Setting up a business telephone system that can go beyond borders is necessary to enhance your business. This is a great way of reaching out to your co-workers and clients with maximum efficiency and without spending big bucks. You need to find a telephone system that is truly convenient in eliminating any communication barriers. One of the more popular choices is the Voice over Internet Protocol or VOIP. This permits multimedia sessions and voice communications over Internet Protocol (IP) networks. All sorts of communication are therefore transmitted through internet instead of the public switched telephone network.
When you run a business that has multiple offices in different areas, there is that difficulty of communicating with one another. One, some communication lines are not reliable making conversations choppy. Second, the cost that goes with long distance calls can at times discourage people to talk certain things over. Third, there are things better said than written thus writing communication is not sufficient. You need to find a telephone system that helps you manage your business efficiently. You need to choose a telephone system installation that can provide you with adequate airtime at a lesser cost such as a VoIP telephone System Installation. This way all issues are thoroughly addressed.
Distance creates not only physical separation but also removes a sense of belonging. The lack of frequent interpersonal communication can create a gap that can limit the workers' productivity. Giving updates and taking time to constantly talk to your people is a necessity to foster unity in a corporate community. It is more likely for each one to work better since there is that sense of attachment to the company they work for and the people they work with despite the physical distance. Using a telephone system that can provide this will be truly beneficial.
An appropriate business telephone system can also guarantee savings. There is no more need to frequently go to other places to do business as everyone is just a phone call away. You do not have to spend on costly plane tickets or pay for pricey hotel accommodations since you can do your business within the comforts of your office. You just have to pick up your VoIP line. Apart from monetary savings, you also save on your time and effort. This gives you more stint to focus on other important tasks.
Technology has already made the world smaller. It is now up to you to utilize this tool to your business's greater advantage.
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E-marketing is a concept that has, in such a short lapse of time, captured the interest of marketers and is fundamental today if companies want to survive in this digital world. E-marketing can be described as the achievement of marketing objectives via the use of electronic communication. Marketers should identify the needs of customers so as to satisfy them more efficiently using the internet as a medium of communication.
Digital technologies have become part of everyone's daily life. Governments of several countries are investing heavily in the ICT sector because technology is the future. Also, digital technology is broadening marketers' scope towards consumers' experience of interactive marketing.
Marketers possess an array of tools to match digital technologies towards e-marketing purposes. Some of them have been elaborated in this article.
A digital camera is a device that records images and has become a very essential equipment in marketing today; whether in the traditional media or the electronic media. A photo is an aspect of the visual communication provided to customers which possess information. Such information determines whether the customers are visually satisfied and whether an action of acceptance or rejection will prevail in relation to the product photo. The digital camera is a must-have tool needed for product communication. Generally, companies hire photo agencies or professional photographers for the creation of their photos.
However, with the constant innovation of digital technologies, photographers are gradually leaving their place to a much more effective professional photo solution. It is the digital photo studio. A digital photo studio, also referred as digital photo lightbox is a fast, very easy and secure way in obtaining your product photos. These creative photo studios are available on the market.
The photo studios are easy ways to create quality product photos. The needs for external photographers, lighting crews and graphic designers are not needed. Build intuitive with no special trainings needed to manipulate the digital workstation; anyone can create professional quality photos within minutes. The software that comes along is simple, easy to understand and efficient to use. Moreover, it allows some photo editing options. Also referred to as the creative lightbox, these studios give you on-the-spot results.
The lighting of the digital photo studio is constant and no other lighting setup is needed. Moreover, no cast shadows are produced due to the effective symmetrical positioning of four lights within the studio. The possibility of macro photography is very true with such a workstation. Macro photos are close-up shots of product photos. These photos are very appealing as they show a product's traits from very close.
The most interesting thing about the digital photo studio is that interactive 360° animations and 3-dimensional animations of products can be achieved through some clicks by anyone. Also, sizes, weights and heights do not matter as there are different studios that match various products, be it for small products, large products or tall products. The digital photo studio, without doubt, is the perfect tool needed for product communication.
Computer game is another high interactive way to grab the attention of audiences, especially the attention of teens. Marketers can directly advertise in the game itself. For example, a car game has the car brand names within the game- this promotes the brand name of car manufacturing companies. Marketers can place their products into the game or they can advertise online in multiplayer websites. Thus, computer games are an effective way to advertise to teenagers or younger adults.
Social media is slowly becoming a very powerful medium of communication. The audience for social networks has increased over the last three years and reached an estimated audience of over 300 million. In social media, marketers can make use of viral marketing, chatting, advertisements among others for the promotion of their products.
The impacts of digital technologies have indeed been immense in the E-marketing sector. Today, there are no doubts that technologies are primordial for product communication. Marketers should be well acquainted with the various tools which he can use to sell his products.
How has our world changed over the years? Digital technology is so prevalent today that we may not think about what we have lost. Do we really know what we have given up, or are we like the frog in the kettle of water? Sitting in this pot of water, we do not appear to realize the temperature is rising and where we started out is not where we started. What was familiar is no longer around and something different has taken its place.
We are all familiar with the big changes like expanding air travel to space travel. We have come to embrace change like what has happened with the introduction of home computers. However, have we really come to understand the impact these new inventions have had on our lives? In this article, it is my intent to bring to awareness some of those changes. Recognizing some of the things we do not have ready access to today may prompt us to look for alternatives before they are completely gone.
Residential Landline Telephones The number of landline telephones in our homes is quickly diminishing. What was commonplace just a few short years ago is now a rarity. The advent of the cordless phone freed us from the tether of the wall or desk phone. We could now use the phone anywhere on our property. Cell phones freed us up even more. Now, we can communicate no matter where we are as long as there is a wireless signal. Digital technology finally did away with the having to stay home and wait for that important call from friends, family, Dr., or others. With the loss of the landline telephone, we also lost the answering machine. Now we have voice messaging.
VHS tapes and VCR's Many of us had reels of 8mm home videos at the time VHS camcorders became popular. Almost overnight, our 8mm film became obsolete and the only way to preserve that fragile film was to have a commercial vendor transfer the film to VHS. Today, the number of machines that will playback VHS tapes is decreasing while the use of CD's and DVD's is increasing. Soon, the means to transfer our VHS tapes to this media may very well disappear except for commercial vendors. Digital technology has once again moved, possibly leaving us in the dust.
Classified Advertisements Many of us can remember when looking for employment meant spending hours exploring the classified ads in the local newspaper. After identifying the positions we were interested in, mailing cover letters and resumes became our focus and completing job applications at the employer's location was expected. The majority of the employment ads appeared in the Sunday edition with diminishing returns throughout the week. Today, finding these position listings on the internet is much easier than finding them in print media. Losing employment related classified advertising, along with general advertising, has placed a stress on print media with many businesses having to cease operations. Digital technology has changed the way we look for work and even how we apply for that once in a lifetime job.
Automobile High Beam Dimmer Switch For most generations alive today, this is a non-issue. Members of the Baby Boomer generation will probably remember the dimmer switch on the left side of the floorboard on the driver's side. With oncoming traffic, a quick flick with the tip of the foot and your high beams were instantly shift to low beams and when the traffic was past a second flick of the foot brought out the high beams once again. With this function relegated to a hand control, it is easy to exercise this safety feature, especially since we do not always have both hands on the steering wheel. For some high end vehicles, digital technology may have created sensors that automatically adjust headlight output, but many of the cars today still have a lever on the steering column.
Music Preservation Another technological change is associated with the preservation of our old analog music recordings. Often found in the form of 78, 33 1/3, and 48 rpm records, these old favorites and classical music may not be found on the new digital media. We do not have to let these tunes sit away in unused collections like many 8 track cartridges. Today there are means to transfer these songs to our computer. Once on the computer, we can then move them on to other digital media storage devices such as MP3 music players. Although digital technology is advancing at a rapid pace in audio presentation and preservation, there is still a method for the individual consumer to preserve and playback those stacks of vinyl records just sitting around collecting dust.
Digital technology is changing our everyday lives. We need to be vigilant about the things we value today because the means to enjoy them may not be available tomorrow unless we keep on top of technology available for the transition. Do you have old files or photos stored on the floppy discs from a few years ago? The only way to retrieve them now may only be through commercial sources. Even our favorite CD's could be replaced with some other kind of digital technology. Even today, much of our music is downloaded from the internet.


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Collins' 'Butt' Gets Him The Boot From Official
Lions defensive star ejected from making contact with official
Unfortunately, Detroit Lions linebacker Jamie Collins was ejected in the first half of the NFL Sunday season opener against the Chicago Bears for showing inappropriate behavior after making contact with an official.
Maybe the referee went overboard and gave him the boot without a valid reason. At that moment, with 12:24 left in the second quarter, the game was tied at 3-3. For anyone who saw the game or the footage, it's hard to believe referee Alex Kemp could have made the right call.
NFL Refs Flag-Happy
Up until now, it's not clear what Collins was trying to do at that time; maybe he tried to explain how Bears running back David Montgomery potentially put down his head on the 1-yard run Collins had made the tackle on the play before. What is for sure is that Collins lowered his head and made contact with the official's chest, although it doesn't appear that Collins meant to touch Kemp. However, the ref threw the flag and ejected Collins from the game.
The action took place following a 16-yard run by Bears running back David Montgomery. It seems that Collins was unhappy, and he started protesting that Montgomery was illegally putting down his head as a runner and he showed the action. Unfortunately, it was deemed a penalty.
Kemp Pleads His Case
After the game, Kemp stated he saw Collins coming close to him and that players are allowed to touch officials. Players can put their hands on their shoulders; however, he considered Collins' actions unnecessary and chances are that Kemp felt threatened. Without a doubt, it was not a violent or malicious incident. Collins didn't even hit the referee, it was only a touch with the helmet, and Kemp's defensive reaction was just as much a cause of the contact as Collins' movements.
Kemp said he made a decision to expel Collins from the contest and that he might not have reacted in a different way because the NFL establishes this as unsportsmanlike behavior. Maybe Collins intended to do something else, but rules are rules. Kemp mentions he sanctioned the unnecessary contact that was eventually considered as a bizarre head-butt; however, Collins won't be fined or penalized further for the call.
Kemp explains, "[Players] are allowed to touch officials, put a hand on your shoulder, or something of that nature. But unnecessary contact with a game official — it's Rule 12-3-1-E — covers unnecessary contact to a game official. So, that's what I went with."
The rule mentioned above establishes: "Unnecessary physical contact with a game official. Under no circumstance is a player allowed to shove, push, or strike an official in an offensive, disrespectful, or unsportsmanlike manner. The player shall be disqualified from the game."
The Lions Expect Great Things From Collins
Collins started his first game for Detroit on Sunday after signing a contract with the team in free agency. Straight away, he became one of the Lion's key players on defense and had three tackles with a quarterback hit. He also defended a pass in the quarter-plus he played before being ejected. Also, Lions cornerback Justin Coleman was sidelined for the rest of the game after suffering a hamstring injury. Losing both of these players could have contributed to the Bears being able to mount a 17-point comeback that helped them eventually win the game.
Collins is a seven-year veteran and one-time Pro Bowler. He signed a three-year contract worth $30 million to join the Lions and head coach Matt Patricia, who was his defensive coordinator when he was with the New England Patriots before Patricia was named Lions head coach in 2018. It was the first time Collins has been ejected in the eight years he's been with the league. Interpret the hit as you like, but it was an overzealous call on the part of Kemp.
By Erik Gibbs|2020-09-30T11:22:54-05:00September 14th, 2020|Categories: NFL, News, Picks and Parlays, News, Front Page News, Sportsbook, Picks and Parlays|Tags: NFL, Chicago Bears, Detroit Lions, Jamie Collins|0 Comments

redpajama_set_name: RedPajamaCommonCrawl


Bits here and there. From almost anywhere. Things I'm likely to talk about in no particular priority: knitting, yarn, writing, NaNoWriMo, food allergies, food, asthma, cats, sociology, society, random things, and of course – LIFE.
July 19, 2012 in knitting, life.


text:
Center School
Photo credit: Branford Historical Society
Branford's first high school was originally an ungraded school on Main Street at the corner of present day Harrison Avenue and was called "Center School". It was built during the Civil War for $800 and was a small two story structure. In 1879 it became the high school and was enlarged to 35 X 75 feet by contractor Richard Bradley. East and west wings were added to the building in 1881. This structure was used as the high school for 16 years and later served as an elementary school. The steeple blew off during the '38 hurricane forcing the school to close. The building was torn down in 1940 and was replaced by the brick Frontier building which still stands today.
The need for a larger high school was realized in the late 19th century due to the growing immigrant population seeking employment at the Malleable Iron Fittings Company or the Branford Lock Works. In 1894 a building lot on Laurel Street was purchased from John Eades for $1,400. The school was designed by architect John H. Edelmann and built by Joseph N. Graveline for $22,000. The school was originally 4 rooms and two temporary rooms were added to the rear of the structure in 1948 and remain to this day.
Yet another high school was built on Eades Street in 1928 and the current Branford High School on East Main Street was built in 1958. What was the high school on Laurel Street became known as the "Laurel Street School" and provided elementary education to the children of Branford Center until 1976. Since that time Laurel Street School has been used for the Branford Counseling Center and the Board of Education offices. Laurel Street School is a contributing building to the Branford Center National Register Historic District and remains one of the few existing Shingle Style/Colonial Revival schoolhouses in the state of Connecticut.
– Jane Peterson Bouley


There are thousands of 'tutorials' whereas most of them are related to RE….
It is a simple method to find the point of interest in your program - you can step over the INT3.
Olly stops at the instruction that cause the exception. The status bar shows what kind of exception occurs at this point. The problem for you is maybe that a crash can also occur in API functions - looking up the calling chain in the stack (-window) is useful in this case.
what is a sign XOR mask?
I don't know what a sign XOR mask is, but _SignXorMask is a DWORD local variable.
But I ment what is "_SignXorMask" ?
What does that mean in an assembly ?
I did not have time to do much checking of this, so apologies for any errors.
This applies only to 32-bit code.
The stack is functionally a last in, first out (LIFO) data structure. The PUSH instruction subtracts 4 from the stack pointer (ESP) and then copies the contents of its operand (a 32-bit register or memory operand, or an immediate operand) to the stack at the address specified by ESP. The POP instruction copies the 32-bit value from the stack address specified by ESP to its operand (a 32-bit register or memory operand) and then adds 4 to ESP. As values are pushed, the stack "grows" down in memory. Barring direct manipulation of ESP it always points to the "top" of the stack, the location of the last item pushed and the next in line to be popped. Positive offsets from ESP point into the "active" stack space, and negative offsets into the "free" stack space.
The CALL instruction effectively pushes the return address (the address of the instruction following the CALL instruction) and then jumps to the address specified by its operand. The RET instruction effectively pops the value at the "top" of the stack and uses it as a jump destination.
The programmer can manipulate ESP indirectly using the CALL, RET, PUSH, and POP instructions as described above, or directly by using it as an instruction operand, typically for the ADD or SUB instructions. A key requirement here is that any adjustments to the address in ESP must preserve its 4-byte alignment, and this is normally accomplished by adding or subtracting some multiple of 4.
For both of the most common 32-bit calling conventions, STDCALL and CDECL, the procedure parameters are pushed (prior to the procedure call) in right to left order as they appear in the procedure definition or declaration. For STDCALL the called procedure is responsible for removing the parameters from the stack. This is normally done by appending a constant to the RET instruction that specifies the number of bytes to release, which will be 4 * the number of 32-bit parameters. For CDECL the caller is responsible for removing the parameters from the stack, so the procedure returns with a RET instruction with no constant appended.
; preparing it for use as a stack frame pointer.
; in this case 4 dwords.
; Recover the entry value of EBP.
; the stack, as per the stdcall calling convention.
; Turn the default prologue and epilog code generation back on.


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text:
Park Jin-woo  (15 de marzo de 1996) más conocido por su nombre artístico Jinjin  es un rapero, cantante, productor, bailarín, compositor, actor y modelo surcoreano 𝚚𝚞𝚎 𝚍ebutó como líder del grupo Astro el 23 de febrero de 2016, bajo la etiqueta de Fantagio.

Vida
Jinjin nació el 15 de marzo de 1996 en Ilsan, Gyeonggi-do, Corea del Sur. Asistió y se graduó en Hanlim Multi Art School con un enfoque en Danza Práctica. Asistió a NY Dance Academy en Ilsan y participó en varios concursos de baile.

Carrera

2015: Pre-debut
Jinjin fue aprendiz durante 2 años en Fantagio antes de debutar con Astro. Fue el quinto aprendiz en ser presentado oficialmente con el Fantagio iTeen Photo Test Cut.Antes de su debut, Jinjin junto con los otros 5 miembros de Astro habían protagonizado un drama web To Be Continued.

2016-presente: Debut con Astro y actividades en solitario

Jinjin debutó como parte del grupo de chicos de 6 miembros Astro el 23 de febrero de 2016. Su primer EP Spring Up tiene cinco canciones, incluida la canción principal "Hide & Seek" .

En julio de 2016, Jinjin apareció en las presentaciones de la canción "Can't Help Myself" de Eric Nam.

En noviembre de 2018, Jinjin apareció en "Wok the World" de tvN Asia. Jinjin se unió al elenco en Hong Kong.

Durante el concierto "2nd ASTROAD To Seoul" Starlight "" de Astro, que se llevó a cabo por última vez del 22 al 23 de diciembre de 2018, Jinjin interpretó "Mad Max", que también compuso. Se incluyó en el DVD del concierto que se lanzó en junio de 2019.

Jinjin junto con su compañero de Astro,  MJ, compusieron "Bloom", que es una de las canciones secundarias de su primer álbum completo,  All Light, que fue lanzado el 16 de enero de 2019.

En marzo de 2019, Jinjin y MJ participaron en el programa de variedades de viajes Go Together, Travel Alone para Celuv TV. El programa fue filmado en Saipán e incluye aTony Ahn, Han Seung-yeon y Kim S. Posteriormente fue lanzado en formato DVD.

En julio de 2019, Jinjin y MJ compitieron en Game Dolympics de OGN.

En mayo de 2020, Jinjin compuso una de las pistas secundarias de su séptimo EP Gateway, titulada "Lights On".

En marzo de 2021, Jinjin comenzó a presentar el podcast Unboxing de DIVE Studios junto con Kino de Pentagon.

En agosto de 2021, Jinjin junto con los integrantes de Astro, lanzaron su 8th mini álbum titulado "Switch on", en este álbum destaca una de las canciones "My Zone" compuesta por él.

En enero del 2022, Jinjin junto a  Rocky hicieron su debut como la segunda subunidad de Astro con el mini álbum "Restore", en este mini álbum se destaca la canción principal "Just Breath". Además de que en este álbum participó tanto en la escritura como en la producción de las canciones.

Discografía
Para la discografía de Astro, ver Astro (grupo musical).

Filmografía

Web series

Variety shows

Premios y nominaciones

redpajama_set_name: RedPajamaWikipedia


Our vision of the world is blurred. It is not as black and white as mass media or politicians want us to believe. Societies are not slick accumulations of perfect Instagram feeds. The world has become so complex and we have to process so much information on a daily basis, that it can be hard to understand the complexity of it all, let alone read between the lines or know who is speaking, or even more importantly: whose voices are not heard?
In our digital age, theoretically there is space for a multitude of opinions, perspectives and thoughts, but the truth is that the dominant socio-political paradigm still heavily relies on a Modernist, colonial worldview. Not so long ago, European scientists and philosophers ventured abroad in search of what they called "the new world", worlds which they later claimed to have "discovered", and over which they claimed ownership, as if these were new, untouched, uninhabited. They started to classify the peoples who had been living on that land for centuries based on their "advancement" and their physical features. They considered themselves superior because, in their perspective, only their worldview was relevant and of value. There was no acknowledgement of the fact that different people have different paradigms.
It may sound awkward to many, but I fear that a big part of the population in the West is still led by this colonial worldview. Why? Because the period is still recent and not much has effectively been done to dismiss this racial classification of people. African cultures and beliefs have been dismissed as "primitive" or "oriental". And even though they were present for thousands of years before the European colonial project destroyed them for their own benefit and gain, they have been overlooked ever since. To this day, the idea of "otherness" pervades as a lucrative business. Hence the dismal way migrants and refugees are being treated. As a dark skinned man, who was born in Africa and grew up in Europe, I have often experienced strange behaviors from people who consider themselves "white". As a rightful response to how they are overlooked, movements celebrating "blackness" are increasing in multitude. Think of Afropunk, Curlfest or Melanin Fest.
As an artist, I ask myself what do we have to celebrate as dark skinned people (especially people from African decent)? Is it the color of our skin and the curls in our hair? There are artists who take major Renaissance masterpieces and replace the figures with black figures, in response to the lack of black representation in museums and art history books. Although this is important work, I think we have to go beyond, find common ground and celebrate cultures in general, and in plural. With common ground, I don't mean sameness, I mean being-in-common, where there is space for difference, as well as respect and interest. It's time to show the richness and inspirations of not only African cultures, but all the world's cultures. Because in an era where it seems acceptable for a few individuals to claim all the riches, to subject everything and everyone to their taste and to their way of life, for their own profit; arts and culture are the only things that keep people alive. We are all one people.


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Keeping Cat Off FurnitureHow do you keep a cat from getting up on counter, furniture such as a desk, chest of drawers, dresser, nightstand, kitchen table, etc.? And she knows it's not okay because everytime I see her, it's trouble. I think she does it to get attention.
Identifying Flying InsectsWe started noticing these showing up everywhere in our home about two weeks ago, but we have no idea what they are. They're very attracted to liquids. I can't leave a drink unattended for 5 minutes before they get into it. They don't bite or anything.


The bulk of the sessions address basic and advanced clinical issues. Additional topics include recovery, prevention and gambling policy, legislation & regulation. Other areas of interest include special populations, ethics and legal issues, public awareness and outreach, financial and family issues. Counselors comprise the majority of the audience; other attendees include researchers, legislators, regulators, prevention specialists, gaming industry executives and employees, media, policy makers, recovering gamblers and family members.
Pre-Conference workshops will be held Wednesday, July 11 and Thursday, July 12.
Regular Conference sessions will run on Friday, July 13 and Saturday, July 14.


text:
By AkersMedia
Charlie Grinker
1.7 min read| Published On: November 30th, 2021|
Occupation career accomplishments: Since 1952 I've been active in television – first as a page boy with NBC in New York City, then a production assistant on the first "Tonight Show," a film researcher, associate producer, producer, writer, and interviewer for my own company, and creator of more than 200 programs for NBC, CBS, ESPN, Disney, and the A&E Network. I've been honored as co-producer of two prime-time EMMY Awards, and received the Peabody Award for broadcast journalism.
What I am involved with now: In 2015 I settled in Clermont with my wife and co-everything, Alexandra Grinker. I went to city hall after learning about the Clermont Performing Arts Center (CPAC) and was introduced to Doris Bloodsworth, a prominent citizen of Clermont. Doris connected me to CPAC where I presented an idea for a series of programs blending my memories of life in television since the 1950s with highlights of video from programs I'd created during that time. We tried it, it worked, and we have a new four-part series "You Are Still There" that opened in November in the CPAC's Black Box Theatre.
My motivation comes from: Many people today underestimate what our seniors have contributed to the U.S. and the world. I take great pride in that which my generation has achieved, and I enjoy bringing our times to life and giving our Seniors a well-deserved pat on the back.
Most memorable interview: Bob Hope was remarkable for his many decades of providing entertainment to our servicemen and women on battlefields around the world but also Bob's little-known assistance to showbusiness people having difficult times in their careers. I had a salute to Bob in my first show this season at the CPAC on Nov. 12, in which Frank Sinatra tells us of the help he received from Bob at a most difficult time in his career.
Reflecting back: My mother and father never went to college and worked hard to earn enough to see my sister and I graduate. They gave us their total support to follow our dreams. I wish they had been alive to share in my success. I also learned a great deal from the people I've interviewed and worked with through the years.
Best advice I've received: My father told me, "If you have what you believe is a good idea present it to the very best people. The worst thing they can say is 'NO.' If they like your idea, you're on your way."
My advice for others: Follow my father's advice.
About the Author: AkersMedia
40 Under 40 | 2023
Power Couples of Lake & Sumter


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Keeping Canadians safe from botulism
January 24, 2023 | from The Science of Health
Have you ever heard of botulism? While this foodborne illness may be less well known than others, it can have serious consequences. Fortunately, botulism is very rare in Canada thanks to safe food practices and the work of devoted Health Canada scientists.
New technology to detect and identify plant diseases
January 18, 2023 | from Cultivating Science
As international trade increases, a growing number of plant diseases are threatening global agriculture and food security. The Canadian Food Inspection Agency (CFIA) is constantly seeking ways to improve plant health while supporting Canada's economy.
Blog posts from 2022
Our blogs:
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Science Behind the Scenes
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What are you guys planning on doing for Thanksgiving? I woke up at 8 this morning and watched the Macy's Thanksgiving Parade with my family, and we're going to have a big Thanksgiving lunch/dinner here in about two hours.
Unfortunately, this year's Thanksgiving will pretty much be the same as any normal day for me.
Us Europeans are too cool for thanksgiving!
Because Europeans aren't thankful for anything.
Happy thanksgiving to you Americans and Canadians. Enjoy, you should.
Schofield;5428977Because Europeans aren't thankful for anything.
No because smart arse N and South Americans, Africans, indonesians and asians all declared 'independence' or something gay like that.
Anyways, happy Thanksgiving everyone! Have fun gaming.
[QUOTE=Granyaski;5428996]No because smart arse N and South Americans, Africans, indonesians and asians all declared 'independence' or something gay like that.
But I don't live in Europe. I want turkey and pumpkin pie now!
Granyaski;5428996No because smart arse N and South Americans, Africans, indonesians and asians all declared 'independence' or something gay like that.


Instrument gas heating assembly for preheating gas to pilot operated regulators. Includes dual coil to preheat gas to two pilots with one heater assembly. Includes 8" x 8" heater (120 volt start). Includes shutoff valve and thermocouple.


text:
Josh Eidelson
Tag Archives: filibuster
BEN EIDELSON ON THE FILIBUSTER
Posted on February 8, 2010 by Josh Eidelson
Read my brother's new piece up on Slate about the filibuster:
When Republicans have been in the majority, the filibustering minority has actually represented the majority of Americans 64 percent of the time. When Democrats have been in the majority, that figure plummets to 3 percent. So the charge that it is somehow hypocritical for Democrats to decry Republican filibusters as affronts to majority rule—if they also stand by their past decisions to filibuster the Republicans—is easily answered. When Democrats have filibustered Republicans in recent years, they have very often represented more Americans than the Republican majority; the same is almost never true in reverse.
Hopefully, responding to the responses will force Ben to start blogging again.
| Tagged Ben Eidelson, Congress, filibuster	| 2 Comments
THE WEEK IN FEARING FEAR ITSELF
Posted on December 19, 2005 by Josh Eidelson
Big week on the not-trampling-over-all-of-our-values-and-freedoms-in-the-same-of-security front. I'm skeptical of how much difference the McCain ammendment committing us not to torture will make on the ground, but it's a good sign that even after sending Dick Cheney out of his undisclosed location and onto Capitol Hill, Bush wasn't able to keep Congressional Republicans on the reservation (the anti-anti-torture reservation, that is). The ultimate result, in which Bush met McCain much further than halfway from his original "waterboarding is freedom" position, shows him to be a weakened President and puts this nation back on record against willfully inflicting abusive pain on prisoners. The urgency of the issue, and the limitations of legal language like McCain's in addressing it, are reinforced in Human Rights Watch's announcement today on pervasive torture in secret US-operated foreign prisons:
Eight detainees now held at Guantánamo described to their attorneys how they were held at a facility near Kabul at various times between 2002 and 2004. The detainees, who called the facility the "dark prison" or "prison of darkness," said they were chained to walls, deprived of food and drinking water, and kept in total darkness with loud rap, heavy metal music, or other sounds blared for weeks at a time. The detainees offer consistent accounts about the facility, saying that U.S. and Afghan guards were not in uniform and that U.S. interrogators did not wear military attire, which suggests that the prison may have been operated by personnel from the Central Intelligence Agency…Some detainees said they were shackled in a manner that made it impossible to lie down or sleep, with restraints that caused their hands and wrists to swell up or bruise. The detainees said they were deprived of food for days at a time, and given only filthy water to drink. The detainees also said that they were held incommunicado and never visited by representatives of the International Committee of the Red Cross or other independent officials.
This "dark prison" report follows Friday's New York Times revelation that President Bush has been authorizing the NSA to spy on Americans without even going through the secret courts designed for the purpose, which should shake any confidence one might have that better laws will fully set this administration straight. Bush apparently believes that he is authorized to personally designate Americans as surveillance targets based on the congressional resolution authorizing him to go to war in Afghanistan.
That Congress showed much less deference on Friday, when Bill Frist could only muster 52 votes for cloture on the Conference Committee's version of the PATRIOT Act reauthorization, which took out all the civil liberties protections that Russ Feingold and others managed to get into the version passed unanimously by the Senate. In a striking victory for sensible privacy protections over fear-mongering, Feingold, Leahy, and company have kept the Senate from approving the Conference Committee Draft. It's also a huge victory for Feingold personally, who has gone from being the only Senator to vote against the PATRIOT Act to leading a charge to continue debate on the bill which saw more Republicans cross over to oppose cloture than Democrats crossing over to support it. Looks like the Democratic leadership, rather than marginalizing him, is now trying to pull him into the party establishment, handing him a seat on the Intelligence Commission.
Hillary Clinton, meanwhile, made the news for her own sorry contribution to the discourse on patriotism and freedom: a proposal to ban flag-burning. Hers is ostensibly a compromise position in that it's a bill rather than a constitutional amendment, and it only applies on public property or when someone is intimidated. But legitimating speech restrictions based on how uncomfortable the speech makes other people feel makes a mockery of free speech. She should know better.
| Tagged Afghanistan, Bill Frist, Civil liberties, Democrats, Dick Cheney, filibuster, flag-burning, foreign policy, George Bush, GOP, Hillary Clinton, HRW, John McCain, NYT, Pat Leahy, PATRIOT Act, privacy, Russ Feingold, speech, torture	| Leave a comment
Posted on May 24, 2005 by Josh Eidelson
So it turns out to be a compromise on judges after all. Hard to know just how to read it, given that with freedom for Democrats to filibuster under "extraordinary circumstances" and for Republicans to nuke if "continuing commitments made in this agreement" are abridged, all it resolves for good is that Janice Rogers Brown, William Pryer, and Priscilla Owen will soon be Circuit Court Judges and William Myers and Henry Saad won't be. But given that the Democrats' position on this has, for better or worse (you can guess where I come down on that one), all along been one of extreme willingness to compromise ("We gave you the judge who thinks men should dominate their wives, but do you really need the one who thinks God has veto power over the constitution"), almost any compromise would have been a political victory for the Democrats. Not as big a victory as the one I suspect we could have had tomorrow (in part because I trust John McCain's political instincts more than, say, Joe Lieberman's). As compromises go, the word a few days ago was that the major sticking point was GOP resistance to language like this:
We believe that, under Article II, Section 2, of the United States Constitution, the word "Advice" speaks to consultation between the Senate and the President with regard to the use of the President's power to make nominations. We encourage the Executive branch of government to consult with members of the Senate, both Democratic and Republican, prior to submitting a judicial nomination to the Senate for consideration.
So the Dems at least got something out of the negotiations. Today we saw a few Republican Senators buck the Senate leadership and the Senate buck the unilateral impulses of the White House. That counts for something. And the reason it happened is because public opinion has turned rather sharply against the Bush team and their exercise of their ostensible mandate. That's a trend which should have implications which last much longer than this agreement. But only if the Democrats capitalize on it with a robust and aggressive vision. I'd say cutting this deal was a poor move, but those saying that the party had been taking a firm and principled stand which it undercut tonight forget that when it comes to steadfast refusal to let through extremist unqualified judges, the ship had sailed on that one – and driving it were Randians, theocrats, and Randian-theocrats who have now safely arrived in a court near you. The Democrats' repreated invocation of outrageous nominees they'd let though, rather than making them seem eminently reasonable, just made them look sort of silly.
Speaking of the future, anyone who still thinks John McCain – in whose office the compromise was apparently signed – isn't running for President has another think coming. Same goes for anyone arguing that he does whatever's right regardless of politics. As for Bill Frist, I'm sure he'll do well on the lecture circuit. Or at least, he has a better shot at it than at a serious run for the GOP nomination. Good news for him: washed up right-wing speakers, unlike sitting Senators, aren't expected to go into inner cities where they have to worry about being stabbed to death by children of color with pencils. Now, back to spanish conjugations for me.
| Tagged Bill Frist, Congress, conservatism, court, Democrats, filibuster, George Bush, GOP, Henry Saad, Janice Rogers Brown, Joe Lieberman, John McCain, law, Priscilla Owen, William Pryer	| Leave a comment
Trent Lott just livened up what's been a not overly riveting series of Senate floor speeches on judicial nominations by accusing Democrats with concerns about extremists nominees of having turned the Senate "into a torture chamber." Given the honorable Senator from Mississippi's enthusiastic defense of the administration when it came to actual torture, one can only assume that he indeed means that the Senate has caused pain "of an intensity akin to that which accompanies serious physical injury such as death or organ failure" to Priscilla Owen and Janice Rogers Brown.
| Tagged Congress, Democrats, filibuster, GOP, Janice Rogers Brown, Priscilla Owen, torture, Trent Lott	| Leave a comment
Two things that were striking in reading local news in Puerto Rico while we were there:
One of the dominant stories was Rumsfeld's much-anticipated list of base closings, which Puerto Rico's Buchanan ultimately escaped. What generally goes unstated in news write-ups of the process by which base closing decisions are made is what all the major players – the Secretary of Defense and his commissi on, the President, the US House, and the US Senate – have in common: no one in Puerto Rico gets to vote for them, or for the people who appointed them. While it goes without saying in local papers, it's striking from an outsider's perspective, and deeply problematic from a Heldian perspective that understands democracy as a measure of control over the decisions which shape one's life, though arguably no more so than the situation of groups like the poor in the continental US who – largely – have the formal franchise but face significant obstacles to political mobilization and to getting a hearing from economic elites, or of the people's of other countries which while not US territories are drastically affected by policies of the US government and its delegates over which they have no form of democratic control.
The other dominant story was an intensifying showdown between the territory's Popular Democratic Party Governor and its New Progressive Party-controlled legislature over the Governor's Cabinet appointments, especially his appointee for Secretary of State, whom the legislature voted down but who began serving in the job anyway. What was really striking to me as an outsider to Puerto Rican politics, but almost as true of coverage of the struggle over judicial appointments in the US Congress, is the total suffocation of any kind of issue background by horse race coverage – that is, speculations about who's winning. Over five days of reading articles about this fight, I was unable to find a single sentence discussing the ideologies of any of these appointees or the issues at the heart of the power struggle. I know that Governor Acevedo Vila thinks Pont would be an excellent Secretary of State, and that NPP leaders think she'd be terrible, but I honestly could only guess what the areas of contention are. Seriously, if you know, I'm pretty curious at this point. And I doubt I'm the only one. Meanwhile, pundits in the continental US complaining about how boring the filibuster fight is to the American public should consider why the very real ideological issues driving forward the collision – like the power of the American people to harness government to pursue racial and economic justice – have been sidelined in the presentation of that fight.
| Tagged David Held, democracy, Donald Rumsfeld, elitism, filibuster, media, military, Puerto Rico	| 1 Comment
Posted on January 6, 2005 by Josh Eidelson
Watching the Gonzales Confirmation Hearing:
11:30: So far, the GOP Talking Points on the challenge to the vote count and the Gonzales nomination, respectively, seem to be "Don't listen to them because they're whining and you'll just become confused," and "He was just a lowly bureaucrat up against a Big Bad Justice Department."
11:40 Gonzales: The abuses which we all object to, no one supports.
11:45 Gonzales: The Geneva Convention only works as a universal human rights standard if it only applies to some people.
11:54 Gonzales: At least we don't cut people's heads off. (Talk about defining deviancy down)
12:02 Gonzales: It's not that I don't offer my own opinions, it's just that the Department of Justice is very persuasive.
12:07 Gonzales: If I didn't mention in my memo to Bush on whether to execute this guy that his lawyer slept through the trial, it must be that we'd realized it was frivolous.
12:12: Senator Cornyn (R-TX): If people disagree with you on torture, it's because they don't want to win the war on terror as much as you.
12:13 Cornyn: They say you haven't given you the documents you want, but they have given us these two file folders which seem to have lots of pages in them.
12:17 Gonzales: If there was a possibility of you all reading my candid advice, I might give different candid advice.
12:18 Senator Schumer (D-NY): Of course we need a little less liberty these days. Only, maybe not this much less. And could you at least talk to us about it?
12:27 Gonzales: The Executive Branch has no opinion on whether the Legislative Branch should be able to filibuster its nominees.
12:31 Senator Brownback (R-KS): We need to do more to lower recidivism rates by helping prisoners to function in society…with Jesus.
12:34 Brownback: Sure there's a first amendment, but porn is really unpleasant. I'd like to recruit your wife to look into it.
12:37 Gonzales: I wasn't calling my colleagues judicial activists for wanting to force minors to get parental permission for abortion, I was just saying their conclusions were judicial activism.
12:42 Gonzales: What do you mean did my redefinition of torture encourage abuse? The majority of prisoners have not been tortured.
12:44 Gonzales: I don't think we're ever allowed to commit war crimes, but I'll keep you posted.
12:45 Gonzales: The President hasn't used his authority to disobey the law, but he has it.
| Tagged Alberto Gonzales, Chuck Schumer, criminal justice, disenfranchisement, elections, filibuster, freedom, George Bush, human rights, international law, John Cornyn, law, pornography, Sam Brownback, speech, torture	| Leave a comment
E-mail: "jeidelson" at "bloomberg" dot net. Follow @josheidelson
How Tesla's Model 3 became Elon Musk's version of hell
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KPCC: A case against Walmart that could improve LGBT rights in the workplace
Democracy Now: Union-busting


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Emily Russell (2012-2015)
Emily Russell was a Wilmington Symphony Youth Orchestra student from 2012-2015. Now, she is attending Appalachian State University studying elementary and music education.
What do you remember most about your WSYO experience?
I remember being introduced to a wide range of music which, as a trumpet player, I would not have been introduced to otherwise.
I also enjoyed collaborating with other musicians my age and sharing ideas
Universities attended and degrees earned:
Appalachian State University - currently studying elementary and music education.
Do you still play your instrument?
Yes, for fun and professionally!
What have you been up to since you left WSYO or won the concerto competition?
I started attending Appalachian State University where I have been studying education specifically in music and elementary studies. I have studied under renowned trumpet professor Dr. James Stokes and participated in many ensembles such as the trumpet choir, marching mountaineers, symphony band, and many more. I have also given two trumpet recitals. I also became a member of Sigma Alpha Iota - an international women's fraternity dedicated to furthering music in the world. After graduation, I plan to get licensure in Preschool education so that I can instill the love of music in even the youngest minds.
Ash Stemke (2007-2009)
Ash Stemke was a violinist in the Wilmington Symphony Youth Orchestra from 2007 to 2009 and is now a college professor and composer!
Universities attended and degrees earned:
BM, University of North Carolina at Chapel Hill (2013)
MM, University of North Carolina at Greensboro (2016)
DM, Florida State University (2019)
Assistant Professor of Music
Current Employer:
Joyfully making music with my friends. Preparing for the rigor of university-level symphony orchestras. The magic feeling of performing one of my own compositions as part of the WSYO, under Dr. Errante's leadership. Oh...and the snacks!
What have you been up to since you left WSYO?
I am currently enjoying a career as a college professor and composer! I serve as Assistant Professor of Music at Murray State University in Murray, KY, where I teach courses in music theory, aural skills, composition, and digital music. Recently, my compositions have been performed by yMusic, the Riverside Symphony, the Boston New Music Initiative, and the San Francisco Choral Artists.
ashstemke.com
Twitter handle:
@ash_stemke
Camden Stohl (2015-2019)
Camden Stohl was a Wilmington Symphony Youth Orchestra student from 2015-2019 and is now attending East Carolina University earning a bachelor's degree in violin performance. Camden was the Junior Division and High School Division winner of the Wilmington Symphony Orchestra's annual Richard R. Deas Young Artists Concerto Competition in 2014 and 2018.
WSYO was always an outlet for me to create amazing music and learn from a wonderful conductor (Dr. Errante), alongside some of my closest friends. The opportunities I got from performing with the WSYO and learning to act as a concertmaster for 2 years had a tremendous impact on the player I am today. I remember being a freshman, never having played in a full symphonic ensemble, and being overwhelmed by everything that goes into this form of performance. I can now look back upon these memories and know that this program gave me so much discipline to learn an abundance of high-level repertoire and operate at a professional standard, and for that, I am forever grateful.
What have you been up to since you left WSYO and/or won the concerto competition?
Since being in the WSYO and winning the concerto competition I have been studying violin at East Carolina University with Ara Gregorian and Hye-Jin Kim. Here I play in the symphony orchestra and chamber ensemble while pursuing my bachelor's degree, and that means spending my time trying to grow as much as I can each semester. Although I have only been in college for one year, it has been such an amazing experience and I would not change anything about it. In my free time, I also enjoy spending time at the beach, exercising and being outdoors, and doing just about anything crafty, like painting or sewing. I find that these things help keep my creativity alive and in return, self-motivates me when it comes to music.
Olivia Hakan (2013-2017)
Olivia Hakan was a WSYO student in 2013 through 2017 and has continued playing the violin while working towards her bachelor's in chemistry at the University of Vermont. Read more about Olivia and her experience in WSYO.
What do you remember most about your WSYO experience?
My favorite part of WSYO was being able to connect with other musicians that I wasn't always in contact with through school or my studio. It was also a wonderful opportunity to really challenge my playing ability in ways I wasn't able to in other ensembles.
Yes, for fun
What have you been up to since you left WSYO or won the concerto competition? Please share any accomplishments, activities, interests, travels, and experience below.
I have been attending school at the University of Vermont, working towards my bachelors in chemistry with a minor in math. I played in their symphony for my first three semesters and was in a chamber group in my last two. I have also continued to take lessons with the university. Outside of school, I have continued to pursue my passion for traveling and the outdoors. I will now, hopefully, be pursuing my master's in Environmental Protection at the University of Edinburgh.
Annie Jewell (2008-2013)
Annie Jewell is a current Wilmington Symphony Orchestra musician and a WSYO alum! You will find Annie around town performing for many different events and organizations.
University of North Carolina at Greensboro- BA in Violin Performance
Musician/ Teacher
Connecting with other young musicians, and having the opportunity to learn performance etiquette before becoming a professional. And playing in the concerts with the Girl's Choir of Wilmington - which I was also a part of!
Yes, professionally
After earning a degree in music, I moved back to Wilmington and now perform with the WSO! I also teach private violin and voice lessons, direct several church choirs, and perform with my bluegrass trio, Annie Oak.
Sophia Han (2001-2004)
Sophia Han played violin in the Wilmington Symphony Orchestra in 2001-2004. She is now the Violin and Viola Professor at Southeast Missouri State University as well as the Associate Concertmaster of Paducah Symphony in Paducah, KY. After WSYO, she attended UNC-Chapel Hill (BM), University of Michigan (MM), and Florida State University (DM).
I took the level of training I received in Wilmington as well as a participant of WSYO for granted! I didn't realize how my teachers and Dr. Errante's standards and pedagogy pushed me to be competitive as an orchestral, chamber, and soloist on a national level. Dr. Errante made rehearsals fun but also made sure we learned along the way. It certainly helped that we had killer players in that orchestra at the time as well. Wishing everyone the best in WSYO!
It's been about 16 years since I last was involved with WSYO and a lot has happened! Currently I serve as the Assistant Professor of Violin and Viola at Southeast Missouri State University as well as the Associate Concertmaster of Paducah Symphony in Paducah, KY. I perform anywhere from half a dozen to a dozen solo and chamber recital programs around the country in any given academic year. During the school year, I get invited to public schools in surrounding states as well as Missouri to lead orchestra clinics.
https://semo.edu/music/faculty/han.html
Connie Chen (2001-2008)
Connie Chen was a violinist in the Wilmington Symphony Youth Orchestras from 2001-2008.
After high school, Connie went on to Duke University and received a Bachelor of Arts in English Literature and then earned a Master of Science in Technical Communication from North Carolina State University.
IBM Corp
Playing Firebird Suite at Thalian hall!!
Trying new recipes and planning my next vacation
David Haskins (2008-2012)
Say hello to WSYO alumni, David Haskins! David was a violinist in WSYO from 2008-2012.
Since then, he has graduated from Appalachian State University with a Bachelor of Music in violin performance and from University of Nevada Reno with a Master of Music in violin performance. David is the Youth Ensembles Manager and Section Violinist for the Reno Philharmonic. He also performs with the Reno Chamber Orchestra and is a Private Teacher.
WSYO was my favorite musical outlet as a high-schooler, and it played a crucial part in my decision to dedicate my life to music. It was the first time I had ever participated in a full symphonic orchestra, and I'll never forget hearing that sound for the first time. I looked forward to each and every rehearsal, and I practiced diligently to learn the difficult music. I loved working with Dr. Errante, performing professional-level repertoire, including some of Errante's own music, serving as Concertmaster for the first time, helping and guiding my peers, and attending the summer strings festival at UNCW.
Yes, for fun and professionally.
What have you been up to since you left WSYO?
I left Wilmington in 2012 to attend Appalachian State University, where I majored in violin performance, studying under Dr. Nancy Bargerstock. I won a contract with the Johnson City Symphony as their assistant-principal second violin in 2013 and played with them until I moved in 2016. I performed solo with the Appalachian Symphony Orchestra in 2014. I also performed solo and in the violin section of the Symphony of the Mountains. During my last year of undergrad I went abroad to Barcelona, Spain where I studied Spanish and took violin lessons with Kai Gleusteen at the Liceu Conservatory for 7 months. I returned to Boone, graduated early, and moved to Reno, Nevada in 2016 because I was offered a full ride and a Graduate Teaching Assistantship at the University of Nevada, Reno. In 2018 I finished my Masters in violin performance, studying with Stephanie Sant'Ambrogio. During the past three years I have participated in Round Top Music Festival in Texas, and AIMS in Graz, Austria, won a contract with the Reno Philharmonic, and have performed with other ensembles such as the Reno Chamber Orchestra, Susanville Symphony, and Fresno Philharmonic. In May 2019 I began work as the Youth Ensembles Manager for the Reno Philharmonic, overseeing all aspects of our four youth orchestras and free after school violin program, which in total comprises almost 500 students. I have come to love my life here, although it is far from home, and I've become an avid lover of the outdoors; anything from hiking to skiing to kayaking. I still play violin every day, teach regularly, and am very passionate about music education and its importance in the community.
Connie Chen
Olivia Hakan
Sophia Han
David Haskins
Annie Jewell
Emily Russell
Ash Stemke
Camden Stohl


Californian duo Woolfy vs Projections has finally finished the follow-up to their 2008 album "The Astral Projections Of Starlight". With its blend of psychedelic west coast rock, disco, balearic and hints to the likes of Bryan Ferry, Wings or David Crosby, "The Return Of Love" is a source of pure excitement. Whether it's getting thrown out of bars by the Russian mafia to saving the world with the Verve's Richard Ashcroft , where ever Woolfy vs. Projections lay there hat , adventures sure to follow. Simon James and Dan Hastie have a knack for getting themselves in to out of this world situations and come out unscathed. The two met in Los Angeles just before the turn of the millennium and have been creating a steady flow of underground music. The two share a passion for vinyl, analog synths, witches and table tennis. Their first release as "Projections" was entitled "Kingsburg", a track featuring the vocals of Marvin Gaye's "Come Get To This". The release came out under Chicago's historic Guidance Recordings and appeared on many compilations, including the one by house legend Tony Humphries Live at Fabric. From there, the full-length "Between Here & Now" was released. It made serious waves in the electronic scene and put Projections on the map. After that Dan became heavily involved in many projects such as the funk outfit Orgone, The Lions, and Connie Price and The Keystones to name a few. Simon set his sights on a solo project under the name Woolfy, which was followed by a Woolfy/Projections split single on DJ Spun's "Rong Music" and by an album on Dfa records. Newer endeavors include a partnership with Empire Of The Sun's, Sid Who under the moniker The Merryl Streeps. In 2008, Simon and Dan joined forces again to release their first LP as Woolfy vs. Projections "The Astral Projections Of Starlight "on Permanent Vacation. It was a concept album based on the adventures of the lost astronaut Captain Starlight, who is the hero in a Zazu track, a notorious Balearic rock classic, which also set the bench mark for the sound of Woolfy vs. Projections: A deep Balearic twilight vibe combined with spaced out house, dubbed disco, beard rock and a heavy funk bounce. The three singles from the album " Abysnth" (described by Resident Advisor as "Air covering Steely Dan"), "The Return Of Starlight "and "Neeve" became modern classics of the genre. Almost four years after the first album Simon and Dan aka Woolfy vs. Projections bring us " The Return Of Love". The Album continues the story of "Captain Starlight ": the astronaut returns to earth after his odyssey in space, finding his lost love and releasing all that was. "The Return Of Love" was conceptualized in the Californian Big Bear Mountains. "We we're focused on recording during the dates of November 9th 2009 to November 11th for mysterious purposes, so we packed up a grip of analog keyboards, pre-amps , laptops and fine ales and boarded ourselves up in a log cabin for a couple of days." The influences on the album oscillate between the likes of Wings, David Crosby, Brian Ferry and today's disco leaving the boundaries of electronic music far behind them. In fact, Woolfy vs. Projections have recorded a modern west coast psychedelic rock album with "The Return of Love". The best example is most likely the track "Nina", a coproduction with Hamburg's Tensnake. This music hits you like a good peyote trip!


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Chłonna i anatomicznie dobrze skonstruowana pieluszka z organicznej bawełny frotte.
We are very proud to introduce an entirely new organic diaper, made of 100 % organic cotton.
For the little ones Preemie size fit the very first period.
The diapers have trims and snaps in 4 bright colors. They are soft, flexible, dry quickly and are easy to put on and take off. The insert is loose and not sewn together with the diaper, which gives you flexibility to choose not to use it, or take two when needed such as overnight or naptime. They have soft elastic around the legs for a snug fit and high absorbency.
Use in combination with one of our popular diaper covers in sizes Preemie and Newborn.
The trim and snap color may vary. The diapers are available in purple, pastel green, dark green or orange trim and if you want a specific color, type it in the comments box at checkout.
Fajna pieluszka do codziennego użytku. Dosyć szeroka między nóżkami, ale wg mnie to dodatkowa zaleta bo zapewnia przy okazji szerokopieluchowanie. Ładnie leży i dzięki napom w różnych odległościach po obu stronach można ja dobrze dopasować.


text:
Christina Ricci Dazzles in Emmy as Pan Am Circles (photos)
Christina Ricci adds a glamorous fashion industry edge to Emmy, the industry trade magazine for the Academy of Television Arts & Sciences, amid rumors her television show, "Pan Am" could be canceled at the end of the year.
Ricci, 31, is better known as a big screen actress for such films as 2003's "Monster" with Charlize Theron, 2008's "Speed Racer," and the 1999 film "Sleepy Hollow" with Johnny Depp.
ABC's "Pan Am" is her first full-fledged television series, although she's appeared in a number of one-episode arcs on television in shows such as "Ally McBeal" and "Grey's Anatomy."
Check out Christina's photos; click to enlarge.
The series, a "Mad Men" knock off, follows the lives of Pan Am stewardesses, back when they were hired for their looks and tail fins.
Ironically, her feature spread and cover for the magazine comes at a time when the series' future is clouded.
Karine Vanasse, who stars in the series, dropped a bomb when she tweeted that the show is only coming back for one more episode after Christmas.
But ABC reps have since issued a statement saying the show will air its full 13-episode run, plus a bonus episode, according to E! Online.
In her Emmy shoot, Ricci wears Chanel, Marchesa, Giambattista Valli and Jill Stuart, while the accompanying feature focuses on her television role.
"It's like an ultimate flight of fantasy. We're women living in 2011 and we get to go way back and dress up every day in vintage clothes and be in a completely different world," she said.
Ricci said she decided to venture into a full-run television series because the show was "going to be well done and beautiful."
"I saw this as being a beautiful show, something that would be fun," she said.
The ABC show fell to a series low in the ratings on Sunday night along with the networks entire line up.
Lead in "Desperate Housewives" at 9pm dropped 13 percent compared with its last original episode three weeks ago, hitting a series low of 2.6/6 and 8 million total viewers.
That left "Pan Am," which followed at 10pm, down 11 percent to a series low of 1.6/4 and 4.6 million total viewers, according to The Wrap.
Tags:ABC, Academy of Television Arts & Sciences, Christina Ricci, Christina Ricci photos, Emmy magazine, entertainment, Karine Vanasse, Pan Am, television news
Housewife Tamra Barney Slips Nipple on Bravo Show (watch!)
Keith Girard March 21, 2011
Madonna Stands Up Against Bullying on Ellen (video)
Keith Girard November 9, 2010
Justin Bieber Spoofed on SNL Over Calvin Klein Ads; Why He's a Joke
Max Page Plays Volkswagen's Super Bowl Darth Vader (video)
Keith Girard February 7, 2011
Downton Abbey Creators Tackle Titanic's Class System (watch!)
Keith Girard March 2, 2012
Will Ryan Seacrest Be Radioactive to Stars on Oscars Red Carpet?
Keith Girard February 28, 2018


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Beautiful white 100% cotton table cloth. A traditional styled table cloth with a delicate lace edge. The lace edge is made from beautifully crafted cotton crochet lace. Ideal for special occasions and classical homes.


Emma Gatewood was the second woman to thru hike the Appalachian Trail, and the first woman to do it solo. She did it in 1955 at the age of 67. She wore Keds and she didn't even use a backpack, just a homemade sack that she carried over her shoulder, containing very limited supplies. She did camp out (not with a tent, but rolled up in an army blanket and a plastic shower curtain) and stay in shelters, but it seemed to me that she stayed in people's homes more often than not. There was trail magic even then! She also foraged quite a bit to supplement her food.
Ben Montgomery had access to Grandma Gatewood's journals and letters home when he wrote this book so even though it's written by a third party, you still feel as if you're reading her own words and knowing what she personally experienced. He also interviewed some of her eleven children and twenty four grandchildren to help understand her motives for walking so far. She did not have an easy life, and the book delves into her history before hiking the trail as well.
She thru hiked the trail again in 1960 and section hiked it in 1963, making her the first person to complete the trail three times. She also hiked the Oregon Trail in 1959, and remained a big proponent of hiking in her home state of Ohio until she died.
This is a very thorough look into a very interesting person. I wish I had been able to meet her!
I am loving this. Thanks for posting it. Very much looking forward to reading it.
I received this book as a gift and loved it! Grandma Gatewood was an amazing person.


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Sometimes all you need is a light jacket to cut the wind, and Specialized's Deflect SL jacket is up to the task. Wind-resistant fabric takes the edge off the cool breezes, and the jacket's low weight and packable material mean you can easily fit it into a jersey pocket once things start to warm up. This essential piece of riding kit features a single zippered rear pocket and reflective elements to enhance your visibility.


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Enrique Anderson Imbert (* 12. Februar 1910 in Córdoba (Argentinien); † 6. Dezember 2000 in Buenos Aires) war ein argentinischer Literaturkritiker und Schriftsteller.

Leben
Enrique Anderson Imbert studierte u. a. bei Pedro Henríquez Ureña (Philologie) und Alejandro Korn (Philosophie) an der Universidad de Buenos Aires. Er konnte dieses Studium erfolgreich mit einer Promotion abschließen und im Anschluss daran betraute man ihn mit einem Lehrauftrag für Literatur an der Universidad Nacional de Tucumán.

1946 erhielt Anderson Imbert eine mit einem Forschungsstipendium verbundene Einladung der Columbia University (New York) an. Schon im Folgejahr wechselte er an die University of Michigan (Ann Arbor), an der er fast zwei Jahrzehnte lang Hispanic literature lehrte. 1965 wurde er als Professor für Lateinamerikanische Literatur an die Harvard University (Cambridge) berufen.

Nach seiner Emeritierung kehrte er in seine Heimat zurück. 1979 nahm die Academia Argentina de Letras Andreson Imbert als Mitglied auf. Von 1980 bis 1986 war er deren Vizepräsident.

Zehn Wochen vor seinem 90. Geburtstag starb Anderson Imbert am 6. Dezember 2000 in Buenos Aires und fand dort auch seine letzte Ruhestätte.

Mitgliedschaft
1967 wurde Anderson Imbert in die American Academy of Arts and Sciences gewählt.

Werke
Belletristik
 Vigilia (Roman, 1934)
 El mentir de las estrellas (1940)
 Las pruebas del caos (1946)
 Fuga (Roman, 1953)
 El grimorio (1961)
 El gato de Cheshire (1965)
 El estafador se jubila (1969)
 La locura juega al ajedrez (1971)
 La botella de Klein (1975)
 Dos mujeres y un Julián (1982)
 El tamaño de las brujas (1986)
 Evocación de sombras en la ciudad geométrica (Roman, 1989)
 El anillo de Mozart (1990)
 ¡Y pensar que hace diez años! (1994)
 Reloj de arena (1995)
 Amorío (y un retrato de dos genios) (1997)
 La buena forma de un crimen (Roman, 1998)
 Historia de una Rosa y Génesis de una luna (Romane, 1999)
 Consenso de dos (2000)
 El libro de los casos

Sachbücher
 La flecha en el aire (1937; zweite erweiterte Auflage, 1972)
 Tres novelas de Payró con pícaros en tres miras (1942)
 Ibsen y su tiempo (1946)
 Ensayos (1946)
 El arte de la prosa en Juan Montalvo (1948; zweite erweiterte Auflage, 1974)
 Estudios sobre escritores de América (1954)
 Historia de la literatura hispanoamericana, (1954; überarbeitete und erweiterte Auflagen in zwei Bänden)
 La crítica literaria contemporánea (1957) (Stark veränderte und erweiterte Neuauflagen. Métodos de la crítica literaria, 1969; La crítica literaria, métodos y modalidades, 1979; La crítica literaria: sus métodos y problemas, 1984)
 Los grandes libros de Occidente y otros ensayos (1957)
 Los domingos del profesor (1965, mit einem Vorwort von Alfredo A. Roggiano; zweite erweiterte Auflage, 1972)
 La originalidad de Rubén Darío (1967)
 Genio y figura de Sarmiento (1967; Neuauflage: 1989)
 Una aventura amorosa de Sarmiento (1969)
 Estudios sobre letras hispánicas (1974)
 El realismo mágico y otros ensayos (1976; zweite erweiterte Auflage, 1992)
 Las comedias de Bernard Shaw (1976)
 Los primeros cuentos del mundo (1977)
 Teoría y técnica del cuento (1979. Überarbeitete Neuauflage: 1982. Zweite erweiterte Auflage: 1992)
 La prosa: modalidades y usos (1984; zweite überarbeitete Auflage, 1998)
 Nuevos estudios sobre letras hispanas (1986)
 Mentiras y mentirosos en el mundo de las letras (1992)
 Modernidad y posmodernidad (1997)
 Escritor, texto, lector (2001)

Literatur
 Mempo Giardinelli: Así se escribe un cuento. Editorial Beas, Buenos Aires 1993, ISBN 950-834-057-6.
 Nancy A. Hall (Hrsg.): Studies in honor of Enrique Anderson Imbert. De la Cuesta, Newark, Del. 2003, ISBN 1-58871-033-5.
 Rubén A. Liggera: El perodista Enrique Anderson Imbert en "La Vanguardia" 1927–1940. In: Letras de Buenos Aires, Jg. 20 (2000), Heft 46, S. 37–41.
 Dieter Reichhardt: Lateinamerikanische Autoren. Literaturlexikon und Bibliographie der deutschen Übersetzungen. Verlag Erdmann, Tübingen 1972, ISBN 3-7711-0152-2, S. 28.

Einzelnachweise

Autor
Romanist
Argentinische Literatur
Hochschullehrer (Nationale Universität Tucumán)
Hochschullehrer (Columbia University)
Hochschullehrer (University of Michigan)
Hochschullehrer (Harvard University)
Mitglied der American Academy of Arts and Sciences
Mitglied der Academia Argentina de Letras
Argentinier
Geboren 1910
Gestorben 2000
Mann