We had a chance to sit down with, Jim Jonas, a long-time active supporter of a variety of independent candidate campaigns and nonpartisan causes who now serves as the interim executive director of the National Association of Nonpartisan Reformers. Our conversation covered why now is the time for bipartisan and non-partisan efforts and candidates and how people can overcome polarization.
You're building a relationship between organizations that all seek to weaken the two parties' hold on America. Is the goal for you all to create a third party? Or to support candidates who don't want to be attached to any sort of political party?
The two major parties are doing enough on their own to weaken themselves. I don't think they would need our help if that were our goal.
What our members have in common, not currently shared by the major political parties, is a desire to strengthen the power of voters.
Political parties serve an important role, but they should derive their power and influence via the free-will support of their voters, not by how well their leaders can write backroom rules that insulate the two dominant political corporations from competition.
Members of our association can and do utilize different approaches to solving electoral problems, but we all share the core belief that making elections more competitive will strengthen both the country and political parties by reconnecting political leaders to their own members and their constituents.
We believe that election rules should be party-agnostic. Every voter and every candidate, regardless of their party affiliation or non-affiliation, should have the right to participate equally and meaningfully at every stage of the election process.
When the rules for voters to fully and equally participate in the election system are fairly conceived and enforced, there will be more electoral competition, broader accountability, stronger parties and in turn, and most importantly, better governance.
A recent book, How Democracy Dies, says that one of the problems right now is actually that the formal party structures have too little power/control, so populist movements have been able to take them over and drive polarization. Do you think that's true?
Political party leaders have worked in concert over several decades, in legislatures and courtrooms, to insulate themselves from competition and even from their own members.
The very contention that the political parties have been unable to respond to "populist" concerns is evidence of the corrosion caused by their successful efforts to rig the rules.
Republican and Democratic powerbrokers have become the architects of their own demise. They have made themselves unaccountable to voters by, in effect, divvying up the voter-pie, dictating the terms on which they'll campaign and choosing the districts in which they'll run as though voters were nothing more than a necessary nuisance in the process.
Gerrymandering, closed primaries, party-centric campaign finance rules, restricted access to Presidential debates, a binary, hyper-partisan media and even aligned political academics (whose "analyses" always begins with partisan binary assumptions) are all symptoms of a troubled, disconnected political structure that fails the core test of any democratic society's reasoned desire to resolve conflicts in a peaceful and civil way. These are the real-world factors that are driving polarization.
That is why nearly half the American electorate now self-identify as independent from any political party. As more and more voters leave the Republicans and Democrats, the power and influence of the partisan extremists who stick around naturally increases. This trend is toxic to the American system.
Academics consistently refer to a "two party" system. In fact, it is said so often that it is worth repeating that nothing in the Constitution or in any other founding documents contemplates a "two party" system. The country's early evolution toward two broadly based ("Big Tent") parties was a consequence of the decision not to adopt a parliamentary process. Rightly or wrongly, this was a conscious decision to avoid what Washington referred to as "factionalism".
Our members may debate the merits of that choice as well as the solutions. But, what is undeniable is that a "two party" system can only survive if both parties strive to be "Big Tents". Instead, both parties are narrowing their appeal and moving further out to the ends of the partisan poles and as a consequence weakening themselves as well as the voters they claim to serve.
If Democracy is dying, then the broken relationship between the parties and the voters created by leaders of the Republicans and Democrats is the prime cause.
Looking at the political landscape, what do you think are the one or two issues that non-partisan or third party candidates can most effectively discuss and/or impact that a Democrat or Republican cannot?
Independent and third party candidates can and should talk about the fundamentally unfair rules of the election game. It is no secret that both Bernie Sanders and Donald Trump struck a chord when they talked about the system being "rigged." Most voters, intuitively, know that it is. The problem is, neither of the major party candidates spent much time talking about how it is rigged or how to fix it (or how the one-third of the electorate that chooses not to affiliate with a party doesn't enjoy the same election rights and access as the voters who do affiliate).
For example, open primaries (in which any voter, regardless of their affiliation, can participate in a government-funded primary election) was once a top issue for Bernie Sanders. And long before he ran for President, Donald Trump railed against the rules that keep third voices out of the presidential debates.
But neither one of them talk about the rules that both parties use to prevent competition anymore. If they did, BOTH sides of the political aisle would come down on them.
Independent and third party candidates are already running against both parties. They have a self-interest in explaining how the game is rigged against them. It is a reality that is shared by voters.
The scourge of hyper partisanship and its negative effects on legislative progress is another issue that independents and third party candidates should knock out of the park. The same partisan forces that block progress at the ballot box also conspire to block any hope of lasting legislative achievements in congress and inside too many state capitals. The sliver of extremists that serve as the base of both parties control their agendas making common-sense compromise with the other party nearly impossible.
But, if enough independents and third party candidates are elected, they can deny either major party a legislative majority and force cooperation that demands common ground solutions to the seemingly intractable problems confronting the country. Eliminate the false-choice, we win/you lose mentality of current legislative affairs, and the system could rediscover its ability to tackle the really big problems that need tackling. Republicans and Democrats can conveniently bemoan hyperpartisanship and pay lip service to wanting it to stop. Independent and third party candidates and causes can actually solve it.
For those looking to overcome partisan divides in their communities, how should they do that other than voting for non-two party candidates?
First, voters have to be honest with themselves. Do they listen as much as they talk? Are they willing to spend the time to know more than a sound bite about a candidate? Are they skeptical enough about the negative national campaign narratives and personal attacks that have become the "chum' that distracts the media from providing more substantive information about policy choices?
Second, candidates must realize that voters need to believe that their vote matters. Independent candidates, whether they are registered in a political party or not, have to convince voters that they can win and that they can do it while maintaining their own sense of authenticity.
Finally, and this may seem overly simplistic: voters, candidates, and pundits would all serve themselves and the country well by spending a lot less time tea-leaf reading polls and other so called "micro-data".
Want to get involved locally? Join a local group or national electoral reform organization (I selfishly suggest starting with groups that belong to the National Association of Nonpartisan Reformers) to find information, resources, ammunition, and like-minded reformers and candidates that are taking on the polarized system.
Or, if you are an active Republican or Democrat, fight for principled reform inside your party. It's hard, in part, because no one can ever guarantee that genuine reform will result in electing people that agree with you. You have to believe in the power of your own ideas; that you and what you believe in can compete on an even playing field. Understanding and accepting the limits of honest reform is why the members of our coalition can stand together despite important differences of opinion on many issues.
The NANR's preamble says that "electoral competition has died...replacing the historic focus on new ideas in the American public square with the specter of the two parties' prevailing views." What new ideas do you see your candidates proposing now and in the future?
Our association's members are universally optimistic "happy warriors" in the political idea marketplace. They are always listening, on the prowl for big, game-changing electoral reforms and experiments that have the potential to increase participation, transparency and accountability.
The effort to elect independent leaders and to support electoral reforms that challenge the duopoly's vise grip on elections isn't easy.
Political parties are private corporations run by powerful, entitled partisans who do not have an interest in compromised progress. Our association's success will require both a measure of idealism and a dose of practicality. We will have our detractors. We're used to hearing the partisan's dismissive ridicule of our objectives. We know we will have to make our own tough, internal choices to set reach goals - but remain realists of what's possible in the near term.
In the end we would hope to have as many supporters within the parties as from without. We come not to destroy the entrenched political parties, but to save them from their own death spiral. Inclusive, relevant, and accountable political parties can be vibrant players in the new and improved political system that's coming (whether the parties like it or not) - but it's up to them to evolve.
Partisans and nonpartisans can and should peacefully coexist - equally - for the good of their communities, cities, states and the country. To do so requires agreement on only one fundamental principle: every voter should be entitled to equal treatment in every election.
On everything else … let's debate.


text:
"The greatest charity one can do to another is to lead him to the truth." -St. Thomas Aquinas
Angels & Saints
Conspiracies/False Flags
Corrupt USA/World
Health/Finance/Security
Hoaxes/Scams/Bugs
Illegal Immigration/Refugees
Islam/Jews
Leftwing Pathology I
Leftwing Pathology II
NWO/Police State
St. Michael's Prayer against evil
The Obama Chronicles
← A Wayne Allyn Root Christmas
FDA Moves to Ban Cake, Donut 'Sprinkles' →
Skipped care a side effect of high-deductible health plans
Posted on December 29, 2014 by DCG | Leave a comment
Seattle Times: Cammi Chase was thrilled to think she had solved the conundrum that is individual health insurance. Thanks to the Affordable Care Act and federal subsidies, last December Chase moved her family from an $800-a-month plan to one that cost about $240. "I felt like we hit the jackpot," she said.
But last spring when Chase was struck with an unexpected illness, the Seattle woman was shocked to realize how little her new health insurance plan — a Health Savings Account (HSA) with a deductible of roughly $5,000 — would cover.
High-deductible and HSA plans are appealing because of their lower monthly premiums. But many consumers don't realize how much money they'll spend out-of-pocket with these plans through copays and coinsurance if they get sick. Despite being insured, this kind of coverage can drive people into debt or cause them to skip needed care for fear of unaffordable medical bills.
The problem isn't likely to improve anytime soon. During the first open enrollment to purchase insurance from online health marketplaces under the ACA, more than one-third of the 150,000 individual policies sold through Washington's Healthplanfinder exchange were "bronze" level plans with more limited coverage. The plans for 2015 with the highest deductibles will require a consumer to spend $6,600 (with some exceptions), before an insurance company starts paying the full cost of their health-care bills.
"People aren't able to afford the copays and out-of-pockets," said state Rep. Joe Schmick, R-Colfax, ranking minority member of the House Health Care and Wellness Committee. Folks say to him: "Do I really have insurance when I have to pay this much out of my pocket? It doesn't feel that way."
In a recent survey of 1,004 insured Americans, more than one-quarter said they had a high-deductible plan. Almost 30 percent of them said they hadn't gone to the doctor when they were sick because of the costs they'd have to pay, according to the poll taken by The Associated Press-NORC Center for Public Affairs Research.
The American Academy of Pediatrics this spring suggested that high-deductible plans should not be sold to cover children out of concern that some families would forgo needed care.
So far, the high-deductible plans have not resulted in more unpaid patient bills at Washington hospitals. Reports to the state's Department of Health show that bad debt at hospitals has, in fact, decreased this year compared with last.
Health-care providers are nevertheless concerned. "It seems like the issue is growing and getting even more commonplace with the high deductibles and more out-of-pocket costs for patients," said Karen Johnson, a spokeswoman with The Polyclinic, an organization of Puget Sound providers.
In response, Polyclinic is promoting a deferred deductible program in which patients will be able to pay their medical bills over 12 months with 1 percent interest. If they pay the bill within three months, the interest is dropped.
Johnson said Polyclinic historically has accommodated patients struggling financially, but "we want to be more upfront about it," she said. "We want to be clear that we're offering it" and "take the stigma out of it a little bit."
State officials and others are trying to help people choose insurance that better meets their needs so they don't wind up with unaffordable medical bills. During this second round of insurance enrollment, which started Nov. 15 and ends Feb. 15, the state's insurance exchange is promoting videos and outreach materials explaining key insurance terms.
The exchange, which operates the Washington Healthplanfinder website, is encouraging people to use insurance brokers who give advice on plans. Brokers offer their services free and receive a commission from insurance companies.
"People are realizing that just because the premium was low, if they have to go to the doctor or have maintenance medication, those plans are not the best," said Thea Feltzs, an insurance broker in Gig Harbor.
Chase and her husband are self-employed, and their income is modest enough that they qualified for a federal subsidy that lowered the cost of the LifeWise HSA insurance plan she bought through the state's exchange. Their 7-year-old daughter is covered through Medicaid.
"I heard from the rumor mill that an HSA was the way to go because I'm self-insured," Chase said. "I was really banking that my health would be good."
In the spring, after experiencing memory problems and swollen joints, Chase was diagnosed with latent Lyme disease. "Immediately it included a lot of [doctor's] visits and a lot of medication and monthly tests and lab work," Chase said. And most of it wasn't covered by her plan. "Every time I walk in I pay for the office visit, which is $165 each month."
A financial person at her doctor's office referred Chase to Sarah Freeman, a Seattle insurance broker who helped her find a new plan for next year. At $325 a month, the Premera Blue Cross plan she found costs a little more than her current plan, but it will pay more of her bills.
For now the family can afford the higher premiums, Chase said, but "I just hope it doesn't continue to rise."
Despite the risks, Feltzs predicted the cheaper plans with higher deductibles will still be popular. "I sell them all day because those plans do work for people who say they don't go to the doctor or they rarely go," said the broker. "They say, 'I want to avoid the penalty [for being uninsured] and in the event that something does happen, I don't want to break the bank.' "
This entry was posted in Health & Human Services, Health Care, Liberals/Democrats/Left, Obama's America, Obamacare, Taxes. Bookmark the permalink.
Northerngirl
Like this was not foreseeable!! Obama has done more to single handily destroy the health of more Americans than any disease has.
TrailDust
I must admit, I have been skipping medical tests and appointments since my wife's "Calillac Plan" (to use the words of president Lucifer) was replaced by what I must call a "Chevette Plan." I don't like it, but that is the reality.
Now that healthcare reform has raised health insurance premiums and deductibles, it's like both not having insurance at all AND paying through the nose for it with most health issues (the minor ones) that you're most likely to have. (Thanks, Democrats!!)
Affordable Care Act my left ___.
avoiceforoptometry
Insurance with even HIGHER deductibles, "catastrophic" coverage should be offered. It should work like auto & home owner's insurance. Decrease the number of annoying mandates. Couple this with a "medical savings accounts" which can be used for preventative care, routine office visits.
"Manholes" out at Berkeley; must now be called "maintenance holes"
Manufactured outrage: Actor Chris Pratt criticized for wearing "white supremacist" Gadsden flag t-shirt
Dog refuses to leave roadside where owner was killed 18 months ago
Petition to recall California Gov. Gavin Newsom
Los Angeles MS-13 members committed gruesome murders with machetes, cutting out victims hearts
Mayor Lightfoot silent as shootings/killings keep piling up in Chiraq
Well-paid hypocrite: Libtard actress Helen Mirren insists it's "much more interesting to show the real you"
Feminist arrested after assaulting pro-lifer at U. of Wisconsin
The Lying-Piece-of-Scum Caption Contest
DCG on Meghan Markle's WOC fans fantasize Prince William & family dead
greenworxx on The Lying-Piece-of-Scum Caption Contest
mary on Feminist arrested after assaulting pro-lifer at U. of Wisconsin
William on Manufactured outrage: Actor Chris Pratt criticized for wearing "white supremacist" Gadsden flag t-shirt
Alma on Manufactured outrage: Actor Chris Pratt criticized for wearing "white supremacist" Gadsden flag t-shirt
Alma on Dog refuses to leave roadside where owner was killed 18 months ago
D3F1ANT on Feminist arrested after assaulting pro-lifer at U. of Wisconsin
Alma on Meghan Markle's WOC fans fantasize Prince William & family dead
GregB on The Lying-Piece-of-Scum Caption Contest
Clustr Map
Dog refuses to leave roadside where owner was killed 18 months ago 1,957 views
Feminist arrested after assaulting pro-lifer at U. of Wisconsin 899 views
Petition to recall California Gov. Gavin Newsom 770 views
Los Angeles MS-13 members committed gruesome murders with machetes, cutting out victims hearts 565 views
Deception: Alexandria Ocasio-Cortez and UN humanitarian Angelina Jolie 452 views
Founded 12-23-2009. Burned down by WordPress 8-15-2018 with 63M hits. Resurrected 8-23-2018. DDOS attacks began 11-10-2018. Massive Spam attacks on 12-3-2018.

redpajama_set_name: RedPajamaCommonCrawl


The twilight of dawn, the time when the last stars faded from the sky, was important to the Elves, who called it in Quenya tindómë, 'star twilight' or in Sindarin minuial ('first twilight'). In Mannish languages, and especially in the Shire, this time of day was known as 'Morrowdim', which combines 'morrow' (in this context meaning 'morning') and 'dim', a poetical reference to the dim light before the rising of the Sun.
Discus handles online DISC questionnaires for you, sending you a report as soon as results are ready.


text:
Arabia/Africa
As the Saw Turns
Andy's Apps
Convention Center/Airport Spotlight
Green Piece
International Man
The Wow Booth
I&D Shop to Showfloor
Women in the Industry
Tradeshow Strategies
The D.E.A.L. (Dining, Entertainment, Attractions & Lodging) / Events & Venues
Project 25 Sponsorships
Newsblasts
2019 40 Under 40 Submissions
2019 40 Under 40 FAQs
2020 ACE Awards Submissions
2020 ACE Awards FAQs
2019 ACE Recipients
The International Man: Doing a Tradeshow in Italy
by Larry Kulchawik
This column is an excerpt from my book, Tradeshows from One Country to the Next. I hope to share highlights about doing tradeshows in select countries for upcoming ECN issues. Enjoy your business travels!
Of all the countries in Europe, I have had more tradeshow experiences in Italy than any other country. In 1989 I had worked directly with the Italian Trade Commission to coordinate pavilion exhibit spaces for tradeshows held in the U.S. I traveled to Milan once every quarter for three years to meet with the exhibitors who were participating in an Italian pavilion space at shows in the U.S. We usually spent the first 20 minutes of our meetings discussing our American work rules and why they were not allowed to do many things. These discussions wasted a lot of valuable time, but nevertheless were necessary to avoid conflict at the U.S. show site. For many, this first exposure to a U.S. show resulted with Italian exhibitors deciding to exhibit independent of the Italian pavilion. Like the Italians in the '90s, American companies are now looking to expand their products and services in Italy and the rest of Europe. As exhibit suppliers, our ability to recalculate our approach within each world region is key to providing a positive exhibitor experience.
Five countries account for 60 percent of total indoor exhibition space dedicated to tradeshows and events. Germany, U.S., China, France and Italy
Italy ranks as one of the top five tradeshow active countries. There are several large venue locations in Italy (Milan,Verona, Bologna) but most of the major shows and events in Italy take place in Milan. Fire Milano hosts most of the major events, usually more than 60 events a year in its two exhibition venues. Its exhibitions attract more than 30,000 exhibitors and more than 5 million visitors. A newer exhibition center, Fire Milano Rho, has been open since 2007 and covers approximately 2 million square feet for exhibition space. The new fairground of Milan is in Rho Pero, nine miles from Milan's city center.
In Italy, France, and Spain, English is not spoken as commonly as in Germany, Sweden and the Netherlands. With this said, working with an Italian exhibit partner for a show in Italy would surely make the exhibit set-up experience less stressful. Most exhibit design and fabrication in Italy is custom. Wooden walls are grouted and painted on site. Aluminum systems are used, but are less popular. Most exhibit design will include a raised floor, a bar area for catering and private meeting spaces. Lighting and AV services available are state-of-the-art provided by subcontractors. Design and style matter.
In the world of Italian business relations, practicing proper business etiquette is essential, as many Italian businesspeople place great value on first impressions. The Italian business culture and etiquette simply cannot be ignored at tradeshows and other business encounters. Italians are famous the world over for their sense of family, and it could be said that this strongly relationship-oriented approach has been taken into the world of commerce. Indeed, it is true to say that the Italian economy has a greater percentage of small- and medium-sized, family-run businesses than any other European state (with the possible exception of Spain.) This is not to say that all companies are riddled by nepotism and old-style cronyism, but the idea of an enterprise being an arrangement of strongly felt relationships is still very much in evidence.
"When in Rome do as the Romans" or anywhere else in Italy. When planning your exhibit in Italy, check with IFES to introduce you to a reliable and trusted supplier to work with. Also, when requesting exhibit services in Italy I am happy to give you a copy of the Italian version of my RFP Template for free. The template translates 150 key industry words English to Italian. It's not what you say but what you mean that matters.
Arrivederci — until we see each other again!
Larry Kulchawik is the head of Larry Kulchwawik Consulting and author of Trade Shows from One Country to the Next. For more info, visit www.larrykulchawik.com
This story originally appeared in the November/December issue of Exhibit City News, p. 18. For original layout, visit https://issuu.com/exhibitcitynews/docs/ecntears_novdec_2019_copy
Magazine Current Issue
ECN January/February 2020 - Digital Edition
Read our latest news on any of these social networks!
ACE Awards Video Series
Don & Mike Show
Exhibit City News © 2008-2019 Exhibit City News, Mr. Tradeshow Communications, LLC. All rights reserved. Ph:(702) 309-8023


text:
Tag: Lightning
More Bakugan: Battle Planet Japanese Dub Cast Members Revealed
March 15, 2019 March 15, 2019 Pak Hanu
The official Japanese Bakugan: Battle Planet website has updated with the announcement of more cast members for the Japanese dub for the series. The newly announced cast members include: Jun Fukushima: Wynton Styles Chinatsu Akasaki: Lia Vinegas Yumi Uchiyama: Shun Kazami Aki Kanada: Lightning Shun Horie: Trox Kaori Nazuka: Pegatrix Aoi Ichikawa: Hydorous Daichi Kanbara: Howlkor Shōhei Kajikawa: Magnus As reported earlier it was revealed that Dan Kouzo will be voiced by Rie Takahashi and Shunsuke Takeuchi will be voicing Drago/ Dragonoid. Spin Master provided a description for the series. When Bakugan began emerging from the…
Animation Anime & Manga News Staff & Cast
Dissidia Final Fantasy NT: Locke Character Trailer Revealed
May 15, 2018 May 15, 2018 Pak Hanu
Square Enix NA has updated their official Youtube channel with a new character trailer for Dissidia Final Fantasy NT. The latest trailer features a look at Locke, who was one of the main characters from Final Fantasy VI. International fans should recognize the character from Final Fantasy III, which was the North American release of Final Fantasy VI. Locke will be released in the arcade version of the game on May 17 and will later be available for the console version this June as DLC. This treasure hunter utilizes his stealth to surprise and steal from his enemies. Locke can also mug unaware foes, snatching…
Dissidia Final Fantasy NT – Launch Trailer Streamed
The official Final Fantasy Youtube channel has updated with the launch trailer for Dissidia Final Fantasy NT. The trailer features a glimpse at some of the gameplay. Dissidia Final Fantasy NT is now available for the Playstation 4. Source: Final Fantasy
Dissidia Final Fantasy NT Intro Cinematic Streamed
December 5, 2017 December 5, 2017 Pak Hanu
The official Playstation Youtube channel has updated with intro cinematic for Dissidia Final Fantasy NT. The intro cinematic features Materia and Spiritus in a clash between the forces of good & evil. The channel also updated with a cutscene featuring Noctis from Final Fantasy XV. Dissidia Final Fantasy NT will be released in Japan on January 11 and wordwide on January 30, 2018. Source: Playstation
Golbez to Join Dissidia Final Fantasy Arcade Roster
Square Enix has announced that they will be adding Golbez to the roster for arcade version of Dissidia Final Fantasy. For those who are unaware Golbez is the one of the main antagonists from Final Fantasy IV. Players who match the conditions during the "Conflicts of Gods" event will be available to access the character early on November 16. The event will start on November 9 and the character will be available for all players late November. A new stage called the "Stellar Fulcrum" based on the location from Final Fantasy XI will be added to the November update to the arcade version of the game…
TGS 2017: Dissidia Final Fantasy NT Trailer Streamed
Square Enix NA has updated their official Youtube channel has updated with the Tokyo Game Show 2017 trailer for Dissidia Final Fantasy NT. The latest trailer features a preview of several of the different playable characters in the game and reveals that Noctis Lucis Caelum from Final Fantasy XV will be joining the cast of the game. Dissidia Final Fantasy NT will be released exclusively for the Playstation 4 worldwide on January 30, 2018. Source: Square Enix NA
Dissidia Final Fantasy NT Announced
June 7, 2017 Pak Hanu
Square Enix has announced that they will be releasing Dissidia Final Fantasy NT for the Playstation 4 in 2018. For those who are unaware the game is a port of the Japanese Dissidia Final Fantasy arcade game. Square Enix NA posted a trailer for the game on their official Youtube channel. In partnership with Team Ninja from KOEI TECMO GAMES, Square Enix presents DISSIDIA® FINAL FANTASY® NT as a new and refreshing experience – a team-based brawler. Combining seamless gameplay, FINAL FANTASY characters and breathtaking worlds from the past 30 years of the franchise, DISSIDIA FINAL FANTASY NT welcomes all…


Mesa, AZ - The #15 Mesa Thunderbirds baseball team notch two more wins on the season with a sweep of the University of Arizona Club team Saturday afternoon, 11-0 (5), 6-1.
Joshua Brown started game one for the T-Birds, not allowing any hits or walks and striking out seven in four innings. Max Williams finished the final inning for Mesa, also not allowing any hits or walks. Brown recorded his second win on the young season.
Riley Peterson had the big hit for Mesa, a triple to right field that scored two runs. Peterson was 2-4 in the game with a run scored while Marcus Skundrich went 2-2 with and RBI and a walk.
Game two saw Cameron Doherty go four innings for the T-Birds, not allowing any hits and striking out three. Dustin Schorie officially recorded the victory, pitching 2.2 innings, not allowing a hit and striking out five. Logan Campbell finished off the ninth inning, allowing just a hit and striking out three.
Paul Steffenson and Luke Patty each tripled for Mesa but it was Patty's triple with the bases loaded that began the scoring for the T-Birds in the second inning. Steffenson, Ben Lewis and Joshua Brown all recorded two hits each.
Mesa is now 8-0 on the season and will play at home on Tuesday against Benedictine at 3 pm then will begin conference play with Glendale at home on Friday at 3 pm. They will head to Glendale on Saturday for a noon first pitch.


Domaine Cros de la Mure is a quietly legendary domain located in the tiny village of Derboux near Mondragon in the central Southern Rhone. The domaine is well known among small quality obsessed producers in the region for the fanatical approach taken by it's proprietor Eric Michel and his passionate dedication to ideals of tradition and terroir expressiveness in each vineyard parcel that he farms. He is sought out for his sage wisdom by young vignerons who wish to take their connection with the history of the regions viticultural practices. That obssesion with capturing the purest essence of the particular site has led Eric down the path of severely limited yields.
Eric believes strongly in co-plantation and co-fermentation of multiple grape varieties as the most vivid means of expressing vintage and terroir. The main production is Côtes du Rhône and all 20 hectares are certified "agriculture biologique." Eric makes only about 300 bottles from a small parcel of 0.15 hectare in Chateauneuf du Pape (Lieu-dit Les Pialons).
Additionally, he produces about 250 cases of Gigondas from one hectare. All wines here are ambient yeast fermented and aged in cement tanks. Yields are kept extremely low through green harvesting-as low as 15hl/ha!


text:
Q: How to load native lib in android with static{System.loadLibrary()} I was studying the android source code and I found that there are many places in framework that use native code without using static{System.loadLibrary()}.
For example, in SystemServer.java, native method "init1(args)" is called but there is no static{System.loadLibrary()} in the file. How native code is loaded without static{System.loadLibrary()}? thanks.

A: The native library has to be loaded only once for the whole application, so it has probably already been loaded by another class which has been instantiated before. Note that this is not a best practice as it makes assumptions on the order by which the classes are called!
A commonly used technic to avoid this is to create a Loader class like this:
class Loader {
    private static boolean done = false;

    protected static synchronized void load() {
        if (done)
            return;

        System.loadLibrary("library_name");

        done = true;
    }
}

This way, if you call static{Loader.load();} on every class that requires the use of native functions, you ensure that the library has been loaded (and only once).

redpajama_set_name: RedPajamaStackExchange


text:
Jeff Clark - Just Visiting
Jeff Clark -Just Visiting
2012, Jeff Clark
If you haven't heard of Jeff Clark before, don't be surprised. He's an example of the kind of talent it takes to be a music superstar, but perhaps just never quite gets the right break. Instead, Clark is a local legend in the Austin, Texas scene. With his former band Too Smooth, Clark was a contemporary of ZZ Top, Johnny & Edgar Winter, Steve Miller and Steven Stills. Over the years, Clark has shared the stage with the likes of Rush, Aerosmith, The Kinks, Ted Nugent and Judas Priest, to name a few. Clark's latest effort is to revisit some of his best material from over the years, with the help of some old friends. Just Visiting found Clark working with old band mates and friends, including Brian Wooten (Trace Adkins); Danny Swinny (Suede); Tommy Taylor (Eric Johnson) and Mark Miller (Bubble Puppy).
Clark kicks things off with a blast of 1980's goodness in the form of "We Can Make It", with the help of guest vocalist Christopher Cross. The guitar and synth driven sound falls somewhere between Asia and late Genesis. "Soon You Will Be My Girl" has a definite pop sensibility, and the vocal triads are a perfect reminder of the AOR radio days. Clark sinks further back into the early 1970's with "Mamie Mama", featuring some slinky guitar work and an irrepressible beat.
"Everything With You" is a piano driven ballad full of deep melancholy. Clark's vocal weaknesses are exposed here, particularly on slow passages that climb into his upper register. In spite of these limitations he does a solid job. The sound quality here is not as good as elsewhere on the album, however. "Believe In Me", by contrast, sounds more slickly produced. The guitar work and vocal style here are typical of the classic rock era, and Clark does it all with working class flair. "You Are My Life" is a heartfelt ballad that sounds like first dance material. The lyrical turns here are a tad awkward at times as Clark dances with cliché, but the song is heartfelt and well presented.
Clark and his band strap on their jet packs for "Tonight", a high energy rock and roll love song with a chorus that will get stuck in your noggin and stay there. "I've Got You" is a solid album track that continues Clark fascination with love songs classic and atypical. The darker quality of the arrangement is nice, and once again brings to mind Asia. "Trilogy" digs deep into the 1960's for Beatles-esque sound, but updated with twangy country-style guitar. This is a nice listen; it doesn't bowl you over but helps build an appreciation for Clark's subtle talent as a songwriter, composer and guitarist.
Heart-felt sentiment and a touch of schmaltz come together in perfect measure on "25 Years Later", celebrating the longevity of love and also the blessings of a God who would bring together so perfect for one another. This prayerful element to the song may be a turn off to some listeners, but it's as heartfelt as the love Clark expresses for his wife. Clark closes things out with "Man Of Fortune", a reminder that Grace plays a greater role in our destiny than talent or even luck. The solid classic rock arrangement is reminiscent of Canadian rocker Kim Mitchell, and the groove is a solid one that you can dance to.
While not necessarily billed as a greatest hits package, Just Visiting definitely fills the bill as one. Jeff Clark is a hidden gem, the sort of musical talent you want to text your friends about. Or perhaps you're a hipster and want to keep him to yourself. Either way, Just Visiting is an album you'll visit again and again.
Learn more at www.jeffreyb-clark.com.
Posted by Wildy at 10:20 PM 1 comment:
Labels: Bubble Puppy, Eric Johnson, Jeff Clark, Suede, Too Smooth, Trace Adkins
Madelein Peyroux - Changing All Those Changes (Video)
Madeleine Peyroux returns on March 5, 2013 with The Blue Room, an artistic rendering of a tribute to Ray Charles' ground breaking Modern Sounds In Country And Western Music. The album is not a straight cover project, as Peyroux hand picks tracks from the Ray Charles classic to interpret in her own inimitable style. She also includes takes on tunes by Randy Newman, Warren Zevon, John Hartford and Buddy Holly.
The lead single is Holly's "Changing All Those Changes", and Peyroux does more than just take the song for a walk; she makes it her own. Check out the video below, and keep your eyes and ears open for a lot more of Madeleine Peyroux this spring!
Posted by Wildy at 11:31 PM No comments:
Labels: Buddy Holly, Madeleine Peyroux, Randy Newman, Ray Charles, Warren Zevon
The Anthony Lai Band - Behind The Sun, Part I
Dearborn, Michigan quintet The Anthony Lai Band is full of collective musical talent. Each member has extensive experience with various scholastic and professional ensembles. Their influences read like a pantheon of rock hall of famers. All of that is good resume material, bur the band find a special chemistry with one another on their latest EP, Behind The Sun, Part I.
Lai kicks things off with the blue collar rock n roll love song "I'd Rather Be With You Tonight." This little number is a gem, with Lai's chorus creating its own momentum. The low-fi production style is enjoyable, and remeniscent of Neil Osborne and 54-40. "Behind The Sun" explores the concept of a romantic near-miss. Anthony Lai shares the microphone here with Cara Niemann, whose delightfully quirky folk/rock vocal style manages to steal the show.
Lai launches next into the effervescent pop/rock of "Tell Me What It Is", which sports a chorus you simply won't be able to get out of your head. "Something Beautiful (Angel)" is a low key, acoustic guitar ballad that's sweet with a surprisingly substantive melody. This is true mix tape material for the hopeless romantics out there, but avoids the usual love song cliches. Lai closes out with the bouncy piano pop of "You Make It Right." The stax style horns a nice touch, framing the chorus on perfect fashion.
Anthony Lai has a distinctive melodic understanding of song craft, and a penchant for pop hooks that is the musical DNA of Lennon and McCarthy. Lai never overpowers vocally, but sings in a solid, everyman voice that is appealing to the ear. Listeners will be waiting expectantly for Behind The Sun, Part II.
Posted by Wildy at 6:22 AM No comments:
Getting reacquainted with a great album
Every once in a while its good reacquaint yourself with a great album you haven't listened to in a while. Life gets busy and musical mores move on, but great music has staying power.
Today's selection is Shakespeare My Butt by Lowest Of The Low. These Canadian Music Hall Of Famers are consistently remembered on best album of all time lists for this indie gem from the early 1990's.
Led by the duo of Ron Hawkins and Stephen Stanley, Lowest Of The Low had one of the most turbulent and successful careers of any early 90's Toronto Indie Rock scenester not named Barenaked Ladies.
I am working off my phone due to laptop failure and don't seem to be able to embed a video with this meager blogger app, but here is a link to the video for "Eternal Fatalist", one of my enduring favorites from the album. Enjoy!
http://youtu.be/AMbHh1TJjH0
Posted by Wildy at 6:11 PM No comments:
Labels: Lowest Of The Low, Ron Hawkins
Location: Western New York (null)
Down for a few days
The official Wildy's World laptop bit the dust last evening in a fit of black screens and missing restore points, so we shall be down for a few days while I get that sorted out. Back soon with more great music!
In the meantime, if some nice company or person wants to donate a laptop, I will be happy to say nice things about you!
Lexie Roth - Lexie Roth
Lexie Roth – Lexie Roth
2012, Lexie Roth
Musical legacy can be a heavy weight; it can also be a blessing. Lexie Roth, daughter of famed guitarist Arlen Roth and visual artist Deborah Bussichio, comes from a line of artistically inclined folk. Roth shows the same bent on her debut album, Lexie Roth. While the apple does not fall far from the tree, so to speak, it's clear that Roth is still growing into her own style and substance as a songwriter.
Roth opens with the vaguely surf-influenced mellow rock of "Lost Memory". There's a pervading sense of melancholy that walks its way through the open arrangement, which serves as a platter on which Lexie Roth's fine alto voice can play. The subtle musical style used here is somewhat reminiscent of Sting's post-jazz age. "Stay Or Go" is a musical diary entry; wordy and self-absorbed. The arrangement is solid, but the vocal line is overly repetitive and trapped in its own ambivalence. "Forget All About Me" has a more ethereal melancholy at its core. The sparse arrangement once again allows for Roth's voice to be the star of the show, but the plodding melody doesn't necessarily do her any favors.
"Ghost Of Childhood" starts slowly and spins in place until Roth launches into an exceptional chorus. "I Have To Leave You" keeps up the maudlin pace, with Roth perseverating on a failing relationship in a clockwork arrangement that lulls the listener to sleep. Things pick up a bit on "Little One", offering up a chorus that is full of quiet energy and a solid hook. The song flutters and flails a bit on the verses, caught up in wordy style, but the chorus is right on the mark. "I Wanna Run" considers a relationship she has given her all to, only to find out her beloved isn't as committed as she. Roth's story telling here is solid enough, but the story is almost clinically told; there's no real sense of emotion one way or the other.
"Call You My Hon" is a love song that's awash in sound but once again leaves any distinct sense of emotion at the door. It's a solid tune, but undersold. Roth lays her heart bare on "I'll Be", a love song with an apocalyptic feel. It's unclear whether this number is written from beyond a relationship or beyond the grave, but Roth's obsessively verbose style is a bit too much in spite of the compelling theme. A mild swing informs the rhythm of "Windfield", an expansive story in song that suffers from its own lack of energy and Roth's prolixity. The aural palate used here is actually quite enjoyable, and renews the earlier comparison to some of Sting's work, but the song just folders under its own monotony. Roth shakes off her doldrums with the snarky/sweet "Country Diddy". She keeps it simple here while wallowing in her own near-demise, recovery and short-sighted romantic failings. It's an interesting closer that is very much out of tone with the rest of the album.
Lexie Roth brings an intriguing voice on her self-titled debut album, but has yet to learn the economy of a seasoned singer/songwriter/storyteller. The album suffers from a relentless inertia of low-key, plodding songs full of self-directed and overly populated lyrics. These, alongside Roth's low-key vocal style, do not serve her well. Roth's voice is sufficient to sustain the listener in spite of all this, but it's hard not to think that there is more life in Roth as both a songwriter and performer.
Rating: 2.5 Stars (Out of 5)
Learn more at www.facebook.com/lexierothmusic.
Labels: Arlen Roth, Levon Helm, Lexie Roth, Sting
Red Jacket Mine - Someone Else's Cake
Red Jacket Mine – Someone Else's Cake
2013, Fin Records
Red Jacket Mine is a product of disparate influences. The Seattle based quartet hails from a city known for Garage Rock, Grunge and Rap, but Red Jacket Mine is crafting their own Seattle Sound. With lead vocalist and songwriter Lincoln Barr calling on his Memphis roots, Red Jacket Mine walks the line between blues, soul, country and good old classic rock and roll. The result is familiar yet fresh, full of catchy pop hooks and a whole lot of charm. Red Jacket Mine brings it all together on their fourth album, Someone Else's Cake, due out February 13, 2013.
Red Jacket Mine takes off with the delicious, synth-driven pop/rock of "Amy". Infectious hooks and s sneaky-catchy chorus make this one a charmer and a great opening track. "Nickel & Dine" is a catchy Americana rocker that sounds like a cross between Elvis Costello and Blue Rodeo. Red Jacket Mine builds a wonderfully catchy vibe here while discussing the human tendency to tear down anything that works and the clash between optimism and pessimism. "Ron Nasty" is a bit generic, but "Engineer" rocks with a bluesy attitude. This is one of those tunes you just can't sit still for, and vocalist Lincoln Barr is in particularly fine form here.
"Skint City" has a more melancholy feel, and carries a vocal harmony that's reminiscent of a 1970's Eagles record. It's a solid album track with a quiet swing that's easy on the ears. "Listen Up (If the World Is Going to Hell)" pays homage to 1970's R&B and pop styles. Barr sounds a bit strained in small moments here, but it's a solid effort overall. "Novelty's Gone" walks the line between gentle rock and country, relying on a metronomic rhythm to drive a maudlin number about the reality of a relationship setting in. There's a rote feel to this tune that carries over to the tacitly soulful "Better To Be Broken Than Blind". Both tunes are solid enough, but just don't carry much energy or conviction.
Red Jacket Mine comes fully awake for "Someone Else's Cake", a catchy kiss-off song of sorts. There's a delicious edge to this number that underscores the Americana/Country sound. "Have You Got A Permit To Preach On This Corner" has more of a classic country sound, and takes to task someone who professes their beliefs publicly. Red Jacket Mine closes with the catchy rocker "Bellar & Bawl". An R&B backbeat drives the song, alongside an early rock & roll piano style and a band that is clicking on all eight cylinders. This is the perfect close to the album, and a perfect song to close shows with as well.
Red Jacket Mine certainly knows how to kick things into high gear when they want to, but Someone Else's Cake shows a supple understanding of song craft that while not always perfect in fruition, displays a distinctive understanding of melody, song structure and inspiration. Someone Else's Cake is a complex album that finds lead singer/songwriter Lincoln Barr negotiating with his own varied musical influences with varying degrees of success. It's an intriguing listen from a band who promises to keep growing and getting better with age.
Learn more at www.redjacketmine.net.
Labels: Blue Rodeo, Elvis Costello, Lincoln Barr, Red Jacket Mine, Stag
Rachel Epp - Rosary
Rachel Epp – Rosary
2010, Rachel Epp
Rachel Epp grew up a farm girl, with the seeds of country and folk music sewn into her musical soul. Artists such as Dolly Parton, Alison Krauss, Patty Griffin and Kathleen Edwards taught her what great songwriting is, and Epps applied these influences into the making of her own style. The result is compelling; a storytelling style of song craft that is deeply personal and full of a vibrant intensity that never weighs too heavily on the listen. Rachel Epp's sophomore effort, Rosary, builds on her ability to use words to paint pictures that nearly come alive.
Epp kicks things off with "Ghost in the Graveyard", an ode to young love full of summer nights and endless dreams. With a radio-ready chorus and a sweet, instantly likeable voice, Epp makes a great first impression. "East of the River" explores the dichotomy of being comfortable with one person but wanting more. The demarcation here is New York's East River, and the two sides are different worlds with different realities. Epp brings out the beauty of where she wants to be and the indecision that accompanies it in a lush arrangement that wraps around you and pulls you into the story. "Virginia" has a more plaintive feel, an ode to the transient feel of home once you've found a life elsewhere. The full acoustic-electric arrangement is comfortable even as it explores emotional nooks and crannies that are often less so.
"Beautiful Like This" is full of melancholy memories of happy moments, and an awareness that tomorrow's memories might be much the same. It's a beautiful reminiscence of now, full of an understanding that life is fleeting and memory, in the end, is all we are left with. Rachel Epp writes much deeper than you might first assume, and that is never clearer than in this moment. Rosary bows with "Wasted", a country-tinged number that shows off Epp's voice in its lonely beauty. The straight-forward singer/songwriter style is enhanced by Epp's flowing melancholy and darkly sweet arrangements.
Rachel Epp mesmerizes with doses of beauty and melancholy on Rosary. Epp surprises you; wrapping you up in her stories with a voice that lulls and a sense of imagery that is sublime. Rosary is not to be missed.
Learn more at www.rachelepp.com.
Labels: Alison Krauss, Dolly Parton, Kathleen Edwards, Patty Griffin, Rachel Epp
Steve Martin and Edie Brickell - new album due April 23, 2013
Steve Martin tweeted today to call attention to the announcement of a new album due out on April 23, 2013 featuring himself and Mrs. Paul Simon, Edie Brickell. Martin has won kudos in recent years for his work on the banjo, and Brickell has built a solid songwriting career on the popularity of her mid-90's hit "What I Am". This is a case of two very interesting talents you'd never imagine working together sharing a creative process. The results are unpredictable, but with producer Peter Asher (James Taylor, Elvis Costello) at the helm, and guest appearances from Esperanza Spalding, The Steep Canyon Rangers and members of Nickel Creek, you're assured of a set of intriguing performances.
And as long as King Tut doesn't break into a chorus of "What I Am", all will be well.
Labels: Edie Brickell, Esperanza Spalding, Nickel Creek, Paul Simon, Steve Martin, The Steep Canyon Rangers
The White Ravens - Saddle Up The Whales
The White Ravens – Saddle Up The Whales
2012, The White Ravens
Brother and sister songwriting team Will and Amy Bennett began their band, The White Ravens, on Christmas Day, 2004. Now 19 and 20, respectively, The Bennetts are carving out an interesting niche in the Indie rock scene in Michigan. Terming their sound "indie pop geek cabaret rock", The White Ravens are influenced by a cacophony of sounds from the worlds of rock, classical, Broadway, folk and modern Indie rock. Will Bennett (keys, guitar) is the composer, and Amy Bennett (vocals, bass) is the lyricist. It's a dynamic combination that is responsible for a wonderful tuneful, effervescent pop/rock sound. On their third album, Saddle Up The Whales, The White Ravens seem to have finally come into their own.
The opening track, "Saddle Up The Whales" is vibrant; joyous; a little bit messy and a whole lot of fun. Rather than the cynicism so common in modern popular music, The White Ravens glory in a sort of youthful glee. The result is a sound that is complex, but driven by a singular pop sensibility that gets under your skin and makes you want to get up and dance. "Rube Goldberg Machine" features the same sort of simple joy, wrapped up in an incredibly complex and varying arrangement. Will Bennett shows his compositional skills run somewhere between those of the Beatles and Ben Folds, blending rock, pop and classical components into an amazingly cogent bit of writing. Amy Bennett backs it all up with lyrics that are wonderfully twisted and full of the simply joy of making music.
"Informational Video" takes a disco beat and turns it into a complex, layered pop song. You'll want to dance and sing along. "Conspiracy" is a paranoia-filled nightmare for the relationship-phobic in the crowd. There is a distinct cabaret-pop feel to this tune, and Amy Bennett perfectly balances an edge of sultry songstress with quirk and humor. The White Ravens offer up a change of pace with "Rain Song". Sounding at first like a ballad, "Rain Song" is quirky and pensive, but carries a melody that is beautiful and sweet. Amy Bennett handles this juxtaposition with a surprising grace. "Spaaace" is a catchy piano-driven rocker full of classical themes and a fearful penchant for space travel. The song is infectiously off-kilter; the sort you return to again and again.
"Mechanical Whales" starts out with a dark cloud hanging over it, brought on by the delicious minor key piano opening. This turns into an art-rock extravaganza that is more about sound and structure than anything else. The result is stark and full of a surprisingly twisted beauty. "World's Smallest Piece Of Pasta" has more of a chic-dance rock aesthetic. The quirk factor here is quite high, and the song is an entertaining if surreal listen. "Great Pacific Garbage Patch" commemorates the world's eighth continent, a large collection of garbage afloat in the Pacific Ocean. This tune has great comedic potential, but The White Ravens find a gentler path through the song. "Arlene's Grocery" is full of wonderfully zany lyrics. The arrangement matches the feel but is complex and well-developed. "We're Glad You're Here" is a Beatles-esque musical exploration full of layered sounds ala Phil Specter. It's a nice sonic segue way into the closing track, a boogie-woogie take on "Bye Bye Blackbird". Will Bennett gets to show off his piano prowess here in unvarnished terms, and Amy Bennett shows depth and grace in her handling of the vocal line.
The White Ravens keep you on your toes and ultimately charm your socks off on Saddle Up The Whales. The musical depth and breadth of what they are doing here before legal drinking age speaks to a pair of distinctive musical talents, and a special chemistry that simply doesn't come along every day. Saddle Up The Whales has a kitschy feel at times, but it's all in good fun; a fun so infectious you can't help but join in.
Learn more at www.thewhiteravens.com.
Labels: Amy Bennett, Ben Folds, No Doubt, Sarah Slean, Tally Hall, The Beatles, The White Ravens, They Might Be Giants, Will Bennett
The Steeldrivers - Hammer Down
2013, Rounder Records
In a town like Nashville you have four strata of musicians: The mega-stars, the headliners, the session/side musicians and the hungry newcomers or hangers-on. Everyone knows the mega-stars, and most people would know a song or two from the headliners. The kids are still trying to find their place and the hangers on are the lifers who never 'make it' but never give up. In betwixt and between them all is perhaps the most talent and dedicated group of musicians you will ever find. These are the people who fill in the cracks on recordings for all of the above, from the new unknown working with an established songwriter to the biggest star on Music Row. They are the session players and touring musicians. These folks make their living playing music and supporting the muse of others.
Many of them play several instruments better than you or I will ever master one. Many of them are singers and songwriters and arrangers and producers and anything else they can learn to keep them near the music. Every once in a while one of these players will break out on his/her own. That's a parallel for the story of The Steeldrivers: Five highly successful musicians who have spent their careers playing the music of others. Yet this dedicated group has been recording since 2006, and has become both critical darlings and crowd pleasers. The Steeldrivers have recorded individually with some of the biggest stars in all of popular music, yet when they come together as one organic whole something special happens. The Steeldrivers return on February 5, 2013 with Hammer Down, perhaps their most sonically perfect work to date.
Hammer Down kicks off on the toe-tapping bluegrass of "Shallow Grave", featuring a memorable melody and exquisite vocal harmonies. That trend continues on "How Long Have I Been Your Fool", which takes a classic theme of betrayal and reworks it in wonderfully tuneful fashion. "When You Don't Come Home" completes a trio of dysfunctional or atypical relationship songs that open the album. This is the most infectious of the three, with primo vocals and some prodigious picking and fiddle playing involved as well.
"I'll Be There" takes this theme on a new direction, exploring in melancholy overtones the expectation, born of heartbreak that things will come back around. The melody here is nothing short of gorgeous, and the violin solo seems inspired by the late, great Stephanne Grappelli. Another type of darkness infuses "Burning' The Woodshed Down". Lead vocalist Gary Nichols sounds a great deal like Trout Fishing In America's Keith Grimwood, but perhaps never more than here. Perhaps even more intriguing, Tammy Rogers' harmony vocals make it sound like Alison Krauss is sitting in.
"Wearin' A Hole" is all about dancing (and drinking) as an escape from worldly troubles. It's a feeling better song with a catchy mid-tempo arrangement that should make line dancers everywhere happy. "Lonesome Goodbye" is ripe with classic country melancholy. The brilliant melody is allowed to ride on the wave of an easy going arrangement that highlights its inherent beauty. The Steeldrivers launch next into the high energy bluegrass of "Hell On Wheels", the story of a small town girl gone wild. Full of frenetic energy and frantic instrumental work, you'll be jumping out of your seat when this little number comes on. "Cry No Mississippi" plays on the theme of falling out of love in a small town and having to see your former love on a regular basis. The bluesy folk arrangement is a perfect match for the pragmatic lyrics. Hammer Down comes to a close with the jaunty "When I'm Gone", which features the distinct melodies, vocal harmonies and instrumental prowess that seems to define The Steeldrivers. It's a sonically appealing way to say goodnight; one certain to bring listeners back for another go 'round.
The Steeldrivers suck you in and wrap you in their ever loving arms on Hammer Down. Ten songs chock full of classic country heartbreak and neurosis await you, wrapped in amazing bluegrass arrangements bursting with irresistible pop hooks. The chemistry here is amazing, and Hammer Down is a can't miss listen.
Learn more at www.steeldrivers.net.
Labels: Alison Krauss, The Steeldrivers, Union Station
Jacob and the Good People - I Am Jacob
2012, Jacob and the Good People
Atlanta, Georgia (by way of Ohio) rockers Jacob And The Good People have a sound that's influences by acts such as Dave Matthews Band, Rusted Root, Zac Brown Band, O.A.R., and Lil Wayne, to name a few. Their infectious post-alternative pop and soul blend gets into your boots and makes them wiggle. Some of that is the chemistry of the band and some of it is the pure persona that is Jacob Blazer. On the band's debut EP, I Am Jacob, Jacob and the Good People incite all of the influences above but sound mostly like they have been playing in some special sauce.
I Am Jacob opens with the light reggae-fueled folk/pop of "Crazy", a love song with a distinctive island swing. Jacob Blazer is charismatic and warm as a front man, and sells this song primarily on personal charm. "Moving" is a low energy cut of musical philosophy that has no questions and fewer answers. "Simple" is a soulful love song in the classic Philly style, with Blazer overcoming minor vocal flaws with pure charm. "Allstar" finds Jacob playing in the same lazy/hazy soul territory as G. Love. It's an entertaining number that mixes singing and spoken word while dropping culture and fashion references from earlier days. The EP closes with "Goodbye", a tuneful kiss off from a man who is choosing a life on the road over a woman he may love, but who cannot accept him being away.
Jacob and the Good People come quickly full circle in the relationship cycle on I Am Jacob. The slow and easy feel to the songs combines with Jacob Blazer's personal charisma to create an affable listening experience. His voice isn't going to win him awards, but like other great performers before him, Blazer sells each song with such finesse you may not even notice.
Learn more at www.jacobandthegoodpeople.com.
Labels: Dave Matthews Band, G. Love, Jacob and the Good Guys, Jacob Blazer, Lil Wayne, O.A.R., Rusted Root, Zac Brown Band
Grand Army - Love Is Gonna Eat You
2013, Grand Army
Boston-based electro-art rockers Grand Army are back in action with Love Is Gonna Eat You, the follow-up to their 2009 debut Toys For Chaos. Full of big, quirky pop hooks and unusual song construction, Love Is Gonna Eat You is equally exhilarating and frustrating. Grand Army finds some sublime moments along the way ("Our Time", "Make Music" and the wonderfully catchy "Lost Our Mind"), but there is an almost mindful effort to tease the music beyond what it wants to be at times. Grand Army shows distinct potential for crafting a high impact mix of rock and pop on Love Is Gonna Eat You, but seems to get distracted by their own musical architecture. Everything here is well produced and well played, and vocalist Alicia Racine is equally convincing as a wildcat rocker or sultry crooner. There is a lot here to like, but still a sense that Grand Army is struggling to find a comfortable musical balance.
Learn more at www.facebook.com/grandarmymusic or www.reverbnation.com/grandarmy.
Labels: Alicia Racine, Grand Army, Gwen Stefani, No Doubt
Steve Martin and Edie Brickell - new album due Apr...
A Clever Con - Mannequin Love: Part 1


text:
Home Death Education
DEATH EDUCATION in the PUBLIC SCHOOLS
Some public schools teach "death education." Some even have a "suicide talking day." On that day, students write suicide notes. They write their own obituaries and discuss what they will look like in their caskets. One student said that before "suicide talking day," she never considered the possibility of suicide. After that day, she began to contemplate it. She thought that it would "liberate her spirit" so that it would no longer be "enslaved to her body." In addition, it would help with the problem of global overpopulation. She said that the suicide training made her "brave enough" to commit suicide.1
Do you remember Columbine High School in Littleton, Colorado, where two students shot a number of their classmates and then committed suicide? That occurred in 1999. Since 1985, Columbine has been teaching death education classes.
In 1988, the "Atlantic Monthly" had an article about death education. It said that thousands of schools had the classes. Some of them only lasted a few days. Others took a full semester. In addition, many schools incorporated death education into other classes, including health, home-economics, social studies, and literature. In 1977, the National Education Association wrote a report saying that, just as sex education resulted in "wider acceptance" of a number of sexual practices, death education classes will radically change attitudes towards death.2
According to one student (Tara) who attended death education classes at Columbine, "death was made to look glamorous" and life was made to look difficult. Students were taught that "reincarnation would solve their problems." Tara said that during a "suicide talking day," students were told that they should trust their own judgment in deciding whether to live or die. In other words, they should not seek counsel from others. This effectively cuts them off from the wisdom, experience, and help of adults who care about them.3
If people really do believe that reincarnation will solve their problems, then why should they be reluctant to commit suicide? Or murder? Murderers could think that they were doing their victims a favor, because the victims would be reincarnated into a better situation.
1. "Doc Knows Best" by Wesley J. Smith (1/6/2003) http://www.nationalreview.com/comment/comment-smith010603.asp
2. "Connecting the Dots: Sanctity of life threatened on many fronts" by Wesley J. Smith (1/24/2003) http://www.nationalreview.com/comment/comment-smith012403.asp
3. The Kennedy Institute of Ethics,
http://www.crossroad.to/articles2/007/america-4.htm


text:
10 Weird But Genius Sex Toys People are Buying on Amazon
By Bianca Mendez
Pixabay/Alex Van
Sex toys come in all shapes in sizes. While some emulate the iconic Rabbit shape or typical G-spot stimulator, there are certain models that you can't help but look at and say, "Wait, where does it even go?" Well, despite their unconventional shapes, some of these unique sex toys are surprisingly effective. Some of these weird but highly-reviewed sex toys on Amazon get the job done better than the more familiar standards.
Now, if you haven't played around with a vibrator at some point, you don't know what you're missing out on. Not only can sex toys be physically beneficial in the bedroom, utilizing one with your partner often brings a newfound sense of excitement into your relationship, allowing you both to explore new pleasures. And for the single gals, a unique sex toy can be a great way to feel more body- and sex-positive about yourself while also giving you fantastic feelings. Using a vibrator or dildo can even be educational, allowing you to explore the hidden spots that bring about the big O. And really, who doesn't want stronger orgasms in bed?
In this roundup, I've included an interesting mix of sex toys for every person's need, as well as a few picks to suit some special fetishes — if that's your thing, of course. And if you're new to the sex toy train, don't worry: many of these are perfect for beginners and not intimidating whatsoever. They're literally the gifts that keep on giving.
1. The Magical Oral Sex Simulator With Six Different Speeds
Lovehoney Sqweel Go Rechargeable Oral Sex Massager, $41, Amazon
While this gadget looks like one of those pocket fans you might whip out at an amusement park on a hot day, it's actually a sex toy that mimics the feels of oral sex. This handy device has 10 "tongues" that move like a fan to provide the targeted clitoral stimulation you get from someone going down on you. Enjoy the solo action by playing around with its six speeds, or ask your partner to use it on you to amp up sexy time.
What fans say: "Easily my favorite new toy. I wish it was a little bit quieter, and that you didn't have to hold it yourself - a handle on it of some type, or a way to mount it would be great. But the sensation is fantastic, and I expect this to entirely replace my vibrator, which gets the job done but leaves me numb."
2. A Fingertip Vibrator That's Great For Getting Things Started
Jimmyjane Hello Touch Fingertop Vibrator, $45, Amazon
The Hello Touch is a fingertip vibrator that will enhance your masturbation game. That's right: You put this device directly on your own fingers. While the method may seem a little daunting at first, it's actually pretty brilliant. The dual motions of this gadget will help you vibrate in ways that you simply can't accomplish while just using your fingers, and it's totally waterproof and washable. And don't be fooled by the size — it's got a powerful zap to help you reach an orgasm, big-time.
What fans say: "This product works great...my fiancé loves it! The unit fits snugly/securely on wrist and always easy use of vibrating fingertips.... vibration is not only enough to get you started, but could also "get you all the way there" if you wanted."
3. A Remote-Controlled, G-Spot Vibrator That's Great For Couples
Paloqueth Waterproof G-Spot Vibrator, $30, Amazon
Ever look at a sex toy and wonder, "Where do I even put that?" That's exactly how I felt about this one, but trust me, once you figure it out, it's only uphill from there. This Paloqueth waterproof vibrator provides pleasure for two by clinging around the clit and leading up the G-spot. When you and your partner use this classic tool, you're sure to feel double the pleasure, double the orgasms, and double the fun.
What fans say: "The Waterproof G spot Vibrator was amazing. It has a vibration that is very strong and with the remote I can control it without getting out of position. The best part is it is very quiet. I was worried at first because it did seem loud, but I left it in my living room and walked to my master (which is not far) and you couldn't hear a thing! Perfect. The packaging was great and very discrete."
4. A Masturbation Toy That Can Be Customized For Your Pleasure
Tenga Flip Hole, $53, Amazon
"Only product I've ever used that makes me gasp," raved one reviewer of this unique masturbation toy, which has a cult-like following on Amazon. It features a hard case and had front buttons that allow you to really manage and adjust how you use this. With its ribbed interior made from soft elastomer material, this gives multiple sensations at once and delivers total stimulation with each use. This toy also is super-easy to clean, which is important when using any kind of stroker.
What fans say: "Without going into detail, man this thing sure is a life saver. Deep enough and wide enough and with an ability to squeeze or put pressure on the top end, the base or the middle. No , it doesn't replace the real thing but it beats anything else by a mile, and sure beats using my hands."
5. A Cock Ring Great For Clitoral Stimulation
Sexbaby Clitoral Vibrator with Double Cock Rings, $11, Amazon
This two-in-one cock ring has plenty of buzz, and while it might seem intimidating, you'll definitely feel the payoff where it counts. It comes with an innovative double loop design that functions just like a cock ring should, while the dildo attached can provide intense clitoral stimulation through vibration for partners.
What fans say: "WOW! EXPLOSIVE... Not only does it help get a strong, big erection, the vibrator is position just right, Just go deep and hold it there, before you know it, your woman will explode."
6. A Vibrator You Can Control Using An App, Great For Long Distance Relationships
We-Vibe Rave G-Spot Stimulator, $115, Amazon
Wow, FaceTime will never be the same again. Not only does this G-spot stimulator cause a serious buzz during your calls, it's ergonomically designed to work with your body's unique shape. Every vibration can be controlled by your partner through the accompanying app, putting them in control of your pleasure (or vice versa). Who says LDRs can't work out?
What fans say: "I love how your partner can operate this "massager" (cough cough) from across the country. It brings extra fun into the bedroom and if you're shy about using toys in front of your partner, this is a fantastic way to start and get the confidence to perform in front of him once you're comfortable."
7. A Butt Plug With A Cat Tail
Frisky Bad Kitty Silicone Cat Tail Anal Plug, $26, Amazon
Yup, the cat obsession has even made its way over to sex toys. Now you can feel like a literal cat while getting some butt play action. Aside from the furry tail, this anal plug features a tapered shape that makes it easy to insert and is comfortable enough for long wear. Plus, the two side loops secure a bullet vibrator for an even more intense sensation. Meow!
What fans say: "The plug is great quality and comes with these two thingies one the side to put a bullet vibe through them. the tail is long and flexible and stands up pretty well. it came quickly without any problems. I'm totally in love with it."
8. This Discrete Bullet Vibrator That Looks Just Like Your Lipstick
BON'TIME Lipstick Bullet Vibrator, $16, Amazon
For the shy girl who's nervous about a roommate — or worse, a family member — catching you in the act, this is a miracle option. On the outside, it looks like any old tube of lipstick, but when you press the button, it's a high-powered bullet with 10 different speeds. That's a lot of power for something so small! And speaking of size, its tininess makes it easy to fit in your makeup bag for solo sessions on-the-go.
What fans say: "It's very discreet, but it still packs a punch! I wish these were more widely available. I really had to search for this one, but I'm very glad I found it. I can carry it around in my purse and no one's the wiser, which is exactly what I wanted!"
9. This Fisting Toy That Looks So Incredibly Lifelike
Doc Johnson Belladona Magic Hand, $18, Amazon
This silicone replica of a real hand is definitely one of the most intense toys you can find on Amazon. For folks who are into anal or vaginal fisting though, it's also hot AF. It totals 11.5 inches, but can be inserted at whatever length you prefer. It's so lifelike that it can really trigger sensations just like the real thing. If you want to upgrade, you can also spend a little more to get a model with a suction cup on the end — great for solo or partner play.
What fans say: "I had been thinking about buying one of these Magic Hands for quite a while. It was better than expected!! Great length and multiple diameters!! Once inside the hand fits comfortably. Very nice firm yet pliant material."
10. A Squirting Dildo That's Beyond Convincing
Sexflesh 8-Inch Lifelike Squirting Dildo, $32, Amazon
Is it just me, or do dildos look realer and realer each year? With its true-to-life veins, testicles, and curvature, this dildo is beyond convincing. Its curved shaft allows you to use in different angles for a little G-spot action, too, but the real reason to try this weird but genius toy? It actually squirts. It's also easy to fill up with your, ahem, preferred liquid, and then all you have to do is squeeze the balls and they release.
What fans say: "A very realistic look and feel - although extremely thick dildo. you won't find a more challenging yet satisfying toy !! And it rewards your effort at orgasm with a healthy squirt of your choice of loads !!"


Kanye West may shortly compensate reverence to his usually son in a really special — and really permanent — way.
The rapper, 40, went radio wordless on Twitter for a past few months, though done his grand lapse final night by posting a reversion photo of Khloé Kardashian's ex-husband Lamar Odom 3 days after the new mom gave birth to daughter with Tristan Thompson, True Thompson. Soon after, West went on a tweeting spree, and common a garland of photos of unreleased Yeezy Boost 350 sneaker designs.
He also teased something else: The newest tattoo he's formulation on getting.
"I asked my crony to pattern this neck tat for me," West tweeted along with a pattern that appears to be done by photographer and conform designer Gosha Rubchinskiy.
The intensity new neck tattoo features a striking pattern of a name of his son, Saint West, 2. He's also father to daughters North West, 4, and Chicago West, 3 months.
Looking for some-more character content? Click here to allow to a PeopleStyle Newsletter for extraordinary selling discounts, can't-live-without beauty products and more.
According to a PEOPLE source, West and mother Kim Kardashian West are indignant during Khloé's beloved Tristan and father to daughter True for allegedly intrigue on a new mom via her pregnancy.


text:
Q: C# explicit conversion operators Hello I need some help :)
I have my custom class Filters and inside of it I defined explicit conversion operator to convert from AForge.Point to System.Drawing.PointF both AForge.Point and System.Drawing.PointF are structs from libraries. blob.CenterOfGravity is type of AForge.Point. The problem is that intelisense is telling me that "Cannot convert 'AForge.Point' to 'System.Drawing.PointF'. I don't know why this conversion can't be done :/. Thanks for all replies.
class Filters
{
        public static explicit operator System.Drawing.PointF(AForge.Point apoint)
        {
            return new PointF(apoint.X,apoint.Y);
        }
        public void DrawData(Blob blob, Bitmap bmp)
        {
            int width = blob.Rectangle.Width;
            int height = blob.Rectangle.Height;
            int area = blob.Area;
            PointF cog = (PointF)blob.CenterOfGravity;
        }
        ...
}

A: You can't do this using an operator as these have to be defined by the types you are converting (i.e. AForge.Point or System.Drawing.PointF).  Per the documentation:

Either the type of the argument to be converted, or the type of the result of the conversion, but not both, must be the containing type.

One alternative is to define an extension method for AForge.Point:
public static class PointExtensions
{
    public static PointF ToPointF(this AForge.Point source)
    {
        return new PointF(source.X, source.Y);
    }
}

And use like this:
PointF cog = blob.CenterOfGravity.ToPointF();

A: U could try this
private static System.Drawing.PointF convertToPointF(AForge.Point apoint)
    {
        return new PointF(apoint.X,apoint.Y);
    }
    public void DrawData(Blob blob, Bitmap bmp)
    {
        int width = blob.Rectangle.Width;
        int height = blob.Rectangle.Height;
        int area = blob.Area;
        PointF cog = convertToPointF(blob.CenterOfGravity);
    }


text:
Guanlong wucaii es la única especie conocida del género extinto Guanlong ("dragón crestado") de dinosaurio terópodo tiranosauroide, que vivió a finales del período Jurásico, hace aproximadamente , en el Oxfordiense, en lo que hoy es Asia.

Descripción
Guanlong wucaii medía aproximadamente 3 metros de longitud y 1,1 de altura. Probablemente estuvo cubierto de protoplumas, al igual que su pariente primitivo, Dilong paradoxus. Este cazador bípedo compartió rasgos muchos con sus descendientes y también tenía algunos inusuales, como una cresta grande en su cabeza. A diferencia de su más famoso descendiente,Tyrannosaurus rex, 93 millones de años después, Guanlong wucaii tenía tres largos dedos en sus manos.

Este saurisquio terópodo bípedo compartía muchos rasgos con sus descendientes, y también tenía algunos inusuales, como una gran cresta en su cabeza. A diferencia de los tiranosáuridos posteriores, Guanlong wucaii tenía tres dedos largos en sus manos. Aparte de su cresta distintiva, se habría parecido a su pariente cercano Dilong paradoxus y como este puede haber tenido una capa de plumas primitivas . La cresta en el cráneo del espécimen no maduro es notablemente más pequeña y restringida a la porción delantera del hocico, mientras que el adulto tiene una cresta más grande y más extensa. Las crestas de ambos especímenes son estructuras finas, delicadas que servían probablemente como órganos de exhibición.

Descubrimiento e investigación

Guanlong wucaii fue descubierto en el área de Dzungaria de China por una expedición conjunta por científicos del Instituto de Paleontología de Vertebrados y Paleoantropología y la Universidad George Washington y nombrado por Xu Xing en 2006. Guanlong proviene de las palabras chinas para la "corona",冠, y "dragón", refiriéndose a la cresta. El epíteto específico, 五彩, wucaii  en Hanyu Pinyin, "wǔcǎi", significa "multicolor" y se refiere a los colores de la roca de Wucaiwan, 五彩灣, las tierras baldías multicolores donde se encontró la criatura. Sus fósiles se encontraron en la Formación Shishugou que data de hace unos 160 millones de años, en la etapa de Oxfordiense del período Jurásico Tardío, 92 millones de años antes de su conocido familiar Tyrannosaurus.

Actualmente, Guanlong wucaii se conoce a partir de dos especímenes, uno descubierto sobre otro, con otros tres dinosaurios terópodos individuales, en la formación Shishugou. El holotipo, IVPP V14531, es un esqueleto adulto razonablemente completo, parcialmente articulado. Otro espécimen, no maduro se conoce articulado completamente y casi completo. Se presumía que había sido pisoteado, después de la muerte, por el adulto. Ambos esqueletos se encontraron uno encima del otro, con 25 centímetros de espacio vertical, el animal joven en la parte inferior. Los descubridores creen que ambos murieron en el lugar, el más joven fue enterrado por completo y, posteriormente fue hundido en el lodo por el holotipo que, después de su muerte, permaneció en la superficie por más tiempo y resistió. Tal vez había una especie de pozo de barro que funcionaba como una trampa, una trampa mortal de dinosaurios como National Geographic la llamó en un documental. Otros tres dinosaurios, todos los terópodos, fueron encontrados aún más profundos y sus cuerpos pueden haber atraído a los especímenes de Guanlong wucaii.

La primera descripción fue breve y provisional. Esto condujo en 2006 a la declaración de Thomas Carr de que Guanlong wucaii solo sería un ejemplar joven de Monolophosaurus jiangi encontrado en la misma formación, que también tiene una cresta. Hoy en día esta posibilidad es generalmente rechazada. En 2010, sin embargo, Gregory S. Paul cambió el nombre de la especie, o al menos del paratipo que se convirtió en lectotipo , a un Monolophosaurus wucaii, sin que esto fuera seguido.

En 2010, Jonah Nathaniel Choniere describió el holotipo y el cráneo del paratipo con gran detalle, pero en su disertación esta inédita . En 2015 se publicó un estudio sobre la función de la mano. Se ha anunciado la publicación de una osteología completa.

Clasificación

En un estudio reciente, se encontró que Guanlong wucaii estaba en un clado con Proceratosaurus bradleyi y Kileskus aristotocus. Juntos formaron la familia Proceratosauridae con un clado que contiene Sinotyrannus kazuoensis, Juratyrant langhami y Stokesosaurus clevelandi.

Sin embargo, en 2014 se publicó otro estudio, en lugar de encontrar el género Stokesosaurus fuera de la familia, que solo incluía los de Guanlong, Proceratosaurus , Kileskus y Sinotyrannus.

Filogenia
A continuación se muestra un cladograma simplificado del análisis realizado por Fiorillo & Tykoski, 2014.

Paleobiología

La edad de los dos individuos se determinó mediante un análisis histológico. Se demostró que el adulto había madurado a los 7 años de edad y murió a la edad de 12 años. El juvenil murió a los 6 años y todavía estaba creciendo. Como los individuos tienen diferentes edades, se pueden ver algunos de los cambios que ocurrieron durante el crecimiento. En el juvenil, la cresta está restringida al hocico, que es proporcionalmente más corto. La órbita también es más grande, la mano es comparativamente más grande, la parte inferior de la pierna es más larga, el hueso púbico tiene un extremo menos expandido y otras características que se encuentran en más coelurosaurios y tiranosauroides derivados.

Guanlong wucaii poseía una cresta craneal, que puede haber sido utilizada para la exhibición. Es similar a los de Dilophosaurus wetherilli y Monolophosaurus jiangi y al igual que aquellos que fueron altamente neumatizadas . Sin embargo, era más delicado que en los otros géneros, y también proporcionalmente más grande y más elaborada. También se ha sugerido que las estructuras en Dilophosaurus wetherilli y Monolophosaurus jiangi son para el reconocimiento de especies, pero la cresta más grácil de Guanlong wucaii es más probable para fines de exhibición.

En la cultura popular
El documental del National Geographic Channel Dino Death Tramp fue el primer documental en mostrar a Guanlong wucaii, en que se describe el descubrimiento y la interpretación de los  supuestos "hoyos de la muerte" en China.

En la película  Ice Age: Dawn of the Dinosaurs (2009) los protagonistas son atacados por un grupo de Guanlong wucaii, en esta se les retrata como cazadores grupales, similares a los raptores de Jurassic Park

Referencias

Véase también
 Anexo: Géneros válidos de dinosaurios

Enlaces externos

Proceratosauridae
Dinosaurios del Jurásico Superior
Dinosaurios de Asia
Animales extintos descritos en 2006

redpajama_set_name: RedPajamaWikipedia


*Please note that each course is approved on an individual basis and will have different credit types associated. Not all credit types are awarded for every CE course.
Our mechanical ventilation, peritoneal dialysis, and hemodialysis simulators allow the learner to learn the basics about these procedures, practice short problems and care for virtual patients in a safe and engaging interface. The collection also includes serious games curated from other developers.
Boston Children's Hospital's mission is to provide the highest quality healthcare; enhance the health and well-being of children and families locally, regionally, nationally and internationally; be the leading source of pediatric research and discovery, and educate the next generation of leaders in child health. In honor of this mission, Boston Children's will continue to be recognized locally, regionally, nationally and internationally as a premier provider of up-to-date health care education, technological advancements, and skills development to physicians and other healthcare professionals. Boston Children's will promote excellence in medical information to improve the quality of healthcare within and beyond the hospital setting.
The ultimate goal is to provide further medical education to the healthcare team so they may practice high-quality patient care resulting in better outcomes.
1. I misplaced or never got my certificate, how do I get another copy?
2. I am having trouble logging into a course. How do I log in?
Please use the "request new password" button.
3. Where can I see my credits?
4. What is the difference between accredited and non-accredited courses?
Accredited courses can provide continuing education credits to clinicians in support of re-licensure or education requirements. These courses typically have a cost associated. Courses that are non-accredited are courses provided for educational use, and do not provide continuing education credit.
5. When should I expect my certificate?
This is instantaneous upon completion of the course and can be found under the My OP tab. If you do not see your certificate for your course, please confirm that you have completed all evaluations and pre/post tests necessary.
6. What types of continuing education credits are offered?
7. Who is the accrediting body of Boston Children's Hospital?
Joint Accreditation for Interprofessional Continuing Education offers organizations the opportunity to be simultaneously accredited to provide medical, nursing, pharmacy, social work, psychology, physician assistant and optometry continuing education through a single, unified application process, fee structure, and set of accreditation standards.
Boston Children's Hospital has been recognized by the American Dental Association's Continuing Education Recognition Program (ADA CERP) as a provider of continuing dental education.
Boston Children's Hospital has been approved to provide Board of Certification for the Athletic Trainer (BOC) continuing education credits.
In support of improving patient care, Boston Children's Hospital is accredited Joint AccreditationTM which is a collaboration to provide simultaneous accreditation by the Accreditation Council for Continuing Medical Education (ACCME), American Nurses Credentialing Center (ANCC), Accreditation Council for Pharmacy Education (ACPE), American Academy of Physician Assistants (AAPA), Association of Social Work Boards (AWSB), American Psychological Association (APA), American Academy of Physician Assistants (AAPA), and American Optometric Association (AOA) Association of Regulatory Boards of Optometry, Inc. Council on Optometric Practitioner Education (COPE). In addition, Boston Children's Hospital has been recognized by the American Dental Association's Continuing Education Recognition Program (ADA CERP) as a provider of continuing dental education. Boston Children's has been approved to provide Board of Certification for the Athletic Trainer (BOC) continuing education credits.
As a part of our Joint Accreditation status, we are approved to provide continuing education credits for Nurses from the American Nursing Credentialing Center (ANCC) which can be used for re-licensure needs.
As a part of our Joint Accreditation status, we are approved to provide continuing education credits for Pharmacists from the Accreditation Council for Pharmacy Education (ACPE) which can be used for re-licensure needs.
As a part of our Joint Accreditation status, we are approved to provide continuing education credits for Social Workers from the Association of Social Work Boards (ASWB) which can be used for re-licensure needs.
As a part of our Joint Accreditation status, we are approved to provide continuing education credits for Psychologists from the American Psychological Association (APA) which can be used for re-licensure needs.
As a part of our Joint Accreditation status, we are approved to provide continuing education credits for Physician Assistants from the American Academy of Physician Assistants (AAPA) which can be used for re-licensure needs.
As a part of our Joint Accreditation status, we are approved to provide continuing education credits for Optometrists from the American Optometric Association (AOA) Association of Regulatory Boards of Optometry, Inc. Council on Optometric Practitioner Education (COPE) which can be used for re-licensure needs.
MOC II points are an additional credit type that physicians within the United States need to claim in order to maintain their specialty board license. The four boards that we currently approve for are American Board of Pediatrics (ABP), American Board of Anesthesia (ABA), American Board of Internal Medicine (ABIM), American Board of Pathology (ABPath), American Board of Opthamology (ABO), and the American Board of Otolaryngology – Head and Neck Surgery (ABOHNS).
Risk Management credits are a credit type that physicians within the United States are required to get in order to meet their re-licensure needs. Risk Management must include instruction in medical malpractice prevention such as risk identification, patient safety, and loss prevention. In addition, it may include courses in medical ethics, quality assurance, medical-legal issues, patient relations, non-economic aspects of practice management, or courses designed to reduce the likelihood of medical malpractice through means other than increasing the licensee's medical education and technical competence. Risk management study also includes a review of the Board's Patient Care Assessment regulations (243 CMR 3.01-3.16) and participation on designated peer review committees dealing with quality assurance (Definition from the Commonwealth of Massachusetts).
Nurse Practitioners are required to have a certain number of credits associated with pharmacotherapeutics education for re-licensure. This education is self-claimed by the participant but we have assigned the number of credits that can be claimed if pharmacology is a relevant topic within the online course.


Described as one of the hippest places in the UK, Brighton is a seaside city full of quirky shops, bohemian vibes and great restaurants. Not to mention the famous landmarks of the Royal Pavilion and Brighton Pier.
A city with entrepreneurial spirit, Brighton has been likened to London's Soho district due to the growing number of creative and new media businesses moving to the area. A micro-metropolis with beaches for boardrooms, Brighton can be reached via road or rail, with the major global hubs of Heathrow less than 70 miles and Gatwick only half an hour away.


text:
Q: SAS: Unable to run logistic regression I trying to run logistic regression model in SAS for last few hours. But no luck. Is there any syntactic error? Here is the code:
options pageno=1 nodate; run;

data SEATBELT;
   input Belt $ Ejected $ Fatal $ Nonfatal $ Total;
   datalines;
Yes Yes 1105   14   1119
Yes No  411111 483  411594
No  Yes 4624   497  5121
No  No  157342 1008 158350
;

proc logistic data=SEATBELT;
    class Belt Ejected Fatal Nonfatal Total;
    model Fatal/Total= Belt Ejected / selection = b sls=0.05;
run;

And this is the error that I am getting.
 66
 67         proc logistic data=SEATBELT;
 68         class Belt Ejected Fatal Nonfatal Total;
 69         model Fatal/Total= Belt Ejected / selection = b sls=0.05;
 70         run;

 NOTE: The SAS System stopped processing this step because of errors.
 NOTE: The PROCEDURE LOGISTIC printed page 1.
 NOTE: PROCEDURE LOGISTIC used (Total process time):
       real time           0.00 seconds
       cpu time            0.00 seconds

Any help will be highly appreciated.
Thanks

A: The PROC is expecting numeric variables, you've read in portions of your data as a character. Remove the $ after FATAL and NONFATAL so they are read in as numeric.
CLASS statement is for categorical data, so remove the variables from here, except EJECTED.
I would also recommend adding in the PARAM=Ref option so that it uses referential coding.
data SEATBELT;
   input Belt $ Ejected $ Fatal  Nonfatal Total;
   datalines;
Yes Yes 1105   14   1119
Yes No  411111 483  411594
No  Yes 4624   497  5121
No  No  157342 1008 158350
;

proc logistic data=SEATBELT;
    class Belt Ejected/Param=REF;
    model Fatal/Total= Belt Ejected / selection = b sls=0.05;
run;


A day Cycling tour around Kathmandu valley can be a good way to explore countryside for those who enjoy riding. This is also one of the best ways to learn more about the countryside living, culture, and enjoy the beautiful scenic from hills around valley.
One of the best, recommended, popular and basic (for beginners) can be Mudku-Tinpiple Route.
Your ride can be commences by heading towards the east of Kathmandu Valley (towards Balaju). If you are starting your ride from Thamel, then push your bike towards the east about 2.5km then you will reach Balaju Junction. From there, follow the Trisuli Highway for about 5km and reach Mudkhu. The road goes gradually up through the edges of Nagarjun Jungle(Shivapuri National Park) with a scenic view of valley.
Once reaching Mudkhu, you can stop for a tea and some snacks at the local teashops. From the checkpost, take right up through village and ride upwards to the Kathmandu view tower for the some refreshing views. If the weather is clear, you can enjoy the panoramic view of Kathmandu Valley, Shivapuri National Park and himalayan ranges.
After then, ride downhill towards Tinpiple, which is about 3 km downhill. Your offroad ride starts from here. From Tinpiple, take right and follow the offroad towards Dharmasthali that is approximately 3km and further continue towards Tokha. Tokha is an old Newari Town, which is famous for Newari culture and cuisine. You can try some local Newari cuisine just to give more flavors to your trip.
From Tokha, ride towards Budhanilkhanda which is approximately 7 km off-road with easy up and downhill. Take a moment to visit Budhanilkantha Temple, the most important temple of Lord Bishnu.
Finally, Then ride back gradually downhill and plain till Kathmandu, Thamel(approx.. 12 km) with a asphalt road.
RIDE SAFE ! HAVE FUN!
Early morning at around 6am, start peddling from Thamel towards Balaju junction that is an easy and flat asphalt road. From there, follow the Trisuli Highway road and reach a place called Mudkhu(approx. 5km) in about 30 minutes. After breakfast at local teashops around 6:30am, from the check post, take right and up through a small settlement, which leads to a single track, trail and lead towards Kathmandu View Tower. Enjoy the morning view from the tower and at around 7:30am, continue to ride towards Tinpiple(approx. 3km) downhill. From there, take right which is a gravel road/off-road to Dharmasthali (approx. 3km), continue further to Tokha via Jhor village, At around 10:00am, stop for some snacks/lunch at Tokha and then continue to Budhanilkhanda(approx. 7km). By 12:00am, we will arrive back at Thamel.
1) Always wear a helmet and other safety wears.
2) Carry extra tyre tube, portable screw drivers, air-pump,etc.
3) Having a map is always better.
4) Have some light snacks, water and chocolate bars.
5) Carry a bag with some safety first-aid.


text:
Raiffa Receives Honorary Degree From Harvard University
By PON Staff — on June 7th, 2002 / News, Students
Howard Raiffa, Director Emeritus of the Program on Negotiation's Negotiation Roundtable received an honorary Doctor of Laws degree at Harvard University's 2002 Commencement Excercises. Raiffa is Harvard University's Frank P. Ramsey Professor of Managerial Economics Emeritus, and a pioneer in the field of decision analysis. A mathematician by training, Raiffa is an originator of the now famous "decision tree," and has done extensive work on developing techniques to help decision makers think more systematically about complex choices involving uncertainties and tradeoffs. As a scientific adviser to McGeorge Bundy, White House assistant for national security under Presidents Kennedy and Johnson, and Philip Handler, president of the National Academy of Sciences, Raiffa helped to negotiate the creation of an East-West think tank with the aim of reducing Cold War tensions. Raiffa received his doctorate in mathematics in 1951 from the University of Michigan. He was an assistant professor of mathematical statistics at Columbia University before coming to Harvard in 1957. Raiffa became a professor in 1960, and in 1964 was named to the Ramsey chair, a joint chair held by the Business School and the Kennedy School of Government. He has also held professorial positions in the Department of Economics and in the Department of Statistics. With Roger Fisher at Harvard Law School, Raiffa helped to launch the Program on Negotiation. He has received numerous honorary degrees, and, in 2000, received the prestigious Dickson Prize for Science, conferred annually by University Professors at Carnegie Mellon University.
Program on Negotiation Welcomes Visiting Scholar Stefanos Mouzas
2012 Great Negotiator Award event will honor former Secretary of State James A. Baker, III on March 29th
PON offices to move to Lewis Hall next week
Daniel Shapiro receives award for his innovative work on identity-based conflict
"Let's All Feel Superior," Max H. Bazerman quoted in The New York Times
Tags: harvard law, harvard law school, howard raiffa, negotiation, program on negotiation, roger fisher