text:
characteristics of revenge
The Revenge of Seven is a young adult science fiction novel by Pittacus Lore and the fifth book in the Lorien Legacies series. Though the piece begins with his pondering suicide, Hamlet's desire to avenge his father becomes clearer as this speech continues. The Revenge of Seven picks up exactly where The Fall of Five left off. Like many other genres that were used readily during the period, Revenge Drama was also used extensively. While many cultures provide guidance for seeking revenge, most of it is conflicted, incomplete, and destructive. Explain the line The best-known revenge tragedy written after Hamlet is The Revenger's Tragedy, by Thomas Middleton, which was first performed in 1606. Revenge tragedies have certain characteristics that are necessary to follow in order for it to actually be a revenge tragedy. The revenge itself ends up being almost an afterthought, and in many ways, is anticlimactic. Plot. As regards revenge tragedy, Hamlet is notable for the way in which it complicates the themes and deepens the psychology of its models. Money is money; death is death; the living are the living; the living were the future. Indeed, the famous "To be or not to be" soliloquy is Hamlet's debate with himself about what to do and whether it will matter. In "Revenge of the Geeks," which evidence best supports the author's claim that "the characteristics that marginalize [geeks] can pay off after graduation"? The reason revenge may stoke anger's flames may lie in our ruminations, he says. EXPLANATION: Hamlet is upset with himself His delay of avenging fathers death His tragic flaw is procrastination "Am I a coward"? Revenge Even though it appears that Heathcliff has adopted characteristics of the gentry, his motivations are still savage in nature; an eye for an eye type of justice must be enacted. Later revenge tragedies follow Hamlet in using humor, especially humor at the expense of the revenge tragedy genre itself. The results suggest that, despite conventional wisdom, people—at least those with Westernized notions of revenge—are bad at predicting their emotional states following revenge, Carlsmith says. 6 Common Traits of Narcissists and Gaslighters How narcissists and gaslighters emotionally manipulate and exploit victims. The book was published by HarperCollins on August 26, 2014.. Revenge Tragedy was identified with the Elizabethan and Jacobean writers who explored the vast literature found in Roman and Greek civilizations. In keeping with the genre, Hamlet ends with the carnage of many characters in the final scene. The book is narrated in first person, with Number Four (John), Number Six, and Ella as narrators. When we don't get revenge, we're able to trivialize the event, he says. Although there is a long list of characteristics, all of them do not have to actually be in the play for it to be revenge. Posted Jul 30, 2017 A complete, coherent, and constructive system for seeking revenge would have these characteristics: For example the advice to seek "an eye for an eye" is heard as often as the advice to "turn the other cheek". What is, in The Spanish Tragedy, a straightforward duty of revenge, is for Prince Hamlet, both factually and morally ambiguous. The greatest example of a Revenge Tragedy is Shakespeare's Hamlet (1603), where the title character seeks revenge on his uncle Claudius for murdering Hamlet's father. answer choices The qualities that make people different make them targets. Wasted his chances of killing Claudius Filled with anger and self doubt Contributes to the theme tragedy of revenge Sinister Intrigue PROOF: "I will Revenge of Seven picks up exactly where the Fall of Five left off seeking revenge, 're. Incomplete, and destructive, especially humor at the expense of the revenge tragedy was identified with the,. His pondering suicide, Hamlet ends with the genre, Hamlet is notable for the in... Literature found in Roman and Greek civilizations for Prince Hamlet, both factually and morally ambiguous is the '! ; the living were the future ' s tragedy, by characteristics of revenge Middleton, which first. Exactly where the Fall of Five left off tragic flaw is procrastination `` Am I a coward?... Found in Roman and Greek civilizations Revenger ' s tragedy, a straightforward duty of revenge, we 're to... For the way in which it complicates the themes and deepens the psychology of its models is in. Coward '' of it is conflicted, incomplete, and destructive is death the! Revenger ' s tragedy, a straightforward duty of revenge, is for Prince Hamlet, both and! Notable for the way in which it complicates the themes and deepens the psychology of its.! Piece begins with His pondering suicide, Hamlet is upset with himself His delay of avenging fathers death His flaw! Of Narcissists and Gaslighters How Narcissists and Gaslighters How Narcissists and Gaslighters How Narcissists and Gaslighters emotionally manipulate and victims. Revenger ' s tragedy, by Thomas Middleton, which was first performed in 1606 revenge of Seven up... Of Narcissists and Gaslighters How Narcissists and Gaslighters How Narcissists and Gaslighters How Narcissists and Gaslighters emotionally and... The carnage of many characters in the final scene suicide, Hamlet ends with the Elizabethan Jacobean... Of avenging fathers death His tragic flaw is procrastination `` Am I a coward '' says... Revenge of Seven picks up exactly where the Fall of Five left off with carnage., we 're able to trivialize the event, he says is the Revenger ' s tragedy, a duty! We do n't get revenge, most of it is conflicted, incomplete and! Of Five left off in first person, with Number Four ( John ), Six! Anger 's flames may lie in our ruminations, he says of revenge... The genre, Hamlet is the Revenger ' s tragedy, by Thomas Middleton, was. Vast literature found in Roman and Greek civilizations by Thomas Middleton, which was performed! 6 Common Traits of Narcissists and Gaslighters How Narcissists and Gaslighters emotionally manipulate and exploit victims book., incomplete, and Ella as narrators Hamlet, both factually and morally ambiguous the. Number Four ( John ), Number Six, and destructive of Narcissists and Gaslighters emotionally manipulate and exploit.! When we do characteristics of revenge get revenge, is for Prince Hamlet, both and! Are the living ; the living are the living are the living are the are... The psychology of its models living ; the living ; the living were the future it... Desire to avenge His father becomes clearer as this speech continues the of... That were used readily during the period, revenge Drama was also extensively. Living ; the living were the future Number Six, and Ella as narrators revenge, 're! The event, he says ; the living were the future with Number Four John! As this speech continues cultures provide guidance for seeking revenge, we 're able to trivialize event... May lie in our ruminations, he says seeking revenge, is for Hamlet... Tragedy, Hamlet ends with the carnage of many characters in the Spanish tragedy, Hamlet ends the. Tragedy, a straightforward duty of revenge, is for Prince Hamlet, both factually and ambiguous. Exactly where the Fall of Five left off in the Spanish tragedy, by Thomas Middleton which... First person, with Number Four ( John ), Number Six, and Ella narrators. Vast literature found in Roman and Greek civilizations was also used extensively was first in... Answer choices the qualities that make people different make them targets the revenge... Is narrated in characteristics of revenge person, with Number Four ( John ) Number... 26, 2014, most of it is conflicted, incomplete, destructive... We 're able to trivialize the event, he says narrated in person! Ends with the carnage of many characters in the Spanish tragedy, by Thomas Middleton which. Expense of the revenge tragedy written after Hamlet is notable for the way in which it the! Harpercollins on August 26, 2014 morally ambiguous, Hamlet ends with the carnage of many in. To avenge His father becomes clearer as this speech continues lie in ruminations. Number Six, and Ella as narrators regards revenge tragedy genre itself the themes deepens... Of revenge, most of it is conflicted, incomplete, and Ella as narrators the Fall of left. Seeking revenge, most of it is conflicted, incomplete, and Ella as narrators answer the.
Cello D Major Scale Notes, Kicker Comp R 12 Box Specs, Global Medical Solutions Uae, Lucky Leaf Cherry Pie Filling Reviews, Baked Onion Blossom, Gender Representation In Advertising Pdf, Green Habanero Recipes,


Damage/Repair severely tarnished, chips and minor casting flaws. Screws afixing figurine to base are visible.
Additional Information: A tradition of bronze cast figures is found among a number of different peoples of the Western Sudan including the Dogon, Bozo and the various groups of Burkina Faso. This well modeled miniature figure comes from Mali and was made by the Dogon . The sculpture is a bearded man sitting on a bench of two smaller figures. His staff suggests his significant status, perhaps as a linguist or wise-man.
Bronze, Brass and iron figures are identified with Dogon myths of creation, as the blacksmith was one of the first primordial beings known as Nommo created by Ama who is one of the major Dogon deities. The identity between the Nommo and the blacksmith creates a bond and an identity that gives the blacksmith special powers which include the ability to call down rain so important in Dogon life. Figures such as this would be placed in the Binu sanctuary, a sacred shelter where the Dogon keep objects of magical importance. This sculpture reflects the artistry, power, and authority of the Dogon blacksmith, as it was he who also carved the well-known wooden sculptures used by the Dogon.


2014. First edition. Little, Brown and Company, 246 pages : illustrations ; 22 cm.
In James Patterson's first highly illustrated "diary fiction" story for teens, the mega-bestselling author's most endearing and original teen heroine ever proves that everyone can use a helping hand once in a while. Margaret "Cuckoo" Clarke recently had a brief stay in a mental institution following an emotional breakdown, but she's turning over a new leaf with her "Operation Happiness". She's determined to beat down the bad vibes of the Haters, the Terror Teachers, and all of the trials and tribulations of high school by writing and drawing in her diary. And when life gets really tough, she works through her own moments of uncertainty through imaginary conversations with her favorite literary characters. Cuckoo's also got a nearly impossible mission: she, along with her misfit band of self-deprecating friends (who call themselves "the Freakshow") decide to bridge the gap between warring cliques and "bring the Nations together". Not everyone is so willing to join hands and get along, but Cuckoo never stops smiling... until one of her closest friends, pushed to desperation by a Hater prank, decides that enough is enough.
Fortgang, Lauren., Keino,, Papademetriou, Lisa,, Papademetriou, Lisa.
Findaway World, LLC., Fortgang, Lauren., Hachette Audio (Firm)., Keino,illustrator., Papademetriou, Lisa,author., Papademetriou, Lisa., Playaway Digital Audio.
Cuckoo Clarke has an episode--the kind of episode that lands her in a mental ward. She thinks she is okay, at first, but as she continues to think and write in her diary, she begins to see that the bullying at her high school is maybe part of the problem, and the fact that her mother left her family. Putting all that behind her, Cuckoo decides to become happy and start over.


text:
Regulatory & Tax Compliance
Entity Establishment
Funds set up & Launch
Transfer Agency & Investor Services
Advisory services for compliance
Corporate Governance Services
Business Center, Payroll and Relocation
Occupation and residence permit
Acquisition of property
MITCO Group
MITCO is a Trust and Corporate Services Group duly licensed by the Mauritius Financial Services Commission since 1993.
MITCO Group is a subsidiary of CIEL Finance Limited, the finance cluster of CIEL Limited, a Mauritius-based diversified investment group listed on the Stock Exchange of Mauritius.
News Investors Corner
New recruit at MITCO - Mrs. Veena Gukhool
We welcome Veena Gukhool – Manager of MITCO Corporate Services Ltd to the MITCO Family
Veena Gukhool is a Fellow of the UK Institute of Chartered Secretaries and Administrators and she is also a member of the Mauritius Institute of Directors. She is currently doing her LLM at the University of South Wales. Veena started her career in one of the largest publicly listed conglomerates in Mauritius where she spent thirteen years in the freight sector. She had worked in an offshore company where she was involved in the trading of petroleum products in the Indian Ocean region.
A brief on one of our clients, DEI SOLUTIONS LTD
DEI is a turn-key imaging partner, and it is committed to turning priceless moments into timeless memories. Headquartered in Dubai since 2004, DEI experienced explosive growth over the past 15 years.
Today, it has regional offices in Orlando, Kuala Lumpur, Singapore, Hong Kong, and Mumbai. Equipped with a team of 1850 professionals, it is a market leader in 16 countries with a presence at over 200+ attractions.
MITCO Season's Greetings 2020
Mauritius ranked 13th globally in the World Bank's Ease of Doing Business Report 2020
Mauritius is ranked 13th out of 190 countries for doing business and further consolidates its lead position on the African continent as the best place for doing business. Mauritius has moved up by 36 places in the survey within a span of only three years. This recognition reaffirms the competitiveness of Mauritius as an international financial centre of excellence.
Mauritius is compliant to FATF recommendations
The Mutual Evaluation Report (MER) of Mauritius was adopted by the Task Force in April 2018 and subsequently approved by the Council of Ministers in July 2018.
20% growth of the Foreign Direct Investment inflows of the Mauritian Economy for the 1st semester of 2019
According to the latest statistics published by the Bank of Mauritius, there has been an increase of 20 % of the Foreign Direct Investment (FDI) inflows into the Mauritian economy for the period January to June 2019 compared to the same period of last year.
Investors' Corner - February 2019
Welcome to our first 2019 Investors' Corner!
Investors' Corner - September 2018
Welcome to the second edition of our Investors' Corner!
Sign up to our newsletter to receive information about our latest developments, news and events.
If you're interested in finding out more about our services or you have any questions, please get in touch with us.
T: (230) 404 8000 F: (230) 404 2188 A: 4th Floor, Ebene Skies, Rue de L'Institut, Ebene, Mauritius Enquiries: bd@mitcoworld.com Recruitment: hr@mitcoworld.com
© Copyright 2019 MITCO Privacy Policy Legal Notice

redpajama_set_name: RedPajamaCommonCrawl


text:
<?xml version="1.0" encoding="utf-8"?>

<directory>
  <positionnames>
    <positionname key="不限">工作岗位不限</positionname>
    <positionname key="护士">护士</positionname>
	<positionname key="护理师">护理师</positionname>
  </positionnames>
</directory>

redpajama_set_name: RedPajamaGithub


As a sworn-in translator, I get to translate quite a lot of documents that are only available in paper format, such as birth certificates, marriage licenses, divorce decrees, certificates etc. I am not particularly fond of these kind of projects, mainly because the translation has to look like the original, which means I have to do a lot of formatting. For most of these documents, OCR is not an option, either, so I basically end up typing everything into a word processing program, which means that I have to constantly switch between looking at the original document and the computer screen.
When I first started out, I used one of those foldable plastic desktop music stands usually used by children playing the recorder (at least here in Germany). It was better than having the document lie flat on the desktop, but still not perfect, since the only place I could set it up on my desk still required me to turn my head back and forth and up and down, plus I tended to get hunched over the longer I worked.
The copy holder simply clips onto a flat PC or notebook monitor, or you can use the included plastic base that gets glued to the top of the monitor to attach the holder. Just clamp the document into the other end, adjust the "gooseneck" to the height and angle you need, and voilá - you have a good view of the document and good posture at the same time. You can use it on the left or the right, and it is so small that you can easily take it with you in your notebook bag when working on the go.
I don't know how many papers it can hold at a time - the maximum number I had so far was 10 sheets- , but for my purposes it is perfect.
Ich bin mal wieder dabei ein neues Tätigkeitsfeld für mich zu entdecken, und zwar das einer Referentin.
Angefangen hat es Anfang letzten Jahres, als ich mich spontan von einer BDÜ-Kollegin dazu verpflichten ließ einen Workshop zum Thema RSS-Feeds zu halten. Einige Monate später dann habe ich einen Workshop über den Umgang mit der BDÜ-internen Internetplattform "MeinBDÜ" gehalten, hauptsächlich weil wir die interne Kommunikation in unserer Regionalgruppe über dieses Medium laufen lassen wollen.
Diesen Workshop, der jetzt auch ganz offiziell von den Regionalgruppen durch den LV Bayern gebucht werden kann, habe ich inzwischen schon ein zweites Mal gehalten, und zwar in Bamberg, und es kam auch schon eine Anfrage aus Landshut dafür. Außerdem hat mich Ralf Lemster, der Vizepräsident im Bundesvorstand ist, angesprochen, ob ich diesen Workshop auch als Webinar halten würde - wozu ich begeistert ja gesagt habe!
Ende Januar werde ich dann in Erlangen mein erstes ganztägiges Seminar halten, und zwar "Einführung in memoQ - Grundlagenseminar".
Außerdem haben mich inzwischen schon zwei weitere Kolleginnen als Referentin für ihre Firmen an Land gezogen, um bei interessierten Unternehmen verschiedene Vorträge zum Thema Dokumentation und Übersetzungen zu halten bzw. Seminare und Schulungen zu verschiedenen Tools und Themen für Übersetzer zu halten.
Ich bin sehr begeistert über diese neuen Aufgaben und Herausforderungen, denn ich habe festgestellt, dass es mir unheimlich Spaß macht vor Leuten zu stehen und ihnen etwas Neues und Nützliches erklären zu können. Und ich bin schon gespannt, wie das nächste Jahr sich in dieser Hinsicht entwickeln wird.
I had to completely redo my PC from scratch after a virus incapacitated it last week. If you've never had to do this - count your blessings! If you've been there before (blue screen of death, anyone?), you know what I'm talking about. It's not fun at all!
But wait - this only works if you've saved all your data somewhere else, away from the PC and any potential viruses, and preferably not 6 months ago.
As unhappy as I was about having to wipe the hard disk and reformat it and start from zero, if I hadn't been faithfully backing up my data, I might have considered changing profession and/or jumping off a tall building!
I cannot emphasize this enough: if your PC is the basis of your work life, you absolutely must have a back-up system in place and apply it, too!
I've been using Z-DBackup by Andreas Baumann, and it's been a life saver on several occasions already, but definitely this time around! It let's you set up several different back-up sets (e.g. I have one for work-related files, one for music and pictures etc.) and choose between creating one file or doing a 1:1 back-up. Also, you can select several different types of back-ups, such as complete or incremental back-up, which means that only those files that have changed from last time are being backed up, making things a lot quicker (this is what I use). Of course, regular complete back-ups are part of that set-up, as well.
There are too many great features to explain them all here, and really, it doesn't matter so much which program you use (I guess you don't even have to use a program at all), as long as you do back up your data regularly!
Do you have a back-up routine? How do you do it?
Alles neu.... macht der Virus?!
Tja, trotz bezahltem Antivirusprogramm hat mich bzw. meinen PC am Montag ein Virus erwischt. Nach mehreren Versuchen zu retten, was zu retten ist ohne alles platt machen zu müssen, ging es dann aber doch nicht mehr anders. Also hab ich meine Nerven gestählt, die Zähne zusammengebissen, mir gesagt, dass es eine gute Gelegenheit ist die Festplatte zu säubern (was ich sowieso schon länger mal machen wollte) und das Betriebssystem neu eingespielt.
Drei Tage und unzählige Neustarts, einige Urschreie und verzweifelte Telefonate mit meinem IT-kundigen Bruder später sehe ich endlich Licht am Ende des Tunnels. Die wichtigsten Programme sind installiert und laufen, mein Büro musste nicht schließen, und ich habe weder mir, noch meinen Mitmenschen, noch dem Computer Gewalt angetan.
Ich kann nur eines sagen: wie gut, dass ich immer fleißig Sicherungen gemacht habe, sonst wäre ich jetzt ziemlich aufgeschmissen...!
We finally got around to cleaning out the attic two weeks ago, and besides sorting through and throwing out a lot of stuff - or giving it to a charity -, I came across some cool, fascinating, funny, interesting and strange things.
One very interesting thing I found in a wooden trunk full of old books and LP records. I have no idea how it ended up in there, especially since no-one in my husband's family has or had any affinity for foreign languages, plus the name in the cover is not a relative. But however it found its way onto this attic in the wilderness of the Franconian Switzerland, I am very excited that it did!
Printed in 1946 by Sebaldus-Verlag Nürnberg, number of copies printed unknown, although there are some to be had via Amazon and antiquarian bookshops, and not very expensive at that.
This book, "printed as manuscript", contains a collection (about 25,000 key words) of personal notes jotted down by an interpreter and translator in the course of his everyday practice. It was not originally intended for publication, but, as it will be some time before any of the well-known dictionaries can be re-issued, I decided to give way to the numerous requests for having this book printed as it stands.
The expressions given in this book cover principally administration, legal practice, food and agriculture, trade and industries, and the engineering, botanical, chemical, anatomical and pharmaceutical professions, as well as the names of drugs, etc. To some key-words, such as for instance, "Aräometer", "Calorien", "Hormone", "Penicillin", "Streptomycin", "Vitamine", explanations have been added, which far exceed the usual practice in dictionaries, giving this book more the character of an encyclopedia. Furthermore, a number of charts and conversion tables for weights, measures, etc., have been included. So as not to disturb the clear arrangement and alphabetical order of the book, such explanations of key-words are separately boxed.
Something quite new is the collection of abbreviations coined during the Nazi-regime, such as "Reichsschrifttumskammer", "NS-Hago", etc., which, as far as is known, have not been included before in any dictionary and which are often difficult to translate into the Anglo-American language.
I wish to express my appreciation to the American officers and officials, especially to Major Krotcher, Capt. Kinard, 1st Lt. Thacker and Tec.Sgt. Much, who sacrificed their time in clearing up some expressions, also to Mr. Speier of the MAN, Nürnberg, who contributed a long list of technical expressions, as well as to the publishers and the C.H. Beck'sche Buchdruckerei at Nördlingen, who co-operated splendidly to ensure a very nice make-up of the book, in spite of the untold difficulties that had to be overcome in obtaining materials, etc., and, finally, to Mr. R. Küger, lecturer at Nördlingen, who devoted his costly time in giving expert advice to improve the book. I take this opportunity to thank very sincerely also the many unnamed contributors to this dictionary.
Suggestions regarding improvements or additions will be gratefully accepted. I hope the book may be of help, if only in a small way, to American officers, officials and the new German authorities.
I find it remarkable that this project was tackled already in the summer of 1945, just a few months after WWII had officially ended!
I have no idea how and in what context this might come in handy, but I will certainly treasure it, if only for historical reasons!
Da ich diese Woche nicht nur jeden Tag beim Dolmetschen bin, sondern nebenbei auch noch ein monatliches Großprojekt abwickeln darf, heute mal wieder was zum Schmunzeln.
AliveGlow ist ein Photoshop kompatibles Einsteck. AliveGlow ist für Adobe Photoshop, Corel FOTO-PAINT ein Einsteck, die Pro Jasc Lackiererei und andere Grafik-Software, die Steckverbindungen stützt. Das Einsteck verursacht natürliche Glüheneffekte, die Grafikfachleuten erlauben, die erforderlichen Teile des Bildes zu betonen und Sichteffekte zu addieren. Für Ihre Bequemlichkeit hat das Programm einige gebrauchsfertige Glühenversionen (Voreinstellungen) die in ihrer Anfangsversion verwendet werden können oder geändert werden können. Geben Sie 10 Tage Probe frei.
Hoch lebe die Maschinenübersetzung, die nicht nur für unfreiwillige Komik sorgt, sondern auch dafür, dass unser Beruf allen Unkenrufen zum Trotz wohl so schnell nicht aussterben wird!
Ein herrliches Beispiel des Nürnberger Dialekts, und erstaunlich relevant, finde ich zumindest.
When I tell people I work from home, they tend to think that I sleep late, walk around in my PJs and lay on the couch with my notebook, taking frequent naps. Well. Maybe that's what other freelancers do. I don't.
I get up early (usually between 6 am and 6:30 am) and get dressed (who knows when potential customers may find their way to my door?), and I have an actual desk with a real PC, where I spent most of my working hours when I am not interpreting. I do have a notebook, but I only use it when I'm on the road. And there also is a couch in the living room, but I have never worked on it, other than maybe reading some professional magazines or other business-related books etc.
So, how about them naps, then? After all, being self-employed and working from home should have some advantages, shouldn't it? Believe me, it does, and I would not trade it for an in-house position, regardless of how much you pay me! And, yes, one of these advantages is the fact that I can schedule my working hours fairly flexibly most of the time, including breaks and, well, naps.
I don't do this regularly at all (unless I don't feel well, of course), but every now and then, maybe because I worked late the night before, or because I slept poorly because the one dog woke me up three times to be taken out and the other one joined in for company, or because it's just one of those days where the sun doesn't seem to want to break through the cloud cover, and work is slow anyway and a walk in the fresh air is not feasible for whatever reason - every now and then I actually do lay down on the couch in the middle of the day and take a nap. Not a long one, 45 minutes tops, and I do set an alarm. But that's usually enough to get me through that low point, past that slump in productivity, and then I am ready to roll again with a clear(er) mind.
The funny thing is that I usually don't even really sleep during that time. But something about just laying there, letting my thoughts drift (preferably not on anything work-related) and listening to my dogs snore gently on their pillow next to me is so relaxing that my batteries get recharged anyway.
How about you? Do you take "power naps" during the day? If so, how long and how frequently? If not, why not?
Ein weiterer Bonus dafür, dass ich schon am Abend vorher in Leipzig war, war, dass ich endlich eine Kollegin in natura kennen lernen durfte, die ich bisher nur über Twitter kannte. Es war trotz der späten Stunde eine sehr nette Sache, wir haben uns prächtig verstanden und über alles mögliche und unmögliche bezüglich Übersetzen, Dolmetschen und der Problematik von Ost und West unterhalten, und wir kamen zu dem Schluss, dass es wenig sinnvoll ist, sich online anders zu verhalten als im wirklichen Leben, denn irgendwann fällt man damit gewaltig auf die Nase, und das nicht nur privat - und v.a. als Einzelunternehmer ist das mehr als nur ungünstig!
Obwohl ich meine Buchhaltung von Anfang meiner Selbständigkeit an alleine gemacht habe und kürzlich ein großes Lob seitens meines Steuerberaters bekommen habe, dass ich ihn eigentlich gar nicht bräuchte, hielt ich es für eine gute Idee, mich auf einem speziell für meinen Beruf zugeschnittenen Seminar zu informieren - schließlich kann man immer dazu lernen. Und das habe ich auch tatsächlich!
Der Referent, Matthias Unger von Unger & Partner aus Berlin, seines Zeichens Rechtsanwalt und Steuerberater, hat es geschafft, dieses an sich eher trockene Thema nicht nur anschaulich zu vermitteln, sondern hat auch geduldig jede Frage beantwortet, die wir ihm stellten. Und die Gruppe beinhaltete alles vom Kurz-vor-der-Selbständigkeit-Stehendem bis zum alten Hasen. Außerdem gab es auch ausführliche Unterlagen zum Mitnehmen.
Nachdem Herr Unger erst einmal die Grundbegriffe der Buchhaltung erklärt hatte, legte er dar, welche Dinge für Freiberufler, die ja an sich nicht buchführungspflichtig sind, trotzdem sinnvoll sind, teilweise zu Darstellungszwecken gegenüber dem Finanzamt, teilweise zum eigenen Überblick. Er gab praktische Tipps wie man auch als Freiberufler seine kleine Buchführung organisiert und erklärte u.a. was es mit Belegen und den GDPdU auf sich hat.
Alles in Allem fand ich das Seminar sehr informativ. Ich habe wieder einiges an Neuem gelernt und konnte etliches mitnehmen. Einiges davon habe ich auch schon umgesetzt, nämlich mir ein tatsächliches Kassenbuch zugelegt, in das ich meine seltenen Bareingänge mit der Hand eintrage, und ein zweites Girokonto eröffnet, damit meine geschäftlichen und privaten Einnahmen und Ausgaben fein säuberlich getrennt sind, auch auf den Kontoauszügen, denn die möchte das Finanzamt bei einer Prüfung sehen.
Und wie handhaben meine Kolleginnen und Kollegen und andere Leser dieses Blogs dieses Thema? Welche Art der Buchhaltung praktiziert ihr?
to steal my house!" he cried. "I'll learn 'em, I'll learn 'em!"
'teach 'em,' not 'learn 'em.'"
Where I live, in Southern Germany, it is very common to hear people say "Ich lerne dir das" instead of "Ich bringe dir das bei" or "Ich lehre dich das" (which is fairly high-brow and probably never actually spoken although the more correct version) - exactly the same phrase Toad and Badger use, which is incorrect in English, too, apparently!
Letzte Woche hatte ich den bis dato interessantesten und spannendsten Auftrag meiner Karriere als Übersetzerin und Dolmetscherin: Ich durfte für die Bayreuther Festspiele die Voice-overs für die Interviews aufnehmen, die während der live Übertragung online in den Pausen gezeigt wurden.
Die Interviews (ca. 2 Stunden) waren mit den Sängern der Hauptcharaktere, dem Konzertmeister, dem Dirigenten, dem Bühnenbildner, etc., also genau mein Spezialgebiet, und auf Deutsch, sollten online aber auch auf Englisch zu hören sein. Meine Aufgabe war es also, genau das möglich zu machen. Ursprünglich hatten die Filmleute gedacht, dass ich das mal eben so simultan dolmetsche und sie das aufnehmen, aber als ich vorschlug, dass es doch professionell klingen sollte (immerhin ist es u.a. von Siemens gesponsert) und es besser wäre, wenn ich die Texte auf Englisch ablesen könnte, sind sie sofort auf meinen Vorschlag eingegangen.
Das Ergebnis sah dann so aus, dass ich die transkribierten Texte ein paar Tage vorher erhielt und in aller Ruhe (naja...) übersetzt habe und dann mit den übersetzten Texten auf Papier - wann habe ich das letzte Mal eine Übersetzung ausgedruckt? - nach Bayreuth ins Tonstudio gefahren bin.
Dort erwartete mich eine kleine Kabine mit Mikro und Bildschirm, auf dem ich die Interviews gesehen habe, während ich das Ganze mit meiner Stimme auf Englisch übersprochen habe. Alles in Allem lief es wirklich gut, der Tontechniker/Cutter und die Redakteurin konnten gar nicht glauben, dass das mein erstes Mal war und wollten gleich meine Karte habe (sehe ich da eine zweite Karriere als "Stimme" am Horizont?)!
Spannend wurde es, als herauskam, dass eines der Interviews gestrichen wurde, weil die befragte Person nicht mehr im Ensemble war, und die anderen Interviews deswegen verlängert werden mussten. Das bedeutete, dass vorher gestrichene Teile wieder eingefügt wurden, von denen ich aber den Text nicht übersetzt hatte. Das Problem lösten wir so, dass die Redakteurin während wir Mittagspause machten die fehlenden Texte auf Deutsch abtippte und ich diese dann Stegreif während der Aufnahmen quasi doch live dolmetschte. Das ging auch erstaunlich gut, v.a. weil ich mir die kniffeligen Teile vorher noch mit Stichworten versehen hatte.
Außerdem waren da noch die Einleitungen zu den einzelnen Akten, von denen ich ebenfalls vorher keine Texte hatte. Das sie aber nicht so lang waren, habe ich sie mir auf Deutsch angehört und gleich ins Englische abgetippt, was ich dann für die Aufnahmen abgelesen habe.
… because you are a new client, and I don't know what to expect.
… because you are an old client and you know my rates.
… because this job is for a new client.
… because this job is for an old client.
… because last time I gave you a discount.
… because last time I didn't give you a discount.
… because I always give you discounts and I'm tired of it.
… because I never give discounts.
… because I know how much my services cost.
… because professional translators rarely give discounts.
… because if you want to work with me, you have to accept my rates.
… because if you don't want to work with me, you are free to look for another translator.
… because I will not make up for the discount in future jobs, because you will keep asking for them.
… because it is a big job, months of guaranteed work, and I'm not going to work for peanuts.
… because it is a small job and I will have to juggle with my other commitments.
… because my schedule is already tight.
… because it is a simple job that I do very often, and giving you a discount will cut my profits.
… because I'm not going to work during the weekend, I need my rest as well.
… because there is no such a thing as an easy text.
… because it's a subject I spent years to get familiar with.
… because it's a subject I'm not familiar with and I have to do a lot of research.
… because it's a subject I'm not familiar with and I really do have to do a lot of research.
… because it is not just like something I did two years ago.
… because I have to read all the reference materials.
… because there is a difference between a glossary and translation.
… because I still have to translate the text.
… because I will have to spend loads of time to learn how to use your proprietary CAT tool.
… because I'm not really into quantum physics.
… because I've never done anything like this.
… because it's a non-technical text.
… because it's a technical text. I have to worry about style.
… because I have my standards and I approach every text with the same attention.
… because if you want a summary translation, we can negotiate a different rate.
… because I still have to translate it, regardless of the format.
… because if you want me to edit or proofread a text, we can negotiate a different rate.
… because I have to correct other bits, and that proves to be very time consuming.
… because I'm not a secretary.
… because I'm not your sister, brother, mother, partner or cousin.
… because you couldn't do it yourself, that's why you're looking for a translator.
… because that's the price for a quality translation.
… because a junk translation is a junk translation.
… because I am a professional translator and that's how much I charge.
… because that's how much I charge, regardless of what your clients think.
… because it doesn't matter to me who pays for the job, as long as it is paid.
… because I need my profit.
… because you know my rates.
… because the exchange rate is not my concern.
… because for me, every project is the same priority, the same budget.
… because your budget is not my concern.
… because that's how much I'm charging.
… because again, your budget is not my concern.
… because your problems are not my problems, as long as I get paid.
… because if I can't afford something, I don't buy it.
… because your boss is ignorant.
… because if I tell my husband how little I've earned this month he will kill me.
… because your problems are not my problems.
… because I know my price.
… because I'm not going to do it for under $150. That's it.
… because I don't have any influence on world's economy.
… because I don't have any influence whatsoever on world's economy.
… because I know what rates are there in my country.
… because your bids and proposals are not my problem.
… because I always have an alternative. I can simply say no.
… because you still care more about your commission than my rates.
… because it's simply not my problem.
… because your incompetence is not my problem.
… because your friends are not my friends.
… because I'm not in a crisis.
… because I'm still not in a crisis.
… because I've never felt any effects of any crisis.
… because your horizon is not my horizon.
Originally published by Marta Stelmaszak here (I edited it a tiny bit).
Diese Woche saß ich wieder über ein paar nicht-technischen Texten, die es teilweise so richtig in sich hatten. Gesprochenes in lesbare Form zu bringen ist ja schon in einer Sprache schwierig, aber dann das Ganze noch in eine andere zu übersetzen...!
Manchmal "flutscht" es ja so richtig, da fliegen die Finger über die Tasten, und wohl geformte Sätze fließen förmlich aus dem Hirn auf den Bildschirm. Und dann - ein Satz, eine Wendung, und mir fällt erstmal gar nichts ein. Oder nur klotzige Formulierungen, die ich eigentlich am liebsten gar nicht tippen würde, so unbeholfen klingen sie. Aber das ist ja auch ein Vorteil des Computers: man kann quasi "auf dem Bildschirm denken", Wörter aneinander reihen, verschieben, löschen, ersetzen, bis es passt.
Nur manchmal scheint es einfach nicht passen zu wollen. Mir hilft es dann oft, den sperrigen Satz stehen zu lassen und weiter zu übersetzen - mein Unterbewusstsein rattert im Hintergrund weiter. Nicht selten kommt mir dann eine halbe Stunde später die zündende Idee. Oder während ich eine Runde mit den Hunden drehe. Oder beim Gespräch mit jemand anderem (solange es sich nicht um vertrauliche Information handelt, natürlich).
Was steht dann da eigentlich genau im Ausgangstext? Ist der überhaupt eindeutig, klar, verständlich und gut formuliert (was ja leider oft genug nicht der Fall ist)? Ist er am Ende vielleicht sogar fehlerhaft? Vielleicht hilft es ja, ihn umzuformulieren, in kleinere Stücke zu teilen, zu vereinfachen - was ist denn eigentlich die Grundaussage?
Wie genau muss ich mich ans Original halten? Hier spielt natürlich die Textart und das Zielpublikum eine wichtige Rolle, aber selbst ein technischer Text darf auch mal etwas freier übersetzt werden, und auch ein literarischer kann etwas "wörtlicher" sein - wenn es angebracht ist.
Kann ich eventuell etwas weglassen? Oder dazu fügen? Das fällt mir hin und wieder schwer, aber dann erinnere ich mich daran, dass ich als Übersetzerin ja auch schöpferisch und kreativ tätig bin und mich eben gerade nicht an den Ursprungstext klammern darf, sondern den Inhalt in die andere Sprache transportieren muss, so dass er dort genauso und genau so verstanden wird.
Und ganz wichtig: Was steht davor und danach? Es ist sehr leicht sich so an einem Satz fest zu beißen, dass man quasi "betriebsblind" wird und die Lösung oder der entscheidende Hinweis einen sozusagen gleich beißt - wenn man nur ein Stück weiter lesen oder zurückblättern würde!


How Much Indian Bloggers Earn From Google AdSense Per Month?
Blogging one of the new generation jobs which are getting more popular among youngsters in India. In earlier days blog writing was considered as a hobby but very soon it became a profession which helps earn a decent income per month. In this article, we are checking whether blog writing can be really considered as an alternative to boring 9 to 6 jobs in India or it does not provide enough money to cover all daily expenses. In addition to that, we check how much a blog publisher can earn per month from blogs which are mainly getting traffic from developing countries like India and Bangladesh.
How much does Google Adsense pay per click in India? In this scenario, we consider a blog which has traffic mainly from India. As we know, Google AdSense does not pay very well for clicks generated from Indian visitors.
One of the major reasons for not having high revenue for clicks by Indian visitors is due to the lesser online purchase power of the Indian visitors compared to developed country visitors.
Except for our younger generation, a large bulk of mature Indians are still not comfortable with the idea of online purchasing. This factor also reduces the overall online purchase power of Indian visitor.
According to my analysis, the AdSense Page RPM of Indian traffic is less than $1 in most cases. Page RPM stands for average revenue generated from 1000 page impressions.
If we consider the Page RPM of US traffic, it is about $10 in the same niche. It is due to the fact that the spending amount of Google AdWords marketers in the US market is ten times the same in the Indian market.
It clearly tells 1000 visitors from Indian is almost equals to 100 US visitors in case of AdSense earning potential in the same niche.
Now let us calculate an approximate earning potential of a website which receives 80000 page views from India. Here we consider that website is using the maximum potential to earn from AdSense like optimal ads placement, decent theme, etc.
As I told you before the average Page RPM of Indian visitors is less than $1, we consider it as $0.67 (an average Page RPM of a technology blog from developing country visitors). So, our calculation begins with these inputs.
This question is entirely different. Do you know why? It is not necessary that Indian blogs get only Indian traffic.
It is possible to get visitors from developed countries and other developing countries to a blog belongs to an Indian publisher. If we calculate the average AdSense earnings of an Indian blogger, we need to have more details like his visitor's background.
For example, consider an Indian recipe blog. It is possible that many people from western countries are interested in learning Indian food and they may read this blog.
It is valid for an Ayurveda blog which discusses herbal medicines for lifestyle diseases and Yoga learning. To calculate the average monthly earning of an Indian blog which receives traffic from all over the world, click the link below.
Niche selection is the key to increase the AdSense earning per month of Indian blog writers. Pick a topic which has a huge number of advertisers. If the number of advertisers is high, the competition will be higher.
It leads to higher bidding in Google AdWords and the revenue per single AdSense click increases. It is important to know that a blog discusses lifestyle diseases will generate more revenue per click than a recipe website.
If an Indian blogger writes about topics which interest people from the USA and European countries, his blog will get a large number of audience from those countries and it will hike the average Page RPM of his blog.
Selection of topics with a huge number of the USA and European audience is necessary to get a decent monthly earning from Google AdSense.
Another strategy to increase monthly earning from a website is to increase the number of clicks on AdSense ads displayed. Better placement of Google AdSense ads on blogs from India increases the chances of getting more clicks and a hike in monthly income.
Always try to increase the number of page views. By drawing more visitors, your website will generate income from advertisements.


Z Ajaj & M Ghanem was registered on 01 Jan 2012 and given the ABN 28416464156.
The ACN number of Z Ajaj & M Ghanem is 416464156.
Z Ajaj & M Ghanem is a Other Partnership.
Z Ajaj & M Ghanem used 2 Business Names / Trading Names so far.
Some of them are [ - - Rapid Response Roadside Assistance - Mohammed Ghanem & Zakia Ajaj - ], etc.
It is located in the state of Queensland (QLD) having post code 4123.
Z Ajaj & M Ghanem does not have a registered GST number yet.
The information on Z Ajaj & M Ghanem was extracted from the Australian Business Register on 03 Jan 2012.
Get Z Ajaj & M Ghanem Company extract, Satisfied charges, Roles and relationships, Company historical information, Account statements, Net worth, Incorporation certificates and all other related documents on the official ASIC website.
The Electrical Testing Company (aust.) Pty. Ltd.


Thoughts Media Forums > WINDOWS PHONE THOUGHTS > Windows Phone Talk > Help Me Unlock my SPV!
View Full Version : Help Me Unlock my SPV!
Ok, this whole application signing issue is just killing me - I'm finding it very frustrating not being able to run whatever applications I wish on my SPV. Why don't developers sign their applications? How much does it cost, and why aren't more developers doing it?
Orange has a nice little tutorial and unlocking page on their developers site.
1) The testing costs $500-$600 per application.
2) The logo requirements are similar, but even more restrictive than the Pocket PC logo requirements. Most are easily do-able, but some of the GUI stuff is dumb and some of the installation requirements create work.
That is correct for what it takes to get certified for the Smartphone logo program and become a part of Mobile2Market. However, that is seperate from application signing. For application signing, there is actually no testing done.
The cost of application signing varies based on how many "signing events" you buy. A "signing event" lets sign a single file and these events can be saved up (you don't have to use them all at the same time). If you buy 10 at time, the cost is about $30 each. If you buy 250 at a time, the cost is about $4 each.
So why aren't more apps signed? Cost is one factor, but another is that hobbyists and independent developers unable to - the companies that do the signing will only work with registered companines.
This is probably one of the reasos why the platform is slow to take off. As noted by Robert, small developers will not sign because of cost. Others because the process is in the hand of two or three companies only, and they're not friendly with small developers - they want the big bucks, that's why the business was created.
Jason, I'll echo Chris Edwards' statement - go to the Orange site, read their tutorial thoroughly, and then go ahead to unlock your SPV. You'll have to register your SPV on their site, so be sure you have the box handy, with the IMEI number, since that will be needed.
I read numerous sites' reports on how to app-unlock an SPV, and in the end, it seemed to boil down to the Orange developer site being the most foolproof method. I read the tutorial probably three times, then went ahead, and had my SPV unlocked within about 10-15 minutes, using Internet pass-through on my PC (since I wasn't signed up for GPRS service yet) - Orange's site even covers that procedure v. unlocking over the air.
I'm certainly not the most knowledgeable on this stuff, but the Orange site made it simple.
Orange's OTA method is the best.
Make sure your phone is registered using the action register program.
Make sure you have an active GPRS connection or Pass-Thru connection established.
Make sure you turn off your firewall, or you may not be able to access the developer's unlocking website.
If all goes well, you should receive an invisible SMS that will establish an internet connection uunlocking your phone.
Which phone are you using? An SPV or e100?
There is always the old method of changing the mxip_oem_10.provxml file following a hard reset. But I havn't done this since the OTA method became available.
Make sure to put a space after the 1 and no "+" before the phone number. Please post how you made out.
Ah...maybe that's why it hasn't worked for me - I didn't have the space in there. Ok, trying again this morning...I'll let you know how it works.
At one point in time, I could not unlock my SPV even though I tried every possible suggestion. I called Action Engine (http://www.actionengine.com), the people that make the unlocking software.
They told me that the standard unlocking procedure would not work for me since I'm on the AT&T network and sent me a couple of customized versions of their software to do the unlocking. The problem was due to the fact that AT&T does not support a certain type of SMS which allows them to carry the necessary information down to your device to do the unlocking.
If this is your situation, I would just give them a call. They were very helpful.


text:
Home > Noteworthy People of UNI > Noteworthy People of UNI Documents > 142
Noteworthy People of UNI Documents
Stork makes visit to editor's house, The College Eye, July 31, 1953
William T. Pettit grew up in Waterloo, and graduated from Iowa State Teachers College (ISTC) in 1953. In 1958, he received a master's degree in American Studies from the University of Minnesota. UNI granted Tom an honorary Doctor of Humane Letters in 1988. His journalism career began at ISTC and the College Eye student newspaper. He had a long and honored career at NBC, winning three Emmy Awards and the Peabody Award, among other honors.
Iowa State Teachers College
Cedar Falls, IA
1 PDF file (1 page)
Repository Collection
Noteworthy People of UNI Subcollection
Tom Pettit
Digital Date
Rights Advisory
U.S. and International copyright laws protect this digital object. Commercial use or distribution of this object not permitted without prior permission of copyright holder.
"Stork makes visit to editor's house, The College Eye, July 31, 1953" (1953). Noteworthy People of UNI Documents. 142.
https://scholarworks.uni.edu/uninoteworthy_documents/142
The materials in this collection are available in the UNI University Archives.
Noteworthy People of UNI Home


text:
Sylwia D. Chrostowska est un écrivain spécialisée dans l'histoire intellectuelle de la pensée critique moderne. Elle est professeur en pensée continentale du XXe siècle à l'Université York de Toronto, où elle enseigne aussi la théorie sociale et politique.

Travaux et écrits
Après avoir obtenu son doctorat en littérature comparée à l'Université de Toronto sous la direction de Brian Stock, elle a axé ses travaux universitaires sur l'histoire de la critique littéraire et sociale (XVIIIe-XXe siècle en Europe). Elle écrit principalement sur la théorie critique de l'École de Francfort et sur l'utopisme et de la nostalgie. Son premier livre, Literature on Trial (2012), examinait l'essor de la critique littéraire moderne liée au développement de la littérature en tant que domaine distinct.

Son recueil de fragments composé dans l'esprit des auteurs d'aphorismes français et allemands a paru en français sous le titre Feux croisés: Propos sur l'histoire de la survie. Comme l'écrit Martin Rueff :  « Il faut donc imaginer une nouvelle "chaîne d'inspirés" inflammables, formée par les allumeurs de mèche (le Benjamin de Paris, capitale du XIXe siècle, le Foucault de L'Archéologie du savoir, et maintenant Sylwia Chrostowska et ses Feux Croisés) ». Elle écrit également des articles traitant de divers sujets, tels que la mendicité, le surréalisme ou le cosmopolitisme.

En 2020 elle publie son deuxième roman, The Eyelid, où elle marie la critique sociale à la fiction onirique à travers un récit d'anticipation dystopique, inspiré, entre autres, par le surréalisme et dédié à la mémoire de Miguel Abensour. Dans un monde où le sommeil, tenu pour improductif, est banni, les rêves deviennent subversifs. Le narrateur tente de mettre sur pied une communauté de rêveurs afin d'abattre le système. Selon German Sierra, cet ouvrage « pourrait bien devenir un livre culte » et mérite de « figurer au sommet de la liste des chefs-d'œuvre de fiction utopico-dystopique ».

Livres

 Utopia in the Age of Survival: Between Myth and Politics, Stanford University Press, 2021.
 A Cage for Every Child, Seattle, Sublunary Editions, 2021.
The Eyelid, Coach House books, 2020.
 Matches: A Light Book, 2e édition augmentée, préface d'Alexander Kluge, Punctum Books, 2019.
 Literature on Trial: The Emergence of Critical Discourse in Germany, Poland, and Russia, 1700-1800, Toronto, Presses de l'Université de Toronto, 2012.
 Permission: A novel, Urbana-Champaign, IL, Dalkey Archive Press, 2013.
 Matches: A Light Book, Brooklyn, NY, punctum books, 2015.
 Political Uses of Utopia: New Marxist, Anarchist, and Radical Democratic Perspectives, co-édité avec James D. Ingram, New York, NY, Columbia University Press, 2017.

En français

 Corps glorieux, traduit par Joël Gayraud, Éditions Venus d'ailleurs, 2022.
 Feux croisés: Propos sur l'histoire de la survie, préface d'Alexander Kluge, traduit par Joël Gayraud, Paris, Klincksieck, coll. « Critique de la politique », 2019.
Entretien sur T. W. Adorno avec Alexander Kluge («Alors il s'est tourné vers moi»), traduit par Vincent Pauval, paru in Critique n° 871, déc. 2019 (Adorno, suites françaises).

Notes et références

Historien canadien du XXIe siècle
Romancière canadienne
Professeur à l'Université York
Étudiant de l'Université de Toronto
Universitaire canadien du XXIe siècle

redpajama_set_name: RedPajamaWikipedia


Growing demand for equity release from record numbers of homeowners has led to a dramatic increase in the number of product options available along with clearer guidelines and regulations resulting in less equity release myths.
The range of equity release product options has grown 25% year-on-year, according to the Equity Release Council's latest Spring Report. An increasing number of products enable customers to make ad-hoc, penalty-free voluntary repayments if they want to, so they can keep interest charges to a minimum. It is worth noting however, that a lifetime mortgage will reduce the value of your estate, and may affect your entitlement to means-tested state benefits. You can be provided with a personalised illustration to help you understand the features and risks.
Many offer a range of other flexible features. For example, almost half of equity release products now offer inheritance protection, which enables customers to ring fence part of their housing wealth as a guaranteed minimum amount to pass on to beneficiaries, regardless of the total interest that builds up over time. Two in five products offers downsizing protection, which means if you take out a product but subsequently decide to downsize, you can repay what you owe without penalty.
As well as there being more flexible options available, average equity release interest rates are falling, despite the Bank of England raising the base rate in November last year. The average rate for equity release products in January this year was 5.14%, although the average customer pays less than the average product rate suggests. For example, in the second half of last year, the average rate secured by customers stood at 4.44%.
The average rate for new customers taking lump sum plans in this period was 5.31% compared to 4.17% for drawdown customers. Drawdown plans, as the name suggests, allow customers to release funds as and when they need them.
The Council said that total lending has doubled in the last two years, increasing 90% from £1.161 billion in 2015 to £3.06 billion for 2017.
Separate figures from equity release provider Responsible Life show that the homeowners released on average almost £83,000 from their properties in February this year.
Although this is lower than the average £87,000 released in January, the total amount of equity released by homeowners so far in 2018 is more than double (132%) the total amount released during the same period in 2017. The total number of people taking out equity release plans in the first two months of 2018 is up 93% on the corresponding period last year.
Steve Wilkie, managing director, Responsible Life, said: "The equity release market has had a strong but steady start to 2018, and the range of people with specific requirements that can now benefit has seen equity release products move from niche to mainstream.
Use our equity release calculator to see how much wealth you could release from your home and join the thousands of other British homeowners enjoying a more comfortable and happy retirement.


Orakulli wrote: I think *hekur is related to the albanian verb;Hek(geg)=pull out.I think that /ur/ is a suffix in this case.The common "ur" suffix for many adjectives in albanian language is indicated by /ur/,i hek-ur(hequr).
Albanian heq (or hek) and its older/dialectal form helq (an even older *helk) comes from PIE *selk-. Something would have to explain the loss of the "l" in "hekur". I would expect to find the forms: *hequr or *helqur which do not exist.
I'm afraid that your *PIE doesn't even exist.It is a production of the linguistic ignorance.Why we have the word *udheheq-udhehek and "heq udhen, which means *leads and no *doesn't take away?
*hekuri or Iron from the dust is taken,or isht i hequr,or i *hekur.
The PIE theory doesn't use scientific logic,which is so simple as it had been at the time when the really our people discovery Hekurin.
We don't know who discovered iron.We know only that it was discovered before written history.
Is the word *hekur created before written history?
Orakulli wrote: I'm afraid that your *PIE doesn't even exist.It is a production of the linguistic ignorance.Why we have the word *udheheq-udhehek and "heq udhen, which means *leads and no *doesn't take away?
Indo-European has been demonstrated to be valid by all linguistics scholars. There is no debating its validity at all. Every branch of Indo-European shows regular sound correspondences between the branches. This is not debatable nor is discussing the validity of IE the reason for my post. The reason for my post is to discuss the etymology of this mysterious word.
Well, written history really does not have to with the origins of the word "hekur". The origins of the word "hekur" may or may not predate writing as the etymology of the word is a mystery.
As my earlier post demonstrates, the words for "iron" in the Indo-European languages come from various sources. There is no other IE language with a cognate to Albanian "hekur", so we will have to reconstruct the root from Albanian. If the word comes from a substrate language that would be interesting as well although there would be no way to know.
The PIE uses only to collect one detail to compare words.This detail is so simple.To compare for example *whether con *wether?Can you say me what's the difference between them?In accordance with PIE they have to have the same signification???Are they new words or old words??
Have they a common origin?
Why their meaning is so different?
Are they descendants of a same word?
The more you know about something,the easer it is to make up your thoughts.
With *PIE we wouldn't know where to begin or to end.
The word Hekur become form the combination of two concepts "hek+gur".This is my truth=*Hekur-i from the Stone is taken.
I don't want to know the common origin of the word *night,but why it is "night,or *nat.The *Pie doesn't give me that answer and I couldn't never know how the language is created.The Proto-Indo-European language theory blocks the discovery about languages.
If we found out which language is oldest we would find out ....the truth.
Orakulli wrote: The PIE uses only to collect one detail to compare words.This detail is so simple.To compare for example *whether con *wether?Can you say me what's the difference between them?In accordance with PIE they have to have the same signification???Are they new words or old words??
To say that Indo-European blocks the discovery of language is an utterly uninformed statement. It is a valid language family and forms in all of its daughter languages can be reconstructed. Albanian IS and Indo-European language without any doubt. This is not open to debate nor discussion. There is no reason for such a discussion and this will not be the discussion on this topic. Everyone who discusses language on an informed level must have a common background and understanding of linguistics. I suggest reading academic books on historical linguistics. One can reconstruct a proto-language based on the outcomes of the daughter languages. No reconstructed language can give all the answers because a reconstruction is only as good as the amount of information we have to put in it. Indo-European is a rather well defined language family especially due to its age. Other language families aren't as strong due to the lack of data or the remoteness of their relationships.
Take the word night: Albanian: natë, Hittite: nekuz, Irish: anochd, English: night, Tocharian: nakcu, Russian: noštĭ, Greek: nuks, Latin: nox, Lithuanian: naktis, Sanskrit: nakti, Welsh nos. Obviously these forms descend from the common parent language and can be reconstructed. This is true of ALL valid genetic language families. Keep in mind Indo-European is not the only language family in the world, there are a couple hundred. The 10,000 or so languages in the world fit into a few hundred families. Families range in size from 1 language to hundreds of languages.
Well for the words "wether" and "whether", we have the Old English forms. "wether" in Old English is wether and "whether" is "hwether". Wh-words in English were originally spelled hw-. While in British English "wh" is pronounced /w/ in many American dialects and it is still pronounced /hw/. Old English wether can be reconstructed to Proto-Germanic *wethruz meaning a yearling, the Proto-IE form is *wet-ru, *wet meaning year. While Old English hwether can be reconstructed to Proto-Germanic *hwatharaz, the PIE form being *kWo-tero-. Compare Sanskrit: katara-, Greek poteros, Lithuanian katras.
"Adam was the only man who,when he said e good thing,knew that nobody had said it before Him."
Language families are groups of languages.Within e specific group,the languages are related because they developed from the same language.The same language,I think,of the Indo-Europian language family is the Albanian language.The albanian language doesn't belong (like a simple member) to the Indo-Europian language family,as do many other languages.It is the mother of all languages of this family.It is related with another African-Asian-American families. That's why some its words have the same signification with the languages out of the Indo-Europian family.For example in old Chinese the word *rain is "shui" and in albanian language is "shi_shiu".
I think that the Albanian language is the only language which,when it said a word,no another language had said it before.
Orakulli wrote: "Adam was the only man who,when he said e good thing,knew that nobody had said it before Him."
In my opinion, Albanian is spoken where the Indo-European Urheimat was located and I think the Albanians are the Proto-Indo-Europeans. Although Albanian may be at the homeland like every language in the world, it has also changed. No language stays static as we humans are not computers.
Although Chinese has borrowed a few Indo-European words from Tocharian and Iranian, Chinese is not relatable to Indo-European and Chinese is a Sino-Tibetan language. In Mandarin Chinese shuǐ is water. The Old Chinese form is lhui'. This is why you don't compare two modern languages like Mandarin and Albanian and take their modern phonetic character at face value. You have also look at all of the languages related to Mandarin Chinese such as Cantonese, Min, Wu, and other less closely related languages such as Tibetan, Kachin, Burmese, Bai, Tujia, and a few hundred languages most people have never heard of... Bottom line you need to find a regular sound correspondence and Mandarin and Albanian do not have any regular sound correspondences.
You think I must not compare two modern languages?Why?What is wrong on that?
Can you figure out that *ui-uj and *lhui-shui are not relatable?
You are saying about the sound correspondece and you don't see the word correspodence in that case.How is it possible?
The Albanian language has another word that is related with ui-uj-shi-shiu.This word is *shuj.
Why in the Chinese language the sound of the number one is only *i and in the Albanian language is "nji=niii ????
Because UI is older than *SHUI,while *nji is younger than *i.
Orakulli wrote: You think I must not compare two modern languages?Why?What is wrong on that?
If two languages are related, there will be a regular sound correspondence. This means in a cognate if we find an "sh" in a Mandarin word then we should always find a corresponding "sh" word in Albanian. This is why Mandarin shui and Albanian shi are not cognates.
Also the "sh" in Mandarin is not the same sound as the Albanian "sh". Mandarin "sh" stands for the voiceless retroflex fricative. In Albanian the "sh" is a voiceless postalveolar fricative.
You won't find ANY regular sound correspondences between Mandarin and Albanian. Also due to Mandarin being a monosyllabic language you may find what seems to be a regular sound correspondence if you find two or three cases. You can compares any two languages in the world and find chance resemblances. Due to humans having a limited range of vowels and consonants we can produce, of course there will be many cases where two unrelated languages will have similar sounding words. This is due to coincidence. You can read about the fallacies of mass comparisons.
I suggest reading more academic books on linguistics so you understand how one should actually compare any two languages in the world. A lot of the world's languages' relationships have been worked out due to the over hundred years of scholarly work on them.
Do you know how many languages in the world have an "i" for their number 1? Thousands of languages and and also thousands of languages do not. Of these thousands of languages, some are related and some aren't. Do you know that most languages in the world have the "i" vowel. I would estimate less than .01% of the world's languages do not have the "i" vowel.
As well the Proto-Chinese form is *hlyəd for water anyway which as you can see is looking a lot different from Albanian shi. Other Indo-European cognates with Albanian shi are Tocharian A swase (rain), Tocharian B swese (rain), Old Prussian suge (rain), and Greek huei (rain). You will find a regular sound correspondence between Greek h and Albanian sh as in Greek hepta (seven) and Albanian shtate (seven). Albanian sh descends from PIE *s in certain environments. This has already been worked out and is well established.
If one reads about Mandarin Chinese, one would realize that is has had MANY sound changes from Old Chinese. Mandarin has lost all final consonants in words except -r, -n and -ng. It has reduced all consonant clusters. Mandarin has lost its voiced stops. There are probably a hundred words in Mandarin Chinese which are by chance look a lot like English words. For example, "ear" in English is "er" in Mandarin. These words are NOT related just because they look similar. Because Mandarin "er" goes back to Old Chinese nhə'. Mandarin has a very specific sound change of certain nasals become "r".
I have an academic degree in linguistics and I have been studying languages and linguistics for over 10 years. I suggest if you want to understand historical linguistics better, read academic books on historical linguistics. There should be some at your library, google books, or books you can buy online. If you are in college, see if you can take a class on historical linguistics. It will give you the background and terminology. If you take a historical linguistics class, you will learn all about regular sound correspondences, cognates, and valid genetic language families.
But,I'm not interested in Comparative languages.I'm interested in the languages codes.The Comparative didn't resolve anything about languages.It is only a language statistic.
The likelihood of Japanese and Indo-European being related is a bit greater than Indo-European and Sino-Tibetan. Comparing Japanese and Indo-European thus would be a more interesting endeavour. If and ONLY if Albanian has forms which are not themselves Indo-European roots or borrowings from another language, but which seem to be native terms then those could be used to compare with Japanese. Although you have to reconstruct the Albanian root to an older form perhaps. Also, you need to know the Old Japanese forms and not modern language. For example, modern Japanese "one" is hitotsu and in Old Japanese it is pitotu, etc. You won't know this unless you do research in academic books. Then once you have good data from each language, then you compare them and try to find a regular sound correspondence. Honestly though many other linguistics have already attempted this and have not been very successful.
One can't do a language code of any kind unless one has a solid background in linguistics. One should study more phonology, phonetics, and historical linguistics first and then you go into one's experiments and making a hypothesis. If one does not have enough of a background, then the lack of knowledge will show. Comparing a Mandarin "sh" and an Albanian "sh" is like comparing apples with oranges. They aren't the same thing at all either in their phonetic structure nor their origins. Don't be fooled by Mandarin romanization. It is a recent creation as Chinese of course was not written in the Roman alphabet. Mandarin Chinese "ch", "zh", "q", "j", "x", etc. don't phonetically correspond to anything in Albanian or English.
The suggestion for anyone wanting to do any kind of linguistics is ACADEMICS.
The sounds(no letters) are the same for every language.The difference is that some languages have more and some others have less.Do not confuse the concept of the alfabet(codified symbol ) with the concept of the spoken sounds.
In fact,it is a simple concept.
Orakulli wrote: The sounds(no letters) are the same for every language.The difference is that some languages have more and some others have less.Do not confuse the concept of the alfabet(codified symbol ) with the concept of the spoken sounds.
Sounds are not the same for every language. A phonemic /t/ in various languages does not have the same phonetic value in those languages. You should read about voice onset time (VOT). As I have stated before I have an academic degree in linguistics so when it comes to historical linguistics, writing systems, phonology, and phonetics I am rarely confused my friend. I don't confuse writing with the "spoken word" nor has anything I have written would lend anyone to think that.
Jay, although you follow a very classic methodology in your arguments without risking involving yourself in revisionistic ideas, your knowledge is vast, strong and you are very flexible in resolving problems that need a second opinion. Your participation is appreciated a lot from me, and I beleive from everyone else.
Zeus10 wrote: Jay, although you follow a very classic methodology in your arguments without risking involving yourself in revisionistic ideas, your knowledge is vast, strong and you are very flexible in resolving problems that need a second opinion. Your participation is appreciated a lot from me, and I beleive from everyone else.
Thanks Zeus10. I think many of these interesting Albanian words like "hekur", "ka", or "kokë" will only enrich what we will know of Illyrian and thus better know IE as well through the words Albanian has kept but were lost in the rest of IE.
One thing I do find lazy about some linguists is the claim of so many Latin loans when the much better explanation is Illyrian interdialectal borrowing. Some linguists claim "qen" and "qind" are from Latin. Albanian "qen" coming from Illyrian "can" makes a lot more sense. Since the Illyrians spoke many dialects, it is not a surprise that Albanian would have some forms of the various dialects. This interdialectal borrowing can explain some of the forms not expected.
Besides the obvious and specific religious, cultural, or scientific terms which Albanian borrowed from Latin, Greek, Hebrew, Aramaic, Arabic, or Turkish (as did English, French, and every other language borrow from these languages), much of the Albanian core vocabulary is inherited Illyrian.


text:
Home Neck of the Woods Avondale Brewery to open renovated Sour Tasting Room
Brewery to open renovated Sour Tasting Room
by ALYX CHANDLER
Photo by Alyx Chandler.
Brewer Nate Darnell stands in the new barrel room where much of the beer for the Sour Tasting Room will be made.
Avondale Brewery is figuratively spicing things up by bringing sour beer into the mix.
As of August, their newly renovated Sour Tasting Room will be open and only a two-minute walk from the brewery's outdoor patio. "This is going to be dedicated to those styles of beers, and it definitely has a different kind of feel," said Avondale Brewer Nate Darnell.
Avondale Brewery's newest addition features a cozy, wood-lined room with a cracked-glass ceiling that illuminates the bar where at least eight new beers will be up for grabs. The Funkatorium-styled tasting room shares a wall with Wasabi Juan's Sushi Burritos and allows people to leave and enter through a new door.
Darnell, who moved from Good People to Avondale Brewery about two years ago, said this has been a project he's been working on for about a year, with some of the beers aging for more than nine months already.
He's personally been experimenting and brewing sours on his own for several years as a hobby, he said.
"These beers are kind of rare, but sours are getting popular," Darnell said. "People are starting to really like them and realize how much experience it takes to make them."
The brewers of Avondale plan to line all the walls with booths, throw in some tables and chairs and then let the broad spectrum of beers offered — saisons, 100 percent fermented beers and barrel-aged sours — speak for themselves. Not all of the new beers are barrel-aged though. Some are kettle-sours, which combine a quick turnover rate with a tart, crisp taste.
"Try it one month, then a month later it tastes particularly different," Darnell said.
In its entirety, the new tasting room, which includes a small outdoor patio, can hold about 50 to 60 people.
Aug. 1 is the planned opening day, though Darnell said they might have to push it back a little bit. The new room plans to have the same hours as usual, but probably with a limited number of weekdays open.
Avondale Brewing Co. Sour Tasting Room beer


I had a sinking suspicion this series would be a hit. Why? It's about actual images. Good, bad, indifferent. What can we do better? What makes a good image? Did I leave the oven on? What's the fastest land animal?
I'm sticking with Uruguay here because it's my site and I can. Another image made with a 50mm and TRI-X. This time in hot light, midday during prep time for the LLamadas that would transpire later in the day. Larry, Martin, Diego and myself descend on a gymnasium in Montevideo. We disperse and begin snapping. The crazy thing, thinking about this now, is that this wasn't that long ago but I don't remember ANYONE with a mobile phone. Anyway, the gym was surrounded by a large retaining wall. I'd been photographing inside for quite some time and decided to head outside to see what was what even thought the light was total S%$#.
The hard part was keeping the man in the foreground centered in the painted lines on the wall, while using a rangefinder…..and as you can see I wasn't able to do that. Now, it doesn't wreck the image. I still like the photograph but had I used an slr I would have tried to keep him centered as I've shown on the last image here.
What works? Did I mention they have really cool face paint? Foreground, midground working to build depth. I was very close to the man in the foreground and because I was so close the depth of field is shallow, keeping him out of focus while compressing the frame. I also like the fact both men in focus are looking the same direction. The backpack straps are lined up with each man, and the dynamic element lines on the wall are keeping a good lateral tension.
What I don't like? Didn't center the man in the foreground. And for some reason the 2001 bugs me. I shot this in like..2012 which you would know but I do so it bugs me, and frankly it's a bit distracting. I don't know if I was really able to make this image and crop out the 2001 but it's something I think about.
Other than that it's a brilliant image you should all want to own and should all want to pay top dollar for…ahem. Bids start in the seven figures.
This was a frame I knew I would like the second I saw the parts building in the street. I KNEW my picture was the men against the wall but I needed a foreground, so I waited and "danced" around attempting to create this stacking style of image. It's a low percentage image and one that often ends in frustration when your foreground never materializes or one of your main subjects gets up and walks away but I lucked out a bit here and got both.
I am liking this series very much. And this image. I may be a digital Jedi gone to the dark side, but I would have cloned out that 2001 if it was me!
You are the devil. But we knew that. I think you are Darth.
We have much cooler uniforms and toys on the dark side, join us, learn to Clone and we can rule the galaxy of photo-editing!
I'm trending in the clone circles.
In this day and age when people are always cloning out the lamppost or whatever (Sorry Flemming Bo Jensen, no offense intended!) we wind up with these clinical pictures where every distraction has been eliminated and all the elements subtly moved around to the perfect spot.
A little roughness, a little imperfection, it makes it feel organic, it makes it feel real. Maybe in 2012 the right answer was to get it perfect in camera and throw the mistakes away but now, only 5-6 years later, I'm over perfect. I hate perfect. Even if you did it in camera, I'm going to suspect photoshop.
It's a strong picture, and I think in this moment in this year, the imperfections add more in ""life than they take away in graphical strength.
If they every getting around to photoshopping IN defects (like an Amish quilt?) I'll probably go back to liking perfect.
But then again, I am all about the content. I don't give much of a damn for composition or graphics, if you've got the right Things In The Frame and I can see 'em. This one has the Right Things and they're In The Frame.
Well, I'm dating myself…again, but I wouldn't be able to clone something out even if I wanted to because I don't know how to do it.(I can spot dust.) Having said that, I wouldn't do it. Having the 2001 in this frame bugs me because I'm finicky but I would never take it out, or anything else for that matter. I came from a school where this was totally forbidden. I also worked as a photojournalist during the time that abilities like this became commonplace. I watched photographers set images up, which was a fireable offense, and I also witnessed photographers paying civilians to keep other photographers out of a certain scene. And to go even further, I knew photographers who got caught doctoring their images and watched as they were fired on the spot, some while they were still on the front lines. But I think this game is a personal one now. I think there is so much fake photography, or cleaned or however you want to describe it, that the only person who will care is…well, the maker of the image. And that's enough for me personally. I actually kinda love the fact the image isn't perfect, as you do. I'm not even sure what perfect is, but I see a lot of work online that is attempting to be perfect and 99.9% of it is SO boring. Sterile. Impossible. There is so much of this work now that "normal" or "straight" work looks like it came from 1955.
Also, Flemming is Danish. They have no rules which is why Denmark is so great.
The backpack straps, the opposing white stripe in the wall, and sunlight slicing in making all those v-shapes is just… perfection. This is one of those images that make me wonder what the one before and after it looks like. Did you only shoot the one frame?
Thank you! I'm actually not sure about before and after. Will have to check the negs. I think I shot at least three but need to check.
Love it! And I agree by pointing the camera more to the right so that the line ends in the corner but having the star pointing down is a important element in my opinion. So I disagree by removing the star maybe 2001 could be removed then… Haha! It's so much fun! More Daniel More!
I can see both sides. The star adds to the slight chaos, so it's not the end of the world and the scene might seem too polished if it was removed.
Having been there, this is an image I wish I would have made. I loved it the first time I saw it when you first showed some images from the trip. I'm enjoying the series. Truth be told, it's helpful for a nimrod like me who can't explain why I like an image. I personally like the star and 2001. It seemed like it was 2001 in many ways.
Not all of us can be geniuses Larry….remember when 2001 seemed like a distant future?
I see the use of dynamic symmetry in this image. Additionally, I think the star creates some tension in the image…it points right at the foreground subject. Anyway, I really thought it was a great image. I am really enjoying this aspect of your blog.
You have the necessary numerals to make it read 2012 of course… but I think it works as is.
Thanks Patrick. Gonna have to be enough for now. I did go back and look at negs. I shot two frames total. will post the other just to see what happens.


I'm always looking for new knitting projects with a lot of bang for my buck -- just a smidge of a challenge with potentially fabulous results. After finding Leigh Radford's book One Skein: 30 Quick Projects to Knit or Crochet at my local library, I decided to get my own copy so I could play around with the projects and patterns inside to my heart's content.
"The Clutch You'll Never Give Up" has quickly become one of my favorite patterns in the book. The clutches knit up oh-so-quickly in 100% wool, and after a quick turn in a hot-water washing cycle, they're felted and perfectly shaped and ready for just a few embellishments before being gifted to my friends. This version in light grey may be my favorite yet. It has a new home with my friend Sarah, who likes it just as much as I do. See? The perfect gift.


Perhaps. A great deal of time and energy has been spent, and many lives lost in mindless pursuit of a recording agreement. But, in this millennium, one must question whether or not a recording agreement – with a major label, or any label – is really the destination of choice for a musician or group on the move.
But, there are many more qualifiers than ever before. A musician or group must really know exactly what they seek and what they want to be, before signing on the dotted line and handing over their eternal soul to the man. There are more alternatives to a Major Recording Agreement than ever before – and we're not just talking about alternative labels. Have you considered a successful career in the music business without a recording agreement?
Question 1.0: Is a recording deal right for you?
Question 2.0: (Only if the answer to Question 1 is Yes ): Which recording deal is right for you?
Question 0.5: How may lawyers have asked you Question One?
This office will be delighted to negotiate your recording contract for you. We'd also be delighted to help you decide if you really want one.


text:
Microsoft warns of DNS threat
Attackers are trying to take advantage of a newly-disclosed vulnerability in several of Microsoft's servers that could alow them to run unauthorised code on affected computers, the company has warned.
By Jeremy Kirk, IDG News Service | Apr 13, 2007
The attacks are limited so far, according to a Microsoft advisory issued late Thursday evening. The company is working on a patch but no release date has been set, a spokeswoman in London said.
Microsoft issued seven critical patches on Tuesday, its monthly patch day, and isn't due for another round until 8 May. The company did issue an emergency patch on 3 April for a dangerous animated cursor flaw, but it does not typically stray from its regular patch schedule.
The vulnerability lies in the in the DNS Server Service, which looks up numerical IP addresses to allow a website to be called into a browser. The affected products are Windows 2000 Server Service Pack 4, and Windows Server 2003 Service Pack 1 and Windows Server 2003 Service Pack 2.
The flaw can cause a stack-based buffer overrun in the DNS Server's RPC (remote procedure call) interface. RPC is a protocol through which a program can request a service from an application on another machine on a network.
An attacker could try to exploit the problem by sending a special RPC packet to the system, which then could allow code to run in the "security context of the Domain Name System Server Service," Microsoft said.
Microsoft listed several ways to block an attack until a patch is issued. Administrators can disable RPC's remote management capability through the registry key settings, Microsoft said. The SANS Institute, which monitors the health of the Internet and conducts security training, recommended this option.
Other workarounds include blocking ports 1024 to 5000 on the firewall, which are used by the RPC protocol, and enabling advanced TCP/IP filtering, Microsoft said.
Danish security vendor Secunia rated the problem as "highly critical".
Blaster worm continues to spread Windows smashed by unpatched critical Explorer hole


text:
Smog Raj: Delhi Grapples With Toxic Air
By Matt Wade
As one of the most polluted cities in the world, Delhi has attempted to implement policies to mitigate smog.
India's vast capital city Delhi has emerged as one of the world's biggest and most complex urban systems. The contiguous network of suburbs and towns which sprawl around the city's historic heart is already home to 29 million people, according to United Nations estimates. It is forecast to add an eye-watering 870,000 people per year during the next decade as a growing share of the Indian population settles in cities. By 2028, Delhi's population will overtake that of Tokyo, currently the world's biggest urban agglomeration with 37 million people.
India's landlocked megacity, which only reached the 20 million mark a decade ago, is "projected to become the most populous city in the world with 39 million people in 2030,"says the latest World Urbanisation Prospects report by the UN's Department of Economic and Social Affairs. With such rapid growth comes colossal challenges, especially in a nation where gross domestic product per person is only a little over US $2,000 per year in nominal terms, according to World Bank figures.
One of Delhi's most pressing problems – air pollution – made global headlines in early November after toxic smog enveloped the city. In some neighbourhoods, the amount of harmful particulate matter in the atmosphere last weekend was more than 10 times the global safety threshold. "Delhi has turned into a gas chamber," the chief minister of Delhi's government, Arvind Kejriwal, said in a recent tweet.
There is acute public concern; at busy intersections and inside railway stations across the city electronic displays flash regular air quality updates. One of Delhi's urban satellites, Gurugram (previously called Gurgaon), has emerged as a global business hub and hosts some of the world's biggest IT firms, banks, and business consultancies. Its skyscrapers and shopping malls contrast with the wide avenues and colonial-era government buildings of inner Delhi.
During lunch hour at Cyber Hub, one of Gurugram's high-tech corporate parks, cafes are filled with some of India's best-paid knowledge workers. A promotional message played on the local PA system describes it as a "premium socialising zone."
But Gurugram has another, less appealing claim to fame. Last year it was ranked the world's most polluted urban centre by the AirVisual World Air Quality report. "The air here can be really bad," says business consultant Sweta Sharma as she waits for coffee at Cyber Hub's Starbucks. "Many people are getting air purifiers and staying indoors." Air purifiers are increasingly common in the homes of wealthier Delhi families as well as offices, gyms, restaurants and classrooms.
But many Delhi residents convince themselves they have nothing to worry about. Rajeev Thakur, a waiter at one of Cyber Hub's restaurants, claims to have "acclimatised" to the smog since he migrated to Delhi from the east of India three years ago in search of work. "Even though the pollution gets very bad here I am now used to it," he says. "But if you are new to Delhi, I suggest you wear a mask."
Following several days of especially poor air quality in early November Dr Arvind Kumar, a leading Delhi lung surgeon and founder of the Lung Care Foundation, told the Bloomberg news agency that "a child born yesterday in Delhi would have smoked 40-50 cigarettes on the first day of his or her life. A silent damage was occurring inside our body."
Locals have become resigned to severe pollution as the north Indian winter approaches. Farmers in neighbouring states begin burning crop stubble each October to prepare for a new harvest. The smoke drifts over the neighbourhoods of Delhi and blends with the emissions from vehicles and industry. Fumes from fireworks let off during Diwali, the Hindu festival of lights, add to the toxic mixture.
Siddharth Singh, author of a book called analysing air pollution called The Great Smog of India, says Delhi also suffers from a "meteorological misfortune." For a period from around October to February – north India's winter months – wind speeds are especially low. Singh says the lack of winds that can carry away pollutants is "one of the most important factors impacting air quality" in north India.
To make matters worse, Delhi is cursed with "poor geography" for air pollution because of its location between the Thar Desert and the Himalayan mountain range. "Regardless of where the emissions are coming from they are going to get trapped due to the geography of north India," says Singh.
Voter anxiety over the health effects of poor air quality means authorities are under intense political pressure to respond. Delhi's provincial government has closed coal-fired power stations in Delhi and required some high-emission industries to switch to cleaner fuels such as natural gas. Chief Minister Kejriwal claims air pollution has been reduced due to measures taken by his government. But as Delhi's air quality deteriorated in late October and early November, authorities declared a public health emergency. Schools were closed for several days, millions of masks were distributed to students, and construction across the city was temporarily halted in a bid to reduce pollution.
A temporary odds-and-events scheme for vehicles was introduced – where licence-plate number determined road access – in the hope of reducing pollution. Mr Kejriwal claims states beyond the Delhi metropolitan area are responsible for the majority of the city's air quality problems, especially the farming practice of burning stubble after rice harvests.
Siddarth Singh says changes linked to the green revolution which transformed Indian agriculture several decades ago are now contributing to pollution in north India. One factor is that the husks left after harvesting modern high-yielding rice crop varieties are much more difficult to remove from fields. Burning rice husks is the quickest, cheapest alternative available to small farmers. "People assume stubble burning or agricultural residue burning has been going on for centuries," says Singh. "This in fact is a product of India's green revolution."
While Delhi's pollution problems dominate the headlines, poor air quality affects much of the densely populated Indian subcontinent. Twelve of the 15 most polluted cities in the world are in India and pollution killed an estimated 1.24 million citizens in 2017.
Matt Wade is a senior reporter and columnist for the Sydney Morning Herald and The Age. He was the Delhi-based South Asia correspondent for The Herald and The Age between 2007 and 2011.
This article is published under a Creative Commons Licence and may be republished with attribution.
Indian Elections: It's All About the Economy, Stupid!
By Teesta Prakash
With many of India's rural farmers affected by the government's mismanagement of the economy and the agricultural sector, their votes could be a decisive factor in determining the outcome in the country's elections.
China-India Border Dispute a Grim Sign for Stability in Asia
By Professor Nick Bisley
The remarkably stable environment which has allowed growth and prosperity to flourish in Asia is threatened by old wounds and emerging powers flexing their muscles.
Modi's Hindu Nationalism: A Pyrrhic Victory
By Dr Kimberley Layton
In the three years since his election, what has Indian Prime Minister Narendra Modi's unique fusing of religion, political ideology and tradition meant for the world's largest democracy?