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Institute for Global Engagement: An Evening with Dennis Prager
Written by Dallas Baptist University
Nationally syndicated talk show host Dennis Prager joined the DBU Family on September 22 to share with students in a morning chapel service and with faculty, staff, and off-campus guests at an evening dinner followed by a lecture presentation and Q&A in Pilgrim Chapel in partnership with the Institute for Global Engagement.
Lee Bratcher, Director of the IGE, opened with remarks on the early foundations of the Institute and its vision to engage cultural issues from a Biblical perspective. These were followed by an introduction by Dr. Adam C. Wright, DBU President.
The theme of Prager's IGE presentation, "American Free Enterprise and Human Flourishing," discussed the urgency of remaining faithful to biblical moral values in the midst of a cultural shift that is increasingly undermining them.
Prager is co-founder of Prager University (PragerU), the most viewed conservative video site in the world, and is a New York Times bestselling author of nine books on various subjects. He has travelled to more than 130 countries and has lectured on all the world's continents. He completed graduate work at the Russian and Middle East Institutes of the Columbia University School of International Affairs and has taught Russian and Jewish history at Brooklyn College.
About Dallas Baptist University
Dallas Baptist University seeks to provide Christ-centered education to prepare and spur on students to pursue their calling. As with any mission statement, it takes a team of dedicated workers to bring the vision of an organization to life. At DBU, our professors, faculty, and staff play an integral role in providing the holistic education promised within our mission statement.
Tags University News
⇐ Commissional Corner: October 2021
DBU Mourns the Sudden Passing of Dr. Billy Abraham ⇒


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South Chicago
No bail for man charged with shooting retired CPD deputy chief
By Sun-Times Wire Sep 17, 2016, 4:30am CDT
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Keith Vaughns. | Chicago Police Department photo
A South Side man was held without bail after he was charged with shooting a retired Chicago Police Department deputy chief in a robbery attempt Wednesday in South Chicago.
Keith Vaughns, 21, of the 7800 block of South Oglesby St., was charged with attempted first-degree murder, attempted armed robbery with a firearm, aggravated battery with a firearm and unlawful use of a weapon in the shooting of Fred Coffey.
He was ordered held without bail Friday, according to the Cook County sheriff's office. He is scheduled to appear in court next on Sept. 21.
The police said Coffey was sitting in a chair in the 2400 block of East 82nd Street just after 9:30 a.m. Wednesday when Vaughns walked up and ordered him to "give me everything you got."
They said Vaughns shot Coffey once in the left shoulder, but the 72-year-old retired cop fired back, striking Vaughns in his left thigh.
Coffey was taken to the University of Chicago Medical Center in good condition.
Vaughns drove off but was later caught and taken to Christ Medical Center in Oak Lawn, the police said.
He'd been convicted of unlawful use of a weapon in 2015 and sentenced to a year in prison, though he was paroled after less than three months, prison records show.
On Wednesday, police Supt. Eddie Johnson said, "Retired deputy chief Coffey was a great police officer and public servant to the people of Chicago, and I am glad he is OK."

redpajama_set_name: RedPajamaCommonCrawl


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Super (2005 film)
Super (2010 American film)
Super (Neu! song)
Super (Telugu: సూపర్) is a 2005 Telugu heist-action-thriller film produced by Nagarjuna Akkineni on Annapurna Studios banner, written and directed by Puri Jagannadh. Starring Nagarjuna Akkineni, Ayesha Takia, Anushka Shetty, Sonu Sood in lead roles and music composed by Sandeep Chowta. The film was also dubbed into Hindi and was titled Robbery. The film recorded as Hit at box-office.
Akhil (Nagarjuna Akkineni) owns a call cab service. He falls in love with a doctor, Siri Valli (Ayesha Takia). Soon Siri Valli falls in love with Akhil as well. There is a hi-tech robber called Sonu (Sonu Sood) who steals money in a big way. Sonu used to work for Siri Valli's father and so adopts her as his sister after their family fall into bad times.
Incidentally, Akhil and Sonu are enemies. When Sonu realizes that Siri Valli is in deep love with his arch enemy Akhil, he asks her to put an end to their relationship and to never see him again. Siri Valli goes to Akhil's house to find out why Sonu and he are enemies. Akhil reveals his flashback:
This page contains text from Wikipedia, the Free Encyclopedia -	https://wn.com/Super_(2005_film)
Super is a 2010 American superhero dark comedy-drama film written and directed by James Gunn, starring Rainn Wilson, Ellen Page, Liv Tyler, Kevin Bacon and Nathan Fillion. The film premiered at the 2010 Toronto International Film Festival and was released in theaters in the United States on April 1, 2011 and on video on demand on April 13, 2011. The film was released unrated in U.S. theaters, and later received an R rating for its DVD/Blu-ray release.
Short-order cook Frank Darbo (Rainn Wilson) says in voice-over that he has only two good memories from a disappointing life: marrying his beautiful wife, Sarah (Liv Tyler), and an incident in which he directed a police officer to catch a purse snatcher. Frank immortalizes these two events in a pair of crayon drawings that he hangs on his wall for inspiration.
Later, Sarah, a recovering addict, leaves Frank for Jacques (Kevin Bacon), a charismatic strip club owner who gets her hooked on drugs. Frank sinks into depression, where he has a vision in which he is touched by the finger of God and meets the Holy Avenger (Nathan Fillion), a superhero from a public-access television show on the All-Jesus Network, who tells Frank that God has chosen him for a very special purpose. Frank believes that God has chosen him to become a superhero and goes to a local comic book store for inspiration. His claim that he is designing a new superhero is met with enthusiastic appreciation from the foul-mouthed store clerk, Libby (Ellen Page). Frank creates a superhero costume and assumes the identity of "The Crimson Bolt."
This page contains text from Wikipedia, the Free Encyclopedia -	https://wn.com/Super_(2010_American_film)
Super is a single by German band Neu!, released in 1972. It failed to chart and has never been re-released, but has become a collector's item due to the rarity of the original vinyl 7". After the single's recording both the A and B side tracks were added to the album Neu! 2, which was released the following year.
Recording, Release & Remixing
Both tracks were recorded quickly at Conny Plank's studio in Cologne during the summer of 1972, six months after the release of Neu!'s debut album. Brain were pessimistic about the single's chances, and had to be convinced to release it by Dinger and Rother. When it was released, it was backed by only minimal promotion, and predictably failed to make any impact on the German music charts (though some Krautrock acts - such as Can - did have successful singles in the early '70s).
When Dinger and Rother returned to the studio in early 1973 to record Neu! 2, they decided to fill the second side of the new album with tape manipulated remixes of the Super/Neuschnee single. There have been several conflicting explanations as to why this was done, the most quoted being Dinger's assertion that:
This page contains text from Wikipedia, the Free Encyclopedia -	https://wn.com/Super_(Neu!_song)
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Latest News for: super affluent
New virus strain is met with weariness in a tired and frustrated South Africa
The National 14 Jan 2021
"It's not fair," said the young woman behind the counter in a store I was visiting. "I know," replied her colleague, pulling a face ... Editorial ... It is a message that has not always been getting through, especially among the young and affluent. The rapid rise in infections in South Africa has also been fuelled by so-called "super-spreader" events....
Yahoo Daily News 13 Jan 2021
And the Trump brand, premised on gold-plated luxury and a super-affluent clientele, may not fully recover from the fallout of his supporters violently storming and vandalizing the U.S ... undermine the company's efforts to appeal to affluent customers who are not Trump supporters....
Trump's supporters stormed the Capitol, Trump's brand is set to reap the consequences
The Economic Times 12 Jan 2021
And the Trump brand, premised on gold-plated luxury and a super-affluent clientele, may ......
Trump Organization in crisis as his banks shun him -- and his brand may never ...
Raw Story 12 Jan 2021
President Donald Trump is facing a business crisis only nine days before he returns to the private sector ... The mob attack on Congress last week by Mr ... "And the Trump brand, premised on gold-plated luxury and a super-affluent clientele, may not fully recover from the fallout of his supporters violently storming and vandalizing the U.S ... Mr ... JUST POSTED ... ....
Counting down our top 10 most-read features in 2020
Kyodo 27 Dec 2020
Here is the full list. 10 ... By Mai Yoshikawa ... As social distancing had us longing for human proximity and closed borders shut down global travel, this feature looked into hospitality consultant Naomi Mano's business, which goes above and beyond to fulfill requests by affluent clients who are either super rich, super picky or both ... 9 ... By Keita Nakamura ... 8....
Criminal Justice Behind Closed Doors review: A gripping morality tale
Indian Express 24 Dec 2020
Criminal Justice Behind Closed Doors cast ... Criminal Justice Behind Closed Doors director. Rohan Sippy and Arjun Mukherjee ... We meet the Chandras, a super affluent, happy and picture-perfect family ... Rather it is a super slow burn, where the detailing and the tiny pieces of the puzzle all come together slowly and steadily in a gratifying manner ... A tip ... ....
Progressives are a minority in America. To win, they need to compromise
The Observer 20 Dec 2020
Because it is impossible to fund the Nordic-style welfare state of which American progressives dream without raising taxes on the merely affluent as well as the super-rich, the Democratic party's pandering to the affluent on taxes means that there will not be a Green New Deal, a ......
Dylan Sprouse to Return to TV in Mindy Kaling's HBO Max Series 'The Sex Lives ...
The Wrap 16 Dec 2020
Also Read ... Kaur will play Bela, a "comedy-obsessed, super confident cornball from the affluent suburbs of northern New Jersey who is never afraid to say what she's thinking." Per HBO Max, "She describes herself as "extremely sex-positive" — even though she had sex for the first time 14 days ago."....
Here's how rich people can help fix America
Yahoo Daily News 05 Dec 2020
Read full article ... Here's the thing folks, (as Joe Biden likes to say.) Super-affluent people in this country are accumulating wealth in massively disproportionate amounts—while the rest of us are falling further behind ... Truly ... "U.S ... Let's dig into the super rich a bit more though, because what's going on there really has become obscene ... Another nugget....
London driver who trashed supercars worth £1 million gets suspended sentence
The National 03 Dec 2020
A delivery driver who wrecked £1 million ($1.3m) worth of super cars by speeding in one of London's most affluent neighbourhoods has had his jail sentence suspended ... CCTV footage of the moment, which shows the Audi rebounding off several other vehicles before flipping and coming to a standstill, was widely shared online ... Read More....
George B. Reed Jr.: Trump con game is winding down
Walker & Catoosa County News 02 Dec 2020
In 1852 antislavery Democrats, disaffected Whigs and independents formed the Republican Party to oppose the Democrats' entrenched pro-slavery policies ... But this small super-affluent contingency could never command enough votes to elect a dogcatcher, much less a president and the congressional majority needed to form a government ... No more today ... .......
Rishi Sunak reverted to Tory type when he chose to leave the world's poor behind
The Observer 30 Nov 2020
The super-rich have had a great coronavirus crisis ... The merely affluent, while not sitting as prettily as the super-rich, have generally done just fine ... He had little to say about how the affluent will be expected to contribute ... rather than to raise more revenue from the affluent....
Lucky pup: How to dress up your dog this Christmas
One of Ireland's most photographed style leaders, he has appeared in seasonal fashion shoots, his image fashioned on countless T-shirts and on sequinned sweaters ... Related ... For affluent pet owners, one super-stylish site is Temellini Milano from a designer who has worked for more than 20 years in human fashion with stints at Bottega Veneta and Armani....


Christy Moore's lines from Paddy On the Road remind us that the tunnels of the London Underground are built on the bones of hundreds of men who died in the dark. As we celebrate 150 years of the tube this week, we should recall all those workers who were killed or injured building it.
The Victorians had an incredible sense of scale, vision and enterprise. The tube is a truly remarkable piece of work. But it wasn't just vision that built the London underground, it was muscle and sweat. Thousands of navvies blasted and dug the tunnels, without computer modelling or power tools. They used, in the words of the Pogues song, 'pick and shovel and old dynamite'. And they died in their hundreds, without monument or memorial. The Victorians had a lax attitude to health and safety; certainly death and injury was part of the price paid to build the railways, roads and bridges which shape Britain.
But look again at Christy Moore's lyrics. Charlie Joe Devine was accidentally drowned in concrete, according to the song, and his body left there in the tunnel wall, building the Victoria line. That line (light blue on the Frank Pick's famous map) was started in 1962, and completed a decade later. Christy's character was no Victorian navvy – he might have died listening to the Rolling Stones.
Workers Memorial Day falls on April 28th this year. Started in Canada, it has been spread by the unions throughout the world. Their slogan is 'Remember the Dead, Fight for the Living'. It's an adaption of 'Mother' Jones saying 'pray for the dead, and fight like hell for the living'. Mary Harris Jones was a remarkable leader of the workers' movement. Born in Cork in the 1830s, where last year the council put up a plaque to her, she emigrated to Canada, then the USA.
She lost her husband and four children to yellow fever, and her home and job in the Chicago fire. She founded the Industrial Workers of the World (IWW) or 'wobblies' and led a 'children's crusade' of child labourers from American mines and factories to President Roosevelt's house. Some say the 'she' in the song 'She'll be coming round the mountain' is Mary Harris. She's certainly the sort of person Michael Gove doesn't want your children to know about.
The day that adopted her slogan, Workers Memorial Day, is a chance to remember the countless, nameless millions who die in their workplace. It is also the platform for campaigning for greater safety. The TUC calculates that 20,000 people die because their work in the UK every year. 1.9 million are injured.
Columnists on the right-wing papers and the repugnant, loathsome Jeremy Clarkson (friend of David Cameron) make light of 'health & safety'. They mock attempts to stop needless death and injury, because they are stupid and heartless. They dishonour those 110 Bangladeshi workers killed in December in the Dhaka factory fire, and many more besides.
The Health and Safety Executive (HSE) has had its funding cut by 35% by this government. The ConservativeHome website published a list of 100 achievements this week including 'trade union membership in 2011 is down 143,000 on the previous year' as though this was a good thing. The fact is that if inspections are fewer, and if there are fewer trade union reps in factories, on building sites, or in tube tunnels, workers die.


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Scene 2 in Lower 5th Ave apartment.
Published in House Beautiful February 2010.
Published in Inspired by This blog September 27, 2012.
Courtesy of Ashley Whittaker Designs.
Scene 2 in Lower 5th Avenue apartment (detail).
Scene 2 in Greenwich home.
Published in House Beautiful September 2013.
Published in Quintessence blog August 1, 2013.
Published in Desert Living 2009.


The films of Dario Argento are something of a cult phenomenon within the horror film genre. As is revealed in this documentary, Argento is one of the most highly regarded Italian filmmakers of recent times, with both industry contemporaries and horror fans holding him in high esteem. He's certainly prolific; a quick glance at his IMDB profile reveals no less than 23 directorial credits, 16 producer credits and 40 writing credits spanning his 40-year career. Couple this output with his highly unique style and endless imagination for horror and it's not hard to see why he's developed such an enthusiastic following.
Argento was steeped in the arts from a young age; his father was a successful film producer and his mother a photographer. A childhood fascination with Edgar Allen Poe and the Brothers Grimm sparked his lifelong fascination in the gothic and the macabre, though it wasn't this area in which he was to initially get his foothold in the film industry. Rather, as a talented screenwriter, he first gained notoriety for co-writing the classic western Once Upon a Time in the West.
With the success of that film, Argento was able to focus on his directorial interests, in particular the thriller genre. He developed his own style and became one of the main proponents of "giallo". The term giallo originally referred to a series of paperback mystery novels by authors that included Agatha Christie and Raymond Chandler which had been translated into Italian. When applied to film, giallo maintained this thriller element but with an added dramatic and highly histrionic streak.
To say Argento took this idea and ran with it is an understatement. His films are renowned for their operatic nature and excessive audio-visual design with large amounts of bloodletting and overblown killings all being par for the course. Such is his ongoing fascination with giallo that Argento's name and giallo are now nearly inextricable.
As many point out in the documentary, the inventive nature of the violence he portrays is all part of Argento's storytelling charm. A blind man savaged by his own guide dog, a woman whose eyes are permanently pinned open by placing spikes under the lids, not to mention numerous beheadings, shootings and disembowelings notoriously turn up in Argento's work.
Over the years, Argento has constantly sought new and original ways to push this onscreen violence to the limit and shock his audience. Despite this, his films are not all out one-dimensional gore fests like so many horror films these days, such as the likes of Saw and Hostel. Though he clearly intends to shock, there is also an artistry behind Argento's work, with cinematography, colour, editing and sound all meticulously working together, resulting in a highly elaborate cinematic product.
This artistic sensibility, combined with his focus on murder, has resulted in Argento being labeled an Italian Hitchcock. Many of the interviewees in this documentary though, including Argento himself, are quick to dismiss this comparison. As he points out, the only thing he has in common with Hitchcock is his interest in portraying murder on the screen. Where Hitchcock's style had a certain coldness to it, Argento's filmmaking style is highly passionate, something he attributes his Latin origin.
It is that connection to his Italian heritage that actually renders Argento's films so distinctive. Though he has occasionally dallied in Hollywood throughout his career, he has always ended up returning to his native Italy to make his most successful films. This may have something to do with the fact that Hollywood has less room for auteurs such as Argento. It's hard to imagine that such an idiosyncratic filmmaker would be able to exist within the Hollywood machine. Italy, however, with its history of auteurs like Rossellini and Fellini, traditionally has more time for artists within the film industry, which may go some way to explain why Argento has remained so close to his artistic heritage.
As the documentary highlights, one of the main criticisms Argento has faced over the years concerns his supposed misogyny. It's not hard to see why; violence, often of a sexual nature, is a common theme of many of his films. As muses go, his girlfriend and principle actress for many years, Daria Nicolodi, was certainly put through the ringer. In a string of films, she was by turns beaten to death with a chain, savaged by a chimpanzee and shot through the eye as she looked through a keyhole. Similarly, his daughter, the actress Azia Argento, has been raped and butchered several times over throughout his films. Several critics point out that he was playing out his tempestuous relationship with Nicolodi through his films and then repeating this trend with his daughter. It's certainly an interesting theory and only adds to his image as a tortured artist.
He is, however, defended by several women in the documentary including his daughter and ex-partner, who claim that as horror and murder is his subject and women are usually his leading characters, the killing off of females is rather inevitable.
Watching this documentary, it's clear that Argento is a true cinematic visionary who is highly regarded in both his native Italy and in Hollywood. Watching films like Suspiria and Opera, it's hard not to be bowled over by his cinematic audaciousness. There are very few true artists with a singular stylistic vision successfully working in the film industry at the moment but Argento is seemingly one of them. Whatever your opinion of horror films, it's surely good to know that there's room for someone with an imagination like Dario Argento to operate.


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Sport Girls basketball
Date / time 2/16/2015 7:00 pm
Game Class 4A-1B District 3/4 playoff schedules, results
Tournament home
At Stadium High, Tacoma
Elimination games
Timberline 42, South Kitsap 41
Tahoma 41, Kentridge 34
Olympia 82, Emerald Ridge 36
Gig Harbor 59, Bethel 51
Championship semifinals
At Puyallup High
Game 21: Todd Beamer (22-1) vs. Kentlake (19-5), 6 p.m.
Game 22: Bellarmine Prep (20-1) vs. Curtis (20-5), 7:45 p.m.
Game 23: Timberline (14-9) vs. Tahoma (16-8), 6 p.m.
Game 24: Olympia (16-7) vs. Gig Harbor (12-10), 7:45 p.m.
Game 25: Game 21 winner vs. Game 22 winner, 6 p.m. (winner is District 3 No. 1 to regionals, loser No. 2)
At Mount Tahoma High, Tacoma
Third-place game
Game 26: Game 21 loser vs. Game 22 loser, 2:45 p.m. (winner is District 3 No. 3 to regionals, loser No. 4)
Fifth-place game
Game 1: Battle Ground (10-9) at Heritage (6-14), 8 p.m.
Game 2: Union (9-11) at Mountain View (8-12), 8 p.m.
Game 3: Game 1 winner at Skyview (17-3), 6 p.m.
Game 4: Game 2 winner at Camas (15-4), 6 p.m.
Game 5: Game 4 winner at Game 3 winner, 8 p.m. (winner is District 4 No. 1 to regionals)
Elimination game
Game 6: Game 4 loser at Game 3 loser, 8 p.m.
Game 7: Game 6 winner at Game 5 loser, 6 p.m. (winner is District 4 No. 2 to regionals)
At Franklin Pierce High, Tacoma
Central Kitsap 65, Hazen 33
Kennedy Catholic 59, Bonney Lake 48
Lakes 58, Enumclaw 47 Enumclaw (12-10) vs. Lakes (12-10), 4:30 p.m.
Game 20: Kelso (16-7) vs. Auburn Riverside (18-4), 6:30 p.m.
At Rogers High, Puyallup
Game 21: Wilson (18-4) vs. Prairie (17-5), 6 p.m.
Game 22: Lincoln (14-5) vs. Sumner (18-4), 7:45 p.m.
At Washington High, Tacoma
Game 23: Central Kitsap (19-4) vs. Kennedy Catholic (18-5), 6 p.m.
Game 24: Lakes (13-10) vs. Game 20 winner, 7:45 p.m.
DISTRICT 2/3
At Wilson HS
North Kitsap 49, Renton 48
Fife 39, Washington 29
Franklin Pierce 57, Kingston 51
River Ridge 59, Sequim 30
At Bellarmine Prep HS
Game 21: Sammamish (11-10) vs. Olympic (17-4), 6 p.m.
Game 22: Liberty (15-8) vs. White River (20-2), 7:45 p.m.
Game 23: North Kitsap (13-8) vs. Fife (16-7), 6 p.m.
Game 24: Franklin Pierce (18-4) vs. River Ridge (14-9), 7:45 p.m.
At Foss HS
Game 25: Game 21 winner vs. Game 22 winner, 6 p.m. (winner is District 2/3 No. 1 to regionals, loser No. 2)
At Curtis HS
Game 26: Game 21 loser vs. Game 22 loser, 2:45 p.m. (winner is District 2/3 No. 3 to regionals, loser No. 4)
At Ridgefield HS
Mark Morris 73, Washougal 59
At Centralia HS
W.F. West 57, Woodland 36
Black Hills 52, Tumwater 40
At W.F. West HS
Hockinson 59, Centralia 27
At Mark Morris or RA Long
Game 9: Black Hills (15-8) vs. Woodland (10-9), TBA
Game 10: Hockinson (11-10) vs. Washougal (15-6), TBA
At Saint Martin's University, Lacey
Mark Morris (20-2) vs. W.F. West (19-2), 6 p.m. (winner is District 4 No. 1 to regionals, loser No. 2)
At Centralia or neutral site
Game 12: Game 9 winner vs. Game 10 winner, TBA (winner is District 4 No. 3 to regionals)
At Sumner HS
Game 3: Bellevue Christian 50, Coupeville 33
Game 4: Cascade Christian 43, Seattle Christian 33
Game 5: Bellevue Christian (16-6) vs. Cascade Christian (18-3), 7:45 p.m. (winner is District 3 No. 1 to regionals)
Game 6: Coupeville (15-6) vs. Seattle Christian (16-6), 6 p.m.
Game 7: Game 5 loser vs. Game 6 winner, 2 p.m. (winner is District 3 No. 2 to regionals)
DISTRICT 1/2/3
Championship first round
Game 5: Muckleshoot Tribal School (11-9) at Evergreen Lutheran (14-7), TBA
Game 6: Mount Rainier Lutheran (15-7) at Mount Vernon Christian (17-4), 7 p.m.
Game 7: Shoreline Christian vs. Neah Bay (15-0) at Port Angeles, TBA
Game 8: Cedar Park Christian (Mountlake Terrace) at Crosspoint (19-3), TBA


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Queensland and West Australian ballet companies of one mind in 2020
Queensland Ballet announced its 2020 season in mid-September; West Australian Ballet in this past week. The nation's leading state ballet companies are different in scale and usually in repertoire but their seasons next year have some striking similarities.
Oscar Valdés (seated left) as Jonathan Harker and Matthew Lehmann (right) as Young Dracula in WAB's Dracula, choreographed by Krzysztof Pastor. Photo: Jon Green
West Australian Ballet offers a repeat season of Krzysztof Pastor's full-length Dracula in September 2020 after its big success with the Perth public last year. Queensland Ballet, a co-producer, will show it to Brisbane audiences for the first time in May. Both companies have programmed The Sleeping Beauty, with QB reprising Greg Horsman's 2015 production and WAB premiering a version by Mexican choreographer Javier Torres created for Finnish National Ballet in 2012. Perth and Brisbane audiences will also see a traditional Nutcracker at year's end. QB has established Ben Stevenson's Nutcracker as an annual event while in Perth audiences see the ballet every other year. WAB's current production was co-choreographed by former WAB principal artist Jayne Smeulders, WAB artistic director Aurélian Scannella and WAB principal ballet mistress and artistic associate Sandy Delasalle.
The similarities continue with each company staging a gala program for a number of performances. QB's is to celebrate its 60th anniversary; WAB's will feature highlights from its repertoire. In Perth the gala performances will be seen in repertory with The Nutcracker.
Queensland Ballet in Greg Horsman's The Sleeping Beauty. Photo: David Kelly
As always QB and WAB will offer choreographic development seasons – titled Synergy and Genesis respectively – and a contemporary program. WAB's Ballet at the Quarry has been staged for nearly 30 years in the breathtaking open-air City Beach Quarry Amphitheatre while QB's Bespoke is a relatively new and important addition to its programming, staged at Brisbane's Powerhouse.
A splendid development for WAB is an extra annual contemporary program to be performed at Perth's State Theatre Centre. Titled STATE, the inaugural season will feature the return of Garry Stewart's Reincarnation, which premiered at Ballet at the Quarry this year. The piece sees WAB collaborate with Western Australia's state contemporary dance company, Co:3.
Also on the program is Graeme Murphy's beautiful Air and Other Invisible Forces, made for Sydney Dance Company in 1999. Part of the work will be staged during the 2020 Quarry season and it will be seen in full in STATE.
Rian Thompson and Yanela Pinera in Liam Scarlett's Dangerous Liaisons. Photo: David Kelly
In its 60th anniversary year QB, which started life as The Lisner Ballet in 1960, will present Shanghai Ballet in Derek Deane's The Lady of the Camellias in March before starting its season proper with the gala program. Continuing to expand its footprint in Australia, QB will travel to Melbourne to stage Liam Scarlett's Dangerous Liaisons, originally seen in Brisbane this year.
Under the artistic direction of Li Cunxin over the past eight years QB has grown remarkably in size. It now has 43 dancers, two apprentices and 12 young artists. The older WAB – founded in 1952 by Kira Bousloff – is significantly smaller with 29 dancers and six young artists.
A notable feature of both companies, however, is the enlivening presence of Cuban-trained dancers, including three of QB's five principal artists – Victor Estévez, Camilo Ramos and Yanela Piñera. The six Cubans at WAB include Dayana Hardy Acuña, who was promoted to principal artist after dancing Giselle in September. In May this year she was the brightest presence in WAB's staging of Greg Horsman's dismal La Bayadère (another co-production with QB), in which she was the temple dancer Nikiya. After the retirement this year of Brooke Widdison-Jacobs the top rank at WAB was looking very slender indeed with only Chihiro Nomura and Matthew Lehmann remaining as principals. Hardy Acuña's elevation is most welcome.
Dayana Hardy Acuña as Giselle with guest artist Kevin Jackson of The Australian Ballet as Albrecht in WAB's 2019 production of Giselle. Photo: Scott Dennis
This entry was posted in Dance and tagged Aurelien Scannella, Ben Stevenson, Camilo Ramos, Co:3, Dayana Hardy Acuña, Derek Deane, Garry Stewart, Graeme Murphy, Greg Horsman, Javier Torres, Jayne Smeulders, Krzysztof Pastor, Li Cunxin, Liam Scarlett, Queensland Ballet, Sandy Delasalle, Shanghai Ballet, Victor Estevez, West Australian Ballet, Yanela Piñera by deborahjones2012. Bookmark the permalink.
2 thoughts on "Queensland and West Australian ballet companies of one mind in 2020"
Lee Christofis on October 20, 2019 at 7:32 pm said:
Thank you Deborah, this is a very impressive line up all round for QB an WAB. Can't wait to see a lot of the works but for sure they'll clash with other seasons. One should not be too greedy, I guess. And how wonderful to be offered a chance to see Graeme Murphy's gorgeous Air and Other Invisible Forces for the first time in years! With The Aussie Ballet's importing a number of big works for David McAllister's farewell year, 2020 will be a very international year for Aussie ballet audiences, and a very good thing too!
deborahjones2012 on October 20, 2019 at 8:20 pm said:
My 2020 diary is already looking very full!


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4 Things You Probably Didn't Know About Peru
Home » Blog » 4 Things You Probably Didn't Know About Peru
This article was posted on Thursday, June 18th, 2015 at 5:33 pm and is filed under Beaches, Culinary Tourism, Sports, Tours of Peru.
Most people know about Machu Picchu and the Incas, but there's a lot more to Peruvian history and culture than that. Peru holds an important place in world history in regards to food, culture, and sport, one that stretches back hundreds and even thousands of years. With that in mind, here's four surprising things about Peru that you probably didn't know before now.
Peru is the Home of the Potato
Many Americans associate the potato with Ireland, but potatoes have only been grown in Europe since the mid 16th century. Before that, wild potatoes were only found in the Americas, and geneticists have traced the world's most famous tuber's origin to modern day southern Peru, where potatoes were first domesticated as far back as 8,000 BC. While many non-Peruvians have no idea that potatoes originally come from Peru, Peruvians are well aware of the connection; "I'm more Peruvian than the potato" ("Soy mas Peruano que la papa") is a common idiom expressing national pride. Think "more American than apple pie."
Figure 1 – See page for author [Public domain], via Wikimedia Commons
The Western Hemisphere's Oldest University is in Peru
When you think of old American universities, you probably think Harvard, Yale, or one of the other Ivy League schools on the eastern seaboard of the United States. But while Harvard (founded 1636) may be the oldest institute for higher learning in the US, it's still nearly a hundred years younger than the National University of San Marcos, which was founded in Lima in 1551 by decree of Holy Roman Emperor Charles V. La Universidad consistently ranks as one of the best schools in the country, and its alumni include many notable South American scientists, engineers, and thinkers, including Nobel Prize-winning novelist Mario Vargas Llosa.
Figure 2 – By Eugene Courret (Courret Historical File & Archives from Peru) [Public domain], via Wikimedia Commons
Peru is One of the World's Greatest Surfing Spots
Surfing is often associated with California, Hawaii, and other famous North American beaches, but surfers from all over the world will tell you that Peru is one of the best places in the world to ride the waves Both the world's largest left-handed wave, Chicama, and the world's largest left-handed point break, Mancora, can be found in Peru, and the country has produced multiple internationally famous surfers, including 2004 female world champion Sofía Mulánovich. Surfing is a popular activity for many Peruvians, and even has its own national TV show, Surf Peru.
Figure 3 – By Jkbenites (Own work) [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0) or GFDL (http://www.gnu.org/copyleft/fdl.html)], via Wikimedia Commons
Peru Has 3 Official Languages
Peru is generally recognized as a Spanish-speaking country, but the country also recognizes Quecha and Aymara as official languages. Named after two of the indigenous tribes from the area, both languages are spoken by millions of people; Southern Quecha, the versionof the Quechan language spoken in Peru, has over 6.9 million speakers spread across the Andes regions of South America. Spanish, Quecha, and Aymara aren't the only languages spoken in Peru, either: natives in the Amazon Jungle areas of the country speak an estimated 13 different dialects.
Figure 4 – By Kilobug (Own work) [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0) or GFDL (http://www.gnu.org/copyleft/fdl.html)], via Wikimedia Commons
Want to learn even more surprising things about Peru? Contact Best Peru Tours today to book your trip, or to learn more about our great tour packages.
Visit these 3 cities on your next vacation to Peru, you will find wonderful places and traditional food, ask your BPT travel agent about these cities
3 Surprising Peruvian Animal Facts
Pisac: A Traditional Market
Visit 3 New Wonders in 10 Days / Extend the offer until September 30th!
Peru adventure tours and The Wonder List with Bill Weir
5 Adorable Animals You Can See in Peru
The Best of Peru Includes it's Homegrown Coffee
Peru Named Best Cultural Destination in China


Prior Planning Prevents… With our expertise, tried and tested processes and event management skills we can bring your event to life with ease. It all starts with your ideas, a conversation and a site visit.
Check out the Flint & Lambourn Marquees website and complete the contact us form or pick up the phone and call us on 01367 252724.
Arrange a free site visit with Olly Morris-Adams (MD) to measure up, discuss and go through all the details of your event, whether it is a Wedding, party or any other occasion.
A bespoke quotation would be sent to you based on the site visit together with a CAD drawing of the marquee layout.
Confirmation and deposit. We would send you a confirmation/deposit note which you would need to fill in and return together with your deposit cheque (normally 30%). Once received your booking would be secure.
The lead up to the event. There are bound to be small changes or "tweaks" to your event before it happens so this is the time when Olly would be liaising directly with you.
On site. All that hard work pays off and finally the day arrives for Flint & Lambourn Marquees Ltd. to put the marquee up! Hooray.
Take down. You've had a brilliant event and all that remains is for the marquee and equipment to be removed. We pride ourselves on leaving your garden/site neat and tidy.


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Google is building third underwater cable between Portugal and South Africa
Google has announced plans to build a private subsea cable that will connect Africa with Europe.
The cable – called Equiano – will start in western Europe and run along the West Coast of Africa, between Portugal and South Africa, with branching units along the way that can be used to extend connectivity to additional African countries.
The first branch is expected to land in Nigeria, the company said.
"This new cable is fully funded by Google, making it our third private international cable after Dunant and Curie, and our 14th subsea cable investment globally.
"Google's private subsea cables all carry the names of historical luminaries, and Equiano is no different.
Previously cables were named after chemist Marie Curie and Red Cross founder Henry Dunant. This one is a tribute to Olaudah Equiano, an 18th century Nigerian-born writer and abolitionist who was enslaved as a child.
In addition to having their own cables, Google is also a partner in a number of cable consortia operating cables globally.
Alcatel Submarine Networks will be contracted to build the cable. The first phase of this project should be complete by 2021.


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I have used Oxisol by NeuroScience since it was recommened to me by my cardiologist. The antioxidant qualities of this product are great.
Oxidative stress occurs when the amount of free radicals' including reactive oxygen and nitrogen species (ROS' RNS)' exceed the abilities of the body's genetically-coded defenses (antioxidants) to maintain a balanced state. Oxidative stress affects the normal function of many body systems including the immune' cardiovascular' nervous' and endocrine systems. Oxisol supports balance between antioxidants and ROS/RNS. Alpha-lipoic acid (ALA) preserves long-chain polyunsaturated fatty acids found in cell membranes. ALA also supports glutathione activity by increasing expression of phase II liver enzymes and glutathione regeneration. Vitamins A' D' and K' along with ALA' reduce ROS levels. Mixed tocopherols are also included. These vitamin E compounds may provide additional ROS neutralizing support. The combination of ingredients in Oxisol may help prevent depletion of antioxidants. Oxisol may be recommended for individuals exhibiting symptoms of oxidative stress or with single-nucleotide polymorphisms (SNPs) in genes coding for antioxidant defenses.
Other Ingredients: Vegetable capsule (hypromellose' water)' microcrystalline cellulose' silicon dioxide' and magnesium stearate (vegetable source).
Take 2 capsules daily or as directed by your healthcare practitioner.
My Doctor recommended Oxisol by NeuroScience for multi-purposes and my blood test results now show the improvement!
Has Vitamin D as well so I don't have to take another pill.


Most teenagers would never think about having their sperm frozen, let alone having a conversation about it with their stepmom. But Alex Powell is really glad that he did.
According to Little Things, the Australian teen was undergoing chemotherapy for cancer. He was diagnosed with Hodgkin lymphoma on his 15th birthday.
His stepmom Patricia learned through another mother about the startling side effects of cancer treatment. In particular that chemotherapy could lead to infertility, so she urged Powell to head to the sperm bank.
Though he was extremely uncomfortable with the situation, he made a deposit anyway and forgot all about it. He says "it involved a very clinical situation mixed with a very personal situation and um…very awkward moments."
Powell went into remission and continued on with his life; becoming a chiropractor and two decades later, meeting and marrying his wife Vi.
When they talked about starting a family, that is when Powell remembered he had frozen sperm. They began IVF treatments in 2=13. Powell says he was nervous about using his frozen sperm "There was a bit of nervousness – when they bring those guys out what's going to happen? Are they all going to turn left?"
After about a year of fertility treatments and half of his frozen sperm, the couple finally got pregnant. Xavier was born on June 17, 2015 and is considered to be the oldest baby in the world. He holds the world record for being made with the oldest sperm ever conceived with IVF treatments.
According to Little Things, Dr. Soto of the Children's Hospital is campaigning to have oncologist advise patients about the side effects of chemotherapy and to have the federal government offer assistance for fertility storage and IVF treatments.


I have had experience in writing blog posts, articles, perspective columns, newsletters, commercials, scripts, songs, screenplays, speeches, children's books and poetry. I consider myself to be sort of an "all-purpose" writer. In other words, I can write pretty much anything if given the chance. I have experience in proofreading and editing as well.


I've known Nigel for about ten years and love the clarity of his thinking on learning so I recently asked him to record a video for an ASTD UK event to set the scene on the future of learning.
This is what he came up with and it's worth ten minutes of your time to watch Nigel place learning at the heart of the 21st century organisation, but only if it is focused on behaviours.
He argues, this will lead to an explosion of learning that will have a profound impact on productivity and organisational performance. I couldn't agree more.


The gorgeous architecture and exotic culture always makes a solo Marrakech getaway so exciting!
Since you're staying right in the heart of the city you'll have all of the wonderful sights and experiences that make Marrakech so special right on your doorstep! Whether it's wandering the ancient winding streets of the Medina, diving into the hustle and bustle of the Jemaa el Fna market or enjoying some peace and quiet in the beautiful Majorelle Gardens, you'll soon realise that the magic of this place will put you under its spell in no time!


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Current: LittleBigPlanet Review
LittleBigPlanet Review
Eric Blattberg / October 19, 2008
Approachable. Brilliant. Classic. Dynamic. Exciting. Fun. Gorgeous. Hilarious. Innovative. Jammin'. Kooky. Lovable. Magical. Numinous. Open. Playful. Quirky. Robust. Splendid. Transcendent. Universal. Vibrant. Wacky. Xenial. Youthful. Zany.
LittleBigPlanet.
These qualities pervade this big title from the little Media Molecule, a previously unproven team of 30 or so individuals. I'd venture that they'll have something to put on their resume from now on.
LittleBigPlanet is a masterpiece – that's evident from the moment you boot it up. For those unfamiliar with the game — all three of you — LittleBigPlanet is a platformer at heart, but often transcends its own genre. What's on the disc, however, is primarily platforming action. As you travel the LittleBigPlanet globe, you'll meet the seven Creator Curators, who require your assistance for their odd, often comical requests. A coherent story is essentially non-existent, but the game has such a quirky, funny style that a narrative isn't necessary.
Not that LittleBigPlanet won't touch you. It's certainly not the elusive "game that will make you cry," but it will absolutely make you laugh. To be brutally honest, SackPeople are ridiculously cute. Their wooly exteriors are adorned with tiny little zippers, shiny button-eyes, and whatever else you unlock or create. To further express your endearing SackPerson, four different emotions — happy, sad, scared and angry — are mapped to the directional buttons. The mechanic sounds goofy and unimportant, but it's supremely satisfying to slap a big grin across your SackBoy's face as you ruthlessly whack your comrades into a nearby fire-pit.
But that's just the frosting, so what does the cake taste like? First of all, it's a three-layer cake. LittleBigPlanet is obviously rendered in 3D, but to the untrained eye it appears to be a 2D platformer. That's partially correct. There are three "dimensions," a foreground, middle, and background, in which to play. Swapping between these dimensions is relatively simple, but can be a bit irritating at times. This is the game's principal fault.
On level ground, tap the left stick up or down to move into the background or foreground. This works fine. On uneven terrain, however, it gets a bit trickier. If you jump upwards, SackBoy will automatically move into the background if there's higher ground above. That can cause some issues. To pinpoint a specific area where I had trouble with this mechanic, on Uncle Jalapeño's level Boom Town there's a short segment where you can jump up a small cliffside, present in all but the foreground. Every time I tried to jump up the middle cliff, I'd move right into the background, where I could no longer proceed. I hopped back down to the middle cliff and tried again, but the same thing occurred four or five times before I made it up.
Instances like this are few and far between, so don't think that the gameplay is inherently flawed. Thankfully, the rest of the primary mechanics are as buttery as could be. You can run, jump and grab with ease, then perform other actions like tilting your SackPerson's head or hips with motion sensing, and using L2 and R2 to control your SackArms. One thing will take a bit of getting used to, however, is the game's physics system. I've never before played a platformer with such a heavy emphasis on physics. This took a bit of time to become accustomed to, but once I spent a couple of minutes with the game, I immediately saw the benefits of such a system. Movements aren't predefined whatsoever; velocity and acceleration are taken into account at all times. This gives you the freedom to replay levels without them feeling stale.
Another key implementation in LittleBigPlanet is its multiplayer component. The folks at Media Molecule wisely fused all of the standard multiplayer modes from other games into one grand experience. Multiplayer is neither offline nor online, competitive nor cooperative; it is all of the above. Play with any combination of up to four offline and online SackPeople. Explore story levels or head into the online arena and discover new creations. Compete vigorously for score and prize bubbles, work together to get them all, or ignore them entirely. It's up to you.
So, you've beaten all of Media Molecule's levels. What do you do next? Let's say you want to create a level. LittleBigPlanet can be twisted and kneaded into whatever you desire. Want to create a modified version of Tetris? It's already been made. How about staging an epic battle where you valiantly stave off a dragon with a cannon? My SackBoy will always wear his battle scars from that level with pride. Or, instead of all this fancy-shmancy genre-transcending stuff, you could always just recreate Super Mario Bros: World 1-1, though your level may get lost in the pack of the countless reconstructions that already exist.
All of this falls under the 'create' aspect of LittleBigPlanet. With such a powerful suite of tools, you'd expect content creators to be limited to a niche audience willing to learn an insanely complex toolset. That's simply not the case. LittleBigPlanet has both the most user-friendly and most powerful content creation system ever seen in any console game ever. Once again: ever. A series of helpful tutorial videos and tasks, narrated by the jubilant Stephen Fry, will have even the most un-technical people creating levels in no time. Grab Grandma and have her create a level that bring those "good old days" she's always talking about to life, or tell little eight-year-old Jimmy he can finally make those ninja dinosaurs he's been whining about for years. Anything is possible.
Once your level is done, publish it to make your mark on the LittleBigPlanet community. If it's popular, it will rise to the top of the "cool levels" category, and you could very well become a "cool creator." Yes, there are countless horrid levels that people have made, but there are ample diamonds in the rough as well. The cream of the crop rises to the top due to the intelligent filtering system that Media Molecule has built. But say you're looking for your friend's level, which hasn't been the most popular in the past. No problem – you can use the search option to find a specific level or author. There's also an in-depth system of tagging and hearting levels. Tagging labels a level with a word that describes it, while hearting a level is the equivalent of bookmarking a webpage. It's simple, helpful additions like these that make the community component of LittleBigPlanet refined to the point of near-perfection.
While I'm sure you've assumed this by now, it needs to be said. Some individuals out there on our own RatherBigPlanet are insanely gifted. To make a masterpiece, you have to have a lot of time and talent. Even if less than 1% of the creations that are published attain such a standing, expect to be inspired daily. You'll come across levels that emulate other games and be amazed at the distinct details that went into their design. You'll also discover original concepts that have such personality that entire games could be based off of single LittleBigPlanet levels.
LittleBigPlanet isn't only a game for the PlayStation community – it's a reason to join the PlayStation community. Anyone who plays games should experience this title. It's been called the YouTube of gaming, the definition of user-generated content, the first true next-generation game and much, much more. I agree with those descriptions, but here's something far simpler: It's a blast, and you can't afford to miss it.
LittleBigPlanet is innovation at its finest. It's beautiful, hilarious, completely unique, and incredibly fun. You can't afford to miss it.
Scavengers Studio To Conduct External Audit, With Co-Founders Both Suspending Duties, After Toxic Workplace Allegations
Joe Apsey / January 28, 2021
Moves being made to ensure accountability at the studio.
Terminator: Resistance Enhanced For PS5 Delayed A Month To April 30
You are going to have to wait a little longer to get your hands on the upgraded version of the action title.
PS5 CPU And GPU Maker, AMD, Expects PS5 Supply Shortages To Continue Through The First Half Of 2021
PS5 shortages set to continue. Have you been looking for one?
E [Everyone]


text:
import React from 'react'
import PropTypes from 'prop-types'
import styled from 'styled-components'

const ALIGN = {
  top: 'align-items: flex-start',
  middle: 'align-items: center',
  bottom: 'align-items: flex-end',
  left: 'justify-content: flex-start',
  center: 'justify-content: center',
  right: ' justify-content: flex-end',
}

/**
 * @namespace StyledBox
 * @desc styled-component 💅
 * @return {Function} React component
 */
const StyledBox = styled.div`
  display: flex;
  flex: ${({ flex }) => flex || Box.defaultProps.flex};
  flex-wrap: ${({ flexWrap }) => flexWrap || Box.defaultProps.flexWrap};
  ${({ align }) => align && ALIGN[align]}
`

/**
 * @namespace Box
 * @desc Primitive component
 * @param {Object} props - Component props
 * @param {Object} props.children - Child components
 * @return {Function} React component
 */
const Box = ({ children, ...props }) =>
  <StyledBox {...props}>{children}</StyledBox>

/**
 * @name defaultProps
 * @memberof Box
 * @desc Primitive's default properties
 */
Box.defaultProps = {
  flex: 1,
  flexWrap: 'wrap',
}

/**
 * @name propTypes
 * @memberof Box
 * @desc Primitive's prop type definitions
 */
Box.propTypes = {
  /** Alignment */
  align: PropTypes.oneOf(Object.keys(ALIGN)),
  /** Flex */
  flex: PropTypes.number,
  /** Flex wrap */
  flexWrap: PropTypes.string,
}

export default Box

redpajama_set_name: RedPajamaGithub


I recently worked with a family whose daughter is currently in college but had not filled in the FAFSA for 2 years. They did not think they would get any aid. They also did not realize the student was eligible for the HOPE scholarship in Georgia. They ended up now getting the HOPE Scholarship, Pell Grant and tax credits missed from the last 3 years. Total savings - $17,000!
Another family (with a unique family situation) that hired me about 2 years ago, recently showed me the aid package received from UGA. Because of the time spent filling in the FAFSA correctly and timely (we finished it during the first week of October), she not only earned the Zell Miller Scholarship but many need based aid awards that reduced her first year cost of college (tuition/fees/room/board) to under $500! In addition, the tax credit they qualified for will cover at least the cost of textbooks or $1,000, whichever is lower.
Davidson - 1/2 the price of UGA, Cornell University, Cal Poly San Luis Abispo, another UGA paying only $500 plus work study, UNC - less than 1/2 the price of UGA... and many more.
Helped a family with a child with a learning difference find a program that will be completely tax deductible (amount over 10% of income) as it will qualify as a medical expense.
Helped a family fill in the FAFSA correctly and reduced their Expected Family Contribution by over $10,000. Should be Pell Grant eligible now.
Call Jim Anderson for a free consultation at 404-545-1369 or email at JimAnderson@MakingCollegeWorthIt.com.


text:
Move to Pac-10 won't keep CU's Boyle out of Texas
By Tom Kensler
Alec Burks, Big 12, Big 12 Conference, Cory Higgins, San Antonio, Tad Boyle
Even with Colorado's move to the Pac-10 taking effect as early as autumn 2011, Buffs men's basketball coach Tad Boyle said he's not about to turn his back on the state of Texas during recruiting.
Speaking Monday morning during the Big 12 Conference summer basketball teleconference, Boyle said his recruiting strategy "won't be a whole lot different" than if CU had chosen not to switch leagues.
One slight adjustment, Boyle said, will be placing a stronger emphasis on recruiting in California. Boyle will be the first CU hoops coach that can guarantee to prospects in California that their parents will be able to see them play during CU road trips to the West Coast.
"We would have recruited (California) anyway," Boyle said. We still need to recruit Texas, and recruit nationally. But we'll focus on the California market."
Early news of potential CU targets may be an indication of Boyle's recruiting strategy. According to the recruiting website Rivals.com, CU has extended scholarship offers to 6-foot-8 power forward Jonathan Holmes of San Antonio (Texas) Antonian and 6-2 guard Collin Woods of Scottsdale (Ariz.) Horizon.
The website said Boyle also is evaluating 6-9 forward Cannen Cunningham of Arlington (Texas) Lamar and 6-3 Tre Demps of San Antonio (Texas) Ronald Reagan.
Reports of recruiting targets in California are sure to emerge. The eight-day early signing period begins Nov. 10.
"We still need to recruit at the highest level and still need to get great players," Boyle said on the teleconference. "If anything, (the impending switch to the Pac-10) has brought Colorado basketball to people's minds."
As for this season, Colorado Boyle said an emphasis will be placed on defense and rebounding.
"We're going to try to hang our hat on (those)," he said on the teleconference. "(But improvement) is not going to come from any one player. It's got to be a group effort, a commitment by the program."
Boyle said the participation of CU star guards Cory Higgins and Alec Burks as counselors at a Nike skills camp this week is a "great opportunity" for them to glean skills and work habits from other top college players.
"Good players learn from other good players," Boyle said.
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text:
<?php if ( ! defined('EVENT_ESPRESSO_VERSION')) exit('No direct script access allowed');

require_once ( EE_MODELS . 'EEM_Soft_Delete_Base.model.php' );
require_once ( EE_CLASSES . 'EE_Price_Type.class.php' );

class EEM_Price_Type extends EEM_Soft_Delete_Base {

	// private instance of the Price Type object
	protected static $_instance = NULL;
	// An array of the price type objects
	public $type = NULL;

	/**
	*	Price Base types
	*
	*	@access	private
	*	@var int
	*/
	public $base_types = null;

	/**
	 * return an array of Base types. Keys are INTs which are used in the database,
	 * values are text-representations of the base type.
	 * @return array
	 */
	public function get_base_types(){
		return $this->base_types;
	}

	/**
	 * Gets the name of the base
	 * @param type $base_type_int
	 * @return type
	 */
	public function get_base_type_name($base_type_int){
		return $this->base_types[$base_type_int];
	}

	/**
	 * constants for price base types. In the DB, we decided to store the price base type
	 * as an integer. So, to avoid just having magic numbers everwhere (eg, querying for
	 * all price types with PBT_ID = 2), we define these constants, to make code more understandable.
	 * So, as an example, to query for all price types that are a tax, we'd do
	 * EEM_PRice_Type::instance()->get_all(array(array('PBT_ID'=>EEM_Price_Type::base_type_tax)))
	 * instead of
	 * EEM_Price_Type::instance()->get_all(array(array('PBT_ID'=>2)))
	 * Although the 2nd is shorter, it's much less obvious what it's doing. Also, should these magic IDs ever
	 * change, we can continue to use the constant, by simply change its value.
	 */
	const base_type_base_price = 1;
	const base_type_discount = 2;
	const base_type_surcharge = 3;
	const base_type_tax = 4;
	/**
	 * 		private constructor to prevent direct creation
	 * 		@Constructor
	 * 		@access protected
	 * 		@return void
	 */
	protected function __construct( $timezone = NULL ) {
		$this->base_types = array(
			EEM_Price_Type::base_type_base_price => __('Price','event_espresso'),
			EEM_Price_Type::base_type_discount => __('Discount','event_espresso'),
			EEM_Price_Type::base_type_surcharge => __('Surcharge','event_espresso'),
			EEM_Price_Type::base_type_tax => __('Tax','event_espresso') );
		$this->singular_item = __('Price Type','event_espresso');
		$this->plural_item = __('Price Types','event_espresso');

		$this->_tables = array(
			'Price_Type'=>new EE_Primary_Table('esp_price_type','PRT_ID')
		);
		$this->_fields = array(
			'Price_Type'=>array(
				'PRT_ID'=>new EE_Primary_Key_Int_Field('PRT_ID', __('Price Type ID','event_espresso')),
				'PRT_name'=>new EE_Plain_Text_Field('PRT_name', __('Price Type Name','event_espresso'), false, ''),
				'PBT_ID'=>new EE_Enum_Integer_Field('PBT_ID', __('Price Base type ID, 1 = Price , 2 = Discount , 3 = Surcharge , 4 = Tax','event_espresso'), false, EEM_Price_Type::base_type_base_price, $this->base_types),
				'PRT_is_percent'=>new EE_Boolean_Field('PRT_is_percent', __('Flag indicating price is a percentage','event_espresso'), false, false),
				'PRT_order'=>new EE_Integer_Field('PRT_order', __('Order in which price should be applied. ','event_espresso'), false, 0),
				'PRT_deleted'=>new EE_Trashed_Flag_Field('PRT_deleted', __('Flag indicating price type has been trashed','event_espresso'), false, false),
				'PRT_wp_user' => new EE_WP_User_Field('PRT_wp_user', __('Price Type Creator ID', 'event_espresso'), FALSE ),
			)
		);
		$this->_model_relations = array(
			'Price'=>new EE_Has_Many_Relation(),
			'WP_User' => new EE_Belongs_To_Relation(),
		);
		//this model is generally available for reading
		$this->_cap_restriction_generators[ EEM_Base::caps_read ] = new EE_Restriction_Generator_Public();
		//all price types are "default" in terms of capability names
		$this->_caps_slug = 'default_price_types';
		parent::__construct( $timezone );

	}

	/**
	 * 		instantiate a new price type object with blank/empty properties
	 *
	 * 		@access		public
	 * 		@return		mixed		array on success, FALSE on fail
	 */
	public function get_new_price_type() {
		return EE_Price_Type::new_instance();
	}

/**
 *
 * @param type $query_params
 * @param boolean $allow_blocking if TRUE, matched objects will only be deleted if there is no related model info
	 * that blocks it (ie, there' sno other data that depends on this data); if false, deletes regardless of other objects
	 * which may depend on it. Its generally advisable to always leave this as TRUE, otherwise you could easily corrupt your DB
 * @return boolean
 */
	public function delete_permanently($query_params = array(), $allow_blocking = true) {

		$would_be_deleted_price_types = $this->get_all_deleted_and_undeleted($query_params);
		$would_be_deleted_price_type_ids = array_keys($would_be_deleted_price_types);

		$ID = $query_params[0][$this->get_primary_key_field()->get_name()];

		//check if any prices use this price type
		$prc_query_params = array(array('PRT_ID'=>array('IN',$would_be_deleted_price_type_ids)));
		if ( $prices = $this->get_all_related($ID,'Price',$prc_query_params)) {
			$prices_names_and_ids = array();
			foreach($prices as $price){
				/* @var $price EE_Price */
				$prices_names_and_ids[] = $price->name()."(".$price->ID().")";
			}
			$msg = sprintf(__('The Price Type(s) could not be deleted because there are existing Prices that currently use this Price Type.  If you still wish to delete this Price Type, then either delete those Prices or change them to use other Price Types.The prices are: %s', 'event_espresso'),implode(",",$prices_names_and_ids));
			EE_Error::add_error( $msg, __FILE__, __FUNCTION__, __LINE__ );
			return FALSE;
		}

		return parent::delete_permanently($query_params);

	}

}

// End of file EEM_Price_Type.model.php
// Location: /ee-mvc/models/EEM_Price_Type.model.php


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text:
November 30, 2011 Music » Local Music
Hive mind
Why Steve Nawara's eclectic Beehive label matters
By Chris Handyside
The Beehive Recording Company
About 200 folks, dressed to the nines in classic finery, gathered in the rental hall wing of the Irish-American club, the Gaelic League, a couple weeks ago to dance, drink, gab and otherwise make merry with an all-star revue of Detroit's independent music scene's finest.
These weren't Williamsburg-style, trust-funded hipsters or trend-chasing fashion victims simply making the scene. Rather, these were working Detroit musicians, artists, conspirators, co-conspirators and various stripes of supporters, day-job-subsidized creators gathering to celebrate their own. In short, it is the very epitome of Detroit's DIY spirit.
Since its founding in 2007 by longtime Detroit musician and scene catalyst Steve Nawara, Beehive has digitally released a consistent — and consistently eclectic — selection of sounds, a bona fide representation of Detroit's fertile music scene. Over the course of 37 releases, Beehive has evolved from a rock- and pop-centric endeavor (not that there's anything wrong with that, nor any shortage of talent in that sphere) to one that embraces funk, noisy-electro, country, folk and space rock.
Nawara — a 36-year-old Berkley native (and, tangentially, a descendent of Salem witch trials victim John Procter) — has seen the scene revolve a time or two over the past 15-plus years. He made a name for himself since the mid-'90s as a creative and capable bass player, guitarist, DJ and man-about-town. He's known for his work in hallmark Detroit bands Rocket 455, the Wildbunch/Electric Six, Conspiracy of Owls and others. And with Beehive, he puts his money — and experience — where his mouth is, clocking in as a label head on weekends after clocking out of his gardening day job.
Beehive — and Nawara — has established a successful presence by believing the customer is always right — even when it comes to setting prices.
A Beehive is born
Beehive was born equally out of frustration and idealism.
First, let's talk about the frustration: As a member of the Wildbunch/Electric Six, he enjoyed breakout success, hit records, a legitimate international fan base and the spoils of a relationship with a major label.
For a hot minute in 2003 and 2004, Electric Six had breakout minor hits — most prominently with "Danger! High Voltage!" but also with the song "Gay Bar" and "Dance Commander." These jams allowed the Electric Six to tour the European and UK festival circuit and earn a living as artists with the clout and support of a well-funded label in XL Records. Moreover, "Danger!" and "Gay Bar" have received numerous placements in ads and films, allowing the band members to receive a minor, consistent income since.
But part of the frustration that bore fruit with Beehive — for Nawara at least — was that the musicians were on the bottom rung of the ladder, minor beneficiaries of a system that took their work and sold and resold it.
Narawa saw firsthand where artists fit in the system: "You realize that the industry is paying themselves before they pay you. The lowest rung on the industry totem pole is the musician. And I have a hard time with that. A good deal for a major label is 3 to 4 cents a record, and to me that's rape and pillage."
But he also came to realize that the artists subsidize the high life of folks who often don't provide any real value in the musical supply chain.
"Don't get me wrong," Nawara says. "We met a lot of amazing people and had an amazing experience. But clearly something needs to be done.
"They treat the audience with the same respect as they treat the musicians — none at all. To be a part of that system is to be told, basically, 'Here's American Idol, shut the fuck up.'"
Between the time the Electric Six reached their peak popularity (around 2003-2004) and the time Nawara opened Beehive, the digital revolution had poked some gaping holes in the major music industry model — the largest of which was Radiohead releasing In Rainbows as a pay-what-you-want download. But let's not forget that MySpace — as outdated as it may seem now — made it de rigueur for indie bands to have their jams at least streaming to anyone who wanted to hear them.
Hot on the heels of MySpace's ubiquity were sites like Bandcamp, which customize sites for bands to stream their music and offer downloads at prices set by the bands (free if the bands like).
Somewhere between MySpace and the Bandcamps, Nawara figured there was a sweet spot for a new kind of label, one that was run by musicians and locally focused (and, importantly, quality-controlled).
"If you're going to have a fully digital business, you'd best have a smoothly functioning website. When Beehive first launched, that was one of its first growing pains. Even for 2008, the site was overdesigned, with drag 'n' drop menu interactivity and sound effects. In short, not up to the standards of ease and trust most require of anything sniffing e-commerce," he explains.
Analogous to the overdesigned site was Nawara's admittedly overly optimistic attitude.
At first, Nawara tried selling the music he recorded. He reckons that over the course of a couple years he netted about $100.
Knowing he had to retool, he "went to a fancy Internet place, and they were like, 'It'll be $14,000 to design the site,'" Nawara recalls.
After being told that in addition to being out 14 grand for the redesign, the site still wouldn't have the functionality he was looking for, Nawara made a crucial move: He asked someone he knew and trusted about the reality of programming the site he wanted. That person was Vince Mazzola, guitarist for Detroit rock band Gardens and — as it turns out — a hell of a programmer.
"And I went to Vince, and he was like, 'Hell, yeah, we can do that!'"
Vince went into the coding cave and shortly thereafter, a new, streamlined Beehive emerged.
Make no mistake: Beehive is a small independent label. Economically speaking, it's not moving the kinds of units of even larger boutique indie labels. But that's not the point. The point, according to Nawara, is to create an organic, sustainable model for a musician-driven label. The actual number of downloads — the most popular run into the mid-hundreds — are posted on Beehive's site and Nawara posts a weekly Top 10.
In a digital age when artists and musicians are turning to Kickstarter and other crowdsourcing sites to get their music funded, Beehive gave itself a kick-start by simply opening for business with low- to no-overhead and figuring it out along the way. Nawara hung out the digital shingle, offered the recorded wares for free, and asked anyone who was interested to donate money if they liked what they heard. Pretty simple, really.
"Musicians have three ways of making money: Touring, selling merchandise and selling their songs to commercials or TV or film. That's it. No one's making any money selling MP3s," Nawara says. "I could find and download any song by pretty much any artist I want to, whenever I want to. And I have no problem doing that. I encourage people to do that. Music wants to be free."
But like a hybrid between the singles clubs of the '90s and the fanclub-only 45s that have long been a staple of rock and pop music — with a dash of public radio and public TV member-supported camaraderie thrown in the mix — Beehive has established a new model for community-supported music. The deal is this: Provide your e-mail address and download all the free music from Beehive you want; if you like what you hear, and can throw a few shekels Beehive's way, great — you're a member.
The bands that release music via Beehive retain the rights to their songs, and the money that comes in to Beehive is reinvested in the studio and in site-hosting.
"The whole idea of Beehive," Nawara says, "is to skip the middleman. I want it to be a direct relationship between the band and the audience. My whole thing is transparency. If one of the bands came up to me and asked how much have we made in donations, I could and would tell them exactly."
For what it's worth, at the time of this writing, Beehive counts nearly 3,000 fans as members (people who have donated any amount of money), and they've made about $5,000 in donations.
A stool needs three legs to stand, and if legs No. 1 and 2 of the Beehive model are free downloads and locally curated sonic goodness, respectively, the third leg is its vertical integration. Nawara records nearly every Beehive release himself, in his home studio in the Woodbridge neighborhood, which many of Detroit's rock scene call home.
And his roommates just happen to double as his house band. Drummer Ben Luckett is known on the scene for his powerful, metronomic and versatile chops. Bassist Jake Culkowski — like Nawara — is a member of local rock supergroup Conspiracy of Owls and leads his own brain-burning outfit Magic Jake & the Power Crystals.
So when an artist like singer-songwriter Laura Finlay or out-there awesome Internet wunderkind Duane the Teenage Weirdo needs a trio of folks to step up and flesh out their sounds, Luckett, Nawara and Culkowski are part of the Beehive package. For the Beehive Ball, the house band was rounded out by a few ringers too, who have contributed to Beehive's success. The band that night included guitarist Jackson and keyboardist Jesse Smith (Detroit siblings who should be a secret to no one at this point considering their parentage — Patti and Fred "Sonic" Smith — is just the opening line on CVs that include world tours with Elton John and pretty mind-blowing solo work).
The genius of the Beehive model is keeping the overhead low to nonexistent so that when opportunities arise, the most money possible finds its way back to the artist.
And as Beehive has hit critical mass and become more well-known these last few months, those opportunities are presenting themselves.
Jesse Smith recently brought in an opportunity to record some music for a Coach handbag campaign.
"I didn't even know what Coach handbags were," says Nawara with a laugh. "They're really hoity-toity handbags!"
What's more, the recent trend of Detroit-based advertising agencies sourcing music locally may have created some interesting future opportunities for the Beehive crew. (Nawara is loath to say on the record exactly who and jinx things.)
For his part, Nawara — like most current underground artists who rely on the beneficence of cool-hunters bird-dogging original sounds to associate their brands with — has no compunction about providing music for the advertising industry.
"Before, the music industry was an open market and strange little novelty records could be regional hits and radio really played a ton of different music, and you could discover great records that were made around the corner — literally!
"Really, commercials are kind of like the new radio," Nawara says.
"I hate to say that, 'cause it's awful that radio is so bad now. But a lot of bands get discovered through commercials. Musicians don't have much of a choice. A commercial's going to get played thousands of times around the world. Radio stations only really play the same 47 songs every day, and that's barely a pin drop."
"I knew it was going to happen, but it happened a lot sooner than I imagined," Nawara says.
Building a buzz
For Nawara, the beating heart of the Beehive is the recording studio. It's where the threads of his passions come together, where his humility meets his skills, where his bonhomie meets his expert ear, where actual music gets created.
Whether it's accomplished veterans like Jackson Smith and Blackman knocking on his door or new blood like Duane the Teenage Weirdo or Growing Pains, the recording experience for Nawara has a — perhaps counterintuitive — consistency.
"It always starts off with uncertainty," he says. "I don't think there's a single person that walks in like, 'We got this shit.' That's important because that means the artist is humble. And I'm humble. And we're starting from the same place to try to understand each other right away."
The first decision sets the tone for what follows, Nawara says.
"The first thing I ask the band is whether they're into a high-fidelity or low-fidelity recording."
With expectations set appropriately, the real work can get started.
"You just start doing it," Nawara says simply. "You get in there and you do it and you do your goddamned best to make sure it sounds good and you make sure the band's happy."
Equally important to Beehive's approach is remaining open to mistakes. Nawara says he takes particular pride in creating a safe place to find happy accidents and the revelations that can come from being free to fail.
"You're supposed to make mistakes," Nawara says. "This is the place you go to to make mistakes. [The musicians] hear [their] music under a microscope. So, naturally, things pop out that you never heard before. And it can make you feel like you're not as good a musician as you thought. But it shouldn't! Sometimes, like with the Growing Pains the other day, they can hear that maybe they're a little better than they thought!"
It's the nature of the beast that most studio heads, producers and engineers are, at some level, musicians themselves. But it's also true that bands and artists often turn to a studio to get a certain sound, to capture associative magic created by other bands — and the hands of whoever runs the boards. When you listen to a cross-section of Beehive releases, it's clear that Nawara's artist-driven, case-by-case approach is different. There's no questioning Nawara's bona fides. But his recording philosophy is different. In hockey terms, he's more Reg Dunlop than Scotty Bowman.
"I got to record at Abbey Road, which was pretty thrilling," Nawara recalls of his days in the Electric Six. "But the way they have it set up — and the way a lot of studios have it set up — is that the engineer is upstairs and we're downstairs, and you have to use an intercom every time you have to talk to someone. It's tough to communicate.
"I don't have a separate sound room. I like being in the room. You can have a very clear conversation. You can just talk to the band directly, and I think that makes everyone feel unified."
The clean, unified, monotonous sound of modern radio is anathema to the Beehive ethos, an ethos that emphasizes capturing a moment, a feeling, that je ne sais quoi that makes all artists worth their salt in this anomaly-rich town unique.
"That whole, 'compress everything, make sure everything's perfectly audible and nice and clean and shiny...' I just don't see any variation on that," Nawara says.
"You listen to Little Richard, and he's screaming into the mic, and it goes into the red, and they're like, 'Leave it.' It sends shivers down your spine.
"Professional engineers would be breathing down my neck and saying, 'You're an idiot,'" Nawara says.
"I'd say, you may know your tools, but you don't know how to use 'em. Are you the master of your tools or are the tools your master?"
By Nawara's reckoning, they do 80 percent of their recordings in the manner of that other Detroit label, Motown — live band, in the room together, cueing, catching vibes and working off each other. And when the house band is as strong as Beehive's, that can be a powerful difference.
"I don't accept apologies," Nawara says. "You hear that knock on the door, open the door, and feel that uncertainty. But when you close the door, I've never felt like we hadn't made something really worthwhile. It's always been like, 'Yeah, we got that shit!'"
Cross-pollination station
If there's a knock against Detroit's music scene from an outsider's perspective, it's that it's still mired in the backward-looking rock sounds of the late-'90s and early-2000s. But that's simply not the case. Honestly, it's never been the case, but the hype often outweighs the reality. Detroit's underground is always strongest when operating by its own rules, populated by artists who hew to an idiosyncratic vision. There's no better way to get a snapshot of that fertility than by sampling the wares cranked out by Nawara and his Beehive compatriots and conspirators.
There is likely nowhere else in the world you will hear and be able to download for free as diverse a mix of music as Beehive. Psychedelic rock duo Dark Red is a quick scroll away from campy rapper esQuire; Bad Party's electro-noise conflagration snuggles up with a quick mouse drag to Jackson Smith's intricate country guitar picking; mysterious space rock outfit Unicornium ("I still have no idea who they are," Nawara avers), are neighbors to Detroit hip-hop and funk original the Blackman. The sense of discovery and diversity goes on down the page and direct to your hard drive. And it's all from just around the way.
The power of hearing and exposing people to new music, new musical art — and shining a light on as many fantastic acts from the Detroit scene, regardless of genre — has become a driving passion for Nawara.
"There is an absolute purpose for music and art, and if people don't see that they don't have a soul," he says.
"We've gotten to the point where we're so cold intellectually or so physically driven that the spirit is dying. And this is why music and art are so important. It makes you believe you can do things! This has awoken my spirit to a whole other level. And I'm seeing it with other musicians. And we're doing it together."
Like anyone, Nawara started where he was. With what he knew and loved. When Beehive started, his "A&R" side was (and remains) neighborly and organic.
"Initially, it kind of just happened, like, 'Hey, let's record this.' Mike Walker and Cuckold were the guinea pigs."
His most recent release, Duane the Teenage Weirdo, happened organically too. Nawara had caught Duane on a bill with Beehive artists Dark Red. After the show he went online, found a bevy of Duane's jams and videos and got excited about the prospect of working with him.
More often, he says, he gets requests from bands looking to release jams.
"I hate turning people down," he says. "I want people to express themselves, but I can barely keep up with music within the Detroit city limits. I had no idea! Things start popping out. I've been spending some time at the Jazz Loft in Greektown. And I met this guy named Clarence who played with Wild Cherry. And he came up to me — and I couldn't believe it — but he wanted to record with me!
"I mean, when Blackman was down there recording, he brought an all-star cast of people from Motown and Parliament and Thornetta Davis' band! When you first look at Beehive, it's a bunch of white kids playing rock and roll. That's where I started. But the more you meet people, the more I want to release polka music and mariachi music and Middle Eastern music — to make Beehive a completely accurate cross-section of the city. You just go from catalyst to catalyst to catalyst," he says enthusiastically.
For Nawara, it's that leap from moment-to-moment, person-to-person that has been both edifying and inspiring.
"For many years I knew I had connections to the music industry, but I was too timid to shake it up. And in the city, you knock on a door and it leads to other doors," he says.
"It's serendipitous. But once you ask, it's inspiring and it gives me a lot of love for the human race, really.
"All the people who come to Beehive — it's a humbling experience. Jackson Smith gets off tour with Elton john and comes down to my dingy basement," he says, laughing.
"There are so many people who want to contribute, I don't know if I can keep up. Every day it's a different adventure."
Besides assuring that there is a constant stream of top-quality Detroit sounds available to webizens worldwide — and making the wildly successful Beehive Ball an annual event — that daily sense of adventure has pushed Nawara in some interesting directions. Next on his event horizon is a summer soiree called the Silver Boogie Jubilee ("I'm not sure what the name means, it came to me in a dream," he says); he'd like to hold it, Bob-Lo Boat-style, as a revue on the Detroit River. More ambitiously, he's also considering opening up Beehive chapters in other locales.
"It'd be like a VFW or a Knights of Columbus, where there's a central lodge that provides support. But I can imagine there being a Memphis Beehive Local."
In fact, he's already talking to folks from Stockholm, Sweden, about the idea. A couple of new friends from Sweden who were in Detroit on vacation this summer — and for whom Nawara acted as tour guide — have expressed interest, and he's hoping to visit Stockholm with that notion in mind soon. Naturally, into this mix he also has plans to establish a Beehive studio that is not also attached to his home.
"For my peace of mind it's good to leave the house," he says.
But for now, the momentum that is building around the little label driven by Nawara and his friends — friends both longtime and brand-new and who sometimes seem to comprise the whole of the downtown music scene — is enough to get through for one day. Making a difference one recording at a time and putting your time and money behind your belief is a powerful way to do more than make a living.
"This is what I want to do for my life," says Nawara simply. "I make no qualms about it."
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