The Streamwood Company is committed to the very best in quality service for every one of our residents and business owners. We believe that you deserve to enjoy living worry-free in an apartment that you are proud to call home. And for our commercial clients, we believe that your place of business should reflect professionalism and drive success. The Streamwood Company supports this mission by providing professional community managers and trained personnel dedicated to each of our communities and properties to address your every need, from leasing to maintenance and every service in between.
John Leonard has been involved in the real estate management business since 1983 and has extensive experience acquiring, renovating, and managing apartment communities and commercial properties throughout Southern New Jersey. He started The Streamwood Company, located in historic Haddonfield, NJ, in 1996. Over the years Jack has bought and repositioned older commercial properties, while obtaining tax credits from the "NJ Dept. of the Interior" as well as awards from the preservation society of Haddonfield. Locating an underperforming property and repositioning it is his forte. Jack Leonard is responsible for asset acquisition and construction management in the firm.
In 2011, John's son, Scott, joined The Streamwood Company as the Regional Manager after starting his career in the property management industry in the competitive Washington, D.C market. Scott obtained his degree in Property Management with a minor in Real Estate from Virginia Tech and holds the CPM designation through IREM. Scott currently oversees the day to day Property Management operations of the company's portfolio as the Regional Manager as well as assisting in property acquisitions and asset management.
An Accredited Management Organization, The Streamwood Company prides itself on responsiveness and expertise that have resulted in impressively high occupancy and tenant retention records, which have then translated into excellent revenues and relatively low maintenance costs. The key to The Streamwood Company's success lies in our respect for the unique needs of individual buildings, grounds, and tenants. Our program of preventive maintenance includes strict attention to landscaping and facade improvements, as well as mechanical system updates.
The ability to maintain control of costs and quality in the renovation and construction of commercial properties has enabled The Streamwood Company to deliver continued profitability and high returns on investments. Astute evaluation of property potential and a willingness to explore avenues such as historic rehabilitation tax credits have won acclaim for the company.
The decision to acquire an investment property proceeds only after an extensive review of criteria including income and expenses, location, costs of acquisition, and potential for adding value through improved use of property. By establishing the correct acquisition price and assuring continued quality management, The Streamwood Company achieves consistently successful investments.
In historic Haddonfield, a premier South Jersey community, we have successfully worked within stringent renovation requirements. We maximized leasing value by converting first floor office space to retail storefronts while maintaining every building's historic integrity and architectural beauty. For these efforts, The Streamwood Company has received commendations from the Historic Preservation Society as well as the Department of the Interior for the restoration of Gibbs Tavern in 1983.
The Streamwood Company professionally manages multi-family, commercial, and office real estate in Southern New Jersey. Rapidly growing, we are looking for self-starting individuals who are as passionate about property management as we are.


I've been dabbling in android development for 12 months. It's a bit overwhelming how much information is out there so I thought I could centralize my notes to organize things for myself. Who knows, maybe someone will actually read this and can contribute to and/or benefit from it in some way.
I have seen many code examples which are too complex for me to comprehend at this point. My goal is to start simple and post functional meaningful code examples and to bring them together into a functional, useful application.


text:
{-|
Module      : PostgREST.Query.Statements
Description : PostgREST single SQL statements.

This module constructs single SQL statements that can be parametrized and prepared.

- It consumes the SqlQuery types generated by the QueryBuilder module.
- It generates the body format and some headers of the final HTTP response.
-}
module PostgREST.Query.Statements
  ( prepareWrite
  , prepareRead
  , prepareCall
  , preparePlanRows
  , ResultSet (..)
  ) where

import qualified Data.Aeson.Lens                   as L
import qualified Data.ByteString.Char8             as BS
import qualified Hasql.Decoders                    as HD
import qualified Hasql.DynamicStatements.Snippet   as SQL
import qualified Hasql.DynamicStatements.Statement as SQL
import qualified Hasql.Statement                   as SQL

import Control.Lens ((^?))
import Data.Maybe   (fromJust)

import PostgREST.DbStructure.Identifiers (FieldName)
import PostgREST.MediaType               (MTPlanAttrs (..),
                                          MTPlanFormat (..),
                                          MediaType (..),
                                          getMediaType)
import PostgREST.Query.SqlFragment
import PostgREST.Request.Preferences

import Protolude

-- | Standard result set format used for all queries
data ResultSet
  = RSStandard
  { rsTableTotal :: Maybe Int64
  -- ^ count of all the table rows
  , rsQueryTotal :: Int64
  -- ^ count of the query rows
  , rsLocation   :: [(BS.ByteString, BS.ByteString)]
  -- ^ The Location header(only used for inserts) is represented as a list of strings containing
  -- variable bindings like @"k1=eq.42"@, or the empty list if there is no location header.
  , rsBody       :: BS.ByteString
  -- ^ the aggregated body of the query
  , rsGucHeaders :: Maybe BS.ByteString
  -- ^ the HTTP headers to be added to the response
  , rsGucStatus  :: Maybe Text
  -- ^ the HTTP status to be added to the response
  }
  | RSPlan BS.ByteString -- ^ the plan of the query

prepareWrite :: SQL.Snippet -> SQL.Snippet -> Bool -> MediaType ->
                PreferRepresentation -> [Text] -> Bool -> SQL.Statement () ResultSet
prepareWrite selectQuery mutateQuery isInsert mt rep pKeys =
  SQL.dynamicallyParameterized (mtSnippet mt snippet) decodeIt
 where
  snippet =
    "WITH " <> SQL.sql sourceCTEName <> " AS (" <> mutateQuery <> ") " <>
    SQL.sql (
    "SELECT " <>
      "'' AS total_result_set, " <>
      "pg_catalog.count(_postgrest_t) AS page_total, " <>
      locF <> " AS header, " <>
      bodyF <> " AS body, " <>
      responseHeadersF <> " AS response_headers, " <>
      responseStatusF  <> " AS response_status "
    ) <>
    "FROM (" <> selectF <> ") _postgrest_t"

  locF =
    if isInsert && rep == HeadersOnly
      then BS.unwords [
        "CASE WHEN pg_catalog.count(_postgrest_t) = 1",
          "THEN coalesce(" <> locationF pKeys <> ", " <> noLocationF <> ")",
          "ELSE " <> noLocationF,
        "END"]
      else noLocationF

  bodyF
    | rep /= Full                       = "''"
    | getMediaType mt == MTTextCSV      = asCsvF
    | getMediaType mt == MTGeoJSON      = asGeoJsonF
    | getMediaType mt == MTSingularJSON = asJsonSingleF False
    | otherwise                         = asJsonF False

  selectF
    -- prevent using any of the column names in ?select= when no response is returned from the CTE
    | rep /= Full = SQL.sql ("SELECT * FROM " <> sourceCTEName)
    | otherwise   = selectQuery

  decodeIt :: HD.Result ResultSet
  decodeIt = case mt of
    MTPlan{} -> planRow
    _        -> fromMaybe (RSStandard Nothing 0 mempty mempty Nothing Nothing) <$> HD.rowMaybe (standardRow False)

prepareRead :: SQL.Snippet -> SQL.Snippet -> Bool -> MediaType -> Maybe FieldName -> Bool -> SQL.Statement () ResultSet
prepareRead selectQuery countQuery countTotal mt binaryField =
  SQL.dynamicallyParameterized (mtSnippet mt snippet) decodeIt
 where
  snippet =
    "WITH " <>
    SQL.sql sourceCTEName <> " AS ( " <> selectQuery <> " ) " <>
    countCTEF <> " " <>
    SQL.sql ("SELECT " <>
      countResultF <> " AS total_result_set, " <>
      "pg_catalog.count(_postgrest_t) AS page_total, " <>
      bodyF <> " AS body, " <>
      responseHeadersF <> " AS response_headers, " <>
      responseStatusF <> " AS response_status " <>
    "FROM ( SELECT * FROM " <> sourceCTEName <> " ) _postgrest_t")

  (countCTEF, countResultF) = countF countQuery countTotal

  bodyF
    | getMediaType mt == MTTextCSV                       = asCsvF
    | getMediaType mt == MTSingularJSON                  = asJsonSingleF False
    | getMediaType mt == MTGeoJSON                       = asGeoJsonF
    | isJust binaryField && getMediaType mt == MTTextXML = asXmlF $ fromJust binaryField
    | isJust binaryField                                 = asBinaryF $ fromJust binaryField
    | otherwise                                          = asJsonF False

  decodeIt :: HD.Result ResultSet
  decodeIt = case mt of
    MTPlan{} -> planRow
    _        -> HD.singleRow $ standardRow True

prepareCall :: Bool -> Bool -> SQL.Snippet -> SQL.Snippet -> SQL.Snippet -> Bool ->
               MediaType -> Bool -> Maybe FieldName -> Bool ->
               SQL.Statement () ResultSet
prepareCall returnsScalar returnsSingle callProcQuery selectQuery countQuery countTotal mt multObjects binaryField =
  SQL.dynamicallyParameterized (mtSnippet mt snippet) decodeIt
  where
    snippet =
      "WITH " <> SQL.sql sourceCTEName <> " AS (" <> callProcQuery <> ") " <>
      countCTEF <>
      SQL.sql (
      "SELECT " <>
        countResultF <> " AS total_result_set, " <>
        "pg_catalog.count(_postgrest_t) AS page_total, " <>
        bodyF <> " AS body, " <>
        responseHeadersF <> " AS response_headers, " <>
        responseStatusF <> " AS response_status ") <>
      "FROM (" <> selectQuery <> ") _postgrest_t"

    (countCTEF, countResultF) = countF countQuery countTotal

    bodyF
     | getMediaType mt == MTSingularJSON                  = asJsonSingleF returnsScalar
     | getMediaType mt == MTTextCSV                       = asCsvF
     | getMediaType mt == MTGeoJSON                       = asGeoJsonF
     | isJust binaryField && getMediaType mt == MTTextXML = asXmlF $ fromJust binaryField
     | isJust binaryField                                 = asBinaryF $ fromJust binaryField
     | returnsSingle && not multObjects                   = asJsonSingleF returnsScalar
     | otherwise                                          = asJsonF returnsScalar

    decodeIt :: HD.Result ResultSet
    decodeIt = case mt of
      MTPlan{} -> planRow
      _        -> fromMaybe (RSStandard (Just 0) 0 mempty mempty Nothing Nothing) <$> HD.rowMaybe (standardRow True)

preparePlanRows :: SQL.Snippet -> Bool -> SQL.Statement () (Maybe Int64)
preparePlanRows countQuery =
  SQL.dynamicallyParameterized snippet decodeIt
  where
    snippet = explainF PlanJSON mempty countQuery
    decodeIt :: HD.Result (Maybe Int64)
    decodeIt =
      let row = HD.singleRow $ column HD.bytea in
      (^? L.nth 0 . L.key "Plan" .  L.key "Plan Rows" . L._Integral) <$> row

standardRow :: Bool -> HD.Row ResultSet
standardRow noLocation =
  RSStandard <$> nullableColumn HD.int8 <*> column HD.int8
             <*> (if noLocation then pure mempty else fmap splitKeyValue <$> arrayColumn HD.bytea) <*> column HD.bytea
             <*> nullableColumn HD.bytea
             <*> nullableColumn HD.text
  where
    splitKeyValue :: ByteString -> (ByteString, ByteString)
    splitKeyValue kv =
      let (k, v) = BS.break (== '=') kv in
      (k, BS.tail v)

mtSnippet :: MediaType -> SQL.Snippet -> SQL.Snippet
mtSnippet mediaType snippet = case mediaType of
  MTPlan (MTPlanAttrs _ fmt opts) -> explainF fmt opts snippet
  _                               -> snippet

-- | We use rowList because when doing EXPLAIN (FORMAT TEXT), the result comes as many rows. FORMAT JSON comes as one.
planRow :: HD.Result ResultSet
planRow = RSPlan . BS.unlines <$> HD.rowList (column HD.bytea)

column :: HD.Value a -> HD.Row a
column = HD.column . HD.nonNullable

nullableColumn :: HD.Value a -> HD.Row (Maybe a)
nullableColumn = HD.column . HD.nullable

arrayColumn :: HD.Value a -> HD.Row [a]
arrayColumn = column . HD.listArray . HD.nonNullable

redpajama_set_name: RedPajamaGithub


Prod companies: Whenua Films, Unison Films.
Backers: Film Fund of the New Zealand Film Commission.
Producers: Ainsley Gardiner, Cliff Curtis, Emanuel Michael.
Cast: James Rolleston, Te Aho Eketone-Whitu, Taika Waititi.
Shooting from March 16 to May 9 at Waihau Bay, East Coast, New Zealand.


text:
Put People First: Join the pre-G20 demonstration in London on 28 March!
On 28 March, thousands will march through London as part of a global campaign to challenge the G20, ahead of their 2 April summit on the global financial crisis. Both EI and the International Trade Union Confederation strong urge their member organisations, and in particular those in the G20 countries, to be represented at the rally organised by the UK Trade Union Congress.
A large turn-out at the march and rally will help to emphasise the trade union demand for urgent and decisive action to stop the current economic crisis from deepening further. It will also help to highlight the trade union recommendations to protect decent jobs for all, namely:
A coordinated recovery plan to boost the world economy, including a 'global Green New Deal';
A new international system of economic governance to manage 21st century global capitalism, including a strengthening of the role of the International Labour Organisation;
Regulation of global financial markets;
Combating the rise of injustice and providing a central role for partnership with trade unions.
Education International encourages its member organisations to emphasise the vital role which investment in education should play in recovery plans. Investment in education infrastructure and human resources and in the development of quality public education services will help to underpin economic recovery and build a strong base for economic development into the future.
The march will form up along the Victoria Embankment from 11am, before setting off at noon. It will then make its way past the Parliament and through the centre of London to the rally site in Hyde Park. Details may be found at http://www.putpeoplefirst.org.uk/
One comment on "Put People First: Join the pre-G20 demonstration in London on 28 March!"
wana now if there any transport for the G20 protest??email me on ink_me@hotmail.co.uk
wana show my support
© 2002-2020 - ethiofact.com - All rights reserved.

redpajama_set_name: RedPajamaCommonCrawl


Washington Three Percent went out yesterday to hand out warm clothing to Seattle's homeless following their Liberty or Death Rally Against Media Bias last weekend. A group of about 30 members including men, women and children showed up with bags full of hats, gloves, scarves, blankets, coats, sweaters, socks and other items. Despite the typical Seattle rain everyone was in great spirits and ready to hit the streets with their wagons full of supplies.
After handing out a sleeping bag to one homeless gentleman, who directed the group to where they should go, the group, led by state leader Matt Marshall, found themselves on the corner of Second and Washington where they set up a make shift distribution center. Soon there were many gathered to get much needed warm clothing and gear. I spoke to one of the recipients who told me "It is so nice that people out there still care about us, my family doesn't even care, I don't want to be here, I have tried to get help but it is hard to find you know? I will work, but (he looked down at himself) who is going to hire me looking like this? The state doesn't help. God Bless each and every one of you that did this." He declined to be on video or have his picture taken. This man who wants help and is willing to work, who his family turned their back on…he is a veteran. That is why his family turned their back as well. He can't be much older than me.
The kids handed out candy canes to bring some Christmas cheer to these people that all have different backgrounds and stories and with each one came a thank you and a smile from both the giver and receiver.
There was a security presence, but they even had a much more relaxed posture than at past events, because despite Matt Marshall inviting the counter protesters from last weekend to come out and find some common ground with WA3% and reach out to the community with them, none of them showed up. Maybe it was too cold, or maybe, just maybe, showing up would have been admitting that they are in fact wrong about who these people are. They aren't fascists, nazis, racist, or bigots who hate women…but in fact are good hearted God fearing people who care about their fellow man and their country. Who care about everyone's rights.
Regardless of whether you love or hate them, what your beliefs, status in life, color of skin, religious beliefs and yes political stance might be…WA3% is out there fighting to preserve what liberty we have left and to get the liberty we have let slip away back, for all of us, and they are giving back to the community along the way.
2 Comments on "WA3% Seattle Homeless Community Outreach"
It is so refreshing to hear good news about people who give us hope. I especially like that it's not biased. Intentions to unite not divide. I see all races in that group, which is a good indication that they are not racist or nazis. I would have liked to hear more interviews from the recepients.
Your comment his wonderful and the feedback on interviews is noted. I will definitely try to do that at the next outreach event. It was a bit chaotic and it was tough to know which recipients were up to being interviewed. The one I got was by chance, but I will try a bit harder next time and hone my approach. God Bless and thank you again.


text:
Otter at Blandford
Sturmister Newton Mill
Fiddleford Manor
Spetisbury Station
Places to visit on North Dorset Trailway
Get on the Trailway
Spetisbury: the old station site click here has been tidied and has a picnic area and information boards. Spetisbury Rings is an ancient British camp close to the old station and accessible by public footpath for views over the Stour Valley.
Spetisbury Apple Day 29 September 2018 click for poster.
In Blandford: Otters are often seen from the bridge where the Trailway crosses the Stour from Stour Meadow to the M&S car park - they even have a FaceBook page. Blandford has a Town Museum, a Fashion Museum, the historic church and other Georgian buildings, and the Hall and Woodhouse Brewery Visitor Centre. The town centre has shops, pubs and cafes.
Whilst you are travelling between Stourpaine and Blandford, you may come across some mysterious sculptures next to a bench. Click here to see them.
Shillingstone Station: The station has been restored with a museum and cafe. Click for details.
Fiddleford Manor English Heritage site (DT10 2BX off A357) has free parking close to the Trailway and the Manor is an amazing mediaeval building. Close to The Fiddleford Inn, one of our sponsors.
In Sturminster Newton: The restored water mill is in a beautiful setting on the Stour next to the A357 and dates from the 1600's. The Town Museum is in the centre of the town, where there are plenty of shops, pubs and cafes. You can also find us on www.sturminster-newton.org.uk
Click here to view the map in full screen


text:
Q: Idiomatic way to move std::atomic_flag (or: how are promises moved) I have a RAII wrapper class around an infinitely looping std::thread. The wrapper holds a std::atomic_flag/std::atomic<bool> that is shared with the thread to shut it down eventually (wrapper writes; thread reads). Everything was good until I needed to move the Wrapper class around as atomics don't have a move constructors.
How can I move both my control flag and thread around in a thread safe manner
My idea is to wrap the atomic_flag in a shared_ptr and give a copy to the thread. As long as I don't write to the shared_ptr (but only to the underlying atomic_flag) I am quite confident it is going to be thread safe.
However, that does not feel very idiomatic and I imagine that there is a more idiomatic way to solve this problem. It seems to me like std::promise must have solved a similar problem. I was trying to look into the src of libc++ but could not easily identify the code.
A sample implementation of the code looks similar to this (updated with Nathan's input)
void run(std::atomic_bool *active) {
  while (active->load()) {
     // ...
  }
}

class RaiiThread {
public:
  RaiiThread() : t_(&run, active_.get()) {}
  RaiiThread(RaiiThread &&) = default;
  ~RaiiThread() {
    if (t_.joinable()) {
      active_->store(false);
      t_.join();
    }
  }

private:
  std::unique_ptr<std::atomic_bool> active_{
      std::make_unique<std::atomic_bool>(true)};
  std::thread t_;
};

int main() {
  RaiiThread t1;
  auto t2 = std::move(t1);
}

redpajama_set_name: RedPajamaStackExchange


text:
SA Fuel Prices Reach All-Time High
South Africa's fuel is set to skyrocket on Wednesday after the Department of Energy announced the latest increase. SA Fuel Prices Reach All...
South Africa's fuel is set to skyrocket on Wednesday after the Department of Energy announced the latest increase.
From midnight on Tuesday, the two grades of petrol will go up by 99 cents and 100 cents per litre bringing the retail price to R17, 08 per litre and R16, 49 per litre. Diesel will increase by R1, 24 a litre while paraffin will go up by R1, 04 and R1, 39. Liquefied petroleum gas (LPG) will also go up by R1,79.
The Department of Energy blamed the increase in prices on the weakening South African Rand saying,
The average rand/US dollar exchange rate for the period 31 August 2018 to 27 September 2018 was 14.7899 compared to 13.9430 during the previous period. This led to a higher contribution to the Basic Fuel Prices on petrol, diesel and illuminating paraffin by 48.72c/l, 51.03c/l and 50.62 c/l respectively.
In a statement, the Automobile Association (AA) said,
They are the biggest in South African history. The major culprit is South Africa's chaotic economic policy' which has left us defenceless against upticks in international oil prices.
More: TimesLive


text:
New Book | The Warrior, the Voyager, and the Artist
Posted in books by Editor on January 12, 2020
From Yale UP:
Kate Fullagar, The Warrior, the Voyager, and the Artist: Three Lives in an Age of Empire (New Haven: Yale University Press, 2020), 320 pages, ISBN: 978-0300243062, $40.
A portrait of empire through the biographies of a Native American, a Pacific Islander, and the British artist who painted them both.
Three interconnected eighteenth-century lives offer a fresh account of the British Empire and its intrusion into Indigenous societies. This engaging history brings together the stories of Joshua Reynolds and two Indigenous men, the Cherokee Ostenaco and the Raiatean Mai. Fullagar uncovers the life of Ostenaco, tracing his emergence as a warrior, his engagement with colonists through war and peace, and his eventual rejection of imperial politics during the American Revolution. She delves into the story of Mai, his confrontation with conquest and displacement, his voyage to London on Cook's imperial expedition, and his return home with a burning ambition to right past wrongs. Woven throughout is a new history of Reynolds, growing up in Devon near a key port in England, becoming a portraitist of empire, rising to the top of Britain's art world and yet remaining ambivalent about his nation's expansionist trajectory.
Kate Fullagar is an associate professor of Modern History at Macquarie University in Sydney, Australia. She is the author of The Savage Visit, the editor of The Atlantic World in the Antipodes, and co-editor of Facing Empire.


صفة العمرة -- 1430 ه..
I have your headphonesof my mother towards moms day, furthermore she completely adored it! Their quite sweet headphonesand stating on the card your will come into the box is very emotional!! And the excellent of beads is actually great!
"The main force fighting both ISIS and the Syrian regime today is the Free Syrian Army," he said, using another term for the Islamic State group.
By her own admission, it wasn her finest performance Friday, but she take it.
Awesome headphonespurchase, nicely cost additionally what is presented. Striking gift box plus poem also enclosed. Great concerning mother's day!
In his design for a 52 story tower across the Hudson River from Manhattan, internationally acclaimed architect Rem Koolhaas wants to inspire social interaction, life and energy.
Appearing on this month's cover of Harper's Bazaar, Hathaway said she felt, "Shocked and slapped and embarrassed.
As an art school, SAIC prides itself on liberating students' work from commercial constraints. But both Patelski's and Kim's clothing would look at home at Bergdorf Goodman. Pianetto's might suit a Rodarte fan.
Christmas villages are one item coming back into style. You can repair chips and cracks with a hot glue gun, and re glitter the tops of the houses. Otherwise, the normal wear and tear of these familiar festive adornments is now considered chic.
That will be the end of this article. Right here you'll find some sites that we consider you'll appreciate, just click the links.
Awesome headphonespurchase, well cost then what are displayed. Stunning gift container and/or poem even enclosed. Awesome for mother's time!
I purchased it of our mama not anticipating a great deal because things had been so affordable. When I obtained it I became delighted! It is lovely & does not search affordable after all! My mom loved this!
I purchased this particular concerning my mom not expecting much since that it was and so inexpensive. Once I collected things I became delighted! It is lovely & does not see inexpensive whatsoever! Our mom enjoyed it!
I have that headphonesof our mom concerning moms time, additionally she absolutely enjoyed this! Its really pretty headphonesand the saying on the card which will come inside box is really sentimental!! As well as the quality of the beads is awesome!
Very good headphonesget, well listed furthermore what are displayed. Breathtaking present container to poem additionally enclosed. Awesome towards mother's time!
I got your headphonesfor my mother to parents time, plus she completely liked they! Its really attractive headphonesas well as the stating in the card just that comes in box is very emotional!! As well as the high quality of beads is actually awesome!


The Weschler Intelligence Scale for Children is a gold standard used globally and extensively across India for assessing children's intellectual ability. The fourth edition of the WISC incorporates significant revisions which include updated norms, new subtests, and an increased emphasis on composite scores that reflect a child's performance in more discrete domains of cognitive functioning. The structure of the WISC has been updated in this edition to reflect current theory and practice of cognitive assessment in children, including increased attention to working memory and processing speed. In addition, modifications to administration and scoring procedures make the WISC-IV even more user-friendly.
You gain valuable knowledge about the application of the WISC-IV in different settings and it's relevance for current professional practice.
You gain crucial knowledge of the changes in the fourth edition of the WISC such as item or subtest addition, modification or deletion.
You receive hands on exposure to administration and interpretation of the WISC-IV.
You receive a certificate of participation.


AQUA Eggs is THE far-out do it yourself experience for attaining live feed for your home aquarium! Composed by 100% aquacultured Acartia tonsa's eggs. Copepods are a natural source of protein, lipids, carotene, free amino acids, vitamin C and chitin for your community! To order your Acartia tonsa eggs you must contact our team at geral.penwave@gmail.com.


Would you liketo create the look of hand-work using your sewing machine? This technique is perfect for attaching a bias binding to finish a garment or craft project. A bias binding can be added to a skirt, top, and pants in place of the hem. If you use a contrasting fabric, or the same fabric, the look will different than the main part of the garment just because the fabric is cut on the bias. bias binding is a great finish for necklines and sleeves, too.
1. Sew the right side of one raw edge of the bias binding to the wrong side raw edge of your project using straight stitch #1.
2. Fold the bias strip to the front side of your project. Pin in place.
3. Attach the "G" foot to the Memory Craft 11000.
4. Select Stitch Q #18.
5. Set stitch width to 3.0, length to 1.5.
6. Adjust the moveable guide on the "G" foot along the fold so that the straight stitch portion of the stitch lines up next to the outer folded edge of the bias strip. The left swing of the needle should pierce the bias strip.
7. Attach the bias strip in this manner along the entire area to be sewn, producing a hand-stitched look.
To create an invisible appliquè look, use matching thread or invisible thread.
The Janome "G" foot (also known as the "Blind Hem Foot") fits most top-loading Janome models.
* This technique can also be done on other Janome sewing machines, Babylock sewing machines, Viking machines, and othe brand machines. The stitch selection will depend on your specific model.
This entry was posted in Notions Know-How FYI, Sewing FYI, Tips/Techniques FYI and tagged janome, machine quilting, Quilting on September 15, 2011 by sewvacoutletblog.
What is the stitch number for the Horizon 7700 for this stitch?


The download of the [Update_SEL70200GV3D.exe] file will start.
Once the file has downloaded successfully, you're ready to install the lens system software update Ver.03 for SEL70200G.
Double-click the [Update_SEL70200GV3D.exe] file you downloaded to start up the lens system software updater.


Visit our network of sites: For more information about the processor itself, please visit http: I wanted something that I could carry around and not worry about the weight. I took this night photo to show you how bright the screen is view large image. If you play lots of high def movies, you should probably go for the 2GB of ram. The battery is so small, once again you have to see it to believe it. Not bad, but if you want more time, you should go for the more powerful battery.
For example, I was in class today and I started up iTunes to play some songs and many people could hear the songs that I played clearly outside I was on the 2nd floor with koyjinsha windows open. When I saw this Kohjinsha laptop, I knew I immediately wanted kohjinsha sh series.
One has to see the size of it in person because videos and pictures do not do this little computer justice. Right side view of ports view large image. The screen LCD is pretty thick so no kohjinsha sh series can be seen if aeries push on the lid.
I would kohjinnsha this to anyone wanting to get a UMPC because this thing can be a regular laptop, then switch to a Tablet PC in a second. If you play lots of high def movies, you should probably go for the 2GB kohjinsha sh series ram. All content posted on TechnologyGuide is granted to TechnologyGuide with electronic publishing rights in kohjinsha sh series, as all content posted on this site becomes a part of the kohjjnsha.
I looked around for a while, shocked at the very expensive prices, but finally came to the little Kohjinshas. Visit our network of sites: The computer comes with Windows Vista Home Kohjinsha sh series, and unfortunately no discs sn provided by Kohjinsha. I wanted something that I could carry around and not worry about the weight. The touch pad is very small, but is very responsive.
When you hook headphones up to this, the serifs really comes alive. The laptop is mostly made of plastic except for the metal hinge kohjinsha sh series that allows you to turn your screen into a Tablet PC.
I wish they would have made it so that the plug went in all the way, and then clicked in. Left side view of ports view large image. I kohjinsha sh series got better reception on a lot of the signals plus I rarely kohjiinsha disconnected.
Even on the lowest brightness setting you can make out everything and on the highest setting it feels like a beam of light kohjinzha a clear kohjinsha sh series of your desktop at you.
The touch screen works great, I love sitting down, turning the computer into a tablet PC and watching videos.
Since this is a Japanese machine, it will have Japanese placement, also some kohjinsha sh series the buttons are smaller than many people are used to, but the keyboard is very easy to use while taking notes and the keyboard is relatively quiet. Like any laptop kohjinsha sh series ,ohjinsha of them anywaythe sound is going to be lacking on internal speakers.
I went to Yodobashi Cameraa large electronics store, as I thought that would be an kohiinsha choice kohjinsha sh series find a laptop. The other button is a brightness control.
It sounds pretty good for what it is. Not a bad deal if I say so myself! The battery is so small, once kohjinsha sh series you have to see it to believe it.
To calculate 2 million places, this computer took 4 minutes 33 seconds. What can I say about the kohjinsha sh series and noise about this computer? However, given the size of the notebook, it might be kind of hard.
I am so happy with this screen. I really love this computer, aside from the few minor problems.
This little computer can either be bought in white or black, both of them look really nice.


While many applications of high-performance CCD (HCCD) technology in medicine use CCDs to capture x-ray images directly, HCCD cameras also make excellent digitizers of x-ray film. A single image can be captured in much less time than it takes a linear scanner or traditional point-scanning densitometer. In addition, the exceptional quality of scientific CCD sensors delivers higher-quality image data than mass-market linear sensors that are run at very high scan rates.


At Maven Vets we believe in exceeding your expectations in our care of you and your pets.
We are guided by our values of pride and passion in our work, integrity, empathy, being progressive and being part of the community.
Our exceptional facilities were designed for our client's comfort and ease from the moment you arrive and park.
Our clinical protocols are continuously updated to ensure your pets are being cared for to the highest standards.
We listen to feedback from our clients and actively seek your opinion on issues which affect you.


text:
package gigahorsetest

import org.scalatest._
import scala.concurrent.Future

class AhcClientSpec extends BaseHttpClientSpec {
  import gigahorse.support.asynchttpclient.Gigahorse
  // custom loan pattern
  override def withHttp(testCode: gigahorse.HttpClient => Future[Assertion]): Future[Assertion] =
    {
      val server = getServer
      server.start()
      val wsServer = getWsServer
      wsServer.start()
      val http = Gigahorse.http(Gigahorse.config)
      complete {
        testCode(http)
      } lastly {
        http.close()
        wsServer.stop()
        wsServer.destroy()
        server.stop()
        server.destroy()
      }
    }
}


text:
<?php

$start = microtime(true);

DEFINE('DS', DIRECTORY_SEPARATOR);

require 'Output.php';
require 'Globals.php';
require 'Hammer.php';

foreach(scandir(__DIR__ . DS . 'builders' . DS) as $path) {
    if($path === '.' || $path === '..') continue;
    require __DIR__ . DS . 'builders' . DS . $path;
}

$jsonPath = getcwd() . DS . 'build.json';

if(!file_exists($jsonPath)) {
    Output::write('Build file ', Output::RED);
    Output::write($jsonPath, Output::CYAN);
    Output::writeln(' not found', Output::RED);
    return;
}

Output::writeln("===== PHPHAMMER", Output::CYAN);

$os = Hammer::getOs();
Output::writeln("=====        OS: {$os}", Output::CYAN);
Output::writeln("===== Buildfile: {$jsonPath}", Output::CYAN);

$jsonContent = file_get_contents($jsonPath);
$json = json_decode($jsonContent, true);

if($json === null) {
    Output::writeln('Build file invalid:', Output::RED);
    Output::writeln(json_last_error_msg(), Output::RED);
    return;
}

if(isset($json['globals'])) {
    array_walk_recursive($json, function(&$item, $key) use ($json) {
        if($item{0} === '$') {
            $globname = substr($item, 1);
            if(isset($json['globals'][$globname])) {
                $item = $json['globals'][$globname];
            }
        }
    });
}

Output::writeln("=====   Project: {$json['name']}", Output::CYAN);
Output::writeln("=====   Version: {$json['version']}", Output::CYAN);

if(count($argv) < 2) {
    Output::writeln('No target defined', Output::RED);
    return;
}
$targetParam = $argv[1];
Output::writeln("=====    Target: {$targetParam}", Output::CYAN);
Output::newln();

if(!isset($json['targets'][$targetParam])) {
    Output::write('Target ', Output::RED);
    Output::write($targetParam, Output::CYAN);
    Output::writeln(' not defined', Output::RED);
    return;
}

Globals::set('buildfile', $json);
Hammer::execTarget($targetParam);

$duration = microtime(true) - $start;

Output::newln();
Output::writeln("===== Duration: {$duration}s", Output::CYAN);


Current studies of tropical insect biodiversity, life histories and behavior build on nearly 100 years of background work by entomologists like William Morton Wheeler and Ray Schnierla, who studied ants here in the 1920s and Terry Erwin, who made the first estimate of world insect biodiversity in 1982. Entomology at STRI continues to be strongly field and natural history based. Access to the highly biodiverse insect fauna of the region as well as our Heliconius insectaria in Gamboa, genomics/molecular lab, canopy access cranes, neurobiology lab and chemical ecology equipment at Panama's government labs at INDICASAT create unique opportunities to study insect behavior, ecology and evolution.


Above: Darrell Gallagher is head of Microsoft's The Initiative game studio in Santa Monica, California.
Microsoft made news this week as it announced it was buying four game development studios and opening a fifth. That's part of the company's plan to level up in the game business by making more of its own games for the Xbox One and Windows PC platforms.
At the tip of this spear is Darrell Gallagher, who is the head for the new game development studio, dubbed The Initiative, that Microsoft is opening in Santa Monica, California. The fact that Microsoft chose Santa Monica is interesting, as it is part of the bustling Los Angeles metropolitan area that is increasingly home to more game companies. It is also the home of rivals such as Sony Santa Monica Studio, which made God of War, and Treyarch, maker of this year's Call of Duty.
I talked to Gallagher about what it takes to open a brand new Triple-A studio, and he said the company will recruit the best talent and work on games that no one else is making. Here's an edited transcript of our interview.
Above: Microsoft's Xbox press event at E3 2018.
Darrell Gallagher: Really, for us, the first thing is we're proud to announce that we're launching this new studio, The Initiative. It's a great E3 to announce at and be part of. Santa Monica is a great location. It's a hotbed for existing and up-and-coming talent. That's one great opportunity. Microsoft hasn't got a presence there. We have studios around the world and a lot based in Seattle. It's a good opportunity to leverage a location that has not just gaming, but a broader suite of entertainment as well, and look to broader entertainment to bring people in and start something new and fresh and exciting.
GamesBeat: It seems like a good solid ecosystem all by itself. You add to that — +not all of the studios here are always stable. There's talent available.
Gallagher: There's universities, too. It's not just existing studios or other fields. It's also looking at new talent coming in. It feels like a great location to be able to leverage and look at the diversity of options you have to bring people together to make something amazing.
GamesBeat: L.A. is up-and-coming in general, it seems like.
Gallagher: It is, it is. Even when I walk around downtown, I think, "Wow, it's almost there." It's a real desirable place to come around and hang out. The investment and building of Los Angeles—the train systems are in place now. All sorts of things are changing.
GamesBeat: The bay area seems a little more mixed as where its fortunes are at this point. The rest of the world is catching up. Game jobs are spreading all over the world.
Gallagher: That's the other advantage. I look at Santa Monica as a great opportunity to bring in not just the talent pool there, but to go beyond and look at different parts of the world as far as how we scale. These are big, big games we make, big properties we work on, and that scale and being able to leverage other parts of the world is a big part of what we're thinking about as an industry.
Above: Phil Spencer at E3 2018.
GamesBeat: Do you have any particular purpose or focus you want to talk about yet?
Gallagher: In the briefing and beyond, in some of the post-briefing stuff—my focus is one of opportunity and trying to make something ground-breaking. I've been given the mandate and the freedom and the support to go do that. It's almost the best of both worlds, where I get to go build something—I love building things. If you look at my history, it's building IP, building studios, building teams, building entertainment. I love being able to build. To do that with the support of Xbox and Microsoft behind me, looking for ground-breaking new gaming pillars to work with in the future, it's a great opportunity.
That's really the mandate: make something ground-breaking. Innovate. Take those brightest minds in the industry and beyond and say, "What can we do in the future?" We have all this hardware, all these tools, all the creativity. As a gamer, we have the opportunity play games across every device in every place. For me as a creator, it's awesome to be given the opportunity by Phil Spencer and by Xbox to go build something.
GamesBeat: Do you have any idea yet how many people you'll have?
Gallagher: It depends on what we're building. I don't view it as a numbers game. I view it as, what do I think is going to be a great entertainment and gaming experience to build around? Then you back into the numbers a bit after. What would it take to achieve this? There's no hard numbers at this point, as a result. It's about creative minds together to explore the thing we want to go build. Where do we land this and how do we support it?
What I do know is that we've been given the support and encouragement to explore and find those opportunities. I know that, again, from my standpoint, it's awesome to have the whole of Xbox and Microsoft supporting what we're doing.
GamesBeat: What gives you the confidence that they don't just want to start something up, see if it works, and shut it down if it doesn't?
Gallagher: That's absolutely not—I feel we have great confidence and momentum. Obviously you've seen what was announced. When you look at everything collectively, the momentum we have right now is really strong. The platform is really strong. The tools and tech, the support is really strong. From my standpoint, all the pieces are there to go make the next ground-breaking great gaming experience for the audience. I couldn't be better set up than having that blank canvas with all the brushes and tools and being encouraged to go paint.
GamesBeat: It seemed like they set this in motion by putting Matt Booty in his position. His charter seems to be expansion.
Gallagher: Matt is a big piece of it. Phil getting elevated is a big piece of it. Obviously there's a big commitment to that vertical. You can see those pieces being put in place. That commitment has been shown across the board. You see it followed through in what we talked about this week.
Above: The Naughty Dog paw print logo greets visitors to the company's headquarters.
GamesBeat: You want to build something to rival Sony in Santa Monica, a Naughty Dog?
Gallagher: Well, I don't know what they represent to you. I would like to build a Microsoft studio that's called The Initiative and that stands in its own right.
GamesBeat: Does the name mean something?
Gallagher: For me, it means looking at things differently. It's about taking the bull by the horns. It's about projecting the future and making our own history. Really getting people that are like-minded around that concept of, "We have all the opportunity. Let's take the ball and run." That passion and the willingness to pioneer in the future and find out where we land is the spirit. "The Initiative" reflects that.
GamesBeat: You're starting at a time when venture capitalists out there might be funding mobile game studios or esports companies or blockchain startups. You're starting a console game studio. It's an interesting contrast.
Gallagher: All this entertainment can coexist. The fact that there's different ways of consuming music or TV or movies doesn't mean that the experience type goes away. I think of it as experiences. Our experiences are here to stay. Whether that's on console or mobile or whichever platform it might be, I think of experience type, and to your point, for a consumer there's a vast array of options around playing games. It's a great space to be in.
I don't think it's picking one versus another, or one can exist and the other can't. It's the same way as we have blockbuster movies still coming out in theaters just the same as we did 20 or 30 years ago, they coexist with other forms of entertainment that are vastly different. Nothing's made blockbusters in the traditional sense immaterial or mute. They've evolved and had to change. I think we're in a great place where we can pick different experience types for the consumer. It's an awesome place to be in.
GamesBeat: I remember when Microsoft set up the Xbox Entertainment Studios down here, and it was more specifically about reaching out to Hollywood. It was all digital media. This doesn't sound like that.
Gallagher: We're here to make games. I'm a game maker. I love making games. I love making franchises. I love building game studios. That's my heritage and my history. That's what I'm passionate about. Obviously it's early days. We're just excited to be able to announce what we're doing. The fact that we've got this opportunity—obviously there's not the ability to drop a demo today, but hopefully we'll come back together and talk about that when we get the opportunity to show you something.
Darrell Gallagher: There's a bit of a black box and a dark art around game development, how it comes about. I wanted to get your opinion and your thoughts on opening that up and having a two-way relationship with people like yourself or an audience that can participate.
GamesBeat: I've heard that before from different parties here, like Ubisoft saying that they wanted to get community submissions of music or photos or artwork into Beyond Good and Evil II. I think other people are thinking about being more careful, too. EA might not have tripped up so much over the loot box thing had they been more communicative with the community.
The risk that's out there may be as much as it's ever been, that the Redditors can go into open revolt over something, whether it's the way faces look in Mass Effect Andromeda or the fact that they don't like loot boxes in Star Wars. You can trip up on something you didn't realize was there. More open communication definitely makes a lot of sense, especially as we're dealing with a very vocal community still.
Gallagher: Outside the release of a game, I think the development of a game is really interesting. When I say "think differently," how we challenge expectations and break new ground, it's not just in the types of games we make or what we intend to do in our ambitions. It's how we make it. That's an interesting conversational point. How do bring people in alongside? How open are we about the difficulties and the challenges we face day to day in development?
GamesBeat: I've seen different things people are trying. I'm a judge in this Universal contest. They teamed up with Unity and Microsoft and Intel for an indie game contest where the indies make a pitch based on Universal's properties, like Jurassic Park, or lesser-known ones like Jaws or Turok. Things that haven't had a game in a while. They said they could cook up an idea themselves and pick out a mid-size studio to make a brand-based mobile game or some other game, but they felt like there's more creativity in the indie community to come up with things that might be more out of the blue.
Gallagher: To your point, even just feedback along the way is super valuable. How do you embrace a two-way dialogue of development? At what point is it the right time to embrace that dialogue? How deep and wide do you go? How public is it? These are all interesting development questions. Any time I start out on new projects, I like to challenge the assumption. Starting out these new ventures, I say, "How could we do it differently?" If you challenge yourself in that way on every level, challenge yourself to make something ground-breaking at the end, challenge how we make something ground-breaking, and not just what is ground-breaking, I think those are really interesting questions.
GamesBeat: I have a little vision that I'm not sure is crackpot, but I've been talking about it over the last year. It's what I call the leisure economy. We went from a producer economy to a consumer economy and now we're, what, a creator economy, I guess? The creators are people outside the traditional companies that are making a living doing something related to what traditional companies do.
User-generated content fits that pretty well. But you have esports athletes. They make a living playing games. How many people can get paid to play games? AI is going to eliminate a bunch of our jobs. What are we going to do with people in the future? If you pay them to play games, that's that whole idea of, well, they bring value. If you have a free-to-play game, they engage with it. They make the game fun. Then a small percentage of people pay to finance the whole thing.
The idea of paying people to play games, I think, is interesting. There are more people doing it. We're creating jobs that didn't exist a short generation ago: streamers, cosplayers, YouTubers, esports people. The videographers working for the esports teams, they're all getting paid as part of this new economy of many new jobs, and maybe a long tail of jobs that could exist. If you create games from the start thinking this is the future, you might create games differently.
Gallagher: Absolutely. The watchability, the esports components, the streaming of games, these games are all—again, when I look at the landscape of opportunities to go explore, there's a ton of new space out there. This is sidebarring a little bit, but my dad was a finance guy. Wore a suit to work every day. Very accountant. We were well-looked-after. He raised a good family, all that stuff. But I said, "Hey, dad, I'm going to art college." And then after art college I said, "I'm going to go make video games." The look of horror – "Really, son?" – I can still remember it. He still says the same thing today.
The new equivalent could be what you're saying. I can imagine kids coming out of college saying, "I'm going to be an esports athlete." Telling their parents. It could be the equivalent of me 30 years ago telling that to my dad.
Above: Fortnite booth at E3 2018.
GamesBeat: I know a family who has a kid who's 18. He's really good at Fortnite, and they're worried about him. What if he drops out of college to go play Fortnite? Well, what if he wins some of the $100 million they just put up for prize money? What is the correct parental advice?
GamesBeat: The imagination to go and create something that doesn't exist–I've been getting paid to play games as a journalist for 22 years, out of the 30 years I've been a journalist. It is possible. But I think games can be crafted more for this new economy.
Intel even did a study about what they call the passenger economy that will arise from self-driving cars. People get two hours back in their days.
Gallagher: Imagine how much TV I could cram in that I don't get to see. I miss so many shows!
GamesBeat: They say this will be $7 trillion economy in 20 years, the services going into cars, including games, that will take care of people.
Gallagher: Games, TV shows, all the things I don't have time for because there's too much to consume. It would be fantastic. I'd love it. But to your point, this is the opportunity. We have these new ways of playing and viewing and watching games and interacting with games. The landscape is changing. I think it's a fantastic time, because that landscape is—the clay is still wet. We've got the opportunity to shape that clay in some way. As a creator, having the flexibility and the wet clay to go shape for the future is great.


Bringing Bauhaus Modernism to Lithuania. Vladas Svipas Life and Influence.
Influences of the Bauhaus in the Polish Architecture of the Interwar Period.
Transnational Readings of Art and Architecture in the Baltic Region.
Bauhaus Wall Painting and Colored Architecture: Reconstructed, but not Restored.
The World as it is, the World as it Should Be: Documentation Science and the Information of Modern Architecture.
Reading Visual Data: The Reconstruction of a Teaching Curriculum through a Slide Collection.
Looking Sideways: Modernism's Roadside in the Architectural Press Archive.
Hybrid Design Records: Traversing Analog and Digital Design Records.
Reproducing the Obsolete: Reflections on the Conversion of a Power Station in Munich.
Urban Design as Mirrored by the Photo-Opportunity.
Schizoid Space: Working with Chinese Immigrants in China Town New York.
Contested Spaces for Palestinian refugees in Kuwait, Jordan and Lebanon.
Test Cases for the Total Environment: Data, Democratic Methods and Urban Planning in the 1970s.
A City of Bits and Atoms: The Uber Network as Megastructure.
The City As Digital Contract.
From GIS to the Automatic Dencity Analysis Model (ADAM).
Faktur, Photography, and the Image of Labour: On Moholy-Nagy's Ideological Use of Textures.
The Tabulated Architect: Psychotechnics and Occupational Therapy in the Laboratory of Design(ers).
Towards a Digital Bauhaus: The Analog and the Discrete in the Glass Grids of Josef Albers.
Contests of Perspective: Disputing the Status of Architectural Photographs.
Rehearsals for Exile: Anni Albers and the Nomadic Textile.
Pacification through Modern Architecture: De Gaulles' Constantine Plan for Algeria (1954–62).
Byways of Modernism in (Post)Colonial Transition: From Weimar to Portugal via Southern Africa.
Hybrid Neighbourhoods: The Reciprocity between Chicala and Luanda, Angola.
Coastal Resolution: Profit margins between Building Land and Common Waters in Spain.
The Object of Risk: Challenges of the Human Right to Shelter.
Nora Akawi and Tom Ullrich.
A Transatlantic Study in Techniques of Governance: Walter Gropius's and Martin Wagner's Campaign for Postwar Planning.
"Making Them Like Us": The Transfer of Architectural and Urban Planning Ideas to Iran during the Cold War.
Obscured Modernism: Revisiting the Legacy of Gabriel Guevrekian.
Opening Transnational Paths: The Arrival of Bauhaus Products in Barcelona.
Bauhaus Influences on Post-War Greece: The Architect Ioannis Despotopoulos.
A Million Tonnes of Cement Dust: Frontier Urbanisation in the Gaza Strip.
Breathing Walls and Windowless Buildings, or: Two Sides to an Atmospheric Utopia.
Dust and Data / Art and Technology.
Bauhaus Modernism and Intellectualisation of Perception.
The International Bauhaus-Kolloquium in Weimar 1976 to 2016 – a Bauhaus-Reception.
The Staatliche Musikheim in Frankfurt (Oder): A Forgotten Project by the Bauhochschule Weimar under Otto Bartning.
Parteilichkeit: Die Episode Schmidt-Basel an der HAB Weimar.
Arieh Sharon und Hans Maria Wingler. Zur Etablierung einer Deutsch-Israelischen Bauhausrezeption.
The History of the Bauhaus Colloquium: The 1989 Colloquium and the Question of Postmodernism.
Historiographic Revisions: The Case of the Ottoman Railway Network.
The Garden Suburbs of Cairo: The Transfer of a British Town Planning Model during the Occupation Period.
Infrastrastructural Histories: The Haydarpaşa-Pendik Railwayline in Istanbul (1873 – 2013).
The Work of Saloua Raouda Choucair within an International Modernism.
The Orientalist Depiction of Iran in the Vogue and GQ Magazines in the 1960s and 70s.
The Itinerant Red Bauhaus: Bauhaus Migration to Mexico and Chile.
Collective Farming in Joyang, North Korea, in the 1950s by Konrad Püschel, a Bauhaus Graduate.
Exporting Anonymity: Bureaucracy and Genius at the University of Baghdad.
Thinking and Designing beyond the Nation: Modernism and Indigenous Cosmopolitanism in Singapore.
The Second Wave of Bauhaus Artists: An Australian Migration.
The First-Wave Digital Urbanism of Leonardo and Laura Mosso.
R. Buckminster Fuller's Synergetic – Thinking.
HfG Ulm circa 1954: Finding the Right Maßstab for the Good Object.
Between Crypto-Technics and Phanero-Technics: The Revealing in Simondon's Techno-Aesthetics.
Big Data Modernism: Constantinos Doxiadis' Program for the Development of Detroit.
Hard and Soft: the Bauhaus, California, and the dispersion of design.
The Ubiquity of Objects: From Semper to the Bauhaus and Beyond.
The "Additional Teaching Staff" of the Bauhaus.
Oskar Schlemmer's Paintings as Agents of Exile.
Constructing an Archive of Modernist Architecture in Africa.
Modernism in the Arab World: An Archive.
Fritz Haller: Architecture, Data and Technological Turmoil. A History Full of Controversy.
Evidencing Ecocide: Towards an Ecological Justice in the Pacific Ring.
Information Retrieval and Data Mining for Authorship Analysis.
Liquid Traces. Contesting the Deadly Architecture of the EU Border Regime.
The "Smart" Mandate: Infrastructure, Responsive Environments, and "Resilient Hope".
Sound Remains: The Acoustic Archeology of Black Sites.


In this tutorial DomQuichotte will recreate the Ides Of March movie poster. First, you will adjust the colors of the main image. Then you'll align the second one. Next, you'll create a magazine from scratch and add the second image as a cover. Finally, we add a hand and adjust the colors.
Subtitles available in English, German and Spanish.
The World No.1 Advance Photoshop Tutorial Website Your all tutorials is awesome I love it…!!!
simply amazing. thanks a bunch!!! please do more of your tuts.
Jul 24, 2012 at 20:33 Elton B.M.
your a legend – love the tut!!!!
Jul 31, 2012 at 20:17 U.X.
Thank you for this tut! You\´re such a genius!
great movie poster! i like that.
WHOOOAH your so GREAT Dom Quichotte!!!!!!!!
great tut, brother! just amazing, thanks!
Kann den Leuten unter mir nur zustimmen! Da haste echt richtig gute Arbeit geleistet! Respekt!!!
I bow in front of your talent and swiftness. Awesome… Keep it up !!!
Just want to say "THANKS" genius!!!
thank you very very much for your tutorials. I´ve never learned more in that short amount of time.


I have been with this group since 1998. They are professional,courteous and sociable. Although I primarily see Dr. Stegen,( My preference to stay with one physician) I have seen the others when needed ,I have had no qualms and have always received excellent care here.


Regardless of the reason of these terminations, there are plenty of other banks that offer the same services, even if a little bit less, losing their credit cards is far worse than not banking with them to begin with.
I think hundreds of people can agree with what I say.
Why do you thing that it has something to do with the bank accounts?
Depends what kind of banking you do.
If you do a lot of cash, money order, and wire transactions, this is probably true.
Understanding the banker's pay structure can work you wonders.
Did they do what I quoted?
You guys are talking over each other.
There's no dispute traditional banking provides profit to a bank. There's similarly no dispute that unusual banking practices will cause lenders, including Chase, to torpedo the entire relationship--including CCs, etc.
Closing banking (a profit center) will not increase chances of torpedo, but ceasing (or avoiding altogether) unusual high-risk banking practices will decrease it.
Was there a recent wave of new account closings?
Also, why does this need a new thread? Whats wrong with this one?


text:
Gisele Bündchen's Net Worth (Updated 2021)
Gary Vaynerchuk Net Worth
Posted by Social Campus | Apr 9, 2018 | Net Worth | 0
Born: November 14, 1975
Country of Origin: The Soviet Union
Source of Wealth: Entrepreneur
Gary Vaynerchuk has been described as the first wine guru of the YouTube era. His natural talent for selling and his critical eye has helped him achieve rapid success in his business ventures.
Vaynerchuk has also proved how important it is to adapt to the changing world, and how meeting your audience is important.
As of 2018, Gary Vaynerchuk's net worth is $160 million.
Gary Vaynerchuk was born in Babrugsk, Soviet Union and immigrated to the US with his family when he was 3 years old. The family of eight lived in a studio apartment in Queens until they moved to New Jersey where his father worked at a relative's liquor store.
In New Jersey, he operated a lemonade stand franchise and also earned money trading baseball cards. His eye for deals and his natural sales talent had him earning thousands of dollars a weekend. By the age of 14, he joined his family retail business.
Vaynerchuk discovered the Internet and the potential to use it for profit while he was in college. College also led to the discovery that people collected wines and saw a potential for a larger family business.
By 1998 he graduated with a Bachelor of Arts from Mount Ida College in Newton, Massachusetts.
After graduating from college, he assumed control over his father's Shoppers Discount Liquors and renamed the store Wine Library. He then created winelibrary.com and took advantage of every online sales opportunity he could.
In just five short years the sales increased from $3 million dollars to over $60 million.
2006 saw the creation of a YouTube vlog called Wine Library TV, which was produced daily. The popularity of this vlog increased to the point where Gary became a guest on Conan O'Brien, which drove the views up.
After 1000 episodes, the show was ended by Vaynerchuk. In 2014 he created a new YouTube show which now has over 130,000 followers.
In 2009 Gary and his brother founded Vagner Media which focused on helping large brands on social media.
Early clients included the NHL, and now include Pepsi-Co, General Electric, among many others. Vaynerchuk has also been involved with angel investing and has had early involvement with companies like Twitter, Facebook, and Tumblr.
2009 also saw the signing of a 10 book deal with HarperStudio. Within weeks of the release of the first book, it had climbed to number 1 on the Amazon Best Seller List for Web Marketing books. As of 2016, Vaynerchuk had released 4 of the 10 books.
In 2018, Gary Vaynerchuk's net worth is estimated to be $160 million.
Here are some of the best highlights of Gary Vaynerchuk's career:
Marketwatch: 2003, Market Watch Leader award, the youngest recipient
Bloomberg's Business Week: 2011, 20 People Every Entrepreneur Should Follow
Fortune: 2014, 40 Under 40
Crain: 2015, New York Business 40 under 40
Favorite Quotes from Gary Vaynerchuk
"You have to understand your own personal DNA. Don't do things because I do them or Steve Jobs or Mark Cuban tried it. You need to know your personal brand and stay true to it." – Gary Vaynerchuk
"Legacy is greater than currency." – Gary Vaynerchuk
"If you live for the weekends and vacations, your sh*t is broken." – Gary Vaynerchuk
"No matter what you do, your job is to tell your story." – Gary Vaynerchuk
"When it comes down to it, nothing trumps execution." – Gary Vaynerchuk
"There is never a bad time to start a business – unless you want to start a mediocre one." – Gary Vaynerchuk
"You must choose an area where you can win. No, scratch that. Not just win, but absolutely dominate. After all, don't we have enough mediocre podcasts around?" – Gary Vaynerchuk
View our larger collection of the best Gary Vaynerchuk quotes!
Gary Vaynerchuk Motivational Video
Gary Vaynerchuk rose to popularity rapidly and used his following to build his brand. His net worth is reflective of the hard work that he puts into his ventures. There is no doubt that Vaynerchuk will continue to expand his ventures and build his net worth.
As of 2018, Gary Vaynerchuk's net worth is roughly $160 million.
What do you think about Gary Vaynerchuk's net worth? Leave a comment below.
This article was originally published at https://wealthygorilla.com/gary-vaynerchuk-net-worth/ – Email us at hello@thesocialcampus.com if you would like to become a contributor.
PreviousTai Lopez Net Worth
NextAll the News from Zuckerberg's Senate Testimony
Social Campus