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text:
Q: Why do I find it so hard to share my work? I've done some application out there, coding is not the problem. But when it comes to deploying / communicating / sharing with colleagues and friends, I'm like stuck. I feel I'm going to be humiliated because there are bugs, and people will not use it ...
I'm sure I'm not the only one in this situation. I can't describe it well but ... Here's an example.
You made a todo list manager web application, you use it for some time now. You think it's nice, it does the work - for you, but you just don't got the strength to email your friend or your work buddies, because they will look at you differently, like "he's the one with ambition that did a not so good application" ...

A: Making a software just for your own is a little bit different from making software for others. Read Joel Spolsky's great article
http://www.joelonsoftware.com/articles/DevelopmentAbstraction.html
and perhaps you find a better understanding why this is as it is.

A: You've hit the nail on the head. There are so many alternatives to software that people can afford to be picky. Don't take it personally if they go for a big  brand-name.
One of the things you can do is try to test more, ask your friends to help test, or simply acquire feedback.

A: Feedback from your friends can make your software only better because they can give you their view on your application so that you can improve it. If you fear criticism:

Do not seek praise, seek criticism. To improve, you need it. - Anon
To avoid criticism, do nothing, say
  nothing, and be nothing. - Elbert Hubbard
Statue has never been set up in
  honor of a critic. - Jean Sibelius

A: I'm sure there's some better quote somewhere but

If you're afraid to fail you'll never succeed

All software has bugs ... period.  If you ship you will ship bugs and yeah maybe you'll get a a few negative reviews here and there.  But so long as you act on the bugs customers find and have a reasonable ship cadence customers will forgive mistakes.
Also if you don't ship you won't find half the bugs that are actually there.

redpajama_set_name: RedPajamaStackExchange


Bandarban district is in the south-eastern part of Bangladesh under Chittagong division. Nilgiri Hill Resort is located about 47 km south-east of Bandarban. It's the highest Hill Resort in Bangladesh about 2400 ft high from the sea level. Cloud of the sky often kisses the peak of the mountain. People can touch the cloud from the resort. Gentle breezes always blowing down the hill that makes a sweet sound deflecting in the mountain trees. At night the light of the moon, cloud and breeze creates an imaginary environment.
From 15 to 20th September we visited Rangamati, Khagrachari and Bandarban of Chittagong Division. I had visited Rangamati and Bandarban before but unable to see Nilgiri. This time we visited Nilgiri (নীলগিরি), Chimbuk Hill (চিম্বুক পাহাড়), Shoilo Propath (শৈল প্রপাত), Nilachal (নীলাচল), Meghla (মেঘলা) and Sorno Mondir (স্বর্ণ মন্দির). I have a plan to write about other places as well but for now I am focusing only Nilgiri.
We started from Bandarban Alikodom (আলীকদম) and following the road of Thanchi (থানচী) within one hour we reached in Nilgiri. It was 19th of September. Though we had a car but we hire a Chader Gari (Local Transport) to go Nilgiri. The rent differs depending on the season. During pick-season it becomes difficult to rent-a-car. As it was an off-pick season we manage it quite easily. The car rent is approximate 2500 to 6000 per day depending on the demand.
Marma Reesa is a duplex lodge and also known as Honeymoon Lodge.
Random pictures of Nilgiri. Sitting arrangements for the mountain viewers. An awesome place to enjoy the natural beauty. Top right picture is the hotel called Hotel Hill View where we passed two night. During off-pick season the hotel rooms are very cheap but in pick season it becomes difficult to get a room. We also eat the famous Papaya of Nilgiri that was really delicious.
Better you use your own private car or rent-a-car. In case you don't want to do it you can go from Dhaka to Bandarban by bus or 1st go Chittagong by bus / train / by air and from there use bus to move Bandarban. Bandarban to Nilgiri use rent-a-car (called Chader gari / চাঁদের গাড়ি). Chader gari is better because the car has to climb the hill.
It is not easy to get a lodge or cottage in Nilgiri. Most of the time they remains booked. Army man gets the priority for booking. So if you want to spend a night there try to contact the authority before three months. In case of short visit you can stay in Bandarban, start early morning and spend your whole day there. We stayed in Hotel Hill View. Though we had a car we use rent-a-car to visit Nilgiri. On the way we see Chimbuk Hill and Soilo Propath as well.
Nilgiri (নীলগিরি), Chimbuk Hill (চিম্বুক পাহাড়), Shoilo Propath (শৈল প্রপাত), Nilachal (নীলাচল), Meghla (মেঘলা) and Sorno Mondir (স্বর্ণ মন্দির).
Keokaradang (কেওকাড়াঢং), Sangu Bridge (সাংগু ব্রিজ), Prantik Lake (প্রান্তিক লেক), Rijuk Waterfall (রিজুক ঝর্না) etc.
Nice article. It makes me feel that I am literary visiting that place. Nice piece of work. Keep it up.
Your photos of Nilgiri Resort are excellent. You have created an informative article. Carry on and thanks.


text:
Works by J. C. C. McKinsey
( view other items matching `J. C. C. McKinsey`, view all matches )
Disambiguations Disambiguations:
J. C. C. McKinsey [135] J. C. Cheroweth McKinsey [1] J. C. Chenoweth McKinsey [1]
Some Theorems About the Sentential Calculi of Lewis and Heyting.J. C. C. McKinsey & Alfred Tarski - 1948 - Journal of Symbolic Logic 13 (1):1-15.details
Alfred Tarski in 20th Century Philosophy
Modal Logic in Logic and Philosophy of Logic
The Algebra of Topology.J. C. C. Mckinsey & Alfred Tarski - 1944 - Annals of Mathematics, Second Series 45:141-191.details
Outlines of a Formal Theory of Value, I.Donald Davidson, J. C. C. McKinsey & Patrick Suppes - 1955 - Philosophy of Science 22 (2):140-160.details
Areas of Mathematics in Philosophy of Mathematics
Donald Davidson in 20th Century Philosophy
The Problem of Counterfactual Conditionals.J. C. C. McKinsey & Nelson Goodman - 1947 - Journal of Symbolic Logic 12 (4):139.details
Logical Expressions in Logic and Philosophy of Logic
New Riddle of Induction in General Philosophy of Science
A Solution of the Decision Problem for the Lewis Systems S2 and S4, with an Application to Topology.J. C. C. McKinsey - 1941 - Journal of Symbolic Logic 6 (4):117-134.details
Decision-Theoretic Puzzles in Philosophy of Action
Topology in Philosophy of Mathematics
Axiomatic Foundations of Classical Particle Mechanics.J. C. C. Mckinsey, A. C. Sugar & Patrick Suppes - 1978 - Critica 10 (28):143-148.details
Quantum Mechanics, Miscellaneous in Philosophy of Physical Science
On Closed Elements in Closure Algebras.J. C. C. Mckinsey & Alfred Tarski - 1946 - Annals of Mathematics, Ser. 2 47:122-162.details
On the Logic of Imperatives.Albert Hofstadter & J. C. C. McKinsey - 1939 - Philosophy of Science 6 (4):446-457.details
Deontic Logic in Logic and Philosophy of Logic
Some Theorems About the Sentential Calculi of Lewis and Heyting.J. C. C. Mckinsey & Alfred Tarski - 1948 - Journal of Symbolic Logic 13 (3):171-172.details
On the Syntactical Construction of Systems of Modal Logic.J. C. C. Mckinsey - 1945 - Journal of Symbolic Logic 10 (3):83-94.details
Modal and Intensional Logic in Logic and Philosophy of Logic
Review: K. R. Popper, Logic Without Assumptions. [REVIEW]J. C. C. McKinsey - 1948 - Journal of Symbolic Logic 13 (2):114-115.details
Karl Popper in 20th Century Philosophy
Logics in Logic and Philosophy of Logic
On the Notion of Invariance in Classical Mechanics.J. C. C. Mckinsey & Patrick Suppes - 1955 - British Journal for the Philosophy of Science 5 (20):290-302.details
Classical Mechanics in Philosophy of Physical Science
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The Decision Problem for Some Classes of Sentences Without Quantifiers.J. C. C. McKinsey - 1943 - Journal of Symbolic Logic 8 (2):61-76.details
Generalized Quantifiers in Philosophy of Language
Quantifiers in Philosophy of Language
Proof of the Independence of the Primitive Symbols of Heyting's Calculus of Propositions.J. C. C. McKinsey - 1939 - Journal of Symbolic Logic 4 (4):155-158.details
Systems of Modal Logic Which Are Not Unreasonable in the Sense of Halldén.J. C. C. McKinsey - 1953 - Journal of Symbolic Logic 18 (2):109-113.details
A New Definition of Truth.J. C. C. McKinsey - 1948 - Synthese 7 (6-A):428 - 433.details
Truth in Philosophy of Language
Outlines of a Formalist Philosophy of Mathematics.J. C. C. McKinsey - 1953 - Journal of Symbolic Logic 18 (1):80-81.details
On the Representation of Projective Algebras.J. C. C. Mckinsey - 1948 - Journal of Symbolic Logic 13 (4):223-223.details
On the Logic of Imperatives.Albert Hofstadter & J. C. C. Mckinsey - 1940 - Journal of Symbolic Logic 5 (1):41-41.details
Reviews. K. R. Popper. Logic Without Assumptions. Proceedings of the Aristotelian Society, N.S. Vol. 47 , Pp. 251–292.J. C. C. McKinsey - 1948 - Journal of Symbolic Logic 13 (2):114-115.details
17th/18th Century Logic in 17th/18th Century Philosophy
The Contrary-to-Fact Conditional.J. C. C. McKinsey & Roderick M. Chisholm - 1947 - Journal of Symbolic Logic 12 (4):138.details
Review: Haskell B. Curry, Outlines of a Formalist Philosophy of Mathematics. [REVIEW]J. C. C. McKinsey - 1953 - Journal of Symbolic Logic 18 (1):80-81.details
Liar Paradox in Logic and Philosophy of Logic
Churchman C. West. Elements of Logic and Formal Science. J. B. Lippincott Company, Chicago, Philadelphia, New York, 1940, Ix + 337 Pp. [REVIEW]J. C. C. McKinsey - 1941 - Journal of Symbolic Logic 6 (4):169-170.details
Logic and Philosophy of Logic, Miscellaneous in Logic and Philosophy of Logic
Proof That There Are Infinitely Many Modalities in Lewis's System S 2.J. C. C. McKinsey - 1940 - Journal of Symbolic Logic 5 (3):110-112.details
On the Number of Complete Extensions of the Lewis Systems of Sentential Calculus.J. C. C. McKinsey - 1944 - Journal of Symbolic Logic 9 (2):42-45.details
Canonical Expressions in Boolean Algebra.J. C. C. McKinsey - 1938 - Journal of Symbolic Logic 3 (2):93-93.details
A Note on Bronstein's and Tarter's Definition of Strict Implication.J. C. Chenoweth McKinsey - 1934 - Philosophical Review 43 (5):518-520.details
Postulates for the Calculus of Binary Relations.J. C. C. McKinsey - 1940 - Journal of Symbolic Logic 5 (3):85-97.details
Vredenduin P. G. J.. A System of Strict Implication.J. C. C. McKinsey - 1939 - Journal of Symbolic Logic 4 (3):124-124.details
Philosophy and the Axiomatic Foundations of Physics.J. C. C. McKinsey & Patrick Suppes - 1953 - Proceedings of the XIth International Congress of Philosophy 6:49-54.details
Review: R. Vaidyanathaswamy, Quasi-Boolean Algebras and Many-Valued Logics. [REVIEW]J. C. C. McKinsey - 1939 - Journal of Symbolic Logic 4 (1):27-28.details
Nonclassical Logics in Logic and Philosophy of Logic
Review: Emil L. Post, Recursively Enumerable Sets of Positive Integers and Their Decision Problems. [REVIEW]J. C. C. McKinsey - 1945 - Journal of Symbolic Logic 10 (1):18-19.details
Model Theory in Logic and Philosophy of Logic
Review: C. West Churchman, Elements of Logic and Formal Science. [REVIEW]J. C. C. McKinsey - 1941 - Journal of Symbolic Logic 6 (4):169-170.details
Informal Logic in Logic and Philosophy of Logic
Algebras and Their Sub-Algebras.A. H. Diamond & J. C. C. Mckinsey - 1948 - Journal of Symbolic Logic 13 (1):51-51.details
Mathematical Logic With Transfinite Types.J. C. C. McKinsey - 1944 - Journal of Symbolic Logic 9 (3):72-73.details
Lewis Carroll's Barber Shop Paradox.J. C. C. McKinsey - 1950 - Journal of Symbolic Logic 15 (3):222-223.details
Elements of Logic and Formal Science.J. C. C. McKinsey - 1941 - Journal of Symbolic Logic 6 (4):169-170.details
A Set of Postulates for Boolean Algebra.Solomon Hoberman & J. C. C. Mckinsey - 1937 - Journal of Symbolic Logic 2 (4):172-173.details
A Correction to Lewis and Langford's Symbolic Logic.J. C. C. McKinsey - 1940 - Journal of Symbolic Logic 5 (4):149.details
Classical Logic in Logic and Philosophy of Logic
A Condition That a First Boolean Function Vanish Wherever a Second Does Not.J. C. C. Mckinsey - 1938 - Journal of Symbolic Logic 3 (1):47-48.details
A New Definition of Truth.J. C. C. Mckinsey - 1951 - Journal of Symbolic Logic 16 (3):218-220.details
A Note on Reichenbach's Axioms for Probability Implication.J. C. C. Mckinsey - 1940 - Journal of Symbolic Logic 5 (1):42-42.details
Blake Archie. Canonical Expressions in Boolean Algebra. Dissertation Chicago 1937. Lithographed. The University of Chicago Libraries, Chicago 1938, Ii + 60 Pp. [REVIEW]J. C. C. McKinsey - 1938 - Journal of Symbolic Logic 3 (2):93-93.details
Burks Arthur W. And Copi Irving M.. Lewis Carroll's Barber Shop Paradox. Mind, N.S. Vol. 59 , Pp. 219–222.J. C. C. McKinsey - 1950 - Journal of Symbolic Logic 15 (3):222-223.details
Boolean Functions and Points.J. C. C. Mckinsey - 1937 - Journal of Symbolic Logic 2 (1):41-41.details
Bruner Frank G.. Mathematical Logic with Transfinite Types. Planographed. Privately Printed and Distributed by the Author, 1460 East 57th Street, Chicago, 1943, V + 68 Pp. [REVIEW]J. C. C. McKinsey - 1944 - Journal of Symbolic Logic 9 (3):72-73.details

redpajama_set_name: RedPajamaCommonCrawl


text:
2019-11-17 (Compose) Do You Remember?
P.W. Joyce
Here is a simple, but profound story.
There are three natural phases:
The first phase of "Remembering a lost love" tells about someone who once was at the centre of the storyteller's life. The melody recounts in flowering terms some of the most wonderful moments experienced during that time.
In the second movement, we have moved to the "Regret about the lost love". Here we are reliving the pangs felt in missing this precious person. Did we not appreciate the Other as fully and as completely as we might have? Oh, how we are so sorry about the person who has now gone away, and will never come back.
In the third movement, we are in the present. Now is the time of "New hopes". Time moves on, and new persons have appeared on the horizon. We can move to new and happy moments. Hopefully we have learned something, to make the next adventures yet richer and even more complete.
Back in 1873, P.J. Joyce had recorded four accounts and related melodies in various parts of Ireland, which tell this story in somewhat similar ways. One can identify a resemblance to the three movements in my more elaborate version. Joyce's first two melodies in major key emphasized the initial phase of the story, the next movement in minor key recounted the second aspect, and the last melody, again set in major key, evoked the last and concluding element of the story.
Here as one continuous recording are the four versions that were collected by P.J. Joyce:
And here is my interpretation, both as a piano and as an orchestral version: Due to the limitations imposed by the artificial rendering, I definitely prefer the first, the piano-only version. Some day I hope that we shall have a natural recording for this piece, which will render better justice to the orchestral version of the story.
MP3s and sheets are here.


ROCHESTER, N.Y. — Bausch + Lomb, the global eye health company, has named Sheila Hopkins Global President of the company's Vision Care business, and two of the company's senior executives – Peter Valenti III and Steven Robins – have assumed new roles within the organization. Hopkins will oversee the company's contact lens and lens care product offerings, which include such well-known brand names as Biotrue™, PureVision® and renu®. Valenti will lead North American Vision Care as President and Robins has been named Vice President and Chief Marketing Officer, Global Vision Care.
Hopkins has built global brands such as Colgate and Oil of Olay through hands-on leadership roles in both retail- and professional-facing companies. She will be based at the company's Vision Care headquarters in Rochester, N.Y., and will report to Saunders.
Immediately prior to joining Bausch + Lomb, Hopkins spent 14 years with Colgate-Palmolive Company in a variety of roles including Vice President and General Manager, Personal Care; Vice President of Global Business Development; and most recently as Vice President, General Manager, Professional Oral Care. During her tenure, Hopkins grew revenues and profits for consumer and professional brands and helped reinvigorate the company's new product innovation stream.
Hopkins also spent more than seven years at Procter & Gamble where she led marketing for the company's skin care brands including Oil of Olay, Clearasil and Noxzema. Earlier in her career, Hopkins worked for American Cyanamid in a variety of product, marketing and sales roles including Director of National Accounts where she was responsible for customers such as Wal-Mart, K-Mart, Target and Walgreen's.
Hopkins has also held roles at Tambrands and Revlon, and she has served on the Board of Directors for Warnaco since July 2003. She is a graduate of Wellesley College in Wellesley, Massachusetts where she earned her bachelors degree in History.
Valenti joined Bausch + Lomb in January 2009 from Covidien where he led U.S. sales and marketing strategy for the company's $1 billion product portfolio. Prior to Covidien, he spent 12 years with Johnson & Johnson in a variety of U.S. and international roles, and earlier in his career he held brand management roles with Procter & Gamble Co.
Robins arrived at Bausch + Lomb shortly after Valenti in May 2009 with approximately two decades of consumer healthcare experience at leading companies such as Johnson & Johnson, Pfizer and Warner Lambert. During his career, Robins has held marketing and category management leadership positions within established brands, and he spent time at Young & Rubicam, the global advertising agency.
Bausch + Lomb is one of the best-known and most respected healthcare companies in the world. Its core businesses include contact lenses and lens care products, ophthalmic surgical devices and instruments, and ophthalmic pharmaceuticals. Founded in 1853, the company is headquartered in Rochester, N.Y., and employs more than 10,000 people worldwide. Its products are available in more than 100 countries. More information is available at www.bausch.com.
© 2011 C&E Vision's Industry News Feed. All rights reserved.


Happy Valentine's Day! I have been seeing cardinals as well, but the snow really sets off their color. I am sharing vintage Valentine's Day cards at Still woods Farmhouse. Hope you can stop by for a visit!
They are pretty birds almost like a big robin red breast, I don't think we get them here most likely too hot in Australia.
Read former blogs love your cats past and now, not too keen on your weather too cold.
I do love seeing your cardinals. They would so brighten our NW winters. Not sure why we don't have them out here.
I don't see Cardinals here - loved seeing yours!
What a lovely Valentines gift you got! Something we definitely don't see on our feeders in Ireland!
It was your cardnials that attracted me to your blog...I love red cardnials in the snow....beautiful pics! But then I saw you love the cottage look and so I had to browse...and then on one post you wrote about the reason....because it brings you back to childhood and a simpler time...and now i am hooked because that is why I also love old vintage wonderful things!
It has been many years since I have seen real cardinals out in the yard. We do not have them here in the Pacific Northwest.
Oh the cardinal is beautiful. And the snow looked gorgeous although it was a little excessive.
Thankfully a lot of it has melted. Are you ready for round two?
I love seeing the male cardinals, especially in winter when it's so stark out there. You're lucky you got a good shot of him...usually they're very skittish and can sense when someone is too close, even through a window!
The male cardinals... my favorite bird in winter. Such a beautifully brilliant color with the backdrop of white snow. Thank you for sharing such lovely pictures.


This course bridges the gap between Project Management and Business Analysis. It will extend the Project Manager's viewpoint to understand and facilitate excellent analysis and high quality requirements to deliver a fully formed solution, as well as delivering the project.
Many different roles are required within a Project Team: two of the most important roles are the Project Manager and the Business Analyst.
A Business Analyst understands business change needs, assesses the impact of those changes, captures, analyses and documents requirements and then supports the communication and delivery of those requirements with relevant parties.
Like Project Managers, Business Analysts must be great communicators, tactful diplomats, problem solvers, thinkers and analysers - with the ability to understand and respond to user needs in rapidly changing business environments.
Whilst a lot of Project Managers have been on formal training courses such as PRINCE2®, APM and PMI®, not many have had formal business analysis training which would help them and their organisations deliver more successful projects.
Delegates should be familiar with formal Project Management and have worked as a Project Manager in some capacity to get the most benefit from this course.
This interactive 3 day course uses a Case Study driven workshop approach to enable delegates to gain confidence in the use of well proven techniques in the areas defined above. It provides a good basis on which to extend the Project Manager's viewpoint of Business Analysis.


The 675LT is powered by a 3.8-litre, twin-turbocharged V8 with 666bhp and 516lb ft of torque.
The 675LT can do 0-62mph in 2.9sec and 0-124mph in 7.9 seconds. Top speed is 205mph.
The LT stands for longtail, a reference to the 1997 McLaren F1 GTR Longtail endurance racer.
It only weighs 1328kg, about the same as a Volkswagen Golf. To save weight, the exhaust is made of titanium and the car is mainly constructed of carbon fibre.
Over the 650S on which it's based, an 80% larger front splitter and 50% bigger airbrake increase downforce by 40%. You can see the airbrake rise to help balance the car under braking.
A 675LT Coupe would cost you £259,500. Even if you could afford one, they're sold out.
The Lotus Evora 400 is the fastest Lotus road car of the New Millennium. It has a top speed of 186mph, 0-60 in 4.1 seconds and 400hp.
The 25th Anniversary Countach was introduced in 1988 to celebrate Lamborghini's 25th anniversary. Powered by a 5 litre V12 engine producing over 400bhp. Performance is impressive with a 0-60mph time of 4.7 seconds and a top speed of 183mph. This immaculate example has only covered 17,700 miles in the hands of its 1 fastidious owner from new.
The exceptional Ferrari FXX will take to the track in June.
The Lister is a continuation by Lister Cars the brain child of Andrew Whitaker and built by Lister Engineering. The 1958 plans have now adhered to down to the smallest detail, including the cockpit area which only fitted Archie Scott Brown. The Knobbly is legendary and needs no more.
If there was ever an automobile that turned the rally world upside-down, it was the Lancia Stratos HF. The first automobile purposely built for competition in the World Rally Championships, the Stratos' powerful, radical design looked like nothing else on the road.
Straight six 3848cc Nash engine (NHA 1075) in two episodes of the TV programme Fast n' Loud (Series 3) from July 2013.
The Ferrari 365 GTB/4 better known by the unofficial name Faerrari Daytona, is a grand tourer automobile produced from 1968 to 1973.
The car that set the standard in 1980's rallying.
This 1968 Chevrolet Camaro is driven by David Piper and Tim Boles and is entered by TCB Racing.
With its record-breaking light weight of under 1,500kg, the BMW M4 Coupé has been designed to make the impossible possible. The car is equipped with the brand new 431hp M TwinPower Turbo straight six-cylinder petrol engine with seven-speed M Double Clutch Transmission with Drivelogic. It also features precision technologies like the M Servotronic, Active M Differential and Adaptive M suspension – creating a seamless connection between driver and machine. The M4 is on track courtesy of Blue Bell BMW in Crewe, who have been the name for BMW in Cheshire for 25years.
The car was built by gentleman racer, the late Tony Marsh, six times British National Hill Climb Champion.
Totally roadgoing with a top speed of 190mph. This particular model is fitted with the sportshift II gearbox.
Built to special order, this is possibly the last one of about 50 RHD to be produced.
In addition to those competing on the track the Cholmondeley Paddock Enclosure will showcase some of the finest and most fascinating machinery designed throughout the 19th Century culminating in exceptional designs of the 21st century.


text:
The Gauntlet Begins; LSU vs. Coastal Carolina; 6pm; Radio Only
By actioncuse Nov 15, 2011, 2:00pm CST
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The Fighting Tigers of LSU play their first of four games in the Palmetto State today at 6:00 against the Coastal Carolina Chanticleers. LSU will play four games in the next 6 days, as they are participants in the 2011 Charleston Classic. As the commentators will probably point out about ten times during the game, the Chanticleer is a rooster from a story written by Chaucer. The Chanticleers started off this season with a couple of blowouts over some D-3 teams. LSU should probably be considered the first real game for CCU.
Last year, Coastal visited Baton Rouge and left with a 78-69 overtime win. It was a game in which LSU was out-rebounded by 11 and shot the ball very poorly. Don't be confused though, prior to losing Desmond Holloway to a mid-season suspension, Coastal was an NCAA tournament team. The Chanticleers' record crested at 24-2, before dropping a few more including the Big South Championship on their home floor to UNC-Asheville. They followed that up with a first round loss to Alabama in the NIT.
This was a game that I thought LSU would lose when I wrote the Out of Conference preview a couple of weeks ago. In all honesty, I would like to revise that pick. LSU really showed a lot of promise in the first game against Nicholls. Nearly every player had a great game on Saturday, and there's really no reason for me to think that they will take a step back today. They made quite a bit of three pointers, but since many of them were open shots, I'm confident that they will continue to shoot well.
Consistency is something that coaches of any sport will often point to as a reason for success, and LSU was quite consistent in the first game. The Tigers outscored Nicholls by 11 points in each half of the game on Saturday. Part of the reason was a respectable 13 turnover difference in the game. LSU finished the game with only 9 total turnovers.
Unfortunately for LSU fans, there is no TV available for this game, unless you happen to live nearby CCU where it is available on the local channel. It will only be available on 100.7 in Baton Rouge, or on the Geaux Zone radio from LSU Athletics. We will be getting TV for the following game against the Northwestern Wildcats in what looks to be a great game between un-ranked major conference schools. That game will be on ESPNU at 2:00 CT.


visorcentral.com >> Support >> faq >> Does the Visor Stowaway keyboard work with the Visor Edge?
Does the Visor Stowaway keyboard work with the Visor Edge?
Visor Edge has a new wider connector, so the existing Stowaway keyboards do not work with Visor Edge.
Visor Edge has a new wider connector, so the existing Stowaway keyboards do not work with Visor Edge. A Visor Edge specific version of the Stowaway keyboard has been announced. The keyboard should be available late June.


text:
Father of American taekwondo dies at 86
In this photo from the 1970s, Jhoon Rhee, left, shakes hands with Bruce Lee at Lee's home. Rhee taught Lee taekwondo kicks. [SCREEN CAPTURE]
Jhoon Rhee, a taekwondo grandmaster who popularized the sport in the United States and taught members of Congress how to defend themselves, died on Monday in Arlington, Virginia. He was 86.
His son, Chun Rhee, said his father passed away in hospice care after a seven-year battle with shingles. A memorial service is scheduled to take place on May 8.
Rhee was born in Asan, South Chungcheong, and attended college at Dongguk University. He studied under Nam Tae-hi, the grandmaster of Cheongdokwan, one of the nine original taekwondo gyms in Korea.
In 1956, he went to San Marcos, Texas, as part of a military training program and began teaching taekwondo to earn a living. After the program, he decided to stay in the United States. When asked about his decision in a 2007 interview with Radio Free Asia, he said, "After liberation, American films flooded the market. I was smitten with Marilyn Monroe. I promised myself I would marry a blond beauty like that in the future."
Rhee was famous for his ability to jump eight feet in the air and break through three wooden boards with a single kick. In 1962, he opened his first taekwondo school in Washington. Advertisements for his self-defense classes ran on television for a decade and were widely known for their catchy jingle with the refrain, "Nobody bothers me!"
His political network expanded when he began providing lessons to members of Congress in 1965. After learning that Rep. James Cleveland, a Republican from New Hampshire, was mugged, Rhee offered him free taekwondo lessons and later ran classes in the Capitol building. In his interview with Radio Free Asia, Rhee said he taught around 350 members of Congress, including House Speaker Newt Gingrich. His connections extended to the White House, where he served as a special adviser on physical education under Ronald Reagan and George H.W. Bush.
Rhee also built friendships with Muhammed Ali and Bruce Lee and gave them pointers on technique. He taught Lee some of his signature kicks and trained Ali in a right-hand technique dubbed the "accu-punch" for its speed and precision, comparable to a piercing needle.
In 2003, the city of Washington designated June 28 as Jhoon Rhee Day in recognition of his contributions to taekwondo in America. June 28 was the day Rhee opened his first school in D.C.
Rhee is survived by his wife Theresa and four children.
BY KANG BYONG-CHOL [shim.kyuseok@joongang.co.kr]


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text:
<link href="qunit/qunit.css" rel="stylesheet" type="text/css" />

Shifty

redpajama_set_name: RedPajamaGithub


text:
The Key to the True Kabbalah by Franz Bardon
Select: New/Discounted NEW
Select: Paperback/Hardcover PAPERBACK
NEW / PAPERBACK - $34.00 USD
Title: The Key to the True Kabbalah
Author: Franz Bardon
In The Key to the True Kabbalah, Franz Bardon demonstrates that the mysticism of letters and numbers- the true Kabbalah- is a universal teaching of great antiquity and depth. Throughout the ages, adepts of every time and place have achieved the highest levels of magical attainment of mind, body and spirit through the understanding of sound, color, number and vibration as embodied in the Kabbalah. This book, the third in Franz Bardon's remarkable texts of Hermetic magic, is nothing less than a practical guide to such attainment. Using the common German alphabet, Bardon guides the reader through ever greater levels of Kabbalistic achievement. No other available text reveals as great a depth of Kabbalistic wisdom or provides the reader with as much practical training.
Though intended primarily as a working text for those who have completed Franz Bardon's first and second volumes, Initiation Into Hermetics and The Practice of Magical Evocation, the present work stands on its own, and even those without the requisite background in practical Hermetics will be fascinated by Franz Bardon's intellectual journey through the mysticism of Tantric India, Tibet, the Hebrew Kabbalah, and the ancient sources of the Western magical tradition.
Franz Bardon (1909-1958), was born in the current Czech Republic into a family which studied Esoteric Christianity, and became one of the most remarkable Hermetic magicians of the 20th century
In the 1930s Franz Bardon revealed the Holy Mysteries to the world at large. The Mysteries were revealed at that point in time because of the moral and spiritual decline of mankind, which, after entering the spirit world after their physical death, complained that they had no access to the true path of spiritual development.
In 1945 after refusing to become a Nazi collaborator, he was imprisoned for three and half months before the prison was bombed and he was liberated by Soviet soldiers.
After the war, Franz Bardon lived with his wife working as a naturopath and graphologist. He often traveled to Prague to teach, but his work was interrupted forever in 1958 when Bardon was arrested during one of Czechoslovakia's notorious Communist purges, and died under "unusual circumstances" in a prison hospital the same year.


text:
Dietrich "Didi" Fast (* 21. Juni 1985 in der Sowjetunion) ist ein professioneller deutscher Pokerspieler.

Fast hat sich mit Poker bei Live-Turnieren mindestens 7,5 Millionen US-Dollar erspielt und gehört damit zu den erfolgreichsten deutschen Pokerspielern. Er gewann 2015 ein Bracelet bei der World Series of Poker Europe und 2016 das Main Event der World Poker Tour.

Persönliches
Fast verbrachte seine ersten Lebensjahre mit seinen deutschen Eltern und seiner Schwester in der Sowjetunion. Nach dem Fall der Berliner Mauer im Jahr 1989 kehrte die Familie nach Deutschland zurück. Später lebte er in Bielefeld und war als Amateurfußballspieler für Schwarz-Weiß Sende in der Kreisliga aktiv. Fast lebt in Wien.

Pokerkarriere

Werdegang
Fast spielt seit 2006 Poker. Auf den Onlinepoker-Plattformen PokerStars und 888poker benutzt er den Nickname 2pacnrw16. Mindestens seit 2009 nimmt Fast auch an Live-Pokerturnieren teil.

Im Februar 2009 gewann Fast das Poker Classic in Bad Oeynhausen und damit sein erstes größeres Live-Preisgeld in Höhe von 10.800 Euro. Im Juni 2014 war er erstmals bei der World Series of Poker (WSOP) im Rio All-Suite Hotel and Casino am Las Vegas Strip erfolgreich und kam bei einem Turnier in der Variante No Limit Hold'em ins Geld. Anfang 2015 schaffte es Fast erstmals beim Main Event des PokerStars Caribbean Adventures auf den Bahamas in die Geldränge und erhielt rund 25.000 US-Dollar. Bei der WSOP 2015 landete er erneut bei einem Event in den Geldrängen, bevor er bei der rund drei Monate später in Berlin stattfindenden World Series of Poker Europe das Oktoberfest-Turnier gewann. Dafür setzte er sich gegen 2143 andere Spieler durch und sicherte sich mehr als 150.000 Euro Preisgeld sowie ein Bracelet. Anfang März 2016 siegte Fast beim Main Event der World Poker Tour in Los Angeles und erhielt ein Preisgeld von über einer Million US-Dollar. Ende März 2017 gewann er das Super-High-Roller-Event des Seminole Hard Rock Poker Showdown in Hollywood, Florida, mit einer Siegprämie von knapp 500.000 US-Dollar. Bei der PokerStars Championship im August 2017 in Barcelona belegte Fast beim Super High Roller den mit über 400.000 Euro dotierten vierten Platz. Mitte Oktober 2017 wurde er beim Main Event der Triton Poker Series in Macau Fünfter und erhielt umgerechnet knapp 600.000 US-Dollar. An gleicher Stelle gewann Fast nur wenige Tage später das Super High Roller der Asia Championship of Poker mit einer Siegprämie von umgerechnet über 2 Millionen US-Dollar. Seitdem blieben größere Turniererfolge aus.

Preisgeldübersicht
Die kumulierten Preisgelder je Jahr stammen aus der Hendon Mob Poker Database, die weltweite Turnierergebnisse aller Pokerspieler erfasst und in der Fast bis kurz nach Inkrafttreten der Datenschutz-Grundverordnung gelistet war. Seit 2019 erspielte Preisgelder stammen daher aus anderen Quellen und sind als Mindestangaben zu verstehen.

Weblinks

 Dietrich Fast in der Datenbank der World Series of Poker: 2014–2022, 2022 (englisch)

Einzelnachweise

Pokerspieler (Deutschland)
Braceletgewinner
Gewinner des Main Events der World Poker Tour
Sportler (Berlin)
Deutscher
Geboren 1985
Mann

redpajama_set_name: RedPajamaWikipedia


text:
Tiny Artist Studios in the Woods
by Words and photographs by Julya Hajnoczky December 29, 2015 April 4, 2019
The nine buildings that make up the Leighton Artists' Colony are where creativity happens. One is mostly made of glass and another made out of a boat.
If The Banff Centre was meant to be an inspiring retreat for artists and lovers of art, then the Leighton Artists' Colony, named in honour of David and Peggy Leighton, is truly a retreat within a retreat. David Leighton was president of The Banff Centre from 1970 to 1982, and with help from his wife Peggy, was instrumental in developing the Centre into the world-class, year-round, fully independent post-secondary institution and conference centre that it is now known as. Professional and emerging artists can apply to use the studios in the colony so that they can completely immerse themselves in a project.
In a place that permits intensely focused solitary retreat, but allows engagement with the broader artistic community and resources of the Banff Centre, artists can be enormously productive. Since its creation, the colony has hosted more than 1,000 artists who have choreographed dances, curated exhibitions, written novels, plays, songs, poems and operas, and created all sorts of visual artworks.
There are nine unique studio buildings scattered about a densely forested patch of land on Tunnel Mountain. It's part of the Banff Centre, but set apart. In order to provide resident artists the most distraction-free workspace possible, non-essential visits to the colony are discouraged. If you must wander through, be sure to tiptoe!
Each of the nine buildings was designed by a different architect, and has features that make it most suitable for artists of certain disciplines. The Valentine Studio, named after its designer Fred Valentine, was built to accommodate composers. Wood construction, cathedral-style space, and a grand piano add up to great acoustics for musically inclined residents.
The "glass house", or Evamy Studio (designed by Michael Evamy) is a bright and airy construction with almost more window than wall. The glass and cedar building is surrounded by tall trees, giving resident writers or playwrights beautiful forest views through the windows, walls, and skylights.
The interiors of the studios vary widely too, of course, depending on the intended user. The Thom Studio, for instance (designed by Rob Thom) has large skylights to let in lots of natural light, simple tile floor, and plain drywall – perfect for a visual artist looking for a space to spread out, tack works-in-progress to the walls, and maybe spill a bit of paint now and then. Each studio also has a small kitchenette. Artists have accommodations and meals elsewhere on campus, but when inspiration strikes, it's convenient to be able to prepare a snack in your own studio and get back to work quickly.
The Cardinal Studio (designed by Douglas Cardinal) is another space best suited to projects involving music, containing an upright piano. With a design best described as "introverted", it is built of thick cedar logs and has no windows on the pathway side of the building. The designer, known for his use of natural forms, created this studio in the shape of a nautilus shell, with the outermost wall curling protectively around to shelter a small, private outdoor deck.
Looking like a relic of some sort of flood, the Henriquez Studio is certainly one of the more eye-catching buildings in the colony. Designer Richard Henriquez had an old fishing boat restored and refitted to create this studio, with a sheltering glass roof to keep the elements at bay, and a small porch where you can sit and watch the sun set over the sea, as long as you don't mind it being an sea of trees.
Artists with a professional standing in their field or emerging artists with promise take advantage of self-directed residencies that include a single bedroom, studio space, a meal plan and access to other Banff Centre ammenities. For more information and to apply, visit banffcentre.ca


text:
In 2012 we released an album of old hymn texts paired with new tunes called Safely Home. Since the completion of that first album, we knew we wanted to have the chance to create an album together again. Fast forward to 2014, and as individuals began to bring songs to the group the crafting of new music was underway. We met. We talked. We practiced. And, finally, we set aside 10 days from the busyness of life and we recorded. Just like that, our second album, Sweet Comforter, took shape. It has been both our privilege and blessing to be able to record these songs in order to provide a source of sacred and worshipful music "between the Sundays".
St. Andrews Hymns, 2016


The other day, I went to Ground Zero. I accompanied a friend who had lost her father there in the attack on September 11th. The Red Cross took us down on a ferry. All of the volunteers and the police and the chaplains were unbelievably nice. Getting off the ferry at Battery Park and entering the area around what had been the World Trade Center Towers was like entering a waking dream, like a surreal lucid dream. I can still see every brick and every crack in the pavement. I can see every shattered building, including the huge crushed atrium facing the river, where we were told weddings were once held. I can see every acorn still covered in a fine white dust under the trees of the plaza. I can see the broken and streaked high-rise windows, and the huge girders of the World Trade Center Towers ramrodded into nearby buildings. I can see every flower layered upon flower mingled with pictures of smiling dead relatives, and stuffed animals (as if stuffed animals would somehow console the dead, or console the grieving family member desperate to leave something to let their missing mother or father or sister or brother or husband or wife know how much they miss them). I can see the hair of my friend in close up as I held her as she stared blankly at the destruction site of Ground Zero. I know I looked at the cathedral-like skeleton of the ground floor facades of the Towers. I know I looked at the gnarled wreckage of the crushed imploded buildings. I know I looked at the workers trying to clean up the seemingly endless pile of rubble. But somehow, I don't feel like I saw it. It is as if our brains aren't programmed to be capable of grasping such destruction. I supported my friend as she left a beautiful photograph (of herself and her father standing and smiling at an art show) on top of the bed of bouquets. I left in a thoughtless daze. I got back on the ferry and stared down into the waters of the muddy Hudson River. And I felt like time opened up there, like I stood for hours in a few minutes, thinking and praying and trying to understand it. When I came back to real time, I was unbelievably angry.
But, I wasn't angry at the terrorists. I was angry at any belief system, or ideology, or thought, or doctrine, that could cause such mass destruction and devastation. It is wrong. Any beliefs, ours or theirs, religious or political, that continue to cause destruction are equally wrong and must be fought against. In order for this beautiful world to heal, in order for the chaos to stop spreading we are all going to have to go to war against ideologies which condone or incite the killing of people and destruction of creation. We cannot stand by passively and hope our leaders will make the right decisions, we have to act. We have to come together to act responsibly, to pray, to be in communication, to stand vigil. For years, we haven't been paying attention. We have been dining and consuming while our nation has been getting its hands dirty. We've consumed and been in collusion. We haven't cared about the source of the oil for our SUV's or the advantage taken of laborers who have made our clothes. We've projected our shadows shamelessly onto the third world. But now potentially, we've been awakened. We have witnessed the mass nightmare of our collective unconscious. I pray that we don't repress it, I pray that we begin to look at ourselves and our problems and begin the long difficult process of healing. This is not the classic struggle between "good and evil" that our president suggests. We can't kill all the "bad guys," we can't extinguish all the evil in the world, or else we'd have to extinguish ourselves, let's stop now.
Swiss psychologist, Carl Jung said, "How can we see the world clearly when we cannot even see ourselves and the darkness we carry into all of our dealings." Evil is not "out there" somewhere, it is right where you are, waiting for you to give it a go, by turning to anger, hatred and fear. Mahatma Gandhi said, "You must become the change you want to see in the world."
America is a great country. The concepts of our founding fathers are brave and true. To achieve enlightenment and transformation through Freedom is a dignified goal. We are fortunate to live in an open society which believes in the free exchange of ideas. I have faith in Freedom. We should not allow our fears to chip away at our liberty. Franklin D. Roosevelt called the desire to come together in trying times like these, "the warm courage of national unity." But our cry of despair doesn't have to be a call for war. Don't give into the patriotic flag waving promotion of revenge. We can respond in a greater way. We can create. Paint, draw, dance, sculpt, act, write, photograph, record, film, sing, meditate, fast, and pray. We can meet in small groups with family and friends, and discuss what is going on in the world. We can call together a group of peers and decide what actions we can take to do something to stop the madness. Take action. Begin praying for Peace today. And may God hear our prayer.
Let love be genuine: hate what is evil, hold fast to what is good: Love one another with mutual affection: outdo one another in showing honor. Do not lag in zeal, be ardent in spirit, serve the Lord. Rejoice in hope, be patient in suffering, persevere in prayer. Contribute to the needs of the saints; extend hospitality to strangers.
Bless those who persecute you; bless and do not curse them. Rejoice with those who rejoice, weep with those who weep. Live in harmony with one another; do not be haughty, but associate with the lowly; do not claim to be wiser than you are. Do not repay anyone evil for evil, but take thought for what is noble for all. If it is possible, so far as it depends on you, live peaceably with all. Beloved, never avenge yourselves, but leave room for the wrath of God; for it is written,"Vengeance is mine, I will repay, says the Lord." No, "if your enemies are hungry, feed them; if they are thirsty, give them something to drink; for by doing this you will heap burning coals on their heads." Do not be overcome by evil, but overcome evil with good.


text:
19th Oct 15
Above, a modeled representation of a Mayan sacrifice at the Torture Museum in Siena.
The word "fawn" is defined in the http://www.thefreedictionary.com/ website as:
1. To exhibit affection or attempt to please, as a dog does by wagging its tail, whining, or cringing.
2. To seek favour or attention by flattery and obsequious behaviour.
This is of course EXACTLY what David Cameron and the Tories will do in the presence of The General Secretary of the Communist Party of China, Chairman of the Central Military Commission and also President of the People's Republic of China, Xi Jinping.
The Chinese description is kowtow.
On the eve of the visit more steel jobs have been lost due it is said to Chinese dumping of steel. It is said that the Chinese subsidise the production of their steel. Well they do in a way. How? By using the cheapest form of energy to heat the furnaces. Meanwhile back in Barmy Britain steelmakers have to pay a Green Levy.
This of course is unsustainable and British Gazette readers well know that if something is unsustainable, it isn't – sustainable.
If the former steelworkers are hoping for some form of reprieve we would suggest that they should prepare for disappointment.
You see, Cameron and his cronies may well pout and feign distress about the closure of a vital industry but in reality they are in fact relieved about it!
Because the power the steel works USED to use can now be diverted to keeping the lights – and the TVs – on due to the lunatic energy policy adopted by this and previous British governments.
David Cameron has ONE worry however.
Cameron is VERY worried that Comrade Corbyn, Leader of the Labour Party will raise the issue of human rights with Comrade Jinping!
You see Cameron wants to everybody to be on their very best behaviour when the Tories new "Best Friend" Comrade Jinping comes to call.
Comrade Jinping – who being a Good Communist regards himself as a "man of the people" wants to sample that quintessential dish of the British proletariat – FISH & CHIPS! in the company of his new friend David "Call me Comrade" Cameron.
Meanwhile Comrade Corbyn's predecessor Unfortunate (should that now be Fortunate?) Ed is said to be taking walks on Hampstead Heath pondering the future of the planet!
As to where Jaguar Cars and the rest of British Industry are going to get it's supplies of steel in future?
Ask that nice Comrade Jinping!
If perchance Dear Reader you hear a distant rumbling; it will be the bones of this country's former Prime Minsters such as Clement Atlee, Winston Churchill, David Lloyd George and William Gladstone spinning in their graves!


The healthcare industry is at a crossroads involving new medical treatments, rapid advances in healthcare technology, a constantly changing regulatory landscape, transparency requirements and financial constraints. Chubb understands these changes and offers a wide range of products specific to the sector.
We offer professional and general coverages for long-term care facilities with unique specialty coverage endorsement options. Market these products with this long-term care facilities product sheet.
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About 70% of healthcare organizations will have invested in consumer-facing mobile, wearable and remote technologies by 2018. But advancements in care delivery invite new risks, including privacy and network concerns and professional liability exposures. Learn more in our wearable technology infographic.
Healthcare providers should look at more than just a carrier's financial stability, price, and coverage terms and conditions, but also whether the insurer has the knowledge and experience to handle the long-tail liability associated with healthcare. Watch to see how we do.
We offer a multitude of risk management guides, whitepapers, checklists and more geared toward the healthcare industry on our Chubb Healthcare resource center.
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SIMA – MIHOV could manufacture various thermoplastic injection mouldings in a clean room environment Class 8 in accordance with ISO 14644 (or Grade D according to EU GMP). Specific premises and facilities are designed to be in compliance with the requirements for Class 8 (according to ISO 14644). The design has been approved by the Bulgarian Drug Agency. The premises are built and air-conditioned (via a clean-room HVAC system) in accordance with the requirements of GMP for production of medicinal drugs.
• items in the area of the food and beverage industry with microbial count requirements.


Shopping for a mortgage can be stressful and time-consuming, especially when you know next to nothing about the process. Nobody wants to feel like they're making a monumental decision while going in blind. With that in mind, here's a list of nine questions to ask your mortgage lender, before you sign anything.
What type of loans do you offer? What are the qualifying guidelines for each?
Since there are many different types of mortgages (Fixed-Rate, Adjustable Rate, Federal Housing Administration or Veteran's Association, to name a few), it's important to know which type of loan the lender can offer you. Don't be afraid to ask them to take the time to explain each one to you and their pros and cons. Make sure that the lender is recommending specific loans only after finding out about your particular needs and qualifications, and not just pushing their own agenda. Ask why they think a specific loan would work best for you.
What are the interest rate and Annual Percentage Rate (APR)?
The interest rate is going to be based on the size of the loan and on your credit. Interest accrues over the life of your loan and over a 15-30 year span, can add up considerably. If the interest rate is adjustable (as in an Adjustable Rate Mortgage or ARM), ask how long the rate will remain fixed, and about the maximum annual adjustment, highest rate (cap), index and margin. The APRincludes both the interest rate and all other lender fees, divided by the loan's term.
What's the monthly payment going to be?
As you're trying to develop a budget after your home purchase, you're going to need to know what your monthly expenses are going to look like. Make sure you include taxes and insurance in their calculations. Remember that your monthly payment shouldn't be so large that you can't also budget for unexpected expenses and a retirement fund.
How large a deposit do you need?
This is important. Interest rates, and therefore monthly payments, vary considerably depending on the size of your down payment. This also factors into whether you'll be required to pay mortgage insurance. Usually, companies will waive PMI (Private Mortgage Insurance) if your down payment is 20% or more of the purchase price. Some loans, (like those offered by the VA, FHA and USDA), will allow for a down payment of zero to 3.5%, but depending on the program, they'll will require insurance premiums for the life of the loan. Although it's certainly possible to obtain a conventional loan with less than 20% down, the interest rates will almost certainly be higher. The good news is that, once your equity reaches 20% or more, you can renegotiate with your lender and see if they'll waive the insurance fee.
If you think your economic situation might change in the future, or you're saving up to make some extra mortgage payments, it's important to make sure your lender won't charge you for paying off your loan early. Some lenders charge an additional processing fee for each overpayment, while others ask for six months of unearned interest. Others only charge a penalty if you pay off your loan before the first two to five years. Verify if your monthly payments will adjust in line with any additional payments you make, and if the penalty applies if you decide to refinance later on.
What fees and costs will I have to pay? Can you estimate and explain them, as well as how much you're going to make off the loan?
Every lender will charge differently for this, and you're entitled to know. Costs generally include an appraisal, credit report, title policy, pest inspection, escrow if applicable, recording fees, and taxes. Some companies also require you to pay points (1% of the total loan) or origination fees. You can ask if you can waive paying those points in exchange for a higher interest rate. In any case, all costs and fees should all come itemized in a Good Faith Estimate (GFE), which must be provided to you within three days of your application, as required by law. While you're at it, ask whether the lender will guarantee your GFE. Though not required, you can pressure your lender to stick by the quote. Just make sure to get it in writing!
Do you offer Loan Rate Locks? If so, how much do you charge for them?
Loan rates change every day, sometimes every hour. If you feel there is an upwards trend you might want to lock in your rate at whatever it currently is, before it rises more. Some companies will charge you zero to one point for the lock. Before you finalize the rate and ask your lender to lock it in, take into account that most locks last between a few weeks to 60 days, and if the loan doesn't process during that time, you lose the rate. To help you determine when to lock in the rate, ask your lender how long their processing period generally takes, and try to get them to lock in the rate for as long as possible. Usually, you should try to get as long a lock-in period as possible, but sometimes that will result in a higher rate than if it were shorter.
How long does it typically take for a mortgage to go through? Can you guarantee you'll close on time?
While this varies from lender to lender, a top-rated company should be able to close between 30 to 45 days from application. In order to expedite this process, it's a good idea to have all the necessary documentation ready beforehand, and stay in constant contact with your lender, getting him the relevant paperwork as soon as possible. If your mortgage isn't closed in time, your locked-in rate won't apply, you may have to pay your movers more for rescheduling, and lose your current living space if your lease is up.
What's important for you to know is that the terms of your loan cannot change, and that you must be informed 15 effective days before the transfer. Additionally, RESPA protects you from late fees during the first 60 days after said transfer.
If you still haven't found a home, our First-Time Homebuyer's Guide to Mortgage Rates is a great resource to read, and then mosey on down to our 10 best of 2017 page, and start putting those questions to the test!


FLSmidth Minerals has received $41m (DKK220m) of orders from Indian company Utkal Alumina International Limited for a bauxite grinding and a mud washing plant. Design, engineering, supply, installation and commissioning are included in the contracts.
This order for bauxite mills confirms FLSmidth's leadership in the alumina market in India, having secured the last three successive contracts from different customers. The bauxite grinding package includes three 300t per hour rod mills, bauxite storage silos, handling equipment and pumps.
The mud washing package includes nine settler/washer tanks in washing circuit along with flocculant dosing systems, holding tanks, pumps/valves and piping. The decantation circuit is an integral part of all alumina plants, with FLSmidth being the market leader worldwide in designing these systems. Utkal Alumina International Limited has been offered deep cone technology to reduce the footprint of the plant as well as to ensure improved soda recovery and reduced mud volume disposals.
In May 2008 FLSmidth also received contracts from Utkal Alumina International Limited for a gas suspension calciner and a coal handling system for the same plant.
"These multiple contracts from a single customer re-affirm FLSmidth's leading competence in the supply of major product packages and being a 'one source – one partner' for the alumina refinery industry," said group CEO Jørgen Huno Rasmussen.


text:
Q: How to know if a .beam file is compiled with debug_info? I see that I need to compile an .erl file withdebug_info parameter to make it possible to debug it in the debugger.
When I try to debug a .beam file in the debugger, I always see that the file has no debug information and can not be opened.

** Invalid beam file or no abstract code: "/erlang-debug/myapp.beam"

I suspect it can be that I compile the files in a wrong way.
I tried all the possible way but still no luck and I feel like files are compiled without debug_info.
One of the simplest examples I used is mentioned on Erlang documentation page:
% erlc +debug_info module.erl

Is there a way to know if some specific .beam file is compiled with debug_info or not?

A: You have access to all the compilation option using the module_info function. To make a test on the debug info flag, you can use the proplists function to extract the information:
1> O = fun(M) ->
1> Comp = M:module_info(compile),
1> Options = proplists:get_value(options,Comp),
1> proplists:get_value(debug_info,Options)
1> end.
#Fun<erl_eval.6.50752066>
2> c(p564).
{ok,p564}
3> O(p564).
undefined
4> c(p564,[debug_info]).
{ok,p564}
5> O(p564).
true
6>

A: One way is to use the beam_lib:chunks/2 function to check the beam file for an abstract code chunk of non-zero size. For example, given a beam file named x.beam, you can perform this check from a Linux/UNIX/OS X shell as shown below (note that the $ is my shell prompt, and I broke this across multiple lines to make it easier to read here but you could put it all on a single line as well — it works either way):
$ erl -noinput -eval 'io:format("~s\n",
[case beam_lib:chunks(hd(init:get_plain_arguments()), ["Abst"]) of
    {ok,{_,[{"Abst",A}]}} when byte_size(A) /= 0 -> "yes";
    _ -> "no" end])' -s init stop -- x.beam

This examines the beam file for a chunk with the id "Abst" and checks that its associated binary data is of non-zero size. If so, it prints yes, else it prints no.
Below is an example of using it, where we first compile with debug info, check the beam file, then compile without debug info, and check it again:
$ erlc +debug_info x.erl
$ erl -noinput -eval 'io:format("~s\n",
[case beam_lib:chunks(hd(init:get_plain_arguments()), ["Abst"]) of
    {ok,{_,[{"Abst",A}]}} when byte_size(A) /= 0 -> "yes";
    _ -> "no" end])' -s init stop -- x.beam
yes
$ erlc +no_debug_info x.erl
$ erl -noinput -eval 'io:format("~s\n",
[case beam_lib:chunks(hd(init:get_plain_arguments()), ["Abst"]) of
    {ok,{_,[{"Abst",A}]}} when byte_size(A) /= 0 -> "yes";
    _ -> "no" end])' -s init stop -- x.beam
no


text:
R.I.P. (Read In Pieces)— Here Lies the Full Film Review Archive
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Hulu's Into the Dark
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FX's Mayans M.C.
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HBO's Sharp Objects
CBS's Strange Angel
Freeform's Siren
AMC's The Terror
CBC's Caught
TNT's The Alienist
Fox's Gotham
Starz's Counterpart
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USA's Mr. Robot
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Published: 10/08/2018 Words: Father Gore	Post navigation
Better Call Saul – Season 4, Episode 10: "Winner"
Kidding – Season 1, Episode 5: "The New You"
Mermaids and Other Myths: Curtis Harrington's NIGHT TIDE
Night Tide. 1961. Directed & Written by Curtis Harrington.
Starring Dennis Hopper, Linda Lawson, Gavin Muir, Luana Anders, Marjorie Eaton, Tom Dillon, H.E. West, Ben Roseman, & Marjorie Cameron.
Phoenix Films
Not Rated. 86 minutes.
Given the fact Curtis Harrington was involved with Thelema and worked on a couple Kenneth Anger movies it's no surprise his 1961 feature debut Night Tide is an intoxicating, ambiguous, and subtly terrifying work of cinema. The story, based on one of Harrington's own short stories, involves a US Navy sailor named Johnny (Dennis Hopper) on leave in a city by the sea when he meets the mysterious Mora (Linda Lawson), who performs in a carnival as a mermaid/may actually be one.
The whole tale combines folklore and human tragedy, crossing the mythology of mermaids with the real loneliness and love experienced by people. Harrington's story dives into the scary emotions people sometimes feel when they fall in love with a person outside of their world, either culturally, racially, or along the lines of gender and sexual orientation(s), represented by the anxieties Johnny feels when he meets Mora and discovers more about her. There's also a focus on myths and how they're used, by individuals and society alike, to control people. Here, the horrors of mythology again involve love, loneliness, and how far a person will go to ensure they remain connected to those for whom they care deeply, even to wildly unhealthy and dangerous lengths.
Mermaids are presented as symbolic of the terror some feel in love someone from a different world than their own. Even as just a woman without the mermaid element, Mora comes from a Greek island, versus Johnny as a red-blooded American man in the United States Navy who's only seen a few places outside his country courtesy of his career as a sailor. There's a terror of connection, of moving away from the world Johnny already knows so well. As a man of the Navy, he's part of an ordered and regimented system with a certain degree of conservative worldview. Being pulled from this place of structure and order is a scary experience for him, made more horrific by the ambiguity of Mora as maybe human, maybe mermaid.
Harrington pulls out all the stops in order to deepen the idea of Greek mythology at play. In one scene, Mora mentions she's from the Island of Mykonos. According to myth, the island was formed by the petrified testicles – or in tamer stories, the bodies – of the giants slayed by Hercules. The name Mykonos comes from the name of Apollo's grandson, too. Jumping cultures, in ancient Slav mythology the word Mora relates to a dark spirit that takes the form of a beautiful woman, visiting men in their dreams and torturing them with desire as they drag the life out of them. Moreover, in Serbian the word Mora means 'night creature.' All of these add up to Harrington's cryptic suggestion of mythology as real, rather than solely a vehicle for the story's larger themes.
Johnny's anxieties are connected to loving someone he barely knows— a fear and paranoia about the person's past, who they are, who they've been with, what they've done. His transient lifestyle in the US Navy allows him only fleeting connection to those he meets on leave, so he eagerly reaches out for connection to somebody. He's equally concerned by the mystery of the new woman he meets. One scene and image sticks out as significant. In what turns out a dream sequence, Johnny goes to Mora's apartment. When Mora gets out of the shower she comes to him. Suddenly Johnny feels/sees her tail poking out, and afterwards her arms/whole body become those of an octopus. He's smothered and choked by tentacles before waking up. A nightmare created out of pure horror because of Johnny's worries about his sudden case of the love bug for a woman he barely knows anything about.
Only the tip of the iceberg as far as myths are concerned. Harrington's movie makes a much more serious and upsetting point about the power myths can hold over people, as well as the violent effects of such power.
"I guess we're all a little afraid of what we love"
What we come to understand is Captain Samuel Murdock (Gavin Muir), who appeared as a father figure to Mora, has manipulated the young woman since the day he met her when she was young. The loneliness of Sam is evident initially because he's a desperate alcoholic, moving from one bottle to the next. He tells the police and Johnny during the finale how, after he found Mora on the Greek Island, he became attached to her and worried she might leave when she was older. So, he used myth to trap her in a world of his patriarchal making. He told her she was a mermaid and wouldn't survive on her own, inextricably linking her to him through necessity. He goes so far as to suggest to Johnny, when warning him of Mora being a mermaid, the full moon affects the young woman because it's when "tides pull the hardest"— not a coincidence menstrual cycles are connected to lunar cycles, allowing us to see this as another woman-specific manipulation by a man. The captain manipulated Mora just as many real men do in actual relationships.
What Cpt. Murdock's lies illustrate is the danger of making myths out to be real, which is often what people with serious, debilitating mental illness do when they spiral into psychosis. Not unlike the belief in God/any type of religion, prompting people to do terrible things out of the belief they're doing so from a sense of purpose.
Cpt. Murdock's lies trap Mora in a psychological space dominated by patriarchy and myth. She's locked in a place where she only knows one truth: she's a mermaid. This leads to the climax when she lures Johnny, like a real siren, below the waves, and as they scuba dive she tries unhooking his equipment to kill him. She's been convinced by Murdock – who murdered her two previous boyfriends at sea – of her mythical status as a mermaid. Because of this she falls into a dangerous mental space which makes her believe she's responsible for the death of men lured in by her intoxicating aura. Saddest still, Mora loved Johnny so much she punished herself by swimming down to the ocean floor where she'd "embrace the rapture of the deaths." The captain himself laments his "experiment in psychology," as well. We see his character as like many real men and father figures who've ruined the psychological state of women by lying to them solely out of a controlling desire for love.
"And so, all the night-tide, I lie down by the side
Of my darling—my darling—my life and my bride,
In her sepulchre there by the sea—
In her tomb by the sounding sea."
from "Annabel Lee"
Parts of Night Tide play as a strange romance between two people from vastly different lives and worlds, whereas other parts are like a cautionary tale about the powerful danger posed by myths being understood as reality. There's a wealth of theme(s) in Harrington's story. Mermaids are used here because they encompass the true bittersweetness of life, in that we all experience love – represented by the siren's romantic lure and lust – and, undeniably, we all experience death in the end – represented by the siren's luring of men to their demise.
This is in the top five depictions of mermaids in fiction, without doubt. Harrington keeps the story ambiguous right up until the point where he has to reveal the human tragedies and truths of his characters. The imagery's all subtle, exactly why the ambiguity works. The devastating realities of mythology are always on display.
Night Tide, at its heart, is a tale of what it is to love, in all its glory and its terror, neither mutually exclusive from the other. And this honesty makes Harrington's feature a near masterpiece in storytelling.
DEATH TO VIDEODROME - LONG LIVE THE NEW FLESH!
Curtis Harrington
Island of Mykonos
Psychological Damage
Slav Mythology
Seek & Ye Shall Find
The Juiciest Gore
The Twisted Parallels of Cinema— A Series
Father Son Holy Gore's Interview with Larry Fessenden
[Trailer Debut] NEW WOMAN: Newfoundland Short Film Goes Gothic
SUSPIRIA Bathes in (Blood &) the Power of Women
"No more pain, no more death": Fatalism, Free Will, & Fighting the Past in THE RITUAL
Destructive Legacies of Fatherhood in Larry Fessenden's DEPRAVED
Jenn Wexler's THE RANGER: A Punk Rock Manifesto for Women
BLOOD RAGE's Gory Freudian Nightmare
Make a Case #2— Wes Craven's SHOCKER (1989)
FEAR: Queasy Male Jealousy and Patriarchal Control
PEEPING TOM Implicates Us All
STARFISH's Apocalyptic Grief and Unexplored Spaces
An Interview with STARFISH Director Al White
HEREDITARY's Dark Heart of Grief and Mental Illness
Trip Into a Horror of '80s Fears with MANDY
UPGRADE: The Abject Anxieties of Bodies + Technology
[Essay]"Fear is a place": SESSION 9's Gothic Madness in Uncanny Places
KILL LIST: Gothic Nationalism's Violent Erasure of Modernity
UNSANE Exposes Our Sad Society of Disbelief for Women's Realities
Violent Evolution + Cycles of Life/Death in ANNIHILATION
VENOM: Socialism's Accidental Super-Antihero
BORGMAN: Kabbalah and Marx in the Garden of Eden
[Video]Father Gore's 5 Scary Flicks
SLEEPAWAY CAMP and the Horror of Enforcing Gender Roles
SLICE: Mediocre Horror Doubles as Killer Modern Satire
PYEWACKET— Or, How to Destroy Yourself + Others with Grief
Unhealthy Fetish + Sexualised Trauma in Brett Leonard's FEED
FRONTIER(S): Post-WWII Gothic and Political Invasion of the Body
Prayers to a Consumer God: American Decay + Ideological Control in THEY LIVE
Taking Back the Night with MS. 45: Gendered Fear in City Spaces
Multicultural Hope from the Gutters of America in LOWLIFE
[Essay]Stephen King— Modern Folklorist and Old School Storyteller
The Male Gaze & Violent Religion in REVENGE
BLOODLANDS: An Albanian Parable
ESCAPE FROM NEW YORK: Carpenter's Hyperviolent Dystopian Prison State
[Essay]FUNNY GAMES: Confront Yourself
THE FIRST PURGE is a Dark Mirror of Current America
Hidden Digital Lives in SEARCHING
SADIE and the Child Soldiers of America
TYREL: Relative Terror in Black/White
CAM: This (Postmodern) Woman's Work
Mackenzie and Pine De-Mythologise Robert the Bruce in OUTLAW KING
Damaged Masculinity + Small Town Fates in BACK ROADS
"We should have never come to this house": Freud's Uncanny & the Modern Gothic in SINISTER
Transgenerational Wounds of Post-Pinochet Chile in TRAUMA
The Gorgeous Face of Catharsis in HAPPY FACE
Dichotomies of Violence: Abuse, Autonomy, and BDSM in Nicolas Pesce's PIERCING
Chilling Adventures of Sabrina - Chapter Twenty-Six: "All of Them Witches"
Chilling Adventures of Sabrina - Chapter Twenty-One: "The Hellbound Heart"
Chilling Adventures of Sabrina— PART 3 FINALE, Chapter Twenty-Eight: "Sabrina is Legend"
Chilling Adventures of Sabrina - Chapter Twenty-Four: "The Hare Moon"
Chilling Adventures of Sabrina - Chapter Twenty-Seven: "The Judas Kiss"
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Father Gore
Father Gore is first and foremost a passionate lover of film— especially horror. He's also a PhD candidate at Memorial University of Newfoundland with a concentration in postmodern critical theory. He wrote for Film Inquiry frequently during 2016-17, and is currently contributing to Scriptophobic in a column called Serial Killer Celluloid focusing on film adaptations about real life murderers. As of September 2018, Father Gore is an official member of the Online Film Critics Society, and as of April 2019 he's currently listed as a Rotten Tomatoes-approved critic. He has covered major film festivals such as Fantasia Festival and Fantastic Fest. During September 2019, Father Son Holy Gore will be one of several media outlets helping to present Randfilmfest in Germany.
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A variety of ways for parents, family, neighbors, and faculty to support the school, at no extra cost.
Each time you shop at Giant Eagle using your Giant Eagle Advantage Card, you earn points for our school — points that the school can redeem for great educational tools such as computers, software, video equipment, gym and playground gear, and more. The points are automatically credited to Aquinas through the Giant Eagle Advantage Card.
Call 1-800-474-4777 or visit www.gianteagle.com/AFTS.
Enter your Giant Eagle Advantage Card® number (which appears under the bar code).
Enter the school code: 3350.
Done! Please encourage your extended family and friends to register too.
Call 1-800-474-4777 or visit www.gianteagle.com/AFTS to check if your card is registered. When prompted, enter our school code 3350.
Send the Box Tops to school.
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Link to the Box Tops web site for Participating Products and Bonus Offers, along with activities, coupons, and recipes.
Clip as close to the coupon without cutting off the date or other information.
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Just make sure to choose "Aquinas Academy – Pittsburgh" as your designated Charity.
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In recent years, many unknown hiking trails have emerged in Ypati, mainly on the northern side of the mountain. The routes start from the villages of Ypatis, Loutra Ypatis, Kastania and Neochori and head towards the mountain peaks. The great difference in altitude between the peaks of Oitis from the villages of the beginning of the routes makes them quite difficult but also charming. Most of them up to the alpine altitudes are amongst dense Fir trees. It is impressive that the Fir tree thrives in villages, such as Loutra Ypatis and Ypati, located at 80 and 400 metres respectively. Most of the paths converge at Oiti refuge, at an altitude of 1760 metres, where one can reach after many hours of walking. An unusual and different route is the ascent from Ypati to the Arsali Monastery, route "Ypati Village - Arsali Chapel".
The "Ypatis Tour" is a circular route, while the routes "Diaselos Pathenas - Aetos Peak", "Argyrohori Village - Vineyard" and "Kastania Village - Petroto Peak" are short trips. The rest are crossings. In all the village routes of the itineraries the roads are tarmacked except Neohori, where 7 km is a dirt track in good condition.
Demanding routes are those "Ypatis - Oitis Refuge" returning through "Oitis Refuge - Loutra Ypatis", which is a circular route, while the route "Oitis Refuge - Neohori Village" is the crossing of the whole northern side of the mountain.
Small pleasant and easy routes are from Kastania Village - Kapnohori Village and Kastania Village - Petroto Peak, starting from the village of Kastania.


When Hyde Foundation Employment Adviser Roland Tamas first met Jonathan in 2017, he had been out of work for two years.
Jonathan had previously spent nearly 25 years working as a data centre manager in organisations including the Guardian.
As a result of losing his job, Jonathan was forced to move out of his apartment.
He was determined to get back to work, but, after applying for more than 600 roles without securing a position, he contacted the Love London Working team.
It wasn't long before Jonathan began to receive calls inviting him to interviews. This had a very positive impact on his outlook, as he finally felt he had something worth offering to prospective employers.
However, as Jonathan had not been to an interview for 25 years, he was very inexperienced. Roland arranged interview preparation training, where the pair took part in two mock interviews. This enabled Jonathan to practise answering questions and to develop new skills. By the end of the session, his self-confidence had improved and he understood how he needed to 'sell himself' at interviews.
The coaching paid off and Jonathan was offered a job as an infrastructure architect just two months after he began working with Hyde Foundation. "When Jonathan found out he had impressed the interview panel so much that they had offered him the job, he was absolutely ecstatic," Roland said.
Read more about Love London Working and how the Love London Working programme helped our residents get off benefits and into work.


Revoking the licences of the insolvent banks was a necessary evil, since they had become a "silent canker" which could have brought down the whole sector, Second Deputy Governor of the Bank of Ghana, Mrs. Elsie Addo Awadzi, has said.
The central bank, she said, remains committed to restoring trust and confidence in the banking system, and to promoting the stability and integrity of the sector.
Banks, she noted, currently hold over 80% of the total assets of Ghana's financial system and it was incumbent on them to understand their critical role and the risks they introduce into the financial system and the economy, to manage their risks prudently.
She added: "No one wins when a bank fails, and there are usually no pretty outcomes. Depositors could lose their savings — including pensions and investment funds held by these banks — while creditors of the bank could lose the funds they have lent to the bank.
Contrary to suggestions that collapsing the banks could affect jobs and access to funds by small and medium-sized enterprises in the country, she opined that allowing non-performing banks to operate could be more disastrous.
While some have called it a banking crisis, she described the situation to be "a moral crisis that was characterised by a breakdown in values, unethical behaviour, disrespect for the sweat and hard work of others who toiled to put their savings in banks, [and] disrespect for employees who toiled day and night to meet targets set for them".
She said: "The resulting costs to the nation are staggering and we must, as a nation, resolve that never again will we allow this to happen…we must resolve that we will put our tax cedis to better uses than to mop up the mess that others leave behind.
After handing over the UT and Capital banks to GCB bank, the central bank revoked the licenses of Unibank Ghana Ltd., Royal Bank Ltd., Beige Bank Ltd., Sovereign Bank Ltd. and Construction Bank Ltd, and merged them into the Consolidated Bank, with a US$1.2 billion rescue plan.
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