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by Construction Lawyers Alliance / in California Construction Lawyer
Boys (and Girls) of Summer: New Residential Solar Energy System Disclosures Take Effect January 1, 2019
By Garret Murai, September 4, 2018
Flickr. James Vaughan … Shindig-Haulabaloo! CC BY-NC-SA 2.0
As we come to the end of Summer, the California Contractors State License Board advises licensees that it has finalized its Solar Energy System Disclosure Document. The Solar Energy System Disclosure Document, required under Business and Professions Code Section 7169 as amended by Assembly Bill 1070 in 2017, requires that the disclosure language of the document be:
Included in all contracts providing for the installation of a "solar energy system" on a residential building;
Included on the front page or cover page of the contract;
Printed in boldface 16-point type; and
Written in the same language principally used in the oral sales presentation or in print or digital marketing material given to the consumer.
Note: Under Business and Professions Code Section 7169, a "solar energy system" is defined as a "solar energy device to be installed on a residential building that has the primary purpose of providing for the collection and distribution of solar energy for the generation of electricity, that produces at least one kW, and no more than five MW, alternating current rated peak electricity, and that meets or exceeds the eligibility criteria established pursuant to Section 25782 of the Public Resources Code." However, it does not include " a solar energy system that is installed as a standard feature on new construction."
For solar system contracts utilizing Property Assessed Clean Energy (PACE) financing, the disclosure required under Streets and Highways Code Section 5898.17 should be used for the financing contract only, and the Solar Energy System Disclosure Document should be used for the installation contract.
Note: Because the Solar Energy System Disclosure Document is required to be used for solar energy system installations on "residential buildings," it appears that the Solar Energy System Disclosure Document should be used in conjunction with the statutory Home Improvement Contract required under Business and Professions Code Section 7159, which applies to residential remodeling work.
August 30, 2018 CSLB #18-12
New Requirement for Residential Solar Energy System Contracts to Take Effect January 1, 2019
SACRAMENTO – The Contractors State License Board (CSLB) is notifying the California construction industry that effective January 1, 2019, contractors who install residential solar energy systems will be required to comply with a new consumer notice requirement.
Assembly Bill 1070, Stats of 2017, Ch 662 established Business and Professions Code (BPC) section 7169. This new law requires the CSLB, in collaboration with the California Public Utilities Commission (PUC), to develop and make a solar energy system disclosure document available on its website by July 1, 2018. The disclosure document must be provided to consumers prior to the completion of a sale, financing or lease of a system. CSLB posted online a proposed one-page Solar Energy System Disclosure Document on June 29, 2018 and indicated the document was pending PUC approval.
At its August 23, 2018 meeting, the PUC approved Final Resolution M-4836 to endorse PUC staff's collaboration with CSLB to draft consumer disclosures required by AB 1070 and approved the Solar Energy System Disclosure Document posted on the CSLB's website.
Contractors will be required to comply with this new requirement beginning January 1, 2019.
Some of the requirements of BPC section 7169 include:
Solar energy system companies must provide the Solar Energy System Disclosure Document to consumers printed in boldface 16-point font on either the front or cover page of every solar energy contract prior to completing a sale, financing, or lease of a solar energy system to be installed on a residential building.
The disclosure document and the contract must be written in the same language principally used in the oral sales presentation or the marketing materials provided to the consumer. English and Spanish versions of the disclosure document are available on CSLB's website in English and Spanish. The contractor must translate the document into other languages, as necessary.
If the sale of the solar energy system utilizes Property Assessed Clean Energy (PACE) financing, the PACE Financing Estimate and Disclosure form may be used in place of the new solar energy system disclosure document. The PACE form is available on the California Legislative Information website and State Assembly website.
PACE contractors must still comply with the current home improvement disclosure requirements of the Contractors State License Law (LINK).
BPC §7169 also contains provisions for the development of further disclosure content for residential solar energy systems contracts. To that end, CSLB hosted a meeting of stakeholders on August 24, 2018 to seek industry and consumer input on the development of further disclosure content. Please stay tuned for new Industry Bulletins regarding possible additional stakeholder meetings and possible future solar energy system contract disclosure requirements that will be implemented through the regulatory process, which will provide an additional opportunity for public comment.
CSLB hopes the requirement to include the Solar Energy System Disclosure Document in the contract for residential solar energy systems will reduce misunderstandings between contractors and consumers and help our licensees improve their relationships with customers.
And, finally, in tribute to the waning days of Summer:
Categories: General, Green building
Tagged: Business and Professions Code section 7169, PACE, Property Assessed Clean Energy, Solar Energy System Disclosure
California Ballot Initiative Seeks to Repeal Infrastructure Funding Bill
California Construction Lawyer
California Construction Law Blog
Wendel, Rosen, Black & Dean LLP
1111 Broadway, 24th Floor
EMAIL: wrbd@wendel.com


It's now ready for short lets; a perfect weekend retreat just 2 hours' drive from the northern suburbs of Nairobi. Colobus & Sykes monkeys abound and it's a bird-watcher's paradise. The Burguret River supports both Brown and Rainbow trout, with unbroken forest from the farm up the mountain slopes. There's excellent mountain biking and hiking in the area and the location is perfect as a base-camp for climbing the mountain. Creaky Cottage is equipped for self- catering or breakfast and other meals through the Trout-Tree Restaurant, located two stone's throw away on the other side of the trout farm. Cost per night for the whole cottage is Kshs 8,000/- with a negotiable discount for bookings over 3 nights. Overfow accommodation for larger groups may be available in the director's house on the farm adjacent to the restaurant. Click HERE to fnd out more. For bookings click HERE or though the Trout-Tree manager, Mr. John Wainaina on +254 726281704.


The basic medical qualification obtained in Indian medical schools is called MBBS. The MBBS course is of four and a half years and is followed by one year of Compulsory Rotating Residential Internship. MBBS course is followed by MS, a post graduation course in surgical specialities or MD, a post graduate course in medical specialities which are usually of 3 years duration.
Super or sub-specialities can be pursued and only a MS or MD holder is eligible. A qualification in super or sub speciality is called DM or M.Ch. Entry into medical education is based on entrance examination in most of the states. Some prestigious institutes like AIIMS, AIMS, CMC Vellore, JIPMER and AFMC conduct entrance tests at national levels and attract candidates from all over the country.
In India Medical Colleges are governed and regulated by Medical Council of India, a central regulatory body. The Council grants recognition of medical qualifications, gives accreditation to medical colleges, grants registration to medical practitioners, and monitors medical practice in India.
Ramachandra medical college in chennai is also very good. The facilities and infrastructure is really nice.
THE ENTRANCE EXAMINATIONS MAY PLEASE CONDUCT CONVENIENT DATES . IN THE CURRENT YEAR THE ENTRANCE EXAMINATION DATE OF AFMC AND COMEDK WERE SAME ON 6th MAY 2012 . THE RESPECTED PLEASE AVOID SUCH INCONVENIENCE OF THE CANDIDATES IN FUTURE .
please give the information about Aims Entrance Exam question model is fully based on NCERT ?
THE ENTRANCE EXAMS AVAILABLE FOR MEDICAL.
Can u guide me what are all the possible medical entrance (MBBS) that i could write this year(2012-2013)?
please give information about manipal medical exam. & Ipu cet mbbs delhi .
The NEET UG has been cancelled. AIPMT has already been announced .


Are you searching for your Roots?
Call the Bristow Library at 918-367-6562 for login information.
Ancestry available on library computers only.
Fold 3 Plus is accessible from anywhere.
Held the first Thursday of each month, 6:00 pm to 8:00 pm, at the Bristow Public Library. Bring your coffee and a friend and plan to attend. Visitors welcome. Meetings are held in the library conference room.
Join BGS in welcoming author Carolyn Steele as guest speaker. It is a real privilege to have her share her vast creative writing skills with us. Her topic will be Heirlooms. Come and bring a friend.
Membership Dues: $10 per year per single person or $12.00 per family.
Upon membership, you will receive a membership packet to record and guide you in your search of family members.


Support the artist who love what you do, the Art Show is a great place to discover new art and exciting pieces of art.
Strap yourselves in because we're about to get this hype train rolling! That's right, for the first time ever Anime North Texas will be hosting it's very own ART SHOW! This year's Art Show will be centrally located near the Dealers Room and the Artist Alley. How exciting!
So what does this mean for Attendees? You'll be able to look forward to some of the most amazing artwork hand selected from very talented artists. So not only will you get to support some of the best artists around, and you have the chance at snagging some really spectacular artwork, too!
And to all the beloved artists out there in convention land. We would like to extend to you the opportunity to be a part of Anime North Texas' Art Show. For an introductory rate of a $5 fee per 4' x 4' section, plus 10% of sales for the weekend you'll be able to showcase and auction of your artwork during the convention. This low risk fee structure allows you the opportunity to work with Anime North Texas where you may not have had the chance to before. In addition, artists who do exceptionally well are given the option to purchase a table in the Artist Alley for the following year.
Sounds great, right? Fans get even more chances at some amazing art. Artists get more opportunities than ever before. I'm sure you can all expect great things from Anime North Texas' first EVER Art Show because I know I am!


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New Film: The Wrestler
Darren Aronofsky's The Wrestler, from a Robert D. Siegel screenplay, provides the past year's most intelligent - and unexpected - use of a cinematic inter-text: Mel Gibson's The Passion of the Christ (2004). Quoting from the prophet Isaiah (chapt. 53), Marisa Tomei's stripper Cassidy compares Micky Rourke's eponymous Randy "The Ram" Robinson to the Messiah: "he was pierced for our transgressions, he was crushed for our iniquities, the punishment that brought us peace was upon him, and by his wounds we are healed." Significantly, Cassidy closes the quote by citing the Gibson film rather than the Biblical text, thus positioning The Wrestler as an inheritor of The Passion's particular exegesis - namely, that Christ's suffering (for mankind's sin) is the fault of all persons - as well as to its disfiguring violence. The Wrestler demands a similar, however secular, accounting of its spectators complicity in 'The Ram's' physical degeneration. With extreme caution, this line might be extended to Rourke's real-life decay in the public eye; regardless, the effects of the performer's lifestyle secure the film's unmistakable authenticity.
A second, implicit point-of-reference can be found in the similiarities shared between The Wrestler and the works of Jean-Pierre and Luc Dardenne.^ Most directly, Aronofsky and cinematographer Maryse Alberti's behind-the-shoulder camera work recalls the Dardenne brothers' 2002 The Son, which needless to say procured a Christian allegory of its own. The Wrestler's highly-identificatory mise-en-scène emphathetically showcases the everyday physical effects of the title activity and years of drug use (both professionally-enhancing and not) for Randy, as well as the bodily stress of the shoot and the self-medicating again for Rourke. Like his 2000 Requium for a Dream, Aronofsky has succeeded in creating an almost unimaginably mimetic art. While in both cases the films can be difficult to watch, even if The Wrestler does not even come close to Requium... in this regard, the director's latest separates itself once again for its thoughtful self-positioning within the aforesaid cinematic traditions.
The Wrestler likewise manages to artfully externalize its protagonist's physical and emotional distress. Like 'The Ram's' time-ravaged physique, Aronofsky's locations secure the same sense of a life ending, with their mid-winter, treeless settings: chief among these is the New Jersey trailer park in which Randy lives (which happens to recall another of the Dardenne's films, 1999's Cannes-prize winner Rosetta). Of course, this late year setting does form a background for one of the film's most winning passages - namely, the deserted NJ boardwalk where Randy and his estranged daughter (Evan Rachel Wood) return to the location of many of the pair's all-too-rare shared memories. In a tightly-framed medium close-up, Randy delivers an urgent, and truly heart-breaking monologue to the daughter, whom he admits he tried to forget. At least momentarily, The Wrestler shows itself to be among the most hopeful of this year's films. This scene's opening also shows the picture's, as well as 'The Ram's wit, in his choice of belated gifts for his daughter.
Of course, Aronofsky and Siegel deny us this happy ending. Randy is much too far degraded (in every respect) to achieve permanent reconciliation and restoration. While his 'performance' at his new deli-counter job again showcases his humor and hints at redemptive possibilities - Randy demonstrates a real aptitude with his customers that Arnofosky compares to the wrestling ring (with its back-stage passageway and the filmmakers' use of non-diegetic crowd cues) - a subsequent strip-club encounter with Cassidy deflates the newly rejuvenated Randy, setting off the course of events that will bring 'The Ram' back to the ring one last time.
The film's conclusive match reunites 'The Ram' with 1980s era-opponent 'The Ayatollah' in an unmissable reference to former WWF heavy The Iron Sheik, who famously (among former wrestling aficionados, as this writer was in his childhood) lost his title to Hulk Hogan. Indeed, local color is also supplied with a title credit sequence that includes magazine covers - including industry standard Pro Wrestling Illustrated - and by the participation of real-life grapplers, who really do experience a wear-and-tear in the ring, thanks to the razor blades and chair backs that bring the 'fake' sport to life. Among the film's most harrowing set-pieces is an autograph signing where Randy's compatriots - who it should be added never fail to act warmly towards the aging champion - wait for a very small number of fans, as they sit in their wheel chairs or with their catheters drooping below their pant legs'.
While Rourke does not in reality belong to this world in the same way, his Randy 'The Ram' Robinson is a flawlessly drawn and instantiated entry into their universe. In other words, Rourke deserves all the many accolades he has received for his extraordinary performance. Tomei's still beautiful, though similarly-near retirement Cassidy holds the screen with the former, in no small measure thanks to the actress's physical performance - which is to say her topless dancing. She is every bit as convincing in this role as Rourke is as a worn 1980s legend. (The film's 1980 period detail, including a perfectly placed Guns-N-Roses standard, does much to enchance The Wrestler's authentic characterizations.) Indeed, Arnofosky and Siegel's narrative, structured on its parrallelisms - their jobs, children and so on (she is the much better preserved) - is very much their story.
While there can be no denying the centrality of Rourke's epic performance in carrying the film, The Wrestler is nonetheless more than the sum or his or even their performances (Wood too is of note). Indeed, by virtue of its smart assimilation of sources and its mimetic formal articulation of content, Aronofsky's work is among best American films of the previous year, making the film very deserving of a 'Best Picture' nomination (certainly above frontrunners Slumdog Millionaire, The Curious Case of Benjamin Button and Milk) in addition to its sure-thing acting nominations.
^ It has been brought to my attention that Todd McCarthy makes the same comparison. If I noticed this after reading McCarthy (I cannot remember now if I did) I would like to cite the Variety critic. If I did not, then there really must be something to this convergence.
Matt Hauske said...
Nice review, Mike. I was lukewarm about this film when I saw it last week, but your review has opened up it a lot for me, so thanks. Developing that Passion intertext really helped. I would add, though, that the suffering of Christ (and The Ram) is not only the fault of all persons, but is also supposed to promise precisely the redemption for said persons that is foreclosed upon in this film, making the ending all the more poignant. Rourke's final speech doesn't allow the film audience to accept his life choices for the sake of the enjoyment he gives his wrestling audience, who remain an anonymous, screaming mob. (Compare the iconic scene in the church in Sullivan's Travels where the comedy director realizes that his films have redemptive value?) Instead of redemption for him, us, or them, we're left with...what? I don't know. Personally I'm frustrated that this bright, intelligent, affable guy couldn't find it within himself to abandon the fans who surely will abandon him once he retires, but I'm not sure what I'm supposed to do with that.
I'm still not crazy about Wood's character or performance, but I thought Tomei was awesome--if she didn't deserve her My Cousin Vinny Oscar, she earned it here. Demi Moore and Elizabeth Berkeley's decisions to portray strippers have absolutely no courage about them--Tomei displays nothing but.
Michael J. Anderson said...
Matt, thank you for the fine comments.
While I will agree that it is an imperfect analogy - The Ram is obviously no innocent - the intertext does permit for the sensitive viewer (i.e. the professional wrestling fan, past and present; the crowd at the New Haven screening I attended seemed to bring many such persons into the theatre, atypically) to consider their role, as minimal as it is, in these athletes' professional and later lives. That is, we see that they have truly suffered physically for our entertainment. Again, this is not a perfect analogy, but the previous film's pointed reflection on human complicity opens up a comparison that would not have been as direct without its specific intertext. It provides a key for reading The Wrestler.
Despite the excellence of your review, Mike, I don't think a better analysis of this film is possible than the one that exists here:
http://www.funnyordie.com/videos/0d308ebcbb/the-uncler-w-uncle-sam-and-alyssa-milano#player
I see the future of film studies in this clip.

redpajama_set_name: RedPajamaCommonCrawl


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Tedeschi Trucks Band Announces Summer Tour
CINCINNATI, OH, (February 23, 2015) — Rolling across America on a sizzling summer run, Tedeschi Trucks Band's "Wheels of Soul" tour brings the Grammy-winning,11-piece blues-rock dynamo together with soul sensation Sharon Jones and the Dap-Kings, and acclaimed guitarist Doyle Bramhall II, for 20 not-be-missed appearances. Performing at some of the finest outdoor venues in the country, the first of the tour's two legs kicks off June 5th in Paso Robles, California, and includes a stop in Cincinnati, OH at PNC Pavilion on Friday, June 26.
Tickets for the Cincinnati show $78*, $68*, $48* Reserved Pavilion and $150* Reserved 4-Pack, go on sale to the public beginning at 10:00am on Friday, March 6 at www.Ticketmaster.com, www.PNCPavilion.com, and all Ticketmaster outlets. Charge by phone at 1.800.745.3000. *Ticket prices include parking and are subject to applicable fees. Dates, times and artists subject to change without notice.
Perhaps not since the days of Joe Cocker's supersized Mad Dogs and Englishmen tour of the early '70s has this much talented rock and soul hit the road together, suggesting some potentially explosive onstage musical fireworks. Singer and guitarist Susan Tedeschi, who fronts TTB with her husband and guitar virtuoso Derek Trucks, is excited about the possibilities. "Sharon is really soulful and sweet and we know a lot of the Dap-King guys through different projects," said Tedeschi, also thrilled to share the stage with longtime friend and TTB collaborator Doyle Bramhall II. "There's a lot to look forward to and who knows—maybe we'll all get up and play together. The wheels of creativity are turning at all times; it should be fun and could be epic."
Formed in 2010 with a spirit of adventure that saw Tedeschi and Trucks shelve their equally successful solo careers, Tedeschi Trucks Band has quickly become the vanguard of modern roots music. TTB has already earned a Grammy for its debut album,
Revelator, followed with a dynamic live double disc, Everybody's Talkin,' and most recently released Made Up Mind. Driven by Trucks, #16 of the top 100 Guitarists of All Time (Rolling Stone), and Tedeschi, blessed with a voice that passionately delivers a range of powerful R&B belters to gentle ballads, the group enlists two drummers, two vocalists, a three-piece horn section, bass, and a multi-instrumentalist keyboard player for what is a greater-than-the-sum-of-its-parts collective.
Combining inspired Memphis soul with post-war electric blues and classic songcraft into an award-winning sound, TTB has captured the admiration of both concert audiences and critics worldwide – recently touted as "a deeply skilled groove machine" (
Los Angeles Times). With its legendary live performances featuring a growing repertoire of original material and an astounding range of songs by anyone from blues pioneers Blind Willie Johnson and Elmore James to present-day Ray LaMontagne and David Bowie, TTB thrives on shaking things up and challenging itself. They've recently introduced an intimate acoustic segment into their live set, and fans this summer can also expect to hear new originals that the band has been working on for their next album.
Having wrapped up his 15-year tenure with The Allman Brothers Band, Trucks is entering 2015 with full-time focus and a jam-packed itinerary of TTB concert dates. After launching the new year with their own annual Sunshine Music Festival in Florida, two nights at Nashville's storied Ryman Auditorium, and a performance by Derek and Susan at February's high-profile MusicCares concert honoring Bob Dylan, TTB will jump on the festival circuit again, with an inaugural mainstage appearance at the New Orleans Jazz & Heritage Festival in April and a return to Lock'n in September. Additionally, the group has also lined up another trip to Europe this fall after two treks there in 2014.
Sharon Jones and the Dap-Kings have been hailed as one of the leading forces in the revival of classic soul and funk. The band has traveled the world for more than a decade, blowing minds with their electrifying live performances and their raw, hand-crafted studio recordings. The Brooklyn based 11-piece group delivers sharp, danceable funk grooves, impassioned singing and sweet soul hooks that stay in your head for days on end. The group is touring behind it's sixth album under the renowned independent Daptone label, 2014's
Give the People What They Want, which was recently honored with a Grammy nomination for Best R&B Album. The prolific power-house and survivor that she is, Sharon Jones has fully recovered from a 2013 cancer diagnosis and bounced back with one of the biggest years of her career, filled with milestone accomplishments and a renewed energy for life.
Doyle Bramhall II is well-known for his extraordinary guitar work, but also as a distinctive vocalist, composer and producer. Just 18 when he was recruited by Jimmie Vaughan to play with the Fabulous Thunderbirds, two years later Doyle co-founded the Arc Angels with Charlie Sexton and Stevie Ray Vaughan's rhythm section: Chris Layton and Tommy Shannon. So impressed with Doyle too, Eric Clapton invited Bramhall to join Clapton's group full-time and their association flourished. Collaborations with such as artists as Sheryl Crow, Tedeschi Trucks Band, Elton John, Gary Clark Jr., Erykah Badu, and Gregg Allman have kept Doyle highly in-demand. He is now completing his fourth solo album, launching the next chapter of his musical journey.
http://www.tedeschitrucksband.com
http://www.sharonjonesandthedapkings.com
http://www.db2music.com
Tagged with: Doyle Bramhall II, OH, PNC Pavilion, Sharon Jones & the Dap-Kings, Susan Tedeschi, Tedeschi Trucks Band
NICKELBACK COMING TO LOUISVILLE, KY – YUM! CENTER ON WEDNESDAY, FEB 25
Nickelback is on the road for the next seven months in support of their acclaimed eighth studio album, No Fixed Address (Republic Records), released last November. No Fixed Address spawned the anthemic Active Rock hit, "Edge Of A Revolution," and the #1 Most Added at Top 40 and iTunes Top Rock Songs Chart hit, "What Are You Waiting For?"
Nickelback will be joined by special guests The Pretty Reckless, supporting their latest release Going To Hell (Razor & Tie), for 19 dates when the tour launches, February 14 through March 15. Michigan rockers Pop Evil will pick-up the next ten dates, March 22 through April 7. Lifehouse will finish out the remaining 30+ dates, in support of their new release Out of the Wasteland (Ironworks Records/Kobalt Label Services), beginning on June 19 in Ridgefield, WA.
The group's worldwide sales exceed 50 million units, solidifying their status as the "eleventh best-selling music act" and second best-selling foreign act in the U.S. of the 21st century-behind only The Beatles.
Their inescapable and irresistible smash "How You Remind Me" remains Billboard's "Top Rock Song of the Decade" and "Fourth Song of the Decade".
Along the way, they've received a staggering nine Grammy Award nominations, three American Music Awards, a World Music Award, a People's Choice Award, 12 JUNO Awards and have been inducted into Canada's Walk of Fame.
https://www.youtube.com/watch?v=mVwTaTEpT8I&feature=youtu.be
www.nickelback.com
Tagged with: KFC Yum center, Nickelback, Razor & Tie
MUSIC LEGENDS THE NEVILLE BROTHERS TO BE HONORED AT
ALL-STAR FAREWELL CONCERT EVENT
MAY 2ND AT THE SAENGER THEATRE NEW ORLEANS
NEVILLES FOREVER:
A CELEBRATION OF THE NEVILLE BROTHERS AND THEIR MUSIC
WILL FEATURE PERFORMANCES BY:
THE NEVILLE BROTHERS (AARON, ART, CHARLES, CYRIL),
WIDESPREAD PANIC, TROMBONE SHORTY, GALACTIC, ALLEN TOUSSAINT,
IRMA THOMAS, TERENCE BLANCHARD,
IVAN NEVILLE, JOHN BOUTTÉ,
ANDERS OSBORNE, IAN NEVILLE AND MANY MORE
TICKETS GO ON SALE MONDAY FEBRUARY 16 AT 10AM CST
VIA TICKETMASTER
NEW ORLEANS, LA – February 11, 2015 – On Saturday, May 2nd, an extraordinary collection of music stars will come together for New Orleans' concert event of the year, NEVILLES FOREVER: A CELEBRATION OF THE NEVILLE BROTHERS AND THEIR MUSIC, to bid farewell to a national music treasure. This farewell concert will take place at the Saenger Theatre, and will feature performances by: the Neville Brothers (Aaron, Art, Charles, Cyril), Widespread Panic, Trombone Shorty, Galactic, Allen Toussaint, Irma Thomas, Terence Blanchard, Ivan Neville, John Boutté, Anders Osborne and Ian Neville. Additional performers will be announced in the coming weeks.
Tickets go on sale Monday, February 16 at 10am CST via Ticketmaster.com or at Ticketmaster locations or by phone at 800-745-3000. Fans can also purchase tickets at the Saenger Theatre Box Office Monday – Friday 10am – 5pm. Saturday hours vary by event. The address is 1111 Canal Street; New Orleans, LA; 70112.
Grammy Award-winner Don Was serves as music director and will lead an all-star band backing the performers at this incredible concert event taping. Keith Wortman is the creator and executive producer of the show, who recently produced large-scale concert events, music releases, and broadcast specials honoring music icons such as Johnny Cash, Levon Helm, Gregg Allman, Mavis Staples and Emmylou Harris amongst others. Wortman and Was were the producers of last year's extraordinary concert event, The Musical Mojo of Dr. John. NEVILLES FOREVER: A CELEBRATION OF THE NEVILLE BROTHERS AND THEIR MUSIC will be filmed and recorded for multi-platform distribution throughout traditional and digital media.
"I am honored to produce such an important show celebrating the Neville Brothers. Their music has meant everything to me and fans around the world," says Wortman. "This will be one of those nights where every fan wishes they were in the building."
"The Neville Brothers are the royal family of New Orleans funk," says Was. "Individually each brother is a musical powerhouse unto himself, but when they play together they create musical magic. The fact that they've come home to New Orleans for this show makes it all the more special."
For more information on NEVILLES FOREVER: A CELEBRATION OF THE NEVILLE BROTHERS AND THEIR MUSIC, please visit: http://nevillesforever.com
About the Neville Brothers:
Throughout their long careers as both solo performers and as members of the group that bore their family name, the Neville Brothers proudly carried the torch of their native New Orleans' rich R&B legacy. Although the four siblings — Arthur, Charles, Aaron, and Cyril — did not officially unite under the Neville Brothers aegis until 1977, all had crossed musical paths in the past, while also enjoying success with other unrelated projects: Eldest brother Art was the first to tackle a recording career, when in 1954 his high school band the Hawketts cut "Mardi Gras Mambo," a song that later became the annual carnival's unofficial anthem. Both Aaron and Charles later joined the Hawketts as well, and when Art joined the Navy in 1958, he handed Aaron the group's vocal reins. In 1968, Allen Toussaint put together a house band for various recordings that eventually became the Meters, which featured Art without Aaron and Charles. In 1975, the Meters backed the Wild Tchoupitoulas and enlisted Aaron and Charles for the recording sessions. In 1977, they officially banded together as the Neville Brothers and they went on to create music history with iconic albums and classic songs such as: "Yellow Moon," "Sister Rosa," "Mardi Gras Mambo," "Fiyo on the Bayou," "Live on Planet Earth," "Brothers Keeper," "Voodoo," "Bird on a Wire," "With God On Our Side," "Hey Pocky Way," "Ain't No Sunshine," "Drift Away," "Liza Jane" and "Big Chief," among many others.
Tagged with: ALL-STAR FAREWELL CONCERT EVENT, The Neville Brothers
BIG GUAVA MUSIC FESTIVAL ADDS EXCITING NEW ACTS
BIG GUAVA
ADDS EXCITING NEW ACTS
PRETTY LIGHTS ¤ AWOLNATION
ANDREW McMAHON IN THE WILDERNESS
NIGHT RIOTS ¤ SUNBEARS!
TO 2015 LINE-UP
PIXIES ¤ HOZIER ¤ PASSION PIT ¤ RYAN ADAMS TV ON THE RADIO ¤ JAMES BLAKE
COLD WAR KIDS ¤ BANKS ¤ RUN THE JEWELS
JENNY LEWIS ¤ DEATH FROM ABOVE 1979
ACTION BRONSON ¤ BIG DATA ¤ IRATION
AND TONS MORE MUSIC ON FOUR STAGES!
Fri. & Sat., May 8 & 9, 2015
At the Florida State Fairgrounds And Amphitheatre
Two Full Days of Music, Thrill Rides, Craft Beers, Food Trucks and more!
TICKETS AVAILABLE NOW AT
WWW.BIGGUAVAFEST.COM
Big Guava once again is adding outstanding performers to its already great line-up of musical stars at the Florida State Fairgrounds and Amphitheatre in Tampa, Friday, May 8 and Saturday, May 9.
Now included are Grammy nominated Pretty Lights; AWOLNATION, who have just released a hot new single; multi-million album seller Andrew McMahon in the Wilderness, riding the wave of a critically acclaimed new self-titled album; Night Riots, currently the #1 spin on Alt Nation; and psych-pop outfit Sunbears!. They join this year's exciting Big Guava Line-Up that includes:
Pixies ¤ Hozier ¤ Passion Pit ¤ Ryan Adams
TV On The Radio ¤ James Blake
Cold War Kids ¤ Banks ¤ Run the Jewels ¤ Jenny Lewis ¤ Death From Above 1979
Action Bronson ¤ Classixx ¤ Big Data ¤ Iration ¤ Milky Chance ¤ Robert DeLong
Lydia ¤ Reptar ¤ X Ambassadors ¤ A Silent Film ¤ Empires ¤ Paper Route
Zella Day ¤ Skylar Spence ¤ Ex-Cops ¤ Dreamers ¤ FMLYBND
What was ranked as one of the biggest and best Live Music Festivals in all of Florida, last year Big Guava saw more than 20,000 attendees flock to four stages of the best top live music acts, a Monster Midway of unlimited free thrilling and fast paced rides and the most unique food trucks that Tampa Bay has to offer as well as a variety of Craft Beer Gardens that provide refreshing libations for even the most discerning aficionados. And this year will be no exception! There is just no reason not to have the best time of your life! Music starts Friday, May 8 at 4PM and Saturday, May 9 at noon.
Tickets are on sale NOW! To purchase tickets go to www.bigguavafest.com, www.livenation.com, all TicketMaster outlets or charge-by-phone at (800) 745-3000.
All dates, acts and ticket prices are subject to change without notice. All tickets are subject to applicable taxes, parking and service and handling charges.
2-Day Advance General Admission Pass – $115.00
These tickets include Free Unlimited Rides and General Admission to All Stages including the Amphitheatre (seats available on first come, first served basis).
2-Day Advance General Admission Pit Pass – $135.00
These tickets include Admission to the GA Pit Area in Front of All the Stages; Free Unlimited Rides .
There is also the one and only:
2-Day Advance Super Guava Pass – $350.00
This is the ultimate ticket to Big Guava and includes Free Unlimited Rides; : Premium Reserved Seat in Amphitheatre; Preferred viewing areas for all other stages; Access to Two Super Guava Lounges; Commemorative Super Guava Laminate and Poster; Complementary Non-Alcoholic Beverages; Specialty Food will be Available in Super Guava Lounges; Private Restrooms
Big Guava Music Festival is one of Florida's biggest and best entertainment attractions! Don't miss the Magic!
For more information go to:
http://www.bigguavafest.com
Tagged with: Big Guava Music Festival
BLUE RIDGE BOWL CELEBRATES OPENING WITH TEDESCHI TRUCKS BAND
Posted in Entertainment by sceneandheardblog on February 2, 2015
VIRGINIA'S PREIMER MUSIC FESTIVAL, LOCKN',
LAUNCHES NEW VENUE ON FESTIVAL SITE
LOCKN' 2015 TICKET HOLDERS
TO RECEIVE FREE ENTRY FOR APRIL 18th SHOW
ARRINGTON, VA- Tedeschi Trucks Band are among the signature acts to bring their fire and spirit to the Lockn' Music Festival. After performing at Lockn' in 2013 and 2014, they'll be back in September for year three, which makes them the ideal artists to launch a new music venue in a natural amphitheater setting at the festival site.
On Saturday April 18th , Lockn' will present a special performance by the group at the new Blue Ridge Bowl at Lockn' Farm. To honor their association with the festival, this is a FREE event for all Lockn' 2015 ticket holders. Anyone who has already purchased, or purchases a Lockn' 2015 ticket before April 18th, will receive a free General Admission ticket to the Blue Ridge Bowl show.
"Peter Shapiro and I are thankful that so many people have already bought tickets for Lockn' 2015," says Lockn' co-founder Dave Frey. "We hope Lockn' 2015 ticket holders will appreciate that this show will be free for them. We're also announcing more Lockn' artists later in the week."
Tickets are also available to the general public and go on-sale Tuesday, February 3rd at 10am. VIP, GA, Student and Military tickets are available at www.blueridgebowl.com or by calling 800-594-TIXX (8499).
The Blue Ridge Bowl is Virginia's newest outdoor amphitheater located on Lockn' Farm adjacent to the historic Oak Ridge Farm in Arrington, VA. Both Lockn' Farm and Oak Ridge Farm are home to the annual Lockn' Music Festival.
blueridgebowl.com
locknfestival.com
Tagged with: Blue Ridge Bowl, Lockn Music Festival, Tedeschi Trucks Band
91.9 WFPK PRESENTS JJ GREY + MOFRO Friday, May 1st, 8:00 p.m. Gates 6:30 p.m.
Posted in Entertainment by sceneandheardblog on January 27, 2015
Production Simple and Sherpa/Square Peg Concerts
are pleased to announce that JJ Grey + Mofro will perform
at Iroquois Amphitheater on Friday, May1st.
Tickets for this all ages show will go on sale to the general public
Friday, January 30th, at 10am.
General Admission tickets Advance $25 / Day of $30
Tickets are available via www.IroquoisAmphitheater.com, by phone (877) 987-6487,
or in-person at the Iroquois Amphitheater Box Office (8:30 AM – 4:30 PM, M-F.)
Celebrated soulful ensemble JJ Grey & Mofro will release their newest recording Ol' Glory on March 3rd. This album marks their debut on Provogue Records, which is part of the Mascot Label Group. Ol' Glory contains 12 new songs that feature the deep, soulful blend of blues, rock, folk, funk, gospel, gritty R&B and personal, Southern-inspired narratives that have become synonymous with JJ Grey & Mofro. A true Southern renaissance man, JJ Grey's intensely charismatic live performances, combined with the incredible musicianship of Mofro, have connected with audiences all over the world. Their work has been praised by the press, including The New York Times, Wall Street Journal, NPR, Relix, The Oxford American and many more.
The material on Ol' Glory reflects two themes that run through JJ Grey & Mofro's entire body of work, a strong sense of place, and finding happiness with where you are in life. The opening track, "Everything Is A Song" is prime example, as is the joyous "Every Minute" with its mantra "loving every minute of living". "Home in the Sky" allows listeners a glimpse at Grey's spirituality strongly rooted in his Florida home and the land he grew up on. JJ Grey is a natural storyteller with a gift for delivering thoughtful and profound messages in a down-to-earth, laid-back way, while maintaining a level of intensity that goes straight to your core.
Ol' Glory was recorded at Retrophonics Studio in Saint Augustine, FL, where Grey has tracked many times. An avid surfer, Grey often spent the mornings at the beach and the afternoons recording, a formula that has proven very effective in creating inspired recordings. Ol' Glory showcases the strength of Mofro members Anthony Cole (drums and percussion), Andrew Trube (guitar), Anthony Farrell (piano/organ), Todd Smallie (bass) and Dennis Marion (trumpet) and Jeff Dazey (saxophone). Special guests include Luther Dickinson on dobro and electric slide guitar and Derek Trucks on electric slide guitar.
Artist websites:
JJ Grey and Mofro
Tagged with: Iroquois Amphitheater, JJ Grey, production Simple
Forecastle Festival Announces First Wave of Artists for 2015
FIRST WAVE OF 2015 FORECASTLE FESTIVAL LINEUP ANNOUNCED
MY MORNING JACKET RETURNS WITH SAM SMITH,
WIDESPREAD PANIC, MODEST MOUSE
Cage the Elephant, Houndmouth, TWEEDY, Tallest Man On Earth,
Portugal. The Man, RL Grime, First Aid Kit, Desaparecidos
+ Dozens More Round Out Initial Lineup
Tickets on Sale Friday, January 30 at Noon EST via ForecastleFest.com
LOUISVILLE, KY (January 27, 2015) – The Forecastle Festival will return this summer led by Louisville hometown heroes My Morning Jacket; soulful breakout star, Sam Smith; southern rock heavyweights, Widespread Panic; and indie veterans, Modest Mouse. The three-day music celebration, now in its 13th year, will take place July 17–19, 2015, at the award-winning Waterfront Park, a sweeping green space on the banks of the Ohio River framed by the skyline of downtown Louisville.
Hailing from Bowling Green, Kentucky, and New Albany, Indiana, respectively, Cage the Elephant and Houndmouth add to the stellar regional talent atop this year's Forecastle bill, the former currently working on their follow-up to the Grammy-nominated Melophobia and the latter eyeing a March 17 release of the highly-anticipated Little Neon Limelight via Rough Trade Records.
The family duo of Wilco frontman Jeff and his son Spencer Tweedy will showcase their recent collaboration as TWEEDY, while The Word, featuring pedal steel virtuoso Robert Randolph, B3 maestro John Medeski and the incomparable North Mississippi Allstars will bring the gospel stylings of Soul Food, their first album in 14 years, coming out May 5. Others notable acts include Tallest Man On Earth, Portugal. The Man, RL Grime, First Aid Kit, Desaparecidos, Shovels & Rope, Big K.R.I.T. and more. A full list of confirmed artists from the initial lineup can be found below. Additional artists will be announced in the coming weeks.
Weekend passes go on sale this Friday, January 30, 2015, at noon EST at ForecastleFest.com and all Ticketmaster outlets. A limited number of weekend passes start at $144.50 plus fees. VIP experiences, travel packages and payment plan options will also be available. Full details can be found at ForecastleFest.com.
The Bourbon Lodge, Forecastle's slice of the Kentucky Bourbon Trail, will return in 2015 with a full lineup of bourbon offerings, bourbon education, a bourbon-inspired culinary experience and much more. Fans of bourbon will have the option to purchase advanced Bourbon Lodge memberships with their weekend pass through Ticketmaster.
Also returning in 2015, The Kentucky Landing will feature a variety of regional craft beers, local food trucks and a selection of non-profit organizations and craft vendors selling Kentucky-made goods.
Highlighted in Rolling Stone as "one of the coolest festivals in America" and acclaimed by American Songwriter as "a rock and roll paradise," the Forecastle Festival has evolved from a small community event into one of the country's premier festival destinations.
The event offers an immersive experience that's distinctly Louisville—beyond the first-class musical lineup—highlighting the region's burgeoning culinary and arts scene, Kentucky's unique bourbon heritage and more. The festival continues to emphasize sustainability practices and conservation initiatives, exhibited by the festival's non-profit organization, the Forecastle Foundation.
Artist additions, single day tickets and late-night show tickets, along with the daily schedule of artists, late-night events and other activities will be available soon. For the latest news and updates from Forecastle Festival, fans can visit ForecastleFest.com, Facebook and Twitter, and sign up for the Forecastle newsletter.
The initial Forecastle 2015 lineup includes:
Houndmouth
Tallest Man On Earth
RL Grime
Shovels & Rope
The Gaslight Anthem
St. Paul & the Broken Bones
Kiesza
The Lone Bellow
People Under The Stairs
The Barr Brothers
Milo Greene
Speedy Ortiz
Son Lux
JEFF The Brotherhood
King Tuff
Noah Gundersen
Fly Golden Eagle
Diarrhea Planet
The Revivalists
White Reaper
Twin Limb
Knox Hamilton
Parker Millsap
Watch the Lineup Announcement video – http://youtu.be/nWBrS74tuzs
Tagged with: Big K.R.I.T., Cage the Elephant, Desaparecidos, Forecastle 2015 lineup, Forecastle festival, Houndmouth, Knox Hamilton, Modest Mouse, my morning Jacket, Sam Smith, St Paul and The Broken Bones, Sturgill Simpson, The Revivalists, Twin Limb, Widespread Panic
BONNAROO SUPERJAM WITH SKRILLEX AND FRIENDS PRESENTED BY AT&T U-VERSE
FESTIVAL RELEASES
LEGENDARY SKRILLEX SUPERJAM SERIES EPISODES
VIEW THE SKRILLEX SUPERJAM TRAILER
Watch the full series only on uverse.com/bonnaroo now
Learn more about how the SuperJam came together
during the Reddit AMA at 8PM ET Tonight
"It's been years since I've played in a live band. I wouldn't even call this a live band I would call this some alien race of music that hasn't even been heard before."
-Skrillex (This Stage, Bonnaroo TN., 3:20am on Saturday June 14th, 2014)
"When we announced this Superjam it was controversial. The pressure was on for all of us to live up to the legacy of the SuperJam. In the end, we got the surprise of a lifetime
and a show for the ages."
-SuperJam producer Paul Peck
"#1 Best Performance of Bonnaroo 2014"
-Billboard
Like Bonnaroo itself, the festival's SuperJam is an ambitious experience that pushes boundaries transversing genres, generations and expectations. From rehearsals to the stage, watch as maestro Skrillex, both on stage in an exclusive backstage footage, pushes his own genre boundaries and forms the foundation of an all-star band led by Big Gigantic, with Thundercat on bass and Incubus' Mike Einziger on guitar that would ultimately involve such wide ranging artists and influences including:
The Doors (Robby Krieger), the Grateful Dead (Mickey Hart), Ms. Lauryn Hill,
Damian "Jr. Gong" Marley, Zedd, A$AP Ferg, Warpaint,
Mystikal, Janelle Monae, Matt Shultz from Cage the Elephant,
Joel Cummins from Umphrey's McGee, Craig Robinson and much much more.
In an era in which the business of music is all too apparent and pervasive, the Bonnaroo SuperJam, the festival's signature event, has become a respected and highly acclaimed institution that looms large as a once-in-a-lifetime experience where experiments are encouraged, genre categories no longer exist and superstar musicians who may have never crossed paths let alone shared the same stage become unexpected collaborators in pursuit of pure creation.
The entire series was shot and directed by Danny Clinch, a three-time GRAMMY Award-nominated film director and one of the most acclaimed photographers working today.
Tagged with: bonnaroo 2015 lineup, Bonnaroo Superjam
2015 Forecastle Lineup Coming Tuesday, 1/27!
ALL ABOARD! Forecastle 2015 is in full swing and we can't wait to share all the killer details with you! With the lineup coming a week from today and tickets on sale soon after that, there's plenty to plan for. While you're at it, be sure to follow the string of lineup clues on our Facebook, Twitter, & Instagram! Get onboard, y'all!
Tagged with: Forecastle 2015 lineup
HANGOUT MUSIC FESTIVAL ANNOUNCES 2015 LINEUP
FOO FIGHTERS, ZAC BROWN BAND, BECK, MY MORNING JACKET
SKRILLEX, PARAMORE, FOSTER THE PEOPLE, SPOON
TO HEADLINE 6TH INSTALLMENT OF FESTIVAL
THREE-DAY TICKETS ON-SALE TUESDAY, JANUARY 12th AT 10 AM EST
The Hangout Festival
GULF SHORES, AL (January 12th, 2015) – Hangout Music Festival has announced their 2015 lineup. The sixth festival installment will take place May 15-17, 2015 and will feature headliners Foo Fighters, Zac Brown Band, Beck, My Morning Jacket, Skrillex, Paramore, Foster The People, Spoon and over 70 bands to the beautiful white sandy beaches of Gulf Shores, AL. Three day tickets go on-sale Tuesday, January 12th at 10 AM EST and are $249. To purchase three-day tickets, visit www.hangoutmusicfest.com
Full lineup: https://www.dropbox.com/sh/aeew43sf5y6053h/AAAh7Vq6jQsyG7n-ah1qc0kea?dl=0
Today, Hangout announced a new joint venture with Goldenvoice. "From the beginning, the Hangout Music Festival's main priority has been to create an incredible fan experience. With our recently announced partnership with Goldenvoice, who produce top festivals including Coachella, we have found a partner that shares our vision in both fan experience and music programming. This partnership offers an exciting opportunity for the overall enhancement of Hangout, " said Shaul Zislin, Founder of Hangout Festival.
Local bands Houndmouth and My Morning Jacket will both be appearing.
Hangout Music Festival is the first and only festival of its kind. The festival's extraordinary beach backdrop and sandy walkways make Hangout Music Festival the premiere music festival destination for music fan. Food offerings include fresh local seafood offerings prepared by renowned regional chefs in the Alabama Gulf Seafood Courtyard.
VIP ticket-holders are receiving a new perk this year – unique food experiences from award winning chefs. Other benefits of the acclaimed VIP area include easy access to the festival through special entrances, prime viewing areas, including swimming pools with views of the main stage, a shaded VIP Grove with complimentary beverages as well as private, air-conditioned restrooms and more. Super VIPs will also receive 24/7 concierge services, access to a private and air-conditioned dining room and lounge featuring exclusive meals prepared by renowned chefs, golf cart chauffeur service, priority on-site lodging reservation privileges and more. VIP tickets are available for $1099 and a limited number of Super VIP tickets will also be available for $1699. To purchase VIP tickets, visit: www.hangoutmusicfest.com
The Hangout Music Fest is located in Gulf Shores, Alabama – just a few miles from the Florida border. The Gulf Shores area offers a wide arrange of vacation rentals including condos, hotels and beach houses – many of which are located within walking or biking distance to the festival. Fans looking to book a place to stay for the festival can choose from a wide variety of options at http://www.hangoutmusicfest.com.
For more information on Hangout Music Festival, please visit HangoutMusicFest.com.
Jim James My Morning Jacket
Tagged with: Beck, Houndmouth, my morning Jacket, The Foo Fighters, The Hangout 2015 lineup, Zac Brown Band
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text:
The 1976 Nicholls State Colonels football team represented Nicholls State University as a member of the Gulf South Conference (GSC) during the 1976 NCAA Division II football season. Led by third-year head coach Bill Clements, the Colonels compiled an overall record of 4–6–1 with a mark of 2–5–1 in conference play, tying for seventh place in the GSC. Nicholls State played home games at John L. Guidry Stadium in Thibodaux, Louisiana.

Schedule

References

Nicholls State
Nicholls Colonels football seasons
Nicholls State Colonels football

redpajama_set_name: RedPajamaWikipedia


text:
Q: NestJS: present response content from URL on healthcheck I'm trying to develop a healthcheck endpoint with NestJS (in which I have no experience). One of the dependencies I want to check is Twilio's SMS service. So far, the best URL I've found to gather this information is https://status.twilio.com/api/v2/status.json. The problem here is that I don't want to merely ping this address, but to gather it's JSON response and present some of the information it provides, namely these:

Is it possible, using (or not) the Terminus module? In the official docs I didn't find anything regarding this, only simpler examples using pingCheck / responseCheck: https://docs.nestjs.com/recipes/terminus

A: Yes, it is possible.
I have never used this, but HttpHealthIndicator has responseCheck method to check depends on the API response message. You can specify a callback function to analyze responses from the API. The callback function should return boolean represents the status of the API.
I couldn't find this in the documents, but you can see it here.

A: Although meanwhile the logic for this healthcheck has changed (and so this question became obsolete), this was the temporary solution I've found, before it happened (basically a regular endpoint using axios, as pointed out in one of the comments above):
Controller
    import { Controller, Get } from '@nestjs/common';
    import { TwilioStatusService } from './twilio-status.service';

    @Controller('status')
    export class TwilioStatusController {
      constructor(private readonly twilioStatusService: TwilioStatusService) {}

      @Get('twilio')
      getTwilioStatus() {
        const res = this.twilioStatusService.getTwilioStatus();
        return res;
      }
    }

Service
    import { HttpService } from '@nestjs/axios';
    import { Injectable } from '@nestjs/common';
    import { map } from 'rxjs/operators';

    @Injectable()
    export class TwilioStatusService {
      constructor(private httpService: HttpService) {}

      getTwilioStatus() {
        return this.httpService
          .get('https://status.twilio.com/api/v2/status.json')
          .pipe(map((response) => response.data.status));
      }
    }

Of course this wasn't an optimal solution, since I had to do this endpoint + a separated one for checking MongoDB's availability (a regular NestJS healthcheck, using Terminus), the goal being an healthcheck that glued both endpoints together.

A: It is possible to merge in any property to the resulting object. You can see that in the TypeScript Interface
/**
 * The result object of a health indicator
 * @publicApi
 */
export declare type HealthIndicatorResult = {
    /**
     * The key of the health indicator which should be uniqe
     */
    [key: string]: {
        /**
         * The status if the given health indicator was successful or not
         */
        status: HealthIndicatorStatus;
        /**
         * Optional settings of the health indicator result
         */
        [optionalKeys: string]: any;
    };
};

And here is an example:
diagnostics/health/healthcheck.controller
import { Controller, Get } from '@nestjs/common'
import { ApiTags } from '@nestjs/swagger'
import { HttpService } from '@nestjs/axios'
import { HealthCheckService, HealthCheck, HealthIndicatorStatus, HealthCheckError } from '@nestjs/terminus'

@ApiTags('diagnostics')
@Controller('diagnostics/health')
export class HealthController {
  constructor(
    private health: HealthCheckService,
    private httpService: HttpService,
  ) { }

  @Get()
  @HealthCheck()
  check() {
    return this.health.check([

      () => this.httpService.get('http://localhost:9002/api/v1/diagnostics/health').toPromise().then(({ statusText, config: { url }, data }) => {
        const status: HealthIndicatorStatus = statusText === 'OK' ? 'up' : 'down'
        return { 'other-service': { status, url, data } }
      }).catch(({ code, config: { url } }) => {
        throw new HealthCheckError('Other service check failed', { 'other-service': { status: 'down', code, url } })
      }),

    ])
  }
}

diagnostics/diagnostics.module.ts
import { Module } from '@nestjs/common'
import { TerminusModule } from '@nestjs/terminus'
import { HttpModule } from '@nestjs/axios'
import { HealthController } from './health/health.controller'

@Module({
  imports: [
    HttpModule,
    TerminusModule,
  ],
  controllers: [HealthController],
})
export class DiagnosticsModule { }

redpajama_set_name: RedPajamaStackExchange


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Stainless Steel Fridge, Cooktop Stove, Built-In Oven, Dishwasher, Built-In Microwave, Full Size White Washer And Dryer.Mirrored Closet Doors. Parking And Locker Included.


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Great for those who dribble or leak but don't need a bulky diaper; and those who want to be able to quickly pull them down when they do make it to the toilet.
Fits waists from 34" to 52" with a max-stretch of 55"


text:
Logan Morrison
First Base - Milwaukee Brewers
Date of Birth: August 25, 1987 (33 years old)
Logan Morrison News
There is no news on Logan Morrison right now.
Logan Morrison Stats
2010 Season 2011 Season 2012 Season 2013 Season 2014 Season 2015 Season 2016 Season
244 43 69 109 20 7 2 18 41 0 51 0 1 .283 .390 .447 2 0 0
Jul 27 FLA SF 4 0 1 1 0 0 0 0 0 0 1 0 0 .250 .250 .250 0 0 0
Jul 30 FLA SD 4 0 1 1 0 0 0 1 0 0 1 0 0 .278 .278 .389 0 0 0
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Aug 10 FLA WSH 2 1 1 1 0 0 0 1 3 0 0 0 0 .245 .315 .327 0 0 0
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Aug 27 FLA ATL 4 1 1 4 0 0 1 1 1 0 0 0 0 .318 .416 .458 0 0 0
Sep 1 FLA WSH 4 3 2 3 1 0 0 0 1 0 1 0 0 .294 .403 .421 0 0 0
Sep 3 FLA ATL 5 2 2 6 0 2 0 1 0 0 1 0 0 .298 .403 .450 0 0 0
Sep 6 FLA PHI 4 1 1 1 0 0 0 0 1 0 0 0 0 .310 .413 .479 0 0 0
Sep 10 FLA WSH 5 0 1 1 0 0 0 0 0 0 2 0 0 .314 .425 .487 0 0 0
Sep 13 FLA PHI 3 2 1 4 0 0 1 1 1 0 0 0 0 .304 .418 .482 1 0 0
Sep 17 FLA CHC 4 0 1 2 1 0 0 0 1 0 1 0 1 .306 .421 .489 0 0 0
Sep 20 FLA STL 3 0 1 1 0 0 0 0 1 0 0 0 0 .311 .428 .489 0 0 0
Sep 21 FLA NYM 4 0 1 2 1 0 0 0 0 0 1 0 0 .309 .425 .490 0 0 0
Sep 23 FLA MIL 4 0 0 0 0 0 0 0 1 0 1 0 0 .302 .420 .475 0 0 0
Sep 27 FLA ATL 5 0 0 0 0 0 0 0 0 0 1 0 0 .286 .398 .445 0 0 0
Sep 30 FLA PIT 4 3 3 5 0 1 0 1 1 0 0 0 0 .289 .400 .448 0 0 0
Oct 1 FLA PIT 4 1 1 3 0 1 0 0 0 0 1 0 0 .288 .398 .453 0 0 0
462 54 114 216 25 4 23 72 54 3 99 2 1 .247 .330 .468 5 0 4
Apr 1 FLA NYM 3 2 1 4 0 0 1 1 1 0 0 0 0 .333 .500 1.000 0 0 0
Apr 2 FLA NYM 5 0 1 1 0 0 0 2 0 0 1 0 0 .250 .333 .625 0 0 0
Apr 5 FLA WSH 4 1 2 6 1 0 1 1 1 1 1 0 0 .286 .474 .786 0 0 0
Apr 8 FLA HOU 4 0 3 4 1 0 0 1 0 0 0 0 0 .320 .485 .640 0 0 0
Apr 10 FLA HOU 3 0 1 1 0 0 0 1 1 0 2 0 0 .333 .476 .606 0 0 0
Apr 12 FLA ATL 4 0 1 2 1 0 0 0 0 0 0 0 0 .324 .457 .595 0 0 0
Apr 15 FLA PHI 4 2 2 5 0 0 1 1 0 0 1 0 0 .320 .424 .660 0 0 0
Apr 19 FLA PIT 3 0 1 1 0 0 0 0 0 0 0 0 0 .327 .424 .636 0 0 0
May 13 FLA WSH 4 1 1 4 0 0 1 1 0 0 2 0 0 .322 .423 .661 1 0 0
May 16 FLA NYM 4 0 0 0 0 0 0 0 1 0 1 0 0 .310 .405 .606 0 0 0
May 18 FLA CHC 4 0 1 2 1 0 0 0 1 0 1 0 0 .307 .404 .600 0 0 0
May 20 FLA TB 4 2 2 6 1 0 1 2 0 0 0 0 0 .325 .418 .639 0 0 0
May 24 FLA SF 4 1 0 0 0 0 0 0 1 0 1 0 0 .298 .396 .585 0 0 0
May 27 FLA LA 3 0 2 2 0 0 0 0 1 0 0 0 0 .330 .424 .585 0 0 0
May 30 FLA ARI 4 1 1 1 0 0 0 0 1 0 2 0 0 .322 .410 .559 0 0 0
Jun 1 FLA ARI 4 1 1 2 1 0 0 0 0 0 0 0 0 .317 .401 .571 0 0 0
Jun 3 FLA MIL 4 0 0 0 0 0 0 0 0 0 0 0 0 .308 .395 .554 1 0 0
Jun 7 FLA ATL 4 0 0 0 0 0 0 0 0 0 2 0 0 .295 .382 .521 0 0 0
Jun 10 FLA ARI 4 1 1 4 0 0 1 2 1 0 0 0 0 .288 .383 .519 0 0 0
Jun 14 FLA PHI 4 0 1 1 0 0 0 0 0 0 0 0 0 .295 .383 .514 0 0 0
Jun 17 FLA TB 3 0 1 1 0 0 0 0 1 0 1 0 0 .287 .373 .505 0 0 0
Jun 20 FLA LAA 3 0 0 0 0 0 0 0 1 0 1 0 0 .278 .362 .485 0 0 0
Jun 24 FLA SEA 3 0 0 0 0 0 0 0 1 0 0 0 0 .267 .351 .462 0 0 0
Jun 28 FLA OAK 2 0 0 0 0 0 0 0 1 0 1 0 0 .262 .348 .453 0 0 0
Jul 1 FLA TEX 4 1 1 2 1 0 0 1 0 0 1 0 0 .265 .347 .469 0 0 0
Jul 4 FLA PHI 4 0 0 0 0 0 0 0 0 0 1 0 0 .264 .342 .477 0 0 0
Jul 7 FLA HOU 4 0 2 3 1 0 0 2 0 0 0 0 0 .262 .337 .480 0 0 0
Jul 10 FLA HOU 3 0 1 1 0 0 0 0 0 0 1 0 0 .267 .343 .489 1 0 0
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Jul 18 FLA NYM 4 0 1 1 0 0 0 1 0 0 0 0 0 .261 .338 .477 0 0 0
Jul 26 FLA WSH 4 1 1 4 0 0 1 2 1 0 1 0 0 .256 .328 .484 0 0 0
Jul 29 FLA ATL 2 0 0 0 0 0 0 0 2 0 2 0 0 .252 .329 .472 0 0 0
Aug 1 FLA NYM 4 1 1 1 0 0 0 0 0 0 1 0 0 .248 .324 .464 0 0 0
Aug 9 FLA ATL 4 0 0 0 0 0 0 0 0 0 2 0 0 .245 .324 .453 0 0 0
Aug 12 FLA SF 4 1 2 4 0 1 0 1 0 0 1 0 0 .251 .328 .468 0 0 0
Aug 26 FLA PHI 5 0 1 2 1 0 0 0 0 0 0 0 0 .248 .324 .467 0 0 0
Sep 1 FLA NYM 3 0 1 1 0 0 0 0 1 0 0 0 0 .244 .322 .455 0 0 0
Sep 9 FLA PIT 6 3 4 8 1 0 1 3 0 0 2 0 0 .252 .333 .463 0 0 0
296 30 68 118 15 1 11 36 31 2 58 1 0 .230 .308 .399 4 0 3
Apr 4 MIA STL 3 0 1 1 0 0 0 0 0 0 0 0 0 .333 .333 .333 0 0 0
Apr 7 MIA CIN 3 0 0 0 0 0 0 0 2 0 0 0 0 .167 .375 .167 0 0 0
Apr 11 MIA PHI 3 0 0 0 0 0 0 0 1 0 0 0 0 .167 .313 .167 0 0 0
Apr 13 MIA HOU 1 0 1 1 0 0 0 0 0 0 0 0 0 .235 .333 .235 0 0 0
Apr 17 MIA CHC 4 0 0 0 0 0 0 0 0 0 1 0 0 .276 .324 .276 0 0 0
Apr 20 MIA WSH 1 0 1 1 0 0 0 0 0 0 0 0 0 .306 .372 .306 0 0 0
Apr 24 MIA NYM 3 0 0 0 0 0 0 0 1 0 2 0 0 .302 .373 .372 0 0 0
Apr 27 MIA ARI 3 0 0 0 0 0 0 0 0 0 2 0 0 .300 .362 .360 0 0 0
May 1 MIA SF 4 0 0 0 0 0 0 0 0 0 2 0 0 .290 .352 .387 0 0 0
May 4 MIA SD 0 0 0 0 0 0 0 0 1 0 0 0 0 .273 .359 .364 0 0 0
May 7 MIA HOU 3 1 1 2 1 0 0 0 1 0 0 0 0 .274 .368 .397 0 0 0
May 11 MIA NYM 1 0 0 0 0 0 0 0 0 0 1 0 0 .277 .367 .386 0 0 0
May 14 MIA PIT 4 1 1 2 1 0 0 0 0 0 1 0 0 .283 .364 .391 0 0 0
May 16 MIA ATL 1 0 0 0 0 0 0 0 0 0 0 0 0 .271 .357 .375 0 0 0
May 18 MIA CLE 3 0 0 0 0 0 0 0 1 0 0 0 0 .252 .342 .350 0 0 0
May 21 MIA COL 5 0 1 1 0 0 0 0 0 0 2 0 0 .248 .341 .345 0 0 0
May 24 MIA SF 4 0 0 0 0 0 0 1 1 0 1 0 0 .228 .326 .317 0 0 0
May 28 MIA WSH 4 2 2 6 1 0 1 1 0 0 0 0 0 .241 .338 .358 0 0 0
Jun 1 MIA PHI 5 1 1 4 0 0 1 1 0 0 1 0 0 .230 .329 .358 0 0 0
Jun 5 MIA ATL 4 0 0 0 0 0 0 0 0 0 0 0 0 .225 .319 .344 0 0 0
Jun 8 MIA TB 1 0 0 0 0 0 0 0 0 0 1 0 0 .214 .306 .327 0 0 0
Jun 10 MIA TB 4 1 3 5 2 0 0 1 0 0 0 0 0 .227 .315 .349 0 0 0
Jun 11 MIA BOS 3 1 1 2 1 0 0 0 0 0 0 0 0 .229 .315 .354 0 0 0
Jun 22 MIA TOR 1 0 0 0 0 0 0 0 0 0 0 0 0 .235 .319 .402 0 0 0
Jun 25 MIA STL 4 0 0 0 0 0 0 1 0 0 0 0 0 .228 .307 .386 0 0 0
Jun 29 MIA PHI 4 1 2 3 1 0 0 1 0 0 1 0 0 .232 .308 .402 0 0 0
Jul 1 MIA PHI 3 0 1 1 0 0 0 0 1 0 0 0 0 .235 .314 .400 0 0 0
Jul 2 MIA MIL 4 1 1 2 1 0 0 1 0 0 1 0 0 .235 .313 .402 0 0 0
Jul 6 MIA STL 2 1 1 4 0 0 1 1 0 0 0 0 0 .248 .326 .447 2 0 0
Jul 13 MIA WSH 4 0 0 0 0 0 0 0 0 0 3 0 0 .245 .323 .436 0 0 0
Jul 18 MIA CHC 4 0 1 1 0 0 0 0 0 0 1 0 0 .243 .320 .425 0 0 0
Jul 20 MIA PIT 4 0 1 1 0 0 0 0 0 0 1 0 0 .242 .318 .421 0 0 0
Jul 23 MIA ATL 3 0 0 0 0 0 0 0 0 0 1 0 0 .239 .313 .415 0 0 0
Jul 27 MIA SD 4 0 0 0 0 0 0 0 0 0 1 0 0 .231 .308 .401 0 0 0
Jun 9 MIA NYM 4 1 2 2 0 0 0 0 1 0 0 0 0 .500 .600 .500 0 0 0
Jun 10 MIA MIL 2 0 0 0 0 0 0 0 1 0 0 0 0 .333 .500 .333 0 0 0
Jun 17 MIA ARI 4 0 0 0 0 0 0 0 0 0 2 0 0 .308 .400 .462 0 0 0
Jun 20 MIA SF 4 0 1 1 0 0 0 0 0 0 0 0 0 .318 .375 .409 0 0 0
Jun 25 MIA MIN 4 1 2 3 1 0 0 0 0 0 1 0 0 .308 .357 .513 0 0 0
Jun 28 MIA SD 4 0 1 3 0 1 0 1 0 0 0 0 0 .298 .340 .511 0 0 0
Jul 1 MIA SD 2 0 0 0 0 0 0 0 2 0 0 0 0 .308 .379 .500 0 0 0
Jul 2 MIA ATL 4 1 2 5 0 0 1 2 0 0 0 0 0 .321 .387 .554 0 0 0
Jul 19 MIA MIL 4 0 1 2 1 0 0 0 0 0 0 0 0 .281 .366 .517 0 0 0
Jul 23 MIA COL 4 0 1 1 0 0 0 0 0 0 0 0 0 .260 .351 .470 0 0 0
Jul 29 MIA NYM 4 0 0 0 0 0 0 0 0 0 1 0 0 .265 .358 .444 0 0 0
Aug 1 MIA NYM 4 1 1 1 0 0 0 1 0 0 1 0 0 .252 .349 .417 0 0 0
Aug 2 MIA CLE 5 2 4 7 1 1 0 4 0 0 0 0 0 .273 .364 .455 0 0 0
Aug 6 MIA PIT 4 0 2 2 0 0 0 1 1 0 1 0 0 .285 .372 .458 0 0 0
Aug 9 MIA ATL 2 0 1 1 0 0 0 0 1 0 0 0 0 .277 .364 .445 0 0 0
Aug 10 MIA ATL 3 0 0 0 0 0 0 0 1 0 1 0 0 .272 .361 .437 0 0 0
Aug 12 MIA KC 3 1 1 2 1 0 0 1 2 0 0 0 0 .273 .368 .441 0 0 0
Aug 16 MIA SF 5 1 1 2 1 0 0 2 1 0 1 0 0 .274 .365 .434 0 0 0
Aug 19 MIA LA 4 1 2 4 2 0 0 1 0 0 0 0 0 .278 .363 .444 0 0 0
Aug 23 MIA COL 3 0 0 0 0 0 0 0 1 0 0 0 0 .272 .355 .426 0 0 0
Aug 27 MIA WSH 2 0 0 0 0 0 0 0 2 1 1 0 0 .264 .353 .410 0 0 0
Sep 3 MIA CHC 4 0 0 0 0 0 0 0 1 0 1 0 0 .257 .349 .394 0 0 0
Sep 6 MIA WSH 5 1 2 5 0 0 1 2 0 0 2 0 0 .261 .354 .419 0 0 0
Sep 9 MIA ATL 2 0 0 0 0 0 0 0 0 0 0 0 0 .254 .345 .406 0 0 0
Sep 10 MIA ATL 4 0 1 1 0 0 0 1 0 0 1 0 0 .254 .344 .403 0 0 0
Sep 13 MIA NYM 1 0 0 0 0 0 0 0 0 0 0 0 0 .249 .337 .393 0 0 0
Sep 16 MIA PHI 3 0 0 0 0 0 0 0 1 0 1 0 0 .250 .339 .396 0 0 0
Sep 19 MIA WSH 0 0 0 0 0 0 0 0 1 0 0 0 0 .245 .335 .388 0 0 0
Sep 27 MIA DET 2 0 1 1 0 0 0 0 1 0 1 0 0 .246 .338 .382 0 0 0
Mar 31 SEA LAA 3 1 0 0 0 0 0 0 2 0 3 1 0 .000 .400 .000 0 0 0
Apr 3 SEA OAK 3 1 1 1 0 0 0 0 0 0 1 0 0 .167 .375 .167 0 0 0
Apr 9 SEA LAA 3 0 0 0 0 0 0 0 0 0 0 0 0 .125 .222 .125 0 0 0
Apr 12 SEA OAK 3 0 1 1 0 0 0 0 0 0 0 0 0 .158 .238 .158 0 0 0
Apr 14 SEA TEX 0 0 0 0 0 0 0 0 0 0 0 0 0 .150 .227 .150 0 0 0
Jun 11 SEA NYY 4 0 0 0 0 0 0 0 0 0 2 0 0 .125 .192 .125 0 0 0
Jun 13 SEA TEX 2 0 0 0 0 0 0 0 1 0 0 0 0 .167 .242 .300 0 0 0
Jun 16 SEA SD 3 0 1 1 0 0 0 0 1 0 1 0 0 .150 .227 .250 0 0 0
Jun 20 SEA KC 5 1 2 5 0 0 1 3 0 0 1 0 0 .185 .241 .333 0 0 0
Jun 23 SEA BOS 4 3 4 10 0 0 2 4 1 0 0 0 0 .215 .282 .431 0 0 0
Jun 24 SEA BOS 3 0 1 1 0 0 0 1 0 0 0 0 0 .221 .280 .426 0 0 1
Jun 27 SEA CLE 4 0 2 2 0 0 0 0 0 0 0 0 0 .240 .301 .427 0 0 0
Jun 30 SEA HOU 3 1 1 1 0 0 0 1 2 1 0 0 0 .235 .305 .400 0 0 0
Jul 1 SEA HOU 6 1 2 3 1 0 0 1 0 0 0 0 0 .242 .307 .407 0 0 0
Jul 4 SEA CWS 3 0 1 1 0 0 0 0 0 0 0 0 0 .245 .306 .408 0 0 0
Jul 7 SEA MIN 3 0 0 0 0 0 0 0 0 0 0 0 0 .243 .298 .387 0 0 0
Jul 10 SEA MIN 4 0 0 0 0 0 0 0 0 0 0 0 0 .228 .278 .366 0 0 0
Jul 11 SEA OAK 3 1 1 4 0 0 1 1 0 0 0 0 0 .230 .279 .389 0 0 0
Jul 18 SEA LAA 5 0 0 0 0 0 0 0 2 0 0 0 0 .221 .276 .364 0 0 0
Jul 22 SEA NYM 4 0 0 0 0 0 0 0 0 0 0 0 0 .216 .273 .358 0 0 0
Jul 24 SEA BAL 1 0 0 0 0 0 0 0 0 0 1 0 0 .209 .265 .346 0 0 0
Jul 29 SEA CLE 4 0 1 2 1 0 0 0 0 0 1 0 0 .202 .258 .333 0 0 0
Aug 2 SEA BAL 3 0 1 1 0 0 0 0 1 0 0 0 0 .209 .264 .333 0 0 0
Aug 5 SEA ATL 3 1 1 1 0 0 0 1 1 0 0 0 0 .213 .270 .333 0 0 0
Aug 7 SEA CWS 4 2 1 2 1 0 0 1 1 0 0 0 0 .215 .273 .351 0 0 0
Aug 10 SEA CWS 4 1 1 1 0 0 0 0 0 0 0 0 0 .222 .276 .350 0 0 0
Aug 11 SEA TOR 3 0 1 1 0 0 0 0 0 0 1 0 0 .223 .280 .350 1 0 0
Aug 15 SEA DET 4 2 2 3 1 0 0 1 0 0 0 0 0 .231 .285 .361 0 0 0
Aug 18 SEA PHI 3 0 1 1 0 0 0 0 1 0 0 0 1 .238 .291 .361 0 0 0
Aug 22 SEA BOS 4 1 1 1 0 0 0 0 0 0 0 1 0 .244 .297 .366 0 0 0
Aug 25 SEA TEX 3 0 2 2 0 0 0 0 0 0 0 0 0 .253 .305 .376 0 0 0
Aug 29 SEA WSH 4 0 0 0 0 0 0 0 0 0 3 0 0 .242 .295 .359 0 0 0
Sep 2 SEA OAK 4 1 2 3 1 0 0 0 0 0 1 0 0 .242 .294 .360 0 0 0
Sep 4 SEA TEX 2 0 0 0 0 0 0 0 0 0 0 0 0 .241 .292 .357 0 0 0
Sep 8 SEA HOU 3 1 1 2 1 0 0 0 1 0 1 0 0 .238 .292 .354 0 0 0
Sep 10 SEA HOU 3 0 0 0 0 0 0 0 0 0 0 0 0 .237 .290 .360 0 0 0
Sep 12 SEA OAK 3 1 2 6 1 0 1 1 0 0 0 0 0 .241 .294 .378 0 0 0
Sep 15 SEA LAA 3 1 2 3 1 0 0 0 0 0 0 0 0 .247 .300 .384 0 0 0
Sep 22 SEA TOR 3 0 2 3 1 0 0 0 0 0 0 0 0 .256 .311 .399 0 0 0
Apr 13 SEA LA 4 0 1 1 0 0 0 0 0 0 2 0 0 .148 .148 .148 0 0 0
Apr 20 SEA HOU 4 0 1 1 0 0 0 0 0 0 0 0 0 .200 .250 .200 0 0 0
Apr 24 SEA MIN 3 1 1 4 0 0 1 1 0 0 0 0 0 .185 .241 .241 0 0 0
May 1 SEA HOU 4 1 2 7 0 1 1 1 0 0 1 0 0 .213 .250 .325 0 0 0
May 4 SEA LAA 3 1 1 4 0 0 1 1 1 0 0 0 0 .222 .271 .389 0 0 0
May 8 SEA OAK 5 1 2 5 0 0 1 2 0 0 1 0 0 .245 .294 .441 0 0 0
May 10 SEA OAK 4 0 0 0 0 0 0 0 0 0 0 0 0 .229 .288 .413 0 0 0
May 12 SEA SD 3 2 1 4 0 0 1 1 2 0 0 0 0 .232 .301 .438 0 0 0
May 14 SEA BOS 3 0 0 0 0 0 0 1 1 0 0 0 0 .237 .313 .432 0 0 0
May 19 SEA BAL 4 0 0 0 0 0 0 0 0 0 1 0 0 .227 .301 .402 0 0 0
May 22 SEA TOR 4 1 1 3 0 1 0 2 0 0 1 1 0 .224 .302 .399 0 0 0
May 25 SEA TB 4 0 2 2 0 0 0 0 0 0 0 0 0 .227 .304 .396 0 0 0
May 28 SEA CLE 4 0 1 1 0 0 0 0 0 0 2 0 0 .236 .311 .394 0 0 0
Jun 1 SEA NYY 4 0 1 1 0 0 0 0 0 0 1 0 0 .240 .320 .385 0 0 0
Jun 5 SEA TB 3 0 1 1 0 0 0 0 1 0 0 0 0 .246 .324 .382 0 0 0
Jun 9 SEA CLE 5 0 2 3 1 0 0 1 0 0 0 0 0 .260 .332 .392 0 0 0
Jun 15 SEA SF 5 2 3 3 0 0 0 1 0 0 1 1 0 .261 .328 .409 0 0 0
Jun 26 SEA LAA 3 0 0 0 0 0 0 0 1 1 0 0 0 .245 .320 .389 0 0 0
Jul 1 SEA SD 3 0 1 1 0 0 0 1 1 0 0 0 0 .245 .318 .390 0 0 1
Jul 2 SEA OAK 2 0 0 0 0 0 0 0 0 0 0 0 0 .244 .318 .387 1 0 0
Jul 6 SEA DET 4 1 1 4 0 0 1 3 0 0 0 0 0 .236 .308 .392 0 0 0
Jul 9 SEA LAA 5 2 1 4 0 0 1 1 0 0 1 0 0 .231 .302 .390 0 0 0
Jul 17 SEA NYY 2 0 0 0 0 0 0 0 1 0 1 0 0 .228 .300 .383 0 0 0
Jul 20 SEA DET 3 0 1 1 0 0 0 0 1 0 1 0 0 .226 .299 .378 0 0 0
Jul 24 SEA TOR 2 0 1 1 0 0 0 0 2 0 0 0 1 .225 .301 .371 0 0 0
Jul 27 SEA ARI 3 0 1 1 0 0 0 1 1 0 0 0 0 .223 .300 .367 0 0 0
Aug 1 SEA MIN 1 0 0 0 0 0 0 0 0 0 1 0 0 .220 .297 .362 0 0 0
Aug 3 SEA COL 1 0 0 0 0 0 0 0 0 0 0 0 0 .222 .298 .366 0 0 0
Aug 7 SEA TEX 3 1 1 2 1 0 0 0 0 0 0 0 0 .222 .299 .368 0 0 0
Aug 11 SEA BAL 5 1 1 2 1 0 0 0 0 0 2 0 0 .220 .296 .365 0 0 0
Aug 25 SEA OAK 4 1 1 4 0 0 1 2 0 0 1 0 0 .218 .294 .366 0 0 0
Sep 10 SEA TEX 1 0 0 0 0 0 0 0 0 0 1 0 0 .225 .299 .388 0 0 0
Sep 11 SEA COL 3 0 1 1 0 0 0 0 1 0 1 0 0 .226 .300 .388 0 0 0
Sep 23 SEA KC 1 0 0 0 0 0 0 0 0 0 1 0 0 .225 .303 .384 0 0 0
Oct 2 SEA OAK 3 0 0 0 0 0 0 0 0 0 0 0 0 .224 .302 .384 0 0 0
4 0 0 0 0 0 0 0 0 0 1 0 0 .000 .000 .000 0 0 0
Apr 3 TB TOR 4 0 0 0 0 0 0 0 0 0 1 0 0 .000 .000 .000 0 0 0


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text:
Q: TableView not scroll when keyboard is open for textView I have a table view with a textfield and a textview. when Keyboard is open only the textfield move above the keyboard not the textView.
 public static void HandleKeyboard(this UITableView tableView)
        {
            tableView.KeyboardDismissMode = UIScrollViewKeyboardDismissMode.OnDrag;

            NSNotificationCenter.DefaultCenter.AddObserver(UIKeyboard.WillHideNotification, null, NSOperationQueue.MainQueue, (notification) =>
            {
                tableView.ContentInset = new UIEdgeInsets(0, 0, 0, 0);
            });

            NSNotificationCenter.DefaultCenter.AddObserver(UIKeyboard.WillShowNotification, null, NSOperationQueue.MainQueue, (notification) =>
            {
                var rect = (notification.UserInfo?[UIKeyboard.FrameBeginUserInfoKey] as NSValue)?.CGRectValue ?? CGRect.Empty;
                var bottomInset = UIApplication.SharedApplication.KeyWindow.SafeAreaInsets.Bottom;
                tableView.ContentInset = new UIEdgeInsets(0, 0, rect.Height - bottomInset, 0);
            });
        }

when I tap Comments textView the keyboard hides the comments textView as shown in images 2 and 3 but works fine when I tap on textfield, the textfield moves above the keyboard as shown in image 1.


Chris and Michelle Stewart have been at Saturn Road since 1993. They are the parents of Christopher and Meagan. Chris and Michelle have been heavily involved in our youth programs for many years with Chris having served as a Youth Deacon prior to becoming an elder.


Are you ever concerned about the quality and safety of the potable tap water you're drinking? We are. Whether we are at home or travelling to an exotic location we drink a lot of water each day and want to know it is excellent quality, not loaded with contaminants or toxins, and is safe to consume. Up steps PuriBloc GoPure Water Purifier to the rescue.
WHAT IS PURIBLOC GO PURE WATER PURIFIER?
Place the GoPure pod in your glass, mug, hydration pack, water bottle, pet bowl, coffee maker water reservoir (or any small water container up to three liters), just add water and it continuously purifies. Magic!
NOTE: GoPure provided WJ with these items for test and review purposes. Read our full disclosure statement to see that this has no effect on our articles and reviews. All opinions are our own.


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So Tyson brings the universe down to Earth succinctly and clearly, with sparkling wit, in digestible chapters consumable anytime and anywhere in your busy day.While waiting for your morning coffee to brew, or although waiting for the bus, the train, or the plane to arrive, Astrophysics for Folks in a Hurry will reveal just what you have to have to be fluent and prepared for the subsequent cosmic headlines: from the Massive Bang to black holes, from quarks to quantum mechanics, and from the search for planets to the search for life in the universe.
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"Honor your father and mother" - which is the first commandment with a promise - "that it may go well with you and that you may enjoy long life on the earth"
Filial respect is a natural as well as a universal law. Ephesians 6:1 is therefore well known and probably well-taught. Paul commands children to obey their parents. It is imperative, an obligation not an option on the part of the children. But not as well known is Paul's command to parents in verse 4 "not to exasperate" their children. Though not as well taught, it is equally a command, not just to fathers (although the address it to them), but to both father and mother. The word itself could mean parents in general (Colossians 3:21). The context demands that the mother be included for verses 1-3 certainly talks about both parents.
"A Roman father had absolute power over his family. He could sell them as slaves, he could make them work in his fields even in chains, he could take the law into his own hands, for the law was in his own hands, and punish as he liked, he could even inflict the death penalty on his child."
Only in Christ do we find a beautiful balance in the instruction concerning human relationships not found anywhere else. A child's personality is delicate; therefore it must be handled with care.
To exasperate means "to make more grievous or painful; to make very angry; to irritate to a high degree" (Chamber's Dictionary).
A classic example is King Saul calling Jonathan: "You son of a perverse and rebellious woman" (1 Samuel 20:30). Some parents use imprecations and curses on their children (or others) which certainly exasperate them. How can we have God bless them if we curse them? Watch our language on children!
A tyrant does this, not a father. "Saul hurled a spear at Jonanthan to kill him, as Jonathan got up from the table in fierce anger ... he did not eat" (1 Samuel 20:33-34). "A father exercises a kingly power over his son, not that of a tyrant" (Davenant).
Some parents show more kindness to one child than to another. It is possible for a parent to love one child more than another, but discretion should lead him/her to be impartial. Jacob showed more love to Joseph than all his other children which naturally exasperated his brothers.
"Now Israel loved Joseph more than any of his other sons, ... when his brothers saw that their father loved him more than any of them, they hated him and could not speak kind word to him."
King Saul ordered Jonathan, his son to bring David to him: "Now send and bring him to me, for he must die!" (1 Samuel 20:31b). Jonathan could not obey the command with a clear conscience; but was clearly exasperated (1 Samuel 20:34)!
Negatively, parents are commanded not to exasperate their children. Positively, parents are to "bring them up in the training and instruction of the Lord".
The words Paul uses are instructive. "Bring them up" literally means to "nourish" or "feed" when applied to our bodies. Here it refers to the upbringing of children. John Calvin translates: "Let them be fondly cherished ... deal gently with them. Children are fragile personalities; handle with care!" It implies that time and trouble are needed in the upbringing of our children. A commentator writes: "If parents but gave as much thought to the rearing of their children as they do to the rearing of animals and flowers, the situation would be very different".
While the word "training" (paideia) means training by discipline, including punishment; the word "instruction" refers to the training by word - by word of encouragement, when this is sufficient; but also that of remonstrance, of reproof, of blame, where these may be required (Trench, Synomyms, p.112) God's word is clear: "He who spares the rod hates his son, but he who loves him is diligent to discipline him" (Proverbs 13:24; 22:15). Thus parents must be firm as well as gentle, for love and discipline go together. He must be firm enough to discipline and punish when necessary; gentle in reaffirming his love for him both before and after the discipline action has been meted out.
It was siad that Monica prayed so much for her son Augustine that it was impossible that a son of so many prayers and tears should perish. Pray that as your children bear your images in their faces, they may bear God's image in their hearts.
"Goodness increased when praised." Commending that which is good in your children makes them more in love with virtuous actions; and is like watering the plants, which makes them grow more. Some parents are indifferent or worse still discourage the good they see in their children, and so nip virtue in the land, and help damn their children's souls.
"A father is a looking-glass which the child often dresses himself by: let the glass be clear and unspotted."
Parents should observe great decorum in their whole conduct, lest they give occasion to their children to say to them: "If I have done evil, I have learned it from you".


text:
Q: Error 1136 in Mysql for syntax in my database create table doc_list (
    Serial_no int auto_increment,
    First_name varchar (50),
    last_name varchar (50),
    speciality varchar (50),
    address varchar (100),
    area varchar (50),
    phone_no int (15),
    email varchar(100),
    primary key(serial_no)
);

insert into doc_list (Serial_no, First_name, last_name, speciality, address, area, phone_no)
    values ("Abha", "gupta", "Gynaecology", "B-16 Mathur Vaishya Nagar Tonk Road", "Pratap Nagar", 9829133773);

I'm getting this error message:
Column count doesn't match value count at row 1
I dont want to input anything in this email section in this column, so what should i do?

A: It should be
insert into
doc_list
(First_name, last_name, speciality, address, area, phone_no)
values
("Abha", "gupta", "Gynaecology", "B-16 Mathur Vaishya Nagar Tonk Road", "Pratap Nagar", 9829133773);

You must not include auto incremented column in the insert statement.

A: you have missed Serial_no in your query
insert into doc_list (Serial_no, First_name, last_name, speciality, address, area, phone_no)
    values ("Abha", "gupta", "Gynaecology", "B-16 Mathur Vaishya Nagar Tonk Road", "Pratap Nagar", 9829133773);

so write its value in query so your query work


text:
Q: Where am i going wrong with using promise inside class? i am using the class as follows
var user_class = function (body) {
    this.body = body;
};

user_class.prototype.login = function () {
    var that = this;
    return new Promise((fullfill,reject)=>{
        that.find_by_username()
            .then(that.user_exists)
            .then(that.check_credentials)
            .then(that.generate_token)
            .then(fullfill)
            .catch(reject);
    });
};

user_class.prototype.find_by_username = function () {
    var that = this;
    return new Promise((fullfill,reject)=>{
        user_model
            .find({username: that.body.username})
            .then((user)=>{
                that.user = user;
            })
            .then(fullfill)
            .catch(reject);
    });
};

user_class.prototype.user_exists = function () {
    var that = this;
    return new Promise((fullfill,reject)=>{
        console.log(that.user);
        if(that.user !== undefined) {
            fullfill();
        }else{
            reject(new Error('null user'));
        }
    });
};

The problem is when i call the login method, the find_by_username function works just fine and the user us set properly which i validated from console.log on that.user . but the user_exits method throws error which means it is finding that the user is set to undefined. I already refered to this to that and still not working.
Can someone please explain what is wrong with my logic and why the user is not being set to object ?

A: Your problem is the loose of context but not like you think. Its not because this is overriden through binding, but because you loose context while passing functions:
user_class.prototype.login = function () {
  return new Promise((fullfill,reject)=>{
    this.find_by_username()
        .then(this.user_exists.bind(this))
        .then(this.check_credentials.bind(this))
        .then(this.generate_toke.bind(this))
        .then(fullfill)
        .catch(reject);
});
};


Does ski insurance cover off-piste? Compare and see!
Does ski insurance cover off-piste?
Hey there adrenaline junkie - so even the black runs are too tame for you hey? If you're planning on getting gnarly on the slopes, check that your planned activities are covered before you go hitting that untouched powder!
Most insurers offer cover for recreational skiing and snowboarding when you've bought a ski insurance policy, but even for the most experienced riders this doesn't always mean you are covered for skiing off-piste, cross country, or backcountry. This also includes higher risk winter sports activities like heli-skiing, cat-skiing, snowmobiling or lugeing.
What is skiing off-piste in the world of travel insurance?
Skiing (or snowboardng) off-piste is when you are skiing in ungroomed and unmarked slopes or pistes, including skiing in unmarked or unpatrolled areas, either inside or outside of ski resorts boundaries.
Who covers off-piste skiing or snowboarding?
Lucky for you thrill seekers, there are a few companies that cover for off-piste activities, but you generally have to be within resort boundaries with a professional instructor.
NOTE: This doesn't mean your best mate who has been working in a bar for the past five ski seasons and thinks he's/she's a pro. This means an instructor that has undergone training and is the holder of a backcountry security award and a holder of the backcountry and mountain safety qualification.
Your policy says you're only covered off-piste when you're with a professional instructor, and you go without one.
Your equipment is damaged during use. Not all ski insurance policies cover for damage to your own equipment while you are using it.
You take part in a competition or tournament, unless it specifically says otherwise.
Skiing and/or snowboarding is your profession (in most cases).
You were under the influence! Apres is all part of the fun on a ski holiday, but bear in mind that claims will not be paid if an accident is deemed to be the result of excessive alcohol or under the influence of drugs.
You intentionally expose yourself to a needless risk like doing cliff drops.
You do not report lost or stolen items to the police within 24 hours, with a written report.
You cannot provide proof of ownership with original receipts for any lost or stolen items.
Ski equipment is left unattended in a public place and is then lost or stolen as a result. This includes equipment that is misplaced or damaged by your transport carrier.
So powderhounds, regardless of whether you're going to Thredbo or Chamonix it's really important to read your insurers policy documentation (known as the Product Disclosure Statement) to make sure you understand when you're covered, and when you're not. A slip on the slopes can be VERY costly, so it pays to know your conditions of cover before you hit the slopes.
You can use our site to compare ski insurance quickly and easily. We've got heaps of quotes so you can find the right policy for your needs and budget.
So what are you waiting for? Compare our ski quotes now and save yourself time, worry and loads of money!
Dive to great cover with our handy guide.
The world is your oyster when it's just you and your back-pack!


Our philosophy is the corner stone of our work ensuring that our customers receive the highest levels of customer service.
We realise that buying, selling or renting a property can be an emotional experience. It's a process which takes a lot of time, with effects that can last for the rest of your life. It's important for us that buying or selling a property is based on trust.
Can you cure a patient without first getting the correct diagnosis? Of course not. So this is how we begin working with our clients. We work hard to get the best possible understanding of your plans, your ideal property or expections for the sale. This way we save you time, finding the best solution for your needs as quickly as possible.
Good business which is beneficial to both parties should based on trust. In fact, we can't imagine worthing with buyers or sellers without this key ingredient. From the first phone call to signing on the dotted line, we work in partnership with our clients. A partnership based on trust. The culmination of this partnership – to work as potential intermediaries on your behalf – is grounded in this philosophy. Working with us you can sleep safe and sound.
We're only one half of the equation, which is why the needs of our clients are so important. On your behalf, we assess the current market, make your property stand out, negotiate conditions with third parties and even help with the purchase. With us you can be sure you're getting the best possible deal.
This principle enables us to devote all our energies to the sale our your property and consistutes standard practice in real estate markets in the West. In return for exclusivity, we invest our time and our money into promoting your property, in full confidence of a return on our investment. With this as our motivation, we guarantee you results.
When you entrust us with the sale of your property or enlist our help with your property search, you can be sure that we're not the only ones on board. We work alongside our extensive team of trusted estate agents from both Krakow and other cities, increasing the chances of achieving your goals. This allows us to sell your property as quickly as possible or locate the most suitable offers for those wishing to buy. It pays to work as part of a team.


We believe better mobility gives all children a wider range of experiences, more success in their activities, and ultimately, more control over their lives.
What makes a DAFO unique?
The intimate contact of a thin, flexible, contoured brace, wrapping around the entire foot, provides better sensation and alignment than a typical rigid ankle foot orthosis (AFO).
Children learn movement by moving. Rather than bracing heavily, we want the foot and ankle to experience as much useful movement as possible. A child needs to explore foot and ankle position in a guided range—like guardrails on a highway, with the freedom to move ahead but with protection from danger.
That's why we believe in creating orthoses with as much flexibility as possible along the planes where a child has good control, providing support only where needed.
The original Dynamic Ankle Foot Orthosis (DAFO) was the direct result of the collaboration between an orthotist and a physical therapist, and this teamwork approach remains at the core of our bracing philosophy.
When all the members of a patient's support team—patient, parents, therapist, caregiver, orthotist, doctor—communicate and coordinate, the result will be a more successful outcome for the patient. This collective approach can be accomplished in person, or through phone calls and emails. By sharing ideas, goals, and real-life factors, the team will give their patient the best possible bracing solution.
Every patient is unique, and so are their bracing plans. Each of our brace styles can be ordered with various customizations (we refer to these as "optimizations"). We offer more than 70 options for maximizing DAFO fit and function in our Optimization Index, and most of them are free of charge. Our knowledgeable Tech Support team is available to help you precisely design the best possible brace for each patient.
It doesn't matter how good the brace is if the patient won't wear it. If it's too clunky, too heavy, uncomfortable or unattractive, compliance becomes an issue. The features that make DAFOs different also make them easier to wear. They're lighter, more flexible, more comfortable, and fit better in shoes than traditional AFOs. Not only that, they look cool! Patients can use our online Creation Station design tool to try out transfer patterns, strap, and padding colors on a virtual DAFO. Letting them participate in the design process can help get young patients invested in wearing their braces.
Our top priority is improving the mobility and meeting the physical therapy goals of our DAFO-wearers, and we don't stop until the fit is right. To that end, we offer the best warranty in the industry.
Our commitment goes beyond making exceptional products. We're here to help you get the best solution for your patient, every time. Our experienced customer service and technical support teams are just a phone call or email away. And we offer educational resources such as free online ABC-approved courses and in-service materials for you to provide practical education to colleagues and referral sources.


The procedure will be performed using local anesthesia. There are usually no restrictions after the procedure concerning driving or returning to work unless you are premedicated with a sedative drug. Continue all medications for blood pressure, diabetes, thyroid problems and any other conditions as recommended by your physician. If there is a question, please call our office prior to your appointment. If you have been advised by your physician or dentist to use antibiotic premedication because of mitral valve prolapse (MVP), heart murmur, hip, knee, cardiac or other prosthesis, or if you have rheumatic heart disease, please make sure you are on the appropriate antibiotic on the day of your appointment. If there is a question, please call your primary care physician prior to your appointment.
Your tooth and surrounding gum tissue may be slightly tender for several days as a result of manipulation during treatment and previous condition of your tooth. This tenderness is normal and is no cause for alarm. Try to minimize chewing on the affected tooth for two weeks after treatment. You may continue your regular dental hygiene regimen. Discomfort may be alleviated by taking ibuprofen (Advil or Motrin). Should you experience discomfort that cannot be controlled, or should swelling develop, please contact our office immediately. A temporary restoration may have been used to seal the outer surface of the tooth. Dr. Colombo will let you know if any further treatment will be required for your tooth. A complete report of treatment and radiographs will be sent to your general dentist.
©Village Endodontics (Adam S. Colombo, DDS, PA), 2019. No part of this site, www.village-endo.com, may be reproduced in whole or in part in any manner without the permission of Adam S. Colombo, DDS, PA.


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