text:
Analysis About a Painting
Rob Gonsalves
A Canadian artist of magic realism, Rob Gonsalves, was born in 1959. Being a child, he used various media sources to paint from imagination. By the age of twelve, he became more competent in architecture as he learns techniques of perspective. Then, he created his first paintings and rendered imagined buildings. Studying in college, Gonsalves worked as an architect, painting murals and theatre sets. In 1990, after the Toronto Outdoor Art Exhibition, Gonsalves began to spare all his time to painting. Gonsalves started to paint in surrealistic style when he got acquainted with artists Dali and Tanguy. The future work of Gonsalves was strongly impacted by the Magritte's approach of "Magic Realism" and Escher's precise perspective illusions, which depicted impossible realities. These influences combined allow Gonsalves to create paintings that depict unfathomable worlds of overlapping perspectives, invoking a true sense of magical presence .
Naturally, Gonsalves' paintings are extremely imaginative. Gonsalves' works differ, because he distinctly plans the paintings, which come from conscious thoughts; therefore, they are frequently considered to be surrealistic. Generally, the surrounding, scenery and human activities help to generate the ideas for artist's paintings by using developed devices concerning illusions. Gonsalves, in his works, combines realistic things with magic elements. Consequently, his paintings are sustained in the style "Magic Realism". The artistic vision of Gonsalves is directed on depicting humans' ability to accept unbelievable things.
In June 2003, Simon and Schuster presented Gonsalves' first hardcover book "Imagine a Night" with sixteen images to North America and Canada.
"Imagine a Day"
The book gained a huge success that in 2004, Simon and Schuster published another book called "Imagine a Day", the illustration category of which earned the 2005 Governor General's Award in the Children's Literature. In 2008, Gonsalves' book "Imagine a Place" was published. In 2009 and 2010, his first wall calendar, called "master of Illusion" was released. Evidently, Gonsalves has become the most famous living surrealist artist in North America. At present, he is regularly published by Huckleberry Fine Art in Rockville, Maryland .
At the moment, Gonsalves' art counts 70 paintings and more works are expected. The artist devotes plenty of time in order to create perfect pieces of art that results for four paintings each year. In addition, Gonsalves creates original paintings, limited edition prints and images for his own books. Various corporations, embassies and many people around the world, including a United States Senator collect them. Rob Gonsalves had exhibitions and one-man shows at Decor Atlanta, Art Expo New York and Los Angeles, and Las Vegas, Hudson River Art Gallery, Marcus Ashley Gallery in South Lake Tahoe, Saper Galleries and Kaleidoscope Gallery, at Discovery Galleries, Fine Art Forum, Ltd. Some of Gonsalves' optical illusions are Bedtime Aviation, Carved in Stone, Chess Master, Deluged, For the Birds, On the Upswing, Still Waters and so no and so forth .
Generally, an optical illusion makes the individual to see the thing from different views due to the trick of perspective. The artist has to be aware of few perspectives to create an optical illusion. Combining complicated perspectives into one picture is extremely hard to achieve. Rob Gonsalves' painting, The Sun Sets Sail, is an image of a water aqueduct standing on clouds, which are mixed with a gradually fading range of sailing ships. Here, Gonsalves plays with the spectators' perception as depicting ships as the empty space of the arches under the aqueduct. Ships depicted in details jointly with the aqueduct create an optical illusion, which is considered to become a splendid piece of artwork .
The elements of design saturate the painting with the feeling. Shapes used by Gonsalves aimed at outlining the sailing ships. Therefore, the shape of ships and arches under the aqueduct is the similar. The arched aqueduct deflects to the right. The diagonal structure gives the impression that the ships are moving while the space created in the painting seems to be unlimited by the edges of the canvas. Generally, none object in the painting is limited by the space. The edge starts from the aqueduct however, beyond there is more space for arches. Primarily, this optical illusion occurs due to the transition between the aqueduct and the ships which is established by the texture of the sails on the ships. At once, only nearest two ships are clearly depicted on the canvas. The optical illusion as well is affected by the color scheme in the painting. Thus, the blue color of aqueduct coincides with its silhouette on the left and the color of the sky on the right. Blue and white colors make the illusion facile and smooth. The design rules establish the textures in the painting .
The wave pattern used by Gonsalves was aimed at decreasing the presence of water on the foreground. This method makes the spectator to distract from the water and objects in the painting. The range of numerous ships and the arches makes the piece be uniformed. Thus, movement is created with the diagonal structure of the aqueduct. The objects of optical illusion such as ships and the aqueduct have the strong balance. In comparison to the works of Escher, Gonsalves' paintings do not provoke gravity or change the perspective. Furthermore, the distant look at the painting from a distance gives a little contrast. The ships almost disappear while the aqueduct is distinctly seen .
Sun Sets Sail
In addition, the Sun Sets Sail has few Gestalt Principles used by Gonsalves. Arches are appeared to be restrained as well as the ships are contained by the edges of the arches. This piece of art seems to be harmonious. Therefore, the aqueduct and the ships have very smooth transition and do not break the quality of the piece. Nevertheless, this transition disrupts the painting. The definition of the objects rapidly changes within the painting, thus none of them are similar. The painting seems to be closed looking from left to right. On the left, there is a clearly seen aqueduct and simple arches. In the middle of painting, the aqueduct is fading while the details of the complete ships are appearing. On the right, the aqueduct is simply a silhouette of empty space, and the last ship is completely depicted in details. The painting is finished by the ship presented at the end. The Sun Sets Sail is a simple, soft optical illusion. Such artworks always develop the imagination extracting its possibilities. They provoke the inspiration for the intuitive intellectuals who inhabit the contemporary world. Illusions like this saturate the reality with the impossible things, breaking the accustomed perception. They extend the artists' creation boundaries .
To my opinion, the painting Sun Sets Sail is an artwork, which is worth to be hang in the house of every connoisseur of magic realism, partially, of the Gonsalves' art. This painting attracts the spectators' eyes due to its calmness and simplicity. At the same time, the picture gives the impression of freedom and eternity. When I look at this artwork, I feel the bliss and harmony. To my mind, the blue and white colors saturate the painting with nobleness.
In conclusion, Rob Gonsalves, whose artistic vision was extremely influenced by the surrealists like Dali and Magritt, managed to create his own style, called magic realism. He successfully applied his knowledge of architecture in the artworks, which burst out the individuals' minds up till now. His painting The Sun Sets Sail is characterized as one of the optical illusions, which excites and at the same time calms the spectator.A Canadian artist of magic realism, Rob Gonsalves, was born in 1959. Being a child, he used various media sources to paint from imagination. By the age of twelve, he became more competent in architecture as he learns techniques of perspective. Then, he created his first paintings and rendered imagined buildings. Studying in college, Gonsalves worked as an architect, painting murals and theatre sets. In 1990, after the Toronto Outdoor Art Exhibition, Gonsalves began to spare all his time to painting. Gonsalves started to paint in surrealistic style when he got acquainted with artists Dali and Tanguy. The future work of Gonsalves was strongly impacted by the Magritte's approach of "Magic Realism" and Escher's precise perspective illusions, which depicted impossible realities. These influences combined allow Gonsalves to create paintings that depict unfathomable worlds of overlapping perspectives, invoking a true sense of magical presence .
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Introduction to Cataloging and Classification – ePUB download | 9781591582359
Welcome to Project AT › Forums › ProjectAT Forum › Introduction to Cataloging and Classification – ePUB download | 9781591582359
Nicole Hawkins
Introduction to Cataloging and Classification
by Arlene G. Taylor
❗ Introduction to Cataloging and Classification : Read More ❗
Author: Arlene G. Taylor
Publisher: Libraries Unlimited
Genres: reference, textbooks, school
In the latest edition of this classic work, Arlene Taylor once again offers a complete, up-to-date, and practical guide to the world of cataloging and classification. Since the publication of the ninth and ninth-revised editions (2000 and 2004), changes have occurred in almost all areas of the organization of information in general, as well as in cataloging and classification. The 10th edition incorporates the 2002 Anglo-American Cataloguing Rules, Second Edition (AACR2), MARC 21, the 22nd edition of Dewey Decimal Classification, current schedules of the LC Classifications, the latest Library of Congress Subject Headings, and the 18th edition of the Sears List of Subject Headings. In addition, Taylor addresses such vital issues as FRBR (Functional Requirements for Bibliographic Records), FAST (Faceted Application of Subject Terminology), and the Semantic Web. The bibliography and glossary have also been substantially reworked. In fact, only the appendix, which covers arrangement dilemmas and filing rules, remains unchanged.
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redpajama_set_name: RedPajamaCommonCrawl


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We observed a new phenomenon of resonant synchronization in computer-simulated networks of inhibitory neurons in which the synaptic current has a delayed onset, reflecting finite spike propagation and synaptic transmission times. At the resonant level of network excitation, all neurons fire synchronously and rhythmically with a period approximately four times the mean delay of the onset of the inhibitory synaptic current. ... By varying the axonal delay of the inhibitory connections, networks with a realistic synaptic kinetics can be tuned to frequencies from 40 to >200 Hz. ... We conclude that the delay of the synaptic current is the primary parameter controlling the oscillation frequency of inhibitory networks and propose that delay-induced synchronization is a mechanism for fast brain rhythms that depend on intact inhibitory synaptic transmission.


Hello friends ! Today we are here with a great trick about Facebook and that name is How To Set Up Your Facebook Account Deletion After Your Death. Yes you'll be able to do this after read the trick. First of all we'll discuss about it. So let's start.
Are you still thinking that what's about the trick. This trick is about your Facebook account. It means you can memorize your or delete your facebook acoount after your death. In this trick we'll learn about How To Set Up Your Facebook Account Deletion After Your Death.
Any time you can delete your facebook account. All of us known about it. But most of our people don't know about how he or she can delete his facebook account after his death. Now you are thinking that how is this possible ? Yes friends, it's possible. You can delete your facebook account after your death. Isn't it interesting ? Of course it is. One of your close friend can help you to do this.
Most of our people has a facebook account. It is a part of our daily life. Now we can't spent a day without it. We as different as our test. So many people want that his facebook account will be deleted after his death. That's why Facebook start's this new feature. So, let's know how to do it.
Firstly you need to go to Facebook Security Settings.
Then go to the Legacy Contact option.
And from there you must choose Request Account Deletion.
Confirm up the prompts and then appoint any friend of yours on Facebook to be elected as the one who could take care of your account after your death.
After that if anybody requests on the Facebook for your death then the legacy contact would be able to delete your account after accessing it.
Now you have know about this trick. It is one the most valuable tricks ever. Just imagine that you can delete your facebook account after your death. This is a wonderful trick and you can share it to your friends and family. In this world if you want to connected with our friends you must have a facebook account. All of your friends have a facebook account that's why you need it too. You can share your joys and sorrows within a minute.
And now you know the best thing about Facebook. By this trick you can surprise your friends. You can try it and believe us this is a awesome thing. So try it and stay with us for new and awesome tricks. Till than be well.


text:
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What IELTS Score is Required For Canadian Immigration?
One of the critical parts of the Express Entry system for immigration to Canada is proving your language proficiency with a test like the International English Language Testing System. Here, our Orleans and Ottawa immigration doctors explain the minimum score you must get on the IELTS depending on your Express Entry program and how this test can improve your chances of being invited to apply for permanent residence.
Express Entry is the Immigration, Refugees and Citizenship Canada's (IRCC's) online system and process to manage applications for permanent residence from skill workers interested in immigrating to Canada.
Different Express Entry programs require different documentation (governed both by what employment offers you have received or your work experience). However, there are certain documents that all applications must be able to provide in order to be invited to apply for permanent residence. These include:
Medical Examination Confirmation (provided by an immigration doctor)
Police Certificates certifying you and your family don't have a criminal record
A copy of the biographical data page of your passport or other travel documentation to prove your identity
Employment Reference Letter as proof of your work experience
Language Test Results with a minimum score depending on your specific immigration program
What language tests are approved for Canadian Immigration?
When going through the process of applying for immigration through Express Entry, you can test either or both of your proficiencies in English or French depending on your intended immigration destination (Wuesbec requires French Language testing while the rest of the country does not) and your own levels of proficiency in both languages.
To that end, there are 4 approved languages tests you can choose from in order to prove your proficiency in English or French: the Canadian English Language Proficiency Index Program (CELPIP), the International English Language Testing System (IELTS), Test d'évaluation de français (TEF Canada) and Test de connaissance du français (TCF Canada). By far the most popular of these is the IELTS.
How is the IELTS scored?
IELTS is a comprehensive language proficiency test system covering 4 different test formats: Listening, Reading, Writing and Speaking. All test-takers take the same Listening and Speaking tests but different Reading and Writing tests depending on whether you are taking the Academic or General Training test systems.
Each test is scored on a "band" scale from 0 - 9, with the final score either being a whole or half band result (0, 0.5, 1, 1.5, etc). When taking the IELTS for Canadian immigration, your band score will be converted into a result on the Canadian Language Benchmark.
After conversion, your final CLB result will be tallied, compared against the minimum result depending on your Express Entry program, and you will be assigned points towards your invitation to apply for permanent residency depending on how well you scored.
What are the minimum IELTS scores for Express Entry?
The minimum score you need on the IELTS and its conversion into CLB depends on what program you are applying through. The minimum for each of the programs are as follows:
Federal Skilled Worker Program: This program requires a CLB result of 7, which translates to a band score of 6.0 in each of the four test categories of the IELTS.
Canadian Experience Class: This program requires a different minimum CLB score depending on the NOC class of your job.
If it is classified as a NOC type 0 or A, you will require a CLB score of 7.
If it is classified as a NOC type B, you will require a CLB score of 5 (converted from a band score of 4.0 in Reading and a 5.0 in the other 3 tests)
Federal Skilled Trades Program: This program requires a CLB of 5 in Speaking and Listening, converted from results of 5.0 in each of the respective IELTS tests, and a CLB of 4 in Reading and Writing, converted from results of 3.5 and 4.0 respectively in their IELTS tests.
While these are the minimum scores for your consideration of permanent residence in Canada, scoring higher on the IELTS is always better. With an increase of only a few levels in your IELTS score and CLB conversion, you can distinguish yourself from the pool of applicants and increase your chances of being invited to apply for permanent Canadian residence.
Are you starting your application process for immigration into Canada using the Express Entry system? At Immigration Physician Ottawa, we provide Immigration Medical Exams to help you along in the process. Contact us today for more information.
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"As He Is In the Light"
Imagine a godly man, the most spiritual man, who has preached for over 50 years and raised godly children. Even his devout grandchildren are a testament to his devotion! However, after living such a godly life, one day while walking to church to preach, a car drives by him and splashes mud all over his Sunday suit. Out of character, and without thinking, he curses. What if immediately a second car struck the man and killed him, before he had a chance to repent? Would God condemn such a man to hell for one little slip, after a lifetime of holiness? I think not!
Please notice that this doctrine, here called "continual cleansing" and "walking in the light" (taken from I John 1:7), is a doctrine of apparent necessity. It was invented to fill the gap and bridge the discrepancy between God's commands and our general experience. Although the exact terms are unclear, continual cleansing offers immediate forgiveness of all sins committed in ignorance, weakness, presumption, etc., which are uncharacteristic with a man's general walk, provided he is generally seeking purity, praying for forgiveness, and forgiving others. This doctrine has been advocated, because we are deemed "without any satisfactory alternative", not because the unique attributes of this doctrine are necessarily advocated by Scripture. Therefore, if this proposed stop-gap solution is found inconsistent with Scripture, or if another alternative can be found — especially if the alternative is consistent with Scripture — then the doctrine of continual cleansing will have no reason or justification to continue as a possible theory.
Inconsistent with Context — In the context of I John 1:7, "walking in the light" is immediately defined and limited walking "as He is in the light". Furthermore, in this context He is attributed with the identity, "God is light and in Him is no darkness at all." Therefore, every doctrine is fundamentally flawed that defines "walking in the light as He is in the light" differently from God's abiding in light. Moreover, in the same context John identifies a people, who claim to fellowship God while practicing sin (I John 1:6) and another group, who claim that sin does not adhere to them (I John 1:8), all of which are condemned as self-deceived, liars, and those divorced from truth (I John 1:6-8). There is a bitter irony that a passage written to condemn automatic forgiveness and fellowship beyond confession and repentance is used by some as a proof-text that forgiveness may be obtained apart from repentance and confession!
Unrealistic — The fear and paranoia produced by the above hypothetical situation ignores the fundamental characters of both God and a spiritual man. A mature, godly man will not behave as described in the above hypothetical. Such behavior is fundamentally inconsistent with his character. Will a truly, godly man, mature in all his ways curse God, when something unexpected occurs? Or, is he more likely to turn to God and seek His help, as did Stephen (Acts 7:57-60)? Furthermore, the above hypothetical assumes that God is either cruel and capricious or uninvolved. Are either true of the God we serve (II Peter 3:9)?
Avoids Responsibility — If we do not yet have the knowledge or discipline required of Christians, then whose fault is it? Does God demand what is impossible of us? We are responsible and may be condemned for what we do not know of God's Word, because it can be understood (II Peter 3:16; Ephesians 3:3-5; 5:17). When we make special allowances beyond God's Word for sins of ignorance or weakness, we are ultimately abdicating responsibility for these transgressions, making them God's fault. If God will not hold us responsible for these sins, then who is responsible?
Kicking the Can — This proposal does not address the fundamental issue it proposes to resolve. How many sins must a person commit, before he is considered no longer "walking in the light"? If the limit is not 1 sin, is it 2, 3, 4 — how many? If it is not based on number, is it based on some measure of severity? If so, which ones are severe and not severe in God's judgment? Maybe we have committed one of the severe ones and do not know it? Where is the list? Fundamentally, this proposal fails because it only pushes the line so as to make some folks some more comfortable. It ultimately must turn to faith, resting on God to be the ultimate judge. If such an approach cannot eliminate the need for faith that God will discipline and judge appropriately, then how does it answer the fear and misery that may come from not knowing?
Self-Inconsistent — Beside being unable to answer the number or type of sins that are required to condemn a person and therefore provide some measure of insight and confidence, the doctrine of continual cleansing is not even self-consistent, which consistency is a requisite hallmark of truth (Titus 1:2). The doctrine seeks to save those who sin out of character with their previous choices, but what does it offer those who at the last repent near death, out of character with their past choices? Will it deny them salvation? If a man is measured by his general walk and uncharacteristic behavior is disregarded, then what comfort can be extended to those who seek forgiveness late in life? How can it offer them a self-consistent hope?
Unique Hopelessness — Do Christians have a responsibility to evangelize, to perform benevolence, to edify? Have any of us managed to evangelize the whole world, aid all the needy, instruct all those in doubt, or encourage all the discouraged? Why is it that such grand tasks do not evoke the same sense of hopelessness, despair, and resignation that God's lofty goal to be as holy as Him evokes? Will we eventually, similarly diminish the need for these tasks, since it appears impossible?
Double Forgiveness — How should one react to learning of sins that he previously, unknowingly committed? Must he seek forgiveness for what has already been forgiven? Will God forgive the same sins twice? In the record, ancient saints had to seek forgiveness for "unintentional sins" and sins committed even in "integrity of heart" (Numbers 15:22-31; Genesis 20:1-7)? If it was already forgiven and forgotten, then what forgiveness is there to seek? What atonement is to be sought?
Just as no Christian has the rights to move the boundaries to condemn another, neither does any Christian have the right to move the boundaries to justify someone. Only God has such right "to save and to destroy" (Romans 14:4, 7-8; James 4:11-12)! The continual cleansing theory — as does all grace-fellowship based approaches — ultimately fail, because they seek to work backwards from what they think God will do on Judgment Day and thereby diminish what God clearly demands of us now.
Patient, Forgiving God — God does not want anyone to be lost (II Peter 3:9). He is not a cruel or capricious God, looking to zap someone the moment they sin, trying to send as many people to hell as possible. In fact, quite the opposite is true. "Do you despise the riches of His goodness, forbearance, and longsuffering, not knowing that the goodness of God leads you to repentance?", (Romans 2:4). If time will indeed solve our problem, God has promised us that (II Peter 3:9). Let us be grateful that we have a patient, forgiving God.
Involved God — More than once in history, God has providentially acted in people's lives to bring them to salvation (Acts 8:26-29; 10:1-6; 16:8-10). Even once we have record of God somehow preventing an innocent man from engaging in sin to his own destruction, since he would have done so unknowingly and in integrity (Genesis 20:1-7). Do we doubt God's ability or desire to do likewise today? Is the God of the Bible so far removed from men and their lives?
Instructive God — Just as God wants us to be saved, He also wants us to know His will. We are taught to pray for wisdom from the One, "who gives to all liberally and without reproach" (James 1:2-8). His grace not only saves, but it also "teaches us" (Titus 2:11-14). He wants us to learn, grow, and overcome, so we would not be easily deceived (Ephesians 4:11-16; 6:10-18). He has promised to help us in the things we have yet to understand (Psalm 138:8; Philippians 3:15). Even if this refers to the revelation of the already revealed Word, is it not sufficient for its task (II Timothy 3:16-17; II Peter 3:16-19)? If He has already given His Son to save us, why would He deny us the knowledge necessary for us to act (Romans 8:32)?
Finally, only God knows what He will do in every case. Only perfection itself would be qualified to even guess what God may do beyond what He has revealed. Therefore, if we are struggling with sins of weakness, let us not take comfort that God will overlook these sins, rather, let us redouble our zeal and not quit until we have overcome habitual sins. If we are fearful that we may be condemned by what we do not know, then let us delve into God's faithful Word, which can be understood as God promised. Let us gather confidence from the tests that God provides for confidence in our personal salvation, and not invent theories to work around any failing of those tests. With faith in God, in His love, in His mercy, and in His patience, let us resolve to let God be our ultimate judge, always pressing on, never excusing any sin, and always "walking in the light as He is in the light".
Although Job and his friends thought they were talking about Job, they were truly reflecting upon God Himself, which He did not take lightly.
Many false doctrines and theories ultimately reduce to statements about God, which if they are false, then they likewise impugn and blaspheme Him, as did the false statements of Job's friends.
Most false doctrines only blaspheme God in one way or another. Continual cleansing manages to blaspheme God in at least three ways at once, indicating a fundamental misunderstanding of God! If God fellowships those who continue in sin — even if the sins are unknown or difficult for the sinner — then His righteousness and holiness is blasphemed (I John 1:5-6). If God willfully permits a "good" man (as we see it) to be tragically killed and eternally condemned, when he would have repented in time, then God's "goodness, forbearance, and longsuffering" are maligned (Romans 2:4; II Peter 3:9). If God inadvertently or unknowingly allows such a man to be condemned, then either His omniscience or omnipotence is called into question (Psalm 139). If God's only recourse for our weakness and ignorance is to overlook it, then He fails to train, discipline, and perfect us, as He has promised making Him a liar and no kind of Father at all (Hebrews 12:5-14; I Thessalonians 5:23-24; I Peter 5:10; Matthew 7:7-11). Dear friends, our faith may waiver at times, and we may have questions, as did Job and his friends, but let us not transfer our weakness to God and speak of Him what is not right, as did Job's friends. Let us trust in God, His promises, His love, and His power. Let us trust and obey Him!


How to watch Teen Titans Go!: Season 2: Robin Backwards / Crazy Day on Netflix South Africa!
Yes, Teen Titans Go!: Season 2: Robin Backwards / Crazy Day is now available on South African Netflix. It arrived for online streaming on January 1, 2018.
We'll keep checking Netflix South Africa for Teen Titans Go!: Season 2: Robin Backwards / Crazy Day, and this page will be updated with any changes.


text:
Q: Flask object type X is not JSON serializable I am using Flask, SQLAlchemy, Marshmallow etc....
This Flask method saves the objects to the database fine, however it errors on the return statement.
This is the parent class:
class Weather(db.Model):
    """Weather definition for SQLAlchemy"""
    id = db.Column(db.Integer, primary_key=True, autoincrement=True)
    coordinates = db.relationship("Coordinate", backref="Weather", uselist=False)  # coordinates (decmial)
    hygrometer = db.Column(db.Float, nullable=False)  # hygrometer (0.0 -100)
    thermometer = db.Column(db.Float, nullable=False)  # thermometer (-200 - 200)
    udometer = db.Column(db.Integer, nullable=False)  # udometer (0-3000)
    anemometer = db.Column(db.Integer, nullable=False)  # anemometer (0-500)
    vane = db.Column(db.Integer, nullable=False)  # vane (0-360)
    #date = db.Column(db.String, nullable=False) # this is the old manual
    date = db.Column(db.DateTime(timezone=True), default=func.now()) # this gets auto generated

    def __repr__(self):
        return '<Weather %r>' % self.id

class WeatherSchema(ma.SQLAlchemyAutoSchema):
    class Meta:
        fields = ("id", "coordinates", "hygrometer", "thermometer", "udometer", "anemometer", "vane", "date")

weather_schema = WeatherSchema()
weathers_schema = WeatherSchema(many=True)

This is the child class:
class Coordinate(db.Model):
    id = db.Column(db.Integer, primary_key=True, autoincrement=True)
    longitude = db.Column(db.Float, nullable=False)  # coordinates (decmial)
    latitude = db.Column(db.Float, nullable=False)  # coordinates (decmial)
    Weather_id = db.Column(db.Integer, db.ForeignKey("weather.id"), nullable=False)

    def __repr__(self):
        return '<Coordinate %r>' % self.id

class CoordinateSchema(ma.SQLAlchemyAutoSchema):
    # definition used by serialization library based on user
    class Meta:
        fields = ("id", "longitude", "latitude", "weather_id")

coordinate_schema = CoordinateSchema()
coordinates_schema = CoordinateSchema(many=True)

This is the method:
@app.post("/weathers/add")  # ADD
def weather_add_json():
    request_data = request.get_json()
    print(request_data)
    new_coordinate = Coordinate(
        longitude=request_data['longitude'],
        latitude=request_data['latitude']
    )
    new_weather = Weather(
        coordinates=new_coordinate,
        hygrometer=request_data['hygrometer'],
        thermometer=request_data['thermometer'],
        udometer=request_data['udometer'],
        anemometer=request_data['anemometer'],
        vane=request_data['vane']
    )
    print(new_weather)
    try:
        db.session.add(new_weather)
        db.session.commit()
        print("Record added to DB")
        print(json.dumps(request_data, indent=4))
    except Exception as e:
        print(e)
    return weather_schema.jsonify(new_weather)

This is the HTTP request:
POST http://127.0.0.1:5000/weathers/add
Content-Type: application/json

{
  "longitude": "45.5",
  "latitude": "92.6",
  "hygrometer": "1.5",
  "thermometer": "22.5",
  "udometer": "2200",
  "anemometer": "250",
  "vane": "92"
}

This is the error:
 line 179, in default
    raise TypeError(f'Object of type {o.__class__.__name__} '
TypeError: Object of type Coordinate is not JSON serializable
127.0.0.1 - - [27/Dec/2021 18:51:24] "POST /weathers/add HTTP/1.1" 500 -

The below is the content of each table:
Weather:
4,1.5,22.5,2200,250,92,2021-12-27 18:22:16
5,1.5,22.5,2200,250,92,2021-12-27 18:35:31
6,1.5,22.5,2200,250,92,2021-12-27 18:36:43
7,1.5,22.5,2200,250,92,2021-12-27 18:38:28

Coordinate:
4,45.5,92.6,4
5,45.5,92.6,5
6,45.5,92.6,6
7,45.5,92.6,7

This structure for parent-child was done following a guide, however i feel as though it is wrong, it fails 3NF and doesn't actually reference coordinates from the weather table.
Should it be a Weather -> WeatherCoordinate -> Coordinate ?
I'm not sure how I would structure this though, maybe an entirely new object or can this be scaffolded automatically?

A: weather_schema.jsonify(new_weather)

I don't get it. This should raise an AttributeError as schemas don't have a jsonify method.
Anyway, you need to dump the content with the schema.
This should work.
weather_schema.dumps(new_weather)

redpajama_set_name: RedPajamaStackExchange


If you are having trouble getting use to your progressive lens, there is some advancement to the standard progressive lens that may be helpful to you. Some of the problems people have complained about is they don't feel like they have enough reading area or they feel like there is too much distortion in the side vision or they get dizzy going from distance to near vision. This new technology confronts these problems.
The newest advancements in progressives are called "free form technology" and even among free form technology there are differences. In standard progressives, the multifocal is molded in the front surface of the lens. Free form technology takes intelligent software and optimizes the multifocal in the back surface of the progressive putting the multifocal closer to the eye thus giving you less distortion and a wider field of vision. This process improves your distance vision over the standard progressive.
Other free form technology fully integrates both surfaces of the lens putting the vertical part of the progressive on the front and the horizontal part of the progressive on the back. This reduces the eye movement between the distance and the near part of the lens. It gives the patient perfect balance and a more comfortable peripheral vision. It also virtually eliminates that swimming and swaying sensation that some wearers have.
This lens design utilized the new MyStyle iDentifier interactive patient consultation program to gather information about the patient, including lifestyle requirements and wearer preferences. It then analyzes the data from the iDentifier to create a lens that is uniquely personalized to the patient. For the first time ever, a visual experience created by using lifestyle input from the patient. Comfort, clarity and performance like you have never experienced before. A lens design that evolves as the patient's activities, Rx and needs change.
Do you have heavy thick lens? Do you want a better alternative?
If you want thinner lighter weight lens than High Index are right for you.
High index lenses are available in either glass or plastic. Different manufacturers make different high index lenses, and what sets each lens apart from the others is its index of refraction (IOR). The higher the IOR, the denser the material. All things being equal, a 1.67 IOR material will result in a thinner and lighter-weight lens than a 1.57 IOR material will.
Generally, the higher the IOR, the higher the cost of the lenses will be. The thinnest, most lightweight lenses are typically the most expensive. With high index lenses, it seems that the less you get, the more you pay.
Regardless of the index of refraction, plastic high index lenses tend to be lighter in weight than glass high index lenses, simply because plastic weighs less than glass to begin with.
If you want high-index lenses, be sure to ask for them, but rely on your eye doctor's or optician's advice regarding which index to use. They can explain which index makes the most sense for your exact prescription. Most popular lens designs; single vision, bifocal, trifocal, progressive and photo chromatic come in high-index materials, and your doctor or optician will know which ones are available in your prescription.
High Index lenses are available in clear, polarized and photo chromatic.
Do you need your glasses in a hurry?
Dawson's Vision Center is the only Optical Shop in this area that has a full service laboratory on its premises. What does this mean? We have the experience and equipment to make your glasses in our own lab in our own store location as opposed to mailing your order to an outside lab. We can have most glasses made the same day often in 2 to 3 hours. Even if we have to order the material for your lens or have to order the frame in another size or color, we can usually have it in 3 to 4 days instead of 1 to 2 weeks like other stores. We can also order your frame or lens if needed next day air for a small charge.
Think Sunglasses Are Just for Summer?
Harmful UV rays not only damage your skin but can be harmful to your eyes as well. UV rays are cumulative over time starting at birth. This cumulative effect continues as we age increasing our risk of eye diseases such as cataracts and macular degeneration. With this in mind, it's especially important for kids to protect their eyes from the sun. Children generally spend much more time outdoors than adults.
In fact, experts say nearly 50 percent (or more) of our lifetime exposure to UV rays may occur by age 18, given that many children spend significantly more time outdoors than the average adult.
Therefore, make sure your kids' eyes are protected from the sun with good quality sunglasses. Also, encourage your child to wear a hat on sunny days to further reduce UV exposure.
Be sure when you purchase sunglasses that they block out 99% – 100% of the UVA and UVB rays.
Sunglasses should be worn year around. Most people think of Summer and sunglasses but just because it is cooler in the Winter or fall, you are still being exposed to the harmful UV rays.


text:
Q: usb debag zenfone 4 I just downloaded the plugin USB phone to use it as Zenfone4 emulator Eclipse , but inside there is no .exe file for THE INSTALLATION but only with a folder inside " MTP " and " tethering " .
How do I install it and use it as an emulator ? : /


Here you will find useful information for bystanders, first aiders or first aid providers, first responders & health professionals.
Here you will find useful information for health care professionals who have training & or relevant experience in resuscitation. Links to ARC Guidelines, publications & other educational resources.
Here you can find a selection of testimonials of those who received these benefits first hand.
The Australian Resuscitation Council is a voluntary co-ordinating body which represents all major groups involved in the teaching and practice of resuscitation. The Australian Resuscitation Council is sponsored by the Royal Australasian College of Surgeons and the Australian and New Zealand College of Anaesthetists. The Australian Resuscitation Council produces Guidelines to meet its objectives in fostering uniformity and simplicity in resuscitation techniques and terminology. Guidelines are produced after consideration of all available scientific and published material and are only issued after acceptance by all member organisations. This does not imply, however, that methods other then those recommended are ineffective.


text:
Jean Cruppi, né à Toulouse le  et mort à Fontainebleau le , est un homme politique français de la Troisième République.

Biographie

Magistrat, Jean Cruppi fut notamment avocat général à la Cour de cassation en 1896.

Député de Toulouse pendant près de 25 ans, puis sénateur de la Haute-Garonne, il fut également président du conseil général de la Haute-Garonne. Il possédait dans la région une propriété à Lamaguères, devant la chaîne des Pyrénées, au bord de la Garonne.

Siégeant au Conseil supérieur de l'Assistance publique, il présente en 1899 un rapport sur les dépôts de mendicité puis rapporte devant la Chambre des députés une proposition de loi sur les moyens d'assistance et de coercition propres à prévenir ou à réprimer le vagabondage et la mendicité, remarquée pour sa sévérité.

Fort de son expérience de magistrat, il rapporte également de nombreux textes de loi ayant trait à la justice : réforme des expertises médico-légales (1898), réforme de la procédure devant la Chambre des mises en accusation (1899), secret des actes signifiés par huissier (1900), détention préventive (1901), droit de réponse (1901), réforme des justices de paix (1903), proposition de loi sur les garanties de la liberté individuelle et sur la responsabilité des magistrats, officiers de police judiciaire et agents ou dépositaires quelconques de la force publique en cas d'arrestation, de détention ou de perquisition illégales (1905), proposition de loi tendant à supprimer la peine de la dégradation civique (1905), peine de mort (1907).

Il s'intéresse également aux questions économiques, rapportant un texte sur l'interdiction de la création de conditions privées en concurrence avec des conditions publiques antérieurement établies (1900), un projet de loi portant modification de la loi du  sur les titres au porteur (1901), un texte sur l'exercice de la pharmacie (1903), sur le régime des jeux (1904), sur la protection temporaire de la propriété industrielle dans les expositions internationales (1908), sur les dessins et modèles (1908). Il a pour principal collaborateur à cette époque, Armand Dorville.

Jean Cruppi a été titulaire de plusieurs portefeuilles ministériels importants :
 1907 : ministre de l'Instruction publique
  au  : ministre du Commerce et de l'Industrie (succède à Gaston Doumergue) dans le premier gouvernement Clemenceau
  au  : ministre des Affaires étrangères dans le gouvernement Ernest Monis
  au  : Garde des Sceaux, ministre de la Justice (succède à Raymond Poincaré).

Son épouse, Louise Crémieux, musicienne, amie de Marguerite Long, a soutenu la carrière de Maurice Ravel qui lui a dédié L'Heure espagnole, en remerciement des efforts qu'elle a déployés afin d'obtenir que l'ouvrage soit représenté à l'Opéra-Comique, ainsi que le Noël des jouets. Louise Cruppi a également entretenu une longue correspondance avec Romain Rolland.

Jean Cruppi a eu cinq enfants : Amélie, Paul, Jean-Louis, Noëlle et Jeanne. Jean-Louis, lieutenant durant la Première Guerre mondiale, mort au combat, s'est vu dédier par Ravel la Fugue du Tombeau de Couperin. Amélie épousera le célèbre sculpteur Paul Landowski. Le compositeur Marcel Landowski était ainsi le petit-fils de Jean Cruppi.

Ouvrages
 Un avocat journaliste au , Linguet, Paris, Hachette, 1895.
 La Cour d'assises, Paris, Calmann-Lévy, 1898.
 Pour l'expansion économique de la France, 19 mois au ministère du commerce et de l'industrie, Paris, Stock, 1910.
 .

Pour approfondir

Bibliographie

Liens externes

Notes et références

Ministre de la Troisième République
Député de la Haute-Garonne (Troisième République)
Député de la septième législature de la Troisième République
Député de la huitième législature de la Troisième République
Député de la neuvième législature de la Troisième République
Député de la dixième législature de la Troisième République
Député de la onzième législature de la Troisième République
Sénateur de la Haute-Garonne
Président du conseil général de la Haute-Garonne
Ministre français des Affaires étrangères
Magistrat français du XIXe siècle
Personnalité du Parti républicain radical et radical-socialiste
Naissance en mai 1855
Naissance à Toulouse
Décès en octobre 1933
Décès à Fontainebleau
Ministre français du Commerce
Enseignant à l'École supérieure de journalisme de Paris
Personnalité de l'Alliance démocratique
Décès à 78 ans

redpajama_set_name: RedPajamaWikipedia


text:
Home States Tamil Nadu
Water from River Bhavani no longer safe for consumption: WWF report
A World Wildlife Fund study reels out stats to show the bleak reality that hounds the Bhavani and Kallar.
Published: 04th May 2017 05:31 AM | Last Updated: 04th May 2017 05:31 AM | A+A A-
Medical waste dumped by encroachers into the Sengulam lake at Kuniamuthur in Coimbatore | PRAKASH CHELLAMUTHU
By S Senthil Kumar
Express News Service
COIMBATORE: Finally, their worst fears have been confirmed. A three-year-long study undertaken by World Wildlife Fund (WWF) India underlined what environmentalists and locals of the Nilgiris have been crying hoarse about — water from River Bhavani is no longer safe for consumption. Not just the Bhavani, even the Kallar is in a bad state. A quick glance is enough to tell anyone that it is no longer a river, but a sewerage system for Coonoor town.
The WWF report, submitted to District Collector P Sankar by WWF landscape coordinator Boominathan and Osai president K Kalidass in Coonoor on Wednesday, was part of its work in the Western Ghats-Nilgiris Landscape. The study found that the upper reaches of the Bhavani and Moyar have been polluted by both Udhagamandalam and Coonoor municipalities and industries, including a government-owned factory.
Take the case of Coonoor town. With a population of 50,000, it generates about 5 million litres per day (MLD) of sewage, which is discharged untreated into the Kallar through a drain that joins near Runnymede station. The municipality lacks a treatment plant. Worse, the coliform bacteria levels found in the waters in Coonoor is 10 times higher than the permissible level stipulated by the Central Pollution Control Board (CPCB).
A cordite factory in Aruvankadu, which manufacturers nitro-cellulose and nitro-glycerine for ammunition, discharges its effluents into a small stream that eventually joins the Kallar. "The WWF has found effluents loaded with nitrates and aluminium, far exceeding the CPCB standards for discharge of environmental pollutants in inland fresh waters," read the report titled 'Water Quality Assessment in the Upper Reaches of the Bhavani and Moyar in the Nilgiris'.
The Bhavani does not fare well in Mettupalayam either. Pollution from the Kallar and Mettupalayam and ill-conceived hydropower projects have made its waters unsafe for use. Mettupalayam generates six to eight MLD of domestic sewage, which is currently being discharged untreated into the river.
Pollution is further exacerbated by two micro-hydel dams (10 MW each), recently built both upstream and downstream, converting the entire river stretch into a stagnant cesspool. "Our assessment shows significant decline in river water quality post commissioning of the dams in late 2015," the WWF report said.
During the meeting with the Collector on Wednesday, it has been decided to form a stakeholder committee to address pollution related issues.
The committee includes Forest Department, Tamil Nadu Pollution Control board (TNPCB), Tamil Nadu Generation and Distribution Corporation Limited and local bodies. Representatives of these department also attended the meeting.
The TNPCB officials conveyed that they have already sent notices to the industries on setting up zero liquid discharge units within a month. The Collector said the administration will take up lake restoration projects and design treatment plants for both Ooty and Coonoor municipalities.
Coonoor's coliform quagmire
With a population of 50,000, Coonoor town generates about 5 million litres per day of sewage, which is discharged untreated into the Kallar through a drain that joins near Runnymede station. The municipality does not have a treatment plant. Worse, the coliform bacteria levels found in the waters in Coonoor is 10 times higher than the permissible level stipulated by the Central Pollution Control Board
Stay up to date on all the latest Tamil Nadu news with The New Indian Express App. Download now
Dead riversdeadly wastes


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Manchester City believe Raheem Sterling will sign new contract
The Ocean forced to cancel European tour
Philippe Coutinho targeted by two Premier League clubs with a final decision expected on Friday
Barcelona could become seasoned striker to replace Luuk de Jong in January: reports
Tom Holland on hosting the Oscars with Zendaya
Kieran Trippier signs for Newcastle, Ferran Torres for Barcelona, January window, deals reached
SF Dad launches a "bicycle bus" for children who go to school, it reaches several dozen in size
Report: Andreas Christensen delays Chelsea deal amid Barcelona interest
Barcelona Community
Barcelona Tour
Barcelona News
Barcelona Economy
From Barcelona to Brazil: How to Support Your Child's Education Around the World | Editorial
By Georgia D. Potts on	 June 21, 2021 Barcelona Community
New expats will naturally have to consider several factors before moving to another part of the world.
Perhaps one of the most important considerations for families will be raising their child and minimizing disruption as much as possible. Particularly at the time of Covid-19 and when so many educational disruptions have taken place, it is important to find a certain educational consistency. With different education systems provided around the world and varying quality, resources and outcomes, it is essential that parents are aware of the different options available to them and choose one that meets their child's aspirations and needs. .
One of these options is online schooling – a flexible and immersive way for students to learn in a modern and engaging environment. As hybrid and distance working models for parents increase in the post-Covid-19 world, with many modern families considering a more flexible approach to their working lives, the notion of online schooling is an attractive alternative.InterHigh is a leading independent UK online school that enables education to be modeled around the needs of each student and the broader lifestyle. With over 16 years of experience in online education, we provide primary, secondary and sixth education for all students aged 7-19. Classes and extracurricular activities foster skills that will be applicable in today's world, including empathy, resilience, international spirit, and digital literacy.We offer iGCSE and A levels while meeting UK independent school standards, with lessons taught by fully qualified and experienced UK teachers. Combined with a proven educational model and innovative delivery, we use exciting technology that brings lessons to life and increases engagement in learning. Our range of topics, activities and support is the ideal solution for the varied needs of moving families and expatriates.
Not wanting to enter and leave different schools and create disruption in learning, our online school guarantees consistency for your child. Access to flexible hours, high-quality live lessons with face-to-face instruction, as well as recorded lessons, means students can easily catch up on anything that may have been missed. Safe social platforms mean children around the world can connect, work together and thrive, regardless of time zones and travel requirements.Registration is also flexible; we have some families with us for the duration of their child's schooling, while others join for short periods. This can be while traveling or as a way of offering their child the opportunity to learn a subject that is not available at their physical school.One example is InterHigh student and table tennis champion Anna Hursey. As the youngest athlete in all sports history to compete at the Commonwealth Games, Anna's training program makes her education more and more complex. Anna used to study at Cardiff High School in Wales, a mixed comprehensive school in the UK. She was happy in school and doing well, but the pressure of her training impacted and suffered academically.Joining an online school gave Anna greater flexibility to continue her education while developing her table tennis career. Wherever she traveled in the world, she was able to progress in her education alongside her training. This flexibility has been key for Anna in pursuing her athletic aspirations, without compromising her academic progress.
As members of the Inspired Group of over 70 schools across five continents, our students can also benefit from the opportunity to spend time on campus at one of the educational group's premium international boarding schools. Summer camps, exchange programs and in-school experiences, combined with InterHigh's comprehensive online course and virtual campus offering, provide the perfect blend of online and offline learning and enhance the sense of community and social opportunities among students. Virtual events and initiatives such as the Model United Nations and the Student Leadership Conference are hosted by students from the Inspired group, and InterHigh students are invited to connect and collaborate with this global network of over 50,000 student-learners. to become international citizens of the future.
Learn more about InterHigh:
We pride ourselves on not only enhancing academic opportunities, but also championing strong pastoral and welfare support. Students can benefit from 1: 1 coaching and guidance from tutors at any time of the day. Parents and mentors also have 24-hour access to attendance data, reports and communications through our virtual platform.InterHigh alumni have achieved impressive feats, in part due to their ability to plan their education around their interests and career. Many of our students are aspiring sports and theater professionals, or have even become writers or young entrepreneurs alongside their training with us, which makes it even more important for them to have a flexible way of studying.We are committed to every student in our community and work with each to develop their potential and help them recognize future opportunities and paths. As a result, we consistently achieve outstanding results for a non-selective online school, with graduates going to UK and international universities as well as rewarding careers across many industries. In 2019, among InterHigh graduates who applied to college, 47% went to Russell Group universities, of which 10% studied medicine or aerospace engineering.We would love to welcome you to our community. Enrolling your child in InterHigh will ensure their continuity, stability and flexibility. To find out more or to discuss admissions and study options visit: www.interhigh.co.uk
Watch the InterHigh replay video
© 2021 Re: locate magazine, published by Profile Locations, Spray Hill, Hastings Road, Lamberhurst, Kent TN3 8JB. All rights reserved. This publication (or any part of it) may not be reproduced in any form without the prior written permission of Profile Locations. Profile Locations accepts no responsibility for the accuracy of the content or opinions expressed here.
The rise of fascism in Spain – the organization for world peace
Benfica vs Barcelona, Champions League: live blog, updates, goals, highlights
Displaced victims of the Barcelona fire found themselves destitute – with no hope of help from the city in sight
Shakira and her son survive wild boar attack in Barcelona
Georgia D. Potts
Trans Pride flag planted on Antarctica's highest peak to celebrate community "resilience"


Expecting another baby and want to get all your hand-me-downs organized? You will love these tips for how to organize baby clothes! This makes life with a new baby so much easier!
I am just about to welcome my second baby girl into the world! (Ahhh it's coming up so soon!) Anyway, I kept a LOT of my now toddler's baby clothes so that I wouldn't need to get anything for the next baby. I am feeling great about it now, especially since it's another girl, BUT it was getting to be a beast to keep everything organized. I had basically been throwing everything into one big plastic bin whenever she grew out of a size. As you can imagine, when I pulled it all out to go through it recently, it was clear that these things would not be useful to me if I couldn't find them at the right time! Especially when I am sleep-deprived with a new baby! So, I set out to find an easy solution to organize all the baby clothes and store them until I need them.
I could barely find any tips about this, for some reason? So when I found something that worked for me I had to share! I am so glad I did this. First, I got some gallon-sized plastic bags and some basic white sticky labels. I made a printable template so I could share them with you!
Sort everything into sizes, then seasons, and then categories.
Put items together in bags. For example I put all newborn sized onesies in a bag together, 3 to 6 months pajamas, and 6-12 month fall clothes together as well.
I put like items into these gallon sized and jumbo sized bags, and then labeled them so that when little miss #2 is in need of some tiny jeggings next fall, I can just grab the "pants/6 months" bag and we'll be good to go!
As you can see below, these labels are totally customizable to what you need!
Once you have printed both sets of labels, you can cut the size labels out and stick them to the bottom of the category labels. Easy as pie. Once all of your clothes are labeled and in bags, they are ready to be stored! I made sure to get all the air out of the bags before sealing them so that they wouldn't take up any extra space. For now, mine are in a chest in the nursery, but they would be safe and sound in a plastic bin in the attic or basement too!
Tell me, do you have any more tips on how to organize baby clothes for the next baby? I am always happy to hear what other people have done!!
Yes, it is really very important to organize baby clothes for different seasons. I like your video, and hoping that it will help me in next.


text:
Allen Berezovsky/Getty Images Entertainment/Getty Images
Katy Perry's Quotes About Dealing With Situational Depression Are So, So Eye-Opening
By Hollee Actman Becker
I think it's pretty amazing when celebrities use their star power to bring attention to an important subject. Serena Williams just did it when she opened up about experiencing postpartum depression. Chrissy Teigen opened up about her experience with IVF. And now we have Katy Perry's quotes about dealing with situational depression.
The "Firework" singer covers the August issue of Vogue Australia, and for the accompanying story inside, she detailed how she was affected by the not-so-great reviews she received after releasing her album Witness in 2017.
"I have had bouts of situational depression and my heart was broken last year because, unknowingly, I put so much validity in the reaction of the public, and the public didn't react in the way I had expected to … which broke my heart," she explained. "Music is my first love and I think it was the universe saying: 'Okay, you speak all of this language about self-love and authenticity, but we are going to put you through another test and take away any kind of validating blankie. Then we'll see how much you do truly love yourself.' That brokenness gave me a wholeness I never had. It gave me a new foundation. It's not just a material foundation: it's a soul foundation."
Pretty amazing. In fact, Perry made so much progress dealing with her mental health over the last six months, that on June 6, she posted a tribute to the one-year anniversary of Witness — the era that caused her so much pain — on her Instagram feed.
"Witness is 1," she wrote. "This has been an eye-opening year. Thank you for witnessing me. I hope I've helped you feel safe, seen, and celebrated while on tour. I see you and I love you."
Of course, getting to the place where she could celebrate Witness didn't come easy. Perry told Vogue she attended a week-long personal growth retreat program at the Hoffman Institute in California, where "participants learn how to transform counterproductive beliefs, perceptions, and emotional patterns that are limiting their lives," according to the company's website.
"I believe that, essentially and metaphorically, we are all computers, and sometimes we adopt these viruses via our parents or via the nurture that we are given or not given growing up," she explained. "They start to play out in our behavior, in our adult patterns, in our relationships. There are a lot of people who are self-medicating through validation in audiences, through substances, through continually running away from their realities – denial, withdrawal. I did that for a long, long time too."
I love Perry for being so candid about her journey, and for taking some of the shame away from getting help when you need it. She's even given out Hoffman gift certificates to friends who she's seen struggling. "I recommend it to everyone, my good friends and other artists who are looking for a breakthrough," she said. "The biggest lie that we've ever been sold is that we as artists have to stay in pain to create."
Amen, sis!


text:
Q: Indefinite pronouns or definite pronouns in general definition of principal ideal? I am uncertain whether I should use indefinite pronoun "a" or the definite pronoun "the" below. Could someone explain the choice here? I am trying to make a general definition for a principal ideal.

A principal ideal, $I$, of a ring, $R$, is the ideal generated by a single element, $e\in R$, by multiplying it with each element of $R$.

A: Definite articles indicate the uniqueness of the object they refer to (within some context). It makes sense to say a ring $R$ because there are many (more than one) rings that could be considered. It makes sense to say "a single element" because in general, rings contain many elements.
It would be strange to say "a multiplicative identity of $R$" because multiplicative identities are unique; there is only one in a given $R$.


text:
Unemployment in the borough of Southwark, south London, stands at 18 per cent, which is above the London average and five times that for black and ethnic minority communities. Southwark is currently the fourth most deprived London borough in terms of access to employment.
Jobcentre Plus is the government funded employment agency facility and social security office for the United Kingdom. Its primary aim is to get 'economically inactive' people from welfare back into work. The UK's unemployment and welfare offices have been redesigned and revamped in recent years, according to the government to "make the job-seeking and benefit claiming experience more like that in a bank or modern retail environment." Job seekers who attend these centres are now called 'customers', carpets and upholstery are brightly coloured and staff chairs have wheels on them so they can pull back easily at any sign of aggression.
These images and overheard conversations are from Jobcentre Plus offices in Southwark, London.
Enter photo essay
© Sarah Malian 2009


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Centre for Communication, Media and Society
Doctoral Degrees (Centre for Communication, Media and Society)
Crime and punishment on the box : a contextual/discursive/semiotic analysis of SABC documentaries in the global era.
Thesis (20.48Mb)
Burelli, Elaine.
The SABC has embraced a mandate that advocates the promotion of cultural diversity within the broader ambit of national identity. Although SABC3 consitutes the commercial wing of the station, it too is required to produce programmes in accordance with the spirit of this mandate. With tight budgets, pressure for audience ratings and an assortment of individual producers with individual production agendas, it may be naIve to presume that the SABC could consistently give priority to this mandate. Nonetheless, this is what it has undertaken. Considering this unifying and optimistic mandate, how then are frightening, troubling or disillusioning social phenomena depicted? The representation of one such phenomenon, crime, has been selected here for examination as it appears in Special Assignment and Expressions programmes. The way in which the SABC tackles essentially negative material and puts it in documentary form for national consumption sends out a message to South African viewers. The nature of this message - and its relation to the broadcaster's mandate - forms the basis for this dissertation. Each of nine selected documentaries is analysed using a mixture of semiotic, discursive and contextual principles. The programmes are examined in terms of four sections. The first is global trends and theories. Criminological, documentary and other theories that are global in scope have been adapted to powerfully, but subtly, underscore all of the documentaries, with implications for the representation of national identity. Secondly, a sociological examination of the way in which the local has been depicted (and whether it is given much attention at all) has implications for the fulfilment of the part of the mandate relating to cultural diversity. Thirdly and fourthly, the overall portrait of national identity in the documentaries is largely dependent on the combined representation of national culture - including values, symbols, rituals and beliefs - and the nation-state. Both of these should be construed in an optimistic light, taking into account, nonetheless, the critical watchdog function of the media. The evaluation remains strictly textual and preferred meaning is determined through theoretically supported analysis rather than via audience research. Issues such as global neoliberalism and its impact on the SABC and newsroom values are touched on and acknowledged, but ultimately, their effect on the fulfilment of the mandate is not examined in this dissertation. The central thrust of the dissertation in thus, strictly, the way in which the levels of the global, national and local, as they are represented in the documentaries, constitute interlocking factors, which impinge on the manner in which the SABC complies with its mandate. The findings of the dissertation were unsurprising in many respects. Overall, there appeared to be no consistent pattern to which documentaries were produced. The immediacies of production pressures and deadlines appear to outdo the broadcaster's mandate in terms of priority. Having said this, however, certain features do recur, such as the prevalence of sensationalism or, on the positive side, the humanising of criminals in a way that offers hope. Consequently, the study isolates approaches that foster national identity and those that do not, noting the frequency with which they occur and thereby implicitly offering a roadmap for future productions.
Doctoral Degrees (Centre for Communication, Media and Society) [30]


well before i pass the immigration gate of guilin i was checked by the immigration personnel! zomg do i really looks like a terrorist? gosh.
guilin city is a beatiful place. the city area aint as big as hangzhou and not as clean as hangzhou, the ppl in there eats dog. yaiks!
the hotel i am staying in guilin near the city center. there's a walking street just outside the hotel with lotsa food! too bad mostly they sell are selling steamboat serve with dog meat. most of the time i just go to the muslims restaurant to have noodles there. well their food are nice and cheap! 1 bowl of beef stomach noodles only costs RMB 4 and 10 dumplings only costs RMB 2! the food massage in there is cheap too costs me about RMB 30 per hour!
the first few days the tempreture climate was cold. and i left my coat in malaysia! the next day when i goto li jiang trip travel by boat! i almost freeze to death! lol and the local ppl there are so curious about me wearing short sleeve and tot that i am immue to cold weather due to my size!
the scenary of li jiang is really nice. the water is clear, the hills were pretty and the food in the boat too! the fish is so fresh as the chef crew in the ship buy the fish directly from the fisherman and cook for us. i order a steam stonerock fish and gosh.. the moment i put into my mouth it melt!
the next day i went to took the bus alone to long ji. the trip takes me about 4 hours to reach there. it was the uphill road and it's kinda dizzy to stay in there for 4 hours +. after reaching the viewing area of zhuang tribe, there's an middle age lady approaching me to intro me to stay in their hotel. well was following her to her hotel with carrying my travelling bags to walk up to the hotel. almost fainted at the middle of the journey. have to climb up hurdreds of stairs before reaching the hotel! well she offered to carry my bags for me for free since i m staying in her hotel but i have rejected her of course. moved up slow like a turtle and finally given up my bags to her in the middle of climbing. it was heavy and getting heavier! sigh.. what a man i am. the hotel is new. it was open for business not long ago. the air in long ji is so fresh and cold. the first nite there's 4 more chinese guy was staying there too. so we were having dinners together in the hotel. having steamboat and wines. was force to have wines i usually don drink them. goddamm chinese ppl. was talking crap in there though i don really know them. hehe. the next day morning i was climbing up to the top of the hills to see the 7 star surrounding moon view. and was thinking to go to climb to another view. but nearly exhausted i have to make myself back to the hotel. the night there were a spanished couples stay in the hotel. the guy name fernando and they are backpackers that they have left their job and everything in barcelona and travel for one year. the gonna travel from china up to mexico before the going back to their homeland. we then talk about yangshou and he tells me of his experience. i left long ji in the next morning and going back to guilin city.
stay in the same hotel again i spent my night by visiting the guilin river trip. it was the 15th day of the chinese new year and ppl are celebrating yuan xiao that nite, firecrackers are over the night skies. the next day i visited the elphant hill, which not far from the hotel i am staying and also take the cab to lu di cave.
then i set foot to yangshuo at the very morning on the next day. there's also a lady offering me the hotel stay which is somewhere near west street. spending 5 days in yangshuo visiting places and shows. there's one show directed by zhang yi mou one of the famous director in china call impression sister liu. the show take place in one side of li jiang river and there's like 600 over ppl playing in the show. it was epic! during the valentine's day i watch the fishawk's catching fish show at nite. didnt took any photo of it though. but it was a great show too.
staying back at the same hotel again in guilin city after i come back from yangshuo for one night before i go back to malaysia. i have miss out so much places and shows in guilin to make me an excuse of revisiting. it is worth to pay another visit!
yes. i am back. nice trip. good scenary view, fresh air, problem free. worth trip.
it's the 10th day of the chinese new year. somehow don really few happy about that except that i can stay home and wow all day long. life sux. but i kinda like it.


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Q: Resizing UIStackView when hiding a subview? I have a UIStackView with the config below, when i hide its first subview i want it to shrink in height rather than redistributing the height of the existing cells to fill or leaving white space.
Is there a way to achieve this? as currently it wont change in height despite hiding its contents
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Club Magic Life Africana Imperial
La Badira
Medina Belisaire & Thalasso Hotel
Sentido Le Sultan
Hotel Oceana Hammamet
About country Gallery Where to stay
At around 1200 B.C., powerful Phoenicians settled on the coasts of Tunisia, erecting the city of Carthage, one of the most powerful in entire North Africa.
If what you're after is something exotic mixed with Mediterranean pleasures and some authentic Arab spirit – choose Tunisia for your next trip. It's a country whose long coast is washed by a sea as blue as anywhere in the world and where, on the other side, lay sands of ocean-wide Sahara. Moreover, Tunisia is an Arab spring country that has managed to win democracy while keeping peace and stability in a region of relative volatility.
Tunisia packs everything that may be called the North African culture. Pointy mosque minarets dot its skyline, sweet shisha smokes emanate from its pubs, and the camaraderie of elderly people playing dominoes in the streets is palpable. Moreover, it is a country with layered historic heritage from the Phoenicians, Romans, and other civilizations. Tunisia has always been in the centre of historic events, be it 2000 years ago during the Punic wars or during the 20th century atrocities of the Second World War.
Today, Tunisia is famous for coastal resorts, its rather cosmopolitan spirit and deep North African traditions. There are also plenty of cosy little fisher villages with time flowing at its own pace and tourism just taking first steps. Many Tunisian resorts boast of excellent SPA centres and sanatoriums where wellness procedures are based on sea products and healing qualities of the Mediterranean water. Salt, algae, mud, and minerals from the sea are used to treat skin, muscle, and joint ailments under the supervision of experienced specialists in lovely hotels and exceptional Tunisian climate.
The first tribes moved into the territory of Tunisia as early as four millennia B.C., the forebears of present-day Berbers. At around 1200 B.C., powerful Phoenicians settled on the coasts of Tunisia, erecting the city of Carthage, one of the most powerful in entire North Africa.
Between the sixth and eighth centuries, the land was incorporated into the Arab world. The Arabs built cities and mosques and Islam became the religion of the land. It was later briefly conquered by the Normans, but eventually the Christian faith almost completely disappeared from the Tunisian territory. Alongside the Arab rule came all the achievements of the Muslim civilization: medicine, science and schools, architecture.
In 1881, Tunisia was claimed by France. For this reason, French is still widely used today.
The capital shares the name with the country, Tunis. The city is rich with heritage of ancient civilizations, situated as it is in the vicinity of legendary Carthage, with only ancient ruins reminding of its past glory today.
However, most tourists head for the famed Tunisian resort towns: Hammamet, Sousse, Port El Kantaoui, Monastir, Mahdia. In these resorts, one can explore both the historic districts of narrow streets, mosques, and traditional markets and brand-new hotels with top-class services.
For the culturally minded, Tunisia has much to offer in the way of artistic and architectural heritage: the El Djem amphitheatre that is second to none in size and grandness save perhaps for the Roman Coliseum; the white houses of Sidi Bou Said that line the rocks overlooking the Mediterranean Sea; unforgettable Carthage and its ruins; the city of Kairouan; the vast stretches of the desert and oases.
Tunisia has no shortage of sunlight which floods its beaches from May to September. Day temperatures stay at around 30° C in most Tunisian resorts, so noons are better spent somewhere in the shade. Meanwhile morning hours and evenings in Tunisia are fantastic. The Mediterranean breeze will also keep you from overheating, as will diving, swimming, and various water sports, all exercised in the warm sea or sunny beaches.
Another sport that Tunisia has excellent facilities for is golf. Virtually every resort town will have a great golf course capable of hosting world-class tournaments. But don't be intimidated – the green fields welcome anyone who wants to enjoy or learn hitting the white ball, or just spend some good time in a company of friends.


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School of Art & Design
about the art school letter from the Director Contact | Visit
BA Art History BFA BFA Visual Art Education Legacy Programs Art History Minor Art Minor (Studio) BA
MA Visual Art Education MA Studio MFA
Art Education Art History Ceramics Drawing Fibers Foundations Furniture Design Graphic Design Metalsmithing Painting Photography Printmaking Sculpture Time-based Media Watercolor
study abroad Parsons Center Visual Resources Library Scholarships Student Organizations Advising
About the Gallery Programs
ART LAB: Artist Workshops for Children ages 8-12
School of Art & Design Gifts Alumni
The School of Art & Design is part of the College of Arts & Sciences
ABOUT THE SCHOOL OF ART & DESIGN
The School of Art & Design at Eastern Michigan University provides students and faculty in art history, studio art and visual art education with an environment that fosters excellence in teaching, creative work and research, and a department-wide focus on student-centered learning.
Students are provided with a range of academic and professional experiences in and beyond the classroom. These activities:
Provide a solid foundation in the skilled use of materials, tools and techniques associated with a wide range of artistic and classroom practices.
Promote interest in and knowledge of key issues and processes relating to contemporary and historical art, artists and educators.
Engender comprehension of visual language as a means of communication.
Foster an understanding of the larger role that the visual arts and design play in society.
Enable students to explore issues of diversity, especially in terms of the art world and its cultural influences and audiences.
Encourage experimentation, intellectual risk-taking, and critical reading/writing/thinking.
The School of Art & Design at EMU consists of four undergraduate concentrations (graphic design, 2D, 3D and Photography / new media) and three graduate programs in studio art, art history and visual art education. They are tightly interrelated, sharing faculty, facilities, resources and a common interest in the understanding, creation and advancement of visual art. Synergies often develop as students and faculty work together within and across various program areas.
The programs range in size and focus from the Visual Arts Education program that leads its peers in the outstanding preparation of art teachers, to an Art History program that not only helps EMU art and general education students understand their shared visual culture, but has provided additional leadership and outreach to the community through its development of exhibitions of historical and contemporary art and artists. The Bachelor of Fine Arts and Masters of Fine Arts programs lead the department in the number of majors. They are recognized for their excellence in the preparation of studio artists.
The School of Art & Design consists of 21 full-time tenured or tenure track faculty members and 1 full time lecturer teaching in art history, studio art and visual art education. Our faculty members are experienced, practicing artists and scholars. Nearly all hold the highest degree in their field (PhD or MFA). The student to faculty ratio is 14/1. The average class size is 14 for studio art and visual art education, and an average of 35 in art history. Nearly all art major classes are taught by regular, full-time faculty.
114 Ford Hall