Christian bishops and priests arrived at a doctrinal compromise which became known as 'The Nicene Creed'. This was the foundation for understanding who Jesus was, set the foundations for Church rules, and the agreed Canons became reference points on which all future Christian laws were modelled.
Constantine the Great (Latin: Flavius Valerius Aurelius Constantinus Augustus; Greek: Κωνσταντῖνος ὁ Μέγας; also known as Constantine I was a Roman Emperor of Illyrian origin from 306 to 337 AD.
Constantine was a devotee of Mithras (or Sol Invictus), the unconquered Sun God.
However before the Milvian Bridge battle he and his army saw a [Christian] cross of light in the sky above the sun with words in Greek that are generally translated into Latin as In hoc signo vinces ('In this sign conquer').
Even after this divine intervention, Constantine remained a pagan throughout his life. He refused to fully embrace Christianity. Instead, he continued in his pagan beliefs and practices. As Rome expanded, Constantine promoted a mixture of Christian values and paganism - the "Christianization" of pagan beliefs.
For the first time, pagan beliefs were given new 'Christian identities' and duly accepted by the Church.
According to historians, it is likely that Constantine remained a pagan God worshipper throughout his reign up until his death when he asked to be baptized as he lay on his death bed.
It is known Jesus was a Jew who held a strictly monotheist view of God.
The Orthodox Jewish view of God put Jews in direct conflict with the Roman pagans who worshipped a pantheon of Gods, and even later Christians, who believed Jesus was equal or very close to the Father.
For young militants like Athanasius, Judaism was an offensive, anti-Christian faith.
Constantine was more concerned with unity than religious truth.
The Roman Empire was showing signs of weakening, fragmenting and division. Constantine saw Christianity as the religion that could unite it. He wanted the great rift between the influential Alexander of Alexandria and Eastern Christianity to be healed.
The 'Arian Controversy' - Was Jesus of the exact same substance as God the Father, or of a similar substance.
The Nicaea Council was called by Constantine at Nicaea (now known as İznik, in modern-day Turkey) in the early summer of 325 AD. It was the first ever worldwide gathering of the Church and would act as the format for future Councils.
Although 1800 Bishops are invited, between 250 to 318 attend.
Notable names attending include Eusebius of Nicomedia, Eusebius of Caesarea, Nicholas of Myra, Hilary of Poitiers, Jerome, Dionysius Exiguus, Rufinus and Athanasius of Alexandria.
How Many Bishops Attend Nicaea?
Arius was a parish priest in Alexandria. He studied under Lucian of Antioch, founder of school of Antioch.
Eusebius was a Greek historian of Christianity, exegete and Christian polemicist. Eusebius led approximately 200 Bishops at Nicaea and clearly held the block vote at the council.
Jesus was made of the same substance, of one nature, or consubstantial (Homoousios) with the Father.
Jesus is made of an entirely different substance of essence (Heteros) to the Father. Jesus was made out of nothing.
Jesus was made by the Father from a similar substance (Homoi ousios) to Himself.
Jesus is absolutely equal to the Father.
Jesus is not equal to the Father. Jesus is not the Father. He is subordinate to Him, but is above all the rest of creation. Jesus could be called 'Divine'.
Jesus always existed alongside the Father.
Jesus did not always exist. He was created by the Father.
Jesus is absolute God and must be worshipped just as the Father is worshipped.
Jesus must not be worshipped as the Father.
Bishop Hosius of Cordova was appointed by Constantine to be president of the Church Council. He was also the personal religious advisor to Constantine.
Being a Trinitarian Christian himself, Bishop Hosius was biased and favoured Athanasius as it legitimised his own arguments for Trinity in the Godhead.
Constantine was present as an observer, but he did not vote. Constantine organized the Council along the lines of the Roman Senate. Hosius presided over its deliberations.
The most influential person at the Nicene Council was Bishop Hosius.
Hosius presided over most of the Council sessions. He was the representative for the Pope (the Bishop of Rome) and the most trusted and influential advisor to Emperor Constantine. Hosius convinced Constantine to decide (against the large majority of bishops present) in favor of the Athanasius view - Jesus is equal to God.
With disagreements persisting, Constantine with Hosius' approval backed Athanasius.
It was forcefully put to the vast majority of bishops present: sign the Nicene Creed or be exiled and treated as heretics.. To no surprise, the majority of bishops fearing Constantine's threat voted overwhelmingly in favor of Athanasius (estimated at 316 votes to 2) and signed the Nicene Creed.
This established the Christian doctrine that Jesus was of the same nature and essence/substance as the Father.
It is agreed, Jesus and the Father are of the same substance (Homoousios) and co-eternal.
History teaches us that the majority of bishops' had insisted on a non-Trinitarian view of God. The severity of threats, determination and influence of Emperor Constantine eventually persuaded the bishops after months of stormy debates to vote in favour of the minority unfavoured view.
The decisions of Nicaea were really the work of a minority, and they were misunderstood and disliked by many [even those] who were not adherents of Arius. In particular the terms ['out of the substance' - exousia] and homoousios ['of the same substance'] aroused opposition, on the grounds that they were unscriptural, novel, ... and erroneous metaphysically.
'God from God, Light from Light, true God from true God' confirmed Jesus' absolute divinity. When all light sources were natural, the essence of light was considered to be identical regardless of its form.
'Begotten, not made' he always existed alongside the Father, and confirming it by stating his co-eternal role in Creation. Jesus was with God before the creation of the Heavens, Earth and mankind.
'From the substance of the Father' in opposition to Arianism.
The Nicaea Council set the template for future Christian councils which considered a Rome of influence.
Nicaea was the first ever worldwide gathering of the Church. It provided the 'template format' for all future Church Council gatherings with a Roman Emperor infuencing and steering the final decision.
Constantine orders all evidence relating to Nicaea Council and Arius' books and writings be destroyed.
Today, the majority of Christians believe Jesus Christ claimed to be a God, was always with the Father, and is equal to the Father.
What remains today are the biased Nicene accounts of the Athanasians, since Arian accounts, records and doctrinal evidences were destroyed on the orders of Constantine.
No historical record of the disagreements at Nicaea exist; the signatures of the opposing bishops are simply absent from the creed.
The number of Bishops who attended Nicaea is assumed to be 318, but this figure is disputed and unreliable as no official records exist to verify who actually attended and voted.
Constantine banished Arius, ordered the death penalty for those who did not conform, and commanded the burning of the books composed by Arius.


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: Jordan Schnitzer Museum of Art
Things To DoAttractionsArt Galleries & StudiosWhere to See Art in the Portland Region
Where to See Art in the Portland Region
Jon Bell, Author
What are the odds that you could walk onto a bustling urban college campus and stroll right into a brand-new art museum to take in the work of world-renowned artists for free? Actually pretty good, now that the Jordan Schnitzer Museum of Art at Portland State University is open.
Made possible in part thanks to a $5 million donation from Portland businessman and art aficionado Jordan Schnitzer, the new museum is in PSU's revamped and rechristened Fariborz Maseeh Hall. It occupies about 7,500 square feet across two floors. "I think Jordan really feels strongly that PSU needed a museum of art where people could come and view art and really have a relationship with it," says Linda Tesner, interim director for the museum. "It's just fantastic to have another art experience in downtown Portland that anyone can be a part of."
Jordan Schnitzer Museum of Art at Portland State University
At present, the museum's two tidy, contemporary floors have been sprinkled with 50 works from Schnitzer's extensive collection in an exhibit called "Art for All," which runs through Feb. 15, 2020. Curated by Tesner, the 50-piece exhibit spotlights a collection that is as diverse in its mediums as it is in the artists behind the works. There are prints, paintings, etchings, photographs, sculptures and more, largely from artists of color.
Among the exhibit's standout pieces are Enrique Chagoya's "Illegal Alien's Guide to Somewhere Over the Rainbow," a provocative map touching on the immigration experience, and Jun Kaneko's "Untitled, Heads," two cast-bronze heads that seemingly stare at each other in an endless standoff.
Jun Kaneko's "Untitled, Heads"
"The 'Art for All' theme was basically an attempt to think about a range of works that might resonate with any person who might come into the museum," Tesner says, adding that "Art for All" also serves as a motto for the new museum. Two more exhibits planned for March 15 through May 16, 2020 will divide the space once "Art for All" ends in mid-February. Upstairs will be a showing of the work of Arvie Smith, an African American painter whose work takes on racism and social justice, while the main floor will be home to artist Daniel Duford's "John Brown's Vision on the Scaffold."
The museum is the third to bear Schnitzer's name; you can also visit the Jordan Schnitzer Museum of Art at the University of Oregon in Eugene and another in Washington state. Tesner says the PSU museum is already quite popular. "Students come and go constantly, so people are regularly stopping in," she says. "It's clear the community is embracing it very warmly." The PSU museum is open and free to the public Tuesday through Saturday, accessible via bus or light rail.
Lake Oswego Gallery Without Walls (Photo by: oregonmthoodterritory.com)
Here's where to find more art throughout the Portland Region:
The grand dame of the Rose City art scene, the Portland Art Museum has a collection that tops 50,000 objects, including American, Asian and European art. PAM's exhibits span the spectrum and often highlight the work of diverse artists. One current example, "Hank Willis Thomas: All Things Being Equal," is a retrospective of the young black artist's work confronting racism, violence and injustice. It runs through Jan. 12, 2020. Disjecta Contemporary Art Center, located in a former bowling alley, has become a Portland favorite since its founding in 2000. The nonprofit offers a curator-in-residence program, as well as rotating exhibits, student showings and the Portland Biennial, a survey of Oregon artists defining the contemporary art scene. While the Oregon Jewish Museum and Center for Holocaust Education may not be the first place that comes to mind when thinking about art, it's actually home to an extensive collection of paintings, sculptures, photographs and books. The museum almost always has an art exhibit as part of its rotating roster, as well.
The Arts Council of Lake Oswego has become well known for its "Gallery Without Walls," an outdoor sculpture exhibit that includes 80 works on display throughout this Portland suburb. Grab a map and stroll through downtown Lake Oswego and beyond to take it in.
Portland's westside neighbor has a vibrant art scene thanks to galleries like Art On Broadway and the Beaverton Arts Foundation, which helps support local artists. What's more, the foundation has spearheaded a successful effort to make the Patricia Reser Center for the Arts a future reality.
This city's art committee makes art a big part of town with its "Murals in Milwaukie" program, the sculpture garden at City Hall and the monthly artists series it stages at City Hall, which includes special receptions during the city's First Friday events.
Oregon's fourth-largest city celebrates the arts every summer with its annual Gresham Arts Festival, which brings together more than 150 artists along the historic downtown streets.
Jon Bell
Jon Bell is an Oregon writer and author of the book, On Mount Hood: A Biography of Oregon's Perilous Peak. He writes about the outdoors, travel, business, the environment and many other areas from his home in Lake Oswego, where he lives with his wife, two children and black Lab.
Artists Transform Portland's Blank Walls
What sets Forest for the Trees apart from Portland's other public art is a grassroots ethos and an emphasis on contemporary work rather than community- or historic-based subject matter. The festival stands out as a... More
JD Shadel
Portland Celebrates the Arts
It's a great time to explore the arts in Portland with annual festivals celebrating music, film and live performances of all stripes. More
Eileen Garvin
A Night Out, Portland Style
With a reputation for its creativity, enviable lifestyle and casual atmosphere, it's no surprise Portland offers an equally laid-back nightlife scene. More
Margaret Everton, Guest Author

redpajama_set_name: RedPajamaCommonCrawl


Technical support:watercolor on cardboard. Made with the "frost technique" to obtain the ice effect in some areas of the pictorial surface, this technique consisted in placing the still fresh painting in the actual cold and then working it afterwards. This effect was created by the painter Pancaldi towards the early Sixties and refined throughout his career up to the extraordinary results of the paintings of the 80s and 90s.
Surface medium and painting:watercolor painted with "Ice technique" that was invented by Pancaldi to get the effect on the surface painting, this technique consists of literally freezing fresh painting and subsequently work on it again. He used this technique starting from the early 60's and kept working on it for his life until the extraordinary results of the 80's and 90's ice paintings.
School English Early Xixth S.dessin. View Of The Castle Of Windsor.


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Q: write permission I'm trying to solve a problem about write permission.
I have the user mamuth in the group www-data, i used the command:
adduser mamuth www-data

Running:
cat /etc/group | grep mamuth

Results with:
adm:x:4:syslog,mamuth
cdrom:x:24:mamuth
sudo:x:27:mamuth
dip:x:30:mamuth
www-data:x:33:mamuth
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mamuth:x:1000:
lpadmin:x:114:mamuth
sambashare:x:115:mamuth

So now when i check the /var right permission i have the following result:
drwxrwxr-x  5 www-data www-data 4096 Feb 20 15:20 www

I used the command to be sure to have right permission to write everything as mamuth (fed up to use sudo emacs to write in file):
sudo chown -R www-data:www-data /var/www/
sudo chmod -R g+w /var/www/

I don't know what's wrong while I still don't have permission as for example in /var/www/ i'm tryng to use as mamuth user the command:
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and typing some text
emacs display the message:
Buffer is read-only:  #<buffer toto>

redpajama_set_name: RedPajamaStackExchange


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La Fundación GoodPlanet es una organización no gubernamental fundada por Yann Arthus-Bertrand en 2005, el apoyo al ecologismo y el desarrollo sostenible.

Actividades
La Fundación GoodPlanet se dedica principalmente a la distribución de documentos pedagógicos y la organización de eventos para crear conciencia sobre la importancia del desarrollo sostenible (por ejemplo, la película de festival de ecología GoodPlanet en Río, la exposición 6 millardos de otros (6 mil millones de otros, ahora ya con el nombre de 7 mil millones), conferencias, eventos para empresas).

Crea pósters para instituciones educativas sobre temas como el desarrollo sostenible, la biodiversidad y bosques.

Coordina sus acciones en los sitios actioncarbone.org. y goodplanet.info.

Financia proyectos escolares y proyectos de conservación de medio ambiente.

En 2009, el alcalde de Burdeos, Alain Juppé, fue elegido vicepresidente.

En 2014 se presentó la exposición "Catalunya des del Cel" con el apoyo de la Generalidad de Cataluña.

En 2015 se encargó de la distribución de la película Human.

Notas

Enlaces externos
Fundación GoodPlanet

Fundaciones de Francia

redpajama_set_name: RedPajamaWikipedia


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Trader's Cafe with Zak Mir: SYME, WSG, BRH, PXEN & HZM via Vox Markets
Abm August 13, 2021
Chunky percentage gains for much followed small-cap stocks can very often be as much a factor of those short of the shares panicking to cover their positions, as bulls buying into the situation.
By Zak Mir
This is what we may have been witnessing at inventory monetisation group Supply@Me Capital (SYME). The company may have underpinned the latest spike in its stock by announcing the appointment of of Dr Thomas James and Mr John Collis to the Board of the Company as Executive Directors. All of this comes after the recent completion of the acquisition of TradeFlow Capital Management, and the Company's 2020 Annual General Meeting at the end of last month.
Technology-based security solutions company, Westminster Group (WSG), announced its unaudited interim results for the six months ended 30 June 2021. Here the company has scored two significant managed services contracts in Africa, as well as security contracts for the Palace of Westminster and Tower of London, and developing a new Covid-19 testing programme initiative in partnership with Certific. Group revenues up 16% from H2 2020 to £3.5m (H1 2020: £7.0m, H2 2020: £3.0m). Gross margin increased to 45% (H1 & H2 2020: 40%) and the company says it is now effectively debt free with a £3.1m cash balance.
International natural resources project developer, Oracle Power (ORCP) continues to progress its Australian activities near to a world famous prospective mining zone. It said that the Department of Mines, Industry Regulation and Safety – Western Australia, has approved the Company's Programme of Work for the Northern Zone Gold Project, located 25km east of Kalgoorlie in Western Australia. According to Oracle the objective of the first phase of the PoW is to complete seven Reverse Circulation drillholes up to 260 metres deep, for a total of ~1,500 metres, specifically targeting gold mineralisation within a series of stacked porphyry intrusions.
There are placings that are expected, and those that are not. In the case of Braveheart Investment Group (BRH), the latest at 18p, raising gross proceeds of £2,5m may not have caught many of guard as the stock has fallen from 40p plus over the past few weeks. At least the management have led from the front with CEO Trevor Brown, directly or indirectly subscribing for 8m shares. The company said it intends to use the net proceeds of the placing to enable it to accelerate the development of Paraytec's Covid testing instrument by taking direct control of the final design and engineering packages.
It may be argued that since the pandemic began relations between some shareholders and their board have not been quite as harmonious as they were perhaps before. Prospex Energy (PXEN) announced that it has received a letter from a group of shareholders requesting a GM. The Requisition proposes that shareholders be asked to consider resolutions related to changes to the Board, including the removal of existing and proposed Directors and the appointment of new Directors, and share authorities. It will be interesting to see how this situation pans out given that Prospex has said that on the basis of legal advice, this is not a valid request under section 303 of the Companies Act 2006 as the documentation received is not valid. Therefore, the Board is not obliged to call the GM.
Nickel development company focused on Brazil, Horizonte Minerals (HZM), published its unaudited financial results for the six month period to 30 June 2021. The company said project financing of Araguaia is nearing completion with credit approval process underway following completion of due diligence by the International Lenders. In addition, a Senior Debt Facility is expected to benefit from significant Export Credit Agency Support. A Cornerstone strategic investor and final offtake agreements are well advanced and expected to be finalised shortly after credit approvals. To cap it all, Horizonte had a cash position of £22.2m following completion of an £18m equity fundraise in February 2021, suggesting it has plenty in the coffers to take its programme forward.
Disclaimer & Declaration of Interest
The information, investment views and recommendations in this article are provided for general information purposes only. Nothing in this article should be construed as a solicitation to buy or sell any financial product relating to any companies under discussion or to engage in or refrain from doing so or engaging in any other transaction. Any opinions or comments are made to the best of the knowledge and belief of the writer but no responsibility is accepted for actions based on such opinions or comments. Vox Markets may receive payment from companies mentioned for enhanced profiling or publication presence. The writer may or may not hold investments in the companies under discussion.
Tags: Braveheart, BRH, Horizonte, HZM, Oracle Power, Prospex, PXEN, Supply@Me Capital, SYME, Westminster Group, WSG
Oracle Power PLC (ORCP.L) Drilling Programme Approved: Northern Zone Project
Prospex Energy PLC (PXEN.L) Requisition to Convene a General Meeting & Podcast Update


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text:
Visit The Realist Guide's YouTube channel!
The Realist Guide to Religion and Science
The Realist Guide to Religion and ScienceThe Realist Guide to Religion and ScienceThe Realist Guide to Religion and Science
Readable, engaging, enlightening, Realist
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Note on the Foreword
Fr. Robinson would like to express his profound gratitude to Rev. Dr. Paul Haffner for publishing The Realist Guide to Religion and Science through Gracewing Publishers, of which he is the theological and editorial director. Fr. Robinson is also grateful to Father Haffner for writing the foreword to his book. Father Haffner, in addition to being a professor at the Gregorian University in Rome for the past 30 years, is a specialist on the work of the late Father Stanley Jaki and The Realist Guide attempts to provide a philosophical backbone to the thesis of Fr. Jaki's Gifford Lectures of 1974–1975 and 1975–1976 (published as The Road of Science and the Ways to God). Thus, it was most appropriate for Father Haffner to compose the foreword for The Realist Guide, and Fr. Robinson is pleased of Fr. Haffner's approval of his attempt to popularize Fr. Jaki's work.
In the foreword, Fr. Haffner makes reference to the support of the Conciliar Popes for realism. He assigns to Pope Paul VI and Pope John Paul II the titles of 'Blessed' and 'Saint' respectively in the first version of the foreword. Fr. Robinson adheres to the position of the Society of St. Pius X (SSPX) on the doubtful nature of the canonizations, because of the many changes in the canonization process. In addition, he had particular concerns about the canonization of Pope John Paul II which he expressed in his Nov./Dec. 2013 Angelus article 'The Difference between a "Saint" and a "Saint"'.
Thus, the appearance of 'Blessed' and 'Saint' beside Paul VI and John Paul II in the first version of the foreword of The Realist Guide should in no way be construed as an acceptance by Fr. Robinson of the modern canonizations or a deviation from his publicly expressed opinions on that subject or the position of the SSPX. Nor should the foreword be construed as implying that Fr. Robinson believes that the Conciliar Popes have been realist in their philosophical outlook.
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Copyright © 2022 The Realist Guide to Religion and Science - All Rights Reserved.


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Q: Как подружить Python и C++ | Python to bin/exe Здравствуйте еще раз.
Стоит задача переписать существующие классы/структуры данных в Python на C.
Слабо пока себе представляю, как это должно работать, но задача поставлена, необходимо изучить. Подскажите пожалуйста, как сие должно выглядеть? Желательно реальный опыт ибо ссылки не всегда спасают. А главное, насколько это ускорит выполнение программного кода?
Альтернативой данному виду маразма своих начальников вижу компиляцию Python в исполняемое приложение (linux-binary, windows-exe). Что думаете по этому вопросу?
A: Если стоит задача ускорить исполнение, то можно выявить узкие места профайлером и переписать эти места с помощью C extensions, получится, что будет работать тот же код, но быстрее. Подробнее тут Extending Python with C or C++
A: Классическая компиляция в исполнимый бинарник мало поможет, так как там просто берут и вклеивают интерпретатор.
Но есть такая приблуда - PyPy. Умеет компилировать в С код. Поэтому, генерим С код, смотрим на производительность, потом пробуем дошлифовывать профайлером.
Но есть ещё один путь. В питоне, что бы получить хорошую производительность в большинстве случаев достаточно побольше использовать стандартные либы, а не пытаться переписать стандартные алгоритмы на питоне ручками. Может производительности и хватит.
A: Смотрите в сторону Cython.

A: cython решение вашей проблемы.
Универсальное и исчерпывающее. )


Very much depends on driving conditions. Peering into the traffic flow, we can easily see it as a potential "clients" substituted – "Headless Horseman", blithely leaping out of the series in a row. Favorite cars – recent Group of Eight "-" dozens "and relatively inexpensive foreign cars – that is, car users, on representation of crooks, is sufficient to ensure to pay on the spot, but not enough to cool for to them "understand". But best of all, in the opinion substituted on the role of "sponsor" fit the typical representative of the middle class – a law-abiding, modest, and the money a successful clerk. His shows clothes – Corporate, standard and accurate.
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The Reckoning
Author: John Grisham
Narrator: Michael Beck
Unabridged: 17 hr 36 min
Genre: Fiction - Suspense
#1 bestselling author John Grisham's The Reckoning is his most powerful, surprising, and suspenseful thriller yet.
"John Grisham is not only the master of suspense but also an acute observer of the human condition. And these remarkable skills converge in The Reckoning—an original, gripping, penetrating novel that may be his greatest work yet."
—David Grann, New York Times bestselling author of Killers of the Flower Moon
October 1946, Clanton, Mississippi
Pete Banning was Clanton, Mississippi's favorite son—a decorated World War II hero, the patriarch of a prominent family, a farmer, father, neighbor, and a faithful member of the Methodist church. Then one cool October morning he rose early, drove into town, walked into the church, and calmly shot and killed his pastor and friend, the Reverend Dexter Bell. As if the murder weren't shocking enough, it was even more baffling that Pete's only statement about it—to the sheriff, to his lawyers, to the judge, to the jury, and to his family—was: "I have nothing to say." He was not afraid of death and was willing to take his motive to the grave.
In a major novel unlike anything he has written before, John Grisham takes us on an incredible journey, from the Jim Crow South to the jungles of the Philippines during World War II; from an insane asylum filled with secrets to the Clanton courtroom where Pete's defense attorney tries desperately to save him.
Reminiscent of the finest tradition of Southern Gothic storytelling, The Reckoning would not be complete without Grisham's signature layers of legal suspense, and he delivers on every page.
James Patterson raises the stakes to their highest level, ever-when Alex Cross becomes the obsession of a genius of menace set on proving that he is the greatest mind in the history of crime. Detective Alex Cross is a family man at heart--nothing m...
Narrator: Michael Boatman
The 5th Horseman
It is a wild race against time as Lieutenant Lindsay Boxer and the newest member of the Women's Murder Club, attorney Yuki Castellano, lead an investigation into a string of mysterious patient deaths--and reveal a hospital administration determined...
Narrator: Carolyn McCormick
Two Kinds of Truth
by Michael Connelly
Harry Bosch searches for the truth in the new thriller from #1 NYT bestselling author Michael ConnellyAn NPR Best Book of 2017A Times Critics' Top Book of 2017 A Barnes & Noble Best Book of 2017A South Florida Sun-Sentinel Best Mystery of 2017An Am...
Narrator: Titus Welliver
A spellbinding amalgam of murder mystery, family saga, love story, and financial intrigue.It's about the disappearance forty years ago of Harriet Vanger, a young scion of one of the wealthiest families in Sweden . . . and about her octogenaria...
Narrator: Simon Vance,Reg Keeland
by Lincoln Child
Yesterday, Special Agent Pendergast still mourned the loss of his beloved wife, Helen, who died in a tragic accident in Africa twelve years ago.Today, he discovers she was murdered.Tomorrow, he will learn her most guarded secrets, leaving him to wo...
Narrator: Rene Auberjonois
by James Lee Burke
INCLUDES AN EXCLUSIVE INTERVIEW WITH JAMES LEE BURKE!New York Times bestseller James Lee Burke returns with his latest masterpiece, the story of a father and son separated by war and circumstance—and whose encounter with the legendary Holy Gra...
Narrator: Will Patton
Recurring characters Oliver Stone and his Camel Club are back to save the life of beautiful con-artist, to implicate shady casino king, and to solve a string of murders of Washington D.C. political staffers.
Narrator: Ron McLarty
#1 NEW YORK TIMES BESTSELLER#1 USA TODAY BESTSELLERNotable Book of 2016 --Washington Post10 Favorite Books of 2016 -- Colette Bancroft, Tampa Bay Times10 Best Mysteries of 2016 -- Adam Woog, Seattle TimesDetective Harry Bosch must track down someon...
by John Sandford
Bonnie and Clyde, they thought. And what's-his-name, the sidekick. Three teenagers with dead-end lives, and chips on their shoulders, and guns.The first person they killed was a highway patrolman. The second was a woman during a robbery. Then,...
Narrator: Eric Conger
John Ray Grisham, Jr. was born in Jonesboro, Arkansas on February 8, 1955. Grisham graduated from Mississippi State University and later from the University of Mississippi School of Law in 1981. He was a practicing criminal attorney for over ten years and then served in the House of Representatives from 1984 to 1990. He published his first novel in 1989 after working on it for five years. 'A Time to Kill', his first novel, launched his new career and was later made into a major motion picture. His first bestseller, 'The Firm', released in 1991, sold over seven million copies and was made into a box office hit starring Tom Cruise two years later. Almost twenty years later in 2012, a TV series was launched and picks up the life of Mitch McDeere and his family ten years after the events of the novel.
John Grisham has had his novels translated into more than forty languages and has sold nearly 300 million copies worldwide. He is a winner of the prestigious Galaxy British Book Award and is one of only three authors (the other two being Tom Clancy and J.K. Rowling) to ever sell two million copies of a first published novel. Nine of his novels (including 'The Firm and 'A Time to Kill' have been made into major motion pictures.
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My nephew excitedly pulled out his awards that he earned during this grading period. He was so excited that he earned them…yet still not satisfied.
I took this moment to ask him a few questions.
1. Does the award matter?
2. Do you do well in school because of the award?
3. You haven't won any awards for your art but you do it. What's the difference?
Now, I'm definitely not talking against his school or any others for giving awards. Kids do love them and for some, that may be the only pat on the back that they get…which is sad.
However, as Braeden justified his differences in awards, I immediately thought about one particular facet of learning that we want kids to have…growth mindset which is clearly evident in the learning related to his passion.
It's amazing how the awards of Braeden's "required" learning differs from his passion.
Somehow, we need to find the inner area of where those two circles intersect.
Sadly, I thought the exact same thing he did when they held the ribbon up in the assembly.


Police have established a dedicated armed robbery team at Winchester Police Station following a spate of armed robberies in recent months.
ACT Criminal Investigations have created the team which will be led by Detective Sergeant John Giles and has been tasked with investigating current and historical armed robberies.
A spokesperson for ACT Policing said the establishment of the armed robbery team comes because the number of robberies has increased.
However, the spokesperson said that the team involves no new funding and no new personnel. Instead, she said that a "select few Crime members" will be focusing on the investigations.
In the first 18 days of this month alone, there have already been police reports of aggravated robberies in Duffy, Pearce, Braddon and Florey, as well as an aggravated burglary in Braddon.
There was also an attempted aggravated robbery which left someone injured in Evatt and an attempted aggravated robbery of the IGA Supermarket in Isabella Plains which left a staff member injured.
Last month saw the armed robbery of the Raiders Belconnen Club in Holt as well as several aggravated robberies.
The decision to establish the team comes at the same time as news that a 24-year-old man alleged to have committed an aggravated robbery at the 5 Star Supermarket at Duffy shops on Friday, September 8 has been arrested in NSW.
The police report at the time said that the man entered the supermarket with a knife and demanded cash from a staff member. He then fled the supermarket with the till in a Mitsubishi Pajero Sport or Challenger.
Police state that items associated with the aggravated robbery were located in the man's possession when he was arrested by NSW Police.
The man is facing charges for similar offences in both NSW and Victoria.
ACT Policing is planning to seek extradition for the man to face the ACT Magistrates Court in relation to the aggravated robbery.
Police are urging anyone with information relating to the robbery to call Crimestoppers on 1800 333 000, or to contact them via the Crime Stoppers ACT website. Information can be reported anonymously.
Have you been concerned about the spate of recent robberies and other crimes? Does more need to be done about it? Let us know your thoughts in the comments below.


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Paul joined Clays in 2010 as Supply Chain Director, became Operations Director in 2012 and Managing Director in 2014.
Paul's background is in retail supply chain; he spent 20 years in John Lewis where he was instrumental in the launch of JohnLewis.com and the supply chain transformation project which delivered the Magna Park Milton Keynes Distribution and fulfilment sites. Shortly before joining Clays, Paul spent some time as Sales Consulting Director role in a retail and supply chain software house.
Andrew has been with Clays since joining as a graduate from the University of East Anglia in 2006. He started work as an Account Controller in the Customer Service team in Bungay, joining the London based Sales Team in 2009 as an Account Director.
In this role he provided strategic direction, operational support and creative solutions for our publishing clients, and worked on several industry-wide projects, including the inaugural World Book Night in 2012.
Andrew has recently become Customer Service Director.
Vicky's career has always involved customer service, client relations and sales. She has experience in a wide range of industries and has worked for major brands including Vodafone and TUI UK where creating strong relationships in order to understand customers demands and work out solutions to meet them was a number one priority.
Vicky joined Clays in 2007 and is currently Sales Director. Her focus has predominantly been with the Trade Publishers working with brands such as Hachette UK and HarperCollins.
Vicky works collaboratively with her publishers to understand their business and offer services to allow books to get to market in the most cost effective and efficient way. Alongside this, there is always a focus on service, creative solutions and author care.
As Sales Development Director, Andrew has responsibility for driving sales into the Academic, Professional and Education markets developing key accounts with major publishers such as Oxford University Press, Cambridge University Press and Pearson Education. In recent years, there has been significant growth in this market, built around Clays ability to deliver high quality products supported by outstanding service and innovative business solutions.
In addition to developing Clays' non-trade business, Andrew continues to work with a range of established UK trade publishers including Walker Books, Icon and Egmont.
Ian joined Clays 20 years ago. He has had the benefit of working in almost every department in the company, and brings to his role of Operations Director a real understanding of the fundamentals of the business, the making of books, and of what makes this happen.
The focus for Ian and the operational team at Clays is to deliver a continuously improving service offering to our customers, keeping pace with the fast-changing environment. Ian has extensive knowledge of the operation end to end and that combined with an open, approachable style and continuous improvement work ethic will continue to get the best results for Elcograf and its customers.
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Greg is a UEA graduate with a degree in American Literature and Creative Writing who joined Clays in 2016.
After working in the account control team looking after a wide variety of publishers, Greg moved across to the sales team to head up our indie publishing section.


Didn't get my progress posted on Wednesday so here it is as of this past Wednesday . Linen and Threads mystery band sampler. I'm going back and doing the 3rd section of each month.
Here is my progress as of Tuesday night....I'm a bit further as of today and hope to have it done this next week.
I'm not getting to stitch as much as I'd like so the pressure is on to get this finished but making some progress.
Progress on Rosewood Manor Old Glory. I'm half way on this piece...working on the top half.
A day late. I am away for a stitching retreats plan to make a lot of progress. Here are my 2 active wips.
since I've posted...time sure flies.
Left is my start on Linens & Threads mystery band sampler SAL using valdani collection for Rosewood Manors Autumn Quakers. On the right is my nearing the end Ink circles Tapestry.
The embroidery is done. Now on to assembly.


We all have things we think to be real or true—our relationships, our careers, whatever it may be that defines us. But what happens when our truth isn't quite as we thought it was or should be? What, then, is the truth? What is real?
I'm going out on a limb here and I will probably piss off some yogis and yoga teachers in the process, but I don't care. Got to speak my truth.
And I know, I've probably already lost about half of you already, but stick with me here. It will all make sense in a moment.
I left home in April 2012, and I have been touring the U.S. (soon Canada) ever since. Pretty much the only thing that's kept me somewhat grounded in this tour de force is my yoga practice. Not the sweating, twist-yourself-in-knots type of practice that many Americans consider yoga, but the breathing and simplicity of the practice. Sometimes I just stand in mountain pose so that I can truly feel my feet on the ground. Other times I roll out my mat and do what feels good. And still other times I go to a yoga class. That's where the truth starts to become fuzzy.
In every city I go to, I search for a yoga class that isn't hot or power or rock 'n roll or in a sling shot. I look for the studio that's been in town the longest or has a teacher older than 19. I've been to studios from Los Angeles to New York City and many places in-between including, in no particular order: Wisconsin, Michigan, Tennessee, Texas, Arkansas, Indiana, Vermont, Minnesota, and Nebraska. Some of the studios have been chains, others just small spaces.
I can say this for sure: yoga isn't what it used to be.
Everyone has a gimmick and everything is fast. Yup, that's right, fast. In all but a couple instances, the classes have been crammed with as many poses as the teacher can think up in an hour, regardless of whether he or she knows how to safely get students from one posture to the next. Music is usually blaring (not that I have anything against loud music, but sometimes it hinders the ability to quiet the mind). The students look like they are competing in a yoga fashion contest hosted by lululemon (sorry, it's true). Teachers talk incessantly even when they have nothing to say. Most classes have next to no warm-ups or cool-downs. They usually don't mention the breath or the mind. One had no savasana at all.
Here's the thing: this is what people want—or at least think—they want. This is how teachers are learning to practice and instruct.
It's a sad but honest reflection of our culture. As a society, we don't know how to slow down, yet we want to do things that are good for us—so we do yoga, even if we don't know what that is. We also teach yoga even if we don't know how or even have an inkling of an idea of the centuries old healing practice that we are passing down.
Let me back up here for a moment.
I opened my yoga studio nine years ago. At the time, I was pretty much the only Hatha studio around. Since then, there are now studios within ten minutes of mine in every direction. All but one offer strictly hot, power yoga classes. I'm not even counting the gyms and YMCAs which all also offer yoga. In order for all these studios and classes to serve all those students, there have to be enough teachers. So almost all studios now offer training courses, many of which are franchised or canned (but the students don't know this).
I am not saying these programs are bad or that all teachers don't know what they are doing. I am just trying to lay it all out there.
Teachers are being pumped out faster than you can say "Patanjali," and students are coming to classes in droves regardless of whether the class is good or bad. They hang on the teacher's every word even if the teacher has no idea what he is doing or saying. Students think that if they do enough chaturangas, they are doing yoga. Heck, they might even think that 20 chaturanga push-ups will quiet the mind. They probably don't know that stilling the mind and yoga are one and the same.
It's not just happening in studios. Look at yoga conferences and festivals.
Students flock to these big events where the classes are taught by those I now call "rock star" yoga teachers. These are teachers who have become famous in the yoga world and have large followings of students. Some of these teachers are actually very good at teaching yoga, but most are just overwhelmed with their own egos and the large base of students who seek them out in a convention center packed with 150 other adoring students. Most of these teachers are under 35 years old and many have been teaching this ancient healing art for less than eight years (that's my unscientific poll but I betcha I'm right on the money here). I'll admit, there was a time when I aspired to teach at these big conferences where people pay money to come to your classes or workshops even if the money goes to charity. It feeds the ego, no getting around it. But after witnessing what I have over the past year, I want none of this.
It all hit home in Austin, Texas.
Michelle, one of my closest friends, lives there. We did our yoga teacher training together at Maha Yoga Center with a gifted and wise teacher. For the past four years, Michelle has been whining about the yoga scene in Austin. I keep encouraging her to teach because, well, she's the real deal. She has tried but can't seem to find a studio to teach at—somewhere she can keep it real. She said all the studios are hot or power or fast or gimmicky. She said all the studio directors and teachers don't know a thing about anatomy and sure as heck can't teach a breathing technique.
I didn't believe her. I mean, really, Austin? It's a pretty progressive city with lots of yogis. Since I try to take a class in every city I visit, I was determined to hit a studio in Austin with my yogini friend Michelle. We picked a well-known studio. It looked hip and fun. Let's just stop there.
We walked into a noontime class and had to restrain ourselves from laughing out loud. The skinny teacher in perfect yoga clothes had us rolling on the floor, literally. We rolled and then jumped up. Rolled and jumped up. Rolled and jumped up. We did a few fast poses in-between the rolling and jumping and then she bid us adieu. No rest for the weary. No savasana.
"That wasn't even on the top five worst classes in Austin," said Michelle as we walked out. I raced back to my hotel to roll out my yoga mat. My nervous system was completely out of whack.
I know, I know, to each their own. But really, call that what you want, but don't call it yoga. To me yoga was and is about quieting the mind, breathing, finding stillness, feeling grounded and balanced. It's about moving in a way that makes sense and is rooted in anatomy and yogic science. It's about being honest with yourself and your students. It's about knowing your limitations. It's about slowing down so that you can listen and hear your own inner voice—the voice of intuition. It's about finding stillness amid the activity. Try doing 20 poses on both sides in an hour; there's simply no time for stillness.
Police give fast drivers speeding tickets. Who is going to slow us down in life? Ourselves.
Witnessing the yoga scene around the country has caused me to consider closing my studio on several occasions. I've become skeptical of myself. I mean, what is my purpose for being here when I'm losing the battle to hot yoga studios, fast classes, and DVDs/podcasts that promise results in 20 minutes? I have often wondered if perhaps I've got it all wrong, but then I come home and realize that what I am doing here is worth it. Regardless of whether I have five students or 500.
Things Yoga Students are Dying to Tell Their Teachers (But Never Will).
What Does a Yoga Teacher Look Like?
Even though it's true that there are all these new yoga styles around it's very unyogalike and highly judgemental to consider them in the way you have. People need yoga, and anyway they come to it is fine. Its a journey remember. It might start like fitness and at some point later along the students may or may not wish to go more profound into the mindfulness of the practise. And when they do spiritual teachers will be there for them. I'm thouroughily enjoying seeing yoga become a mass market product. It means humanity is evolving albeit slowly and adopting yoga within its own way.
Robyn Parets is a certified Hatha yoga teacher and journalist, owns Breathe Joy Yoga studio in Massachusetts and has written for the Los Angeles Times, Inc. Magazine Group, and Investor's Business Daily. She recently got back from a 15-month-long tour around North America with her son Noah, who was playing the role of Billy Elliot in "Billy Elliot the Musical." She is spending this year blogging, reconnecting, and trying to figure out her next career!


text:
Baseball, Hot Stove, Cool Music, Music Writings, On Musical Output, Radio, Sports
At HSCM, Collided Worlds Eventually Fuse Together
Allow me to explain myself.
Mom was an opera singer and a voice teacher. She also knew that Bill Terry was the last National Leaguer to hit .400.
Dad once was a sports writer, and is my favorite baseball fan.
He also can detail musical evolution within the 15 Shostakovich symphonies.
My oldest brother Jon plays the bass, slide guitar, banjo, dobro and pedal steel. He was once considered a Don in the Chicago Bluegrass Mafia.
My other older brother Bobby was a center fielder on a really good high school team, for which I was the bat boy. The team bus picked me up at elementary school for away games.
My passions have always been split, equally. I was the kid racing from tennis practice to trumpet lessons. A trip to New York usually meant both Yankee Stadium and Lincoln Center. I've chased concurrent dreams, and professions, in both music and sports for as long as I can remember.
I now often go from radio shows directly to sound-checks. I sometimes sing 15 songs at a sold out concert, go home to watch a game on tape delay, then host a show in the morning.
I am a very fortunate man.
So an event like Hot Stove Cool Music this past Friday night at Metro is powerful bliss.
Hey, look! There's Max Crawford, an original member of Poi Dog Pondering and now the leader of the Total Pro Horns, who also happens to run the electronic scoreboards at Wrigley.
Hey, that's our emcee Lin Brehmer, a fine high school pitcher and Cubs season ticket holder who is also the best rock and roll DJ in the city.
Who's starting the show on bass? It's the organizer of the whole night, Len Kasper. He's relieved that the Cubs game he just called did not go extras or have a rain delay. He'll try to get home at a reasonable hour, because he's doing the national game the next day on Fox.
Our greatest living baseball writer, Peter Gammons, is over there tuning his guitar as he preps to play a Paul Butterfield Blues Band song called "Born in Chicago."
The musicians we get to play with include members of Smashing Pumpkins, Local H, Shoes, Wilco, Bob Mould, and Rage Against The Machine. In the middle of the show, Rick Nielsen and a couple other members of Cheap Trick show up and take the stage.
Every one of them loves baseball.
These realms, the two that I will always inhabit, are not that different.
Friday was a passionately played sandlot game.
You figure out who can play shortstop, who wants to catch, and who ought to be put safely in right field. There aren't many young lefties who pull.
Who's the best fit for this high harmony on "Surrender"? Which guitar players will step up and nail "Cherub Rock"? Whose amp should we make sure not to turn up too high?
Introduce yourselves, practice for a bit, then play. I mean, really play. Pay attention to one another, listen and watch to find the best way to make magic.
I'm torn right now as to my favorite personal moment of the night.
I stumped the Hall of Famer Gammons with my favorite baseball trivia question in the green room. For the record, Theo Epstein got it later with his first guess.
I got to sing and front "Monday" with a full horn section, Jimmy Chamberlin from Smashing Pumpkins on drums, and Wilco's own John Stirratt on the bass.
We'll go with 1 and 1a.
"Worlds colliding" isn't a fair description.
Life is ours to create, experiences and interests ours to curate.
Friday night was a perfect, unforgettable night in the world I live in. And I know there are millions who live there with me.
Epstein's guitar playing needs some work.
• Matt Spiegel co-hosts "The McNeil & Spiegel Show" 9 a.m. to 1 p.m. Monday-Friday on WSCR 670-AM. Follow him on Twitter @mattspiegel670.
Baseball, Cubs 2016 Season, Hot Stove, Cool Music, Radio
Backstage with Cubs and Eddie Vedder at Hot Stove, Cool Music 2016
Hot Stove, Cool Music was held Thursday night at the Metro. I've been looking forward to it for months, following the lead of the tireless and enthused Len Kasper. There were lots of schemes and plans. Len has grabbed the reins of the musical side of this thing and made it better every year. I'm really happy to help him with it.Last year, the headliner seized an opportunity to grandstand. This particular attempt at being a fearless truth-teller was woefully misguided. He embarrassed himself with inaccuracies and downright foolishness. He bummed out a group of organizers and participants who deserve far better.
So this year, Theo Epstein called in the big gun.
Eddie Vedder, what a gem. Warm, mellow, kind. He paid for his longtime guitar tech and monitor person to fly in. He decided he wanted his favorite Cub growing up, Jose Cardenal, to be there. So Eddie flew him in.
Eddie was pleasantly surprised at the musical competence at our rehearsal, because we got the right guys Pros. Great players with good vibes, who did their work to learn everything and showed up ready to go. The rehearsal stretched long, arrangements were adjusted by good ideas, and he showed what a generous musician a big-time rock star can still be.
Joe Shanahan and the Metro are the perfect host and venue. That place reeks of historic rock credibility, and it sounds amazing when it's full. Every year, this is my favorite green room. Musicians, baseball execs, radio people, Hall of Fame writers, random former Cubs and/or Red Sox.
Early in the night, I turned a corner and eavesdropped on a moment: Theo and Jose Cardenal one-on-one.
Jose: "You're doing a great job, man…"
Theo: "Thank you Jose. This is a special team to work for, and you're a part of it. I want you there when we win, OK?"
Jose: "Yes, yes, man … I'll be there, thank you."
TO READ THE ENTIRE ARTICLE, WITH LINKS AND STORIES GALORE, CLICK HERE.
You'll see why I taught a vocal part to these guys.


An electronic device such as a mobile telephone and including a main body (10) having a display panel (16); a cover (12) pivotally attached to the main body. The cover is moveable between a first position where the cover (12) overlies the display panel (16), and a second position to allow access to the display panel (16) by a user. An aperture (28) is created in the cover (12) in which is located a second display panel (30).
This invention relates to a display for an electronic device and refers particularly, though not exclusively, to an electronic device with a pivotal cover and a display panel.
Portable communication devices such as mobile telephones, two way radios and similar electronic devices, particularly hand held electronic devices, typically have a display panel on which information can be displayed. To enable smaller such devices, particularly mobile telephones, a cover pivotally attached to the main portion of the device is used to allow a reasonable distance between the microphone and speaker. The cover is pivotally moveable between an extended or in use position, and a closed, or inoperative position.
The cover of some electronic devices will be over the keypad when in the closed position to protect the keypad and thus eliminate accidental operation. In some instances, the display panel of the device is not covered by the cover when in the closed position. However, particularly for quite small devices such as, for example, mobile telephones, the cover may extend over the display panel when in the closed position. This will prevent a user from being able to see the display when the cover is closed. With mobile messaging, paging, and the extension of WAP to mobile telephony, this may create a problem for a user in that they have to move the cover to the open position before being able to view the display.
Recent improvements to electronic devices include providing a transparent window on the cover to allow viewing of the display panel when the cover is in the closed position. Although useful, this window does not provide any significant benefits when the cover is in the open position.
According to one aspect of the invention there is provided an electronic device a main body with an associated first display panel; a cover pivotally attached to the main body and moveable between a closed position wherein the cover overlies the main body, and an open position where the cover extends outwardly from the main body; and a second display panel mounted in the cover and viewable by the user when the cover is in the open position.
Preferably, the second display panel may be at least as large as the first display panel, but it may be substantially the same size and shape as the first display panel. The second display panel may be preferably substantially transparent when the cover is in the closed position.
The second display panel can be preferably mounted in an aperture in the cover. There may also be a first transparent lens mounted in the aperture generally parallel to and adjacent the second display panel, the first transparent lens being substantially coplanar with an outer surface of the cover. There may be a second lens mounted in the aperture generally parallel to and adjacent the second display panel, the second transparent lens being substantially coplanar with an inner surface of the cover.
Therefore, the second display panel may be between the first and second transparent lenses such that the second display panel, and the first and second transparent lenses, form a window.
The aperture, and hence, the window can be preferably substantially aligned with the display panel when the cover is in the first position. If desired, the second display panel may not be able to operate when the cover is in the first position, and can only operate when the cover is in the second position.
FIG. 3 is a schematic block diagram of electronic circuitry of the electronic device of FIG. 1.
Referring to FIGS. 1 to 3 there is illustrated an electronic device 1 in the form of a mobile telephone. The electronic device 1 has a main body 10 and a cover 12 pivotally attached to the main body 10 by a pivotal assembly 11. Accordingly, the cover 12 is moveable relative to the main body 10, about a pivotal axis X, between a first or closed position shown in FIG. 1 where it overlies the main body 10, to a second or open position shown in FIG. 2 where it extends outwardly from the main body 10. When in the first or closed position, the cover 12 overlies the main body 10 to an extent that it covers keypad keys 17 on the main body 10.
The body 10 has an associated first display panel 16 being of known construction and typically includes a liquid crystal display. Mounted behind a microphone aperture 18 in main body 10 is a microphone or other sound detecting apparatus. Mounted behind a speaker outlet region 20 of cover 12 is a speaker or other sound reproducing apparatus. An antenna 22 is provided of known construction. There is also a battery pack 38 mounted to the main body 10, the battery pack providing electrical power to the device 1. As shown, the cover 12 extend over the display panel 16 when in the first or closed position. The cover 12 has an inner surface 24 and an outer surface 26. An aperture 28 is provided in cover 12 and which extends between surfaces 24 and 26. Aperture 28 is at least as large as display panel 16. Typically, aperture 28 is substantially the same size and shape as display panel 16. When cover 12 is in the closed position, aperture 28 is aligned with display panel 16 so that all of display panel 16 can be viewed through aperture 28.
Mounted in aperture 28 is a second display panel 30 which is substantially the same size and shape as the first display panel 16. When cover 12 is in the first or closed position, second display panel 30 is configured to be substantially transparent. This allows the first display panel 16 to be viewed through aperture 28. The second display panel 30 is of known construction and typically includes a liquid crystal display of a type typically found in ornamental clocks, some type of watches and some car radios displays. This liquid crystal display does not have a reflector or transflector and is generally known in the art as a transmissive liquid crystal display which have transmissive polarizers on both faces.
A first transparent lens 32 is mounted in aperture 28 parallel to and adjacent second display panel 30, with first lens 32 being generally coplanar with the outer surface 26. A second transparent lens 34 may be provided mounted in aperture 28 parallel to and adjacent second display panel 30, with second transparent lens 34 being generally coplanar with the inner surface 24. In this way, second display panel 30 is located between first and second transparent lenses 32, 34, and may be sandwiched between them. The first and second transparent lenses 32, 34, and second display panel 30, form a window in aperture 28.
In this way, when the cover 12 is in the first or closed position of FIG. 1, the display panel 16 will be viewable through aperture 28 and the window therein. When the cover 12 is moved to the second or open position of FIG. 2, second display panel 30 can operate so that a user can view what is being displayed on either or both display panels 16, 30. If desired, second display panel 30 may be operable only when in the second or open position of FIG. 2, and will be inoperable when in the first or closed position of FIG. 1. However, the second display panel 30 may be operable when the cover 12 is in any position relative to body 10, if desired.
Referring to FIG. 3, electronic circuitry 30 of the electronic device 1 is illustrated. The circuitry 30 comprises a processor 31 and associated buffering circuitry, a memory 32 comprising both Random Access Memory and Read Only Memory operatively coupled to processor 31 by a bus 33. Also operatively coupled to processor 31 is a transceiver 34 with an associated antenna 35. An alpha-numeric keypad 36 actuateable by keypad keys 17, a microphone 37 for speech input, a speaker 38, alert control driving circuitry 39 with an associated vibration transducer 40 and audio alert transducer 41. The electronic circuitry 30 also has a first row and column liquid crystal display driving circuitry 42 and a second row and column liquid crystal display driving circuitry 43 both operatively coupled to processor 31. The first row and column liquid crystal display driving circuitry 42 is coupled, by driver lines 45, to a liquid crystal display 44 of first display panel 16. Similarly, the second row and column liquid crystal display driving circuitry 43 is coupled, by driver lines 47, to a liquid crystal display 46 of second display panel 30. A sensor 48, typically an electromagnetic relay or cam actuated switch, is coupled to processor 31.
In use, sensor 48 provides a signal to processor 31, this signal being indicative of the cover 12 being in the open or closed position. Accordingly, when cover 12 is in the closed position, liquid crystal display 46 is substantially transparent and when cover 12 is in the open position, liquid crystal display 46 displays indicia for a user to view. As will be apparent to a person skilled in the art, when cover 12 is in an open position, the indicia displayed differs from indicia displayed on liquid crystal display 44.
Whilst there has been described in the foregoing description a preferred embodiment of the present invention, it will be understood by those skilled in the technology that many variations or modifications in details of design or construction may be made without departing from the present invention.
a second display panel mounted in an aperture in the cover and viewable by the user when the cover is in the open position, wherein the second display panel is substantially transparent when the cover is in the closed position and the aperture is substantially aligned with the first display panel when the cover is in the closed position to enable a user to view the first display panel.
2. An electronic device as claimed in claim 1, wherein the second display panel is at least as large as the first display panel.
3. An electronic device as claimed in claim 2, wherein the second display panel is of substantially the same size and shape as the first display panel.
4. An electronic device as claimed in claim 3, wherein the cover has an inner surface and an outer surface, the aperture extending between and connecting the outer and inner surfaces.
5. An electronic device as claimed in claim 4, wherein there is a first transparent lens mounted generally parallel to and adjacent the second display panel and being substantially coplanar with the outer surface.
6. An electronic device as claimed in claim 5, wherein there is a second lens mounted generally parallel to and adjacent the second display panel, the second transparent lens being substantially coplanar with the inner surface.
7. An electronic device as claimed in claim 6, wherein the second display panel is between the first and second transparent lenses.
8. An electronic device as claimed in claim 7, wherein the second display panel, and the first and second transparent lenses, form a window.
9. An electronic device as claimed in claim 1, wherein when the cover is in the open position, the second display panel displays indicia for a user to view.
10. An electronic device as claimed in claim 9, wherein when the cover is in the open position, the indicia displayed on the second display panel differs from at least some indicia displayed on the first display panel.
11. An electronic device as claimed in claim 9, wherein, the first and second display panels include liquid crystal displays.