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Microsoft and outstanding debts: Why the notebook is the biggest forgotten Windows?
We have, in a few days Windows 10 will finally and officially in stores and online store in its final form. Microsoft has today decided to go back to talk about system requirements "minimum" to take advantage of the features of the new OS.


An "enormous" losing bet on bitcoin last week left one futures trader unable to cover the loss and other traders on a Hong Kong-based exchange to foot the bill.
Because of the sheer size of the order and bitcoin's price slump the exchange said it couldn't cover the loss.
"That exchange shouldn't have let someone put that size of a position," said Brian Kelly, CEO and founder of BKCM.
The cryptocurrency is down roughly 10 percent this week and has dropped roughly 50 percent this year.


We provide accessible and affordable services and social opportunities that will enhance mobility and wellbeing for those in need in the local community.
Go North Devon was founded in 1992 and provides a range of transport, mobility and information services for those who are frail, have a mobility problem, a disability (physical or sensory) or who are isolated within the community and are unable to use public transport or do not have independent means of travel.
A service for anyone with mobility problems who needs help to get around the shops in Barnstaple.
A regular door to door minibus service into Barnstaple for those who are frail, have a mobility problem, a disability (physical or sensory) or who are isolated within the community and are unable to use public transport or do not have independent means of travel.
A door to door car service for patients needing to travel to North Devon District Hospital for oncology related appointments or other cancer related appointments at local hospitals.
Patients are expected to meet their own transport needs to and from hospital. Those requiring transport information and journeys should contact the Patient Transport Advice Service who can advise on transport opportunities in their area.
Go North Devon relies on a number of fundraising activities to support the services it provides.
We are a charitable organisation and we rely on people's generosity to enable us to keep our services running.


Analyzing the dynamics of large populations of neurons is a still a formidable challenge at present . Even more so, beyond classical analysis techniques (correlation analysis, etc), characterizing the spatio-temporal trajectory of a neural system is very difficult. It has been suggested that such an endeavor can be made possible by describing the dynamics of the neuronal system through a state-space . Such approaches have proven useful for odor decoding in honeybees , or the description of neuronal activity from monkey frontal areas . There is however a fundamental problem for large neuronal systems: Finding of a relevant subset of variables that define a state, such that the subset preserves a reasonable amount of information about the whole system. Relevance is to be defined according to the observer of the neuronal population, which, in the real brain, consists of other neurons. Perhaps a good way to characterize a neuronal circuit is to use neuronal observers, and here, we show that a subset of neurons can be used to extract and compress information about the dynamics of a large self-sustained microcircuit. We used a population of 10 regular-spiking neurons as readouts, connected to all neurons of a self-sustained microcircuit containing ~600 Izhikevich type resonator neurons . Synapses of each readout are excitatory, with long NMDA-like exponential decay of the synaptic conductance (30 ms). Synaptic strength for each individual synapse is computed as a sum of a fixed baseline (e.g. 0.7) and a smaller random fluctuation (e.g. between 0 and 0.2) drawn from a uniform distribution. The synaptic trees of the readouts are balanced: The total synaptic strengths are similar for each readout neuron. As a result, readouts fire with very similar rates, engaging into repeated temporal firing patterns, such that information can be recovered in the relative phase of their spike times (Fig 1). For each firing pattern, a phase vector is computed by calculating, for each readout, the time difference between its firing and that of the first readout (Fig. 1). As a result, a 10 dimensional vector of relative phases is computed, for each moment in time where a phase pattern occurs in the readout population. We show that the succession of these phase patterns can be used to characterize, in a compressed fashion, the dynamics of the whole microcircuit, including limit cycles.
Research was supported by two grants of the Romanian Government: RP-5/2007, Contract 1/1.10.2007 and ID_48/2007, Contract Nr. 204/1.10.2007 financed by MECT/UEFISCSU and a Max Planck-Coneural Partner Group.


Moreover, you can incorporate honey or maple syrup in your juice to enhance its flavor as lemons have a super sour taste. You should make it in warm water if you want to lose weight whereas consuming the juice made with cold water is nutritious as well.
Lemons are diuretic in nature. Thereby, you should expect frequent bathroom breaks once you starting drinking the juice. Nutritionists recommend drinking lemon juice on an empty stomach. Additionally, you should only use organic lemons and raw honey to get the most of the concoction.
Cut a lemon into two halves and squeeze its juice removing seeds. Pour it into a glass of water and add honey or maple syrup as per your choice. You can choose either warm or cold water. Give it a nice mix and a refreshing glass of lemon juice is ready!
Indigestion is an uncomfortably and annoying disorder that can make you lose your focus, make you dizzy and dull at the same time. Consuming freshly made lemon juice can relieve your condition effectively. The juice is highly beneficial to get rid of bloating, abdominal cramps, and stomach aches which often occur during indigestion. Lemon juice promotes secretion of digestive juices making digestion smoother.
Lemon juice can do wonders for your oral health. You can opt for it to get rid of bleeding gums and bad breath. However, you need to stay careful a bit as lemon can gradually begin to strip the enamel off of your teeth – which is why you should always drink lemon juice with a straw and it is important that you rinse your mouth after drinking a glass or two immediately.
Lemon juice is a magical concoction to treat various kidney problems including kidney stones. That is a very painful health disorder and small pieces of calcified stones pass through your urethra when you urinate. There are laser treatments for the disorder but drinking a bit of lemon juice on a daily basis can help dilute the stones impeding the chance of any reoccurrence. The diuretic nature of lemon juice will increase urination allowing your body to flush out excess salt, toxins, and chemicals. This is why you should always consult with your primary care provider in this context and refrain from self-medication.
You may find it pretty ironic. Consuming freshly made lemon juice in warm water can provide relief from a sore throat or pharyngitis.
Lemon juice can facilitate your weight loss journey. It burns fat and boosts your metabolic rate. Regular consumption of the drink controls appetite as well.
You can incorporate lemon juice if you encounter respiratory issues more often. It can effectively treat mild bronchial infection to symptoms associated with asthma. However, consulting with the primary care provider is still suggested to prevent exacerbating any preexisting conditions.
Antioxidants are essential to protect your heart from the adverse effects of oxidative stress. You can consume lemon juice to steer clear of the effects of toxins and free radicals on your blood vessels and heart. The potassium found in the lemon is also necessary to support overall cardiac health.
Drinking lemon water on a daily basis activates digestive enzymes in your liver. Also, it is a natural source that regulates blood oxygenation.
You should replace sugary drinks with lemon juice as it works as an energy booster. It contains zero calories and nourishing properties which make it beneficial for obese and diabetics alike.
Enriched with vitamin C, lemon juice strengthens your immune system and prevents it from falling prey to dismantling factors like free radicals, infectious bacteria, and cancerous cells.
Lemon juice can help remove toxins and waste materials from your body. It is a natural detoxifier and cleanses your body without any side effects.
Potassium in the juice is highly beneficial to curb high blood pressure levels which have potential to affect your cardiac health as well.
Lemon juice is an ideal summer drink. It is nourishing and energizing at the same time. Most people don't like consuming plain water. Squeezing a lemon into it will not just enhance the flavor but the minerals found in it will keep you hydrated as well.
You can reap plenty of vitamin C by consuming lemon juice on a regular basis. It is a storehouse of antioxidants which rejuvenate skin, delaying the aging process. Also, it protects your organs from oxidative stress preventing age-related diseases.
Consuming lemon juice on an empty stomach could become your beauty secret. The juice provides vitamin C in abundance which enhances overall condition of your skin. The antioxidants in lemons repair damaged skin cells and tissues, which eventually result in the clear, radiant, and supple skin. The drink cleanses your body via removing toxins and waste material. The process affects your skin as well giving it a natural glow. Moreover, the content of other vitamins and minerals in lemons is also beneficial for the health of your skin. Therefore, drink a glass of fresh lemon juice and embrace a healthy skin.
Lemon juice is a delicious drink which can treat numerous health ailments as well. You can consume it to maintain your blood pressure and to keep your body energized. It is a versatile drink that prevents viral infections in winter and keeps you hydrated in summer.
There is no doubt that the health benefits associated with it are fantastic. However, you are still advised to consult with your primary care provider in cases of serious health problems like blood pressure and refrain from home remedies.


The Transport Layer Development Kit (TLDK) is new Layer 4 implementation, developed for DPDK (dpdk.org) and VPP (https://wiki.fd.io/view/VPP).
TCP and UDP socket based applications are core technologies in the modern data-center. The introduction of Orchestration, SDN controllers, vSwitches and Virtual Dataplane have seen a huge change in how network packets are delivered to data-centre nodes. While the stacks that consume these packets, the socket based applications have evolved much more slowly. Virtual switches like VPP and OVS-DPDK, have benefited from the vector packet processing technology in DPDK to scale process millions of packets per second, while TCP and UDP socket based applications have not yet benefited. There have been a number recent efforts to port various L4 implementations to DPDK, and while these usually give a modest performance benefit the performance of these is not yet revolutionary.
Overview of the TLDK UDP and TCP API, and how it differs from the BSD Sockets API.
How TLDK scales DOS prevention mechanisms such as SynCookie and SynCache.
How TLDK scales TCP Timers to handle millions of connections per core.
How TLDK integrates with Virtual Switches likes VPP?
How will existing TCP and UDP based applications such as NGINX or Apache Traffic Server benefit from TLDK?


text:
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Academic Achievement Trajectories of Homeless and Highly Mobile Students: Resilience in the Context of Chronic and Acute Risk
http://www.usich.gov/usich_resources/research/academic_achi…
As featured by the United States Interagency Council on Homelessness, the University of Minnesota released a study, Academic Achievement Trajectories of Homeless and Highly Mobile Students: Resilience in the Context of Chronic and Acute Risk, which examined academic achievement of students identified as homeless or highly mobile as compared with other students in the federal free meal program, reduced price meals, or neither. This study was partially federally funded by the National Institute of Mental Health and the National Science Foundation.
Framework For Evaluating Impact Of Informal Science Education Projects
http://informalscience.org/documents/Eval_Framework.pdf
Details the National Science Foundation's work to advance the informal science education field as a whole and provides an overview of impact evaluation and a look at some of the common issues,concerns, and opportunities in evaluation practice.
Afterschool
Beyond Looking Both Ways
http://www.nsf.gov/discoveries/disc_summ.jsp?cntn_id=135532…
This article describes a study funded by the National Science Foundation's Social, Behavioral, and Economic Sciences directorate, which is trying to understand the factors that put children at risk when crossing the street on a bike and on foot. The ultimate goal of the study is to provide information to parents that could help them when discussing safety with young children.
Teen Driver Safety
Promise Neighborhoods
http://www2.ed.gov/programs/promiseneighborhoods/index.html
To address the challenges faced by students living in communities of concentrated poverty, Promise Neighborhoods grantees and their partner organizations will plan to provide services from early learning to college and career, including programs to improve the health, safety, and stability of neighborhoods, and boost family engagement in student learning.
Office of Innovation and Improvement
Positive Youth Development
The Education Innovator
http://www.ed.gov/news/newsletters/innovator/index.html?src…
Weekly, archived newsletters from the Department of Education, Office of Innovation and Improvement.

redpajama_set_name: RedPajamaCommonCrawl


text:
Innovation and enterprise blog
2 posts from March 2020
A message from the BIPC
Photo credit: Tony Antoniou
Since 2006 our doors have been open to everyone. Throughout this time our mission has remained constant: to help businesses to innovate and grow, and to diversify and democratise entrepreneurship across the country through our free and low-cost support from our base at the British Library, and, more recently, across ten London boroughs and our national network of BIPCs.
Like you, only a couple of weeks ago we were also looking ahead to scaling-up and developing our services, with a central government investment in the regional expansion of business support via libraries, enabling us to reach both the high street and rural areas. Now, like you, we are adapting to the new and changing patterns of our lives. In these unprecedented times, we, at the British Library and our partner libraries, find ourselves spread out in our own homes and unable to offer our normal face-to-face support.
But opportunities remain. Technology keeps our network of libraries working together with our expertise and resources pooled. It also keeps us connected with you and, during this time, we are providing many of our normal workshops as webinars, and free online one-to-ones will soon replace walk-ins and meetings. We are also working on developing content that is relevant to these unique and uncertain times. Please do make sure that you are following us for the latest updates, including additions to our schedules and our offering. As you will have seen in the news over the past weeks, the business landscape is changing at a rapid pace and we, along with our service delivery partners, are working to be as reactive as possible to the impact these developments will have on small businesses.
An extremely important group in our community are the fellow advisors and presenters who work with us, running the workshops and events. I'd like to use this moment to personally thank all of them, especially as we look at transforming our services together, to ensure we can continue to offer our support during this period.
More so than ever, we know how important it is for us to stay connected with our users and to provide support through the training and mentoring that we can still offer you. Our doors remain open – in the virtual sense for now - and we'll listen to you across social media and through our helplines to inform what it is you need us to be in the coming weeks and months.
We remain committed to the success of new start-up businesses using our services, as well as the well-being of the courageous entrepreneurs who lead them. Despite the multiple hurdles ahead, we will be here to help you keep your ambitions alive.
Isabel Oswell
Head of Business Support Services
Posted by Innovation and Enterprise Team at 12:00 PM
Business, Intellectual property / IP, Market research, Start-ups, Startups in London Libraries
Getting to grips with IP: Back to basics
We asked Briffa, a boutique IP law firm based at the Business Design Centre in Islington, who are specialist IP lawyers and Business & IP Centre delivery partners, to unravel the confusion and complexities around IP…
Éamon Chawke, Partner at Briffa
IP is like spaghetti. A big tangled mess. We frequently hear people say things like "I want to trade mark my idea!" (you can't) or "how do I patent my business model?" (you can't) or "I paid you to design something, so surely I own the copyright!?" (not necessarily). It's only when we untangle the spaghetti and get to grips with the individual rights that sit underneath that umbrella term that we can hope to discover how intellectual property can be used to protect the fruits of our creative labour. So here are a few basics to get started:
Intellectual Property, or IP, is an umbrella term we use to describe a collection of rights which, broadly speaking, allow people to control the use of their creations. The common thread that runs through all IP rights is that their value derives, in part at least, from the ability of the IP owner to exercise monopoly control over what they have created. Or, to put it another way, to stop someone else from using their stuff.
What are the main IP rights?
The four main statutory IP rights are:
Copyright - which allows the creators of literary, dramatic, musical, artistic and other creative works to prevent third parties from copying or otherwise using their works without authorisation
Trade marks - which allow the owners of brand assets such as names, logos, slogans and jingles to prevent competitors from using those brand assets without authorisation
Design rights - which allow product designers to prevent others from using their designs without authorisation
Patents - which allow inventors to prevent others from using their inventions without authorisation.
How do I get these IP rights?
There are two main categories of IP rights, registrable and unregistrable. As the name suggests, registrable IP rights are rights that require registration in order to secure protection. Conversely, registration is neither necessary nor possible in the case of unregistrable rights. Instead, those rights simply arise automatically.
What are the registrable rights?
The main registrable rights are:
Registered designs.
In the case of these three rights, protection normally starts from the date the application is filed (not the date the registration process is completed, which in the case of trade marks might be a number of months after the application is filed and in the case of patents might be a number of years after the application is filed). Patent protection normally lasts for 20 years and renewal payments must normally be made annually to maintain the patent.
Trade mark protection lasts forever provided that renewal payments are made every 10 years.
Registered design rights last for a maximum of 25 years and renewal payments must be made every five years.
What are the unregistrable rights?
The main two unregistrable rights are copyright and design rights. In the case of UK unregistered rights (copyright and UK unregistered design rights) protection arises automatically from the moment of creation, usually in favour of the creator. Copyright usually lasts until 70 years after the death of the creator of the work (though the term of protection is shorter for some categories of work). UK unregistered design rights last for 15 years from the date the design is created or 10 years from the date the design is first made public, whichever occurs first. EU unregistered designs rights last for 3 years from the date the design is first made public in the EU.
Copyright protection 'usually' arises in favour of the creator? Huh?
Yes, the default position under English copyright law is that the creator of a work is the first and automatic owner of the copyright in that work. However, there is a major statutory exception to that rule. If the creator of that work is acting in the course of their employment, then copyright rests automatically with the employer and not the employee. In many cases, an employment contract will contain an IP clause confirming that the employer and not the employee will own any IP created or developed by the employee in the course of their employment.
But surely if I pay someone to design my logo I own the copyright, no?
Not necessarily. As above, the default position is that the creator of a work owns the copyright in that work unless they are an employee acting in the course of their employment. So if you pay a freelance artist to design a logo, no, you will not necessarily own the copyright in the logo (even if you have paid them). Depending on the circumstances, you may have an implied right (licence) to use the copyright but an implied licence is not the same as full ownership and if you want to secure full ownership of the copyright in your logo you must have a written copyright assignment signed by the artist.
What about ideas generally? How are those protected?
IP rights generally do not protect ideas. They protect the expression of ideas. For example:
Copyright protects artistic works (i.e. the physical expression or manifestation of an idea such as a photograph of a bridge taken at sunset), but it does not protect the idea or concept behind the artistic work (i.e. the idea of taking a photograph of a bridge at sunset)
Design rights protect the appearance of products (i.e. the shape and surface decoration on a piece of furniture), but they do not protect the idea or concept behind the appearance of the product (e.g. a rustic style or a modern style of furniture)
Patents protect inventive products and processes (i.e. a new technical invention for automatically locking a car using a sensor), but they do not protect the idea or concept behind the invention (e.g. the idea of having cars lock automatically upon a sensor going out of range of a vehicle)
Trade marks protect specific brand identifiers (i.e. a particular word, logo, strapline, colour or shape that customers use to identify the brand), but they do not protect the idea or concept behind the brand identifier (a particular style adopted by a range of brand identifiers).
So there is no way to protect an idea or concept?
The best way to protect an idea or a concept is to keep it confidential and control its disclosure by ensuring that anyone you share the idea or concept with signs a non-disclosure agreement (or NDA) which contractually precludes them from sharing the information publicly or taking the information and using it for their own purpose. A famous example of information which has retained its value by virtue of its confidentiality is the recipe for Coca-Cola. Its value does not derive from the fact that that the recipe is patented, or from any other registration. Its value derives from the fact that it is a very closely guarded trade secret.
What about 'taking inspiration' from someone else's work? Does that infringe their IP?
Big question, short answer. It depends. All IP rights have different legal test for what constitutes infringement and these different legal tests therefore determine the scope of protection afforded to the IP owner. So let's take a look at two examples: infringement of copyright and infringement of registered design rights.
Infringement of copyright
The test for infringement under English law is whether or not the alleged infringer has copied the 'whole or a substantial part' of the original copyright work. If the whole or a substantial part of the actual original work has been copied (e.g. the specific artistic pattern) then there is a likely a case to be made for copyright infringement. If the whole or a substantial part of the original work has not been taken (e.g. the specific pattern has not been copied but only the concept/idea/style of the pattern has been taken) then it is less likely that there is a case to be made for copyright infringement.
Infringement of registered design rights
The test for infringement under English law is whether or not the alleged infringer has created a product which creates 'the same overall impression' as the earlier registered design. If it does (e.g. the two pieces of furniture create the same overall impression from the perspective of an informed user e.g. a furniture enthusiast) then there is likely a case to be made for design infringement. If it does not (e.g. the two pieces of furniture are somewhat similar but they do not create the same overall impression such that an informed user e.g. a furniture enthusiast would very easily tell them apart) then it is less likely that there is a case to be made for design infringement.
So I might get into trouble by simply taking inspiration from the world around me? Madness!
Well, the first point to bear in mind is that in these situations the specific facts of the case are crucially important.
With copyright, a court would look at the most creative/important bits of the earlier design. If those bits have been copied, the court might find that the infringement claim is made out (even if those most creative/important bits only make up a minority of the overall earlier design i.e. the test for copyright infringement is more qualitative than quantitative).
Similarly, with design infringement, the court would look at the things like any existing designs, which might be very similar to the earlier design. If there are lots of similar designs out there, the scope of protection of the earlier design will be narrower (i.e. limited to the differences between all the other similar designs); whereas if there are not, and therefore the earlier design is quite unusual/novel, the scope of protection will be broader.
In the final analysis, it is better to be inspired by concepts, themes and/or ideas if possible, and to develop a new creative work based on those concepts, themes and/or ideas. If you start by copying an existing creative work and modifying it here and there in an attempt to put distance between the old work and the new work, you run the risk of incorporating into the new design elements from the old design which will quite obviously be the result of copying rather than coincidence.
My head hurts, what now?
IP is not just like spaghetti, it's a veritable spaghetti monster with issues too complex for Oprah. My advice: take advice. The British Library's Business & IP Centre offers a wealth of advice and resources to businesses and individuals who are trying to wrap their head around their IP. Take a look at the website to find out more.
Similarly, Briffa is always happy to take your call/meeting and give you a steer on any IP issue. Contact 020 7288 6003 or email to book a free consultation.
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Salejerseys.com - has anyone heard of this site?
Hello everyone. I wanted to know if anyone heard of this site? If so has anyone had any trouble with the products?
Thanks for the info guys i appreciate all i can get oh and what i mean by asking if they were legit was actually both sorry for not clearing that up. Have a great day ppl.
I Can't say that I have But I got to tell you that Logo on that site Looks so Familiar of another wholsale site.


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text:
Q: Single file merge in Subversion I'm using Subversion 1.5 and have a single file in a branch that I want to merge into another branch. When I do a svn merge http://path/to/file I get an error,

Cannot replace a directory from with .

Does this just mean that Subversion can't do this?

A: Try specifying the path to the local file as well.
For example,
svn merge -r1234:1235 svn://your_svn_url/to/file ./local_file

A: Im am using subversion 1.8.8 and
svn merge ^/trunk/path_to_file ./branch/path_to_local_file

works fine for me.

A: The merge, as Andrew recommended it, worked for me, but not for every file. I had three files, but for the third I got the error "...path not found". Adding the argument " --ignore-ancestry" solved that problem.
But after merging I had strange modified/merged file status and a lot of svn:mergeinfo added to my working copy.
So I decided to just do a simple copy&paste for single files to avoid such confusing stuff until we switch to Git where these tasks are really no problem at all ;)

A: I think you need to do a
svn merge http://server/repos/path/to -r <REV>

where <REV> is the revision where the file was added. That way merge information is recorded (in case of a Subversion 1.5 or higher repository).

A: I think your best best is an svn copy from one branch to the other.

redpajama_set_name: RedPajamaStackExchange


MS09-062 image based vulnerability, the biggest collection -> vulneralbit on GDI.
Specially crafted file can cause b0f while browsing.
Social engineering using malicious PDF or Active-x.
The URLs are actually previously know malicious websites, mostly are Trojan with botnet capability.
These malwares leverage the "smart thing", by now most companies block IRC port, but web-based command/control bot can still work nowadays.
Several dozes fake IRS website actually are associated to the same IP address.
And this same IP address will be used for other false website, such fake mother's say website.
10-20% google result on IRS are malicious website.
because they didnt know with time zone was used, even when they had a count down.
they had created the tools, they had created a wiki, but all fall a part on the coordination.
the one that really works are the one under the radar & well organized - there were too many cooks in the kitchen.
Pro-Giorgian blogger, his twitter got blasted. They just targeted 1 guy account causing twitter DoS.
New version of mac protection is available.
could allow remote code execution if an attacker sent specially crafted TCP/IP packets over the network to a computer with a listening service.
MS09-047: vulnerabilities in Windows Media Format , malicious MP3 for example.
MS09-045: vulnerability in the JScript scripting engine that could allow remote code execution if a user opened a specially crafted file or visited a specially crafted Web site and invoked a malformed script.
MS09-046: vulnerability in the DHTML Editing Component ActiveX control. An attacker could exploit the vulnerability by constructing a specially crafted Web page.
MS09-037: same as MS09-035 - vulnerabilities in Microsoft Active Template Library (ATL). The vulnerabilities could allow remote code execution if a user loaded a specially crafted component or control hosted on a malicious website.
ATL library issue applicable to Adobe products & other vendors.
MS09-038: vulnerabilities in Windows Media file processing.
MS09-039:vulnerabilities in the Windows Internet Name Service (WINS). Either vulnerability could allow remote code execution if a user received a specially crafted WINS replication packet on an affected system running the WINS service.
MS09-043: vulnerabilities in Microsoft Office Web Components that could allow remote code execution if a user viewed a specially crafted Web page. in the wild.
MS09-045: vulnerability in the JScript scripting engine that could allow remote code execution if a user opened a specially crafted file or visited a specially crafted Web site and invoked a malformed script. If a user is logged on with administrative user rights, an attacker who successfully exploited this vulnerability could take complete control of an affected system. An attacker could then install programs; view, change, or delete data; or create new accounts with full user rights. Users whose accounts are configured to have fewer user rights on the system could be less impacted than users who operate with administrative user rights.
we had out of bad releases MS09-034 & MS09-35 <-updated today.
how user's malaise or lack of malaise quantifiable?
One way to check it it: during login: prompt a security related challenged question randomly.
User has to answer 10 questions correctly before they can login.
Then check if it is getting faster or longer for the average user to login.
At the end of the day it is the user who put the network at risk.
Once you got the metric is it really difficult to get the message to the CxO.
risk and compliance: is all about auditing.
solidcore: when product and technology works out of the box.
Policy compliance -> risk metric -> reporting of risk management start with vulnerability management - > security risk management -> eventually policy & compliance management.
Vulnerability management: looking at the design flaws of SW & HW, looking for policy that will prevent those vulnerabilities to be exploited even if the vulnerabilities exist.
Need to know which assets/systems matter most.
Not enough enterprise really understand the importance … It's depressing, especially bigger enterprise.
Disaster recovery: if our network goes down what it means to us?
Noways many policies that requires accountability and reporting.
CardSystems: went bankrupt at the same year that they got hacked.
Sometime to people say malaise that is the most difficult thing to deal.
You'll eliminate 80% of the problem.
It's great that there are security researchers like darryl making this this world more secure. kudos.


On my keramik-handgemacht.de photos gallery site you can view pictures of pottery items handmade by me. If you like to view all available preview pictures click here. I can gladly vary each item for you individually considering its form, color, size and/or type of GLASUR, all chosen by you personally.
Please add the shown serial number of the item to your request. If the item happens to be sold out or not to be available, it will be shown underneath the picture.


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All Year Destination
Okavango Safari Experience
Okavango Wildlife
People of the Okavango
Foodie Guide
Jewel of the Kalahari
Okavango Self-drive
Okavango Highlights
Okavango Lodging Guide
Maun - Gateway to the Delta
The Okavango and Moremi Safari Experience
© View from your pool deck at Vumbura Plains Lodge. Okavango
The Okavango Delta is a year-round Botswana safari destination due to the continual water source. The best time to visit the Okavango really depends on what you want to see.During the rainy season the animal herds are prolific, coupled with the birthing season for most animals. In the dry season - wildlife from the drier parts of Botswana head for the Okavango Delta's waters. Ironically the water levels of the delta rise in the dry season... making this the best time for birding in the Delta.
Best Time to visit Okavango Delta
Most people visit the Okavango between April to October because the animals have to remain around the few remaining permanent waterholes, and, reduced foliage increases visibility. By October much of the Okavango has dried out and the channels are narrow. There are however, permanent rivers in Moremi Game Reserve and in the northern reaches of the Okavango. Heat builds up from October onwards and temperatures peak at over 30°C (86°F).
It is hot and raining, anytime from November to March. The Delta starts to fill up, and foliage becomes lush and green, resulting in the dispersal of the wildlife all over the countryside, making the game viewing experience more erratic and unpredictable. Not only are animals mor spread out, but long grass and thicker foliage makes them mor difficult to find.
This is also the season for new life, and animals mostly give birth at the same time.
With the rains, some roads become impassable, even to the point of being partially submerged. This makes driving in some areas a non-starter.
Briefly put: Unbearably hot, but excellent game viewing. Or...
Great weather, but game viewing is not so good.
What You Can Look Forward to in The Okavango
Game drives and night drives - offered at most lodges in the Okavango game drives of the most popular choice for visitors to experience the Delta. Night drives provide an opportunity to see the nocturnal wildlife of this fascinating area.
Makoro Excursions - these are dugout canoes, the traditional mode of transport in the Delta. They are used to get up close to the wildlife in the area. Each Mokoro is piloted by an experienced poler. Read more on makoro excursions
Boat Safari - motorboats are used for transporting supplies and for safaris. This is the only mode of transport for lodges in such inaccessible areas.
Guided Walking Safaris - there can be no better way of getting closer to nature than on a walking safari with an experienced guide. These walking tours allow you to understand the smaller creatures of the Delta better, with some of the bigger game thrown in too.
Elephant experiences - the Okavango was the original place chosen for Elephant-back safaris and they continue to this day. There is also a place where close-up encounters with habituated Elephants can be enjoyed.
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text:
Inauguration Day 2021: Lady Gaga, J. Lo, Garth Brooks headline Biden-Harris ceremony
By Jocelyn Noveck
Watch President Joe Biden's inauguration speech
Watch President Joe Biden's inauguration speech that he delivered after he was sworn-in on Capitol Hill on Wednesday, Jan. 20, 2021.
WASHINGTON - A full-throated, supremely confident Lady Gaga belted out the national anthem Wednesday in a very Gaga way — with flamboyance, fashion and passion.
The Grammy winner wore a large dove pin and an equally large red and billowing sculpted skirt as she sang into a golden microphone, delivering an emotional and powerful rendition of "The Star-Spangled Banner."
She [Gaga] was followed by Jennifer Lopez, dressed all in white, delivering a moving medley of "This Land is Your Land" and "America the Beautiful."
Lady Gaga sings the National Anthem at the inauguration of U.S. President-elect Joe Biden on the West Front of the U.S. Capitol on January 20, 2021 in Washington, DC. (Taso Katopodis)
Garth Brooks sang "Amazing Grace," pausing to ask the audience, both in attendance and at home, to sing along to the last verse. As he left the podium, he shook hands with Biden, former Vice President Mike Pence, donned his cowboy hat and hugged former President Barack Obama.
The stars were among a slew of glittery celebrities descending on Washington — virtually or in person — to welcome the new administration of Joe Biden and Kamala Harris, a duo popular in Hollywood, where former President Donald Trump was decidedly not.
Other top-tier performers will be part of "Celebrating America," a 90-minute, multi-network evening broadcast hosted by Tom Hanks that takes the place of the usual official inaugural balls. "Hamilton" creator Lin-Manuel Miranda will contribute a classical recitation, joining musicians like Bruce Springsteen, John Legend, Katy Perry, Demi Lovato, Foo Fighters, Justin Timberlake and Bon Jovi. Hosts Kerry Washington and Eva Longoria will be joined by basketball legend Kareem Abdul-Jabbar, chef Jose Andres, labor leader Dolores Huerta and Kim Ng, the first female general manager in MLB history.
RELATED: Kamala Harris sworn in as vice president in historic moment for America
The inaugural committee has made sure to blend this high-powered list with ordinary Americans and inspiring stories. Segments will include tributes to a UPS driver, a kindergarten teacher and Sandra Lindsay, the first in New York to receive the COVID-19 vaccine outside a clinical trial. The proceedings will be carried by ABC, CBS, CNN, NBC, MSNBC and PBS as well as the committee's social media channels and streaming partners.
There's also a virtual "Parade Across America" on inauguration afternoon, hosted by actor Tony Goldwyn with appearances by Jon Stewart, Earth Wind & Fire and the New Radicals — reuniting after more than two decades — among many others.
The history of celebrities performing at inaugurations dates back to Franklin D. Roosevelt's third inauguration in 1941, when a gala celebration the evening before saw performances from Irving Berlin, Mickey Rooney and Charlie Chaplin, says Lina Mann of the White House Historical Association. "Chaplin performed his monologue from 'The Great Dictator,'" Mann notes.
Jennifer Lopez sing during the inauguration of U.S. President-elect Joe Biden on the West Front of the U.S. Capitol on January 20, 2021 in Washington, DC.
The celebrity component only increased over time, and one of the starriest inaugurations was that of John F. Kennedy in 1961. That celebration, hosted by Frank Sinatra, drew Harry Belafonte, Nat King Cole, Ella Fitzgerald, Gene Kelly, Ethel Merman, Laurence Olivier, Sidney Poitier and other celebrities.
RELATED: Inauguration Day 2021: Biden sworn in as 46th president, Harris becomes first female vice president
Fast forward to the first Barack Obama inauguration in 2009, where Aretha Franklin sang "My Country, 'Tis of Thee" at the swearing-in, and the new president and his wife, Michelle, were serenaded by Beyoncé singing "At Last" at an inaugural ball.
For complete coverage of the inauguration, please visit: https://apnews.com/hub/biden-inauguration


Upstart MMA promotion Primal FC has a plan to set itself apart from industry heavyweights UFC and Bellator, and it involves Bitcoin.
The Phuket, Thailand-based promotion held its inaugural event, Dark Moon Rising, in 2017 and is preparing to begin adding sponsors for its next one, slated for later this year.
Primal FC CEO Joe Iozzi told CCN that the promotion hopes to court cryptocurrency-related sponsors for fits events, with the ultimate goal of hosting events exclusively sponsored by the cryptoasset industry.
Iozzi explained that MMA is a natural venue for cryptocurrency promoters to market their projects, as the industry's audience shares a similar demographic composition to cryptocurrency users.
Toward this end, Iozzi said that Primal FC plans to begin accepting cryptocurrency payments for event sponsorships and will also give fighters the option to get paid in cryptocurrency.
That would certainly set Primal FC apart from its competitors, but Iozzi said that this has been the promotion's plan since its inception.
But while Primal FC may be the only MMA promotion actively courting cryptocurrency sponsorships, several fighters have inked deals with companies and promoters operating in the space.
Last month, CCN interviewed Bellator MMA Welterweight Champion Rory MacDonald ahead of his title fight against former champion Douglas Lima. MacDonald, who has long been interested in cryptocurrency, signed a sponsorship agreement with Dash through the cryptocurrency's community-driven budget voting process.
Another fighter on the Bellator 192 card, Michael Chandler, was sponsored by cryptocurrency exchange startup CoinLion.
Some quotations have been edited for clarity.


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This workshop will be at a member's home in Fairfield. We will be grafting our remaining trees. Come even if you can't graft, a you can learn what to do, and help with labelling, potting up, etc. A warm environment on a cold day!!


text:
in communism and post-communism, Czech politics
>Czech Republic: Same ole history (not ) repeating itself?
I shouldn't be reading about Czech politics, should I? But, as ever, I couldn't turn down the offer of free review copy and a long deadline from a journal, so I have been doing precisely that. The book in question is Kapitoly z dějin české demokracie po roce 1989 (Prague, Paseka, 2008) edited by Adéla Gjuričová and Michal Kopeček of Prague's Institute for Contemporary History (USD). This collection brings together by younger researcher associated with the USD and various Western specialists on Czech politics and society. The idea of publishing the collection is to move the sub-discipline of 'contemporary history' beyond its original German and East European rationale as a means of 'coming to terms' with the totalitarian past toward. More recent political events in the Czech Republic need unravelling using a historian's skills the editors argue.
The book divides into three loose thematic sections: the origins of the post-1989 Czech political system; Czech culture's reflection of post-communist transformation; and the place the Czech experience into a broader Central European region. Despite its title, which loosely translates as Aspects of Czech Democracy After 1989 the book's unifying theme is less democracy than the Czech national identity, the Czech transition from communism and the way the historical past has impinged upon contemporary politics and society.
The collection begins with a discussion of Václav Havel's career between 1969 and 1992 by Jiří Suk. As author of a magisterial prize-winning history of the Velvet Revolution, Suk ably documents the decline and fall of Czechoslovakia's communist regime, the emergence of the Civic Forum movement in November 1989 and the broader transitional power structures of 1980-90; and the new president's place within them. However, like many similar English language treatments of Havel, Suk's attempt to use the playwright-president as an emblematic figure encapsulating recent Czech political history is not wholly successful. Ultimately, his essay offers a rather familiar account which reduces the rich palette of anti-political, pre-political and political positions held by Havel and other dissidents to intellectual blueprint for the Civic Forum movement and catch-all explanation of their failure in political office after 1989. The omission of Havel's record as President of the independent Czech Republic – his eloquent, but quixotic promotion of civil society in 1990s; his diagnosis Czech society's 'foul mood'; the condemnation on 'mafia capitalism'; the Rudolfinum speech blasting the Klaus government in 1997 – also give the essay an oddly partial feel.
Magdalena Hadjiisky's exploration of the emergence of the centre-right Civic Democratic Party (ODS) from disintegration of the Forum movement in 1990-1 offers more original insights. In her case studies of provincial Civic Forum organizations in Brno and Ostrava, she show that, in addition to the demands of a 'right-wing' coalition of grassroots anti-communists, frustrated Forum officials and ordinary Czechs sceptical of ex-dissidents claims to leadership on the basis of dissident activism in 1970s and 1980s, spontaneous pressures for more hierarchical party-like structures also existed. The question has to be asked, however, just when Dr Hadjiisky is going to publish her excellent research on Civic Forum – scattered in various articles and papers in Czech, English and French and a several years old doctoral theses. Are French academic publishers really so obtuse?
Similar tensions are also identified by Deanna Colley in her study of the Czech student movement in 1989-80. However, Czech students' organizations suffered the additional problem of reconciling their role as an interest group with loftier images of themselves as 'guarantors of the Revolution'. As James Krapfl notes in his novel essay relating rival political narratives of revolution of 1989-90 to archetypical literary genres shows, such mythologization was ubiquitous in the politics of the time.
Perhaps the most original element in the book is its discussion of reactions to post-communist transformation in Czech cinema, fiction, and popular culture after 1989. Interestingly, these are generally at odds with prevalent mainstream political discourses of essentially successful reform process. Despite the diversity of authors and genres in Czech literature since the fall of communism, Alena Fialová finds several common motifs in their treatment of political and social change: the Revolution of November 1989 as a time of political innocence, altruism and idealism, but it is invariably followed by fictional protagonists' disappointment. The 'turning of coats' by former communists, who emerge as the real winners of the transformation process in everyday life, is another a stock theme. Works of pulp fiction, perhaps unsurprisingly, take such populist constructions to extremes, depicting both ex-dissidents and ex-communists as creatures of corrupt and shady political system with their roots in the Communist period. More literary authors, by contrast, stress the corrupting effect of money, power and consumerism and the moral and ethical dilemmas that flow from these.
Petra Dominková finds a similar preoccupation with the negative or ambiguous impacts of transformation in Czech cinema after 1989. Many Czech films take as their protagonists archetypical 'Little Czechs', whose provincialism and lack of sophistication leaves them struggling (sometimes comically) to cope with the opening of Czech society to the wider world and the demands of the market economy. Germans and Western foreigners are also generally presented as somewhat overbearing and unwelcome outsiders Despite some recent films exploring the harsh experiences of Czech Roma, minority groups are often depicted either stereotypically or not at all. Martin Franc's study of 'Ostalgia' in the Czech Republic seeks to extend this perspective by examining how attitudes to the former regime are refracted through popular culture and patterns of consumption. However, despite an engaging discussion of the re-emergence of 'normalization' era detective series and soap operas, 80s pop music and utilitarian ex-socialists brands on Czech TVs and supermarkets, in practice, it seems difficult to distinguish a specific post-communist Ostalgia from nostalgia generally or work out where Ostalgia or commercial imperatives for cheap mass market TV.
Only three essays discuss contemporary aspects of Czech politics after the Velvet Revolution and its immediate aftermath. Hana Havelkova's chapter on Czech feminism after 1989 gives an interesting overview of women's organizations in the Czech Republic and provocatively argues that the much maligned Union of Women (SŽ), which dates from the communist period, has in fact genuine roots in small town and rural Czech society. The Communists, she notes, amalgamated but then rapidly dismantled Czechoslovakia's once extensive mass women's organizations after taking power in 1948. SŽ, she claims, was created as a result of societal and intellectual pressures in the Prague Spring. Sadly, however, we don't hear much more of this as the chapter is rapidly sidetracked by a terminological discussion about whether women's and feminist organizations are or are not a social movement. Vladimír Handl examines the Communist Party of Bohemia and Moravia (KSČM), an electorally important, if isolated, force in Czech politics and a highly unusual example in Central Europe of an orthodox communist party with mass support. Handl's presentation of his own reseach and a effective and thorough synthesis of Czech, English and German literatures, skillfully tracks the party's development from 1990, rightly pinpointing how EU membership and the gradual shrinkage of its ageing support base represent both a danger and an opportunity for the KSČM. Adéla Gjuričová's discussion of the centre-right Civic Democratic Party's turn in late 1990s from Thatcherite neo-liberalism to historic Czech nationalist themes is also empirically rich. However, she is less thorough than Handl and misses opportunities for a wider comparative and/or historical perspective on the party founded by Václav Klaus. Klaus's reflections on Czech statehood, nationalism and national identity as early 1992-3, as well his more recent writings as President on immigration, multi-culturalism and civic and national cohesion clearly merit examination. ODS's 'national turn' of the late 1990s also needs to be set in comparative context alongside the 'nationalization' of liberal forces elsewhere in CEE. The experience of Hungary's Fidesz is an obvious point of contrast. Looser parallels might also be drawn with earlier episodes in Czech history such the national liberalism of 19th century 'Young Czechs'.
The issue of 'liberal nationalism' is addressed head on by Michal Kopeček, who surveys both dissident and academic writings on liberal nationalism in Central Europe, he argues that, although crosscut by nationalism, liberalism the region was historically stronger than is often assumed. Somewhat surprisingly overlooking the (neo-)liberalism of the Civic Democrats and their efforts to crafts a new form of 'national liberalism' he argues that despite the weakness of Czech liberal centrist parties after 1989, dissident historians' debates of 1970s and 1980s firmly established a liberal nationalist consensus in Czech political life, which draws its strength precisely on the unresolved and conflictual nature of debates on Czech history and identity.
However, he suggests, this consensus was too weak to block legalistic forms of 'coming to terms with the past' such as the Czech lustration law, leading to polarized and formulaic public debates on communism and unwelcome attempts by the state to act as guardian of 'national memory'. The USD is the process of being swallowed up into a new Institute for the Study of Totalitarian Regimes and both the intellectual position sketched in this chapter and the introduction's call for a contemporary history going beyond the study of totalitarian regimes seem a critical response to this.
A somewhat different perspective is offered in the book's concluding chapter by Jiří Přibáň. Přibáň argues that the law always encapsulates and shape the collective and national memories, which underpin and legitimize both current institutions. Contrasting decisions by Constitutional Courts in Hungary, Poland and the Czech Republic, he argues, that strict doctrines of legal continuity, which block retroactive decommunization laws, in the name of maintaining rule of law may be misconceived. Concepts of retribution are, he notes, an element in most systems of criminal justice. The notion of political discontinuity inherent the notions of 1989 as a democratic revolution, he suggests, can legitimately be accompanied by the principle of legal discontinuity of retroactive decommunization laws intended to enact historical justice and protect democracy.
The parallel theme of neo-liberalism and economic nationalism also emerges in Martin Myant's discussion of the Czech capitalism after 1989. In the early 1990s politicians across the political spectrum were in thrall to historical stereotypes of the Czech industrial and entrepreneurial tradition. This led both neo-liberals and social democratic visions of distinct 'Czech capitalism' with limited foreign ownership. Only as these ideas went out of fashion, as the costs of flawed coupon privatization and asset sales to dubious would-be Czech captains of industry became apparent did a distinct Czech model of capitalism emerge. This, Myant notes, was a complex combination of liberal and social market elements which defied easy comparative classification with roots in the Czech Republic's fine political balance between left and right.
I am sympathetic to editors' call for a more professional and thoroughgoing research into more recent Czech political history. Although making great strides recently, Czech political science has occasionally been characterized by certain shallowness of empirical research. The genre of political history and political biography as they exist in the English speaking world seem wholly absent in the Czech Republic. Although his collected works and correspondence have come out, the only full length biography of Václav Havel, for example, is John Keane's distinctly flawed Vaclav Havel: A Political Tragedy in Six Acts (see Kieran William's caustic review here).
Kapitoly z dějin české demokracie, however, falls somewhat short of its editors' ambitions to use contemporary history to break new ground and open up new perspectives in other disciplines. Much of the collection reflects Czech contemporary historians' well established interests in the Velvet Revolution and the transition from communism. Despite reference to political science literatures, many contributions are essentially rather traditionally constructed pieces of historical writing lacking any real element of interdisciplinary synthesis. The collection succeeds, however, in bringing together a range high quality scholarship in a single, well researched volume, and, as such, deserves to pull in broad Czech-speaking readership interested in current politics and society in the Czech Republic and fed up of the superficial and partisan found in most Czech language books on contemporary politics.
Czech Republic: How bad is Babiš? 22 April 2015 Czech democracy: the wheel turns full circle 27 November 2014 Pussy Riot: Russia's Plastic People? 12 August 2012 "Can you recommend a good book on Czech politics?" 8 September 2011 >Tea parties Czech style? 5 November 2010
« >Solzhenitsyn's funeral: how Russia has changed
>Modernize the Czech Republic? Childsplay »


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ATTORNEY FOR APPELLANT: ATTORNEY FOR APPELLEES:
MICHAEL T. TERWILLIGER PATRICK B. McEUEN
Hinshaw & Culbertson Singleton, Crist, Austgen & Sears
Schererville, Indiana Munster, Indiana
ROBERT R. KRILICH,                         )
Appellant-Plaintiff,                            )
vs.                                             )    No. 45A04-0202-CV-57
SOLTESZ/BRANT DEVELOPMENT                       )
COMPANY, A Florida General Partnership, and     )
RAYMOND T. SOLTESZ, A General Partner, and      )
WILLIAM J. BRANT, JR., A General Partner,       )
Appellees-Defendants.                           )
APPEAL FROM THE LAKE SUPERIOR COURT 5
The Honorable James J. Richards, Judge
Cause No. 45D05-0001-MI-11
MATHIAS, Judge
Robert R. Krilich ("Krilich") obtained a judgment against William J. Brant, Jr. ("Brant") in a Florida court in the amount of $2,309,525.41 plus court costs and interest. Krilich later filed a complaint on foreign judgment in Lake Circuit Court in order to domesticate the judgment against Brant in Indiana. See footnote Krilich filed a motion for summary judgment and Brant responded with a cross-motion for summary judgment. In his motion, Brant argued that Krilich did not have a valid lien on his real property in Florida; therefore, Krilich did not have the right to pursue a lien against his real property in Indiana.
The trial court granted Krilich's motion for summary judgment to domesticate his judgment against Brant, in part, finding that Krilich was the owner of a valid Florida judgment. However, it also granted Brant's cross-motion for summary judgment, in part, denying Krilich a lien against Brant's real property in Indiana. Krilich filed a motion to correct error, which was denied. He appeals arguing that the trial court erred when it granted Brant's cross-motion for summary judgment, in part, because Indiana law and procedure governs the execution of an Indiana judgment, and therefore, he has the right to pursue a lien against Brant's real property in Indiana.
We reverse and remand for proceedings consistent with this opinion.
On December 31, 1986, Krilich and Brant, who was a partner of the Soltesz/Brant Development Company, entered into a Tenancy in Common Agreement with respect to a shopping center in Tampa, Florida. In part, the agreement provided that Krilich agreed to purchase an 80% interest in the shopping center in return for a guarantee from Brant that the shopping center would "produce a cash flow to Krilich equal to 9-1/2% of the amount invested by Krilich." Appellant's App. p. 66. When the shopping center failed, Krilich filed a complaint against Brant in Hillsborough Circuit Court in Florida. On November 1, 1989, the Florida court entered a final judgment in favor of Krilich in the amount of $2,310,367.51 plus interest. A certified copy of the judgment was recorded in Hillsborough County on June 22, 1990 and it bore the name and address of Brant's attorney. The judgment was re-recorded in 1996 with the Hillsborough Circuit Court Clerk with an affidavit from Krilich's attorney, which contained Brant's last known address.
On June 17, 1996, Krilich filed a complaint on foreign judgment in Lake Circuit Court to domesticate the Florida judgment. Brant filed an answer to the complaint, but the parties later stipulated to dismissal of the complaint, without prejudice. On December 16, 1996, Krilich filed a motion for reinstatement following voluntary dismissal. The case was reinstated, by agreement, on March 26, 1997. Brant then filed an answer and motion for change of judge. Therefore, on May 19, 1998, Lake Superior Court Judge James Richards assumed jurisdiction.
On July 6, 1999, Krilich filed a motion for summary judgment. Brant filed a response and cross-motion for summary judgment arguing that the Florida court did not have jurisdiction over him, or in the alternative, that Krilich failed to properly record a lien on his Florida judgment, and therefore, no judgment lien should be recognized in Indiana. Appellant's App. pp. 45, 50. On June 4, 2001, the trial court granted Krilich's motion for summary judgment, in part, and granted Brant's motion in part, issuing the following order:
The Court, being duly advised, now finds as follows and enters these conclusions of law.
Krilich is the owner of a valid Florida judgment entered on November 1, 1989, following appropriate service of process upon Brant in accordance with both Florida and Indiana long-arm statutes, and Brant's challenges to the jurisdiction of the Florida Court over his person should be denied.
The Court, finds Brant's Cross-Motion for Summary Judgment and argument for denial of the attachment of Plaintiff's lien upon Brant's real estate in Indiana to be compelling and that there shall not be a lien on any real property owned by Brant in Indiana.
The Court therefore orders as follows:
Krilich's Motion for Summary Judgment [is] GRANTED to domesticate his judgment against Brant, individually, to the extent of Brant's personalty subject to attachment and garnishment to satisfy the judgment.
Brant's Cross-Motion for Summary Judgment is GRANTED to deny Plaintiff a lien against Defendant's real estate in Indiana to satisfy Plaintiff's judgment.
Appellant's App. pp. 9-10.
Krilich filed a motion to correct error on June 27, 2001, which was deemed denied pursuant to Indiana Rule of Trial Procedure 53.3. He then filed a notice of appeal, but also filed a motion requesting that our court remand the case to the trial court to conduct a hearing on the motion to correct error. The motion was granted and the case was remanded to the trial court on December 5, 2001. The trial court held a hearing on Krilich's motion to correct error on December 13, 2001, and denied the motion on December 31, 2001. Krilich appeals.
Our standard of review of a summary judgment motion is the same standard used in the trial court:
Summary judgment is appropriate only where the evidence shows there is no genuine issue of material fact and the moving party is entitled to judgment as a matter of law. All facts and reasonable inferences drawn from those facts are construed in favor of the non-moving party. The review of a summary judgment motion is limited to those materials designated to the trial court. We must carefully review decisions on summary judgment motions to ensure that the parties were not improperly denied their day in court.
Tom-Wat, Inc. v. Fink, 741 N.E.2d 343, 346 (Ind. 2001) (citations omitted). "When there are no disputed facts with regard to a motion for summary judgment and the question presented is a pure question of law, we review the matter de novo." Mahowald v. State, 719 N.E.2d 421, 424 (Ind. Ct. App. 1999).
Discussion and Decision
The Full Faith and Credit Clause of the United States Constitution requires that "[f]ull faith and credit shall be given in each state to the public acts, records, and judicial proceedings of every other state." U.S. Const. art. IV, § 1. Full faith and credit means that "the judgment of a state court should have the same credit, validity, and effect, in every other court of the United States, which it had in the state where it was pronounced." N. Ind. Commuter Transp. Dist. v. Chicago SouthShore and South Bend R.R., 685 N.E.2d 680, 685 (Ind. 1997) (quoting Underwriters Nat'l Assurance Co. v. N. Carolina Life and Accident and Health Ins. Guar. Ass'n, 455 U.S. 691, 704 (1982)). Indiana Code section 34-39-4-3 provides that records and judicial proceedings from courts in other states "shall have full faith and credit given to them in any court in Indiana as by law or usage they have in the courts in which they originated." Ind. Code § 34-39-4-3 (1999). Furthermore, "'the judgment of a sister state, regular and complete upon its face, is prima facie valid.'" Tom-Wat, Inc., 741 N.E.2d at 348 (quoting Varoz v. Estate of Shepard, 585 N.E.2d 31, 33 (Ind. Ct. App. 1992), trans. denied).
Krilich argues that Indiana law and procedure govern the proceedings to enforce his Florida judgment in Indiana; therefore, regardless of whether he had acquired a lien on Brant's real property in Florida, he is not precluded from pursuing a lien on Brant's real property in Indiana. Brant responds that the trial court properly denied Krilich a lien on his real property in Indiana. He contends that if Krilich had a lien on his real property in Indiana, this would result in the Indiana judgment having a greater effect than the Florida judgment because Krilich did not have a valid lien on his real property in Florida.
Under Indiana law, a judgment creditor may collect a judgment from the debtor "by enforcing a judgment lien and/or executing a money judgment via proceedings supplemental." Arend v. Etsler, 737 N.E.2d 1173, 1174 (Ind. Ct. App. 2000). Indiana Code section 34-55-9-2 provides that:
All final judgments for the recovery of money or costs in the circuit court and other courts of record of general original jurisdiction in Indiana, whether state or federal, constitute a lien upon the real estate and chattels real liable to execution in the county where the judgment has been duly entered and indexed in the judgment docket as provided by law:
after the time the judgment was entered and indexed; and
until the expiration of ten (10) years after the rendition of the judgment;
exclusive of any time during which the party was restrained from proceeding on the lien by an appeal, an injunction, the death of the defendant, or the agreement of the parties entered of record.
Ind. Code § 34-55-9-2 (1999). Therefore, "a money judgment becomes a lien on the debtor's real property when the judgment is recorded in the judgment docket in the county where the realty held by the debtor is located." Arend, 737 N.E.2d at 1175 (citing Needham v. Suess, 577 N.E.2d 965, 967 (Ind. Ct. App. 1991)).
Under Florida law, the rights of a judgment creditor may also be enforced against the real property of the judgment debtor. However, unlike Indiana's procedures, in Florida, a judgment does not automatically become a lien against the debtor's real property when the judgment is recorded in the judgment docket. Florida Statute section 55.10(1) provides:
A judgment, order, or decree becomes a lien on real property in any county when a certified copy of it is recorded in the official records or judgment lien record of the county, . . . provided that the judgment, order, or decree contains the address of the person who has a lien as a result of such judgment, order, or decree or a separate affidavit is recorded simultaneously with the judgment, order, or decree stating the address of the person who has a lien as a result of such judgment, order, or decree. A judgment, order, or decree does not become a lien on real property unless the address of the person who has a lien as a result of such judgment, order, or decree is contained in the judgment, order, or decree or an affidavit with such address is simultaneously recorded with the judgment, order, or decree.
Fla. Stat. § 55.10(1) (2001). See footnote
Upon proper domestication, the concept of full faith and credit requires that Indiana accept Krilich's Florida judgment as a valid Indiana judgment. Clearly Krilich could proceed to enforce the judgment in Florida under Florida's collection laws or in Indiana under Indiana's collection laws. The fact that Krilich's efforts to create a valid judgment lien under Florida law may have been inadequate is not dispositive of his right to collect his valid Florida judgment under Indiana law. Allowing Krilich to domesticate his judgment in Indiana and to enforce that judgment by recording a lien against Brant's real property in Indiana, in accordance with Indiana collection law, does not give him greater rights in Indiana than he would enjoy in Florida. Therefore, we conclude that Krilich is not precluded from pursuing a lien on Brant's real property in Indiana and, the trial court erred when it denied Krilich's motion for summary judgment in part and granted Brant's motion in part.
Reversed and remanded for proceedings consistent with this opinion.
BARNES, J., and KIRSCH, J., concur.
Footnote: After Brant filed a motion for change of judge, the case was transferred to Lake Superior Court.
Footnote: Brant argues that Krilich does not have a valid lien on his real property in Florida because he has not complied with the provisions of this statute. Krilich argues that he complied with the statute when he re-recorded his lien in 1996.


text:
So Many Days
1. So Many Days - Triptides
Click here to download new hi-res band photos of Triptides (photo credit: Alex Bulli) and So Many Days album art
TRIPTIDES TO RELEASE THEIR NEW STUDIO ALBUM SO MANY DAYS VIA CURATION RECORDS THIS WINTER 2022
Among the newest generation of bands in the tradition of West Coast psychedelia, Triptides have blossomed into the role of elegant adventurers.
Led by guitarist, keyboardist and singer Glenn Brigman, with drummer Brendan Peleo-Lazar and bassist/guitarist Stephen Burns, the trio is continually discovering their sound through a complex map of familiar influences and bold choices in tonality, structure and texture.
This is a transformation long in the making. Starting in 2010 in the college town of Bloomington, Indiana, Brigman was making albums as Triptides with roommates and friends in a raw, Beach Boys-meet-Cleaners-From-Venus cassette-induced haze. Their albums Psychic Summer, Sun Pavilion and Colors made a mark and paved the way for greater things.
As the band moved West, so did their influences, and Los Angeles brought out a more sophisticated element in Triptides. Doors-inspired organ flourishes and driving, Stereolab-esque movements melded with the spirit of The Byrds in the Fifth Dimension to bring a potent melodic punch in the form of 2017's Afterglow and 2018's Visitors. All the while, the group developed their live sound touring and playing festivals in the US and Europe. 2018 also brought about Brigman's collaboration with L.A.'s Samira Winter. Triptides and Winter created the tropicália-inspired Estrela Mágica and toured the US, now with Burns and Peleo-Lazar bringing an exciting new dynamic to the band.
As a trio on stage and in the studio, Triptides have opened up a new sonic world. Their live sound is bold, dynamic, synchronized chaos. On their records, they are adventurous and surprising—winning Shindig! magazine's Single of the Year with the undeniably heady "Nirvana Now"—and forging a unique array of other singles throughout 2019 and 2020.
After last year's otherworldly Alter Echoes, the group has joined up with L.A.'s Curation Records to release their forthcoming love letter to the Canyon Sound, So Many Days. Written and recorded in the San Bernardino mountains, these songs show a more grounded and pensive side of their ever-evolving sonic landscape. A whole new palette of sounds is gained, but nothing is lost. Even amidst acoustic and pedal steel guitars, the songs are unmistakably Triptides.
Triptides' new studio album So Many Days will be released on limited vinyl, CD and digital platforms this winter via Curation Records.
FOR MORE INFO ON TRIPTIDES:
https://triptides.bandcamp.com
FOR MORE INFO ON CURATION RECORDS:
https://curationrecords.com
e: Tony[AT]pavementpr.com
http://pavementpr.com
SPRING 2021 PRESS ANNOUNCEMENT FOR TRIPTIDES' PREVIOUS LP ALTER ECHOES…
L.A. PSYCH-POP BAND TRIPTIDES TO RELEASE THEIR HEADY NEW ALBUM "ALTER ECHOES" MARCH 19, 2021 VIA ALIVE NATURALSOUND RECORDS
With a sound oscillating between psychedelic pop and space rock, Triptides' album Alter Echoes channels both The Byrds at their most hallucinogenic and Floyd at their most cosmically composed while creating something immediate and new.
The band has established itself as a preeminent part of the new wave of L.A. psych music. With Alter Echoes they pull away from the pack, thanks to the quality of their songwriting, performance and production.
Triptides is led by multi-instrumentalist Glenn Brigman, and with drummer Brendan Peleo-Lazar and bassist/guitarist Stephen Burns.
Triptides' Alter Echoes will be released on limited vinyl and digital / streaming platforms on March 19th via Alive Naturalsound Records.
Triptides (photo: Brad Danner)
FOR MORE INFO ON ALIVE NATURALSOUND RECORDS:
http://www.alive-records.com
Here's what critics have been saying about Triptides:
"Triptides tap into a heartwarming sense of being on their latest song 'So Many Days.'" – ROLLING STONE
"'So Many Days' is a love letter to harmonizing Laurel Canyon love songs wrapped up in a Byrdsesque tie-die blanket of proto-country-rock. Put another way. it's another great new song from a band that has absorbed all the right influences but still sounds like themselves. Sit back, relax and drift away with Triptides." – AMERICANA UK
"Triptides' new single 'So Many Days' is the kind of laid back groover that is perfect for passing joints on a sunny day. The band does a fine job of mixing cosmic country with power pop and folk-rock to make for a supremely enjoyable track." – GLIDE MAGAZINE
[5/5 stars!] "LA psych-rockers Triptides continues their jangly, wiggy voyage into the unknown, while packing more hooks into its 42 minutes than other bands manage in entire careers." – SHINDIG!
[4/5 stars] "It's impossible to hear Triptides and not reference the sounds of classic acts the band audaciously cites as influences. Start with early Pink Floyd, move onto the psychedelic end of The Byrds, the eerie melodic vibe of The Zombies, a bit of krautrock Can, some Badfinger and T. Rex….the list continues but you get the idea. They write impressive songs, not unlike their more famous inspirations. And in some cases, even better." – AMERICAN SONGWRITER
"L.A. band Triptides make jangly pop that recalls both the city's '60s psych-pop heyday but also the '80s Paisley Underground scene." – BROOKLYN VEGAN
"With its jangly 12-string guitar, steady groove and airy harmonies, Triptides definitely brings to mind '60s psych rock with a sunny California vibe. Incorporating fine guitar solos that veer from surf rock to more far out, acid-soaked sounds, the band gives us a time capsule of a tune that still feels fresh." – GLIDE MAGAZINE
"… a hazy, lazy head trip." – BUZZBANDS.LA
"… their sunniest, most polished, and hardest rocking album to date. The band's leader Glenn Brigman and the new lineup of bassist Stephen Burns and drummer Brendan Peleo-Lazar decided to strip away any remaining vestiges of the lo-fi, reverb-heavy group they once were to become something bright, clean, and super jangly. The album is loaded with songs that have a tight rhythm section backing some seriously chiming 12-string guitar, edging away from psychedelia just a bit in favor of super-charged folk-rock with a kick." – Tim Sendra , ALLMUSIC
"… pure '60s southern California psychedelic joy." – Brad Danner, IF IT'S TOO LOUD
"… intoxicating. Triptides are in a class of their own when it comes to crafting pristine, sun-soaked psychedelic pop." – LOOK AT MY RECORDS
"You can hear Crosby and McGuinn's folk-rock jangle calling to us across five decades on several songs. But there's plentiful other classic '60s influences again: colorful and cheerful spatters of oozing sunshine pop, spacey lounge pop, fuzzy post-Pet Sounds Beach Boys and even a light-hearted Love/Zombies mash." – THE BIG TAKEOVER MAGAZINE
"You will be instantly reminded of The Byrds, but these folks bring their own brand of jangle pop to the table. And in this pandemic still plaguing us, it is so refreshing and calming to hear upbeat music." – Elizabeth Klisiewicz, ECHOES AND DUST
"Alter Echoes is a more confident side of Triptides. While the trio has long garnered a slew of '60s comparisons, this album feels like they're truly beginning to divine those influences for their own strain of shimmer." – Andy French, RAVEN SINGS THE BLUES
[4/5 star review] "Triptides' latest record, Alter Echoes, is one of their fullest and most musically sound records to date, with an increased quality of songwriting, precision and production." – Thomas Wilde, THE FIRE NOTE


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