text:
#include "third_party/blink/renderer/core/fileapi/file_reader_loader.h"

#include <limits>
#include <memory>
#include <utility>

#include "base/memory/scoped_refptr.h"
#include "base/numerics/safe_conversions.h"
#include "mojo/public/cpp/system/wait.h"
#include "third_party/blink/public/common/blob/blob_utils.h"
#include "third_party/blink/public/platform/web_url_request.h"
#include "third_party/blink/renderer/core/execution_context/execution_context.h"
#include "third_party/blink/renderer/core/fileapi/blob.h"
#include "third_party/blink/renderer/core/fileapi/file_reader_loader_client.h"
#include "third_party/blink/renderer/core/html/parser/text_resource_decoder.h"
#include "third_party/blink/renderer/core/loader/threadable_loader.h"
#include "third_party/blink/renderer/core/loader/threadable_loader_client.h"
#include "third_party/blink/renderer/core/typed_arrays/dom_array_buffer.h"
#include "third_party/blink/renderer/platform/blob/blob_url.h"
#include "third_party/blink/renderer/platform/loader/fetch/fetch_initiator_type_names.h"
#include "third_party/blink/renderer/platform/loader/fetch/resource_error.h"
#include "third_party/blink/renderer/platform/loader/fetch/resource_loader_options.h"
#include "third_party/blink/renderer/platform/loader/fetch/resource_request.h"
#include "third_party/blink/renderer/platform/loader/fetch/resource_response.h"
#include "third_party/blink/renderer/platform/loader/fetch/text_resource_decoder_options.h"
#include "third_party/blink/renderer/platform/wtf/text/base64.h"
#include "third_party/blink/renderer/platform/wtf/text/string_builder.h"
#include "third_party/blink/renderer/platform/wtf/vector.h"
#include "v8/include/v8.h"

namespace blink {

FileReaderLoader::FileReaderLoader(
    ReadType read_type,
    FileReaderLoaderClient* client,
    scoped_refptr<base::SingleThreadTaskRunner> task_runner)
    : read_type_(read_type),
      client_(client),
      handle_watcher_(FROM_HERE,
                      mojo::SimpleWatcher::ArmingPolicy::AUTOMATIC,
                      task_runner),
      task_runner_(std::move(task_runner)) {
  DCHECK(task_runner_);
}

FileReaderLoader::~FileReaderLoader() {
  Cleanup();
}

void FileReaderLoader::Start(scoped_refptr<BlobDataHandle> blob_data) {
#if DCHECK_IS_ON()
  DCHECK(!started_loading_) << "FileReaderLoader can only be used once";
  started_loading_ = true;
#endif  // DCHECK_IS_ON()

  MojoCreateDataPipeOptions options;
  options.struct_size = sizeof(MojoCreateDataPipeOptions);
  options.flags = MOJO_CREATE_DATA_PIPE_FLAG_NONE;
  options.element_num_bytes = 1;
  options.capacity_num_bytes =
      blink::BlobUtils::GetDataPipeCapacity(blob_data->size());

  mojo::ScopedDataPipeProducerHandle producer_handle;
  MojoResult rv = CreateDataPipe(&options, producer_handle, consumer_handle_);
  if (rv != MOJO_RESULT_OK) {
    Failed(FileErrorCode::kNotReadableErr);
    return;
  }

  blob_data->ReadAll(std::move(producer_handle),
                     receiver_.BindNewPipeAndPassRemote());

  if (IsSyncLoad()) {
    // Wait for OnCalculatedSize, which will also synchronously drain the data
    // pipe.
    receiver_.WaitForIncomingCall();
    if (received_on_complete_)
      return;
    if (!received_all_data_) {
      Failed(FileErrorCode::kNotReadableErr);
      return;
    }

    // Wait for OnComplete
    receiver_.WaitForIncomingCall();
    if (!received_on_complete_) {
      Failed(FileErrorCode::kNotReadableErr);
    }
  }
}

void FileReaderLoader::Cancel() {
  error_code_ = FileErrorCode::kAbortErr;
  Cleanup();
}

DOMArrayBuffer* FileReaderLoader::ArrayBufferResult() {
  DCHECK_EQ(read_type_, kReadAsArrayBuffer);
  if (array_buffer_result_)
    return array_buffer_result_;

  // If the loading is not started or an error occurs, return an empty result.
  if (!raw_data_.IsValid() || error_code_ != FileErrorCode::kOK)
    return nullptr;

  if (!finished_loading_) {
    return DOMArrayBuffer::Create(raw_data_.Data(),
                                  base::checked_cast<size_t>(bytes_loaded_));
  }

  array_buffer_result_ = DOMArrayBuffer::Create(std::move(raw_data_));
  DCHECK_EQ(raw_data_.DataLength(), 0u);
  raw_data_.Reset();
  return array_buffer_result_;
}

String FileReaderLoader::StringResult() {
  DCHECK_NE(read_type_, kReadAsArrayBuffer);
  DCHECK_NE(read_type_, kReadByClient);

  if (!raw_data_.IsValid() || (error_code_ != FileErrorCode::kOK) ||
      is_raw_data_converted_) {
    return string_result_;
  }

  switch (read_type_) {
    case kReadAsArrayBuffer:
      // No conversion is needed.
      return string_result_;
    case kReadAsBinaryString:
      SetStringResult(String(static_cast<const char*>(raw_data_.Data()),
                             static_cast<size_t>(bytes_loaded_)));
      break;
    case kReadAsText:
      SetStringResult(ConvertToText());
      break;
    case kReadAsDataURL:
      // Partial data is not supported when reading as data URL.
      if (finished_loading_)
        SetStringResult(ConvertToDataURL());
      break;
    default:
      NOTREACHED();
  }

  if (finished_loading_) {
    DCHECK(is_raw_data_converted_);
    raw_data_.Reset();
  }
  return string_result_;
}

ArrayBufferContents FileReaderLoader::TakeContents() {
  if (!raw_data_.IsValid() || error_code_ != FileErrorCode::kOK)
    return ArrayBufferContents();

  DCHECK(finished_loading_);
  ArrayBufferContents contents = std::move(raw_data_);
  return contents;
}

void FileReaderLoader::SetEncoding(const String& encoding) {
  if (!encoding.IsEmpty())
    encoding_ = WTF::TextEncoding(encoding);
}

void FileReaderLoader::Cleanup() {
  handle_watcher_.Cancel();
  consumer_handle_.reset();

  // If we get any error, we do not need to keep a buffer around.
  if (error_code_ != FileErrorCode::kOK) {
    raw_data_.Reset();
    string_result_ = "";
    is_raw_data_converted_ = true;
    decoder_.reset();
    array_buffer_result_ = nullptr;
  }
}

void FileReaderLoader::Failed(FileErrorCode error_code) {
  // If an error was already reported, don't report this error again.
  if (error_code_ != FileErrorCode::kOK)
    return;
  error_code_ = error_code;
  Cleanup();
  if (client_)
    client_->DidFail(error_code_);
}

void FileReaderLoader::OnStartLoading(uint64_t total_bytes) {
  total_bytes_ = total_bytes;

  DCHECK(!raw_data_.IsValid());

  if (read_type_ != kReadByClient) {
    // Check that we can cast to unsigned since we have to do
    // so to call ArrayBuffer's create function.
    // FIXME: Support reading more than the current size limit of ArrayBuffer.
    if (total_bytes > std::numeric_limits<unsigned>::max()) {
      Failed(FileErrorCode::kNotReadableErr);
      return;
    }

    raw_data_ = ArrayBufferContents(static_cast<unsigned>(total_bytes), 1,
                                    ArrayBufferContents::kNotShared,
                                    ArrayBufferContents::kDontInitialize);
    if (!raw_data_.IsValid()) {
      Failed(FileErrorCode::kNotReadableErr);
      return;
    }
  }

  if (client_)
    client_->DidStartLoading();
}

void FileReaderLoader::OnReceivedData(const char* data, unsigned data_length) {
  DCHECK(data);

  // Bail out if we already encountered an error.
  if (error_code_ != FileErrorCode::kOK)
    return;

  if (read_type_ == kReadByClient) {
    bytes_loaded_ += data_length;

    if (client_)
      client_->DidReceiveDataForClient(data, data_length);
    return;
  }

  // Receiving more data than expected would indicate a bug in the
  // implementation of the mojom Blob interface. However there is no guarantee
  // that the Blob is actually backed by a "real" blob, so to
  // defend against compromised renderer processes we still need to carefully
  // validate anything received. So return an error if we received too much
  // data.
  if (bytes_loaded_ + data_length > raw_data_.DataLength()) {
    raw_data_.Reset();
    bytes_loaded_ = 0;
    Failed(FileErrorCode::kNotReadableErr);
    return;
  }
  memcpy(static_cast<char*>(raw_data_.Data()) + bytes_loaded_, data,
         data_length);
  bytes_loaded_ += data_length;
  is_raw_data_converted_ = false;

  if (client_)
    client_->DidReceiveData();
}

void FileReaderLoader::OnFinishLoading() {
  if (read_type_ != kReadByClient && raw_data_.IsValid()) {
    DCHECK_EQ(bytes_loaded_, raw_data_.DataLength());
    is_raw_data_converted_ = false;
  }

  finished_loading_ = true;

  Cleanup();
  if (client_)
    client_->DidFinishLoading();
}

void FileReaderLoader::OnCalculatedSize(uint64_t total_size,
                                        uint64_t expected_content_size) {
  auto weak_this = weak_factory_.GetWeakPtr();
  OnStartLoading(expected_content_size);
  // OnStartLoading calls out to our client, which could delete |this|, so bail
  // out if that happened.
  if (!weak_this)
    return;

  if (expected_content_size == 0) {
    received_all_data_ = true;
    return;
  }

  if (IsSyncLoad()) {
    OnDataPipeReadable(MOJO_RESULT_OK);
  } else {
    handle_watcher_.Watch(
        consumer_handle_.get(), MOJO_HANDLE_SIGNAL_READABLE,
        WTF::BindRepeating(&FileReaderLoader::OnDataPipeReadable,
                           WTF::Unretained(this)));
  }
}

void FileReaderLoader::OnComplete(int32_t status, uint64_t data_length) {
  if (status != net::OK) {
    net_error_ = status;
    Failed(status == net::ERR_FILE_NOT_FOUND ? FileErrorCode::kNotFoundErr
                                             : FileErrorCode::kNotReadableErr);
    return;
  }
  if (data_length != total_bytes_) {
    Failed(FileErrorCode::kNotReadableErr);
    return;
  }

  received_on_complete_ = true;
  if (received_all_data_)
    OnFinishLoading();
}

void FileReaderLoader::OnDataPipeReadable(MojoResult result) {
  if (result != MOJO_RESULT_OK) {
    if (!received_all_data_) {
      Failed(FileErrorCode::kNotReadableErr);
    }
    return;
  }

  while (true) {
    uint32_t num_bytes;
    const void* buffer;
    MojoResult pipe_result = consumer_handle_->BeginReadData(
        &buffer, &num_bytes, MOJO_READ_DATA_FLAG_NONE);
    if (pipe_result == MOJO_RESULT_SHOULD_WAIT) {
      if (!IsSyncLoad())
        return;

      pipe_result =
          mojo::Wait(consumer_handle_.get(), MOJO_HANDLE_SIGNAL_READABLE);
      if (pipe_result == MOJO_RESULT_OK)
        continue;
    }
    if (pipe_result == MOJO_RESULT_FAILED_PRECONDITION) {
      // Pipe closed.
      if (!received_all_data_) {
        Failed(FileErrorCode::kNotReadableErr);
      }
      return;
    }
    if (pipe_result != MOJO_RESULT_OK) {
      Failed(FileErrorCode::kNotReadableErr);
      return;
    }

    auto weak_this = weak_factory_.GetWeakPtr();
    OnReceivedData(static_cast<const char*>(buffer), num_bytes);
    // OnReceivedData calls out to our client, which could delete |this|, so
    // bail out if that happened.
    if (!weak_this)
      return;

    consumer_handle_->EndReadData(num_bytes);
    if (BytesLoaded() >= total_bytes_) {
      received_all_data_ = true;
      if (received_on_complete_)
        OnFinishLoading();
      return;
    }
  }
}

String FileReaderLoader::ConvertToText() {
  if (!bytes_loaded_)
    return "";

  // Decode the data.
  // The File API spec says that we should use the supplied encoding if it is
  // valid. However, we choose to ignore this requirement in order to be
  // consistent with how WebKit decodes the web content: always has the BOM
  // override the provided encoding.
  // FIXME: consider supporting incremental decoding to improve the perf.
  StringBuilder builder;
  if (!decoder_) {
    decoder_ = std::make_unique<TextResourceDecoder>(TextResourceDecoderOptions(
        TextResourceDecoderOptions::kPlainTextContent,
        encoding_.IsValid() ? encoding_ : UTF8Encoding()));
  }
  builder.Append(decoder_->Decode(static_cast<const char*>(raw_data_.Data()),
                                  static_cast<size_t>(bytes_loaded_)));

  if (finished_loading_)
    builder.Append(decoder_->Flush());

  return builder.ToString();
}

String FileReaderLoader::ConvertToDataURL() {
  StringBuilder builder;
  builder.Append("data:");

  if (!bytes_loaded_)
    return builder.ToString();

  if (data_type_.IsEmpty()) {
    // Match Firefox in defaulting to application/octet-stream when the MIME
    // type is unknown. See https://crbug.com/48368.
    builder.Append("application/octet-stream");
  } else {
    builder.Append(data_type_);
  }
  builder.Append(";base64,");

  Vector<char> out;
  Base64Encode(base::make_span(static_cast<const uint8_t*>(raw_data_.Data()),
                               base::checked_cast<unsigned>(bytes_loaded_)),
               out);
  builder.Append(out.data(), out.size());

  return builder.ToString();
}

void FileReaderLoader::SetStringResult(const String& result) {
  is_raw_data_converted_ = true;
  string_result_ = result;
}

}  // namespace blink


text:
Q: $cordovaFile not defined ngcordova plugin i have a little problem.
I start an empty cordova app in visual studio 2015 and just for some tests i want to try the ng-cordova plugins (without ionic) in my app. I follow the ng cordova documentation and i added the ng-cordova.min.js file just BEFORE the cordova.js and AFTER the angular.js file. I didn't add nothing to my index.html file and on the script that is called after the cordova js file i wrote this :

(function () {
    "use strict";

    document.addEventListener( 'deviceready', onDeviceReady.bind( this ), false );

    function onDeviceReady() {

        var app_ng=angular.module('myApp', ['ngCordova']);
        console.log('device ready');

        $cordovaFile.getFreeDiskSpace()
       .then(function (success) {
           console.log(success);
       }, function (error) {
           console.log(error);
       });
    };

} )();

    <meta charset="utf-8" />

    <meta http-equiv="Content-Security-Policy" content="default-src 'self' data: gap: https://ssl.gstatic.com 'unsafe-eval'; style-src 'self' 'unsafe-inline'; media-src *">
    <title>ngcordovatest</title>

    <link href="css/index.css" rel="stylesheet" />

Hello, your application is ready!

I always obtain the following error :
Uncaught ReferenceError: $cordovaFile is not defined
I use an android device for debug connected by USB.
What's the problem? I can't figure it out. Thank you.

A: As 'angular' is only the useful object in current scope. So, try something like
        function onDeviceReady() {
    .........
    angular.element(document).ready(function () {
            angular.element(document.body).injector().invoke(['$cordovaFile', function($cordovaFile){
             $cordovaFile.getFreeDiskSpace()
                   .then(function (success) {
                       console.log(success);
                   }, function (error) {
                       console.log(error);
                   });
            }]);
        }
});

redpajama_set_name: RedPajamaStackExchange


According to the plumbing industry standard, you should have your commercial grease traps cleaned every 1-3 months, depending on how busy your restaurant is. But what does it mean to have them cleaned? Depending on which company you ask, you will get drastically different answers, with drastically different and sometimes damaging effects. An improperly cleaned commercial grease trap is one polyunsaturated fat cell away from a backup and overflow, leading you to being forced to shut down your restaurant to deal with the aftermath.
A commercial grease trap works by collecting the wastewater from a restaurant's kitchen and allowing the FOGs (the layer of fats and oils leak through into your pipes, where they will solidify and eventually lead to a whole-system backup) to rise to the top, the food solids to sink to the bottom, and the grey wastewater to take up the space in between. From there, the wastewater finds its way into the city sewers or your business's septic system by flowing through a baffle and into the sewer line. There are generally two methods for cleaning commercial grease traps. One common method is to skim the FOGs off the surface, leaving the wastewater and food solids behind. While this method does reduce the amount of FOGs in your system, it leaves behind the wastewater and solids, requiring your system to have more frequent cleanings and significantly increasing your chances of a backup or overflow. Additionally, the food solids in the bottom of your grease trap will quickly become corrosive, which if left unchecked will drastically shorten the life of your grease trap.
When you call Supeck Septic Services, we pump out the entirety of the contents of your commercial grease trap, including the FOGs, grey wastewater, and the food solids from the bottom of your tank. We also inspect and maintain your system, including the baffles, to help ensure your customers will continue to enjoy uninterrupted service at your restaurant. Companies not wanting to take on the responsibility of disposing of the added materials may suggest that an empty grease trap will produce unpleasant smells, but in truth, your grease trap will only be empty as long as it takes your kitchen to come to life for your restaurant's next meal shift. Furthermore, completely emptying the grease traps allows you more time between cleanings and helps you avoid the costly expense of sewer line cleaning that goes along with an overflowing grease trap.
Interested in learning more about Supeck's commercial grease trap cleaning methods or want to hear about our maintenance plan that will help meet your business's individual needs?


Research Seminar: Margaret Meserve - "Talking Heads: Relics, Rituals, and Diplomacy in Renaissance Rome"
The Renaissance papacy grounded its claims to authority in ancient tradition – apostolic succession, martyrs' bones and apostles' tombs, venerable icons and relics, time-honored rituals, processions, and liturgies. In fact, many of these traditions dated back only a few centuries or even less, and the Quattrocento popes were assiduous in creating even newer ones – often intended to support their own political or ecclesiastical agendas. This paper explores how popes, curialists, clerics, and scholars used the new technology of print to codify and publicize newly invented institutions as though they had existed since time immemorial. From diplomatic ceremonies like the ambassadorial obedience, to the cult of new relics and saints, to indulgences to promote sacred institutions and projects, print lent antiquity and authority to papal innovations both within the city and abroad in the wider world.


text:
Ford Bronco Hits the Big 4-0
Although the last Ford Bronco rolled off the line 10 years ago, the enthusiasm for what has become an iconic vehicle runs high as it approaches its 40th birthday. Throughout the country, various Bronco clubs are gathering this year to celebrate the success and mainstay of one of the industry's most versatile vehicles.
Although the last Ford Bronco rolled off the line 10 years ago, the enthusiasm for what has become an iconic vehicle runs high as it approaches its 40th birthday. Throughout the country, various Bronco clubs are gathering this year to celebrate the success and mainstay of one of the industry's most versatile vehicles.
The Bronco made its debut in 1966, ushering in the dawn of the recreational four-wheel-drive era. Its competitors were the Jeep CJ-5 and International Harvester's Scout. By the 1970s, the Chevy Blazer had entered the scene, followed by Chrysler's Ramcharger and Trail Duster.
Rocker Ted Nugent (at left) may be the Bronco's best-known aficionado. Nugent bought his first Bronco in 1971.
"It was light green with a white top, and I loaded her up with all of the off-road goodies to satisfy my no-road wanderlust," said Nugent. "I had all the heavy-duty options available at the time, even a Warn winch, and I thought I had died and gone to heaven."
Nugent has owned seven Broncos. An avid hunter and outdoorsman, he loves off-roading, but says he does it responsibly.
"Even with my wild image, I have always supported the concept of treading lightly," he said. "When I go off-road with my friends, we are no more disruptive on the trail than a herd of elk." Nugent added that the Bronco represents a way to connect with the "spirit of the wild."
Bronco enthusiasts tend to divide themselves into three groups, based on their preferences for various models: the early or classic Bronco, manufactured between 1966 and 1977, the big or full-size Bronco manufactured between 1978 and 1996 and the smaller Bronco II, made from 1983 to 1990.
The Bronco's popularity even led to the creation of the Bronco Concept (at right) for the 2004 North American International Auto Show.
Source: Kirk Seaman and Ford Motor Co.

redpajama_set_name: RedPajamaCommonCrawl


text:
19% of the population lives in Stockwatch apartments
By Estelle Allen 8 months ago
In 2019, 46% of the EU population lived in apartments, just over a third (35%) lived in detached homes and nearly a fifth (19%) were in semi-detached or terraced houses, according to data released today from Prior to Eurostat, the European Union's statistical service. In Cyprus, 15.7% live in detached homes, 16.1% in semi-detached homes and 19.1% in apartments.
Apartments were the most common type of accommodation in 14 member states, particularly in Latvia (66% of people live in apartments), Spain (65%) and Estonia (61%). The member states with the lowest percentage of residents staying in apartments are Ireland (8%) and the Netherlands (21%).
In contrast, more than two-thirds of the population lives in separate homes in Croatia (68%), followed by Slovenia (66%), Hungary, Romania (both 65%) and Denmark (54%). The Netherlands and Ireland were the only two countries in the European Union where more than half of the population lived in semi-detached homes in 2019 (58% and 53%, respectively).
In 2019, seven out of ten (70%) people in the European Union lived in a house or apartment they owned. The number of landlords surpassed in all European Union member states in 2019, with the highest percentage of landlords in Romania (96%), Hungary (92%), Slovakia (91%) and Lithuania (90%). The lowest percentage of owner-occupied homes were in Germany (51%) and Austria (55%).
"Lovers to travel. trouble makers. Pop culture. I can't write with boxing gloves. "
Estelle Allen
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BEAU talk show viewers are furious: "Isn't that just food?"


PBIS is a proactive tool used for teaching students how to meet the school-wide behavioral expectations. FLSS staff agreed upon the acronym "RISE Above", as the format to present these expectations. The letters in the acronym stand for Respect, Integrity, Safety, Engaged.
Students who exhibit positive behaviors are acknowledged through bi-weekly random incentives, RISEing Star awards, quarterly field trips and assemblies.


WordCamp…, you never cease to amaze us! Attending the first ever WordCamp Johannesburg SA, our CODECABIN_ team representing our Johannesburg-born plugin WP Google Maps, arrived excitedly with the Gautrain with the golden sunrise, at the Bon Hotel in Midrand. With some already acquainted speakers from our last WordCamp held in Cape Town earlier this year, the line-up of guest speakers proved promising to the City of Gold. Our team was greeted with seasoned and volunteer Wordies with plenty #hugs. Stories about the new love found for WordCamp mascot Wapuu, and it's guest appearances in creative WordCamp representation all over the world, was sweet to our introductory coffee. The GPL-licensed creature originated in Japan, and even has it's own colouring in pages for free download, how very European!
Kicking off the event, and to name a few of the guest speakers on Day 1, Caxton Digital Manager Chris Louw gave an insightful talk about using WordPress as an inspirational tool to give a voice to the voiceless. Expressing digital media as a means of storytelling, Chris encouraged the audience to utilize WordPress, to create their own stories with. Our team realized the importance of storytelling as a WordPress user, with the use of new navigation technology as demonstrated with their accompaniments and how this is interacts with the tone and message of content to its evolving audience. Our team was creatively inspired to continue to be innovative, leading the WordPress community with technology trends.
Complementing Chris' people-driven focus, Hugh Lashbrooke, a Community Sentinel at Automattic, demonstrated the various ways in which the WordPress community can be involved in contributing. Whatever your passion, there is a role for you. Whether it's code in the Core, Documentation creation, Translating WordPress, or helping others in the Support forum. At WordCamp Central, events are unfolding globally for the community in mind. Find MeetUps nearest to you, where one can attend, or get involved as a guest speaker as well as event co-ordinating. Our team enjoys giving back to the WordPress community, in Johannesburg SA, this is known as 'Ubuntu' meaning together where you're invited too!
Our tea break was followed by a light-hearted service delivery talk by Andrew Lima, owner of Arctek Technologies. The importance of splendid customer support was topic. Andrew also teams up with our CODECABIN_ Support Engineers, and understand this vital role we play to our customers. It is so vital, we decided to share all his tips for customers for smooth sailing support here.
Roselyn Lavery, Business Development Manager at PayFast, shared methodology behind this trusted payment system. Roselyn demonstrated preferred means of online payments to her audience, which supports merchants, their customers, and developers. Roselyn gave insight into system purchasing as well as engaging in e-commerce.
Lunch succeeded an interesting dive into the mechanics behind the WordPress GPL, also known as General Public License. In this talk, Jonathan Bossenger, who is a WordPress developer from Cape Town, captivated his audience, with understanding GPL when building with/ for WordPress in giving back with community spirit. This is open source code, which basically means that if you contribute code to the Core of WordPress in any way, that it is available to be re-used in building with it again, as it's not patented to the contributor. Our team always enjoys seeing how the principles of share and modify open source, fits in with revolutionary industry development online within WordPress. Did you know that WordPress powers 26% of the internet? Jonathan's talk safely guaranteed that everyone can contribute and utilise code in the WordPress community.
From our CODECABIN_ team, a big thank you to all the speakers for sharing hard-earned experiences with WordPress and industry. Johannesburg Brew owner, Brett Magill, who left us with the inspiring message of, 'keep calm and start somewhere' Brett encouraged his audience that time is now to start being Entrepreneurial, and to let your market niche find you and say who they are. That can be accomplished in partnering with WordPress. In closing, Brett shared his experiences in care with personal customer service on e-Commerce platforms. This rings true to how our team feel about our customers and service for WP Google Maps. Tweet to us your service experiences today!
Deserving of applause, WordCamp Johannesburg 2016 organizers treated us to lovely community event. Our team at CODECABIN_ is in anticipation for up & coming MeetUps and WordCamps in 2017, we can hardly wait!


text:
→ Sights & Sounds → Museum & Science
Old Melbourne Observatory
The Melbourne Observatory in the Royal Botanic Gardens once housed the largest telescope in the world, the Great Melbourne Telescope.
Great Melbourne Telescope
The Great Melbourne Telescope was constructed in 1868 in Ireland by John Hershcell for the Melbourne Observatory. For 20 years, the Great Melbourne Telescope was the largest in the world. The telescope was acquired by Woolley for Mount Stromlo in Canberra and was transferred there in 1955.
During the middle of the 19th century the Government of Victoria voted the sum of �5,000 for the construction of a large equatorial telescope to be erected at the Melbourne Observatory.
1n 1868 the completed telescope arrived in Australia, reaching Melbourne in November of that year; it was ready for work by the end of June 1869, and the observations commenced in August of the same year.
The Great Melbourne Telescope was for many years after 1869 employed in the revision of nebulae and clusters in the hope of recording any changes which may have occurred since the time of Sir John Herschel's observations of the same material at the Cape of Good Hope in the years 1834-38.
For the complete story visit the excellent web site link below...
THE BOTANIC GARDEN
An online Newsletter for the Botanic Gardens of Australia - No.3 July 2002
'Shooting the Stars' and 'Transits, Tea and Trigonometry': new interpretive exhibitions in the Old Melbourne Observatory.
New exhibitions will open soon in the Astrograph, South Equatorial and Photoheliograph telescope houses at the Royal Botanic Gardens Melbourne.
The interpretive exhibitions within these telescope houses are part of the final stage of the restoration of the Old Melbourne Observatory. The restoration of the heritage-listed buildings within the Observatory started back in the early 90s, and to date has included extensive landscaping, the construction of a major new visitor complex, the creation of a gateway to the Royal Botanic Gardens, and relocation and refurbishment of LaTrobe's Cottage.
In 1863, 17 years after the Royal Botanic Gardens was founded, the Melbourne Observatory opened with the purpose of establishing correct Melbourne time. As the reliability and accuracy of time improved, kept accurate by the stars, the role of the Melbourne Observatory moved to astrophysics and projects, such as mapping the southern sky.
In 1887 the Melbourne Observatory joined an international project to make a photographic record of the whole sky - then an estimated 40 million stars. This was arguably one of the Melbourne Observatory's and the world's largest projects to be undertaken by 19th century scientists.
This project has been possible with the generous support of the Helen Macpherson Smith Trust.
Through these exhibitions visitors will have the opportunity to explore the site and discover the history, mystery and objects of the Old Melbourne Observatory, the essential role it played in the development of our city and its contribution to world-wide scientific knowledge. The exhibitions also share with the community the human stories of the Old Melbourne Observatory, both as a workplace and community.
The goal of the Great Melbourne Telescope project is to restore the telescope to working order so that it may be used for educational and public viewing.
Relocated to Canberra in 1944, it was heavily modified for modern astronomy. The 2003 Canberra bushfires destroyed the modern equipment, but left the original parts relatively unscathed.
The original parts of the telescope have now been returned to Melbourne. About 90 percent of the original telescope has survived.
The project to restore the telescope and reinstate it in its original building at the former Melbourne Observatory site is being coordinated by three project partners: Astronomical Society of Victoria, Museum Victoria and The Royal Botanic Gardens, Melbourne.
The project partners are now testing the technical and financial aspects of the project. This includes assessing the best approaches to restoration of the telescope, assessment of the original building, and development of a business and operational plan for the telescope.
Old Melbourne Observatory⊜ Birdwood Ave, South Yarra | Map
Birdwood Ave,South Yarra
→ Old Melbourne Observatory
→ www.rbg.vic.gov.au
→ www.melbourneobservatory.com
→ Mount Stromlo Observatory Great Melbourne Telescope
→ Saturn Returns
→ Melbourne Observatory Building & Astrograph House [Picture & Map]
→ Melbourne Observatory Building - Google Satellite
→ Old Melbourne Planetarium
→ www.wikipedia.org/Great_Melbourne_Telescope
→ www.residentjudge.wordpress.com
Origin of Melbourne
Oscar W's Wharfside
Palace Cinemas
myki Explorer | Melbourne Visitor Pack
Newsletter | #349 | What's On this Week
West Side Shorts | Monthly Film Screenings
The Best 80's Retro Party Cruise 2019
Black & White Tradition
Coburg Drive-In


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text:
William Henry Harrison Papers, Microfilm Reel 5: October 14, 1811-August 27, 1812
miles away" (Otto W. Nuttli, "Foreword," in James Lai Penick,
Jr., The New Madrid Earthquakes: Revised ed. [Columbia and
London: University of Missouri Press, 1981], viii).
5. This is probably a reference to John Cleves Symmes, Jr., who
was named for Judge Symmes but was the son of Timothy Symmes,
brother of Judge Symmes. "From 1802 to 1815 the younger Symmes
made the army his career, was stationed at posts in [what later
became] Arkansas and Missouri, and served in the battle of
Lundy's Lane and the siege at Fort Erie [both in Upper Canada,
later Ontario] during the War of 1812" (Beverley W. Bond, Jr.,
ed., The Intimate Letters of John Cleves Svmmes and His Family...
[Cincinnati: Historical and Philosophical Society of Ohio, 1956],
7In; Josephine L. Harper, Guide to the Draper Manuscripts
[Madison: State Historical Society of Wisconsin, 1983], 211).
Title William Henry Harrison Papers, Microfilm Reel 5: October 14, 1811-August 27, 1812
Description Microfilm Reel 5 of The Papers of William Henry Harrison, contains official documents, correspondence, and other papers dating from October 14, 1811-August 27, 1812. Notable correspondents in this reel include William Eustis, Charles Scott, James Winchester, Andrew Jackson, John M. Scott, Ninian Edwards, and Josiah Snelling. Significant events that occurred during the dates covered include the Battle of Tippecanoe near Prophetstown, Harrison relinquishing command of U.S. Army troops, Native American tribes assembling for Vincennes council, the United States declaring war on Great Britain, Harrison's appointments as brigadier general in U.S. Army and major general in Kentucky militia.
Date October 14, 1811-August 27, 1812
Scott, John M.
Jackson, Andrew, 1767-1845
Military appointments
Transcription miles away" (Otto W. Nuttli, "Foreword," in James Lai Penick, Jr., The New Madrid Earthquakes: Revised ed. [Columbia and London: University of Missouri Press, 1981], viii). 5. This is probably a reference to John Cleves Symmes, Jr., who was named for Judge Symmes but was the son of Timothy Symmes, brother of Judge Symmes. "From 1802 to 1815 the younger Symmes made the army his career, was stationed at posts in [what later became] Arkansas and Missouri, and served in the battle of Lundy's Lane and the siege at Fort Erie [both in Upper Canada, later Ontario] during the War of 1812" (Beverley W. Bond, Jr., ed., The Intimate Letters of John Cleves Svmmes and His Family... [Cincinnati: Historical and Philosophical Society of Ohio, 1956], 7In; Josephine L. Harper, Guide to the Draper Manuscripts [Madison: State Historical Society of Wisconsin, 1983], 211).
William Henry Harrison Papers, Microfilm Reel 5: October...


PISCES – February 20- March 20 Happy birthday, Pisces. At this, the start of a new solar revolution, try something new: try asking for help….
SAGGITARIUS – November 23 – December 20 Happy birthday Sagittarius! Do you have a favourite song? If not, now's the time to find one….


This immaculate home has four double sized bed rooms with built in robes and large walk in robe to master bedroom. Two bathrooms with a bath to the main bathroom. Open plan living with tiles and reverse cycle air-conditioning, theatre and activity room with a TV point. Double lock up garage and alfresco entertaining area. Low maintenance yards and gardens under automatic reticulation. $420 per week, and pets are considered. **Please call our office or check our Facebook page half an hour prior to viewings.


The ability to distinguish feral and managed honeybees (Apis mellifera) has applications in studies of population genetics, parasite transmission, pollination, interspecific interactions, and bee breeding. We evaluated a diagnostic test based on theoretical differences in stable carbon isotope ratios generated by supplemental feeding. We evaluated (1) if carbon isotope ratios can distinguish feral and managed honeybees and (2) the temporal persistence of the signal after discontinuation of supplemental feeding. We compared carbon isotope ratios from four types of experimental colonies: feral, managed with and without supplemental feed, and managed with 13C-labeled glucose added to supplemental feed. There was a significant difference between the isotopic signatures of colonies receiving supplemental feed and unfed feral colonies. This difference, however, only persisted for a few weeks after supplemental feeding was discontinued, suggesting that this method may work best under a narrow range of conditions. This work highlights the potential for exploiting temporal turnover of carbon in bee tissues as a tool for studying nutrient flow in honeybee colonies.
We thank B. Nolan, P. Quinn, and N. Weaver for their contributions to the apiary management and B. Tran, E. Lake, and D. Gruenewald for their assistance in pinning bees in the lab. H. Briggs, E. Dobbs, D. Tarpy, and two anonymous reviewers provided constructive comments on the manuscript. B. Ryan and D. Barr both provided helpful discussion on analytic chemistry and the use of a microbalance. We are grateful to the Chattahoochee-Oconee National Forest for permission to collect feral swarms. This work was funded by the US Department of Agriculture (NIFA 2011-67013-30131 to BJB, KSD, and J. De Roode), the US National Institutes of Health (R01-109501-01, part of the joint NIH-NSF-USDA Ecology and Evolution of Infectious Diseases program, to J. De Roode, BJB, and KSD), Emory University (Scholarly Inquiry and Research at Emory grants and the James G. Lester Environmental Studies Research Grant, both to LMA), and the North American Pollinator Protection Campaign (Honey Bee Health Grant to BJB, KSD, and LLM).


Karma is a series of hand-cut, transparent glass mosaic, inspired by the stained-glass windows of Gothic cathedrals. The materials are first formed by hand into large glass sheets, which then undergo an annealing process and are hand-cut into individual tiles. Karma tiles are through-body colored, in which pigments are mixed with molten glass, enabling the color to permeate throughout the body of the tile. A metallic finish is applied to the reverse, resulting in a complex and reflective radiant tile. The Karma collection includes 40 standard colors, offered in various sizes. Material is comprised of up to 75% post-consumer recycled glass.
Karma is a series of hand-cut, transparent glass mosaic comprised of up to 75% post-consumer recycled glass. Measurements may vary slightly due to the hand cut character of the product. Colors may vary slightly by production lot.


Donald Walter Maske, 66, of Houghton Lake passed away on Sunday March 31, 2019 at home with his loving family by his side.
Don was born on January 28, 1953 in Wyandotte, Michigan to Donald and Dorothy (Johnson) Maske. He grew up in the Southgate area where he graduated from Schafer High school. Don was married on July 8, 1974 in Southgate to Patricia Anne Walker. The couple moved from Southgate to the Houghton Lake area in1989. Don worked as an Assistant Manager for Gilroy's Hardware for several years and then worked in the Lawn and Garden Department at Walmart. He was a member of the Houghton Lake Eagles and enjoyed caring for his lawn.
His passion was his cars, 65 Mustang, 84 Cutlass, and 2004 SSR, which he would be caring for and working on whenever possible.
Surviving Mr. Maske are his loving wife of over 44 years, Patricia Anne Maske of Houghton Lake; daughter, Christina Maske of Prudenville; son, William Maske of Houghton Lake; granddaughter, Dana; Sister Dawn Maske of Southgate; one niece and two nephews. Don was preceded in death by his parents; and his sister Dana Maske.


#Photo4Climate 2.0: Can an image stop climate change?
Photography has the power to capture moments, disclose realities and to convey messages to the world. It carries this responsibility throughout time, long after people have forgotten about the event.
So, this year, Connect4Climate is re-introducing the #Photo4Climate Instagram Challenge - this time with an edgier and bolder twist added to it.
Photo4Climate 2.0 - as it is now called – represents an opportunity for everyone to tell their stories, by showcasing how the impacts of climate change directly affect their lives. For those who are leading the implementation of climate solutions, Photo4Climate intends to be a platform to introduce good practices and examples to a broader audience.
Make your voice heard by submitting your photos. Show the world how climate change is affecting your life and the lives surrounding you, and how we can tackle this global problem.
Every other week, on Wednesdays, we will announce a new theme - the full agenda is available here - allowing you to present your view and share different perspectives of your story. Join the C4C bi-weekly Instagram challenge and get a chance to be featured on our Instagram page, @Connect4Climate, on Facebook and Twitter, on our newsletter, website, and events.
3. In the caption describe what you see, where the photo was taken, and what it means to you.
4. Use the hashtag #Photo4Climate.
5. Don't forget to set your account to "public".
Be included on our newsletter to all our partners.
You can submit as many photos you want.
Connect4Climate reserves the right to use these images on our social media channels, website, at events for Connect4Climate with photo credit/Instagram account name of submitter.
Share your story with us. Let's raise awareness about climate change together!
Sit by a river. Find peace and meaning in the rhythm of the lifeblood of the Earth.
This week's theme is "Lakes and Rivers." Don't forget to share your climate story on Instagram with the hashtag #Photo4Climate until Tuesday, April 3 (EST)!
Ivan Bruce is the #Photo4Climate winner of the theme Rivers and Lakes, showing the impact of discarded waste in Ibadan's rivers in Nigeria.
"Discarded waste in Ibadan's rivers significantly contribute to the cities high exposure to flooding," Ivan Bruce wrote.
"Food and Lifestyle" is this week's theme. Don't forget to share your climate story on Instagram with the hashtag #Photo4Climate until Tuesday, April 18 (EST).
"In regards to food, my family has been trying to contribute by eating more wisely such as more locally grown plant-based foods, recycling waste, using less water and not wasting food..." said Abha.
As the world comes together to celebrate Earth Day on April 22nd, this week's Photo4Climate Instagram Challenge theme is all about "Earth Day". Add the #Photo4Climate hashtag to your picture and let us know how your 2017 Earth Day went.
Michael Jabbi, from Uganda, won this week's Photo4Climate on #EarthDay. The photo shows us a man carrying drums of water. Access to water is an issue faced by many countries across Africa.
In the lead-up to the #All4TheGreen G7 Environment Week in Bologna - a week dedicated to discussing and celebrating the environment during the G7 Summit, this upcoming June -, Connect4Climate invites everyone who is passionate about the planet, the environment and everything around them to share their most striking photographs as a way to declare and celebrate the importance of Our Common Home.
Contestants are asked to submit their visual masterpieces by sharing them on their Instagram account using the #All4TheGreen hashtag. Add a descriptive caption, describing what you see, where the photo was taken, and what it means to you. What's important to you for green progress? What is your pledge for the environment? What is #All4TheGreen? Capture that perfect moment and share it with the world!
Learn more about this contest here.
This week's Photo4Climate Instagram Challenge theme is about "Biodiversity and Wildlife Conservation." Add the #Photo4Climate hashtag to your picture and share with us your view on this topic.
"Habitat and Ecosystems" will be the next week's theme for the Photo4Climate Instagram Challenge. Add the #Photo4Climate hashtag to your picture and share your climate story with us.
Deborah Harford is the winner of this week´s #Photo4Climate Instagram Challenge theme: #Habitat/Ecosystem.
Deborah´s photo show us a performance art by Still Moon Arts Society, in Vancouver, Canada. The group celebrated the return of chum salmon to spawn in Still Creek for the 4th year consecutive, a result of the efforts of restoration and conservation done by the city since 2002. Deborah says this process of "rewilding" is a "win-win for planet and local species" since it "helps with urban adaptation to climate change impacts such as extreme heat and flooding". Congratulations Deborah Harford!


text:
// © 2016 and later: Unicode, Inc. and others.
// License & terms of use: http://www.unicode.org/copyright.html#License

package com.ibm.icu.text;

/**
 * Display context settings.
 * Note, the specific numeric values are internal and may change.
 * @stable ICU 51
 */
public enum DisplayContext {
    /**
     * ================================
     * Settings for DIALECT_HANDLING (use one)
     */
    /**
     * A possible setting for DIALECT_HANDLING:
     * use standard names when generating a locale name,
     * e.g. en_GB displays as 'English (United Kingdom)'.
     * @stable ICU 51
     */
    STANDARD_NAMES(Type.DIALECT_HANDLING, 0),
    /**
     * A possible setting for DIALECT_HANDLING:
     * use dialect names, when generating a locale name,
     * e.g. en_GB displays as 'British English'.
     * @stable ICU 51
     */
    DIALECT_NAMES(Type.DIALECT_HANDLING, 1),
    /**
     * ================================
     * Settings for CAPITALIZATION (use one)
     */
    /**
     * A possible setting for CAPITALIZATION:
     * The capitalization context to be used is unknown (this is the default value).
     * @stable ICU 51
     */
    CAPITALIZATION_NONE(Type.CAPITALIZATION, 0),
    /**
     * A possible setting for CAPITALIZATION:
     * The capitalization context if a date, date symbol or display name is to be
     * formatted with capitalization appropriate for the middle of a sentence.
     * @stable ICU 51
     */
    CAPITALIZATION_FOR_MIDDLE_OF_SENTENCE(Type.CAPITALIZATION, 1),
    /**
     * A possible setting for CAPITALIZATION:
     * The capitalization context if a date, date symbol or display name is to be
     * formatted with capitalization appropriate for the beginning of a sentence.
     * @stable ICU 51
     */
    CAPITALIZATION_FOR_BEGINNING_OF_SENTENCE(Type.CAPITALIZATION, 2),
    /**
     * A possible setting for CAPITALIZATION:
     * The capitalization context if a date, date symbol or display name is to be
     * formatted with capitalization appropriate for a user-interface list or menu item.
     * @stable ICU 51
     */
    CAPITALIZATION_FOR_UI_LIST_OR_MENU(Type.CAPITALIZATION, 3),
    /**
     * A possible setting for CAPITALIZATION:
     * The capitalization context if a date, date symbol or display name is to be
     * formatted with capitalization appropriate for stand-alone usage such as an
     * isolated name on a calendar page.
     * @stable ICU 51
     */
    CAPITALIZATION_FOR_STANDALONE(Type.CAPITALIZATION, 4),
    /**
     * ================================
     * Settings for DISPLAY_LENGTH (use one)
     */
    /**
     * A possible setting for DISPLAY_LENGTH:
     * use full names when generating a locale name,
     * e.g. "United States" for US.
     * @stable ICU 54
     */
    LENGTH_FULL(Type.DISPLAY_LENGTH, 0),
    /**
     * A possible setting for DISPLAY_LENGTH:
     * use short names when generating a locale name,
     * e.g. "U.S." for US.
     * @stable ICU 54
     */
    LENGTH_SHORT(Type.DISPLAY_LENGTH, 1),
    /**
     * ================================
     * Settings for SUBSTITUTE_HANDLING (choose one)
     */
    /**
     * A possible setting for SUBSTITUTE_HANDLING:
     * Returns a fallback value (e.g., the input code) when no data is available.
     * This is the default behavior.
     * @draft ICU 58
     * @provisional This API might change or be removed in a future release.
     */
    SUBSTITUTE(Type.SUBSTITUTE_HANDLING, 0),
    /**
     * A possible setting for SUBSTITUTE_HANDLING:
     * Returns a null value when no data is available.
     * @draft ICU 58
     * @provisional This API might change or be removed in a future release.
     */
    NO_SUBSTITUTE(Type.SUBSTITUTE_HANDLING, 1);

    /**
     * Type values for DisplayContext
     * @stable ICU 51
     */
    public enum Type {
        /**
         * DIALECT_HANDLING can be set to STANDARD_NAMES or DIALECT_NAMES.
         * @stable ICU 51
         */
        DIALECT_HANDLING,
        /**
         * CAPITALIZATION can be set to one of CAPITALIZATION_NONE through
         * CAPITALIZATION_FOR_STANDALONE.
         * @stable ICU 51
         */
        CAPITALIZATION,
        /**
         * DISPLAY_LENGTH can be set to LENGTH_FULL or LENGTH_SHORT.
         * @stable ICU 54
         */
        DISPLAY_LENGTH,
        /**
         * SUBSTITUTE_HANDLING can be set to SUBSTITUTE or NO_SUBSTITUTE.
         * @draft ICU 58
         * @provisional This API might change or be removed in a future release.
         */
        SUBSTITUTE_HANDLING
    }

    private final Type type;
    private final int value;
    private DisplayContext(Type type, int value) {
        this.type = type;
        this.value = value;
    }
    /**
     * Get the Type part of the enum item
     * (e.g. CAPITALIZATION)
     * @stable ICU 51
     */
    public Type type() {
        return type;
    }
    /**
     * Get the value part of the enum item
     * (e.g. CAPITALIZATION_FOR_STANDALONE)
     * @stable ICU 51
     */
    public int value() {
        return value;
    }
}

redpajama_set_name: RedPajamaGithub


text:
Fruitadens est un genre éteint de petits dinosaures ornithischiens du Jurassique supérieur du Colorado, États-Unis.

L'espèce type et seule espèce, Fruitadens haagarorum, a été nommée et décrite par   en 2010. Elle est basée sur l'holotype LACM 115747, constitué de restes retrouvés à Fruita (Colorado), dans une strate de la formation de Morrison datée du Tithonien inférieur, soit il y a environ entre  (millions d'années).

Historique
La description de Fruitadens repose sur des fossiles retrouvés au cours des années 1970 et 1980 par des équipes du Musée d'histoire naturelle du comté de Los Angeles (LACM) menées par George Callison. Le site, géré par le Bureau de gestion du territoire, est connu sous le nom de .

Description

Fruitadens est le plus petit genre connu d'ornithischiens. Les jeunes adultes ont une taille située entre 65 et  pour une masse de 500 à . Fruitadens était probablement omnivore, bipède et adapté à la course, c'est l'un des derniers membres des Heterodontosauridae à avoir vécu.

Classification
En 2012, Paul Sereno propose le cladogramme suivant pour les Heterodontosauridae, qui montre la position très basale de  Fruitadens dans cette famille :

Notes et références

Références

Références taxinomiques

Voir aussi

Annexes

Genre de dinosaures non aviens (nom scientifique)
Ornithischien (nom scientifique)
Dinosaure du Jurassique
Dinosaure d'Amérique du Nord
Animal du Jurassique supérieur
Taxon fossile décrit en 2010

redpajama_set_name: RedPajamaWikipedia


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The recipe was originally found HERE at babble blogs.
"Brown sugar is essentially white sugar with molasses added – the darker the brown sugar the more molasses it contains. To make basic golden brown sugar, you'll need a ratio of about 1 cup white sugar to 1 Tbsp. dark molasses. Work the two together with a fork, or use an electric mixer. It will clump together at first, but eventually blend in completely, and look exactly like the brown sugar you get by the bag. Use it just as you would use any brown sugar in a recipe.
If you want darker brown sugar, simply add a bit more molasses. Simple. Store extras in a tightly sealed container to prevent it from drying out."
You can right click on the photo and "Save As" and add it to your recipe collection.
I had no idea! I thought sugar must be brown to start with and white sugar was bleached out like flour!


Below you will find all the practical information you could possibly need to decide and come join the 2011 Touch&Play Festival. If you have any further questions, please contact us.
All your questions about the festival answered, from where you'll sleep and eat, to how you'll play. WiFi? Yes!
Breakfast, lunch and dinner at the 2011 Touch&Play Festival. Don't forget your plate!
We provide the mattresses, you bring the rest. Find out about the Gual Palace where you'll sleep, and what the weather will be like.
Here a short list of bare necesities and fun extra's that will make your time at the festival even more exciting….
For travel to the festival, go here. Details on travel to Barcelona and on to Cardona by bus and train, as well as ride sharing.
Find your way to the 2011 Touch&Play Festival in Cardona, Spain, and get directions to us from wherever you happen to be.


Cape Town - For the shoppers, salespeople, mega-wealthy fashionistas, entrepreneurs, shop-lifters and grifters in these series and movies on Showmax, Amazon Prime, Netflix and DStv Now, it's all about the money. And unlike the offers in those Black Friday mailers you keep getting, if you're an internet TV subscriber, your shopping-themed binge session won't cost you a cent.
Where in the world is the phrase "more is more" truer than in the American mega-store? In this quirky hit comedy series, we get to see behind the scenes at superstore Cloud 9, run by a group of oddball employees. Seasons 1 and 2 are now on Showmax, giving you the easiest, funniest hit of retail therapy ever.
Ever wondered how the rich live? This fascinating series takes you behind the doors of the fabulously wealthy youngsters of SA, showcasing their #NiceLifeProblems. It's all about sports cars, designers shoes, R1 million watches and the next big bash for these loaded teens and twentysomethings.
Everything is still possible in America - if you know how to hustle. Ben and Cam are best friends, tired of seeing the world go ahead without them. They set their sights on New York's competitive fashion scene, making up for their lack of knowledge with their street smarts, clever schemes and a bit of help from their friends. When the pair stumble upon a shipment of high-class denim material, they decide to create a line of high-fashion jeans. Hey, if you're going to do something, go big!
Three Cape Town families, the Octobers, the Samsodiens and the Du Plooys, make their living in the shopping centre Suidooster, in the fictional suburb of Ruiterbosch. This soapie is about a multicultural community and their challenges and triumphs. Seasons 1 and 2 of this popular kykNET soap are on Showmax.
The new series of Shameless is now on DStv Now. It brings with it a fresh new start for Frank, who's making amends to everyone he wronged while he was under "Monica's spell"; for Carl, who's home for the summer from military school; for Lip, who's finally sober and trying to get his life back on track; for Debbie, who's "leaning in" by going to night school; and for Fiona, who's made her biggest purchase ever - a run-down apartment block in an up-and-coming neighbourhood. Will becoming a real estate mogul satisfy her desire to keep moving' on up?
Based on Sophia Amoruso's autobiography #Girlboss, this is the story of Sophia, a directionless fashionista who doesn't know what to do with her life - until she starts hawking vintage designer gear on eBay under the name of Nasty Gal. She works days as a campus security guard at an art college in San Francisco, and spends her free time hustling, scouting consignment stores for the next item that'll help her rake in the bucks.
"Just because they serve you, doesn't mean they like you." So goes the tagline for this 1994 Kevin Smith black-and-white cult comedy classic. The film centres on one day in the life of two convenience and video store clerks while on duty, and it was shot, interestingly, in the stores where Kevin Smith worked in real life. It gives an authentic view of an utterly mundane middle-class life in America of the 90s, and, for a small indie film, was a huge success at the box office.
Everyone's heard of this sitcom, but what you might not realise is that it's where Julia Louis-Dreyfuss (six-time Emmy Award winner for her role in Veep) got her start - and she won an Emmy for her role as lead character Jerry's ex Elaine in this series, too. The Writers Guild of America named it the second-best written TV series of all time (second only to The Sopranos), and one of its most renowned episodes takes place in a shopping mall. In Season 3, episode 6, The Parking Garage, the gang loses Kramer's car in the mall parking garage, and Jerry desperately needs to pee. It's like Waiting for Godot, in 90s-sitcom form, and if you're only going to watch one episode from all nine seasons of Seinfeld, make it this one.


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Physical. Our boys not usually want us to be top models; skinny, tall, wonderful . We all have different choices. A stage they all concur is they all hate girls with much applied make-up on, too a lot adorned with jewels or that they have perfumed on their own in extra. We have to comprehend that it ought to not be nice to eat lipstick; end the day with much more painting on his shirt than a Van Gogh painting.
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This lead to the "Poker boom". Hundreds of thousands fled to the internet poker websites to emulate his success. A lot failed. The smart individuals with the knowledge, ability, and help of Poker software program didn`t. The elite: Tom "Durr" Dwan, Phil "OMGClayAiken" Galfond and others made millions. A swarm of other gamers also made on-line poker their occupation with a regular earnings they could never achieve in other lines of work.
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text:
Q: Find the prime factors of $3^{32}-2^{32}$ I'm having a go at BMO 2006/7 Q1 which states: "Find four prime numbers less than 100 which are factors of $3^{32}-2^{32}$."
My working is as follows (basically just follows difference of two squares loads of times):
$$3^{32}-2^{32}$$
$$=(3^{16}+2^{16})(3^{16}-2^{16})$$
$$=(3^{16}+2^{16})(3^{8}+2^{8})(3^{8}-2^{8})$$
$$=(3^{16}+2^{16})(3^{8}+2^{8})(3^{4}+2^{4})(3^{4}-2^{4})$$
$$=(3^{16}+2^{16})(3^{8}+2^{8})(3^{4}+2^{4})(3^{2}+2^{2})(3^{2}-2^{2})$$
$$=(3^{16}+2^{16})(3^{8}+2^{8})(3^{4}+2^{4})(3^{2}+2^{2})(3+2)(3-2)$$
$$=(3^{16}+2^{16})(3^{8}+2^{8})(3^{4}+2^{4})(3^{2}+2^{2})(3+2)$$
Now it is simple to get $3$ of the primes here:
$$3+2=5$$
$$3^2+2^2=13$$
$$3^4+2^4=97$$
Now I was having some trouble with finding the fourth prime. It's clear that the fourth prime must either be a prime factor of $3^8+2^8$ or $3^{16}+2^{16}$. I started off with $3^8+2^8$:
$$3^8+2^8$$
$$=3^{4^2}+256$$
$$=81^2+256$$
$$=6561+256$$
$$=6817$$
Here is where I am stuck because google tells me that $6817=17*401$ and so the fourth prime is $17$. But this is a non-calculator paper so is there a way of working out this answer without working out $\frac{6817}{3},\frac{6817}{7},\frac{6817}{11}$ etc until one of them is an integer solution?
Finally, before anyone says this is a duplicate, there is a similar question here (prime factors of $3^{32}-2^{32}$) that I didn't know existed until writing this question. However, none of those answers give a way of finding $17$ without using any computational methods. So are they just expecting you to essentially do trial and error throughout all of the primes under $100$ until one works?

A: Apply Fermat's little theorem:
$17$ is prime, so
$$3^{16}\equiv1\pmod{17}$$
$$2^{16}\equiv1\pmod{17}$$

A: Note that $\forall a \perp p, a^{p-1\over2} \equiv \pm 1 \pmod p$
2 and 3 are already coprime to the other primes you're looking for. $8*2+1=17$ is a strong candidate. In fact, it is the only strong candidate for this method of attack.

A: I checked this in Python and there are only 4 such primes, $5$, $13$, $17$ and $97$. As has been noted, FLT implies $17$ is such a prime, and we can get $5$ the same way. We also get $13$ as a prime factor of $3^4-2^4$, and $97$ as a prime factor of $3^8-2^8$.
In the timed conditions of an olympiad, it helps to first seek prime factors of $3^2-2^2$, then the remaining prime factors of $3^4-2^4$ (i.e. those of $3^2+2^2$) etc. In particular $5=3^2-2^2,\,13=3^2+2^2,\,97=3^4+2^4,\,17\times 401=3^8+2^8$.


Pentax has announced a new mirrorless compact system camera, to expand its Q series range. The Pentax Q10 is described as super-compact and ultra-lightweight and sports an updated CMOS sensor over its predecessor, the Pentax Q.
Subject of a leak earlier today, the Q10 comes with a 12.4-megapixel back-illuminated sensor and an ISO range of 100 - 6400. There's High Dynamic Range (HDR) functionality, which produces one "best-of" photo from a composite of others, and the tidy body can be coupled with any number of Q-mount lenses.
As well as the sensor, Pentax claims to have upgraded the autofocus system, making it faster than before. And a Face Recognition AF system can pinpoint and focus on up to 12 faces in one frame. An AF assist light is housed on the body of the camera to aid focusing in the dark.
The body also houses a programmable quick dial that can choose one of nine image presets or modes in order to add different effects to photographs, with a preview being shown on the rear LCD panel.
The back display itself is a 3-inch colour LCD monitor with approximately 460,000 dots, while battery life is extended through the use of more energy efficient components.
Video can be recorded in Full HD (1920 x 1080 at 30fps) using the H.264 file format, and Smart Effect image processing modes can be applied to footage as well as stills. There are also movie editing tools built into the camera, and autofocus works while capturing moving images.
Pentax has included its own bokeh control function on the Pentax Q10, and there is a proprietary Shake Reduction mechanism built into the camera itself (rather than the lenses). It shifts the CMOS image sensor to offset camera shake when detected by an internal motion sensor.
A burst mode that can capture up to five frames per second is also included and Pentax has utilised its DRII (Dust Removal II) mechanism which shakes dust from the sensor by vibrating it automatically. It's a feature found on a few DSLRs, including the company's own K-5 and 645D cameras.
A pop-up flash is part of the Q10 (guide number seven at ISO 200/m) and it also comes with a shoe for expansion. Connectivity includes mini HDMI and a memory card slot that is flexible enough to allow for SD, SDHC and SDXC cards.
Because it can also shoot RAW files, Pentax has included software in the guise of Silky Developer Studio 3 for Pentax.
The Pentax Q10 will be available in the UK from early October in white, red and black. It'll cost £379.99 for the Q10 and a 5-15mm lens, while a 15-45mm lens is also included in a larger pack for £549.99.


A vintage like no other. The man that exudes excellence and sophistication, Andrea Pirlo, has finally been given a custom Nike to suit his high-class sensibilities. Now, the man has a pair of boots to match his play that only seems to get better with age. If there's ever been a man's fingerprint on his special edition boots, the Nike Tiempo Pirlo is dripping with Pirlo class and elegance.
The upper, insole, and box pay homage to Pirlo's affinity for wine making. A hobby that has followed the Italian midfielder for most of his career, it only makes sense that this boot looks like somebody spilled red wine straight onto the leather. The insole has been crafted to look like it is made out of cork, and the box housing the shoes has all the makings of what any connoisseur of wine would find their favorite bottle locked inside. Even if Pirlo isn't one of your favorite players, these boots simply exude greatness.
To continue the layers of tribute to the star man, we see the four stars on the heel and soleplate to remind everyone about Italy's triumphs on the global stage. Four World Cups, and a stunning addition to the boot…certainly an addition that Pirlo will enjoy. Like his finely coiffed mane and beard, these boots are crafted to perfection. It's a great release…and we'll certainly drink to that!
Despite being in the twilight of his career, Pirlo can still unlock a defense or curl home a free-kick with the best of them. His time in the MLS has shown that the league is still a few steps behind the world's best, and also that the Italian maestro can still control the game on his own. It would have been a real shame if Pirlo had faded off into the sunset without Nike giving him his proper due. There may never be another of his ilk, and we've certainly enjoyed our time watching him paint his masterpieces.
So will these be on sale at soccerpro.com?


Discussion in 'General TV Discussions Forum' started by [email protected], Jan 15, 2008.
Is anyone able to tell me why, when I switch on my TV, either from the socket or out of standby mode, the analogue broadcast come up first so that I have to pick up my TV remote and press the TV/AV key before the Freeview broadcast is displayed? Having done that I can continue watching digital, via my PVR, and can do all I want to do using the PVR remote which unfortunately does not have its own TV/AV key. Are there any "settings" I can change which will result in digital being shown immediately the TV is switched on - what with remotes for my VCR, DVD player, STB, PVR and TV I am in danger of being buried by them all and it would be great to be able to put at least the TV remote aside.
if the pvr is connected by scart turn on the tv then turn on the pvr, tv should auto switch. what models are you using?
Also, a universal remote (e.g OneForAll) would change your life. A bit .
Seriously, you dont really understand how useful one is until you try it.


Who doesn't love love? If you're looking for content marketing inspiration, look no further than the romance industry. From sappy summer blockbusters to the romance aisle at the bookstore, today's audiences crave a good love story. Whether it's pure escapist historical reads (hello, my personal favorite) or heavy-hitting issues-driven novels, the romance publishing industry is a billion-dollar business, according to the Romance Writers of America. In fact, romance novels comprise 34 percent of fiction sold today. That's a lot of books. A significant percentage of that demand has been driven by smart, strategic content marketing that can inspire marketers from any industry.
If your perception of romances stops at racy titles and the bare-chested, long-haired cover models of (mostly) yesteryear, you're missing out on the industry's greatest innovation story.
The romance publishing space loves great content marketing and has pioneered some of the best how-to content, community building, and value-driven outreach that I've seen. Let's take a closer look at what's really happening when romance publishers, authors, and readers get together digitally and beyond.
Confession time: I wrote my first romance a decade ago and have enjoyed a thriving career under a pen name in that space ever since. While I don't mix my business writing and fiction writing, I've watched the industry unfold through a marketer's lens, and that has definitely inspired some interesting experimentation on both sides of the business.
A professional association. The Romance Writers of America currently has more than 9,000 members across the United States, multiple local chapters, a year-round nationwide conference schedule, and content marketing that includes learning resources, industry reports, professional magazines, and blogs.
Publishers doing sophisticated outreach to readers through competitions, networks for review blogs, dedicated online communities, and in-person conferences.
Individual author outreach. Both traditionally published and self-published writers kept promoting their work, connecting with fans, selling books, and building a following in a time when book marketing dollars were drying up and there was more pressure on these creators than ever before.
My big takeaways as a content marketer: There are so many layers of content marketing driving this single industry, and the way these elements interweave to create a larger experience—and a larger impact for the bottom line—is worth further exploration.
While many people buzz about romance being formulaic, the reality is that successful romances follow a general pattern. Learning that pattern, and then learning the basics of publishing, can be challenging for any aspiring author. RWA has delivered value to its members by focusing on bringing this content to life in a variety of formats: interviews, articles, webinars, events, and more. The organization has been in operation for years and continues to find new spins on content. It's an important reminder for all marketers that even basic, evergreen content can be updated with fresh and timely spins.
Before self-publishing arose, the only path to publication was through one of the major publishing houses specializing in romance. RWA creates a range of different connections with acquiring editors, from dedicated conference panels to interviews in their magazine. They also keep members informed through trend pieces, details on what's selling, and other industry news that's expertly targeted to its audience.
In today's content-hungry landscape, organizations need to be strategic about leveraging their content in a variety of ways. One expert strategy RWA uses to extend the value of their events is that they record dozens of sessions at the annual conference and offer the recordings as a separate content stream to members. It's a good reminder to find ways to deliver content to all segments of your community, including those who aren't able to travel to certain events.
When you mention Harlequin, the eyes of romance readers the globe over light up. The publishing powerhouse has a unique model, publishing more than 110 titles monthly in 150 global markets. The books span digital and print formats, routinely landing on the New York Times, USA Today, and other bestseller lists.
One of my favorite content marketing initiatives in the romance industry is their program So You Think You Can Write. The project launched a few years ago and helps Harlequin "find new voices in romantic fiction." In practice, the project has a few components: writing competitions, detailed requests for submissions, and a blog that helps writers understand what editors are specifically looking for.
As content marketers, we often talk about the need to blend multiple different streams into our content strategy, from product details to audience interests. So You Think You Can Write fills a very specific need in Harlequin's broader marketing efforts—recruiting new writers for its lines—while delivering tremendous value to the audiences that it serves.
Another important facet of content marketing within romance is looking at how authors reach audiences. From websites and blogs to active communities and social media followings, they're tapping into a variety of different avenues.
"Romance authors have done content marketing for their books in so many creative ways," says Diana Urban, industry marketing manager for BookBub—a book discovery platform that helps millions of readers connect to authors and books through a daily email service. BookBub also offers a variety of book marketing tools aimed at authors and publishers to help promote new releases, reach new readers, or build a dedicated following.
"Debbie Macomber creates bonus content for each of her titles, such as recipes for cookies mentioned in her books. Readers love getting free content, and when that content ties closely to an upcoming release, it can help them get excited for that book," says Urban.
Stepping back, I think it's easy to get stuck on the idea that content marketing follows a set formula or can only be used in one way. Breaking out beyond that and looking for content marketing inspiration is key. The reality is that within an industry, within a supply chain, or within a business ecosystem, there are multiple applications and channels that are leveraged simultaneously. Even in situations where the content is both B2B and B2C, it's possible to manage those conversations to deliver maximum value and help drive tremendous demand.
Need a little inspiration? The romance industry may help you fall in love with content marketing all over again.


text:
Q: Is the given usage of Outrage is correct? Outrage in my mind, Smile on my face. This is Life.
Can outrage be used the way I used above?

A: You've just omitted an implicit "There is" to the first two clauses. Ok, "There is a" for the second clause.  In the right context, that is fine and even an improvement.


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wir freuen uns, Sie zu unserem Workshop: "Leaving the queer bubble" – PR und Medientraining im Rahmen des Projekts "Refugees & Queers. Politische Bildung an der Schnittstelle von LSBTTIQ und Flucht / Migration / Asyl" einzuladen.
Die Fortbildung richtet sich an Multiplikator*innen, Bildungsarbeiter*innen und Aktivist*innen, die das Thema "Queer Refugees" in die breitere Öffentlichkeit tragen wollen.
Die Fortbildung wird von Freitag, 27. Oktober bis Sonntag, 29. Oktober 2017 im Jugend- und Bildungshaus Tettenborn e.V. in Bad Sachsa in Niedersachsen stattfinden.
Weitere Informationen sowie Einladungen in Englisch, Arabisch, Kurdisch, Farsi, Spanisch, Französisch, Russisch und Urdu entnehmen Sie bitte dem angehängten Programm.
Bitte melden Sie sich verbindlich bis zum 06.10.2017 bei felicitas.grabow@mh-stiftung.de an.
Wir freuen uns sehr über Weiterleitung an Interessierte und Verbreitung in Ihren Netzwerken.
we kindly invite you to our workshop "Leaving the queer bubble" – PR and media training organized within the project "Refugees & Queers. Political education at the intersection of LGBTTIQ and Migration /Asylum / Flight".
We invite trainers, activists and political educators who want to address the topic of "queer refugees" within a wider public.
First, Fadi Saleh will discuss "Critical Reflections on the Global Politics of Representing Syrian Queer Refugees" with us. Via a basic media training, Joanna Stolarek of Neue Deutsche Medienmacher will then share practical media know how with the participants. Finally, Dennis Sadiq Kirschbaum (i,Slam) und Tarik Tesfu will explore the possibilities, boundaries and traps of (self) representation via the method of digital storytelling.
The workshop takes place on Friday, 27th of October to Sunday, 29th of October 2017 at Jugend- und Bildungshaus Tettenborn e.V. in Bad Sachsa in Lower Saxony.
You can find more information as well as the invitation in Arabic, Kurdish, Farsi, French, Spanish, German, Russian and Urdu in the attached PDF.
We would greatly appreciate it, if you could share the invitation within your networks.
to start a new life.
take the word, express themselves and tell the world.
information, pictures, audios, videos, so that we can publish them.
If you are part of a group you can come and share your work, events, etc.
We can show each other hands on how to publish our own news in Oplatz!!
No matter what skills you have we'll learn from each other.
Come and join us!, It's going to be fun!
Now we are publishing the third issue of our newspaper. We have distributed five thousand copies of its first issue. Local initiatives played an important role in that practice. However, we would like to stress that Daily Resistance is not only about publication and distribution. This newspaper is an instrument of organization. Every local initiative should aim to establish lasting bonds through this newspaper. Every local initiative can form a Daily Resistance committee. Such a committee should undertake tasks such as distributing the newspaper, writing for the newspaper, produce news and visual material for the newspaper and forming new relations for the newspaper. Handing copies of the newspaper to the people is not the only goal here. One should communicate with the people those who would receive the paper. Information on the problems of the refugee camps where this newspaper is distributed and ideas for possible solutions to those problems should be circulated. Every local group can form a meeting centre wherever it is possible. Meetings can be organized with people to whom this newspaper is delivered. Each local initiative can organize events – film screenings, debates, reading activities – depending on their individual conditions.
We are acting with the perspective of alternative media. Therefore, we encourage the distributors and the readers of this newspaper to present their critique, proposals and contributions to the process.
We aim to relay the information based on our experience of refugee resistance to the newly coming refugees and to anticapitalist and antifascist movements. In line with this purpose, we published our journal, Movement Magazine, and we shared this experience through exhibitions, films, texts and photographs. We aim to enhance, expand and strengthen this practice by publishing Daily Resistance.
The number of the refugees has increased in Germany and in the rest of Europe recently. On the other hand, the laws and legal practices against refugees have become harsher and racist movements are currently on the rise. In contrast with this, a decline and weakening of the resistance movements is clearly observed. There were fewer number of refugees in the years between 2012 and 2015; that was the period when we gained certain rights to a certain extent. There was a fairly more dynamic street struggle. What does this comparison show us? That the resistance movement do not arise spontaneously. Some people should conduct a meticulous and planned work to organize the movement and resistance. In those years between 2012 and 2015 we were involved in a practice: knocking the doors of refugees one by one. We organized meetings in every city. A wilful intervention was at work.
Through Daily Resistance Newspaper, we can reactivate the resistance movement which is apparently at its decline. For that, all activists should take responsibility and do effort. The understanding of the anticapitalist and antifascist movements towards this newspaper as a "refugee newspaper" is an incomplete one. The refugee question is a question of warfare, it is a question of capitalism, a question of racism. The refugee reality is an outcome of all those policies. Therefore, refugee struggle is class struggle since the refugees are at the bottom of the oppressed and exploited classes. It is possible to organize an opposition resistance from below. We have tried to show that in our resistance experience. It can be observed that we played an irritating, disturbing and triggering role in our actions and practices such as long marches, street occupations, parliament occupations, rooftop occupations, party and trade union building occupations.
Even though Daily Resistance is a young newspaper, it has already created a quite positive effect. Now is the time to transform this effect into a permanently organized state. So far the editorial meetings were held in streets, houses or cafés. We need a permanent place. We need a place where the writers, readers and distributors of this newspaper can directly interact and take up decisive roles. We have already made concrete steps for that. The fact that our movement goes by the name "Oplatz" is related to us occupying that place (Oranienplatz), and coordinating our struggle from that place for a long time. That is similar to the names of places that made movements visible worldwide, for example Wall Street, Tahrir, Taksim. Therefore, it is important to demonstrate the Alternative Life in a way that stretches through time and space.
Capitalist states are exercising suppression and besiege of alternative media everywhere in the world. Recently in Turkey more than 20 media organizations including radios and televisions were raided and shut down. These are practices similar to the ones in Nazi Germany, using the Reichstag fire as an excuse for massive crackdowns on opposition. Naturally, European states are closing their eyes and ears to those oppressive, anti-democratic practices due to the dirty agreements and bargains among them. We would like to express our solidarity with those free media workers.
The anticapitalist and antifascist movements in Germany should ask themselves: while people of France rose up and took the streets against the neoliberal labour law, why no leaf stirred in Germany? They can also use our newspaper as a network to organize the united street resistance against the limitation of the social rights, homelessness, unemployment, arms trade, war, capitalism and racism that has increased its physical violence.
Even though our means are limited, we can transform our media into an effective instrument of organization in case all the relevant bodies become active.
Daily Resistance is also a message to well-off segments who campaign, publish books, make films on behalf of refugees and who use us and our struggle as a tool for their own ends. We tell them that as we organize our own action, we can have our own say as well. Stop using us as sheep to the slaughter!
Long live our struggle for Humanization and Communization!
Daily Resestance gazetemizin üçüncü sayısını da hazırlamış bulunuyoruz. İlk baskısını beşbin adet dağıttık. Bu dağıtımda lokal insiyatifler önemli bir rol oynadı. Ancak vurgulamak istiyoruz ki; Daily Resistance, sadece basılıp dağıtımı yapılacak bir gazete değildir. Bu gazete bir örgütlenme aracıdır. Her lokal insiyatif, gazete aracılığıyla kalıcı bağlar kurmayı hedeflemelidir. Her lokal insiyatif bir Daily Resistance komitesi kurabilir. Bu komite hem gazetenin dağıtımını hem gazeteye yazı, haber, fotoğraf iletilmesini ve hem de yeni ilişkiler oluşturulmasını üstlenmelidir. İnsanlara sadece gazete vermek tek amaç değildir. Gazetenin verildiği her insanla mutlaka konuşmalar yapılmaladır. Dağıtımın yapıldığı mülteci kamplarındaki sorunlar ve çözüm önerileri üzerine bilgi alışverişi yapılmalıdır. Eğer mümkünse her lokal grup bir toplanma merkezi bulabilir. Gazetenin ulaştırıldığı insanlarla birlikte toplantılar örgütlenebilir. Her lokal insiyatifin kendi özgül koşullarına göre belirleyebileceği etkinlikler organize edilebilir. Film gösterimleri, tartışmalar, okuma günleri düzenlenebilir.
Alternatif bir medya olma perspektifiyle hareket ediyoruz. Dolayısıyla dağıtımcıların ya da okurların gazete ile ilgili eliştiri, öneri ve katkı yapmak konusunda sorumluluk üstlenmeleri beklenir.
Mülteci direnişi deneyimimizi çeşitli araçlarla yeni gelen mültecilere ve diğer antikapitalist, antifaşist hareketlere aktarmak amacını taşıyoruz. Bu amaçla Movement Magazine dergimizi bastık, sergilerle, filmlerle yazı ve fotoğraflarla bu deneyimi paylaştık. Daily Resistance gazetesiyle de bunu daha yaygın ve etkin kılmak istiyoruz.
Aktüel olarak Almanya'da ve avrupanın diğer ülkelerinde bulunan mülteci sayısı artmış bulunuyor. Diğer yandan mülteilere karşı çıkırtılan yasalar daha sert ve ırkçı hareketler yükselişe geçmiş bulunuyor. Bununla ters orantılı olarak direniş hareketlerinde bir düşüş olduğu gözle görülür vaziyettedir. 2012-2015 yılları arasında daha az mülteci vardı, belli ölçülerde bazı haklarımızı kazanmıştık. Daha dianamik bir sokak mücadelesi söz konusuydu. Bu karşılaştırma bize neyi gösterir? Demek ki, geliştirilen direniş hareketleri kendiliğinden olmuyor. Birilerinin hareketi ve direnişi örgütlemek için planlı bir çalışma yürütmesi gerekir. Sözümü ettiğimiz yıllarda tek tek mülteci odalarının kapıları çalınarak yürütülen bir çalışma vardı. Tüm şehirlerde toplantılar düzenliyorduk. İradi bir müdehale söz konusuydu.
Daily Resistance gazetesiyle, düşüşe geçen direniş hareketni yeniden aktif hale getirebiliriz. Bunun için tüm aktivistlerin sorumluluk alması ve çaba göstermesi gerekir. Antikapitalist-antifaşist aktivistler bu gazeteyi sadece "mülteci gazetesi" olarak algılaması eksik bir kavrayıştır. Mülteci konusu aynı zamanda savaş meselesidir, kapitalizm meselesidir, ırkçılık meselesidir. Mülteci gerçekliği tüm bu politikaların bir sonucudur. Bu mücadele aynı zamanda bir sınıf mücadelesidir. Mülteciler de sömürülen sınıfların en altında bulunuyor. Aşağıdan yukarıya sistem karşıtı direnişi örgütlemek mümkündür. Direniş deneyimimizle bunu göstermeye çalıştık. Uzun yürüyüşler, sokak işgalleri, parlemento işgalleri, çatı işgalleri, ağaç işgalleri, sendika binası ya da parti binası işgalleriyle rahatsız edici ve harekete geçirici bir rol oynadığımız, bu deneyimlerimiz incelenerek görülebilir.
Gazetemiz yeni olmasına rağmen oldukça pozitif bir etkileşim yarattı. Şimdi bu etkileşimi kalıcı örgütlülüklere dönüştürme zamanıdır. Şimdiye kadar gazete toplantıları sokaklarda, evlerde ya da kafelerde yapıldı. Sabit bir mekana ihtiyacımız var. Yazarların, okuyucuların ve dağtımcıların direkt ilişkiye geçebileceği, etkin rol üstlenebileceği bir mekana ihtiyacımız var. Bunun için somut girişimlerde bulunduk. Hareketimizin Oplatz ismiyle anılması bir mekanı işgal edip uzun süre buradan mücadeleyi koordilne edişimizle ilgilidir. Dünyada Wall Striet, Tahrir, Taksim gibi mekan isimlerinin hareketi görünür kılmasıyla benzer bir durumdur. Alternatif hayatı bir mekanda zamana yayılan bir biçimde ortaya koymak bu nedenle önemlidir.
Dünyada altanatif medya üzerinde kapitalist devletlerin baskısı ve kuşatması söz konusudur. Bakınız Türkiye'de yirmi civarında radyo, televizyon ve diğer medya araçları, devlet tarafından işgal edilerek kapatıldı. Almanya geçmişinde Reichtag yangını bahane edilerek yapılan uygulamalara benzer uygulamalardır bunlar. Avrupa devletleri aralarındaki kirli anlaşma ve pazarlıklardan dolayı tüm bu anti demokratik uygulamalalara gözünü kapatıyor doğal olarak. Bu özgür medya emekçileriyle dayanışma içinde olduğumuzu vurgulamak isteriz.
Almanya'daki antifaşist ve antikapitalist hareketlerin, Fransa'da yer yerinden oynarken neden Almanya'da yaprak kıpırdamadığını düşünmeleri gerekir. Onlar da sosyal hakların kısıtlanmasına karşı, evsizliğe, işsizliğe, silah ticaretine, savaşa, kapitalizme ve fiili şiddetini artıran ırkçılığa karşı birleşik sokak direnişini örgütlamak için gazetemizi bir ağ olarak kullanabilirler.
Olanaklarımız kısıtlı da olsa tüm ilgililerin aktif hale gelmesiyle medya araçlarımızı etkin bir örgütlenme aracına dönüştürebiliriz.
Daily Resistance, mülteciler adına kampanya yürüten, kitap çıkartan, film yapan ve bizim eylemlerimizi ve bizleri birer alet olarak kullanan tuzu kuru kesimlere de bir mesajdır. Onlara diyoruz ki; biz kendi eylemimizi örgütlediğimiz gibi kendi sözümüzü de söyleyebiliriz. Bizi kurbanlık koyun gibi kullanmaktan vazgeçin artık.
Refugee Radio Awareness Network is a independent social Initiative Committed to human rights and human development.
we believe that encouraging human rights connecting people and cultures through powerful stories will affect positive change in the world by creating and distributing content on radio stations and through digital platforms, inviting people to contribute their voices , we create a more informed, empathetic and connected world..
The heart of the project is Refugee Radio Network which produces radio programs that helps to strengthen the voice of asylum seekers and refugees.
RRN is an online community radio program and is designed in Hamburg. It is primarily aimed at refugees in Europe, Middle East and Africa.
Accurate information is nearly as important as clean water to the health of a community.
Short documentary film about the refugee radio network Journey into the alternative media venture.
The media group kindly invites to the first workshop to train skills in blogging, including how to publish posts and how to improve web presentation on the basis of the oplatz.net website (wordpress). It will take place on Friday, 11th of December, 15 – 17 h in the office in Waldemarstraße 46, Berlin-Kreuzberg.
We want to improve the mediawork and invite you to exchange our knowledge and ideas to learn together how to easily and independently use wordpress as a means to spread messages and information. The workshop is adressed to those with beginners and as well as advanced skills.
Come and join in, everybody is welcome!


CF SYNERGY LLC is a business entity registered in the state of New York under the legal form of DOMESTIC LIMITED LIABILITY COMPANY. It can be found in the register by the DOS ID 5014407. The company was established and set into the register at 26th September 2016 and its current status is ACTIVE. Company´s jurisdiction is in the state of NEW YORK in county KINGS. Process address of this entity is at 225 BROADWAY - 39TH FLOOR, NEW YORK, 10007, NEW YORK.
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