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The ultimate destination for the top news, entertainment, lifestyle, finance, and sports stories.
By AOL
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5 of the best ski towns to add to your winter bucket list
AOL - Hannah Kramer
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Susan Lucci's complete style transformation: From '70s mini dresses to figure-hugging ball gowns
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The mess in your garage is no match for this professional organizer
AOL - Julia Webb
Welcome to Extreme Organizers! If you have been looking for inspiration when it comes to finding smart storage and getting organized, look no further than these pros that will show you have to organize
What Kate Middleton is like as a mom
Last month, the Duchess of Cambridge stepped out with Prince William for a very glamorous evening on Monday night to attend the annual Royal Variety Performance. The royal couple opted for their black-tie
7 'healthy' foods that dietitians never eat
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This is the first thing flight attendants notice about you
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HGTV stars share their biggest tips on buying, selling and renovating
Our team is dedicated to finding and telling you more about the products and deals we love. If you love them too and decide to purchase through the links below, we may receive a commission. Pricing and
Inside look at Melania Trump's daily diet, including her favorite meal
She may be only 49, but she sure doesn't look like it. First lady Melania Trump sports a body enviable to most, but when it comes to her diet, that slim figure might actually be quite attainable. Some
10 superfoods to eat if you're experiencing hair loss, according to a doctor
If you're suffering from hair loss, just know you're not alone. According to NYU Langone Health, more than 80 percent of men suffer from hair loss over the course of a lifetime. But the condition doesn't
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Lindsay Lohan teases album release date for the first time in 15 years
AOL - Emily Rella
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Mac Miller's family releases rapper's posthumous album 'Circles'
AOL - Elisabeth Edokwe
Mac Miller's family released his posthumous album, Circles, on Friday. The family announced they would be releasing his sixth and final studio album last week and briefly described their decision to finish
Von Miller's surprising pick to win Super Bowl LIV has 'all the momentum' going into championship weekend
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Ryan Reynolds and Sandra Bullock team up in adorable birthday video for Betty White
AOL - Gabrielle Sorto
Ryan Reynolds and Sandra Bullock teamed up to sing a duet for their former co-star, Betty White's, 98th birthday. The pair, who starred in the 2009 rom-com "The Proposal" together along with White, reunited
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AOL - Jennifer Kline
The majority of Canadians don't mind if Prince Harry and Meghan Markle settle down in their country, but that doesn't mean they're willing to finance it. A new poll finds that just 3 percent of Canadians
Lara Trump mocks Joe Biden for speech impediment: 'Let's get the words out'
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Wiggles lead singer collapses on-stage during concert for Australia relief
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Barack Obama posts swoon-worthy message for Michelle's 56th birthday: 'You are my star'
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Sorry, but that super-hyped 'Friends' reunion isn't happening anytime soon
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Not only to the magical, mystical land of Peru, but also to practice like a Paqo there, forming deep connection and opening to incredible transformation.
There will be more information loaded on this page over the next months, as I plan this with the Qero. Coordinating logistics, accommodation etc, and visits to sacred sites and Huacas (power spots), Despachos and all kinds of delicious things. We will take you on a rich, authentic journey, steeped in this beautiful tradition.
However, having the tools to taste and therefore nourish your spiritual bodies in the belly of an ancient Inkan world, is an opportunity not to be missed!
We are currently looking at August 2020 for a journey of 2 weeks max.
Ayni (reciprocity) with all things, is the basis of all Andean Traditions. So travelling with a group of like-minded community, who hold a reverence for the Qero, Pachamama and the Mountains is a once in a lifetime gift.
Sign up to the newsletter to stay in the loop.


Strategic communications in life science tailored to companies ranging from start-ups to multi-nationals.
Most life sciences companies want a partner that can develop and manage a seamless, integrated communications plan built on intelligent strategy and creative delivery.
We've worked with companies right across the life sciences spectrum - from multinationals developing new scientific instruments to SMEs working in pre-clinical drug discovery. We can help you build a compelling brand narrative and a sustainable and credible reputation, generating sales leads and business opportunities.


Pongal is not only a four-day-long Tamilian harvest festival but also a scrumptious rice preparation. Rice is the key ingredient of the dish as it's one of the main harvests apart from sugarcane and turmeric. But did you know there's more than one way of making Pongal?
Chakkara/ sakkarai Pongal (Sweet rice): This preparation is used as prasad. Boil 100ml of water and melt in 250 gms of jaggery powder till you see a syrup-like consistency. Separately cook 100 gms each of rice and moong dal in 200ml water after dry roasting them till golden. When the rice is half done, add 200 ml of coconut milk and cook. Once cooked, add the jaggery syrup and 1/4th tsp cardamom powder and mix well and turn off the heat. For the garnish, stir fry 1/4th cups each of almond, raisins, and cashews in 200 gms of ghee, till golden brown.
Ven/ Khara Pongal (white rice): This is the salty version of Pongal. In a pressure cooker, heat 100gms of ghee and stir fry 1 cup rice and ½ cup moong dal for 3 minutes. Add 4 cups of curry leaf infused water, salt and pressure cook it till 3 whistles. In a separate pan, stir fry 100 gms ghee, fistful cashew nuts, 1 green chili, 1 pinch hing, 1 inch chopped ginger, few curry leaves and 1 tsp each of peppercorns and cumin seeds for a minute. Pour this tadka over the cooked rice and your dish is ready.
Puli Pongal (tamarind rice): Tiger (Puli) rice gets its name from its colour. In a pan, heat 2 tbsp oil and add 1 tbsp urad dal, 1 split green chili, 1 dry red chili, 1 tsp grated ginger, ¼ tsp hing, and 8 curry leaves and stir fry for a minute. Now add tamarind paste (made out of ¼ cup tamarind and ½ cup water) and cook for 2 minutes. Next, mix in 3 cups of steamed rice and salt and cook for 5 minutes.
Sugarcane Pongal: In a pressure cooker, add 1 cup dry roasted moong dal, 2 cups rice, 4 cups each of sugarcane juice and water, cook till 3 whistles. Heat ½ cup ghee in a pan and stir fry ½ cup chopped dates, 4 tbsp chopped cashews, ½ tsp cardamom powder and cook for a minute. Add this to the rice and mix well.
As you sow, so shall you reap. Only if you eat natural and chemical-free food can you harvest good health. To ensure this, prepare your meals only with organic food ingredients. Where to find them? 24 Mantra Organic – India's most trusted organic food brand. Shop with us now!


Breast cancer is a disease in which malignant (cancer) cells form in the tissues of the breast. It can be a devastating discovery for the patient. Sadly, no one knows the exact causes of breast cancer. Doctors seldom know why one woman develops breast cancer and another doesn't, and most women who have breast cancer will never be able to pinpoint an exact cause. What is certain is that breast cancer is always caused by damage to a cell's DNA.
One in eight women are diagnosed with breast cancer in her lifetime.
Breast cancer can often relapse after complete cure, and is called recurrence.
Although breast cancer is less common in men, a small percent of men suffer from breast cancer.
A tumour is a mass of abnormal tissue. There are two types of tumours: those that are non-cancerous, or 'benign', and those that are cancerous, which are 'malignant'.
When a tumour is diagnosed as benign, doctors will usually leave it alone rather than remove it. Occasionally they may continue to grow, pressing on organs and causing pain or other problems. In these situations, the tumour is removed, allowing pain or complications to subside.
Malignant tumours are cancerous and aggressive because they invade and damage surrounding tissue. When a tumour is suspected to be malignant, the doctor will perform a biopsy to determine the severity or aggressiveness of the tumour.
Metastatic cancer is when cancer cells of a malignant tumour spread to other parts of the body, usually through the lymph system, and form a secondary tumour.
Low grade (1) – Well-differentiated.
Intermediate grade (2) – Moderately differentiated.
High grade (3) – Poorly differentiated.
Breast cancer tumour grades are not to be confused with cancer stages. Tumour grades help to determine the best treatment plan, and in general, a lower grade tumour means a better chance for a full recovery. However, there are individuals who make full recoveries at every stage and with even the highest grades of aggressive tumours.
Here are some of the risk factors of breast cancer.
Genetic mutations. Inherited changes (mutations) to certain genes, such as BRCA1 and BRCA2. Women who have inherited these genetic changes are at a higher risk of breast and ovarian cancer.
Having dense breasts. Dense breasts have more connective tissue than fatty tissue, which can sometimes make it hard to see tumours on a mammogram. Women with dense breasts are more likely to get breast cancer.
Family history of breast cancer. A woman's risk for breast cancer is higher if she has a mother, sister, or daughter (first-degree relative) or multiple family members on either her mother's or father's side of the family who have had breast cancer.
Previous treatment using radiation therapy. Women who had radiation therapy to the chest or breasts before age 30 have a higher risk of getting breast cancer later in life.
Taking hormones. Some forms of hormone replacement therapy (those that include both estrogen and progesterone) taken during menopause can raise the risk for breast cancer when taken for more than five years. Certain oral contraceptives (birth control pills) also have been found to raise breast cancer risk.
Invasive Ductal Carcinoma means that abnormal cells that originated in the lining of the breast milk duct have invaded surrounding tissue.
Triple negative breast cancer means that the cells in the tumour are negative for progesterone, estrogen, and HER2/neu receptors.
Inflammatory breast cancer is a less common form of breast cancer that may not develop a tumour and often affects the skin.
Metastatic breast cancer is cancer that has spread beyond the breast, sometimes into the lungs, bones, or brain.
Less common types of breast cancer include Medullary Carcinoma, Tubular Carcinoma, and Mucinous Carcinoma.


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Home / Transportation / Locomotive / Wells, Fargo & Co. Stagecoach and Train Robberies, 1870–1884
Wells, Fargo & Co. Stagecoach and Train Robberies, 1870–1884
The Corporate Report of 1885 with Additional Facts About the Crimes and Their Perpetrators, revised edition
Wells, Fargo & Co. Stagecoach and Train Robberies, 1870–1884 quantity
SKU: 9780786448555 Categories: American West, Criminal Justice, History, Locomotive, Social Sciences, Transportation, United States Tag: robbery
In January 1, 1885, Wells, Fargo & Company's chief detective James B. Hume and special agent John N. Thacker published a report summarizing the company's losses during the previous 14 years. It listed 313 stagecoach robberies, 23 burglaries, and four train robberies but included little or no details of the events themselves, focusing instead on physical descriptions of the robbers. Widely circulated, the report was intended to assist law enforcement in identifying and apprehending the criminals believed still to present a danger to the company. The present volume revisits each crime, updating Hume and Thacker's original report with rich new details culled from local newspapers, personal diary entries, and court records.
R. Michael Wilson has been researching and writing about the history of the American West for more than a decade. A retired law enforcement officer, he is the author of numerous books on crime and capital punishment. He is a member of the Wild West History Association, and Western Writers of America.
James B. Hume and John N. Thacker. Edited and expanded by R. Michael Wilson
Bibliographic Info: 5 photos, appendix, bibliography, index
Stagecoaching 6
Report Summary 9
THE ROBBERS' RECORD 13
Appendix: Additional Robbers and Their Crimes 241
"Detailed"—Roundup Magazine.
Inside the Fisher Body Craftsman's Guild
The Ombudsman Handbook
You're viewing: Wells, Fargo & Co. Stagecoach and Train Robberies, 1870–1884 $35.00

redpajama_set_name: RedPajamaCommonCrawl


Our previous film nights and events.
Below are all the films we have shown since we rebranded as Electric Theatre Cinema.
For a quick overview of our current and planned events, have a look at the main events page or at the Events page on our Facebook page.
When a group of German construction workers begin a challenging new job in the Bulgarian countryside, their sense of adventure is awakened, but so, too, are their prejudices.
'If the musicians ain't got a chance to live, then what chance has the music got?' Dr John.
This is a beautifully crafted, feature documentary, rich with colourful characters, and set in the iconic musical backdrop of New Orleans.
In 2005 the music stopped, when one of the most deadly and destructive hurricanes in American history struck.
Our season opener is a full-on cult classic and a rare opportunity to watch it on the big screen.
It's a film about the need for speed and going out in a blaze of glory. The dusty American desert horizon has never looked so dangerous and enticing….
A brilliantly inventive film that gets under the skin of contemporary race politics and blends aspects of comedy and horror into a richly textured film of thrilling twists, scares and creepy undertones.
Fact-based drama set during the 1967 Detroit riots in which a group of rogue police officers respond to a complaint with retribution rather than justice on their minds. John Boyega plays a security guard drawn in to a grotesque showdown with racist cops at the Algiers Motel. A gruelling but entirely essential examination of a brutal chapter in US race struggle.
After killing her violent stepfather, Nancy (Louise Brooks) goes on the run with an amiable hobo (Richard Arlen) to escape the cops. Dressing as a boy, she hops freight trains, sleeps under the stars and eventually steals a car to escape to Canada.
With dramatic American landscapes, a lyrical love story, and a daring, desperate final action scene atop a speeding train, Beggars of Life is magical entertainment.
Shhh! cinema uses digital headphones to create an immersive cinema experience.
A true cult classic from 'Moviedrome' presenter and indie auteur Alex cox. After discovering his parents have donated his college fund to a televangelist, frustrated punk Otto joins a repossession agency as an apprentice "repo man".
Magic Rock Tap, Willow Lane, Huddersfield. Film starts 6:00pm.
Narrated by Willem Defoe, and scripted by Robert Macfarlane ('Mountains of the Mind') this new film by 'Sherpa' Director Jennifer Peedom is a poetic meditation on mountains everywhere.
Pie & peas supper (with veggie & vegan options) inc. in the ticket price.
Stamped with Taika Waititi's trademark offbeat comic sensibilities, Hunt for the Wilderpeople follows an orphaned boy used to city life who is left in the care of a foster family in rural New Zealand.
Entry: free with membership (2017/18 membership still available), £5 for non-members, £4 for concessions.
A girl, her uncle and a friend start an emotional travel to recover a family tree. The search for the tree and what it has come to symbolise lies at the heart of this amusing and very human story of a family at war.
A Christian forges an unlikely bond with an elderly Jewish shopkeeper during World War II. The 1965 Oscar winner for Best Foreign Film.
Johnny is desperate to escape the daily grind of life on the farm where he lives. But with the arrival of Romanian farmhand, Gheorghe, Johnny slowly finds hope, love and tenderness.
Our final Magic Rock Tap screening of 2017.
This is a Shhh! cinema event – using digital headphones to create an immersive cinematic experience.
Michael Keaton stars as Ray Kroc in a film laying bare the true & ruthless story of the birth of the McDonald's burger empire.
Full bar and food by Wrapture (falafels with a twist) from 12pm.
Box office opens at 5.30pm. Film starts at 6:30pm prompt.
Join us for this ETC screening of "Aquarius" (2016, Dir. Kleber Mendonça Filho, Cert. 18) at Marsden Bandrooms on Sunday 3rd December.
Doors & bar open 7pm, screening begins at 7.30pm.
Included in membership, or £5 for non-members, £4 for concessions.
An astronaut miner extracting the precious moon gas that promises to reverse the Earth's energy crisis nears the end of his three-year contract, and makes an ominous discovery in this psychological sci-fi film debut from Duncan Jones.
Join us for a Halloween special at the Magic Rock Tap.
Stanley Kubrick's undisputed masterpiece and a true classic in horror cinema.
Film starts at 6:00pm prompt. Tap open from midday for drinks & food .
Tickets £5 – advance booking advised!
Join us for this ETC screening of "My Life as a Courgette" (2016, Dir. Claude Barras, Cert. PG) at Marsden Bandrooms on Sunday 5th November.
Our first collaborative screening with Magic Rock Tap, Huddersfield was on Sunday 24th September. This was Lady Macbeth (Dir. William Oldroyd, 2016, Cert. 15) at 6.30pm.
Lady Macbeth: In 19th-century rural England, a young bride who has been sold into marriage discovers an unstoppable desire within herself as she enters into an affair with a worker on her estate.
This will be a Shhh! Cinema event – for your ears only!
Shhh! cinema provides you with a personal experience of film like no other. Using high technology wireless headphones to create an immersive journey into the sound of cinema.
Tickets: £5 film only or £10 Food & Film* Available on the door or via our ticketing site.
* £5 maximum value food from concession stands on day of screening to be ordered by 6pm.
This is a collaboration between ETC and Marsden Jazz Festival.
£5 entry on the door or in advance from Enjoy Art, Peel Street.
Venue: Marsden Bandrooms, Marsden Lane.
The Connection takes us directly into the seedy world of heroin and jazz. A director films jazz musicians as they wait for their dealer, the cowboy, to arrive. When the cowboy arrives, the director is faced with a dilemma – does he take heroin to prove that he is not a narc or cut the film short? The result is an unique and brilliant cinematographic insight into the underground world of jazz and junkies in the 1960's.
Shhh! cinema immerses you in a personal experience of film like no other.
Using high technology wireless headphones to create an immersive journey into the sound of cinema.
Over the summer we've been collaborating with the Colne Valley Skate Project and Kirklees TV to produce a fantastic short film, which will be screened at an exciting event on Saturday 16th September.
We're hoping Ramp Riders will be here with their pop-up skate park at the Old Goods Yard between 3pm and 5.30pm.
Live music will then be played at the Royal British Legion in Marsden between 6-7.30pm followed by a screening of Rogue One: A Star Wars Story at 7.30pm using our Shhh! Cinema headsets.
A Friends Of Marsden Library fundraiser.
Join us for this ETC screening of "Manchester by the Sea" (2016, Dir. Kenneth Lonergan, Cert. 15) at Marsden Bandrooms on 2nd July.
Included in membership, or £4.50 for non-members.
This will be the final screening of the season, before our summer break!
Join us for this ETC screening of "Toni Erdmann" (2016, Dir. Maren Ade, Cert. 15) at Marsden Bandrooms.
German, English & Romanian language. 2hr 42mins.
Doors & bar open 6.30pm, screening begins at 7pm. PLEASE NOTE earlier start time due to length of film!
Included in membership deal, or £4.50 for non-members. Tickets available on the door.
This May, Electric Theatre Cinema join with Holmfirth Film Festival once again to bring you two nights of great films.
Join us for the first of these, a screening of "A Monster Calls" (2016, Dir. J.A. Bayona, Cert. 12A).
Doors & bar open 6.30pm, screening begins at 7pm.
Tickets on the door £5 or £4 for under 18s.
Screening will take place at Marsden Mechanics Hall, Peel Street, Marsden. Parking is available on street near this venue. There is disabled access via a standard lift.
Join us for the second of these, a screening of "Christine" (2016, Dir. Antonio Campos, Cert. 15).
"Christine": The story of Christine Chubbuck, a 1970s TV reporter struggling with depression and professional frustrations as she tries to advance her career. Antonio Campos gives the true story of the American TV news reporter who killed herself on air its second, superior big-screen telling. Starring Rebecca Hall.
English language. 1hr 59 mins.
Tickets on the door £5.
Electric Theatre Cinema together with Marsden Cuckoo Festival are pleased to present a special family screening of Alice through the Looking Glass (2016). And please bring your own picnic.
Please note this film has a PG rating.
Doors open midday for a family picnic, screening begins at 1pm.
There will be light refreshments at this screening and the bar will also be open (for the grown-ups!).
Ice-cream will also be on sale from Month of Sundaes.
Tickets: Family £10 (2 adults, 3 children), £3.50 adults and £2.50 children.
Tickets available in advance from Marsden library and on the door subject to availability.
Parking is available on street near this venue. There is disabled access via a standard lift.
Join us for this ETC screening of "Moonlight" (2016, Dir. Barry Jenkins, Cert. 15) at Marsden Bandrooms on Sunday 7th May.
At this screening you can join as a half member at £12 for 3 free screenings, as well as many other benefits. Screenings thereafter are £4 for members.
Venue: Marsden Musical Institute, Marsden Lane, Marsden, Kirklees.
Due to popular demand, we will be hosting another screening of this five-time BAFTA nominated film.
PLEASE COULD YOU MESSAGE US ON FACEBOOK OR EMAIL US TO RESERVE YOUR SPACE, which means we will be able to guarantee your seat, and ensure we can admit guests on the door.
Join us on Saturday 4th February at 'Marsden Bandrooms' to watch "I, Daniel Blake" (2016, Dir. Ken Loach, Cert. 15).
Doors open 7pm, screening begins at 7.30pm.
Included in membership, or, for £4.50 for non-members.
We will be collecting for The Welcome Centre at this screening.
We have spoken to the Centre and they are most in need of cash donations at this time.
You can join as a member at this screening for £24. This includes 6 free screenings as well as many other benefits. Screenings thereafter are £4 for members.
Join us for this screening of When I Saw You (2012, Dir. Annemarie Jacir, Cert. 12) in conjunction with the Holocaust Memorial Day Trust.
When I Saw You: 1967.
Join us for this screening of Mustang (2015, Dir. Deniz Gamze Ergüven, Cert. 15) in conjunction with International Women's Day.
At this screening you can join as a member for £24 with 6 included screenings or a half member at £12 for 3 free screenings, as well as many other benefits. Screenings thereafter are £4 for members.
Join us for this Food & Film screening of Sing Street (2016, Dir. John Carney, Cert. 12A) at Marsden Mechanics. We'll be serving an carefully designed, Irish themed, three-course meal before the film!
Sing Street: A boy growing up in Dublin during the 1980s escapes his strained family life by starting a band to impress the mysterious girl he likes. Cracking soundtrack, great film.
Doors & bar open 7pm, food served at 7.30pm. Tickets must be booked in advance and dietary requirements given – we cook all food fresh on the day to order! Menu to follow…..
Tickets cost £20 and can be booked in Goodness Me on Peel Street, Marsden.
You can also book via PayPal but there is a 50p booking fee.
This January sees a special screening in collaboration with Dolly Shot Picture House and The Red and Green Club in Milnsbridge. Join us on Sunday 8th January at Marsden 'Bandroom' to watch "I, Daniel Blake" (2016, Dir. Ken Loach, Cert. 15).
Included in membership, or, for this event non-members can pay only what they can afford.
We will be collecting for The Welcome Centre at this screening. We have spoken to the Centre and they are most in need of cash donations at this time.
Tickets: on the night at the Bandrooms or (up to 30th Dec) call in to Enjoy Art in Marsden.
Zootropolis: In a world populated by anthropomorphic mammals, a rabbit from rural Bunnyburrow named Judy Hopps fulfills her childhood dream of becoming the first rabbit police officer in urban utopia, Zootropolis.
Doors open 12.30pm, screening begins at 1.15pm.
Tickets: Family £10 (2 adults, 3 children), £3.50 adults and £2.50 children. Tickets available in advance from Marsden library.
Described as "engaging, intelligent anti-war storytelling" (The Guardian), Tangerines was Oscar-nominated for best foreign film in 2015. Set in 1992 during the Post-Soviet Chechen conflict, the film has a powerful and moving anti-war message. Caught in the middle of the bloody conflict, the war arrives literally at the doorstep of Estonian tangerine farmer Ivo as he takes one wounded fighter from each side into his home: Georgian Niko and Chechen mercenary Ahmed. As the fighters confront and question their ethnic divides, the film delivers a powerful message of peace and reconciliation.
Venue: Marsden Mechanics Hall, Peel Street, Marsden.
Stubborn and set in his ways, 'The Grump' is a force of nature who resents the modern world and believes things were better in the old days.
After a bad fall requires physiotherapy and a trip to Helsinki, the Grump is confronted by the big modern world whilst spending time with son Hessu and his career-minded daughter-in- law Liisa in the city. This Finnish dark comedy centres on an infuriating and hilarious portrait of this curmudgeonly unlikable character, but develops into a touching story about tolerance and closing the generation gap.
Curated by the Yorkshire Film Archive, join us for an evening of local archive films, and the launch of our new season as the Electric Theatre Cinema!
The story of a fictional Rolling Stone journalist meeting with Jazz great Miles Davis in 1979 was a true labour of love for Don Cheadle who co-wrote and stars in his directorial debut. It's an unconventional music biog that follows the unlikely pairing as they attempt to recover session tapes from music producers via crime caper shoot outs and car chases. It's a wild ride through the' 70's drug addled wilderness years with flashbacks to his ground-breaking bebop heyday as Davis attempts to get his career back on track.


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And when they entered unto the heathen whither they went, they profaned My holy name, when they said to them, 'These are the people of the Lord, and are gone forth out of His land.'
And when they came unto the nations, whither they went, they profaned my holy name; in that men said of them, These are the people of Jehovah, and are gone forth out of his land.
When they came to the nations wherever they went, they profaned My holy name, because it was said of them, 'These are the people of the Lord; yet they have come out of His land.'
And when they came to the nations to which they went, they profaned My holy name in that men said of them, These are the people of the Lord, and yet they had to go forth out of His land.
And when they entered unto the heathen, whither they went, they profaned my holy name, when they said to them, These are the people of the Lord, and are gone forth out of his land.
When they came to the nations where they went, they profaned my holy name, because it was said about them, 'These are the people of the Lord, yet they had to leave his land in exile.'
But then when they entered the other nations, they degraded my holy name because it was said of them, "These are the Lord's people, yet they had to leave his land."
When they came to the nations they were going to, they profaned my holy name; so that people said of them, 'These are Adonai's people, who have been exiled from his land.'
Wherever they went, my name was disgraced, because foreigners insulted my people by saying I had forced them out of their own land.
And when they came to the nations whither they went, they profaned my holy name, when it was said of them, These are the people of Jehovah, and they are gone forth out of his land.
And when they entered among the nations whither they went, they profaned my holy name, when it was said of them: This is the people of the Lord, and they are come forth out of his land.
But even in those other nations, they ruined my good name. How? Those nations said, 'These are the Lord's people, but they left his land.'
Then when they came to the various nations, they profaned my holy name when people said about them, "These are the people of the Lord, but they had to leave his land."
But when they came to the nations, wherever they came, they profaned my holy name, in that people said of them, 'These are the people of the Lord, and yet they had to go out of his land.'
They ·dishonored [defiled; profaned; C ritually] my holy name in the nations where they went. The nations said about them, 'These are the people of the Lord, but they had to leave the land which he gave them.'
And when they entered unto the heathen, whither they went, they polluted mine holy Name, when they said of them, These are the people of the Lord, and are gone out of his land.
But wherever they went among the nations, they dishonored my holy name. People said about them, 'These are the Lord's people, yet they had to leave his land.'
Wherever they went, they brought disgrace on my holy name, because people would say, 'These are the people of the Lord, but they had to leave his land.'
When they came to the nations where they went, they profaned My holy name, because it was said about them, 'These are the people of Yahweh, yet they had to leave His land in exile.'
They dishonored my holy name in the nations where they went. The nations said about them: 'These are the people of the Lord. But they had to leave the land which he gave them.'
Nevertheless, when they arrived in those nations, they continued to profane my holy name. It was said about them, 'These are the Lord's people, even though they've left his land.'
And when they entered unto the Gentiles, where they went, they profaned my holy name, when they said to them, These are the people of the LORD and are gone forth out of his land.
And they came into the nations to which they went, and they profaned my holy name when they said to them, 'These are the people of Yahweh, and from his land they went out.'
But when they were scattered out among the nations, then they were a blight upon my holy name because the nations said, 'These are the people of God and he couldn't protect them from harm!'
God's Message came to me: "Son of man, when the people of Israel lived in their land, they polluted it by the way they lived. I poured out my anger on them because of the polluted blood they poured out on the ground. And so I got thoroughly angry with them polluting the country with their wanton murders and dirty gods. I kicked them out, exiled them to other countries. I sentenced them according to how they had lived. Wherever they went, they gave me a bad name. People said, 'These are God's people, but they got kicked off his land.' I suffered much pain over my holy reputation, which the people of Israel blackened in every country they entered.
When they entered the nations, where they went, they profaned My holy name, because they said of them, "These are the people of the Lord and have gone out of His land."
But wherever they went among the nations, they dishonored my holy name. People said about them, 'These are Yahweh's people, yet they had to leave his land.'
But when they came to the nations, where they went, they desecrated my holy name, for people said of them: "These are the people of the Lord, yet they had to leave their land."
When they came to the nations where they went, they profaned My holy name, because it was said of them, 'These are the people of the Lord, yet they have left His land.'
When they came to the nations where they went, they profaned My holy name, because it was said of them, 'These are the people of the Lord; yet they have come out of His land.'
They dishonored my holy name in the nations where they went. The nations said about them, 'These are the people of the Lord, but they had to leave the land which he gave them.'
But when they arrived in the nations where they went, they profaned my holy name. It was said of them, 'These are the people of the Lord, yet they have departed from his land.'
They treated my name as if it were not holy. They did it everywhere they went among the nations. People said about them, 'They are the Lord's people. But they were forced to leave his land.'
And wherever they went among the nations they profaned my holy name, for it was said of them, 'These are the Lord's people, and yet they had to leave his land.'
And wherever they went among the nations they profaned my holy name, for it was said of them, "These are the Lord's people, and yet they had to leave his land."
When they came to the nations, wherever they went, they profaned My holy name—when they said of them, 'These are the people of the Lord, and yet they have gone out of His land.'
But in every place they went among the nations, they brought shame upon My holy name, because it was said of them, 'These are the people of the Lord, yet they had to leave His land.'
But when they were scattered among the nations, they brought shame on my holy name. For the nations said, 'These are the people of the Lord, but he couldn't keep them safe in his own land!'
But when they came to the nations, wherever they came, they profaned my holy name, in that it was said of them, "These are the people of the Lord, and yet they had to go out of his land."
But when they came to the nations, wherever they came, they profaned my holy name, in that it was said of them, 'These are the people of the Lord, and yet they had to go out of his land.'
And when they entered unto the Goyim, to where they went, they profaned Shem Kodshi (Name of My Holiness, Holy Name), when they said to them, These are the Am Hashem, and are gone forth out of His land.
But when they came to the nations, wherever they came, they profaned my holy name, in that men said of them, 'These are the people of the Lord, and yet they had to go out of his land.'
Wherever they went among the nations, they profaned My holy Name, since it was said about them, 'These are the people of Adonai, yet they had to leave His land.'
Whenever they settled among the nations of their exile, they defiled My sacred name. Everywhere they went people were saying, "These are the Eternal's people, yet they have been forced out of His land."
When they came to the nations where they went, they profaned my holy name; in that men said of them, 'These are Yahweh's people, and have left his land.'
And they entered to heathen men, to which they entered, and defouled mine holy name, when it was said to them, This is the people of the Lord, and they went out of the land of him. (And when they entered to the heathen, to whomever they entered, they defiled my holy name, for it was said of them, This is the people of the Lord, and they have gone out of his land.)
And one goeth in unto the nations whither they have gone, And they pollute My holy name by saying to them, The people of Jehovah [are] these, And from His land they have gone forth.
Ezekiel 36:19Ezekiel 36:21


text:
Q: Qual é diferença Entre HTML.ActionLink() vs Url.Action()? Lendo alguns tutoriais de ASP.NET MVC encontrei esses dois helpers sendo utilizados para fazer basicamente a mesma coisa, que era direcionar o usuário para uma nova view.
Então gostaria de saber se existe alguma diferença mais notável entre HTML.ActionLink() e Url.Action()?
Quais são as condições necessárias para usar um ao invés do outro?

A: Um gera uma tag HTML com um link completo, o outro gera apenas um URL (parcial):
@Html.ActionLink("texto", "action", "controller", new { id = "123" }, null)

Produz:
texto

Já
Url.Action("action", "controller", new { id = "123" })

Produz apenas:
/controller/action/123

Coloquei no GitHub para referência futura.
Fonte.

A: Bom, o HTML.ActionLink gera um  enquanto Url.Action retorna a url
Por exemplo:
@Html.ActionLink("Link", "action", "controller", new { id = "123" }, null)

gera:
Link

enquanto:
Url.Action("action", "controller", new { id = "123" })

gera:
/controller/action/123

Fonte(em inglês)

A:
Lendo alguns tutoriais de ASP.NET MVC encontrei esses dois helpers sendo utilizados para fazer basicamente a mesma coisa, que era direcionar o usuário para uma nova view.

Não é isso que eles fazem. A função deles é gerar links baseados nas rotas definidas na configuração da sua aplicação. Redirecionamento é feito em controller, usando RedirectToAction().

Então gostaria de saber se existe alguma diferença mais notável entre HTML.ActionLink e Url.Action?

@Html.ActionLink() gera uma tag  com um texto simples dentro e alguma configuração, como o controller, as tokens de rota e alguma configuração HTML, como class, id, etc.
@Url.Action permite que você monte sua lógica (que não precisa ser necessariamente uma tag ) usando o link gerado de acordo com a rota. Um caso muito comum é o de você querer criar botões com ícones dentro e querer criar um link para o conjunto:

        Um texto dentro do botão

Quais são as condições necessárias para usar um ao invés do outro ?

O objetivo. Se a ideia é apenas um link com texto (que você pode até estilizar na forma de um botão usando CSS), @Html.ActionLink() atende bem. Se a ideia é montar um link mais complexo, com imagem dentro, texto ou outros componentes, @Url.Action() é melhor.

redpajama_set_name: RedPajamaStackExchange


New Zealand's two major political parties, the Nationals and Labour have been rocked by scandals in the past week.
24-year-old Nationals MP Todd Barclay is facing pressure to step down from his position after it was revealed he had secretly recorded a former staff member.
Meanwhile, the Labour Party is also in hot water, after what was supposed to be a "high powered learning" program involving foreign students, went awry.
NZ Correspondent Pearl Little from 95bFM joined our host, Jennie Lenman to tell us more about these scandals.


text:
Belægningsstue - på Garderhøjfort museum - www.garderhojfort.dk
Topmenu - Engelsk
Main Submenu
Garderhøj
Garderhøjfortet
What can you experience?
Prices and opening hours
How to find the fortress
The Officers' Mess
Barrack Room
The Quarter of the Engineer
The Signal Office
Twin guns
Training, training, training ..
The Artillery
About the Fort
The History of the Fortress
The Fortification of Copenhagen
The Garderhøj Foundation
The Support Foundation
Barrack room at the Garderhøjfort today
Try to lie down in the narrow canvas bunk bed like the soldiers did.
It was busy in the room when all were ordered to turn in.
In the barrack room there was space for 26 soldiers: 24 in double bunk beds and 2 sergeants in single bunk beds. There was space for 200 men in the actual artillery part of the fort. Additionally, it was possible to billet approximately another 200 men in the fortified infantry barracks in the forward part of the fort. Garderhøjfort was the only land fort around Copenhagen with integrated barracks for the infantry tasked to participate in the close defence of the fort.
During the First World War, many of the soldiers of the Neutrality Guard Force were billeted at civilians, because there was not enough space at the existing army barracks.
From private clothes to military equipment
When you were called up to the Neutrality Guard Force, you had to hand in your own clothes. The Army then issued you with the "over wear", that is uniform, boots, etc.
The soldier had to bring certain things with him:
"Under wear" which also included shirts and socks.
Polishing outfit for uniform and boots, toilet requisites and sewing gear, so that he could repair the equipment himself.
Additionally, he could bring a picture of the family, wife or sweetheart
At the outbreak of the First World War, it was not unusual that a called up soldier in the fighting armies took his wife or sweetheart to the photographer before they separated. Thus, the soldier had a picture to take with him, and there was another copy at home. In worst case, it was the last photograph to be taken
Photograph to the dear ones
At the end of the 1800's and the beginning of the 1900's, it was also common in the Danish Army, that the called up soldiers went to a photographer and had a picture taken, which was copied several times in the seize of a visiting card, which could be sent home to the sweetheart, wife, friend or the parents.
He could also give his card to the cupboard lover, who could be a maid in a better family. The solider went out with the cupboard lover, and he could also pay her a visit in the kitchen where she worked as a maid.
General national service for all men was introduced in the first Constitution of Denmark of 1849. From then on, it became the duty for men between 18 and 50 to take part in the defence of the nation, and all men at the age of 18 were called up to an examination for liability for military service to be assessed qualified, less qualified or not qualified. At least 50% of a year class were and still are fully qualified.
National service and conscious objectors
Around the First World War, most of the qualified men were called up for a number of months' basic training. When the war actually was a fact in August 1914, Denmark called up a Neutrality Guard Force of several year classes. At the beginning, about 60,000 men between 20 and 36 years of age were in the force.
The national service also created conscious objectors during World War I. They were young men from the Youth Organisation of the Social Democratic Party, and they were imprisoned. In 1917, as the third nation in the world, Denmark made a law about this making it possible to do civilian national service instead of military national service.
There was a lot to be worried about for the soldiers at the Garderhøjfort under the First World War. Would Denmark be involved in the war? Could the fort keep the enemy away? How was the family, the farm, the workshop or the business at home? There was not much information, however, most of the soldiers realised that their families missed them.
Punishment for going home without permission
For many farmers the military service inflicted sowing as well as harvest. Some soldiers risked the military punishment because they went home to assist on the farm without permission. In 1917, a young artilleryman abandoned the service to help his invalid father to harvest and plough. The solider had applied for 12 days leave, but was rejected. He deserted for 6 days and was punished with 6 days imprisonment in a dark cell.
Weekend: 10.30-16.00
Week days: By appointment
Opening hours during school holidays:
Week days: 11.00-15.00
Garderhøjfort 4, 2820 Gentofte
39611734 / 28351457
garderhojfortet@gentofte.dk
https://www.was.digst.dk/garderhojfort-dk
Reviews of Garderhøjfortet on tripadvisor:
Meget spændende
Meget spændende. God opfølgning på vores guidede tur på Vestvolden.
– Tak for denne gang
Karin P.H., Århus
Karin P.H.
Garderhøj © - 2018


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You've probably heard saxophones in a jazz quintet, or as the front line of a big band. But this Sunday afternoon, saxophones will star in their own show, without the other instruments.
Mike Tremblay: "If you're a soprano player you better be used to playing right up to the top register"
Saxophone ensembles from Carleton University's music program and two local high schools will present a two-hour concert of jazz, classical, and rock music arranged for saxophone quartet and saxophone choir. A sax tentet will have a rhythm section assisting it, but other than that, it's all saxophone.
The show will include an 13-sax performance of Queen's "Bohemian Rhapsody" – with dance moves – conducted and choreographed by Carleton student Rebecca Cowal. Other pieces will come from Piazzolla and Vivaldi on the classical side, to jazz composers Bob Mintzer of the Yellowjackets and Ed Calle of the Miami Saxophone Quartet.
Directing it all is Mike Tremblay, one of the best-known musicians and music educators in Ottawa's jazz scene. This is his 25th year teaching in Carleton's music school. He started with one student – Brian Asselin, who's now a well-known composer and bandleader in his own right. A decade later, he was able to field one sax quartet – as long as he was the fourth player. Then there were two quartets, and now the school has four quartets which rehearse every week with Tremblay.
The show is the culmination of the students' work this term. Saxophone lovers from the general public are welcome to listen to their performance.
OttawaJazzScene.ca interviewed Tremblay on Monday about the concert, why it's great to listen to an all-sax show, and what saxophonists learn from playing together. This is an edited version of our interview.
OttawaJazzScene.ca: Do you vary the standard saxophone quartet – soprano, alto, tenor, baritone – at all?
Mike Tremblay: In some years, we'll have alto, alto, tenor, bari. But the goal, just for repertoire, is to have soprano, alto, tenor, baritone. And this year we have all four quartets that are [those four].
OttawaJazzScene.ca: What range of sounds can you evoke with a saxophone quartet?
Tremblay: That's a great question! It's really unlimited. There's so much you can do with that voicing. And the saxophone being an instrument that they say is very close to the human voice, it's very hard to reproduce that by a computer. It's really quite a dense sound, and because of the nature of the reed and the mouthpiece, and using your oral cavity, you can produce so many different colours and sounds with it.
OttawaJazzScene.ca: How does the sound of a saxophone quartet differ from the front line of a big band?
Tremblay: Sometimes there isn't much difference at all, for sure. I'd say you've got that extra component of having soprano on top, but … In a saxophone [big band] section, you'd have alto/alto/tenor/tenor/baritone, of course, but sometimes the alto player is written up pretty high.
But I know with my own saxophone quartet, when we play particular jazz pieces, it's very hard to tell the difference.
But depending on the writing, it can sometimes sound very different.
OttawaJazzScene.ca: How did you get students interested in playing with many saxophones together. What inspired them to do this?
Tremblay: It comes back from my experience studying at university. The saxophone quartet: I'd never been in one before, I didn't know what it was all about, and the things that I learned in that were amazingly helpful. I've taken these things forward all these years. I thought that, even if the students have never done it before, it's such an enriching experience. All the universities who have large saxophone departments, they ail have saxophone quartets in their program. What they learn out of that is just so valuable.
I really don't give them much of a choice in the beginning. [For most students] I just say, yep, you're taking saxophone here, well, we have sax quartet.
OttawaJazzScene.ca: What do they learn by playing four or more saxophones together?
Tremblay: First of all they're going to be super-exposed. They have to be able to play the full range of the instrument, [including] sometimes the extended range of the instrument, the altissimo register, at all dynamic levels. There is no rhythm section, so that the time is kept amongst the four of them and they all have to trust each other. They're going to be rehearsing a minimum of three hours a week on some usually quite difficult pieces which sometimes will require improvising, but which requires first of all practice on their own instrument to get the pieces together and perhaps learn to do new things just to get pieces together.
And then they have learn how to communicate that music through the four people, which is a really difficult thing to do. Tuning, intonation are so important. Time is so important. Dynamics are so important. Playing with the appropriate colour of sound so that you blend with the other instruments is so important. Those are types of things they're learning.
We're playing a lot of classical music. We're playing Samuel Barber's "Adagio for Strings". We're playing some Mozart. They're having to learn the stylistic elements of the music at the same time, that they may not have been that exposed to before, especially if they were just a jazz player.
OttawaJazzScene.ca: So I'm getting a feeling that it actually forces players to be more exact in their playing?
Tremblay: Well, jazz has that element as well, depending on the type of jazz you're playing, but sometimes the freedom of improvisation allows you to hide in certain areas of the horn and avoid certain areas of the horn – whereas playing in a saxophone quartet, if you're a soprano player you better be used to playing right up to the top register because you're going to get that right away.
OttawaJazzScene.ca: What about the larger ensembles at Sunday's concert? Tell me about your choir with 13 saxophonists.
Tremblay: We always like to do combined pieces in a saxophone choir. Every concert we always have that component in it. It's nice for everybody to get together and really play and listen.
For this one, we've got two elements happening. We've got the 13-piece, which are just the Carleton students, performing "Bohemian Rhapsody". Rebecca Cowal, a third-year music student, has taken that on. She's been conducting it. She has figured out who's going to play what parts where. She's taken the score and added some very special movement elements to it as well. So it's going to be the whole visual and audio experience of this tune.
OttawaJazzScene.ca: So she's worked out choreography for the students?
And to make sure, we scheduled a performance a week ago for all the student body at the university. So everybody was forced to memorize a lot of music and learn the dance moves, and get it all together a couple weeks early – which has been great. And it was a great dry run. We made video of it, and we had a look at it on Friday and gave everybody something to think about and rehearse with a few new components and ideas to polish it up for the final performance on the 7th.
We've got some older students in there, like John Graham, and to see him in there and just nailing it, is amazing!
OttawaJazzScene.ca: How do you find pieces for the saxophone ensembles?
Tremblay: It's not easy. A lot of them I end up have to write myself. Sometimes I'll take Ennio Morricone's "Cinema Paradiso" and I'll arrange that for seven voices, and then I'll rewrite it again for saxophone choir. So we did that a few years ago.
There, surprisingly, are a few saxophone choirs that have toured, especially in Europe. There's one in England: it's quite amazing the stuff they've done. And that's where we got the idea from to do "Bohemian Rhapsody". I purchased the arrangement from them. They had a full set of dance moves to it, and so we took their idea of putting dance to it, and Rebecca has choreographed the whole thing!
OttawaJazzScene.ca: What split do you make between classical and jazz pieces when you pick tunes for the ensembles?
Tremblay: It's always different. Every year there's a different ratio. Sometimes one particular quartet will end up with two or three classical pieces, and another quartet will end up with two or three jazz pieces. I try to mix it up as much as possible, but it depends on the skill level that's available and what the student played in the previous year.
I'm always try to augment my repertoire. I try to buy new pieces every fall and again in January, so everybody's having something that they haven't played before. Some of these students have been with me … one of the students who is graduating this year is Nick Letourneau. Nick was with me at Canterbury [High School], where we do sax quartet using my music, and then he's been with me for probably five years at Carleton. So if you're talking three or four pieces of music at the high level, per term, that's a lot of music! He's gone through a lot of my repertoire. So every year I try to make sure that guys like him are playing stuff they've never seen before.
It's worse with Nick Rivers-Moore. I think he started with me in Grade 8, and he went through I think every saxophone camp when he was in town and then he's been with me all through university. He took last semester off, but he came back this semester to play again! He missed it. He was really interested in coming back, so it was like, "Yes, the door's open".
So trying to find music that he hasn't seen is a bit of a tough one. It's easier sometimes for me to write something new, or to purchase a new piece.
OttawaJazzScene.ca: How have the students reacted to playing these quite different arrangements for saxophones?
Tremblay: I think they really like it. There's a real sense of independence when they're there, as well as the whole getting along in a group. Because sometimes you're putting four people together with really different personalities, and it's just like being in a professional situation – you're having to get together and play this music every week. They often rehearse on their own as well, so there's a whole group dynamic that is really important to learn if you're going to be successful as a professional player.
OttawaJazzScene.ca: Are the Carleton students being graded on this?
Tremblay: They get an ensemble credit. The grading for the ensembles is not a specific mark, but they do get credit for it.
Rebecca Cowal at the Carleton University Jazz Ensembles end-of-term concert.
OttawaJazzScene.ca: How did you involve the high school ensembles from Hillcrest and Canterbury?
Tremblay: It's mostly through just knowing the teachers in town, through doing masterclasses at their schools, through teaching their students privately. A lot of [the students] will do a saxophone quartet in the summer at one of our camps, and they'll go back in the fall, and they'll say, "Hey, can we get a saxophone quartet going?". And of course the teacher's like "Yes, let's find some music and get it going." And so once they start building up that on the high school level, getting them in to be part of a concert is a nice moment for them to go perform at a university alongside university students. They really get excited at that and it's nice to have them on campus. They get to hear and see a lot of the stuff that goes on [here].
We actually even have a co-op student with us this year. It's the first time we've ever formally done it. We have a great saxophone player: she's in Grade 11 at [École secondaire catholique] Béatrice-Desloges in Orleans. She's been with us all year. She comes in on Friday and rehearses [with] two quartets.
Hillcrest has been a big part of it. They were the first ones we invited in. Canterbury's been a part of it, and also in the fall, we always have [École secondaire publique] De La Salle.
OttawaJazzScene.ca: This is the first time the sax ensembles will perform in the 440-seat Kailash Mital Theatre at Carleton University, instead of in the music department's small studio.
Tremblay: We've always done it in A900 Loeb, in the Patrick Cardy Studio, but it's always standing room only, and we can't fit any more people in there. People are often standing in the wings, and they can't even sit down. So this year, we've been so thankful to Jesse Stewart for the work that he's done and he's managed to get us a date that works for everybody on the Sunday afternoon.
I'm really appreciative for all the support that we get every year [from the School for Studies in Art and Culture], right up to the director, Dr. Brian Foss. We have to, in some cases, rent instruments. We have expenses and the department has always been very supportive and all the staff of our ensembles. It's a really nice community feel.
And this ensemble, like the other ensembles, is a culmination of all the hard work that's going on there. Yes, it's going to be a saxophone concert, but it's one of the Carleton Music ensemble concerts, which are always great. I was just at the jazz one last week, and it was fabulous. It was so nice to see and hear the students.
OC Transpo routes 7, 10, 104, 111, and light rail route 2 serve the university. Try the OC Transpo Trip Planner to find your trip to the show!
Covered bicycle parking is free and available across from Kailash Mital Theatre. Car parking lots are nearby; the university charges at all times for car parking.


text:
Amazing Feat of Flying: Visiting the Gimli Glider!
On October 15, 2021 March 2, 2022 By mybetterlifecaIn travel
Gimli is the cultural heartland of Icelanders in Manitoba and the country as a whole. Gimli's first European settlers were Icelanders who were part of the New Iceland settlement in Manitoba. In Norse mythology Gimli is known as the most beautiful place in the after life, where only the worthy will be transported after death.
Other than being a lakeside community, Gimli is known primarily for two things:
its annual Icelandic festival and;
the Gimli Glider
I love avionics. I've been obsessed since I was in my early twenties, mainly out of fear on account of heights and watching way too many episodes of Mayday/Air Disaster. I was obsessed with flights gone wrong, not out of morbidity, but out of wanting to learn everything I could about planes and flying so I could be more "aware" for when I flew. A bit neurotic, but instead of freaking me out more, it actually calmed me, the more I understood, the more in control I felt. I eventually tackled my fear of flying by jumping out of a perfectly good airplane and then 2 years later registering to get my PPL (personal pilots license).
I love the show Mayday, I've pretty much watched every episode, twice. Season 5 Episode 2 is the one about the "Gimli Glider": Air Canada 143. Which is why I am sooooo excited to visit the Gimli Glider Museum in Gimli, Manitoba.
It's July 23, 1983, I'm 9 years old, it's a calm Summer evening and Air Canada flight 143 is on its way to Edmonton from Montreal (with a stop in Ottawa). Captain Bob Pearson and First Officer Maurice Quintal are both veteran pilots, and they're flying a newly automated Boeing 767.
Captain Bob Pearson's uniform of the day
Up in the cockpit in the observers chair (jump seat) is Air Canada Maintenance Control Supervisor, Rick Dion. Dion is not a member of the crew on this flight, but rather he's on the flight as a passenger with his wife and young son. Dion is up in the flight deck to observe and discuss the brand new airliner with electronic flight equipment.
The chair above is the original chair, and was reupholstered to a 1983 appearance, but, the arms, belts and base are as they were on flight 143, and upon recovery from the airplane graveyard.
Midway through the flight, things begin to go horribly wrong. The system alerts the pilots to a problem. The plane is in danger of running out of fuel. Cpt Pearson decides to land as soon as possible and heads for Winnipeg. As he descends he loses one engine, then another. As First Officer Maurice Quintal performs crucial calculations, Captain Bob Pearson, an experienced glider pilot, takes manual control of the 767. Working with minimal instruments and hydraulics, and without flaps and spoilers, the crew nurse their crippled plane, the huge Boeing is falling from the sky. They won't make it to Winnipeg. First Officer Quintal had been at Gimli during his military service, so he knew the nearby air base at Gimli and it was likely the closest landing strip … but … they don't know that it's been decommissioned.
Meanwhile on the ground along the shores of Lake Winnipeg the day's events at a race car strip alongside the Gimli airport were winding down. Families sitting alongside their campers and trailers after the final race was held. Barbecues had finished, cottagers were on their decks relaxing when one by one groups of people spotted a very large, very silent aircraft coming in. It did not take long to realize something was terribly wrong.
The only way for Cpt Pearson to get his plane safely down is to try a manoeuvre that only glider pilots would know about. Thankfully, Cpt Pearson knows a lot about aerodynamics, in the 1960's he was a glider pilot and instructed and knows how to force the plane into a sideslip.
left underwing fusing station panel
Fuel control switches
Throttles and thrust reversers
pilot's flight control yoke
As he comes in for landing, Cpt Pearson notices three boys on the runway, they pedal and try to outrun the plane, but Kerry Seabrook, 11 years old, was frozen. The jetliner slid to a stop just a couple of hundred feet in front of him.
Kerry Seabrook's original bike
As Cpt Pearson touches down, his front landing gear collapsed, his rear tires blow. It is the first-ever 767 to land without engines does so without so much as a single serious injury.
Air Canada Flight 143, a Boeing 767-200, C-GAUN, after emergency landing at Gimli, Manitoba, 23 July 1983. (Wayne Glowacki / Winnipeg Free Press)
What caused this plane to have a twin engine flame out? The accident is blamed on a mistake in manually converting pounds to kilograms, which resulted in the aircraft carrying only 45% of its required fuel load. Because there was a problem with the flight management computer, and it was intermittently inoperable, it meant that fuel for the flight would have to be measured and calculated manually. The crew needed to enter the fuel quantity into the flight computer in kilograms, but they mistakenly did the calculation with the density of jet fuel in pounds/litre.
Board of Inquiry documents
The Board of Inquiry found Air Canada at fault for the near disaster and commended Cpt Pearson and his crew for how they handled the potentially deadly situation. In 1985, Pearson and Quintal were awarded the first ever Fédération Aéronautique Internationale Diploma for Outstanding Airmanship.
Several attempts by other crews who were given the same circumstances in a simulator at Vancouver resulted in crashes.
Cpt Pearson's amazing feat of flying changed airline flying around the world! It is said that those new procedures also saved the lives of those on board the 2001Air Transat flight that ran out of fuel and glided safely to the Azores. And that even Captain Sully (of the Miracle on the Hudson) called Captain Pearson to thank him. This feat of flying was so well revered back on the day that it forever changed the training pilots received, no doubt that Captain Sully wouldn't have landed that plane safely in the Hudson, had flight training not been altered to learn gliding procedures.
The Boeing flew passengers for another 25 years before ending her service with Air Canada, without incident. She was retired from the Air Canada fleet in 2008 and is now located in the Mojave (California) desert airplane boneyard. As you can see from a recent satellite photo, it is being pieced off for parts.
Air Canada 143 at her resting place in the Mojave desert, being parted out
The little museum has also been able to obtain other parts of flight 143 …
Ram Air Turbine drop door
The Ram Air Turbine is automatically deployed in an emergency
Part of the fusealage
Tail fin from the Gimli Glider, #604
The last thing I was able to do while at the museum was fly a flight simulator of the same air path that the Gimli Glider would have come in on. Had I had passengers aboard, they would definitely have needed to make use of the paper barf bags, but, I was able to land at Gimli, after sliding off the runway, making my way back on and losing my nose gear (it's set up to do that, but not slide of the runway lmao). The museum has also been able to obtain other parts of flight 143 …
Trying to lock onto the runway
My flight path into Gimli
AvionicsflyingGimliGimli Glider
Urbex: The Little Ghost Town of Insinger, Saskatchewan
SUV Camping – Manitoba to South Western Ontario


text:
Ryan Lewis on The FADER
Report: Macklemore & Ryan Lewis Did Not Submit Their Album To The 2017 Grammys
Macklemore & Ryan Lewis reportedly withheld their album This Unruly Mess I've Made from consideration at the 2017 Grammy Awards.
Macklemore's "White Privilege II" Didn't Move Me, But That's Not The Point
Macklemore's new song "White Privilege II" challenges white entitlement and the appropriation of the black freedom movement.
Macklemore & Ryan Lewis Share New Single "White Privilege II"
Taken from the upcoming album This Unruly Mess I've Made.


Mykonos and Santorini. Quite likely, these are the two Greek Islands people will most often name when they cite destinations for fun, romance, and beauty in the Mediterranean. They might even identify them with a hint of awe or satisfaction. The two islands evoke visions of sunsets, al-fresco dining, relaxation, and, sometimes, carnal pleasure.
After a Celestyal Cruises sailing that took me to both of these sought-after destinations, I can offer some observations on each, including travel tips that may help you plan your voyage.
The island of parties and outrageous nightlife could very well be nicknamed Ibiza South. Cavo Paradiso, famed among club-goers, sometimes doesn't open its doors until 3 am and when it does guests are treated to music from the world's leading DJs. Recent performers have included Steve Aoki and Deadmau5.
A playground for global jet-setters, Mykonos appears to have been thoroughly insulated from the financial crisis that has decimated much of the Greek economy. The island is alive with sophisticated shopping, an immense restaurant scene with establishments running along the water's edge and above it on cliff-side roads, and those clubs that go day and night during the height of tourist season.
Mykonos is touristy but it's also beautiful. Once you catch sight of the sunset and the joyful atmosphere in the pleasant streets of the main town of Chora, you'll be tempted to indulge in a multi-day stay. The island is 85.5 square kilometres (33 square miles) in area, putting it about the size of Manhattan and Harlem combined. It's home to an airport, a variety of accommodations, and stellar beaches.
Dining Tip: Roca Cookery Restaurant is in the Old Port of Mykonos, away from the row of restaurants that line the water in the area of Chora called Little Venice. It served the best meal I had in Greece, including a grilled sea bream, served whole and with roasted vegetables.
Oia is the name of famous resort town where the sunsets of Santorini have become a thing of lore. Half of the island was blown away when a volcano erupted 3,600 years ago. The civilization was buried after the blast, which caused catastrophe in nearby islands as well.
Although there are still active volcanoes on and around Santorini, the thought of another disaster doesn't prevent more than 10,000 people from calling it their home year-round, or nearly 2.5 million annual visitors from arriving.
The tourists congregate mostly on the hilltop of Oia, a few hundred feet above Santorini's shoreline and its principal town, Fira. Set on a cliff, Santorini's main island (there are five islands that compse the destination) looks like a frosted mountain from the distance, with white-washed buildings ambling along the rock.
Tour buses arrive en masse, so the streets of Oia crowd with hundreds of people seeking the nightly show of the sun settling into the azure waters of the Aegean Sea. I viewed with a group at the Sun Spirit Cocktail Bar, watching the golden light plume on the horizon and then ebb into the night. The Santorini sunset proved to be more glorious than its legend lets on.
Sailings and Cost: The all-inclusive four-day Iconic Aegean cruise operates from March to October. Rates start at $740 per person for sailings in 2018. The Iconic Aegean is ideal for passengers looking to see the highlights of the Greek Islands and to decide in which of them to base a longer stay. Celestyal offers additional cruises of the Greek Isles as well as Cuba.


text:
Explicit Sex Games Keep Getting Onto Steam [NSFW]
Nathan Grayson
Nov 3, 2017, 2:00pm
The Suffering Of Larina.
If at any given moment you visit the Steam store's front page, there's a strong chance you'll get an eyeful of exposed skin from some lewd adventure or action game's listing. Steam doesn't allow pornographic games, but in the Steam Direct era, they keep appearing on Valve's service anyway — until they're taken down, that is.
Warning: This post contains explicit, NSFW images.
Steam's rules prohibit porn, but earlier this year, a game called House Party — about whipping your dick out, getting people to strip, and starting fights (sometimes by whipping your dick out) — appeared on Steam containing depictions of full-frontal nudity and sex. You could even jerk yourself off in front of people, if you wanted.
After this was brought to Valve's attention, the game was temporarily yanked from Steam, with Valve asking the developer Eek to censor or remove the explicit parts before it could be re-uploaded.
At the time, Eek criticised Valve for what he saw as a double standard: "There are many games with nudity, and there are also games with sex scenes as well, including really popular titles, so it's all rather confusing and I don't know exactly where the line is."
Nobody seems to know where the line is, but in House Party's wake, several more games have definitely crossed it. Other games like visual novel The Suffering of Larina, risque fantasy game Valortha, and "erotic thriller" Strangers In A Strange Land pulled off similar feats, showing up on Steam with exposed genitalia and full-on sex scenes before being removed. Sometimes, the game's developers censor the naughty bits and re-upload the games, but sometimes they stay down for good.
Image: Strangers In A Strange Land.
You're probably wondering how this keeps happening. Well, despite being in charge of the biggest PC game store in the world, Valve runs a pretty loose operation when it comes to selecting which games will appear on its platform.
Earlier this year, the company wound down its Steam Greenlight service that let users vote on which games they wanted to see appear on Steam, replacing it with Steam Direct. This allows anybody to submit a game to the store if they pony up $US100 ($130).
Valve checks the game out to make sure it maintains a baseline of functionality, but it seems to be an extremely low bar. So while Valve technically doesn't allow explicit pornography, there did not seem to be any checks to prevent it: Many games have been posted, then taken down, rather than prevented from going up in the first place.
Despite how at-odds with Steam's guidelines these games might seem, the developers' presence on the Internet exists primarily, sometimes entirely, within Steam's ecosystem. Take Ryuvscloud, the developer of the aforementioned Valortha, as well as similar, albeit less gratuitous games like Sayaka and Himiko.
Ryuvscloud does not appear to have a web presence outside a private Steam account that lists no contact information. Moreover, it doesn't seem too interested in the fate of its games: After some were removed, the studio's Steam forums were full of confusion about what happened and if the games would be coming back. Ryuvscloud never made a peep.
Larina's developer SexuaDarka takes a similar approach. When the game, which is a visual novel story with a thin plot about thievery that's a setup for some very aggressive and extremely explicit sex scenes, was removed from Steam, the studio didn't patch it, and just released a new, similarly explicit, game a month later.
The developer behind Strangers In A Strange Land, a point-and-click adventure set on a farm where strange things (and also sex) are happening, does have a Patreon, but otherwise makes itself difficult to contact directly.
It's hard not to wonder whether these developers are intentionally breaking the rules, knowing their games will be removed. On one hand, having your games removed from Steam doesn't seem like an amazing business strategy, but on the other, the prestige of being on Steam even for a brief moment draws attention to these developers, whose games would otherwise just be one of many porn games available on platforms that allow them.
Games don't get much time front-and-center on Steam anyway, so it's not that bad of a trade-off when you consider that Larina managed to stay on Steam for nearly a month, and Valortha didn't get removed until it'd be available for nearly eight months.
Evidence seems to speak to the idea that developers like SexuaDarka at least understand that their actions might have consequences. One month after releasing Larina, SexuaDarka launched an extremely similar game called Kayalina, which was also removed from Steam shortly after its launch.
A thread in Kayalina's Steam forum titled "this guy again :3" contains responses from a handful of people saying they will buy it because they liked Larina so much. Perhaps this is the plan — leave the last game down, but put up another game knowing that fans will rush to buy it before it disappears.
Strangers In a Strange Land was re-uploaded to Steam with censorship, as seen above.
Some porn games have tried a different tack: Put uncensored game on Steam, wait for it to be taken down, re-upload a version that censors all of the explicit content, and then provide a link in a Steam news update to an "uncensor patch" that removes the censorship.
As of this week, though, it seems like that's no longer allowed. Dharker Studio, developer of a sexy visual novel called Galaxy Girls, claimed in a forum post on Sunday that "Steam reps have told us that they no longer allow any information or links to the uncensored patches on steam, so they all had to be removed".
Dharker added that it would be updating its own, non-Steam website with information on how to download an uncensor patch. Dharker Studio did not reply to our request for further comment.
Since then, multiple other developers, including visual novel powerhouse MangaGamer, have chimed in with similar claims. Speaking with a website called LewdGamer, MangaGamer said it received a notice from Valve instructing it to remove all mentions of uncensor patches from its games' pages on October 27.
That came as a surprise in light of a discussion the publisher had with Valve in late April, in which Valve apparently said uncensor patches were OK.
"Valve has not yet given us a reason why this policy has changed," said MangaGamer's PR director and head translator John Pickett.
Valve did not respond to Kotaku's repeated requests for comment and clarification on this matter.
Image: Ladykiller In A Bind.
Valve and uncertainty go hand in hand, and this is just the latest example of the trend. Triple-A games like The Witcher 3 get a pass on full-frontal nudity and sex scenes. There have been a handful of Valve-approved uncensored sex games on Steam since the end of 2015, like visual novel Kindred Spirits On The Roof and BDSM sex comedy Ladykiller In A Bind.
The former did not depict genitalia, but the latter did. Meanwhile, games like the notoriously raunchy HuniePop series display bare breasts, but characters still wear underwear that can only be removed via uncensor patches.
R-rated content, then, seems to be acceptable in some situations, but genitalia and sex scenes don't fly… except when they do, as in Ladykiller's case. Valve has never stated where it draws the line outright, leaving developers in the dark.
In addition, games that use sex to make headier points about identity and culture — Robert Yang's dick pic game Cobra Club, for example — have had difficulty getting through Steam's front door, even though they use genitalia to make a point, rather than being explicitly pornographic. It's worth noting that, as Kotaku columnist Amanda Cosmos once pointed out, Valve seems especially "dick averse."
It's confusing for developers and Steam users alike, but for the time being, it seems like Valve's gonna Valve. At least that will never change.
Jagji The PC Gamer Guest
I don't see a problom with Steam having sexually esplisit games. The problem is kids lieing on things to see what it is when the shop says 'over 18' on the product. This could be easily remainder by having photo verification of some kind, that includes your drivers license (it has you DOB and a pic of you on it) then Valve could have a 'Red Light' section where ALL games that are rated as adult go, and only people with verified age accounts are able to see that section. This would remove any ability Valve would have, as anyone under the age of 18 would basically have committed fraud to get access to that section. I mean, its not like 12-13 year olds can't just look up 'boobys' or 'Dicks' on google to find what they want anyway.
NegativeZero @negativezero
The problem isn't that really, it's that Valve doesn't want to lose their relationship with payment processors which could start cutting them off or charging extra fees because they're dealing in porn.
guestwhowould @guestwhowould
Nov 6, 2017, 10:22am
Valve is that big though that it wouldn't be a very smart decision to loose such a big and profitable customer. Other institutions would be more than happy to pick it up.
When you lose the major credit card processors and/or paypal there *is* no one else. They see that and all piss off too. That's actually a lot of the problem.
Nov 6, 2017, 10:58pm
So they won't do steam if adult games happen but will do porn sites. I fail to see the logic.
Visa and the other are essentially a transfer protocol they don't issue cards money or anything like that. As far as actual financial institutions where the money goes I don't even want to guess how many there Are, millions?
Seriously banks do all sorts of porn sites adult stores etc and you think adult games will have an impact?
Prostitutes can use credit cards ffs.
furyousd @furyousd
so paypal is fine with directly allowing u to pay for pornographic material but they wont allow it to go through other sites like steam, wow (yes ive paid for pornographic material with paypal plenty of times b4)
May 2, 2018, 7:03am
It's not the fact it's porn that's the problem, it's the fact that porn tends to be much riskier. There's a higher chance of fraud, chargebacks and so on which means that the processing fees are higher and Paypal often refuses to take that risk, and will shut down access or just refuse to allow it in some cases (their Terms of Service has a specific clause for not having lots of chargebacks etc)
vaegrand @vaegrand
I honestly don't see the problem, though it would make more sense if Steam would segregate them into an area so that every VN that has smut (w/ or w/out patch) in it doesn't end up on the front page.
bluxy @bluxy
Im not having a good day with comments, however I will say that they should be allowed.... geeze every kid must know about porn on computers. and kids shouldnt be using a computer unsupervised anyway.... its like owning a gun or driving a car you just dont let kids do it.
dnr @dnr
As someone who both owned a gun and a car at 13, i resent that comment.
its all about education, i was taught at a very early age to respect guns and cars due to the danger they presented.
I was able to pass my P's test with a score of like 99/100 just two weeks after passing my L written test as soon as i was of age, and i don't go around murdering people with guns.
So i disagree, children should be given and taught about cars, guns and sex to ensure they have a healthy understanding from a younger age than they currently are taught.
OK then lol, lets just all give the kids guns
key word was "unsupervised" in my comment told ya i was having a bad day
Wasn't having a go at you bud, just pointing out that with a little more education instead of knee jerk offensive reactions like most people seem to have at the idea of sex and violence the world would be a better place.
Just look at the people who down-voted my comment above, i take from it that those people are against education and prefer the current social media trend of "unpopular opinions must be wrong" because that's what the world looks like these days, if you don't have someone to blame for everything or someone to ostracise how will you feel better about your petty offended views?
I down voted because when I did my ps 20 years ago you couldn't do your test 2 weeks after getting you L's it was 3 months and 99? Points. It was pass or fail on sections. So no I didn't down vote you for a differing opinion I down voted because I don't believe you.
Don't believe all you want, its still true.
In Darwin NT, i completed my L written test the day after i Turned 16, then signed up for my P's test on the same day, the ONLY requirement for it back then was that you had to wait 2 weeks after getting your L's to be able to sit the P's Test.
No idea what you are even referring too with the 99 points?
Was the same with my bike licence, did the basic L course and then 2 weeks later the P's equivalent for bike.
how many years ago was it because i had to wait 2 years until i was 18 after getting my l's b4 i could do the test for my p's (i live in Tasmania Australia btw)
I was talking 18 years ago, but as mentioned by others each state is always different.
xenoun @xenoun
Different states have different rules and systems for licensing. Just because theirs is different to yours it doesn't mean they aren't telling the truth.
Yangster Guest
I stopped reading this rubbish a few paragraphs in. House Party was not temporarily removed for containing nudity. It was removed for depictions of sexual assault and the distasteful portrayal of sex acts which included getting girls drunk and then having sex with them as well as randomly whipping your johnson out and ejaculating onto peoples faces. I mean the author even eluded to it themselves in saying "You could even jerk yourself off in front of people, if you wanted", but of course, excluded the facts so the story fits their own narrative.
While scrolling down I saw Strangers in a Strange Land mentioned, which I assume Nathan Grayson also conveniently forgot to acknowledge, once depicted a minor engaging in sexual acts before being temporarily removed and patched out.
10/10 Journalism Mr Grayson, quality stuff.
pcmason @pcmason
Maybe Valve could just start a new service called "Hot and Steamy" to sell adult content!
jusking3888 @jusking3888
Nov 4, 2017, 8:45am
Pun intended? :)
a2113 @a2113
Not sure how relevant people think it is, but "To apply for a credit card you need to be at least 18 years old and have a good credit rating. You don't need to be an Australian citizen."
If kids are buying these games, then the parent is the one buying it for them..surely the little rascals aren't just using the cards without parental permission?
steelpanther @steelpanther
You can also pay by PayPal - which can use a bank account instead of a credit card.
i mean that is something i would of done to get my hands on pornographic material b4 i turned 18, i mean i know i did allot of things to get what was illegal for minors to have b4 i turned 18, porn cigarettes even the occasional weed when it was given to me for free but my point is if u tell someone they want then that most likely means they will want it more and try to get it no matter what especially minors
shadow @shadow
I will just never understand why sex is somehow worse than violence.
jerichosainte @jerichosainte
I think the problem is that the games often include sexist, sexual violence and other abhorrent content that is questionable.
i know right, sex is a natural thing, we do it for pleasure and to make babies to further our race, its only a bad thing when u mix violence into it, education on these things is what is needed, hell if i had been told about sexual things at a young age properly i wouldn't of made some questionable mistakes i did at that young age but i own my mistakes they are what educated me on the subject even though they were wrong
Onetimer Guest
Blame religion and capitalism.


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