text:
Test and Trace Support Payment
If you have tested positive using a Lateral Flow Device (LFD), you will still need to take a confirmatory PCR test before applying for the Test and Trace Support Payment. If you have not taken a PCR test, you will not be approved for a payment
If you have been asked to self-isolate by the NHS Test and Trace service, you may be entitled to a support payment of £500.
We have two schemes available, a national scheme and a local discretionary scheme.
Eligibility for national scheme
You have been told to self-isolate by NHS Test and Trace or NHS COVID-19 app because you have tested positive for COVID-19 or because you have been identified as a close contact of someone who has tested positive, and are not fully vaccinated or between 30 November 2021 and 13 December 2021 you were fully vaccinated and had been identified as a suspected or confirmed contact of someone with the Omicron variant.
You are the parent or guardian of a child or young person in the same household who is self-isolating and need to take time off work to care for them and the young person:
is aged 15 or under, or aged 25 or under with an Education, Health and Care (EHC) Plan and normally attends an education or care setting; and
has tested positive for COVID-19; or
between 30 November 2021 and 13 December 2021 had been identified as a close contact (by NHS Test and Trace, their education setting or NHS COVID-19 app) of someone with COVID-19 Omicron variant; or
is aged 18-25, is not fully vaccinated and has been identified as a close contact (by NHS Test and Trace, their education setting or NHS COVID-19 app) of someone with COVID-19.
You are employed or self employed
You are unable to work from home and will lose income
Are currently receiving at least one of the following:
Income-based Employment Support Allowance
Income-based Jobseeker's Allowance
Eligibility for local discretionary scheme
You are employed or self employed and working for over 16 hours per week
Are awaiting a benefits decision or the outcome of a benefits appeal; or
Would have normally received Universal Credit or Working Tax Credit but the previous months income assessment was higher than usual; or
Are not in receipt of:
have no recourse to public funds; and
are facing extreme financial hardship because of COVID-19;
To support your application you will need to provide the following:
your unique ID number from NHS Test and Trace
a recent bank statement
proof of employment, or, if you are self-employed, evidence of self-assessment returns, trading income and proof that the business delivers services which cannot be undertaken without social contact.
Applications must be received no later than 42 days after the first day of your period of self-isolation.
If you are unable to complete an online application form please call 0191 278 7878, ask for Crisis Support and select option 2.
Office opening hours are Monday to Friday 9.30am to 3.30pm (please note there is no out of hours service)
The scheme will run until 31 March 2022.
If you are struggling because of Covid-19, our Welfare and Wellbeing Team can offer support: www.newcastle.gov.uk/welfare
More information can be found on the Council Covid-19 page: www.newcastle.gov.uk/coronavirus
If you are on a low income and would like some information about the help and support available please visit Newcastle City Council Benefits page: www.newcastle.gov.uk/benefits
You can also get independent financial advice from:
Money Matters: moneymatters@newcastle.gov.uk
Citizens Advice Newcastle: www.citizensadvice-newcastle.org.uk
Discretionary payments
You can apply for test and trace support payment if you meet the criteria but are waiting for a benefits decision or the outcome of a benefits appeal; or would normally have received universal credit or working tax credit but the previous months income assessment was higher than usual. Please complete the form on this page.


text:
Vayaitzai 5773
by Rabbi Nachman Kahana | Nov 22, 2012
BS"D Parashat Vayaitzai 5773
Part A:
As this is being written, the army of Israel is poised to perform a Torah mitzva of "mechi'at Amalek" – by destroying a great number of arch evil people of Amalek. However, after pounding the Arabs of Gaza for 8 days, our government caved in to Obama pressure to save his Moslem brethren, as was dictated to us in no uncertain terms by his Secretary of State. She place the revolver on the table and said "stop". So the mitzva will be postponed for a more auspicious opportunity.
The feeling among the majority in the country is to destroy Hamas and its patron Iran, who are the Jewish people's most vicious enemies since Hitler.
The international community barely raises an eyebrow when thousands of missiles and shells fall on the cities and villages of Israel, or even when thirty thousand people are slaughtered in Syria; but when the Jewish people just begin giving a potch (Yiddish for a slap) to a goy they stand on their hind legs and bark in the name of peace.
In the middle of all this, I received a letter from a gentleman in the NY area who is obviously annoyed at the messages I write and the views I espouse. Were I in his place, I too would be very unhappy to be told by a rabbi in Eretz Yisrael, backed up with halachic sources, that I must leave my homeland, my birthplace, my father's home and place of employment. Although in light of the examples I saw in my parents' home, I would have certainly been more fastidious in my choice of words. On the other hand, I respect his emotional outbreak which proves that, at least, he cares.
As we all know, Hashem's timing is impeccable. And indeed this letter presents the perfect opportunity to explain to the gentleman and to many others who share his feelings, about the great abyss that exists between the Jews in Eretz Yisrael and those yet in the galut.
He writes:
"How he (meaning me) is allowed to publish his diatribe against his fellow Jews, wish them harm just because they have not made Aliya is an embarrassment.
The assertion that God blew a hurricane into NY as a direct result of the fact that we don't live in Israel is so ridiculous that words cannot express (deleted)… The same argument that he made for Jews in America being punished by God by hurricanes could be made for Israelis that are subject to rocket attacks. Maybe God is using Hamas rockets as his way of saying Jews should not live in Israel.
Since I'm sure Rabbi Kahana speaks to God "face to face" on a regular basis, he can explain that to us".
Three parts to the letter:
I wish harm upon the Jews who do not come to Eretz Yisrael.
Just as one can conclude that the calamities that befall the Jews in the galut are HaShem's warning to them to leave the galut, one can conclude that the calamities that befall the Jews in Eretz Yisrael are HaShem's warning to us to leave Eretz Yisrael.
That I speak to HaShem "face to face" on a regular basis.
1- His first assertion, that I would wish harm to any Jew, is hysterical and unworthy of a reply.
2- The calamities that befall the Jews in the galut are indeed HaShem's punishments and warnings to them, just as they are to us in Eretz Yisrael. But here the comparison abruptly ends, in light of the vastly different goals these difficulties are intended to achieve.
HaShem's call to the Jews in the galut is to rise up and move. The galut is coming to an end and Hashem, our Father, is showing the way towards physical and spiritual salvation.
HaShem's call to the Jews in Eretz Yisrael is similar – to rise up and move. To rise from the particular stage in the geula process where we are now, towards a higher stage of redemption.
In Iyar 5708, the UN partitioned Eretz Yisrael, with the Jews receiving a thin sliver of land, incompatible with establishing a modern country, and certainly too small to contain all the Jews in the world. HaShem then brought upon the young and weak Medina what appeared to be an overwhelming "calamity" when seven Arab armies invaded the tiny land. At the end of the war, Israel had leveraged the "calamity" into doubling our area to what it was to be until June 6, 1967.
During the 19 years leading up to 1967, the Medina absorbed about 2 million Jews and established the governmental ministries and groundwork for a modern state.
In 1967, we reached a plateau in our development and the time came to change gears and expand to a higher quantum level. In order to arouse us to move, HaShem brought upon us another seeming "calamity", when Egypt, Syria and Jordan united to throw us into the sea. At the End of the Six Day War the Medina leveraged the "calamity" to include the Shomron, Yehuda, the Golan Heights and the entire Sinai Peninsula.
The holy soldiers of Tzahal were urged on by HaShem's angels, however our political leaders did not follow through on the great miracle. The time was perfect to annex the newly liberated areas into Medinat Yisrael, from the northern tip of the Golan to Sharm el Sheikh at the south of the Sinai Peninsula, and everything in between. They disappointed HaShem and generations of Jewish history by shying away from their historical obligations by not annexing these areas of Biblical Eretz Yisrael.
So, we have now been on this plateau for the last 45 years, and HaShem is signalling us to rise again and enter into a yet higher quantum level of geula.
To summarize: The calamities in the galut are intended to move the Jews horizontally, from the lands of their exile to Eretz Yisrael, whereas the calamities in Eretz Yisrael are intended to move HaShem's chosen people physically and spiritually vertically up the ladder that Ya'akov saw in his dream in our parasha, to a more advanced stage in the geula process.
3- I indeed speak to HaShem "face to face" on a regular basis, but not any more than the writer of the letter – we, and all observant Jews, speak to HaShem "face to face" three times a day – Arvit, Shacharit and Mincha.
But we in Eretz Yisrael, despite what appears to many of us here as being too slow or paranoically cautious, understand what HaShem is saying, whereas our brothers and sisters in the galut do not, because HaShem speaks to his children in Ivrit not in English or Yiddish!
Part B:
There are two lessons that seemingly "leap" at one when learning this parasha:
1) We will be reading in the parasha of Ya'akov's dream on the Temple Mount, when HaShem promised him overwhelming material and spiritual abundance:
Your descendants will be like the dust of the earth, and you will spread out to the west and to the east, to the north and to the south. All peoples on earth will be blessed through you and your offspring. I am with you and will watch over you wherever you go, and I will bring you back to this land. I will not leave you until I have done what I have promised you."
But Ya'akov's reaction is amazingly out of place, for he says to HaShem:
Then Jacob made a vow, saying, "If God will be with me and will watch over me on this journey I am taking, and will give me food to eat and clothes to wear so that I return safely to my father's house…
Why did Ya'akov ask for bread and clothing, when he was promised great wealth? Additionally it would seem that he is making his devotion to HaShem conditional:
Then the Lord will be my God
But, in fact, Ya'akov's reaction was visionary. He is saying to HaShem, "If You will give all these things to us, I cannot be certain that my future generations will know how to deal with them and deal with You. Therefore, I ask for only bread to eat and clothing to wear, not wealth. By so doing, I will be sure that Hashem will always be in the hearts of my children".
The lesson here is that the amenities of life offered in many lands of our exile, conflict with the ideological responsibilities placed by HaShem on the shoulders of His Chosen People.
Every Jew is born at the starting line of a fast track that finishes at infinity; and we are expected to break the ribbon there in the 70, 80 or 120 years which are allotted to us.
Courage and determination in keeping HaShem's commands are the qualities which have brought the Jewish people to where we are today, after 3500 very trying years. These are the qualities HaShem bestows on those who choose to carry the torch that was first ignited by the fire that Avraham held on his way to the akaida (Beraishiet 22:6), and which was added to by the fires on Har Sinai and by the candles of the Maccabeim.
It is by the light of that torch that we have returned here to rebuild and defend our land and restore our Torah way of life, so brutally interrupted two thousand years ago.
2) In the parasha, Ya'akov has two dreams: while yet in Eretz Yisrael, he dreamt of angels ascending and descending to and from the heavens, but in Lavan's home in chutz la'aretz Ya'akov dreamt of how to increase his wealth through sheep and goats.
In Eretz Yisrael we dream of angels, in the galut we dream of wealth and animals.
And as we well know, the essence of a person is expressed in his dreams.

redpajama_set_name: RedPajamaCommonCrawl


text:
Professional Cleaning Services in Stratford E15, E1 London
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The most striking element of the Old County Gaol is the Gothic Revival Gatehouse built in 1846. It has a three-storey central bay with a segmental-headed carriageway at the ground floor. This is flanked by single-bay two-storey recessed sections which are, in turn, flanked by single-bay two-storey advanced sections. It is built of random squared rubble red sandstone and capped by a cut-granite battlemented parapet. The gatehouse is flanked by sections of a red sandstone wall. Behind the gatehouse is a five-bay three-storey over basement gaol, established in 1812, and built by Mr Hogan. Behind this is a nine-bay three-storey prison block of the same date. It possibly incorporates part of the fabric of a pe-1798 prison block. The smaller block was extended when the new gatehouse was built. From 1903 it was used as St Brigid's Home for Inebriates, run by Sisters of St John of God. A faint inscription over the archway is a reminder of this. It was burned in 1922 but later renovated and remodelled to accommodate a courthouse. It is now in use as Wexford County Hall.


There is no end in sight to the record amount of change engulfing the healthcare industry. Whether it's health system mergers, the acquisition of new technology or new regulations, most changes in healthcare directly affect how physicians practice. While some healthcare administrators are reluctant to include physicians in strategic and operational decision-making, the organizations who rise above the rest will be those who meaningfully partner with physicians on charting the path ahead.
Are physicians represented and integrated into decision making structures and teams?
Are there communication mechanisms in place to meaningfully engage physicians?
Do physicians know where to take their questions and concerns?
Do physicians work around hierarchy or organizational structure because they see little value in the chain of command?
Are physicians rewarded for giving input by putting their ideas into use?
Are physicians trained and supported to take on leadership roles?
Are leadership roles attractive for physicians?
Do physician leaders have influence within the organization?
Do physicians understand, agree with and help create performance measures?
How do you measure, monitor and communicate performance?
Do you publicly acknowledge excellence and recognize contributions?
Are physicians doing work that other staff could be doing?
Are there opportunities to improve processes by incorporating the physician perspective?
Have you collaborated on standard processes and protocols that are data driven?
Are there opportunities for physicians to use their intellect and professional judgment to make sound decisions?
Is participating in organizational priorities and initiatives optional?
Would a physician make the choice today to join the organization or team?
Does the organizations' values, vision, strategy and senior leadership team align with, reflect and inspire physicians?
Have you asked physicians what one action would improve their days?
Is it easy to make meaningful change in your organization or does it require a series of exhausting hoops that have caused people to lose faith in leaders and the organization?
Engaging physicians takes time. A lot of it. But true engagement pays dividends for years—for administrators it means gaining perspective and buy in to major decisions. And for physicians it means having a voice in how your organization operates.
What engagement strategies have you used at your organization? What types of decisions could benefit from increased physician engagement? Leave your answers to these questions in the comments below.


Dependable Mechanical Systems offers a one-stop shop for mechanical contracting.
Rajesh Ahuja of Dependable Mechanical Systems (DMS) wanted his company to grow as quickly as possible by delivering mechanical systems for projects faster than the competitionwith even more quality. Ahuja, president of DMS, has accomplished this since launching his firm in 2002 by bringing in as many aspects of mechanical contracting as possible in-house.
Between its technological infrastructure, training program and fabrication facility, DMS is making this growth a reality, and business leaders are taking notice. The company has been listed among the fastest growing companies in Canada five years in a row by Profit magazine.
DMS provides complete design/build mechanical contracting services for the industrial, commercial and institutional sectors of the construction industry.
DMS was incorporated in August 2002 and started construction work in 2005. The company has grown exponentially since its humble beginnings, and today DMS it occupies a 25,000-square-foot facility in Vaughan, Ontario, Canada. DMS also has regional offices in Belleville, Ontario, where it services eastern half of the province from Kingston to Ottawa.
DMS recently upgraded its own technological infrastructure by developing proprietary software to manage all of its projects in real time. The software takes data from every DMS project throughout Ontario and makes it accessible through the company's website.
The automated system can be programmed to send updates to DMS subcontractors so they know when their services are required on a specific project.
Ahuja says it took DMS four years to create the software after hiring a programmer to develop the program internally. DMS considered using off-the-shelf software, but Ahuja says he prefers the flexibility that comes with customizing proprietary software.
"This can be expanded in the format we need and it can handle that load," Ahuja says. "Is the system complete? No, it will never be complete." The proprietary software system is just one of many internal controls DMS has over its operations to better handle costs and quality for its clients.
Ahuja says DMS also invests heavily in internal training of its employees, and it offers a competitive pension plan to retain its workforce.
The company's aggressive growth strategy is a key factor in retaining employees, according to Ahuja.
DMS also encourages employees to give their feedback about anything and everything.
DMS is the mechanical contractor on the new maintenance hangar 6 at 8 Wing/ Canadian Forces Base Trenton in Ontario. This two-bay hangar will serve as a space for the maintenance of the CC-177 Globemaster III Fleet and CC-150 Polaris Aircraft.
To accommodate these aircraft, the clear height for both hangar bays is approximately 23 meters. The entire project encompasses 18,244 square meters.
The project value sits at $82.3 million, which includes the construction of the aircraft bays, administration offices and warehouse space.
The mechanical scope of the project involves supply and installation of boilers, in-floor heating system, compressed air system, exhaust fans, waste fluid transfer and storage system, air handling units, energy recovery units, humidifiers, chillers, ductless split system, plumbing fixtures and all pipe and duct work including insulation and controls. DMS' portion of work costs $10.5 million.
DMS also is providing mechanical contracting for the Union Pearson (UP) Express Project in Toronto.
The UP Express is a $23 million Metrolinx project awarded to Ellis- Don Corp. that connects Canada's two busiest transportation hubs – Toronto Pearson International Airport and Union Station in downtown Toronto, with each one-way trip taking about 25 minutes, according to DMS. Ahuja says this project is on track to be completed in time for the Pan Am and Parapan Am Games in summer 2015.
DMS' mechanical scope of work involves supply and installation of boilers, water heaters, split A/C units, humidifiers, a snow-melting system, in-floor heating system, exhaust fans, air curtains, heat recovery, ventilators, air-handling units, plumbing fixtures and all pipe and duct work including insulation and controls. The company's contract for this work is worth $2.5 million.
With high-profile projects like the air force base and Metrolinx station, Ahuja has lofty expectations for DMS.
The company has plans to open another regional office in Ottawa in its pursuit of becoming a nationwide mechanical contracting company, and Ahuja expects to reach $50 million in revenues within the next three to four years.


text:
Neuendamm ist ein Ortsteil der Stadt Bremervörde im Landkreis Rotenburg (Wümme) in Niedersachsen.

Geographie
Neuendamm liegt rund fünf Kilometer nördlich von Bremervörde und zwischen Mehe und Oste. Der Ort liegt im Vörder Moor, einem Außengebiet des Teufelsmoores.

Geschichte
Neuendamm wurde 1780 von Jürgen Christian Findorff im Zuge der Moorkolonisierung des Teufelsmoores gegründet. Im Jahr 1789 wird angegeben, dass der Ort über elf Häuser verfüge, in denen 57 Einwohner, darunter 34 Kinder, lebten.

Im Jahr 1929 wurde Neuendamm zusammen mit Iselersheim, Hönau und Lindorf zur Gemeinde Sanddamm zusammengefasst.

Einzelnachweise

Geographie (Bremervörde)
Ort im Landkreis Rotenburg (Wümme)
Ehemalige Gemeinde (Landkreis Rotenburg (Wümme))
Gegründet 1780
Gemeindeauflösung 1929

redpajama_set_name: RedPajamaWikipedia


text:
Q: How to add slide transition effects I am wrote some code that makes an image slide correctly.  But i want to add a transition effect.
Here is my current code:

redpajama_set_name: RedPajamaStackExchange


text:
Бакана́ський сільський округ (, ) — адміністративна одиниця у складі Балхаського району Алматинської області Казахстану. Адміністративний центр — село Баканас.

Населення — 5461 особа (2009; 5943 у 1999, 7302 у 1989).

Станом на 1989 рік існувала Баканаська сільська рада (село Баканас), село Бояули перебувало у складі Міялинської сільради, село Ушжарма — у складі Акдалинської сільради.

Склад
До складу округу входять такі населені пункти:

Примітки

Сільські округи Балхаського району


The Elite high-end bed is upholstered in luxurious dark brown faux leather. The stylish head board also features a distinctive split level piping. Incorporates a sprung slatted base for extra comfort and mattress life.


text:
"Sound Affects: A User's Guide" edited by Sharon Jane Mee and Luke Robinson
"Sound Affects: A User's Guide is a collection of sonically-charged concepts ranging from those felt, 'heard' and repeated (silence, the oriental riff, shuffle), to the vocal (whispers, sing, the disembodied voice), to sounds at the threshold (tinny, thump, buzz) to sounds beyond the limits of audibility (inaudible tremors, distortion, sub-bass). Sound Affects invites the reader to reflect on the ways that sounds produce affects and the ways that affects can operate as sound.
Each of the entries develops a particular perspective on sound and affect through a close analysis of audiovisual and/or sonic objects. The objects chosen not only illustrate the concept in question but also demonstrate how the object encourages us to rethink the relationships between sounds and affects. Influenced by the sound theory of Eugenie Brinkema (2011), the concepts of Sound Affects plot the shift in volume from silence that opens up a space to be heard to the audibly near, from the audibly near to sounds beyond the limits of audibility. Sound Affects is an intellectual adventure for those who theorize and listen. The book can also be enjoyed as a narrative of sounds, its absences and its shifting intensities."
"Virtual Immortality: God, Evolution, and the Singularity in Post- and Transhumanism" by Oliver Kruger
"Mental and Emotional Release" by Dr. Matt James
"Magic and Ritual in Tibet: The Cult of Tara" by Stephan Beyer
"Norse Myths" by Matt Ralphs (DK)
"The Beginner's Guide to Chaos Magick: A Paradigm Of Peace, Prosperity and Empowerment" by Oliver P. Hart
"The Triple Path: A New Monotheism Rooted In Western Tradition" by James Kenneth Rogers
"Enchantment: The Witch's Art of Manipulation by Gesture, Gaze and Glamour" by Peter Paddon
"Death and Dying" by Nicole Piemonte and Shawn Abreu


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Homeschooling mom shares why she uses Sonlight homeschool curriculum and some great money-saving tips. Check out her only regret so you don't make the same mistake!
This is only our family's second year with Sonlight homeschool curriculum, but I wish we had started with this curriculum so much sooner! Since I've never taught Sonlight in the past, I began with Core 1/2 to absorb a rounded year of world history study, even though we were in our seventh year of homeschooling.
We borrowed the books from another family, not knowing if Sonlight would be a good fit or not. Needless to say, I had difficulty returning the box at the end of the year! There were so many books to enjoy! The kids remember much more from reading historical fiction, than memorizing stuffy names and dates. Anyone can easily stretch one year into two, with as many readers as Sonlight provides.
This year, we've begun Core 3/4, American History. The readers are once again, superb. This year, a friend has graciously let us borrow Core 3/4, which is an added bonus for our family, but the curriculum does seem to be reasonable for the amount of books included in each core.
I know that Sonlight has various methods of payment, including an option to pay for the curriculum over time, if needed. I have had friends buy part of their Core with Sonlight, and check the readers out from the library, or find readers in the used section of Amazon. This can be another economical way to get started. In the end, I know that our family will certainly continue with Sonlight homeschool curriculum!
Sonlight homeschool curriculum offers a wonderful selection of home school material for your family. I have used Cores 1, 2, 4 and 6. My children have absorbed so much information.
Sonlight offers 10% off once you purchase a core so you can purchase the complete curriculum at a great price. I have also been able to resell my cores at about the same price I purchased them at on the Sonlight Forums.
Sonlight is a great curriculum that ends up costing very little after use. We used it along with Teaching Textbooks math and Apologia Science.
Wise homeschooling mom shares a money-saving Sonlight homeschool curriculum tip for those who think Sonlight is too expensive!
Our family used Sonlight's curriculum from the beginning of our homeschooling venture. We have used it for 1st - 7th grade, and loved each year! We laughed and cried with the wonderful literature, and learned so much about the world!
I had never used a timeline and it helped so much, showing us where historical events fell in relation to other events. The schedule made MY life so easy! I just followed along each day in my Instructor's Guide, and as my children got a little older, I made them their own copy so they could mark off subjects when they were finished.
You may think Sonlight is expensive. I did, initially! However, I can tell you from my own experience that I sold every grade package for about 70-80% of what I paid! Sonlight has a forum area on their website where you can buy and sell. They really are in the business because they LOVE it!
Go online and look at the catalog for yourself. I wish I had been schooled with Sonlight!!
Check out Sonlight's "Love to Learn" Guarantee - if you are not satisfied, you can get your money back!
Apparently, Sonlight no longer has a used Sonlight curriculum forum on their website. However, you can find LOTS of used Sonlight items on ebay. Find used Sonlight curriculum on eBay (affiliate link).
Sonlight no longer has a used curriculum forum apparently. I guess they are hoping people won't be able to find their curriculum used and will just buy it new.
We used this for our curriculum base for my three children last year for grades 5th,7th,and 8th graders and thoroughly enjoyed them. The readers were fantastic and they gave my 3 kids a greater appreciation of different types of literature.


text:
Lorenzo Melgarejo (Loma Grande, Cordillera, Paraguay, 10 de agosto de 1990) es un futbolista paraguayo. Juega de centrocampista y su equipo actual es Club Libertad de la Primera División de Paraguay.

Trayectoria

Inicios

Lorenzo Antonio Melgarejo Sanabria nació el 10 de agosto de 1990 en la ciudad paraguaya de Loma Grande, departamento de Cordillera. Es hijo de Blas Melgarejo y Olga Sanabria, siendo el mayor de tres hermanos.

Inició su andar en el club local de El Porvenir Alteño, para posteriormente pasar al capitalino Club Libertad, en donde sin embargo no llegó a jugar. Luego encontró su oportunidad en el Independiente de Campo Grande, debutando más tarde en la Primera División en el 12 de Octubre de Itauguá, desde donde fue transferido al Club Olimpia. En 2011 retornó al Independiente, en esta ocasión ya como equipo perteneciente a la categoría principal. Tras una buena temporada con Independiente, consigue su traspaso al Benfica.

Benfica y FC Paços de Ferreira

En junio de 2011 viajó a Portugal para fichar por el S. L. Benfica por 3 años a cambio de 760 000 €, club desde el cual fue cedido a préstamo por una temporada al FC Paços de Ferreira. Debuta anotando un gol con su nuevo equipo. En este club Melgarejo logra tener una temporada regular, jugando la mayoría de los partidos de titular. Tras una muy buena actuación con este club en la temporada 2011-12, el Benfica, dueño de su pase, decide hacerse nuevamente con los servicios del jugador. En el FC Paços de Ferreira Lorenzo consigue marcar en total 15 goles en 60 partidos.

Volvió al S. L. Benfica para la temporada 2012-13. Anota su primer gol con el club el 10 de marzo de 2013 en la goleada por 5-0 ante el Gil Vicente F. C. Durante su segunda etapa en Benfica logra tener más rodaje, marcando goles, e incluso disputando la final de la Liga Europa de la UEFA en mayo de 2013 ante el Chelsea F. C.; final que ganaría el equipo inglés por 2 a 1.

Kuban Krasnodar y Spartak de Moscú

En septiembre de 2013 firmó por el FC Kubán Krasnodar ruso por 4 años y una transferencia de 5 millones de euros. Permanece hasta el 2015 en este club, jugando en total 56 partidos y marcando 20 goles, incluidos 3 goles por la Liga Europa de la UEFA en 2 partidos, ante el FC San Galo y el Valencia de España.

En 2016 ficha por el FC Spartak de Moscú un contrato por cuatro temporadas y media a cambio de 4,6 millones de euros. En sus dos primeros años con el club moscovita marca 4 goles, dos en cada temporada.

Logra coronarse campeón de la Liga Premier Rusa 2016-17, logrando la clasificación a la Champions League 2017-18. Su primer gol internacional con el Spartak lo marcaría justamente en dicho torneo el 17 de octubre de 2017 en la victoria por 5 a 1 de su equipo frente al Sevilla Fútbol Club. Su equipo quedaría eliminado de la copa, pero al acabar en tercer lugar del grupo accede a los dieciseisavos de la Liga Europa de la UEFA donde sería eliminado por el Athletic Club.

En la temporada 2017-18 conseguiría la tercera posición clasificando a la Liga Europa de la UEFA 2018-19, donde quedaría último en su grupo con solo una victoria.

La temporada 2019-20 fue la más irregular desde su llegada al fútbol ruso. Solamente disputó 12 partidos con un gol en la Liga Premier, promediando 50 minutos de juego.

El 1 de julio de 2020 el conjunto moscovita anunció su marcha del club.

Racing Club
Tras casi dos meses sin equipo, el 25 de agosto firmó con Racing Club hasta diciembre de 2022.

El 23 de septiembre de 2020, hizo su debut con el conjunto de Avellaneda (Buenos Aires) por Copa Libertadores de América frente al conjunto Peruano, Club Alianza Lima

Selección nacional
Ha sido convocado a la selección de fútbol de Paraguay por primera vez en octubre de 2011.

Antes también integró la selección sub-20 durante el Mundial de 2009.

En agosto de 2017 habló en una entrevista mostrando su frustración por no ser convocado en la selección paraguaya después de 7 años jugando en Europa.

Clubes

Goles en la UEFA Champions League

Para un total de 1 gol.

Goles en la UEFA Europa League

Goles en la Conmebol Libertadores

Palmarés

Títulos nacionales

Distinciones individuales

Referencias

Enlaces externos
 Ficha técnica en BDFA.

Futbolistas de Paraguay
Futbolistas del 12 de Octubre Football Club
Futbolistas del Club Olimpia
Futbolistas del Independiente de Campo Grande
Futbolistas del Sport Lisboa e Benfica
Futbolistas del Futebol Clube Paços de Ferreira
Futbolistas del FC Kubán Krasnodar
Futbolistas del FC Spartak de Moscú
Futbolistas del Racing Club en los años 2020
Futbolistas de la selección de fútbol de Paraguay en los años 2010


text:
Live Review: St. Vincent (I liked her so much better when she was human); Warpaint, Digital Leather tonight…
Category: Blog,Reviews — Tags: Annie Clark, Sokol Auditorium, St. Vincent — @ 12:56 pm April 2, 2014
St. Vincent at Sokol Auditorium, April 1, 2014.
Annie Clark looked like a kabuki toy standing center stage in her pretty outfit, a field of red rose petals covered the front across and down her skirt, her face painted / powdered white, cheeks blushed with rouge, her hair bleached and punk, a porcelain anime doll with big round eyes, a beautiful painting incomplete until the tech walked out and handed her a black electric guitar.
Annie Clark, a.k.a. St. Vincent, her voice thin and raspy, stared straight forward while she sang. When she wasn't plucking out an electronic melody on her ax, she moved and bent and contorted her arms like a pantomime robot, doing Shields and Yarnell (look it up) with her fellow guitarist / keyboardist / vocalist. If Clark learned anything from touring with David Byrne it's how to "dance" like an alien life form trying to communicate through arm gestures and hand signals. I don't remember such theatrics the last time she came through town, so I have no choice but to blame Byrne who made a career out of his geek spastic dance motions throughout his time as a Talking Head.
I like it when Byrne does it; it seemed to make sense with his music. I don't mind it when Clark does it, either, though her actions felt disconnected to what she was singing, as if she were trying to force a mechanical element onto something meant to be purely organic. The same thing can be said about her music. While I like the sterile beats, the oddly archaic rhythm-cut instrumentation (contrasted by a sonic blanket of synths), too often her melodies were reduced to elevating vocal tones crawling up and down a pentatonic scale.
All the while, Annie Clark was hatchet lit from below or shadowed by blazing-white LED panels that burned the retinas of a packed house who stood mesmerized more than moved by her music.
Between song sections, Clark performed short, pre-written monologues recited dryly and rehearsed. She told stories of how she and us weren't so different. In fact, we were the same, as evidenced by her shared memories of lighting fires with a magnifying glass, feeling ill after telling a lie, admitting that her (our) friends don't know us as well as they think they do.
I'm sure turning her concert into prolonged musical theater sounded like a good idea during tour rehearsals. The whole are-we-not-human? shtick worked well for Devo because it was weird and different and their matching jumpsuits made you want to believe it. Costumes are everything. I'd like to tell you that it was more interesting than previous St. Vincent shows, but it wasn't. It looked and felt forced and uncomfortable, purposely rigid and thoroughly counter to the loose-and-rough spontaneity of rock. Instead, it was more of an attempt at art rock, but without the limitlessness of a Laurie Anderson.
Worst of all, after about a half hour, it became boring.
I fear that the bigger Clark/Vincent gets, the more disconnected she'll become with her audience. I liked her better when she spontaneously paced around stage with her guitar and blazed the fretboard with the confidence of Prince. We saw a glimpse of the old Annie during the encore. After a quick wardrobe change, Clark reappeared alone on top of a tower of boxes and performed a sweet version of "Strange Mercy" off the 2011 album of the same name. For the first time that evening, her guitar sounded like a guitar, and her voice sounded oh so human.
If you're looking for a set list for (and a different perspective of) last night's show, Kevin Coffey has both at the OWH website, here.
With this show and last Saturday's Neutral Milk Hotel show, I can't remember Sokol Auditorium sounding better, in fact sounding better then I ever thought it could. I've seen some boomy shows at the ol' gymnasium/dance hall (Regina Spektor comes to mind). Today's audio technology can make any room sound awesome. Sokol has always been an alternative for shows too big for Slowdown. Now it no longer seems like a compromise. Conor, The Faint and Manchester Orchestra are all booked at Sokol for upcoming shows. Get your tix while you can.
I've also figured out how to park at sold-out Sokol shows — just put it on 16th St. and walk down the hill. When the show's over, it's a straight shot back to downtown.
There's another in this week-long string of amazing show going on tonight.
Warpaint plays at The Waiting Room. The band's new self-titled album, released on Rough Trade, was produced by Flood (PJ Harvey, U2, New Order) and is one of my favorites this year (I like it a lot more than the new St. Vincent record). And get this: Digital Leather is opening. $17, 9 p.m. See you there.
Also tonight, And You Will Know Us By The Trail of Dead plays at The Slowdown. They'll be performing Source Tags and Codes. La Femme opens. $20, 8 p.m.
St. Vincent tonight at Sokol Auditorium; Stir Concert Series = music for gamblers?
Category: Blog — Tags: Annie Clark, St. Vincent — @ 12:57 pm April 1, 2014
St. Vincent at The Slowdown back in May 2012. She plays tonight at Sokol Auditorium.
Tonight's St. Vincent Show at Sokol Auditorium will be the fifth time I've seen Annie Clark and her band perform in Omaha. She's gone from doing small, sparsely attended shows at The Waiting Room (in 2007) to sold-out Slowdown big room gigs (in 2012) to now the famous cow barn on 13th St.
I've always said she had the potential to be "the next PJ Harvey." With this show — and her latest album — you could argue she's exceeded PJ. I say that knowing that tonight's show has yet to sell out; I have no idea if PJ could sell out Sokol Aud (though I'm skeptical).
I like the new self-titled record. Its brittle, sometimes sterile beats and compositions sound modern without losing (too many) elements that make the songs swing. Sure, at times it sounds like plastic robot music and can become somewhat static, but Clark pulls in earthy elements that help ground the songs, including horns and her own gossamer vocals.
What you wouldn't know if you've only heard her records is that Clark is a guitar virtuoso, a real ax grinder that can shred with the best of them. That's lost amidst all the electronics and effects on the album that make her guitar sound like a buzzing synth. Wait 'til you see her play guitar on stage.
Opening is Noveller a.k.a. Sarah Lipstate. Her instrumental music (mostly guitar) has been called "mind-wrecking noise."
Like I said, this one is still not sold out, and is a steal at $20. Show starts at 8 p.m.
Speaking of shows, Harrah's has announced the Stir Concert Cove line-up for this summer and it's right in line with shlock slated for this year's Memorial Park concert (Sugar Ray, Uncle Kracker, etc.).
In Harrah's defense, the casino doesn't program its concert series with indie music fans in mind, obviously. But with their facilities and the size of their budget, they could get some real hum-dinger acts instead of Pat Benetar (who played at Memorial Park for free last year), Stain'd, Collective Soul, Alice in friggin' Chains, etc. Willie Nelson is the biggest name on the sheet *yawn*. The full line-up is here. Is this the kind of music gamblers like to listen to when they're counting their chips? I guess so. The only show on the slate that holds a modicum of interest is Fitz and the Tantrums, but even that's a stretch for >$20 ticket price.
Stir's announcement would appear to leave the field wide open for Maha to book an impressive concert this summer. Expect an announcement in the near future…


text:
Q: Pandas to_sql returning error due to column names with sqlite? I'm trying to store stock screens in an sqlite database but when I use screen.to_sql() from pandas it returns:
Error: near "/": syntax error

If I replace all the slashes with ' over ' then I get the following:
Error: unrecognized token: "]"

I'm confused because this code is nearly identical to the one I used for a mysql database, can anyone see why sqlite does not like this?
Here is the full query as created by pandas.
CREATE TABLE raw_screens (
              [Company_Name] TEXT,

[Ticker] TEXT,
  [%_Ratio_of_Q1/prior_Yr_Q1_Actual_Q(-3)] TEXT,
  [Price/Book] TEXT,
  [Price/Sales] TEXT
  [Current_ROE_(TTM)] TEXT,
  [Current_ROI_(TTM)] TEXT,
  [ROI_(5_Yr_Avg)] TEXT,
  [Current_ROA_(TTM)] TEXT,
  [ROA_(5_Yr_Avg)] TEXT,
  [Market_Value/#_Analysts] TEXT,
  [Annual_Sales] TEXT,
  [Cost_of_Goods_Sold] TEXT,
  [EBITDA_] TEXT,
  [Price/Cash_Flow] TEXT,
  [PEG_Ratio] TEXT,
  [P/E_(F2)] TEXT,
  [%_Ratio_of_Q1/Q0] TEXT,
  [This_Yr`s_Est.d_Growth_(F(1)/F(0))] TEXT,
  [Last_Yrs_Growth_(F[0]_/_F_[-1])] TEXT,
  [%_Change_EPS_(F(-1)/F(-2))] TEXT,
  [Long-Term_Growth_Consensus_Est.] TEXT,
  [5_Yr._Hist._EPS_Growth] TEXT,
  [Sales_Growth_F(0)/F(-1)] TEXT,
  [5_Yr_Historical_Sales_Growth] TEXT,
  [F(1)_Consensus_Sales_Est._(Mil.)] TEXT,
  [Q(1)_Consensus_Sales_Est._(Mil.)] TEXT,
  [P/E_(Trailing_12_Months)] TEXT,
  [EBIT_] TEXT,
  [Pretax_Income_] TEXT,
  [Preferred_Equity] TEXT,
  [Current_Liabilities_] TEXT,
  [Long_Term_Debt_] TEXT,
  [Current_Assets_] TEXT,
  [Intangibles] TEXT,
  [Inventory_] TEXT,
  [Receivables_] TEXT,
  [Debt/Total_Capital] TEXT,
  [Debt/Equity_Ratio] TEXT,
  [Current_Ratio] TEXT,
  [Quick_Ratio] TEXT,
  [Book_Value] TEXT,
  [Asset_Utilization] TEXT,
  [Inventory_Turnover] TEXT,
  [Net_Income_] TEXT,
  [Cash_Flow_] TEXT,
  [Net_Income_Growth_F(0)/F(-1)] TEXT,
  [12_Mo._Net_Income_Current/Last_%] TEXT,
  [12_Mo._Net_Income_Current-1Q/Last-1Q_%] TEXT,
  [5_Yr_Div._Yield_%] TEXT,
  [5_Yr_Hist._Div._Growth_%] TEXT,
  [Dividend_] TEXT,
  [Net_Margin] TEXT,
  [Operating_Margin_12_Mo] TEXT,
  [Turnover] TEXT,
  [Cash_Ratio] TEXT,
  [Rank_in_Industry_(of_ABR)] TEXT,
  [%_Price_Change_(YTD)] TEXT,
  [%_Price_Change_(4_Weeks)] TEXT,
  [%_Price_Change_(1_Week)] TEXT,
  [Beta] TEXT,
  [Price_as_a_%_of_52_Wk_H-L_Range] TEXT,
  [Last_Close] TEXT,
  [Current_Avg_Broker_Rec] TEXT,
  [%_Rating_Strong_Buy_or_Buy] TEXT,
  [%_Rating_Strong_Sell_or_Sell] TEXT,
  [Industry_Rank_(of_ABR)] TEXT,
  [52_Week_Low] TEXT,
  [%_Price_Change_(12_Weeks)] TEXT,
  [Relative_Price_Change] TEXT,
  [Q0_Consensus_Est._(last_completed_fiscal_Qtr)] TEXT,
  [52_Week_High] TEXT,
  [Market_Cap_] TEXT,
  [Last_EPS_Surprise_(%)] TEXT,
  [P/E_(F1)] TEXT,
  [%_Rating_Change_-_4_Weeks] TEXT,
  [%_Change_F1_Est._(4_weeks)] TEXT,
  [Div._Yield_%] TEXT,
  [Avg_Volume] TEXT,
  [Shares_Outstanding_] TEXT,
  [Change_in_Avg_Rec_] TEXT,
  [%_Rating_Hold] TEXT,
  [%_Change_Q2_Est._(4_weeks)] TEXT,
  [%_Change_Q1_Est._(4_weeks)] TEXT,
  [%_Change_F2_Est._(4_weeks)] TEXT,
  [%_Change_LT_Growth_Est._(4_weeks)] TEXT,
  [Q1_Consensus_Est._] TEXT,
  [St._Dev._Q1_/_Q1_Consensus] TEXT,
  [Q2_Consensus_Est._(next_fiscal_Qtr)] TEXT,
  [St._Dev._Q2_/_Q2_Consensus] TEXT,
  [F0_Consensus_Est.] TEXT,
  [F1_Consensus_Est.] TEXT,
  [St._Dev._F1_/_F1_Consensus] TEXT,
  [%_Change_Q0_Est._(4_weeks)] TEXT,
  [12_Mo_Trailing_EPS] TEXT,
  [Last_Reported_Fiscal_Yr_] INTEGER,
  [%_Rating_Upgrades_] TEXT,
  [%_Rating_Downgrades_] TEXT,
  [Common_Equity] TEXT,
  [Average_Target_Price] TEXT,
  [Previous_EPS_Surprise_(%)] TEXT,
  [Avg_EPS_Surprise_(Last_4_Qtrs)] TEXT,
  [Actual_EPS_used_in_Surprise_($/sh)] TEXT,
  [Last_Qtr_EPS] TEXT,
  [Last_Reported_Qtr_] TEXT,
  [Last_Yr's_EPS_(F0)_Before_NRI] TEXT,
  [F2_Consensus_Est.] TEXT,
  [Date] TEXT

                  );

A: [] quotes cannot be nested.
You should use a quote character that can be escaped, such as " (which would have to be doubled):
...,
"my silly name" TEXT,
"my even ""sillier"" name with quotes" TEXT,
...

(In this case, you don't even have " in the names.)


Since 1988, Atlantic Maids® has been providing reputable maid service for the families, professionals, and busy homeowners in Montgomery County, MD, Prince George's County, MD, and NW Washington, DC. Our efficient maid service is an ideal fit for those housekeeping and cleaning chores that take up too much of the little free time that you already have. We believe that our meticulous attention to detail combined with our uncompromising focus on quality that separates us from the competition.
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Whether you are searching for a one-time cleaning, green cleaning solution, recurring cleaning, move-in/move-out, or property sale cleaning Atlantic Maids® can assist you with all your household cleaning needs.
We do not climb higher than a 2 foot step-ladder. Higher items will be dusted with an extension duster. We will not move furniture. We cannot guarantee the results of mini-blind cleaning. Excessive build-up may require to remove and send out, which would be an additional cost.


Once star Cristin Milioti was all smiles when she stopped by NBC New York on August 19 to chat about the Tony-winning, hit musical. Milioti discussed how despite the show's swoon-worthy music and delightful love story, its honesty and true to life format prevents it from being a fairy tale romance. Milioti also spoke about the fun of playing the piano on stage and the thrill of receiving her first Tony nomination. Take a look below and check out Milioti in action at the Jacobs Theatre.


From March 2-3, Hartke artists David Ellefson (Megadeth) and Nate Watts (Stevie Wonder) each held highly successful masterclasses at The London Bass Guitar Show 2013, specifally at the booth of UK distributor Korg UK at. At each of their materclasses, David and Nate not only demonstrated why they use Hartke's LH1000 amplifiers and various HyDrive cabinets live and in the studio, but they held meet-and-greet/signing sessions with audience members.
For information on upcoming David Ellfson and/or Nate Watts Hartke events, visit DavidEllefson.com, TheRealNateWatts.com or our Events webpage.


text:
Q: Python tkinter treeview get full path How do i get the full path of a selected node in a treeview?
I use:
    curItem = tree.focus()
    item_list = tree.item(curItem)

But this only gives me the node i selected not the name of the "master" node.
I use the Treeview do Display the data in a Folder.

*

*Folder_1

*

*File.txt

I want "Folder_1\File.txt" as a result."

A: Found it:
item_iid = tree.selection()[0]
parent_iid = tree.parent(item_iid)
node = tree.item(parent_iid)['text']


text:
When a career-ending injury left Howes, then an elite athlete and professional football player, out of work and living on his sister's couch, he decided he needed to make a change for the better. He began reaching out to people whom he admired, searching for mentors, and applying his past coach's tips from sport to his life off the field. He did more than bounce back—he built a multimillion dollar online business, all before he was 30. But like many of us, he was still seeking more than just "success" as defined by money or wealth. Using his connections and letting his inquisitive mind be the guide, he started interviewing some of the smartest, most successful and "greatest" men and woman for his podcast (which has now been downloaded over 4 million times). He realized he and his listeners were learning lessons that were changing their lives.
In his book, The School Of Greatness, he distills the 8 key lessons for mastering greatness in our own lives. Lewis anchors each chapter on a lesson that he learned while working tirelessly to build a better life. Within that narrative, he weaves in stories from the outstanding people he's met in his journey to greatness, then offers prescriptive guidelines for pursuing and attaining these building blocks to greatness.
See Articles By Lewis Howes
Connect with Lewis Howes


text:
La  des Championnats du monde de biathlon, organisés par l'Union internationale de biathlon, se déroulent du  au  à Pyeongchang en Corée du Sud. Candidat à l'organisation des Jeux olympiques d'hiver de 2018, Pyeongchang et la Corée du Sud accueillent pour la première fois cette compétition annuelle. L'étape de Coupe du monde organisée fin  servit de test à l'organisation de ce rendez-vous.

Excepté le relais mixte, l'ensemble des épreuves compte pour la saison 2008-2009 de la Coupe du monde de biathlon.

Comme lors de l'édition 2008 tenue à Östersund en Suède, le début des championnats est marqué par l'annonce d'une affaire de dopage. Après les affaires « Humanplasma » et Kaisa Varis en 2008, une affaire mêlant plusieurs biathlètes russes secoue le début de l'événement international. Le , l'IBU révèle l'identité des trois biathlètes contrôlés positifs lors de la première étape de la Coupe du monde de biathlon 2008-2009 disputée en Suède. Il s'agit d'Ekaterina Iourieva, leader du classement général féminin de la Coupe du monde féminine, d'Albina Akhatova, multiple médaillée olympique et mondiale, et de Dmitri Iarochenko, double champion du monde en titre avec le relais russe. Tous les trois sont provisoirement suspendus en attente d'une suspension officielle.

La Croatie et la Slovénie décrochent leur première médaille à des championnats du monde de biathlon.

Programme

Tableau des médailles

Résultats

Hommes

Femmes

Mixte

Notes et références

Liens externes
  Site officiel des Championnats du monde 2009
  Site de l'Union internationale de biathlon

2009
Biathlon
Biathlon 2009
Biathlon Monde 2009
Monde 2009
Biathlon Monde
Sport en Corée du Sud en 2009
Sport en février 2009


text:
Taxi For Tezpur Airport
Tezpur Airport is located in Tezpur in Assam state, India. It is also widely referred to as Salonibari Airport owing to its base on the village/township of Salonibari (its precise location). The airfield in Tezpur was originally constructed by the British Royal Indian Air Force during World War II in 1942. Initially, the airport was used by the United States Army Air Forces Tenth Air Force. Soon after the war in 1959, the airport developed into a full-fledged air force base.
Pick and drop facility for Tezpur Airport, Anywhere in Assam. 24x7 customer support at: +91-888 200 1133
Car Rental Services For Tezpur Airport
Tezpur Tour
Tezpur is also known as the city of eternal romance. Located in Sonitpur district in the state of Assam, the city is an administrative and educational centre of the state and widely renowned as an ancient city and a major base for the Air Force and Indian Arm. Tezpur is also known as the main commercial hub of Assam. The city is known for its brilliant contributions in literature, art, and culture in the history of Assam. Each year the city enjoys an influx of tourists to its major attractions and holy temples.
Some of the major tourist spots of Tezpur include Bamuni Hills, Ketakeshwar Dewal, Agnigarh, Mahabhairab Temple, and many more. Agnigarh is actually a circular stairway that reaches to the hilltop and mostly visited for activities such as picnic, trekking, and sightseeing. Bamuni Hills is the remnants of Bamuni Hill and celebrated for its artistic design. Mahabhairab Temple is located in the northern region of Tezpur over a small hilltop. It is also considered as a significant landmark of the city.
Tezpur is well connected by airways. The airport of Tezpur is connected with Guwahati and Kolkata. You can also get taxis or cabs from the airport to the city centre and various other parts of the state. The city also has a railway station, which is well connected with Guwahati railway station.
If you are planning a visit to Tezpur in near future, My Taxi India is here to help you enjoy a comfortable tour.
MyTaxiIndia (MTI) Car rental services in Tezpur:
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Corporate Cab Rental in Tezpur
At My Taxi India, we believe in combining comfort with quality to create customized car trips in Tezpur and nearby regions. These trips are organized and customized just according to your specific tour requirements. You can choose a taxi according to the kind of tours you prefer such as honeymoon, professional trip, family tour, etc. At My taxi India, we offer you number of packages according to your preference and choice.
With us, you don't have to worry about anything. All you need to do is book a taxi in Tezpur through our web portal or branch office in Assam and the rest is taken care of by our representatives. My Taxi India is a one stop solution for your travel needs in Tezpur and surrounding regions.


This project has been brewing for years. The goal is to use the Tales of the Arabian Nights (TotAN) boardgames from Z-Man to create a story in solo play. This will include breaking out some action to smaller battle boards. For this I will use the example given in the Mad Monks of Kwantoom by Kabuki Kaiser. Actual random dungeon generation is yet to be decided, but the example on Mad Monks will probably be good enough. The system for this lower level of detail seems likely to be the very solid D&D retro-clone Labyrinth Lord. For the miniatures on the table I'll be going with flats, and the Pathfinder set for the Mummies Mask suits admirably.
Enough tedious intro filled with 'I' statements.
The lead character, defined in Labyrinth Lord using Al-Qadim guidance, is a wizard (Sha'ir) called Kamal. He is modelled on Prince Koura from the Golden Voyage of Sinbad. As such he's probably not a 'good' character. He is driven to fulfil his 'destiny'. He has a target score of 15 in the Destiny track in the game, and only 5 in the Story track. His starting TotAN skills are Magic, Beguiling and Weapon Use. He is the guy that moves around the board. With him, but unimportant until the action breaks to tactical level, are Essafah a warrior (Faris), Wadi'a an elemental wizard of flame, Djuha a merchant rogue, and Kekara a Kahin cleric (aka Druid). All have their own Labyrinth Lord stats, ready for when they are needed to actually enter the cave or tomb to steal the stuff to help Kamal achieve his destiny.
The Quest card describes how Kamal is the son a prominent Thief, and how his father tells him of two fabulous gems at the ends of the earth. These, then, represent the first two items that the young wizard needs to create his spell to make him Sultan (or something like that). Rolling randomly I find one gem is in Cordoba and the other in Pan Pan.
It is dawn, and as Kamal is preparing to leave Bagdad on this adventures he meets a Happy Ne'er-do-well (Farid). Kamal attempts to hire this possibly useful rogue, and they have a long and lively conversation. Farid has other pressing business and refuses to join a quest that takes him away from the city, but during the course of the pleasant conversation many stories were swapped. Kamal has learnt much, gaining a Destiny point and the new skill Storytelling.


Three years after the release of their second game, Didi and Ditto: First Grade - The Wolf King, Kutoka releases the third title in their series starring the two colorful beavers - Didi & Ditto Preschool - Mother Nature's Visit. As the previous titles, this is an adventure/puzzle game, this one aimed at the 2 - 4 year old.
The story revolves around an impending visit from Mother Nature and the party the inhabitants of Smart Valley want to plan for her; when Zolt the wolf loses the mayoral election, he takes his revenge by breaking all the musical instruments and stealing all the food gathered for her party. The player must choose which beaver to play as in order to find the hidden food and repair the broken instruments.
From the map (signposts) screen, the player can choose where to go first to search for food items and instruments - the areas can be visited in any order. Each area has two puzzles for the player, and when a puzzle is completed he is rewarded with a party item to be stowed in a wagon until all the activities have been finished.
Every screen has "clickable" areas of surprise animations for the player to discover, indicated by a change in the cursor color. Gameplay is point and click with the occasional need for the spacebar for jumping activities, or to skip cutscenes.


I finally made it to an Alpaca farm. This one was in Two Rivers, Wisconsin. I recently met up with family in Two Rivers for Thanksgiving. On a Saturday morning we all decided to check out the local alpaca farm. I'm so glad we did. I have a weird obsession with these animals. I mean, they're soft, cute, and goofy looking.


text:
Elvira Vargas Rivera (Tlalpujahua, Michoacán, 28 de diciembre de 1906 - Ciudad de México, 7 de marzo de 1967), conocida como Elvira Vargas, fue una de las primeras reporteras mexicanas (título que comparte con Magdalena Mondragón y Esperanza Velázquez Bringas). Fue, en la década de 1930, la única mujer que cubría la fuente presidencial.

Biografía
Vargas Rivera nació en Tlalpujahua de Rayón (Michoacán, México) el 28 de diciembre de 1906  hija de María de Jesús Rivera y Joaquín Vargas. Asistió a la escuela primaria y a la secundaria pero fue forzada por la pobreza a buscar trabajo a una edad temprana. En 1920 se muda a la Ciudad de México donde empieza sus estudios en la Escuela Nacional Preparatoria de San Ildefonso. En 1929 participa en el movimiento vasconcelista y en el periódico de esta corriente: El Momento.

En 1958 obtiene el grado de licenciada en Derecho, por la Universidad Nacional Autónoma de México con la tesis: La reforma agraria y el neolatifundismo en México. Fue redactora en El Nacional y después de que El Universal publicara su trabajo y reportajes sobre los trabajadores del petróleo y la expropiación petrolera, regeresó al primer periódico como jefa de redacción (1931–1938). También fue columnista en la Cadena García Valseca (1946–1952). A los 51 años de edad se vuelve colaboradora en Novedades (1953); y después trabaja como reportera y directora en El Diario de la Tarde (1959) y en las revistas Hoy, Mañana y Siempre!, entre otras.

Obra
Lo que vi en la tierra del petróleo narra sus viajes a los campos petroleros, a los que viajó el  6 de febrero de 1938. El reportaje se publicó el 12 de febrero de 1939 y en él Elvira Vargas dice:En la loma (donde viven los americanos), todo está bien distribuido y orientado, destacando su saneamiento, comodidad y salubridad. Sobre la tierra baja, en cambio, se observan lotes de chozas apiñadas y miserables, rodeadas de cunetas pantanosas, por las que corren las aguas negras provenientes de la aristocrática colonia americana. En esas chozas es donde viven los trabajadores. El libro  informa sobre "la vida de los trabajadores y la explotación en la que vivían cuando los dueños eran extranjeros". Empresas como El Águila fueron duramente retratas por Vargas. En una entrevista en El Nacional del 10 de marzo de 1938, la escritora recuenta cómo fue amenazada por estos reportajes. Un fragmento de la conversación entre Vargas y un señor Long versa así:--Es que, interrumpió (el señor Long), si usted escribiera de otro modo, la compañía se daría por bien servida.

--Pues, dije levantándome, diga a su compañía que puede darse por mal servidaPor las rutas del sureste fue publicado por la editorial Cima en 1940. En él la autora describe la gente, pobreza y la belleza del paisaje de Campeche, Tabasco, Yucatán y Chiapas. Incluye algunas reflexiones sobre la situación de los indios y las acciones del gobierno de Lázaro Cárdenas para ayudarlos. A mitad de la jornada. Tres años de gobierno (1946 - 1949) es un análisis de esos tres primeros años de gobierno del presidente Miguel Alemán Valdés "y las medidas adoptadas para avanzar en asuntos de educación, transporte, obras y petróleo".

Referencias

Mujeres periodistas de México


text:
Taste of Cinema - Movie Reviews and Classic Movie Lists > Lists > Film Lists > 10 Great Documentaries Dealing With The Subject of Death
10 Great Documentaries Dealing With The Subject of Death
Posted on May 13, 2015 May 13, 2015 by Carlos Pereira
Bearing in mind that documentary cinema represents events established as indexically real, it is comprehensible that this filmic form is permanently seen as ethically charged and deeply provocative. Death, as the ultimate void hampering our innate believe in immortality, seems to produce a cinematic contradiction.
On the one hand, we are confronted by an overrepresentation of death and dying within fictive forms, from ghost horror stories to apocalyptic narratives about the end of the world. On the other hand, the depiction of mortality in documentary films is underrepresented and controversial, being subsequently understood as ghastly, morbid and pornographic.
Considering the fear of death prevailing in our contemporary world and very recent collective traumas, it is imperative to highlight the documentaries that, throughout the history of cinema, have tried to defy and expose the disquieting and shocking effects of mortality, transforming the invisible into the visible and bringing to the surface the inexorable and abrupt happening.
Underpinned by moving images and echoing sounds of the dead, survivors, witnesses, heroes and murderers, from suicide to "natural" death, from the Holocaust to the AIDS epidemic, the following documentaries, never comparable with each other and listed chronologically, attempt to shed some light on the core question of our limited time.
1. Night and Fog (1955)
Together with "Shoah", "Night and Fog" composes the mountaintop of Holocaust's cinematic depiction. Through travellings along the empty concentration camps of Auschwitz and Majdanek, old photographs and archival footage, Alain Resnais establishes a visual and emotional cartography of the appalling events that converged to enable the genocide and the consequences of the march of horrors edified by the Nazi machine.
Between the inferences allowed by the abandoned spaces – from gas chambers to rusty train rails – and the graphic evidences of the imagetic registers – from piles of burned human bodies to traces of hair and bones – Resnais creates an agonizing atmosphere capable of awakening disconcerting and unsettling feelings within the film viewer.
"We turn a blind eye to what surround us and a deaf year to humanity's never-ending cry", says the voice-over in the end of the film. "Night and Fog" is, ultimately, a film about the importance of remembering our past, underlining how the echoes of the atrocity still reverberate in the physical world of the living.
2. The Act of Seeing With One's Own Eyes (1971)
Defined by Jonathan Rosenbaum as "one of the most direct confrontations with death ever recorded on film", "The Act of Seeing With One's Own Eyes" is a non-narrative film made by the American experimental filmmaker Stan Brakhage.
Filmed in 16mm in the city of Pittsburgh, the film shows highly explicit and disturbing images of dead bodies inside a morgue. By zooming-in into embalming techniques or the removal of organs during autopsies, "The Act of Seeing With One's Own Eyes" becomes one of the most visceral shocking films ever made regarding the lifeless body, outwardly deprived of any human signification and reduced to its own carnality.
Constructed mainly by partial framings abounding in blood, Brakhage's act of filmmaking is as direct as unbiased, generating nonetheless several images able to humiliate many so-called gore films and that will, undeniably, remain in our minds.
3. Des Morts aka Of the Dead (1979)
Offering us a comparison between death rituals all over the world, from a morgue in San Francisco to a rural community in South Korea, "Of the Dead" is a disquieting object confronting death as a visual taboo and presenting us a wide-range of angles concerning mourning.
If the occidental world seems to be represented by the coldness of hospitals and funeral homes, defined by a general repression of human feelings, the oriental world's case studies seem to depict an environment of expressive manifestation, linked to a primitive relationship with nature and the idea of collectivity.
By showing the disparities between places, "Of the Dead", directed by Jean-Pol Ferbus, Dominique Garny, and Thierry Zéno, uncovers the coexistence of different attitudes towards death due to dissimilar social, historical and religious backgrounds.
4. Shoah (1985)
Claude Lanzmann defended that no single image could represent the massacres of the Holocaust. The proposal of "Shoah" is, therefore, built upon 556 minutes of cinematic engagement, attentively giving voice to several testimonial faces. It is through the reflecting eyes and wounded voices of those who experienced the horrifying events of the genocide that Lanzmann brings to the surface the other side of the truth.
While revisiting the abandoned concentration camps and other death sites, we listen to the intense and poignant speeches of the survivors, eyewitnesses and executors. It is mainly through close-ups of their faces that the disconcerting lived events find their way to the present, composing a documentary about the complex representation of memory, trauma, and death as the result of the unsparing force of evilness.
Dealing with more than 350 hours of raw footage, Claude Lanzmann took eleven years to conclude the film. A meaningfully violent and human cinematic opus, "Shoah" is a history class.
5. Near Death (1989)
Directed by the remarkable American filmmaker Frederick Wiseman, responsible for impressive and striking filmic monuments such as "Titicut Follies" (1967) and "High School" (1968), "Near Death" follows several terminal ill patients inside Boston's Beth Israel Hospital, where time seems to entail a never-ending cycle of dying bodies.
Initially portraying the hospital as a site of the impersonal, between the aseptic rooms and the labyrinthine corridors, Wiseman's black-and-white film progresses to an absolute immersion that deconstructs any simplistic judgments. In fact, during some instants of intimacy captured by an always-attentive camera, the film goes beyond the social and institutional interactions, grasping true humanity and forcing the film viewer to question perspectives and meanings regarding life and death.
Throughout the 358 minutes of the film, we observe the patients' scared faces, the waiting of their relatives and the opinions of the doctors, always confronted with ethical and existential issues. One of the only documentaries about "natural" death, Wiseman's film reminds us that even the expected flow of life is hard to accept.
great documentaries about death
25 Great Movies With The Most Effective Uses Of Voice-Over Narration
10 Movies That Had The Biggest Influences On The Films Of Guillermo Del Toro


text:
Q: Given pointwise convergence of $f_n \rightarrow f$, does $\lim_{\epsilon \rightarrow 0} f(x+\epsilon) = f(x)$ implies uniform convergence? I was wondering if provided that the partial sums $f_n$ converge to $f$ matching pointwise convergence, what this would imply:
$$
\lim_{\varepsilon \rightarrow 0} f(x+\varepsilon) = f(x)
$$
If that would be the case, for all $x$, wouln't this imply uniform convergence? And if not, why.
Many thanks in advance!

A: Example: let $f_n(x)= \frac{nx}{1+n^2x^2}$. Then $ (f_n)$ converges pointwise to the function $f(x)=0$ on $ \mathbb R.$ Then we have $\lim_{\varepsilon \rightarrow 0} f(x+\varepsilon) = f(x)$ for all $x$. But $(f_n)$ does not converge uniformly, since $f_n(1/n)=1/2$ for all $n$.


In Indian Astrology only nine planets have been accredited-Sun, Moon, Mars, Mercury, Jupiter, Venus, Saturn, Rahu and Ketu, Prescribing gems in accordance with the said nine planets has been proved to be very effective and infallible. We will make here a study of Navaratra Bracelet on the basis of these very planets.
A rosary of genuine Navaratra has many qualities. Wearing the bracelet, a person may succeed in different walks of life. It has some divine quality. The different stones of this bracelet absorb the rays of the planets concerned and provide benefit to the person.
Use: Gems of all the planets are included in this bracelet. A person, who wears it, can have name and fame, respect, prosperity, material amenities and he will be free from diseases related to cough, cold and fever etc.
Gurushch Shukrah Shani Rahu Ketuveh Sarve Graha Shanti Karabhavantu."


text:
Can Congress Criminalize Trading on Stolen Valor?
By Robyn Hagan Cain on July 12, 2012 1:15 PM
If Congress ends up in another Stolen Valor battle, you can blame Justice Stephen Breyer.
"Wait," you say. "Didn't the Supreme Court just strike down the Stolen Valor Act?"
Why, yes. That did happen. Now we've moved on to new incarnations of the law.
Congress adopted the Stolen Valor Act in 2005, making it a crime to falsely claim receipt of military decorations or medals, and providing an enhanced penalty for false claims involving the Congressional Medal of Honor.
In June, Justice Anthony Kennedy announced that the Act was an unconstitutional limit on free speech. Justice Kennedy suggested, "The remedy for speech that is false is speech that is true. This is the ordinary course in a free society. The response to the unreasoned is the rational; to the uninformed, the enlightened; to the straight-out lie, the simple truth."
Justice Breyer, in a concurring opinion, noted that a more narrowly-tailored version of the Act might be able to withstand scrutiny. That brings us to talk of three new Stolen Valor-esque initiatives, according to The Hill.
First up, the Brown-Heck Act. Sen. Scott Brown and Rep. Joe Heck, both Republicans, are pushing legislation that would make it a federal misdemeanor for individuals to benefit from lying about military honors. They claim the distinction will satisfy the high court's First Amendment concerns.
Second, there's Stolen Valor 2.0, courtesy of the original Stolen Valor Act author, Sen. Kent Conrad. Conrad, a North Dakota Democrat, told The Hill he is also looking to tweak the legislation. He could sign on to Brown-Heck, but he could also introduce his own bill. (A new Conrad law is actually unlikely, since it's an election year, and Sen. Conrad is not seeking re-election.)
Finally, we have Virginia Senator Jim Webb's proposal, the Military Service Integrity Act. Sen. Webb's legislation would make lies about military honors for personal gain punishable by a fine or imprisonment for not more than six months, or both. It would also reinstate measures to make it illegal to manufacture, sell, attempt to sell, import, or export U.S. military decorations or medals authorized by Congress for the armed forces, except as authorized by law.
(Where some people fight lies with truth, others fight lies with more legislation.)
Both bills employ vague standards to determine criminal conduct. Brown-Heck penalizes a person who lies about military service with "intent to obtain anything of value," while the Military Service Integrity Act looks to whether or not lies were told for "personal gain."
So what qualifies as value or personal gain? Would elected office count? What about a kiss from a crush? Or, what about $10, is that gain, or does it have to be $10,000?
No one actually respects a person who lies about military service, but is Stolen Valor redux is a good idea? Would these bills survive Supreme Court review?
Stolen Valor: Military Lies Don't Make You a Criminal, Just a Jerk (FindLaw's Ninth Circuit Blog)
Pentagon Will Consider Creating Medals Database (Army Times)
U.S. v. Alvarez (FindLaw's CaseLaw)


When setting 'zend_loader.obfuscation_level_support' directive with levels 2 or 3, you might get a crash instead of standard PHP output. This happens only on specific code, which involves (as far as we tested) spl_autoload_register().
The final packages will be similar to those - for any feedback on the fixed binaries if you used them please open a support ticket for reporting.
This is a temporary build for anyone who has a similar symptom and the patched Loader resolves the issue. For any other problem please open a support ticket.


IN 2000, HAD KAR DI AAPNE was released in which Govinda and Rani mukherjee played a lead role. While doing the shooting of HAD KAR DI AAPNE , Govinda and Rani mukherjee came closer to each other and a love story started.
Govinda's wife leave him because of Rani mukherjee. Govinda and Rani mukherjee were very close friends but their relation were different from friendship. Gopvinda's wife Sunita Ahuja got to know about this and leave him and take her two children.
But this popular love story were not be a successful love story. At the end govinda had to quit the relation because of his wife and his two children.
Then Rani mukherjee also moved on to someone else. At that time this story was very famous. Because at that time they both are on the peak of there career and they both are very famous personalities/celebrities of that time.


text:
Ingyō (jap. , Ingyō-tennō; * 376 (?); † 8. Februar 453) war laut Kojiki und Nihonshoki der 19. Tennō von Japan (412–453). Historiker identifizieren ihn mit dem japanischen König Sai bzw. Sei () in chinesischen Dokumenten.

Er war ein Sohn Kaiser Nintokus und der Vater der Kaiser Ankō und Yūryaku.

Weblinks
 Stammtafel japanischer Kaiser (The Imperial Household Agency - Kaiserliches Hofamt) (engl.)

Tennō
Japaner
Geboren im 4. Jahrhundert
Gestorben 453
Mann


text:
Price cut! $5 million Iowa home now listed for far less
A dream home that was once listed for $5 million is now headed for an auction.WATCH VIDEODes Moines CEO Ted Townsend built the Urbandale dream home in the early 1980. It's hidden away in the woods and blends elements of nature inside the home."That's one of the selling points of this property is how secluded and private it is," said Heather Starr of RE/MAX.The home spans 9,500 square feet. The prices has been dropping from the $4.9 million where it started to $3.9 million, and now it's up for auction."It is tied currently for the most expensive home in the metro that's currently on the market," said Starr. "At $3.9 there's certainly a limited number of buyers who have that capacity."The minimum bid that will be accepted is $1 million.Wood walls and ceilings make up the four-level home that features four bedrooms and seven bathrooms. On the main floor is a two story great room with custom furniture that steps up from a kitchen with views of a pond right outside.The house is not without some very eccentric qualities including a hidden massage room you can only enter by crawling inside and a master suite separated by a draw bridge that serves as both novelty and security."There's no door to this master suite, but there's a draw bridge," said Starr.The lower level has a theater that is equipped with a fish tank full of glass fish. At the very top of the home is a lookout tower.Platinum Luxury Auctions is set to sell the property to the highest bidder on June 27. Interested buyers are first required to put down $100,000.Starr said she's already fielded interest in the property. An open house is planned on June 10.
URBANDALE, Iowa —
A dream home that was once listed for $5 million is now headed for an auction.
Iowa home sells for more than $1 million at auction
Des Moines CEO Ted Townsend built the Urbandale dream home in the early 1980. It's hidden away in the woods and blends elements of nature inside the home.
"That's one of the selling points of this property is how secluded and private it is," said Heather Starr of RE/MAX.
The home spans 9,500 square feet. The prices has been dropping from the $4.9 million where it started to $3.9 million, and now it's up for auction.
"It is tied currently for the most expensive home in the metro that's currently on the market," said Starr. "At $3.9 there's certainly a limited number of buyers who have that capacity."
The minimum bid that will be accepted is $1 million.
Wood walls and ceilings make up the four-level home that features four bedrooms and seven bathrooms. On the main floor is a two story great room with custom furniture that steps up from a kitchen with views of a pond right outside.
The house is not without some very eccentric qualities including a hidden massage room you can only enter by crawling inside and a master suite separated by a draw bridge that serves as both novelty and security.
"There's no door to this master suite, but there's a draw bridge," said Starr.
The lower level has a theater that is equipped with a fish tank full of glass fish. At the very top of the home is a lookout tower.
Platinum Luxury Auctions is set to sell the property to the highest bidder on June 27. Interested buyers are first required to put down $100,000.
Starr said she's already fielded interest in the property. An open house is planned on June 10.


text:
<?xml version="1.0" encoding="iso-8859-1"?>
<!DOCTYPE html
     PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
     "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">

  <title>new (BloomGraph)</title>
  <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
  <link rel="stylesheet" href="../.././rdoc-style.css" type="text/css" media="screen" />

# File lib/bud/labeling/bloomgraph.rb, line 43
  def initialize(opts={:type => :digraph})
    @graph = GraphViz.new(:G, opts)
    super
  end

redpajama_set_name: RedPajamaGithub


text:
Q: Apache gives empty reply It happens randomly, and only on moodle installations. Apache don't add a line in the logs when this happens, and I don't know where to look.
koke@escher:~/Code/eboxhq/moodle[master]$ curl -I http://training.ebox-technologies.com/login/signup.php?course=WNA001
curl: (52) Empty reply from server
koke@escher:~/Code/eboxhq/moodle[master]$ curl -I http://training.ebox-technologies.com/login/signup.php?course=WNA001
HTTP/1.1 200 OK

The apache conf is quite straightforward and works perfectly in the other vhosts
<VirtualHost *:80>
    ServerAdmin webmaster@ebox-technologies.com
    DocumentRoot /srv/apache/training.ebox-technologies.com/htdocs
    ServerName training.eboxhq.com
    ErrorLog /var/log/apache2/training.ebox-technologies.com-error.log
    CustomLog /var/log/apache2/training.ebox-technologies.com-access.log combined

        <FilesMatch "\.(ico|gif|jpe?g|png|js|css)$">
                ExpiresActive On
                ExpiresDefault "access plus 1 week"
                Header add Cache-Control public
        </FilesMatch>
</VirtualHost>

Using apache 2.2.9 php 5.2.6 and moodle 1.9.5+ (Build: 20090722)
Any ideas welcome :)

A: Look at the main server error log, it should have some Child Segfault Error (11).
This is probably given by a PHP engine fault, often given by a buggy php module, unicode chars handling, gettext corrupted DB, and so on.
It is very difficult to debug.
You can enable xdebug tracing and look at what line it is segfaulting:
pecl install xdebug

php.ini:
[xdebug]
xdebug.profiler_enable=1
xdebug.profiler_output_dir="/tmp/xdebug"
xdebug.auto_trace=1            ; enable tracing
xdebug.trace_format=0
xdebug.show_mem_delta=1        ; memory difference
xdebug.show_local_vars=1
xdebug.max_nesting_level=100

A: Finally solved by adding to /etc/apache2/envvars:
export USE_ZEND_ALLOC=0

A: Is there nothing in error_log either?
You could set MaxServers to 1, and then strace that apache thread while requesting the page.  It could be that PHP is segfaulting, or the apache child is dying for other reasons.
Also, tcpdump the request at both ends to see what data is being sent on the wire.


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Maximum £500 redeemable amount applies.
Certain casino games are excluded from the promotion.
The latest William Hill promo code 2019 for Vegas is automatically applied when you use one of our qualifying links and it entitles new customers to the current Buy-In With £10, Get £30 Bonus. William Hill Vegas has a multitude of the very best slots in the business and they are prepared to offer all new customers a £30 bonus after an initial £10 qualifying deposit. So you can buy-in with £10 and Play with £40. In order to take part in this Promotion, during the Promotion Period, you need to opt in. The deal is also available to Republic of Ireland residents who receive a €30 Welcome Bonus, after making an initial €10 deposit.
The latest William Hill promo code 2019 for Vegas is automatically applied when using the qualifying £30 Welcome Bonus links on this page, so no additional promo code needs to be added during the registration process, simply leave the Promo Code field blank as per the example below. Once the registration form is fully populated press the 'Agree & Join' box where you will be agreeing to William Hill's Terms and Conditions plus activating the Buy-In With £10, Get £30 Vegas Bonus promotion.
UK and Republic of Ireland customers are eligible for this offer only.
The £30 bonus is awarded as soon as your £10 deposit and buy-in has been completed. Bonus expires 7 days later.
This offer is only available to players with a GBP/EUR/USD/CAD. Currency account £1 = €1 = $1 currency equivalent.
You can use the "Cash in my Bonus" feature at any time to end the Promotion.
Currently there is no William Hill Bingo new customer promotion. We will update as soon as a new promotion become available.
William Hill have always been well known in the online sports betting and gaming sector for being particularly generous when it comes to the size of their free bets and welcome bonuses. By offering new customer welcome promotions across Sportsbook, Casino, Live Casino, Vegas and Games, there's a depth of coverage that few other brands can offer. William Hill utilise a promo code for their headline Sportsbook new customer offer, but all other new customer promotions are available promo code free. That is a new departure for William Hill, who up until now have always utilised promo codes when becoming a new customer. The new ease of being able to access the new customer promotion of your choice when it comes to registering and receiving your new customer promotion also comes across in William Hill's consistency of promotion and the way new customers access them. Quite simply you will not find a better offer elsewhere online, as William Hill offer the same Sportsbook free bet promotion to all.
Consistency of promotion and the way new customers access them tells you a lot about the William Hill ethos of giving both new and existing customers the very best value when it comes to free bets, bonuses, promotions and ongoing customer experience. But it also tells you a lot about William Hill and their core pledge of offering consistency in their welcome bonuses, on-going sports promotions and gaming promotions. Here are some key aspects that it is important to understand about William Hill, in explaining why 2.2 million active users value the now Leeds based specialist. Read on, as these aspects are worth knowing before you open an account across any of their products.
William Hill has always used promo codes across its new customer offers. Today their headline Sportsbook offer still uses a promo code – C30 – to access. However all of their extended gaming products are now promo code free for new customers. . All of the current William Hill new customer promotions are available to view in the table at the top of this page.
So for William Hill Sportsbook it's absolutely imperative that you quote the correct C30 promo code before agreeing to the William Hill Terms and Conditions and pressing the 'Agree and Join' button. William Hill, within their terms, state that failure to populate the Promo Code field can see a new account being activated, with no welcome bonus being received, so take your time, press Add Promo Code within the registration page and make sure the correct Sportsbook promo code is quoted.
William Hill are happy for existing customers to use all of their deposit bonuses available. The term 'Brand New Customers Only,' is something that you will not find in William Hill terms and conditions. So customers who originally sign-up via the Sportsbook free bet new customer promotion can then access the William Hill Casino Welcome Bonus and so on. It's actively encouraged by the Leeds-based bookmaker, who simply want their customers to be satisfied and continue playing with them into the future.
Now this clarity of all free bets and promotions for each customer needs to be put in perspective. Free bets and welcome bonuses are nothing new. The online betting and gaming industry is awash with them, but what turns Betfair into the global power house they are is that their promotions are not only generous, but they are easy to use and are available to all. Plenty of William Hill's rivals restrict their promotions for new customers to the first deal they sign-up to. So if you sign-up via a sports free bet and then weeks or months down the line want to play online casino with the same company, you won't be able to access a casino welcome bonus.
Minimum first deposit of £10 is matched with a £10 welcome bonus = £20 total.
£20 first deposit is matched with a £20 welcome bonus=£40 total.
£50 first deposit is matched with a £50 welcome bonus=£100 total.
£100 first deposit is matched with a £100 welcome bonus=£200 total.
To maximise £300 first deposit is matched with a £300 welcome bonus=£300 total.
To maximise £100 first deposit is matched with a £100 welcome bonus=£200 total.
You must make a first deposit £10, which is matched with a £30 welcome bonus = £40 total.
Company Name: William Hill plc.
Registered Offices: Greenside House, 50 Station Road, Wood Green, London.
Company Registration: Registered in England company number 4212563.
Licenses: UK: British Gambling Commission under licence number 39225; Gibraltar: Government of Gibraltar & Gibraltar Gambling Commissioner licence numbers RGL 034 & RGL 042.
Live Chat is available .
Freephone: UK Freephone: 0800 0856 296 (calls are now free from mobiles).


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