LOS ANGELES, CALIF. — "Winter is coming," is becoming synonymous with "death is coming" on HBO's "Game of Thrones." Sunday's jaw-dropping episode proved that no one is safe in the Seven Kingdoms of Westeros — including the show's star!
AccessHollywood.com recently caught up with the Stark Family standout, Maisie Williams, who plays the young Arya Stark on the hit HBO series, who said she was as shocked by Sunday's gruesome plot development as the rest of the audience.
"My parents had read the books when I had done an audition for Arya… my mom was upstairs reading one day and she came down and was like, 'You'll never guess what they have just done!' and I was like, 'What have they done? What have they done?' And my mom was like, 'Well they've just killed Ned!' And I was like, 'What! They can't do that!'' Maisie recounted.
The battle for power between the Lannisters and anyone who would stand in their way of the throne reached a boiling point on Sunday night and cost former King's Hand Ned Stark (Sean Bean) his life. Maisie told Access that she was excited to see all of the painstaking work required to film the gory beheading of her onscreen father.
"Filming it, it was a long day, but I think it definitely paid off and there was a lot of different angles. But they were all needed. Every single angle was needed, and every single angle was used. It was a great experience to see how it was done," the 13-year-old actress said of the tragic beheading of Ned.
Maisie had mixed feelings about the death of her onscreen father and reconciling that with the fact that Sean would not be returning for the show's second season, which HBO has already green lit.
The young star said she's not bothered by the show's often gory and adult situations — except when she's watching with her parents.
"Game of Thrones'" plucky sword-wielder Arya, is Maisie's first role ever, something she unexpectedly danced her way into.
In addition to the challenges of such a high profile first role, the actress also has the task of playing a little girl debunking the idea of a woman's role in a world dominated by mostly vicious men — something she has skillfully done week after week.
According to Maisie's mom, the actress and her character — who wields a sword better than many men in the Seven Kingdoms — are indistinguishable.
"Sometimes when the little feisty bits come up, my mom always says, "Oh Mais, that's just like you!' Because some of the lines Arya says are something I would say if I was put into those situations," she told Access.
Maisie, who calls Dakota Fanning her "all-time idol" hopes her hit HBO series is just the start of her reign on the small and big screen.


The main island the island nation of Sri Lanka, itself known as Sri Lanka (formerly called Ceylon, Lanka-dvipa, Simhala-dvipa, etc.), is a South Asian island in the Indian Ocean, southeast of the Indian subcontinent, in a strategic location near major Indian Ocean sea lanes.
It has a total area of 65,610 km², with 64,740 km² of land and 870 km² of water. Its coastline is 1,340 km long. Sri Lanka's climate includes tropical monsoons: the northeast monsoon (December to March), and the southwest monsoon (June to October). Its terrain is mostly low, flat to rolling plain, with mountains in the south-central interior. The highest point is Pidurutalagala at 2,524.13 m. Natural resources include limestone, graphite, mineral sands, gems, phosphates, clay, hydropower.
Rama's Bridge, a shoal "connecting" (northwestern) Sri Lanka (Talaimannar on Mannar island in that district) and (southern) India (Dhanushkodi (extinct)/Rameswaram in Ramanathapuram District) between the Gulf of Mannar (southwest) from the Palk Strait (northeast).
Sri Lanka map of Köppen climate classification.


text:
Q: Plot name / label in TradingView pine script How can I give a plot a name/label? (ses red box in screenshot)

study(title="Average True Range Channels", shorttitle="ATRC", overlay=true)

slowEMAdays = input(22, minval=1, title="Days for EMA", type=integer)
slowEMA = (ema(close, slowEMAdays))
atrBandDays = input(13, minval=1, title="Days for ATR", type=integer)
atrBand = atr(atrBandDays)
atrPlus1 = slowEMA + atrBand
atrPlus2 = slowEMA + atrBand*2
atrPlus3 = slowEMA + atrBand*3
atrMinus1 = slowEMA - atrBand
atrMinus2 = slowEMA - atrBand*2
atrMinus3 = slowEMA - atrBand*3
plot(slowEMA, color=black, linewidth=2)
plot(atrPlus1, color=green)
plot(atrPlus2, color=orange)
plot(atrPlus3, color=red)
plot(atrMinus1, color=green)
plot(atrMinus2, color=orange)
plot(atrMinus3, color=red)

I want to add an alert to some of the 6 plots but when adding an alert I can only see 6 plots with the same name ("plot") so I cannot easily distinguish them from one another :)
Best,
Rasmus

A: Converted to v4 and labeled the plots.
//@version=4
study(title="Average True Range Channels", shorttitle="ATRC", overlay=true)

slowEMAdays = input(22, "Days for EMA", type=input.integer, minval=1)
atrBandDays = input(13, "Days for ATR", type=input.integer, minval=1)

slowEMA = ema(close, slowEMAdays)
atrBand = atr(atrBandDays)

atrPlus1    = slowEMA + atrBand
atrPlus2    = slowEMA + atrBand * 2
atrPlus3    = slowEMA + atrBand * 3

atrMinus1   = slowEMA - atrBand
atrMinus2   = slowEMA - atrBand * 2
atrMinus3   = slowEMA - atrBand * 3

plot(slowEMA,   "slowEMA",   color=color.black, linewidth=2)

plot(atrPlus1,  "atrPlus1",  color=color.green)
plot(atrPlus2,  "atrPlus2",  color=color.orange)
plot(atrPlus3,  "atrPlus3",  color=color.red)

plot(atrMinus1, "atrMinus1", color=color.green)
plot(atrMinus2, "atrMinus2", color=color.orange)
plot(atrMinus3, "atrMinus3", color=color.red)

redpajama_set_name: RedPajamaStackExchange


text:
CU med school needs long-term funding aid
Of the 77 public medical schools in the United States, the University of Colorado Health Sciences Center is just about last in the amount of state funding and tuition per student it receives.
If you care about the future of health care in Colorado, the numbers will startle you:
Of 74 public med schools, CU ranked 72nd. The average school receives $111,456 per student – $97,461 in state support and $17,995 in tuition and fees. At CU, the state provides $24,413 and tuition raises $19,873 for a total of $44,286.
A state Senate bill being heard in committee on Monday aims to redirect $15 million from the state's tobacco settlement fund to Health Sciences. It would be a much-needed boost for this important Colorado facility, but CU would still lag its peers. And it's only a temporary fix.
However, the debate will certainly underscore the need for Colorado lawmakers and higher-education leaders to come to some consensus on how Colorado can fund its colleges and universities so they can operate on a level with their peers.
Shifting money from the tobacco settlement may be a clever stopgap, but it isn't the way a responsible state funds higher education.
Since the 2001 recession, Health Sciences has absorbed $24 million in general fund cuts. As a result, the medical school has lost 81 faculty positions and 118 classified staff positions. Researchers are required to make up 80 percent of their salaries in sponsored research, according to Chancellor M. Roy Wilson. At Texas Tech University, his previous school, researchers were fully state supported. CU's plight has caused some quality researchers, who can bring millions back into the state, to flee our borders.
"We're not recruiting the top-notch people now," he added.
During the recession, desperate lawmakers redirected money from the tobacco fund to the general fund so they could avoid deep cuts elsewhere. But that money is still flowing into the general fund along with other revenue, and when the state breaches its 6 percent spending cap, the money now spills over into funds for transportation and capital construction.
So, money that's supposed to used on health-related programs is paying for transportation. Colorado has massive transportation needs, but that's not the proper use of the settlement money.
Senate Bill 97, if approved, would shift about $15 million next year to Health Sciences – money that would be used to retain and recruit top faculty, restore some positions and restore some programs. Other programs now being funded by the tobacco settlement wouldn't be affected.
It would be an ongoing funding source, but the amount would vary each year. "It's not a long-term solution, Wilson conceded. "But until [there is one], we think this is a way to do it.
"We'd rather have base support," he said. "We'd rather have a lesser amount going into the base, but it doesn't look realistic" to expect that in 2007.
Higher education in Colorado should be properly funded – and at a level that will provide our state with a strong future supply of skilled professionals. More is at stake than just high-quality medical training. Health Sciences directly and indirectly supports about 15,000 jobs and generates about $1.7 billion in economic activity a year.
We support this bill because Health Sciences sorely needs the funding, but a long-term fix for all higher education needs to be on the table soon.

redpajama_set_name: RedPajamaCommonCrawl


text:
@import MapKit;

#import "TRBLQuickZoomGestureRecognizer.h"
#import "Additions/MKMapView+ZoomLevel.h"

@interface TRBLQuickZoomGestureRecognizer ()

@property (nonatomic) CGFloat scale;
@property (nonatomic) CGFloat start;
@property (nonatomic) CGFloat minimumZoom;

@end

@implementation TRBLQuickZoomGestureRecognizer

- (instancetype)initWithMapView:(MKMapView *)mapView action:(SEL)action {
    if (self = [super initWithTarget:mapView action:action]) {
        self.numberOfTapsRequired = 1;
        self.minimumPressDuration = 0;
        self.zoomMode = TRBLQuickZoomGestureZoomModeUpIn;
        self.minimumZoom = 2.0;

        if (![mapView isKindOfClass:[MKMapView class]]) {
            [NSException raise:@"TRBLQuickZoomTargetMismatchException"
                        format:@"Target should be a kind of MKMapView, not %@.", [mapView class]];
        }
    }

    return self;
}

- (instancetype)initWithTarget:(id)target action:(SEL)action {
    return [self initWithMapView:target action:action];
}

- (void)reset {
    [super reset];

    self.scale = 0;
    self.start = 0;
}

- (void)touchesBegan:(NSSet<UITouch *> *)touches withEvent:(UIEvent *)event {
    [super touchesBegan:touches withEvent:event];

    MKMapView *targetMapView = (MKMapView *)self.view;

    // Flyover map types use a different projection that our zoom conversion category can't handle.
    if (!targetMapView.isZoomEnabled || targetMapView.mapType == MKMapTypeSatelliteFlyover || targetMapView.mapType == MKMapTypeHybridFlyover) {
        self.state = UIGestureRecognizerStateFailed;
        return;
    }

    self.scale = powf(2, targetMapView.zoomLevel);
    self.start = [self locationInView:self.view].y;
}

- (void)touchesMoved:(NSSet<UITouch *> *)touches withEvent:(UIEvent *)event {
    [super touchesMoved:touches withEvent:event];

    if (self.numberOfTouches != self.numberOfTouchesRequired) return;

    MKMapView *targetMapView = (MKMapView *)self.view;

    CGFloat distance;
    switch (self.zoomMode) {
        case TRBLQuickZoomGestureZoomModeUpIn:
            distance = self.start - [self locationInView:self.view].y;
            break;

        case TRBLQuickZoomGestureZoomModeUpOut:
            distance = [self locationInView:self.view].y - self.start;
            break;
    }

    CGFloat newZoom = fmax(log2f(self.scale) + (distance / 75), self.minimumZoom);

    if (targetMapView.zoomLevel == newZoom) return;

    targetMapView.zoomLevel = newZoom;
}

- (BOOL)shouldRequireFailureOfGestureRecognizer:(UIGestureRecognizer *)otherGestureRecognizer {
    [super shouldRequireFailureOfGestureRecognizer:otherGestureRecognizer];

    if ([otherGestureRecognizer isKindOfClass:[UITapGestureRecognizer class]]) {
        return ((UITapGestureRecognizer *)otherGestureRecognizer).numberOfTapsRequired == 2;
    }
    return NO;
}

- (BOOL)shouldBeRequiredToFailByGestureRecognizer:(UIGestureRecognizer *)otherGestureRecognizer {
    [super shouldBeRequiredToFailByGestureRecognizer:otherGestureRecognizer];

    if ([otherGestureRecognizer isKindOfClass:[UITapGestureRecognizer class]]) {
        return ((UITapGestureRecognizer *)otherGestureRecognizer).numberOfTapsRequired == 1;
    }
    return NO;
}

@end

redpajama_set_name: RedPajamaGithub


text:
Q: Angular 4 Environment Setup How to setup the angular 4 Environment in Visual studio 2015?
is node js installation mandatory for the angular4 development?

A: You need npm as a packagemanager. Npm is installed through the nodejs installation. So you need nodejs yes.
Install angular-cli through npm.
The cli will help you to create the project.


text:
Allenatore-giocatore dopo il ritiro dall'attività professionistica, fu condannato a una pena detentiva di 14 anni, poi ridotta a 7, per uxoricidio commesso nell'agosto 2004, fatto che ebbe una vasta eco mediatica sia per la notorietà del personaggio sia per il dibattito sorto riguardo alla vita privata post-agonistica degli sportivi un tempo famosi.

A gennaio 2015 fu resa nota la notizia che Cécillon è il padre naturale di un altro rugbista internazionale, Alexandre Dumoulin.

Biografia
Nativo di Bourgoin (oggi Bourgoin-Jallieu), Cécillon preferì dedicarsi all'apprendistato del mestiere di pasticciere piuttosto che dedicarsi agli studi; in ragione del suo fisico, il suo datore di lavoro, appassionato di rugby, lo indirizzò verso le giovanili di un club di Saint-Savin; da lì fu notato dal , nel quale entrò a 17 anni nel 1976.

Nel club dell'Isère Cécillon militò fino al 1999, giungendo una volta alla finale di campionato (1996-97) e due volte a quella della Coppa di Francia (1997 e 1999), e vincendo la Challenge Cup nel 1997 (oltre a raggiungerne un'altra volta la finale nel 1999).

Esordì in Nazionale, in cui giocò indifferentemente come terza ala o terza centro, nel corso del , contro l'; fu la prima di sette edizioni disputate ininterrottamente fino al , eccezion fatta per quella del , con due vittorie nel  e .
Cécillon prese parte anche alla  in Inghilterra, disputando un incontro nel torneo; selezionato anche per la  in Sudafrica, scese in campo 4 volte, fino alla semifinale (persa) contro gli Springbok.
Quello fu anche l'ultimo incontro internazionale di Cécillon.

Cessata l'attività professionistica nel 1999, per quattro anni fu giocatore-allenatore di un club dilettantistico a Beaurepaire.

L'uxoricidio e la condanna
Avendo incontrato difficoltà nella sua vita professionale fuori dal rugby, Cécillon andò incontro a una depressione e mostrò presto problemi di alcolismo e sfoghi di gelosia, che lo portarono a frequenti liti domestiche con sua moglie Chantal (sposata nel 1977 quando lei aveva 17 anni, e dalla quale ebbe due figlie), tanto che questa, nel 2004, fu costretta a chiedere il divorzio.

Il 7 agosto 2004, al termine dell'ennesima lite scoppiata durante un ricevimento a casa di amici comuni, completamente ubriaco Cécillion uccise sua moglie esplodendole contro quattro colpi di calibro .357 Magnum con una pistola acquistata durante un tour in Sudafrica nel 1992.
All'episodio assistettero non meno di 60 testimoni.
La cosa suscitò clamore nella comunità di Bourgoin-Jallieu perché Cécillon era conosciuto da giocatore con il soprannome di tranquillo, che in carriera non era mai incorso in un'espulsione né in un'ammonizione.
Fu accertato che il tasso alcolemico di Cécillon era, al momento dell'arresto, di 2,65 g/l.

Dal processo di primo grado, celebrato a Grenoble presso la Corte d'assise del dipartimento dell'Isère, Cécillon uscì con una condanna a 20 anni per omicidio premeditato.
A seguito di ricorso in appello, la Corte competente di Nîmes ha ridotto, il 3 dicembre 2008, la pena a 14 anni, escludendo così la premeditazione.

Tale fatto di cronaca è stato lo spunto per un dibattito in Francia sul post-carriera dei personaggi assurti alla fama in quanto campioni dello sport.
Serge Blanco, capitano francese alla , presente in aula come testimone della difesa, riconobbe di non essersi mai reso conto dei problemi del compagno di squadra, aggiungendo che, secondo lui, fuori dal campo, a Cécillon «è mancato un arbitro» che lo avvertisse della strada sbagliata che aveva intrapreso e che, con tutta probabilità, egli non era preparato ad affrontare il termine della sua carriera e la progressiva fuoriuscita dalla notorietà per rientrare nella quotidianità.

Serge Simon, anch'egli ex rugbista e internazionale per la  e psicologo di professione, fondatore di un centro di supporto per ex atleti a Bordeaux, prendendo spunto dal caso Cécillion disse che numerosi problemi possono giungere dalla perdita d'identità derivante dal fatto che la fama è costruita sulla figura del campione, ma è la persona normale quella che deve vivere la vita di tutti i giorni; quella persona normale che, dopo la fine dell'attività, viene vista solo come «colui che un tempo era qualcuno».

A luglio 2011, dopo istanza presentata dai suoi legali, Cécillion, nel frattempo risposatosi in carcere, ricevette la libertà condizionata per avere scontato in maniera irreprensibile metà della pena.

La paternità di Alexandre Dumoulin
A gennaio 2015 il rugbista internazionale francese Alexandre Dumoulin, nato a Bourgoin-Jallieu nel 1989, rese pubblicamente noto il fatto di essere il figlio naturale di Cécillon; la notizia era ufficiosamente nota da tempo, ma Dumoulin decise di ufficializzarla per porre fine a rischi di speculazione.
Cécillon è anche padre di due figlie avute con Chantal.

Palmarès

Bourgoin-Jallieu: 1996-97

Note

Collegamenti esterni

Assassini francesi

redpajama_set_name: RedPajamaWikipedia


text:
Q: Strange javascript execution order IE9 I'm trying to load a remote script with some function and the execute it inline in IE9.
However I encountered an error message that my function was undefined.
What it boils down to is that IE9 (and lower, it seems) executes the script in opposite the order I would expect. I made a simplified example, which still yields the same bug for me.
<script type="text/javascript" src="multibanner_rev04_tmp.js"></script>
<script type="text/javascript">alert('nr.2');</script>

The script has a longer path I edited out for readability, it only has an alert in it and nothing else.
the alert 'nr.2' executes before the one in multibanner_rev04_tmp.js in IE9
I've tried this on multiple computers with IE9, to make sure it wasn't the same problem as this: IE9 js load order and JQuery
Problem seems to be consistent. Also tried this on IE10, which does execute the alerts in the expected order.
I don't really get what's going on here, any ideas?

A: From your comment on the question:

The script is injected onto my page using yet antother script (through an ad-server), so that might be a problem worth checking out.

That's a completely different thing from what you actually have in your question. What you have in your question shows script tags in the markup; injecting a script with JavaScript is completely different.
There are two ways the ad script could be adding the script to the page:

*

*Using document.write during the main page parsing to write out a script tag. You've said your page is XHTML strict. Using document.write to output markup to the page during the main parsing is invalid in XHTML, full stop. You cannot do it. If it works at all, the behavior is unspecified and you shouldn't rely on it.
If you want to use document.write during the main page parse, you have to stop using XHTML. At that point, the scripts will be evaluated in the order the parser sees them (regardless of how they got put in the parser's input stream, from the markup or via document.write).

*By creating a script element (document.createElement('script')) and then appending that to the DOM. When you do this, the script is evaluated as soon as it's available. There is no order. It's just like using the async attribute in the markup (except that it's much more cross-browser reliable).
If that's how the script is added, you cannot rely on the order. If you control the script being added in this way, you could have that script check for whatever the other script provides and use setTimeout to defer its execution until that other thing shows up. If you don't, you'll have to delay the addition of the script element until you're ready for it.

A: (My first ever post to stackoverflow...)
Stating the obvious...the first script tag requires the browser to load a separate script file
whereas the second script tag has the javascript inline (in the HTML).
Assuming that you have "alert('nr.1');" at the top of your multibanner_rev04_tmp.js then it appears as though IE9 is executing the inline code first even though it
appears later in the HTML, which is incorrect behaviour according to this:
http://www.w3.org/TR/html5/scripting-1.html#script

If neither attribute [async or defer] is present, then the script is
  fetched and  executed immediately, before the user agent continues
  parsing the page.

However, using IE10 with "IE9 standards" document mode set (I don't have IE9), I can't reproduce the behaviour you are seeing, which would sort of point towards a bug in IE9 itself or a specific version of IE9? I wonder what happens if you add a defer="defer" attribute to your second script tag ? (Just for diagnosis, because it's not strictly legal according to the standard without a "src" attribute.)


text:
A new voice for a new age of Canadian marketing
New creative
Masthead / Contact
The Mighty Women List
Telus launches new brand campaign with purpose
April 20, 2022 April 22, 2022 by David Brown
Who: Telus, with The&Partnership for strategy and creative, Cossette for media, Scouts Honour for production (Mark Zibert directing), with Outsider Editorial, Alter Ego, The Vanity, for post-production, and Ta2 for music.
What: "Let's make…" a new masterbrand purpose campaign for the telco focused on health care, sustainable agriculture and the environment, rather than phone lines, internet and mobile services.
When & Where: The new platform launched on Monday (April 18) on TV, radio, OOH, digital and social content, with PR support. This first wave of the campaign runs for six weeks, with some "always-on" content running after that before a second wave picks up in the fall.
Why: This new work represents Telus's full-throated declaration of its efforts to help society in important areas like sustainability, community support, more accessible (and connected) health care and agriculture. "We're on a journey to reposition Telus as a global leading technology powerhouse that is answering some of the world's most pressing social challenges," said Lisa Mack, vice-president of brand marketing at Telus.
Telus says that purpose has been central to everything it has done for two decades. But it has started to change how it talks about that purpose in the past couple of years. "We want to make it unmissable to do business with Telus without understanding the good we're doing for our communities," said Mack.
It's the doing well by doing good philosophy: "When a company has a strong purpose, people are four times more likely to continue doing business with and to trust the company, and almost five times more likely to recommend the company to their friends and family," said Mack. "This means Canadians are increasingly choosing to do business with companies that share their values, and we want to make sure Canadians know we're a company that's truly powered by our purpose."
Back up… Agriculture? Yes, in late 2020, the telco launched Telus Agriculture as a business unit dedicated to providing connected technology and other innovations meant to enhance efficiency and increase food production and yields.
But isn't every brand talking purpose now? "There's a huge rush at the moment towards purpose-driven advertising, but I think Telus has the advantage because this has been a genuine part of how they run the business for the last 20 years," said Jack Shute, partner and general manager on the Telus account at The&Partnership. "What we're doing now is we're telling stories about things Telus is already doing… I think a lot of the purpose advertising out there from other brands talks about 'What we're going to do.' But Telus has been at this for 20 years, so we've got an incredible number of stories about what they are doing and what they've already done."
How: Last year, Telus made a subtle change to its longstanding brand tagline, from "The future is friendly," to "Let's make the future friendly." Along with that, they've been inserting more of their purpose messaging into their product advertising (see examples below).
"If you look at any Telus product work from the last 18 months, you'll see they're really strong purpose messages woven into stories about a new handset or stories about a new TV service," said Shute.
The anthemic "Let's make" masterbrand spot that launched this week portrays the ways Telus has become, as Mack describes it, a "leader in social capitalism." The ad rolls through various scenes showing the ways Telus is making health care more accessible, communities safer, helping farmers work their land, and reducing harm to the environment.
"Let's make a difference today," says a narrator to open the spot, and then explains—using rhyming couplets—what that means for Telus: "Let's make sure health care is right there for us all / health and wellbeing with just a call."
No Telus animals: The spot opens and closes with a purple butterfly, but with such a distinct message, they needed a creative approach that was different from what people are accustomed to seeing from Telus.
"This is meant to really communicate all the incredible things that Telus does.. and the other big piece of it, was how do we really powerfully talk about and show what we mean by 'Let's make the future friendly' because we hadn't really done that," said Hannah Fishman, The&Partnership's chief creative officer for North America.
"To really tell the stories and to talk about the authenticity of what Telus is doing, it felt like we needed to use human beings to do that," she said.
However, Mack also said the animals remain a part of the Telus creative toolkit. "And we will continue to use them, in addition to lifestyle, to tell our stories and differentiate Telus."
And we quote: "The 'Let's Make' campaign aims to communicate—and more importantly show—how we're using our technology for good, serving as an important anchor point to our product campaigns as we continue to deepen the connection between product and purpose." — Lisa Mack, vice-president of brand marketing, Telus.
RECENT PRODUCT SPOTS
Previous Post Bearface and One Twenty Three West go into the woods
Next Post VW plans 'carbon-neutral net' followup for Earth Day


text:
Enjoy 33 est une station de radio locale diffusant un programme basé sur le "latino", le groove et la dance centré sur la métropole bordelaise. Elle couvre environ 75% du département de la Gironde en FM et émet également en DAB+ sur la zone Bordeaux Métropole depuis le 5 Novembre 2020.

Historique
Connue à l'origine en 2004 sous le nom de TRG (Télé Radio des Graves), elle est rebaptisée TRG (The Radio Girondine) en 2009, puis Enjoy 33 en juin 2011. Situés à l'origine à Castres-Gironde, ses studios ont été implantés à Cadaujac, et sont actuellement à Talence.

Identité de la station - Logos

Programmation
Mixant informations de proximité, rubriques pratiques (infos trafic, prévisions météo, idées de sorties) et musique (tendances actuelles et exclusivités), ENJOY 33 vise en priorité les jeunes et les adultes actifs. Sa grille des programmes intègre 40 % de musique française et francophone, la station se positionnant avant tout sur la musique latino et le RnB.

Autres rendez-vous musicaux appréciés de ses auditeurs : les soirées des Jeudis, Vendredis et Samedis

Cette radio diffuse de nombreux services centrés sur la vie dans l'agglomération bordelaise (points routes quotidiens rapportant les perturbations du trafic, informations locales et départementales, alertes en cas d'accidents ou de ralentissement des transports en commun, et de nombreuses idées de sorties / loisirs).

Diffusion
Elle émet en modulation de fréquence (Fm), en DAB + et sur internet (appli et players)

Notes et références

Liens externes
 Site de la station
 Ancien site de TRG au 20 avril 2009 sur Internet Wayback Machine

Radio à Bordeaux
Radio en Gironde
Talence
Station de radio locale en France
Station de radio en français
Station de radio généraliste
Station de radio fondée en 2004


Save up to 50% Off with these current , free carparts.com promo code and other discount voucher. There are 477 carparts.com coupons available in June 2018.
Cut down your auto costs with a CarParts.com free shipping code. CarParts.com is your source for quality car parts at unbelievably low prices. Get Coupon Code.
CarParts.com Promo Codes. I'd like to find a , where can I find one? Valpak.com has coupon codes to help you save online at CarParts.
CarParts.com cashback discounts can be earned just by clicking through to CarParts.com and then shopping exactly as you would normally on their website.


text:
from optparse import OptionParser
import time
import subprocess
import sys
import re

global globalconfig

def login(url, user, passwd):
    run("oc login --insecure-skip-tls-verify=true -u " + user + " -p " + passwd + " " + url)

def run(cmd):
    result = subprocess.check_output(cmd,stderr=subprocess.STDOUT,shell=True)
    return result

# Starting in OCP 4.1, added arguments for login() method:
if __name__ ==  "__main__":

    parser = OptionParser()
    parser.add_option("-a", "--apiurl", dest="apiurl",
                     help="url of the OpenShift master to login to")
    parser.add_option("-u", "--user", dest="oseuser",
                     help="OpenShift user for login")
    parser.add_option("-p", "--password", dest="osepass",
                     help="OpenShift password for login")
    parser.add_option("-n", "--namespace-dc-pairs", dest="namespace_dc_pairs",
                     help="Comma separated string containing namespace:dc pairs")

    globalconfig = {}

    (options, args) = parser.parse_args()
    globalconfig["apiurl"] = options.apiurl
    globalconfig["oseuser"] = options.oseuser
    globalconfig["password"] = options.osepass
    globalconfig["namespace_dc_pairs"] = options.namespace_dc_pairs

    login(globalconfig["apiurl"],globalconfig["oseuser"],globalconfig["password"])

    sleep_time = 15
    max_retries = 40
    retries=0
    apps_found = 0;
    namespace_dc_pairs = globalconfig["namespace_dc_pairs"].split()
    apps_not_running = namespace_dc_pairs
    print apps_not_running

    apps_needed = len(apps_not_running)

    while apps_found < apps_needed and retries < max_retries:
        result = run("oc get dc --all-namespaces")
        print result
        apps_to_look_for = apps_not_running[0:]
        for app in apps_to_look_for:
            namespace,dc = app.split(":")
            print namespace + " " + dc
            # dancer-mysql0        dancer-mysql-example       1          1         1         config,image(dancer-mysql-example:latest)
            dc_running_regex = ".*" + namespace + "\s+" + dc + "\s+\d+\s+1\s+1"
            if re.search(dc_running_regex, result):
                print "Found: " + app
                apps_found += 1
                apps_not_running.remove(app)

        print "The following apps still not running: " + str(apps_not_running)
        if apps_found < apps_needed:
            time.sleep(sleep_time)
            retries += 1

    exit_code = apps_needed - apps_found
    print "exiting with code: " + str(exit_code)
    sys.exit(exit_code)


text:
En Thangai () is a 1952 Indian Tamil-language film starring M. G. Ramachandran and E. V. Saroja. The film is based on T. S. Natarajan's play of the same name. It was released on 31 May 1952. The film was remade in Hindi as Chhoti Bahen, in Telugu as Aada Paduchu and in Kannada as Onde Balliya Hoogalu.

Plot
Rajendran, the breadwinner of his family, watches over his young brother, Selvam, a student, his younger sister Meena and their very ill mother, Gunavathi. Karunagaran Pillai, their paternal uncle, robs them of their fortune after the disappearance of the patriarch, and refuses all requests for financial help by Rajendran. On the other hand, Suriyamoorthy, Karunagaran's son, discreetly devotes himself to his cousin, Rajendran, and his family. One evening, during a violent thunderstorm, young Meena loses her eyesight. She then becomes the scapegoat of Selvam's wealthy wife, Rajam, her sister-in-law, who also begins hating Meena. Rajendran, previously unaware of the situation, finally discovers his younger sister's ordeal. Following a heated quarrel, Selvam and Rajam leave the family home, leaving Rajendran totally distraught. Then sadly, their mother dies and, expelled by their uncle, Rajendran and Meena are forced out onto the street.

Their cousin, Suriyamoorthy, runs away from his father to the capital, where he becomes a rickshaw driver and offers temporary accommodation to Rajendran and Meena. Meanwhile, younger brother, Selvam, becomes addicted to horse racing just like his father-in-law, driving his family into financial ruin and neglecting Rajam. After Rajendran manages to reconcile the couple, Rajam dies in a road accident. Karunagaran comes in search of his son, and he too is knocked down by a vehicle. Dying, he gives his permission for Suriyamoorthy to marry Mary, a Christian. As for Rajendran, he is beaten and finally, pushed to his limits, carries his sister into the sea and they both disappear under the waves.

Cast

Male cast
 M. G. Ramachandran as Rajendran
 P. S. Govindan as Suryamurthi
 P. V. Narasimmabharathi as Selvam
 M. G. Chakrapani as Karunagaram Pillai
 T. R. B. Rao as Veerasami Pillai
 C. S. Pandhiyan as Azhagan
 S. N. Narayanasami as Veeraiyan
 Kottapuli Jayaraman as Chitraguptan
 Master Krishnan as Idiot Boy
 N. Azhwar as Gundu Chetty

Female cast
 Madhuri Devi as Rajam
 V. Susheela as Mary
 S. R. Janaki as Gunavathi
 E. V. Saroja as Meena
 M. N. Rajam as Azhagi

Production
The pre-production crew at Central Studios, Coimbatore, initially planned to merge the plays Parasakthi by Pavalar Balasundaram and En Thangai by T. S. Natarajan to make a film. However, Natarajan disagreed with the idea; En Thangai was ultimately made as a single film directed by Ch. Narayana Murthy. Thiruchi Loganathan was initially cast as the lead actor; however, after a few scenes were shot, he was removed as Narayana Murthy was not impressed. Unsuccessful attempts were earlier made to have Sivaji Ganesan, who portrayed the role on stage, do the same onscreen. The role ultimately went to M. G. Ramachandran. This movie was produced in competition with Parasakthi, and was released few months earlier than Parasakthi. Both movies turned out to be popular in box office.

Soundtrack
The music was composed by C. N. Pandurangan. Lyrics were written by Bharathidasan, A. Maruthakasi, Saravanabavananthar, Suratha, Ki. Rajagopal and Narasimman. Singers are P. S. Govindhan and C. S. Pandiyan. Playback singers are A. M. Rajah, T. A. Mothi, M. L. Vasanthakumari, P. Leela, A. P. Komala, A. G. Rathnamala, K. V. Janaki and N. Lalitha.

Reception
The film was a success in box office. Film historian Randor Guy wrote in 2008 that the film will be "Remembered for its emotion drenched storyline and MGR's role as a loving brother, considered by critics as one of his best performances ever." The film was remade in Telugu as Na Chellelu (1953) with the same team. It was remade by L. V. Prasad in Hindi as Chhoti Bahen (1959).

References

External links

1950s Tamil-language films
1952 drama films
1952 films
Films directed by Chitrapu Narayana Rao
Indian black-and-white films
Indian drama films
Indian films based on plays
Tamil films remade in other languages
Films scored by C. N. Pandurangan


text:
Home Page > The Problem > Fixing prison-based gerrymandering after the 2010 Census > Connecticut
Fixing prison-based gerrymandering after the 2010 Census: Connecticut
50 State Guide, March 2010
Impact at the state level
Impact at the local level
Connecticut law says a prison cell is not a residence
Prison-based gerrymandering violates the constitutional principle of "One Person, One Vote." The Supreme Court requires districts to be based on equal population in order to give each resident the same access to government. But a longstanding flaw in the Census counts incarcerated people as residents of the prison location, even though they can't vote and aren't a part of the surrounding community.
When legislators claim people incarcerated in their districts are legitimate constituents, they award people who live close to the prison more of a say in government than everybody else.
Impact at the state level:
The state's prison population comes disproportionately from some cities:
New Haven is home for 3.6% of the state, but 13.6% of its incarcerated people.
Hartford is home for 3.6% of the state, but 15.2% of its incarcerated people.
After the 2000 Census, each House district in Connecticut should have had 22,553 residents. District 59, which claims the populations of two large prisons, however, had only 19,200 actual residents.
Without using prison populations as padding, seven districts were missing more than 5% of their required population.
Crediting all of Connecticut's incarcerated people to a few locations enhances the political clout of the people who live near prisons, while diluting voting power of all other Connecticut residents.
Impact at the local level:
The city of Enfield, which contains Enfield and Willard Correctional Institution and Robinson Correctional Institution, adjusted 2000 Census data when it redistricted. If the city had based its districts on Census Bureau prison counts, 30% of the third district's population would have been incarcerated, giving every group of 70 residents near the prison as much influence as 100 residents elsewhere in the city.
More research needs to be done in the town of Cheshire as the town contains a large prison population relative to their actual population. Unless the prison populations were removed from the redistricting base after the last Census, the town has one or more districts that are significantly padded with non-resident prison populations. See the Democracy Toolkit for a suggested research methodology.
Connecticut law says a prison cell is not a residence:
"No person shall be deemed to have lost his residence in any town by reason of his absence therefrom in any institution maintained by the state." (General Statutes of Connecticut § 9-14.)
Pending legislation (as of March 2010):
General Assembly Bill No. 5523
Other solutions:
All Connecticut towns that contain prisons should adopt Enfield's solution even if the Connecticut legislature does not pass the state-wide bill in time.
Ideally, the U.S. Census Bureau would change where it counts incarcerated people. They should be counted as residents of their home — not prison — addresses. There is no time for that in 2010, but Connecticut should ask the Census Bureau for this change for 2020.
The Connecticut resource page is an actively maintained list of links to fact sheets, news articles, testimony, and other information on the current campaign for change in Connecticut.
Imported "Constituents": Incarcerated People and Political Clout in Connecticut, is a district-by-district analysis of prison-based gerrymandering in Connecticut legislative districts after the 2010 Census.
Two fact sheets about prison-based gerrymandering in Connecticut:
Prison-based Gerrymandering in Connecticut [PDF]
Ending prison-based gerrymandering would aid the African-American and Latino vote in Connecticut [PDF]
Phantom Voters: Why the state should stop "prison gerrymandering", by Betsy Yagla, New Haven Advocate, March 31, 2010
Number of incarcerated in Connecticut DOC facilities, by town [PDF] on March 24, 2010
Town of residence of incarcerated inmates [PDF] by Christopher Reinhart, Office of Legislative Research, Connecticut General Assembly, March 22, 2010


text:
See the moment students interrupt Newcastle Uni lights switch on with fossil fuel protest
The group rang a sleigh bell to mark their entrance, held up banners, and one of the campaigners – in full Santa costume – addressed the vice chancellor through a megaphone
Katie Dickinson
Dressed as Santa and armed with a bag of coal, this is the moment a group of students interrupted Newcastle University 's Christmas lights switch-on ceremony in a protest against fossil fuels.
Hundreds of staff and students gathered by the university's Christmas tree in the centre of campus for the ceremony, which includes carol singing and an address from the vice chancellor Chris Day.
But as Mr Day stepped up to speak he was interrupted by demonstrators from the Newcastle University Fossil Free (NUFF) campaign.
The group rang a sleigh bell to mark their entrance, held up banners, and one of the campaigners – in full Santa costume – addressed the vice chancellor through a megaphone, accusing the university of "failing to commit to a full divestment from fossil fuels".
Fossil fuel protesters at Newcastle University's Christmas lights switch on
The campaigner dressed as Santa handed Mr Day with a bag of coal and said the university was "on the naughty list" due to its "continuing investments in fossil fuels".
The group was then led away by security staff, after Mr Day said the university had committed to full divestment from fossil fuels.
One of the NUFF campaigners, Rebecca D'Andrea, said: "Climate change is a threat to humanity and all other life on our planet. We need to act to reduce global carbon emissions as fast as possible. Until Newcastle University commits to no longer funding any fossil fuel extraction, we will continue to campaign."
A Newcastle University spokesperson said: "We remind NUFF of our commitment in 2016 to divest from fossil fuels within five years. We are delighted to say that we are well on track to achieve that.
"As a proportion of total holdings, Newcastle University's investment in the oil and gas sector has reduced from 8.8% in September 2017 to 4.4% in October 2018.
We continue to work in this direction by increasing the proportion of funds in managers who have disinvested in wide range of fossil fuel companies and we work with a new investment manager which holds a significantly lower proportion of investments in fossil fuel. We have also transferred funds to three ethically screened alternative asset funds which all exclude fossil fuel companies."


text:
2 Honduran Teen Migrants Killed in Tijuana
By VOA News
Honduran migrants stand in line for breakfast inside an empty warehouse that opened its doors to migrants in downtown Tijuana, Mexico, Dec. 18, 2018. The owner opened the warehouse for two months, after it had been empty for years, so some migrants d
Mexican police in Tijuana are investigating the deaths of two Honduran teens who were part of the caravan of migrants hoping to enter the United States.
The two were found in an alley, stabbed and strangled.
Police believe the two were killed during a robbery while a third youth was injured but managed to escape.
One report says two suspects have been arrested.
The Honduran Foreign Ministry sent its condolences to the victims' families and urged other Hondurans not to make the dangerous trek to the U.S.
As many as 3,000 migrants are in Tijuana, on the Mexican-U.S. border, hoping for the chance to apply for asylum in the U.S.
Agents are processing about 60 requests a day, and those waiting can expect to remain in Tijuana for several months.
City officials say facilities and shelters are overwhelmed.
Honduran Migrant Gunned Down Shortly After US Deportation
A Honduran migrant who had recently been deported from the United States was shot and killed a few blocks from his home, his family said Wednesday, in another sign of the dangers faced by migrants fleeing Central American gangs. Nelson Espinal,…
Mexican President Wants US to Grant More Work Visas
Mexican President Andres Manuel Lopez Obrador said Wednesday he hopes to negotiate more U.S. work visas for Central American migrants as well as those from his own country, and his administration promised to protect migrants, even as police reported two Hondurans were killed in the border city of Tijuana. Officials of the new administration said Mexico's policy toward migrants has changed, from a policy of "containment" to one of respect for human rights.
US, Mexican Presidents Discuss Plan to Address Causes of Migration
U.S. President Donald Trump and Mexican President Andres Manuel Lopez Obrador tackled the issue of immigration in a phone call Wednesday.The White House said the two leaders "discussed the need to address illegal migration from Central America to the United States by addressing the drivers of migration, such as insecurity and economic stagnation."Lopez Obrador says he and Trump discussed migration and the possibility of working together on a program aimed at boosting…


Adding a CDN to your website increases the delivery lanes to your website. Using Amazon's CDN effectively bolts on another server at a low cost and offers world caching of content across the Amazon network through 46 global sites.
Wordpress and PerchCMS supported. Using the CMS plgins automatically uploads your static content to the Amazon server. Popular files are cloud cached and follows your traffic around the globe. Should your traffic suddenly increase in another country, files will cache in the nearest Amazon server cluster. This can reduce server load and increase page speed significantly depending on the types of served content.
Static files include pictures video sound etc.
Custom Domain. Optional install service not included.


Please enter your email address below to have your login details emailed to you.
A content management system (CMS) is critical to the success of almost every website due to the way Google treats and ranks site thate have regular changing content, and yet many organisations are not familiar with this technology or its benefits.
Beyond these, the greatest benefit the CMS can provide is to support your business goals and strategies.
For example, the CMS can help to improve sales, increase user satisfaction, or assist in communicating with the public.


text:
Берше́р-сюр-Вегр, Бершер-сюр-Веґр () — муніципалітет у Франції, у регіоні Центр-Долина Луари, департамент Ер і Луар. Населення —  осіб (2011).

Муніципалітет розташований на відстані близько 60 км на захід від Парижа, 110 км на північ від Орлеана, 45 км на північ від Шартра.

Демографія

Розподіл населення за віком та статтю (2006):

Економіка

У 2010 році в муніципалітеті числилось 316 оподаткованих домогосподарств, у яких проживали 844,0 особи, медіана доходів виносила  євро на одного особоспоживача

Галерея зображень

Посилання

 Бершер-сюр-Вегр на сайті французького Національного інституту географії
 [ Розташування муніципалітету Бершер-сюр-Вегр на мапі Франції та сусідні муніципалітети]

Див. також
 Список муніципалітетів департаменту Ер і Луар

Примітки

Муніципалітети департаменту Ер і Луар


text:
Touropia Travel Experts
8 Best Places to Stay in Sintra
Last updated on April 11, 2019 in Hotels, Portugal Leave a Comment
With a history rooted like much of Portugal and Spain in Moorish occupation for a number of centuries, Sintra is not only a historic place but a beautiful one, surrounded by dramatic landscapes and gardens. It was a residence of the Portuguese royal family in the 18th century, and famous English poet Lord Byron even found himself writing about the beauty of Sintra, calling it a "glorious Eden."
While it is an easy day trip from Lisbon, Sintra deserves more than just a few hours to properly soak up its wonderful landscapes and colorful, stately homes and castles. You can hike up mountains, indulge in the cuisine, or simply stroll around the charming streets. There are many places to stay, from intimate boutique hotels to all-out resorts, meaning you'll be able to find something to suit you.
Sintra Hotel Deals
8. Vila Gale Sintra
Located in Várzea de Sintra, a short distance from Sintra town center, this 5-star hotel has been designed with comfort in mind – and with a large helping of style, too. The rooms are simple but stylish and boast a natural color palette, along with views of the surrounding mountains and natural scenery. This family-friendly hotel has an adult's and a children's outdoor swimming pool, plus a library, a kid's club, and even a fairground carousel. Grown-ups can indulge in spa treatments and cocktails at the bar. The Sintra Natural History Museum, as well as Sintra train station, are both just over two miles away.
Check Reviews & Prices
7. Lawrences Hotel
This elegant, old-fashioned, and historic hotel oozes old world charm. Opened in 1764, Lawrences Hotel claims to be the oldest hotel in operation on the whole of the Iberian Peninsula. The interiors definitely reflect the heritage of the building, with think vaulted ceilings, hardwood flooring, exposed stone walls. Guests can enjoy tucking into a spot of delicious local cuisine in the onsite restaurant, or maybe sipping on some fine wines at the late-night bar. This centuries-old hotel also boasts a convenient location, with Sintra train station a five-minute drive away. In terms of interesting sights nearby, the medieval Castello dos Mouros is also within easy walking distance.
6. Chalet Saudade
Dating back to the 19th century, Chalet Saudade is yet another stunning heritage hotel in Sintra set in a beautiful historic building. With its ornate blue facade, the hotel has been completely renovated inside and now boasts modern interiors, combined with the traditional, original features of the building. The rooms are elegant and understated, with frescos and views from large windows that look out over the charming gardens – complete with fountains and ponds. Some rooms include a small kitchen. Breakfast is served each morning in a nearby coffeehouse; also nearby is Sintra train station. The colorful and historical Pena National Palace is three miles from here.
5. Pestana Sintra Golf Resort
With a beautiful pink color scheme outside, Pestana Sintra Golf Resort is themed on Sintra's Moorish heritage, with archways, geometrically-shaped fountains, and other design touches throughout. This large hotel is set inside an 18-hole golf course (great for golf fans) just under two miles from central Sintra. The restaurant at the hotel serves up Portuguese dishes, while the bar offers cocktails and light bites. There are two swimming pools to take a dip in, as well as a spa for maximum indulgence and relaxation. Rooms are decorated with warm, earthy tones, and feature large, comfortable beds, hardwood floors, and plenty of space.
4. Sintra Boutique Hotel
Sintra Boutique Hotel is situated in the heart of Sintra. That means being close to sights like the imposing Sintra National Palace and the Natural History Museum. The train station is also nearby for extra convenience. Rooms at this hotel feature golden hues and patterned carpets with a vintage touch, a mix of retro and modern for a decidedly boutique stay. There is a high-end restaurant onsite serving up contemporary cuisine, as well as a guest lounge and a sun-drenched courtyard to relax in. The staff here can arrange tours around town, or for outdoorsy guests, you can hike to Pena National Palace with a guide.
3. Penha Longa Resort
An elegant, high-end resort, Penha Longa Resort is a 5-star offering that has a lot to brag about. It features a 27-hole golf course, a spacious spa center, and even a Michelin star restaurant; however, there is a total of eight restaurants onsite. There is direct access to the surrounding parkland, which means hiking opportunities are just on the doorstep, making it perfect for nature lovers – or maybe just a feeling of seclusion! The rooms are sophisticated, with chocolate tones reflecting the natural parkland all around. Guests can take time out on the private terraces or balconies, included with each room.
2. Sintra Bliss Hotel
Set inside an old house, Sintra Bliss Hotel is all about its quirky boutique style. There is a mix of antique and modern furnishings, exposed brick archways, funky pink carpets, and pop art throughout this century-old building. The rooms are equally boutique, with white furnishings, high ceilings, geometric patterned carpets, and French doors that open onto small balconies. There is a breakfast offered each morning; in the summer months, this is served in the chilled out garden area. Set in central Sintra, there are many restaurants and bars to choose from just on the doorstep of this hotel. Nearby sights include Sintra National Palace, amongst other things.
1. Tivoli Sintra
Tivoli Sintra is a tranquil hotel with calming rooms boasting a simple white color scheme, comfortable beds, and large windows with views of the town and mountains. It is located in the historic center of Sintra, with interesting attractions like the Castello dos Mouros and the beautiful Quinta da Regaleira within easy walking distance. Staying at this hotel means dining in the onsite Monserrate Restaurant and soaking up the splendid views of Sintra's rooftops from the restaurant terrace. There are equally panoramic views from the intimate bar at Tivoli Sintra – great for late-night drinks and snacks. The hotel can arrange tours around town or the surrounding area.
6 Most Popular Attractions in Sintra
14 Most Charming Smalls Town in Portugal
7 Best Day Trips from Porto
10 Best Beach Resorts in Portugal
10 Most Amazing Destinations in Southern Portugal
5 Best Day Trips in Portugal
Where to Stay in Portugal
15 Top Tourist Attractions in Lisbon
15 Best Cities to Visit in Portugal
10 Best Islands in Portugal
10 Top Tourist Attractions in Portugal
How to Spend 3 Days in Lisbon
By posting a comment, you agree to our comment policy.
9 Most Beautiful Regions in Japan
9 Most Beautiful Regions in Austria
11 Most Beautiful Regions in Switzerland
6 Most Beautiful Regions in Norway
12 Best Museums in London
10 Best Museums in Tokyo
About Touropia
Copyright © 2019· Touropia.com · Privacy Policy · Disclaimer · Compensation Disclosure


text:
<?php

class Doctrine_Template_JCroppable extends Doctrine_Template
{
  /**
  * Array of ageable options
  *
  * @var string
  */
  protected $_options = array();

  private $editableImages = array();
  private $originalImages = array();

  /**
  * __construct
  *
  * @param string $array
  * @return void
  */
  public function __construct(array $options = array())
  {
    $this->_options = Doctrine_Lib::arrayDeepMerge($this->_options, $options);
  }

  /**
   * Set table definition for JCroppable behavior
   *
   * @return void
   */
  public function setTableDefinition()
  {
    if (empty($this->_options['images']))
    {
      return false;
    }

    foreach ($this->_options['images'] as $fieldName) {
      $this->hasColumn($fieldName, 'string', 255, array('type' => 'string', 'length' => '255'));

      foreach (array('x1', 'y1', 'x2', 'y2') as $suffix) {
        $this->hasColumn($fieldName . '_' . $suffix, 'integer', null, array('type' => 'integer'));
      }
    }

    $this->addListener(new Doctrine_Template_Listener_JCroppable($this->_options));

    $this->createChildFormClass();
  }

  private function getTableNameCamelCase() {
    return preg_replace('/(?:^|_)(.?)/e',"strtoupper('$1')",
      $this->getInvoker()->getTable()->getTableName());
  }

  /**
   * Performs the following operations for a given image:
   *  1) removes any old files if the image has been re-uploaded
   *  2) creates a scaled down version for editing in the cropper if the image has been (re)uploaded
   *  3) creates the cropped versions of the image
   *
   * This method is called from the listener if the image has been edited in any way
   *
   * @param string $fieldName
   */
  public function updateImage($fieldName) {
//    die($fieldName);
    $oldValues = $this->getInvoker()->getModified(true);

    if (!empty($oldValues[$fieldName]) && $oldValues[$fieldName] != $this->getInvoker()->$fieldName) {

      $this->removeImages($fieldName, $oldValues[$fieldName]);

    }

    if (in_array($fieldName, array_keys($this->getInvoker()->getModified()))) {

      $this->createEditableImage($fieldName);

    }

    $this->createCrops($fieldName);
  }

  /**
   * Takes a form and configures each image's widget.
   *
   * This is one of only 2 methods the user needs to call manually (the other being configureJCropValidators)
   * Should be called from the form's configure() method
   *
   * @param sfForm $form
   */
  public function configureJCropWidgets(sfForm $form, $formOptions = array()) {

    foreach ($this->_options['images'] as $fieldName) {
      if (!$imageConfig = $this->getImageConfig($fieldName))
      {
        continue;
      }

      $form->setWidget($fieldName,
        new sfWidgetFormInputFileInputImageJCroppable(array(
          'invoker' => $this->getInvoker(),
          'image_field' => $fieldName,
          'image_ratio' => isset($imageConfig['ratio']) ? $imageConfig['ratio'] : false,
          'with_delete' => true,
          'file_src' => $this->getImageSrc($fieldName, 'editable'),
          'template'  => '%file%
%input%
%delete% %delete_label%',
          'form' => $form
        ))
      );

      foreach (array('x1', 'y1', 'x2', 'y2') as $suffix) {
        $form->setWidget($fieldName . '_' . $suffix, new sfWidgetFormInputHidden());
      }
    }
  }

  /**
   * Takes a form and configures each image's widget.
   *
   * This is one of only 2 methods the user needs to call manually (the other being configureJCropWidgets)
   * Should be called from the form's configure() method
   *
   * @param sfForm $form
   */
  public function configureJCropValidators($form) {

    foreach ($this->_options['images'] as $fieldName) {

      $form->setValidator($fieldName . '_delete',  new sfValidatorPass());

      $form->setValidator($fieldName,
        new sfValidatorFile(array(
            'required'   => false,
            'path'       => $this->getImageDir(),
            'mime_types' => 'web_images',
          ),
          array('mime_types' => 'Unsupported image type (%mime_type%)')
        )
      );
    }
  }

  /**
   * Get the directory to store the images in by looking in the following places:
   *
   *  1) table specific config
   *  2) global plugin config
   *  3) default location
   *
   * @return string
   */
  private function getImageDir() {
    $config = sfConfig::get('app_sfDoctrineJCroppablePlugin_models');

    $basePath = sfConfig::get('sf_upload_dir');

    $tableName = $this->getTableNameCamelCase();

    if (!empty($config[$tableName]['directory'])) {

      $relativePath = $config[$tableName]['directory'];

    } else {

      $relativePath = $this->getImageDirDefault();

    }

    return $basePath . DIRECTORY_SEPARATOR . $relativePath;
  }

  /**
   * Generate's the default directory to store the model's images in (relative to uploads/)
   *
   * @return string
   */
  private function getImageDirDefault() {
    return 'images' . DIRECTORY_SEPARATOR . $this->getTableNameCamelCase();
  }

  /**
   * Gets the model's image directory relative to the web root (sf_web_dir)
   *
   * @return string
   */
  private function getImageDirWeb() {
	$webDir = str_replace('\\', '/', sfConfig::get('sf_web_dir'));
	$imageDir = str_replace('\\', '/', $this->getImageDir());

    return (string)str_replace($webDir . '/', '', $imageDir);
  }

  /**
   * Gets the given field's absolute editable image path, and warns if the directory
   *  doesn't exist or is not writable
   *
   * @param string $fieldName
   * @return string
   */
  public function getImageSrc($fieldName, $size = 'thumb') {
    $fileDir = $this->getImageDirWeb();

    if (!file_exists($fileDir)) {
      throw new Exception("image upload directory \"$fileDir\" doesn't exist");
    }
    if (!is_writable($fileDir)) {
      throw new Exception("image upload directory \"$fileDir\" is not writable");
    }

    $fileSrc = '/' . $fileDir . '/' . $this->getImageFromName($fieldName, $size);

    return $fileSrc;
  }

  /**
   * Returns an img tag for the specified image field & size (default thumb)
   *
   * @param string $fieldName
   * @param string $size
   * @param array $attributes
   * @return string
   */
  public function getImageTag($fieldName, $size = 'thumb', $attributes = array())
  {
    return tag(
      'img',
      array_merge(
        $attributes,
        array('src' => $this->getImageSrc($fieldName, $size))
      )
    );
  }

  /**
   * Takes the original image, adds and padding to it and creates an editable version
   *  for use in the cropper
   *
   * @param string $fieldName
   */
  private function createEditableImage($fieldName) {
    $imageConfig = $this->getImageConfig($fieldName);
    /**
     * Get the filenames for the editoable and original versions of the image
     */
    $original = $this->getImageFromName($fieldName, 'original');
    $editable = $this->getImageFromName($fieldName, 'editable');

    if (empty($original) || empty($editable))
    {
      return false;
    }

    $dir = $this->getImageDir();

    /**
     * Move the new image to be named as the original
     */
    rename($dir . DIRECTORY_SEPARATOR . $editable, $dir . DIRECTORY_SEPARATOR . $original);
    //print("mv $editable $original
");exit;
    /**
     * Load the original and resize it for the editable version
     */
    $img = new sfImage($dir . DIRECTORY_SEPARATOR . $original);

    if (isset($imageConfig['padding'])) {
      $img = $this->addPadding($img, $imageConfig['padding']);

      $img->saveAs($dir . DIRECTORY_SEPARATOR . $original);
    }

    $img->resize(400, null);
    $img->saveAs($dir . DIRECTORY_SEPARATOR . $editable);

    $this->getInvoker()->{$fieldName . '_x1'} = 0;
    $this->getInvoker()->{$fieldName . '_y1'} = 0;
    $this->getInvoker()->{$fieldName . '_x2'} = $img->getWidth();
    $this->getInvoker()->{$fieldName . '_y2'} = $img->getHeight();
  }

  /**
   * Adds any padding to the given image using the supplied padding config
   *
   * @param $img
   * @param array $padding
   * @return $img
   */
  private function addPadding($img, $padding) {
    if (!$padding) {
      return $img;
    }

    if (isset($padding['percent']) && is_numeric($padding['percent'])) {

      $width = $img->getWidth() * (1 + ($padding['percent'] / 100));
      $height = $img->getHeight() * (1 + ($padding['percent'] / 100));

    } else if (isset($padding['pixels']) && is_numeric($padding['pixels'])) {

      $width = $img->getWidth() + $padding['pixels'];
      $height = $img->getHeight() + $padding['pixels'];

    } else {

      return $img;

    }

    $canvas = new sfImage();
    $canvas
      ->fill(0, 0, isset($padding['color']) ? $padding['color'] : '#ffffff')
      ->resize($width, $height)
      ->overlay($img, 'center');

    return $canvas;
  }

  /**
   * Gets the filename for the given image field and size. Uses the current field value,
   *  but can be overriden by passing a different value as the 3rd parameter
   *
   * @param $fieldName
   * @param $size
   * @param $editable
   * @return $image
   */
  private function getImageFromName($fieldName, $size = 'editable', $editable = null) {
    if (!$imageConfig = $this->getImageConfig($fieldName)) {
      return false;
    }

    if ($editable == null) {
      $editable = $this->getInvoker()->$fieldName;
    }

    if ($size == 'editable' || (!isset($imageConfig['sizes'][$size]) && $size != 'original')) {
      return $editable;
    }

    $extensionPosition = strrpos($editable, '.');
    $stub = substr($editable, 0, $extensionPosition);

    $image = str_replace($stub, $stub . '_' . $size, $editable);

    return $image;
  }

  /**
   * Creates the cropped version of the given field's images
   *
   * @param string $fieldName
   * @return bool
   */
  private function createCrops($fieldName) {
    if (!$imageConfig = $this->getImageConfig($fieldName)) {
      return false;
    }

    $this->loadImage($fieldName, 'editable');
    $this->loadImage($fieldName, 'original');

    foreach ($imageConfig['sizes'] as $size => $dims) {

      $this->createCropForSize($fieldName, $size);

    }

    return true;
  }

  /**
   * Loads either the editable or original version of the given image field
   *
   * @param string $fieldName
   * @param string $version - editable or original
   * @param $force - try to load the image even if there's no config for image
   */
  private function loadImage($fieldName, $version, $force = false) {
    $imageConfig = $this->getImageConfig($fieldName);

    if (!$this->getInvoker()->$fieldName || (!$imageConfig && !$force)) {
      return;
    }

    $this->{$version . 'Images'}[$fieldName] =
      new sfImage($this->getImageDir() . DIRECTORY_SEPARATOR . $this->getImageFromName($fieldName, $version));
  }

  /**
   * Creates the crop of the given field's image at the specified size
   *
   * @param $fieldName
   * @param $size
   */
  private function createCropForSize($fieldName, $size) {
    if (!$imageConfig = $this->getImageConfig($fieldName)) {
      return false;
    }

    $this->loadImage($fieldName, 'original');
    $this->loadImage($fieldName, 'editable');

    if (empty($this->originalImages[$fieldName]) || empty($this->editableImages[$fieldName]))
    {
      return false;
    }

    $ratio = $this->originalImages[$fieldName]->getWidth() /
      $this->editableImages[$fieldName]->getWidth();

    $dims['x'] = (int)$this->getInvoker()->{$fieldName . '_x1'} * $ratio;
    $dims['y'] = (int)$this->getInvoker()->{$fieldName . '_y1'} * $ratio;
    $dims['w'] = (int)($this->getInvoker()->{$fieldName . '_x2'} * $ratio) - $dims['x'];
    $dims['h'] = (int)($this->getInvoker()->{$fieldName . '_y2'} * $ratio) - $dims['y'];

    $origCrop = $this->originalImages[$fieldName]
      ->crop($dims['x'], $dims['y'], $dims['w'], $dims['h']);

    $finalCrop = $origCrop->resize(
      $imageConfig['sizes'][$size]['width'],
      empty($imageConfig['ratio']) ?
        null :
        $imageConfig['sizes'][$size]['width'] / $imageConfig['ratio']);

    $fullPath = $this->getImageDir() . DIRECTORY_SEPARATOR . $this->getImageFromName($fieldName, $size);

    $finalCrop->saveAs($fullPath);
  }

  /**
   * Removes all existing images for the given field, and the field's value
   *  can be overridden using the second parameter
   *
   * @param $fieldName
   * @param $editable
   */
  private function removeImages($fieldName, $editable) {
    if (!$imageConfig = $this->getImageConfig($fieldName)) {
      return;
    }

    /**
     * Remove the editable & original images
     */
    foreach (array('editable', 'original') as $type) {
      $fullPath = $this->getImageDir() . DIRECTORY_SEPARATOR
        . $this->getImageFromName($fieldName, $type, $editable);

      if (file_exists($fullPath)) {
        unlink($fullPath);
      }
    }

    /**
     * Loop through the sizes and remove them
     */
    foreach ($imageConfig['sizes'] as $size => $dims) {

      $filename = $this->getImageFromName($fieldName, $size, $editable);

      $fullPath = $this->getImageDir() . DIRECTORY_SEPARATOR . $filename;

      if (file_exists($fullPath)) {
        unlink($fullPath);
      }

    }
  }

  /**
   * Get's the config for the given field's image
   *
   * @param $fieldName
   * @return array
   */
  private function getImageConfig($fieldName) {
    $config = sfConfig::get('app_sfDoctrineJCroppablePlugin_models');

    if (!isset($config[$this->getTableNameCamelCase()]['images'][$fieldName])) {
      return array('sizes' => array(
        'thumb' => array('width' => 120),
        'main' => array('width' => 360)
      ));
    }

    return $config[$this->getTableNameCamelCase()]['images'][$fieldName];
  }

  /**
   * Get's the table name of the invoking model
   *
   * @return string
   */
  private function getTableName() {
    return $this->getInvoker()->getTable()->getTableName();
  }

  private function createChildFormClass()
  {
    $tableName = $this->getTableNameCamelCase();

    $baseForm = $tableName . 'Form';
    $extendedForm = 'JCroppable' . $baseForm;

    if (!class_exists($tableName . 'Form') || class_exists($extendedForm))
    {
      return false;
    }

    $class = '
class ' . $extendedForm . ' extends ' . $baseForm . '
{

  public function configure()
  {
    $this->getObject()->configureJCropWidgets($this, $this->options);
    $this->getObject()->configureJCropValidators($this);

    parent::configure();
  }
}';

    eval($class);
  }
}


text:
Q: How do you use 3D graphics in Android Studio? I am wondering how app developers create games with 3D animations and graphics. Does anyone know how those games are made, and can it be done with android studio?

A: Yes, it can be done with Android Studio.
If you wanted to hand-code it, you would just create a GLSurfaceView, and draw objects into it. Here's a basic tutorial: Displaying Graphics with OpenGL ES
But, you would never hand-code it in real life. To make even a simple 3D game, you would want to use a game engine like Unity3D or jPCT-AE.
Any decent 3D engine will have tools for porting to Android. And many of them have communities that can offer support and troubleshooting.


text:
Gargoyle facts for kids
A Gargoyle is a grotesque statue that is attached to a building. It is carved out of stone, usually granite. It is used to get water away from the building when it rains. Gargoyles are often made to look like animals or people. The collected water comes out of their mouths. Most gargoyles were made a long time ago. People used to believe that they scared away evil spirits. Many cathedrals have gargoyles.
New buildings use rain gutters instead of gargoyles to move water. There are not many gargoyles in America.
Gargoyles are often confused with grotesques. They are similar, but only gargoyles get rid of rainwater through their mouths what's in the mouths I don't know .
Gargoyles at Notre Dame Cathedral in Paris, France
Gargoyle at the cathedral in Pisa, Italy
A gargoyle in Antwerpen, Belgium
A gargoyle on the Mausoleum for Queen Loise-Marie, in Oostende, Belgium
Gargoyles of Notre-Dame de Paris
Gargoyle of the Vasa Chapel at Wawel in Kraków, Poland
Chimera of Nativity of the Blessed Virgin Mary Chapel in Flagstaff, Arizona
A gargoyle on the Basilique du Sacré-Cœur, Paris, France, showing the water channel
One of four gargoyles atop the Peace Tower, Ottawa, Ontario, Canada
Gargoyle of Notre-Dame d'Amiens, France
Notre Dame Church in Dijon, France
Gargoyle at the Cloth Hall, Ypres, Belgium
Gargoyle on Zagreb Cathedral, Croatia
Gargoyle from Cologne Cathedral under reconstruction
Gargoyle showing carver Roger Morigi with carver's tools, Washington National Cathedral, Washington D.C., USA
Gargoyle from Rosslyn Chapel, Roslin, Scotland.
Gargoyle from the Château de Blain, France
Paisley Abbey gargoyle
Original Old City Hall, Toronto gargoyle
Replica gargoyles at Old City Hall, Toronto
A 1st century BC Hellenistic gargoyle representing a comical cook-slave from Ai Khanoum, Afghanistan
During a refurbishment of Paisley Abbey in the early 1990s, twelve gargoyles were replaced. One of them is modeled on the titular creature from the 1979 film Alien.
Gargoyle in form of a lion, Cathedral Saint-Etienne de Meaux, France
Gargoyle representing a comical demon at the base of a pinnacle with two smaller gargoyles, Visby, Sweden
Gargoyle Facts for Kids. Kiddle Encyclopedia.
This page was last modified on 12 January 2021, at 21:37. Suggest an edit.


text:
Q: Fixar footer quando usuario scrollar até o elemento Estou fazendo uma landing page que tem um footer entre as sections, e quando o usuario scrollar até esse footer ele deve ficar fixo no bottom.
Tentei usar scrollToFixed mas ele se comporta como um header, fixo ao topo.
Tem como alterar esse plugin ou jeito mais simples de fazer?

ul{
  border-bottom: 1px solid #ccc;
}

ul li{
  display: inline-block;
  padding: 10px
 }

section{
  background: #ccc;
  padding: 20px 10px;
}

.footer-contato{
  background: #f1f1f1;
}

home

informações

localização

patrocinadores

Home

Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

Informações

Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

 Footer fixed

Local

Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

Patrocinadores

Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

A: $(window).scroll(function () {

    if ($(window).width() > 992) {
        var altura = $('#video').offset().top;
        if ($(this).scrollTop() > altura) {
            $(".footer-contato").addClass('fixar');
        } else {
            $(".footer-contato").removeClass('fixar');
        }
    }
});


text:
Financials & Annual Report
Giving to MSFC
Abortion Training
Curriculum Reform
Applying for Residency
Resident Opportunities
2019 Conference on Family Planning
Abortion Training Institutes
Home / Our Blog / Fighting for Abortion Access in Florida
"My experience was incredible. I learned so much in such a short amount of time."
2015 RHE Participant
"It is wonderful to find a community of supportive colleagues. I'm excited to be on this path towards becoming and abortion provider."
2015 Abortion Training Institute participant
Fighting for Abortion Access in Florida
Feb 25, 2016 Comments
Abortion restriction laws have sadly become the norm in many states in the U.S. Though many of these laws are passed under the guise of helping women, they are actually made with the intent to slowly legislate abortion until it is virtually inaccessible. One tactic we are seeing in increasing numbers is the institution of waiting periods. Last summer, the Florida House of Representatives passed such a bill. HB 633 requires any woman seeking an abortion to wait 24 hours between her initial consultation and the actual abortion procedure. Though the bill was initially signed into law, a state judge issued an injunction blocking the new law from going to effect.
MSFC is a co-plaintiff in the case against this law, and we stand alongside The Center for Reproductive Rights, the American Civil Liberties Union, the ACLU of Florida, and Bread and Roses Women's Health Center in the effort to overturn this legislation. On February 9, 2016, several of our student activists, including Jessica Brosch and Katherine Somodi-Stephenson, were present in court to hear the beginning of arguments around the new law.
As plaintiffs in this case, our main argument against HB 633 is that it violates a Florida woman's right to privacy. The Florida Constitution states that "[e]very natural person has the right to be let alone and free from governmental intrusion into the person's private life." HB 633 is an intrusion by the government into a woman's reproductive health care choices and implies that Florida legislators believe women are incapable of making their own decisions regarding their bodies. As Katherine pointed out, lawmakers "claim time and time again that the law is somehow empowering to women. If women had to wait 24 hours after their driver's test to get their license, to really think about if they wanted to deal with the danger of driving and its effects on their lady-brain…no one would call that empowering."
Perhaps equally important is that this bill would present women with logistical obstacles they may not be able to overcome or afford, and may be especially difficult for low-income women, victims of rape or incest, and women whose fetus has a fatal anomaly. Jessica illustrated how this would impact women who seek care at her university's clinic: "our local [University of Miami] hospital clinic only performs procedures on certain days of the week, so a 24 hour waiting period could easily turn into a 4 or 5 day delay depending on availability of clinic appointments. Scheduling each patient for two appointments also cuts into the time available to see other patients, who are often visiting for routine gynecologic care and contraception counseling, the very types of appointments that, if more readily accessible, could help reduce the need for abortions." Further, Jessica pushes us to imagine a working mother having to deal with the 24 hour requirement. "Transportation to clinics, finding childcare or taking time off of work or school will turn a simple process into a cumbersome hassle at best, and at worst blocks access to care while demonstrating the State of Florida's mistrust of women."
For now abortion access remains threatened in Florida. And we, along with our many allies, are working hard, both inside and outside of the courtroom to change that. In an ideal world, political ideology would not affect judicial decisions. We hope the judges will come to the conclusion that women who seek abortions have just as much of a right to privacy as everyone else in Florida. But as Katherine put it, "maybe [we're] biased."
Contact Donate now
MEDICAL STUDENTS FOR CHOICE
PO BOX 40935 PHILADELPHIA, PA 19107
Copyright © 2019 Medical Students for Choice. All rights reserved.
The Medical Students for Choice logo and name are registered trademarks of Medical Students for Choice®.


NEW YORK– The Metropolitan Transit Authority (MTA) released a statement Oct. 15 revealing a proposed hike in the cost of fares and tolls. MTA Chairman and CEO Joseph J. Lhota said the hike is due to debt service, pensions, energy, paratransit and employee health care cost that continue to rise beyond the rate of inflation.
"We are grappling with long-term measures to reduce these frustrating and difficult non-discretionary expenses, but today, they are the drivers of the need for a fare and toll increase," Lhota said.
As of now, the MTA has released four proposals designed to cut controllable expenses and raise the needed revenue. Each proposal differs in the way it handles the base fare, the time-based unlimited-ride MetroCards, and the MetroCard bonus discount. They are outlined as Proposals 1A, 1B, 2A and 2B on the MTA website.
Proposals 1A and 1B would raise the base fare (now $2.25, or $2.10 with the seven percent discount that comes with putting at least $10 on a pay-per-ride card) to $2.50, or $2.34 with the same bonus discount.
Under the first option (1A), the 30-day unlimited MetroCard would raise from $104 to $112, and the 7-day card would go from $29 to $30. The second proposal (1B) would eliminate the bonus discount, while leaving the seven-day card cost unaltered. The 30-day pass would rise to $109.
The two alternative proposals (2A and 2B) would leave the base fare at its current price. Proposal 2A would reduce the bonus discount to five percent, increasing per-trip fare to $2.14. The unlimited 30-day rate and the seven-day passes would rise to $125 and $34, respectively. Under Proposal 2B, the 30-day card would be $119, and the seven-day, $32; the seven percent bonus discount would be eliminated.
The review process of toll proposals began in October and will continue into mid-December. After a process of public review, the new fare and toll rates will go into effect early March 2013.
"The public will have significant input into our decision-making process," Lhota said, describing the need to balance the necessity of revenue with public involvement. "In the spirit of transparency, the public will assist in shaping our fare policy."


See symmetric group:S3. We take the symmetric group on the set of size three.
See element structure of symmetric group:S3 for full details.
1 What is the number of non-identity elements of the symmetric group of degree three?
2 How many elements are there of order exactly three in the symmetric group of degree three?
3 Which of the following is a correct description of the conjugacy class structure of the symmetric group of degree three?
1 What can we say about the order of the product of two distinct elements, each of order exactly two, in the symmetric group of degree three?
2 What can we say about the order of the product of two distinct elements, each of order exactly three, in the symmetric group of degree three?
3 Which of the following is false in the symmetric group of degree three?
1 + 1 + 1 18 1/2 18 1/2 See commuting fraction and its relationship with the number of conjugacy classes.
2 + 1 0 0 0 0 Not in the derived subgroup.
1 Suppose and are distinct elements of order two in the symmetric group of order three. What can we say about (this is a conjugate of by )?
2 Suppose and are distinct elements of order two in the symmetric group of order three. What can we say about the commutator ?
3 Suppose and are distinct elements of order three in the symmetric group of order three. What can we say about (this is a conjugate of by )?
4 Suppose and are distinct elements of order three in the symmetric group of order three. What can we say about the commutator ?
5 Suppose is an element of order two and is an element of order three in the symmetric group of order three. What are the orders of the elements and respectively?
See subgroup structure of symmetric group:S3 for background information.
1 What are the possible orders of subgroups of the symmetric group of degree three?
2 What are the possible orders of normal subgroups of the symmetric group of degree three?
3 What are the possible orders of quotient groups of the symmetric group of degree three?
For background, see linear representation theory of symmetric group:S3.
Up to equivalence, there are three irreducible representations of symmetric group:S3 in characteristic zero: the one-dimensional trivial representation, the one-dimensional sign representation (that sends every permutation to its sign), and the standard representation of symmetric group:S3, a two-dimensional representation.
1 Which of the irreducible representations is realized over the field of rational numbers?
2 Which of the irreducible representations can be realized using orthogonal matrices (i.e., matrices in the orthogonal group for the standard dot product) over the field of rational numbers?
3 The tensor product of the standard representation and the sign representation is a representation of the symmetric group of degree three. What representation is it?
4 The symmetric group of degree three can also be viewed as a dihedral group of degree three and order six, acting on a set of size three. The 3-cycles become rotations and the transpositions become reflections. This defines a two-dimensional representation over the real numbers. Which of these is the two-dimensional representation?
This page was last edited on 29 December 2011, at 01:36.


text:
Whisky a Go Go
(Redirected from Whiskey A Go Go)
For the firebombing of the similarly named nightclub in Brisbane, Australia, see Whiskey Au Go Go fire.
"The Whisky"
The Whisky a Go Go on the Sunset Strip
West Hollywood, California 90069
34°5′26″N 118°23′8″W / 34.09056°N 118.38556°W / 34.09056; -118.38556Coordinates: 34°5′26″N 118°23′8″W / 34.09056°N 118.38556°W / 34.09056; -118.38556
Rock and roll, pop, alternative rock, punk rock, ska, new wave, heavy metal, glam rock, glam metal, alternative metal
whiskyagogo.com
Whisky a Go Go is a nightclub in West Hollywood, California. It is located at 8901 Sunset Boulevard on the Sunset Strip, corner North Clark Street, opposite North San Vicente Boulevard, northwest corner. The club has been the launching pad for bands including Iggy And The Stooges, Alice Cooper (who recorded a live album there in 1969), The Doors, No Doubt, System of a Down, The Byrds, The Germs, Buffalo Springfield, Steppenwolf, Van Halen, Johnny Rivers, X, Led Zeppelin, KISS, Guns N' Roses, Death, AC/DC, Linkin Park, and Mötley Crüe. In 2006, the venue was inducted into the Rock and Roll Hall of Fame.[1]
In 1958,[2] the first Whisky a Go-Go in the United States opened in Chicago, Illinois, on the corner of Rush and Chestnut streets.[3][4][5] It has been called the first real American discothèque. A franchise was opened in 1966 on M Street in the Georgetown section of Washington, D.C., by restaurateur Jacques Vivien.
It owes its name to the first discothèque, the Whisky à Go-Go, established in Paris in 1947 by Paul Pacine.[6]
The Sunset Strip Whisky was founded by Elmer Valentine, Phil Tanzini, Shelly Davis, and attorney Theodore Flier and opened on January 16, 1964.[7][8] In 1972, Valentine, Lou Adler, Mario Maglieri and others started the Rainbow Bar & Grill on the Sunset Strip.[9] In 1966, Valentine, Adler and others founded The Roxy Theatre.[8] Lou Adler bought into the Whisky in the late 1970s. Valentine sold his interest in the Whisky a Go Go in the 1990s but retained an ownership in the Rainbow Bar & Grill and the Roxy Theatre until his death in December 2008.[8]
Although the club was billed as a discothèque, suggesting that it offered only recorded music, the Whisky a Go Go opened with a live band led by Johnny Rivers and DJ Rhonda Lane, spinning records between sets from a suspended cage at the right of the stage.
Early Whisky matchbox. Note the alpha-numeric phone number and French style
The Whisky a Go Go was one of the places that popularized go-go dancing. Elmer Valentine, in a 2006 Vanity Fair article, recalled arranging to have a female DJ play records between Rivers' sets so patrons could continue dancing. But because there was not enough room on the floor for a DJ booth, he had a glass-walled booth mounted high above the floor.[8][10] A contest was held for the female DJ job but when the young winner called Valentine on the night of the opening and tearfully said her mother forbade her from doing it, Valentine recruited the club's cigarette girl, Patty Brockhurst. Valentine quickly hired two more female dancers, one of whom, Joanna Labean, designed the official go-go-girl costume of fringed dress and white boots.[10]
Rivers rode the Whisky-born go-go craze to national fame with records recorded partly Live at the Whisky. In addition, The Miracles recorded the song "Going to a Go-Go" in 1966 (which was covered in 1982 by The Rolling Stones), and Whisky a Go Go franchises sprang up all over the country.[11] Arguably, the rock and roll scene in Los Angeles was born when the Whisky started operation; because of its status as a historic music landmark, the venue was inducted into the Rock and Roll Hall of Fame in 2006.[12]
The Whisky played an important role in many musical careers, especially for bands based in Southern California. The Byrds, Buffalo Springfield, Smokestack Lightnin', and Love were regulars, and The Doors were the house band for a while – until the debut of the "Oedipal section" of "The End" got them fired. Van Morrison's band Them had a two-week residency in June 1966, with The Doors as the opening act. On the last night they all jammed together on "Gloria". Frank Zappa's The Mothers of Invention got their record contract based on a performance at the Whisky. The Turtles performed there when their newest (and biggest-selling) single "Happy Together" was becoming a hit, only to lose their new bassist, Chip Douglas (who had arranged the song), to The Monkees; guitarist Michael Nesmith invited him to become their producer (he returned to the Turtles a year later, to produce them). Neil Diamond also played at the Whisky on occasion. Metallica bassist Cliff Burton was recruited by the band after they watched him play a show there with his band Trauma. At one point singer and actress E.G. Daily had a residency at the Whisky.
The Whisky a Go Go in 2007
Arthur Lee of Love immortalized the Whisky in the song "Maybe the People Would Be the Times or Between Clark and Hilldale". "Here they always play my songs," he would sing on the side two opener of Forever Changes. The Whisky was located on the strip between the streets Clark and Hilldale. British rockers Status Quo also referenced the venue in their 1978 song "Long Legged Linda" with the lines, "Well, if you're ever in Los Angeles and you've got time to spare / Take a stroll up Sunset Boulevard, you'll find the Whisky there."
In 1966, the Whisky was one of the centers of what fans call the Sunset Strip police riots. In the mid-1970s, the Whisky hosted stage presentations, including the long-running show The Cycle Sluts. During the early 1990s, the Whisky hosted a number of Seattle-based musicians who would be a part of the grunge movement, including Soundgarden, Mudhoney, Melvins, Fitz of Depression and 7 Year Bitch.[13] Tracks recorded from a February 12, 1992 concert of Hole appear on their EP, Ask For It (1995). In 1994 Oasis played at the Whisky too. In 1997, System of a Down played at the Whisky. The band were unsigned at the time, and played songs from their early demo tapes, in particular containing the band's only live performance of the song "Blue".
On September 12, 2016, the Whisky a Go Go launched an official TV channel on the Roku Connected TV platform. The Whisky a Go Go channel opens the Whisky's doors to a global audience with live music videos, full concerts and related content spanning its 52-year history.[14]
Los Angeles portal
Live at the Whisky a Go Go (disambiguation)
Hugh Masekela Is Alive and Well at the Whisky, a 1967 album by Hugh Masekela recorded live at the venue
Rainbow Bar and Grill
The Roxy Theatre
^ "Whisky A Go Go". Rock and Roll Hall of Fame. Retrieved April 3, 2015.
^ "January 11, 1964: Whisky a Go Go Opens in L.A." bestclassicbands.com. Retrieved April 10, 2017.
^ "Charles W. Cushman Photograph Collection >> Results >> Details". Indiana University Archives. May 1966. Retrieved July 13, 2013.
^ "1967 Discotheque Club Chicago with Marquee of Rovin Kind & G | Flickr – Condivisione di foto!". Flickr. March 22, 2009. Retrieved July 13, 2013.
^ Brewster, Bill; Broughton, Frank (1999). Last Night a Dj Saved My Life: The History of the Disc Jockey. Grove Press. p. 50. ISBN 9781555846114.
^ "Whisky Articles". Whisky a Go Go. January 16, 1964. Retrieved July 13, 2013.
^ a b c d McLellan, Dennis (December 7, 2008). "Elmer Valentine, co-founder of Whisky a Go Go, dies at 85". Los Angeles Times. pp. B11.
^ Sandomir, Richard (May 11, 2017). "Mario Maglieri, Who Coddled Rockers at His Clubs, Dies at 93". The New York Times. p. B14.
^ a b Kamp, David (September 4, 2006). "Live At The Whisky". Vanity Fair.
^ Perrone, Pierre (March 25, 2009). "Elmer Valentine: Promoter behind Los Angeles' Whisky a Go Go and Roxy clubs". The Independent.
^ "Take a stroll through music history at Hollywood's Whisky a Go Go". AXS. June 12, 2014.
^ "Whisky A Go-Go". Tripod - The Sunset Strip. Retrieved April 3, 2015.
^ Smith, Kevin (September 12, 2016). "Whisky a Go Go's new streaming channel allows you to watch iconic live music performances". Los Angeles Daily News.
Wikimedia Commons has media related to Whisky a Go Go.
The History of The Whisky-A-Go-Go
Whisky a Go Go Channel on Roku
Music venues of California
Angel Stadium
Dignity Health Sports Park
Harder Stadium
Hearst Greek Theatre
John Anson Ford Amphitheatre
Levi's Stadium
Mountain Winery
Sleep Train Amphitheatre (Chula Vista, California)
Spartan Stadium
Starlight Bowl (Burbank)
Starlight Bowl (San Diego)
Toyota Amphitheatre
Arlington Theater
Bimbo's 365 Club
City National Grove of Anaheim
The Church on York
DNA Lounge
Dolby Theatre
Great American Music Hall
Los Angeles Music Center
Majestic Ventura Theatre
Microsoft Theater
Nob Hill Masonic Center
Pasadena Civic Auditorium
Rabobank Theater
Sacramento Memorial Auditorium
City National Civic
Segerstrom Center for the Arts
Shrine Auditorium
War Memorial and Performing Arts Center
Yoshi's
Bren Events Center
Coussoulis Arena
Cow Palace
Del Mar Arena
Golden Hall
Golden 1 Center
Jenny Craig Pavilion
Farm Credit Dairy Center
Honda Center
Long Beach Arena
Orange Pavilion
Paso Robles Event Center
Pauley Pavilion
Pechanga Arena
Rabobank Arena
RIMAC Arena
SAP Center
Save Mart Center
Selland Arena
Alex G. Spanos Center
Stockton Arena
Stockton Memorial Civic Auditorium
Toyota Arena
Viejas Arena
BottleRock Napa Valley
Hardly Strictly Bluegrass
High Sierra Music Festival
Outside Lands Music and Arts Festival
Spirit West Coast
Stagecoach Festival
Bop City
Fillmore West
Sleep Train Arena
Sweetwater Saloon
Universal Amphitheater
Irvine Meadows Amphitheatre
Los Angeles Memorial Sports Arena
Candlestick Park
Retrieved from "https://en.wikipedia.org/w/index.php?title=Whisky_a_Go_Go&oldid=905883692"
Music venues in Los Angeles
Nightclubs in Los Angeles County, California
Historic Rock and Roll Landmarks
Landmarks in Los Angeles
Music venues completed in 1964


text:
Q: Is there a way around mongo $lookup from overwritten subdocument I've been banging my head against this one for a while. MongoDB experience is limited/outdated, but I am performing a $lookup, which is joining how I would like it to. However, the as is overwriting my entire subdocument. I read in the docs that this is the behaviour, but what I am trying to do is perform a lookup using a nested a reference, which is working, but then setting the join-ing data to that reference (or at least in that sub document) along with the existing data that is within the sub document.
I also have a complication that this logic - for legitmate reasons - is not running off of Id
A mocked up example command below :
db.getCollection('agendas').aggregate([
        {
          $match: {
            'book.author._id': ObjectId('author-id')
          }
        },
        {
          $lookup:
          {
            from: 'author',
            // an array of keys e.g. ['penguin', 'puffin']
            localField: 'book.author.publishers',
            foreignField: 'pub_key',
            as: 'book.author.publishers'
          }
        },
])

Output :
{
    book: {
        name: 'The Bible',
        author: {
            publishers: [
                ...allJoinedPublishersData
            ]
        }
    }
}

So my issue is that the lookup works, but it's wiping out the whole author object and all the data at the nested levels - I've wrestled with merging and grouping and haven't managed to get this to work. What would be an appropriate command to use? Effectively to merge the existing document with the joined data. Thanks for any help!

A: So $lookup will create a new field or overwrites an existing field with output from as. When you've as: 'book.author.publishers' it basically tries to create a field named book with is having author as sub-doc & publishers as sub-doc to author. Since $lookup is able to find book field in actual doc - it will replace book field with output of lookup. So instead of that you can try like below :
[
    {
        $match: {
            'book.author._id': ObjectId('author-id')
        }
    },
    {
        $lookup:
        {
            from: 'author',
            // an array of keys e.g. ['penguin', 'puffin']
            localField: 'book.author.publishers',
            foreignField: 'pub_key',
            as: 'publishers' // write it to a field named publishers
        }
    },
    { $addFields: { 'book.author.publishers': '$publishers' } }, // Now overwrite your actual 'book.author.publishers' like this
    { $project: { publishers: 0 } } // Remove the unnecessary field publishers
]

Note : You can avoid two stages i.e; $addFields & $project by using $project directly instead of addFields but it all depends on requirement & your document structure.


Although Nelson Mandela (1918-2013) and Cecil Rhodes (1853-1902) were not contemporaries, they both played important roles in South African history. Mandela, of course, survived imprisonment for nearly 27 years for his struggle against the apartheid regime in that country to become its president and a world-renowned figure. Rhodes was an Englishman who earned a fortune from mining diamonds (De Beers Consolidated Mines) in that country and neighboring Zimbabwe (f/k/a Rhodesia) and who served as Prime Minister in the Cape Colony. In 1903 his will established the Rhodes Scholarships at Oxford University in England.
To mark this historic joint venture, Mandela addressed a gathering of Rhodes Scholars and dignitaries at Westminster Hall in London on July 2, 2003. Below is a photograph of his making that speech.
This blogger was present on this occasion in London's Westminster Hall, and a prior post recounts the other remarks by Lord Waldegrave, the Chairman of the Rhodes Trustees; "Nicky" Oppenheimer, the Chairman of DeBeers, the diamond mining company started by Rhodes in South Africa; Bill Clinton, the former U.S. President; and Tony Blair, then the Prime Minister of the U.K.
Most memorably when all the speeches were finished, everyone on the speakers' stage walked the over 200-feet length of the hall through the audience. Mandela, then nearly 85 years old, and frail, was aided in making the long walk; his right arm was held by Tony Blair; his left, by Bill Clinton. They brought tears to our eyes as they passed six feet from us on their journey through the Hall. Below are photographs of the three men during their walk and of the Hall (with a different audience).
 Mandela, Address at sitting of joint houses of Parliament, Westminster in celebration of 100 years of Rhodes Scholars (July 2, 2003).
 Stengel, Mandela's Way: Lessons for an Uncertain Age, Chaps. 6, 7 (Broadway Books, New York, 2010, 2018).