its nice that some of us are trying to work out HOW the Ship would be effected, and throwing in the IDEA of a Radioactive/Mutated Cargo but if they decided to bring back the Derelict i would not be surprised it would be INTACT and Cargo as in ALIENS.
I think they would have to also explain away WHY they had not obtained any Xenomorph or Related from LV-223, Planet 4 and Origae-6 by the time we are at ALIEN. As these would surely Conflict with the Companies Pursuit of Hadleys Hope, then Ripley.
IF these Places are explained as Yielding NO Xenomorphs then they need to keep the DERELICT as that Plot Convenience to bring back the Xenomorph in Future.
So i feel we have NOT seen the Derelict for the Last Time, even if we DONT Finish the Prequels, then i think we would see the Derelict Resurrected at some point.
Maybe Sooner than Later if we see Cameron Successfully get the Support of Disney to give us Blomkamps Alien 5 which i would NOT mind provided they DROP the Ripley and Bring Back the Gang Characters...
May-02-2019 10:00 AM
Concerning the Derelict and the eggs on LV-426 (canon or not):
According to "Alien: River of Pain" (The novel is about what happened to the settlers of Hadley's Hope colony), the company (W-Y) knew that The USCSS Nostromo picked up a signal and investigated the source but they didn't know exactly from where the signal came (just somewhere near Calpamos). "The Nostromo Mystery" was the vanishing of the ship in 2122.
In 2137, the crew of The Anesidora find the flight recorder of The Nostromo and eventually the Derelict on LV-426. Once there they turn off the beacon. The captain's wife is infected and taken to Sevastopol station where a Xenomorph is let loose and leads to the destruction of the space station.
In 2159, Hadley's Hope Colony is established and according to "Alien: River of Pain" the secret mission (which only the science department knows about) is getting a xenomorph. The company knows that the source of the beacon that the Nostromo intercepted is somewhere near Calpamos.
The beacon on the Derelict is turned off and the climate and weather make LV-426 very difficult to explore. The Ilium mountains block the Derelict from technical detection. The atmosphere processors are built and in 2173 "Newt" is born. In 2179, Burke gets the coordinates from Ripley and the Jordan family go "treasure hunting" which eventually leads to the xenomorph infestation and the destruction of Hadley's Hope.
However, the explosion of the atmosphere processor might not have destroyed the Derelict and the eggs since they are far away from the colony and protected by the Ilium Range. So, the table is set for Blomkamp . . .
"So, the table is set for Blomkamp"
Absolutely as far as IF the Eggs are there regardless if David Created them, the Engineers or Ripleys Grandmother ;) (joke by the way).
I context to the Derelict Cargo that was there in 2122, then indeed after 2179 we cant rule out the Derelict as being Salvageable, if the Studio want to make a New Movie they would choose this route anyway (likely) and as LV-426 never went BANG like the Death Star, then its viable the Derelict can be Salvaged.
I would be open to Blomkamps Ideas baring in mind they originally NEVER had Ripley and the Gang.. i think bringing the Gang Back and so that ALIEN 3 does-not exist and Alien R to a extent (work that around a Blomkamps Alien 3) would be a MISTAKE and just a Nostalgia Trip for Fans who Lament for how Alien 3 killed them off.
New Alien Movie... recover Derelict.... WHY NOT!
Bring back Ripley and the Gang.... No Thanks!
UNLESS.... they do a Ripley Movie that is a Alien 5 thats set after Alien Resurrection. I had a idea for this well TWO and one was from years ago, the other a variation of it that would BRING Back just Newt (Clone) from those killed in Alien 3 but with a Twist that well ALIENS Fans would maybe not like. (would also have Ripley of course and a way around her AGE Difference).
Alien: Vanguard was what it was to be but i have been Unwell recently and busy and i never got time to post my idea on here as intended for Alien Day.. i hope to post it in the next 7 days.
daliens
BigDave I hope you feel better now and lookong forward to reading the Alien: Vanguard (on a new topic).
"He survived, he's now in Disneyland in Orlando, and no way am I going back there. How did he end up in Disneyland? I saw him in Disneyland, Jesus Christ!"
To help bring the thread back on topic,
We have three options...
#1 - The eggs remain undamaged.
#2 - The eggs have been destroyed.
#3 - The eggs remain, but are damaged.
Option one doesn't really change anything and contradicts Alien: Resurrection, while option two leaves us dead in the water. Option three, however, gives us something to work with, from a creative standpoint...
Alien 3 was set immediately after Aliens, which was set in 2179, so lets put a new movie 30 years later, which would be 2209. LV-426 is now a Weyland-Yutani research and development outpost, guarded by an executive branch of the colonial marines. The marines are there in case of emergency and to keep out the salvagers, who are stripping what remains of Hadley's Hope for scrap.
Inside the outpost, WY has finally gotten their prize - the derelict Juggernaut and its cargo of thousands of Xenomorph eggs. Sadly for WY, however, it seems all of the eggs have been corrupted by radiation, with most Chestbursters unable to birth themselves...
Imagine, like in Alien: Ressurection, a prisoner bound and unconscious with an open egg before them. They wake, screaming in agony before falling silent, their head lulling as blood soaks their chest, and then the recognizable "jutting out" of the ribs, but it is not as pronounced as we have come to expect. The prisoners bloodied chest then begins to smoke and sizzle, a hole slowly appearing and growing, eaten away by the molecular acid. Then from the hole, a Chestbursters head hangs, dead; the interior organs of its head visible from an open wound.
Another scene of interest could be an autopsy on the Space Jockey, to reveal that he is millions of years old and most definitely not an Engineer - raising the questions of who/what was this creature and are there anymore, similar vessels out there yet to be discovered.
We then show WY being more attentive to the Xenomorph, surgically removing them from hosts and producing somewhat stabler specimens, though lo-and-behold, even these specimens are corrupted and of no use to them. This could be where it is revealed why they desire the organism so much - the technology of reprogrammable cellular nano particles AKA the black pathogen, which is in part what the Xenomorph is composed of. But the radiation on LV-426 has corrupted everything at a cellular level, with the cells gradually breaking apart.
Inevitably the stabler specimens, of which there is only a handful, escape and all hell breaks loose. But these specimens are not the ones encountered by Hadley's Hope, Fiorina 161, or (in 200 years time) the USM Auriga - the royal specimens stored in the Juggernauts arms were depleted when Hadley's Hope fell, with the Queen producing subsequent eggs for that colony, and all of which were then destroyed in the detonation of the atmosphere processor. The specimens WY have been attempting to harvest are from the Juggernauts cargo hold, discovered by the USCSS Nostromo in 2122, and are a different, non-eusocial variant, that is much more aggressive and intelligent, and capable of siring their own young by transforming a host into an egg.
Egg-morphings back baby...
From there you move away from the exposition and freak show to the Aliens getting loose. But by having the Xenomorphs cutting the power and plunging the facility into darkness and having the Xenomorphs use said darkness to stealthily incapacitate and capture the WY executives, scientists, Colonial Marines and inevitably the salvagers - AKA the aesthetic of Aliens done as a dark horror movie a la Alien.
"eaten away by the molecular acid. Then from the hole, a Chestbursters head hangs, dead"
I think thats a interesting addition that we Have-Not seen before, even if something like this was shown as you explained (Defective, Failed Chest Busters) or someone had attempted to Abort/Kill the Process via taking some kind of Chemical that Causes a Chest Burster to attempt to escape prematurely while dying.. A scene where we see Acid Burn a Hole in the Host and a Partially Formed or Partially Dissolved Chest Buster pushes its way through... something we have yet to see in the Franchise ;)
I think it would be interesting to see the EGG MORPH, we did see it in Alien Directors Cut, but it would interesting to see this again (this time to completion). I suppose using the 1979 Xenomorph for this would indicate a different Procreation to each of the different Xenomorphs we have seen, you would have to then wonder what kind of Procreation does the Runner from Alien 3 have?
The Rediscovery of the Derelict would also allow us to introduce a different kind of Xenomorph too, because having the idea that the ALIENS and ALIEN Eggs are different Cargo Holds sounds viable, and its even what is indicated from ALIEN: ENGINEERS (Prometheus early draft) where there was 8 Different Cargo Holds/Xenomorph Variants. We could ponder what other kinds of Twist on Procreation could they have?
The Revelation of the Space Jockey could work, as we never knew how old it was prior to Alien Covenant (which has not concluded the prequels so the Space Jockey is open for debate). The Prometheus Engineer Suits lacked the same Color so they was either Different, or the Space Jockey looked like it had been DEAD a lot more than the 2000 years that the Engineers were.
You would have to be careful how you handle that though, and you would have to maybe indicate more clues to David's Xenomorphs not being those on the Derelict, but a conclusion of merely the Space Jockey had been DEAD for 10'000, 100'000 or MUCH longer would mean its likely the Eggs were not Davids but it would leave it open for some to Speculate that David takes his Eggs to that Ship.
But of course any reveal that this Ancient Race had created those Eggs a LONG LONG time prior would do the trick... as far as the Space Jockey the Options would likely have to be that it is some kind of Bio-Mechanical Being just as the Xenomorph was (also like Sil from Species), or that it is a Bio-Mechanical Suit but the Bi-Pedal Occupant is NOT so Human looking, but also regardless we could introduce a 10ft Species the Difference to ALIEN could then be put down to "it grew out of the chair" a 12 Foot Space Jockey would NOT need to use that explanation though as the Space Jockey was likely about 12-15ft Max.
I think having a Movie that has the Balance of Action and Horror would be ideal, you would also have to try and get some of the background of Prometheus in it, but as a NONE Prequel (well that does not follow on from Prometheus/David) then i guess you dont have to incorporate much Philosophy/Creation Elements etc. I think including information on or even have Engineers in the Movie would get Prometheus Fans on board.
@daliens
Thanks ;) i will get to it as soon as possible.
I think it's an interesting idea, Gavin, which would make a captivating film. It's important to get interesting characters. It would be possible to get Ripley, Newt and Hicks (the gang) back if Alien 3 and Alien: Resurrection were just bad dreams (Ripley wakes up in the med bay on Gateway once more). But perhaps it would be best to leave them out of it?
I hope you are well enough to conclude Alien: Vanguard, BigDave? It'll be interesting!
I will have to get to work on making that post chli ;) (not sure the ALIENS Fans gonna like it though LOL)
Regarding a Bring the Gang back... maybe if they have some plausible Explanation for how we have TWO Alternative Alien 3 Time-Lines, i am not sure the Destruciton of Hadleys Hope would be enough to Cause a Tear in Time/Space... so the alternative FORK in the Road trick would have to be applied... where Fans can choose which route they prefer or maybe like the both to Co-Exist.
My concerns with this or even a explanation to it (like Tear in Space) would be that where would Disney then Stop? Lets make a Alternative Prometheus? Remake ALIEN in a Cameron Style?
IF we do get a Reboot of ALIEN 3 for Nostalgia what if the movie SUCKS? or does not do well, it could Damage the Franchise... Over the years we have seen some reaction to Nostalgia.. Reboot Total Recall, Fans not happy, then some thinking we should get a Total Recall 2 thats a Sequel to the First Movie (Bring Arnie Back). Then look at Robocop Reboot, now its a (Blomkamp) lets make a Direct Sequel to the Original with same Actors from the 80's, Ghostbusters reaction... we need a Direct Sequel to Ghost Busters 2 (bring the Gang Back), Instead of learning from the Reboot Mistakes and IMPROVE on it with a Sequel..
As going for the Nostalgia bring Gang Back options may work but if they also suck then they leave Said Franchises a bit Dead in the Water!
I am looking forwards to a Masters of the Universe Reboot... wonder if that sucks and people be like bring back Dolph Lundgren LOL looks like they was going for a very Dark Version that would appease to the Original Fans (Cartoon Series) but offer a Grown Up (Dark) Version now that those Fans would be in their 30s+.. But more likely we get a Re-Introduction to the Franchise for a NEW Wave of 8-13 year Olds!
PS Sorry for going Off-Topic.
In regards to the OT...
I watched ALIENS Last Night the Special Edition and i struggle to see the Rover do more than 40KPH, all shots of it appeared to be more like 20KPH and we cant work out HOW-LONG the Journey for the Jordons was... it appears to be NO-MORE than a Few Hours Each way!
But Bishop mentions the Reactor would deliver a Blast Radius of 30KM and be the Equivalent of a 40MT Blast.
Taking that into ACCOUNT if the Derelict was located 20KM Away from Hadleys Hope then it is possible it would not suffer any Major Damage. If this Distance was 40KM then i would say the Derelict would have a Good Chance the Cargo could be Salvageable.
The Derelict could have been Buried from debris and dust following the Shock-wave or the Blast could have triggered some Seismic/Volcanic Activity that could have buried the Derelict.
so Regardless of WHO Created the Xenomorph, the OT is about IF the Cargo could remain after the events of ALIENS (forgive me if this is not the OT point), and as far as that goes.... then i think YES its very plausible the Derelict could be SALVAGED.
I agree, BigDave, that it would be acceptable that the Derelict and the eggs made it. A return to LV-426 would be nostalgic for fans. I can picture a spaceship settling down on the windswept surface of LV-426, a ramp is lowered and out come people in space suits, and an excavator . . .
It would be fitting also if Scott concludes his saga and ends up on LV-426 with the fateful cargo . . .
Thought this is the BETTER Topic to place this...
I had watched Alien in Detail Last Night... and looked at some Images on the Internet to do some Calculations, these are mainly based on the Height however.... but when people talk about the Cargo Hold Size they refer mainly to its Height and how it WONT fit UNDER the Derelict.
The Image i will post NEXT is based off the Set Prop (nearly completed) the Descending Kane to the Cargo Hold, the Long Shot of when the Crew Climb up into the Pilot Chamber, and a Image of them Entering the Derelicts Rear Entrance Holes.
They are Scaled with a Margin of Error of up to 10%
There will be a some Inconsistency/Errors but i think we are in a Good Margin of Error, and these Potential Errors arise from the Production Team based on.
*Using Child Actors for the Long Shots in the Pilot Room, then Adults for Close Up Shots... the Calculations are based on the Distant Shots.
*Matt Painting for the Decent, with Angles that are Harder to Gauge and Scale that MAY-NOT be accurate to the Closer Shots of Kane, including when he reaches the Platform he eventually Falls Off.
*Entering of the Derelict Set, that is a bit Different to the Distant Shots Prop.... (Mainly Rocks Positions and Height prior to the Entrance).
But i think it gives a Good Estimate..
So it would appear the DERELICT would have to be 1.5X the Height in order to FIT the Cargo Hold.
Now some could CLAIM that using my Image you COULD have Potentially got the Cargo Hold and Pilot Room inside... HOWEVER... this would IGNORE that we are NOT being shown the FULL ROOM.. The Pilot Room and Egg Chamber used the SAME SET for the Close Ups...
The SET only went so HIGH and we can see with the Egg Cargo Distant Descending Shot that the SET is CUT off to about HALF the Height of the Egg Chamber.
The Walls of the SET do have a Curve and so if we Consider this like a FISHBOWL then we only see about 50-60% of its Height, and so the Pilot Room likely also is showing 50-60% and if we look where i PLACED the Pilot Room, it Fits the Curvature of the Hull, and Positioned about the Right Place to HOW the Nostromo Crew Entered and began to WALK through the Tunnels that was going UP-HILL and then Climb Up a Area to arrive at the Pilot Room.
I would assume where i placed the FLOOR between the Cargo Hold and Pilot Room to be Accurate as far as a Margin of Moving it up or down by up to 15% Max.
IF my image is Pretty Accurate then what this shows is its NOT so much a MASSIVE Oversight if they try and Convince us its part of the Ship.
It could leave it OPEN to have a Separate Underground Silo... but IF the Ship only needed to be 1.5% Higher then i think the BEST explanation would be the Detachable Cargo Hold that is DROPPED onto Worlds and Collected Again Theory that i had ;)
Compared the Cargo Hold with the Scale i Calculated and Silly Me..... the CARGO HOLD would be a PERFECT FIT for the Derelict...... on its OWN... leaving NO SPACE for the Pilot Room though.... ;)
Calculating the DEPTH of the Cargo Hold as FAR as WALL TO WALL (not Height) is not so HARD... i have YET to give this a Detailed Go though... i think it MAY NOT FIT! Because i ASSUME the SHOT we got indicates The Cargo Hold Circles around the Under Part of the Pilot Chair and so we ONLY see a SECTION of the Cargo Hold.
The WIDTH would be the Difficult Dimension to Work Out, as the Descending Shot, is shown from a Angle where it Snakes off in the Distance... i DOUBT this would FIT in the Derelict.... Unless its Designed how i had Assumed in a Previous Image Before... then i think the Derelict would need to be 1.5X its Size to Accommodate that.
In the second image you posted, I think you need to move the yellow line (base of Derelict) down a fraction and then move the red line (bottom of the cargo hold) up to the yellow line, as in my opinion, I believe the pilot's chamber is the small dome atop the derelict. Then I think you'll find the cargo hold does, in fact, fit within the vessel.
@Gavin
I agree its HARD to work out the BOTTOM of the Derelict as it its Obscured by the Rocks and so we dont know how much is Buried...
The Pilot Chamber would be under the DOME but i feel the Pilot Chamber Set is only about 60% of the Actual Pilot Room, i made a Image to Compared with HR Gigers Concept of the Pilot Room, and also bare in mind the Actual Prop SET they had Recycled the Egg Chamber which in that instance only showed about 50% of the Egg Chambers Height.
This does not RULE-OUT a Buried part of the Derelict.
The ABOVE Image is only just ROUGH, but it is to show that IF we was to Explore the Derelict then having its shown (or the Same Model of Ship) as having another Part of the Ship that is Partially Buried and Obscured by the Rock, taking into account the Dimensions i attempted to Work Out, then i think its VERY PLAUSIBLE the Derelict could have some PART of it that became Buried a say 50-60ft of it.
However..... i think as ABOVE that some kind of Detachable Cargo Hold would make more Sense as FAR as Storage and Deployment of a Deadly Bio Weapon.
As I see it, Dallas, Kane, and Lambert enter the middle (or left), vaginal entrance by just walking on the rocky ground. So the opening is quite close to the ground. Then, as far as we can see in the movie, they walk straight on until Kane sees that he can climb up on a shelf (perhaps two metres up). When they have climbed up, they are next to the Space Jockey. This would mean that they are, say, 6 metres from the ground. But as Kane is lowered through the hole, they need a winch and a very long rope and you can see that he is lowered down into a huge cave (which Kane thinks it is). I would guess that he is lowered down at least 30 metres (which would be under the Derelict).
Nov-06-2019 10:15 AM
@chli,
We cannot with absolute certainty claim that every step we saw Dallas, Kane, and Lambert take while within the derelict is every step they will have actually taken. This technique is commonly used, such as showing someone depart for and then arrive at their destination, with the journey in between either edited or omitted entirely.
@ BigDave,
IMO, and it is my opinion only I believe you have the scale somewhat wrong, here is the same picture of the derelict prop you have used but with where I believe the space Jockey is, and its approximate size in relation to the vessel...
A problem is the vastness of the "cargo hold". When Kane is lowered down into it, it looks more like a huge cave. In your picture, Gavin, with the Space Jockey very high up, everything under it would be the "cargo hold". All three openings would lead into the "cargo hold".
...or a series of corridors and a shaft adjacent to the cargo hold, leading to the pilot's chamber atop the cargo hold.
The below images may help with scale in regards to the pilot's chair and the recess it resides in.
The Prometheus Crew entering into the pilot's chamber below is almost level with the openings on the side of the juggernaut. This is a different ship but the internal layout may be the same.
Kane's Descent
"Out of breath again he paused in his descent to run a check of his suit instrumentation. 'Interesting,' he said into his pickup. 'I'm below ground level'."
Alien novelization (1979), page 80.
I agree and in the novelization, there is no ascension after they enter the Derelict. The pilot room is huge with a high ceiling and as you point out, there must also be room for the pilot chair to be lowered down.
In the novelization, Kane is lowered down with a cable and there is first a very long hole that he descends through. Then, he enters the huge open space and they argue whether it's part of the ship or something else under it (a cave or a silo).
If there is a bulge on the Derelict going under ground level, then there must be a hole in the ground which fits it (but I don't think we see that kind of bulge on any juggernauts). So the answer must be that there is a cave or a silo under the Derelict (but with the same kind of esthetics).
But, of course, we have to take the problem of making the film into account and the history of different scripts etc . . .
@ Ingenrio,
Compelling evidence, that could sway me back to the belief that the derelict was docked atop a subterranean structure similar to the domes on LV-223, but first, an observation for everyone to explain based on the images in your post...
The chair doesn't fit underneath the pilot's chamber.
I think its a little difficult to come to a EXACT Measurement of the Derelict because we have the Following.
*Large (ish) External Prop of the Derelict
*Larger Outdoor Set of the Entrance
*Internal Set of the Pilot Chamber (does not show full shot)
*Internal close up set of the Egg Hold (same as Pilot Room)
*Matt Painting used for the Descent into the Cargo Hold.
Each shot the Scale is NOT really Uniform..
The above Image shows Little Figurines intended to show the Scale which would put the Derelict about the 155ft Height Mark, but if we go by how BIG the Nostromo Crew where compared to the Entrances then we get a Height of 120ft Approx. The Debate about SCALE and so IF the Cargo Hold Fits really RESTS down to TWO Shots, and they are.... The Crew Entering the SHIP and the shot of Kane Descending. You cant really use the Pilot Room shots as we get TWO Scales... the First Shots (used Child Actors) and the Close Up Shots (Adult Actors) so thats a Scale Change of 40-50%
As far as HOW the Entered, as Gavin pointed out we cant 100% Gauge how FAR the Walk was until they Climbed Up into the Pilot Chamber.... and also it looked like for a Part of the Entrance it was on a Incline, before it Straightened out a bit... then they Climbed up.
Its also difficult to use the Schematic of the Juggernaught as they are TWO different Ships as far as Dimensions go, i will do a Image Next if we Accept its the same Layout as the Juggernaught.
I have also Gavin taken the Image you did, and Scaled a SHOT from the Movie to the Same Size and Position and then Scaled the Egg Cargo Shot to the Same Scale.
Its HARD to really Gauge the True Size as the Best Comparison we could do is SCALE the Egg Chambers Kane and the Images of Dallas, Lambert and Kane as they ENTER the Derelict and Scale them to the Same Size. And match them to same Scale with the Space Jockey Scene Shot.
As for the Bulkspace between Floors i have watched ALIEN again and to me it has to be between 1.5M and 3M
Looking at the Pilot Chair in Prometheus i think it would FIT
The Scale i did was to compare to the Tunnel Height leading up to the Pilot Room and Scaled the Schematic of the Chair to it... NOW the True Chair may have a Slightly Different Scale, or if its accurate the SCALE i have USED could be a bit too Large so the Chair could be a bit Smaller than i had shown.
In either case i think its Highly Likely the Chair can FIT under the Pilot Room... But there is NO WAY the Cargo Hold in ALIEN can FIT under the Juggernaught Pilot Room ;)
Back to the Derelict..... if we go for a Underground Cargo Hold then this Cargo Hold would ONLY be as TALL as the Derelict approx. The other OPTION as i mentioned before is if the Derelict has a PART of it that is Buried and it is SHOWN that this is another 60ft, or even 40ft Min then we can Suspend our Disbelief a little.
I said this on another Topic...
If this is a Bio-Weapon and its PART of the Ship then HOW do they Deploy it? Bounce the Eggs?
Manually Take them outside? or do they have a Device for that? or is it a Suicide Mission where the Pilot Remains wit the Ship and waits for some Inhabitants of the World to come and Wonder on the Ship and make it to the Cargo Hold?
If we assume the Ship is Docked at a Underground Egg Silo, then its a case of HOW do they get the Eggs to and from that Place? Storage would not be a Problem if the Derelict is like the Juggernaught as we can then assume the Eggs are collected from the Underground Silo and Stored in Cargo Holds Located connected to the Pilot Room and in the ARM Sections. (like the Juggernaught appears to have).
I still think a Detachable Cargo Hold would be the Best Option to explain it and make sense as a SAFE Weapon to Deploy.
Derelict to Scale of SHOTS of Lambert, Dallas and Kane as they Enter the Derelict, and also the Pilot Chamber and Kane as he is Lowered into the Egg Chamber.
Looking at this i would say the Derelict needed about another 30-60ft (Depends on TOTAL Height of the Pilot Room) or our Humans in Each Shot need to be about 4ft!
This is already contrary to Alien: Covenant.
You forgot about one important thing. In AC, when David bombards Engineers (or Covenant crew enters the ship) - the bomb hatch is also located in the center of the ship. Directly under the control cabin. And the bomb hatch is also pretty large compartment. On Juggernaut hologram in Prometheus just no place for this compartment. It is not there at all!
So, a logical conclusion suggests itself. The Juggernauts in Prometheus and AC have different structures, compartments and sizes. If so, then the Juggernaut and Derelict may also have different parameters. Therefore, you cannot use the sizes, holograms and scheme of Juggernaut from Prometheus to explain the structure of the Derelict. They are different.
A L I E N
The matte painting you kindly offered from the movie is depicting a huge subterranean area which bends to the left and then bends to the right before finally swinging to the left. If for instance, you consider the number of ovoids there are from left to right it would make the width of the area between 75 and 100 metres.
P R O M E T H E U S
As you know from the Making of Prometheus documentary artistic licence was applied to the scale of the dead pilot, he is 8 feet tall and the craft although identical visually is smaller. The depth and height of the craft are 27 metres with the additional circular detail and dome taking us to 30 metres. To give some context you could place 4 1/2 Airbus A 380's on top of each other inside the craft.
One of the magical elements of cinema is making a space look bigger than you imagine it. In that context, the entire Pilot Chamber/Ampule Room in P R OM E T H E U S was built on the 007 Stage at Pinewood which is 12 to 15 metres high. So the ampule room and bridge are with a CGI canopy for the latter no more than 18 metres high. Anyone who has been in a room 18 metres high will know that feels huge for a person at less 2 metres high.
None of this had anything to do with Prometheus: The Furious Gods where in my original very long forward I explain how I take design elements of all three craft (A/P/AC) and blend them for key storytelling elements.
The thousands of Eggs look like they're in a huge silo and to me, that is what the Matte Painting conveys.
PS The reveal of the Gantry in Prometheus was a fabulous visual coup of Ridleys to say "see this is where the derelict and its pilot comes from" but it lacks ergonomic logic but hey this is entertainment.


We are still enjoying the Ha'apais - and will be for a while longer. Alex really gets to know Pacific cruising life. Today for the first time in almost 4 years we had sundowner drinks and some snack on the beach with lovely other cruisers from 3 other yachts. We made a nice little fire and Alex got to show his knowledge in opening coconuts. This afternoon we (all 3 of us) played paddle tennis, Badminton, Frisbee and water volleyball on the beach before taking a rest at the bar. What a great life this is.
Pictures: village life in Pangai (capital of Ha'apai) and Uoleva island - including a toilet with beautiful ocean view. What more is there to ask?


Some people are abusing the term networking and using it as a means to ask people for money. Kathy has a real talk about what networking is and isn't.
Some people are abusing the term networking and using it as a means to ask people for money. Kathy has a real talk about what networking is and isn't.


text:
Tribute to Royce M. Becker
My publisher, Sagging Meniscus Press, lost Royce M. Becker, their supremely talented in-house artist last week after a long illness. Royce's flamboyant, eccentric, and meticulously crafted book designs were lovingly paired with the prose and poetry of many talented writers—among them Stephen Moles, Kurt Luchs, Lee Klein, Seth Rogoff, Marvin Cohen, Doug Nufer, Guillermo Stitch, and sundry other legends—to create the sort of books that instantly inflame your eyeballs in bookstores. In an age when cover art in large publishing houses can suffer from a uniformity of style to attract the middlebrow reader, or lazily rely on name recognition to shift units, Royce's covers were wilfully kaleidoscopic, lively, and artistically independent—everything you'd crave from an indie press.
For my own books, Royce created covers revelling in the comic spirit of the novels, matching the playfulness of the prose with a playfulness in her artwork. For The House of Writers, the title and author name are stacked imposingly in Atari-type fontage with staircases unfurling between the block letters, nailing the tone of impish dystopia the novel is striving for. For The 1002nd Book, a series of splayed novels envelop the bottom half of the cover, smothering the protagonist in a temple of texts, while behind piles and piles of unreads loom with equal invitation and menace. For my two favourites, The Quiddity of Delusion and Scotland Before the Bomb, Royce uses a motif of a mind in a tumultuous fug, whether consumed by a tornado of letters, or popped in a puff of blue smoke ringed by quote marks.
The Sagging Shorts series has a splendiferous style, framing the central image and title in one block, with the author's name below, bordered by barmy, outré colour schemes. The inverted spire-cum-coffee cup in Errata, the Surrealist hall of pillars with wonky clock suspended above in Please State the Nature of Your Emergency, the beehive head assaulted by a swarm in Agitprop for Bedtime, are among the funkiest images in this series. The best way to appreciate these is to see them, so check them out here.
In all of Royce's covers, striking typography is paired with skilfully blended colours, hilarious and compelling images and tableaux. Her covers work in complete creative synchronicity with the texts—her reading and appreciation for each author is immediately apparent and deeply appreciated by everyone lucky enough to receive her cover treatment. The reverence and consideration invested in each of these covers is what made Royce's work for Sagging Meniscus Press an integral part of the project. The visual aesthetic of a small publisher is more important than most authors appreciate, and Royce's sterling work helped the press to become the coolest and hippest indie in the stratosphere.
There's no finer satisfaction for an author than the cover art popping into your inbox and smacking you senseless. I always had nothing except sputtering superlatives whenever Royce's covers appeared. They enhance, elevate, and enchant my texts.
Stay weird, stay sensational, Royce.
Browse the full SM catalogue of covers.
The Welsh Place Name Generator (By County Borough)
I launched a comic novel in two metropoli
Last weektime, I attended launch events for the novel to which I contributed some nouns and miscellaneous burbles. In fact, it is not braggadociolicious to say that I wrote most of the nouns and miscellaneous burbles in this novel using my own unmanly digits and that small part of my cerebrum where mildly vicious comic prose is located. This novel I mainly wrote, The 1002nd Book to Read Before You Die, concerns a man who wants to read a millenary-plus-one of novels on the Orkney Isles, a man who swiftly fails, then has relations with an eccentric librarian for something else to do. The first launch event was in Waterstones in Glasgow, where I sat on a chair opposite Kevin MacNeil, Scottish poet and novel-man (author of the excellent novels The Stornoway Way, A Method Actor's Guide to Jekyll & Hyde, and The Brilliant & Forever), and made sounds through my facehole.
One large day later, I attended a book shop in Edinburgh called Blackwell's, a spiffing establishment where I used to hoover up texts as an undergraduate in between reviewing Pixies albums in the library and loathing myself with a ferocity unseen since last week. I sat beside excellent book blogger Alistair Braidwood (from Scots Whay Hae), who asked me things about the words I had written, to which I replied with various vocal gymnoplasties, most of these edging soberly towards the edge of incoherence, some lightfantastically tripping along a line of intended meaning. Later, we had hops.
The novel is published by Sagging Meniscus Press. Available here:
https://www.amazon.com/dp/1944697624 (US)
https://www.amazon.co.uk/dp/1944697624 (UK)
We are the wordpeople
The tap of literature must keep running. The tap of literature must run in a violent frothing spurt and flood the universe, or we must blow out our brains. We are the wordpeople. We are sitting in our rooms with six hundred novels and a portrait of Charles Dickens and a stuffed panda with burst bowels and a radiator allergic to heat molecules. We have no names we wish to impart. We are the wordpeople and we are sitting in a room and we are hammering out sentences and more sentences and more sentences and we have no intention of stopping. We are seated on wicker chairs with light cushion support and we are writing these words that run along the page like a set of shapely olympian legs, sprinting right to left and right to left and right to left and right to left across the page before leaping a line below and sprinting again right to left and right to left and so on. We have nothing to say to you, we have everything to say to you. We not concerned with concision, we are concerned with excess. We are concerned with committing words to the page. We are committed to keeping the tap of literature running. We are writing writing. We are writers writing writing. We are writing against, we are writing for. We are writing for the future of writing. We are writing against the plague of illiterature reducing our minds to shrivelled sultanas. We are writing against the assholic automatons reducing our language to a bowl of lukewarm unsalted porridge. We are sitting on these wicker chairs with light cushion support to preserve the dignity of every writer who has ever enriched and shaped our lives with the wondrous weft of their words. We are writing from RESPECT. We are frothing at the pen with fume at the ruthless financiers scheming to spifflicate the Great Novelists from the public consciousness. We will not stop. We will write on and on and on and on. We have nothing to offer except this unending stream of words. We repeat ourselves whenever we wish. We repeat ourselves excessively, we repeat ourselves ecstatically. We repeat ourselves. We write whatever we want with little consideration for consistency, character, or concision. The tap must run, for the sake of our friends, families, enemies, and indifferent onlookers. The tap of literature must keep running. The tap of literature must run in a violent frothing spurt and flood the universe, or we must blow out our brains.
I am the acceptable face of me. My latest literary product is the novel The 1002nd Book to Read Before You Die.


text:
Q: Remove .cs file in published asp.net webforms project In the old asp.net project, there is a published .cs file in one of the folders. When I update the site, I update the .dll files, but this file is never updated. When I delete this .cs, the site does not work. How do I delete this file?

A: Are you using a asp.net web site applcation to publish, or are you using a asp.net web site?
As a general rule, if you using asp.net web site applcation, then the source code files are NOT required to be up-loaded.
However, you left out one big detail. Where is that cs file? While a asp.net web site will attempt and does pre-compile all code, ONE BIG exception to this rule exists.
That is the folder app_code. That folder is in fact compiled by IIS, and as a result, if that file is in that folder, it will have to be included in your publish.
In fact, when I started using the newer Roslyn compiler (I liked it VERY much for allowing me to have longer free text such as SQL in the code as strings).
However, IIS did not and does not have Roslyn compile by default. And my  code was breaking.
So, as a result, I simple create my own folder called MyCode. And you could do the same. Note that each code module (vb.net) or static class for your general shared code routines do have to be marked manually as to compile.
eg this:

So, if your .cs file is in app_code, then you can move it out, drop it into a folder you create, and set the file build action to compile, and of course do not copy.
However, and this is a HUGE big "if". If your deployment model is web site as opposed to web site applcation, then this will not work, since IIS is doing your compile after deployment, as opposed to pre-compiling the code BEFORE deployment.
So, you are in luck if your .cs file is (or was) in app_code, since then as noted, you can move that out of app_code, and in properties set the file to be compiled, but not deployed. This as noted will only work if you deploying as a asp.net web site applcation as opposed to a asp.net web site.


text:
Senza identità (Unknown) è un film del 2011 diretto da Jaume Collet-Serra, basato sul romanzo Fuori di me dello scrittore francese Didier Van Cauwelaert. Il film è prodotto da Stati Uniti d'America, Regno Unito, Germania e Francia.

Trama
Il dottor Martin Harris si trova a Berlino per un congresso sulle biotecnologie, insieme alla moglie Liz. Arrivati in albergo, si accorge di aver dimenticato in aeroporto la valigetta con i documenti, poco dopo sale su un taxi per tornare a recuperarla. Durante il viaggio, si trova coinvolto in un incidente stradale e precipita in un fiume. A causa dell'urto sviene e riesce a salvarsi solo grazie all'aiuto di Gina, la tassista.

Si sveglia dopo quattro giorni di coma, non ricorda nulla dell'incidente e scopre che la sua identità gli è stata sottratta. Raggiunge sua moglie, ma questa finge di non conoscerlo mentre è in compagnia di un uomo che si fa passare per Harris.

Scioccato da questi avvenimenti, Martin perde i sensi e viene portato in ospedale, dove un sicario, Smith, uccide l'infermiera che lo assiste e cerca di uccidere anche lui. Martin riesce a scappare e a contattare Jürgen, un investigatore privato che l'infermiera, poco prima di morire, gli aveva raccomandato; l'idea è quella di rintracciare Gina sperando che la sua testimonianza possa essere d'aiuto. Martin riesce a trovarla, ma lei non fa più la tassista dopo l'incidente; i due vengono raggiunti da Smith e dal suo collega Jones i quali cercano di eliminare Martin. Durante lo scontro Gina uccide Smith e, insieme a Martin, riesce a seminare Jones dopo un folle inseguimento in macchina.

Decifrando una serie di numeri scritti dalla moglie nella sua agenda, Martin riesce a ritrovarla e la donna gli suggerisce di recuperare la valigetta in aeroporto. Nel frattempo, Jürgen riceve a casa la visita di Cole, un collega di Martin, e deduce che Cole sia membro di una squadra segreta leggendaria di mercenari conosciuta come "Sezione 15". Rendendosi conto che Cole è lì per ucciderlo, non avendo modo di fuggire, Jürgen si suicida con del caffè al cianuro.

Dopo aver recuperato la valigetta, Martin viene rapito da Cole e Jones e si risveglia in un parcheggio. Cole gli spiega che quella di Martin Harris è una falsa identità costruita per entrare al congresso, e che lui, Liz e Martin Harris "B" sono in realtà assassini della "Sezione 15", inviati a Berlino per uccidere un ospite del congresso. In seguito all'incidente d'auto nel quale ha rischiato la morte, Martin aveva rimosso tutto dalla memoria e si era convinto di essere davvero Martin Harris, marito di Liz, personaggio di finzione da lui stesso inventato. Al termine della spiegazione, Cole e Jones decidono di uccidere Martin, ma interviene Gina che con il taxi elimina entrambi.

Martin ricorda di essere già stato con Liz a Berlino in passato per piazzare una bomba nella suite dell'hotel Adlon, dove alloggiava il principe Shada. Per riscattarsi tenta di fermare quella che lui ritiene essere l'operazione segreta, e si reca all'hotel con Gina. I due vengono fermati dagli agenti di sicurezza dell'hotel, ma Martin riesce ad affrancarsi mostrando loro i filmati che lo ritraggono nell'hotel tre mesi prima. L'uomo  capisce poi che l'obiettivo non è il principe Shada ma Bressler, un agronomo che partecipa al congresso perché con le sue ricerche ha sviluppato una varietà di mais geneticamente modificato in grado di resistere a qualsiasi condizione climatica, una scoperta così importante tale da poter risolvere il problema della carenza di cibo. Uccidendo Bressler e trafugando la sua ricerca, l'organizzazione vorrebbe rivendere il lavoro del professore ricavandone profitti da miliardi di dollari. Liz, con una copia dei codici segreti, riesce ad accedere al computer portatile di Bressler e a rubare i dati, ma successivamente muore in un'esplosione che non riesce a sventare. Intanto l'uomo spacciatosi per il marito di Liz, tenta di eliminare direttamente Bressler, ma Martin lo raggiunge e dopo un lungo scontro riesce ad ucciderlo. Il film si conclude con Martin e Gina che, rimasti soli, salgono su un treno con nuovi passaporti e nuove identità.

Produzione
La sceneggiatura è stata scritta da Oliver Butcher e Stephen Cornwell basandosi sul romanzo di Didier Van Cauwelaert Fuori di me. La produzione del film è iniziata nei primi mesi del 2010 con il titolo Unknown White Male, e le riprese si sono svolte totalmente a Berlino, Germania.

Riconoscimenti
2011 - European Film Awards
Nomination Premio del pubblico a Jaume Collet-Serra
2012 - Jupiter Award
Nomination Miglior attore internazionale a Liam Neeson
Nomination Miglior attrice internazionale a Diane Kruger

Distribuzione
La pellicola è stata distribuita negli Stati Uniti e Canada dalla Warner Bros. in data 18 febbraio 2011. Sempre la Warner Bros. ha provveduto alla distribuzione italiana, che è avvenuta il 25 febbraio 2011. Nella stessa data è stato distribuito in Gran Bretagna a cura della Optimum Releasing.

Note

Altri progetti

Collegamenti esterni

Film thriller d'azione
Film basati su opere di narrativa
Film girati in Germania
Film ambientati a Berlino


text:
The Continuation is the third full-length album by the Japanese band Deathgaze. It was released on September 9, 2009.

Track listing

Notes

External links
DEATHGAZE Official band website
DEATHGAZE Official MySpace profile
Enter Brain Official label site

Deathgaze albums
2008 albums


text:
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In this fun introductory workshop, participants will learn the basics of working with precious metal clay (PMC). Metal clay is a jewelry material made from microscopic particles of fine silver with a binder and water. After kiln firing, the binder burns away and pure silver remains. Techniques will include rolling, texturing, cutting, joining, shaping, finishing, firing, and polishing to complete 2 - 3 pieces of jewelry – and depending on the size of your pieces, students may make a pendant, earrings and/or charms. This class is limited to eight students. Tool kits will be available for use. All levels are welcomed and no metalworking experience is required (ages 16 and up).
Class Fee: $90 Materials Fee: $40 payable to the instructor.