text: echo 0 | sudo tee /proc/sys/kernel/yama/ptrace_scope

redpajama_set_name: RedPajamaGithub


text:
Best Practice: Using the HP 4500 Black Printhead for Porous Surfaces
in Ink Jet Tips, News Article, TIJ Troubleshooting, Training
HP 4500 Black Ink's origins
HP's Inkjet technology was designed for paper, but its uses have expanded to many porous surfaces. The HP 4500 Black Printhead with HP 4500 Black ink is the most versatile solution for a wide range of porous surfaces, including corrugated, paperboard, coated paperboard and cut sheet. To enter the markets outside the home and office, Hewlett Packard licenses its Thermal Inkjet printing technology (TIJ) to other vendors called Original Equipment Manufacturers (OEMs), who sell directly into the packaging, carton coding and mail addressing industry.
The popularity of TIJ in Mail Addressing and Packaging comes as no surprise. OEMs can easily integrate the HP print engine into their hardware solution, and there are numerous benefits for end customers. These benefits include: ease of use, reliability, fast print speeds, and high print quality, to name a few. In addition, customers in both Mail Addressing and Packaging had pent-up demand for "clean" technology that didn't rely on messy, hazardous inks as with Continuous inkjet.
Pigmented inks for Porous Surfaces
Over the past two decades, a lot of progress has been made by HP and its licensed ink partners to create and deliver new inks for better performance on more surfaces. Aqueous (water-based) and dye-based inks were intended for printing on paper. Second generation aqueous pigmented inks were developed to print on smooth porous materials such as standard mailing envelopes and corrugated shipping cases, and to provide greater durability. The inks are delivered via a disposable print cartridge, and certain printheads can be connected to larger bulk supplies.
The first pigmented ink presented by HP for porous surfaces was HP 4500 Black. Today, some 20 years later, the HP 4500 black ink is still one of the best-selling products for printing on porous envelopes, corrugate cases and master cartons. These porous surfaces allow the 4500 ink to be absorbed into the substrate without sacrificing high print quality or dry time.
HP 4500 black ink can be found in these products:
51645A HP 4500 Black Ink Cartridge
Q7456A HP 4500 Printhead
Q7457A HP 4500 Bulk Ink Supply
C6119A HP Bulk Ink Supply
Many companies have tried and failed to develop new ink formulations for porous and non-porous materials found in Mail Addressing and Packaging. For example, it's challenging to create a black, pigmented ink that has the right dry time, print quality, decap time and durability. For these reasons HP 4500 Black is a classic ink that has maintained its top position.
CASE Printing Solutions is the industry expert when it comes to industrial printing with HP Thermal Inkjet. The Oregon-based company provides low cost, high-quality ink products along with unparalleled service and support across the U.S. The remanufactured ink products from CASE are every bit as reliable and more affordable compared to the OEM version.
HP 4500 Black Offer- Free printhead or cartridge trial
As a special offer for those reading this article, CASE is offering a FREE HP 4500 remanufactured ink product.
Watch the video and contact us.
We will get back to you promptly to schedule delivery. One per person or company.
Call Case Printing to get a FREE remanufactured HP 4500 printhead or ink cartridge. No obligation, just use it and tell us how you like it. (541) 754-2273.
https://caseprintingsolutions.com/wp-content/uploads/2020/06/image54.jpg 240 230 JustinCase https://caseprintingsolutions.com/wp-content/uploads/2020/06/CPSLogoold.gif JustinCase2016-05-11 22:06:462021-06-04 20:25:16Best Practice: Using the HP 4500 Black Printhead for Porous Surfaces
Case Printing Speaks out on Walmart Barcodes
Schneider of Case Printing Solutions says "Pay Attention"- Packaging...

redpajama_set_name: RedPajamaCommonCrawl


56 Why is Cuba still leasing Guantanamo Bay to the US?
55 Why is there so much talk about this picture of crowd size at the inauguration?
18 Why does the US government not enforce federal laws against Colorado's legalization of marijuana?
17 Why is Israel refusing to let the International Atomic Energy Agency inspect their facilities?
14 Why have no US government officials been charged under the Geneva convention?
14 What does the term "White Privilege" mean?


text:
Ramón Carnicer y Batlle (Tárrega, Lérida, 24 de octubre de 1789-Madrid, 17 de marzo de 1855) fue un compositor de ópera y maestro de música español, autor de la música del himno nacional de Chile.

Biografía

Años de formación
Nacido en Tárrega, capital de la comarca de Urgel, recibió su primera formación musical de Bonaventura Feliu, maestro de capilla de la iglesia local. A los siete años de edad, ingresó por oposición al coro de la catedral de Santa María de Urgel, donde estudió órgano y composición. En 1806 se trasladó a Barcelona, donde tuvo por maestro al organista y maestro de capilla de la catedral, Carles Baguer, y a Francesc Queralt, respectivamente. Fue en Barcelona donde entró en contacto con las óperas de Cimarosa, Paisiello, Guglielmi, Paër, Mayr y Generali, experiencia que le otorgó un vasto conocimiento del repertorio, tal como reveló posteriormente su obra operística.

Guerra de la Independencia y vuelta en Barcelona
La Guerra de la Independencia (1808-1814) lo obligó  huir a Mahón, donde trabajó como organista, impartió clases de canto y de piano y conoció al austro-alemán Karl-Ernest Cook, discípulo de Mozart.

Cuando volvió a Barcelona, fue comisionado por la junta de accionistas del Teatro de la Santa Cruz (1815) para que viajara a Italia y contactara con la mejor compañía de ópera que pudiera encontrar. Carnicer consiguió reunir una formación con cantantes como Angelo Cantelli, Bassi, Giulio Marco Bordogni, dirigida por el maestro y compositor Prieto Generali.

Entre 1818 y 1820, Carnicer relevó a Generali en la dirección del teatro y se dedicó a la composición. Suya es la obertura escrita para el estreno en Barcelona (1818) de El barbero de Sevilla, de Gioacchino Rossini, elogiada por el propio autor.

Por el éxito creciente de sus obras, Carnicer decidió quemar su producción anterior —integrada por obras religiosas, himnos patrióticos, canciones, música de banda militar y de baile— y decidió escribir la primera de sus obras de madurez, la ópera Adele di Lusignano, que fue estrenada en el Teatro de la Santa Cruz de Barcelona el 15 de mayo de 1819. En 1820, el compositor llevó a cabo su tercer viaje a Italia como empresario del Teatro de la Santa Cruz con su misión otra vez no solo de buscar cantantes y músicos, sino también partituras de Rossini, Bellini y Donizetti.

La segunda ópera de Carnicer, Elena  e Costantino, se estrenó el 16 de junio de 1821 y fue recibida también con gran éxito por el público. En su tercera ópera, Don Giovanni Tenorio, estrenada el 20 de junio de 1822, Carnicer, partiendo de un lenguaje ya claramente rossiniano que es connatural a su propio estilo, se acercó al músico de Salzburgo.

Exilio en París y Londres

A finales del Trienio Constitucional —y seguramente por sus ideas liberales, públicas y conocidas—, Ramón Carnicer y su familia se exiliaron en París (1823) y luego en Londres (entre julio de 1825 y marzo de 1826). Años después de restablecerse el absolutismo, estos ideales le pasaron factura. Al convocarse en 1830 unas oposiciones para la plaza de Maestro de Música de la Capilla Real y Rector del Real Colegio de Niños Cantores, sus contrarios le reprocharon su actuación política. En estos viajes se dio a conocer como director y compositor.

En la capital británica, además de publicar algunas obras importantes de su catálogo como sus Six Spanish Airs, Three Nocturnos y Il sogno, terzettino Notturna, conoció los artistas españoles que nutrían los círculos liberales londinenses, como el profesor de canto Mariano Rodríguez de Ledesma (1779-1848), el pianista Santiago de Masarnau (1805-1882), el compositor José Melchor Gomis (1791-1836) o los guitarristas Fernando Sor (1780-1839) y Trinidad Huerta (1803-1856). Durante su exilio en Londres, recibió el encargo de componer el himno nacional de Chile, con letra de Bernardo de Vera y Pintado —cuyo texto fue reemplazado en 1847 por el del poeta Eusebio Lillo, menos antiespañol—.

Regreso a España

Cuando volvía a Cataluña para reincorporarse al Teatro de la Santa Cruz, por real orden de Fernando VII fue forzado a establecerse en Madrid para suceder a Saverio Mercadante en la dirección los teatros de la Corte, el Teatro de la Cruz y el Teatro del Príncipe (1827). Carnicer, que tenía a su familia y su trabajo en Barcelona, se resistió a la orden real. Por este motivo fue detenido por las fuerzas públicas y obligado a viajar a Madrid en calidad de preso. La familia se tuvo que trasladar a Madrid más tarde.

Su llegada a Madrid permitió dignificar el estado de los teatros de música, luchando contra todos los malos hábitos instaurados en las orquestas, como tocar los instrumentos con la capa puesta. En cuanto al personal del teatro, exigió conocimientos musicales y amplió el número de sus miembros. Dirigió estos teatros siete temporadas completas entre 1828 y 1845. Al crearse el Conservatorio de Madrid, se hizo cargo de la cátedra de composición (1831-1854) y más tarde fue nombrado director.

En febrero de 1829, Carnicer estrenó Elena e Malvina, ópera escrita sobre un libreto de Felice Romani, que fue bien recibida por la crítica madrileña. Dos años después, estrenó su Cristoforo Colombo en el Teatro del Príncipe de Madrid, y el 14 de diciembre de 1832 puso por primera vez en escena Eufemio di Messina ossia saraceni in Sicilia. El Viernes Santo de 1833, Carnicer dirigió el estreno del Stabat Mater de Rossini en el Convento de San Felipe el Real de Madrid.

Además de varias óperas, oberturas y canciones para incluir en las representaciones de óperas de otros compositores, escribió música religiosa, piezas instrumentales y varios himnos de corte liberal, dejando un legado de más de doscientas obras. Se le considera uno de los precursores de la zarzuela y tuvo por discípulos a futuros compositores de este género, como Francisco Asenjo Barbieri, Rafael Hernando Palomar y Joaquín Gaztambide y Garbayo.

Legado y conmemoraciones

Con motivo del primer centenario de su muerte en 1955, el Ayuntamiento de Madrid instaló una placa conmemorativa en la fachada de casa de la calle Santa Isabel, 38, en la que había fallecido en 1855.

Tiene dedicadas calles en Tárrega, en Santiago de Chile y otras ciudades chilenas.

En su ciudad natal, Tárrega, se constituyó en 1994 la Coral Ramón Carnicer, y se dedicó un monumento al compositor en la céntrica plaza del Carmen (o del Pati).

El 26 y el 27 de noviembre de 2005, con ocasión del 150.º aniversario de la muerte del compositor, se llevaron a cabo en Tárrega unas jornadas de estudio con el título "Ramon Carnicer i el seu temps" ('Ramón Carnicer y su tiempo').

Obras

Óperas
Se han perdido algunas de las obras mencionadas a continuación, y solo se conservan referencias en documentación de la época.

 Adele di Lusignano: Melodramma semiserio (1819), ópera en italiano, en dos actos
 Elena e Costantino: Dramma eroico-cómico in due atti (1821, reestrenada en 2005), ópera en italiano, en dos actos, con libreto de Andrea Leone Tottola
 Il dissoluto punito, o sia, Don Giovanni Tenorio: Dramma semiserio (1822, reestrenada en 2006), ópera en italiano, en dos actos, con libreto de Giovanni Bertati
 Elena e Malvina (1827), ópera en dos actos, Reestrenada en Madrid el 15 de mayo de 2016 en el Auditorio Nacional de Música, con la Orquesta y Coros Nacionales de España y bajo la dirección del maestro Guillermo García Calvo.
 Cristóforo Colombo (1829), ópera
 Eufemio de Messina (1832), ópera
 Guglielmo Tell (1834), ópera
 Eran due or sono tre, o sea, Gli esposti (1836), ópera bufa en dos actos con libreto de Jacopo Ferretti
 Ismalia o Morte ed amore (1838), ópera en dos actos
 Laura y Don Gonzalo (1841), ópera en 4 actos. Música atribuida a Carnicer y libreto a Manuel Bretón de los Herreros
 Ipermestra (1843), drama en tres actos con letra de Pietro Metastasio. Autoría discutida
 Lucrezia Borgia. Ópera atribuida, otros autores dicen que únicamente habría colaborado
 El sacristán de Toledo, ópera (se dice que solo habría colaborado con música incidental).

Instrumentales
 Obertura (sinfonía) para el estreno barcelonés (1818) de la ópera Il barbiere di Siviglia de Rossini
 Gran sinfonía en Re (1839)
 Fantasía original para clarinete con acompañamiento de piano (1849)
 Capricho para contrabajo con acompañamiento de piano (1852)
 Fantasía en mi bemol mayor, para clarinete
 Melodía fantástica con acompañamiento de piano
 Sinfonía oriental
 Solo de flauta'''
 Sonata nº 6 en fa mayor
 Una segunda apertura para esta misma ópera

Vocales
 El caramba: canción andaluza (ca. 1832), para voz y piano o guitarra
 Completas Fratres a 4 v., para 4 voces, 6 instrumentos, acompañamiento y bajo continuo
 La criada: canción española (ca. 1832), para voz, guitarra y piano
 El currillo: canción andaluza (ca. 1835), para voz, guitarra y piano
 La gitanilla (ca. 1831), canción para voz, guitarra y piano
 Himno a los defensores de Gandesa (1838), de carácter liberal
 Himno patriótico de Chile (1827)
 Himno patriótico, con motivo de la publicación del Estatuto Real (1834)
 Himno patriótico para el cumpleaños de la Reina Doña Isabel II (1835)
 El julepe: polo (1823?), canción para voz y guitarra
 Misa de Réquiem (1829), para cuatro voces y orquesta, en latín. A la muerte de María Josefa de Sajonia, tercera esposa de Fernando VII
 Misa de Réquiem (1842), para cuatro voces y orquesta, en latín.
 Misa solemne (entre 1806 y 1808), para ocho voces y orquesta
 El músico y el poeta (Los maestros de la Raboso), tonadilla a dúo
 El no sé, canción para voz, guitarra y piano
 La noticia feliz: polo y seguidillas (1823?), canciones para voz y pianoiano
 El nuevo sereni (1825), canción para voz y piano o guitarra
 Odas de Anacreonte (1832), texto original griego de Anacreonte y traducción castellana de José del Castillo y Ayensa, comprende las canciones para voz y piano De sí mismo, A una muchacha y Del amor y la abeja
 El poder de las mujeres: canción española con acompañamiento de piano y guitarra (1836)
 Psalmodia que contiene todos los tonos (1818)
 Tantum Ergo
 Tonadilla de la cantinera (1813)
 Vigilias con orquesta para las exequias de Fernando VII (1833), en latín
 El chairo: canción española cantada en la ópera "El barbero de Sevilla" (1833), letra de Agustín Azcona

Familia
Miguel Carnicer y Batlle (Tàrrega, 1793-Sevilla, 1866) fue un guitarrista español. De la escuela de Aguado, se estableció en Sevilla e hizo composiciones y arreglos para guitarra. De él se conservan dos piezas: Mazurka e Introducción y Variaciones sobre un tema del "Pirata" de Bellini.

Referencias

Bibliografía
 Dossier Ramón Carnicer publicado en la revista Scherzo número 64 (1992).

 Miralles i Marsà, Antoni. Petita història de Ramón Carnicer Barcelona: Editorial Mediterrània, 2005.
 Pagán, Víctor, y Alfonso de Vicente. Catálogo de obras de Ramón Carnicer Madrid: Fundación Caja de Madrid, 1997.
 Ramón Carnicer músic: bicentenari Tàrrega 1789-1989 Tàrrega: Museu Comarcal - Arxiu Històric Comarcal, 1989.
 Ruiz Tarazona, Andrés. En el II centenario de Ramón Carnicer (1789-1855) publicado en la Revista de Musicología vol. XIII (1989)
 Rodríguez, Juana. Documentos del expediente de Ramón Carnicer (1830) publicado en la revista Recerca Musicològica VIII (1988). Accessible en línea.
 Sopena Ibáñez, Federico. Historia crítica del Conservatorio de Madrid Madrid: Ministerio de Educación y Ciencia, 1976.
 Subirá, José. En el centenario de un gran músico: Ramón Carnicer publicado en la Revista de Biblioteca, Archivo y Museo núm. 69 (1958)

Enlaces externos
 Resumen biográfico de Carnicer y análisis y archivos de sonido de Laura y Don Gonzalo
 Resumen biográfico (en inglés)
 Breve resumen biográfico y lista de óperas de Ramón Carnicer (en alemán)

Compositores del Romanticismo de España
Compositores de ópera de Cataluña
Profesores del Real Conservatorio Superior de Música de Madrid
Nacidos en Tárrega
Fallecidos en Madrid

redpajama_set_name: RedPajamaWikipedia


A nicely proportioned link detached house situated in a convenient and attractive location within the town. The accommodation comprises Porch, Sitting room, Kitchen Dining Room, three Bedrooms and Bathroom. The property has gas central heating and Upvc double glazing and there is an attached Garage.
BRIEF DESCRIPTION A nicely proportioned link detached house situated in a convenient and attractive location within the town. The accommodation comprises Porch, Sitting room, Kitchen Dining Room, three Bedrooms and Bathroom. The property has gas central heating and Upvc double glazing and there is an attached Garage.
LOCATION The property is located approximately ¼ mile from Newport Town Centre. Newport is an attractive and historic market town, with a vibrant centre of stylish, independent shops offering designer and High Street brands, art and crafts, books, jewellery, gifts, home ware as well as a butchers. Newport Country Market is an indoor hall packed with home-made goods and products. There are also Waitrose and Aldi supermarkets. 11 miles away Telford Shopping Centre has more than 160 stores and in Stafford, The Guildhall Shopping Centre, including Stafford Market Hall, has more than 40 stores.
KITCHEN/DINING ROOM: 14' 8" x 11' 0" (4.47m x 3.35m) With tiled flooring, radiator, stainless steel sink unit with mixer tap over, a range of base and wall units incorporating glazed display unit, inset 4 ring gas hob, electric double oven, tiling to splash areas, window overlooking the rear and door to Garage.
BEDROOM ONE: 12' 4" x 8' 7" (3.76m x 2.62m) With radiator and window overlooking the front.
BEDROOM TWO: 10' 9" x 8' 7" (3.28m x 2.62m) With window overlooking the rear.
BEDROOM THREE: 6' 10" x 5' 10" (2.08m x 1.78m) With window overlooking the front and radiator.
BATHROOM Having bath with shower and shower screen over, wash hand basin, low level wc, tiling to walls, radiator and extractor fan.
OUTSIDE The rear garden has patio area with steps up to lawn with various plants and trees and the garden is enclosed by timber close boarded fencing. To the front there is a tarmacadam driveway and lawn.
GARAGE 22' 2" x 8' 5" (6.76m x 2.57m) With door to the rear garden.
SERVICES We are advised that all mains services are available. Barbers have not tested any apparatus, equipment, fittings etc or services to this property, so cannot confirm that they are in working order or fit for purpose. A buyer is recommended to obtain confirmation from their Surveyor or Solicitor.
DIRECTIONS From Newport proceed down to lower bar, proceed straight over the mini island and turn right onto Forton Road. Take the second right into Avon Dale and follow the road round to the right where the property is situated on the right marked by our For Sale board.
PROPERTY INFORMATION For clarification we wish to inform prospective purchasers that we have prepared these sales details as a general guide. We have not carried out a detailed survey nor tested the services, appliances, and specific fittings. Room sizes should not be relied upon for carpets and furnishings. The measurements given are approximate. We believe this information to be accurate, but they cannot be guaranteed. The fixtures, fittings, appliances and mains services have not been tested. If there is any point which is of particular importance please obtain professional confirmation. All measurements quoted are approximate. These particulars do not constitute a contract or part of a contract.


text:
70 mm film
Faded vintage 70 mm positive film with 4 magnetic strips containing 6-channel stereo sound
70 mm film (or 65 mm film) is a wide high-resolution film gauge for still and motion picture photography, with higher resolution than the standard 35 mm motion picture film format. As used in cameras, the film is 65 mm (2.6 in) wide. For projection, the original 65 mm film is printed on 70 mm (2.8 in) film. The additional 5 mm are for 4 magnetic strips holding six tracks of sound. Although later 70 mm prints use digital sound encoding, the vast majority of existing and surviving 70 mm prints predate this technology. Each frame is five perforations tall, with an aspect ratio of 2.20:1. The vast majority of cinemas are unable to handle 70 mm film, and so original 70 mm films are shown using either 35 mm prints in the regular CinemaScope/Panavision aspect ratio of 2.35:1, or, in later years, by means of digital projectors at these venues.
Films formatted with a width of 70 mm have existed since the early days of the motion picture industry. The first 70 mm format film was most likely footage of the Henley Regatta, which was projected in 1896 and 1897, but may have been filmed as early as 1894. It required a specially built projector built by Herman Casler in Canastota, New York and had a ratio similar to full frame, with an aperture of 2.75 inches (70 mm) by 2 inches (51 mm). There were also several film formats of various sizes from 50 to 68 mm which were developed from 1884 onwards, including Cinéorama (not to be confused with the entirely distinct "Cinerama" format), started in 1900 by Raoul Grimoin-Sanson. In 1914 the Italian Filoteo Alberini invented a panoramic film system utilising a 70 mm wide film called Panoramica.[1]
Fox Grandeur
Main article: 70 mm Grandeur film
In 1928, Fox Film Corporation started working on a wide film format using 70 mm film which they named Grandeur. This was one of a number of wide-film processes developed by some of the major film studios at about that time. However, due to strong resistance from movie theater owners, who were in the process of equipping their theaters for sound, none of these systems became commercially successful. Fox dropped Grandeur in 1930.[2]
Todd-AO
Main article: Todd-AO process
Producer Mike Todd had been one of the founders of Cinerama, a wide-screen movie process that was launched in 1952. Cinerama employed three 35 mm film projectors running in synchronism to project a wide (2.6:1) image onto a deeply curved screen. Although the results were impressive, the system was expensive, cumbersome and had some serious shortcomings due to the need to match up three separate projected images. Todd left the company to develop a system of his own which, he hoped, would be as impressive as Cinerama, yet be simpler and cheaper and avoid the problems associated with three-strip projection; in his own words, he wanted "Cinerama out of one hole".
In collaboration with the American Optical company, Todd developed a system which was to be called "Todd-AO". This uses a single 70 mm wide film and was introduced with the film Oklahoma! in October 1955. The 70 mm film is perforated at the same pitch (0.187 inch, 4.75mm) as standard 35 mm film. With a five-perforation pull-down, the Todd-AO system provides a frame dimension of 1.912 inch (48.56mm) by 0.816 inch (20.73mm) giving an aspect ratio of 2.2:1.
The original version of Todd-AO used a frame rate of 30 per second, 25% faster than the 24 frames per second that was (and is) the standard; this was changed after the second film – Around the World in 80 Days - because of the need to produce (24 frame/sec) 35 mm reduction prints from the Todd-AO 65mm negative. The Todd-AO format was originally intended to use a deeply curved Cinerama-type screen but this failed to survive beyond the first few films.[3] However, in the 1960s and 70s, such films as The Sound of Music (which had been filmed in Todd-AO) and Patton (which had been filmed in a copycat process known as Dimension 150) were shown in some Cinerama cinemas, which allowed for deeply curved screens.[4]
Todd-AO adopted a similar multi-channel magnetic sound system to the one developed for Cinemascope two years earlier, recorded on "stripes" of magnetic oxide deposited on the film. However Todd-AO has six channels instead of the four of Cinemascope and due to the wider stripes and faster film speed provides superior audio quality. Five of these six channels are fed to five speakers spaced behind the screen, and the sixth is fed to surround speakers around the walls of the auditorium.
Panavision and the 65/70mm format
Main articles: Super Panavision 70 and Ultra Panavision 70
Panavision developed their own 65/70mm system that was technically compatible and virtually identical to Todd-AO. Monikered as Super Panavision 70, it used spherical lenses and the same 2.20:1 aspect ratio at 24 frames per second. Panavision also had another 65mm system, (Ultra Panavision 70), which sprang from the MGM Camera 65 system they helped develop for MGM that was used to film Raintree County and Ben-Hur. Both Ultra Panavision 70 and MGM Camera 65 employed an anamorphic lens with a 1.25x squeeze on a 65mm negative (as opposed to 35mm CinemaScope which used a 2x compression, or 8-perf, horizontally filmed 35mm Technirama which used a 1.5x compression). When projected on a 70mm print, a 1.25x anamorphic projection lens was used to decompress the image to an aspect ratio of 2.76:1, one of the widest ever used in commercial cinema.
Due to the high cost of 70 mm film and the expensive projection system and screen required to use the stock, distribution for films using the stock was limited, although this did not always hurt profits. Most 70 mm films were also re-released on 35mm film for a wider distribution after the initial debut of the film. South Pacific (1958), Lawrence of Arabia (1962), My Fair Lady (1964), and The Sound of Music (1965) are well-known films widely shown in 70 mm format with a general release in 35 mm format.
Blow-ups
During the 1970s, use of 65 mm stock for original photography declined markedly. However 70 mm "blow-ups" of films made in 35 mm were sometimes made for prestige showings.[5] These included such films as Camelot (1967), Oliver! (1968), Cromwell (1970), and Fiddler on the Roof (1971). These enlargements did not have the sharpness and smoothness of 70 mm origination, but these larger prints allowed for a brighter image on very big screens and were more stable when projected. In addition 70 mm prints also had better sound quality than was possible from 35 mm. However these "blow-ups" rarely used the full six channels of the Todd-AO system and instead used the four-track mixes made for 35 mm prints, the additional half-left and half-right speakers of the Todd-AO layout being fed with a simple mix of the signals intended for the adjacent speakers (known as a "spread") or simply left blank.[6] However, if a 70mm film was shown in a Cinerama theatre, the Cinerama sound system was used. From 1976 onwards many 70 mm prints used Dolby noise reduction on the magnetic tracks but Dolby disapproved of the "spread" and instead re-allocated the 6 available tracks to provide for left, center and right screen channels, left and right surround channels plus a "low-frequency enhancement" channel to give more body to low-frequency bass.[7] This layout came to be known as "5.1" (the "point one" is the low-frequency enhancement channel) and was subsequently adopted for digital sound systems used with 35 mm.
In the 1980s the use of these "blow-ups" increased with large numbers of 70 mm prints being made of some blockbusters of the period such as the 125 70 mm prints made of The Empire Strikes Back (1980).[6] However the early 1990s saw the advent of digital sound systems (Dolby Digital, DTS and SDDS) for 35 mm prints which meant that 35 mm could finally match 70 mm for sound quality but at a far lower cost. Coupled with the rise of the multiplex cinema, which meant that audiences were increasingly seeing films on relatively small screens rather than the giant screens of the old "Picture Palaces", this meant that the expensive 70 mm format went out of favour again. The DTS digital sound-on-disc system was adapted for use with 70 mm film, thus saving the significant costs of magnetic striping, but this has not been enough to stop the decline, and 70 mm prints were rarely made.
In the late 20th century, the usage of 65 mm negative film drastically reduced, in part due to the high cost of 65 mm raw stock and processing. Some of the few films since 1990 shot entirely on 65 mm stock are Kenneth Branagh's Hamlet (1996), Ron Fricke's Baraka (1992), and its sequel Samsara (2011), Paul Thomas Anderson's The Master (2012) and Quentin Tarantino's The Hateful Eight (2015). Other films used 65 mm cameras sparingly, for selected scenes or special effects. Films with limited 65 mm footage include Terrence Malick's The New World (2005) and Christopher Nolan's latest four movies, The Dark Knight (featured 28 minutes of IMAX footage), Inception,[8] The Dark Knight Rises (over an hour in IMAX) and Interstellar.
Since the 2010s most of the movie theaters across the world have converted to digital projection systems, largely eliminating 70mm film projectors.[9] 70mm has retained a niche market of amateurs and enthusiasts.
Digital 70 mm cameras
There are three types of digital cinema cameras with a 65 mm sensor, the Phantom 65, the Arri Alexa 65 and the forthcoming IMAX 2D Digital Camera. Otti International's Phil Kroll developed the world's first 65/70 mm telecine transfer system. This camera has been used in Hollywood to digitally master 70 and 65 mm films.
For home theater, VHS and DVD did not offer enough resolution to carry the full image quality captured by 70 mm film, and VHS and DVD video transfers were usually prepared from 35 mm reduction elements. The high-definition Blu-ray format, in contrast, can potentially reveal the quality advantage of 70 mm productions. Although telecine machines for 70 mm scanning are uncommon, high-resolution transfers from high-quality full-gauge elements can reveal impressive technical quality.
Uses of 70 mm
Ultra Panavision
An anamorphic squeeze combined with 65 mm film allowed for extremely wide aspect ratios to be used while still preserving quality. This was used in the 1957 film Raintree County and to incredible success in the 1959 film Ben-Hur and the 2015 film The Hateful Eight, which was filmed with the MGM Camera 65 process at an aspect ratio of 2.76:1. It required the use of a 1.25x anamorphic lens to horizontally compress the image, and a corresponding lens on the projector to uncompress it.
Limited use of 65 mm film was revived in the late 1970s for some of the visual effects sequences in films like Close Encounters of the Third Kind, mainly because the larger negative did a better job than 35 mm negative of minimizing visible film grain during optical compositing. Since the 1990s, a handful of films (such as Spider-Man 2) have used it for this purpose, but the usage of digital intermediate for compositing has largely negated these issues. Digital intermediate offers other benefits such as lower cost and a greater range of available lenses and accessories to ensure a consistent look to the footage.
Main article: IMAX
A horizontal variant of 70 mm, with an even bigger picture area, is used for the high-performance IMAX format which uses a frame that is 15 perforations wide on 70 mm film. The Dynavision and Astrovision systems each use slightly less film per frame and vertical pulldown to save print costs while being able to project onto an IMAX screen. Both were rare, with Astrovision largely used in Japanese planetariums. In the 2014 movie Interstellar, a significant amount was shot in the IMAX format. Other scenes were shot in either 35 mm or in the standard 'vertical' 5-perf 65 mm format. IMAX introduced a digital projection system in the late 2000s and most IMAX venues have migrated to digital setup.[10]
70 mm 3D early use
The first commercial introduction of 70 mm single projector 3D was the 1967 release of Con la muerte a la espalda, a Spanish/French/Italian co-production which used a process called Hi-Fi Stereo 70, itself based on a simplified, earlier developed soviet process called Stereo-70. This process captured two anamorphic images, one for each eye, side by side on 65 mm film. A special lens on a 70 mm projector added polarization and merged the two images on the screen. The 1971 re-release of Warner Bros.' House of Wax used the side-by-side StereoVision format and was distributed in both anamorphically squeezed 35 mm and deluxe non-anamorphic 70 mm form. The system was developed by Allan Silliphant and Chris Condon of StereoVision International Inc., which handled all technical and marketing aspects on a five-year special-royalty basis with Warner Bros. The big screen 3D image was both bright and clear, with all the former sync and brightness problems of traditional dual 35 mm 3D eliminated. Still, it took many years more before IMAX began to test the water for big-screen 3D, and sold the concept to Hollywood executives.
Hollywood has released films shot on 35 mm as IMAX blow-up versions. Many 3D films were shown in the 70 mm IMAX format. The Polar Express in IMAX 3D 70 mm earned 14 times as much, per screen, as the simultaneous 2D 35 mm release of that film in the fall of 2004.
In 2011 IMAX introduced a 3D Digital camera based on two Phantom 65 cores. The camera has been used for documentaries as well as Hollywood films, the first being the 2014 release of Transformers: Age of Extinction.
Standard 65 mm (5/70) (Todd-AO, Super Panavision)
spherical lenses
5 perforations/frame
42 frames/meter (12.8 frame/ft)
34.29 meters/minute (112.5 ft/minute)
vertical pulldown
24 frames/second
camera aperture: 52.63 by 23.01 mm (2.072 by 0.906 in)[11]
projection aperture: 48.56 by 22.10 mm (1.912 by 0.870 in)[11]
305 m (1000 feet), about 9 minutes at 24 frame/s = 4.5 kg (10 pounds) in can
Ultra Panavision 70 (MGM Camera 65)
Main article: Ultra Panavision 70
Same as Standard 65mm except
MGM Camera 65 lenses built by Panavision employed a square-shaped, double wedge-prism anamorphic attachment in front of a shperical objective lens. By the time of Mutiny on the Bounty (1962) Panavision had developed a new set of Ultra Panavision 70 lenses that used a high quality cylindrical anamorphic element in front of the objective lens. These new lenses were far superior to the prism anamorphics—they were lighter, transmitted more light and suffered from less spherical and chromatic aberration.
1.25x squeeze factor, projected aspect ratio 2.76:1
Showscan
Main article: Showscan
Same as Standard 65 mm except
IMAX (15/70)
70mm film, 15 perforations per frame
horizontal rolling loop movement, from right to left (viewed from emulsion side)
camera aperture: 70.41 mm × 52.63 mm (2.772 in × 2.072 in)
projection aperture: at least 2 mm (0.079 in) less than camera aperture on the vertical axis and at least 0.41 mm (0.016 in) less on the horizontal axis
DMR aspect ratio: 1.89:1, 2.39:1
IMAX Dome / OMNIMAX
Same as IMAX except
lens optically centered 9.4 mm (0.37 in) above film horizontal center line
projected elliptically on a dome screen, 20° below and 110° above perfectly centered viewers
Omnivision Cinema 180
same as standard 65/70 except:
photographed and projected with special fisheye lenses matched to large 180 degree dome screen
Theatres upgraded from 70 mm 6track analog sound to DTS digital sound in 1995.
Omnivision started in Sarasota, Florida. Theatres were designed to compete with Omnimax but with much lower startup and operating costs. Most theatres were built in fabric domed structures designed by Siemens Corporation. The last known OmniVision theatres to exist in USA are The Alaska Experience Theatre in Anchorage, Alaska, built in 1981 (closed in 2007, reopened in 2008), and the Hawaii Experience Theatre in Lahaina, Hawaii (closed in 2004). Rainbow's End (Theme Park) in NZ had the only remaining permanent Cinema 180 attraction until May 2015 when it was demolished.
One of the few producers of 70 mm films for Cinema 180 was the German company Cinevision (today AKPservices GmbH, Paderborn).
Dynavision (8/70)
fisheye or spherical lenses, depending on if projecting for a dome or not
24 or 30 frames per second
camera aperture: 52.83 by 37.59 mm (2.080 by 1.480 in)
Astrovision (10/90)
normally printed from an Omnimax negative
projected onto a dome
almost exclusively in use only by Japanese planetariums
the only 70 mm format without sound, hence the only one with perforations next to the edges
70 mm Grandeur film
Cine 160
Dolby Stereo 70 mm Six Track
Super Panavision 70
Super Technirama 70
Ultra Panavision 70
List of film formats
List of early wide-gauge films
List of 70 mm films
↑ "Preserving Wide Film History" Grant Lobban, Journal of the BKSTS Vol 67 No.4 April 1985
↑ "Preserving Wide Film History" Grant Lobban, Journal of the BKSTS Vol 67 No.4 (April 1985)
↑ "In the Splendour of 70 mm Part 1" Grant Lobban, Journal of the BKSTS Vol68 No.12 December 1986
↑ "Atlanta Theatre". Cinema Treasures. Retrieved 1 December 2015.
↑ "In the Splendour of 70 mm Part 2" Grant Lobban Journal of the BKSTS Vol69 No.1 Jan 1987
1 2 "Mixing Dolby Stereo Film Sound" Larry Blake Recording Engineer/Producer Vol12 No.1 Feb 1981
↑ The CP200 – A Comprehensive Cinema Theater Audio Processor David Robinson Journal of the SMPTE Sept 1981
↑ Weintraub, Steve 'Frosty' (25 March 2010). "Christopher Nolan and Emma Thomas Interview Inception – They Talk 3D, What Kind of Cameras They Used, Pre-Viz, WB, and a Lot More!". Collider. Archived from the original on 27 March 2010. Retrieved 1 December 2015.
↑ Barraclough, Leo (23 June 2013). "Digital Cinema Conversion Nears End Game". Variety. Retrieved 1 December 2015.
↑ Frazer, Bryant (24 October 2013). "Film Loses More Ground As Imax Switches Flagship Theaters to Digital". Studio Daily. Retrieved 1 December 2015.
1 2 3 "Film Frame Dimensions". The American WideScreen Museum. Retrieved 1 December 2015.
The American WideScreen Museum
in70mm.com — The 70 mm Newsletter Devoted to 70 mm films new and old
The History of the Todd-AO Projector
Motion picture film formats
Film gauges
CinemaScope (1953)
VistaVision (1954)
Modern anamorphic (1957)
Techniscope (1960)
Super 35 (1982)
Todd-AO (1955)
Technirama (1955)
IMAX (1970)
35 mm × 3
Cinerama (1952)
Kinopanorama (1958)
Cinemiracle (1958)
Aspect ratio standards
Standard 4:3 (TV) / 1.375:1 ("Academy")
Intermediate 14:9 (TV compromise)
Widescreen 16:9 (HDTV) / 1.85:1 (theatrical)
Anamorphic 2.39:1 (theatrical anamorphic)
Video framing issues
Anamorphic widescreen
Pan and scan (Fullscreen)
Open matte
Shoot and protect
Film portal


My Intown guild always has a group quilt in process. Basically, you get quilt blocks made to your size, color, pattern, etc. specifications and assemble. I've talked about it before, I think. One member keeps the master list of when members "join" – it's not an official sort of thing – and we go in order.
Our latest member to get her quilt requested a hat, shoe, purse block since she (ahem) likes to shop. My absolute favorite hat is a cloche. I own several, and want to buy more. A girl can always use a cute hat, right? I wanted to use bold fabrics, and I wanted my hat to have a little interest. The leaves are from an old Amy Butler fabric, the ribbon is a Lakehouse fabric, and the "pin" is a Timeless Treasures fabric.
We were asked to put some bling on it, so there may be jewels in this blocks future, though I'm not entirely certain yet….
I love this. What a great idea to appliqué the circles. It gives a whole new dimension.


So I haven't exactly been keeping the weekly journal up to date. To compensate, I agreed to take over the main page as part of my writing assignments and talk about different events here. This past weekend I did two performances of Guys and Dolls Jr. at the High School here. It was super fun and there is more details on that on the main page. This past Monday though was also exciting because I finally got braces! I spent about an hour in the chair with my mouth wide open while they cemented brackets and strung wires through those. They hurt a little but I think I just need some time to get used to it!
Well I just realized that the blog post that was meant for a really long time ago didn't post! So here is a late update for the last two weeks. Grammy and Poppop came to visit! It was really nice to see them again and we really loved showing them around. We also went to the North Carolina Mountain State Fair. It was super neat seeing all kinds of different crafts. Ri, Mom and I even did some wood work and I made a working top! The next week was pretty much regular, more archery, music, robotics etc. On the weekend we went to ASAP farm tours and saw four different farms. We saw all kinds of animals and veggies, llamas, chickens, tomatoes, peppers. One farm even sold pizza! The weather is starting to get chillier and we're all getting ready for our trip to Princeton that's coming up soon!
This past week we did a lot of fun things! Sunday was spent at the community garden, showing off the map that we made for the garden on google sketch up. Tuesday we had more robotics, our first since the challenge came out. Wednesday we had a meeting with the Celo group, where I lead a music class and we also took archery. Thursday was rehearsal and Friday was the literary festival. I really enjoyed the festival, we saw three presentations. One was the author Tommy Hays, another was the amazing slam poet Kane Smego, who I really enjoyed. You can check out one of the poems that we heard here. We also saw a one woman performance by Barbara Smith called Ivy Rowe which is an adaptation from the book Fair and Tender Ladies. Saturday was a trip to Asheville to see 100 Foot Journey, which is a great movie about an Indian family who opens a restaurant in Southern France. Finally Sunday was rehearsal, kind of. We had a professional actor, Patrick Cronin, come visit us and talk to us about making it as an actor or actress. He was a very interesting speaker and I enjoyed his class a lot, here is a link to his page.
Well these past two weeks have been pretty busy! Of course I had more rehearsals and robotics meetings. We managed to finish mom's raised garden bed and I am happy to report that there are some shoots sprouting up and a big cage surrounding it so that the deer can't get in. There have been more trips to the community garden, including a potluck that was absolutely delicious! Ri and I have started Spanish lessons with Ri's friend Craig's mom. We visited their house last weekend and had a blast feeding cows, eating amazing barbeque and picking apples and of course learning some more phrases in Spanish that is coming back to me pretty quickly. Dad ordered a microscope so we've been looking at bugs and leaves. We met with a homeschooling group that we will be joining every Wednesday to learn about archery and music. We visited the deer a bunch more times who are getting so big! A couple days ago I went to my friend Paloma's house after watching the play Treasure Island and had an awesome time. Shortly after I went with Rebecca to her tap class and then the pool, which was great! Our week is getting more and more packed but we manage to keep up with it. We went on a bunch more drives and saw some pretty amazing We have a lot more to look forward to and I can't wait!
We also helped mom with her raised garden bed, so she can start planting as soon as possible. Tuesday Ri and I started Robotics with the 4H program. On the weekend, Dad, Ri and I went with the trails association up Grandfather mountain. We hiked for about 3 hours covering a total distance of 3 miles.
Okay I'll admit it, I am behind on the weekly updates. Okay I'll admit it, I am behind on the weekly updates. Therefore I will combine the second and third week into one post. During my second week here I was kept very busy with the Theater Camp I took part in. During the week we learned a Wicked medley that we later performed at the Burnsville Crafts Fair. The fair was great! There were all kinds of tents set up around the square advertising different interesting things. I also auditioned for the Parkway Playhouse production of Guys and Dolls jr, so I will be participating in that for the next six months. The third week here we went exploring a bit more. We went to the Gems and Minerals festival in Spruce Pine. Also, we went on a bunch of hikes (when I say that I really mean two). The view was fantastic! Mom and I succeeded in scaring Ri half to death by hiding in some bushes up the trail and jumping out yelling. One of the things we heard about when we first got here was the community garden, so we went to go check that out as well. Friday the movers came, so now the garage is filled with boxes of stuff. Next week we officially start "school" we already have the schedule down. I think we will be going on a hike with the trails association this coming week and based on what I have seen so far, I'm sure the view will be absolutely breath-taking.
It has been one long week. It's hard to think that just ten days ago I was on my way home to New Jersey from California, a lot has changed since then. Ri and I arrived in the cabin two days after Mom and Dad, we stopped to visit some cousins for a couple of days on the way to the cabin, and they went ahead. I immediately loved it here. It's so quiet and peaceful with the occasional bark from Gracie (the dog who lives down the street.) Ri, Will and I went to go visit her and her owners Keith and Angela. FYI they take care of baby deer and it was a chaotic operation, but super fun! The whole week all of us were running errands (ok so maybe it was just Mom and Dad) but we had to get the necessities down. I guess we're more settled now and gradually getting into our homeschool schedule, though we still sleep late hopefully we're(I) are getting better!
Hey! I was born in Mumbai, India. I am 13 years old and I am just finishing eighth grade. I love singing and acting, especially in musicals. And I guess I kind of created this website!


text:
Q: display several items in one row of a listview in android I don't now if this title is very clear, but I would like to understand how this is possible :

(source: android.com)
And how we can have 2 elements on the same row of the listview, and handle different clicks, as the listview deals with handling the click on a child.
Thanks for anyone who could point me in the right direction.

A: Anytime that you need anything more than a basic list of text you have to define in an XML file what your list items will look like. They can have anything you want in them when you define them. In your above example you could achieve something similar by defining a list item with two static text items, and two images. You can register listeners on individual components so that when the user taps the left image it opens the left link, and so on.
Here's a tutorial I found on the topic, and there are many more out there that are better.
Just make sure you understand how to re-inflate old items in your list that go out of view, and how to make an adapter for your list items.

A: When you create your ListAdapter you can pass in a layout to use for the List Items. In this layout you can specify any UI objects you wish, int this case Image and Text views.

A: You should use a GridView rather than a ListView in this case.
Check it out here : http://developer.android.com/reference/android/widget/GridView.html

redpajama_set_name: RedPajamaStackExchange


There's no such thing as having too much pitching, so there still remains a chance the Twins add another arm this offseason. They've been recently monitoring former Twins ace Johan Santana, who made his debut with Navegantes del Magallanes of the Venezuelan Winter League on Tuesday. Santana is coming off a torn left Achilles' tendon suffered last June after signing with the Orioles, but he has recently been throwing in front of teams, including Minnesota.
What's the line on the Original Johan so far?
1 game, 2 innings pitched, no hits, runs, walks, or strikeouts. The Rotoworld NBC site has reports that he tossed 17 pitches in the two innings, and hit 90 mph with his fastball.
The Original Johan is on his way back.
Today is the birthday of The Authentic Rabbitt, Joe Rabbitt, born on 16 January in 1900. A Tuesday, for those who are keeping track of these things.
As Joe appeared in only two games, he apparently did not quite live up to his "prospect" status. Sad to say.
Joe played in two games, with three at bats, a run and a hit. Lifetime batting average: .333. Not bad.
You might think, oh, Joe Rabbitt, two games, three at bats, not a very good player. Well I found some old statistics from the 1927 Western League that show that Joe Rabbitt could play some ball.
Joe Rabbitt led the league in hits, runs and stolen bases. He tended the garden and averaged .361 in 155 games…In 1928 and 29 he led the International League in stolen bases with 42 and 46 while playing for Toronto.
Apparently Joe lived up to his name. He had some speed going there. Joe racked up 251 hits for the '27 Omaha Buffaloes, and 172 runs, according to Nebraska Minor League Baseball History.
Joe died in 1969; I haven't seen anything yet about his life outside of baseball. But here's to Joe Rabbitt, major league ball player, a kid with some speed and talent. Why he didn't make it in the big leagues is probably a story. The kid had all the tools, but perhaps life took an unexpected turn for him. Perhaps he hated Cleveland, or perhaps he fell in love with a gal down there in Arkansas. Perhaps he couldn't hit the curve, or maybe he had to attend to family matters and the game just passed him by. It's likely we'll never know. I wonder if he looked back at his .333 lifetime batting average and was glad that he made it up to the majors for a couple games, a hit and a run. Or was he sad that he only had those two games, those three at bats.
Happy birthday Joe Rabbitt. Good game.
I note Lefty's passing primarily because of his nickname. His parents did NOT name him Lefty. (Real name: Charles.) I'm not sure who did, right now. But Lefty is a classic baseball nickname. Steve Carlton was called Lefty, as I recall. Anyone since Carlton? Lefty is such a classic nickname, it's too bad it's fallen out of use.
Who get's to be called Lefty? It seems like you need to be a starting pitcher (…how many middle relievers get nicknames?) and, of course, throw the baseball with your left hand, though this might be waived if circumstances permit. Though I can't quite imagine the circumstances. It doesn't seem like you could call someone "Lefty" in an ironic way. Perhaps if the pitcher was known for his strong liberal political views? Are there any pitchers with strong liberal political views?
The Twins have few left-handed starting pitchers. Milone is a lefty, but whether he's a starting pitcher is open to question. I wonder what Phil Hughes or Mike Pelfrey (both righties) think about trade unions, national health care, women's right to choose, and taxation? Research is needed. Who is the most leftist-leaning starting pitcher on the Twins staff? How can I find out?
Al obviously loved the game of baseball.
I don't think Al Williams was ever called "Lefty" — a missed opportunity for a great classic nickname. Still, though it wouldn't be as good, the Twins could use a guy named "Lefty" in the starting rotation.
Has there ever been a pitcher known as "Righty"?
I thought, probably not… but then I look around, and find a good source (baseballreference.com) that says that pitcher Bob Miller was known as "Righty," to distinguish him from the lefthanded Bob Miller. Why? Perhaps because the two were roommates with — who else? — the 1962 Mets. "Righty" Miller went 1-12 as a starter with a 4.89 ERA. "Lefty" Miller went 2-2 in relief, with a 7.08 ERA. Well, whadda ya know.
Meanwhile, Lefty Marr pitched four seasons in the majors, 1886, '89, '90, and '91. He hit .289, playing for the Red Stockings, Colts, Reds, and Porkers. (That's the 1891 Cincinatti Porkers, to those who are not in the know.) He hit .306 and .298 in his two best seasons (.193 with the Porkers, at the end of his career) playing third base and shortstop. Funny that he was not even a pitcher, but was still called "Lefty." Perhaps I need to re-calibrate my criteria for the nickname. Perhaps more Twins are eligible?
Anywhoo. Here's to you, Lefty Marr. Good game.
Tony Conigliaro, born on this date in 1945.


At the final whistle as Old Trafford quickly emptied and became a sea of red seats all that could be heard were the raucous Paris Saint-Germain fans.
A total of 4,000 of them had witnessed their side comfortably win 2-0 in this first leg of the Champions League round of sixteen game to take what appears to be a commanding grasp of the tie.
The French champions were without both Neymar and Edison Cavani, but they still had more than enough to secure a crucial win, and their players stood below these celebrating fans to enjoy the moment.
At the same time, the first murmurings about Ole Gunnar Solskjaer's fledgling reign as Manchester United's could also be heard as United fans disappeared in to the night.
The truth is United had been second best for most of the night and looked to be out of their depth against what was a weakened Paris Saint-Germain side.
Confident and imposing in the Premier League, United suddenly looked hesitant and confused as they shrunk against an elite European side.
Throughout the night, United could not trouble Paris Saint-Germain, and were unable to create a single chance that threatened Gianluigi Buffon.
It shouldn't be overlooked that United were dealt some terrible luck with both Anthony Martial and Jesse Lingard sustaining injuries in the first half and failing to return after the interval.
Along with Marcus Rashford, United's success over the last two months has been built on the pace and movement of this pair, and they simply didn't look the same side in attack without them.
Alexis Sanchez and Juan Mata were their replacements, but struggled to make any impact.
Mata was a hive of activity, constantly probing around the edge of the area, but almost nothing succeeded except to highlight Lingard's absence.
On the left side of attack, Sanchez came on for Martial, and here the contrast was even starker, as the Chilean proved unable to get beyond the Paris Saint-Germain defence, and even worse, kept losing the ball.
Time is running out for Sanchez at Old Trafford, for at the moment he is destined to be remembered as the most disappointing signing in United's history.
A year ago, his arrival from Arsenal was seen to be a major coup, but he has since played for the most part like an impostor, unrecognisable from the world-class talent who thrilled the Emirates.
Maybe Solskjaer's greatest success was to give United hope ahead of this tie and imbue them with the belief they might could actually win it.
It shouldn't be forgotten that when United were drawn against Paris Saint-Germain they were still managed by Jose Mourinho, and there was a sense of impending doom about the tie.
But the Norwegian has revived the club, winning 10 out of his first 11 games, and hopes were raised they could take this form in to the Champions League.
This defeat shouldn't be used to damn Solskjaer, for it simply proved what many had suspected all along: United weren't good to get the better of Paris Saint-Germain.
This is not Solskjaer's loss, but only revealed the deep problems that exist within the playing squad he inherited less than two months ago.
At the weekend United celebrated getting in to the top four of the Premier League, and so to suddenly become contenders for the Champions League as well just wasn't realistic.
A defeat was always going to arrive at some point, and now we will get to see how Solskjaer responds, with United's next two games against Chelsea in the FA Cup on Monday, and then Liverpool in the league the following Sunday.
Paris Saint-Germain might have delivered a dose of reality on Tuesday night, but Solskjaer can still prove he is the man to take United back in to the Champions League next season.


text:
<?php

namespace Webdevvie\PheanstalkTaskQueueBundle\Tests\Service;

use JMS\Serializer\SerializerBuilder;
use Webdevvie\PheanstalkTaskQueueBundle\Service\DTO\WorkPackage;
use Webdevvie\PheanstalkTaskQueueBundle\Command\Example\TaskDescription\ExampleTaskDescription;
use Symfony\Component\Serializer\Serializer;
use Webdevvie\PheanstalkTaskQueueBundle\Entity\Task;
use Webdevvie\PheanstalkTaskQueueBundle\Entity\TaskRepository;
use Webdevvie\PheanstalkTaskQueueBundle\Service\TaskQueueService;
use Mockery;

/**
 * For testing the task queue service
 * @package Webdevvie\PheanstalkTaskQueueBundle\Tests\Service
 * @author John Bakker <me@johnbakker.name>
 */
class TaskQueueServiceTest extends \PHPUnit_Framework_TestCase
{

    /**
     *
     * @var \Mockery\MockInterface
     */
    public $pheanStalkProxy;

    /**
     * @var \Mockery\MockInterface
     */
    public $entityManager;
    /**
     * @var array
     */
    public $params;

    /**
     * @var \Mockery\MockInterface
     */
    public $taskRepository;

    /**
     * @var Serializer
     */
    public $serializer;

    /**
     * Set up all the mocks and the serializer class
     *
     * @return void
     */
    public function setUp()
    {
        $this->serializer = SerializerBuilder::create()->build();
        $this->setupPheanstalkConnectionMock();
        $this->generateFakeParams();
        $this->setupEntityManagerMock();
    }

    /**
     * Test if the proper status is returned in case a task is not found for the Id
     *
     * @return void
     */
    public function testIfGettingTaskStatusWorksIfThereIsNoSuchTask()
    {
        $this->taskRepository->shouldReceive('find')->andReturn(null);
        $service = new TaskQueueService(
            $this->entityManager,
            $this->pheanStalkProxy,
            $this->serializer,
            $this->params
        );
        $response = $service->getStatusOfTaskWithId(1);
        $this->assertEquals(Task::STATUS_GONE, $response, 'Expected "gone" Response!');
    }

    /**
     * Test if the proper status is returned in case a task is found
     *
     * @return void
     */
    public function testIfGettingTaskStatusWorksIfThereIsATask()
    {
        $exampleTask = new ExampleTaskDescription();
        $stringVersion = get_class($exampleTask) .
            "::" .
            $this->serializer->serialize($exampleTask, 'json');
        $taskEntity = new Task($exampleTask, $stringVersion, 'gtldtube');
        $taskEntity->setStatus(Task::STATUS_DONE);

        $this->taskRepository->shouldReceive('find')->andReturn($taskEntity);
        $service = new TaskQueueService(
            $this->entityManager,
            $this->pheanStalkProxy,
            $this->serializer,
            $this->params
        );
        $response = $service->getStatusOfTaskWithId(1);
        $this->assertEquals(Task::STATUS_DONE, $response, 'Expected "done" Response!');
    }

    /**
     * Test the queueing of tasks
     *
     * @return void
     */
    public function testQueueTask()
    {
        $this->entityManager->shouldReceive('persist');
        $this->entityManager->shouldReceive('flush');
        $this->pheanStalkProxy->shouldReceive('useTube')->andReturn($this->pheanStalkProxy);
        $this->pheanStalkProxy->shouldReceive('put');
        $service = new TaskQueueService(
            $this->entityManager,
            $this->pheanStalkProxy,
            $this->serializer,
            $this->params
        );
        $exampleTask = new ExampleTaskDescription();
        $exampleTask->message = 'new task is new';
        $service->queueTask($exampleTask);
    }

    /**
     * tests the status update call in the service
     *
     * @return void
     */
    public function testMarkDone()
    {
        $exampleTask = new ExampleTaskDescription();
        $stringVersion = get_class($exampleTask) . "::" . $this->serializer->serialize($exampleTask, 'json');
        $taskEntity = new Task($exampleTask, $stringVersion, 'gtldtube');

        $job = new \Pheanstalk_Job(1, 123);
        $workPackage = new WorkPackage($taskEntity, $job, $exampleTask);

        $this->entityManager->shouldReceive('persist')->with($taskEntity);
        $this->entityManager->shouldReceive('flush')->twice();
        $this->pheanStalkProxy->shouldReceive('delete');
        $service = new TaskQueueService(
            $this->entityManager,
            $this->pheanStalkProxy,
            $this->serializer,
            $this->params
        );
        $service->markDone($workPackage, 'log goes here');
    }

    /**
     * tests the status update call in the service
     *
     * @return void
     */
    public function testMarkFailed()
    {
        $exampleTask = new ExampleTaskDescription();
        $stringVersion = get_class($exampleTask) . "::" . $this->serializer->serialize($exampleTask, 'json');
        $taskEntity = new Task($exampleTask, $stringVersion, 'gtldtube');

        $job = new \Pheanstalk_Job(1, 123);

        $workPackage = new WorkPackage($taskEntity, $job, $exampleTask);

        $this->entityManager->shouldReceive('persist')->with($taskEntity);
        $this->entityManager->shouldReceive('flush')->twice();
        $this->pheanStalkProxy->shouldReceive('delete');
        $service = new TaskQueueService(
            $this->entityManager,
            $this->pheanStalkProxy,
            $this->serializer,
            $this->params
        );
        $service->markDone($workPackage, 'log goes here');
    }

    /**
     * tests the recovery of an element
     *
     * @return void
     */
    public function testRegenerate()
    {
        $id = 1;

        $exampleTask = new ExampleTaskDescription();

        $stringVersion = get_class($exampleTask) . "::" . $this->serializer->serialize($exampleTask, 'json');

        $taskEntity = new Task($exampleTask, $stringVersion, 'gtldtube');
        $taskEntity->setStatus(Task::STATUS_FAILED);

        $this->taskRepository->shouldReceive('find')->with($id)->andReturn($taskEntity);
        $this->entityManager->shouldReceive('flush');
        $this->pheanStalkProxy->shouldReceive('useTube')->andReturn($this->pheanStalkProxy);
        $this->pheanStalkProxy->shouldReceive('put');
        $service = new TaskQueueService(
            $this->entityManager,
            $this->pheanStalkProxy,
            $this->serializer,
            $this->params
        );
        $response = $service->regenerateTask($id);
        $this->assertTrue($response, 'Response from regenerateTask is not true');
    }

    /**
     * tests the reserving of tasks if nothing is in the queue
     *
     * @return void
     */
    public function testReserveEmpty()
    {
        $this->setupNothingInQueue();
        $service = new TaskQueueService(
            $this->entityManager,
            $this->pheanStalkProxy,
            $this->serializer,
            $this->params
        );
        $task = $service->reserveTask();
        $this->assertNull($task, 'The task is not null');
    }

    /**
     * tests the reserving of tasks if nothing is in the queue
     *
     * @return void
     */
    public function testReserveFilled()
    {

        $exampleTask = new ExampleTaskDescription();
        $taskId = 1;
        $this->setupExampleTaskInQueue($exampleTask, $taskId);
        $service = new TaskQueueService(
            $this->entityManager,
            $this->pheanStalkProxy,
            $this->serializer,
            $this->params
        );
        $workPackage = $service->reserveTask();
        $this->assertInstanceOf(
            '\Webdevvie\PheanstalkTaskQueueBundle\Service\DTO\WorkPackage',
            $workPackage,
            'Received class is not of class WorkPackage'
        );

        $this->assertInstanceOf(
            '\Webdevvie\PheanstalkTaskQueueBundle\Command\Example\TaskDescription\ExampleTaskDescription',
            $workPackage->getTaskDescription(),
            'Received class is not of class ExampleTask'
        );
        $this->assertInstanceOf(
            '\Webdevvie\PheanstalkTaskQueueBundle\Entity\Task',
            $workPackage->getTaskEntity(),
            'Received class is not of class Task'
        );
    }

    /**
     * Sets up the example task into the (mocked) queue and in the (mocked) database
     *
     * @param ExampleTaskDescription $exampleTask
     * @param integer $taskId
     * @return void
     */
    public function setupExampleTaskInQueue(ExampleTaskDescription $exampleTask, $taskId = 1)
    {

        $exampleTask->taskIdentifier = $taskId;
        $stringVersion = get_class($exampleTask) . "::" . $this->serializer->serialize($exampleTask, 'json');
        $taskEntity = new Task($exampleTask, $stringVersion, 'gtldtube');
        $this->taskRepository->shouldReceive('find')->with(1)->andReturn($taskEntity);
        $job = \Mockery::mock("\Pheanstalk_Job");
        $job->shouldIgnoreMissing();
        $job->shouldReceive('getData')
            ->andReturn($stringVersion);
        $this->pheanStalkProxy->shouldReceive('watch')
            ->andReturn($this->pheanStalkProxy);
        $this->pheanStalkProxy->shouldReceive('ignore')
            ->andReturn($this->pheanStalkProxy);
        $this->pheanStalkProxy->shouldReceive('reserve')
            ->andReturn($job);
        $this->entityManager->shouldReceive('persist')->with($taskEntity);
        $this->entityManager->shouldReceive('flush');

    }

    /**
     * Sets up an empty queue
     *
     * @return void
     */
    public function setupNothingInQueue()
    {

        $this->pheanStalkProxy->shouldReceive('watch')
            ->andReturn($this->pheanStalkProxy);
        $this->pheanStalkProxy->shouldReceive('ignore')
            ->andReturn($this->pheanStalkProxy);
        $this->pheanStalkProxy->shouldReceive('reserve')
            ->andReturn(false);
    }

    /**
     * Sets up an EntityManager mock and the taskrepository mock to be returned
     *
     * @return void
     */
    public function setupEntityManagerMock()
    {
        $this->entityManager = \Mockery::mock('\Doctrine\ORM\EntityManager');
        $this->setupTaskRepository();
        $this->entityManager->shouldReceive('getRepository')->once()->andReturn($this->taskRepository);
    }

    /**
     * Sets up the taskrepository
     *
     * @return void
     */
    public function setupTaskRepository()
    {
        $this->taskRepository = \Mockery::mock('\Webdevvie\PheanstalkTaskQueueBundle\Entity\TaskRepository');
    }

    /**
     * Sets up the pheanstalk proxy mock
     *
     * @return void
     */
    public function setupPheanstalkConnectionMock()
    {
        $this->pheanStalkProxy = \Mockery::mock('\Webdevvie\PheanstalkTaskQueueBundle\Service\PheanstalkConnection');
    }

    /**
     * Generates some fake params
     *
     * @return void
     */
    public function generateFakeParams()
    {
        $this->params = array(
            "default_tube" => "gtldtube",
            "log_worker_output_on_success" => true,
            "log_worker_output_on_failure" => true
        );
    }
}


text:
DC's LUCIFER Switching to Collected Edition for Next Arc
Credit: Tiffany Turrill (DC/Black Label) Credit: Tiffany Turrill (DC/Black Label) After completing its periodical publication with issue #18, released on March 18, DC's Lucifer #19-24 will be released directly as a collected edition, or in this case an OGN. Writer Dan Watters and artist Sebastian Fiumara's planned story will reportedly not be changed aside from
DC Comics Fans Surprised Green Lantern One of 2020's Most Streamed Movies
DC Comics fans were surprised to see that Green Lantern is one of 2020's most-streamed movies. Barstool Sports' Lights, Camera, Pod put together a survey of America and the most-watched movie in California since March has been the Ryan Reynolds vehicle. (Needless to say, it's a bit of a goof, but one a lot of
Space Force Fans Are Loving Steve Carell's Sitcom Return
Even though Space Force is currently rocking a 36-percent Rotten rating on Rotten Tomatoes, fans of the latest Netflix comedy have flooded the internet in droves in support of the series. The series, which debuted early Friday, currently has a 72-percent Audience Score on the same review-aggregating site, proving there's quite the discrepancy between critics
Newsarama Is Joining the GamesRadar Team
Starting Monday June 1st, the Newsarama team you've come to know will deliver their daily comics news, opinion and insight from gamesradar.com/newsarama. Already sister sites under the Future US, Inc. family, Newsarama joins Total Film and Edge magazines as part of the GamesRadar team. Explaining the move, Newsarama Founder and Editor in Chief Michael Doran
Batman (New 52) – Origins | Comicstorian
Want to read it? http://amzn.to/2aSL7Ji Subscribe to Comicstorian: http://bit.ly/comicstoriansub Check out our Full Stories: http://bit.ly/comicstorianfullstory Twitch!!! http://www.twitch.tv/eligiblemonster Patreon! https://www.patreon.com/comicstorian Discord! https://discordapp.com/invite/comicstorian Gaming Channel! http://www.youtube.com/c/eligiblemonster VLOG Channel! https://www.youtube.com/user/TectonicSpark Start Your Collection Today! http://amzn.to/2DUT1oc DC Comics and Marvel Comics Fun at Comicstorian! Twitter – @comicstorian Instagram – @comicstorian http://www.facebook.com/eligiblemonster Do You Like Video Games? The Gaming Channel!
FREE EMPYRE Preview Magazine Coming JULY 1 – But With a Disclaimer
Credit: Mahmud Asrar (Marvel Comics) Credit: Marvel Comics Empyre #1 doesn't hit stands until July 15, but Marvel have announced they're priming the pump with a special Empyre Previews Magazine to debut July 1 as a free item for comic stores. However, the magazine was finalized before the COVID-19-led distribution shutdown delayed everything including Empyre,
The Boys Releases New Photo for Season 2
Amazon's The Boys has released a new promo photo for season 2, and it pretty much captures the entire tone and flavor of the show in one nice, NSFW image. The members of The Boys' titular crew are all present (Karl Urban's Billy Butcher, Jack Quaid's Hugh Campbell, Laz Alonso's Mother's Milk, Tomer Capon's Frenchie
HBO Max Pulls Available Movies List After Some Didn't Make It to the Service
The HBO Max streaming service launched this week with a pretty extensive library of movies and TV shows for fans to enjoy, providing some stiff new competition for the rest of the streaming industry. That being said, the massive roster of movies that was initially announced isn't fully present on the service as it stands
Rurouni Kenshin Final Chapter Movies Postponed Due to COVID-19
The release of long-awaited Rurouni Kenshin live-action movie sequels will be postponed until spring 2021 due to the ongoing coronavirus pandemic. The two-part "final chapter" was originally set to be released on Jul. 3 ( The Final ) and Aug. 7 ( The Beginning ). The former sees Kenshin face off against Enishi, while the
MIKE DEL MUNDO Teams with FREDDIE GIBBS and THE ALCHEMIST for ALFREDO Comic
Credit: Mike Del Mundo Credit: Mike Del Mundo Long-time Marvel artist Mike Del Mundo is branching out and teaming up with rappers Freddie Gibbs and the Alchemist on a special comic book tying into an upcoming album by the two called Alfredo. "Half Manne, Half Cocaine and The Alchemist take on the UNDEAD in this
That Time I Got Reincarnated as a Slime Delays Season 2 and Spin-off
That Time I Got Reincarnated as a Slime has delayed the broadcast of its second season and spin-off anime Slime Diaries: That Time I Got Reincarnated as a Slime due to the effects of the ongoing coronavirus pandemic. The first part of Season 2 will now air in Jan. 2021 with the second part following
Christopher Nolan Broke a Major Tradition While Making Tenet
It's been a week since the debut of the second trailer for Tenet, which provided fans with a bit more insight into Christopher Nolan's next blockbuster epic. If the footage we've seen thus far is any indication, Tenet will completely shatter fans' expectations, while also providing many of the characteristics that have become iconic with
Sisqo Helps Celebrate the Legends of Tomorrow Season 5 "Swan Thong"
The CW has released almost 20 promotional images from "Swan Thong," the season five finale for DC's Legends of Tomorrow, which will air on Tuesday, June 2. In a rare move for this season's TV shows, "Swan Thong" was the intended finale, and the Legends will get to go out on the note that the
J. SCOTT CAMPBELL Draws Eight CATWOMEN Through Eight Decades in New CATWOMAN 80TH Variants
The milestone Catwoman 80th Anniversary 100-Page Super Spectacular is due out June 3, and DC have begun releasing variants. In addition to the main cover by Joelle Jones, there are variants by Adam Hughes (1940s variant), Travis Charest (1950s), J. Scott Campbell (1960s), Frank Cho (1970s), Stanley "Artgerm" Lau (1980s), Gabriele Dell'Otto (1990s), Jim Lee/Scott
Constantine: 5 Things You Need To Know
Constantine, the brand new TV series based on the iconic DC comic character, debuts tonight on NBC. We know you're going to watch, so sit for a spell and discover the five things you need to know about the famous magic user before you do. For much more on Constantine: http://www.dccomics.com/tv/constantine
Deadpool Kills Marvel Space With Lightsabers – Complete Story | Comicstorian
Subscribe to Comicstorian: http://bit.ly/comicstoriansub Check out our Full Stories: http://bit.ly/comicstorianfullstory Twitch!!! http://www.twitch.tv/eligiblemonster Patreon! https://www.patreon.com/comicstorian Discord! https://discordapp.com/invite/comicstorian Gaming Channel! http://www.youtube.com/c/eligiblemonster VLOG Channel! https://www.youtube.com/user/TectonicSpark Start Your Collection Today! http://amzn.to/2DUT1oc DC Comics and Marvel Comics Fun at Comicstorian! Twitter – @comicstorian Instagram – @comicstorian http://www.facebook.com/eligiblemonster Do You Like Video Games? The Gaming Channel! http://www.youtube.com/eligiblemonster Thank you for your
AGENTS OF S.H.I.E.L.D. Season 7 Teases Larger MCU Connections
Credit: ABC Agents of S.H.I.E.L.D.'s seventh and final season premiered on Wednesday, and with the premiere, producers Jeph Loeb, Melissa Tanchaeron, and Jed Whedon opened up about what fans can expect as the season rolls on – including a crossover with the wider Marvel Cinematic Universe. "Something will definitely happen," Tanchaeron told Deadline when asked if the
The Walking Dead's Norman Reedus Compares Season 10 Finale to Game of Thrones
Fans of AMC's The Walking Dead are anxiously awaiting the show's Season 10 finale, which was initially supposed to air in April but coronavirus shutdowns have kept the episode from being completed. Throughout this waiting period, folks have spent time speculating just how the season will conclude, especially after the harrowing cliffhanger that saw Beta
Dungeons & Dragons Movie Directors Reveal Tone of Movie
The directors of the upcoming Dungeons & Dragons movie have revealed just how serious the movie will be. Earlier today, The Hollywood Reporter posted an interview with Jonathan Goldstein and John Francis Daley, the co-directors and co-screenwriters for the upcoming Dungeons & Dragons movie. The movie's release date was pushed back to 2022 and Hollywood
Inside Aborted Live-Action POWER RANGERS Show with JASON DAVID FRANK and Dark DRAKKON Timeline
Credit: Hasbro/BOOM! Studios The Power Rangers franchise has thrived with the success of BOOM! Studios' various comic book series, but one comic book story proved so popular that it almost spawned a live-action spin-off featuring Jason David Frank (the franchise's Tommy Oliver) taking on the dark Drakkon persona introduced in those comic books. "The only
How Henry Cavill's Superman Will Be Like Mark Ruffalo's Hulk for the DCEU
The surprise news came today that Henry Cavill will suit up once again as the Man of Steel for Warner Bros. Pictures. This news comes with one caveat though, Cavill's return will be in a slightly modified role than what fans might be used to seeing or even expect as this doesn't mark the start
Arrow's Michael Rowe Decides Who Would Win Between Ninjak and Deadshot
Michael Rowe, the actor who played Deadshot on Arrow and The Flash and would later go on to appear in Ninjak vs. The Valiant Universe in the title role of Colin King/Ninjak, admits that it would be difficult to choose which of his iconic, costumed killers would walk away from a fight if the two
U.S. Senators Call to Conquer CANADA in THE FLASH: FASTEST MAN ALIVE #6 Preview
It's a Jeff Parker double-header in Friday May 29's The Flash: Fastest Man Alive #6, collecting stories from The Flash Giant anthologies. The Flash: Fastest Man Alive #6Writer: Jeff Parker"Perfect World" with Artists: Miguel Mendonça, Mike Spicer and Rob LeighGorilla Grodd takes control of the Senate and declares war on Canada! Only the Flash is
New WONDER WOMAN Figure Coming from ONE:12 Collective
Credit: Mezco Toys Credit: Mezco Toys Press Release The One:12 Collective Wonder Woman is combat-ready, outfitted in a Themysciran battle suit with removable neck and shoulder armor, worn only by the most elite Amazonian warriors. The fearless demigoddess wears a cape with an integrated posing wire that attaches via a clasp at the neck. Man-made
Stan Lee Memorial Mural Spotted in Paris
Months after his passing last November, Stan Lee's impact on the world of comics is continuing to be felt. For some fans in Paris, as a recent post from Reddit user BOBOUDA proves, that includes a pretty heartfelt tribute. A mural of Lee has surfaced in the French city, which features a portrait of him
Terrace House Cuts Current Season Following Hana Kimura's Death, Possibly Canceled
Terrace House has ended work on its current season following the tragic death of Hana Kimura who apparently took her own life after being cyberbullies for her role in the reality show. The decision was made recently by Fuji TV executives who were being asked to take some sort of responsibility for the tragedy. Now,
IDW's Revised MAY – AUGUST 2020 Publishing Schedule
Credit: IDW Publishing IDW Publishing (OTCQX: IDWM), the award-winning publisher of comic books and graphic novels, is thrilled to announce its revised Direct Market release schedule for Summer 2020. With world-renowned brands like Sonic The Hedgehog and Transformers, groundbreaking original series like Usagi Yojimbo and Sleeping Beauties, acclaimed celebrations of the comics medium like Dave
The Saga of Tanya the Evil Gets Smartphone Game!
The Saga of Tanya the Evil is getting a smartphone game spin-off! Produced in collaboration with Carlo Zen, the series' original creator, the game will feature a new story inspired by the anime. It will be free to play on iOS and Android with in-app purchases and is currently accepting pre-registrations. The Saga of Tanya
DC's Legends of Tomorrow: The One Where We're Trapped on TV Recap With Spoilers
The episode opens on a bleak alternate timeline, where Mona is in charge of writing the official history of the world. It's sanitized beyond parody, though, and she can't remember any of her personal history. After a brief conversation with her supervisor, Atropos appears on a monitor at the end of the room to let
Arnold Schwarzenegger Fans Are Comparing His Son to the Terminator After Seeing This Video
Between his roles as an actor, bodybuilder, and politician, Arnold Schwarzenegger's reputation arguably precedes him. It looks like the iconic figure's filmography has even made its way into a unique context — a social media post of his son's. Joseph Baena, who is also a bodybuilder, took to Instagram over the weekend to share a


text:
Q: In Visual Studio 2019, .net Core 2.1, how do I add .net Framework assembly to the project I am working in Visual Studio 2019, and .net Core 2.1.1.
I am currently working on trying to get Identity Server 4's WsFederation integrated.  In the latest instructions I could find, he mentions adding System.IdentityModel to the app through the project.json.  Project.json seems to be deprecated now in .net core projects, and I am having a hell of a time figuring out how to add a freaking .net assembly to my project.  Do I really need to just copy the file into the project and reference, cause that just seems wrong.
Instructions I am using:
https://www.scottbrady91.com/Identity-Server/IdentityServer-4-SharePoint-Integration-using-WS-Federation

A: Seems to all come back to the project type.  I had created the project with AspnetCore and so I couldn't reference any .net framework assemblies, because you can't go back once you have made that choice.  However, if you create the project specifically under the .net framework, you can move forward into the core frameworks, and hosting libraries of core.  Which then allowed me to pull in the System.IdentityModel assemblies I needed to continue forward.


text:
You searched for: "law; feudal"
https://founders.archives.gov/documents/Madison/04-03-02-0278
Minutes of the Board of Visitors of the University of Virginia, 7 April 1824
Minutes of the Board of Visitors of the University of Virginia
Wednesday April 7. 1824.
Joseph C. Cabell attended with the members present on Monday.
In the University of Virginia shall be instituted eight Professorships, to wit 1st. of Antient languages. 2dly. Modern languages, 3. Mathematics. 4. Natural philosophy. 5. Natural history. 6. Anatomy. and Medecine 7. Moral philosophy. 8. Law.
In the school of Antient languages shall be taught the higher grade of the Latin and Greek languages, the Hebrew, rhetoric, belles letters, antient history and antient geography.
In the school of Modern languages shall be taught French, Spanish, Italian, German, and the English language in it's Anglo-Saxon form; also modern history, and modern geography.1
In the school of Mathematics shall be taught Mathematics generally including the higher branches of Numerical arithmetic, algebra, trigonometry, plane and spherical, geometry, mensuration, navigation, conic sections, fluxions or differentials, military and civil architecture.
In the school of Natural philosophy shall be taught the laws & properties of bodies generally, including mechanics, statics hydrostatics, hydraulics, pneumatics, acoustics optics and astronomy.
In the school of Natural history shall be taught botany, zoology, mineralogy, chemistry, geology, and rural economy.
In the school of Anatomy and medecine shall be taught anatomy, surgery, the history of the progress and theories of medecine, physiology pathology materia medica & pharmacy.
In the school of moral philosophy shall be taught Mental science generally including ideology, general grammar, logic, and ethics.
In the school of Law shall be taught the Common and Statute law that of the Chancery, the laws Feudal, civil, mercatorial, maritime and of Nature and Nations; and also the principles of government & political economy.
This arrangement however shall not be understood as forbidding occasional transpositions of a particular branch of science from one s[c]hool to another in accomodation of the particular qualifications of different professors.
In each of these schools instruction shall be communicated by lessons or lectures, examinations and exercises, as shall be best adapted to the nature of the science, and number of the school; and exercises shall be prescribed to employ the vacant days and hours.
The professors shall be permitted to occupy, rent-free, a pavilion each, with the grounds appropriated to it. They shall also recieve from the funds of the University such compensation as shall have been stipulated by the agent or fixed by the board; and from each student attending them tuition fees as herein after declared.
The professors shall permit no waste to be committed in their tenements, and shall maintain the Internal of their pavilions, and also the windows, doors and locks external during their occupation, in as good repair & condition as they shall have recieved them.
The collegiate duties of a professor, if discharged conscientiously, with industry & zeal, being sufficient to engross all his hours of business, he shall engage in no other pursuits of emolument unconnected with the service of the Univty. without the consent of the visitors.
Every student shall pay to the professor whom he attends, if he attends but one, 50 D. the session of ten months and a half; if two, 30. D. each, if three or more 25. D. each, and these paiments shall be made in advance, and before his admission into the school, and they shall maintain their dormitories in the condition in which they recieve them in like manner as is required of the professors. The Proctor shall in duty attend in both cases to the observance of this requisition.
Altho', as before expressed, the board is in the expectation that they may be able, either immediately or at no distant period, to establish eight professorships; yet some uncertainties in the state of their funds, and other considerations, render it prudent, for the present, to establish seven only; and the school of anatomy being that which it will be most expedient to postpone, they instruct their agent accordingly to make no engagement for an Anatomical professor, or a provisional one only, subject to the future determination of the board. They deem it also expedient that professors of Law and Moral philosophy shall be taken from among the citizens of the United states.
Considering as satisfactory the qualifications and character of George Blaettermann, of the city of London, recommended to them as professor of modern languages, the agent is authorised to engage him for that professorship, unless circumstances unknown to this board should, in his judgment, cause to decline that engagement, and to proceed to procure one who may merit more unexceptionably the approbation of the board.
The board then proceeded to the appointment of a Professor, and Francis Walker Gilmer was appointed to be professor of law, or of Moral philosophy, at his election, to be signified to the Rector.
The Executive committee are authorised to appoint a Collector of the arrears of subscriptions, and are required to take measures as may be necessary to effect a speedy collection.
An act of the last assembly having appropriated to the University for the purchase of a library and apparatus the sum of 50,000. Dollars out of the first monies that may be recieved from the government of the United States on account of the claim of this commonwealth for advances and expenditures during the late war, having also authorised a contingent loan to that amount, by the board of public works, on the credit of the appropriation so made, and it being proper to provide for the reciept and disposal of this money, and for the negociation of the authorised loan to such extent as may be advisable, the board doth therefore resolve
First that as soon as the money so appropriated or any part thereof, shall be paiable, it be paid to the Bursar of the University, or to his order; that so much thereof as may be required by the Executive committee, not exceeding 20,000. Dollars, be placed by him in Europe under the controul of the Agent hereby deputed to that country, to be employed in the purchase of such books and apparatus as may be deemed most useful for the commencement of the several schools in the University; and the balance of the money which may be recieved by the Bursar be deposited in bank, subject to the future orders of the board.
Secondly, that the Executive Committee be authorised, if they deem it expedient, in anticipation of the money to be recieved from the General government, to negociate a loan with the board of public works for any sum not exceeding that hereby directed to be placed under the controul of the agent in Europe; and to pledge the monies so to be recieved from the general government for the paiment of the interest and refunding the principal of the loan; and any money so borrowed by the Executive Committee shall be placed under the controul of the agent in Europe, in lieu of that mentioned in the first resolution, and for the purpose therein specified.
And the board adjourned without day.
Ms (ViU: Special Collections, Jefferson Papers). In Jefferson's hand.
1. Here, in an unidentified hand, is the penciled note: "(See Lowell's ⟨rememb?⟩)." This note was probably made by Philip Alexander Bruce in the course of researching his history of the University of Virginia. Commenting on Jefferson's innovative plan for the school of modern languages, Bruce wrote: "James Russell Lowell has recorded that, as late as his own youth, the French and German tongues were taught in so great an institution as Harvard by the professor who gave contemporaneous lessons in dancing and fiddling!" (Bruce, History of the University of Virginia, 2:90).
Note: The annotations to this document, and any other modern editorial content, are copyright © The Rector and Visitors of the University of Virginia. All rights reserved.
Madison Papers
"Minutes of the Board of Visitors of the University of Virginia, 7 April 1824," Founders Online, National Archives, https://founders.archives.gov/documents/Madison/04-03-02-0278. [Original source: The Papers of James Madison, Retirement Series, vol. 3, 1 March 1823 – 24 February 1826, ed. David B. Mattern, J. C. A. Stagg, Mary Parke Johnson, and Katherine E. Harbury. Charlottesville: University of Virginia Press, 2016, pp. 255–257.]


It's game time! Come in and join us playing games in German. We will have all different kind of games, there will be something for everybody. Come and have lots of fun with us playing together at the German Language Centre.
We will provide some snacks, tea and coffee. Please feel free to bring something to share.We look forward to see you!
The game night is suitable for students of all levels.


I've realized that many people I meet want to "hold the baby" (including complete strangers) and most people think they are doing a new mother a huge favour by doing so. In fact, I have had no shortage of random women offer to "hold the baby", including strangers at stores and at the doctor's office. I've even had people come to my home unannounced (who never visited pre-baby) with the explicit goal of helping me out by holding my infant.
Very rarely do you find someone who truly wants to hold a screaming, crying or otherwise fussy baby for more than a few minutes. There are a few in this world and they are angels sent from heaven above. They are also generally related to the baby or closely bonded to one of the parents… With a few exceptions who tend to be the type to volunteer to be baby cuddlers in the nurseries of churches or hospitals. For the record: Mothers around the world love you. Don't ever change.
If a baby is fussing he or she is no longer fun for most people to cuddle. People are begging to hold the quietly content freshly changed and fed baby who is ready to go down for a nap. Except that holding her when she is ready to sleep IS NOT USEFUL. When you are holding the baby and she is sleeping in your arms instead of being in her crib, instead of mommy taking a nap or getting laundry folded or getting cooking or cleaning done, mommy is now serving you food and tea and entertaining you because you can't get up since you are "holding the baby". You know, the baby who totally does not need to be held right now because she is dry, her belly is full, she has been soothed and she is sleeping.
Make no mistakes. I understand the desire to cuddle a cute little ball of warm pink baby. But please, let's be honest about our intentions and stop the charade of "helping the mother". I'm happy to indulge and give you baby cuddle time if you want it. I'm happy to have friends and family visit with the intention of getting baby cuddle time in. Cuddling babies is good for the soul. However, let's not pretend that you are doing me a favour by holding my perfectly content sleeping infant and then passing her to me as soon as she starts to make any noises or movements. By the way… that grunting and squirming would not be an issue if she were in her crib. She would push out a good fart in a few minutes and go right back to sleep. But since you've panicked, started shouting across the room that the baby needs her mommy and must be hungry (she just finished eating 5 minutes ago), or have a dirty diaper (she was just changed… and trust me when I say I can smell baby poop from across the room), and you've started frantically rocking her so hard that she's woken up out of her light sleep, and thrust her in my arms, she is now fully awake and truly needs to be soothed. Well, thanks so much for "holding the baby" and allowing me to take care of you while you did so. You have no idea how helpful that was. What would I do without you?
Scenario one: I am out somewhere without a safe place to put the baby down and need to use the restroom. Yes, I could bring her in with me, but it would be nice to have a trusted person hold the baby so that I can have both hands free to pee and wash my hands.
Scenario two: the baby is fussing (yes, I have checked her diaper, fed her, checked if she is too hot or cold etc) and I would love to have two hands free to eat my dinner. Yes, it would be great if you could hold her and try to soothe her for a few minutes. Unfortunately, most people don't want to hold a crying baby for the 5-10 minutes it takes me to test my blood sugar, inject my insulin, take my pills and wolf down a plate of food. The average is about two minutes before most people break. The few people who can deal with the ear piercing screams for the entire time are truly appreciated.
Scenario three: the baby has just puked, peed, and pooped on me at the same time (This is not a "what if" scenario. It happens about twice per week). I have spit up in my hair and down my back. I have urine and feces dripping off of my shirt. This is an awesome time to offer to hold the baby (perhaps while wearing some manner of protective gear yourself) so that I can quickly strip down and take a shower. Unfortunately, only a few very special people are up for this task.
Here is my secret: I love to hold my baby. I love to hold her when she is content and when she is screeching at the top of her lungs. I only have a short window to enjoy this stage of development. Before we know it she will not want or need to be held in our arms. I only get to do this baby thing once in my life, and I am enjoying every moment, even the times during which I am covered in vomit, urine and feces. You see, holding this miracle baby is not a chore or a bother that I need to be rescued from. It is a privilege denied to many, and I realize just how blessed I am to have this experience. All of it.


The pirates put Homer in a net with his friends and leave them to die in the ocean.
Mr. Burns gets a series of medical tests done.
The Simpsons explore Mr. Burns' mansion.
Mr. Burns wins the Oldest Man in Springfield award.


Published 04/24/2019 01:49:42 pm at 04/24/2019 01:49:42 pm in Toilet Seat Scale For Sale.
toilet seat scale for sale ikea bathroom scale for sale in edmonds wa spectacular deals on lotus ats elongated smart toilet seat bidet lotus ats elongated smart toilet seat bidet white.
removing toilet bowl stains thriftyfun toilet being scrubbed with a toilet brush by someone wearing pink rubber gloves, top best toilets in complete guide reviews brands types offering a combination of value efficiency and comfort this niagara piece toilet comes in at the low end of the price scale using only gallons per , gold supplier china flat toilet seat toilet seat scale buy flat gold supplier china flat toilet seat toilet seat scale, seats totousacom softclose toilet seat elongated, iron out rust stain removers automatic toilet bowl cleaner toilet rust stains before and after using iron out rust stain remover, american standard toilets have a powerful flush for a cleaner bowl videoheritage vormax toilet features and benefits, holiday savings on lotus ats elongated smart bidet toilet seat lotus ats elongated smart bidet toilet seat with purestream white, tis the season for savings on symple stuff desk lamp sypl symple stuff desk lamp sypl, kohlers numi is everything one wants in a toilet and a lot more kohlers numi toilet comes with a heated seat music a lid that automatically raises and lowers a remote control and more credit kohler, home for sale windy rush lane gastonia nc homes land real estate for sale listingid gastonia nc , mobile phones are seven times dirtier than toilet seats finds new company initial washroom hygiene took swab samples from smartphones using a handheld device which lights up.