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Prime Videos The Lord of the Rings Posted: December 9, 2022 @ 7:27 am
Garvi Gujrati
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Prime Video's The Lord of the Rings: The Rings of Power announces additional new cast members for season 2, currently in production in UK
The Lord of the Rings: The Rings of Power, which has been viewed by over 100 million people worldwide and has been an unprecedented global success as the top Original series for Prime Video in every region in its first season, has announced an additional eight new recurring cast members for the forthcoming second season, currently in production in the UK.
The new cast members are Oliver Alvin-Wilson, Stuart Bowman, Gavi Singh Chera, William Chubb, Kevin Eldon, Will Keen, Selina Lo, and Calam Lynch.
Oliver Alvin-Wilson's television credits include The Bay (ITV), as "Guy Townsend," Murder in Provence (ITV) as "Luc Martinez," Collateral (BBC) as "Chips Benson" and Lovesick (Netflix) as "Alex." In films, Oliver has been seen in Harkness, Wonder Woman 1984, and The Huntsman. He has appeared on stage in All of Us (National Theatre), Henry VI Rebellion/War of the Roses (Royal Shakespeare Company), The Twilight Zone (Almeida Theatre/Ambassadors Theatre), The Doctor (Almeida Theatre), A Midsummer Night's Dream (Young Vic Theatre) and Nine Night (National Theatre/Trafalgar Studios) among many others.
STUART BOWMAN
Stuart Bowman can currently be seen in the television series The Pact (BBC), Karen Pirie (ITV), and The Control Room (BBC). He has previously played recurring roles in Alex Rider (Prime Video), Guilt (BBC), Bodyguard (Netflix), Versailles (Netflix), Grantchester (ITV), and Deadwater Fell (Channel 4) opposite David Tennant. Stuart's work in film includes Man and Witch, The Cursed, Sunset Song, and Slow West. His recent theatre credits include Macbeth (Shakespeare's Globe Theatre) as "Macduff."
GAVI SINGH CHERA
Gavi Singh Chera was most recently seen in the television series The Undeclared War (Channel 4) and The Lazarus Project (Sky). Other television credits include Vera (ITV) and Doctors (BBC). On stage, Gavi has appeared in productions including The Cherry Orchard (The Yard Theatre), Our Generation, Behind the Beautiful Forevers (National Theatre), Duck, 1922: The Waste Land (Jermyn Street Theatre), and Pygmalion (Headlong).
William Chubb is a prolific actor whose television credits include Vampire Academy (Peacock), The Sandman (Netflix), Pistol (Hulu), Quiz, Jonathan Strange and Mr. Norrell (BBC), Law & Order: UK (ITV) and House of Cards (BBC). On stage, William has appeared in numerous productions including The Tempest (Theatre Royal Bath), The Taxidermist's Daughter (Chichester Festival Theatre), Witness for the Prosecution (County Hall, London), Othello (Shakespeare's Globe Theatre) and Rosencrantz and Guildenstern Are Dead (Old Vic). His film credits include Sam Mendes' Empire of Light, A Week in Paradise, and Adrift in Soho.
Kevin Eldon is a well-known performer in television, film, and theatre. On television, Kevin has starred in Game of Thrones (HBO), Shadow And Bone (Netflix), Inside Number 9 (BBC) and has had recurring roles in Trigger Point (Peacock) and Dad's Army. He also appeared in The Crown (Netflix), Criminal: UK (Netflix), and Doctor Who (BBC). In films, he has been seen in Martin Scorsese's Hugo, Hot Fuzz, and Four Lions.
WILL KEEN
Will Keen will soon start production on Prime Video's My Lady Jane. He most recently wrapped the indie feature Borderland opposite Felicity Jones and Mark Strong, as well as the TV series The Gold (BBC1/Viacom). He was most recently seen in Ridley Road (BBC) and The Pursuit of Love (BBC) opposite Andrew Scott and Emily Beecham. His other TV credits include His Dark Materials (HBO), The Crown (Netflix), Genius: Picasso (National Geographic), Wolf Hall (BBC), and The Musketeers (BBC).
SELINA LO
Selina Lo is a British-Asian actress and former martial arts champion, whose film credits include starring in Boss Level (Hulu) as "Guan Yin" and Hellraiser (Hulu) as "The Gasp." Her work in television includes a recurring role in One Child (BBC) as "Xu Lian."
CALAM LYNCH
Calam Lynch was most recently seen in Bridgerton (Netflix) as "Theo Sharpe." Other television credits include Derry Girls (Channel 4) as "John Paul O'Reilly" and Mrs. Wilson (BBC) as "Gordon Wilson." In films, Calam starred in Black Beauty (Disney+), Benediction opposite Jack Lowden, and Dunkirk. He has appeared in theatre in productions including Much Ado About Nothing (The Rose Theatre) and Wife (The Kiln Theatre).
Mohnish Singh
Prime Videos The Lord of the Rings : https://www.storeboard.com/blogs/entertainment/prime-videos-the-lord-of-the-rings/5548043
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Showing http://www.firstamendmentcenter.org/commentary.aspx?id=11848 captured on Apr 23, 2010
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Debating homosexuality in schools: Censorship doesn't work
Inside the First Amendment
By Charles C. Haynes
First Amendment Center senior scholar
Junior high student Thomas McLaughlin refuses to keep quiet about being gay. For that, he says, school officials harassed and punished him – even forcing him at one point to read aloud Bible verses and prayers.
Thomas may be only 14, but he's old enough to demand his First Amendment rights in a court of law (with a little help from his mother and the ACLU).
It worked. Last month McLaughlin's family and school officials in Pulaski County, Ark., reached a settlement that requires the district to pay McLaughlin $25,000 in damages and attorney fees and to apologize for violating his freedom of speech.
Meanwhile, on the other end of the spectrum, Betsy Hansen is suing her Ann Arbor, Mich., high school for banning speech critical of homosexuality. Hansen, who graduated in June, claims that school officials censored her speech during "diversity week" and barred her from a panel on "religion and homosexuality" because they didn't like her conservative religious views.
Welcome to our public schools – the latest battleground in the culture war over homosexuality.
Public schools, of course, mirror the public square. As gay and lesbian people become more visible and accepted in our society, growing numbers of gay and lesbian students are coming out and speaking up. Simultaneously, conservative Christian students are also increasingly vocal in public schools, a byproduct of the resurgence of Christian activism in American political life over the past two decades.
As voices on all sides grow louder, conflict and controversy are inevitable. And events this summer may turn up the heat.
Emboldened by the Supreme Court decision against sodomy laws in Lawrence v. Texas, the election of the first openly gay Episcopal bishop, and (especially) pop-culture hits such as the TV show "Queer Eye for the Straight Guy," gay teenagers are likely to push for more acceptance and visibility in schools this year.
Look for a rapid increase in the number of student-organized clubs supporting gay students. More than 1,700 such clubs – usually called Gay-Straight Alliances – have already been formed in high schools across the nation. Although some school boards continue to resist the clubs, the barriers are falling fast.
At the same time, conservative Christian students have formed Christian and Bible clubs in thousands of school districts. Supported by Christian legal groups, they are demanding the right to express their faith – including their views on human sexuality – during the school day.
Caught in the culture-war crossfire, too many school officials try to duck the controversy through censorship. But these efforts to stifle the debate over homosexuality are based on the false hope that harmony and tolerance will prevail if no one is allowed to say anything that might offend anyone.
This was the failed strategy administrators employed against Elliott Chambers, a Minnesota high school student who insisted on wearing a sweatshirt with the words "Straight Pride." After the principal ordered him to stop wearing the shirt, Chambers sued for the right to express his views. The court ruled in favor of Chambers, reminding the school that genuine tolerance in an educational setting includes tolerance for a diversity of views – even views that others may find offensive.
Censorship was also a failed approach in Boyd County, Ky., where the school board tried to prevent the Gay-Straight Alliance from meeting. Although board members warned of potentially violent opposition to the club, a federal judge refused to allow a "heckler's veto" and ordered the district to treat the club just like the Bible Club and other student-led groups.
Sweeping polices strictly limiting student speech (for or against homosexuality) are not only wrongheaded, but also are likely to be struck down as unconstitutional. A few years ago, two high school students in Pennsylvania challenged an anti-harassment policy that prohibited a wide range of potentially "offensive" speech, including speech directed at another's "values." The students claimed that the policy would ban them from stating their religious beliefs about homosexuality and other topics. The 3rd U.S. Circuit Court of Appeals agreed, holding that such a broadly worded policy violates the First Amendment.
Of course, protecting the free speech of students doesn't mean "anything goes" in a public school. Schools can (and should) ban name-calling and other forms of harassment. And if there is clear evidence that student speech has caused substantial disruption of the school, then it shouldn't be allowed. But schools should refrain from censoring student viewpoints – for or against homosexuality – merely because such views may offend someone or make some students uncomfortable.
If censorship and strict speech codes aren't the answer, what is? Let students speak, but simultaneously teach them how to express their views with civility and respect. By linking First Amendment rights to civic responsibility, schools create a learning environment that is safe for all students – but also free.
School anti-harassment policy overturned
Ruling that State College, Pa., policy violates free speech could affect schools in Pennsylvania, New Jersey, Delaware, Virgin Islands. 02.15.01
Judge: Ban on 'Straight Pride' shirt violated student's rights
Officials at Minnesota school failed to demonstrate that teen's shirt could be disruptive, federal court rules. 01.18.02
Graduate claims high school clamped down on anti-gay message
Michigan school system's attorney says former student had plenty of opportunities to give her opinion during Diversity Week. 07.31.02
Kentucky gay-straight group can meet at high school
Federal judge orders Boyd County school district to treat new Gay-Straight Alliance no differently than Bible club. 04.21.03
Gay student, school district settle free-speech lawsuit
Thomas McLaughlin, 14, claimed that teachers at Arkansas school had disciplined him for speaking about being gay. 07.18.03
Federal judge: Michigan school erred in barring student's opinion
Court finds Elizabeth Hansen should have been allowed to express her Catholic views in panel discussion about religion, homosexuality. 12.08.03
Gay-straight student club can't meet at high school
Federal judge finds Lubbock, Texas, 'school officials and parents are in the best position to determine what subject matter is reasonable and will be allowed' on campus. 03.04.04
Ky. students can't skip anti-gay harassment training
Federal judge finds 'no basis for an opt-out' on free-speech or religious grounds because sessions don't endorse any viewpoint or require students to disavow religious beliefs. 02.20.06
Despite hostility, teen leads charge for club for gay students
Yasmin Gonzalez, 17, sues Okeechobee, Fla., principal and school board for refusing to let her establish Gay-Straight Alliance. 01.03.07
Gay-straight student club can meet while lawsuit proceeds
Federal judge says group has 'demonstrated a substantial likelihood of success' on claim that Florida school violated law when it prohibited club from meeting. 04.09.07
Suburban Chicago student can wear anti-gay T-shirt to school
7th Circuit panel orders lower court to tell high school to lift ban on 'Be Happy, Not Gay' while Alexander Nuxoll's free-speech case proceeds. 04.25.08
Gay-straight club can meet at Fla. high school
Federal judge finds Okeechobee County school board violated students' First Amendment, equal-access rights. 07.31.08
Analysis/Commentary summary page
View the latest analysis and commentary throughout the First Amendment Center Online.
Last system update: Friday, April 23, 2010 | 16:42:02
Religious liberty in public schools


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Banking crisis ten years on – a look back to 2007
August 28, 2017 9:00 am Published by Melanie Dolphin
We still hear talk about austerity, and the Conservatives frequently comment on how the Labour government under Gordon Brown 'bankrupted' the country. Which would give us cause to think the economic crash was only a few years ago.
But rather incredibly, ten years has flown since the fateful August of 2007 when the first indicators that the global economy was under strain hit the press.
The then Chancellor Alistair Darling – new to the job – was on holiday when he read a report on the front of the Financial Times about a French bank, BNP Paribas, which had been forced to close two of its hedge funds, admitting they were in effect worthless.
There were similar problems at some second-tier German lenders.
That date was August 9, generally recorded as the day that it dawned not only on Alistair Darling but leaders around the globe that something was seriously wrong.
The closure of the BNP Paribas funds sparked a sharp escalation in the cost of credit for all banks, created a panic in financial markets, and led directly to all the other tumultuous events of the next year – the run on Northern Rock, the demise of Lehman Brothers, and the bailout of Royal Bank of Scotland and Lloyds/HBOS by the British taxpayer, at the cost of tens of billions of pounds.
Who can forget those images of people queuing to get their money out of Northern Rock. A bank run? In the 21st Century? Surely not ….
The situation kept spiralling and, as we know, led to a period of austerity which we are still, to an extent, living with. CityAM has an excellent timeline, if you'd like to remind yourself of the chain of events.
Were there signs of a banking crisis?
In hindsight, and perhaps even at the time, there were certainly clues about what was about to happen. In January 2007, HSBC warned about a sharp rise in mortgage defaults at its US offshoot, a lender called Household.
Household had specialised in the 'sub-prime' loans that eventually triggered the crisis.
About the same time, the Financial Services Authority produced a report questioning the business model of Northern Rock.
In June of 2007 came a much clearer warning sign. Bear Stearns, a Wall Street bank, had to stop customers withdrawing money from two of its investment funds. The funds had specialised in the financial products that had been created on the back of those sub-prime mortgages.
There was a similar crisis at Lehman Brothers, another Wall Street bank, that had piled aggressively into investment banking and trading. It went under in September 2008. Bear Stearns was saved by a merger, or it too would have folded.
There is certainly more regulation of banks, to try to prevent a similar crisis happening. But if you've seen the film The Big Short – an entertaining portrayal of the sub-prime lending fiasco – you'll know that some people have little faith in this.
As regards the economy, we're still awaiting a date for the post-Election Budget, where Chancellor Philip Hammond may throw a few bones, or equally may take a few things back. We will watch with interest.
In the meantime, while savers still suffer low interest rates (and borrowers enjoy them) there is always scope to explore different ways of saving and investing to get the best return on your money. Why not get in touch with the team here at Hartsfield to chat about a financial review.
Categorised in: IFAs, Investments, Savings
This post was written by Melanie Dolphin
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Swagga Jonez fka Budha
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Raised partly in Gainsville/South Dallas, Swagga Jonez AKA Budha, has come to the forefront by uniting a smooth R&B flavor with the thunderous bass and rock-hard lyrics of Rap. His independent label, Off Da Trill Records, has released his debut...
Raised partly in Gainsville/South Dallas, Swagga Jonez AKA Budha, has come to the forefront by uniting a smooth R&B flavor with the thunderous bass and rock-hard lyrics of Rap. His independent label, Off Da Trill Records, has released his debut album, "Intro to Budha".
Budha has contributed to several songs prior to his debut album release. He was introduced to the business at a young age; when he was included on track 5(entitled "We Right Hea") of the album MVP'Z Most Valuable Playaz 2000 along side Alcapone (Hustle and Flow) and E 40. In 2006, Budha was a featured artist on E-40's album "Ghetto Report". The song was "Yee" featuring Too Short and Budha; it was produced by the well known artist/producer Lil Jon. Budha has also worked with other artists such as Money B of Digital Underground, Bun B, Paul Wall, and Sam Bostic (producer of Heavy In The Game "Me Against the World" for Tupac.)
In April of 2008, Budha's song "Real Talk" (also known as "Party") was included on the album "Sick Wid It Umbrella 2, The Machine", which was produced by one of San Fransisco Bay area's super-producers known as Droop-E.
Budha does not limit himself to music alone; he also has acting aspirations. He appeared in the 2007 independent film Dead Heist as "Mac Henry" along side
E-40's character "Hustle." Along with E-40, he participated in scenes with Big Daddy Kane and Bonecrusher.
From the hard-hitting bass and lyrics of "Party" to the smooth R&B sound of "For the Ladys" on his debut album, Budha's versatility and talent are evident. He is sure to have a continued brilliant career in the music business. "Intro to Budha" is available NOWon iTunes, CDBaby, and other media sources for download and purchase.
Put it Down "Featuring Bun B of UGK
Come Around "Featurning Eboni"
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Reached 54th in Best of Urban chart in 2011. In the top 100 for 8 weeks.
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Some years ago, before I considered myself a keen runner, I spent some considerable time in Edinburgh and had the chance to 'run' up Corstorphine Hill in the west of the city. Despite looming high above the zoo and the world famous Murrayfield Stadium, it doesn't come close in popularity to the larger and more central Arthur's Seat – and yet it possesses a certain wooded charm that makes it well worth the short bus ride from Haymarket station.
I don't actually remember when I first came across the Seven Hills of Edinburgh race, but I can only assume it was while I was researching the ways up Corstorphine. It struck me as such a wonderful idea: to visit the seven highest points of Scotland's capital in a defined order, but with your own route choice between them. I didn't really know that orienteering existed as a sport then, but having always had an interest in maps I resolved to return one day to give it a go.
Back then, the idea of running 'just over fourteen' miles was well beyond me. It would be nearly ten years before I was to return with good legs and enough spare time to give it a shot, but on a wintry February Sunday the opportunity presented itself and (along with my good friend Craig) I set off from the National Monument of Scotland on Calton Hill in the city centre. It wasn't actually race day – that's in June each year – so we had only an annotated OS map (without road names) to navigate from, and promised ourselves we'd keep the phone GPS systems in our pockets unless we were really stuck.
First up was just a short jog up the Royal Mile to the Esplanade in front of the world famous castle, easy-peasy.
After this it was a long slog down the main road out to Corstorphine Hill, slowed down by a sea of rugby fans heading to Murrayfield to watch Scotland narrowly hold off France in a thrilling Six Nations tie.
Once we had descended back past the zoo, we came up against our first real route planning decision. Getting to Craiglockhart Hill was a fairly straightforward task, but with only a 1:25000 OS Explorer map at our disposal working out how to get to the summit trig involved a little trial-and-error.
Slip-sliding our way through the Hermitage of Braid nature reserve and across Braid Burn, we started to do a few calculations about what remained in the day. We'd two major climbs left (plus the return to the start point at Calton Hill) but had already ascended in excess of 600m over around a half-marathon distance, and began to realise that this route was rather more than just a jog around the city suburbs. In an effort to cut down a little distance we took a straight line to the next trig, using sticks as makeshift hiking poles.
Finally we were charging away from the top of Blackford Hill and heading towards the last big hurdle: Arthur's Seat. Both of us had made our way to the top of this epic city-centre mountain playground on many previous occasions, but after some three hours on our feet and many hundreds of metres of elevation gain, the steps up from Gutted Handle were a real challenge. But as the sun set and we rose high above the houses, we saw our day's route laid out before us and were awash with satisfaction at our achievement.
All that remained was to descend through the valley towards Holyrood Palace (my favourite bit of city trail running of anywhere I've been), and to slog our way up through the New Calton Burial Ground past the Burns Monument and poet William Knox's gravestone. We collapsed against the National Monument after a little over three and a half hours of running, navigating, and climbing, having completed 26.5km with over 1,000m vertical ascent.
If you like maps and have an afternoon spare in this most beautiful of Scottish cities, I would highly recommend this challenge. You don't need to do all of them – in fact, despite its charm, if you were to remove Corstorphine Hill from the equation you'd surely be back in under a half marathon. You'll get far-reaching views to Fife across the Firth of Forth, along the coast into East Lothian, and south to the beautiful Pentland Hills. There'll be time away from the crowded city centre, to experience an Edinburgh far-removed from the bus-loads of tourists and summertime comic overload – a rare experience you'll surely remember for years to come.
7. Calton Hill. Just in time for sunset!
Looks like a great way to spend a day in Edinburgh. Having lived there for over a decade I spent many hours scrambling up Arthurs Seat at all times of day (or night). Next time I make it back I think I'll go for you amended half marathon route missing out Corstorphine Hill!!
This looks awesome. Headed to Edinburgh this summer, glad I caught this! Thanks!


text:
Activities Sports & Athletics
Tiger Woods' Golf Career in High School
Tiger Woods pictured in 1992, when he was 16 years old and a sophomore in high school. Andy Hayt/Getty Images
Famous Golfers
Brent Kelley is an award-winning sports journalist and golf expert with over 30 years in print and online journalism.
The high school attended by Tiger Woods was Western High School, a public school located in Anaheim, California. A few tidbits about Western High School:
Nickname of sports teams: Pioneers
School colors: Blue and white
Serves grades: 9 through 12
School district: Anaheim Union High School District
Notable alumni: In addition to Tiger, there's Randy Scheckman, winner of the 2013 Nobel Prize for Physiology or Medicine; major league baseball players Andy Messersmith and John Moses; and NFL players Mike Iupati and Fili Moala.
Tiger's Years at Western High School
Woods attended Western High School for four years, from ages 15 through 18, graduating in 1994. Woods was enrolled at Western High when he won his first USGA championship, the 1991 U.S. Junior Amateur Championship, at age 15. Woods was still in high school when he first played on the PGA Tour, which happened at age 16.
Woods was in the 1994 graduating class of Western High. His classmates voted an honor for him and, in retrospect, it is clear they made a very good choice: They voted Tiger "Most Likely to Succeed."
Did Woods Play On His High School Golf Team?
Yes, Woods did play on the Western Pioneers golf team. Western High School played its athletics under the aegis of the California Interscholastic Federation, or CIF.
During Woods' years, the CIF did not conduct a statewide championship tournament in golf, but split the state into Southern and Northern halves. So the highest high school tournament for Woods was the CIF SoCal Regional, and Tiger won that tournament once, in 1991.
Woods was the CIF Southern Section individual champion three times, in 1991, 1993 and 1994. Western High School was a member of the Orange County League at that time, and Woods was named the league's Most Valuable Player all four years of high school.
He also won the Dial Award as the top male high school athlete in the United States in 1993.
High School Golf Coach
Woods' high school golf coach was Don Crosby, who later wrote a book titled, Tiger Woods Made Me Look Like A Genius: Five Simple Ways to Take Ten Strokes Off Your Game. In 1994, Crosby and the 18-year-old Woods were interviewed together by a California-based high school sports television show, and that interview is available on YouTube.
Crosby was in his early 50s when he coached Woods at Western High. He started the boys golf program at the school in 1986 and the girls program in 1998. He retired from Western High School following the 1999 high school golf season.
Major Wins and Tournaments
Of course, Woods was playing many tournaments outside of high school, too, during his years with the Western Pioneers: American Junior Golf Association and other top junior tournaments, USGA tournaments, even pro tournaments.
Woods was 16 years old and a sophomore at Western High School when he made his first PGA Tour appearance at the 1992 Nissan Los Angeles Open at Riviera Country Club.
As a high school freshman, age 15, Woods won his first USGA championship, the 1991 U.S. Junior Amateur. He repeated as champion in that event in 1992 and 1993, as well, while still in high school. (The first of his three U.S. Amateur Championship wins came just after he graduated from high school in 1994.)
After graduating from Western High School in 1994, Woods headed off to college at Stanford University.
Mark O'Meara: A Consistent Career Topped By One Great Year
How Old Was Tiger Woods When He Became a Scratch Golfer?
Biography of Golfer Payne Stewart
Top 25 Male Golfers of All-Time
Amy Mickelson Photos: The Story of Her Life With Phil
Sergio Garcia: Masters Champion and Ryder Cup Golf Star
Jose Maria Olazabal: Bio of Spanish Golf Star
Golfer Retief Goosen Is a 2-Time U.S. Open Champ
Tiger Woods' US Open Wins, Records and Yearly Scores
Profile of Corey Pavin, Golf Champion
John Daly Through the Years: Young (With a Mullet) to the Senior Tour
24 Champion Golfers Who Died Tragic, Early Deaths
Top 10 Irish Golfers of All-Time
Riviera Country Club
Arrested Developments: 13 Golfers Who Spent Time in Jail


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← UPCOMING
ANOTHER INTERVIEW →
INTERVIEW WITH CAROLYN SMART
Hooked, (Brick, 2009) by Carolyn Smart, intricately explores the worlds of seven women and the journeys their addictive personalities take them on. These seven long poems plumb the intimate lives of Myra Hindley, Unity Mitford, Zelda Fitzgerald, Dora Carrington, Carson McCullers, Jane Bowles, and Elizabeth Smart. Although the outcome of their life decisions is often disheartening, and perhaps disenchanting, Smart's colloquial and engaging voices are compelling to read. Hooked is addictive, seven times over!
1. In Hooked, you bring to life the characters of seven women who were all born before or during the Second World War. How important was the time to your choice of subject? How did you choose which women you were going to write about?
I didn't choose a specific time from which to draw these characters, frankly – it just seems to have worked out that way by chance. The period of time between the wars has always been one of my favourites as I have been passionate about the work of Virginia Woolf (and by extension all of the Bloomsbury Group) as well as the work of F. Scott Fitzgerald, Ernest Hemingway, John Dos Passos and many of the poets of that period. I suppose my fascination with that time period is what led to the discovery of some of these women, but certainly not all.
2. Most recently as my MA thesis, I have been writing poetry about the Austrian expressionist painter Egon Schiele and his mistress/model Valerie Neuzil. Part of the attraction of writing the narrative in poetry, and not in a novel or other non-fiction prose, was that poetry allowed me to move deeper into the complex emotional relationship that existed between the characters. What enticed you to write poetry about these women?
I had been working with prose for nearly 10 years by the time I got around to this project. First, my memoir At the End of the Day (Penumbra Press, 2001) was a transitional point; I was at first writing what appear to be prose poems but then the book becomes more journalistic in tone and style as it continues. After that I started work on a novel which I still tinker with from time to time. The novel is set in the 1920s in Europe, and I wrote it to explore the lives of my maternal grandparents who I know next to nothing about. I invented them for my own amusement, I suppose. After ten years working in prose it was narrative that brought me back to poems. I wanted to tell the stories of these women as I'd told stories in fiction.
3. Which of the long poems (and consequently characters) did you begin writing first and why did you feel it was important to give her (or any of them) a voice? (I have my suspicions that you started with Myra Hindley.)
I did indeed start with Myra Hindley. The book is actually chronological in that the poems are placed in the order in which I wrote them. Myra had been a figure of fascination for me since I was a young girl. My father used to read articles about her aloud from the Times of London. He found her compelling, especially the fact that even after she was found guilty and imprisoned she managed to charm and seduce several of her warders. I had always pictured her the way she is most often presented: platinum blonde, heavily made -up, brutally flat expression. But her obituary in the Manchester Guardian showed a very different, very plain woman, and I was intrigued to explore that range, and to imagine what went on inside her head and how she came to do what she did.
4. How did you engage the colloquial aspects of each character in the long poem? Did biographical research provide you with an insight into personality and did your research lead you to writing poetry differently?
It wasn't just the written research that gave me entry to these women, it was the photographs (and in the case of Jane Bowles, a film) that really offered insights. Photographs can show so much character. And yes, research wasn't something I was familiar with for previous poems, and it did lead to a new procedure for me. I've written long poems before (I'm thinking of "The Sound of the Birds" in my previous book The Way to Come Home) but I'd never told whole life stories before and I didn't want the poems to appear too much like "this is your life". I wanted a sense of imaginative leaping as well as a sense of the women's individual voices, formed by class as well as geography.
5. Do you believe that each of these women took risks with their own lives in the quest to be different from society's expectations of women's lives? Do you think risk taking is a part of their addictive personalities? If so, how important were/are these risks to the women?
This is a very intriguing question: I think it is precisely the risk-taking that drew me to these women in the first place. I used to think that I chose them because they were not victims, and that is certainly part of it, but it's the courage (in some cases) as well as the utterly irrational risk-taking that appealed to me. In some cases these women didn't define themselves through gender but purely through action and art.
6. Did you perceive these women, especially the artists, as becoming so addicted to living the life they had created for themselves, however harmful to their existence, that they were never able to fully escape their own creations?
Yes! And that's why I rejoice as well as mourn.
7. Do you see your book as a celebration of their strengths? If yes, how so, if not, why?
I didn't consciously write the poems with that in mind, although as I suggested earlier I didn't want to dwell on a subject who I perceived as a victim. The closest I got to that was "Rickety Rackety", as Zelda Fitzgerald was, I believe, creatively and personally destroyed.
8. I'm curious to know that if by taking risks on a new style of writing, pulling out of the addictive comfort of the confessional, you're able to creatively evolve your craft in a new and challenging way? Do you feel change is essential to your growth as an artist? Do you see creative risk as another form of addiction?
I was weary of my own story and wanted to tell other stories, to involve myself in other lives. I was also drawn to a more performance-oriented style as that really intrigues me these days. And yes, change is essential to me as an artist. I suppose creative risk is just part of the life I've led in the last several decades. I'm never one to shy away from risk, personally or professionally. I got married for the second time after knowing my husband for six weeks. We're still married after 25 years. That pretty well sums up my life story.
9. Who would you consider your influences in poetry? Which poets do you read on a regular basis?
I fell in love with the poetry of Leonard Cohen and ee cummings when I was a teenager. In my 20s I was heavily influenced by Sylvia Plath, Sharon Olds, Anne Sexton, Robert Bly, W.S. Merwin, Michael Ondaatje, Anna Akhmatova, Gwendolyn MacEwen, Carolyn Forché, Cesar Vallejo and Pablo Neruda. Since then I've also gone through obsessions with Carol Ann Duffy, Jane Kenyon, Marie Howe, Selima Hill, Laurie Sheck, Lynn Crosbie, Lynda Hull and Elizabeth Bishop.
10. How did you begin to write poetry? Did you have any mentors that helped you or that continue to provide you with ongoing support in your writing?
I began writing poetry when I started copying the style of Leonard Cohen. I was 16 and it was a perfect fit. My family had always been a very verbal, highly literary group. My mother read aloud to me from ee cummings' poems when I was young. My father studied with Robert Frost at Harvard and wrote his own formal lyrics, mostly occasional poems. He and my mother strongly encouraged my writing.
My mentors have been wonderful, especially Bronwen Wallace, who was my close friend for many years until her fatal illness at the age of 44. My sister-in-law, the South African poet Ingrid de Kok, is someone I show my new work to whenever I can. In my 20s I was part of a writing group that included Mary di Michele, Pier Giorgio di Cicco, Roo Borson, Kim Maltman, Barry Dempster and Al Moritz. All of these people had a huge influence on my first published poems.
11. Could you describe a bit of your writing process? Do you seclude yourself to write, or do your words thrive in a noisy cafe?
I require complete silence and separateness – I cannot write with music or the sound of someone moving around in the house. I live in the country, and the only sound I hear most days when I'm writing is the sound of birds outside and the wind in the trees.
12. What are your future writing plans? Do you have any projects/manuscripts on the go?
I have a few minor things on the go: some strange biographical prose pieces as well as the novel that rears its head from time to time. But there's no big project that has grabbed my full attention yet. I'm looking forward to the end of the academic year when I can spend my time writing, when I have a break from the teaching that I love and the marking that I loathe.
4 thoughts on "INTERVIEW WITH CAROLYN SMART"
Very nice interview, T!
Thanks A!
yes, very nice!
Thanks B!!


does it say in the holy bible, or quran that people must build fancy ostentatious places to worship in ??
I think you have to go back to the first churches when they were probably in someone's home. Then in a special room in their home, and then in a special house with a special room.
Then of course, you need to make sure that there are no draughts and the windows are sealed properly against the wind and weather. Then you need to attract more people, so make it better-looking. Then you need to attract the MONEY. People with money are not going to worship their god in the same place as common people, so they have to have somewhere fit for the MONEY to come to worship.
Haven't you ever gone into a nice hotel which was well decorated and 'felt' that it was worth paying the room charges? Well, people like to get what they pay for. BIG donations pay for BIG churches. Wealthy landowners want a special chapel for them and their family to be buried in.
ya>> but can someone pull a verse out of one of the oldest untampered bibels>>or qu'ran?? that says you must build extravagant places to worship in???
There was once a place to worship, Jesus said that it would be destroyed [in a really cool parable kind of way which was really talking about both Solomon's Temple and at the same time His own physical body].
Today Christ has been risen and lives on, within his followers. Today the saints are the 'body' of Christ, members in particular. Today we form the 'temple'. Different metaphors to describe the same thing but from different facets.
Man may build anything he wishes to build, it has nothing to do with God or God's people. There is one temple today, one body of Christ, one church; and it is not a building made with stone.
However many small minds get confused and seem to need a building made of stone; unfortunately such buildings lead to heresy doctrines and groups thinking that their buildings have some holiness to them.
Do you have the Authority to make the call of heresy? I didn't think so. Hence, you can not be trusted to determine heretical doctrines. So spare us your barbed opinion for that is all it is and all that it is worth, which is nothing.
well i guess nobody can pull a verse out of the bible or qu'ran that says man must build obscene places of worship..


text:
Biografia
Nato a Roma da Camillo, noto socialista, avvocato, originario dell'Aquila, e da Laura Genina, di famiglia altoborghese, iniziò a lavorare per il cinema dal 1913 come sceneggiatore. Successivamente divenne assistente alla regia di Roberto Roberti a cui si legò profondamente, diventando in futuro il padrino del figlio Sergio Leone.

Dopo l'esordio nella regia con Jolly (1923), Camerini si impose all'attenzione del pubblico e della critica, sul finire degli anni venti, con alcuni film muti fra cui Kif Tebbi (1928) e soprattutto Rotaie (1929), una drammatica storia d'amore presentata poco più tardi anche in Germania con notevole successo, che vide l'esordio dell'attore Guido Celano e che nel 1931 venne ridistribuito in versione sonora.

Nel 1932 diresse un giovane e debuttante Vittorio De Sica in Gli uomini, che mascalzoni..., garbata e accattivante commedia sentimentale d'ambientazione piccolo-borghese che aprì la sua  seguirono infatti altri quattro film dello stesso genere, sempre ambientati nel mondo della piccola borghesia, come Darò un milione (1935), Ma non è una cosa seria (1936), Il signor Max (1937) e I grandi magazzini (1939), quasi tutti interpretati dalla coppia Vittorio De Sica - Assia Noris. Quest'ultima, russa di origine, diventò, in quegli anni (1940-1943), moglie del regista.

Camerini si concesse una divagazione nella commedia farsesca con Il cappello a tre punte (1934), con Eduardo e Peppino De Filippo ed una nel cinema di propaganda fascista con Il grande appello (1936), con Camillo Pilotto e Roberto Villa, sulle conquiste africane del fascismo, film che però in seguito il regista ripudiò, dichiarandosi pentito di averlo realizzato.

Oltre alle commedie romantico-borghesi del filone dei telefoni bianchi (di cui fu il regista più rappresentativo), Camerini si cimentò egregiamente anche con altri generi come il melodramma sentimentale, con il film T'amerò sempre, girato in due versioni: la prima del 1933 con Elsa De Giorgi, Nino Besozzi e Mino Doro, e la seconda del 1943 con Alida Valli, Gino Cervi ed Antonio Centa, e con i film in costume, tra cui spiccano Una romantica avventura (1940) con Assia Noris, Gino Cervi e Leonardo Cortese, e soprattutto la versione cinematografica de I promessi sposi (1941), con Gino Cervi e Dina Sassoli, che fu uno dei film di maggior successo del cinema italiano dell'epoca fascista.

Nel dopoguerra continuò a dirigere commedie romantiche, melodrammi sentimentali e film mitologici e d'avventura, tra cui La figlia del capitano (1947), tratto dall'omonimo romanzo di Puškin, con Amedeo Nazzari ed Irasema Dilian, e il kolossal Ulisse (1954), tratto dall'Odissea di Omero e interpretato da Kirk Douglas, Silvana Mangano e Anthony Quinn, che fu il campione d'incasso in Italia dell'annata 1954-1955.

La sua ultima opera è del 1972, un episodio della serie di Don Camillo (Don Camillo e i giovani d'oggi) con Gastone Moschin, dopodiché si ritirò dall'attività registica.

Morì nel 1981, due giorni  prima  di compiere 86 anni, lasciando la moglie Tulli Hruska, sposata nel 1946, e le due figlie, Laura e Anna Maria.

Filmografia

Regista

 Jolly, clown da circo (1923)
 La casa dei pulcini (1924)
 Voglio tradire mio marito (1925)
 Saetta principe per un giorno (1925)
 Maciste contro lo sceicco (1926)
 Kif Tebbi (1928)
 Rotaie (1929) versione muta e sonora
 La riva dei bruti (1931)
 Figaro e la sua gran giornata (1931)
 L'ultima avventura (1932)
 Gli uomini, che mascalzoni... (1932)
 Cento di questi giorni, co-regia con Augusto Camerini (1933)
 Giallo (1933)
 T'amerò sempre (1933)
 Come le foglie (1934)
 Il cappello a tre punte (1934)
 Darò un milione (1935)
 Il grande appello (1936)
 Ma non è una cosa seria (1936)
 Il signor Max (1937)
 Der Mann, der nicht nein sagen kann (1938)
 Batticuore (1939)
 Il documento (1939)
 I grandi magazzini (1939)
 Centomila dollari (1940)
 Una romantica avventura (1940)
 I promessi sposi (1941)
 Una storia d'amore (1942)
 T'amerò sempre (1943)
 Due lettere anonime (1945)
 L'angelo e il diavolo (1946)
 La figlia del capitano (1947)
 Molti sogni per le strade (1948)
 Il brigante Musolino (1950)
 Due mogli sono troppe (1950)
 Moglie per una notte (1952)
 Gli eroi della domenica (1952)
 Ulisse (1954)
 La bella mugnaia (1955)
 Suor Letizia - Il più grande amore (1956)
 Vacanze a Ischia (1957)
 Primo amore (1959)
 Crimen (1960)
 Via Margutta (1960)
 I briganti italiani (1961)
Kali Yug, la dea della vendetta (1963)
 Il mistero del tempio indiano (1963)
 Delitto quasi perfetto (1966)
 Io non vedo, tu non parli, lui non sente (1971)
 Don Camillo e i giovani d'oggi (1972)

Sceneggiatore
 Le mani ignote, regia di Enrique Santos - soggetto (1913)
 Tre meno due, regia di Augusto Camerini (1920)
 L'altra razza, regia di Augusto Camerini (1920)
 Stasera alle undici, regia di Oreste Biancoli (1937)
 Der Mann, der nicht nein sagen kann, regia di Mario Camerini (1938)
 Guerra e pace, regia di King Vidor (1956)

Aiuto regista
 Moglie e marito, regia di Augusto Genina (alcune scene sono girate da Camerini) (1921)
 Cirano di Bergerac, regia di Augusto Genina (alcune scene sono girate da Camerini) (1922)
 Jolly, clown da circo, regia di Amleto Palermi (1923)
 International Gran Prix, regia di Amleto Palermi (1924)

Note

Bibliografia
 Sergio Grmek Germani, Mario Camerini, Il Castoro Cinema n. 84, Editrice Il Castoro, 1980
 Riccardo Esposito, Don Camillo e Peppone. Cronache cinematografiche dalla Bassa Padana 1951-1965, Le Mani - Microart's, Recco, 2008, ISBN 9788880124559

Voci correlate
 Film e remake dello stesso regista

Altri progetti

Collegamenti esterni

Registi cinematografici italiani

redpajama_set_name: RedPajamaWikipedia


Hall Marks on English Sterling Silver usually have four or five components, although very small pieces often are incompletely marked.
1. The Standard Mark. This is a Lion Passant and shows that the article is sterling silver, i.e., that it contains 925 parts of pure silver per 1000.
2. The Mark of Origin. A symbol indicating the location of the office of assay. The London Guild mark is a Leopard's Head, surmounted by a crown until 1821, uncrowned since that date.
4. The Date Mark. Letters of the alphabet, varied in style or in the shape of their surrounding shields, denote the year of assay. Each guild used its own series of letters and London marks must not be used in determining the date of provincial silver.
5. The Duty Mark. From 1784 to 1890, a tax was levied on each piece of silver assayed, and the reigning sovereign's head was used to show that it had been paid.
No laws govern the marking of plate wares. Old Sheffield Plate, all of which was made before 1840, is usually unmarked or has the maker's name or symbol only. Plate wares marked "A1," "EPNS," "Sheffield," "Silver on Copper" or "Silver Soldered" are modern electroplate.
European Silver is marked according to the laws of the individual country. The numbers "12" or "13" refer to the purity based on a total of 16 units. Modern European silver bears the standard mark in decimal units, for example 800/1000 fine.
The United States has no official hall-mark system. Objects made before 1868 have the maker's name or initials only, sometimes with the word "coin." Later pieces are marked "Sterling".


This two bedroom top floor Aspen condo comes complete with electric fireplace, wireless internet, one full bathroom, private deck, BBQ, private hot tub, heated garage, and storage with a boot warmer for your gear! Just a short walk to the base and ski trails, this unit is ideal for couples or a family looking to kick back and relax. Enjoy the outstanding uninterrupted views from your top level deck and let LUSH Mountain Accommodations take care of all your vacation needs while you stay in Kicking Horse Country!


Get up to speed about Xcelerate! Magento launched our new Xcelerate Technology Partner Program, enabling our technology partners and Magento to better serve our merchants. We believe the program will result in even more opportunities and success.
Hear from members of the Magento Technology Partner Team as they share program details and future plans.


text:
Nestlé Buys Prepared Meal Delivery Service
Target Freshly delivers more than 1 million meals per week and is expected to end 2020 with sales of $430 million.
Vincent RyanNovember 2, 2020
Global food giant Nestlé said Friday that it reached a deal to acquire Freshly, a fresh prepared meal delivery company.
Freshly delivers fresh, chef-cooked meals to customers across the U.S. with a mission of "breaking down the barriers to healthy eating by delivering nutrition and convenience at scale."
4 Powerful Communication Strategies for Your Next Board Meeting
This whitepaper outlines four powerful strategies to amplify board meeting conversations during a time of economic volatility.
The company, founded in 2015, will be integrated into Nestlé's business as part of a deal that values it at $950 million.
Nestlé, the world's largest food company, will pay Freshly up to $550 million in potential earnouts that are contingent on growth objectives.
Nestlé bought a 16% stake in Freshly in 2017 as a "strategic move to evaluate and test" the food kit delivery market.
Years later, Freshly delivers more than 1 million meals per week and is expected to end 2020 with sales of $430 million.
"Consumers are embracing e-commerce and eating at home like never before. It's an evolution brought on by the pandemic but taking hold for the long term," Nestlé USA Chairman and CEO Steve Presley said in a statement.
"Freshly is an innovative, fast-growing, food-tech startup, and adding them to the portfolio accelerates our ability to capitalize on the new realities in the U.S. food market and further positions Nestlé to win in the future."
Nestlé said it hopes to gain a "deep understanding" of what people want to eat at home and how they do so.
Freshly will bring its "highly specialized" consumer analytics capabilities and consumer analytics platform to help fuel growth opportunities across Nestlé's entire business, according to the announcement.
This story originally appeared on Benzinga.
Benzinga, Freshly, Nestle, prepared meals
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Psychic bids have been in the news recently, with complaints that they are too frequent at the Autumn Congress. Learn what constitutes a psychic bid and the rules regarding them.
A psychic bid is a gross deviation from normal system, such as opening 1♠ with a doubleton spade, or 1NT with a void. It is a permissible tactic, provided that the bid is as much a surprise to partner as it is to the opponents. There should be no such thing as a 'safe' psyche.
Some players get a buzz from psyching; as a rule their opponents do not share their enthusiasm.
The more frequently you psyche the more ethical strain you put on partner, who should lean over backwards to avoid 'fielding' your psyche – to bid in such a way as to cater for the possibility that your call is not genuine.
A player may deviate from his side's announced understandings always provided that his partner has no more reason to be aware of the deviation than have the opponents. Repeated deviation leads to implicit understandings which then form part of the partnership's methods and must be disclosed in accordance with the regulations governing disclosure of system.
If the Director judges there is undisclosed knowledge that has damaged the opponents he shall adjust the score and may award a procedural penalty.
Light openers in third seat are classed as psyches: if you frequently open light put that information on your Convention Card, and use your Alert Card.
2.4.3 Where a suspicion arises that a psychic bid has been 'fielded' (partner has taken an unusual action that might suggest the psyche was not unexpected) the incident should be reported immediately. If the Tournament Director considers the case proven he will assign an adjusted score and may impose a procedural penalty.
Do not psyche against inexperienced players.
Do not psyche in the later stages of an event where you are not doing well. Your actions will produce random results that may affect the outcome and will leave some players in contention feeling aggrieved.
The SBU is unable to record every psyche at all its events, but psyches should nonetheless be reported in case a pattern can be established.


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What's the Civil Rights Movement?
George Wallace
Lyndon B. Johnson
Emitt Till
Selma, AL
Brown vs. Board of Education
Integration of Little Rock Central High School
Woolworth's Sit-Ins
Montgomery Bus Boycotts
MLK's "I Have a Dream" Speech
Rosa Parks' Bus Ride
The Assassination of MLK
Malcolm X: Assassinated
Ole Miss University
Hoxie: The First Act
Thurgood Marshall Appointed Supreme Court Justice
Why Can't I Sit by Him? A Look at Segregated Facilities
Selma was the site for the Selma to Montgomery March in which protesters fought for voting rights. The iconic image of the Selma-Montgomery March is of the group is walking across the Edmund Pettus Bridge with Dr. King in which the group was attacked and sprayed with water hoses.. Selma protesters showed not only the South but America that equality is just as important to one person as it is to everyone.


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Chinese hacking plot against Aus businesses
Members of the People's Liberation Army (PLA) attend a flag raising ceremony at the Shek Kong Barracks on June 30, 2018. Picture: Anthony Kwan
by Staff Writer and wires
21st Dec 2018 8:00 AM
The Australian federal government has called on China to close down a global plot by an intelligence service-backed hacking group to steal intellectual property from the West.
Two Chinese nationals have been charged in the US over their alleged membership of a hacking group operating in China known in global intelligence circles as Advanced Persistent Threat 10, of APT10.
The group, acting on behalf of the Chinese Ministry of State Security, is accused of targeting companies and government agencies in at least a dozen countries and trying to access to intellectual property and other sensitive business information.
Much of the hacking activities were carried out in recent years but global intelligence agencies have decided to go public now in a strong rebuke of China.
Speaking to ABC radio this morning, the head of Australian Cyber Security Centre, Alastair MacGibbon, said it was the largest state-backed effort to steal intellectual property from the private sector that he was aware of.
"This is an audacious global campaign run by a group that worked on behalf of the Ministry of State Security for the Chinese government. It is global in scale and very significant," he said.
"It is audacious, it is huge and it impacts potentially thousands of businesses globally. We know there are victims in Australia."
He accused the Chinese hacking division of "taking food off Australian tables."
A number of Australian companies affected were notified by authorities in 2016 and 2017.
China has been accused of a global hacking campaign, targeting Australian and other western companies to steal their secrets. Picture: Jens Schlueter
Foreign Affairs Minister Marise Payne and Home Affairs Minister Peter Dutton said in a joint statement this morning that APT10's "sustained cyber intrusions" were significant and a "serious concern".
The hackers have focused on large managed service providers - companies that manage IT services and infrastructure for medium-to-large businesses and organisations - both in Australia and globally, the ministers said.
"Australia calls on all countries - including China - to uphold commitments to refrain from cyber-enabled theft of intellectual property, trade secrets and confidential business information with the intent of obtaining a competitive advantage," they said.
The Australian and Chinese governments signed a 2015 agreement not to steal private sector secrets but Mr MacGibbon said it is clear China has not been playing by the rules.
The US has charged the two Chinese nationals with conducting a massive state- sponsored cyber theft targeting companies and government agencies in at least a dozen countries.
"This is outright cheating and theft," US Deputy Attorney General Rod Rosenstein said in Washington.
FBI Director Christopher Wray with Deputy Attorney General Rod Rosenstein, speaks during a news conference at the Department of Justice in Washington, overnight. The Justice Department is charging two Chinese citizens with carrying out an extensive hacking campaign to steal data from Western companies. Picture: Manuel Balce Ceneta
He said the hacked data gave China an unfair advantage at the expense of businesses and countries that followed international law.
Mr Rosenstein said the threats posed by the hacking operation, which dates back to 2006, have never been more severe or more pervasive and are part of China's ultimate goal to replace the US as the world's leading superpower. Named in the US indictment are Zhu Hua and Zhang Shilong.
They allegedly worked for a company that acted in association with the Chinese Ministry of State Security's Tianjin State Security Bureau, the US Justice Department said.
The British government also accused China of conducting a "widespread and significant" campaign of cyber espionage against the UK and its allies.
The security compromise was a reminder to all organisations to be vigilant, the Australian federal government said.
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