Welcome to 1111 East Arctic on beautiful Folly Beach! This 7 Bedroom Oceanfront vacation home is unlike any other property on Folly Beach and provides a luxurious experience that bring guests back time and time again. The spacious home can comfortably sleep up to 16 guests and features a reverse floor plan providing fantastic ocean views from the top floor living room and kitchen. The home is pet friendly and has elevator service to all floors ensuring all family members can enjoy the week at the beach!
Upon entering 1111 East Arctic you will immediately notice the attention to detail the owners have paid from the artwork to the furnishings that all provide a luxurious coastal feel. The first floor includes separate living/entertainment area with flat-screen TV and wet bar area. The floor has 5 of the 7 bedrooms in the home and 4 of the full baths. The first bedroom includes king bed and private bath while 3 of the remaining bedrooms feature queen beds. The final bedroom on the 1st floor is perfect for the kids with queen bed and two twins all built into a custom bed frame that echoes the beach. All bedrooms feature flat-screen TV's for plenty of entertainment options.
The second floor of the home features the large living area with spacious kitchen perfect for entertaining. The living area has over-sized couch with plenty of seating and 70 inch flat-screen HD TV for movie night or the rare rainy day on Folly Beach. The living area has 8 ocean facing sliding doors to offer deck access as well as gorgeous views of the Atlantic. The kitchen is fully stocked and sure to please even the most discerning family chef. Granite counters, stainless steel appliances and gas range on the kitchen island are just a few of the amenities the kitchen has to offer. The second floor also includes the master bedroom with King Bed and private master bath that includes Jacuzzi tub and walk-in shower. The final bedroom includes queen bed with private bath.
1111 East Arctic truly has it all when it comes to beach homes on the Charleston coast. There is plenty of sand at all times for building sand castles and taking long walks looking for shells. The exterior includes private beach access as well as large outdoor shower perfect for washing off after a long day on the beach. Parking area under the house and driveway provide parking for up to 6 cars.
Home is pet friendly; however, it is strictly non-smoking. There will be a $125 non refundable pet fee per pet, plus tax, if you would like to bring a furry companion. Must be 25 years old or older to rent. No events allowed that exceed the maximum occupancy of the home. Please contact Carolina One at 843-588-1212 with any additional questions.


text:
February 3, 2003 Issue
Playing for Immortality
Sam Mendes's productions shoot for the stars.
By Hilton Als
In 2001, the British director Sam Mendes announced the end of his run as artistic director of the Donmar Warehouse, the flashy and successful London theatre he had co-founded nine years earlier. Under Mendes's supervision, the Donmar had been transformed from an unused rehearsal hall for the Royal Shakespeare Company to the focal point of theatrical chic. For the most part, Mendes had staged contemporary plays, ranging from David Mamet's "Glengarry Glen Ross" to David Hare's "The Blue Room," in which Nicole Kidman briefly appeared nude, and David Auburn's "Proof," starring Gwyneth Paltrow. Mendes also directed a tricked-up version of "Cabaret" (more raunch, more drugs, more Weimar), which opened with Alan Cumming in the lead role. (The production is still Willkommen-ing audiences on Broadway.) In short, he established the Donmar as a thinking man's boutique Palace. He mounted plays with enough credibility to draw serious theatregoers, as he appealed to the general public's guilty thrill at seeing stars of a certain pedigree join the footlight parade. There was nothing particularly unusual in this approach. Hollywood-focussed packaging infects Off Broadway, too; think of the Public Theatre's 2001 production of "The Seagull," with Meryl Streep, Natalie Portman, Philip Seymour Hoffman, Christopher Walken, Marcia Gay Harden, Kevin Kline, and others—it was like a DVD with too many features. But Mendes knows, in his post-Peter Brook way, that the play is not the thing; the star is, no matter how ill-equipped he or she may be for the exigencies of the stage. He knows, too, that the theatre nowadays is to movies what jazz is to pop music: it has a certain cachet, but few prefer it to the populist-minded alternative. As Mendes said, after directing two movies—last year's "Road to Perdition" and the trite and antiseptic 1999 "American Beauty"—"Movies live and breathe and walk among us. . . . Theatre lives in the memory, which can be very powerful, but is not the same. A movie puts you in the center of the culture. And that's the challenge—the game. You are playing for immortality."
To celebrate his last season at the Donmar, Mendes staged simultaneous productions of Chekhov's "Uncle Vanya" and Shakespeare's "Twelfth Night," which are now in repertory at the Brooklyn Academy of Music's Harvey Theatre. He chose these shows, he said, because they are "two plays about requited and unrequited love, by two of the greatest playwrights that ever lived, both working at the height of their powers." In fact, "Uncle Vanya," written in 1895 and published in 1897, at roughly the same time that Chekhov wrote "The Seagull," is the least great of his great plays. Louis Malle, in his brilliant film of André Gregory's production of the play, "Vanya on 42nd Street," showed us, perhaps unintentionally, where the holes in the text are.
The play's limitations—instead of soaring, it whines with regret—have mostly to do with Uncle Vanya himself. Vanya (played here by Simon Russell Beale) is running the estate where his late sister's husband, an elderly professor named Serebryakov (David Bradley), has retired, along with his second wife, the young and beautiful Yelena (Helen McCrory). Serebryakov is self-absorbed, and not a little bombastic. An academic without a lectern, he has been left with an audience of one: his daughter, Sonya (Emily Watson), whom he, and nearly everyone else she loves, treats like a weed, a minor nuisance that is part of the landscape. Yet Sonya has a power that the others fail to recognize: she owns the estate they're living on; it was left to her by her late mother, Vanya's sister. In her American stage début, Emily Watson—who made a name for herself in Lars Von Trier's 1996 film, "Breaking the Waves"—plays Sonya as a woman who will not be bowed by grief. Walking on the balls of her feet, taking long, purposeful strides, she pitches her torso forward, like a ship's mast into a storm—the storm being the love Sonya feels for Astrov (the compelling Mark Strong), a local doctor, whom Serebryakov often calls upon for a consultation but never manages to see. In truth, none of the characters in the play want to be cured of what ails them. Not Vanya, of his unrequited love for Yelena. Not Sonya, of her unrequited love for Astrov. Not Astrov, of his nearly unrequited love for Yelena. Not Yelena, of her unrequited love for herself.
Yelena's entrance at the beginning of the play draws our attention to the rather mundane beauty of the set, which was designed by Anthony Ward. On the wall behind a tall sea of grass, the words "O learn to read what silent love hath writ" glow and fade. In the foreground, a samovar rests on a table positioned on worn rugs. It is summer. Yelena has just returned from a walk with her husband and some neighbors, but she enters alone, stage right, a large white, lacy hat obscuring her face as she silently places a flower on the table, pours herself some tea, and slowly exits, stage left. It's a drag-queen entrance, meant to titillate and delight, and it signals that McCrory's performance will be a series of high notes. Watson—with her perpetually startled expression, high, intelligent forehead, and Claymation lips—is not at ease onstage. She lacks the fearlessness, the vulgarity, and the need that enable an actor to project. McCrory, on the other hand, laps up attention like a beautiful boozehound. Yet she has no real interpretive skills. We know that Yelena gave up her studies at a music conservatory, that she's bored, hates the country, and tyrannizes the men who adore her by withholding her approval, but, beyond that, what is there? McCrory would be better suited, perhaps, to play the wicked Aksinya in an adaptation of Chekhov's short story "In the Ravine" (1900), a narrative that shows how Chekhov's sense of evil deepened along with his talent.
That sense of evil—the depravity that goes hand in hand with self-pity and self-hatred—is what is missing from Simon Russell Beale's performance. Beale, a star of the English theatre and an actor's actor, overdoes it, without ever going far enough. He plays Vanya as a spoiled, unruly child, desperate for attention, stomping his feet, clenching his fists, and despising the world because he never had a chance to be a "Schopenhauer or Dostoyevsky." If Beale had been able to put his star turn aside and concentrate instead on Vanya's spiritual fatigue—his despair at feeling unattractive and trapped—he might have helped us see how we, too, have fallen short of our dreams. Instead, his performance remains histrionic and shallow, intent on impressing.
Fortunately, Wallace Shawn's beautifully muted performance as Vanya can still be seen in "Vanya on 42nd Street." Shawn sounds all the right wrong notes. When he complains, in short, bitter bursts, we are drawn in, torn between revulsion and pity—which is apt, since Malle and Gregory directed "Uncle Vanya" as a fugue. Mendes directs it, instead, as a burlesque. Cherry Morris, as Marina, Sonya's former nanny, acts with camp relish; and when Vanya's mother, Marya (Selina Cadell), grumbles and clucks, we see a babushka-clad Cloris Leachman in a Mel Brooks parody of the Russian Empire—so many Cossacks, so little time. The actors are not much helped by Brian Friel's new translation. At the close of Act II, for instance, Yelena decides to play the piano, and Sonya goes to ask her father if the music will disturb him. Returning, she announces, "He says no!" In the great Eugene K. Bristow translation, the line is "We can't!"—a far more chilling phrase. We can't get on with life, it implies, we can't get on with love, we are too wedded to our own despair. At the end of the play, Serebryakov and Yelena go off to live closer to town, leaving Vanya and Sonya and the others to their banal horror, to the tedium of being alone together. Sonya makes a plea for redemption, for hope and understanding. All we have is one another, she tries to say. But it's too late for us to buy it—from Sonya, or from any of the other brave performers in this flawed production.
Emily Watson plays Viola in Mendes's interpretation of "Twelfth Night," Shakespeare's study of identity and love, gender and fidelity. It's a great part for an actress who is essentially unafraid of her androgyny. (Katharine Hepburn, both the most butch and the most girlish actress imaginable, famously donned tights to play Viola in 1960.) But Watson here is too soft and womanly, too endowed with feminine wiles (Paul Thomas Anderson made good use of this side of her in his astonishing 2002 film "Punch-Drunk Love"), and she lacks the physical courage, the wildness, that Viola should crackle with in order to ingratiate herself with the people of Orsino's kingdom. When Orsino, baffled by his attraction, impulsively kisses Viola, he is confused, but we aren't: what boy wouldn't want to kiss Emily Watson?
W. H. Auden, in his 1954 essay "Music in Shakespeare," said, "I get the impression that Shakespeare wrote the play when he was in no mood for comedy, but in a mood of puritanical aversion to all those pleasing illusions which men cherish. . . . The trouble, to my mind, about 'Twelfth Night' is that Viola and Antonio are strangers to the world which all the other characters inhabit. Viola's love for the Duke, and Antonio's love for Sebastian are much too strong and real." Gary Powell, as Antonio, and Mark Strong, as Orsino, give performances full of the realness that Auden sensed—and so free of the synthetic charm that mars the rest of the production that they seem to be acting in a different play entirely. Powell and Strong come to their parts with a depth that arises less from yearning for the unobtainable—as each of the characters does, in one way or another—than from living with the understanding of a dream that might have been. They are the true stars of the theatre here. With their vulnerability and their strength, they burst out of the tidy staging that frames—and hems in—the rest of the cast.
Kathryn Meisle, as Elmire in the Roundabout's new production of Molière's "Tartuffe" (at the American Airlines Theatre, under the direction of Joe Dowling), has the look of a very young Diana Rigg. Her open, intelligent face lets us know that Elmire suffers fools gladly but, at the same time, keeps up her own appealing wit. This is quite an accomplishment, given whom she's married to: Orgon (Brian Bedford), a French aristocrat of good conscience but little sense, who falls for Tartuffe (Henry Goodman), a hypocrite who claims to be in love with God ("Hang up my hair-shirt, put my scourge in place") but whose real interest lies in capturing Orgon's money, house, and wife, not necessarily in that order.
Molière's brilliant farce is about trust and the division between what is said in polite society and the craven ways in which desire manifests itself. It's also about faith and self-love. And it's a difficult play to perform: the actors must convey the farcical aspects of the plot while maintaining a naturalness of expression. Bedford, unfortunately, hams it up with all sorts of tics, widening his eyes and sighing loudly in despair when Tartuffe is exposed as a trickster. Goodman, on the other hand, makes his bad character sexy—he is a rogue who takes pleasure in all kinds of flesh. And John Bedford Lloyd plays Elmire's brother, Cléante, with a centered clarity. But it's Meisle who, with her low-key comic relief, makes us forgive the show's otherwise groaning pyrotechnics. ♦
This article appears in the print edition of the February 3, 2003, issue.
Hilton Als, The New Yorker's theatre critic, won the 2017 Pulitzer Prize for criticism. He is the author of "White Girls" and an associate professor of writing at Columbia University.

redpajama_set_name: RedPajamaCommonCrawl


text:
Lampard a good option for Chelsea boss - Drogba
33dLiam Twomey
Julien Laurens: Sarri will join Juventus 'by the end of this week' (1:46)
ESPN FC's Julien Laurens gives an update on Maurizio Sarri's seemingly impending move to Juventus and predicts who will be the next in charge for Chelsea. (1:46)
Liam TwomeyChelsea correspondent
LONDON -- Didier Drogba has backed former teammate Frank Lampard as a "very good option" to succeed Maurizio Sarri as Chelsea head coach.
Derby County manager Lampard is widely considered to be the front-runner for the post, with Sarri expected to join Juventus once they have reached an agreement with Chelsea over compensation.
- When does the transfer window close?
Drogba said he believed a relative lack of managerial experience should not be held against his friend and fellow Chelsea legend Lampard.
"I think it is a very good option for the club," he said ahead of the Soccer Aid for UNICEF match at Stamford Bridge on Sunday. "He has done well with Derby, taking the team to the playoff final, and I think it is a very good option."
Asked whether Lampard would be ready for the job after one season in the Championship with Derby, Drogba said: "Does he have to wait until he is 40 or 50 to be ready?
"I think it depends on your experience and depends on your desire to succeed and do it. If he feels ready, I don't think it is too early."
Whoever succeeds Sarri faces a tough challenge, with the club unable to replace departed superstar Eden Hazard due to a FIFA transfer ban, and pundit Jamie Redknapp said: "Whoever comes into this job next if he [Sarri] was to go, they have to be given time.
"I think with the squad they have they could theoretically get top four, but with losing their best player...
"Frank is a bright guy and would be completely realistic in the situation. People say is it the right time? When is the right time? This is his club, this is where he is loved, the fans idolise him and he is so bright that he will figure it out.
"But they have got to be given time. There is no magic wand. It is not because Frank lacks experience, it will mainly be because they have lost their best player."
Soccer Aid for Unicef will be broadcast live on ITV in the UK on Sunday 16th June, starting at 6:30 p.m. To donate to Unicef, visit socceraid.org.uk


text:
Providence Is Back
by Gary Larsen February 22, 2016, 8:50 pm 6.5k Views 175 Votes
By GARY LARSEN
Illinois Matmen
Providence Catholic coach Keith Healy had a wrestling program to be reckoned with, and then he didn't, and now he may be on the cusp of steering that program back to prominence.
"It's nice that the noise is coming back," Healy said.
You'd be hard-pressed to find a more dominant run than the eight-year stretch Providence had beginning in 1997, when the Celtics under Healy began a run of six consecutive years winning a dual team state title.
Programs like Carl Sandburg, Glenbard North, and Oak Park and River Forest have all been dominant programs in the state's biggest class, and singlets in Sandburg blue, Glenbard North black, and OPRF navy have inarguably been colors of superiority in Illinois high school wrestling.
But there was a time when it was all about Providence green.
The Celtics were dual team state runners-up in 2003 and 2004 and returned in 2008 to place second, giving them nine team dual state final appearances in 11 years.
In recent years, the program has struggled to meet its former standard. Team state final appearances disappeared and the number of Celtics climbing the podium at the individual state finals waned.
In 2013, the Celtics finished with a sub-.500 season record in dual meets for the first time in decades. Three years later, however, the tide may turning for Providence.
In his 24th year as the Celtics' head coach, Healy leads his team to a Class 3A team sectional meet on Tuesday against Edwardsville and a chance to return to the 3A team finals for the first time in eight years.
There's an old coaching adage that says you can't win if you don't have the horses, and the horses may be coming back to the farm in New Lenox.
"These kids are coming in and they're coming in with skill. Getting (the program) back to where it was is a tough chore but these kids are coming out and responding," Healy said. "We started out this season a little slow but as it progressed we could see the momentum building. The grade school programs do such a great job and the Celtics Elite program is getting kids to buy into our program and our system."
The Celtics qualified six wrestlers to last weekend's individual state finals and had two medal-winners, both freshmen. Jake Lindsey placed fifth at 106 and Cole Smith did the same at 152 pounds. Freshmen Josh Ramos (120) and Juan Bazaldua (132), and sophomores Ben Emery (126), and Dominick Ambrose (138) were also state qualifiers this year.
"I'm definitely happy to help out in the rebuilding process," Lindsey said. "I want to look back someday and be able to say I was a captain on those championship teams, and think about how we all got there.
"I'm glad we're in 3A. I've had a really tough schedule this year, I've wrestled top five kids over and over, and I'm glad that I get to prove to myself that I can hang with the top kids in Illinois, who are some of the best in the country."
The individual state finals could have been very different for Lindsey and his teammates. Providence had a choice heading into the current season, on whether to continue wrestling Class 3A competition or petition the IHSA – as it could have – and wrestled in Class 2A this year.
Healy wanted his program to stay right where it was.
"My philosophy has been that to be the best you have to beat the best," Healy said. "(3A) is the division everyone always talks about and it's better for the kids. It's not about me. It's about trying to get them better to get them to the next level.
"I want to see these kids wrestle in college, like an Edwin Cooper or an Eddie Klimara, and I want to see them getting college degrees."
Previous article Eric Schultz Followed His Father's Footsteps to a State Title
Next article 2016 IWCOA Award Nominations and Voting
Written by Gary Larsen
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text:
package com.openatlas.log;

import java.io.PrintWriter;
import java.io.StringWriter;
import java.io.Writer;
import java.util.HashMap;
import java.util.Map;

public class OpenAtlasMonitor implements IMonitor {
    public static final int BUNDLE_INSTALL_FAIL = -1;
    public static final int DELETE_STORAGE_FAIL = -2;
    public static final int RESOURCES_FAIL = -4;
    public static final int WRITE_META_FAIL = -3;
    private static IMonitor externalMonitor;
    private static OpenAtlasMonitor singleton;

    public static OpenAtlasMonitor getInstance() {

        if (singleton == null) {
            singleton = new OpenAtlasMonitor();
        }
        return singleton;
    }

    public static void setExternalMonitor(IMonitor iMonitor) {

        externalMonitor = iMonitor;
    }

    public void trace(String monitorType, String bundleName, String voidTag, String info, Throwable th) {
;
        if (th != null) {
            Writer stringWriter = new StringWriter();
            th.printStackTrace(new PrintWriter(stringWriter));
            String stringWriter2 = stringWriter.toString();
            Map hashMap = new HashMap();
            hashMap.put("errorStr", stringWriter2);
            trace(monitorType, bundleName, voidTag, info + " " + hashMap.toString());
            return;
        }
        trace(monitorType, bundleName, voidTag, info);
    }

    public void trace(Integer monitorType, String bundleName, String voidTag, String info, Throwable th) {

        trace(monitorType.toString(), bundleName, voidTag, info, th);
    }

    @Override
	public void trace(String monitorType, String bundleName, String voidTag, String info) {

        if (externalMonitor != null) {
            externalMonitor.trace(monitorType, bundleName, voidTag, info);
        }
    }

    @Override
	public void trace(Integer monitorType, String bundleName, String voidTag, String info) {

        if (externalMonitor != null) {
			externalMonitor.trace(monitorType, bundleName, voidTag, info);
        }
    }
}

redpajama_set_name: RedPajamaGithub


Ms. Be More is a movement created to foster a community of unity among women. Its sole purpose is to emPOWER women to turn who they are into something more by seizing every opportunity that will allow them to step fearlessly into their calling in life.
Women are encouraged to peel back the layers of who they think they are, to reveal the woman they were created to be - seeing themselves the way that God does. Oftentimes, women will allow their past experiences and limiting beliefs to hinder them from moving forward and taking hold of the life they desire and deserve.
Ms. Be More will help women discover the true essence of their potential. This will be accomplished through monthly networking events, retreats, dinner parties, book clubs, group outings, community efforts, conferences, and so much more!
As women, we each have a responsibility to each other to support each other and in order to have that support a community must be created that will provide the resources and support needed that will allow women to unapologetically live boldly by turning who they are into something more.
Glenys Clarice has a passion for using her gift of empowerment to inspire others. Glenys' bright spirit is the key to her gift of inspiration; a gift she shares openly with others. Glenys"... is a first-class professional that knows what to say and how to say it to make a difference in people's lives." says one business associate.
Using her passion to empower, in 2008 and 2009 Glenys self-published self-help books, "The Spiritual Diva: Ten Principles for Becoming Faithful Fierce and Fabulous and Living Fabulous: Practical Principles for the Woman on the Go". Currently, she is working on her third book, In Black and White: Words to Inspire."
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To work with Glenys, request an interview, hosting, or speaking engagements, please contact be@msbemore.com.


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text:
Visit St Paul's Church and Monastic Site
St Paul's Church and Monastic Site
St Paul's Church has been a place of Christian prayer and worship for over 1300 years. As the home of the Venerable Bede, priest, monk and scholar of Jarrow, it is now a centre of pilgrimage with international significance.
Amazingly the chancel in the church survives from the 7th century, when it was a free standing chapel in the monastery and would have stood during the time Bede worshiped there.
Inside the church cemented into the wall of the tower is the original stone slab which records in a Latin inscription the dedication of the church on 23 April AD 685. The inscription translates in English as:
"The dedication of the basilica of St. Paul on the 9th day before the Kalens of May in the 15th year of King Ecgfrith and in the fourth year of Abbot Ceolfrith founder, by God's guidance of the same church".
Alongside St Paul's Church is the remains of the later built monastery.
Find out more about the Venerable Bede and St Paul's Church.
The monastic remains are accessible at all times during daylight hours.
To enter the church please check opening times. Please see: St Paul's Church
Normal opening hours are:
Monday to Saturday: 10.30am to 3.30pm (11am to 3pm in winter)
Sunday 2pm to 4pm (2pm to 3.30pm in winter)
Please note: St Paul's Church is a working parish so times may change. If a service is in progress visitors are not permitted to enter the church unless they wish to participate.
Church Bank
NE32 3DZ


text:
RUSSIAN ORTHODOX CHURCH ABROAD
Official site of the Montreal and Canadian Diocese
Fundamentals of Orthodoxy
Alberta British Columbia Manitoba Ontario Quebec Saskatchewan
Nativity Epistle of His Eminence Hilarion, Metropolitan of Eastern America and New York, First Hierarch of the Russian Church Abroad .
Eminent brother-archpastors, reverend fathers, dear brothers and sisters!
With a feeling of humble gratitude and love in the Lord, I greet you all with the "metropolis of all feasts," as St. John Chrysostom named the day of Christ's Nativity, which we now celebrate! May God's grace, which shines upon us from an impoverished cave in Bethlehem, and which was revealed on the banks of the Jordan, never cease to be poured out upon us, warming our hearts, which bear the sorrowful legacy of Adam, with Heavenly consolation and peace, blessing our personal, familial, parochial, and monastic lives, our daily labors, and in every benevolent, social, and especially ecclesiastical work!
May this New Year become a time of God's goodwill and His almighty aid; may He renew and strengthen our abilities to offer up thanksgiving to Him as is meet, and to commemorate our forebears in this jubilee year of the centennial of the Russian Church Abroad!
How was the Russian Church Abroad formed? In November 1920, though defeated, many Russian Orthodox people did not surrender, and left their beloved nation's borders; hundreds of thousands of officers and soldiers, Cossacks and peasants, landowners and workers went into exile. Departing with them were the clergy who nourished them. The archpastors and clergymen did not depart in disarray: still in the homeland, with the blessing of the Holy Hierarch Tikhon, Patriarch and Confessor of All Russia, they formed the Provisional Supreme Ecclesiastical Authority of South-Eastern Russia.
Finding themselves abroad, what could these representatives of the Russian Church do? Guided by love for the persecuted Mother Church and Canon 39 of the 6th Ecumenical Council, which addresses a similar situation, when part of the population of Cyprus had to leave their country, having "been freed from heathen slavery," the Russian hierarchs formed the Supreme Ecclesiastical Administration Abroad. Moreover, after this, the Holy Hierarch Tikhon and the Holy Synod over which he presided sent the departed émigré masses the famous Directive №362, dated November 7/20, 1920, which proved to be God-inspired. The hierarchs abroad took the first steps of their unique service in Constantinople, having received a blessing from the Locum Tenens of the Ecumenical Throne, Metropolitan Dorotheos (Mammelis), who at the time respectfully wrote to Metropolitan Anthony (Khrapovitsky) of Kiev & Galicia: "the Patriarchate permits any undertaking under your direction, for the Patriarchate knows that Your Eminence will commit no uncanonical act." Later, this Supreme Ecclesiastical Administration Abroad, reformed into the Russian Church Abroad, was transferred to Serbia, where it found itself under the truly fraternal aegis of the Serbian Orthodox Church, with whom we now share fathers and preceptors.
In 1924, when Patriarch Gregory VII of Constantinople declared his support for the Living Church schism and demanded that the Holy Hierarch and Confessor Tikhon "immediately depart from administration of the Church," many understood the fervent desire of the hierarchs of the Russian Church living abroad not to merge into the existing Local Churches, but to strive in every way to preserve their living and organic ties to the persecuted Church in Russia. Since that time, the Russian Church Abroad has followed the life of the Church in the homeland with a keen, loving, and devoted eye, rejoicing in her successes, sorrowing in her tribulations, and loudly bearing witness to her sufferings, piously reverencing the ascetic and martyric struggles of those who fearlessly went to their deaths in the name of Christ.
Marking this glorious anniversary, which will continue with the celebration of the I All-Diaspora Council next year, we intend to celebrate neither the terrible events, as a result of which many Russian Orthodox people found themselves on foreign soil, nor the bitter division of the Mother Church, which had been subjected to persecutions. The primary goal of our celebration is to lift up thanksgiving to God, Who bountifully poured out upon us His abundant mercies, and to prayerfully honor our forebears, who in complex conditions abroad held aloft the standard of our Holy Russian Orthodoxy, and relayed to us a great inheritance. May the lamps on their graves never be extinguished! Moreover, every anniversary must cause each of us to once more take interest in our history, and consider the individual people whom we commemorate. Only this approach to the jubilee celebration, combined with prayer and a humble hope in God's aid, will grant us a renewal of our hearts, of all of our strengths, and of all of the paths of our modest service to God and man.
May our holy fathers among the saints: John, Archbishop of Shanghai, Wonderworker of San Francisco; Jonah, Bishop of Hankou; the Holy Hierarch Seraphim (Sobolev) and the Martyr Alexander (Schmorell), as well as the multitude of "everyday saints" among our forebears, be our intercessors in this renewal! And may we ourselves, adoring the Divine Infant Christ, born today in Bethlehem, ask for this all-encompassing renewal. I greet you all with His Birth, sincerely wishing that we may spend these holy days, as well as this entire jubilee year, in joy in the Lord, with our families and friends, in prayer and in the life of the Church!
+HILARION
Metropolitan of Eastern America & New York
First Hierarch of the Russian Church Abroad.
Nativity of Christ 2019/2020 A.D.
Pilgrimage announcement 2020
28th Annual Russian Orthodox Church Musicians' Conference Russian Orthodox Church Outside Russia.
November 21/December 4 – Entry into the temple of our Most Holy Lady the Theotokos and Ever-Virgin Mary
November 8/21 – Synaxis of the Archangels Michael, Gabriel, Raphael, Uriel, Salaphiel, Jegudiel, Barachiel, and Jeremiel and the Other Bodiless Powers..
October 19/November 1, the Day of Righteous John, Wonderworker of Kronstadt.
(Русский) 25 Сентября/8 Октября – Преставление Преподобного Сергия, Игумена Радонежского, всея России чудотворца.
September 14/27 – The Elevation of the Precious and Life-giving Cross
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Mayorkun – Feelings ft. My Mum
boybranky Saturday, 28 January 2023, 1:00 pm
Feelings (Intro) is a song by Nigerian singer, Mayorkun, signed to Davido Music Worldwide.
The lovely song is taken from his first studio album titled, The Mayor of Lagos (TMOL), released on November 16, 2018.
Feelings (Intro) serves as the introductory track and features his mum's voice.
Listen and enjoy!
https://www.xclusiveloaded.com/wp-content/uploads/2020/05/Mayorkun_ft_My_Mum_-_Feelings.mp3
Mayorkun My Mum
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Chhatra League employees chased each other and clashed
ByThomas Patric
At Dhaka Medical College (DMC) Hospital, there were clashes and chases between the fourth class employees of the Chhatra League. At that time panic spread among the patients admitted to different wards of the hospital. The incident took place on Monday from 11:30 am to 12:15 pm.
Hospital, there were clashes
The college branch of Chhatra League says that the fourth-class employees attacked them without provocation. On the other hand, on behalf of the employees' union, it is being said that the BCL has attacked them by taking a stand in favor of the college administration to get a share of the money in a recruitment tender.
The college branch of Chhatra League
According to the relevant sources, today is the date for submission of tender for recruitment of outsourcing manpower of the college. With this, the fourth class employees' association announced a sit-in program in front of the office of Principal Tito Minar at 10 is. While entering the college in the morning, the employees faced obstacles from Chhatra League and police. At that time they clashed with the leaders and workers of Chhatra League. Later, a five-member delegation led by Abu Saeed, the president of the employees' union, reached an agreement with the principal on the recruitment of manpower. They then left the principal's room.
Sources further said, the college branch BCL president Sheikh Mohammad at 11:30 pm. Leaders and activists, led by Al Amin and General Secretary Zakiul Islam, stormed the hospital, chanting slogans. At that time, they entered the women's wards 106 and 109 and beat up an employee. At one stage, the employees closed the gate of the ward and blocked the leaders and workers of the Chhatra League. At this time the leaders and workers of both the parties from inside and outside the ward started chanting slogans. The commotion caused panic among the patients admitted to the ward. Later, the college principal Tito Mia and the director of the hospital, Brigadier General. Nazmul Haque went to the spot with the police and calmed down the situation.
the college branch BCL president Sheikh Mohammad
Ashraful Alam, deputy director of Dhaka Medical College Hospital, said the incident took place due to a misunderstanding. The director of the hospital has promised to take action against those responsible for the situation.
One of the leaders of the fourth class employees' union told Prothom Alo on condition of anonymity, "The top two leaders of the college branch Chhatra League have taken a stand in favor of the college administration to get a share from the recruitment." They did not hesitate to attack us for money. The workers did not attack them.
Meanwhile, Dhaka Medical College Branch BCL President Sheikh Mohammad. Al-Amin has denied the allegations. He said in the first light, 'One of the top leaders of the fourth class employees' union is a BNP man. We went to Bangabandhu's Medical Corner to give flowers on the occasion of Bangabandhu's Homecoming Day. At that time the employees also had a program. While entering the college through the gate, they hit some people including the general secretary of the college branch Chhatra League Zakiul Islam without any provocation.
Meanwhile, Dhaka Medical College Branch BCL
Zakiul Islam, general secretary of the college branch Chhatra League, said, "On the occasion of Bangabandhu's Homecoming Day, we went to Bangabandhu Corner of Medical College to give flowers. Suddenly, the staff rushed to the medical center with the outsiders and started chanting slogans, "Take a doctor, slaughter him slowly." At one point they attacked us. When we later informed the college administration about the matter, they assured justice. '
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Jan 13, 2022 Thomas Patric
Jan 9, 2022 Thomas Patric


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Some scholars had no idea, some were unknown, and only a little 3 percent of them had any concept what they were moving in the direction of.
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67.365 As I've said before, you love to study things. If you find something and haven't already stuffed it in your mouth, you roll it around and around in your hands, inspecting it. On this morning, you decide to study the brush Mommy gave you to hold (distraction technique) while she does her hair.


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Q: Using ch.ethz.ssh2 in a C# application I'm adding SSH command execution and file upload to an existing application. After comparing different free and licensed libraries, I decided to use http://code.google.com/p/ssh2-net/ because it seems to be a port of the JAVA library to C#. We already had good experiences with the JAVA version...
Uploading a file is not very succeeding... Can anyone help? This is my code which is the combination of some bit of samples I found
Connection conn = StartConnection();
// --> conn checked and is open!

Session session = conn.openSession();
session.execCommand("sudo mount -o remount,rw /");
// --> no error

SFTPv3Client client = new SFTPv3Client(conn);
// --> this throws error "Cannot access a closed Stream."

SFTPv3FileHandle handle = client.createFile("/tmp/" + sshSource.Name);

using (StreamReader sr = new StreamReader(sshSource.FullName))
{
    char[] buffer = new char[1024];
    int offset = 0;

    while (sr.Peek() >= 0)
    {
        int i = sr.Read(buffer, offset, buffer.Length);

        byte[] bytes = new byte[1024];
        for (int j = 0; j < 1024; j++)
            bytes[j] = (byte) buffer[j];

        client.write(handle, offset, bytes, 0, i);
        offset += i;
    }
}

As mentioned in the comment, there is already an error on the line where the client is defined SFTPv3Client client = new SFTPv3Client(conn);
Thanks a lot in advance for any help,
Frank

A: switched to SharpSsh and seems to be a better (easier) solution for C#
http://www.tamirgal.com/blog/page/SharpSSH.aspx
SshTransferProtocolBase tx = new Scp(_hostname, _username, _password);
SshExec exec = new SshExec(_hostname, _username, _password);

tx.Connect();
exec.Connect();

exec.RunCommand("sudo mount -o remount,rw /");
exec.RunCommand("sudo rm /tmp/" + Path.GetFileName(sshTarget));
tx.Put(sshSource.FullName, "/tmp/" + Path.GetFileName(sshTarget));

redpajama_set_name: RedPajamaStackExchange


text:
Warsaw Under Construction: Streetfight
Museum on the Vistula
Wybrzeże Kościuszkowskie 22, Warschau
Zeitgenössische Kunst, Andere, Architektur und Urbanistik, Kunst und Design
Webseite des Events
www.wwb14.artmuseum.pl
Webseite des Ortes
www.artmuseum.pl...
Kurator·in
Tomasz Fudala, Jan Mencwel
The title of the festival exhibition is borrowed from the book Streetfight: Handbook for an Urban Revolution, in which the American urban activist Janette Sadik-Khan writes: The basic principle of traffic organisation has been known for a century and has been ignored by planners until now. It proclaims that the effects depend on what you build. More lanes means more cars. At the core of the Warsaw Under Construction festival lies the question about the universal design of streets so that they are accessible and friendly to all residents. The festival believes that the streets of Warsaw can accommodate everyone.
The car has become a symbol of modernity. In the works of art and films presented at the exhibition as well as during the festival meetings, you will be shown various aspects of a lifestyle based solely on cars. The festival thus hopes to generate a discussion on the effects of congesting the streets with car traffic. An excellent example of this will be a presentation, prepared jointly with the Warsaw branch of the SARP, of the history of the Avenue of Jerusalem, once a lively urban street that has come to resemble an expressway.
The strength of Warsaw Under Construction lies in the creative, and often unexpected, collaborations: with the non-governmental side, the local government and its agencies, activists, city institutions, business and residents. The festival audience will visit the tram depot at Kawęczyńska Street, learn about the history of the development of Warsaw's public transport tram network and the daily work of those who operate it. They will take part in debates and guided tours of the exhibition led by experts and curators. They will also learn about the results of student surveys, testifying to the decline of the age of underground crossings, as they are increasingly backfilled with pedestrians preferring to walk on traditional, above-ground walkways. The audience of Warsaw Under Construction will be invited to film screenings at the "Syrena" cinema and a lecture by the world-renowned urban planning expert Professor Carlos Moreno. During walks and meetings you will explore Warsaw's standards of accessible design.
The festival will also touch on other aspects of the "fight for the streets", such as name changes that ignite strong identity conflicts. You will also talk about the different ways in which the city is sensed and navigated, as well as the function of the blue and red boards of the Municipal Information System of Warsaw that guide us through its streets. There will also be a journey through the city's heat islands, i.e. places where the capital overheats. We will listen to the immediate soundscape of streets and how it affects us. We will also tell the story of the Pedestrian Critical Masses.
In debates and festival meetings, we plan to discuss possible ways forward for cities in the face of the climate crisis, including: protecting and planting greenery, retaining rainwater and reducing the role of the car in the city in favour of public transport and pedestrians, as well as safe and ecological mobility. The future of cities will be influenced by both the designers of systemic solutions and the users of these concepts.


text:
Q: Currency Field in a Power Automate to create an Opportunity in Dynamics CRM from a SharePoint List I'm creating a Power Automate flow that will create an opportunity in Dynamics CRM if certain conditions are met when a record is created in a SharePoint Online List, but the Create New Record block for Dynamics asks as mandatory the Currency field.
I have tried typing USD, US Dollar, Empty, etc., and none of them works. Tried different approaches to that field. Even created a new currency in Dynamics called DOL and its the same.
How could I fix this?
This is the error message I'm getting.
{
  "_transactioncurrencyid_value": "DOL",
  "_customerid_value": "A",
  "_customerid_type": "Bronze",
  "name": "Bakery",
  "budgetamount": 900,
  "_parentcontactid_value": "Saul",
  "description": "CCC",
  "_ownerid_value": "Stefano"
}

{
  "status": 400,
  "message": "Invalid lookup_type value",
  "source": "dynamicscrmonline-eus2.azconn-eus2.p.azurewebsites.net",
  "debugInfo": "clientRequestId: f80d8df5-d57c-46f8-83a1-8b579352aa5b"
}

A: We call that lookup datatype (aka EntityReference) which is a foreign key of another entity (aka Database table). The expected value to be passed on that payload is GUID.
"_transactioncurrencyid_value":"9C72D8B6-AD23-E511-80F7-C4346BAC59AC",

You have to find out that Key GUID for that DOL or USD currency record. Same applies to parentcontactid and ownerid


text:
Densho Digital Repository Densho Digital Repository
By Facility
Using Materials in the DDR
ddr-densho-1000
Rae Takekawa Segment 6
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SEGMENT ID
ddr-densho-1000-89-6 (Legacy UID: denshovh-trae-01-0006)
SEGMENT DESCRIPTION
Celebrating the holidays in prewar Bellevue, Washington, community
00:02:51 — Segment 6 of 42
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PARENT COLLECTION
Densho Visual History Collection
Community activities -- Festivals, celebrations, and holidays
Courtesy of Densho
INTERVIEW ID
ddr-densho-1000-89
Rae Takekawa
INTERVIEW TITLE
Rae Takekawa Interview
02:14:32 — 42 segments
Sansei female. Born August 27, 1927, in Bellevue, Washington. Raised on the family farm in Bellevue, Washington, prior to World War II. Was incarcerated at the Pinedale Assembly Center, California, and Tule Lake concentration camp, California. Was released early to harvest sugar beets in Chinook, Montana. At the onset of World War II, her father was picked up by the FBI, detained by the Immigration and Naturalization Service (INS) in Seattle, and then incarcerated at the Department of Justice camp at Fort Missoula, Montana.
Alice Ito, interviewer; Matt Emery, videographer
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The text of this page is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Where indicated, images and other primary source materials may be subject to use restrictions by their respective rights holders. More information
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text:
LLANDEILO'S ROMAN FORT DISCOVERED
During an archaeological survey commissioned by the National Trust of their estate at Dinefwr Park Llandeilo, the exciting discovery of a Roman military fort was made by Stratascan, a geophysical survey team used by Dyfed Archaeological Trust to assist in the survey. This work has been supported by the Heritage Lottery Fund.
Geophysical survey produces a radar-like picture of features beneath the ground surface. What is even more exciting about the Llandeilo find is that there appear to be two forts on the same site, as well as a civilian settlement and other related features, including a Roman Road and a possible Roman bathhouse site. It is thought likely that the first fort dates to the about AD74, the time of the Roman conquest of Wales.
It has a possible area of 3.9 hectares, which would make it one of the largest Roman campaign forts in Wales and may have housed a Roman legionary detachment. A second, smaller fort seems to have been built on the same site after the conquest and a small settlement grew outside its gates. The shadow of the first fort can be seen in the lower part of the image produced by the geophysical survey (below). The settlement outside the gates can also be seen in the upper right-hand quarter of the image.
Archaeologists will hopefully be able to carry out some excavation in the near future to try to begin to properly date and understand the features which are so clearly visible on the image shown here.
Project contact: Gwilym Hughes
THE HER – A PUBLIC RESOURCE
The regional Historic Environment Record (HER) for Carmarthenshire, Ceredigion and Pembrokeshire is held by Dyfed Archaeological Trust. The HER is a key to information about the archaeological heritage of the area and covers all periods of human development from traces of the earliest known human habitation to Second World War defensive structures.
The HER has a computer database which holds over 36,000 records, a figure increasing every day. As well as the database we have a large paper-based information system, with many historic maps, ground and aerial photographs, journals and reports.
The HER is a valuable source of information for anyone interested in the past landscapes of the southwest and the people who inhabited them. Dyfed Archaeological Trust welcomes enquiries from anyone wishing to find out more about the archaeology of the area. Please contact the HER by telephone, letter or e-mail and explain what it is you would like information about.
Dyfed Archaeological Trust are partners with the three other Welsh Archaeological Trusts, Cadw, RCAHMW and the National Museum and Galleries of Wales, in the development of the CARN database. CARN combines simplified site records of all the main heritage bodies in Wales into a single, publicly accessible online index which you can see on the internet at: www.rcahmw.org.uk/data
PORTABLE ANTIQUITIES
The Treasure Act (1996) made it compulsory to report the finding of certain objects. A voluntary scheme was piloted in twelve areas to record objects that did not have to be reported under the Treasure Act. The pilot project proved very successful and from April 2003 to March 2006, the Heritage Lottery Fund will support the scheme across Wales and England.
Every year thousands of objects are discovered by metal detector users, walkers, gardeners and farmers. The scheme allows anyone to have their find recorded to add to the information available about our past.
The Welsh recording scheme is co-ordinated by Mark Lodwick, based in the National Museum in Cardiff. Mark is supported by the four Welsh Archaeological Trusts and a network of local reporting centres.
Further information about the scheme and the Treasure Act can be found on the Trust website and also at:
http://www.finds.org.uk
PLANNING FOR THE PAST
As an archaeological trust, Dyfed Archaeological Trust fulfils an important role in the planning process through our Planning Archaeologist, Lucy Rowley-Williams. Here are her own thoughts on what her job entails.
My role as Planning Archaeologist is certainly not to make people's lives unnecessarily difficult. I am entrusted with the role of trying to protect historic and archaeological sites that may be affected by development. My main role is to give advice to the public, private developers and to local authorities to help them follow planning guidance concerning archaeology and the historic environment.
The evidence that we are trying to protect ranges from sites associated with prehistoric settlement or burials right through to recent industrial monuments. We are not trying to preserve a landscape in aspic, but more to try to enable towns and villages to grow and develop without causing avoidable harm to archaeological sites.
The way in which we can do this is by carefully checking weekly lists of all planning applications that are sent to us by each of the planning authorities of southwest Wales. We check information held in the regional Historic Environment Record against those areas affected by applications and ask for more detail if we think that a development might impact on known archaeological sites. On average, about 4% of planning applications have a possible archaeological issue which will need further investigation.
If we are not sure how important the archaeology might be, or how dramatic the impact is, we might ask for more information in the form of a 'pre-determination evaluation'. This work has to be completed before planning is given, as its findings might result in planning permission being refused. However, these are rare cases.
In most cases where an archaeological planning comment is made, we recommend that a condition requiring archaeological work is attached by the Local Planning Authority. This means that a programme of archaeological work has to be arranged before any other work can start. When an applicant decides to start work on a site, the archaeological work will take place. This may be a simple "watching brief" where an archaeologist monitors work as it progresses, or can more rarely include a larger scale excavation. In this way valuable information about the past can be discovered.
HAFOD
Thomas Johnes' Hafod
Dyfed Archaeological Trust has undertaken numerous projects at Hafod, near Cwmystwyth , Ceredigion on behalf of the Hafod Trust and Forest Enterprise Partnership. Hafod, is a naturalistic picturesque landscape established by Thomas Johnes in the late 18th and early 19th centuries. Johnes built a mansion in the neo-gothic style and laid out long walks linking natural features such as waterfalls and cataracts with summerhouses, grottos and bridges.
Following his death, the built picturesque elements of Hafod were neglected and lost as later owners concentrated on commercial aspects of the estate. In the 1950s the Forestry Commission purchased Hafod, demolished the mansion and established coniferous plantations.
Since the early 1990s, the Hafod Trust, in partnership with Forest Enterprise, have been restoring some of Johnes's picturesque structures and many of the old walks. Dyfed Archaeological Trust have been involved on most of these restoration projects. It is now standard practise for Dyfed Archaeological Trust to carry out a full topographic survey prior to the restoration of an old walk, recording elements of the landscape such as paths, tracks, walls, rock outcrops, breaks of slope, streams, deciduous trees and tree stumps. It is not unusual to find 'lost' or previously unknown walks during these surveys.
Other topographic elements discovered during survey, such as viewing platforms, assist in interpreting Johnes's vision of the landscape. In addition to topographic survey, detailed recording of individual structures, such as the Alpine Bridge and the Gothic Arcade, has been undertaken. Excavation across selected sections of walks and on buildings such as the Cold Bath and the Rustic Alcove has also been carried out.
Project contact: Ken Murphy : k.murphy@dyfedarchaeology.org.uk
METAL MINES IN WEST WALES 2002-3 PROJECT
Wemyss Mine, near Pontrhydygroes
One of the great, lost industries of southwest Wales is the ancient and historic metal mining industry that was focused on the ore-field of central Ceredigion, but also extended into northern Carmarthenshire and Pembrokeshire. In 2002-3, Dyfed Archaeological Trust were grant-aided by Cadw to assess the condition and archaeological importance of 30 abandoned metal mines in southwest Wales.
Archaeologists have shown that copper was being mined in Ceredigion during the Bronze Age, over 3,000 years ago. It is known that the Romans mined gold at Dolaucothi, Carmarthenshire, but they may also have exploited the lead, silver and copper ores of the region. Certainly, lead was mined during medieval times. For example, Strata Florida Abbey had mines and smelteries in the Cwmystwyth area in the early 1500s. During Elizabethan times, private interests began developing mines on an industrial scale. However, it was during the 18th and 19th centuries that the industry flourished and made its greatest impact on the region's landscape. By the second half of the 19th century, the Ceredigion ore-field was dotted with large and small mines and many industrial villages sprang up. The effect on the landscape, settlement pattern, culture and economy of the area was immense.
When international metal ore prices crashed in the late 19th century, as cheaper ores from the New World flooded the markets, this ancient industry was decimated and only a handful of mines struggled on into the 20th century. By the 1930s all production had ceased. The industrial community was broken up and many miners went to seek work in the collieries of South Wales. The mine sites were abandoned and fell into dereliction. Many have since been affected by land reclamation schemes, their buildings and spoil tips levelled in an attempt to remove such "eyesores." However, Dyfed Archaeological Trust has records for over 220 metal mine sites in Ceredigion alone and many have lain undisturbed since their closure. Far from being industrial wastelands, these sites are now recognised as being important heritage sites, of high archaeological importance. Many sites have also become havens for wildlife.
In the 21st century, there is now a much greater appreciation of the value of heritage themes and sites as components in economic, tourism and educational strategies. The preservation of our metal mining heritage would clearly benefit such strategies. the Trust's hope is that the protection of key sites by Scheduled Ancient Monument status will in future form part of a management strategy to protect our mining heritage, linking the best mine sites and mining landscapes and settlements in the region.
Here is a list of other projects Dyfed Archaeological Trust is undertaking during 2003-4:
Cadw funded:
Deserted Rural Settlements Project; Historic Landscape Characterisation of areas defined by the Register of Landscapes of Historic Interest; Early Medieval Ecclesiastical Sites; Lithics Sites Assessment; Prehistoric Funerary and Ritual Sites Assessment.
Tir Gofal Farm Assessments; Carmarthen Castle Excavations; Hafod, Cwmystwyth Topographical Survey; Excavation of Newton House, Milford Haven (Petroplus development); Dinefwr Park, Llandeilo Topographical Survey.
National Archaeology Day:
This annual event falls on Saturday, July 19th this year and Dyfed Archaeological Trust staff will be holding a series of related activities in conjunction with Carmarthen Museum, Abergwili, Carmarthen throughout the day. Details will be posted on the Dyfed Archaeological Trust website prior to the date and will also be available from Gavin Evans at Carmarthen Museum, (01267) 231691.
Dyfed Archaeological Trust is keen to foster links with members of the public and community groups. You may have an interest in our work, as an amateur archaeologist or historian or as someone who is interested in the past of your community. Perhaps you work for an organisation that may have an interest in fostering links with Dyfed Archaeological Trust.
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The weekend read: Materials in the circular economy
A number of companies are now racing to find new materials to replace toxic or otherwise unsafe elements in PV modules, in pursuit of circular economic ideals. In a similar vein, many researchers are also looking for ways to recycle and reuse some of these materials at the end of solar panel lifetimes. In line with these efforts, artificial intelligence and machine learning now play a critical role in identifying new chemical footprints for PV modules and cells.
September 12, 2020 Brian Publicover
Earlier this year, SoliTek secured cradle-to-cradle 'silver' certification for its glass-glass solar modules.
Image: SoliTek
From pv magazine 09/2020
Professor Krishna Rajan – a materials informatics specialist in the School of Engineering and Applied Sciences at the University of Buffalo – focuses on understanding materials at the atomic and molecular scale. He says that the use of artificial intelligence has long been commonplace in his field.
"The use of AI methods in material sciences have now become part of the lexicon," says Rajan. "In fact, these tools that were very complicated to use are getting easier and more acceptable as computers become more powerful. We work in areas to try to understand, if you throw it in a landfill, how these materials degrade."
The International Renewable Energy Agency (IRENA) has estimated that more than 78 million tons of solar PV module waste will be in circulation by 2050. The shift to a more circular economy with regard to solar waste will therefore be key to successfully transitioning to a 100% renewable and sustainable economy in the years ahead.
Circular manufacturing
Circular manufacturing has been the focus of the UP initiative's Q3 2020 quarterly theme. We looked at if adopting circular approaches can create competitive edges and reap financial and reputational rewards, in addition to investigating what is already being done in the solar industry. Discover all our coverage.
The quest to find new materials that can replace toxic, unsafe materials such as lead is a major challenge for scientists. But some materials – ultra-pure nano-structured silicon, for example – can be recovered from PV panels via practical means for use in EV batteries.
That said, new materials are contributing to improved solar efficiency at an increasingly fast rate. As Rajan explains, in the early decades of the PV industry, core materials for solar cell and module production remained relatively constant. People may have modified engineering parameters, he acknowledges, but the basic materials and the foundation essentially didn't change. "In the last 20 years, that's not the case. The rate at which new devices and new materials to make those devices have appeared has increased very rapidly," he observes.
Reuse, repurpose
In July, the U.S. National Renewable Energy Laboratory (NREL) published a new report on end-of-life management for PV modules. The researchers looked at recycling of crystalline silicon and recommended further efforts to find ways to reduce environmental impacts and recycling costs, while still recovering as much material from panels as possible.
Solar panels nearing the end of their average 20-year lifespans in turn-of-the-century PV projects present a significant pollution and health threat. But the need to close the loop in the energy cycle and safely recycle or dispose of end-of-life PV products is also an opportunity.
Reuse, recovery and value-added repurposing is an alternative to recycling, but the path to accomplishing this is complex and multifaceted. The work of scientists such as Mahdokht Shaibani, a materials researcher at Monash University in Australia, sheds light on ways to potentially reduce the use of harmful materials such as lead, while also identifying new ways to recover copper, silver, and silicon from PV modules for reuse and repurposing in other products.
"The solar-grade silicon from PV waste can not only be recovered for second-use applications in solar panels, but it can be advantageously repurposed for value-added application in the anode of the 3b generation of Lithium-ion batteries," says Shaibani. "With an ultra-high capacity to hold lithium (in theory as much as ten times the capacity for a given weight compared to the traditional graphite), silicon has been an ideal candidate to explore as a new anode."
Industrial-grade silicon averages about $1-2/kg, but ultra-pure nano-sized silicon – which is suitable for battery applications – can cost up to $20,000/kg. This is of course not competitive, given that currently used graphite electrodes only cost around $10-20 per kilogram. So it's clearly important to find cheaper sources of high-purity silicon, but Shaibani argues that it is also critical to identify methodologies to support the price-competitive synthesis of "battery-grade" silicon.
A typical crystalline silicon (c-Si) PV module contains about 5% silicon, which is valuable, given its high purity. But most approaches to recovering it from PV waste involve hydrofluoric acid, a potent contact poison requiring careful handling and disposal. Shaibani, in cooperation with colleagues under Frederic Boschini at the University of Liege in Belgium, have have identified a substitute for hydrofluoric acid in the extraction of ultra-pure, nano-structured silicon from solar panels.
Immense challenge
However, even when a material is identified as potentially promising, researchers and manufacturers still face enormous challenges. Lithuanian solar panel maker SoliTek, for example, is taking a multifaceted approach to applying circular principles to its production operations, via digitalization, new design methods, and research on alternative materials for solar panels, to reduce toxic constituents and facilitate better module recycling.
But even with such clear objectives, the path forward is fraught with challenges. One important area of research for SoliTek has been the potential use of bismuth to replace lead in soldered interconnections. Bismuth initially showed potential here, but SoliTek's research findings thus far have raised further questions about sustainability and issues related to recycling. Its hunt for a lead-free alternative therefore continues.
Such examples underscore the scale of the challenge for materials researchers. As Rajan notes, a solar PV module itself is a complicated blend of materials. Scientists continue to discover and design all kinds of chemistries that can have great potential as solar energy conversion systems. And with about 80 elements in the periodic table – forget about the radioactive ones, obviously – researchers have a vast range of options to play with. The possibilities appear almost endless, but the clock is also ticking.
"In the area of medical sciences we always see the need to come up with a solution fast. Physical sciences have been slower on picking up that concept. But I think when we're dealing with things like solar and environmental issues, we can't wait 50 years for a solution," says Rajan. "We need to apply this logic of accelerated discovery."
Chemical footprint
Scientists can take several different approaches to tackling these problems. One is to try to determine the chemical inventory associated with a PV module. This has led to the creation of comprehensive lists in the United States and Europe of all the chemical ingredients that are used to make a solar panel – from the components to the materials. Scales of information serve as useful guides for companies trying to select safer or more sustainable materials.
The other approach involves the consideration of what makes a material toxic. A manufacturer may wish to avoid lead, but that in itself says nothing about about what actually makes it undesirable, says Rajan. And as SoliTek's experience with bismuth shows, the search for suitable replacement becomes a process of trial and error – a slow and arduous process. "This is where the field is right now. It's been like that for years."
"And that's why we're standing back and saying 'wait a minute' – what we're doing is saying that replacement may not just be one element. In other words, it may be a combination of elements," Rajan says.
But materials scientists have a lot of levers to control. And they need to consider all of them holistically to find materials that provide the desired functionality in the PV sector.
"Especially in the environmental area, we tend to look at everything purely from the label of chemistry – is it lead, is it bismuth, is it tin? But what happens when you take that lead, bismuth, or tin and put it in a perovskite cell, a zillion other things happen. And it's from how the atoms sit, what form they sit in, what angle they sit at," says Rajan. "These may sound like very academic, esoteric questions, but they have huge impacts on stability, performance, environmental hazards."
Stats on steroids
And because there are multiple parameters involved in the search for new materials, AI is a necessity – especially when the aim is to actually design materials for new applications from the ground up. The prediction of potential environmental issues is extremely complicated, after all.
"To do that we have to really get into some very advanced computational methods," Rajan explains. "And that is where AI comes in, because it has to look at fine networks of information correlations that can give us a guide that doesn't require us to do trial and error work."
It's "statistics on steroids" and it's widely used by material researchers. AI helps scientists to get into areas of mathematics that are evolving, in relative terms, and find connections that leapfrog what they see in the laboratory to what the performance would be in service.
"And what would the performance be when it gets into a landfill – how do you predict that? It's not a trivial question. And just having data and statistics alone over time is not a realistic way," argues Rajan. "But the challenge is the barriers – it's not lack of intention. The barriers are that there are so many variables and constraints. Even if you find the right chemistry, making it, synthesizing it, figuring out what its long-term impacts are, these are very complex problems."
And even then, there are more challenges to come. As Rajan explains, nature doesn't allow every chemistry to combine, or even produce materials that are stable. But even by applying advanced computational methods to such challenges, researchers still need to figure out the fastest way to make connections and answer complicated questions, says Rajan.
"That's where it becomes a data problem. It's not just having large amounts of data – you have to navigate connections between data, of characteristics of the materials, characteristics of the atomic scale, crystalline structure scale, the fabrication scale. All of which is very messy and noisy," he explains.
New alliances
Rajan and his colleagues have partnered with what he calls "nontraditional alliances" – that is, not just other universities. They collaborate with nongovernmental organizations and other groups who actually work on the front lines of environmental sciences and protection. Their shared aim is to determine what trends can be linked to contribute to policy decisions regarding the use of safer chemicals and materials.
"Finding the right partner with industry is critical," he says. "You need industry and companies that are willing to share information."
This is how scientists can truly expedite efforts to find a new material, and then quickly modify it while assessing its long-term environmental impact. The circular economy concept has been around for a long time. The problem, as Rajan sees it, is that the circle is extremely large.
"If we really want to make advances in getting the circular economy to have a good impact, we need to compress that life cycle," Rajan concludes. "So we don't have to wait 10 years to figure out whether something is bad and then figure out how to solve the problem."
Brian Publicover
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Like the One Ring collar, this leather dog collar has elvish script from the Lord of the Rings carved around it. The script on this collar has glow-in-the-dark pigment rubbed in. View the product page (coming soon).


text:
Plant City strawberries survive Christmas weekend cold snap
by: Justin Schecker
PLANT CITY, Fla. (WFLA) – The livelihoods of local farmers were on the line throughout the frigid Christmas weekend in Tampa Bay.
"It was a long cold weekend, got to enjoy Christmas like normal," said Matt Parke from Parkesdale Farm.
Parke's family has harvested strawberries in Plant City for seven decades.
"Times have changed," Parke said. "When we first got here there was no plastic on the field. They used to just grow on bare ground and irrigating wasn't a thing. We had pine needle that we used to cover the berry with to keep them from freezing."
Over the years, the farm has expanded and the company now sell its precious fruit to major retailers like Walmart and Kroeger.
After a day off for Christmas, the farm workers were back in the fields Monday to pick the ripe berries that survived the cold.
"I see a little bit of burn out there," Parke said, "but it's somewhere where the water wouldn't reach but nothing significant. It's very minor."
Parke said his family business managed to protect and preserve most of its prized crop by activating the irrigation system overnight Friday and Saturday when the temperature dropped as low as 28 degrees.
"What it does is it kind of forms a layer of ice over the top of the berry," Parke explained. "Think of it like an igloo, how an igloo somebody would stay inside of an igloo to stay warmer. Same thing is happening in our field. We're making a layer of ice to keep that berry warmer so it doesn't freeze and have damage on the fruit."
Parke said they were prepared to turn on the sprinklers for a third night in a row, but fortunately the temperature Sunday night stayed above 32 degrees.
Just like the strawberries, Parke said he looks forward to more typical winter weather in Florida.
"I'm a Florida boy," he said. "My blood's ready for warm weather."


text:
Home Featured Artistic home runs
Artistic home runs
by Dave Mason April 22, 2022 0 comment
Ventura artist Daniel Horine creates comic book covers honoring baseball heroes
COURTESY PHOTOS
Ventura artist Daniel Horine has combined his love for baseball and comic books with his Pop Fly Pop Shop. He digitally draws comic book covers honoring baseball heroes and creates prints for customers.
Come down from the sky, Superman and Spider-Man! You don't need to put in overtime.
After all, there's a new hero in town: the Commerce Comet.
His not-so-secret identity is Mickey Mantle.
And he's on the cover of a comic book, thanks to Daniel Jacob Horine. The Ventura artist, who founded Pop Fly Pop Shop, is hitting home runs of his own by creating special comic book covers saluting baseball legends such as Hank Aaron, Babe Ruth, Don Mattingly and Nolan Ryan.
Mr. Horine, 43, blends sports and comic books histories with covers reminiscent of various eras of comic books.
The art is getting sports enthusiasts' attention, to the point that Mr. Horine's work has landed in the National Baseball Hall of Fame and Museum in Cooperstown, New York.
Specifically, the museum is displaying Mr. Horine's creations of "The Curse of the Bambino" (Babe Ruth), "The Cobra" (Dave Parker), "Codebreaker: Dark Arts" (Houston Astros), "The Wizard" (Ozzie Smith), "The Green Monster" (Fenway Park), "The Big Red Machine" (Cincinnati Reds), "The Hawk" (Andre Dawson), "World Series 75: Waving it Fair" (Carlton Fisk), and "Rubberband Man" (Kent Tekulve).
Daniel Horine holds some of the covers he's created.
"As a longtime baseball fan and artist, it's a dream come true to have my artwork surrounded by sports history within the National Baseball Hall of Fame," Mr. Horine said. "I'm extremely grateful for the opportunity to combine my love for baseball and passion for art into nostalgic works that people can enjoy, and to have that resonate with such a large, loyal community is an incredibly humbling experience."
Mr. Horine's special baseball covers started when a friend suggested he create a comic book-style piece based on former All-Star first baseman Will Clark of the San Francisco Giants,
Mr. Horine went on to create his popular digital prints and has operated Pop Fly Pop Shop out of his home since 2020. He sells them at popflypopshop.com for a base price of $50.
With help from his wife Areni, Mr. Horine sends customers the prints, created in the standard comic book size of 7 by 10.5 inches, in a brown bag similar to the ones used at comic book shops.
"The prints are available for one week only. Then the print is retired forever," Mr. Horine said.
In addition to the comic book cover print, each bag contains old baseball cards. (Their 6-year-old son, Daniel Horine Jr., helps with tasks such as stacking the cards.)
"The art project is bigger than just the prints," Mr. Horine told the News-Press. "The nostalgic experience is just as important to us.
"Our business card looks like a baseball ticket," he said.
Mr. Horine honors Mickey Mantle with his "Commerce Comet" cover.
Mr. Horine has loved baseball since growing up in West Covina in Los Angeles County.
"My dad took me to a ton of Dodgers games," Mr. Horine said.
But he admitted he was a better spectator than a player.
"In Little League, they tried to get me as far away from the ball as possible — in the far, far right field," he said. "And I couldn't hit the ball."
But nothing deterred a love for art and baseball for Mr. Horine, a fan of Jack Kirby, the legendary Thousand Oaks comic books artist and writer.
Mr. Horine earned his bachelor's in visual communication in 2009 at Platt College in Alhambra. That same year, he moved to Simi Valley and went on to work as an art director at a small animation studio in Burbank. Later he became associate creative director at LinkedIn's office in Carpinteria.
Today Mr. Horine, who moved to Ventura in 2017, devotes all his time to the baseball covers, which he creates at home. He discussed his covers during the News-Press interview, beginning with Babe Ruth's appearance on "The Curse of the Bambino."
The supposed curse happened when the Boston Red Sox sold Babe Ruth to the New York Yankees, leading to a 1918-2004 dry spell in championships for the Red Sox.
Mr. Horine captures the horror of the curse with the cover.
At left, "The Curse of the Bambino" features legend Babe Ruth, whom the Boston Red Sox sold to the New York Yankees. That supposedly resulted in a longtime curse that cost the Red Sox championships — hence the red sock being cursed by Babe Ruth on the cover. Center, Mr. Horine salutes Ozzie Smith with "The Wizard" cover. The shortstop, who played for the San Diego Padres and the St. Louis Cardinals, was known as "The Wizard of Oz." At, Left, Mr. Horine draws his characters digitally. Once his covers are completed, he prints them for customers.
"He (Babe Ruth) is peering out of the shadows," Mr. Horine told the News-Press. "All you get is a visual of his face and his hand. Everything else is shrouded in darkness.
"He's performing a curse with a literal red sock in front of him," Mr. Horine said.
To honor Mickey Mantle, Mr. Horine created a cover called the Commerce Comet, which was one of Mr. Mantle's nicknames. Mr. Horine illustrated that by creating a comet trail behind Mr. Mantle as he swings his bat.
Mr. Horine collaborated with longtime pitcher Randy Johnson, who played primarily for the Seattle Mariners and Arizona Diamondbacks, on a comic book cover honoring him.
Mr. Horine said he picks comic book styles from various decades to honor his baseball heroes. For example, he made his covers of Hank Aaron, Darryl Murphy, Rickey Henderson, Norman Wright and Randy Johnson in the style of 1980s comic books. For "The Curse of the Bambino" with Babe Ruth, he relied on a more 1930s/1940s style.
Today, Mr. Horine continues to hit home runs with his love for nostalgia.
email: dmason@newspress.com
For more about Pop Fly Pop Shop, go to popflypopshop.com.
Local high school students become Eagle Scouts
Four Earth Day exhibits to open today in Santa Barbara


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This initiative is targeted at positioning the Department and the University as a maritime center of excellence and a hub across the West African region. The equipments have been fully procured and the laboratory building is on the planning stage.
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text:
Q: How to get phone number from an incoming call? How do I get the phone number when there is an incoming call in Android?

A: Following solution helped me retrieve the incoming and outgoing phone numbers.
Things to include in manifest :
1) Permission :
<uses-permission android:name="android.permission.READ_PHONE_STATE" />
<uses-permission android:name="android.permission.PROCESS_OUTGOING_CALLS"/>

2) A broadcast receiver:
<receiver android:name=".AnswerCallBroadcastReceiver">
        <intent-filter>
            <action android:name="android.intent.action.PHONE_STATE" />
            <action android:name="android.intent.action.NEW_OUTGOING_CALL" />
        </intent-filter>
</receiver>

Things to include in BroadcastReceiver class :
    public class AnswerCallBroadcastReceiver extends BroadcastReceiver {

        @Override
        public void onReceive(Context arg0, Intent arg1) {

            if(arg1.getAction().equals("android.intent.action.PHONE_STATE")){

                String state = arg1.getStringExtra(TelephonyManager.EXTRA_STATE);

                if(state.equals(TelephonyManager.EXTRA_STATE_OFFHOOK)){
                    Log.d(TAG, "Inside Extra state off hook");
                    String number = arg1.getStringExtra(TelephonyManager.EXTRA_PHONE_NUMBER);
                    Log.e(TAG, "outgoing number : " + number);
                }

                else if (state.equals(TelephonyManager.EXTRA_STATE_RINGING)){
                    Log.e(TAG, "Inside EXTRA_STATE_RINGING");
                    String number = arg1.getStringExtra(TelephonyManager.EXTRA_INCOMING_NUMBER);
                    Log.e(TAG, "incoming number : " + number);
                }
                else if(state.equals(TelephonyManager.EXTRA_STATE_IDLE)){
                    Log.d(TAG, "Inside EXTRA_STATE_IDLE");
                }
            }
        }
    }

A: Make a Broadcast receiver say ServiceReceiver assign its action in Manifest.
<receiver android:name=".ServiceReceiver" >
    <intent-filter>
        <action android:name="android.intent.action.PHONE_STATE" />
    </intent-filter>
</receiver>

Add a PhoneStateListener to your TelephonyManager, PhoneStateListener having override onCallStateChanged() with Incoming number parameter. Thats it.
ServiceReceiver.Java
public class ServiceReceiver extends BroadcastReceiver {

    @Override
    public void onReceive(final Context context, Intent intent) {
        TelephonyManager telephony = (TelephonyManager)context.getSystemService(Context.TELEPHONY_SERVICE);
        telephony.listen(new PhoneStateListener(){
            @Override
            public void onCallStateChanged(int state, String incomingNumber) {
                super.onCallStateChanged(state, incomingNumber);
                System.out.println("incomingNumber : "+incomingNumber);
            }
        },PhoneStateListener.LISTEN_CALL_STATE);
    }
}

A: This will definitely help you.
Here is an implementation, which will allow you to retrieve the phone number if it is an incoming phone call as incoming Number, and also when the call is FINISHED - note the Handler() code.
private class PhoneCallListener extends PhoneStateListener {

private boolean isPhoneCalling = false;

@Override
public void onCallStateChanged(int state, String incomingNumber) {

    if (TelephonyManager.CALL_STATE_RINGING == state) {
        // phone ringing
        Log.i(LOG_TAG, "RINGING, number: " + incomingNumber);
    }

    if (TelephonyManager.CALL_STATE_OFFHOOK == state) {
        // active
        Log.i(LOG_TAG, "OFFHOOK");

        isPhoneCalling = true;
    }

    if (TelephonyManager.CALL_STATE_IDLE == state) {
        // run when class initial and phone call ended, need detect flag
        // from CALL_STATE_OFFHOOK
        Log.i(LOG_TAG, "IDLE number");

        if (isPhoneCalling) {

            Handler handler = new Handler();

            //Put in delay because call log is not updated immediately when state changed
            // The dialler takes a little bit of time to write to it 500ms seems to be enough
            handler.postDelayed(new Runnable() {

                @Override
                public void run() {
                    // get start of cursor
                      Log.i("CallLogDetailsActivity", "Getting Log activity...");
                        String[] projection = new String[]{Calls.NUMBER};
                        Cursor cur = getContentResolver().query(Calls.CONTENT_URI, projection, null, null, Calls.DATE +" desc");
                        cur.moveToFirst();
                        String lastCallnumber = cur.getString(0);
                }
            },500);

            isPhoneCalling = false;
        }

    }
}

And then add and initialise the listener in your onCreate or onStartCommand code:
  PhoneCallListener phoneListener = new PhoneCallListener();
TelephonyManager telephonyManager = (TelephonyManager) this
        .getSystemService(Context.TELEPHONY_SERVICE);
telephonyManager.listen(phoneListener,
        PhoneStateListener.LISTEN_CALL_STATE);

A: you can find solution here
Bundle bundle = intent.getExtras();
String phoneNr= bundle.getString("incoming_number");

A: If you are using InCallService and you have a Call object then you can quickly get the incoming phone number by using the following code

if (call.getDetails().getGatewayInfo()!=null){

number=call.getDetails().getGatewayInfo().getOriginalAddress().getSchemeSpecificPart();}

else {
number=mainCall.getDetails().getHandle().getSchemeSpecificPart();}

Here the call is the object from android.telecom.Callpackage and the 'number' is a string type variable.
Hope this is helpful for you.

A: The answers above are right, but, don't forget about permissions
<uses-permission android:name="android.permission.READ_PHONE_STATE" />
NOTE, starting form Android 9 to read incoming call number you have to request this permission
<uses-permission android:name="android.permission.READ_CALL_LOG" />


The Rising of the Shield Hero has been building to the launch of its next wave of enemies, and like its video game tinged world suggests, the next wave will feature far stronger monsters that Naofumi and his party could expect. The series has been focusing on how Naofumi has been preparing to combat the next wave, and this continues into the next episode.
In this exclusive clip from the next episode of the series, Naofumi is setting Raphtalia and Filo up with some new accessories in preparation for the second wave. Though the shop owner suggests that Naofumi may be getting these particular accessories for a different reason than he's letting on.
Premiering on Crunchyroll and VRV Wednesday, March 20 at 7:30 AM PST, The Rising of the Shield Hero Episode 11 is titled "Catastrophe Returns" and fans want to see the coming of the second wave as the end of Episode 10 teased the arrival of a mysterious woman that shifts the series in an entirely unexpected direction.
If you're interested in checking out The Rising of the Shield Hero yourself, both the Japanese language release and English language dub are now streaming on Crunchyroll. Crunchyroll is producing the English dub alongside the Japanese release of the series, and the English voice cast includes Billy Kametz as Naofumi Iwatani, Erica Mendez as Raphtalia, Brianna Knickerbocker as Filo, Alan Lee as Ren Amaki the Sword Hero, Xander Mobus as Motoyasu Kitamura the Spear Hero, Erik Scott Kimerer as Itsuki Kawasumi the Bow Hero, and Faye Mata as Myne.
"Iwatani Naofumi, a run-of-the-mill otaku, finds a book in the library that summons him to another world. He is tasked with joining the sword, spear, and bow as one of the Four Cardinal Heroes and fighting the Waves of Catastrophe as the Shield Hero. Excited by the prospect of a grand adventure, Naofumi sets off with his party. However, merely a few days later, he is betrayed and loses all his money, dignity, and respect. Unable to trust anyone anymore, he employs a slave named Raphtalia and takes on the Waves and the world. But will he really find a way to overturn this desperate situation?"


With due reference to Ce Ce Peniston, I'm delighted to announce that it's finally happened. My book, HR for Creative Companies, has been published today by RIBA Publications and is available to purchase.
I mentioned that it was a labour of love in a past blog – and it's been more than a year in its creation.
So this is a very proud day.
I'm incredibly grateful to all at RIBA publications for helping to make it happen, and all my friends and colleagues who have put up with the pleas for proof reading, sense reading, constructive criticism and general moral support.
Now, please buy it! It's an easy read, has pictures and will help to make your life in the office so much easier!


text:
ESPN Cricinfo
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Records / Videocon Cup, 2004 - Pakistan / Batting and bowling averages
Ask Steven
U-19s WORLD CUP
Overall Records
World T20
WOMEN'S WORLD T20
Pakistan batting averages
Abdul Razzaq 2 2 1 61 35* 61.00 60 101.66 0 0 0 1 3
Shoaib Malik 2 2 0 104 68 52.00 125 83.20 0 1 0 10 0
Yousuf Youhana 2 2 0 71 43 35.50 85 83.52 0 0 0 4 2
Moin Khan 2 2 1 33 27* 33.00 32 103.12 0 0 0 3 0
Imran Farhat 1 1 0 17 17 17.00 49 34.69 0 0 0 1 0
Yasir Hameed 2 2 0 26 17 13.00 78 33.33 0 0 0 0 0
Shahid Afridi 2 2 0 19 19 9.50 14 135.71 0 0 1 2 1
Mohammad Sami 2 1 0 5 5 5.00 12 41.66 0 0 0 0 0
Inzamam-ul-Haq 2 2 0 8 7 4.00 19 42.10 0 0 0 0 0
Shoaib Akhtar 2 1 0 2 2 2.00 5 40.00 0 0 0 0 0
Younis Khan 1 1 0 0 0 0.00 2 0.00 0 0 1 0 0
Shabbir Ahmed 2 1 1 0 0* - 2 0.00 0 0 0 0 0
Pakistan bowling averages
Shahid Afridi 2 2 12.0 0 40 4 4/20 10.00 3.33 18.0 1 0 0 0
Shabbir Ahmed 2 2 13.0 1 47 2 1/22 23.50 3.61 39.0 0 0 0 0
Mohammad Sami 2 2 15.0 1 55 1 1/26 55.00 3.66 90.0 0 0 1 0
Abdul Razzaq 2 2 12.0 2 44 2 1/14 22.00 3.66 36.0 0 0 1 0
Shoaib Akhtar 2 2 13.0 0 63 3 3/40 21.00 4.84 26.0 0 0 0 0
Shoaib Malik 2 2 12.0 0 63 3 3/18 21.00 5.25 24.0 0 0 1 0
Imran Farhat 1 - - - - - - - - - - - 1 0
Inzamam-ul-Haq 2 - - - - - - - - - - - 1 0
Moin Khan 2 - - - - - - - - - - - 1 0
Yasir Hameed 2 - - - - - - - - - - - 2 0
Younis Khan 1 - - - - - - - - - - - 0 0
Yousuf Youhana 2 - - - - - - - - - - - 1 0
Records includes the following current or recent matches:
Australia v Pakistan at Amstelveen, Videocon Cup final, Aug 28, 2004 [ODI # 2162]
Australia v Pakistan at Amstelveen, Videocon Cup 3rd match, Aug 25, 2004 [ODI # 2160a]
India v Pakistan at Amstelveen, Videocon Cup 1st match, Aug 21, 2004 [ODI # 2157]
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The 6th International Conference on Graph Transformation (ICGT 2012) will be held at the University of Bremen (Germany) in the last week of September 2012. It continues the series of conferences previously held in Barcelona (Spain) in 2002, Rome (Italy) in 2004 (ICGT 2004), Natal (Brazil) in 2006 (ICGT 2006), Leicester (UK) in 2008 (ICGT 2008), and Enschede (The Netherlands) in 2010 (ICGT 2010), as well as a series of six International Workshops on Graph Transformation with Applications in Computer Science between 1978 to 1998. The conference takes place under the auspices of EATCS, EASST, and IFIP WG 1.3. Proceedings are planned to be published by Springer in the Lecture Notes in Computer Science series.