luxury office desk design perfect office depot desk lovely desk calendar bold design ideas office depot desks cute than luxury office depot desk ideas compact home decorations store near me.
home decorators collection flooring transitions vanity mirror installation instructions modern office desk tall dining room table,cheap home decorations near me shop for luxurious office desk with high class design modern living room decorators collection blinds installation,home decor stores in bangalore mumbai china modern design luxury office desk boss table wooden decorators collection flooring reviews,home decorations ideas cool office desk furniture computer idea design luxury for cheap decorators collection flooring installation instructions,home decorators outlet bathroom vanities rugs outdoor decorations ideas for birthday desk cover luxury office idea,home decorators collection blinds valance flooring installation instructions contemporary executive desk marble office china high quality bamboo,home decorators supply rugs luxury simple office desk furniture decor stores canada decorations collections blinds,home decorators collection flooring installation modern executive office desk dimensions new design blinds maple decorations collections,home decorators rug and fabric shield office desk design table ideas tips to buying an decorations stores near me decor in bangalore,home decorating ideas 2018 white office table designs desk luxurious modern in desks decorations collections decorators rug and fabric shield.
home decorators collection flooring transitions vanity mirror installation instructions modern office desk tall dining room table,home decorators collection flooring installation modern executive office desk dimensions new design blinds maple decorations collections,home decorators collection blinds valance flooring installation instructions contemporary executive desk marble office china high quality bamboo,home decorations ideas cool office desk furniture computer idea design luxury for cheap decorators collection flooring installation instructions,home decorators supply rugs luxury simple office desk furniture decor stores canada decorations collections blinds,cheap home decorations near me shop for luxurious office desk with high class design modern living room decorators collection blinds installation,home decorators rug and fabric shield office desk design table ideas tips to buying an decorations stores near me decor in bangalore,home decor stores in bangalore mumbai china modern design luxury office desk boss table wooden decorators collection flooring reviews,home decorating ideas 2018 white office table designs desk luxurious modern in desks decorations collections decorators rug and fabric shield,home decorators outlet bathroom vanities rugs outdoor decorations ideas for birthday desk cover luxury office idea.


Since the beginning of onCourse you have been able to select which fields are visible and which are mandatory for online enrolments. You can also specify the rules for mailing lists and waiting lists.
Now Data Collection rules take this idea to the next level. You are able to define rule sets for which fields are visible and mandatory, then link those rule sets back to specific courses. So your VET courses might have one set of data fields and your leisure courses a smaller set. Your seminar programme might then collect data about meal choices and streams.
The Data Collection rules can be very detailed. Each field can be re-ordered, you can separate them with headings and text of your choice. You can rename the labels and help text.
We think you'll love the flexibility that comes with Data Collection rules and you'll be able to collection just the data you need without overwhelming students with too many choices.
For more information about the new features, refer to The Data Collection chapter of the user documentation.
Custom fields have been available for Contact records for a long time now. In this release we now make the custom field concept extend to enrolments, courses, applications and waiting lists. This allows for a range of interesting possibilities.


You are an Earth personality. Earth character traits are stability, practicality, reliability, industriousness, empathy, honesty and prudence. Earth emotions and qualities are pensiveness, worry, thoughtfulness, instinctive awareness and reflection. An Earth type values friendship and has a reputation for being nurturing and grounded.
In Feng Shui, you love a comfortable, cozy room with thick rugs, stuffed furniture and fancy decorations. But you can tend to collect too many objects and create clutter. When you are out of balance, don't start collecting and hoarding things, trying to get a sense of security by surrounding yourself with stuff.
Your challenge is to honor your sympathetic nature and experience empathy with others. But you should learn how to do this with clear boundaries. When balanced, you can take care of yourself, not just others. You will succeed by meditating and nourishing yourself physically, emotionally and spiritually. A strong earth element will help you accept life's situations and expand your circle of knowledge.
Season: The last 18 days of each of the four seasons, the times of transition.
Feng Shui landscape: Small mountain with a flat-top peak, like a mesa.
Feng Shui building shape: A flat roof atop a square or rectangular structure.
Objects: All types of earthenware, containers, and vases, as well as ceramic pieces, clay tiles, bricks, and adobe. Visual art that depicts earthy landscape such as fields and natural environments represent earth, as do yellow, ochre and gold colors.
You want Earth in your relationships: secure, comfortable and stable. Use cozy textures and fabrics on your bed. A nice plush rug with thick ply is ideal in your bedroom. The color gold is lucky for you, so add gold items to your love corner (the far right from a room's entry). Pure beeswax candles are ideal for your love corner as well.


text:
What is the tuition for Northwest Missouri State?
Local tuition 8,238 USD, Domestic tuition 14,020 USD (2019 – 20)
Is Drury accredited?
Drury University Is Regionally Accredited.
What is Missouri state known for?
Entered the Union: August 10, 1821 (24)
Capital: Jefferson City
State Song: "Missouri Waltz" State Tree: Dogwood
National Forest: 1 • State Parks: 48
Famous for: Branson Country Music Shows, Bass Pro Shops, St. Louis Gateway Arch
What is the average ACT score in Missouri?
All Average ACT Scores by State (2020)
Missouri 78% 20.7
Montana 100% 19.9
Nebraska 100% 19.9
Nevada 100% 17.9
What is the tuition for Drury University?
29,665 USD (2019 – 20)
How much is Missouri state tuition?
What does SEMO stand for?
Southeast Missouri State University (SEMO) is a public university in Cape Girardeau, Missouri.
Is Southeast Missouri State University a good college?
Southeast Missouri State University is a public institution that was founded in 1873. Southeast Missouri State University's ranking in the 2021 edition of Best Colleges is Regional Universities Midwest, #76.
How do you qualify for in state tuition in Missouri?
MIZZOU IN-STATE RESIDENCY REQUIREMENTS Earn at least $2,000 in taxable income in Missouri during the 12-month period. Supply a copy of permanent Missouri driver's license and of Missouri voter's registration. Supply various other forms of verification, such as proof of residency, income tax forms and proof of income.
Is Missouri State a good school?
Nationally, Missouri State is an Excellent Value This earned Missouri State a #281 ranking on the Best Colleges for the Money list, when compared to other colleges and universities nationwide.
How many students go to Southeast Missouri State?
11,978 (2016)
Is Drury University d1?
Drury's NCAA Division II intercollegiate athletic teams compete in men's and women's basketball, men's and women's cross country, men's and women's Track and Field, men's and women's golf, men's and women's soccer, men's and women's swimming, men's and women's tennis, men's baseball, men's wrestling, women's softball.
Is Drury University a religious school?
Drury College was founded in 1873 as an "independent church-related" college with a commitment to personalized higher education. Drury has since maintained relationships with the Christian Church (Disciples of Christ) and the United Church of Christ.
Does Drury University have a football team?
The Drury Panthers are the athletic teams that represent Drury University, located in Springfield, Missouri, in NCAA Division II intercollegiate sports. The Panthers compete as members of the Great Lakes Valley Conference for all 18 varsity sports….
Drury Panthers
Website www.drurypanthers.com
What does Drury mean?
English (Norman) and French: nickname from Old French druerie 'love', 'friendship', a derivative of dru 'lover', 'friend' (see Drew 3). In Middle English the word also had the concrete meanings 'love affair', 'love token', 'sweetheart'.
What GPA do you need to get into Missouri State?
Does Missouri State require ACT?
Missouri State University is temporarily waiving the requirement of an ACT or SAT score for freshman applicants. Students applying for freshman admission with no ACT/SAT score, or those with low test scores, can now be considered for admission.
What is the acceptance rate for Missouri State University?
87.9% (2020)
What is the minimum ACT score for Missouri State University?
21-27 (2019–20)
Is Missouri State hard to get into?
The acceptance rate at Missouri State University is 84%. In other words, of 100 students who apply, 84 are admitted. This means the school is not selective. As long as you don't fall way below average, you'll likely get in.
Does Drury University accept a+?
To be qualified for early admission at Drury, the A+ students must be admissible to Drury, maintain at least a 3.25 grade point average each semester at OTC and graduate from OTC with an associate's degree. Attend an A+ designated school for three years immediately prior to graduation.
Is Missouri State a party school?
Missouri State is No. 2, Washington University in St. Louis is No. On the national list of Top Party Schools, the University of Missouri comes in 33rd place.
Is Missouri State Safe?
Missouri State University ranked one of the safest campuses in the country. Missouri State University has been recognized as one of the safest college campuses in the nation. A recent study highlighted 100 campuses with the best security practices and lowest crime.
What is Drury University known for?
Academic Life at Drury University The most popular majors at Drury University include: Biological and Biomedical Sciences; Business, Management, Marketing, and Related Support Services; Architecture and Related Services; Visual and Performing Arts; and Social Sciences.
How do I qualify for instate tuition?
Residency requirements are often encoded in state statute, and vary significantly from state to state. But generally, a dependent student must have at least one parent who is a state resident for at least one full year before the student matriculated in college.
What is the cost of living on campus at Drury University?
On Campus, New Student $8,194
On Campus, Returning Student $9,242
Off Campus $6,290
What type of school is Missouri State University?
Missouri State University is a public institution that was founded in 1906. It has a City setting, and the campus size is 225 acres. It utilizes a semester-based academic calendar. Missouri State University's ranking in the 2021 edition of Best Colleges is National Universities, #298-#389.
Is Missouri State test optional?
Missouri State adopts superscores, test-optional policies for freshman admissions. The university will now accept ACT or SAT superscores and adopted a test-optional policy for students who have a 3.25 high school GPA or higher.
Previous Post Previous post: How many types of flip flop are there?
Next Post Next post: Do you have to pay back fafsa If you withdraw from a class?

redpajama_set_name: RedPajamaCommonCrawl


L.A. industrial band 3Teeth have revealed some of the anticipated details today for their second full length titled 'shutdown.exe' scheduled to release May 19th via OMF Records. For fans of Nine Inch Nails and Ministry, 3Teeth is a transgressive artistic collaborative consisting of Alexis Mincolla (vocals), Xavier Swafford (keys), Andrew Means (drums) and Chase Brawner (guitars).
In addition to the album title and release date, the band also unveiled the artwork and track listing for the sophomore album. This is the band's follow up album to their self-titled release back in 2014. When describing the new album, vocalist, Alexis Mincolla, says "The album centers around the idea of shutting down consensus reality tunnels, which is a way to describe the generally agreed-upon perspectives of what is considered real."
No tour dates have been announced yet but we will keep you updated once they become available as well as additional music from new the album.
Be sure to stay connected with us at TandA Media for more news and coverage to come on 3TEETH.


text:
Q: Updating product actually destroys it I am new to Rails and was creating a demo web shop app for study.
I could create the products smoothly, both via rails console and by the url localhost:300/products/new.
My problem is when I want to update them.
I have _form.html.erb partial getting rendered both in new.html.erb and edit.html.erb
In /products/id/edit though the button "Update Product" is actually destroying the product instead of updating it
This is the _form.htlm.erb:
  <%= form_for(@product) do |f| %>
    <% if @product.errors.any? %>

<%= pluralize(@product.errors.count, "error") %> prohibited this product from being saved:

            <% @product.errors.full_messages.each do |message| %>

<%= message %>

            <% end %>

<% end %>

                <%= f.label :name %>

                <%= f.text_field :name, :class => "input-group input-group-sm" %>

                <%= f.label :description %>

                <%= f.text_area :description %>

                <%= f.label :image_url %>

                <%= f.text_field :image_url %>

                <%= f.label :color %>

                <%= f.text_field :color %>

                <%= f.submit %>

Please tell me if you need more data
Thanks,
Anna

Updat: here below my routes.rb

Rails.application.routes.draw do
resources :products
get 'news/index' => 'news#index', as: :news
get 'store' => 'store#index', as: :store
get 'contact' => 'contact#index', as: :contact
get 'products/edit' => 'products#edit'
get 'products/destroy' => 'products#destroy'
get 'about' => 'about#index', as: :about
get 'landing_page' => 'static_pages#landing_page', as: :landing_page
get 'home/index'
root 'static_pages#landing_page'
resources :orders, only: [:index, :show, :create, :destroy]

I have pryed in the products_controller and found this:

# GET /products/1
# GET /products/1.json
 def show
 end
# GET /products/new
 def new
    @product = Product.new
 end

 # GET /products/1/edit
 def edit
 end

 # POST /products
 # POST /products.json
 def create
    @product = Product.new(product_params)

   respond_to do |format|
     if @product.save
       format.html { redirect_to @product, notice: 'Product was successfully created.' }
       format.json { render :show, status: :created, location: @product }
     else
       format.html { render :new }
       format.json { render json: @product.errors, status: :unprocessable_entity }
    end
  end
end

# PATCH/PUT /products/1
# PATCH/PUT /products/1.json
 def update
   respond_to do |format|
     if @product.update(product_params)
        format.html { redirect_to @product, notice: 'Product was successfully updated.' }
        format.json { render :show, status: :ok, location: @product }
     else
        format.html { render :edit }
        format.json { render json: @product.errors, status: :unprocessable_entity }
     end
   end
 end

# DELETE /products/1
# DELETE /products/1.json
def destroy
  @product.destroy
  respond_to do |format|
    format.html { redirect_to products_url, notice: 'Product was successfully destroyed.' }
    format.json { head :no_content }
  end
end

A: The Edit.html.erb had also three options for: Show|Delete|Back The Delete option was coded with : <%= link_to 'Delete', @product.destroy %> I deleted this line and the product got edited instead of being cancelled.

redpajama_set_name: RedPajamaStackExchange


His name was marred by controversy when he rose from a Private in the Botswana Defence Force (BDF) to a Senior Administration Officer – Health Safety Officer at the Ministry of Lands Management, Water and Sanitation Services five years ago.
Voice Staffer, Daniel Chida spoke with flamboyant 27-year-old civil servant, Tshepang Mabaila, who has been labelled Khama's blue-eyed boy by certain quarters of society, to find out what's behind his swift and seemingly unstoppable rise to success.
Q. It is our pleasure to have you here. Let's talk about Mabaila, who is he?
I am a young, ambitions man who was born and bred in Serowe but now resides in Mogoditshane.
I am a doing my final year, Bachelors in Counseling at Boitekanelo College.
Before that I had enrolled at Belford University in Los Angeles to study Psychology but unfortunately the school was not accredited.
I have its certificate, which I am not using.
I also run my own foundation called Mabaila Foundation, which helps senior citizens and the less privileged.
Q. Looking at government salaries, how do you afford to have so many expensive cars such as Benz, Range Rovers and the like?
I run a number of businesses, amongst them, Emirates Solutions, which has a security company under it, VIP Protection Unit, a transportation business and Security systems where we install alarms and CCTV. I also buy clothes from India and South Africa and sell here. I do quite a number of things including having a cash loan.
Q. Okay, tell us about your foundation.
That is where my heart is – giving back to the community is my passion. The Mabaila Foundation was registered in 2012 and my main focus is senior citizens, our elders.
Although we cannot ignore other things like youth unemployment, my main focus has been on elders.
Organisations are meant to help government not to benefit individuals.
If I remember well, Mabaila Foundation was the first one to give blankets to elders.
We also have Academic Awards of Excellence. Our education has gone down but we are all responsible.
There has to be coordination between teachers, students and parents.
In May, we will have an event where teachers with the best performing classes in Mogoditshane will be recognised and rewarded.
The Minister of Education from South Africa, Lindiwe Zulu will be the guest speaker.
The best teacher for Primary School will get P10, 000, Junior Secondary P15, 000 and P20, 000 for Senior Secondary Schools.
Best performing students will be getting P5, 000 each.
We also donated orange trees to all the kgotlas in Mogoditshane and gave elders with eye problems glasses.
We gave 15 disabled students at Moamogwe Primary School uniforms.
Q. Why are you so interested in Mogoditshane?
Mogoditshane has been neglected to the point where it looks like a settlement and not a catchment area of Gaborone that it is.
It is filled with bars populated by idle youths who have resorted to drinking.
I will be organising a Youth Forum in June, specifically for Mogoditshane Youth.
The streets lights you see in Mogoditshane are for the road heading to Molepolole – Mogoditshane itself is dark.
There are many car dealers in Mogoditshane but they are of no benefit to the community that they do business in.
Our police there have a shortage of vehicles but those dealers fail to come together and donate at least five cars.
Our BDF camp is surrounded by car dealers who come from Nigeria and that alone is a security threat; I have been a soldier and I know what I am talking about.
Why surround an army camp? It is too risky! I am not saying they must go but security wise those garages are a threat.
What if one day they decide to attack our camp? We must not rule that out because we do not know what they are planning and why they targeted the BDF camp.
Q. So what are you planning to do?
Youth in Mogoditshane should be educated on what they can do with their land instead of selling it to foreigners.
We can move our country forward if we give young people a chance to lead – the problem is no one nurtures them! We need a database of unemployed youths.
We don't need them working in Ipelegeng.
Q. Does that mean government has failed the youths then?
I am not saying that but we need a generational vision not tournaments where people are given football kits.
What happens after getting that kit? Nothing! We have to engage and mentor disabled people and have more of them in councils and at parliament.
Q. There has been talk about your private and personal relationship with President Ian Khama – give us a hint?
Hahahaha, I am wondering why people would say that.
Our President is our role model but I don't know what friendship people are referring to.
It's just petty talk and I cannot stop people from talking.
We are from the same village and he inspired me.
Q. Do you have political ambitions?
Yes, I want to be a Member of Parliament, nominated or voted for by the people, I don't mind because my aim is to be in Parliament and represent Batswana.
I am intending to quit government at the end of May. I have been in the service for too long already.
Q. I have it on good authority that you will be contesting in the next elections. True or False?
I cannot tell which constituency I will be contesting in now because I am still a government employee.
If I leave I will call the press and tell you where I will be trying my luck but people have been asking me to stand for elections and I support them because it is time for us youth to stand up and be counted.
Youths are needed at Parliament; we need young people like Ditlhapelo Keorapetse of BCP, Mbuyiseni Ndlozi of EFF and DA President Mmusi Maimane in Parliament.
Q. So you are a determined man?
Yes, I don't mind becoming the Vice President tomorrow, it is up to us youth to stand up and contest for positions in politics, unions and other sectors.
It is time for old people to leave office for us youth to be in charge.
Q. Okay let's wait for the end of May then. Meanwhile, how are you going to spend your Easter Holidays?
I am a Christian who is always at church.


On this website we recommend many pictures abaout nautical bathroom accessories that we have collected from various sites Bathroom For Your Ideas, and of course what we recommend is the most excellent of picture for nautical bathroom accessories. If you like the picture on our website, please do not hesitate to visit again and get inspiration from our website.
Similar Keyword nautical bathroom accessories : cheap nautical bathroom accessories, nautical bathroom accessories amazon, nautical bathroom accessories australia, nautical bathroom accessories canada, nautical bathroom accessories ebay, nautical bathroom accessories ireland, nautical bathroom accessories sets, nautical bathroom accessories the range, nautical themed bathroom accessories uk, and more.


text:
Britt McHenry
Britt McHenry husband, age, wiki, biography
Who is Britt McHenry? Do you want to know about Britt McHenry? we have done a research about Britt McHenry net worth in 2021, age, biography, аnd соmрlеtе dеtаil аbоut her lifе.
Brittany May McHenry is Britt McHenry full name. Britt McHenry date of birth is May 28, 1986 and place of birth is Mount Holly, New Jersey, U.S. By profession Britt McHenry is a former ESPN personality.
Britt McHenry age, wiki, biography
Britt McHenry birthday is May 28, 1986 and born place is Mount Holly, New Jersey, U.S. Britt McHenry parents are Mr. Mchenry and Margie Mchenry. Mr. Mchenry is her father name and Margie Mchenry is her mother name. Her parents belong to an Irish ethnic background. Britt McHenry father is a former Lt. Colonel in the Air Force and her mother Margie Mchenry is a double-cancer survivor.She was brought up by her parents in Satellite Beach, Florida. In the year 2004 she has completed her graduation from Satellite High School.
In the year 2007 she finished her graduation magna cum laude from Northwestern University's Medill School of Journalism. She began reporting stories in Chicago, Illinois, while she was at Medill.
Britt McHenry dating, relationship, Boyfriend and Husband
Britt McHenry has dated and her boyfriend name is Rob Ferrara, Tennys Sandgren.
Rob Ferrara and she both met each other in the year 2019 and they both became good friends.
Tennys Sandgren and Britt McHenry are known for their relationship. By profession Tennys Sandgren is an American tennis player. She and Tennys Sandgren both met each other on Twitter and went on their first date in Paris, where Tennys Sandgren was competing in the French Open. The couple parted ways in January 2019.
She is not married so she doesnt have a husband and she is enjoying her single status. Fans are waiting for her to get married and wanted to know when will be her wedding and who will be the lucky husband. When she will tie the knot to somebody we will update it here.
Britt McHenry Career
Britt McHenry is presently working as a commentator on Fox Nation, Fox News' 24/7 streaming service. Britt is the anchor of a show on Washington, D.C.'s WTTG Fox 5 television station. For the women's soccer team Britt McHenry was a 4 year varsity starter. Britt was teammates with Ashlyn Harris, a goalie who will play for the United States women's national team.
Britt McHenry went to Stetson University, where she was a midfielder for the Hatters soccer team during the 2004 season. At the Wilhelmina Models agency she worked as a model when she was a college. After she completed her graduation from Medill School of Journalism she started to work for WJLA-TV, ABC Television's Washington affiliate, and its sister station NewsChannel 8 where she worked as a sports reporter and fill-in anchor. She came back to ABC 7 after spending two weeks as a dugout reporter for the San Diego Padres on Fox Sports San Diego's telecasts.
She quit ABC7 in March 2014 to work as a bureau reporter for ESPN in Washington, D.C. In addition to SportsCenter, Outside the Lines, NFL Live and Baseball Tonight, she has worked as a correspondent for a number of other programs. In a tweet on April 27, 2017, McHenry stated that she had been dismissed by ESPN, with the NFL Draft serving as her final assignment for the network. Ed Werder, Jayson Stark, and Jay Crawford were among the 100 people laid go along with McHenry. McHenry stated that she was terminated because she was "white and paid too much" in a tweet in May of 2018.
Britt McHenry has contributed to The Federalist as a columnist.
Britt McHenry Health
Britt McHenry stated on February 27, 2020, through the medium of Twitter, that she had been suffering with a brain tumor on February 25, and that "surgery is near." On March 4, 2020, Britt McHenry underwent brain surgery.
Short Bio of Britt McHenry
Brittany May "Britt" McHenry is her born and real name. Her date of birth is May 28, 1986 and birthplace is Mount Holly, New Jersey, U.S.. She is 35 Years of age as in 2021. By profession she is a Commentator, Television Personality. Her Parents are Bill McHenry and Mr McHenry. Mr McHenry is her mother's name and Bill McHenry is her father's name.
Britt McHenry Age and Height
Name Brittany May "Britt" McHenry
Britt McHenry	Wiki and Biography
Britt McHenry Wiki and Biography
Born and Real Name Brittany May "Britt" McHenry
Nickname Britt McHenry
Profession Commentator, Television Personality
Birthplace Mount Holly, New Jersey, U.S.
Sun sign Gemini
Britt McHenry	Height, Weight and Body Measurements
Britt McHenry Height, Weight and Body Measurements
Weight 55 Kgs
Britt McHenry	Net Worth and Salary
Britt McHenry Net Worth and Salary
Britt McHenry	Education Qualifications, School and College
Britt McHenry Education Qualifications, School and College
Educational Qualifications Graduation magna cum laude
School Satellite High School, Northwestern University's Medill School of Journalism
College Stetson University
Britt McHenry	Professional Life
Britt McHenry Professional Life
Famous and well known Former ESPN personality, Commentator on Fox Nation, and TV Host
Britt McHenry	Family Details/ parents/ family background?
Britt McHenry Family Details/ parents/ family background?
Parents /Father Bill McHenry
Parents /Mother Mr. Mchenry
Children/Son's Name N/A
Britt McHenry	Boyfriend/Husband/dating/Affairs?
Dating /Boyfriend Name/Affairs	 Tennys Sandgren
Britt McHenry	Marriage Details
Britt McHenry Marriage Details
Britt McHenry	Home Address and Residence
Britt McHenry Home Address and Residence
Home town	 Mount Holly, New Jersey, U.S.
House address	 Mount Holly, New Jersey, U.S.
Britt McHenry	Social Media Websites
Britt McHenry Social Media Websites
Facebook	 https://www.facebook.com/BrittMayMcHenry
Twitter	 https://twitter.com/brittmchenry
Instagram	 https://www.instagram.com/brittmchenry/
You can read wiki of Sean Wittstock, Gareth Wittstock, Damaris Sanders, Brandon Freeman, Kelly Monaco, Jacob Stock, Quincy Jones


Image Title: Bertazzoni MAS365GASXE 36 Stainless Freestanding Natural Gas Range With Regard To Remodel 14. Post Title: Bertazzoni 36 Range. Filename: bertazzoni-mas365gasxe-36-stainless-freestanding-natural-gas-range-with-regard-to-remodel-14.jpg. Image Dimension: 3008 x 2000 pixels. Images Format: jpg/jpeg. Publisher/Author: Lew Ritchie. Uploaded Date: Tuesday - October 02nd. 2018 23:45:23 PM. Category: Architecture. Image Source: homedsgn.com. Package Bert3 Bertazzoni Appliance 4 Piece Luxury With 36 Range Remodel 15. 30 Slide In Gas Range Cheap Bertazzoni A365GGVXE 36 Master Series For Designs 19. Amazon Com Bertazzoni Master Series A365GGVXENG 36 Pro Style Gas With Range Ideas 3. Bertazzoni 36 Inch Ranges Inside Range Ideas 0. Bertazzoni PRO365GASX 36 Inch Professional Series Stainless Steel Throughout Range Remodel 10. Bertazzoni Range 36 Inch Stainless Steel Pro Series From Pertaining To Remodel 18. Amazon Com PRO365GASX Bertazzoni Professional 36 Gas Range 4 Inside Plan 12. 36 Inch All Gas Range 6 Brass Burners Bertazzoni Pertaining To Ideas 4. Bertazzoni Reveals Versatile And Efficient 36 Dual Fuel Range With Remodel 17. Bertazzoni Professional 36 6 Sealed Burners RW Pro Style Gas Range Within Ideas 9.


We recently visited the Los Angeles home of rock goddess Stevie Nicks, and while we can neither confirm nor deny the existence of a dedicated shawl closet and a tambourine vault, we can report that the kitchen TV was tuned to HGTV and the chandelier was fabulous. That house is featured throughout In Your Dreams, the entertaining film documenting the recording of Nicks' underrated 2011 solo album of the same name. Album producer Dave Stewart (of the Eurythmics) is also a compulsive videographer; he and Nicks are named as codirectors, although she dismissed the credit, saying, "It was very nice of them, but I didn't direct this." The documentary, recently released on DVD, was spurred by Dave Grohl: when Nicks lamented to him that her album had died, he told her that the only way to revive it was to release a film. "Go home and call Dave Stewart right now," he instructed her.
I am certain Stevie realizes Christine McVie was not one of the founding members of Fleetwood Mac, it was likely a flippant comment. Since Christine appeared as a session player as early as 1968 before fully joining the band in 1970 (maybe 1971?) the majority of Fleetwood Mac's back catalogue prior to Buckingham and Nicks joining the band featured Christine. It will be interesting to see what this year brings.
Given all the recent publicity with Christine, I will only go so far as to say I am cautiously optimistic.
I wonder when this interview took place. Since Chris sent Lindsey some new songs (which he loved) and since Stevie said on stage during her closing remarks at the Las Vegas Dec. 30th show that Fleetwood Mac would be back next year; I wonder if she is following Lindsey's lead and is now more into having Chris come back? I would bet that Lindsey thinks one or more of Chris' songs sound like a possible hit, and since Stevie wouldn't write anything new for the EP last year that perhaps they should be more pleased with having Chris come back and now maybe he has gotten Stevie to agree.
^^ ^^ Stevie was never not into having Chris back. She has stated many times over the years she would love to have Chris back. I think you're right this interview was done a while ago, but perhaps Stevie just got tired of wishing for it to happen and gave up on the idea.
this interview could been done a while ago if not then she is not reveiling everything she knows. i got some inside stuff recently from a band member and saw that person at one of the casinos in vegas just about 2 weeks ago. All I am going to say is it will all come out real soon. it will make lots of fleetwood mac fans. very excited about 2014 and more!!! stay posted on this site.
Agreed - Lindsey's already working on Chris' songs and so the beginnings of the new album are right now taking shape. I hope he does the kind of imaginative, elaborate arrangements he did on TANGO, which were arguably her strongest set of songs on a FM record. Frankly, Stevie's the one I'm worried about this time around. I hope she can come up with 3-4 great songs. I'm still haunted by what happened on TANGO, whose overall quality she was solely responsible for sabotaging. Lindsey I'm not worried about at all. He always comes up with great songs and has never had a bad album. In the best of all possible worlds, the new album will return the band to the magical alchemy of the first 3 records, which to this day serve as the basis for their enduring reputation and popularity.
I would not be suprised if Christine were in the studio already. She can come up with hooks of her own. I would mot be shocked at all if her and Lindsey were hard at work.
^^^ Stevie provided Lindsey with fantastic material for Say You Will, which was after Tango. She was still deep in grief after losing her mother, and that's why she didn't contribute any new material for the EP. Her solo album from 2011 is absolutely gorgeous. Both critics and fans agreed on that. On the other hand, Lindsey's production on some of Stevie's songs both on Tango and Say You Will was awful. As good as a producer he can be, he is not letting go of some outdated techniques, and techniques nobody in the world would consider to be aesthetic, except maybe for him (voice manipulations for example). That's what I am afraid of. They need an ouside producer to balance Lindsey, and give Stevie an option if she is not satisfied with the work done on her music, a few good Stevie songs old or new, and they are ready to go. Allegedly, Christine is in fact back on board which will be announced officially in march according to a few different insider sources. The whole thing is still in a very early sage, but it is slowly coming together. Let's just hope they don't let their egos ruin the experience for both us and them.
To the above poster Brian, i respect that you're keeping quiet, but is there any way you could tell us WHEN all of this should be revealed without any of the details. It would be geeatly appreciated!
I think we can all agree Lindsey and Christine CARRIED 'Tango In The Night.' Stevie had "Seven Wonders," which she co-wrote. "Welcome To The Room ... Sara" was a very personal song about her Betty Ford experience, but would have worked better if her third contribution had been something other than the AWFUL "When I See You Again."
Stevie contributed ten amazing songs to 'Say You Will.' Did all of them come out okay? No, but that's not Stevie's fault. The final products were always drastically different than the demos Stevie submitted. The production on Stevie's SYW material was stark and rather cold, which works well for Lindsey's songs. It does not work for Stevie's songs. Don't believe me? YouTube the demo for "Smile At You" and compare it to the SYW version.
Beyond that, Stevie wrote great material for 'The Other Side of the Mirror,' 'Trouble in Shangri-La,' and 'In Your Dreams.' 'Street Angel' is hit or miss, I blame the Klonopin haze. To say that one is worried about Stevie this go-around is a bit unfair. When 'Tango In the Night' was being recorded Stevie was heavily coked out, as she entered Betty Ford at the end of her RAL tour in 1986. Given that 'Tango' was released in April 1987 that left less than six months for any last minute revisions Stevie was able to make to her contributions, final production, packaging, promotion and all the other crap that goes into promoting a record between the finish line and release date. I would bet money Stevie has not only written several songs in the last three years since the release of IYD, she's probably got a few demos recorded during those sessions she wasn't able to use.
If Fleetwood Mac is indeed going to record this year, then I bet Stevie, Lindsey, and Christine each bring their A-game.
As for Christine returning "Dream On Silly Dreamer"
To the above moron, its interesting you would say that because that person doesn't own this site. As for your assertion that "someone gets paid" come up with proof of that or keep your damn mouth shut. I also know a few things and all i will tell you is get ready to eat your words.
I say to the drama makers in the band, stop it and get on with it. We will just have to wait.
I am not Brian, and I don't give a s... what you click on, and who gets paid, but from more than one insider source, I have received information that the news about Chris will become official by the end of march, as I already posted above.
@MplsMike Stevie was a mess on Tango, but she submitted demos of better song than the ones that ended up on the album. She was a mess, and Lindsey deliberately sabotaged her, leaving her with a single decent song. That could never happen nowadays since Stevie cleaned up her act, and pretty much has the last word in the band.
Just to set the record straight... No revenue is generated by any means from visits to this site or from any of the links provided.
What nobody seems to take into account (especially Stevie Nicks) is that they are all between 64 and 70 years old and don't have that much time left to record or tour. Stevie talks about Chris returning to the band as if they had 30 more years of touring to do. If they are lucky, and considering John Mcvie's recent cancer, they may have 1 or 2 more world tours in them and probably only 1 more album. From that perspective they should all welcome Chris back with open arms, record and album soon and tour as much as they can. Otherwise, within not that many years it will be Fleetwood Mac in wheelchairs on stage!
To the anonymous I am Brian and you are mad because you don't know what going on. It sounds like you would blabber any news you got. well not me. My wife and I met mick at mandlelite casino on dec 28th a saturday afternoon 2 days before the show in at mgm casino. He asked us not to put the video that my wife got in the conversation we had together on you tube and we promised him we would not. someone got it in the time frame when it will come out give it though the winter and you will here something. Lets not forget John surgery mick said that he was schuduled to have it right after the vegas shows. I am sure they want to make sure that he will be all good first before they release anything to the media.


Lovely Ideas Of 6 Drawer Dresser Under $100 – Through the thousand Ideas on-line regarding 6 drawer dresser under $100, we selects the very best choices using greatest quality completely for you, and this photographs is regarded as one of images selections within our ideal photos gallery regarding Lovely Ideas Of 6 Drawer Dresser Under $100. I am hoping you'll as it.
placed by means of Margaret Richards at 2019-01-10 23:31:38. To discover many shots inside Lovely Ideas Of 6 Drawer Dresser Under $100 stocks gallery don't forget to comply with that website link.


If you were abused as a child, Governor Andrew Cuomo says you should get the chance to face your alleged abuser now, regardless of how long ago the abuse took place. On Friday, the Governor announced he would include the Child Victims Act in his executive budget which he will unveil on Tuesday.
As a child, Melanie Blow of Rochester was sexually abused by a family member, she tells News10NBC she wasn't able to talk about it until decades later.
"I was 24 when I heard that my abuser was being investigated by the police for abusing another child," she recalls.
That's when she finally decided to go to police but after telling them her story, she was told that she was a year past the statute of limitation to file criminal charges, "it's horrible, it's being victimized all over again, it is just the most horrible thing to realize that all your suffering, everything you've gone through amounts to nothing. That you cannot protect another child," Melanie says.
In New York State, victims have until the age of 23 to file criminal charges against an alleged abuser. The Child Victims Act raises that to 28 years old. Most lawmakers in Albany support that part of the bill, the hold-up in passage seems to be over a different aspect of the legislation.
The current versions of the Child Victims Act also allow victims to file civil suits against their abusers until the age of 50 and they open up a one-year lookback window for any victim, of any age, to file a civil suit against abusers and the organizations/businesses/charities where they worked.
News10NBC reviewed lobbying information which shows that the Catholic Church, public and private schools, insurance companies and the Boy Scouts have all paid to lobby against passage of the bill in previous legislative sessions, likely concerned they'll be named in civil suits.
Melanie says, it's not a money grab for her and other victims like her, "civil records in New York are public, this is a way that you can get the name of somebody who has sexually abused children part of the public record," she says.
In previous legislative sessions, the Democratic-led Assembly has passed a version of the Child Victims Act but the Republican-led Senate chose not to bring it out of committee. Now that democrats have taken over the Senate majority, the bill has a greater chance of passing.


Linlithgow artist Ewan John has won the £250 Turcan Connell Prize at the 133rd Annual Exhibition of the Royal Scottish Society of Painters in Watercolour which opened on Thursday (28th February 2013) at the Royal Scottish Academy Building in Edinburgh.
Ewan graduated from Edinburgh College of Art in 1996. In addition to paintings, he writes and illustrates his own short stories and verse which he self publishes. He exhibits regularly in group and solo shows.
Talking about the winning painting Elizabeth Mouse Portrait, he said"I use watercolours regularly and wanted to paint a portrait for my series of Regency Mice. I am inspired by portrait paintings dating from the Regency period and this sometimes extends to researching and attempting to recreate the techniques used at the time. The painting may look small and simple, however, it took a long time and a few failed attempts before achieving the correct aged look and desired delicacy in the work. These Regency Mice are the original works for a new book I am currently working on, entitles A Mouse Miscalleny."
The exhibition, which is open until 24th March, features over 250 new paintings by over 170 leading and emerging artists from across Scotland including Dame Elizabeth Blackadder, Emma Davis, Will Maclean, Gordon Mitchell, Angus McEwan, Barbara Rae, Adrian Wiszniewski and HRH The Prince Charles, Duke of Rothesay, Patron of the Society.
The exhibition can also be viewed online at www.rswgallery.org.uk during the exhibition dates.


text:
COP27 and the Human Rights Crisis in Egypt
CIHRS Egypt /Road Map Program, Statements and Position Papers September 28, 2022
Egypt: CIHRS Position Paper on the National Dialogue
CIHRS Egypt /Road Map Program, Statements and Position Papers July 19, 2022
Yemen: United Nations must intervene to stop the targeting of journalists and media workers
CIHRS Arab Countries, International Advocacy Program July 6, 2022
18 human rights organizations call for renewal of UN Fact-Finding Mission on Libya
CIHRS Arab Countries, International Advocacy Program June 17, 2022
8 human rights organizations call on the European Union to link progress in bilateral relations with Egypt to specific standards to improve the country's human rights situation
CIHRS Egypt /Road Map Program, Statements and Position Papers June 16, 2022
International Advocacy Program
United Nations Human Rights Council
Parliament & the European Union
African Commission for Human and Peoples' Rights
Human Rights Dissemination Program
Annual Regional Forums
Salon Ibn Rushd
Human Rights Education Program
CIHRS Alumni Club
Trainings and Workshops
Egypt /Road Map Program
Round Tables and Public Lectures
Statements and Position Papers
Media & Human Rights
United Arabian Emirates
CIHRS Publications
Thematic Reports
Rowaq Arabi
Sawaseya
Egypt /Road Map Program, Thematic Reports / January 25, 2023
Egypt: Crisis by design, a human rights report by independent Egyptian organizations to the UN
African Commission for Human and Peoples' Rights, Egypt /Road Map Program, Statements and Position Papers / December 12, 2022
Egypt: Rights Organizations Stand in Solidarity with the Complaint Filed with the African Commission against the Egyptian Government on Behalf of Ramy Shaath and Celine Lebrun-Shaath
Egypt /Road Map Program, Parliament & the European Union, Statements and Position Papers / November 24, 2022
European Parliament debates Egypt's human rights situation with European Commission, resolution calls for strong EU measures to address crisis
Egypt /Road Map Program, Parliament & the European Union / November 23, 2022
67 European parliamentarians, calling for the immediate release of Alaa Abd el-Fattah
Arab Countries, International Advocacy Program, Parliament & the European Union / November 23, 2022
Libya: European Parliament issues a new resolution on European policy toward Libya
Egypt /Road Map Program, Statements and Position Papers / November 3, 2022
Ahead of COP27, 1400 groups, parliamentarians and individuals from over 80 countries urge Egypt to open civic space and release political prisoners
A project for constitutional reform in Egypt
In Books by CIHRS March 6, 2004 Leave a Comment
Presented by: Dr. M. El Sied Saeed (2004) This book tackles the issue of constitutional reform, which is still the subject matter of a hot debate in the Egyptian political …
Kampala Declaration: On the Prospects of the Constitutional Arrangements in Sudan
In Annual Regional Forums, Books, Human Rights Dissemination Program, Human rights in the Arab constitutions by CIHRS February 26, 2004 Leave a Comment
Introduction At the invitation of the Cairo Institute for Human Rights Studies (CIHRS) and the hosting of the Pan-African Movement, nineteen Sudanese experts, and a number of Egyptian, Ugandan and …
The Egyptian National Council for Human Rights Priorities and Civil Society Responsibilities
In Salon Ibn Rushd by CIHRS February 19, 2004 Leave a Comment
Within the framework of the declaration of the establishment of the Egyptian National Council for Human Rights (NCHR), which starts its meetings this week, the Cairo Institute for Human Rights …
CIHRS concludes 7th Regional Forum of the Arab Human Rights Movement on the future of constitutionalism in Sudan
In Annual Regional Forums, Human Rights Dissemination Program by CIHRS January 28, 2004
On January 26–27, 2004, the Cairo Institute for Human Rights Studies (CIHRS) at the invitation of the All-Africa Movement, organized the 7th Regional Forum of the Arab Human Rights Movement …
CIHRS Calls the League of Arab States to Adopt the UN Draft Arab Chapter for Human Rights without any Amendments The Draft is Considered a Victory to Civil Society and to Reform trends within the League
In League of Arab States by CIHRS January 5, 2004 Leave a Comment
The Cairo Institute for Human Rights Studies (CIHRS) expresses, on behalf of 36 human rights organizations in the Arab World, fervent welcome to the draft Arab Charter of Human Rights, …
Second Independence Towards an Initiative for Political Reform in the Arab World
In CIHRS Publications by January 1, 2004
This pamphlet includes the recommendations of the First Civil Forum parallel to the Arab Summit and the relevant press releases.The Forum sent its recommendations in a brief message to the …
Which Arab Charter on Human Rights
In League of Arab States, Salon Ibn Rushd by CIHRS December 23, 2003 Leave a Comment
After being lately updated by the permanent committee for Human Rights, the Arab charter on human rights project has been the core of a symposium organized by the Cairo Institute …
A drawback to the calls for reform The Arab convention on human rights materializes the colonial logic towards people: A declaration from 36 human rights organizations
In League of Arab States by CIHRS December 22, 2003 Leave a Comment
On the 21st of December 2003, the delegation of experts from the United Nations High Commission on Human Rights hosted Mr. Bahey eldeen Hasan, the head of Cairo Institute for …
On the 55th Anniversary of the Universal Declaration for Human Rights
In Salon Ibn Rushd by CIHRS December 17, 2003 Leave a Comment
Are the Arabs inferior to the other peoples of the world? That question was the core issue of a symposium called for by the Cairo Institute for the study of …
Are the Arabs at a lower rank than other peoples of the world?!
In International Advocacy Program by December 10, 2003
On the 10th of December 2003, 55 years have passed on the universal declaration of human rights, the first international legal document to be concerned with human rights all over …
Egypt: Legal Commentary on Regulations of NGO Law
Libya Roadmap for Human Rights Reform and Restoring the Rule of Law
Algeria Change within Continuity: The 2020 Constitutional Revision
Archives: select month & year
Archives: select month & year Select Month January 2023 December 2022 November 2022 October 2022 September 2022 August 2022 July 2022 June 2022 May 2022 April 2022 March 2022 February 2022 January 2022 December 2021 November 2021 October 2021 September 2021 August 2021 July 2021 June 2021 May 2021 April 2021 March 2021 February 2021 January 2021 December 2020 November 2020 October 2020 September 2020 August 2020 July 2020 June 2020 May 2020 April 2020 March 2020 February 2020 January 2020 December 2019 November 2019 October 2019 September 2019 August 2019 July 2019 June 2019 May 2019 April 2019 March 2019 February 2019 January 2019 December 2018 November 2018 October 2018 September 2018 August 2018 July 2018 June 2018 May 2018 April 2018 March 2018 February 2018 January 2018 December 2017 November 2017 October 2017 September 2017 August 2017 July 2017 June 2017 May 2017 April 2017 March 2017 February 2017 January 2017 December 2016 November 2016 October 2016 September 2016 August 2016 July 2016 June 2016 May 2016 April 2016 March 2016 February 2016 January 2016 December 2015 November 2015 October 2015 September 2015 August 2015 July 2015 June 2015 May 2015 April 2015 March 2015 February 2015 January 2015 December 2014 November 2014 October 2014 September 2014 August 2014 July 2014 June 2014 May 2014 April 2014 March 2014 February 2014 January 2014 December 2013 November 2013 October 2013 September 2013 August 2013 July 2013 June 2013 May 2013 April 2013 March 2013 February 2013 January 2013 December 2012 November 2012 October 2012 September 2012 August 2012 July 2012 June 2012 May 2012 April 2012 March 2012 February 2012 January 2012 December 2011 November 2011 October 2011 September 2011 August 2011 July 2011 June 2011 May 2011 April 2011 March 2011 February 2011 January 2011 December 2010 November 2010 October 2010 September 2010 August 2010 July 2010 June 2010 May 2010 April 2010 March 2010 February 2010 January 2010 December 2009 October 2009 September 2009 August 2009 July 2009 June 2009 May 2009 April 2009 March 2009 February 2009 January 2009 December 2008 November 2008 October 2008 September 2008 August 2008 July 2008 June 2008 May 2008 April 2008 March 2008 February 2008 January 2008 December 2007 November 2007 October 2007 September 2007 August 2007 July 2007 June 2007 May 2007 April 2007 March 2007 February 2007 January 2007 December 2006 November 2006 October 2006 September 2006 August 2006 July 2006 June 2006 May 2006 April 2006 March 2006 February 2006 January 2006 December 2005 November 2005 October 2005 September 2005 August 2005 July 2005 June 2005 May 2005 April 2005 March 2005 February 2005 January 2005 December 2004 November 2004 October 2004 September 2004 August 2004 July 2004 June 2004 May 2004 April 2004 March 2004 February 2004 January 2004 December 2003 November 2003 October 2003 August 2003 June 2003 May 2003 April 2003 March 2003 February 2003 January 2003 March 2002 July 2001 March 2001 February 2001 October 2000 July 1999 May 1999 April 1999 March 1998 March 1997 March 1996 March 1995 March 1994


text:
A Conversation with Eugene Ostashevsky
by Susanne Frank, Vladislav Overchuk, and Hannah Wagner
The title of your public lecture as Siegfried Unseld Guest Professor at the Humboldt Univerity in Berlin was "Poetry and Multilingualism." Can you tell us about The Pirate Who Does Not Know the Value of Pi, and whether you think of it as multilingual poetry?
Well, the Pirate is, maybe, a novel that consists mostly of poems. It has two protagonists, a pirate and a parrot. It is a book of several parts. Part One keeps asking about the similarities and differences between the pirate and the parrot, which is a bit like that question in Alice in Wonderland: "what is the difference between a raven and a writing desk"? And that question ultimately goes back to Plato, to the comparative procedure that gives rise to Platonic Forms. But with the pirate and the parrot, the added difficulty is that they are also the same. They are both PRT if you take the vowels out. So it's like Jewish Plato. Anyway, Part Two consists mainly of pirate songs. There's a chantey, there's old school hip-hop, there's a song my father used to sing to me when I was little. Because pirates party. Part Three is about skepticism. I am comparing the way parrots were taught to speak in Persia with the skeptical experience of al-Ghazali, a Persian philosopher in Bagdad. Al-Ghazali in a way went farther than Descartes, because he doubted not only learning and the senses, but also reason. His solution to the problem—nothing is provable, therefore trust God—is a total copout. In Part Four, the pirate and the parrot get shipwrecked, which is, like, a metaphor for immigration. Most of it is devoted to arguments about the effects of particular languages on the thought patterns of the speakers of those languages. It is thus about, or perhaps against, translation. This is one way of summarizing the book. It is probably the most pretentious way. In real-life terms the book is about the pirate and the parrot, about how they do and do not communicate, how they do and do not understand each other, how they do and do not love each other. More than one person has said that it's about marriage. The philosophy stuff might even be something I read into it.
The Pirate Who Does Not Know the Value of Pi
by Eugene Ostashevsky
(NYRB, March 2017)
But how is it multilingual? There is a tiny bit of Russian in there, but otherwise the book is almost entirely in English.
It's in many different Englishes, from hip-hop English to Tudor English. Most of it is in my English, meaning I wrote it, but some of it is appropriated or pirated material. Some of it I wrote to seem appropriated, and some of the appropriations look like it's me. Anyway, multilingualism. Some writers write different books in different languages. There is no doubt that that is multilingual literature. Or with sections in different languages. Ditto. But there is also a multilingualism of one language. My English is, first of all, many different kinds of English that are all in collision, that undercut each other, but it's also inflected with—infected by—Russian, by German, etc. Especially by Russian prosody, by the Russian literary tradition which is quite alien to the contemporary American—English—one. So my English is incomplete, there's no border between it and other languages. My English is translingual, it is English as a second language: I parrot. But you don't have to be a second-language speaker to write translingually or multilingually. Uljana Wolf is obviously a native speaker of German, but she has said that she tries to write German as if it were one language among many. That's already translingualism or multilingualism, even when she is not playing with English.
But do you think of yourself as an American writer? Or as a Russian writer writing in English?
I'm just not a believer in national literature. National literature puts up walls in two ways which are both artificial: First, there is the wall of language (in which case Nabokov was "Russian literature" until a certain point, and then stopped being "Russian literature"). Second, there are people (for example, Americans and Canadians) who try to build a wall by emphasizing national identity and ethnic identity, drawing borders where they don't really exist. Because even where those borders appear to exist, they are soft and permeable So I have to say that ideologically, programmatically and theoretically I'm opposed to national literature because it's not realistic; that's not how literature works.
But still there are a lot of countries in the world, for example Russia, in which there are a lot of people who insist on having a national literature and for whom it is part of their self-identification.
The Soviet Union was a repository for a lot of stupid nineteenth-century ideas. When I visited Petersburg in '91 or '92 my grandfather took me to one of these old cafés, Sever (The North). We got past the line on his veteran's card. While sitting there one had the feeling that time basically had stopped in 1917, that the food had stopped in 1917, that the waiters had stopped in 1917. It was like being in amber. It's the same thing with these national literature ideas: they come from Romanticism and from World War I. Whereas even the literature of Romanticism and the literature of 1913 are not national in practice, even when they preach nationalism. They all were reading what was going on abroad, and they responded to it at least as much as they responded to developments in their national language. Literature is multilingual and multiperspectival, multivocal and multilocal, even when it constructs itself as "national."
Eugene Ostashevsky, courtesy Eugene Timerman
How did your own studies at Stanford in the 1990s influence your understanding of literature?
I went to California in 1990, immediately after the Wall fell. I was then under the idea from that period (and the period before) that literature and poetry are very meaningful … which they were back then. At Stanford I met new Russian poets like Alexei Parshchikov. He enrolled at Stanford as a student to get out of Russia and see the world. Through him I got to know a lot of American poets I wouldn't have met on my own. Parshchikov opened a lot of things for me in terms of contemporary poetry but also in terms of his interest in seventeenth-century poetry which coincided with mine. We talked about stylistic parallels between the baroque, the avant-garde, and the contemporary. My first translation project was helping Michael Palmer translate Parshchikov.
You just said that "back then" literature was meaningful. Would you say that poetry has lost his importance nowadays?
Oh tremendously, yeah. The fall of the Soviet Union and the liberation of all the censored material in the late 1980s and in the early '90s were a boon for Russian poetry. Literature seemed important in a certain kind of metaphysical way as well as in a certain kind of political way. In the political way it turned out to be not important. As for me, it was metaphysics that drew me. Look, for example, at the metaphysics of Brodsky: Brodsky manipulates language and he thinks that the combination of words that he obtains hereby have some kind of suprapersonal meaning – a meaning that is not just for him but that seems to be objectively existing. I don't think it's possible to think deeply in that way anymore. But it was possible to think in that way back then.
Would you say then that multilingual poetry has the possibility to bring this power and depth back to literature?
The ideology that I put into my multilingualism is skepticism – conceptual and linguistic skepticism. When you go from language to language, you see that each of them comes with different ways of speaking that have something to do with syntactic and lexical differences, but mainly they differ along discursive, that is to say cultural, lines. When you speak Russian you say different things than you say when you speak German, there are different formulas that you use. So anthropologically languages are very, very different. And once you have enough exposure to linguistic multiplicity then many assertions in a particular language become the results of particular anthropological and cultural tendencies rather than assertions of universal truth.
But isn't there still a kind of a metaphysical universal truth in multilingual literature in the sense that it shows that despite different languages it is possible to talk to each other, that it is possible to ignore national borders and cultural differences?
You can't say that in general because there are many types of multilingualism. Look at multilingualism in the early work of seventeenth-century poet Simeon Polotsky: In his panegyric poems you have a mix of languages like Polish, Slavonic and Latin, but the languages don't collide. Their number shows the learning of the poet and gives honor to the person being praised. It's Imperial multilingualism. Then you have the ornamental multilingualism of contemporary US fiction, where a text in one language has slight outcroppings of another language which are completely explained in the primary language of the text. That doesn't inspire skepticism but, on the contrary, it intimates that the other language is transparent. It's also Imperial multilingualism, just of another kind of empire. As for my work, I collide things to emphasize miscomprehension.
Eugene and Anne Timerman image from The Pirate Who Does Not Know the Value of Pi
What are you more interested in: different types of multilingualism within one period or the difference between multilingualism of, for example, the seventeenth century and of the present day?
I think everything is important to me as long as it has self-reflexivity in it. In Columbus's diary there is no end of miscommunication but there's zero reflexivity. Or look at Tolstoy: In War and Peace you find large passages in French. But they don't collide; Tolstoy expects most of his readers to be able to read French as effortlessly as Russian. Combining different languages is always linked with questions of power and social inequalities because an author who combines languages divides his readers into specific social groups. Tolstoy has a privileged reader who is a fluent reader of French as well as of Russian. His ideal reader is a "better" reader than the Russian monolingual reader—but his ideal reader is also superior in social terms. Just as his readers do, Tolstoy's characters speak French to index who they are socially. It's necessary for them to speak relatively proper French and if somebody makes a mistake then it's a sign that they are socially wrong. But I'm really interested in mistakes. Maybe that makes me a raznochinets, which is the Russian term for nineteenth-century petty intelligentsia.
But would writing that, to use your own words, "emphasizes miscomprehension" make it possible for us to understand literature in a different way, for instance, as based on a primary loss of language or as a principally secondary use of language?
One of the salient points of second-language literature—"translingual" if it practices colliding languages—is to call attention to the features of language that the native speaker will take for granted: to the strangeness of morphology, to certain sound repetitions. I just got an edition of Vassily Kandinsky's poetic writings in German, with a few pieces originally in Russian translated by Alexander Filyuta. And in the things that Kandinsky wrote originally in German, there is a tremendous amount of sound repetition, of words that are obviously picked for their form. And this makes language less transparent, less obvious, less referential, less up to be taken for granted. So some features of second-language writing may be claimed to coincide with what Roman Jakobson called the poetic function of language, the focus on the message for its own sake. But how would one test this hypothesis that people who write in the second language are more likely to emphasize form, to focus on sound? I am sure that it is possible to do cognitive experiments with second language speakers, but I am not aware of such experiments.
This brings us to questions about translation and translatability. Your poems have just been translated into German and into Russian. Are you sure it is possible to translate multilingual poetry? Does it make sense? And are they translations or are they new texts?
Any translation is going to be a new text. Let's take an extreme example, let's take Osip Mandelstam. If you translate Mandelstam, what does that mean, do you look up all the words in the dictionary?
Or do you look at the sound and rhythm?
The very fact that Mandelstam has all these echt-Russian words means that the very color of his Russian is itself significant. You can't reproduce that in English: English has a different history and consequently a different stylistic system, and it also has different—perhaps more limited—morphological possibilities. Maybe you can get closer to his Russian in German. But what would be a translation of Mandelstam into English then? It's always a new text.
Fire Horse: Children's Poems by Mayakovsky + Mandelstam + Kharms
tr. Eugene Ostashevsky
Is this what you think of your own translations of Russian poetry? You are writing new texts?
Among those of my translations that I think are pretty exact, there are the children's poems by Mandelstam, Vladimir Mayakovsky and Daniil Kharms in The Fire Horse. I say they are exact because the rhythm is there, not just the words. But even in their case it's a different text. One of the kids in the Kharms poem is called Васька (Vas'ka) which I've translated as "Vasco." For me it's a joke I stole from a friend, the children's poet Edik Shenderovich, who named his son "Vasco," but in fact it's a completely wrong translation... because, if you are not friends with Edik Shenderovich, the only person you associate with the name "Vasco" in English is Vasco de Gama, whereas Vas'ka is one of the most prosaic, common boy's names in Russian. The Fire Horse also has my translation of Mandelstam's "Two Trams." The kind of clay that Mandelstam sculpts, nobody knows how to do it in English, even with the simple children's poems, because there is laughter hidden inside the word. Whenever Mandelstam just says the word "tram," it's funny to him. Do you know what I mean? I mean funny in a particularly gemütlich or cozy, now perhaps nostalgic, way. And so how do you translate that association? In English you don't even have one word for it: you have the British "tram" and the American "streetcar." Now, "streetcar" seems much better to me. Much more like Mandelstam-like. But I translated it as "tram" because of the sound and the cognate. In short, translation is always an intermediate text. Who is the author of a translation? There's no one author.
Your previous book, The Life and Opinions of DJ Spinoza, was translated into Russian with your input. Could you describe the mechanics of such consultation? What was the cooperation between you and the translator like? Did you have a particular process?
The Russian version of The Life and Opinions of DJ Spinoza was translated by Alexander Zapol, a Russian-language writer from Latvia who is also a scholar of multilingualism, with my help. I was teaching in Paris and he came to visit me. In the evenings we were translating together. He had done drafts of a lot of the poems before and then we continued to fix things, also over Skype. At the end, Dmitry Kuzmin, the publisher, also pitched in with some really clever solutions. We argued for a long time over how to spell "Begriffon" in Russian—with one F or two.
Have you thought of translating your own work into Russian?
I tried translating some of my early poems into Russian, but the problem is that I get going and then it stops being a translation. I don't have the discipline. And I don't have the time either. But even that's not really right. In translation it helps to have another person to beam things back at you. Translation is a very good field for a collaborative venture.
But there are so many multilingual authors—for instance, Yoko Towada, who writes in two languages but her German texts do not correspond to the Japanese ones. Wouldn't this be a solution for you too?
Had I lived in Russia for longer, then I would do it. Right now it would be extremely hard to learn how to write intrestingly in Russian. You have to go through all of this uninteresing training stuff, years and years. I just don't have that strength right now. It is something that I could have done. Maybe should have done in my twenties, but I didn't.
Because of the circumstances?
When I started writing in English as a teenager, everybody I knew who spoke Russian was pretty fluent in English too. So it made no sense for me to write in Russian. By the time I met Russian speakers who did not speak English well, it was too late.
You said that every translation is a new text, but still how does translating a monolingual text differ from translating a multilingual text?
The issue, at least in my case, is the puns, the emphasis on linguistic form. Linguistic form brings in the element of play, because formal connections are arbitrary, because so much of form is chance. So, if you want to translate my work, you also need to play in your own language, otherwise it's not going to be a good translation. This is why Uljana Wolf and Monika Rinck, who did the German version of the Pirate, are so suited for the task. When I was writing the end of the Pirate, Uljana and Monika had already started the German translation, and that really affected my work even on the level of plot. I initially had a different idea for the ending but I wound up doing something that plays with the fact of being translated, that in fact teases the translators. At the very end the Pirate and the Parrot are on a deserted island and they see the sail but the ship doesn't stop and they talk about what it would be like to be discovered. And of course in English the word "discovered" has this Hollywood connotation also. The Pirate imagines himself looking in the mirror and repeating "I have a translator! I have a translator!" which is something I stole from Flaubert. But Uljana and Monika have the Pirate saying "Ich habe zwei Übersetzerinnen"—I have two (female) translators— so they are continuing the game… But I answered your question only as regards my own book. Maybe there is no one definitive answer, except that the translation of a multilingual text needs to take account of the multilingualism.
Kharms was always very important for you. Your OBERIU book, which contained translations of his writings, was published more than ten years ago. And a story of his appears in the just-published Fire Horse Has your relation to his work changed in all these years?
I have a stronger and longer relation to Vvedensky, but my relationship with Kharms grows with time, because I am getting more into narrative, whereas I used to reject it outright. If I can make a binary opposition – which in fact is not true, because a lot of their works are quite similar – Vvedensky is more interested in alienating language and Kharms is more intrested in alienating the logical structures of narrative. Kharms appears in the Pirate a lot, because I am thinking in terms of narrative. Right now I think it is impossible for me to tell the story without thinking of Kharms in some way. His deconstruction of narrative is so extreme that for me it becomes the main way of thinking about narrative. And of course it's intimately connected to the ideas of the Russian Formalists and not just Formalists, also Bakhtin, to all the kinds of questions that they put. Not necessarily saying that Kharms read this material. He read some of that, and he met a number of them, but basically.. это носилось в воздухе (it was in the air). And in the same way Vvedensky's alienation of language, it is also quite connected to new Russian literary criticism which itself to some extent came out of Russian Futurism, so there was this tremendeous give-and-take just then between the reflection on literature and the making of literature. I think this give-and-take is responsible for much of the greatness of the literature of this period.
In addition to its self-reflexivity, your poetry shares with Kharms a certain "childishness." Kharms is the author of several very famous Russian children's books, and you translated one of them for The Fire Horse. Do you draw a line between children's literature and literature for adults?
As I writer I don't really differentiate between children's or adult literature. Genre conventions are only good when they are violated. A philosophical novel about language? What is more philosophical, at least for an analytic philosopher, than Alice in Wonderland, which is about language and math? As far as my work is concerned: I may be good in appealing to that inner child, but I need to focus on being more consistently appealing to actual children. The Pirate Who Does Not Know the Value of Pi started off as a children's book, but it kept veering off into things which are not children's things at all, it became too complex. And that's a fault. The aim is not to be complex, it's to be meaningful, which is often the reverse. One should strive for simple expressions with really broad application, like the discourse on friendship in The Little Prince. So I think if I were more skilled as a writer, then I would be able to write things which work for children. When the children like what I do, that's the biggest compliment.
Have your read your works to your daughters?
Yeah… I need to write something specifically for them. There's a gender aspect here. My work is very "boy" work. I have a very well defined inner boy and much less defined inner girl. I'm sure I have an inner girl, I just don't know how she speaks. So I would like to figure that out. There are not enough books for girls. Even the Fire Horse book is all boy.
Two-page spread by Eugene and Anne Timerman from the original 2013 chapbook edition of The Pirate Who Does Not Know the Value of Pi
I find this gender aspect really interesting. Did you think about just changing the gender of the boy?
No, it doesn't work that way. It's not enough. One of the poems that I really love is "The Owl and the Pussycat" by Edward Lear. One of the really amazing facts about "The Owl and the Pussycat" is that you don't know what gender is which. And working on The Pirate Who Does Not Know the Value of Pi, I kept changing the Parrot's gender. Because in the old books about parrots, the rule in English was to use the pronoun "she" for birds. Of course with a real parrot, you don't know, it does not help to turn the parrot over, you have to take a blood test. So they used to say "she," and now we say "it." But there is also "he."
You have already mentioned The Fire Horse, a collection of Russian avantgarde children's poems you translated into English. Who could be the addressee of this collection in the US?
These are the books of the 1920s, where we reproduced the original art but switched the language to my English. My guess is that our primary readers will be Russian immigrant parents, who will read them to their American-born children. Kharms will go over fine, but Mayakovsky? It takes a special kind of talent to write good children's literature. Brodsky, for example, tried to write a couple of children's books and they are not among his best work, to put it diplomatically. Even on the level of syntax, it's not that kind of syntax that a five-year-old speaks. It's not a kind of syntax that a five-year-old should speak. If you want to write children's books you need to listen to how children speak. Anyway, I think The Fire Horse may appeal to lots of different groups of people: for example, Americans who have no Russian connection but are interested in the art. Or in explaining certain economic concepts to their offspring (Mayakovsky's working title was "On Collective Labor"). My book tour in the US will start with a Soviet children's book conference at Princeton. So it's very useful for adults too to have these translations. It's a book that has many uses.
One last question. Can you tell us what kind of significance poetry in general has for you? At the beginning of your Siegfried-Unseld lecture you defined it as "using language in such a way as to reflect on using language." Is poetry for you a way of doing philosophy?
For me poetry—and even translation—is a way of trying to get to the meaning of the word which is obscured almost always by commodification, by the self-interested lies that people tell when they use that word. And what's interesting is, for example, how do you write a love poem where you actually give access to an emotion rather than manipulation? In a way it is the same question as how can you be in love with a non-imaginary person, where basically it's not some kind of projection that satisfies your ego but it is another human being? And I don't mean children, with children it works automatically, but I mean, you know, with another adult. With a closed box. With that thing Descartes saw outside his window that had collars and noses and feet. It's almost impossible. So in that sense it's very similar, how do you do this with language so it's actually not a power play? And I find that the older I get the harder it becomes to me. Because more and more things seem fake. And it's never clear how to put them together in such a way so that they stop seeming fake.
What do you mean exactly by "seeming fake"?
It's very hard to build sentences in such a way that they are not some versions of "социальный заказ" or "психологический заказ": that are not there to satisfy social, psychological, or rhetorical pressures. What I really mean is that it's very hard to mean what you say. You know, it is like writing an academic article. Why do you need to motivate your article by saying that the people who wrote before you on this topic were somehow wrong? What does that mean? Why should they be wrong? They are the people of their time and you are the person of your time. But if you start analyzing them as the people of their time, you never get to what your article is about.
Interview originally conducted, in English, for the purpose of German translation and publication on novinki.de. Grateful acknowledgment is made to all parties involved.
Eugene Ostashevsky is a Russian-American poet residing in Berlin. His latest books are The Pirate Who Does Not Know the Value of Pi and The Fire Horse: Russian Children's Poems by Mayakovsky, Mandelstam and Kharms, works of poetry and translation respectively, both published by the New York Review of Books.
Susanne Frank is the Chair of Eastern Slavic Literatures and Cultures at Humboldt University Berlin. She specializes in post-Soviet literature and culture.
Vladislav Overchuk moved to Berlin from St. Petersburg in 2013. He is now a master's student at Humboldt University working on Kandinsky.
Hannah Wagner is a master's student at Humboldt University in Berlin focusing on Soviet and post-Soviet literature and film.
tagged with Eugene Ostashevsky, NYRB, Susanne Frank, Hannah Wagner


text:
Home / Outdoor Plants / Page 1 of 4
12 product per page
Table Rose
Table rose is an annual ground cover with diverse colors of flowers. It is a hardy plant which can tolerate drought for some days.Additional InfoPortulaca oleracea is an annual succulent in the family Portulacaceae, which can reach 40 cm in height.It has a taproot with fibrous secondary roots and is able to tolerate poor, compacted soils and drought.
Table rose is an annual ground cover with diverse colors of flowers. It is a hardy plant which can tolerate...
Betel vine
betel vine in plastic pot
Jasmine / malli regular
Jasmine - is known for its intensely fragrant blossoms that flower all year to brighten your home. The starry flowers grow in lovely clusters of bright white *image is for representation purpose only. the plant will be delivered in a basic plastic pot.
Jasmine - is known for its intensely fragrant blossoms that flower all year to brighten your home. The starry flowers...
Karpooravalli
Karpooravalli is one of a home remedy that works when we get a cold and cough even for kids. It is a traditional herb in Tamil Nadu widely used for medical purposes. Crushed leaves are used as a local application to head in headache and to relieve the pain and irritation caused by poisonous bites. Extracted juice is applied round the orbit to relieve the pain in conjunctivitis. It is good for digestion. We can also eat directly after washing it. You can also make coffee by dipping two or three fresh leaf inside the hot water. It also possesses muscle-relaxant action, bactericidal and fungicidal properties.
Karpooravalli is one of a home remedy that works when we get a cold and cough even for kids. It is a traditional herb in...
CURRY LEAVES / Kaṟivēppilai
Curry leaves are the foliage of the curry tree (Murraya koenigii). This tree is native to India, and its leaves are used for both medicinal and culinary applications. They're highly aromatic and have a unique flavor with notes of citrus. *image is for representation purpose only. the plant will be delivered in a basic plastic pot.
Curry leaves are the foliage of the curry tree (Murraya koenigii). This tree is native to India, and its leaves are used for both medicinal...
plant will be delivered in a basic brown or black plastic pot.
Kanagambaram
The firecracker flower or tropical flame which is commonly called as 'Kanakambaram' in Malayalam is known for its beauty and color. Firecracker is an evergreen plant that grows up to a height of one metre. About 30-35 degree Celsius atmospheric temperature is ideal to ensure better.
The firecracker flower or tropical flame which is commonly called as 'Kanakambaram' in Malayalam is known for its beauty and...
mint tulsi / vicks tulsi
Cooling Mint Tulsi is a blend of Green Leaf (Rama) Tulsi and Spearmint. This blend is caffeine-free.
Tabernaemontana / Nandyarvattam / Crape Jasmine / tmc
Tabernaemontana divaricata commonly called pinwheel flower, crape jasmine, East India rosebay and Nero's crown is an evergreen shrub native to India and now cultivated throughout South East Asia and the warmer regions of continental Asia. In zones where it is not hardy it is grown as a house/glasshouse plant for its attractive flowers and foliage. The stem exudes a milky latex when broken, whence the name milk flower.
Tabernaemontana divaricata commonly called pinwheel flower, crape jasmine, East India rosebay and Nero's crown is an evergreen shrub native to India and now cultivated throughout South East Asia and the warmer regions of continental...
PARIJATHAM/ gardenia
The tree is sometimes called the "tree of sorrow", because the flowers lose their brightness during daytime; the scientific name arbor-tristis also means "sad tree". The flowers can be used as a source of yellow dye for clothing. The flower is called Gangaseuli and some where Jharaa sephali in Odisha, India.
The tree is sometimes called the "tree of sorrow", because the flowers lose their brightness during daytime; the scientific name arbor-tristis also...
thuthuvalai plant
Thoothuvalai is widely used in the treatment of tuberculosis, bronchial asthma, difficulty in breathing, sinus, chest congestion and other respiratory problems. Thoothuvalai with its anti-inflammatory properties and anti-microbial activity helps asthma patients with a fresh breath of life
Thoothuvalai is widely used in the treatment of tuberculosis, bronchial asthma, difficulty in breathing, sinus, chest congestion and other respiratory problems. Thoothuvalai...


Hope everyone is doing well with their respective trucks.
Just wanted to verify something with the experts here.
Based on the recommended scheduled maintenance that was provided by Ford Malaysia, the cam cover rubber gasket is to be changed at every 120,000 km. My Ford Everest has done 145,000 km (overdue) and there is a leak near the side with the turbo – not a very major one but you can see engine oil stains.
I was told by my mech the last time I had the belts changed that to open the cam cover would require special tools as it requires the removal of the injectors and I was advised to go back to a Ford Authorised Service Centre (which I would rather not).
Just wanted to check as I'm suspecting that my usual guy is not so keen to do repair works as it takes up the hoist for a longer period of time and profit margin on replacement spare parts are very slim as oppose to the selling and fitting of after-market accessories (it's been a real boom market in Malaysia ever since the introduction of the PX/ T6 Ranger and BT 50 – Malaysian roads are swarmed with Parking Lots Princesses, trucks that are done over the top but would never ever leave the tarmac).
I'm afraid the injectors do need to come out to get the cover off.
Can be done, but extreme care needed to keep everything injector related spotlessly clean. And ensure proper tension on all bolts.
Thanks for the verification Chamberlain.
Guess Ill just drive it around for a bit more. The mech said it should be okay as long as I monitor my oil level and since I change engine oil every 5,000 to 6,000 km.
Perhaps a couple of bolts have come a bit loose. Have you tried nipping them up a little?
Thanks for the suggestion Typhoeus. Ill ask them to give it a shot the next time she goes in for a lube job.
I am also noticing a small stain beginning to appear on the front right corner of the engine (turbo side). my ranger has done roughly 130 000. the injector washers need doing also so may as well get this sorted at the same time.
How do you know the injector washers need doing? You talking about the copper washer seals between the injector and head?
yeah mate. they've slowly worn over time. you will notice a sooty residue forming around the washer, some even hear a strange whistling noise but only on cold. when they heat they expand and are fine. mechanic has changed a few sets on rangers around a similar kilometre mark. may as well kill two birds with one stone.
Hey guys, just an update, and yeah it took me about a year of driving until I got around to doing this.
Found a new mechanic who was willing to help me change the Cam Cover gasket and he did it without needing to use any special tools. Just a bit tedious and it took them a whole day.
Confirming my belief that the 4by4 mechanic/shop that I have been going to is no longer interested in doing repair works, they prefer to just sell bolt on parts and change suspensions for all these car park princes in Malaysia.


Management of examinations: ethical issues.
Research on violence against women has improved and provides important information on patterns, prevalence, risk and consequences of this major threat to female well-being. Since the identification of violence against women as a problem worthy of study in 1970, evident progress has been made in understanding physical, psychological and sexual violence against women. However, while methodological improvements appear in later studies, the literature review shows many limitations and restrictions when conducting research on violence against women. The objective of this paper is to review the methodological issues that arise when studying violence against women. The paper focuses first on the history of research on violence against women, by elaborating on each perspective. Second, the paper identifies and describes methodological difficulties when researching violence against women such as methodology, operational definitions of violence, sampling frame and risk factors related to violence. The paper also elaborates on major ethical principles that should be considered and respected when researching violence against women. Finally, the paper recommends certain changes that should be made in order to improve future research on the subject.
 Bogard, M. (1984). Family systems approaches to wife battering: A feminist critique. Americal Journal of Orthopsychiatry, 54, 559-568.
 Carlson, B. E., Worden, A. P., Ryn, M., & Bachman, R. (2000). Violence against women: Synthesis of research for practitioners. Final Report submitted to the National Justice, grant number 98-WTVX-K011. Washington, DC: US Department of Justice.
 Dobash, R. E., & Dobash, R. P. (1977, 1978). Wives: The "appropriate" victims of martial violence. Victimology: An International Journal, 2, 426-442.
 Ellsberg, M., & Heise, L. (2002). Bearing witness: Ethics in domestic violence research. Violence against Women, 359, 1599-1604.
 Ellsberg, M., & Heise, L. (2005). Researching violence against women: A practical guide for researchers and activists. Washington, DC: World Health Organization.
 Garcia-Moreno, C., Jansen, H. A., Ellsberg, M., Heise, L., & Watts, C. H. (2006). Prevalence of intimate partner violence: Findings from the WHO multi country study on women's health and domestic violence. Geneva: World Health Organization, Department of Gender, Women and Health.
 Heise, L., Ellsberg, M., & Gottemoeller, M. (1999). Ending violence against women. Population Information Programme, 27.
 Heise, L. (2012). Determinants of partner violence in low and middle income countries: Exploring variation in individual and population —Level risk. PhD Thesis, London: London School of Hygiene Tropical Medicine.
 Hegarty, K., Bush, R., & Sheehan, M. (2005). The composite abuse scale: Further development and assessment of reliability and validity of a multidimensional partner abuse measure in clinical settings. Violence and Victims, 20, 529-547.
 Hotaling , G. T., Straus, M. A., & Lincoln, J. (1990). Intrafamily violence, and crime and violence outside the family. Family Violence, 11.
 Johnson, H., Ollsun, N., & Nevala, S. (2008). Violence against women: An international perspective. Berlin: Springer.
 Krug, E. G., Dahelberg, L. L., Mercy, J. A., Zwi, A., & Lozano, R. (2002). World report on violence and health. Geneva: World Health Organization.
 Steinmetz, S. K. (1977, 1978). The battered husband syndrome. Victimology, 2, 499-509.
 Straus, M. A. (1977, 1978). Wife beating: How common and why? Victimology, 2, 443-458.
 Straus, M. A., Gelles, R. J., & Steinmetz, S. K. (1980). Behind the closed doors: Violence in the American family. Garden City, NY: Doubleday.
 Sorenson, S. B., Stein, J. A., Siegel, J. M., Golding, J. M., & Burnham, M. A. (1978). The prevalence of adult sexual assault: The Los Angelos epidemologic center catchment area project. America Journal of Epidemiology, 125, 1154-1164.
 Tjaden, P. (2005). Violence against women: A statistical overview, challenges and gaps in data collection and methodology and approaches for overcoming them. Geneva: World Health Organization, UN Division for the Advancement of Women.
 Tjaden, P., & Thoennes, N. (1998). Prevalence, incidence, and consequences of violence against women: Findings from the national violence against women survey. Research in Brief. Washington, DC: US Department of Justice, National Institute of Justice, and US Department of Health and Human Services, Centers for Disease Control and Prevention.
 United Nations General Assembly (1993). UN declaration on the elimination of violence against women. New York: United Nations General Assembly.
 Walby, S. (2001). Improving the statistics on violence against women. Statistical Journal of the United Nations, 22, 193-216.
 World Health Organization (2002). Reducing risks promoting health life. Geneva: World Health Organization.


Temp-Flex Cable Inc. Temp-Flex TwinMax Coaxial Cables offer a balanced transmission line in multiple impedance ranges for use in the data center and telecommunication applications. These low-loss coaxial cables provide 10Gbps, 12Gbps, and 28Gbps data rates for signal transmission. The TwinMax cables provide a tight bend radius, high bandwidth, and improved signal integrity performance. These cables withstand soldering temperatures to provide ease of termination. The TwinMax coaxial cables deliver end-to-end high-speed solutions. These coaxial cables are available in 85Ω, 90Ω, and 100Ω versions. Applications include telecommunications/networking, data center solutions, and automotive.
You can check out our coaxial cable products here.


text:
Fulfil Announces The Hershey Company as Minority Investor
Fulfil Holdings Ltd, the owner of the snacking brand FULFIL, has announced that The Hershey Company, the US-based food group, has made a minority investment to further propel its phenomenal growth
CRH Completes Phase 4 of Share Buyback Programme
CRH plc, the global building materials group, has completed the fourth phase of its share buyback programme, returning a further €200 million of cash to shareholders. Between 2 January and
Bank of Ireland Issues Credit Default Swap During Capital Requirements Revision
Bank fo Ireland announced on Friday that it was executing a credit risk transfer transaction on a portfolio of business banking and corporate loan assets effective 29 December 2016. The
First Interim Dividend Paid to Unsecured Creditors of IBRC
The first interim dividend of 25% was paid to all admitted unsecured creditors of the Irish Bank Resolution Corporation (IBRC), the Department of Finance said on Tuesday. "The payment of
Value of Irish Money Market Funds Decreased by €16 Billion in September
Net asset value of money market funds (MMFs) in Ireland decreased by €16 billion to €444 billion in September 2016, according to statistics on money market funds during the third
Medtronic Releases Second Quarter Financial Report
Dublin-headquartered medical device company Medtronic reported the financial results of its second quarter on Tuesday, November 22. The company reported second quarter worldwide revenue of $7.345 billion, an increase of
State Prepares to Sell Shareholding of AIB
The Department of Finance announce on Thursday, November 17, that they have launched a competition to appoint investment banks to help coordinate in a potential Initial Public Offering (IPO) of
Fastnet to abandon oil and gas for biopharma
Fastnet Oil & Gas, the exploration company listed on the Dublin and London alternative investment markets, is to seek shareholder approval to switch to the biopharma sector and abandon its


text:
Place of Birth London, England, UK
Eileen Evelyn Greer Garson
Greer Garson, CBE (September 29, 1904 – April 6, 1996) was a British-born actress who was very popular during World War II, being listed by the Motion Picture Herald as one of America's top ten box office draws in 1942, 1943, 1944, 1945, and 1946. As one of MGM's major stars of the 1940s, Garson received seven Academy Award nominations, winning the Best Actress award for Mrs. Miniver (1942).
Description above from the Wikipedia article Greer Garson, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Mrs. Miniver
Goodbye, Mr. Chips
Random Harvest
2014 And the Oscar Goes To...
2009 1939: Hollywood's Greatest Year
2005 The Adventures of Errol Flynn as Self (archive footage)
1997 Bogart: The Untold Story
1994 That's Entertainment! III as (archive footage)
1986 Directed by William Wyler
1980 AFI Life Achievement Award: A Tribute to James Stewart as Herself
1978 Little Women (2 episodes) as Aunt Kathryn March
1976 The Little Drummer Boy Book II as Narrator (voice)
1976 That's Entertainment, Part II as (archive footage)
1976 AFI Life Achievement Award: A Tribute to William Wyler as Herself
1974 That's Entertainment! as (archive footage) (uncredited)
1968 The Little Drummer Boy as Narrator (voice)
1968 Rowan & Martin's Laugh-In (6 episodes)
1967 The Happiest Millionaire as Cordelia Biddle
1966 The Singing Nun as Mother Prioress
1963 The Invincible Mr. Disraeli as Mary Anne Disraeli
1962 The Merv Griffin Show (1 episode) as Self
1960 Pepe as Greer Garson
1960 Sunrise at Campobello as Eleanor Roosevelt
1960 Captain Brassbound's Conversation as Lady Cicely Waynflete
1959 The Big Party (13 episodes)
1956 The Little Foxes as Regina Giddens
1956 The Steve Allen Show (1 episode)
1956 Telephone Time (1 episode)
1955 Strange Lady in Town as Dr. Julia Winslow Garth
1954 Father Knows Best (1 episode)
1954 A Star Is Born World Premiere as Self
1954 Her Twelve Men as Jan Stewart
1953 Julius Caesar as Calpurnia
1953 Scandal at Scourie as Victoria McChesney
1953 The Oscars (4 episodes) as Self
1953 General Electric Theater (3 episodes)
1952 This Is Your Life (1 episode) as Self
1951 Hallmark Hall of Fame (4 episodes)
1951 The Law and the Lady as Jane Hoskins
1950 The Miniver Story as Kay Miniver
1950 Screen Actors as Herself
1950 What's My Line? (1 episode) (1 episode) as Self - Mystery Guest
1949 That Forsyte Woman as Irene Forsyte
1948 Julia Misbehaves as Julia Packett
1947 Desire Me as Marise Aubert
1945 Adventure as Emily Sears
1945 The Valley of Decision as Mary Rafferty
1944 Mrs. Parkington as Susie 'Sparrow' Parkington
1944 Twenty Years After
1943 Madame Curie as Marie Curie
1943 The Youngest Profession as Herself - Guest Star
1942 Random Harvest as Paula
1942 Mrs. Miniver as Mrs. Miniver
1941 When Ladies Meet as Mrs. Claire Woodruff
1941 Blossoms in the Dust as Edna Gladney
1940 Pride and Prejudice as Elizabeth Bennet
1940 Hollywood: Style Center of the World as Self
1940 A New Romance of Celluloid: The Miracle of Sound as Self
1939 Remember? as Linda Bronson
1939 Goodbye, Mr. Chips as Katherine 'Kathy'
1939 From the Ends of the Earth as Self
1937 How He Lied to Her Husband
1937 The School for Scandal
1934 Inasmuch... as St. Clara