text:
Grateful Dead Records
Double LP of live material taken from the Winterland shows in October 1974.
Cold Rain And Snow
Around & Around
Beat It On Down The Line
Black Throated Wind
U.S. Blues
Sugaree
It Must Have Been The Roses
» VIEW BAND DETAILS
Jerry Garcia (lead guitar, vocals)
Bob Weir (guitar, vocals)
Phil Lesh (bass, vocals)
Keith Godchaux (keyboards, vocals)
Donna Jean Godchaux (vocals)
Bill Kreutzmann (drums)
(0) Additional Personnel
Album Notes
One of the most criticized Dead albums. Both song selection and sound quality of the original release failed to impress a large number of heads, some of who began to refer to it by the alternative title 'Steal Your Money'. The theory behind the song selection has been explained as a desire to present an album of songs rather than jams and the need to avoid songs that had already appeared on live albums.
Various excuses have been given over the years for the original sound quality. In an interview Garcia said: "None of us liked it. I'm sure even Phil and Owsley didn't like it that much… I think part of it was that we were not working, and we didn't have anything else to deliver."
The sound quality is greatly improved on the CD reissue.
The songs on Steal Your Face are thought to come from the following shows;
– Casey Jones – October 17, 1974
– Ship Of Fools, Beat It On Down The Line, Big River, and Sugaree – October 18, 1974
– Mississippi Half Step, Black Throated Wind, U.S.Blues, and El Paso – October 19, 1974
– Promised Land, Cold Rain And Snow, Around And Around, Stella Blue, It Must Have Been The Roses – October 20, 1974
» See an error? Let us know
Recorded by - Bill Wolf
Assistant Engineer- Fred Bradfield
Mixing - Bear and Phil Lesh at Burbank Studios
Stereo Synthesis - Bear, John Neal with thanks to Dr. Haas
Chief Engineer - John Neal
Engineers - Steve Brimmer, Frank Jones, Andy McDonald, Jim Walker
Mastering - Bear, Bob McCloud
Record Live: October 16-20, 1974 at Winterland, San Francisco, CA
Blues for Allah
Terrapin Station
Grateful Dead From The Mars Hotel
Shakedown Street

redpajama_set_name: RedPajamaCommonCrawl


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My beloved Marantz 2245 stereo receiver is on the blink.
Trying to find a repair service for this 1970s relic—and "Rosebud" of my youth—has been more difficult than avoiding Lincessant puns about a certain New York Knick point guard.
As it turns out, there's a guy in California that specializes in rebuilding old Marantz stereo gear—and he has a 12-month backlog of work from other guys just like me.
I just sent him $100 just to get on his waiting list—for work he won't do until a year from now.
If you want to succeed in today's economy, stop doing what everyone else is doing. Instead, develop a specialty that no one else has.
The Internet, and a little Lingenuity, will help you do the rest.


text:
Con job: how two wartime doctors saved thousands by fooling the Germans into believing a town was stricken with typhus
Stuart Dowell January 31, 2020
A typhus warning sign on the gate to the Warsaw Ghetto. United States Holocaust Memorial Museum, courtesy of Guenther Schwarberg
Two ingenious Polish doctors saved thousands from being rounded up and sent to work as slaves for the Third Reich by creating a fictitious typhus epidemic during the German occupation.
By injecting local Poles with a sham vaccine, two doctors, Eugeniusz Łazowski and Stanisław Matulewicz carried out their own private war against the Germans by fooling them into believing that their town Rozwadów was in the midst of an outbreak of the disease they feared the most.
"I was not able to fight with a gun or a sword," Eugeniusz Łazowski said after the war, "but I found a way to scare the Germans."
The scam became possible when Matulewicz managed to replicate the standard test for typhus, known as the Weil-Felix test, in his garden shed.
Building on this, he went on to make the amazing discovery that if he injected a person with a dead strain of typhus, it would be enough for them to test positive for the disease without actually infecting them with the disease.
Eugeniusz Łazowski, helped save around 8,000 lives with the elaborate deception.Public domain
The discovery had profound implications for the people of Rozwadów, as the Germans were terrified of typhus, which over history has wreaked havoc, spreading like wildfire in places where people are packed tightly together.
The Germans had not suffered an outbreak of typhus for over 25 years and the authorities were worried that the troops lacked natural immunity to the disease. They therefore imposed a number of rules to track and prevent its spread. Doctors were required to report suspected typhus cases and send blood samples to German labs for testing and confirmation.
Polish doctors were required to report all suspected and confirmed cases of typhus and send blood samples to German laboratories for testing.
If an outbreak was identified, the whole area would be quarantined and the German authorities would avoid contact with the people living there. Łazowski realised that his friend's discovery could save many lives. "I finally knew what my role in this war was to be," he said years later.
One day, when a Pole on leave from forced labour and not wanting to return asked Łazowski for help, he became the first test case. After injecting him with the dead typhus strain, he tested positive for typhus and he did not have to return to his labour camp.
The old synagogue in Rozwadów.Janmad/Creative Commons Attribution-Share Alike 2.5 Generic license
Matulewicz feared being found out by the Germans and left, but Łazowski stayed and started to inject Poles who came to him with symptoms such as the cold or stomach flu with the bogus vaccine.
Injecting Jews with the dead virus was not an option as Jews who were suspected of being infected with typhus were murdered immediately.
However, the quarantine that the Germans imposed on the town shielded them for some time from the oppression that Jews elsewhere were exposed to. Łazowski was careful to make his fictious epidemic follow the patterns that an actual typhus epidemic.
He would inject more people in the winter and autumn, thereby replicating the natural cycle of the disease. He would also refer injected patients to other doctors, who would diagnose and report the typhus infections on their own.
A massive quarantine of the region was quickly declared. Posters declaring "Warning, Typhus!" were put up in the area.
The German occupiers were scared of typhus.Bundesarchiv, Bild 101I-134-0766-20 / Knobloch, Ludwig / CC-BY-SA 3.0
The Germans did not take any Poles to work for them in factories or farms, and Jews within the quarantine zone were not deported from the town to concentration and death camps.
Eventually, the ruse was almost exposed because of the lack of deaths. When an informant suggested that the outbreak was not what it appeared to be, the Germans sent a team of doctors to investigate.
Łazowski greeted the visitors with traditional Polish hospitality, plying the senior doctor with copious amounts of food and vodka. Meanwhile, the junior doctors toured the town with Łazowski, who had arranged for the sickest-looking patients to be at the clinic for the visit.
Terrified of contracting the disease themselves, the younger doctors quickly satisfied themselves that the outbreak was genuine, and the party soon left the district.
Though the fictional typhus epidemic came too late to save many of the Jewish citizens of Rozwadów and the surrounding villages that were included in the quarantine, it is estimated that 8,000 Poles were spared deportation and forced labour thanks to the ingenuity and courage of Eugeniusz Łazowski and Stanisław Matulewicz.
Tags: WWII, disease, doctor, epidemic, typhus, vaccine
Poland reports 16,047 new coronavirus cases on Friday, 423 deaths
No infection rise in schools, minister reports
History expert solves mystery surrounding ship made of CONCRETE following decades of speculation


Peaceful and picturesque, Boyup Brook is a country community that knows how to entertain and make you feel at home. Offering a welcome escape from modern city life and the chance to enjoy some of Western Australia's prettiest scenery, the town also plays host to music festivals, art exhibitions, rodeos and marathons throughout the year. Boyup Brook is nestled in the Blackwood River Valley, between the South West and Albany Highways. From Perth, you're just a three-hour drive away from its serene scenery. There are dozens of ways for you to enjoy the Blackwood River Valley's natural beauty and fresh air. Observe the native flora and fauna at the Roo Gully Wildlife Sanctuary. Go on a wine tasting spree at the local vineyards. Swim, fish or canoe the river in summer. Or hit the bushwalking or mountain biking trails during wildflower season in spring. Art and history lovers should head for the Town Walk and museum to explore Boyup Brook's past, pay a visit to renowned local artist Sandy Chambers, wonder at the Carnaby Beetle and Butterfly collection, or drop into the Harvey Dickson's Country Music Centre. The town's events calendar offers just as many delights, from the annual Country Music Festival (February), the Mayanup Camp Draft (March), and the Harvey Dickson's Country Music Show (September) to the Harvey Dickson Rodeo and the Blackwood Marathon (October). For accommodation, there's something to suit every taste and budget, with bed and breakfasts, hotels, caravan parks, farmstays and luxury self-contained chalets.


As a healthier alternative for the environment and our health, each of our Recycled Wool Dryer Balls is handmade in Minnesota from a wool garment that was saved from a landfill. In addition to contributing to the recycling revolution, we specifically chose wool because it is a sustainable, natural, renewable fiber. No part of the garment is wasted and each Recycled Wool Dryer Ball set is unique. Recycled Wool Dryer Balls are designed to reduce drying time, soften fabrics, cut down static, decrease lint, and reduce wrinkles. The use of our dryer balls drastically reduces, or even eliminates, the need to use landfilling, toxic dryer sheets and chemical-laden liquid softener, both of which contain toluene and styrene, two solvents proven to cause cancer and damage the neurological system.


text:
Waltz Road Bridge construction contract awarded to Toebe Construction, LLC of Wixom
By Scott Bolthouse—Hub Editor—ScottBolthouse@HuronHub.com
There is new hope that the Waltz Road Bridge construction project will be starting soon.
On Thursday, the Wayne County Board of Commissioners approved a construction contract between Wayne County and Toebe Construction, LLC of Wixom, to reconstruct the Waltz Road Bridge.
The bridge has been closed for over a year.
"Huron Township Supervisor David Glaab credits Wayne County Commissioner Al Haidous for keeping this crucial project on track and on time," a statement from the supervisor's office said.
"The reopening of the Waltz Road Bridge has been and continues to be our number one priority as it is critical to both our residents and business owners alike."
According to the statement, Glaab anticipates that equipment will be on site in a matter of days to begin demolition of the old bridge.
Glaab reminded residents to refer to the township website for further updates.
According to Toebe Construction's website, the company has been building the transportation infrastructure that supports the economies of Michigan and Ontario since 1922.
Check back with The Huron Hub for further updates on this story
Previously published related articles:
Waltz Road Bridge to be replaced; new bridge expected to be open by end of 2018
Township Clerk: Wayne County says bridge construction scheduled to begin in August
Have something to say about this story? Sound-off in the comments section of this article, or visit our Facebook and Twitter pages to interact with us.
© The Huron Hub — All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
This entry was posted in Front Page News, Government on August 23, 2018 by Scott Bolthouse.
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3 thoughts on "Waltz Road Bridge construction contract awarded to Toebe Construction, LLC of Wixom"
** August 23, 2018 at 6:59 pm
The closing of this bridge for over a year and Glaab thinks this is a priority?? The small town has lost business for over a year. It's about time it be fixed!
Gary August 23, 2018 at 9:23 pm
Sounds like it's time for a change at the top. I saw them try to steal the old New Boston Auto building from Bill then actually buy it only to let it sit there doing nothing. Another waste of tax payer money. That village needs new blood at the top. If you don't have a business that relies on road traffic he doesn't seem to care. Law offices don't rely on visitors.
Robert Cortese August 30, 2018 at 3:48 pm
Over a year and we still have no bridge.Local businesses have suffered .Local residents have suffered.Mr Glabb credits Mr Haidous for keeping bridge replacement on track and on time.Not sure why he thinks no new bridge for a year and counting is being on track and on time.Those of us who live on the south side of the river have had to use longer detour routes to get to the center of New Boston.School buses have had to take the longer detour routes to transport children back and forth from school.I would imagine the extra fuel costs for the longer detour routes will be paid for by the taxpayers.School buses transport children via I 275 as opposed to surface roads because of the closed bridge.Even with the best bus drivers in the world the potential for a serious accident on a freeway at rush hour at high speeds would seem much more likely than when our school buses travelled over surface roads. At far lower speeds.
Businesses have suffered for over a year.Ask the owner of the Coney Island restaurant as ?Mr Haidous did.Ask the wonderful lady who operates the ice cream shop on the corner who told me with tears in her eyes last year that her business had suffered so much she was going to shorten her stores season by many days because of lost business.
Yes Mr Glabb should be very proud of the fine job of the bridge being on track and on time.Shane Shame Shame ,


Foxconn CEO Terry Gou has confirmed that the company will soon begin mass production of the iPhone in India. However, which models will be assembled there is still unknown.
Gou's remarks should help clear up the iPhone-related rumor-filled situation in India. Guo has specifically stated that his company is discussing plant expansion investment terms with the Indian government.
Gou made the remarks at the same event where he announced he would be stepping down as Foxconn's CEO later in 2019.
While we now know Foxconn will begin smartphone assembly in India, as yet it is unknown which model iPhone will be built in the country. A report earlier this month indicated the iPhone X would be the latest model to be built in India.
Foxconn is already established in India, as they assemble devices for numerous companies there,. The move would ease Foxconn's reliance on China, possibly reducing the fallout of any possible U.S.-China trade war.
Assembling iPhones in India would help Apple avoid paying stiff taxes on imports, which are imposed in order to encourage manufacturers to manufacture their goods inside India for sale in the Indian market.


text:
At the Drive-In: A Retro Road Trip Destination
As dusk falls over the Moberly Five and Drive, fireflies start their nightly show and cars file in to fill up the rows. Families find their favorite viewing spot – a blanket on the ground, the bed of a pickup, the back of an SUV. Waiting for the movie to begin, kids gather for a quick game of catch in a grassy patch beneath the giant screen.
Drive-ins offer an experience like no other. With a supply of snacks and a pillow or two, moviegoers can enjoy a first-run feature (oftentimes two) beneath a starry sky.
Outdoor movie theaters have dwindled since their heyday in the 50s and 60s when more than 4,000 dotted the roadside nationwide. With just over 300 remaining, many drive-ins have become retro road-trip destinations.
From single screens surrounded by trees to metropolitan multiplexes, nine Missouri drive-ins still light up the night all summer long.
Moberly Five and Drive - Moberly's original Hi Way 63 Drive-In operated from 1950 to 1983. A new building was constructed in 1997 to house five indoor movie screens as well as the projector for the outdoor screen, and the Moberly Five and Drive was born. The movie house is one of only a handful of indoor-outdoor theaters in the United States. The drive-in offers a double-feature seven days a week.
66 Drive-In, Carthage – Nothing screams nostalgia like a drive-in on the "Mother Road." Located on Old 66 Boulevard, the 66 Drive-In – with its original neon sign – has been listed in the National Register of Historic Places since 2003. The theater opened in 1949 and had a 34-year run before shutting down. Renovated and reopened in 1998, the drive-in currently shows double features Thursday through Sunday.
19 Drive-In, Cuba – Located just off Route 66, the single-screen 19 Drive-In shows double features seven days a week. Open since 1950, the theater still has its old-school speakers but also broadcasts the audio over FM radio as most drive-ins now do. Popcorn prices are old-school, too – a small cup will cost you $1.16 – $1.25 with tax.
Starlite Drive-In Theatre, Cadet – The Starlite Drive-In opened in 1952 and has two screens that show double features seven days a week. Located 50 miles south of St. Louis, the theater has room for 700 cars, making it Missouri's largest drive-in outside a metro area. In addition to the usual fare, the concession stand sells frozen pickle juice and fried Twinkies.
Sunset Drive-In Theater, Aurora – The Sunset Drive-In is one of just a few outdoor theaters that allows you to fire up a grill before the movie begins – and provides a can to dispose of your hot coals. If you'd rather not cook, the concession stand offers the Sunset Coney and Sunset Burger topped with "special recipe chili." Or you can order a pizza and have it delivered to your car. Open since 1951, the single screen drive-in shows a double feature Friday through Sunday.
The Twin, Independence – The Twin lives up to its name twice over with double features on two screens – seven days a week. The theater opened in 1965 and is one of Missouri's largest drive-ins with space for more than 1,400 cars.
Barco Drive-In, Lamar – The original Barco Starvue Drive-In opened in 1950. Boarded up windows in the base of the movie screen are remnants of a now-vacant apartment where the owners once lived. In 2008, the Lamar Community Betterment association leased the theater to ensure it stayed open. Four years later, the community raised $50,000 for digital projection equipment so the theater could continue to screen new movies. The drive-in shows double features Friday through Tuesday.
Phoenix Theater and Drive-In, Houston – Originally named the Sunset Drive-In when it opened in 1951, the Phoenix Drive-In operated until 1998. With the addition of an inside screen, the Phoenix reopened in 2001 as an indoor-outdoor theater. The drive-in is open on Friday and Saturday evenings and can be reserved for private screenings for business events and parties.
21 Drive In Theatre, Van Buren – The 21 Drive In Theatre is located so close to the Ozark National Scenic Riverways that the theater uses #floattheriverwatchamovie on it social media site. Opened in 1950, the drive-in was closed for several decades in the early 90s before reopening in 1997. The theater shows double features Friday and Saturday, as well as a single retro shows on Thursdays.
Most Missouri drive-ins are open spring through fall and close during the winter months. To ensure a successful movie-going experience, check the theater's website or social media site for show times and more information.
Written by Liz Coleman


We check it out so you don't have to.
So the original title was "Squat It While You Drop", but then we thought this way fit the Snoop Dogg song better. 🙂 What in the world are we talking about? POOPING of course! More specifically, sitting verses squatting while pooping. We had SO MUCH FUN with this episode. I think I literally laughed the ENTIRE time! Definitely a giggle fest. But what did we find? Should we all be using squatting stools like the Squatty Potty?
First of all, if you haven't seen the brilliant advertising by the Squatty Potty brand of stool, WATCH IT NOW!
If you're thinking about a Squatty Potty and/or have trouble pooping, or just want to laugh hard for 30 minutes, this is definitely the episode for you.
If poop jokes embarrass you, you MIGHT want to skip this one.
Previous Previous post: Episode 30 – Salt Caves…Worth Their Salt?
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Are you searching for a reputed arts & commerce college in Koraput District of Odisha? Aeronautics college is one of the good arts & commerce colleges in the Koraput-Jeypore region with modern teaching techniques and visual aids.
It is also known as Aeronautics Commerce & Arts College (ACA College), Sunabeda. It came into existence in the year 1981 to cater the higher academic requirement of the children of the HAL employees serving in Hindustan aeronautics Limited Company located at Sunabeda. It functions under the aegis of Aeronautics Education Society (an autonomous registered body financed and managed by HAL) since its inception.
Courses in I.A (Intermediate of Arts), I.Sc(Intermediate of Science), B.Sc (Hons) in Chemistry, Physics & B A (Hons) in History, Economics and Accounting. With 1082 students on its rolls, the college is finds a place as one of the top ranking colleges in the state of Odisha.
Being monitored by the HAL society and its location in the hilly terrains of Eastern ghats, the college has very good infrastructure with Computer Laboratories, good Library and spacious class rooms. The college staduim is very often found with organising Cricket tournaments and other events. Well known for strict discipline and punctuality, the college has good faculty who always take care of the students. HAL management ensures all feasible facilities to the students and staff.
The local tribal students are given special treatment and involved in various sports activities such as Archery and other country games. The students are provided with boarding facilities and those who come out with good results are provided with suitable jobs in HAL and other agencies like NALCO. HAL Hospital nearby would take care of the health needs of the students.
You may write a review for the college 'Aeronautics College, Sunabeda' and earn revenue.


Storage at controlled temperatures with the Hänel Rotomat® and Lean-Lift® technology. The Hänel ClimateStore® technology allows Hänel storage units to be used either as cold stores or as heated storage systems, e. g. for drying components. Ideal for the chemical industry, pharmacies and even for companies in mechanical engineering and the motor manufacturing industry.
This means maximum security for your products.


net2ftp is a web based FTP client (http://www.net2ftp.com/index.php). It can be used as a standalone version and also integrated in some web platforms as ISP providers, e-commerce sites and other websites.
Doing a vulnerability research on net2ftp, latest version 1.0. Jacobo Avariento had found several cross-site scripting (XSS) found in skins/shinra/bookmark1.template.php (line 18) "url_withpw" parameter, and in skins/shinra/raw1.template.php (line 5) with "command" parameter.
The first, parameter "url_withpw" is triggered when the user is placing a bookmark on that FTP connection.
The second, parameter "command", is triggered when the user access the FTP interactive mode for sending FTP arbitrary commands to the server.
Because of this circumstances, the risk of the vulnerability is tagged as "medium" as there is no authentication and can be triggered in any net2ftp software online. It has been proved that several ISP providers use this software for their clients, among other customers.
We recommend all sysadmins and web developers who are using net2ftp software to review the files skins/shinra/bookmark1.template.php and skins/shinra/raw1.template.php manually, and patch the XSS because no official patches are released or planned yet.


With New Year's Eve just around the corner, we invite you to join us for a sparkling wine tasting this Saturday, December 27th featuring bubbles from all over the world. From Spanish Cava and Italian Prosecco to Methode Champenoise domestic bubbles and true Champagne, you'll get to try a bunch of delicious bubbles. Even better, all of the wines will be on sale at great prices.
We promise it will be fun and festive and it's our last wine tasting of 2014. Stop by any time between 2 and 5 p.m. this Saturday, shake off the post-Christmas blues, and gear up for New Year's Eve. Please help us spread the word and let's end the year in style, with the best sparkling wine tasting in Asheville.
1. NV Delamotte Champagne Brut – Delamotte comes from the House of Salon, and in our opinion, Salon is the single greatest Champagne on the planet. They only make Salon in great vintage year, so when they don't make it, all of that gorgeous Grand Cru fruit goes into this bottle. We're of the firm belief that we should start with the best, and this is one of the best non-vintage Champagnes we've tasted this year.
2. NV Gruet Blanc de Noirs – Yep, great Methode Champenoise sparkling wine is made in New Mexico. Gruet has been at it since 1984 and their Blanc de Noirs is one of the great domestic bubbly values. Elegant and focused, with creamy vanilla and apple aromas and rich yet crisp flavors of baked pear and cinnamon bread.
3. NV Avinyo Cava Brut Reserve – Avinyo is one of the great family owned and operated, estate Cava houses, and the current release is as good as ever. A traditional blend of Macabeu, Parellada, Xarel-lo made Méthode Champénoise with 100% free run juice and aged 18 to 22 months before being disgorged, this is always one of our favorite Cavas.
4. NV Francois Montand Brut Blanc de Blancs – Francois Montand grew up in Champagne, but relocated to the Jura region (just east of Burgundy) in the 1940's. These days, the firm makes some of the most dependable, reliable, and honest sparkling wine in the regions. Adhering to the methods of Champagne, this lovely blend of Ugni Blanc, Colombard, and Chardonnay is dry, tart and lightly toasty. It makes for a great, affordable sparkling wine that is good enough to drink on its own, but also perfect for making sparkling wine cocktails.
5. NV Belstar Prosecco Extra Dry – Year in and year out, Belstar is one of the best Prosecco values on the market. Composed entirely of Glera grapes, it is light, fragrant and refreshing with tender notes of apple, melon, pear and flowers. With low alcohol and a friendly fruitiness, this is one to buy at least two bottles of.
6. NV Sant Evasio Brachetto d'Aqui – We'll finish up with one of the most unique sparkling wines in the world. Brachetto yields a very low alcohol, sweet, and lightly fizzy wine that tastes like fresh squeezed strawberry juice. Grab a bottle of this and a box of Blue Moon Truffles and call it a night!


After digging deeper into event search, she discovered many sites for consumer events (including movies, outdoor concerts, and fairs), but very few online event information for professional events, domestic conferences and conventions.
During her lunch hours, she began to develop a business plan on the wall of her office with sticky-notes. Eventually, Convention Nation was formed. The MVP was launched in mid-2015, and now we are a small team, passionate about promoting in-person meetings and events, because we believe that in person matters. We want to encourage the development of relationships using handshakes, not emails.
Our mission is important to us because we value in-person meetings and networking. In-person matters because the development of relationships using handshakes and personal interaction that happens at conferences, trade shows and conventions serves as a foundation to innovation and collaboration that can then be distributed on a large scale using technology, such as the Convention Nation website.


Rectifies airflow from front to rear, generating downforce. Contributes to improving stability at high speeds, while also improving the efficiency of heat dissipation in the muffler and brakes. Same style as the rear under spoiler installed standard on the "R205".
Used on cars participated in the 2010 24 Hours N?rburgring (NBR24h), where its performance was demonstrated during the race.
Dark gray coating, with STI emblem.
* Installation together with a front under spoiler (sold separately) is recommended.
* All same products were used including brackets with cars participated in NBR24h.
* This product can be installed together with an STI sports muffler (Part No. ST44300ZR011).
* This product cannot be installed together with the SUBARU genuine exhaust finisher, due to interference between the two products.


Welcome to Earl of Sandwich® at Disneyland Village Paris. The extensive menu at Earl of Sandwich® Disneyland Village Paris pays tribute to the art of sandwiches with fresh-baked, artisan bread and the finest ingredients for its hot sandwiches, hand-tossed salads and wraps, and freshly baked desserts. We provide Disneyland Village Paris with hot sandwiches, a unique brand and exceptional taste.
Earl of Sandwich® serves a hot breakfast at Disneyland Village Paris until 11AM daily. Earl of Sandwich® Disneyland Village Paris offers a variety of breakfast sandwiches, fresh fruit yogurt parfaits and muffins. Our catering team would love to cater your next event in the Disneyland Village Paris area and help make it a memorable feast.
If you are looking for sandwiches in Disneyland Village Paris, we offer signature hot sandwiches like the Earl's club or Hawaiian BBQ. Salads, wraps, vegetarian and gluten-free options are also on the menu. You must have dessert while here, we have fresh-baked cookies.
Disney Village is a shopping, dining and entertainment complex in Disneyland Paris, Marne-la-Vallée, France. Step inside the library of the 4th Earl of Sandwich and enjoy some of the finest hot subs in the world whilst overlooking Lake Disney. The Earl has moved on from his early days of just bread and meat. Today, he's busy creating some exciting new hot sandwiches, just for you. With family-style recipes, you can enjoy some mouthwatering assortments of meat, cheese, vegetables and sauces, all delivered in a deliciously warm bread bun.
Whether you are looking to dine in or grab 'n go at the Disneyland Village Paris Earl of Sandwich®, we have you covered. There is available seating inside and out. Come join us at Earl of Sandwich® Disneyland Village Paris for breakfast, lunch or dinner.
At Earl of Sandwich®, all of our signature sandwiches are made to order from scratch right at the Disneyland Village Paris location using high quality fresh ingredients and served on our very own Artisan baked loaf. Every thing you see at Earl of Sandwich® is created with an emphasis on freshness, quality and great taste. You are not limited to sandwiches, we also offer warm soups, fresh salads and wraps and a breakfast menu with the same Earl of Sandwich® quality and value. Earl of Sandwich® looks forward to turning your quick meal into an unforgettable feast! Join us today!


text:
All Chicago 7 by Year2005 Most Endangered
444 North LaSalle Building – 2005 Most Endangered
PDF Download: Preservation Chicago's 2005 Chicago 7 Most Endangered Booklet
One of the most exuberant and well-crafted Art Deco buildings in the central city, 444 N. LaSalle sat directly in the line of fire of Chicago's ever-expanding high-rise development. A new 45-story apartment building arose one block to the south one year earlier when 444 N. LaSalle was listed as endangered.
Update:The landmarking of 444 N. LaSalle was an early Preservation Chicago triumph. The complete story of its preservation can be viewed in Success Stories.
Other Chicago 7 Most Endangered
2005 Most Endangered
Sheffield Historic District
Preservation Chicago - March 4, 2005
Chicago Warehouses
The Goodman Theatre


In this example, we are using FileInputStream class to read image and ServletOutputStream class for writing this image content as a response. To make the performance faster, we have used BufferedInputStream and BufferedOutputStream class.
You need to use the content type image/jpeg.
In this example, we are assuming that you have java.jpg image inside the c:\test directory. You may change the location accordingly.
This file creates a link that invokes the servlet. The url-pattern of the servlet is servlet1.
This servlet class reads the image from the mentioned directory and writes the content in the response object using ServletOutputStream and BufferedOutputStream classes.


Just a quick note on how much your practice exam helped me to get my C_TS460_1610 certification. It was a based on real exam questions, I study deep along with mock exam questions and answers. One of the best parts is the outline that comes with the tests, it really makes studying a breeze. Keep up the good work...!!! This is amazing.


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2022 NFL Draft Lacking Luster? Not For Colorado State's Trey McBride
Written By Ken Pomponio on 04/26/2022
NFL Draft week is upon us.
If it's catching you by surprise, you're not alone.
There is noticeably less draft hoopla than usual this year (more on that shortly).
But, hey, it's a live NFL event in April. And there is an ever-growing array of draft wagering opportunities available at Colorado's online sportsbooks.
So let's not complain too loudly.
The first round gets underway at 6 p.m. (MT) Thursday.
And the top picks will don their new team caps amid the glitz and glam onstage in Fabulous Las Vegas.
The second and third rounds will be held Friday (5 p.m.). Things then conclude Saturday with the final four rounds (4-7), beginning at 10 a.m.
Pick-by-pick TV coverage can be found on ABC, ESPN and NFL Network.
Broncos' trade, lack of marquee QB prospects dim draft
There are a couple reasons for the relatively quiet draft buildup this year.
Locally, the Denver Broncos are without a first-round pick. And the highest (No. 40) of their two scheduled second-round selections.
Those picks, of course, were shipped to the Pacific Northwest in March in exchange for quarterback Russell Wilson.
The Broncos' first pick is currently scheduled to be No. 64 overall — the last pick of Friday's second round.
As general manager George Paton joked last week, Broncos executives will be watching "Russell Wilson highlights" during the opening round Thursday night.
Speaking of quarterbacks and the first round, the relative lack of marquee QB prospects has taken much of the national luster off this year's draft.
In an April 19 dual mock draft, ESPN gurus Mel Kiper Jr. And Todd McShay projected the first quarterback to be selected sixth overall (Liberty's Malik Willis to the Carolina Panthers). They had only two QBs going in the top 20.
Kiper and McShay's projected top five picks consisted of three defensive ends, led by No. 1 overall pick Aidan Hutchinson, followed by a cornerback and an offensive tackle.
Not exactly sexy.
By comparison, 2000 and 2013 have been the only NFL drafts over the last 24 years that didn't feature a QB selected among the top five picks.
In all, the ESPN duo's mock top 20 for 2022 contained only six skill-position picks — four wide receivers and two quarterbacks.
BetMGM Colorado Sportsbook, as of Tuesday afternoon, had an over/under of 3.5 quarterbacks selected in the first round.
Predictably, the under is a significant favorite at -250. The over is priced at +185.
NFL bettors in Colorado are making their selections.
CSU's McBride expected to be top tight end drafted
With the Broncos' draft expected to be relatively quiet, Colorado State University standout Trey McBride very well could generate the lead local headlines.
The Fort Morgan product is the draft's top-rated tight end.
The 6-foot-3, 250-pounder earned that distinction with a 90-catch, 1,121-yard senior season last fall for the Rams. He won the John Mackey Award as the nation's top tight end and was a unanimous first-team All-America selection.
DraftKings Colorado Sportsbook lists McBride as the overwhelming favorite to be the first tight end selected this weekend.
He tops the board with -450 odds. UCLA's Greg Dulcich is a distant second at +350.
McBride is expected to be selected in the second round.
In the aforementioned Kiper/McShay dual mock, he was selected 46th overall by the Minnesota Vikings.
DraftKings, as of Tuesday, had McBride's draft position over/under set at 50.5. The over (pick 51 or later) is priced as the favorite at -130 with the under set at an even-money +100.
Meanwhile, Caesars Colorado Sportsbook had McBride's over/under set at 52.5.
The under, as of Tuesday, was the slight favorite at -125. The over was priced at -105.
Even without a first rounder, Broncos scheduled for 9 selections
Currently, the Broncos own nine picks over the final six rounds.
They have one selection apiece in the second, fifth and sixth rounds. And two scheduled in the third, fourth and seventh rounds.
Barring an unforeseen trade, this will be the first draft since 2012 — and only the second since 1995 — that Denver won't have a first-round selection.
Still, Broncos Country isn't exactly complaining. Not after wandering fruitlessly through a QB wasteland over the last six seasons.
So what position are the Broncos likely to target with their second-round pick?
ESPN mocked Nebraska safety Cam Taylor-Britt to Denver at No. 64.
In beat writer Ryan O'Halloran's final Broncos mock draft for the Denver Post on Tuesday, he had Denver going with Montana State inside linebacker Troy Andersen in the second round.
A defensive lineman or linebacker are the posted positional favorites for the Broncos' first pick at BetMGM. They shared +275 odds as of Tuesday.
Rounding out Denver's positional first-pick odds at BetMGM are:
Offensive lineman/defensive back +350
Wide receiver/tight end +800
Running back +1000
Quarterback or kicker/punter/long snapper +10000
Some draft analysts have even mocked McBride to the Broncos in the second round.
But Paton likely will have to trade up to do so — much like he did a year ago in jumping five spots in the second to select North Carolina RB Javonte Williams at No. 35 overall.
Photo by AP / Charlie Neibergall


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Darren Keen is back with Problems; new album on Knightwerk; live stream release tomorrow…
Category: Blog — Tags: Darren Keen, Knightwerk, Problems, The Show Is the Rainbow — @ 12:54 pm December 3, 2020
Darren Keen is Problems.
First time I met Darren Keen was almost 20 years ago when he and his band at the time, Musico, dropped off a CD of their latest recordings to a house my then-girlfriend now-wife and I were renting on Izard St. Darren would go on to form The Show Is the Rainbow — a one-man psych-rock hip-hop project that was as much about Keen's live performances as his trippy merging of rock, rap and good humor.
Since then, Darren has reimagined his sound a number of times, been involved in other bands (Beep Beep comes to mind), moved to New York City and moved back to Lincoln. And now he's back with a new synth-powered project – Problems.
"A lessen I learned from Joel (Petersen) in the Faint. He said, 'Your guitar stuff and bass sounds good, but you do not understand how to make a synth sound expressive.' That quote changed my whole perspective on what a synthesizer can do." Keen said. "Why do some synths sound so much more visceral? I've been trying to figure that out for 12 years."
I think he's cracked the code.
Those comments came after I asked why some local synth-based recordings (to me) sound like remixing of pre-packaged, canned synth sounds, while others take it to the next level. Keen's work on his debut Problems LP, Ought Not Be Overthought, which drops tomorrow on club music label Knightwerk Records, takes it to the next level, and the proof was my wife asking from the next room, "What is this? I love it."
OUGHT NOT BE OVERTHOUGHT by PROBLEMS
Keen calls the sound on Problems recordings "subversive house" but "I know it will get lumped in with other genres," he said. "Some people are comparing it to electro artists like Mr. Oizo, Justice and Daft Punk. It's not techno; it's dance music. I start with a four-on-the-floor kick drum on every track. Putting limitations on it allows me to explore creatively in a way that's deeper than I could before."
His process on Problems material involves spending a couple weeks setting up what he calls "good templates" — the fundamental kick drum, cymbals and synths. "It's sort of like the gear a band would acquire and bring into the studio," he said.
Once the templates were in place, Keen said he recorded and mastered the album tracks in three days. "When it came time to write, I started on a Monday and by Friday was putting out a record."
He's celebrating the release of the new album with a free live stream performance tomorrow night, Dec. 4, hosted by Lincoln's BLACK MAGIK and DJ KevyCav. The stream will be on twitch, here: http://twitch.tv/blackmagikpresents . More info on the stream here.
Keen's already working on more Problems, with another single and full-length slated for release on a different label next spring. "That one will have a limited physical release," he said. "As will the one after that."
"As some form of gigging comes back (post-COVID), it will make more sense to make stuff again," he said. "People are still at home looking for things to do and want to buy records and cassettes to support artists. I've spent more money on music post-COVID than before I moved back to Nebraska."
Pre-order the new album at the Problems Bandcamp page.
Read Tim McMahan's blog daily (if there's news) at Lazy-i.com — an online music magazine that includes feature interviews, reviews and news. The focus is on the national indie music scene with a special emphasis on the best original bands in the Omaha area. Copyright © 2020 Tim McMahan. All rights reserved.
New music from Ethan Jones (ex-Ladyfinger, Dumb Beach), James Schroeder (UUVVWWZ, David Nance Band), Problems (Darren Keen)…
Category: Blog — Tags: Darren Keen, Ethan Jones, James Schroeder, Problems — @ 1:02 pm November 18, 2020
Ethan Jones, McMcCarthy (2020, self-release)
Three new releases to tell you about…
Yesterday Ethan Jones, whose past bands have included Putrescine, Ladyfinger and Dumb Beach, released a new EP via Bandcamp called McMcCartney.
"All of these songs started as home recordings/demos and very slowly morphed into real songs and were finally finished several months into the pandemic," says the liner notes. "All instruments were performed and recorded by Ethan Jones using mostly cheap gear, a very slow, out-dated iMac, and one single microphone… a trusty Shure SM57."
The recording was mixed by Drew Rudenbusch and mastered by Darren Keen. This one is something of a surprise and in the grand tradition of Jones' former bands — i.e., heavy, groovy shit. Would love to hear this performed live (Damn you, COVID!) You can buy the download at a name-your-price price from Jones' Bandcamp page.
McMcCartney by Ethan Jones
.* * *.
Seeing Darren Keen's name reminded me of an oversight which I want fix now. Back in September James Schroeder (UUVVWWZ, David Nance Band) released a solo album called Mesa Buoy, which I somehow totally overlooked. As you can imagine, the 8-song recording is a showcase for Schroeder's amazing guitar work.
"This recorded material is one end of a stubborn vision that infected my writing process for the better part of a decade," Schroeder says in the liner notes. "Pieces floating in one sketched form or another, hauled from basement to basement like a cinder block matryoshka doll. Toiled slowly and steadily between tours and recording with other groups."
The project features some of Nebraska's finest talent: Kevin Donahue on drums, Colin Duckworth on pedal steel, Patrick Newbery on Rhodes, Michael Overfield on bass and Megan Siebe on cello, with special guest appearances by Jay Kreimer and David Nance.
Ben Brodin engineered and mixed the recording at ARC; Darren Keen did the mastering. It's quite a feast of styles and substance, underscored by Schroeder's remarkable guitar work. Download the album for $7 at Schroeder's Bandcamp page.
Mesa Buoy by James Schroeder
Speaking of Darren Keen, the mastermind behind The Show Is the Rainbow has a new electronic project called Problems that will see the release of its debut, Ought Not Be Overthought, Dec. 4 on LA label Knightwerk Records. The first single, "Single," was released a couple weeks ago. Get into it:
PROBLEMS – SINGLE & READY TO MINGLE by Problems


You may feel envious when you hear about relationships that have lasted a long time, but you do not have to. You have your own relationship to attend to and it is not really difficult to ensure the longevity of your relationship. It takes time, but it is not difficult or impossible. Other people are able to do it and so can you. You only need to know the "secrets" of a rock solid relationship that will last a long time. Here are a few important things you can do to achieve a successful long-term relationship.
Trust is the most solid foundation of a relationship. Without trust, a domestic partner or spouse will be constantly plagued by arguments that are caused by insecurity and jealousy. You will lose passion and interest in a relationship because you are always fighting about something that is probably very trivial in the first place. Work hard to make your partner trust you and your partner should do the same as well. When there is trust, insecurities and jealousy can be avoided along with the problems that they bring into a relationship.
Safety and security are two important relationship aspects that you and your partner should expect from each other. There is no doubt that you will go the extra mile to protect your partner, but if your partner does not feel safe with you, then it is a sign that your relationship is doomed to fail. Your partner should feel secure with you physically and emotionally. There should be assurance that you will not verbally or physically abuse your partner and you have the right to expect the same.
Communication is always the key to a successful relationship, but the manner of your communication will also matter. Contemptuous communication is definitely a detriment to your success. This type of communication does not respect your partner and tends to attack your partner directly for his or her shortcomings instead of addressing them. This kind of communication will result in another argument that usually ends up in insults and the inability to move forward at all.
On the other hand, communicating with respect involves bringing up the other party's shortcomings without making an attack on the other person's capabilities. This method of communication is more productive and helps to avoid feelings of anger and resentment that contemptuous communication tends to bring up.
Successful relationships happen when partners are able to resolve their conflicts and close the book on those chapters for good. You already know that communication is important when resolving conflicts; even ones that are smaller in scale. However, it is not a good idea to open old wounds when faced with a new problem. When you do that, it means that you and your partner have not truly resolved the issue. In some cases, it is a sign of a bigger problem in your relationship.
Conflict resolution is a skill that is necessary in any relationship. When possible, do not sleep without resolving a problem. However, it could also be important to give a bit of space until both you and your partner have cooled down enough to talk about the problem in a civilized manner. Avoid bringing up old conflicts that you have supposedly resolved before. However, if the problem cannot be avoided, set that matter aside to be discussed at an appropriate time. When your relationship has all five of these attributes, you can expect it to be successful and last for a long time. It takes a lot of work, but it should be a two-way affair.


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Know Your Car
Volkswagen reveals its 268BHP 2.0-L Diesel Engine
Know Your Car, News, Passenger Cars
By Mrudul On November 12, 2014 No Comments
At its Headquarter Wolfsburg, Germany, VW revealed its new turbochared 268BHP, 2.0L, 4 cylinder diesel engine. But the major point of attraction is, it produces impressive 268bhp. The Germans have always been known for the introduction of revolutionary technology and modernization, no surprises there. Talking about Volkswagen in particular, it has been responsible for a lot radical stuff, including dual-clutch gearboxes and w-shaped engine blocks. The engine includes innovation such as wider scope for start/stop engines, better networking and an oxide-film for glass to block radiation. The new engine made based on the current EA288 unit. The engine is more powerful and also fuel efficient also. The engine reduces energy and water consumption and also cuts CO2 emission by 25 percent. Future totally relies on sustainable use of fuel and green energy.
VW's new diesel engine
VW says "Today, the hunt for every gram of CO2, every drop of fuel, every kilowatt of power that can be saved is one of the key challenges faced by the automotive industry," The 2.0-liter diesel engine comes with a two-stage electrically operated turbocharger which is even more powerful than the current 3.0-liter V6 diesel engine that made its debut on the VW Touareg Facelift. The new engine would come in production of the CrossBlue SUV Concept. But the company didn't say anything about the max torque generated by new 4 cylinder diesel engine. But VW reveled details regarding new 10 dual shift gear (DSG) gear box which is code-named DQ511. New 10-speed gearbox is one part of VW's bold ambition to become world's most sustainable carmaker by 2018.
At Vienna's International Motor Symposium,VW Group's chairman, Prof. Dr. Martin Winterkorn, laid out a strategy to increase fuel economy an additional 20 percent, by 2020. At the center of this plan is a new DSG box, with an additional four gears tacked on for a total of 10 ratios. Officially, the additional gears are exclusively to increase fuel economy. It is said that this will be able to handle torque loadings of up to 405 lb-ft., which means it could also be bolted to the new four-cylinder diesel engine. VW aims to reach the ambitious target with a program it's calling "Think Blue". There is no other automatic which shifts faster and also more fuel efficient.
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Tags:VW India VW's new engine
Refreshed Ford EcoSport launched at 6.79 lakh
Ford updated the EcoSport which was caused the emergence of …
2015 Alfa Romeo 4C Spider revealed at Detroit
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Mrudul


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More Dykema Articles
A Skeptical IRS Comments on Monetized Installment Sale Transactions
by Michael Cumming, Scott Kocienski, Richard Lieberman, Asel Lindsey, Nardeen Dalli, Victoria Remus
Maritime Industry Ready and Fit for 55 � vol. 3: Revision of the Energy Taxation Directive
Tax Updates December 2021 (SyCipLaw Tax Issues and Practical Solutions (T.I.P.S.) International Edition Vol. 4)
Ministry of Finance's Press Release on Foreign Source Income and Stamp Duty on Contract Notes
More Taxation Aricles →
Dykema
Dykema Participating in Mansfield Rule 5.0 Certification Process
James M. Burns Appointed Co-Chair of ABA Antitrust Section�s Public Education and Outreach Committee
Dykema Receives 2020 Patent Pro Bono Achievement Certificate from the USPTO
Even before the Biden Administration proposed an increase to the capital gains rate, it has been increasingly common for a seller ("Seller") of business assets to be approached by consultants promoting a transaction structure whereby Seller can immediately receive nearly all of the cash proceeds of the sale while also deferring the corresponding tax for as long as 30 years. The allure of receiving cash proceeds tax-free for 30 years is a powerful inducement to enter into what is commonly referred to as a "Monetized Installment Sale" ("MIS") transaction.
Promoters generally outline the steps of an MIS transaction as follows:
First, Seller initially sells business assets intended for a third-party buyer ("Buyer") to an intermediary (the "Intermediary"), typically organized as a non-business trust with an "independent" trustee, in exchange for a 30-year installment note with principal due at maturity. Under Section 453 of the Internal Revenue Code of 1986, as amended ("Code"), gain from an installment sale is generally reported for income tax purposes as principal payments are made, with certain exceptions. Since the installment note would not require principal to be repaid until maturity, Seller is told by the promoter that all of the tax associated with the sale to the Intermediary would be deferred until maturity.
Next, the Intermediary immediately resells to Buyer the business assets it purchased from Seller. The purchase price to Buyer is the exact amount of purchase price in Intermediary's transaction with Seller resulting in no gain to the Intermediary and the desired basis step-up for Buyer. (Buyer must understand that Seller's representations and warranties are of no value unless the Buyer's agreement with the Intermediary appropriately captures such representations and warranties.)
Next, the Intermediary "invests" the sale proceeds received from Buyer with a third party (the "Lender"), which in turn loans approximately 97% of the sale proceeds to Seller ("Seller's Loan"), which is typically secured by Seller's proceeds either held in escrow or by the Lender. (Lender may also be a separate party, which secures the loan with the sales proceeds held either in escrow or an investment account). The discount reflects the service fee charged by the Lender and the interest rate and terms,e.g., a balloon payment at maturity, on Seller's Loan are substantially identical to the terms of the installment note issued by the Intermediary to Seller. The annual interest paid by the Intermediary to Seller is in turn used by Seller to pay annual interest on the Seller Loan.
MIS promoters regularly reference an IRS Office of Chief Counsel Memorandum dated July 12, 2012 (the "2012 IRS Memorandum"), as representing IRS approval of the MIS transaction structure. Unfortunately for Seller, the 2012 IRS Memorandum says no such thing, but that does not seem to prevent MIS promoters from continuing to reference it as supporting guidance.
Despite repeated efforts by Dykema tax attorneys and other tax professionals advising extreme caution when considering an MIS transaction, the MIS promoters have been unrelenting in trading on the false promise of substantial tax savings. That is, it appears, until now.
On May 7, 2021, the IRS Office of Chief Counsel released a memorandum directly, albeit succinctly, addressing MIS transactions (the "2021 IRS Memorandum"). In the opening paragraph of the 2021 IRS Memorandum, which is directed to an IRS field agent, the IRS Office of Chief Counsel summarizes the matter as follows:
This is in response to your request for our analysis regarding "Monetized Installment Sale" transactions. Note that because there are multiple promoters/sub-promoters, there could be variations in the way the transactions are structured. Some of the points below might not apply to every transaction. However, there do seem to be common features that make the transactions problematic. And we generally agree that the theory on which promoters base the arrangements is flawed.
The 2021 IRS Memorandum then describes various flaws in the MIS transaction structure, two of which deserve special attention. First, Section 453A(d) of the Code includes a special exception to the general installment sale rule when there is a related pledge. Specifically, since the Seller Loan is secured by the right of Seller to receive payment from the Intermediary, there is a deemed payment under the pledging rule whereby the loan proceeds are treated as payment of the installment note (which unwinds the intended tax deferral).
The Office of Chief Counsel also makes it clear that the 2012 IRS Memorandum is distinguishable from the typical MIS transaction. The 2012 IRS Memorandum was premised on an exception to the pledging rule for sales of farm property. Unless Seller's business assets qualify as farm property, the 2012 IRS Memorandum is of no support for the typical MIS transaction.
On April 19, 2021, the IRS announced the establishment of a new Office of Promoter Investigations ("OPI"). The creation of OPI illustrates the IRS's commitment to pursuing promoters and combating abusive tax avoidance transactions. The MIS transaction structure has been on the IRS's radar for several years and the release of the 2021 IRS Memorandum would appear to suggest that OPI will be closely scrutinizing both past and future MIS transactions. Sellers considering an MIS transaction structure based on advice received from a promoter should tread carefully. The potential for being caught up in an IRS sweep of MIS promoters is now stronger than ever before.
If you would like more information about MIS transaction structures, the 2021 IRS Memorandum or OPI, please contact Michael Cumming ([email protected] or 248-203-0740), Scott Kocienski ([email protected] or 248-203-0868), Richard Lieberman ([email protected] or 312-627-2250), Asel Lindsey ([email protected] or 210-554-5298), Nardeen Dalli ([email protected] or 248-203-0793), Victoria Remus ([email protected]or 248-203-0553) or your local Dykema relationship attorney.


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One of the most widely circulated French-language newspapers in Congo. The newspaper covering sports, jobs, arts & culture, economy, politics, and travel.
Providing latest news on sports, business, politics, health, entertainments, science, and more.
Leading news and information website in DRC.
Featuring latest sports, business, entertainment, and politics.
Online resources featuring latest multimedia technologies about the Congo.


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Srečevanja glasov / Co-voicings oblikovanje/design: Mauricio Ferlin
Nr. of pages: 176
Between audiences and communities ‒ traditional folk singing meets contemporary performing arts practices
... this book contains the voices of some in the field of many...
Each era meets its predecessor(s). It seeks the roots from which it sprang and looks into the future, wondering what it will grow into. Artistic movements get acquainted with their forerunners; they research and analyze what initiated them, what kind of seeds were planted for them to be able to grow, and at the same time they are always predetermined by their own history. Traditional folk song is thus a contemporary variation, something that is new in every new era, feeding itself from (what was in) the past. It is (a) history coming to life, telling us about ourselves, our ways of living, being, and communicating. It doesn't live in books. Nevertheless, it is important to write and think about it. In different ways. Multiple ways. We have tried to capture at least some in the book that is now before you. (Irena Tomažin)
Irena Tomažin is the author of six projects: Hitchcock's Metamorphoses (2001) in collaboration with Mitja Reichenberg, Caprice (2005), Caprice Re-lapse (2006), As a Rain Drop into the Mouth of Silence (2008), Out of Discord (2010) in collaboration with Josephine Evrard, and The Taste of Silence Always Resonates (2012). For several years now, she gives vocal workshops focused on raising awareness about and opening up the voice.
She began working in theatre during high school, when she was a member of IHT Collective, led by Tomaž Štrucl. After high school, she began dancing in Studio Intakt and continued her dance education at the Dance Theatre Ljubljana, participating in educational programs such as Laboratorij, Agon, and Emanat and attending numerous workshops in Slovenia and abroad. In 2004, she received a DanceWeb grant to go to Vienna, and in 2007, she was selected to participate in the educational program Atelier by Grotowski Institute (Wroclaw). She is also the 2006 recipient of the Golden Bird Award, awarded annually by the Liberal Academy, for her pieces Caprice and Caprice Re-lapse. Working with voice in the context of contemporary performing practices, concerts, improvised music, and voice-workshops is the main focus of her professional activity.
Katarina Juvančič is a cultural anthropologist, ethnologist, cultural sociologist, music publicist, and singer. Common denominator of all her activities is her work with contemporary folk music, specifically lullabies, and contexts in which folk music is performed (folk revivals, festivals), which she has studied in Slovenia and Scotland. She presented her research and findings from Hawaii, California, Orkney and the Shetland Islands (Scotland) to Sarajevo and Ljubljana. Her music reviews are published in Slovenian and foreign music journals. In recent years, she is also establishing herself as a (song-)writer and poet, drawing from the rich and expressive world of female sentiments, building bridges between contemporary trends and archaic folk poetry and sensibility. Her debut Selivke (Migratory Birds, 2012), recorded with guitarist and producer Dejan Lapanja, received very positive reviews in Slovenia and elsewhere in Europe.
Natalka Polovynka is an actress, singer, performer, interpreter of folk songs, and pedagogue. Her devotion to tradition greatly contributed to the visibility and persistence of traditional singing within cultural and artistic circles both in Ukraine and abroad.
In Ukraine, she founded a school of traditional singing called Maisternia Pisni and, together with director Sergei Kovalevič, co-founded an art center with the same name. She is the author of numerous music and theater projects, such as They Are Coming, Homo Ludens, The Well, Irmos, Sobor, Flower-fiancée, The Message of Summer, After Christmas, and Wedding. She invented her own unique methodology of working with voice and led vocal and singing seminars and workshops at Columbia University (USA), University of Wales (UK), and at the International Institute Jerzy Grotowski in Poland. She collaborates with Grotowski Institute on regular bases as well as with the Academy of Guardians (Moscow) and two of Ukraine's national men's choirs - Dudaryk from Lviv and M. Revutskyja from Kiev. She was awarded many times for her work at several international music and theater festivals and is the recipient of the Ukrainian national award Taras Shevchenko for highest artistic achievements. In 2010, she founded Word and Voice art center, based in Lviv.
Since 1993, Svetlana Spajić has been performing and teaching traditional Serbian and Balkan songs, visiting and living in the villages with singers, learning first hand about the oral tradition and their culture. Her main field of interest are ancient, orally transmitted vocal traditions of Serbian and Balkan non-tempered a capella singing and its unique vocal techniques and ornamentation, language, function, and meaning.
She learned from the best village local singers and sang with some of the best traditional singers of the world, such as Hronis Aidonidis, Domna Samiou, Yanka Rupkina, Bokan Stanković. She has also collaborated with artists Marina Abramović, Robert Wilson, Antony Hegarty, William Basinski, Sainkho Namtchylak, Boris Kovač, Stella Chiweshe, Balkan Beat Box... Svetlana Spajić performed and lectured in Concertgebouw (Amsterdam), Wiener Konzerthaus, MoMA (New York), MOCA (Los Angeles), Teatro Real (Madrid), Jad Vashem Institut (Jerusalem), Grotowski Institute (Wroclaw), Warsaw Radio, WOMAD - Radio BBC3 stage, WOMEX 2010... Since 2010, she has been a part of Bob Wilson's visionary opera The Life and Death of Marina Abramović, as a composer, lyricist, and performer. Last year, she started collaboration with ARIA, Academy for Early and Baroque Music from Nantes.
Ljoba Jenče sang and performed Slovenian folk songs all over the world, from Canada to Thailand, from Argentina to the Himalayas, and across Europe. She is passing on the tradition of her people with dignity and respect to earlier generations who survived such great trials of history. Ljoba is a freelance artist since 1988 and she is singing folk songs from all parts of the Slovenian ethnic territory, collecting them around Koroška Region (Inner Carniola) and Banjšice Plateau, as well as doing continuous research of the human voice; the voice that doesn't live in music sheets, but in the depths of the human soul, in the vastness of man's thought, flows of emotion, in the warmth and the heart of the world. Passed on from one generation to another, it cannot be captured on paper. It comes to us from the future, wrapped in the kisses of dialects', their destinies and suffering, and in the happiness of PEOPLE. Ljoba was very honored when she was invited to sing during the visit of His Holiness the Dalai Lama. With the Tibetan monks she published a record Lepote modrosti (The Beauty of Wisdom). She published several other records and books, sang at the United Nations in New York and at the UNESCO in Paris, but most of all, she loves to sing for the children, either at home at the Cerknica Lake or around the world. She is convinced we must take good care of our children and give them love and sensitivity for all the realms, minerals, plants, animals, humans, and the divine.We should do this in our mother tongue, in the standard language. We are obliged to make this contribution, for the longevity of the Slovenian nation and the Earth as a planet – in other words, to make a relevant contribution into the treasure box called humanity.
Bogdana Herman's work is based on opening up and reviving the faces of folk songs in a contemporary fashion. For over three decades, she remains the voice of contemporary Slovenian folk music. Unlike many of her peers, who went along with the avant-garde artistic movement in the turbulent 1960s, but then withered away in the comfortable realm of a 'cult' artist, Bogdana keeps pushing the boundaries and charting new territories in the field of folk music. Ballads she sang with the group Terlep trio, and later as a solo performer and interpreter, became popular with the younger generation of contemporary folk musicians in the new millennium and became an indispensable part of their repertoire. We are used to listen to Bogdana's supple, crystal voice in her solo interpretations, but in recent years she has collaborated with an incredibly diverse palette of musicians from different genres (using various instruments and sounds): cymbals player Andi Sobočan, accordionist Jure Tori, guitar player Tomaž Pengov, and digital pulses of a computer by Borut Savski. In all these artistic constellations, she is equally convincing, subtle, perceptive, and fresh. Namely, the material of her songs is like a living organism that is always open to transformation or yet another stylistic molt. (By Katarina Juvančič)
Boštjan Narat is a philosopher, musician, songwriter, author, and (theatre) performer. With his band Katalena, founded in 2001, he recorded five studio albums:(Z)godbe, Babje leto, Kmečka ohcet ali tretji prispevek k slovenski blaznosti, Cvik cvak!, and lastly Noč čarovnic (2011). In 2010, he recorded his debut solo-record as a songwriter entitled Strah je odveč. In spring 2012, in collaboration with Matevž Kolenc, Polona Janežič, Jelena Ždrale, and Blaž Celarec, he recorded and published his second solo-record entitled Konec sveta vedno pride nenapovedano. As a songwriter, he also collaborates with a renowned Slovenian singer Neca Falk. As a composer for theatre, he has worked, among others, with Janez Janša, Brane Potočan, Edward Clug, Valentina Turcu, Tatjana Peršuh, Tomaž Štrucl, Jure Novak, and Mare Bulc. He also writes and publishes articles in expert and literary magazines, moderates a cycle of talks Filozofiranje v Varieteju in the Kavarna Union coffee house, and is the author and host of the show Panoptikum on Radio-Television Slovenia. In the end of 2013, he published a collection of essays with the title Partíja.
Damir Imamović is the new voice of Bosnian traditional music known as "sevdah" and one of the most successful musicians of his generation. His efforts to re-establish the artistic status of traditional Bosnian folk music gained him both domestic and international attention and the opportunity to perform all over the world. Next to recording several CDs with his group Trio and Solo, he participated in musical projects with other celebrated fellow musicians like Vlatko Stefanovski, Bojan Zulfikarpašić, Eric Vloeimans, Bachar Khalife, Tamara Obrovac, Jadranka Stojaković, and performed in venues such as Cemal Resit Rey (Istanbul, TR), Pompidou Centre (Paris, FR), Kennedy Centre (Washington DC, US), Kolarac (Belgrade, RS), Concertgebouw (Amsterdam, NL), etc. His research of sevdah music, its traditions and performance, distinguish Imamović as a prominent figure among experts in this ancient Bosnian craft. Building on this heritage, Imamović developed a distinct personal style of both singing and guitar playing. He regularly gives workshops and lectures with his own travelling laboratory of sevdah music: the "SevdahLab" and previous sessions included Sarajevo (Mediacentar), Belgrade (Centre for cultural decontamination), Zagreb (Booksa), Chicago (Loyola University and The Old Town School of Folk music), Amsterdam (De Balie). .
Free shipping with online order.
Book editors: Saša Rakef, Irena Tomažin, Barbara Hribar
Translation: Barbara Hribar
Proofreading in Slovenian: Simona Ana Radež
Proofreading in English: Katja Kosi
Publisher: Emanat – Prehodi XS, 2014
Financial support: European Cultural Foundation
24.03.2014 , Cankarjev dom, Ljubljana, SI
Talk no. 6: Maja Delak - Maja Šorli
Svetlana Spajić (RS): The workshop of ancient traditional singing, forms and techniques
Co-voicings -talks
Irena Tomažin (SI): Voice workshop (voice as body, text and music)
Sarah Kane: Crave


text:
Bio & Press Photos
Anonymous Legends
Jazz Duos/Trios
Wordless Praise Experience
Reggie Houston
Reggie Houston's Crescent City Connection
Playing the high-energy, danceable, genre-jumping sounds of New Orleans music, rooted in funk and R&B, Reggie Houston's Crescent City Connection is designed to get you on your feet and dancing!
Core Band:
Reggie Houston - Saxophones and vocals
Reinhardt Melz - One of the most respected, versatile, and accomplished drummers in the Pacific Northwest, Reinhardt is regularly called on by musicians like Gino Vanelli, Curtis Salgado and Bobby Torres among others.
Tyrone Hendrix - Alternating with Reinhardt, and no less accomplished, Tyrone has performed with greats like Stevie Wonder and Liv Warfield.
Ben Jones - A master bassist, Ben has recorded toured with The Neville Brothers, Anita Baker, Liv Warfield, Jennifer Batten, Charmaine Neville and The Oregon Symphony among many.
Peter Dammann - This soulful, Chicago-born guitarist is best known for his award winning blues guitar and as the artistic director of the second largest blues festival in the US, The Waterfront Blues Festival.
Michael Elson - Multi-instrumentalist and Reggie Houston mainstay, Mike plays keyboards with the Crescent City Connection but is widely known for his accomplished bass playing as well.
Peter Moss - Performing with the Crescent City Connection on both baritone sax and flute, Pete is the 2015 winner of Cascade Blues Association's "Best Horn Player" award and also a regular member of Norman "The Boogie Cat" Sylvester's band.
Taeko Yokoyama - Originally from Japan, Taeko started out several years ago as one of Reggie's star saxophone pupils. So gifted, and such a proficient learner, Taeko quickly graduated to performing regularly with Reggie in Portland and on the road.
Featured Guest Musicians:
Curtis Salgado - This monstrously talented blues harp player and vocalist appears on two tracks of Reggie's CD "Homage 1."
Charmaine Neville - An electrifying performer and master of vocals and rhythm, Charmaine began her career singing in her father's band, The Neville Brothers. From there she went on to perform with Reggie Houston in The Survivors before the two of them co-lead The Charmaine Neville Band for years.
Amasa Miller - Keyboard player for The Charmaine Neville Band, Amasa has a long history of performing and recording with Reggie Houston.
Russell Batiste Jr. - Most widely known for his drumming with the Funky Meters and Papa Grows Funk, Russell began his musical career at age seven with the Batiste Family Band. Russell went on to perform with The Charmaine Neville Band, Harry Connick Jr., Maceo Parker, Robbie Robertston and many others.
LaRhonda Steele - Portland, Oregon based powerhouse vocalist with gospel roots who fronts her own band, serves as choir director for the Portland Interfaith Gospel Choir, and is a featured vocalist on Reggie Houston's Homage 1 release.
Louis Pain - "Portland's Boss of the B-3," Louis Pain is a highly in-demand musician who has performed with Jules Broussard, Curtis Salgado, and Paul DeLay. Pain's release with LaRhonda Steele (mentioned above) titled, Rock Me Baby, received 4 out of 5 stars from OffBeat Magazine.
Nafisaria Scroggins-Thomas - Beautiful gospel vocalist who performs regularly with some of Portland's most respected musicians, and was raised up in the music by her mother, the legendary Grammy-nominated Portland pianist, Janice Scroggins.
Arietta Ward - Another Scroggins prodigy and older sister to Nafisaria, Arietta is an accomplished and versatile vocalist, singing jazz, funk, gospel and African styles as well as writing music and playing piano.
Lady A - Though based in Seattle, Washington, this singer's roots are all southern gospel and Louisiana funk and her performances are always smokin' hot!
Studio Recordings
Ms. Killona Greenhill (featuring Zena Moses) 6:29
Sick and Tired (Featuring Curtis Salgado) 2:07
Mardi Gras In New Orleans 5:28
Before I Grow Too Old 5:39
Reggie Houston's Crescent City Connection featuring Lady A:
Reggie Houston's Crescent City Connection live at The Waterfront Blues Fest, 2015:
Copyright © 2018 Jimmy's Pooka Blues Cafe, LLC. All rights reserved.


The official Tablo profile for our fancy press announcements.
Years in the making. With the new Tablo, you can publish your books in eBook and paperback to nearly every online and physical bookshop in the world.


A Coventry based accountant faked his clients' tax returns and fiddled his own, has been given a 2 year jail sentence.
From January to August 2012 Akeel Ahmed Mirza, (aged 27) altered his clients' company tax returns , in order to make false repayment claims of over £140,000 of tax: which he then kept for himself. He also sent HM Revenue and Customs incorrect Self Assessment tax returns for his own business: claiming tax refunds of £46,500 – by falsely claiming his business had made large trading losses.
Mirza was arrested by HMRC tax investigators at his home on 23 August 2012; and was subsequently charged with 5 counts of Fraud by False Representation, and 1 count of Cheating the Public Revenue. He was sentenced today at Warwickshire Justice Centre.


What Beckett holds is cultural authority; his name is recognizable regardless of any context of his work or contribution to society or culture. The same is true for Sebastian Thrun, the pater familius of CS 271, the 2011 Stanford Computer Science course in which over 160,000 students registered for a free online version of the course that became the flagship for what we today call a MOOC. Thrun has a roster of designations (Stanford professor, Google scholar, developer of the driver-less car), and these designations are leveraged in those articles where he is presented as an education expert who is the CEO of Udacity, his educational start-up developed after CS 271. We can read about Thrun's impressive AI background in education-focused write-ups from Wired, FastCompany, the Smithsonian, and this week in MIT's Technology Review and Financial Times. Sebastian Thrun's AI work is impressive. But, in the same way Beckett's space as a noted 20th Century Author has been used to sell motivation, Thrun's AI background is used to sell a specific view of education, and the hagiography does not align with the reality.
Education should cost money because of the service rendered. So we decided to have two paths. Access to our content basically costs us nothing—it costs us like 50 cents a student, and we decided to just give this away. If you are in central Africa and you really want to get an education, anything that is easily replicable for us we give to you for free.
We chose to go to industry because we believe the future of learning is lifelong and not just one-time. We have data from the Department of Labor Statistics that says the average employment in a job in 2002 was 4.6 years. We know that is shrinking. We know people have seven different careers over their lifetime. As a result, we needed to do two things: make the learning unit smaller than the conventional degree and make it fresher than a traditional degree.
Colleges are very focused on the ages from 17 to maybe 24, but people live 70 to 80 years now in many countries. For people in their 30s, their 40s, military people coming back [to civilian work], women raising children who want to reënter the workforce, all huge factors in the workforce—for those people there's no educational venues that I know of that work in this country.
Just 2.5 years ago, Sebastian Thrun's mission was quite different, focused on helping students become college-ready through SJSU Plus. Today, college is the obstacle Udacity faces (with the exception of the person in Central Africa who really wants an education and will put forth the effort to weld it together via Udacity's freemium materials). Eight months after the 2013 SJSU/Udacity partnership was heralded, results showed that those students Thrun specifically referenced as those whom Udacity could help were in fact those most harmed by the course. Udacity attempted to spin the results by noting the population in these courses was not college-ready, conveniently forgetting that the original purpose of SJSU Plus was to help students become college-ready. By the end of 2013, the partnership had been dismantled, with SJSU declining comment and directing future partnership questions to Udacity.
The belief that higher education means more than job placement or career skills. College-ready in terms of the Higher Education Act meant, in the words of President Lyndon B. Johnson, "…a way to deeper personal fulfillment, greater personal productivity, and increased personal reward." Higher education was intended to provide the pathway for people to become lifelong learners, not a mechanism for people to plug into when they need new training.
External factors and historical precedents do not seem to affect the manner of business at Udacity or, to be more general, in Silicon Valley. This cannot be written off as postmodernism (whether we use that term as defined or as a pejorative), and it's not just neoliberalism (which is almost entirely seen as a pejorative today). It's a confluence of ahistoricism, solutionism, and nullification, all in an era where authority is created by splicing fact into narrative and selling it as Truth (see TED). Udacity can continuously rebrand pivot while remaining at the forefront of innovation. It can purport its wares and deflect any criticism through promoting its self-proclaimed novelty, while at the same time using the historical as an inherency to act rather than a foundation upon which to consider its actions. Failing fast means there is no time to for consideration but only for creation; artifacts become pawns in promoting or sustaining the creation rather than the bedrock for shaping it. This is what leads to proclamations such as a future of only 10 institutions of higher education, or there are no experts in online learning. Udacity can fail at its mission, put the failure on the user rather than the company, and promote a new mission dressed as if it was the mission all along. If it is able to reach success on its shifting definition, it could then go back and point to the failures along the way as mere obstacles to the end goal.
Left in the lurch between the abstracted Udacity and the contextualized Udacity is the throw up for good – the promises of democratized education, the practical roll-out of SJSU Plus, the monies and energies and time state and federal governments devoted to apparatuses supporting the tsunami of MOOCed higher education we are still waiting for. Paraphrasing or invoking Samuel Beckett to promote and justify success through repeated failures doesn't simply make any original point go away. Failing the people you propose to help and moving on while also failing in an already failing educational system are failures we have seen enough of. Maybe the audacity of Udacity is failing to fail better.
I think it is also worth considering what MOOCs are/can be/should be in the context of today's community college. Its mission also has evolved over time, in part in response to similar interests in creating alternative pathways to four year degree-granting institutions. In California, the community college is geared toward and sells itself publicly as the two-year transfer route to the university. It's nearly impossible to do a one-off course at today's community college. I love Beckett (English major here), but all this brings to mind the Talking Heads tune, We're on a Road to Nowhere. (https://www.youtube.com/watch?v=ARhmeG691Xg).
My thing with MOOCs is mostly about what the conversation means in terms of policy and action. Udacity was asked to solve the 'education crisis' in California, was paid, presented a model, sold it as failsafe and it blew up. Within 10 months they had *pivoted* away from helping students become college-ready and towards corporate work. That's fine, but now they are talking disruption again and lifelong learning (that's a term that need be retired) as if their approach is revolutionary. Their approach is fine in the corporate, but the mixture of corporate and public as proposed in the recent Thrun articles is troublesome. I agree w/ a need for one-off courses, transferrable courses, community college remembering the 'community' part more than state policies seem to engage. I do not want Udacity running that conversation, however; they had enough trouble with the Cal State system.


text:
Trends in Infectious Disease Hospitalizations in the United States, 1980-1994
Lone Simonsen, Laura A. Conn, Robert W. Pinner, Steven Teutsch
Background A recent study concluded that between 1980 and 1992, deaths from infectious diseases increased 58%. This article explores trends in infectious diseases as a cause of hospitalization.
Methods We analyzed data from the National Hospitalization Discharge Survey for 1980 through 1994 using a previously developed approach to evaluate infectious diseases in data coded according to the International Classification of Diseases, Ninth Revision .
Results Between 1980 and 1994, the rate of hospitalizations in the United States declined approximately 33%; hospitalizations occurred at a rate of 133±5 per 1000 US population (35 million±1 million discharges) in 1994. The rate of hospitalization for infectious diseases declined less steeply—12% during this interval—resulting in an increased proportion of hospitalizations because of infectious diseases. In 1994, the rate of hospitalizations for infectious diseases was 15.4±0.7 per 1000 US population (4.0 million±0.2 million discharges). The fatality rate associated with hospitalizations for infectious diseases increased from 1.9%±0.1% to 4.0%±0.3%, attributable to increased hospitalizations of elderly persons and an increased fatality rate among those younger than 65 years. Among selected categories, hospitalizations for human immunodeficiency virus infections and acquired immunodeficiency syndrome, prosthetic device infections, sepsis, and mycosis increased substantially, and hospitalizations for upper respiratory tract infections, pelvic inflammatory disease, and oral infections declined sharply. Hospitalizations for lower respiratory tract infections constituted 37% of all infectious disease hospitalizations in 1994.
Conclusions Considering hospitalizations as a dimension of the burden of infectious diseases involves an array of factors: secular trends in hospitalization, changing case management practices, demographic changes, and trends in the variety of infectious diseases themselves. Increases in the proportions of hospitalizations because of infectious diseases during years when hospitalizations for all causes were decreasing reflect an increasing burden of infectious diseases in the United States between 1989 and the mid-1990s.
Archives of Internal Medicine
Vol/bind
Udgave nummer
Udgivet eksternt
Simonsen, L., Conn, L. A., Pinner, R. W., & Teutsch, S. (1998). Trends in Infectious Disease Hospitalizations in the United States, 1980-1994. Archives of Internal Medicine, 158(17).
Simonsen, Lone ; Conn, Laura A. ; Pinner, Robert W. ; Teutsch, Steven. / Trends in Infectious Disease Hospitalizations in the United States, 1980-1994. I: Archives of Internal Medicine. 1998 ; Bind 158, Nr. 17.
@article{06e72f24e11640a8a4337cf71c913de4,
title = "Trends in Infectious Disease Hospitalizations in the United States, 1980-1994",
abstract = "Background A recent study concluded that between 1980 and 1992, deaths from infectious diseases increased 58%. This article explores trends in infectious diseases as a cause of hospitalization.Methods We analyzed data from the National Hospitalization Discharge Survey for 1980 through 1994 using a previously developed approach to evaluate infectious diseases in data coded according to the International Classification of Diseases, Ninth Revision .Results Between 1980 and 1994, the rate of hospitalizations in the United States declined approximately 33%; hospitalizations occurred at a rate of 133±5 per 1000 US population (35 million±1 million discharges) in 1994. The rate of hospitalization for infectious diseases declined less steeply—12% during this interval—resulting in an increased proportion of hospitalizations because of infectious diseases. In 1994, the rate of hospitalizations for infectious diseases was 15.4±0.7 per 1000 US population (4.0 million±0.2 million discharges). The fatality rate associated with hospitalizations for infectious diseases increased from 1.9%±0.1% to 4.0%±0.3%, attributable to increased hospitalizations of elderly persons and an increased fatality rate among those younger than 65 years. Among selected categories, hospitalizations for human immunodeficiency virus infections and acquired immunodeficiency syndrome, prosthetic device infections, sepsis, and mycosis increased substantially, and hospitalizations for upper respiratory tract infections, pelvic inflammatory disease, and oral infections declined sharply. Hospitalizations for lower respiratory tract infections constituted 37% of all infectious disease hospitalizations in 1994.Conclusions Considering hospitalizations as a dimension of the burden of infectious diseases involves an array of factors: secular trends in hospitalization, changing case management practices, demographic changes, and trends in the variety of infectious diseases themselves. Increases in the proportions of hospitalizations because of infectious diseases during years when hospitalizations for all causes were decreasing reflect an increasing burden of infectious diseases in the United States between 1989 and the mid-1990s.",
author = "Lone Simonsen and Conn, {Laura A.} and Pinner, {Robert W.} and Steven Teutsch",
journal = "Archives of Internal Medicine",
Simonsen, L, Conn, LA, Pinner, RW & Teutsch, S 1998, 'Trends in Infectious Disease Hospitalizations in the United States, 1980-1994', Archives of Internal Medicine, bind 158, nr. 17.
Trends in Infectious Disease Hospitalizations in the United States, 1980-1994. / Simonsen, Lone; Conn, Laura A.; Pinner, Robert W.; Teutsch, Steven.
I: Archives of Internal Medicine, Bind 158, Nr. 17, 1998.
T1 - Trends in Infectious Disease Hospitalizations in the United States, 1980-1994
AU - Simonsen, Lone
AU - Conn, Laura A.
AU - Pinner, Robert W.
AU - Teutsch, Steven
N2 - Background A recent study concluded that between 1980 and 1992, deaths from infectious diseases increased 58%. This article explores trends in infectious diseases as a cause of hospitalization.Methods We analyzed data from the National Hospitalization Discharge Survey for 1980 through 1994 using a previously developed approach to evaluate infectious diseases in data coded according to the International Classification of Diseases, Ninth Revision .Results Between 1980 and 1994, the rate of hospitalizations in the United States declined approximately 33%; hospitalizations occurred at a rate of 133±5 per 1000 US population (35 million±1 million discharges) in 1994. The rate of hospitalization for infectious diseases declined less steeply—12% during this interval—resulting in an increased proportion of hospitalizations because of infectious diseases. In 1994, the rate of hospitalizations for infectious diseases was 15.4±0.7 per 1000 US population (4.0 million±0.2 million discharges). The fatality rate associated with hospitalizations for infectious diseases increased from 1.9%±0.1% to 4.0%±0.3%, attributable to increased hospitalizations of elderly persons and an increased fatality rate among those younger than 65 years. Among selected categories, hospitalizations for human immunodeficiency virus infections and acquired immunodeficiency syndrome, prosthetic device infections, sepsis, and mycosis increased substantially, and hospitalizations for upper respiratory tract infections, pelvic inflammatory disease, and oral infections declined sharply. Hospitalizations for lower respiratory tract infections constituted 37% of all infectious disease hospitalizations in 1994.Conclusions Considering hospitalizations as a dimension of the burden of infectious diseases involves an array of factors: secular trends in hospitalization, changing case management practices, demographic changes, and trends in the variety of infectious diseases themselves. Increases in the proportions of hospitalizations because of infectious diseases during years when hospitalizations for all causes were decreasing reflect an increasing burden of infectious diseases in the United States between 1989 and the mid-1990s.
AB - Background A recent study concluded that between 1980 and 1992, deaths from infectious diseases increased 58%. This article explores trends in infectious diseases as a cause of hospitalization.Methods We analyzed data from the National Hospitalization Discharge Survey for 1980 through 1994 using a previously developed approach to evaluate infectious diseases in data coded according to the International Classification of Diseases, Ninth Revision .Results Between 1980 and 1994, the rate of hospitalizations in the United States declined approximately 33%; hospitalizations occurred at a rate of 133±5 per 1000 US population (35 million±1 million discharges) in 1994. The rate of hospitalization for infectious diseases declined less steeply—12% during this interval—resulting in an increased proportion of hospitalizations because of infectious diseases. In 1994, the rate of hospitalizations for infectious diseases was 15.4±0.7 per 1000 US population (4.0 million±0.2 million discharges). The fatality rate associated with hospitalizations for infectious diseases increased from 1.9%±0.1% to 4.0%±0.3%, attributable to increased hospitalizations of elderly persons and an increased fatality rate among those younger than 65 years. Among selected categories, hospitalizations for human immunodeficiency virus infections and acquired immunodeficiency syndrome, prosthetic device infections, sepsis, and mycosis increased substantially, and hospitalizations for upper respiratory tract infections, pelvic inflammatory disease, and oral infections declined sharply. Hospitalizations for lower respiratory tract infections constituted 37% of all infectious disease hospitalizations in 1994.Conclusions Considering hospitalizations as a dimension of the burden of infectious diseases involves an array of factors: secular trends in hospitalization, changing case management practices, demographic changes, and trends in the variety of infectious diseases themselves. Increases in the proportions of hospitalizations because of infectious diseases during years when hospitalizations for all causes were decreasing reflect an increasing burden of infectious diseases in the United States between 1989 and the mid-1990s.
JO - Archives of Internal Medicine
JF - Archives of Internal Medicine
Simonsen L, Conn LA, Pinner RW, Teutsch S. Trends in Infectious Disease Hospitalizations in the United States, 1980-1994. Archives of Internal Medicine. 1998;158(17).


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On Friday morning, the Lady Chucks softball team will depart from the Groundhog Little League complex en route to the state championship game against Bethlehem Catholic at Penn State's Nittany Lion Softball Park. The team plans to depart from the fields by 9:30 a.m. and will head from there toward town on South Gilpin Street. The police-escorted bus will then turn right down East Mahoning street, drive past Barclay Square and turn left on Route 119. From there, it will proceed past the Groundhog plaza and out of town. Members of the public are asked to take to the streets to send off the team bus and wish the squad well. Those doing so are asked to be on the route by 9:15 a.m.