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"Not Elegy, But Eros," "The Old City,"
and "Ode to the Joke," by Nausheen Eusuf
By Rebecca Foust
Commentary by Rebecca Foust, Poetry Editor
I met Eusuf at the Sewanee Writer's Conference in 2015—she was a Scholar and I was a Fellow, the first (but I hope not last) visit for us both. A born-and-raised Yankee, I was endlessly fascinated by everything feeding my Midnight-in-the-Garden-of-Good-and-Evil fantasy about the South: Gothic architecture complete with crenellations and turrets, and a staircase that mysteriously granted access to every floor in my dorm except the one my room was on—check; enormous ancient trees, bird-sized insects, cicadas so loud I had to close my windows at night to sleep—check; soft, honeysuckle-scented air, a looming, swollen moon, and an old graveyard on campus—check, check, and check. The faculty and programs were superlative, and the days were packed with wonderful lectures, workshops, and readings. My memories of Sewanee include a long dinner conversation about writing with someone who, until she took the lectern that night, I did not recognize as a famous author. Also, walking back from French House under a sky thick with stars. An elaborately furled fungus, pure white and the size of a basketball. The stillness in the room, and an audience member fainting after Tim O'Brien's knockout reading from The Things They Carried. "Only connect," Alice McDermott told us in one of her talks, and I did, at Sewanee.
Eusuf was someone I connected with right away, and she was along for perhaps my best memory of the conference: swimming in the local quarry by moonlight. We mostly hung onto the edge of the dock and tried not to think about water snakes, but I will never forget the way the moon laid wide, white bands of light on the water—warm as a bath—that trailed sparks when we splashed and swam. Eusuf and I hung around together during the conference, and I remember being struck by her quiet intensity and the depth of her commitment to poetry. So, it is with great pleasure that I introduce you to her new book today.
Not Elegy, But Eros is, among first books, unusual for its sophistication and artistry. The relative brevity of today's poems is representative of the book as a whole in which all but seven poems occupy one page or less; compression and economy of expression is one of Eusuf's many writing strengths. Another is her knowledge of and facility with the poetic canon and with form. Although most poems in Not Elegy are in free verse, it is a free verse well-informed by poetic tradition. The book contains elegies, odes, dramatic monologues, fiercely restrained couplets and tercets, blank verse, and nonce forms with imaginatively conceived rhyme schemes. All the poems show a splendid mastery of the line, both in control of length and in the breaks.
In a wonderful introduction to the book ("Preface," pages x-xiv), Bonnie Costello observes that "One of the first charms of the book is encountering beloved phrases from the lyric tradition re-animated in new settings," and I agree. T. S. Eliot, Charles Baudelaire, Theodore Roethke, Andrew Marvell, Elizabeth Bishop, Walt Whitman, W. H. Auden, William Butler Yeats, François Villon, Henry Vaughan, Wallace Stevens, Robert Hayden, A. R. Ammons, Paul de Man, and others like Sigmund Freud, Northrop Frye, and Alfred Hitchcock, make an appearance in allusions that never presume knowledge or talk down to the reader. That is, the poem works just as well if you get the allusion as it does if you do not but getting the allusion will deepen the experience of the poem for some readers.
I especially admire Eusuf's ability to write poems that feel universal and personal—something I'd like to be doing more of in my own work. Her poems show a remarkable range of tone, subject, and form, and draw from a wide and deep knowledge of literature, history, humanity, and the sciences. This quality is evident in today's poems, one celebrating the life and mourning the murder of an LBGTQ dissident ("Not Elegy, But Eros"), one gorgeously invoking the speaker's visit to an old city in Bangladesh but also capturing the experience of reliving history in any ancient place ("The Old City") and another that addresses the broad concept of humor at the same time it uses sparkling word play to pull off its own very pointed series of gags ("Ode to the Joke").
Speaking of images, Eusuf's are startlingly vivid, specific, and apt—such as the "algae thick as serum" in "The Old City," the "two-timing stoker / of fire and smoke" in "Ode to the Joke," and the "jaw rasping against my cheek / the pulsing veins of his slender limbs" in "Not Elegy, But Eros"—and more often than not, they deepen the meanings of her poems. As Costello says, "Nausheen is no Objectivist in her handling of the image. Simile and metaphor do much of the work of charging things with sentiment and strangeness. She does not inflate feeling with extravagant metaphors; rather she fetches the everyday into the inner life, so that both become mysterious."
The range of subject, too, is broader than in a typical first book. Yes, there are poems about parents and thwarted love, but these themes are treated with an unusual degree of sensitivity and universality, and the book includes deeply mature poems about existential loneliness, modern political turmoil, and the mysteries of particle physics. Also refreshingly broad is the book's tonal range, from the laugh-out-loud humor of "Selfie" and "Ode to the Joke" to the sharp pain of the personal ("Ten Months Since") as well as broad-scale loss in the larger tragedy of human history ("Ubi Sunt," "A Final Embrace").
I second what Costello says about Eusuf's ability to marshal sonic power in her work: "All this immediate speech is scored to compelling and often kinetic harmonies and rhythms, now in ingenious patterns with tight rhyme and meter, now in relaxed and more open forms, but always rich in sonic pleasure." "Not Elegy, But Eros" and "The Old City" are written in iambic pentameter tercets with no rhyme, and their strong, clear beats ring out a compelling cadence of authority and restrained passion. "Ode to the Joke" employs a remarkably tight nonce (made up by the poet) rhyme scheme, augmented by alliteration (lines 5, 11-12, 14, 19, and 25) that collects and saturates rhyme as the poem progresses.
All the poems show an uncommon amount of mystery, subtlety grace, wit, and intelligence, but many—including the ones offered to you today—make me catch my breath. The work is accomplished and somehow raw and vital at the same time, and editors are evidently in agreement because many of the book's poems originally appeared in a wide range of nationally recognized journals. Reading Not Elegy, But Eros will enrich your life and might even provide some comfort in these troubled times. As Costello's says, "there is plenitude as well—not only in vivid memory, but in the music of the street, in the errant path of a dog's walk, in the "something" that shines in a scientist's lens, in the fecundity of words, and most of all, in the love that keeps rebuilding the world even as death erodes it or we ourselves try to tear it down." Trust me, readers, this is a book you will want to own so that you can reread it again and again.
"On the Way to Grandma's Funeral" and "What the Confederate Flag Means to Me," by Glenis Redmond
Poetry Sunday: "Making Zelnik at the Sibling Reunion," by Karen Paul Holmes
My new book, "No Such Thing as Distance," was partly inspired by the Macedonian culture in which I grew up. How better to reflect that heritage, and also the closeness of my family, than through a cooking poem?
Poetry Sunday: "Prepositional," by Lorna Knowles Blake

redpajama_set_name: RedPajamaCommonCrawl


Gunter A. Weber, 79, passed away on March 19, 2019. He was born March 24, 1939 in Jagersfreude, East Prussia to the late Rudolf and Adele Weber. He was preceded in death by his brothers, Herbert and Helmut; and sister, Erika.
He is survived by his wife of 54 years, Theresa; children, Sonja (Joachim), Jens (Daniela); and Elke; grandchildren, Jana, Kristina, Sven, Seth, Anouk, Julian, Linus, Tristan; and sister, Ehrentraut (Andreas) Mattheis.
Gunter served as a pastor in the USA, Chile, Switzerland, and Austria. His passion was music and he was well known as a writer of many German gospel songs. He enjoyed sports and outdoor activities.
A graveside service will take place at Lockwood Cemetery, with Grant Luton of Beth Tikkun officiating. In lieu of flowers, donations may be made to Summa Hospice or Armor of Hope (armorofhope.com) in Gunter's memory.


Document " Long-term study of gamete release in a broadcast-spawning holothurian: predictable lunar and diel periodicities "
MERCIER A., YCAZA R.H. & HAMEL J.F. (2007). Long-term study of gamete release in a broadcast-spawning holothurian: predictable lunar and diel periodicities. Marine Ecology Progress Series. Volume 329. Pages 179-189.
Annual and monthly patterns of gamete release by the sea cucumber Isostichopus fuscus on the coast of Ecuador were studied to determine the proximal spawning cue and variations in reproductive output throughout the year. Several hundred newly collected individuals were monitored nearly every month for 4 yr. I. fuscus displayed a lunar spawning periodicity: 0.7 to 34.9% of individuals consistently spawned 1 to 4 d after the new moon. Spawning mostly occurred within one evening; however, some gamete release was often recorded over 2 to 4 consecutive evenings. Individuals maintained in captivity for several months retained their spawning periodicity and timing with the lunar cycle. Conversely, newly caught individuals that were shaded from the moonlight did not spawn, thus demonstrating the apparent lack of endogenous rhythms and prevalence of lunar luminance over other cues (i.e. tidal cycle, fluctuations in barometric pressure). On a spawning night, males typically initiated gamete release around sunset; females spawned just after the peak male broadcast. The percentage of spawning individuals was higher and a greater overlap between male and female peak spawning activity was observed during clear conditions compared with overcast conditions. The gonads of individuals that did not spawn in a given month showed a variety of maturity levels, including post-spawning, growth and mature gametogenic stages. Hence, the individual reproductive cycle is apparently longer than the monthly spawning periodicity observed at the population level, enabling I. fuscus populations to be reproductive year round.


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Hans Richter (conductor)
Johann Baptist Isidor Richter, or János Richter (4 April 1843 – 5 December 1916) was an Austrian–Hungarian orchestral and operatic conductor.
A woodburytype of Richter by Herbert Rose Barraud (c. 1880s)
2 Notable premieres
BiographyEdit
Richter was born in Raab (Hungarian: Győr), Kingdom of Hungary, Austrian Empire. His father was a local composer, conductor and regens chori Anton Richter. His mother was opera-singer Jozefa Csazenszky. He studied at the Vienna Conservatory. He had a particular interest in the horn, and developed his conducting career at several different opera houses in the Austro-Hungarian Empire. He became associated with Richard Wagner in the 1860s, and played the solo trumpet part in the 1870 private premiere of the Siegfried Idyll. In 1876, he was chosen to conduct the first complete performance of Wagner's Der Ring des Nibelungen at the Bayreuth Festspielhaus.
In 1877,[1] he assisted the ailing composer as conductor of a major series of Wagner concerts in London, and from then onwards he became a familiar feature of English musical life, appearing at many choral festivals including as principal conductor of the Birmingham Triennial Music Festival (1885–1909) and directing the Hallé Orchestra (1899–1911) and the newly formed London Symphony Orchestra (1904–1911). In Europe his work was chiefly based in Vienna, where (transcending the bitter division between the followers of Wagner and those of Johannes Brahms) he gave much attention to the works of Brahms himself, Anton Bruckner (who once slipped a coin into his hand after a concert by way of a tip) and Antonín Dvořák (he gave the London and Vienna premieres of the Symphonic Variations); he also continued to work at Bayreuth.
In later years, Richter became a fervent admirer and advocate of Sir Edward Elgar and he came to accept Pyotr Ilyich Tchaikovsky. On one occasion, he laid down his baton and allowed a London orchestra to play the whole second movement of Tchaikovsky's Pathétique Symphony itself. Never afraid to experiment on behalf of the music he loved, he lent his authority to an English-language production of The Ring at Covent Garden (January and February 1909). In 1909 he delivered the British premiere, very shortly after the world premiere, in Boston, of Ignacy Jan Paderewski's Symphony in B minor "Polonia". Failing eyesight forced his retirement in 1911. He died at Bayreuth in 1916.
Punch cartoon dated February 5, 1908, of Richter's first English performance of Wagner's The Ring
Richter's approach to conducting was monumental rather than mercurial or dynamic, emphasising the overall structure of major works in preference to bringing out individual moments of beauty or passion. Some observers regarded him as little more than a time-beater; but others, notably Eugene Goossens, pointed to the remarkable rhythmic vitality of his work, a quality which hardly squares with the image of Richter as a rather stolid and static personality.[neutrality is disputed]
Hans Richter was first brought to England by Wagner in 1877 to conduct six operatic concerts in London. The impact made by Richter (then 32 years old) on the capital's orchestral players was enormous. They had never been rehearsed so thoroughly, nor with such discipline as that of a genuine musician rather than a showman; nothing was allowed to slip through as the fundamentals were revisited. Intonation was scrutinised, details brought out, tempi rationalised, notes corrected. His practical knowledge (he played every orchestral instrument) proved formidable and no weak player felt secure. He usually conducted rehearsals and performances of orchestral concerts and operas from memory.
The living composers whose works he introduced to British audiences were the greats in whose company he could be found, Wagner, Brahms, Bruckner, Dvorak, Tchaikovsky, Glazunov, Stanford, Parry and Elgar. For 20 years from 1879 he toured the length and breadth of Britain with his Richter Orchestra.
—  Christopher Fifield, Hans Richter's impact as a career conductor[1]
A rebuke he is supposed to have made to a musician in the Covent Garden orchestra is still sometimes quoted:
"Up with your damned nonsense will I put twice, or perhaps once, but sometimes always, by God, never."[2]
Notable premieresEdit
Wagner: Siegfried (1876)
Wagner: Götterdämmerung (1876)
Brahms: Symphony No. 2 (1877)
Brahms: Tragic Overture (1880)
Brahms: Piano Concerto No. 2 (1881; composer, soloist)
Tchaikovsky: Violin Concerto in D (1881; Adolph Brodsky, soloist)
Bruckner: Symphony No. 4 (1881)
Bruckner: Te Deum (1885)
Elgar: Enigma Variations (1899)
Elgar: The Dream of Gerontius (1900)
Elgar: Symphony No. 1 (1908)
NotesEdit
This article includes a list of general references, but it lacks sufficient corresponding inline citations. Please help to improve this article by introducing more precise citations. (January 2013) (Learn how and when to remove this template message)
^ a b Christopher Fifield, abstract: Hans Richter's impact as a career conductor on music making in England 1877-1911. "Conference Abstracts". Sixth Biennial Conference on Music in 19th-Century Britain, University of Birmingham, July 2007.
^ Knowles, Elizabeth; Partington, Angela (1999). The Oxford dictionary of quotations. Oxford: Oxford University Press. p. 627. ISBN 978-0-19-860173-9.
Hans Richter at AllMusic
Chisholm, Hugh, ed. (1911). "Richter, Hans" . Encyclopædia Britannica. Vol. 23 (11th ed.). Cambridge University Press. pp. 312–313.
Wikisource has original works by or about:
Christopher Fifield. Foreword by Georg Solti. True Artist and True Friend: A Biography of Hans Richter. Oxford University Press, 1993. ISBN 0-19-816157-3. (The title is from Elgar's dedication of his Symphony No. 1.)
Retrieved from "https://en.wikipedia.org/w/index.php?title=Hans_Richter_(conductor)&oldid=1130182831"


Population health management (PHM) strategies have the potential to improve thequality of CKD care, but significant barriers remain to leveraging existing healthinformation technology (health IT) and electronic health record (EHR) data for PHMin CKD. Additionally, efforts to overcome these barriers and implement PHMstrategies for CKD often are developed in isolation, with limited opportunities toshare best practices and lessons learned.
Review best practices for kidney-related PHM efforts for research (e.g.,pragmatic trials) and clinical care (e.g., PHM implementation across health caresystems) from experienced centers across North America.
Review challenges and opportunities to facilitate additional broad-scalepopulation efforts for research and clinical care for kidney disease.
Develop a repository to aggregate shared strategies and resources (e.g.,algorithms, code) that will facilitate kidney disease PHM efforts for research and clinical care.
If you would like to receive copies of the meeting presentations, please contact Kaltun Ali at kaltun.ali@nih.gov.
2:05 p.m. – 2:20 p.m.


These two tests will weed out most all right and on the 19" Widescreens for duals. Changed graphics in Windows, install the DVD drive through Device Manager. It had been worked go and it booted nothing on screen.
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text:
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Payday loan: I need money urgently - how can I get them today and now?
I need money immediately, with absolute urgency: what should I do? In this article we provide you with a very simple guide that can be useful in case you need an online loan to receive money urgently. Let's find out how you can have the desired money immediately available, with the main features of the loans offered and the methods of request.
Many times it may happen that we are faced with an unexpected expense, for which we need money urgently. The financing options that we find on the market are very many, but not all of them allow us to receive the sum of money we want in a short time. In fact, banks must respect bureaucratic times, in which they carry out all the necessary checks, to avoid lending money to customers who are not able to make the repayment later. And if we need money with some urgency? The solution that suits us then is that of online loans.
Now with internet you can really do everything, and even lenders have thought of solutions that allow us to reduce the delivery time, thanks to the online request. All the main banks offer their customers the possibility to manage their account through the website, and many companies provide for the financing request completely online, without having to go to the branch office. Usually online loans provide a rather low amount of money that can be requested, which minimizes the time needed to credit the amount on the client's current account, since the risk to the bank is considerably lower than in the case of larger sums important.
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Another fundamental characteristic that must be considered is that of the required requisites. The latter is a determining factor for the purposes of granting the loan and, if successful, for the timing of disbursement. In particular, it is important to have a paycheck or a pension, since it will be enough to attach the income document to have access to the credit. It is impossible to think of receiving a loan in a few hours, for example by presenting a guarantor's signature or by mortgaging a property. Finally, it is important not to be reported in Crif (Central Financial Risks), a feature common to most loans. If these requirements are met, in most cases thanks to online loans we will have the possibility to have available the amount of money we need in a few days, and in the case of small loans even in less than 24 hours.
If you are looking for a quick loan, as we have seen the best solution is that of online finance. What are the request methods? The first thing to do to apply for a personal loan online is to use the loan simulator to choose the optimal amount and duration for our needs. Receiving a quote online is even easier than what happens by going to the branch. In a few simple clicks we can in fact get all the information we need. The only information that we will have to insert will be the amount we are interested in. All we have to do is click on " Calculate Rata ", and the result we will get will be a list of products that meet our needs.
The different solutions will differ from each other for the expected repayment duration. As it is easy to guess, at a shorter duration correspond higher monthly installments, while increasing the number of months the corresponding installment will always be lower. This could suggest moving towards the maximum possible duration, which involves a light installment for which we will not have problems to make the repayment. The other factors to consider are interest rates. These define the price of our financing, and overall they are always higher as the duration chosen for our loan increases. The request for an online estimate is very useful to assess the right balance that allows us to set a rate not too high, trying to limit as much as possible the amount that we will pay the bank for interest. This is the reason why the first step presented to us when we go to request an online loan is to calculate the installment.
Once we have chosen the duration of our financing, we can move on to entering the data needed to complete the online personal loan application. This procedure can vary, as the one described above, according to the bank to which we address, however in general the information requested is usually the same as we would be asked to go to the branch. Regarding personal data, we will obviously have to enter the name, surname and our tax code. Among the documents that we will have to present there are the identity card and the health card. There are three possible solutions to demonstrate the income received: for employees it is required to present the last paycheck, pensioners will have to present the last pension slip, while the self-employed will have to present the last tax return. How to send all the documentation online? There are two solutions adopted to guarantee a 100% secure exchange of documents: the first option is to use the digital signature, while alternatively it is possible to use a PEC email address (Certified Electronic Mail).
In case you are faced with an unexpected expense, you may need a loan in one day. Is there a way to receive money today? In general it could be difficult to get the amount we need in such a short time. However, there are some particular types of financing that can be considered "desperate" solutions to request money. The first solution that is good to consider is that of credit on a pledge. Various lenders offer their clients this solution, which can be perfect in case the desired amount is not particularly high. The operation of this type of personal loan is very simple: the customer leaves a pawn in the company, which will only be able to return once the reimbursement has been completed.
It is probably the simplest financing to obtain, since the only guarantee required is the object, which could be for example a jewel of any kind, a bracelet, earrings, a necklace, a watch and so on. The only constraint because the disbursement of the money we need in the day is that the market value of the object that we will leave in custody at the bank must be higher than the amount we will request. So thanks to this desperate solution to receive the money we need we can receive money today without losing an object that could have a strong emotional value, and that will be stored in a safe place and returned to the customer at the end of the refund.
How can I do if I need money today but I do not have an item worth more than the sum of money I'm looking for? In this case, a financing solution to be taken into consideration is that of private loans. Sometimes, in fact, receiving a loan from a private individual is easier than when we turn to a bank. Moreover, often if we explain our situation and the reason for our need to immediately receive the money we need, our lender will be available to lend us their money even in the day. Although it may be an excellent solution, it is always good to pay close attention to those who turn to receive this type of funding. In fact, when one is desperate for a loan, it may happen that we turn to untrustworthy people who could take advantage of our situation to defraud us by setting conditions that are too disadvantageous.
In this sense it is good to remember that the Italian law establishes the usury thresholds for interest rates. In the event that the rate applied by the individual exceeds the threshold set for the personal loan, then the loan is to be considered illegal and we can proceed with a complaint. In general, however, we advise you to evaluate the terms of the loan before signing any agreement. As for loans between individuals, the safest solution is to address one of the different social lending communities such as Prestiamoci, Smartika and BLender. In this way, through the platform you can get in touch with many private individuals ready to lend you the money you need even in the day. The platform itself will also ensure maximum security, so from this point of view it will be just as if you had turned to any credit institution.


If you saw Irina Saczuk at her convocation, you probably witnessed the big hug and kiss husband Eric gave her as she crossed the stage. It was June 2017, and Irina had just graduated from the Bachelor of Science in Nursing program, officially becoming a BCIT alumna. Eric, a member of the platform party, could not contain his pride.
"I'll never forget it—I was super proud," says husband Eric Saczuk, a BCIT Geomatics instructor, the chair of the School of Construction and the Environment Research Committee and a drone pilot. Irina, now working as an advanced practice Registered Nurse for Dr. Peter AIDS Foundation, has no bigger fan than Eric.
Irina reciprocates the admiration. On their first date, she says he impressed her with his eloquence. On the day of their engagement, he inspired her with a heartfelt, surprise proposal.
In the early years of their relationship, BCIT was a big part of both their lives. While Eric was a faculty member for the School of Construction and the Environment, Irina was a student of the Nursing program in the School of Health Sciences. As an instructor, he was dedicated ("I love teaching!") to teaching his students. As a student, she had to juggle a heavy workload, affectionately likening BCIT to a "boot camp." And they were also raising two young girls together. The busyness of teaching and learning at BCIT and parenthood helped them discover how to balance their relationship.
"I complain, he listens, and we both decide I am right," Irina lightheartedly answers.
Do you have a BCIT love story you'd like to share? Contact us at alumni@bcit.ca.