What are the best Creative Writing Colleges in Laramie, WY?
With an overall population of 27,204 and a student population of 13,654, approximately 12,427 of Laramie students attend one of Laramie's schools that offer creative writing programs.
Of the 1 creative writing schools in Laramie, the largest creative writing school, by student population, is University of Wyoming. Approximately 12 students graduated in 2010 from University of Wyoming with credentials in creative writing.
A reported 12 students graduated with credentials in creative writing in Laramie in 2010. If you decide to attend one of Laramie's creative writing schools, you can expect to pay an average of $16,020 per year in instate tuition and $23,940 per year in out of state tuition.
In addition to tuition costs, you should plan on spending an average of $1,200 for books and supplies each year, while enrolled in a creative writing program in Laramie. And if you live on campus, you will face an additional expense of $8,006 per year, on average, for room and board at Laramie-based creative writing schools. Students who live at home can cut this cost down to approximately $0.
If you decide to work as a creative writer in Laramie, your job prospects are good. By the year 2018, the number of creative writers is expected to increase by 14% in Laramie. This projected change is faster than the projected nationwide trend for creative writers.


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Izetta: The Last Witch 01 (Alternate Earth, World War 2)
October 2nd, 2016 AstroNerdBoy
Izetta: The Last Witch 01
Shumatsu no Izetta episode 01
Izetta, Die Letzte Hexe 01
SPOILER Summary/Synopsis
Princess Finé of Eylstadt has a dream, remembering being a child and encountering a red haired girl her age, singing and floating on a log. Years later in the present, she's wakened by her two body guards as the Westrian train they are on is being searched by Germanian soldiers looking for her. They attempt to make their escape, running to other train cars, getting on the roof, and then ending up in a storage car. Inside is a sealed casket which she starts to open, but is stopped by a Germanian major in civilian clothing. The soldiers shoot her bodyguard Tobias, but the trio manage to leap from the train to the water below.
Tobias dies, leaving Finé and her other bodyguard to make it to a hotel. After a shower and clean clothing, Finé meets the Britannian ambassador at an opera, but while she offers a great deal for Britannia's help, Germania has invaded Eylstadt and their soldiers arrive to take her into custody. The casket from the train is the plane with Finé as they fly back to Eylstadt. The red haired girl in the casket becomes conscious and realizes the blonde girl she sees being threatened by Germanian soldiers is Princess Finé. As a result, she breaks free of the container, causes the plane to be destroyed, and using an anti-tank rifle, the girl flies to Princess Finé. After saving her, Finé knows this girl as Izetta.
Thoughts and Review
I wasn't planning on watching but one series this season. However, I caught a look at a preview video for Izetta: The Last Witch and something about a girl flying an anti-tank rifle (I think it is too big to be a sniper rifle) like a broom caught my eye. And for first episodes, Ajia-do does a great job at capturing my interest.
Anime as an Advertisement
As has long been stated, most of anime out of Japan today is an advertisement for something. The easiest ones are the anime adaptations of an original manga or light novel work. Obviously, those anime series are selling the manga or light novels. Then there are titles that are based on games, attempting to draw new interest in said game. Some look to sell other products, such as music CDs, toys, or models.
It is with this sort of cynicism that I began watching Izetta: The Last Witch 01 with. There is no source light novel or manga called Shumatsu no Izetta. There's no music being sold. While there are German (or alt-universe German) World War II military vehicles and weapons featured, they are not the highlight. They are merely elements of the story. So beyond the normal anime products that are created (where I foresee Princess Finé becoming a new waifu favorite), I don't get a sense that Izetta: The Last Witch is an advertisement. For now, I sense story for story's sake.
The Alternate Earth, World War II
I suppose to avoid certain sensibilities and to allow more creative stuff to happen, Izetta: The Last Witch 01 is set in an alternate Earth. The Germanian soldiers wear uniforms similar to the German soldiers. Fashions and technology remain the same. Instead of the Führer, there's an emperor. There are no National Socialist symbols of any kind, but what is used does give off a Nazi feel.
The only difference is that there's apparently magic of some kind, in the form of Izetta. There's a legend regarding her destructive powers, so it is understandable that the Germania government would want that. This seems based on Hitler's interest in the occult.
Regardless, I'm fine with this alternate Earth setting, mirroring events of World War II.
Princess Finé
The character of Princess Finé follows a current trend in anime of featuring powerful female leads who retain their beautiful, feminine side. As I mentioned earlier, I expect Princess Finé to become the new, popular waifu character.
For me, it wasn't her quick wit, nor her keeping calm in a crisis, nor her determination and leadership that made Princess Finé interesting. It was her meeting with Lord Redford at the opera that caught my eye. In order to obtain help for her people, she was not only willing to allow their biggest industrial company move Britannia, she was also willing to marry their Prince Henry, whom she had previously turned down.
For me, this is a massive revelation of what kind of character Princess Finé. We don't know why Princess Finé turned down Prince Henry before. I know that the image of a prince is supposed to be all handsome and stuff. However, what if Prince Henry were fat? Or ugly? Or much older than Princess Finé? What about a combination of the three? Either way, Princess Finé was willing to sacrifice her throne and marry Prince Henry in order to save her people. In my mind, he could be highly unappealing to her, but she'd still do it. I can respect that greatly.
The Art and Animation Rocks!
I rarely speak of an anime's art or animation qualities. For me to sit up an really take notice, there has to be something special. That was certainly the case with Izetta: The Last Witch 01. From the moment they were on the train, I couldn't help but notice the attention to detail given. This was especially noticeable when Princess Finé and her bodyguards fled through the first class car. Everywhere they went, I appreciated the high level of detail given to the scenes.
As to the animation, it really sticks out when the animation budget is high. There was movement everywhere and it was fluid movement. The chase in the train and on the train really impressed me greatly. Again, it was the attention to details, such as characters attempting to keep their balance while on top of a moving train. So I give a big nod to Ajia-do for this. I hope they can keep it up for however long this series goes.
Final Thoughts and Conclusion
While we are still only one episode into this series, it is refreshing for me to know that in Japan, an original anime story might be created with the purpose of entertaining folks of its own accord. Not only that, Izetta: The Last Witch seems to be a story and series that the studio cares for greatly. While every studio wants success, some are fine with making a quick buck. I get the sense that Ajia-do wants to do more than make a quick buck. I hope I'm not wrong.
As to the plot and story, I'm very interested in where this goes. There are certainly some cliched elements here (beautiful princess saves a young witch from a mob and becomes her friend, which pays off years later). I'm OK with that, providing things are kept interesting.
In the end, Izetta: The Last Witch 01 is an excellent start to an anime series. Not only does this have superior art and animation, but it has an interesting premise for a story. I'm rather interested to see where this goes.
Posted in Anime Tags: #イゼッタ, Izetta The Last Witch, Original, What I'm Watching
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8 Responses to "Izetta: The Last Witch 01 (Alternate Earth, World War 2)"
NullApostle says:
Reminds me of "Junketsu no Maria".
https://anidb.net/perl-bin/animedb.pl?show=anime&aid=10178
AstroNerdBoy says:
I was unaware of this title.
evgenidb says:
So far I've watched the first 4 episodes and it's actually relatively good depiction of Medieval Western Europe (as far as I can tell).
Even Skallgarim was amazed by it's authenticity: https://www.youtube.com/watch?v=_tFOJFyTl1U (Just to get you more hyped for it.)
Ha!ha! Thanks! 😀
"In order to obtain help for her people, she was not only willing to allow their biggest industrial company move TO Britannia, she was also willing to marry their Prince Henry, whom she had previously turned down.
I'm not sure you can take the "turn down" as her own choice for 100%. It could be, since this is anime, after all, but there could be another reason – the current ruler of the country or politics.
First, a little bit of background: marriages for pretty much any ruler/lord and, especially, their kin is a a matter of politics and business. Not love. It's a very, very, VERY rare case when a prince or princess is given the right to choose who to marry (by love). Usually it's more of a deal – what each side can expect or get upon the marriage. And whether the other one is pretty or ugly, thin or fat, old or young, doesn't matter that much. Other… qualities… are more important.
Back to the point. The one who really decides who she should marry is the current ruler of Eylstadt and not Finé. If the offer was denied, there could be a number of reasons: a better offer from someone or somewhere else; or Eylstadt didn't want to be ruled by Henry for whatever reason; the ruler could dislike Britania or Britania and Germania are enemies and he didn't want Eylstadt to be in the middle of it, especially since Eylstadt so much closer to Germania, etc.
If the anime decides to go this way and keep the reason a little more complex than the simple and unrealistic "don't love him", we'll probably find it in the next episodes. Or the anime might decide to be just an anime and be fine with the cliche.
Also Finé offering herself in exchange for Britania's military support is not that strange – that is normal/expected. Nor is Lord's denial when he finds out that Eylstadt is invaded and Finé will soon be a princess without a country; the company he wants would probably be destroyed or captured by Germania, so he won't get it; and that Finé will abdicate upon marriage in favor of her sister, so Henry will not become a king of Eylstadt. She really has nothing to offer besides her body and that's not enough in those circles.
Another really good original anime is "91 days" (just finished airing these days): 12 episodes of plot and unexpected twists and probably the biggest gem of the Summer season (for me at least). Some consider it to be a more serious version of "Baccano!", another recommendation if you haven't watched it yet.
True. That's the basis for Tenchi Muyo! Ryo-ohki having a harem ending — politics.
You do make a good point about political marriages. However, at the time of World War II, couples did marry for love. From what I understand, Queen Elizabeth 2 fell in love with Prince Philip when she was 13 and they wrote letters. Granted, they still had to go through a formal process for the marriage to happen, but in this case they married for love.
From how the episode portrayed things, Prince Henry proposed marriage to Princess Finé because he became smitten with her. She turned him down for unknown reasons, but then decided to accept for political reasons. So that was what I based my opinion on.
I haven't watched. Thanks for the tip. 🙂
The Nazi really did collected artifacts with known mystical properties for propaganda or research. Could you imagine if the nazis got greek fire prior to Napalm
Sounds like a good premise for another Indiana Jones adventure. 😀
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redpajama_set_name: RedPajamaCommonCrawl


No, chances are they mean exactly what they said.
You might find a good steak in a dumpster, but that doesn't mean that looking for a good steak in a dumpster is a great plan.
Yes, grasshopper, that is a very astute observation..and quite true.
This is hardly news. There must be a million Country & Western songs about the suitability of bar goers as potential mates.
I saw this thread and had to add my two cents. I give up there just aren't any decent women out there and I refuse to set foot in another bar. I'd rather do something productive. When ever I drink I end up regretting it later. So screw it; I'm done. I guess I am at the mercy of the universe now. Just let it run its course eh? And if it happens then it happens. I supposed I'd rather be unmarried and happy then be married and miserable.
It really is a shame that bars are the only place on earth where one is able to meet people they don't already know.
No I really do think there are a lot of floozies and stuff at bars and clubs. It's not my scene.
The thing with bars (as opposed to meeting people through friends, at school, or at work) is that you don't know that person's background story. You don't have reference, so to speak.
With that said, I've dated girls from just about every place you can think of (school, military bootcamp, 7/11, bars, clubs, through friends, etc). I haven't found much difference between the quality of the girl. I've met some awesome, genuine girls at bars. I've also met some real nut jobs. Ditto to every other place I previously mentioned.
Furthermore, I have a few friends that actually married girls they met in bars. ALL of them have good relationships. So you never really know.
If you're not trying to meet women at a bar or club, you're short-changing yourself.
My wife is a floozy.
But we don't go to bars.


text:
Q: Gitlab-CI not triggering builds on commit Build not triggered since upgrade & migration
Hi, I upgraded to 8.8.3 the dockerized CE installation we have, and then migrated it to a new VM. The process was : docker-compose stop , rsync the docker volumes, docker-compose up -d on new server.
Since that time, when I do push commits, the CI are no more launched (gitlab-ci module), but I can run them manually from the pipelines tab.
When I do a push, I receive a hook error :
[tutu] git push origin  master                                                                                9:26:07  ☁  master ☂ ✭
Décompte des objets: 6, fait.
Delta compression using up to 4 threads.
Compression des objets: 100% (5/5), fait.
Écriture des objets: 100% (6/6), 528 bytes | 0 bytes/s, fait.
Total 6 (delta 4), reused 0 (delta 0)
remote: hooks/post-receive:27: syntax error, unexpected tIDENTIFIER,  expecting keyword_do or '{' or '('
remote: exec git push --quiet github &
remote:                             ^
To ssh://git@git.XXXX:2222/MorningChecks/tutu.git

I don't know if this is linked. I don't know if I miss something from new feature usage or something, if this is the case, please apologize. Thank you

A: OK, found.... One colleague of me added a commented line in the global hooks of project, don't know precisely why. The hook was failing and this is this precise hook that launches the builds.
So this has nothing to do with migration, upgrade, PEBKAC !

A: The same behaviour, can also happen when using needs in your .gitlab-ci.yml. If you are using two times the same jobs in your needs, GitLab Runner will fail silently to trigger the CI.
Example:
nightly:bin:
  stage: deploy
  needs: [ "buildA", "buildA" ]
  script:
    - echo "do stuff"

That's something!

redpajama_set_name: RedPajamaStackExchange


text:
Dem To Pols: Drop And Give Me Ten
By Chris Nolan
(FORTUNE Magazine) – Silicon Valley entrepreneur and multimillionaire Steve Kirsch admits he's a "little bit eccentric." The same could be said of his one-man campaign to improve the Democratic Party. Since last fall he's been requiring candidates who want political contributions from him to explain--by writing down their "top ten goals"--what they're going to do once he helps them get elected. "When you go to voters and you say 'Elect me,' then you should be able to articulate to the voters what you plan to accomplish," Kirsch says, speaking from his windowless office at his latest company, Propel Software, in San Jose.
Kirsch's logic (he's an engineer and has degrees from MIT) is hard to dispute--can anyone argue with the idea that elected officials should lay out their goals and be accountable to voters? Since last fall, four politicians have agreed to Kirsch's conditions: Senator Russ Feingold (D-Wisconsin), Representative Mike Honda (D-California), California assemblywoman Rebecca Cohn (D-24th Assembly District), and Representative Zoe Lofgren (D-California), who gave Kirsch a long list of almost 20 items, including "Make health care universally available to all Americans" and "Develop an American culture that is marked by acceptance and tolerance." Honda's list is more specific: Among other things, he wants a commuter-rail extension for his district.
But despite the influence he wields as one of the Democratic Party's largest contributors, not everyone has been willing to accommodate Kirsch's demands. A millionaire many times over since he sold his search-engine company, Infoseek, to Walt Disney Co. in 1999, Kirsch has given Democrats about $10 million over the past four years (including more than $3 million during Al Gore's campaign in 2000). So, of course, Nancy Pelosi (D-California) and Senate Minority Leader Tom Daschle (D-South Dakota) have approached him for contributions. But they've found Kirsch's "top ten" difficult to manage. "She said, 'Well, don't you trust me?' " Kirsch says of his conversation with Pelosi. A spokeswoman at Pelosi's Washington office did not return a call.
It may seem a simple matter for candidates to reel off a list of things they'd like to accomplish. But Democrats, facing a tough fight against George Bush, are feeling besieged these days. A list of goals could too easily be turned into a list of failures by an opponent. "It's not the way it works," one Democratic insider gripes. Also, under national campaign finance reforms passed last year, Kirsch and other former large-dollar donors are now prohibited from writing big, blank checks (contributions once known as soft money). With individual donations capped at $4,000, politicians must now find dozens more smaller contributors. And once one donor's demands are met, it sets a precedent that other donors may follow.
But setting a precedent is exactly what Kirsch wants. He frequently cites the Republicans' "Contract With America" as a model for what his own party should do, claiming that if Democrats start getting more specific with voters, they just might find themselves rewarded on Election Day. --Chris Nolan


text:
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    <string name="app_name">看一下天气</string>
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redpajama_set_name: RedPajamaGithub


text:
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The fair trade top: soft and cozy, with a beautiful drape.
Finished with jersey roll edge at the neckline and rib trim at the hem.
The organic cotton knit that first brought us to Peru. With softness we haven't been able to find anywhere else.


This is a sample mailing. Please feel free to modify the letter to suit the needs of your particular diocese. For example, if you have a different deadline, etc. be sure to edit this letter before forwarding it.


Want to cycle more regularly but feeling nervous about riding on the roads? Most London boroughs, and some other parts of the country, offer free training to build your confidence. Ana Blanco tried it out.
Seeing people cycling around London has always fascinated me. Apart from saving money, I consider cycling to be one of the best ways to embrace the spirit of the city where I live. That's why I took my first class to learn how to ride a bike more confidently and ride safely on the roads. Having cycled very little when I was a child, it was exactly what I needed.
Early in the morning, the tutor and I went to a pedestrian walkway where I was taught the basics: how to check tyres and brakes, to use gears correctly, to stop quickly with control, to avoid objects, to look back, to do hand signals … but what I learned that day went beyond just technical skills.
I confess I was ignorant about how hard learning to cycle properly might be. I knew how to keep my balance, which made me think that the rest was a piece of cake. In this case, ignorance encouraged me to do it, but it reminded me that sometimes things look easier than they are.
At first, it was difficult to avoid objects. In one of my attempts to escape crashing them, the tutor said: "Don't look at obstacles, look at the path you want to go." That simple and logical guidance had a magical effect on me and made me wonder: how many times have I focused my attention in an obstacle in order to avoid it? Placing my gaze on the goal was an eye-opening advice.
After a bit of a bottom aching, it's time for me to do my homework: practice and practice until I feel ready and "relaxed" for a second lesson, where I will start cycling on quiet roads.
Fancy a free cycling lesson?
Most London boroughs subsidised training courses. If you work, live or study in one of those, you're entitled to free cycling lessons. To find out more, visit Cycle Confident and Cycling Instructor websites.
If you live outside London, contact your local council to see if they offer a similar service, or visit the Bikeability website for more about learning to ride a bike as an adult.


text:
Q: Replace a constrained STRTOSET parameter in MDX with an actual value I don't know MDX and I'm trying to get this MDX query from a very old SSRS report to run in Management Studio so I can see what the output of the On columns values are. I have no idea how to replace the parameter of @DateFrom in the query below with a value so I can make it run.
The SSRS report inputs a standard dd/mm/yyyy date with a default using the expression:
=DateAdd("D",-1,Today())

I need to run this for specific dates in January of this year:
WITH MEMBER [Measures].[LeftLcuno] AS 'LEFT([Customers].[Lcuno].CurrentMember.Name,8)'
MEMBER [Measures].[RecordTypeFileHeader] AS '"2"'
MEMBER [Measures].[RecordID] AS '"XX33"'
MEMBER [Measures].[RecordTypeOutletHeader] AS '"07"'
MEMBER [Measures].[RecordTypeDepHeader] AS '"09"'
MEMBER [Measures].[DepartmentCode] AS '"3"'
MEMBER [Measures].[RecordTypeCreditDetail] AS '"12"'
MEMBER [Measures].[CreditAmount] AS [Measures].[Sum Of Things]

SELECT {[Measures].[Sum of Things]}
On Columns,
NON EMPTY
{
[Customers].[Customer Ref Code].[Customer Ref Code] AS OutletCode*
[Customers].[Customer Branch Name].[Customer Branch Name] AS OutletName*
[Bag Details].[Voucher Slip Date].[Voucher Slip Date]*
[Bag Details].[Processing Date].[Processing Date]*
STRTOSET(@DateFrom,CONSTRAINED)
}
On Rows
From TheCube
WHERE
(
{FILTER([Customers].[Lcuno].[Lcuno],[Measures].[LeftLcuno]="20009000")},
[Bag Details].[Bag State].&[Done and Archived]
)


text:
Photo: Phil Kelly
Power Hitting Carries Noles To 13-2 Win Over Georgia Tech
1 2 3 4 5 6 7 R H E
FSU 4 2 0 7 0 X X 13 12 0
GT 1 0 0 0 1 X X 2 4 2
PDF Box Score
TALLAHASSEE, Fla. — Entering the game with the ACC's best slugging percentage of .525, No. 14 Florida State (27-6, 7-0 ACC) put that power on display Friday night, smashing eight extra-base hits en route to a 13-2 victory in five innings over Georgia Tech (19-13, 5-2 ACC).
Sydney Sherrill hit a pair of doubles to increase her season total to 14, which is tied for the most in the NCAA entering the weekend. Through just 33 games of the season, Sherrill's 14 doubles now sits in a tie for 10th place in FSU single-season history.
Jessie Warren launched a three-run home run in the fourth inning, her 10th HR of the season and the 72nd of her career, moving into a tie for 17th in NCAA history with Hawaii's Kelly Maja (2010-13).
The win also extended Florida State's ACC winning streak to 33 games, which is tied with Princeton (1993-96) for the seventh-longest conference winning streak in NCAA history.
The Seminoles tallied nine of their 13 runs with two outs on Friday night, and now have 79 RBI this season in the final out of the inning.
"We talk about staying present and executing and we did a great job of that tonight," said FSU head coach Lonni Alameda. "We took advantage of some early opportunities offensively, and battled for a few good two-out hits. Pleased with how we continued to put the pressure on throughout the game and finish well. Looking forward to another challenge tomorrow."
The Seminoles got on the board early, plating four runs in the top of the first inning, all with two outs. Cali Harrod opened the game with a double to center and Warren later drew a walk. Elizabeth Mason drove in the game's first run on an RBI single to center, and Zoe Casas hit her first home run of the season to make it 4-0 Seminoles.
After FSU starter Kylee Hanson began the Georgia Tech first inning with a pair of strikeouts, Rebecca Prairie got a run back for the Jackets with a solo home run to left field, cutting the lead to 4-1. Hanson ended the inning with another strikeout.
Leslie Farris led off the second inning with a bunt single, moved to second on a sacrifice bunt, tagged up to third on a fly out to center and scored on a Georgia Tech fielding error. Sherrill hit her first double of the game to left field, scoring Gordon for a 6-1 FSU lead.
Morgan Klaevemann hit a single to left to lead off the FSU fourth inning and was pinch-run for by Korina Rosario. A walk to Gordon set the table for Sherrill to hit her second double of the game, easily scoring Rosario from second base. Warren followed with her 10th home run of the season to make it a 10-1 ballgame.
Casas hit a two-out single to right and ended up on second after a GT throwing error. Anna Shelnutt knocked a double to center to score Casas, and Farris hit her second home run of the season to make it a 13-1 FSU advantage.
Savanna Copeland came in to pitch the Georgia Tech fourth inning, ending Hanson's day in the circle. The redshirt senior improved to 15-3 on the season after allowing just two hits and one run with zero walks and five strikeouts in 3.0 innings.
Copeland retired the first five Jackets she faced, but a two-out single in the fifth inning by Kaylee Ellebracht sparked GT to score their second run of the game. Kelsey Chisholm walked and Cameron Stanford hit an RBI double to center. Copeland induced a groundout to second base to end the game at 13-2.
The FSU-GT series continues on Saturday, March 31 at 1:00 p.m., and the game will be broadcast on ACC Network Extra. Broadcast links for video, FSU softball radio and live stats will be available on the softball schedule page of Seminoles.com.
Follow Florida State softball on Twitter (@FSU_Softball) and Instagram (fsusoftball), and like our Facebook page (Facebook.com/FSUsoftball) to keep up to date with everything about Seminole softball.
ACC Division Leaders Clash In Atlanta This Weekend
Softball Pull Weekend Sweep


This website is the primary resource for sharing ideas and experience about Landscape Character Assessment and its applications.
Landscape is more than 'the view'. It is the dynamic backdrop to our lives. It is how we perceive the relationship between nature and culture in our surroundings. It is shared cultural heritage, a living record of the interaction between people and place that is vital to our local and national identity. It is a driver for local economies, a resource that must be carefully managed and maintained. Decisions that change the landscape directly affect the quality of our lives. Landscape can mean an everyday area as much as a beauty spot, and all landscapes require tailored approaches that protect, manage and plan for their sustainable futures.
Landscape character is defined as 'a distinct, recognisable and consistent pattern of elements in the landscape that makes one landscape different from another, rather than better or worse'. Put simply, landscape character is that which makes an area unique.
Only by paying proper regard to the existing character of our landscapes can informed and responsible decisions be made regarding their management, and sustainable future landscapes planned for. Through understanding how places differ we can also ensure that future development is well situated, sensitive to its location, and contributes to environmental, social and economic objectives. The need to enhance landscape character is endorsed by the Government in Planning Policy Statements and is one of the central aims of Environmental Stewardship.
Landscape Character Assessment (LCA) is an approach to understanding the differences between landscapes, and can serve as a framework for decision-making that respects local distinctiveness. It is a way of 'unpacking' the landscape and understanding how its distinctive elements contribute to sense of place. As such, LCA is a useful tool for engaging stakeholders in sustainable development. Communities, developers, farmers and land managers, landscape and planning professionals and others all have a role in identifying the characteristics that make a particular landscape unique, and using this understanding to plan and manage landscape change.
LCA is also important for the UK's implementation of the European Landscape Convention (ELC) - the first international convention on landscape, dedicated exclusively to the protection, management and planning of all landscapes in Europe. It provides a method to identify and assess landscapes, understand landscape change, and a framework for developing landscape quality objectives in partnership with stakeholders - all specific measures of the ELC.
This website hosts and links to a wide range of LCA-related resources, including guidance, topic papers, and case studies of best practice.


text:
You might not be able to crush driver like Dustin Johnson, but you absolutely can get more distance off the tee. Here's how.
By T.J. Auclair
Connect with T.J.
Problem Area: Off The Tee
Published: Monday, January 08, 2018 | 11:18 a.m.
News flash: World No. 1 Dustin Johnson can absolutely crush a golf ball.
The latest evidence? How about Sunday on the 433-yard, par-4 12th hole at Kapalua's Plantation Course in the final round of the Sentry Tournament of Champions where DJ came within three inches of a hole-in-one?
Pretty good, right?
How did he do it?
"Pretty easy," 2013 PGA National Teacher of the Year Lou Guzzi said, "It's three words: He's Dustin Johnson. That's it. I was sitting with people who work at TaylorMade years ago and they talked about Dustin at their testing center. He can do things that no one else can. People need to keep that in mind and just enjoy watching him play."
There you have it. It's foolish for anyone to think they're going to go purchase a shiny, new driver and start nuking it like DJ.
But, it's very realistic to think there are actions you can take to hit better, more solid and longer drives.
Here are three tips from Guzzi on how you can get more distance -- and accuracy -- off the tee.
1. Get evaluated by a PGA Professional.
"Don't fool around with trying to find more speed in your swing on your own," Guzzi advised. "Let a PGA Professional evaluate your swing and make sure that what you're doing is correct and if you can challenge more speed."
2. Work on your flexibility and strength.
"Getting longer is all about flexibility and strength," Guzzi said. "The more flexible you are, the faster you can make your swing. Strength is important too. Get on a flexibility and strength program."
3. Put in the work on the range and get familiar with your numbers.
"You have to test it," Guzzi said. "Check the numbers on a launch monitor. In the case of my swing, I have a 'stock driver swing' and my 'extra 20 yards swing.' The stock swing for me is 108 mph and that's the swing that keeps it in the fairway under pressure. Once in a while, I'll go get the extra 20 on holes where I feel I can go at it a little more and get out of my comfort zone. If you go for more distaance, it's got to be on the right hole. The faster you swing, the more you challenge the fact you might lose accuracy. It's risk-reward and that's OK."
When you're looking for a drill to work on speed, Guzzi suggests hovering the driver off the ground and taking practice swings, while using your ears as a tool.
"Listen for the sound at the bottom of the swing," he said. "The lower the sound, the lower your swing speed. The higher the sound, the faster the swing speed. Let the ears be the guide and listen for that swoosh. You'll know where you're maxing out."
So much is made about how the majority of scoring is from inside 100 yards. That's true. And because of that, plenty of your practice time should be spent where it's going to show up most -- on your scorecard.
But do not abandon the driver, Guzzi said, make it a priority.
"Ben Hogan, from what I understand, felt driver was the most important club in the bag because if you weren't in the fairway, who cares about your skills?" Guzzi said. "To me, driver practice would be a priority. What are my priorities? I have to hit my driver well, hit it straight. I have to be a good driver to hit the fairways. I'll put in as much time as I have to to make that happen. The percentages might change. If I'm driving it well and can afford to spend less time on it, then I will. It's a priority though -- my first priority. I need that before I can take time on putting skills."
So long as you find a pattern with the driver and something you can keep in play -- maybe one day it's 3-5-yard fades and another day it's 10-15-yard fades -- there's no reason to miss fairways.
Adjust your alignment and as long as it's a pattern, you'll have a good driving day, Guzzi said.
T.J. Auclair is a Senior Interactive Producer for PGA.com and has covered professional golf since 1998, traveling to over 60 major championships. You can follow him on Twitter, @tjauclair.
Tiger Woods struggled mightily with his driver at Torrey Pines, but still salvaged solid scores. Here's how you can, too.
Try this ...
When to go for it -- and when not to -- on a short par 4
Home » You might not be able to crush driver like Dustin Johnson, but you absolutely can get more distance off the tee. Here's how.
Need more help with Off The Tee?
Add Distance and Accuracy with Better Grip Pressure
More Power and Accuracy Off the Tee
Right-handed Justin Thomas saved himself a stroke by hitting a shot left handed. Here's how you can do it too.
Take full advantage of swinging down wind
Increase swing speed
Browse all Off The Tee content


text:
Kankan är en regionhuvudort i Guinea.   Den ligger i prefekturen Kankan Prefecture och regionen Kankan Region, i den centrala delen av landet,  km öster om huvudstaden Conakry. Kankan ligger  meter över havet och antalet invånare är .

Terrängen runt Kankan är platt. Den högsta punkten i närheten är  meter över havet,  km söder om Kankan. Runt Kankan är det glesbefolkat, med  invånare per kvadratkilometer. Det finns inga andra samhällen i närheten. I omgivningarna runt Kankan växer huvudsakligen savannskog.

Savannklimat råder i trakten. Årsmedeltemperaturen i trakten är  °C. Den varmaste månaden är mars, då medeltemperaturen är  °C, och den kallaste är augusti, med  °C. Genomsnittlig årsnederbörd är  millimeter. Den regnigaste månaden är september, med i genomsnitt  mm nederbörd, och den torraste är januari, med  mm nederbörd.

Kommentarer

Källor

Externa länkar

Orter i Kankan Region

redpajama_set_name: RedPajamaWikipedia


text:
Cherifa Kheddar () ist eine Menschenrechtlerin. Sie ist die Präsidentin und Gründerin der Organisation Djazaïrouna ( "Unser Algerien"), die Opfer des Algerischen Bürgerkriegs unterstützt. 2009 gewann sie den International Service Human Rights Award for the Defence of the Human Rights of Women.

2009 zählte sie zu den 500 einflussreichsten Muslimen in der Auflistung des Prinz-al-Walid-bin-Talal-Zentrums für muslimisch-christliche Verständigung der Georgetown University und des Royal Islamic Strategic Studies Centre von Jordanien.

Zitat

Weblinks
 internationalservice.org.uk: Ms Cherifa Kheddar
 flickr.com: Ms Cherifa Kheddar, President of Association Djazairouna – Algeria (Foto)
 wluml.org: Algeria: Human Rights Defender Cherifa Kheddar wins International Service Award
 algerie-disparus.org : Collectif des Familles de Disparu(e)s en Algérie (CFDA)
 aihr-resourcescenter.org (Arab Institute of Human Rights)

Einzelnachweise

Menschenrechtsaktivist (Algerien)
Person des Islam (Algerien)
Geboren im 20. Jahrhundert
Frau


text:
The Heroes of Douglas High School
by Rachel DiCarlo Currie
There will be plenty of time to investigate all the red flags and warning signs that people missed during the weeks, months, and years leading up to Wednesday's horrific slaughter at Marjory Stoneman Douglas High School. There will be plenty of time to debate how tighter gun-control laws, or more aggressive mental-health policies, or different school-safety procedures could help make mass shootings a less frequent occurrence.
For now, rather than focus on the evil we witnessed, we should all take a moment to celebrate the heroism and sacrifice that saved lives.
We should celebrate people like teacher Melissa Falkowski, who squeezed 19 students into a classroom closet to keep them safe. We should celebrate people like the janitor who stopped a group of students from inadvertently running toward the gunman. We should celebrate the teacher who ran over and opened her door to give those students a place to hide.
And we definitely should celebrate Douglas assistant football coach and security guard Aaron Feis, who made the ultimate sacrifice to protect others.
As CNN reports:
Football coach Aaron Feis threw himself in front of students as bullets hailed down Wednesday at his alma mater, Marjory Stoneman Douglas High School in Parkland, Florida.
It would become perhaps the final act undertaken by this assistant coach and security guard, who suffered a gunshot wound and later died after he was rushed into surgery, according to the school's football program and its spokeswoman, Denise Lehtio.
"He died the same way he lived — he put himself second," Lehtio said. "He was a very kind soul, a very nice man. He died a hero."
We often forget the heroes of mass shootings, because the shootings themselves are just so awful, and the horror and grief is overwhelming. But I won't soon forget Aaron Feis, who showed us the very best of humanity on a day when we also saw the very worst.


text:
The Truth Behind Most Haunted Series 19 Episode 2.
Boy did my episode 2 review cause me some trouble. If you have been following my Ghost Adventures reviews you will have seen me allude to issues with UKTV, the owners of REALLY who air Most Haunted in the UK. Let me fill you in so you all know what is what.
Basically I had access to raw episodes of Most Haunted long before they are aired, in the TV business we have something called an "Embargo", this means that journalists such as myself get access to something, but in big red writing it will say something like "The following is under embargo until 12:00pm 31st March". This means that no one should publish anything until after that time. Usually this will be a movie trailer, poster, clips from a TV show or film. Often this is due to certain outlets being given the exclusive rights to show the media first.
Now throughout the history of Most Haunted I have exposed and "spoiled" Most Haunted for well over a decade. I have never had a single problem with any TV station airing it. You see the likes of Sky are smart enough to realise that any publicity even if negative will help their TV shows, and if the TV show is relatively small they need every viewer they can get, so they can sell advertisement space.
Now Most Haunted is on REALLY a small cable channel owned by the UKTV network. And for the past few seasons I have spoiled, and exposed the show, and in turn given them thousands of viewers. But suddenly after I published my article on episode 2 I found myself cut out, I get a rather rude email from someone at UKTV going mental because I exposed the show, broke embargo, and published screengrabs. Now I thought this was strange since I did the same for episode 1 of the new series and no one said a word. It took nearly a month for me to realise why.
In the past few days just before episode 2 aired on TV, you may have noticed that every tabloid newspaper in the UK reported on the full apparition caught on film on Most Haunted. Yvette Fielding went on a full media blitz, begging every radio show to have her on. Newspapers reported "Experts are baffled at the footage".
Whats this got to do with me I hear you say? Well, the problem is, this was their big moment of the season. They spent a lot of money PAYING all of these newspapers and media outlets to run the story, to show photos, videos of this ghost, and good old me had already run it all and exposed it as faked.
Now in media you have things called Sponsored Posts, there are PR companies that are paid to "seed" videos, to make them viral, the truth is they are paid a budget, and they ship these stories around media outlets and pay them to promote a video, a story, a photo etc. Sometimes a flat amount is paid, sometimes it is a pay per view situation. Regardless of that, the reason all these tabloids suddenly gave Most Haunted all this attention was because they were paid to do so. It wasn't them reporting on a story, it was them printing a story they were given. Big difference. And guess what I spoiled it, and UKTV were/are furious with me! And I am now banned by them!
As for the ghost footage itself, I stated a month ago it was Glen. I stand by that for a couple of reasons, one is I was told it was Glen by someone who works for Antix Productions, and secondly from watching the unedited raw footage that I had access too, it was pretty clear it was him.
Now some people have suggested it was "Peppers Ghost" an old magic trick illusion, (it wasn't), and my good friend Rob has suggested it was a video overlay effect, check out his site at Skeptics Boot to read his explanation. He could be right? Who knows. The one thing for absolute certain though is that it is not a ghost. And if you want to know my 100% proof for that, well just take a look at this screen grab that airs before each episode of Most Haunted. For those of you not bright enough to understand what this means, it means the show is a Spoof. As Ofcom themselves have stated the show is for entertainment ONLY, and should not be taken seriously! Not my words, the words of the people in charge of TV broadcasts.
Anyway with all that said, I will continue doing what I do best, I will keep reporting on Most Haunted, because people enjoy my reviews.
And I will do my review of episode 3 later today so keep checking back for that.
That is all for now
By Jon Donnis
"As banned by UKTV"
"As banned by BBC"
Labels: Most Haunted
Angellily1 said...
Love this site, well done, very funny. That was Stuart or Glen. I watched this and wondered why they were using the camera in a different way, than their usual stupidity, then up pops the 'ghost', it gave me a laugh.
bijoux said...
When I saw the headline on The Star I headed straight to your site, thinking it must be referring to the review you did! Great education and insight as ever :)
NoReason said...
What's the point of what you're doing? You're purpose is to 'expose' and 'spoil' a show that already states itself that it's for entertainment purposes. It's fun to watch it and that's why people tune in. Why would you go out of your way and be proud of the fact that you take pleasure in ruining that for people?
Don't bother replying. My questions are rhetorical because let's face it, we both know why you do this. Nobody would give you your own show so you have to air your voice by slating others. Pretty sad really...
I started exposing the show because it was claimed to be real. In fact it is me who forced OFCOM to catagorise the show as "Entertainment only" and basically admit that the show is faked and not to be taken seriously.
Unfortunately Yvette and Karl then used this and claimed that they were forced to say the show is entertainment only and blamed non existent EU laws. So despite the show legally being a spoof, they still claim it is real, and sadly there are naive and gullible people out there who think it is real.
Also due to the old days of Derek Acorah this also led to a surge of people claiming they had psychic powers, so I continue to "spoil" the show because not only is it the right thing to do ethically, my reviews on this site of MH get a lot of visitors, and the hope is these visitors stick around and read the more serious articles that expose the psychic industry and so on.
I would much prefer not to review the show and just concentrate on exposing fake mediums, but I need visitors to the site.
I do not take pride in exposing a show that is already officially labelled as a spoof, I just hope that people who previously thought it was real eventually realise through what I do that it is faked.
As for no one giving me a show, well I have never asked for one, I have never written or made a pilot that could then be shopped around various networks, you will never have seen me in a home made ghost hunting show on youtube.
In fact I go out of my way to stay away from being a public face of anything. I get invited on TV shows all the time, I turn them all down. I have no interest in fame and fortune.
If that makes me sad, so be it.
I have been on a most haunted experience with yevett, Karl and Stuart. I know these people work in television and I know this show is there income but yevette is a presenter not an actor after the event i sat with her and Karl and saw the unedited forage you did. If you speak with them about their beliefs and theroys then I am sure you to would see there passion for what they do. They are investigating the paranormal there is no way to prove what they investigate other than not being able to explain the evidence they have caught with a reasonable explanation that it was caused by somthing normal of this world. Therefore how do you expect them to get it right all of the time. If it wasn't for the fact that serious scientists also believed in the paranormal and a relm called the etha scientists who we base physics we know today on then maby i could understand your reason to want to deem all of these shows as fake. We have all lost touch with our spiritual side long ago and shows like this give some people hope that there is somthing else, that the universe is more than our short existance, that there is light and dark and that our thoughts and emotions are more than just a chemical unbalance. Our ancestors built land marks on natural magnetic waves on the earth to harness the energy for spiritual connections and they were supposed to be the more primative but if you think about it are they primitive for having faith in somthing greater than themselves or are we primative for beliving not only the world but the universe starts and ends with us. Wether you create ratings or not you squash faith in the very air that we breath to run down those who dare to find answers to questions most of us spend our lives overlooking.
You claim "yvette is a presenter not an actor"
You do realise she is an actual trained actress right? Like she went to drama school. Had acting jobs and so on. This is historical fact, not opinion. She is an actress.
Not a very good one I admit but still.
Review: Most Haunted Series 5 (or 19) Episode 3 (T...
Review: Ghost Adventures - Season 14, Episode 4 Ap...


text:
This article answers the question "what is a general assembly?" You will also find an explanation of the difference between an ordinary and extraordinary general assembly.
A general assembly is a meeting in which the company's direction (e.g. ownership, board of directors and shareholders) can make decisions concerning the company. In the case of a capital company, the company law dictates that an ordinary general assembly be held once a year. However, it is possible to hold more than one general assembly a year but that would make it an extraordinary general assembly.
After holding a general assembly, a summary of decisions has to be drafted. You can find a template for such a summary in the picture below. The term can also be used in other contexts, for example in organizations, cooperatives or tenants' associations when deciding regulations on leases, upkeep and such. A general assembly does not demand physical attendance but can be held electronically. Furthermore, it is possible to have someone represent you and act in your stead through power of attorney at the general assembly.
Ordinary general assembly
It is at a general assembly, that the financial statement for a company is approved. It has to be held within 5 months after the end of the fiscal year. Here, an annual report is approved and audits for future financial statements are determined. Furthermore, it can be decided, how to use a surplus or how to balance a deficit. This applies to a limited liability company, a joint stock company or an entrepreneurial company.
Sometimes, circumstances arise as a result of a company's statutes, that have to be settled at ordinary general assemblies. The statutes will typically also indicate the voting rights of a general assembly.
Extraordinary general assembly
There are no conditions to what can be discussed at an extraordinary general assembly. They can also be held according to demand. For example, if the owners of a company (as they appear in the owners' registry) have to make an important decision in between two ordinary general assemblies.
There are fewer formal requirements but you can use the occasion to choose a new director, establish a new draft rule, change the statutes or even change the company's name. The Business Authority also has to be notified about changes.
It is important to remember, that you always have to keep a protocol of the decisions made in the general assembly. It is also referred to as a general assembly protocol.


Riverside in January, 2013, with the intention of providing regular meetings for graduate students of all levels and in all departments, who are interested in Material Culture, Book History, Print History, Authorship, and related fields.
experience with the types of physical materials that inform our areas of study and our scholarship. This focus on materials and scholarship is guided by our faculty and librarian advisors, Professor Brayman Hackel (Department of English), and Dr. Conway (Head of Special Collections, Rivera Library).
Pulling from a diversity of time periods (from the Medieval and Early Modern through the 21st Century), our group is well-placed to explore the continuities and dis-continuities of the discourse surrounding the materiality of books and printed matter throughout the manuscript, hand-press and machine press-periods, and into the digital age.


The Dorset Art Weeks 2012 Auction is now over, if you missed it you really missed out on an opportunity to buy a piece of Simon Thomas Pirie Furniture at incredible prices, sorry!
The furniture included in this auction is speculative work and ex-show pieces that are for sale well below the usual commission price. Every few years we sell-off show pieces in order to make new speculative work and try out new design ideas. We have already had to withdraw two items – a large table and a pair of Impala chairs, as an existing client has snapped them up!
So how is this going to work? Those familiar with ebay will understand the ground rules. We display the normal 'commission' price, the 'reserve' price, that I won't take an offer below, and a 'buy it now' price, to secure it immediately. The duration of the auction is basically the duration of Dorset Art Weeks – from 10am on Saturday May 26th, with all bids closing at 5pm on Sunday 10th June.
Bids can be placed in person here at the Courtyard workshop, (DAW venue 36) or via our Facebook page. You can keep up to date with the auction on twitter, facebook, and this blog. You will also be notified by email or by phone if you have been outbid.
It's worth also saying that there are pieces of furniture which are not in the auction, including our last edition 'Torii' side tables, some new and exciting garden furniture, the still fairly new 'Gabriel' chair, plus one or two surprise pieces.
The Banquet dining table is as a contemporary twist on the refectory table. The ash top is bleached and scrubbed with boiling water and a wire brush creating a beautifully textured white surface. The frame and top details are made of Scottish elm. It will seat 8 to 10.
Dimensions: 230cm x 92cm, 75cm high.
The cabinet is made with two very unusual timbers. The dark wood is from a Dorset American black (Virginia) walnut tree, which grew as part of an avenue of trees to a large house, now a private school. It has an entirely different colour to commercial imported black walnut and is stunningly beautiful. The inside utilises a pippy of 'birds eye' sycamore, which is lit, creating a warm glow of colour ideal for collections of ceramics or glass objects.
Dimensions: 148cm x 45cm, 90cm high.
A beautiful and delicate console table full of sweeping curves and a repeating square detail motif. We currently have two similar tables, this one in English walnut with ebony details, the second in native grown black walnut and burr elm. The perfect piece for a hallway in my favorite timber.
Dimensions: 115cm x 31cm, 75cm high.
The sister piece to the table above. This is a native grown 'black' or American walnut, it's not the same colour as the imported stuff you see everywhere, it has deeper red and purple tones – very unusual. The burr elm square details set those colours off perfectly. A beautiful and delicate occasional table looking for a home!
A really striking piece, designed as drinks cabinet with adjustable glass shelves inside. The cabinet is suspended within an offset framework making it appear to float. The doors have a finger scollop running top to bottom with English walnut set within. The door faces have a burr sycamore on the surface, I've only ever seen this once so I bought as much as I could afford!
Dimensions: 78cm x 45cm, 180cm high.
This was part of an experimental range of pieces where the top is made of a panel of random pieces of timber from our off-cuts rack. Although I say random it takes ages for me to arrange the sequence and even longer to glue and sand, but the effect is pretty. The frame is made of native sycamore, the other timbers are black walnut, oak and lacewood.
This needs to find a spot, it's a bit of a long shot, but someone out there is looking for something just like this for that awkward alcove or corner they just can't think what to do with. It was part of a set of 5 shelves that locked together forming a very abstract, random formation. All the other pieces were different widths. In the end the client felt this centre one was a bit too narrow for an important piece of ceramics they wanted displayed, so we made a new wider centre section. We could add a shelf in that very tall alcove where the ceramic piece was placed.
It does have an overhanging lip on the sides and top so could be fitted into a larger alcove space or have one built to house it.
• All items are 'sold as seen' and are non-returnable to Simon Thomas Pirie Furniture (STP).
• Bids increase in £25 increments. Latest bids will be displayed on STP website, STP Facebook page and other social media outlets, as well as in the Courtyard Gallery.
• Bidders will be asked to leave name, address and contact details. We reserve the right to contact a previous bid if a current highest bid cannot be contacted.
• 'Buy it Now' purchases to be paid for on the day to secure item and remove it from auction.
• Current highest bidders will be advised if they have been outbid by phone, email or text depending on preferred contact method.
• VAT is charged at 20% and included within above costs.
• All costs are ex-delivery. We are able to deliver within a 50 mile radius for £60 / within 100 mile radius for £120. Above that we charge an additional 40p per mile. Any congestion charge / tolls will also be added to delivery costs. You may also organise your own transport.
• Delivery details to be agreed on bid date with STP.
• All bids must be received by 5.00pm Sunday 10th June 2012.
• Once payment has been received in full delivery or collection can proceed.
• All pieces to remain on show until June 10th – except for in exceptional circumstances.


text:
Olivier Awards 2010: le candidature
Scritto da: Redazione • 8 Febbraio 2010
Sei in: / Home / News / Olivier Awards 2010: le candidature
Sono state rese note oggi le nomination del prestigioso premio del teatro inglese che avrà la serata conclusiva il prossimo 21 marzo presso il Grosvenor House Hotel. Per la categoria "miglior nuovo musical" si contenderanno la statuetta Dreamboats And Petticoats, Priscilla Queen Of The Desert, Spring Awakening e Sister Act. Per il miglior spettacolo di intrattenimento una nomination è andata al nostro Arturo Brachetti per lo spettacolo "Change".
Ma ecco tutte le candidature:
Gillian Anderson for A DOLL'S HOUSE at the Donmar Warehouse
Lorraine Burroughs for THE MOUNTAINTOP at Trafalgar Studio 1
Imelda Staunton for ENTERTAINING MR SLOANE at Trafalgar Studio 1
Juliet Stevenson for DUET FOR ONE at the Almeida theatre and Vaudeville theatre
Rachel Weisz for A STREETCAR NAMED DESIRE at the Donmar Warehouse
James Earl Jones for CAT ON A HOT TIN ROOF at the Novello theatre
Jude Law for HAMLET, Donmar at Wyndham's theatre
James McAvoy for THREE DAYS OF RAIN at the Apollo theatre
Mark Rylance for JERUSALEM at the Jerwood Theatre Downstairs at the Royal Court and now at the Apollo theatre
Ken Stott for A VIEW FROM THE BRIDGE at the Duke of York's theatre
Samuel West for ENRON at the Jerwood Theatre Downstairs at the Royal Court and now at the Noël Coward theatre
BEST ACTRESS IN A SUPPORTING ROLE
Hayley Atwell for A VIEW FROM THE BRIDGE at the Duke of York's theatre
Michelle Dockery for BURNT BY THE SUN at the National Theatre, Lyttelton
Alexandra Gilbreath for TWELFTH NIGHT at the Duke of York's theatre
Keira Knightley for THE MISANTHROPE at the Comedy theatre
Rachael Stirling for THE PRIORY at the Jerwood Theatre Downstairs at the Royal Court
Ruth Wilson for A STREETCAR NAMED DESIRE at the Donmar Warehouse
Mackenzie Crook for JERUSALEM at the Jerwood Theatre Downstairs at the Royal Court and now at the Apollo theatre
Rory Kinnear for BURNT BY THE SUN at the National Theatre, Lyttelton
Tim Pigott-Smith for ENRON at the Jerwood Theatre Downstairs at the Royal Court and now at the Noël Coward theatre
Eddie Redmayne for RED at the Donmar Warehouse
BEST NEW PLAY
ENRON by Lucy Prebble at the Jerwood Theatre Downstairs at the Royal Court and now at the Noël Coward theatre
JERUSALEM by Jez Butterworth at the Jerwood Theatre Downstairs at the Royal Court and now at the Apollo theatre
THE MOUNTAINTOP by Katori Hall at Trafalgar Studio 1
RED by John Logan at the Donmar Warehouse
BEST NEW COMEDY
CALENDAR GIRLS by Tim Firth at the Noël Coward theatre
ENGLAND PEOPLE VERY NICE by Richard Bean at the National Theatre, Olivier
PARLOUR SONG by Jez Butterworth at the Almeida theatre
THE PRIORY by Michael Wynne at the Jerwood Theatre Downstairs at the Royal Court
BEST MUSICAL REVIVAL
Irving Berlin's ANNIE GET YOUR GUN music and lyrics by Irving Berlin, book by Herbert and Dorothy Fields, at the Young Vic
HELLO DOLLY! book by Michael Stewart, music and lyrics by Jerry Herman, based on the play 'The Matchmaker' by Thornton Wilder, at the Open Air theatre
A LITTLE NIGHT MUSIC music and lyrics by Stephen Sondheim, book by Hugh Wheeler, suggested by a film by Ingmar Bergman, originally produced and directed on Broadway by Harold Prince, at the Garrick theatre
Lionel Bart's OLIVER! based on the original production by Sam Mendes, at the Theatre Royal, Drury Lane
BEST NEW MUSICAL
DREAMBOATS AND PETTICOATS book by Laurence Marks and Maurice Gran, at the Savoy theatre
PRISCILLA QUEEN OF THE DESERT – THE MUSICAL book by Stephan Elliott and Allan Scott, based on the Latent Image/Specific Films motion picture distributed by Metro-Goldwyn-Mayer Inc., at the Palace theatre
SPRING AWAKENING music by Duncan Sheik, book and lyrics by Steven Sater, based on the play by Frank Wedekind, at the Novello theatre
SISTER ACT music by Alan Menken, lyrics by Glenn Slater, book by Cheri Steinkellner and Bill Steinkellner, at the London Palladium
ARTURO BRACHETTI: CHANGE written and directed by Sean Foley, original concept by Serge Denoncourt, based on the repertoire of Arturo Brachetti, at the Garrick theatre
DERREN BROWN: ENIGMA written by Derren Brown and Andy Nyman, at the Adelphi theatre
MORECAMBE by Tim Whitnall, at the Duchess theatre
BEST ACTRESS IN A MUSICAL OR ENTERTAINMENT
Melanie C for BLOOD BROTHERS at the Phoenix theatre
Patina Miller for SISTER ACT at the London Palladium
Samantha Spiro for HELLO DOLLY! at the Open Air theatre
Hannah Waddingham for A LITTLE NIGHT MUSIC at the Garrick theatre
Charlotte Wakefield for SPRING AWAKENING at the Novello theatre
BEST ACTOR IN A MUSICAL OR ENTERTAINMENT
Rowan Atkinson for OLIVER! at the Theatre Royal, Drury Lane
Aneurin Barnard for SPRING AWAKENING at the Novello theatre
Bob Golding for MORECAMBE at the Duchess theatre
Alexander Hanson for A LITTLE NIGHT MUSIC at the Garrick theatre
Tony Sheldon for PRISCILLA QUEEN OF THE DESERT – THE MUSICAL at the Palace theatre
BEST SUPPORTING PERFORMANCE IN A MUSICAL OR ENTERTAINMENT
Sheila Hancock for SISTER ACT at the London Palladium
Maureen Lipman for A LITTLE NIGHT MUSIC at the Garrick theatre
Kelly Price for A LITTLE NIGHT MUSIC at the Garrick theatre
Iwan Rheon for SPRING AWAKENING at the Novello theatre
Rupert Goold for ENRON at the Jerwood Theatre Downstairs at the Royal Court and now at the Noël Coward theatre
Michael Grandage for HAMLET, Donmar at Wyndham's theatre
Lindsay Posner for A VIEW FROM THE BRIDGE at the Duke of York's theatre
Ian Rickson for JERUSALEM at the Jerwood Theatre Downstairs at the Royal Court and now at the Apollo theatre
Bijan Sheibani for OUR CLASS at the National Theatre, Cottesloe
BEST REVIVAL
ARCADIA directed by David Leveaux at the Duke of York's theatre
CAT ON A HOT TIN ROOF directed by Debbie Allen at the Novello theatre
THE MISANTHROPE directed by Thea Sharrock at the Comedy theatre
A STREETCAR NAMED DESIRE directed by Rob Ashford at the Donmar Warehouse
A VIEW FROM THE BRIDGE directed by Lindsay Posner at the Duke of York's theatre
THREE DAYS OF RAIN directed by Jamie Lloyd at the Apollo theatre
BEST THEATRE CHOREOGRAPHER
Matthew Bourne for OLIVER! at the Theatre Royal, Drury Lane
Bill T Jones for SPRING AWAKENING at the Novello theatre
Anthony Van Laast for SISTER ACT at the London Palladium
Stephen Mear for HELLO DOLLY! at the Open Air theatre
BEST LIGHTING DESIGN
BURNT BY THE SUN designed by Mark Henderson at the National Theatre, Lyttelton
ENRON designed by Mark Henderson the Jerwood Theatre Downstairs at the Royal Court and now at the Noël Coward theatre
SPRING AWAKENING designed by Kevin Adams at the Novello theatre
THREE DAYS OF RAIN designed by Jon Clark at the Apollo theatre
BEST SET DESIGN
ENGLAND PEOPLE VERY NICE designed by Mark Thompson with animation by Pete Bishop at the National Theatre, Olivier
ENRON designed by Anthony Ward at the Jerwood Theatre Downstairs at the Royal Court and now at the Noël Coward theatre
JERUSALEM designed by Ultz at the Jerwood Theatre Downstairs at the Royal Court and now at the Apollo theatre
RED designed by Christopher Oram at the Donmar Warehouse
HELLO DOLLY! designed by Peter McKintosh at the Open Air theatre
MADAME DE SADE designed by Christopher Oram, Donmar at Wyndham's theatre
THE MISANTHROPE designed by Amy Roberts at the Comedy theatre
PRISCILLA, QUEEN OF THE DESERT- THE MUSICAL designed by Tim Chappel and Lizzy Gardiner at the Palace theatre
EVERY GOOD BOY DESERVES FAVOUR designed by Christopher Shutt at the National Theatre, Olivier
JERUSALEM designed by Ian Dickinson for Autograph at the Jerwood Theatre Downstairs at the Royal Court and now at the Apollo theatre
MOTHER COURAGE AND HER CHILDREN designed by Andrew Bruce and Nick Lidster for Autograph at the National Theatre, Olivier
SPRING AWAKENING designed by Brian Ronan at the Novello theatre
THE AUDIENCE AWARD FOR MOST POPULAR SHOW
BILLY ELLIOT THE MUSICAL music by Elton John, books and lyrics by Lee Hall at the Victoria Palace
THE PHANTOM OF THE OPERA music and book by Andrew Lloyd Webber, lyrics by Charles Hart, book and additional lyrics by Richard Stilgoe at His Majesty's theatre
WAR HORSE based on the novel by Michael Morpurgo, adapted by Nick Stafford at the New London theatre
WE WILL ROCK YOU based on the songs of Queen, by Ben Elton in collaboration with Brian May and Roger Taylor at the Dominion theatre
WICKED music and lyrics by Stephen Schwartz, book by Winnie Holzman at the Apollo Victoria theatre
OUTSTANDING ACHIEVEMENT IN AN AFFILIATE THEATRE
Soho Theatre/ Tiata Fahodzi for IYA ILE (THE FIRST WIFE)
The Tricycle Theatre for THE GREAT GAME
The Royal Court for COCK at the Jerwood Theatre Upstairs
BEST NEW OPERA PRODUCTION
The Royal Opera's DER FLIEGENDE HOLLÄNDER at the Royal Opera House
The Royal Opera's LULU at the Royal Opera House
English National Opera's PETER GRIMES at the London Coliseum
The Royal Opera's TRISTAN UND ISOLDE at the Royal Opera House
OUTSTANDING ACHIEVEMENT IN OPERA
Anja Kampe for her performance in the Royal Opera's DER FLIEGENDE HOLLÄNDER at the Royal Opera House
Stuart Skelton for his performance in English National Opera's PETER GRIMES at the London Coliseum
Nina Steme for her performance in the Royal Opera's TRISTAN UND ISOLDE at the Royal Opera House
Michael Volle for his performances in the Royal Opera's LULU and TRISTAN AND ISOLDE at the Royal Opera House
BEST NEW DANCE PRODUCTION
Russell Maliphant's AFTERLIGHT at Sadler's Wells
Birmingham Royal Ballet's E=MC² at Sadler's Wells
The Brandstrup – Rojo project's GOLDBERG at the Royal Opera House
Rambert Dance Company's A LINHA CURVA at Sadler's Wells
Fabulous Beast Dance's THE RITE OF SPRING at the London Coliseum
OUTSTANDING ACHIEVEMENT IN DANCE
Colin Dunne for his performance in OUT OF TIME at The Barbican Pit
Michael Hulls for his lighting designs for Russell Maliphant's TWO:FOUR:TEN at the London Coliseum; and for Russell Maliphant's AFTERLIGHT and for Ex Machina & Sylvie Guillem's EONNAGATA at Sadler's Wells
Rambert Dance Company for an outstanding year of new work


Some questions and answers about the Cabinet Mission Plan.
Q1. Where did the proposal allowing for secession after 10 years come from?
10. The Constitution of the Union shall have a provision whereby any Province can, by a majority vote of its Legislative Assembly, call for reconsideration of the terms of the Constitution, and will have the liberty to secede from the Union at any time after an initial period of ten years.
(6) The Constitutions of the Union and of the groups should contain a provision whereby any Province could by majority vote of its Legislative Assembly could call for a reconsideration of the terms of the Constitution after an initial period of ten years and at ten-yearly intervals thereafter.
Q2. What was the Congress response to the above proposal?
8. The Constitution should provide machinery for its revision at any time subject to such checks as may be desired. If so desired, it may be specifically stated that this whole Constitution may be reconsidered after 10 years.
(10) The Constitution of the Union will inevitably contain provisions for its revision. It may also contain a provision for its full reconsideration at the end of ten years. The matter will be open then for a complete reconsideration. Though it is implied, we would avoid reference to secession as we do not wish to encourage this idea."
Q3. What would the strength of Muslims be in the proposed Central Legislature per the May 12 proposals?
6. There should be parity of representation between the two groups of Provinces in the Union Executive and the Legislature, if any.
7. No major point in the Union Constitution which affects the communal issue shall be deemed to be passed in the joint constitution-making body, unless the majority of the members of the constitution-making body of the Hindu provinces and the majority of the members of the constitution-making body of the Pakistan Group, present and voting, are separately in its favour.
(6 and 7) We are entirely opposed to parity of representation as between groups of Provinces in the Union Executive or Legislature. We think that the provision to the effect that no major communal issue in the Union Constitution shall be deemed to be passed by the Constituent Assembly unless a majority of the members of the community or communities concerned present and voting in the Constituent Assembly are separately in its favour, is a sufficient and ample safeguard of all Minorities.
We have suggested something wider and including all communities than has been proposed elsewhere. This may give rise to some difficulties in regard to small communities, but all such difficulties can be got over by reference to arbitration. We are prepared to consider the method of giving effect to this principle so as to make it more feasible.
Q4. What did the Cabinet Mission Plan statement of May 16 say about the composition of a Central Legislature?
(2) The Union should have an Executive and a Legislature constituted from British Indian and States' representatives. Any question raising a major communal issue in the Legislature should require for its decision a majority of the representatives present and voting of each of the two major communities as well as a majority of all members present and voting.
Q5. Did Jinnah interpret the 10 year clause in the Cabinet Mission Plan as allowing for secession?
As per Jinnah's conversation with Major Woodrow Wyatt on May 24, 1946, Jinnah was upset that the Cabinet Mission Plan statement did not allow provinces to secede.
(d) Provinces had not been given the right to secede after 10 years although the Congress had always been willing to give the right to secede and had raised no real objection this time at Simla.
Q6. Was Jinnah quite happy with the federal solution laid down by the Cabinet Mission Plan?
5. He said that the preamble to the Mission's Statement had bitterly hurt the feelings of the Muslims. Not only that, it was inconsistent with the rest of the Statement. This onslaught was quite unnecessary and had been done in order to placate Congress. Indeed, the word Pakistan was an anathema throughout the Statement. This preamble made matters even more difficult for him than before.
(a) The Muslim group of Provinces had not got parity with the others at the centre.
(b) There was no real protection for the Muslims in the Constituent Assembly, because from the very start the chairman would be a Hindu, unless the Muslims were to say that the election of the chairman was a communal issue, in which case the Constituent Assembly would break down straight away.
(c) The position of the States was left far too vague.
(e) The Union had been given the power to raise money. This was not a communal issue and would inevitably lead to taxation from the Centre with other subjects being added on the short list of the Union Government.
7. He explained to the Viceroy why there should be entirely separate Constituent Assemblies which only met together for the purpose of deciding the structure of the Union Government.
He thought the Viceroy had understood. This was a psychological matter and the Mission had created a single Constituent Assembly working in three sections only to please the Congress, ignoring Muslim feeling.
8. The only real safeguard for the Muslims was parity between Federations. The method of voting on communal issues would not work as there would always be dispute as to what was a communal issue and what was not.
9. He could not understand why the Muslim provinces had been split into two groups. He agreed that it was something to have the groups at all and without them he could not even have looked at the Scheme.
10. He disliked the Advisory Committee on which the Muslims would be in a minority, and as far as he could see would be unable to prevent the Union Constituent Assembly incorporating its recommendations as a part of the constitution of the Union Government, thus added another subject to those dealt with by the Union Government.
11. He dilated at considerable length on the attitude of Congress who had not conceded anything during the Simla Conference and would never approach the Constituent Assembly in a spirit of co-operation. They would aim the whole time to use their majority to steam-roller the Muslim League and sidetrack the provision as to safeguarding the Muslims on communal issues. It was inconceivable that such a Constituent Assembly could work at all.
12. He will not come down to Delhi until June 1st or 2nd. He can say nothing further until he has consulted the Muslim League Working Committee and Council. He is being bombarded with telegrams from his supporters protesting against the Statement and the Muslim reaction is very strong against it. My own impression is that he definitely wants to see where he is with the Muslim League before giving a decision on the Statement and he wants them to have time in which to absorb the two shocks which they have been given.
(b) The preamble to the Mission's Statement.
He is particularly hurt that the Mission have seized on this concession(which was an enormous one from his stand point) and have not taken his offer as a whole. None of the provisos that went with it have been accepted. I pointed out to him that everything that Congress had asked for had not been accepted either but he did not seem particularly convinced.
Q7. Does the conversation of Major Woodrow Wyatt and Jinnah on May 24, 1946 prove "...that Muslim League's resolution was aimed at saving face with its own constituents and did not have any serious ramifications in terms of the federation that was envisaged under the Cabinet Mission Plan, which Jinnah seemed to believe was workable"?
The British had exceeded their brief in pronouncing on the merits of Pakistan. They had no business to turn down what millions of people wanted. Their analysis of Pakistan was outrageous. But the Muslims had never expected the British to give them Pakistan. They had never expected anyone to give them Pakistan. They knew they had to get it by their own strong right arm.
The scheme outlined in the Cabinet Mission's Statement was impracticable and could not work. But nevertheless in order to show that they would give it a trial, although they knew that the machinery could not function, they would accept the Statement and would not go out of their way to sabotage the procedure-but they would accept the Statement as the first step on the road to Pakistan.
At this proposition he was delighted and said "That's it, you've got it", and I am completely convinced that that is what the Muslim League will do.
14. He will demand parity in the Interim Government if he decides to come into it.
PS: Jinnah's public statement of May 22, 1946 on the Cabinet Mission Plan has pretty much the same complaints that he reiterated to Major Wyatt on May 24 (answer to Q6 above).
PPS: As to the sincerity of the June 5-6 acceptance of the Cabinet Mission Plan by Jinnah, also see this.


text:
Офицерският дом е бивша архитектурна забележителност в Скопие, Северна Македония. Домът се е намирал на десния бряг на Вардар до Каменния мост.

Архитект на сградата е Василий Фьодорович фон Баумгартен, руски емигрант. Сградата е проектирана през 1925 г. и през същата година започва строежът ѝ. Домът е отворен през 1929 г.

История
На мястото на дома се е намирала старата Бурмали джамия, която е съборена през 1925 г. Същата година започва изграждането на дома, което е приключено през 1929 г. Автор на проекта е архитектът Василий Фьодорович фон Баумгартен. До началото на Втората световна война домът е използван за светски събития и банкети за богатите граждани.

След 1945 г. сградата получава името "Дом на ЮНА". През 1955 г. вътрешността на дома е декорирана с монументална мозайка на македонския художник Борко Лазески.

През 1963 г. по време на Скопското земетресение сградата е сериозно повредена и през 1964 г. е съборена по заповед на тогавашното правителство.

Планове за обновление
През 2007 г. правителството на Република Македония решава да обнови офицерския сом, а през 2011 г. гръцката фирма "ДиСи Прайм Пропъртис" купува земя за 630 000 евро. Гръцкият инвеститор подписва споразумение за изграждане на хотел "Мариот", който се планира да се построи на оригиналното място на дома в центъра, а офицерският дом да се построи в непосредствена близост до него. Сградата ще бъде използвана предимно за нуждите на хотела, но част от помещенията ще бъдат използвани за нов кабинет на кмета и зала за сватби.

Есента на 2012 г. Министерството на транспорта на Република Македония обявява, че инвеститор е получил позволение за изграждане и завършване на сградата в срок от 6 години.

В същото време възстановяването на дома влиза и в рамките на правителствения проект "Скопие 2014", който има за цел да придаде нов вид на града.

Бележки

Разрушени сгради и съоръжения от Скопското земетресение (1963)
Скопие
Паметници на културата в Скопие
Сгради и съоръжения в Скопие
Забележителности на Скопие
История на Скопие
Култура в Скопие


Whether you are a policeman now and want a promotion or you are currently working in another field but would like to change your career and become a Police Inspector, PI, you need to increase your competitiveness for each part of the interview, including the extended interview and the final interview.
Depending on your specific needs and skill level, we are going to practice the impromptu talk and discuss current topics related to the public life in HK, practise self-introduction, discuss leadership and management principals and other interview elements for the extended interview and other stages on the Police Inspector recruitment process.
As a Police Inspector, your job will include supervisory and operational duties and so your leadership, decision making, presentation skills will be judged at the interview. You need to be able to demonstrate both practical and abstract thinking which is difficult for most candidates and needs longer time to develop.
Don't wait with the preparation until you get shortlisted and be invited to attend the recruitment examination and interview. Plan ahead to keep time to develop your communication skills, English language proficiency, cognitive ability and presentation skills.
For the Extended Interview we will practice impromptu talk, group discussion and maybe prepare for the Management Exercise. We focus to develop and demonstrate the attitude and skills they require: leadership and management skills, values and personality, motivation, general knowledge, good judgement, being a good team member and effective communication skills. We also discuss general knowledge and topic related to the Hong Kong public life.
On this section of your interview process you will meet a Senior Superintendent of Police and two Superintendents of Police. They will ask questions to personally judge your leadership potential, motivation, values and personality, communication, judgement, general knowledge and management potential. We go through the typical interview questions and answers if you want like weaknesses, strengths, past work experience, future career plan, educational background, why you left your job etc.
In the interview course we can practice for a self introduction and handling expected and unexpected questions and challenges.


You can choose one of over 300 colors from our. Reversing your markup will reverse the placement of the toggler. Put another way, you specify light or dark and apply a background color. But, we need to show a menu icon to reveal or draw the Sidenav on small screens. Now create a new Angular 2 app with ng new material2-do. If you're new to Angular Material please first take a look at the first part of this series: Angular Material - Part 1 Introduction.
Responsive Navigation Menu Item 1 Menu Item 2 Menu Item 3 Menu Item 4 Menu Item 5 Menu Item 6 As you see, this is Just a normal material toolbar without any responsive capabilities. Read on for an example and list of supported sub-components. By commenting on this post you agree with the storage and handling of your data Name, Email and Website by this website. The Simple Toolbar This example shows a toolbar with a simple h2 header. Navbar Placement Use our position utilities to place navbars in non-static positions. If you are new to Angular, you can learn how to get started.
Which will then cause the content of the Sidenav to be displayed at the side of the screen only when we want it by calling toggle. Now we can replace the generated constructor in dialog. You can disabled this if you need. You have now created a new Angular 2 application that follows the official best practices. The other functions editTodo, addTodo, hideDialog are helper methods for updateTodo.
Navbar Home current Features Pricing Basic dropdown Action Another action Something else here Separated link Forms Place various form controls and components within a navbar with. Component is one of the main building blocks of Angular, and OnInit is one of the interfaces it implements. The example side navigation menu has been created with the help of another Material Component: MdList which is associated with the md-nav-list element. Adding Responsiveness using Angular Flex Layout To add responsiveness to our navbar, we will use Angular Flex Layout to hide and show the toolbar menu items based on screen size. Page 1 Page 2 Page 3 menu Example Content area The last little trick was to wrap the button in an md-toolbar element. The Hidden Hamburger This example shows how we can get a hamburger menu to display on a small screen, and the full toolbar to display on a large screen.
This component provides user the real time suggestions when a user types in an input area. I use for my client side routing instead of ng-route which comes with angular. The problem is that I want to be able to scroll for a bit without change, but after a certain point the menu should become compact and stay in place. I first learnt Bootstrap, and when I see this it seems. The picture above illustrates what we are trying to achieve. Color schemes Theming the navbar has never been easier thanks to the combination of a simple link color modifier class and background-color utilities.
First, there is a menuToggle that shows and hides menu items that have sub-items assocaited with them. The advantage of autocomplete is that by default, md-autocomplete caches the results when performing a query For remote data it loads data once and then caches. Start with the Structure of Menu Items and Sub-items You want to start with the structure of your menu. Every time something happens in either menuToggle or menuLink directives there is a reaction that is fired in the parent controller. To do this, we enclose the menu items on a div container and then use directive to hide and show the menu items.
The Parent Controller The parent controller and its template contains both the menuToggle and menuLink directives, and it serves as sort of a middle man between the directives and the menu service. This was a great intro and produces pretty much the framework i needed. This article was originally published in issue 284 of net, the world's best-selling magazine for web designers and developers. Thank you for the support! If you are not familiar with Material Design then you really should visit the Material site. Now let's add this DialogComponent to material2-do.