text:
The MassArt Art Museum Presents Joana Vasconcelos' First U.S. Solo Museum Exhibition: "Valkyrie Mumbet"
Boston, MA -- January 29, 2020 -- On February 22, 2020 Joana Vasconcelos will unveil Valkyrie Mumbet, an inaugural site-specific work in her first U.S. solo museum exhibition at the MassArt Art Museum (MAAM), the newest and only free contemporary art museum in Boston, Massachusetts. The latest in her Valkyrie series, Valkyrie Mumbet pays tribute to Elizabeth "Mumbet" Freeman, an enslaved African American woman who was the first to win a freedom suit based on the newly adopted Massachusetts Constitution which declared that "all men are born free and equal, and have certain natural, essential, and unalienable rights…" in the state of Massachusetts in 1781.
The MassArt Art Museum (MAAM) is the new contemporary art museum of Massachusetts College of Art and Design (MassArt), the first publicly funded freestanding college of art and design in the U.S. As the teaching museum for MassArt, MAAM offers free and accessible contemporary art experiences for all audiences and partners with artists to bring fresh, diverse perspectives to Boston. MAAM connects international artists with MassArt students and educates them about the professional museum field. Valkyrie Mumbet is the newest in Vasconcelos's Valkyrie series, initiated in 2004, inspired by the powerful female characters of Norse mythology that fly over battlefields on winged horses and bring the bravest warriors back to life to serve as gods. Following the path of the Valkyries specially designed for the Palace of Versailles, Le Bon Marché of Paris, and the Guggenheim Museum Bilbao, Vasconcelos now highlights Elizabeth Freeman alongside other notable figures in feminist history -- intellectual, philosopher and political activist Simone de Beauvoir; lawyer and politician Simone Veil; and 4th century pilgrim and first woman travel writer Egeria; among others.
About Elizabeth "Mumbet" Freeman
For her U.S. solo debut, the Portuguese artist researched Massachusetts history and was particularly moved by Elizabeth Freeman's story. Born into slavery around 1740, Freeman was offered to a family in Massachusetts as a child. Known as "Mum Bett," "Mum Bet," or "Mumbet," Freeman was a skilled midwife and healer. Although she could neither read nor write, it is reported that, after Mumbet overhead discussions about the new promises of liberty that ultimately shaped the Massachusetts Constitution, she decided to take her destiny into her own hands. She pursued a legal battle in court, was granted freedom in 1781, and adopted the surname "Freeman." She then went on to work for her lawyer, Theodore Sedgwick, as a caretaker in his home. Elizabeth Freeman died on December 28, 1829 around 85 years old. The Sedgwick family celebrated her life and achievements; Charles Sedgwick wrote her epitaph, Susan Anne Sedgwick painted her portrait, and Catharine Maria Sedgwick wrote a book about her life for posterity. The National Museum of African American History and Culture in Washington, D.C. highlights Freeman's accomplishments as part of its permanent exhibition and an independent movie titled "Mumbet" is currently in production.
About Valkyrie Mumbet
Valkyrie Mumbet_Detail3_SMALL.jpg
Valkyrie Mumbet_WIP_AJV 01_SMALL.jpg
From left to right: Valkyrie Mumbet rendering in the Paine Gallery of the MassArt Art Museum, detailed views of Valkyrie Mumbet. Courtesy Atelier Joana Vasconcelos.
Valkyrie Mumbet is a monumental textile installation that pays homage to Elizabeth "Mumbet" Freeman. References to Freeman are seen in the textile elements representing fabric that Freeman owned (silks, velvets, linen) as well as the beads from Freeman's golden choker necklace. Vasconcelos is also using capulana fabric from Mozambique, a former Portuguese colony, calling attention to Portugal's role in the transatlantic slave trade. Other references to the artist's country include components of Portuguese handicrafts, such as Pico lace, which will be familiar to the Azorean community living in New England. Vasconcelos has painstakingly planned her textile sculpture to be suspended from the 37-ft tall ceiling of MAAM's Stephen D. Paine Gallery. Visitors may interact with and view Valkyrie Mumbet from multiple perspectives: strolling freely among the four descending arms beneath the artwork; gathering underneath the multiple arms along the perimeter of the gallery; and walking up the stairs to the 20 ft tall by 40 ft wide balcony to see the entire work from above. After six months of production in Vasconcelos's studio, these components will be installed over two weeks by the artist's team with the help of the MAAM preparatory team and MassArt students.
Joana Vasconcelos (1971) lives and works in Lisbon. She has exhibited regularly since the mid-1990s. Her work became known internationally after her participation in the 51st Venice Biennale in 2005, with the work A Noiva [The Bride] (2001-05). She was the first woman and the youngest artist to exhibit at the Palace of Versailles, in 2012. Recent highlights of her career include a solo exhibition at the Guggenheim Museum Bilbao, the project Trafaria Praia, for the Pavilion of Portugal at the 55th Venice Biennale; participation in the group exhibition The World Belongs to You at the Palazzo Grassi/François Pinault Foundation, Venice (2011); and her first retrospective, held at the Museu Coleção Berardo, Lisbon (2010).
Other highlights include exhibitions at Kunsthal Rotterdam (2019); Museu de Serralves, Porto (2019); Royal Academy of Arts, London (2018); Musée d'Art Moderne et Contemporain, Strasbourg (2018); La Monnaie, Paris (2017); ARoS Aarhus Kunstmuseum, Aarhus, Denmark (2016); Museo Nacional Thyssen-Bornemisza, Madrid (2015); Waddesdon Manor - The Rothschild Foundation, Buckinghamshire (2015); Manchester Art Gallery, Manchester (2014); Tel Aviv Museum of Art (2013); Palácio Nacional da Ajuda, Lisbon (2013); CENTQUATRE, Paris (2012); Kunsthallen Brandts, Odense, Denmark (2011); Es Baluard, Palma de Mallorca (2009); Garage Center for Contemporary Culture, Moscow (2009); Pinacoteca do Estado de São Paulo (2008); The New Art Gallery Walsall, United Kingdom (2007); Istanbul Modern, Istanbul (2006); Passage du Désir/BETC EURO RSCG, Paris (2005); Centro Andaluz de Arte Contemporáneo, Seville, Spain (2003); Műcsarnok, Budapest (2002); Museu da Eletricidade, Lisbon (2001); and Museu de Arte Contemporânea de Serralves, Porto, Portugal (2000).
Her work is represented in private and public collections such as: Amorepacific Museum of Art, Seoul; ARoS Aarhus Kunstmuseum, Aarhus, Denmark; Caixa Geral de Depósitos, Lisbon; Centro de Artes Visuales Fundación Helga de Alvear, Cáceres, Espanha; City of Lisbon; City of Paris; Domaine Pommery, Reims, France; Fondation Louis Vuitton, Paris; FRAC Bourgogne, Dijon, França; Fundação EDP, Lisbon; Gerard L. Cafesjian Collection, Erevan, Armenia; MUSAC, Léon, Spain; Museu Coleção Berardo, Lisbon; National Museum of Women in the Arts, Washington, D.C.; the Pinault Collection, Paris and Venice; the Robert & Nicky Wilson Collection, Edinburgh; and The Rothschild Collection, Waddesdon, Buckinghamshire.
About MassArt Art Museum
Opening February 2020, MassArt Art Museum (MAAM) is Boston's newest free contemporary art museum. After extensive renovations, MAAM will open in the space formerly known as the Bakalar & Paine Galleries at the heart of MassArt's campus on the Avenue of the Arts. MAAM will be a kunsthalle, or non-collecting museum, showing temporary exhibitions that feature the work of emerging and established artists to bring fresh, diverse perspectives to Boston. As MassArt's teaching museum, MAAM will be a resource for MassArt students and faculty, educating students about contemporary art, partnering with faculty to support the curriculum, and preparing students for careers in the museum field. As an extension of the College's public mission, the Museum will also be a vital resource to the community, offering a pathway to education in the arts and free, unique educational programming to Boston-area public schools and community groups. Always free, MAAM will be open year-round to the public. Follow MAAM at @maamboston on Instagram, Twitter, and Facebook. To learn more visit maam.massart.edu.
Massachusetts College of Art and Design (MassArt) is a public, independent institution that prepares artists, designers, and educators from diverse backgrounds to shape communities, economies, and cultures for the common good. One of the top colleges of its kind in the United States since its founding in 1873, MassArt has built a legacy of leadership as the first freestanding public college of art and design in the country, and the nation's first art school to grant a degree. The College offers a comprehensive range of undergraduate and graduate degrees in art, design, and art education, all taught by world-class faculty. MassArt is also home to MassArt Art Museum (MAAM), opening February 2020. Formerly the Bakalar & Paine Galleries, MAAM is MassArt's free contemporary art museum, professionally curated to enrich the academic curriculum and make contemporary art an accessible experience for all. Among MassArt's most accomplished alumni are designer Brian Collins, multimedia artist Sam Durant, art dealer Arne Glimcher, Oscar-winning set designer Nancy Haigh, visual artist and composer Christian Marclay, 2016 Project Runway winner Erin Robertson, interior and lifestyle designer Kelly Wearstler, and conceptual artist William Wegman. To learn more, please visit massart.edu.


Why I Give: In addition to supporting YHC by attending events and staying involved, it's important for alumni to support YHC financially. There is no gift so small, and certainly none too large, that it can't be used to benefit the campus and students.
Giving opportunities at Young Harris College turn individual gifts of all sizes into a collective source of support that creates outstanding opportunities for students and faculty and enhances many aspects of campus. Every year, thousands of gifts from alumni, parents, friends, faculty, staff, students and foundations help shape the Young Harris College experience.
Your generosity, $5 or $50,000, will join others to make a combined, immediate impact. Whether you provide one library book or an entire stocked laboratory, a soccer ball or a summer study abroad trip, a music stand or a music scholarship, every gift is an investment in the students at Young Harris College.
Not sure where your gift and interests fit in? Contact the Office of Advancement at (706) 379-5173 to customize your gift to YHC.


14/01/2012 · Your going to just have to wait for it to heal. Maybe take some ibuprofen to reduce swelling and pain. But try not to eat anything acidic like salt chips or lemonade because it will burn a lot!... How Injuries Occur. If you've ever eaten in a hurry or accidentally bumped your head on the wall, you've probably bitten your tongue. Morris can have the same types of scenarios in his life.
14/01/2012 · Your going to just have to wait for it to heal. Maybe take some ibuprofen to reduce swelling and pain. But try not to eat anything acidic like salt chips or lemonade because it will burn a lot!
How Injuries Occur. If you've ever eaten in a hurry or accidentally bumped your head on the wall, you've probably bitten your tongue. Morris can have the same types of scenarios in his life.
cut my tongue Question Posted Tuesday August 23 2005, 11:59 pm hi i was eating a jawbreaker today and since i licked it a lot i have cuts on my tongue, and they hurt a lot. does any1 know how to help it heal faster? cuz it feels like its nvr gunna heal.


There is an old adage, "If something sounds too good to be true, it most likely is." I am reminded of this when I hear proponents of Right-to-Work laws talk about their impact on the labor market and the overall economy. Despite its seemingly well-intentioned name, this type of law does not guarantee anyone a job or provide a state with an economic boom.
So what do Right-to-Work laws mean?
To understand what these laws are all about, we must first understand their formation in a historical context. The Taft-Hartley Act of 1947 allowed individual states to pass laws prohibiting "closed shops," businesses in which every employee was required to be part of the union and pay dues. Right-to-Work laws are state laws that stop employers and employees from negotiating an agreement that requires all workers who receive the benefits of a collective bargaining agreement to pay their share of costs for representing them. Right-to-Work laws dictate that unions must represent every eligible employee, whether he or she pays dues or not. Stated simply, these laws, enacted in 24 states, allow workers to get all the benefits of union membership without having to pay for them.
While these laws are against everything that I, as the son of and current member of a trade union, believe in they are also bad for state's economic fortunes and quality of life. The recent result in Missouri earlier this week, as residents overwhelmingly rejected its state Right-to-Work statute and according to data from the U.S. Department of Labor and the U.S. Census Bureau bears this point out.
On average, workers in states with Right-to-Work laws earn $5,500 less a year, when compared with workers in states without these laws.
On average, states with Right-to-Work laws spend $2,600 less per pupil on elementary and secondary education.
According to the Bureau of Labor Statistics, the rate of workplace deaths is 52.9 percent higher in states with Right-to-Work laws.
This raises a basic question that places the discussion in context. Why would some legislators favor Right-to-Work laws under their jurisdiction? Corporate interests have been relentless in their assault on unions and at the forefront of promoting Right-to-Work laws. There are several reasons that some states favor Right-to-Work laws, but two are worth highlighting. If corporations can reduce union influence via membership, they can reduce workers' wages and benefits. In short, they won't have to share the profits that workers help create. Second, if union membership declines, it weakens organized labor as a voice in the battle to promote fair, equitable and reasonable economic policies.
And just what are those policies? They're the same ones that many of us benefit from, including the Social Security Act, the Voting Rights Act, and the Affordable Care Act. Has anyone asked themselves why is it that in authoritarian countries unions are virtually nonexistent? It is because unions protect the interests of the worker and provides a pathway to the middle class.
A strong labor movement was once the bedrock of our nation's middle class. Policies like Right-to-Work laws undermine that foundation and foster income inequality that allows the "Haves" and "Have Mores" to distance themselves from the rest of our nation further. These laws heighten that disparity. There is another saying from long ago that underscores the value of the labor movement to our society and why our organization cannot allow these laws to take hold. The saying goes, "We …Us… Our … Every Minute, Every Hour." It simply means - WE fight every day to ensure a quality way of life for all of US to enjoy, so that OUR next generation will be able to live and prosper. That is why Right-to-Work laws are all WRONG for our country.
I work for an open shop construction firm, and do so by choice.
We have many of the same benefits that union workers due, and unlike union plumbers, pipe fitter and sheet metal workers, we find ways to keep our employees working 40 hours a week all year long, even when there is not enough work to justify our full staff, because we need our workers, and our workers need us, making it a mutually beneficial relationship. None of our workers "have to sit the bench" at the hall when there is no work, or lose their health benefits because they don't have enough hours worked at the end of the year. Something you fail to point out.
The right to work law does not prohibit a company from having a union in place, and if it benefits the employees that is great. If it benefits the employees and the employer so much the better. But no one, and I mean no one, should have the right to tell someone that they MUST be a part of the union.
My wife is a school teacher in New Jersey , a union member, and proud to be one. Where do you stand on the fact that the Great State of New Jersey has continued for years to underfund the Teachers Pension Fund, and still continues to do so?
Now New Jersey is threatening to reduce the pension benefits that were negotiated as part of the so called "bargaining agreements to negotiate their wages and benefits." The very same benefits that my wife, and so many others have worked so many years in good faith to get what they were promised. All that time contributing their required union dues.
When will New Jersey make the mandated minimum payments to the pension fund, and more, to make it whole again, and to protect those who have worked so hard to earn their promised pensions.
As one of our elected leaders you have a responsibility to represent all of your constituent's, not just those who are your union brothers. Please remember that. Union members are NOT the only ones who vote.
Being a retired union worker of 41 years I agree with you. I watched our non-union supervisors have their medical benefits reduced and their overtime taken away with no recourse to them but to move on. No negotiations at all for them.
Although you posit a cogent argument, you still haven't convinced me that the benefits of government mandated union dues is better or more cost-effective (especially for those employees who decide to opt-out of union membership) than the benefits of an individualized free-market economic system. Thank you.


text:
Corus definitively agrees to sell aluminum ops to Aleris
By Sarah Turner
Published: May 24, 2006 2:18 a.m. ET
SarahTurner
LONDON (MarketWatch) -- Steelmaker Corus Group CGA, -0.53% uk:cs said Wednesday that it has definitively agreed to sell its aluminum rolled products and extrusions businesses to Aleris International Inc. for 826 million euros ($1.1 billion). Corus and Aleris first said that they were looking to do this deal on March 16. The transaction remains subject to certain regulatory clearances and completion is anticipated in the third quarter. The net sale proceeds of around 728 million euros will be used to further strengthen both the balance sheet and develop the carbon steel business, Corus said.
China Green Agriculture Inc. U.S.: NYSE: CGA
Market Cap 22.6M

redpajama_set_name: RedPajamaCommonCrawl


text:
Delia Sescioreanu Mask () este o fostă jucătoare de tenis română.

Sescioreanu a câștigat cinci titluri la simplu și două titluri la dublu în turneele ITF din cariera ei. La 11 octombrie 2004, a ajuns la cea mai bună clasare la simplu din lume, numărul 145. Pe 5 aprilie 2004, a atins  locul 235, punctul culminant în clasamentul de dublu.

Cariera

2004
Sescioreanu a câștigat trei meciuri de calificare pentru a avansa pe tabloul principal la Palermo. Ea a jucat cu italianca Rita Grande în primul tur, învingându-o la seturi pe fostul număr 24. În turul doi a pierdut cu Slovena Katarina Srebotnik.

2005
Sescioreanu și-a făcut debutul pe  tabloul principal într-un turneu WTA la Open Hyderabad 2015. A pierdut în primul tur cu indianca Sania Mirza.

Finale în circuitul ITF (7–5)

Simplu (5-2)

Dublu (2-3)

Note

Legături externe

Nașteri în 1986
Sportivi români în viață
Jucătoare de tenis române
Timișoreni

redpajama_set_name: RedPajamaWikipedia


text:
Creative Whacks!
Women on Death Row
Casey Anthony Trial
There's wild news, even wilder allegations about the amount of money to be made off of the Casey Anthony trial and verdict.
This evening I watched the Nancy Grace show (without the hothead herself – which is why I watched it), and the discussion about profiting and money was interesting, but not surprising, unfortunately.
The gist of the show this evening had to do with marketing Casey. Making money and more money, and more and more money – we're talking lots of money from Casey's story.
There is an incessant beat, beat, beat of the drum, drum, drum as the major networks march (as fast as they can) to be the leader of the band and score the interview. A band of goofballs.
Pictured: Jose Baez, Casey Anthony, Mark Geragos / Photo collage: TMZ
The Nancy Grace show quests discussed the terribly irony that with the acquittal, this story is no longer about a murdered two year old. It's a story about Casey.
Furthermore, the story is "sexy" because Casey, before she was arrested, was a pretty girl with a great deal of sex appeal, said the panelists on the show. The reality we're dealing with is that Sex Sells.
That's the reality of marketing today – edgy, slick and sexy is what sells. And if the context of the story is salacious, it's even better.
The panelists on the show made no bones about it, Casey Anthony stands to make money, and lots of it.
After her interview deal, she'll have a book deal, and there will be more and more deal making until the story fades eventually.
This is the abhorrent reality of the marketing game. And, the networks will gauge the public interest to be sure they hit the market when it's hot and take full advantage of a promising and lucrative "deal."
Deal or no deal, as I've said before, Casey Anthony, at the end of the day, has to live with herself.
The fact is, Casey has every right to profit as a result of being found not guilty. No one likes it, but "it is what it is" or "what will be will be" or add your own cliche – it's gonna happen, the pundits seem to be saying. They will milk this story for all it's worth.
I'm not really convinced. It's difficult to fathom how the networks will be able to get away with it, given the groundswell of disgust that rises across the country when talk of Anthony profiteering comes up.
It will be interesting how it plays out. One thing is certain, there will be many boycotts of any network or show that airs a Casey Anthony interview.
The question is, do the networks or the individual shows even care about the backlash? Is the population of people who want to hear from Casey Anthony bigger than the population who will boycott? I don't have that answer, of course.
I hate to say it, but I think those of us who boycott will be a drop in the bucket compared to an audience interested in seeing Casey Anthony – in her own words.
According to TMZ, NBC is likely leading the band of miscreant networks:
Sources tell TMZ … NBC, ABC and CBS are all competing for the first interview. Sources connected with the negotiations tell TMZ there is a "big price tag" for the interview. We're told the networks — which say they don't pay for interviews — are offering to license photos and other material and pay big bucks … that's S.O.P. in the network game. (Note from Andrea: SOP = Standard Operating Procedure)
We're told NBC looks like the frontrunner so far, but ABC is in the game. We're told CBS "is a distant third." We're told NBC is paying for Baez' hotel room.
Baez spent part of the night Thursday in the Mandarin Oriental bar with famed lawyer Mark Geragos — who knows a thing or two about high-profile cases. We're told Geragos gave Baez pointers on negotiating the deal.
Sources also say that Jose Baez in is acting as an agent to seal the deal for Casey, and himself. The scuttlebutt is that Baez is being mentored by Mark Geragos, in the pursuit of cashing in on "Casey" and her infamous notoriety.
Cindy and George Anthony allegedly turned down $250,000 for an interview – it wasn't quite the amount of money they were looking for, thank you very much.
We may have to grit our collective teeth when it happens. If the pundits are correct, we're going to be bombarded with Casey Anthony, in the flesh.
I really don't want to believe it. I don't think this is a done-deal yet…..
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text:
//
//  Keyboardhandler.h
//  CalVR_Plugins
//
//  Created by Robin Wu on 2/22/15.
//
//

#ifndef __CalVR_Plugins__Keyboardhandler__
#define __CalVR_Plugins__Keyboardhandler__

#include <stdio.h>
#include <cvrKernel/InteractionEvent.h>

class Core;
class PhysicsLabZW;
class CVRKeyboardHandler
{
public:
    CVRKeyboardHandler(PhysicsLabZW *mainClass, Core *engine)
    : _main(mainClass), _engine(engine) {};

    ~CVRKeyboardHandler() {};

    void handleCVREvent(cvr::InteractionEvent *event);

private:
    // keep week references for state manipulation
    PhysicsLabZW *_main;
    Core *_engine;
};

#endif /* defined(__CalVR_Plugins__Keyboardhandler__) */

redpajama_set_name: RedPajamaGithub


Enjoy the splendor of yesteryear in this magnificent c.1746 center chimney colonial Bed and Breakfast. This is a 4 room B&B with innkeepers/owners quarters. The Inn is listed on the National Historic Register and is located in the charming, quintessential New England village of Old Saybrook, Connecticut.The gas-lit Main Street, in the heart of historic shopping districts. The inn is 1/2 mile from scenic North Cove, 1 mile to Saybrook Point at the mouth of the CT River and 2 miles to Long Island Sound beaches. The B and B is part of an historic walking tour as well as a scenic coastal bicycle loop. There is a great canoe/kayak launch just 1/2 mile away.
The romantic guest rooms feature an award winning decor, combining an historical charm with the relaxing luxuries of today's modern lifestyles.
Each unique guestroom features a whirlpool tub and a fireplace. All rooms have a 4-poster or canopy Queen-size bed,comfortable sitting area, cable TV, stereo/CD player, AC, private bath. This charming Connecticut Bed and Breakfast boasts many fine original details including original wide-board floors, hand-hewn beams, wainscoting, a corner cupboard, beehive oven and 8 working fireplaces!
The house was built by Deacon Timothy Pratt in 1746 and served as a private school in the 1790's.


Kanye West was recently caught being loose with his hands.
(AllHipHop Rumors) Kanye West is easily one of music's most recognizable figures. However, the greatness of Yeezy far exceeds the parameters of entertainment.
Kanye could also be called a fashionista. The Chicago natives love for clothing and the fashion industry has long been documented.
Ye' would like to see his name go down in fashion history alongside the greats. His belief in his "Yeezy" brand proves that Kanye is a true visionary and could possibly create a clothing line as iconic as that of Ralph Lauren.
West is known to visit fashion events and recently cameras caught him at a fashion show. The likes of Young Thug, 2 Chainz and Kanye's wife Kim Kardashian-West attended the event.
Their cameras would catch the unexpected as they would film West in rare form partaking in a devious act. As the models walked the runway, one of their jewelry pieces got loose and an earring was lost.
An ever-present West spotted the loose earring and thought it was a good opportunity to add some new jewelry pieces to his collection and stole the earring.
The entire incident was caught on camera as Kanye joked about not giving the item back. It's good to see Ye' having fun again, but let's just hope he actually returned the lost item to the model.


Tony Hawk reveals to Larry what he thinks he'd be doing professionally had he not found success in the world of skateboarding.
Larry King: Now, if not skating, what do you think you'd be doing? Because you're so associated with this one sport.
Tony Hawk: Right. Um, I was always really into technology as a kid, and electronics. And I think I would have gotten into some sort of video production. Because I still love doing that. I dabble in it. I do my own social media, so I put together my own videos for that. And stuff with my kids, that's always been a passion.
Larry King: You expanded into an empire of sorts, right? With videos and all the things. You're in businesses with this.
Tony Hawk: Yeah. With, obviously skateboard brand, clothing, video games, and the YouTube channel. I never thought I'd be a brand. I mean, when I started skating it just wasn't a popular thing to do. There was no future in, there was no future you could look to or career to have.


Superstar Shah Rukh Khan who has managed to win the hearts of million and deeply impressed fans by his skilled, subtle, nuanced and under-understated performances in the industry for years, has reached a new height of popularity.
Superstar Shah Rukh Khan, who has managed to win the hearts of million and deeply impressed fans by his skilled, subtle, nuanced, and measured performances over the years, has reached another milestone that is a testimony to King Khan's immense popularity.
According to reports, the 'Jab Harry Met Sejal' star has recently crossed the 28 million mark on micro-blogging site Twitter.
The 51-year-old actor, who is an avid user of social media, has always showcased his love and concern for his little ones on social networking sites. From Suhana to AbRam, SRK has been seen striking cute and adorable poses with his sweet-hearts that made people drool over their bond and attachment which is too sweet to be handled. He also uses the platform to update about his professional life and often interacts with fans from across the globe through his Twitter handle.
The actor still trails behind megastar Amitabh Bachchan who earlier this month had crossed 29 million followers. SRK, however, is ahead of Salman Khan who has 25.6 million followers, Aamir Khan with 21.9 million, and Akshay Kumar who has 20.2 million followers on the social media platform.
On the work front, Shah Rukh Khan, who was last seen in Imtiaz Ali directed 'Jab Harry Met Sejal' is at present busy shooting for Kabir Khan's next venture which is a short film based on the tourism of luxury city Dubai.
The release date of the yet untitled movie is not revealed till the date.


Beautiful cake, love the roses - they actually look iced and I love your balloons and the background!
Wendy, pretty rose decorations on your beautiful Happy Birthday cake and beautiful borders on your gorgeous page!
Gorgeous cake. Love the colors and the balloons.


text:
Смешанный городской хор «Стамен Панчев» — часть Национального читалища «Христо Ботев 1884» в Ботевграде.

Создание светского хора произошло в Орхании в 1912 году — это одно из многочисленных культурных начинаний учителя и поэта Стамена Панчева.
Хор берет свое начало в традициях церковного пения.

Его дирижеры — Стамен Панчев, Бенчо Илиев, Иван Георгиев, Григор Соколов, Иван Димитров, Иван Топалов, Дора Христова, Лили Станиславова, Донка Петрова, Антоний Живков, Иван Нешков. С 2003 г. дирижер хора Татьяна Цонкова, концертмейстер Сильвия Младенская.

Смешанный хор участвует в ряде республиканских фестивалей художественной самодеятельности. Он успешно гастролировал по России, Венгрии, Румынии, Греции, Хорватии, Италии и Турции.

В репертуаре хора произведения разных стилей и эпох известных болгарских и зарубежных композиторов:
Моцарт — Ave verum corpus,
Верди — еврейский хор из оперы «Набукко», Антон Брукнер — Locus iste,
D. Христов — «Мы вам поем»,
П. Динев — «Милосердие Мира»,
А. Архангельский — «Помолюсь»,
Т. Попов — «Куриные подставки», а также патриотические песни, аранжировки народных песен — «Бре Петрунько», «Тодора лежит» и другие.

Примечания

Хоры Болгарии


Are you and your family visiting Florida? Have you been injured in an auto accident involving a rental car? Have you traveled to Orlando to take your children to Disney World, Universal Studios, SeaWorld or other attractions and, through no fault of your own, suffered an injury?
For years, Oldham & Smith has handled significant personal injury and wrongful death cases suffered by visitors to the Central Florida area against such companies as The Walt Disney World Company and others. In any incident, allow the civil trial lawyers at Oldham & Smith to consult with you on your case.
Schedule a free confidential consultation now with an experienced personal injury attorney who understands tourist accidents by calling us at (352) 292-1620.
Florida is a fantastic state to visit as a tourist. Between the beaches, amusement parks, golf courses, and other activities, there is plenty to do and see. Unfortunately, others' negligence can sometimes lead to serious accidents that may leave tourists injured.
Our Lake County tourist accident attorneys understand the unique legal needs of an injured tourist. We can help you get back on your feet by fighting for justice on your behalf.
Time limitations, the availability and memory of witnesses, and the ability to perform a proper investigation all affect the injury claim of a tourist in Florida. If you have been injured while visiting Lake County, it is imperative you obtain legal help as soon as possible to increase the likelihood of a successful resolution to any claims you may have. Waiting too long to seek justice for your injuries can negatively impact your case and make it harder to obtain the compensation you deserve.
At Oldham & Smith, we have extensive experience in handling auto accident claims involving car rental vehicles (sometimes called "car rental claims" or "rent-a-car" claims). The laws in Florida regarding car rental accidents and insurance are complex. We have the knowledge, skill, and experience to properly handle your claim and ensure you are receiving the fair and just compensation to which you are entitled.
Insurance companies want to pay out as little as possible. Their representatives are protecting the insurance company's legal and financial interests. Our goal is to protect yours.
For that reason, we will cover all expenses until the end of a case, and take a portion of the proceeds only if we are successful in obtaining compensation for you. If we are unable to recover compensation for you, you do not owe us a fee.
Handling complex insurance cases involving tourist accidents and rental car accidents requires unique experience. We hire experts, take depositions, gather evidence, and oppose the lawyers of large insurance firms. At Oldham & Smith, we have the skill and dedication to successfully resolve your case.
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Lovely 3 bedroom, 2 bath brick and rock on corner lot with trees. Quiet, established neighborhood. Fireplace with gas logs, split bedrooms, large den and dining area in an add-on to the house. Porch on front, nice seating area in the back yard. Buyer to verify square footage.


text:
"Liverpool were superior in every department" – Papers on Chelsea 1-3 Liverpool
Ben Twelves
It's the morning after Liverpool's thoroughly deserved win against Chelsea and we round-up the best media reaction from an incredibly enjoyable afternoon at Stamford Bridge.
Jurgen Klopp claimed his first Premier League win in style as his Reds disposed of Chelsea with ease romping to a 3-1 win.
It was a stunning performance – after an early set-back from Ramires' header – which saw the Reds come from behind to record their first win at Stamford Bridge since 2011, courtesy of Philippe Coutinho's brace and Christian Benteke's late match sealer.
Klopp's side impressed hugely, controlling the vast majority of the game against the Blues and scoring three goals away from home for the first time since a 3-1 win at Leicester in December 2014.
Making his first league start under Klopp, Roberto Firmino produced an excellent performance in his 'false 9' role while Coutinho made a welcome return to form on an afternoon that saw every Red play their part.
It was a brilliant first league success for Klopp who becomes the first manager since Bob Paisley to avoid defeat in his first five games in charge.
Here is how the papers reacted to the comprehensive win.
The Liverpool Echo's James Pearce praised the unity of the club currently since the German's arrival which inspired "the most delicious of treats" for the travelling Kop:
Klopp returned to haunt Mourinho on Halloween – two and a half years after embarrassing his Real Madrid side in the Champions League.
"You're getting sacked in the morning," rung around Stamford Bridge before a deafening rendition of "you're not special anymore."
While Mourinho scowled and disappeared down the tunnel with his disjointed and dispirited Chelsea side in a full blown crisis, a beaming Klopp celebrated on the turf with the players he has managed to quickly gel into a cohesive unit.
The spirit in the camp shone through. The manager, the players and the supporters as one powerful united force – it's been some time since that was the case at Liverpool.
Most got the customary bear hug from Klopp, but pint-sized match-winner Coutinho was lifted clean off his feet.
Neil Ashton of the Daily Mail was unequivocal in his praise of Klopp's side, who thoroughly deserved the win after producing a display that was simply too good for the Blues:
They were beaten here, well beaten in the end, humbled and embarrassed by the brisk, adventurous football that Liverpool's players have taken to playing under their new coach Jurgen Klopp.
Philippe Coutinho's goals were both peaches: one from his left boot to equalise two minutes into added time in the first half and one from the right that beat Asmir Begovic deep into the second half.
By the time substitute Christian Benteke scored Liverpool's third seven minutes from time, Mourinho carried the haunted look of a man who had run out of ideas.
Liverpool were superior in every department, tactical and technical.
ESPN's Michael Cox commented on the tenacity of Klopp's men out of possession, while also hailing Benteke's impact from the bench in a superb half-an-hour cameo:
In keeping with previous performances, Liverpool pressed well. They regained possession immediately after it was conceded, the best example coming after 20 minutes when Coutinho lost the ball, Alberto Moreno pressed and after a quick passing move, Nathaniel Clyne dragged a shot wide.
Benteke, meanwhile, helped change this game. It wasn't necessarily by getting on the end of crosses, as is his domain, but by providing a proper focal point and a battering ram against Gary Cahill and Terry.
He helped Liverpool make up ground and get up the pitch, and the fact he provided the third goal underlined his goal threat. He could be a huge player for Klopp, though it remains to be seen where Daniel Sturridge fits in.
Klopp's style depends upon his players believing him, and this win should inspire great confidence. They fell behind and rode their luck, but they eventually prevailed. Now Klopp will stress the importance of pushing on.
The Daily Mirror's John Cross complimented Mamadou Sakho on yet another superb defensive showing – despite the inaccurate jibe about his distribution – as the Frenchman proves to be the leader the Reds have been crying out for:
If there is one payer to have really excelled under Klopp then it has to be Mamadou Sakho.
The powerful centre half has been outstanding in recent games and was again at Stamford Bridge.
Big, strong and commanding. All the qualities why Liverpool signed him now look as if they are coming to the fore. Even his passing was good.
Liverpool's creaking defence already looks stronger.
The Echo's Neil Jones joined Cross in his praise of Sakho, who with the assistance of Martin Skrtel produced a dominating defensive display that dealt superbly with the threat of Diego Costa:
It's a hard job keeping Diego Costa quiet, but Liverpool managed it with ease here.
The Spanish international had his moments, but was shackled brilliantly by Martin Skrtel and Mamadou Sakho, whose understanding is growing by the week.
With Skrtel as the 'lead' centre back, contesting the majority of the aerial balls with Costa, Sakho did the rest superbly.
Positive signs, then, for Klopp. Liverpool's defending generally leaves a lot to be desired, but his two centre backs look like they are ready for the challenges which await.
Finally, the Mail's Dominic King, eulogised over the impact Klopp made from the touchline throughout and how the German made the difference on a memorable day:
Up and down, springing into his technical area like jack-in-the-box, Klopp's intensity was magnetic and it was evident he was going to be the only manager who affected the game and his introduction of Christian Benteke in the 63rd minute was crucial.
Within 20 minutes, Liverpool had plundered two more goals and Klopp was unable to contain himself when Benteke ripped their decisive third strike past Begovic, leaping in the air and punching his delight. This was deeply significant afternoon in Liverpool's season and Klopp knew it.
The contrast between him and the brooding, glowering Mourinho was stark as it could be. Liverpool brought Klopp into to give them back their energy and desire and restore their reputation. The early evidence shows they have chosen wisely.
Video: Jurgen Klopp's post-Chelsea press conference
Chelsea 1-3 Liverpool: Player Ratings
Klopp's positive mentality, as Reds show character: 5 talking points
Opinion: Statement victory over Chelsea shows Liverpool's belief in Jurgen Klopp
Chelsea, Jurgen Klopp, Newspapers


text:
// Microsoft Visual Studio Object Model
// Copyright (C) 1996-1997 Microsoft Corporation
// All rights reserved.

/////////////////////////////////////////////////////////////////////////////
// textauto.h

// Declaration of dual interfaces to objects found in the type library
//  VISUAL STUDIO 97 TEXT EDITOR (SharedIDE\bin\devedit.pkg)

#ifndef __TEXTAUTO_H__
#define __TEXTAUTO_H__

#include "appauto.h"
#include "textdefs.h"

#ifndef BEGIN_INTERFACE
#define BEGIN_INTERFACE
#endif

/////////////////////////////////////////////////////////////////////////////
// Interfaces declared in this file:

//IGenericDocument
	interface ITextDocument;

interface ITextSelection;

//IGenericWindow
	interface ITextWindow;

interface ITextEditor;

// to remove any redefinitions by the Windows headers
#undef FindText
#undef ReplaceText

/////////////////////////////////////////////////////////////////////////////
// TextDocument object

// ITextDocument interface

#undef INTERFACE
#define INTERFACE ITextDocument

DECLARE_INTERFACE_(ITextDocument, IGenericDocument)
{
BEGIN_INTERFACE
#ifndef NO_BASEINTERFACE_FUNCS

    /* IUnknown methods */
    STDMETHOD(QueryInterface)(THIS_ REFIID riid, LPVOID FAR* ppvObj) PURE;
    STDMETHOD_(ULONG, AddRef)(THIS) PURE;
    STDMETHOD_(ULONG, Release)(THIS) PURE;

    /* IDispatch methods */
    STDMETHOD(GetTypeInfoCount)(THIS_ UINT FAR* pctinfo) PURE;

    STDMETHOD(GetTypeInfo)(
      THIS_
      UINT itinfo,
      LCID lcid,
      ITypeInfo FAR* FAR* pptinfo) PURE;

    STDMETHOD(GetIDsOfNames)(
      THIS_
      REFIID riid,
      OLECHAR FAR* FAR* rgszNames,
      UINT cNames,
      LCID lcid,
      DISPID FAR* rgdispid) PURE;

    STDMETHOD(Invoke)(
      THIS_
      DISPID dispidMember,
      REFIID riid,
      LCID lcid,
      WORD wFlags,
      DISPPARAMS FAR* pdispparams,
      VARIANT FAR* pvarResult,
      EXCEPINFO FAR* pexcepinfo,
      UINT FAR* puArgErr) PURE;

    /* IGenericDocument methods */
    STDMETHOD(get_Name)(THIS_ BSTR FAR* pName) PURE;
    STDMETHOD(get_FullName)(THIS_ BSTR FAR* pName) PURE;
    STDMETHOD(get_Application)(THIS_ IDispatch * FAR* ppApplication) PURE;
    STDMETHOD(get_Parent)(THIS_ IDispatch * FAR* ppParent) PURE;
    STDMETHOD(get_Path)(THIS_ BSTR FAR* pPath) PURE;
    STDMETHOD(get_Saved)(THIS_ VARIANT_BOOL FAR* pSaved) PURE;
    STDMETHOD(get_ActiveWindow)(THIS_ IDispatch * FAR* ppWindow) PURE;
    STDMETHOD(get_ReadOnly)(THIS_ VARIANT_BOOL FAR* pReadOnly) PURE;
    STDMETHOD(put_ReadOnly)(THIS_ VARIANT_BOOL ReadOnly) PURE;
    STDMETHOD(get_Type)(THIS_ BSTR FAR* pType) PURE;
    STDMETHOD(get_Windows)(THIS_ IDispatch * FAR* ppWindows) PURE;
	STDMETHOD(put_Active)(THIS_ VARIANT_BOOL bActive) PURE;
    STDMETHOD(get_Active)(THIS_ VARIANT_BOOL FAR* pbActive) PURE;
    STDMETHOD(NewWindow)(THIS_ IDispatch * FAR* ppWindow) PURE;
    STDMETHOD(Save)(THIS_ VARIANT vFilename, VARIANT vBoolPrompt, DsSaveStatus FAR* pSaved) PURE;
    STDMETHOD(Undo)(THIS_ VARIANT_BOOL FAR* pSuccess) PURE;
    STDMETHOD(Redo)(THIS_ VARIANT_BOOL FAR* pSuccess) PURE;
    STDMETHOD(PrintOut)(THIS_ VARIANT_BOOL FAR* pSuccess) PURE;
    STDMETHOD(Close)(THIS_ VARIANT vSaveChanges, DsSaveStatus FAR* pSaved) PURE;
    STDMETHOD(Reserved1)(THIS) PURE;
    STDMETHOD(Reserved2)(THIS) PURE;
    STDMETHOD(Reserved3)(THIS) PURE;
    STDMETHOD(Reserved4)(THIS) PURE;
    STDMETHOD(Reserved5)(THIS) PURE;
    STDMETHOD(Reserved6)(THIS) PURE;
    STDMETHOD(Reserved7)(THIS) PURE;
    STDMETHOD(Reserved8)(THIS) PURE;
    STDMETHOD(Reserved9)(THIS) PURE;
    STDMETHOD(Reserved10)(THIS) PURE;
#endif

    /* ITextDocument methods */
    STDMETHOD(get_Selection)(THIS_ IDispatch * FAR* ppSelection) PURE;
    STDMETHOD(put_IndentSize)(THIS_ long Size) PURE;
    STDMETHOD(get_IndentSize)(THIS_ long FAR* pSize) PURE;
    STDMETHOD(put_TabSize)(THIS_ long Size) PURE;
    STDMETHOD(get_TabSize)(THIS_ long FAR* pSize) PURE;
    STDMETHOD(put_Language)(THIS_ BSTR Language) PURE;
    STDMETHOD(get_Language)(THIS_ BSTR FAR* pLanguage) PURE;
    STDMETHOD(ReplaceText)(THIS_ BSTR FindText, BSTR ReplaceText, VARIANT Flags, VARIANT_BOOL FAR* pbRetVal) PURE;
    STDMETHOD(ClearBookmarks)(THIS) PURE;
    STDMETHOD(MarkText)(THIS_ BSTR FindText, VARIANT Flags, VARIANT_BOOL FAR* pbRetVal) PURE;
};

/////////////////////////////////////////////////////////////////////////////
// TextSelection object

// ITextSelection interface

#undef INTERFACE
#define INTERFACE ITextSelection

DECLARE_INTERFACE_(ITextSelection, IDispatch)
{
BEGIN_INTERFACE
#ifndef NO_BASEINTERFACE_FUNCS

    /* IUnknown methods */
    STDMETHOD(QueryInterface)(THIS_ REFIID riid, LPVOID FAR* ppvObj) PURE;
    STDMETHOD_(ULONG, AddRef)(THIS) PURE;
    STDMETHOD_(ULONG, Release)(THIS) PURE;

    /* IDispatch methods */
    STDMETHOD(GetTypeInfoCount)(THIS_ UINT FAR* pctinfo) PURE;

    STDMETHOD(GetTypeInfo)(
      THIS_
      UINT itinfo,
      LCID lcid,
      ITypeInfo FAR* FAR* pptinfo) PURE;

    STDMETHOD(GetIDsOfNames)(
      THIS_
      REFIID riid,
      OLECHAR FAR* FAR* rgszNames,
      UINT cNames,
      LCID lcid,
      DISPID FAR* rgdispid) PURE;

    STDMETHOD(Invoke)(
      THIS_
      DISPID dispidMember,
      REFIID riid,
      LCID lcid,
      WORD wFlags,
      DISPPARAMS FAR* pdispparams,
      VARIANT FAR* pvarResult,
      EXCEPINFO FAR* pexcepinfo,
      UINT FAR* puArgErr) PURE;
#endif

    /* ITextSelection methods */
    STDMETHOD(put_Text)(THIS_ BSTR newText) PURE;
    STDMETHOD(get_Text)(THIS_ BSTR FAR* pText) PURE;
    STDMETHOD(get_Application)(THIS_ IDispatch * FAR* ppApp) PURE;
    STDMETHOD(get_CurrentLine)(THIS_ long FAR* plLine) PURE;
    STDMETHOD(get_CurrentColumn)(THIS_ long FAR* plCol) PURE;
    STDMETHOD(get_Parent)(THIS_ IDispatch * FAR* ppParent) PURE;
    STDMETHOD(get_BottomLine)(THIS_ long FAR* plLine) PURE;
    STDMETHOD(get_TopLine)(THIS_ long FAR* plLine) PURE;
	STDMETHOD(Delete)(THIS_ VARIANT Count) PURE;
    STDMETHOD(SelectLine)(THIS) PURE;
    STDMETHOD(Backspace)(THIS_ VARIANT Count) PURE;
    STDMETHOD(StartOfDocument)(THIS_ VARIANT Extend) PURE;
    STDMETHOD(Copy)(THIS) PURE;
    STDMETHOD(Cut)(THIS) PURE;
    STDMETHOD(Paste)(THIS) PURE;
    STDMETHOD(EndOfDocument)(THIS_ VARIANT Extend) PURE;
    STDMETHOD(SelectAll)(THIS) PURE;
    STDMETHOD(Tabify)(THIS) PURE;
    STDMETHOD(Untabify)(THIS) PURE;
    STDMETHOD(Indent)(THIS_ VARIANT Reserved) PURE;
    STDMETHOD(Unindent)(THIS_ VARIANT Reserved) PURE;
    STDMETHOD(CharLeft)(THIS_ VARIANT Extend, VARIANT Count) PURE;
    STDMETHOD(CharRight)(THIS_ VARIANT Extend, VARIANT Count) PURE;
    STDMETHOD(LineUp)(THIS_ VARIANT Extend, VARIANT Count) PURE;
    STDMETHOD(LineDown)(THIS_ VARIANT Extend, VARIANT Count) PURE;
    STDMETHOD(PageUp)(THIS_ VARIANT Extend, VARIANT Count) PURE;
    STDMETHOD(PageDown)(THIS_ VARIANT Extend, VARIANT Count) PURE;
    STDMETHOD(WordLeft)(THIS_ VARIANT Extend, VARIANT Count) PURE;
    STDMETHOD(WordRight)(THIS_ VARIANT Extend, VARIANT Count) PURE;
    STDMETHOD(EndOfLine)(THIS_ VARIANT Extend) PURE;
    STDMETHOD(StartOfLine)(THIS_ VARIANT MoveTo, VARIANT Extend) PURE;
    STDMETHOD(SmartFormat)(THIS) PURE;
    STDMETHOD(ChangeCase)(THIS_ DsCaseOptions Type) PURE;
    STDMETHOD(DeleteWhitespace)(THIS_ VARIANT Direction) PURE;
    STDMETHOD(Cancel)(THIS) PURE;
    STDMETHOD(GoToLine)(THIS_ long Line, VARIANT Select) PURE;
    STDMETHOD(MoveTo)(THIS_ long Line, long Column, VARIANT Extend) PURE;
    STDMETHOD(FindText)(THIS_ BSTR FindString, VARIANT Flags, VARIANT_BOOL FAR* pbRet) PURE;
    STDMETHOD(PreviousBookmark)(THIS_ VARIANT_BOOL FAR* pbRet) PURE;
    STDMETHOD(NextBookmark)(THIS_ VARIANT_BOOL FAR* pbRet) PURE;
    STDMETHOD(SetBookmark)(THIS) PURE;
    STDMETHOD(ClearBookmark)(THIS_ VARIANT_BOOL FAR* pbRet) PURE;
	STDMETHOD(NewLine)(THIS_ VARIANT Reserved) PURE;
    STDMETHOD(ReplaceText)(THIS_ BSTR FindText, BSTR ReplaceText, VARIANT Flags, VARIANT_BOOL FAR* pbRetVal) PURE;
	STDMETHOD(DestructiveInsert)(THIS_ BSTR szText) PURE;
};

/////////////////////////////////////////////////////////////////////////////
// TextWindow object

// ITextWindow interface

#undef INTERFACE
#define INTERFACE ITextWindow

DECLARE_INTERFACE_(ITextWindow, IGenericWindow)
{
BEGIN_INTERFACE
#ifndef NO_BASEINTERFACE_FUNCS

    /* IUnknown methods */
    STDMETHOD(QueryInterface)(THIS_ REFIID riid, LPVOID FAR* ppvObj) PURE;
    STDMETHOD_(ULONG, AddRef)(THIS) PURE;
    STDMETHOD_(ULONG, Release)(THIS) PURE;

    /* IDispatch methods */
    STDMETHOD(GetTypeInfoCount)(THIS_ UINT FAR* pctinfo) PURE;

    STDMETHOD(GetTypeInfo)(
      THIS_
      UINT itinfo,
      LCID lcid,
      ITypeInfo FAR* FAR* pptinfo) PURE;

    STDMETHOD(GetIDsOfNames)(
      THIS_
      REFIID riid,
      OLECHAR FAR* FAR* rgszNames,
      UINT cNames,
      LCID lcid,
      DISPID FAR* rgdispid) PURE;

    STDMETHOD(Invoke)(
      THIS_
      DISPID dispidMember,
      REFIID riid,
      LCID lcid,
      WORD wFlags,
      DISPPARAMS FAR* pdispparams,
      VARIANT FAR* pvarResult,
      EXCEPINFO FAR* pexcepinfo,
      UINT FAR* puArgErr) PURE;

    /* IGenericWindow methods */
    STDMETHOD(get_Caption)(THIS_ BSTR FAR* pbstrCaption) PURE;
    STDMETHOD(get_Type)(THIS_ BSTR FAR* pbstrCaption) PURE;
    STDMETHOD(put_Active)(THIS_ VARIANT_BOOL bActive) PURE;
    STDMETHOD(get_Active)(THIS_ VARIANT_BOOL FAR* pbActive) PURE;
    STDMETHOD(put_Left)(THIS_ long lVal) PURE;
    STDMETHOD(get_Left)(THIS_ long FAR* plVal) PURE;
    STDMETHOD(put_Top)(THIS_ long lVal) PURE;
    STDMETHOD(get_Top)(THIS_ long FAR* plVal) PURE;
    STDMETHOD(put_Height)(THIS_ long lVal) PURE;
    STDMETHOD(get_Height)(THIS_ long FAR* plVal) PURE;
    STDMETHOD(put_Width)(THIS_ long lVal) PURE;
    STDMETHOD(get_Width)(THIS_ long FAR* plVal) PURE;
    STDMETHOD(get_Index)(THIS_ long FAR* plVal) PURE;
    STDMETHOD(get_Next)(THIS_ IDispatch * FAR* ppDispatch) PURE;
    STDMETHOD(get_Previous)(THIS_ IDispatch * FAR* ppDispatch) PURE;
    STDMETHOD(put_WindowState)(THIS_ DsWindowState lVal) PURE;
    STDMETHOD(get_WindowState)(THIS_ DsWindowState FAR* plVal) PURE;
    STDMETHOD(get_Application)(THIS_ IDispatch * FAR* ppDispatch) PURE;
    STDMETHOD(get_Parent)(THIS_ IDispatch * FAR* ppDispatch) PURE;
    STDMETHOD(Close)(THIS_ VARIANT boolSaveChanges, DsSaveStatus FAR* pSaved) PURE;
    STDMETHOD(Reserved1)(THIS) PURE;
    STDMETHOD(Reserved2)(THIS) PURE;
    STDMETHOD(Reserved3)(THIS) PURE;
    STDMETHOD(Reserved4)(THIS) PURE;
    STDMETHOD(Reserved5)(THIS) PURE;
    STDMETHOD(Reserved6)(THIS) PURE;
    STDMETHOD(Reserved7)(THIS) PURE;
    STDMETHOD(Reserved8)(THIS) PURE;
    STDMETHOD(Reserved9)(THIS) PURE;
    STDMETHOD(Reserved10)(THIS) PURE;
#endif

    /* ITextWindow methods */
    STDMETHOD(get_Selection)(THIS_ IDispatch * FAR* ppDispatch) PURE;
};

/////////////////////////////////////////////////////////////////////////////
// TextEditor object

// ITextEditor interface

#undef INTERFACE
#define INTERFACE ITextEditor

DECLARE_INTERFACE_(ITextEditor, IDispatch)
{
BEGIN_INTERFACE
#ifndef NO_BASEINTERFACE_FUNCS

    /* IUnknown methods */
    STDMETHOD(QueryInterface)(THIS_ REFIID riid, LPVOID FAR* ppvObj) PURE;
    STDMETHOD_(ULONG, AddRef)(THIS) PURE;
    STDMETHOD_(ULONG, Release)(THIS) PURE;

    /* IDispatch methods */
    STDMETHOD(GetTypeInfoCount)(THIS_ UINT FAR* pctinfo) PURE;

    STDMETHOD(GetTypeInfo)(
      THIS_
      UINT itinfo,
      LCID lcid,
      ITypeInfo FAR* FAR* pptinfo) PURE;

    STDMETHOD(GetIDsOfNames)(
      THIS_
      REFIID riid,
      OLECHAR FAR* FAR* rgszNames,
      UINT cNames,
      LCID lcid,
      DISPID FAR* rgdispid) PURE;

    STDMETHOD(Invoke)(
      THIS_
      DISPID dispidMember,
      REFIID riid,
      LCID lcid,
      WORD wFlags,
      DISPPARAMS FAR* pdispparams,
      VARIANT FAR* pvarResult,
      EXCEPINFO FAR* pexcepinfo,
      UINT FAR* puArgErr) PURE;
#endif

    /* ITextEditor methods */
    STDMETHOD(put_VisibleWhitespace)(THIS_ VARIANT_BOOL bVisible) PURE;
    STDMETHOD(get_VisibleWhitespace)(THIS_ VARIANT_BOOL FAR* pbVisible) PURE;
    STDMETHOD(put_Emulation)(THIS_ long lEmulation) PURE;
    STDMETHOD(get_Emulation)(THIS_ long FAR* plEmulation) PURE;
    STDMETHOD(get_Application)(THIS_ IDispatch * FAR* ppDispatch) PURE;
    STDMETHOD(get_Parent)(THIS_ IDispatch * FAR* ppDispatch) PURE;
    STDMETHOD(put_Overtype)(THIS_ VARIANT_BOOL bOvertype) PURE;
    STDMETHOD(get_Overtype)(THIS_ VARIANT_BOOL FAR* pbOvertype) PURE;
};

#endif //__TEXTAUTO_H__


I have over 15 year experience, including my own 3 children. I have several nanny training certifications, master class certification in newborn care specialist, and currently training to become a birth doula. I have also completed one year towards my associates in early childhood education. I am CPR/First Aid/AED trained. I have had great success with baby sign language and have a good handle on implementing it into a routine. I love to read, cook, arts and crafts, and enjoying nature.
I am a part time baby sitter for my mom, her two sons are 4 and 5 years old. I have watched them since they were both 1. I have my CPR certification. I am always around kids and watching friends kids when they need to run errands. I am willing to drive to your house and I can really work any hours.


text:
El Camí de les Collades és un camí d'ús agrícola que discorre pel terme municipal de Conca de Dalt (a l'antic terme d'Hortoneda de la Conca), al Pallars Jussà, en territori de l'antic poble del Mas de Vilanova.

Arrenca del Camí de Toís i Travet a Travet, al sud-oest de la Borda de Cotura, des d'on s'adreça a llevant fent nombrosos revolts per tal d'anar salvant el pas de les llaus i torrents que va trobant. En uns 3 quilòmetres de recorregut arriba a Vilanoveta després de travessar Travet, passar a prop de la Cabana de Jaumetó, passar per la partida del Seix i pel nord de l'Obagueta, i deixar Peira al nord-est.

Des de Vilanoveta s'adreçava en direcció sud-est cap a lo Riu de Vilanoveta, on travessava el riu de Carreu i començava a enfilar-se pel vessant oposat de la vall. Aquest tram és en bona part perdut, tot i que practicable a peu. Pel vessant meridional de la vall s'enfila cap al sud-est, per migdia del Planell de les Bruixes, fins que enllaça amb la Pista de Sant Corneli a les Collades de Baix.

Enllaços externs
 Institut Cartogràfic de Catalunya

Collades
Collades


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Watches September 2, 2022 September 22, 2022
The Tudor Pelagos 39 might just be the watch for the urban/outdoor lifestyle
BY Aurelio Icasiano III
Kwago invites you to rediscover yourself away from the screen
Juanito Torres looks for the heroes in our time
If you were waiting for a slimmer, scaled down diver, this could just be the watch for you. It's rugged enough for a diving expedition, yet sleek enough to pair with an urban wardrobe.
It's definitely a good year to be a Tudor fan. A few months back, Tudor made a surprise announcement with the release of the new Ranger, which now comes in a more compact case size. And just this week, the Pelagos joins the Ranger and the Black Bay Fifty Eight, with a 39mm version.
Previous versions of the watch—the LHD, the FXD, and the ceramic bezel Pelagos—all ran with 42mm cases, so you can see why the size reduction is a big deal. This makes it much more wearable for people who have slimmer wrists, or who don't really need the utility of the other Pelagos models. Off the bat, it's a sleek diver that would look at home in most situations.
But, looks aside, let's break down what the Pelagos brings to the table.
First off, it's made in titanium—a material you'll see a lot of in the Pelagos range. The screw-down crown and the bracelet are likewise in titanium, so this gives the whole watch a sleek, cohesive look. (Though the watch also comes with a black rubber strap.)
Titanium has a different sheen from stainless steel, and is more resistant to corrosion, so you won't have to worry about actually diving with it. And while we're talking about diving, the Pelagos 39 can go up to 200m deep, which would suit most divers.
Now, on to the dial. Tudor went with a deep black in a sunray finish, which gives it a good contrast to the subtler tone of the satin-brushed titanium case. The applied hour markers are done up in monobloc luminescent ceramic composite, which should make it quite visible in low-light conditions. The same material is used on the ceramic bezel insert, which also has a similar sunray finish like the dial.
Everything runs on Tudor's manufacture calibre MT5400, a COSC-certified automatic chronometer movement that has a power reserve of about 70 hours.
Overall, the Pelagos has more classic proportions at 39mm, which means it will do well as both an outdoor timepiece and as an urban daily driver. The looks are rugged enough for a diving expedition, yet sleek enough to pair with a safari jacket or even a casual neapolitan suit.
In any case, If you were holding out on getting a Pelagos because of the larger case, this could be the one for you.
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The proposed changes to the plan for the Mohican forest call for the removal of pine trees to allow for the regeneration of natural hardwood forests.
PERRYSVILLE — A state council will soon make a decision on the future of Mohican-Memorial State Forest.
Officials from the Ohio Division of Forestry will present public comments gathered over the last several months on the proposal to rezone the forest to the Forest Advisory Council during a public meeting this week.
The meeting will be 12:30 to 2:30 p.m. Thursday, Dec. 7, at the Pugh Cabin at Malabar Farm State Park, 4050 Bromfield Road, Lucas.
There is no scheduled public comment time, but the public is welcome to attend.
An Ohio Department of Natural Resources spokesperson said it's unknown if the Forestry Advisory Council will make a decision Thursday about the proposed zoning changes.
The proposed changes to the Ohio Division of Forestry's five-year management plan for Mohican-Memorial State Forest would permit the removal of existing pine trees to allow for the regeneration of natural hardwood forests, along with updating how the forest is zoned.
For more information on the proposed changes to the management plan, visit forestry.ohiodnr.gov/rnhi_mohican.
To read a copy of the plan, visit forestry.ohiodnr.gov/portals/forestry/pdfs/plans/DRAFT_RNHI_MMSF.pdf.
The Forest Advisory Council includes eight members: chair Gary Kaster, representing the public; vice-chair Melvin Yoder, representing the forest industry; William Stanley, representing forest recreation; Adam Conway, representing small forest private landowners; Eric Roush, representing the pulp/paper industry; Paul Mechling II, representing larger forest private landowners; Daniel Yaussy, representing soil science; and David Hix, representing forest-based research.
The North Central Ohio Land Conservancy encourages the public to attend the meeting with a Facebook event called "Mohican Forest Decision Day."
North Central Ohio Land Conservancy members plan to meet outside the cabin at noon for a short organizing session before the meeting.


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Justin Thomas chasing down flawless Paul Casey as Masters resumes
Justin Thomas was among those chasing clubhouse leader Paul Casey on day two of the Masters (Curtis Compton/Atlanta Journal-Constitution via AP)
Justin Thomas had leader Paul Casey in his sights as the first round of the 84th Masters resumed on Friday.
Thomas had reached five under par after 10 holes before play was suspended due to darkness on Thursday evening following a lengthy delay due to bad weather earlier in the day.
That was just two behind pacesetter Casey after the 43-year-old Englishman had completed a flawless 65 to equal his lowest round at Augusta National.
Highlights of leader Paul Casey's first round 🎥#TheMasters pic.twitter.com/ISLE0VETCg
— The European Tour (@EuropeanTour) November 13, 2020
Thomas began the day with a daunting approach from the rough on the par-four 11th, but safely found the green from 210 yards and two-putted for par.
Rory McIlroy had also left himself a testing opening from a greenside bunker on the 10th and was unable to get up and down for par, the four-time major winner dropping back to one over par.
Casey had carded an opening 81 in last year's Masters but finished joint second in the US PGA Championship in August, despite struggling to deal with the lack of spectators at Harding Park.
"The Masters, though, this week it still has a buzz to it," Casey said after his first round. "There's an energy and a little bit of a vibe.
Paul Casey gives a thumbs up on the ninth hole during the first round of the Masters (AP Photo/Matt Slocum)
"Yes, it's clearly a lot less than what we are used to, but there's something about this place that I still felt excited to be here.
"As soon as I stepped foot on property on Monday, I've never been so happy to pass a Covid-19 test in my life. Was genuinely nervous about that. I don't know why I was nervous because my protocols haven't changed.
"The kids were denied from going out on play dates last week. Can't go on play dates. Dad's got to go to the Masters next week."
Bryson DeChambeau keeping brain relaxed to avoid repeat of Masters misery