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Dance Floor Theory Tom
admin March 15, 2019 Comments Off on Dance Floor Theory Tom
There he found Mr. Haring, furiously creating a riot of patterns on the walls and floor. Tom Scully — to take over Club 57. By May of 1979, all three were programming events there on a regular.
Nirvana Shirt Live Concert Photo In the post-Nirvana, pre-Spice Girls 1990s. let them release an aggressively and obnoxiously uncommercial album, Sweet 16, Bleach is the debut studio album by the American rock band Nirvana, released on June 15, Color-reversed image of a band playing on a studio. The group began its first European tour, a double headliner with the band
If the theory holds, then a large chunk of television is the direct result of one child's formidable imagination. St Elsewhere Full Episodes, YouTube Erasing the fiction of an entire medium is not.
Academy of Social Sciences ASS The United Kingdom Association of Learned Societies in the Social Sciences formed in 1982 gave rise to the Academy of Learned Societies for the Social Sciences incorporated 24.9.1999, which became the Academy of Social Sciences on 5.7.2007. ASS 15.12.2000 Commission on the Social Sciences Notes from the meeting on 15.12.2000 by Ron Johnston.
[cartoon id="a19465"] Steinem is not a theorist, or even much interested in theory. "Feminist theory came from feminist. Jane Kramer has been a staff writer at The New Yorker since 1964 and has.
Shop new, used, rare, and out-of-print books. Powell's is an independent bookstore based in Portland, Oregon. Browse staff picks, author features, and more.
Jim Nussle famously delivered a floor speech with a paper bag over his head — in theory, to signify his mortification — and demanded that habitual overdrafters be named and shamed. Speaker Tom Foley.
1957 Musical Comedy Girls No other director, with the possible exception of Vincente Minnelli, contributed more aesthetically to the American musical. With George Abbott, he co-directed two excellent film adaptations, The. Hymns Gor Sunday November 5th Nsw Blues Cricket Tickets The St Louis Muny Opera Prior to his role on NCIS: LOS ANGELES, Barrett Foa played the lead in
Kansas seems destined for a 10th consecutive season as a top-two seed in the Big Dance, but is poor luck defending the three. partially because he keeps landing in Tom Izzo's doghouse. But if he.
Rock the Dancefloor: The Proven Five-step Formula for Total DJing Success audiobook. Music Theory: from Absolute Beginner to Expert audiobook cover art.
so good," Tom, the buttoned-up rich. sit still so she could read it. The dance sequence! What was the motivation there? Tarlov: The dance is a copy of a Fred Astaire and Ginger Rogers dance. And.
Tobacco Vanille by Tom Ford is a Oriental Spicy fragrance for women and men.Tobacco Vanille was launched in 2007. The nose behind this fragrance is Olivier Gillotin.Top notes are tobacco leaf and spicy notes; middle notes are tonka bean, tobacco blossom, vanilla and.
Tom Bonner/Los Angeles Public Library Bernier got reassigned. Central's teen space had a dance floor, with music available on request. It had the only vending machines in the library. It had.
We call this skill "getting off the dance floor and going to the balcony," an image that captures the mental activity of stepping back from the action and asking,
She was excited to get onstage to emcee and dance, and show fans that mothers. but it prevented long days on showroom floors in heels. When Penthouse approached them about an article, Romine.
He was referring to the theory that music is a useless by-product of natural. If you've ever lost yourself on the dance floor or ignored a green light due to excessive singing along, you'll.
The Streak was a mutant appendage that fed off some weird stew that had been brewing in the Heartland since before anybody had ever grinded to "Slow Motion" by Juvenile on a sticky bar dance.
Age Of Aquarius Broadway Musical Enjoy selections from contemporary musicals and classics from Golden Age of American Musical Theatre by Rogers. been featured in worldwide smash hits on London's West End and Off Broadway such as. Galt MacDermot, the Canadian composer who composed the score for "Hair," the musical that shocked. of the opening song, "Aquarius," were based on the
Branford: Dance in Rhythm open dance party, March 16, 7:30-10 p.m. (group lesson at 7), $15, 19 S. Main St., 2nd floor, 203-481-1333. New Haven: José González & The String Theory, March 23, 8 p.m.,
Jan 29, 2019 · Tom's fascination with bikes started early. He had this one when he was 4. Photo: Courtesy of Tom Justice "A nyone interested in racing, bring your bike, and try your luck," a voice.
Bonobo Band Girl Singer Band members previously flew flags with what appeared to be the Nazi swastika during a concert. In 2016, the producer for a Japanese all-girl "idol" group like BNK48 joined Sony Music in apologizing. 10000 MANIACS • Because The Night • Big Star • Candy Everybody Wants • Dont Talk • Eat For Two • Gold
It was 4 p.m. of the first day of Spring Fest of my final semester at college, and Tom and I were wasted. I saw a brother "eat a girl out" on our dance floor. Sometimes the two went hand in hand.
in Tom Hooper's drama "The Danish Girl," which starts shooting in January. But first, he'll need to jump through the three-ring circus of awards season. Robert Maxwell for Variety After "The Theory of.
Floodlights flare, accompanied, oddly, by snippets of the song "Work," by Rihanna, making Kaneisha dance. She grinds down to the floor, then pops her hind. how the language of critical theory—black.
One of those times involved Tom Goodwin, the chairman of the Arizona House Appropriations. He was famously entertaining, funny and charming, "a social lion" who could "show off" on the dance floor.
Herb Alpert's Tijuana Brass, 'A Taste of Honey' (1965) Blaine's brushes on the snare are nuanced and dynamic, but the real iconic element of "A Taste of Honey" is his four-on-the-floor bass drum.
What Is A Aria In An Opera In opera, and in certain kinds of oratorio, the aria tends to stand apart from the psychological drama. The action halts, the singer turns to face the audience, and delivers his or her thoughts in a kind of 'aside'. Related Sites Artsconverge Emily Ezust's Lied and Song Texts Page Superconductor – Classical Music Software Opera
The government of the agrarian state needs him to farm corn, which he does with his father-in-law (John Lithgow) and two kids, 10-year-old Murph (Mackenzie Foy) and teenage Tom (Timothée Chalamet.
Jim Parsons married his longtime partner, Todd Spiewak, over the weekend, and now The Big Bang Theory star is indulging. who beamed as he took the dance floor, explained he was pretty excited to be.
This question takes on special significance in an aesthetic landscape where transness has entered the art of the Academy and the museum, from prestige films (Tom Hooper's "The. moment on that grimy.
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from itemadapter import ItemAdapter

class SpotPricePipeline:
    def process_item(self, item, spider):
        return item

redpajama_set_name: RedPajamaGithub


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Printed Fabrics for Clothing Between History and Production
How many people, through experience or through word of mouth, know the characteristics of fabrics, especially if they are those high-quality fabrics or printed fabrics for clothing? Probably not many! In fact, while everyone is careful to check the origin of the garment they are buying, few know the history of these fabrics.
The production of printed fabrics, for example, hides a past that is rich in history, craftmanship and tradition as well as a pinch of legend which accompanies the characteristics of these textiles.
SILK AND WOOL
Here below we will set out a short list of these fabrics for clothing which can also be bought online.
Quality fabrics: silk
Silk is the noble fabric par excellence, famous from West to East for its brightness, softness and refinement. Processed for the first time in China, silk was the fabric of the imperial court. Legend narrates that in 3000 B.C. it was an empress, Xi Ling Shi, the consort of the Yellow Emperor Huang Di, who discovered the qualities of silk thread while she was walking in the garden of the imperial palace. Gradually, along the Silk Road, its fame reached Europe where, in the interplay between secrecy and monopolies, it became part of the most profitable arts of commerce, especially in Italy. In our own country the production of silk fabrics became increasingly important and so led the rest of Europe. In Florence it was recognised as one of the seven most important crafts during the 15th century.
Quality fabrics: wool
Another fabric which stands out among high-quality fabrics is wool. Its production too is an ancient art linked to craftsmanship with very deep roots. It is handed down that already in 3000 B.C., in Mesopotamia, woollen garments were used, and, with the passing of the centuries, this became one of the most used fabrics in the broad market of high-quality textiles. The peak of production in Europe arrived during the Middle Ages, the period when corporations controlled the production and sale of goods. Again in Florence, the processing of wool was the biggest and most important corporation of the city.
Among the varieties of wool, one of the most valued and costly yarns is cashmere. It is taken from the shearing of the cashmere goat, a species which mainly lives in the highlands of Tibet, as well as Iran, India, China and Afghanistan. The textile taken from these goats is ideal to protect against the very severe temperature changes in the regions of Central Asia.
These are just some of the examples of the production of fabrics; numerous other fabrics make up the bunches in ateliers, whether these are for clothing or for furnishings.
For more specific information, please refer to the detailed article the world of printed fabrics.
Written by Megan Taylor
Megan is a beauty expert who is passionate about all things makeup and glam! Her love for makeup has brought her to become a beauty pro at Glamour Garden Cosmetics.
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← Review of The Second Sign (The Second Sign #1)
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Review of The Second Shadow (The Second Sign #2)
The Second Shadow (The Second Sign #2) by Elizabeth Arroyo
Genres: YA, Fantasy, Paranormal Romance
Jake thought being demon meant a shredded humanity, stripped of all human emotion. Chaos and self-preservation dominates a demon's instincts. But Jake feels every ounce of pain and despair around him.
And it's driving him deeper into Hell.
Gabby's choice to save him last summer left a fissure in Hell's gate that released a malevolent evil. When Jake's given a mission by the demons to shadow a human girl who may know the whereabouts of an ethereal weapon, he doesn't expect to see Gabby. But Fate has her own agenda.
When Jake and Gabby are thrown together on a camping trip with a group of delinquent teens, Jake begins to grapple with the haunting choices he made in the past. When the evil finds them, the group begins to battle for their lives, alliances are made, and truths revealed.
As the evil begins to influence Jake, he questions his link to the demons, his purpose, and his love for Gabby.
But the answers to those questions are only found in Hell. And it may cost him his soul. (from Goodreads)
The Second Shadow picks up a few weeks after the first book ends, and Max and Gabby have relocated to Chicago for a fresh start where no one knows them. Similar to the beginning of The Second Sign, Gabby is still getting into trouble at school, but this time it's not because of her anger but from the strong visions she has now that her powers have evolved. She has transformed into an unusual supernatural being and is still learning to control and manage the competing powers that reside within her. One of the biggest mysteries to be uncovered over the course of the story is in discovering exactly what Gabby has become and trying to anticipate how she will respond to the external conflicts that occur.
It is clear now what the "Second Sign" means as well as the predestined roles that have been thrust upon Gabby and Jake. Yet they still have free will, and another major question to be answered is whether they will actually follow through with what is expected of them. The angels and demons involved have underestimated their love. Although I did have some doubts in book one about how genuine Gabby and Jake's feelings really were for each other since supernatural forces were drawing them together, I don't anymore.
Even though they aren't destined to be together, and Jake is now angry and bitter toward Gabby, their love for each other strengthens them in the midst of peril and uncertainty. This second book also contains violence that may make squeamish readers uncomfortable.
All of the main characters have changed in dramatic ways since the beginning of The Second Sign. Gabby is emotionally stronger, and even though she doesn't fully understand what the angels and demons are planning behind the scenes, she accepts and embraces her abilities, determined to do what is right to save humanity. She still has insecurities about her father and his faith in her, but she refuses to be discouraged by these doubts. Furthermore, Max has become much more supportive, reassuring her they haven't lost their twin connection.
The climatic events in the first book have changed Max. He no longer blindly follows his angelic orders, and he is less critical and judgmental about the decisions Gabby makes. In fact, he helps her even when it isn't in his best interest. Max's goodness is so pure, and I want so much for him to find the love and joy he deserves.
And Jake…wow, he has drastically changed. His grief, anger, and vengeance have hardened him in ways that sometimes make it difficult for me to like him. Unfortunately, his fate was sealed before he was even born, and he is now more willing to succumb to his demon side.
Because the story is still alternately narrated from both Gabby's and Jakes POVs, I still have hope for him. His conflicting thoughts show that he hasn't completely lost his humanity…yet.
I really like the new characters, Michelle and Jose, who inadvertently become involved in this paranormal chaos when apocalyptic events are set into motion. Even though Jose is human and carries a lot of guilt about his past sins, he really steps up, even risking his life to help Gabby and Jake. I also think he plays a significant role in helping Jake fight his inner demon. I have a feeling both of these new characters will become more prominent as the series progresses.
Although I enjoyed the first book, I was even more fascinated by this second installment because of all the shocking revelations and the OMG ending that absolutely made me want to cry.
Now, I'm hooked and eager to find out what will happen next.
I received a copy of this book from the author to provide an honest review.
Review of The Second Sign (The Second Sign #1) by Elizabeth Arroyo
Click on the book cover to purchase these books on Amazon
The Second Sign
The Second Shadow (The Second Sign #2)
By Barbara Ann • Posted in Angels, ARC Reviews, Demons, Fantasy, Fiction, Paranormal, Paranormal Romance, YA Romance, Young Adult	• Tagged Elizabeth Arroyo, Fantasy, Paranormal Romance, Review, The Second Shadow, The Second Sign Series, YA


With an active subscription, download up to 30 courses per device for offline viewing on the macOS or Windows offline player. The number of courses you are able to download depends on the space available on your device for downloads. Check out our downloads page to download the macOS of Windows offline player.
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You have enough space on your device to download the course. The download limit is up to 30 courses per device.
To find a course to download, use the search pane within the offline player. If the pane is not visible, click the magnifying glass icon in the top-left corner of the offline player to show the search.
Enter a search term to see a list of courses. Use the Sort by option to sort your results by relevance, newest, or rating.
Click the course you'd like to download, then click Download course to begin the download.
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Amanda Bynes Says That Wasn't Her at the Gym in Fishnets and a Wig. And We Kind of Believe Her.
Amanda Bynes was allegedly kicked out of a New York gymnastics class for showing up in an outfit comprised of fishnets, a wig, and a lingerie-like leotard. Of course she denies it -- and given that there's no video footage, we're inclined to believe her.
Because come on -- if Amanda Bynes showed up at your gym, wouldn't you just turn on your cell phone's camera and wait for the inevitable hijinx to ensue?
Sources told Page Six that gym staff became worried when Bynes was "muttering to herself," and that she "burst into tears when she attempted a cartwheel and her dark-colored wig fell off."
"She lined up with the other gymnasts, and each took their turn to perform a roll. But Amanda just walked out on the mat, was spinning around in circles and mumbling to herself," added another witness, who claimed Bynes had been acting strangely since her arrival.
The story continues that Bynes was eventually asked to leave the class, which she had also attended the week before, because the staff was "concerned about her manner and worried she might be a hazard to other people in the class."
In response, Bynes took to Twitter threatening to sue anyone reporting the story as true, because she has been a little litigious lately.
As we said above, we tend to believe her -- as long as she doesn't claim her infamous impostor was responsible, that is.
In the meantime, we're observing her request that only her Twitter selfies be used in stories about her. So what you see above is her getting extensions this weekend. After she pwned Perez Hilton, of course.
Filed Under: Amanda Bynes


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O Crooked Christmas Tree
Faye Lippitt
By Faye Lippit
December 2017 - Faye Lippit
Ah the tree, that delightful seasonal symbol. Deck the roundabouts and wrap the palm trees, it's Christmas time on the island.
Pondering the tree had me researching the history of this fine tradition. Apparently two towns vie for being the town with the first trees. Tallinn, Estonia, in 1441 and Riga, Latvia, in 1510 claim that honour. In both places, the trees were put up by the Brotherhood of Blackheads, which was an association of local unmarried merchants, ship owners and foreigners in the towns. Little is known about either tree except that they were put in the town square, were danced around by the Brotherhood of Blackheads and were then set on fire.
Very interesting. Sounds somehow familiar. When we plug the tree in, we might say we set it on fire — quite gloriously on fire, as with the magnificent tree at Camana Bay. When I listened to the national choir sing last month and watched that 38-foot beauty burst into light, I too felt like dancing around the town square.
I've never had a Christmas without a tree. The fresh scent of pine or spruce in the house mingled with cinnamon and nutmeg — in a glass of eggnog — brings back fond memories. There have been times, however, when I wished I'd chosen an artificial tree and a pine scented car freshener for the house. The eggnog could stay.
I recall the Christmas that resulted in the decision for an artificial tree. It started with the attempt to find a real tree that had a straight trunk, unlike the previous year's real tree that kept falling over due to a very crooked trunk. But sometimes we just don't learn. Our new tree, too, had a crooked trunk. When the tree stand didn't actually make the tree stand, the kids rallied with scraps of wood, rocks, pieces of a wooden puzzle that they found in the toy box, and two pieces of bamboo — no idea where those came from. Just to be sure, two fishing hooks and some fishing line were attached to the air vent conveniently situated above the tree. We sang some carols, had some eggnog and vacuumed up a lot of pine needles.
Next day the tree was on its side and the fish hooks appeared to have flown up the air vent, so we propped it against the wall. It didn't look half bad like that. More carols sung, many needles vacuumed, more eggnog.
Day three dawned with husband Greg dissatisfied with a leaning tree, and after lengthy discussion, duct tape was used to tape lower branches to the (inaptly named) tree stand. On day four, the tree, again horizontal, was propped up and many, many nails were driven through the stand into the tree trunk, duct tape discarded, and more rocks added. Carol or two hummed, vacuum cleaner now broken, and tree redecorated with remaining unbroken decorations.
Christmas arrived with us singing "Hark! The Naked Conifer" as it leaned against the wall. We bought the artificial one for a discount on Boxing Day.
Faye Lippitt is the author of "16 Chickens on a Trampoline" and the children's book, "The Great Caribbean Chicken Caper."


An Indian-American Student has won Siemens Awards For Advanced Placement, America's top achievers honour for her achievements in science and mathematics.
Ramya Rangan, along with another student Albert Wu, two seniors at The Harker School in San Jose, California, became the nation's top achievers in Advanced Placement science and mathematics courses when they were recognised as winners of the 2011 Siemens Awards for Advanced Placement.
Each will receive a USD 5,000 college scholarship. This year, 101 high school students in 50 states –including 96 seniors, 4 juniors and 1 sophomore – were recognised.
The remaining 99 students will each receive a USD 2,000 scholarship.
Established in 1998, the Siemens Awards for Advanced Placement is a signature programme of the Siemens Foundation and is administered by the College Board. Ramya Rangan's interest in math and science originated over a decade ago when she began completing Kumon math problem sets.
In high school, she found that other sciences posed similarly intriguing problems.
She took her first AP class – AP Calculus BC – in the eighth grade.
"AP courses gave me a chance to acquire more in-depth knowledge of various fields, and to learn with gifted peers from incredible teachers", she said. Ramya considers AP Physics C her favourite AP class to date, because it exposed her to interesting physics problems and gave her experience with lab work.
"The lessons I learned on topics like data analysis and scientific writing have been incredibly useful in research work, and I'm sure they will continue to be useful throughout my life."
Ramya plans to study computer science in college, having learned through AP Computer Science that algorithmic thinking appeals to her.
"One of the great things about Advanced Placement is that it allows us to identify and recognise outstanding students like Ramya and Albert," College Board president Gaston Caperton stated in a press release.
"Along with the 99 regional winners, these students represent our best hope for a bright future, where America is a world leader in science, technology, math and engineering—the foundation of the 21st century economy", it said. The state winners as well included a number of Indian-American students.


Students may freely use Robotic arm topic for the research papers as it has proven its urgency.
A robotic arm is a mechanical manipulator with functionality similar to a human arm. A robotic arm is made up of a number of segments, which are connected together by pivotal joints, where the transformation and/or rotation are possible. These parts together form a kinematic chain. The manner in which the components are connected to one another and how they can move mutually determines the number of degrees of freedom of the robotic arm.
At its end, the robotic arm is equipped with a tool with which the robotic can carry out a task, such as hold or twisting anything.
A robotic arm is driven by actuators (type of electric motors). Inverse kinematics is used to calculate how the actuators have to move the tool at the end of the robotic arm to a certain position and orientation. The movement of a robotic arm is subject to movement planning.
A robotic arm can be manually controlled through the control panel or a robotic arm can be programmed to perform tasks independently.
In health care, the robotic arm is also used as a tool. Thus it can be used to help people with disabilities, as a result of a spinal cord injury, muscular dystrophy, cerebral palsy, neurological disease, or old age. The purpose of the robotic is to increase independence for those who depend on many everyday actions of a caregiver. The robotic arm also influences the quality of life in a positive way, because a human being by nature wants to be autonomous.
A well-known application of robotic arms is the industry: for the production of all kinds of products, robotic arms are used to automate processes. Robotic arms are usually used for 3D jobs: Dull, Dirty and Dangerous, jobs too dull, dirty, or dangerous for humans. Robotic arms are used for example in factories with a conveyor belt to weld parts together.
The first industrial robotic arm, Unimate, was inaugurated in 1961 in the General Motors plant in New Jersey. He was used there in casting iron.
Certain spacecraft, including exploration robotics, space stations, and space shuttles, possess a robotic arm to perform tasks. These are remotely controlled, or in the case of manned spacecraft, by the astronauts on board the spacecraft.
Robotic arms are now also used in amusement parks to entertain visitors. These attractions, known as Robocoasters, make use of one or more robotic arms to move the passengers back and forth. The first Robocoaster was inaugurated in 2003 at Legoland Billund in Denmark. Other parks where Robocoaster is found are Legoland in Germany and the French Futuroscope.
Use free sample research papers on robotic arm to learn more on the topic.
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Look at your comment from last time. Click on the Reply button below your comment, and tell me which roll is cheaper based on unit price.
Please tell me the unit price for each of these rolls of tape. Send you answer as a comment below.
What if I need only 8 yards of tape? Which will be cheaper or less money?
What if I need 50 yards of tape? Which one will be cheaper?
Which of these rolls of tape is cheaper? Why? Send me a comment with two sentences about this.


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QR Memory Markers
HEINZ RUSCHE (67)
Suddenly and without a warning, my husband, our dear father and grandfather passed over to a better place on September 28, 1988.
Born on April 27, 1921 in Burg, close to Magdeburg, province of Sachsen, he worked as a typesetter until joining the Navy in 1935. He married his wife Hildegard, a sales associates in a large department store chain in 1949 after returning as a POW from Sibiria. Their marriage produced two boys: Heinz-Joachim and Michael.
Heinz was a Career Naval officer and settled with his family in the coastal town of Wilhelmshaven. He enjoyed his work at the Navy and he simply loved the sea. After his honorable discharge in 1976 he and his wife enjoyed retirement, visiting many European Countries and the Mediterranien coastline.
Heinz found a final resting place at the Semetary Friedhofstrasse until his last will surfaced, many years later, which indicated that he would liked to be buried at sea. His cremated remains were exhumed in 1999 and his ashes were given to the endless body of water of the North Sea in a private ceremony by her family. (back to portal)
www.QRMemoryMarker.com is part of www.PhillipsEnterprises US


A textile weaving unit requires Assistant Mangaer Marketing (Male / Female) to be based at its Head Office in Lahore.
Must be graduate minimum 5 years of experience in similar potion in textile weaving sector.
Interested candidate may apply in full confidence along with their CV, CNIC and recent passport size photograph before February 2, 2012.


Recently, I was given a box of darkroom ruminants. The box smells quite fusty so I am guessing its not been stored very well. Inside was a box of KodaLith Ortho Film expiry 1986. The first few sheets showed tell tale signs of mould on the emulsion but as I got further into the pack, they were not quite as bad.
I loaded a sheet into the 4x5 holder and made a 6 second exposure of these roses. The film was then tray developed under safelight and I snatched it out after 90 seconds keeping an eye on the highlights as they came up in the developer.
This is a straight scan using VueScan.
I realise this is a technical test but if I may make an aesthetic comment, the pattern on the vase is very intrusive. Has its contrast been increased by the orthochromatic film?
I know very little about this film apart from it was designed for graphic arts, stencil drawings etc so I am guessing that by default, its going to be pretty contrasty.
Also, regarding the contrast, ortho film can display various levels of contrast depending on the available light at the time of shooting. I faced this often when playing around with x-ray film.
That has a fine, alternative process look to it. Will you be be doing more in the same style?
There seems to be a shadow around the edge, following the shape of the holder, that I don't understand. Reflection from the edge would create a lighter area. It was on the first one, too.
Yea I noticed on the other one also, not sure where its coming from, the only thing I can think of is that its happening during the tray process, maybe my agitation is not correct.
It's hard to see how processing would produce a mark that follows the contours of the film holder. It looks like a shadow cast from each side. Is it possible that there's a very small light leak caused by the film holder not sitting perfectly in the back of the camera, or the back itself not sitting perfectly on the camera? Both seem unlikely, but the only thing I can think of. Everything else seems fine and very pleasant.
I looked more closely at this last night. Not sure if you are familiar with this type of film but its thickness is probably 50% less than conventional film so I am thinking is the gap between the film and the holder.
Ian, I am very taken with this second photograph. I think it's one of the best things you have put on here. Can you give us some details? How did you achieve the very nice colour? What lens did you use to take it? Talk us through it!
For the lens I used a Zeiss Anastigmat lens using both front at Rear cells which from memory gave me a focal length of around 220mm and I set the aperture around f/11. I say around because the closest marking on the lens was f/12.5.
The subject was in the conservatory with very even lighting so I just took an incident reading which gave me 8 seconds based on an ISO value for the film of ISO 3. I never bothered about any reciprocity but did add a little more exposure for the bellows extension about 4 seconds more.
The film was then developed under red safelight in Ilford MG developer diluted to 1+20 for 2 minutes.
After it had dried, it was scanned on the Epson V800, imported into Photoshop where I added the colour. No other adjustments were made.
Interesting looking lens. I've got a couple of brass barrel lenses, focal length 8 inches. One is a Beck symmetrical, the other nameless. They cost next to nothing. I think I paid £12 for them and the price included a beat-up old half-frame field camera. No name, beautiful mahogany, and brass. Bellows hanging off. I made a new bellows, fixed the camera up, and altered the back to take modern 5 x 7 filmholders.
I found the lenses prone to flare when used outside in sunny conditions. But your photo has got me thinking about doing some still-life work. Less flare in soft indoor light, maybe.


text:
EJMO. 2020; 4(2): 179-181 | DOI: 10.14744/ejmo.2020.72142
Cytokine-targeted therapy in severely ill COVID-19 patients: Options and cautions
Marveh Rahmati1, Mohammad Amin Moosavi2
1Cancer biology research center, Tehran University of Medical Sciences, Tehran, Iran., 2Department of Molecular Medicine, National Institute of Genetic Engineering and Biotechnology, Tehran, Iran.,
Dear Editor, The understanding of the cytokine storm mechanism(s) and its profile are crucial to developing effective therapeutic interventions in COVID-19. In this line, cytokine storm blockers and immune-host modulators are currently being applied in severely ill COVID-19 patients to cope with the overwhelming inflammation. However, most of the current reports highlighted different elevated cytokine patterns among severely ill COVID-19 patients, suggesting that more care should be taken before immunosuppressive therapy by cytokine blockers in COVID-19. Here, we summarize the more common cytokine profiles and cytokine-targeted therapy approaches that have been reported for severe COVID-19 patients. Finally, we underscore the urgent need to identify a precise cytokine panel before the administration of selective immunosuppressive therapy. Coronavirus disease 2019 (COVID-19) is an infectious disease caused by severe acute respiratory syndrome coronavirus 2 (SARS?CoV-2) with the symptoms including fever, dry cough and shortness of breath [1, 2]. Most COVID-19 patients will develop mild to moderate symptoms, while some infected people may face to hyper-inflammation induced by massive cytokines/chemokines production, called as cytokine storm, which may lead to fatal pneumonia and acute respiratory distress syndrome [1, 2]. Although, there is no specific antiviral therapy for COVID-19, understanding of cytokine storm mechanism in this disease can help to speculate possible therapeutic interventions [3]. Current reports have presented different cytokine profiles in patients with severe COVID-19 [1, 4-9]. For example, the higher levels of interleukin (IL)-2, IL-7, IL-10, tumor necrosis factor (TNF), granulocyte-colony stimulating factor (G-CSF), interferon gamma-induced protein 10 (IP-10; CXCL10), MCP-1 (CCL2) and MIP-1A (CCL3), but not IL-6, have been first shown in intensive care unit (ICU) patients compared to non-ICU patients [1]. Subsequent studies revealed the contribution of other cytokines, including IL-1?, IL-1ra, IL-2R, IL-6, IL-8 (CXCL8), IL-17, interferon (IFN)-? and GM-CSF (granulocyte-macrophage colony-stimulating factor), during severe COVID-19 infections [4, 5, 8, 9]. Figure 1 displays the protein-protein interaction between these cytokines/chemokines. In most existing reports, the elevated levels of several cytokines/chemokine (ie., IL-6, IL-10, IFN-?, TNF and IP-10), have been greater emphasized in severely ill (ICU) COVID-19 patients than mild to moderate (non-ICU) group [1, 4-7]. Involvement of the T helper 2 cytokine IL-10, that suppresses inflammation, is a prominent feature of all reports, and an imbalance and/or exhaustion of T cells may be also involved. [1, 10]. Several approaches, including global targeting of the inflammation or neutralizing a single key inflammatory mediator, are being employed to cope with cytokine storm in COVID-19. Among key cytokines, IL-6 has attracted high levels of interest and antibodies that block the IL-6 receptor (tocilizumab and sarilumab) are currently under phase 2/3 clinical trials for the potential treatment of COVID-19 [2]. Targeting IFN-? is another promising approach, which has been highlighted by launching a clinical trial for JAK–STAT inhibitor (ruxolitinib) for controlling COVID-19 severity. [11] TNF acts upstream of IL-6 and anti-TNF therapies previously revealed protective effects in lethal SARS-CoV infection [12]. Several TNF-blocking antibodies (eg., adalimumab, etanercept, and golimumab) are successfully used to treat inflammatory diseases, and these therapies have been urgently recommended for the hospitalized COVID-19 patients [13]. IL-10 is likely upregulated to counter overwhelming infection during SARS-CoV-2 infection, but it may be also involved in the infiltration of inflammatory cells and lung fibrosis [14]. IL-10 blocking, alone or in combination with programmed cell death protein 1 (PD-1), is promising for reinvigorating exhausted T cells and may control COVID-19 pathogenesis [10]. Despite the benefits, there are still disadvantages, such as the development of chronic inflammatory disorders, thus more experimental studies should be done to clarify whether overactivation or ablation of IL-10 could be helpful for severe COVID-19. In some countries, including Iran and Turkey, tocilizumab is a recommended therapeutic strategy for ICU patients with severe COVID-19 [15]. However, it should be note that the elevated IL-6 levels, in common with other cytokines such as TNF, have no specific pattern in all severe COVID-19 patients, so that their levels were not associated with the disease severity in some patients [1, 4, 5]. Therefore, as patients with severe COVID-19 represent the differential cytokine patterns, more care should be taken before immunosuppressive therapy by cytokine blockers in COVID-19. This is important that the doctors evaluate a cytokine panel, at least including IL-6, IFN-?, and TNF-?, to precisely identify the needs of each patient before administration of selective immunosuppressive therapy. Obviously, a combination of immunosuppressive therapy with antiviral therapies that diminish virus titer should be also into account. Declaration of interests The authors declare no conflict of interest. Keywords: Covid-19 , SARS-CoV-2 , cytokine storm References: [1] Huang C, Wang Y, Li X, Ren L, Zhao J, Hu Y, et al. Clinical features of patients infected with 2019 novel coronavirus in Wuhan, China. Lancet. 2020;395:497-506. [2] Zhang C, Wu Z, Li J-W, Zhao H, Wang G-Q. The cytokine release syndrome (CRS) of severe COVID-19 and Interleukin-6 receptor (IL-6R) antagonist Tocilizumab may be the key to reduce the mortality. International Journal of Antimicrobial Agents. 2020:105954. [3] Zumla A, Hui DS, Azhar EI, Memish ZA, Maeurer MJTL. Reducing mortality from 2019-nCoV: host-directed therapies should be an option. Lancet. 2020;395:e35-e6. [4] Li B, Feng F, Yang G, Liu A, Yang N, Jiang Q, et al. Immunoglobulin G/M and Cytokines Detections in Continuous Sera from Patients with Novel Coronaviruses (2019-nCoV) Infection. Infection Available at SSRN. 2020. [5] Zhou Y, Fu B, Zheng X, Wang D, Zhao C, Sun R, et al. Pathogenic T cells and inflammatory monocytes incite inflammatory storm in severe COVID-19 patients. National Science Review. 2020. [6] Yang Y, Shen C, Li J, Yuan J, Yang M, Wang F, et al. Exuberant elevation of IP-10, MCP-3 and IL-1ra during SARS-CoV-2 infection is associated with disease severity and fatal outcome. medRxiv. 2020. [7] Gong J, Dong H, Xia SQ, Huang YZ, Wang D, Zhao Y, et al. Correlation Analysis Between Disease Severity and Inflammation-related Parameters in Patients with COVID-19 Pneumonia. medRxiv. 2020. [8] Zheng H-Y, Zhang M, Yang C-X, Zhang N, Wang X-C, Yang X-P, et al. Elevated exhaustion levels and reduced functional diversity of T cells in peripheral blood may predict severe progression in COVID-19 patients. 2020:1-3. [9] Wan S, Yi Q, Fan S, Lv J, Zhang X, Guo L, et al. Characteristics of lymphocyte subsets and cytokines in peripheral blood of 123 hospitalized patients with 2019 novel coronavirus pneumonia (NCP). Medrxiv. 2020. [10] Saeidi A, Zandi K, Cheok YY, Saeidi H, Wong WF, Lee CYQ, et al. T-cell exhaustion in chronic infections: reversing the state of exhaustion and reinvigorating optimal protective immune responses. 2018;9:2569. [11] Stebbing J, Phelan A, Griffin I, Tucker C, Oechsle O, Smith D, et al. COVID-19: combining antiviral and anti-inflammatory treatments. 2020. [12] Channappanavar R, Fehr AR, Vijay R, Mack M, Zhao J, Meyerholz DK, et al. Dysregulated type I interferon and inflammatory monocyte-macrophage responses cause lethal pneumonia in SARS-CoV-infected mice. 2016;19:181-93. [13] Feldmann MM, RN; Woody, JN; Holgate, ST; Winter, G; Rowland, M; Richards, D; Hussell, T. Trials of anti-tumour necrosis factor therapy for COVID-19 are urgently needed. Lancet. 2020. [14] Sun L, Louie MC, Vannella KM, Wilke CA, LeVine AM, Moore BB, et al. New concepts of IL-10-induced lung fibrosis: fibrocyte recruitment and M2 activation in a CCL2/CCR2 axis. American Journal of Physiology-Lung Cellular and Molecular Physiology. 2011;300:L341-L53. [15] H. K. Successful Treatment Strategy of Turkey against Covid-19 Outbreak. Eurasian Journal of Medicine and Oncology.177-8.
Rahmati M, Moosavi M. Cytokine-targeted therapy in severely ill COVID-19 patients: Options and cautions. EJMO. 2020; 4(2): 179-181
Corresponding Author: Marveh Rahmati


This tart is a tried and tested recipe that I made last Christmas and wanted to make again to share with you all, I'd always thought pandoro's (panettone's softer fruitless brother! Aldi do a great one for just £2.99) looked really interesting but wasn't sure it was that exciting just by itself. So I went searching for something different and came across this bread and butter pudding tart recipe but tweaked it by using pandoro instead of panettone.
If you haven't had pandoro before, it's like a lighter brioche, mixed with the inside of a buttery croissant, so good! This recipe is definitely a good festive one if you've got people coming round, I think it looks great and tastes even better! The melted chocolate and crunch of the Demerara sugar makes this so special! It cuts in slices too and doesn't just fall about all over.
1. Preheat the oven to 180°C/350°F/gas 4. Lightly grease a 28cm loose-bottomed tart tin or any flan/quiche tin. Put 2 tablespoons of the demerara sugar into the tart tin and shake around to coat.
2. Slice the edges off the pandoro in strips and use them to line the base and sides of the tart tin, pressing down hard to compact and create a pastry-like shell.
3. Next in a pan on a medium heat add the cream, milk, vanilla and butter, and simmer for 5 minutes or until the butter has melted. Meanwhile, in a large bowl, whisk the eggs and golden caster sugar for 2 minutes, or until smooth. Whisking constantly, add the hot cream mixture to the bowl until combined.
4. Pour one-third of the custard into the base of the tart and leave to soak in for a couple of minutes. Meanwhile, tear up all the remaining panettone into rough chunks, soak them in the bowl of creamy custard for a minute or two, then layer up in the shell you've created, snapping up and adding little chunks of chocolate between the layers – there's no need to be neat about it, you want a range of heights, saturation and textures.
5. Pour over any leftover custard, leaving it to soak in if necessary, then sprinkle with the remaining demerara sugar. Bake for around 30 minutes, or until set. Allow the pudding to rest for 10 minutes, then serve with cream, custard or ice cream, it's delicious cold, too, if you've got any leftovers!
Pandoro sounds delicious, I love baking so I'll have to try this recipe!


text:
Book Review: Windows & Stones by Tomas Tranströmer
By Mike Walker
Windows & Stones: Poems by Tomas Tranströmer
translations from the Swedish by May Swenson and Leif Sjöberg
Pittsburgh: University of Pittsburgh Press, 1972; reprint, 2011
Tomas Tranströmer, with his reception of the Nobel Prize for Literature in 2011, has gained something close to celebrity status in Europe and even the United States in the sense that only the Nobel can afford such status: long well-known in the literary world but not a household name to the general population, the Nobel has put him in the greatest spotlight any poet could desire. Now, people are wondering "who is this Swede who won the Nobel this year—and what has he written?". No time could be better to release a volume of his selected poems translated into English and that is exactly what the University of Pittsburgh Press has done, returning an updated version of its 1972 book of Tranströmer in English translation to the shelves. Windows & Stones is, and has always been, a perfect introduction to Tranströmer in English and as beautiful as the Swedish language is, it is not a majority language and Tranströmer has himself known for years that to reach the greatest readership he needs translations. To this end, he has taken his poetry to India, to the Middle East, to everywhere he could in person and in translation yet it is fair to say a good, short, yet comprehensive introductory volume in English translation probably will reach the most people worldwide. Thus, the stakes for this slim book are high, especially in the light of the Nobel.
First though, perhaps we should reflect for a moment on the Nobel Prize in Literature itself: though commonly considered the most important prize in the literary arts—the one even people outside of literary circles know of and admire—what do we know of the majority of men and women who have won it? These laureates, who are they? Of course, they include T.S. Eliot and Toni Morrison but how many remember or have even heard of Roger Martin du Gard? Like any prize given to a comtemporary, living, person, the Nobel to some extent is faulted by the very fact it doesn't have the longest span of time to take into consideration the lasting merits of those its honors, even though it does in general look at a writer's works over an entire career. Still, it cannot project what writers will be read in two or three decades let alone a full century and in contrast, those who will appeal mainly only to scholars and graduate students hunting fodder for their dissertations. In the sciences it is no different: the biochemist Kary Mullis saw the Nobel ceremony as a grand opportunity to practice his pranks and practical jokes that he had as a slightly awkward, sci-fi loving grad student play around the lab. (He teased security forces with a laser pointer when he went to to pick up his Nobel, for one thing.) The botanist and geneticist Barbara McClintock on the other hand did not even have a telephone in her Long Island home and was thereby fully unaware she had even been selected for the Nobel in Physiology or Medicine for her work on genetic elements of control until she walked into her lab Monday morning and heard the welcome news on the radio: "Oh dear" was supposedly the response of the matronly scientist. Aside from writers of fiction being awarded the Nobel for their efforts—that is, when a poet doesn't get it instead—the Nobel itself often appears in fiction, television, and the movies as a shorthand for the vast acumen of a character—normally a scientist—who has won it, for few things make for a marker of true genius like the Nobel.
So to see that Tranströmer's greatness, thus recognized by the most legendary of prizes, is broadcast far and wide and to as diverse and vast a readership as possible, we find publishers now doing the good work that Tranströmer the man has done his entire career of trying to get his poetry out there to the reader, the listener. Tranströmer is often praised as a writer adept at capturing the simple beauty and truths of nature in a nearly-religious tenor on the page, but he is no simple man. Trained as a psychologist, he practiced his profession as a clinician in adolescent psychology for a number of years while writing his poetry at night. He is also an accomplished pianist and his love of music has always worked in tandem with his efforts as a poet. Yet as much as someone like the farmer, laborer, and poet John Clare, Tranströmer infused his poetry with the material of his day job and while he may not have been out in the pastoral fields with ox and horse as Clare was, his experience with troubled young patients also come forth in his poems, often as an undercurrent of counterpoint to the grandness and godliness he finds in nature. To take up each day as one's work the problems of young patients who are bothered by demons and depressed, injured, damaged to the point of needing intensive professional help has to be a taxing venture; certainly, mental health professionals often seem to have one of the more thankless jobs in all of health care. Tranströmer was a man unknowingly ahead of his time, using an arts and medicine approach of therapy of the literary word before such was a trend—before entire journals were devoted to the application of literature as a healing modality.
So Tranströmer had his nature which he dearly loved—the natural landscapes and lakes of rural Sweden—but he also had his clinical practice and his piano. He never set out as a poet to become all things to all people, I think, yet he came very nearly close to that mark via the depth, scope, and long trajectory of his writing. Here was a man who wrote right through the entire time period of some of Western poetry's most crucial developments over the latter half of the twentieth century and he was aware of those trends and developments, to be sure, but he stood mostly apart from them and found his foundation in the pastoral views he shared in his own work. Tranströmer has been called a Christian poet, a religious poet, and he is in a sense but what most critics who offer him these titles really seem to mean is that he is a poet adept at touching on both the grandness of the natural world as observed by humankind and also the very complex inner world of emotion private to us mere humans who inhabit this grand sphere. Poets as diverse as John Clare and the Central Asian poet and mystic Ali-Shir Nava'i were men whom Tranströmer found to share a synergy between observed landscape (or cultural landscape) and the mental analysis of the same whether expressed via sound or words. He was not interested in the type of "modern" experimentation or confessionalism of many poets of the twentieth century yet explored the same ends via very different means: always a poet who showed more than he told, who spoke more of the general than the personal yet all the while maintaining the most personal, most humanistic and intimate realities within his commonality.
In a tradition approriate to that of a Christian poet, Tranströmer creates poems that regardless of their exact topic at hand always provide either insight, succor, or a furthering of our own sense of wonder. The everyday intersections of nature into our lives Tranströmer rebuilds as true wonders seldom seen, though these moments are endlessly availible to each of us just as they are to him, as he notes in his poem "Winter's Formulae":
I fell asleep in my bed
and woke up under the keel.
Thus the stage is set for adventure though with very few words: the keel of course conjures a boat, an older ship perhaps—and that Nordic love, lore, and need for seafaring, too. This verse is also a prime example of how Tranströmer sets up a sense of mystery in his writing; a sense of an unexacting yet alluring atmosphere where great promise of adventure is yet to come. There is, even in his advanced years and advanced verse, a boyish nature in Tranströmer's poetry: there is an element of desire—no, I would daresay even thirst—for new places and grand vistas, the exotic even if we must for now content ourselves to find such in the familar ground of home. Tranströmer's Sweden is the bridge and airport to an extended world and no matter where he writes—or writes about—he brings to his subject an especial sense of concern and delight. He is, verily, a man capable of falling asleep in his normal bed yet waking as if by some magic instead in a boat set to sea.
What I couldn't say
filled and grew like a hot-air balloon
and finally floated away through the night sky.
With these lines in the poem "To Friends Behind a Border" Tranströmer sums up the plight of anyone trying to reach someone who lives in a place where we cannot go, we cannot write to, we cannot get a letter or telephone call inside as that place is all locked up. Likewise, for anyone living within a nation where speech is censored and people are kept from open expression of their ideas, the same can be said: there is much that one cannot say due to borders such as these. During the horrible times of the Yezhovshchina under Stalin's rule when people—especially writers and other intellectuals—lived in great fear, such could well have been said, that all those words that couldn't be spoken, couldn't be written, couldn't be shared, seemed to drift off into the atmosphere somehow, free yet unknown.
However, as noble as Tranströmer's concern for those "behind borders" is, the really powerful aspect is how he deals with this topic while all the while adroitly applying the language of nature, the language of supple wonder he has employed time and again elsewhere. For him, it seems, there is no border between the personal and the political nor the natural and the poli-social. Such qualities without a doubt are a high part of what earned Tranströmer the Nobel. Another reason for the admiration of Tranströmer that brought him a Nobel plus scores of other awards and honors is his fluid longevity: over the years, the decades in fact, his poetry has both adapted to the times and concerns of the day but also retained his simple, humble, and very personal voice. Some of his poems—such as "The Name" where the speaker falls asleep in his car by the side of a road only to awake and not know his own name—seem like they could be the work of an older man dealing with dementia, yet this poem was written between 1970 and 1971 according to the book. The speaker considers his emergency a bit but "eventually my life comes back to me. My name reappears like an angel." It is classic Tranströmer: a man diverges from the expected course of daily life to take a nap in the middle of nowhere, in the backseat of his car in fact as a child might, only to awake and find he cannot recall who he is yet when he is restored to such knowledge, it is not only the escape from a psychological or medical crisis but an event of nearly holy, supernatural, powers and meaning. In poems such as "The Name", Tranströmer reminds me of much of the theorist and novelist Hélène Cixous' writing in her anthology Stigmata: Escaping Texts where she also concerns herself with an absence of names and their return and, as her title would suggest, how entire texts "escape" unseen, unheard. Like, Cixous, Tranströmer is very concerned with personhood, with what it means to have a name in the first place, a concern probably evolved to some degree out of his work as a clinical psychologist.
Somewhat separate but still very connected to Tranströmer's way with nature in his poetry is his manner in dealing with geography: for Tranströmer, like many northern Europeans, the world is very interconnected. When your own nation is as small as Sweden, travel to other neighboring nations is natural and to be expected. Most Swedes at least visit Denmark, if not further afield and holidays in France or the Balkans or elsewhere are not uncommon. Of course, the war years also greatly changed the European view of geography and Tranströmer's own generation saw an acute transformation of geographical ontology between the effects of war and the effects of new technologies such as telecommunications and air travel. Tranströmer, for his part, became adept at writing about nature—and people—whether in Sweden, Iceland, the Balkans or even Oklahoma. His constant, steady hand in description displays a control and mastership of his faculties as a writer that many other authors could learn from and a calm, sure, even, touch that a ship's captain or fighter pilot would envy. Critic Hephzibah Anderson felt that in awarding Tranströmer the Nobel, a writer who was little-known outside his native country won the most-respected of literary honors, however, if Tranströmer has been little-known, it has not been his own fault in the least. He has not only encouraged ample translations and promoted his own work, but has never cloistered his poetry away to the concern of Swedish or even Nordic places or topics alone. Branching out, as he is always it seems doing, he has taken in every place visited and even every letter exchanged with a far-off friend as possible material for the basis of a poem.
In February life stood still.
There, in one line, one opening to one short poem, we have a perfect example of the universal nature of Tranströmer's poetry yet of his firm grounding in Nordic climes and environs all the same. Life might well stand a bit more still in Lund than in Miami in February, but poems such as the one this line comes from, "Face to Face" speak in plain, sincere, secure, speech to the condition at hand as a universal one. To read Tranströmer in the Swedish is even more direct at most junctures, with his language being forward yet descriptive without leaning towards the overly verbose. May Swenson and Leif Sjöberg did a masterful job in finding English analogs for the type of plain-spoken language Tranströmer employed in his native Swedish and Windows & Stones demonstrates a very strong faithfulness to the tenor of how Tranströmer writes.
The tugboat is freckled with rust.
What is it doing so far inland?
It's a heavy, quenched lamp in the cold.
Thus opens "Sketch in October", one of the poems included in this collection that is perhaps most representative of how the world sees Tranströmer—the world that knows him, at least that is, if what Anderson claims carries any merit. We have the cold, the water, the physical items as metaphor of other tangible things, other objects that they in some hapless way come to resemble. This last point is not an aside, as in much of Tranströmer's writing we locate cases—such as the tugboat—where one object appears more like another and most often it is some object that in its own inaction it comes to resemble more something else, often something smaller, something less mobile or less powerful than it should in its own powers convey. On a good day, a tugboat is after all the one part of the puzzle that allows a massive cargo ship or tanker to enter a port without a mishap; it is the literal guide in unknown, dangerous, waters. A tugboat found inland, away from its normal port and duties, would in fact be as listless and worthless a creature as a table lamp turned off and even rolled over on its side. (The original Swedish can be translated in fact to suggest the lamp is upended as well as "heavy", but in this case our translators ignored this aspect—one of the few cases in these translations where I found them somewhat wanting.)
Another powerful aspect of Tranströmer's word-smithing is that he is keen to see man-made objects within natural surroundings in a pragmatic, direct, manner without losing the heart of the poet about it, either. Something as mundane yet essential as a tugboat is not made ugly for ugly's sake nor is it exalted but instead is cast into its role and duties with a no-nonsense approach that would make a logistics officer or accountant proud. Each bird, each airplane, each train, each road, each hill, each stream or creek to yet be forded or crossed with a sure bridge—they're all fair game for our poet. Tranströmer approaches the world as a whole, just as it actually is, as a place to explore, record, and tell about later. This is why his poems, though often quite short and lean on details, seem robust and full. He will start off a poem with words such as "lying on his back under tall trees", as he does in "Breathing Room: July" that are personal, inviting, and uncomplex. In a sense, he conjures all those inviting vistas every landscape painter and every New Age musician has desired to create in our minds—places beautiful but ones we could with ease position ourselves right into in a most inviting way. Tranströmer's high success rate in this regard is made manifest by his uncanny ability to discern exactly what such pastoral, personal, experiences entail. After the stroke he suffered years ago, one might fear he would have lost some of his faculty towards such empathy but instead his poetry did not appear to suffer at all from his physiological losses and in fact may have become all the more nuanced.
In all, though covering only a portion of his career, Windows & Stones presents Tranströmer's writing in a select yet comprehensive, short yet fit, manner that should invite the reader to explore this poet further. The Nobel Prize will without doubt serve as a fine catalyst for more translations, criticism, and exploration of the Swede but I can think of no finer a point to open his pages than here, with this book. Tranströmer the sublte, Tranströmer the lover of nature, Tranströmer the humble yet steadfast diplomat on behalf of a poetic nation of his own creation—all these men step forward in this volume. While this book will not fill the complete need for translations of Tranströmer in English, we would truly be impoverished without it.
Filed under: Book Review, Mike Walker, Poetics, Prose


text:
Used Chevrolet TrailBlazer for Sale in Murfreesboro, TN
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Chevrolet TrailBlazer Owner Ratings & Reviews
2005 Chevrolet TrailBlazer - Being an animal lover and owning a vehicle with a lot of interior space makes life a little easier.
Newport, Tennessee
My vehicle, while a 2005, is still in great working shape. The height clearance makes living on a gravel road not as intimidating as it would be with a normal vehicle. Although, I have had to buy tires a few more times than I would have liked to over the past few years. the interior still looks very well. Mainly because I keep it clean. The radio, CD player and windows still work flawlessly. The windshield wipers haven't had any issue in the time frame that I have owned the vehicle. I do have a cracked front window, but I feel that most older vehicles come with battle scars like this. The replacement parts for vehicles like this aren't too hard to find. Therefore they can easily be replaced in the event that something happens. The vehicle also has great height clearance when driving do... (more)
My vehicle, while a 2005, is still in great working shape. The height clearance makes living on a gravel road not as intimidating as it would be with a normal vehicle. Although, I have had to buy tires a few more times than I would have liked to over the past few years. the interior still looks very well. Mainly because I keep it clean. The radio, CD player and windows still work flawlessly. The windshield wipers haven't had any issue in the time frame that I have owned the vehicle. I do have a cracked front window, but I feel that most older vehicles come with battle scars like this. The replacement parts for vehicles like this aren't too hard to find. Therefore they can easily be replaced in the event that something happens. The vehicle also has great height clearance when driving down or up gravel roads. The fairly big wheel size is great in the winter to help from getting stuck. There appears to be only minimal sound coming from the vehicle, nothing to be alarmed about. The gas mileage is probably on the normal side of things too. All in all, I find the overall rating of the vehicle to be pretty good, and I would buy it again if it was presented to me when I am in the market for a new vehicle.
It was the vehicle that I was able to get my cat to the vet in. If it had not been for it, I wouldn't have been able to get him there and could have caused greater problems.
Runs great, height clearance, open interior and all the electronics still work after being this old.
The gas mileage is a bit more than I would want. Having to buy tires more frequently and the rattle that comes from the spare tire holding bay.
2002 Chevrolet TrailBlazer - Surprisingly reliable after 15 years.
Harrison, Tennessee
On purchase I really liked the design. Car is surprisingly reliable despite being the first of it's model as it usually comes with issues. Everything seems to have held up rather nicely after 15 years. I purchased it used from my parents and it was always taken care of. I believe this helped with the longevity of the vehicle.
Taking the car on random road trips with friends while in college. Taken it to various football games all over the south, on beach trips to Florida and South Carolina, and to The Masters! Always proved reliable and was spacious enough to get by.
Design of car was rather modern. Vehicle has over 250,000 miles on it and has yet to have any major mechanical problems, just normal wear and tear on the vehicle as expected. The interior of the vehicle has also mostly held up. No headliner issues, no leaks, upholstery is still fine, and the carpet is fine. Vehicle gets decent enough gas mileage for its type.
Steering wheel material has slowly broken down. It's gotten kind of gummy and is falling apart. The engine was always rather noisy, it almost sounds like a diesel. It does have issues with the heating and air conditioning. Seems to be a common problem that the gears strip and only certain vents do what they should. The others just spit out hot air. Only other issue is the wiring harness on the back hatch breaks after being lifted and shut over time and needs replacing.
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This term the book of Kings asks us an important question: what do you want?
Working out how to get what we want in life is hard. And we spend a lot of time on that. But the question of what we want in the first place is deeper. And more important.
Answering this question well will save us the pain of the struggle to gain something that won't satisfy anyway.
Youthchurch is a local church of youth who love getting to know God and ourselves, and loving our world together.
November 8, 2018 School's OUT!


text:
Sky to 'completely change' the way it reports ratings
27th September 2017 @ 12:24
Zai Bennett
Sky is set to "completely change" the way it measures and reports on the performance of its programmes, claiming that overnight ratings "don't tell the full story".
In an open letter published today, Sky UK's director of programmes, Zai Bennett, claimed that when it releases a new TV series on-demand, alongside a traditional week-by-week transmission, more than 60% of its audience can be "completely missed in official figures".
He said that the operator's new focus would be on 'seven day cumulative audience' figures, which are available from BARB around two weeks after an TV episode first airs.
This will capture all linear broadcast viewing, including repeats, as well as most catch-up and on-demand viewing through a TV set, including those watching through Now TV.
"The way the industry reports on TV viewing ultimately means that we're under-selling ourselves," said Bennett. "We need to be more transparent."
Sky said it has been testing the new measurement system for two weeks and has already seen a dramatic difference in ratings scores – for instance with its new drama series Tin Star.
Episode one of Tin Star had an overnight audience of 342,000, but was actually watched by more than 1.6 million people, with 323,000 views coming through the Sky Go and Now TV apps, according to Bennett.
"Tin Star has only just been released, so these figures are still being collated," he said. "But we already know that more than half a million people have binge-watched the entire 10 episodes on demand through their set top boxes. And the majority of this viewing won't be captured by BARB at all."
Bennett said that while Sky is supportive of BARB and its work with Project Dovetail to improve the way that TV viewing is captured, there are nevertheless "gaps" in the audience numbers that the industry uses.
"The way that the industry talks about TV viewing isn't reflective of the ways that people are watching today," said Bennett. "The norm is to focus on an overnight audience or, at most, a seven day consolidated audience, but we feel that these just don't tell the full story."
"Overall, this issue isn't something that just affects us as a business, it affects the whole industry. I'd encourage other broadcasters to also use a more transparent viewing picture, so we all have a more accurate sense of the shows that have really captured the public's imagination."
Tags: BARB, ratings, Sky, Zai Bennett
Sky offers mobile TV without use of data allowance
Sky to build new innovation centre in London
Italian watchdog to probe Mediaset-Sky deal
Sky to end 10-year involvement in UK cycling


text:
Q: How to create singleton DB instance I referred a few code samples of how to create go singleton but I wish to have methods in those and call them on their singleton reference. My Code is as follows
package dbprovider

import (
    "github.com/jinzhu/gorm"
    _"github.com/jinzhu/gorm/dialects/sqlite"
    "rest/article"
    "log"
)

type DBOperations interface {
    AddArticle(article *article.Article)
}

type DBManager struct {
    db            *gorm.DB
    isInitialized bool
}

var dbManagerInstance = new()

func GetDBManager() DBManager {
    return dbManagerInstance
}

func new() DBManager {
    localDbRef, err := gorm.Open("sqlite3", "../articles.db")
    if (err != nil) {
        panic("Error initializing db")
    } else {
        log.Print("DB Initialized successfully")
    }
    return DBManager{db:localDbRef, isInitialized:true}
}

func (dbManager DBManager)  AddArticle(article article.Article) (err error) {
    if (dbManager.isInitialized) {
        tx := dbManager.db.Begin()
        //dbManager.db.NewRecord(article)
        //dbManager.db.Commit()
        tx.NewRecord(article)
        tx.Commit()
        errs := dbManager.db.GetErrors()
        if (len(errs) > 0) {
            err = errs[0]
        } else {
            log.Print("No error in this transactions")
        }

    }
    return
}

With a new answer I have updated this question including answer. But I have a few queries. How to cathc and return exception from gorm.Create(..)

A: One way is to create an exported interface with the methods, and make the implementing type unexported. Create a global variable of the interface type, and initialize it with a package init() function. You don't need any synchronization as the package init() function will run only once, safely.
Package init() functions are executed once, automatically, by the runtime, before you could refer to anything from the package. For details, see Spec: Package initialization.
For example:
package dbprovider

type Manager interface {
    AddArticle(article *article.Article) error
    // Add other methods
}

type manager struct {
    db *gorm.DB
}

var Mgr Manager

func init() {
    db, err := gorm.Open("sqlite3", "../articles.db")
    if err != nil {
        log.Fatal("Failed to init db:", err)
    }
    Mgr = &manager{db: db}
}

func (mgr *manager) AddArticle(article *article.Article) (err error) {
    mgr.db.Create(article)
    if errs := mgr.db.GetErrors(); len(errs) > 0 {
        err = errs[0]
    }
    return
}

Using it:
import "dbprovider"

if err := dbprovider.Mgr.AddArticle(someArticle); err != nil {
    // Handle error
}

You could also do it without an init() function, e.g.:
var Mgr = newManager()

func newManager() Manager {
    db, err := gorm.Open("sqlite3", "../articles.db")
    if err != nil {
        log.Fatal("Failed to init db:", err)
    }
    return &manager{db: db}
}

With this you may decide to make newManager() exported and users of your package could decide to use the shared Mgr instance, or they could create another Manager, e.g. for testing purposes.
Notes: Mgr is an exported global variable, and it is possible to assign a new value to it by other packages (e.g. dbprovider.Mgr = nil). If you want to avoid this, you have to make it unexported, and provide a "getter" function for it, e.g.:
var mgr = newManager()

func Mgr() Manager { return mgr }

And using it:
err := dbprovider.Mgr().AddArticle(someArticle)

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Currently the Head of Development at Avanti Media, Angela has 14 years' experience producing, directing and developing documentaries for television. In 2017, she decided to branch out into the world of independent filmmaking, and produced and directed her first independent short film, Bachelor, 38. She is currently developing her first independent feature.


Animals! #AJChallenge Day 4. One of my favorite subjects, but I find that I don't do many animal drawings really. Not unless it is part of an assignment or challenge. I am thinking that I will add animals to be subject matter for this year. They aren't easy, so lots of concentration required. A good thing. Today I got the year right!
This cat was hanging out in Castine in front of Markel's bakery last summer. She had such a personality. You could tell she was really engaged by everyone coming by. I think that she was mostly interested in our dog Big and that is why she looks so intense. I took a bunch of photos of her, I think I will do a few more sketches of her. Good practice.
This entry was posted in Uncategorized and tagged #ajchallenge, animal, castine, cat, drawing, graphite, maine. Bookmark the permalink.
I love that bakery! You did an amazing job with this cat!!
Markels is awesome! We spend way too much time and money there in the summer and fall!
Hi, what challenge are you doing, if you don't mind me asking? This one is lovely!
I'm so far behind on commenting and keeping up. Cats are so hard to draw, to get the proportions right, and this has such a freshness.


text:
Mayor sets out impact of Government spending review on London
Mayor of London Boris Johnson held a rare City Hall press conference this afternoon to set out how the government's review of public spending would impact on the capital.
Mr Johnson repeated Chancellor George Osborne's announcement, made earlier in the Commons, that Crossrail would proceed unaltered and three tube line upgrades would be go-ahead, but was unable to rule out increasing the Council Tax precept to protect policing levels in the capital.
The decision to proceed with Crossrail in full was welcomed by business leaders in the capital.
Baroness Jo Valentine, Chief Executive of London first, which represents major London firms, said: "Today's announcement of continued investment in Crossrail and the Tube is a positive and welcome response from Government to the well evidenced view of London business, that infrastructure investment is vital to growth."
Baroness Valentine said it was now up the Mayor and Transport for London to "squeeze down costs, consider new financing and funding models, in order to minimise inevitable increases in fares and charges to passengers and road-users."
The Mayor also used his press conference to announce that fares in the capital would increase for the third year in a row with a single bus journey set to rise to by 10p to £1.30. When Mr Johnson became Mayor the same fare was just 90p.
On the Tube the Zone 1 pay as you go fare will also increase by 10p to £1.90 while "overall" Travelcard season ticket prices will go up by RPI plus two per cent.
There are also increases on London Underground, DLR and London Overground fares. On all three transport modes the pay as you go fare for journeys within a single zone will increase by 10p while the cost of a 6 zone journey will increase from £4.20 in peak-time to £4.50 and off-peak from £2.40 to £2.70.
A 4 zone cash fare which includes travel within zone 1 will increase by a £1 on all three services while a five zone journey excluding zone 1 will increase from £3.50 to £5.00.
Transport for London say the average increase is equal to RPI plus two per cent, the minimum level of increase signalled last year.
Passenger watchdog London TravelWatch, itself under threat from spending cuts, said it was "very concerned that people are being priced off public transport" and warned the announced increases "will hit Londoners hard."
The new fares were announced as Mayor Johnson revealed that TfL's overall funding from the Department for Transport is to fall by £2.17bn over four years.
However the Mayor had some good news to announce, confirming that the capital's extensive line-up of concessionary fares would continue "in their entirety."
In a statement issued by City Hall after the press conference the Mayor said: "Throughout the tough negotiations over London's transport funding, I have also been determined to ensure that fares in London continue to deliver excellent value for money and that has been achieved. On the buses, the average fare per journey, including concessions, will be just 60p, compared to an average typical bus fare of around £1 in other UK cities."
Despite imposing a further fare increase, the Mayor confirmed that the Western Extension Zone of the Congestion Charge is to be scrapped this Christmas, a move TfL's own figures show will cost the organisation £55m per year.
Defending the abolition of the extension, Mayor Johnson said "the people of west London had the Western Extension unfairly foisted upon them and they have now voiced their antipathy for it loud and clear on several occasions."
The Mayor said it was "essential" that the remaining charging zone "continues to do what it says on the tin and remains a deterrent to all but essential journeys" and confirmed that the daily charge for vehicles entering the zone would increase two pounds to £10.
Drivers can benefit from a £1 discount by signing up for the direct debit based 'CC Auto Pay' scheme which will auto-deduct funds whoever their vehicle enters the zone.
The Mayor's announcement on the scrapping of WEZ was welcomed by Liberal Democrats on the London Assembly who said the extension "was a serious mistake from the very outset."
However the Campaign for Clean Air in London called the decision "astonishing" and claimed it "would result in the daily limit value for dangerous airborne particles (PM10) being breached in the WEZ area in 2011."
TfL's briefing document says pollutants "are predicted to increase slightly as a result of the removal…but it is not predicted that this would prevent London from meeting PM10 legal limits by 2011."
There was further condemnation of the decision from Green Party Assembly Member Darren Johnson who said the lost revenue "could have helped the Mayor introduce measures to reduce air pollution in London."
Mr Johnson warned the result of the decision "could be more premature deaths from polluted air and an increase in the number of preventable deaths and injuries on our roads as road safety budgets are cut."
Asked by journalists whether an overall lower funding settlement would require him to increase the Greater London Authority's Council Tax precept to safeguard police numbers, the Mayor refused to rule out the possibility. Since taking office in 2008 Mr Johnson has made much of his freezing of the precept, and currently lists it on his re-election website as once of his achievements in office.
Mayor Johnson, who previously told the London Assembly he would mount a "Stalingrad-like defence" of the capital, dismissed suggestions that the funding settlement was the "bare minimum" any Government would have offered.
Ken Livingstone, Labour's 2012 Mayoral candidate, claimed his successor had "failed to protect" Londoners who he said would now endure "painful" cuts.
Tagged With: Fares


text:
Construction injuries fall as city gets tough on safety
by REW December 6, 2019 December 4, 2019 01115
Accidents on major development sites are down 26 percent even as the number of permits issued has continued to rise.
New York City development sites are getting safer, according to the latest numbers from the Department of Buildings.
While the construction boom continues unabated, the number of workers injured during the construction of buildings has fallen by over one quarter since the beginning of this year.
"The backbone of New York City's construction industry are hard-working people in the building trades hoping to earn a good day's pay and make it home safely," said Mayor Bill de Blasio.
"Taking care of those workers' safety is our top priority, so it's great to see that while scaffolding continues to go up across all five boroughs, construction injuries continue to decline. And thanks to continued proactive inspections and new training requirements, I'm hopeful construction-related injuries will become as rare as a vacant lot in Midtown."
de Blasio was joined by Deputy Mayor Laura Anglin, and New York City Department of Buildings (DOB) Commissioner Melanie E. La Rocca to announce that injuries during the construction of buildings declined more than 26 percent in January through October 2019 compared to the same period last year.
Mayor Bill de Blasio
The injury decline comes as permits for major construction projects increased slightly over the same timeframe.
Deputy Mayor Anglin said,"Since the DOB launched its new Construction Safety Compliance Unit, we've seen significant decreases in injuries while maintaining continued growth in construction across the city. We must continue to build off this year's success so that all construction workers can get home safely to their families."
Buildings Commissioner Melanie E. La Rocca added, "Injuries are down even as the city's construction boom continues, which is welcome news for workers and their families — and a sign that our focus on proactive enforcement and safety training requirements are having a real impact. Our commitment to workers is simple: everyone who leaves for the job site in the morning deserves to come home safely at night. We are going to keep up the pressure to drive these numbers down further and make safety the highest priority on every construction site," said
Injuries on construction sites decreased from 657 in the first ten months of 2018 to 483 through October of this year, a decline of 26.5 percent.
DOB issued 16,322 permits for major construction projects from January through October 2018, versus 16,291 such projects permitted in the same period of time in 2019. (Major projects are new buildings, major alterations of existing buildings, and demolitions.)
The decrease in injuries comes after the launch of DOB's Construction Safety Compliance (CSC) Unit, dedicated to conducting proactive, unannounced inspections of major construction sites citywide.
The improvement also coincides with the implementation of Local Law 196 of 2017, which requires safety training for workers at New York City's larger construction sites. CSC is in the process of inspecting roughly 6,000 sites to enforce the law and check whether construction workers have the required training.
In September 2018, DOB dissolved its longtime Buildings Enforcement Safety Team (BEST) and divided BEST's responsibilities between two new units: the Construction Safety Enforcement Unit, which focuses on emergency response and other functions; and CSC, which focuses on proactive inspections of major construction sites, where workers are at the highest risk of injury. The latter unit also specializes in approving and inspecting site-safety plans and demolition applications.
CSC currently has 38 inspectors and 10 trainees and will have as many as 53 inspectors.
Since the unit's inception in September 2018, CSC personnel have conducted 20,166 proactive inspections at 10,256 construction sites, issuing 2,523 stop-work orders and 11,484 OATH summonses, which carry penalties of nearly $15 million for safety lapses on job sites in the five boroughs.
"These results show the benefit of DOB using the safety data they collect, and then targeting Inspectors towards those sites where accidents are most likely to occur. Safety is of the utmost importance to our contractors and we look forward to working with DOB as they continue the use, and expand the role, of the Construction Safety Compliance Unit," said Louis J. Coletti, President and CEO, Building Trades Employers' Association.
"The construction market in New York City is in a robust period of growth, leading to the creation of more middle class jobs with benefits for construction workers across the five boroughs. With so much building around the city, it's important to recognize that this decrease in injuries can be directly linked to DOB's launch of the Construction Safety Compliance Unit and the enhanced training and site safety awareness created by Local Law 196. Workers deserve the highest safety standards and proper training, and thanks to DOB's honorable determination to keep workers safe, we can be confident that all construction sites will be held accountable." said Gary LaBarbera, President of the Building Construction Trades Council of Greater New York.
"These important measures ensure that parties are held accountable and promote a culture of safety. The result is a sharp decline in construction related injuries. If you're in compliance with the rules set forth by the City, the Construction Safety Compliance Unit should be a welcome sight on your project," said James Whelan, President, The Real Estate Board of New York.
construction safetyDOBShare0
Environmental, infrastructure work props up slowing sector


Anyone in Melbourne today would be forgiven for thinking we are in the depths of winter. Instead it appears Autumn has arrived with a flurry!
This famous photo (from Party Perfect) is of Genifer and Ben's wedding and was first spotted in Martha Stewart Weddings a few years ago. A sweet, vintage yellow caridgan over a wedding dress with a veil creates a gorgeous look for the bride and some extra added warmth.
Here are some of my favourite cardis on the web. Look for cropped versions to allow the detail of your dress to shine through.
Aaah yes, I love these! I had a Collette Dinnigan blush pink beaded cardi which I wore over my gown at our reception. It's divine and I still get loads of wear out of it 5 years later.
This is a great idea and totally my style. I don't think all brides would go for this but a great alternative to spice up the wedding dress and keep warm. A lot of times the white of the dress washes out the brides face, I think this is a great alternative and something I'm considering for my wedding as well. Thanks for the post!
This cardigans are really cute. I love it.
I love the idea – and am looking for a gorgeous one to go over my own wedding dress for July this year!!! good to know i am not the only one with a cadri fetish!!
You certainly put a new spin on a topic which has been written about for decades.
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text:
Georgia Byng, född den 6 september 1965 i Hampshire i England, är en brittisk författare av barnböcker. Byng är främst känd för bokserien om Molly Moon.

Första boken, Molly Moons fantastiska bok om hypnos, handlar om en flicka som finner en bok om hypnotism och lär sig hur man hypnotiserar personer.

Georgia Byng lever med sin partner, artisten Marc Quinn, och deras tre barn, dottern Tiger och sönerna Sky och Lucas. Georgia med familj bor nu i London.

Uppväxt
Georgia Byng växte upp utanför Winchester, England med tre busiga bröder och en syster. Hennes pappa älskade naturen och hennes mamma var uppmuntrande och varm. Georgias personlighet och karaktärerna bygger mycket på den fridfulla omgivningen av stugor ängar och skogar. Georgia var själv fridfull och lite instängd i sig själv, förutom när hon sålde och gav bort allt möjligt som hon hade gjort.

Externa länkar
Officiell webbplats

Brittiska författare av barn- och ungdomslitteratur
Engelskspråkiga författare
Kvinnor
Födda 1965
Levande personer

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