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"(White Man) In Hammersmith Palais" is a song by the English punk rock band the Clash. It was originally released as a 7-inch single, with the b-side "The Prisoner", on 16 June 1978 through CBS Records.

Produced by The Clash and engineered by Simon Humphries, the song was recorded for (but not included on) the group's second studio album Give 'Em Enough Rope; it was later featured on the American version of their debut studio album The Clash between the single version of "White Riot" and "London's Burning".

Inspiration and composition

The song showed considerable musical and lyrical maturity for the band at the time. Compared with their other early singles, it is stylistically more in line with their version of Junior Murvin's "Police and Thieves" as the powerful guitar intro of "(White Man) In Hammersmith Palais" descends into a slower ska rhythm, and was disorienting to a lot of the fans who had grown used to their earlier work. "The music is a mixture of the reggae influence and punk, and was the next step after Police And Thieves" (Mick Jones, The Clash). "We were a big fat riff group", Joe Strummer noted in the Clash's film Westway to the World. "We weren't supposed to do something like that."

"(White Man) In Hammersmith Palais" starts by recounting an all-night reggae "showcase" night at the Hammersmith Palais in Shepherd's Bush Road, London, that was attended by Joe Strummer, Don Letts and roadie Roadent, and was headlined by Dillinger, Leroy Smart and Delroy Wilson. Strummer was disappointed and disillusioned that these performances had been more "pop" and "lightweight" similar to Ken Boothe's brand of reggae, using Four Tops-like dance routines, and that the acts had been "performances" rather than the "roots rock rebel[lion]" that he had been hoping for.

The song then moves away from the disappointing concert to address various other themes, nearly all relating to the state of the United Kingdom at the time. The song first gives an anti-violence message, then addresses the state of "wealth distribution" in the UK, promotes unity between black and white youths of the country before moving on to address the state of the British punk rock scene in 1978 which was becoming more mainstream.

Included is a jibe at unnamed groups who wear Burton suits. In an NME article at the time, Strummer said this was targeted at the power pop fad hyped by journalists as the next big thing in 1978. The lyric concludes that the new groups are in it only for money and fame.

The final lines refer to right wing politics, noting sardonically that things were getting to the point where even Adolf Hitler could expect to be sent a limousine if he "flew in today".

The single was issued in June 1978 with four different colour sleeves – blue, green, yellow and pink.

This song was one of Joe Strummer's favourites. He continued to play it live with his new band the Mescaleros and it was played at his funeral.

The song is used in the 2017 film T2 Trainspotting.

Critical reception
"(White Man) In Hammersmith Palais" helped the Clash assert themselves as a more versatile band musically and politically than many of their peers, and it broke the exciting but limiting punk mould that had been established by the Sex Pistols; from now on the Clash would be "the thinking man's yobs".

The song immediately became a firm favourite of Clash fans. In the 1978 NME end of year readers poll it was voted the single of the year. It was number 7 in John Peel's Festive Fifty in 1978, voted by listeners to the show.

"The song remains the ultimate embodiment of everything that was so great about the group" (Kris Needs, Zigzag magazine). "Maybe the greatest record ever written by white men" (Alan McGee, Creation Records).

Robert Christgau recommended the single in his Consumer Guide published by The Village Voice on 4 September 1978, and described the song as "a must". Denise Sullivan of AllMusic wrote that "(White Man) In Hammersmith Palais" "may have actually been the first song to merge punk and reggae." Consequence of Sound described it as "one of Strummer's greatest lyrical compositions".

The song was ranked at No. 8 among the top "Tracks of the Year" for 1978 by NME. In 2004, Rolling Stone rated the song as No. 430 in its list of the 500 Greatest Songs of All Time. In December 2003, the British music magazine Uncut ranked the song No. 1 on their "The Clash's 30 best songs" list. The list was chosen by a panel including former band members Terry Chimes, Mick Jones, and Paul Simonon In 2015, the Guardian ranked it No. 2 on Dave Simpson's "The Clash: 10 of the best" list, and in 2020 it appeared in the number one position in Simpson's list of "The Clash's 40 greatest songs – ranked!" Stereogum ranked it No. 4 on their "The 10 Best Clash Songs" list.

Track listing
 7" vinyl
 "(White Man) In Hammersmith Palais" – 4:00
 "The Prisoner" – 2:59

Personnel

"(White Man) In Hammersmith Palais"
 Joe Strummer – lead vocals, piano
 Mick Jones – backing vocals, lead guitar, harmonica
 Paul Simonon – bass guitar
 Topper Headon – drums

"The Prisoner"
 Mick Jones – lead vocals, lead guitar, rhythm guitar, acoustic guitar
 Joe Strummer – backing vocals, lead guitar, rhythm guitar
 Paul Simonon – bass guitar
 Topper Headon – drums

Charts

Cover versions
Fighting Gravity covered the song on their 1999 live double album Hello Cleveland. In that same year, 311 contributed their rendition of the song to the charity album Burning London: The Clash Tribute.

Notes

Further reading

External links
 Connor, Alan. (30 March 2007) White man's blues. SMASHED HITS Pop lyrics re-appraised by the Magazine. bbc.co.uk. Retrieved 24 February 2008. "BBC article on the song and venue".
 Poster of the Hammersmith Palais gig referenced in song

1978 songs
1978 singles
The Clash songs
Songs about London
Reggae rock songs
Songs written by Joe Strummer
Songs written by Mick Jones (The Clash)
CBS Records singles
Song recordings produced by Sandy Pearlman

redpajama_set_name: RedPajamaWikipedia


text:
Juan Méndez (born September 23, 1981) is a professional basketball player who played for the Niagara University men's university basketball team from 2001 to 2005. He is currently assistant coach on the Redmen Basketball Team. Born in Montreal, Quebec, from Dominican parents, Mendez played with the Canadian national basketball team as well as in several different professional teams overseas.

Career Highs
Juan entered his senior year with over 1,500 career points.  This put him close to Calvin Murphy on Niagara's all time lists. Juan is also the highest scoring Canadian in NCAA Division 1 history.
In 2014, Juan was inducted into the MAAC Naismith Hall of Fame (1st Canadian) in Springfield, Massachusetts, USA.

Professional career
After graduating college, Mendez built his professional career as a player overseas.
He has also been a member of the Team Canada from summers 2003 to 2008. During his time with the team, he participated in the NBA summer league in 2003, averaging 11.4 PPG in 5 games. He participated in the 2003 Pan American Games and finished in 2nd place at Four Nations Tournament in China and Brazil in 2004. He also averaged 16.5 points and 8.5 rebounds per game at the 2005 Americas Championship and 8.9 points and 4.1 rebounds per game during the 2007 Americas Championship.

See also
List of NCAA Division I men's basketball players with 2000 points and 1000 rebounds

External links
http://basketballbuzz.ca/article/juan-mendez-canadas-best-kept-secret/
http://www.writers.net/writers/books/27845
http://www.nba.com/raptors/news/Canadian_Juan_Mendez_Works_Out-142868-71.html
http://www.tvasports.ca/2012/12/12/juan-mendez--le-joueur-de-basketball-globe-trotter
https://maacsports.com/news/2014/2/27/209419821.aspx

1981 births
Living people
Basketball players at the 2003 Pan American Games
Basketball players from Montreal
BC Dnipro players
Black Canadian basketball players
Canadian expatriate basketball people in Greece
Canadian expatriate basketball people in Italy
Canadian expatriate basketball people in the United States
Canadian expatriate sportspeople in Israel
Canadian people of Dominican Republic descent
Sportspeople of Dominican Republic descent
Ironi Nahariya players
Maccabi Rishon LeZion basketball players
Montreal Jazz players
Niagara Purple Eagles men's basketball players
Pallacanestro Trapani players
Pan American Games competitors for Canada
Panellinios B.C. players
Xinjiang Flying Tigers players
Power forwards (basketball)


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Joe Forrest Sackett
THEME-OF-THE-MONTH
ON EXHIBIT
I'm an Albuquerque New Mexico artist. My work is often abstract and sometimes geometrically based. Themes are varied; I don't like to make the same thing twice. I want my work to be provocative, but I also want it to look good. I value craftsmanship, and take pleasure in doing my own labor. I take simple, basic materials like wood and steel and try to make something memorable from them. Techniques include welding, forging, casting, carving, and painting. I have exhibited large and medium-scale sculptural works for numerous municipal and university outdoor sculpture exhibitions in several regions of the United States, and I also make smaller work suitable for indoor exhibition. My work is in private collections in New Mexico and elsewhere.
© 2023 by SMALL BRAND. Proudly created with Wix.com


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James Edward Grant
James Edward Grant (July 2, 1905 – February 19, 1966) was an American short story writer and screenwriter who contributed to more than fifty films between 1935 and 1971. He collaborated with John Wayne on twelve projects, starting with Angel and the Badman (which he also directed) in 1947 through Circus World in 1964. Support Your Local Gunfighter was released in 1971, five years after his death.
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Published on May 03, 2013.
New decade, but Evian's computer-animated babies are still a hit. At least they were last week when Evian made not one, but two appearances on the Viral Video Chart.
Evian's latest "Baby & Me," came in at No. 1 with 35.8 million views. Created by BETC Paris, the video shows adults looking at their reflection in a store window only to see a baby version of themselves starring back. The film also had 80 related clips, 740,000 Facebook shares, and 11,000 comments last week.
"Baby & Me," of course, is a continuation of the Evian's uber-popular 2009 campaign, Live Young, which featured babies rollerskating to "Rapper's Delight." At the beginning of April, Live Young had a total of 205 million views, according to Visible Measures, which made it the third most viewed campaign ever.
Evian launched this latest campaign paid media behind it, has caused Live Young to start racking up the views again as viewers – either reminded of the campaign or directed back to it from the new ad – re-watch the rollerbabies. Last week, Live Young garnered more than 4.5 million views, enough for the No. 3 spot and its 127th appearance on our Viral Chart.
As of today, Live Young has generated more than 212 million views. If it continues to grow at this rate, it has the potential to surpass the second most viewed campaign of all time, KONY 2012 (220 million views), although knocking out the most viewed campaign, "Will It Blend?" (230 million views), may be a stretch.


This brussels sprouts hash and eggs is a great light lunch or side dish. The brussels sprouts get salty and tangy from the olive and lemon, then crispy and caramelized on the bottom. Mix in the little bit of fat from the egg yolk, and wow is this delicious. I make this often at food demonstrations and workshops and it is always a hit!
Brussels Sprouts Hash and Eggs is a great light lunch or side dish. The Brussels sprouts get salty and tangy from the olive and lemon, then crispy and caramelized on the bottom. Mix in the little bit of fat from the egg yolk, and wow is this delicious.
Melt the butter in a non-stick pan on medium-high heat. Swirl it around to coat the pan. Add the Brussels sprout shreds and garlic, then leave it to cook for about 1 minute. Mix it up and toss it around. Add the olives and mix again.
Crack the eggs into separate areas of the pan. Sprinkle them with salt and pepper. Pour in 2 tablespoons of water and cover with a lid. Let the eggs steam, undisturbed, for 2 minutes.
Once the whites of the eggs are cooked through, turn off the heat and sprinkle everything with lemon juice.


text:
March 30, 2018 March 30, 2018 Sarah Kay Bierle
Reconstructing A Dilemma: General Orders No. 40
Since I missed a post for Reconstruction Era last Friday, I owe you an extra one today! How do I wrap-up this month of studies and questions?
I think I'll leave you with a primary source, a few facts, and some questions. I've shared earlier that you're on the journey with me, studying the Reconstruction Era and it's been a wild ride looking for the facts and encountering questions and dilemmas that still haunt us in the modern era.
General Orders No. 40
Headquarters Fifth Military District
New Orleans, La, November 29, 1867.
I. In accordance with general orders No. 81, Headquarters of the Army, Adjutant General's Office, Washington D.C., August 27th 1867, Major-General W.S. Hancock hereby assumes command of the Fifth Military District, ad of the Department composed of the States of Louisiana and Texas
II. The General Commanding is gratified to learn that peace and quiet reign in this Department. It will be his purpose to preserve this condition of things. As a means to this great end he regard the maintenance of the civil authorities in the faithful execution of the laws as the most efficient under existing circumstances
Map of Reconstruction Military Districts. Fifth District is in blue (Texas and Louisiana)
In war it is indispensable to repel force by force, and overthrow and destroy opposition to lawful authority. But when insurrectionary force has been overthrown and peace established, and the civil authorities are ready and willing to perform their duties, the military power should cease to lead, and the civil administration resume its natural and rightful dominion. Solemnly impressed with these views, the General announces that the great principles of American liberty are still the lawful inheritance of this people, and ever should be. The right of trial by jury, the habeas corpus, the liberty of the press, the freedom of speech, the natural rights of persons, and the rights of property must be preserved.
Free institutions, while they are essential to prosperity and happious of the people, always furnish the strongest inducements to peace and order. Crimes and offenses commited in this district must be referred to the consideration and judgement of the regular civil tribunals, and those tribunals will be supported in their lawful jurisdiction.
Should there be violation of existing laws which are not inquired into by the civil magistrates, or should failures in the administration of justice by the courts be complained of, the cases will be reported to these headquarters, when such orders will be made as may be deemed necessary.
While the General thus indicates his purpose to respect the liberties of the people, he wishes all to understand that armed insurrection or forcible resistance to the law will be instantly suppressed by arms.
By command of Major-General W.S. Hancock
Official.
(Source: The Civil Record of of Major-General Hancock – available here)
A General & His Politics
General Winfield S. Hancock had commanded the Union Army of the Potomac's II Corps during the Civil War. He's spent his entire adult life as a soldier, serving in the Mexican War, frontier forts, and the eastern theater of the Civil War.
Politically, Hancock was a Democrat. During the Reconstruction Era, he tended to side with President Johnson, feeling that the states should be allowed back into the union as soon as possible and with a little federal government interference as possible. Hancock's appointment followed the removal of General Philip Sheridan from the 5th District; Sheridan's "rule" had been harsh and caused a lot of tension politically and regionally.
At the time, this theory of reconstruction/restoration was based in a stricter interpretation of the Constitution, but its advocates couldn't foreseen or even understand the racial conflicts that would tear the South apart during the post-war years. (Hindsight is everything.)
Union General Winfield S. Hancock
In theory, at the drawing board, and from his perspective and limited knowledge of the situation in the deep South, Hancock's idea outlined in General Orders No. 40 might have worked. He insisted that laws had to be followed, order must be maintained, and crime dealt with in normal civic processes; if the civilian local governments could follow the laws, he was willing to keep the military role in the district limited. This followed his ideals of military power and roles in a free society.
In a perfect world, this would have eliminate some of the bitterness against the occupying federal troops and allowed the civilian governments to function again, under the watchful eye of the general.
But sometimes our theories don't work out. Sometimes, they're doomed from the start. Sometimes, situations change.
In Reality
White southerners welcomed Hancock's order. Congress got angry. And the feud began. It got worse when Hancock refused to use the military to overturn pro-Democrat election results which were called unfair and very well may have been obtained through unscrupulous means (denying votes). Ultimately, Hancock was removed and sent elsewhere.
In reality – as noble as Hancock's idea was – it was going to have problems from the start. Racism ran deep in the military district and letting local government run itself opened the door for elected officials who didn't always know what they were doing or officials with a racist agenda, leading to unfair elections, unscrupulous juries, and limited prosecution for crimes committed by whites.
Sometimes, when I'm reading about the Reconstruction Era, I think "how did they imagine that was going to work?" Looking back, we get the "big picture" from the safety of our work desks and see how it all turned out.
Thinking about Winfield S. Hancock and his controversial Order No. 40, I can't help trying to figure out how that was actually going to work in that political and social climate. Yet, at the same time, I'm trying to see it from his perspective.
We know he was a man of principle who took duty and protection of law seriously. Having just fought a bloody war, he was likely anxious to end the troubles, restore unity, and promote reconciliation. Logically, from his perspective, limiting military authority if the civilians followed the rules seemed plausible. Quite possibly, he didn't understand some of the underlying tensions in the South or thought they would be resolved on the civilian side, without military interference. From his perspective and understanding, he was following his ideas of strict interpretation of the Constitution, military power, and how it applied to Reconstruction while trying to do his best to bring peace.
Can we fault him for his intentions? For trying – with the knowledge he had at that time – to bring reconciliation?
The discussions and questions of Reconstruction continue…
Your Historian,
Miss Sarah
fifth military district
General Hancock
General Orders No 40
rebuilding6577
teaching Reconstruction Era
Previous Reconstructing Your Bookshelf
Next Tea With Sarah: Favorite Historical Era, Civil War Doctors, & Country Music


At the end of February, Broadcom announced the release of full documentation for the VideoCore IV graphics core, and a complete source release of the graphics stack for the BCM21553 cellphone chip. To celebrate, we offered a $10k prize to the first person to port this codebase to the BCM2835 application processor that sits at the heart of the Raspberry Pi, and to get Quake 3 (which already runs on the Pi) running on the newly open ARM driver, rather on the closed-source VPU driver. Our hope was that the ported driver would be a helpful reference for anyone working on a Mesa/Gallium3D driver for VideoCore IV.
Hands up if you spent far too long playing this when you were young.
I'm delighted to say that we have a winner. Simon Hall is a longtime Pi hacker, who also produced the first ARMv6-accelerated copies-and-fills library back in 2012 and wrote the DMA kernel module that we integrate in our Raspbian releases. The prize couldn't have gone to a more fitting recipient.
So, without further ado, here are Simon's instructions for getting the driver up and running.
We need plenty of space to build the kernel. Compiling will take around 12 hours, so it is helpful to overclock the Pi for this task. We also require the latest firmware, and the necessary packages we're going to use to build the code.
Note: We're going to use gcc 4.7, as the code generated is 10% faster than with 4.6. 4.8 is 10% faster still, but this is not available on Raspbian. If you cross-compile you can get better frame times.
First of all you must ensure that you have the Quake 3 Arena data files on your Pi. You require the 'point release' pak files installed. There are various ways to do this but you could either transfer them from another machine with SCP, or copy them across on a USB stick. Copy the files into a folder called 'baseq3'. This should now contain pak files numbered from 0 to 8 (eg pak1.pk3).
If you see multi-second pauses of the game, this is because the system is paging to swap! You can see this by running top at the same time, and watch the swap usage jump during a spike. Close some running programs to alleviate this problem. Running the game without gdb and loading minimal kernel modules will prevent swapping.
Awesome Job! Congratulations and Thanks a lot for all your hard work! Well deserved!
In video/audio quality, power, etc. The Pi (as it is right now) has nothing to do vs an Apple TV.
I'd love to see that, but it's not gonna happen any time soon, unfortunately.
On the other hand, the Pi is already better in some aspects (content, flexibility).
One question – why build the kernel on Pi itself and not use cross compiling?
I'd imagine as not everybody who would want to compile the new kernel wants to set up a cross-compiler although I'd imagine that it would be a lot faster to cross-compile. And the instruction for the pi would be the same for everyone whereas cross-compiling would have lots of different instructions.
Kernel cross-compiling infrastructure is actually really quite good. And once you have the toolchain set up it should be a breeze.
Sorry, my mind glitched there for a second.
I imagined a world in which there were no OS X or Windows users to worry about, this is not the case.
I have a cross toolchain set up for ARMv5, in fact, I have it by accident(I've never used it). Just now I confirmed that it works perfectly out of the box though.
If only it could be this way on OS X and Windows.
Care to provide instructions? Because I'm sure myself and others have no idea where to start with that.
Well done Simon. I wondered if this might be what JamesH was hinting about last week.
When we could expect this to be integrated in Rasbian and other distributions?
same question! what's it's ETA for normal use?
This is a really exciting first step for a fully FOSS graphics stack on the Raspberry Pi (and a great achievement for Simon Hall), but there's a way to go before we'd want to ship this as the default. If the kernel patch can be made minimally invasive and toggleable at runtime, I for one would be interested in providing it as a switchable option for people wanting to experiment. Of course a bigger question is what direction should FOSS graphics on Raspberry Pi (VideoCore IV) take. Is the best way to continue development of the BCM21553 code generously open sourced by Broadcom or would it be better to use it as a reference for integration of VideoCoreIV support for Mesa/Gallium?
What would be cool to have is a gui dev-kit to show each of the open 'cores' working in unison and independently if at all possable, mainly for educational use.
1 when will it be integrated into raspbian (i hope soon)?
2 will it only affect the game or will it generally affect the gui performance?
3 can you pl. Provide a youtube link cuz i cant wait 10hrs !!!
See my reply above regarding 'integration into Raspbian' (I speak about the Foundation Raspbian image you get from the downloads page). This graphics driver will only be used by applications using OpenGL ES, just like the current VideoCore IV graphics driver.
so whenever it is released with a new raspbian image, will there be any possibility of upgrading an old one or will we have to reflash our sdcards?
I always try to provide an upgrade path for people with older images. If it needs anything more than an apt-get update/upgrade it will be documented on the blog post announcing the image (possibly by me dropping by the comments).
Not really understanding the finer points of video drivers I've a few questions.
Is this implementation only good for Quake3 or can it accelerate other applications?
Will this affect the Desktop environment?
Permit improved acceleration of the Desktop?
If yes to above can this happen with X or is still something needed for the Wayland work?
Wondering how useful this is and what work would need to be done to make it into a 'normal release.
Are there any performance increases to be found by using the newer code game wise?
Perhaps, perhaps not. Note that the graphics stack has moved from the Videocore vector/scaler processor which runs at 250Mhz, to the Arm at 700Mhz. But the ARM is also running all the GUI, apps etc. So the likelihood is that this stuff might be slower once the workload is taken in to account – you are now not taking advantage of the videocore CPU to run stuff in parallel.
This is an important point. This is an important milestone for FOSS graphics on the Raspberry Pi, but for the reason James states you're likely to see some performance degradation. Very likely stability regressions as well. This isn't something that's going to directly benefit the end user right now, but is obviously super helpful for anybody wanting to further develop the driver or indeed a Mesa/Gallium VC4 driver.
Does this mean hardware support is now possible for software like handbrake, making it possible to trancode videos on the pi using the GPU? That would be really awsome!
No, the codecs and their HW blocks have not been opened due to licences implications.
First let me say AWESOME!!
I have a question, if this game works will other Quake Engine based games also work?
Now let's all buy even more RaspberryPis to convince Broadcom that opening the specs was a smart move.
On a related note, as nobody seems to have mentioned it yet, if you do have multiple Pis you should be able to use distcc to build the kernel in some fraction of the 10h time that it would take on a single Pi. While I haven't built the Pi's kernel like this, I have built other kernels with a mix of distcc and cross-compilers on a bunch of machines each with different CPU architectures.
That page also includes setting up ccache, which is a method of caching compiled object files so that they don't have to be recompiled the next time you run a make and the original source file wasn't modified. It's useful if you're changing the source, but most readers here won't be doing that. It could still be useful if/when the upstream git tree is updated, though, as it will save you from having to do a lot of recompilation (though you may want to have more than the recommended 10Gb storage space if you're caching compiled files with ccache).
Great effort and congratulations Simon!
On a side note: Does the recent code drop changes the situation concerning DSI? Will the community be eventually able to use any DSI panel (with panel-specific quirks) or is this out of scope?
Oot of scope – the code release was for the graphics side of the chip, not the display or camera.
fantastic news !! Does it mean there is a chance there will be a version of android for the pi ?
Yes, it does. We're not developing a version of Android here (it doesn't fit with our educational mission), but this enables the community that wants Android to develop for the Pi themselves, where previously the closed drivers prevented them doing that work.
somebody make a youtube vid of you playing q3 with this kernel, thank you.
This is brilliant. You've just published something that sparked an interest in the RPi from my fourteen year old. I, simply, asked him "Would you like your RPi to run Quake?" and got a positive answer.
With a list of tasks I can take checkpoints to see how he's going.
When it comes to the 10 hour task we'll leave that running over night.
I wonder what the speed is with the closed driver. Just for comparison.
I think the closed driver is about twice as fast.
But that has obviously had a lot of work done on optimising it.
I'm sure the open driver could be optimised much further (and as it's open, anyone is free to improve it).
Freedom to Raspberry Pi !
The new style sheet rocks.
Thanks! We worked really hard on it.
TBH, it's for more readable IMHO.
Argh! While I generally like immersive designs, this new design for the site is painful, unprofessional, and very off-putting. If I may suggest, perhaps have the site use the old theme, and make this theme an option or an Easter Egg. When designing a home page, keep in mind that people will be visiting who aren't interested in the Pi, but just want to know what its about. Assume your audience is stupid and you'll have a very successful design. Assume your audience is educated and knowledgeable and everything falls to bits. I'm in college for this sort of thing, and this is an excelent example of what NOT to do.
We have all gone to college smart guy.
Ummmm, I don't want to be the one who said, "The Emperor isn't wearing any clothes!", but I think that in the process of "upgrading" the kernel, Simon blew out all of our GPUs!!! Mine refuses to show anything but Christmas-colored Courier in 12-point anymore! For this we need parallel pipelines???
I fail to see the bug you're referring to?
Competition rules were for GLESv1, not GLESv2. Is Simon going to finish the job and make this work with 24bit and hWnd != 11 ?
If i compile for 10 hours and see april fools… i'm gona puke.
@Xeon: The news is from yesterday.
Congratulation! It would nice to hear if there exists any other programmers or teams who try to win the competition.
Why are you compiling the kernel on the raspberry itself?
When you cross-compile it with multi-core option enabled you get your new kernel binaries in less than a half hour.
I did this for several other ARM Platforms but never for a raspberry, but the shouldn't be a difference.
Yep… just did this… same boat. Turned off OC and same result still… Lame. Guess I'll reimage the card again and go find something else to think is cool.
Can we use PC Minecraft now then? With Mesa3D OpenGL?
All the cool software for the Pi need hours to setup. My wishlist is Weston/Wayland with your Opensource driver, and Epiphany browser with youtube support. Hazzle free as upgrade package.
Does this mean that the Pi will be able to boot without a blob?
Can someone Upload an Compiled SD Image (Ready2Run) ?
What is the rate of frames?
are the others getting something similar?
or did I just simply messed something up?
So I followed everything and built the kernel just fine. When I compiled the dmaer.c it built fine but I'm getting an error running the install.sh in ~/DMA. I'm not in front of my pi right now. But the v3d (I think is what it is) module is not correct or won't start. And checking the Kern.log I'm definitely not getting the same as the example output. Any ideas?
Your network rate is too slow for VoIP.
Set 'Data Rate' to 'LAN/Cable/xDSL' in 'Setup/System/Network' and restart.
Until then, VoIP is disabled.
ioquake3.arm: source/brcm_usrlib/dag/vmcsx/middleware/khronos/common/2708/dispman_connection.c:80: get_resource: Assertion `msg.m_tag.m_recvDataSize == 0x80000008′ failed.
Not sure what I'm missing here.
I'm not using Raspbian, I'm using PiBang, which honestly is isn't that different. It's built from the raspbian repo.
Nice job. Though it does not meet the requirements set out in the original request.
The original challenge required a fully open source implementation. Using the Linux kernel and the ID Software engine both restrict the source do to the limits of the GPL and thus this is not a FULLY OPEN SOURCE implementation. This is a well done restricted Open Source implementation though.
I do look forward to someone completing the challenge as originally outlined.
Do not get me wrong that is nice work.
This means that after I build the kernel I'll have hw acceleration on my Pi? I'm not interested on running Quake, but interested in the better performance of the Pi.


text:
Q: xdebug and WAMP will connect, but not when using Flash I've read a lot of xdebug / WAMP / NetBeans won't connect messages, but so far they haven't helped.
I've got a php test project that connects to netbeans-xdebug, and lets me break, step, watch variables, and other good stuff.
I did that to test the environment.  The local site I want to develop with is an ActionScript 3.0 site with php handlers.  I was hoping I could simply point to the src directory, set my URL to http://localhost/TestInterface.swf, and then hit breakpoints as I did earlier.  Unfortunately I'm seeing a seemingly unending "Waiting for Connection (netbeans-xdebug)" message at the bottom of the NetBeans IDE and no breakpoints.
When using IE11, the flash app continues to work while "Waiting for Connection", and no breakpoints are hit.  My php test project hits breakpoints.
When using Chrome with the NetBeans connector, same thing for both.
My php code is running directly, the URL ends with test.php.  My flash code is running flash, and using POST to execute the php scripts.  I feel like I'm not directly connecting to the code as far as xdebug is concerned, but I'm still too new to this architecture to know for sure if that's the case, and if so what to do about it.
If anyone has any insights they could share, I'd appreciate it.  When I include flash or actionscript in my search for this, it comes up empty.
Thanks.

A: I suppose something is mysteriously wrong with my system.  However, I stopped using IE and Chrome and switched to Firefox, and it's all working as expected.

redpajama_set_name: RedPajamaStackExchange


text:
package cat.calidos.morfeu.webapp.ui;

import com.codeborne.selenide.SelenideElement;

/**
* @author daniel giribet
*///////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
public class UIDropArea {

private static final String CLASS = "class";
private static final String ACTIVE = "drop-area-active";
private static final String SELECTED = "drop-area-selected";

private SelenideElement element;
private UICell parent;
private UIContent content;
private int position;

public UIDropArea(SelenideElement e, UIContent content, UICell parent) {

	this.element = e;
	this.content = content;
	this.parent = parent;

}

public boolean isActive() {
	return element.attr(CLASS).contains(ACTIVE);
}

public boolean isSelected() {
	return element.attr(CLASS).contains(SELECTED);
}

public void setPosition(int position) {
	this.position = position;
}

public int position() {
	return this.position;
}

/** @return cell just dropped at new position */
public UICell dropHere(UICell cell) {

	// select and activate if needed
	if (!cell.isSelected() && !cell.isActive()) {
		cell.select();
	}
	if (!cell.isActive()) {
		content.pressKey(UIContent.ACTIVATE);
	}

	// we will use keyboard shorcuts to select the target destination
	this.select();
	content.pressKey(UIContent.DRAGNDROP);

	// if we have dropped at the end, the position is off by one
	int childrenCount = parent.children().size();
	if (position>=childrenCount) {
		return parent.child(childrenCount-1);
	} else {
		return parent.child(position);
	}

}

public UIDropArea select() {

	// select until the parent, setup drop area selection mode, select this drop area and drag-n-drop!!!
	parent.select();
	content.pressKey(UIContent.DROPAREA_MODE);
	content.pressKey(position+"");

	return this;

}

}

redpajama_set_name: RedPajamaGithub


text:
Lot-33-George-Lilanga
Lot 33 George Lilanga (side)
George Lilanga (Tanzanian, 1934-2005)
Untitled (Drummer), undated
Signed 'Lilanga' (on top of base)
Wood and enamel paint
Provenance: the Daraja Collection
George Lilanga fused influences from traditional Makonde carving with surreal, modern observations to create his much celebrated, idiosyncratic sculptures and paintings.
Lilanga began training as a sculptor in 1961, making wood carvings in the traditional Makonde form. He moved to Dar es Salaam in 1970, where he encountered the Tingatinga School which had a profound effect on his work. In 1979 he participated in a group exhibition of African artists in Washington D.C., where infamous graffiti artist Keith Haring saw his paintings and later acknowledged the significant impact this encounter had made on his work.
Today Lilanga is one of the region's most admired artists and his work features in many important, private and institutional collections of African art.


text:
Living Contemporary 7 July 2021
Kenneth Noland
Kenneth Noland is regarded as a leading voice in postwar abstraction and is celebrated for his painterly minimalism and pure, exuberant use of color. Noland was born in Asheville, North Carolina in 1924. He described his father, a physician, as a "Sunday painter," exposing young Noland to painting early in his life. After leaving the Air Force, Noland began his formal art studies at the famed Black Mountain College in 1946, located just twenty miles from where he was born. Under the tutelage of artists such as Willem de Kooning, John Cage, Ilya Bolotowsky and Josef Albers, Noland began creating work with the new avant-garde ideals he was being exposed to. Noland cites Paul Klee, Henri Matisse and Piet Mondrian as early influences, though he would eventually reject the hard-edge geometric ideals of Mondrian. Albers' theories regarding the interaction of color would form the most lasting influence on Noland's work.
Noland briefly studied in Paris in 1948 and returned to the United States to teach at various schools in Washington, D.C. While there, Noland developed a close friendship with artist Morris Louis, who, like Noland, was creating paintings outside of the prevailing Abstract Expressionist style. In 1952, along with critic Clement Greenberg, the two visited Helen Frankenthaler's studio in New York and both were enthralled by Frankenthaler's technique and use of color. Noland cites this meeting as pivotal to the development of his mature style.
Auction Results Kenneth Noland
Songs: Yesterdays
Outlying


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text:
Buzzcocks 7/15/2006 at Double Door
Saturday night, members of the Klown Army, Lewdd and myself piled in Lewdd's vehicle (like true clowns!) and braved the heat to go see The Buzzcocks play at the Double Door in Chicago. Having seen The Buzzcocks three years ago at the same venue and being completely blown away by how great they still are, I was really looking forward to seeing them again, as were the rest of my traveling companions.
The doors were scheduled to open at 8:30pm so we got there a little before that and had a drink at a nearby bar. At 8:30 we went to the club and the doors weren't open yet, and a line started forming. We sat out there waiting in the heat for at least a half an hour, they were really late opening. This really annoyed many people in line since it was still about 90 degrees outside.
The club was pretty comfortable temperature wise when we got there but that was soon to change. The first band up were The Strays. They were touring with Buzzcocks and I think they too were from the UK. They played some melodic, sort of 70's influenced punk rock which wasn't bad, they did have some enjoyable songs. Just when I was thinking some nice thoughts about them, they did a Clash cover and that immediately turned me against them.
The Adored
Next up were The Adored. They were almost borderline emo at some points of their set. They had a somewhat effeminate singer who went on and on about being from Los Angeles and how being in Chicago was so great. I didn't really care for them, neither did the rest of my friends there so we just sat back and drank and waited for The Buzzcocks.
The Buzzcocks
After a bit of a wait, The Buzzcocks finally took the stage. At this point, the rest of the sold out crowd magically appeared as the place was completely packed. This also meant that with so many people packed in like sardines, and many of them smoking (sadly the smoking ban doesn't affect bars for three more years), the temperature inside was equal or greater to the temperature outside! I was sweating just standing still and I had the luxury of being in a section of the club that had a fan and that people weren't allowed to stand!
They opened with "Flat Pack Philosophy" off the new album of the same name. It sounded even better live than it did on that excellent album. Right after that they played my favorite off that new one, "Wish I Never Loved You". After a few more newer songs, they busted out the hits. They played some different' songs this time out from the last time including "Why Can't I Touch It" which I was quite pleased to hear, and it all sounded great. Its amazing that nearly 30 years later that The Buzzcocks haven't lost a step and are easily one of the best bands you could see live these days, and the 100 degree heat didn't slow them down one bit!
They played about 70 minutes total that included one encore of five songs including "Noise Annoys" which ran right into "Orgasm Addict". They closed the show with a great rendition of "Oh Shit". After that, the overcrowded crowd high tailed it out of the club since at that point it was nicer outside than it was inside.
With some mostly unoffensive opening acts and a stellar set by The Buzzcocks it was an evening well spent. I'd easily go see The Buzzcocks every time they come to town for the rest of their existence if this show is any indication of what to expect when I go see them. Two thumbs way up!
My single complaint is the poor lighting in the Double Door. That place is tough to shoot at!
More photos can be seen by clicking below…
The Germs 7/26/06 at Double Door
More Ministry and Revco pictures
Lewdd says:
Great pics. I've been impatiently waiting for your review and pics. Thanks for driving home and providing a place for my drunk ass to sleep.
Danny G says:
I saw them out here in Boston a few weeks ago and was completely blown away, especially since I haven't seen them in ages. The frontline of Shelley and Diggle remain one of the most effusive in the music business. Now if only their new records were like their first three!
p.s. Great pics MXV!
Pam at JLM PR says:
Mike, great shots my friend. I will put you on the list any time!!!!!
I'm so jealous. The last three times the Buzzcocks have pulled though I haven't been able to get in because of age restrictions. The day will come soon though, because it really doesn't look like they're slowing down. The last two albums have been absolutly fantastic! Did they play anything off of the self titled?
Street Sects 12/7/19 at Downstairs Subterranean
Last night in the downstairs room of Subterranean, Street Sects headlined a three band bill. The band has been touring quite a bit recently and after returning from Europe, they hit the road one more time to get some...


Hey Rich, the usual disclaimers are in place. But I have a quickie question, see if it makes any sense to you.
After my PT for the rotator cuff I was told to do lots of push-ups. These started out on an exercise ball against a wall and moved to flat on the floor. At the time I was 378 pounds and according to the scale, in a push-up position I was putting 312 pounds of stress on my shoulder. The last thing the PT told me on my release was "Do not EVER do bench presses!"
What's up with that? Seems like the same kinesthetic process to me. And bench pressing lets me start REALLY light (45 pounds) and work my way up gradually (currently only 120 pounds).
This is well outside my area of expertise, I'm afraid.
The rotator cuff is composed of four muscles that attach by tendons to the upper arm bone (the humerus). Because of their location in the shoulder, the rotator cuff tendons are very susceptible to injury, either due to chronic wear and tear or to an acute insult (such as falling on an outstretched arm). Rotator cuff tendinitis (inflammation of the tendons) is one of the most common causes of shoulder pain. With significant injury, the tendons can actually tear.
The length of time exercises are used in the rehabilitation process varies. Two to four weeks is a minimum (the time course for most injuries), but this could be up to several months for rotator cuff tears. Patients with chronic tendinitis, who are unresponsive to treatment and are not good candidates for surgery, may need to perform stretching and toning exercises (see below) three times per week indefinitely.
ANTIINFLAMMATORY THERAPY — Ice can be used to reduce the inflammation that is usually associated with injuries of the rotator cuff. Ice packs should be applied over the outer shoulder to include the cap and upper deltoid muscle for 15 to 20 minutes every four to six hours. The response to ice is variable since the rotator cuff tendons are located deep in the tissues. Thus, an antiinflammatory medication may be necessary if you are having considerable pain.
HEAT AND MASSAGE — Heat and massage help prepare the tissues for stretching and should be performed prior to exercise sessions. The preferable method of heating is in a warm shower or bath for 10 to 15 minutes. Local heat (for example with a moist heating pad or a towel warmed in a microwave) is an alternative, but generally not as effective because of the deep location of the rotator cuff tendons.
This exercise can be started almost immediately after a shoulder injury, or approximately four days after receiving a steroid injection into the shoulder joint.
While standing or sitting, hold a 5- to 10-pound weight in your hand (a filled gallon container weighs 8 pounds) and keep your arm vertical and close to your body (bending over too far may pinch the rotator cuff tendons).
Allow your arm to swing back and forth or in a small diameter circle (no greater than 1 foot in any direction).
This exercise should be performed after heating for five minutes once or twice per day. As your symptoms improve, the diameter of swing may be increased somewhat.
A properly performed pendulum stretch exercise may cause a deep, achy pain in the armpit or down the inner aspect of the arm.
MUSCLE TONING EXERCISES — Muscle toning exercises are necessary to improve shoulder muscle strength, which helps prevent further injury. These exercises can be started approximately one to two weeks after beginning the pendulum stretch exercises, after the acute inflammation has resolved, or approximately three to four weeks after having a steroid injection into the shoulder joint. Don't begin these exercises too soon or your condition may worsen.
The joint should always be heated and stretched (as outline above) prior to beginning toning exercises. Following a two or three minute rest, perform sets of 15 to 20 exercises daily, each held for five seconds. Flexible rubber tubing, bungee cords, or large rubber bands are used for each exercise (show figure 2).
Outward rotation exercise — Hold your elbows at 90 degrees, close to your sides. Grasp the rubber band with your hands and rotate your forearms outward only two or three inches, holding for five seconds.
Inward rotation exercise — Hold your elbow at 90 degrees, close to your side. Hook the rubber band onto a door handle and grasp with only one hand. Rotate your forearm inward two or three inches and hold for five seconds. The forearm swings like a door.
Lifting exercise — Bend your elbow to 90 degrees. Place the rubber band near the elbows and lift your arms up four or five inches away from the body, holding for five seconds.
Mild soreness should be expected with these exercises. Sharp or severe pain may indicate a flare of the underlying problem; stop these exercises for a few days if this occurs.
Lift objects close to the body.
Only lift light weights and below shoulder level.
Do sidestroke or breaststroke when swimming.
Do not overhand serve in tennis.
Maintain good posture with writing, assembly work, etc.
A weight of 5 to 10 pounds is held lightly in the hand (a filled gallon container weighs eight pounds). The muscles of the shoulder should be relaxed! The arm is kept vertical and close to the body (bending over too far may cause pinching of the rotator cuff tendons). The arm is allowed to swing back and forth or in a small circle (no greater than 12 inches (30 centimeters) in diameter). A properly performed stretching exercise may cause a deep achy pain, either in the armpit or down the inner aspect of the arm. This exercise can be performed just as effectively while sitting. The exercise should not be performed in people with acromioclavicular separation, glenohumeral dislocation, and hypermobility. Courtesy of Bruce C Anderson, MD.
Part A: The inward rotation isometric exercise is performed by holding the elbow at 90º, close to the side. The rubber band is hooked onto a door handle and grasped with the hand. The forearm is slowly moved towards the body two to three inches, and held for five seconds. The hand should not rotate as the forearm moves.
Part B: The outward rotation isometric exercise is performed with the elbows at 90º, close to the sides. The rubber band is grasped with the hands. The formearms are moved outward two to three inches and held for five seconds. Sets of 15 to 20 exercises, each held for five seconds, should be performed daily. Courtesy of Bruce C Anderson, MD.
The worst thing you can do after rotator cuff surgery is any exercise that has you lifting your arm above your head .It puts too much strain on the repair.
OK Moemg, I understand that part. But what I don't understand is why pushups ar good, but bench press is bad. Seems to me they are the same exercise.
They are differnt in the way they affect the rotation of your shoulder. Use your good shoulder and try it .You'll feel the differnt pulls each exercise gives.The bench press puts too much strain on the repair.


What is it like to call two countries home? What makes migrants move in the first place and how do they settle in a new society? Where do they belong?
Students "who do not speak the language," the school's director says, are better off "remaining silent." According to reports, students caught speaking any language other than Portuguese are fined.
One Flickr user has tracked down and painstakingly restored prints by master Japanese photographer, T. Enami.
"Sorry your wife is Indian, landlord won't rent to you. Next time please indicate earlier, so we both don't waste time."
"Not only is what he did illegal, but beyond disrespectful to victims of the disaster who had no choice but to leave their homes."
"Blow your whistle to demand transparency, blow your whistle to demand for fish lives, blow your whistle to stop Formosa."
"You had to open the car window like this," one Japanese Twitter user exclaimed, tweeting a photo of a manual window crank.


GDP (Current Prices, National Currency) UYU 5.344 Billion.
GDP Per Capita (Constant Prices, National Currency) UYU 100,373.07 .
GDP Per Capita (Current Prices, National Currency) UYU 1,736.91 .
General government revenue (National Currency) UYU n/a Billions.
General government total expenditure (National Currency) UYU n/a Billions.
Total Government Net Lending/ Borrowing (National Currency) UYU n/a Billions.
General Government Structural Balance (National Currency) UYU n/a Billion.
Fiscal Year Gross Domestic Product, Current Prices UYU 5.344 Billions.
GDP (Constant Prices, National Currency) for Uruguay in year 1989 is UYU 308.848 Billion.
GDP Growth (Constant Prices, National Currency) for Uruguay in year 1989 is 1.104 %.
GDP (Current Prices, National Currency) for Uruguay in year 1989 is UYU 5.344 Billion.
GDP (Current Prices, US Dollars) for Uruguay in year 1989 is US$ 8.827 Billion.
GDP Deflator for Uruguay in year 1989 is 1.73 (Index, Base Year as per country's accounts = 100).
GDP Per Capita (Constant Prices, National Currency) for Uruguay in year 1989 is UYU 100,373.07 .
GDP Per Capita (Current Prices, National Currency) for Uruguay in year 1989 is UYU 1,736.91 .
GDP Per Capita (Current Prices, US Dollars) for Uruguay in year 1989 is US$ 2,868.56 .
GDP (PPP), US Dollars for Uruguay in year 1989 is US$ 19.544 Billion.
GDP Per Capita (PPP), US Dollars for Uruguay in year 1989 is US$ 6,351.80 .
GDP Share of World Total (PPP) for Uruguay in year 1989 is 0.078 %.
Implied PPP Conversion Rate for Uruguay in year 1989 is 0.273 .
Investment (% of GDP) for Uruguay in year 1989 is 12.537 %.
Gross National Savings (% of GDP) for Uruguay in year 1989 is 11.565 %.
Inflation, Average Consumer Prices (Indexed to Year 2000) for Uruguay in year 1989 is 0.978 (Index, Base Year 2000 = 100).
Inflation (Average Consumer Price Change %) for Uruguay in year 1989 is 80.447 %.
Inflation, End of Year (Indexed to Year 2000) for Uruguay in year 1989 is 1.288 (Index, Base Year 2000 = 100).
Inflation (End of Year Change %) for Uruguay in year 1989 is 89.177 %.
Import Volume of All Items Including Goods and Services (Percent Change) for Uruguay in year 1989 is 1.402 %.
Import Volumes of Goods Only (Percent Change) for Uruguay in year 1989 is -5.545 %.
Export Volume of All Items Including Goods and Services (Percent Change) for Uruguay in year 1989 is 10.332 %.
Export Volumes of Goods Only (Percent Change) for Uruguay in year 1989 is 12.484 %.
Unemployment Rate (% of Labour Force) for Uruguay in year 1989 is 8 %.
Population for Uruguay in year 1989 is 3.077 Million .
General government revenue (National Currency) for Uruguay in year 1989 is UYU n/a Billions.
General government revenue (% of GDP) for Uruguay in year 1989 is n/a %.
General government total expenditure (National Currency) for Uruguay in year 1989 is UYU n/a Billions.
General government total expenditure (% of GDP) for Uruguay in year 1989 is n/a %.
Total Government Net Lending/ Borrowing (National Currency) for Uruguay in year 1989 is UYU n/a Billions.
Total Government Net Lending/ Borrowing (% of GDP) for Uruguay in year 1989 is n/a %.
General Government Structural Balance (National Currency) for Uruguay in year 1989 is UYU n/a Billion.
General Government Structural Balance (% Potential GDP) for Uruguay in year 1989 is n/a %.
Fiscal Year Gross Domestic Product, Current Prices for Uruguay in year 1989 is UYU 5.344 Billions.
Current Account Balance (US Dollars) for Uruguay in year 1989 is US$ 0.121 Billion.
Current Account Balance (% GDP) for Uruguay in year 1989 is 1.377 %.