Like any physician, the maritime physician must have a strong knowledge base acquired during his medical studies. He must also, through additional training, acquire a good understanding of the maritime environment and the skills essential to practising medicine in isolation.
Several countries have developed and implemented training courses dedicated to maritime physicians. These range from simple degree diplomas to full programmes of specialist medical training. All training courses should provide physician trainees with the same knowledge base and skills regardless of the country and be validated through adequate assessment methods. The knowledge base and skills that are necessary for maritime physicians can be defined, based on common reference sources that are globally accepted by maritime professionals in collaboration with experienced teachers in the domain. These basic competencies (knowledge and skills) could usefully first be established at the international level and then be adapted to fit countries' specific legislation and mode of operation for medical assistance at sea.
In Europe, the first attempts to harmonize teaching courses were made at the workshops in Barcelona and Brest under the guidance of the International Maritime Health Association. It became obvious at these workshops that maritime medical training ought to be developed at three levels: the international level, the European level, and, of course the national level. The first objective of maritime professionals' training is for physicians to become familiar with the maritime environment (oceanography, climatology), ships, living and working conditions on board, as well as international rules and regulations. It is especially important for physicians to know about seafarers' international rights, international sanitary regulations, and the roles of flag states at sea and port states when the ship is docked (see chapter 6). Maritime physicians must also be knowledgeable about the specifics of the risks that may arise on board a ship: noise, vibrations, electromagnetic fields, radars, and toxic substances (see relevant chapters). They also need to understand ergonomic constraints and be able to assess occupational safety on board.
Aside from these fundamentals, the training must address specific health problems that a maritime physician is likely to encounter during his practice: acute intoxications, sickness associated with travel (hypothermia, heat stroke, drowning, tropical infections and seafarers psychopathologies), risks in port (such as preparing seafarers for going into a port and the health problems encountered in ports), and finally, forms of ill health that may affect sailors after returning home.
The teaching curriculum in France also includes a special course on maritime emergencies: emergency plans, water sporting casualties, on-shore accidents, and diving accidents. Our goal is to address all situations that a maritime physician is likely to encounter in their practice and for trainees to acquire the skills that are expected from them by their employers as well as the skills needed to assist professionals or non-professional seafarers.
Opportunities for a physician to acquire competence in the field of general occupational medicine and occupational maritime medicine are now available in all seafaring nations. However, to achieve full awareness of the living and working conditions that prevail on board a ship is more problematic.
No course is available to the aspiring maritime physician to obtain this kind of knowledge, and relevant employment on ships is hard to get. The national military service (draft) used to offer some opportunity to learn about the details of medicine on board, particularly in the navy. However, in most countries this possibility is now restricted to the active or reserve military physicians.
On board experience is essential because no textbook can compensate for lack of hands-on activity on board. No textbook can fully explain the physical environment of a ship at sea, and particularly not the situations created by an accident or any medical incident. However, knowledge of the different duties on board from visits to ships in harbour may be a useful approach. .
Only large ships (500 or more gross tons) carrying 15 or more seafarers and engaged in a voyage of more than three days' duration) are equipped with an infirmary or accommodation dedicated to medical care. On smaller vessels there is no space apart from the dispensary, and if a medical condition occurs, the primary concern will be to locate where treatment can take place. This will often have to be on a berth in a tiny cabin with limited access and poor lighting. To perform the necessary medical procedures, the physician may have to ask the master to temporarily modify speed and course to provide better working conditions.
The conditions described above vary with regard to which trade the vessel is engaged in (fishing, merchant or naval), and to the sailing zones (temperate, tropical or polar). An on board physician must obviously be familiar with these conditions, as must the practitioner who is responsible for the fitness examination. This kind of knowledge is also essential for the physicians providing medical training to the seafarers who are in charge of medical care on board (according to the STCW 95), for the physicians in TMAS centres providing medical advice to ships, as well as for the physicians who provide port health care for disembarked seafarers who are ill or injured. In France, an introduction to occupational medicine and training in maritime medical skills are provided by the governmental health service and by the physicians at the maritime consultations centre (Toulouse based CMM).
Beside medical care, the 2006 ILO convention also identifies the importance of preventive medicine, through programs for the promotion of health and for health education, and by establishing international co-operation in these fields. The role of the human element as a major factor in prevention is also emphasized. Preventative actions need to be based on close observation of workers in their working environment. This is another argument for the physician engaged in preventive medicine to experience employment on ships and thus be a part of the working environment.
There are many arguments to support the demand for a significant maritime experience that can be best obtained by taking employment as physician on a ship. This pertains to all physicians interested in maritime medicine: to the maritime physicians performing fitness examination, to practitioners of occupational medicine, to physicians giving medical advice to ships and to those providing port health care.
Telemedicine has become an important part of maritime medicine. The transmission of ECG recordings, digital pictures and videos offer great help in the diagnoses of diseases and in the care and follow-up of patients. The maritime physician must be familiar with the continuing development of telemedicine and be able to take advantage of it.
Finally, a minimum of fluency in the English language is a necessity to be able to communicate with crews of different nationalities. English is also the official language used by radio stations, search and rescue centres and port services.


Many in the sellout crowd announced at 20,251 rose to their feet and chanted "Raps in six!" during the final minute of the game.
Pressed into action after Milwaukee routed Toronto, 104-77, in Game 3, Powell delivered a much-needed jolt of energy and athleticism as the Raptors ground out a victory in Game 4.
The Golden State assistant Mike Brown, right, with Coach Steve Kerr, who is out with a bad back.
On Monday, Powell added scoring punch to his playoff résumé. He connected on all four of his 3-point attempts and brought the crowd to its feet with a baseline dunk over Giannis Antetokounmpo and Thon Maker in the fourth quarter.
"Powell has come in with a lot of energy on both sides of the ball, and they're feeding off of that," Bucks Coach Jason Kidd said.
Brogdon said Powell has given Toronto more versatility.
DeMarre Carroll scored 12 points as all five Raptors starters reached double figures. Cory Joseph had 10 points off the bench for Toronto.
Antetokounmpo led the Bucks with 30 points, a career playoff high, while Brogdon scored 19 and Greg Monroe 11.
Ibaka and Powell each scored 9 points in the first quarter, and the Raptors mounted a 17-0 run in building a 31-20 lead heading into the second. Milwaukee committed five turnovers in the first quarter, leading to 10 points for Toronto.
HAWKS 111, WIZARDS 101 Paul Millsap bounced back from a sluggish start to score 19 points, Dwight Howard had his best game of the postseason, and Atlanta pulled away from visiting Washington to even their opening-round playoff series at 2-2.


text:
Q: Small Image Thumbnails not working I am creating a bunch of anchors and images in a div and loading them using the following code:
$('#gallery img').each(function(i) {
    var imgFile = $(this).attr('src');

}); // end each

however the code is not working and I cannot see the images. I get a 404
ISSUE 1: Can you please check what's wrong http://jsfiddle.net/u3vFG/
ISSUE 2: Also, can I prevent hardcoding the images and anchors in the DIV id=gallery element? Can I dynamically loads these urls and create images and anchors, say from a JSON string?
Basically I want an empty div

and populate it with the JSON results

A: Your first issue is possibly related to this question: How to remedy imgur 403 forbidden errors?
Actually imgur responds with 403 Forbidden if the site you are linking from is banned for some reason (violating TOS in the past).
The second issue can be solved with a simple jQuery.getJSON() call:
var url = "http://example.com/get_gallery_images_json.php";
$.getJSON(url, function(data) {
    $.each(data, function(idx, imgFile) {
        var a = $("").attr("href", imgFile);
        $("").attr("src", imgFile).appendTo(a);
        a.appendTo($("#gallery"));
    });
});

The url here must return a JSON string which is the array of image urls, and you have to call this when you want to populate your gallery. Example:
["http://example.com/image1.png", "http://example.com/image2.png"]

The above JSON is actually an array, not a regular object. You can find more about JSON here: JSON - Wikipedia
Edit: added some example anchor/image append implementation and a JSON string.

A: Not sure why Issue 1 is a problem. Something about browser caching. See my comment above. Regarding issue 2 you can certainly use a JSON string to supply your data. I'll assume you're going to pull the json data from a url. I'll also assume your JSON structure is just filenames and URLs for now like {"filename":"someurl"}.
$.getJSON('http://someurl.com/getmystuff', function(data) {
    var $gallery = $('#gallery');
    $.each(data, function(name, url) {
        $gallery.append('');
    });
});

A: I think that the web site is protected against hotlink. It means that only the website itself can access to the images.
When you paste the image link into a new tab, you have the right to access and view the image. Then the image is cached in the browser and when you refresh your fiddle, as the image are available in the browser cache, it is possible to display them.

redpajama_set_name: RedPajamaStackExchange


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For a full list of courses taught and workshops facilitated, please see my CV.
This course focuses on contemporary literature and culture with a particular interest in citizenship, (un)belonging, migrancy, labor, and globalization. Questions this course seeks to debate include: What are the legal, cultural, and economic bonds of citizenship and (un)belonging? What is the impact of these relationships on how we identify as a citizen of a nation? How do they influence the ways we are able to move around the world? How do they complicate the ways we perceive ourselves in relation to economic systems such as globalization? How do gender, ethnic, and sexual identities complicate these relationship of citizenship, belonging, nationhood, migrancy, and labor?
At the same time as our literary and cultural texts guide these discussions, we will ask what makes these texts 'world' literature, what that conceptual framework allows, and what it prohibits. We will explore how Anglophone world literature privileges certain kinds of narratives and modes of expression as well as how artists from across the world bring their creativity to bear on the English language.
In this course, we will trace the development of British colonialism and imperialism through 18th and 19th century British literature and culture. We will pay close attention to the global dimensions of these texts in order to trace England's trajectory from an emerging political, economic, and cultural player to the empire on which famously "the sun never sets." This method will allow us to engage both canonical and non-canonical British authors and texts in ways that show the seams of the complicated processes of national and imperial formations. We will debate the changing relations between citizens and subjects within England; competing imperial interests on the global stage; and the rise of global capitalism.
Organized thematically, the course takes up issues of movement and mobility, freedom and unfreedom, human and unhuman. Juxtaposed time periods and perspectives will encourage us to examine the continuities and discontinuities around narratives of colonialism and imperialism.
This course will help you develop your academic writing abilities through a holistic approach to writing instruction. That means we will treat writing as a system of complex, interconnected activities, not just a set of skills to learn. Rather than envisioning writing as a solitary activity or one that involves a student-instructor dynamic solely, this course offers you a writing community. That means that together we will engage with the writing (academic and otherwise) of a broad range of writers; we will participate in critical conversations about the content and style of these works; your classmates and I will give you feedback on your writing throughout the semester; and you will reflect deeply on your writing, its process, and the ideological concerns raised in both the shared texts as well as your own writing.
Throughout the course, you will notice a focus on borders of different kinds–linguistic, cultural, ideological, political–that shape our identities. This theme guides the selection of reading, listening, and viewing that we will undertake in the course; thus, it will help center our conversations, offer us a shared vocabulary and an analytic perspective, and anchor our written engagement with these ideas.


text:
New book chronicles educators, church leaders from WWII generation
Published Wednesday, Nov. 28, 2007, 9:12 am
Front Page » Events » New book chronicles educators, church leaders from WWII generation
Story by Jim Bishop
They were born in the Depression, grew up during World War II, the Korean War, the Cold War and Vietnam. All moved from more rural to professional settings and made major impacts on the Mennonite Church, its institutions and the larger society.
Reflections and stories from these 16 educators and church leaders form the basis of Making Sense of the Journey: The Geography of Our Faith, a 350-page paperback. The volume, with a foreward by EMU president Loren Swartzendruber, is edited by Mennonite educators and church leaders Robert and Nancy V. Lee.
The book, published by the Anabaptist Center for Religion and Society at Eastern Mennonite University and distributed by Herald Press of Scottdale, Pa., will be released at a book signing and celebration to be held Dec. 6 at 3:50 p.m. in Martin Chapel of the seminary building at EMU. The authors will be present at the unveiling.
ACRS is a recently-formed group affiliated with EMU that embodies the growing realization that retirement from the classroom offers new and ongoing possibilities for creative intellectual interaction and support of the larger university, church and society.
The writers are: Esther K. and Myron S. Augsburger, Titus W. Bender, James R. Bomberger, Gerald R. Brunk, Ray Gingerich, Samuel L. Horst, Albert N. Keim, C. Norman Kraus, Nancy V. Lee, Harold D. Lehman, John R. Martin, Paul Peachey, Calvin W. Redekop, Calvin E. Shenk and Edward B. Stoltzfus.
Nearly all have been faculty members at one time or other at Eastern Mennonite University or Eastern Mennonite Seminary.
According to Dr. Keim, professor emeritus of history at EMU, "These remarkable accounts reflect the experiences and stories similar to hundreds of other Mennonites whose lives were changed during this disruptive era. … By confronting their own beliefs and faith practices, they gradually transformed the Mennonite Church.
The book is available at the University Bookstore, other area bookstore outlets and at www.amazon.com.
Jim Bishop is a regular contributor to The Augusta Free Press.

redpajama_set_name: RedPajamaCommonCrawl


text:
Artikulation  ist in der Zahnmedizin die Verschiebung der Zahnreihen gegeneinander unter Zahnkontakt durch Gleitbewegungen des Unterkiefers. Die Form der Gleitbewegungen hängt unter anderem von der Zahnstellung, der Höckerform und der Gelenkbahn im Kiefergelenk ab.

Artikulationsfolien
Durch dünne Farbbänder – Artikulationsfolien oder auch Okklusionsfolien – (ca. 12 µm Stärke) können die Kontaktpunkte und die Gleitbahnen der Zähne visuell dargestellt und damit überprüft werden. Hierzu werden Schließ- und Kaubewegungen mit einer zwischen den Zähnen befindlichen Folie durchgeführt. Mit Artikulationsfolien in verschiedenen Farben werden die Kaumuster bei den Schließ- und Kaubewegungen auf den Okklusionsflächen abgebildet. Störende Kontakte und Gleitbahnen können an den eingefärbten Stellen gezielt weggeschliffen werden, um eine ausgeglichene Artikulation herzustellen, fehlende können ggf. aufgebaut werden. Zusätzlich steht eine Shimstockfolie ohne Farbbeschichtung für den abschließenden Occlusionstest zur Verfügung. Die Folie zeichnet sich durch hohe Reißfestigkeit und eine Stärke von nur 8 µ aus. Bei normal geschlossenen Zahnreihen soll man diese Folie noch durchziehen können. Bei Muskeltonus wird die Folie durch die Zähne festgehalten.

Der Begriff der Artikulation wird in der Zahnmedizin allmählich durch den synonymen Begriff der dynamischen Okklusion (im Gegensatz zur statischen Okklusion) verdrängt.

Siehe auch:
 Artikulator
 Okklusion (Zahnmedizin)
 Gnathologie

Einzelnachweise

Zahn

redpajama_set_name: RedPajamaWikipedia


text:
Jacques Dubourg, né le  à Paris, mort dans la même ville le , est un marchand d'art français.

Face aux « ténors » de l'Après-guerre comme Louis Carré, ou Jeanne Bucher, Dubourg n'a pas l'aura d'un marchand de haut niveau, et sa galerie ne fait pas partie des lieux à la mode où se retrouve le « monde des arts ».

Pourtant, dans la plus grande discrétion, il représente des artistes de valeur et surtout il leur apporte son soutien moral. C'est sans doute grâce à ses encouragements que Nicolas de Staël a pu résister à la pression de Paul Rosenberg qui faisait d'abord du commerce avec l'art. C'est à Dubourg que le peintre a envoyé sa dernière lettre avant de se jeter par la fenêtre.

Dubourg a aussi accueilli André Lanskoy, Sam Francis, Joan Mitchell, Georges Mathieu,
Charles Lapicque, Patrice (Patrick Jordan), Apel·les Fenosa, Jean-Paul Riopelle, Jean Miotte et d'autres artistes contemporains jusqu'à la fermeture de sa galerie en 1973.

L'amateur d'art

Fils d'un encadreur qui était l'ami de Renoir et de Camille Pissarro, Jacques Dubourg suit les cours de l'École du Louvre avant de devenir vendeur dans la galerie de Georges Petit. Quand il ouvre sa propre galerie au 126 boulevard Haussmann, dans l'entre deux guerres (1927-1929?), Dubourg est d'abord intéressé par les impressionnistes dont il connaît bien la peinture pour l'avoir vue souvent chez son père.

Expert reconnu en la matière à l'hôtel Drouot, il est peu versé dans la peinture moderne qui ne l'intéresse pas. Il collectionne les sanguines, fusains, gravures et tableaux de peintres comme Eugène Delacroix, Antoine Watteau, Georges Seurat.

Mais sa curiosité le pousse cependant à entrer dans les galeries de ses jeunes confrères pour tenter de dénicher les successeurs de Monet ou de Cézanne.

Dubourg et Staël

Un des premiers peintres modernes à sympathiser avec Dubourg est André Lanskoy. Lanskoy connaît les difficultés relationnelles entre Nicolas de Staël et Louis Carré. Il encourage Dubourg à s'intéresser à Staël que le galeriste découvre chez Jeanne Bucher en 1945. Il y retournera un peu plus tard pour acheter Casse-Lumière , Casse-Lumière, et depuis, il acquiert chaque année discrètement un Staël pour sa collection personnelle. L'expert et le peintre sont tous deux issus d'un autre monde. Jusque-là, Dubourg n'a jamais vendu une seule toile d'un artiste contemporain.

Nicolas de Staël délaisse alors la galerie Jeanne Bucher, très à la mode et celle de Louis Carré, qui faisait autorité, pour une « petite » galerie où ses tableaux sont accrochés au milieu des toiles d'Auguste Renoir, de Claude Monet, Camille Corot, Alfred Sisley.

La suite des évènements prouve que Staël a trouvé là plus qu'un marchand. Dubourg est pour le peintre un soutien moral fidèle et  désintéressé, avec lequel il ne cessera de se confier et d'échanger des lettres qui constituent la majorité des échanges réunis dans  La Correspondance de Nicolas de Staël commentée par Germain Viatte, dans le catalogue raisonné de Françoise de Staël.l. C'est d'ailleurs à Dubourg que s'adresse la dernière lettre le , que Staël envoie avant de se jeter par la fenêtre de son atelier. Il y parle de questions matérielles à mettre en ordre, comme si de rien n'était, mais avec deux dernières lignes en forme d'adieu :

Bibliographie

 .

Notes et références

Liens externes

 notes sur Jacques Dubourg
 exposition consacrée à Jacques Dubourg en 2011

Marchand d'art français
Naissance en juillet 1897
Naissance dans le 1er arrondissement de Paris
Décès en avril 1981
Décès dans le 16e arrondissement de Paris
Décès à 83 ans


text:
CultureSep 6th 2008 edition
The physics of mass
A dialogue with nature
It's a patchwork of quantum fields
NATURE abhors a vacuum; physicists are none too keen on it either. However, conceptual attempts to fill it up, most famously with ether as a hypothetical medium, have regularly created more problems than they solved. This is because whatever occupies empty space would have to be somehow different from the tangible stuff the world is made of. Now, in a fascinating twist, modern physics challenges the ancient dichotomy between substance and void. What is perceived as empty space turns out to be a new kind of ether, a patchwork of quantum fields teeming with spontaneous activity, and the fundamental building block of nature. Subject to random disturbances, this "grid", as Frank Wilczek names it, creates stable packets of energy which, by dint of Einstein's most famous discovery, expressed in the equation E=mc2, account for the mass of ordinary matter.
Hence "The Lightness of Being", the title of Mr Wilczek's new book. In it the renowned physicist from the Massachusetts Institute of Technology engages in a riveting dialogue with nature, using experiments and hypotheses as questions. He draws on recent developments in the special theory of relativity, quantum field theory and quantum chromodynamics (which accounts for the behaviour of quarks and which won Mr Wilczek the Nobel prize in 2004) to arrive at a satisfactory answer about the origin of mass. In the process, he broaches some probing questions about the ultimate structure of physical reality, and about the prospects for a unified theory that would account for all its seemingly disparate aspects.
The book offers not just some striking answers, but also a peek at the creative process that produces them. At its heart lies the continual tension between new consequences derived from existing mathematical formulae, their novel physical interpretations and the search for their discernible manifestations. The most recent monument to this quest is the Large Hadron Collider, a $9 billion machine due to be fired up on September 10th at CERN, the European particle physics laboratory near Geneva. There, Mr Wilczek's own theories will be among the first to be tested.
The book is not without flaws. Mr Wilczek seems undecided as to his intended audience. True, he minimises the use of equations and has dreamt up some imaginative metaphors to help make complex notions more accessible. But this is still not a book for the novice. Those who cannot decipher Feynman diagrams or have never heard of gauge fields (undefined even in the glossary), are advised to bone up beforehand. In chapter seven, and in the index, colour charge (a property of fundamental particles similar to electric charge) is said to come in three hues—red, white and blue. But in chapter 17, Mr Wilczek suddenly talks of a green and purple charge, leaving the reader scratching his head. What is more, the conceptual shortcuts that pose as explanations will baffle most beginners.
"The Lightness of Being" began as a series of public lectures given by the author at different institutions. They needed to be better edited to work as a book. A quotation from a 19th-century German physicist, Heinrich Hertz, for instance, appears twice, while the notion of a coupling constant (in effect, the measure of a fundamental force's strength) is explained only some 100 pages after it is first mentioned. The numerous extended comments in brackets are also a bit of an eyesore. Most would be better as footnotes, or dispensed with altogether.
Ultimately, however, these imperfections do not stop the book being a thrilling read. In an endnote Mr Wilczek warns that the nitty gritty of quantum field theory is not for sissies. Nor is this book. But readers who are both doughty and patient will be rewarded with a glimpse of physics at its quirkiest and most illuminating.
This article appeared in the Culture section of the print edition under the headline "A dialogue with nature"
Ghostface story
The purpose of art
In Japan, festivals are boldly taking art into the countryside
Hollywood legends
Jessamine Chan's gripping debut novel sends up modern parenting
Dominant languages can spread even without coercion
A style that was bold in the 1990s has lost its satirical bite
The trend represents a reappraisal of what art can do—and whom it is for
Or down on him
"The School for Good Mothers" also sounds the alarm about surveillance
Whether and how to resist them is a tough question


Section 1 – Regular Membership. The Board of Directors of this Association shall set the annual dues for the Regular Membership. In addition to Regular Membership set forth in the Constitution of this Association, the membership shall further consist of Associate and Honorary Membership.
Section 2 – Associate Membership. Any law student of an accredited or approved school of law shall be eligible for Associate Membership upon payment of annual dues set by the Board of Directors of this Association. Associate Membership shall not include the right to vote nor hold office in the Association.
Section 3 – Honorary Membership. The Board of Directors of this Association may submit a membership application for Honorary Membership on behalf of any member of the legal profession who, in its opinion, has made an outstanding contribution to the administration of justice or the advancement of the profession. Any members of the legal profession currently admitted to practice before the Supreme Court of the State of Texas shall be eligible for Honorary Membership. There shall be no dues for Honorary Membership.
Section 1 – Powers. The affairs of this Association shall be managed by its Board of Directors composed of the President and all duly elected Officers and Directors, which may exercise all powers and do all things required by the Constitution or these Bylaws to be done by the membership, including but not limited to determining matters of policy, conducting all activities of this Association, interpreting the Constitution or these Bylaws and filling vacancies occurring in any of the elective offices.
Section 2 – Terms. The Officers of this Association shall assume office on June 1st of each year and shall serve until May 31st of the following year. The Directors of this Association shall assume office on June 1st for two-year staggered terms which will expire May 31st of the second year.
Section 3 – Ex Officio Members. The immediate past President of this Association and the Director of the Texas Young Lawyers Association for this District, provided said Director is a member of the Lubbock County Young Lawyers Association, shall be advisors to and ex officio members of the Board of Directors without vote.
Section 4 – Meetings. Regular meetings of the Board of Directors shall be held no less than six times during its term of office at such time and place as the President shall direct by reasonable notice of at least three (3) business days to the Board members. Special meetings of the Board may be called by the President upon reasonable notice of at least three (3) days to the Board members, or by any three Board members upon reasonable notice to the President and all other Board members, and may be held at such time and place as stated in the notice. The President is to be notified within one day of all meetings of matters that are brought before the Board so that such matters may be placed on the agenda. Each Officer and Director shall be entitled to one vote. Five (5) voting members present shall constitute a quorum for the transaction of business. Voting shall be by majority vote of those present.
Section 5 – Attendance at Board Meeting. It is the duty of each Officer and Director to attend the regular and special meetings of the Board of Directors. Any Officer who fails to attend three (3) regular Board meetings during his or her term of office or any Director who fails to attend six (6) regular Board meetings during his or her two-year term is presumed unable to carry out the duties of office and may be replaced in accordance with Article IV, Section 5 of these Bylaws.
Section 6 – President. The President shall be the chief executive officer of this Association, and shall preside over all meetings of this Association and all meetings of the Board of Directors, and shall perform all duties ordinarily incident to his or her office and consistent with the Constitution and these Bylaws.
Section 7 – President Elect. The President-Elect shall serve on the Board of Directors during the year preceding his or her term of office as President and shall succeed the President's term of office. He or she shall perform such other duties as the President or Board of Directors may from time to time direct.
Section 8 – Secretary. The Secretary shall prepare and keep the minutes of all minutes of all meetings of this Association, shall maintain a current and complete roster of the members of this Association, shall assist the President in the correspondence of the Association, and shall perform such other duties as the President or Board of Directors may from time to time direct.
Section 9 – Treasurer. The Treasurer shall keep financial records of this Association, shall collect, care for, and upon approval of the President or Board of Directors, disburse all funds of this Association, shall prepare an annual accounting of the financial affairs and status of this Association, and shall perform such other duties as the President or Board of Directors may from time to time direct.
Section 10 – Directors. Each Director, in addition to his or her service on the Board of Directors, shall perform such duties as the President or Board of Directors may from time to time direct.
Section 1 – Nominations Committee. A "Nominations Committee" consisting of the PresidentElect, the President and the Immediate Past President shall meet annually for the purpose of nominating individuals for Officer and Director positions. The nominations shall be made known to the Association on or before 10 days before the first regular meeting in May. In order to maintain two-year staggered terms, the Nominations Committee shall, whenever necessary, designate one Director for a one-year term.
Section 2 – Nominating Procedure. Prior to the May general meeting of the LCYLA, the Nominations Committee shall nominate one (1) individual for each officer position to be filled and one (1) individual for each director position to be filled. A written ballot shall be created and shall list the individuals nominated by the Nominations Committee, as well as one blank spot for potential "write-in" candidates for each position.
Section 3 – Voting. At the May general meeting of the LCYLA, the ballots will be distributed to all members present. All election voting will be completed at the May general meeting of the LCYLA; no electronic or proxy voting will be permitted.
Section 4 – Tabulating the Ballots. After the ballots have been collected, the President and other members of the Board of Directors who are not nominees shall count and tally all votes no later than the end of the meeting at which the ballots are cast. The officer candidates with the most votes will be elected as officers for the following year. The director candidates with the most votes will be elected as directors for the following year. Assuming two (2) director positions are to be filled each year, the two (2) individuals receiving the most votes will be elected as directors the following year.
Section 5 – Vacancies. In the event of a vacancy in any office, other than President or PresidentElect, for any reason, a successor shall be selected from the membership by a majority vote of the Board of Directors. A vacancy in the office of President shall be filled by the President-Elect. A vacancy in the office of President-Elect shall be filled by a special election of the membership following the general procedures of this Article.
Section 1 – Quorum. A specific quorum is not required for the transaction of any business of the Association.
Section 2 – Location. Meetings of the Association shall be held at such times and places as may be determined by the Board of Directors.
Section 3 – Notice. The Board of Directors shall cause the Secretary to give reasonable notice of all regular meetings and special meetings of the Association to each dues-paying member.
Section 2 – Appointments. The President, with the advice of the Board of Directors, may appoint additional committees if deemed necessary to carry out the purpose of this Association or to assist the Board in the orderly management of the affairs of this Association, consistent with the Constitution and Bylaws.
Section 1 – The Foundation Appointee. The Foundation Appointee shall serve as Director on the Board of Directors of the Lubbock Area Bar Foundation as a representative of the Lubbock County Young Lawyers Association.
Section 2 – Election. The Foundation Appointee shall be elected by a majority vote at any regular meeting of the Board of Directors.
Section 3 – Term. The Foundation Appointee's term shall be commensurate with their term as a Director of the Lubbock Area Bar Foundation as provided by the Bylaws of the Lubbock Area Bar Foundation.
Section 1 – Amendment. These Bylaws shall be amended by two-thirds (2/3) majority vote of the regular members present at a regular meeting if notice of such amendment, which shall in general terms describe the changes proposed, is given at least twenty four (24) hours before the commencement of the regular meeting.


On this day in 1996, Ray and I joined our hearts and our lives together, and today we celebrate our 11th anniversary!
We were young (I was 20, he was 21), we had only dated for a few months, although we'd known each other for 5 years, we had very little money and we were told that it would last at the most, 3 years. We had our love for each other, we had both of our parents marriages as examples, and most importantly, we had our Lord and Saviour Jesus Christ with us. We knew that this was what we supposed to be doing.
Well, we proved those nay-sayers wrong, as we knew we would. And it's been 11 years of many changes– different homes, 3 kids, different jobs, but through it all our love for each other has not wavered.
So Happy Anniversary my Dear Husband. I'm the luckiest lady alive–I'm married to my best friend, who also happens to be the most wonderful father to his kids, a man of God, a cutie, a big teddy bear, a terrific snuggler, a wonderful provider, a devoted family man. All that, and he's funny, too! And he loves ME–imagine that!
congratulations, you two lovebirds 🙂 God is good!
I remember your wedding day well. In paticular I remember Ray putting a 20 dollar bill in the 'get the couple to kiss' bowl just to get to kiss you again. 🙂 Congrats on 11 years!
Happy Anniversary! People seem to think that marrying young is just about the worst thing you can do these days. I was almost 22, and one of the last of my friends to get married. I thought I was a mature bride!!
Hope your day is a great one…….I've heard of couples causing fireworks but you two, well, you guys are causing thunder to roar!
yay!! congratulations on your anniversary!! 🙂 I'm not married and actually have never had a boyfriend, and I have some ideals that some think are rather silly — such as wanting to only ever have one boyfriend and then marry him, and having him be my best friend. Thanks for sharing your story and its encouragement. 🙂 May God continue to bless you and your family.
Kim, have you had any trouble opening the Stampin Up retired list? Every time I try my computer freezes up!
Aw, you two are so cute!
Aw, that's a beautiful post! Congratulations!!


Stadium-filling EDM, or electronic dance music, is a precision affair: each buildup and breakdown is the result of painstaking studio production. But for his latest tour Sonny Moore -- AKA Grammy-winning DJ/producer Skrillex -- wanted to be a little more flexible. "If I record something new on the road, I'll incorporate it into the set that day," says Moore, 26. "So the set list is always changing on the fly."
Moore and his production team spent five months developing The Mothership Tour 2014, which comes to the UK this month. "It was almost like they're my band, jamming together," says Moore, "creating platforms and sequences for the lighting, video and lasers, so that we can do something new every night." During each show, a team of audiovisual engineers controls an on-stage video feed, lasers and pyrotechnics in real time, responding to the music. Meanwhile, at centre stage Moore performs inside a spaceship, constructed by Pennsylvania stage production company Tait Towers.
The ship's 8-metre frame is lined with LEDs, and the wing and tail hide hydraulics that allow it to "take off" and transform mid-set. (Disassembled, the rig requires six trucks to move it between venues.) The spaceship is Moore's latest experiment with technology: his 2011 tour involved donning an Xsens motion-capture suit to interact with animated characters in real time. In March, he leaked his latest album, Recess, via an Asteroids-style iPhone game. "Part of what I love about technology is it gives you the tools to be spontaneous," he says. So, how does he know the right time to launch? "We always wait for that one, epic moment."
In the DJ booth, Skrillex performs using Pioneer CDJ-2000 decks and a Pioneer 900 mixer.
A hydraulic scissor lift hidden beneath the hull controls the ship's up-and-down movement.
Wings and back blades open during the launch stage; the LEDs are controlled from front of house.
The ship and stage are rigged with CO2 jets and Flamaniac flame systems controlled by an AV team.


Rod was outstanding is assisting us with our relocation to the Lubbock area. He was extremely knowledgeable about the areas we were interested in. Rod was more than willing to communicate with us via email, text and phone calls prior to us visiting and looking at homes. After we had selected a home to make an offer on he made himself available for inspections that we simple could not be present for. Rod Reynolds and Lyons Realty was fantastic and I will certainly recommend and use them in the future!
Great feedback from our clients never gets old, it's what we strive for with everything we do. Great Job Rod!


text:
network per la cultura
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Cosa Dove tutto il sito eventi articoli video e audio
VideoFocus
VideoPool
2video d'artista
22-25 Jackson Avenue (Long Island City)
718 7842084 FAX 718 4829454
Two exhibitions
dal 24/10/2009 al 4/4/2010
Thur-Mon 12p.m.- 6p.m
April Hunt
Ryoji Akiyama
Keith Arnatt
Robert Barry
Larry Bell
Marcel Broodthaers
Vija Celmins
Ron Davis
Agnes Denes
Jan Dibbets
Guerrilla Art Action Group
R. L. Haeberle
Art Workers Coalition
Strike Poster Workshop
Stephen Kaltenbach
Joseph Kosuth
Standish Lawder
Lee Lozano
George Maciunas
John McCracken
Lutz Mommartz
Bruce Nauman
Richard Pettibone
Ely Raman
Edward Rusha
Rudolf Schwarzkogler
Seth Seigelaub
Joel Shapiro
Nancy Holt
David Novros
Forrest Myers
Christopher Wilmarth
David Altmejd
Alex Da Corte
Robert de Saint Phalle
Cheryl Donegan
Zak Kitnick
Sam Moyer
Heather Rowe
Melanie Schiff
Martin Soto Climent
Marc Swanson
Penelope Umbrico
Kynaston McShine
Neville Wakefield
Michelle Elligott
Eva Respini
Tim Goossens
Kate McNamara
calendario eventi ::
MoMA PS1, New York
Exploring a cross section of art made during a period marked with revolution and socio-political tumult, the exhibition ''1969'' presents works drawn from every department of the Museum and also embraces 5 interventions by a current generation of artists whose work reflects the concerns of 1969. This show includes examples of painting, sculpture, photography, print, illustrated books, design, drawing, media, and film as well as a wealth of documents drawn from MoMA's archives. ''Between Spaces'' is a group exhibition organized by P.S.1's junior curatorial staff that brings together 11 emerging and established artists who remove familiar objects from their traditional functions, creating work that suggests new contexts and possibilities.
P.S.1 Contemporary Art Center presents 1969, a large scale exhibition occupying the entire second floor with works drawn from every department of The Museum of Modern Art. Exploring a cross section of art made during a period marked with revolution and socio-political tumult, this exhibition also will embrace five interventions by a current generation of artists whose work reflects the concerns of 1969 and brings the exhibition into the present. These younger artists will be given free reign to respond to the works on view and to the time period in general.
1969 is organized by a team of curators representing both institutions and includes MoMA's archivist. One of the questions that shaped this exhibition early on was whether the customary curatorial approach of P.S.1, with its fast-paced process and focus on living artists as well as the rustic architecture of the former schoolhouse, would offer a different visual setting for work ordinarily seen in the minimal white galleries of MoMA. This exhibition includes examples of painting, sculpture, photography, print, illustrated books, design, drawing, media, and film as well as a wealth of documents drawn from MoMA's archives.
Diverse artistic practices, concerns, and themes are presented ranging from the minimalist sculpture of Sol LeWitt and Carl Andre, abstract painting and drawing of Helen Frankenthaler and Gego, to films by Walter de Maria and Michael Snow, and politically charged works of the Art Workers Coalition and Martha Rosler. By exploring a single year, this exhibition is not an attempt to recount the events of 1969, but rather, to present a variety of works made in a single year, each one with its own narrative and point of view. Clearly, the exhibition also outlines MoMA's own collecting history; as such, it is part of a cross-departmental curatorial examination of MoMA's collection with an eye to expanding the range of its holdings from a period when art was being redefined.
Several of the featured works from the collection will be exhibited for the first time, including pieces by major artists like Robert Barry, Mel Bochner, Lutz Mommartz, Bruce Nauman, and John Wesley. In addition, Mel Bochner's room-sized installation, Theory of Painting, marks not only its debut at P.S.1 and MoMA, but the first time it will be realized in New York City. The exhibition will also include new acquisitions of Fluxus works which form part of a recent donation to MoMA from the Gilbert and Lila Silverman Fluxus Collection.
Central to the exhibition is the re-staging of MoMA's 1969 exhibition, Five Recent Acquisitions, organized by noted MoMA curator Kynaston McShine, highlighting then-recently acquired works by Larry Bell, Ron Davis, Robert Irwin, Craig Kauffman, and John McCracken. This exhibition within an exhibition is further contextualized by photographs by Gary Winogrand and Lee Friedlander, among others, in addition to exhibition catalogs, books, and archival documents which depict the events, excitement, and anxieties of the period. By juxtaposing the meditative space of the white cube gallery of the transplanted MoMA exhibition with the tumult of the outside world, 1969 reflects the expansive concerns held by artists of the time. Archival materials document MoMA's relationship with and involvement in the momentous events of the time.
Similar to the presentation of Five Recent Acquisitions, a younger group of artists will create interventions within the galleries that highlight, reflect, and disrupt the collection show. The intervention artworks will speak to themes both present and absent from the exhibition, such as NASA's lunar landing, the legacy of iconic post-war artists like Joseph Beuys and Robert Morris, the rise of collaborative artistic practices, and the cultural and political affects of the Civil Rights movement. The artists acting as commentators are Base, The Bruce High Quality Foundation, Mathew Day Jackson and David Tompkins, Stephanie Syjuco, and Hank Willis Thomas.
Artists include: Vito Acconci; Robert Adams; Ryoji Akiyama; Carl Andre; Keith Arnatt; Richard Artschwager; Richard Avedon; Lewis Baltz; Robert Barry; Larry Bell; Mel Bochner; Marcel Broodthaers; Scott Burton; James Lee Byars; John Cage; Vija Celmins; Ron Davis; Walter De Maria; Agnes Denes; Jan Dibbets; Fluxus; Helen Frankenthaler; Lee Friedlander; Gego; Guerrilla Art Action Group; Philip Guston; R. L. Haeberle, Art Workers Coalition and Peter Brandt; Richard Hamilton; Strike Poster Workshop, Harvard University Graduate School of Design; Douglas Huebler, Robert Irwin; Jasper Johns; Ray Johnson; Donald Judd; Stephen Kaltenbach; Craig Kauffman; Joseph Kosuth; Standish Lawder; Sol LeWitt; Lee Lozano; George Maciunas; John McCracken; Lutz Mommartz; NASA; Bruce Nauman; Claes Oldenburg; Dennis Oppenheim; Nam June Paik; Richard Pettibone; Adrian Piper; Arnulf Rainer; Ely Raman; Robert Rauschenberg; Gerhard Richter; Martha Rosler; Dieter Roth; Edward Rusha; Rudolf Schwarzkogler; Seth Seigelaub; Richard Serra; Joel Shapiro; Robert Smithson and Nancy Holt; Michael Snow; Andy Warhol, Claes Oldenburg, David Novros, Forrest Myers, Robert Rauschenberg, and John Chamberlain; Lawrence Weiner; John Wesley; Christopher Wilmarth; and Garry Winogrand.
Organized by Neville Wakefield, P.S.1 Senior Curatorial Advisor; Michelle Elligott, MoMA Archivist; and Eva Respini, MoMA Associate Curator of Photography.
The exhibition is supported by MoMA's Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation, The Contemporary Arts Council of The Museum of Modern Art, and Sally and Wynn Kramarsky.
Between Spaces
P.S.1 Contemporary Art Center is proud to present Between Spaces, a group exhibition organized by P.S.1's junior curatorial staff. The exhibition brings together eleven emerging and established artists who remove familiar objects from their traditional functions, creating work that suggests new contexts and possibilities. On view in the First Floor Main Gallery from October 25, 2009, through April 5, 2010.
Adopting the role of alchemist, the artists in Between Spaces reform and shift the aesthetic and cultural connotations of their materials. Notions of presence and absence are highlighted, evoking the space in between.
In recasting the functionality of standard materials, including light, the works in Between Spaces challenge the viewer's perception of domestic material conventions. In his series Blinds, Martin Soto Climent explores the physical limits of Venetian blinds as he twists and transforms them into a draped installation that cascades from the wall. Artist Alex Da Corte uses homemade multicolored soda as the sole medium in his large site-specific floor installation. The soda is poured into molds and then hardens into an abstract composition of juxtaposed primary shapes.
Artists: David Altmejd, Alex Da Corte, Robert de Saint Phalle, Cheryl Donegan, Zak Kitnick, Sam Moyer, Heather Rowe, Melanie Schiff, Martin Soto Climent, Marc Swanson, and Penelope Umbrico
Organized by Tim Goossens and Kate McNamara, P.S.1 Curatorial Assistants.
The exhibition is supported by The Student Body of P.S.1 Contemporary Art Center.
Image: Marc Swanson, Untitled (Window Box), 2008-2009, Wood, glass, paper, shellac, 81 1/2 x 32 x 11 inches
Courtesy the artist and Richard Gray Gallery, NY
April Hunt tel 718.786.3139 e-mail april@ps1.org
Opening Day Celebration: Sunday, October 25, 2009, 12-6PM
P.S.1 Contemporary Art Center
22-25 Jackson Avenue at 46th Avenue in Long Island City, Queens, New York
Hours: 12p.m. to 6p.m., Thursday through Monday.
Admission is a $5.00 suggested donation; $2.00 for students and senior citizens; free for MoMA members and MoMA admission ticket holders. The MoMA ticket must be presented at P.S.1 within thirty days of date on ticket and is not valid during Warm Up or other P.S.1 events or benefits.
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text:
Tomorrow's Ghosts 'Virtually Halloween' Festival 2020
Absinthe Promotions Ltd
'Tomorrows Ghosts present 'Virtually Halloween' – an online festival curated by Absinthe Promotions Modern Films & Juliet Landau (Buffy Vampire Slayer, Angel, Ed Wood). We've teamed up with Modern Films to bring an Exclusive Preview Screening of their new film 'A Place Among the Dead' starring, written and directed by Juliet Landau along with a Q&A with Juliet Landau and cast. There will be live music and 'in conversation' with David J of the legendary band Bauhaus, music from Saigon Blue Rain, 'Bram Stoker's Whitby' with Dacre Stoker, Dead Sexy with Violet Fenn plus more. There will be alternative markets in the online Expo area and an all-day 'virtual club' where you can meet old friends and new. About Tomorrows Ghosts Festival Tomorrow's Ghosts is a biannual gothic and alternative music & film festival held at Whitby Pavilion, UK since 2018. As with most live events, Covid-19 has put a halt to this Halloweens' real-life festival and so we present 'Virtually Halloween'; In place of the usual an interactive on-line festival hosted on a digital platform that combines music, film, markets, socialising and more. Further details of this festival and the scheduled 2021 events can be found at www.tomorrowsghostsfestival.co.uk The event will run from 10:00 until 01:00 UK time Festival can be booked globally but will stream in UK time
General On-line Admission (Inc fees) 16.0 GBP 10000


Just purchased a 6 needle machine and came across this site...signed up, found GREAT DEALS and purchased over 60 sets in one months time! Thanks for the great files!! Keep them coming!
All About Christmas 9 is a single design from the All About Christmas design set. All About Christmas is a set of great designs naturally all about Christmas. Terrific for all sorts of projects from tree skirts to stockings, to children's shirts and so much more.


For 25 years RNS Publications have been responsible for the printing of patient and relatives information on a free of charge basis for NHS Hospitals throughout the UK.
We are a true family concern and the longest established company producing patient information solely for the NHS. Since the beginning we have grown this service to currently working with over 180 Hospitals and some 50 Hospices throughout the UK. Our growth has been organic, built on trust and joint value between us and our clients.
To learn more about utilising our unique service, please explore our website and use our contact us page to speak to us.


Tailor sized loading net with perfect fit to Thule Trail carrier basket.
Helps to secure load on Thule carrier baskets.
Spacious bag to organize loading in Thule carrier basket.
Extends the cargo area by 20"/51cm in length.


text:
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redpajama_set_name: RedPajamaGithub


text:
Santa Luzia est une freguesia portugaise située dans la ville de Funchal, dans la région autonome de Madère.

Avec une superficie de 1,34 km et une population de 6 695 habitants (2001), la paroisse possède une densité de 4 996,3 hab/km.

Liens externes
Site officiel de la freguesia

Funchal
Freguesia à Madère