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Home / Crime / The Renown Crime Collection Volume 4
The Renown Crime Collection Volume 4
The Renown Crime Collection Volume 4 quantity
Renown Pictures are delighted to present THE CRIME COLLECTION: VOLUME 4. No less than 8 marvellous crime films with some terrific bonus features in this 3 DVD box set!
THE BOYS (1962) Directed by Sidney J Furie and starring some of the finest British actors of the sixties headed by Richard Todd, Robert Morley, Jess Conrad, Dudley Sutton, Tony Garnett and Ronald Lacey. When the night watchman of a garage is found murdered, four young men are arrested and put on trial. Under cross-examination, suspects and witnesses give differing accounts of the same incidents that led up to the crime. After re-examining the suspects' statements, the prosecuting counsel finally learns the truth. As a special BONUS FEATURE, the collection includes THE BOYS REUNION (2017) Talking Pictures TV reunited Dudley Sutton, Tony Garnett and Jess Conrad OBE, for the very first time since the film was made to celebrate the 55th Anniversary of the release of the film. In conversation with Morris Bright "The Boys" reminisce about making the iconic film, their fellow cast members and the importance of the film at that time, in the changing society of the sixties and how they feel today about the film still attracting audiences on TV and DVD viewings, after 55 years. The highlights of the event are presented in this exclusive programme for the very first time on DVD. As a second BONUS FEATURE, we include the 'lost' Pressbook and some of the original publicity shots from the film, to complete this fine salute to a truly remarkable British film of sixties cinema.
MYSTERIOUS MR NICHOLSON (1947) Directed by Oswald Mitchell. Stars: Anthony Hulme, Lesley Osmond, Frank Hawkins, Andrew Laurence, Douglas Stewart and George Bishop. A change in a will, a murder and a mysterious letter. The police look to a former cat burglar to aid them in this strange investigation in this crime thriller full of intrigue, false accusation and murder, made at Bushey Studios for Ambassador Film Productions.
THE VOICE OF MERRILL (1952) Directed by John Gilling. Stars Valerie Hobson, Edward Underdown, James Robertson Justice, Henry Kendall, Gary Marsh and Sam Kydd. The story of four people directly and indirectly involved with the murder of a female blackmailer. The suspects are the girl's publisher employer; an up-and-coming writer, a brilliant established writer and his wife. Made at Southall Studios, Middlesex.
OPERATION DIPLOMAT (1953) Directed by John Guillermin. Stars: Guy Rolfe, Lisa Daniely, Patricia Dainton and Sydney Tafler. Dr Fenton, a surgeon operating on an unknown patient, discovers he is involved in the kidnapping of a British diplomat. When his personal secretary is murdered for revealing the patient's identity, the police are called in. As a bonus extra, the film is introduced by Patricia Dainton in an interview about her time on the film. Made at Nettlefold Studios, Walton-on-Thames.
PORT OF ESCAPE (1956) Directed by Anthony Young. Stars: Googie Withers, John McCallum, Bill Kerr and Joan Hickson. Two sailors dock in London in search of a good time during their short stint on land. But when one of them fatally stabs a man during a scuffle in a bar, the pair flee the scene, commandeer a boat and take the three women on board hostage as they try to outrun the law. Made at National Studios, Elstree.
BLIND SPOT (1958) Directed by Peter Maxwell. Stars: Robert MacKenzie, Delphi Lawrence, Gordon Jackson, Anne Sharp, John Le Mesurier, George Pastell and Ernest Clark. A former Army officer regains his vision and hunts smugglers who framed him when he was blind. This film also boasts an early screen appearance from Michael Caine and an uncredited role as a garage mechanic for Arthur Lowe, who would later find fame as Captain Mainwaring in the sitcom Dad's Army. Filmed at the Majestic Hotel, Kensington and at Walton Studios.
LADY OF DECEIT (1947) (AKA Born to Kill) Directed by Robert Wise. Stars: Claire Trevor, Lawrence Tierney, Walter Slezak, Phillip Terry, Audrey Long and Elisha Cook Jr. A calculating divorcé risks her chances at wealth and security with a man she doesn't love by getting involved with the hot-headed murderer who is romancing her foster sister.
CHECKMATE (1935) Directed by George Pearson. Stars: Maurice Evans, Evelyn Foster, Sally Gray, Felix Aylmer and Donald Wolfit. Based on the novel by Amy Kennedy Gould, the film tells the tale of Inspector Smith, a detective from Scotland Yard, who gets more than he bargained for with a gang of London jewel thieves, when he becomes involved with the daughter of the gangs leader. This British "quota quickie" was shot at the British and Dominion Studios, Elstree.
This fabulous box set is a steal at our price of just £20, so do yourself a favour and grab a copy now!
The Renown Crime Collection Volume 3 Calling Paul Temple
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Ottawa - Winnipeg - Jul. 19 at 7:30 p.m.
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Sports Hockey Winnipeg Jets
Winnipeg Jets (47 – 30 – 5)
Injuries & Transactions
Just a few months ago, it was all sunshine
But Jet's future cloudy; Tanev also has signed
By: Mike McIntyre
Posted: 07/22/2018 2:03 PM	| Last Modified: 07/23/2018 9:06 AM	| Updates	| Comments:
Chris Young / THE CANADIAN PRESS FILES
Winnipeg Jets' Jacob Trouba
The short-term picture is now clear: Jacob Trouba will earn US$5.5 million next season after an arbitrator broke a contract stalemate Sunday between the Winnipeg Jets and their top-pairing defenceman.
But the future is cloudier than ever after the two parties were unable to agree on a long-term extension and needed outside help to settle their differences.
Spin it any way you want, but there's no getting around the fact there appears to be a major divide here. Not to mention a rocky history that likely has only gotten more contentious. And sure, everyone has bought themselves some more time by kicking the problem down the road. But it isn't going away, and this most recent development may simply be delaying the inevitable breakup.
After all, Trouba and his camp reportedly asked for US$7 million in arbitration filings, while the Jets countered with just US$4 million. No doubt, this wide disparity was all part of the bargaining process, but neither side opted to blink as the standoff went to arbitration last Friday morning in Toronto.
And it was marathon hearing that began at 9 a.m. local time and didn't wrap up until close to 2:30 p.m.
Even when it wrapped, there was still a window of opportunity. The arbitrator had up to 48 hours to render a decision. During that time, Trouba and the Jets could continue to talk in the hopes of arriving at a last-minute resolution.
But there was no deal to be made. The arbitrator met the player and team at exactly the halfway point. Trouba is now tied with Tyler Myers as the second-highest paid defenceman on the team in terms of cap hit, behind veteran Dustin Byfuglien who makes a team-high US$7.6 million.
"It's been a long several weeks," Trouba's agent, Kurt Overhardt, told the Free Press Sunday evening. He declined any further comment.
Winnipeg has 48 hours now to accept the ruling (they will), or decline it and render Trouba an unrestricted free agent (they won't).
In a way, this may actually help the Jets with their salary cap situation for next season. Had Trouba been signed to a long-term extension, there's a good chance his annual cap hit would have come in higher than US$5.5 million and brought the Jets even closer to the ceiling than they likely will be.
And Trouba, by not going beyond a one year deal, is betting on himself and the belief he will get an even bigger payoff down the road — but whether that's in Winnipeg or another NHL city is the multimillion-dollar question.
He will once again be a restricted free agent next summer, meaning this whole process could repeat itself again.
However, the Jets would only control his services for one more season before he becomes an unrestricted free agent in the summer of 2020.
As a result, Sunday's decision will certainly accelerate talks of a potential trade,.
There's no urgency, especially since Trouba remains a key part of a team that went to the Western Conference final last year and is hoping to make another big run this coming season.
Jan. 1, 2019 is the earliest date the two sides could strike a new deal between them under terms of the salary arbitration process.
Trouba, 24, was coming off a two-year bridge deal with an annual cap hit of US$3 million. That was signed during the 2017-16 season in which the Michigan product demanded a trade, sat out training camp and missed the first 15 regular-season games.
Trouba was selected ninth-overall by the Jets in the 2012 NHL draft. He has 34 goals and 95 assists in 326 regular-season games. Last season, Trouba had three goals and 21 assists in 55 games while also battling a concussion and ankle injury. He also had a pair of goals and three points in 17 playoff contests.
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Winnipeg entered this off-season with a slew of restricted free agents, including five who filed for salary arbitration. They locked up goalie Connor Hellebuyck (six years, US$37-million) and centre Adam Lowry (three years, US$8.75 million) prior to their hearings but couldn't do the same with Trouba.
Brandon Tanev was set to have his arbitration hearing on Wednesday, but inked a one-year, US$1.15 million contract Sunday evening.
Playing his third pro season since being signed as an undrafted free agent out of college, Tanev set career highs last year with eight goals and 10 assists in 61 games.
The 26-year-old energy winger was rewarded with a healthy raise, coming off a $700,000 deal that expired this summer.
mike.mcintyre@freepress.mb.caTwitter: @mikemcintyrewpg
Mike McIntyre
Mike McIntyre grew up wanting to be a professional wrestler. But when that dream fizzled, he put all his brawn into becoming a professional writer.
WE take you back to late May, just a couple days after the Winnipeg Jets had their magical playoff run ended by the Vegas Golden Knights in the Western Conference final.
Talk quickly turned to the off-season, and Jacob Trouba's status was the topic du jour.
Trouba publicly expressed a desire to remain in Winnipeg for the long-term. His agent, Kurt Overhardt, made similar comments, as did Jets general manager Kevin Cheveldayoff.
"You get the sense there's a little unfinished business, I guess, here with this team. We all have such good relationships on this team, it's fun to be part of. It's a special team. You want to play for a contender, and that's what we have here," Trouba said when asked if he'd be open to a long-term deal.
"The season just ended. But I'm sure in the next week or two, or couple of days, I'll meet with my agent and we'll go over stuff and see where it goes from there and talk to (Cheveldayoff). I'm sure something will get worked out."
Trouba was also asked, given his contentious history with the club, if he'd prefer to get something done sooner rather than later.
"Yeah, been down that road once," he said. "The quicker the better."
Cheveldayoff said at the time he was confident contract negotiations with Trouba's camp would take on a more amiable tone this time around.
"The business side's the business side. It will take care of itself. But again, I really believe that this group feels strongly about this group here, that they like each other. That's an important first component," Cheveldayoff said of his young core which includes Trouba.
"So, we'll do our best, sharpen our pencils and do as good a work as we can on the business side of it to make sure everybody feels like they're a part of it on the fairness of a contract and also build within the constraints."
Whether it was a case of talk being cheap — or simply reaching a consensus was easier said than done — the fact is it didn't happen.
Updated on Sunday, July 22, 2018 at 7:45 PM CDT: Updated, add sidebar
10:26 PM: Adds Brandon Tanev signing
July 23, 2018 at 8:53 AM: Fixes formatting
9:06 AM: Adds photo

redpajama_set_name: RedPajamaCommonCrawl


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Photo by: Ingram Publishing
Photo: Thinkstock
2 black-owned radio stations in Mississippi are being sold
Gregory Adams is buying the stations that are based in Natchez.
Author: Associated Press
NATCHEZ, Miss — Two black-owned radio stations that broadcast in southwest Mississippi and central Louisiana are being sold.
The buyer is another African American businessperson. Diana Nutter of Natchez is one of the current owners of WMIS-AM and WTYJ-FM. She says her family has a nearly 80-year history of being the voice of the black community in the area.
He is a military veteran and has owned the Wilk-Amite Record newspaper since 2014.
The buyout awaits approval of the Federal Communications Commission. It's a 90-day process with a little more than 40 days left.
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There's no more appropriate way to introduce the subject of the Taunus region than with the Latin version of what you are likely to tell your friends when you return home from visiting them!
The Taunus Mountain Range, surrounded by the Rivers Main, Lahn, and Rhine, is at the heart of Germany's Roman Limes district (hence the German Limes Road that runs right through it). The Roman Limes curved through the wooded heights of the Taunus, enveloping the fertile plains of the Wetterau beyond.
The Taunus Mountains remained a Roman stronghold until 260 A.D., and many of their forts and watchtowers have been fairly well preserved. The most significant of them, and one you shouldn't miss, is the fully-reconstructed Saalburg castellum not far from Bad Homburg.
You aren't likely to come any closer to an experience of 3rd-century life on the frontiers of the Roman Empire than you will by visiting the Saalburg museum. Its rooms, which once held Imperial offices and weapons stores, are grouped around a typical Roman courtyard. Tour the infantry barracks, the tiny dimensions of which were home to eight soldiers.
At the right time of year, you'll smell fresh Roman bread baking in the fort's restored ovens. At any time of year, see how the off-duty soldiers relaxed at the Taberna, a café replica of a Roman tavern.
In front of the Taunus Mountains lie some of Germany's oldest spas. One of the most spectacular is in Bad Homburg, which was the playground of royalty from around the globe.
On the southern slopes of the Taunus, not far from Frankfurt am Main, is Königstein im Taunus. Although the first documentation of Königstein dates to 1215, Franconian legend attributes its origins to King Chlodwig, who died in 511 A.D. The ruins of the Königstein Castle sit on a hill to the northeast of the town, just below the ruins of the Falkenstein Castle. Climbing to to them will reward you with a dramatic view of Königstein and the Frankfurt countryside beyond.
Wiesbaden, with its hot springs and Kurhaus casino, was a 19th-century magnet for the European aristocracy. Both Richard Wagner and Johannes Brahms were regular visitors. Dostoevsky drew inspiration from the surrounding hills. Today the capital of Hesse maintains an elegant air. Its rococo Staatstheater regularly presents operas, ballets, and dramas.
Across from the State Theater is the World's Biggest Cuckoo Clock, one of several you will find in Germany. This one is crowned with an enormous beer's head! Atop a hill at the northern end of Wiesbaden is the Neroburg Tower, all that remains of the Neroburg Hotel. Climbing to it will let you relax in the Tower café and enjoy the outlook from the hill's 833 foot/254m summit.
Just northwest of Wiesbaden is the Taunus Wunderland Amusement Park. Its five acres have a surprising variety of carousels, roller coasters, slides, and water rides. The larger of its two roller coasters covers over 1200 feet/360m of twists, turns, climbs, and dips. The Silver Arrow slide is actually three covered slides in one, with a 40-foot/12m center slide which is Hesse's highest. Kids tired of riding will enjoy the petting zoo, the giant trampoline, and the haunted house!
Regardless of your interests, the Taunus has the vacation opportunities to satisfy them!


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Home Comics Comic Strips King Features Picks Up Argentinian Comic Strip "Macanudo"
King Features Picks Up Argentinian Comic Strip "Macanudo"
King Features Syndicate is picking up a new comic strip. Macanudo has actually been around since 2002… in Argentina, but starting in September it will be coming to the U.S. market. Argentinian cartoonist Ricardo "Liniers" Siri has also done two Eisner Award-nominated graphic novels and some covers for The New Yorker.
Official PR follows:
Hearst-owned King Features Syndicate today announced a partnership with Argentinian cartoonist Ricardo "Liniers" Siri spanning syndication for print and digital, entertainment, and consumer product licensing for his hugely popular international daily strip, Macanudo.
Featuring a rotating cast of dozens of characters, Macanudo is an incredible, offbeat, and visionary strip that has appeared daily in Latin America since 2002. In the United States, Liniers is a contributing cover artist for The New Yorker and has created graphic novels for children that have earned him many starred reviews, award nominations, and critical acclaim.
"King Features—the home of Krazy Kat!— has such a rich history of terrific comics, comics I grew up with and studied in Argentina. I am so excited to begin working with them to introduce Macanudo and my characters to a wider audience," said Liniers.
"Liniers brings such a fresh voice and vision and we are absolutely thrilled to welcome him to the King Features family," said C.J. Kettler, President, King Features. "His unique work has made him a household name in Latin America and captivated people around the world, and we feel there is amazing potential in the U.S. and other countries to put Macanudo in front of more audiences and into other mediums."
Macanudo debuts from King Features with an original run of daily strips and color Sundays beginning in September 2018.
The addition of Liniers to the King Features roster follows the appointment of C.J. Kettler as the new president of King Features. Kettler, who is a TV and digital media veteran with a long list of credits, including the new Carmen Sandiego animated series on Netflix, is leading a charge to work with new talent and expand upon the historic King Features library. Her experience will help bring many of the iconic King Features brands into new media platforms.
The syndication deal was negotiated between Liniers and King Features by Denis Kitchen and John Lind of Kitchen, Lind & Associates LLC.
About Liniers
Liniers is the creator of the daily strip Macanudo and graphic novels for younger readers, including the Eisner Award-nominated The Big Wet Balloon and Good Night, Planet (both published by TOON Books). For the last 16 years, Liniers has been writing and drawing Macanudo, which has been published daily in Argentina by La Nación since 2002 and as English-language collections in the United States (Enchanted Lion Books) since 2014. It has grown to be one of the most celebrated cartoon strips in South America, and Liniers has become one of the continent's most popular cartoonists—currently boasting more than 950,000 followers on Facebook and more than 760,000 on Twitter. Liniers currently resides in Vermont, where he is participating in a fellowship with the Center for Cartoon Studies, teaching at Dartmouth College, and drawing Macanudo daily.
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This three-year Sunday school program covers the entire Bible in chronological order. It provides answers to the issues that confront today's culture through the media, school, friends, etc. ABC provides a thorough understanding of the authority and primary teachings of Scripture. All ages will be equipped to defend the Bible, and become conformed to the image of Christ, as they apply God's Word in their everyday lives.
The Bible is Trustworthy - We can trust all of God's Word.
God's Attributes - God's attributes are displayed throughout the Bible.
Chronological/Historical Teaching - The Bible presents true history, not just "stories."
The Bible's Redemption - God's plan of redemption is woven throughout Scripture.


'Wizards of Waverly Place' Star DAVID HENRIE Issues Apology After Arrest At Los Angeles Airport - MYX | YOUR CHOICE. YOUR MUSIC.
Former Disney star David Henrie was arrested after airport authorities found a loaded handgun in his possession, TMZ reports.
The 29-year-old actor, who starred alongside Selena Gomez on Wizards of Waverly Place, was carrying a loaded pistol which was discovered while he was going through security screening. People later confirmed that David was released on a $10,000 bail and will appear in court on October 1st.
A statement posted shortly after the father-to-be's release reads: "I take responsibility for the situation at LAX today. I unintentionally brought my legally owned gun which is registered in my name to the airport. I am so sorry for any trouble it caused, but I am appreciative of [Transportation Security Administration]'s efforts in implementing the safety laws that are in place to protect our beautiful country."
He added, "More than anything I am humiliated and embarrassed that this even happened. But I am thankful to the TSA, [Los Angeles Police Department] and all involved today for their kindness and their professionalism during this process."


When my beautiful bride and I got married (many many years ago), one of the cherished memories we created was using a crystal wishing well as a cake topper. That sparkling piece was a symbol of the hopes and dreams we each held for the future. It was also a reminder of the uncertainty that lay before us. Would we be happy? Could we learn to adjust to each other? What was just around the bend for us?
I'm not sure what ever happened to the original piece, but we soon replaced the broken well with a new shiny one to symbolize (again) our newly reformed union. And like the first one, it soon ended up on a shelf gathering dust.
One of the strategies we have learned to keep our relationship vibrant and growing through the years is to take time together to love and study each other and to learn new habits for life. We recently enjoyed a time we called 'A Weekend to Remember'. Our weekend included laughs, love, and learning. One of the special things I planned for my princess was that I would do all the cooking (and cleaning!). I set a special table with our best dishes and tablecloth, and even got out the (now dusty) wishing well.
As we looked over and past it that first evening, my lady jumped a little then started laughing. It seemed that even though I had dusted off the wishing well and it was sparkling clean on the outside, a bug had decided to crawl into the bucket and die! We spent the better part of the meal discussing how much that wishing well mirrored our marriage. We talked about our resolve to continue cleaning not just the outside of our marriage (how we look to other people), but the necessity of cleaning our hearts and desires and motives. In short, making sure that the important part of our relationship is whole and wholesome and healthy.
I would encourage each you to plan your own Weekend to Remember. Find a marriage seminar or get a DVD of one. Plan special meals and events. Act as though the only other person that is important is your spouse. If you need ideas, contact me… I have tons of 'em.
I was shopping today at a big name general merchandise store, just waiting my turn in line to checkout. There was a lady with her two daughters checking out at the register. When she saw the total, she grimaced a little and then asked the cashier to start pulling items off… healthy snacks for lunches… bread…. a couple more items…. From the look on her face and the reaction of her girls, I surmised this wasn't the first time this had happened. Then a man in line asked the clerk to put the items back on the bill and he would cover the difference. Such a simple act. From his appearance, it wasn't much for him (about $12). Maybe he'd have to miss a takeout meal this week and eat a sandwich instead. The woman was grateful, of course, and the kids were happy. Life went on.
Later on, as I reflected on this simple event, I started to wonder, what if the woman and her girls hadn't been nicely dressed and pretty? Would the man still have helped? What if they'd spoken a different language? What if their ancestors had come from a different continent than his? What if they'd been tattooed and pierced? What if she had, in her embarrassment, lashed out in anger at the clerk?
My thoughts then drifted to how often I go into the world among people and never see them as people. I get out of my truck and go shopping as if on a mission. The people around me don't come to my attention unless it's as a distraction or interruption of my mission.
Notice He did not say 'if it's convenient', nor did he say 'make sure to pay your taxes so there are programs for the poor'. I also don't think He meant for our helping to necessarily be something special we go out of our way to do. He meant for our attitude to be one of always looking for ways to help those around us. I'm sure that the list He gave is incomplete and also that those who are sick and in prison are not always in an institution. What about the prison of hate or anger or pain? What about the sickness of loneliness or strife?
May God help us all to get out of our shell of self-centeredness and notice those around us, and give us the love and grace for them that He has given to us.
I came across an interesting phrase today; "Christ Centered Hate".
The context was a man who came out at 13 and was removed from youth leadership, ostracized, and eventually left that church. I think his statement is very telling about our culture.
'Hate' has become a word that simply means you're offended that I'm claiming the Bible says what you're doing is sin.
'Christ Centered' is what we as Christ followers and as the Church are supposed to be isn't it?
One of the Church's functions is to correct and rebuke sin in it's members, to restore repentant members, and if necessary, to protect the church by putting out a flagrantly non repentant member.
I have no idea how this man's church handled this situation, I rather think they did poorly, but the idea I am running across all too frequently is that the church has no business at all correcting a member. I am NOT saying we have any business telling unbelievers how to live.
Christ spent His ministry seeking hurting people, meeting their needs, showing them their need of a savior, then calling them to repentance and obedience.
We should do no less (nor more).


WOD for Wishes, in support of the Make-A-Wish Mid-South, is a fun community workout for anyone and everyone!
EVERYONE is invited to join us in helping raise money and awareness to grant a wish for children. You do not have to do CrossFit to participate.
Suggested donation is $5 to participate and all other donations will be accepted as well!
No Grains Homemade Bakery will have a "Paleo Bake Sale"! Proceeds will go directly to the Make-A-Wish Foundation. All items are prepared using only natural ingredients and without grains.
Make-A-Wish grants the wishes of children with life-threatening medical conditions with the purpose of enriching their lives with hope, strength and joy. With the help of donations and volunteers, Make-A-Wish grants a wish every 38 minutes. In Arkansas alone, Make-A-Wish Mid-South granted 123 wishes in 2014. Whatever the odds, whatever the obstacles … wishes find a way to make the world better.


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Unless governments begin to act now on policy initiatives to regulate the potential negative impacts of biofuels, the industry risks losing its momentum and failing to realise its role in the renewable energy mix, warns a new report released today by Arthur D. Little, the global management consultancy. The report, "What future for biofuels?" explores the likely impact the Gallagher Review of the indirect effects of biofuels production will have, not only on UK energy policy, but on the long term viability of the global biofuels industry. Commissioned by the UK government and carried out by the Renewable Fuels Agency (RFA), the Gallagher Review delivered a sober and timely assessment of the current biofuels industry and found that the potential social and environmental impacts of biofuels demand a cautious scaling back of future government mandated biofuels targets. According to Arthur D. Little's latest report, because the UK has enjoyed pole position in the development of a global biofuels industry, the Gallagher Review's findings will likely lead to a fundamental change in how biofuels are regulated not just in the UK but worldwide. The report cautions that despite the RFA's findings, as there is still no consensus view between governments, scientists, and industry on the sustainability of particular biofuels, the industry risks slipping into inactivity whilst anticipating the next steps from government. To avoid this stagnation, the report urges businesses that produce, use, or invest in biofuels to form a pragmatic view right now to determine how they will respond to the challenges of uncertain future regulation and growing concerns about sustainability and societal impact. Based on an analysis of the various types of biofuels and the processes for production, Arthur D. Little's report outlines how the industry can begin to assess the likely future pressures it could face from regulators, environmental groups, and economic conditions. It urges biofuels producers and investors to use this knowledge to ensure technological innovation and investment continue in order to ensure the development of a sustainable and socially-responsible biofuels industry. "Biofuels have gone from being the great hope for clean transport fuels of the future to being in the dock accused of causing deforestation and increases in food prices for the world's poorest people," said Phillip Webster, an author of the report and senior consultant in Arthur D. Little's Energy Practice. "However, the potential remains for a sustainable biofuels industry to develop, supported by a delicately structured balance of strict social and environmental impact criteria, industry-imposed sustainability targets, and strategically aligned government incentives and regulation," The full report, available online, details the key potential environmental, social and economic impacts of various forms of biofuel production, providing the industry with an outline of the key considerations for developing an effective innovation and advocacy strategy for sustainable biofuels. It goes on to highlight Arthur D. Little's view of the sustainability of existing biofuels and biofuel development processes; including biodiesel and bioethanol, as well as the projected hopes for future development in: second-generation biofuels, novel high-energy fuel molecules, and processing innovation. What future for biofuels? is now available for download at www.adl.com/biofuels.
For over 40 years we've helped clients solve some of the world's toughest energy problems. We help energy companies master huge and complex challenges, in rapidly changing situations, often under very demanding geographic, economic, regulatory and political conditions. Our clients include the world's largest oil and utilities companies. We work together with them as partners to bring clear thinking to bear on key strategic issues. What sets us apart is our unique ability to combine four factors: a deep practical understanding of the energy industry and its most difficult challenges, the highest calibre of people, innovation to produce fresh insights and a commitment to achieving measurable results. It's what we're known for and enables us to create solutions that effectively satisfy the needs of our clients, all the way from boardroom to operations.


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Taxi Owner Fuel Relief Grant
The Government of the Republic of Trinidad and Tobago (GoRTT) has granted authorisation for the issuance of a Taxi Owners Fuel Relief Grant to mitigate the economic impacts faced by Taxi Owners as a result of the COVID-19 pandemic.
Call for Consulting Services Drainage Action Plan
Call for Consulting services for the Final Design of immediate measures for flood control and a Drainage Action Plan. The CAF-PPSA Program contributes to improving the quality of the projects carried out in the framework of the CAF agenda for the water sector, via the financing of pre-investment studies. At the request of the Government of Trinidad and Tobago, CAF will finance the "Consulting Services for the Final Design of Immediate Measures for Flood Control and a Drainage Action Plan".
Changes to Services Offered at the Caroni, Wrightson Road and San Fernando Licensing Offices
The Ministry of Works and Transport wishes to inform the general public of the changes to services offered at the Licensing Offices that takes effect from Monday 8th June, 2020
The Curepe Interchange Project Officially Commissioned!
The Ministry of Works and Transport Commissioned the Curepe Interchange Project on Monday 8th June, 2020.
Prime Minister Dr. the Honourable Keith Rowley, Senator the Honourable Rohan Sinanan, Minister of Works and Transport, His Excellency Song Yumin, Ambassador of China to Trinidad and Tobago and cabinet Colleagues, unveiled the plaque for the mega project which was following by a ceremonial lighting.
Appointments for Licensing Services
The Ministry of Works and Transport wishes to inform the general public that all Licensing Offices will reopen for business on Wednesday, June 03 2020. In keeping with the nationwide mandate to implement and maintain preventive measures to limit the spread of COVID-19 (novel coronavirus), the Transport Division (Licensing), will continue its schedule of services at all locations.
Reopening of Licensing Offices Nationwide
The Ministry of Works and Transport wishes to inform the general public that all Licensing Offices will reopen for business on Wednesday, June 03 2020.
Message from the Minister of Works and Transport -Landmark Road Safety Initiative Launched in Trinidad and Tobago
We stand on the cusp of a historic moment as today, May 27th, 2020, the Ministry of Works and Transport Operationalises the Demerit Points and New Fixed Penalty Traffic Ticketing System in Trinidad and Tobago.
Landmark Road Safety Initiative Launched in Trinidad and Tobago
By Proclamation, under the hand of Her Excellency, the President of the Republic of Trinidad and Tobago, amendments to the Motor Vehicle and Road Traffic Act (MVRTA), 2017 were brought into effect on May 26th 2020. This proclamation allows for the implementation of a Demerit Points System, New Traffic Ticketing System and Red Light Camera Enforcement System in Trinidad and Tobago.
The New Traffic Ticketing System
The New Traffic Ticketing System: Seamless Connectivity, Effortless Collaboration
No one likes the hassle associated with paying a traffic ticket. We are using technology to transform the traffic Ticketing System to allow for greater efficiency and connectivity.
The Valsayn Pedestrian Walkover was Successfully Completed !
On Saturday 16th May, 2020, the Ministry of Works and Transport officially opened the new Valsayn Pedestrian Walkover.


ST. LOUIS, MISSOURI – Director of Leadership Development and Education Dr. Phil Barrineau, of Greensboro, North Carolina announced his retirement after more than ten years of service to Theta Xi Fraternity. His last day on staff will be July 31, 2017.
Dr. B accrued considerable distinction as the Director of Leadership and Education at Fraternity Headquarters since his hiring on March 1, 2006. Under the guidance of Dr. B, Theta Xi implemented the Leadership Initiative, including the All True Men program, Vredenburgh Presidents Academy, Rising Stars Academy, and Newell District Leadership Academies. Additionally, he served as Director of Expansion, leading the efforts to start chapters at Georgia Southern University, Shippensburg University, and Western Carolina University.
Theta Xi is also pleased to announce that Dr. B will remain engaged on a contract basis, and will coordinate the engagement and leadership development of alumni, especially advisors and advisory teams.
Theta Xi was founded in 1864 by eight students at Rensselaer Polytechnic Institute in Troy, NY during the Civil War. Founded as the first professional social fraternity with limited membership to undergraduate men majoring in engineering. The Fraternity Headquarters, located today in St. Louis, MO, provides leadership programs and personal development education to more than 50 chapters and colonies across the United States, and has initiated over 70,000 brothers.


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But here's the thing – it isn't relegated to just Craig or just the girls or just me; it affects all of us and, when our guard is down, sometimes it really really affects all of us – at the same time. When that happens, watch out!
Mondays are long, good, long, hard, long. I already know to be careful on Tuesday: I need to let myself sleep in; I need to let the girls have a slow start; I need to not schedule anything extra. I know this already.
Yet, even knowing this, today I was snippy with everyone – short tempered, hard to be around, that kind of award-winning fun-loving mama.
I started the day off by posting this on Twitter: Cast your cares on the Lord and he will sustain you. Trying. Really trying this morning.
Three hours later, this: Ravioli out of a can today. It's just *that* kind of day.
and help. Settling for PBS and a Little Debbie's.
I don't know what to do when this happens. I'm not used to feeling so out of control, so border-line depressive. I joked today that maybe I needed to get a prescription. I'm not sure it was that funny of a joke.
Maybe we started the school year at a full-speed sprint. Maybe I didn't help pace us very well. Maybe we're crashing too early.
Maybe it's time for a fall break.
Because the Little Debbie's didn't really help that much.
Maybe you should blog more 🙂 You miss the therapeutic nature of processing your thoughts in the written word?
So sorry you had a hard day. I'll pray your Wednesday is victorious and your heart is renewed.
Sending a big hug and prayers. Maybe you need something just for you?
I'm in a completely different place in life right now, but I am pretty sure I know what you mean. I've had way too many crying jags lately, and I have started to wonder if medication was becoming a possibility.
What is hard for me is to know when I am justified in my sadness and overwhelmedness, or when I am just being sinfully selfish. Either way, I am definitely weak and frustrated that I am not more strong.
Prayers for the both of us!
I wanted to tell you that Im in a place right now where every day is that kind of day. and ive never turned to food for comfort, but I do. i need a sweet reward at the end of every day just for being alive.
in other news, i am already a medicated mama. but I think it needs changing, because it has totally.stopped.working.


Nowadays, social Media is an essential platform for promoting your blog. If you're seriously interested in building a following, you need to have a presence on each of the major channels — Facebook, Twitter, Pinterest, Instagram and more. When you consider what is necessary to post these to each, react to followers, identify and connect to key influencers, it could quickly take over time you would rather be spending writing your own blog.
SocialOomph is a Social media aggregator which lets you perform all of this in 1 spot. Articles can be scheduled by you in advance begin following people who follow you and upgrade accounts at once — ideal for submitting a link to a site across several distinct platforms.
A free version Provides tools to help handle a Twitter account. But if you sign up for the paid version, the door opens to Facebook, Pinterest LinkedIn and much more. You add RSS feeds, can centralize management of multiple blogs too and automate updates.
SocialOomph allows You manage more social media platforms and more reports than most of its competitors, but not each significant social media network you may use is supported.
Users who Gave SocialOomph critical feedback said if you wish to receive all the features it can be a bit pricey. They also believe dashboard and the interface are basic. Some users complained about system glitches.
A customer Who gave SocialOomph a review on Capterra reported that it's among the very best and easiest tools for scheduling articles and tweets. He likes that he can schedule social media articles beforehand and identify the time when they should be posted. In addition, he mentioned that the software includes a lot of content creation choices which let him customize each kind of post.
A client Who gave SocialOomph an important review on G2 Crowd said that the system could be glitchy at times. He cited one instance when SocialOomph rejected a post. He explained he received a rejection notification saying that it had been over 140 characters; however, the text entry field said it was below 140 characters. He also stated that he finds out the dashboard basic and the system too expensive for the features it offers.
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For bloggers, the Useful tool is the Twitter keyword tracker. Alarms can be set up by you and SocialOomph will notify you of posts. This is great both for keeping tabs on the conversations but also for finding out who the influencers are in your market so you can connect together.
Extra Twitter tools Include a keyword search feature that show one of that the people although this is something you can work yourself out by the alert service that is keyword that is free. This extra key word search feature does, however, let you connect key words to contacts lists, and adds the appropriate list should they have been talking about one of your own topics and folks.
The paid-for tools Provide contact ideas based on a range of criteria than. There are filters over who you add to your lists and you get complete power of approval.
If You Would like to use SocialOomph for Other social media accounts besides Twitter, you have to register for the service. It's not cheap, especially when you consider that the cost quoted is for fortnightly billing.
Like the free Twitter programs, SocialOomph enables you to manage Facebook accounts simultaneously at once with choices to program wall status and group upgrades, together with photo uploads, beforehand. You can do this out of what SocialOomph calls an'update reservoir', or even a database of articles, and place it to trickle feed upgrades to your Facebook, and other social mediapages.
Growing A successful social media presence through posting can become daunting for bloggers that are busy. Social media tools offer a way to simplify this process.
Although mainly Aimed at business users, this could be a set of features if you operate a site with other people or have lots of subscribers. Linking the address into a particular platform that is social will, any messages sent to this address published on that feed. Controls can be set by you so only messages from people that were given are published. The sender's name will be published alongside the message.
The characteristic every Blogger needs — SocialOomph allows you to link your site to your social media accounts so each new blog post automatically activates an update on each account.
SocialOomph also Lets you schedule blog posts exactly the exact same way as you can social media articles. Provided that your platform has a publishing API that is distant — already built into Tumblr and WordPress — it is possible to queue up articles to activate publishing through SocialOomph.
You can join as many Blogs as you like to your SocialOomph accounts, for writing articles, and it also provides a WYSIWYG editor.
SocialOomph functions With Twitter, Facebook, Pinterest, Plurk, LinkedIn, and any site that has one of the next remote publishing APIs: Tumblr, WordPress API (wordpress.com and self-hosted), metaWeblog API, Movable Type API, Blogger API, along with Atom API.
Yes, you can Cancel your subscription anytime. Should you cancel, your account remains at the level you paid for until the conclusion of that particular billing period.
SocialOomph lightens The load of managing various social media accounts. For bloggers, the features are the ability to link as many blogs as you want to as numerous social media accounts as you would like, and generate social posts every time you publish website articles that is new. This is a superb way to conserve time promoting your blogs across your channels.
However, for those Tools alone, SocialOomph is pricey. You have to register for the full service to connect blogs and to manage social media accounts other than Twitter, and it is priced to target the company market. To obtain value from a SocialOomph subscription, then you need to have the ability to take advantage of some of its features, such as article scheduling and, in Twitter, keyword investigation and connection building. These are tools which will best benefit adult blogs appearing to use social media to build a following and help monetize it.
Should you utilize Twitter, This free version is worth signing up for. You can sign up for a free 7 day trial of the support, if you like what you buy and wish to try out more. A wonderful touch with this can be, your account will automatically revert back to free, if you do not update during these 7 days, so there is absolutely no probability of having to pay for something that you don't want.


The Nigerian Petroleum Technology Development Fund (NPTDF) disclosed to have received 27,474 applications from young Nigerians seeking financial support to study various nuclear technology-related curricula in Russia.
Russia's state-owned nuclear energy corporation, Rosatom, previously announced that it is now open to taking applications to fund nuclear energy studies by Nigerians at institutions in Russia, reports THISDAY.
CEO of Rosatom Central and Southern Africa, Dmitry Shornikov highlighted the rationale for the scholarship scheme.
"The goal of the scholarship is to support interest in nuclear research and capabilities among young African scientists and engineers, and contribute to solving some of the world's most critical issues in the nearest future, allowing for the continent to be self-sufficient," Shornikov stated.
The federal government recently signed an agreement with Russia for the construction of nuclear power plants and a nuclear research centre in Nigeria.
Beneficiary students will also have access to subsidised accommodation; library funds and practical experience at Russian nuclear enterprises.
NPTDF's head of media, Kalu Otisi that the applications it received were for its overseas postgraduate scholarship scheme implemented under its strategic partnership with universities in the UK, Germany, and France as well as for undergraduate, masters and doctoral studies in Nigerian federal universities under its local scholarship scheme.


text:
Want to off-road on a unicycle? Let InMotion's V11 carry you to your doom
Forget knee pads, you're going to want leathers before hitting the streets or the dirt with this 34 mph, air-suspension-packing, $2,000 monster.
Electric Unicycle Collective
Craig Wilson
Originally Published: Sep. 3, 2020
Based in San Diego, California, InMotion started out a few years ago making the Scooterboard, a three-wheeled cross between a push scooter and an electric skateboard that the fledgling company funded via a Kickstarter campaign. Fast forward a few years it now makes a wide range of electric skates, electric bikes, electric skateboards, and the most bad-ass electric unicycle we've ever seen.
Called the V11, InMotion's all-terrain one-wheeler has a top speed of 34 mph (like the Hunter Board we covered last week), a 2,200 W motor (that's the nominal output, the actual is closer to 3,000), and a 1,500 Wh battery which — depending on how much you weigh and how you ride — could translate into a range of 75 miles between charges.
That's all insane, but for extra madness, there's also adjustable air suspension with travel of up to 3.3 inches and a wider-than-normal 18 x 3-inch tire with chunky tread. If you thought electric unicycles were peak dork, InMotion (dis)respectfully asks that you reassess your position. Just take a look at the video below. Have you ever seen an electric unicycle ramp and catch some air? Because we haven't.
Don't knock it till you ride it — If you live in any big city you've doubtless seen people riding electric unicycles, often whether they're legal or not. But you've likely seen far fewer of them than electric scooters, skateboards, or bicycles.
Part of that comes down to the learning curve required to become competent (and comfortable) on them. Electric unicycles are self-balancing, so when you turn them on, they immediately default to an upright position where the top of the unit is parallel to the ground. To move them forward, you lean forward. To move them backward — or to slow down — you lean backward. And to steer them, you lean left or right. But getting on them takes a little getting used to. You effectively have to hop on and go, because a spinning wheel wants to stay upright, but a stationary one wants to fall over.
Get used to them, though, and they're incredibly fun to ride. The larger tire makes for a more forgiving ride than a push scooter or skateboard, and some models — like this one — can really fly. Plus, sturdy models can ramp off pavements. Most importantly, though, all of them are highly maneuvrable. That can make them ideal for busy cities, and it's one of the reasons the Electric Unicycle Collective (Euco) is working to encourage their uptake as an alternative form of transportation.
Unlike an electric skateboard, there's no handheld remote for an electric unicycle, and unlike an electric push scooter, there's no throttle. That's great for freeing up your hands but means electric unicycles are unavoidably less approachable than other modes of personal transportation. That said, even I managed to learn to ride one in a few hours, and I have the coordination of a teen who's raided their parents' liquor cabinet for the first time.
Climb every mountain — The powerful motor and big battery also mean the V11 can handle inclines of up to 35 degrees. InMotion makes other electric unicycles, too, but says the V11 offers the most torque of any of them, thanks to a custom-designed motor. It's also got a slew of other great features that help explain the $2,000 asking price. There's a responsive brake light, a class-leading 4,800 lux headlamp, grip-tape on the enlarged pedals, and a three-way cooling system that combines convection-, conduction-, and fan-cooling.
InMotion has even gone as far as embedding the 1,500 Wh battery in the motor to lower the V11's center of gravity for better handling. Speaking of the battery, it supports 84 V charging, which means with the optional high-speed charger you can cut the 10-hour charge time in half.
Heavy is the unicycle that wears the crown — As with all things in life, there's a trade-off for this rich feature list. In this instance, it's the weight. The V11 tips the scales at 60 lbs (~27 kgs). The consolation prize is a kickstand of sorts, and a built-in handle that means you can roll it around rather than trying to carry it. Taking it on New York subways without elevators is going to mean a serious workout, though.
The $2,000 price tag, meanwhile, is pretty much in keeping with other electric personal transporters like the Hunter Board, OneWheel, or VanMoof's electric bicycles. If you're keen, pre-orders are open now, and the first units are due to ship at the end of September. We've never previously considered riding trails with a unicycle. But we're thinking about it now, if only because of how much fun it is imagining the looks on the faces of the MTB crowd.
This article was originally published on Sep. 3, 2020


text:
#ifndef FTMODAPI_H_
#define FTMODAPI_H_

#include <ft2build.h>
#include FT_FREETYPE_H

#ifdef FREETYPE_H
#error "freetype.h of FreeType 1 has been loaded!"
#error "Please fix the directory search order for header files"
#error "so that freetype.h of FreeType 2 is found first."
#endif

FT_BEGIN_HEADER

  /**************************************************************************
   *
   * @section:
   *   module_management
   *
   * @title:
   *   Module Management
   *
   * @abstract:
   *   How to add, upgrade, remove, and control modules from FreeType.
   *
   * @description:
   *   The definitions below are used to manage modules within FreeType.
   *   Modules can be added, upgraded, and removed at runtime.  Additionally,
   *   some module properties can be controlled also.
   *
   *   Here is a list of possible values of the `module_name` field in the
   *   @FT_Module_Class structure.
   *
   *   ```
   *     autofitter
   *     bdf
   *     cff
   *     gxvalid
   *     otvalid
   *     pcf
   *     pfr
   *     psaux
   *     pshinter
   *     psnames
   *     raster1
   *     sfnt
   *     smooth, smooth-lcd, smooth-lcdv
   *     truetype
   *     type1
   *     type42
   *     t1cid
   *     winfonts
   *   ```
   *
   *   Note that the FreeType Cache sub-system is not a FreeType module.
   *
   * @order:
   *   FT_Module
   *   FT_Module_Constructor
   *   FT_Module_Destructor
   *   FT_Module_Requester
   *   FT_Module_Class
   *
   *   FT_Add_Module
   *   FT_Get_Module
   *   FT_Remove_Module
   *   FT_Add_Default_Modules
   *
   *   FT_Property_Set
   *   FT_Property_Get
   *   FT_Set_Default_Properties
   *
   *   FT_New_Library
   *   FT_Done_Library
   *   FT_Reference_Library
   *
   *   FT_Renderer
   *   FT_Renderer_Class
   *
   *   FT_Get_Renderer
   *   FT_Set_Renderer
   *
   *   FT_Set_Debug_Hook
   *
   */

  /* module bit flags */
#define FT_MODULE_FONT_DRIVER         1  /* this module is a font driver  */
#define FT_MODULE_RENDERER            2  /* this module is a renderer     */
#define FT_MODULE_HINTER              4  /* this module is a glyph hinter */
#define FT_MODULE_STYLER              8  /* this module is a styler       */

#define FT_MODULE_DRIVER_SCALABLE      0x100  /* the driver supports      */
                                              /* scalable fonts           */
#define FT_MODULE_DRIVER_NO_OUTLINES   0x200  /* the driver does not      */
                                              /* support vector outlines  */
#define FT_MODULE_DRIVER_HAS_HINTER    0x400  /* the driver provides its  */
                                              /* own hinter               */
#define FT_MODULE_DRIVER_HINTS_LIGHTLY 0x800  /* the driver's hinter      */
                                              /* produces LIGHT hints     */

  /* deprecated values */
#define ft_module_font_driver         FT_MODULE_FONT_DRIVER
#define ft_module_renderer            FT_MODULE_RENDERER
#define ft_module_hinter              FT_MODULE_HINTER
#define ft_module_styler              FT_MODULE_STYLER

#define ft_module_driver_scalable       FT_MODULE_DRIVER_SCALABLE
#define ft_module_driver_no_outlines    FT_MODULE_DRIVER_NO_OUTLINES
#define ft_module_driver_has_hinter     FT_MODULE_DRIVER_HAS_HINTER
#define ft_module_driver_hints_lightly  FT_MODULE_DRIVER_HINTS_LIGHTLY

  typedef FT_Pointer  FT_Module_Interface;

  /**************************************************************************
   *
   * @functype:
   *   FT_Module_Constructor
   *
   * @description:
   *   A function used to initialize (not create) a new module object.
   *
   * @input:
   *   module ::
   *     The module to initialize.
   */
  typedef FT_Error
  (*FT_Module_Constructor)( FT_Module  module );

  /**************************************************************************
   *
   * @functype:
   *   FT_Module_Destructor
   *
   * @description:
   *   A function used to finalize (not destroy) a given module object.
   *
   * @input:
   *   module ::
   *     The module to finalize.
   */
  typedef void
  (*FT_Module_Destructor)( FT_Module  module );

  /**************************************************************************
   *
   * @functype:
   *   FT_Module_Requester
   *
   * @description:
   *   A function used to query a given module for a specific interface.
   *
   * @input:
   *   module ::
   *     The module to be searched.
   *
   *   name ::
   *     The name of the interface in the module.
   */
  typedef FT_Module_Interface
  (*FT_Module_Requester)( FT_Module    module,
                          const char*  name );

  /**************************************************************************
   *
   * @struct:
   *   FT_Module_Class
   *
   * @description:
   *   The module class descriptor.  While being a public structure necessary
   *   for FreeType's module bookkeeping, most of the fields are essentially
   *   internal, not to be used directly by an application.
   *
   * @fields:
   *   module_flags ::
   *     Bit flags describing the module.
   *
   *   module_size ::
   *     The size of one module object/instance in bytes.
   *
   *   module_name ::
   *     The name of the module.
   *
   *   module_version ::
   *     The version, as a 16.16 fixed number (major.minor).
   *
   *   module_requires ::
   *     The version of FreeType this module requires, as a 16.16 fixed
   *     number (major.minor).  Starts at version 2.0, i.e., 0x20000.
   *
   *   module_interface ::
   *     A typeless pointer to a structure (which varies between different
   *     modules) that holds the module's interface functions.  This is
   *     essentially what `get_interface` returns.
   *
   *   module_init ::
   *     The initializing function.
   *
   *   module_done ::
   *     The finalizing function.
   *
   *   get_interface ::
   *     The interface requesting function.
   */
  typedef struct  FT_Module_Class_
  {
    FT_ULong               module_flags;
    FT_Long                module_size;
    const FT_String*       module_name;
    FT_Fixed               module_version;
    FT_Fixed               module_requires;

    const void*            module_interface;

    FT_Module_Constructor  module_init;
    FT_Module_Destructor   module_done;
    FT_Module_Requester    get_interface;

  } FT_Module_Class;

  /**************************************************************************
   *
   * @function:
   *   FT_Add_Module
   *
   * @description:
   *   Add a new module to a given library instance.
   *
   * @inout:
   *   library ::
   *     A handle to the library object.
   *
   * @input:
   *   clazz ::
   *     A pointer to class descriptor for the module.
   *
   * @return:
   *   FreeType error code.  0~means success.
   *
   * @note:
   *   An error will be returned if a module already exists by that name, or
   *   if the module requires a version of FreeType that is too great.
   */
  FT_EXPORT( FT_Error )
  FT_Add_Module( FT_Library              library,
                 const FT_Module_Class*  clazz );

  /**************************************************************************
   *
   * @function:
   *   FT_Get_Module
   *
   * @description:
   *   Find a module by its name.
   *
   * @input:
   *   library ::
   *     A handle to the library object.
   *
   *   module_name ::
   *     The module's name (as an ASCII string).
   *
   * @return:
   *   A module handle.  0~if none was found.
   *
   * @note:
   *   FreeType's internal modules aren't documented very well, and you
   *   should look up the source code for details.
   */
  FT_EXPORT( FT_Module )
  FT_Get_Module( FT_Library   library,
                 const char*  module_name );

  /**************************************************************************
   *
   * @function:
   *   FT_Remove_Module
   *
   * @description:
   *   Remove a given module from a library instance.
   *
   * @inout:
   *   library ::
   *     A handle to a library object.
   *
   * @input:
   *   module ::
   *     A handle to a module object.
   *
   * @return:
   *   FreeType error code.  0~means success.
   *
   * @note:
   *   The module object is destroyed by the function in case of success.
   */
  FT_EXPORT( FT_Error )
  FT_Remove_Module( FT_Library  library,
                    FT_Module   module );

  /**************************************************************************
   *
   * @function:
   *    FT_Property_Set
   *
   * @description:
   *    Set a property for a given module.
   *
   * @input:
   *    library ::
   *      A handle to the library the module is part of.
   *
   *    module_name ::
   *      The module name.
   *
   *    property_name ::
   *      The property name.  Properties are described in section
   *      @properties.
   *
   *      Note that only a few modules have properties.
   *
   *    value ::
   *      A generic pointer to a variable or structure that gives the new
   *      value of the property.  The exact definition of `value` is
   *      dependent on the property; see section @properties.
   *
   * @return:
   *   FreeType error code.  0~means success.
   *
   * @note:
   *    If `module_name` isn't a valid module name, or `property_name`
   *    doesn't specify a valid property, or if `value` doesn't represent a
   *    valid value for the given property, an error is returned.
   *
   *    The following example sets property 'bar' (a simple integer) in
   *    module 'foo' to value~1.
   *
   *    ```
   *      FT_UInt  bar;
   *
   *
   *      bar = 1;
   *      FT_Property_Set( library, "foo", "bar", &bar );
   *    ```
   *
   *    Note that the FreeType Cache sub-system doesn't recognize module
   *    property changes.  To avoid glyph lookup confusion within the cache
   *    you should call @FTC_Manager_Reset to completely flush the cache if a
   *    module property gets changed after @FTC_Manager_New has been called.
   *
   *    It is not possible to set properties of the FreeType Cache sub-system
   *    itself with FT_Property_Set; use @FTC_Property_Set instead.
   *
   * @since:
   *   2.4.11
   *
   */
  FT_EXPORT( FT_Error )
  FT_Property_Set( FT_Library        library,
                   const FT_String*  module_name,
                   const FT_String*  property_name,
                   const void*       value );

  /**************************************************************************
   *
   * @function:
   *    FT_Property_Get
   *
   * @description:
   *    Get a module's property value.
   *
   * @input:
   *    library ::
   *      A handle to the library the module is part of.
   *
   *    module_name ::
   *      The module name.
   *
   *    property_name ::
   *      The property name.  Properties are described in section
   *      @properties.
   *
   * @inout:
   *    value ::
   *      A generic pointer to a variable or structure that gives the value
   *      of the property.  The exact definition of `value` is dependent on
   *      the property; see section @properties.
   *
   * @return:
   *   FreeType error code.  0~means success.
   *
   * @note:
   *    If `module_name` isn't a valid module name, or `property_name`
   *    doesn't specify a valid property, or if `value` doesn't represent a
   *    valid value for the given property, an error is returned.
   *
   *    The following example gets property 'baz' (a range) in module 'foo'.
   *
   *    ```
   *      typedef  range_
   *      {
   *        FT_Int32  min;
   *        FT_Int32  max;
   *
   *      } range;
   *
   *      range  baz;
   *
   *
   *      FT_Property_Get( library, "foo", "baz", &baz );
   *    ```
   *
   *    It is not possible to retrieve properties of the FreeType Cache
   *    sub-system with FT_Property_Get; use @FTC_Property_Get instead.
   *
   * @since:
   *   2.4.11
   *
   */
  FT_EXPORT( FT_Error )
  FT_Property_Get( FT_Library        library,
                   const FT_String*  module_name,
                   const FT_String*  property_name,
                   void*             value );

  /**************************************************************************
   *
   * @function:
   *   FT_Set_Default_Properties
   *
   * @description:
   *   If compilation option `FT_CONFIG_OPTION_ENVIRONMENT_PROPERTIES` is
   *   set, this function reads the `FREETYPE_PROPERTIES` environment
   *   variable to control driver properties.  See section @properties for
   *   more.
   *
   *   If the compilation option is not set, this function does nothing.
   *
   *   `FREETYPE_PROPERTIES` has the following syntax form (broken here into
   *   multiple lines for better readability).
   *
   *   ```
   *     <optional whitespace>
   *     <module-name1> ':'
   *     <property-name1> '=' <property-value1>
   *     <whitespace>
   *     <module-name2> ':'
   *     <property-name2> '=' <property-value2>
   *     ...
   *   ```
   *
   *   Example:
   *
   *   ```
   *     FREETYPE_PROPERTIES=truetype:interpreter-version=35 \
   *                         cff:no-stem-darkening=1 \
   *                         autofitter:warping=1
   *   ```
   *
   * @inout:
   *   library ::
   *     A handle to a new library object.
   *
   * @since:
   *   2.8
   */
  FT_EXPORT( void )
  FT_Set_Default_Properties( FT_Library  library );

  /**************************************************************************
   *
   * @function:
   *   FT_Reference_Library
   *
   * @description:
   *   A counter gets initialized to~1 at the time an @FT_Library structure
   *   is created.  This function increments the counter.  @FT_Done_Library
   *   then only destroys a library if the counter is~1, otherwise it simply
   *   decrements the counter.
   *
   *   This function helps in managing life-cycles of structures that
   *   reference @FT_Library objects.
   *
   * @input:
   *   library ::
   *     A handle to a target library object.
   *
   * @return:
   *   FreeType error code.  0~means success.
   *
   * @since:
   *   2.4.2
   */
  FT_EXPORT( FT_Error )
  FT_Reference_Library( FT_Library  library );

  /**************************************************************************
   *
   * @function:
   *   FT_New_Library
   *
   * @description:
   *   This function is used to create a new FreeType library instance from a
   *   given memory object.  It is thus possible to use libraries with
   *   distinct memory allocators within the same program.  Note, however,
   *   that the used @FT_Memory structure is expected to remain valid for the
   *   life of the @FT_Library object.
   *
   *   Normally, you would call this function (followed by a call to
   *   @FT_Add_Default_Modules or a series of calls to @FT_Add_Module, and a
   *   call to @FT_Set_Default_Properties) instead of @FT_Init_FreeType to
   *   initialize the FreeType library.
   *
   *   Don't use @FT_Done_FreeType but @FT_Done_Library to destroy a library
   *   instance.
   *
   * @input:
   *   memory ::
   *     A handle to the original memory object.
   *
   * @output:
   *   alibrary ::
   *     A pointer to handle of a new library object.
   *
   * @return:
   *   FreeType error code.  0~means success.
   *
   * @note:
   *   See the discussion of reference counters in the description of
   *   @FT_Reference_Library.
   */
  FT_EXPORT( FT_Error )
  FT_New_Library( FT_Memory    memory,
                  FT_Library  *alibrary );

  /**************************************************************************
   *
   * @function:
   *   FT_Done_Library
   *
   * @description:
   *   Discard a given library object.  This closes all drivers and discards
   *   all resource objects.
   *
   * @input:
   *   library ::
   *     A handle to the target library.
   *
   * @return:
   *   FreeType error code.  0~means success.
   *
   * @note:
   *   See the discussion of reference counters in the description of
   *   @FT_Reference_Library.
   */
  FT_EXPORT( FT_Error )
  FT_Done_Library( FT_Library  library );

  /**************************************************************************
   *
   * @functype:
   *   FT_DebugHook_Func
   *
   * @description:
   *   A drop-in replacement (or rather a wrapper) for the bytecode or
   *   charstring interpreter's main loop function.
   *
   *   Its job is essentially
   *
   *   - to activate debug mode to enforce single-stepping,
   *
   *   - to call the main loop function to interpret the next opcode, and
   *
   *   - to show the changed context to the user.
   *
   *   An example for such a main loop function is `TT_RunIns` (declared in
   *   FreeType's internal header file `src/truetype/ttinterp.h`).
   *
   *   Have a look at the source code of the `ttdebug` FreeType demo program
   *   for an example of a drop-in replacement.
   *
   * @inout:
   *   arg ::
   *     A typeless pointer, to be cast to the main loop function's data
   *     structure (which depends on the font module).  For TrueType fonts
   *     it is bytecode interpreter's execution context, `TT_ExecContext`,
   *     which is declared in FreeType's internal header file `tttypes.h`.
   */
  typedef FT_Error
  (*FT_DebugHook_Func)( void*  arg );

  /**************************************************************************
   *
   * @enum:
   *   FT_DEBUG_HOOK_XXX
   *
   * @description:
   *   A list of named debug hook indices.
   *
   * @values:
   *   FT_DEBUG_HOOK_TRUETYPE::
   *     This hook index identifies the TrueType bytecode debugger.
   */
#define FT_DEBUG_HOOK_TRUETYPE  0

  /**************************************************************************
   *
   * @function:
   *   FT_Set_Debug_Hook
   *
   * @description:
   *   Set a debug hook function for debugging the interpreter of a font
   *   format.
   *
   *   While this is a public API function, an application needs access to
   *   FreeType's internal header files to do something useful.
   *
   *   Have a look at the source code of the `ttdebug` FreeType demo program
   *   for an example of its usage.
   *
   * @inout:
   *   library ::
   *     A handle to the library object.
   *
   * @input:
   *   hook_index ::
   *     The index of the debug hook.  You should use defined enumeration
   *     macros like @FT_DEBUG_HOOK_TRUETYPE.
   *
   *   debug_hook ::
   *     The function used to debug the interpreter.
   *
   * @note:
   *   Currently, four debug hook slots are available, but only one (for the
   *   TrueType interpreter) is defined.
   */
  FT_EXPORT( void )
  FT_Set_Debug_Hook( FT_Library         library,
                     FT_UInt            hook_index,
                     FT_DebugHook_Func  debug_hook );

  /**************************************************************************
   *
   * @function:
   *   FT_Add_Default_Modules
   *
   * @description:
   *   Add the set of default drivers to a given library object.  This is
   *   only useful when you create a library object with @FT_New_Library
   *   (usually to plug a custom memory manager).
   *
   * @inout:
   *   library ::
   *     A handle to a new library object.
   */
  FT_EXPORT( void )
  FT_Add_Default_Modules( FT_Library  library );

  /**************************************************************************
   *
   * @section:
   *   truetype_engine
   *
   * @title:
   *   The TrueType Engine
   *
   * @abstract:
   *   TrueType bytecode support.
   *
   * @description:
   *   This section contains a function used to query the level of TrueType
   *   bytecode support compiled in this version of the library.
   *
   */

  /**************************************************************************
   *
   * @enum:
   *    FT_TrueTypeEngineType
   *
   * @description:
   *    A list of values describing which kind of TrueType bytecode engine is
   *    implemented in a given FT_Library instance.  It is used by the
   *    @FT_Get_TrueType_Engine_Type function.
   *
   * @values:
   *    FT_TRUETYPE_ENGINE_TYPE_NONE ::
   *      The library doesn't implement any kind of bytecode interpreter.
   *
   *    FT_TRUETYPE_ENGINE_TYPE_UNPATENTED ::
   *      Deprecated and removed.
   *
   *    FT_TRUETYPE_ENGINE_TYPE_PATENTED ::
   *      The library implements a bytecode interpreter that covers the full
   *      instruction set of the TrueType virtual machine (this was governed
   *      by patents until May 2010, hence the name).
   *
   * @since:
   *    2.2
   *
   */
  typedef enum  FT_TrueTypeEngineType_
  {
    FT_TRUETYPE_ENGINE_TYPE_NONE = 0,
    FT_TRUETYPE_ENGINE_TYPE_UNPATENTED,
    FT_TRUETYPE_ENGINE_TYPE_PATENTED

  } FT_TrueTypeEngineType;

  /**************************************************************************
   *
   * @function:
   *    FT_Get_TrueType_Engine_Type
   *
   * @description:
   *    Return an @FT_TrueTypeEngineType value to indicate which level of the
   *    TrueType virtual machine a given library instance supports.
   *
   * @input:
   *    library ::
   *      A library instance.
   *
   * @return:
   *    A value indicating which level is supported.
   *
   * @since:
   *    2.2
   *
   */
  FT_EXPORT( FT_TrueTypeEngineType )
  FT_Get_TrueType_Engine_Type( FT_Library  library );

  /* */

FT_END_HEADER

#endif /* FTMODAPI_H_ */

/* END */

redpajama_set_name: RedPajamaGithub


Results for December 2009 indicated an increase in the number of homes that sold for under $100,000. December 2009 is the first month in which there was any significant increase in this statistical category.
Looking at the total number of homes that sold for under $100,000 is one way to look at Metro Phoenix Foreclosure sales. Market information is revealed in the following chart and is read in this manner: "There were 7,670 homes sold in metropolitan Phoenix during the month of December 2009. 2,811 (or 36.6%) of all these sales were under $100,000. 2,249 of those homes (80% of the total) were Metro Phoenix foreclosure sales."I define Phoenix foreclosures as both bank owned homes and short sales.
As indicated by the color yellow, this number had been on a decline since a peak of 3,866 homes in May 2009. At that time 90% of all homes that sold for under $100,000 were foreclosure-type sales in the Phoenix area(indicated in orange).
A primary reason for the June through November decline has been the gradual increase of home prices in the Phoenix area. Our Phoenix market tracker has indicated the increase began in April 2009 when the average price in the entire metropolitan area was approximately $84.00 per square foot. Price per square foot in December 2009 was approximately $91.00.


text:
(-) Remove COVID-19 filter COVID-19
Vacancy X Press Release X Speech X European Single Electronic Format X Corporate Governance X COVID-19 X
27/03/2012 2012/224 ESMA seeks views on proxy advisors Press Releases, Corporate Governance, Corporate Disclosure Press Release PDF
170.89 KB ESMA published last Thursday a discussion paper (ESMA/2012/212) on proxy advisors active in the European Union, seeking views of stakeholders. The paper aims at giving an overview of the state and structure of the market, advisor's methodologies, and on possible policy options. Generally, proxy advisors assist (institutional) investors and asset managers in their voting policy and strategy. Currently, there are no rules in place on a pan-European basis regarding proxy advisors. ESMA will use the feedback received on this paper to publish a feedback statement in Q4 of 2012, which will also include ESMA's view on whether there is a need for policy action in the area.
19/02/2013 2013/240 ESMA recommends EU Code of Conduct for proxy advisor industry Press Releases, Corporate Governance, Corporate Disclosure Press Release PDF
12/11/2013 2013/1645 ESMA clarifies shareholder cooperation in takeover situations Corporate Disclosure, Corporate Governance, Press Releases Press Release PDF
86.55 KB ESMA clarifies shareholder cooperation in takeover situations The European Securities and Markets Authority (ESMA) has published a statement on practices governed by the Takeover Bid Directive (TBD), focused on shareholder cooperation issues relating to acting in concert and the appointment of board members. The statement contains a White List of activities that shareholders can cooperate on without the presumption of acting in concert. It also contains information on how shareholders may cooperate in order to secure board member appointments by setting out factors that national authorities may take into account when considering whether shareholders are acting in concert. The statement is in response to a request by the European Commission for clarity on these issues, following its 2012 report on the application of the TBD. It is based on information collected about the TBD's application and common practices across the European Economic Area (EEA). The statement was prepared by the Takeover Bids Network, a permanent working group, under ESMA's auspices, that promotes the exchange of information on practices and application of the TBD across EEA. Steven Maijoor, ESMA Chair, said: "Today's statement means that shareholders can now be confident that they can expect authorities to take a consistent approach across the EEA to their cooperative activities. This consistency should in turn provide the reassurance needed by shareholders for the effective, sustainable engagement that is one of the cornerstones of listed companies' corporate governance model allowing them to hold their boards to account. "ESMA believes that ensuring a consistent and convergent supervisory approach to this issue will be instrumental in affording equality of treatment to shareholders and investors across the EEA." National competent authorities will have regard to the White List when determining whether shareholders are persons acting in concert under national takeover rules, but will also take into account all other relevant factors in making their decisions. Shareholder cooperation and acting in concert - The White List When shareholders cooperate to engage in any of the activities listed below, that cooperation will not, in and of itself, lead to a conclusion that the shareholders are acting in concert: 1.	entering into discussions with each other about possible matters to be raised with the company's board; 2.	making representations to the company's board about company policies, practices or particular actions that the company might consider taking; 3.	other than in relation to the appointment of board members, exercising shareholders' statutory rights; 4.	other than in relation to a resolution for the appointment of board members and insofar as such a resolution is provided for under national company law, agreeing to vote the same way on a particular resolution put to a general meeting. If shareholders cooperate in an activity not included on the White List, this will also not result in an automatic assumption that they are acting in concert. Each case will be determined on its own particular facts. Cooperation in relation to the appointment of members of the board of a company The White List does not include any activity relating to cooperation on board appointments, due to differences in Member State approaches towards determining whether shareholders who cooperate in relation to board appointments are acting in concert. However, shareholders may wish to cooperate in order to secure board members' appointment in a company in which they have invested. This cooperation might take the form of: 1.	entering into an agreement or arrangement (informal or formal) to exercise their votes in the same way in order to support the appointment of one or more board members; 2.	tabling a resolution to remove one or more board members and replace them with one or more new board members; or 3.	tabling a resolution to appoint one or more additional board members. The statement therefore indicates which factors may be considered when assessing whether such cooperation is indeed an act of acting in concert. ESMA will keep the public statement under review in order to ensure that it continues to reflect accurately the practices and application of the TBD in the Member States. 2013/1642 Public Statement - Information on shareholder cooperation and acting in concert under the Takeover Bids Directive. 2013/1643 Cover Note to the Public Statement
18/12/2017 ESMA 71-99-670 New rules make EU issuers' annual financial reports machine-readable European Single Electronic Format Press Release PDF
15/02/2019 ESMA71-99-1115 ESMA IOSCO Statement on EDPB Opinion Corporate Governance, International cooperation Press Release PDF
13/05/2020 ESMA71-99-1327 Press Release CLO Thematic Report COVID-19, Credit Rating Agencies, Press Releases Press Release PDF
esma80-189-6982_eu_clo_credit_ratings_-_an_overview_of_credit_rating_agencies_practices_and_challenges.pdf
13/11/2020 ESMA34-38-258 EU funds' resilience in the COVID era- keynote address by Steven Maijoor at EFAMA IMF 2020 COVID-19, Fund Management, Speeches Speech PDF


I was lucky enough to be born in the 80's when toys were great. The first toy I can remember getting was a Super Powers Batman. Shortly after I had Flash, Robin, Aquaman, etc… I bring this up because I remember the joy of getting them and playing with them. Over time I collected stompers, hot wheels, micro machines, super powers, GI JOE, transformers, construx, legos, crash dummies, TMNT, tyco cars and tracks, army men, GUTS and much more. My father and I would build Monogram WWII planes on the weekends as he taught me how to paint. Vivid memories of the past and the reasons I collect today.
I think one of the best things about being a collector is you get to hear everyone's childhood memories like mine. I wanted to post this to hear your stories, of your childhood memories of getting that first toy or searching everywhere to get it. What were you able to keep from your childhood, and what is now sadly long gone.
I wanted to post this pic because I've had a ton of requests for KREO. The series 1 stuff has become hard to find! This pic was taken months ago and I have so much more now!!
Alley Viper, Crimson Guard and many more!
What do you think of the KREO'S??


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HOME > SEEN > SEEN Soundcloud Scan > Soundcloud Scan: Orange Hill, Jamtech & Top Billin.
Soundcloud Scan: Orange Hill, Jamtech & Top Billin.
Continuing the heavyweight electrobashy vibes, our latest boundary pushing collabo brings to the table the one and only mighty dancehall supremo, Vybz Kartel, Epic!! Make sure you check the Sneakbo remix too, mad again!
Yeah, we love party edits. This classic needed a lil faster workout, it's 107 BPM, so suitable for your moombahton gigs as well. if you like some vocal stuff in ze mix. Download for free rudeboy and share with friends.


text:
Q: Placing "too" in a sentence
This too shall pass.

Would anyone help me to understand why in this common saying the "too" word is placed in the middle of the sentence? Referring to Wikipedia here.

This shall pass too.

Wouldn't it be more natural to place the "too" in the end of the clause, as it usually done?
Thank you!

A: Too in this sense (also, as well) refers to the subject of the sentence, so is placed immediately after it. This is a rather formal, literary usage. The Wikipedia article indicates that your phrase comes from literature. In everyday conversation you would probably say things like "Can I come too?" "I've got one too."
https://www.poets.org/poetsorg/poem/i-too

redpajama_set_name: RedPajamaStackExchange


text:
Report on Iliamna (United States) — September 1997
Bulletin of the Global Volcanism Network, vol. 22, no. 9 (September 1997)
Iliamna (United States) Seismic swarm ends in March
Global Volcanism Program, 1997. Report on Iliamna (United States) (Wunderman, R., ed.). Bulletin of the Global Volcanism Network, 22:9. Smithsonian Institution. https://doi.org/10.5479/si.GVP.BGVN199709-313020
60.032°N, 153.09°W; summit elev. 3053 m
A seismic swarm that began on 1 August 1996 (BGVN 21:08) continued during late 1996 and into early January 1997 (BGVN 21:09, 21:10, and 21:12) with earthquakes occurring at a rate of 11/day. Activity began to decline during 11-17 January, when only two events/day were recorded. The swarm continued through 24 January at an average rate of less than one earthquake/day, a significant reduction from the rate two weeks earlier. Seismic activity through the end of February averaged 2-5 events/day. Earthquake counts decreased again during 1-7 March to a rate of 1/day, then decreased to only one locatable earthquake during the week of 15-21 March. By 28 March seismicity was reported to be at background levels.
Iliamna is a deeply dissected stratovolcano 225 km SW of Anchorage in the Aleutian Range. The volcano is almost entirely covered with perennial snowfields and valley glaciers. A prominent fumarole field near the summit produces steam plumes that are commonly visible from Anchorage and the Kenai Peninsula on clear days.
Geological Summary. Iliamna is a prominentglacier-covered stratovolcano in Lake Clark National Park on the western side of Cook Inlet, about 225 km SW of Anchorage. Its flat-topped summit is flanked on the south, along a 5-km-long ridge, by the prominent North and South Twin Peaks, satellitic lava dome complexes. The Johnson Glacier dome complex lies on the NE flank. Steep headwalls on the S and E flanks expose an inaccessible cross-section of the volcano. Major glaciers radiate from the summit, and valleys below the summit contain debris-avalanche and lahar deposits. Only a few major Holocene explosive eruptions have occurred from the deeply dissected volcano, which lacks a distinct crater. Most of the reports of historical eruptions may represent plumes from vigorous fumaroles E and SE of the summit, which are often mistaken for eruption columns (Miller et al., 1998). Eruptions producing pyroclastic flows have been dated at as recent as about 300 and 140 years ago, and elevated seismicity accompanying dike emplacement beneath the volcano was recorded in 1996.
Information Contacts: Alaska Volcano Observatory (AVO), a cooperative program of a) U.S. Geological Survey, 4200 University Drive, Anchorage, AK 99508-4667, USA (URL: http://www.avo.alaska.edu/), b) Geophysical Institute, University of Alaska, PO Box 757320, Fairbanks, AK 99775-7320, USA, and c) Alaska Division of Geological & Geophysical Surveys, 794 University Ave., Suite 200, Fairbanks, AK 99709, USA.


text:
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https://www.youtube.com/watch?v=_WXwHJkjrNw
-Eros-
https://www.youtube.com/watch?v=pRYdm4H3HYQ