Do You Ship Or Sink These Famous Movie Couples?
Do you agree with Cole Sprouse And Haley Lu Richardson's choices?
Haley Lu Richardson: I loved them together! Ship.
Cole Sprouse: The name "Gordo" kind of upsets me. Was his full name "Gordan"?
HLR: ...And one's [into] musicals.
CS: But he's trying to think about getting back into the singing game.
CS: Ship. Not a doubt.
HLR: Which one are you doing? I'll do the opposite one that you do so we can even it out since neither of us know what it is.
CS: Ok yeah, fifty-fifty. Ship!
CS: I'm starting to realize now that I've not seen any of these.
HLR: I haven't seen it either but my friend looks just like her!
HLR: Oh, that's Will Smith! I haven't seen this movie. Have you seen it? Should I ship it?
HLR: Ugh, I was a Team Jacob fan.
CS: So, you gotta sink 'em, dude.
HLR: But it's weird Jacob imprints on Bella's kid in the end.
HLR: No, he ruins her human life and turns her into a vampire.
CS: But you get immortality. That's not ruining your life — that's the gift of immortality! Well, I'm immortal so I'm gonna say ship.
CS: Sensitive. They both shipped and sunk. Ship?
HLR: Yeah, you have to. Except, have you seen those diagrams where they take the size of the plank that Rose was on — they could've both fit!
HLR: Oh, that's Lindsay Lohan!
HLR: Didn't he want her to be something she wasn't? He liked her all the sudden when she became hot. Wasn't that what happened?
CS: No, he was like, the goofy best friend, wasn't he?
HLR: No, he was dating the mean girl!
CS: Oh, I hit the wrong button.
HLR: I think I'm gonna say sink because I think she can do better.
HLR: I was a fan of the other guy. What's his name? I almost said Liam Neeson [laughs]. I think I was a fan of the other guy, so I'm gonna say sink.
CS: Yeah, Katniss and Peeta seems like a publicity stunt. I'm gonna sink these two.
HLR: Oh, that's Paul Rudd [ships]! I love Paul Rudd.
HLR: Everyone says I should see that movie because I love dancing.
CS: They look really cute and they're dancing together.
HLR: That's the girl again that looks like my friend!
CS: I'm gonna say ship.
HLR: They look like they're having fun [ships].
HLR: I've never seen that. I'm gonna say sink.
Can't get enough of Cole and Haley? Make sure to check out Five Feet Apart, now playing theaters.


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Music, Singles, The Revue	— April 4, 2018 at 5:00 am
Melodic Tonic '18 April 4th
by Hollie Daugherty
Bask in the mellow springtime warmth of the Melodic Tonic '18 April 4th edition. These refreshing tunes begin and end in Sweden with a mix of American, Canadian, and UK artists nestled in between. So find yourself a sunny nook with a cool beverage where you can enjoy the bliss these artists provide.
I'm Kingfisher – "Sarajevo" (Lund, Sweden)
RIYL: Junip, Tallest Man on Earth, Damien Jurado, Conor Oberst
Swedish indie band I'm Kingfisher remain one of our favorite discoveries this year. We are late to the party, of course, since the Thomas Jonsson-led project will release their sixth album, Transit, this month. It's easy to fall in love instantly with this group: their mellow Americana soothes your senses and puts a smile on your face.
"Sarajevo" evokes a springtime thaw with its gentle acoustic guitar-guided melody. Jonsson's vocals are just as intimate here as on the album's two previous singles we shared, only lighter. "Sarajevo" invites more comparisons to Conor Oberst and fellows Swede Kristian Matsson (Tallest Man on Earth) and José González (Junip). The sparkling piano accents provided by Martin Heredos add a layer of sun-kissed warmth. We have said it before but it bears repeating: the music of I'm Kingfisher is a world of magical soundscapes waiting to be explored. You owe it to yourself to discover the richness of these melodies.
Transit is out April 13 from Fading Trails Recordings. You can pre-order it from Bandcamp.
A. Wesley Chung – "Restless" (Glasgow, Scotland via Southern California, USA)
RIYL: Van Morrison, Langhorne Slim, Júníus Meyvant
An equally sunny slice of indie Americana comes from A. Wesley Chung, a now Glasgow-based Californian whose music meets a need you didn't realize you had. His single "Restless" from his upcoming Neon Coast debut album is a charming anthem you will be humming along with all month. It's just that infectious.
The secret to this song's charm is two-fold. "Restless" is infused with soulful horns that call to mind both Van Morrison and Iceland's Júníus Meyvant while Chung's vocals have an inviting intimacy akin to Langhorne Slim. Hearing him sing "Time rushes on / memories fade" makes you feel like you're siting beside him on a road trip as he dispenses nuggets of sage advice. The lyrics are steeped in melancholy wisdom that are offset by a buoyant melody. Chung's perfect balance of California warmth with Scottish zeal shine on this tune. On this journey called life, you'd be hard-pressed to find a better traveling companion than his music.
LP Records will release Neon Coast on May 18.
RF Shannon – "Black Madonna, So Divine" (Los Angeles via Austin, USA)
RIYL: Damien Jurado, Kevin Morby, Calexico, Lowpines
There's a lonesome, dusty vibe woven into every note of RF Shannon's latest single. "Black Madonna, So Divine" straddles the line between frontman Shane Renfro's Austin, Texas, roots and his new Los Angeles home. The song's whispery tones have an eerie quality that only heighten its allure.
If you missed the band's debut LP (last year's Jaguar Palace), then you probably aren't prepared for the gently psychedelic their music offers. The tumbleweed hues of that album are still evident on the band's upcoming Trickster Blues, as evidenced by the mellowness of the refrain "It only hits me when I'm stoned" on the chorus. Fans of Damien Jurado and Calexico will find plenty to love in this tightly-woven tapestry of sonic threads. "Black Madonna, So Divine" is without a doubt the best four minutes of your day.
Trickster Blues is out May 4th as a co-release from Cosmic Dreamer (US) and Fuzz Club Records (EU/UK) with pre-orders from Bandcamp.
RF Shannon includes: Shane Renfro (vocals, guitar, keys, percussion), Jesse Woods (guitar, keys, vocals), Austin Burge (bass), Luke Dawson (pedal steel), and Jeff Renfro (drums).
The Bones of J.R. Jones (feat. Nicole Atkins) – "Burden" (New York, USA)
RIYL: Ballroom Thieves, Langhorne Slim, Shakey Graves, Shovels & Rope
The Bones of J.R. Jones is one of the most underrated Americana artists around. Despite having a few previous releases under his belt, Jonathan Robert Linaberry still remains an artist outside the mainstream spotlight. Perhaps his new release will change that. "Burden" from his upcoming Ones to Keep Close LP features the one-man-band performing with the spitfire talent Nicole Atkins, so be warned: their vocal chemistry is incendiary.
"Burden" has enough foot-stomping, down-home appeal to charm your socks right off. (At least that's how I felt seeing both of these artists perform last summer in a barn outside of Athens, Georgia.) You'd never know Linaberry is a New Yorker, because "Burden" oozes southern charm. Prepare to have the "Put your burden on me" refrain tattooed onto your heart as their harmonies lift your spirits. Actually, on second thought: maybe The Bones of J.R. Jones should remain a hidden gem for a while longer so you can still see him perform in small venues. His U.S. tour is underway now; don't miss him if he comes to a town near you.
Look for Ones to Keep Close when it arrives May 11 from Tone Tree Music. You can also get this single now on iTunes.
Young Galaxy – "Catch Your Breath" (Montreal, Canada)
RIYL: Austra, GEMS, Phantogram
Back in January we shared the lead single from Young Galaxy's new album, Down Time. "Under My Wing" was the soundtrack to a daydream, but "Catch Your Breath" carries you even higher to a blissful place. As the title suggests, this duo force you to do just that because of the unparalleled beauty of their song.
Plenty of male-female duos have electrifying harmonies – GEMS and Phantogram are two examples – but Young Galaxy consistently deliver performances that send chills down your back and leave you speechless. Based on what we've heard so far from their Down Time album, this duo show no signs of releasing the grip they have on our hearts. "Catch Your Breath" is another example of the electro-pop brilliance that Young Galaxy excel at delivering.
Down Time is out this Friday. You can get it from Bandcamp in digital and vinyl formats.
Young Galaxy are: Stephen Ramsay, Catherine McCandless, Matthew Shapiro, and Andrea Silver.
Flora Cash – "18 Dollars" (Stockholm, Sweden & Minneapolis, USA)
RIYL: Broods, Haerts, Phantogram
Today's playlist concludes with a breathtaking offering from an emerging Swedish-American duo. We say "emerging" because Flora Cash remain hidden gems – for now, at least. After several years together, American musician Cole Randall and Swedish singer Shpresa Lleshaj continue to evolve musically. Their latest single showcases their talents in a way that will have fans and critics alike singing their praises.
"18 Dollars" looks at the remnants of a relationship with brutally relatable pragmatism. It reminds you of how certain physical cues – whether it's a scent, a brand of beer or a pack of cigarettes – can flood your mind with memories. As their voices entwine in a sultry tango, Flora Cash firmly stem that tide of nostalgia with these lyrics:
"All that I felt for you back then is gone
All that you told me is true, well it's wrong"
Bittersweet and devastating, "18 Dollars" is your new guilty pleasure. Keep it on repeat for several hours for maximum results. The single is available to buy or stream from these links via Swedish indie label ICEA (Icons Creating Evil Art).
Tags A. Wesley Chung Cosmic Dreamer Music Fading Trails Recordings Flora Cash Fuzz Club Records I'm Kingfisher ICEA Icons Creating Evil Art indie Americana indie Americana folk indie electro-pop indie folk-soul indie psychedelic Americana LP Records melodic tonic Melodic Tonic '18 April 4th RF Shannon The Bones of J.R. Jones Tone Tree Music Young Galaxy
Author: Hollie Daugherty Hollie is a diehard music junkie ever in pursuit of the next sonic high. When she isn't attending concerts & festivals (or writing about the great new bands she's into), she's planning her next adventure – to a concert or festival, of course. She thinks Bryan Ferry was wrong: love isn't the drug; music is.

redpajama_set_name: RedPajamaCommonCrawl


Some things in life just make me want to celebrate. Take the photo above – I LOVE the glowing colors and the clarity of the glass – nice catch photographer, Jenny Downing!
Tell the story that's been growing in your heart, the characters you can't keep out of your head, the tale story that speaks to you, that pops into your head during your daily commute, that wakes you up in the morning.
We've finally gotten everyone in this great big mess around my father's house to agree that it really is our house. As they say in Fiddler on the Roof, "Wonder of wonder, miracle of miracles." Our next step, once the title is insurable, is to list it. Because it's been listed before, there are pictures online of how it looks now. It is simply GORGEOUS!
What's Guilt Got to Do With It?
You can't teach people to be lazy – either they have it, or they don't.
I'm Catholic, so for me, guilt is a major part of my life. And since winter is here, it's a good thing too. Guilt may be the only thing that saves me from staying indoors until it warms up.
Winter may not officially start until the winter solstice, but we are definitely into the cold part of the year. Here in Southern California where we don't really have four seasons, it has been a strange fall. We've had more rain than usual, which is great for this desert we live in, and we've had hot dry 80+ degree days mixed in. Now we're getting cold and blowy days followed by colder nights – closer to freezing.
When it's cold or rainy or gloomy, I tend to want to be a Continue reading » What's Guilt Got to Do With It?


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In Music Reviews
Playing The Angel
Sire/Reprise/Mute
After several mediocre releases following the departure of sound sculptor mastermind Alan Wilder, Depeche Mode fire on all cylinders with their latest effort. Playing The Angel finds the British trio reenergized and more focused than ever. The album's opener, "A Pain That I'm Used To," kicks things off with pounding beats. Reminiscent of their earlier work, this track sees Depeche Mode at their peak. The gospel-inspired "John The Revelator" follows with brooding bass and vocal treatments of the highest order. An infectious rhythm will have you singing along without warning. Possibly the album's strongest track, "Suffer Well" takes hold and never lets go. The guitar work here resembles Martin Gore's work on the 1987 gem Music For The Masses. Throbbing percussion plays alongside Dave Gahan's passionate vocals. The only downside is its short duration. It will remind some of "Route 66," from their 101 Live DVD. Turn this one up to maximum volume and get strapped in.
The slower paced "Sinner in Me" sneaks in next with an eerie backdrop. The keyboard programming is outstanding and blends perfectly with Gahan's moving vocals. "Precious," the album's first single, is a smooth track written back in the Violator-era. It's a mid-tempo song that engulfs you while letting your imagination run wild. A more experimental side is found on "Macro," where Gore takes the lead vocal spot. A bizarre melody that seems to go nowhere brings us to a climactic chorus. Space-age bleeps and a hypnotic groove abound on "I Want it All," with Gahan bearing his innermost soul. The sonic elements here are an aural orgasm. Repeated listens will divulge hidden surprises at every turn. "Nothing's Impossible" swings into action next with thematic results. Sinister bass lines and Gore's signature guitar compliment the musical soundscape nicely. Skipping a few nonessentials, "Lilian" shakes the walls with potent rhythms and attention to every sonic detail. As with "Suffer Well," listeners will wish the duration of "Lilian" were longer. This is a strong dance remix contender.
Finishing off the album is "The Darkest Star," the album's darkest piece. It oozes with energy and melancholy. This one reminds me of their 1986 masterpiece Black Celebration. With Ben Hillier at the production helm, Depeche Mode's best has been brought back into the spotlight. Anyone left wanting more from their previous two releases should embrace Playing The Angel. This is easily Depeche Mode's most satisfying and invigorating material in years.
Sire: www.sire.com • Mute: www.mute.com
Jorge C. Galban
The Robocop Kraus
They Think They Are The Robocop Kraus (Epitaph). Review by Aaron Shaul.
The Heretic of Ether (Asphodel). Review by Sarah Ludwig
We're Birds (Motherload). Review by Stein Haukland.
Stan Lee's Los Angeles Comic Con 2017
The stars were out for Stan Lee's Los Angeles Comic Con 2017, and Ink 19 took it all in!
Tongue (Reprise). Review by Phil Bailey
Spirit the Earth Aflame (Hammerheart/Martyr). Review by Nathan T. Birk.
Del Boy - the Return of Justin Currie
Del Amitri frontman Justin Currie is back in the spotlight with his debut solo album. Andrew Ellis finds out why the Scottish singer-songwriter won't be joining any protest marches anytime soon…
Perry Farrell
Perry Farrell, with Huda Hudia and Larry Banks at Icon in Orlando, FL on August 3, 2000. Concert review by Troy Mayhew.
Floetic (Dreamworks). Review by Bill Campbell.
Blood Vessels (Teenage Heart Records). Review by Carl F Gauze.
Jason Vigil
Heart Gone Sober. Review by Andrew Ellis.


I'm so sorry for the lack of updates. I've been consumed by the world lately.
I will say, however, that I am currently working on four different projects, two of which are poems in anthologies due out this fall and in 2013. It's been a while since I've written poetry, so I'm pretty excited about those opportunities. Once they are finalized, I will let you know details.
I'm afraid that I will not be able to finish Flowers in the Dustbin by October. I tried, but I'm just not close enough to complete it by that time. I am still going to be appearing at the 2012 NYC Collectible Paperback and Pulp Fiction Expo, though. So, I do hope that those of you who are in the area or plan to be will stop by and see me then! I'll have copies of Dial 999 with me as well as books from the incredible Barry Crowther.
I'd love some feedback regarding the upcoming Jon Hunter book (Flowers in the Dustbin).
The first book (Dial 999) was written in first-person, from the point-of-view of our protagonist. Should I stick with that or mix it up? The plot in this next book is going to be more intricate, so I'm wondering if first-person won't be good enough or appropriate? What about a mix between first-person and third-person? Is that too confusing?
I welcome your ideas on this. I've read books that have done this, and it worked for a handful but failed for most. So, I'm afraid that I'm being too ambitious if I do it for my sophomore effort.
For those who have asked me about where they could see some of my work in print (such as my poetry and essay submissions to other zines and anthologies), I've created a page here on my site that lists them. I still need to fill it in, which I will try to do by the end of this weekend, but it now exists! It is the final link on my "Book List" page.
Also, a little prayer out to Rozz Williams, who has been gone for many years now but is not at all forgotten. R.I.P.
The other manuscript I unearthed has required more work than I originally thought, so I'm not sure when that one will be ready for publication. I promise it will be worth the wait, however. It's turning out to be incredible (and long!).
As I can't say it enough, thank you so much for your unending support! I know many of you have been with me for nearly two decades now, and I appreciate it down to my marrow.
Be safe, and enjoy this new collection!
The first of those two poetry collections I mentioned previously is being prepped for publication. It is titled Razorwire Embrace and is quite classically "me," though, perhaps, with a bit of an edge I hadn't gotten yet 10 years ago. I look forward to your comments and reviews on it! I'll make another announcement once it has been released.
I've also been toying with an idea since this new year began, and I'd love your input. Now that I've been using Lulu.com for my printing, it is a hell of a lot easier for me to handle print projects. And one thing I had stopped doing many years ago because of the time and cost of printing was publishing Erased, Sigh, Sigh., Via Dolorosa Press's literary journal. I loved putting that together more than anything, but it was just too hard for me to do on my own after a while. So, my question right now is if ESS is something you'd want to start reading again? I guess I'm just wanting to gauge what the interest would be. It would continue to be something that came out twice a year, but it would no longer be hand-bound with ribbon on parchment paper. Sure, that looked pretty nice, but it was too costly and time-consuming for me to do at the volume I needed to, unfortunately.
So, please share with me your thoughts on this.
The cats kept me company this morning, though I question their motive considering they favored my injured leg. I tried to think of it as three vibrating heating pads...even though I'm sure what I was supposed to have were three ice packs! Still, they were too cute to disturb.
Right now I'm relaxing with some tea and considering the roles a couple new characters are going to play in the second book (Flowers in the Dustbin). I admit to being a bit nervous about the sophomore effort. It's probably the feeling many bands get when they're working on their second album. Will it be as good as the first? Will it be what people expect, or will it give them a new direction? In particular, I'm nervous about how to treat the characters that are continuing from Dial 999. I don't want to repeat too much stuff because I don't want to bore those of you who have already read it. But, I also don't want to alienate readers who haven't read Dial 999 yet. Is this a legitimate fear? I welcome your comments on this as I am writing the book. I started chapter one since I've outlined the book already, but I'm still putting together the details of the plot so I have lots of room to play.
And, on that note, I wish you all a wonderful (and safe) New Year! If you are in the US, please don't forget about something called Tipsy Tow. From 6pm-6am on New Year's Eve/Day, they will take you and your car home for FREE. You do not need to be a member of AAA to take advantage of this. The number is 1-800-222-4357. If you do not have a designated driver tonight, please be sure to call them!
How's this for a Christmas gift... I've just discovered two almost-complete collections of poetry that I had once planned to release but must have lost in the shuffle.
Anne Sexton--- the game is back on, girl!
I hope that all of you had a wonderful holiday (of the many that just passed)! Mine were calm and warm, which is how I always hope they'll be. My family is small, but close-knit, and I cherish all the moments we still have together. Candles were lit for those who have passed, and giggles echoed from those who have newly arrived. That's really the meaning of the season for me. It's not Santa, not Jesus, not Nature or any other force or presence; it's the love and life between us.
That will certainly explain why the greatest gift I received this year was an unexpected visit from my best friend (those of you who followed my Via Dolorosa Press career will know him as Sasha I. Nyktos). I can't remember the last time my heart swelled that much. I swear, if people paid attention to the way that feels, we'd live in a world free of war.
Lest I turn into a hippie before this post is finished, I also received a fabulous gift from my husband that included Siouxsie and the Banshees' BBC recordings. The teenager in me thoroughly enjoyed watching the dvd with my parents while they cringed. Can't let them forget those fabulous days of having to listen to Siouxsie, Christian Death, and Fields of the Nephilim as they blared from my stereo!
I have a lovely week off from my university job at the moment, so I'm going to be finishing up adding and organizing content here on my web page. I unearthed some of my old poetry chapbooks, and although many make me wince now, I will share any gems hidden in them with you since most of them are no longer in print.
Many happy wishes for a brilliant new year! Thank you for sharing in it with me!
Welcome to my gorgeous new website! Many thanks to the lovely Elisabeth Butler for creating and designing it for me. She is fabulous!
Please bear with me as I start putting content up. I've got so much to add here but also have a day job at a university, so until the semester is over I'm crazy busy.
In the meantime, please feel free to check out my new novel, Dial 999. You can find it on the publisher's website: www.realityasylumbooks.com as well as through Amazon.com, Barnes & Noble, and Lulu.com.
I thank you all for your incredible support over these many years.


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2010: Peter Calvocoressi died.
Peter John Ambrose Calvocoressi, born 17 November 1912, was a British lawyer, historian, author, and publisher. He served as an intelligence officer at Bletchley Park during World War II. He worked in 'Hut 3', where decrypted Enigma messages were translated and analysed, and Ultra intelligence was prepared for dispatch to commanders in the field. Calvocoressi rose to be head of the Air Section, which dealt with Luftwaffe intelligence. In summer 1945, he was accredited by British Intelligence to obtain evidence for all four Chief Prosecutors at the International Military Tribunal at Nuremberg. As a member of the British prosecution team, he cross-examined former German Field Marshal Gerd von Rundstedt during the trial. Calvocoressi later advised the US Chief Prosecutor (General Telford Taylor), who had been his Bletchley colleague, in some of the American follow-up trials (1946–1949). He died on 5 February 2010.


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Assyrian Stories
Arts and Entertainment	Events	Faith	Politics	Profiles	Sports	World News
'Diaspora in Bloom' shines light on contemporary Assyrian…
AUAF announces winners of international fine arts competition
The Assyrian Podcast's global campaign for 'redemptive conversations'
Azadoota releases new music video 'Bruni'
Iraqi Constitution fails to provide security for Assyrians, Yazidis, study…
Returning to Atra after 28 years
Protected: The Assyrian Story Podcast
Ankawa partnership grows greener Iraq
Assyrians press Congress on genocide resolution
Los Angeles Gala presents Lifetime Achievement Award, honors community leaders
Sold-out AAASC event raises funds for future programs
October 2018 | By Joe Snell | Feature photo contributed
Los Angeles, CA – Pierre Toulakany walked through a crowd of roughly 200 guests at the downtown Los Angeles Millennium Biltmore to receive his Walter Shahbaz Lifetime Achievement Award.
The award, part of the Assyrian American Association of Southern California (AAASC)'s Annual Gala held on Oct. 6, honored nearly six decades of work by Toulakany, including co-founding the AAASC in the mid 1960s, his role as President of the Assyrian American National Federation, and his work on the national board of directors of the Assyrian Aid Society of America.
"He accomplished all of this while becoming a successful businessman and entrepreneur in the fields of financial planning and property investments," said a representative from the AAASC. "He has received many commendations including from the City of Los Angeles."
Toulakany joined five other award recipients at the Annual Gala, which honors the work of both Assyrians and non-Assyrians for their contributions to the community.
"Each of these individuals embodies that Assyrian spirit and mentality to never give up, always work hard, and always give back," said Jon Koriel, Executive Vice President of AAASC.
The inaugural gala was held last year as the AAASC brainstormed ways to host an event that would spotlight individuals for their work and dedication to the community as well as a way to fundraise for future events.
This year's gala was organized by Deeana Betsamo, AAASC Executive Secretary, and Peter Warda, AAASC Director of Advocacy.
Reine Hanna, Director of the Assyrian Policy Institute, is honored with the Advocate Award. / Photo contributed
Reine Hanna, Director of the Assyrian Policy Institute (API), was surprised with the Advocate Award.
API was established earlier this year to campaign for the recognition of Assyrian rights. Since then, the organization has advocated for a number of initiatives including the creation of a Nineveh Plain Province for Assyrians, Yazidis, and other minority communities.
"The outpouring of support and positivity in response to this award has energized [the API]," Hanna said. "Realizing that so many people appreciate the work that we do gives us the strength to keep fighting, no matter the odds."
Other honorees include Vania David, who was honored with the Outstanding Contribution to the Arts award for, among other work, his written collection of over 200 original songs in the 1960s, 1970s and 1980s. Doctors Christopher and Richard Zoumalan were awarded the Forward Under 40 award for their work in the field of plastic surgery.
Also honored was California State Senator Scott Wilk as the Legislator of the Year. Senator Wilk is a strong proponent of genocide recognition and has worked to pass legislation so that the genocide is included in California history textbooks. This year, he co-authored a bill to divest California pension funds from Turkish companies.
AAASC members Jon Koriel (left), Executive VP, and Peter Warda, Director of Advocacy, introduce honorees at this year's Annual Gala. / Photo contributed
"When I was in school, we didn't learn about the Genocide at all," Senator Wilk said. "We are now making corrections in our textbooks. Assyrians need to go beyond their own community to others."
Comerica Bank was the Platinum Sponsor for the event. Gold Sponsors were Ishtar Motors, J&S RV Storage, Zoumalan Plastic Surgery, and GLO Modern Dentistry.
Proceeds from the evening go toward a number of programs organized by Assyrian associations including language and history courses, a summer day camp for kids, and the August 7th commemoration.
"This gala allows for us to build our account in continuing to provide these amazing services for members of our community," Koriel said.
Visit the Assyrian American Association of Southern California for more information about the organization and their upcoming events: aaaofsc.org
Candlelight march highlights Assyrian Martyr's Day in Skokie
The Assyrian Journal August 11, 2019 December 20, 2019
California State Convention carries on Assyrian heritage
The Assyrian Journal June 6, 2018 June 6, 2018
Thousands flock to Morton Grove for third annual Assyrian Food Festival of Chicago
The Assyrian Journal August 29, 2019 August 30, 2019
Assyrian empowHER series launches in Turlock
The Assyrian Journal May 12, 2019 December 20, 2019
MARA – the unofficial archive of all things Assyrian
The Assyrian Journal May 27, 2018 May 27, 2018
Chicago dinner gala raises funds, ignites responsibility to homeland
The Assyrian Journal June 12, 2019 August 20, 2019
Subscribe to The Assyrian Journal monthly newsletter and stay updated with the latest articles on the global Assyrian community.
Atour Sargon, longtime Lincolnwood resident, runs on ticket of transparency, diversity
The Assyrian Journal March 3, 2019 December 20, 2019
Juliana Taimoorazy builds bridge between Assyrians, non-Assyrians
The Assyrian Journal March 21, 2018 March 21, 2018
Nerary Yousif Fund sends Assyrians to homeland
The Assyrian Journal March 28, 2019 December 20, 2019
The history of the Assyrian American Association of Chicago revealed in new...
The Assyrian Journal December 24, 2018 January 21, 2019
Russian Assyrians host AJM for youth exchange
The Assyrian Journal January 27, 2019 December 20, 2019
© The Assyrian Journal 2019


text:
Q: php link to call another php page i have a php page which contain this field:
Delete

i want when i press on the Delete to call the delcat.php and send a categoryid which is in a field in the same table.
any one can help me to reach this please?
here my complete table code:

    Category Code
            Category Name
            Category IMage
            Edit
    Delete

    <?php
    for ($counter = 0; $row = mysql_fetch_row ($resultSet); $counter++) {
      print ("
");
      print ("$row[0]	");
      print ("$row[1]	");
      print ("	");
      print ("Edit	");
      print ("Delete	");
      print("
");
      }

A: Change this:

To this:

A: You can send the category Id as querystring in href.
Delete

And retrieve using $_GET['categoryId'] on delcat.php page.
One more way is you can use http_build_str.

redpajama_set_name: RedPajamaStackExchange


Why it matters: Q2VKPT was designed as a proof-of-concept that gives enthusiasts a peek at what the future of graphics in games might look like. It's probably not going to be enough to convince everyone to run out and buy a new graphics card but it does look promising.
Mods are a great excuse to revisit old games but more often than not, the desire to replay a timeless classic has more to do with the fact that it was a great game to begin with rather than wanting to experience some newfangled technology.
With Q2VKPT, you get the best of both worlds.
Created by Christoph Schied, a Ph.D. student at the Karlsruhe Institute of Technology in Germany, Q2VKPT is a rebuild of the original Quake II consisting of 12,000 lines of code that completely replace the game's graphics code. Schied describes it as the first playable game that is entirely ray traced to simulate fully dynamic lighting in real-time.
Using an Nvidia GeForce RTX 2080 Ti, it's possible to run the game at nearly 60 frames per second at a resolution of 2,560 x 1,440.
It's understandable not to initially be impressed that a 20-year-old game is struggling to hit 60 FPS on the latest hardware but as Schied highlights, the limiting factor of path tracing is not primarily ray tracing or geometric complexity. Instead, it's the number of indirect light scattering computations and light sources that account for the high computational cost.
As such, Schied said it's plausible that the techniques used in Q2VKPT could be scaled to more recent games.
Those interested in giving Q2VKPT a try can grab the necessary files over on GitHub.


The events of the last week in Boston has brought back to the front of the national consciousness what, for the lack of a better description, is known as The Long War.
Starting out and working in, what are the lessons we should emphasize to mitigate the ongoing threat? As we continue in the second decade after 9/11/2013, what are we doing correctly, what still needs to be done - and what things are we wasting time and money on for little gain?
To discuss, our guest for the full hour will be Steven Bucci, Director, Douglas and Sarah Allison Center for Foreign Policy Studies at The Heritage Foundation.
Listen live (or listen later) by clicking here.


Vehicle deffinetly holds record for roll overs with no damage to driver or vehicle. We should all wheel a plastic jeep and Fisher Price has a better warranty then Chrysler.
Front Dana 30 with Warn manual hubs and heavy duty axles with 297 joints.
Items of interest: Old man driving old school leaf sprung jeep. Superman is his copilot.
Military lift shackles for and aft with additional pintle hook in rear.
This Jeep and I have been together for 17 years. We have been to Key West and Niagra Falls together.
It has wheeled Telico and Kentucky, has rolled 7 times, and believe it or not it gets more attention than a Lamborgini.
RTI score is over 1200. Although it does not have Dana 60's and all the latest and greatest it will still hang with the best of them.
Dana 30 front with 297 joints and Lock Right No Slip Locker, 4.56 gears.