text:
krea university faculty
In addition to a base salary, most contracts will also come with severance pay, which comes to roughly one month's salary, paid at the completion of your contract, and often other benefits such as housing or flights. The institute has a strong team of faculty members and great infrastructural facilities. 82-2-880-5114 Fax. Free to job seekers. Korea National University of Arts (also known as K-ARTS or 'KNUA) is a national university in Seoul, South Korea. Many Korean universities have programs in English… In order to compete in the globalized world, South Korean universities have increased their number of programs available in English. 20.11.17 [1st Semester, 2021] Faculty Position Openings- Result of 1st Review. Associate Professor, Head of Security, Applicator and more! Study Abroad. Myoungshic Jhun, Professor, B.S. Shaping the Future with . KREA University, Sri City - Check all the courses offered by KREA University, Sri City , fee structure, ranking, cut off and intake exam. Faculty members closely follow the academic development of students and provide guidance at an individual level. Search 4 faculty, administrative, and executive jobs at colleges and universities in South Korea on HigherEdJobs.com. All academic programs encourage an active and participatory learning environment. To that end, Koç University maintains a low student-faculty ratio at an average of ten to one. About- Sejong University is a private university located in Seoul, South Korea.Established in 1940, Sejong has been a highly reputable university in Korea. Korea University is one of the leaders in South Korea, one of the 5 best universities in the country. It has also engaged over 300 noted domestic and overseas scholars and experts as its honorary professors, part-time professors or guest professors, one of whom is Dr. Yang Chen Ning , the winner of the Nobel Prize in Physics. As private, nonprofit institution, National University is dedicated to providing accessible, achievable education to adult learners — a mission supported by our distinguished faculty members. Sejong University, Seoul, Korea invites application for Faculty Positions at Sejong University from eligible and interested candidates. Medicine,the value beyond it self 2014 Brochure – tab01 Korea University Scholarships; Korea University Acceptance Rate; Ranking among the top 100 in the world rankings, Korea University offers a great education to international students since KU has international faculty who … After earning his Ph.D., he worked at the University of Michigan at Ann Arbor and Korea University as a professor of Statistics. Shortcuts. The University of Science and Technology (UST) is a group of public universities and research institutions in Seoul, Suwon, Changwon, Ansan, Seongnam and Daejeon, in South Korea.The UST was established in 2003 by the Ministry of Science, ICT and Future Planning as the nation's graduate school specializing in science and engineering education and research. A 3+1 advancement partnership also commences for students at Krea University, in flagship courses offered by the University of B Faculty . Admissions. Welcome to Kookmin University! This special lecture was based on a report released by the Korea Investment & Securities Research Center in October, which taught students the concept of the 'Price to Dream Ratio (PDR)' indicator. 4. KU Chemistry . Korea National University of Arts was established in 1993 by the Ministry of Culture, Sports and Tourism of Korea as the only national university of arts with an aim to serve as a leading institution which cultivates artists. 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krea university faculty 2021


^ MacDonald, Ian (2005). Revolution in the Head: The Beatles' Records and the Sixties (2nd rev. edn). Chicago, IL: Chicago Review Press. p. 300. ISBN 978-1-55652-733-3.
^ Riley, Tim (2002) . Tell Me Why: A Beatles Commentary. Cambridge, MA: Da Capo Press. p. 268. ISBN 978-0-306-81120-3.
^ Lewisohn, Mark (2005) . The Complete Beatles Recording Sessions: The Official Story of the Abbey Road Years 1962–1970. London: Bounty Books. p. 154. ISBN 978-0-7537-2545-0.
^ Spizer, Bruce (2003). The Beatles on Apple Records. New Orleans, LA: 498 Productions. ISBN 0-9662649-4-0.
^ a b Winn, John C. (2009). That Magic Feeling: The Beatles' Recorded Legacy, Volume Two, 1966–1970. New York, NY: Three Rivers Press. p. 209. ISBN 978-0-307-45239-9.
^ a b Everett, Walter (1999). The Beatles as Musicians: Revolver Through the Anthology. New York, NY: Oxford University Press. p. 201. ISBN 978-0-19-512941-0. https://books.google.com/books?id=eTkHAldi4bEC&dq.
^ Spizer, Bruce (2003). The Beatles on Apple Records. New Orleans, LA: 498 Productions. p. 106. ISBN 0-9662649-4-0.
^ Lewisohn, Mark (2005) . The Complete Beatles Recording Sessions: The Official Story of the Abbey Road Years 1962–1970. London: Bounty Books. p. 153. ISBN 978-0-7537-2545-0.


text:
Guillaume Tell, né le  à Aix-en-Provence et mort le  dans cette même ville, est un athlète français spécialiste des courses de fond.

Biographie
Guillaume François Jean Tell est le fils de Jean Tell, cordonnier, et de Rose Catala.

Il participe aux olympiades de 1924 et de 1928.

Palmarès

Jeux olympiques
 Jeux olympiques d'été de 1924 à Paris (France)
  sur le 10.000m en
 Jeux olympiques d'été de 1928 à Amsterdam (Pays-Bas)
  au marathon en

Notes et références

Liens externes

Coureur de fond français
Naissance à Aix-en-Provence
Naissance en juillet 1902
Coureur de 10 000 mètres
Marathonien
Athlète (homme) aux Jeux olympiques d'été de 1924
Athlète (homme) aux Jeux olympiques d'été de 1928
Décès à Aix-en-Provence
Décès en octobre 1998
Décès à 96 ans

redpajama_set_name: RedPajamaWikipedia


With special guest Marcus Schappi (https://littlebirdelectronics.com.au/). In which Mike and Steve prepare for the upcoming cat-pocalypse with Microsoft opening up the Hololens software to other providers, Elon Musk's interview at Recode and Mike talks to Marcus Schappi from Little Bird Electronics.
Mike and Steve talk about Oculus limiting third party VR devices accessing Oculus games, Paramount dropping it's lawsuit against Axanar, JPL using a Hololens to help design new rovers and the failure of water divining in Wagga Wagga (surprise).
Mike and Steve discuss the announcements out of the Google IO conference, Amazon trying to create an Internet of Tribbles, eBay and Myer joining forces to create a VR shopping experience, the drama around Uncharted 4 and GhostBusters reviews and Microsoft cancelling Project Spark.
Enjoy the comfort as Mike and Steve discuss the Kepler mission's confirmation of new exo planets, relax with the announcement of the NVidia GTX 1080 and enjoy the serenity of Civilization VI.
I, for one, welcome our new bot overlords with Microsoft's new bot development framework, Facebook's new live streaming feature, the release of data from CERN, and we catch up with the latest claims of chiropractors.


text:
Q: Android - create a map snapshot view like facebook? I have to show a snapshot of particular location in one of my app. I tried to find how to achieve this but no luck so far. It would be great if someone can share a tutorial or suggest on how to do this. Thanks in advance. I have also added an image for you guys to understand what exactly i want.
Thanks

A: First ,assume you have the particular location,then you could have a Maker on it.
here is demo code to add a Maker:
private GoogleMap mMap;
mMap = ((MapFragment) getFragmentManager().findFragmentById(R.id.map)).getMap();
Marker newMarker = mMap.addMarker(new MarkerOptions()
    .position(location)
    .title("Hello world"));

Second,you should set the map's custom infowindow. demo code:
 //write a custom InfoWindowAdapter
 class MyInfoWindowAdapter implements InfoWindowAdapter{

    private final View myContentsView;
    MyInfoWindowAdapter(){
      myContentsView = getLayoutInflater().inflate(R.layout.custom_info_contents, null);
    }

    @Override
    public View getInfoContents(Marker marker) {
        TextView tvTitle = ((TextView)myContentsView.findViewById(R.id.title));
        tvTitle.setText(marker.getTitle());
        TextView tvSnippet = ((TextView)myContentsView.findViewById(R.id.snippet));
        tvSnippet.setText(marker.getSnippet());
        return myContentsView;
    }

    @Override
    public View getInfoWindow(Marker marker) {
      // TODO Auto-generated method stub
    return null;
   }

 }

 //set the custom adapter to the map:
 myMap.setInfoWindowAdapter(new MyInfoWindowAdapter());

if you want to set the maker relative to your project's object(such as User),you could keep a Hashmap(Maker,User) in the file.You could initial the Hashmap first with your data, then you can set the infowindow's info with specific user in the getInfoContents(Maker maker) via Hashmap.get(maker).
here is the custom snapshot layout file:
<?xml version="1.0" encoding="utf-8"?>
<LinearLayout xmlns:android="http://schemas.android.com/apk/res/android"
android:layout_width="wrap_content"
android:layout_height="wrap_content"
android:orientation="horizontal">
<LinearLayout
    android:layout_width="wrap_content"
    android:layout_height="wrap_content"
    android:orientation="vertical">
    <ImageView
        android:layout_width="wrap_content"
        android:layout_height="wrap_content"
        android:layout_marginRight="5dp"
        android:adjustViewBounds="true"
        android:src="@drawable/ic_launcher"/>
    <TextView
        android:id="@+id/title"
        android:layout_width="wrap_content"
        android:layout_height="wrap_content"
        android:textSize="12dp"
        android:textStyle="bold"/>
    <TextView
        android:id="@+id/snippet"
        android:layout_width="wrap_content"
        android:layout_height="wrap_content"
        android:textSize="10dp"/>
</LinearLayout>
</LinearLayout>

when click the maker,it will automatic show the infowindow,you can also show an info window programmatically by calling showInfoWindow() .

redpajama_set_name: RedPajamaStackExchange


text:
The White House aims to boost the ranks of the pandemic-strained trucking industry
What happened to the economy, and your money, in 2021
Robbinsdale's Pig Ate My Pizza Says Farewell, Flips Into Nouvelle Brewing Next Month
Pig Ate My Pizza partners Alexandra Althoff, Andy Goettsch, Nat Moser, and Ben Moser will stay on board at Nouvelle Brewing. | Pig Ate My Pizza/official
Travail's beloved brand turns into a new beer-fueled venture on Saturday, January 1
Pig Ate My Pizza, downtown Robbinsdale's 8-year-old standby for creative pizzas, desserts, and brews, will say goodbye at the end of the month to make way for a casual new taproom called Nouvelle Brewing.
Travail Collective confirmed the upcoming closure via social media and an online statement. Come 2022, the full-service restaurant will flip into Nouvelle Brewing (4124 W. Broadway Avenue, Robbinsdale, Minnesota), a beer-centric destination with a bar menu full of burgers, loaded fries, and family-style items.
The team plans to "lovingly stash the [Pig Ate My Pizza] concept away in a time capsule. It may reappear one day in some form, but for now, it's time to look to the future."
Familiar faces at Pig Ate My Pizza, lovingly known over the years as PAMP, will help lead the space's next chapter as a dressed-down bar with a hybrid counter-meets-tableside service model. Andy Goettsh, formerly chef de cuisine at Travail, will play up his latest role as head brewer and create more of the beloved beers he's become known for. Co-chefs Nat Moser and Ben Feltmann will also stay on board. Alexandra Althoff sticks around as head pastry chef, promising to sprinkle sweet and savory treats across the new Nouvelle menu.
The decision to flip the script did not come lightly.
"Over the last few years the world has changed greatly, and we've had a lot of time to reflect on what we want as individuals and as a collective. Our idea is to build a concept around a few key players who have been with us since day one," per a PAMP statement.
A post shared by Pig Ate My Pizza (@pigatemyza)
Pig Ate My Pizza will continue operating through the end of December with a slimmed-down menu of its greatest hits. The best-selling Piggy Pie is a compilation of pork sausage, pepperoni, bacon emulsion, toasted black pepper fennel, and oregano on a brioche crust. Customers can also taste test a snapshot Nouvelle's incoming menu, which includes a double-patty Das Burger featuring white American cheese, beer cheese sauce, crispy onions, mustard pickles, whole grain mustard, and bacon on a pretzel bun.
PAMP fans are invited to say farewell on New Year's Eve at an open, non-ticketed party, complete with a Nouvelle Brewing launch when the clock strikes midnight.
"We're taking this as an opportunity to get back to the humble beginnings of Travail where things were loose, creative, and extremely personable. Where the dining room organically became a small community for the night," says the team.
—Tierney Plumb contributed to this report
Minneapolis Location of Italian Hit Mucci's Is Calling it Quits
St. Paul's Eclectic Black Dog Cafe Just Closed After 23 Years
Where to Order Christmas Meals Around the Twin Cities
Minnesota Business Insights is the premiere business web, digital and print media publication, built for entrepreneurs, visionaries, builders, and doers who are committed to growing the economy of the great state of Minnesota.
Microsoft is buying 'Call of Duty' publisher Activision for nearly $70 billion
Visibly emotional Boris Johnson says 'nobody told me' he was breaking lockdown rules amid accusations he knew May 2020 event was a party

redpajama_set_name: RedPajamaCommonCrawl


Transition Gallery are having an auction to fund further projects and it's on now. They asked me to donate something so i gave them this painting i did in 1998... You can place your bids by going to their website!
Entitled 'The Peoples Princess' here's one of them!
"Copyright Ben Ashton. Courtesy Simon Oldfield Gallery"


91 shoes found. Page 1 of 5.
Heel height 3.9 inches; Textile fibres; fully lined, solid colour, lamé, round toeline, silk shantung, bow-detailed, cone heel.
Kangaroo skin; leather/rubber sole, square toeline, metal applications, flat, leather, basic solid colour, leather lining.
Heel height 3.51 inches; Textile fibres, Soft Leather; leather lining, round toeline, logo design, wedge heel, logo, elasticised gores, rope wedge.
Rubber; leather sole, round toeline, bow-detailed, flat, grosgrain, two-tone, leather lining.
Calfskin; leather lining, solid colour, laminated effect, round toeline, openwork, no appliqués, flat.
Heel height 4.29 inches; Soft Leather; rubber cleated sole, round toeline, contrasting applications, square heel, logo, solid colour, leather lining.
Soft Leather; leather sole, round toeline, bow-detailed, flat, laminated effect, elasticised gores, leather lining.
Textile fibres, Soft Leather; round toeline, print, satin, solid colour, organza, laminated effect, buckle.
On this site you will find women's shoes in sizes from 2 to 9. There are 91 pairs of shoes starting with price of £50,00; 52 pairs from the whole collection are discounted at this moment. The most frequent shoes in this category are Sandals, Court Shoes, Flats and Boots. There are 2650 brands, most of shoes comes from Office, New Look, Betty London, L' Autre Chose and Geox. The shoes are available in different colours, mostly in Black, Brown, Silver, Red and Gold.


We all love a good shopping trip, especially when it is free right? How do I have one of these I hear you ask.Well for me this came in the form of 'shopping my stash' as in finding something crumpled in the back of your wardrobe, realising that you actually really like it and want to try and re-invent it in a new way. This is what happened with this lovely little Zara checkered shirt of mine. As someone who probably does own one too many chequered shirts this one in recent times had been rather neglected. But in an effort to just put the beloved grey one down for just 5 minuets I grabbed this green one and once again loved how it looked. Paired with my Nobody's Child black jumpsuit which I just can't get enough of this was a great method of layering for when the summer nights are beginning to get chilly.


I have a Koss KD260-2 DVD player. In the last 48 hours it has decided to show me the message \"dealer lock on\" and will not eject the disc which remains in the player. Disc is \"Thirteen\" from the video store in Golden BC. This is the 1st time this has happened since I have had the machine.
How do I get the disk out so I do not receive late charges.
Thanks I ended up getting the disk out this morning. I hit the stop and power button at the same time and then the open tray and it opened releasing the disk.
OK, I tried that "stop & power" button on mine and it didn't work. Any other suggestions?
You hold the stop button on your dvd player then you press your power button from your remote.
Im having the same "dealer lock" problem with my koss dvd player. I dont have the original remote and nothing seems to work with the universal remote. Any suggestions?
Suggestion: Press the STOP and OPEN button at the same time and then manually press the ON button and the DVD compartment opens.
Thanks very much to Paul. I had the same "dealer lock" problem with my Koss DVD player, and holding the stop button on the machine then pressing the power button on the remote fixed it immediately. I was just about ready to try the butter knife! Thanks again.
I have tried all the buttons and all of the combinations above. It doesn't work. Do you have any other suggestions before I dismantle the machine...?


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text:
Special Feature Interview
The inner whisperings of Dee Pasha
"In my humble opinion, art should not be about how many people consume it but about how it empowers and challenges."
Dee Pasha
Dee Pasha was born and raised in Bosnia, a country shredded by war in the early 90s, causing her to flee to Germany along with her mother and brother. She found solace in an old cassette tape, (one of the only items available in their temporary lodgings), until the family were able to return to their home after the war ended. At age fourteen she moved away from her hometown to attend music school and having graduated, she moved again to attend Music Academy. Despite the years of education and being actively involved in music, Dee felt her vision for the music she wanted to create didn't quite fit the Bosnian music scene, and that she couldn't express herself in the way she felt she wanted, or in a way that was true to herself.
After persevering for a few years her solution was to follow her dreams to New York, where she lived and worked in Brooklyn, honing her songwriting skills, developing her sound and working on her vocals. Ten years later, she began working on her upcoming album, "Dreamer".
Dee released her first single, "I Miss You" in 2019 which she describes as a self confession and speaks of having to lose oneself in order to find oneself again, in a pure, raw and true form. Her second single, "Dreamer", was released in October of 2021, and she is currently working on additional songs for her debut album with high school friend, Haris Rahmanovic Priki, a highly regarded producer, composer and musical artist.
"Dreamer" can be described as dark/psychedelic/ electro pop, with beautifully crafted and captivating lyrics, encapsulated in an evocative electronic instrumental. It shows more teeth and gums than her more laid back and delicate debut, "I Miss You", but no less seductive. Both tracks left me wanting more… that's precisely what is in store for the New Year and I (for one) am looking forward to that.
We managed to speak with Dee about her musical journey so far, and here's what she said… Let's get into it!
Hi Dee! Let me tell you… it's been an absolute joy having found you, and your music recently. I've been listening to both your recent singles and totally absorbed by them. For readers who haven't yet had the pleasure, do you want to open with some background? Tell us a little bit about you.
First of all thank you so much for having me. Simply put, Dee is a Bosnian citizen of the world who has been living on her own since the age of fourteen. I've left home (with my parents permission) to study classical music and I have been learning, exploring and wandering ever since. I've been writing music but never until 2019 have I recorded my own songs. I wasn't confident enough I guess. Now I understand that there is the right time for everything and I just needed to learn more about myself and the music I wanted to put out there. I guess I have now marinated long enough to release music and share it with the world.
Your background in music traces back to your early teens, where you left home to attend music school, and following which you studied at a music academy. Where did your passion for music come from and what were the most valuable lessons you'd taken from your time spent at the academy?
As cliche as it might sound, my mom always says that she remembers me singing before I even started talking, and I started to talk very early! I remember my first contact with music (that I was aware of) at the age of five. I was more a critic at first hahaha, when my mom would play music I didn't like I would make her turn it off vs music I liked, I would let her play it. I pretty much terrorized her with my criticism. Poor woman.
Most valuable lesson for sure was living life on my own at such an early age. It certainly wasn't easy but it also wasn't dull for sure. At the school we had a very non typical style of education. We had classes six days a week and practiced in between classes. I was fully consumed by it which gave me work ethic and I grew a thick skin from it.
I wish for all the artists out there to no matter how hard it gets-to always follow their intuitions and do music that makes them happy. Only then can you find your crown because they can feel that you are as authentic as you can be, honest and true to how you feel.
You recently posted a 'flashback' video from a late '90s singing contest that you participated in, back in your hometown of Sanki Most, Bosnia. I believe it's something you'd not seen for a long time. What can you recall from those early experiences of singing and performing (let's talk about those head movements :D) and how do you feel when watching it back after so long?
Hahahahaha! That head move is everything. When I first saw it after so many years, naturally, I laughed!
Then I remembered that exact moment very clearly and thought of that little girl. All her dreams and how much fun she had there and each time I was involved in anything music related. I eventually lost her. I don't exactly remember when and how. The beautiful part is that after loosing her, I got her back… years later… but I got her back. I wrote her a song and explained that by letting her go I've learned to appreciate her feistiness and drive. "I miss you" is about that girl.
Dee Pasha's first appearance in a 90s singing contest
I remember as a child, watching the news with my family, and whilst I didn't understand then, I at least was aware of the conflict in Bosnia and Croatia in the early to mid-1990's. I can only imagine how challenging and distressing it must've been for everyone caught up in the unrest. Do you have any memories of those times?
When the war broke out in Bosnia we left the county and went to Germany as refugees. My mom, brother and myself. My dad came a year later. My only memory of that time is my mom crying a lot, not knowing if dad was ok, or her whole family who stayed back in Bosnia. My second memory was me seeing my dad for the first time after a year. I was too young to even notice that I've missed him until one day he showed up in front of me. As a young child who didn't understand what was happening I truly did feel that things weren't all to well because of how everyone around me was feeling and how it made me feel. The place where we arrived as refugees was completely unfurnished with only a single cassette player and a cassette inside. The cassette was the album "What is Love" by Haddaway. It became my ultimate best friend for the next three years. That was my ultimate escape from the reality that was happening around me.
The war stopped in 1995 and that's when we came back to Bosnia. I left the cassette player with the cassette behind because I though that after we leave another child will come and find it and perhaps find escape and a friend in it as I did.
You mentioned that you were musically active in Bosnia, but felt you couldn't express yourself musically the way she felt she should – can you describe the challenges you were facing here, and what prompted you to follow your heart, to NYC?
I sang a lot of backup vocals in studios and live for other musicians and also had a few attempts of a solo career. However, the music climate in Bosnia wasn't the best and only one genre of music prevailed. One that didn't resonate with me. I was constantly reminded that I needed to compromise my sound in order to "make it". That I had to look a certain way to make it. I did fall for that a few times but it didn't take me long to understand that I am not really great at saying yes just to please someone or to "make it". I felt that I needed to carve may own path and no matter what is on the other side I had to find out on my own. NYC was a dream of mine forever so naturally I went. I always knew I can go back if things didn't work out. I had no plans I just wanted to have time to be on my own and away from everything I knew. It's important to take a step back if you want to truly understand what you are about.
And so, I found myself in NY. Not knowing anyone, having to find a job, to pay rent, to survive. I've spent years there not having anything to do with the music business but constantly writing and improving my skills as a writer. After years of doing so I think I found my tune and I'm exactly where I sonically need to be. Dark but happy 🙂
Watch "I Miss You" by Dee Pasha on YouTube:
Having 'found yourself' after leaving home for the USA, you released your first single 'I Miss You' in 2019, a 'self-confession' which talks about having to lose yourself before emerging again as the artist you have now become. Can you talk us through the origin of this track, and what it means to you?
After years and years in NY and constantly working on my sound and writing skills I have mostly struggled with finding my so called muse. I was always looking for that someone in others. When I was finally able to invest everything in myself instead of agains myself, I was able to see ME. So I started writing songs like letters. From me to me. No need to look for anything on the outside. I had it all along but just needed to find a way to filtrate my emotions and feelings. "I miss you" was the first piece of puzzle. I needed to confess to myself that the part that I had let go of was very much needed. That's the little girl we mentioned earlier. The girl with the funny head moves form the late 90's, hahaha!
Gotta love those head moves… I also love story-telling and cryptic/ mysterious lyrics, and find myself hanging on to each line you're singing in both tracks. I put this down to the beautiful, evocative emotional tone in your vocal and the fluidity your delivery. The opening lines of 'Dreamer' "I am grateful for my mind, I can see beyond the walls, I am grateful for my pain, hope that some will still remain" really draw me in, and coupled with the video where you're all dressed in black, as if mourning a loss… maybe part of your 'self'? Or the idea of 'self'. Can you talk us through the emotions that you attach to this track?
I am guilty myself – I love mystery in every possible form, hahaha! I feel like deep and dark emotions inspire me very much. It's always been like that. So much so that it is something that actually makes me happy. I let pain happen and I take the best from it. My life hasn't been always easy so I choose to make it as good as I can I guess you can feel it in my music. No one would buy it if I was singing happy songs, it would totally be fake hahahaha. This is truly me. That's why the line, "I am grateful for my pain-hope that some will still remain". Pain is a constant reminder that there is something more to be learned and that there is room for growth.
As for the video part – yes. Me dressed in black is supposed to be me accepting my darkness and deepness fully. Letting go of insecurities and confusion. As you said, like I am mourning a loss but the opposite way- celebrating differences and accepting that we all can't feel, look, talk and behave the same. That me not wanting to compromise my sound and vision is ok and that I don't have to. It's ok if I don't. There's a piece of cake for everyone and I chose mine to be more of a velvety texture and flavor hahahaha!
Watch "Dreamer" by Dee Pasha on YouTube:
I like that description! And regarding the music video for Dreamer, it is incredibly well done – something you'd expect to see from a well funded mainstream artist. Your performance is fantastic. You've obviously been in and around music for many years – was this a new(ish) experience for you?
Thank you very much. I don't have so much experience shooting music videos but I like the idea of having to portray something in front of the camera. Especially something I believe in. From the get go I knew how I wanted the visuals to look like. I knew it had to be dark with a bit of sugar and spice to really paint how stuff approximately looks in my head. Haris, my friend and producer, introduced me to Nedim Fox who directed the video and the second I told him my vision he was onboard with it. They soon managed to get a team together to work on it. Sead Okic who produced the video, and Dragan Gajanovic and his crew behind the cameras. They all did a great job. I am grateful this experience was so good.
You're credited for the music and lyrics for both releases, with Haris Rahmanović producing 'Dreamer'. The instrumentals are a beautifully layered blend of electronic/ synth pad sounds punctuated by sharp beats, and electric guitar swells. Can you talk us through your process of creating these epic tracks?
Haris and I have been friends since High School and that plays a great role. He knows me well but we also had somewhat of a similar path in life and now in this moment we kind of thing alike. Minus my darkness (Haris is a bundle of joy) hahahahhaah! He is also super open minded and is not afraid to experiment which is very important to me. He doesn't go by any rules, and neither do I, so It is amazing when we get together and work on something. Nino Mujagic, also a friend who has been working with Haris for the past two decades has also a lot of influence on how we work. He has a fresh set of ears with a unique point of view so it's always important to us to have him share his side of the coin. The electric guitar was the biggest pain in the whole process of making dreamer because we didn't know if it went well with the sound of the song but I felt that it needed to be there. I can envision my whole album having a light motif in the sound of the electric guitar throughout the record.
I had a bit of a "harder" delivery with "I miss you" who was produced by Damir Bečić. Simply because it was the first one 🙂 but I am supper happy how it came out and I have learned so much in the process.
For the record, I really like the electric guitar threaded through Dreamer, and surprised to hear it was the biggest pain for that track! And, speaking of challenges… iIt's incredibly difficult for independent artists to catch a wave, so to speak. Whilst it seems you're still early in your journey having released two singles – what do you feel have been your greatest challenges to date with regards to getting your music out there to your audience?
With social media and the internet in general came so many opportunities for artist to share their music with the world. You could be sitting in a rural part of China and someone in New Zealand could hear/see you in matter of seconds. That's great. No more gate keepers as we know them. However, in a sea of creativity it can take time for your work to be heard if you are an independent artist. Finally the most common hurdle that most independent artist encounter-finances which can slow down the process. However I will be diligent and I do my best to overcome these obstacles. If someone wants to sign me feel free to contact me hahaha just let me keep my creative freedom, hahahaha!
Dee Pasha, on set for 'Dreamer'
Who do you consider to be your main musical influences today, and how have your tastes changed/ broadened over the years?
I divide music into two groups. First is the one that I genuinely enjoy and listen to as a fan and to me that was always Rock'n'Roll. Whitesnake is my ultimate favorite band. Most people are shocked when I say that but I always go back to them. Crosby,Stills, Nash and Young are the bomb. Pink Floyd, Dire Straits, Led Zeppelin just to name a few. However, I was aware that my vocal isn't the typical rock sounding vocal. So I learned how to sing to other genres. So there is music like pop, soul and R&B. Artists like Sade, Whitney Houston, Aretha Franklin, Erikah Badou and so on. Both of those have influenced me in this, or that way. Today I am trying to find my own voice and do me as best as I can. As far as change, as a child I used to believe that my main skill is singing so I focused on that. Today, I see singing only as a tool to express what I feel in those songs I am writing. I guess because I find so much more joy in creating then only interpretation. I like it this way much more. I feel like even whispering or talking instead of singing would be fine as long as that meant I would be getting my message across.
You're planning to follow up on the singles with a full album – How far are you into that process at the moment, and when might we expect its release?
More music is already in the making. I don't have any official dates to share at this time because we do work from two different continents for the majority of the time and get together physically when we are ready to record the vocals and fine tune the song so it's hard to know exactly when the album will be done. We are under no pressure and therefore want to primarily make sure that we are pleased and satisfied with the work we have done. Music is like that, you can't force it. It needs to marinate and sit, and when it's ready we'll just know, and so will you of course. I am excited to share.
I'm excited too… I don't think I can hide it! Is there anything else you'd like to add that we haven't covered here?
You did a great job with these questions! I wish for all the artists out there to no matter how hard it gets-to always follow their intuitions and do music that makes them happy. Only then can you find your crown because they can feel that you are as authentic as you can be, honest and true to how you feel. In my humble opinion, art should not be about how many people consume it but about how it empowers and challenges.
Thank you so much for your time Dee, it's been a pleasure talking music with you. We all wish you the best for the upcoming album and we'll be keeping our eyes and ears open!
Readers can find Dee on Instagram, Facebook, her website and all the usual music streaming platforms. If you enjoyed this, check out more reviews from IAMUR here… You might just find your new favourite artist!
Stories for nobody else – Kind Hearted Thieves
Emmy Meli releases new single 'I Am Woman'
What an amazing singer. Way to go. Great feature, enjoyed reading!
Great read guys. What an interesting story, the war , the fleeing .. the single cassette . Then off to New York !
Great artist. Thanks for introducing us to cool artists here !
The Electric Tears: Pulling diamonds from the ashes
Pressing FLOWVERS


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Van Dyke left high school in 1944, his senior year, intending to join the United States Army Air Forces for pilot training during World War II. Denied enlistment several times for being underweight, he was eventually accepted for service as a radio announcer before transferring to the Special Services and entertaining troops in the continental United States.[11] He received his high school diploma in 2004 at the age of 78.[12]
During the last six or seven months of the year 1889, he has also created at least fifteen paintings of olive trees, a subject which he considered as demanding and compelling.[251] Among these works are Olive Trees with the Alpilles in the Background (1889), about which in a letter to his brother Van Gogh wrote, "At last I have a landscape with olives".[250]While in Saint-Rémy, Van Gogh spent time outside the asylum, where he painted trees in the olive groves. In these works natural life is rendered as gnarled and arthritic as if a personification of the natural world, which are, according to Hughes, filled with "a continuous field of energy of which nature is a manifestation".[214]
In his younger years, Van Dyke considered becoming a minister. He abandoned this ambition, however, after joining high high school's drama club, and developing his singing and dancing skills in school musicals. His classmates included actor Donald O'Connor and entertainer Bobby Short. Around this time, Van Dyke landed his first professional job, working part-time at a local radio station.
For years, Van Dyke struggled financially and professionally. He and his first wife, Margie, married on a radio show called Bride and Groom in 1948, in part because the program paid for the ceremony and gave them a free honeymoon. In the late 1940s and early '50s, Van Dyke worked in radio and television in Atlanta and New Orleans. He landed a seven-year contract with CBS in the early 1950s, but was let go after three years.
Nevertheless, the twelve customers selected the colors and styles they desired, and were asked to return later in the afternoon to pick up their purchases. Paul Van Doren and Lee then rushed to the factory to manufacture the selected shoes. When the customers returned that afternoon to pick up their shoes, Paul Van Doren and Gordon C. Lee realized that they had forgotten to maintain a cash reserve to provide change to customers. The customers were therefore given the shoes and asked to return the following day with their payments. All twelve of the customers returned the following day to pay for their items.[6]
He wrote that they represented his "sadness and extreme loneliness", and that the "canvases will tell you what I cannot say in words, that is, how healthy and invigorating I find the countryside".[183] Wheatfield with Crows, although not his last oil work, is from July 1890 and Hulsker discusses it as being associated with "melancholy and extreme loneliness".[184] Hulsker identifies seven oil paintings from Auvers that follow the completion of Wheatfield with Crows.[185]
Penniless and feeling that his faith was destroyed, he sank into despair and withdrew from everyone. "They think I'm a madman," he told an acquaintance, "because I wanted to be a true Christian. They turned me out like a dog, saying that I was causing a scandal." It was then that van Gogh began to draw seriously, thereby discovering in 1880 his true vocation as an artist. Van Gogh decided that his mission from then on would be to bring consolation to humanity through art. "I want to give the wretched a brotherly message," he explained to his brother Theo. "When I sign [my paintings] 'Vincent,' it is as one of them." This realization of his creative powers restored his self-confidence.
Ill from drink and suffering from smoker's cough, in February 1888 Van Gogh sought refuge in Arles.[14] He seems to have moved with thoughts of founding an art colony. The Danish artist Christian Mourier-Petersen became his companion for two months, and at first Arles appeared exotic. In a letter, he described it as a foreign country: "The Zouaves, the brothels, the adorable little Arlésienne going to her First Communion, the priest in his surplice, who looks like a dangerous rhinoceros, the people drinking absinthe, all seem to me creatures from another world."[114]
The name of van Gogh was virtually unknown when he killed himself: only one article about him had appeared during his lifetime. He had exhibited a few canvases at the Salon des Indépendants in Paris between 1888 and 1890 and in Brussels in 1890; both salons showed small commemorative groups of his work in 1891. One-man shows of his work did not occur until 1892.
Van Gogh had many influences on his life including his family and friends, other artists such as Paul Gauguin, and his failing mental and physical health. To see how each of these affected his life, please visit the Important Figures, Artistic Influences and Health sections. For information about how Van Gogh's work has impacted our society today, view the Impact on Art, Cultural References, and News sections.
In 1957 Francis Bacon based a series of paintings on reproductions of Van Gogh's The Painter on the Road to Tarascon, the original of which was destroyed during the Second World War. Bacon was inspired by an image he described as "haunting", and regarded Van Gogh as an alienated outsider, a position which resonated with him. Bacon identified with Van Gogh's theories of art and quoted lines written to Theo: "[R]eal painters do not paint things as they are ... [T]hey paint them as they themselves feel them to be."[285]
After the altercation with Gauguin, Van Gogh returned to his room, where he was assaulted by voices and severed his left ear with a razor (either wholly or in part; accounts differ),[note 9] causing severe bleeding.[142] He bandaged the wound, wrapped the ear in paper, and delivered the package to a woman at a brothel Van Gogh and Gauguin both frequented.[142] Van Gogh was found unconscious the next morning by a policeman and taken to hospital,[145][146] where Félix Rey, a young doctor still in training, treated him. The ear was delivered to the hospital, but Rey did not attempt to reattach it as too much time had passed.[140]
We bought a bedroom set and was very excited to get it delivered. However, when it got delivered, we realized that the salesperson failed to tell us that we needed a bunky board rather than a box spring, and the bed was 5 feet tall with the platform! (Keeping in mind I bought all the pieces of furniture from the same company). The bed was as tall as me! I called the company while the delivery guys were still here, but the salesperson said she would call me back and never did. I finally got ahold of the manager the next day, who was going to charge me another $100 for the exchange and delivery. I later found out that the bunky board was simply a piece of plywood that you can easily buy for much cheaper, and that this situation happened to people all the time; especially to elderly people.
In all the company has nearly 200 stores.[17] Art Van had partnered with Paul's TV to open a section for Paul's TV to sell televisions inside Art Van stores. 18 locations were opened, however all were closed down by 2015.[18] Other boutique sections have included AV Flooring, and Art Van Furniture also operates three Scott Shuptrine interior design studios in the state of Michigan.[19] Art Van also produces a mail catalog of its furniture designs.[20]
In Paris in 1901 a large Van Gogh retrospective was held at the Bernheim-Jeune Gallery, which excited André Derain and Maurice de Vlaminck, and contributed to the emergence of Fauvism.[269] Important group exhibitions took place with the Sonderbund artists in Cologne in 1912, the Armory Show, New York in 1913, and Berlin in 1914.[273] Henk Bremmer was instrumental in teaching and talking about Van Gogh,[274] and introduced Helene Kröller-Müller to Van Gogh's art; she became an avid collector of his work.[275] The early figures in German Expressionism such as Emil Nolde acknowledged a debt to Van Gogh's work.[276] Bremmer assisted Jacob Baart de la Faille, whose catalogue raisonné L'Oeuvre de Vincent van Gogh appeared in 1928.[277][note 15]
We also love our new sectional! Art Van had a ton of options to choose from and it took us a second visit to nail down which one we wanted most. Pretty much everything can be customized from fabric to power options as well, which worked in our favor. They offer great long warranties, too, which was important to us since we have a dog. We were able to find a sectional with a chaise, center console, and power reclining seats which was so hard to find any where else. We got exactly what we wanted.
In preparation for Gauguin's visit, Van Gogh bought two beds on advice from the station's postal supervisor Joseph Roulin, whose portrait he painted. On 17 September he spent his first night in the still sparsely furnished Yellow House.[129] When Gauguin consented to work and live in Arles with him, Van Gogh started to work on the Décoration for the Yellow House, probably the most ambitious effort he ever undertook.[130] He completed two chair paintings: Van Gogh's Chair and Gauguin's Chair.[131]
In despair of ever being able to overcome his loneliness or be cured, van Gogh shot himself. He did not die immediately. When found wounded in his bed, he allegedly said, "I shot myself.…I only hope I haven't botched it." That evening, when interrogated by the police, van Gogh refused to answer questions, saying, "What I have done is nobody else's business. I am free to do what I like with my own body."
In these series, Van Gogh was not preoccupied by his usual interest in filling his paintings with subjectivity and emotion; rather the two series are intended to display his technical skill and working methods to Gauguin,[134] who was about to visit. The 1888 paintings were created during a rare period of optimism for the artist. Vincent wrote to Theo in August 1888, "I'm painting with the gusto of a Marseillais eating bouillabaisse, which won't surprise you when it's a question of painting large sunflowers ... If I carry out this plan there'll be a dozen or so panels. The whole thing will therefore be a symphony in blue and yellow. I work on it all these mornings, from sunrise. Because the flowers wilt quickly and it's a matter of doing the whole thing in one go."[243]
The piece comes back and looks horrible. The fabric was torn and stapled back together unevenly. We called Art Van to complain and were promised to be contacted by the manager. In the meantime we moved and didn't get a chance to call manager back. We called back and were told manager would contact us. Nothing. I finally called the manager, Kathy Smith, today and received the worst treatment I've ever experienced from a store. Right away she had a chip on her should and said because it's been 8 months since original purchase, we couldn't get a replacement and basically it wasn't her problem. I wasn't rude and didn't say anything to anger her but she acted like I was trying to steal from her. I explained that if we could not get the piece replaced (which is ridiculous by itself), could we get a decent discount on the purchase of two new pieces? We need to get the reverse pieces for the new house and were hoping after all the inconvenience, that they could work with us since the original piece looks terrible from being serviced.
On January 27, 2013, at the age of 87, Van Dyke received the 2013 Screen Actors Guild Life Achievement Award. During his acceptance speech, Van Dyke reminisced about his work over the years as an entertainer and stated that his career has "been full of surprises and a lot of fun." He also praised actors working in the industry today, calling them "the greatest generation of actors" and telling them, "You've all lifted the art to another place now." He continued with a rhetorical question for his Hollywood colleagues: "Aren't we lucky to have found a line of work that doesn't require growing up? I love that." Van Dyke is the 49th recipient of the SAG Life Achievement Award, following 2012 honoree Mary Tyler Moore.
In the best of all worlds the producers would take some responsibility for the kinds of things they're putting out. Unfortunately, they don't. And then I-- they keep saying we can't have our First Amendment rights abridged and we can't have censorship. Well we had it back in the Hays days [Production Code Administration, headed by 'Will H. Hays', the official Hollywood censor office], in the Johnson office days. And I think they should--maybe the American people might bring it back if things get bad enough.
Van Gogh had a catastrophic love life. He was attracted to women in trouble, thinking he could help them. When he fell in love with his recently widowed cousin, Kate, she was repulsed and fled to her home in Amsterdam. Van Gogh then moved to The Hague and fell in love with Clasina Maria Hoornik, an alcoholic prostitute. She became his companion, mistress and model.
On March 16, 1966, at 704 East Broadway in Anaheim, California, brothers Paul Van Doren and James Van Doren and Gordon C. Lee opened the first Vans store under the name The Van Doren Rubber Company.[5] The business manufactured shoes and sold them directly to the public. On that first morning, twelve customers purchased Vans deck shoes, which are now known as "Authentic". The company displayed three styles of shoes, which were priced between US$2.49 and US$4.99, but on the opening day, the company had only manufactured display models without any inventory ready to sell—the store rack boxes were actually empty.[6]
Van Gogh's fame dates from the early years of the 20th century, and since then his reputation has never ceased to grow. A large part of this reputation is based on the image of van Gogh as a struggling genius, working unappreciated in isolation. The dramatic elements of his life—poverty, self-mutilation, mental breakdown, and suicide—feed the drama of this mythology. The notion that his unorthodox talent was unrecognized and rejected by society heightens the legend, as it is just that sort of isolation and struggle that has come to define the modern concept of the artist. This mythical van Gogh has become almost inseparable from his art, inspiring artists to dramatize his saga in poems, novels, films, operas, dance ensembles, orchestral compositions, and a popular song. Wide and diverse audiences have come to appreciate his art, and the record-breaking attendance at exhibitions of his works—as well as the popularity of commercial items featuring imagery from his oeuvre—reveal that, within the span of a century, van Gogh has become perhaps the most recognized painter of all time. The unprecedented prices his works have attained through auction and the attention paid to forgery scandals have only increased van Gogh's stature in the public imagination.
By this time van Gogh was ready for such lessons, and the changes that his painting underwent in Paris between the spring of 1886 and February 1888 led to the creation of his personal idiom and style of brushwork. His palette at last became colourful, his vision less traditional, and his tonalities lighter, as may be seen in his first paintings of Montmartre. By the summer of 1887 he was painting in pure colours and using broken brushwork that is at times pointillistic. Finally, by the beginning of 1888, van Gogh's Post-Impressionist style had crystallized, resulting in such masterpieces as Portrait of Père Tanguy and Self-Portrait in Front of the Easel, as well as in some landscapes of the Parisian suburbs.


The article considers the importance of military service in social advancement, here understood as filling the role of "prince" in feudal law and thus participating in the government of an estate, in the transition from the Late Middle Ages to the Renaissance or Early Modern Age. In the context of a city burgher or a petty noble or knight advancing into a government role, did honour require that the individual have experience in fighting – in war, military organisation and leadership? How did mercenaries figure? What role, if any, did Fechtmeister, Fechtbücher, Fechtschulen or Kriegsbücher play?


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Discovery of Fruit Fly Model Could Help Stroke and Transplant Patients
Biologists have discovered that the common fruit fly is an ideal laboratory model for reperfusion injury-a physiological condition that occurs when an organ is starved of oxygen, then exposed to oxygen again, and which can lead to death among stroke victims and during organ transplants.
Researchers at UC San Diego and the University of Nevada at Las Vegas, who report their discovery in the December 5 issue of the journal Public Library of Science One, said that because reperfusion injury can be induced in fruit flies, scientists will now have a convenient, inexpensive and well-characterized animal model for this physiological condition.
"This is the first physiological demonstration of reperfusion damage in an invertebrate," said Pablo Schilman, a lecturer in UCSD's Division of Biological Sciences who made the discovery with John Lighton, an adjunct professor of biological sciences at UNLV.
"With this new model, researchers can explore the mechanisms of reperfusion injury with a classic animal model that's much cheaper and easier to use than vertebrates such as mammals," said Lighton, president of Sable Systems International, a Nevada based company that manufactures precision respirometry systems, who headed the study. "Use of this method creates a window into the cells' mitochondria. Using Drosophila as a model may mean faster progress in mitigating the human toll of reperfusion injury, which we still don't fully understand. And what we don't fully understand, we can't treat effectively."
The study, which was funded by Sable Systems International's Basic Research Initiative and took place in Sable Systems' respirometry laboratory in Las Vegas, started out with the first detailed metabolic examination of the fruit-fly's ability to survive a complete lack of oxygen for an hour or more.
"By accident," said Lighton, "we discovered that exposing fruit-flies to one or more brief bursts of oxygen while they were otherwise oxygen-starved, injured their respiratory systems irreversibly-classic reperfusion injury."
Lighton and Schilman tracked damage to the flies' respiratory systems by measuring the water vapor and carbon dioxide lost by individual flies weighing less than a thousandth of a gram. The carbon dioxide output provided an index of mitochondrial activity, while respiratory water loss tracked the functional state of the fly's neuromuscular system.
"We now have ways of measuring reperfusion injury in Drosophila," said Lighton. "So, it's possible both to improve our understanding of the process and to test strategies for mitigating it using an animal most people don't have an emotional reaction to, other than a desire to swat it. We hope that biomedical researchers will pick up on this opportunity."
Read Oxygen Reperfusion Damage in an Insect online.
Media Contact: Kim McDonald, UCSD 858-534-7572
Comment: John Lighton, UNLV 702-269-4445 Pablo Schilman, UCSD


There are 6 public schools and 0 private schools listed on our site for Lesueur.
There are 69 full-time teachers educating a total of 1,034 students. 310 students receive a free lunch while 77 receive a reduced-price lunch.


Both a keepsake and a beautiful way of saying 'happy valentine's day.' Every arrangement uses a unique keepsake jewelry box in the style shown, and is then filled with roses, greenery, and premium blooms. Gift? Check. Flowers? Check.


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Alcatel reveals the world's first Android Go phone
2018/02/24 11:21am PDT Feb 24, 2018
Android Go
Just two days ago, we learned that the first devices running Google's new 'Android Go' platform would be announced next week at Mobile World Congress. Now it appears Alcatel has jumped the gun a bit, and unveiled the world's first Android Go phone alongside a slew of other devices. It's called the 1X, and it's not much different from a typical budget phone, except for the software.
Some of the phone's specifications include a quad-core MediaTek processor, 1GB RAM, 16GB storage, and a 5.3-inch 960x480 display. On the plus side, it does have an 18:9 aspect ratio, which is still a rarity on budget devices. Strangely, there is no fingerprint sensor, unlike many other phones in the sub-$100 range (like LG's new K series devices). We tried it out for a few minutes, and it seemed decent enough, but the tiny navigation buttons seemed odd. Our own Scott described it as, "the plain oatmeal of phones."
The Verge also spent some time with the 1X in Barcelona, and their initial impressions were not good. Vlad Sarov experienced freezing issues, but that could be the result of a pre-production device. Alcatel recently rolled out spamware to some of its phones, but it's not clear if the 1X suffers from that or not.
The 1X will go on sale in April for €100 (about $122), or €110 if you want the dual-SIM version. There's no telling if this will be sold in the United States or not, but thanks to the above-mentioned spamware, I'd personally stay away from all Alcatel devices.
BARCELONA – February 24, 2018 - TCL Communication has today unveiled an all-new evolution in the company's Alcatel smartphone portfolio, which includes three new product series – the Alcatel 5, 3 and 1 series. As part of the Alcatel 1 series, the company is unveiling its first Android™ Oreo (Go edition) with the Alcatel 1X, which also features the latest Alcatel smartphone design language and technology. This optimized version of the Android operating system is ideal for the Alcatel 1X, bringing a new benchmark for smartphone affordability and connectivity to customers across the globe.
"We are honoured to offer our first smartphone running Android Oreo (Go edition) to our customers throughout the world," said Christian Gatti, Global President Alcatel Business Division and Executive Vice President TCL Communication. "Our vision is for every smartphone user in the world to have access to an amazing Android experience, and the introduction of our Alcatel 1X powered by Android Oreo (Go edition) now gives them the opportunity to own one of the best value Alcatel smartphones ever."
The Alcatel 1X will feature a new suite of popular pre-installed Google apps designed for increased speed, less demand on storage, and efficient data use. This includes the brand new Google Go, Files Go, Google Maps Go, YouTube Go and Gmail Go, as well as performance optimizations to Chrome, Google Play and Gboard. It will also feature the Google Assistant for Android (Go edition), enabling entry smartphone customers to experience the convenience of the Google Assistant, whether they're asking it questions or telling it things to do.
"Android's mission has always been to bring the power of computing to everyone, and part of that is ensuring a great experience across the broadest range of devices," said Sagar Kamdar, Director of Product, Android. "Android Oreo (Go edition) is specifically optimized to bring the magic of Google and Android to smartphones with limited memory and processing power. We're excited to see TCL Communication launch one of the first devices powered by Android Oreo (Go edition) in the Alcatel 1X."
With Android Oreo (Go edition), these applications and features have been optimized to be smaller in size meaning less storage requirements and offering Alcatel 1X customers more storage space out of the box. And best of all, they still have access to millions of the latest Android apps, games, music and more via the Google Play Store.
About TCL Communication
TCL Communication Technology Holdings Limited (TCL Communication) designs, manufactures and markets an expanding portfolio of mobile and internet products and services under three key brands – TCL, Alcatel and BlackBerry - with its portfolio of products currently sold in over 160 countries throughout North America, Latin America, Europe, the Middle East, Africa and Asia Pacific. Incorporated in Hong Kong, TCL Communication operates nine R&D centers worldwide, employing thousands across the globe. For more information, please visit www.tclcom.com.
TCL is a registered trademark of TCL Corporation. All other trademarks are the property of their respective owners. Alcatel is a trademark of Nokia used under license by TCL Communication.
Trademarks, including but not limited to BLACKBERRY and EMBLEM Design are the trademarks or registered trademarks of BlackBerry Limited, used under license, and the exclusive rights to such trademarks are expressly reserved. All other trademarks are the property of their respective owners. BlackBerry is not responsible for any third-party products or services.
[Update x2: Leaked photo] LG reportedly working on updated V30 with more storage and AI-powered ...
[Oops] Samsung uploads Galaxy S9 launch video ahead of official announcement


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Do you have the latest drivers for your video card?
You should also be somewhat careful playing games, since laptops (I assume you have a laptop since it's running a Radeon Express card) were not really designed for gaming. WHen you play, make sure there's enough space under and around the laptop for the cooling fans and vents to get access to cool air, otherwise it will heat up very quickly.
My Driver is updated, and the game still doesn't work. My computer has no problem playing F.E.A.R and Halflife2. But cant play Call of Duty 2 when using directx 9, nor can i play Chronicles of Riddick.
Fairly new gaming pc running slow.


text:
"Intuitive" Tooling at React India
#techtalks #webdev #react #learning
Carolyn Stransky Nov 12, 2019 Originally published at workwithcarolyn.com ・Updated on Oct 3, 2020 ・16 min read
A talk focused on how lots of frontend technologies are more difficult to pick up than people claim and how we can learn to teach with empathy.
This post contains the video and a full transcript of the talk.
Presented on September 27, 2019 at React India.
🖥 Slides
🔗 Resources
Hi everyone! Wow, there's a lot of people here. I'm excited.
Alright, so as Mariia mentioned my name is Carolyn and I'm a frontend developer based in Berlin, Germany. This is my first time in India so I'm really excited to be here. Back in Germany, I'm working at a company called Blacklane and I'm also a Mozilla Tech Speaker - but before all of that, I used to be a technical writer. So I've always been interested in how we learn new technologies and, perhaps more importantly, how we're teaching those technologies to newcomers. And that's kind of what led me to this topic of "intuitive" tooling.
But before we get started, I want to clarify something. When I say tooling, I'm using it like very, very, very generally. For the purpose of this talk, tooling will encompass all of the things that are related to our code that are supposed to enhance our own developer experiences on the frontend. So think like type systems, state management libraries, static site generators, etc.
So sometimes I get really overwhelmed by all of the tooling that's both available and frequently talked about within the frontend community. Earlier this year, when I was feeling particularly down about all of the technologies that I don't know and I probably will never know... Yeah, I was feeling really down about it and like any time that I feel slightly inadequate - I turned to Twitter for validation.
And I asked frontend developers what are some tools, technologies and buzzwords that people describe as "simple" or "easy to pick up" but they still just... don't get. And I found out that I wasn't alone. Hundreds of people replied or privately messaged me to tell me about all of the things that they're struggling with and for the first part of this talk, I want to touch on the five most frequent answers that I received.
Fair warning, I'll be talking about these from the perspective of my personal experience so your experiences with these technologies perhaps - and probably are - really different. And spoiler: I won't be talking about webpack even though that was probably the most frequent answer. Frankly because I think people who say that webpack is easy are the same people who say they don't talk shit about their past employers aka they're liars.
Anyway, okay, I want to start off with Typescript because selfishly this is what I've been struggling with at work recently. According to the website, Typescript is a "typed superset of JavaScript that compiles to plain JavaScript." When I was confused by reading this, people just told me that it's like "just some types on your JavaScript" or a lot of people told me "it's just like Flow but better" - but like, both of these aren't really that helpful of descriptions.
I would argue that Typescript is a whole new language. Maybe if you already know a strong, explicit, statically typed programming language then it's less of a stretch - but if you're only familiar with JavaScript then it is pretty different than what you might be used to working with. It has its own compiler... Not to mention things like import * as React from 'react' or vague errors that happen because the documentation never mentions that an empty array without a type annotation is automatically type never so you have to dig through like every single issue response on the repo itself. And finally, there are just like way too many, in my opinion, way too many file extensions like *.tsx *.d.ts *.map *.js - it's a lot.
Alright, next I want to take a beat and talk about Redux - described on their docs as "a predictable state container for JavaScript apps." And when I was first learning, I literally googled the phrase 'why is Redux so confusing' and there was actually a Quora topic with the exact same title. So naturally, I clicked on it and the first advice that was listed in this like question answer thing was "I think the best way to learn Redux is forget trying to understand it." After that, I asked one of my colleagues who was kind of like the cheerleader behind Redux on our team and he sent me the Elm architecture documentation because he thought it would be a 'good foundation for my learning.' And I know he meant really well, he's very sweet, but that has to be an indicator that it's not that simple.
There are also some concepts in Redux that take a bit of getting used to - like how unidirectional flow works. You'll have to navigate your way through a lot of jargon like action, async action, action creator, store creator, store enhancer - like you get my point, they all sound the same. Fortunately, the Redux docs team is really dedicated to improving the developer experience so there's now a glossary for all these terms, but still. And finally, there's a lot of middleware that I think makes it especially confusing, particularly thunks and saga or really anything asynchronous - it's just also a lot.
Moving on, GraphQL. So I actually have an entire talk dedicated to how I think GraphQL is really difficult to learn so I won't spend too much time on this one, but I want to talk about it. When I talk to people about GraphQL, I hear a lot of things like "I use it but I don't get it" or "I feel like I know it but I also know that I don't." And this is understandable especially when you're first learning and people say things to you like "it's kind of like JSON" - but not really. "It's kind of like types" - but not really. "It's kind of like string interpolation" - but not really.
And okay I'm done, but like it's a difficult concept to wrap up in one sentence and also I find the name even confusing. Like particularly the graph part of GraphQL. When I first heard about GraphQL, I figured it was like D3 or maybe another programming language that makes charts. Spoiler alert: It's not. But it's not the most ridiculous conclusion to draw if those are the only graphs that you know.
Speaking of GraphQL, let's talk about Gatsby. So Gatsby always gets a lot of love during React conferences and generally I've heard people describe it as the "easiest way to make a static website in React"... I don't think so, but now I'll give Gatsby credit. It is beginner-friendly... if you already feel proficient and comfortable with React or if you understand and can use GraphQL. Or if you want to build something that's relatively small, maybe templated, and not super custom. But even that doesn't guarantee you success.
Gatsby has a lot of magic under the hood that no one seems to be sure about or can confidently explain. But luckily if you get stuck on something you can just delete the cache folder. I'm just kidding, but it can actually fix a lot of issues if you're running into them. Like many technologies I've mentioned, the Gatsby team does care deeply. They even have a learning team and they put a lot of effort into improving their error messages and documentation - which at least, I really appreciate.
So the last of the top five answers I received was Flexbox - or some combination of, you know, Flexbox, Grid or just general CSS. And all I can say is... that I get it. Like pretty much every time I have a ticket that involves Flexbox, I immediately go through all 24 levels of Flexbox Froggy. Okay but can you blame me? It's kind of like Redux - all of the property names sound the same. You have align-items, you have align-content, justify-content, flex-wrap, flex-flow, flex-direction. And if you're like me and you never properly learn all of these, all this terminology - you're probably very familiar with this page, which is the complete - everyone's laughing but it's true - the complete guide to flexbox by CSS Tricks. Apparently, rumor has it, that this page actually has more views than the home page of CSS Tricks. You're not alone, don't worry.
And okay, I know I said that I would talk about five but because we're at a React conference I need to add that I personally don't think React is as intuitive as everyone kind of claims it to be. Between component lifecycles and JSX - let's say that it was a further stretch from the vanilla JavaScript that I was familiar with and that I expected and there were a lot of tears, mostly from me, during my bootcamp when they introduced React.
So honestly, my original plan for this talk was to just like keep going like this for another 20 minutes. Just like rant about all the technologies that I don't know or that I find confusing. But then I thought about it and, I don't know, I don't think it would be really fair to our community because this issue is far bigger than frontend tooling in the React community. It's actually tech in general.
My very first job in the tech industry was to create materials that would basically explain blockchain to artists. And my bosses always seemed really confused that we had to keep continually iterating over the core concepts of blockchain. And me, as a non-technical person at the time, I was equally confused by their confusion. Like blockchain, at the time, was still fairly new and overall I don't know if I would ever use the term "simple" to describe blockchain.
So fast-forward a few years and I'm watching a talk online by Jim Fisher titled 'Don't say simply' from the Write the Docs London meetup. Towards the end, he discusses why we do it - why we continually use this word even if it's not necessarily appropriate for the situation. And he makes a very important distinction that, for me at least, put it all into perspective: We mistake familiarity for simplicity.
And seriously, like he said this and I was like oh my god the stars have aligned, like my mind is blown, everything is amazing. We mistake familiarity for simplicity.
Now, when Jim talks about it, he talks about it in the context of technical writing. So you work for hours and hours, week after week, to build this product and you become super familiar with it - to the point that you don't even cognitively recognize those core concepts as you work with them. And then we forget that those concepts aren't necessarily universal. So naturally, when you go to document the product, you forget to kind of take that step back and get that perspective.
And I think the same logic can apply to technologies that we learn. Think about how much time you dedicate to, you know, working through a React course or reading a Typescript tutorial - and that's before you even dive into the codebase that you're learning it for. Then think about all of the hours, once you get into that codebase, that you spend frustrated over vague errors and failing tests. But then once you finally make it through and you start to feel really confident - it's like oh yeah this is simple.
Another thought I had throughout this experience of tweeting and receiving a bunch of responses was like wow okay if so many people feel the same way, about a lot of the same technologies, why aren't we talking about this more often?
Okay, at the risk of sounding like I'm doing some like school presentation, there's a political and mass communication theory that describes this very well. It's called the Spiral of Silence and it proposes that people have a fear of isolation. And this fear of isolation comes from the idea that the social group that they're part of might isolate, neglect or exclude members if they voice certain opinions. So they don't, they stay silent.
And I see this a lot in our industry and I can even feel myself doing it fairly frequently. So I'll scroll past like a conversation on Twitter where people are talking about onboarding a new colleague to a React/Redux project and someone will reply like 'oh why do you even need an onboarding? Just give them an afternoon and a link to the docs and then they'll be totally fine' - and all of me wants to say something. You know, defend onboarding and how important it is. But I won't and I know many others who probably wouldn't either.
But the thing with the Spiral of Silence though is that there's an important point to it: "The assessment of one's social environment may not always correlate with the reality." And I believe that this is the case for many of us working in tech. So how can we bridge that gap between our perceived reality and our own lived experiences?
I think the answer is empathy. And okay, before you roll your eyes, let me explain. So empathy is a cool thing and it's especially a cool thing to leverage because it's naturally hardwired into our brains. While yes, I think we should all be a bit more aware that the people around us are like whole humans - this isn't what this is necessarily about. I'm calling for increased empathy, sure, but I want to focus on how we can translate that empathy into action. And that way, we can become better teachers for those that we work with and as well as better mentors within this community that we're in.
This is because empathy matters more in educational contexts. In our case as developers, this is primarily like training new colleagues as they learn the required skills for the job. And studies show that these folks will learn faster, better and last longer if empathy is what is driving that learning. But the thing is, empathy also requires humility - which isn't always like... the most abundant quality in our industry. By having to truly see the world the way someone else does, you have to acknowledge that your perspective isn't the only one. So if something was easy for you to learn, that's great, that's amazing - but it's not always going to be the case for someone else.
There are concrete steps that you can take to cultivate empathy if it doesn't come naturally to you. I won't dive into these now, although I'm happy to discuss it later - but I do want to give you some suggestions for creating more productive and supportive spaces, maybe at work.
So we can start by taking ownership of the communities that were already involved in. Particularly, we can foster supportive spaces within the organizations we work in - one that gives people confidence to combat that Spiral of Silence I mentioned earlier.
I always think about how awkwardly I feel when I'm doing any sort of like dance related exercise course. For context, I can't dance. I mean, I will dance but I'm not very good at it. I have no rhythm. And I might feel totally like I'm in shape and I can do a group workout together, but add one element where I don't feel very confident or that the steps are new - and it instantly becomes hard and potentially demoralizing. And I feel very similar also when I'm coding.
And it feels like this because when you're learning something new and you're struggling - having emotions is pretty inevitable. And these emotions that you're getting when you're struggling live in the most primitive parts of our brains and it makes it significantly more difficult to rationally assess our own situations. So there's a lot of comfort in acknowledging these emotions because it helps calm that primitive part of our brain and allows our rational brain to see the situation a little differently.
That's why when we're in environments that are caring and respectful and positive and there's people around you saying like 'yeah you can do it, no worries, we all screw up, here's the next step' - all of a sudden, learning is exciting and fun and we want to keep going.
Another thing that I found especially helpful at my current company, Blacklane, was that we started an internal mentorship program last summer. Every engineer, everyone in engineering, was paired with a mentor and you have regular one-on-ones with this person. And ideally, this person should be someone whose work that you admire. It doesn't mean that you have to work with the same technology. Mine, for instance, is a backend developer while I primarily work on the frontend.
It might be someone that you're already having these kind of candid conversations with or that you'd be open to doing so. And, I cannot emphasize this enough, it should not be your direct line manager. What I found personally is that by having these one-on-ones be kind of a safe space for me where I'm able, and even encouraged to, let out my feelings without judgement - it helps me stay in control while I'm at work and not be consumed by any potentially harmful thoughts.
Alright so maybe what I just said sounds nice but it's not necessarily something that you can use tomorrow or next week or I don't know whenever you all are going back to work. So I wanted to give you a few more pragmatic ideas.
Even if you're not a formal mentor, we can all practice teaching with empathy. As I mentioned earlier, learning more complex things often comes with this emotional component. And many of us, when people come to us with these emotions, we tend to brush it off and immediately focus on providing solutions. What we miss is that the person who came to us might be looking for empathy and validation just as much as solutions.
We can provide this for people by relating back to our own experiences. And if you're not sure how to do this, you can use the feel, felt, found structure. Start with "I can see that you feel..." and acknowledge their frustrations, emotions or whatever seems to be going on. "I have felt that way when..." and give a concrete example. It doesn't have to be the same technology or even the same feeling necessarily, just something that you can correlate to an actionable takeaway. Using "What I have found is that..." and offer them something. Maybe it's a resource or a learning tactic, validation - your choice, like whatever you see fit for the situation.
What we can also do is ban isolating words like easy, simple, obviously from our everyday vocabulary. This is already a common practice in technical writing but it hasn't really expanded past documentation yet. But we can learn a lot from these practices and learn to be more mindful of the word choice that we're using. If you're struggling to find alternatives, Jim Fisher who I mentioned earlier has some suggestions for us. You can be more specific. So maybe a particular static site generator is easy because it's quick to set up or doesn't require much custom configuration. Jim says that if that's the case, we should say so.
Or you can be comparative. Something is smaller than something else. Your state management alternative requires less middleware for async functions than Redux. Or your CSS solution has fewer property names to learn than Flexbox. You can also be absolute. So it takes five lines of code to integrate this with your project. Here's a link to a specific tutorial that helped me understand this.
When you suggest being absolute, a lot of people immediately jump to time as a marker. To show how easy something is, you might have seen a lot of, they're usually marketing videos, that are like 'launch a website in less than 10 minutes' or 'build your own server in 30 second' like whatever. And in this case, it would be recommended to show and not tell. If you really think it takes five minutes to add a certain template to your static pages, I would challenge you to make a video and try doing it yourself. And also remember that keep in mind but if it takes five minutes for you, as someone who's maybe familiar with the technologies, it will take longer for someone who is brand new to the project.
When you do think something is easy, what we can also do is take a moment to deconstruct why we think it's easy or why you found it easy to pick up when you were learning. So if we take our Gatsby example from the beginning of this talk - maybe when you were learning Gatsby, you already had a solid foundation of React and GraphQL. But the person that you're speaking to doesn't. This can help you recognize those gaps and can help you determine what to recommend next to that person.
And finally, you can keep a journal while you're learning something new. It doesn't have to be anything super deep - like write paragraphs per day - but even just jotting down a weekly bulleted list of one thing you learned, one thing that you struggled with and any helpful resources you discovered. Then when you're teaching someone new, you can refer to that list and either use that to cultivate that empathy or maybe suggest some resources for their learning.
Alright, so hopefully I've given you at least something that you can use when you leave this conference and want to implement all of the cool technologies you hear about the next couple days. But I'll just leave you with some final thoughts.
So just because you understand something doesn't mean that everyone else will. People learn at different rates and this applies for all facets of life, like not just programming. For example, I can hardboil an egg but I have no clue how to fry one and I've pretty much failed every time I've tried to fry an egg even if most people tell me like 'oh it's really easy.' But for Sara Vieira - who was one of our speakers who unfortunately couldn't make it but I couldn't find anyone else for this metaphor - it's the opposite. She can fry an egg but she can't necessarily boil one even though I find it easy to boil an egg.
Brains are weird. But seriously, whether it's eggs or JavaScript frameworks, what you need to remember is that no matter how intuitive you think your tool is or how advanced you assume your users might be - everyone starts somewhere and everyone is a beginner at some point in time.
And I feel like I need to mention that it's okay if things are hard. Like I would argue that programming is hard, I think it's very hard. But chances are that you're probably doing alright.
Before I leave the stage, I wanted to end with one quote from Jo Frank that sums up the past 30 minutes or so in two sentences. In one of her talks, she said that: "By saying something is easy, you remove the accomplishment of learning something as it was always supposed to be easy. And learning something is always an accomplishment."
Did you find this helpful or useful? If yes, please consider buying me a coffee so I can continue to give talks like this ☕
Aravind Balla • Nov 12 '19
I'm glad I saw you present this talk live at React India. The point I liked the most was - "We mistake familiarity for simplicity."
Carolyn Stransky Author • Nov 12 '19
Jim Fisher is a genius! Thanks for the shout, I'm glad you enjoyed it 😁
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Carolyn Stransky
Software developer and sometimes still a journalist (she/her)
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