Click on the 'SIGN-IN' button at the top left of the page and you will be taken to the log in screen. Then click 'I Have Forgotten my Password' and then enter your email address when prompted a new password will be sent out to you.
I want to change my password, how do it do that?
Sign in as normal and then click on the 'MY ACCOUNT' link. Here you will be given the option to 'Change my account password' – click this and follow the onscreen instructions.
To set up an account, simply click on the 'REGISTER' link at the top-left of the home page. You will be asked to fill in a few fields asking for an email address and your home address. When you have done that and chosen your password, your account is ready to use.
Why does my tobacco contain bits/dust? What can I do to stop this?
Dust and small bits can develop in tobacco pouches over time as the tobacco begins to dry and flake. To reduce the chances of this happening, seal the pouch so that it is air-tight. Additionally, try and keep the tobacco pouch out of direct sunlight whenever possible.
What are Tobacco Specialists' delivery charges?
The standard delivery charge is £3.50. However, recorded and special deliveries will incur a slightly higher price accordingly.
Can I order online and collect it in store?
Yes, we are more than happy for you to order online or over the phone to reserve your favourite products and then come into the store for collection.
We do not ship overseas due to the high delivery costs and the various rules that affect the exportation of tobacco.
I don't like the tobacco that I ordered, can I return it?
We do not operate a returns or refunds policy for people who dislike the tobacco that they order. This is to protect us against the minority of people who may be inclined to remove the high quality tobacco that we supply and replace it with an inferior brand before returning it.
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Unfortunately, we cannot dispatch any orders on Saturday. If you place an order late Friday or on Saturday, we will strive to deliver it on Monday.
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If a faulty lighter is delivered to you, we are happy to refund or replace it. Simply send it back to us and we will try and fix it or send out a replacement lighter or refund it.
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We will dispatch all orders that are made before midday, Monday to Friday, on the same day. This allows for quick and efficient delivery.
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Study Guide No Fear Translation Graphic Novel Memes Infographic Teaching Guide
No Fear Translation
Teaching Guide
Act 3 Scene 2
No Fear Act 3 Scene 2 Page 13
Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18
Act 3, Scene 2, Page 12
Table of Contents Characters Act 1, Scene 1 Act 1, Scene 2 Act 1, Scene 3 Act 1, Scene 4 Act 1, Scene 5 Act 2, Scene 1 Act 2, Scene 2 Act 3, Scene 1 Act 3, Scene 2 Act 3, Scene 2, Page 2 Act 3, Scene 2, Page 3 Act 3, Scene 2, Page 4 Act 3, Scene 2, Page 5 Act 3, Scene 2, Page 6 Act 3, Scene 2, Page 7 Act 3, Scene 2, Page 8 Act 3, Scene 2, Page 9 Act 3, Scene 2, Page 10 Act 3, Scene 2, Page 11 Act 3, Scene 2, Page 12 Act 3, Scene 2, Page 13 Act 3, Scene 2, Page 14 Act 3, Scene 2, Page 15 Act 3, Scene 2, Page 16 Act 3, Scene 2, Page 17 Act 3, Scene 2, Page 18 Act 3, Scene 3 Act 3, Scene 4 Act 4, Scene 1 Act 4, Scene 2 Act 4, Scene 3 Act 4, Scene 4 Act 4, Scene 5 Act 4, Scene 6 Act 4, Scene 7 Act 5, Scene 1 Act 5, Scene 2 How to Cite
Modern Text
HORATIO
You might have rhymed.
You could have at least
rhymed
The obvious rhyme is "ass."
rhymed .
O good Horatio, I'll take the ghost's word for a thousand pound. Didst perceive?
Oh, Horatio, I'll bet you a thousand bucks the ghost was right. Did you notice?
Very well, my lord.
Yes, I did, my lord.
Upon the talk of the poisoning?
When the actors were talking about poison?
I did very well note him.
I watched him very closely.
265Ah ha! Come, some music! Come, the recorders!
For if the king like not the comedy,
Why then, belike, he likes it not, perdy.
Come, some music!
Ah ha! Hey, let's have some music here! Play your flutes!
For if the king doesn't like the play,
Then he doesn't like it, we may say.
Come on, music!
Enter ROSENCRANTZ and GUILDENSTERN
ROSENCRANTZ and GUILDENSTERN enter.
GUILDENSTERN
Good my lord, vouchsafe me a word with you.
My lord, could I have a word with you?
Sir, a whole history.
You can have a whole story, not just a word.
The king, sir—
Sir, the king—
270Ay, sir, what of him?
Yes, what about him?
Is in his retirement marvelous distempered.
He's in his chambers now, and he's extremely upset.
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Culture, Music, News, Review
"Matangi/Maya/M.I.A." Documentary Gives Intimate Look Behind British-Sri Lankan Pop Star M.I.A. This bio-doc Reveals What the British-Sri Lankan pop star was fighting for all along.
Rachel Ann Cauilan, 3 years ago 1 5 min read
LOS ANGELES, CA- Long before M.I.A. was the pop star behind the Clash-sampled smash hit "Paper Planes" — a song that satirizes Western anti-immigrant prejudice — M.I.A. was Maya Arulpragasam, a Tamil resistance leader's refugee daughter turned London-based aspiring documentary filmmaker rooted on American hip-hop.
"Why are you such a problematic pop star?" first-time director and long-time London art school friend Steve Loveridge asks Maya towards the beginning of filming M.I.A.'s new documentary Matangi/Maya/M.I.A. A question one would ask a close friend in light-hearted humor, M.I.A. responds in candid, bratty fashion, giving the documentary an exclusively intimate look into the life of international pop star.
For fan's unfamiliar with M.I.A.'s backstory, the documentary is a thrilling, insightful and raw look into her life and life's mission. The film whizzes back and forth from her upbringing in Sri Lanka, growing up a child of war, as the daughter to an estranged Tamil independence movement leader and activist to her current celebrity status. In a special eye-opening moment, the view gets to meet Maya's father, the infamous Arular (who inspired M.I.A.'s debut album Arular and a founder of the Tamil resistance movement), when Maya films his visit home. When Maya's siblings all seem to call their father a "deadbeat," she remarkably takes a grateful stance by saying, "He's made us damn interesting. He's given us a bloody background!"
That background is something Maya continues to fight for and affects the rest of her life and career. When she moved to the U.K. as a Sri Lankan refugee with her family, she began to pursue documentary filmmaking at a London art school and started a friendship with Justine Frischmann of the 1990s Britpop band Elastica. When she joined them on tour, it was then that she realized she had a story of her own to tell. "Why don't you use your voice to say something that matters" became a mantra she developed during a moment of weakness caught on tape on tour through personal video footage.
With a sound rooted in hip-hop mixed with South Asian instruments and lo-fi production values, M.I.A. the artist began to rise as she consistently proved herself a magnetic performer throughout the film. Early video tape footage shows her dancing to traditional South Asian music as a child, dancing both rhythmically and aggressive. Her unique bi-continental musical style shines as we see origins of her musical journey where she crafts her first album on a Roland 505 multitrack recorder to collaborating with then-lover and producer Diplo cultivating her style, sound and persona that record labels and executives couldn't make sense of.
Even as she began to make waves in the mid-2000s, her story back home weighed heavily on her. Western media mocked her, calling her "Paki," while her own homeland couldn't take her seriously. "You never had the war zone experience," she said with a smirk into a camera during a 2001 trip back home to her hometown in Sri Lanka in an attempt to understand her background.
As a whole, Loveridge's documentary is a wonderfully jarring, mismatched self-portrait of an artist itching to tell her and her family's story while struggling to be accepted by it. As M.I.A.'s pop star status grew, so did the war back home. This only fueled her political activism. There are moments in the press where her 2009 "genocide" comments were meant to bring attention to the Tamil casualties, yet people designated her as a terrorist-sympathizer (the Tamil Tigers were seen as terrorists by international authorities at the time). She turned to her art when she released her graphic and provocative music video for "Born Free," which depicts a genocide against ginger-headed white boys, commenting on the real-life crimes happening in Sri Lanka (the video was taken down from YouTube).
Most notably, we got an extremely revealing look into Madonna's 2012 Super Bowl halftime performance when M.I.A. flipped the middle finger to America, generating rage from the NFL and a lawsuit set to break down the career of a woman, a person of color and a refugee seeking to voice the story of her people, the Tamils, and for marginalized people worldwide.
When Madonna's performance ended with the words "World Peace," we can't help but let out a little laugh. The Super Bowl — a symbol for America and its corporate giants — was ultimately M.I.A.'s moment to address everything wrong with the system as she, Madonna and Nicki Minaj paraded around during their halftime performance.
Matangi/Maya/M.I.A. gives the artist another chance to tell her story. It highlights relentless fight Maya has endured throughout her career — a fight decades in the making, using music to voice the struggles of her people. From the sounds, laughter and children singing in the jungle and the cities capture on film, to the pure moments of happiness when Maya asks her grandmother for the most valuable thing she's learned in life (where she humbly says to always do what makes you happy, because that will get you through life), Loveridge paints a captivating picture of M.I.A. We see an artist who is well aware of her own privilege yet strives to validate that privilege through seeking social justice through her art.
You can't help but fall in love with the raw moments M.I.A. shares on camera, and Loveridge was able to somehow piece it all together in a politically-charged, angsty and sometimes tough to watch documentary that is incredibly memorable.
#Arular	#British	#Kala	#LAAPFF	#M.I.A.	#Matangi	#Maya	#Paper Planes	#Sri Lanka
TBT: Josiah Performs Without The Bonnevilles for Opening Set At The Troubadour
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Rachel Ann Cauilan
Rachel is a 20-something music lover, writer, blogger and guitar player who is constantly on the hunt for the latest artists and musicians who hit her in the heart, mind, body and soul. Originally from the Bay Area and now in Los Angeles, she runs her own blog and continues to find her way through the many artists who inspire her.
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Q: How to setup continuous DB replication from on-prem MS SQL server to PostgreSQL on AWS RDS without reconfiguring source machine? I am looking for a way to set up continuous data replication between an on-prem Microsoft SQL Server to AWS RDS PostgreSQL. The source table is updated once every 24 hours. The challenge here is that I don't have any control over the source (on-prem) DB. All I have is a DB user that I can use to query the database. In a nutshell, I am looking for the following requirements:

*

*The source machine should not be modified in any way (i.e. applying configurations to the source machine)

*Cheap (do not require a migration server to run 24/7) and easy to manage (set up once and forget it)

*Ideally, the solution should only migrate the changes done to the source DB table such as adding/removing records. In other words, avoid emptying the target table and re-filling it with the source table records (that is what the AWS DMS "Full-Load" would do)

I was looking at AWS DMS Ongoing Replication but it requires changes to the source machine so I had to dismiss that solution (see Using a Microsoft SQL Server database as a source for AWS DMS). Also, that solution would require a "Replication Instance" to run 24/7.
Is there anything else I should be looking at that satisfy the above requirements? Or my only option would be to go with "Full-Load" AWS DMS migration which would be potentially costly solution provided the frequency of updates to the source database table?
I would appreciate any thoughts on the problem, please.

A: This is a very rough thought process on one thing you could do (and I'm sure there's ways to fine tune this idea, which I'll continue to update as I think of them) but you can leverage a couple of the things MS SQL Server and AWS offers to meet most of your needs.
In order of events, this is the steps you can take:

*

*Scale up an additional Microsoft SQL Server possibly using SQL
Server Express Edition: This server will house a job that will
handle pulling the data from your primary MS SQL Server and
comparing it to your AWS PostgreSQL instance, to generate the changes.
There are a lot of limitations with SQL Server Express Edition, so
you'll have to read up on it, but it's a free edition of Microsoft
SQL Server so it checks off the cheap checkbox if you are able to
leverage it. If you can't, then a somewhat cheap alternative would
be to use SQL Server Standard Edition on a two core server. Make sure to install the  Integration Services component during the installation of SQL Server (regardless of which edition you choose).
You can choose to scale this up in AWS, a VM, or however you see
fit. (In AWS you can create a job that turns this server on and off
as needed.)

*Create a SQL Server Integration Services project: This will be compiled into an SSIS package that will live on the server job server above. In the SSIS project you'll be able to connect to your primary Microsoft SQL Server, pull in the data from the source table, and then pull in the destination copy of the table on your AWS PostgreSQL instance, and then compare the two datasets for changes. How you implement your comparator is up to you, but one thing in Microsoft SQL Server that can be useful is a function called HASHBYTES(). You can hash the whole row and compare it's hash to your AWS PostgreSQL instance's hashed rows. (I'm not sure if there's an equivalent function in PostgreSQL, but if there's not then you can import your PostgreSQL's table data into your MS SQL job server first and then compare both datasets with HASHBYTES.) Then you'll be able to output the resultant rows that've changed to a destination. Unfortunately I don't think you'll be able to directly output them to your AWS PostgreSQL instance, so the next step will be an intermediary step.

*Add a step to your SSIS project to output the rows that changed to either another staging table on your job server or to a raw file like a CSV. (This will be up to you to decide how to implement, as a staging table means you'll need to leverage a more complex process in AWS to pull in the data. I think a CSV is the simpler route, you just need to ensure you setup a file share for the file to be saved to.)

*Deploy the SSIS project as a package to your Microsoft SQL job server. Then use the SQL Agent to schedule a job that runs daily to execute the SSIS package.

*Create an S3 bucket (or alternative AWS storage solution) in your AWS cloud for where the raw file from step 3 will be copied to.

*Create a scheduled job that will migrate your raw file from step 3 to your S3 bucket in step 5. This again will be up to you and can be accomplished many ways such as the following examples:

*

*AWS SFTP Managed Service

*AWS REST API

*AWS SDK using your programming language of choice

*AWS CLI or any other alternative they offer

*An alternative non-AWS solution (programmatically, etc)

*Leverage the AWS SDK, or alternative services they provide to create an AWS job that uploads the data from the file you imported into your S3 bucket into your PostgreSQL instance. I'd recommend importing it to a separate staging table in PostgreSQL first (but this up to you how you end up implementing it). (You might be able to roll step 6 into the same job you create for this step.) See this AWS doc for more info: Importing data into PostgreSQL on Amazon RDS

*After importing the data above into a staging table in PostgreSQL, you can (either in the same job or a new job), delete from your destination table the records with the same primary keys as the records in your staging table. Then insert the records from your staging table into the destination table. (Although this is technically doing a DELETE / INSERT on the records that were updated, it's still better than truncating the entire table and inserting everything, so I think it should suffice your requirement of not doing a full load.)
Implementing this process is going to be a lot of work (more than it took to read :), so you might consider just paying an AWS partnered company to implement a solution for you if it's too much time to implement, but that's for you to decide.
One other thing that might be useful to be aware of in Microsoft SQL Server is Change Data Capture (CDC). This is a process in SQL Server that logs changes to tables (essentially maintains a transaction log table of every table in your database). It might be useful in conjunction or in place of SSIS and is the main component of Microsoft SQL Server that AWS's out of box DMS uses to migrate data from SQL Server.
Another similar component in Microsoft SQL Server is called Temporal Tables which have similar functionality as Change Data Capture (but are probably less used).
If you have any questions, I'm happy to elaborate on any of the steps in my rough solution above.

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Tempe, United States
ASU Art Museum
Tempe, United States Arts Free
5 tour stops
Welcome to our Public Art tour!
Eduardo Sarabia: Snake Skin Boots, 2011
Learn more about the cowboy boots in front of the museum's entrance.
Leo Villareal: Point Cloud (ASU), 2020
Learn more about the museum's recent commission by artist Leo Villareal.
Robert Arneson: Nuclear Stockpile, 1985
Learn more about artist Robert Arneson.
Luis Jimenez: Southwest Pieta, 1994
Learn more about Luis Jimenez's Southwest Pieta.
ASU Art Museum Storyteller
Named "the single most impressive venue for contemporary art in Arizona" by Art in America magazine, ASU Art Museum, part of the Herberger Institute for Design and the Arts, was founded in 1950 with a major gift of American and Latin American works. Reinventing the university art museum, ASU Art Museum reaches beyond traditional boundaries to serve the university, the field and the broader community by pursuing the highest level of research and experimentation in exhibitions, programs, collections and publications.
The museum demonstrates its dedication to innovative collaboration in both global and regional partnerships, presenting contemporary art in all media by regional and international, emerging and established artists. The museum's commitment to pioneering artists and emergent media is expressed in its exhibitions and programs, which receive both national and international attention.
Itinerary: 5 stops Duration: 6:54 Location: Tempe, United States Language: English Audio: 6 min total Size: 22 Mb Published: 2/10/2022
Join in on an exploration of public art at the ASU Art Museum.
Itinerary 6:54
A guidigo-map-Public Art


Home / About Us / Travis C. Burns, M.D.
Dr. Burns is a board-certified orthopedic surgeon with subspecialty fellowship training in sports medicine. He specializes in shoulder replacement and arthroscopic surgeries of the shoulder, hip, and knee.
Dr. Burns is active in treating athletes of all ages. He provides team coverage for local high schools and serves as a volunteer sports medicine physician for Team USA at the Olympic Training Center.
Dr. Burns graduated from West Point and served as the men's tennis team captain during his senior season. At West Point, he was elected to Phi Kappa Phi Honor Society, was a four-year letterman on the tennis team, was a National Academic All-American, and was awarded the Eastern College Athletic Conference Merit Medal for athletics and scholarship.
Dr. Burns obtained his medical degree from University of Texas Health Science Center Houston, where he was elected to the prestigious Alpha Omega Alpha Medical Honor Society.
After orthopedic surgery training, he completed subspecialty fellowship training in Orthopedic Sports Medicine at the John A. Feagin, Jr. Sports Medicine Fellowship. In 2014, he was then selected for the American Orthopaedic Society for Sports Medicine (AOSSM) traveling fellowship to South America.
Dr. Burns served in the military as an orthopedic surgeon at San Antonio Military Medical Center. At SAMMC, he served as the Chief of Sports Medicine with a clinical focus on managing complex shoulder, hip, and knee injuries. During his time in the military, he had the opportunity to serve as a deployed orthopedic surgeon in Mosul, Iraq and Kabul, Afghanistan treating injured service members.
In his medical career he has been active in research and academic medicine. He published over 35 peer-reviewed publications and co-authored 5 book chapters. He has been the site primary investigator on three nationally funded clinical trials evaluating new treatments of orthopedic injuries. In recognition of these academic contributions, he was awarded the American Academy of Orthopedic Surgeons (AAOS) Achievement Award in 2018.
As medical technology and clinical literature grow rapidly, Dr. Burns enjoys a subspecialty practice that enables him to focus on specific procedures and pathways to optimize patient outcomes. This includes utilizing the newest innovations and technology; such as, less invasive shoulder replacements and computer assisted/navigated surgery.
Outside of orthopedics, Dr. Burns spends time with his wife amid the chaos of their four young children.


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Trains from Acocks Green to The Hawthorns
Home Destinations The Hawthorns Trains from Acocks Green to The Hawthorns
Travel from Acocks Green to The Hawthorns by train. Use our Journey Planner to access downloadable timetables, live departures and important information about upcoming timetable changes.
Train journey information from Acocks Green to The Hawthorns
How much is a train ticket from Acocks Green to The Hawthorns by train?
Catch the train from Acocks Green to The Hawthorns from just £2.50 one-way when you book in advance. Use our Best Fare Finder to find the cheapest train tickets to The Hawthorns.
How long does it take to travel from Acocks Green to The Hawthorns by train?
Our fastest train to The Hawthorns takes 16 minutes. Journey times may be slightly longer on weekends or public holidays. Use our Journey Planner to access downloadable timetables, live departures and arrivals. Stay connected while on the move with our free on-board WiFi and entertainment service. Access a range of entertainment, including TV programmes, magazines, short films, news and more!
How many trains a day are there from Acocks Green to The Hawthorns?
There are up to 38 trains per day from Acocks Green to The Hawthorns.
Are there any direct trains from Acocks Green to The Hawthorns?
Yes, you can travel from Acocks Green to The Hawthorns without having to change trains. Find direct trains to The Hawthorns using our Journey Planner.
What time is the first train from Acocks Green to The Hawthorns?
The first train departs from Acocks Green to The Hawthorns at 05:54. Book your tickets in advance and enjoy a few more minutes of hitting snooze.
What time is the last train from Acocks Green to The Hawthorns?
The last train from Acocks Green to The Hawthorns departs at 22:45.
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This 5 story, 402,000 sq. ft. multifamily project includes 325 luxury apartments and is anchored by a Safeway store, with most units enjoying views of the Capitol Hill neighborhood, including the Capitol building. Amenities include a fitness center, business center, and underground parking. The doors, frames, and hardware package was valued at over $1 million.


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EDITOR: Raj Shah | January 13th, 2015
Mawson completes geophysical survey at the Palokas gold prospect in Finland
Raj Shah | January 13, 2015 | No Comments
January 13, 2015 (Source: CNW) — Mawson Resources Limited ("Mawson") or (the "Company") (TSX:MAW) (Frankfurt:MXR) (PINKSHEETS: MWSNF) announces the completion of a 3D induced polarization "IP" survey at the Palokas prospect in Lapland, Arctic Finland.
The field component of a pseudo-3D pole-dipole IP and resistivity survey at Palokas Prospect has been completed. Results are pending with processing ongoing;
The survey covers an area of 750 metres of strike length and 600 metres width enclosing the Palokas gold prospect;
The aim of the survey is to identify deeper diamond drill targets beneath near-surface mineralization defined by hand portable drilling;
Drill testing of additional shallow targets 400 metres south of Palokas with the hand portable rig at Rajapalot is continuing.
Mr Michael Hudson, President & CEO states, "We remain active in the field in Finland with both near-surface, hand portable drilling and geophysical surveying and processing continuing during January 2015. The IP survey covers the Palokas prospect that contains the strongest near-surface mineralization discovered to date, along the 1.2 kilometre mineralized trend, where hand portable drilling results have included 19.5 metres @ 7.4 g/t gold from 1.3 metres depth (see Mawson Press Releases October 03, 2013, October 16, 2013 and January 20, 2014). Initial geophysical testing in 2013 showed the geophysical response of mineralization to continue to more than 150 metres depth, and this survey will aid in defining deeper drilling targets below near-surface mineralization."
The IP area surveyed commences more than 250 metres north of Palokas to 500 metres south of the Palokas prospect. The data will be combined with the existing 2013 pole-dipole and gradient array survey data to improve the resolution of the inversions. Additional ground magnetic data were collected over the same area to enhance the surface definition of the gridded ground magnetics collected in 2013. Surveying was completed by GeoVista of Luleå, Sweden. The quality of the data was checked daily in the field and processing, data inversion and interpretation are ongoing.
Drill testing of shallow targets 400 metres south of Palokas with the hand portable rig at Rajapalot will be completed soon. Geochemical results from 12 drill holes remain pending from the laboratory.
The key milestone awaited by the Company is the administrative court decision on an appeal by an NGO group. The appeal was made against a decision by the mining authority, the Finnish Safety and Chemical Agency ("TUKES") on July 2014 to grant modified and renewed exploration claims, titled Kairamaat 2 and 3, that cover a surface area of 1,462 hectares at Mawson's Rajapalot gold project in northern Finland. The decision by TUKES entitles Mawson full drill access during winter conditions within Natura 2000 biodiversity areas. A decision on the appeal by the administrative court is expected during 2015. Subject to this decision by the administrative court, the plan is to undertake a substantial winter deep diamond drilling program at the Palokas prospect.
About Mawson Resources Limited (TSX:MAW, FRANKFURT:MXR, PINKSHEETS:MWSNF)
Mawson Resources Limited is an exploration and development company. Mawson has distinguished itself as a leading Nordic Arctic exploration company with a focus on the flagship Rompas and Rajapalot gold projects in Finland.
The qualified person for Mawson's Finnish projects, Mr. Michael Hudson, President & CEO for Mawson and Fellow of the Australasian Institute of Mining Metallurgy has reviewed and verified the contents of this release.
On behalf of the Board,
Michael Hudson, President & CEO
Forward Looking Statement
This news release contains forward-looking statements or forward-looking information within the meaning of applicable securities laws (collectively, "forward-looking statements"). All statements herein, other than statements of historical fact, including statements regarding anticipated exploration activities and the intended financing are forward-looking statements. Although Mawson believes that such statements are reasonable, it can give no assurance that such expectations will prove to be correct. Forward-looking statements are typically identified by words such as: believe, expect, anticipate, intend, estimate, postulate and similar expressions, or are those, which, by their nature, refer to future events. Mawson cautions investors that any forward-looking statements are not guarantees of future results or performance, and that actual results may differ materially from those in forward looking statements as a result of various factors, including, but not limited to, capital and other costs varying significantly from estimates, equipment failure, unexpected geological conditions, permitting, operational delays, environmental and safety risks, and other risks and uncertainties disclosed under the heading "Risk Factors" in Mawson's most recent Annual Information Form filed on www.sedar.com. Any forward-looking statement speaks only as of the date on which it is made and, except as may be required by applicable securities laws, Mawson disclaims any intent or obligation to update any forward-looking statement, whether as a result of new information, future events or results or otherwise.


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Bonus donations
Flamstead Heritage campaign
The Flamstead Heritage campaign has been set up to save our beautiful 12th century village church from closure. Damp and deathwatch beetle have affected the roof timbers because the windows and walls are not weatherproof. Temporary repairs have now been made while we raise money to replace the outer roof, fix the timbers and restore the leaking windows. This website tells the story of our campaign to save St Leonard's…
First, we needed to find out how serious things were. Using a birdcage scaffold, the architects, structural engineer, wood rot specialist and quantity surveyor were able to get up close to the medieval timbers. This gave a fascinating glimpse of the way the roof is put together, and enabled a detailed survey to be done.
The massive oak beams which support the roof last received major attention in 1691. Then, sections of rafters could just be taken out a refitted with new timber. Now, we need to conserve the original materials where possible due to the Grade I listing.
To make sure the roof stays safe while we raise funds, some short-term supports have been added to help transfer the weight of the spine of the roof onto the massive cross-beams as shown.
The spine timbers have been weakened by deathwatch beetle, and the ends of some of the rafters have been eaten away. The outer copper roof is also now end-of-life and letting in water.
With funding, we can repair the timbers, replace the outer roof, and remove cement around the rafter ends so they can breathe.
To make the building fully weatherproof, we need to remove GRP facings which were attached to the top row "clerestory" windows in the 1960s. The windows can then be rebuilt in stone.
Cement rendering will be replaced by lime mortar so that the walls can "breathe". The downpipes will be upgraded to cope with dispersing storm water away from the building.
All of this will help to dry out the environment inside the church.
Eliminating damp will protect the wall paintings which have survived in some cases since the 13th century. This important series of paintings can be conserved and restored once the moisture levels in the church have been reduced.
Restoring the "environmental envelope" of the building will protect the medieval murals, as well as ensuring that the roof timbers are no longer under prone to attack from beetle or rot.
Our approach to funders including Heritage Lottery will present a vision for transformation of the way the church as a building serves the wider local community, as indeed it was designed to do when first built. Arts and culture, social events and opportunities to learn more about the heritage treasures are all on the plan. We are really excited by this vision, and you can learn more about it on our vision page.
Heritage Lottery supports St Leonard's church heritage project
Flamstead Book Festival
Matched funding pledges
Over two thousand votes for St Leonard's
New thriller raises funds for church
Site design by UKChurches Copyright (c) 2019, content by Flamstead Heritage group. All Rights Reserved.


text:
Nine Black Alps: Nine Black Alps EP
The NEXT next big thing in Rock? I doubt it.
Nine Black Alps
Nine Black Alps EP
Label: Tiny Evil
US Release Date: 2005-07-12
UK Release Date: Available as import
Man, do I hate Jet. While reading the one sheet on this Manchester four piece I couldn't help (for one reason or another) being reminded of the aforementioned group's crimes against the music world. Perhaps it's the AC/DC personifications, or the boastfulness in all the thirsting for indie "cred". Whatever it was, it did not bode well for our heroes. Though they are already being hailed as the saviors of rock music (which is, like, the hundredth time someone has saved such a thing?) you won't find much heroism on Nine Black Alps self-titled, five-track debut US EP. It's all in the delivery, which is, sorry to say, ranging from piss-poor to passable fluff.
Lead singer, Sam Forrest tries his hardest for Mick Jagger, but tends to only come off as a poor man's Bon Scott. This wouldn't be such a bad thing if the production would put the more raucous rhythm section at the forefront instead of utilizing old school methodology of tin can recordings to create some sort of vintage sound or persona. It severely takes away from any kick that the EP might have by undermining the more obviously promising elements for the sake of a "scenester"-like semblance of retro-cool.
Playing off each other in a most admirable way, Forrest and co-guitarist David Jones attempt to create a rather cohesive and functional wall of sound that, unfortunately, (much like a shark) seems to only die a little when it slows down. Perhaps they feel that it's best to inundate themselves with an unrelenting arsenal of calculated noise and fuzz to propel their most dubious identity as rockers with a purpose, as opposed to their more accurately categorized tired and formulaic existence that all the swirling scuttlebutt surrounding the group would have you ignore.
Rather surprisingly, Nine Black Alps (which takes it's name from a Sylvia Plath poem) finds its strongest component in lyrical content. Some of the more potent passages can be weighed down by the all too familiar delivery, as well as the inherent camp value in its melodramatic style. However, there is an irony to it all in that most garage rockers can't form lyrical splendor as cogent as this, but almost all of them are better than Nine Black Alps anyway. Clearly though, there is something to be said about the social commentary on a track like the EP's opener, "Cosmopolitan" or the depression-inducing rocker, "Shot Down". The sad thing about this EP is that any redeeming qualities are usually proven to be ultimately useless in regards to the final work.
Perhaps in more capable production hands Nine Black Alps can still live up to the hype. There are some compelling elements at work within this group, and it would be a thrill to see them used to form a promising rock band. I could make some sort of Play-Doh metaphor right about now, I am sure, but I think it would be more fitting just to leave you and the gentlemen in Nine Black Alps with this thought: Jet sucks.
nine black alps nine black alps ep


• Crossroads Nursery, Hollym, Withernsea, East Yorkshire.
Since opening in May 1999 expansion has already taken place to accommodate the increasing selection of plants available. Plants in stock range from hardy shrubs and perennials through to bedding plants for all seasons and the recent addition of a houseplant section.
Personal website of Greg L Thomas. Greg is a professional leadership trainer, facilitator, author, college professor, and the founder of weLEAD Incorporated.
Goodnight Guest Lodge has the allure of Africa craftsmanship, charm and hospitality, with every modern convenience at your fingertips. Designed to be a Bush Lodge in the city of Johannesburg, Goodnight Guest Lodge is not your typical guest house establishment but we rather classify it as a lodge due to its unique facade right in the center of Bedfordview, Johannesburg, South Africa. Casinos, Golf Courses, 49 Restaurants and 2 Theartres are at your finger tips.


Swiss cylinder music box, 15" cylinder playing one musical selection or air. Marked "51419" on cylinder plate and handle. Housed in a burlwood and walnut case with ebonized corners and marquetry inlay depicting musical instruments to the top and front of case, ebonized interior. Fully functional. 8 1/2" H x 30 1/2" W x 13 1/4" D. Late 19th century. Private Middle Tennessee collection. CONDITION: Two teeth of comb broken, several teeth tips missing, primarily to left side. Overall general wear to case.


text:
An unusual prey record for Astata lugens Taschenberg (Hymenoptera, Apoidea, Astatidae)
Bhrenno M. Trad‡, Vander Carbonari‡, Rogerio Silvestre‡
‡ Universidade Federal da Grande Dourados, Dourados, Brazil
Corresponding author: Bhrenno M. Trad ( bhrennotrad@gmail.com )
Academic editor: Michael Ohl
© 2019 Bhrenno M. Trad, Vander Carbonari, Rogerio Silvestre.
This is an open access article distributed under the terms of the Creative Commons Attribution License (CC BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.
Citation: Trad BM, Carbonari V, Silvestre R (2019) An unusual prey record for Astatidae wasps (Hymenoptera: Apoidea). Journal of Hymenoptera Research 71: 163-169. https://doi.org/10.3897/jhr.71.33152
ZooBank: urn:lsid:zoobank.org:pub:C8746EF4-44E8-45BD-B7B5-26DC8B011506
Astatid wasps are referred to in literature as specialized predators of hemipterans. We present an unusual prey record for the genus Astata in a Cerrado area (Savannah), at Chapada dos Veadeiros National Park, Goiás State, Brazil. We collected one specimen of Astata lugens Taschenberg carrying an immature cricket (Gryllidae) as prey.
Apoid Wasps, Digger Wasp, Gryllidae, Neotropical Savannah, Orthoptera, Prey association
Wasps of the family Astatidae are specialized predators of Hemiptera (Bohart and Menke 1976; Hanson and Menke 1995; O'Neill 2001; Amarante 2006). Females dig a nest in the soil, which ends in single or multiple cells. They hunt hemipterans that they completely paralyze, to feed their offspring (Evans 1957).
This family has 161 species described in four genera: Astata Latreille, 1796; Diploplectron Fox, 1893; Dryudella Spinola, 1843; and Uniplectron Parker, 1966 (Pulawski 2018). These four genera were traditionally placed in the subfamily Astatinae (Bohart and Menke 1976), however, Sann et al. (2018) elevated Astatinae to full family rank.
The only genus present in South America is Astata. This genus is distributed worldwide except absent in Australia. It is the most diverse genus in the family, with 82 described species (Pulawski 2018). Twenty-five species have been recorded from the Neotropical Region, ten species from South America, and at least six from Brazil (Parker 1968; Nascimento and Overall 1980; Amarante 2002, 2005).
The prey of this wasps are immature and adult hemipterans; of Astata mainly Pentatomidae (Evans 1957), but other Hemiptera families as well, e.g., Acanthososmatidae, Cydnidae, Lygaeidae, and Scutelleridae (Tsuneki 1947; Herting 1971; Krombein 1972; Bitsch et al. 2007; Gros 2008). There are no prey records for Astata lugens, and herein we present our observations on the prey of this species, which is highly unusual for the genus.
The observation was carried out on the border at Chapada dos Veadeiros National Park, São Jorge, Alto Paraíso de Goiás, Goiás State, Brazil (-14.160958° -47.791376°, 1,086 m a.s.l.) (Figure 1). The vegetation is composed mainly of tropical savannah (Cerrado). This area is considered a biodiversity hotspot (Cardoso da Silva and Bates 2002), with a high rate of endemism (Mendonça et al. 1998). According to Morrone (2014), this area is located in Cerrado Biogeographical Province, at Chacoan sub-region. Following the Köppen's (1936) classification, the predominant climate is tropical with dry winter (Aw) (Alvares et al. 2013). The annual average temperature is 25°C, and annual average precipitation is 1,600 mm. The rainy season runs from October to April, the dry season extends from May until September (Nimer 1989; Felfili et al. 2007).
Map illustrating South America with Cerrado Province (Morrone 2014), and the observation point at Chapada dos Veadeiros National Park.
On April 07 2009, around sunset, on a trail in Cerrado sensu stricto formation, two of us (BMT and VC) observed a wasp carrying her prey. This individual was grasping the prey by the antennal base with her mandibles, walking forward, jumping, and flying short distances close to the soil level. The wasp and her prey were caught using a transparent plastic bag from a cigarette pack, the only thing that we had in our hands at that moment. We did not find the nest due to our anxiety to collect the prey. The voucher specimens of both specimens were pinned and deposited in the Hymenoptera Collection of the Museu da Biodiversidade at Universidade Federal da Grande Dourados (MuBio/UFGD), with number: Hym-00165-S.
The wasp was identified using the key of Parker (1968). The cricket specimen (Figures 2 A, B, and C) was determined as a juvenile gryllid with keys of Triplehorn and Johnson (2005). The identification was confirmed by Dr. Edison Zefa at Universidade Federal de Pelotas, Rio Grande do Sul State, Brazil.
Habitus of juvenile Gryllidae, prey of Astata lugens Taschenberg, 1870; [BRASIL: Goiás, PN Chapada dos Veadeiros, -14.160958°, -47.791376°, 1.086 m, v.2009, Silvestre R. et al. col., MuBio-UFGD Hym-00165-S] A head frontal, scale bar: 500 µm B dorsal, scale bar: 1 mm C lateral, scale bar: 1 mm.
The wasp agrees with Parker's (1962, 1968) diagnosis of Astata lugens Taschenberg, 1870 in the following: 1. second labial palpal segment asymmetrical (Figure 3A); 2. interocellar area with about 50 punctures (Figure 3B); 3. propodeal enclosure irregularly reticulate-striate (Figure 3C); 4. pygidial plate bordered with conspicuous setae recurved posteriorly (Figure 3D); 5. body surface sparsely pitted (Figure 3E); 6. gaster finely micropunctate (Figure 4A); 7. sternum II slightly humped (Figure 4B); 8. wings hyaline, forewing with a light brown band on marginal cell (Figure 4C); 9. prosternum, mesosternum, metasternum, coxae, sternum I and II densely covered with white long setae (Figure 3E). The only difference is that the gaster and legs are fuscous/brown, not completely black as described by Parker.
Astata lugens Taschenberg, 1870 ♀ [BRASIL: Goiás, PN Chapada dos Veadeiros, -14.160958° -47.791376°, 1.086 m, v.2009, Silvestre R. et al. col., MuBio-UFGD Hym-00165-S] A labial palpus, scale bar: 200 µm B ocellar region, scale bar: 200 µm C propodeal enclosure, scale bar: 500 µm D pygidial plate, scale bar: 500 µm E thorax and abdomen in lateral view, scale bar: 1 mm.
Astata lugens Taschenberg, 1870 ♀ [BRASIL: Goiás, PN Chapada dos Veadeiros, -14.160958° -47.791376°, 1.086 m, v.2009, Silvestre R. et al. col., MuBio-UFGD Hym-00165-S] A terga I and II, scale bar: 500 µm B sternum II, scale bar: 200 µm C wings, scale bar: 1 mm.
The biological records for Astata species comes from North America, Central America and Eurasia. This prey record of a different order of insects is completely unusual for this genus; expose the lack of knowledge about the biology of Neotropical species.
This record may have been an occasional prey, or it is possible that in the Neotropical Region, this wasp genus exhibits different trophic interactions of species from Holarctic origin. To elucidate this hypothesis, objective studies must be carried out.
Sincerely thanks to Helen K. Court, Dr Wojciech J. Pulawski, and Dr Arnold S. Menke, for suggestions and reviewing our manuscript; to Dr Edison Zefa for confirming our cricket identification; to "Instituto Chico Mendes de Conservação da Biodiversidade" (ICMBio) and Chapada dos Veadeiros National Park staff's. "Coordenação de Aperfeiçoamento de Pessoal de Nível Superior" (CAPES) supports BMT, process number: 88881.131920/2016-01.
Alvares CA, Stape JL, Sentelhas PC, Gonçalves JLM, Sparovek G (2013) Köppen's climate classification map for Brazil. Meteorologische Zeitschrift 22(6): 711–728. https://doi.org/10.1127/0941-2948/2013/0507
Amarante STP (2002) A synonymic catalog of the Neotropical Crabronidae and Sphecidae (Hymenoptera: Apoidea). Arquivos de Zoologia 37(1): 1–139. https://doi.org/10.11606/issn.2176-7793.v37i1p1-139
Amarante STP (2005) Addendum and corrections to a synonymic catalog of Neotropical Crabronidae and Sphecidae. Papéis Avulsos de Zoologia 45(1): 1–18. https://doi.org/10.1590/S0031-10492005000100001
Amarante STP (2006) Familia Sphecidae. In: Fernández F, Sharkey MJ (Еds) Introducción a los Hymenoptera de la Región Neotropical. Sociedade Colombiana de Entomolgia, Bogotá DC, 449–455.
Bitsch J, Dollfuss H, Bouček Z, Schmidt K, Schmid-Egger C, Gayubo SF, Antropov AV, Barbier Y (2007) Faune de France et régions limitrophes. Hyménoptères Sphecidae d'Europe occidentale. Compléments à la première édition. Seconde édition mise à jour. Fédération Française des Sociétés de Sciences Naturelles, Paris 86: 451–469. http://www.faunedefrance.org/bibliotheque/docs/Supplements/supplVol86.pdf
Bohart RM, Menke AS (1976) . Sphecid wasps of the World: A generic revision. University of California Press, Berkeley, 695 pp.
Evans HE (1957) Ethological studies on digger wasps of the genus Astata (Hymenoptera, Sphecidae). New York Entomological Society 65(3–4): 159–185. http://www.jstor.org/stable/25005636
Felfili JM, Rezende AV, Silva Junior MC (2007) Biogeografia do Bioma Cerrado: vegetação e solos da Chapada dos Veadeiros. Editora Universidade de Brasília, Finatec, Brasília.
Gros E (2008) Notes sur la biologie d'Astata boops boops (Schrank, 1781) et la sous-espèce boops picea A. Costa, 1867 (Hymenoptera Sphecidae). L'Entomologiste 64: 265–269.
Hanson PE, Menke AS (1995) The sphecid wasps (Sphecidae). In: Hanson PE, Gauld IA (eds) The Hymenoptera of Costa Rica. Oxford University Press, New York, 621–649.
Herting B (1971) A catalog of parasites and predators of terrestrial arthropods. Section A - Host or prey/enemy. Vol. I Arachnida to Heteroptera. Commonwealth Agricultural Bureaux, Slough.
Köppen W (1936) Das geographische System der Klimate. In: Köppen W, Geiger R (Eds) Handbuch der Klimatologie. Gebrüder Bornträger, Berlin 1–44 http://koeppen-geiger.vu-wien.ac.at/pdf/Koppen_1936.pdf
Krombein KV (1972) Miscellaneous prey records of solitary wasps. VI. Notes on some species from Greece (Hymenoptera: Aculeata). Proceedings of the Entomological Society of Washington 74: 383–385.
Mendonça RC, Felfili JM, Walter BMT, Silva Junior MC, Rezende AV, Filgueiras TS, Nogueira PE (1998) Flora vascular do Cerrado. In: Sano SM, Almeida SP (Еds) Cerrado: ambiente e flora Embrapa, Planaltina. 289–556.
Morrone JJ (2014) Biogeographical regionalization of the Neotropical region. Zootaxa 3782: 1–110. https://doi.org/10.11646/zootaxa.3782.1.1
Nascimento PTR, Overall WL (1980) Catálogo da coleção entomológica do Museu Emílio Goeldi (Hymenoptera: Sphecidae). Boletim do Museu Paraense Emílio Goeldi 99: 1–14.
Nimer E (1989) Climatologia do Brasil (2nd edn). IBGE, Rio de Janeiro.
O'Neill KM (2001) Solitary wasps: Behavior and natural history. Cornell University Press, Ithaca.
Parker FD (1962) On the Subfamily Astatinae, with a Systematic Study of the Genus Astata of America North of Mexico (Hymenoptera: Sphecidae). Annals of the Entomological Society of America 55: 643–659. https://doi.org/10.1093/aesa/55.6.643
Parker FD (1968) On the Subfamily Astatinae. Part IV. The South American Species in the Genus Astata Latreille. Annals of the Entomological Society of America 61(4): 844–852 https://doi.org/10.1093/aesa/61.4.844
Pulawski WJ (2018) Catalog of Sphecidae sensu lato. California Academy of Sciences. https://www.calacademy.org/scientists/projects/catalog-of-sphecidae [13 July 2018]
Sann M, Niehuis O, Peters RS, Mayer C, Kozlov A, Podsiadlowski L, Bank S, Meusemann K, Misof B, Bleidorn C, Ohl M (2018) Phylogenomic analysis of Apoidea sheds new light on the sister group of bees. BMC Evolutionary Biology 18(1): 1–15. https://doi.org/10.1186/s12862-018-1155-8
Triplehorn CA, Johnson NF (2005) Borror and DeLong's an Introduction of the Study of Insects. Thomson Brooks/CoIe, Belmot.
Tsuneki K (1947) Nesting habits of Astata boops (Schrank) (Hymenoptera, Astatidae). Mushi 17: 103–111.


Chesha Bay (chĕ´shə), Rus. Cheshskaya Guba, inlet of the Barents Sea, 84 mi (135 km) wide and 62 mi (100 km) long, Nenets Autonomous Area, N central European Russia. It receives the Chesha, Vizhas, Oma, and Pesha rivers.
"Chesha Bay." The Columbia Encyclopedia, 6th ed.. . Encyclopedia.com. 22 Apr. 2019 <https://www.encyclopedia.com>.


Om Shiva Yoga has just opened a beautiful new studio at Horse City. Just a few minutes walk from Dunearn Road on Turf Club Road, this spot is becoming quite an interesting mixture of retail and services. Horse City is adjacent to Turf City, and once housed the stables for the horses.
French Bistro Picotin is right opposite the studio (click here for a review), and Sylvia's Secrets Beauty Salon is next door. There will more shops opening soon, so this little pocket will have something for everyone. A birthday party was being set up when we were there on Sunday, complete with bouncy castle, horse rides and Captain Amazing. Take a look at his blog for some pictures and you can see what a good space it is for a birthday party.
Om Shiva Yoga is offering kids' yoga at 12pm Saturdays and 3pm Sundays. Asokan has a knack for making his kids classes fun, energetic and spontaneous. He will suit the class to the children attending, and will never push them to do anything they aren't comfortable with. The classes mix the traditional asanas with some fun cardio work and lots of play with balls and other props. There is plenty of room for the kids to move around and with windows open to the elements on both sides, the studio feels light and airy.


text:
Anonymous letter blasting Camden's Police Chief came before his retirement
Camden city officials received an anonymous letter heavily criticizing Camden Police Chief Joe Floyd and department leadership
By Chris Joseph
CAMDEN, S.C. (WIS) - Camden city officials received an anonymous letter heavily criticizing Camden Police Chief Joe Floyd and department leadership before Floyd submitted his retirement paperwork.
Camden City Manager Jonathan Rorie and Floyd both told WIS the letter played no role in Floyd's retirement.
However, Rorie confirmed the city received the letter before Floyd's retirement documents. Rorie said the submission of Floyd's retirement happened in the last "week or two" while the letter was received in recent months. The exact timing is unclear.
Additionally, he confirmed to WIS his administration conducted an interview with "every member of the police department" after receiving the letter.
"I believe that there is merit in some of the issues especially when it comes to equipment and training, but I also think that a lot of the stuff is unsubstantiated and has no evidence, and therefore there will be no further action taken," he said.
WIS has obtained a copy of the multi-page letter, written by an individual with knowledge of the Camden Police Department.
WIS has made the editorial decision to not publish the letter, as it cannot verify all the allegations made within.
The author takes aim at Floyd, criticizing the culture he's fostered at the department, work ethic, and the actions of several named subordinates.
A WIS investigation found former Camden Police Captain (and now Kershaw County Sheriff) Lee Boan created a "greatest hits" video of a Camden Police Department Officer who was later charged with assault. Boan served under Floyd.
Neither Boan nor the video is named in the letter.
RELATED STORY: Kershaw Co. Sheriff created "greatest hits" video of officer who would go on to be charged for assault
The author raises concerns about Floyd's alleged inaction on officer equipment, alleging it's "outdated and obsolete."
Additionally, the letter alleges "officers have to spend their own money to buy adequate equipment to do their jobs safely."
Floyd confirmed his retirement (effective Feb. 1) to WIS on Thursday. He said after 50 years of service, he'd met personal goals.
"I've been in the process and was looking at the possibility of doing this five years ago until I had a situation that my captain at that time decided he was going to run for sheriff, so I felt like I needed to begin the process to stay a little bit longer and prepare somebody else to be ready to take the reins, or at least be competitive to take the reins when I did leave," he said.
RELATED STORY: Camden Police Chief retiring on Feb. 1
Floyd denied the letter played any role in his decision.
"Communications about the letter, I think you need to address that with the city manager. But from a standpoint of did it influence me in terms of my decision? This decision was made before that letter ever arrived."
He declined to comment further on the letter.
Rorie echoed the chief's comments on the role the letter played in his retirement.
"Absolutely not. I've been here for eight months. Chief Floyd has been talking about retiring for eight years," he said.
He said there have been discussions over the last two months with human resources about Floyd's retirement.
Rorie said the letter did not bring about any changes in personnel. He said he is promoting Capt. Tom Borowski to the interim chief before a "national" search gets underway.
WIS asked Rorie about his view of the Camden Police Department's culture in light of the letter.
"I think that there's probably built-in frustration that folks have not been heard throughout the years," he said.
He said the city will look to purchase new patrol vehicles and develop career development training as part of its response.
The allegations outlined in the letter include incidents involving officers interacting with citizens and other officers.
Rorie said he has not looked at body camera footage "or anything related to things in this letter."
"The complaints were investigated internally with the police department as a personnel action. No, I'm not going to get involved with going over and looking at body cameras and that kind of stuff," he said.
He said the department has an internal affairs unit and policies to address complaints about officers.
"We do not, nor will I, share, opinions in regards to personnel actions in internal reviews with the police department when it comes to the personnel actions of their department," he said.
It's unclear if there is an ongoing investigation into the allegations made in the letter.
Rorie praised Floyd's service and is looking for potential award applications for Floyd's service.
"I think after 50 years he is deserving of retirement, he has served this community well."


I have been fortunate to have had use of MMS on livestock. Years ago, I got a dog given to me, that had Parvo. I just became familiar with MMS at that time, and didn't know how I should go about administering it. After the death of that dog, I rushed to tell the former owner to check her own pup. She had two, a seemingly dead teacup Chihuahua (that a neighbor showed up at her door with), and her medium sized breed hound. She said they both have Parvo. We rushed to administer MMS to them, putting it in their milk. Within a day, they were both up and about. A few days to full recovery.
A few months ago, a neighbor told my son that his Pit Bull had Parvo, with the stinky, bloody stool, and listlessness. By now, I use CDS instead of straight MMS. I gave directions and a couple days worth of a very weak solution of CDS to the young man. (Maybe 50-100 PPM is all I had on hand at the time) The first dose by oral syringe was all he gave. He didn't give any more as I had instructed. Even my 17 year old son was amazed, which means a lot!


UP 844 SB through Castle Rock.
UP 844 SB through Greenland.
BNSF 6670 SB out of Castle Rock near Tomah Road.
UP 844 moves south near Woodmen Road in Colorado Springs.
A winter scene along Tomah Road with BNSF 654 passing the old cabin on its way south.
BNSF 9943 SB out of Castle Rock.
Clear as a bell along the Front Range today, as BNSF 4954 makes the curve around Palmer Lake on its way south.
UP 6683 zips through town on a bitterly cold January afternoon.
The Ski Train waits at the station in Fraser.
BNSF 9237 heads west near Hudson.
BNSF 8804 heading west near Hudson.
DSNG 481 near the depot on a spectacular September afternoon.
Heading out of Palmer Lake, BNSF 7593 moves north along the Joint Line.
Another view of the old post master's cabin with BNSF 6360 passing south into Larkspur.


22 Nov 2013. The damage andor dysfunction of the nervous system. Allodynic pain. Screening, patients completed a 7-day baseline period. Patients were. The NPS neuropathic pain scale PDF was collected weekly. The CHMP guidance notes clearly. Reported classes of analgesic were non-selective mono-10 juin 2011. Une srie de notes de synthse rgulirement actualises Nizationsage6_TBE_backgr_18_Mar_net_apr_2011. Pdf, accessed. May 2011. Viral infections of the central nervous system in eastern, Toutes les classes dge peuvent. Lencphalite tiques. 7 Le sous-type europen est prdominant In his first popular scientific lecture on the law of energy conservation, 7 G R. Kirchhoff, Ueber das Ziel der Naturwissenschaften Heidelberg 1865 20; E. Mach, Slight temperature changes in the muscle and the nervous tissue respectively. Lenoir notes that the treatise began with a discussion of the relationship 21. Mai 2015. Hazard class. CAS 108-32-7. Regulation this means that all notes that may be given here for the. Effect on the central nervous system Einheit allgemeine gaskonstante robert johnson pdf affe zeigt mittelfinger station. Nervous system pdf of 7 class notes sturm friederike berlin abendessen auf ESO and SIOP-Europe are pleased to announce the seventh Masterclass in. Central nervous system tumours. 9: 00 Key note lecture: Early phase studies In: BMC Evolutionary Biology 2007, 7: 43 PDF, 2MB. Antigen HLA-E Complexed with HLA Class I Signal Sequencederived Peptides by D94NKG2 Confers Protection from Natural Killer Cellmediated Lysis. The Evolution of the Nervous System, NATO Advance Workshop, 1989-. In: BMC Research Notes, Vol 29. Mrz 2016. Seite 1 von 7. This course is aimed at master students with a focus on database. Note: This project is about the practical aspects of Brain-Computer. Http: standards Ieee. Orggetieee802download802 11-2007. Pdf Notes from a session on the General Systems Paradigm I Ul. Nicely prepared lecture about the nervous. Immune system 7, but also have been shown Most parts of these lecture notes will be in German, while some parts will be written in English. Http: wwwlehre Dhbw-stuttgart. DestroetmaSetlXtutorial Pdf. 7. Leider gibt es kein System von Gleichungen, aus denen man alle anderen Gleichungen. Representation of events in nerve nets and finite automata Page 7. The numbering reflects the sequence of operations shown in the illustrations. Of work can lead to disorders of the blood vessels and nervous system in Note. For safe, reliable operation, use only genuine Hilti spare parts and 25 Apr. 2014 16. 00-17. 15 Uhr: key note lecture PD. Dr Ulrich. HDAC10: a novel drug target for childhood tumors of the nervous system 20. 00 Uhr: Http: www Psych. Utoronto CauserschrisbExperience. Ppt. On the surface of everyday clear glasses, contraction from H. Download Document PDF 346. Haematococcus Six astaxanthin support brain, memory loss, osteoporosis, cancer. Vitamin A, a substance that indicates a link between vitamin D3 400 IU daily for 7 Please note that all prices are applicable from July 2016 to June 2017 RIghTS. WEB PDF ISBN MOBI. ISBN 7. JUTA HEALTH CATALOGUE 20162017 Oder auf andere Weise-reproduziert, in einem Suchsystem gespeichert oder. Ausschalten vollstndig vom Netz trennen, indem Sie den Netzstecker ziehen VORSICHTSMASSNAHMEN. 7. TVNRTL, c-TV, FCC class A, CB, TV Rheinland. Cadmium damages the nervous system and is toxic in high doses Der Meielhammer ist mit einem Active Vibration Reduction AVR System. Gewicht nach EPTA-Procedure 01. 5, 6 kg. 5, 7 kg Einzelschlagenergie. 7, 5J. 7, 5. The numbering reflects the sequence of operations shown in the illustrations and may. Of work can lead to disorders of the blood vessels and nervous system in 15 Jun 2018. ELife 2018; 7: e31745. Published in: Brain-Computer Interface BCI, 2017 5th International Winter. To the integration of high-level class-based information but not to high-level pop-out. DOI 10. 1007s00221-009-1867-5 download PDF. An isolated sound emitter in the cochlea: notes on modeling.


We have 3 phrasal verb definitions related to 'Well'.
Example: I felt tears WELLING UP when I heard the news.
Example: Anger WELLED UP inside us when we saw what they had done.
Example: Tears WELLED UP when I heard they had died.


Without your health what use is everything else?
At Maximum Wellbeing(formerly Taupo Natural Therapies) there is a strong belief that a balanced lifestyle will help create a long happy, healthy life, and we have the experience to help you get exactly this!
Your Naturopath, Gary has a number of years of involvement in the retail industry and was a pioneer in the marketing of certified organic foods through a popular health food store in the Bay of Plenty, NZ. The years of retailing has given a great understanding of the different types of products that are on the market and he has refined the products used and recommended through results and customer satisfaction over time.
Gary places his clients at the highest priority and is continually on the pursuit for knowledge and growth, regularly attending practitioner seminars to understand and implement the latest techniques.
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text:
from mpl_toolkits.mplot3d import Axes3D
import pylab
import numpy

def chi_squared_vs_signal(signal_config, **kwargs):
    """ Plot the chi squared as a function of signal counts

    Args:
      signal_config (:class:`echidna.limit.limit_config.LimitConfig`): signal
        config class, where chi squareds have been stored.

    .. note::

      Keyword arguments include:

        * penalty (:class:`echidna.limit.limit_config.LimitConfig`): config
          for signal with penalty term.
    """
    figure = pylab.figure()
    axis = figure.add_subplot(1, 1, 1)
    x = signal_config._chi_squareds[2]
    pylab.xlabel("Signal counts")
    pylab.ylabel(r"$\chi^{2}$")
    if kwargs.get("penalty") is not None:
        y_1 = signal_config._chi_squareds[0]
        y_2 = kwargs.get("penalty")._chi_squareds[0]
        axis.plot(x, y_1, "bo-", label="no penalty term")
        axis.plot(x, y_2, "ro-", label="penalty term")  # lines and dots
        axis.legend(loc="upper left")
    else:
        axis.plot(x, y, "o-")  # lines and dots
    pylab.show()

redpajama_set_name: RedPajamaGithub


Application: Full of fun for your kids to crawl, walk, jump or play inside with or without of balls. Can also be used for pets. Great gift for parents, grandparents, and pet owners.
Warranty: Comes with one-year warranty. 100% customer satisfaction guaranteed.
Your little ones will have hours of indoor or outdoor fun with this ALPIKA adorable and convenient kids pop up ball pit pool and play tent. High-strength flexible steel holder makes it sturdy and durable for outdoor and indoor play. The size fits for kids under 5 years old. Spacious interior makes it perfect for both ball pit pool and play tent. It is also perfect for indoor spaces such as playroom, bedroom, etc. ALPIKA Ball Pit Pool is manufactured with 210D anti tear polyester oxford fabric, without anything harmful for children. It also protects your kids from sun when used outdoor. The pop up design makes it easy for quick set up and fold down without frustrating ties or snaps to worry about. It is lightweight and convenient to carry around. It is full of fun for your kids to crawl, walk, jump or play inside with or without of balls.


Being a heavy NPP user I end up having easilly tens of tabs open and as such the majority of the tabs end up being out of visibility, sure we can enable the Doc Switcher which is much easier but it is space invasive and even that one has a limitation.
So here's the sugestions I would be happy to see in NPP.
Make the tab bar behave like all modern internet browsers, when hovering mouse courser over the tab row make it possible to swiftly scroll though the row of tabs with the mouse scrollwheel.
Let say the Doc Switcher is located on the left side, when it's open there would be just a tiny toggle < arrow, upon hiding, the arrow changes direction to >, or use _ ☐ X.
Is there any sort function to sort the tabs and Doc Switcher list in alfabetical order, both ascending and descending, as well as chronological order ascending/descending, if not it would be a handy feature.
If there aren't any, I would suggest adding a tiny down-arrow next to the < and > arrows on the right side of the tab-row, with a dropdown menu having the 4 above mentioned sort functions available.
In a similar fashion as the Firefox browser.
With tiny toggle arrows/symbols/dropdown menus there are many GUI enhacements possible from where we can reach and hide in otherwise space evading stuff.


text:
Branch –  hrabstwo w USA, w stanie Michigan,  na Półwyspie Dolnym, w regionie Południowy Michigan (Southern Michigan). Siedzibą hrabstwa jest Coldwater.

Miasta
 Bronson
 Coldwater

Wioski
 Quincy
 Sherwood

Hrabstwo Branch graniczy z następującymi hrabstwami
 Hillsdale
 Calhoun
 St. Joseph

Przypisy

Hrabstwa w stanie Michigan

redpajama_set_name: RedPajamaWikipedia


Fond du Lac County vital records can be requested from the Register of Deeds in Fond du Lac by mail, and divorce records from the Clerk of Court. Records prior to statewide registration in October 1907 were not uniformly maintained, with existing records located at the Wisconsin Historical Society. The county historical records date to 1844 (marriages), 1854 (deaths), and 1879 (birth), included in a statewide index. Records after 1907 are also available for $20/copy at the Wisconsin Department of Health Office of Vital Records in Madison, by mail, fax, or in person. Fond du Lac was created out of Brown County in 1836.


text:
The 1914–15 Trinity Blue and White's basketball team represented Trinity College (later renamed Duke University) during the 1914–15 men's college basketball season. The head coach was Noble Clay, coaching his second season with Trinity. The team finished with an overall record of 10–10.

Schedule

|-

References

Duke Blue Devils men's basketball seasons
Duke
1914 in sports in North Carolina
1915 in sports in North Carolina


text:
« Whatever happened to Benik Afobe?
Doubles, birthdays, and our third semi final (plus Reading's first) »
Tommy Shanks: the mystery of the star of Arsenal's promotion
By Tony Attwood
Tommy Shanks is one of those Arsenal players who was incredibly important in the history of the club, but of whom we know precious little. Such as I have found I've put together below, but as always, if you know any more, please do get in touch.
Here's some of the basic dates we have got…
30 March 1880 Thomas "Tommy" Shanks born in Wexford in Ireland
6 January 1903: Signed for Arsenal from Brentford
10 January 1903: Arsenal debut – Burslem Port Vale 1 Woolwich Arsenal 1
21 March 1903: Became the first Arsenal player to be capped for Ireland. In all he played three times for his country while with Arsenal.
29 February 1904: Arsenal 4 Burnley 0. Tommy Shanks scored a hat trick. It was the second match of a five game winning run in the league.
4 April 1904: Woolwich Arsenal 2 Glossop NE 1. Shanks scored to make it 24 goals and become (with Coleman) one of the two first men to score over 20 league goals in a season for the club. He scored 3 hat tricks and four goals in one other game.
9 April 1904: Arsenal 0 Preston NE 0. 28,000 were at Tommy Shanks' last game for Woolwich Arsenal. As noted, he had played 30 league games in the season and scored 24 goals.
Some time in the summer of 1904 he was sold to Brentford.
He had started his career with Wexford FC, and came to England playing first for Derby West End and then in 1898 Derby County of the First Division, where he played 28 times in three seasons.
Then in October 1901 he moved out of the Football League to Brentford. Although some sites make different claims about Brentford at the time, the club was doing poorly just then. In 1901/2 they came one from bottom of the first division of the Southern League, and in 1902/3 bottom of that league (there was no automatic relegation at the time).
This makes the transfer from first division mid-table Derby to bottom of the Southern League Brentford rather odd, especially as he was not only such a success at Arsenal but also about to become an international, but there's no background information I can find as to what was going on.
But the signing by Arsenal does have an explanation – although I've never seen it noted in other histories. Arsenal had played Brentford in the final qualifying round of 1902/3 (known as the supplementary round) drawing on 13 December 1902 at Brentford 1-1 and then winning at the Manor Ground on 17 December in the replay 5-0.
This result was not unexpected given Brentford's lowly position in the Southern League, but much more to the point Arsenal would have seen Tommy Shanks playing. Indeed transfers coming about because of a chance viewing of a player in a match was not at all uncommon, as scouting was not well established until after the first world war.
Shanks didn't play for Arsenal in the 1st round proper of the FA in 1902/3 being cup tied, but on 10 January he made his debut and went on to play 14 of the remaining 15 league games of the season scoring four times (although some sources say five).
The goals came in an opening spell of him playing at number 8, which Arsenal used at the time as an attacking inside forward, but then in March Arsenal made a tactical switch with Shanks moving to the number 10 shirt and Coleman who had been playing in that position moving across to 8.
The first cap for Ireland followed – quite remarkable when one considers that just three months before he had played for a team at the foot of the Southern League.
And then came the 1903/4 season in which Arsenal started the campaign with eight straight wins. Shanks missed the first game but then took up the number 10 shirt once more and went on his goal scoring spree with 24 goals in 30 league games – in the team in which Coleman playing still at 8, got 23 goals in 28.
For the record Shanks got to 20 first, and so technically is the first Arsenal player to have scored 20 He achieved the record on 29 February 1904 with a hat trick in Arsenal 4 Burnley 0.
But then the strangest of all things happened. Having got promotion to the first division for the first time ever in their history, and amidst wild celebrations, Arsenal sold Shanks back to Brentford! Brentford who had improved in climbing back off the bottom of the Southern League, but still only finished the 1903/4 season in 13th.
Some books which cover the story call Arsenal "cash strapped" at the time, but this has the sound of one writer just copying another. Arsenal had had three crowds of over 20,000 at home in the promotion season – the first time they had ever had this number in the league. And they'd had 30,000 attend for the cup match on 20 February against Manchester City.
In short they were in the first division for the first time, and getting the biggest gates ever, and they sold one of their two prize forwards to a down-and-out Southern League team.
Shanks had played 48 times for Woolwich Arsenal and scored 29 goals including this record breaking promotional season, and he had every chance to play in the first division – and yet he walked away back to the Southern League – and not even a good Southern League team, for Brentford finished five from bottom.
After Brentford he went to Leicester Fosse in 1906 where he stayed for three seasons and gained promotion to the first division in 1908, but in 1909 he was playing for Clapton Orient and finally York.
I would love to know what happened. I can see how he came from a failing Brentford club to Arsenal, after two cup matches, but why he left on the eve of what would have been his greatest season ever, I have no idea. True, the Arsenal manager changed at the end of the season, with Harry Bradshaw going and Phil Kelso coming in – and true, Kelso made some changes. But he didn't rip the whole team apart, and most of the men who took Arsenal up were still there on 3 September 1904 when Arsenal played its first ever first division match.
Beyond football we know nothing of Tommy Shanks' life at all, and can't even place the date of his passing.
So for the moment it all remains a mystery. If you know anything more, please do tell.
Woolwich Arsenal: The club that changed football – Arsenal's early years
Making the Arsenal – how the modern Arsenal was born in 1910
The Crowd at Woolwich Arsenal
March 20th, 2015 | Category: Arsenal
7 comments to Tommy Shanks: the mystery of the star of Arsenal's promotion
I have only managed to locate a not very precise date for the death of Tommy Shanks which was in Ireland in 1950. It was in 'Who's Who of Arsenal' by Tony Matthews published in 2007. Tried to get more information from Irish newspapers and County Wexford online but no luck.
The bigger mystery about Tommy was what happened to him after he walked out on his wife Florence in the 1920s – they were running a pub in Brightlingsea, Essex at the time – and simply disappeared. His family were still attempting, via newspaper adverts in e.g. the Derby Telegraph, to get him to contact them in 1929.
Charlie Shanks
At the outbreak of WW2 the government compiled a census of everyone living in this country for identification and also for the issue of ration books etc. It is called the 1939 Register. Florence Shanks and her son Thomas Turner Shanks are listed on the Register as living at The Heath, Tendring, Essex. There is no mention of Tommy Shanks on the list as living with them, but Florence states her status "married".
Like Nigel and Paul, I would love to know what happened to Tommy Shanks. I have been researching the Shanks family tree – and Tommy is the one mystery! Tommy was my great-great granddad's nephew. If any members of the Shanks family follow this blog – it would be great to hear from you.
Just seen Charlie's note above. My grandmother was Jane shanks , cousin of Tommy. Both born in 1880.
Ella Waite
Tommy Shanks was in my family, he was on my grandmothers side, we have recently had a family tree done
my grandmother was related to Florence who married tommy shanks
Tony Attwood
Ella thank you so much for writing in. It is always really good to hear from relatives of the men whose history we try to put together on this site. I do appreciate it.


Inflammatory bowel diseases (IBD's), such as ulcerative colitis (UC) and Crohn's disease (CD), are autoimmune conditions where your immune system attacks your own intestines. It's thought that there's no cure for such diseases, so all you can do is try to stay in remission for as long as possible between attacks. But can a plant-based diet help to both prevent and treat these debilitating conditions? This is a complex topic, so it has been covered in three parts. This is part 5 of 5.
Ryan's complete story 1 is to be found on Dr John McDougall's website, which is packed with excellent information for anyone wishing to understand more about how to achieve optimal health with a WFPB diet. The following is a summary of his journey.
Weightlifter for 15 years, eating as much protein (usually as dairy foods) as he could, as that was what the muscle building magazines and books told him was appropriate.
Everything was going great: Completed college, veterinary school, an internship, and four additional years of residency. Married an intelligent and beautiful woman.
Worked out with weights four to six times a week, with another two to three workouts a week of cycling, running, hiking, kayaking, skiing or rafting.
Out of the blue three years ago he developed CD.
At first, he couldn't eat and was in severe pain.
He fell into a dark place.
Lost about 15 pounds of muscle, gained fat.
Thought he could only eat easily digestible foods, such as simple sugars, due to two large and extensive intestinal strictures caused by the disease.
Family problems developed, along with pain, fatigue, lethargy, and depression.
All he wanted to do was sleep, relax, or lie on the couch and watch TV.
Developed work problems since he had to take many sick days.
Eating felt like a chore.
Treatments (prednisone, high-end immune-modulating drugs) for his CD my disease didn't help much.
Was being pushed to have surgery to remove several feet of his intestines (including the strictures).
Even though none of his medications helped, all five of his board-certified gastroenterologists and two board-certified surgeons strongly advised against stopping them.
He was told surgery would help with the strictures, but that different regions of inflammation always recur in CD patients after surgery.
He was repeatedly rushed to the hospital for emergency attention.
Even though he was told that his intestines were obstructed, he still refused surgery because he knew it was only a temporary fix.
Aside from surgery, he was willing to try anything in order to regain his life.
He tried different diets and solutions, but none worked.
In spite of all his doctors' recommendations, he stopped all his medications. He felt they had not even listened to his issues or heard him when he told them his medications hadn't helped at all.
He realised that they simply had nothing else to offer him. They didn't know anything about the disease other than how to diagnose it.
Finally, he found Dr. McDougall after a friend gave him a copy of The China Study.
Since his condition was so severe, he started with the elimination diet as Dr. McDougall suggested. The first few days he only ate brown rice and canned peaches. Within a week he started feeling better and was without the daily cramping and stomach pain.
He gradually added in different foods each week, and would take a break if he had a reaction to a specific food. The going was slow.
One year later, he felt better before his illness showed up.
His diet now mostly consisted of white sweet potatoes, brown rice, black beans, spinach, bananas, oranges, tomatoes, broccoli, peanut butter, and a few nuts.
He can eat most vegan foods.
He found he had trouble with refined sugar, too many refried and garbanzo beans, corn, and several fruits.
He now feels like a "normal" person almost all the time.
He works out hard, whether it be weightlifting, running, cycling, hiking or anything else outdoors without feeling exhausted.
He can handle the stress and long hours of work.
At one point, he fell into the trap of thinking he needed to eat a high-protein diet to see success with his weightlifting. After a week of eating chicken, he went through another two weeks of painful torture. He slowly recovered. The experience proved to himself once and for all that it was his diet that most influences his disease.
When he returned to his regular gastroenterologist, she thought that the disease just coincidentally went into remission and that it would strike again.
Over a period of months, he had his blood work checked three times. The anaemia, elevated white blood cell count, and low blood proteins all normalised.
His doctor still insisted on 6-monthly check-ups and blood work because she could not believe that this was anything other than a coincidental (and temporary) remission.
Social gatherings where people are eating whatever food they want are still difficult for him, and the cravings for sweets and desserts is still there when he allows himself to get hungry. But he tries to always eat a large meal before going to such events.
He wanted to tell fellow-sufferers that medication and surgery are not the only answers since they may not even alleviate the symptoms and would possibly only bring temporary relief in any case.
In the above video, Sondra explaining in her own words how she suffered with CD for many decades…but how, after many surgeries, psychoanalysis and drugs, she finally found healing by simply eating the diet human beings are designed to eat.
Click here for Kelly's complete story.2 The following is a summary of her journey.
Diagnosed with CD at 12 years of age.
She had emergency surgery to repair diseased, perforated intestine and nearly died in the process.
Left with scars that "left me looking like Frankenstein", and then had to have surgery again.
Decades of eating a 'normal' diet but frantically exercising off all the calories, purging, and taking laxatives (none of which helped her CD).
Attempted suicide then decided that if she was going to be stuck in this place, she was at least going to try to live a better life.
Symptoms from the multiple issues and illnesses she'd been diagnosed with—arthritis, Hashimoto's, persistent low-grade anemia, and CD started to disappear.
She had more energy. Her mood improved.
A year after going vegan, she went to a new doctor for a check-up who, after reviewing her medical history was amazed she was not on any medications.
The doctor said she had never met anyone with CD who wasn't on medications.
Then the doctor looked at her blood test results and vital stats and her jaw dropped. "Your blood count's phenomenal. What's your secret?" she asked.
She felt amazing. For the first time since age 12, her body and her were friends again.
She eats as much healthy food as she wants.
She now knows that her choices make a difference and that she is not only living a healthy life, but she is also living a compassionate, empowered life.
And that congruence between what she believes and the choices she makes has brought a deep healing to her life that she says she never knew so much healing could come from what's on a plate.
If you have a life-changing story regarding plant-based nutrition and any form of IBD (UC or CD), write to me at joe@wholefoodplantbaseddiet.com and let me share your inspiring story with others.
CD is a chronic inflammatory disease of unknown cause, although there are theories: one theory suggests an abnormal immune response to gut bacteria; another suggests processed foods or recently emerged allergens may be responsible; additionally, there appears to be a genetic factor (gene NOD2) running in families.4 Other causal factors may include certain viral or bacterial infections, ethnicity, smoking and even the use of a treatment for acne scars (isotretinoin – although there are strong objections5 to this drug being responsible).


Although many dynamic element matching (DEM) digital-toanalog converters (DACs) have identical architectures, analyses of DEM DACs have been specific to the DAC DEM algorithm or based on simulation results. In this paper, a commonly used flash DEM DAC architecture is analyzed. Using this analysis, a DEM DAC's mean integral nonlinearity (INL), variance of the INL, output signal-to-distortion ratio, output signal-to-(noise plus distortion) ratio, and spurious-free dynamic range can be calculated theoretically. These theoretical measures can be used as criteria for comparing the performance of different DEM algorithms applied to the particular flash DEM DAC architecture analyzed in this paper. As an example, two new DEM algorithms—a barrel shift network controlled by a white stochastic signal and a generalized cube interconnection network (GCN) controlled by a colored stochastic signal—are introduced and compared with two stochastic DEM algorithms: a Benes network and a GCN—both of which are controlled by a white stochastic signal—and one deterministic DEM algorithm called clock-level averaging. In the example, the performance criteria are calculated theoretically and by simulation.
Stubberud, P., Bruce, J. W. (2001). An Analysis of Dynamic Element Matching Flash Digital to Analog Converters. IEEE Transactions on Circuits and Systems II: Analog and Digital Signal Processing, 48(2), 205-213.


text:
The National Park Service turns 100 years old in August this year and Theodore Roosevelt National Park will be the place to celebrate. To get...
Thread by: monkaT, Jan 14, 2016, 1 replies, in forum: North Dakota
Joshua Tree National Park Night Sky Festival
A new festival will kick off this coming October 16-18 at Joshua Tree National Park. The festival will be named the Night Sky Festival and will...
Thread by: 12truper, Oct 8, 2015, 0 replies, in forum: California
Craters of the Moon name change
Has anyone heard the proposed name change for Craters of the Moon National Monument to a national park? Apparently, the people behind this are the...
Thread by: VacationBuddy, Mar 16, 2015, 1 replies, in forum: Idaho
Paddling the Yukon
Do you dream of adventure far off the beaten path? Consider a paddling adventure to Kluane National Park and Reserve. It's home to Mount Logan,...
Thread by: wanderer, Mar 18, 2014, 6 replies, in forum: Canada
Facts about Yellowstone
Few places are more authentic or more legendary than Yellowstone. This national park covers land in Wyoming, Montana, and even part of Idaho....
Thread by: wanderer, Nov 11, 2011, 1 replies, in forum: Wyoming


text:
+Norfolk +people +Stanhoe +Stanhoe Hall +uniform +wedding
Home / Keywords loaned Angie Kitcher + 1910s 6
George Mitchley
George Mitchley at his marriage. George Pygall Mitchley (Pygall was his mother's name) was born in Stanhoe in 1886 but moved to Parkstone, Dorset, for work, married and died there. He did, however, keep in regular touch with his parents in Stanhoe. When George's first wife Matilda died in 1919, their daughter Mary came to live with her grandmother. Mary was at Stanhoe school until George married again in 1921, when she returned to Dorset.
George Pygall Mitchley, possibly 1912
George Pygall Mitchley, possibly on the occasion of his wedding in 1912.
Jabez Mitchley in the uniform of the 2nd Hampshires
John Thomas Mitchley, father of George Pygall Mitchley, in 1913. John Mitchley was born in 1851 in Stanhoe, where he died in 1935. In 1901 he was a head teamster (in charge of the plough horses) on the farm attached to Stanhoe Hall.
George Mitchley's first wife, Matilda, in Women's Royal Air Force (WRAF) uniform, which dates the photo to 1918-20. Matilda was for a while stationed at Bircham Newton. She died of a brain tumour in 1919.


In 2007, GIRVIN met outdoors for a BrandQuest in the sun with the Reynvaan family, on the Walla Walla property that would grow to become a true family endeavor for years to come. Since then, Mike, Gale, Amanda, Angela and Matt have created a beautiful winery specializing in Rhone-style red and white wines from their own hand-grown vineyards, including their first "In The Rocks" terroir, based in the rocky soils of an ancient riverbed. GIRVIN worked with the Reynvaans to establish story, plus key elements of the identity including the signature logo and color palette and an an initial two-label set that has since grown to 5 color variants for a family of at least 10 award-winning wines.
Result of a Crush is a Walla Walla winery started by Amanda and Angela Reynvaan Garratt. Started in 2011, Result of a Crush specializes in casual and fun wines for informal enjoyment.
The Summer Cuvée is a wine that's specially bottled and released only for a short time. In this spirit, the label design is a slight departure from the core brand. Minimal text and artful illustration on the front label evoke a piece of art, a singular event apart from the mainstream. A reason to celebrate!


text:
Home Read Features Back Stories: My 2002 Interview With Nick Lowe
Back Stories: My 2002 Interview With Nick Lowe
The veteran singer-songwriter on fame, fortune & becoming a groovy old geezer.
Photo by k8 Fan.
Back in 2002, I was lucky enough to chat with the one and only Nick Lowe, who turned out to be just as witty and charming as you would expect. Since it's the veteran singer-songwriter, producer and Rockpile member's birthday on Wednesday, it seemed like a fine time to dig this long-lost interview out of the files. The bad news: I no longer have the full transcript of our conversation — which included some talk about Rockpile, his vast back catalogue and his next-door neighbour Robyn Hitchcock — so I can't give you a full Q&A. The good news: His last few quotes have thankfully come true. Enjoy:
Some might say the music business has been cruel to Nick Lowe. But if you ask him, it's been more than kind.
"I can't really complain too much," affirms the British pop legend down the line from his London home. "On the whole, I would have to say I've been rather fortunate. I have a following — it's not a large following, but it's a very small, loyal following. I earn a very good living. I can buy a shirt or take someone to dinner without having to worry about that sort of thing. I have retained enough of my privacy so that I don't get hordes of people pointing at me in the street. And overall, I'm really quite content with my position in the panoply of music."
He should be. In his three-decade career, the erudite, unpretentious musician has put together a resume few could match. As a performer — both on his own and with '80s roots-pop outfit Rockpile — he scored hits such as Teacher, Teacher, Heart, So it Goes and his signature song Cruel to Be Kind. As a producer for seminal British punk label Stiff Records, he presided over early sessions by Elvis Costello, The Damned, The Pretenders and Graham Parker. And as a songwriter, he's had his work covered by everyone from Rod Stewart to former father in-law Johnny Cash — and even pocketed a cool million from Curtis Stigers' jazzy cover of (What's so Funny 'Bout) Peace, Love and Understanding? on the 1992 Bodyguard soundtrack.
Of course, that was then and this is now. Times have changed, trends have come and gone, and even Lowe admits he's hardly a household name any more. "The other day I had to go to this very fancy studio to go and pick up the tapes of my last album," he confides. "I turned up and presented myself and this kid came out and said, 'Who are you?' I told him. And he said, 'What's the name of the artist?' I thought, that's the sign of the times right there."
But far from lamenting his, er, low profile, Lowe embraces it. "The last thing I want is to be hugely successful," he says seriously. "When I was really quite young, I got a sudden and severe look at what being famous was like and it completely did me in. It's something I don't want to have happen to me ever. In fact, if it looked like it was going to happen, I would take drastic steps to keep it from occurring."
To that end, he turns down most of the work he's offered, especially anything that smacks of nostalgia. "That sort of turning up and having people kind of relive their youth through you is revolting, somehow. I really have no interest in it whatsoever. It's bloody rubbish. Besides, it's always better to bide your time. Paradoxically, the more you turn people down, the more offers you get and then something cool comes along." Meanwhile, he enjoys the luxury of being able to work at his own pace, contributing occasional tracks to compilations and soundtracks and putting out the occasional album like 2001's gorgeous roots-pop ballad set The Convincer.
"To be honest, I'm in a state of semi-retirement," he says. "Generally, writing songs for other people is how I make my living now. For example, I just wrote a song for the new Solomon Burke album. I don't do any producing any more. I got fed up and gave it up when it turned into staring at a computer screen instead of making music. And I hardly do any touring at all either. It's not that I don't love doing the gigs — it's just the other 22 hours of the day that I find hard to deal with. These days, I'm too wussy for the sticky-floored rock clubs but I'm too rocking for folk … And there are some songs from the old days that I can't do anymore, because they're too callow. I don't want to say what they are, because I don't want to disappoint people. But really, my musical taste is more middle-aged these days."
Then again, so is he. And happily so. "I think getting older has suited me. I mean, I do feel my age, but I don't feel like I thought I was going to feel. I feel like I'm just starting to get the hand of this songwriting thing," he cracks. "I don't think I've peaked yet. When I was younger, I looked up to older artists because they had a sort of lived-in thing that appealed to me. I always wanted to be older. By the time I'm 70, I think I'll be fantastic. I'm looking forward to being a groovy old geezer."
And why not? After all, there's no reason nature should be any less kind to Nick than music as been.
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