text:
FOREX-Dollar falls in thin trade on lower safe-haven demand
Published Mon, Dec 30 20193:18 PM EST
Kate Duguid
(New throughout)
NEW YORK, Dec 30 (Reuters) - Thin end-of-year volume on Monday exacerbated weakness in the U.S. dollar, which dipped for its third straight session as investors favored riskier assets.
The dollar index, which measures the currency against a basket of rivals, weakened 0.18% to 96.743 in North American trade. On Friday the index suffered its biggest one-day fall since March, which left its gains for the year around 0.6%, compared with a gain of about 4.4% in 2018.
"The dollar headed lower on the second-to-last trading day of the year... with ultra-thin liquidity conditions exacerbating foreign exchange moves," wrote analysts at Action Economics.
"Dollar weakness has been widespread through the session, leaving the dollar index near six-month lows. News that the 'Phase 1' U.S.-China trade deal will be signed this week has prompted some USD selling, as safe-haven flows are reversed into year-end."
The White House's trade adviser, Peter Navarro, on Monday said the U.S.-China Phase 1 trade deal would likely be signed in the next week, but said confirmation would come from President Donald Trump or the U.S. Trade Representative.
In an interview on Fox News, Navarro cited a report that Chinese Vice Premier Liu He would visit this week to sign the deal, but did not confirm it.
"Washington has sent an invitation and Beijing has accepted it," the South China Morning Post reported on Monday, quoting a source.
In addition to knocking the dollar, increased optimism about U.S.-China trade relations and an improved global growth outlook drove investors out of other safe-haven assets like U.S. Treasury bonds. The yield on the benchmark 10-year Treasury note was last up 2.2 basis points to 1.895%.
China's yuan strengthened to touch 6.974 in the offshore market, its highest since Dec. 13.
Investor appetite for risk also helped drive the euro to a 4-1/2-month high of $1.121 on Monday. It was last up 0.23% at $1.120. Signs that the euro zone economy has turned a corner have lifted the single currency in recent weeks.
Sterling was last trading 0.26% stronger against the dollar at $1.311.
Against the euro, the pound gave back early gains and was last up just 0.04% at 85.38 pence. Concerns that Britain is headed for a disruptive "hard Brexit" at the end of 2020 have hurt the pound since mid-December. (Reporting by Kate Duguid and Tommy Reggiori Wilkes; Editing by Nick Zieminski and Dan Grebler)
Forex markets
Adidas is banking on Beyonce for growth with Ivy Park athletic wear line debut
The Giants just hired Alyssa Nakken—as the first full-time female coach in MLB history


† Mitral valve prolapse (MVP) is a common frequently inherited cardiac valvular disorder. Ischemic cerebrovascular disease (ICVD) is an apparent complication of MVP. We report the concordance of MVP and ICVD in a pair of monozygotic twins. This occurrence reinforces the concepts that MVP is highly concordant in monozygotic twins and that it can be the cause of familial ICVD.


Off-white to pale yellow solid.
Soluble in DMSO. Slightly soluble in ethanol (<1mg/ml).
pan-Akt inhibitor targeting Akt1, 2, 3 with IC50 values of 2, 13 and 9 nM, respectively.
Inhibits AMPK, DAPK3, PAK4, 5 and 6, as well as members of the AGC kinase family including PKA, PrkX and PKC isoforms (IC50 < 100 nM).
Occupies the ATP binding pocket of the kinase domain and competes with ATP.
Anti-cancer compound both in vitro and in vivo. Blocks the phosphorylation of downstream targets of ATK in a dose-dependent manner, which leads to antiproliferative and apoptotic effects in tumor cell lines.
Induces hyperglycemia related to peripheral insulin resistance, increased gluconeogenesis, and/or hepatic glycogenolysis.


DeMarre Carroll sits down with AJC editor, Chris Vivlamore, to discuss recent win over the Dallas Mavericks. On second half: "I think we came out and were more aggressive on the defensive end. In the beginning we were letting them run what they wanted to run. I think we were overthinking early in the game….
Catch DeMarre Carroll at Sneaker Exit Convention in Atlanta this Sunday, March 1st!


How do you know when you've become a writer? When you get published? When you put it down as "occupation"? I've come to the conclusion that you're a writer as soon as you've stopped thinking or talking about it and got into a regular writing habit. As a creative writing tutor I am impressed with the wide range of people who write and by their motives. Some have ambition to be published or performed, many just have a great desire to express themselves. In both cases they need an audience to test their writing on, and some sensible and preferably positive feedback to keep them motivated, and to help them improve their style. I've written lots of published technical stuff to do with learning, cooking or project design, but over the past few years I've gone inwards and written a lot of semi-autobiographical poetry and short stories. I've had great satisfaction from collecting the work of my students into a magazine. I hope they've carried on. My other great satisfaction was in writing and directing Hovis in Wonderland, a tribute to the late Hovis Presley (Richard MacFarlane) which we have taken to many stages and festivals across the country. If you need a review, article, or report for your business, house magazine or newsletter I'm interested. See Links for examples on Write out Loud, the archive section on this site and Hovis in Wonderland.


This unique candle holder is a must have for any person who loves unusual pieces. The outer glass stands up tall, with three wire hooks holding the metal candle holder lower down inside. It's full of chacracter and will charm any area you put it in. Put your favourite candle inside and relax in its warming glow.


Greetings! I hope you are enjoying spring and looking forward to a great summer. This month I have chosen some exciting new work to share with you and am also happy to have had the opportunity to interview Richard Jolley and to feature a series of his work that I like very much. Please feel free to contact me with any comments or questions.
KH: How did you first become interested in glass?
RJ: Michael Taylor started a program in glass at a small liberal arts college I was attending in the early 1970's. I was interested in Harvey Littleton's intent to use glass as a non-traditional material for creating sculpture.
KH: You have had a full-time studio in 1975 which places you in the first generation of glass artists who left the academic environment to make glass art for a living. What major changes have you seen in the studio glass movement since that time?
RJ: In the early days there was almost no information on how to use the material. Even the professors were blowing very primitive forms and everything was experimental. There was a great "can do" attitude among the early American artists working in glass and we learned mainly by trial and error, by doing rather than by studying. Dale Chihuly made a major contribution in introducing the concept of team work and then Lino Tagliapietra gave us the huge gift of sharing the age-old Murano techniques with the American artists. Our collective knowledge became much greater by doing.
KH: What are you most proud of?
RJ: I guess I'm most proud of the fact that I graduated from college aspiring to be an artist working in glass and that forty years later I'm still holding to that vision.
KH: I remember that Lino was very honoring of you and your work in the preface of a catalog I saw for one of your exhibitions. Have you ever worked with the Maestro?
RJ: I have not worked directly with Lino. What I think he and other Murano maestros admire in my work is the technical proficiency I have gained through decades of making glass objects. I attribute any success that I have had in my artistic career to a combination of that expertise and my love for the narrative present in my work, for the ideas behind the pieces.
KH: Unlike some artists working in glass who have stuck pretty much to a particular style or "look" for many years, you have created many different series of work, some very different from others.
RJ: My responsibility to my art and to my collectors is not to continue to create any particular series but to explore new ideas and to be true to what I am feeling and wanting to express right now. I am most interested in what I have not yet made!
This is a wonderful example of Lino's iconic "Dinosaur" series. The form is elegant. The beautiful palette of colors, the cane work and the surface etching work together to create yet another masterpiece by the Maestro..
I am so happy to be able to feature Veruska Vagen's latest creation in glass dots. Here she has captured perfectly the feeling and intensity of this romantic painting by the English Victorian painter, Frank Dicksee, in which the knight stands enchanted looking up into the eyes of La Belle Dame. The subject of the original painting was inspired by an earlier poem by Keats.
This new piece by Nancy Callan is a fairly dramatic departure from the "Top" and "Cloud" series that I normally feature. I love the subtle blue color and the white spirals that seem to float randomly across the surface. Nancy says that this piece "has a silky smooth hand-sanded surface that really glows."
This is an earlier piece by glass artist David Schwarz. As in all of Schwarz's works, this piece has surface etching which creates a sense that the designs are almost dancing around on the interior of the piece.
Preston Singletary's new piece, "Bear Man," is quite unique in several ways. To begin with, it is comprised of two separate pieces that fit together with a metal pin. Each piece has its own design and color. Finally, the back of the bottom part is totally different from the front (click HERE to see the opposite side and another new Singletary piece). I particularly love the depiction of the hands.
I hope you have enjoyed this issue of Holsten Galleries News. Be well and stay in touch.


text:
Q: Fibers of the normal cone For any embedding of smooth varieties $X\subset Y$ given by an ideal sheaf $I\subset \mathcal {O}_Y$, it is well known that the normal cone $C _{X/Y}= \textbf{Spec}(\oplus_{\geq 0} I^i/I^{i+1})$ is isomorphic to the normal bundle of $X$ to $Y$. Therefore, its fiber over each point $x \in X$ is the affine space associated to the quotient $T_xY/T_xX$ of the tangent space of $Y$ by the tangent space of $X$ at $x$.
Now let $X$ be an arbitrary subscheme of a smooth variety $Y$. Suppose further that over any point $x\in X$ the fiber $(C _{X/Y})_x$ of the canonical morphism $C _{X/Y}\to X$ over $x$ is isomorphic to the affine space $T_xY/T_xX$.

Question: Is it true that X must be smooth?

For example, if, in addition to the above assumptions, both $X$ and $C _{X/Y}$ are irreducible varieties, then the answer is positive. Indeed, \begin{gather}dim (C _{X/Y})_x\geq dim C _{X/Y} -dim X  \\= dim Y - dim X\geq dim T_xY -dim T_xX
\end{gather}
 so all inequalities must be equalities, hence $dim T_xX =dim X$ for all $x$, i.e. $X$ is smooth.

A: Yes, $X$ must be smooth. The question is local at $x \in X$. Write $R$ for the local ring $\mathcal{O}_{Y,x}$, and $\mathfrak{m}$ for the maximal ideal of $R$. Write $I$ for the ideal defining $X$. Then $(C_{X/Y})_x = \mathrm{Spec}(\oplus I^n/mI^n)$. Its Krull dimension is called the analytic spread of $I$; it is at least $\mathrm{height}(I)$. (See the chapter on "Minimal reductions" in the book by Swanson and Huneke on integral closure.) On the other hand, $\dim T_xX = \dim_{R/\frak{m}}(\frak{m}/(I + \frak{m}^2)) \geq \dim R/I$. Since $\dim R = \dim R/I + \mathrm{height}(I)$, the given hypothesis implies that $\dim T_xX = \dim R/I$, i.e., $R/I$ is a regular local ring.

redpajama_set_name: RedPajamaStackExchange


text:
Pixar Wiki
WALL•E
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BURN-E
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Antagonist policy
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Coco Characters, Deceased Characters
Héctor Rivera
Performer:
Appeared in:
Héctor Rivera is Miguel's great-great grandfather and Imelda's husband from the movie Coco, as well as Mama Coco's father. In the film, it is revealed that he had written Ernesto De La Cruz's songs. However, he was homesick, and after an argument, was poisoned by Cruz, and he stole credit for Héctor's songs. As he was being forgotten by Mama Coco, he needs help from Miguel to put his photo on the altar in order to be remembered, and also helps Miguel to escape the Land of the Dead. Héctor is mischievous and loves to play tricks, but he also has a well-disposed and warm-hearted nature.
Hector is first seen disguised in an attempt to go through the marigold bridge, even making up an accent to do so. However, this backfires when he is denied access to the bridge, and after revealing himself, Hector makes a run for it, but sinks through the marigold petals and is taken away by security guards.
Later, he is interrogated by a Corrections Officer for his actions, and unsuccessfully tries to convince him to take him across the bridge, and, as Miguel overhears, says he knows Ernesto De La Cruz and can get him tickets to Cruz's Sunrise Spectacular if he lets him across the bridge. Miguel asks Hector as he's walking out if he knows Cruz, and Hector is shocked to see that he's alive, before being pulled into a closet. Miguel explains that in order to get back to the Land Of The Living, he need's Cruz's blessing, while also saying the Cruz is his great-great grandfather. With this information, Hector says he and Miguel can help each other, but both up on the run from Miguel's ancestors.
After they are out of sight, Hector disguises Miguel like a skeleton to blend in. Hector says he can get Miguel to meet Cruz, but wants Miguel to put up his photo in the Land Of The Living in return. Hector wants to know if Miguel has any other family members that can get him home, but Miguel claims only Cruz can help him do so, and thus Hector joins him.
While they are walking and searching for Cruz, Miguel notices a sign for Ernesto's Sunrise Spectactular. Hector explains that every year, Ernesto puts on this show to celebrate the end of Dia de los Muertos. Miguel asks Hector if he can get them in to the Sunrise Spectacular, but he admits he can't and lied about being able to. However, Hector says he knows where Cruz is rehersing, and takes Miguel there.
Miguel and Hector arrive at the rehersal that Cruz is at, but find that he isn't there and is instead at a party. While searching for him, a group of performers notice Hector and tell Miguel the story of how Hector died by choking on a chorizo, though Hector claims he died of food poisoning. One of the performers tell the duo that neither of them will be able to enter Cruz's party without an invitation before telling them about a music competition, of which the winner will attend and perform at Cruz's party.
Hector and Miguel then make a stop at a small shantytown in order to retrieve a guitar. They enter a small house and find the owner of a guitar the pair need in order to win the competition. The owner, a skeleton named Chicarron, berates Hector for wishing to borrow his guitar despite Hector having previously borrowed a number of items from Chiccaron and failing to return them. Chiccaron then suddenly begins to pulse orange and become weak. He explains to Hector that nobody is remembering him, so he will soon suffer the Final Death. He gives the guitar to Hector under the condition that he use it to play one last song before his death. Hector honors Chiccaron's wishes and he peacefully passes at the end of the song. Hector then toasts to his forgotten friend before leaving with Miguel.
The duo then make their way to the competition. Miguel and Hector perform a duet, but soon after the performance, Miguel spots his family searching for him. Miguel panics and attempts to flee, but a suspicous Hector overhears that Miguel's family is looking for him. Hector scolds Miguel for lying to him about not having any other living family members, and attempts to expose Miguel to his family. Miguel responds by calling Hector hypocritical by using him to further his own agenda before escaping.
Miguel manages to get to Ernesto's party by sneaking in with a band that had competed against him in the competition. Following close behind, Hector manages to sneak in by using the same disguise and accent he used when he tried to pass the bridge. Hector then confronts Cruz and Miguel, revealing to the latter that Cruz stole his songs. Despite his anger, Hector simply wants to make amends and send Miguel home so he can place a photo of Hector up, allowing him to cross the bridge. Hector tells the story of the night he died: Cruz wanted to continue working with Hector, but Hector became homesick and wanted to go home to his family. Ernesto then told him he would "move heaven and earth" for him before sharing a shot of tequila. Later, when they are walking down the street, Hector chokes and passes out on the street. Miguel realizes that the exact same quote appears in one of Ernesto's film's where Cruz is poisoned with a shot of tequila. Hector then realizes that he was poisoned by Cruz by the drink he gave him that night, and attempts to fight him, but is taken away by a security team. Cruz then orders Miguel be taken away, fearing that if he returns to the living world he would ruin Cruz's reputation.
Miguel is thrown into a pit and finds Hector is already inside. Hector reveals the reason he wanted to cross the bridge was to see his daughter, whom he never got to see again when he attempted to start a music career with Cruz. Saying his daughter's name Coco aloud, Miguel takes out a photo of her at a young age Imelda and a man whom he thought was Ernesto. He then asks Hector if the man, whose face in the photo was torn off years ago, is him. Hector says yes, and Miguel realizes that Hector is his real great-great-grandfather. Hector then sadly explains that he won't be able to see Coco, even in the spirit world as she is the last person to remember him, thus if she dies he will suffer the Final Death as she enters the Land of the Dead. Miguel, now knowing his true heritage, then exclaims he is proud to be related to Hector. The duo begin to cheer, and as they do Dante arrives followed by Imelda. The group then returns to the train station roof where Imelda scolds Hector for putting Miguel in danger. Miguel then explains that he is responsible for the pair being stuck and Hector had simply been trying to help. Hector explains that all he wants is to visit Coco. Miguel explains to Imelda that she doesn't have to forgive Hector for leaving her and Coco years ago, but that he's still family. With this, Imelda decides to help Hector.
The group then plan to take Hector's photo back from Ernesto by sneaking in during the opening sequence of the Sunrise Spectacular. While backstage, Imelda runs into Cruz before slapping him for "murdering the love of [her] life." Cruz then attempts to flee and while chasing him Hector asks Imelda about "what you said back there", though Imelda simply states she doesn't know what she said. The entire Rivera family fights with Ernesto's security team, and in the midst of the chaos Imelda manages to get the photo, but is knocked onto a elevating platform, which rises her to the stage. Hector and Miguel both run to the side of the stage and urge a stagefrighted Imelda to sing. She does so and dances to avoid Ernesto and his security team. After stepping on Cruz's foot and running off stage, Imelda and Hector hug each other before complimenting each other's musical talent.
The pair prepare to send Miguel home and allow him to play music, but before he can touch the petal, Cruz grabs Miguel and threatens the family. Tia Rosita and Tia Victoria both secretly turn on a camera and record Cruz threatning the family and admitting to murdering Hector and stealing his songs. Cruz throws Miguel off a balcony to his death, but Imelda's spirit guide Pepita saves Miguel. The entire family celebrates as Cruz goes on stage before being booed and carried off by Pepita. In a humorous twist of fate, Pepita throws Cruz onto a bell, which falls and crushes him. Hector, however, begins fading as the sun rises as Coco slowly forgets about him. Miguel, having lost Hector's photo, promises to not let Coco forget him as Imelda sends him home.
Miguel returns home and attempts to remind Coco of Hector by showing her the family photo of her, Imelda, and Hector, but she doesn't respond. His family enters the room he's in and demands that he explain his actions. Abuelita then demands Miguel apologize to Coco, and he does so by tearfully playing Remember Me to Coco. She slowly sings along and smiles, explaining that her Papa used to sing it for her every night. Coco then reaches into her nightstand and opens a notebook that contains all the poems and letters that Hector wrote her, many of them containing lyrics to his songs, providing proof to the Land of the Living of Cruz stealing Hector's songs. She also reveals the missing piece of the picture showing Hector, Imelda, and a young Coco together. Coco then begins to tell stories of Hector to her family, thus saving him.
A year later, Hector's guitar and lyrics to his songs are proudly on display at the Rivera household for the rest of the Land of the Living to see, while the completed photo of him, Imelda, and Coco is displayed on the Rivera family's Ofrenda table.
In the Land Of The Dead, Hector enters customs preparing to enter the Land of the Living, and for the first time, is granted access thanks to his family photo being taped up. He happily reunites with Imelda, having rekindled their relationship, and Coco, who now resides in the Land of the Dead. The three then begin to cross the marigold bridge along with the rest of the Rivera family. Hector is seen at the Rivera party dancing with Imelda before grabbing a guitar and playing alongside Miguel.
In terms of his real age, Héctor is a year younger than Imelda[1], and four years younger than Ernesto[2].
Hector was born on November 30th, 1900, and he was 21 years old when he died[3], implying that he died sometime in December 1921.
Héctor's birthday is on November 30th, which is also the birthday of his voice actor Gael Garcia Bernal.
Coco- Remember me Flashback scene
Hector's original version of Remember Me in a flashback.
1. Unkrich, Lee (December 5, 2017). "Correction: Imelda was 19 when Coco was born. Imelda was born in 1899 (a year older than Hector!)". (Tweet) Twitter.
2. Unkrich, Lee (December 3, 2017). "1896 (reply to @Aleprettycat Dear @leeunkrich, when was Ernesto de la Cruz born?". (Tweet) Twitter.
3. Unkrich, Lee (December 5, 2017). "21 (reply to @EllenBecker95 Love this movie so much ♥♥ I have a question...what age did Héctor die? He's so young 🤔". (Tweet) Twitter.
Retrieved from "https://pixar.fandom.com/wiki/H%C3%A9ctor_Rivera?oldid=193433"
Coco Characters
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More Pixar Wiki
1 Bo Peep
2 Toy Story 4
3 Forky
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redpajama_set_name: RedPajamaCommonCrawl


As the practice of pushing medical personnel into the "warm zone" of a mass casualty scenario becomes more prominent, so has the need to equip these medics with the right tools for this challenging task. The TacMed™ Warm Zone Bag is designed for quick and efficient treatment and triage of victims in a mass casualty scenario. It can be worn around the waist, slung over the shoulder for rapid movement, or attached to a panel via the MOLLE attaching straps. The Warm Zone Bag utilizes an adjustable draw bridge system that allows the user to control how far the front flap opens, allowing easy access to the bag's complete contents. The interior of the bag is completely modular, allowing the user to adjust supplies based on their specific preferences.
Stocked versions of the Warm Zone Bag are available here.


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Edited by Bernd Nowak, Jan 18 2010 - 02:03 PM.
My current GEM installation is almost up-to-date, with the exception of Setup Manager 1.1.3. I'm still running 1.0.3.
Is it ok to just run the new installer and overwrite my current files to get everything updated? Or should I take some other steps as well? I'll back up first, of course, in case anything goes wrong.
Thanks for creating and maintaining one of the most important pieces of GPL.
Edited by Saiph, Apr 22 2009 - 03:32 AM.
Just make a copy of the current GPLSecrets directory.
We had done several updates as well as new installations.
Known reported issues: Maybe carsets may have to be 'reactivated' in GPL carsets. Do it one after another that mean activate one and exit GEM+. Let GEM+ save whatever it wants to save. Restart GEM and activate the next carset. Exit, save and restart.
But the version from Lee's Setup Manager is the one which is in the new GEM Package as well as the version you find here: http://srmz.net/inde...s...ost&p=29979. The version numbers are extracted from the exe files during compilation that's why you may see slightly different version numbers.
According to the thread here: http://srmz.net/inde...?showtopic=4173 I had the impression that you would already use his latest version.
Thanks Bernd. I edited the Wiki Utilities page to reflect this.
I monitor the 'Problems editing '65 setups' and will wait a couple of days before including the newer version. But thanks for the reminder !
With the new GEM seem that the 67 do not work.I am the only guy with this problem?
The 65 and 66 are all OK,until now i have not tested the 69.There is an explanation?
what does not work with GPL 67 ?
Does GPL 67 start but you can't do anything because when you use the green button nothing happens ?
Or what error do you have ?
Right,when Iuse the green button nothing happens,with and without the sound patch .
Have you checked with the GPL Patch Inspector ?
Do you have the sounds required for the sound patch?
For some reason recent versions of GEM seem to need the sound patch for GPL to work. So you need to check the soundpatch box but also make sure you have all the seperate sounds required for it.
For Bern:until now i have not cheked.Is strange that with the old version was all OK.When i have used the new version i have found this ,at the moment,not understandable problem.If i start from GPL.exe all is OK.
For Ken:I have the sound patch and with the sound box cheked or not is the same.
Maybe just delete/rename GPLC67.exe and let GEM+ create a new one ?
Thank you Ken,but I have also the new sound and with the old version of GEM all was OK.If nothing is changed(apparently) seem not a problem due to the sound.In any case thank you again.Now I control if the game start from GPLC67.exe or if is better to follow the suggestion of Bernd.
Nothing to do Bernd,the 67 do not work.I not able to understand wy with the new GEM there is this problem.
I have a folder for each yar,65,66,67,68,69,with all the new GEM work but with the 67 no.Also if i try to start the 67 from 66(the cars folder 67 is also in the 66) the game do not start from the green button.
I have tested a new installation of GEM but ,if i start with the gpl.exe inside my 67 folder,there is a misplace of the button in GEM.The only way is to instal GEM with the GPL.exe in the folder 66,69 or 65(68 is not a mod is a 69 with some cars 67 for the start of the season). Until now I'm not able to find an explanation.Have you one Bernd?
There is also a problem with IGOR,if I try to host a race, only mod66 is active.
But I will test on a new system. What OS do you have ? Just to be able to check it.
I need to know what windows version (Operating System) you are using Windows NT/Windows 2000/Windows XP/Vista/Windows 95/98/ME ?
Just download the zip file (gplinspect109.zip) and extract. Location don't matter. Then start the program. There's a button in the upper left corner called Select File to analyse A windows explorer window will open and you need to point to one of the GPL.exe files with problems.
Don't copy the gpl.exe file. The tool can only help if you analyse the GPL.exe (GPLC67.EXE) in the GPL directory where it don't run. The tool is only analysing.
Check to see if you can see an error. Otherwise use ALT+PRINT and open MSPaint (Start/Run/mspaint in case of Windows XP) and insert the clipboard image via CTRL+V and save as jpg.


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text:
"Pagan Symbolism, As Ancient As Imperialism": Religious Symbols, The Original Cultural Appropriation
I have a theory about Donald Trump's success. I think that one reason he manages to survive the terrible things he says and does is that he gives liberals too much material. With so much insensitivity, racism, and misogyny pouring out of his campaign, it's hard to focus on one thing. Complimenting Saddam Hussein? Racist slurs about Mexicans? Misogyny? It's like being at Ikea—I feel overstimulated and exhausted.
The notorious Star of David Hillary graphic, however, seems to be holding people's attention. After tweeting the image of Clinton accompanied by a six-pointed star over a pile of money with the words "most corrupt candidate ever," Trump denied that he intended to imply anything anti-Semitic. It was, he says, a simple sheriff's star; he never meant to invoke anti-Semitic tropes that link Jews to corruption and money. The country western explanation was rejected not only by media commentators but also by David Duke, former Grand High Wizard of the Klu Klux Klan—and he should know anti-Semitism when he sees it.
While this particular invocation of the Star of David invokes dangerous anti-Semitic caricatures, Trump is hardly the first person to appropriate the religious symbols of another group. Religious appropriation has a longer history and is more prevalent than you might think.
Syncretism, appropriation, cultural mingling—call it what you want, religious appropriation is as ancient as imperialism. The Romans, in a magnanimous display of noblesse oblige, allowed conquered subject peoples to continue to worship their own deities and imported those religions to Rome. The cult of the Persian god Mithras proved exceptionally popular among soldiers, as did the cult of the Egyptian goddess Isis. In the cafeteria of ancient paganism, people enjoyed sampling the full length of the buffet.
The first Christians, too, appropriated the religious imagery of their predecessors. In the catacombs of Rome, some of the earliest visual images of Jesus portray him as a shepherd with a sheep slung over his shoulders. The idea of Jesus as the Good Shepherd is well known to any readers of the New Testament, but the image was based almost entirely on depictions of the Greek god Hermes. Other images show him in the guise of Orpheus, the romantic poet of Greek mythology, who descended into the underworld to rescue his beloved Eurydice, or as Helios, the sun God.
The reason for this adaptation is two-fold: in the first decades of the Christian Era artisans were skilled in carving Orpheus and Helios. Assimilating Jesus to mythological figures was pragmatic. At the same time, the assimilation was communicative: both Jesus and Orpheus were believed to have descended into the underworld. Both Jesus and Helios were believed to be deities with power over the order of the universe. Appropriating pagan symbolism allowed the fledgling religious movement to communicate something about their beliefs in a way that would be broadly intelligible to their contemporary audience.
But today and in recent history religious appropriation has a different kind of history. The most blindingly horrific example of appropriation must be the lifting of the Hindu symbol of auspiciousness or good fortune—the svastika—to make the Nazi swastika. But Nazi fondness for the symbol didn't emerge out of vacuum: as Steven Heller showed in his book The Swastika: Beyond Redemption?, the beginning of the twentieth century saw a huge fad in which everyone from Coca-Cola to the Girl Scouts to the British and American military adopted the symbol.
Children of the 80s will remember the sacrilegious imagery of Madonna videos and the frequent juxtaposition of the rosary in her attire. The trend of ironically wearing Catholic "jewelry" as an act of subversion or mockery is prevalent to this day. Buddhist, Hindu, and Muslim symbols are also favorite accessories for Westerners, but there's something a little less sacrilegious in their application. In the case of the latter there is usually aesthetic appreciation that accompanies the blissful ignorance about a symbol's origins. As many have pointed out, there's no merit to be had in appreciating the beauty of a culture if you don't also want to understand its history and suffering.
In many cases religious appropriation is well-intentioned and shrouded in blissful ignorance. There is a fierce debate over whether or not the Western practice of yoga and meditation is inherently colonialist. Full disclosure: I am exactly the kind of Lululemon-wearing yoga practitioner you might accuse of this. I have none of the knowledge of my sensitive and well-informed yoga teacher Lauren Harris, and it's convenient for me to follow this argument about why yoga isn't cultural appropriation. But colonialist or not, good intentions don't obscure the fact that very few of us aspiring yogis could name the elephant-headed god in the room. (Wikipedia tells me that it's Ganesh.)
Interestingly, religious appropriation is generally more accepted than other aspects of cultural appropriation. The pushback against appropriating Native American dress receives less attention than the appropriation of Native American spirituality at sweat lodges or on Oprah. This is in part because of the commodification of religion in general and in part because of our cultural commitment to the process of conversion. Sometimes the line between cavalier accessorizing and sincere religious practice is hard to discern.
What's the difference between adaptation and appropriation? Two things: knowledge and power. The ill-informed appropriation of a marginalized and/or oppressed religious group's heritage by members of the dominant group is more problematic than the ironic critique of mainstream religious power. Madonna's use of Catholic religious imagery in her music videos may have been in poor taste, but it was better informed than her appropriation of "vogue-ing" from Latino and African-American dancers.
At the end of day, whether or not it's your body or your propaganda, accessorizing with religious symbols matters, especially when those symbols belong to someone else.
By: Candida Moss, The Daily Beast, July 10, 2016
July 11, 2016 - Posted by raemd95 | Donald Trump, Hillary Clinton, Religious Symbols | Anti-Semitism, Christians, David Duke, Jesus, Madonna, Nazi Swastika, Racism, Romans, Star of David
Critics of Donald Trump should focus on his modus operandi of making money through exploitation. His history has been one of getting his way through cajoling, bullying and threatening and executing lawsuits, where many people have been evicted from their homes. His history has been misrepresentation, as is evidenced in the three class actions Trump University lawsuits. But, where he makes a lot of money is "selling" his name to developers on their properties, where he has nothing to do with it. The sale is to dress up the property with the illusion of quality, since Trump's name is on the door. In other words, he is screwing naïve buyers in paying a higher price based on his name, where he has nothing to do with the building the property. I find this exploitation at best and unethical at worst.
Comment by Keith | July 11, 2016 | Reply


text:
Q: Hive Udf (Encryption and Decryption) in Java Actually i have written an Hive UDF in Java for Encryption and Decryption.
But it has some minor Bug in it. I couldn't find it, someone can  Please rectify and suggest me some changes..
    Problem:
 When i tried to execute this code using Hive it is showing some 'Null' columns for each
 row.
   Encrypted Ex:  1      fdfsvansjw=
                  NULL   NULL
                  2      adf4vandjw=
                  NULL   NULL

  Actually it has to be displayed without NULL Values.When i tried to decrypt the above
  data it is adding Newline Character '/n' in place of Null.
  Decrypted Ex:  1      AAA
                  /n    /n
                  2      BBB
                  /n     /n

    Code for Encryption :
package Encrypt;

import org.apache.hadoop.hive.ql.exec.UDF;
import org.apache.hadoop.io.Text;
import java.security.*;
import org.apache.commons.codec.binary.Base64;
import java.io.*;
import java.security.InvalidAlgorithmParameterException;
import java.security.InvalidKeyException;
import javax.swing.JOptionPane;
import java.security.MessageDigest;
import java.security.NoSuchAlgorithmException;
import javax.crypto.BadPaddingException;
import javax.crypto.Cipher;
import javax.crypto.IllegalBlockSizeException;
import javax.crypto.NoSuchPaddingException;
import javax.crypto.spec.IvParameterSpec;
import javax.crypto.spec.SecretKeySpec;

public final class En1 extends UDF {

public Text evaluate(final Text s) throws Exception {
if (s == null) {
 return null;
}
byte[] sharedvector = {
0x01, 0x02, 0x03, 0x05, 0x07, 0x0B, 0x0D, 0x11
};

String EncText = "";
byte[] keyArray = new byte[24];
byte[] temporaryKey;
String key = "developersnotedotcom";
byte[] toEncryptArray = null;

//try
   // {

    toEncryptArray =  s.toString().getBytes("UTF-8");
    MessageDigest m = MessageDigest.getInstance("MD5");
    temporaryKey = m.digest(key.getBytes("UTF-8"));

    if(temporaryKey.length < 24) // DESede require 24 byte length key
    {
        int index = 0;
        for(int i=temporaryKey.length;i< 24;i++)
        {
            keyArray[i] =  temporaryKey[index];
        }
    }

    Cipher c = Cipher.getInstance("DESede/CBC/PKCS5Padding");
    c.init(Cipher.ENCRYPT_MODE, new SecretKeySpec(keyArray, "DESede"), new IvParameterSpec(sharedvector));
    byte[] encrypted = c.doFinal(toEncryptArray);
    EncText = Base64.encodeBase64String(encrypted);

//  }
   /* catch(NoSuchAlgorithmException | UnsupportedEncodingException | NoSuchPaddingException | InvalidKeyException | InvalidAlgorithmParameterException | IllegalBlockSizeException | BadPaddingException NoEx)
{
    //JOptionPane.showMessageDialog(null, NoEx);
     System.out.println(NoEx);
     System.exit(1);
}*/

return new Text(EncText.toString());
}

}

    Input:
Actual I/p Ex:    1      AAA
                  2      BBB

Encrypted O/p Ex:     1      fdfsvansjw=
                      NULL   NULL
                      2      adf4vandjw=
                      NULL   NULL

Code For Decryption :
package Encrypt;

import org.apache.hadoop.hive.ql.exec.UDF;
import org.apache.hadoop.io.Text;
import org.apache.commons.codec.binary.Base64;
import org.apache.hadoop.hive.ql.exec.FunctionTask;
import java.security.MessageDigest;

import javax.crypto.Cipher;

import javax.crypto.spec.IvParameterSpec;
import javax.crypto.spec.SecretKeySpec;

public final class Dec1 extends UDF {

public Text evaluate(final Text s) {
  if (s == null) {
    return null;
   }
  byte[] sharedvector = {
   0x01, 0x02, 0x03, 0x05, 0x07, 0x0B, 0x0D, 0x11
   };

String RawText = "";
byte[] keyArray = new byte[24];
byte[] temporaryKey;
String key = "developersnotedotcom";
byte[] toEncryptArray = null;

try
  {

    MessageDigest m = MessageDigest.getInstance("MD5");
        temporaryKey = m.digest(key.getBytes("UTF-8"));

        if(temporaryKey.length < 24) // DESede require 24 byte length key
        {
            int index = 0;
            for(int i=temporaryKey.length;i< 24;i++)
            {
                keyArray[i] =  temporaryKey[index];
            }
        }

        Cipher c = Cipher.getInstance("DESede/CBC/PKCS5Padding");
        c.init(Cipher.DECRYPT_MODE, new SecretKeySpec(keyArray, "DESede"), new IvParameterSpec(sharedvector));
        byte[] decrypted = c.doFinal(Base64.decodeBase64(s.toString()));
        RawText = new String(decrypted, "UTF-8");
   }
   catch(Exception NoEx)
    {
    //JOptionPane.showMessageDialog(null, NoEx);
     System.out.println(NoEx + "This is Udf error");
     System.exit(1);
    }

   return new Text(RawText.toString());
}

}

   Input:
Decrypted I/p Ex:     1      fdfsvansjw=
                      NULL   NULL
                      2      adf4vandjw=
                      NULL   NULL

Decrypted o/p Ex:    1      AAA
                     /n     /n
                     2      BBB
                     /n     /n

There should'nt be any Null's or /n when encryption and decryption.
Tried to find out the bug. But can't find out.
Please Help me.

Thanks

A: The cause is not related to the Hive.
The encrypted string is separated by CRLFs, so you should remove the \r\n at the end of your encryption method: return new Text(EncText.toString().replaceAll("\r|\n", ""));

A: Thanks @Will Du, Your solution worked for me.
I've implemented this encryption code and ran in to a similar issue.
Below change to the return line of Encrypt method did the trick.
Before:
return output;

After:
return output.replaceAll("\r|\n", "");

A: I doubt your UDF evaluates return type Text . Change return type from Text to String as Hive supports following String types :
STRING
VARCHAR (Note: Only available starting with Hive 0.12.0)
CHAR (Note: Only available starting with Hive 0.13.0)

please check the Hive datatypes
link


text:
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Regional Agenda
Justice and Law
This heroic doctor is waging war on rape and the stigma around it
Dr Denis Mukwege won the 2018 Nobel Peace Prize for his work helping victims of rape in the Democratic Republic of Congo.
Briony Harris Senior Writer, Formative Content
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Many of the girls, mothers and grandmothers who arrive at Dr Denis Mukwege's hospital in Eastern Congo have suffered such extreme sexual violence that they are barely able to walk.
Dr Mukwege talks about Sarah, who was taken hostage, tied naked to a tree and gang-raped until she lost consciousness. She arrived at the hospital unable to stand, with severe internal injuries to her bowel, bladder and digestive system.
She is just one of more than 80,000 women who have arrived at Dr Mukwege's treatment center since it opened in 1999, offering free medical care to the victims of rape who have been caught up in the ongoing battle between warring militias in the Democratic Republic of Congo.
Many of them will undergo long and complicated surgery, but some will be incontinent and infertile for the rest of their lives.
Worse still, perhaps, 40-60% of these women will never be able to return to their home communities. Sometimes that is because of the extent of their injuries. But most often it is because of the deep stigma that surrounds their plight.
Dr Mukwege at work: Post-rape surgery can last up to eight hours
Image: Mwangaza & Ukweli
In many societies, rape is a cause of deep shame, something that will leave victims isolated, rejected, or even vulnerable to being murdered.
But saying silent about sexual violence has handed impunity to the perpetrators - and led to the proliferation of rape.
"What is keeping rape in our society is silence. The silence [of women] is really a strong tool of rapists, so they can go on destroying girls and women," Dr Mukwege told the World Economic Forum Annual meeting in Davos.
"If she stays in silence, she can be raped again and again. And she can't protect others."
Deep psychological damage
Having won the Nobel Peace Prize in 2018, Dr Mukwege has dedicated his life to fighting against both rape itself and the stigma surrounding it.
There are many Sarahs, Dr Mukwege says, in many other conflict-torn countries, citing Bosnia, Myanmar, Iraq, Colombia and the Central African Republic amongst others.
One of the implications of the silence concerning these sexual atrocities, however, is that there are extremely scarce facts to assess or even estimate the scale of the problem. It is a war crime that is largely undocumented.
Another major implication of the silence is that the perpetrators are never brought to justice, causing deep psychological damage to the victims, who must sometimes continue to live alongside their abusers.
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Even when the perpetrators have fled, true reparation requires the community to acknowledge what has happened, according to Dr Mukwege. Seemingly small gestures - such as a plaque or a small memorial in the village - can change the perception that these crimes must never be spoken about ever again, he explains.
A war against indifference
The silence surrounding rape as a weapon of war is also, to some extent, something that is being perpetuated internationally as well as locally.
"I call on the world to be a witness and urge you to join in order to put an end to this suffering that shames our common humanity," Dr Mukwege said as he received his Nobel Peace Prize.
"Turning a blind eye to this tragedy is being complicit," he said. "If there is a war to be waged, it is the war against the indifference which is eating away at our societies."
Rape and harassment, albeit on a smaller scale, have also often remained secret in the developed world too, with some such crimes now coming to light decades later.
As the battle for gender equality continues, highlighted by International Women's Day, Dr Mukwege is campaigning to raise awareness of the many thousands of women who have suffered unimaginable acts of sexual violence - and a life of rejection - as a byproduct of war.
He dreams of a day when women will be able to speak freely about what has happened to them, and the perpetrators will be the ones to feel lifelong shame. And he wants everyone to say 'no' to indifference.
"We all have the power to change the course of history when the beliefs we are fighting for are right," Dr Mukwege says.
License and Republishing
World Economic Forum articles may be republished in accordance with the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Public License, and in accordance with our Terms of Use.
Briony Harris, Senior Writer, Formative Content
The views expressed in this article are those of the author alone and not the World Economic Forum.
A weekly update of what's on the Global Agenda
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Why Nigeria's #EndSARS movement is more than a call to end police brutality
The Lagos protests against a brutal police unit were seen as an echo of #BlackLivesMatter. But they are rooted in a wider set of grievances from a disfranchised Nigerian generation.
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Maksim Burianov 07 Aug 2020
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Our newborn beanbags and posing pillows are made specifically for newborn and baby photography. They are made from professional grade vinyl, which allows them to be easily wiped clean and sanitized from any messes. Our newborn beanbag is specially designed with a puck shape to provide the utmost comfort and support, and to prevent any sagging that you would commonly face with traditional beanbags. Beanbag posers serve as a soft but sturdy platform to comfortably and safely pose newborn babies in various positions, instead of draping numerous blankets or rugs on the floor to build up a comfortable set.


A competition to find the next J.K. Rowling is being launched by the University of Central Lancashire.
Budding young writers are invited to submit their entries to The Supernatural and Fantastical Short Story Competition, which has been organised by UCLan in conjunction with Waterstones, BBC Radio Lancashire and the Harris.
Aimed at 11-18 year olds with an interest in creative writing, the competition is looking for stories of no more than 500 words that fit into the supernatural and fantasy genres. Entrants should use the portrait of Pauline in the Yellow Dress by Sir James Gunn as inspiration for their stories and ask themselves, "Is Pauline plotting something good or evil?".
The panel of judges will include Preston-born New York Times best-selling author, A.J. Hartley, and Barry Cunningham OBE, the publisher who signed J.K. Rowling for Bloomsbury.
The competition has been organised to celebrate A.J.'s upcoming UK tour, which follows the successful launch of his gothic thriller Cold Bath Street. The book was published by UCLan Publishing, the only student-led, student-run publishing house in the world.
Six titles will be shortlisted and announced at an event at the Harris with A.J. and Barry on Wednesday 18 July. Three will come from the 11-14 year old category and three from the 14-18 year old category, and all six will be published as a collection by UCLan Publishing.
The overall winner will be announced at UCLan's Supernatural and Fantastical in Young Adults event at the next Northern Young Adult Literary Festival on Saturday 21 July. The prize is a year's worth of books.
The deadline for entries is 12pm on Friday 1 June. Each entry should be attached to a cover sheet and put inside a sealed envelope to be handed in at the Harris, or to Waterstones in Blackpool, Lancaster, Lancaster King Street, Preston, Southport or Wigan.
For more information visit the UCLan Publishing website.
Will you be entering the competition? Let us know in the comments below.


text:
Market Movers-News-Stock Analysis
Delta Air Lines, Inc. (DAL), General Motors Company (GM) Stocks Trending Towards a Pop According to Analyst Consensus
Published on September 6, 2014 at 2:17 am by Tim Frederick in Market Movers,News,Stock Analysis
General Motors Company (NYSE:GM) and Delta Air Lines, Inc. (NYSE:DAL) are two large cap stocks you should get your hands on now if you're looking for the stocks most likely to pop in the future (and who isn't?). The two stocks, each of which come with modest prices, are two of the most likely stocks in for a pop according to a consensus of analysts' price targets for each stock and the stock's current price, as reported by CNBC on Friday.
"Among the large cap stocks currently in the S&P 500 there are only a handful that have price targets at least 20% above where the stock currently trades today. The company with the highest price target on average is Delta Air Lines. In fact, every analyst who covers Delta currently has a 'buy' rating on the company," reported CNBC's Dominic Chu.
The consensus positivity on Delta Air Lines, Inc. (NYSE:DAL) is not overly surprising, as it's been seen by analysts for some time as the strongest in a crowd of collectively strong airline stocks. Delta Air Lines, Inc. (NYSE:DAL)'s stock has already had a strong year-to-date, up more than 40%, though the stock has actually stalled and even gone backwards slightly since its peak in June. Analysts do not see the stock as being in a holding pattern however, and are collectively predicting another 32% in gains for the stock.
Likely more surprising is just how bullish those same analysts are on General Motors Company (NYSE:GM)'s stock, collectively predicting a 26% increase from current levels. Unlike Delta Air Lines, Inc. (NYSE:DAL), General Motors Company (NYSE:GM) has not had a strong year thus far, with the stock shedding 15.41% of its value in 2014. Despite a slew of product recalls this year as well as sluggish sales in August, analysts are extremely confident in General Motors Company (NYSE:GM)'s future.
As a caveat, Empire Executions President Peter Costa encouraged investors not to rely too heavily on price targets, but to look into some of the data themselves, all of which is readily available online. However for anyone who is looking for the most promising stocks that experts feel are undervalued right now, General Motors Company (NYSE:GM) and Delta Air Lines, Inc. (NYSE:DAL) are the ones.
Twenty-First Century Fox Inc (FOX), BHP Billiton Limited (ADR) (BHP) And General... General Motors Company (GM) Faces Ignition Switches Lawsuit Even After Constituting... Netflix, Inc. (NFLX), Delta Air Lines, Inc. (DAL) Outlooks Seen as Mixed by... Delta Air Lines, Inc. (DAL) Leads Pack of Soaring Airline Stocks: DeNardi General Motors Company (GM) and Ford Motor Company (F) Have Overcome Expectations... General Motors Company (GM) Working on Smart Car that Can Detect Distracted...
Airlines automakers Delta Air Lines Inc. (DAL) General Motors Company (GM) NYSE:DAL NYSE:GM


text:
Sportowe ratownictwo wodne – dyscyplina sportu, której polskie początki sięgają roku 1900, kiedy to zostały rozegrane w Warszawie pierwsze zawody ratowników. Od tamtej pory dyscyplina ta cały czas ewoluuje: zmieniają się zasady rozgrywania konkurencji, wprowadzane są nowe, a inne powoli odchodzą w niepamięć (jak rzut kołem lub piłką ratowniczą).

Od 2009 roku Mistrzostwa Polski rozgrywane w czerwcu odbywają się na basenie 50-metrowym, na zasadach Interational Life Saving Federation (Międzynarodowej Federacji Ratownictwa),a na koniec roku na basenie 25-metrowym. Ratownicy współzawodniczą w sześciu  konkurencjach indywidualnych oraz trzech sztafetach.

Sprzęt, z którego zawodnicy korzystają na basenie, w zależności od konkurencji to:
 płetwy;
 pas ratowniczy typu "węgorz";
 przeszkody zanurzone na głębokość 70 cm;
 manekin ważący około 70 kg po napełnieniu wodą;
 lina 15 m

Konkurencje ratownictwa wodnego
indywidualne;
 holowanie ratownika w płetwach na dystansie 100 m
 ratowanie manekina na 50 m
 ratowanie manekina w płetwach na 100 m
 pływanie z przeszkodami na 200 m
 szybka pomoc na dystansie 100 m
 super ratownik na 200 m

zespołowe (sztafety);
 holowanie manekina – sztafeta 4 x 25 m
 sztafeta ratownicza 4 x 50 m stylem zmiennym
 sztafeta z przeszkodami 4 x 50 m

Zawody mogą być też rozgrywane w basenie oraz na plażach, wtedy sprzętem, z którego zawodnicy korzystają, w zależności od konkurencji może być:
 pas ratowniczy typu "węgorz";
 płetwy;
 deska ratownicza;
 kajak ratowniczy;
 łodzie IRB;
 łodzie morskie;
 łodzie typu BL;
 pałeczki (do biegów plażowych)

Polskie sportowe ratownictwo wodne ma w swoim kilkudziesięcioletnim dorobku mistrzów świata (Zofia Krawczyk, 1978 Londyn, Wojciech Blechar, 1983 Warszawa i 1987 Warendorf oraz Krzysztof Wabicz Niemcy 1988, Jarosław Mazurek Niemcy 2008, Paweł Szkudlarek Adelajda 2012. W 2019 w chińskim Wuhanie podczas 7. Światowych Wojskowych Igrzyskach Sportowych polscy ratownicy (Wojciech Kotowski, Adam Dubiel, Bartosz Stanielewicz oraz Hubert Nakielski) zdobyli 6 medali światowych igrzysk wojskowych (w tym 2 złote, 2 srebrne i 2 brązowe).

Planowane jest włączenie sportowego ratownictwa wodnego do dyscyplin pokazowych na Olimpiadzie w Londynie w 2012 r.

Przypisy

Bibliografia

redpajama_set_name: RedPajamaWikipedia


OSLO, Norway –29 March, 2017 – The Vivaldi browser today unveils the new History feature, giving users insights into their online behavior. The latest release also includes more options for taking notes in the browser, powerful sound control for tabs and other improvements.
Vivaldi's new History feature lets users explore their browsing patterns, backed by statistics and visual clues.
The new History feature lets Vivaldi users quickly scan through visited websites and get helpful hints for finding old URLs.
In addition to the list of URLs offered by most browsers, Vivaldi shows history in a calendar view with detailed statistics about previously visited sites. Graphs and a color-coded heat map overlay add another dimension, showing peaks of online activity and key browsing trends.
All this data helps find previously visited web pages even when users cannot remember the right search term. Vivaldi's history puts searches in context – it may be easier to find an old URL if the user recalls seeing it on a certain day when he or she was particularly active online.
Vivaldi users can also narrow down the search to a date range either from the monthly view or from the Day Picker Calendar. In addition to that, users can filter search results by date, title, address and views.
All of this information is strictly private and local to a user's computer – Vivaldi Technologies doesn't collect user's history data.
With the ability to analyze this information, users can decide if they want to adjust their online behavior or remove certain items from the list.
Vivaldi's Side Panel with fast access to bookmarks, downloads, notes and websites of users' choice now also includes History. Clicking on the History icon will reveal a list of previously visited URLs alongside open websites. This way, users can quickly search through history without leaving the current page.
Create notes with drag-and-drop. Vivaldi lets users take notes in the Side Panel as a convenient way of adding thoughts and ideas to websites. It is now possible to create notes by simply dragging and dropping selected text into the Notes menu – not only from the browser itself, but from any other application. Users can also right-click on the text on the website they're currently browsing and select "Copy to Note" from the drop-down menu to create a new note.
Advanced tab muting. Vivaldi offers many ways of controlling unwanted noise in the browser, and the latest release adds new options for muting tabs. Users can now choose if they want to allow sounds in all tabs; only let the active tab play sound or let the background tab play sound, as long as the active tab doesn't.


text:
<?php

namespace Pria\DemoBundle\Controller;

/**
 * This code has been auto-generated by the JMSDiExtraBundle.
 *
 * Manual changes to it will be lost.
 */
class LoginController__JMSInjector
{
    public static function inject($container) {
        $instance = new \Pria\DemoBundle\Controller\LoginController();
        return $instance;
    }
}

redpajama_set_name: RedPajamaGithub


Hi, Yes absolutely it does.
I use Lightroom and Photoshop with the Intuos5, 4 and 3 regularly and don't have any issues.
I have purchased a Wacom Intuos 5 Touch which includes (on its packaging) the offer of a free download of Adobe Photoshop Elements. I have not been able to accomplish this but am looking forward to trying out the package.
I too recently purchased the Intuos 5 and it states on the packaging that it includes adobe photoshop elements. However I'm not sure how to download it for free like it mentions, have you been able to download it yet?