text:
Q: how to read the array of data in html templates I have three variables and i was created one array and pushed all these three variables in to this array.
And in my html template i am using a table. I tried with *ngFor but it is not working and also i tried with string interpolation and that too not woriking.
I am getting an error called <--can not read property "title" of undefined-->
In my console i am getting data like this....

array of data
(3)[{...}{...}{...}]
0:{key:"-LtZprPfMtDgzuxmaI5o"}
1:{price:1}
2:{title:"title1"}

array of data
(3)[{...}{...}{...}]
0:{key:"-LtcY8_6dd8fzibK9EYV"}
1:{price:2}
2:{title:"title2"}

array of data
(3)[{...}{...}{...}]
0:{key:"-LtcZF9NHknDZ0OcKzHg"}
1:{price:3}
2:{title:"title3"}

And here my product.component.ts

import { ProductsService } from './../../products.service';
import { Component, OnInit } from '@angular/core';
import { AngularFireDatabase, AngularFireAction, DatabaseSnapshot } from 'angularfire2/database';

@Component({
  selector: 'app-admin-products',
  templateUrl: './admin-products.component.html',
  styleUrls: ['./admin-products.component.css']
})
export class AdminProductsComponent{
  constructor(
    private products:ProductsService,
    private db : AngularFireDatabase
    ) {
    products.getAll().on('child_added',function(c){
        let data = c.val();
        let key = c.key;
        let price = data.price;
        let title = data.title;
        let array=[];
        array.push({"key":key});
        array.push({"title":title});
        array.push({"price":price});
        console.log('array of data',array);
    })
  }
}

And my admin-products.component.html

        Title
        Price

        {{p.title}}
        {{p.price}}
        Edit

A: Try like this:

*

*Have the loop in tr instead of td

*Change {{array.title}} to {{p.title}}

*Make array global

.html

        {{p.title}}
        {{p.price}}
        Edit

.ts
export class AdminProductsComponent{
     array:any[] = [];
     products.getAll().on('child_added',function(c){
            let data = c.val();
            let key = c.key;
            let price = data.price;
            let title = data.title;
            this.array=[];
            this.array.push({"key":key});
            this.array.push({"title":title});
            this.array.push({"price":price});
            console.log('array of data',this.array);
        })
}

A: Change this:

        {{array.title}}
        {{array.price}}

into this:

        {{p.title}}
        {{p.price}}

You have an array of object, therefore you need to use ngFor to iterate inside the array and then use the variable p to access the attribute's values.

A: array is a local variable inside your callback. Make it a member of your component to make it available in the template.
export class AdminProductsComponent{
  array: any[] = [];

  constructor(
    private products:ProductsService,
    private db : AngularFireDatabase
    ) {
    products.getAll().on('child_added', c => {
        let data = c.val();
        let key = c.key;
        let price = data.price;
        let title = data.title;
        // you probably want one item per product, not three??
        this.array.push({ key, title, price });
    })
  }
}

Template:

    {{p.title}}

A: From your html code, I think you need a array of object.
for example :
array = [
    {key: 'key1', title: 'title 1', price: 10, },
    {key: 'key2', title: 'title 2', price: 10, },
    {key: 'key3', title: 'title 3', price: 10, }
]

if my assumption is correct then there are several problems here.

*

*array construction is not ok.

*your array variable is local. make it a public variable otherwise from html you can't access it.

*In html, you are trying to iterate the array and each iteration, the data will be assigned in your local variable 'p' (as you are using *ngFor="let p of array")

so, change your code to this
import { ProductsService } from './../../products.service';
import { Component, OnInit } from '@angular/core';
import { AngularFireDatabase, AngularFireAction, DatabaseSnapshot } from 'angularfire2/database';

@Component({
  selector: 'app-admin-products',
  templateUrl: './admin-products.component.html',
  styleUrls: ['./admin-products.component.css']
})
export class AdminProductsComponent{
  array: any = [];
  constructor(
    private products:ProductsService,
    private db : AngularFireDatabase
    ) {
    products.getAll().on('child_added',function(c){
        let data = c.val();
        let key = c.key;
        let price = data.price;
        let title = data.title;
        this.array.push({"key":key, "title":title, "price":price });
        console.log('array of data', this.array);
    })
  }
}

and change your html to this,

        Title
        Price

        {{p.title}}
        {{p.price}}
        Edit

A: Define an array property in your component and pass objects into it.
Use Arrow function for the on callback so your this context is the component.
import { ProductsService } from './../../products.service';
import { Component, OnInit } from '@angular/core';
import { AngularFireDatabase, AngularFireAction, DatabaseSnapshot } from 'angularfire2/database';

@Component({
  selector: 'app-admin-products',
  templateUrl: './admin-products.component.html',
  styleUrls: ['./admin-products.component.css']
})
export class AdminProductsComponent{
  // Define property here
  public array = [],

  constructor(
    private products:ProductsService,
    private db : AngularFireDatabase
    ) {
    products.getAll().on('child_added',(c) => {
        let data = c.val();
        let key = c.key;
        let price = data.price;
        let title = data.title;
        this.array.push({key, title, price});
    })
  }
}


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text:
Flashtalking Launches Agency Partnership Services Program
"There's no one who understands the intersection of hands-on advisory, agency operations and ad technology better than Walt. We are excited to have him on our team, and look forward to the benefits he and the team are delivering to help agency partners grow their business, and the business of the brands and clients they serve." - John Nardone, CEO Flashtalking
Flashtalking, the leading global independent ad management platform for sophisticated advertisers, recently announced the launch of its Agency Partnership Services program. The program is designed and led by agency veteran Walt Cheruk, who recently joined as Vice President of Strategy to provide optimal support to Flashtalking's agency partners worldwide. Expanded services include: joint product development, formal training and certification programs, vertical accelerators (best practices, collaboration and planning models for an array of industries), and partner platform integration and workflow support.
"As the ecosystem is evolving around trends like in-housing, the loss of cookies and the rise of connected television, agencies are likewise transforming their businesses and looking for new solutions. As we have expanded our platform capabilities, our APIs and our global footprint, we realized we could help our partners develop new solutions and competitive advantages," said Flashtalking CEO John Nardone. "There's no one who understands the intersection of hands-on advisory, agency operations and ad technology better than Walt. We are excited to have him on our team, and look forward to the benefits he and the team are delivering to help agency partners grow their business, and the business of the brands and clients they serve."
An advertising and marketing veteran, Cheruk has over three decades of experience in media, technology, data-analytics, creative and content development. He has led efforts in strategy, business growth, and client development for a number of leading media, marketing and content brands -- serving on the agency as well as brand side. Most recently, prior to Flashtalking, Cheruk joined Morgan Stanley in 2018 as Managing Director of Digital Strategies & Insights. Prior to that, he served as the President of Varick, an innovator and leader in providing data centric and automated digital marketing services to agencies and their clients.
Also on the agency front, Walt was the Head of Digital at Dentsu Aegis' Carat and Vizeum agencies, where he managed and expanded their digital media practice in North America while driving digital integration across all channels. He has also led ad sales and marketing teams for Hearst New Media, Discovery, and National Geographic -- where he managed both Digital Sales and Brand Marketing efforts of NationalGeographic.com.
"This new program aims to ensure that our agency partners and their clients not only keep pace, but compete and succeed," said Cheruk. "Our hands-on consulting, vertical support and ability to address timely concerns around everything from data integrity and identify orchestration to creative intelligence, custom builds and workflows, position our partners remarkably well. We've also launched a portal that will house updates, thought leadership and other resources specific to them."
To learn more about Flashtalking's Agency Partnership Services, please contact Walt Cheruk, walt.cheruk@flashtalking.com. Visit the portal today at www.flashtalking.com/agency-partnership-services
About Flashtalking
Flashtalking is the leading global independent primary ad server and analytics technology company. We use data to personalize advertising in real-time, independently analyze its effectiveness and enable optimization that drives better engagement and return on spend for sophisticated global brands.
Our platform leads the market with innovative products and services to ensure creative relevance and actionable insights across channels and formats, powered by unique cookieless tracking, data orchestration and advanced analytics. We support clients at the crossroads where data, personalized creative and unbiased measurement intersect with expertise, service and a deep partner ecosystem to drive successful digital marketing.
Born in the UK, Flashtalking is jointly headquartered in London and New York and established worldwide. Its presence spans the globe with offices in Barcelona, Paris, Milan, Cologne, Amsterdam, Leeds, Sydney, Singapore, Tokyo, Hong Kong, San Francisco, Chicago and Los Angeles. For more information visit www.flashtalking.com
Flashtalking and Throtle Form Partnership
Peer39 Launches Show-level Transparency Reporting for CTV, Ushering in New Era
MJV Technology & Innovation Releases Data Design Ebook
Tinuiti is hosting its digital event Tinuiti Live on Thursday, April 22

redpajama_set_name: RedPajamaCommonCrawl


text:
Manifesting Success Stories A Law of Attraction Show
Dreamlife Lawofattraction Lifestylebusiness Lifestyledesign Mindset Prosperity Cassie Parks Entrepreneur Society Relationship Self-Improvement Law of Attraction Lifestyle Transformation Podcasting Education Manifestation Moneycoach
על ידי Cassie Parks התגלה על ידי Player FM והקהילה שלנו - זכויות היוצרים שמורות למפרסם, לא ל-Player FM, והשמע מוזרם ישירות מהשרתים שלכם. הירשמו כדי לעקוב אחר עדכונים ב-Player FM, או הדביקו את כתובת העדכונים באפליקציות פודקאסט אחרות.
Manifesting Success Stories A Law of Attraction Show « »
Ep. # 269 Why The Law of Attraction Might Not Be Working
Jeanne used to think she broke the law of attraction and she was the only person it didn't work for. What she realized is that sh was doing it wrong, even though she was trying really hard to do it right. In this interview she describes the two things that kept her from manifesting success.
She was listening to Law of Attraction guidance but none of it was specifically for her, so she could never figure out how to apply it right.
In her business she was looking for the magic bullet, instead of becoming The Menopause Guru.
דומה לManifesting Success Stories A Law of Attraction Show
Primal Potential
Primal Potential with Elizabeth Benton
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Life Is A Marathon
Bruce Van Horn
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The Life is a Marathon show gives you inspiration, motivation, and resources to empower you to thrive and win in the marathon we call "life!" Bruce Van Horn is a Life Coach, Mentor, Thought Leader, Best-Selling Author, Entertaining and Motivational Speaker, Dad, and Marathon runner. He brings his respected insight, wisdom, leadership, and storytelling abilities to this podcast to share with you information, tips, life-hacks, and entertaining and heart-warming stories with the goal of helping ...
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Curiosity Daily
The award-winning Curiosity Daily podcast from Discovery will help you get smarter about the world around you. In less than 15 minutes, you'll get a unique mix of research-based life hacks, the latest science and technology news, and more — every Wednesday, Thursday, and Friday. Discovery's Cody Gough and Ashley Hamer will help you learn about your mind and body, outer space and the depths of the sea, and how history shaped the world into what it is today.
Gretchen Rubin is HAPPIER, and she wants you to be happier too. The #1 bestselling author of The Happiness Project and Better Than Before gets more personal than ever as she brings her practical, manageable advice about happiness and good habits to this lively, thought-provoking podcast. Gretchen's cohost and guinea pig is her younger sister, Elizabeth Craft, a TV writer and producer living in Los Angeles, who (lovingly) refers to Gretchen as her happiness bully. Part of the Cadence13 Network.
Angela Yee's Lip Service
Angela Yee, Inc.
Syndicated radio star Angela Yee talks sex and relationships with the hottest stars in hip-hop and R&B. Join her and her friends each week as they coax stars into revealing their most intimate from the bedroom. It's hip-hop like you've never heard before.
Uncomfortable Conversations with Josh Szeps
Josh Szeps
The world has never been more connected. Yet never more divided. We yell at each other from inside our echo chambers. But change doesn't happen inside an echo chamber. It's time to get out, to stretch our legs, to step on some land mines. It's time to have an uncomfortable conversation with Josh Szeps. See acast.com/privacy for privacy and opt-out information.
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BackStory is a weekly public podcast hosted by U.S. historians Ed Ayers, Brian Balogh, Nathan Connolly and Joanne Freeman. We're based in Charlottesville, Va. at Virginia Humanities. There's the history you had to learn, and the history you want to learn - that's where BackStory comes in. Each week BackStory takes a topic that people are talking about and explores it through the lens of American history. Through stories, interviews, and conversations with our listeners, BackStory makes histo ...
Warrior Mind Coach
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Donald Trump outlined a plan to fund more options for students to choose between traditional public, charter and private schools.
Republican presidential candidate Donald Trump announced Thursday a financial plan to expand school choice in all 50 states. In many ways, it is similar to what Gov. Mike Pence created in Indiana and funding formulas created by the Indiana legislature.
In a speech Thursday, Donald Trump said he would allocate $20 billion to states to support school choice opportunities. This money, along with state funding, would be used to create a "scholarship" that each student receives, and then the family decides whether to send the child to a traditional public school, a public charter school or a private school.
One part of his plan mirrors Indiana's school funding formula - that the money follows the student.
Indiana's current funding formula does exactly that. A student receives the same amount of state funding whether he or she attends a traditional public or charter school. Rather than funding a school directly the state allocates the money per child.
But Trumps plan would extend this idea to include private schools as well – for all students – so state money could follow any student to any type of school. While, in Indiana, state money only follows students to private schools if they qualify for the state voucher program.
"If the states collectively contribute another $110 billion of their own education budgets toward school choice, on top of the $20 billion in federal dollars, that could provide $12,000 in school choice funds to every K-12 student who today lives in poverty," Trump said.


text:
Home Private Equity News & Analysis Looking back: Europe in 2017
Looking back: Europe in 2017
Private equity professionals have identified three key trends that helped to shape the European market during 2017.
Alex Lynn
It's fair to say 2017 has been a year of significant transformation for Europe. The French presidential election, Angela Merkel's struggle to form a parliamentary coalition and the triggering of Article 50 starting the negotiations for the UK to exit the EU have contributed to a tumultuous year on the continent.
European private equity has also been no stranger to the winds of change over the past 12 months.
Fundraising for Europe-focused private equity vehicles climbed to a pre-crisis high of $95.7 billion as of 7 December, up from $78.4 billion in 2016, according to PEI data. CVC Capital Partners broke records in June with the closing of its seventh flagship buyout fund on €16 billion.
European buy-and-builds also hit record levels during the first half of the year, according to data from European mid-market firm Silverfleet Capital.
PEI asked private equity professionals to identify the key trends that have emerged in this year of exceptional activity.
Exception to the (Spanish) rule
While the region's political uncertainty does not appear to have significantly dented appetite for European private equity, individual markets have not fared as well.
Tim Wright, head of European private equity at law firm DLA Piper, told PEI he saw a number of overseas investments into Spain put on hold or fall through as a result of the vote for independence in Catalonia in the latter half of the year.
The threat of independence also appears to have impacted UK private equity. In November one European general partner with partial exposure told PEI that "Brexit is stifling our business". The firm said it would seek discussions with the British Business Bank in the hopes of filling a gap left by the European Investment Fund, with the latter reportedly more cautious of supporting UK-focused funds since last year's referendum.
The two independence events have had "slowing effects," Wright noted.
A move from limited partners to reduce their general partner relationships has resulted in a concentration of capital in European funds, according to Mounir Guen, chief executive of MVision Private Equity Advisers.
Many LPs carry self-imposed rules dictating that they not exceed a certain proportion of a single fund. This, in combination with a trend towards fewer manager relationships, has seen investors drawn towards larger funds in order to maintain their allocation while not violating their mandate, Guen said.
"It's not that easy to find those [smaller] funds in Europe now," he noted. The average European fund size had reached $846.7 million as of 7 December, up from $589.2 million last year, PEI data show.
European firms also faced stiff competition from abroad this year. Strictly US-based firms had invested €1.3 billion into European companies as of September, exceeding the €1.1 billion total for last year, according to data from S&P Global Market Intelligence.
The growing demand for European assets has been particularly noticeable among healthcare and technology funds, Stewart Licudi, head of European financial sponsors coverage at investment bank William Blair, told PEI in September. Funds with deep knowledge of a sector are less likely to be concerned by a lack of familiarity with new markets.
"I think if you are a specialist healthcare fund, even if you sit in the US, clearly you understand that your exciting markets are global and therefore you're not necessarily going to find everything you need within the borders of the US," Licudi said. "There's a scarcity value to the asset."


text:
Václav Veselý (Praga, Checoslovaquia, 13 de agosto de 1900-ibídem, 10 de diciembre de 1941) fue un gimnasta artístico checoslovaco, subcampeón olímpico en Ámsterdam 1928 en el concurso por equipos.

Carrera deportiva

En las Olimpiadas celebradas en Ámsterdam en 1928, gana plata en el concurso por equipos, tras los suizos y por delante de los yugoslavos, siendo sus compañeros de equipo: Ladislav Vácha, Jan Gajdoš, Jan Koutný, Emanuel Löffler, Bedřich Šupčík, Ladislav Tikal y Josef Effenberger.

Referencias

Gimnastas artísticos
Nacidos en Praga

redpajama_set_name: RedPajamaWikipedia


Astoria, built at the banks of the mighty Columbia River at the border with Washington, is at the northern end of the Oregon coast, so it's a great place to start a coastal drive. It's tops for another reason, as well: At the crest of 600-foot-high Coxcomb Hill, the 125-foot Astoria Column gives those who dare climb its 164 steps (sorry folks: no elevator) a magnificent look at the Columbia River, the town of Astoria, and the impressive Astoria-Megler Bridge. At four miles long, it's the longest continuous truss bridge in North America and quite spectacular.
Billed as the first permanent settlement on the U.S. Pacific coast, Astoria dates back to 1805, when the Lewis & Clark Expedition spent the winter at nearby Fort Clatsop. Three miles to the east of Astoria, the fort has been reconstructed to show how the expeditioners lived that cold and rainy winter. Fur trader John Jacob Astor built a fort to protect his interests six years later, and thereafter lent his name to the town.
Besides taking a walk or ride around town to see some of its elegantly preserved and painted old houses. A stop in the expansive Columbia River Maritime Museum gave me insights into everything from the fur trading era and the area known as the "Graveyard of the Pacific" to Astoria's fishing and canning industries. Admission includes a stop at the Lightship Columbia, the last seagoing lighthouse on the west coast.
Film buffs might want to venture into the Oregon Film Museum, housed in a former jail, where the cells hold memorabilia of the film The Goonies. The museum celebrates the state's filmmaking history, which started in 1908 with The Fisherman's Bride. Other Oregon-made films include One Flew Over the Cuckoo's Nest, Paint Your Wagon and Animal House.
Nearby, the Flavel House Museum harkens back to 1885, the year the Queen Anne manse was built by retired sea captain George Flavel. Today the site is surrounded by a lovely garden, and the house is filled with period furnishings.
A lunch stop at Buoy Beer Company introduced me some of the best clam chowder ever, a platter of local Wallapa oysters, and a serving of Portuguese-style steamer clams. If you guessed that the eatery makes its own beer, you'd be right (17 selections on the menu the last time I looked), but you probably don't know that you can actually see resident sea lions through a glass portion of the floor.
Stoked by seafood, photographer Bill Rockwell and I headed south 28 miles along Route 101 to Ecola State Park, which gave us our first look at Haystack Rock rising majestically out of the sea. The park has numerous viewpoints located on high bluffs, perfect for a first look at Oregon's most famous rock.
At Cannon Beach, the much-photographed rock lies just offshore and was visible a few hundred feet from the balcony of my room at Surfsand Resort. I could hardly wait to venture out and head determinedly for an up-close look at this 235-foot-tall colossus, which formed millions of years ago when volcanic lava flowed into the ocean, cooled and was pushed upward by geologic shift. It's best to explore the rock at low tide when you can get a bit closer, but keep in mind that its fragile ecosystem and variety of nesting bird species make it a protected area.
Tip: The town is one of the best places on the west coast to see the tufted puffin.
Named for a cannon that once washed up on its beach, Cannon Beach has the sophisticated vibe of Laguna Beach and La Jolla, (though it's not quite there yet), with smart upscale shops with eye-appealing landscaping and 11 art galleries representing original work by regional and national artists. National Geographic named Cannon Beach one of the "World's Most Beautiful Places," and John Villani named it one of the "100 Best Art Towns in America" in his book of the same title.
Dinner that evening at the Wayfarer (adjacent to Surfsand Resort) proved an adventure. I got to try for the first time in a while an appetizer of sauteed, tongue-shaped, Panko-encrusted razor clam and an entree of sturgeon, rare to find on a menu. Award-winning chef Josh Archibald has connections with local fishermen and farmers and sources much of his food items from them. I was lucky to be there on a day when fresh-caught sturgeon was the menu's daily feature, fresh from the Columbia River.
If you explore the Cannon Beach art scene, Northwest by Northwest Gallery at 232 N. Spruce Street features the work of several regional master artists including bronze sculptor/public artist Georgia Gerber and PBS-featured fine art photographer Christopher Burkett. Just look for the sculpture garden outside displaying Ivan McLean's signature red sphere.
The 37-mile drive south to Tillamook took us past many sites we'd have liked to have visited, including Munson Creek Falls (at 317 feet it's the tallest in the Coastal Range) and Kilchis Point, home to the largest Native American village on the north coast. Under a time constraint, we did squeeze in a stop at Oswald West State Park, where we hiked down a trail along fast-flowing Necarney Creek through a glen of towering trees to the beach. The trail ends at a large semicircular cove where I lingered to watch some impressive wave action that smashed aggressively against the rocks.
From Oswald we headed non-stop to Tillamook, home to the Tillamook Creamery, where we arrived just in time for lunch and a taste of the infamous tempura-battered cheddar cheese curds with sriracha ranch sauce, a delectable I heard about all the way up in Astoria. The casual restaurant serves up pizzas, sandwiches, burgers, and mac and cheese. Be sure to stop at the ice cream bar for a free sample or two. "Hazelnut Salted Caramel," "Marionberry Pie" and "White Chocolate Raspberry Yum" were three of my favorites.
The creamery draws over a million visitors annually, each of whom can take a free, self-guided tour of the facility that opened in June of 2018. The tours take in the cheesemaking and packaging process with free samples provided along the way. According to corporate communications coordinator, Chandra Allen, the creamery will turn 110 in 2019, and photos of the dairy cooperative's early years are posted along a wall near the entrance. Today's members number 90 dairy farmers who contribute a mix of milk from Jersey (better output) and Holstein (creamier product) cows.
Ten miles west, Cape Meares Lighthouse is one of nine surviving lighthouses on the Oregon Coast. First illuminated in 1890, the lighthouse stands 217 feet above sea level on a scenic vista on Three Capes Loop, yet its 38-foot tower is the shortest of all nine. Cape Meares also has an excellent view of a large colony of nesting common murres. In fact, it's one of the most populous colonies of nesting sea birds on the continent.
An early check-in at Sheltered Nook gave me a chance to walk down to the beach at Tillamook Bay before dinner. I must say that staying in a tiny home (365 square feet of space) was a new adventure, but I enjoyed the experience nonetheless. At Sheltered Nook, a series of the small structures ring a central open space with a communal fire pit. Each tiny home holds up to six people and includes a loft (with low ceiling), a fully equipped and stocked kitchen, a common room, a bedroom, a bath, a front porch with barbecue grill, and complimentary breakfast.
In Tillamook, it was fusion night at Pacific Restaurant, where chef Philip Biermann and his wife Nelia Serapion are restaurant veterans with years of experience between them. Listening to the tunes of a live pianist, my photographer and I started with a round of grated yellow beets topped by a similar one of red beets served with radish sprouts and a blackberry ginger balsamic dressing with a sprinkle of Icelandic lava salt. That was just the beginning of a meal of creatively assembled dishes that included courses of scallops, shrimp, and a large double-cut pork chop brined for 100 hours and then cooked sous vide.
An exciting addition to the Pacific Restaurant experience is the bar's absinthe fountain that prepares the drink the proper way. Because absinthe is not normally drunk neat, the fountain delivers the right amount of ice cold water into the absinthe-filled glass. It's fun to watch and oh-so-chic.


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text:
My Year in 1918
A journey to the world of 100 years ago.
Book List – 2018
Celebrating Children's Book Week—and a pioneering librarian
Happy Children's Book Week! This year marks its 100th anniversary.
This week doesn't mark its anniversary, though—the 1919 Children's Book week was held in November, as were all subsequent ones until 2008, when new management took over and the celebrations were moved to May. So I can't tell you (yet) about the new children's books the New York Times recommended in connection with the 1919 celebration.
Anne Carroll Moore in her office at the New York Public Library, ca. 1906
I can tell you, though, about Anne Carroll Moore, who was one of the founders of Children's Book Week, and of children's libraries as we know them. If you have fond memories of going to the library as a child—and if you don't, you're probably not a reader of this blog—then you have Anne Carroll Moore to thank.
I first came across Moore as the innovative critic for the Bookman who, facing a pile of children's books to review for a December 1918 Christmas roundup, invited an actual child, Edouard, to look them over. Edouard didn't pull any punches. "I think my teacher would like that book because it seems like a geography trying to be a story," he said of Mary H. Wade's Twin Travellers in South America. I checked it out, and he was right.
Frontispiece, Twin Travellers in South America, by Mary H. Wade
Moore was born in 1871, the eighth child and only surviving daughter of a Maine lawyer and his wife.* She dreamed of following in her father's footsteps, and is the only person I've ever heard of to have been home-schooled in law. Her legal ambitions came to an end, though, when both of her parents died of influenza when she was twenty. She spent a few years helping to raise her brother Henry's children after his wife died in childbirth. At his suggestion, she decided to become a librarian, and she studied at the Pratt Institute in New York. After graduating, she was given the job of setting up a children's room at the institute's library.
Children's rooms in libraries are such a fact of now life that I never thought about anyone inventing them. It turns out, though, that until the early 20th century children were discouraged from using libraries, most of which, until Andrew Carnegie came along, were private. Often, you had to be 14 to use a library. Sometimes, you had to be a boy. When children's rooms existed, they were generally little more than holding pens to ensure peace and quiet in the rest of the library.
Children reading in the reading room of an unidentified branch of the Queens Borough Public Library, ca. 1910 (William Davis Hassler)
Moore changed all that. At Pratt, and later in the New York public library system, where she served as the head children's librarian for 35 years, she reinvented the children's room. She installed open stacks, child-sized furniture, plants, and seasonal exhibits and scheduled story hours, puppet shows, and readings for children by famous writers (including W.B. Yeats). Moore was particularly passionate about making African-American children and children of immigrants feel welcome in libraries. In an era of "Americanization," she insisted on stocking books in the foreign languages that many of New York's children spoke at home. Dissatisfied with the quality of children's literature, she championed talented writers. She was the first regular columnist on children's books, writing first in The Bookman and later in the New York Herald Tribune and Horn Book.
Cover of Stuart Little, first edition, 1945
With many 100-years-ago personalities I come across, I end up with more or less a monopoly on them. If you Google alleged German spy/femme fatale Despina Storch, for example, you get Wikipedia, then me.** (I do, at least.) Moore, though, has been in the news quite a bit in recent years. New Yorker writer/Harvard historian Jill Lepore wrote an article in 2008 about Moore's persistent-bordering-on-stalkerish attempts to get E.B. White to finish Stuart Little, followed by her efforts to make sure the finished product, which she hated, never saw the light of day. (She failed, obviously, but managed to keep Stuart Little out of contention for the Newbery Award, which is bestowed by the American Library Association.)
Cover of Nicholas: A Manhattan Christmas Story, by Anne Carroll Moore
Lepore and others have highlighted Moore's eccentricities, which, to be fair, were considerable. She had a wooden puppet named Nicholas that she took everywhere and often held conversations with, including in professional meetings. (When Harper editor Virginia Kirkus stopped by Moore's office to ask why she was ignoring Laura Ingalls Wilder's Little House books, Moore kept turning to Nicholas and saying, "Nicholas, Miss Kirkus wants to know…") Moore also wrote two children's books about Nicholas. The first one, Nicholas: A Manhattan Christmas, was a runner-up for the 1925 Newbery Award, but this may have had more to do with Moore's home-field advantage as a librarian than with its quality. It's still under copyright so I couldn't check it out myself, but here are excerpts from some Goodreads reviews (average rating: two stars):
"An oddly off-putting little book."
"One of the worst books I've ever read."
"Maybe it would be better reading at Christmas time, but I really don't think so."
"Very few people will live through the story unless it is an assignment."
"Yaaaawn."
Eventually, Nicholas was lost in a taxi, to the delight of Moore's colleagues.
Slate book critic Laura Miller came to Moore's defense in 2016, highlighting her efforts on behalf of underprivileged children and saying that she "changed the world of children's books for the immeasurable better. She deserves to be remembered for that, and not just for her aversion to a certain nattily dressed mouse."
The controversies surrounding Moore's later career were far in the future in 1919, though. So let's leave Moore with her friend Edouard as they go through the pile of review copies for her December 1918 Bookman column.***
On Thornton Burgess:
"Is there a book here by Thornton Burgess?"
Without waiting for an answer he instinctively put his hand under a great pile of Boy Scout and war books and drew forth "Mother West Wind Where Stories" and clasped it to his heart.
"If I had a million dollars I would engage Thornton Burgess to write all the stories I could read."
On Mother's Nursery Tales, by Katharine Pyle:
Illustration from Mother's Nursery Tales, by Katharine Pyle, 1918
The picture of "Goldilocks and the Three Bears" is the only satisfying one I have seen. "She knows how to draw bears in a family", was Edouard's comment as he compared it with an illustration for the same story by another artist of which he said, "These bears are not a family, they are just colored to match the rest of the picture".****
On Dream Boats by Dugald Stewart:
Its delicate illustrations in color and in black and white made no appeal to him. Both in conception and in rendering this book seems to have been planned for an audience of somewhat sophisticated children.
On Jules Verne's The Mysterious Island, illustrated by N.C. Wyeth:
Edouard wishes to own it for the sake of having "such a good picture of Captain Nemo". He likes it better than the ones he has seen in the movies.
For writing like that—and for the many happy hours I spent in the library as a child—I'm willing to forgive some tone-deaf literary choices and a talking puppet. Thank you, Anne Carroll Moore!
*In 1919, Moore was still known as Annie Carroll Moore. Annie was the name on her birth certificate, but she had it legally changed in her fifties because—what are the odds?—there was another woman named Annie Moore who was writing about children's libraries at the time.
**Unfortunately, you only get my post on her death on Ellis Island at age 23 and not the earlier one about her (alleged) career as a German spy.
***Her column didn't become a regular feature until September 1919.
****I'm pretty sure the "Three Bears" illustrations Edouard panned were Arthur Rackham's from Flora Annie Steele's 1918 book English Fairy Tales. It's just like Edouard said: the bears go better with the room's decor than with each other. (On the other hand, I like the idea of a family of bears with a Van Dyck-style painting on their wall.)
This entry was posted in Books, Fiction and Poetry and tagged Anne Carroll Moore, children's books, children's libraries, E.B. White, libraries, New York Public Library, Stuart Little, The Bookman on May 4, 2019 by My Year in 1918.
← April 1919 Ladies' Home Journal ads: a riot of color for spring Celebrating the mothers of 1919 with carnations, songs, and guilt →
5 thoughts on "Celebrating Children's Book Week—and a pioneering librarian"
Lars Finsen May 4, 2019 at 11:58 pm
I can at least confirm your statement concerning a connection between readership of your blog and fond childhood library memories. But libraries in Norway in my childhood weren't at all like Annie Carroll Moore's concept. Silence was the rule of the day. Only later her ideas took hold here, too. But I loved being with those books of all conceivable kinds, and I have collected them ever since. I was crazy too about those lovely typed index cards that they kept in wooden cabinets.
I hope it's possible to find a copy of her Nicholas books. They sound like exactly the kind of books that I would like. Burgess looks interesting, too. The Mysterious Island was one of my absolute topmost favourites. Maybe the topmost. But I've never read it in full. I have to do something about that. I read French slowly, but that merely prolongs the enjoyment.
Thanks for another good read.
My Year in 1918 Post author May 5, 2019 at 12:04 pm
I read in my research that Moore traveled to Europe several times and that under her influence the first children's library was opened in Sweden in 1911. I'm glad you had good experiences of libraries as a child even though it took a while for her ideas to spread to Norway.
The Nicholas books do sound interesting, but it sounds from the Goodreads reviews that Moore didn't do much with a promising concept. We'll have a chance to judge for ourselves next year, when the first Nicholas book goes out of copyright in the U.S. and will be available online.
I'd like to read more children's books from the era as well.
uttrediay May 6, 2019 at 1:26 am
Maybe there actually was a children's section in the public library of Drammen where I grew up. But I always preferred the grownups sections, definitely. Even though I wasn't allowed to borrow the books, I could always peek in them.
Frank Hudson May 5, 2019 at 5:45 pm
Children's book authors seem to have had as interesting a set of lives as the poets in this era.
Although my tiny town had a public library (a room in a non-descript storefront off main street) the library memory of my childhood is the Kendall Young library at the county seat. It's a wonderful beau-arts design and the interior seemed like a temple of books. Beside the stacks, they had phonograph records and a turntable with headphones, which must have been cutting-edge multimedia at the time. I can remember listening to Hal Holrbook's "Mark Twain Tonight" record there, which probably imprinted me a bit on audio and literature.
http://kyl.tlcdelivers.com/KendallYoung/contentpages.asp?loc=53
Who knows how good the text will be, but that cover for Nicholas is a real corker of a design!
My Year in 1918 Post author May 5, 2019 at 6:08 pm
We had a small but very nice library in the small New Jersey town where I was born. When I was 8, we moved to Columbus, Indiana, where the library was designed by I.M. Pei. Looking at the beautiful Kendall Young library started the score of "The Music Man" playing in my head. My parents had that "Mark Twain Tonight" album, and I think I remember them going to see Hal Holbrook perform. I agree about the Nicholas cover!
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As we do every year, LGLA is entering teams at no extra cost in additional tournaments. Individual participation in these tournaments is optional.
Your daughter's coach does not sign her up. If interested, you may sign up your daughter by logging into our website at www.lglax.com and clicking on the tab "Registration" and follow the appropriate tournament link. Sign-ups are on a first come, first serve basis and roster size is capped at 20 Junior players.
The girls get a chance to play on a team with some of their friends that are not on their in-season rec teams and have fun. We will publish the rosters prior to the tournaments. More detail will follow but the basics of this tournament is listed below.
Junior (5th-6th) will play three games in a jamboree format.
Thanks and look forward to seeing everyone at the Falcon Fest!


text:
I'm all a Twitter.
Twitter is starting to tip.
I've heard it more times this week from friends than I have in the last six months.
So I signed up, and will be twitting often. What that means is when you're on this page, you'll be able to see what I'm up to by looking in the WHAT I AM DOING section in the upper right hand corner of this page. I can twit by text, web, phone from anywhere . . . and I will.
The relevance of Twitter to modern day producers of any sort of content is the demonstration that once again, content that is changing constantly . . . and content that is brief . . . is becoming even more valuable.
Check it out . . . and spend some time thinking how to harness Twitter for your shows.
Oh, and here's a great quote about Twitter from the New York Times, after they raised millions (a lot more than a Broadway show, I'm sure) to launch the company.
Its co-founder says that the company was not currently focused on making money and that no one in the company was even working on how to do so. "At the moment, we're focused on growing our network and our user experience," he (Biz Stone, co-founder) said. "When you have a lot of traffic, there's always a clean business model."
Boy did that make me feel a heck of a lot better about a lot of things that I'm doing. Doesn't it make you feel better?
As that freaky voice said, "If you build it, they will come." It doesn't matter if you're writing a show or building a web-based business.
Click on the "follow me on Twitter" link. I promise some fun updates on the day-to-day of what I do. When I'm in a boring meeting or a boring show, or when something awesome is happening, you'll be the first to know. Even before my Mom. 🙂
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text:
Q: How to make a call from manager api methog originate I am trying to make a call to a PSTN number using dahdi, but I am unable to originate it through originate command please tell me how to use this method in asterisk-java.

A: AMI Example

Action: Originate
Channel: DAHDI/1/123456789 ;PSTN Channel
Context: default
Exten: 101
Priority: 1
Callerid: Asterisk Automatic Wardial

extensions.conf

[default]
exten => 101,1,Dial(SIP/101,45)
exten => 101,n,Hangup()

this context make a bridge between SIP/101 and DAHDI/1/123456789

redpajama_set_name: RedPajamaStackExchange


Considerable increase in wheat imports is expected from several countries: Egypt, Korea, Turkey, Saudi Arabia and Morocco.
Growing demand of Korea for wheat imports provides Ukrainian grain exporters with good opportunity to secure a foothold in this market. Last season Ukraine covered nearly 25% of Korea's wheat demand, mainly of feed quality.
Morocco may increase imports due to acute reduction of its own wheat production. Imports may reach 5-5.5 MMT, about 10% of which will be covered by Ukrainian grain. Ukraine supplies about 0.5 MMT of wheat to Morocco annually.
In 2016 Saudi Arabia intends to complete transition to full import dependence and stop growing wheat due to water deficit and high grain cultivation cost. Import needs of the country will increase by 15%, compared with the previous marketing year. Traditionally, Saudi Arabia buys wheat from EU countries. Grain imports from Ukraine are represented by barley, while wheat is purchased in very small quantities.
Thailand, which was the number one in Ukrainian wheat buyers ranking in the 2015/2016 season, may lose its leading position due to expected reduction of import demand by 1 MMT compared to last year.


What challenges are preventing impact investing from becoming more prevalent?
What technology exists for ESG reporting and analysis?
Robos and traditional brokerages are focused on impact investing as a way to grab the attention of high net worth investors (HNWIs) and millennial clients.
The polarizing political climate has contributed to a heightened awareness of impact investing. This report focuses on the challenges with measuring impact investments, as well as limited technology available today to measure impact investments.


Pataudi is a small town in the state of Haryana. It is 60 kilometers away in the west of Delhi. Before the English came the town was ruled by the feudal ruler family of Nawab of Pataudi. During those times he ruled 52 villages surrounding Pataudi town. He also built his palace there. The times changed and the rulers lost their power, glory and territory. But the name of Pataudi still remains known. The population of Pataudi consists of both the Muslims and Hindu communities. They have always lived in peace here.
The Nawab still owns agricultural land in Pataudi and the area around and lends the land to very small farmers on Ugahi (yearly contract basis). The father of the master craftsman Yunus, worked there as a labourer for many years, but had to stop working on Ugahi, as he could not earn enough even to pay back his Ugahi taxes to the Nawab. There was never enough to feed the family of six children. He remained poor as he was too honest a man. Telling this story we could see deep sorrow in the eyes of Yunus who is around 40 years of age and the father of three children today. He is the master craftsman making metal/glass beads jewellery, together with his fellow artisans from the village, Pataudi.
In early 1990's, Mohd. Yunus the master-craftsmen and his fellow-craftsmen approached Tara Projects to seek help in marketing their products more effectively. Earlier they were trying to sell jewellery in the mainstream market. Tara social workers informed about the aims of the Project. Tara team visited the village and their one room rented workshop. Consequently, it was decided to support the group. In the beginning there were only two three artisans but fifteen years later today more than 35 artisans are associated directly. There are more than three self help groups with 40 members mainly women are supported from time to time to learn to make jewellery and stitching.
The group was named as TAJA-8. It is a success story as in all these years the group was successful to attract many young person's to join, learn and work together. It has helped them to stay with their families and not to migrate to the urban areas. Most of the young persons are producing Sajai traditional craft. They also make jewellery. In the beginning, there were only male members who were working there. With the support and motivation from the social workers many young women who were working in the agricultural field also learnt to make the jewellery and joined the group. It helped them to save some money for their marriages. In the last five years more than 30 women have received training and could save their earnings. Many of them are settled today.
The group also managed to construct a spacious seven room workshop in the phases with the capacity building support from Tara. Five years ago they also installed electro plating and casting plant. This initiative has made them more independent and now they do not have depend on the others in the mainstream market.
The artisans in the TAJA-8 are earning from INR 5000/- to INR 8500/- per month depends on their skills. The positive aspect of the group is that both "Muslims and Hindus" are working together in harmony. With times they have also become much aware about Fair Trade and to be environmentally responsible. With the support from Tara they have also constructed a "rain water harvesting structure" within the workshop. An year ago they could also electro plating plant.
In the words of master craftsman, Mohd. Yunus, "we are happy to be the part of Fair Trade. Earlier we didn't know that child labour is an evil. Today with our hard work we are able to send our children to good schools. We are also happy to participate in the various community development activities organized by Tara.


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