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Top 3 Email Marketing Software: Comparisons of HubSpot Marketing, vCita, and Wix Shoutout
HubSpot Marketing: No. 1 Email Marketing Software
What is the top email marketing software?
The top email marketing software is HubSpot Marketing because of its advanced email marketing functions such as A/B testing and workflow automation. Moreover, it includes other digital marketing capabilities, such as social media and CRM integrations. It also has a highly configurable, end-to-end interface that makes it ideal for different business sizes.
According to recent email marketing statistics, more than 50% of the world maintain an active email account. Most marketers leverage this fact. As a result, email marketing has grown to be highly competitive nowadays. What's more, customers and prospects alike often ignore their emails rather than open them. Thus, businesses have to try harder to achieve better customer engagement than their rivals, from using click-throughs to other tools. This is why many use the top 3 email marketing software in the market today: HubSpot Marketing, vCita, and Wix Shoutout.
These email marketing software help businesses generate, maintain, and develop leads through emails. They not only allow you to send bulk emails but also provide you with a rich set of customization options. In this article, we'll compare these top platforms' various core features. In this way, you will be able to choose the best possible email marketing software for your business.
Top 3 Email Marketing Software
HubSpot Marketing [ Free Trial ]
vCita [ Free Trial ]
Wix ShoutOut [ Free Trial ]
Marketers today believe that emailing is a powerful tool. In fact, email marketing averages at 38:1 in ROI. This can be attributed to the fact that customers remain responsive to emails depending on certain conditions.
However, email marketers tend to view these conditions as the holy grail. They want a single formula locked down and ready to use whenever they need it. The only problem is that this formula doesn't exist. Creating a statistically successful email campaign is a probabilistic affair. It is a volatile numbers game that requires many iterations to learn and perfect.
A successful marketing tactic for one niche used at a point in time can fail in another. Research shows that 79% of people are responsive to storytelling in the promotional emails they receive. However, this tends to work more for lifestyle and fitness brands and may fail when it comes to B2B products.
Moreover, a significant chunk of Millennials and Gen Zers may prefer email for ads and promotions. This may be related to other factors such as household income, but it may not ring true across the board.
Thus, it is better to choose among flexible email marketing platforms that can cater to different formats and preferences. You also need a solution that allows you to course-correct on the fly, giving you a chance to further optimize your live campaigns without starting from scratch. So, which of the following products in this article does this best? It's time to find out.
The HubSpot Marketing digital solution is an advanced marketing platform that helps you create and run email campaigns smoothly. It is fitted with a comprehensive set of tools for email customization, analytics, and other digital marketing support.
This popular platform is favored by many marketers because it has smart automation features that can accommodate the instant creation of personalized emails. Moreover, it includes other key features, such as analytics and A/B testing. These allow users to optimize their marketing emails as they go along. Thus, marketers can learn through iterative experiences.
Furthermore, it comes with many other digital marketing features that support email campaigns. These features include landing pages, blogs, ads, and calls-to-action (CTA), among others. HubSpot Marketing is a complete digital marketing solution that sports a top-class email marketing module with CRM at its heart.
If you want to investigate the features closely, you can easily do so when you sign up for HubSpot Marketing free trial here.
Try out HubSpot Marketing with their free trial
Moreover, HubSpot Marketing integrates well with other in-house solutions like the HubSpot Sales platform. Also, it has tons of integrations that extend its normal yet already robust capabilities. Therefore, should you choose to have a more advanced business solution that goes beyond just email marketing, you'd do great with HubSpot Marketing.
Key Features of HubSpot Marketing:
Customized and Personalized Emails
Robust Performance Analytics
Lead Generation Module
Comprehensive Set of Integrations
Total Digital Marketing Solution
vCita
The vCita email marketing platform is a relatively new addition to the vCita solution suite. This is especially true with its automated email campaigns feature. However, vCita is not really green in the digital solutions game. It has been making waves with its products such as the vCita CRM tool. Now, it is offering an email marketing platform to round out its business solution offerings.
Its email marketing product includes important features such as the capability to create highly-visual emails, one-click actions, a scheduling button, personalization options, analytics, and even coupon promotions. These allow marketers to increase audience engagement. In addition, thanks to its acquisition of email marketing solution WiseStamp, it was able to add more comprehensive features to its initial offerings.
Moreover, other features include customer segmentation, contact importing, subscriber management, and report generation. Thus, these additional features make vCita email marketing a true alternative to top platforms. It is also offered as a part of a complete business solution suite. Thus, when you want this module, you'd get more than email marketing. You'd get advanced team management and client management functions as well.
Should you want to investigate the platform firsthand, you can easily do so when you sign up for vCita free trial here.
The vCita email marketing product integrates seamlessly with other vCita products such as vCita Online Scheduling solution, SMS marketing platform, and credit card processing service, among others. As a result, you can create a complex digital marketing mix with email marketing at its heart. Lastly, if you want to get a full-on business solution, vCita is a great candidate as well.
Key Features of vCita:
Designable Emails
Call-to-Action Buttons
The cloud-based platform Wix ShoutOut is Wix's intuitive and easy-to-use email marketing software tool. It allows users to manage engaging email marketing campaigns. The platform includes a newsletter builder, social media tools, professional templates, and contact integration. Moreover, like other Wix products, it also includes a solid analytics and reporting module to help you optimize your email marketing efforts.
Wix ShoutOut also has features to help you generate leads. For starters, it provides users with a sign-up form to make it easier for prospects to subscribe to newsletters or promos. Also, its email marketing stats tracker makes it easy for you to understand how your email or newsletter campaign is doing. Thus, you can make smarter email-marketing-related decisions as you go.
If you want to know more about the features you can easily sign up for Wix ShoutOut free trial here.
Wix ShoutOut is just one of the tools that Wix offers. Thus, it is best used within the entire Wix infrastructure as well. It seamlessly integrates with other Wix products such as its website builder solution or the helpdesk tool Wix Answers. Moreover, Wix also offers an all-in-one digital business solution called Ascend.
But, Wix ShoutOut works great without it. However, it works best in tandem with other tools in Wix's arsenal. Other modules support its email marketing capability.
Key Features of Wix ShoutOut:
Intuitive Email Customization
Easy Visual Design for Emails
Newsletter Campaign Support
Contact and Lead Management
Works Best With Wix Products
Stat Tracker for Performance
Comparison of Key Features
Email design and customization
Wix provides you with an easy-to-use email designer interface.
As mentioned, successful email designs vary from industry to industry and from niche to niche. However, many companies today target different segments. Thus, they need their email marketing software to be flexible. They need a simple-to-use email editor to provide a wide range of designs, from simple text emails to highly-visual (and even interactive) ones.
It's good to report that all top 3 email marketing software solutions in this article provide this feature. All products also provide a drag-and-drop interface. With these, you can choose which type of item or media you want to add and move them around on your layout.
For example, HubSpot Marketing provides a clean interface for customization and personalization. It is also straightforward and reminiscent of a word processing interface. However, it might be more intuitive, given its limited scope.
We can say the same thing about vCita's interface as well. Although its layout is different, it still sports the functionalities more or less. The competition is tight between the two.
However, Wix ShoutOut, for us, provides the most intuitive dashboard and controls. This is not a knock on the others. But Wix has started as an easy-to-use website builder relying on its beautifully designed interface. This competency just carried over on its email marketing platform. Plus, Wix provides users with more templates much more than HubSpot Marketing and vCita.
Verdict: Wix provides the best platform for email customization and design. This is thanks to its dashboard and controls being a tad better when it comes to customization. The number of available templates that it provides also helps it to edge out its rivals in this category.
Personalization and contacts management
HubSpot Marketing allows you to personalize emails through "tokens." The platform automatically replaces tokens with relevant information pertinent to your templates.
More personalized emails get more conversions. Let's face it — no one wants to read through an email starting with "To whom it may concern" or "Dear Customer." Sadly, manually doing this is quite tedious. Luckily, thanks to email marketing platforms, we can easily do this with bulk emails.
Wix ShoutOut is somewhat limited in this regard. Sure, you can personalize your emails and use your contacts' first and last names. However, getting this function to work is a bit complicated. You have to go through Wix Corvid to create a Triggered Email. In it, you can use variables to add personalized texts. Also, this feature is more for people who use Wix for their website design and hosting. However, it is not all that bad. It's relatively easy to do, but it's a hassle compared to its counterparts in this article.
vCita and HubSpot Marketing already have this function natively in their systems. You don't have to go out of your email marketing tool to do this. HubSpot Marketing does this using a scheme where the platform replaces a "token" in a template with customer details like first and last names. On the other hand, vCita calls these "placeholders". Both platforms have "tokens" and "placeholders" as variables or replaceable information.
All three platforms have a contact management feature. However, Wix has the most basic. Both vCita and HubSpot approach contact management using CRM features, especially HubSpot. This is because HubSpot Marketing has a CRM base that allows you to stay in touch with clients seamlessly across different channels. Thus, this gives it a bit of an edge when it comes to omnichannel support.
Verdict: HubSpot Marketing wins this category. It is at the same level with vCita when it comes to personalization. However, when we speak of contacts management, its CRM-based approach edges it the win. Firstly, its CRM base is free. Secondly, it's integrated with other digital channels. This gives you a 360-degree view, unlike vCita.
A screenshot of HubSpot Marketing's customizable automation feature.
Personalized greetings are not the only automated function that these top 3 email marketing software solutions can do. Each provides its clients with a comprehensive set of workflow automation. This set includes autoresponders, sending emails, and notifications. Well, these are just the basics. However, two of the platforms here allow you to customize your automation. Albeit, they differ in their approaches.
As mentioned, Wix provides this capability via its Corvid module. In there, you can create your app and workflow automation from scratch. It follows a familiar if-then logic set up where some condition(s) triggers an action that you want to automate. However, this is outside Wix ShoutOut proper yet still inside the Wix ecosystem. Some consider switching products a hassle.
On the other hand, vCita is the only platform among the three that doesn't allow you to customize your workflows. It only provides automated campaigns. These are quite enough for straight-up email marketing. However, vCita is offered as a Suite so you'd get related modules should you choose it. These include invoicing, billing, business calendar, and monthly SMS credit, among many.
Lastly, HubSpot Marketing is similar to vCita in a way where it is also a Suite. You get more than just email marketing. However, it allows for custom automation workflows like Wix. Yes, it lets you create if-then triggers. Basically, it lets you create your own help apps. Unlike Wix ShoutOut, this automation module is native to HubSpot Marketing.
Verdict: HubSpot Marketing wins this category resoundingly. Unlike vCita, it sports a powerful custom automation module. And, unlike Wix ShoutOut, this module is native to the product proper.
Email campaign testing tools
HubSpot Marketing has an A/B Testing module included.
It is almost impossible to get email marketing right at your first try. It is still hard to optimize campaigns as your business grows, and you cater to more target segments. Success in email campaigns, just like many things in business and life, is brought about by deliberate iterated testing — trial, error, and learning from them.
However, you don't have to test out your email designs on customers. You can send them out to yourself and your team members to check how they look before going live. Fortunately, all three platforms here allow you to send test emails. In this way, you'd get more eyes on your design and catch potentially regrettable mistakes.
Also, you don't have to put all your eggs in one basket at once when you go live. Thanks to A/B testing, you can compare two batches of email designs for your campaign.
Unfortunately, vCita doesn't have this in its arsenal while Wix only has this explicit on its website builder. However, you can perform A/B tests manually through customer segmentation and mailing lists. But this takes more time than doing it via a native A/B testing module.
HubSpot Marketing provides its users with such a module. You can access it with just a few clicks from your dashboard. First, click on 'marketing' then on 'email' then on 'create email' and on the left sidebar just click the A/B icon.
Moreover, this module is robust. You can create different versions of your 'offerings'. For example, for version A you test an ebook, and for version B, you use a video. It also allows you to do the same for subject lines, images, and texts.
Verdict: HubSpot Marketing offers more comprehensive email campaign test tools. They are also robust and native to the platform. In this way, you can preempt inefficiencies and hedge your campaign via A/B or split tests.
A screenshot of email marketing analytics reporting from HubSpot Marketing.
All the marketing solutions in this article provide you with relevant data to analyze. They gather information automatically and present it to you in an easy-to-understand and highly visual manner. Reporting is very easy, and it is almost a tie. However, not all analytics engines that play a part in generated reports were made equal.
For example, Wix ShoutOut allows you to easily access your basic email marketing campaign, plus social statistics. The former shows the delivery information of emails sent. On the other hand, social statistics show the total clicks and views of your campaign shared over social networks. Both go hand-in-hand as customers move almost seamlessly from channel to channel. Also, Wix ShoutOut delivers advanced statistics every three hours. This includes top links clicked.
However, all of these are a tad inferior when compared to that of HubSpot Marketing and vCita. Also, Wix ShoutOut statistics are not in real-time. In some cases, delays can happen up to 24 hours. On the other hand, vCita and HubSpot Marketing provide real-time analytics. If we compare the two, HubSpot Marketing offers more comprehensive analytics features natively while vCita relies on Google Analytics to track conversion. Thus, this leans our vote to the former.
Verdict: HubSpot Marketing wins in this category as it offers you a complete view of email campaign performance. It has an advanced HTML click map that shows a visual breakdown of link hovers and clicks. Also, it shows you top engaged contacts, open rate, click rate, contacts lost, and even compare it to traffic from other campaigns on different channels.
Omnichannel CRM integrations
Wix provides omnichannel support. However, you can only get it via its Ascend platform, a complete digital business solution.
Email marketing is not a standalone affair. This is especially true today when customers simply jump from one channel to the other seamlessly. So, businesses need to catch up fast. For example, some customers that receive emails may want to contact you using other channels like social or live chat. Thus, you want your email marketing software to integrate well with CRM and other platforms. Therefore, you'd be able to truly go omnichannel.
Fortunately, all top solutions featured here have omnichannel capabilities. Their email marketing modules are part of overarching business solutions.
Wix, for example, offers ShoutOut as a standalone app. However, it works best inside Wix's ecosystem that includes Ascend its omnichannel business solution.
vCita and HubSpot Marketing's email modules come with plans as well. Thus, the email marketing module is surrounded and supported by other digital business tools. For vCita, in particular, it comes with an appointment scheduler and a basic client management feature. You don't even get social integrations for your email marketing module.
For HubSpot Marketing though, the email marketing module has a CRM-base with social integrations. Plus, it also has a rich set of third-party integrations available.
Verdict: HubSpot Marketing wins this one narrowly. Like Wix and vCita, it has native omnichannel CRM modules. However, it has a CRM-base that was designed to cater to the seamless jumping from one channel to the other by customers. It is more advanced. For Wix, you need an add-on separate from ShoutOut. Meanwhile, for vCita, you don't get social media capabilities. HubSpot Marketing allows you to manage relationships across different channels in one dashboard.
The most popular package for vCita is its Platinum package for teams. It costs you $75 per month when billed annually and supports up to five users. It only allows for 20,000 campaign recipients. Again, the email marketing module comes with other features here. The suite includes features for business management, team management, SMS campaigns, and a client portal. Thus, you don't just get email marketing.
For Wix ShoutOut, you can get it via a standalone offering. The Basic plan costs you just $4.90 per month while the Pro Unlimited package costs $44.90 a month. However, the most popular one called Business Essential only costs $12.90 a month. This includes 20 ShoutOuts or campaigns a month with 25,000 contacts. That's a total of 500,000 possible emails.
HubSpot Marketing is, basically, an add-on to HubSpot CRM. Also, the latter is free. This means you get to add advanced email marketing and other digital marketing features to an already robust CRM platform. The base platform already includes CRM features such as forms, contact management, email templates, canned snippets, and many more. It also includes free marketing features such as team email, live chat, conversational bots, user roles, and email marketing.
Yes, that was not a typo. A basic yet already formidable email marketing module is already available for free. This also includes list segmentation, among other features. Thus, if you upgrade to HubSpot Marketing, you'd get features such as calls-to-action, A/B testing, landing pages, social media, blog and content creation, and many more. The professional version starts at $800 a month and includes 1,000 contacts.
Verdict: HubSpot Marketing is our winner here thanks to its free version that SMBs and entrepreneurs can use without monetary commitment. However, HubSpot Marketing's price point is somewhat steep, and this is because the premium plans target larger businesses. So, if your company is not too small but not too large, vCita and Wix ShoutOut can do the job unless you only need not more than 2,000 emails a month. In this case, the free HubSpot CRM product can handle this well.
The Future of Email Marketing
According to the email marketing trends of today, emails are about to get more exciting. People don't want just visual messages in their inboxes anymore. They want interactive links that can send them to pages with more information about the brand. AI is also bound to take over many email-marketing-related processes in the future, including segmentation and even content creation.
These and other customer support trends point towards a more advanced form of communication. Everything also seems to place customers at the center of attention.
Many currently follow Jeff Bezos' ethos of putting customers first while supporting it with technological tools. It doesn't matter what industry or niche you are in. The future of email marketing seems to focus on what the customer wants, and arguably, this ought to be how it is. Customers hold more power now, thanks to the voice they find through social networks and the internet as a whole.
Thus, when you choose any digital tool for your company, you need it to be future-proof. Your platform of choice should be scalable as your business grows. Also, it should be comprehensive enough to integrate with other digital marketing and management tools. This brings us to our final verdict.
So, What Email Marketing Software Should You Choose?
This is a question that can't be easily answered. However, there are many scenarios where choosing one service provider over others makes more sense.
For example, HubSpot Marketing's free CRM base plan is great for startups and individual entrepreneurs. Also, it is enough for those that work for small-scale professional service firms. The same can be said for Wix ShoutOut as it is a standalone product.
However, this doesn't apply to vCita as it is explicitly targeted more at SMBs. Thus, its features work best for small and medium enterprises. Unfortunately, vCita is not a standalone email marketing platform, but a business solution suite with very good email marketing capabilities. Thus, if you are looking for a standalone tool, vCita is not for you. You'd be better off with the other two.
So, if you want a scalable solution, then you should start with HubSpot Marketing. It offers the most email marketing features and is backed by marketing support capabilities. Thanks to its CRM base, you can be truly omnichannel. In this way, you won't limit yourself and your customers to email interactions alone. What's more, it offers advanced tools like A/B testing to reinforce your campaigns. If you want to check its other comprehensive features, you can easily sign up for HubSpot Marketing free trial here.
Lastly, if you are new to email marketing or you want a refresher, read our post on the benefits of email marketing platforms here.
By Jenny Chang
Senior writer at FinancesOnline who writes about a wide range of SaaS and B2B products, including trends and issues on e-commerce, accounting and customer service software. She's also covered a wide range of topics in business, science, and technology for websites in the U.S., Australia and Singapore, keeping tabs on edge tech like 3D printed health monitoring tattoos and SpaceX's exploration plans.
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In honor of Labor Day, this week's free database is the Erie Magazine Last Name Index, created by a Milwaukee-based Erie Railroad fan.
It's actually not truly a database, since you don't search it—instead, you browse by last name. Names come from Erie Railroad Magazine, published for workers who helped build the railroad. It started in southern New York (because the upstaters got the canal) and eventually extended into Pennsylvania, New Jersey, Ohio, Indiana and Illinois (learn more from the Erie-Lackawanna Historical Society).
Look around the rest of this railroad enthusiast's great site, too, for historical information, employee rosters, rail officials' names and resources for continuing your search for Erie and other railroad ancestors.


At Yellow Door Creamery, we're really into cheese — and we're not content with predictable or bland cheeses. We create unique cheese and blends that don't exist or are yet undiscovered. Our off-the beaten-path approach to cheesemaking brings you the finest, most interesting cheeses available.
Yellow Door Creamery is home to the most unique cheesemakers and chefs in the industry. They are coming up with unique formats and blends that don't exist anywhere else such as harissa rubbed fontina and cave-aged, hand smeared cheeses. We love curating and developing lesser-known cheeses from small family-owned farms and bringing them to you for your discovery.
The milk used for the Yellow Door Creamery Alpine collection is sourced from iust four family owned farms within 50 miles of our creamery; one of which is a third generation farm that is home to a unique and special breed of Swiss cow.


A Sonography or Ultrasound test comprises high-frequency sound-waves that capture live images from the inside of your body. Sonographies are safe, inexpensive and do not expose your body to radiation. At Star Imaging, we have the advanced iU22 xMATRIX Ultrasound system equipped with 2D and 3D capability, along with colour and duplex Doppler, to deliver crisp, hi-definition, real-time imaging even in the most technically challenging cases. The new PureWave xMatrix transducer delivers exceptional 2D images that get transformed into 3D images at the touch of a button. It reduces speckle noise artifacts for better margin definition and image clarity, reduces artifacts, improves contrast resolution, and allows irregular borders to be more readily visualized, resulting in a more complete picture and a more conclusive diagnosis. Apart from hi-resolution Ultrasounds, we also offer Doppler scans during routine Ultrasound examinations, as well as peripheral arterial/venous Doppler studies, carotid artery Doppler and cardiac Doppler scans.


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Is this drug answer to opioid crisis?
By Cathie Anderson The Sacramento Bee (TNS)
SACRAMENTO, Calif. — University of California, Davis professor Bruce Hammock has spent a 50-year career studying insects. He probably wouldn't be the Ph.D. considered most likely to shake up the multibillion-dollar prescription painkiller market.
Nonetheless, he has developed a medication for chronic pain that he said has proved both effective and non-addictive in animal trials.
Could his discovery put an end to the devastating death toll caused by opioids such as fentanyl, oxycodone and hydrocodone, drugs that racked up $24.5 billion in sales in 2018?
Veteran pharmaceutical researcher William Schmidt told The Sacramento Bee that he thinks so. He said he found Hammock's novel drug candidate so promising that he volunteered to work at no charge until they can move the technology out of the university and secure financing for Hammock's company, eicOsis.
"We have a drug candidate lacking the side effects of both opioids and non-steroidal anti-inflammatory drugs that can potentially lead to an entirely new way to treat chronic pain," Schmidt said.
Hammock and Schmidt cleared a key regulatory hurdle with the U.S. Food and Drug Administration just last week, they said, and they expect to launch human trials by August or September. The clinical studies already have received more than $4 million in support from the National Institutes of Health, they said, and this week Open Philanthropy Foundation announced that it would invest $5 million toward the human clinical trials.
The foundation supports causes that can have deep and broad impact on mankind, that have been neglected by other funders, and that clearly cite how an investment will contribute to progress.
"Chronic pain is an enormous emotional and economic burden for more than 100 million people in the United States alone," Hammock said. "The extreme and poorly treated pain that I observed as a medical officer working in a burn clinic in the Army, is a major driver for me to translate my research to help patients with severe pain."
In a news release on Hammock's research, officials at the University of California, Davis, noted that as many as eight out of every 10 adults in the United States suffer from chronic pain, three out of four patients consider their therapies for pain ineffective, and as many as a third of patients prescribed opioids misuse them.
Hammock traces the genesis of his drug back to the 1970s when he was trying to keep tiny brown moths from consuming as much as half of the world's food supply. One way farmers could overcome this problem, Hammock said, was if they could disrupt the reproductive process.
His lab discovered that an enzyme facilitated the moth's transformation from corn earworm to winged insect, Hammock said, and if they could remove that enzyme, the caterpillar would die before it ever developed to a stage where it could breed.
It turned out that there were more cost-effective ways to control brown moths, Hammock said, but his team's discovery proved valuable in controlling flea and mosquito development.
Hammock's team had a scientist's natural curiosity, though, and they began to wonder whether plants and animals and humans had this same enzyme. They looked, he said, and they found they all did. Then they asked: What role does this enzyme play in humans? As it turned out, he said, it played a role in how much pain humans experience.
That finding led them to a group of compounds that naturally occur in the body and that reduce pain. Typically, these compounds are rapidly broken down in the body, Hammock said, but his team figured out a way to block their destruction.
The compounds do not prevent the warning of pain, Hammock said, so people will know if they put their hands in hot water, but the compounds can keep people from feeling pain that is out of proportion to the degree of the injury.
After figuring out how to prevent the compounds from breaking down, Hammock said, his team came up with a drug formulation that worked so well in animal trials that he questioned the results.
"I wanted to consult with an expert in the research of pain medications," he said. "I looked up all the pain consultants in the world, checked out their credibility and made a list. And, the first guy on the list was Bill Schmidt."
Hammock was floored when he learned that his home was no more than 75 yards from Schmidt's home. Schmidt's office was in downtown Davis, and they had mutual friends.
"When they called me," Schmidt said, "they had no idea where I was located. Bruce told his people, 'Develop a list of the top consultants in pain medicine in the United States.' After they made the list, I was the first person they called. It turned out I was in the same city, and they were located five minutes from my office. I said, 'Come on over.'"
Schmidt said he almost fell out of his chair when he learned that Hammock was an entomologist and that his research was so far along. He had isolated properties in the compound and tested for adverse reactions, Schmidt said.
"He had synthesized and tested 3,500 compounds over a period of more than 20 years," Schmidt said. "He had optimized these for all the properties that I would want. … I (had) worked for one of the primary companies developing analgesic drugs, and here an academic lab had done a higher quality work in many respects."
Hammock was simultaneously developing drug candidates for humans, for horses and for companion animals, Schmidt said, and he already had gotten his first equine test subject: a granddaughter of 1977 Triple Crown winner Seattle Slew named Hulahalla.
Hulahalla had arrived at the UC Davis Veterinary School at an advanced stage of a disease called equine laminitis. At its most severe, laminitis causes inflammation and swelling in the legs and hoofs that is so severe that horses cannot stand.
"The horse had been on her side for two days and not responding to any other drug or any other type of therapy that one of the most advanced veterinary schools in the country or in the world would have to offer," Schmidt said. "So, they scheduled the horse for euthanasia."
The vet school, however, had received permission to try an experimental drug on Hulahalla before the euthanasia, Schmidt said, so at 2 a.m., Hammock got a call from Dr. Alonso Guedes, then a veterinary anesthesiologist at UC Davis who was treating the horse.
"Alonso said, 'Bruce, I have your first patient,'" Schmidt said. "Bruce rode over on his bicycle, carrying a vial of this new experimental medication. They gave an IV dose, and in an hour, (Hulahalla) was up on her hoofs. In two hours, she was walking around her stall again and eating for the first time in two days. They then gave one dose a day for five days, and the horse had a complete recovery."
Hammock has since administered the medication to 10 other horses at the veterinary school, Schmidt said, and eight out of 10 responded favorably after treatment with the drug. The results have since become documented in published papers.
Despite this success, Hammock said, he was nervous when he and Schmidt faced a grilling April 22 from FDA officials in Washington, D.C.
"I was really scared, but the meeting came off really well. It's tense. They do exactly 55 minutes, and we had 10 people come into the room. None of them smiled. None of them introduced themselves," Hammock said. "The previous two people who met with them were told to go home and not come back. They don't all end well."
By the end of the meeting, however, Hammock, Schmidt and the rest of their team had won smiles from the panel and the right to submit a lengthy document seeking permission to begin human trials.
Davis-based eicOsis (pronounced EYE-co-sis) plans to have intravenous, topical and oral forms of the drug, Hammock said, and it will likely be four or five years before the drug goes to market. The initial human trials, he said, will be on healthy volunteers to test for side effects.
"We're off and running toward changing the way that we treat acute pain and chronic pain in this country, hopefully moving a lot of the treatment away from opioids to nonaddictive compounds that are highly effective and also giving opportunity for those patients who can't benefit from … drugs … like ibuprofen and naproxen because their pain is either much higher than those drugs can treat or because they've had adverse reactions (to them)," Schmidt said. "I hope we can offer a compound that is safer and more effective for them to use as well."

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Large text in list view hi i want to create a list view contain an image and two text view.i create them and checked they working fine when text is small say hello world but when i have large text only one textview is visible.i know its because of linearlayout as the text size increases other textview going to downside so not visible can any one please suggest a layout or guideline tha how to handle large text or vary listview sizes so that when text is arge size of listitem increases and when the size is small size decreases or remain constant.
here is my layout of listview
<?xml version="1.0" encoding="utf-8"?>
<LinearLayout
  xmlns:android="http://schemas.android.com/apk/res/android"
  android:orientation="horizontal"
  android:layout_width="fill_parent"
  android:layout_height="fill_parent"
  >
    <ImageView
    android:layout_width="50px"
    android:layout_height="wrap_content"
    android:src="@drawable/s3" />
    <LinearLayout
    android:orientation="vertical"
    android:layout_width="100px"
    android:layout_height="fill_parent">
    <TextView
    android:layout_width="fill_parent"
    android:layout_height="wrap_content"
    android:text="Hello worldjjkljllk;lk;lkklkljkjgfytedtdgihfddgihjghvssetrtyugufgfddfdsafdfugvbcfttyugbhgsdtrrtyvhv"/>
     <TextView
    android:layout_width="fill_parent"
    android:layout_height="wrap_content"
    android:text="Hello world"/>
     <TextView
    android:layout_width="fill_parent"
    android:layout_height="wrap_content"
    android:text="Hello world"/>

    </LinearLayout>
    <CheckBox
    android:layout_width="30px"
    android:layout_height="wrap_content"
    />
</LinearLayout>

and here is base adapter class.
class base extends BaseAdapter{

        @Override
        public int getCount() {
            // TODO Auto-generated method stub
            return 5;
        }

        @Override
        public Object getItem(int arg0) {
            // TODO Auto-generated method stub
            return arg0;
        }

        @Override
        public long getItemId(int arg0) {
            // TODO Auto-generated method stub
            return arg0;
        }

        @Override
        public View getView(int arg0, View arg1, ViewGroup arg2) {
            // TODO Auto-generated method stub
            View v;
            LayoutInflater li=getLayoutInflater();
            v=li.inflate(R.layout.listitem, null);

            return v;
        }

    }

A: I think you should use RelativeLayout rather than LiearLayout, and using
android:layout_width="100px"

is not preferred, try to use density pixel
android:layout_width="100dp"

or I think you should be better use
android:layout_width="wrap_content"

the width of your layout will be adjusted automatically when the size of your textview become larger.

A: Instead of PX use DP, this will make it density independent and you will get same size on all type screens.
For more details see http://developer.android.com/guide/practices/screens_support.html


The rumen, the first stomach of the ruminant, is effectively a large fermentation organ where the majority of feed is broken down by microbial action and where much of the animal's source of energy is absorbed. Every ml of ruminal contents contains as many as 10 billion bacteria (1x1010), 1 million protozoa and variable numbers of yeasts and fungi. There is a diverse range of fermentative bacteria with digestive capabilities including cellulolytic (digests cellulose), hemicellulolytic (digests hemicellulose), amylolytic (digests starch), proteolytic (digests protein), sugar utilising (monosaccharides and disaccharides), acid utilising (lactic, succinic and malic acids), ammonia producing, vitamin synthesising and methane producing.
Starches, sugars and protein are broken down by the microbes and absorbed from rumen across the rumen papillae (villi - the absorption surface of the rumen). The microbes utilise dietary protein for their own metabolism and the host gets its protein from digestion of a proportion of the microorganisms that pass with the chyme into the lower gastrointestinal tract. Ammonia, from the microbial fermentation, is absorbed in the rumen and converted in the liver to urea that can be utilised by the animal. Complex carbohydrates (cellulose, hemicellulose, xylans etc) are broken down by fermentation into absorbable products. Starch carbohydrates from grain for example are converted into glucose then metabolised by rumen microorganisms into volatile fatty acids and lactic acid.
Very little of the original protein from the feed is digested by the cow's own enzymes, and none of the sugars. The cow reconstructs sugar in the liver from absorbed VFA by a process called gluconeogenesis, and digests microbial protein in the abomasum. This allows it to feed on highly fibrous material that cannot be digested by mammals: the fibrous, indigestible feed is converted into microbial protein and VFA in the rumen.
While the overall microbial population remains relatively constant, the proportions of microbial species within that population varies with diet and reflects substrate availability. During the dry period, the rumen flora are adapted to a high forage fibrous diet. There is a large population of cellulolytic bacteria and low population of lactic acid utilising bacteria. As the amount of non-fibre carbohydrate in the feed is increased during early lactation, this easily available energy source causes a burst of activity by many species, including the lactic acid producing bacterium Streptococcus bovis. Normally, the lactic acid produced by this species is controlled by lactic acid degraders such as Megasphaera elsdenii and Selenomonas ruminantium. However, the surge in activity by Strep. bovis results in a rate of lactic acid production far in excess of the capabilities of the lactic acid degraders, and these take longer (3-4 weeks) to adapt to the higher levels of lactic acid. If the rumen pH is driven down too far by excessive lactic acid production, the lactic acid degraders are inhibited and the animal experiences full-blown acidosis. Otherwise, a sub-acute acidosis may develop which can seriously impair the cow's productivity. For this reason the cow's diet and rumen must be managed during the transition period in order to ensure adaptation to the early lactation high-concentrate ration. A high production dairy cow (say 40 litres) that is well managed during this period will achieve a ration intake of 22 kg dry matter per day, more than half of which might comes from concentrate, without any problems but the freshly calved cow will not be able to tolerate this diet without proper management.
Volatile Fatty Acids (VFAs), short chain fatty acids, such as acetic, propionic and butyric acids as well as small quantities of acetoacetic and lactic acid, are produced in large amounts through ruminal fermentation and provide more than 70% of the ruminant's energy supply. The ratio of production of VFAs in the rumen is diet dependent and exerts considerable influence on milk quality. A high fibre ration produces acetic, propionic and butyric acid in 70:20:10 proportions whilst a high grain/concentrate ration shifts the ratio towards higher levels of propionic and butyric acid. Lactic acid production may also become relatively high. A high fibre diet will result in a lower milk yield but a higher butterfat level, acetate being the main VFA for the production of butterfat. The high concentrate ration will provide more energy, a higher total protein yield and will lead to higher milk yield and typically less butterfat percentage, propionate and butyrate being the main VFAs for the production of milk protein.
VFAs are absorbed across the rumen epithelium and are then carried to the liver. About half of VFAs produced in the rumen are absorbed with the other half being removed by neutralisation with salivary or other buffers or by passage from the rumen. Continuous removal of VFAs from the rumen is important for distribution of this energy source and also to prevent excessive decreases in pH of the rumen fluid. The surface area of the healthy rumen papillae is proportionate with the concentrations of VFA's in the rumen. In the dry period, the surface area of the papillae is reduced by half due to low dietary non-fibre carbohydrate. Therefore, during the transition period, it is important to manage feeding in order to produce a correctly balanced population of rumen microorganisms and allow the development of the surface area of rumen papillae.
Ruminal acidosis occurs when the production of fermentation acids exceeds the ability of the animal to remove or neutralise the acids produced.
At calving, the amount of non-fibre carbohydrate increases, producing high levels of fermentable carbohydrate and the amount of VFAs produced exceeds the capability for the rumen papillae to absorb or for the rumen fluid to neutralise. This leads to elevated concentrations of VFA in the rumen resulting in a decrease in the pH that can induce subacute rumen acidosis (SARA). These acidic conditions will further reduce cellulolytic bacteria in the rumen and contributes to reduced feed digestion and thus a reduction in dry matter intake. If the papillae are not given time to adapt to the change in ration, they will not be sufficiently developed and thus the surface area will not be increased. The result is that the absorption of VFA from the rumen will be low, leading to a reduced pH post-feeding.
High levels of acid further reduces rumen motility and efficacy of mixing of contents which acts to reduce the levels of VFA near the rumen wall, resulting in a further decline in VFA absorption. As motility and mixing decline, so does rumination, which decreases the level of saliva flow to the rumen, reducing its buffering capacity. Clinical acidosis is measured as a pH of less than 5.5 for a prolonged period of time. SARA is typically diagnosed when the average herd pH is less than 5.5-5.6 during the daily fluctuation cycle.
At these more acidic pH levels, the papillae will be sloughed / damaged from the rumen surface further reducing the absorption rate. This damage allows bacteria to enter the blood stream, triggering histamine production in response to bacterial invasion. This causes blood vessels in peripheral tissues to double, increasing the risk of laminitis as well as liver and ruminal abscesses in the early post partum period. Following bouts of acidosis, repaired papillae thicken with a reduction in the surface area for absorption. This slows the rate of removal of acids from the rumen further, predisposing cows to acidosis.


When it comes to digital, one industry is making waves in how they are utilizing it. This industry may seem like an unlikely candidate for digital, as traditionally it was a very sensory experience — smelling, examining in all lighting conditions, the occasional taste test(?!), and of course lots of sampling. Alas, those days are largely in the past. What is this industry, you ask? Beauty.
Why are we picking on sporting goods? Well, the landscapes of sporting goods and beauty are actually very similar. The demand that drives purchasing for both industries largely takes demographic, consumer income, and current trends into consideration. Both industries are also highly concentrated, with a handful of companies accounting for well over half of the revenue. That means that smaller companies wishing to succeed and even big players that want even more of the pie, need to focus that much more on engaging with their target market- which is largely spending time online.
• "How To" Tutorials: Beauty does a great job in this space. From YouTube, to Periscope, to other social media channels, beauty brands are spreading the word on how to use their products, and consumers are loving it. Sigma Beauty partnered with Echidna to help relaunch their website, and now on almost any product it not only shows a picture of the product, but offers a video to show viewers to use it. How to do something helps people buy the product you are teaching them about, and on top of that builds search and brand engagement.
• Auto Replenishment: The days of waking up to discover you are out of deodorant are over. Thanks to commerce platforms, 38% of beauty and health consumers are now signed up for a subscription service, according to a new report from Business Insider Intelligence. Many consumers opt to reorder favorite products by subscription to save time and money. Think outside the box sporting goods industry, you can take this way beyond deodorant and toilet paper.
• Industry Influencers: Sporting goods has big deals with big name athletes, but what about someone a bit more…. accessible? Beauty does a wonderful job creating relationships with strategic industry influencers out there. Who is an industry influencer? Industry influencers give your brand an easy way to establish a personality and be relatable. For example, Lancôme worked with Michelle Phan, a make-up expert and YouTube vlogger, for a perfume promo. Before the partnership, Lancôme had about 5 million YouTube subscribers. After the partnership, it had 20 million. The brand channel has continued to build on the momentum it gained through the joint campaign.
• Subscription Boxes: Beauty has literally made billions in this space, and for good reason. Shoppers love paying a small monthly fee to play around with new products they may have never purchased otherwise, and research shows that customers who subscribe to boxes buy more products overall than people who don't. Not to mention the fact that this is a great way for brands to gain insight on customers' needs and wants. The Sportsman's Box has a foot in door with this service, but the industry still has a ways to go before it becomes mainstream.
Who are some sporting goods brands that are winning the M.V.P. award when it comes to digital? What are they doing that puts them ahead of their competition?


There is a push to incorporate digital technology in pedagogy techniques today. Currently, the challenge is in assuming that building a digital presence will guarantee use especially since many university collections struggle with under-utilization. The purpose of this research was to better assess the acceptance and use of technology as it relates to the use of university digital collections, specifically, historic costume and textile collections. Data was collected using a random national sample of 400 students through a survey service and analyzed using Structural Equation Modeling. The results indicate: (1) promotion by faculty and librarians is key to the use of digital collections by students; (2) emphasizing the necessity of using these collections for class activities, assignments, and research projects is an important motivational factor; (3) while students are familiar with technology, they often do not understand how to use these digital tools to support their own learning.


Well maintained Split Level, Single Family home in the Harmony Hills Subdivision. This home has over 1400 sq ft and is a 3 Bedroom, 1.5 Bath Home. The home has been well maintained with neutral colors throughout, and upgraded flooring. There is a dining room right off of the kitchen and a family on the lower level perfect for entertaining or additional living space. The backyard is fenced and private making perfect for entertaining and enjoying the outside. The exterior has been upgraded and this home is ready for its new owner, show it today.


How on earth did I achieve this consistency? I didn't lace it with lemon curd, though that would be a mighty idea. I wanted to keep this one healthy enough for have any time of the day. A cake that doubles as an alternative breakfast perhaps or the perfect addition to any breakfast table. Paleo and keto friendly, this cake is low carb, gluten free, grain free, dairy free and sugar free to boot.
Although I had told my number one taste tester I was whipping up this cake with…CAULIFLOWER and yet having devoured four slices, literally dusting the crumbs from the fifth (not all in one go btw!), I mentioned the not so secret ingredient and he was totally shocked. Now that is a win!
The cake went down a storm with everyone who tried it who said they definitely would never have guessed what was in it had I not told them in delight after. The coconut cream topping is a must, it takes this cake from pretty darn awesome to totally scrumptious and umptious.
Time and time again I claim to not be much of a cake fan…I just detest nothing more than a dry crumbly cake. It lacks any sort of appeal and no amount of coconut cream can turn it in to a heavenly bite. I'd rather take the cream straight up with the dusting of coconut! That's a hassle proof dessert right there!
This lemon coconut cake would be a delightful refreshing non chocolate treat to whip up as part of your Easter feast!!!
1. Preheat oven to 170C (338F).
2. Line the bottom of a loose bottom 8 inch round cake tin with baking paper; grease the base and sides with a little melted coconut oil.
3. Whisk together extracts and egg yolks along with half the stevia until pale and frothy; just a couple of minutes.
4. Sieve ground almonds with baking powder. Mix with ground cauliflower and lemon zest.
5. Whisk egg whites with the remainder of the stevia and the cream of tartar until light peaks form.
6. Add egg yolk mixture to the ground almond and cauliflower mix.
7. Fold egg whites in to the thick mix 1/3 at a time until fully incorporated.
8. Bake cake in the preheated oven for 35 – 40 minutes until a toothpick inserted comes out almost clean. I cover my cake with foil after 15 – 20 minutes to prevent it browning too much on top but it will depend on your own oven.
9. Allow to cool. Meanwhile whisk together stevia and cream from the top of the can of refrigerated coconut milk.
10. Top cake with cream and generously dust with desiccated coconut.
11. Store leftovers in the fridge in a seal tight container for up to three days; allow to come to room temperature before serving.


text:
Q: Does MapKit in iOS supports WMS(Web Map Service), WFS(Web Feature Service) and GeoJSON Geometry I am building an iOS application and it requires the following features
I am using MapKit. Does it support the following functionalities or should we go for the third party SDKs?
WMS(Web Map Service)
 WFS(Web Feature Service)
 GeoJSON Geometry  support.
When I search I found that for WMS and WFS ArcGIS Runtime SDK for iOS is available.
https://developers.arcgis.com/ios/10-2/swift/guide/wms-layer.htm
and for GeoJSON Geometry support GEOSwift is available.
https://cocoapods.org/pods/GEOSwift
Mapbox iOS SDK is also there
https://www.mapbox.com/ios-sdk/examples/line-geojson/
So for GeoJSON Geometry support should I go with MapBox.
and ArcGIS SDK for WMS and WFS
Thanks in advance.


text:
FROM bbvainnotech/ubuntu-base-os:latest
MAINTAINER BBVA Innovation <eurocloud-oneteam.group@bbva.com>

ENV OPENSTACK_VERSION=mitaka \
    novaPBR=13.1.0 \
    CLIENT=1.22.0

# Install requriments and the main packages
RUN     apt-get update && \
        apt-get install -y qemu-utils python-libvirt && \
        rm -rf /var/lib/apt/lists/*

RUN    curl -fSL https://github.com/openstack/nova/archive/${novaPBR}.zip -o nova-${novaPBR}.zip \
    && unzip nova-${novaPBR}.zip \
    && cd nova-${novaPBR} \
    && pip install -r requirements.txt \
    && PBR_VERSION=${novaPBR}  pip install . \
    && PBR_VERSION=${novaPBR}  tox -egenconfig \
    && cp -r etc /etc/nova \
    && mv /etc/nova/nova/* /etc/nova/ \
    && mv /etc/nova/nova.conf.sample /etc/nova/nova.conf \
    && pip install git+https://github.com/openstack/python-openstackclient.git@stable/${OPENSTACK_VERSION} \
    && pip install os-client-config==${CLIENT} \
    && cd - \
    && rm -rf nova-${novaPBR}*

ADD     data /

#RUN     chown root:root /bootstrap/*.sh && chmod a+x /bootstrap/*.sh

#ENTRYPOINT  ["/bootstrap/bootstrap-nova-compute-base.sh"]

redpajama_set_name: RedPajamaGithub


text:
London Calling: The Elvis Dead
Like other trips, I was up unnecessarily early. I didn't have anything to pack outside of an extra t-shirt for sleeping in, so I didn't have anything to do with all that time except shower.
The morning in Stockholm was sunny, though biting cold. I got through customs and to the gate in good time and then slept for the flight, only to wake up to an afternoon in England that was dismal and dreary.
Trying to get from the airport to the hostel proved to be the trickiest bit—which train to take, where in the hell to switch to the tube at Victoria South. Plus then I got off a stop too early and had to push my way down Oxford Street (Circus?) and then tiny little roads closed off to vehicle traffic for construction and improvement. None of this was helped by the fact that I hadn't yet figured out how to turn on roaming data; how lost we are without GPS and instant Googling! There was at least enough free WiFi to make things as manageable as they would be if I had a dead tree map to stop and check once in a while. But I still paced up and down Dean Street for good measure, unable to find the hostel for ten minutes or so, blocked as it was by aforementioned construction.
Despite a relatively old facade, on the inside the hostel was bright and modern and white with saturated color highlights in a neon color scheme lifted straight out of peak 90s Nickelodeon: turquoise, purple, lime green, red, and (of course) orange. I was checking in a full hour later than the estimate I gave them, but it didn't matter. A chatty Italian (?) showed me to my bunk, bottom in the corner. I futzed around a little—told my motor-mouthed guide that I wouldn't need the missing under-the-bed wire locker just to end the interaction as soon as possible—and then decided to take advantage of the happy hour prices and also have some dinner. I warmed up with a beer and had a tough time adjusting when everyone was so friendly.
"Do you want any suggestions?" a fellow American woman (*guitar riff*) asked upon seeing me hesitate. Truthfully, I knew exactly what I wanted; I just blanked for a moment on the exact name of the beer I was meaning to order. I stumbled through English like I'd never spoken it before in my life.
"No, I…okay, good."
I forgot how aggressively social hostels are. But the American woman (*guitar riff*) was undaunted. "You want one of my fries? They're real good."
"Fuck yeah, starches!" Things that remind me how to speak English: potatoes.
I also noticed the name of the beer I wanted on the bar menu: London Lager. YOU WILL BE CARDED IF YOU LOOK UNDER 25, the sign warned. Jake the bartender didn't ask for my ID. Finally, I'm an adult! Jake pressed the receipt from the drink into my hands and instructed me to hold on to it so I can redeem it for my free happy hour beer.
"Now, where's my lucky lighter?" he asked no one, then patted around his pockets until he retrieved a cigarette lighter and somehow used that to open my beer.
"Does that make my beer lucky?"
"Sure. It's my lucky kitten lighter." He showed me and sure enough, one of those hazy, gauzy animal photographs you see on jigsaw puzzles and spiral bound notebook covers had been wrapped around a disposable lighter.
I sat at the edge of a black faux leather couch to sip my beer and read a bit (Where'd You Go, Bernadette?). Someone asked if he could sit with me and in his maneuver between my legs and the table my beer went off the edge. My would-be couch companion was apologetic and offered to buy me another one. I waved it off.
"Look, there's still a whole bottle left."
"Really? Are you sure?"
"Don't worry about it. Let's just go get some napkins."
He beat me to the bar so I just sort of hung around while he negotiated the cleanup with Jake the bartender. One of the other hostel patrons overheard our conversation about buying me the beer and laughed and said something about that maybe being part of the strategy? or something? and I waved it off because I wasn't sure if what it sounded like what he was implying was really what he was implying, and if I was right, then I think he had it all wrong. Jake the bartender had brought out the mop and Beer Spiller had set to mopping the floor (a little over-enthusiastically for such a small puddle) and wiping down the table, and then vanished back into the hostel crowd, never to be seen again. He must not have wanted the other end of the couch that badly.
Instead, I was joined by an American and three dudes from Barcelona, all way into the football match. And that was the moment I realized I'd gone full European—my first instinct, upon writing, was to call it "football" and not "soccer."
The American might have been the boyfriend of Benevolent French Fry Woman, or the woman who is clearly his wife? girlfriend? might have just resembled Benevolent French Fry Woman. Either way, she spoke with the Barcelona guys in normal, regular English while her life/traveling companion used condescending Teacher English: slower, overly enunciated, emphasis overly stressed, slightly too loud, an aversion to contractions. He attempted Spanish in the most American accent imaginable. I didn't insert myself in the conversation but I laughed quietly at his Spanish behind my book.
I finished the first beer and ordered dinner when I claimed my second (free) beer at the bar. The menu promised carmelized vegetables in some kind of sauce but they were very much raw, and quite oily. But it was cheap and good enough, so can't complain!
I tried to convince myself to make small talk with the American sitting next to me, ask him where he was from and maybe bond over that, maybe find someone who wants my extra ticket to the show, but of course I didn't. Instead, I finished eating and went back to my room to charge my phone. Relying constantly on WiFi for Internet access was really eating up the battery and it was already just at two-thirds, even though the show wasn't for another four hours. I settled into the extremely squeaky bunk bed and got some writing done while I waited.
Equally annoying to my phone situation was trying to find a good, grimy dive bar to drink in. Or there were plenty of grimy dive bars in the neighborhood, just not enough of them—no room at the inn. The first place I tried was perfect, but the drinks were dishwater weak and there was a 10 GBP minimum charge on cards but you couldn't keep a tab open, and to boot there weren't any seats available, so I just stood around with my 10 GBP Long Island that was far and away a gussied up cup of coke with my hat and coat still on. The next place that looked promising, with live jazz advertised, was full up and I got turned away at the door. (Or, maybe I wasn't swank enough for the owner's taste. My outfit was an abundance of paisley and an orange knitted cap that's cute but slightly too big for my head so I probably looked like a fat psychadelic escapee from a Dickens novel.) The walk around SoHo in search of drink was pleasant in terms of people-watching and atmosphere, at least, and topped off with a Hare Krishna procession. It was nice to be out among people. ("Is this what Södermalm is like on the weekends?" I thought to myself. "Is this what central Stockholm turns into?" Because it's the rare occasion that I'm out in town at 9.30 PM on a weeknight.)
Eventually I decided that what I wanted—what I had been envisioning in my mind's eye, a place to have a drink and be able to sit down and slough off my winter stuff and feel like I was actually somewhere, and read cozily and people watch and maybe chat a bit—was the bar attached to the hostel. It was disappointing in theory, since I wanted to go out and be in London, not the international bubble of a hostel, but perfect in practice. Even better: the till froze up and it was impossible to pay by card for an hour or so, so I had a free drink (Kopparberg perry, weird to go to London and then have a Swedish drink) to make up for the world's saddest Long Island.
In an ideal world I would've schmoozed and found someone to go with me to the show, but that's life. In a way, though, it was maybe better for me to go alone. I had no idea that I would love the show as much as I did, and I might have been self-conscious about enjoying myself so much in front of a semi-stranger/fake date. Other audience members? Whatever. Someone who I'm at least slightly obligated to be social with? I don't know you, maaaaaang, I'm not comfortable being rowdy around you.
Because the show was AMAZING. It's possible that I fooled myself into thinking it was better than it was, otherwise it would have been a waste of time and money and cope to overnight in London just for one show. When the alarm had gone off that morning, I have to admit that I wasn't feeling it. If something had turned up that would have forced me to cancel the trip, I would have been relieved. (I would have later regretted it, but in the moment….) It would be quite easy for me, in the moment and in retrospect, to greatly overstate the quality of the show in order to make me feel like I hadn't done something expensive and frivolous—but really, upon objective ("objective") reflection, it was a fucking good show.
Kemp is just a funny guy with good stage presence and good banter. He did a warm-up and a closer as himself (rather than in character) and was absolutely charming, and took audience not-quite-heckling well. Before the show, he handed out a few leis to audience members ("You're officially part of the show now. You don't have to do anything, just give those back to me when I ask you to.") and chose poorly in one of them: dude would later not give up the lei, just fuck with him, so he had to abandon ship and bolt back to the stage. Same dude later drunkenly enthused during the closer: "I don't like anything."
"Okay, well then mate, that's rough."
"No! No…I don't like anything, but I liked this."
Cue the audience awwwwws, and Kemp's awwwwws, and then:
"It's kind of hard to remember that he's a twat, now, innit?"
There's only one video preview of the show available online, a clip from "Fast Fringe" uploaded last August where he performs the hand-sawing scene ("You Were Always on My Arm"). I considered embedding it here for a preview but I decided against it because Kemp's singing is just not up to snuff in that clip. I don't know if it's because the audio quality is dodgy, because he had blown out his voice in earlier performances (he admits as much in interviews, that he went "too hard, too fast" during Fringe and that a necessary interlude to go back to work ended up saving his voice) or if he just got better at singing between then and now. So Google if you like, I guess, but the clip is underwhelming. His singing alone was good, I'll say (maybe better than just "good"), and his Elvis impersonation and American accent were pretty damn passable. The fact that he was often full-on belting while engaging in the most over-the-top, intense physical comedy (see: Ash's hand becoming possessed and the ensuing struggle with it) was all the more impressive. Lots of good falls, and those are hard to do. All of that coupled with pretty clever costume "changes" (read as: progressive destruction of his shirt), low-budget one-man special effects (spritz bottle full of Karo syrup? red-dyed water? to bloody himself as necessary, applications of temporary hair dye or other "transformation" make-up as needed worked well into the physical bits) and the equally low-budget props made for a really well put together show.
I had also chosen, completely by accident, one of the best possible seats for the show. There were two components two it: Kemp's stage performance and the screening of the actual movie. My seat was front row, stage right—right in front of the screen. I had a clear view both of the movie screen and of Kemp, rather than being blocked by a sea of heads (no sloped floor or stadium seating here; it's a small dinner theater venue). And any front-row seat in the middle or on the other side would have no view of the actual screen, since the stage thrust out a couple of meters in front of the screen, so Kemp himself blocked the line of sight between the audience and the screen for maybe a quarter of the audience.
But maybe more importantly, I'd actually seen Evil Dead II. When I originally booked the tickets, I was surprised at how quickly they'd been snatched up. Were there really that many Evil Dead fans in the UK? It struck me as lowbrow and grossout and slapstick in a distinctly American way—not the dry witticisms you usually associate with British humor. As it turned out, at least if polling-by-audience-decibel-level can be relied upon, something like a full third of the audience hadn't seen the movie before tonight's show, including the couple sharing a table with me. I can't imagine anyone enjoying the show even half as much as I did without knowing the references and in-jokes. And that's not to diminish Kemp's performance, either: like I said, it was a stand-out piece of physical comedy paired with vocal prowess.
As it was, I hung around the photo op because obviously this merited a photo! And Kemp was extremely warm and friendly with everyone (even when it got weird, like with a woman who also very clearly fancied him and got really kissy-close with him in one pose) and let me babble incoherently at him for what felt like an eternity:
"I came in all the way from Stockholm for the show and it was totally worth it."
"Aw, really? Thank you so much!"
"Well I mean, I also haven't been in London in like twelve years, but y'know…"
"Right, well there's that too."
"But this is one of my favorite movies and you absolutely killed it, I loved it."
"I'm glad! You want a photo with the chainsaw?"
"Nah, I've got a fab manicure I don't want to fuck up, but just a regular photo's fine."
The guy behind me in line who volunteered to snap photos of me kind of sucked at it (so many are blurry and useless) but made up for that by taking a LOT, including while I was running my mouth. Hence the candid along with the actual posed shot.
My room at the hostel was only half-full: me, a Catalonian woman, and another American dude. This was a much easier social than before, and we had a perfectly pleasant chat about the Brexit referendum and Sweden and taxes and The Lion King before turning in at 2 am or so.
The journey back was unremarkable, except that my flight was delayed FOREVER. First an initial delay at the gate, then a further one after we had boarded (busted toilets), and then a THIRD one because, for real, the air traffic controllers couldn't find their headsets. But I had plenty to read with me and nothing to do the rest of the day, so I just cozied up with a book. I didn't have a whole row to myself this time, and didn't really sleep on the flight (despite only getting 5 or 6 hours the night before), but again: when your default flight is 8 hours, 2 hours is NOTHING.
Once back in Stockholm, I then proceeded to be incredibly unproductive. But that's another matter entirely.
Author katherinePosted on January 22, 2018 May 14, 2021 Categories PersonalTags travelogues
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I'm feeling unlucky
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Still Falls the Rain by Edith Sitwell
Magnificently written, "Still Falls the Rain" is an allegorical poem by Edith Sitwell. The poet compares the bloodshed of London to Christ. Since written during the time of London blitz, she deals it with an optimistic tone. Her writing of the poem reflects her courage and faith. She believes with perseverance that faith and poetry will win everything in the world at last. It speaks of man's recurring failures from the creation, and of God's everlasting kindness and love.
Explore Still Falls the Rain
1 Summary of Still Falls the Rain
2 Theme and Structure of Still Falls the Rain
3 Poetic/ Literary Devices used in Still Falls the Rain
4 Analysis of Still Falls the Rain
5 Historical Background
6 About Edith Sitwell
Summary of Still Falls the Rain
"Still Falls the Rain" is a meditation on the suffering of people in England during World War II. From there it turns out a number of events in the seven stanzas. It is a reference to suffering throughout the history of the world. The thirty-four lines of the poem are divided into seven stanzas, perhaps to symbolize the seven days of the week and thereby emphasize the comprehensiveness of the suffering Christ still endures. The title of the poem is repeated six times throughout the poem, the number six traditionally being associated with humankind, which was, according to Genesis 1, created on the sixth day of creation. She has used a number reference from the Bible to indicate where man failed and God's love persisted.
Theme and Structure of Still Falls the Rain
The central theme of the poem revolves around the bombing of London during War World II. It narrates the week-long suffering of people. The poet presents the theme from the perspective of a Christian, highlighting on reconciling with God.
The structure or line divisions used in the poem create units of meaning. The poem's thirty-five lines are divided into seven stanzas. The seven stanzas represent the seven days of a week. The poet has employed free verse at her convenience to compare the bloodshed of London to that of Christ on the cross.
Poetic/ Literary Devices used in Still Falls the Rain
"Still Falls the Rain" stands as an example of Sitwell's religious conviction, for a number of allusions are deliberately used. The phrases "Potter's Field" in line 8 and "Field of Blood" in line 11, alludes the piece of land obtained with the thirty silver of Judas Iscariot. The Cain-Abel incident is used to define the impact of jealousy. Again, in line 15, she refers to a parable about the Dives and Lazarus, asking for mercy on, not just the victims but for those who cause it also.
The poem's title "Still Falls the Rain" has repeatedly used five times in the poem, especially in the beginning to impart the emotions of the reader on the cruelty of the Bomb shed. Similarly, the other expression "the Starved Man", repeated in lines 14 and 19, indicates the existence of the Messiah, the Savior. It emphasizes the fact that wars only bring about pain and sins, but amending with God could help resolve history.
The title of the poem itself is a symbolic representation of the War between German and London. Not to be misguided, the poet herself clarifies her view in the extended title as "Still Falls the Rain … (The Raids, 1940, Night and Dawn). Like the rain that falls without minding about the Day or Night, The German troop attacked London Day and Night. In line 3, Sitwell refers to the rain as follows: "Blind as the nineteen hundred and forty nails". It can be a symbolic reference to the nails used upon Christ's cross or the year of writing of this poem or the years elapsed from Christ's birth.
The rain can also symbolize the bloodshed by Christ's side, which is a symbol of redemption for all sinners. Sitwell confirms this fact in line 19: "Still falls the Blood from the Starved Man's wounded Side". Christ shed His blood for everybody in the same way people are unified in their communities during times of bombing. Sitwell conveys that we all have a God to believe in, who will always help us without making any distinction between social classes."The wounds of the baited bear" in line 23, is symbolizing the suffering of all those people involved in the war. They look up to Christ to be saved. The same is present again when thinking about Jesus having been born in a stable among animals, as is explained in line 34.
Analysis of Still Falls the Rain
Stanza One
Still falls the Rain –
( . . . ) Upon the Cross
The first stanza of "Still Falls the Rain" illustrates how the bombs shed on London like falling rain. The comparison made through the phrases 'Dark as the world of man', 'black as our loss', 'Blind as …..Upon the Cross' represent the gloomy atmosphere created during the time of Blitz as well as the time Christ was crucified. The adjectives 'Dark', 'Black' represents the pain and suffering of the people.
Stanza Two & Three
Still falls the Rain
( . . .)
Nurtures its greed, that worm with the brow of Cain.
The "Still Falls the Rain" is repeated in the third and fourth stanza too, symbolically referring to the bombs. Here, the poet compares the falling rain to the heartbeat which pulsates as the sound of hammer-beat increases. 'Potter's Field' alludes to the land bought by Judas Iscariot where he killed himself out of guilt. It states that pain is a common thing to both the sufferer and the suffering. Hammer-beat also symbolically refers to Judas Iscariot's thumping heart at the potter's Field, when he realized his mistake. The 'Field of Blood' finds a way to the land where Cain killed his brother Abel out of Jealousy. Furthermore, it demonstrates how human greed always leads to bloodshed.
Stanza Four
Under the Rain the sore and the gold are as one.
In the fourth stanza of "Still Falls the Rain", the rain is falling at the feet of the 'Starved Man' symbolically referring to Christ upon the cross. Her use of 'Christ that each day, each night, nails there has mercy on us' is an outcome of her catholic belief of praying in front of the idol of wounded Christ on the cross. The plea for mercy on both the "Dives" and "Lazarus" refers to the parable about a rich man and a beggar named Lazarus. Though the war is sinful, it is a complicated one to decide on which side is better. It is confusing to choose what side is better. So she seeks for mercy to fall on both the people.
Stanza Five
Still falls the Rain-
the tears of the hunted hare.
In the 5th stanza, the rain and the blood of Christ are used in parallel lines, emphasizing how he bears all the pain of human beings in his heart. It also indicates how Christ agreed to die on the cross as an atonement for all the sins and suffering of people.
Stanza Six
( . . . )
As Caesar's laurel crown.
The seventh stanza still continues to talk about the falling bombs. The second line of the sixth stanza refers to some of the final words of the self-condemned Faustus in Christopher Marlowe's play Doctor Faustus (1588). Like Faustus, some leaders during World War II bargained with their lives for the sake of worldly gain. Jesus was given a wreath made of thrones like the crown of Caesar who wore it to propagate his success. Here, the poet includes it on purpose to compare the crown of thorns as a symbol of victory over the sins of people.
Stanza Seven
Then sounds the voice of One who like the heart of man
( . . . ) my Blood for thee'.
In contrast to all the human failings, in the seventh stanza, the poet speaks about the words of Christ who is still willing to forgive the people. He bears a heart that is as innocent as a child's. 'a child who among beasts has lain' another indication of how Christ was born in the place where the animals were kept. After all the things that happened, God is still loving and forgiving. She iterates on how the people can stop warring against each other and gain forgiveness.
The Raids 1940 mentioned in the title refers to the nighttime bombing raids against London and other British cities by Nazi Germany during World War II between September 1940 and May 1941. The raids followed the failure of the German Luftwaffe to defeat Britain's Royal Air Force in the Battle of Britain (July–September 1940). The war between the British and the Germans was a hard-fought battle and this poem was written about these times.
About Edith Sitwell
Edith Sitwell, born on September 7, 1887, emerged as a poet during World War II. Her poems chiefly dealt with the emotional depth and profundity of human concerns. Her collections of verse include The Wooden Pegasus (B. Blackwell, 1920), Five Variations on a Theme (Duckworth, 1933), and Green Song and Other Poems (Macmillan & Co., 1944). She died in London on December 9, 1964, as one of England's dominating literary figures and an eminent poet.
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Heart and Mind by Edith Sitwell
Miz Alb
Miz Alb received her MA in English Literature. Her thirst for literature makes her explore through the nuances of it. She loves reading and writing poetry. She teaches English Language and Literature to the ESL students of tertiary level.
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The Women's individual table tennis – Class 9 tournament at the 2012 Summer Paralympics in London took place from 30 August to 3 September 2012 at ExCeL Exhibition Centre. Classes 6–10 were for athletes with a physical impairment who competed from a standing position; the lower the number, the greater the impact the impairment was on an athlete's ability to compete.

In the preliminary stage, athletes competed in two groups of four. Top two in each group qualified for the semi-finals.

Results
All times are local (BST/UTC+1)

Finals

Preliminary round

Group A

30 August, 11:00

30 August, 11:00

31 August, 09:00

|31 August, 09:00

31 August, 17:20

31 August, 17:20

Group B

30 August, 11:00

30 August, 11:00

31 August, 09:40

|31 August, 09:40

31 August, 17:20

31 August, 17:20

References

WI09
Para

redpajama_set_name: RedPajamaWikipedia


text:
Мультсериал «Эй, Арнольд!» включает 100 серий по 23 минуты и одну двойную серию («Дневник» длиной 45 минут), разбитых на 5 сезонов. Большинство серий состоят из двух не связанных по сюжету эпизодов, но некоторые серии целиком состоят из одного эпизода (всего в сериале 188 эпизодов). Кроме того, к сериалу примыкают два полнометражных мультфильма.

10 июля 1996 года вышла пилотная серия мультсериала, которая в дальнейшем была переснята, как эпизод «24 часа до смерти», вышедший 9 декабря 1996 года.

Обзор серий

Эпизоды

Первый сезон (1996—1997)

Второй сезон (1997—1998)

Третий сезон (1998)

Четвёртый сезон (1999)

Пятый сезон (2000—2004)

Прочее

1997
 The Helga Stories (8 июля 1997) Behind-the-Scenes Spot Hey Arnold!/The Little Pink Book/Spelling Bee/Arnold's Hat/Helga's Makeover/Olga Comes Home
 Urban Adventures (8 июля 1997) Behind-the-Scenes Spot Hey Arnold!/Downtown as Fruits/Pigeon Man/Cool Jerk/Wheezin' Ed/Haunted Train
 Arnold's Christmas (13 октября 1997) Arnold's Christmas/Snow

1998
 Love Stinks (13 января 1998) Operation: Ruthless/Arnold's Valentine/Helga's Boyfriend/6th Grade Girls
 Partners (28 июля 1998) Part-Time Friends/Gerald's Secret/Ransom/Hookey/Partners

2002
 Hey Arnold!: The Movie (VHS & DVD, 31 декабря 2002) «Bonus: Rated PG»

2017
 Hey Arnold!: The Jungle Movie

Примечания

Эй, Арнольд!
Эй, Арнольд!
Эй, Арнольд!


Cut the cauliflower into large florets and cook in boiling water for about 5 minutes. Fry crushed nuts and cauliflower in a saucepan until soft. Add seasoning and green peas.
Boil some water in a large pot and add salt. Add pasta to the boiling water. Cook until al dente, or as indicated on the packaging. Drain the pasta, but do not throw away the water because you will need it for your sauce.
Add the pasta to the saucepan with the vegetables. Add some of the pasta water and stir carefully. Serve the pasta on a plate with the prepared sauce and fresh basil.


text:
Agostic interaction
Agostic interaction is a term in organometallic chemistry for the interaction of a coordinatively-unsaturated transition metal with a C−H bond, when the two electrons involved in the C−H bond enter the empty d-orbital of a transition metal, resulting in a three-center two-electron bond.[1] Many catalytic transformations, e.g. oxidative addition and reductive elimination, are proposed to proceed via intermediates featuring agostic interactions. Agostic interactions are observed throughout organometallic chemistry in alkyl, alkylidene, and polyenyl ligands.
2 Characteristics of agostic bonds
2.1 Strength of bond
3 Related bonding interactions
3.1 Anagostic bonds
The term agostic, derived from the Ancient Greek word for "to hold close to oneself", was coined by Maurice Brookhart and Malcolm Green, on the suggestion of the classicist Jasper Griffin, to describe this and many other interactions between a transition metal and a C−H bond. Often such agostic interactions involve alkyl or aryl groups that are held close to the metal center through an additional σ-bond.[2][3]
Short interactions between hydrocarbon substituents and coordinatively unsaturated metal complexes have been noted since the 1960s. For example, in tris(triphenylphosphine) ruthenium dichloride, a short interaction is observed between the ruthenium(II) center and a hydrogen atom on the ortho position of one of the nine phenyl rings.[4] Complexes of borohydride are described as using the three-center two-electron bonding model.
Mo(PCy3)2(CO)3, featuring an agostic interaction.
The nature of the interaction was foreshadowed in main group chemistry in the structural chemistry of trimethylaluminium.
Characteristics of agostic bondsEdit
Agostic interactions are best demonstrated by crystallography. Neutron diffraction data have shown that C−H and M┄H bond distances are 5-20% longer than expected for isolated metal hydride and hydrocarbons. The distance between the metal and the hydrogen is typically 1.8–2.3 Å, and the M┄H−C angle is in the range of 90°–140°. The presence of a 1H NMR signal that is shifted upfield from that of a normal aryl or alkane, often to the region normally assigned to hydride ligands. The coupling constant 1JCH is typically lowered to 70–100 Hz versus the 125 Hz expected for a normal sp3 carbon–hydrogen bond.
Structure of (C2H5)TiCl3(dmpe), highlighting an agostic interaction between the methyl group and the Ti(IV) center.[5]
Strength of bondEdit
On the basis of experimental and computational studies, the stabilization arising from an agostic interaction is estimated to be 10–15 kcal/mol. Recent calculations using compliance constants point to a weaker stabilisation (<10 kcal/mol).[6] Thus, agostic interactions are stronger than most hydrogen bonds. Agostic bonds sometimes play a role in catalysis by increasing 'rigidity' in transition states. For instance, in Ziegler–Natta catalysis the highly electrophilic metal center has agostic interactions with the growing polymer chain. This increased rigidity influences the stereoselectivity of the polymerization process.
Related bonding interactionsEdit
A sigma complex derived from (MeC5H4)Mn(CO)3 and triphenylsilane.[7]
The term agostic is reserved to describe two-electron, three-center bonding interactions between carbon, hydrogen, and a metal. Two-electron three-center bonding is clearly implicated in the complexation of H2, e.g., in W(CO)3(PCy3)2H2, which is closely related to the agostic complex shown in the figure.[8] Silane binds to metal centers often via agostic-like, three-centered Si┄H−M interactions. Because these interactions do not include carbon, however, they are not classified as agostic.
Anagostic bondsEdit
Certain M┄H−C interactions are not classified as agostic but are described by the term anagostic. Anagostic interactions are more electrostatic in character. In terms of structures of anagostic interactions, the M┄H distances and M┄H−C angles fall into the ranges 2.3–2.9 Å and 110°–170°, respectively.[2][9]
FunctionEdit
Agostic interactions serve a key function in alkene polymerization and stereochemistry, as well as migratory insertion.
^ IUPAC, Compendium of Chemical Terminology, 2nd ed. (the "Gold Book") (1997). Online corrected version: (2006–) "agostic interaction". doi:10.1351/goldbook.AT06984
^ a b Brookhart, Maurice; Green, Malcolm L. H. (1983). "Carbon-hydrogen-transition metal bonds". J. Organomet. Chem. 250: 395–408. doi:10.1016/0022-328X(83)85065-7. .
^ Brookhart, Maurice; Green, Malcolm L. H.; Parkin, Gerard (2007). "Agostic interactions in transition metal compounds". Proc. Natl. Acad. Sci. 104 (17): 6908–14. Bibcode:2007PNAS..104.6908B. doi:10.1073/pnas.0610747104. PMC 1855361. PMID 17442749.
^ La Placa, Sam J.; Ibers, James A. "A Five-Coordinated d6 Complex: Structure of Dichlorotris(triphenylphosphine)ruthenium(II)". Inorg. Chem. doi:10.1021/ic50028a002.
^ Z. Dawoodi; M. L. H. Green; V. S. B. Mtetwa; K. Prout; A. J. Schultz; J. M. Williams; T. F. Koetzle (1986). "Evidence for Carbon–Hydrogen–Titanium Interactions: Synthesis and Crystal Structures of the Agostic alkyls [TiCl3(Me2PCH2CH2PMe2)R] (R = Et or Me)". J. Chem. Soc., Dalton Trans.: 1629. doi:10.1039/dt9860001629.
^ Von Frantzius, Gerd; Streubel, Rainer; Brandhorst, Kai; Grunenberg, Jörg (2006). "How Strong is an Agostic Bond? Direct Assessment of Agostic Interactions Using the Generalized Compliance Matrix". Organometallics. 25 (1): 118–121. doi:10.1021/om050489a.
^ Nikonov, G. I. (2005). "Recent Advances in Nonclassical Interligand SiH Interactions". Adv. Organomet. Chem. Advances in Organometallic Chemistry. 53: 217–309. doi:10.1016/s0065-3055(05)53006-5. ISBN 9780120311538.
^ Kubas, G. J. (2001). Metal Dihydrogen and σ-Bond Complexes. New York: Kluwer Academic. ISBN 978-0-306-46465-2.
^ Braga, D.; Grepioni, F.; Tedesco, E.; Biradha, K.; Desiraju, G. R. (1997). "Hydrogen Bonding in Organometallic Crystals. 6. X−H┄M Hydrogen Bonds and M┄(H−X) Pseudo-Agostic Bonds". Organometallics. 16 (9): 1846–1856. doi:10.1021/om9608364.
Agostic interactions
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