White wedding dresses can be an issue.
This is something that you will need to face head on as a Kent wedding photographer. The camera sees the dress as something that is potentially a little too bright and as with all things that turn up looking way too bright at times, the camera will attempt to automatically adjust the level of brightness in that particular spot or area where the wedding dress is. The results will come out with the wedding dress a little too gray or a little too dull and that is not something that the bride will end up being happy about. You need to make sure that you get to do something about it. A gray looking wedding dress submitted to the clients as a final photo will be disappointing and unprofessional beyond compare. You can do something about this issue. Figure out how to adjust the exposure compensation on your camera and that should take care of how things will turn out. The wedding day tends to come in with a lot of white clothes. This is also oftentimes an issue with the portrait shots when the skin tone might be a little bright. Dull looking pictures are awful to take a look at and you should avoid them at all times.
Get to know the inner wedding circle.
You need to get to know the inner wedding circle such as the bridesmaids, best man, and maid of honor because you might need to tap into them. It really tends to help out a lot if you are more or less chummy with the people who are close to the bride and groom. This way, you have people that you can reach out to and more or less tap into when the going gets tough. You may not be able to reach out to the couple being wed as often as you would like do once the wedding is in full swing. The wedding is all about them, after all. When you know most of the bridesmaids, the groomsmen, and the couple's closest relatives and best friends, it will make your job far easier to accomplish because you can always reach out to them to help relay the info for you whenever you need to ask the couple about anything all throughout the wedding photo shoot. Get the couple to introduce you to these people in advance so that you can get rid of the awkwardness and the discomfort of being around complete strangers once the wedding day comes in.
Gauge the temperature of the crowd.
As a wedding photographer in Kent, you should know how to gauge the temperature of the crowd that you are dealing with. Try to see how the crowd is receiving you. Are they excited to get their pictures taken or are they trying to just follow through on an ordeal? Once you start seeing them getting a little bored or annoyed with your presence, make it a point to keep your distance and switch to a longer lens while you are at it.
Consider the possibility of enrolling in a wedding photography course.
When you undergo formal training in wedding photography, you are technically setting yourself up for success already because you are ensuring that you already have some kind of an edge over the rest of the competition in the wedding photography industry. This is something that you need to tread lightly with as much as possible because a photography course can cost a lot of money. You need to really think things through as you go along because this is not an easy endeavor to go through with at the end of the day. There are a lot of things that you need to consider if you are thinking about enrolling yourself in a photography course. The first thing you need to check out if the schedule. It should be something that you will be able to follow through on. You can either check out regular classes or online ones for added flexibility for your schedule. You should also check out the skill level of the photography course as well as your own and make sure that it is something that is in line with where you currently are in wedding photography.
Get yourself a mentor who can walk you through the wedding photography journey.
This kind of career move is pretty challenging on its own. It will be doubly so if you don't have anyone walking you through it. Look for experts in wedding photography that you can more or less pair up with so that they can take you under their wing and teach you a thing or two about what you need to check out in wedding photography. The best way for you to get yourself a mentor would be for you to actively seek out internships. When you go in as an intern, although you are technically just a hired hand, you are still learning tons of things from the expert that you are working hand in hand with and that is something that you will really be able to take advantage of as a wedding photographer. If you have any experienced wedding photographers hampshire that you might possibly tap into, you should try to see if you can get them to teach you or to have you tag along whenever they have weddings to shoot. This is valuable info and experience that will really help speed the process up along so that you become an expert in wedding photography.
Focus on gaining wedding photography experience.
Experience is not something that is fairly easy to come by with at the end of the day. This is something that you will need to work out. There will be a lot of times wherein the tasks can be a bit hard and tiring but in order for you to gain some kind of success in wedding photography, you need to learn how to tough it out one way or the other. You may not be paid well for it at the start but consider it as a bit of an investment in the form of service.
Make use of extra hands.
What you need to know right then and there about being a wedding photographer is the fact that it really is a lot of work. Weddings require so much work that most of the professional wedding photographers out there don't even dare cover a wedding alone. They usually come in with teams. The use of extra hands can be extremely beneficial to a wedding photographer who is swamped with tasks and moments that he needs to cover all throughout the wedding event. When you are able to establish a good work flow though, you will notice that things will be so much more organized and so much more systematic so you don't end up being all over the place all the time. You need some kind of direction that you will be able to follow through on one way or the other.
Keep things detailed and comprehensive.
The first step in a wedding photographer's work flow is in responding to any inquiries coming in from potential wedding photography clients. During your response, you need to make sure that you are able to keep things as detailed and as comprehensive as much as possible. It will work well if you already have a PDF or some kind of file that details all of your services, the prices, as well as the booking process that comes along with it. That way, you don't have to end up explaining things again and again whenever you get to face a new potential client as a wedding photographer. Set up a meeting or an appointment as soon as possible. Other wedding photographers might beat you to the punch.
During the consultation meeting that you are giving out to your potential clients, you need to be able to really present yourself as a professional wedding photographer who works seamlessly. Get a powerpoint presentation together and show your potential clients a slide show or some of your most interesting and favorite shots. Your aim is to basically impress them enough into booking you as the official wedding photographer in the wedding that they are trying to bring together. This is the perfect time for you to go ahead and take care of any inquiries that they might have on your end.
Be as detailed as possible when it comes to explaining your services to them as a wedding photographer.
Include all of the inclusions in your service as a wedding photographer and make sure that the prices as clearly outlined as well. Keep it simple and stick right to the topic. Don't be wordy or ambiguous because you might end up confusing your clients all throughout the process and you certainly don't want any of that. Hand out a copy of your contract even if they tell you that they have things to mull over and think about before they hire you as their leeds wedding photographer. You never really know when a eureka moment comes in at home and they get to think of you more because you're the only wedding photographer who had enough good sense to actually hand out a contract to them at the end of the day.
Planning out the wedding photography program of a wedding is extremely tedious work.
That is mostly the reason why you are allowed to charge so much as a wedding photographer. What you are providing out to your clients is something skillful and technical. More than that, it also comes in with a lot of risks. There are so many bad possibilities that can turn up during a wedding. And although it isn't necessarily your job as a wedding photographer to pre-empt or to anticipate all of them, you should at least try to make sure that all of your bases are covered for as far as the wedding photography side of things is concerned.
Get to know the sequence ahead of time.
There will always be a program and a set of sequence of events during the wedding all the way up until the reception. You can usually get this from the bride. Most of the brides these days handle their own wedding prep and programs and they usually know the ins and outs. Don't be afraid to ask all of the right questions if it means that you will be gaining access to all of the info that you could possibly need as a wedding photographer. It is always better if you ask the bride ahead of time instead of trying to ask her during the actual wedding day. She may not be as available to you by then. The wedding is all about the bride and groom and they might not have the time to cater to any of your inquiries during the actual day itself.
Talk to the wedding planner if the bride hired one.
If the couple hired a wedding planner to help them out during the wedding, then you hit gold as a wedding photographer. This means that there is a master chorister for the orchestra. The best part in all of it is the fact that that chorister will always be available for you and for all of your needs. If you have anything to sign off during the wedding, the wedding planner is usually the best go to person. Also, there is a pretty good chance that the wedding planner is the one who drafted out the sequence of events for the wedding in the first place. If you need to get acquainted to it, try to get acquainted with the wedding planner as well and ask away. It will make your job as a wedding photographer Cheshire easier to deal with when there is a wedding planner in the house.
Always plan ahead of delays.
Prepare yourself to always know how to work in the moment as a wedding photographer. Delays are a part of life in every wedding day and sadly enough there isn't really anything that you can do to avoid it most especially if it was caused by another vendor. When you are planning out your itinerary of shots, it would be best if you include the possibility of delays. Cut your normal time period in half. If you expected 2 hours for the couple shoot, cut it down to only 1 hour.
Prepare yourself for failure, or at least during the first few years of venturing into your career as a wedding photographer.
You won't really gain success yet during your first few tries. You have to understand the fact that potential clients won't really be too keen on booking you just yet during the first few years of your career as a wedding photographer. Clients will always look for wedding photographers who have experience and background to bring to the table. There is no need for you to lose enthusiasm and motivation over this. The sooner you are able to take initial failure as a part of the process of becoming a successful wedding photographer, the easier things will turn out to be for you all throughout the process. Ultimately, that is something that you will have to watch out for if you would like to make it in the industry eventually.
It will be quite practical for you if you don't quit your regular day job just yet.
You basically need something else to help sustain you financially in order for you to be able to really wait things out until you get to book your first few big wedding photography clients. These much awaited bookings will more or less get you on the map as a notable wedding photographer and will give you a fighting chance to stand up against the rest of the other wedding photographers in your area. It will help keep you calm even if you don't really get to book anyone just yet. This is mainly because you have your basic necessities well covered and taken care of so you don't really have anything to worry too much about at the end of the day.
If you don't quit your day job, you are also guaranteed constant association with people in your work environment who you may network with which will eventually lead up to possibly booking potential clients as a wedding photographer. This is something that is quite crucial to you and to the career that you are trying to establish at the end of the day and that is why keeping another job other than the fact that you are pursuing a career as a professional wedding photographer isn't really such a bad idea, when you come to think about it.
You also have the sustainability aspect to think about as well.
You have to keep in mind that once a certain wedding photography hertfordshire shoot is over, so is the income. You will then have to work on getting other potential clients in the process so that you will have some sort of continuity in the income that you generate. To some, this can be a highly unstable business model especially if you haven't really established a household name as a wedding photographer just yet. Maintaining a job that will at least be able to cover your basic needs will help keep you afloat while you are still trying to work things out as a new wedding photographer.
At some point or so in wedding photography, you will come across a lot of tasks that you will not really be able to cover all by yourself. There are just some tasks that you are not good in or that you will need help with. That is not something that you need to be ashamed of when it all comes down to it. If you would like to make sure that you will be able to more or less run your wedding photography business like a well-oiled machine, then you need to make sure that you learn how you will be able to outsource the tasks that you don't really know how to do at the end of the day. Hire real professionals who will be able to deliver the task with no problems whatsoever and focus more on the things that you are good at or that you do best instead. Pursuing trying to do something that is obviously not in your field of expertise will just end up to a lot of wasted effort and time and you will end up feeling frustrated with yourself when it all comes down to it.
You need to learn how to let loose of the reins a little.
Another thing that you need to keep in mind when you are outsourcing some aspects of your wedding photography business is for you to make sure that you don't haggle with the professional fees of the people that you outsource to. If you want people to bring in added value to what they do, then you need to make them feel respected as professionals. Don't short change them or make them feel as if their services can just come in cheaply. If you want to just pay peanuts, you will most likely end up with monkeys working for you and that is not something that you would want to have for your wedding photography business at the end of the day.
Take advantage of the free marketing platform that social media conveniently hands out to you.
A lot of businesses as well as professionals out there have really progressed and have made really good business out of their social media reach alone. You need to make sure that this is something that you will be able to do or pull off in the process as well. Social media is not that hard to learn and there is even a pretty good chance that you already know how that works and how you will be able to gain the right kind of attention and audience for your profiles at the end of the day. It is all a matter of investing time and patience on it. The results won't be instant.
Build up your social media profiles.
Social media is something that you will more or less have to build up over time but it will eventually pan out well for you for as long as you go ahead and work things out in small but steady baby steps. Constantly use your social media accounts to promote any new blog content that you may have as well as other wedding photographers Dublin out there as well who may need the help. Wedding photographers usually help each other when it comes to social media promotion so this is something that can really turn out to be mutually beneficial for you and for the people that you are trying to promote as well.
Get the right amount of experience before you officially launch your business in wedding photography.
You can't really expect to make any kind of progress if you don't know where to start in the first place. You will not be getting a lot of bookings. Most of the clients will not really be all that eager to book you as their official wedding photographer andover just yet because when it all comes down to it, you don't really have the background and the experience for it just yet.
Don't be picky with the kind of jobs that you get at first.
Any job in paid photography is something that will basically be good enough for you at the end of the day. Try to use this time and this phase in your career for you to really absorb things and for you to more or less learn as much as you can. The truth of the matter is that wedding photography is not the easiest thing to master or to be an expert in at the end of the day but over time, you will eventually get a better grip on things. It is something that will get to grow on you over time and you will soon see how things will turn out so much better compared to when you initially started off with them.
Surround yourself with all of the right people.
They will be able to help you improve in your wedding photography career. This kind of career choice is a rather tough one to deal with especially when you don't really know what to do in the beginning. You need to make sure that you get to establish some kind of support system of people who will be able to help lift you up in moments wherein you are feeling down and when you are feeling like you can't really make it anymore and that you can't really move forward in wedding photography. Join the community of wedding photographers in your area and participate in any events or any get-togethers that they might have in the process.
Try to be in the loop of things as much as possible.
This is something that will basically continue to inspire you and continue to motivate you and what you are trying to go ahead and do in the wedding photography industry. You will need this support system whenever you come across instances wherein you will need their assistance or their help in your wedding photography shoots or even when you just need good advice in the process.
Be patient with yourself and with the kind of progress that you are ultimately getting in wedding photography.
You can't expect to be an expert in what you do overnight. You have to understand the fact that this is something that more or less takes time. It is something that requires time and effort before you will become an expert of so be patient and be rest assured that things will eventually work out for you in time. There is no need to rush things when it all comes down to it. It will take years before you will be able to master your craft.
Get a job on the side while you are still trying to establish your career as a wedding photographer.
It doesn't matter if you would like to go for another full time job or for a part time job. The whole point of getting a job in the first place is so that you will have another source of income that you can get your financial needs from in the event that your main goal as a wedding photographer is still not kicking off that well just yet. Although it would be nice for you to make sure that you are always on top of your game and always focused on what you are trying to do as a wedding photographer, you are still human, after all. What this means is that you have needs that need to be taken care of. You will still need to eat, pay rent, add in a few photography equipment and accessories, and so on and so forth. You cannot just subsist on pure seed money alone.
You need to keep making money while you are still in the process of trying to establish some kind of success as a wedding photographer. If you have another source of income other than from what you do as a wedding photographer, you don't have to worry too much about the basic necessities that you will need to pay for because you have something to support you when it comes to that particular aspect. This will help keep you calm and ready for the next big wedding photography client to book you and this will help you keep all of that nervous energy at bay one way or the other. More than that, what you should understand is the fact that you tend to have more social interactions and connections when you have another job. This more or less gives you a pretty good chance to reach out to more people and reach out to more potential clients in the process.
Learn how to present yourself as a wedding photographer.
Networking is one of the most important things that you could ever get to learn when it all comes down to it so make sure that you are able to spend enough time and effort in really figuring things out at some point or so. Make sure that you have a great wedding photography blog maintained as much as possible. This will give you a platform to reach out to the potential clients who may be thinking about hiring you to be able to take a look at your output as a Los Angeles wedding photographer. Take care of your social media accounts as well. Keep your content engaging and exciting as much as possible because you will be able to reach out to so many people this way for as long as you are able to maintain relevance and maintain all of the appropriate content when it all comes down to it. Bring out stacks of business cards that you will be able to give out to people whenever you get a chance to do so because this is something that will really be able to work for you and work for the kind of networking that you are planning to initiate to the people that you come across with.
You should learn the intricacies of natural light and of how it works and affects the photos that you are able to take as a wedding photographer. There are so many things affecting natural light at the end of the day that you will need to really make sure you know the basics as much as possible so that you will know how to manipulate it and make it work for you and for what you are trying to accomplish during the wedding photo shoot. As a wedding photographer, you will need so much more than just average knowledge about natural light. Take any free time that you can get your hands on to make sure that you are able to observe natural light and that you are able to find out about it as much as possible at the end of the day.
Natural light is something that easily changes depending on the surrounding variables that are affecting it from the weather of the day, to the time of the day, to the colors that surround it, to the level of humidity during that very moment, and so on. The point of it all is that it is different every single time. You can't expect to have an exact same experience with natural light no matter how careful you are in replicating a certain situation because there will always be other elements that you will not be able to control when it all comes down to it. You need to make sure that you are able to prepare for anything that can happen. You need to be able to respond to the situation as they come along. A great wedding photographer Scotland should know how to respond to the moment and work with whatever is being handed to him during that very moment.
Make it a point to really get to talk to the pastor or to the minister who will be marrying the bride and groom.
You need to know how they do things. You need to know what particular traditions and practices they would like to adhere to or uphold as much as possible during the wedding ceremony. There are a lot of religions or churches out there that are actually a bit strict when it comes to the access that they give out to the official wedding photographer during the wedding. There will be times wherein you will not be allowed to be right next to the bride and groom all of the time.
For moments like these, you will need to resort to shifting to the back of the room and to keep your distance while you are more or less switching to a longer lens so that you will still be able to keep up with the close up shots that you need to take of the couple during the solemn wedding ceremony. This is something that you will need to go through with because you need to make sure that when it all comes down to it, you don't end up offending anyone or ruffling anybody's feathers because you weren't able to do all of the right background research needed for you to know how to conduct yourself as a wedding photographer during the wedding ceremony.
Lighting is one of the most basic elements that wedding photographers need to make sure that they are able to really master and know how to manipulate if they would like to be able to pull off successful wedding photo shoots. Lighting really can make or break a picture and if you would like to join the successful league of wedding photographers out there, then you should go out of your way to learn a thing or two about lighting and how you will be able to make it work for you and for the photo shoots that you will be going over with in the weddings that you book in the future. There are a lot of photography trainings and courses out there that specialize on or focus on lighting because it is a complicated and challenging topic to begin with but you don't have to get to that point if you can't afford it yet. In the meantime, you should do your best to really get to observe light in its natural state. Bring your camera with you all of the time and try to shoot in different times of the day and see if you can make it work for you and for the wedding photo album that you are trying to bring together.
One of the best strategies when it comes to studio or artificial lighting would have to be the concept of bouncing lights. If you aim a certain harsh and narrow light source at a matte surface such as a white wall, the light will bounce off making it softer and broader and it is a pretty good lighting to shoot in because it more or less mimics the beauty of natural light and how it can so easily bring out the best features out of someone at some point or so. You can try this out with the use of a flash light and a white wall. Observe how the light bounces off and ends u being softer and more conducive for photography than it originally was coming from its original light source. Employ this is the studio with the use of strobes and you will definitely get to hit the perfect lighting gold mine.
Shadows aren't always bad if you are able to use them in all of the right context.
As a matter of fact, if you would like to add in some kind of volume or additional dimensionality into the photos that you are trying to take, then you should seriously consider adding in the element of shadows in the wedding photo shoot. Great wedding photographers manipulate shadows to bring in some sort of mystery and romanticism in the photos that they are taking. You should learn how to be able to more or less do the same. Invest in a flash bracket. A lot of wedding photographers like Los Angeles wedding photographer will think that this is not a necessary photography accessory but if you would like to really get a handle on lighting and on the shadows, then this should make the top of your to-buy list for photography accessories.


Open innovation is at the heart of our transformation strategy.
Thus, the Group develops collaborations, partnerships to bring out ideas and new projects to serve our clients and the African continent.
From hackathons organized with our partners Jokkolabs and Bluenove, and prgogrmmes such as Bridge Africa in partnership with GreenTec Capital Partners, discover shared experiences of startups who will shape the face of Africa of tomorrow.
Winner of the first edition of the "Bridge Africa" open innovation programme organised by Societe Generale, MyJouleBox supplies energy to households and small businesses in remote locations, thanks to its solar installations sold under a leasing arrangement.
The startup Weebi was ranked in the 1st place at the Hackathon. His project is a smart cash register helps shopkeepers monitor their business activity. In this testimony, the startup give feedback on the prospects of its project for the African continent.
The startup Dothan Group was granted the Special mention of the jury at "L'Arbres à Palabres" Hackathon. Its project is a mobile app for simplified accounting.
Interview of Fabrice Koffi, CEO at Dothan Group.
The startup Cooffa was ranked in the 2nd place at "L'Arbres à Palabres" Hackathon. Itsproject is a suite of software applications that organises information flows between the producers of everyday, mass-market products, distributors and end customers.
The startup Afrimalin was ranked in the 3rd place at "L'Arbres à Palabres" Hackathon. His project is a database of stakeholders involved in the informal economy, enabling us to digitalise data collection and redistribute savings via mobile money, using YUP, for example.
The two representatives of the "Yup Prévoyance" team, which means Yup welfare, Mohamed Bensoltana, employee at Société Générale Maroc and Dognimin Koulibali, founder of TecHouse startup, make the conversation spark during a joint interview.
Meet the winners of the Tam-Tam Pan-African hackathon.


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Banks Parley on Security Issues
Andrew Miller • June 16, 2006
Last October, the Federal Financial Institutions Examination Council (FFIEC) issued guidelines to financial institutions stating that single-factor authentication was inadequate for high-risk transactions involving access to customer information or the movement of funds to other parties. While financial institutions are expected to comply with the guidelines by the end of this year, expected course of action has also created some confusion in the industry.
George Tubin, senior analyst in the Delivery Channels research service at TowerGroup, recently led a roundtable session where top financial institutions shared their experiences in trying to comply with the FFIEC guidance. Issues raised by online banking leaders included multifactor authentication techniques, implementation best practices and concerns, customer education, and usability.
Mr. Tubin shared some of the key findings with BankInfoSecurity.com (BIS).
BIS: What initiatives are banks taking to protect online security?
TUBIN: The participants in the roundtable reflect a range of institutions, from small community bank on up to one of the top three banks. All are looking at the issue of online authentication from different perspectives. One large non-U.S. bank is using a hardware approach, in which customers are given tokens that display a new password every 60 seconds. Two large U.S. banks are developing internal solutions patterned after Bank of America's SiteKey, which authenticates both the user and the bank. One of those two banks is also looking at the concept of federated identity, in which digital certificates are issued in a hierarchical scheme to accommodate single sign on.
BIS: Which vendors are considered to be leading edge?
TUBIN: Banks are struggling with sorting out who among the many providers are viable business partners. Many of them are small companies and lack a large client base, and there is concern about their staying power. As a result, banks are having to go through a lengthy vendor selection process, trying to determine which security vendors which will succeed in the risk-based authentication space.
A lot of banks got burned during the dot-com era by fly-by-night companies that were hired to build online sites, and then the bubble burst and the companies were gone. They don't want to have that happen again.
RSA Security's recent acquisition of Passmark Security was motivated in part by Passmark's success in the financial sector; Bank of America has implemented Passmark's technology for its SiteKey system. In this case, BofA chose to go with an outside provider despite its possessing strong in-house skills in online authentication. They concluded that it wasn't a core competency, and that an outside vendor could dedicate the necessary resources need to enhance the product and provide continual maintenance.
BIS: What's the status of federated identity?
TUBIN: The industry is trying to come up with common authentication scheme, in which an individual can be authenticated once for all transactions. There continues to be a lot of interest on a theoretical level in things like SAML [Security Authentication Markup Language] and Liberty Alliance. But it's going to take a concerted effort by the technology, business, and government sectors to turn it into a practical solution.
BIS: What about the FFIEC?
TUBIN: There's a lot of confusion among banks as to what the FFIEC is directing. The regulators want financial institutions to do more with online security but leaves them with a lot of leeway in implementation; too much flexibility creates confusion. Some banks are looking to comply with just the letter of compliance, while others are looking at complying with the spirit of the FFIEC's guidance.
BIS: What are the typical attack vectors for online fraud?
TUBIN: Phishing and pharming, which use social engineering to get users to divulge passwords at phony Web sites, are proliferating and getting more dangerous. In addition, criminals are deploying spyware and Trojan horses; one group in Brazil sent out three million e-mails with keylogging software, and stole millions from bank accounts.
BIS: Where does responsibility lie for online security?
TUBIN: It varies from bank to bank, but most are forming steering committees comprising elements of the online banking, info security, and IT organizations.
BIS: What's the status of biometric authentication?
TUBIN: The consensus is that biometrics is still not ready for prime time. There are some innovative approaches starting to emerge, however. One is voiceprint verification, the advantage there is that no new hardware is needed; consumers can be authenticated through their mobile phone or home phones. One or two private banks in Florida are using voice verification for high-value wire transfers.
Disaster Recovery at the Macro Level
Information Security Job-Seekers - Position Yourself for Professional and Personal Excellence
Andrew Miller is a freelance writer specializing in financial services and information technology. He holds an MBA from Columbia University and a Master's in computer science from Rensselaer Polytechnic Institute. He has held jobs at CMP Media, MetLife, and Gartner.
Blockchain Revisited: How Can It Reduce Fraud?
Protecting Applications From Attacks
Ethical Guidelines for AI, Machine Learning Development
Union Budget 2019: What Does it Mean to Cybersecurity?
https://www.bankinfosecurity.in/banks-parley-on-security-issues-a-151

redpajama_set_name: RedPajamaCommonCrawl


Great Britain's Mark Cavendish claimed his second stage victory with a trademark late sprint at the Giro d'Italia.
Cavendish took control of the sprinter's red points jersey as he edged out Cannondale's Elia Viviani and Orica's Matthew Goss to win the pan-flat 169km sixth stage from Mola di Bari to Margherita di Savoia.
"It was incredible," said Cavendish. "I'm so happy, [we had] no problems. Everyone [on the team] rode until their legs couldn't go any more. I'm so happy, we're buzzing, absolutely buzzing.
"What does it feel like? Imagine you get a kit car, you build it and when you start it, you get that feeling - it's like that.
"It's like all the bits of an engine and I'm just the exhaust at the end, the bit that makes the most noise. That's how it feels - everything just fits together."
Luca Paolini retains the overall lead while four-time Olympic champion Sir Bradley Wiggins stays sixth after a dramatic day, which saw him forced to change his bike after a puncture and lose time behind a crash.
He still remains 34 seconds adrift of maglia rosa Paolini with the same time as defending champion Ryder Hesjedal and just three seconds behind rival Vincenzo Nibali.


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A: The State Theatre does not have a parking lot of our own, but we are located right in the heart of downtown Ithaca and there are 4 large parking garages nearby, all within easy walking distance. The parking garages closest to us are the Green Street Garage and The Cayuga Street Garage. You can see a map of downtown Ithaca by clicking here. There's also a website with useful information about parking in downtown Ithaca at: https://parkithaca.com/
Q: I BOUGHT TICKETS THROUGH OTHER, SECONDARY MARKET SOURCES (IE., "SCALPERS" ONLINE OR IN PERSON) – ARE MY TICKETS LEGITIMATE?
A: The State Theatre of Ithaca DOES NOT ENDORSE USING ANY SECONDARY TICKETING SOURCES. Our Box Offices cannot resolve any issues involving them, such as lost tickets or bogus tickets. Tickets for all of our shows are sold through Ticketfly, via our website, or in person at the Box Office at 105 West State Street in Downtown Ithaca. Tickets are sometimes available through fan club sites as pre-sales or special VIP packages. The State Theatre has the right to cancel ticket transactions that are suspected of being purchased for the sole purpose of reselling.
Third party "ticket resale" web sites create the illusion that they have "special access" to the best seats in the house, or that they are authorized sellers for The State Theatre of Ithaca, but all they do is purchase tickets from The State or private individuals and resell them at inflated prices. None of the price markup benefits the theater or the artist, who were the entities that put up the money and the time and the energy to create the show in the first place, and The State Theatre cannot confirm that tickets purchased from anywhere other than Eventbright.com or The State Theatre directly are valid.
Q. HOW MANY TOTAL SEATS DOES THE STATE THEATRE HAVE?
A. The State Theatre of Ithaca has just over 1,600 total seats. We have 900 seats in our downstairs Orchestra section and 700 seats upstairs in the balcony.
Q. ARE SHOWS AT THE STATE THEATRE RESERVED SEATED OR GENERAL ADMISSION?
A. Both! The State Theatre accommodates fully reserved seated shows as well as shows that offer General Admission (G.A.) seating. General Admission (G.A.) refers to seating or standing areas that are not assigned or reserved, and are occupied on a first-come, first-served basis. If you'd like to get a great seat at a G.A. show, just show up shortly after doors open!
Q. WHERE CAN I BUY TICKETS TO SHOWS? DO YOU HAVE A BOX OFFICE?
A. Tickets for State Theatre shows can be purchased online via this website HERE, over the phone at (607) 277-8283 or in person at the State Theatre Box Office, located directly next door to the theatre at 105 West State/Martin Luther King Street in downtown Ithaca.
Box Office hours are from Wednesday through Friday from 10 AM to 5 PM and Saturdays from 11 AM- 4 PM. If there is a show on a Sunday, Monday, or Tuesday, the Box Office will open 2 hours before the show's start time and will remain open for 1 hour after the show begins.
We offer limited Box Office Hours in June, July and August.
Q. WHAT'S UP WITH THE SERVICE CHARGES? HOW CAN I AVOID THEM?
A. State Theatre of Ithaca, Inc. is a small, not-for-profit organization with limited ability to cover all ticket transactions. Like most theatres our size, we work with an outside ticketing company that charges a service fee to help defer the costs of providing this service. The service charges for online and telephone sales vary depending on ticket price, delivery method, and number of tickets. There is no service charge on tickets purchased at our Box Office at 105 West State Street in Ithaca, however all credit card fees (3% of your entire order) will still be applicable.
Q. WHAT IS YOUR REFUND POLICY?
A. Refunds or exchanges are not permitted for any tickets purchased unless the headliner cancels the show. If a show is rescheduled, the new date will be posted to this website and your ticket for the original show will be honored at the rescheduled date. If a show is cancelled and no make-up date is announced then the ticket is refundable. The refund will happen automatically if you purchased with a credit card. Otherwise if you paid cash, a check will be automatically mailed to you within 5 days after cancellation. If a support act cancels, there are no refunds.
Q. WHERE DO I PICK UP MY WILL CALL TICKETS?
A. All Will Call tickets can be picked up at our Box Office right next door to the theatre at 105 West State/Martin Luther King Street in downtown Ithaca. Will Call Tickets are available for pick-up on the day of the show, usually 2 hours before doors open (typically 5 PM). Please be prepared to provide government-issued photo identification and the credit card that was used to purchase the tickets.
About an hour after the show has started, Will Call tickets usually are available for pickup in the theatre's lobby.
Q. CAN I GIVE MY TICKETS TO SOMEONE ELSE?
A. Government-issued photo ID will be required to receive tickets at the Will Call Window, and only the ticket-purchaser can pick up Will Call Tickets.
Q. CAN MY TICKETS BE SCANNED FROM MY PHONE?
A. Yes! As long as the screen isn't cracked, your tickets can most likely be scanned from your phone. Just make sure to zoom in on the bar codes and turn the brightness all the way up on your device. However, be certain to have your Ticket Order number as backup in case the bar code is not able to be scanned.
State Theatre of Ithaca
State Theatre IthacaFollow
State Theatre of Ithaca Inc. is a 501(c)3 not-for-profit organization that owns and operates Tompkins County's last remaining historic theatre.
State Theatre Ithaca@stateofithaca·
The Box Office will be closing today at 2pm. Sorry for any inconvenience! Tickets are available 24/7 at http://www.stateofithaca.org
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The ROLLECO is equipped with a metal casing with two inclining feet. The 2 metre non-telescopic mast is composed of 3 parts linked with rubber bands. The graphic is fixed with a clip at the top and an adhesive sliding kicker at the bottom. A safety pin locks or releases the roll-up mechanism. This display unit is sold with a carrying bag.


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The amorality of Nitish Kumar
Once upon a time he was called sushasan babu and had a reputation for being an idealist. Now, he is known to play his cards close to the chest and worships at the altar of power
Charles Assisi
[Prime Minister Narendra Modi being received by Bihar governor Satya Pal Malik and chief minister Nitish Kumar, on his arrival at state capital Patna, on April 10, 2018. Photo by Prime Minister's Office (GODL-India) / GODL-India]
Bihar will elect its chief minister and next assembly later this month. And the results will be announced on November 10. Coincidentally (perhaps), on the same day as the final match of the IPL will be played out in Dubai. It promises to be a cracker. I say that with much conviction because the first person to point out this coincidence was Sankarshan Thakur, National Affairs Editor at The Telegraph and author of The Brothers Bihari.
My conviction is a spillover from a conversation with Thakur a little over two weeks ago after I had reached out to him. That was when he said something very interesting. "In politics, always be careful. Don't try and predict politicians. That's one fundamental thing I've learned. You can analyse them. But don't predict them in ways that will land you with egg on your face."
Having filed that caveat, he went on to add, "A ruling, settled alliance, by now should have already declared who's fighting how many seats. The fact that they haven't and that Ram Vilas's son Chirag Paswan, who is now his anointed successor, is attacking Nitish Kumar every day, is a build-up in demand for more seats. He's probably been put up to the job by the BJP. They perhaps have told him, 'You attack him. And we will not say anything.'"
Even as I write this, news has broken out that Chirag Paswan has broken away from the ruling alliance in Bihar, that includes the BJP. Analysts across the country are wondering whatever is happening and which way are the winds blowing. Bihar has always been something of a mystery.
From my perch in Mumbai, I have always wondered: Why does Bihar and leaders from the state wield a disproportionate influence on India's larger political narrative? When I asked Thakur, I am grateful he did not laugh at me. Instead, very politely and patiently, he placed things in perspective.
"The first thing is that Bihar was an influencer state in North India. What happened in Bihar, would seep into voter patterns of Uttar Pradesh and further down. The second thing was the arithmetic of Bihar. Before 2000, when Bihar was divided into what is now Jharkhand, it used to bring 54 seats to the Lok Sabha—that is only second to Uttar Pradesh. But even now, it brings in 40 seats. Therefore, winning Bihar becomes critical to the ambitions of anybody who aspires to take power in New Delhi."
Does that explain why Prime Minister Narendra Modi and the BJP are investing as much time addressing rallies in Bihar, even if it be virtually given the circumstances, I wondered aloud. He offered much perspective.
"It is a key state. If you lose Bihar, it sends out a huge signal that you might not be actually as powerful as you claim to be. Because Bihar, from at least the time of the Emergency or the years preceding it—1973-74—was the cradle of the Anti-Emergency movement. It is where Jaiprakash began his campaign which many people call the campaign for India's second independence to defeat the Emergency. And so Bihar's influence can barely be overstated in terms of how it impacts national politics, not just in sheer numbers, but also symbolically."
Even as he was saying that, it was clear to me, this conversation will spiral past the 30-40 minutes my colleague Anmol and I had blocked out on our calendars. We were beginning to enjoy listening to him. Because what we were now hearing was not just a story about Bihar and the future of Nitish Kumar, but a narrative on the dynamics of power and how it plays out in the heart of India.
Just to place things in perspective, growing up and living in Mumbai, I had been exposed only to some fractions of the full Bihar narrative.
One narrative has it that Bihar is a state condemned to poverty. The socio-economic indicators are there for everyone to see. As recently as in 2018, acclaimed economists Amartya Sen and Jean Dreze pointed out that of the 50 districts in India with health indicators worse than sub-Saharan African countries, two-thirds are concentrated in just Uttar Pradesh, Bihar and Jharkhand. Incidentally, Jharkhand and Bihar were one state until the year 2000.
Another narrative has it that this resource-rich state and its people were driven into poverty because of a series of disastrous public policies. As the paper I've hyperlinked to here explains, this was not "due to a particular factor but an outcome of a myriad of social, economic and political factors rooted in structural, historical and macro-economic policies."
Having been a writer for over two decades now, I can state a few things with a degree of certainty: Latching to just one narrative is a travesty of justice to larger-than-life characters in a biopic.
To do justice, their stories must be stitched together after listening closely to someone who intimately understands the landscape and the people that populate it. Because they may know which parts of the narrative in a story are real, what is fictitious, and how much must be ignored. That is why I placed my bets to understand the story of Bihar on Thakur, whose work I have followed for many years now.
The chaos (and ironically, the beauty as well) that is Bihar started making sense to me when I first read The Brothers Bihari in 2015. That is where he wrote, "Patna is not a nice place to be. It is home to me and I cannot stop wanting to go back every once in a while, wanting to be part of its life. I say this even so: Patna is not a nice place to be."
Patna is the capital city of Bihar. In this book Thakur has chronicled the political lives of Lalu Yadav and Nitish Kumar in an omnibus edition. Last month, when the election dates were announced, I revisited the book and devoured it almost overnight.
Thakur had signed off the chapter around Lalu Yadav on an interesting note: "Lalu Yadav never had it in him to deliver the development he promised. Besides, he never bothered… He knew his interests would be served without development. Expediency and self-interest were the only rules Lalu Yadav ruled by."
For all the buffoonery in public, the pages painted the picture of a wily man who knew how to tame power.
But it was Nitish Kumar's emergence from the boondocks, rise to power, his exasperating silences, and the portrait that Thakur painted that compelled me to reach out to him. What sense am I to make of this Nitish Kumar?
Nitish Kumar came into power in 2005 by promising Bihari's "progress". Voters used to call him Sushasan Babu (Good Governance Boss). All was well for a little while and Biharis thought they could see progress after the ouster of Lalu Yadav. Even the tiniest of things he did—get some tarmac on roads or bulbs replaced on street lamps—was seen as progress. "It was incredulous to the people of Bihar that something was being done," says Thakur. That is how badly the state had degenerated.
After the "dark Lalu years" as Thakur puts it, Kumar "got back a semblance of law and order". Primary Health Centres started to receive supplies that states in other parts of the country used to take for granted, dilapidated schools started to get repainted and girls there were given bicycles and uniforms. All these acts were perceived as good governance and it paid him huge dividends in 2010. He continued on the trajectory because "he is a man who understands government files and what direction to give the bureaucracy," says Thakur.
That is why he was winning accolades from across the country. The perception about Kumar was that he was a man on a mission to transform Bihar. In fact, there was a narrative forming around him that projected him as a prime ministerial candidate.
But after Narendra Modi was sworn in as Prime Minister in 2014, and after witnessing the outcome of the elections in UP where the BJP swept into power in 2015, over a series of conversations, Nitish Kumar told Thakur he is dropping the ball on his prime ministerial ambitions.
Why Nitish Kumar did that is something Thakur says is unclear to him. Because a lack of ambition in a politician is a negative trait and ought to be treated with scorn. From Thakur's perch, what he has witnessed is a man desperate to cling to power at any cost—all else be damned.
The early narrative of Nitish Kumar that Thakur paints is about an idealistic man drawn to the socialist school of politics. He was compelled to marry at age 22 because that was what family and society insisted he must do. While he gave in to tradition, in an act of defiance, he refused to accept dowry. And in yet another act of defiance, he burnt the engineering degree that he'd earned to protest the Emergency imposed by Indira Gandhi and went to jail. Nitish Kumar earned my admiration right away.
The strokes painted by Thakur show that in the early years of his political life, Nitish Kumar stood for all things secular. And that he abhorred communal politics of the kind practiced by the BJP. Ironically, he is now one of the party's close allies.
Thakur's deeply intimate portrait of Nitish Kumar shows a conflicted man at odds with himself and those around him. He never utters a cuss word in public even when provoked; is deeply introverted; and given half a chance, would spend time with his books, not people.
What I couldn't wrap my head around though is why did he ally with Narendra Modi? How did his socialist side embrace Modi's extreme right? The impression I got from Thakur's book is that of a man who cannot make up his mind and keeps vacillating. Then on the other hand, I have heard from others that not making up your mind is a strategy.
The only person who could answer these questions was Thakur. And on listening to him, I figured that not making up his mind is indeed a part of Nitish Kumar's strategy. His closest aides don't know what rabbit may he pull out of his hat and when. But what Thakur did make clear is that Nitish Kumar's graph looks to be on the downward spiral.
Does that have to do with his mishandling of migrants returning to their home state during the pandemic and panic during the monsoon floods, I asked. The answer had me stunned and showed how far removed I am from where Bihar lives.
"Floods and famines don't bring down or bring governments into power. It happens every year…"
Bihar and Bihari's instead are enamoured by Narendra Modi (not the BJP, Thakur clarifies). As for Nitish Kumar, he too, is aware that he faces a juggernaut called Narendra Modi. And that nobody has quite figured how to counter this man. Upon listening to him, what I gathered are the remarkable similarities between both—their fetish for personal hygiene, conflicted relationships with their spouses and perception in the public eye.
However, this is where the similarities end. Because as Thakur puts it, in politics, when you know that you are aligned with a juggernaut who can steamroll you after the elections, it only means one of two things—you have either given up on the fight. Or you have something lined up that no one knows about.
"Is that one of the reasons why you call Nitish Kumar amoral?" I asked him.
"Yes," Thakur said. "Nitish is amoral. His morality is about power. He is a creature of power."
(The edited conversation with Sankarshan Thakur will be published later this week.)
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Lalu Prasad Yadav
Co-founder and Director
Charles Assisi is an award-winning journalist with two decades of experience to back him. He is co-founder and director at Founding Fuel, and co-author of the book The Aadhaar Effect. He is a columnist for Hindustan Times, one of India's most influential English newspaper. He is vocal in his views on journalism and what shape it ought to take in India. He speaks on the theme at various forums and is often invited by various organizations to teach their teams how to write.
In his last assignment, he wore two hats: That of Managing Editor at Forbes India and Editor at ForbesLife India. As part of the leadership team, his mandate was to create a distinctive business title in a market many thought was saturated. When Forbes India was finally launched after much brainstorming and thinking through, it broke through the ranks and got to be recognized as the most influential business magazine in the country. He did much the same thing with ForbesLife India where he broke from convention and launched the title to critical acclaim.
Before that, he was National Technology Editor and National Business Editor at the Times of India, during the great newspaper wars of 2005. He was part of the team that ensured Times of India maintained top dog status in Mumbai on the face of assaults by DNA and Hindustan Times.
His first big gig came in his late twenties when German media house Vogel Burda marked its India debut with CHIP a wildly popular technology magazine. He was appointed Editor and given a free run to create what he wanted. During this stint, he worked and interacted with all of Vogel Burda's various newsrooms across Europe and Asia.
Charles holds a Masters in Economics from Mumbai Universtity and an MBA in Finance. Along the way he earned the Madhu Valluri Award for Excellence in Journalism and the Polestar Award for Excellence in Business Journalism.
In his spare time, he reads voraciously across the board, but is biased towards psychology and the social sciences. He dabbles in various things that catch his fancy at various points. But as fancies go, many evaporate as often as they fall on him.
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Minister Calls For Agri-Food Tourism Initiative Proposals
January 18, 2023 10:08 AM By Dave Simpson
Minister for Agriculture, Food and the Marine Charlie McConalogue has issued a call for agri-food tourism initiative proposals under the 2023 Rural Innovation and Development Fund.
A statement published on Gov.ie quoted Minister McConalogue as saying, "There are many natural symmetries between tourism and the agri-food sector - they complement each other well. 2022 proved a difficult year for the agri-food industry. Building a business post-COVID-19 has been challenging.
"We are delighted to be in a position to continue to provide support towards the development of agri-food tourism initiatives which will help rural businesses to develop their products and services, connect with the community and visitors and improve the rural experience.
"The funding provided under this initiative aligns with many of the goals in my department's ambitious strategy for the agri-food sector Food Vision 2030.
"One of the key actions in this strategy is to continue to develop linkages between local food and tourism offerings, including support for business development and marketing initiatives to support and promote food and drink visitor attractions including the distillery, brewery and tourism sector. Ireland's agri-food sector is engrained in the fabric of Irish society and is one of the main drivers of our economy, especially in rural and coastal areas."
Total funding of close to €300,000 is available for projects supporting agri-food tourism initiatives, which may also include rural food markets, with the maximum amount payable to any project being €25,000, according to the statement published on Gov.ie, which also noted that applications should be made via the Call for Proposals application form, which can be found at Gov.ie/en/form/4411a-call-for-proposals-agri-food-tourism/.
The closing time and date for applications is 12 noon on 23 February, according to the statement published on Gov.ie.
Food Vision 2030 Strategy
Rural Innovation and Development Fund
Minister Advances Agri-Food Supply Chain Bill
Minister McConalogue To Lead 'Ensuring Fair Trading In The Agri-Food Supply Chain' Seminar
Ministers Announce Strategic Partnership For Climate Action And Agri-Food Sector
French Caterer Elior's Shares Slide On Sales Miss


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Uwinloc
PartnersBy MADRAS project 12/06/2020
Uwinloc UWINLOC is a french SME founded by two entrepeneurs in 2015. Currently they hire 30 employees with multidisciplinary background Engineering, Business Development, Legal/IP with a clear focus in integrated IoT technology for smart and efficient asset management. Its current solution is an important leap forward compared to existing technologies. In fact, to address several markets, the solution…
Cooltra Group
Cooltra Group Cooltra Group is the leading company in sustainable mobility solutions on two wheels in Europe. It is present in 6 countries in Europe (Spain, Austria, France, Italy, Portugal and the Czech Republic), and has a workforce of 1,000 employees. It currently has a fleet of 17,000 vehicles, of which 56% are electric scotters…
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Arjowiggins Arjowiggins is a private company, one of the world's leading producers of fine, smart and technical papers as well as security papers. Some of its most prestigious well-known ranges are Conqueror, Curious Collection, Keaykolour, Pop'Set, Rives for corporate communication and luxury packaging, or Gateway for technical drawing, and more recently Powercoat and Alive, specially…
UNE The Spanish Association for Standardization, UNE, is legally designated as the National Standardization Body of Spain. It is the national representative at the European (CEN and CENELEC), International (ISO and IEC) and Pan-American (COPANT) Standards Organizations, and member of the European Telecommunications Standards Institute (ETSI). Formally, it is a non-profit-making, private, independent and multisectoral…
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University of Pardubice University of Pardubice (UPA) is a modern and dynamic public higher education institution located in the Czech Republic. Its 7 faculties provide Bachelor's, Master's and Doctoral degree courses in 60 undergraduate or postgraduate study programmes to 8000 students. Apart from teaching, the University is also renowned for its numerous scientific and research…
COC COC is research organization working in the field of organic materials for organic electronics and photoactive applications. COC has R&D activities targeted on the industrial realization. Company is able to do optimization of new technologies and up-scale them from laboratory preparation up to pilot plant production. COC is involved in EU as well as…
Infinity infinityPV is an SME which has specialized in roll-to-roll (R2R) printing/coating of organic electronics (OE) and in the development of OE research equipment. infintyPV offer customized development work on printed technology including ink development, sensors, solar cells, specialized printing equipment, automation, etc. We manufacture flexible organic solar cells, electronics, R2R equipment, characterization equipment and…
TNO TNO is an independent applied research institution with a staff of ±3000 people and an annual turnover exceeding €400M€. TNO maintains close contacts with universities and basic research institutions in order to translate up-to-date knowledge and insights into practical applications. Clients include government, large companies and SME's. TNO will contribute to this project via…
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TECNOPACKAGING TECNOPACKAGING is a leading technology-based SME involved in the development of innovative polymeric materials and their transformation processes for packaging and industrial plastic applications, targeting companies which operate directly or indirectly in the agri-food, cosmetic, pharmaceutical and industrial sectors. Thanks to the capabilities and skills of their researchers and business developers, TECNOPACKAGING integrates the…
GenesInk
GenesInk GenesInk enables its customers to connect today the objects of tomorrow by reducing devices form factor and enabling new designs and products. GenesInk is a French advanced material manufacturer of innovative highly conductive and semi-conductive inks founded in 2010 with currently 18 employees. Our products are made of metallic and semi-metallic nanoparticles synthesized on…
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Q: Joomla - get one year and one month time() I can get the current date&time by using
$today = JHTML::_('date', time(), '%Y-%m-%d %H:%M:%S');
echo $today;

How to I get 1year later and 1month later base on $today??
eg.now:2011-12-10 13:00:01
How to get 2012-12-10 13:00:01 AND 2012-01-10 13:00:01

A: It might not be the best way to do it, but this should work:
$time = mktime( date("H"), date("i"), date("s"), date("m")+1, date("d"), date("Y") + 1);
JHTML::_( 'date', $time, '%Y-%m-%d %H:%i:%s');

Alternatively, if you are using PHP 5.3, you can use the DateTime object.
I hope it helped!

redpajama_set_name: RedPajamaStackExchange


text:
homeAboutGeneral Collections Information
General Collections Information
Tulane University Libraries offer a broad range of general collections for study and research. These resources are located primarily at the main Howard-Tilton Memorial Library on Tulane's uptown campus, the Rudolph Matas Library of the Health Sciences downtown, and an off-site storage facility. Digital resources purchased for access through Tulane's campus network are also part of the general collections. Consequently, in addition to the books, media, and other physical materials that can be borrowed by the library's users, Tulane's students and faculty have ready access to a large array of library databases, more than 1.3 million eBooks, and articles in more than 197,700 serial titles online.
Collection development for the general collections is carried out through a program described in a regularly updated Collection Development Manual. The general collections are managed by liaison librarians assigned to the academic disciplines the collections support. Through their contacts with Tulane's academic departments, these librarians select books, journals, and other materials. Their work is coordinated by the library's associate dean who is assisted by coordinators for scholarly resources representing the humanities, science & engineering, and the social sciences & government publications. The library maintains a comprehensive set of collection development policies that outline considerations for each discipline. The framework for these policies is designed to reflect the academic department and interdisciplinary program structure of the university.
Faculty participation in the selection process is welcomed. Direct communication with liaison librarians is encouraged, as are requests for new materials. Book selection is augmented by the use of approval plans for domestic and foreign publications that automatically supply important titles based on detailed parameters. Because subscriptions involve both current and future funds, journal and database requests are scrutinized with extra care and online access to new and existing subscriptions is preferred. Sound collection management practices occasionally involve the de-selection of physical items such as ones that are no longer used and in poor condition. In these instances, the librarians follow a set of guidelines for withdrawing materials from the collections.
Values, Standards, and Principles
Values: The library seeks to incorporate the following values into its collection development practices:
Ethics as represented by the American Library Association (ALA) Code of Ethics
Diverse Collections as represented by the ALA's Diverse Collections: An Interpretation of the Library Bill of Rights, through which the library takes care to acquire materials created by or representative of marginalized and underrepresented groups as well as materials important to the study of New Orleans and its surrounding region
Accessible Collections as represented by the ALA's Services to People with Disabilities: An Interpretation of the Library Bill of Rights
Open Access, Open Education, and Open Data as represented through positions framed by SPARC (the Scholarly Publishing and Academic Resources Coalition)
Standards: The Howard-Tilton Memorial Library maintains its collections in accordance with the standards and membership criteria of the Association of Research Libraries (ARL) and the Association of Southeastern Research Libraries (ASERL). The library's collections must also meet criteria defined by the Southern Association of Colleges and Schools and numerous other accrediting agencies to which the university's degree granting programs are subject.
Intellectual Freedom and Censorship: The library recognizes that free access to ideas and freedom of expression are fundamental to the educational process. Consequently, the library purchases materials that represent a wide variety of viewpoints and the library subscribes to and complies with the American Library Association (ALA) Library Bill of Rights. The library does not add or withdraw, at the request of any individual or group, material which has been selected by the library.
Confidentiality: The ALA Code of Ethics states that "Librarians must protect each user's right to privacy with respect to information sought, received, and materials consulted, borrowed, or acquired." In addition, the library adheres to the ALA Policy on Confidentiality of Library Records and Confidentiality of Library Users.
Copyright: The library complies with the provisions of the U.S. Copyright Law (17 U.S.C.) and its amendments. The library strongly supports the "Fair Use" section of the Copyright Law (17 U.S.C. 107) which permits and protects the rights to reproduce and make other uses of copyrighted works for the purposes of teaching, scholarship, and research.
The library limits its acceptance of physical gifts to books and other materials that will enhance the strength of its collections in support of Tulane's current academic profile. Of primary interest are unique or rare items with obvious research value. More information can be found on the gifts web page.
Hurricane Katrina and the Library
Flooding after Hurricane Katrina left Howard-Tilton Memorial Library with about 1.5 million books and folders of manuscripts underwater and an equal number of units of microform submerged as well. The salvage, restoration, and rebuilding of the library's affected collections and eventual remediation of its destroyed spaces is a library recovery story for the ages--one that very much distinguishes Tulane Libraries. See links below for more information.
Overview: Hurricane Katrina and Tulane's Libraries
The Tulane Libraries Recovery Center
Collections Contacts
Purchase Recommendation Form
Call Number Location Guide (Main Library)
Tulane Libraries Offsite Facility


U.S. Marines test fired the High Mobility Artillery Rocket System from the flight deck of the USS Anchorage on Sunday during the Dawn Blitz 2017 exercise.
The HIMARS is a weapons system made up of the M142 five-ton vehicle and a pod of up to six guided missiles.
The system, originally developed for the Army, enables the Marines to engage targets within minutes at greater range and accuracy than traditional artillery.
"We shot a rocket off Anchorage to validate that we, as HIMARS operators, can shoot off an LPD and successfully hit the target," said Lance Cpl. Ryan Irving, a HIMARS operator assigned to 5th Battalion, 11th Marines.
The missile destroyed a land target over 40 miles from the Anchorage, an amphibious transport dock ship participating in the biennial exercise off the coast of Southern California.


text:
package org.apache.yoko.orb.OCI;

//
// IDL:orb.yoko.apache.org/OCI/CloseCB:1.0
//
/**
 *
 * An interface for a close callback object.
 *
 * @see TransportInfo
 *
 **/

public interface CloseCB extends CloseCBOperations,
                                 org.omg.CORBA.Object
{
}

redpajama_set_name: RedPajamaGithub


Ok, I've convinced myself I need to have a weblog^Wrantbox too. So what you are looking at is a site being the place to put my frustrations on :) Poluting the web since 2003-12-20!
I'm a (backend/full stack) developer with a big media company in the Netherlands. You can find more information about me on diginaut.net.
/me has been a student Computer Science at the Vrije Universiteit in Amsterdam and working with the Royal Dutch Navy, where I did my Master research project too. aquariusoft.org is home to my projects. You can also find links to other sites, like my gallery there. Even more projects can be found on my GitHub.
You seem to be a Dutchie. Why do you pretend to write English?
I started this website before software like Wordpress became usable (or even existed) and also because I liked to write such a content management system. Maybe I'll find versions of the code from the time period between 2003 and 2006, but I started version control in 2006 so the dammIT sourcecode that I published on Github for everyone to see starts its history there.
In September 2010 it moved to its own domain and it has been here ever since.
As of April 2017 the codebase has been switched to use Pelican, a static site generator, as I have been tired of PHP for a while. The content now lives in this GitHub repository. The theme is a fork of voidy-bootstrap with some enhancements like the green/olive theme, neighbour articles navigation and isso commenting support.
As the theme source is open and I like to hear your suggestions, you can file tickets with your findings. If you happen to use my code, I'm even more interested in your opinion.
Contents are © 2003-2018 dammit at aquariusoft.org, but are licensed under a Creative Commons License, except for quotes and art from others, which are property of the respective creators of course.
E-mail about contents, design or something else about this weblog can be send to dammit at aquariusoft.org.


text:
Q: Prevent form submission at all costs in Dojo I am developing a simple Dojo application. I have a bit of a problem with my forms.
I have a form like this:
<form data-dojo-type="dijit.form.Form" data-dojo-attach-point="loginForm" method="POST">
      Login
      <input name="login" id="${id}_login" data-dojo-attach-point="login" data-dojo-type="dijit.form.ValidationTextBox" data-dojo-props="required:true"/>
      Password
      <input name="password" id="${id}_password0" data-dojo-attach-point="password" data-dojo-type="app.ValidationPassword" />
      <input type="submit" data-dojo-attach-point="loginButton" data-dojo-type="app.BusyButton" label="Login!" />
</form>

In the app I have:
 this.loginForm.onSubmit = function(e){

   // Do Ajax calls etc.
   // ..

   // Prevents actual submission
   return false;
 }

However, if anything goes wrong with the Javascript before that "return false", the form is actually submitted, which results in an error (my node app will return Cannot POST /login as there is no POST action defined for that URL).
How can I make 1000% sure that the form doesn't get submitted in any case? I know I could get rid of the  tag altogether since I do everything with Ajax, but... then I wouldn't get the nice data = that.loginForm.getValues(); for example. (I mean, it is a form after all)
(NOTE: I am NOT interested in non-javascript downgrading, really. The app is a 1-page ajax app, and there is no point in getting it to work if the user doesn't have AJAX) )

A: preventDefault will stop the browser from performing the default action (ie: submitting).
this.loginForm.onSubmit = function(e){
  e.preventDefault();

  // Do Ajax calls etc.
  // ..
}

See here for more information.


Cancer can be caused solely by protein imbalances within cells, a study of ovarian cancer has found. The discovery is a major breakthrough because genetic aberrations have been seen as the main cause of almost all cancer.
The research in Oncogene demonstrates that protein imbalance is a powerful prognostic tool, indicating whether or not patients are likely to respond to chemotherapy and whether a tumor is likely to spread to other sites. The findings also open the possibility of new therapies aimed at measuring and preventing dangerous imbalances in cells. The research, led by scientists at the University of Leeds and The University of Texas MD Anderson Cancer Center, focused on the "Akt pathway," a signaling pathway within cells that drives cancer formation and the spread of cancers through the body.
Under normal conditions, the cell receives external signals through a cell wall-bound receptor (FGFR2 in this study). As a result of this stimulus the receptor is 'switched on' inside the cell. This results in the recruitment of signalling proteins and the initiation of the Akt pathway, which is responsible for committing the cell to proliferate. In some cancerous cells, this pathway is permanently switched on. A conventional approach to diagnosing this cancer would be to look for genetic modification of the receptor (or recruited proteins), which could be responsible for maintaining the switched on state.
The new study looked at isolated cancer cells without external stimulation and found that the "Akt pathway" could be activated without genetic modifications. Two proteins; Plcγ1 (pronounced "plc-gamma-1") and Grb2 (pronounced "grab-2"), compete for binding to FGFR2. The relative concentration of these proteins will dictate which one binds. When Plcγ1 prevails, it triggers the Akt pathway. In this way, an imbalance in the amount of the two proteins can lead to cell proliferation and cancer formation.
Lead author Professor John Ladbury, Dean of the University of Leeds' Faculty of Biological Sciences and Professor of Mechanistic Biology, said, "There has been huge investment in sequencing the human genome with the idea that if we get all the relevant genetic information we can predict whether you have a predisposition to cancer and, ultimately, use a precision medicine-based approach to develop a therapeutic approach. Our study demonstrates that genetic screening alone is not enough."
Dr Zahra Timsah, University Academic Fellow at the University of Leeds' School of Molecular and Cellular Biology, who was the lead researcher on the study, said, "This competition for binding to the receptor represents an unexpected way in which cancer can occur. We found that in cells where Grb2 is depleted, FGFR2 was vulnerable to Plcγ1 binding and that this triggered uncontrolled proliferation. Increasing the amount of Grb2 rescued this effect to maintain normal FGFR2 activity. What we think is happening is that under normal conditions the two proteins compete fairly evenly and that the Plcγ1 binding events allow useful cell housekeeping. When the proteins get imbalanced, Plcγ1 can get out of control."
The researchers also looked at the process in a mouse model and found that Grb2 depletion results in the development of multiple tumors in the vicinity of a primary tumour, indicating that protein imbalance can have a role in metastasis, the spread of a cancer through the body. This makes sense because Plcγ1 can play a role in increasing cell movement.
Finally, the researchers looked at whether imbalance between Grb2 and Plcγ1 was predictive of the progress of ovarian cancers in patients. Measuring the levels of the proteins in patient tissues followed by database analysis of clinical information from The Cancer Genome Atlas and other sources revealed that a high level of Grb2 relative to Plcγ1 and FGFR2 was associated with a significantly more favorable prognosis than patients with elevated levels of Plcγ1.
Statistical data reveal that just under 40% of patients with a favorable balance were still alive seven years after samples were taken. Less than 10% of patients with high levels of Plcγ1 and FGFR2 binding sites survived the same length of time.
The research was funded by the G. Harold and Leila Y. Mathers Charitable Foundation, the National Institute of Health (NIH), the RGK Foundation and the Gilder Foundation. It involved researchers from the University of Leeds, The University of Texas MD Anderson Cancer Center and the UT Health Science Center at Houston.


Collection of selected stories penned by the master writer Malayatt..
Novel by Malayattoor Ramakrishnan. Ponni, set in the backdrop of At..
Collection of stories penned by Malayatoor Ramakrishnan. 'Kaliyamar..
Novel by Malayatoor Ramakrishnan. Sirasil Varachathu is the last wo..


This is the #R22451 Santa Fe GP-30 Engine (broken/missing railing and pieces) that USA Trains made in G Gauge some time in the past. Examine closely; what is pictured is what you will receive. Original Box, only half of styrofoam. Please add $45.00 for US-48 Shipping and Insurance (more west of the Mississippi).


text:
Pantech Curitel é uma empresa da Coreia do Sul especializada em manufatura de celulares.

Estabeleceu-se em 2000. O maior mercado é doméstico, porém a Pantech Curitel também se mostra interessada no Japão, Hong Kong, China, Índia, Europa, Austrália, Taiwan e América do Norte.

É atualmente o 3º produtor de celulares na Coreia do Sul, atrás somente da Samsung e da LG.

Ligações externas

Telefonia móvel
Empresas de tecnologia da informação da Coreia do Sul
Empresas de eletroeletrônicos da Coreia do Sul
Empresas fabricantes de telefones celulares

redpajama_set_name: RedPajamaWikipedia


What is causing this infant's liver lesion?
Intrahepatic vascular shunt with predominant feeding from the main hepatic artery. Bidirectional flow in the right portal vein supports arterioportal malformation.
Arterialized flow within the hepatic veins noted, sequela of venous hypertension. Main portal flow at the liver hilum is not demonstrated (flow reversal was demonstrated on the earlier ultrasound). Antegrade flow of the left portal vein is recorded. You should consider dedicated hepatic arteriogram.
Patent splenic artery and vein found at the hilum.
What is causing his lesion, and what are some other causes of vascular liver lesions in children?
This particular lesion is caused by the aforementioned aorto-portal malformation within the right lobe of the liver with early retrograde venous reflux into the portal vein and SMV branches. Take note of the splenomegaly (green arrow, image 1) and diffuse ascites (purple arrows, image 2) as well. An enlarged celiac trunk (image 3, blue arrow) is a key to the diagnosis. Image 4 shows the hepatic hypervascular lesion (pink arrow). Image 5 is a raw data slice from an MR angiogram showing a dilated portal channel (red arrow) with confirmed sonographic hepatofugal flow. The MR angiogram in image 6 shows the vascular liver lesion (orange arrow) and image 7 shows the enlarged celiohepatic artery feeder (yellow arrows).
Aortic tapering is commonly seen with high-flow vascular malformations, more commonly with multiple hemangiomas, which can be associated with Kasabach-Merritt syndrome and platelet sequestration. Liver AVMs may be seen in Osler-Weber-Rendu (OWR) syndrome or hereditary hemorrhagic telangiectasia. Large lesions can cause high-output cardiac failure. However, hepatic artertial to portal connections may lead to portal hypertension as in this case. AVMs in the liver and especially the lungs have the greatest specificity for underlying genetic syndromes like OWR. OWR is inherited as autosomal dominant. For more case review, check out MRI Online.


text:
Steineria ampullacea är en rundmaskart som beskrevs av Christian Wieser och Stephen Donald Hopper 1967. Steineria ampullacea ingår i släktet Steineria och familjen Monhysteridae. Inga underarter finns listade i Catalogue of Life.

Källor

Rundmaskar
ampullacea


This entry was posted on Thursday, November 9th, 2006 at 11:41 am	and is filed under News/Media, People. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.


The key to our success is "Good Product Quality, Reasonable Price and Efficient Service" for Holiday sales 5Ton Pintle Hook for Dubai Manufacturers, We welcome customers, business associations and friends from all parts of the world to contact us and seek cooperation for mutual benefits.
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The Kupo Baby 5/8″ Receiver to Stud Adapter is a 5/8″ stud with a 5/8″ receiver designed to provide a stable mount for Elinchrom flash heads mounted to longer than normal Baby Pin spigots.


Please refer to the diagram for a description of traffic flow in Bethel's parking lot.
-Solid yellow lines indicate the flow of traffic for parents who are dropping off or picking up their students at the front or back (preschool) entrances. Sidewalk pick-up will still be in the back parking lot; sidewalk drop-off will be at the front door.
-Dotted yellow lines indicate the flow of traffic for parents wishing to park and walk their students in to our out of the building.
The short, red lines indicate the route for bikers and walkers. All bikers and walkers are to stay on the sidewalk.
It is recommended you DO NOT park in the spaces adjacent to the sidewalk, as traffic will more than likely be lined up behind those spaces and prevent you from backing out. Please be aware of crosswalks and use extreme caution as you approach the building in your vehicle!
Remember: Our traffic pattern is one way only. The entrance is on the east side of the parking lot and the exit is on the west side. Thank you for your attention to these details!