text:
Working in Japan
Home > Blog > What is Sakura house? Guest houses in Japan
What is Sakura house? Guest houses in Japan
Living in a foreign country can be daunting, especially if you are living abroad for the first time. What's more, although comparatively cheap compared to other developed countries, there are many costs and factors you are going to want to consider. We looked at this in a previous article here.
"So what is the alternative?" you may ask. Well, have you ever considered a 'guest house'?
A history of guest houses in Japan
There are many guesthouses across Japan, and these cater to a variety of residents and traveler Some guest houses are for some short term, and others cater towards medium/long term.
Although some sites state guesthouses were created as an alternative for foreign people, Japan has a long history of guest houses.
One of these examples includes the 駆け込み寺 (Women's refuge) with Shōkozan Tōkei-ji in Kamakura being built in 1285. Another example would be the 相撲部屋(Sumoubeya), a place where Sumo wrestlers would gather, eat, live, and train together.
What's more, even some dojo's would have their students live together, not just training but cohabitation. It wasn't unusual for a master artisan to have several apprentices living with him learning their artisan trades. Finally, boarding houses for students( 下宿) were also relatively common, for students who would move into larger cities from the country while studying at university.
What is the modern guest house?
The modern guest house may not be as fixated on cohabitation as some of the examples in the past. Still, it does provide a good sense of community, and an attractive alternative if you are passing through briefly, looking for a base. At the same time, you search for real estate more thoroughly or are used to living in an environment with flatmates or a larger family.
For job seekers looking to find a job in Japan, often staying in a short-term guest house is an initial step while lining up appointments and going to interviews. It's also a choice for many who take a new job and don't have the finances to move into their own apartment right away.
A guesthouse can offer many advantages, including:
Check-in quickly, no waiting for rooms to open up.
No fixed lease, daily/weekly/monthly stays possible.
Wide choice of locations, types of rooms.
Furnished, including utilities, air conditioner, wi-fi internet access, etc.
No need for a guarantor, key money, agent fee.
Flexible payment methods (credit card, etc.)
Usually, a guesthouse or share house in Japan will be comprised of a shared living room/kitchen and a private/ or shared bedroom for each guest.
The most successful and recognized guest house in Japan for foreign residence is Sakura House.
Share houses can be a great chance to meet friends from all walks of life!
What is Sakura House?
One of our partners, Sakura House, is a well-established guesthouse provider, in operation since 1992. They focus on building a community with their residents to create "a home away from home." They have a large number of locations (including places located in within walking distance of popular stations such as Shinjuku, Harajuku, Itabashi, Suginami, Kyoto, etc. and a wide choice of room types (single room, private room, dormitory beds, traditional hotel, etc.)
Sakura House is a business that provides a variety of accommodation and living arrangements for both the short, medium, and long term.
In addition to providing friendly and supportive service, Sakura House also seeks to create 'a home away from home' that leaves it's guests feeling involved with the Japanese community and not isolated. Sakura House does this through hosting internal/external events, including dance nights, cooking classes, and more.
If you wish to speak with Sakura House about any concern, the staff is quite multi-lingual with support for not only English and Japanese but also Chinese, Thai, French, Spanish, French, and German.
What rooms are available at Sakura House?
To accommodate a variety of guests, Sakura House offers four distinct lodging options. These include guesthouse, sharehouse, apartment, and vacation rental options. Let's take some time and look at each of these so you can find your perfect room.
Guesthouses with Sakura House start from 36,000JPY per month and are available in the regions of Tokyo, Kyoto, and Izu.
These rooms are shared between two or more people with private beds.
Guesthouses also have weekly and even daily rates available, which are calculated slightly differently than the monthly amount. Sakura House's guesthouses are well kept and competitive based on their accessibility to the big cities and their low cost.
Although all people from a variety of walks of life are welcome (including families), the design and atmosphere of the guesthouse are great for language school students or people visiting family for a few weeks.
Sharehouses are for solo guests and are also available in the regions of Tokyo, Kyoto, and Izu. Unlike guesthouses, the Sakura House sharehouses have private rooms and shared utility facilities. What's more, all common areas are cleaned. Sharehouses are suitable for people who might want to stay longer and appreciate a community but also want a degree of privacy.
Several of Link Japan Careers staff have lived at Sakura House Sharehouses and have fond memories of their stay there. All sharehouses have wi-fi and airconditioning. If you are new to Japan, or even new to Tokyo or Kyoto, why not consider staying at a Sakura House sharehouse?
As the name implies, are private apartments located around key city centers and are available to solo travelers, couples, and families. Prices can vary quite a bit based on the location, as can the layout of the room. However, all apartments have wi-fi and airconditioning available.
All apartments are fully furnished and range from a single place to a spacious multi-room style. Apartments also have a variety of leasing options, and unlike regular real estate listings, do not require key money.
Traveling into Kyoto or Izu and want more of traditional experience in your travels? Check out Sakura House's vacation rentals, which offer self-contained renovated holiday homes. Not much more to say, although if you are interested, you can find out more here. There is also a gallery of photos showcasing the style of each room.
Sakura House Lounge is based in Shinjuku and provides information and help to all guests.
Can I speak to someone in Sakura House about the guesthouse options?
All interested guests can contact Sakura House through email or phone call. However, if you want to speak to someone in person, you can visit the Sakura House lounge, which is located in Tokyo, Shinjuku.
Sakura House Lounge
Sakura House Lounge is open 8:50 am to 8 pm every day, including holidays, and serves to provide information and support to Sakura House's guests. The facility itself has storage for bags (guests only), wi-fi, free tea and coffee, an information desk, and facilities for making travel arrangements. Sakura House also has quite an active Social media presence.
Sakura Events
In addition to daily and logistical support, Sakura House also regularly holds events for its guests. These events provide an opportunity for people from all across the world to share their cultures while learning more about Japan and its unique culture.
In the past, there have been a variety of events, including Japanese cooking classes, dancing classes, movie nights, and more. If you are someone who enjoys learning about other cultures, we would recommend you check out Sakura Events.
You can check out more about the events and see a picture gallery here.
Finding your perfect home in Japan
Whether you are looking for a place to stay in Nakano, Shizukoka, or even Kyoto, Sakura House will have you covered. With its comprehensive selection of stylish rooms for all people and its commitment to creating a home away from home.
We at LJC would recommend you consider Sakura House for your housing stay. Especially, if you find yourself looking for your perfect room.
« How to live with Noisy neighbors and bugs?
Job Search: Japanese employment market trends for international professionals »
Health in Japan
Locations in Japan
Mobile/Tech
A-Z of working as an ALT in Japan.
Japanese Language Learning and Job Search
Job Search: Japanese employment market trends for international professionals
Feature: Interac (Part 1)
Sign up to get the latest updates from Link Japan Careers directly to your inbox
About Interac
Interac FAQ
© LJC 2021 - All rights reserved.
We are currently running some updates on the site that may affect your experience. Thank you for your understanding.
Interac is the number one private provider of ALTs (Assistant Language Teachers) to Japanese private schools. In this video, Chase, one of the Managing Consultants for the Tokyo Branch, gives his story about living in Japan and working with Interac.
In this video, Chase mentions the level of support that Interac teachers can expect. We believe that this is one of the major differences between Interac and other ALT providers & programs. Some of the things that you can count on with Interac that you won't find elsewhere are their extensive pre-arrival and post-arrival initial training, support with housing set-up, getting started with a bank account, Internet, mobile phones, and getting to know your schools prior to beginning to teach. Once you begin teaching, you'll have access to extensive teaching materials, continuing training, and periodic evaluation. Interac also has skills development resources to help you make the most of your time with the company and help your future career, whether it is in teacher or another field.
For more information about Interac, click here or visit Interac's site at www.interacnetwork.com. To make an application, go to our jobs page here.
This site uses cookies. By continuing to use this site, you accept our use of cookies.Ok


text:
KORG MS-20-MINI
KorgSKU: 1015199
This item is not currently in stock but has been ordered from the manufacturer. Availability and ETA is based on details provided by the manufacturer and are subject to change without notice. Contact customer service for more information.
The classic MS-20 –recreated in mini size! An analog synthesizer that reproduces the original circuitry from 1978
Korg's MS-20 monophonic synthesizer, first introduced in 1978, is still a coveted instrument to this day, thanks to its thick, robust sound, its powerful, iconic analog filter, and its versatile patching options.
Over 300,000 people have enjoyed the distinct MS-20 sounds from the original, from Korg's MS-20 plug-in synth, and the iMS-20 iPad app.
Today, the sounds of the MS-20 have been reborn as the MS-20 Mini. The same engineers who developed the original MS-20 have perfectly reproduced its circuitry and fitted it into a body that's been shrunk to 86% of the original size, yet retains the distinctive look of the original that remains unfaded despite the passage of time.
The MS-20 mini will amaze you with its absolutely authentic analog synth sound.
2VCO / 2VCF / 2VCA / 2EG / 1LFO structure
The MS-20 mini reproduces the distinctive synthesis of the MS-20; two oscillators with ring modulation, and envelope generators with hold and delay. The VCA maintains the basic design of the original, but it's been modified to produce less noise than the original.
Self-oscillating high-pass/low-pass filters with distinctive distortion
One of the greatest characteristics of the MS-20 was its powerful filters, which provided resonance on both the high-pass and the low-pass. Maximizing the resonance would cause the filter to self-oscillate like an oscillator, producing a distinctive and dramatic tonal change that was acclaimed as inimitable, and was later used on the monotron and monotribe.
The filter circuit was changed mid-way through the production lifecycle of the MS-20; the MS-20 mini uses the earlier filter, which was felt to be superior due to its more radical sound.
External signal processor (ESP) for processing an external signal
The ESP carries on the experimental spirit of MS-20; it allows you to use the pitch or volume of an external audio source to control the synthesizer. For example you can input an electric guitar and use the MS-20 mini as a guitar synthesizer, or input a mic and use it as a vocal synthesizer.
Extremely flexible patching system
The patching system provided to the right of the panel lets you create complex sounds by plugging-in cables to change the connections between the various units. The possibilities are limited only by the user's imagination; different combinations of the modulation input/output and trigger, sample and hold, and noise generator can produce an incredible variety of sounds. By patching according to the MS-20 flow chart that's printed on the panel, even the beginner can start taking advantage of these possibilities right away.
86% of the original size
MS-20's design concept started by borrowing from the vertical layout found on larger and more expensive modular synths of its time, and then creating a more portable, inexpensive, and easier to use version.
To make it even more approachable, the MS-20 mini has been shrunk to 86% of the size of the original MS-20. In spite of its smaller size, meticulous care has been taken to accurately reproduce the knob design and the printing. The patch cables have been changed from 1/4" phone plugs to mini-plugs, and the newly-designed keyboard is also 86% of the original size.
Replicates every detail of the original
Our effort to remain faithful to the original is not limited to the unit itself. Even the package that contains the unit replicates the original as far as possible.
Also included are the original MS-20 owner's manual and settings chart, explaining how to create sounds. Now you can experience the excitement of the MS20, just like it was during its original release in 1978.
MIDI IN connector and USB connector
The MS-20 mini provides a MIDI IN jack for receiving note messages, and a USB-MIDI connector that can transmit and receive note messages. You can even connect the MS20 mini to your computer and play it from a sequencer.
Overseen by the engineers of the original MS-20; a complete replication of the original analog circuitry:
2VCO / 2VCA / 2VCF / 2EG / 1LFO structure
External signal processor (ESP)
Faithful recreation of the MS20 at 86% of the size
MIDI IN and USB connector
Replicates every detail of the original, down to the package binding and the included manual

redpajama_set_name: RedPajamaCommonCrawl


text:
My Own Films
Ellie – Press Kit
Ellie is the 2016 short film by 16 year old filmmaker Morgana McKenzie.
Desperate measures are taken to escape a violent world concealed within an isolated cottage.
Website: http://MorganaMcKenzie.com
Twitter: @MorganaFilms
Instagram: @MorganaFilms
Facebook: http://facebook.com/morgana.mckenzie.9
IMDB: http://imdb.me/morganamckenzie
Vimeo: https://vimeo.com/morganamckenzie
"Ellie" included so many "firsts". It was my first time using my new Canon C100 camera (after saving up for a year); it was my first opportunity to work with a casting director; and my first experience hiring professional (ACTRA union) actors.
Ellie was only possible because of the generosity of so many people. Instead of a summer vacation, my parents rented the cottage that serves as the location for Ellie. A successful Kickstarter campaign paid for equipment rentals and the actors' wages. And my casting director provided her services for free.
With the exception of my mom and dad (who provided catering, transportation, encouragement and support), the Ellie crew were all teenagers — my classmates and friends.
Morgana McKenzie is a 16 year old filmmaker living in Ottawa, Canada. In the past four years Morgana's films have screened at nearly 100 festivals internationally and won 25 awards, including: Best Director Under 25 in 2015 by the Ottawa Independent Video Awards; and, Best Emerging Female Filmmaker in 2014 by NFFTY (National Film Festival for Talented Youth).
Detailed Bio
Morgana McKenzie is a 16 year old filmmaker living in Ottawa, Canada. In the past three years, Morgana has created short films screened in the U.S.A., Canada, and Europe. In April 2015 she was honoured to receive the Best Director Under 25 Award at the Ottawa Independent Video Awards.
In 2015 Morgana created two short films. "We All Go the Same", a narrative music video for the song of the same name by Radical Face, has screened at over 40 festivals and won ten awards including Best Music Video, Best Cinematography, and Best Makeup. "Kurayami no Wa", a dark thriller set in winter, won Best Thriller (Junior Division) at CineYouth in Chicago and Best Film at the Ottawa High School Film Festival.
Morgana's 2014 short film "GIFTS" was accepted to over twenty film festivals, and won ten awards, including: Best Emerging Female Filmmaker at NFFTY (National Film Festival for Talented Youth); the top prize of the Future of Cinema Film Festival at the Interlochen School of Arts; the Best Narrative award at the Calgary International Film Festival youth division; and, Best Thriller at CineYouth in Chicago.
Productions Stills
Morgana with her Canon EOS C100 rig (photo by Max Retik)
Laura_slate_2
Morgana_in_Red_Room_1


Best wallpapers for mobile phones - 480*854 Cute phone backgrounds. 480 * 854 Background for cell phone. 480 - 854 New wallpaper download for mobile, 480/854 Beautiful flowers wallpapers free download. Hd wallpaper nature.
Romantic adventure vacations. Travel worldwide. Crimea is beautiful at any time of the year. Amazing nature. Holidays all inclusive. Looking at the wonderful lines of the beautiful flower and its colors, it is impossible to remain indifferent to the charms of nature. Since time immemorial, people endowed color special semantic value, which is reflected in the various religious and mystical teachings, myths, folk tales, legends. Photographic tours. Wallpaper 728505: Yalta. All inclusive family resorts. Flora the goddess of flowers. Top-notch adventure vacations you can afford. Nikitsky Botanical Garden. June. Excursions develop cravings for beauty and the arts. Botanical gardens. Exciting travel is an amazing anti-depressant for a tired person. Nikita. The Crimean peninsula has been inhabited since time immemorial. In nature, there is nothing wrong - every form, beautiful or ugly, justified, and all that exists, appears exactly like it should be. Spectacular. Everyone loves summer. Lilium. It is amazing how generous and inventive is the nature in color of beautiful flowers. Every color is the word and symbol at the same time. Tourist attractions. Nikita Botanical Garden. Short weekend getaways. Lily. Lilies. Vacation tours and travel. The man began to gain knowledge about the world, long before he felt himself a thinking being. Most beautiful flowers wallpapers. Nature wallpaper backgrounds. Nature wallpaper full hd.
Knowledge is the best investment most people can buy. Education is the basis of a common human culture and society, an important indicator of social progress. Psychological benefits of vacation. Health is the most important human wealth. Excursions play a special role in the development of personality, because they allow to expand their horizons and enrich the knowledge. It is very important to choose a comfortable and cheap hotel before the trip. A rare combination of a variety of landforms and the diversity of climate in a relatively small area determine the unique properties of Crimea. There are places on Earth where nature is so infinitely beautiful that creates a feeling of unreality. Cheap holidays. Beautiful flowers create the illusion of contact with nature. Taurica is the classical name of Crimea. Color as a symbol has different meanings for different people of the world. How to spend your leisure time usefully. Where to go for a day to remember it for a lifetime? In the journey, the way we think, ingrained habits, traits, can undergo substantial changes. Best family vacation destinations ideas.
Someone prefers to rest every year in the same favorite place, some like variety. Cultures and nations, rulers and conquerors followed one another on this small piece of land, as in a kaleidoscope. The language of communication of beautiful flowers are wonderful smells. Nothing in the image does not attract us as much as true wonderful color. Digital photography tours - Fine art photography galleries. Digital online media, Web art gallery - digital photography 728505: What are vacations for? We move around unusual places, wonderful cities or unforgettable countries. We all dream to spend a little time at the places, where there is fresh and clean air, and nature has retained its beauty and charm. The Taurida Governorate was a part of the Russian Empire. Ancient symbolism of colors and their interpretation of different cultures is confirmed by modern theories of the relationship of color and emotions.


(CNSNews.com) - Democrats don't have an immigration plan, White House spokeswoman Sarah Huckabee Sanders told "Fox News Sunday."
"Their only plan is to fight the president."
Sanders said President Trump's call to ship asylum-seekers to sanctuary cities is not an "ideal solution," but "until we can fix the crisis at the border, we have to look at all options. This is one of them. Whether or not it moves forward, that's yet to be determined."
Immediately following Sanders on "Fox News Sunday," Democrat Sen. Ben Cardin of Maryland said he doesn't think Trump's sanctuary city idea is legal.
"There is no budget for that purpose," Cardin said. "This is clearly a political move for the president. He is using the immigrants as pawns in his political game of chess. He's not really interested in a solution. He's more interested in preserving a political issue for the 2020 election."
Host Chris Wallace asked Cardin, "What is the Democratic plan? I know you talk about border security. There clearly is a problem here with people gaming the system on asylum. What's the Democratic plan to stop that?"
Cardin said Democrats wants to "take up legislation to reform our broken immigration system." He suggested starting with the comprehensive immigration reform bill that passed the Senate in 2006 but failed in the House.
"If the president would support comprehensive immigration reform and work with Democrats and Republicans, we have the consensus to pass comprehensive immigration reform," Cardin said. "But the president doesn't want that to happen. Certainly, we'll take up niche issues. We have to take up issues. I hope that we could get things accomplished. But what we need is comprehensive immigration reform.
"And secondly," Cardin continued, "you talk about more people coming to our border. We have to deal with the reason why migrants are migrants in the first place, and that is, don't cut off the aid to Central America. Let us work to reduce the flow out of countries."
Wallace asked Cardin if he would agree that "there's a problem with the asylum system" that is overwhelmed with people who do not qualify for asylum but who get to stay in this country for years (if not forever) while waiting for their claims to be heard.
"I would acknowledge that we have an immigration problem in this country," Cardin said. "Our immigration laws are not what they should be. Asylum is a very important policy for America, and it's a global value that we protect people that are in fear of their lives.
"So, we need -- we want to lead on asylum, but we need to have an orderly process. And because we don't have an orderly immigration process, we find that the asylum laws are not working the way they should."
And that's where they left it.


This breathtaking 8 Light Flush Mount with Chrome Finish is a beautiful piece from our Glimmer Collection. With its sophisticated beauty and stunning details, it is sure to add the perfect touch to your dicor.
This breathtaking 6 Light Flush Mount with Chrome Finish is a beautiful piece from our Atlantic Collection. With its sophisticated beauty and stunning details, it is sure to add the perfect touch to your dicor.
This breathtaking 10 Light Flush Mount with Chrome Finish is a beautiful piece from our Cascade Collection. With its sophisticated beauty and stunning details, it is sure to add the perfect touch to your dicor.
This breathtaking 8 Light Flush Mount with Chrome Finish is a beautiful piece from our Colosseum Collection. With its sophisticated beauty and stunning details, it is sure to add the perfect touch to your dicor.
This breathtaking LED Flush Mount with Chrome Finish is a beautiful piece from our Expression Collection. With its sophisticated beauty and stunning details, it is sure to add the perfect touch to your dicor.
Glimmer 22 inch 8 Light Flush Mount with Chrome Finish This breathtaking 8 Light Flush Mount with Chrome Finish is a beautiful piece from our Glimmer Collection. With its sophisticated beauty and stunning details, it is sure to add the perfect touch to your dicor.


My skin is very yellow-undertoned, the Med-Deep is very very pink. Enough said. Will not repurchase. However, it made my skin feel very soft.
This is the first BB cream I've ever tried and I like it quite a bit. I originally wanted to buy the Maybelline Dream Fresh BB cream, but I heard from a friend that it was extremely greasy and provided little to no coverage. I have very fair skin and when I first used this product in the winter, I noticed it made my skin a darker shade than my neck and so I didn't use it for a while. In the summer I don't get an extreme tan, but people who know me can tell my skin loses it's ghostly quality. I tried the BB cream again and it matched my summer skin tone. It was just the right amount of coverage that I would expect from a BB cream and I am realizing that I really expect to only use it in the summer anyway because it's so hot I don't want to go through my usual makeup routine. I find the formula pretty thick and so it doesn't spread as easily as some other BB creams I have tried. But I'm glad it doesn't squeeze out so easily because I'd lose a lot of product that way. Not sure if I will run out anytime soon because I use it only during the summer, but if I do run out and want a BB cream, this is the one I will purchase.
I wrote a review about this a while ago when I first stating using this and I've changed my mind.. As I keep on using it, I'm starting to hate it. It becomes so oily after a while and the lightest tone is dark orange!
This was my first face (bb cream, foundation, powder) product purchase, and I was so excited to try it out. Man, this was really a let-down.
First off, there's only 3 shades to choose from. I am so so so fair and even the lightest shade wasn't light enough for me. Just a dab of this stuff made me look like a really bad orange fake tanned mess.
I'm giving this 3 lippies because after some very very hard blending, it does look somewhat natural and gives a nice look to my skin. I set this with the Rimmel Stay Matte Powder and it looks ok when I need some coverage.
It stinks because I love love love Rimmel products.
I use Maybelline Baby Skin over this stuff(yes, over it) and it gets rid of any cakey-ness that I can see.
Personally, I'm not a BB-cream girl. I was really hoping that this one would be better, but not much.
It oxidized quite a bit, made my skin itch a lot (most likely the linalool) and gave me a break out of tiny bumps.
Not for someone with sensitive skin.
I also noticed some random colour streaks when I squeezed out the tube once... very weird.
I like this bb cream because of the consistency. The only thing is that the light has almost a grayish tint and medium is orangey so I do wish there was a mix if the 2 colors. The coverage is pretty good but I wouldn't use this as a primer THEN put foundation over that would be too much. Overall a good bb cream and I would purchase again.
I really like this foundation/ BB cream and have purchased 6 or 7 bottles so far. It covers well, doesn't break me out and covers very, very well although I still use concealer over any dark acne marks or blemishes. I love that it has Avobenzone as the sunscreen which I haven't been able to find in any other foundation. The price is great too!
This was nice. The lightest shade wasn't too orange and the finish was semi matte. It wasn't too heavy yet had a medium coverage. It wasn't amazing but for the price a good value buy.
As much as I tried to like this BB cream, it isn't for me. I desperately needed a new BB cream since I had run out of my Garnier BB cream. Since I wanted to try something new, I picked up this BB cream from my local Big W. The colour choices are very limited, however that is expected of most BB cream ranges. What I found about this BB cream colour is how pink toned it is. I have a neutral undertone, so I had to apply very little of this BB cream to avoid my face looking like a pink mess. The coverage and consistency is quite nice for a BB cream, however the colour of the cream stopped me from building coverage on my face. Will not be buying this product again!


GRIMSBY Town made it four wins in a row in all competitions as they comfortably beat Dartford at Blundell Park.
The Mariners dominated throughout against their struggling opponents and goals from Carl Magnay, Nathan Arnold and a late Lenell John-Lewis penalty sealed all three points.
Dartford offered little attacking threat throughout the contest as Town kept their fourth clean sheet in five games to give them the perfect start to November after an unbeaten October earned Paul Hurst the Conference Manager of the Month award.
Two changes were made to the Town side that beat Guiseley in the FA Cup last week, with new loan signing Harry Pell and Nathan Arnold replacing Scott Neilson and Ross Hannah.
James McKeown started in goal, with Magnay, Toto Nsiala, Shaun Pearson and Aswad Thomas forming an unchanged back four.
Craig Disley lined up as a holding midfielder, while Pell and Craig Clay formed a central duo and wingers Jack Mackreth and Arnold would support striker John-Lewis.
The Grimsby substitutes were Jon-Paul Pittman, Hannah, Neilson, Paddy McLaughlin and Paul Walker.
Dartford were looking for a result that could take them out of the Conference relegation zone and would look to the likes of captain Elliot Bradbrook, England Under-19 striker Harry Crawford and former Town midfielder Peter Sweeney to deliver the goods.
Pearson headed over the bar from the flag-kick. Town began the game on the front foot and they forced the corner on four minutes when John-Lewis was blocked after being found inside the box by Pell.
Another chance almost came when a free kick was pumped forward by Nsiala but visiting keeper Jason Brown just beat John-Lewis to the ball.
At the other end, a cross from Nathan Collier on the right was dealt with by Pearson as the visitors launched their first attack of note.
A foul on Thomas gave Town a free kick on the left on 13 minutes and from it, they took the lead when Arnold's ball to the far post was touched in by MAGNAY.
The Mariners were well on top against a Dartford side that was yet to show any attacking threat and they had another opportunity when Arnold passed to John-Lewis but the forward could only scuff his shot through to Brown.
Soon afterwards, Arnold found acres of space on the left side of the penalty area but Mackreth could not pick him out as his cross was cleared.
From the flag, the ball was played short and Clay had a shot blocked from 20 yards. John-Lewis almost profited again on 19 minutes but this time, he was narrowly beaten to the ball in the air and a corner was the result.
A short spell of Dartford pressure came around the 23-minute mark and included a corner on the left but after the hosts struggled to clear their lines completely, a shot from winger Lee Noble was blocked.
The Mariners almost doubled their lead a minute later, when John-Lewis beat Brown to get on the end of a cross from Clay on the left but he could only watch his header drop wide with the keeper stranded.
From it, the ball bounced around the 18-yard line until Magnay sent a shot over the bar. A Magnay cross from the right was cleared by Collier as the home side continued to attack, before a foul on Clay by Noble gave them a free kick inside the Dartford half.
The ball eventually broke for Disley but he could only fire over the bar after controlling it near the penalty spot. Bradbrook was shown the first yellow card of the game for a foul near the halfway line on 33 minutes and from the resulting free kick, there was another chance for Town when the Dartford defence failed to clear the ball from Thomas' delivery.
John-Lewis then dragged a low shot wide of the far post after a good run through the middle by Disley on 35 minutes, as the Mariners continued to completely dominate the game.
Clay found Mackreth on the right and his perfect cross was expertly volleyed home by ARNOLD from 12 yards. It seemed a matter of time before a second Town goal arrived and when they did douoble their lead seven minutes before the break, they did it in style.
A long throw from Mat Mitchell-King was comfortably dealt with as the away side looked to create some danger, with the clock ticking into one minute of added time.
And with no further opportunities during the extra minute, Grimsby's two-goal advantage remained intact at the interval.
It had been one of the most comfortable halves of football seen at Blundell Park for some time, with the Mariners in total control against a Dartford side which appeared to be lacking any urgency.
No changes were made by either manager before the restart and after a quiet opening to the second half, Dartford's Crawford forced his way into the Town box on the left but could not pick out a team-mate with his low cross.
Tom Bender then sent a low cross in from the left but it was easily stopped by McKeown, who was yet to be forced into any serious action as the hour approached.
A foul on Noble gave Dartford a free kick inside the Grimsby half but it came to nothing, as Magnay headed the initial delivery away and the follow-up shot from Noble was sliced well wide.
Off went Crawford, Andy Pugh and Daley, to be replaced by Danny Harris, Ryan Hayes and Tom Bradbrook. The away side had seen more of the ball since half-time but manager Tony Burman was clearly unimpressed, as he opted to make a treble substitution on 64 minutes.
Town still looked the more likely to add to the scoring and Pell was the next to try his luck, forcing Brown to get down to stop his powerful 25-yard drive.
A good Grimsby move on 70 minutes saw John-Lewis find Clay on the right and he pulled the ball back for Arnold, who saw a shot blocked.
Good work by Thomas then thwarted Hayes, who had set off on a run through the middle for the visitors.
A foul by Disley gave the away side a free kick in a dangerous position on the right with 15 minutes to go but it was well-defended by the Mariners, with Thomas clearing before a return ball into the box went through to McKeown.
Pell then drove through the middle for Town and opted to shoot from the edge of the box but his effort took a deflection and bounced harmlessly through to keeper Brown.
Disley was given a warning by the referee after another foul on Noble but again, Dartford were unable to cause any significant problems from the resulting free kick.
McKeown was forced to tip the ball over his bar though as a cross from Hayes on the right drifted towards goal soon afterwards.
JOHN-LEWIS took the spot-kick himself and confidently dispatched it, sending Brown the wrong way. Pittman replaced Mackreth for Town with nine minutes to go and four minutes later, the hosts were given the opportunity to make it 3-0 when John-Lewis was pulled down inside the box by Mitchell-King as he met a free kick.
Arnold and Disley made way for Hannah and McLaughlin as Town boss Hurst made his final two substitutions with two minutes left to play.
Four additional minutes were signalled at the end of the regulation 90 and the hosts kept pushing for a fourth goal.
They nearly had it through a half-volley by McLaughlin but the effort bounced back off the post.
But ultimately, they would settle for three goals and the three points which saw them move further towards the play-off positions.
Town are next in action when they travel to Braintree on Tuesday.


text:
with corrections
or breaking news
New Film from the Iranian Master
by Joanne Butcher
Asghar Farhadi wins a Golden Bear (best film) at the 2011 Berlin International Film Festival, the first Iranian to do so. photo: courtesy Berlin IFF
THOSE OF US LIVING IN THE BAY AREA
will soon be treated to the opportunity to see the latest film by international directing superstar, Asghar Farhadi, whose "The Salesman" opens here on January 17, 2017. Farhadi's films have repeatedly won big prizes at Cannes and Berlin, and are huge international hits. Indeed, "The Salesman" (2016), won Best Screenplay and Best Actor at this year's Cannes.
As Farhadi himself says, his films are always about the "complexity of human relations, especially within a family…[who]... find themselves in a situation that reveals unexpected aspects of their personalities".
His screenplay- and actor-driven films look so naturalistic that they have been accused by detractors of not being cinematic. But in "The Salesman", Farhadi peels back the curtain on his directing, so that we can be in no doubt as to the extraordinary sophistication of the artifice that he commands.
The first shot is an unmade double bed in a bedroom. We are in familiar Farhadi territory: the ordinary life of an ordinary couple. The shot fades to black and we hear the sound of something mechanical: a train?
We fade in: a single theater spotlight. The bamboo frame of a cart enters under the light. A man, whom we can barely see, stops the cart and moves behind the light to reposition it. The third shot is of a living room, lit by the spotlight that moves across the chair and the sofa, and we now realize that we are not looking at the "real" home of realistic protagonists, but at a theater set.
The static camera shots for the first two minutes bring us a sort of intimacy with this set. Back-stage activities reinforce the illusion, so that afterwards, when the "real" story begins, we are never far from this overt division between artifice and "reality."
A confession: I have a great love for films about making films or theater. I love how a director weaves a film or play into the actual telling of the story.
Shahab Hosseini and Tareneh Alidoosti star in 'The Death of Salesman", in Farhadi's 'The Salesman'. photo: courtesy A. Farhadi
Personal favorites include Mel Brooks' "The Producers" (1967), François Truffaut's "Day for Night" (1973), Alejandro Iñarritu's "Bird Man" (2014), and Quentin Tarantino's "Inglourious Basterds" (2009), but there are many, many more. These meta-narratives force us to confront the movie as a fiction while at the same time identifying with the 'reality' of the characters.
In "The Salesman", Farhadi's leads, Shahab Hosseini and Tareneh Alidoosti, both seasoned Iranian stars, play a couple deeply involved in theater. We also see them in their roles as a middle-class man and wife living in contemporary Tehran.
The earth beneath them is shaken with such force by the machines of 21st century progress—the next door building is being demolished, that their apartment building becomes dangerously uninhabitable. Simultaneously, they playing Willy and Linda Loman in Arthur Miller's "Death of Salesman" (1952), an American play depicting progress destroying individuals and families.
By the same token, how does Farhadi—as well as the actors and crew that collaborate frequently on his films—manage to live, work and speak so openly under a regime as repressive as that in power in Iran?
The curious fact that Farhadi thrives as an Iranian television and film artist, and gets his work past the censors, is debated around the world. Indeed, Farhadi's films are so accepted by the Iranian establishment that "The Salesman" was Iran's 2016 Oscar nominee.
What I experience in watching his films is that what seems ordinary and small on the surface, is extraordinarily deep and powerful, even when spoken quietly. Like other artists working within the constraints of censorship and repression, he explores that which is apparently uncontroversial on the surface, letting images and silences speak all the more loudly.
In one scene, at the end of a night of "Death of a Salesman" rehearsals, Alidoosti, who plays Rana, brings a message to Hosseini's Emad that the censors are coming.
Concerned about three passages in the play, the couple decides Emad will deal with the censors while Rana returns home alone. After she arrives there and awaits Emad's return, the film's main precipitating incident takes place, showing us "unexpected aspects of their personalities."
Asghar Farhadi portrait by Rafał Placek. photo: courtesy Portrety Blog Spot
The first "unexpected aspect" is that the happiness and fulfillment of their lives seems to be based on a lack of intimacy which we had simply not been aware of before. A gulf opens up between them that we can only assume was there all along, revealing a weakness in the relationship that cannot withstand the catastrophic upheaval that Rana experiences and that her husband keeps failing to understand.
Like the massive diggers that are damaging the foundations of their apartment building, this unexpected incident reveals cracks both in their relationship and their individual personalities.
"If you see it as a social commentary, you'll remember those elements." Farhadi says of "The Salesman". "Somebody else might see it as a moral tale, or from a totally different angle."
Each time we expect social commentary, we see instead the complexity of religious boundaries. And just when we think we're going to get a grasp on what those religious constraints are, we're off into that complexity of human relations, where one person seeks revenge and another chooses mercy.
The social commentary, the iron fist of the censors, the shame brought by religion or exposure or financial failure, all add up to show that human beings can never be understood in a two-dimensional way—even though theater and film constantly make that attempt.
When we become apprehensive about the danger of the censors, we are distracted from the actual experience Rana has. And yet, what is more real? Censors or "real" life-changing events we have no control over?
Asghar Farhadi's "The Salesman" (2016) opens in the Bay Area on January 27th, 2017.
"The Salesman" (in Persian: فروشنده or Forushande) is a 2016 Iranian-French drama produced by Alexandre Mallet-Guy's Memento Films, in turn, in co-production with Arte France Cinema and in association with the Doha Film Institute.
It was included in Competition at the 2016 Cannes Film Festival. At Cannes, Shahab Hosseini won the award for Best Actor and Asghar Farhadi won the award for Best Screenplay. In the Chicago International Film Festival, it took the Silver Hugo Special Jury Prize, as well as the Critics Choice Awards for Best Foreign Language Film. The film was selected as the Iranian submission for the Best Foreign Language Film for the 89th Academy Awards, which will take place in 2017.
Joanne Butcher is an Executive Coach to independent filmmakers who make films that change the world AND make money. Contact her .
Posted on Jan 24, 2017 - 07:55 PM


text:
11 reasons to look forward to the PGA Tour's fall schedule
Well, here we are again, refreshed and ready for another PGA Tour season after that 15-day cleanse.
Tour officials condensed the major schedule and crammed in the playoffs before the end of August, a long-overdue concession that they have no interest in competing for ratings with almighty football.
Now, with so many viewing options, you may be tempted to watch less golf, but there's still plenty of intrigue this fall, beginning with this week's A Military Tribute at The Greenbrier.
Here are 11 reasons to look forward to the 11-tournament fall slate:
1. The glitzy newcomers
It's hard to recall a more decorated group of minor-league graduates. Those with even a cursory knowledge of the college and amateur game surely remember these names: Scottie Scheffler (U.S. Junior champ), Robby Shelton (seven-time winner at Alabama), Maverick McNealy (No. 1-ranked amateur), Kris Ventura (NCAA team champion) and Doug Ghim (U.S. Walker Cupper). The list of promotions also included a few feel-good stories, from Brendon Todd, who overcame the yips, to Joseph Bramlett, who sat out nearly five years because of back trouble, to Chris Baker and Scott Harrington, who grinded for years to finally earn their shot.
Oh, and then there is the most decorated new arrival of all ...
2. The Class of 2019
Now that Viktor Hovland is on a level playing field with Matthew Wolff and Collin Morikawa – now that they all can set their schedule and put in a full season's worth of work – it'll be fascinating to see what they can do for an encore. Extrapolated over an entire season, Morikawa would have ranked among the top 10 statistically in strokes gained: total, and no one made a bigger splash on Tour than Wolff, the free-wheeling, fun-loving, 20-year-old NCAA champ.
With a few strong performances this fall, perhaps Morikawa and Wolff can position themselves for a Presidents Cup pick. Their world ranking lags behind, but all three are top-50 talents, right now. If not better.
3. Tiger in Japan
News of Woods' arthroscopic surgery was a surprise, but that knee has always caused him problems and he seemed just fine as he lustily cheered on Rafa and Serena at the U.S. Open.
Still, this summer was a reminder of Woods' fragility, and that his limited schedule might prolong his career but won't necessarily improve his chances of remaining competitive. He'll have had more than two months off before he takes a long flight to Japan to play in the inaugural Zozo Championship.
Rust should be expected, of course, but if he doesn't show up in good health there ...
4. U.S. Presidents Cup picks
Woods also factors into one of the other intriguing subplots this fall, since he'll need to make his four captain's picks on Nov. 4. Everyone who hopes to compete at Royal Melbourne will have played at least once by then – including Woods – and so he'll have all of the necessary data to inform his decision.
Does Woods make history and become a playing captain? Will he end Phil Mickelson's record cup streak? Do seasoned vets like Patrick Reed and Jordan Spieth get the nod? Will he leave consistent performers Rickie Fowler, Gary Woodland and Tony Finau at home? Should Woods look to the future and select Morikawa or Wolff?
Leading for the first time, Woods' decisions might tell us more about the man than we've learned in two decades of public statements.
5. Presidents Cup
Woods' picks will draw so much interest because the competition itself is usually a bust. On paper, at least, this figures to be another monumental mismatch – recall that two years ago, the cup nearly ended on Saturday – but Royal Melbourne is still a unique test that has proved vexing to the Americans in the past. (It was the site of their only loss in the biennial event, in 1998.)
The likelihood that Woods will occupy dual roles makes this must-see TV, even in the middle of the night.
6. Jordan Spieth: The comeback begins
Call me naïve, but I'm not yet ready to concede that Spieth's best golf is behind him. He's too good, and too smart, to stay down for long.
It's revealing that Spieth had the best year of his life on the greens – first in putting average, one-putt percentage, average distance of putts made, putts per round and putts made from 10 to 15 feet – and yet he didn't seriously sniff a title last season. That alone illustrates just how far off his ball-striking has gotten.
By exiting the playoffs early, Spieth had ample time to regroup, reset and get back to work with swing coach Cameron McCormick. Spieth's short game and putting is once again world class, but there was much to address with his long game – in particular his iron play, which two years ago was the best in the world. If he doesn't soon begin to show sustained signs of progress, it's reasonable to wonder if a new direction is needed.
7. Seeing our early Player of the Year favorite ...
That dude: Justin Thomas. A wrist injury dogged him for much of the major season, but his playoff performance felt familiar. His runaway win at the BMW (where he shot 25 under) marked his 10th career Tour title, the second-most of any player over the past four seasons.
There are no weaknesses in JT's game, and he's more than capable of putting up even better numbers than his POY campaign in 2017. He's already back inside the OWGR top 5, where he belongs.
8. The importance of the fall
The fall schedule of events has significant bearing on the season-long FedExCup.
Of the eight winners last fall, six advanced to the season-ending Tour Championship – and a seventh, Kevin Tway, came agonizingly close to qualifying for East Lake. After the fall portion last season, more than 30 players were already halfway toward the number needed (376 points) to keep their card.
Increasing the number of fall events from eight to 11 makes it even more imperative that the best players tee it up and keep from falling behind – and that's to our benefit as fans and observers.
9. Tournament upgrades
The Sanderson Farms Championship (and its iconic rooster winner's trophy) is now a standalone event – which means a full allotment of FedExCup points and a Masters invite to the winner. The Zozo and Bermuda Championships are new events, with the latter played opposite the WGC-HSBC Champions. And weekends will now feature the top 65 and ties, instead of the usual top 70.
10. Another off-week!
Make plans the week of Nov. 4 – the Tour is off then, following same-week events in China and Bermuda. After that respite, players head to Mayakoba and Sea Island before shutting down for the holidays, unless, of course, they're one of the select few who will peg it at the Hero World Challenge (Dec. 4-7) and Presidents Cup (Dec. 12-15). Then they can have a week off ... before traveling to Hawaii for the start of 2020.
11. And, yes, the season opener
It feels like a soft opening to the Tour season, what with only three top-25 players (Bryson DeChambeau, Marc Leishman and Bubba Watson) teeing it up in West Virginia. If anything, it's more of an extension of the Korn Ferry Tour Finals, the field littered with newbies who only two weeks ago earned their Tour cards.
So much is different now – especially the purse sizes – but, hey, there's something romantic about the beginning of a new era.
Tour implements new driver-testing program
BY Nick Menta — September 04, 2019
The PGA Tour is set to implement a new club-testing program which will now test drivers pulled directly from players' bags.


text:
Why Classics & Archaeology?
Major and Minor Information
- Faculty News
- Student News
Honor Society: Eta Sigma Phi
Archaeology Summer Opportunities
Faculty Tribute
Archaeology Center
Full-Time and Part-Time Faculty
Bellarmine College of Liberal Arts > Classics and Archaeology > Beyond the Classroom > Department News > Events > Events Spring 2022
Events Spring 2022
CLAR Meet & Greet
Archaeology Field Work Presentations
16th Classics & Archaeology Symposium
Our annual departmental symposium will be Thursday, April 21st, 2022, from 10am to 1pm in the CLAR/THST village (UH 3700). Seven of our students will present their research, followed by a faculty presentation by our post-doc instructor, Chris Gipson (Classics, '13). Presentations will be followed by departmental awards and lunch on the Bioethics patio (UNH 4511).
Motherland, I See You "Greece 1821–2021 Anniversary" Film Screenings
A selection of 10 important films representing the diverse Greek heritage of the 20th Century were screened in-theater and virtually. An initiative of the Hellenic Film Academy, under the Auspices of the "Greece 2021" Committee, sponsored by the National Centre of Audiovisual Media & Communication (grand sponsor), the Greek Film Centre, the Athens Epidaurus Festival and the Thessaloniki International Film Festival. With the support of the Greek Film Archive and Finos Film. LAGFF was one of few film festivals around the world chosen to participate in screening films from this unique collection of classic films. Four theatrical Screenings @ LMU Broccoli Theater were sponsored by the LMU Department of Classics & Archaeology and the LMU School of Film and Television on March 19 and 20, 2022.
Welcome Isabelle Davis
We are delighted to welcome Isabelle Davis as the new Senior Administrative Coordinator for the department of Classics and Archaeology. Isabelle, a graduate of Clemson University with a BA in English, received an MFA from Loyola Marymount's School of Film and Television in Writing for the Screen. Her comedy feature film thesis script, Clean Sweep, was a second-rounder in the Austin Film Festival and her bio-pic feature script, Madame Ram, scored in the top 10% of the prestigious Nicholls Fellowship in 2021. She hopes to use her passion for human interest stories in spotlighting CLAR alum and current majors and minors. Since moving to Los Angeles from South Carolina, she was very involved in the Clemson Alumni Club and looks forward to connecting with faculty, students, and alumni of Loyola Marymount through her new position. She can be reached via email.
Dionysus Festival
Save the date for the Classics & Archaeology Dionysus Festival on April 23, 2022 at the Marymount Institute. Students in our courses will perform adaptations of ancient epics, tragedies, and comedies at the Marymount Institute. The program for this event and registration information will be posted in early spring.


Mesopotaina Lilith was said to be the first woman ever created the ring and post can represent her sexuality with men, the measuring cords for mans life and justice, she has talons for feet and her sacred animal was the owl. Picture from British Museum dated 700 - 800 BC. This Mythical Demon Goddess history could be dated as far back as 4000 BCE.


text:
<?xml version="1.0" encoding="utf-8"?>
<!--
  ~ Copyright (C) 2015 The Android Open Source Project
  ~
  ~ Licensed under the Apache License, Version 2.0 (the "License");
  ~ you may not use this file except in compliance with the License.
  ~ You may obtain a copy of the License at
  ~
  ~      http://www.apache.org/licenses/LICENSE-2.0
  ~
  ~ Unless required by applicable law or agreed to in writing, software
  ~ distributed under the License is distributed on an "AS IS" BASIS,
  ~ WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
  ~ See the License for the specific language governing permissions and
  ~ limitations under the License
  -->

<LinearLayout xmlns:android="http://schemas.android.com/apk/res/android"
    android:id="@+id/container"
    android:layout_width="match_parent"
    android:layout_height="wrap_content"
    android:background="?android:attr/selectableItemBackground"
    android:clickable="false"
    android:focusable="false"
    android:descendantFocusability="blocksDescendants"
    android:orientation="horizontal"
    android:paddingStart="?android:attr/listPreferredItemPaddingStart"
    android:paddingEnd="?android:attr/listPreferredItemPaddingEnd" >

    <LinearLayout android:layout_width="0dp"
        android:layout_height="wrap_content"
        android:layout_weight="1"
        android:duplicateParentState="true"
        android:orientation="vertical">
        <Space android:layout_width="0dp" android:layout_height="@dimen/lb_preference_item_text_space_top" />
        <TextView
            android:id="@android:id/title"
            android:layout_width="wrap_content"
            android:layout_height="wrap_content"
            android:layout_marginBottom="@dimen/lb_preference_item_primary_text_margin_bottom"
            android:duplicateParentState="true"
            android:textAppearance="?android:attr/textAppearanceListItem"/>
        <TextView
            android:id="@android:id/summary"
            android:layout_width="wrap_content"
            android:layout_height="wrap_content"
            android:duplicateParentState="true"
            android:textAppearance="?android:attr/textAppearanceListItemSecondary"
            android:maxLines="4" />
        <Space android:layout_width="0dp" android:layout_height="@dimen/lb_preference_item_text_space_bottom" />
    </LinearLayout>

    <!-- Preference should place its actual preference widget here. -->
    <LinearLayout android:id="@android:id/widget_frame"
        android:layout_width="wrap_content"
        android:layout_height="match_parent"
        android:duplicateParentState="true"
        android:gravity="center_vertical"
        android:orientation="vertical" />

</LinearLayout>

redpajama_set_name: RedPajamaGithub


Get a Free Estimate Today. Just call us at 301-919-6065. If we are out on a job, please just leave us a message with your phone number and the best time to call you. We'll get back to you just as quickly as we can.


text:
Q: A Geometric Description of Injective Modules I've found that when studying commutative algebra, thinking of things in terms of their algebro-geometric interpretation helps them stick as well as motivates otherwise odd and abstract concepts.
(For example, thinking of localization as referring to open sets, completions to infinitesimal neighborhoods, primary decomposition to irreducible components, etc.)
I'd like to do the same for concepts from homological algebra. I'm dimly aware that projective modules correspond geometrically to vector bundles (i.e. to the condition of being locally free) at least in nice cases, and flatness seems to have a deeply geometric interpretation as meaning something difficult to describe about "smoothly varying families". Is there a similarly geometric way to think about injective modules? If not, is there some intuition to why dualizing the concept of a projective module breaks the geometric correspondence?
If you're aware of other nice correspondences between geometric ideas and homological algebra constructions, I'd also love to hear them

A: The analogous of a module $M$ over a ring $A$ is a (quasi coherent) sheaf of modules over a scheme $X$. Indeed, in the case $X=\operatorname{Spec} A$ is an affine variety, the two notions coincide. When
First point: how one can think of a sheaf $F$ over $X$? Well, you can take the associated étalé space and think of it as a space $p: E \to X$, such that
$$F(U) \simeq \{e \in E: p(e) \in U\}$$
Note that sections are $R$-modules in this case. In other words, you can always think a sheaf as a sheaf of sections. A cool way to think about sections are a sort of "generalized functions" that can take more than one value. For example, take the function $x \mapsto x^2$ over $\mathbb{C}$: the local sections in a neighborhood of 1 are exactly the two functions $\sqrt{x}, -\sqrt{x}$.
Another set of geometric examples of sheaf - despite less general and less common in algebraic geometry - is the sheaf of solutions to a given constraint (as a differential equation) : locally it can have a lot of solutions, but it is not necessarily true that they glue together to a global solution. This point of view is useful because is more common to have an action of a ring $R$ on the space of solutions. For example, if they have some symmetry under the action of a group and stable for multiplication by a real constant, the ring $\mathbb{R}[G]$ is acting on the space of solutions; however in this situation it is much more natural to have a ""continous"" group of symmetries (like rotations) , and one considers the space of solutions as a module over the associated lie algebra.
Note that the example of "generalized functions" above is a special case of the "solutions to a constraint" case: sections of the function $x^2 \mapsto x$ are exactly the complex functions that satisfy $f(x)^2 = x$.
Second point: what does it mean to be an injective sheaf? The most "neat" consequence is that its cohomology groups are all zero (except the zero-th one which coincide with the module).
Intuitively, I think as "having zero cohomology" like being without holes of any dimension. A concrete reincarnation of this intuition is the fact that an injective sheaf is "flasque", or " flabby": this means that any local section extends to a global section (read: any local solution extends tk a global solution!).
Now we see a completely different approach, which is equivalent to be injective but not pictorial as the previous.
Recall the criterion for which is enough to check that every morphism $I \to M$ extends to a morphism $R \to M$, where $I$ is an ideal of $\mathbb{R}$. Suppose the ring is noetherian, so that the ideal $I$ is generated by a finite number of elements $f_1, \ldots, f_n$. This means we have an exact sequence
$$ 0 \to K \to R^n \to I \to 0 $$
And that a map from $I$ to $M$ is the same as choosing n elements $m_1, \ldots, m_n\in M $ satisfying the relations prescribed by $K$. Finding an extension to $R$ means to find an element $m \in M$ such that $f_j m = m_j$. Let us look at an easy example: if you take an ideal generated by one element $(f) $, for any $m_1 \in M$ you can find an element $m$ such that $fm = m_1$. In other words, you have "" $ m =m_1/f$, that is the module is divisible. For PID like $\mathbb{Z}$ this is equivalent to be injective. In general, you can always find a "common divisor" given that the elements satisfy the obvious relations they should satisfy. If for example $R= \mathbb{C}[x, y]$ and you want an element $m$ such that $xm = m_1, ym= m_2$, it's necessary that $m_1, m_2$ satisfy $ym_1 = xym = xm_2$.
In terms of sheaves, this is not much more significant. Given an ideal $I=(f_1, \ldots, f_r) $, it means that if some global sections $m_1, \ldots, m_r$ satisfies the relations analogous to the relations satisfied by $f_1, \ldots, f_r$, you can always find a global section $m$ such that $f_j m = m_j$.

redpajama_set_name: RedPajamaStackExchange


panel LED lamp network Obtain more tips about the most effective top quality of panel LED light manufacturer and also .
Square LED panel lights have actually reinvented lighting; the streamlined style provides a structured aim to any kind of area, and the high strength, soft illumination contributes to work. They are likewise the most affordable lights solution today, which is why lots of businesses are currently making the transfer to LED panel lighting systems.
The square LED panel light is similar to most LED panel lights. This lighting fixture showcases an light weight aluminum frame to house the semiconductor light source (the light Emitting Diodes), the light overview plate, the diffuser and also the reflective plate. The guide plate is the optical system developed to guide the light and also develop identical illumination. It is commonly an acrylic sheet etched with a dot matrix design. It is normally made of polymethyl methacrylate (PMMA), although polycarbonate (PC) sheets are made use of if far better thermal administration is called for. The high efficiency diffuser located at the front of the guide plate also assists guarantee smooth illumination circulation, leading to a soft glow. Behind the guide plate is the reflective panel that makes high lumen lights possible.
These layers are mounted on a square strong back cover. Some China LED panel light; https://www.loevet.com, panel lights, specifically the ones with bigger ability, come with warm sink systems to control heat. Some additionally featured fittings that make it feasible to lower the lights when needed.
Not just are LED panel lights with a high lumen light source; they additionally make use of a high performance present drive system. Warm dissipation is outstanding as well. LEDs are likewise often set up as if each light bulb, or team of light bulbs, can be independently activated as well as off. The unique circuit design of the majority of LED panel lights in the marketplace today would certainly allow the lighting system to still work regardless of a solitary broken LED. Square LED panel lights can instantly flooding the space with light when switched; there would certainly be no flickering and no humming. There would certainly additionally be no RF interference.
While the versatility of the light source makes it feasible to find up with LED panel lights in different shapes, the square LED panel light stays to be one of one of the most widely utilized as a result of the sleek style, which can provide any establishing a contemporary and also organized appearance. These panel lighting systems would look terrific in residential structures, yet they would certainly look ideal in workplaces, boardroom and also entrance halls, or virtually any type of establishing that would take advantage of a business-like environment.
LED panel lights are readily available in numerous shades, however bulk of the square LED panel light colors readily available out there are white (warm white, all-natural white and also cool white), with cozy white having the lowest luminescent change ( viewed power of light) scores as well as cool white having the highest.
LED panel lights are simple to install. There are 4 options in installation: built-in, placed, recessed as well as put on hold. Built-in as well as recessed installment offer a seamless look, although the later might not be as reliable. Mounted and also put on hold panel lights can draw attention to the LED panel design and give a more dramatic look.
LED lights are not most likely to burn out; as a matter of fact, their life span is not gauged by the time it considers them to stop functioning entirely, however by the time that it takes for the luminescence to drop by 30%. The theoretical life expectancy of LED lights is around 100, 000 hours, which indicates that they might last for around 27 years. However, the ordinary life expectancy is around 60, 000 hrs, which suggests that they might last approximately 20 years when used for 8 hours each day. That is significantly much better that the life expectancy of CFLs (6, 000 to 15000 hours) or incandescent bulbs (1500 hours). The resin body is also vibration-resistant, that makes the LED light panel much more resilient. The significantly longer life-span causes decreased bulb replacement costs.
LED lighting systems are exceptionally energy efficient. It has actually been established that these lights systems create high intensity light, however when developed properly, a LED circuit can also have as much as 80% energy performance. Note that a lot of incandescent run at 20% efficiency (this suggests that of the power made use of, just 20% was in fact transformed to light energy et cetera was released as heat energy). Square LED panel lights do not consume as much power and also still have exceptional light outcomes.


text:
package spotinstmodel

import (
	"fmt"
	"strconv"
	"strings"

	"k8s.io/klog"
	"k8s.io/kops/pkg/apis/kops"
	"k8s.io/kops/pkg/featureflag"
	"k8s.io/kops/pkg/model"
	"k8s.io/kops/pkg/model/awsmodel"
	"k8s.io/kops/pkg/model/defaults"
	"k8s.io/kops/upup/pkg/fi"
	"k8s.io/kops/upup/pkg/fi/cloudup/awstasks"
	"k8s.io/kops/upup/pkg/fi/cloudup/spotinsttasks"
)

const (
	// InstanceGroupLabelSpotPercentage is the metadata label used on the
	// instance group to specify the percentage of Spot instances that
	// should spin up from the target capacity.
	InstanceGroupLabelSpotPercentage = "spotinst.io/spot-percentage"

	// InstanceGroupLabelOrientation is the metadata label used on the
	// instance group to specify which orientation should be used.
	InstanceGroupLabelOrientation = "spotinst.io/orientation"

	// InstanceGroupLabelUtilizeReservedInstances is the metadata label used
	// on the instance group to specify whether reserved instances should be
	// utilized.
	InstanceGroupLabelUtilizeReservedInstances = "spotinst.io/utilize-reserved-instances"

	// InstanceGroupLabelFallbackToOnDemand is the metadata label used on the
	// instance group to specify whether fallback to on-demand instances should
	// be enabled.
	InstanceGroupLabelFallbackToOnDemand = "spotinst.io/fallback-to-ondemand"

	// InstanceGroupLabelHealthCheckType is the metadata label used on the
	// instance group to specify the type of the health check that should be used.
	InstanceGroupLabelHealthCheckType = "spotinst.io/health-check-type"

	// InstanceGroupLabelOceanDefaultLaunchSpec is the metadata label used on the
	// instance group to specify whether to use the InstanceGroup's spec as the default
	// Launch Spec for the Ocean cluster.
	InstanceGroupLabelOceanDefaultLaunchSpec = "spotinst.io/ocean-default-launchspec"

	// InstanceGroupLabelAutoScalerDisabled is the metadata label used on the
	// instance group to specify whether the auto scaler should be enabled.
	InstanceGroupLabelAutoScalerDisabled = "spotinst.io/autoscaler-disabled"

	// InstanceGroupLabelAutoScalerDefaultNodeLabels is the metadata label used on the
	// instance group to specify whether default node labels should be set for
	// the auto scaler.
	InstanceGroupLabelAutoScalerDefaultNodeLabels = "spotinst.io/autoscaler-default-node-labels"

	// InstanceGroupLabelAutoScalerHeadroom* are the metadata labels used on the
	// instance group to specify the headroom configuration used by the auto scaler.
	InstanceGroupLabelAutoScalerHeadroomCPUPerUnit = "spotinst.io/autoscaler-headroom-cpu-per-unit"
	InstanceGroupLabelAutoScalerHeadroomGPUPerUnit = "spotinst.io/autoscaler-headroom-gpu-per-unit"
	InstanceGroupLabelAutoScalerHeadroomMemPerUnit = "spotinst.io/autoscaler-headroom-mem-per-unit"
	InstanceGroupLabelAutoScalerHeadroomNumOfUnits = "spotinst.io/autoscaler-headroom-num-of-units"

	// InstanceGroupLabelAutoScalerScaleDown* are the metadata labels used on the
	// instance group to specify the scale down configuration used by the auto scaler.
	InstanceGroupLabelAutoScalerScaleDownMaxPercentage     = "spotinst.io/autoscaler-scale-down-max-percentage"
	InstanceGroupLabelAutoScalerScaleDownEvaluationPeriods = "spotinst.io/autoscaler-scale-down-evaluation-periods"
)

// InstanceGroupModelBuilder configures InstanceGroup objects
type InstanceGroupModelBuilder struct {
	*awsmodel.AWSModelContext

	BootstrapScript   *model.BootstrapScript
	Lifecycle         *fi.Lifecycle
	SecurityLifecycle *fi.Lifecycle
}

var _ fi.ModelBuilder = &InstanceGroupModelBuilder{}

func (b *InstanceGroupModelBuilder) Build(c *fi.ModelBuilderContext) error {
	var nodeInstanceGroups []*kops.InstanceGroup
	var err error

	for _, ig := range b.InstanceGroups {
		klog.V(2).Infof("Building instance group: %q", b.AutoscalingGroupName(ig))

		switch ig.Spec.Role {

		// Create both Master and Bastion instance groups as Elastigroups.
		case kops.InstanceGroupRoleMaster, kops.InstanceGroupRoleBastion:
			err = b.buildElastigroup(c, ig)

		// Create Node instance groups as Elastigroups or a single Ocean with
		// multiple LaunchSpecs.
		case kops.InstanceGroupRoleNode:
			if featureflag.SpotinstOcean.Enabled() {
				nodeInstanceGroups = append(nodeInstanceGroups, ig)
			} else {
				err = b.buildElastigroup(c, ig)
			}

		default:
			err = fmt.Errorf("spotinst: unexpected instance group role: %s", ig.Spec.Role)
		}

		if err != nil {
			return fmt.Errorf("spotinst: error building elastigroup: %v", err)
		}
	}

	if len(nodeInstanceGroups) > 0 {
		if err = b.buildOcean(c, nodeInstanceGroups...); err != nil {
			return fmt.Errorf("spotinst: error building ocean: %v", err)
		}
	}

	return nil
}

func (b *InstanceGroupModelBuilder) buildElastigroup(c *fi.ModelBuilderContext, ig *kops.InstanceGroup) (err error) {
	klog.V(4).Infof("Building instance group as Elastigroup: %q", b.AutoscalingGroupName(ig))
	group := &spotinsttasks.Elastigroup{
		Lifecycle:            b.Lifecycle,
		Name:                 fi.String(b.AutoscalingGroupName(ig)),
		ImageID:              fi.String(ig.Spec.Image),
		OnDemandInstanceType: fi.String(strings.Split(ig.Spec.MachineType, ",")[0]),
		SpotInstanceTypes:    strings.Split(ig.Spec.MachineType, ","),
	}

	// Cloud config.
	if cfg := b.Cluster.Spec.CloudConfig; cfg != nil {
		group.Product = cfg.SpotinstProduct
		group.Orientation = cfg.SpotinstOrientation
	}

	// Strategy.
	for k, v := range ig.ObjectMeta.Labels {
		switch k {
		case InstanceGroupLabelSpotPercentage:
			group.SpotPercentage, err = parseFloat(v)
			if err != nil {
				return err
			}

		case InstanceGroupLabelOrientation:
			group.Orientation = fi.String(v)

		case InstanceGroupLabelUtilizeReservedInstances:
			group.UtilizeReservedInstances, err = parseBool(v)
			if err != nil {
				return err
			}

		case InstanceGroupLabelFallbackToOnDemand:
			group.FallbackToOnDemand, err = parseBool(v)
			if err != nil {
				return err
			}

		case InstanceGroupLabelHealthCheckType:
			group.HealthCheckType = fi.String(strings.ToUpper(v))
		}
	}

	// Spot percentage.
	if group.SpotPercentage == nil {
		group.SpotPercentage = defaultSpotPercentage(ig)
	}

	// Instance profile.
	group.IAMInstanceProfile, err = b.LinkToIAMInstanceProfile(ig)
	if err != nil {
		return fmt.Errorf("error building iam instance profile: %v", err)
	}

	// Root volume.
	group.RootVolumeOpts, err = b.buildRootVolumeOpts(ig)
	if err != nil {
		return fmt.Errorf("error building root volume options: %v", err)
	}

	// Tenancy.
	if ig.Spec.Tenancy != "" {
		group.Tenancy = fi.String(ig.Spec.Tenancy)
	}

	// Security groups.
	group.SecurityGroups, err = b.buildSecurityGroups(c, ig)
	if err != nil {
		return fmt.Errorf("error building security groups: %v", err)
	}

	// SSH key.
	group.SSHKey, err = b.LinkToSSHKey()
	if err != nil {
		return fmt.Errorf("error building ssh key: %v", err)
	}

	// Load balancer.
	var lb *awstasks.LoadBalancer
	switch ig.Spec.Role {
	case kops.InstanceGroupRoleMaster:
		if b.UseLoadBalancerForAPI() {
			lb = b.LinkToELB("api")
		}
	case kops.InstanceGroupRoleBastion:
		lb = b.LinkToELB(model.BastionELBSecurityGroupPrefix)
	}
	if lb != nil {
		group.LoadBalancer = lb
	}

	// User data.
	group.UserData, err = b.BootstrapScript.ResourceNodeUp(ig, b.Cluster)
	if err != nil {
		return fmt.Errorf("error building user data: %v", err)
	}

	// Public IP.
	group.AssociatePublicIP, err = b.buildPublicIpOpts(ig)
	if err != nil {
		return fmt.Errorf("error building public ip options: %v", err)
	}

	// Subnets.
	group.Subnets, err = b.buildSubnets(ig)
	if err != nil {
		return fmt.Errorf("error building subnets: %v", err)
	}

	// Capacity.
	group.MinSize, group.MaxSize = b.buildCapacity(ig)

	// Monitoring.
	group.Monitoring = ig.Spec.DetailedInstanceMonitoring

	// Tags.
	group.Tags, err = b.buildTags(ig)
	if err != nil {
		return fmt.Errorf("error building cloud tags: %v", err)
	}

	// Auto Scaler.
	group.AutoScalerOpts, err = b.buildAutoScalerOpts(b.ClusterName(), ig)
	if err != nil {
		return fmt.Errorf("error building auto scaler options: %v", err)
	}

	klog.V(4).Infof("Adding task: Elastigroup/%s", fi.StringValue(group.Name))
	c.AddTask(group)

	return nil
}

func (b *InstanceGroupModelBuilder) buildOcean(c *fi.ModelBuilderContext, igs ...*kops.InstanceGroup) (err error) {
	klog.V(4).Infof("Building instance group as Ocean: %q", "nodes."+b.ClusterName())
	ocean := &spotinsttasks.Ocean{
		Lifecycle: b.Lifecycle,
		Name:      fi.String("nodes." + b.ClusterName()),
	}

	// Attempt to find the default LaunchSpec.
	var ig *kops.InstanceGroup
	{
		// Single instance group.
		if len(igs) == 1 {
			ig = igs[0]
		}

		// Multiple instance groups.
		if len(igs) > 1 {
			for _, g := range igs {
				for k, v := range g.ObjectMeta.Labels {
					if k == InstanceGroupLabelOceanDefaultLaunchSpec {
						defaultLaunchSpec, err := parseBool(v)
						if err != nil {
							continue
						}

						if fi.BoolValue(defaultLaunchSpec) {
							if ig != nil {
								return fmt.Errorf("unable to detect default launch spec: "+
									"multiple instance groups labeled with `%s: \"true\"`",
									InstanceGroupLabelOceanDefaultLaunchSpec)
							}

							ig = g
							break
						}
					}
				}
			}
			if ig == nil {
				return fmt.Errorf("unable to detect default launch spec: "+
					"please label the desired default instance group with `%s: \"true\"`",
					InstanceGroupLabelOceanDefaultLaunchSpec)
			}
		}

		klog.V(4).Infof("Detected default launch spec: %q", b.AutoscalingGroupName(ig))
	}

	// Image.
	ocean.ImageID = fi.String(ig.Spec.Image)

	// Strategy.
	for k, v := range ig.ObjectMeta.Labels {
		switch k {
		case InstanceGroupLabelSpotPercentage:
			ocean.SpotPercentage, err = parseFloat(v)
			if err != nil {
				return err
			}

		case InstanceGroupLabelUtilizeReservedInstances:
			ocean.UtilizeReservedInstances, err = parseBool(v)
			if err != nil {
				return err
			}

		case InstanceGroupLabelFallbackToOnDemand:
			ocean.FallbackToOnDemand, err = parseBool(v)
			if err != nil {
				return err
			}
		}
	}

	// Spot percentage.
	if ocean.SpotPercentage == nil {
		ocean.SpotPercentage = defaultSpotPercentage(ig)
	}

	// Capacity.
	ocean.MinSize, _ = b.buildCapacity(ig)
	ocean.MaxSize = fi.Int64(0)

	// Monitoring.
	ocean.Monitoring = ig.Spec.DetailedInstanceMonitoring

	// User data.
	ocean.UserData, err = b.BootstrapScript.ResourceNodeUp(ig, b.Cluster)
	if err != nil {
		return fmt.Errorf("error building user data: %v", err)
	}

	// Instance profile.
	ocean.IAMInstanceProfile, err = b.LinkToIAMInstanceProfile(ig)
	if err != nil {
		return fmt.Errorf("error building iam instance profile: %v", err)
	}

	// Root volume.
	ocean.RootVolumeOpts, err = b.buildRootVolumeOpts(ig)
	if err != nil {
		return fmt.Errorf("error building root volume options: %v", err)
	}
	ocean.RootVolumeOpts.Type = nil // unsupported

	// Security groups.
	ocean.SecurityGroups, err = b.buildSecurityGroups(c, ig)
	if err != nil {
		return fmt.Errorf("error building security groups: %v", err)
	}

	// SSH key.
	ocean.SSHKey, err = b.LinkToSSHKey()
	if err != nil {
		return fmt.Errorf("error building ssh key: %v", err)
	}

	// Public IP.
	ocean.AssociatePublicIP, err = b.buildPublicIpOpts(ig)
	if err != nil {
		return fmt.Errorf("error building public ip options: %v", err)
	}

	// Subnets.
	ocean.Subnets, err = b.buildSubnets(ig)
	if err != nil {
		return fmt.Errorf("error building subnets: %v", err)
	}

	// Tags.
	ocean.Tags, err = b.buildTags(ig)
	if err != nil {
		return fmt.Errorf("error building cloud tags: %v", err)
	}

	// Auto Scaler.
	ocean.AutoScalerOpts, err = b.buildAutoScalerOpts(b.ClusterName(), ig)
	if err != nil {
		return fmt.Errorf("error building auto scaler options: %v", err)
	}

	// Create a Launch Spec for each instance group.
	for _, ig := range igs {
		if err := b.buildLaunchSpec(c, ig, ocean); err != nil {
			return fmt.Errorf("error building launch spec: %v", err)
		}
	}

	klog.V(4).Infof("Adding task: Ocean/%s", fi.StringValue(ocean.Name))
	c.AddTask(ocean)

	return nil
}

func (b *InstanceGroupModelBuilder) buildLaunchSpec(c *fi.ModelBuilderContext,
	ig *kops.InstanceGroup, ocean *spotinsttasks.Ocean) (err error) {

	klog.V(4).Infof("Building instance group as LaunchSpec: %q", b.AutoscalingGroupName(ig))
	launchSpec := &spotinsttasks.LaunchSpec{
		Name:    fi.String(b.AutoscalingGroupName(ig)),
		ImageID: fi.String(ig.Spec.Image),
		Ocean:   ocean, // link to Ocean
	}

	// Capacity.
	minSize, maxSize := b.buildCapacity(ig)
	if fi.Int64Value(minSize) < fi.Int64Value(ocean.MinSize) {
		ocean.MinSize = minSize
	}
	ocean.MaxSize = fi.Int64(fi.Int64Value(ocean.MaxSize) + fi.Int64Value(maxSize))

	// User data.
	launchSpec.UserData, err = b.BootstrapScript.ResourceNodeUp(ig, b.Cluster)
	if err != nil {
		return fmt.Errorf("error building user data: %v", err)
	}

	// Instance profile.
	launchSpec.IAMInstanceProfile, err = b.LinkToIAMInstanceProfile(ig)
	if err != nil {
		return fmt.Errorf("error building iam instance profile: %v", err)
	}

	// Security groups.
	launchSpec.SecurityGroups, err = b.buildSecurityGroups(c, ig)
	if err != nil {
		return fmt.Errorf("error building security groups: %v", err)
	}

	// Labels.
	autoScalerOpts, err := b.buildAutoScalerOpts(b.ClusterName(), ig)
	if err != nil {
		return fmt.Errorf("error building auto scaler options: %v", err)
	}
	launchSpec.Labels = autoScalerOpts.Labels

	klog.V(4).Infof("Adding task: LaunchSpec/%s", fi.StringValue(launchSpec.Name))
	c.AddTask(launchSpec)

	return nil
}

func (b *InstanceGroupModelBuilder) buildSecurityGroups(c *fi.ModelBuilderContext,
	ig *kops.InstanceGroup) ([]*awstasks.SecurityGroup, error) {

	securityGroups := []*awstasks.SecurityGroup{
		b.LinkToSecurityGroup(ig.Spec.Role),
	}

	for _, id := range ig.Spec.AdditionalSecurityGroups {
		sg := &awstasks.SecurityGroup{
			Name:   fi.String(id),
			ID:     fi.String(id),
			Shared: fi.Bool(true),
		}
		if err := c.EnsureTask(sg); err != nil {
			return nil, err
		}
		securityGroups = append(securityGroups, sg)
	}

	return securityGroups, nil
}

func (b *InstanceGroupModelBuilder) buildSubnets(ig *kops.InstanceGroup) ([]*awstasks.Subnet, error) {
	subnets, err := b.GatherSubnets(ig)
	if err != nil {
		return nil, err
	}
	if len(subnets) == 0 {
		return nil, fmt.Errorf("could not determine any subnets for InstanceGroup %q; subnets was %s", ig.ObjectMeta.Name, ig.Spec.Subnets)
	}

	out := make([]*awstasks.Subnet, len(subnets))
	for i, subnet := range subnets {
		out[i] = b.LinkToSubnet(subnet)
	}

	return out, nil
}

func (b *InstanceGroupModelBuilder) buildPublicIpOpts(ig *kops.InstanceGroup) (*bool, error) {
	subnetMap := make(map[string]*kops.ClusterSubnetSpec)
	for i := range b.Cluster.Spec.Subnets {
		subnet := &b.Cluster.Spec.Subnets[i]
		subnetMap[subnet.Name] = subnet
	}

	var subnetType kops.SubnetType
	for _, subnetName := range ig.Spec.Subnets {
		subnet := subnetMap[subnetName]
		if subnet == nil {
			return nil, fmt.Errorf("InstanceGroup %q uses subnet %q that does not exist", ig.ObjectMeta.Name, subnetName)
		}
		if subnetType != "" && subnetType != subnet.Type {
			return nil, fmt.Errorf("InstanceGroup %q cannot be in subnets of different Type", ig.ObjectMeta.Name)
		}
		subnetType = subnet.Type
	}

	associatePublicIP := true
	switch subnetType {
	case kops.SubnetTypePublic, kops.SubnetTypeUtility:
		associatePublicIP = true
		if ig.Spec.AssociatePublicIP != nil {
			associatePublicIP = *ig.Spec.AssociatePublicIP
		}
	case kops.SubnetTypePrivate:
		associatePublicIP = false
		if ig.Spec.AssociatePublicIP != nil {
			if *ig.Spec.AssociatePublicIP {
				klog.Warningf("Ignoring AssociatePublicIP=true for private InstanceGroup %q", ig.ObjectMeta.Name)
			}
		}
	default:
		return nil, fmt.Errorf("unknown subnet type %q", subnetType)
	}

	return fi.Bool(associatePublicIP), nil
}

func (b *InstanceGroupModelBuilder) buildRootVolumeOpts(ig *kops.InstanceGroup) (*spotinsttasks.RootVolumeOpts, error) {
	opts := &spotinsttasks.RootVolumeOpts{
		IOPS:         ig.Spec.RootVolumeIops,
		Optimization: ig.Spec.RootVolumeOptimization,
	}

	// Size.
	{
		size := fi.Int32Value(ig.Spec.RootVolumeSize)
		if size == 0 {
			var err error
			size, err = defaults.DefaultInstanceGroupVolumeSize(ig.Spec.Role)
			if err != nil {
				return nil, err
			}
		}
		opts.Size = fi.Int32(size)
	}

	// Type.
	{
		typ := fi.StringValue(ig.Spec.RootVolumeType)
		if typ == "" {
			typ = awsmodel.DefaultVolumeType
		}
		opts.Type = fi.String(typ)
	}

	return opts, nil
}

func (b *InstanceGroupModelBuilder) buildCapacity(ig *kops.InstanceGroup) (*int64, *int64) {
	minSize := int32(1)
	if ig.Spec.MinSize != nil {
		minSize = fi.Int32Value(ig.Spec.MinSize)
	} else if ig.Spec.Role == kops.InstanceGroupRoleNode {
		minSize = 2
	}

	maxSize := int32(1)
	if ig.Spec.MaxSize != nil {
		maxSize = *ig.Spec.MaxSize
	} else if ig.Spec.Role == kops.InstanceGroupRoleNode {
		maxSize = 2
	}

	return fi.Int64(int64(minSize)), fi.Int64(int64(maxSize))
}

func (b *InstanceGroupModelBuilder) buildTags(ig *kops.InstanceGroup) (map[string]string, error) {
	tags, err := b.CloudTagsForInstanceGroup(ig)
	if err != nil {
		return nil, err
	}
	return tags, nil
}

func (b *InstanceGroupModelBuilder) buildAutoScalerOpts(clusterID string, ig *kops.InstanceGroup) (*spotinsttasks.AutoScalerOpts, error) {
	opts := &spotinsttasks.AutoScalerOpts{
		ClusterID: fi.String(clusterID),
	}

	switch ig.Spec.Role {
	case kops.InstanceGroupRoleMaster:
		return opts, nil

	case kops.InstanceGroupRoleBastion:
		return nil, nil
	}

	// Enable the auto scaler for Node instance groups.
	opts.Enabled = fi.Bool(true)

	// Parse instance group labels.
	var defaultNodeLabels bool
	for k, v := range ig.ObjectMeta.Labels {
		switch k {
		case InstanceGroupLabelAutoScalerDisabled:
			{
				v, err := parseBool(v)
				if err != nil {
					return nil, err
				}
				opts.Enabled = fi.Bool(!fi.BoolValue(v))
			}

		case InstanceGroupLabelAutoScalerDefaultNodeLabels:
			{
				v, err := parseBool(v)
				if err != nil {
					return nil, err
				}
				defaultNodeLabels = fi.BoolValue(v)
			}

		case InstanceGroupLabelAutoScalerHeadroomCPUPerUnit:
			{
				v, err := parseInt(v)
				if err != nil {
					return nil, err
				}
				if opts.Headroom == nil {
					opts.Headroom = new(spotinsttasks.AutoScalerHeadroomOpts)
				}
				opts.Headroom.CPUPerUnit = fi.Int(int(fi.Int64Value(v)))
			}

		case InstanceGroupLabelAutoScalerHeadroomGPUPerUnit:
			{
				v, err := parseInt(v)
				if err != nil {
					return nil, err
				}
				if opts.Headroom == nil {
					opts.Headroom = new(spotinsttasks.AutoScalerHeadroomOpts)
				}
				opts.Headroom.GPUPerUnit = fi.Int(int(fi.Int64Value(v)))
			}

		case InstanceGroupLabelAutoScalerHeadroomMemPerUnit:
			{
				v, err := parseInt(v)
				if err != nil {
					return nil, err
				}
				if opts.Headroom == nil {
					opts.Headroom = new(spotinsttasks.AutoScalerHeadroomOpts)
				}
				opts.Headroom.MemPerUnit = fi.Int(int(fi.Int64Value(v)))
			}

		case InstanceGroupLabelAutoScalerHeadroomNumOfUnits:
			{
				v, err := parseInt(v)
				if err != nil {
					return nil, err
				}
				if opts.Headroom == nil {
					opts.Headroom = new(spotinsttasks.AutoScalerHeadroomOpts)
				}
				opts.Headroom.NumOfUnits = fi.Int(int(fi.Int64Value(v)))
			}

		case InstanceGroupLabelAutoScalerScaleDownMaxPercentage:
			{
				v, err := parseInt(v)
				if err != nil {
					return nil, err
				}
				if opts.Down == nil {
					opts.Down = new(spotinsttasks.AutoScalerDownOpts)
				}
				opts.Down.MaxPercentage = fi.Int(int(fi.Int64Value(v)))
			}

		case InstanceGroupLabelAutoScalerScaleDownEvaluationPeriods:
			{
				v, err := parseInt(v)
				if err != nil {
					return nil, err
				}
				if opts.Down == nil {
					opts.Down = new(spotinsttasks.AutoScalerDownOpts)
				}
				opts.Down.EvaluationPeriods = fi.Int(int(fi.Int64Value(v)))
			}
		}
	}

	// Set the node labels.
	if fi.BoolValue(opts.Enabled) {
		labels := make(map[string]string)
		for k, v := range ig.Spec.NodeLabels {
			if strings.HasPrefix(k, kops.NodeLabelInstanceGroup) && !defaultNodeLabels {
				continue
			}
			labels[k] = v
		}
		if len(labels) > 0 {
			opts.Labels = labels
		}
	}

	return opts, nil
}

func parseBool(str string) (*bool, error) {
	v, err := strconv.ParseBool(str)
	if err != nil {
		return nil, fmt.Errorf("unexpected boolean value: %q", str)
	}
	return &v, nil
}

func parseFloat(str string) (*float64, error) {
	v, err := strconv.ParseFloat(str, 64)
	if err != nil {
		return nil, fmt.Errorf("unexpected float value: %q", str)
	}
	return &v, nil
}

func parseInt(str string) (*int64, error) {
	v, err := strconv.ParseInt(str, 10, 64)
	if err != nil {
		return nil, fmt.Errorf("unexpected integer value: %q", str)
	}
	return &v, nil
}

func defaultSpotPercentage(ig *kops.InstanceGroup) *float64 {
	var percentage float64

	switch ig.Spec.Role {
	case kops.InstanceGroupRoleMaster, kops.InstanceGroupRoleBastion:
		percentage = 0
	case kops.InstanceGroupRoleNode:
		percentage = 100
	}

	return &percentage
}


Based on what mood you wish to create in your bathroom, you can opt for colors related to it. You shouldn't have to walk from the bathroom to acquire an additional towel after a bath. Bathrooms are believed to be the critical sections of any residence. The bathroom is generally the room that doesn't incorporate any kind of decorations. Not every item in your previous bathroom is well worth saving.
Attempt to talk with professionals and learn if the vanities you choose are likely to be the things your bathroom requirements. There are quite a lot of kinds of bathroom mirrors with a variety of materials and designs, and they can without a doubt leave the customer baffled. No matter the design it's, the bathroom is likely to find dirty because of the daily dirt and grime it encounters. Extra touches to create your bathroom stand-out There are many little things you can do in order to enhance the functionality of your bathroom that lots of people ignore. Whether there are one or two steps in the restroom, then utilize mosaic for the steps, when using 12-inch tiles for the remainder of the ground. Distinct things which are possible to improve or change in your bathroom Now that we got the basics from the way it's time to have a look at the key things to think about when renovating the restroom. Keep only the products which you are using in your bathroom.
Bathroom mirrors can be found in many sizes and patterns. Just add a few lights, and your bathroom is going to appear oh-so-amazing, and comforting. It will be simpler that you look at the web and bathroom tile brochures for some superb tile design ideas. Possessing a green bathroom isn't as hard as it might appear.
Bathroom remodeling is just one of the costliest remodeling projects and therefore it ought to be well planned and executed. Last, get all the permits you will need to do the bathroom remodeling from your community authority. Kitchen remodel and bathroom remodel is a great means to do that. Before doing any remodeling work in your bathroom, it's important to consider what kind of renovations you would like and the degree of the exact same. Bathroom renovation is a good means to transform or add value to your dwelling. Everyone knows that a bathroom renovation is just one of the most advantageous addition a house can get.
While choosing mirror, one has to always look at the bathroom design first. The key to achieving the ideal bathroom design is finding the sinks that could match your space and offer the crucial functions. Due to such a huge variety in conditions of hues and patterns, you may easily match the bathroom paneling designs with remainder of the bathroom decor and vanities. You're able to create a playful bathroom interior with numerous colours. The furniture and color blend of the bathroom is likewise an important factor to consider while installing a vanity mirror. You are able to try bathroom cabinets which make small items simpler to approach. After all, the cabinets you're likely to enhance your bathroom are indeed not just for the appearance.
If you would like to invest in transforming your bathroom in a sanctuary, don't be afraid to spend a more considerable portion of your financial plan on body-care solutions. In the event you have a bathroom that's large enough to unleash your imagination concerning design, don't hesitate to do it. To obtain that out, you might want to look at your bathroom's spaciousness, its setting, whether you want to tile the floor only or the full bathroom and lots of different aspects. If you would like a bathroom which is both efficient and tasteful, here are a few ideas which may help you.
There's a lot you can do in order to your bathroom by utilizing ceramic tiles. A bathroom is unquestionably one of the most significant elements of our house where we use it to freshen up and prepare for the day. Given the modern-day amenities your bathroom is composed of, anyone would want to pay an excellent price to get such luxuries. To make it attractive, there are a number of bath fittings and accessories available in the market. Bathrooms can create a huge effect on your everyday life (obviously!) The bathroom is just one of the rooms in the house which gets plenty of traffic daily whether it's from family or guests. Bathrooms and cabinets go a very long way later on.
Not only should it accentuate the attractiveness of your bathroom, but in addition offer a safe atmosphere. Bathroom vanities are considered an extremely important choice for a bathroom. They come with a variety of designs. They come in a wide range of sizes. Following that, you're prepared to go for appointing them to bring the ideal bathroom vanities.