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Born in 1951 in New York, USA
Lives and works in New York, Montauk and San Sebastian, Spain
1973–64 Whitney Museum's Independent Study program for young artists, New York, USA
1969–72 BFA, University of Houston, Houston, USA
Julian Schnabel: Symbols of Actual Life, Legion of Honor Museum, San Francisco, USA
Julian Schnabel: The Re-Use of 2017 by 2018. The Re-Use of Christmas, Birthdays. The Re-Use of a Joke. The Re-Use of Air and Water., The Pace Gallery, Londres, UK
Aktion Paintings 1985-2017, ARoS Aarhus Kunstmuseum, Aarhus, Denmark
Orsay seen by Julian Schnabel Musée d'Orsay, Paris, France
Shiva Paintings, Galerie Daniel Templon, Paris, France
Re-Reading, Julian Schnabel: Painting and Printed Works, Samuelis Baumgarte Gallery, Bielefeld, Germany
Paintings that I hope Philip and David Would Like, The Glass House, New Canaan, USA
New Plate Paintings, The Pace Gallery, New York
Infinity on Trial, Blum and Poe, Los Angeles, USA
6 rose paintings, Vito Schnabel Gallery, St Moritz, Switzerland
Jack Climbed Up the Beanstalk to the Sky of Illimitableness Where Everything Went Backwards, Almine Rech Gallery, Paris, France
Julian Schnabel: Portrait of Olatz. NSU Art Museum Fort Lauderdale, Fort Lauderdale, USA
Julian Schnabel: LA NIL – Pinturas 1988–2014, Museu de Arte de São Paulo Assis Chateaubriand, São Paulo, Brazil
The Dizziness of Freedom, Galeria Raquel Arnaud, São Paulo, Brazil
Julian Schnabel: View of the Dawn in the Tropics: Paintings, 1989–1990. Gagosian Gallery, W. 24th St., New York, USA
An Artist Has A Past (Puffy Clouds and Strong Cocktails): 15 Paintings Over The Last Decade, Dallas Contemporary, Dallas, USA
Julian Schnabel: Every Angel has a Dark Side, The Dairy Center for the Arts, London, UK
Julian Schnabel, Centro Italiano Arte Contemporanea, Foligno, Italy
Julian Schnabel, Beaux-Arts Contemporains, Berlin, Germany
Galerie Guy Pierters, Knokke-Heist, Belgium
Julian Schnabel: Polaroïds, 18Gallery at Bund18, Shanghai, China
Julian Schnabel: Polaroïds, Galerie Magda Danysz, Paris, France
Julian Schnabel. Forma - Centro Internazionale di Fotografia, Milan, Italy
Julian Schnabel: Permanently Becoming and the Architecture of Seeing, Museo Correr, Venise, Italy
Julian Schnabel: Polaroïdes, Fotomuseum Den Haag, The Hague, The Netherlands
Julian Schnabel, Colnaghi, London, UK
Julian Schnabel, Nikola Rukaj Gallery, Toronto, Canada
Julian Schnabel: Art and Film, Art Gallery of Ontario's Vivian & David Cambell Centre of Contemporary Art, Toronto, Canada
Julian Schnabel: Polaroids, Bernheimer Fine Art Photography, Munich, Germany
Julian Schnabel: Polaroids, NRW-Forum Kultur und Wirtschaft, Dusseldorf, Germany
Julian Schnabel. Museo di Capodimonte, Naples, Italy
Navigation Drawings, Galerie Forsblom, Helsinki, Finland
The Conscious Gaze of Frightened Young Nuns, Contemporary Art Museum Kiasma, Helsinki, Finland
Julian Schnabel: Untitled (Chinese Paintings), The Saatchi Gallery, London, UK
Julian Schnabel, Gallery Hyundai, Seoul, South Korea
Julian Schnabel, Gagosian Gallery, Beverly Hills, USA
Julian Schnabel. Himalayas Art Museum (the former Zendai Museum of Modern Art), Shanghai, China
Navigation Drawings, Sperone Westwater Gallery, New York, USA
Schnabel in Hong Kong. 10 Chancery Lane Gallery, Hong Kong, China
Schnabel in Beijing. Beijing World Art Museum, Beijing, China
Summer: Julian Schnabel. Tabacalera - International Contemporary Culture Center, San Sebastián, Spain
Julian Schnabel: Paintings 1968-2006, Palazzo Reale, Milan, Italy
Julian Schnabel: Paintings 1978-2006, Museo Nazionale del Palazzo di Venezia, Rome , Italy
Julian Schnabel: Versions of Chuck and Other Works, Schloss Derneburg, Derneburg, Germany
Julian Schnabel: Paintings 1976-2006, Palazzo Venezia, Rome, Italy
Julian Schnabel, Galeria Enrique Guerrero, Mexico City, Mexico
Julian Schnabel, MetLife Building, New York, USA
Julian Schnabel: opere grafiche, LipanjePuntin Artecontemporanea, Trieste, Italy
Julian Schnabel. Galerie Sabine Knust, Munich, Germany
Julian Schnabel: Great Big Paintings. Galerie Daniel Blau and Galerie Sabine Kunst, Munich, Germany
Julian Schnabel: Selected Paintings. Mnuchin Gallery, New York, USA
Julian Schnabel: Selected Painting. L&M Arts, New York, USA
Julian Schnabel: Sculpture. Mnuchin Gallery, New York, USA
Julian Schnabel: Sculpture. L&M Arts, New York, USA
Julian Schnabel: Pinturas 1978-2003, The Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
Julian Schnabel: new paintings, Galleria Cardi, Milan, Italy
Julian Schnabel: paintings 1978-2003, Schirn Kunsthalle, Frankfurt/Main, Germany
Julian Schnabel: Malerei / Paintings 1978-2003, The Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
Julian Schnabel: New Indian Paintings and Selected Sculpture, The Pace Gallery, New York, USA
Julian Schnabel: Inverleith House, Edinburgh, Scotland, UK
Julian Schnabel: Big Girl Paintings, Gagosian Gallery, Los Angeles, USA
Julian Schnabel: Big Girl Paintings, Gagosian Gallery, New York, USA
Julian Schnabel. Galleria Cardi, Milan, Italy
Julian Schnabel: Prints. Edition Schellmann, Munich, Germany
Galerie Forsblom, Helsinki, Finland
Galeria Ramis Barquet, Mexico City, Mexico
Julian Schnabel: Works on paper, Nikolaus Sonne Fine Arts, Berlin, Germany
Julian Schnabel: Plate Paintings 1978–1997, The Pace Gallery, New York, USA
Julian Schnabel: Plate Paintings 1978–1997, PaceWildenstein, New York, USA
Julian Schnabel, Timothy Taylor Gallery, London, UK
Julian Schnabel: New paintings, Galerie Thaddaeus Ropac, Salzburg, Austria
Julian Schnabel: Paintiings, SLG South London Gallery, London, UK
Julian Schnabel: Selected Works, 1000 eventi, Milan, Italy
Guid Hall Museum, East Hampton, USA
Julian Schnabel: Portrait Paintings, PaceWildenstein, Los Angeles, USA
Julian Schnabel: Portrait Paintings, PaceWildenstein, New York, USA
Julian Schnabel: The Conversion of St. Paolo Malfi, PaceWildenstein, New York, USA
Sperone Westwater, New York, USA
Modern Art Gallery, Bologna, Italy
Julian Schnabel: Paintings and Sculpture, Waddington Galleries, London, UK
Fruhe Werke, 1972-1982, Galerie Bruno Bischofberger, Zurich, Switzerland
The Conversion of St. Paolo Malfi, Galerie Kyoko Chirathivat, Bangkok, Thailand
Retrospective of Paintings, Sculpture and Works on Paper, Galleria D'Arte Moderna di Bologna, Bologna, Spain
Julian Schnabel: 200 Paintings for CRIA. Tony Shafrazi Gallery, New York, USA
Julian Schnabel. Galerie Daniel Templon, Paris, France
Julian Schnabel: Retrospectiva. Museo Tamayo, Mexico City, Mexico
Fundacio Joan Miró, Barcelona, Spain
The Conversion of Saint-Paul Malfi, the pink blouse I like the most and other pink paintings. Jablonka Gallery, Cologne, Germany
New Paintings. Herning Kunstmuseum, Herning, Denmark
Des and Gina Paintings. Daniel Templon Gallery, Paris, France
Works on Paper. Sala Rekalde, Bilbao, Spain
Julian Schnabel: Retrospective, Museo de Monterrey, Monterrey, Mexico
Julian Schnabel, Sala Rekalde, Bilbao, Spain
Julian Schnabel: Jane Birkin Paintings, PaceWildenstein, New York, USA
Opere recenti, Gian Ferrari Arte Contemporanea, Milan, Italy
Cy and Olmo, Galerie Bruno Bischofberger, Zurich, Switzerland
Julian Schnabel: Works on Paper 1976-1992, Matthew Marks Gallery, New York, USA
Jason Rubell Gallery, New York and Miami, USA
Los Patos del Buen Retiro, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
Julian Schnabel: The End of Summer, The Pace Gallery, New York, USA
Julian Schnabel: Hurricane Bob, The Pace Gallery, New York, USA
Olatz. The Pace Gallery, New York, USA
Prints. Pace Editions, New York, USA
Julian Schnabel, Galerie Daniel Blau, Munich, Germany
Julian Schnabel, Nelson-Atkins Museum of Art, Kansas City, USA
Galerie de Poche, Paris, France
Early Tapestries, Galerie Feuer, Cologne, Germany
Gian Enzo Sperone, Rome, Italy
Virginia de lujo (Sculptures), Galeria de arte Soledad Lorenzo, Madrid, Spain
Julian Schnabel: Works on Paper 1975-88. Fruitmarket Gallery, Edinburgh, Scotland, UK
Julian Schnabel: Tati Paintings. Galerie Yvon Lambert, Paris, France
Julian Schnabel. Maison Carrée, Nîmes, France
Julian Schnabel. Galerie Bruno Bischofberger, St. Moritz, Switzerland, open air sculpture exhibition at Chantarella, Switzerland
Julian Schnabel, Centro per l´Arte Contemporanea Luigi Pecci, Prato, Italy
Julian Schnabel: The Kabuki Paintings, Setagaya Art Museum, Tokyo, Japan
Julian Schnabel: Arbeiten auf Papier 1975-1988, Museum für Gegenwartskunst - Emanuel Hoffmann-Stiftung, Basel, Switzerland
Julian Schnabel: Oevres Nouvelles (Cheers to an Empty Glass), Musee d'Arte Contemporanae, Bordeaux, France
Julian Schnabel: Fox Farm Paintings, The Pace Gallery, New York, USA
Julian Schnabel: Crows Flying the Black Flag of Themselves, Blaffer Art Museum of the University of Houston, Houston, USA
Julian Schnabel: Reconocimientos Pinturas del Carmen, Cuartel de Carmen, Seville, Spain
Israel Museum, Jerusalem, Israel
Waddington Galleries, London, UK
Julian Schnabel, Kunsthalle Düsseldorf, Dusseldorf, Germany
Julian Schnabel, Centre Pompidou - Musée National d´Art Moderne, Paris, France
Julian Schnabel, Galerie Yvon Lambert, Paris, France
Mario Diacono Gallery, Boston, USA
The Pace Gallery, New York, USA
Julian Schnabel, MATRIX 52 - Berkeley Art Museum and Pacific Film Archive BAM/PFA, Berkeley, USA
Julian Schnabel: Recent Paintings and Drawings, Margo Leavin Gallery, Los Angeles, USA
Julian Schnabel: Works on Paper 1975-1988, Whitechapel Art Gallery, London ; Whitney Museum of American Art, New York, Franciso Museum of Modern Art, San Francisco, and Museum of Fine Arts, Houston, USA
Galerie Bruno Bischofberger, Zurich, Switzerland
Angelo d´Oro, Galleria Gian Enzo Sperone, Rome, Italy
Weddington Galleries, London, UK
Printed Velvet. Akira Ikeda Gallery, Nagoya and Tokyo, Japan
The Aluminum Paintings. Akira Ikeda Gallery, Tokyo, Japan
New Paintings and Sculpture, Galerie Bruno Bischofberger, Zurich, Switzerland
Leo Castelli Gallery, New York, USA
Akron Museum, Ohio, USA
Galerie Daniel Templon, Paris, France
Galleria Mario Diacono, Rome, Italy
Wadding Galleries, London, UK
Drawings. Akir Ikeda Gallery, Nagyoa, Japan
Frankfurter Kunstverein, Frankfurt, Germany
Stedelijk Museum, Amsterdam, The Netherlands
Margo Leaving Gallery, Los Angeles, USA
Museum of Contemporary Art, Los Angeles, USA
University Art Museum, Berkeley, USA
The Tate Gallery, London, UK
Julian Schnabel, Leo Castelli Gallery, New York, USA
Julian Schnabel, Kunsthalle Basel, Basel, Switzerland
Julian Schnabel, Mary Boone Gallery, New York, USA
Young/Hoffmann Gallery, Chicago, USA
Julian Schnabel: Plate paintings, Mary Boone Gallery, New York, USA
Julian Schnabel: The Death of Fasion, Mary Boone Gallery, New York, USA
Daniel Weinberg Gallery, San Francisco, USA
December Gallery, Düsseldorf, Germany
1975Julian Schnabel, Contemporary Arts Museum Houston, Houston, USA
Paintings from the 1980s and 1990s. MUDAM Collection, MUDAM, Luxembourg, Luxembourg
Hello World. Revising a Collection, Hamburger Bahnhof, Berlin, Germany
American Sculpture: Sotheby's Beyond Limits, Chatsworth, Derbyshire, Territories, Sperone Westwater, New York, USA
Summer Exhibition 2017, Royal Academy, London, UK
Fast Forward: Painting from the 1980s, Whitney Museum of American Art, New York, UK
Works from the 1980s, Vito Schnabel Gallery, St Moritz, Switzerland
The Shell (Landscapes, Portraits & Shapes), a show by Eric Troncy, Almine Rech Gallery, Paris, France
First Show / Last Show, 190 Bowery, New York, USA
Enigmas: Martin Barré, David Ostrowski, Julian Schnabel, Reena Spaulings. Andrea Rosen Gallery, New York, USA
Picasso.mania, Grand Palais, Paris, France
Urban Theater: New York Art in the 1980s, Modern Art Museum of Fort Worth, Fort Worth, USA
Café Dolly: Picabia, Schnabel, Willumsen, NSU Art Museum Fort Lauderdale, Fort Lauderdale, USA
Georg Baselitz, Anselm Kiefer, Harmony Korine, Robert Rauschenberg, Julian Schnabel, Rudolf Stingel, Franz West, Gagosian Gallery, West 24th St., New York, USA
Signs / Words. Sperone Westwater Gallery, Lugano, Switzerland
Empire State. Palazzo delle Esposizioni, Rome, Italy
Accrochage. Contemporary Fine Arts - CFA, Berlin, Germany
Oriental Mirages, Pomegranates and Prickly Pears, Collection Lambert, Avignon, France
Regarding Warhol: Sixty Artists, Fifty Years, The Metropolitan Museum of Art, New York, USA
Group Show, Rhona Hoffman Gallery, Chicago, IL, USA
Not even for a million dollars would I paint a tree, Linn Lühn, Cologne, Germany
Artandpress, Martin-Gropius-Bau, Berlin, Germany
Brucennial 2012 – Harder, Betterer. Fasterer. Strongerer. Brucennial, New York, USA
The Old, The New, The Different. Kunsthalle Bern, Bern, Switzerland
GARDEN MOON" AND "MALFI., White8 showrooms, Villach, Austria
John Hoyland - Garden Moon - Painting, Works On Paper / Julian Schnabel - Malfi - Works On Paper. white8 gallery, Vienna, Austria
Sammlung Marx - Eine Auswahl, Muzeum Narodowe w Szczecin, Szczecin, Poland
Jean-Michel Basquiat and the Rat pack, BURKHARD EIKELMANN GALERIE, Dusseldorf, Germany
Paris Forever, 100th exhibition of the gallery, Galerie Magda Danysz, Paris, France
Die Sammlung Marx, Eine Auswahl, Atlas Sztuki, Lodz, Poland
Schlaglichter 3 - Schlaglichter 3, Museum der Stadt Ratingen, Ratingen, Germany
Alusiones ilusiones, Galería Miguel Marcos, Barcelona, Spain
Circa 1986, HVCCA - Hudson Valley Center for Contemporary Art, Peekskill, USA
JORGE GALINDO / JULIAN SCHNABEL, Galería Soledad Lorenzo, Madrid, Spain
Pasiones Contemporáneas, Museo de Arte de Ponce, Ponce, Puerto Rico
From Classical To Contemporary, Galerie Miro, Prague, Czech Republic
MMK 1991-2011: 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt/Main, Germany
Avant Première, Art Plural Gallery Pte Ltd, Singapore
Provisional Painting, Stuart Shave / Modern Art, London, UK
The 80s Revisited, Sammlung Bischofberger II - Kunsthalle Bielefeld, Bielefeld, Germany
Deutscher Fotobuchpreis 2011, Forum für Fotografie, Cologne, Germany
Apocalypse: Monumental Paintings of the 1980's, Virginia Museum of Fine Arts, Richmond, USA
I Believe in Miracles - 10th anniversary of the Lambert Collection, Collection Lambert, Avignon, France
THE BIENNIAL WINTER SALON 2010, Elga Wimmer PCC, New York, USA
Works from the Collection of Frank K. Ribelin, McClain Gallery, Houston, USA
Schlaglichter - von Beuys bis Twombly... Museum der Stadt Ratingen, Ratingen, Germany
Beauty is Diamond, Laleh June Galerie, Basel, Switzerland
XXL / Omar Ba, 1000 Eventi, Milan, Italy
Pastiche, The Pace Gallery, New York, USA
Your History is not Our History, Haunch of Venison, New York, USA
Quartet–Four Biennials Reflected in Prints, International Centre of Graphic Arts (MGLC), Ljubljana, Slovenia
Collecting Biennials, Whitney Museum of American Art, New York, USA
3rd AiM International Biennale, Marrakech Biennale, Marrakech, Morocco
MOCA´s First Thirty Years, MOCA Grand Avenue, Los Angeles, USA
Paint Made Flesh, Memorial Art Gallery of the University of Rochester, Rochester, USA
Sans—titre # 1 oeuvres de la Collection Lambert peintures des années 1970 — 1980, Collection Lambert, Avignon, France
Painting of the 80s, Matthew Bown Gallery, Berlin, Germany
El tiempo del Arte, Fundación PROA, Buenos Aires, Argentina
A Tribute To Ron Warren, Mary Boone Gallery, New York, USA
New York Contemporary, Hillsboro Fine Art, Dublin, Republic of Ireland
Paint Made Flesh, The Phillips Collection, Washington, USA
Collect With Us, Armand Bartos Fine Art, New York, USA
Happy Birthday: The First Anniversary of the Gallery, Group Show, GALLERY 2, Black Cube Gallery, Sant Antoni Maria Claret, Barcelona, Spain
New Acquisitions: Rarely Seen Works, Ludwig Museum, Museum of Contemporary Art Budapest, Budapest, Hungary
Collected Visions, Bronx Museum of the Arts (BxMA), New York, USA
Image Matter, Mary Boone Gallery, New York, USA
Paint Made Flesh, Frist Center for the Visual Arts, Nashville, USA
UBS Openings: Paintings from the 1980s, Tate Modern, London, UK
Dalla Presitoria al Futuro, Capolavori dalla collezione Bischofsberger. Pinacoteca Giovanni e Marella Agnelli, Turin, Italy
De Mirò à Warhol La Collection Berardo à Paris, Musée du Luxembourg, Paris, France
NAO TE POSSO VER NEM PINTADO, Berardo Museum - Collection of Modern and Contemporary Art, Lisbon, Portugal
Pretty Ugly, Gavin Brown's Enterprise, New York, USA
FATTO BENE! Centro per l´Arte Contemporanea Luigi Pecci, Prato, Italy
New Sculptures, Galerie Forsblom, Helsinki, Finland
Bad Painting - good art. Museum Moderner Kunst Stiftung Ludwig - MUMOK, Vienna, Austria
OHO – What a Collection! Contemporary Art from Pekka Halonen's Collection - Kuopio Art Museum, Kuopio, Finland
THE OLYMP: Works on Paper, Burkhard Eikelmann Com, Dusseldorf, Germany
Le Grand Tour: Académie de France à Rome, Villa Médicis, Rome, Italy
You Dig the Tunnel, I'll Hide the Soil, White Cube - Hoxton Square, London, UK
Selection 2007: Proje4L, Elgiz Museum of Contemporary Art, Istanbul, Turkey
Doppio sogno: 2RC tra artista e artifice, Fondazione Arnaldo Pomodoro, Milan, Italy
Not For Sale, MoMA PS1, New York, USA
Lights, Camera, Action: Artists´ Films for the Cinema, Whitney Museum of American Art, New York, USA
Ausgewählte Arbeiten aus der eigenen Sammlung, Museum der Stadt Ratingen, Ratingen, Germany
NEW ACQUISITIONS, Galerie Bruno Bischofberger, Zurich, Switzerland
Radical NY! The Downtown show: the New York art scene, 1974-1984 and abstract expresionism: 1940-1960, The Contemporary Austin, Austin, USA
DEFINING THE CONTEMPORARY, Whitechapel Art Gallery, London, UK
CORRISPONDENZE, Centro per l´Arte Contemporanea Luigi Pecci, Prato, Italy
Druckgrafik - Raab Galerie, Berlin, Germany
Sunscreen 2006, Newzones Gallery of Contemporary Art, Calgary, Canada
Eldorado, MUDAM - Musée d'Art Moderne Grand-Duc Jean, Luxembourg, Luxembourg
Sedução Cinema e Pintura, Sintra Museu de Arte Moderna, Sintra, Portugal
Summer Stock, Russell Bowman Art Advisory, Chicago, USA
Recent Acquisitions: Part I, Scottsdale Museum of Contemporary Art - SMoCA, Scottsdale, USA
The Downtown Show: The New York Art Scene, 1974–1984, The Andy Warhol Museum, Pittsburg, USA
Chairs, Galerie Bruno Bischofberger, Zurich, Switzerland
Sound & Vision, Museo della Città, Perugia, Italy
Im Kabinett: Frühling! Raab Galerie, Berlin, Germany
Presses, Pop, and Pomade: American Prints Since the Sixties, The Frances Lehman Loeb Art Center, Poughkeepsie, USA
The Downtown Show: The New York Art Scene, 1974–1984, Grey Art Gallery, New York, USA
IT´s FRAMED - Exclusive Pop Art. Burkhard Eikelmann Com, Dusseldorf, Germany
Nudes in Vogue. Mitchell-Innes & Nash, New York, USA
Basquiat - Schnabel: Works on Paper. Fabien Fryns Fine Arts, Marbella, Spain
Schnabel / Basquiat: works on Paper. F2 Gallery, Beijing, China
Looking at Words. Andrea Rosen Gallery, New York, USA
In The Company Of Old Master. Bernheimer-Colnaghi, London, UK
Sammlung Rainer Wild. Die Frucht in der Kunst - Heidelberger Kunstverein, Heidelberg, Germany
Dust. The University of Lethbridge Art Gallery, Lethbridge, Canada
American artists. Galleria Alessandro Bagnai, Florence, Italy
Drawings: 1945 to now. Russell Bowman Art Advisory, Chicago, USA
Collettiva. Galleria Alessandro Bagnai, Florence, Italy
On Form an Figure. Newzones Gallery of Contemporary Art, Calgary, Canada
Surprise! Galleria Cardi, Milano, Milan, Italy
Araki, Kabakov, Masi, Schnabel, Centro per l´Arte Contemporanea Luigi Pecci, Prato, Italy
What´s modern? Gagosian Gallery, New York, USA
Visions of America, Sammlung Essl - Kunsthaus, Klosterneuburg, Austria.
Ear Down This Wall: Paintings From The 1980s, MOCA Grand Avenue, Los Angeles, USA
Political Satire Then and Now, ASU Art Museum - Arizona State University Art Museum, Tempe, USA
Summer Jam, Burkhard Eikelmann Com, Dusseldorf, Germany
Summer Group Show, Russell Bowman Art Advisory, Chicago, USA
...So Fresh, So Cool! Galleria Cardi, Milano, Milan, Italy
Why not live for Art? Tokyo Opera City Art Gallery, Tokyo, Japan
Particular view, Galleria Alessandro Bagnai, Florence, Italy
An International Legacy. Selections from Carnegie of Art, Nevada Museum of Art NMA, Reno, USA
Embracing the Present, The UBS Art Collection - Phoenix Art Museum, Phoenix, USA
Painting Lesson, Galleria Cardi, Milan, Italy
Crimes and Misdemeanors - Politics in U.S. Art of the 1980,. CAC - Cincinnati Contemporary Arts Center, Cincinnati, USA
Artsonje Collection Highlights, Artsonje Museum, Gyeongju, South Korea
Open 2003 arte & cinema, venice, Italy, Arte Communications, Venice, Italy
Sommerausstellung 2003 - 20 zeitgenössische Künstler, White8 showrooms, Villach, Austria.
Imagine: Selections from the permanent collection, Museum of Contemporary Art - North Miai (MOCA), Miami, USA
Pop thru out, Arario Cheonan, Cheonan-si, South Korea
Group Show, Timothy Taylor Gallery, London, UK
50th International Art Exhibition Venice Biennale, Biennale di Venezia - La Biennale di Venezia, Venice, Italy
Graphic Works from the Lopez Collection, Cirrus Gallery, Los Angeles, USA
Primal Screams and Songs, Museum of Contemporary Art - North Miami (MOCA), Miami, USA
Good News, Galleria Cardi, Milan, Italy
Group Exhibition, IKON Ltd, Santa Monica,USA
Rendez-vous #3, Collection Lambert, Avignon, France
DIE VÖGEL, Galerie Kühn, Berlin, Germany
Summer in the City, The Pace Gallery, New York, USA
MOCA - Selections from the Permanent Collection, Museum of Contemporary Art - North Miami (MOCA), Miami, USA
Hero, IKON Ltd, Santa Monica, USA
Silence / Violence, SCAI the Bathhouse, Tokyo, Japan
Pop Art & Co - Uniques, Graphics and Multiples, Burkhard Eikelmann Com, Dusseldorf, Germany
Mythic Proportions - Painting in the 1980's, Museum of Contemporary Art - North Miami (MOCA), Miami, USA
KölnSkulptur 2, Skulpturenpark Köln, Cologne, Germany
Around 1984 - A Look at Art in the Eighties, MoMA PS1, New York, USA
Art at Work: Forty Years of the Chase Manhattan Collection, Queens Museum of Art (QMA), New York, USA
The first view, Sammlung Essl - Kunsthaus, Klosterneuburg, Austria
Monsters of the '80s, Cornell Fine Arts Museum, Winter Park, USA
The American Century: Art & Culture 1900-2000 Part II, Whitney Museum of American Art, New York, USA
Summer 99, The Pace Gallery, New York, USA
17 Contemporaries: Artists from America, Italy, and Mexico—the Eighties, The Menil Collection, Houston, USA
Heads Up - Highlights from the Permanent Collection, Museum of Contemporary Art - North Miami (MOCA), Miami, USA
Dreaming II: Contemporary American Art and Ancient Korea, Akira Ikeda, New York, USA
Group Exhibition of Gallery Artists, PaceWildenstein, New York, USA
Cleveland Collects Contemporary Art, The Cleveland Museum of Art, Cleveland, USA
Art of Four Decades: 1958 – 1998, San Francisco Museum of Modern Art - SFMOMA, San Francisco, USA
Tillbaka till åttiotalet — redan? / Isn't It Too Early for the Eighties Yet? Rooseum Center for Contemporary Art, Malmö, Sweden
Exhibition of the century, Wellington City Gallery, Wellington, New Zealand
Pasajes de la Colección en Santa Fe y Granada, CaixaForum Barcelona, Barcelona, Spain
"Beyond Studio 54" Grafikarbeiten von Andy Warhol und Julian Schnabel Öffnungsze, Nikolaus Sonne Fine Arts, Berlin, Germany
Winter Group Exhibition, The Pace Gallery, New York, USA
A Lasting Legacy: Selections From The Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA
47th International Art Exhibition Venice Biennale / Biennale di Venezia, La Biennale di Venezia, Venice, Italy
Papiers Contemporains, Galerie Jérôme de Noirmont, Paris, France
A Benefit Exhibition for D.E.A.F., Inc. Nicole Klagsbrun Gallery, New York, USA
Tutti Questi Mondi, Galleria Carini & Donatini, San Giovanni Valdarno, Italy
22° Bienal de São Paulo, Bienal de Sao Paulo, São Paulo, Brazil
Nuevas adquisiciones de artistas extranjeros. Adquisiciones, donaciones y daciones. 1991-1994, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
1982-83, Ten Years After, Tony Shafrazi Gallery, New York, USA
Visiones paralelas, Artistas modernos y arte marginal. Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
Julian Schnabel, Francesco Clemente. Akira Ikeda, New York, USA
Group Show, Galerie Max Hetzler, Cologne, Germany
Slow Art/ Painting in New York Now, MoMA PS1, New York, USA
Allegories of Modernism, MoMA - Museum of Modern Art, New York, USA
Works on Paper, Jack Hanley Gallery, San Francisco, USA
Metropolis, Martin-Gropius-Bau, Berlin, Germany
Word As Image: American Art 1960–1990, Contemporary Arts Museum Houston, Houston, USA
La Collezione 88-90, Centro per l´Arte Contemporanea Luigi Pecci, Prato, Italy
Large Works on Paper, Center for Art and Visual Culture, Baltimore, USA
8th Biennale of Sydney 1990, The Readymade Boomerang - Biennale of Sydney, Sydney, Astralia
Basquiat — Schnabel, Rooseum Center for Contemporary Art, Malmö, Sweden
Les années 80 : à la surface de la peinture, Abbaye St André - Centre d'art contemporain Meymac, Meymac, France
Ross Bleckner, Albert Oehlen, Julian Schnabel, Galerie Max Hetzler, Cologne, Germany
What It Is, Tony Shafrazi Gallery, New York, USA
Group Exhibition, Richard Gray Gallery, Chicago, USA
75th American Exhibition, The Art Institute of Chicago, Chicago, USA
XIII BIENNALE DE PARIS, Biennale de Paris, Paris, France
Exhibition - Dialogue / Exposição – Diálogo, Centro de Arte Moderna – CAM, Fundação Calouste Gulbenkian, Lisbon, Portugal
The Heroic Figure, Contemporary Arts Museum Houston, Houston, USA
International Survey of Recent Painting and Sculpture, MoMA - Museum of Modern Art, New York, USA
Via New York, Musée d´art contemporain de Montréal, Montreal, Canada
The Meditative Surface The Renaissance Society at The University of Chicago, Chicago, USA
New Image/Pattern and Decoration from the Morton G. Neumann Family Collection, Smart Museum of Art, Chicago, IL, USA
Southern Fictions, Contemporary Arts Museum Houston, Houston, USA
Whitney Biennial 1983, Whitney Biennial, New York, USA
In Our Time: Houston's Contemporary Arts Museum 1948–1982, Contemporary Arts Museum Houston, Houston, USA
Zeitgeist, Martin-Gropius-Bau, Berlin, Germany
25th Anniversary Exhibition of Leo Castelli, Leo Castelli Gallery, New York, USA
The Americans: The Collage, Contemporary Arts Museum Houston, Houston, USA
New Paintings, Anthony d'Offay Gallery, London, UK
La Biennale di Venezia : Settore Arti Visive : 1982, La Biennale di Venezia, Venice, Italy
American Painting and Sculpture 74th Annual The Art Institute of Chicago, Chicago, USA
25th Anniversary Exhibition Leo Castelli Gallery, New York, USA
Group Show Mary Boone Gallery, New York, USA
New Work, Anthony d'Offay Gallery, London, UK
Group Show, Mary Boone Gallery, New York, USA
A new Spirit of Painting, Royal Academy of Arts, London, UK
Ross Bleckner, David Salle, Julian Schnabel. Mary Boone Gallery, New York, USA
Visionary Images, The Renaissance Society at The University of Chicago, Chicago, USA
Queensland Art Gallery, Australia
National Gallery of Australia, Canberra, Australia
Australian National Gallery, Canberra, Australia
Centre Georges Pompidou, Paris, France
Hamburger Bahnhof, Berlin, Germany
Neue Galerie - Sammlung Ludwig, Aachen, Germany
Ludwig Museum of Contemporary Art, Budapest, Hungary
Centro per l´Arte Contemporanea Luigi Pecci, Prato, Italy
Studio Esseci, Italy
Essl Museum—Kunst der Gegenwart, Klosterneuburg, Austria
Artsonje Museum, Gyeongju Bomun, Korea
Sonje Museum of Contemporary Art, Kyungju, Korea
Fondation Musée d'Art Moderne, Luxembourg
MUDAM - Musée d'Art Moderne Grand-Duc Jean, Luxembourg
Fundació Caixa de Pensions, Barcelona, Spain
Guggenheim Museum, Bilbao, Spain
Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
Kunsthalle Basel, Switzerland
Kunstmuseum Basel und Museum für Gegenwartskunst, Switzerland
Museu Colecção Berardo, Lisbon, Portugal
Albright-Knox Art Gallery, Buffalo, New York, USA
The Art Institute of Chicago, Illinois, USA
Austin Museum of Art, Texas, USA
The Broad Art Foundation, Santa Monica, California, USA
The Butler Institute of American Art, Youngstown, Ohio, USA
Columbus Museum of Art, Ohio, USA
Dallas Museum of Art, Texas, USA
Daum Museum of Contemporary Art, Sedalia, Missouri, USA
Des Moines Art Center, Iowa, USA
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C, USA
The Metropolitan Museum of Art, New York, USA
Milwaukee Art Museum, Wisconsin, USA
Museum of Art, Carnegie Institute, Pittsburgh, USA
Museum of Contemporary Art, North Miami, Florida, USA
Museum of Fine Arts, Houston, USA
The Museum of Modern Art, New York, USA
National Gallery of Art, Washington, D.C, USA
Paine Webber Collection, New York, USA
Philadelphia Museum of Art, Pennsylvania, USA
The Refco Collection, Chicago, USA
The Renaissance Society of The Univeristy of Chicago, Illinois, USA
Rivendell Collection, Richard and Marieluise Black Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, USA
Rubell Family Collection, Miami, USA
San Francisco Museum of Modern Art, San Francisco, USA
Whitney Museum of American Art, New York, USA
The Solomon R. Guggenheim Museum, New York, USA
Tate Gallery, London, UK
Fogg Art Museum, Harvard University, Cambridge, UK
Tokyo Metropolitan Art Museum, Japan
Yokohama Museum of Art, Japan
Kochi Museum, Japan


text:
Q: .ashx handler doesn't work I have plenty of handlers in my project, but now none of them work, they stopped work after I created a virtual directory in my application pool (godaddy servers).
I had to create a virtual directory because I had some configurations to make in the web.config file, (full trust), and for that I needed to have the project in a virtual directory, and it solved.
What can I do to solve this problem:
%@ WebHandler Language="C#" CodeBehind="login.ashx.cs"
   Class=".handlers.login" %>

Error:

Could not create type 'ProjectSeller.com.handlers.login'.

A: The solution is pretty simple, i had to place the handlers in an App_Code folder inside the virtual directory.

redpajama_set_name: RedPajamaStackExchange


I've always believed that the basics of financial and retirement planning are ridiculously simple. I blame the financial services industry for complicating things – perhaps to create a mystique around what we do.
Protect yourself from personal disasters that can crush your finances.
Thousands of books have been written that tout those three ideas.
When University of Chicago professor Harold Pollack interviewed award-winning financial writer Helaine Olen he made the suggestion that everything you need to know about personal finance could fit onto a single index card. To demonstrate, he scribbled a list of rules onto a four- by six-inch card.
The two then collaborated on a little book called The Index Card: Why Personal Finance Doesn't Have to be Complicated.
I appreciate simplicity and love the idea of a simple set of guiding principles. It can be far more effective than one of those monster financial plans of 20 or 30 pages that only engineers ever use.
Your personal card can include some basic principles such as my three numbered items above. Honestly, there's nothing magical about living below your means and paying yourself first? They're common-sense. The problem is that so few people actually do those things. Putting your principles onto a card and reviewing them periodically makes you accountable and more likely to achieve your goals.
What's your income and your monthly spending. Perhaps you already have a budget or at least you have your spending under control. Write down all of your debts, what they're for and the interest rates.
How is your retirement planning coming along? Are you on track?
What investments do you have and how are they managed? Have you considered the merits of RRSPs versus TFSAs and other means of investing? Is your investing automated so that your investments are made monthly from your chequing account – which discourages bad behaviour that can crush your investments?
The book advocates saving at least 10 per cent and perhaps up to 20 per cent of your income. This rule is huge but so few actually do it. Do this for many years and you should be more successful than 95 per cent of Canadians.
I'd say that for every five years that you delay you will need to increase your savings rate by two per cent. Don't wait; it's terribly destructive to your retirement planning.
The authors also strongly discourage people from owning individual stocks, which is much like gambling. They say that you should have insurance to protect against life's mishaps that can devastate your investments.
Pick this book up just for the advice on how to set up your own index card. It's $33 and money very well spent.
But create your own card. It's a summary of your goals and what you need to do to achieve them. It's important.
← Are you paying too much for auto insurance?
Nice one, Wayne, well said. Too many people in the industry want to make personal finance and investing complicated so the average person has to rely on their 'wisdom'.
The one thing I would add is keeping fees low- less than 1% total for advice as the effect of compounding over time can really eat into retirement savings.
The 3 points on the card are absolutely accurate, but very general.
If you google "cra bc income tax table", some interesting data are shown, that I think apply to item 2 on the list – Pay yourself first.
If your taxable income is up to $38,898, dividend income tax is -6.84% – that's a minus sign.
If you have a Margin account (not a registered account) with $2,000, you'll be able to buy a maximum of ±$3,500 if dividend paying stocks or funds.
Using TMXMONEY's dividend screener you can find funds that pay monthly dividends – try it, it's free and simple to use and understand.
Let's say you select a fund that pays 10%. You'll earn $350 in dividends, pay $75 in Margin interest (±5% on $1,500). Your portfolio will fluctuate just as all stocks or funds do. The important factor in the strategy is the income.
What to do with the income? Automatically re-invest the income which will cause the monthly dividend to rise every month and after (72÷10%) 7.2 years you'll likely have ±$7,000 generating ±$700 a month.
Is this guaranteed? It's a projection based on historical performance. If you don't do anything, the projection is you'll have $2,000 and be paying too much income tax, every year.
Remember the CRA table: you'll reduce your income tax when receiving dividends. Repeat: the government will reduce your income tax to receive dividends.
Not shown on the CRA table is that the interest expense to borrow to create income (carrying charges) is 100% deductible from your gross income and taxable income – just like your RRSP contributions are. If you put $2,000 in an RRSP, your income tax will be reduced by ±$400, once, and theoretically will reimburse it once you're retired. Within the RRSP you cannot borrow, so that you can have only $2,000 working for you.
•reduce your income tax every year by deducting the Margin loan interest every year.
You may have noticed that the Margin loan is never repaid and that the interest will grow every year. In (72÷5%) ±14 years, the interest will be $150 a year.
The only guarantee here is if you don't – don't do anything, you'll have $2,000 in 7 years and you'll be paying too much income tax.
A final point regarding the income tax saved. You could deposit it in a TFSA. This could be your emergency cash, or invest it to generate dividends.
RRSPs are touted as the retirement solution. This was true before the Internet, before readily available money managers offered their expertise by providing specialized funds to everyone, not just rich people.
Pay yourself first, rather than pay income tax.
I do follow all the three points you mentioned. It is simple. But, it needs a lot of discipline.
I grew up on a farm in the days when ChargeX was a new thing. There was one basic rule: if you don't have the cash, then you can't buy it. The farm was different, running on a line of credit. But to this day, it about kills me to put something on a credit card. And I think that TFSA is the best thing ever.
And don't forget to thank Justin for keeping it at $5500.
More to the point he reduced it from 10K down to 5.5K !


text:
Your Guide to the 2019 Formula One Season
Elizabeth Blackstock
This weekend heralds the kick-off of the 2019 Formula One season, and it's time to get back in the swing of watching beautiful race cars at ungodly hours of the morning! Whether you're a longtime fan who tunes out of the F1 circus during the off-season or a new fan interested in trying something new, we have you covered with all you need to know to get up to speed before cars hit the track on race day.
2019 wasn't one of F1's big rule change years, but it's had a good amount of alterations ahead of the official 2021 changes. This time around, The Powers That Be opted for some alterations that should enable better racing and more overtaking—something every race series could use more of.
Driver Changes
It's pretty difficult to make any predictions heading into this season because of how many driver changes have taken place over the off-season. I'll admit, one of my biggest pet peeves over the past few years has been the lack of new talent making its way into F1. Its teams must have been listening to my bitching into the blogosphere, because 2019's grid is a shakeup in the best possible way.
Check it out—six of the 20 drivers in 2019 didn't compete full-time in F1 the previous season. That in itself is exciting because we have no idea how some of these drivers will perform at the pinnacle of auto racing. Only eight drivers have remained in the same seat at the same team as 2018 shifts into 2019.
And that's not all. There have been some drastic driver shifts among the experienced drivers, too. Longtime F1 fans will notice that Alfa Romeo has swapped out Charles Leclerc for Ferrari's Kimi Räikkönen—which seems a little bit like a demotion for the Finnish driver (who, for his own part, seems to be enjoying life without Ferrari's politics).
Kimi Raikkonen Knows What He's Doing—Even When It Comes to Fixing F1 Seats
Kimi Raikkonen is a legend in the Formula One world for a reason. This is a man who just purely…
Daniel Ricciardo is saying goodbye to the increasingly-weird long-term relationship that was Red Bull Racing in favor of the surprisingly ambitious Renault. Meanwhile Pierre Gasly is moving up from Red Bull's junior Toro Rosso team to partner Max Verstappen at RBR proper. That means Toro Rosso's lineup is entirely different from 2018—rookie Alexander Albon is taking a stab at F1, and Daniil Kvyat is back for a second chance after, uh, a less-than-sparkling first chance.
Feel Vettel's Seething Rage After Kvyat Whacks His F1 Car Around Like A Pinball
Ferrari Formula One driver Sebastian Vettel's anger toward Red Bull driver Daniil Kvyat may have…
All these changes mean the grid is pretty much composed of wild cards—which promises to make for an interesting start to an unpredictable season.
Teams and Drivers to Watch
My money is on another Mercedes sweep this year, but it will be interesting to see how Ricciardo does at Renault, how young Leclerc does at Ferrari, and how Kubica does getting back into wheel-to-wheel F1 racing years after his grisly rally crash that nearly claimed one of his hands.
The first two practices for this season took place in the wee hours of the night, and Mercs topped both sessions, picking up right where they left off. But I'm thinking that the ever-emotive Valtteri Bottas might just be more competitive this year. He was one of the drivers suffering from the shitty weight regulations. Now that he can eat a sandwich again, I have a feeling he's going to become someone to watch.
That said, Red Bull and Ferrari are both going to be usual suspects this year, competing for a spot on the podium. Practice sessions have suggested that Red Bull might have the upper hand over Ferrari, as opposed to the 2018 season. Never count out Sebastian Vettel, though—if there's anyone who can pull max performance out of a car, it's the four-time World Champion.
What's Different This Year
More Overtaking
Several aspects of the aerodynamics of the car have been changed: front and rear wings, the barge board, and brake ducts.
Basically, both wings have been made wider, higher, and more simplified. This should make for closer racing. The simpler design means air is basically just directed straight into downforce. While some teams have complained that this is going to make for slower cars, testing has shown that any changes in speed haven't been noticeable.
It'll be a fun test this year to see if F1 as an organization can really do anything to make on-track action more exciting, or if the teams will engineer around the rules like always.
Drivers Can Eat Meals Again
In the past, an F1 car's weight was measured by weighing the car with the driver inside. That meant that taller, heavier drivers were at a disadvantage—they always had to stay slim, which was bad news for anyone who put on muscle or ate a meal during the season. Now, thankfully, drivers will be weighed separately of their cars.
This Man Is Too Fat For F1
Red Bull has reportedly ordered its new driver and total fatass Daniel Ricciardo to lose some…
The minimum weight of the car has increased from 1,616 lbs to 1,631 lbs, and drivers must weigh at least 176 lbs (including the seat and driving equipment). Any driver weighing less than 176 lbs will be required to add ballast to equal that weight, which can only be added to the cockpit.
Back to Basics... At Least For Tires... Kinda
Remember Pirelli's ridiculous tire naming system from 2018? The seven tires with absurd monikers like "hypersoft" and "superhard"? That's going out the window this season, as F1 aims to make things much simpler. Well... sort of.
Instead of one naming system with seven tire compounds, Pirelli has introduced two naming systems for 2019's five compounds! Bear with me here, this gets a little absurd.
Pirelli chooses three tire compounds for each race. These tires will be called "hard," "medium," and "soft"—which will be a relative distinction based on compounds, which is the second naming system. There are five compounds total, and outside of race weekends they'll be known as C1 through C5, with C1 being the hardest and C5 being the softest.
So, Pirelli will choose a set of three of those C compounds for the race. The hardest one of those is called "hard." The hard tire for one race might be the C1 compound while it could be C3 for another. Simplicity!
Pirelli Replaced Its Garbage Tire-Naming System in F1 With Another Garbage Tire-Naming System
Say goodbye to the days of "supersoft" tires and all of that junk in Formula One (officially, at…
You can find more information about the smaller rule changes here.
The Current Climate in F1
The biggest talking point ahead of this season is Charlie Whiting's death, which happened very unexpectedly this week.
Whiting was Formula One's race director for 22 years—an entire lifetime of watching F1 for some fans, including myself. Whiting had been part of the F1 circus since 1977 when he joined the Hesketh team doing grunt work. Whiting has also been responsible for the implementation of the safety measures that have saved the lives of drivers.
His death was quite sudden—Whiting was already in Australia ahead of the season opener and had even accompanied Sebastian Vettel on part of the Ferrari driver's track walk on Wednesday, as reported by Motorsport.com. His shoes will be difficult ones to fill.
Charlie Whiting, Formula One Race Director, Dies At 66
A statement from the FIA this evening has confirmed that Formula One race director Charlie Whiting…
And then there's the usual drama. Liberty Media—F1's owners for the past two seasons—have been looking for ways to make the racing much better. That's where this season's aero changes have come from.
But one of the big controversies in the paddock has been over something called the Concorde Agreement. Basically, it negotiates each team's pay and has historically played favorites, giving certain teams more money no matter what their performance. Liberty has been talking about establishing equitable pay for each team with bonuses awarded for performance—alongside budget caps, so teams can only spend a certain amount of money developing their cars.
Why Red Bull Racing Is Threatening to Leave F1, Again
It seems like Red Bull Racing threatens to leave Formula One at least once a season. When things…
The teams who have been benefiting from the previous Concorde Agreement aren't particularly pleased with that news. Having lots of money to throw around is pretty great—and Red Bull Racing is already threatening to leave if budget caps are implemented.
There has also been some wild sponsorship controversies this season. Ferrari's thinly-veiled tobacco sponsorship has already backfired, with Mission Winnow being removed from the car before the car even hit the track for first practice.
Williams Racing has lost its iconic Martini alcohol sponsorship, instead taking on a "global communications company" as their title sponsor.
And then there's Haas, which has adopted Rich Energy as their title sponsor. What the hell is Rich Energy? Word on the street is that it's an energy drink company seeking to rival Red Bull, but it's been notoriously difficult to actually find a product outside of the company's website or Amazon UK.
If you're in the United States, you're in luck. All the races will be broadcasted on ESPN or ESPN2 throughout the season. We'll keep you updated every weekend with our motorsport roundup, but you can view the whole F1 season TV schedule here.
Rejoice, for ESPN Will Do Commercial-Free F1 Races Again This Season
When ESPN said it would show the rest of the 2018 Formula One season without commercials after its…
For those of you in the UK, you can tune into Sky Sports or Channel 4 for each race.
And then there's F1 TV, the series' official streaming service—which comes at a price ($36.99 a year or $3.99 a month) but includes replays of every F1, F2, F3, and Porsche Supercup session.
Correction: An earlier version of this story featured a chart with incorrect engine-team matchups. It has since been fixed. We regret the error.

redpajama_set_name: RedPajamaCommonCrawl


text:
A Review of Driver Genetic Alterations in Thyroid Cancers
Document Type : Review Article
Fatemeh Khatami 1
Mohammad Tavangar 2
1 Chronic Diseases Research Center, Endocrinology and Metabolism Population Sciences Institute, Tehran University of Medical Sciences, Tehran, Iran
2 Dept of Pathology, Dr. Shariati Hospital, Tehran University of Medical Sciences, Tehran, Iran
https://doi.org/10.30699/ijp.13.2.125
Thyroid cancer is a frequent endocrine related malignancy with continuous increasing incidence. There has been moving development in understanding its molecular pathogenesis recently mainly through the explanation of the original role of several key signaling pathways and related molecular distributors. Central to these mechanisms are the genetic and epigenetic alterations in these pathways, such as mutation and DNA rearrangements. That does not mean, however, that all the somatic abnormalities here in a cancer genome have been involved in development of the cancer and just driver mutations are concerned in tumor initiation. By way of illustrations, MAPK pathway which is motivated by BRAFV600E and RAS and RET / PTC rearrangements are suggesting driver genetic alterations in follicular derived thyroid cancers which are considered in this review.
Thyroid carcinogenesis is a complicated process in which various genetic alterations happen. All these genetic mutations and rearrangements are not equally important, because some of them are driver mutations and the others are passenger mutations. The focus of this review is over the most important driver mutations in follicular derived thyroid cancers.
BRAFV600E
MAPK pathway
RET / PTC rearrangements
RAS mutations
Biology & Genetic
Receive Date: 30 August 2017
Revise Date: 07 October 2017
Khatami, F., & Tavangar, M. (2018). A Review of Driver Genetic Alterations in Thyroid Cancers. Iranian Journal of Pathology, 13(2), 125-135. doi: 10.30699/ijp.13.2.125
Fatemeh Khatami; Mohammad Tavangar. "A Review of Driver Genetic Alterations in Thyroid Cancers". Iranian Journal of Pathology, 13, 2, 2018, 125-135. doi: 10.30699/ijp.13.2.125
Khatami, F., Tavangar, M. (2018). 'A Review of Driver Genetic Alterations in Thyroid Cancers', Iranian Journal of Pathology, 13(2), pp. 125-135. doi: 10.30699/ijp.13.2.125
Khatami, F., Tavangar, M. A Review of Driver Genetic Alterations in Thyroid Cancers. Iranian Journal of Pathology, 2018; 13(2): 125-135. doi: 10.30699/ijp.13.2.125


Harry Allen's New Issue Distribution Service offers customers – both the trade and collectors – an opportunity to receive newly issued stamps and philatelic products from every stamp issuing country in the world. We represent some of the globe's largest postal administrations as agents, including Australia Post, An Post, New Zealand Post, Canada Post and the United States Postal Service. We are the exclusive distributor for CASCO Philatelic Services (formerly the Crown Agents Stamp Bureau). In total, we represent approximately 80 countries in this privileged way.
Harry Allen's standing order service for both the trade and collectors – can be tailor-made to each customer's requirements. In addition to our complete range of countries we have a comprehensive list of thematics available for separate order. We have no minimum order quantities either by country or by theme, ensuring complete flexibility on each individual standing order.


text:
Movies End Of A Gun - Steven Seagal, Jade Ewen (completed)
Thread starter Martin01
Tags 2016 end of a gun keoni waxman
DiDa said:
Title will probably change into The Exchange.
Source? That's the name of the production company.
Martin01 said:
Sorry, my bad. Changed the thread.
This is strange. It seems that Seagal already left Romania and that he is in Moscow again. He had a meeting there on Sept 1 with Fred Durst (Limp Bizkit):
Jonathan Rosenthal is also starring in End Of A Gun:
http://www.imdb.com/name/nm5555537/?ref_=fn_al_nm_1
Seagal is also giving a masterclass in Russia on September 4. I don't understand this. End Of A Gun is shooting and Seagal was 2 days on set. Maybe he isn't the lead? Or is he just in Russia for a few days and will return to Romania after the masterclass? Don't know what to make of it...
Lauro Chartrand just confirmed to me that he and his crew are NOT involved in End Of A Gun.
JoeDirt
I think he will go back. It's not a long trip to Russia from Romania I guess so it's a quick sidejob for him.
Allthough it wouldn't surprise me if he is done filming, since he's done a lot of these short gigs recently where he comes in and films for a couple of days and goes home.
Either way judging from the synopsis I am expecting him to have like 50% screentime in the movie. It's clearly structured in a way where his character can sort of appear and disappear every now and then, and in the meantime they'll be focusing on the cop character who's after him.
Sort of like Maximum Conviction.
When was the last time Seagal was legitimately the lead in a movie? Even though the movies sucked, at least in the past he was always the lead and had plenty of screentime in his DTVs, but they've been bait and switching us in recent years where they tell us Seagal's the main guy when he's clearly not, like in Force of Execution where it switched from Seagal being the main guy, then that Foster kid and then Danny Trejo, and in the end it was just a confusing mess of a movie.
From Castel Film Studios, 2 pics of End Of A Gun:
Likes: Administrator, Kotegashi and SimonLustenberger
SimonLustenberger
Thanks DiDa. Great Pictures. I hope the movie turns out as good as ABSOLUTION.
Just been in contact with Castel Film Studios . They confirmed that Steven will return to Romania for the rest of his scenes. They shot the other scenes last week (where Steven wasn't needed), while Steven was in Moscow.
Likes: Administrator, bwana-beast and Mason
Florin Piersic JR ( who plays Salazar in the movie Killing Salazar) is also in End Of A Gun. He plays a gangster boss.
http://www.imdb.com/name/nm0682725/?ref_=tt_cl_t8
Likes: Administrator and bwana-beast
Nathan Wilson is the DOP on End Of A Gun.
Keoni Waxman is the guy standing with the white T-shirt.
The crew was at the Black Sea for 2 days. Don't know if they are shooting there for the movie or that they had a day off....
A lot of pics from the crew:
At the right you see Chris Whitelaw again. He was Seagal's fight double in Killing Salazar. I don't know what his role in the production of End Of A Gun is.


text:
House main page
Before - After
Liberty Products
Rooms main page
Rooftop Suite
Places to see main page
Gallery main page
LIBERTY-Videos
LIBERTY-Song
LIBERTY newspaper
LIBERTY flyer
Restaurant main page
Gourmet-Breakfast
Bar & Wine cellar
Conferences & parties
Conferences & parties main page
Wellness main page
Events main page
Events Availability
IN THE HEART OF THE BLACK FOREST
There's scarcely any city centre hotel that's easier to find than LIBERTY in Offenburg, Baden, the gateway to the Black Forest. That's because, between Alsace and Weinbergen, many roads lead to us. The nearby motorway, a railway station with inter-city connections and no fewer than three airports make getting here child's play.
As soon as you take the motorway exit for Offenburg (A5 Basel / Freiburg), follow the signs for B33a/B33 towards Offenburg. After around two kilometres, take the first exit at the roundabout and drive on at the subsequent traffic lights towards the city centre. This road continues for around 500 metres and then bends to the right to become the Grabenallee, which is where you will find LIBERTY after a few metres on your right.
If you need any assistance planning your route or updated information, we would be more than happy to help.
Refueling at our electric filling stations.
Arriving by train
It really couldn't be easier - after alighting in Offenburg and exiting the station on the left via the main entrance (towards the city centre), follow the main road for a good kilometre. You then turn left just after the end of the pedestrian area towards the Grabenallee and follow this for around 250 metres.
Arriving by air
The Baden Airpark near Karlsruhe is around 35 minutes' drive from Offenburg (from the airport, take the A5 towards Freiburg). Basel / Mulhouse airport is around 60 minutes away from LIBERTY (take the A5 from the airport towards Freiburg / Karlsruhe). Strasbourg airport is around 45 minutes' drive from LIBERTY (from the airport, take the B28 towards Offenburg).
We will be more than happy to assist you with any further travel plans.
What Liberty offers you
Phone: +49 781 / 289 530 00
E-Mail: info@hotel-liberty.de
Lunch: Mo-Fr from 12 a.m. - 2 p.m.
Dinner: daily from
5:30 p.m. - 10 p.m. (October - May)
6:00 p.m. - 10 p.m. (June - September)
Daily from 6:30 a.m. - 11 a.m., on weekends 7:30 a.m. - 2 p.m.
Friday & Saturday from 6 p.m - midnight
Check-In: 3 p.m. / Check-Out: 11 a.m.
Hardly one hotel is easier to find than the LIBERTY in Offenburg.


The OrderReport demo is the standard Genero Report Writer demo. Each language supported by Genero Report Writer provides its own version of this demo. For a general understanding of the demo functionality, see The OrderReport demo.
The OrderReportCSharp demo is the C#-specific version of the OrderReport demo. This topic covers details specific to this C# version of the demo.
The project workspace is named OrderReportCSharp.4pw. You can access the project from the Tutorials & Samples tab, located on the Welcome Page.
Contains the Main module for the .NET application. This module creates an instance of the selection form and starts the run of the application.
To view Web reports, a Web server is required. To meet this requirement, we provide this single-file "mini Web server" for the viewing of Web reports in a demo environment. It handles HTTP requests from the Web Report Viewer.
Retrieves the data and outputs it to the Report Engine.
Uses Reporting Runtime API functions to load the original settings from the form definition file (.4rp) and to make any changes to those default settings, based on the user selection in the form.
One of the data sources of the report. The implementation of the report data model using JDBC with a MySQL officestore database.
The abstract class that describes the report data model.
This file handles the initialization of the form and the interaction of the user with the form, eventually calling the runReport method of the OrderReportCSharp class.
This file holds the demo form's layout information.
The report design documents are common to all flavors of the OrderReport demos. See OrderReport demo reports.


text:
Somewhere In England CD
Initial UK Release Date 1 March 2004
Initial UK Catalogue Number Dark Horse/Parlophone/EMI 5940 882
Weeks On UK Chart (to date) 4
Originally released on 5 June 1981 in the UK and 1 June 1981 in the US, Somewhere In England spent four weeks in the UK charts peaking at number 13 whilst in the US it managed to climb to number 11.
Recording originally took place at Friar Park between March and October 1980 but the results submitted to Warner Bros were rejected for not being commercial enough, along with George's idea for the record cover which was his head superimposed onto a map of Britain (later used for the 2004 remastered reissue). Recording therefore resumed in November 1980 with four of the original tracks, Tears Of The World, Lay His Head, Flying Hour and Sat Singing, being dropped to be replaced by Blood From A Clone, Teardrops, That Which I Have Lost and All Those Years Ago. Ironically, Blood From A Clone is George's attack on the executives who rejected his original album submission.
During the second bout of recording between November 1980 and February 1981 the murder of John took place and George, as a tribute, re wrote the lyrics to All Those Years Ago (the original version was written for Ringo to record). Ringo plays drums on the track and Paul and Linda, along with Denny Laine, provide backing vocals. Other musicians to appear on the album include Gary Brooker, Jim Keltner and Herbie Flowers.
It received it's initial official release on CD in the UK when a newly remastered version was released on 1 March 2004 on Dark Horse/Parlophone/EMI under UK catalogue number 5940 882 with international catalogue number 7243 5 94088 2 8. This release contained a demo of Save The World as a bonus track. George's original artwork was restored to provide the cover for this release though the four rejected tracks weren't. It could either be bought seperately or as part of the Dark Horse Years 1976-1992 box set.
The initial US CD release was on 11 June 1991, on Dark Horse/Warner Bros under catalogue number 9 26614-2. It contained the same tracks as the original vinyl release and carried the same cover. This was followed by the 2004 remastered version around the same time as the UK release on Capitol under catalogue number CDP 7243 5 94088 2 8.
I have one copy on CD which can be found in my Dark Horse Years 1976-1992 box set here.
Tags: album, CD, Dark Horse, Harrison


text:
Where are Detroit's Sugar Daddies Now?
by Jason Singer
When Detroit has two billionaire sugar daddies, how could it possibly go bankrupt? With One-Percenters like Mr. Basketball and Mr. Baseball/Hockey buying up Detroit faster than the Vatican pays hush money, you'd think Detroit's pimps' wallets were just too big to fail.
But somehow they did.
A sugar daddy is like a genie — if a girl rubs his lamp, he will spew out wishes. So, clearly Motown's first problem is learning how to please its masters; nothing a little lube and tax cuts can't fix.
Sure, many say that Detroit is much better off now than where it was 10 years ago, but then it didn't declare bankruptcy 10 years ago did it?
Basketball and Baseball putting so much faith in Motown is sort of like when you root for the one-legged Olympian just because he is the underdog and it seems socially and morally correct. And it isn't until that Olympian allegedly shoots his girlfriend that you realize you made a mistake.
And, before all you haters out there send death threats just because I made a realistic criticism of Detroit, stop mixing the Ricin and hold off a minute.
I, too, used to advocate the premise of what a "fantastic and misunderstood" city we live in. Detroit is rooted in cultural and economic breakthroughs that laid the foundation for the automotive industry and had a profound influence on the music industry.
It is safe to walk out at night and grab a drink with friends. With numerous small businesses and restaurants popping up across the city, it's hard not to feel excited about living in a place slowly rising back to the top.
But, of course, reality set in as soon as the judge's gavel struck wood and bankruptcy was no longer just a looming threat.
For starters, the population needs to stop electing Class One Morons who claim to be politicians when they are just criminals — in rented suits. Greeters at Walmart could run this city better.
Sure, Detroit is better than say Kabul, or Cairo. However, that doesn't mean its exempt from being behind other cities and states even as close as Grand Rapids. That is a story of a city that was going to shit, elected people with an IQ, and turned its piss into lemonade.
Detroit is a great city. Where else can you buy up real estate for a few pennies, get tax breaks on it, and claim to be a billionaire savior of a poor city when you are making money by being 'charitable'? Where else can you see dried blood splattered on Grand River — right across from the Puppet Theatre — with a policeman standing next to it harassing a drunken homeless man. (If you doubt me, go check out the stains on the concrete). Where else can you get elected to public office and make seven figures by smuggling funds that should go to schools, but go to your stripper's trust fund instead?
If bankruptcy holds up in court then it doesn't look good for Detroit. The homeless man will have a better credit score than the city!If I hear one more positive thing about Detroit's Sugar Daddies I am going to puke up some blood splatter of my own. Going Bankrupt when you have a rich pimp propping you up is akin to drowning while wearing a life vest. If Baseball and Basketball are such angels, why don't they toss a few million into the public schools and give kids an education they deserve? Or a couple mil to the police force to hire new cops and working equipment, so they can do the job they agreed to: Protecting the public.


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Q: How would I be able to connect a local SQL database to the internet/ be internet-accessible? You may think this is a stupid question -- I'm not a computer science major by any means --- but say I want to play around with SQL Server Express (free edition).
Once I install it on my local machine, how would I be able to play around with it using remote/ web-based programs?
Like, as far as I know, I usually have to enter login/ hostname/ IP credentials to connect to a web-based SQL database. For a local machine, how exactly would this work? How would I "host myself" and connect my local machine to the internet (mostly just the database) -- I guess is the question here. Thanks!

A: Note: Assuming that you want to experiment and learn the server hosting.
If your machine is already connected to the Internet, then find out the public internet IP address of your machine, by typing 'find my ip' in your browser google.com page.
Option 1
1) If you want to access your machine from some other machine, then based on O/S of your local machine, enable the remote access and adjust firewall settings.
2) Use the IP address/Local user credentials to login to the machine and now you can access anything on that machine as If you logged in locally.
Option 2
1) Use the IP address, Port and Credentials of the Database to access it from a different machine using the third party tool like Toad, squirrel etc...
2) Same IP, Port and Credentials can be used by any applications to update your database.
but you need to adjust your firewall and remote access settings before you do that.

A: To do this, you would have to port forward the port you want to connect with (this depends on your router, I recommend checking for your router manual online). Then, when you connect from the Internet, replace "localhost" with your external ip (found using WhatsMyIP or similar on your local machine).


How did the Red Devils in Russia find themselves on RTBF set during the World Cup?
This summer a theme parc dedicated to Spirou opened in South of France. One of the most popular attraction of the parc presents Gomer Goof through its own world in Virtual Reality. A sensation experience that makes us discover or rediscover Gomer Goof's World and its famous characters.
DreamWall created the virtual set of the tv magazine "Questions à la Une" in Belgium. Complete virtual environnement composed with Unreal Engine in a virtual studio equipped with Reality from Zero Density.
2 awards at IBC for Zero Density !
DreamWall partner of "Envoyé Spécial" on France 2 !
Right after « Presidential elections nights » on France 2, our next virtual studio project will be held with wellknown news show « Envoyé Spécial ».
Little Furry, the end !
We just celebrated the end of Little Furry (78 x 7′ – Dupuis Audiovisuel/Belvision).


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Askhat Shakharov (; born 3 October 1978) is a Kazakhstani judoka. He competed in the men's lightweight event at the 2000 Summer Olympics.

References

1978 births
Living people
Kazakhstani male judoka
Olympic judoka of Kazakhstan
Judoka at the 2000 Summer Olympics
Judoka at the 2002 Asian Games
Asian Games competitors for Kazakhstan
20th-century Kazakhstani people
21st-century Kazakhstani people

redpajama_set_name: RedPajamaWikipedia