I'm trying to check if a XDA or Joranda 928 is connected to the mobile phone network, then switch it on and off. I'm having a few problems.... 1) How do I know that I have the right line as lineInitializeEx is telling me there are 7 of them. At present I iterate all of them and pick the one that has INTERACTIVEVOICE assigned to it. However I should be able to use lineOpen with LINEMAPPER but this is always returning no handle. 2) I think the function I need to use is lineGetEquipmentState however I can only get version 2.0 and I think this needs 2.2 with extensions.
there is no HP support now. its obsolete.
see this page, see the word in red, click here?
try checking if airplane mode is off Tap Settings > Network Connections > Mobile Network.Set the Mobile Network switch to On. After you finish: To turn off your connection to the mobile network, set the Mobile Network switch to Off.
at the moment im currently finding a soloution for this on my own xda orbit. im going to start by dismantling the phone to see if there is a loose connection etc..
also gona try hard reset if it still persists but if it dont work i think its an issue with the battery which id get off ebay, they cost about £5 but ill try these first before i spend money, ill be doing these tonight so ill let you know what happens tomorow.
Simply, tap your device and go to Connections > check the networks and let you select the networks manually and automatic. if still doesn't work, Insert your sim card to other mobile phone and see if you still don't have your signal. Maybe the sim card was damaged. If not, perhaps the phone has it. Anyway, does your phone locked to another network provider? pls check.
How to unlock o2 xda phone password?
plug in your charger to your phone, find something small to stick into the reseting hole, when your phone turns on, go into settings>power>advanced: un-click the "turn off device if not used for"
Have a manual for HP Jornada 928?


text:
Речкалова — деревня в Свердловской области России, входит в Ирбитское муниципальное образование. В окрестностях деревни расположен геоморфологический и ботанический природный памятник Белая Горка.

Географическое положение
Деревня Речкалова муниципального образования «Ирбитское муниципальное образование» расположена в 18 километрах (по автотрассе в 22 километрах) к юго-западу от города Ирбит, на правом берегу реки Ирбит. В окрестностях деревни проходит автодорога Камышлов — Ирбит, в 1,5 километрах к югу-юго-востоку расположен железнодорожный «о.п. 179 км» Свердловской железной дороги. В окрестностях деревни, в 2 километрах к северо-западу, на правом берегу реки Ирбит, расположен геоморфологический и ботанический природный памятник Белая Горка — светлые глинистые обнажения девонского периода, место туризма и отдыха.

История деревни
Деревня была основана в 1638 году Афанасием Речкаловым.

В начале XX века главным занятием жителей было земледелие и работа в г. Ирбите во время ярмарки, куда многие уходили в услужение.

В начале XX века в деревни существовала каменная часовня.

Население

Примечания

Населённые пункты Ирбитского муниципального образования

redpajama_set_name: RedPajamaWikipedia


For hundreds of years, schoolchildren started the study of American history with: "In 1492 Columbus sailed the ocean blue."
Clearly, modern civilization would be impossible without these four words: "Spring forward. Fall back."
Many people have trouble with these similar words —desert, dessert — until they remember that when it comes to tasty treats like cake and ice cream, you always want an extra helping — just as the word itself has an extra s.
The essential trick is to focus on something odd or funny, and use that to jog your memory. All the memory experts are doing this when they rattle off the names of many people: Bob is big and bald; Charlie has a chin as big as China. And so on.
These two words are killers: stalactite, stalagmite. But stalag means prison; and mite suggests mighty. Clearly, a fortress solidly on the ground. So the other thing has to be hanging from the ceiling.
Suppose you have to buy three things: nails, plywood, and antifreeze. Use the initial letter of each item to create a word: PAN. Remember that. In the store, work in reverse, P-A-N, the letters reminding you what you have to buy.
HOMES is a famous example. It tells us our Great Lakes: Huron, Ontario, Michigan, Erie, and Superior.
Almost as famous is Roy G. Biv, a phony name which tells the colors of the rainbow or spectrum (Red, Orange, Yellow, Green, Blue, Indigo, Violet).
Acrostics are another thing entirely. You don't create a new word, you create a memorable phrase or sentence. The first letter of each word stands for the things you're trying to remember. In smart schools, middle-schoolers are given the task of inventing mnemonics for the 8 planets: My Very Excellent Mother Just Served Us Nachos (Mercury, Venus, Earth, Mars, Jupiter, Saturn, Uranus. Neptune).
The eight little bones in the wrist are a big task for anyone: Scaphoid, Lunate, Triquetral, Pisiform, Trapezium, Trapezoid, Capitate, Hamate. The job is easier, or at least funnier, with this: Some Lovers Try Positions That They Can't Handle.
When the auditory nerve was renamed the vestibulocochlear, Duke University Medical School held a contest for a new mnemonic. Here's the brilliant brainiac winner, circa 1980: Odor Of Orangutan Terrified Tarzan After Forty Voracious Gorillas Viciously Attacked Him.
9. Making a speech the Greek way.
The Greeks were memory mavens, and actually had a Goddess of Memory (and mother of the Muses), Mnemosyne (ne-mos-se-nee).
And their biggest brain, Aristotle, wrote De Memoria et Recollectione. In Aristotle's psychology, the image is the basis of memory. For example, if you have to make a long speech, imagine that you're walking slowly through your house, and each piece of furniture, art, etc. prompts a paragraph.
25 centuries after Aristotle we have Spacefem's surreal Mnemonic Generator. Feed it something, and you instantly get a mnemonic. How to spell mnemonic? Easy: Marks Navigate Empyrean Materials Once Numbers Inhabit Colors.
Surreal? Still Ubiquitous Rolls Record Eccentric Amusing Lozenges.
Finis? Furious Iguanas Number Itchy Spaces.


text:
Writing about music is like dancing about architecture
(idea) by Cugel the clever Sun May 21 2000 at 14:24:23
This famous epithet has been attributed to all and sundry, including Elvis Costello. Its true source will probably always stay anonymous, notwithstanding the attempts made by some dictionairies of quotations (e.g., Bartlett's).
(idea) by Oisin Thu Oct 03 2002 at 22:36:22
Someone, presumeably thinking they are making a useful comment, keeps soft linking this node to writings on music. So I wish to discuss the issue by posing the following scenario:
Two people leave the Concert Hall having just heard a world premiere. One of them says "that was a wonderful piece", the other replies "no, I'm afraid that was musical rubbish." The question arises, is there any basis for resolving the difference of opinion?
All of us are music critics in that we have opinions about what we have heard. The discussion that begins after the concert raises several important questions, not least whether either of the protagonists is right? And if so, by what criteria is the decision arrived at?
The least helpful, if most common, response to the debate is to say 'well it's all a matter of individual taste.' If this view was correct, then of course, there is no point discussing the music. As Immanuel Kant observed: "we cannot say that each man has his own particular taste, for that would be as much as to say that there is no taste whatever, that is no aesthetic judgement which can make a rightful claim on everyone's assent."
At the opposite pole is the belief that there is an absolute standard against which music can be assessed. Plato, for example, would have no difficulty in resolving the argument. For him the goal of music is the love of beauty, rightness and healthfulness. The ideal Republic would ban sorrowful or relaxing music leaving only "the note or accent which a brave man utters in the hour of danger and stern resolve." For Plato many-stringed instruments and flutes are not required in order to play this heartening manly music, as they should be banned.
Such conservative, reactionary, ideas about the assessment of music would be laughable, except that they have entered the mainstream of Western thought.
Ruling elites throughout history have assessed music precisely by its function. For centuries the medieval music world was dominated by the idea that the purpose of music was to express the geometric perfection of the divine. Both the social realism supported by Josef Stalin and the campaign against degeneracy by Adolf Hitler attempted to suppress modernist developments in music.
So Plato's outlook needs to be taken seriously, although it can be rejected easily enough. The apparently objective nature of his argument dissolves when the assumption that music serves a moral purpose is challenged. Some music is indeed programmatic and can therefore be assessed at least in part as to how successfully it fulfils its aims. But even the programmatic musical experience runs for deeper than at the level of its immediate political message. This is how, for example, Dimitri Shostakovitch could overtly pay homage to the glorious social system under which he lived - fooling the critics - while moving audiences to tears with the sincere moments of sorrow and horror expressed in his work.
Aristotle better understood the divergent levels at which music operated, and offered, in addition to Plato's character forming purpose, the view that music also was a remedy for pain caused by toil, provided entertainment at social gatherings and gladdened the heart. These observations weaken Plato's position by offering alternative criteria for assessing music. But Aristotle retains the teleological method of measuring music against its purpose - only now introducing several purposes. But music need not serve an end at all. It can, and generally does, arise from deeply rooted creative human impulses, which are only later harnessed to goals such as earning a living or pleasing audiences. It is a perfectly valid answer for an artist to reply to the question "why did you create this work?" By replying "because I am human".
As an aside, before leaving Aristotle, it is interesting to note his observation that audiences 'are one of two kinds - free and educated, and the other a vulgar crowd composed of mechanics, labourers and the like - and the music will correspond to their minds; for as their minds are perverted from the natural state, so there are perverted modes and highly strung and unnaturally coloured melodies.' He has a point, although not in the way in which he intended. Musical experimentation and innovation has often been associated with the lower social orders.
So, to say that music can be measured against the purpose for which it serves is an insufficient criterion for assessing music. Does this mean that there are no objective standards to which we can appeal?
Very many reviewers concentrate on technical comments. This is understandable. It avoids the issue of the taste of the reviewer and it is perfectly, scientifically almost, objective. You can sit with the score on your lap and assess how exactly the performance matches the composition. The problem is of course, this approach does not get you very far. The performance might be immaculate, but if the orchestra were playing 'Baa Baa Blacksheep' they would hardly be using their artistic potential to the full. Our two protagonists leaving the concert can agree very quickly on the standard of performance, what they want to resolve however is whether the music was any good.
Another attempt to retain objective measurements with regard to music is to look to the physical relationship of sound to the human being, because for all that the musical experience feels like a spiritual one, it is rooted in the vibration of the air and its effects on the human body. Again this aspect of music rarely advances the argument very much. The physical and cerebral levels of music are connected, but they are nonetheless very different. Trying to assess music by studying vibrations and the ear is like trying to assess literature by examining ink, paper and typeface. So we have two propositions:
A) To say music is a matter of taste gets us nowhere.
B) There are no objective methods of assessing music.
Taken together, it seems that we are stymied.
However Immanuel Kant offered a way forward when considering exactly this contradiction. For him the existence of these contradictory statements about music was evidence that there existed a higher level from which these statements only appeared to be opposites; in the same sense for example that considering light to consist of waves or particles leads to contraction. It is both and neither. Kant concluded that there must be a supersensible transcendent beauty that approached by our intellectual faculty resolved the opposition. While the feeling of pleasure that we experience from music are subjective, the objective existence of beauty means that all people can find satisfaction in the music. Music gives subjective aesthetical experiences which being personal give no grounds for debate, and at the same time its beauty is objective, existing in a transcendent manner.
On first reading, it seems as though the philosophy of the enlightenment has broken through the sterile, monolithic aesthetics of the ancient philosophers. We are back on track with an exciting, dialectical theory of music. But there is a problem, Kant's transcendent beauty turns out to be a logical category and nothing with physical existence. It is 'supersensible' and by definition cannot be investigated. In other words, it is a concept (more than a bit like that of God in Kant's system) that cannot act as a guide to composer or audience.
At least Kant introduces the idea that there is a dialectical interaction between subjective and objective aspects of music. The next step is that of finding a dialogue which is more material that Kant's rather mystical, if fine sounding, transcendent beauty.
While our taste appears to be our own, at the same time, human beings are social animals. We share languages, the times we live in, schooling, the experience of world events, of shopping, of TV programs. Our personalities are unique, but the cultural forces that helped shape them are shared. This shared culture gives us a medium and a context for discussing musical experience in a genuinely useful way.
Suppose one of our proponents believes, as someone recently argued with me, that the highest form of musical excellence is the work of Mozart, and music has been downhill since then. This is a plausible argument, it is pretty much the line taken in the Concise Oxford History of Music. It also dovetails with the literary argument that there was a turning point in the history of the novel (about a century later) and it has been downhill ever since.
Now at this point anyone who loves contemporary music would have to roll up their sleeves and start fighting, but with what weapons? We have agreed that the experience of pleasure is a subjective one, so we cannot belittle our opponent's deep spiritual responses to the music of Mozart. Nor would we want to do so, it is unlikely that anyone who has not become familiar with Mozart and responded powerfully to his music would go on to find even stronger resonance's in Gyorgy Ligeti say. Our tools have to be those points of contact we share through our common culture. In general, the argument for modern music would rest on the same features of the world that champions of modernism in art and literature would also refer to.
The world we live in is a modern one, for good or ill. We are surrounded by sounds that would seem incredible to someone living in Mozart's day. Aeroplanes, drills, heavy machinery making noise at the lower end of the scale, high pitched drones from electrical equipment, whining, the screech of vehicles at the other. Living surrounded by these sounds means our musical needs must change. Furthermore socially we live in an extraordinarily fast moving world, with enormous cities, mass communication, swift travel. An inchoate babbling world, full of wonderful possibilities and at the same time utter misery and alienation.
It is understandable that someone might deliberately try to keep this world at bay by trying to limit the impact on them of the art that has arisen from it. Understandable, but as mistaken as those members of the audience who in 1913 rioted in anger at the performances of the Rite of Spring, or who found cubism undecipherable and Ulysses unreadable. Modernism in art was a conscious challenge to romanticism, and thankfully it broke through. Otherwise we would be shying away from important aspects of our own beings, aspects that have been shaped by forces that did not exist in Mozart's day. To someone arguing that it has been downhill for music since Mozart, the main response is that this belief is cutting themselves off from extraordinary musical experiences that relate to a much more complex, dangerous and yet thrilling part of our personalities. Gyorgy Ligeti, for example, is not better or worse than Mozart, by some Platonic or even Kantian ideal. But he is a great composer living in our times and has all the technical and compositional tools at his disposal that have evolved in the intervening period. That means that for those aspects of our lives that are not universal but are features of the last two hundred years, Ligeti strikes deeper than Mozart.
In other words, even if you don't agree with this conclusion of a debate about Mozart vs modernism you can have a meaningful, written, discussion about music.
To actually write a review involves a certain flexibility, conversation with others present, and if the critic is lucky, they will have accurately understood features of the music that have resonance's for the audience who were there, and indeed those who were not present but through the description gain some insight into the music of the concert. And it is by those features and their connections to the social world that we share that a commentator should be able to offer an opinion that is not entirely arbitrary.
I like it! 8 C!s
Describing feelings with words is like playing the piano with a baseball bat Talking about love is like dancing about architecture Immanuel Kant I'd rather have a bottle in front of me, than a frontal lobotomy
Music journalists are failed musicians Writing software is like composing a symphony Explicate your lyrics György Ligeti
Writers Read Books the way Architects Look at Buildings Maynard James Keenan Frank Zappa architecture is frozen music
embrace and release Jah Music Dmitri Shostakovich
The viola in my life Frank Zappa on Rock Journalism Pay no attention to the man behind the curtain Stupidity
The Harmony of Imagination and Understanding in Kant's Aesthetics Dmitri Shostakovitch Ronan Guilfoyle Piano Concerto

redpajama_set_name: RedPajamaCommonCrawl


Spice up your projects with some reflective paracord. Our Reflective Paracord has 7 inner strands surrounded by a 32 strand woven cover with special reflective tracers woven into the sheath. Browse our selection of Camo Colored Type III 550 Reflective Paracord Colors.


Image courtesy of DOE's Jefferson Lab - The Q-weak experiment was conducted in Jefferson Lab's Experimental Hall C, and its goal was to very precisely measure the proton's weak charge, a term that quantifies the influence that the weak force can exert on protons. The Q-weak apparatus, shown here, was installed in the hall for the experimental run, which concluded in 2012.
A precision measurement of the proton's weak charge narrows the search for new physics.
The weak force is one of the four fundamental forces in our universe, along with gravity, electromagnetism and the strong force. Researchers have made the first experimental determination of the weak charge of the proton, a measure of the precise strength of the weak force's influence on the proton.
The determination of the proton's weak charge provides a precision test of the weak force, and it also constrains possibilities for new particles and forces beyond our present knowledge.
The weak force is one of the four fundamental forces in our universe, along with gravity, electromagnetism and the strong force. Its effects can be observed in our everyday world: It initiates the chain of reactions that power the sun, and it provides a mechanism for radioactive decays that partially heat the Earth's core and that also enable doctors to detect disease inside the body without surgery. It is known that the weak force acts directly on subatomic particles, such as the protons, neutrons and electrons that make up atoms. These particles carry a weak charge, a measure of the influence that the weak force can exert on them. To measure the weak charge of the proton, an intense beam of electrons generated by Jefferson Lab's Continuous Electron Beam Accelerator Facility was directed onto a target containing cold liquid hydrogen. The electrons that scattered from the protons inside the target were detected in a precise, custom-built apparatus. The electrons in the beam were highly polarized – a mechanical analogy would be that the electrons were mostly "spinning" in one direction, parallel or anti-parallel to the beam direction. By precisely and rapidly reversing the direction of polarization, the experimenters were able to latch onto the weak force's unique property of parity violation to isolate its tiny effects. The proton's weak charge was found to be QWp=0.0719±0.0045. The new result is in excellent agreement with the predictions of the Standard Model, and so it serves as a test of the model and can impact its predictions. For example, it has set limits on the possible existence of leptoquarks, which are hypothetical particles that can reverse the identities of two broad classes of very different fundamental particles – turning quarks (the building blocks of nuclear matter) into leptons (electrons and their heavier counterparts) and vice versa. Numerous technical achievements made this experiment possible. These include the high-current, high-polarization, extremely stable electron beam provided by the Continuous Electron Beam Accelerator Facility; the world's highest-power cryogenic hydrogen target; extremely radiation-hard Cerenkov detectors; ultra-low noise electronics for signal readout and beam current measurement; and a system that measures the beam polarization to better than 1 percent.
This work was supported by the U.S. Department of Energy Office of Science, the National Science Foundation, the Natural Sciences and Engineering Research Council of Canada, and the Canadian Foundation for Innovation, with matching and in-kind contributions from a number of the collaborating institutions.


The Markey Group strives, to the fullest extent possible, to provide accurate and updated content on this website. Unfortunately, there may occasionally be price changes, sold out goods and other unintentional errors on our site. We reserve the right not to be liable for these errors or changes and neitherThe Markey Group, nor any employee or representative ofThe Markey Group will be liable for damages arising from the use of this website or the products sold here.
Any dispute arising between a customer and The Markey Group will be settled in accordance with The United States Legislation.


The Carrots are graduate students in sport nutrition at the University of Colorado at Colorado Springs (UCCS). With the message of healthy eating and active living, the Carrots offer their food literacy training to young people. Through hands-on learning, the Carrots teach nutrition in a tasty, refreshed, and playful way, while not compromising an evidence-based approach through the latest science in nutrition for exercise and sport.
The Carrots believe that the best nutrition comes straight from the Earth—from Our Local Colorado Farmers!


text:
Search on for sporting youngsters
Last year 400 youngsters took part in the event
BUDDING athletes are being sought to represent the district at this year s Herts Youth Games. Youngsters aged from seven to 18 are being invited to take part in free sports sessions with the possibility of representing the district in the games in May. La
BUDDING athletes are being sought to represent the district at this year's Herts Youth Games.
Youngsters aged from seven to 18 are being invited to take part in free sports sessions with the possibility of representing the district in the games in May.
Last year, 400 youngsters took part and half of them became part of Team St Albans which competed against thousands of other young athletes from across the county.
The St Albans Sport and Health Development Team, working on behalf of the district council, will be running the sessions and taking the athletes to the games.
Clare Baker, sports development officer leading the project, said: "The Herts Youth Games is a great opportunity for youngsters to try a new activity at no cost to the parents. From the start of February we will be offering free taster sessions with the possibility of eight weeks of free training led by top coaches from local clubs in a number of sports."
The sports available subject to various age requirements are aquathlon (running and swimming), badminton, basketball, boccia, hockey, kwik cricket, netball, tag rugby, table tennis and sports hall athletics. The deadline to sign up is Friday, January 16.
For more information visit www.leisureinstalbans.co.uk or contact Clare Baker on 01727 827667 or by email on clare.baker@leisureconnection.co.uk


text:
NFDA COMMENTS ON INTEREST RATES RISE
"Today's anticipated decision by the Bank of England to raise their interest rates from 0.5% to 0.75% is unlikely to have any substantial impact on consumer confidence", said Sue Robinson, Director of the National Franchised Dealers Association (NFDA) which represents franchised car and commercial vehicle retailers across the UK.
The Bank of England (BoE) has confirmed today the decision to raise interest rates from 0.5% to 0.75%. The monetary policy committee voted unanimously to raise the rates. The Bank has said that 'any future increases in Bank Rate are likely to be at a gradual pace and to a limited extent'.
Robinson continued, "Interest rates remain exceptionally low and combined with historically low unemployment levels, consumers should not be significantly affected.
"The new car market is entering an interesting period with the introduction of WLTP in September meaning that consumers will be able to find very advantageous deals throughout August.
"Going forward, we are confident that the Government will continue to monitor closely the trends facing the UK economy and adopt any necessary measures to help consumers feel confident enough to make important purchases such as cars."
The Retail Motor Industry represents the interests of operators in England, Wales, Northern Ireland and the Isle of Man providing sales and services to motorists and businesses. The RMI has a formal association with the independent Scottish Motor Trade Association which represents the retail motor industry in Scotland.


text:
Q: WSO2 API Management resource owner authentication It is possible to configure WSO2 API Manager to authenticate the user(resource owner) without IdentityServer?
For example need to return login form to authenticate the resource owner via Active Directory or other LDAP.

A: The API Manager has the same user authentication than all other WSO2 products using configured userstore.
Effectively you need to configure you userstore in the repository/conf/user-mgt.xml configuration

redpajama_set_name: RedPajamaStackExchange


Toronto transition: Drake's mixtape-turned-album shows he's headed in a new direction.
If You're Reading This It's Too Late was originally meant to be released as a free mixtape spread around the Internet with the tight-lipped poise of a pack of boars. But as the story goes, Drake's label decided to release it as a full-length. That is, 17 songs of what you could probably call a means of thinning a creativity clot and isn't, by a long shot, a cohesive project or even representative of the obsessive production showcased in a typical Drake record. Regardless of its strength as an album, however, it's the fourth of Drake's four-record contract, leaving one of the biggest musical acts of right now open to becoming a free agent and, with that, regaining complete creative control of his craft, which he hasn't had since signing in 2009.
At this point IYRTITL is discussed more for its music biz politics than its actual tracklist. The album is darker, sparsely produced and hostile, more gym than bedroom in songs "Energy" and "6 God," and at times bordering on unveiled late-night thoughts set to a trap beat's constant hi-hat. At risk of using a throwaway word, it's interesting, both for better (no pandering rap singles) or worse (no singles in general). Glass half-full, the tape quietly released on iTunes is a way to shed some musical bureaucracy and refocus on the next project, an album allegedly titled Views From the 6 (a nickname for Toronto, Drake's hometown) which, given the outcome of the mixtape/album debate, will present us with a Drake we haven't seen in six years.


text:
Wiki of Thrones
2018 Emmy nominee Nikolaj Coster-Waldau discusses Jaime Lannister's journey
Abhinav Pathak
The final season of Game of Thrones was confirmed to air in the first half of 2019. With its brilliant storyline, action sequence, and a large fan-base, Game of Thrones has once again been honored with 22 nominations for the 2018 Emmys. Recently, it was reported by the ET that Nikolaj Coster-Waldau, the actor who plays Jaime Lannister in the show has been placed amongst the nine first-time acting nominees. He also attended an exclusive interview with the ET. Read on.
Jaime Lannister started as a proud Lannister in the First Season, who lacked honor and showed disrespect towards people like Ned Stark. He didn't even think twice before pushing the ten-year-old Bran Stark out of the window when he had known of Jaime's incestuous relation with Cersei Lannister.
"He was a bit of a douche," the actor revealed to the ET.
But, his character in the series since the third season had somewhat changed. But, what caused this change? We guess it was his newly-found relation with Brienne of Tarth. The traveling companions once despised each other but, had gained a bit of mutual respect for each other over time. This change especially happened when Jaime revealed the real reason for killing the Mad King to Brienne.
Moving further, he had to suffer major losses of his son Joffrey and his father Tywin Lannister – for which he might have felt being responsible. Up next, Myrcella also died in his arms poisoned by Ellaria Sand. And, although he had tried to keep his son Tommen safe, he ended his life seeing Cersei's act of madness in the sixth season. But, a major change in Jaime's story arc happened when he abandoned his sister to honor the pledge he made to Daenerys and Jon Snow. Talking about this drastic transition, Nikolaj revealed:
"In season three, you felt this shift in the way that audiences perceived the character…They might have liked him as a character, but they didn't like him as a person. But the nature of the show, you get to know someone more and more and it's like, 'OK, he's having sex with his sister, but there's more to this guy.' And I think the fact that he left at the end of season seven, there was a sense of relief."
Nikolaj has earned an Emmy nomination for Outstanding Supporting Actor in a Drama Series for his performance in the seventh season. He has been nominated for the fourth episode – 'Spoils of War'. Still, the way he brought justice to House Tyrell for betraying the Lannisters in the third episode 'The Queen's Justice' can't be ignored. Talking about the scene shared between him and Diana Rigg (Olenna Tyrell), he said:
""It was a great scene…He [Jaime] had to do what he had to do, but he did it with such grace. But of course, the beauty of the scene is that at the very end, she flips the power dynamic. It was very thrilling to be a part of Diana's last scene on Thrones."
Also, talking about one of the longest battle sequences he filmed for the episode 'Spoils of War', he said:
"I was talking to Lena [Cersei Lannister] about this before we both found out. I was going, 'At this point, now that we're so close, you just want to make it to the end…If you had gone out in season three or four, it would have been fine. But now, we're so close. It was definitely a relief to be a part of it."
The filming for the final season has already wrapped up with a wrap-up party, attended by most of the cast members. Like other cast members, Game of Thrones has become an important part of life for Nikolaj too. He ends by saying, "I'm really going to miss working on a scale and a level like we have for the past nine years."
So, what did you think about this interview of Nikolaj Coster-Waldau by the ET? Tell us in the comments.
Related Topics:emmysend-gamegameofthronesseason8interviewJaime Lannisternikolaj coster-waldau
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Game of Thrones costume designer Michele Clapton joins HBO's The Nevers
Saurav Jha
A show like Game of Thrones doesn't simply reach the stature it did without everything being high class. An area where the show truly held its own was costume designing. Designers, Michele Clapton and April Ferry really pushed the envelope with their work on the show and now they have already begun spreading their wings elsewhere. Read on!
If you can still recall some of the costumes worn by the characters of Cersei Lannister and Daenerys Targaryen on the show, you can count yourself in the Michele Clapton fan club as well. Now, as per the hbothenevers.com, the makers have roped in Emmy award-winning Michele Clapton as the costume designer for the upcoming HBO show The Nevers.
Clapton did some truly world-class work for Thrones and won many awards for her work as well. For Game of Thrones fans, there is more to look forward to in The Nevers, Stunt coordinator Rowley Irlam, production designer Gemma Jackson and producer Duncan Muggoch are going to be part of the new show.
With so many great names associated with the show, The Nevers already looks like a winner. The show's release date isn't out yet but it is expected to premiere in 2021.
Let us know your thoughts on the news!
Natalie Dormer (Margaery Tyrell) to produce series on Female World War Aviators
Game of Thrones stars have continued on their merry ways and have continued to do some great stuff. While some have gone on to do award-winning roles like Richard Madden, some have gone on to portray roles on the big screen like Emilia Clarke. Another popular cast member who has quietly gone on to open her production house is Natalie Dormer a.k.a. Margaery Tyrell of Thrones. Read on to find out more!
Natalie Dormer has recently launched a production house called Dog Rose Productions. As per The Wrap, Dormer has decided to produce a series on female aviators in World War 2 and it has been titled as Spitfire Sisters. The show will be written by playwright and screenwriter Morgan Lloyd Malcolm.
Regarding the story Dormer said:
"This is a barely known story, a thrilling story; an important story ready to be told by such a passionate voice as Morgan's."
This is going to be the second series under Dormer's newly launched production house. The first announced project was the drama Vivling based on the life of British actress Vivien Leigh.
Natalie Dormer really got the limelight through her portrayal of Margaery Tyrell on Game of Thrones. Although her character was killed off in Season 6, fans still remember her character. In fact, the treatment given to her on-screen family had pissed her off!
Isn't it great to see former Game of Thrones stars doing their own things and making some great stuff of their own? We hope Spitfire Sisters goes to achieve great things for Dormer and her production house.
Let us know your views on this announcement in the comments below!
Richard Madden cast alongside Priyanka Chopra Jonas in Russo brothers' upcoming Amazon show Citadel
Game of Thrones star Richard Madden has been cast alongside Bollywood star Priyanka Chopra Jonas for a lead role in an upcoming Amazon series. The series is titled Citadel and is said to be an action-packed spy series. Read on for more details!
As per Variety, Citadel is going to be Avengers: Endgame directors Anthony and Joe Russo's next offering. Amazon announced that the show is going to have multiple versions. Chopra and Madden are going to star in the U.S. "mothership" edition of the series. The Indian series will be developed by Raj Nidimoru and Krishna D.K. of The Family Man fame.
Madden is coming off his award-winning role in Bodyguard. He, of course, played the role of Robb Stark in Game of Thrones as well and became a popular figure. Madden is currently filming for a Marvel Cinematic Universe movie Eternals slated for November 2020 release.
Amazon announced Citadel back in July 2018 and have lots of hope from the series. The studio stated:
"All of the local series are meant to enhance the entire entertainment experience and will be available for the viewer to deep dive into an imagined layered world."
The studio hasn't yet announced the rest of the star cast and the exact release date of the show.
It is going to be exciting to see how the series turns out. One thing is for sure, it is going to be another feather in the cap for Richard Madden. Let us know your views on the news!
General7 hours ago
A show like Game of Thrones doesn't simply reach the stature it did without everything being high class. An area...
Game of Thrones stars have continued on their merry ways and have continued to do some great stuff. While some...
General1 day ago
Game of Thrones star Richard Madden has been cast alongside Bollywood star Priyanka Chopra Jonas for a lead role in an...
HBO cancels Game of Thrones creators' upcoming show Confederate
Looks like the tough time has followed the maker duo, David Benioff and D.B. Weiss, in 2020 as well. After...
General2 days ago
HBO Chief Casey Bloys on why The Long Night prequel was cancelled
Cheer on Game of Thrones fans! We finally have some news on the possible release date of one of the...
Game of Thrones prequel 'House of the Dragon' likely to premiere in 2022
Dragons have generated wonder and enigma in everyone's heart. The spread of wings, a flight of fancy, and dragon-fire at...
Ex-HBO chief responsible for Game of Thrones signs 5-year deal with Apple
Game of Thrones was undoubtedly one of the most successful shows of all time. So much so that millions of...
General2 weeks ago
Maisie Williams shines in the trailer for "The New Mutants"
General1 week ago
George R. R. Martin promises to complete The Winds of Winter before Summer 2020
Awards2 weeks ago
Kit Harington and Rose Leslie make an adorable appearance at Golden Globe Awards 2020
Game of Thrones Studio Tour to open this fall in Northern Ireland
The Witcher showrunner calls Game of Thrones comparisons "incredibly flattering"
Amazon's Lord of the Rings show casts Game of Thrones Actor Robert Aramayo
Game of Thrones becomes the most torrented TV show for the last time
Copyright © 2019 Wiki Of Thrones | All Contents Right Reserved


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Warm greettings to all from the DEMA show 2018 we are proud to present our newest product, the Marlin RC (Bluetooth) at our booth 2924. If you want to get your hands on and check the functionality for yourself, come visit us!
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Well the future is here, and we would like to celebrate our new products with tempting discounts.
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If it's an emergency, or you just want to be picked up doesn't matter, just relax and let us do the rest!
The new Marlin Recon [RC] can be connected with a #phone or #tablet after downloading our #APP using #bluetooth, ultimately turning your mobile device into a #BASESTATION.
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Alveocyclammina es un género de foraminífero bentónico de la subfamilia Hemicyclammininae, de la familia Cyclamminidae, de la superfamilia Loftusioidea, del suborden Loftusiina y del orden Loftusiida. Su especie tipo es Alveocyclammina andina. Su rango cronoestratigráfico abarca el Albiense inferior (Cretácico inferior).

Discusión
Clasificaciones previas incluían Alveocyclammina en el suborden Textulariina del orden Textulariida o en el orden Lituolida.

Clasificación
Alveocyclammina incluye a la siguiente especie:

 Alveocyclammina andina

Bibliografía

Géneros de Loftusiida
Géneros de foraminíferos aglutinados
Géneros de foraminíferos bentónicos


The team at Stringr's curation desk in New York City is hard at work around the clock, actively monitoring breaking news in our 10 live markets. But there's no need to wait for requests. We want you to be on the lookout for newsworthy events too.
As an enterprising Stringr, you ARE allowed to submit a video that is not associated with a specific footage request. But to avoid wasting your own time covering something that won't interest our customers, we recommend you follow the guidelines that we ourselves stand by as to determining if an event is newsworthy.
Crime: Unfortunately, crime impacts many communities. Our customers are interested in crimes that involve innocent people: think children, parents and individuals who should not have gotten caught in the cross fire. If you happen to be witness to a crime before police arrive, ALWAYS call 9-1-1 before you take out your camera or phone to film anything. Safety for you and others should always be your number one priority.
Motor Vehicle Accidents: MVAs are also far more common than you may realize, and don't generally constitute news. Again, go by the "unusual" rule of thumb — for instance, if the accident seriously impacted traffic on a major route, if a vehicle is on fire, if a large number of people/vehicles were involved, if pedestrians were involved or if a car crashed into a building. Please note, if you're driving by an accident scene, NEVER film while driving. It is dangerous and against the law. Rather, safely pull over to the side of the road and exit your car before filming anything, and as always, make sure that emergency personnel have been contacted before shooting video. Also, make sure that your involvement will not have any further negative impact on emergency efforts or traffic.
Protests: For excellent tips on how to shoot a protest, check out this week's video blog. This week one of our Stringrs from Texas captured vehement words being exchanged between different groups of protesters at an elementary school in McKinney, Texas, where police activity at a pool party earlier this week has flared racial tensions in the area.
A still from video of the McKinney protests.
Weather: Weather events generally have to be extreme to warrant coverage; think flooding, tornadoes, water spouts, hail, dramatic lightning, etc. We're interested in weather video that shows the weather's effect on people: how they live, work and commute. Check out our video blog on shooting weather. A terrific example from this past week is our Texas-based Stringr, Dominic Nagella's video of the Trinity River flooding over a roadway near Dallas. His video showed the river flooded over a roadway, but it also had a compelling subject — a young boy standing on a road barrier, fishing in the floodwaters. The cars and trains moving on the highway near the horizon of Nagella's frame provided additional interest for the viewer. His b-roll footage was purchased by one of our customers.
A still from video of the Trinity River flooding over a roadway in Texas.
At Stringr's curation desk, we have access to news wire services that allow us to hear about breaking news first! If you decide to seek it out on your own, please remember to follow the letter of the law and stay safe.


The California Safe Routes to School National Partnership has put together a survey for feedback on the Active Transportation Program legislation, guidelines development, and application process. If you participated in the program as a workgroup member, applicant, or just want to share your feedback, be sure to take the survey by June 26. Results of the survey will be presented at a webinar scheduled on June 26 from 10-11am that you can register for here. Feedback from the survey will be helpful as we begin planning for the second cycle.


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Tag Archives: presidental
A Bad Beat for Trump
A Bad Beat is a poker term for a hand in which a player with a solid hand loses to an opponent who is statistically unlikely to win but hits a lucky card (or two) and unexpectedly takes the pot. The losing player is then said to have suffered a "bad beat." In looking at the 2016 Presidential election, some may say Hilary Clinton suffered a bad beat. But the reality is the bad beat went to Donald Trump.
Trump, who I firmly believed right up to Election Day expected to lose, had mapped out with others (Roger Ailes?) how to turn this presidential run into post-election BIG MONEY. But then the unthinkable happened he won. All the big money dreams derailed, but worst now, there would be a massive spotlight on everything crooked he was involved in. From the moment he watched as FOX NEWS, what other channel do you think he was watching, declared him the winner he went defensive. Lying and doing one over the top thing after another to distract America as he tried to cover up his actions in an attempt to stay one step ahead of what he knew was coming for him, the truth and likely jail time for him, his friends, and his family.
His Shaggy defense of saying it wasn't you have kept his base at bay, but his lies, deceit, and attempts at cover-ups haven't protected many of his friends who, Rodger Stone aside, faced with prison turned on him. It has slowly begun to drive people who initially were in his corner, mostly for their good, away. More and more isolated, his act gets crazier and crazier and more dangerous for the United States.
Hopefully, we are coming to a conclusion in which Trump, however it may happen, resigns or is impeached from a position of power he was never qualified to hold and probably really never really wanted. After all, with Trump-like, everything else was just supposed to be about the money. A bad beat indeed for Donald.
This entry was posted in Today's Issues and tagged corruption, Democracy, Donald Trump, Elections, fraud, government, politics, presidental on February 3, 2019 by Carl A. Cooke.
Never Go Full Trump
The following is a hypothetical conversation sometime in the future between an ex-presidential candidate and a campaign strategist.
Ex Candidate (EC): I wish I had a campaign manager like this last election
Strategist (S): Last election. Oh yeah. You went all-in on that one, huh? Really swung for the fences, huh?
EC: Thank you. I just did the work. I had to sort of just free myself up to believe it was okay to be him in a weird way.
S: To be Trump
EC: Yeah
S: To be Trumpy
S: Like the Trumpiest candidate that ever ran
EC: When I was running for President.
S: Acting like Trump. Trying to come back from that
EC: In a weird way, I had to fool my mind into believing I wasn't the Donald.
S: But Trump thought he was a good qualified President, so you can't afford to play Trump being a qualified candidate. Running as a guy who thinks he's qualified but is so far from qualified, that's tricky. Hats off for going there especially knowing how the voters are about that now
EC: About what?
S: You're serious? You don't know? Everybody knows you never go full Trump
EC: What do you mean?
S: Check it out. Richard Nixon, 37th President, look, Trump, act Trump, not Trump. Established the EPA and OSHA, ended America's involvement in the Vietnam war, opened diplomatic relations with The Peoples Republic of China. He had Watergate so crooked sho'. Not Trump. You know Jimmy Carter.' Below average President, yes. Indecisive, maybe. Gas shortages and Iranian hostage crises. But he created the Departments of Energy and Education and negotiated a peace treaty between Israel and Egypt. That ain't Trump. He was a goddamn Noble Peace Prize winner. Do you know any Trump Noble Prize Winners? You went full, Trump man. Never go full, Trump. You don't buy that? Ask Donald, 2020, Presidential Election. Remember? Went full Trump, went home empty-handed.
This entry was posted in Today's Issues and tagged Democracy, Election, government, Leadership, politics, presidental, trump, voters on December 6, 2018 by Carl A. Cooke.


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António Ginestal Machado (Almeida, 3 mei 1874 - Santarém, 28 juni 1940) was een Portugees secundair leraar, politicus en eerste ministers gedurende de Eerste Portugese Republiek.

Levensloop

Studies en beroepsloopbaan
Na zijn studies aan de hogeschool van Guarda begon hij in 1892 aan een opleiding aan de Marineschool en aan een studie in de literatuur. Na de afloop van zijn studies werd hij in 1897 actief als leraar in het secundair onderwijs, maar nam al snel ontslag om in de militaire dienst te treden. Hij combineerde dit met een studie rechtswetenschappen aan de Universiteit van Coimbra.

Nadat hij de marine in 1898 verliet, werd hij secundair leraar Geschiedenis en Aardrijkskunde aan de hogeschool van Angra do Heroísmo op het Azoreneiland Terceira. In 1904 werd hij vervolgens leerkracht Geschiedenis en Aardrijkskunde aan het Nationale Gymnasium van Santarém.

Politieke loopbaan
Zijn politieke loopbaan begon in 1909 toen hij verkozen werd tot voorzitter van de gemeenteraad van Santarém. Tijdens de rellen voor de oprichting van de Eerste Portugese Republiek op 6 oktober 1910 was hij in 1910 commandeur van de Revolutionaire Beweging van Santarém. In 1911 werd hij benoemd tot regeringscommissaris voor de Spoorwegenmaatschappij (Companhia dos Caminhos de Ferro Portugueses).

In de loop van zijn politieke loopbaan, waarin hij overwegend gematigd republikeins was, was hij eerst lid van de in februari 1912 door Brito Camacho opgerichte Partido Unionista, die in oktober 1919 met de Partido Republicano Evolucionista fuseerde tot de Partido Liberal Republicana. In 1914 werd hij lid van het partijbestuur van de Partido Unionista, wat hij later ook was bij de Partido Nacional Republicano.

In 1919 werd hij verkozen in de Assembleia da República, waar hij tot in mei 1926 zou zetelen. Op 23 mei 1921 werd hij door premier Tomé de Barros Queirós benoemd tot minister van Openbaar Onderwijs. Hij bleef dit tot en met 19 oktober 1921, ook nadat António Joaquim Granjo op 30 augustus 1921 de nieuwe premier van Portugal was geworden.

Op 15 november 1923 volgde hij António Maria da Silva op als eerste minister. Hij leidde een minderheidsregering en bleef uiteindelijk premier tot en met 14 december 1923. Tegelijkertijd was hij minister van Binnenlandse Zaken. De sterke man in zijn regering was minister van Oorlog António Óscar Carmona, die later vele jaren president van Portugal zou worden.

Na de revolutie van 28 mei 1926 verliet hij na de ontbinding van het parlement en het verbod van de Partido Nacional Republicano de politiek. Tot in 1931 bleef hij actief als leerkracht aan het Nationaal Gymnasium van Santarém.

Op 2 april 1987 werd om hem te eren het gymnasium van Santarém hernoemd in de "Escola Secundária Dr. Ginestal Machado".

Premier van Portugal
Portugees minister