When you need to leave home and you want your furry friend to have the best care possible while you're away, Melbourne's finest cattery and dog kennel – Sparrows in the Treetop – provides you with just that.
Situated on the leafy outskirts of the great city of Melbourne, we make the best use of our attractive grounds and facilities to make your pet feel at home.
Our dog kennels and cattery are not only generously spacious and hygienically maintained; they're also heated or cooled and insulated for your animal's comfort.
There's plenty of space in our dog kennels which are also well served by natural daylight and plenty of fresh air. Twice a day your dog gets to play, have fun or run around in our quarter acre grassy area.
At our cattery, individual accommodation for cats consists of a three levelled habitat. From the habitat's top level, a cat has a view of our garden while the other remaining levels are enclosed for their privacy.
Being the longest established specialist dog boarding kennels and cattery in the Melbourne region, we know how to best look after the animals entrusted in our care, be it for a short or long period of time.
Our staff are a team of qualified and responsible animal lovers who can manage a host of things to ensure your pet's welfare such as providing rehabilitation assistance and administering any required medication. Sparrows in the Treetop is also supported by a 24-hour veterinary service.
We provide a very convenient pet pickup and delivery service for residents in the following areas which is available Monday, Wednesday and Friday usually between 6:00am – 9:00am.
To speak with one of Sparrows in the Treetop's friendly staff about our dog or cat minding services, please call (03) 94361307.
We've been using Sparrows for years and love them. The staff are fantastic with our somewhat challenging cat, and our cat loves going there. The pick-up service is terrific too!
Could not recommend this place more highly. Fantastic staff that know their stuff and a friendly team that were happy to answer any questions I had. My dog Nancy came back happy and in beautiful condition. She even had a bath. Thanks again, will be recommending you to all our friends.
Just a quick (but belated!) note to say thanks so much for looking after our dog Bomber over the Easter break. We were very impressed with the great pick-up service offered and the healthy condition that Bomber was in after he came back home. We know that Bomber enjoyed his stay as he wanted to go back with the driver when he was being dropped back home! We will definitely be using your services again. All the best to you and your team.


Dynamic Dental Laboratory has been servicing dentists in Maroubra for a number of years and a little over a year ago relocated to a new premises 3 doors down from us on Anzac parade. So if you want to know where our crowns, bridges, dentures are being made- then we can always pop down and we'll introduce you to the team. Having a great lab in such close proximity is a luxury that it would be easy to take for granted. It affords us the ability to pop down and meet with their head technician Chris to take a shade or discuss a slightly more complicated case. Changes can be made rapidly. Staining on the day of insertion for cosmetic cases to aid the final blend in with the natural teeth. Australian made and operated, they are an efficient operation who pride themselves on delivering quality work in a timely manner. They offer a wide range of services including crown and bridge, dental implant restorations, dentures, bleaching trays and mouth guards. Their custom emax inlays and onlays are exceptional in aesthetics and fit. If we need further refinement, we can just go down and see them and have it back in a jiffy.


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Rare gem: article on EDs and sports that gets it
A set of pieces in the Atlanta Journal-Constitution about high school athletes and eating disorders is 100% recommendable.
Instead of flogging one clinician's press release and illustrating it with one "heroic" fighter (see yesterday's blog post), these journalists have really explored the breadth of this topic and let the issues unfold. No parent-bashing, no patient-shaming, psychobabble-free.
I was completely clueless about youth sports before my daughter took up cross country. I didn't know that eating disordered thinking draws kids to these sports, and I didn't know that clear symptoms of illness are misunderstood, ignored, and sometimes even encouraged by coaches and trainers.
Newspapers have entire sections devoted to high school sports. How much print is spent on the casualties? So glad to see these issues really being explored. That's the first step.
Anonymous 1:13 PM, November 05, 2007
Great points Laura. Several studies around the world in the past ten years have shown a much higher rate of AN among athletes than within the general population. Although it is commonly believed this is because athletes want to "look good" in "appearance" in sports, an alternative hypothesis gaining ground in the scientific community is that certain sports that require lots of energy, including distance running, rowing, gymnastics, figure skating, and others, can lead to what's called "low energy availability." This means that when the person is burning lots of calories in physical activity, but is not consuming more calories to make up for the greater caloric requirements, the body can no longer sustain all its functions and shuts down the ones not needed for survival. Often the first to go in women is the reproductive cycle. If there is still not enough energy available, parts of the brain are shut down or altered to save energy. (It is amazing how much energy our brains need to operate normally.) While these adaptations may have helped our ancestors survive famine, it appears they may also be significant contributors to AN. In other words, the lack of energy availability (i.e. not enough calories) might actually cause the changes in the brain that lead to the disordered thinking characteristic of AN. So why are athletes particularly susceptible to AN? One possible explanation is that in some people the brain's hunger and satiety signals simply don't adequately signal them to eat more even though the amount of exercise they are doing increases. This has been observed in people and also in laboratory animals. This leads, inadvertently, to not eating enough, the resulting energy imbalance, and ultimately low energy availability. It's not that the person has an underlying psychopathology or bad parents. It's just that their body is not telling them to eat more when they exercise more. Once the biological changes caused by low energy availability take hold, however, the resulting patterns of thought and behavior become hard to break. It makes sense, then, if this is what's happening, that the best medicine would be food, and that Maudsley treatment would be effective.
A good book on eating disorders in women's athletics, by the way, is Carol Otis's, The Athletic Woman's Survival Guide. Otis is a doctor at UCLA who works with many of the athletes there. Other sources of interesting reading include the Academy of Sports Medicine Position Stand on the Female Athlete Triad, www.acsm.org. A biologist at Ohio University, Anne Loucks, has done much of the leading work on energy availability in female athletes. Several of her papers are available on the web. Loucks has shown that athletes, including women, can do HUGE amounts of exercise without ill effects, as long as they eat enough to fuel their bodies and avoid energy unavailability.
What all this means to me is that when a young person goes into athletics, it is imperative to keep a watchful eye on their eating habits. Losing weight should set off alarm bells immediately. Early intervention is needed to restore the person to full nutrition, before the bilogical changes have occurred. This is where I feel I made a mistake as a parent with my d. I assumed that as she began to run cross country and compete in rowing, she would naturally eat more to compensate for an increase in caloric requirments. But she didn't. I don't think it was because she was trying to starve herself; I think it was because she wasn't getting accurate hunger signals from her brain. Also, I think she was skipping meals, including breakfast (she was rushing out the door in the mornings to get to school on time) and lunch (runners who eat a big lunch find that running in the mid-afternoon on a full stomach is uncomfortable). Before we knew it, the energy unavailability had become AN.
I was a high school athlete and am now a college athlete and really appreciate your post.
The reason I started playing sports, is that I thought I would lose weight and look better. I DID lose weight, but I didn't feel much better about my physique. I still struggle with obsessing about my food intake and making weight for my competitions.
I wish that this information was available to me and other students when I was active in high school, because I think it would have helped alot of people to understand why/what they were doing.
I wasn't the only one who started sports because of weight and image issues instead of for the joy of playing.
There is a great online community that I'm apart of at www.DailyStrength.org. It's a forum for people with eating disorders as well as for people that are trying to live healthier.
I really think that they would benefit from your insight. If you want to check it out, you can go to..
http://dailystrength.org/support/Mental_Health_Addiction/Eating_Disorders/
thanks so much! and keep blogging!
Warmest Regards-
Chantal P.
mary 8:01 AM, November 08, 2007
I think that this is a very important topic and that needs addressing.
I used to tell my daughter to just run for fun, not to compete, if she wanted to run. I'm not the competitive sort.
The difficult part is the private place in the mind that can start taking them down the wrong track. I think my daughter's motivation was to have a group of friends and she went along.It turns out that she was the one with the legs for running and she was fast. It probably doesn't take long to see the physical "rewards" of running. I know a walk or hike makes me feel better than sitting around. Our body is designed to move.
Still, in hindsight I can see back where cross country became my daughters first form of purging. The meets were lined with on-lookers and most teens are well aware that they are being observed. There's pressure right their to "look" good though you rarely see a smile.
Sadly, we don't have to look far to see someone obsessed with being thin and willing to push themselves beyond the limits.
For anyone in sports they first need an education on the fundamental needs of an athletes body, nourishment first. The pasta parties, the night before a meet, may have been a good start here in our town but awareness to the risks and better trained coaches is a must. It can't wait!
S.B. Silverman 8:07 PM, November 08, 2007
Laura, great article. I ran college cross country and saw many of my team mates struggle with issues around what to eat and over training. That is a tough sport because as the article points out less weight means more speed. I also think there are other ways runners can attain a higher performance, especially when it comes to girls there are many cross country runners with more muscular and athletic body types. Bottom line--you need the nourishment to be the best you can be. I hope there is a way for coaches to address this issue.
These are great ideas. I think it is also important for doctors to be better educated about the dangers of undernutrition in athletes. Our d was cleared by her primary care doctor for cross country and competitive rowing two years ago, then was so ill with anorexia she was hospitalized only about a month later. It's now clear there were lots of red flags, including a substantial loss of weight, that the doctor assured us were nothing to be too concerned about when he cleared her for sports. I don't mean to be critical, but it seems that many doctors don't learn all that much about anorexia in medical school, and those who went to med school many years ago didn't necessary get accurate information. A local group I'm working with is sending doctors who are really knowledgable about eating disorders to speak at continuing education seminars and educate primary care physicians about the seriousness of the problem and the latest information about warning signs and treatment.
Non Causa Pro Causa
Don't worry mom, it's only a hunger strike!
This is your brain on depression
Keeping your child's illness a secret
2/3 of a cup of food is quite enough
Memory bias and directed forgetting
"they have to want to recover"
Carer Distress
Smart thinking about fashion and EDs
Terrific questions, outstanding answers
Marcella, you'll love this one!
A whole new meaning to "gym rats"
PBS show includes Maudsley
Autism, aspergers, and anorexia
World Wide Charter for Action on Eating Disorders
Another kind of "feed"
video of Maudsley hospital
Mom of 11 year old son with anorexia starts her jo...
Medical journalism explained
"quietly revolutionising the treatment of anorexia...

redpajama_set_name: RedPajamaCommonCrawl


Mostly Positive (118) - 79% of the 118 user reviews for this game are positive.
Dead Acres is a multiplayer survival farming game where you and your friends must grow crops and defend your home and animals against hordes of zombies, evil humans, ghosts, and demons. Join with up to 4 of your friends to farm and fight for survival in 8 different world locations - each with different types of enemies, new weapons, new vehicles,and different crops. The game is still in early access, so some bugs in multiplayer and campaign modes are still present. Not all levels are currently accessible.
Дополнительно: Requires at least GTX 970 or AMD 290 equivalent or greater to use play in VR mode (coming later).
Copyright 2015 Glowstick Entertainment, Inc. All Rights Reserved.


I had a moment (or twelve) of hesitation about the direction of my project this week. After speaking to one of the lecturers at uni, I received my first piece of constructive criticism around my approach to this project. I'd like to think that I encourage critique on my work and ultimately this was a positive development, although it did leave me a little concerned about how to move forward for rest of this year.
In previous posts, I have mentioned that I wanted to keep in mind that this work will act as a portfolio for myself. That whilst this is quite an abstract work in the scheme of my course, I would like it to also showcase some of the commercial skills I possess. Of course, this means using all those industry standard software packages that I seem to love and hate in equal measure on this blog.
It was suggested to me that with the research focus of this project, I'm approaching this year more akin to an honours course – not a final undergraduate year. The outcome (and therefore marking focus) of our final year is a portfolio and everything that goes along with that: professional output, quality process, clear themes/goals etc. With my project being so intensely concept and research based, it's unlikely that I could find the time to also mould this work into something that can be marked as a final year portfolio.
At this stage, I did what any other student suddenly without direction would do: I went to the pub. Pretty instinctively, I started sketching out a mind-map (above), fueled by beers and more than a small portion of fear. It was more general than those I carried out as a part of the early process of this project, but whilst simple, it has been very worthwhile. It's re-focused me for the year's work – without walking away from everything I have already done.
Importantly, I realised that I need to be documenting my work in a way that can form a portfolio, come year's end. Much of what I do is time-based and difficult to present in hard copy. Unlike a photograph, or digital artwork, the type of work I'm interested in needs to be experienced, not simply seen or heard. And so, how do I get this idea across to someone who is potentially a future client or employer? I need to create a visual style for my documentation. I need to make what is essentially a design decision about how I will film, photograph and capture all that I do, so that when I put it all together, it creates something that is greater than the sum of its parts – it's an experience of my ideas.
This all sounds a little ethereal and not necessarily related to my project, but I think it will be a hugely important step forward. If I am to be represented by my work and hired on the basis of it, the work needs to show I have a sense of style and self. When a company wants someone to create a 6 story interactive projection to promote their latest carcinogenic energy drink for 4 year olds, they need to know they can hire me, because my visual style compliments theirs.
And to that end, I need to know my tools. Extremely well. At this stage, it's not important to show that I can use particular software packages, but instead to be able to create a watertight concept and see it through to a polished and professional final product – whatever that may be.
Seriously, how bad is the Quartz Composer icon?!
Max/MSP (MaxForLive) and Quartz Composer are really the main focus in the above diagram. I've been using Ableton Live for almost as long as I can remember, so that's safe, and the input (motion tracking and/or sensors) and output (audio and projections) will be something I take a look at next semester. Max and Quartz will split the processing of data manipulation and generating of visuals respectively. This is where both programs really shine, so it feels as though this setup will be a good fit. And as I've mentioned before, I can split these programs up across 2 computers, allowing me to share the processing workload.
So now I can get down to the business of creating some serious output. I think the research will continue, but it will mostly be in the form of feedback from small-scale projects, rather than trying to quantify and understand what it is that engages an audience. This will get tucked away for honours, next year.
Something I have been working on (aside from this epic rant) has been a MaxForLive lighting rig for the Finders Keepers markets on May 7th and 8th. I book music artists and run the stage at these events and something that has always been missing is controllable stage lighting. We use the CarriageWorks foyer for the markets and the lighting is pretty basic. When I began using DMX with Live last year, I had in the markets in the back of my mind. However, it wasn't until getting MaxForLive that it became a far more manageable proposition.
Something that I've been thinking about this week which is a new development, is the ability of the audience to capture the work. I would like to be able to give those who experience the project something tangible to keep. Particularly because this work is about a community creating something that wouldn't exist without them, it seems only fitting that they could take away a screenshot of the imagery as they saw it.
My first instinct is to look into using the ubiquitous mobile phone as a means of triggering data capture. Creating and distributing an app for a highly transitory audience isn't a workable solution, so that leaves me with the option of using Bluetooth or SMS. The immediate issue with the latter is cost (I have no idea how to setup a server for SMS receipt), whilst the former can be a little unreliable at times – as I've found from my own experience. Depending on the setup of the hardware in this project, it may require something like an Arduino Bluetooth module to handle the data.
After what I've just posted, it's probably best that this idea stays on the drawing board for now. Something else to take a look at next semester.


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Nophis luteus är en insektsart som beskrevs av Hölzel 1972. Nophis luteus ingår i släktet Nophis och familjen myrlejonsländor. Inga underarter finns listade i Catalogue of Life.

Källor

Myrlejonsländor
luteus

redpajama_set_name: RedPajamaWikipedia


Want to be able to give you some incredible services when it comes to things like developing a business of course for the for a chance to start growing very successful business and what you get in touch with us right away, it should also tune into the incredible radio show which comes about by listening to the words of a very phenomenal business coach Austin is going to teach you everything you need to know about the specific proven steps to success, there in fact 13 proven success in you now to miss out on a single one of them.
If you cannot tune in to the radio show live then go to the website their website where you'll be able to download the podcast version of absolutely for free this is brought to you by the same people that bring you the Thrive Time Show business coaching program which gives you a chance to learn the specific systems and processes and how to implement them into your business by working with a business coach Austin in fact for less money than it would take you to have an employee and begin paying them a wage of $8.25 an hour.
The same systems and processes used to grow 13 multimillion dollar businesses are now here for you to learn and Abby helped out with understanding and implementing of course with the business coach Austin of your very own, but about so straining search engine optimization on the market and branding customer service graphic design to the French social media campaigns as you out these are all good to be incredibly very important every vital parts to having a successful business of your own.
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A challenging uphill dog leg left par 4 to start the round.
A par 4 slight dog leg right with a right to left slope.
A beautiful Par 4 with water down the right.
One of the toughest holes on at Marin Country Club.
A picturesque Par 3 over water.
A Par 5 to finish your round.
Since our country club opened its doors for the first time back in the 1950s, our property has been known as the home of some of the best golf course holes in the North Bay. If you haven't played on our course yet, you're in for a pleasant surprise when you visit our country club.
While we can make a strong case that every hole on our challenging course should be included in a list of the top golf course holes in Marin County, we selected a few that will pique the interest of both avid and leisure players. Keep reading to learn about some of the best golf course holes you'll find anywhere in Marin County and enjoy the videos of each featured hole!
When you play golf at Marin Country Club, your experience will begin with a challenging uphill dog leg left par 4 to start the round. Stepping up to the tee, you'll notice that the fairway slopes right to left and that it's critical for your first shot to land on the right side of the fairway — you'll be in trouble if your ball lands in the trees on the left.
Ideally, your second shot will land on an elevated green that's protected by a front bunker on the left-hand side. The green runs fast from back to front, so leaving your shot under the hole is the key to making the two putt successfully.
A par 4 slight dog leg right with a right to left slope, hole #3 is difficult to master just like the first hole. On the left side of the lush fairway, you'll see a bunker you'll want to avoid at all costs. Landing your first shot at the top of the hill is vital. If you don't land there, you'll have to contend with a blind shot to the green. A strategically placed bunker protects the green on the left-hand side, making a blind shot even trickier.
This hole is a beautiful Par 4 with water down the right and two bunkers bordering the left side of the fairway. Your second shot should be to an elevated green protected by bunkers on the front and right sides. This green slopes left to right, which will make things exceptionally difficult if your shot lands on the left-hand side of the hole. Sticking your shot in the middle of the green will give you a chance for a birdie.
Hole #14 is hands-down one of the toughest holes on at Marin Country Club. Playing this hole begins with a carry over water. The water lines the right side, while two bunkers protect the left side of the fairway. The location of these bunkers and the wind blowing in your direction combine to greatly increase the challenge of this hole. Three bunkers protect the hole's two-tiered green, adding to the difficulty of making par. The key to making par is to land your shot on the same tier as the hole.
A picturesque Par 3 over water, hole #16 presents its own unique set of challenges. While hole #16 is one of the most beautiful golf course holes near San Francisco, it's also one of the trickiest. From the white and blue tees, 80 percent of the hole is carry over water. Playing to the center of the green is normally your best bet because the creek on the right and the bunker on the left make just about any other play too risky.
Hole #18 is a Par 5 to finish your round. The longest hole on our breathtaking golf course, hole #18 is the perfect way to wrap up a round of play. However, be sure to avoid the temptation of long shots that must land on narrow strips between traps that include trees and water. Then you'll have a better chance of ending your day with a satisfying birdie on this last hole.


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USA.com / California / Humboldt County / Blue Lake, CA
Blue Lake, CA
Basic InfoPopulation/RacesIncome/CareersHousingEducationCrime/Crime RateOthers
School District | Public Schools | Private Schools | Public Library
Weather | Natural Extremes | Air Quality | Environmental Watch | Government
Blue Lake is located in northwest California. Blue Lake is part of Humboldt County. Blue Lake has 0.59 square miles of land area and 0.03 square miles of water area. As of 2010-2014, the total Blue Lake population is 1,258, which has grown 10.84% since 2000. The population growth rate is lower than the state average rate of 12.39% and is lower than the national average rate of 11.61%. Blue Lake median household income is $45,750 in 2010-2014 and has grown by 40.77% since 2000. The income growth rate is higher than the state average rate of 29.47% and is higher than the national average rate of 27.36%. Blue Lake median house value is $281,300 in 2010-2014 and has grown by 136.39% since 2000. The house value growth rate is much higher than the state average rate of 75.60% and is much higher than the national average rate of 46.91%. As a reference, the national Consumer Price Index (CPI) inflation rate for the same period is 26.63%. On average, the public school district that covers Blue Lake is better than the state average in quality. The Blue Lake area code is 707.
Population 1,258 (2010-2014), rank #968
Population Growth 10.84% since 2000, rank #422
Population Density: 2,023.67/sq mi, rank #570
Median Household Income: $45,750 at 2010-2014—40.77% increase since 2000, rank #906
Median House Price: $281,300 at 2010-2014—136.39% increase since 2000, rank #669
Time Zone: Pacific GMT -8:00 with Daylight Saving in the Summer
Land Area: 0.59 sq mi, rank #1396
Area: Eureka-Arcata-Fortuna, CA
County: Humboldt County
School District: , rank #897
Accommodations: Blue Lake Hotels
Fastest / Slowest Growing Cities in CA
High / Low CA Cities by Males Employed
High / Low CA Cities by Females Employed
Best / Worst Cities by Crime Rate in CA
Richest / Poorest Cities by Income in CA
Expensive / Cheapest Homes by City in CA
Most / Least Educated Cities in CA
Blue Lake, CA Map, Border, and Nearby Locations
Crime and Crime Rate
Eureka, Arcata, Fortuna Area


A community of both private and public schools in the Dallas/Fort Worth Metroplex, with the stated common goal of "Character Development and Fitness Through Training in the Martial Arts".
A listing of schools that are running our programs is under Training Locations in the "About Us" section.
The inherent character development structure of a traditional martial arts program. The psychosocial benefits of regular training are well known to almost everyone, with parents enrolling their children for many reasons, including: discipline; self defense; an opportunity to learn the virtues of respect and good etiquette, and the structure of a well organized program.
An exciting alternative to traditional sports. Nobody "sits on the bench".
The convenience of on-site, after-school programming, with classes taught by your own private school faculty members.
A fun, safe, competitive martial arts program offering students from member schools the opportunity to compete against other private schools on both an individual and team basis through our annual Kenpo Invitational Tournament.
The 3-Steps to a Great Kid™ program includes regular discussion of character virtues and how they relate to home, school and their training. The inclusion of the Daily Chores Worksheet, helps to instill responsibility and a good work ethic in the child, as well as the empirical gains shown in academic performance.
By tying the student's academic performance to their training in the martial arts through the " Permission to Test" sheets (signed off on by their parents and classroom instructors), we are able to reinforce good study habits.
All instructors in the APS Karate League™ are taught by the head instructors from Chamberlain Studios of Self Defense™ through ongoing classes held at various locations in the Metroplex, monthly instructor training sessions held at the Bachman Headquarters school led by Dr. Chamberlain, private instruction and through summer camp intensives.
All instructor training, supplies and teaching materials are provided by Chamberlain Studios of Self Defense™ and the APS Karate League™, there are no costs to the instructor. In addition, the instructor is paid by the APSKL to instruct and run the program.
The individual student curriculum contains progressive study materials covering the karate fundamentals of blocking; striking; stances; kicking and self defense. Also included are wrestling/grappling, the history and traditions of the martial arts, and when it is appropriate to use these skills. In addition to this, the classes include the 3-Steps to a Great Kid™ character development program.
All of this is backed by the experience and professionalism of Chamberlain Studios of Self Defense™ since 1981.
Head Instructor, sensei Kory Helfman.
REGISTER HERE FOR Mockingbird Spring 2019!
REGISTER HERE FOR THE LEARNING TREE Spring 2019!
REGISTER HERE FOR LHE Spring 2019!
REGISTER HERE FOR WESLEY PREP Spring 2019!
REGISTER HERE FOR MERRIMAN PARK Spring 2019!
REGISTER HERE FOR PRESTON HOLLOW Spring 2019!
Don't see your school on the list? Call us to see how we can start a karate after school program at your school!


While I certainly gravitate toward castle myself, I can't help but admire some of the gorgeous Vic Vipers popping up lately. A couple really caught my eye. Clearly I have a thing for blue.
This looks like an FNF round.
That top one in particular just blows my mind. As a humble castle builder, I just can't fathom all of the angle-y goodness.


The Fedesarrollo consumer sentiment index dropped from September's minus 2.1 points to minus 3.2 points in October. The index is now further below the 0-point threshold that separates optimistic from pessimistic territory. Confidence first sank into pessimistic territory in January, when it fell by over 20 points as consumers became very concerned about Colombia's present and expected future economic conditions.
October marked the tenth consecutive month that the index has been in negative territory, though it had been recovering steadily since then until this month's setback. The print mainly reflected a deterioration in households' expectations of future economic conditions. Although households' perceptions of current economic conditions actually improved in October, this could not prevent this month's overall decrease.
LatinFocus Consensus Forecast participants expect total consumption to expand 2.4% in 2016, which is down 0.2 percentage points from last month's forecast. For 2017, the panel expects total consumption to increase 2.2%.


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Astrid Kruse Jensen (born 1975) is a Danish photographer and visual artist. She studied at the Gerrit Rietveld Academie in the Netherlands and the Glasgow School of Art in Scotland. Her artistic work is often characterized by its dreamy qualities, blurring the boundaries between memory, consciousness, reality, and illusion.

Astrid Krusen Jensen has been nominated for several awards, and her work has been exhibited extensively in Europe, as well as in America and Asia. Her work is represented in several collections such as The National Museum for Photography, Denmark, The George Eastman House, Rochester, USA, Artotheque de Caen, France, Manchester City Gallery, UK and at AROS, Aarhus Kunstmuseum, Denmark.

Astrid Kruse Jensen lives and works in Copenhagen.

Early life

Born in 1975 in Aarhus, Jutland, Astrid Kruse Jensen began her education as a visual artist in 1995, when she studied at the School for Photography in Aarhus. In 1998, she continued her studies in the Netherlands at the Gerrit Rietveld Academy of Design in Amsterdam, and in 2002, she graduated after having spent two years at the Glasgow School of Art's Fine Art Photography department.

Astrid Kruse Jensen is represented by Martin Asbæk Gallery in Copenhagen and Wetterling Gallery in Stockholm

Photography

The paradox in the work of Astrid Kruse Jensen is her ability to use photography as a means of bringing reality together with the imaginary. She uses her camera as a tool for telling stories. Picking on quite ordinary subjects, she brings us images which suggest more than they actually show, allowing the beholder to interpret their full meaning. In 2014, Astrid Kruse Jensen received The ARKEN Travel Grant, donated by the Annie & Otto Johs. Detlefs' Almennyttige Foundation. The purpose of the travel grant is to further young artists' and curators' knowledge of and dialogue with the international art scene, and Astrid Kruse Jensen was awarded the ARKEN Travel Grant 2014 for her ability to highlight staged, contrasting and eternal states through photography. The committee described how Astrid Kruse Jensen's work created common stories that send the viewer on an emotionally powerful journey into our memories.

In Fragments of Remembrance, the director of the Frederiksberg Museums Astrid La Cour writes: "Astrid Kruse Jensen's work with photography in recent years has been closely associated with an exploration of the concept of memory as a state of consciousness that bridges time and space. In this state her works are involved in constant motion between disappearance and appearance; between the discreet modelling of darkness and dazzling effacement by light. And within this field Astrid Kruse Jensen allows the chemical origins of photography to penetrate the subject and at one and the same time draw attention to its indispensability in the process of developing and its role as a filter that obscures, affects and forms the subject. The intrusive structures of the chemistry become an active, abstract visual processing of the fragmentary impressions of memory."

In her recent ethereal series "Disappearing into the Past", "Within the Landscape" and "Floating", Astrid Kruse Jensen uses an old Polaroid camera and expired film to introduce unpredictability into her painterly compositions, creating light-drenched images that veer between concrete and mental landscapes. In her earlier series, Astrid Kruse Jensen used advanced technology to manipulate the light and darkness in her works. But here, Astrid Kruse Jensen takes advantage of the technical limitations and uncontrollable chemical processes of the Polaroid camera.

Behind this choice of imperfection lies not only a desire to challenge traditional working methods, but also an unmistakable acknowledgement of personal vulnerability, a desire to let go – and relinquish herself to a medium that is impossible to control. Astrid Kruse Jensen's use of double exposures, backlight, long shutter times and camera movements results in motifs out of focus, where the specific space is dissolved and erased. In "Floating", Astrid la Cour describes how Kruse Jensen's work is "specifically photographic and decidedly painterly. Interiors and landscapes are located in an eternal interchange between a concrete and an abstract reality. She works with photography's ability to record more than the human eye can capture and thus opens up a picture space that can only be rendered by way of the photographic gaze."

In her work, interiors and landscapes are dissolved in abstractions, which opens up an endless borderland or "a metaphysical universe transcending time and space", a state between the concrete and the abstract that questions photography as a mediums and its documentational heritage. In 2017, Astrid Kruse Jensen was among 5 female artists, who were awarded with the painter Anne Marie Telmányis grant for female artist over the age of 40, who have made a remarkable artistic contribution in Denmark. The committee highlighted Astrid Kruse Jensen's creation of works, which "question what we see … her realistic scenarios are floating and dreamy … and the unreal and fairytale-like penetrates us … and remains in the afterthought as a poetic imprint."

In 2021, Astrid Kruse Jensen received national attention for her duo-exhibition The Past Ahead of Me at Fotografisk Center, where she exhibited together with Norwegian photo-based artist Marie Sjøvold. The exhibition focused on subjects such as family, fragility, grief and loss, and here, Astrid Kruse Jensen also presented embroidery and bronze works. The square-shaped embroideries, titled Impossible Photographs, have the same format at the Polaroid photo, and the white text on the white background is difficult to read and bears the same sense of disappearance as her photographic works. The exhibition also included experimental approaches to photography, included photograph presented on fabric and bronze plates.

Exhibitions

Astrid Kruse Jensen's website provides the following list of solo exhibitions:

2021
 Fortiden foran mig, Fotografisk Center, Copenhagen, Denmark
 Floating, Wetterling Gallery, Stockholm, Sweden

2019
 Floating, Fotocentrum Raseburg, Karis, Finland
 Floating, Martin Asbæk Gallery, Copenhagen, Denmark

2018
 Memories and Hidden Places, Hafnarborg Centre of Culture and Fine Art, Hafnarfjordur, Iceland

2016
 Reflections, Wetterling Gallery, Stockholm, Sweden

2015
 Out of focus, Esbjerg Kunstmuseum, Esbjerg, Denmark
 Beauty Will Always Be Disturbed, Wetterling Gallery, Stockholm, Sweden
 Fragments of Remembrance, Martin Asbæk Gallery, Copenhagen, Denmark

2014
 Within The Landscape, Sven Harrys Kunstmuseum, Stockholm, Sweden
 Within The Landscape, Johannes Larsen Museet, Kerteminde, Denmark

2013
 Astrid Kruse Jensen, La villa Culture, Ganshoren, Belgium
 Astrid Kruse Jensen, La Venerie, Bruxelles, Belgium
 Astrid Kruse Jensen, De Bourglinster, Luxembourg

2012
Disappearing into the past, Fotoforum, Stadtmuseum Schleswig, Germany
Disappearing into the past, Rønnebæksholm, Næstved, Denmark
Disappearing into the past, Martin Asbæk Gallery, Copenhagen, Denmark
Disappearing into the past, Museet for Fotokunst, Odense, Denmark

2011
On the other side of twilight, dual show with Elle Kooi, Stedelijk Museum, Holland
Enchanted Spaces, Ruchika's Art Gallery, Goa, India
Parallel Realities, Backslash Gallery, Paris, France
Disappearing into the past, Brundlund Slot, Aabenraa, Denmark

2010
Between the Real and the Imaginary, Maison du Danemark, Paris, France
The Construction of Memories, Galerie Mikael Andersen, Copenhagen, Denmark
Enchanted Spaces, Ganges Art gallery, Kolkata, India
Between the Real and the Imaginary, Galerie Mikael Andersen, Berlin, Germany

2009
Between the Real and the Imaginary, Artotheque de Caen, Caen, France
Hidden Places / Enchanted Spaces, The Viewing Room, Mumbai, India

2008
Between the Real and the Imaginary, Vestsjællands Art Museum, Sorø, Denmark
Indefinite Spaces, Galerie Mikael  Andersen, Berlin, Germany

2007
 Selected Works, Konrad-Adenauer-Stiftung, Berlin, Germany

2006
Hypernatural, Centrum Kultury Zamek, Poznan, Poland
Hypernatural, Galleri Hornbaek, Hornbaek, Denmark
Parallel Landscapes, La Galeria, Barcelona, Spain
Power of Place, Harbourfront Centre, Toronto, Canada
Hypernatural, Kaunas Photo Days, Kaunas, Lithuania
Parallel Landscapes, Galerie Mikael Andersen, Copenhagen, Denmark

2005
Allusions of Home, Women's Festival, Ljubljana, Slovenia
Hypernatural, Galleri Image, Aarhus, Denmark

2004
Imaginary Realities, Philips Contemporary Art Gallery, Manchester, UK
Imaginary Realities, Galleri Skuggi, Reykjavik, Iceland

Publications
 Floating, 2021.
Beauty Will Always Be Disturbed, 2015.
 Disappearing into the Past, 2012.
 Imaginary Realities, Hypernatural, Parallel Landscapes, Indefinite Spaces. Selected works by Astrid Kruse Jensen, 2006.

See also
Photography in Denmark

References

External links
Astrid Kruse Jensen's website
Astrid Kruse Jensen: Beauty will always be disturbed Video interview by Louisiana Channel, 2013.

1975 births
21st-century Danish photographers
Danish photographers
Living people
Danish women photographers
21st-century women photographers
Danish embroiderers


text:
December 10, 2016 by R. Wilson
Complaint in the United States
1 Complaint in the United States
1.0.2 Analysis and Relevance
1.0.3 Notes and References
1.1 Complaint Definition
1.1.0.1 In Criminal Law. The allegation made to a proper officer that some person, whether known or unknown, has been guilty of a designated offense, with an offer to prove the fact, and a request that the offender may be punished. It is a technical term, descriptive of proceedings before a magistrate. 11 Pick. (Mass.) 436. In Code Pleading. The plaintiff's flrst pleading in a civil action. COMPLETE.Old forms; Complet, compleet, compleate, com/pleat (adap. Lat. completus, pa. pple. of complere to fill up, finish: cp. Fr. complet). 1. Wanting no part, member, or element; entire, perfect full. The word applied in this sense to title to land, in general means the right of property as well as possession and right of possession. A complete title to land, according to Blackstone, consists of juris et sesinae conjunctio; the possession, the right of possession and the right of property. (60 Miss. 1054; 6 Hill. 539.) 2. Perfect in nature, kind, or quality; consummate; thorough. 3. Finished; completed; ended. The premises were sold, in consideration of machinery to be furnished, complete, in the mill. This includes, not only the cost of the machinery, but the labor and material necessary to place it in proper position for operation. (58 111. 339.) 4. To add or supply what is wanting to; to finish, perfect, make complete. 5. To accomplish; to fulfill; to consummate, execute, achieve, realize. (28 N. Y. Supp. 445.)
1.2 Complaint in Foreign Legal Encyclopedias
1.3 Browse the American Encyclopedia of Law for Complaint
1.4 Explore other Reference Works
1.5 Legal Issue for Attorneys
1.6 More Resources
1.6.1 Access Points to the American Encyclopedia of Law
1.6.2 Legal Thesaurus Dictionary
1.6.3 Legal Indexes
1.6.4 Notice
1.7 Practical Information
1.7.0.1 In the practice of law, the name given to the statement of the case of the plaintiff (in U.S. law) or complaining party. (See parties to an action (in U.S. law).) It is a formal and methodical specification of the facts and circumstances surrounding the cause of action. Known also as the plaintiffs first pleading (see pleadings (in U.S. law)), the complaint sets forth in detail the grounds upon which the plaintiff is suing the defendant (in U.S. law), and asks the court for damages or other relief. The first pleading is called the complaint in the majority of states; the petition or the declaration in a few states; still other states distinguish between actions at law and in equity (in U.S. law) and call the first pleading the bill of complaint in an action at law, or bill in equity in an equity case. Regardless of the variance in terminology in the various states, a complaint follows a standard pattern, which consists of the following parts: Caption The caption (in U.S. law) to the complaint designates the court in which the action is brought and lists the full names of all plaintiffs and defendants. It does not show the clerk's index number because that is not available at the time the complaint is prepared. (See clerk of the court (in U.S. law), Index System.) Introduction The opening paragraph of the complaint simply states, "The plaintiff, by his attorney, John Jones, complaining of the defendant, alleges as follows:" or words to that effect. Body The body of the complaint states the facts and circumstances that are the basis for the action. The complaint may contain one or more causes of action, each of which is a separate and complete division within itself. These divisions are referred to as counts in some jurisdictions. A cause of action, or count, is composed of one or more allegations. These are statements that the plaintiff expects to prove. Complaints in certain actions must contain standard allegations, which the lawyer dictates from memory or from a practice manual. (See forms (in U.S. law). ) Prayer The prayer, also called the wherefore clause (in U.S. law), is the final paragraph of the complaint and "demands" judgment against the defendant for a specified sum, or, in equity actions, "prays" for or seeks other relief to which the plaintiff believes he is entitled. The complaint will also demand interest if the action is for a definite amount of money owed by the defendant, as when the action is on a stated account or a promissory note. Signature Either the plaintiff or the plaintiff's attorney must sign the complaint. The original must be signed manually in every state except New York, where a typed signature is sufficient. In federal courts, pleadings must be signed by an attorney in his or her individual name, not in the firm name. Verification The law in the various states specifies which complaints must be verified, but many lawyers follow the practice of having all complaints verified. The verification (in U.S. law) is signed before a notary public.
1.7.1 What is Complaint?
1.8 Concept of Complaint in Labor Law
1.9 Meaning of Complaint
1.10 Procedure: Filing a Complaint (in Disability Claims)
1.11 The Complaint and Service of Process: Main Elements
1.11.1 Pretrial Procedure
1.12 References
1.12.1 See Also
1.13 Resources
1.13.2 Further Reading (Articles)
1.14 Complaint Closures and the U.S. Equal Employment Opportunity Commission
1.15 Complaint Rate and the U.S. Equal Employment Opportunity Commission
1.16 Complaint in the context of Juvenile and Family Law
1.17 Complaint Definition in the context of the Federal Court System
1.18 Complaint in Juvenile Law
A charging method generally reserved for less serious criminal violations. A complaint may also be used in civil cases in which the assertion of a claim is made to initiate the legal action. In criminal cases, a complaint is submitted to a judicial officer and asserts that someone has committed a crime. If sufficient evidence is provided to establish probable cause, an arrest warrant will be issued.
Information (Criminal Process) Warrant (Criminal Process).
Analysis and Relevance
A complaint is a document based on the sworn assertions of a victim or an investigating police officer. Complaints are used most often in initiating misdemeanor charges. An information is almost identical, but is generally used to commence felony charges. An information is signed by the prosecuting attorney. The complaint is formal and submitted in writing. The written complaint complies with the Sixth Amendment mandate that a defendant be made aware of the charges in order to allow presentation of a defense.
Definition of Complaint from the American Law Dictionary, 1991, California
Complaint Definition
In Criminal Law. The allegation made to a proper officer that some person, whether known or unknown, has been guilty of a designated offense, with an offer to prove the fact, and a request that the offender may be punished. It is a technical term, descriptive of proceedings before a magistrate. 11 Pick. (Mass.) 436. In Code Pleading. The plaintiff's flrst pleading in a civil action. COMPLETE.Old forms; Complet, compleet, compleate, com/pleat (adap. Lat. completus, pa. pple. of complere to fill up, finish: cp. Fr. complet). 1. Wanting no part, member, or element; entire, perfect full. The word applied in this sense to title to land, in general means the right of property as well as possession and right of possession. A complete title to land, according to Blackstone, consists of juris et sesinae conjunctio; the possession, the right of possession and the right of property. (60 Miss. 1054; 6 Hill. 539.) 2. Perfect in nature, kind, or quality; consummate; thorough. 3. Finished; completed; ended. The premises were sold, in consideration of machinery to be furnished, complete, in the mill. This includes, not only the cost of the machinery, but the labor and material necessary to place it in proper position for operation. (58 111. 339.) 4. To add or supply what is wanting to; to finish, perfect, make complete. 5. To accomplish; to fulfill; to consummate, execute, achieve, realize. (28 N. Y. Supp. 445.)
Complaint in Foreign Legal Encyclopedias
Complaint Complaint in the World Legal Encyclopedia.
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For starting research in the law of a foreign country:
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Access to the Encyclopedia is provided by alphabetical arrangement of entries, table of cases, table of laws, briefs and tables of contents.
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Because some legal concepts are too complicated to compress to a single word or term, the legal thesaurus dictionary allows the reader to search for groups of terms, including synonyms, antonyms, expanded legal meanings and other terms the reader is likely to use. The resource includes lists, synonym rings , subject categories, taxonomies and a number of schemes.
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The Index is a collection of entries to allow users to locate information in the Lawi Projects. After write down relevant words and phrases that you need, begin looking up the words and phrases using the index until you have located an applicable subject to review.
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This definition of Complaint Is based on the The Cyclopedic Law Dictionary . This definition needs to be proofread..
Note: Some of this information was last updated in 1982
In the practice of law, the name given to the statement of the case of the plaintiff (in U.S. law) or complaining party. (See parties to an action (in U.S. law).) It is a formal and methodical specification of the facts and circumstances surrounding the cause of action. Known also as the plaintiffs first pleading (see pleadings (in U.S. law)), the complaint sets forth in detail the grounds upon which the plaintiff is suing the defendant (in U.S. law), and asks the court for damages or other relief. The first pleading is called the complaint in the majority of states; the petition or the declaration in a few states; still other states distinguish between actions at law and in equity (in U.S. law) and call the first pleading the bill of complaint in an action at law, or bill in equity in an equity case. Regardless of the variance in terminology in the various states, a complaint follows a standard pattern, which consists of the following parts:
The caption (in U.S. law) to the complaint designates the court in which the action is brought and lists the full names of all plaintiffs and defendants. It does not show the clerk's index number because that is not available at the time the complaint is prepared. (See clerk of the court (in U.S. law), Index System.)
The opening paragraph of the complaint simply states, "The plaintiff, by his attorney, John Jones, complaining of the defendant, alleges as follows:" or words to that effect.
The body of the complaint states the facts and circumstances that are the basis for the action. The complaint may contain one or more causes of action, each of which is a separate and complete division within itself. These divisions are referred to as counts in some jurisdictions. A cause of action, or count, is composed of one or more allegations. These are statements that the plaintiff expects to prove. Complaints in certain actions must contain standard allegations, which the lawyer dictates from memory or from a practice manual. (See forms (in U.S. law). )
The prayer, also called the wherefore clause (in U.S. law), is the final paragraph of the complaint and "demands" judgment against the defendant for a specified sum, or, in equity actions, "prays" for or seeks other relief to which the plaintiff believes he is entitled. The complaint will also demand interest if the action is for a definite amount of money owed by the defendant, as when the action is on a stated account or a promissory note.
Either the plaintiff or the plaintiff's attorney must sign the complaint. The original must be signed manually in every state except New York, where a typed signature is sufficient. In federal courts, pleadings must be signed by an attorney in his or her individual name, not in the firm name.
The law in the various states specifies which complaints must be verified, but many lawyers follow the practice of having all complaints verified. The verification (in U.S. law) is signed before a notary public.
(Revised by Ann De Vries)
What is Complaint?
For a meaning of it, read Complaint in the Legal Dictionary here. Browse and search more U.S. and international free legal definitions and legal terms related to Complaint.
Concept of Complaint in Labor Law
In this context, a definition of Complaint is offered here: Formal papers issued by the NLRB to start an unfair labor practice hearing before an Administrative Law Judge. The complaint states the basis for the Board's jurisdiction and the alleged unfair labor practice.
Meaning of Complaint
In plain or simple terms, Complaint means: The first pleading on the part of the plaintiff in a civil action.
Procedure: Filing a Complaint (in Disability Claims)
Some information about Procedure: Filing a Complaint in this context.
The Complaint and Service of Process: Main Elements
The coverage of The Complaint and Service of Process includes the following element(s):
Pretrial Procedure
Find out an overview of this topic, in relation to The Complaint and Service of Process, in the legal Ecyclopedia.
Legal Topics.
Civil Procedure.
Further Reading (Articles)
Complaints about the Nhs Up by 8%, States News Service; November 9, 2012
Complaints against the Regulators, States News Service; October 4, 2013
Complaints about Next Door Flood In, Tamworth Herald, The; March 20, 2014
WHISTLEBLOWER; Complaints about Bus Drivers Soar; Metro Transit Says That Because of Social Media, itAEs Easier Than Ever to Report Possible Problems, Star Tribune (Minneapolis, MN); November 24, 2013
COMPLAINTS AGAINST POLICE ROSE IN 2010; Of 79 allegations, 8 were ruled valid, The Spokesman-Review (Spokane, WA); February 23, 2011; Meghann M Cuniff
Utilities complaints drop 14%, New Haven Register (New Haven, CT); March 14, 2006; Cara Baruzzi
Complaints Against Police Fell in '95, Are Down This Year, The Washington Post; June 13, 1996; Philip P. Pan
769 Complaints Flood AMC in a Day!, DNA : Daily News & Analysis; July 25, 2013
Complaints About Airlines Are Soaring, The Washington Post; January 8, 1987; Sharon Warren Walsh
Complaints against lawyers up 30 per cent, reveals Law Society, The Scotsman; March 18, 2006; MICHAEL HOWIE
Complaints against lawyers soar, The Herald; May 18, 2004; Paul Rogerson
Complaints may hinder Forbes' bid for counsel: ; But disciplinary board official says filings may not hold much weight, The Charleston Gazette (Charleston, WV); October 10, 2000; Fanny Seiler
Prisoner Complaints, Wyoming Tribune-Eagle (Cheyenne, WY); May 26, 2013; New
COMPLAINTS AGAINST PORTLAND POLICE DROP IN 2002, Portland Press Herald (Portland, ME); January 17, 2003; DAVID HENCH
Complaints double as PPI claims continue to flood in, The Scotsman; August 3, 2011; Jeff Salway
'Slamming' complaints explode, Journal of Business; July 24, 1997; Anonymous
Complaints Against Police Rise 63% in Pr. George's, The Washington Post; April 12, 2000; Craig Whitlock
Police Complaints Soar by a Third, The Birmingham Post (England); November 11, 2000
Complaint Alleges Trail of Fraud, The Register Guard (Eugene, OR); February 15, 2012
Complaints against five poll candidates filed., Arab News (Jeddah, Saudi Arabia); October 7, 2011
Complaint Closures and the U.S. Equal Employment Opportunity Commission
The number of complaints that were completed in the formal complaint process during the fiscal year.
Complaint Rate and the U.S. Equal Employment Opportunity Commission
The percentage of individuals who filed a complaint per the total work force.
Complaint in the context of Juvenile and Family Law
Definition ofComplaint published by the National Council of Juvenile and Family Court Judges:The initiating pleading in a criminal or civil case, filed by the moving party and setting out the cause of action.
Complaint Definition in the context of the Federal Court System
A written statement filed by a plaintiff initiating a civil case, stating the jurisdiction of the court to resolve the legal dispute, the wrongs allegedly committed by the defendant, and the requested relief.
Complaint in Juvenile Law
In this context, Complaint information is available through this American legal Encyclopedia.
Certiorari
Claimant
Allegation
Circumstantial Evidence
Counterclaim
Canvass
Cause Of Action
Nolo Contendere
Pleadings
Remand
Court Of Last Resort
Court Register
Courts Of Intermediate Review
Courts Of Record
Categories C, Civil Procedure, Criminal Procedure, Family law, Labor law, Procedural Law, su1 Tags Ann de Vries , Appeals , CO, Court , Criminal Judicial Process, Disability Claims, District Courts Appeals, Equal Employment Opportunities, Family Court Matters, Federal Court System, Federal Courts, Juvenile justice, Long Read
Serious Health Condition
Complaint: Open and Free Legal Research of US Law
The U.S. federal government system consists of executive, legislative, and judicial branches, each of which creates information that can be the subject of legal research about Complaint. This part provides references, in relation to Complaint, to the legislative process, the federal judiciary, and the primary sources of federal law (cases, statutes, and regulations).
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1.7.0.1 In the practice of law, the name given to the statement of the case of the plaintiff (in U.S. law) or complaining party. (See parties to an action (in U.S. law).) It is a formal and methodical specification of the facts and circumstances surrounding the cause of action. Known also as the plaintiffs first pleading (see pleadings (in U.S. law)), the complaint sets forth in detail the grounds upon which the plaintiff is suing the defendant (in U.S. law), and asks the court for damages or other relief. The first pleading is called the complaint in the majority of states; the petition or the declaration in a few states; still other states distinguish between actions at law and in equity (in U.S. law) and call the first pleading the bill of complaint in an action at law, or bill in equity in an equity case. Regardless of the variance in terminology in the various states, a complaint follows a standard pattern, which consists of the following parts:Caption The caption (in U.S. law) to the complaint designates the court in which the action is brought and lists the full names of all plaintiffs and defendants. It does not show the clerk's index number because that is not available at the time the complaint is prepared. (See clerk of the court (in U.S. law), Index System.)Introduction The opening paragraph of the complaint simply states, "The plaintiff, by his attorney, John Jones, complaining of the defendant, alleges as follows:" or words to that effect.Body The body of the complaint states the facts and circumstances that are the basis for the action. The complaint may contain one or more causes of action, each of which is a separate and complete division within itself. These divisions are referred to as counts in some jurisdictions. A cause of action, or count, is composed of one or more allegations. These are statements that the plaintiff expects to prove. Complaints in certain actions must contain standard allegations, which the lawyer dictates from memory or from a practice manual. (See forms (in U.S. law). ) Prayer The prayer, also called the wherefore clause (in U.S. law), is the final paragraph of the complaint and "demands" judgment against the defendant for a specified sum, or, in equity actions, "prays" for or seeks other relief to which the plaintiff believes he is entitled. The complaint will also demand interest if the action is for a definite amount of money owed by the defendant, as when the action is on a stated account or a promissory note. Signature Either the plaintiff or the plaintiff's attorney must sign the complaint. The original must be signed manually in every state except New York, where a typed signature is sufficient. In federal courts, pleadings must be signed by an attorney in his or her individual name, not in the firm name.Verification The law in the various states specifies which complaints must be verified, but many lawyers follow the practice of having all complaints verified. The verification (in U.S. law) is signed before a notary public.


text:
#include "sysemu/block-backend.h"
#include "hw/block/block.h"
#include "trace.h"

struct partition {
        uint8_t boot_ind;           /* 0x80 - active */
        uint8_t head;               /* starting head */
        uint8_t sector;             /* starting sector */
        uint8_t cyl;                /* starting cylinder */
        uint8_t sys_ind;            /* What partition type */
        uint8_t end_head;           /* end head */
        uint8_t end_sector;         /* end sector */
        uint8_t end_cyl;            /* end cylinder */
        uint32_t start_sect;        /* starting sector counting from 0 */
        uint32_t nr_sects;          /* nr of sectors in partition */
} QEMU_PACKED;

/* try to guess the disk logical geometry from the MSDOS partition table.
   Return 0 if OK, -1 if could not guess */
static int guess_disk_lchs(BlockBackend *blk,
                           int *pcylinders, int *pheads, int *psectors)
{
    uint8_t buf[BDRV_SECTOR_SIZE];
    int i, heads, sectors, cylinders;
    struct partition *p;
    uint32_t nr_sects;
    uint64_t nb_sectors;

    blk_get_geometry(blk, &nb_sectors);

    /**
     * The function will be invoked during startup not only in sync I/O mode,
     * but also in async I/O mode. So the I/O throttling function has to
     * be disabled temporarily here, not permanently.
     */
    if (blk_read_unthrottled(blk, 0, buf, 1) < 0) {
        return -1;
    }
    /* test msdos magic */
    if (buf[510] != 0x55 || buf[511] != 0xaa) {
        return -1;
    }
    for (i = 0; i < 4; i++) {
        p = ((struct partition *)(buf + 0x1be)) + i;
        nr_sects = le32_to_cpu(p->nr_sects);
        if (nr_sects && p->end_head) {
            /* We make the assumption that the partition terminates on
               a cylinder boundary */
            heads = p->end_head + 1;
            sectors = p->end_sector & 63;
            if (sectors == 0) {
                continue;
            }
            cylinders = nb_sectors / (heads * sectors);
            if (cylinders < 1 || cylinders > 16383) {
                continue;
            }
            *pheads = heads;
            *psectors = sectors;
            *pcylinders = cylinders;
            trace_hd_geometry_lchs_guess(blk, cylinders, heads, sectors);
            return 0;
        }
    }
    return -1;
}

static void guess_chs_for_size(BlockBackend *blk,
                uint32_t *pcyls, uint32_t *pheads, uint32_t *psecs)
{
    uint64_t nb_sectors;
    int cylinders;

    blk_get_geometry(blk, &nb_sectors);

    cylinders = nb_sectors / (16 * 63);
    if (cylinders > 16383) {
        cylinders = 16383;
    } else if (cylinders < 2) {
        cylinders = 2;
    }
    *pcyls = cylinders;
    *pheads = 16;
    *psecs = 63;
}

void hd_geometry_guess(BlockBackend *blk,
                       uint32_t *pcyls, uint32_t *pheads, uint32_t *psecs,
                       int *ptrans)
{
    int cylinders, heads, secs, translation;

    if (guess_disk_lchs(blk, &cylinders, &heads, &secs) < 0) {
        /* no LCHS guess: use a standard physical disk geometry  */
        guess_chs_for_size(blk, pcyls, pheads, psecs);
        translation = hd_bios_chs_auto_trans(*pcyls, *pheads, *psecs);
    } else if (heads > 16) {
        /* LCHS guess with heads > 16 means that a BIOS LBA
           translation was active, so a standard physical disk
           geometry is OK */
        guess_chs_for_size(blk, pcyls, pheads, psecs);
        translation = *pcyls * *pheads <= 131072
            ? BIOS_ATA_TRANSLATION_LARGE
            : BIOS_ATA_TRANSLATION_LBA;
    } else {
        /* LCHS guess with heads <= 16: use as physical geometry */
        *pcyls = cylinders;
        *pheads = heads;
        *psecs = secs;
        /* disable any translation to be in sync with
           the logical geometry */
        translation = BIOS_ATA_TRANSLATION_NONE;
    }
    if (ptrans) {
        *ptrans = translation;
    }
    trace_hd_geometry_guess(blk, *pcyls, *pheads, *psecs, translation);
}

int hd_bios_chs_auto_trans(uint32_t cyls, uint32_t heads, uint32_t secs)
{
    return cyls <= 1024 && heads <= 16 && secs <= 63
        ? BIOS_ATA_TRANSLATION_NONE
        : BIOS_ATA_TRANSLATION_LBA;
}

redpajama_set_name: RedPajamaGithub