The Wellesley College telephone system offers six party conference calling. The Conference feature adds up to five additional parties to an established call. The conference parties can be inside or outside the telephone system. However, one party must be an internal extension number to maintain the conference connection for the duration of the conference. Both Multi-line and Single-line telephones can establish a conference call. See feature instructions below to use conference calling from a Multi-line or Single-line telephone.
Press Conference key. The first party is on hold and you receive a dial tone.
Dial the number of the new party. When the new party answers, you may talk privately.
Press Conference key again to include all parties in the call.
To add more parties to the conference (up to six, including yourself), repeat steps 2-4.
Note: If you make a mistake while dialing, or you receive a busy signal, press RLS to disconnect. To return to the call, press the key beside the fast flashing indicator.
Press the Link button. You hear three beeps followed by dial tone. The first party is on hold.
Dial the telephone number of the second person to be included in your call. When the call is answered, you may talk privately with the new party.
Press the Link button to include all parties in the call.
Note: If you make a mistake while dialing, or you receive a busy signal, press the RLS button or switch hook to return to the original caller.


There are many ways to personalize their wedding and to preserve the souvenirs of that day. Some brides do realize photo shoots from divas, others are dry the bouquet or studying cones for rice signed. In this last year we have seen a new trend: to sign the wedding shoes. Perhaps the trend was launched by Flavio Briatore with his slippers with the initials FE (Flavian Elizabeth), then also worn by Brad Pitt, not for the day marriage as an act of love because there are a classic embroidered BP. In humans and especially in the kind of shoe is not much elegance, but the women's shoes are very chic.
The idea is to place onto the soles of shoes bride of bead by drawing the name of spouses or initials. Some brides put the wedding date or small phrases like "I love you" or "I do" made with small rhinestones swarovski or, even easier, buying of bright stickers. Other ladies do engrave all 'inside of the shoe. Then of course the tastes and proposed may be dozens, some people (and you see it in the gallery) was also made to embed a dime.
The cheapest version, wants the invite to the wedding write their name on the soles of the shoes of the bride. At the end of the day you check what is the name deleted and that will be the person who will find her husband within a year, a little 'as with the launch of the bouquet.


1603 Accession of James I (King James VI of Scotland).
1618 Outbreak of Thirty Years War.
1625 Death of James I; accession of Charles I.
1628 Parliament meets. Petition of Right.
1629 England begins eleven-year period without a parliament.
1633 Appointment of Archbishop Laud.
1634 First levy of ship money.
1637 King wins Ship Money Case, 7 judges for, 5 against.
1640 Short Parliament meets in April. Long Parliament meets in November.
1641 Uprising in Ireland, massacre of Protestants.
1642 Outbreak of civil war.
1643 Solemn League and Covenant. Scots enter war in England.
1645 New Model Army created.
1647 Charles captured by army. Army debates at Putney.
1648 Second civil war. Pride's Purge.
1649 Charles tried and executed. Monarchy and House of Lords abolished. England declared a commonwealth.
1650 Engagement Oath required. Charles II and Scots defeated at Dunbar.
1651 Charles II and Scots defeated at Worcester. Charles flees to France.
1653 Cromwell expels the Rump Parliament. Instrument of Government drawn up. Cromwell becomes Lord Protector.
1656 Rule of Major Generals. Second Protectorate Parliament.
1658 Cromwell dies. Richard Cromwell becomes Protector.
1659 Richard Cromwell resigns. Rump Parliament recalled. George Monck marches with army to London.
1660 Long Parliament recalled. Convention Parliament summoned. Charles II invited back. Monarchy restored. Trial of regicides.
1661 Cavalier parliament meets. Passage Militia Act, Corporation Act.
1662 Passage Uniformity Act. Trial of Sir Henry Vane.
1670 Secret Treaty between Charles II and Louis XIV.
1672 Charles issues Declaration of Indulgence.
1683 Rye House Plot. Trial of William Lord Russell, Algernon Sidney. Oxford decrees condemn all resistance.
1685 Charles II dies. Accession of James II.
1687 James II issues Declaration of Indulgence.
1688 Seven Bishops Trial. Arrival of William of Orange. Glorious Revolution.
1689 Convention Parliament meets. Bill of Rights. Accession of William and Mary.


It's taken me approximately three months to write a review for Kanye West's latest album, 808s and Heartbreak. What has taken me so long, you ask? The logical answer is that life took over and I found very little time to dwell and write about the album. The truth of the matter is, the album perplexed me. I bought the album on Nov. 25, 2008 just as many others did, and I was excited. I listened to "Love Lockdown" just hours after West posted it on his blog and I caught his dramatic performance of the song at the end of the MTV Music Video Awards and was impressed. The darker tones, the sparse beats, the electronic touches and of course, the Auto-Tune–Kanye was going in a new direction and I was looking forward to hear it.
Yet when I began listening to the album, I was left not really knowing how I felt about it. My very first thought was, `man, Kanye is mad.' Clearly this is an album about heartbreak and West's pain and frustrations are made palpable: "how could you be so heartless?" It was the emotional vulnerability that West made so clear and blatant that hooked me initially. It's not often you see hip-hop artists lay out their internal dialogues out on the table, particularly regarding romantic relationships. Yet, much of what I like about West is that he is not your typical hip-hop artist. So much of his internal thought processes and emotions are laid bare – just read his blog. Sometimes he'll stumble and say something off the wall (like calling OJ Simpson amazing in a taping of VH1′s Storytellers, though the backtracking itself was amazing) or he will say something that is shockingly (albeit sometimes humorously) accurate like saying that Bush "doesn't care about black people." It's all part of his rambling, amusing and fascinating charm.
808s and Heartbreak is essentially an extension of the almost diaristic career of West. Though I appreciated his openness and new venture in the land of Auto-Tune, the album left me feeling a little cold and I put it down, and went back to listening to M. Ward. Perhaps it was the cold music and cool sheen of the album that put me off initially. However, the album just wouldn't go away. I kept thinking about why I was put off and ultimately, I couldn't quite put my finger on it and went back to the album and listened with new ears.
The coldness I was initially put off by, I now love; considering the volatile and painful nature of the subject matter (break-up with his fiancé, the death of his mother), the sparse and sleek electronic and synth arrangements act as an excellent counter-balance. Can you really imagine "Love Lockdown" or "Heartless" any other way? The echoing keys of "Heartless" create a song fraught with tension and works in concert with West's anger and frustrations. On the flip side, "Paranoid" and "RoboCop" use effervescent disco beats (used so well on "Flashing Lights" off of Graduation) to lift you out of the heartbreak funk, and have quickly become some of my favorite songs off of the album.


text:
A Supreme Desire to Please Him
Foreword by Jason Duesing
By Evan Burns
Adoniram Judson was not only a historic figurehead in the first wave of foreign missionaries from the United States and a hero in his own day, but his story still wins the admiration of Christians even today. Though numerous biographies have been written to retell his life story in every ensuing generation, until now no single volume has sought to comprehensively synthesize and analyze the features of his theology and spiritual life. His vision of spirituality and religion certainly contained degrees of classic evangelical piety, yet his spirituality was fundamentally rooted in and ruled by a mixture of asceticism and New Divinity theology. Judson's renowned fortitude emerged out of a peculiar missionary spirituality that was bibliocentric, ascetic, heavenly minded, and Christocentric. The center of Adoniram Judson's spirituality was a heavenly minded, self-denying submission to the sovereign will of God, motivated by an affectionate desire to please Christ through obedience to his final command revealed in the Scriptures. Unveiling the heart of his missionary spirituality, Judson himself asked, ""What, then, is the prominent, all-constraining impulse that should urge us to make sacrifices in this cause?"" And he answered thus: ""A supreme desire to please him is the grand motive that should animate Christians in their missionary efforts."" ""Because Jesus Christ was Himself the ultimate missionary, a truly biblical spirituality will always incline the heart toward missions. The more Christlike a person becomes, the more burdened he or she will be for those who do not know Christ. One of the best-known and best-loved stories of this union of spirituality and missions is found in the life of Adoniram Judson. Retelling this story with particular emphasis on Judson's spirituality is Evan Burns. Who better for this task than a missionary to Judson's part of the world with a PhD in biblical spirituality? Like Judson, Dr. Burns is the real deal both as a missionary and as a man of God. Read this book and be blessed."" --Donald S. Whitney, Professor of Biblical Spirituality, Southern Baptist Theological Seminary; author of Spiritual Disciplines for the Christian Life and Praying the Bible ""Evan Burns complements Adoniram Judson's well-known missionary accomplishments with his interior life and paints a more holistic picture of this great historical figure than ever has been portrayed thus far. Both Judson's strengths and weaknesses are revealed in this compelling narrative. This historically astute, robustly researched, and intelligently written book is a welcome and groundbreaking contribution to the scholarship about this pioneer American missionary."" --Allen Yeh, Associate Professor of Intercultural Studies and Missiology, Cook School of Intercultural Studies, Biola University ""The early modern missionary movement was decisively shaped by a number of iconic figures: among the chief of them was Adoniram Judson. This original and incisive study of his piety helps us not only understand his life and what made him tick but also the pattern of missionary piety that came after him. A great study "" --Michael A. G. Haykin, Professor of Church History and Biblical Spirituality, The Southern Baptist Theological Seminary ""Adoniram and Ann Judson have always been heroes to me for a host of reasons: their courage to obey the Great Commission, to explore biblical truth as it related to baptism, to act on what God showed them even at great personal cost, and to remain faithful in missions though great suffering. Evan Burns provides insightful analysis of Adoniram Judson's spiritual fortitude that enabled endurance, which I pray will spark a supreme desire to please Him among many readers."" --M. David Sills, DMiss, Ph.D., A.P. and Faye Stone Chair of Christian Missions and Cultural Anthropology, The Southern Baptist Theological Seminary Evan Burns (PhD, Southern Baptist Theological Seminary) is Director of the MA in Global Leade
Manufacturer: Pickwick Pubn
Author: Evan Burns

redpajama_set_name: RedPajamaCommonCrawl


This is the paradox of eggs.
Copyright © 2015 by D. Dina Friedman.
we pick them out of the skyline, as if they're important.
When did I realize they were named after corporations?
As a child, these were just their names, normal as my own.
or hero story—the ending remains to be seen.
the neon flashing a big yellow YES!
and powerful enough to destroy the handsome neon prince.
D. Dina Friedman has published widely in literary journals including Lilith, Calyx, Xanadu, Common Ground Review, Bloodroot, Inkwell, The Sun, Anderbo, San Pedro River Review, Mount Hope, and Rhino. She has received two Pushcart Prize nominations for poetry and fiction and is also the author of two young adult novels: Escaping Into the Night, and Playing Dad's Song.
Copyright © 2015 by Monique Kluczykowski.
Monique Kluczykowski was born in Germany, educated in Texas and Kentucky, and currently teaches at the University of North Georgia. Her most recent poems have appeared in The Stonepile Writers' Anthology, Vol. III., Third Wednesday, StepAway Magazine, Cactus Heart Press, and The Magnolia Review.
your poems are not for us.
Copyright © 2015 by Luke Normsy.
Luke Normsy is a mid-level bureaucrat by day and a very-minor poet and photographer by night. He lives in the same meaningless void as everyone else, but tries to be cheery about it. Masochists and other interested parties can dig his work on Google+.
What does she know—he's only five.
Bush, Cheney, Palin, McCain—it's Arizona.
"Who's Sarah?" my young comrade asks.
not realizing she means in Wonderland.
and the engine of the rototiller.
that the noise would be temporary.
our garden would be postponed.
Copyright © 2015 by Yvette A. Schnoeker-Shorb.
Yvette A. Schnoeker-Shorb's work has appeared in Aji Magazine, Sierra Nevada Review, Caesura, Red River Review, Dark Matter: A Journal of Speculative Writing, The Broken Plate, Wilderness House Literary Review, Concho River Review, Twisted Vine Literary Arts Journal, The Blueline Anthology (Syracuse University Press), Pedestal Magazine, Terrain.org: A Journal of the Built and Natural Environments, Flash Fiction Magazine, The Conium Review, and other journals and online forums, with poetry forthcoming in the anthology Talking Back and Looking Forward: Poetry and Prose for Social Justice in Education (Rowman & Littlefield Publishing Group, Fall 2015) and others. A past Pushcart Prize nominee, she holds an interdisciplinary MA from Prescott College and is co-founder of Native West Press, a 501(c)(3) nonprofit natural history press.
are inside. Polish until they shine.
as you would a long-standing tie.
Copyright © 2015 by Amy Wright.
Gigi Who We Have Not Seen?
only you know where to go next.
so longingly he seems to have been there always.
Amy Wright is the Nonfiction Editor of Zone 3 Press, and the author of five chapbooks. Her first full-length collection, Mudlick, is forthcoming from Brick Road in early 2016. Online excerpts of published work is available at awrightawright.com.


18 Apr KDE is a working on a new music player called Elisa. Can Elisa become the new default music player in most Linux distributions? Find out in. The BBC artist page for Elisa. Find the best clips, watch programmes, catch up on the news, and read the latest Elisa interviews. The BBC artist page for ELISA. Find the best clips, watch programmes, catch up on the news, and read the latest ELISA interviews.
13 Apr Elisa is not the only "new" music player for Linux desktops that has us excited. GTK-based Lollypop recently demoed a slick responsive UI. itFOSS: What music player do you run? KDE's New Elisa Music Player: So Close, Yet So Far Away. May 24, , (0 Talkback[s]) (Other stories by. 28 Apr A bunch of days ago, the first stable version of Elisa, a new KDE-oriented music player, was released unto the wild. The program aims to be a.
3 Sep Rhode Island singer-songwriter Elisa Coia has a room-silencing voice, but she's not afraid of machined gloss. It's the combination of timeless. In , Elisa was chosen from a contest of 3, participants at resume her singing career under her new label, SME Records. Elisa Brown. Singer/songwriter Elisa Brown is dedicated to helping the disenfranchised through the Arts. As Host of The Heart of Art with Elisa Brown on PBS. Conscious Evolution Media Presents "The Heart of Art with Elisa Brown" — a show that of MFLNYC's musical arm, The New York Women's Ensemble ( NYWE). Matt McLaren's production of Elisa's music is flawless, creative and very true to . 'Treasure' brought us Elisa's soulful voice and captivating lyrics and her new.


text:
SIU loses final football game of the season
By Adam Warfel, sports reporter
Filed under Football, Sports
Southern (2-9, MVFC 1-7) fell 65-17, to number one ranked North Dakota State (11-0, MVFC 8-0) in their final game of the year.
After the game, the NDSU was able to add a win in the all-time series making it 8-3, and the Bison have won the last seven meetings between the two teams in the series dating back to 1963.
The last time SIU beat NDSU was Sept. 26, 2009, when the Dawgs won at home.
The Salukis are now 1-4 against number one ranked FCS opponents with their lone win coming against Western Kentucky in 2005.
Southern was looking to rebound after their loss to South Dakota State last week for the senior game.
The Dawgs scored on the first play of the game as freshman wide receiver Je'Quan Burton returned the kickoff for the touchdown and the kick by freshman kicker Griffin Cerra was good to put Southern ahead 7-0 15 seconds into the game.
After a five-play drive by the Bison, they tied it up to make it 7-7 early in the first quarter with a 36-yard rushing play for the touchdown.
North Dakota State put 50 yards on three plays resulting in a touchdown to give the Bison a 14-7 lead with 10:19 left in the first quarter.
Senior quarterback Matt DeSomer completed the pass to senior wide receiver Raphael Leonard for 59 yards for Southern's second touchdown of the day tying it back up at 14-14 halfway through the first quarter.
DeSomer finished with one touchdown and two interceptions for 144 yards in the final game for the senior.
A 60-yard pass by North Dakota State ends in a touchdown for the Bison pulling them back ahead 21-14 with 6:32 remaining in the first quarter.
A fumble by SIU ends with the ball in NDSU's hands and another touchdown by the Bison to make it 28-14 in the first quarter.
DeSomer handed it off to Leonard for no gain to end the first quarter as the Salukis trailed North Dakota State 28-14 after one.
The Bison scored first in the second quarter as senior quarterback Easton Stick completed a 31-yard touchdown pass to push the lead to 35-14.
Stick finished with three touchdowns and one interception and 302 yards in his final regular season game at North Dakota State.
The third turnover of the day for the Dawgs and second interception of the game by DeSomer gave the ball back to NDSU on the Bison's ten-yard line.
An interception by sophomore safety Joe Patterson helped to end the drive by North Dakota State and gave the ball back to the Salukis with 2:13 left in the half.
After giving up four touchdowns in the first quarter the Southern defense held the Bison to one touchdown in the second quarter to go into halftime down 35-14.
North Dakota State received the kickoff to start the second half and they scored on a nine play 85-yard drive to extend the lead to 42-14 early in the third quarter.
A bad snap by SIU ends in a safety adding two points on the board for NDSU to make it 44-14 with 9:37 left in the third quarter.
North Dakota State scored another touchdown after the safety on a two play 57-yard drive to make it 51-14 with 8:48 left in the third quarter.
The Salukis ended a nine-play drive with a 25-yard field goal by Cerra to make it 51-17 with just over four minutes remaining in the third quarter.
The third quarter ended with the Bison on their own 47-yard line with a second and seven yards to go for the first down leading with a score of 51-17.
NDSU scored on a 16 play 75-yard drive ending in a 19-yard rushing touchdown to make it 58-17 with 9:57 left in the game.
Senior quarterback Sam Straub of the Salukis entered the game after the touchdown by the Bison.
Straub recorded the fourth turnover in the game by Southern and the third interception thrown by an SIU quarterback in the fourth quarter.
A 20 yard rush by junior running back Adam Cofield extended the Bison lead out to 65-14 after the interception by Straub.
After the touchdown by North Dakota State freshman quarterback Nic Baker entered the game as the third quarterback for Southern.
With SIU at the NDSU 2 yard line, they failed to convert on fourth down which gave the ball back to the Bison with 1:32 left in the game.
This game marked the end of the season for Southern as they finished the season 2-9 being their worst record since 2001 when they finished 1-10.
Sports reporter Adam Warfel can be reached at [email protected] or on Twitter at @warfel_adam.
Tags: Adam Cofield, bison, Coach Nick Hill, easton stick, Griffin Cerra, Joe Patterson, matt desomer, mvfc, ndsu, Nic Baker, north dakota state, sam straub, siu, southern
Quarterback battle continues as spring football nears close
Football: Hill finalizes coaching staff after 2-9 season
Warfel: Looking ahead at Super Bowl LIII possibilities
Bears hire Chuck Pagano as defensive coordinator to replace Vic Fangio
Mellinger: Chiefs are playing Colts again, Patrick Mahomes could make this one different
D.J. Davis: More than an all-around football player
Salukis fall to SDSU in senior day showdown
SIU falls to Western Illinois in conference matchup
Saluki Football defeats Missouri State for first conference win
Jeremy Chinn: The king swiper of safeties


text:
Team:ETH Zurich/lab/sequences
Revision as of 21:02, 17 October 2014 by Meistefa (Talk | contribs)
iGEM ETH Zurich 2014
Medal Criteria
Data page
Gene Circuit and Parts
Used and Characterized Pre-Existing Parts
Our Favorite New Characterized Parts
XOR Gate
Whole cell model
Parameters and Tools
Alginate Beads
Millifluidic Chip
Advisors and Instructors
The plasmid sequences can be accessed by clicking on the plasmid name (e.g. piG0040) or the plasmid picture.
Construct types:
Regulator Constructs
Producer Constructs
Sensor Constructs
BUFFER Gate Construct
Signal Propagation Construct
Combined Sensor and Producer Constructs
piG0040
LasR is expressed under the strong constitutive promoter BBa_J23100 while the expression level is influenced by the RBS BBa_B0034. LasR bound to 3OC12-HSL induces the expression of genes under the control of pLasR. The plasmid pBR322 and its derivatives have a copy number of 15 to 20[15].
LuxR is expressed under the strong constitutive promoter BBa_J23100 while the expression level is influenced by the RBS BBa_B0034. LuxR bound to 3OC6-HSL induces the expression of genes under the control of pLuxR. The plasmid pBR322 and its derivatives have a copy number of 15 to 20[15].
RhlR is expressed under the strong constitutive promoter BBa_J23100 while the expression level is influenced by the RBS BBa_B0034. RhlR bound to C4-HSL induces the expression of genes under the control of pRhlR. The plasmid pBR322 and its derivatives have a copy number of 15 to 20[15].
piG0042max
RhlR is expressed under the strong constitutive promoter BBa_J23100 while the expression level is influenced by an RBS optimised for RhlR (RBS calculator). RhlR bound to C4-HSL induces the expression of genes under the control of pRhlR. The plasmid pBR322 and its derivatives have a copy number of 15 to 20[15].
LuxR is expressed under the weak constitutive promoter BBa_J23109 while the expression level is influenced by the RBS BBa_B0034. LuxR bound to 3OC6-HSL induces the expression of genes under the control of pLuxR. The plasmid pBR322 and its derivatives have a copy number of 15 to 20[15].
LuxR is expressed under the medium strong constitutive promoter BBa_J23111 while the expression level is influenced by the RBS BBa_B0034. LuxR bound to 3OC6-HSL induces the expression of genes under the control of pLuxR. The plasmid pBR322 and its derivatives have a copy number of 15 to 20[15].
LasI is expressed under the strong constitutive promoter BBa_J23100 while the expression level is influenced by the RBS BBa_B0034. LasI produces the quorum sensing molecule 3OC12-HSL. The pBBR1 origin is present at a copy number of approximately 5, however, the origin is poorly characterized [16].
LasI is expressed under the strong constitutive promoter BBa_J23100 while the expression level is increased by an RBS optimised for LasI (RBS calculator). LasI produces the quorum sensing molecule 3OC12-HSL. The pBBR1 origin is present at a copy number of approximately 5, however, the origin is poorly characterized [16].
LuxI is expressed under the strong constitutive promoter BBa_J23100 while the expression level is influenced by the RBS BBa_B0034. LuxI produces the quorum sensing molecule 3OC6-HSL. The pBBR1 origin is present at a copy number of approximately 5, however, the origin is poorly characterized[16].
LuxI is expressed under the strong constitutive promoter BBa_J23100 while the expression level is increased by an RBS optimised for LuxI (RBS calculator). LuxI produces the quorum sensing molecule 3OC6-HSL. The pBBR1 origin is present at a copy number of approximately 5, however, the origin is poorly characterized[16].
RhlI is expressed under the strong constitutive promoter BBa_J23100 while the expression level is influenced by the RBS BBa_B0034. RhlI produces the quorum sensing molecule C4-HSL. The pBBR1 origin is present at a copy number of approximately 5, however, the origin is poorly characterized[16].
RhlI is expressed under the strong constitutive promoter BBa_J23100 while the expression level is increased by an RBS optimised for RhlI (RBS calculator). RhlI produces the quorum sensing molecule C4-HSL. The pBBR1 origin is present at a copy number of approximately 5, however, the origin is poorly characterized[16].
Expression of sfGFP is induced when LasR bound to 3OC12-HSL bind to pLasR. The p15A is present at a copy number of approximately 15 to 25[35].
Expression of sfGFP is induced when LuxR bound to 3OC6-HSL bind to pLuxR. The p15A is present at a copy number of approximately 15 to 25[35].
Expression of sfGFP is induced when RhlR bound to 4C-HSL bind to pRhlR. The p15A is present at a copy number of approximately 15 to 25[35].
Expression of sfGFP is induced when LuxR bound to 3OC6-HSL bind to pLuxR. The cis-repressive element (crR12y) inhibits the translation of sfGFP, since the RBS is blocked by secondary structures of the mRNA. The p15A is present at a copy number of approximately 15 to 25[35].
Expression of sfGFP is induced when LuxR bound to 3OC6-HSL bind to pLuxR. The cis-repressive element (crR12y) inhibits the translation of sfGFP, since the RBS is blocked by secondary structures of the mRNA. The transcript of the trans-activating element (taR12y) binds to the transcript of the cis-repressive element, hence the RBS is not blocked anymore. The two elements build a riboregulator that decreases leakiness of pLuxR. The p15A is present at a copy number of approximately 15 to 25[35].
Expression of sfGFP is induced when RhlR bound to 4C-HSL bind to pRhlR. The cis-repressive element (crR12) inhibits the translation of sfGFP, since the RBS is blocked by secondary structures of the mRNA. The transcript of the trans-activating element (taR12) binds to the transcript of the cis-repressive element, hence the RBS is not blocked anymore. The two elements build a riboregulator that decreases leakiness of pLuxR. The p15A is present at a copy number of approximately 15 to 25[35].
Expression of sfGFP is induced when LuxR bound to 3OC6-HSL bind to pLuxR. The cis-repressive element (crR12y) inhibits the translation of sfGFP, since the RBS is blocked by secondary structures of the mRNA. The transcript of the trans-activating element (taR12y) binds to the transcript of the cis-repressive element, hence the RBS is not blocked anymore. The two elements build a riboregulator that decreases leakiness of pLuxR. The p15A is present at a copy number of approximately 15 to 25[35]. PiG0109 is a derivate of piG0065 where the restriction sites EcoRI and XbaI have been removed. Thus, the two constructs slightly differ in the sequence of the 3'-end of the trans-activating element and in the sequence of the 5'-end of the cis-repressive element.
Expression of sfGFP is induced when RhlR bound to 4C-HSL bind to pRhlR. The cis-repressive element (crR12) inhibits the translation of sfGFP, since the RBS is blocked by secondary structures of the mRNA. The transcript of the trans-activating element (taR12) binds to the transcript of the cis-repressive element, hence the RBS is not blocked anymore. The two elements build a riboregulator that decreases leakiness of pLuxR. The p15A is present at a copy number of approximately 15 to 25[35]. PiG0110 is a derivate of piG0066 where the restriction sites EcoRI and XbaI have been removed. Thus, the two constructs slightly differ in the sequence of the 3'-end of the trans-activating element and in the sequence of the 5'-end of the cis-repressive element.
The directional terminator BBa_B0015 blocks transcription of sfGFP under the strong constitutive promoter BBa_J23100. Only if the integrase Bxb1 flips B0015 between the attP and the attB sites, transcription of sfGFP is possible. The pBBR1 origin is present at a copy number of approximately 5, however, the origin is poorly characterized[16]
Expression of the integrase Bxb1 and the fluorophore mCherry is induced when LuxR bound to 3OC6-HSL bind to pLuxR. The cis-repressive element (crR12y) inhibits the translation of Bxb1 and mCherry, since the RBS is blocked by secondary structures of the mRNA. The transcript of the trans-activating element (taR12y) binds to the transcript of the cis-repressive element, hence the RBS is not blocked anymore. The two elements build a riboregulator that decreases leakiness of pLuxR. The p15A is present at a copy number of approximately 15 to 25[35].
Expression of sfGFP and LuxI is induced when LuxR bound to 3OC6-HSL bind to pLuxR. The cis-repressive element (crR12y) inhibits the translation of the succeeding gene, since the RBS is blocked by secondary structures of the mRNA. The transcript of the trans-activating element (taR12y) binds to the transcript of the cis-repressive element, hence the RBS is not blocked anymore. The two elements build a riboregulator that decreases leakiness of pLuxR. The expression level of LuxI is increased by an RBS optimised for LuxI (RBS calculator).The p15A is present at a copy number of approximately 15 to 25[35].
Expression of sfGFP and LuxI is induced when LuxR bound to 3OC6-HSL bind to pLuxR. The cis-repressive element (crR12y) inhibits the translation of the succeeding gene, since the RBS is blocked by secondary structures of the mRNA. The transcript of the trans-activating element (taR12y) binds to the transcript of the cis-repressive element, hence the RBS is not blocked anymore. The two elements build a riboregulator that decreases leakiness of pLuxR. The expression level of LuxI is influenced by the RBS B0034. The p15A is present at a copy number of approximately 15 to 25[35].
Expression of sfGFP and LuxI is induced when LuxR bound to 3OC6-HSL bind to pLuxR. The expression level of sfGFP and LuxI is influenced by the RBS B0034. The p15A is present at a copy number of approximately 15 to 25[35].
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text:
Avalon Promotions
Work In Progress: Matt Forde and Flo & Joan
Part of Town Hall Unwrapped
Wednesday 15 December, 7.30pm
£12 (£10 concessions)
120 mins + interval
Work In Progress comedy sets from Matt Forde and duo Flo & Joan.
Matt Forde
Matt Forde is currently writing on the new series of Spitting Image as well as voicing the puppets of Boris Johnson, Keir Starmer and Donald Trump. As seen on Have I Got News For You, The Royal Variety Performance, Mock the Week, The One Show and Question Time. He hosts The Political Party which was recently listed as the Number 1 political podcast by Mace magazine. His other podcast, British Scandal, regularly tops the Apple Podcasts chart. His debut book Politically Homeless was an Amazon bestseller and was listed as one of the Sunday Times Political Books of the Year.
"Possibly the best political comedy show on the Fringe". ★★★★★ - The Telegraph
"A first-class comic" - The Guardian
Flo & Joan
Flo & Joan are the multi-award winning British musical comedy duo, and sisters, Nicola and Rosie Dempsey.
The piano/percussion pair have headlined and played to sold-out audiences across the UK, North America and Australia, and their hour-long special is now streaming in over 200 countries on Amazon Prime. In 2019 they debuted at the Melbourne International Comedy Festival and the JFL Montreal Comedy Festival. A hugely acclaimed live act, their fourth Edinburgh show, Before the Screaming Starts, completely sold-out its run at the Edinburgh Fringe Festival, added extra shows to keep up with demand.
Ticket holders may be asked to demonstrate their Covid-19 status by providing either proof of a negative Lateral Flow Test taken within 24 hours, proof of full vaccination, or proof of natural immunity based on a positive PCR test taken within 6 months (making sure the 10-day self-isolation period following the result has passed). We will not admit entry to those that cannot provide evidence of one of the above requirements when prompted and no refund will be offered under these circumstances. However, a refund will be offered should you test positive and contact the venue 24 hours in advance of the event. For more details, click here.


Certainly not recommended as a diet dish, but it is certain that the taste will compensate any guilt created. Recommended for our large family tables, where gathered numerous friends and relatives, so just like we often do, and there will surely appreciated.
Grate all the cheese on coarse grater and crumble the feta cheese with a fork. At the same time, heat the butter in a small saucepan to melt without boiling. You will need it for greasing the phyllo.
First heat in small saucepan, the milk without boiling and pour semolina like rain. Mix well and leave aside for the mixture to become lukewarm.
… until homogeneous and become a mixture. Stir occasionally.
Beat with wire, the eggs and add a little warm milk to balance the temperatures of ingredients.
Pour the beaten eggs back in the saucepan with the milk mixture / semolina. Mix thoroughly to homogenized the mixtures.
Pour mixture of eggs/ milk/ semolina into the pot with melted cheese.
Stir well until the cheeses melt, unite with the milk and have a thick, cheesy cream, a little watery. Leave aside to drop a little the temperature.
… and carefully cover with the remaining phyllo, sprinkling them with a little butter. Turn what surplus or cut with scissors and push the layered phyllo, with the blade of a knife inside the sidewalls of the pan.
Scribe the surface in large pieces and butter the last phyllo. Bake in the last rack in preheated convection oven at 180°C (356°F, Gas:4.2) until the cheese pie rises and golden brown on top and bottom for 45'-50'. Allow 10 minutes to cool slightly. Eaten warm.


After close to 10 years on East Anderson Street, Lucy's New York Style Pizzeria is moving to a brand new location today in The Broadway, at 560 West Broadway.
The move has been on for close to a year, as Lucy's was announced as one of the contracted tenants in September 2017, when the permit applications were filed. The previous year, owner Geoff Padigimus told BizMojo Idaho that he was looking for a new location.
The new location on Broadway will be able to seat 114 people, twice as many as the East Anderson location. Hours of operation will be 11 a.m. to 9 p.m. Monday and Tuesday. It will close at 10 p.m. Wednesday and Thursday, and 11 p.m. Friday and Saturday.
Padigimus opened the Anderson location (previously a Pizza Hut) in late 2009, but Lucy's started in Roberts. They now have four restaurants — three in eastern Idaho, one in Utah. He said his original idea was to do hot-and-ready pizza part-time and keep working construction, but the slowdown in the industry made him think again. This coincided with his introduction to Rich Franco, who showed him how to make New York style pizza. In fact, Lucy's was named after Franco's bulldog, Lucy, and the pizza ovens and equipment came from Franco's kitchen on First Street.
New York-style pizza is made with a large hand-tossed thin crust, often sold in wide slices to go. The crust is thick and crisp only along its edge, yet soft, thin, and pliable enough beneath its toppings to be folded in half to eat.
Lucy's does indeed offer pizza by the slice. The menu at the new restaurant will include several new items, including Nutella Pie, a dessert option. Padigimus told East Idaho News they are also looking to add new sauces like Alfredo or pesto.


text:
Red light cameras fully enabled in Balcones Heights
The city-within-San Antonio of Balcones Heights, which installed red light cameras back in January, have now fully enabled those cameras, and have begun mailing citations to violators as of this past Sunday. The Express News has more on this:
The owner of the light-blue Geo, which ran a red light on Fredericksburg Road last week and buzzed within inches of a man walking across the street, has been warned.
So was the owner of the reddish Dodge sedan, which blew through a red light two nights later, going 59 mph. By the way, the posted speed limit on Fredericksburg Road is 40 mph.
In all, 469 warning letters were sent to owners of vehicles that busted red lights at four intersections in Balcones Heights over the first 27 days of a monthlong test of a new red-light camera system.
But on Sunday, at one minute after midnight, the warnings will cease. American Traffic Solutions of Phoenix, working with Balcones Heights police, will start mailing tickets demanding $148 for each violation.
If the Carona bill passes, that fine would have to be cut in half. Those of you who have carped about the lack of warning signs at Houston camera-enabled intersections should note the prominent sign at one of the Balcones intersections. That ought to satisfy the requirements of a separate bill, by Rep. Callegari.
The cameras were installed on Fredericksburg Road at Hillcrest Drive, Crossroads Boulevard and Balcones Heights Road and at the intersection of Babcock and Hillcrest.
American Traffic Solutions will use license plate numbers to find and mail tickets to the owners and pursue unpaid charges through civil courts.
Those cited have to prove they weren't driving — by producing a name, stolen vehicle report or bill of sale — or pay up or face getting reported to a credit agency. They also can appeal.
In Houston, you have another option (PDF):
If you were not driving the vehicle when the violation was committed, you may submit a DECLARATION OF NONLIABILITY. This form may be downloaded from www.ViolationInfo.com or obtained from the Court. The form must be completed in its entirety and hand-delivered by the person to the Court prior to the Notice due date. This form CANNOT be mailed.
Back to the story:
American Traffic Solutions, which manages to collect 70 percent of fines levied in more than 100 cities, will get a $40 cut for each ticket in Balcones Heights. Based on violations there so far, and collection rates, the company could reap up to $177,000 a year and the city $479,000.
Balcones Heights City Council member and blogger Steve Walker, the main critic there of the cameras, brought up the collections issue in an op-ed piece he wrote:
One of my biggest roadblocks for voting to approve the proposal has always been the fact that the ticket issued is a civil violation and not a criminal offense. In other words since Balcones Heights police officers or any other peace officer don't write the citation, there is no mechanism in place to insure that the red-light runner pay the fine for the infraction.
When a certified peace officer issues a traffic violation, failure to pay may result in arrest, suspension of driver's license and may affect the driver's ability to retain insurance at a reasonable cost. None of that applies to the civil citation.
I would point out that there is no real due process to appeal the violation to a judge since it goes before a hearing officer to rule on guilt or innocence.
Since they base the citation on video tape of the automobile's license plate and not the driver of the vehicle, there is no reliable way to determine accurately who was driving the automobile.
The owner of the vehicle is the one ticketed. He or she receives a summons from ATS, headquartered in Arizona. ATS is also the vendor who installed the video equipment.
According to the five-year contract between the City and the vendor, ATS is responsible to process the citations, collect the traffic fines, and once the fine is paid, send the City a portion of the fine for the infraction. ATS retain $40 for each ticket collected since they own the video cameras.
Statistics coming out of Houston and other cities that are using the Red Light Cameras reveal that violators are not paying the fines. In Houston in the first four months of citations that should have netted $14 million dollars, less than 15 percent of those cited have paid the fine. What is wrong with this picture?
Well, to begin with, that 15% statistic is wrong, by a lot. Even the initial report of less-than-expected collections, cited before the deadline for payment, said 25% of ticketed folks paid up. I'll have to drop Council Member Walker a note about that.
James McMahon, a 30-year Army veteran and former New York cop, isn't convinced. While sitting at the Jim's counter, white hair poking out of his Aircorps cap, he frowned, swung his arm out and jabbed his thumb downward.
"I try to avoid it," he said. "A lot of people do. They don't want to come through Balcones because of those lights."
I don't recall what it was like in BH back when I was living in San Antonio, but here in Houston we avoid the BH-like sub-cities because of their zealous approach to speed limit enforcement. Adding red light cameras would be totally gilding the lily.
One las thing: Apparently, Michael Kubosh is taking his show on the road.
Kubosh is traveling Texas to have himself photographed and ticketed running red lights in all cities that have cameras, and then his attorney brother is filing lawsuits against those cities. Kubosh says Balcones Heights is definitely on his hit list. No word on how much defending this lawsuit will cost the suburb.
You folks in BH are welcome to keep him there for as long as you like. No rush to send him back. Take your time.
Posted in: Planes, Trains, and Automobiles.
← Two more things about Medicaid MLB and DirecTV →
Christof Spieler says:
Houston has those same signs at its red light camera intersections. People who think they're seeing red light cameras without warning signs may be seeing the small cameras the city has mounted at many intersections so that the traffic light control center can spot traffic backing up at traffic lights and adjust the traffic lights accordingly. Those cameras aren't for spotting red light runners, and they don't issue tickets, and there are a whole lot more of them than there are red light cameras.
Support Science to Reverse Global Warming, if still possible says:
Bluetooth or
technology?
No surveillance nation.
There is a way to legally beat these cameras:
A majority of red light & speed cameras utilize strong flash to photograph the license plate on your car. Once sprayed on your license plate, PhotoBlocker�s special formula produces a high-powered gloss that reflects the flash back towards the camera. This overexposes the image of your license plate, rendering the picture unreadable.
http://www.answerdots.com/detail.php?link_id=25


text:
Ryan Day Sends Clear Message On Jaxon Smith-Njigba's Departure
Cameron Flynn
© Kyle Robertson/Columbus Dispatch / USA TODAY NETWORK
Ohio State wide receiver Jaxon Smith-Njigba broke nearly every single-season receiving record for the Buckeyes back in 2021.
One year later, Smith-Njigba's 2022 campaign will end with the receiver catching just five passes for 43 yards.
Suffering from a hamstring injury picked up in the Buckeyes' season-opener against Notre Dame, Smith-Njigba only suited up for three total games this year. While rumored to potentially make a return for the Michigan game or a playoff appearance, it's been confirmed Monday that Jaxon Smith-Njigba has played his last game with Ohio State.
According to the Buckeye page Eleven Warriors, Njigba will continue to rehab his injured hamstring and won't play in Ohio State's Peach Bowl semifinal matchup with Georgia.
Reacting to today's news, Ohio State head coach Ryan Day thanked the talented receiver for his limited time with the Buckeyes, saying "he has had such a major impact here in Columbus, on and off the field."
Smith-Njigba's electric 2021 season fueled talks of the receiver being selected in the first round of the upcoming 2023 NFL Draft.
The shifty wideout caught 95 passes for 1,606 yards last year - both school records - and finished his season with an unbelievable 15-catch, 347 yard breakout performance against Utah in the Rose Bowl.
While the Buckeyes have enjoyed a sensational season from wide receiver Marvin Harrison Jr., Smith-Njigba's absence has been apparent in several Ohio State matchups during 2022. When teams - like Michigan last week - find a way to shut down Harrison Jr., the Ohio State offense sputters.
Despite losing Jaxon Smith-Njigba for the rest of the year, the Buckeyes were on the receiving end of some good fortune during championship weekend. No. 3 TCU fell to Kansas State in overtime and No. 4 USC was defeated by Utah, opening the door for Ohio State to fill in as the fourth team in the College Football Playoff.
Ohio State will take on No. 1 Georgia in the Peach Bowl on December 31st in Atlanta.
Look: Mike McCarthy Has 5-Word Reaction To Dan Quinn's Decision
Everyone Is Saying The Same Thing About Dan Quinn, Cowboys
Look: Here's What Dan Quinn Said About Decision To Return To Cowboys
Look: Jerry Jones' Quote About Mike McCarthy's Future Is Going Viral
Breaking: Dan Quinn Makes Official Decision On His Cowboys Future


text:
Walnut Valley Festival: "Endless Possibilities" by Andy May
…Top notch instrumentation …by Andy as well as a cast including some of Nashville's first call musicians…. My favorite of all the tracks had to be the title cut, "Endless Possibilities." …The song is as smooth as a gentle summer breeze. —Rex Flottman, Walnut Valley Festival (Winfield) program, on Endless Possibilities by Andy May
KRFC-FM: "Endless Possibilities" by Andy May
…Great job. ("Endless Possibilities") contains many of (Andy's) best songs yet – so good that we played several songs twice. The production quality and choice of instrumentation was …first class. –Brent Hawley, KRFC-FM, Fort Collins, CO, on Endless Possibilities by Andy May
Jim Rooney: "Endless Possibilities" by Andy May
Andy, Congratulations! I put your CD on tonight and thoroughly enjoyed it. …. As Bill Monroe would have said, "I hope this record does you some good." There's a lot of good to be gotten out of it. —Jim Rooney on Endless Possibilities by Andy May
Kenny Kosek: "Endless Possibilities" by Andy May
I listened to (Endless Possibilities) this morning…. What a treat. The cover art is beautiful. — Kenny Kosek on Endless Possibilities by Andy May
Harry Warner: "Endless Possibilities" by Andy May
Loved it! —Harry Warner, Executive VP of Writer and Artist Relations, Broadcast Music International (BMI) on Endless Possibilities by Andy May
"Room for Roots" fall 2016 tour – Press Release
Sara Watkins: Andy May's Acoustic Kids
Walnut Valley Festival: "Retroflections" by Andy May
Walnut Valley Festival program: "Café Americana" by Andy May


Alyona, book science student, loves the English Garden: "The English Garden is simply the best place to relax between lectures! Especially in the summer, the park right next to the university is unbeatable: a green meadow, the cool Eisbach river, and, best yet, a delicious ice cream—what more could you want?"
Alina, art and multimedia student, recommends Munich's beer gardens: "What would Munich be without its many beer gardens? Especially in the summer, you meet everyone here, sit together, drink beer, and break bread. I especially like the somewhat hidden beer garden, which you can find near the back of the Hirschgarten."
Jaqueline, communication studies student, recommends open air cinemas: "For me, the open air cinemas are clearly one of the entertainment highlights in Munich. Movies are shown for every taste—in an incomparable atmosphere. I particularly like the cinema Moon & Stars. Another cinema tip is the traditional Christmas showing of The Big Lebowsky at the U-Kino university movie theater."
Julia, a sociology student, recommends the Isar River and Glockenbach neighborhood: "The Glockenbach neighborhood is especially great for student-parents because of its numerous facilities and activities for children. In addition to many nice cafes, playgrounds, and shops, you will also find free areas to relax, such as the newly landscaped banks of the Isar River between Reichenbach and Wittelsbacherbrücke, with an adjoining park."
Simon, sociology student, recommends the Eisbach, Munich's man-made river: "Munich is the city of Weisswurscht (sausages), beer, and coziness. But it's also a surf city! In the heart of Munich, there's the standing wave in the Eisbach. Early on, surfing daredevils tried using wooden planks and ropes to surf—today, the world's largest river surfer community is here. Worth it to go even as a spectator!"
Maximilian, economics student, recommends the Biedersteiner Student Carnival: "The Biedersteiner dorm is the second-oldest student residence in Munich and has long been seen as the last commune in the city. What we love about it is our Biedersteiner Carnival. According to the Süddeutsche Zeitung, it's also the most popular student carnival in Munich! Tip: Pick your tickets up early, so you can make sure to be at the legendary basement carnival party!"
Laura, politics student, recommends the Munich flea market scene: "Night owls should check out the night flea markets. From 5:00pm on, it really gets going, and you can find everything your heart desires, from clothing to talking fish to hang on your wall. The nachtkonsum night market at the TonHalle is my personal favorite! Hanging out and bargaining with the backdrop of great live music and plenty to discover."
Want to try surfing? Skiing? Or is poetry more your thing? Maybe you'd enjoy getting involved in an international humanitarian group, or perhaps you'd like to go out to see the latest bands! You can try it all while studying at LMU Munich. Student life here is lively and diverse, and you'll be making new friends in no time.


Beautiful 5 acres lot located in gated community 100+ feet above sea level. 3500+ acres of Lakes and nature preserves with award winning 18 hole golf course, Community pool, 4 tennis courts, fitness center, community garden, fishing and much more. There is always something to do for all ages. Money Hill is not just a community it's a way of life.


Services for Billie Joe Cawthorn, 75, of Beech Grove, will be held at 3 p.m. Sunday, Jan. 18, 2015 at the Chapel of Woodbury Funeral Home with Bro. Charles Eaton and Bro. Billy Marlow officiating. Burial will follow in Gilley Hill Cemetery.
Mr. Cawthorn died Thursday, Jan. 15, 2015 at St. Thomas Rutherford. Visitation is scheduled for 4 to 8 p.m. Saturday, Jan. 17 at Woodbury Funeral Home.
He was preceded in death by his parents, Bannie H. and Sara Pearl Gilley Cawthorn and a brother, Archie Cawthorn. He was a member of the Pentecostal Church and was retired from Smurfit Stone after 28 years.
Survivors include his wife of 55 years, Robbie Hill Cawthorn, a daughter, Sherry (Brian) Littlefield of Beech Grove; grandson, Joel (Cindy) Littlefield of Manchester; great-granddaughter, Juliette Littlefield of Manchester; siblings, Charles (Audrey) Cawthorn of Bradyville, Sharon McWhirter of Murfreesboro and Steven (Joann) Cawthorn of Murfreesboro; and a sister-in-law, Glenda Cawthorn of Manchester.
To leave online condolences, please visit www.woodburyfuneralhome.net.


text:
Exhibitor Infomation
Trade Show Floor Plan
Join Us At The Missouri Green Industry Conference on Wednesday, December 1, 2021 at The St. Charles Convention Center! Education/Social/Interaction
2021 Speaker Bios
Jeff McManus, The Jeff McManus Group, Lead Cultivation Officer
One of the newest challenge's leaders are facing is navigating a pandemic while keeping staff and customers safe and satisfied. Jeff knows the pressure of having to have an inspired and motivated workforce that is expected to get results. He goes
beyond the numbers and dives into the human-side of facilities so that leaders can foster connection, build loyal brands and make a memorable impact on the lives of their customers and staff.
A popular keynote and webinar speaker for audiences looking to ramp up organizational performance, Jeff uses his experience of turning teams around that
were performing well below their full potential and turning them into national champions.
Jeff's turned his idea of "Growing Weeders into Leaders," the unique influence of motivating staff, into a bestselling book that has made waves across the facilities world. If you're looking to get inspired and inspire those around you, Jeff is a natural
Brie Arthur
Author and Horticulturist
Known for her leadership with the national Foodscape movement and her lively, information packed presentations, Brie Arthur is a celebrated speaker and bestselling author. With more than two decades of experience as a professional horticulturist, propagator and communicator Brie shares her expertise with audiences around the country and is a correspondent on the Emmy award winning PBS Television show "Growing a Greener World". Follow Brie's gardening journey through her YouTube channel, Brie the Plant Lady.
Cody Azotea
Focal Pointe Outdoor Solutions, Inc., Account Manager
Cody Azotea, Account Manager at Focal Pointe Outdoor Solutions, Inc. with eleven years of experience in St. Louis. Currently overseeing landscape maintenance contract with Washington University in St. Louis. Passionate about horticulture and connecting people to plants.
Kevin Battistoni
Hunter Industries, Sales Manager
Kevin is an industry veteran having worked in all facets of irrigation from contracting to distribution & now manufacturing with Hunter Industries for 15 years. Kevin brings a wealth of knowledge and is very skilled at keeping that information fresh, interesting and timely. He loves sharing with and helping irrigation professionals in any way he can.
Matt Bruns
Toro Company, Regional Sales Manager
Matt began his career in 1991, working at his family's Toro Distributorship in Orlando. In 1999, he returned to St. Louis upon joining The Toro Company and is the area Regional Sales Manager for Toro & Irritrol Residential/Commercial Irrigation Products. Matt is an IA Regional Ambassador, has the IA's CIC and CLIA Certifications, current EPA Water Sense Partner, and is a past Education Director for the St. Louis GIA. Due to his industry knowledge and positive feedback from participants, Matt is a regular speaker at many events.
Dave Chandler
Rain Bird, Regional Manager - Specification
Dave Chandler has been in the green industry for over 12 years, with background work with municipality parks and construction and current employment with Rain Bird. He, his family of 5 kids and wife Emily, live in Salt Lake City, Utah. For Rain Bird, Dave is the Regional Manager for Specification for everything West of the Mississippi River, less California, Arizona, and New Mexico. When not at work, Dave enjoys almost any sport to watch and play.
Kyley Dickson, Ph.D., The University of Tennessee - Associate Director Center for Athletic Field Safety
Dr. Dickson is the Associate Director for the Center for Athletic Field Safety. His research focuses on player to surface interaction of both natural and synthetic turf. As well as new bermudagrass varieties for use on sports turf. In addition to the impact of soil moisture on bermudagrass athletic fields.
Laura Fernald Ekasetya
Piet Oudolf Collection
Laura worked at Lurie Garden for 10 years first as Horticulturist, then as Director and Head Horticulturist. Her responsibilities included guiding Lurie Garden as it matures – maintaining the vision of its designers while leading it into a new climate era. While the garden she fostered for a decade is ecologically-responsible by design, Laura shifted the organization's mindset from one of pure maintenance to one of constant improvement – challenging itself to maximize its usefulness to its wildlife and human community. She previously worked at Chicago Botanic Garden, tending to perennial plants growing in the research evaluation and plant breeding areas. Laura is an evangelist of the naturalistic garden movement. She speaks world-wide and wants to change change the way we think about gardens. Currently Laura works with The Piet Oudolf Collection.
Paul Jacobs
USGA, Argonomist
Paul has been with the USGA for 6 years as an agronomist. He graduated from Michigan State and before joining the USGA he worked at a local course in Michigan, then to Tucson CC, Shinnecock Hills GC, and Bel-Air CC.
University of Missouri, Associate Professor
Dr. Lee Miller is an associate professor and extension turfgrass pathologist at the University of Missouri. Lee also is the faculty lead for the MU Plant Diagnostic Clinic, and directs both the Missouri IPM program and Pesticide Safety Education Program. Current research interests include characterization of Pythium species causing root diseases in creeping bentgrass in the Midwest, and integrated management practices for spring dead spot on bermudagrass and large patch of zoysia.
Bruce Nelson
Armada Technologies, Owner
Bruce is a 30 year veteran of the test equipment industry. Beginning in 1991 at Progressive Electronics, the original irrigation testing company, and continuing on to form 2 test equipment device companies of his own, including growing Armada Technologies into the #1 electrical test device company in the Green Industry. Personal hobbies include competitive golf and hockey as well as raising 5 children, aged 22 to 3.
Dr. Gregory Pierceall
Professor Emeritus of Landscape Architecture
Academic career Purdue University 28 years, North Carolina State 2 years. SIU Carbondale 3 years expertise residential site and planting design
Jo Ellen Meyers Sharp
Owner, Write For You LLC
Jo Ellen Meyers Sharp is the Hoosier Gardener. She's a 25-year, award-winning veteran of print journalism and owner of Write for You! LLC, a freelance writing and editing business. You can find her blog at hoosiergardener.com. Jo Ellen is immediate past president of GardenComm: GardenCommunicators International. She is a garden coach and has a four-season commercial and residential container planting business. For 20 years, she has worked at a large, independent garden center in Indianapolis, including a stint as buyer of perennials, trees and shrubs. A popular speaker, she has 50 five-star reviews at greatgardenspeakers.org.
Guy Sternberg,
Starhill Forest Arboretum
Guy is the founding president of the International Oak Society, a founding member and past director of the Illinois Native Plant Society, and a lifelong student of and advocate for trees. He holds an adjunct faculty position in Biology with Illinois College and is an adjunct research associate in Botany with the Illinois State Museum, and has authored several reference books on trees. His oak collection is the most comprehensive in North America and his arboretum Starhill Forest also grows more than 2000 other taxa.
Christy Webber
Christy Webber Landscapes, President
Christy Webber is President of a group of companies involved at various levels of the landscape industry in Chicago. She started Christy Webber Landscapes in 1990, incorporated in 1994, and has grown the company into one of the largest landscapers in the City. From high-profile construction projects like Millennium Park and The 606 to annual maintenance at the United Center and Soldier Field to small residential backyards -- Christy does it all. Her group of companies also includes a retail garden center and a wholesale materials supplier.
Brian Winka
Advanced Turf Solutions, Directory of Sports Turf
Brian Winka, CSFM is the Director of Sports Turf for Advanced Turf Solutions. Prior to working for ATS he was the Sports Turf Manager for 12 years. He holds a B.S. in Agronomy from Missouri State University and became a Certified Sports Field Manager through STMA in 2008. He has been a member of STMA since 2005 and is the former President of the Gateway Chapter of STMA. Brian's background includes being in grounds management for over 20 years. Prior to being a Sports Turf Manager, he worked as a golf course superintendent.
The Missouri Green Industry Conference is a joint effort of three organizations:
Gateway Chapter Sports Turf Managers Association (GCSTMA)
Mississippi Valley Golf Course Superintendents Association (MVGCSA)
Missouri Green Industry Alliance (MoGIA)
Copyright © 2022 The Missouri Green Industry Conference. All Rights Reserved.
St. Louis Web Development by IQComputing


For this issue of Best Practice, we are pleased to present ORIS Packaging Innovations (UK) Limited with our highly esteemed Commitment to Excellence Award profile, specially selected as a result of their long standing provision of digital proofing and prototyping services.
Based in Worcestershire and with showrooms in Bolton and Yate, ORIS Packaging Innovations (UK) Limited has been in the business for over 20 years now and have become well-known across the industry for their superb technical expertise in both proofing and packaging services. By bringing together state of the art inkjet printers, their outstanding ORIS FlexPack // Web system, and their experienced know-how, Brand Owners, Packaging Designers, Repro Houses & Mock-up Producers are able to produce stunning Mock-ups and concepts in house.
The ORIS FlexPack // Web system is among their most highly sought after solutions, designed for quick, easy and accurate packaging mock-ups. Capable of using in-house, the ORIS FlexPack // Web Pack features a large colour space, metallic and white ink, and the ability to print onto a wide range of different substrates.
With hardware, software and consumables handpicked depending on client needs and preferences, ORIS Packaging Innovations (UK) Limited can solve any branding issue. For example, consistent colour reproduction has long been one of the most difficult aspects of branding. Due to the many variables involved in the packaging process, such as design software and printing machinery and machine operators, it is often difficult to get an extract reproduction of a branding colour. With the patented ORIS Press Matcher // Web, clients can manage colour reproduction using digital presses, ensuring colour stability. Even gradients can be handled with ease, with the ORIS Press Matcher expertly taking care of the calibration of different gradient colours.
For SMEs and small enterprises seeking short-run label printing, ORIS Packaging Innovations (UK) Limited's Colourdyne Inkjet colour label printer is ideal. Utilising the latest Memjet Technology, full colour labels can be produced at 18m/minute!
In addition to their many hardware and software options, ORIS Packaging Innovations (UK) Limited also has a wide range of typical consumables such as inks, plus Contract and Production Proofing Media. However their inks are unlike typical printer inks, as their entire CMYK has been redefined in such a way that it allows for larger printable colour spaces and accurate reproductions of almost all Pantone® colours. Their Contract Proofing range includes the ORIS Professional Media family which boasts ultra-fine-grain nano-porous coating on their papers, doubling the surface area and resulting in uniform ink absorption, better shadow detail, and faster drying.
If you are seeking packaging solutions and would like to take advantage of ORIS Packaging Innovations (UK) Limited services, then don't hesitate to get in contact today. Alternatively, you can always find out more information by heading over to the website below, where you can find a full list of their hardware, software and consumable services.


text:
namespace os {

inline Try<WindowsFD> dup(const WindowsFD& fd)
{
  switch (fd.type()) {
    case WindowsFD::FD_CRT:
    case WindowsFD::FD_HANDLE: {
      // TODO(andschwa): Replace this with `::DuplicateHandle` after figuring
      // out how to make it compatible with handles to stdin/stdout/stderr, as
      // well as defining sane inheritance semantics.
      int result = ::_dup(fd.crt());
      if (result == -1) {
        return ErrnoError();
      }

      return result;
    }
    case WindowsFD::FD_SOCKET: {
      WSAPROTOCOL_INFOW info;
      const int result =
        ::WSADuplicateSocketW(fd, ::GetCurrentProcessId(), &info);
      if (result != 0) {
        return SocketError();
      }

      return ::WSASocketW(0, 0, 0, &info, 0, 0);
    }
  }
  UNREACHABLE();
}

} // namespace os {

#endif // __STOUT_OS_WINDOWS_DUP_HPP__

redpajama_set_name: RedPajamaGithub


Discussion in 'Technical Repair' started by mercian, May 24, 2018.
Could you post a photo of the resistor and its close surroundings.?
Correction . . . Suevia 346.
These are 10Watt 20K power resistors, if you have the space inside the unit, they should run cooler.
Thank you so much for your help Eric, it's much appreciated. It's a 2003 ICI Caldaie Solar micro 24F boiler that's served me well with no problems , I'd hate to let it go for something so minor. Thanks again.


The Language Show is being held on 9th-11th October in London. It targets itself towards a wide audience of people learning, teaching, using languages professionally or who simply love languages.
There are exhibitors, seminars, language taster classes and cultural performances.


text:
Meredith Nemirov
by Sarah Judson February 13, 2012
Born and raised in New York City, Meredith Nemirov received a BFA from Parsons School of Design. In 1988, she moved to a small town in Colorado. This change in environment brought a change of theme as she faced the mountains instead of the rush of humanity on the streets. She started painting the landscape and also focused on the aspen tree that she considers the figure in the landscape. "... being outside painting, in the moment, is so much more than making a painting of the scene observed. It is a record, an act of being a witness of all that is before you, capturing what occurs during that passage of time. The weather and light changing, the wind, and also the agitation from the mosquitoes buzzing about, the urgency to make a painting of the total experience." She is offering a series of classes this year, including painting in Guatamala (February 28-March 9) and New Mexico (October 14-20) as well as several classes in western Colorado (Telluride, Crested Butte, Grand Junction and Ouray County). "My vision for the work is to convey the idea that nature is not observed simply from one particular location. Nor is it fixed in time but has an invisible and intangible aspect..." Nemirov has received awards from the Colorado Council on the Arts (CCA), the Telluride Council for Arts and Humanities Small Grants, and Artist Fellowships for Residencies at the Anderson Ranch in Snowmass in 2005 and the Vermont Studio Center in 2010. Her work has been shown at the Brooklyn Museum, The Queens Museum and Yeshiva University Museum.
Sarah Judson
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Interview with Jay Ezra, Co-Founder of ANNEX Gallery in Los Angeles
ANNEX co-founder and curator Jay Ezra Nayssan photographed by Daniel Trese for PIN–UP. Stool by Greg Ito, silverware by Oren Pinhassi.
Founded in early 2018, ANNEX is a "project-store" located in the former offices of M+B Gallery in West Hollywood. A joint venture between curator Jay Ezra Nayssan (of Del Vaz Projects) and art dealer Benjamin Trigano, the 750-squarefoot space is dedicated to showcasing artist-made design objects, "post-functionalist" artifacts that blissfully toss out the prescriptive mandate of design proper. Carefully assembled by Nayssan, ANNEX's list of artists ranges from historic figures (Salvador Dalí, Picasso) to living icons (Charles Hollis Jones, Pedro Friedberg, Lucas Samaras), to contemporary newcomers like Bailey Scieszka and Max Hooper Schneider — they all share the stage together in what Nayssan dubs a "craftsman bungalow." As ANNEX is gearing up for its Fall display as well as for a forthcoming solo show by New York-based Misha Kahn at the end of the year, PIN–UP caught up with the curator to discuss dinnerware, Fellini, and his love of the non-linear.
Jay Ezra Nayssan photographedy by Daniel Trese for PIN–UP. Chair by Pedro Friedeberg.
Back in 2014 you began a space out of your apartment, Del Vaz Projects. What's it like running a show out of your apartment and using your own domestic, intimate space as a public exhibition?
My parents are both Iranian and there's a cultural tradition of hosting and welcoming people into the home — it's called paziraei. Del Vaz Projects is like a performance of this cultural practice that I've inherited. When I have visitors to an exhibition, it's about preparing the tea and the dates and having somewhere to sit, having a conversation, and not necessarily going straight into the exhibition — just getting to understand people, what their interests are. On the side of hosting artists, that's something that's obviously a lot more involved because the artists usually come here for two to three weeks. They often make the work here in my home. I cook for them, I take them out. Sometimes we do an excursion to somewhere outside of Los Angeles. I introduce them to my friends and my family.
The artists stay with you?
Yes. I have two guest bedrooms, so if the artists are not from Los Angeles, they stay in one of the bedrooms, and they produce the work in the other bedroom — or in my garage — and then we install the show in the two bedrooms.
Jay Ezra Nayssan photographedy by Daniel Trese for PIN–UP. Silverware by Oren Pinhassi.
Do artists ever leave any of their work behind?
Yes. A lot of things from shows are left over here, or given to me as trade from the artists. I keep a lot of it in my living room and in my bedroom, where all the previous shows are starting to stack on top of each other.
ANNEX Winter 2018 installation: Greg Ito candlestick stool on Sophie Stone carpet. Photography by Ed Mumford. Courtesy of M+B Los Angeles.
ANNEX Winter 2018 installation: Painted room divider by Alina Perkins; Parrot cordless floor lamp by Grau01; illustrations by Pedro Friedeberg; carpets by Sophie Stone, Capitello chair by Studio 65. Photography by Ed Mumford. Courtesy of M+B Los Angeles.
ANNEX winter 2018 installation, from left to right: Floor lamp by Nicolas L.; tattooed toilet by Art of the Unknown; sand mirror by Alison Veit; wall lamp by Tiziana La Melia; tiled stool by Lisa Jo; ceramic vase by Ben Wolf Noam; porcelain bead curtain by Brittany Mojo . Photography by Ed Mumford. Courtesy of M+B Los Angeles.
How and why did you start working with Benjamin on ANNEX? And how is ANNEX different from what you are trying to do with your solo project, Del Vaz.
Benjamin and I kept in touch after Synesthesia, which was the exhibition that Daniele Balice and I did together at M+B gallery back in 2012. Over time our friendship became something that was based on a lot of shared interest and also disinterests. We realized we had the same tastes and distastes and at some point, he said, "You should come back and do a show." And I thought that if I'm going to come back a do a show, it's so much work for only six weeks in a gallery. I give myself three months anyway in my apartment. And if we're going to do something together, I would love for it to be something kind of monumental, and for it to champion a cause, or establish a new community, or a new feel, or something like that. So Benjamin said, "All right, here's the front house at the gallery, why don't you take over for a year and we'll see where it goes." Eventually, that invitation for an exhibition evolved into this showroom space that really champions the ideas of in-betweenness and what Benjamin and I call "post-functionalist objects." At ANNEX, we're dealing mainly with visual artists, because that's the community that Benjamin and I have been building over the years. We invite them to make design objects, in order to re-bridge these two often-separated realms of art and design. For artists, the function of an object isn't really premeditated upon, it isn't the primary goal. They're unconcerned with dogmatic design principles. Benjamin and I are not really concerned with scale or convenience or order when it comes to objects or to design. We can leave that stuff to IKEA. What we want is trickery and humor and spectacle. And we want to bring absurdity to design.
ANNEX SUMMER 2018 Installation. Folding screen by Alina Perkins,; ceramic vessels by Brittany Mojo; aluminum stools by Skye Chamberlain; carpet by Andiseh Avini; stacking melon lamp by Michael Parker; desk by Pedro Friedeberg. Photography by Ed Mumford.
ANNEX SUMMER 2018 Installation. Dolphin chair by Nuri Koerfer; ceramic vessels by Fabian Marti; photograph by Matthew Brandt; carpet by Mattea Perrotta; ceramic vessels by Kelly Lamb; ceramic mushrooms by Kate Hall; carved coat hanger by Lukas Geronimas; peacock blanket by Andisheh Avini; dog-head chair by Nuri Koerfer. Photography by Ed Mumford. Courtesy of M+B Los Angeles.
What does that absurdity and that post- or non-functional design look like right now?
Right now we're talking mostly about dinnerware objects; they create this performance somewhere between a Louis XIV dinner at Versailles and Marco Ferrari's La Grande Bouffe (1973). None of this stuff needs to make sense immediately. There's humor in all of the things we show.
You always use a lot of cinematic and historic references when discussing or writing about your work — from Federico Fellini to Fernando Pessoa to Roland Barthes, to name but a few. Is that how you develop and how you like to talk about your exhibitions?
An exhibition doesn't need to look like an exhibition; it doesn't need to be coherent. It doesn't need to be congruent. It can read like a movie script. It can read like an unfinished book. It can sound like George Antheil's Ballet Mécanique (1923–24). And if it pisses off people and it makes people uncomfortable, then even better. Why can't an exhibition follow the idea of the unnarrative, the non-linear? When you're working within a gallery, it's a cube where the white walls and everything are quite linear — why not introduce a non-linear narrative disparity of aesthetic? The idea that something feels unfinished is super interesting to me. Finality is so boring. It doesn't offer the possibility or opportunity to evolve, to absorb somebody's critique or admiration and build upon that. It doesn't provide the opportunity for triviality. I want to champion a space that brings absurdity to design and elevates trickery and spectacle and humor.
Interview by Drew Zeiba.
Portraits by Daniel Trese for PIN–UP.
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