The eight members of the first team are nominees for the girls basketball player of the year. The winner will be announced on May 31 at the fourth annual Tennessean Sports Awards presented by Farm Bureau Health Plans.
Why chosen: The 5-foot-7 Carter averaged 18.7 points, 7.5 rebounds, 3.7 assists and 2.5 steals. She was the District 8-AA MVP.
Why chosen: Harmon, a 5-foot-9 UAB commitment, averaged 17.3 points, 5.6 rebounds, 3.0 assists and 3.0 steals this past season.
Why chosen: Hoosier, a 5-foot-6 guard, led the Lady Buccaneers to District 9-AAA regular season and tournament titles, averaging 15.1 points, 3.2 steals and 2.5 assists.
Why chosen: The 6-foot-1 Palmer averaged 18.9 points and 7.8 rebounds for the Class AAA state quarterfinalists.
Why chosen: The Division II-AA Miss Basketball averaged 18 points, 10 rebounds and four steals for the state champion Lady Tigers.
Why chosen: The 5-9 Class A Miss Basketball finalist averaged 21.3 points, six rebounds, six assists and 4.5 steals for the state runner-up Lady Mustangs. She was named the Class A state tournament MVP.
Why chosen: The 5-10 Trevecca signee averaged 18 points, eight rebounds and four steals for the District 11-AAA regular-season champion. She was also the league's MVP.
Guard: Grace Baird, Nolensville, Jr.
Guard: Maggie Brown, Brentwood Academy, Jr.
Guard: Alasia Hayes, Riverdale, Jr.
Guard: Sydnee Richetto, Wilson Central, Sr.
Guard: Sydney Ryan, Franklin, Fr.
Forward: Abbi Douglas, Cheatham County, Sr.
Forward: Kaiya Wynn, Ensworth, So.
Center: Yaubryon Chambers, PCA, Sr.
Why chosen: Cheatham County finished 31-3 and defeated Westview 43-40 in the Class AA girls basketball state championship. It marked the first TSSAA team title in any sport for a Cheatham County school.


Roughly 200 US Marines stationed on the southern Japanese island of Okinawa have deployed to Pakistan to help with that country's recovery following the devastating earthquake that struck there a month ago, killing some 87,000, a spokesman said Friday. The Marines flew out of Kadena Air Base on Okinawa aboard a commercial airliner late Thursday, said 2nd-Lt. Clinton Gebke, a spokesman for the 3rd Marines Expeditionary Unit. The length of their humanitarian mission had not yet been determined, though it was expected to continue until the Pakistani government could handle the efforts alone.


A couple of days ago, the Washington Post ran a long profile of a school shooter. As you might expect, it is utterly chilling.
A few things stick out. First, that for a certain sort of person, this is a cognizant and uninterrupted game, not a momentary psychotic break. It is common for would-be school shooters to idolize the perpetrators of the massacre at Columbine — and to plan their attacks as assiduously as did they — and the person the Post features was no different. Moreover, he didn't just admire the Columbine killers; he wanted to beat them, and the others that they inspired, as if he were playing a video game. This idea came from somewhere, and it will be difficult to rid ourselves of it now that it's out of the bag. We have a copycat problem in this country — and worldwide — and it'll be tough to stop with laws.
The third is that the shooting in question ended when the gun jammed, rather than because the perpetrator was finished. Mercifully, this happened to the Post's shooter just 12 seconds after he had started, the result being that he killed one person, and not the 150 he hoped to kill. In Parkland, alas, the gun jammed later, and the casualty count reflected that. The Post strongly implies that things would have been much worse had its profiled shooter had the Mini-14 "assault weapon" he coveted but couldn't find, but I'm not sure that follows. The worst school shooting in American history, at Virginia Tech, was carried out with handguns, not a rifle; and besides, "high-capacity" magazines of the sort often put into modern sporting rifles are in fact more likely to jam than are smaller variants. Either way, the interview should remind us all what we're up against. Rare as they may be, these are not crimes of passion. They are carefully planned attacks, with their own rules and internal logic. They will not be stopped by waiting periods, age limits, or background checks. They will not be prevented by tinkering around the edges with the gun laws (which, rhetoric notwithstanding, is the only option in a country with almost 400 million privately owned guns). They will not be stopped by marches. This is going to require a lot of thought.


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redpajama_set_name: RedPajamaGithub


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The first book in my Real Men series, REAL MEN DON'T BREAK HEARTS, is only 99 cents for a short time only (for US residents only, I'm afraid). I have a soft spot for this book. Ally and Nate are one of my favourite couples!
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Viet Nam crush Iran in Asian Games
Viet Nam's U23 football team sent shock waves across the football competition at the 2014 Asian Games yesterday.— Photo kienthuc
HCM CITY (VNS) — Viet Nam's U23 football team sent shock waves across the football competition at the 2014 Asian Games yesterday.
They convincingly defeated four-time champions, Iran, 4-1 in Incheon City in their opening match of Group H.
Defender Vo Huy Toan put Viet Nam ahead after 23 minutes. Striker Mac Hong Quan scored the second five minutes later to double the lead for the country, which has never won the competition.
Captain Mohsen Mosalman pulled back one goal for Iran with a successful conversion from a penalty kick, but attacking midfielder Tran Phi Son quickly restored the lead with a crisp shot from the edge of the box.
Captain Ngo Hoang Thinh killed off four-time champions Iran when he scored from a direct kick just five metres from the goal line. This followed a mistake by goalkeeper Hojjat Sedghi, who used his hands to control a back pass from his teammate.
The win all but secured Viet Nam a place in the knockout stage when the team will take on the remaining team of a three-team group, Kyrgyzstan, on September 22, at the same venue.
Heading into the match as the underdogs, Viet Nam opted to play a defensive game with a low formation. The obvious intention was to catch the opponents off guard on the quick counter attacks.
The plan paid off when the Vietnamese side succeeded in taking advantage of space left behind by an Iranian side who committed many players up front, looking for an easy win.
In a quick attack, Quan raced forwards and passed the ball to Toan, who easily got past an Iranian defender before finding the back of the net to open the scoring.
Five minutes later, the provider Quan turned scorer when he dribbled past two Iranian defenders before sending keeper Sedghi in the wrong direction to score and double the advantage to 2-0. At half time, the score had not changed.
Iran came out as the better team in the second half and enjoyed more possession and created more chances. However, they failed to find the back of the net until after the hour mark.
Goalkeeper Tran Buu Ngoc got off the line to prevent a long ball, but he then made a clumsy challenge on Sharifi in the penalty area at the 63rd minute. The referee gave a penalty kick and Moshalman reduced the deficit to 2-1.
Iran's joy, however, was short lived when Son burst forward to the penalty area. Quan placed the ball on the edge of the goal box and Son drove the ball home with a low shot to restore the lead.
In the 80th minute, the referee awarded Viet Nam a direct kick just five metres from goal. Captain Thinh scored to make it 4-1.
Four minutes from the end, Iran were reduced to 10 men when Khanzadehdaraby Mohammad Reza was sent off after receiving a second yellow card when he floored Quan. With a one player lead over Iran, the Vietnamese side easily held on. — VNS
Striker Huỳnh Như, born to play football (January, 22 2020)
Liêm to compete in Gibraltar Masters 2020 (January, 21 2020)
Hải and Hậu up for Golden Ball award (January, 20 2020)
Ronaldo double pulls Juventus clear as Inter stalled in Lecce (January, 20 2020)
Osaka gets Australian Open started after smoke fears ease (January, 20 2020)
Vietnamese badminton legend Minh aims to take part his fourth Olympics (January, 20 2020)


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Abstract: Objective To offer recommendations on identification of disease progression, treatment management strategies, and suggestions on timing of initiating and discontinuing specific castration-resistant prostate cancer (CRPC) treatments. Materials and Methods The Prostate Cancer Radiographic Assessments for Detection of Advanced Recurrence II Working Group convened to provide guidance on sequencing, combination, or layering of approved treatments for metastatic CRPC based on available data and clinical experience. Results A consensus was developed to address important questions on management of patients with metastatic CRPC. Conclusion In the absence of large-scale clinical trials, the Working Group recommends that patients may best be managed with a layered approach of approved therapies with unique or complimentary mechanisms of action. © 2017 Elsevier Inc.


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text:
Sierra Club: No on LV
Damien Newton
It's getting crowded on the "No on LV" bandwagon.
Earlier today, The Sierra Club has announced its opposition to Measure LV Sunday. The Sierra Club joins what Santa Monica Forward's "No on LV" committee is calling the broadest coalition ever in Santa Monica history which has come together to oppose Measure LV which will be on the ballot this November.
Measure LV was brought to the ballot by a signature gathering campaign by the no-growth advocacy group Residocracy. It would require a citizen's vote on nearly all developments that are more than two stories (32 to 36 feet) and major repairs or remodels on existing buildings above that height threshold. It also fails to exempt hospitals, schools, fire stations, nonprofits, and other vital institutions. Whether it's the intended goal or not, critics of the proposal fear it would end the already-slow growth of housing stock.
"The Sierra Club, to fight sprawl, has for decades supported urban policies that encourage in-fill development to build cities that are livable and sustainable. In particular, the Club supports urban housing development. After research and analysis of Measure LV, the Club found that it was inconsistent with the Club's policies," writes Frank Gruber*, Vice Chair of the Sierra Club Angeles Chapter Political Committee.
Next Sponsor
The Sierra Club joins fellow environmental group the Los Angeles League of Conservation Voters and other organizations including League of Women Voters of Santa Monica, UNITE HERE Local 11, Clergy and Laity United for Economic Justice (CLUE), and Santa Monica's police officers and firefighters, the Chamber of Commerce, and the Los Angeles County Democratic Party.
You can see a nearly complete list of supporters and opponents to LV at the respective websites.
* – And Santa Monica Next Contributor
Previous articleReducing Its Footprint, Santa Monica Is a Leader in Fighting Climate Change
Next articleSanta Monica's Hotels Fund City Services Without Much Development
Damien is the executive director of the Southern California Streets Initiative which publishes Santa Monica Next, Streetsblog Los Angeles, Streetsblog San Francisco, Streetsblog California and Longbeachize.
Streetsblog Los Angeles Reviews Community Corp and the State of Affordable Housing in Los Angeles


text:
'Ida Red' With Josh Hartnett, Frank Grillo And Melissa Leo Asks: What if 'Animal Kingdom' But Dumb And Oklahoman? [Locarno Review]
Jessica Kiang
Marvel Downplay Dave Bautista's Claim He "Wasn't Asked" To Be In 'What If…?' & Says "Multiple" Animated Shows In Development
'Brand New Cherry Flavor': Netflix's Horror Series Tries To Comment On The Seedy Nature Of Hollywood & Comes Up Short [Review]
Marya E. Gates
'What If…?' Creators Talk Diving Into The Marvel Multiverse, Collaborating With MCU Filmmakers & More [The Playlist Podcast]
Charles Barfield
'Prisoners Of The Ghostland' Trailer: Nic Cage Stars In Sion Sono's English-Language Debuting In September
Ned Booth
'The Other Two' Season 2 Trailer: HBO Max's Acclaimed Comedy About Struggling Siblings Returns In August
Valerie Thompson
'What If…?': Marvel Remixes MCU Origin Stories From A New, Entertaining Perspective But Needs More Divergence [Review]
'Nine Perfect Strangers': A Near-Flawless Cast Overcomes Shoddy Writing In This Enjoyable TV Vacation [Review]
'Respect': Jennifer Hudson Can't Make This Formulaic Musical Biopic Truly Sing [Review]
Jason Bailey
'Free Guy:' Ryan Reynolds Excels In This Heartfelt, Hilarious Action-Comedy [Review]
Robert Daniels
11 TV Shows To Watch In August: 'Nine Perfect Strangers,' 'Reservation Dogs,' 'What If?' & More
Ally Johnson
13 Films To Watch In August: 'Suicide Squad,' 'Candyman,' 'Coda' & More
'Clickbait' Trailer: Zoe Kazan, Betty Gabriel & Adrian Grenier Star In Netflix's New Mystery Series
Kate Winslet & 'Mare Of Easttown' Writer Brad Ingelsby Have Already Talked About Season 2 Ideas
2021 Emmy Awards Ceremony Moving Outdoors To LA Live Event Deck
Gregory Ellwood
Matthew Rhys Talks 'Perry Mason,' Being Handpicked By Robert Downey, Jr., & More [The Playlist Podcast]
Mike DeAngelo
Susanna Fogel Revisits 'The Flight Attendant' As She Preps 'Cat Person' [Interview]
Zazie Beetz & Winston Duke Talk 'Nine Days' & A Potential 'Deadpool'/'Black Panther' Crossover [The Playlist Podcast]
James Laxton On Taking 'The Underground Railroad' & A 'Lion King' Prequel [Interview]
James Gunn Talks 'The Suicide Squad,' 'Peacemaker' & Reinventing Task Force X [The Fourth Wall Podcast]
Griffin Schiller
Mike White's 'The White Lotus' Renewed For Season 2 By HBO With A New Cast & New Locale
'Chapelwaite': A Stephen King Short Story Is Stretched To Death In This Tedious Limited Series [Review]
James Gunn Reinvents 'The Suicide Squad' By Giving DC's Misfit Losers A Dose Of Humanity [The Playlist Podcast]
'Loki' Writer Michael Waldron Talks Marvel, 'Doctor Strange 2,' 'Heels' & 'Star Wars' [The Playlist Podcast]
'Ghost World' At 20: The Vicarious Thrills Of Personal Ad Movies [Be Reel Podcast]
Chance Solem-Pfeifer
'The Mad Women's Ball' Trailer: Mélanie Laurent Writes, Directs & Stars In New TIFF Period Drama
'Ema' Exclusive Clip: Pablo Larraín Returns With A Chilean Drama About Dance, Desire & The Modern Family
Nicole Kidman Went Method For 'Nine Perfect Strangers': 'I Am Batsh*t Crazy' [TCA]
Selena Gomez Now Has Two Crazy Uncles Thanks To 'Only Murders in the Building' [TCA]
Did The 2022 Oscar Season Kickoff In Cannes With 'Titane'? Well…
'Ida Red' With Josh Hartnett, Frank Grillo And Melissa Leo Asks: What if 'Animal Kingdom' But Dumb And Oklahoman? [Locarno Review]
Marvel Downplay Dave Bautista's Claim He "Wasn't Asked" To Be In 'What If...?' & Says "Multiple" Animated Shows In Development
'Brand New Cherry Flavor': Netflix's Horror Series Tries To Comment On The Seedy Nature Of Hollywood & Comes Up Short [Review]
'What If...?' Creators Talk Diving Into The Marvel Multiverse, Collaborating With MCU Filmmakers & More [The Playlist Podcast]
'The Boy From Medellín': Matthew Heineman Shows A Different Side To Reggaeton Artist J. Balvin [TIFF Review]
Monica Castillo
Festivals, News, Reviews
Before J. Balvin became a record-breaking chart-topper, he was José Álvaro Osorio Balvín, just another boy in Medellín, Colombia, with big dreams and an even bigger drive to make them come true. In Matthew Heineman's documentary, the pop star alternates between his carefree onstage persona and who he is when the cameras and fans aren't around. He's especially open about his struggles with mental illness in an effort to destigmatize the subject for his fans and listeners. Centered on the artist's biggest concert, "The Boy from Medellín" gives fans an all-access pass to candid moments and confessional interviews during one of the most emotionally charged moments of his career.
READ MORE: Toronto International Film Festival 2020 Preview: 15 Films To Watch
Focusing on the week leading up to a sold-out show in front of 50,000 people in his hometown, Heineman's "The Boy from Medellín" tracks not only the day-by-day progression heading to the big event but also the recent political upheaval in Colombia that's at odds with Balvin's music. As the artist readies his voice and chills with friends, there's a constant stream of news about country-wide protests and tragedies carried out under orders from right-wing President Iván Duque. It's a harsh reality Balvin's fans are pushing him to speak about, but throughout the documentary, he deliberates whether or not he should say something at all. He's not naturally into politics, and he's not interested in making statements that could turn fans against him.
Sadly, the documentary doesn't explore the issue of politics and art beyond Balvin, but other Latin American artists have also been asked to speak on the issues roiling in their respective countries. For J. Balvin, he sees the prospect as a lose-lose situation that will make no one happy. After the death of a student at the hands of heavily armed military forces, he relents on his original outlook and decides to finally say something, which not everyone in his inner circle supports. The documentary's curious look into the world of celebrity takes in all of its thorniness and its perks in equal stride. In the middle of it all is a sensitive guy who's forced to grow a little in the face of a national tragedy.
READ MORE: 2020 Fall Film Preview: 40 Most Anticipated Films To Watch
Although he's surrounded by candy-colored cartoon statues at home and on stage, sometimes the cutesy world Balvin has designed for himself is at odds with the very serious interviews he gives Heineman. With a light sleepy drawl –– the product of tour exhaustion –– he dives into his struggles with suicidal thoughts, obsessive-compulsive disorder, depression, and anxiety with utmost honesty. Now mostly on the other side of those first struggles with mental illness, he shares how he's managing those illnesses with the help of a cadre of doctors and a spiritual advisor. These scenes can feel as if we're seeing something too private, but Balvin is just as comfortable sharing these moments as he is cuddling with his girlfriend, model Valentina Ferrer, after a long day.
Yet, the documentary's intense gaze at the artist leaves out some of the context that might be useful for first-time listeners. For J.Balvin fans, "The Boy from Medellín" is an easy sell. It's more of an artist they already admire and listen to. But for newcomers who haven't yet nodded along to some of his hits, his music doesn't always get to play through and the highly anticipated homecoming concert plays in excerpts. Despite some home footage video of his past, the film lives mostly in that solitary week, leaving out some of his many previous accomplishments or a wider lens into how J.Balvin and fellow reggaeton artist Bad Bunny are effectively chipping away at macho norms with their bright clothes and open discussions about their feelings. There's a lot more to talk about in regards to J.Balvin than "The Boy from Medellín" goes into but the documentary's overall experience is still an enjoyable one that's full of catchy music, candid moments with the guarded performer and one seriously fun show at the end of it all. [B-]
Follow along here for all our coverage of the 2020 Toronto International Film Festival.
J. BalvinMatthew HeinemanThe Boy from MedellínTIFF 2020Toronto International Film Festival
'The Wolf Of Snow Hollow' Trailer: 'Thunder Road' Director Jim Cummings Hunts Werewolves With The Late Robert Forster
'American Murder' Trailer: Netflix Continues To Feed Your True Crime Obsession
Podcast: The Playlist Talks Telluride, TIFF, Venice And Reductive Oscar Narratives
Erik McClanahan
Watch: Charming Trailer & 4 Clips For Hong Sang-Soo's 'Hill Of Freedom' Playing Venice, TIFF & NYFF
Tess Hofmann
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The 50 Best Sci-Fi Films Of The 21st Century So Far
Jessica Kiang and Oliver Lyttelton
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Against all odds, Bobbi Logan, a statuesque transgender woman, has become one of Chicago's most celebrated hair stylists and the owner of one of the city's poshest salons. She is finally comfortable with who she is, widely admired in her community, about to enjoy the success she deserves.
Then her impossibly perfect life falls apart.
In the space of a few weeks, the Great Recession drags her business to the brink of failure, her beloved ex-wife needs help in facing a terrible tragedy, and a hateful police detective storms back into her life, determined to convict her of the five-year-old murder of John Strand—pillar of the community—and a sexual predator.
As the detective builds an ever more convincing case against her, both of them will be shaken by revelations—about themselves, about their own deeply held secrets, and about the bizarre ritual murder of John Strand.
The best thing about this book is Bobbi Logan. I am not completely "virgin" in regard of books with transgender characters, but I have never read a book with a transgender woman as a first-person narrative. And to be in Bobbi's head was a great experience. Because Bobbi Logan is a wonderful character that you won't forget and who maybe helps you to learn a bit more about transgender people.
Bobby Logan was born as a man, but in the wrong body. She was married to a woman in her previous life, came out as gay – though was never really sure she was a girl, she was only sure she wasn't a boy – then later she made the permanent step of gender reassignment surgery.
Now, 5 years after her transition she is a star hairdresser and an owner of a beauty salon in Chicago in the midst of the economic crisis, she is over forty, tries to rebuild her relationship with her ex-wife, she is probably without a chance in love with a man who everyone is in love with, and… a main suspect in a murder case.
A Kind of Justice is not only a brilliantly written mystery, but it is an emotional and fascinating story about a fantastic character you'll fall in love with. It is impossible not to feel with/for Bobby.
What I found also great in this book: it has a heartwarming satisfying ending that made me happy, but didn't give me a feeling of being manipulated into it. It was soooo right and sooooo touching!..
I truly hope that this book will find many many many fans.
It is so different from everything I read, in a WOW way, I can't recommend it highly enough.
Galley copy of A Kind of Justice provided by the Publisher via NetGalley in exchange of an honest review.


Inter(Nation)al is a pilot podcast and radio project that shows the hidden history behind current events through the lens of treaties signed between the U.S. Government and Native Nations. To this day, these treaties bind all of us—both legally and culturally.
Treaties are behind a current legal conflict over jurisdiction of the Penobscot River in Maine, which hinges in part on promises made shortly after the Revolutionary War. California's long-hidden and unratified treaties made during the Gold Rush are still affecting cultural identity today. The story of the Treaty of Fort Laramie can help explain the conflict at Standing Rock.
Inter(Nation)al was developed by independent producers Isaac Kestenbaum, Allison Herrera (Salinan) and Josephine Holtzman at NPR's highly selective StoryLab program, and one of only two projects to receive funding from StoryLab this year. Journalist Mark Trahant (Shoshone-Baddock) is serving in an advisory role, along with Colin Woodard, Joaqlin Estus (Tlingit), Art Hughes and Bryan Pollard (Cherokee).
The Inter(Nation)al team is working directly with NPR editorial staff to create a series of broadcasts that will air on NPR's news magazine programming, as well as a pilot podcast episode and a short video in partnership with NPR's video team.
This is not just history for Native People, nor only for a non-native audience. This is a shared history that is foundational to this entire country.
An upcoming Supreme Court case centered on treaty fishing rights in Washington State creates controversy on the other side of the country.
More than 370 treaties between the U.S. government and American Indian nations have been signed. Nearly all have been broken. But these promises still bind us all today.
Allison Herrera is Salinan, a member of a California tribe that's not recognized by the federal government and has no land or sovereignty. She explains what's being done to change that.
Inter(Nation)al is a pilot podcast and radio project that shows the hidden history behind current events through the lens of treaties signed between the U.S. Government and Native Nations.
Inter(Nation)al explores current events through the lens of treaties signed between the U.S. Government and Native Nations. These treaties bind all of us—legally and culturally.


text:
History of the Viola
History of the Viola	Bobby 2017-07-10T21:11:11-04:00
When was the viola invented? Nobody knows for sure the history of the viola. All we know is that it is an instrument that has evolved through centuries, and it was widely believed to have first developed from ancient bow and string instruments around 1500 in Italy. However, in a recent discovery of a large set of paintings on a hidden, or built over, ceiling of the Cathedral of Valencia, the viola de gamba was found featured. That set of paintings by Francesco Pagano and Paolo di San Leocadio was traced back to 1472. Below we'll provide a brief overview of viola history.
The sound of the viola is rich and melancholy. If we were to understand the viola more through singing terms, the violin would be classified as the soprano, the cello as the bass, and the viola as the middle voices – the alto and tenor.
The Term 'Viola'
Early Viola da Gamba
Before the start of the 16th Century, the term 'viola' was already used to describe string instruments that bore similar characteristics of the violin family. Such instruments were grouped under two families: viola da braccio and viola da gamba. The viola da braccio was played on the arms, had low ribs, four strings across a curved bridge and a round back. The viola da gamba was played at the legs, had high ribs, five to seven strings across a flatter bridge and a flat back.
Essentially, the term 'viola' was used for all such instruments in Italy. For example: Violino (small viola); Violone (big viola/bass viola); Violoncello (smaller bass viola).
Famous Early Luthiers
Andrea Amati, the famous Italian luthier from the Cremona region, was one of the earliest creators of the modern violin family. He was a favorite of the King of France, King Charles IX, and was commissioned to produce 38 instruments (including cellos, violins, and violas) for the royal musicians in 1565. Most of the pieces were destroyed during the French Revolution, but fortunately, few survived, one of them being the viola. Andrea Amati's legacy was continued by his sons, Antonio and Girolamo, grandson Nicolò and great-grandson Girolamo II.
Another great luthier was Gasparo da Salò from the Brescia region. His viola creations were held in higher regards than his violins.
Andrea Guarneri, one of Nicolò Amati's apprentices, also came from a family of luthiers. By his time, the demand for violas had decreased and he mostly made small violas, one of which was owned and played by the legendary Scottish violist, William Primrose.
Another world famous Nicolò Amati apprentice is Antonio Stradivari. His instruments were bought by the Medici Family and played by Paganini.
In 1597, a Venetian composer, Giovanni Gabrieli, wrote Sonata pian'e forte. In this piece, different parts were played by several instruments and interestingly, one part was specifically assigned to the viola.
During this time, the viola was mainly used in the orchestra and the opera. In the later period of the 17th Century came another form of composition – the Concerto Grosso. It was a form of Baroque concerto that consisted of a small group of solo instruments (called "concertino") and a string orchestra (called "ripieno"). The viola was part of the ripieno. Famous Concerto Grossi composers included Vivaldi and Corelli.
Other mentions of the viola in this period:
Viola sonata by Massimiliano Neri, 1651
Symphonia Quarta for violin and viola by Nikolaus Kempis, 1644
Sonata for viola by Carlo Antonio Marino, late 17th Century
Ulysses' homecoming by Claudio Monteverdi, an opera composer, wrote orchestra parts for the viola, 1641
In the orchestra established by King Louis XIII (France) in 1626, the 24 Violons du Roy, the violas made up of half of the 24 instruments.
At around 1750, the string ensemble changed from being a five-part ensemble to a four-part. The tenor viola had been eliminated. From the mid-18th Century onwards, the violoncello covered the lower middle (tenor) register.
The first known viola sonatas published in England in 1770 were written by William Flackton, a bookseller, publisher, organist and violist. He did this when he couldn't find any viola solo publications available and thought it was a pity that this excellent instrument had been largely ignored.
Other influences of the viola in this period:
Georg Philip Telemann, composer of Telemann Viola concerto
Bach, composer of Brandenburg Concertos
Johann Stamitz, writer of a viola concerto
Karl and Anton Stamitz (Johann's sons), performers and composers of viola concertos and sonatas
Haydn, Mozart and Beethoven, classical composers who treated viola music as more than just a filler in symphonies. This inspired more musicians to elevate the importance of the viola in their compositions as well. Mozart wrote an entire Sinfonia Concertante for Violin and Viola
Joseph Schubert, composer of a viola concerto
Carl Maria von Weber, composer of viola for the orchestra and a viola solo in his opera, Freischutz
Hector Berlioz, composer of Harold in Italy (with solo viola)
Paganini, composer of Sonata per la Grand' Viola
Robert Schumann, composer of Fairy Tale Pictures
Felix Mendelssohn, composer of Viola Sonata in C Minor
Modern Times (20th Century till Now)
The viola gained more fame and appreciation for its deeper timbre and more parts were dedicated to this instrument in compositions of this period. It was not uncommon to find viola concertos then. Two names that boosted the viola to further recognition in the modern times are Lionel Tertis and William Primrose. The Lionel Tertis International Viola Festival & Competition was established to honor the former while the Primrose International Viola Archive was set up to commemorate the latter.
The viola has gone through many modifications throughout the centuries. Musicians loved its melancholy sounds. However, its dimensions (with a body around 48 cm long) could sometimes be too much to bear. In the 1930s, Lionel Tertis collaborated with violin-maker Arthur Richardson and created the Tertis model, a beautiful viola with a 43 cm-long body that produced a warm, rich sound.


Mac Donncha, i dTeach an Ardmhéara ar an Déardaoin 11 Aibreán ag 6pm.
"Tá suíomh lárnach ag Teach an Ardmhéara i stair na hÉireann.
Salary: €1,264.90 per fortnight or €16.2167 per hour.
The bursary aims to assist local people, creative groups or artists in the development of their artistic practice, to support ambition, purchase resources, assist with mentoring or attend a master class.
The bursary hopes to assist in raising the ambition of local people/ artists / creative groups. The bursary's main objective is to develop skills and artistic practice. It is important that applicants can demonstrate that their bursary application gives a clear idea that is feasible & achievable.
Clár de ghnímh chruthaíochta agus feasachta beartaithe le plé ar an teanga a chur i lár an aonaigh.
Location: Tunnel Control Building, East Wall Road, Dublin 3.
Storm Eleanor will quickly move across the country tomorrow evening and tomorrow night. West to southwest winds of mean speeds 65 to 80 km/h, gusting to 110 to 130 km/h, with damaging gusts are expected.
Very high seas along Atlantic coasts, with a risk of coastal flooding also.


The upcoming tour will begin after the pop star completes her 16-date 'Christina Aguilera: The Xperience' residency in Las Vegas.
AceShowbiz - Christina Aguilera will head to the U.K. for her first British dates in 13 after completing her upcoming Las Vegas run.
The singer's 16-date "Christina Aguilera: The Xperience" residency will kick off at the Zappos Theater at Planet Hollywood on 31 May, and now she has annunced plans to head oversees for a series of "Mother Nature-themed" shows over the summer.
She last performed shows in Britain back in 2006 on the "Back to Basics Tour".
The dates in Las Vegas and the U.K. follow her hugely-successful "Liberation" tour of North America late last year.


Intex expanded the Aqua series by adding a new device dubbed as Aqua Freedom. This is a 5 inch smartphone and will be offered in black and white colors. Official site of the company listed the Aqua Freedom handset for a price of Rs. 5,750.
New Delhi: Intex Aqua Freedom comes with 5 inch display with 720 x 1280 pixel resolution. The handset is powered by quad core MediaTek MT6580 processor whose clock speed is 1.3 GHz. The processor is coupled with 1 GB RAM and the internal storage provided is 8 GB. Memory can be expanded up to 32 GB via micro SD. The handset comes equipped with 5 megapixel primary and 2 megapixel secondary camera. It comes out of the box with Android 5.1 Lollipop operating system. Connectivity features of the device include WiFi, GPS, Bluetooth and 3G. This dual SIM mobile phone also features FM Radio. There is also proximity, accelerometer, ambient light and gyroscope sensors. Battery under the hood is 3000 mAh capacity.
The 3000 mAh battery of Intex Aqua Freedom is expected to deliver up to 300 hours standby time and 12 hours talk time.
This entry was posted in Launches, Tech on February 17, 2016 by Rakesh.


Within the final twenty-five years by myself, the diversity of fruit and veggies, even grains, that's on hand at so much neighborhood markets has replaced dramatically. over the past 10,000 years, that fluctuate is nearly unbelievable. This groundbreaking new paintings, from the editor of the very popular Cambridge global heritage of foodstuff, examines the exploding international palate. It starts off with the transition from foraging to farming that bought underway a few 10,000 years in the past within the Fertile Crescent, then examines next transitions in Egypt, Africa south of the Sahara, China, southeast Asia, the Indus Valley Oceanic, Europe, and the Americas. It ends with chapters on genetically converted meals, the quick foodstuff undefined, the dietary diseases humans have suffered from, famine, the weight problems epidemic, and a glance on the destiny at the foodstuff entrance. nutrition, at its most simple, fuels the human physique. At its so much sophisticated, meals has been increased to a place of good paintings. the trail foodstuff has taken via historical past is a reasonably effortless one; the gap which it occupies this present day couldn't be extra fraught. This sweeping narrative covers either ends of the spectrum, reminding us to be thankful for and thrilled in a grain of wheat, in addition to making us conscious of the numerous questions that stay unanswered approximately what lies forward. do you know. . .
- That beans have been most likely an agricultural mistake?
- That cheese making used to be originated in Iran over 6000 years ago?
- That pepper used to be worthy its weight in gold?
- That sugar is the realm s best-selling nutrition, surpassing even wheat?
- That chili con carne is among the earliest examples of nutrition globalization?
- That, via 1880, almost each significant urban in the USA had a chinese language restaurant?
- That white bread used to be thought of too nutritious?
Kenneth Kiple finds those proof and extra inside of A portable banquet.
In Globalization, authors Bruce Greenwald and Judd Kahn minimize in the course of the myths surrounding globalization and glance extra heavily at its actual influence, providing a extra actual photograph of the current prestige of globalization and its destiny results. web page via web page, they discover the genuine proof approximately globalization and solution an important questions it increases, together with: Will globalization elevate or shrink in financial significance?
This e-book examines the influence of globalization on languages in touch, together with the research of linkages among the worldwide and native, and transnational and positioned conversation. It engages with social idea and social techniques whereas grappling with questions of language research raised via globalized language touch.
The increase and decline of significant powers is still a desirable subject of full of life debate. This e-book brings jointly best students to discover the ancient evolution of worldwide platforms via analyzing the ebb and movement of significant powers over the years, with specific emphasis on early time sessions. summary: the increase and decline of significant powers continues to be a desirable subject of full of life debate.
On the one hand, they need shade and dampened skins to prevent heat stroke, so they are choosy about locales. Moreover, they do not give milk, do not pull vehicles or plows, are difficult to herd, and instead of eating grass, utilize many of the same foods as humans. On the other hand, as village life began, that food was generally human leftovers – garbage that pigs polished off to clean up human settlements. 16 Finally, pigs are great reproducers. 18 Like other ruminants, they convert cellulose-rich foods that humans cannot eat into proteins and fats that they can eat.
Because limes were often viewed as green lemons, they are more difficult to keep track of than lemons. The latter was growing in the Azores in 1494 and both fruits began to flourish shortly after this in the New World, where the small, tart lime has alternatively been called a "Key" or "West Indian" or "Mexican" lime. ) CHINA'S CHIEF COMESTIBLES Rice Although wild rice may have originated in South Asia, it was first cultivated in China, probably in the Yangtze Basin – a river practically synonymous with rice cultivation.
But in this case piety does not get in the way of a good meal because Muslims and other non-Buddhist butchers do the killing (and are believed damned for the transgression). 34 CARIBOU The last four-legged animal to enter domestication in the Old World was the "reindeer," the domesticated caribou. Caribou (Rangifer tarandus) seem to have been the most important game animal in much of the world toward the end of the Paleolithic and humans have continued to take advantage of their dense aggregation into bands of dozens and herds of thousands.


Mohan's StrutsBook: What is the difference between ActionForm and DynaActionForm ?
What is the difference between ActionForm and DynaActionForm ?
ActionForm will populate the properties depending on the respective JSP fields.In this we can specify the validate() method (if required) for validations or else you can use ActionErrors for validating.
DynaActionForm has to be defined in Struts-config.xml and it may have many property fields. We can use this form for many no.of JSPs. Single dynaActionForm can serve for many number of JSPs.


text:
The Lawbook Exchange, Ltd.
Antiquarian & Scholarly
Practitioner Titles
Book #54169
A Treatise on the Law of Irrigation and Water Rights and the Arid...
Kinney, Clesson S.
Ground-Breaking American Treatise on Water Law Kinney, Clesson S. A Treatise on the Law of Irrigation and Water Rights and the Arid Region Doctrine of Appropriation of Waters, As the Same is in Force in the States of the Arid and Semi-Arid Regions of the United States; And also Including an Abstract of the Statutes of the Respective States, and the Decisions of the Courts Relating to Those Subjects. Originally published: San Francisco: Bender-Moss Company, 1912. 4 Vols. in 5 books. xxxii, 1098; xxx, 1099-2194; xxviii, 2195-3146; xxiv, 3147-3674; ii, 3675-4558 pp. Reprinted 2009 by The Lawbook Exchange, Ltd. ISBN-13: 9781584779568. ISBN-10: 158477956X. Cloth. New. $995. * Reprint of the second and final edition. First published in Washington, D.C. by W.H. Lowdermilk, in 1894, it soon became a standard text. "The author of this work has made this branch of the law his specialty for the past twenty-five years. Owing to his marked success as counselor in many of the largest cases involving this complicated and intricate subject, he is now recognized as one of the leading authorities. The new second edition gives the history and development of the law of Irrigation and Water Rights down to October 1st, 1912. (...) All matters, old and new, relating to irrigation and water rights, have been given that technical, learned and comprehensive discussion which their importance demands. More than 4500 decisions are cited and used in this work.": Law & Banker & Bench & Bar Review 345 (1912) 346.
Book number 54169
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text:
House Democrats Reject GSA Deputy Briefing Next Week
[email protected]_84 2 months ago 2 min read
Senior House Democrats on Monday rejected an offer from the General Services Administration for a senior official to brief lawmakers next week, in response to questions on why the agency has not officially designated Democrat Joe Biden as the winner of the presidential election.
On Monday, a spokesperson for the agency said that GSA Deputy Administrator Allison Brigati would host a 30-minute briefing on Monday, Nov. 30, with senior House Democrats and Republicans on relevant committees. The agency also offered to host an in-person briefing for the staff of several Senate panels, which it said aides to some House committees could also attend.
But senior Democrats rejected the offer, saying that they wanted to speak with GSA Administrator Emily Murphy herself, not her deputy, and that next week was too late.
"We cannot wait yet another week to obtain basic information about your refusal to make the ascertainment determination. Every additional day that is wasted is a day that the safety, health, and well-being of the American people is imperiled as the incoming Biden-Harris Administration is blocked from fully preparing for the coronavirus pandemic, our nation's dire economic crisis, and our national security," Democrats said in a letter to the GSA Monday.
The letter was signed by House Oversight Committee Chairwoman Carolyn Maloney (D., N.Y.), House Appropriations Committee Chairwoman Nita Lowey (D., N.Y.), Rep. Mike Quigley (D., Ill), who leads the Appropriations Committee's financial services and government panel, and Rep. Gerry Connolly (D., Va.), who leads the Oversight Committee's panel on government operations.
The Democrats pressed for a briefing Tuesday and asked the GSA to respond by 5 p.m. Monday.
Pressure has been building on Ms. Murphy, who has not yet officially ascertained that Mr. Biden won the presidential race, weeks after he secured the necessary electoral votes to win the White House, according to the Associated Press and other major media outlets.
In past elections, the GSA, an agency that manages real estate and other government logistics, has sent letters identifying the winner within days of the election being called by the AP and other major news organizations, before the results were made official by the Electoral College.
Last Thursday, the House Democrats had requested a personal briefing from Ms. Murphy no later than Monday, Nov. 23. Sen. Gary Peters of Michigan, the top Democrat on the Senate Homeland Security and Governmental Affairs Committee, led a similar letter Thursday night, signed by dozens of other Democratic senators.
In its most recent short-term spending bill, Congress included $9.9 million for the GSA's transition duties, which lawmakers said the ascertainment delay was holding up.
Mr. Biden's campaign has said that the delay is hampering the incoming administration's ability to meet with Health and Human Services officials to plan for the distribution of a coronavirus vaccine early next year.
Tags: Briefing Democrats deputy GSA house Reject Week
Previous Tamara Keith and Amy Walter on Biden's White House transition
Next White House plans holiday parties as Americans urged to stay home
Creating a Safe Nursery For Your Child
3 days ago [email protected]_84
Feng Shui for Your Front Yard


For everyone who is tired of waiting for good weather there is a ride planned for Saturday morning at 8am. It is a Crit/"Breaking Away" type event. We have a closed course half k, loop and the ride will be less than one hour. This ride is going to be FUN! Everyone is welcome. Please get your CPEI membership everyone needs insurance (REGISTER ONLINE). If you are new, or can't get registered by Saturday contact, Luke MacDonald to get looked after. This is an on Road event but is open to all riders on all bikes.
We are hoping for a really good turn out, and may be able to turn this into a weekly ride!
Meet at Sherwood Produce on Macaleer Drive.
Macaleer Drive is between Brackley Point Road and Mount Edward Road just North of the Bypass Highway.
Looking forward to a huge turn out!


iDiski - Soccer Blog and Football News La Liga news One of the reason Why Ronaldo is Running Away From La Liga?
One of the reason Why Ronaldo is Running Away From La Liga?
If you wonder why Cristiano Ronaldo is running away from La Liga then you need to watch this video. Lionel Messi is one of the reason.


UNICRI operates thanks to the generosity of a number of Member States and other Donors (international and regional organizations, charities, foundations etc.). The resources at the disposal of the Institute are nevertheless always insufficient to meet the demands for services constantly received from the international community. UNICRI is entirely financed from voluntary contributions and does not receive any funding from the regular budget of the United Nations. Contributions may be credited to the Sub-account "UNICRI" of the United Nations Crime Prevention and Criminal Justice Fund. Contributions in kind, staff secondments, direct participation in projects and any other forms of assistance can also support UNICRI programmes.
With more than 40 years of international action, UNICRI has acquired a unique experience in dealing with crime and justice related issues within broader policies for socio-economic change and development, and the protection of human rights.


Fulledge Recreation Ground was a sea of fun and laughter when the annual fair came to town.
Young and old flocked to the event which was part of the traditional Burnley Fair holidays.
The six-day extravaganza proved as popular as ever with many riders saving £££s off the cost thanks to money-saving tokens in the Burnley Express.
Our photographer Anthony Farran was on hand to capture the fun.


AN ARROGANT VAMPIRE IS CURSED TO LOVE AND LOSE THE SAME HUMAN FOR ALL ETERNITY… WILL THE MONSTER FIND REDEMPTION OR BE FOREVER DOOMED?
The audience/patrons use industrial freight elevators to descend stories 'underground' to the CORPS DU SANG – an alternative dance club where the vampires play. Exposed brick and industrial steel galleries, pounding club music and LCD monitors decorate this Goth-meets-Grunge club. Sweat-soaked dancers writhe to blood-pounding music on a crowded dance floor. Tufted velvet banquettes and chaises, steel cafe tables and chairs litter the space. Humans gamble with their fate as they willingly mingle with the undead.
The Ringmaster and owner of the club, surveys the clientele ensuring that neither human nor vampire bites off more than they can chew. Seated at the concrete and mahogany bar is the preternaturally melancholic Vampire – best friend to the Ringmaster. Lounging on stairs and catwalks, the Vampire Chorus invites us to (Come Out and Play – rock / dance). The Ringmaster & Vampire join in – introducing club patrons to the intricate lives of the undead. A young Human appears on the catwalk. The Vampire is captivated; it is obvious that the two have a past ( Bring About the End intro). The modern-day club transforms and we are transported back in time to the Vampire and Human's first meeting in Ancient Greece ( Temple Dance).
The club fades and becomes a Grecian temple. In Grecian robes, human acolytes pledge their lives to the Deity of Day and Light. Incense fills the air as candles are lit by the acolytes. A statue of the Deity adorns the centre of the temple, all acolytes make offerings to it.
Surrounding the temple, indolent vampires watch the ritual and lie in wait. The Vampire regards the scene with impatience as the Ringmaster shares an intimate embrace with their Lover. Though the Lover is very much infatuated with the Ringmaster, those feelings do not seem to be reciprocated.
As dusk turns to night, the vampires seduce each human servant away. One helpless Human is hunted and tormented by several vampires ( Acolyte's Seduction). As the Lover looks on, The Vampire and Ringmaster debate the Human's attributes and decide they are worth keeping. Appearing as a 'savior,' the Vampire seduces and transforms the Human into one of their own kind. The Vampire drinks from the Human before forcing them to partake of vampire blood. In the Vampire's thrall, the Human watches as their fellow acolytes are killed or transformed (Melée).
As the acolytes are fed upon and discarded, the Human awakens – transformed. They can barely speak in the midst of the carnage. As the other vampires seek shelter from the coming dawn, the Human and the Vampire remain in the defiled temple surrounded by corpses. A horrified Human decides to end their anguish ( No New Dawn). The Vampire watches, stunned, as the Human steps out of the temple's shelter into the dawn's burning light. The Human's skin begins to smoke before bursting into flame. As the Human's body turns to ash, the statue of the Deity comes to life. The Deity discovers the destruction the vampires have wrought. Picking up a handful of the Human's ashes, the enraged Deity curses the Vampire to an eternity of loving and losing the Human ( You'll Get What's Coming to You).
Through movement and voice we are transported forward in time. Passing through many different eras, we watch as the Deity's curse plays out. The Vampire and the reincarnated Human come together and are torn apart over and over again.
Back in the Ringmaster's present-day club, the Vampire steels against fate when the reincarnated Human appears once more (Bring About the End – Male / Female). The epitome of cool and sarcasm, the Ringmaster attempts to shake the Vampire out of their cursed human addiction ( Get Over It). Helping the cycle along once more, the Deity appears and pushes the oblivious Human in the direction of the Vampire ( Look At Him). The determined Human approaches the Vampire on the crowded dance floor but is quickly rebuffed ( I Ain't No Romeo). The Vampire cruelly abandons the Human, taking several others into intimate embraces.
Climbing the stairs to the catwalk, the Human continues to pine for the Vampire. Unnoticed by all, the Deity is never far away – always manipulating the action. The Ringmaster's Lover appears at the club's entrance. Sparks fly as the two play another round of "Come Here, Go Away" – a game they've been enjoying for centuries ( You're Not So Tough). The Human heads into the night air on the club's rooftop, and with a little help from the Deity, vows to gain the Vampire's affections (Falling). The entire cast of bar patrons, vampires, and mortals then fight through their emotions ( Clutching At My Dream).
The night winds down at THE CORPS DU SANG. As tables are cleared and floors washed of blood and sweat, the Vampire Chorus shares the true nature of their fabulous lives ( Our Dusk is Dawn). As the vampires disperse, the Ringmaster counts the evening's take at the bar, while fighting feelings for the Lover ( Losing My Grip).
The Human follows the Vampire and Deity to the rooftop, and overhears an emotional confrontation between the two ( What Do You Know?). Appalled to discover the truth of their destiny, the Human in turn confronts the Deity ( What Am I?). The horrified Human fights against this new knowledge ( Unknown).
Meanwhile, the Lover covertly watches the Ringmaster at the bar, desperate to deny true emotion ( Status Quo). Having had time to reflect upon the argument with the vengeful Deity, the Human resolves to take control of fate. Determined to choose independence, the Human approaches the Vampire in the club and begs for the opportunity to defy the Deity; to embrace an undead existence and abandon humanity altogether ( Do This For Me). The Vampire and Human share a lovers' embrace before falling asleep in each other's arms without sharing blood.
On the rooftop, in the pre-dawn air, the Deity struggles with conviction having witnessed the Human's agonized struggle ( Doubt). In the midst of yet another argument, the Lover and the Ringmaster beat their dead horse of a relationship ( Next Time Around). Afterwards the pair can't resist one more kick at the proverbial can and revert back to their baser instincts.
As the Human dozes, the Vampire makes a decision. Acknowledging that a sacrifice must be made to save the Human, the Vampire heads to the rooftop to greet the destructive dawn (My Eyes Are Open – Male / Female). ). Somehow sensing what is about to happen, the Human and Ringmaster rush to the rooftop from opposite directions, just as the Vampire steps into the deadly sunlight. The Lover follows closely behind, restraining the Ringmaster in the shadow of a doorway. The Human rushes towards the Vampire, but is too late; the sun has done its damage and the Vampire explodes into ash. A heartbroken Human desperately sifts through the remains, nearly hysterical. Having witnessed the Vampire's violent end, the Ringmaster is now helpless – and collapses into the Lover's waiting arms. As the Human weeps over the Vampire's ashes, the Deity appears and breaks the curse granting the pair one last mortal lifetime together ( Deus Ex Machina), allowing the pair their happy ending.
The morning breeze gently gathers up the Vampire's ashes. The soot re-materializes into human form and the lovers embrace. In the sunlight together, as humans, they marvel at their newfound life ( Enough for Us). Vampires lurk in the safety of the club; humans and deity bask in the light of a new dawn. Each character faces their future ( Hope Springs Eternal).