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Hinesville Weather ForecastHinesville Weather Forecast
Hinesville (Georgia) forecast issued: 6 am Fri 21 Jan 2022 local time
Hinesville Weather Forecast. Providing a local hourly Hinesville weather forecast of rain, sun, wind, humidity and temperature.
The Long-range 12 day forecast also includes detail for Hinesville weather today. Live weather reports from Hinesville weather stations and weather warnings that include risk of thunder, high UV index and forecast gales. See the links below the 12-day Hinesville weather forecast table for other cities and towns nearby along with weather conditions for local outdoor activities.
Hinesville is 23 m above sea level and located at 31.85° N 81.60° W. Hinesville has a population of 33398. Local time in Hinesville is EST.
Hinesville Weather Today
A light covering of new snow, mostly falling on Fri night. Freeze-thaw conditions (max 11°C on Sun afternoon, min -1°C on Fri night). Wind will be generally light.
Hinesville Weather (4–7 days)
Light rain (total 3.7mm), mostly falling on Tue morning. Very mild (max 13°C on Wed afternoon, min 6°C on Wed night). Wind will be generally light.
10 Day Hinesville Weather
Mostly dry. Very mild (max 15°C on Sat afternoon, min 6°C on Thu night). Wind will be generally light.
Hinesville Weather Next Week
A dusting of new snow. Freeze-thaw conditions (max 19°C on Sun afternoon, min -5°C on Mon night). Wind will be generally light.
rain shwrs
snow shwrs
0.2 0.6 - - - - - - - - - - 1.3 2.2 0.2 - - - - - - - - - - - - - - 0.3 0.1 - - - - -
Snow cm
- 1 4 - - - - - - - - - - - - - - - - - - - - - - - - - - - 1 - - - - -
5 4 0 1 3 2 9 11 8 11 13 10 10 8 8 13 13 12 10 11 7 11 13 10 13 15 11 17 19 14 3 4 -2 1 3 2
5 2 -1 -1 2 1 3 9 4 7 11 9 9 8 7 9 12 6 6 8 6 7 12 6 8 13 9 11 16 5 0 1 -5 -4 2 0
2 -2 -5 -5 -1 1 1 8 3 6 11 9 8 7 6 8 12 4 4 7 6 6 11 5 7 13 8 11 16 1 -5 -4 -11 -8 0 -1
0.5 0.6 0.1 0.1 0.6 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 1.3 0.9 1.3 0.2 - - - - - - - - - - - - - - - -
- - - - - 1 2 1 1 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
10 7 5 5 4 2 0 -1 -1 -1 -1 1 3 2 2 2 1 1 3 9 11 9 8 6 5 4 7 11 13 11 10 9 9 10 10 9 8 8 8 8 8 7 9 13 13 12 12 10 8 6 6 10 11 8 7
8 5 3 2 1 -2 -3 -6 -5 -5 -5 -2 0 -1 -1 2 -1 1 1 7 9 8 6 5 4 3 6 11 13 11 9 9 9 10 10 8 7 7 6 7 6 6 8 12 13 12 11 10 7 4 4 8 10 7 7
98 98 98 98 97 99 100 99 99 99 99 93 89 94 95 92 94 91 79 39 31 40 48 58 61 63 59 45 40 54 59 64 69 71 65 89 97 99 99 96 93 89 83 64 60 59 60 63 69 75 63 49 42 64 65
None None Low Low Low None None None None None Low Low Low None None None None None Low Mod Low None None None None None Low Mod Low None None None None None - - - - - - - - - - - - - - - - - - - - -
0.4 0.1 - 0.1 0.3 0.1 0.1 - - - - - 0.2 0.3 0.2 0.3 0.7 - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
- - - - - - - - - - - - - - - - - - 1 - 1 - - - - - - - - - - - - - - - - - - - - - - - - -
12 11 10 8 8 7 6 6 5 5 5 5 4 4 4 3 2 2 1 0 0 0 -1 -1 -1 -1 -1 -1 -1 -1 -2 -2 -1 -1 0 1 2 2 3 2 2 2 2 2 2 2
11 10 8 7 6 5 4 3 3 2 2 2 2 1 1 0 -1 -2 -3 -3 -3 -4 -5 -6 -6 -5 -5 -5 -5 -5 -5 -6 -5 -4 -3 -2 -1 0 0 0 0 -1 -1 -1 -1 0
99 98 98 99 98 98 98 98 98 98 99 98 98 98 97 98 98 99 100 100 100 100 100 99 98 99 99 99 99 99 99 100 99 98 96 93 90 89 89 91 93 94 95 96 95 94
None None None None None None None Low Low Low Low Low Low Low Low None None None None None None None None None None None None None None None Low Low Low Low Low Low Low Low Low Low None None None None None None
- - - - - - 7:24 - - - - - - - - - - - - - - - - - - - - - - - 7:24 - - - - - - - - - - - - - - -
- - - - - - - - - - - - - - - 5:51 - - - - - - - - - - - - - - - - - - - - - - - 5:51 - - - - - -
Hinesville Weather
Live weather stations near Hinesville
Hinesville Live Weather Today: Recent reports from weather stations near Hinesville
Fort Stewart/Wright Army Airfield Airport
Light winds from the NNE
(15 km/h at NNE°).
Elim wx
13 km SSW
38m alt.
(6 km/h at NNE°).
Jesup/Wayne County Airport
Mist dry and cloudy.
Light winds from the NE
(11 km/h at NE°).
Savannah/Hunter Army Airfield Airport
46 km ENE
* NOTE: not all weather stations near Hinesville update at the same time and we only show reports from the nearest stations that are deemed current. Weather reports submitted by any ship (SYNOP) that is close to Hinesville within an acceptable time window are also included.Read More
Georgia (USA) Weather Map
Hinesville Weather Photos
See weather photos from Georgia, United States.
Upload your own Hinesville weather image:Upload
Weather forecast for places near Hinesville:
64 km Drizzle on Fri afternoon turning to light snow on Fri night. Light rain (total 6mm), mostly falling on Tue afternoon. Mostly dry. A dusting of new snow.
69 km A light covering of new snow, mostly falling on Fri afternoon. Light rain (total 3.1mm), mostly falling on Tue morning. Mostly dry. A dusting of new snow.
90 km Mild with light rain (total 2.1mm) on Fri afternoon. Becoming colder with a light covering of snow, mostly falling on Fri night. Light rain (total 9mm), mostly falling on Tue afternoon. Mostly dry. Mostly dry.
169 km Light rain (total 5mm), mostly falling on Fri night. Some drizzle, heaviest during Tue morning. Mostly dry. Some drizzle, heaviest during Mon morning.
Augusta Regional Airport at Bush Field
173 km A light covering of new snow, mostly falling on Fri night. Light rain (total 2.7mm), mostly falling on Tue afternoon. Mostly dry. Drizzle at first, then turning colder with dusting of snow on Sun night.


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Molly Cowderoy
What's your top film of 2019?
Hi Shooters,
It's been another fantastic year for film and we would love to know your top film of 2019? And whether you have a film or tv guilty pleasure?
My top film: Monos (Alejandro Landes, Colombia)
I first watched this knowing nothing about it, and it completely blew me away. The mesmeric and contrasting settings of the bleak mountaintop and humid jungle, the incredible acting and the intoxicating score by Mica Levi (Under the Skin, Jackie) makes for a truly immersive experience.
My guilty pleasure: Derry Girls
This year a lovely Australian couple moved into my house-share and it was decided we would embark on a UK TV education. So far we've shown them- Derry Girls, Great British Bake Off, Supermarket Sweep and Gavin and Stacey (I cannot wait for the Xmas special!) Derry Girls is about a group of teenagers growing up in Northern Ireland during the Troubles, but it's hilariously funny and full of 90's nostalgia.
Do you think something deserves the Oscar? Do you binge watch something in bed? Did you run out of the cinema screaming? Do share...
1 month ago · Log in to follow this discussion
cath le couteur
Ahhhh… mine was ALSO Monos! Had no idea where it was going and became totally caught up in the ride.
But I'd also highly recommend 'Shakedown', a feature doc about a black queer women's underground strip club in 90's Los Angeles, before it was shut down by police. It's directed by Leila Weinraub (who was a participant, offering as close to an insider perspective as possible), has tons of amazing archive, and constantly questions how to create space, experiment, explore while also having to deal with the struggles of survival, earning enough to live. It's a rare kind of documentary - a 'document' in the truest sense of the word.
Guilty Pleasure!
Got to be: 'Brain Dead' tv series. It's about Republicans/Democrats going completely crazy at each other, because alien bugs arrive and get into their heads…. Literally, their heads explode… Was made by the same team who did 'The Good Wife'. It's honestly genius. And hilarious. And currently feels so close to the truth…
Johnny Maya
Hello Molly,
This is quite a tough question.
My favorite films so far:
Rocketman - It´s just such a great biopic. It took the original facts and gave them a fantasy and musical twist.
Joker - One of the best performances on screen this year and being a massive fan of "The King of Comedy" I really appreciated the film.
Yesterday - Altought, the film didn´t manage to reach my high expectations. I still really enjoyed it for the cast and the amazing plot.
Before the end of the year, looking forward to catching up Honey Boy.
Derry Girls is such an amazing series. The ending of season 1 most be one of the best endings to a comedy season ever.
Had an amazing time watching "The End of F****** "
Season 2 and catching up with "The Good Place"
William Webb
Always nice to reflect back on the great work filmmakers made this year; it's been a good year for movies both in the UK and outside!
For me, a few faves:
The Souvenir - beautiful and thoughtful exploration of toxicity and addiction in a relationship, as well as a pretty searing self-account of privilege. Great performances, and with a very distinctive visual style mixing 16mm, Super 8 and digital. I made a video about it: www.youtube.com/watch?v=iPJVXN5WZkg...
Wild Rose - a crowd-pleaser with surprising depth, and an astonishing lead performance in Jessie Buckley, who really can do it all.
Ash is Purest White - following a couple through decades of social change in China, this film has some gorgeous cinematography, stellar lead performances and a really deep appraisal of how life changes as you age. Narrowly beat another epic story about Chinese social change, So Long My Son, which is also very good.
Atlantics - Senegalese auteur-actor Mati Diop's first feature, a genre-blending look at young love, unfair labour practices and the perils of migration. Very interesting as it threads a line between her arthouse shorts and something much more commercial; currently on Netflix so well worth seeing.
Tony Franks
Can I remember the films I saw early in 2019? Not a friggin' chance. But recently... 'Joker' was sad and affecting. 'Once Upon a Time in Hollywood' was hugely entertaining. And the film I couldn't get to see, but feel I would have loved it, was 'Bait'.
Roberto Sommella
I would suggest 'Beanpole' and 'Capernaum'. As for Oscars, I really hope something goes to 'Marriage Story'.
Series? Many. If you missed it, I'd recommend 'Mr. Robot'. Soon there will be the Series Finale so you have a good binge assured.
Paddy Robinson-Griffin
I haven't watched that many films this year, although I must suggest "For Love or Money (2019)" which we finally released ;-)
Surprise of the year for me was "One Cut of the Dead" - I can't describe it too much without spoilers, but if you're a small indie filmmaker trying to make a zombie film, you'll find plenty to recognise. All in Japanese and certainly creatively structured with wonderful callbacks. If there's any perfect audience for this film, it's members here, TBH. I'd love to tell you more, but you'll get so much more joy from it going in cold.
MARCIO DELGADO
I don't think 'The Farewell', written and directed by Lulu Wang, got the attention it deserved. It is a great film about a Chinese family planning a fake wedding as an excuse to gather all friends and relatives to say goodbye to a grandmother – without telling her that she has been diagnosed with cancer and is dying. I saw it after hearing that the film won the Sundance London 2019 audience award, and I was happily surprised how a story without many twists or special effects can still be very entertaining.
Tim Bourque
Mine would have to be a documentary and that is "Apollo 11". Fabulous footage brought together about such an awe-inspiring event.
Adam Frith
My quick list of top films of 2019 based on the first themes that come to mind:
Docs:
For Sama - a must see.
The Street.
Little Big Farm.
Citizen K.
My British made top 3:
Muscle.
The Last Tree.
A Bump Along The Way (Irish too).
Global film:
Joker - for the acting performance.
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Barry Bernhard is a catalyst for change and a strategic thinker with an unparalleled breadth of experience. His roles over the last 35 years have given him a bird's eye view of how life as a modern CEO has morphed into a series of ever-evolving challenges and opportunities.
as deputy minister for the Manitoba government in the treasury board and senior economic and social development roles. His background has given him the ability to provide practical advice on the day-to- day challenges faced by his TEC group members.
As TEC Chair, he has intentionally marshalled a membership composed of a broad cross-section of rural and urban-based businesses, drawn from various sectors. Barry welcomes new TEC members who bring something special to the mix in terms of experience and personal qualities.
Barry emphasizes strong character over strong personality, and a willingness to share and be a team player.


text:
Q: Find which letters from the input match somewhere in array I have an array of strings. A user typed "ztaf". How can I use JavaScript to find which of the letters the user typed match somewhere in the array? The answer should be "taf".
var array = [ "tofu", "fish", "meat" ];
var user_type = "ztaf";
var found = ""; // It should be "taf".

I have tried it, but it keeps saying there is no match.

A: You can achieve this by using String.split() along with the Array.filter(), Array.join() and String.includes() methods.
Live Demo :

var array = ["tofu","fish","meat"];

var user_type = "ztaf";

var found = user_type.split('').filter(char => array.join().includes(char));

console.log(found.join(''));

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text:
Maurice Samuel (geboren 8. Februar 1895 in Măcin, Rumänien; gestorben 4. Mai 1972 in New York City) war ein US-amerikanischer Autor und Übersetzer rumänisch-jüdischer Herkunft.

Leben
Maurice Samuel, Sohn des Isaac Samuel und der Fanny Acker, zog um 1900 mit seinen Eltern aus Rumänien nach Paris, von dort weiter nach Manchester, wo er die Schule absolvierte und die Manchester University besuchte. Dort traf er das erste Mal auf den Chemieprofessor Chaim Weizmann. Samuel brach das Studium ab, hielt sich eine Zeit in Paris auf und wanderte 1914 nach Ausbruch des Ersten Weltkriegs in die USA aus. Beim Eintritt der Vereinigten Staaten in den Ersten Weltkrieg 1917 wurde er Soldat der American Expeditionary Forces am Kriegsschauplatz in Frankreich. Nach dem Krieg gehörte er zu der unter der Leitung von Henry Morgenthau senior eingesetzten Kommission zur Untersuchung der Pogrome in Polen, die im Oktober 1919 den Morgenthau Report vorlegte. In Paris arbeitete er 1919 als Übersetzer bei der Versailler Friedenskonferenz und danach für die Reparations Commission in Berlin und Wien. Samuel kehrte 1921 in die USA zurück und veröffentlichte seinen ersten Roman The Outsider. Er arbeitete in den 1920er Jahren für die Zionist Organization of America und insbesondere für den Vorsitzenden der Zionistischen Weltorganisation Weizmann. Mit Weizmann schrieb er später dessen Autobiografie. Samuel nahm an den Versammlungen der Zionistenkongresse in den USA teil. In den 1930er Jahren hielt er sich als Autor und "Maggid" (politischer Redner) vornehmlich in Palästina auf.

Samuel schrieb sowohl Romane und Epik als auch historische Sachbücher und Bücher zu aktuellen politischen Fragen des Judentums. 1925 wurde sein Stück Der Wanderer von Raoul Walsh verfilmt. Er übertrug jiddische Literatur ins Englische, so 1926 Gedichte von Chaim Nachman Bialik, außerdem Werke von Scholem Alejchem, Jizchok Leib Perez, Israel Joschua Singer (Di brider Ashkenasi, 1936) und Isaac Bashevis Singer.

Samuel übersetzte auch die Haggada aus dem Aramäischen und Hebräischen ins Englische.

Aus dem Französischen übersetzte er Edmond Flegs Jüdische Anthologie. 1929 übersetzte er den anonymen Antikriegsroman Schlump aus dem Deutschen ins Englische. In der Zeit des Nationalsozialismus unterstützte er die Emigranten aus Europa. Er war mit Erika Mann und Klaus Mann befreundet und übersetzte für Erika The lights go down, außerdem für Martin Gumpert Heil Hunger! : health under Hitler, für Emil Ludwig Roosevelt. A study in fortune and power, für Alex Bein dessen Theodor-Herzl-Biografie, für Schalom Asch My personal faith und für Soma Morgenstern The testament of the lost son.

Mit Mark Van Doren moderierte er in den 1950er Jahren eine Radiosendereihe über Figuren aus der Bibel.
Unter seinen Auszeichnungen war der Manger-Preis für jiddische Literatur.

Schriften (Auswahl)
 Werke
 The Outsider (1921)
 Whatever Gods (1923)
 Beyond Woman (1934)
 Web of Lucifer: A novel of the Borgia fury (1947)
 The Devil that Failed (1952)
 The Second Crucifixion (1960)

 Sachbücher
 The A.B.C. of Zionism: A simple outline of the history, aims and growth of the Zionist movement and its principal instruments. New York : Zionist Organization of America, 1923
 You Gentiles (1924)
 I, the Jew (1927)
 What Happened in Palestine: The Events of August, 1929: Their Background and Significance
 King Mob: A Study of the Present-Day Mind (1931)
 On the Rim of the Wilderness: The Conflict in Palestine (1931)
 Jews on Approval (1932)
 The Great Hatred (1940)
 Das Netz des Bösen. Dt. Ubertr. von Ilse Krämer. Zürich : Humanitas Verl., 1949
 The World of Sholom Aleichem (1943)
 Harvest in the Desert (1944)
 Haggadah of Passover (1947)
 Prince of the Ghetto (1948) – Biografie über Jizchok Leib Perez
 The Gentleman and the Jew. Autobiografie. New York, Knopf, 1950
 Level Sunlight (1953)
 Certain People of the Book (1955)
 The professor and the fossil; some observations on Arnold J. Toynbee's A study of history. New York, Knopf, 1956
 Little Did I Know: Recollections and Reflections (1963)
 Blood Accustation: the Strange History of the Beiliss Case (1966)
 Light on Israel (1968)
 In Praise of Yiddish (1971)
 In the Beginning, Love: Dialogues on the Bible (1975)

Literatur
 Maurice Samuel, Literarischer Nachlass bei American jewish archives

Weblinks

Einzelnachweise

Sachbuchautor
Roman, Epik
Literatur (Englisch)
Übersetzer aus dem Aramäischen
Übersetzer aus dem Deutschen
Übersetzer aus dem Französischen
Übersetzer aus dem Hebräischen
Übersetzer aus dem Jiddischen
Übersetzer ins Englische
Literatur (20. Jahrhundert)
Person (Zionismus)
Person des Judentums (Vereinigte Staaten)
Person im Ersten Weltkrieg (Vereinigte Staaten)
Emigrant
US-Amerikaner
Geboren 1895
Gestorben 1972
Mann

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The ranking shows leading daily newspapers in Canada from 2013 to 2015, based on weekly circulation. In 2014, The Toronto Star daily newspaper ranked first with a print and digital weekly circulation of approximately 2.4 million copies.
2013 nad 2014 data taken from previous reports.


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text:
Exaxe wins Pensions Technology Provider of the Year Award for third time
November 23, 2018 Sharon Cronin
Dublin, 23rd November 2018 - Exaxe, the leading SaaS provider to the life and pensions industry, has won the Pensions Technology Provider of the Year award at the Irish Pensions Awards for the third time in the last four years. Exaxe won the Irish Pensions Award due to its ability to continuously innovate its offerings and grow its Irish and International client base.
After winning last year, due to the expansion of its pensions' solution set with the automated advice solution Advice Plus, Exaxe has this year been recognised for its continuous success and allowing Irish pensions providers to put the customer at the centre of their focus and digitise their business through the use of its SaaS solutions.
Norman Carroll, CEO at Exaxe commented: "We're delighted to have won this prestigious award for a third time and to have our innovative approach to the provision of SaaS solutions to the pensions industry recognised. We secured the accolade for our innovation and growth and our successful transformation from a product seller to a SaaS provider to the pensions industry. It is a great honour to accept this award on behalf of the hardworking team in Exaxe and it is much appreciated recognition that we are delivering best in class solutions to the industry."
The Irish Pensions Awards, organised by European Pensions, celebrate the excellence, professionalism and dedication of fund managers, pensions funds and providers within the Irish pensions space.
The winners were determined by an independent judging panel and were announced at the 7th annual Irish Pensions Awards black-tie gala dinner & ceremony on 22 November 2018 at the Shelbourne Hotel, Dublin.
The full list of the winners is available at: http://www.europeanpensions.net/irishawards/
pension award, pensions technology provider of the year, Press releases, irish pensions awards, Pensions technology, Awards, Winner


The process of quilting for Casa Romantica comforters is all done by hand. Imagine the pure craftsmanship to provide you that crisp touch of luxury on your bed. Silky and supple 600 thread count per square inch. 100% cotton. Available in King & Queen sizes.


Produced from 40.8% Merlot, 7.6% Cabernet Franc and 51.6% Cabernet Sauvignon, the 2018 Chapelle de la Mission is rather serious and brooding effort. With aeration there are some glorious aromas of dried flowers, stones, perfumed cassis, pencil shavings and pure raspberry. There is wonderfully dark gravelly fruit on the palate, lots of bramble and cassis interspersed with savoury notes, dried meats and stones. This is unquestionably a large scale and impressive Chapelle, possibly one of the best we have tasted, with plenty of concentration and beautifully managed tannins that coat the palate with chalk and pure berries. Impressive!


Today's Observer contains a brief summary of more polling of Conservative Party members for the ESRC Party Members Project. It is squeezed into a larger story on Labour and Brexit, and the paper's account doesn't come with a table and full details. None the less, it provides another opportunity to test Conservative Home's monthly survey against a properly weighted opinion poll. Mark Wallace looked at other recent evidence from the Project late last week.
Boris Johnson, Jacob Rees-Mogg and David Davis are "top of the party's grassroots list" as preferred candidates to replace Theresa May, the Observer reports. It says that Johnson "topped the poll" with 20 per cent, that Rees-Mogg "trailed in second on 15 per cent" and that Davis "scored 8 per cent". We read separately that Sajid Javid also scored per 8 cent in the poll, so Dominic Raab, with 7 per cent, was therefore fifth. The precise question isn't listed.
Javid – 8 per cent.
Raab – 7 per cent.
Raab – 12 per cent.
It seems that ESRC put nine names to their Party member respondents: Johnson, Rees-Mogg, Davis, Javid, Raab, Jeremy Hunt (6 per cent in its poll), Amber Rudd (5 per cent in its poll, 5 per cent in our last survey), Michael Gove (4 per cent and 3 per cent respectively) and Penny Mordaunt (one per cent and 4 per cent respectively). We currently offer no fewer than 19 names, all of whom have been spoken of as potential leadership candidates.
Four of the ESRC's top five – Johnson, Davis, Javid and Raab – overlap with our top five. Hunt was in our top five, but not in the ESCR's (which had him sixth on 6 per cent). Jacob-Rees Mogg is in the ESRC's top five; he wasn't in ours (he was seventh with 4 per cent). It is sometimes claimed that the ConHome panel is more Eurosceptic than Party membership as a whole. That may be correct – but this ESCR result actually finds the reverse, though it is of course only a single piece of evidence.
The ESRC Project is run out of Queen Mary University of London and Sussex University. Its last blog on its latest polling of Party members says that it surveyed 1215 Conservative Party members. YouGov conducted the polling between December 17 and December 22.
9.30am Update We're told that ESRC didn't prompt for names at all.
180 comments for: Testing our survey against the latest polling of Party members. New evidence on Next Tory Leader.


Im going to incorperate a premade adventure into my campaign and I need some info on the planet Moorja. Like what system its in and where I would locate it in the map in the DD20 core book or the map that came with star wars gamer.
The encyclopedia is searcheable and has recently made some useful changes to its interface -- like quick access to entry categories (eg: planets, weapons, characters, etc. -- even food and drink! -- so now you know what grog's available at your local hive of scum and villainy). The entire huge database can be downloaded as well in a variety of formats.
The CUSWE has helped me with many, many aspects of my current campaign. Now, I'm not sure if all the stuff you need will be there, but believe me, the encyclopedia is rather good. I've been loosing entire days to it. Do check it out, and good luck with your game.


text:
Q: GDAL Python API Warp and Translate Struggling with RGBA Platform: Win7 Enterprise; PostgreSQL 9.6.1 with PostGIS 2.3.1; GDAL 2.1.3 and Python 2.7.11.
Like most people who try to do Python things Pythonically, I was pleased when it seemed that there was no more need to run gdalwarp and/or gdal_translate through os.system() or subprocess(). That was short lived once I attempted to fail my way to a working implementation of the Python API calls.
Every now and then I take a 10cm/px aerial of a major city, and snip out an image for every single property boundary so that I can run the images through an image classifier (in order to do some land-use change stuff).
Making a bunch of calls to the command line from within Python always felt kludgy and half-baked, and memory leaks start to add up to a big number.
So I spent some time thrashing through the documentation for key aspects of each GDAL Python API call (for example: creationOptions - is its argument an array? is it a dict of key: value pairs? or is it the worst possible choice - ["option=value","option=value"]? Nobody seemed to want to write down which it was.)
I have started the process with one chunk of the gigantic ECW (the full thing is 131GB, so the task gets done in stages). I have chopped the chunk up into ~3million TIFFs using the BB of the property boundaries. That bit went according to plan; the code (the bit that repeats ~3m times) looks like this
    gdal.Warp(ofn, # the identifier of the parcel, plus '.tif'
          df,      # the first chunk of the behemoth ECW
          format='GTiff',
          cutlineDSName='PG:' + cs, # cs is the PG connection string
          cutlineSQL=sql_01,        # cut geometry via PG is faster
          cropToCutline=True,  # <- obviously
          copyMetadata=True,
          metadataConflictValue=None,
          srcAlpha=True,
          dstAlpha=True,
          creationOptions=["PHOTOMETRIC=RGB"],
          setColorInterpretation=False,
          callback=None,
          callback_data=None)

You might think that setColorInterpretation maybe ought to be true: that's what I thought, but that guaranteed a 100% failure rate.
So far so good.
The usual next step is to run another loop which

*

*masks out NODATA using the alpha layer (leaving a 'tilted' image);

*finds the MBR for the tilted image (which has, as its second element, the dangle-angle);

*tilts the image 'upright' by the reverse of the dangle-angle (i.e., so that the longest side of the image is one of the two vertical sides); and

*chucks CUDA at the 3 million 'regularised' images so that a CNN can categorise them faster and more accurately.

As you might glean from the foregoing, I do not need to retain the spatial information about the sub-images: I have all that in the PostGIS data that drives the process that cuts the big ECW into bits.
If I remain within Python, the process stops after the chopping-up-the-raster stage, because something prevents GDAL from recognising the fourth layer.
QGIS can see the 4th layer, and the 4th layer is exactly what I want it to be: 255 inside the image, and 0 outside.
CV2 has the same problem with the image/s as GDAL. I am pretty sure that it means that internally, its code just checks the colorspace string rather than looking for the number of child layers.
This is a process that I've done two dozen times with kludgy os calls, and it consumes significant resources.
I could probably get the next stage done with gdal_translate through subprocess  - that's what has worked in the past, and the image has metadata that is not structurally different from past versions of the same task.
The API is clearly more efficient - the gdal.Warp (slice-and-dice) part took less than half the time that the non-API version used to take.
Searches of the web show a low incidence of PER_DATASET ALPHA and gdal ecw "band 1 has no color table".
Has anybody seen this phenomenon - where an RGBA raster is telling software that it's only RGB (despite advertising one of its FOUR layers as 'ALPHA') and the software is believing it?
Here's what gdalinfo says about the imagery (my thoughts are the coloured bits):

I could algebra a way through it - treat it as a numpy array and do some linear algebra - but I am actually really quite keen to improve this workflow so I can pass the task to someone else.


text:
Getty.edu
Conservation Institute
Explore the Era
Delve into the postwar Los Angeles art world in this online archive, which provides additional material related to the exhibitions on view at the Getty Center. Learn about hipsters and happenings, and the venues across the city where all the action took place through images from the archives and first-hand accounts with the artists.
Historic Map
Wallace Berman
Wallace Berman in an abandoned building on the Speedway (an alleyway running parallel to the beach) in Venice, California, ca. 1955–57. The Getty Research Institute, Charles Brittin papers, 2005.M.11. © J. Paul Getty Trust. Photo by Charles Brittin
Wallace Berman (1926–1976) was born in Staten Island, New York, and moved to Los Angeles as a child. He enrolled at the Jepson Art Institute and at Chouinard Art Institute, but did not finish studies at either; instead he became entrenched in the city's jazz and Beat scenes. In 1949 he began to make assemblage sculptures. He showed these at the Ferus Gallery in 1957, but the exhibition was closed prematurely by the L.A. Police Department's vice squad. Disheartened, Berman moved his family to the Bay Area, where he established the makeshift Semina Gallery and continued his loose-leaf magazine Semina, before returning to L.A. in 1961. In 1964, Berman began to make Verifax collages, embarking on a path that he would follow for over a decade, until his death in Topanga Canyon in 1976.
Historic Map Locations
Explore the historic Los Angeles art scene related to this type of work.
Styles & Materials
Assemblage & Collage
Time Periods & Venues
Artists' Studios
Untitled (Verifax Collage), 1969, Wallace Berman. Verifax collage on board. 45 x 48 in. Collection of Michael D. Fox, Berkeley, CA, courtesy Steven Wolf Fine Arts, San Francisco, CA. Permission courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles. Photo by Joe Schopplein
Untitled (Peyote Vision), 1955, Cameron (from Semina journal, no. 1). Reproduction of ink drawing mounted on cardstock. 3 13/16 x 4 in. Courtesy of Cameron Parsons Foundation
Untitled (Faceless Faces with Kabala), 1963–70, Wallace Berman. Verifax collage with transfer lettering. 29 7/8 x 28 11/16 in. Collection of Nicole Klagsbrun. Permission courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles
Untitled (Art is Love is God), 1955, Robert Alexander. Wooden box, photograph, bullet, and paper. 3 7/16 x 6 7/16 x 3 5/16 in. The Getty Research Institute, Charles Brittin Papers, 2005.M.11.29. Courtesy of the Temple of Man, Inc.
Topanga Seed, 1969–70, Wallace Berman. Dolomite rock and transfer letters. 39 x 40 3/4 x 41 in. Collection of the Grinstein Family. Permission courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles
Semina cover with Wife (photograph of Shirley Berman), 1959, Wallace Berman. Semina journal, no. 4 (1959) by Wallace Berman. Halftone reproduction on cardstock. 9 7/16 x 8 x 1/16 in. The Getty Research Institute, 2564-801.no1.2. Courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles
Semina cover with photograph of Cameron, 1955, Wallace Berman. Semina journal, no. 1 (1955) by Wallace Berman. Gelatin silver print mounted on cardstock. 7 1/2 x 4 in. The Getty Research Institute, 2564-801.no1.2. Courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles
Semina cover with altered press photograph of William George Heirens (the "Lipstick Killer"), 1963, Dean Stockwell. Semina journal, no. 8 (1963) by Wallace Berman. Halftone reproduction on cardstock, mounted on cardboard. 7 1/16 x 5 1/2. The Getty Research Institute, 2864-801.no8.6. Courtesy of Dean Stockwell and the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles
Papa's Got a Brand New Bag, 1964, Wallace Berman. Mixed media collage. 44 1/2 x 32 ¼ x 2 in. Collection of David Yorkin & Alix Madigan, Los Angeles. Permission courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles
Homage to Hermann Hesse, 1949 (modified 1954), Wallace Berman. Wood. 59 x 21 3/16 x 17 7/8 in. Collection of Joy Stockwell. Permission courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles
Card to George Herms, 1970, Wallace Berman. Letterpress, ink, and gelatin silver print on board. 6 1/4 x 4 in. The Getty Research Institute, Gift of George Herms, 2009.M.20.9. Courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles
Card to Betty Asher, ca. 1965, Wallace Berman. Photomontage and ink on board. 4 x 2 15/16 in. The Getty Research Institute, Gift of Michael Asher, 2009.M.30.25. Courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles
Video: George Herms speaks about the work of Wallace Berman, March 2011
Video: Artist George Herms shares anecdotes about the California assemblage community
Video: Arts advocate Lyn Kienholz talks about censorship in the L.A. art scene
Announcement for George Herms exhibition at Aura Gallery in Pasadena, California, 1963. Designed by Wallace Berman. The Getty Research Institute, Gift of George Herms, 2009.M.20.3. Courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles
Suzi and Eddie Hicks at Charles Brittin exhibition at Semina Gallery in Larkspur, California, 1961. The Getty Research Institute, Charles Brittin papers, 2005.M.11.24 © J. Paul Getty Trust. Photo by Charles Brittin
Exterior view of the Semina Gallery in Larkspur, California, with partial view of Charles Brittin's exhibition. 1961. The Getty Research Institute, Charles Brittin papers, 2005.M.11.21 © J. Paul Getty Trust. Photo by Charles Brittin
Installation view of Charles Brittin exhibition at Semina Gallery in Larkspur, California, 1961. The Getty Research Institute, Charles Brittin papers, 2005.M.11.19. © J. Paul Getty Trust. Photo by Charles Brittin
Wallace Berman and friends in the alley next to the Ferus Gallery showing a sculpture to the LAPD vice squad, 1957. The Getty Research Institute, Charles Brittin papers, 2005.M.11.10. © J. Paul Getty Trust. Photo by Charles Brittin
Contact sheet showing images of Wallace Berman's exhibition at the Ferus Gallery in Los Angeles, 1957. The Getty Research Institute, Charles Brittin papers, 2005.M.11.13. © J. Paul Getty Trust. Photos by Charles Brittin
Wallace Berman's assemblage Temple in his exhibition at the Ferus Gallery in Los Angeles, 1957. The Getty Research Institute, Charles Brittin papers, 2005.M.11.12. © J. Paul Getty Trust. Photo by Charles Brittin
Temporary closure sign at Ferus Gallery in Los Angeles, 1957. The Getty Research Institute, Charles Brittin papers 2005.M.11.11. © J. Paul Getty Trust. Photo by Charles Brittin
Robert Alexander, John Reed, Wallace Berman, Juanita Dixon, and Walter Hopps in the alley next to Ferus Gallery in Los Angeles, ca. 1957. The Getty Research Institute, Charles Brittin papers, 2005.M.11.9. © J. Paul Getty Trust. Photo by Charles Brittin
Strip of photos taken by Charles Brittin at the Semina Gallery in Larkspur, California, 1960. The Getty Research Institute, Charles Brittin papers, 2005.M.11. © J. Paul Getty Trust
Dean Stockwell and Wallace Berman at Stone Brothers Printing, 1957. The Getty Research Institute, Charles Brittin papers, 2005.M.11.18. © J. Paul Getty Trust. Photo by Charles Brittin
Wallace Berman with a copy of Semina no. 1 in the Stone Brothers Printing display window, 1957. The Getty Research Institute, Charles Brittin papers, 2005.M.11.17. © J. Paul Getty Trust. Photo by Charles Brittin
Arthur Richer and Wallace Berman at Syndell Studio in Los Angeles, 1957. Richer's art is in the background. The Getty Research Institute, Charles Brittin papers, 2005.M.11.16. © J. Paul Getty Trust. Image courtesy of Lauri Richer. Photo by Charles Brittin
Wallace Berman and the LAPD vice squad at Ferus Gallery, 1957. The Getty Research Institute, Charles Brittin papers, 2005.M.11.8. © J. Paul Getty Trust. Photo by Charles Brittin
Wallace Berman in 1969. Image courtesy of Malcolm Lubliner and Craig Krull Gallery, Santa Monica. © Malcolm Lubliner
Wallace Berman with his collage Papa's Got a Brand New Bag in 1965. Art © the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles. Image courtesy of Marvin Silver and Craig Krull Gallery, Santa Monica. © Marvin Silver


Time is running out for teams in the NFL that are hoping to make the playoffs. They have to win now or they will be eliminated from what has become a closely competitive playoff race. With spots already being locked up, time is running out for the teams on the fringe. They need teams to lose while they cannot afford to stumble, not even for a second.
Now with week 15 closely approaching the schedule is loaded with games with plenty of playoff implications. The Thursday night game features the St. Louis Rams and the Tampa Bay Buccaneers. Although both teams do not have a big chance at making the playoffs, they are still mathematically alive.
The Saturday night game has more of an impact as the New York Jets are very much alive in the race for the AFC playoffs. The Jets are in a must win situation when they go up against the Dallas Cowboys. Although it is nearly impossible even the Cowboys still have a chance to make the post season. This game in short, essentially becomes an elimination game.
The biggest game of the week is the game that features the Pittsburgh Steelers vs. the Denver Broncos. The Broncos are trying to survive life without Peyton Manning but are still in the race to secure the second seed in the AFC playoff race. The Steelers may be the most dangerous team in the league right now that no one wants to face. They are playing excellent football and will be a front runner to pull off an upset in the playoffs.
This is just the start of many crucial games this week which also includes the Houston Texans against the Indianapolis Colts. The winner of this game will have the advantage in the AFC South although both teams will be without their starting quarterbacks this season.
Week 15 in the NFL could be the most exciting yet!


The Creative-Freelance website provides a showcase for the members of 'Freelance', an association of creative freelance professionals based in and around Ipswich, Suffolk, in the UK.
You can browse our members' work by category or by name. For all enquiries concerning commissions etc, please contact the artist directly.
is a group show by FREELANCE in which members have represented 2 or 3 letters each, to be exhibited at The Frame Workshop Gallery in April 2017: see some of the work on our blog.
in June 2016: see some of the work here.
Members of Freelance altered individual pages within the book "Boring Postcards" by Martin Parr. The book was on show at our exhibition in June 2016: see some of the work here.
'He opened his eyes...' was a collaborative project we undertook in 2007. This comic book featured work by 17 of our members, and was published in Oct 2007 as an online book on www.lulu.com.
'This is What I Saw' was an exhibition by members of Freelance at The Frame Workshop, Ipswich, in February 2014.
© FREELANCE 2017. Unauthorised use of any image on this website is strictly forbidden.


Modular cold storage in all imaginable formats. Modular cold-storage rooms are available in volumes of 10 m³ and above and offer limitless options for expansion. In terms of , temperature range and options such as remote temperature monitoring, the HACCP-compatible cells can be fully matched to suit your needs. Contact us for more info.
A modular cold-storage room is the most flexible solution if you are temporarily short of permanent cold-storage capacity. Modular cold-storage rooms are available in volumes of 10 m³ and above and offer limitless options for expansion. In terms of , temperature range and options such as remote temperature monitoring, the HACCP-compatible cells can be fully matched to suit your needs. Flexibility with respect to the rental period and 24/7 service make the service complete. If required, Coolworld can work together with your technicians or project team to integrate the detachable cold-storage cell into your project.


Me! On a ballot paper!
Today's excitement is due to the arrival of the ballot paper for the East of England Co-op election.
Well, it's exciting for me, because I'm standing for election to become a director on the Co-op board. As are another 30 people, for a grand total of 5 spare places. So let's just say my chances aren't that great.
But if you have an East of England Co-op card, and might be willing to vote, that would be fabulous!
I would love the chance to unite my passions for food and retailing, and help the Co-op remain a successful business at the centre of our local community, but we'll just have to see how it all goes.
For now, it feels really odd every time I nip into the Hadleigh Co-op and see my name on a poster on the noticeboard.
The poster in the Co-op. I'm in there somewhere!
Results will be announced at the East of England Co-op AGM in Wherstead on May 7th.
Hope I have any nails left by then!
You've reminded me that I need to change my address for my Co-op card!
and I meant to say " Good Luck" and I hope you get 100s of votes.


Cat Lovers Ceramic Wine Goblet. Enjoy your drink with a little humor!
This high quality ceramic goblet is glazed in multiple colors and adorned with paw prints. Bright and Bold!
It reads; "CAT LOVER'S FAVORITE DRINK. MEOWLOT OR A WHITE WINE CHILLED TO PURRRFECTION".
Makes a fantastic gift for any Wine and Cat lover. You'll want one for yourself of course!


text:
Blog / Cool Rides Online®
The History Of The Station Wagon
The term "station wagon" is used to describe the body style of a car that has a longer roof line, multiple rows of passenger seating and a cargo liftgate in the back. Over the years, this type of vehicle has evolved, and it continues to influence the automotive industry. The history of the station wagon is quite interesting and displays the way that society dictates what cars are manufactured.
In the beginning, a station wagon was known as a "depot hack" because it was used to carry passengers and cargo after they got off of trains. The early design was based on a truck platform that did not contain doors. In 1922, the first enclosed station wagon was introduced. Ford began using a wood-based design was extremely popular at this time. Following WWII, technology advanced, and steel replaced wood as the major material used to manufacture this type of vehicle. The first factory-built steel wagon belonged to Jeep.
The modern design of a station wagon reached its peak in the 1960s. This decade saw the development of compact, mid-size and full-size wagons. A person could choose between a two-way, three-way, side-by-side or liftback option. Buick and Oldsmobile got creative and invented a raised roof that had glass panels and a glass sunroof.
After the gasoline crisis of the 1970s, the station wagon began to lose popularity. The minivan design was becoming more practical and muscle cars took center stage. As the 1980s approached, front-wheel drive cars became popular, and the new millennium ushered in a time when Sports Utility Vehicles were all the rage. At this point in America, station wagon production was nearly obsolete. European luxury automakers continued to offer some wagons in their lineups, and they are still available today. These vehicles remain popular overseas.
Although the future of the station wagon is uncertain, its body style may return one day. This type of vehicle offers more cargo room than a crossover and does not compromise handling. As people want a vehicle that can haul numerous passengers and cargo, the wagon may see a resurgence under a special niche.
sanders auto glass | May 1, 2019 at 10:09am
David Charles Stewart | Jul 13, 2019 at 7:39am
The long roof in SUVs is straight from the station wagon.
Robert Lowhorn | Jan 20, 2022 at 3:32pm
The Modern Station Wagon is the MINI-VAN and SUV – Comfort, Power, Functionality, Efficioncy.


text:
European press roundup
EN 
 http://www.fr-online.de
The Frankfurter Rundschau was badly hit by the media crisis. In May 2004 the SPD-owned media holding company DDVG bought a 90 percent stake in the company. In 2006 Cologne publishers M. DuMont Schauberg bought 51 percent. In 2010 the paper was produced by the DuMont editorial collective, in 2012 it was on the verge of being discontinued but was taken over by Frankfurter Societät, the FAZ publishing house and the Karl Gerold foundation, and a mimimal editorial team was kept on. From 2011 to 2013, its supra-regional section was produced in Berlin, in cooperation with the Berliner Zeitung. In 2013, the Frankfurter Rundschau returned to being produced entirely in Frankfurt. In March 2018, the Ippengruppe took over the Mediengruppe Frankfurt together with the Frankfurter Rundschau and Frankfurter Neue Presse.
Political orientation
Centre-left
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Content partially fee-based
Frankfurter Rundschau GmbH / Frankfurter Societät, FAZ-Verlag, Gerold-Stiftung
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Frankenallee 71-81, 60327 Frankfurt am Main
0049 69 21 99 1
leserbrief@fr-online.de
@fronline
Quotes from "Frankfurter Rundschau"
Frankfurter Rundschau (DE) / 25.01.2022
Asylum in Germany!
BBC still needed as counterweight
The straw that broke the camel's back
Fortunately investors can do maths
Beware of wonder boys
History must not be repeated
Orbán's worst nightmare
Western sabre-rattling the wrong reaction
Steer clear of supposed saviours
First step on the gas - then on the brakes
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WinHEC, Windows 7, Google/Yahoo, Xbox 360, Gears of War, Virtual PC, and more.
Google/Yahoo! deal falls apart: Microsoft to the rescue?
Tip of the week: Virtualization on the desktop.
Don't forget that Virtual PC and Virtual Server are still free. VMWare Workstation 6.5 just shipped, too.
Plus: The first Windows 7 tip!
Audible pick of the week: Timeline, Unabridged, By Michael Crichton, Narrated by John Bedford Lloyd. For a free audiobook, visit Audible.com/windows.


Our Harps Zingo Jackpot hits an amazing €7,400. Zingo Result for this week: 6-5-7-4-2-3-1. We had no Jackpot or Dividend Winners. Dividend prize now €700. Our Next Draw will take place on the 1st of January, New Year's Day, in the Clubhouse. Envelopes only €2 or 3 for €5. How do you play? You buy a ticket online now!! Our club Zingo allows us to accomplish so much as a Club, Thanks to all those who play every week.
Academy will recommence on the 20th of January 2018 - Registration for Academy & Gormanston will take place on the 13th of January in the Clubhouse from 9am to 11am.
• Friday the 29th Dec - Annual Christmas Golf Outing takes place in Skerries GC. Timesheet now open 9.30 - 11.30am. Followed by meal and prize giving from 8pm in the Harps Clubhouse. Contact Paul Murray on 0851740474 to book your slot.
• NYE 2017 - Skerries Harps Presents Bob McQuaid (Swing/Jazz) plus food - tickets €15 A night not to be missed - contact Joanne /Fergal to book your spot - limited to 80 !
We would like to wish all our Members, Players, Friends and Supporters a very Happy New Year. May you enjoy the blessings of the season with your family and friends.


text:
The 1975 Montreal Expos season was the seventh season in the history of the franchise. The Expos finished in last place in the National League East with a record of 75–87, 17½ games behind the Pittsburgh Pirates.

Offseason
 December 4, 1974: Tom Walker and Terry Humphrey were traded to the Detroit Tigers for Woodie Fryman.
 December 4, 1974: Mike Torrez and Ken Singleton were traded to the Baltimore Orioles for Dave McNally, Rich Coggins, and Bill Kirkpatrick (minors).
 December 5, 1974: Willie Davis was traded to the Texas Rangers for Don Stanhouse and Pete Mackanin.

Spring training
The Expos held spring training at City Island Ball Park in Daytona Beach, Florida, their third season there.

Regular season

Season standings

Record vs. opponents

Opening Day lineup

Notable transactions
 April 30: Tim Ireland was released by the Expos.
 June 3: 1975 Major League Baseball Draft
Mike Boddicker was selected in the 8th round, but did not sign.
Andre Dawson was selected in the 11th round.
 June 15: Nate Colbert was purchased from the Detroit Tigers.

Roster

Player stats

Batting

Starters by position
Note: Pos = Position; G = Games played; AB = At bats; R = Runs scored; H = Hits; Avg. = Batting average; HR = Home runs; RBI = Runs batted in; SB = Stolen bases

Other batters
Note: G = Games played; AB = At bats; R = Runs scored; H = Hits; Avg. = Batting average; HR = Home runs; RBI = Runs batted in; SB = Stolen bases

Pitching

Starting pitchers
Note: G = Games pitched; IP = Innings pitched; W = Wins; L = Losses; ERA = Earned run average; SO = Strikeouts

Other pitchers
Note: G = Games pitched; IP = Innings pitched; W = Wins; L = Losses; ERA = Earned run average; SO = Strikeouts

Relief pitchers
Note: G = Games pitched; W = Wins; L = Losses; SV = Saves; ERA = Earned run average; SO = Strikeouts

Award winners

1975 Major League Baseball All-Star Game
 Gary Carter, catcher, reserve

Farm system

Notes

References

 1975 Montreal Expos team page at Baseball Reference
 1975 Montreal Expos team page at www.baseball-almanac.com

Montreal Expos seasons
Montreal Expos season
1970s in Montreal
1975 in Quebec


text:
Lyndon Trott (born 17 July 1964, St. Sampson, Guernsey) is an elected Deputy in the States of Guernsey and served as the Chief Minister of Guernsey from 2008 to 2012.

Political appointments
Deputy Trott has been a deputy in the States of Guernsey since 2000.  Re-elected in 2004 and again in 2008.

From 2004 until 2008 he was the Treasury and Resources Minister before being elected to the position of Chief Minister of Guernsey on 1 May 2008. His term of office expired on 30 April 2012. He succeeded Mike Torode as Guernsey's third Chief Minister following the creation of the post in 2004.

He was re-elected as a Deputy for the electoral district of St. Sampson in the General Election of 2012 and again in 2016, being elected as Vice President of the Policy and Resources Committee, the Senior Committee of the States of Guernsey following the 2016 changes.

In August 2020, Trott formed the Guernsey Partnership of Independents party with Heidi Soulsby and Gavin St Pier.

References

1973 births
Government ministers of Guernsey
Living people
Members of the States of Guernsey
Guernsey people


text:
Q: SetOnKeyListener not working with gridview I have tried a lot but could not get this thing working. I have some pictures in grid and I want to navigate it using a d-pad. For this purpose I'm implement the setOnKeyListerner but it gives me this error.
"cannot resolve setOnKeyListener(anonymous method android.view.View.OnKeyListener)"
public class GridView_Holder extends RecyclerView.ViewHolder implements
    OnClickListener {
// View holder for gridview recycler view as we used in listview
public TextView grid_title, grid_location, grid_date;
public ImageView grid_imageView, grid_delete;
public RelativeLayout gridLayout;

private RecyclerView_OnClickListener.OnClickListener onClickListener;

public GridView_Holder(View view) {
    super(view);
    // Find all views ids
    this.grid_title = (TextView) view.findViewById(R.id.grid_title);
    this.grid_location = (TextView) view.findViewById(R.id.grid_location);
    this.grid_date = (TextView) view.findViewById(R.id.grid_dateconstructed);
    this.grid_imageView = (ImageView) view.findViewById(R.id.grid_imageview);
    this.grid_delete = (ImageView) view.findViewById(R.id.grid_delete);
    this.gridLayout = (RelativeLayout) view.findViewById(R.id.grid_layout);

    // Implement click listener over views that we want
    this.gridLayout.setOnClickListener(this);
    this.grid_delete.setOnClickListener(this);

}

@Override
public void onClick(View v) {

    // set custom listener
    if (onClickListener != null) {
        onClickListener.OnItemClick(v, getAdapterPosition());

    }

}

// Setter for listener
public void setClickListener(
        RecyclerView_OnClickListener.OnClickListener onClickListener) {
    this.onClickListener = onClickListener;
}

code of Adapter
public class GridView_Recycler_Adapter extends RecyclerView.Adapter<GridView_Holder> {

private ArrayList<Data_Model> arrayList;
private Context context;

public GridView_Recycler_Adapter(Context context,
        ArrayList<Data_Model> arrayList) {
    this.context = context;
    this.arrayList = arrayList;

}

@Override
public int getItemCount() {
    return (null != arrayList ? arrayList.size() : 0);

}

@Override
public void onBindViewHolder(GridView_Holder holder, int position) {

    // Now in this method the items will set and click listener will occur
    final Data_Model model = arrayList.get(position);

    GridView_Holder gridHolder = (GridView_Holder) holder;// Holder
    Bitmap image = BitmapFactory.decodeResource(context.getResources(),
            model.getImage());// Converting drawable into bitmap

    // setting data over views
    gridHolder.grid_title.setText(model.getTitle());
    gridHolder.grid_location.setText(model.getLocation());
    gridHolder.grid_date.setText(model.getYear());
    gridHolder.grid_imageView.setImageBitmap(image);

    gridHolder.setOnKeyListener(new View.OnKeyListener() {

        @Override
        public boolean onKey(View v, int keyCode, KeyEvent event) {

            switch (keyCode) {
                case KeyEvent.KEYCODE_DPAD_RIGHT:
                    Log.e("right button", "yes");
                    break;
                case KeyEvent.KEYCODE_DPAD_LEFT:
                    Log.e("left button", "yes");
                    break;
                case KeyEvent.KEYCODE_DPAD_UP:
                    Log.e("up", "yes");
                    break;
                case KeyEvent.KEYCODE_DPAD_DOWN:
                    Log.e("down button", "yes");
                    break;
                default:
                    break;
            }

            return false;
        }
    });

}
@Override
public GridView_Holder onCreateViewHolder(ViewGroup viewGroup, int viewType) {

    // This method will inflate the layout and return as viewholder
    LayoutInflater mInflater = LayoutInflater.from(viewGroup.getContext());

    ViewGroup mainGroup = (ViewGroup) mInflater.inflate(
            R.layout.grid_customview, viewGroup, false);
    GridView_Holder gridHolder = new GridView_Holder(mainGroup);
    return gridHolder;

}
}

A: Use RecyclerView.Adapter<MenuAdapter.MyViewHolder> implements View.OnKeyListener
And
@Override
    public boolean onKey(View v, int keyCode, KeyEvent event) {
        return false;
    }


text:
Chicago Cubs Online > If The Ivy Could Talk - Cubs Rumors > Cubs Quiet on Deal-A-Reliever Monday, Still Listening on Samardzija
Cubs Quiet on Deal-A-Reliever Monday, Still Listening on Samardzija
July 30, 2013 12:54 am By Neil 41 Comments
The stretch run leading up to the non-waiver trade deadline on Wednesday (3:00pm CDT) began Monday morning when Jose Veras became the first of three relievers that would end up being traded by the end of the day. Houston sent their closer, Jose Veras, to the Tigers for minor league OF Danry Vasquez and a PTBNL. The Braves filled a void in their pen when they acquired LHP Scott Downs from the Angels for RHP Cory Rasmus. Atlanta is likely out of the mix for James Russell with Downs now in the fold.
The Rays took a big gamble when they traded for injured RHP Jesse Crain, but at the same time Tampa gave a pretty good indication of how thin the trade market is for relievers this year. The Rays will send a player or players to be named later and/or cash considerations to the White Sox for Crain. The Sox return will be based on how well Crain pitches once he is able to come off the DL.
So where does that leave the Cubs in regards to moving Kevin Gregg or James Russell? Gregg's value has really dropped over the last few weeks as he has pitched more and more to his career norms. The Orioles and Tigers were rumored to have interest in Gregg at one point and both teams have now filled that opening in their pen. The Cubs are looking to move Gregg. But the question remains, is there a team that is interested?
As for James Russell, he does not fit the criteria as a player the Cubs would like to move prior to this trade deadline. Russell remains under team control for two more years and it seems that teams have been more interested in acquiring him than the Cubs looking to move him.
Jon Heyman reported late Monday night that the Cubs are talking to teams about Kevin Gregg and Carlos Villanueva.
Jeff Samardzija
The Cubs are listening to offers for Jeff Samardzija and according to multiple reports, the Cubs are asking a ton in return for him. The front office is doing what they should be doing. If a team is willing to pay their price for Samardzija, which would in turn speed up the building process, then he will be traded. With that said, the Cubs are asking so much for Samardzija that the chances he is traded would be somewhere between slim and none.
According to a report from Jon Heyman, "the Cubs are basically requesting of teams that they take whatever they want when it comes to a Samardzija deal." Heyman reported several teams, including the Diamondbacks, are interested in Samardzija.
Nate Schierholtz
ESPN Chicago's Jesse Rogers reported that Nate Schierholtz could be the next player traded. Schierholtz would like to stay with the Cubs and has expressed his desire to stay to the front office in recent days.
According to Rogers' sources two or three teams have shown interest in Schierholtz.
The ESPN report indicated that because Schierholtz signed a one-year deal with the Cubs in the off-season that makes him a candidate to be traded. Unless there is language in Schierholtz's contract that no one knows about, Schierholtz is under the Cubs' control for one more season if they tender him a contract for next year in the off-season.
Kevin Gregg
Kevin Gregg is not sure if he is going to be traded or not. Gregg told Bruce Levine that he has enjoyed his time with the Cubs and would consider re-signing with the team in the off-season.
Brett Jackson was assigned to Double-A Tennessee on Monday. Jackson really struggled in four games with the AZL Cubs and went 1-for-14 with seven strikeouts. Jackson went 1-for-4 with a run scored and a strikeout in his first game with the Smokies on Monday.
Injuries have slowed Jackson this year and he really needs to finish the season on a positive note.
Scott Baker
Scott Baker made his fourth rehab start on Monday night as he works his way up the system and into the Cubs' rotation at some point in the coming weeks.
Baker made his first appearance with the D-Cubs after making three starts with Kane County.
Scott Baker threw the ball much better than he did in his previous three games. Baker gave up two runs, one earned, on three hits with two walks and two strikeouts in 3 1/3 innings. Baker gave up two singles and a solo home run on 66 pitches, 40 for strikes. Baker recorded two groundball outs and had four other three-ball counts that did not result in walks. Baker hit the high-80s with his fastball (86-88 mph). Baker threw 23 pitches in the first (15 strikes), 19 in the second (nine strikes), 14 in the third (nine strikes) and 10 in the fourth (seven strikes).
Junior Lake was given Alfonso Soriano's old locker at Wrigley Field. Lake ended a 0-for-14 skid with two hits in his final three at bats on Monday in his first start, and appearance, at Wrigley Field.
The I-Cubs placed Josh Vitters on the 7-day DL on Monday with a strained right hamstring.
Jake Arrieta is looking forward to his Cubs' debut on Tuesday in the second game of the twin bill. Arrieta told the media he "doesn't plan on going back to the minors."
Several scouts were at Wrigley Field on Monday night watching the Cubs and Brewers. The Pirates and Nationals are two of the teams that had scouts in attendance. According to Bruce Levine, 15 scouts were at Wrigley watching a variety of players.
Jon Heyman reported the Cubs are talking to teams about David DeJesus, Nate Schierholtz and Dioner Navarro.
The Cubs are 30-26 since May 26 and Dale Sveum talked about what it would mean for the team to finish with a .500 record. Sveum said, "It's a goal that you want to have, but it's not a goal that we want to have with this organization because I think those kind of things hold things back, too. Oh, as long as we get to .500, yippee, but you're still going home like everybody else who's not in the playoffs."
The Cubs' pitching staff accomplished something a Cubs' staff has not done since 1971. Jeff Samardzija become the third straight starter to pitch seven innings without allowing a run joining Chris Rusin (Saturday night) and Travis Wood (Sunday afternoon). The last time three Cubs' starters completed seven innings without allowing in a run in three consecutive starts was in August of 1971 when Bill Hands, Milt Pappas and Juan Pizarro accomplished the feat.
On a sad note, former Cubs' pitcher Frank Castillo drowned on Sunday in a boating accident in Arizona. Castillo was only 44 years old. The CCO sends out our thoughts and prayers to the Castillo family.
Follow ChicagoCubsOnline on Twitter: @TheCCO and @TheCCO_Minors
Filed Under: If The Ivy Could Talk - Cubs Rumors Tagged With: Brett Jackson, Carlos Villanueva, Chris Rusin, Dale Sveum, Dioner Navarro, Jake Arrieta, James Russell, Jeff Samardzija, Josh Vitters, Junior Lake, Kevin Gregg, Nate Schierholtz, Scott Baker, Travis Wood


There is an album called 50,000,000 Elvis Fans Can't Be Wrong. Ah, but can they all be liars? At what point do you trust what everyone else says, and distrust your own heart?
That question lies at the center of this song. A young man is in love, as in so many other songs: "Yesterday, you swore to me/ You'd be mine eternally." With this phrasing, however, we feel a "but" coming. That was "yesterday." Today..?
Well, "Today, my friends all say it's true/ You're going out with someone new." They "all" say it. How could it not be the case?
Nevertheless, our hero remains unconvinced: "I don't believe them," he asserts repeatedly, adding "No!" seven times.
But the rumor mill grinds on. Next, the "kids in school" say she is not just a two-timer, but a many more timer than that! In fact, that she runs around, like, um, Runaround Sue: "They say that when I turn around/ You head right for the lights of town."
It's not just that they are maligning her, but also him, calling him a "fool" to his face for staying with her.
Only, no! He dismisses all of that. Instead, he decides that faith is the way, as the alternative is unthinkable: "If I believed everything they say/ It would break my heart."
While his stalwart trust is admirable, his next piece of reasoning is not: "So I'll go on trusting you/ I've got no choice-- what can I do?" Well, he could ask her, either directly or indirectly, or enlist her help in quelling the rumors.
He's not there yet, though. Where is he? Stuck. "I know that I would die/ If I found out you told a lie," he says. If he asks her and she isn't cheating, she might take offense at being suspected, and dump him. If she is cheating, she would lie about it (as she has been by hiding it all along) and act as if she isn't cheating.... and take offense at being suspected and dump him.
But what if he said, "I hate what they are saying about you. I know you're true to me-- why would they say such things?" Or, "If you wanted to end it, you would. You wouldn't string me along and go behind my back. You're not that kind of girl." Or "The next guy who says something like that, I'm gonna pop him in the face, even if they do kick me out of school." And watch her reaction.
In any case, he sees no way out except to keep saying "I won't believe them, I don't believe them" to them, and to himself. But not to her. You have to wonder why he doesn't find some way to bring it up with the person he wants to be with "eternally."
Maybe he, as Shakespeare had it, protests to much. Maybe seven "Nos" is a few to many. Maybe, on some inner level he doesn't want to examine, he does believe them. A little. Enough for it to bother him a lot.
No, they can't be right. Then he is a fool, and the one he loves is a cheater, and all those jerks are vindicated. That would be truly unthinkable. And so he doesn't allow himself to think it.
Playing devil's advocate, why would they all lie, though? For one thing, why would they bother to spend so much energy breaking up a relationship? Tarnishing her reputation and destroying his faith? Well, anyone who has spent five minutes around adolescents knows the answer. Because they can. For fun.
If they really cared about him, they would take him aside and speak in whispers, not throw it in his face at the cafeteria like so much food-fight meatloaf.
It's very hard to defeat a rumor. Some persist for centuries, despite mountains of evidence. There is so much dishonesty in human relationships that, sadly, we expect it instead of truth.
Performance Note: Marty Cooper, the Tico of Tico and the Triumphs, sang lead on this track.


HOW TO PARK A CAR Between Two Cars! Learn This With A SWEET AND CHARMING EXPLANATION Using Simple Animation!
Road signs and markings will help you decide when and where you can park your car.
in any other restricted place.
Using hazard warning lights while parking or stopping in a no parking or restricted zone will not elevate you above the law.
A double yellow line indicates no waiting or parking at anytime.
A single yellow indicates no waiting or parking during times shown.
The times shown will be on a sign near-by.
Bus stop. You must not park or stop at a bus stop.
Keep clear — do not block this part of the road.
Loading bay — keep clear.
Parking space reserved for vehicles named.
Waiting or parking is limited to the duration specified during the days and times shown.
look out for other road users before opening your door.
At night, you can park your car without lights on roads with a speed limit of 30 mph or less. Of course, you must comply with any local parking restrictions, and you must not park within 10 metres of a junction.
You must also park parallel to, and close to, the side of the road or in a designated place and facing in the direction of the traffic flow.
leave your side or parking lights on — unless a sign indicates that you shouldn't.
leave your car parked on the right-hand side of the road (facing against the flow of traffic), except when parking in a one-way street.
Remember — it is always better to park your car away from such a road.
Whenever you park at night, never leave your headlights on. In fact, even if your pull over and stop for a short while, you should turn your headlights off. It is an offence to leave them on as they can cause dazzle to on-coming drivers.
Parallel parking is always a coup de grace for drivers who are taking their test. It is not hard at all to parallel park a car as long as you have caught the skills during the training. For beginners who have just started to learn parallel parking, it is recommended to learn it at a quiet place or places with the least traffic possible. This is to avoid distraction and also to reduce the driver's stress. Learn how to parallel park here with six easy steps.
When you are approaching a parking lot or a space, check the rear view mirror, side mirror, and blind spots. Make sure there is no vehicles following you too close. Give signal towards the parking lot as you approach it.
You will need to make sure the space is adequate for your car as you approach it. Slow down the car beside the parking lot and see if there is an adequate amount of space for your car. A parking lot that has at least four to six feet longer than your car is recommended for beginners. Look for a bigger parking lot if you feel the space is too small or uncomfortable to park the car.
With the signal light on, parallel your car next to the parked vehicle in front of your desired parking lot. Keep a distance of two feet from the parked vehicle. If the parking lot is tight, you may need to keep a distance of less than two feet. Do not get too close to it otherwise you may hit it when you're maneuvering your car. The easiest way to parallel your car with the parked vehicle is either align your rear bumper with the vehicle's rear bumper or align your rear wheel next to the parked vehicle's rear wheel.
Double check all the mirrors to make sure there is nothing behind you but a space to park the car. Imagine you are going to maneuver your car in an S-shape. Put your car in reverse gear and turn the steering wheel hard towards the curb to execute the first part of the "S". Reverse it slowly and do not step too hard on the accelerator. Go slow and steady.
A: Your front seat is in line with the parked vehicle's rear bumper.
C: You see the front corner of the parked vehicle behind you from your side mirror.
If your rear tire or rear bumper hit the curb, it means you turn the steering wheel at the wrong timing or you did not turn the steering wheel hard enough. Use your mirrors to check the car position and also check around to make sure it is clear. Continue reversing the car until it is fully parked into the space. Make sure you do not hit the bumper of the car behind you.
Turn the steering wheel to the center once you have parked into the space. If your rear bumper is too close to the front bumper of the car behind, pull your car forward a little bit to the center of the parking lot. Do not cross the parking lot lines. Compare your right front bumper with the right rear bumper of the vehicle in front. If they are parallel, you have successfully parallel parked your car. Sometimes, both of the parked vehicles (front and back) could be in a bad position. Check if your car stays around 6 to 12 inches away from the curb. You may not be able to open your car door if it is too close as the door may hit the curb. You may risk having someone kill your side mirror if you park the car too far from the curb.
You will need to see the type of the vehicle parked in front of your desired parking space when you line up your car. If it is a vehicle with super long trunk like the classic Chevrolet Impala, it will be better to align your car with the bumper.
If there are any vehicles coming from behind when you're approaching a parking space, give signal to the driver and let them pass if necessary.
Never use the front to go in first.
When you are approaching a space, check and see if any of the cars at the front and at the back is leaving or any drivers is sitting inside the car. If there is, let them leave first.
You can always move your car back into the starting position if things are not according to what you have planned.
Use student driver magnets or L (Learning) license plate to notify other drivers while you are learning how to parallel park a car.
If your car is parked too far away from the curb once you completed all the steps, it could mean you pull your car too far from the parked vehicle when you parallel your car with it in Step 1.
3. Turn the steering wheel away from curb when front seat (the rear of the front door) is IN LINE with parked vehicle's rear bumper.
Click here to see the video of how to parallel park.
You know we are very committed to all our fans and always love to share valuable information on all sorts of vehicles, cool hacks and tricks that could make your everyday life much easier, as well as useful tips how to maintain care of your ride. Here is another educational video to boost your gearhead's day and fill it with automotive knowledge and fun. Today we decided to give you a few pointers on how to park a car between two vehicles. With this lovely video you will see a very simple and comprehensive demonstration how to do this.
Of course, at any driving school they will teach you how to park, because this skill is one of the obligatory practical examinations at the time. However, in order to completely overcome the uncertainty of "parking", you will definitely need some driving experience, patience and to be addictive to certain rules – especially when you reverse park (including parallel parking).
Parallel parking creates a big problem for many drivers, even those with much experience, and for the beginners this could really mean a true agony. Such is the case especially when you need to park in rush hour traffic, so everything must be done very quickly and accurately so as not to exasperate other drivers. Parallel parking is essentially simple – you need to turn the steering wheel only two or three times, but this usually is possible only for experienced drivers. Therefore, we repeat – practice when you have the time and when you do not disturb other drivers.
If up until now you did not know how to do this, or you know someone who does not know, this video could teach you how to park your car sideways. With only few simple steps even those among you who are feared the most, will get rid of their fear of parallel parking.
Let me make one thing clear at the start, you should not even think of parking on a hill, if you have parking space available on a flat surface! So, before you park your car on a hill, make sure that there are no other parking options left.
The curb is the best friend of a car parked on a hill. A curb can prevent the car from rolling. So, the parking spot that you choose should be very close to the curb (the car and the curb should be just a few inches apart). Once the car is positioned, put the car in neutral and apply the brakes.
In order to make sure that the curb stops the car from rolling towards the traffic, you should focus on the direction of the front wheels. To make it easier for you to understand, I have divided this into 2 sections.
If you are facing downhill, then you should turn the front wheels of your car towards the curb. Now slowly release the brake, and let the front wheel closest to the curb, touch the curb. The curb will act as a hindrance to the forward motion of the tires.
Turn the wheel towards the road (opposite to the curb), if you are facing uphill. Take your foot off the brake pedal slowly, and allow the car to roll back a bit such that, the front wheel of your car bumps into the curb. Here the curb obstructs the backward motion of the tires.
If your car is not automatic, then you should put your car in first gear, if it is facing uphill (obstruct the downward motion). If your car is facing downhill, then put the car in reverse gear (prevent the forward motion).
If your car has automatic transmission, you simply have to put it in park. When you put your car in park, the forward and backward movement of the wheel is restricted.
Now, you can engage the hand brake, and turn off the car. Your car is parked, you can get out it.
If you have wheel chocks in your car, then you should place them appropriately.
If the car is facing uphill, then wheel chocks should be behind the wheels.
You should place the wheel chocks in front of the wheels, if the car is facing downhill.
If the curb is absent, then you have to use your common sense, turn the front wheels of the car in such a direction that the car does not roll into the incoming traffic. Do not leave children in a car parked on the hill, they might unknowingly disengage the emergency brake!
The emergency brakes are very important in such situations. Periodic maintenance check ups will ensure that the brakes of your car are functioning properly. If you do not park your car right, then you surely have to worry about damage compensation and car repair. Follow the steps mentioned above to make sure that you find your car, where you parked it!
Learning how to park a car is an essential part of learning how to drive. Of the three main types of parking—perpendicular (or 90 degree), angled and parallel—angled parking is the least difficult in terms of maneuvering. Doing it well means there is an equal distance of space around your car within the marked parking space, the front bumper doesn't cross over the front-end of the spot, and the back bumper doesn't hang out past the ends of the two parallel lines.
Drive slowly (inching along while keeping your foot over the brake) as you approach the angled spot. Position the rolling car at least 5 to 6 feet out from the parking space. Signal to indicate that you'll be turning.
Continue to inch along—wheels straight—until the front bumper of the car reaches the middle of the space you're parking in. At that point, brake lightly—not fully—to slow the car while you turn the wheel to enter the spot. About a half turn of the steering wheel should direct the car into the center of the spot—but some cars have looser or tighter steering. Aim to place your left front wheel in the center of the space as you enter it.
Straighten the car wheels out as the car's hood very slowly passes over the middle of the parking spot.
Come to a full stop once the front bumper reaches the front-end of the spot. Make sure the car's wheels are fully straight so that backing out will be as easy as entering. Put the car in park.
When aiming to park to the left of an aisle of parking spots, drive further to the right to allow a wider turn angle. When aiming to park on the right side of the aisle, stay further to the left as you approach the space.
Unless specified by street signage, angled parking is always nose-in, meaning you must back out to exit and should not pull through to the opposite space.
When angle parking in a lot or on a busy street, watch for cars getting ready to back out of their spaces. If you decide to take a spot that's being vacated, don't brake suddenly without looking in the rear view mirror first. Wait for the spot by signaling for it with your turn signal and make sure to give the driver backing out enough space to do so. If you must back up to accommodate the exiting car, do so carefully and check all mirrors and blind spots for other cars and pedestrians.


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As you may recall (you better, dammit!), I tried my hand at some cooking a few weeks ago. I'd like to report that, like Arther Dent with the Perfectly Normal Beast, I've learned the importance of bread in a sandwich. For years, I was a bleached-white kind of guy, sticking to my Wonder Bread when it was available. More recently, I've discovered potato bread, a more solid, moist, and tasteful bread.
Yesterday when I went shopping, I entered the bread aisle with reckoning. I knew that there was a sandwich to be made, a sandwich of no small magnitude. I knew that the bread to support said sandwich would need to be firm and thick, and possess a light, sweet, nutty taste that wouldn't overpower the chicken salad it was intended to support.
I pretty much grabbed the first thing I saw (with reckoning!) and it turned out to be the most perfect bread I've ever tasted. I left it at work, so I can't tell you what it was, but I remember that the brand was Roman something (complete with a manly looking soldier), and it was some kind of honey nut berry or something. I made the chicken salad without eggs this time (mostly because I forgot) and added some chopped celery. It was absolutely perfect, but I should have piled more of it on; there wasn't quite enough of it to fully eke out the bread taste.
Either way, I don't think I'll be buying potato again any time soon, and I'm certainly not going back to white. There's a new bread in town, and it's so manly that it's got a damn soldier on it.


The FUSION is a Modern style dining table which easily converts into an English pool table. With brushed Aluminium metal legs, hidden wooden levellers, a variety of veneer finishes, two piece dining top and complimented by the chrome corner plates, this is a great addition to any home environment.
With a 3/4" Slate bed, tournament standard playing surface, quick drop pockets, the Fusion offers a great game play experience. Offered with napped or speed professional pool cloth and accessory package.
The table offers a great dining experience especially in the 7' x 4' version. The dining space offers a larger area than a normal dining table and is excellent for entertaining. There are two types of dining top available. A veneer finish two piece dining top or a two piece smoked glass top.
The table is available in two sizes. English Pool table sizes are based on the tables outside measurements.
You should have a minimum 4' space around the table so for a 7' table, minimum room size would be 15' x 12'. We can supply shorter cues should you have a tight space.
There are a variety of delivery options available dependant on your location. Lead times for delivery are approximately 25 working days as all tables are built to order. Please don't hesitate to contact us to discuss your requirements. Click on 'Contact Us' at the bottom of the page under Customer Services as we are always happy to offer our experience to aid your decision.
By ticking the Standard Product boxes you will receive the basic package which includes - Table, Variety of Veneer Finishes, Choice of cloths, 2 Cues, Set of Balls, Chalk and a Triangle.


text:
Articles from the October 22, 2020 edition
Sorted by date Results 1 - 7 of 7
By Renee Summers News October 22, 2020
Police Department Accreditation Benefits Community says Dearborn Police Chief
When schools, colleges, and health care agencies are accredited, it lets the client or consumer know they are putting their trust in an institution with professional qualifications. The same is true...
Business October 22, 2020
MSHDA Streamlines Process For Landlords With Tenants Facing Eviction
CBS Detroit – Starting Monday the Michigan State Housing Development Authority is giving aid to landlords who have three or more tenants in the pre-trial phases of eviction through the state's...
By Rev. Edgar Vann Opinion October 22, 2020
Your Vote – Your Voice
A paraphrased quote attributed to Dr. Martin Luther King, Jr., says "Our lives begin to end the day we become silent about things that matter." The current zeitgeist has cast a pall of perplexing...
Faith October 22, 2020
Woman's Obituary: In Lieu of Flowers 'Do Not Vote For Trump'
ST. PAUL, Minn. (AP) - An obituary for a Minneapolis-area woman who died at age 93 included one specific request for her mourners: Do not vote for Donald Trump. Georgia May Adkins, of Inver Grove...
Education October 22, 2020
Ford Law Career Academy Aims to Increase Diversity in the Legal Profession
DEARBORN, – With the singular mission of bringing diversity to the practice of law, Ford Motor Company – with the support of its philanthropic arm, Ford Motor Company Fund, and Henry Ford...
By Clifton R Kirkman II Lifestyles October 22, 2020
Kimberly Willis - Her Faith Propelled Her Through Her Biggest Storm, Now a Breast Cancer Survivor in Her 30s
In the United States, according to www.breastcancer.org, about 1 in 8 women will develop invasive breast cancer over the course of her lifetime. This year alone, it's estimated that more than 276,000...
By Dominique Madden Education October 22, 2020
Sabbath Middle School students receive 'Acts of Kindness' donations from community organizations
RIVER ROUGE - Mr. Demond Thomas (Principal), Nicole Arnold (Academic Engagement Officer and Selena Smith (Education) are very humbled with the generosity and support that has been shown to the...


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The Research Imperative
Curse or cure?
Ronald Bailey | 4.7.2006 10:53 AM
Bioethicist Daniel Callahan defines the "research imperative" as the drive to seek knowledge through research, either for its own sake or as a means to some worthy practical end. This coming Monday at the Biotechnology Industry Organization's annual conference in Chicago, he and I will be on a panel discussing whether the research imperative is "a curse or a cure." Callahan gets to damn research as a curse, while I get to celebrate cures.
OK, the title is a bit over the top. After all, even Callahan agrees that biomedical research is a good, but he argues that it needs to be a lower priority than it is today in America.
First, Callahan argues against the notion that biomedical research is a moral imperative. He properly points out that no person has a duty to become a researcher nor to pay for any particular research. If a person chooses to become a painter, a soccer player, an investment banker, a physicist or a journalist, she does not deprive another person of what he or she is in justice due. And if she chooses to spend her money on a house, feeding the poor, or traveling, again, she has deprived no one of what they may reasonably demand of her. Interestingly, while Callahan is correct that no one has a moral duty to do research or pay for it, he implies that people do have a positive moral duty to supply others with goods like education, access to health care, and better housing. The difference? He doesn't really explain.
In any case, it is very clear that Callahan thinks that too much money is being spent on biomedical research in the United States. Why too much? Because most Americans now get to live their three score and ten in relatively good health. That is, unlike their ancestors a century ago, they live long enough to have families, productive careers, pay their taxes and die content. That should be enough.
On the other hand, Callahan does argue that biomedical research to prevent and cure infectious diseases may be close to a moral imperative. Why? Because those diseases cut down young people who have not had a chance for full lives. "To my mind, premature death is something to be worked against," says Callahan. But research on cures for the diseases of old age is less important. "It would be a good thing to cure cancer, heart disease and the like, but it seems to me in terms of social priority, I would want to argue that they have a comparatively low priority," says Callahan. He declares, "I guess to me the fundamental question is, what are the appropriate goals for medicine at this stage in history given the fact that we have already made great progress, given the fact that most people now die in old age, rather than as young people?"
He's right. In modern societies, infectious disease plays a relatively small role in killing off younger people: If all the things that kill people in the United States before age fifty were eliminated, average life expectancy—now 77.6 years—would increase by only three and a half years.
But Americans, by their purchases in the marketplace and their advocacy in the halls of Congress for setting budget priorities, have already answered Callahan's question about the appropriate goals of medicine—full speed ahead with biomedical research! Americans are supportive of research aimed at curing the diseases of old age precisely because more of us get to our golden years. In fact, dying before age 75 is now considered by most Americans to be "premature." Even young people favor research because they realize that they will one day be old, so cures developed for old people now will be available for them when they need them. (Not to mention that some young people may actually like to avoid having their parents and grandparents disappear into the undiscovered country.) Also, spending on biomedical research, both private and public, enjoys widespread public support because health is something we, as members of a liberal pluralist society, can all agree is an essential precondition for anyone to pursue any of the diverse ends they think make for a good life.
Callahan despairs that the more healthy life Americans enjoy, the more we want. He inveighs against this "abolition of fatalism," nostalgically noting, "In the past we reconciled ourselves to aging and death because we could do nothing." He adds, "It seems to me that the whole trajectory of modern medical research has been basically to treat [death] as if it were an accident. As far as I know, there are no fatal diseases that the NIH (National Institutes of Health) finds acceptable. The NIH is not in favor of immortality, at least officially, but there are no diseases that kill people that it is prepared to tolerate."
Sounds about right to me.
NEXT: Friday Fun Link
Ronald Bailey is science correspondent at Reason.
Science & TechnologyBiotechnologyScience


DUSK was the third collaboration between renowned Australian composer and improviser Richard Grantham (aka The Viola Cloning Project) and leading contemporary performance company, Zen Zen Zo Physical Theatre. DUSK was an exploration of the liminal, the space between, the threshold which facilitates transformation. The dancers moved like shamans or spirit walkers between the light and dark, life and death, music and silence, weaving a shadowy web through the bitter-sweet original score of Richard Grantham's live looped performance.
Directors/Choreographers: Lynne Bradley and James Kendall; Composer: Richard Grantham; Designers: Bill Haycock and Kaylee Gannaway. Produced by the Zen Zen Zo Physical Theatre and The Viola Cloning Project for the Restrung Festival.


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PH's Dianne Necio in top 5 of Miss International online poll
ABS-CBNNews.com reported last night that Binibining Pilipinas-International Dianne Necio, 19, was leading the people's choice online poll for the 2011 Miss International pageant.
As of this writing, however, it's Miss China in the lead with 164,021 votes. Necio is in second place with 161,589 votes.
Other Miss International candidates in the poll's top 10 list are representatives of Vietnam, Hong Kong, Macao, India, Indonesia, Singapore, Dominican Republic, and Venezuela.
According to the report, similar to the recent 2011 Miss Universe pageant, the Miss International candidate who will be named as the people's choice in its online poll will be an automatic semifinalist. Each voter can only vote once every 30 minutes in the 2011 Miss International pageant's official voting site.
For more on this story, log on to ABS-CBNNews.com.
Miss International Diannenecio
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