A report card on the health of the Derwent has found the condition of the estuary improved in many areas in 2012-13.
The 2013 State of the Derwent Report Card summarises monitoring data collected by the Derwent Estuary Program (DEP) and partners in the area between New Norfolk and the Iron Pot Light.
Releasing the 2013 report today, Chairman of the DEP Steering Committee Kim Evans said it provides a watching brief on the state of the Derwent Estuary.
Mr Evans congratulated the program's industry, government, scientific and community partners for their long-term commitment to the DEP and the resources they have collectively provided to reduce pollution in the estuary.
"Over the past decade the DEP partners have invested more than million in the clean-up of the Derwent and this report card demonstrates the positive effect this has had," Mr Evans said.
DEP Director Christine Coughanowr said the report summarises trends in industrial, sewage and stormwater discharges, monitoring results for swimming beaches, heavy metal levels in sediments and seafood, as well as actions taken to clean-up the Derwent.
"The report shows that environmental conditions improved during 2012 and the early part of 2013, due in part to lower than average rainfall causing a decrease in stormwater and catchment runoff together with an increase in sewage effluent reuse," Ms Coughanowr said.
"Most industrial inputs continued to decline, including organic matter loads from the Norske Skog paper mill, as did the volume of treated effluent discharged by municipal sewage treatment plants."
Nyrstar has undertaken significant environmental projects investing .5 million in addition to .9 million funded through the Australian Government's National Urban Water and Desalination Plan to improve stormwater management and water recycling at the Nyrstar site.
Nyrstar Hobart General Manager Jeremy Kouw explained that this collaborative industry and government investment has made a huge difference.
"Through our stormwater catchment ponds coupled with the effluent treatment plant we have managed to reprocess 100 percent of stormwater captured over the past 18 months which is an outstanding effort in safeguarding the Estuary," he said.
"In addition we also have our groundwater project which has resulted in the interception of 400 tonnes of zinc from reaching the Derwent Estuary since 2010."
Water quality at the majority of the Derwent's swimming beaches was classified as either good or fair with the best water quality at Opossum Bay, Hinsby beach, New Norfolk, Kingston beach (middle), Taroona and Little Howrah beach.
However, Windermere beach, the western end of Nutgrove beach and the middle of Howrah beach received poor water quality ratings. Ms Coughanowr said investigations are underway in cooperation with councils to identify and address pollution sources at these sites.
Water quality at Derwent bays and coves was more variable, with continued poor water quality ratings at Marieville Esplanade, Lindisfarne Bay and Geilston Bay; however the Hobart Waterfront has improved significantly.
A new survey of Derwent estuary sediments indicates a reduction in some of the extreme heavy metal levels previously recorded at mid estuary sites. However, metal levels across much of the Derwent are still well above national guidelines.
Ms Coughanowr said the information contained in the annual Derwent Report Card is used by all levels of government, industries and the community to gauge the state of the estuary and the actions being taken to restore our waterway.
For a full copy of the 2013 State of the Derwent Report Card, go to www.derwentestuary.org.au or pick up a copy at Council or Service Tasmania offices.


text:
Henry V (br/pt: Henrique V) é um filme do diretor Kenneth Branagh, de 1989, baseado na peça homônima de William Shakespeare sobre o rei Henrique V da Inglaterra. O filme é estrelado por Branagh no papel principal com Paul Scofield, Derek Jacobi, Ian Holm, Emma Thompson, Alec McCowen, Judi Dench, Robbie Coltrane, Brian Blessed e Christian Bale em papéis coadjuvantes.

O filme recebeu elogios da crítica mundial e tem sido amplamente considerado uma das melhores adaptações cinematográficas de Shakespeare já feitas. Por seu trabalho no filme, Phyllis Dalton ganhou um Oscar de melhor figurino e Kenneth Branagh, em sua estreia como diretor, recebeu indicações ao Oscar de Melhor Ator e Melhor Diretor.

Sinopse
O Rei Henrique V da Inglaterra é insultado pelo Rei da França, Carlos VI. Como consequência, ele lidera seu exército contra os franceses, precisando estar atento e manter suas tropas motivadas e unidas.

Filmes do Reino Unido de 1989
Filmes com trilha sonora de Patrick Doyle
Filmes de ficção histórica do Reino Unido
Filmes baseados em obras de William Shakespeare
Filmes em língua inglesa
Filmes ambientados no século XV

Regravações de filmes
Filmes dirigidos por Kenneth Branagh
Filmes com estreia na direção
Filmes gravados na Inglaterra
Filmes de The Samuel Goldwyn Company
Filmes premiados com o BAFTA de melhor realização

redpajama_set_name: RedPajamaWikipedia


Do you love the movie Frozen?
I am so excited that Disney came out with a great movie with a sisterly love story. After all, we may not all find our True Love in this lifetime, but we all have a sister that's worth risking everything for, either biologically or one of the heart.
If you have a little girl who is planning a Frozen birthday party or just loves "warm hugs" from Olaf and friends, here is a GroopDealz collection you'll be excited over. But you need to go check it out NOW because some of the cutest parts of the collection are selling out FAST!


text:
Róbert Benedek Sallai, né le  à Mezőtúr, est une personnalité politique hongroise, député à l'Assemblée hongroise, membre du groupe LMP.

Naissance dans le comitat de Jász-Nagykun-Szolnok
Naissance en août 1974
Personnalité politique hongroise
Député au Parlement hongrois (2014-2018)
Personnalité de LMP – Parti vert de la Hongrie


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New trustees appointed for independent UK Centre for Ecology & Hydrology
Centre for Ecology & H...
About the entity
Centre for Ecology & Hydrology
The Centre for Ecology & Hydrology (CEH) is a world-class research organisation focusing on land and freshwater ecosystems and their interaction with the atmosphere.
TwitterFacebookWeb
Waterpeople
UK's Centre for Ecology & Hydrology have appointed a new Board of Trustee Directors and will govern the UK Centre for Ecology & Hydrology once it becomes an independent research institute on 1 December 2019.
Upon independence we will be re-named the UK Centre for Ecology & Hydrology (UKCEH) and become a not-for-profit company limited by guarantee with charitable status. We will continue to deliver excellent environmental science across water, land and air, and to serve as a strategic delivery partner for the Natural Environment Research Council, part of UK Research and Innovation.
The Trustee Directors, together, bring a wealth of relevant experience to the governance of the organisation. Their wide range of backgrounds - in key areas such as environmental research and policy, business strategy, finance, people and change leadership and communications - and their strategic understanding and knowledge across the business landscapes of our operation, will benefit our newly independent institute. Their recruitment has taken place over a number of months, enabling them to work with us during our transition to independence.
The new Chair of the UKCEH Board, Lord Cameron of Dillington, former Chairman of the Countryside Agency, says: "The Centre for Ecology & Hydrology is a world-class research institute, whose science addresses critical contemporary issues such as building resilience to climate change and preventing pollution. My fellow trustees and I are looking forward to working with the executive team to continue delivering excellent science which has a global impact."
Professor Mark Bailey, Director of the Centre for Ecology & Hydrology, who will also become a Trustee Director of the new research centre, adds: "We are honoured to welcome the Trustee Directors to the organisation. We are fortunate to have such an experienced and skilled Board in place to guide UKCEH at the beginning of this exciting new chapter for our organisation."
13/01/2020 · Research and develop... · 15
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Artificial Intelligence will transform research into climate change
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Greater R&I would protect businesses and our natural world
Leading UK environmental data centre receives international accolade
16/09/2019 · Digital · 52
New portal tracks UK hydrological situation as it happens
10/09/2019 · Drinking Water · 26
Pioneering study into microplastic levels in UK water supplies
80% cut in antibiotics entering Thames needed to avoid surge in superbugs
29/08/2019 · Climate change · 12 1
Changing climate linked to major changes in flooding across Europe
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Improved sewage treatment has increased biodiversity over past 30 years
Human activity means UK peatlands contribute to climate change
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redpajama_set_name: RedPajamaCommonCrawl


text:
Armenia estuvo representada en los Juegos Paralímpicos de Turín 2006 por dos deportistas, un hombre y una mujer. El equipo paralímpico armenio no obtuvo ninguna medalla en estos Juegos.

Referencias

Enlaces externos

Armenia
I 2006
Armenia en 2006


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Q: How to call a function of scriptB from scriptA I have created two scripts one is scrpt_Enemy and other is scrpt_GameManager.
I want to call SubtractLive() function (exist on scrpt_GameManager) from scrpt_Enemy. But it gives error I don't know why. The error is  'SubtractLive' is not a member of 'UnityEngine.Component'.
scrpt_Enemy:
var gameManager : GameObject;
gameManager.GetComponent("scrpt_GameManager").SubtractLive();

scrpt_GameManager:
var lives : int =3;

function SubtractLive(){
    lives -= lives;
}

A: Problem
You were telling Unity that gameManager was of type GameObject. Therefore Unity was freaking out because it doesn't have SubtractLive() under GameObject.
Solution
You can get the correct reference like this:
Create the variable then tell Unity what the type it is.
var gameManager : scrpt_GameManager;

Find the GameObject which has the script attach to it.
gameManager = GameObject.Find("GameManagerGameObject").GetComponent("scrpt_GameManager");

Note that "GameManagerGameObject" is the name of the GameManager in the scene.
Now that you have the reference to the script just call the function like this:
gameManager.SubtractLive();

redpajama_set_name: RedPajamaStackExchange


Is it possible to run a 12s meter base on a 4 jaw meter socket (meaning no neutral).
If so would this pass NEC?
IF you do need the neutral attached, I see the neutral of the inverter attaches... but does the other end of neutral attach to your sub panel or main panel as per this diagram?


For eligible employees planning to participate in the Tuition Assistance Program (TAP) during the Spring 2019 semester, please note that the TAP application deadline is April 15, 2019.
The TAP form can be printed from the Human Resources website and is also available in the Human Resources office (Room 112, Aycock Hall).
Please make sure your form is completely and accurately filled out to avoid any problems and make sure to list your student ID number at the institution you plan on attending/are attending. You can locate your employee ID number via the Employee Lookup located on the Human Resources home page.
It is the employee's responsibility to ensure that the TAP form is emailed to the TAP Administrator by the deadline.
TAP participants will register for approved courses online via their BanWeb account. Participants may register for approved courses online in BanWeb beginning at midnight on April 29, 2019 through the last day of drop/add. It is the participant's responsibility to ensure that they register for the courses they were approved for under TAP. The UWG Registrar's Office can assist participants with any problems encountered with registration.
Please remember that TAP participants must go through the regular student admissions process, if not currently admitted. The Undergraduate Admissions Office and the appropriate Graduate Admissions areas have application and document deadline dates for each semester. Please contact the applicable office for their deadlines and requirements.
You may access the Tuition Assistance Policy at http://www.westga.edu/hrpay/index_2452.php. Participants should familiarize themselves with the TAP policy.
Please contact the Human Resources office if you have questions.


text:
« 4 Possible Outcomes for Cariou v. Prince | Main | Found Art (Soho) Unmonumental 369 »
Art's New Media: ARTFORUM Takes On the Last 50 Years (and Technology)
Letter from Philip Leider to Matthew Baigell, October 30, 1967.
ARTFORUM is celebrating its 50th anniversary with an issue dedicated to technology and the arts. You heard me. As ARTFORUM Editor-in-Chief Michelle Kuo points out in her Letter from the Editor: this is pretty freaking weird:
THE MESSAGE WAS BRIEF. Typed as if for telex, a 1967 memo from this magazine's editor, Philip Leider, responded to a writer's pitch with characteristically lapidary concision: "I can't imagine Artforum ever doing a special issue on electronics or computers in art, but one never knows." And, really, how could one know? The contingency of the moment is right there in black and white. Leider's skeptical words said one thing, but the memo's blocky, futuristic design, as if auguring a world defined by computer terminals and communications media, said another.
The magazine Leider helmed—which, with this issue, marks its fiftieth anniversary—was committed to the most advanced art of the day. In that sense, Artforum was very much dedicated to writing the future, whatever that might look like. So it's safe to assume that it wasn't a discomfort with the likes of punch cards that gave Leider pause. Rather, he was rightfully loath to pin art too closely to any one kind of media or technology—just as we are loath to do now, whether to avoid lapsing into a retrograde medium specificity, on the one hand, or technological determinism, on the other. Today we still cringe at manufactured genres like "computer art," even if art as we know it could barely exist without computers. Technophilia and technophobia alike pervade museums, galleries, and art-fair booths; the language of new media and social media—platform, network, algorithm, sharing—abounds in press releases and exhibition titles, slaking our thirst for 1960s-cum-1990s cyber-euphoria. At the same time, Leider's doubt echoes in the distance, a critical reminder that art's affair with media is always prone to historical amnesia, to lazy conflations of vastly different positions and practices, to abrupt shifts from the faddish embrace of progress to a pining for the obsolete. We are nostalgic; we want to move on.
This special issue of Artforum aims to move on but not forget. In the following pages, we'll take stock of five decades of conversation and contestation that helped forge art's manifold possibilities and that now stand as a vital record of history. More broadly, we'll reflect on the past fifty years of media, technology, and art, from the Plexiglas and Porta-Paks of the '60s to the networked art of the present. For the story of media is, in many ways, the story of contemporary art—both its history and its future.
Shock value aside, the issue is chock full of things I want to read right away, not to mention to assign to my graduate students. Did I mention that it's really thick? Yes, art advertizing is up, friends: you can prop open your studio fire door with the thing.
Also: no reviews.
September 03, 2012 at 06:44 PM in Art of Advertising, Art World, Current Affairs, Futures, Web/Tech | Permalink


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The Ultimate Sacrifice
Tragically, two more American soldiers have paid the ultimate sacrifice in protecting our freedoms. On the morning of April 9th, two apache pilots who were attached to Tim's unit perished in a helicopter crash. The cause is still unknown, but the names of these pilots have been released: Chief Warrant Officer 3 Matthew Ruffner, 34, and Chief Warrant Officer 2 Jarrett Yoder, 27. I learned of this incident via facebook when I saw a post from another military wife asking for prayers for the aviation community. I scrolled down a little further and found an article posted by another wife that told of the recent crash. After that I checked my email and found a message from the brigade commander telling families of this news. I quickly emailed Tim to get confirmation that he was okay. As soon as I sent off the email I heard the dogs barking at the door. I repeated, "no, no, no, no, no" to myself as I ran downstairs to ensure there wasn't a black SUV in the driveway or a chaplain and commander at my door. Thank God, no one was there. But tragically, that was happening to two families in Pennsylvania as they received the news of the loss of their loved one. Minutes later, Tim emailed me that he was okay, as were all the soldiers in his company. The soldiers who passed away were stationed at Jalalabad, where a large portion of his brigade operates.
Please pray that the families of these brave soldiers feel God's presence in their time of sorrow. One of the wives of Tim's soldiers that passed away on their last deployment asked for people to pray that these families simply be able to breathe. God bless our gold star families!
Aunt Jean
What a sad day for those famlies. So glad Tim and his unit are safe. What a horrible experience that must have been for you hearing the dags bark and just imagining the worst. You are all in our prayers.


There's something for everyone here at Kapok Pilates and Wellness! Kapok offers many fun and unique classes to keep your body and mind in shape. Check our schedule to sign up for your next Pilates, Aerial Yoga, Qi Gong, Yoga, Meditation, GLOW-GA, and Expressive Dance class! We also always have a diverse on-going selection of hands-on healthy living workshops and seminars.
Pilates is the art of controlled movements. If practiced with consistency, Pilates improves flexibility, builds strength and develops control and endurance in the entire body. It puts emphasis on alignment, breathing, developing a strong core, and improving coordination and balance. The core, consisting of the muscles of the abdomen, low back, and hips, is often called the "powerhouse" and is thought to be the key to a person's stability. The Pilates system allows for different exercises to be modified in range of difficulty from beginner to advanced or to any other level, and also in terms of the instructor and practitioner's specific goals and/or limitations. Intensity can be increased over time as the body adapts itself to the exercises.
Yoga is an ancient art based on a harmonizing system of development for the body, mind, and spirit. The continued practice of yoga will lead you to a sense of peace and well-being, and also a feeling of being at one with your environment. The practice of yoga makes the body strong and flexible, it also improves the functioning of the respiratory, circulatory, digestive, and hormonal systems. Yoga brings about emotional stability and clarity of mind.
Aerial yoga is a type of yoga which uses a hammock or yoga swing to allow students to perform postures that they may not ordinarily be able to attempt on the yoga mat. It combines traditional yoga with moves inspired by pilates, dance and acrobatics. Aerial yoga is thought to be particularly beneficial for students who spend a long time sitting, or who have back pain, because it has a decompressing effect on the body.
Bungee fitness is a low impact, high energy, and calorie burning workout that challenges and trains the muscles to move faster, achieve a deeper range of motion, and provide buoyancy to perform exercises that one may be unable to do without assistance. The bungee training system is easy on the joints and an ideal program to rev-up the metabolism, strengthen the core, increase flexibility, balance, and endurance while having fun. This form exercise is also good for the bones!


text:
Q: best structure for a customized virto commerce Any suggestions of how to structure my solutions when developing custom Modules and frontend?
I.e. Should I just clone the repoy and add my modules and change web.config  with transform files directly in the repo. Will a future pull working well then? any ideas for simple developing and simple upgrade?
Or is it wrong aproach. Should i use azure deploy script/ slot settings and call virto api to add virto modules...

A: ok i saw thar virto has updated its documentation
http://docs.virtocommerce.com/display/vc2devguide/Developing+a+custom+solution


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Standard furnace filters work well to keep your system and its ductwork clean, but they don't really improve indoor air quality. To do that you need a media filter.
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Cherating is a famous beach resort area in Pahang. It is located at the popular Kampung Cherating and approximately 30km north of Kuantan, Pahang. By land transport, it is just 40-minute drive from Kuantan and 3-hours from Kuala Lumpur. Kampung Cherating is your entrance point to interesting exotic holiday if travel by public transportation from Kuantan to Cherating. Kampung Cherating is a small fishing village with major income coming through backpacker tourism. By air transport, it is just 45-minute from Singapore and 35-minute from Kuala Lumpur.
Cherating is exceptionally easy-going and the beach is wide and nice although not as attractive as the beaches on the islands off the East Coast. The main attraction in Cherating is wide sandy beach. You can do some water activities like swimming, yachting, kayaking and river cruising and for sure it is not a good location for diving. Besides that, you can do surfing at Cherating beach during monsoon season.
Asia First Club Med is located at Cherating. It is a famous place to spend the holidays with family. Besides that, you can visit the turtle sanctuary which is located next to Asia First Club Med. But before this, you need to register with tour agent or guesthouse and they will inform you when there is a turtle landing. Cherating Turtle Sanctuary is set up to preserve and protect the endangered species like Giant Leatherback turtle. The best time to visit here is between April and August where you can participate in trip that permit you to see the turtles come stranded to place eggs.
Besides beach activities, you can learn some traditional crafts and arts at some classes offered. You can found pottery, traditional kite with various designs and colours, songket, elegant woodcarvings, fine batik and Pahang silk textiles at Kompleks Krafttangan Kuantan in Kampung Cherating. At here, you could take a trip of this batik-making shop where you could see how to transform the material into Malaysia batik art by using wax and paint.
Check out Our Service & How To Book.
There are a lot of local delicacies or cuisine you can try here. If you are coming from Singapore, then you should taste the local food. First is Hoi Yin Curry Laksa where it is combination of curry broths with steam cockles, chicken, tofu puffs and bean sprouts. When you taste it, you will feel little sweet, creamy and spicy. Another dish is Ikan Bakar where it is a popular dish is Cherating. It can be cooked into variety style but usually go for tiga rasa and masak sambal petai. Besides that, you can dine at Ah Wah Restaurant to try Assam Fish. It is one of the dish must-order here where the dish is served with charcoal underneath to keep warm. The broth is sour and spicy but refillable.
Need a private taxi service? No problem, We've got you covered as TaxitoJB.com offers private MPV transport service from Singapore to Cherating, Pahang. Plan your trip to Cherating, Pahang ahead and reserve a private MPV transport in advance by WhatsApp us or fill up the online reservation form and submit to us. It is really easy and hassle free. We look forward to hearing you soon.


text:
Mar 4 WTTW's Geoffrey Baer Explores Chicago's Favorite Family Road Trips
WDCB's Gary Zidek catches up with TV host Geoffrey Baer to talk about WTTW's new special CHICAGO ON VACATION.
"I just felt like, the iconic road trip destinations around the Midwest, where people from Chicago go year-after-year, they feel as much connection to those places in their hearts as they do to their own hometowns" - Geoffrey Baer talking about Chicago area residents strong ties to their favorite Midwest vacation destinations.
WTTW's Geoffrey Baer
If you live in the Chicago-area, chances are you've been probably learned something about Chicago or its surrounding suburbs from Geoffrey Baer. The Emmy Award-winning host and producer has been exploring Chicago and illuminating forgotten stories on WTTW for 25 years. But for his latest project, Baer hit the road and left the familiar confines of the Chicago metro area to explore the time honored tradition of family road trips.
WTTW's Geoffrey Baer checking out some cherry pies in Traverse City
CHICAGO ON VACATION WITH GEOFFREY BAER premieres on Tuesday March 5. The 90-minute special showcases some of the most popular Chicago-area tourist destinations including Door County, the Indiana Dunes, Holland Michigan and many more.
WTTW's Geoffrey Baer with a Rhinelander Hodag in Wisconsin's Northwoods
Check out the trailer for the upcoming special.
WTTW has also created a companion website to further explore some the destinations Baer visits. Go to WTTW.com/vacation
WTTW's Geoffrey Baer & WDCB's Gary Zidek
CHICAGO ON VACATION WITH GEOFFREY BAER will premiere on Tuesday March 5 at 7:30 pm cst on WTTW.
chicago, WTTW, Geoffrey Baer, road trips, vacation, documentary
Mar 5 It's All About That Bass: A Conversation With Bill Dickens
Feb 27 Get In the St. Patrick's Day Spirit With The Chieftains
Oct 11 New Documentary Series Highlights Stories of Chicago's Art & Design History
Dec 14 New Exhibitions Focus On Different Aspects of Chicago's Design History
Apr 22 Chicago Unveils New Mural Registry


text:
Government Documents | Emory University School of Law | Atlanta, GA
Frequently Used U.S. Government Documents
More information about the depository program, including information about freely available online materials can be found by following the links provided below:
U.S. Federal Depository Library Program
The links from the title headings below are to official government versions in pdf format when available. Information below each heading includes locations and coverage years for tangible formats on campus and links to other online page image sources where available.
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text:
We are still perilously close to Hailsham's 'elective dictatorship'
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In the 1970s, Lord Hailsham warned that Britain was in danger of sinking into an 'elective dictatorship' because of the vulnerability of its constitutional arrangements. Julian Petley (Brunel University London) says his warning, which was aimed at the left, is more relevant than ever as Boris Johnson's government tries to impose its will on Parliament.
Not only did Boris Johnson attempt (albeit unsuccessfully, thanks to the Supreme Court) to prorogue Parliament, and not only did he threaten to ignore the result of any no confidence vote, but Michael Gove has stated that the government would 'wait and see' what legislation aimed at preventing a no-deal Brexit was put forward by MPs before deciding whether to abide by it. That legislation, which requires Johnson to ask the EU for an extension to the Brexit date of 31 October unless he has struck a mutually acceptable deal with them by 19 October, has now successfully passed through both Houses, although not before Johnson threatened to pack the Lords with hundreds of Brexit-supporting peers.
Military chiefs attend a roundtable at No 10 Downing St with Boris Johnson. Photo: Number 10 via a CC-BY-NC-ND 2.0 licence
The Prime Minister has said that he would rather 'be dead in a ditch' than ask for such a delay, telling the Telegraph that the new law obliges him only 'in theory' to do so, and has written to Tory members informing them that Parliament 'just passed a law that would force me to beg Brussels for an extension to the Brexit deadline. This is something I will never do'. Meanwhile the foreign secretary, Dominic Raab, has stated that the government would 'look very carefully' at its 'interpretation' of the legislation, and that 'we will also – because this is such a bad piece of legislation – want to test to the limit what it actually lawfully requires'.
Similarly, after the Supreme Court judgement was announced, a No 10 source accused the Court of making 'a serious mistake in extending its reach to these political matters' and Jacob Rees-Mogg reportedly told colleagues on a cabinet conference call that the supreme court judgment was a 'constitutional coup'.
Johnson's tactics have been widely condemned as anti-democratic, although it is entirely unsurprising – if predictable – that he has received vociferous support from the relentlessly populist Tory press.
'Tacit understandings'
These authoritarian ploys have been attributed as much to Dominic Cummings as to Johnson himself, with the senior adviser described as 'poisoning politics', a 'career psychopath', an 'unelected, foul-mouthed oaf' and a 'political anarchist' (and that's just by Tories). However, what these manoeuvres actually reveal is the fragility of this country's constitutional arrangements – although these have now been both clarified and strengthened by the Supreme Court. Nonetheless we are witnessing just how easily these arrangements can be manipulated and exploited by the ruthless and unscrupulous: those not signed up to what Peter Hennessy refers to as the 'good chap theory of government'. Given that Johnson's stratagems threaten to involve the monarch directly in the political process, it's important to stress that the 'reserve powers' of the Crown are still active when it comes to calling elections and appointing Prime Ministers, even though no dissolution request from a PM has been refused by a monarch since before the Great Reform Act of 1832. But as Hennessy points out in his book The Hidden Wiring, all party leaders who have sought power since the second world war have accepted the vitality of those powers and, privately, that they must conduct themselves within the 'tacit understandings' – to use Sidney Low's phrase – that accompany them, by not placing the monarch in a position where he or she would become embarrassed or, worse, politicised.
'The elective dictatorship'
Hennessy's remarks about 'good chaps' recall the point made by the former Lord Chancellor, Lord Hailsham, in October 1976 in his BBC Richard Dimbleby Lecture, The Elective Dictatorship, namely that the only limitations on the sovereignty of Parliament are
'political and moral. They are found in the consciences of members, in the necessity for periodical elections, and in the so-called checks and balances inherent in the composition, structure and practice of Parliament itself'.
This is a good moment to re-examine what Hailsham meant by the elective dictatorship, and to see whether it offers any useful pointers in today's fraught circumstances. At a time when the powers of Parliament are under severe threat from government, it might not seem an opportune moment to recall Hailsham's lecture, but the crucial point to bear in mind is that his phrase refers to the fact that Parliament's legislative programme is determined by the government, whose bills virtually always pass in the Commons thanks to the majoritarian, first-past-the-post electoral system and the imposition by the whips of party discipline on the governing party's majority. Thus there is a strong tendency towards executive dominance, and this is compounded by the constitutional inability of the Lords ultimately to block government initiatives.
The government machine
Once, Hailsham argued, such a situation may have been 'thought tolerable in practice'. But, in his view, various factors had in recent years combined to make the Commons itself a threat to liberty rather than a stout defender of it. The reasons for this lay not only in the decline of the power of the Lords, but also the growth of the power of the executive in the Commons. As Hailsham put it:
Until recently, the powers of government within Parliament were largely controlled either by the opposition or by its own backbenchers. It is now largely in the hands of the government machine, so that the government controls Parliament and not Parliament the government. Until recently, debate and argument dominated the parliamentary scene. Now it is the whips and the party caucus.
Furthermore, the Commons are no longer really 'masters in their own house':
Not so long ago, influence was fairly evenly balanced between government and opposition, and between frontbenches and backbenches. Today, the centre of gravity has moved decisively towards the government side of the House, and on that side to, to the members of the government itself. The opposition is gradually being reduced to impotence, and the government majority, where power resides, is itself becoming a tool in the hands of the cabinet … The sovereignty of Parliament has increasingly become, in practice, the sovereignty of the Commons, and the sovereignty of the Commons has increasingly become the sovereignty of the government, which, in addition to its influence in Parliament, controls the party whips, the party machine, and the civil service.
Since Hailsham wrote these words, this state of affairs has only become more embedded: prime ministers have acted in an increasingly presidential style; there has been a proliferation of 'spads' (special advisers, described in the code governing their behaviour as 'an additional resource for the minister providing assistance from a standpoint that is more politically committed and politically aware than would be available to a minister from the permanent civil service'); and ministers and prime ministers have made use of the royal prerogative, which enables them to, among other things, deploy the armed forces and make and unmake international treaties. As these may be exercised without parliamentary approval or scrutiny, they are best described as ministerial executive powers.
Talismanic significance
Hailsham also criticised what he calls the 'doctrine of the mandate':
While before the election the manifesto is written rather in the style of an advertisement for patent medicine, after the election it is treated as a pronouncement from Sinai… The measures proposed in the manifesto often include the impossible, the irrelevant and the inappropriate. But it is here that the doctrine of the mandate takes over. However small the majority, however ill-advised the promises, however controversial the programme, the party activists, flushed with victory, insistently demand the redemption of all the pledges in the shortest possible time, and they are vociferously egged on by the various pressure groups whose collective support has been won by the making of the pledges.
But this doesn't occur only in the case of manifestos created whilst in opposition – witness the all-too-predictable consequences of the Tories' 2015 manifesto promising an EU referendum, and their 2017 manifesto stating that 'we continue to believe that no deal is better than a bad deal for the UK', a line that has taken on talismanic significance for Brexiters.
'Ideological bigotry'
Somewhat counterintuitively, Hailsham's target was not governments with large majorities, but those with slim ones which, because of the nature of the parliamentary system, were nonetheless able to pass a large number of their bills. In Hailsham's view, the fact that a government did not enjoy wide support in the country, as measured by general election results, made such actions democratically illegitimate. It must be stressed that he gave his lecture during a period of Labour administrations. The Harold Wilson government elected in March 1974 was a minority one, and that elected in the following October had a majority of only three. Wilson was replaced by James Callaghan in March 1976, and within a year his government had lost its majority through by-election defeats. The Lib-Lab pact was signed in March 1977 and remained in force for sixteen months, with the government also managing to stay in power thanks to unofficial deals with the Ulster Unionist Party and Scottish National Party.
Hailsham was concerned about the 'elective dictatorship's' capacity for 'giving control to relatively small minorities, and its dependence upon the enthusiasm of political caucuses and other outside bodies and pressure groups whose zeal, ideological bigotry and desire for irreversible change all too often outrun their discretion'. He doesn't explicitly point the finger at the Left in this respect, but in The Dilemma of Democracy (1978) it's pretty clear who he has in his sights:
'The electorate is itself markedly moderate in its views. But where the caucus is infiltrated, a few extremists have it in their power to deny them the right to vote for a moderate candidate'.
At the time (and indeed for long after) 'extremist' was a barely coded synonym for 'left-wing' and 'moderate' for anyone to the right of such a position. He also complains that 'some of the safe seats in the Labour-held cities in England hold about 20,000 voters. Some of the Conservative or marginal seats on the periphery represent 100,000 or more' and that 'twice, at least in my Parliamentary career, I have had personally to complain about direct gerrymandering by Labour home secretaries'.
Remarkably, the present government's insistence on governing by executive fiat ignores the fact that, if such a course of action was allowed to pass unchallenged, it would put precisely the same powers in the hands of a Labour government – including one headed by Jeremy Corbyn.
The wrecking ball
Hailsham's remedies include a bill of rights as part of a written constitution, 'one which limits the powers of Parliament and provides a means of enforcing these limitations both by political and legal means'. However, he doesn't mention the European Convention on Human Rights, to which Britain acceded in 1951. Whether a bill of rights would be able effectively to loosen the grip of the 'elective dictatorship' would all depend on what is in it. Dominic Raab outlined plans for a bill of rights in his 2009 jeremiad The Assault on Liberty, and these formed the basis for the Tories' proposals for changing Britain's human rights laws.
Hailsham concluded that the constitution he envisaged could not be created 'so long as we are content to muddle along in the good old British way'. In the interim we have seen the European Communities Act 1972, a degree of devolution, the Human Rights Act 1998 and limited reform of the Lords, but still no written constitution. And now we see, in the starkest possible terms, the consequences of 'muddling along' without one, as Adam Wagner has pointed out. Could Hailsham ever have imagined that the threat of the wrecking ball would come not from left-wing 'extremists', but from ideologues and zealots on his own side?
This post represents the views of the author and not those of the Brexit blog, nor LSE.
Julian Petley is an Honorary Professor in Social and Political Sciences at Brunel University London.
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Facets is an exhibition of 30 glass bowls created by sculptor Rebecca Newnham in direct response to the Russell-Cotes Art Gallery & Museum and its collection. The bowls will be displayed on the existing plate racks of the Dining Room, the Morning Room and the Conservatory. The individual pieces are unique and together form a cohesive body of work.
The project considers the historical origins of the house and of the owners Merton and Annie Russell-Cotes's role in the early establishment of Bournemouth. The bowls seek to reflect on the rich architectural and interior detail of the house and the myriad paintings and exotic artefacts collected by the couple during their travels across the world.
The colour palette for the work, of gold, yellow and amber glass stain, deep ruby and black, encapsulates Victorian opulence and craftsmanship. Rebecca employs the same method of firing nitrates into the glass to recreate the amber and yellow evident in the stained glass throughout the museum, and uses ruby glass created by the synthesis of gold, matching the technique used for the ruby glass of the Conservatory windows.
There are 30 designs, representing 30 days of engagement with the museum, its objects and architectural details. Each bowl is a shallow section of spherical glass mosaic or fused and imploded glass. These different processes are characteristic of Rebecca's work, and she creates her own production methods in glass, experimenting both with materials and with the form of the finished objects.
The exhibition follows on from Rebecca's large-scale works Sound Parabolas which were made for Reflection at Salisbury Cathedral in 2016. These dark glass mosaic sculptures are in the form of protecting curves representing the section of a sound wave, and out of these Rebecca has developed the bowl forms specifically for the Russell-Cotes Art Gallery in Facets.
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Rosauers Supermarket had its beginning in 1934 when J. Merton Rosauer, just out of school, bought a little grocery store on the corner of Sprague and Lee Streets in Spokane, Washington. The purchase was financed by a $1,000 loan from his father and mother. These were Depression times, and it was four years before the loan could be paid back out of profits.
It took courage and faith to launch a business at a time when America's economy was turned upside down, and over the years Mr. Rosauer would parlay these traits into one of the most successful and innovative corporations in the Pacific Northwest. In 1938 he sold his first neighborhood store, and with his earnings reinvested in another. A short time later he repeated that process again. Then in 1949, Mr. Rosauer opened the Company's first - and Spokane's first - supermarket. It was located at 3rd and Oak, and it incorporated lessons and ideas that had been 15 years in the making. At that time, Rosauers had only about 20 employees. But these dedicated people made the new supermarket an instant success. Interestingly, that first store is still operating, in a space seven times larger than its original size.
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In 1984, prior to retiring, Mert Rosauer sold the company to another Spokane-based business, URM Stores, Inc. By selling to his supplier, Mert felt that the traditions he established would endure at the stores he founded for many more years to come.
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In June of 2000, the employees, by unanimous vote, re-sold the company to URM Stores. Today, Rosauers Supermarkets Inc. consists of 17 Rosauers Stores, 4 Super 1 Foods Stores and 1 free-standing Huckleberry's Natural Market. The company has approximately 2,100 employees.
Rosauers has continued to stand by its founding principles of providing the highest quality products, largest selection, cleanest stores and friendliest, professional service. Commitment to valuing its employees and customers will continue to guide the company toward a very successful future. Mert Rosauer would be proud of the legacy he founded so many years ago. Welcome to Rosauers!


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redpajama_set_name: RedPajamaGithub


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Oneiroid Psychosis – Chain D.L.K.
Chain D.L.K.: For those new to the group, tell us about your music and mission musically.
Oneiroid Psychosis: Leif: My mission musically is mainly to express myself. Unfortunately not everything I need to express is happy and nice, and in fact the darker aspects of my outlook and psyche are the ones that push forth expression. The other reason that I make music is because it's fun. It's like any art form in that you work with a variety of methods and materials to create a thing that wasn't there before. It's challenging and very satisfying when the result represents the feelings you put into it, and when the listener (or viewer or reader, etc) appreciates the details and the mood conveyed.
Lars: Well…I basically feel the same way about it as Leif.
Chain D.L.K.: What does the name Oneiroid Psychosis mean and how did it come about?
Oneiroid Psychosis: Lars: I have always enjoyed psychologically disturbing music and I wanted to create that type myself. The band name "psychosis" came to mind. But we kept hearing about other bands with that name. So I wanted something that was a bit more specific to our style. Looking through my medical dictionary I found "Oneiroid Psychosis". Which means "an acute dream like confused state".
Chain D.L.K.: I understand you come from Wisconsin, which has the highest amount of serial killers in the country, and is home to Dahmer, Ed Gein, and Carla Fay Tucker. Does this play any part in the music?
Oneiroid Psychosis: Leif: I remember as a little boy learning who Ed Gein was. It seems everybody in Wisconsin knows about him from when they're kindergarteners. I remember being driven to college in Stevens Point by my dad. We drove through Plainfield to look at the graveyard where he dug people up and the hardware store where he shot his last victim. A pleasant father and son outing! If such things have an effect on the music, they are subconscious. I think there are plenty of horrible things going on in America, and all over the world, but somehow Wisconsin gets the occasional famous wacko.
Chain D.L.K.: What, in your mind, is in the state's, as well as nearby Waukegan, Illinois', atmosphere to drive people to become serial killers?
Oneiroid Psychosis: Leif: I think people in rural Wisconsin live very sheltered lives, and perhaps don't learn how to properly interact with the world at large. But again, that could be true anywhere. Ed Gein had a childhood memory of a forbidden shed where his parents would go. He peeked through a crack one day and saw his mother string up a pig upside down and slaughter it. She caught him peeking, and gave him a whipping. I can see how weird stuff like this could make a young child become a little twisted. Madison is a very modern and liberal city and is as pleasant and friendly as anywhere else in America, but only a few miles away are people who live very differently.
Chain D.L.K.: Where did the title of the opening track "Killed Today A Young Girl, It Was Fine and Hot" come from?
Oneiroid Psychosis: Lars: Both titles "Dreams" and "Killed" came from quotes out of the book Psychopathia Sexualis. They don't have any real significance to OP except to invoke a mood. They both leave you full of questions and hopefully feeling a bit disturbed. This changes the way you interpret and listen to the music. And that, to me, is what it's all about: losing yourself in mood, imagination and sound.
Chain D.L.K.: I received a sampler copy of the CD, but I read where in the actual CD there is a picture of a girl being dissected. Why this for a choice of artwork? Is it more a fascination towards surgery or more to fit into the atmosphere of the CD?
Oneiroid Psychosis: Lars: It's really both. Surgery is so completely brutal. We have created instruments that are so unlike the human body and we use them to interact with the body. To tear apart, cut, sew and bolt parts of the body together. As brutal as it is, it is meant to heal and make things work again. There is a contradiction with it. If you've ever had the pleasure to see and hold these surgical instruments, it can bring on a certain discomfort. So this goes back to the title concept of creating a mood that can affect the way you listen and interpret the music.
Leif: While we always give Paul the final say as to what the artwork will be, I can say that a persistent sort of puzzle for me is the question as to what exactly a human being is. I mean we can pick apart the human body bit by bit, and that may tell us how our spleen works, but it tells us very little really about who we are. What is the mind, or experience, or emotion? How do you pick a human being apart to find the true nature of those things?
Chain D.L.K.: Do you ever get the urge to just wail out and go dance to the music or does the restraint come very easily to you?
Oneiroid Psychosis: Leif: That's more Signal 12's domain.
Lars: The gear we have lends itself to techno very well. So it's pretty easy to want to write that style. So if we are coming up with new songs and it tends to become more dance, we usually make it into a Signal 12 song.
Chain D.L.K.: Does the fact of living in a very secluded place attribute to the cold atmosphere as opposed to if you lived in a large city where clubs and such are?
Oneiroid Psychosis: Leif: I very much prefer to be secluded and would be even more so if we could afford a house further out in the country. With each passing year I dislike the city more and more. There are too many people there. I can't find peace where there is an abundance of people. Clubs get too smoky and pretentious for me. I would rather surround myself with a select few friends, or be alone. So I guess I think the music would get even more cold and unsettling if I were living in an uncomfortable environment.
Lars: I think if we spent more time in clubs and such we could easily get caught up in what other people and bands were doing and may get distracted from our own direction. Living away from the city helps to keep me focused.
Chain D.L.K.: Who does the female vocals on "Disturbance"?
Oneiroid Psychosis: Lars: Cat Hall.
Chain D.L.K.: A lot of the lyrics seem to be very moribund to put it lightly. Does this come from fascination or from just pure emotion put to metaphor?
Oneiroid Psychosis: Leif: A bit of both. I think a common theme in our music and Paul's art is the mixture and confusion of psychological states and physical states. A person's physical appearance and environment is often a representation of where they are psychologically, and a person's psyche is generated in response to the physical world. They seem to blend into a single experience. Depression is like death for the spirit. It's worse than annihilation.
Chain D.L.K.: Tell us about how the album was conceived and put together as far as ideas.
Oneiroid Psychosis: Lars: The song "Winter Day" sparked the entire album. We were playing the PlayStation game "Nightmare Creatures" and got inspired by the atmosphere and mood. In the opening level there is a sign on one of the buildings that says winter day. This album was a turning point for me. I have learned so much over the years and gained more confidence in our abilities. So I knew with this album and the following albums that I wanted no outside influence. This idea inspired me a great deal and I wanted to pay close attention to detail. Especially since I knew we would have the time to do so. I think that is why it sounds so different from the others.
Leif: We normally have more music sequences stored on our computer than can feasibly fit on a CD. So we find a sketch of a song, which inspires us, or we come up with something new and just keep working on it until it's done. Then we do the same with another song. After several are done we start to think about how they will work together, and what styles or moods might round out the album. We've never made a concept album, but people make that assumption about most of our releases. We've talked about the idea though.
Chain D.L.K.: Are you shocked by the reaction that many people attribute to the group's music, or did you expect it would happen?
Oneiroid Psychosis: Leif: Ultimately we always create our music for ourselves, and we try not to expect any particular reaction from listeners. It's difficult and exhausting for an artist to try and stay on top of things. If you change too much the fans resent you, if you keep doing the same thing the fans get tired of you. As an artist and musician I can only do what I do, and hope that it will resonate with people.
Chain D.L.K.: How did you transcend from the early rock-influenced days of your musical beginning to the electronics of today?
Oneiroid Psychosis: Lars: I have never had a strong desire to write rock or metal music. Leif and I learned to play guitar first because it was the first instrument available to us. When different instruments became available I wanted to compose songs. I became very driven by composing rather than just learning and playing one instrument. Slower dark music just seemed to come naturally for me and electronic instruments give you a much broader range to work with. It all just fell into place. However, the drum programming on "Dreams" was heavily influenced by my interest in 70's rock. I was listening to a lot of old Aerosmith and Judas Priest when we were writing Dreams and I wanted to get away from the electronic drum sound for that album.
Leif: As a kid in the 70s I always loved science fiction and futuristic adventures. My older brothers were playing guitar in the hard rock and metal style, and naturally that was what I wanted to do too. So as a teen in the 80s I got my own guitar and practiced a lot – not just at learning other bands' riffs, but learning to write songs and make melodies work together. In the 80s there seemed to be a sort of revolution in the way music was made, with the affordability of 4-track tape recorders, drum machines, synths and samplers. When I started hearing music with a more electronic sound I fell in love with it and wanted to incorporate those sounds into what I was doing, because it brought to mind the sci-fi that I still get into. Then in college I was introduced to the music of Severed Heads, Skinny Puppy, The Residents and all kinds of crazy stuff, and the world forever changed.
Chain D.L.K.: Do any of your old projects like Ground Zero still exist? Are there any plans to reopen the bands someday?
Oneiroid Psychosis: Leif: We've talked about re-doing some of the Ground Zero songs as Signal 12, but there are no plans to bring the project back. Our brother Shawn was an important part of that, and he's not prepared to get into a band right now, and it wouldn't be right without him.
Chain D.L.K.: What are some of your other bands, Ascent, NoOne, in comparison to Oneiroid Psychosis?
Oneiroid Psychosis: Leif: I really enjoyed putting together the NoOne project. We had minimal equipment at the time, but a lot of freedom to experiment. I have many ideas for more material and I do intend to record and release another CD at some point. It would be great to re-release the first CD too, because people still ask us where they might find it.
Lars: Ascent is very emotional. It's the type of music that can be interpreted as extremely joyful or sad. Music is strange that way. Depending on our mood or our thoughts, it can bring pain or pleasure. Ascent is very much that way. It really draws you in.
Chain D.L.K.: What is an Oneiroid live show like, for those who are curious and need persuasion to come see the show?
Oneiroid Psychosis: Leif: Lars and I have always wanted to do shows with larger and more elaborate props and sets, but haven't had the time to put it all together. We try to throw new songs into the sets, or different versions of old songs. One of our favorite aspects of live shows is just meeting with people who are into the music and talking.
Lars: Soon we will be working with a good friend of ours in AZ. She will be setting up a show for us in a theater with some wonderful backdrops and atmosphere. I am really looking forward to that. I think an OP show should be experienced sitting down in a theater and not in a club.
Chain D.L.K.: Why the fascination with death and surgery?
Oneiroid Psychosis: Lars: It's like what I explained before with surgery. There is a contradiction with it that is very interesting. I also think that it's pretty natural to have a fascination with death. It is so unknown to us and is our final state of being. It's the only thing that is guaranteed to us. And it's natural for us to want answers to the unexplainable. That's why we all have so many beliefs on the subject.
Chain D.L.K.: Could you ever see Oneiroid catching on in the clubs or more on the goth scene than it already is?
Oneiroid Psychosis: Leif: I feel very skeptical about that. I see scenes as being very fickle. It's like fashion, with trends changing rapidly for no particular reason, often in questionable directions. Of course there are goth classics and industrial classics and so on, but things go in phases and I must admit I haven't been keeping up with what's going on in the scenes. If anything I'd speculate that we'd catch on more with the dark metal fans at this point.
Lars: Yes. It seems to me that metal is making some changes and is maturing on many levels broadening its range and fan base. Bands like Opeth prove that with every release. So I think with a more rock percussion sound rather than an electronic percussive sound, we wouldn't have much to play in clubs and may appeal more with dark metal fans. But in reality… I have no idea.
Chain D.L.K.: What do you make of the darker bands all going more towards a dance mode? Does this hurt it or add to it?
Oneiroid Psychosis: Leif: I think dark dance music can work, because frustrated energy often needs physical expression, and dancing is better than beating somebody up. To get really dark though, you need to slow things down and get subtler, and get into people's heads rather than their bodies.
Lars: Dance music can be very sexual and sexuality in music can be very powerful. It is easy to turn that mood dark or turn it into something goofy. Unfortunately I think most dance music is more of the latter. I would like to experiment with the darker dance music a little more.
Oneiroid Psychosis: Lars: It is possible and we have talked about it. But it is so difficult because of time and distance. I am sure her vocals will show up on a future OP track or two.
Leif: I've talked a couple times with Chris from I, Parasite (who tours with Shikhee as a member of Android Lust) about collaborating on a really heavy and noisy beat-driven thing, but as yet nothing has been produced.
Chain D.L.K.: Is the band's use of low-fi electronic pitches and sounds more to enhance the creeping mood of the music or is it from other reasons?
Oneiroid Psychosis: Leif: We really just listen for sounds or instruments that "sound" right. We scroll through dozens of synth patches while the sequence plays a measure or two in a loop, and we'll pick the closest one and modify it into what we want.
Lars: Sometimes a sound can trigger an entire song. The sound itself can create the mood of the song and lead it into it's own direction.
Chain D.L.K.: What would be your favorite Oneiroid track and/or album to date?
Oneiroid Psychosis: Lars: For me it would probably be "Disturbance" from Dreams. I like that one because it has so many elements in it that I have always wanted to do. The layered vocals, symphonic instruments mixed with synths and the trippy hypnotic climax. I am very happy with how Dreams turned out over all.
Leif: I'm most happy in general with Dreams, the latest release. We got into some noisier stuff on Fantasies About Illness, which I really enjoy doing, and I hope to wander in that direction again. A favorite song of mine would be Apostasy, particularly Chris Peterson's remix of it. I really like what he did with the rhythm, and the lyrics summarized my beliefs at the time.
Chain D.L.K.: I notice in the list of bands you listen to there is a lot of IDM. Is this something that may mix into your music someday? Mixing your current style with an Autechre style would be very unique to see to say the least!
Oneiroid Psychosis: Leif: I haven't updated my side of that list for quite awhile, and lately I've been very into drum-n-bass like Squarepusher and We. I don't really know how we'd pull off a mix of IDM and OP. But we never know what the next album will sound like until we start creating it.
Chain D.L.K.: Would you ever do a soundtrack for a movie or a videogame like a new Castlevania game?
Oneiroid Psychosis: Leif: I've loved Castlevania since the first game came out on the 8-bit Nintendo. Ever since then I've wanted to do a videogame soundtrack, but it's a really tough industry to break into. Game makers already have their sound guys and musicians, and it's complicated to bring another party into it, as far as permissions and copyrights etc. We did however get a Signal 12 track on an Electronic Arts game called Road Rash: Jailbreak.
Lars: I would love to do a sound track for a movie or a good video game. I wouldn't want to do it for a living though. That could get difficult due to the demands on you. But now and again would be great.
Oneiroid Psychosis: Lars: What is the main element in music that really draws you in? Is it harmony, melody, rhythm, lyrics or a combination of those?
Chain D.L.K.: Hmmmmmmm, I try to listen to it as one whole package. Lyrics to me can captivate me where the music fails at times, such as latter Leonard Cohen. But overall I try to listen to a combination of all of those, looking at each part piece by piece, since they all fail without one another.


The lovely people at Penguin were kind enough to send me a copy of this book in exchange for an honest review. I was not expecting this book, and was very delighted upon its arrival to jump straight in. MY SISTER'S BONES is a tense, dream-like read that will keep you gripped from the start. The narrative is really complex and it will definitely keep you guessing all the way to the end – it's really well thought out, and there are a lot of twists as the story unfolds.
Ellwood has split the book into different parts, the first of which is told from Kate Rafter's point of view. I thought she was a really interesting character to get to know, and for me she worked well as a narrator. Telling the story from Kate's point of view, especially as the narrative splits between the present and the past, is a solid choice by Ellwood as it leaves you with lots of questions. It is interesting and disturbing to watch events unfold on the page. The second and third parts of the novel are brilliantly crafted, and I liked the fact that Ellwood switches the narrative point of view in the different parts as I think it really added to the story.
Talking about the plot is tricky because I don't want to give anything away – MY SISTER'S BONES is, in my opinion, best read without knowing too much about it – but at the same time I don't want to leave it unremarked upon. Ellwood crafts a compelling story, and I needed to know what was going on. There is a lot going on in this book, and yet it is told as a brilliant cohesive story that just seems to flow before you.
If you're looking for a psychological thriller that covers hard topics, that has compelling storytelling, is hard hitting, and an intense read then this is a book you should check out. You should also check this book out if you are interested in journalism – storytelling is a huge theme in this book, and I think Ellwood does the subject justice. MY SISTER'S BONES is a strong debut, and I look forward to seeing what Ellwood does in the future.


Forget the Paris agreement. The real solution to climate change is in the U.S. tax code.
When President Trump made a speech a few weeks ago to kick off his push for an overhaul of the tax code, he chose a telling backdrop: An oil refinery in North Dakota, a state that over the past decade exploded from backwater to boom town thanks to a massive spike in oil production.
"I want all of America to be inspired by what's happened in North Dakota and the North Dakota example," Trump said. Standing with him on the podium was Harold Hamm, the North Dakota oil billionaire who has helped shape Trump's views on energy. So when Trump said he wanted to "restore America's competitive edge by passing tax cuts," he seemed to have at least one particular industry in mind: oil.
When the Republican tax plan came out last week, it was short on details, leaving much of the nitty-gritty for Congress to hash out. It limits some benefits that oil companies traditionally rely on, such as deductions for interest payments that make it easier to raise money for expensive infrastructure like pipelines.
But the oil industry is still calling it a win, citing proposals that would make it easier for oil companies to recover their investments in exploration and to shield profits earned from drilling overseas, in addition to lowering the corporate tax rate to 20 percent.
The tax blueprint also expands Trump's reversal of Obama-era climate measures.
In 2009, President Barack Obama joined other Group of 20 leaders in a pledge to eventually phase out fossil fuel subsidies.
The GOP tax plan gives little indication of keeping that commitment — and that could have significant implications for U.S. oil production and the climate.
Already, the U.S. oil industry benefits from a dozen specialized subsidies adding up to about $4.6 billion per year, according to a 2015 review by the Obama administration. Among other things, the subsidies reduce the costs of labor and equipment involved in drilling — and shield some of the profits earned on the oil itself.
Those tax breaks and other subsidies don't just help the industry a little bit. In many cases, they determine whether it's even worth drilling in the first place, according to a study earlier this year from the Stockholm Environment Institute, a nonprofit research organization.
Without federal and state subsidies, nearly half of U.S. oil production — about 45 percent — would be unprofitable at current prices, the researchers found.
So, unless oil prices go rocketing up, reducing or eliminating those subsidies would likely lead to a significant reduction in oil production over time.
In other words, tax reform can help fight climate change — just not the kind of tax reform Trump and Republicans are proposing.
In a new study Monday in Nature Energy, SEI researchers looked at newly discovered U.S. oil fields that have not yet been put into production — all 800 of them.
The researchers found that about half of these undeveloped fields would never go into production, (assuming an oil price of $50 per barrel, close to where it is today) — if oil company tax breaks are taken out of the picture. The study is based on the current range of subsidies and doesn't account for changes that could result from the new GOP plan.
But if the range of subsidies offered today remain, those new wells could produce up to 17 billion barrels over the next few decades, SEI found, which in turn would produce around six gigatons of carbon dioxide.
To meet the goal set out under the Paris climate agreement to keep warming "well below 2 degrees C above pre-industrial levels," the United States can emit no more than 30 to 45 gigatons of CO2 between now and 2050.
So the oil produced as a result of subsidies could eat up 13 to 20 percent of the U.S. "carbon budget" — not that Trump, who pulled out of the climate agreement in June, seems intent on meeting the Paris targets.
"It's very much underappreciated how these subsidies ultimately tilt the balance to increasing oil production and increasing CO2 emissions," Peter Erickson, the study's lead author, said in an interview.
The study found that if the price of oil were to climb above $70 per barrel, subsidies would have less impact on production because revenue would be high enough to justify drilling. But in that case, the subsidies just become an additional source of profit for oil companies — possibly not the best use of taxpayer dollars given that the tax plan could cost $2.2 trillion by 2027, according to the Committee for a Responsible Federal Budget, a watchdog group.
"These subsidies are really a lose-lose," Erickson said.
The Republican tax proposal offers a vague promise to "modernize" tax rules that apply only to specific industries, presumably including oil.
But if the president's enthusiasm for oil drilling in North Dakota is any indication, that reform seems unlikely to proceed in a way that will reduce the nation's future carbon footprint.


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Health - VOA
St. Lucia Quarantines Cruise Ship Over Measles Case
Category: Health - VOA
Content by: Voice of America
The Caribbean nation of St. Lucia has imposed a quarantine on a visiting cruise ship, barring any passengers or crew from leaving the boat while in port, after a case of measles was diagnosed on board, the island's chief medical officer said.
Dr. Merlene Frederick-James said in a video statement posted to YouTube Tuesday that the St. Lucia Ministry of Health ordered the restriction after conferring with the Pan American Health Organization and others about the risk of exposure to islanders.
The ministry learned of the confirmed measles case from "two reputable sources," and in light of current measles outbreaks in the United States and the highly infectious nature of the disease "we thought it prudent that we quarantine the ship," Frederick-James said.
She gave no information about the ship or its origins.
Church of Scientology
NBC News, citing a St. Lucia Coast Guard sergeant, reported the boat in question is named Freewinds, which is the name of a 440-foot vessel owned and operated by the Church of Scientology.
The international vessel-monitoring website MarineTraffic.com also showed that a Panamanian-flagged passenger ship identified as SMV Freewinds docked in port near the St. Lucia capital of Castries. The website indicated the ship was headed next to the island of Dominica.
The Church of Scientology website describes the Freewinds as a floating "religious retreat ministering the most advanced level of spiritual counseling in the Scientology religion." It says its homeport is Curacao.
Church officials did not immediately respond to efforts by Reuters seeking comment on the situation.
NBC News reported that nearly 300 passengers and crew were aboard the vessel, with one female crew member diagnosed with measles.
Measles resurgence
The cruise ship quarantine comes as the number of measles cases in the United States has reached a 25-year peak with more than 700 people diagnosed as of this week, part of an international resurgence in the disease.
Public health officials blame declining vaccination rates in some communities driven by misinformation about inoculation that has left those populations vulnerable to rapid spread of infection among those with no immunity to the virus.
Health authorities in Los Angeles last month ordered quarantines on two university campuses after each one had reported at least one confirmed case.
The vast majority of U.S. cases have occurred in children who have not received the three-way vaccines against measles, mumps and rubella (MMR), which confers immunity to the disease, officials said.
Measles is spread through casual contact with the virus, which can remain infectious in the air of an enclosed space for up to two hours after it is breathed out by someone carrying the disease.
The rate of transmission from an infected person to another person nearby who lacks immunity is about 90 percent, and an infected person can be contagious for four days before showing signs of the disease.
All Regions - VOA
'You Can Create Your Own Story': Skirting the Skirt-chasers in Mainstream ...
Suicide Blast in Pakistan Kills Key Provincial Police Officer, Guards
IS Militants Evacuate Last Stronghold in Syria to Government
Economy - VOA
Appeals Court Asked to Pause Antitrust Ruling Against Qualcomm
Peruvian President Rejects Call to Cancel Copper Mining Project Permit Amid Protests
Power Blackouts Force Zimbabweans to Work Graveyard Shift
Arts & Entertainment - VOA
Luke Combs Adds Grand Ole Opry Member to List of Accolades
Internet a Lifeline for Venezuela's Embattled Independent Media


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