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Portable Art: A Project by Celia Forner
Home Events Portable Art: A Project by Celia Forner
likeyou, April 20, 2017 April 15, 2017 , Exhibitions, 0
in New York, NY / United States
20.04.2017 - 17.06.2017 10:00 - 18:00
Caro Niederer: Charm Bracelet 1, bracelet: Yellow gold, 7 charms: Photographs, glass, 5 x 19.5 x 1.8 cm, 2 x 7 5/8 x 3 /4 in, © Caro Niederer, Courtesy the artist and Hauser & Wirth, Photo: Alex Delfanne
Louise Bourgeois: Spiral, 2008, left: 22 kt yellow gold plated silver, 19.5 × 13 × 12 cm, 7 5/8 × 5 1/8 × 4 3/4 in, right: Rhodium Plated Silver, 12 × 19 × 15 cm, 4 3/4 × 7 1/2 × 5 7/8 in, Photo: Gorka Postigo, © The Easton Foundation/VAGA, New York
John Baldessari: Nose Earring (Gold), 2016, 18kt yellow gold, 6 x 3 x 3 cm, 2 3/8 x 1 1/8 x 1 1/8 in, © John Baldessari, Courtesy the artist, Marian Goodman Gallery and Hauser & Wirth, Photo: Alex Delfanne
Subodh Gupta: Untitled, yellow gold and emeralds on gold chain, pendant necklace, pendant: 3.5 x 9 x 3.5 cm, 1 3/8 x 3 ½ x 1 3/8 in, chain: 31 cm, 12 1/4 in, Photograph by Gorka Postigo modelled by Rossy de Palma, © Subodh Gupta, Courtesy the artist and Hauser & Wirth
On 20 April 2017, Hauser & Wirth will debut its "Portable Art Project" with an exhibition of wearable objects commissioned from fifteen artists – works that exist somewhere between sculpture and bodily adornment. Organized by Celia Forner, who collaborated closely with the artists, the "Portable Art Project" includes unique pieces as well as editioned series, crafted from an array of materials ranging from traditional gold and silver with precious and semi-precious gems, to enamel, aluminum, bronze, and iron. The initiative began with an invitation to Louise Bourgeois, who in 2008 conceived different spiral-like precious metal cuffs. In the years since Bourgeois designed these first contributions, the "Portable Art Project" has evolved to include John Baldessari, Phyllida Barlow, Stefan Brüggemann, Subodh Gupta, Mary Heilmann, Andy Hope 1930, Cristina Iglesias, Matthew Day Jackson, Bharti Kher, Nate Lowman, Paul McCarthy, Caro Niederer, Michele Oka Doner, and Pipilotti Rist.
Prior to the era of Modernism, boundaries remained firmly fixed between painting and sculpture, classified as 'fine art', and jewelry, which belonged strictly to the province of applied arts. By the turn of the 20th century, these boundaries began to blur. Such artists as Lucio Fontana, Georges Braque, and Pablo Picasso brought broader respect to jewelry as an art form via their experiments with wearable objects, while Surrealists Salvador Dali, Max Ernst, and Man Ray explored jewelry as a form of expression and self-assertion. American artist Alexander Calder was the first to make jewelry part of his ongoing practice, constructing wearable pieces that fit smoothly into his wider oeuvre. Forming jewelry as one-of-a-kind works developed by hand, the artist made these pieces not only as loving gifts but to advance his exploration of formal sculptural issues. He fashioned wearable objects with the dynamism of the human body in mind – small sculptures that were set in motion or defined in space by the geometries of the wearer's body – and thus established a new threshold for the pursuit of jewelry as fine art. Over the course of his career, Calder created nearly 2,000 pieces of jewelry and inspired subsequent generations of artists to actively experiment with wearable sculpture.
The "Portable Art Project" expands upon this history in the present with new works by 15 artists, using Louise Bourgeois' uncanny cuffs as its starting point. Bourgeois' bracelets are swirling coils of rose gold, yellow gold, and rhodium-plated silver. Intimate counterpoints to the artist's familiar large-scale sculptures of coiled aluminum, often seen suspended and in seeming motion, these cuffs bond the wearer with Bourgeois through an intense and active embrace.
The personal connection between artist and wearer is more explicit in Caro Niederer's 'Charm Bracelets' (2009). Each consists of 7 charms that are in fact small framed photographs delicately imprinted on glass. Whereas traditional charm bracelets are beloved as three-dimensional records of a wearer's own life, with each charm marking a biographical milestone, Niederer's charms implicate the wearer in her life by depicting scenes of her home, studio, and travels.
Alluding to the sense of play often associated with personal adornment, Pipilotti Rist's large-scale, gestural lucent polycarbonate and computer wire squiggle necklaces, called 'Jewellery for Wintertimes' (2016), offer up surges of color intended to 'awaken the body in a timeless spring.' Color and gesture likewise define Mary Heilmann's seven bold disk necklaces, each a veritable breastplate of hollow silver disks lacquered in vivid hues. For Heilmann, the body is a canvas onto which beautiful pools of paint are poured, making the wearer 'visible from across the room.' Phyllida Barlow's grand electroformed and enameled knots also emphasize color, suggesting futuristic bows of recycled fabric that evoke the urban clamor and wit of her acclaimed large-scale sculptures.
Whereas Rist, Heilmann, and Barlow offer up richly colored sculptural works that celebrate the properties of their inorganic materials, Michele Oka Doner's pieces take on the monochrome atmosphere of an inky night punctuated only by stars. Her 'Plankton' bracelet (2016) and 'Nekton' neckpiece (2016), are comprised of diamond-encrusted, darkly patinated bronze that has been carefully twisted and tangled to resemble aquatic organisms that might cling to a wearer after a night swim. The artist often manipulates the metal of her finished wearable sculptures to fit a specific anatomy, merging work and wearer.
Paul McCarthy's slyly elegant silver, yellow gold, and rose gold butt plug pendants offer a winking commentary on our desire for expensive playthings in a world where minimalist sculptures may become culturally indistinguishable from sex toys. Similarly, New York artist Nate Lowman merges high and low in pendants of steel with brown and champagne diamonds, shaped like the cruciform lifting mechanisms of tow trucks. Both works of collaged detritus and tributes to history's treasured relics, his pieces riff on the contemporary relevance of one of the oldest forms of unisex jewelry known: the crucifix. Pendants are also the chosen form of Subodh Gupta, whose contributions to the "Portable Art Project" echo the large-scale studio sculptures of India's everyday kitchen implements that are signatures of the artist's oeuvre. Gupta's gold necklaces are the mouths of humble jars and urns from which sparkling emeralds and diamonds tumble.
Known for dramatic architectonic works constructed from industrial materials, Cristina Iglesias has conceived jewelry that utilizes the human body as scaffolding for small sculptures. The Spanish artist's contribution to the "Portable Art Project" comprises three unique aluminum pieces of 'body armor' that encircle the hip, shoulder, and wrist, respectively. John Baldessari's elbow armor similarly addresses a particular portion of the anatomy with piercing yellow gold spikes protruding from overlapping silver plates. The blithe surrealism of this piece is echoed in the artist's single nose earring; picture-less frame necklaces; and an enameled sterling flock of shoulder-perching birds with gleaming precious stone eyes.
Bharti Kher's lion-headed 'Warrior Bracelet' (2016) is intended to both physically and emotionally transform the wearer. It is jewelry as talisman and protector; and by virtue of requiring the wearer to hold it in place via a concealed handle, it harkens to elements of performance. Kher has described this highly adorned gold-plated work as an empowering accessory, 'a skin the shaman carries… Wear it to work and keep it in your bedroom for when you need to call into being your warrior.'
Whereas many works in the "Portable Art Project" are conceived to be noticed, several participating artists have responded with rings that are the initiative's smallest and most discreet objects. The title of Stefan Brüggemann's 'Fool's Gold' (2016) alludes to the material used to create his pyrite ring, which is housed in a simple futuristic cube of the same medium. The surface of the pyrite, a mined mineral, is mottled with natural imperfections that give Brüggeman's pieces subtle variation. Andy Hope 1930's classical gold rings are deliberately stripped of details and, consequently, rendered timeless and universal.
By contrast, Matthew Day Jackson's contributions stand apart for being compositional elements of larger sculptures. Mining the memento mori theme that has coursed through the intertwining histories of art and jewelry for centuries, Day Jackson has made two pieces centered around the skull as icon and adornment. The first is an electroformed, blackened silver skeleton wall sculpture that includes a removable ring. The gold skull piece consists of a wooden branch that rises 18' from a stump carved with a beautiful forest scene. The top of the rod is encircled by a collage of gold forms fitted together, including an expressionistic skull ring with gleaming diamond eyes. In these works, Day Jackson posits the sculpture as a body in itself, with a work of jewelry adorning and serving as a clue to his intended meaning.
The exhibition also includes a commissioned series of performative photographs of celebrated Spanish actress Rossy de Palma, best known for her starring roles in the films of Pedro Almodóvar. Shot by Gorka Postigo, these images capture de Palma engaging with each work as an extension of her body and a tool for expressing identity: a talismanic conductor of physical sensation and emotion. As artist Subodh Gupta has observed, 'When someone is wearing an artwork, his or her own body and persona become the context for the work, so it can entirely change the meaning of a work. In some senses, a certain amount of control that one may have had over an artwork, as the artist, is lost; you have to hand that over to the person wearing the work.'
The "Portable Art Project" exhibition will be documented in a fully illustrated catalogue.
Gallery hours Tues-Sat 10 am – 6 pm
www.hauserwirth.com
Hauser & Wirth New York
10021 New York, NY
Tags: Alexander Calder, Andy Hope 1930, Bharti Kher, Caro Niederer, Celia Forner, Cristina Iglesias, Georges Braque, Gorka Postigo, Hauser & Wirth New York, John Baldessari, Louise Bourgeois, Lucio Fontana, Man Ray, Mary Heilmann, Matthew Day Jackson, Max Ernst, Michele Oka Doner, Nate Lowman, Pablo Picasso, Paul McCarthy, Pedro Almodóvar, Phyllida Barlow, Pipilotti Rist, Rossy de Palma, Salvador Dali, Stefan Brüggemann, Subodh Gupta
Opening: August SanderOpening: Portable Art: A Project by Celia Forner
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25.01.2020 - 04.05.2020 - Bruton / Somerset Don McCullin – The Stillness of Life
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A Tribute to Clayton Paton Fernie (Skip)
A Tribute to Dave Ford
A Tribute to Jim Casselman
A Tribute to Mike Katzko
Chris Friesan: A Serviceman's Journey
What Choice Do I Have Now?
In 2006, Chris Friesan was informed that his father had been diagnosed with Mesothelioma. Harvey Friesan had worked in the Royal Canadian Navy out of Halifax for 10 years in the 1950's. This is where he was exposed to the disease that would take his life 40 years later - the ships he worked upon contained asbestos.
Hi all! My name is Dirk John Jansema, and I was diagnosed with stage 4 Mesothelioma. I am 61 years young and before my lung was infected with this disease I could hike for miles and ride my bicycle for hours. I worked on industrial construction for 30 years in pulp mills, shipyards, oil patch, and power generation stations. Most all the jobs were infested with Asbestos but we were never told it was dangerous until the late 1980s.
I am a 55 year old woman. I was diagnosed with mesothelioma in September 2008. I had a round of chemo and returned to work March 2009. In March of 2010, I started retaining fluid and had another round of chemo. Now I am recovering. I feel good but I am unable to work. I have been trying to do things that I want to. Because life was too short to start. Now, I'm going to lose a lot of life I thought I had left. I thought I had about thirty years left, who knows if I have thirty months.
Clayton was born in Thunder bay Ontario in Dec 9th 1946 where he lived his early years. The family came west and lived in Victoria and Northern BC. After serving an apprenticeship in carpentry he met his ex-wife Sheila Belle Foyer. They had two sons, Mike, the oldest, and Steven. They lived in Kamloops, BC for many years. Clayton was very well respected among his nieghbours. Clayton worked in the wall & ceiling industry doing T-bar and drywall. He died in Kamloops on June 8th, 2010. A victim of the asbestos industry, he was diagnosed with Mesothelioma. He left his two sons and four grandchildren behind as well as his five surviving siblings.
Dave was born in Bristol, England on June 5th, 1938 and came to Canada in 1964 with his wife Lesley. After short stays in Saskatoon, Vancouver and Squamish, they made their home on the Sunshine Coast where they raised their family. As a young man, Dave was an avid athlete; he swam and cycled competitively in England. Once in Canada, with a family to care for, he shared his passion for sports by coaching and sponsoring a youth soccer team. In earlier years, he was an active member of Kinsmen, a community volunteer service.
Dave always found time to attend his kids' ball games, chaperone at Cub Camps, and help out at school sports days and other activities. A big kid at heart, Dave designed and built unique Halloween costumes for his kids and hosted a neighbourhood Halloween bonfire/fireworks display for many years.
An extraordinary and remarkable person who shared his wisdom abundantly, spread his compassion generously, and loved his family more than Life itself.
Jim was born in Yellowknife, NWT on September 26, 1942 to Anne and Jim Casselman. Unconditional love was woven into his fabric of youth by his parents, grandparents and very large extended family. The family moved several times during Jim's youth, eventually settling in Trail, B.C. where Jim graduated from High School.
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Ross Ericson's knockabout adaptation of bawdy eighteenth-century novel 'Tom Jones' is more 'Carry on Clarissa' than social or literary satire. But while it may not be the classiest show on the fringe it's a lot of fun.
In the spirit of Henry Fielding's original, we get pratfalls galore and more sexual innuendoes than you could shake a big phallic stick at. And it's done with a cheeky wink to the audience that smoothes over the groan-worthy jokes about muffs.
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The set design is iffy, the script needs a trim and some jokes run out of steam by the end of the first act. Nevertheless, the charms of this 'Tom Jones' are hard to resist.


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People are only just working out that Natalie Imbruglia's 'Torn' is a cover
They're all out of faith.
By Ian Sandwell
We apologise in advance if this article means you have 'Torn' in your head for the rest of the Bank Holiday weekend.
What started as a joke on Twitter has led to people only just discovering that Natalie Imbruglia's '90s smash hit 'Torn' was actually a cover version, which basically has everyone reconsidering their whole lives.
The original joke read: "Every '90s kid comes of age 3 times: 18th birthday, 21st birthday, the day they find out Natalie Imbruglia's version of 'Torn' is a cover."
Well, that day came for a LOT of people yesterday, it seems.
"Fyi this is the only thing being discussed in my friend group today, you have shaken everyone I know to their core," joked one person, with another joking: "I have some bad news for people about Marilyn Manson's 'Sweet Dreams (Are Made of This)'."
how could u do this to me?!?
— Chel (@yamanecko) August 24, 2017
Fyi this is the only thing being discussed in my friend group today, you have shaken everyone I know to their core
— democracy diva (@democracydiva) August 24, 2017
I have some bad news for people about Marilyn Manson's "Sweet Dreams (Are Made Of This)" https://t.co/V7A98ljyZN
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pic.twitter.com/D462BWYY1f
— AMS (@ams_ksu) August 24, 2017
'Torn' was actually a double cover of a kind as it was written by Scott Cutler and Anne Preven in 1993 with their band Ednaswap performing it live.
However, the first recorded version came in the same year, but not in English, from Danish singer Lis Sørensen as 'Brændt' ('Burned'), with Ednaswap then releasing a recorded version in 1995.
Imbruglia then worked with original producer Phil Thornalley on her version that took over the world in 1997.
This is just like that time last year when everyone finally worked out that Usher was in confession on his Confessions album cover...
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Lionel Rocha Holmes
Memorial DNA Fund
In honor of my father and his strong support for DNA testing of the Portuguese people, I am awarding a free DNA test each quarter who is announced in each issue of O Progresso, the newsletter of the Portuguese Historical & Cultural Society in Sacramento.
If you would like to be considered for a free test, please contact me at terceira [at] dholmes.com. Explain to me how you are a Portuguese descendant on your paternal or maternal line.
And if you want to help sponsor this testing in my father's name, I have set up a Go Fund Me page for this purpose.
Lionel Rocha Holmes Memorial DNA Fund
Lionel Rocha Holmes (1919-2017) was an important part of the Sacramento, CA Portuguese community.
He was one of the original founders of the Portuguese Historical & Cultural Society (PHCS), a former PHCS president, former Cabrillo Club president, author of Portuguese Pioneers of the Sacramento Area, the editor of "O Progresso" which is the quarterly newsletter of the PHCS, and a recipient of the Gold Medal of Merit awarded by the Portuguese government for his active role and contributions to the Portuguese community.
In the last few years of his life, he greatly contributed to the efforts of using DNA testing of people from the Azores in order to discover more of our heritage. He was probably responsible for well over 100 people to get Y-DNA testing to discover more about their ancient origins.
In his honor I have established the "Lionel Rocha Holmes Memorial DNA Fund" to raise money to continue testing people of Azorean origins. I would like to give away a free DNA test to people who represent untested family lines that will further our efforts to learn all we can through DNA about our Azores and Portuguese roots.
It will be an on-going fund that will allow people to get tested each year, with at least two people each quarter. Details of the recipients each quarter will appear in "O Progresso" and in the Azores Genealogy groups on Facebook.
We received almost $500 toward this DNA fund in 2017. Now we head into 2018 and I hope we can see a significant amount of donations for continued testing.
Donations will be greatly appreciated.


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Flooding in Rhode Island
Weather.gov > Safety > Flooding in Rhode Island
Flooding Resources
On this page you learn what types of flooding are typical in Rhode Island and how do you protect yourself, your family and your home. You will also find out more about significant Rhode Island floods. Finally, you'll find links to NWS offices that provide forecast and safety information for Rhode Island, as well as links to our partners who play a significant role in keeping you safe.
Significant Rhode Island Floods
+The Great Flood of 2010
The Great Flood of 2010 occurred in March and early April 2010. This flood event was caused by a series of moderate to heavy rainfall events over a 5-week period during late February through late March. The successive nature of these moderate to heavy rainfall events saturated soils and limited opportunities for rivers and streams to recede, making the state vulnerable to flooding, especially by the end of March.
The culmination of these successive rainfall events occurred from March 29 to 31, when 6 to 10 inches of rain fell over Rhode Island. Some rivers and streams were only slightly below flood stage at the onset of this rainfall. The result was record river flooding across much of Rhode Island. The Pawtuxet River in Cranston, a location monitored with a river gage since 1939, broke its record crest during the mid-March event. This record crest was smashed during the event at the end of the month by an elevation of 6 feet. The West Warwick Waste Water Treatment Plant was substantially inundated by floodwaters. The Warwick Mall was under 2 feet of water. In Cranston, I-95 was shut down due to flooding, as well as the Airport Connector, which provides access from I-95 to TF Green Airport in Warwick. Sandbagging operations kept I-295 from being shut down, though there were ramps which were closed.
The Pawcatuck River in Westerly reached a new record level, exceeding the previous record which was set by storm surge from the 1938 Hurricane. The Pawcatuck River was so severely impacted that it did not recede below flood stage until April 12. In Westerly, a mile of train track in Westerly was inundated, resulting in a suspension of Amtrak services. In addition, Chapman Pond was flooded so badly that it effectively shut down Route 91 and Pound Road, causing a prolonged blocked access to an entire neighborhood. Blue Pond Dam failed in the headwaters of the Wood River in Hopkinton, with damage to infrastructure in the area.
There was one indirect fatality related to the mid-March event. In West Greenwich, an off duty state police officer died after his car hydroplaned and crashed. All counties in Rhode Island were included in a FEMA Major Disaster Declaration; nearly 26,000 residents applied for assistance, with $79 million in disaster assistance approved for individuals and business owners.
Inundation from the Pawtuxet River spreading through Providence Street in West Warwick RI, NOAA Inundation surrounding and through the Warwick Mall due to floodwaters from the Pawtuxet River, NOAA Inundation from the Pawcatuck River in Hopkinton, RI, NOAA
Flooding of Chapman Pond in Westerly RI resulted in
a large stretch of Route 91 being inundated for an
extended period of time. This photo was taken on
April 6th, about a week after the heavy rains had
ended, NOAA U.S. Department of Agriculture Daily Weather Map, September 21, 1938
Interactive Map from the NOAA Coastal Services Center
NWS Boston, MA 1938 Hurricane Commemorative Web Site
+The Great New England Hurricane of 1938
The Great New England Hurricane of 1938 was one of the most destructive and powerful storms ever to strike southern New England. This system developed in the far eastern Atlantic, near the Cape Verde Islands on September 4. It made a 12-day journey across the Atlantic and up the Eastern Seaboard before crashing ashore on September 21 as a Category 3 Hurricane at Suffolk County Long Island, then into Milford, CT. The center made landfall at the time of astronomical high tide, moving north at 60 mph. Unlike most storms, this hurricane did not weaken on its way toward southern New England due to its rapid forward speed and its track. This kept the center of the storm over the warm waters of the Gulf Stream.
Sustained hurricane force winds occurred throughout most of southern New England. Sustained winds of 91 mph, with a gust to 121 mph, were reported on Block Island. Providence recorded sustained winds of 100 mph with a gust to 125 mph. Extensive damage occurred to roofs, trees and crops. Widespread power outages occurred, which in some areas lasted several weeks.
This hurricane was also known for the extensive flooding. While the worst of the rainfall fell west Rhode Island, the state's felt the destructive power of storm surge flooding. Narragansett Bay took the worst hit, where a storm surge of 12 to 15 feet destroyed most coastal homes, marinas and yacht clubs. Downtown Providence, was submerged under a storm tide of nearly 20 feet. Storm surge also fed northward into the lower portions of rivers feeding into Block Island Sound and Narragansett Bay, bringing storm surge flooding inland.
The marine community was devastated. Throughout southern New England, over 2,600 boats were destroyed, and over 3,300 damaged. Entire fleets were lost in marinas and yacht clubs along Narragansett Bay. The hurricane was responsible for 564 deaths and at least 1,700 injuries in southern New England. Damage to the fishing fleets was catastrophic. A total of 2,605 vessels were destroyed, with 3,369 damaged. A total of 8,900 homes, cottages and buildings were destroyed, and over 15,000 were damaged by the hurricane.
This information was taken from "Southern New England Tropical Storms and Hurricanes, A Ninety-eight Year Summary 1909-1997", by David R. Vallee and Michael R. Dion, National Weather Service, Taunton, MA
Bristol, RI (NOAA) Pawtuxet Harbor area destroyed by storm surge (NOAA)
A sturdy washing machine is all that remains of a home in Island Park RI (NOAA) Shawomet Beach, RI (NOAA)
All that remains of a beachfront home on Third Beach RI (NOAA) Rainfall map across southern New England during the March 29-31 2010, rainfall event. Rhode Island rainfall totals were 6 to 10 inches.
Gallery of March 2010 flood photos from the Rhode Island Flood Mitigation Association
FEMA Disaster Declaration
+ Hurricane Carol 1954
On the morning of August 31, Hurricane Carol, the most destructive hurricane to strike southern New England since the Great New England Hurricane of 1938, came crashing ashore near Old Saybrook, CT, leaving 65 people dead in her wake. Carol had developed in the Bahamas several days earlier, making only slow progress northward. Carol began her rapid acceleration during the evening of August 30, while passing just east of Cape Hatteras, NC. Carol made landfall on eastern Long Island and southeastern Connecticut about 12 hours later, moving at over 35 mph.
Sustained winds of 80 to 100 mph roared through all of Rhode Island. Scores of trees and miles of power lines were blown down. Several homes along the Rhode Island shore had roofs blown completely off due to winds which gusted to over 125 mph. The strongest wind ever recorded on Block Island, Rhode Island occurred during Carol when winds gusted to 135 mph. The National Weather Service in Warwick, Rhode Island recorded sustained winds of 90 mph, with a peak gust of 105 mph.
Hurricane Carol arrived shortly after high tide, causing widespread coastal flooding. Storm surge levels ranged from 10 to 15 feet across Rhode Island. Narragansett Bay received the largest surge values of over 14 feet in the upper reaches of the water way. On Narragansett Bay, just north of the South Street Station site, the surge was recorded at 14.4 feet, surpassing that of the 1938 hurricane. However, since Hurricane Carol arrived after high tide, the resulting storm tide was lower.
Coastal communities were devastated. Entire coastal communities were nearly wiped out from Westerly to Narragansett, Rhode Island. Once again, as in the 1938 hurricane, downtown Providence, Rhode Island was flooded under 12 feet of water.
Rainfall amounts ranged from 2 to 5 inches across most of the area. However, coastal flooding was by far and large the most significant type of flooding issue from this Hurricane in Rhode Island.
Across the Northeast as a whole, Hurricane Carol destroyed nearly 4,000 homes, along with 3,500 automobiles and over 3,000 boats. All of Rhode Island lost electrical power. In addition, as much as ninety-five percent of all phone power was interrupted in these locations.
This information is from "Southern New England Tropical Storms and Hurricanes, A Ninety-eight Year Summary 1909-1997", by David R. Vallee and Michael R. Dion, National Weather Service, Taunton, MA.
+Connie and Diane 1955
In little over a week, two named tropical systems (Connie and Diane) passed by southern New England in August 1955. Connie produced 3 to 5 inches of rain across Rhode Island. Just one week later Diane brought 3 to 6 inches of rain to central and southern Rhode Island, and 7 to 10-plus inches of rain to the northern portion of the state.
While this rain alone was sufficient to bring substantial freshwater flooding across the Ocean State, even more rains fell just to the north in Massachusetts, within the headwaters of the Blackstone River. Diane brought over a foot of rain to the upper Blackstone River, causing record flooding on the Blackstone River at upstream Northbridge Massachusetts. The record floodwaters in the headwaters of the Blackstone River combined with torrential rains across northern Rhode Island, pushed devastating record floodwaters through the Blackstone River Valley into the city of Woonsocket. In Woonsocket the Blackstone River crested 12.8 feet above flood stage, which continues to be the worst flood on record for that area. Multiple dam failures added to the catastrophe, and these floodwaters traveled downriver into and through the communities of Cumberland, Central Falls and Pawtucket before ultimately emptying into Narragansett Bay.
Connie and Diane Summary from the Northeast River Forecast Center
Interactive Map showing the tracks of Connie and Diane
Flood Hasards Information
+Flash Flooding
Flash flooding is a rapid and extreme flow of high water into a normally dry area, or a rapid water level rise in a stream or creek above a predetermined flood level, beginning within six hours of the causative event (i.e., intense rainfall, dam failure, ice jam). More information...
+River Flooding
River flooding occurs when river levels rise and overflow their banks or the edges of their main channel and inundate areas that are normally dry. More information...
+Tropical Systems
At any time of year, a storm from over the ocean can bring heavy precipitation to the U.S. coasts. Whether such a storm is tropical or not, prolonged periods of heavy precipitation can cause flooding in coastal areas, as well as further inland as the storm moves on shore. More information...
+Ice/Debris Jams
A back-up of water into surrounding areas can occur when a river or stream is blocked by a build-up of ice or other debris. Debris Jam: A back-up of water into surrounding areas can occur when a river or stream is blocked by a build-up of debris. More information...
+Snowmelt
Flooding due to snowmelt most often occurs in the spring when rapidly warming temperatures quickly melt the snow. The water runs off the already saturated ground into nearby streams and rivers, causing them to rapidly rise and, in some cases, overflow their banks.More information...
+Dam Breaks/Levee Failure
A break or failure can occur with little to no warning. Most often they are caused by water overtopping the structure, excessive seepage through the surrounding ground, or a structural failure. More information...
Protect Life and Property NWS Forecast Offices and River Forecast Center (RFC) Covering Rhode Island
Flood Safety Info
FloodSmart Flood Insurance
WFO New York City, NY
WFO Boston, MA
Northeast RFC, Taunton, MA


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Apple Roundup: Upcoming iPhone 8, event, preorder date, and more
by Hamza Khalid August 29, 2017 August 29, 2017
We previously reported that Apple is expected to hold the iPhone 8 event on September 12. Apple has yet to send out press invites to confirm the date, it's only a matter of time before this piece of news is confirmed. Now that we know when the iPhone 8 will be announced, lets discuss a few things.
As always, Apple sets the keynote every September to announce new iPhone(s), as well as several other things. Apple will most likely send out press invitations about a week in advance, so most likely on September 5th or around that date. Mashable put an interesting timeline together.
After Apple announces the new iPhone 8 on September 12th, the company will start accepting preorders for the device on September 15th at midnight (PT).
In addition to announcing the iPhone 8, Apple will finalize and officially announce iOS 11 and all compatible devices that can run it. After that, the company will release the software on September 20th, a week after demoing iOS 11 again at the iPhone event.
Following this release, Apple will start to ship iPhone preorders on September 22nd, and will also be available in-stores on the same day. In addition to the iPhone 8, Mashable believes that iPhone 7s and iPhone 7s Plus will be available alongside the iPhone 8 in September.
Apple will more than likely have a very limited number of iPhone 8 units on hand in September, and will be sold alongside the iPhone 7s and iPhone 7s Plus.
CategoriesApple Business Mobile
AppleiPhone 7siPhone 7s PlusiPhone 8Keynote
Hamza Khalid is the Lead Editor at The Jolt Journal. You're more than welcome to follow him on Twitter and follow The Jolt Journal on Twitter and Facebook. If you have any questions, concerns, or need to report something in this article, please send our team an email at [email protected] This story may be updated at any time if new information surfaces.
At The Jolt Journal, no one tells us what to write or how to write it. This is why, in the era of lies and bias, readers turn to an independent source. Rest assured, all information on our website is free of any bias or influence. If you see anything wrong with a story, please don't hesitate to reach out. We do our very best to report on the latest available information.
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We tell you all that is true. You can form your own view from what you read.
Hamza Khalid is the Lead Editor at The Jolt Journal. You're more than welcome to follow him on Twitter and follow The Jolt Journal on Twitter and Facebook. If you have any questions, concerns, or need to report something in this article, please send our team an email at [email protected] This story may be updated at any time if new information surfaces.
At The Jolt Journal, no one tells us what to write or how to write it. This is why, in the era of lies and bias, readers turn to an independent source. Rest assured, all information on our website is free of any bias or influence. If you see anything wrong with a story, please don't hesitate to reach out. We do our very best to report on the latest available information.
U.S. COVID-related hospitalizations exceed 100,000 for the first time
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Taking care of a kitten is a big responsibility. But did you know that kittens also need their teeth taken care of on a daily basis? Or that 70% of cats show signs of oral and dental disease by age 3? But there are things you can do to take care of your kitten's oral health.
There are more than 300 types of bacteria that naturally take residence inside your little buddy's mouth. And when your kitten eats, small food particles and saliva combine with the bacteria and your pet gets something that you probably remember hearing about from your own dentist–plaque. Then calcium in your pet's saliva hardens the plaque, resulting in a hard yellow-brown deposit on his teeth called tartar.
Of course, a lot of these symptoms could mean any number of issues, so it's always important to let a trained professional diagnose any problems your pet might be having.
There are three preventive measures you can take to ensure that your pet's oral hygiene doesn't become a problem. They're often referred to as "the 3Ds." The first step is daily brushing. When you brush your pet's teeth on a daily basis, you'll be removing plaque and slowing the development of tartar. One of the easiest ways to do this is with a finger brush, which is available online and at almost any pet store. And don't forget to reward your pet afterward with some playtime!
The second D is dentistry. Just like you, your pet could benefit from annual or semiannual cleanings. Vets refer to the cleaning as a dental prophylaxis. Besides helping keep your pet's teeth and gums healthy, it's the only way to remove tartar.
The third D is diet. Dry food can be especially beneficial for oral health because the mechanical brushing action of dry kibble helps remove plaque and works to scrub teeth clean.
Nobody likes dealing with dental issues–your pet included. And even though your kitten can't talk, that doesn't mean he isn't in pain. But armed with the 3Ds of dental hygiene, your furry friend is sure to be happy and healthy for a long, long time.


text:
Audience without a paper
With a paper
Attending 7th ICSMM
ICSMM News
ICSMM History
ICSMM 2022 | Bangkok
ICSMM 2021 | Virtual
ICSMM 2019 | Taipei Tech
ICSMM 2017 | Nanhua University
Co-organized by
22-24 November 2023, Chiang Mai, Thailand
ICSMM 2023 | Chiang Mai, Thailand
2023 7th International Conference on Sensors, Materials and Manufacturing
Sensors are widely used in many different applications, and sensor technology has become a basic enabling technology in many instances. New types of sensors are made possible with new materials that are produced using advanced processing technologies.
2023 7th International Conference on Sensors, Materials and Manufacturing (ICSMM 2023) will be held in Chiang Mai, Thailand during November 22-24, 2023.
We strongly believe that ICSMM 2023 will be a remarkable event which can bring together professors, researchers and students in the field of sensors, materials and manufacturing making the conference a perfect platform to share experience, foster collaborations across industry and academia, and evaluate emerging technologies across the globe. You are cordially invited to submit your recent research work to the ICSMM 2023.
Call for papers / Submission
After a careful reviewing process, accepted papers after proper registration and presentation, will be published into Materials Science Forum(ISSN print 0255-5476 / ISSN web 1662-9752), which is indexed by Scopus, Google Scholar, ProQuest, Chemical Abstracts Service and other main databases.
Plagiarism is stirctly forbidden in any academic conference, the articles submitted should be original and unpublished. Any Violations will be dealt with seriously in accordance with the policy.
ICSMM 2022 Proceedings
Material Science Forum
ICSMM 2021 Proceedings (Scopus)
Material Science Forum: Volume 1058. [ISBN: 978-3-0364-1024-1] Online Linkage
ICSMM 2020 Proceedings (Ei Compendex & Scopus)
Key Engineering Materials: Volume 891. [ISBN: 978-3-0357-1789-1] Online Linkage
Solid State Phenomena: Volume 305. [ISBN: 978-3-0357-1657-3] Online Linkage
Material Science Forum: Volume 962. [ISBN: 978-3-0357-1416-6] Online Linkage
IOP Conference Series: Materials Science and Engineering, VoL.311. Online Linkage
ICSMM 2022 Speakers
Professor Steven Y. Liang, Georgia Institute of Technology, USA
Steven Y. Liang has been Morris M. Bryan, Jr. Professor for Advanced Manufacturing Systems at Georgia Institute of Technology, USA. Dr. Liang served as President of North American Manufacturing Research Institution and Chair of Manufacturing Engineering Division of The American Society of Mechanical Engineers. He is Editor-in-Chief of Journal of Manufacturing and Materials Processing (MDPI) and Editor of International Journal of Precision Engineering and Manufacturing (Springer). Dr. Liang is the recipient of Robert B. Douglas Outstanding Young Manufacturing Engineer Award of SME, Ralph R. Teetor Education Award of SAE, Blackall Machine Tool and Gage Award of ASME, Milton C. Shaw Manufacturing Research Medal of ASME, etc. Dr. Liang is a fellow of both ASME and SME.
Professor Kwang Leong Choy, University College London, UK
Professor Choy obtained her D.Phil. in Materials Science from the University of Oxford, where she was awarded the Hetherington Prize and Oxford Metallurgical Society Award. Professor Choy is now a Director of UCL Institute for Materials Discovery and Professor of Materials Discovery at University College London since February 2014.
Professor Zongjin Li, University of Macau (UM), China
Dr. Zongjin LI is Chair professor at Institute of Applied Physics and Materials Engineering at University of Macau (UM). As the chief scientist, he has led a China Key National Basic Research Project (973). He received the Arthur R. Anderson Medal from American Concrete Institute in 2017 and Distinguished Visiting Fellowship Award from British Royal Academy of Engineering in 2014.
Professor Shinji Takeoka, Waseda University, Japan
Shinji Takeoka is a professor of Department of Life Science and Medical Bioscience, School of Advanced Science and Engineering, Waseda University. He is the Associate Director of Research Promotion Division, Waseda University. He is also the President of The Society of Blood Substitutes, Japan. His research interests include biomedical Engineering, biological material sciences, molecular assembling science and engineering.
For enquiries regarding the Submission System, Format Template, Submission, Review, Acceptance, Manuscript Submission, Copyright Transfer Form, please contact the conference secretary as below:
Ms. Elva Zhang
icsmm@cbees.net +86-28-87577778
icsmm@cbees.net
© ICSMM 2023. All Rights Reserved


TellTale made it big with their Walking Dead series, bringing a more interactive storytelling style to a show that was already quite popular. In doing so, they set themselves up for a series of games from different franchises, such as Borderlands and The Wolf Among Us. It's really no surprise then, that Telltale landed themselves the massively popular Game of Thrones IP, given their pedigree when it comes to storytelling with games.
Spoiler Alert: While we won't be going into too much depth of the story, there might be some spoilers. If you aren't caught up until, at least, the end of season 4, then you might have some story elements spoiled. Consider yourself fairly warned!
Unlike what you would expect from a show turned video game, the story picks up from the end of show's season 3 and the infamous Red Wedding. Interestingly, TellTale chose to go with a somewhat unknown family, the House of Forrester, which is off-handedly mentioned in the books and isn't even mentioned in the show. As such, you are thrust into the story of a house in disarray, trying to deal with the political and world changes that the Red Wedding has brought on.
Much like other TellTale games, you don't control one character, but five. Ranging from the lord of the house who is thrust into a position of power before he's ready, to a member of the house serving on the wall, to a Sansa – like girl who develops from a shy little thing into a schemer. There's also two more characters who come in later in the game's episodes who also act as lords of the house.
Unfortunately, this mirroring of the characters from the main show is a letdown in terms of narrative. Having a new and, somewhat unknown in the literature, house, should have allowed TellTale to really go places they couldn't have before, while still maintaining a canonical story. What happened instead, is that we're treated to pretty much the same character development as the show, albeit with some aspect of choice.
Speaking of choice, much like other TellTale game, gameplay mostly comes in the form of quick time events (QTE) and gut-wrenching choices. Game of Thrones does a good job of presenting you with difficult choices to make, and the QTEs are satisfying when you do them right. There's also the fact that you're playing the world of Game of Thrones, which is grim, complex, and yet somehow beautiful, so if you're a fan of the show or the books, then you'll definitely enjoy the atmosphere.
That being said, the choices that you make are decidedly hollow, with the game mostly guiding you back to how the story should be, rather than allowing you to create your own story with different outcomes. Sure, some characters will die and live based on your choices, but ultimately, whoever needs to survive will survive, and you're always pretty much following a set piece story. While that's part of the problem of creating an interactive storytelling game within an established franchise and story, it doesn't mean that decisions should feel hollow and unimportant.
Fortunately, TellTale does well with telling the story, with the first episode establishing the characters, and then 2-5 building up to a climax. The downside is that the game is obviously set up for a second season, so the finale, episode 6, ends on a cliff-hanger and isn't very satisfying. That isn't necessarily bad, the studio does have certain contractual obligations I'm sure, and they do want to be financially successful, but the finales of the show are grand and satisfying, something that the game doesn't capture.
Of course, one is never done with a TellTale game without talking about the graphical style, one of the mainstays of the studio. Unfortunately, the game suffers from TellTale's overextension of releasing the game on every single platform under the sun, meaning that there's no focus for graphical optimization. Clunky and unreal movements, textures that look better close-up than far away and other strange oddities plague the game, which is running on an outdated engine.
So where does Game of Thrones by TellTale stand? Well, it's a fun and engrossing experience, even though it can ultimately feel futile and shallow. There are issues with the graphics, but the world does capture you, and you'll definitely won't regret playing it. The game might have been served better if TellTale was allowed more creative freedom and branched off the book's story just like the show does, or if each 'season' of the game followed a different house offering fresh perspective.
While it may not be the case, you should still play this game if you're a fan of Game of Thrones.
What do you think of Game of Thrones by TellTale? Let us know in the comments.


Posted on February 8, 2012 by Peter Cairns3 Comments on From Headlands to Headspace.
Almost 2 years ago to the day I pressed the shutter with my camera pointing at a pure white ptarmigan high in the Cairngorms and in doing so bagged my first shot for the 2020VISION project. Last week I took my final images for the collection and what a difference in habitats. The Cairngorm Mountains are high, rugged and remote. Morecambe Bay is low, flat and surrounded by industry. As such, it's not the easiest place to work, but with the expectations of the project itself, my colleagues within it and the height of the nature photograph bar generally set very high anyway, it's been a long time since I've found anywhere, or anything, that is easy to put your own stamp on.
The forecast was mixed and with a short window of opportunity, I have to say I felt a wee bit pressured. The likes of Chris Gomersall, David Tipling, Danny Green and Mark Hamblin had already fed fantastic images into the story I was following – that of the UK's estuaries and saltmarshes being 'More than just mud'. So my task was simple : evocative scenics in dramatic light. Sounds straightforward on paper – trouble is I don't know the area very well so I had to hit the ground running.
One of the great things about the internet is the ability to research locations and to see what other photographers have done where. Morecambe Bay is seemingly not a landscape photography magnet and I found little online that suggested obvious starting points. I sat in my campervan with a cup of tea and pondered. What were the key elements I needed to articulate here? The only word I could come up with was 'Bigness'. Morecambe Bay is Big. Big skies, Big views…just Big. But also flat, so I needed some viewpoints and assuming dramatic skies – a pre-requisite for this type of work – I needed to get close to water to show that light to its best effect.
With these types of jobs I tend to find that working and then re-working the same few locations is more productive than charging around trying to cover everything. And so it was that over 4 days I began to gravitate towards the area around Arnside and Silverdale (fantastic cafe at RSPB Leighton Moss by the way) with dawn shoots further west at Grange.
Through a set of contacts I managed to coerce a couple of cockle fishermen to 'model' for me. The cockle beds in the Bay are closed presently so I'd like to point out that no cockles were harvested during the making of these pictures. The shoot however, did in many ways reflect the backdrop to why 2020VISION had chosen this location. There's a big project underway in the area appropriately called Headlands to Headspace. This is an ambitious undertaking with the objective of rejuvenating the productivity of the Bay. I don't just mean economic productivity, I mean ecological, cultural and even social productivity: allowing the world-class wildlife of the Bay to prosper and to allow people to benefit from improved ecological integrity – this very much includes those who make their living from harvesting natural resources.
Morecambe Bay is ostensibly a land of contradictions where natural beauty struggles to shake off the shadow of heavy industry. But it's by no means unique in that respect. The secret perhaps – and it's a tricky one – is not a war between one or the other, but an imaginative and sympathetic accommodation of both. Headlands to Headspace is just about right. Standing out on the mudflats at dawn with a peregrine calling nearby and with Bigness in my viewfinder, Headspace was what was offered and we all need to take up that offer when it's made available. It's fair to say that over 2 years working on 2020VISION I've had plenty of Headaches but when that memory fades, it will be the magical Headspace moments that stay with me.
The great thing about the still image is that it transports you back to the time and place you shot it. I try to discipline myself not to let that experience influence my objectivity when evaluating images, but in reality it's damned difficult.
This was a moody broody evening on top of Sumburgh Head on Shetland and if truth be told there was an air of disappointment within our tour group as the cliff tops were almost bereft of puffins. Where there's mood and brood however, there are pictures and as the sun peeped through the billowing clouds I could see gliding fulmars silhouetted against the golden sea. I like this type of picture and I like this particular picture because it was a something from nothing situation. Despite my pleas I'm not sure too many of our group shot it. Perhaps they didn't like it – which is one of the other great things about photography!
I hope you've enjoyed this brief look back at 2011. The images I chose are not my best necessarily but represent a personal emotion, a memory. That for me is what photography is all about.
Have a great 2012 shooting new memories!


Buddy and his siblings came to us from a rescue foster home in Louisiana. He is a young puppy so will require someone with a part time or stay at home schedule to meet his socialization and house training needs. If you are interested in meeting Buddy please fill out our on-line application at http://www.saveadog.org/applytoadopt.asp and private appointments start Tuesday afternoon.
Max and his siblings came to us from a rescue foster home in Louisiana. He is a young puppy so will require someone with a part time or stay at home schedule to meet his socialization and house training needs. If you are interested in meeting Max please fill out our on-line application at http://www.saveadog.org/applytoadopt.asp and private appointments start Tuesday afternoon.
Duke and his siblings came to us from a shelter in Louisiana. He is a young puppy so will require someone with a part time or stay at home schedule to meet his socialization and house training needs. If you are interested in meeting Duke please fill out our on-line application at http://www.saveadog.org/applytoadopt.asp and private appointments start Tuesday afternoon.


Aubrey Slaughter is a first-year Ph.D. student in the EVOKE Lab who studies hacktivism, virtual communities, and ephemeral data. His previous work centered around hactivistic efforts of the online collective known as Anonymous during Libya's recent revolution. His other projects include budget warbooking, amateur experimental neuroscience, and video games. A Texas native, Aubrey plans to move to the Internet as soon as they have that figured out.


text:
Q: Wordpress user pagination issue I have the following code which isn't displaying the pagination links no matter what number of users I request to be displayed.
Not sure how to get the pagination to work - any help much appreciated. Thanks in advance
<?php

$number     = 10;
$paged      = (get_query_var('paged')) ? get_query_var('paged') : 1;
$offset     = ($paged - 1) * $number;
$users      = get_users($args);
$query      = get_users('role=Recruiter&offset='.$offset.'&number='.$number);
$total_users = count($users);
$total_query = count($query);
$total_pages = intval($total_users / $number) + 1;

var_dump($query);

echo '
';

foreach($query as $q) { ?>

        <?php echo get_avatar( $q->ID, 80 ); ?>

            <a href="<?php echo get_author_posts_url($q->ID);?>">
                <?php echo get_the_author_meta('display_name', $q->ID);?>

        <?php if (get_the_author_meta('description', $q->ID) != '') : ?>

<?php echo get_the_author_meta('description', $q->ID); ?>

        <?php endif; ?>

<?php }

echo '
';

?>

<?php
if ($total_users > $total_query) {
echo '
';
echo 'Pages:';
  $current_page = max(1, get_query_var('paged'));
  echo paginate_links(array(
    'base' => get_pagenum_link(1) . '%_%',
    'format' => 'page/%#%/',
    'current' => $current_page,
    'total' => $total_pages,
    'prev_next'    => false,
    'type'         => 'list',
));
echo '
';
?>

redpajama_set_name: RedPajamaStackExchange


Register your "doctor in training" for an upcoming Little Medical School of North Texas course, and let the fun and learning begin! Our programs are hosted throughout North Texas at schools, community centers and even private residences. Most courses include 6 hours of instructions across one, three or six sessions, and pricing will vary by the course.
Not seeing the class you want? CREATE YOUR OWN! We offer custom programs, parties and more! Contact us to request a class or set up a custom program in your area. Follow us on Facebook to keep updated on new class locations.
Browse the list below for upcoming programs being held at your child's school or hosted at a public venue in your area.
Select the Location Name corresponding to your preferred program. You will be taken to your Location's listing on Active.com. **Some locations handle their own registration.
Complete the profile/account information and pay registration on the following page.
You're all set and we'll see your student in class!
Please note that prices may differ from location to location based on partnership agreements, school contracts, length of engagement and programming, as well as number of students.
**Please Note for all classes NOT open to the public: Your child must be currently attending the school that a class is being held at.
Summer Camp 2019: All Camps Open to the Public!


text:
Q: UNIX Shell Scripting Output I'm trying to write a shell script "echo.by" that echoes its arguments as many times as the user chooses. For example, if the user enters the command line
echo.by 5 Play it again, Sam. <return>

The script should print
Play it again, Sam.
Play it again, Sam.
Play it again, Sam.
Play it again, Sam.
Play it again, Sam.

However, I do not know how to print only Play it again, Sam and exclude the first argument. The $* command prints everything, so I end up with
5 Play it again, Sam.
5 Play it again, Sam.
5 Play it again, Sam.
5 Play it again, Sam.
5 Play it again, Sam.

My script needs to be able to accommodate any script after the first number, so I can't just tell the shell to echo $2 $3 $4 $5.
Here is my script:
count = 0
while test $count -lt $1
do
echo $*
count = `expr $count + 1`
done

A: Just put $1 in a variable which you will reference later, and then add shift to the top of your script.

A:  #!/bin/bash
 times="$1"
 shift
 for f in $(seq "$times"); do
     echo "$@"
 done

EDIT: Changed $times to be lower-case as @Charles Duffy suggested. For greater compatibility with other POSIX(-like) systems you might want to change the loop to use the C-style for-syntax. The seq command is available in NetBSD, FreeBSD and GNU systems.

A: Try doing this using a C style for loop  and bash array slice :
#!/bin/bash

for ((i=0; i<$1; i++)); do
    echo "${@:2:${#@}}"
done

A: #!/bin/bash
times="$1"
shift
for ((f=0; f<times; i++)); do
    printf '%s\n' "$*"
done


text:
Q: PHP upload to AWS S3 produces wrong destination path I want to upload an image file to my S3 storage using PHP. I use this helper library: https://github.com/psugand/CodeIgniter-S3
This is my PHP code:
$this->s3->putObject($this->s3->inputFile($tmp), 'dreamboks-assets-2017', '/test_example/' . basename($_FILES["userfile"]['tmp_name']), S3::ACL_PUBLIC_READ);

The problem is S3 always creating an empty directory first before my desire directory (test_example/).
Screenshot:

How to avoid the unwanted empty directory? Is there any problem with my destination path parameter?

A: You need to use a relative path. The API wrapper you're using is probably being thrown off by the leading /. So use it like this:
$this->s3->putObject(
    $this->s3->inputFile($tmp),
    'dreamboks-assets-2017',
    'test_example/' . basename($_FILES["userfile"]['tmp_name']), // relative path
    S3::ACL_PUBLIC_READ
);

Changed the formatting a bit to emphasize the change


Fill out the form below with your details to create a successful event.
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Internal promotion such as newsletters, etc.
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Please provide JPCHF with a list of targeted sponsors for the event. Many individuals and businesses already support the JPCHF and may not wish to make actual donations through community events.
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I have read and I agree with the Terms & Conditions.
A. The Foundation is a charitable foundation and is the primary fundraiser in relation to a children's hospital to be constructed in Saskatoon, Saskatchewan.
B. The Event Organizer wishes to put on a fundraising event described in theIndependent Fundraising Event Proposal for the purpose of raising funds for the Foundation (the "Event").
C. The Event Organizer wishes to make use of the Foundation's name, logo, marks and trademark in the course of promoting and carrying on the Event.
D. The Event Organizer acknowledges that the name, logo, marks and trademark of the Foundation are the exclusive property of the Foundation and may not be used without the express authorization of the Foundation.
E. The Foundation wishes to grant a limited license to the Event Organizer to use its name, logo, marks and trademarks solely for the purpose of the Event and on the terms of this Agreement.
1.1 The Event Organizer agrees to carry on the Event in accordance with the terms of this Agreement, the Fundraising in the Community Policy of the Foundation, the terms of which are incorporated into and form part of this Agreement, and the Independent Fundraising Event Proposal made by the Event Organizer to the Foundation.
1.2 The Event Organizer agrees to inform the Foundation if there are any material changes to the manner in which the Event will be carried out from the proposal and that no such changes will be made without the prior written consent of the Foundation.
1.3 The Foundation is not liable for any injuries sustained by event volunteers or a participant related to the Event and does not assume any type of liability for the Event.
1.4 The Event Organizer agrees to staff the Event and obtain any and all necessary permits, licenses or insurance.
1.5 The parties each acknowledge and agree that nothing in this Agreement shall create a partnership, joint venture or any other form of business relationship with the other party and that neither party shall make any representation to that effect. It is further agreed that neither party may contract in the name of the other party nor bind the other party in any way.
1.6 The parties agree each will not state or imply that it is an agent, subsidiary, partner or holds any other business relationship with the other party.
1.7 The parties agree not use or display trademarks, service marks, logos and/or trade names (collectively "Trademarks") without prior written approval.
2.1 In consideration for the planning and carrying on the Event, the Foundation grants a limited license for the term of this Agreement to the Event Organizer to use and display the name, logos and service marks ("Trademarks") for the sole purpose of promoting the Event and subject to the limitations contained in this Agreement.
2.2 The Event Organizer acknowledges and agrees that the Foundation has the sole and exclusive right to use the Trademarks.
2.3 The Event Organizer agrees that it shall obtain the prior written approval of the Foundation for each specific use of the Trademarks.
2.4 The Event Organizer agrees that it will obtain prior written approval from the Foundation for the use of all promotional materials associated with the Event, used prior to the Event, used during the Event and used after the Event.
2.5 The Event Organizer agrees that all promotional materials associated with the Event clearly state the percentage of the gross proceeds or net proceeds, or portion thereof that will benefit the Foundation. This includes tickets printed for the Event.
2.6 If a representative of the Foundation is invited to speak or attend an event, the Event Organizer agrees to provide a complimentary ticket(s) or admission.
3.1 The Foundation agrees to process the net amount (final net proceeds from Event).
3.2 If requested by the Foundation, the Event Organizer shall provide a complete accounting of all funds collected and expensed related to the Event. The Foundation reserves the right to inspect all financial records associated with the Event if a question or questions are raised about Event proceeds.
3.3 The Event Organizer agrees not to retain any portion of the proceeds as profit or compensation for organizing the Event. If Event expenses are greater than the funds raised, the Event Organizer is responsible for paying those expenses. The Foundation will not provide funding or reimbursement of expenses.
3.4 The Event Organizer agrees to deliver all donations and event proceeds to the Foundation no later than 60 days after the Event/fundraiser.
3.5 The Foundation agrees to issue official tax receipts for donations of $20.00 ormore and in accordance with Canada Revenue Agency guidelines. Prior discussion with the Foundation is mandatory.
3.6 The Event Organizer agrees to provide tax receipt information to the Foundation within 60 days of the completion of the Event. If for any reason this is not possible, the Event Organizer shall provide a letter to the Foundation setting out in writing the reasons for the delay and the date that the funds will be received.
4.1 This Agreement shall continue in effect for the period indicated in the Independent Fundraising Event Proposal unless this Agreement is terminated earlier in accordance with this section.
4.2 Either party shall have the right to terminate this Agreement by providing 10 days written notice to the other party.
4.3 In the event that the Agreement is terminated by either party, the Event Organizer shall forthwith ceases use of any of Foundation Trademark and shall provide to the Foundation any promotional materials bearing such Trademarks.
4.4 The Event Organizer agrees to cancel the Event if so directed by the Foundation and further agrees to release the Foundation, its officers and employees from any and all liability in connection with such action.
4.5 All obligations of the Event Organizer shall survive termination or expiration of this Agreement and shall continue in full force and effect subsequent to and notwithstanding such termination or expiration.
5.1 In the event of a default by the Event Organizer on any terms of this Agreement, and at any time after the default, the Foundation shall have all rights and remedies provided by law and by this Agreement. No delay or admission by the Foundation in exercising any rights or remedies shall operate as a waiver of them or of any other right or remedy.
5.2 This Agreement is not assignable by the Event Organizer without the prior written consent of the Foundation.
5.3 This Agreement shall be governed by and construed in accordance with the laws of the Province of Saskatchewan and the laws of Canada applicable therein.
5.4 This Agreement shall endure to the benefit and be binding on the respective heirs, legal representatives and assigns of each of the parties hereto.


Pregnancy test, to rule out pain due to pregnancy.
Liver function tests, to rule out liver related causes of pain.
Testing the stools, to rule out infection in people who have diarrhea.
CT scan, which can indicate inflamed or infected pouches and confirm a diagnosis of diverticulitis. CT can also indicate the severity of diverticulitis and guide treatment.
Disclaimer: The information on this page is not intended to be a substitute for professional medical advice. Do not use this information to diagnose or ayurvedic treatment of gastro-intestinal-diseases and/or diverticular disease without consulting the doctor. Consult your physician before beginning an exercise regime. "While we have products /ayurvedic medicines for gastro-intestinal-diseases and/or diverticular disease, you must consult an authorized physician before taking any of the products. For more information on products, visit www.dabur.com or call 1800-103-1644"


According to a survey conducted by Roper Starch Worldwide for The Nature Conservancy, 70% of Americans believe that partnerships between corporations and conservation groups are a highly effective means of protecting the environment. The survey of 2,000 adults in the U.S. also found that more than two-thirds believe it is possible for economic development and environmental protection to be achieved simultaneously. The survey, "The Power of Two: Conservation and Corporate Environmental Responsibility," showed that Americans favor companies with a pro-environment image. Almost 80% of Americans say they are likely to have more positive feelings about companies that are in some way associated with an environmental group, and almost 75% said they are likely to buy the company's products or services. "This survey confirms what we at The Nature Conservancy have long believed -- that people place a high priority on the environment and think that protecting it should be a joint mission of the corporate world and conservationists," says John C. Sawhill, president and CEO of The Nature Conservancy. "Americans are tired of hearing about conflicts between the two and want to see us working together to achieve our goals in unison."


And just HOW did you lose YOUR?
Thread: And just HOW did you lose YOUR?
With Miss Scarlet, with some rope, in the conservtory.
Last edited by tarun; October 18th, 2005 at 12:48 PM.
Mine was in a treehouse when I was 13.
Nobody looked at the toon, RIGHT ?
Couldn't figure out what it was.... so I just thought I'd post the first thing that came into my head.
You DID try and read it, right ?
He lost his err, tool hand, obviously. What did you think?
I read it! Do I get something special for being extra attentive to what you said/posted?
Last edited by rohitk89; October 20th, 2005 at 05:59 AM.


The blessing and curse of social media marketing is how fast it changes and evolves – and alot can change in just 12 months.
The importance of social media video content progressively grew in 2017 – however in 2018, video marketing will prove to be an even more important part of your content strategy. Did you know that videos on social media generate 1,200% more shares than text and images combined? Since viewers retain 95% of a message when they see it in a video and only 10% retain it when they see it in text, you should seriously consider adding video content to your social media strategy.
Using social media influencers to expand the reach of brand messaging was extremely popular in 2017, and it's no surprise why. Studies show that 74% of people look to their networks on social media for advice on buying decisions, and 40% of people have bought something based on seeing it being promoted by an influencer on Instagram or Twitter. You can expect influencer marketing come under increased scrutiny, as its very common for influencers to ask for big fees while showing very little return data. However, with the right partnership agreements in place, you can use Influencer Marketing to make some noise for your brand in 2018.


text:
New border crossing rules getting pushback
By Marc Lalonde, Local Journalism Initiative ReporterIori:wase
Thu., Nov. 25, 2021timer3 min. read
The new rules for Canadian travellers coming back into Canada to provide a negative PCR COVID-19 test for trips longer than 72 hours are coming under fire from a number of sectors, including the official opposition in Parliament.
The new, relaxed rules, allowing fully-vaccinated Canadians to cross the U.S. border and come back home afterwards in less than 72 hours without a negative COVID-19 test, comes into effect on November 30. Longer trips, whether flying or driving, will require a negative PCR test, even if the traveller is fully vaccinated.
The pushback was immediate, both from trucking lobby groups and the airline industry in Canada, who believe that the requirement for a PCR or molecular test should be set aside for all fully vaccinated travellers.
"By only focussing on short trips and Canadian travellers, government has taken a piecemeal approach that is not justified or based on science," Canadian Airlines Council of Canada CEO Peter McNaney said in a statement. "To our knowledge, no other country in the world has adopted such a narrow approach."
Canadian Chamber of Commerce president and CEO Perrin Beatty said the requirement of a PCR test is an "absurdity" and needs to be dropped.
"It's time for us to apply common sense. Pull the PCR test. It is redundant," said Beatty. "We're the outlier, and other countries don't use it."
Those groups will have an ally in the official opposition, which is expected to press the government on those new rules when the new Parliament sits next week.
"This is a half-measure, and I think it's confusing, and I think that the prime minister ought to start listening to his own expert advisory panel. Scrapping the PCR test specifically for vaccinated travellers, it's not something that the panel ever required," said Tory MP Melissa Lantsman, who is her party's transport critic.
"Scrapping the PCR test is where we need to go. We need to do it for our economy. We need to do it to get in line with our allies."
Even though Canadians travelling to the United States must be fully vaccinated, they do not require a molecular test if returning before 72 hours. Americans coming to Canada require that test.
Over the next two months, that mandate will become even tougher. As of January 15, 2022, all those now exempt from many border rule requirements, such as pro athletes, would be subject to a vaccination mandate and will not be allowed in the country without being fully vaccinated. That group incudes essential workers such as truck drivers.
The CEO of the Canadian Trucking Alliance said if Ottawa decides to apply a vaccine mandate in January, up to a fifth of the country's international transport professionals might call it quits.
The industry is also short of drivers as it stands at present, said Stephen Laskowski, and anything that worsens the labour situation will snarl supply chains and as many as 20 percent of the 120,000 Canadian truck drivers who make cross-border runs will call it quits.
Additionally, Laskowski argued that truck drivers – given the solitary nature of their work – represent a relatively low transmission risk.
"What we found over the last two years is that truck driving as an occupation is well below the national or local rate of contracting COVID-19," Laskowski said. "So, the risks are low among truck drivers."
Federal Health Minister Jean-Yves Duclos said the government would monitor the rule changes and would be prepared to make adjustments as necessary.


With HMD's like the Oculus Rift you are able to become a part of the virtual world. In our environment you are a tiny pilot and you can actually feel the gigantic size of the other objects around you.
Play with or against your friends in epic airplane battles. Multiplayer is the most important aspect for us. We've added synchronized head movements. It's just an intense feeling when the virtual avatar of your mate is looking straight at you.
The game style is inspired by movies like "Toy Story" or "Monster AG". The environment is colorful and adventurous. Its like a time travell in your childhood. Stay tuned for the gameplay video which will be released soon!
Toy Plane Heroes is made for VR. We currently support the Oculus CV1, DK2 and the HTC Vive. We are also planning to make TPH compatible with the most common HMD's.
Buy the game on steam!
VR is an exciting new technology. However the market is still very small. We are currently developing our game without any financial support. We just love to make video games for VR. If you want to support the development of Toy Plane Heroes you can buy our game or feel free to donate. Every single Dollar is highly appreciated. Thanks!
Ideas, Feedback, need someone to talk to?
©Copyright 2014 - Oasis VR. All rights reserved.


text:
Q: How to shorten Exception Handling Message in Rails 5? I am working on a Rails project and using Exceptions Handling in it, I am using it like this:
    begin
        @profile.update(profile_params)
        flash[:success] = SUCCESS_MESSAGE_FOR_PROFILE_UPDATED
        redirect_to params[:referrer]
    rescue => e
        flash[:alert] = "#{e.message}"
        render :edit
    end

When exception occurs, it generates a very long message:
PG::UniqueViolation: ERROR: duplicate key value violates unique constraint "index_companies_on_name" DETAIL: Key (name)=(Test2) already exists. : UPDATE "companies" SET "name" = $1, "updated_at" = $2 WHERE "companies"."id" = $3

As we can see that the exception occurred due to duplicate entry for 'name',   so basically I just want to show the DETAIL part i.e. "Key (name)=(Test2) already exists."

A: What you have, is a database level validation (constraint), which is good.
In addition to it you always want to add the model validation.
In your case it'll look as follows:
validates :name, uniqueness: true

It will ensure the validation and appropriate message, when
@profile.update(profile_params)

fails to update the record due to validation.
The message could be found in @profile.errors.
With such setup you will not need to have a begin rescue, just change it to:
if @profile.update(profile_params)
  flash[:success] = SUCCESS_MESSAGE_FOR_PROFILE_UPDATED
  redirect_to params[:referrer]
else
  render :edit
end

The form will contain the validation error out of the box.


Just one of four oceanfront state parks in South Carolina, the Edisto Beach State Park is one of the most beloved destinations on the island.
For generations, visitors have taken advantage of the hiking and biking trails that wind throughout the park; learning about the nature and culture of the area at the park's environmental education center; and experiencing the beauty found all over Edisto.
Visitors to the Edisto Beach State Park can stay for day trips or spend some more time getting back to nature through tent and RV camping or by staying in one of the rustic cabins in the parks.
With one of the most unique locations of any campground, visitors have the opportunity to watch as the ocean ebbs and flows with the tides, view native animals as they thrive in their habitats, and truly appreciate the beauty of the lowcountry.
Campers coming to Edisto Beach can rejoice knowing there are more than 100 tent and RV campsites along with seven rustic cabins. Electric and water hookups are available at most campsites, although rustic tent camping is available as well.
While fires are prohibited on the beach, fire pits are available for campers looking to roast marshmallows or hot dogs.
Indoor bathrooms are also available on site, so campers can rinse the salt and sand from their bodies after a long day at the beach.
The Edisto Beach State Park offers a handful of cabins located on the salt marsh 1.5 miles from the ocean. These cabins are fully furnished and supplied with bed and bath linens, so visitors have what they need at their disposal. The cabins are heated and air conditioned as well, so visitors can take advantage of camping at the beach no matter what time of year.
Each cabin also features utensils, microwaves, a coffee maker, television, and screened in porch.
Rates vary and are subject to change.
To make a reservation, call 1-866-345-PARK (7275) or go online.
Seven trails are available for visitors to the Edisto Beach State Park. Each trail is suitable for hiking and biking, and offers a unique experience for all.
The historic Bache Monument Trail (currently closed), is less than a quarter of a mile, and winds along Big Bay Creek.
The Spanish Mount Trail is a little less than two miles long and takes visitors straight to one of the earliest Native American shell middens in the state.
Scott's Creek Trail winds through the maritime forest and connects to the Spanish Mount Trail.
Big Bay Trail is a quarter of a mile and takes visitors from the Edisto Beach State Park Education Center to the boat ramp.
The Campground Trail takes visitors from the campground to the Scott Creek Trail.
The Forest Loop Trail winds through the maritime forest full of live oak, Spanish moss, and palmetto trees.
The Edisto Bike Trail runs along the paved causeway that takes visitors to the beach area of the state park and into the Town of Edisto Beach.
The Edisto Beach State Park's Environmental Learning Center offers programs and guided tours for visitors to understand more about the environment and history of the island. The Environmental Learning Center offers family-friendly curriculum and programs to help visitors understand the ACE Basin and Edisto's ecosystem.
With hands-on programs and touch tanks, visitors get the opportunity to come eye-to-eye with what makes Edisto great.
The Environmental Learning center is open from 8am to 6pm. Admission is $5 for adults or $3.25 for seniors who are residents of South Carolina. Admission is $3 for children ages 6-15 and free for children 5 and younger.
The Edisto Beach State Park is open from 8am to 6pm daily, with hours being extended during daylight savings time. Office hours are 9am to 5pm Monday-Friday.


text:
A generator for Yeoman.

## Getting started
- Make sure you have [yo](https://github.com/yeoman/yo) installed:
    `npm install -g yo`
- Install the generator: `npm install -g generator-hotpot`
- Run: `yo hotpot`
- After it's generated, run `grunt` to start the local server (defaults to
        port 8989)

## About
Hotpot is a boilerplate for simple static sites that may have some
additional fanciness such as canvas or other interactive components.

HTML markup is generated via [Jade](http://jade-lang.com/), CSS is
handled with [Sass](http://sass-lang.com/), and JS is helped with
[RequireJS](http://requirejs.org/).

Jade provides some niceities such as includes and in general is less of
a hassle to deal with than HTML.

It uses [Grunt](http://gruntjs.com/) for automation, which handles a number of things.

Grunt's default task, `grunt`, will start a local server on port 8989 in addition to a [LiveReload](http://livereload.com/)
server. It will watch the directories you will be working in for
changes, and accordingly compile Sass, Jade, and [Font
Custom](http://fontcustom.com/) fonts.

The Gruntfile also specifies a release task, `grunt release`, which will
perform JS and CSS linting, minify and concatenate JS and CSS, and
compress PNG and JPG images.

[Bower](http://bower.io/) is used for package management. It doesn't
integrate that well with RequireJS, unfortunately, and I'm considering
switching to [Jam](http://jamjs.org/) instead. For now, after you
install new packages, you can run the grunt task `grunt bower` which
will attempt to appropriately update the RequireJS config file. It
doesn't always work, so if you're running into errors with new packages,
    check those paths first.

## License
Hotpot is by Francis Tseng ([@frnsys](https://twitter.com/frnsys))

[MIT License](http://en.wikipedia.org/wiki/MIT_License)

redpajama_set_name: RedPajamaGithub


Last weekend there were a few highlights. I had a wonderful stay in Park City, Utah. The breezes there were cool. Not full of humidity and wetness like here in Kansas. I woke up every morning to a beautiful view of the mountains and the 2002 Olympic Park. I had some great head shots of moi for my up coming custom website and blog. Lululemon was right down the street from my hotel.
However, the highlight was shooting this amazing couple. Brighton and Tanner were married in The Draper Temple on August 21, 2009. My friend Mollie was nice enough to let me tag along while I was in town. Sadly, I was unable to go to the reception because I had a flight to catch, but she said it was great.
I am not going to lie to you. This next one makes my heart melt. I love it.
Yep. Her eyes are that amazing in real life. Get a load of those lashes.
Mollie posed this and I love it.
I am not sure what they were laughing at, but I will take it.
My favorite series... ever! Can you say canvas in my studio?
Totally American Gothic, but cuter. Way cuter. Loves.
My favorite of the whole day. No joke. These two are smokin'.
Best wishes to you two! Marriage is such a blessing. Enjoy it.
erin these are amazing!!! LOVE THEM!!! keep up the awesome work...can't wait to see your new site!
GORGEOUS! I love these pictures. I want to have mine and Nick's heads on their bodies just so that I can have some of these pictures. I love her dress and ring. So unique.
Erin, these are so great!! What a cute couple! I like the new look of your blog too! Can't wait to see all the changes you're workin on!
Such a great job! Love them!


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We offer dine in, pick up, take out or delivery. Whether you are visiting Las Vegas and feel like having our food delivered or live in Las Vegas but don't feel like leaving home for dinner, just give us a call and we'll promptly deliver food to your door. Our experienced drivers will deliver hot prepared food to your home, hotel room or office at a small cost. Orders usually take 15-25 minutes to prepare so it's best if you call before going on your lunch break. Las Vegas is famous for it's hotels and casinos and delivering our food to hotel rooms is an essential part of our business. Please keep in mind that deliveries to hotels might take a bit longer because of security procedures driver's may have to go through, or simply walking distance from parking.
Give us a call and we'll see you soon!


If you are interested in making an appointment for a consultation, please contact us at 919-784-7460. Our schedulers are happy to assist you with making an appointment.
In the event of an emergency a surgeon is on-call 24 hours a day, 7 days a week. If the emergency occurs outside the normal office hours, please call the office at 919-784-7460 and you will be directed to our answering service. If you are experiencing a life threatening emergency, call 911.
Please contact us at 919-784-7460.


Please join us for the 66th Annual Monsignor O'Brien Golf Outing at the Apawamis Club. There will be raffle prizes, closest to the pin, longest drive contest and a hole in one prize of a two year lease for a Mercedes-Benz. The event includes buffet style lunch at 11am and dinner to follow golf.
A sign-up sheet will be posted outside the dispatch office at Rye Fire Department Headquarters.
Cost: $180 per golfer before Friday October 7th. $200 per golfer October 7th and afterwards.
Payment: Please make checks out to Rye Professional Firefighters or click HERE to pay with a credit card.