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'Salad Days': A history of D.C. punk rock's musical moment ... At 8 Mackintosh saw a production of the musical "Salad Days", which caused him to decide to become a theatre producer. Rip roaringly funny, with simple catchy melodies, exceptional voices and musical accompaniment, even virgin music hallers will be tapping along, long after the close" Happy New Year to all! Also, I'm pretty sure the song is slightly out of tune. Every day, our team chops, dices, grates, and slices fruits and veggies that 'romaine' on the rocks till you arrive! Salad Days. Find recording details and track inforamtion for Salad Days, musical - Julian Slade on AllMusic Salad Days Musical Cleopatra Song Lyrics lyrics. pl.n. 01 Selections We're Looking for a Piano - I Sit in the Sun - Oh! The magic piano is central to the plot, in which a . Recording Location PRT Studios, London, England . Our smart data base updates every day and we've got the solution to Julian , composer of 1954 stage musical Salad Days. Salad Days is a British musical with music by Julian Slade and lyrics by Dorothy Reynolds and Slade. Join StageAgent today and unlock amazing theatre resources and opportunities. Salad Days. Salad Days 1954 Julian Slade Music From. Salad Days features a score by Julian Slade with lyrics by Dorothy Reynolds. Having got this far, what on earth do they do next? To me this seems like enough info to do a harmonic analysis without overcomplicating the matter. Salad Days: the bittersweet musical with an evergreen ... Salad Days, baby. CD SALAD DAYS - Original London Cast 1954 --> Musical CDs ... Salad Days - Musical. Oh, Look at Me! The original version of Oklahoma opened on Broadway in 1943. It has been revived regularly - four of which had London showings, and it was the first show seen by the young Cameron MacKintosh, sparking off his lifelong interest in the form. I'm working on Salad Days by Mac Demarco at the moment. Find all 18 songs in Salad Days Soundtrack, with scene descriptions. Book and Lyrics by Dorothy Reynolds and Julian Slade. Snappy Salads is built on the idea that you can order the exact salad you want, made in minutes, with quality ingredients, in cool surroundings. PressNewsAgency. Composed by Julian Slade with lyrics by Dorothy Reynolds, judging from the packed house at Theatre Royal Bath many are extremely pleased to be seeing it again. Written in 1952 as a summer musical for the Bristol Old Vic, Salad Days then transferred to the Vaudeville where it ran for 2,283 performances. An early triumph for the Bristol Old Vic occurred when the 1954 première production of Salad Days transferred to the West End and became the longest-running musical on the London stage at that time. Salad Days. Salad Days The Musical synonyms, Salad Days The Musical pronunciation, Salad Days The Musical translation, English dictionary definition of Salad Days The Musical. But the neglected 1950s . The musical was initially performed in 1954 in the UK in Bristol and then in the West End, where it ran for 2,283 performances. Julian Slade was the resident composer there, and Dorothy Reynolds one of the leading acresses. Recent MD and associate MD credits include The Bobby Darin Story , starring Jonathan Groff (92Y's Lyrics and Lyricists), and the world premiere of Columbus Is Happening by Stew, the Tony-winning writer of . Salad Days premiered in the UK at the Theatre Royal, Bristol in June 1954, and transferred to the Vaudeville Theatre in London on August 5, 1954. As we were staying in a hotel on the Strand, we kept driving past the Vaudeville theatre, where I was thrilled to see the . I say 'again' as I heard many audience members harking back to the last time they saw . 'Salad Days': A history of D.C. punk rock's musical moment The Faith performs at the Wilson Center in 1983, as shown in the documentary "Salad Days: A Decade of Punk in Washington." (Jim . Salad Days is a musical with music by Julian Slade and lyrics by Dorothy Reynolds and Julian Slade. The story, about a magic piano that makes everybody dance, is pure twaddle, but the songs are pretty, Kit Hesketh Harvey wrings maximum . Salad Days continues at the Union Theatre, London until 9 September. Salad Days - the other longest running West End musical. The track signified a change in direction, maturity and an overwhelming sense of self-awareness. By. He has a younger brother, Robert, who is also a producer. Listen to Salad Days (Bonus Track Version) by Original London Cast on Apple Music. INTERNET REVIEWS "Salad Days is musical theatre at its very best. October 11, 2021. Julian Slade and Dorothy Reynolds' classic British musical Salad Days will be presented at London's Union Theatre from 16 August to 9 September 2017, sixty three years after its first London production.. 10 synonyms for salad days: adolescence, greenness, juvenescence, juvenility, puberty, spring, youth, youthfulness, bloom of youth, bloom. Get this from a library! It's been labelled derisory and unperformable, Monty Python lampooned it, even its fans admit it's ridiculous. Jessica trained at the Guildford School of Acting, graduating with a 1st Class Honours degree in Musical Theatre. Jules Dassin , Manos Hadjidakis , Joe Darion. in the U.K. (1960). Riverside Studios 2011Cast:Andrew Ahern, Luke Baker, Lee Boggess, Rebecca Caine, Charlie Cameron, Emma Harris, Sam Harrison, Matt Hawksworth, Mark Inscoe, Ri. A time of youth, innocence, and inexperience: "my salad days, / When I was green in judgment, cold in blood" . If you want to keep track of your "stagey" experiences, you might just love The Thespian's Bucket List or 1001 Cast Albums to Listen to in Your Lifetime! Credits include the title role in Cinderella (Chatham Central Theatre), Patty Simcox/1st cover Sandy in Grease (UK Tour), Alice in Dick Whittington (Chatham), Jane in Salad Days (UK Tour), Jill in Jack & The Beanstalk (Corn Exchange Kings Lynn), Ensemble/1st Cover Alice in . Salad Days (libretto) Book and lyrics by Dorothy Reynolds and Julian Slade. Salad Days, musical. The culture of Afghanistan has persisted for over three millennia, tracing record to at least the time of the Achaemenid Empire in 500 BCE, and encompasses the cultural diversity of the nation. Background. Jane and Timothy Dawes meet in a park, soon after . For these are our Salad Days. Synonyms for Salad Days The Musical in Free Thesaurus. P.S. Well, of course, "Salad Days" was the direct descendant of Gilbert & Sullivan, by way of "The Arcadians", and like its ancestors it calls for a lighter touch than this Coarse Acting effort. Duration 04:18 . Named after a Shakespeare quote, Salad Days is, on the face of it, a piece of fluff but its simplicity hides an extremely well formed musical show with infectious songs that are easy to sing. Naxos: 8120848. Cast. Synonyms for Salad Days The Musical in Free Thesaurus. 0. It's weird, it's synth-heavy and we also have this ridiculous video to enjoy: Listen to trailer music, OST, original score, and the full list of popular songs in the film. 'Salad days' is a beautiful turn of phrase, coined by William Shakespeare and spoken by Cleopatra in Act 1, Scene 4 of Antony and Cleopatra. Salad Days is a phrase first coined in Shakespeare's 'Anthony and Cleopatra,' referring to Anthony's youth; the show tells the light- hearted tale of recent graduates Timothy and Jane. SALAD DAYS. It opened at the Bristol Old Vic in 1954 and transferred to London's Vaudeville Theatre where it ran from 5 August 1954 for over 2,000 performances. Full-Length Musical, Dramatic Comedy / 2f, 3m. Music by Julian Slade. 0. Newly acquired BA gowns hang heavy on the shoulders of Jane and Timothy. Buy CD or download online. Thank you for signing up for email updates! My parents took me to Europe for the Brussels World's Fair in 1958 and on the way home to America we stopped in London. But this musical is far from conservative; the protagonists are a . With Amanda Bairstow, Ann Beach, Susan Beagley, Osmund Bullock. Cedric Neal most recently was a semi-finalist on The Voice UK 2019 Series. Musical Identifier lp_salad-days_salad-days-original-cast-james-cairncross Identifier-ark ark:/13960/t07x8mc91 Lineage Technics SL1200MK5 Turntable + Audio-Technica AT95e cartridge > Radio Design Labs EZ-PH1 phono preamp > Focusrite Scarlett 2i2 Ocr tesseract 5..-alpha-20201231-10-g1236 Ocr_detected_lang en Ocr_detected_lang_conf 1.0000 The show ran for 2,283 performances, making it - at the time - the longest-running show in musical theatre history. Directed by Bryan Hodgson, this is the fourth revival of 1950s musical Salad Days, currently on tour direct from London's award-winning Union Theatre. It premiered in the UK at the Bristol Old Vic in June 1954, and transferred to the Vaudeville Theatre in London on 5 August 1954. Topics. InTheatre Productions was founded in 2018 by Colin Ingram and Peter Kane. Originally conceived in the BMI Musical Theatre Workshop, Salad Days was the 2017 recipient of the Jean Banks Award, presented annually by the BMI Foundation to the best ten-minute musical created . The Grand Hotel did not seem to have changed since her salad days. Julian Slade and Dorothy Reynolds had been working together on writing musicals since 1952, writing the . He made his West End debut as Berry Gordy in the original London cast of Motown- The Musical. The lead single from the record was this number, 'Passing Out Pieces', a bold and honest step into an unknown new direction for the musician. I am having the time of my life. It still has the silliest storylines and awful puns that composer Julian Slade and lyricist Dorothy Reynolds wrote, but also all the charm and feelgood factor that made it such a success before the face of musical . Salad Days The Musical synonyms, Salad Days The Musical pronunciation, Salad Days The Musical translation, English dictionary definition of Salad Days The Musical. Music by Julian Slade. In 2018, the YABC celebrated its 20th anniversary and 40th season at the National Theatre. And my heart is so full there's no room there for pain. Newly acquired BA gowns hang heavy on the shoulders of Jane and Timothy. In finding, as he always does, exactly the right words for something, Shakespeare uses the phrase 'salad days' in the context of a conversation about the lack of experience in relationships. Salad Days 1954 Julian Slade Music From. . Its neglect is particularly noteworthy considering Salad Days' huge popularity in its own time. I am having the time of my life. 10 synonyms for salad days: adolescence, greenness, juvenescence, juvenility, puberty, spring, youth, youthfulness, bloom of youth, bloom. All the sadness was foolish and vain. OCR: Stan Edwards (piano), with second piano & drums, Vocals: Anne Rogers, Anthony Hayes, Joan Sterndale Bennett, Larry Drew, Denise Hirst, Hugh Paddick, Maria Charles, Violetta, John Rutland, OCR: Edward Rubach & Robert Docker (pianos), Vocals: John Warner, Eleanor Drew . I'd live it all over again. The show is not often performed in London or New York, but remains famous thanks to . If you talk about your salad days, you mean the time when you were young and had little experience. American Heritage® Dictionary of the. Salad days. The word you're looking for is: SLADE The crossword clue "Julian , composer of 1954 stage musical Salad Days" published 2 time/s and has 1 unique answer/s on our system. Salad Days: the bittersweet musical with an evergreen charm. "Casting the cabaret act Kit and the Widow in the sweet Julian Slade and Dorothy Reynolds musical Salad Days sprinkles a fresh new dressing on a 42-year-old piece that has not been seen in London for 20 years. Complete soundtrack list, synopsys, video, plot review, cast for Salad Days show. The original cast L.P. from 1954 had just the right lightness and charm, even if most of the songs were truncated. Look At Me. His father, Ian Robert Mackintosh, was a Scottish timber merchant and jazz trumpeter and his mother, Diana Gladys (née Tonna), was a Maltese-French production secretary. Scrooge is a musical adaptation of Charles Dickens' short story 'A Christmas Carol' and is based on the film musical of the same name.The original production opened in 1992 in Birmingham and enjoyed moderate success on UK tours. Antonyms for Salad Days The Musical. Salad Days is a lively musical which features a magic piano and a ride in a space ship. Salad Days is very much in the style of Gilbert and Sullivan—the script by Dorothy Reynolds and Julian Slade is gently satirical of authority figures and laden with puns and wordplay while Slade's musical score is light and cheerful. Selected monologues from Salad Days including video examples, context and character information. Salad Days continues at Richmond Theatre until 15 September 2018, then tours until 17 November.. Star rating: four stars ★ ★ ★ ★ Salad Days wears its 64 years lightly. To a world that's exciting and new. For many years Salad Days was the longest running West End musical. Salad Days Lyrics: As I'm getting older, chip up on my shoulder / Rolling through life, to roll over and die / Missing Hippie Jon, salad days are gone / Remembering things just to tell 'em so long What are synonyms for Salad Days The Musical? Salad Days Soundtrack Music - Complete Song List | Tunefind Summary. Dorothy Reynolds , Julian Slade. In December 2008 the YABC celebrated its 10th anniversary with a special end of year show at the National Theatre. The show stopped off at the London Palladium in 2005 where aged stage veteran Tommy Steele took on the leading role. pl.n. A time of youth, innocence, and inexperience: "my salad days, / When I was green in judgment, cold in blood" . A coherent plot and credible characters are, however, absent. Based on Jules Dassin's 1960 film comedy Never on Sunday, Illya Darling explores the relationship between Illya, a prostitute in a port town near Athens, and Homer Thrace, an American pursuing the glories of ancient Greece. Producer. This musical is set in Oklahoma territory in 1906. Learn Produced at the Vaudeville Theatre, London, August 5, 1954 (2283 perfs) Barbizon Plaza, New York - November 10, 1958 (80 perfs) SALAD DAYS started its life in June 1954 at the Theatre Royal, Bristol. -. The production is airtight with foolproof timing: every note is hit, every joke landed and every step perfectly executed. Find recording details and track inforamtion for Salad Days, musical - Julian Slade on AllMusic The 1954 British musical Salad Days has been almost completely neglected by academics, partly, it seems because it is assumed to be light, frothy nonsense with no real significance. What are synonyms for Salad Days The Musical? Salad Days - Musical. Lady Raeburn/a cabaret dancer/Marguerite. Salad Days. Salad Days premiered in the UK at the Theatre Royal, Bristol in June 1954, and transferred to the Vaudeville Theatre in London on 5 August 1954, [5] running for 2,283 performances to become the longest-running show in musical theatre history until overtaken by My Fair Lady in the U.S. (1956) and Oliver! Oklahoma - The Musical. Music by Julian Slade. musical salad days in s.f. Lyrics to Salad Days Broadway musical. Salad Days was commissioend in February 1954, by Denis Carey, at the time Director of the Bristol Old Vic. The Boy Friend & Salad Days. There are 60 lyrics related to Salad Days Musical Cleopatra Song Lyrics. Stream songs including "The Things That Are Done By a Don", "We Said We Wouldn't Look Back" and more. in the U.K. (1960). Salad Days premiered in the UK at the Theatre Royal, Bristol in June 1954, and transferred to the Vaudeville Theatre in London on August 5, 1954. Sidenotes: I use parentheses to show the notes in a measure, though not necessarily in the right order or quantity. Neal was featured as The Arbiter in the first revival of Chess at London's Coliseum.. Other London credits include Jesus Christ Superstar at Regent's Park Open Air Theatre; the European premiere of 21 Chump Street at the . Choose one of the browsed Salad Days Musical Cleopatra Song Lyrics lyrics, get the lyrics and watch the video. It is a summer story set in London during a heat wave. It starts on a beautiful day as the leading man, Curly McLain, approaches a farm which is owned by Laurey Williams and her Aunt Eller. Salad Days, 1954, Julian Slade, Music From, Musical. It opened, in London, in 1954 and ran for 2,283 performances. 'Salad Days' place in musical history is assured, not only because of its long run. Its location at the crossroads of Central, South and Western Asia historically made it a hub of diversity, dubbed by one historian as the "roundabout of the ancient world". Eleanor Drew - Jane; John Warner - Timothy Dawes; Basil Henson - Mr. Dawes; Dorothy Reynolds - Mrs. Dawes/Asphinxia; Pat Heywood - Aunt Prue/Rowena; Yvonne Coulette - Lady Raeburne; Eric Porter - Sir Clamsby "Uncle Clam" Williams/The Manager/Professor Zebediah "Uncle Zed" Dawes; Michael Meacham - Nigel Danvers/Fosdyke; Plot. Minnie the Magic Piano was a prop created for the original production of the musical Salad Days by Julian Slade and Dorothy Reynolds. Salad Days . (2) Recording Date March 29, 1982 - March 30, 1982 . CD SALAD DAYS - Original London Cast 1954 --> Musical CDs, DVDs @ SoundOfMusic-Shop, (Sandy Wilson) Eleanor Drew, John Warner, James Cairncross, Michael Meacham - plus 11 Bonustracks. As a member of the BMI Workshop, Alex won the Jerry Harrington Award, as well as the Jean Banks Award for his 10-minute musical, Salad Days. Composed By Julian Slade. It was written by Rodgers and Hammerstein, and it is still performed today. The cast of Salad Days will be led by Lowri Hamer as Jane and Laurie Denman as Tim. Includes the . Excerpts from Rags, Salad Days, Godspell and Man of La Mancha were performed alongside other classic and modern musical theatre extracts.. Browse for Salad Days Musical Cleopatra Song Lyrics song lyrics by entered search phrase. Fiona/ a beauty-parlour assistant/a shopgirl. Text "3693" to 31063 to apply. 60's and l.a. 70's tuesday, march 27, 2018. Salad Days: Directed by John Bruce. At the age of eight, he was taken to see his first stage musical, "Salad Days," and was so enchanted he decided then and there he would grow up to produce similar entertainments. Listen to Lilli Cooper, Solea Pfeiffer, and More as Sorority Sisters in Salad Days Musical By Dan Meyer | 11/19/2020 The cast recording of the ten-minute musical comedy drops November 20.
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Spice caught up with event consultant Tom Rutherford about how venues can bring their A-game to catering.
Rutherford shares some of his secrets with us here.
His aim is to ensure your event is special, has unparalleled quality in food and beverages, and with appropriate return on investment.
From chocolate fountains to live cooking stations, oyster bars and everything in between, these industry gurus have seen it all when it comes to event catering.
Sydney catering and events company, Bayleaf Catering, has appointed Tom Rutherford as its CEO and will next year be working with chef Warren Turnbull, of Chur Burger and Assiette fame.
Sipping an Aperitif on a balmy afternoon, it's easy to slip into holiday mode. It's the done thing in a Parisian Bistro, or at a cafe on the Côte d'Azur. Sadly we're not although Palmie's not a bad substitute. Were doing Sunday lunch at Bistro Rivage. The bistro is head chef and owner Tom Rutherford's latest passion.
Celebrity chef Albert Roux is hopping on the Sydney bandwagon with plans to open a restaurant in the city.
Authentic French food by the sea? Don't mind if I do!
Sydney haven Palm Beach is now home to Bistro Rivage headed by Tom Rutherford who spent six years at three-Michelin-starred Le Gavroche restaurant in London.
It also promises Parisian-style drinks and live music. See you there.
I'm greeted with champagne, sinking back in my comfy chair. The chanson francaise puts me at ease, and for a moment, I forget where I am.
The dogs, too, are in another world: sprawled out beneath the shade of the white-clothed tables at their owner's feet, lapping up the autumn breeze.
"I make the best tart tartin," says Tom Rutherford. With a culinary pedigree as long as your arm, and a correspondingly excellent Tart Tartin ($14), Tom can rightfully command a willing audience, even in the far flung reaches of Palm Beach.
I'd drive back, swimming costume firmly in hand, just for another crack at his Steak Tartare ($18.50) – easily one of Sydney's best.
Founder of The Truffle Group, Liquidity and Palm Beach establishment Beach Road, Tom Rutherford is now sharing his expertise with his consultancy company FNB.
Today I would like to talk about a place that I really love. I went to Palm Beach (the northern beaches of Sydney, Australia) last Saturday for a surf lesson and to be honest I usually always have lunch at the Boathouse because I love the place and the atmosphere.
A plank laden with prime rib cuts and slices of juicy steak used to be the showpiece sampler at Osso Bar Restaurant. Now it's the mixed entree plate of peking duck shanks, twice-cooked pork belly with black vinegar caramel and a delicious three-cheese souffle.
Some of the best events I have worked on came about because the event producer encouraged open and challenging conversations with suppliers and venues.
We all know that an idea gets better as it rolls between a group of professionals, so my challenge to event producers and suppliers alike is – how can you challenge the brief?
Organising the food and beverage for an event brings with it many questions and difficulties, but with the help of a food and beverage expertit could all be a breeze.
My advice to event planners is to spend time on the issues they can influence and let someone else assist them the intricacies associated with food and beverage.
There are many components to a successful event, however the choices made around food and beverage can make a defining difference.
Tom's aim is to ensure your event is special, has unparalleled quality in food and beverages, and with the appropriate return on investment.


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La Jollan among first U.S. athletes to compete in Cuba for triathlon
Wetsuit company owner eager to compete in, tour Havana
La Jolla triathlete Glynn Turquand, pictured at another event, will travel to Cuba to compete in the Habana Camtri Triathlon, Jan. 24-25 in Havana.
A La Jolla man is among 25 U.S. athletes who will compete in Cuba for the first time during the Habana Camtri Triathlon, Jan. 24-25 in downtown Havana.
It took three months for the U.S. Treasury Department to clear the athletes for the trip, which was made possible by President Obama's recent relaxing of travel regulations with Cuba. It will make the athletes the very first Americans to compete professionally on the island.
Glynn Turquand
"My daughter said, 'Oh, that's like getting the golden ticket from Willy Wonka!' " said Turquand, 45, co-owner of San Diego-based Xterra Wetsuits.
Turquand's group is part of the USA Triathlon organization, which extended the invitation to its 300,000 members on a first-come, first-served basis.
"The 25 spots were given out within minutes," he said. "I knew they were going to do it, and as soon as I got the e-mail I immediately signed up."
Turquand is also gearing up for a Half Ironman in Oceanside March 28. In Havana, he will compete in a sprint, the shortest of the Ironman events, which includes a 750-meter swim, a 20-kilometer bike ride and a 5-kilometer run.
"I'm doing the sprint because, honestly, I want to get done with the race and go sightsee," he said. "I went and got a guidebook at Warwick's that lists the top 10 (tourist) sites, the top 10 rum bars and the top 10 Cuban cigar bars. My goal is try and hit the top two on each of the lists."
Turquand, who visited Vietnam two months ago, said he also plans to tour old Havana in one of the island's copious 1950s American cars, taking in the lush scenery and culture of the Communist country. Tens of thousands of vintage American cars remain scattered throughout Cuba, manufactured before the U.S. embargo. With no automobile imports coming into the country, the cars are well preserved by Cuban mechanics.
"It's my way of stepping back in time," Turquand said. "I'm interested in seeing Cuba before America's influence (takes hold) — hopefully in a positive way."

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Home › Digital_Archives › Grassroots Media in Europe ›
Trouble & Strife (Reader)
Submitted by redchidgey on Sat, 11/14/2009 - 22:14
Trouble and Strife was an independent radical feminist magazine published in Britain from 1983 to 2002 (as an English language sister-publication to the French journal Nouvelles questions féministes).
This new book, edited and with an introduction by former editorial
collective members Deborah Cameron and Joan Scanlon, collects together 30 of the best articles that appeared in the magazine, and also reproduces some of the cartoons which were one of its distinctive features. It contains sections on 'Controversies', 'Sexuality',
'Theory', 'History', and 'Culture'. Contributors include Dena Attar, Deborah Cameron, Christine Delphy, Stevi Jackson, Liz Kelly, Sigrid Rausing and Purna Sen.
The Reader like the magazine represents a particular, materialist
current in radical feminism which does not often feature in standard
anthologies: this will make it of interest to philosophers and historians of feminism, while the accessibility and continuing relevance of the contributions selected for the Reader will also make it a useful resource for teachers and students of women's/gender studies.
The Trouble and Strife Reader is available as a paperback book (an e-book with exclusive additional content will be available in 2010), and it can also be downloaded for non-commercial purposes free of charge from Bloomsbury Academic's website, http://www.bloomsburyacademic.com/current.htm
Do also check out the newly launched Trouble and Strife website, where we will be making the magazine's whole archive available over the next year, as well as putting up some new content and running a blog to which we invite all feminists to contribute posts and comments. The address is http://www.troubleandstrife.org
The legend which appeared on the magazine's masthead throughout its life offers a succinct summary of its political position:
"Trouble and Strife is cockney rhyming slang for wife. We chose this name because it acknowledges the reality of conflict in relations between women and men. As radical feminists, our politics come directly from this tension between men's power and women's resistance."
Its political vocabulary emphasized 'conflict', 'power' and 'resistance', as is clear from the editorial in the first issue in 1983:
"We believe that men as a group benefit from the oppression and exploitation of women as a group. We do not see women's oppression as secondary in importance to class or any other oppression; nor do we see it as produced by or maintained because of class or any other oppression. Although we recognize that women experience additional oppressions, particularly through race, ethnic origin, age, disability, class, and that these…may benefit and be contributed to by women who do not share them, all women are oppressed as women."
Trouble & Strife
Trouble & Strife podcast- interviews with editors of new book
Link to Affiliated organisation:
Bloombury (publisher)
Timerange, Issue-nr, ...:
Trouble&Strifereader.pdf
Copyright reserved


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Detection And Prevention: New Colorectal Cancer Screening Guidelines For Patients – NorthcentralPa.com
Plymouth Meeting, Pa. — On December 1, the National Comprehensive Cancer Network released its publication of the latest NNCN guidelines for patients regarding colorectal cancer screenings.
Colorectal cancer is the fourth most frequently diagnosed cancer in the U.S., with an estimated 104,270 new cases of colon cancer and 43,230 new cases of rectal cancer in 2021. An estimated 52,980 deaths this year are the result of colorectal cancer.
Screening can help catch cancer at an early, treatable stage and even prevent cancer by removing pre-cancerous polyps.
NCCN's free guide provides information about the ways screenings are performed and recommended screening times based on the latest research. Patient guides are presented in simplified language and formats with charts, images, and medical term glossaries.
The CRC and other cancer screening guides are available on the NCCN website. There are additional guides covering cancer-related distress, nausea and vomiting, and survivorship (both healthy living & cancer-related late and long-term effects), plus special considerations for adolescents and young adults across all cancer types.
"I was lucky that my colon cancer was diagnosed early enough to be successfully treated," said Heather Matt, a four-year CRC survivor who was first diagnosed at age 35. "I want everyone to know about the importance of screening and how, when caught early, it may save you from having a very different outcome. A little discomfort today can ensure your tomorrow."
Importance of screening
Because of the COVID-19 pandemic, fewer people are attending screenings and healthcare professionals expect to see an increase in late-stage diagnoses later on.
"CRC screening has been shown to be one of the most effective prevention tools for a very common cancer that we know of," said Reid M. Ness, MD, MPH, Associate Professor of Medicine, Vanderbilt-Ingram Cancer Center, and Chair of the NCCN Guidelines Panel for Colorectal Cancer Screening.
"Studies show that we've reduced incidence rates by 40% since 1980, when screening was first recommended in the U.S. At the same time, it's important to follow the latest evidence to make sure we're applying screening to the people who can see the most benefit, while not putting anyone at unintended or inappropriate risk from diagnostic procedures and treatment."
"Recommended screening significantly reduces cancer-related deaths; the numbers are astounding," agreed panel Vice-Chair Xavier Llor, MD, PhD, Professor, Yale Cancer Center/Smilow Cancer Hospital. "This new patient guideline from NCCN offers a better understanding of the scientific research for the larger community. It provides a foundation for shared decision-making with patients and caregivers so we find the right screening fit for everyone."
Recently updated recommendations
In early 2021, the NCCN Guidelines for Colorectal Screening were updated to recommend screening begin possibly as young as 45 years of age for people at average risk, and includes additional recommendations for those with higher risk. Additionally, some follow-up screenings can safely be delayed for seven to ten years. The research is evolving rapidly and even primary care physicians may not be up-to-date on the latest expert consensus.
Drs. Llor and Ness both stressed that patients at any age who experience symptoms should be evaluated for colorectal cancer. Some of those symptoms include:
Changes in bowel habits
Persistent stomach pain
The panel also wanted to honor the significant contributions from longtime NCCN Guidelines Panel Chair, Dawn Provenzale, MD, of Duke Cancer Institute, who passed away earlier this year.
Learn more and help support these and other resources for people with cancer and their caregivers at NCCN.org/patients.
Our content is free, but our journalists work hard. 100% of your contribution to NorthcentralPa.com goes directly toward helping us cover the important news and events in our region. Thank you for saying that local news matters!
Lee Health Continues To Advance Its Innovative Robotic Program; Brings First ExcelsiusGPS® Robot To Southwest Florida – Florida Hospital News And Healthcare Report – South Florida Hospital News
April 14, 2022 — Lee Health announces a first of its kind robotic surgery in Southwest Florida for minimally-invasive spine and brain procedures. Lee Health has added the ExcelsiusGPS® Robot to its robotic-assisted surgery program, which features the most advanced technology in the field of robotic surgery. The ExcelsiusGPS® is...
Plano Mall Transformation Begins Construction To See New Life As Hip Mixed-Use Destination – PR Web
Demo has begun on the western half of the old Market Square Mall in Plano to kick start the transformation into Assembly Park Whether you work, dine, exercise, visit or live there, Assembly Park offers something for you. We believe this convergence of activity and green space will appeal to...
A Healthy Lifestyle Is Associated With More Years Without Alzheimer's – Medical Xpress
Credit: CC0 Public Domain A U.S. study published by The BMJ today suggests that a healthy lifestyle is associated with a longer life expectancy among both men and women, and they live a larger proportion of their remaining years without Alzheimer's disease. The findings show that a healthy lifestyle is...
Improper Handling Of Seafood Detrimental To Healthy Diet – Senior Dietician – News Ghana
Img A Senior Dietician at the University of Ghana, Dr Maxwell Bisala Konlan has urged Ghanaians to adopt proper handling of seafood across the value chain to derive nutritional values from both fishes and shellfishes that significantly contribute to healthy living. Dr Konlan said it is necessary to reduce the...


text:
Q: Refresh div contents after making changes Below is my code which is working fine...

and php code...
echo('Name: <input type="text" id="Name" onchange="im()" value="your name"  name="Name" />');

echo('pointsize: <input type="text" id="pointsize" onchange="im()" value="50" name="pointsize" />');

echo('format: <input type="text" id="format" value=".gif" onchange="im()" name="format" />');

echo('BackGround Color: <input type="text" id="bckclr" value="red" onchange="im()" name="bckclr" />');

echo('FontColor: <input type="text" id="color" value="white" onchange="im()" name="color" />');

echo('Border Color: <input type="text" id="bcolor" value="blue" onchange="im()" name="bcolor" />');

echo('');

echo('Font: <input type="text" id="font" value="'.$image1.'" onchange="im()" name="font" />');

echo ('
');
echo('replace me');
echo ('
');

As you can see, I am using AJAX to fetch data from server and displayed within  its working fine but I need to refresh div everytime I make changes .
How to refresh div when I make some changes... also I need to add a symbol or loading image, when the data is being from server.....How to do that?

A: Maybe try this:
Javascript

PHP
?>
<form id="theIMform" name="theIMform">
  Name: <input type="text" id="Name" value="your name"  name="Name" />
  pointsize: <input type="text" id="pointsize" value="50" name="pointsize" />
  format: <input type="text" id="format" value=".gif" name="format" />
  BackGround Color: <input type="text" id="bckclr" value="red" name="bckclr" />
  FontColor: <input type="text" id="color" value="white" name="color" />
  Border Color: <input type="text" id="bcolor" value="blue" name="bcolor" />
  <img src="<?php echo $image; ?>" height="82" width="82" />
  Font: <input type="text" id="font" value="<?php echo $image1; ?>" name="font" />
</form>

replace me

<?php

A: When you change a page element it's refreshed automatically.
I think your problem is about this line
$("#Div_Im").html(pic).show();

because you call show to the img element and not on the div.
try to change it in
$("#Div_Im").html(pic);
$("#Div_Im").show();

furthermore i suggest you use jquery to get values, so you need to change  color=document.getElementById("color").value; in a more easy color = $('#color').val();

redpajama_set_name: RedPajamaStackExchange


"The University of Tennessee Amateur Radio Club (www.utarc.org) is sponsored by the Department of Electrical Engineering and Computer Science. The club's purpose includes attracting science and engineering students to the field of radio communications. It's primary radio transmitting station is located in East Stadium Hall and serves as the emergency communications backbone for the UT Campus in cases of disasters and major events.
The purpose of the UTARC Field Day Event planned for April 30, 2016 from 8 am to 6 pm is to: (1) interest students in this activity, (2) test its low power portable radio equipment, and (3) perform the annual exercise if its emergency communications capability.
The Federal Communications Commission (FCC) has already granted and issued a special event licensed callsign for this activity (K4V)."


a. Of the periphrastic perfect occurs only a single example in the whole body of Vedic texts (metrical): namely, gamayā́ṁ cakāra (AV.). In the Brāhmaṇas examples from causative stems begin to appear more freely, but are everywhere few in number, except in ÇB. (which has them from twenty-four roots, and a few of these in several occurrences). From desiderative stems they are yet rarer (only seven occurrences, five of them in ÇB.: see 1034 a); and from intensives they are unknown. The periphrastic perfects of primary conjugation were noted above (1071 f: in ÇB., eight stems and about eighty occurrences, chiefly from īkṣ, bhī, and vid; that from vid is found in the greatest number of texts).
b. Forms with the aorist of the auxiliary are in the oldest Brāhmaṇas as numerous as those with the perfect. Thus, with akar occur ramayām (K.), janayā́m and sādayā́m andsvadayā́m and sthāpayā́m (MS.); and with akran, vidā́m (TS. TB. MS.). With the aorist optative or precative has been found only pāvayā́ṁ kriyāt (MS.).
c. Like combinations with other tenses are not entirely unknown: thus, juhavāṁ karoti (ÇÇS.). So also in the later language, where have been found quotable half-a-dozen such cases as vidāṁ karoti (Pañc.), vidāṁ karotu and kurvantu (Pañc. etc.).
d. Only two or three cases of the use of as instead of kṛ as auxiliary are met with in the older language: they are mantrayām āsa (AB. GB.), janayām āsa (ÇvU.), and īkṣām āsa(ÇÇS.).
e. A single example of an accented auxiliary is met with in the accentuated texts: namely, atirecayā́ṁ cakrús (ÇB.). As was to be expected, from the nature of the combination, the noun also retains its accent (compare 945).


In 2017, let us all have the bonkers energy of this 11-year-old girl.
Sabre Norris was the youngest surfer to compete in the Sydney International Women's Pro competition event in November, but it was her hilarious interview with the breakfast show Today that really charmed.
Norris' personality, and her deep affinity for doughnuts, have now taken her all the way to America and the The Ellen DeGeneres Show. Find out what the wee Australian is spending her prize money on (sugar, of course) plus why she's desperate to go to Las Vegas.
Ellen said Norris was one of her favourite people this year, and who are we to disagree?


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text:
Getting your 'rev' on at Silver Star
Thu. Feb. 17/11
RICK MACDONNELL
This photo was taken at the Silver Star's "race track," right before we all got to rip it up.
RICK MACDONNELL/SnowSeekers
SILVER STAR, BC – There's something that happens to me within those first five seconds after igniting the engine of a snowmobile that takes me back to my childhood. Growing up on the East Coast, where there's not a lot of really great skiing, snowmobiling is king. But for a period of about 10 years where I moved away from home and went to school I lost touch with this cornerstone of my youth. Mercifully, I now live in one of the most powder-flled regions in the world, and for me, that means one thing: sledding.
US friends: With the exchange rate in your favour, why not come and visit your neighbours in the great white north this winter? Explore winter deals and getaway packages at SilverStar Mountain resort.
I recently had the enormous pleasure of going out for a snowmobile tour with Silver Star's Okanagan Recreational Rentals (ORR). Head tour guide Craig Moore took myself and a group of five other 'rev heads' out for a scenic tour of the pristine wilderness that surrounds Silver Star Mountain Resort. The result was the most fun I've had on snow in 2011.
"We try to deliver pleasure your comfort level," said Moore. "We let you enjoy the views, give you a little bit of history on the trail and surrounding areas, and get you to feel as comfortable as possible on the sled."
For newbies and 'rev heads' alike
What surprised me was that about 80% of ORRs clientele has never been on a sled before. In our tour of six, only two of us had ever been on a sled, one of which – a native of Sydney, Australia named Tony Johnson – had gone sledding for the first time the week before.
Johnson and his family (wife Helen and daughter Rebecca) were in the midst of a two week stay at Silver Star, during which Tony had already gone sledding three times.
"I'm a bit of a 'rev head' myself so I like going fast ... in straight lines," Johnson said with a laugh. "But even on a scenic tour like we did today, what with this beautiful day and fantastic weather, you can't ask for more."
Johnson is a self-proclaimed 'double-green' skier, and so for him, activities like snowmobiling are a great alternative to the slopes. "I've never really gone past being a green skier so I enjoy doing this sort of stuff. My daughter has never driven [a sled] before, and I thought [Moore] did well giving her time to assimilate to it before we got out onto the race track."
Open it up!
The 'race track' in question is an open expanse near the end of the two-hour tour where riders are kind of given free reign to rip it up as they see fit. This was pure bliss for me, being able to hammer on the throttle and feel that rush that's kept Johnson coming back every couple of days.
At the outset of the tour there were some who were a little hesitant with the machines, but by the race track they were all comfortable enough to give it a real go. "We had a couple that came here recently," Moore said, "and the wife was scared of getting on the sled. But by the end of the run she was driving and her husband was in the back seat. That happens all the time."
Johnson, who found out about the tour through the SnowSeekers Go-Guide app on his iPhone, is really the poster child of the Silver Star snowmobile experience. He's someone who hadn't any experience with it prior, and he left the resort an addict.
"You can go out on a trip with a bunch of guys who want to go fast or you can do one that's a little bit more sedate and 'smell the roses', so to speak. We don't have anything like this in Australia. So if you're like me and don't often get the opportunity to do something like this, give it a go. It's great fun."
For the latest deals, snow reports and contests, sign up today to our SnowSeekers e-newsletter.
SilverStar Mountain Resort
SEISMIC Mountain Festival will be epic
Tue. Mar. 5/19
Ten-day party at SilverStar Mountain Resort near Vernon, British Columbia, March 22-31, features adrenaline sport contests, music and wine tasting.
Vernon is surrounded by a trifecta of skiing options
Fri. Jan. 18/19
Vernon, B.C. – After making a dozen fast turns or so on the blue groomer off SilverStar's cloud-smothered summit, I dart into the trees and stop on a knoll to catch my breath. Beside me a dozen "snow ghosts" (trees completely encased in snow) framed a pristine run, gleaming with virgin powder at SilverStar Mountain Resort.
Experience the Okanagan and SilverStar like never before
Fri. Jan. 4/19
SilverStar Mountain Resort's "Experience the Okanagan" contest is serving up a three-part, three-season grand prize worth over $7,500. And I've enjoyed it all and can vouch for its fabulousness.
SilverStar sees most snow in 68 years
Tue. Mar. 13/18
The Okanagan's other mega winter resort - Vernons' SilverStar - is celebrating its 60th birthday this year and Ullr has been generous with the gift giving. The area hasn't seen so much snow in 68 years. Here's a look at the results of all those snow dances.
A powderful family getaway to SilverStar
Wed. Dec. 20/17
Giant, fluffy flakes twirl down from a darkening sky as we glide toward Wild Horseman's Cabin for a warming cup of hot chocolate, much to my kids' delight.
Ski awhile in B.C.'s Interior: Americans save more money and get double-digit snowfall
Thu. Nov. 9/17
Imagine this. Champagne powder snow that piles up more than 20 feet deep. Never-too-cold average daytime temperatures of 23F. Endless acres of skiable terrain.
Uncork the fun: Champagne powder and wine await at the family-friendly ski resorts in the Okanagan
Fri. Nov. 3/17
While the kids play pond hockey in the mid-mountain village, powder hounds seek freshies among the snow ghosts in the glades. In the backcountry, cross-country skiers wind along endless trails from the ski-in, ski-out at area resorts.
Mining for the group stash at SilverStar Mountain Resort
CRAI BOWER
The debate rages on in my head about whether it's easier to schedule a family or friends winter ski trip. On the one hand, telling our kids what to do is something only the bossiest among us would try to pull off with friends. On the other hand, our friends tend not to melt down, resist new things or get "h'angry." (Okay, scratch the friends don't get h'angry bit.) What remains true about the family-friends dichotomy is the belief that winter resorts are better suited for one or the other.
Paradise Awaits the Naughty or Nice at SilverStar Mountain Resort
Mon. Dec. 12/16
They're known as the Naughty Neighbours. You might notice this gaggle of adventure-minded folks who call SilverStar Mountain Resort home for all or a good part of the winter.
Paradise by the snowcat light
Fri. Dec. 21/12
Tonight I?m among the first visitors of the season to enjoy Silver Star's most intimate and out there experience ? the Snow Cat Dinner Tour to Paradise Camp.


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Today I am sharing a loaded paper flower pot that I designed for a swap on the Loaded Envelopes Galore and More Facebook group. I used the new "Spring Posies" paper pad by Recollections from Michael's. I was inspired by all of the beautiful flower pot cards that I've seen on Pinterest.
For this project, I designed a 3D paper flower pot that is half of a flower pot, so that the back is flat and holds about the same amount as a standard loaded envelope. In this post I have included a PDF template file for the flower pot construction as well as Jpeg files, so that you can load them into Cricut Design Space or the Silhouette program. These files are located at the end of this post. Follow my tutorial on YouTube to learn how to put this flower pot together and make a beautiful loaded flower pot to swap with a friend!
Inside my loaded flower pot, I included 3 wands to mimic flowers in the pot. They were made with paper straws, rosettes and scalloped circles. I also made paper bows, handmade layered flowers and an additional rosette embellishment.
I made two note cards with matching envelopes and two altered tags using cut-aparts and paper from the paper collection.
Print this template for the front and back pieces of the flower pot.


I want to tell you that it is true there is not a Christian alive whose talk matches their walk perfectly. I want you to think about this too. There is not a person – Christian or not – who has never acted out of character or stepped out of line. Yes, we are all hypocrites and the Bible says so in the book of Romans. Paul writes, "All have sinned and fallen short of the glory of God." That is the goal. That is what Jesus has offered to us – the glory of God.
The truth is that churches and Bible studies are filled with people. Thought they want to follow God, and they want to do the right thing every time – they are going to fail. They are not always going to do things right. People in church or out of church are going to hurt you and they are going to disappoint you. They are people. Why would you let that keep you from solid relationships with Godly people and solid relationship with God?
There is no such thing as the perfect church. If you ever find it – don't go there. You are going to end up messing it up. Likewise, there is no such thing as perfect people. As Christians, we try to live differently and we try to be better than what it is that we used to be. Unfortunately, whenever we wear the medal of "Christ-follower" or "Christian", those who aren't tend to judge us more harshly because we dared to step up and proclaim that we want to live by a much higher standard. Friends, we should do that anyway.
Let's not use that as an excuse when we see failure within people's lives. Don't let that be within you. Understand that Churches are full of fallen people just like you. Even elders and deacons and pastors get messed up and hurt people. It is our mistakes that should actually bring us together and our willingness to strive for the heart of Jesus that should keep us together. You know what, friends? Today is a really good day to get past your hurts and disappointments of people. Today is a great day to come before the Lord because you need to understand this. Everything in the Kingdom is relational before it is functional. Let's you and I pray about that together.
Father God, sir, we pray, God, in the might name of King Jesus. Father God, sir, we declare forgiveness over anyone who has ever hurt us, Lord GOd. Father God, sir, we ask for forgiveness of anybody, God, that we have ever hurt. Lord God Almighty, I pray God that you would give us a whole new, incredible, supernatural paradigm of how to live in right relationships, and how to be connected within the body of Jesus Christ. I sure do love you, sir. In Jesus' name. Amen. Alright, friends. I am Pastor Troy Brewer. I call you the head and not the tail, above and not beneath, and highly favored of the Lord. Bye, bye.


On this week's episode of Eat Your Words, host Cathy Erway speaks with Karissa Chen – a writer who is currently a Fulbright Fellow in Taiwan – on the importance of being responsible when writing about another culture's food. Specifically, they tackle food writer Calvin Trillin's controversial poem "Have They Run Out of Provinces Yet?" which was recently published in The New Yorker. While major news outlets have interviewed various food writers who are critical of this situation, very few have bothered to ask Asian American writers what they think.


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The Horrors of WrestleMania 30; Exclusive Chat with Tom Savini!
John Squires | April 8th, 2014 · 4 min read · 🔦
This past Sunday night was WWE's 30th annual WrestleMania event, which is without question one of the most exciting days of every year, for wrestling fans like myself.
Even though I'm nearly 30 years old, WrestleMania night still manages to make me feel like a kid on Christmas morning, and this year's incredible show was certainly no exception.
Why am I writing about a wrestling event on a horror blog, you ask? Well, I'm glad you asked.
Pro wrestling and horror have always kind of gone together like milk and Boo Berry, which is probably why so many wrestling fans are also horror fans, and vice versa. Wrestling evokes that same passion from fans that horror movies do and it's not at all uncommon for wrestling characters or storylines to be ripped straight out of horror cinema, which is something I covered in depth over on FEARNET, last week.
WrestleMania 30 featured a few treats for horror fans, and the work of makeup effects master Tom Savini was even on display. Since I had a little chat with Savini earlier today about his awesome contribution to the event, I knew a WrestleMania post was just something I had to write up.
So now that I've justified the post – hopefully – let's take a look at the horror highlights of WrestleMania 30, shall we?!
The first match of the night was between Chief Operating Officer Triple H and fan-favorite superstar Daniel Bryan, with the match marking the return to the ring of the former. Triple H has become known for his lavish entrances at the annual event and this year he donned a particularly badass gold skull mask, which was actually designed for him by none other than the Godfather of Gore; Tom Savini.
As it turns out, Savini is a big fan of professional wrestling and many of the WWE superstars are fans of his incredible contributions to the genre, and he actually designed the mask for Triple H a few years back, at WrestleMania 27. "Triple H already had a series of drawings of what he was after," Savini told me, and the creation of the mask was a collaboration between him and fellow artists Gino Crognale and Jason Cartman Barker. He says that it was his good friend Jerry Lawler – who is a commentator for WWE – that led to him and Triple H working together.
This year's WrestleMania mask was taken from the same mold as the WrestleMania 27 version, only painted gold this time around, rather than the silver one Triple H wore at that event.
Tom Savini + pro wrestling; gotta love it!
Later on in the night, John Cena went toe-to-toe with Bray Wyatt, the leader of a horror-inspired trio of wrestlers known as the Wyatt Family. Bray, Luke Harper and Erick Rowan (who wears a You're Next-inspired lamb mask) are collectively one of the creepiest factions ever to step foot in the ring – bearded monsters who wouldn't at all be out of place in a backwoods horror flick.
In the most unique match at the event, Bray continually tried to get inside the head of John Cena, and he was hellbent on making Cena embrace his inner monster, at one point handing him a steel chair and demanding that Cena knock him out with it. In the match's creepiest moment, Bray shocked Cena by doing his best impression of Regan from The Exorcist, crab-walking his way into the nightmares of thousands of kids in the audience.
CLICK HERE to see a GIF of the creepy moment!
The most anticipated match of the night was between Brock Lesnar and the most successful horror-inspired wrestler of all time, The Undertaker. Going into the match, Undertaker was undefeated at WrestleMania, building up an impressive 21-0 winning streak over the course of the past couple decades.
Like Triple H, Undertaker is also known for his over the top entrances at WrestleMania and this year's sure as hell did not disappoint. 22 caskets – including one for Brock – lined the stage as he entered the ring, each of them representing his many WrestleMania victims. All of them were lit ablaze as 'The Dead Man' made his slow walk to the squared circle, with the symbolic flames shooting up behind him.
In a shocking turn of events, Lesnar ended up defeating the nearly 50-year-old Undertaker, putting an end to his legendary streak and essentially killing off the Dead Man. The over 70,000 fans in New Orleans' Superdome were stunned into silence for several minutes by the defeat, with their horrified faces telling the whole story. A WrestleMania moment none of us will ever forget, to say the least.
Do you love wrestling as much as horror, like I do? Feel free to comment below with your thoughts on these memorable WrestleMania 30 moments!
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John Squires
bloody-disgusting.comjohnsquires@bloody-disgusting.comall articles →
Find John's latest posts on Bloody Disgusting.
Tags: Interviews, Masks, The Undertaker, Tom Savini, Wrestlemania, Wrestling
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text:
Q: gSub get Numbers from a String (Corona) I am using Corona and have strings like
"i spend $350.20 for my car"
"20$ for my dog"
"i used 12.30Euro for my toys"
"simple 8.21 spent"
i like a function that simple filters that numbers
350.20
20
12.30
8.21
please can u help
thanks
chris

A: Try looking at pattern matching
> = string.match("foo 123 bar", '%d%d%d') -- %d matches a digit
123

http://lua-users.org/wiki/PatternsTutorial


text:
Death with Interruptions
(Redirected from Death with Interruptions (novel))
Death with Interruptions (Portuguese: As Intermitências da Morte) (also translated as Death at Intervals) is a novel written by Jose Saramago. First released in 2005 in its original Portuguese, the novel was subsequently translated by Margaret Jull Costa in 2008.
Plot introduction
The novel centers around death as both a phenomenon, and as a character herself. A key focus of the book is how society relates to death in both of these forms, and likewise, how death relates to the people she is meant to kill.
The book, based in an unknown country and at a point in the unspecified past, opens with the end of death. Mysteriously, at the stroke of midnight, no one in the country can die any more. Initially, the people of this country celebrate their apparent victory over mankind's longtime foe. Though the traditional sources for guidance on things like life and death endeavor to discover why people have stopped dying, religious authorities, philosophers and scholars alike can find no answers. The Catholic Church, in fact, feels quite threatened by this new turn of events, as the end of death would call into question one of the fundamental foundations of their dogma: the death and resurrection of Jesus Christ. The common citizens, however, generally enjoy their new found immortality.
This joy is short lived, though. It soon becomes apparent that the end of death presents unique demographic and financial challenges. The complete cessation of dying leads to a growing fear among health care workers that the system will collapse under its own weight: generations of incapacitated, but still living, people will populate care homes and hospitals for, presumably, all eternity. Funeral workers, on the other hand, fear the opposite problem: they will have no business, and will be forced to move to preparing animals for the afterlife.
A means of finally killing people, and relieving families of the burden of their catatonic kin, is devised and implemented by an underground group known only as the Maphia (the 'ph' is chosen as to avoid any confusion with the more sinister Mafia) The incapacitated are brought over the borders of the country, where they instantly die, as death has not ceased working elsewhere. The industry develops so quickly that the government itself becomes beholden to the maphioso, even bringing it to the brink of war with its neighbors.
Death reemerges not long thereafter, this time as a woman named death (the lowercase name is used to signify the difference between the one who ends the life of people, and the one will end all of the universe). She announces, through a missive sent to the media, that her experiment has ended, and people will begin dying again. However, in an effort to kill more kindly, death will now send a letter to those about to perish, giving them a week to prepare for their end. Naturally, the violet envelope encased letters create a frenzy in the country, as people are not just returned to dying, but also must face the spectre of receiving one of these letters, and having their fate sealed with it.
From here, the story largely moves on to focus to death's relationship with an otherwise unextraordinary cellist who, amazingly, will not die. Every time death sends him his letter, it returns. Death discovers that, without reason, this man has mistakenly not been killed. Although originally intending merely to analyze this man, and discover why he is so unique, death eventually becomes infatuated with him , enough so that she takes human form to meet him. Upon visiting him, she plans to personally give him the letter; instead, she falls in love with him, and by doing so she takes on a human form, and, as the book originally started, there is no dying the next day.
As he does with many of his other works, Saramago largely eschews traditional forms of grammar and punctuation. Many of his sentences are written in a style almost akin to stream of consciousness. Saramago avoids using quotations to signify speech, instead relying on inline text, and the usage of capitalization to signify the start of a new speaker's words.
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Calling all wizards and witches! Hogwarts hosted a one-week wizardry camp at the Sparta Train Station, Platform 9 3/4. Eligible wizards and witches receive their own personalized letter from Hogwarts inviting them to camp. Upon arriving the young wizards and witches were sorted into houses, attended Potions, Charms, Care of Magical Creatures, Transfigurations class and more. Students built their own wands, practiced Quidditch and participatde in the Tri-Wizard Tournament!


Join our Active Adults as they enjoy a trip to the Sunset Restaurant in Lebanon for Lunch. Enjoy home style food and great fellowship. Lunch is on your own. Make plans to car pool with friends, by meeting at the church at 10:00am or contact Ruth for assistance. Sign up with Ruth.
[Description] => Join our Active Adults as they enjoy a trip to the Sunset Restaurant in Lebanon for Lunch.  Enjoy home style food and great fellowship.  Lunch is on your own. Make plans to car pool with friends, by meeting at the church at 10:00am or contact Ruth for assistance. Sign up with Ruth.


Tavistock Relationships' new research shows link between improvement in couples' relationships and reduction in anxiety and depression.
A recent in-house study conducted by Tavistock Relationships has made the significant finding that Couple Therapy for Depression has a significant positive effect on both anxiety and depression AS WELL AS improving couple relationship quality and, crucially, that improvements in relationship satisfaction are predictive of recovery from depression.
Kate Thompson, CTFD Project Lead at Tavistock Relationships, speaks about 'self-care – a partner's guide' in the Stylist: "I won't lose myself to my partner's depression".
She also explores the lack of couple therapy on offer within IAPT and argues for its expansion in BACP: Couple therapy for Depression: The IAPT service for couples working with the relational factors in a diagnosis of depression - April 2017.
By The Couple Therapy for Depression Training Team.
Tavistock Relationships, (TR), internationally renowned for its couple expertise in training and clinical delivery, was commissioned by NHS England to create and develop the training for Couple Therapy for Depression, (CTfD), as a modality additional to CBT, for delivery within IAPT services nationally. The model seeks to redress the precipitating and maintaining factors in dysfunctional interactions and cognitions between partners as a result of depression.
There is a sound rationale for Relate providing the workforce within the NHS to deliver the Couple Therapy for Depression model; its integrative components are well suited to Relate practitioners' training – it was always 'the vision'.


Wave 1: Quality First Teaching. The majority of children achieve well through high quality classroom teaching. When children are being taught to read, Quality First Teaching provides high quality, systematic phonic work as part of a broad and rich curriculum that engages children in a range of activities and experiences to develop their speaking and listening skills and phonological awareness.
Wave 2: Small group and one to one interventions. Some children require additional support to achieve well. This can often be provided through small group, time limited intervention programmes delivered by a member of the school's classroom based support team that will advance children's progress and help them achieve in line with their peers.
Wave 3: Intensive support. This is for those children who require the personalised approach of a programme that is tailored to their specific, often severe, difficulties. It is usually taught as a one to one programme by a teacher or a member of the support staff who has undertaken some additional training for teaching children with reading difficulties.
10. When in 2007 the Government formed the Department for Children, Schools and Families (DCSF), one of its first acts was to draw up The Children's Plan, which set out a bold vision for ensuring that "no child or young person is left to fall behind". One of the flagship elements of this promise was the Every Child programmes—Every Child a Reader, Every Child a Writer and Every Child Counts—which provide targeted support, including one-to-one tuition, for those children who in their early school years have difficulties with reading, writing and numeracy.
11. Every Child a Reader (ECaR) is a programme of work aimed to help poor readers catch up with their peers. It consists of a programme of Reading Recovery (a type of one-to-one teaching intervention) for the lowest achieving 5% and less intensive intervention for the next lowest 15% delivered by teaching assistants and volunteers supported by the school's Reading Recovery teacher. The programme was launched as a three-year pilot in 2005, although it commenced national rollout only a year later. The national rollout is being managed by the National Strategies, which are professional development programmes for early years, primary and secondary school teachers, practitioners and managers.
12. Reading Recovery, the bedrock of the ECaR Wave 3 programme, was developed by the late Marie Clay in the 1970s in New Zealand, where approximately two thirds of schools use it. It has also been widely adopted in Australia and the USA, but less so in the UK. Reading Recovery comprises 12-20 weeks of intensive, one-to-one, daily tuition by specially trained teachers. It is designed for year 1 and 2 children.
13. The effectiveness of the Government's policy for ensuring that no children are "left behind" rests on a number of factors. We looked at two: the Government's decision to prioritise literacy in education, particularly the decision to focus on tackling literacy interventions early in school; and the Government's decision to use Reading Recovery.
14. An obvious initial question is whether early interventions are worthwhile. There are two parts to this. First, whether early interventions are more effective than later interventions in terms of how well an individual will read into adulthood. Second, whether the cost of intervention is, from a societal point of view, worthwhile. Neither are easy to calculate.
15. The first would, for the best evidence, involve longitudinal studies of children who variously receive or do not receive reading interventions at differing times during their education. However, this would be exceedingly difficult to do and certainly unethical since it would involve leaving some children with known reading difficulties to fend for themselves rather than receive the same level of help as their peers. What researchers are left with is the far-from-ideal situation of having to compare those interventions that are made early in a child's education with those that are made later. (Some interventions, like Reading Recovery, are aimed specifically at very early schooling, years 1 and 2, some are aimed at later years and some are flexible across a wide age range.) This situation is unsatisfactory because the confounding factors that can be controlled in a snap-shot trial are more problematic over a long period of time. For example, some children who receive later literacy interventions because "they did not get it the first time" may not have received an intervention before, others may have received earlier interventions that did not work; there will be differences in the amount of help children get from their parents and their peers; the underlying reasons for the difficulty may be hard to control and may have changed over time; and underlying difficulties can be cognitive or pedagogical or both.
16. Whether or not early interventions are better than later interventions is only part of the story. The bigger question is whether ensuring that every single child can read is really necessary. As a society, we choose to prioritise reading, but teaching children to read—all children—is expensive and teaching the very worst readers is very expensive indeed. Reading Recovery, for example, costs approximately £2,600 per child. Is it worth it? To answer this question, we need to know the cost of doing nothing: it will either be more expensive to society, about the same or less. We did not put preconditions or stringent expectations on the nature of the research we were looking for in this area. Calculating societal costs is complicated and inevitably involves a large dose of estimation and generalisation. We discuss the quality of this evidence in paragraphs 26-29.
In order to test whether a reading intervention has worked, one needs to know the starting reading standard of a child (pre-test assessment) and the finishing standard of a child (post-test).
The gold standard research model is a randomised controlled trial (RCT). It is randomised so that decisions about who receives a reading intervention are taken out of the hands of the person who will be doing the teaching to avoid bias. It is controlled in the sense that those children who receive an intervention are compared against a matched group of children who do not.
The silver standard is a quasi-experiment in which randomisation does not take place, but groups of children in the experimental group are matched against control groups of children who do not receive an intervention.
c) there are ethical problems with assigning children who have a known reading difficulty into an experimental category where they receive no extra help at all.
19. All of this is overlooking a very obvious question: how does one measure improvements in literacy? Dr Chris Singleton extols the virtues of standard (or standardised) scores on the grounds that "they are age-independent and test-independent and enable a proper comparison between different groups and different studies". Additionally, standardised scores are designed to make it possible to carry out what statisticians call 'parametric' statistics, which is a way of saying that the interactions between variables can be quantified and statistical significance calculated. In other words, when standardised tests are used it is possible to bring together numerous studies to improve the power of the data and to control for a variety of complicating variables.
20. The alternative to standardised scores are 'reading ages', which are metrics for how well normally progressing readers will develop. A normal reader aged 6 years 2 months will have a reading age of 6 years 2 months. This measure is less statistically robust than standardised scores.
21. The size of the difference between literacy skills at the start of an intervention and at the end of an intervention, or years later, can be calculated in two ways. The best is to calculate the 'effect size' between two standardised scores (where the mean is usually 100 and the standard deviation 15). By measuring the difference between two scores and dividing by the standard deviation, researchers can calculate statistically robust measures of success (or otherwise).
22. An alternative, less rigorous approach is to calculate the 'ratio gain'. In this measure, the reading (or spelling) age of a child during a set time frame is expressed as a ratio of that time frame. For example, a normal child aged 5 years 2 months will, three months later, have a reading age of 5 years 5 months. This is a ratio gain of 1.0. A child who progresses only three months in a year will have a smaller ratio gain, 0.25. What we are looking for is children who have fallen behind their peers but who receive extra help and improve quickly. Professor Greg Brooks, Research Director of the Sheffield arm of the National Research and Development Centre at the University of Sheffield, has suggested that ratio gains of 1.4 or higher are of "educational significance". Ratio gains are less satisfactory than effect sizes. They do not offer the same statistical rigour and they are particularly problematic for research on the lowest attaining readers because, for example, rapid improvement in reading age from a very low base will yield high ratio scores even if the children are still very poor readers.
Chairman: So, in your view, the evidence is there to say early intervention works?
Professor Slavin: I think without any doubt.
Chairman: Jean, do you support that?
Jean Gross: Yes, I do. I support that completely.
Professor Brooks: Yes, it is better if they come in early, when children are first identified as struggling, but there are also programmes for those who are picked up rather later.
24. However, it is difficult to test directly and we have therefore had to rely on comparative evidence. We turned to Professor Greg Brooks' extensive review, What works for pupils with literacy difficulties?, which was commissioned by the Government. The first edition came out in 1998, with subsequent editions in 2002 and 2007. The tables of effect sizes and ratio gains for all of the different interventions that he reviewed provide interesting reading. They suggest that on average the earliest interventions (years 1 and 2) are beneficial and provide approximately the same benefits, give or take a few effect size or ratio gain fractions, as later interventions (years 3 and beyond). Both the very earliest interventions and later interventions are, on average, of "useful impact", to use Professor Brooks' language.
25. It is clear that literacy interventions, both at the very earliest stages of formal education and later on, can be effective. This is all the evidence we need, since it logically follows that the earlier struggling readers are identified, the longer the time educationalists have to tackle the their problems and teach them to read. (It is possible that there are also additional benefits of bringing poor readers back to parity with their peers as early as possible—for example, boosting the self-esteem of the individuals and enabling them to take part more fully in the wider curriculum—although we have not been directed to evidence that supports these suppositions.) The Government's policy that literacy interventions should take place early on in formal education is in line with the evidence.
26. Another angle on the same topic, is to ask whether these literacy interventions are worthwhile from a societal point of view. The evidence we were referred to in order to answer this problem was research carried out by the KPMG Foundation and the Every Child a Chance Trust, although it is fair to say that this cannot be described as wholly independent given its interest in the work. These studies provided estimates of the cost of literacy difficulties to society. Some of these costs are simple to calculate because they are a direct consequence of literacy difficulties; for example, adult literacy classes. But the majority of costs require a subtle way of making estimations because the relationship between literacy difficulties and the cost-factors are complicated; for example, truancy, unemployment, teenage pregnancy, depression, obesity and crime.
10% of women with average literacy levels experience depression and 36% of women with very low literacy skills experience depression. The differential frequency is therefore 26%.
Applying this figure of 26% to the 12,300 females in the year group population of 38,700 gives 3,198 more women with very poor literacy skills who can be expected to experience depression than would be expected if they were average readers.
79% of these (2,526 women) can be assumed to escape depression because early literacy intervention has successfully lifted them out of very low literacy levels.
We assumed that the differential rate of depression applies for adult life, and cannot be limited to a particular age range, so those with poorer literacy levels will be more likely to experience depression whatever their age.
The costs of depression were identified as £194 (inflated to 2008 prices) per year per depressed person.
This cost was then applied throughout the adult lives (ages 18-37, and over a lifetime) of the identified 2,526 subjects to obtain total cost savings for depression for women.
[The d]ifferentials [are] based on empirical data on [the percentage] of children with literacy difficulties who also have behaviour problems (and empirical data about costs of behaviour problems to criminal justice system) but [there are] no controls for other factors (such as general cognitive ability, social class) that might explain the link.
29. With all the appropriate caveats and warnings, the two reports make estimates of the long term costs of literacy difficulties to society. The most recent Every Child a Chance Trust report, estimates that literacy difficulties cost England in the region of £2.5 billion every year (see Table 1).
30. The authors have suggested that these costs are "conservative" because they have not included items such as soft costs (like illness and loss of income) or "social services costs, social housing costs, the costs of generally poorer health, the costs of substance abuse over the age of 18, the costs of women's involvement in the criminal justice system and lost tax on pension income".
31. Although in this section we have discussed the value of interventions in general, it is worth noting that the reports were commissioned explicitly to ascertain whether the Every Child a Reader programme represented value for money. The conclusion of the reports was that it did. The second edition calculates that for every pound spent on the Every Child a Reader programme, there is an overall return on investment of between £11 and £17.
32. Estimating the cost of literacy difficulties is clearly not easy to do, but we believe that that should not stop researchers from making the best estimates they can. We were impressed by the KPMG Foundation and Every Child a Reader Trust's efforts. While the figures quoted are unlikely to be correct, they clearly show that there is a substantial cost associated with literacy difficulties. Spending money on literacy interventions is a cost effective thing to do. The Government's position that early literacy interventions are an investment that saves money in the long run is evidence-based.
Table 1. The long term costs of literacy difficulties.
33. We are satisfied that the Government is right to support literacy interventions, but the question remains as to which literacy interventions are most appropriate. There are many choices. Professor Brooks reviewed the evidence in 1998, 2002 and 2007 for the Government. In the 2007 edition, he reviewed large and small group teaching, one-to-one teaching, paired reading, and teaching using information and communication technologies (ICT). He also analysed the impact of teaching phonological skills, comprehension and self-esteem. In all, he reviewed evidence for 48 different kinds of reading intervention.
] If the government did consider alternatives before providing funding for Reading Recovery, it should be able to say which the alternatives were, how they were investigated, and what evidence led to the conclusion that they were less cost-effective than Reading Recovery.
The choice of Reading Recovery as the core intervention of the ECAR programme was made during the pilot phase led by the Every Child A Chance Trust. The Department saw no reason to change this when taking on the programme for national roll-out.
] is compare that with other emerging evidence from alternative interventions.
37. Ms Willis is right to acknowledge the need to compare Reading Recovery with alternative interventions. We conclude that, whilst there was evidence to support early intervention, the Government should not have reached the point of a national roll-out of Reading Recovery without making cost-benefit comparisons with other interventions.
Most of the US studies included in Dr Chris Singleton's review have reported standard scores; unfortunately few of the UK studies have done so, sometimes because the tests used do not provide tables of norms in standard score form.
Three particular problems arose from the tests used in the 121 studies. Firstly, some of the tests were old even when used in the relevant studies.
Thirdly, for many of the tests used it was impossible to calculate effect sizes, which are statistically much more satisfactory than ratio gains. If a standardised test is used, an effect size can be calculated even in the absence of an explicit comparison group; but if a non-standardised test is used then an effect size can be calculated only if comparison group data, including the standard deviation, are reported.
40. We are concerned by the low quality of data collection in UK trials on literacy interventions. Government-funded trials should seek the best data so as to make the results as powerful as possible. Running trials that do not collect the best data is a failure both in terms of the methodological approach, but also value for money.
Brooks in the 2007 version of his review.
Reading Recovery has a strong evidence base. It has been reviewed for example by the What Works Clearinghouse in the States and includes a number of randomised controlled trials.
43. However, when we sought these trials, we discovered that they took place in 1988, 1994, 1997, and 2005. More than 15 years separate the first trial from the most recent. This is important because Reading Recovery has evolved considerably over time: between the '90s and mid-'00s, Professor Brooks observed, "Reading Recovery changed considerably, to reflect international research, and now includes a large amount of phonological awareness and phonics". In other words, three of the four RCT trials were on a kind of Reading Recovery that is not used in the UK.
44. Ms Willis stated that the Government has accepted the United States What Works Clearinghouse report as supporting the effectiveness of the Reading Recovery programme, but was unaware of evidence from Mary Reynolds et al in the International Journal of Disability, Development and Education, which contradicts this work and concludes other methods would probably work better.
45. The Government should be careful when selecting evidence in support of educational programmes that have changed over time. Reading Recovery today differs from its 1980s and 1990s ancestors. Evidence used to support a national rollout of Reading Recovery should be up-to-date and relevant to the UK. The Government's decision to roll out Reading Recovery nationally is not based on the best quality, sound evidence.
Educational researchers have largely abandoned the methodology they helped to pioneer. This gold-standard methodology should be more widely used as it is an appropriate and robust research technique. Without subjecting curriculum innovations to a RCT then potentially harmful educational initiatives could be visited upon the nation's children.
And Professor Brooks made a specific call for an RCT on Reading Recovery when he was a member of the advisory group to the Every Child a Reader study.
DCSF has a "limited research budget" and "matched comparison groups can be undertaken at less cost and deliver very similar quality results".
I should add the Department is not against RCTs. We are running a number. We have one underway looking at foster care and we have one underway looking at how to reduce teenage pregnancy, a very interesting randomised controlled trial there, although that has taken over a year just to try and get the methodology right and actually convince people to take part. Of course we have the Every Child Counts randomised controlled trial.
49. We cannot understand why these issues warranted the extra time, effort and money, and a crucially important issue such as literacy did not. We put it to Ms Willis that the Government should have criteria for determining whether or not a research project requires an RCT, for example, in the Magenta Book, which provides guidance on social science research and policy evaluation. We were pleased that Ms Willis found our suggestion "interesting". We recommend that the Government should draw up a set of criteria on which it decides whether a research project should be a randomised controlled trial.
50. But still the question remains as to whether a randomised trial was necessary. Jean Gross, Director of the Every Child a Chance Trust, thinks it was: "Looking back, I wish at the time we had been able to find money to do a randomised control trial". And as we already mentioned, Professor Brooks thought so too. We agree. The arguments put forward by Ms Willis for not doing an RCT do not stand up to scrutiny.
51. The argument that it is difficult to persuade schools to engage in research is made on the basis that "Some local authorities or schools perceive it as unfair that some of their pupils will be getting some sort of intervention that others are not". This is focussing on a problem that should not exist. We have already said that because it is so clear that one-to-one interventions are better than doing nothing it is not worth conducting trials that compare one-to-one interventions against no intervention. Rather, it would be more beneficial to conduct randomised trials that compared two or more kinds of intervention, in order to determine which was better. This would avoid the ethical problem of some children not receiving help when they need it and should make it easier to persuade schools to take part in research (provided the interventions offered reasonable prospect of improvement).
52. The logistical difficulties of conducting randomised trials for literacy interventions are no different than for any other kind of educational randomised trial; they are not prohibitive and accordingly neither are the costs (approximately £250,000). As we have already discussed, early literacy interventions appear to be highly cost effective. In our view, proven cost effective measures that have the potential to be even more cost effective should be subjected to the highest quality research, not marginally cheaper substitutes. The Government spent a lot of money setting up the pilot programme for Every Child a Reader, which failed to gather the highest quality data or use a gold-standard trial design.
53. Finally, Professor Brooks raised another problem with running randomised controlled trials: time. Although running an RCT does not take longer than any other kind of well designed trial, setting one up can take a long time. Ms Willis told us that it has taken over a year to set up an RCT on reducing teenage pregnancies. But this is not a good enough excuse: the pilots for Every Child a Reader were due to run for three years from 2005. That would have been more than enough time to set up and run a large randomised controlled trial on a more than just Reading Recovery.
54. We conclude that a randomised controlled trial of Reading Recovery was both feasible and necessary.
55. But we are where we are. The Government is rolling out Every Child a Reader nationally. However, we do not consider this a reason to abandon further research. Reading Recovery is an expensive component of the ECaR programme and if there is an equally effective but cheaper alternative, it should be sought out. Research in this area should be ongoing, not stop when the Government decides to roll out a particular programme. We recommend that the Government identify some promising alternatives to Reading Recovery and commission a large randomised controlled trial to identify the most effective and cost-effective early literacy intervention.
Phonics is a method of instruction that teaches students correspondences between graphemes in written language and phonemes in spoken language and how to use these correspondences to read and spell words. Phonics instruction is systematic when all the major grapheme-phoneme correspondences are taught and they are covered in a clearly defined sequence.
— Synthetic phonics: readers are taught to break down words into their constituent parts and work out how to pronounce words for themselves (e.g., 'shrink' would be broken down into 'sh', 'r', 'i', 'n' and 'k' and blended together).
— Analytical phonics: readers are taught consonant blends as units (e.g., 'shr' is taught as a whole unit) and analyse sound-symbol relationships but do not blend the words together.
— Embedded phonics: readers are taught phonics as part of a whole-word approach to reading, not as separate lessons.
He went on to recommend, and the Government accepted, that "the case for systematic phonic work is overwhelming and much strengthened by a synthetic approach".
D]espite these reported changes to the reading recovery programme, a fundamental conflict still remains between its approach and the revised National Literacy strategy, in which systematic teaching of phonics is now a central feature.
Bodman (2007)[] describes a Reading Recovery lesson, which, she claims, 'links the teaching actions to the ideas of synthetic phonics': After reading a book, a child observes his teacher reading the word 'can' 'whilst demonstrating a left to right hand sweep'. Then he builds 'can' with magnetic letters and reads it himself. It is clear that the child was asked to read a text before acquiring the phonic knowledge and skills involved, and to read a word after being told the pronunciation. With synthetic phonics children read texts after learning the phonic knowledge and skills involved and they are not told the pronunciation of a new word before being asked to read it.
Perhaps I ought to just say that the Reading Recovery that we are looking at, in terms of the evidence of Reading Recovery over the last 20 or 30 years, has changed and obviously phonics is now much more embedded within Reading Recovery than it was in the earlier examples of Reading Recovery.
59. Phonics is "embedded" in the modern Reading Recovery, but systematic, synthetic phonics, as we have discussed above, is not. Teaching children to read is one of the most important things the State does. The Government has accepted Sir Jim Rose's recommendation that systematic phonics should be at the heart of the Government's strategy for teaching children to read. This is in conflict with the continuing practice of word memorisation and other teaching practices from the 'whole language theory of reading' used particularly in Wave 3 Reading Recovery. The Government should vigorously review these practices with the objective of ensuring that Reading Recovery complies with its policy.