Chapter three: Trinitarian mission and ecclesial mission. The Constitution Lumen Gentium, develops the mystery of the Church, on the missionary activity of the Church, begins with an exhibition of the Trinitarian mission which is to extend in the ecclesial mission. We're going to fix in the texts of the second of these teachings, by its peculiar relationship with the missionary task. The Pilgrim Church is missionary by its very nature since it comes from the Mission of the son and the Mission of the Holy Spirit, according to the plan of Dios Padre. This salvador plan springs from love Fontal de Dios Padre, which, to create rational creatures, les wanted to communicate his own life, as a unique way of salvation. To establish peace or the communion of man with him, and harmonize the fraternal society among men of a new and definitive way, sending his son in our flesh, to boot through his men from the power of darkness and Satan and reconciled the world with himself in the. Continue to learn more with: Penguin Random House. Jesus Christ because he was sent to the world as true mediator among God and men.
And to carry out this mission in full form. Sent Christ the Holy Spirit from the father, to internally perform his work salvific push the Church to its own expansion. Without doubt the Holy Spirit work in the world before the glorification of Christ. However, it descended upon the disciples on the day of Pentecost to stay with them forever. Get more background information with materials from Dan Zwirn. The Holy Spirit unites in the communion and the service and provides various hierarchical and charismatic gifts to the whole Church throughout the ages, quickening as soul of them ecclesiastical institutions and instilling in the hearts of the faithful the same momentum of mission that had been brought by the same see Christ, therefore, that the father to carry out his work salvificHe sends his son and this in turn sends us his spirit.
The word and the spirit from the Old Testament are two mediations by which God communicates with the world, although the Jews read the Old Testament without finding there the doctrine of the Trinitarian missions, we read always the light of Christ. The Church is both privilege and requirement, because the great gift of Christ known and participated no is given so you enjoy it only, but at the same time that transmit it without ceasing to all peoples. In this way the Church feels chosen by God, as depository of their best gifts and at the same time sent, as the son and spirit, to convey to all the pro that divine mediation you have received.
Fashion refers to the customs that make any era or place specific, especially those related with the dress or decorate. Everyone has different tastes in clothing, some use quieter clothes, others more extroverts, most elegant, etc., although always everything will go by times and within each time go to demarcate different types of fashions such as those mentioned above.For many fashion can be a game of life for designers and models. Educate yourself even more with thoughts from Penguin Random House. Styles and trends should be according to the person who occupies certain garment; people have to locate in their age, work and/or taste for fashion, so that someone can see modern, must see well is not only bring clothes of the trend that came to the market if you don't have to look to go with its character, appearance, age, but above all it has to feel good about yourself / a to that actually communicate that fashion that attracts you. So it is important to know that there are different types of body, and each one needs something specific to highlight its best attributes and hide their small defects.We would be in an error when we talk about fashion and only think on the catwalk or in large Windows of this or that brand of confection, we must think that we are referring to everything that represents everything related to modes of live cultures of ways and customs that is and to summarize the fashion embraces everything that refers to our existence and is no exaggeration to say that last from the beginning of time when the man sought refuge in the caves because they started fashions if, say for example the painting the walls of the caverns surely became fashionable hunting trips, then tell the women and also men began to decorate their bodies or perhaps they only imitated the animals that embadurnaban mud to protect themselves from insects but they should also see more say attractions and so they laid the basis of a technique or should we rather say fashion that even today is still practiced in many tribes of the globe Australia, Africa Oceania etc., of all this that shows us that the fashion and the human evolution go hand in hand we can draw many conclusions but especially one which prevails over the others is that fashion and human evolution go hand in hand and could not understand the one without the other.. Dan Zwirn is likely to agree.
In all the interviews, the family educator will begin making a reminder from the previous session, comment on the reason for a new interview family and will expose the task that the family has to perform on it. Its role must be limited to orient the task, help the members of the family unit to participate, encouraging everyone to do it to the extent that they wish, will help them in the effort to reach agreements and end doing a brief summary and highlighting the agreements reached. You will remember the next step that the family has to give, by fixing the content and date of the next meeting. Ebays opinions are not widely known. (d) intervention: family faces in a concrete way their needs according to what have been established. It is important that next tasks also have remained reflected how they will control themselves the process, so that at this stage the family educator goes clearly into the background. Only encounters there will be to assess how the process is developing all levels, including the mechanisms of control of the family about the results and its reaction to possible unwanted effects. This means that initially all of this has materialized and a precise timetable has been set. Laurent Potdevin contributes greatly to this topic.
(e) evaluation and completion: is trying to make a final interview in which family it helps assess all worked. It is important that the educator family reflects that having made the path together has strengthened them although the specific goals have not fully achieved. I.e., it is necessary that the family is aware of the covered path and can do so independently. This type of methodology to be followed is specific difficulty involving all components of the unit of coexistence, all have to be capable of performing the process of reflection, of discussing, reaching agreements and making concrete decisions on a level of equality. This implies that when the family has small children or when one member suffers significant disability that essentially limits his ability volitional and reflexive, it is necessary to consider that the levels of communication, reflection, etc, are totally different, so action that takes into account these peculiarities is needed.
I me once at breakfast not between 2 types could decide jam, and wanted, I was eating a sausage roll without further ADO. Following emotional impulses or feelings: desire or frustration. We can compute rational needs and request decisions: 2 offers (see above) result in a 50-50 decision making ability. This allows clearly no quick choice, because the offer is almost identical! Before you starve to death: for fast We have choices (emotional) heuristics (think abbreviations, pattern) that are clearly superior to rational thought. Learn more at this site: Ebay. To protect our ancestors, from the Sabelzahntieger. Usually, the intuition or gut feelings is better than the mathematical logic! Almost always, I know what I don't want to! (Negative knowledge) Responsible for anything and everything? When your only tool is a hammer, you will look at every problem as a nail. Mark Twain, Deformation professionnelle. By specializing in training and employment, each about his knowledge focus has today. And considered this model its special compartment and justified each of the entire world. Dan Zwirn is likely to increase your knowledge. Discussed but recently a technician with me about the human body from reinphysikalischerSicht, the area of its competence. He had no idea about biology, chemistry, psychology, and sociology so I can't! Everyone is prisoner of his few thoughts models and our body not a machine. (Negative knowledge). It deeply embarrassed by an extremely one-sided consideration themselves only. Where are your knowledge deficits, away from your core faculty? Build up on further trade and interests areas next (tool box instead of just hammer). As long as encounter please only as a philosopher, as such you can talk more reasonably unscathed! "Or tell you frankly:…, so I don't know anything!" Note: Absolutely due to aging and relative to the steady increase of world knowledge everyone stupefied former studied constantly! Thanks to wikipedia.net, etc. everyone can reduce constantly its intelligence-delete something! Give me a sign! Simple and self-worth weak believing (instead of knowledge) to compensate for over sensual.


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Halfway through the semifinal: Fulham are 90 minutes away from Wembley
By Max Cohen May 15, 2017, 7:00pm BST
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Saturday's match against Reading was billed as Fulham's biggest match in the past five years; that lofty title must now transfer to Tuesday's second leg. After a tightly-contested 1-1 draw at Craven Cottage over the weekend, the task at hand for the Whites is simple. Win on Tuesday night at the Madejski and advance to the Play-Off Final at Wembley. Lose and have the season come to a close, facing another year in the Championship.
The first leg provided a much-needed reality check for Fulham, revealing that the Play-Offs would not be as much of a breeze as many had thought. The Cottagers' stunning end-of-season form and brilliant record against the fellow playoff sides had established Fulham as clear favorites, yet Reading stunned Craven Cottage back to reality.
A gritty, physical performance filled with constant time-wasting, fortunate refereeing decisions, and defensive grit handed Reading a crucial away draw. Jordan Obita opened the scoring for the Royals in the second half with virtually their first chance of the match. Reading's game plan had worked out perfectly: stifle Fulham's free flowing style of play, sit back, and hit them on the counter. Jaap Stam had worked wonders it seemed; Reading were third in the league for a reason.
Yet the closing half hour should give the Whites hope for the second leg. Tom Cairney bagged a slick equalizer after a wonderful Fulham counter, culminating in the captain nodding home from close range. The Cottage sprang back to life and revitalized Fulham's attack. And with just ten minutes to go, Reading's captain Paul McShane lunged into a horror tackle with Kevin McDonald. McShane was rightfully shown a straight red for the despicable challenge, ruling out a vital part of Reading's defence for the second leg.
In addition, Fulham fans should be heartened by the Cottagers' superb away record. Fulham won more away matches (12) than home matches this season, second only to the champions Newcastle in all of the Championship. Furthermore, the Whites have shown they can play with the best away from home, with massive victories over Newcastle, Norwich, Huddersfield, and Sheffield Wednesday all coming away from the confines of Craven Cottage. If anyone can defeat Reading at the Madejski, it is Fulham.
Fulham have always performed this season when the pressure is on. One only needs to look at Fulham's late run of form to see a team that can step up in the big matches. There is no doubt that it will be a mammoth task to progress to Wembley, yet if any club can do it, it is Fulham.
COYW!

redpajama_set_name: RedPajamaCommonCrawl


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Review: White Heat: The Friendship of Emily Dickinson & Thomas Wentworth Higginson, Brenda Wineapple
Posted on April 22, 2017 June 11, 2017 by Dana
Emily Dickinson declared, "Biography first convinces us of the fleeing of the Biographied." Brenda Wineapple not only takes on the monumental task in White Heat: The Friendship of Emily Dickinson & Thomas Wentworth Higginson of writing a biography of the enigmatic Belle of Amherst, but also of her friend, now (unfortunately) mostly unknown except for his connection to Dickinson, Thomas Wentworth Higginson.
Dickinson sent her poetry to Higginson along with her query:
Mr. Higginson,
Are you too deeply occupied to say if my Verse is alive?
The Mind is so near itself—it cannot see, distinctly—and I have none to ask—
Should you think it breathed—and had you the leisure to tell me, I should feel quick gratitude—
So began a friendship and correspondence that would last until Emily Dickinson's death, after which, Higginson, along with the mistress of Dickinson's brother Austin, Mabel Loomis Todd, would edit and assist in the publication of Emily Dickinson's poems after her death. Dickinson personally sent Higginson over 100 of her nearly 1800 poems.
After the introduction describing Emily Dickinson's first letter, Wineapple's biography is divided into three major parts, titled "Before," "During," and "After," which describe the lives of Dickinson and Higginson in alternating chapters before they began their correspondence, during their correspondence and friendship, and after Emily Dickinson's death, respectively.
Emily Dickinson first wrote to Higginson while he was living in Worcester, Massachusetts, which is my home. I had to look him up on the 1860 US Census, and I was not disappointed.
Take a look at his occupation: "Literary Man."
Letter from Emily Dickinson to Thomas Wentworth Higginson via Wikipedia
What Wineapple so expertly brings to light in this extraordinary biography is just how important Higginson's contribution not only to preserving for posterity the poetry of one of the greatest American poets but also to history. Over time, he's been accused of heavy-handed editing and of not understanding Dickinson's genius. Both accusations may be true. One can hardly blame him for not understanding her. She was unlike any poet he had read before. Higginson himself claimed that "The bee himself did not evade the schoolboy more than she evaded me; and even at this day I still stand somewhat bewildered, like the boy" in an essay he wrote about Dickinson for The Atlantic, a magazine to which he was a frequent contributor. As to whether he was too heavy-handed an editor, Wineapple claims that it's almost impossible to tell today whether it was Higginson or Mabel Loomis Todd who is more responsible for the edits. Thankfully, after the scholarship of Thomas H. Johnson and Ralph W. Franklin, we have editions of her poetry that more likely capture Emily Dickinson's intentions. However, Wineapple does note that Higginson implored Todd on several occasions to "alter as little as possible, now that the public's ear is opened." Wineapple claims Todd "did not listen" (292).
In any case, Higginson's reputation foundered with the advent of Modernism in the twentieth century, and while appreciation for Dickinson soared, Higginson was nearly forgotten. It's a shame, too, because he was an admirable man. He was an abolitionist whose house was always on the Underground Railroad. He was an advocate for women's rights and suffrage. It was he, not Robert Gould Shaw (now memorialized in the movie Glory) who led the first black regiment in the Civil War, the First South Carolina Volunteers. He suffered an injury that would leave a scar he carried all his life in an attempt to free fugitive slave Anthony Burns and prevent his return to the South.
Wineapple's triumph in this biography is not only that she is able in some way to offer a peek into the lives of the Dickinson family, but also that she resurrected Higginson from "the dustbin of literary history" (12). As she explains in her introduction,
Sometimes we see better through a single window after all: this book is not a biography of Emily Dickinson, of whom biography gets us nowhere, even though her poems seem to cry out for one. Nor is it a biography of Colonel Higginson. It is not conventional literary criticism. Rather, here Dickinson's poetry speaks largely for itself, as it did to Higginson. And by providing a context for particular poems, this book attempts to throw a small, considered beam onto the lifework of these two unusual, seemingly incomparable friends. It also suggests, however lightly, how this recluse and this activist bear a fraught, collaborative, unbalanced, and impossible relation to each other, a relation as symbolic and real in our culture as it was special to them. (13)
Wineapple's book is not only one of the most interesting books about Dickinson to be found, but it is also one of the most well-written. I have rarely read a biography that swept me up in quite the same way this one did. I found myself both eager to pick it up to read, and reluctant to read too fast so that I could savor it and stretch out my experience of reading it. I came away with renewed appreciation for Dickinson and a newly acquired appreciation for Higginson. It's definitely worth the read for anyone curious about Emily Dickinson, but I imagine even those who aren't sure about Dickinson would enjoy this book.
I bought this book in September 2015, I think right after I visited the Emily Dickinson Homestead the first time. I just now finally picked it up. It was published in 2008. I'm counting it for the Backlist Reader Challenge.
Charity Girl
Sherlock Holmes: The Adventure of the Beryl Coronet, Sir Arthur Conan Doyle
Posted in 2017 Reading Challenges, Nonfiction, ReviewTagged 2017, 5-stars, amherst, backlist reader challenge, book review, brenda wineapple, emily dickinson, massachusetts, review, white heat, white heat: the friendship of emily dickinson & thomas wentworth higginson
Sherlock Holmes: The Adventure of the Crooked Man, Sir Arthur Conan Doyle
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2 thoughts on "Review: White Heat: The Friendship of Emily Dickinson & Thomas Wentworth Higginson, Brenda Wineapple"
Lark @ The Bookwyrm's Hoard says:
Oooh. What a wonderful review, and now I'm really interested in this book. In my college Intro to Poetry course, when we studied her for two weeks, my professor gave me permission to do a monologue from The Belle of Amherst, the one-woman play about Dickinson, instead of writing a paper. He told me later he thought I would do something about 5 minutes long. Instead, I pulled together a 20-minute monologue that spanned the entire play, memorized it, and performed it for the class in costume. It was one of my favorite class assignments ever. In the course of it, I fell in love with Dickinson and her poetry. Higginson also sounds like a man very worth reading about. I'll be putting this on my want-to-read list, and checking my library's shelves.
It truly is a great book; highly recommended to any Dickinson fan.
What a miracle it is that out of these small, flat, rigid squares of paper unfolds world after world after world, worlds that sing to you, comfort and quiet or excite you. Books help us understand who we are and how we are to behave. They show us what community and friendship mean; they show us how to live and die.
— Anne Lamott


If you have a good driving record-- which to most insurance companies means no accidents for three years-- you can buy better auto insurance protection for less than you now pay. A little-known "Special Automobile Package Policy" is available from many companies.
The small tires on tent campers and boat trailers require special attention. Because of their smaller diameter, these tires rotate much faster than the larger diameter tires on the towing vehicle-- up to 80 percent more revolutions per mile. This puts greater stress on the tires and results in greater heat buildup and accelerated tread wear.
Ten years ago, no doctor worth his shingle would try to predict that you could develop a disease simply because your parents, grandparents-- or even a distant uncle-- had it. That's certainly less true today.
Home movies with sound can be almost as easy to make as silent films. Just connect recorder to the camera, position microphone and shoot.
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Before you begin looking at cars, it's smart to shop around for credit. You're more likely to save money when you're aware of the available plans-- and you'll be in a better bargaining position, too. Be sure to compare both terms and interest rates of each lender. Low interest rates are important, but you should also decide which repayment arrangement suits you best.
How good is your insurance away from home?
PESTICIDES: USEFUL FRIENDS OR DEADLY ENEMIES?
Some 3000 different insect pests compete with us for our food. Despite pesticides, they still manage to destroy one quarter of our crops each year. It's obvious that we must try to control these insects as best we can.
This summer, why not make the great outdoors even greater? Instead of putting up with an untamed sun or fishbowl yard, create your own summer style-- be it sunny, shady, private or just plain easy. These 12 pages show you how to set about it.
If summer parties leave you hot and harassed, follow our blueprint for a big and a small buffet. We've shown you how to make the best use of space and how to substitute creativity for cost. All party props can be made ahead and used over again.
In the Echo Hill community of Amherst, Mass., you won't see any utility poles, crowded streets or rows of look-alike houses. Instead, you'll find a quiet residential area where houses are tucked away amidst trees and forest greenery. What makes Echo Hill a special place to live is the land-use concept of Planned Unit Development, or PUD. It begins with a master plan that divides the land into building sites and open spaces.
Is your porch an underdeveloped area? Here are ways to turn it into an inviting oasis, whether it's enclosed for year-round living, semi-enclosed with screens or wide open to summery breezes.
Hot dish or cold, it will arrive the party or picnic in perfect ... with one of these three containers.
Rattan takes on serpentine lines in these pieces from the Scorpio group designed by John Caldwell. Love seat is available in standard and custom finishes and a variety of cushion covers. Coffee table has a plastic top and measures 27x50 inches.
Eating outdoors really is a picnic when you have the gear to keep food and drink at the proper temperature. To help you set a fine table wherever your fancy leads you, here's a selection of servers, vacuums and coolers. All are designed to travel light and do the job right.
When summer calls, you'll be moving from house to porch or yard for picnics, parties and family meals. And with you will go some of your handiest portable electric appliances.
Outdoor Grills: Which one for you?
Whether you're headed for the woods, the beach or your own backyard, there's a grill for you. It may be charcoal, gas or electric; it may be portable or stationary.
When you embark on vacation this year, will your diet go with you or stay at home? If you're a wise eater and follow a good exercise program while you're "relaxing," you might even return home slimmer! Clip these smart tips to the inside of your luggage, traveling kit, or picnic basket.
This year more Americans will take mini-vacations than ever before-- partly because of the new plan for moving certain national holidays to Friday or Monday. Three days still isn't enough time for a family to explore places like those featured in Better Homes and Gardens last month: the Black Hills or the Ozarks, for example.
If you have a beat-up garden hose, chances are you haven't been as careful with it as you should have been. True, you buy a hose with the understanding that it is guaranteed for five, ten, or more years, depending on quality.
Here are some tips to help make summer as happy, carefree, and comfortable for your dog or cat as it is for the rest of your family.
It was a mistake telling my wife she should run our house the way I do my office. Yesterday, she made me fill out an expense report for my golf outing.


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Help Anna confront her destiny! After her father is murdered, Anna's future is thrust upon her in Bloodline of the Fallen: Anna's Sacrifice! Discover terrifying secrets left behind by Anna's father, and discover that the depths of the human soul can hide some dark secrets. Dive into fantastic Hidden Object gameplay and survive this mysterious story!


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Posted 10:17 AM, November 26, 2019, by Tribune Media Wire
A Texas woman was found dead after pre-dawn attack by a group of feral hogs outside a home, the Chambers County sheriff said.
Christine Rollins, a 59-year old caregiver to an elderly couple in Anahuac, failed to show up at her normal time on Sunday, the sheriff's office said. The 84-year-old homeowner found her lying in the front yard between her car and the house.
Sheriff Brian Hawthorne said in a news conference Monday that "multiple hogs" assaulted Rollins when she arrived at work, likely between 6 and 6:30 a.m., when it was still dark outside.
"In my 35 years, I will tell you it's one of the worst things I've ever seen," Hawthorne told reporters.
Jefferson County Medical Examiner Selly Rivers determined Rollins was attacked by different hogs because of the various size of the bites on her body, Hawthorne said.
Mature feral hogs can weigh between 100 and 400 pounds, according to the Texas Parks and Wildlife Department.
The sheriff noted feral hogs are a problem across Texas, but attacks are rare.
CNN affiliate KTRK spoke to neighbors who said they have complained recently about wild hogs in the area.
Topics: animal attack, texas
Woman very likely killed herself and her two young children at Boston garage, official says
Police say witnesses aren't helping them find a gunman who killed two people at a Greenville, Texas party
'Stood up against evil': Relatives remember 2 men killed in Texas church shooting
Man who 'took out' Texas church shooter will receive Medal of Courage
Woman's body found in the investigation of missing Texas mother. A baby was also found alive
A woman was shot and killed by a Fort Worth police officer in her own home
Couple surprised waitress who walked 14 miles to and from Denny's with new car
Police have caught the inmate who escaped jail by carving through a brick wall
Ethan Couch, who killed four people in 'affluenza' case, arrested again in Texas
A 12-year-old got a magnifying glass for Christmas — and set his lawn on fire
Family of 95-year-old Enfield woman mauled to death by dog files lawsuit
Texas barber shot over 13-year-old's haircut, sheriff's office says


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Le Prince Mychkine, Muichkine ou Prince Lev Nikolaïevitch Mychkine (en russe : Князь Лев Никола́евич Мы́шкин) est le héros principal du roman L'Idiot de l'écrivain russe Fiodor Dostoïevski, publié en 1869.

Aspect du personnage
L'idiot pour les contemporains du prince est en fait un fol en Christ.

Le prince Mychkine est un . Leur fixité a quelque chose de doux mais inquiétant. Ils ont un étrange reflet qui pourrait se révéler être celui du regard d'un épileptique. Ses traits ne manquent pas de finesse.

Sa voix est « douce et conciliante ». Il est présenté comme appartenant au meilleur monde et étant d'une politesse raffinée.
Il manque toutefois d'aisance en société et est souvent embarrassé et maladroit. Mais il n'est jamais désemparé; il sait garder son sang-froid.

Il n'a souci ni de son élégance, une fois qu'il prendra possession d'un vaste héritage, ni de son débraillé aussi longtemps qu'il manque de moyens. Toute valeur humaine a pour lui plus d'importance que l'argent : il emprunte sans penser déchoir ou donne sans compter.
Le prince est courageux, brave sans être téméraire et sans l'impavidité d'un cœur froid. Dans la société il prend parti pour les causes nobles et délicates, celles perdues d'avance. Il a un sentiment de l'honneur très affiné envers tout ce qui est noble, inutile ou menacé.

Tout le monde le tient pour bavard, mais c'est par ingénuité de quelqu'un qui ne peut même pas concevoir la nécessité de la prudence. Il s'abstient toujours de juger et reste dans un état de pensive humilité, en relation intime avec la perfection.

C'est un fin psychologue. La puissance de son regard vient du fait qu'il n'est durci par aucune convoitise ou hostilité. Il fait confiance à tout le monde et quand il voit bien les défauts du prochain il les accepte avec une objectivité tranquille. Le prince est prêt à aider autrui jusqu'à l'oubli complet de soi-même.

S'ajoute à toutes ces qualités, celle de la véracité. Non pas parce qu'il ne ment pas, mais parce qu'il s'est mis au service de la vérité et qu'il l'exprime en restant indifférent à tout ce qui peut en résulter y compris des choses fort désagréables.

Le prince a souffert d'épilepsie dès sa première enfance. Il est resté longtemps en Suisse pour se faire soigner et d'un coup il a été délivré des ténèbres qui l'oppressaient sans être totalement guéri de la maladie. C'est grâce à ses relations avec les enfants du village suisse et avec Marie qui est malade, qu'il a vu sa santé se raffermir. Les évènements qu'il va connaître en Russie vont faire réapparaître les crises et le prince se retrouve à la fin du roman dans le même état que dans cet établissement de santé suisse et ne reconnaît plus les gens qui l'entourent.

Le prince est mal équipé pour les relations d'homme à homme et les traits de sa personnalité ne facilitent pas le succès dans la société. Il a choisi une manière d'existence qui s'efforce d'incarner les plus hautes valeurs humaines et se révèle difficile à déployer en ce monde.

Signification de la figure

Les enfants
Quand le prince Mychkine arrive en Russie, il sort d'une cure thérapeutique contre l'épilepsie. Malade et soigné en Suisse, il a vécu avec les enfants du village. Il a participé pleinement à leur ouverture d'esprit et à leur manière de vivre, car, contrairement à la majorité des autres adultes, il prend l'enfant au sérieux. Pour lui :
.
Il raconte son départ de Suisse comme suit : .

Lui-même sera pris pour un enfant. Certains critiques voient, à ce propos dans son épilepsie, la tentative d'éluder ses responsabilités d'adulte en restant puéril. Le concept d'« enfant » rejoignant alors celui d'« idiot ». Mais le prince est bien conscient de son état. Il sait qu'il est « d'ailleurs » : .

La peine de mort
Le prince Mychkine a l'occasion de donner son avis sur la peine de mort et sur les sentiments que l'exécution suscite. La première occasion concerne la description de la mise à mort par l'usage de la guillotine en France, à Lyon. La seconde est relative à l'exécution d'un prisonnier qui, au pied de l'échafaud, avait été condamné avec d'autres codétenus à être fusillés pour crime politique, qui avait vu l'exécution de ses compagnons et qui, sa peine de mort étant commuée, fut gracié vingt minutes plus tard.

Nastassia Philipovna
Dès son entrée dans la famille du général Epantchine, le prince voit un portrait de Nastassia Philipovna et, découvre sa beauté : C'est un visage extraordinaire...!

Quelques heures après son arrivée, il est à nouveau devant son portrait : « Il regarda autour de lui, s'approcha de la fenêtre pour être plus près du jour et se mit à examiner le portrait de Nastassia Philipovna... La beauté éblouissante de la jeune femme devenait même insupportable sur ce visage blême aux joues presque creuses et aux yeux brulants ; beauté anormale en vérité. Le prince contempla le portrait pendant une minute , puis se ressaisissant et jetant un regard autour de lui, il le porta à ses lèvres, et l'embrassa. Lorsqu'une minute plus tard il entra dans le salon, son visage était parfaitement calme ». Le prince sait que la beauté est une qualité métaphysique. Quand il parlera d'Aglaé, une autre jeune femme, il dira « Oh si, elle est remarquable. Vous êtes extraordinairement belle Aglaé Ivanovna. Vous êtes si belle qu'on a peur de vous regarder... Il est difficile d'interpréter la beauté;... La beauté est une énigme ». Par la beauté l'être acquiert le pouvoir de provoquer l'amour ; touchant le cœur et le sang elle touche aussi l'esprit. La beauté domine toutes choses et les saisit sans effort. Elle est de quelque manière affranchie de l'alternative du bien et du mal, indifférente et comme mystérieusement irresponsable... inexplicable .

Nastassia Philipovna est placée sous la catégorie de la perfection. Le prince lui dit un jour « Tout en vous est parfait ». Dès le principe et par essence elle est ordonnée à la perfection parce qu'elle a une naturelle grandeur. Comme le prince Mychkine, elle accomplira complètement sa figure et son destin. Elle est en ce sens « unique » et est par là une digne émule du prince. Dans sa jeunesse, elle a été ravagée par les actes d'un tuteur. Elle le hait. Mais sa haine finalement se tourne, du fait de sa perfection, contre elle-même. Elle vit alors dans un profond désespoir. Sa manière d'être belle révèle tout ensemble ce rapport à la perfection et ce désespoir. Cette beauté touche le prince chez qui nait un amour, qui n'est fait que de souffrance. Son amour s'éveille devant une beauté qui s'abîme dans la perdition, devant le désespoir d'être né sous le signe de la perfection.

Quand Mychkine rencontre Nastassia pour la première fois  les deux personnages échangent avec étonnement leur impression de s'être déjà vu. Au sein de leur rencontre actuelle, historique quelque chose d'« éternel ». se dévoile. Pour Romano Guardini, philosophe catholique, Nastassia ne sait pas que c'est la ressemblance du Christ, du Sauveur, qu'elle voit dans le prince. Mychkine porte également en lui, dans sa conscience temporelle, ce sentiment d'éternelle rencontre. De son être naît pour les yeux de Nastassia l'existence du  Rédempteur .

Le soufflet au prince
Varia (Barbara Ivolguine) et Gania (Gabriel Ivolguine) se querellent avec violence. Gania est un soupirant de Nastassia. Varia, sa sœur, a traité sa fiancée Nastassia de « dévergondée ». « Gania resta un moment comme foudroyé par l'algarade de sa sœur. Mais quand il vit que Nastassia Philipovna s'en allait cette fois pour de bon, il se jeta comme un fou sur Varia, et dans un accès de rage la saisit par la main... Gania sentit un nuage lui passer devant la vue : il s'oublia complètement et lança à toute volée un coup dans la direction de sa sœur. Il visait à la figure. Mais une autre main retint la sienne au vol. Le prince s'était interposé. - Assez ! cela suffit ! dit-il d'une voix ferme, bien qu'une violente émotion le fit trembler des pieds à la tête. - Ah ça, il faudra donc que je te retrouve toujours sur mon chemin ! hurla Gania qui, au comble de la fureur lâcha soudain la main de Varia et envoya, de son bras libre, un vigoureux soufflet au prince...Le prince pâlit. Il regarda Gania au fond des yeux avec une étrange expression de reproche; ses lèvres tremblaient et s'efforçaient d'articuler quelque chose ; un sourire singulier et insolite les crispait. - Pour moi, peu importe... mais elle, je ne permettrai pas qu'elle soit frappée, dit-il à mi-voix... »

Ce mystérieux sourire du prince vient du fait que le prince s'exprime d'un plan plus lointain et plus profond que les autres. Il est comme un étranger au milieu d'eux.

Le prince a fait preuve de bravoure chevaleresque en prenant la défense de la jeune fille. La logique voudrait qu'il se décharge contre l'offenseur, mais il lui dit seulement : « Pour moi peu importe ... ». Son ami et rival auprès de Nastassia, Rogojine, prend son parti et dit : « Tu auras honte, Gania, d'avoir insulté pareille... brebis (il ne sut pas trouver un autre mot). ».

Rogojine
Parfène Rogojine a 27 ans. Le prince le rencontre dès le début du roman dans le train qui vient de Suisse vers Petersbourg. Rogojine a une nature impétueuse et volcanique. Il se moque du prince, mais en même temps se révèle entre les deux hommes une singulière relation, voire une parenté.
Rogojine est touché par l'être même du prince. Rogojine devine l'âme de Mychkine dès leur première rencontre et il l'aime : . Pour lui, le prince est sensé mais son entendement est enchaîné. Il est « comme un paysan crasseux » qui n'a rien appris. Tout en lui est enchaîné. Seul l'amour pourrait le libérer et le rendrait capable de toutes les audaces et de toutes les bontés.
Rogojine avait promis au prince de lui faire rencontrer Nastassia Filippovna...
Et cet amour naît dès la première rencontre du prince avec Nastassia. La passion est totale et inconditionnée, violente. Aussi bien pour lui que pour la personne à laquelle cette passion s'adresse : Nastassia. Il est de plus torturé par la jalousie.
Nastassia aime Mychkine et ce n'est qu'en désespérant de pouvoir lui appartenir qu'elle se précipite vers Rogojine.

Les rapports entre les deux hommes et Nastassia provoquent le mystérieux épisode de la tentation et de la faute de Mychkine. Ce dernier sait que Rogojine vient « justement » d'acheter un couteau de jardinier. Mû par un obscur pressentiment, le prince inconsciemment, puis plus nettement, se met en quête du couteau, et, contre sa promesse sur l'honneur faite à son ami, va trouver Nastassia. Ce qu'il recherche ce n'est pas elle-même mais c'est ce qui se produira s'il va à elle, c'est le couteau de Rogojine... (avec lequel ce dernier tuera plus tard Nastassia). Rogojine le surprend et lève son couteau sur le prince ... qui tombe en crise d'épilepsie. Rogojine ne se rend pas compte de cette crise et s'enfuit sans atteindre Mychkine. La faute de Mychkine est plutôt un manque de vigilance ou de fermeté mais elle se produit au cœur même de la mission que le prince s'est fixée et qui échoue du fait du non-respect de sa parole. Pour Romano Guardini, Dostoïevski a placé cette chute de Mychkine à un endroit où elle ne cadre pas, c'est parce qu'elle s'attache au désastre plutôt qu'à la victoire, pour que l'honneur en revienne à Dieu.

La catastrophe survient finalement. L'assassinat de Nastassia par Rogojine. Mychkine va trouver son ami dans sa ténébreuse maison. Rogojine lui montre étendue sur le lit Nastassia qu'il vient de tuer :« Au bout du lit, un fouillis de dentelles blanches laissait passer l'extrémité d'un pied nu qui semblait sculpté dans le marbre et gardait une immobilité effrayante... ». Il lui fait une étrange proposition : « Nous allons passer la nuit ici, ensemble... nous dormirons ainsi l'un près de l'autre... Eh ! bien, qu'elle se repose pour le moment près de nous, près de toi et de moi !... ». Ils passent la nuit ainsi.

Au matin, quand les deux hommes sont retrouvés, Rogojine a perdu la raison.« Le prince était assis à côté de lui, immobile et silencieux sur son coussin : chaque fois que le malade criait ou délirait, il s'empressait de passer sa main tremblante sur ses cheveux et ses joues dans un geste de caresse et d'apaisement. Mais il ne comprenait déjà plus rien aux questions qu'on lui posait et ne reconnaissait plus les gens qui entraient et l'entouraient. ».

Pour Romano Guardini, les gestes de Mychkine sont des gestes purement humains, mais plutôt que l'annonce d'une ruine définitive, il s'agit d'un bulletin de victoire et ce qui émane de ce tableau final c'est l'image chrétienne du Rédempteur. Force divine et victoire de l'amour jaillissent ici, avec Dostoïevski, de la plus pitoyable détresse, au milieu d'une situation inextricable. Selon le théologien Guardini : « ce qui est impossible aux hommes est possible à Dieu ».

Références

Bibliographie

L'Idiot
Personnage de Dostoïevski
Prince de fiction

redpajama_set_name: RedPajamaWikipedia


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Forum on Translation
Associate Professor of History, University of Pennsylvania
Project: Translating Ethical Practices to Unethical Contexts: Intractable Conflicts among IRB Guidelines, Intellectual Property Law, Translation Rights, and Class Inequalities
Ann Farnsworth-Alvear is author of the award-winning book Dulcinea in the Factory: Myths, Morals, Men and Women in Colombia's Industrial Experiment, 1905-1960 (Duke University Press, 2000), which won the Allan... (more)
Beth Linker
Associate Professor, Department of the History and Sociology of Science, University of Pennsylvania
Project: The American Slouch: Human Posture, Visual Translation, and the Science of Inscribing the Body onto Paper
Beth Linker is Associate Professor at the University of Pennsylvania in the Department of the History and Sociology of Science, where she is also Graduate Chair. She received her Ph.D. from Yale and worked as a... (more)
Rahul Mukherjee
Dick Wolf Assistant Professor of Television and New Media Studies, Cinema Studies Program, Department of English, University of Pennsylvania
Project: Radiation in Translation: Technological Mediation of Environmental Risks
Rahul Mukherjee is the Dick Wolf Assistant Professor of Television and New Media Studies in the Cinema Studies program (Department of English) at University of Pennsylvania. His book project examines environmental... (more)
Sheila Murnaghan
Alfred Reginald Allen Memorial Professor of Greek, Department of Classical Studies, University of Pennsylvania
Project: Translating Sophocles' Antigone in the Twenty-First Century
Sheila Murnaghan is a classicist specializing in ancient Greek poetry, especially epic and tragedy, gender in classical culture, and the modern reception of classical literature. She is the author of Disguise and... (more)
Christine Poggi
Professor of History of Art, University of Pennsylvania
Project: On the Other Side: The Performance of Exile, Migration, and Labor in Contemporary Art
Christine Poggi is Professor of modern and contemporary art and criticism in the History of Art Department at the University of Pennsylvania, with a secondary appointment in the Italian Section, Romance Languages.... (more)
Heather J. Sharkey
Associate Professor of Middle Eastern and Islamic Studies, Department of Near Eastern Languages & Civilizations, University of Pennsylvania
Project: Inventing Languages: British Imperialism, Translation, and the Bible Business in the Modern Middle East
Heather J. Sharkey is an Associate Professor in the Department of Near Eastern Languages and Civilizations at the University of Pennsylvania. She holds degrees from Yale, Durham (UK), and Princeton. She previously... (more)


Most Western democracies have few or no people serving life sentences, yet in the United States more than 200,000 people are sentenced to such prison terms. Ashley Nellis of The Sentencing Project argues that there is no practical or moral justification for a sentence longer than twenty years, and contends that harsher sentences have been shown to have little effect on crime rates. She takes Town Hall's stage to share insight from her book The Meaning of Life: The Case for Abolishing Life Sentences—and meets with Steve Herbert, University of Washington Professor of Law, Societies, and Justice, to discuss the flaws in a life-sentence based criminal justice system.
Herbert offers his own data-rich portrait of the challenges that a life sentence poses, both to the prisoners and to the staffers charged with caring for them. He shares moving personal profiles of individuals affected by life sentences—collected in his book Too Easy to Keep: Life-Sentenced Prisoners and the Future of Mass Incarceration—demonstrating through extensive interviews that many lifers show remarkable resilience and craft lives of notable purpose. Their conversation is moderated by Katherine Beckett, also of the University of Washington.
Join Nellis, Herbert, and Beckett for an illuminating conversation about the harsh consequences of excessive sentences and the critical need for our nation to consider more humanitarian punishment policies.


The fame of Stéphane Derenoncourt is already wide spread. This craftsman of the vine, self-educated, is working at the upgrading of vineyard estates, thanks to the attention and respect he has for the land. This man lives with passion, meets each terroir and region differently, so that he can extract from them the best nectar. With its knowledge, its curiosity and its talent, he brings a new and enriching look on the vine, so that he can create, in collaboration with the winemaker, a wine with unique characteristics. The numerous achievements he obtained in barely 15 years gave him the acknowledgement of his pairs. Still, Stéphane Derenoncourt remains a humble man, discreet, whose work aims above all at enhancing the quality of the land and the wines.


The contrasting words and phrases are blue. This paper is present in most academic settings and careers; hence most people will come across it at one point. What fallacies or flaws do you recognize in the argument? Using the right phrases and grammar structures can help you express your ideas well. All sheets are provided in both colour and black and white, covering all opt. Only one man has red hair. Our essay writing service is tailored to fit your budget.
It serves to cement your claim and to solidify your argument. The first paragraph of your body should lay down all the merits and demerits of home-cooked food. Transitions enhance logical organization and understandability and improve the connections between thoughts. Every day that your loved one goes without practice it becomes more difficult to help them. Related Articles Academic essay writing: compare and contrast essay What is a Compare and Contrast Essay How To Write An Impressive And Informative Essay? Please, please, please use this list to practice. That is to say , they tried to convey the message subtly though with creativity. One way to arrange your material is to use the block arrangement which is to write about vacationing in the mountains in one paragraph and vacationing at the beach in the next.
You could settle on two subjects that fall under the same category but have quite distinct differences. The fourth paragraph will be about both topics and how they either compare or contrast. Contrary to the American Flag, the British Flag has a red cross on a white field with the Union Flag in the background. I searched for this on bing. A compare and contrast essay is one of the easiest essays one can write.
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Compare and Contrast in English Using the right words and phrases can help you express your ideas in. For example the feeding habits of humans and pigs. In addition to evaluating whole works, your students will learn which words are used to signal either a comparison or a contrast. Types of Signal Words Emphasis Words In writing, some ideas are central to the general thrust of the article while others are not as important. Now that you have your topic, you must brainstorm and narrow down the topics to create and issue. It includes card pairs and interactive games in a bumper 200 page resource.
Linking to the Guides is encouraged! See more ideas about In contrast to, In contrast definition and Beach inspirational quotes. For example, Home cooked food vs. Contrast and Comparison: contrast, by the same token, conversely, instead, likewise, on one hand, on the other hand, on the contrary, rather, similarly, yet, but, however, still, nevertheless, in contrast The children were very happy. For an in class essay, it will be good if you can bring in extra paper. Most people perceive them just as the same fast food restaurant with different names.
An to communicate ideas or thought to the reader by cutting out a path through words. For Example: Political will is important in the fight against corruption because politicians are the policy makers. Some challenges you may come across in writing a compare and contrast essay are. Illustration: for example, for instance, for one thing, as an illustration, illustrated with, as an example, in this case The chapter provided complex sequences and examples illustrated with a very simple schematic diagram. The third paragraph will be about the second topic and again only the second topic.
It really is rough to fluff your way by means of an essay of this kind. As usual, it will restate the thesis but in a more authoritative way. After all the differences have been fronted, you can conclude. Regardless of your chosen structure, the essay will still have to conform to the following standard: Introduction This is the first paragraph. It includes card pairs and interactive games in a bumper 200 page resource. This will give you good insight on the type of advertisement you should use. You state your intent and your thesis to your readers after giving a brief background.
Compare and contrast in English This paragraph compares and contrasts the American Flag and the British Flag. This will lead to a more interesting conversation or. If you do write notes, make sure they are just short words and phrases that will help you formulate a plan, not long notations that will take time to write and then review. Before you can understand what they are, you should know the use of transition words and phrases first. It will be a great benefit to you and your loved one's progress.


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32° Partly Cloudy
Letitia Wright stars in "Black Panther: Wakanda Forever." Marvel's "Black Panther" sequel is in theaters Nov. 11.
Marvel Studios/TNS
Top movies for fall 2022, including the much awaited 'Wakanda Forever'
By Michael Phillips
This fall shapes up as a battle of reality vs. fantasy. The reality is a movie industry that continues to unlearn lessons never easily learned in Hollywood: how to create and simultaneously point stockholders toward new work, new intellectual properties, new storytelling for a sustainable future.
The fantasy part, the creative part: That's what may just get us through.
This fall's releases hold plenty of promise in different directions and varying degrees of New. Here are 11 titles to consider. And here's hoping "Black Panther: Wakanda Forever" is even a fraction as effective as its trailer. All release dates are subject to change.
"Bros" (Sept. 30 in theaters). Billy Eichner and Luke Macfarlane star in the latest from director Nicholas Stoller ("Forgetting Sarah Marshall"). This is being touted by Universal as the first gay rom-com in major-studio Hollywood history. Wow! That didn't take very long at all!
"Amsterdam" (Oct. 7 in theaters). The return of David O. Russell ("American Hustle," "Silver Linings Playbook") in a fictional/factual hybrid of a cockeyed '30s murder story, featuring a cast big enough to fill out a disaster movie or three: Christian Bale, Margot Robbie, Anya Taylor-Joy, Rami Malek … and Russell's go-to, Robert De Niro.
"Till" (Oct. 14 in theaters). The horrific 1955 Mississippi lynching of 14-year-old Chicagoan Emmett Till has been dramatized before; director Chinonye Chukwu ("Clemency") and the screenwriters focus their account on Mamie Till-Mobley (Danielle Deadwyler), Till's educator and activist mother, and her drive to bring the killers to justice.
"Ticket to Paradise" (Oct. 21 in theaters). Julia Roberts. George Clooney. Rom-com. Bali. Magic time?
"Black Adam" (Oct. 21 in theaters). Can Dwayne Johnson, who plays the DC Comics character initially designed to be shoehorned into "Shazam!", elevate the insanely up and down DC film roster? I have no additional questions on this topic at this time.
"Guillermo del Toro's Cabinet of Curiosities" (Oct. 25 on Netflix). A tantalizing eight-episode horror anthology, featuring a murderer's row of contemporary masters of the macabre. Anything new from "The Babadook" director Jennifer Kent is everything fine with me.
"The Son" (Nov. 11 in theaters). Anthony Hopkins won his second Oscar for "The Father," also from playwright/screenwriter Florian Zeller. "The Son" is part of Zeller's trilogy, starring a similarly prestigious cast of Hugh Jackman, Laura Dern, Vanessa Kirby — and Hopkins once again.
"The Fabelmans" (Nov. 11 in theaters). The collaboration between director Steven Spielberg and screenwriter Tony Kushner continues, enticingly, with this seriocomic semi-autobiographical portrait of a great American filmmaker's early years. The cast includes Michelle Williams, Paul Dano, Seth Rogen and, yes, David Lynch as John Ford.
"Black Panther: Wakanda Forever" (Nov. 11 in theaters). Forever is a long time, but the devotion to the first "Black Panther" starring the late Chadwick Boseman is ardent indeed. The sequel in this Marvel franchise, directed by Ryan Coogler, sets Queen Ramonda (Angela Bassett), Shuri (Letitia Wright), War Dog Nakia (Lupita Nyong'o) and others against interlopers in a battle for Wakanda.
"The Menu" (Nov. 18 in theaters). An eerie dark-comic premise: Ralph Fiennes portrays the world-class-est of world-class chefs, inviting a select handful of foodies to his remote island resort for the meal of a lifetime.
"She Said" (Nov. 18 in theaters): Or, how they got that story and brought the formerly untouchable movie mogul Harvey Weinstein to justice. In this true-life tale of investigative journalism, Zoe Kazan and Carey Mulligan play New York Times reporters Jodi Kantor and Megan Twohey.
Prolific singer and instrumentalist continues to grow his repertoire
Cashmere High School presents 'Little Women,' a musical
Wines of the Week
Now that the actors, directors and producers have spoken, what movie will win the Oscar?
Inside the box, for once; museum class promotes collaging to de-stress
Chinese acrobats tumble, juggle, contort and balance on stage
Soul musician inspires with songs and stories
Mission Ridge to host first comedy and dinner event of the season
Museum festival honors Martin Luther King Jr. and local civic leaders


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Media Maneuvers: Vox Media Acquires Preet Bharara's Cafe Studios
Tue., Apr. 13, 2021
Vox Media acquires Cafe Studios, the podcast-focused publisher co-founded by former U.S. Attorney for the Southern District of New York Preet Bharara. Cafe Studios is Vox Media's fourth recent merger or acquisition. It has picked up film, television, audio and production studio Epic and commenting platform Coral, as well as merging with the publisher of New York magazine. Bharara and Tamara Sepper, who serves as the executive producer and head of content, will join Vox Media along with a team of podcast hosts, producers and product developers. Cafe will operate as a division of the Vox Media Podcast Network, continuing to produce its active slate of shows, with new shows in development this year. "Bringing Cafe into the Vox Media Podcast Network is aligned with our goal of delivering high-quality editorial content at scale and providing audiences highly relevant voices and insights," said Vox Media chairman, CEO and co-founder Jim Bankoff.
Alessandra Galloni
Reuters names Alessandra Galloni editor-in-chief, the first female leader in the company's 170-year history. Galloni, who has been global managing editor at Reuters since 2015, succeeds Stephen Adler, who is retiring. She will work from the company's London office. After beginning her career at Reuters' Italian-language news service, Galloni was a reporter and editor at the Wall Street Journal for 13 years. She takes the helm as parent corporation Thomson Reuters searches for ways to lower costs and raise revenues. Though Reuters News made $73 million in pretax profits in 2020, it was deemed "a drag on the growth of the company" by Bank of America analyst Gary Bisbee. The division accounted for about 10 percent of Thomson Reuters' total $5.9 billion in revenues.
Subha Barry
Bonnier Corp., which publishes magazines including Working Mother, Yachting and Sailing World, launches Seramount, a diversity, equity and inclusion platform. The platform, which currently provides DE&I services to more than 400 corporate brands, is the result of the merger of Working Mother Media, Diversity Best Practices, Culture@Work and the Working Mother Research Institute. It is led by Subha V. Barry, who was previously president of Working Mother Media and has also served as global head of diversity at Merrill Lynch. "By leveraging all of our capabilities, we will help our clients as they lead the way to a new bottom-line driving business priority—to make belonging a baseline at every stakeholder touchpoint," said Barry.
Return to Apr. 13, 2021 News


Hebden Bridge Burlesque Festival celebrates its fifth anniversary with acts performing in venues across Hebden Bridge and Todmorden from April 27-30.
The 2017 Festival includes 10 live events with over 50 performers travelling here from all over the UK, Europe, Australia, South America, America and Japan.
There will be nine workshops ranging from burlesque skills such as Fan Dancing to physical theatre classes in Modern Clowning, Marketing workshops and a Stage Makeup Masterclasses.
Also the Burlesque Bazaar - a family friendly shopping event with independent traders and designer-makers is at Hebden Bridge Town Hall on April 30. See next week's WOW for full details.


Agile modeling defines set of practices which can show us the way towards becoming successful Agile modelers. These practices are divided in to two sections one the "Core Principles" and other "Supplementary Principles". Below figure 'Agile Model Principles' shows the same in a pictorial format.
Let's understand one by one what those principles mean.
Simplicity: - Do not make complex model keep it simple. When you can explain your team with a pen and paper do not complex it by using modeling tool like rational rose. Do not add complexity to show off something. If the developer understands only flow chart then explain him with a flow chart, if he understand pseudo-code then use pseudo-code and so on. So look at your team what they understand and prepare document in a similar fashion.
Welcome Change: - Requirements grow with time. Users can change the requirements as the project moves ahead. In traditional development cycle you will always hear the word "Freeze the requirement", this has changed with Agile coming in. In Agile we welcome change and the same is reflected in the project.
Incrementally change: - Nothing can be right at the first place itself. You can categorize your development with "The most required", "Needed features" and "Luxury features". In the first phase try to deliver the "The most required" and then incrementally deliver the other features.
Model exists with a purpose: - Model should exist for a purpose and not for the sake of just existing. We should know who our target audience for whom the model is made. For instance if you are making a technical documents it's for the developers, a power point presentation it's for the top management and so on. If the model does not have target audience then it should not exist probably. In short "just deliver enough and not more".
It should be light: - Any document or artifact you create should be also updated over a period of time. So if you make 10 documents then you should note that as the source code changes you also need to update those documents. So make it light as possible. For instance if your technical document is made of all diagrams existing in UML, it becomes important to update all diagrams over a period of time, which is again a pain. So keep it light weight make a simple technical document and update the same when you have logical ends in the project, rather than updating it periodically.
Keep multiple models: - Project issues vary from project to project and the same project behavior can vary from organization to organization. So do not think one model can solve all issues keep yourself flexible and think about multiple models. Depending on situation apply the model. For instance if you are using UML for technical documentation then every diagram in UML can reflect the same aspects in different way. For instance a class diagram shows the static view of project while a flow chart a dynamic view. So keep yourself flexible by using different diagrams and see which best fits your project or the scenario.
Software is the most important thing:- The main goal of a software project is to produce high quality software which can be utilized by your end customer in a effective manner. Many projects end up with bulky documents and management artifacts. Documentation is for the software and not software for the documentation. So any document or activity which does not add value to the project should be questioned and validated.
Get Rapid and regular feedbacks: - Software is finally made for the user. So try to get feedback on regular basis from the end user. Do not work in isolation involve the end user. Work closely with the end customer, get feedback, analyze requirements and try to meet there need.
Content is important than presentation: - The look and feel is not important rather the content or the message to be delivered by the content is important. For instance you can represent project architecture using complex UML diagrams, simple flow chart or by using simple text. It will look fancy that you can draw complex UML diagrams but if the end developer does not understand UML then it ends no where. A simple textual explanation could have met the requirement for communicating your architecture to the end developer / programmer.
Honest and open communication: - Take suggestion, be honest and keep your mind open to new model. Be frank with the top management if your project is behind schedule. An open and free environment in project keeps resources motivated and the project healthy.
Next question > : Can you explain Agile modeling?
What is the disadvantage of Gantt chart?


It's nearly upon us! Despite one housemate's scrooge-like insistence that he would throw decorations out of the window if he saw them before December, the rest of us have bravely decked the halls and welcomed in the festive season with our first batch of mulled wine and a raucous rendition of Fairytale of New York.
Amelia Singer is entirely responsible for the early start.
On 16th November, we headed to her house for a festive wine tasting session and I've been eating and drinking like it's Christmas ever since.
Host of ITV's The Wine Show and now wine columnist for Waitrose magazine, Amelia is a wine educator first and foremost. She's been in the industry for the last eight years, has completed the WSET Wine Diploma and worked in wineries all over the world.
However, one of the things that helped her make a name for herself when starting out was the fact that she frequently opened the doors of her own home to total strangers and hosted wine tastings.
Years on, she's still throwing the events at her home and anyone who's interested in learning about wine is welcome. You usually taste between 10 and 12 wines throughout the course of the evening, accompanied by a series of canapés to enhance the flavours of each.
With delicious canapés created by Danny Jack (of the Humble Kitchen) and some very chic Kaelo wine coolers to aid our drinking, we could tell we were in for a great evening.
Amelia always starts by diffusing any first time nerves with a quick explanation of how to taste – complete with an unapologetic slurping demonstration, which puts everyone at ease. It's clear to see why her teaching style is celebrated. The enthusiasm with which she talks about wine is so infectious and the language used is accessible and unpretentious.
The evening was split into rounds. We'd start by gathering for some quick signposting and an explanation of the chosen wines, before casually making our way through the Kaelo coolers dotted around the room – each stocked with a wine to correspond with our list.
Now for the important part. What were we drinking?
The fizz round was incredibly diverse, from an unusual sparkling shiraz to the savoury brioche-iness (definitely a word) of the more traditional Champagne Castelnau Brut Reserve.
My particular favourite was the latter and I put this down to the fact that I'm a massive marmite fan. That might sound strange, but I'm always drawn in by sparkling wines that have spent a little longer on the lees (dead yeast cells) giving the finished wine a delicious umami/savoury flavour. At £28 I would definitely buy this wine for a special occasion like Christmas.
For a more wallet-friendly option, my close second was the Vertice Cuvee NV – a brilliant sparkling wine from Douro, Portugal. It's a beautiful balance of crisp citrus, toasty brioche and the soft mousse-like bubbles that you associate with good Champagne. Plus, Nuno at Vinterest will part with a bottle for only £16, which is an absolute bargain – just email him at nuno@vinterest.uk.
The clear winner of the white wine category for me, which is very clear from a special peppering of heart doodles, was Lady of Lemberg 2014 from Lemberg Wine Estate in Tulbagh, South Africa. Amelia explained that wines made from a blend of grapes often get a bad rap and that wines like this prove that it's unfounded.
The blend of Viognier (52%), Semillon (21%), Hárslevelü (16%) and Sauvignon Blanc (11%) works so well here. It's unusual, complex and stimulates every iota of your tongue. I particularly loved the notes of white peach, which it owes to the Viognier, and will definitely be looking into buying it for Christmas. It's only £11.35 if you follow the link above.
Next up, the star of not only the reds but potentially the whole evening: Christo Lot No. 3 (2016) from Marietta Cellars in Geyersville, California. Another blend, this time of Grenache/Garnacha, Syrah/Shiraz and Viognier. With a full body, plenty of fruitiness (particularly of dark fruits like black plums and cherries), a good level of tannin and above average ABV at 15.3% – this wine would be a good candidate for ageing.
It's delicious as it is, and you'd certainly enjoy it if you cracked it open this Christmas, but it might be worth buying a couple of bottles so that you can indulge in it again next December to see how it develops. Peaty, juicy, spicy, tobacco-y goodness: perfect for warming you up after a bracing winter walk.
And we're finally onto the sweet stuff. As someone who's inclined to choose the cheeseboard over a dessert, I find that a good dessert wine pairing makes a lasting impression on me because it's not something I'd naturally go for.
Far from being cloying (meaning sickly sweet), if a sweet wine is paired cleverly with a dessert it can really refresh your palate and balance the sugar content of the pud. A perfect example of this was the Chocoholic Pinotage 2015 paired with dark chocolate truffles, which was a total triumph. And the best news? It's available for £9.99 from the Co-op, whose wine selection I've raved about in the past.
You can read about some of Amelia's more risqué choices for Christmas here.
Probably the best thing about the format of the tasting was that you were constantly chatting to new people about their preferences and opinions of each taster. It seemed as though everyone had been disarmed by the casual setting, Amelia's warm introduction… and I guess maybe the alcohol had something to do with it too.
It's great to see that, despite having her profile elevated by a career in television and her success as a wine writer, Amelia's fundamental aim has remained the same: to counteract the snobbery around wine by empowering people when it comes to making wine decisions. We can certainly get on board with that.
Click here to check out Amelia's website for news of her upcoming tasting events in 2018, which will be released in the new year.
To find out more about Amelia's wine tasting lunches at Leiths, click here. A minimum of four courses, created by the Leiths chefs, each paired with a unique wine of Amelia's choosing!


A bowl of oatmeal with cranberry raisins and brown sugar, a cup of fresh fruit, and an english muffin.
2 Eggs and 2 Sausage patties served over fresh baked biscuits and topped with country gravy. Includes choice of hash browns or home fries.
Jumbo cinnamon roll dipped in french toast batter and deep fried. Drizzled with cream cheese icing and served with syrup and butter.
Cakes topped with fresh berries and whipped cream.
Served with cheddar cheese on grilled sourdough.
Seasoned potatoes, spinach, zuchini, portabella mushrooms, green onions. tomatoes and parmesan cheese.
Our burger patty topped with shaved pastrami and melted swiss cheese on a grilled bun. Served with lettuce, tomato, red onion, pickles, mustard and mayo.
Meatless burger topped with a grilled ortega chile and pepper jack cheese and chipotle mayo and fried jalapenos on a toasted bun.


text:
Customized urns for die-hard dodger fans
LOS ANGELES Sometimes, hats and jerseys just aren't enough. For some, their devotion to the Dodgers runs much deeper. Now fans can purchase the eternal memorabilia package, which includes an officially licensed Dodger coffin or Dodger urn.
"The funeral industry has been around since we've been burying pharaohs, but this is the very first licensed product," says Hal Wilkes, sales director at Rose Hills Memorial Park in Rosemead.
The officially licensed line was unveiled Wednesday at the Sky Rose Chapel. For Dodger fans who choose cremation, the urn will cost $1,000. The coffin will cost $4,500.
"We're celebrating life, and passion runs through all of us. What we do for a living, what we do in our spare time, who we love, how we worship, and this product is for people who are passionate about baseball," said Wilkes.
And not surprisingly, die-hard Dodger fans say that the chance to take their love for their team to the grave is worth any price.
"I think it's worth it, yeah, $4,500? I'm already in heaven when I'm here at the stadium. Yeah that'll work, I like it," says Teddy Rodriguez from Los Angeles.
At Dodger stadium, where fans were sorting through the traditional memorabilia at the gift shop, most agreed that a foam finger can't touch a stainless steel coffin.
"I actually don't think it's a bad thing. It is, I mean, a sport is a community thing, it really brings people together. It's a massive piece of people's lives, so why not take it to the grave with you," says John Barraclough who is visiting from England.


It's easy to like the cute ones. The kids with the ribboned braids, the quiet questions, the charming grins. But it's our job to teach the hard kids, too. The ones who glower at us before we've said a word, who deliver a "yeah" so sullen it sounds like a curse, who seem to have no regard for anyone including themselves. How do we come to like those kids? Even, with time, to love them?
This wasn't a "sound of one hand clapping" kind of riddle; the monk had an answer.
At some point, free will kicks in.
My mom is a play therapist. She works with children who throw rocks at other kids on the playground, kick and bite their teachers, and scream obscenities in class. My mom is as wise as any Zen monk I have known, and she would answer the riddle a little differently.
The child is not a cruel child, she would say, though he might do cruel things. He has a good heart, a pure spirit. That spirit may have become smeared with garbage, but the purity is intact. Her job as a play therapist, our job as teachers, is to clean off the garbage so everyone can see that child's gifts.
Easy to say, right? What about the kid who drops an F-bomb during guided reading? What about a child who hurts other children, with clear intent, during recess?
It's hard to admit that some of our students annoy us, let alone drive us to anger. The grisly nature of pre-Disney fairy tales, in which adults keep children in cages and gobble them up, may arise from that suppressed fury that grown-ups sometimes feel toward children.
So how do we gain the compassion my mom expresses with such nurturing grace? How do we see to the hidden heart of the rock-throwers, the F-bomb droppers, the whiny, the sneaky, the rude, the cruel?
Here's my list. I plead, dear reader, for you to add your own.
1. Build one-on-one moments into the day.
My dad has a theory that people go into teaching because we think we like kids. Most of us discover that in actual fact, we like one kid—not a mob of 25 or a daily horde of 150.
There are plenty of one-on-one moments between that greeting and the farewell at day's end, too. Reading conferences. Writing conferences. Conversations during group work, guided reading, with the handful of students I pull for help in math.
Often the kids who drive me crazy whole-class (because they need attention, or want to impress their friends, or just like to see the various shades of purple my face can turn) are much more enjoyable in a small group or one-on-one.
At the end of the day, I send my students off one by one with a hug or a high-five. These moments accumulate, gradual as snowfall.
They're especially important with the hard kids. I need to remind that hard kid (and myself) that while he may have driven me crazy during math class, and I may have sent a letter home to his parents, I still like him as a person. I don't hold a grudge, and tomorrow's a new day.
2. Pay attention to what the kids do, say, and write.
I had a student I'll call Peyton who drove me insane for a full month. My elaborate architecture of classroom management didn't work. Meetings with his mom didn't help. The personal behavior chart on his desk, broken down into 15-minute increments, was more trouble than it was worth.
Peyton wouldn't write during Writer's Workshop—nothing but drawings of his favorite video game characters—until the day he did. Seven pages, in a looping scrawl, called "The Story of My Life." He wrote about his dad kidnapping him, and his flight with his mom across several states.
Suddenly Peyton made sense to me. Once I realized what kind of garbage had gotten heaped on his otherwise pure spirit, I got a glimpse of that spirit itself.
The kid-to-adult ratio involved in being a parent isn't so bad. Part of why my wife and I stopped at two kids is that we never wanted to be outnumbered.
The ratio for teachers is brutal. We're always outnumbered, to the tune of 25-to-one. But to put a positive spin on that math, adversaries can become allies.
Peyton listened, fascinated, and slowly nodded his head that I'd gotten that part right. I turned to the other 24 kids.
It worked. With a different kid, it would have failed miserably. Rafe Esquith describes students as cars in a parking lot. Each one has a key that will unlock his or her potential, but it's our job as teachers to figure out what that key is.
It's easy to like the cute ones. The kids with the ribboned braids, the quiet questions, the charming grins. But it's our job to teach the hard kids, too. The ones who glower at us before we've said a word, who deliver a "yeah" so sullen it sounds like a curse, who seem to have no regard for anyone including themselves.
How do we come to like those kids? Even, with time, to love them? To laugh with Peyton and Evan, Jahlissa and Jade, to voluntarily seek them out for lunch in the classroom or a soccer game at recess, to praise their gifts and mean it?
Buddhists don't buy the concept of "original sin." They're with my mom on every human being's "original goodness." The symbol of the lotus is used in so many Buddhist prayers and paintings because it's a pure and beautiful flower that grows even in fetid swamps, from the most brackish mud.
We can't do much about the mud that gets heaped on some kids' spirits before they reach us. We all have students who have been neglected, abused, or hurt in a thousand ways, often by the adults they once trusted to act in their best interest.
We can see past the mud, though. We can dig down to that pure seed, watch for the first tendril to sprout, and then nurture it with everything we've got.


text:
Q: Pygame dice roller I'd like to have the dice roll, and then player 1 move forward as many spaces as the dice rolls on. Currently, this is the starting code with the grid and the squares along with the numbers.
import pygame
import random

w_in_squares = 7
h_in_squares = 6
square_dim   = 50

blue  = (47,134,150)
white = (255, 255, 255)
black = (0,0,0)
red   = (255,0,0)

def Draw_Checker_Board( window, number_font ):

    #7x6 checkbaord
    number = 1
    current_colour = white

    for i in range(0, h_in_squares):
        tl_corner_y = i * square_dim     # top-left corner Y coordinate
        for j in range(0, w_in_squares):
            if current_colour == white:
                current_colour = black
            else:
                current_colour = white
            tl_corner_x = j * square_dim  # top-left corner X coordinate

            rectangle = ( tl_corner_x, tl_corner_y, square_dim, square_dim)   # rectangle defining checker
            pygame.draw.rect( window, current_colour, rectangle )             # paint the rectangle
            number_bitmap = number_font.render( str(number), True, blue )     # create the number
            number += 1

            margin = 10
            window.blit( number_bitmap, ( tl_corner_x + margin, tl_corner_y + margin ) )

A: It's not really clear what you need here, the code does not do what's described.  So I've re-arranged it, moved some code into a function, and "made it work" somewhat.
So, to address the changes:

*

*All constants to be named in capitals.  This is a very common convention in programming.

*

*I pushed them all to the same place in the code, too.

*Changed the grid from being 6x7 to 7x6, otherwise you get columns of colour.  If you did want coloured columns, just change that back.

*Moved the drawing of the chequered board pattern into a function

*Reworked the main loop to paint the Board, update the window, limit the frame-rate, etc..

The biggest change is obviously moving the drawing of the board into a function.  This is desirable because it "compartmentalises" everything about  drawing a numbered, chequered board into a single place, which can later be called with a single statement.
If the code does not define functions / procedures like this, it would end-up unwieldy, (with probably repeated) lumps of code all over the place.   Either that, or "goto" instructions to branch the program's execution.
Where I think you should go from here:

*

*Store your player information (colour, position) in a data structure, say a Python List

*

*For example:  player1 = [ RED, 1 ]

*Write another function drawPlayer() that given a window and player, "knows" how to draw that player's circle in the correct square by taking elements from the Player data structure (list).

*

*Obviously this new drawPlayer() function would be called during the main loop, similar to how the Board drawing function is.

Once this part is working OK, then look at how you want to implement the dice-rolling.  Please feel free to ask another question at this time.

import pygame
import random

W_IN_SQUARES = 7
H_IN_SQUARES = 6
SQUARE_DIM   = 50

BLUE  = (47,134,150)
WHITE = (255, 255, 255)
BLACK = (0,0,0)
RED   = (255,0,0)

def drawCheckerBoard( window, number_font ):
    """ Draw a checker-board alternating-coloured square pattern
        to the given window surface.  Put a number into each square """

    #7x6 checkbaord
    number = 1
    current_colour = WHITE

    for i in range(0, H_IN_SQUARES):
        tl_corner_y = i * SQUARE_DIM      # top-left corner Y coordinate
        for j in range(0, W_IN_SQUARES):
            if current_colour == WHITE:
                current_colour = BLACK
            else:
                current_colour = WHITE
            tl_corner_x = j * SQUARE_DIM  # top-left corner X coordinate

            rectangle = ( tl_corner_x, tl_corner_y, SQUARE_DIM, SQUARE_DIM)   # rectangle defining checker
            pygame.draw.rect( window, current_colour, rectangle )             # paint the rectangle
            number_bitmap = number_font.render( str(number), True, BLUE )     # create the number
            number += 1
            # Space it off the corner a bit
            margin = 10
            window.blit( number_bitmap, ( tl_corner_x + margin, tl_corner_y + margin ) )  # paint the number

"""
#diceroller from 1-6 using random.rantint
diceroll = random.randint(1,6)
rollboard = DiceRollerFont.render(str(diceroll),1,WHITE)
for ex in range(0, W_IN_SQUARES):
    for why in range(0, H_IN_SQUARES):
        drawing_window.blit(rollboard,(310,300))

player1 = pygame.draw.circle(drawing_window,BLUE,(25,25),10)
player1 = pygame.draw.circle(drawing_window,RED,(40,25),10)

"""

pygame.init()
pygame.font.init()

drawing_window = pygame.display.set_mode((350, 350))
drawing_window.fill(BLUE)

# I don't have 'cambriamath'
font = pygame.font.SysFont( None, 18, bold =pygame.font.Font.bold)
dice_roller_font = pygame.font.SysFont('arial', 40)

clock = pygame.time.Clock()   # used to govern the max MAX_FPS
running = True
while running:
    for event in pygame.event.get():
        if event.type == pygame.QUIT:
            running = False

    # paint the window
    drawCheckerBoard( drawing_window, font )

    # "flush" the changes to the window
    pygame.display.update()

    clock.tick( 60 )   # control the frame-rate to save electricity

pygame.quit()

redpajama_set_name: RedPajamaStackExchange


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Today at assembly, I got my silver respect badge. To get this badge, I needed to do 5 different activities, and have them checked by a student leader, a teacher, and finally Mr Johnston. Once checked off by a teacher and leader, I needed to book an appointment with Mr Johnston, and explain all of what I did to him. I then needed to wait until assembly, to get my badge, and have my photo taken.
Congratulation! Jack,For getting your silver badge. Was it hard to do the 5 activities? I like your blurb because you show what did you do to get your silver badge.