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Paris Contemporary Art Galleries Guide
19 November 2011 by Lindsey Marsh 14353
Nick Van Woert's "Anatomy" installation at Yvon Lambert Gallery, Paris, 2011. Photo courtesy of Yvon Lambert Gallery. With an average of 5.7 million people per year visiting the Louvre and 3 million going to the Musée d'Orsay, it can be easy to see Paris as a place to visit for the history rather than the future of art. Cities such as London, Berlin and New York are seen as centers for contemporary art. Yet, despite bursting at the seams with new art, Paris doesn't have the same reputation. The contemporary art scene in Paris is well and truly established; you just need to know where to look. The contemporary art market is one of the very few industries thriving in the current financial storm. Nobody knows why collectors continue to invest in art, but it's a trend that is increasing, especially in Paris where a number of new art spaces have opened in the last two years. In 2010 the international giant Gagosian Gallery opened its doors in Paris, along with the Gaîté Lyrique, a government-run community center focused on the digital arts. Another gallery that got everybody talking was LE BAL in the Paris 18th, although discussion was focused more on its café's delicious brunch menu than the art on display. So where to start? Exploring contemporary art in Paris can be divided into three main categories: white spaces, public galleries and events. Cristina Iglesias exhibition at Marion Goodman Gallery, Paris. Photo courtesy of Marion Goodman Gallery. White spaces Like McDonald's restaurants, contemporary art galleries look the same all over the world. They have white walls, minimal but effective lighting, and an attendant in the corner wearing thick-rimmed glasses and staring at a MacBook Pro. Repetitive, yes, but it's a formula that works well and sells artwork. These white cubes are usually private galleries that either work as dealers for the artists or which rent their space to art dealers for displays. They are normally free to visit and vernissages (exhibition opening parties) are often held with wine and canapés to attract potential clients. Despite its name, La Maison Rouge is a huge white space located just five minutes' walk from place de la Bastille. Although a private gallery, it charges an entrance fee, but visitors certainly get their money's worth as it is the place to be if you want to see controversial, thought-provoking exhibitions featuring the most sought-after international artists. Its current exhibition, entitled Mémoires du Futur, features the collection of Thomas Olbricht, who places contemporary art alongside work from centuries before that influenced it. In the Paris 3rd on the other side of the Bastille you can view the newest art in Paris for free at Galerie Perrotin, Yvon Lambert and the Marion Goodman Gallery. All three galleries have similar settings, with closed doors set back from the main street. Don't be intimidated by the security measures—the design creates an oasis of calm at each. Close by, rue des Coutures-Saint Gervais and rue de Thorigny are almost completely made up of galleries. Vernissages seem to be synchronized, setting the ideal scene for the gallery equivalent of speed dating. For more information about galleries in the areas and vernissage dates, check the Association des Galeries (Parisian Art Galleries Society). Another area with a high concentration of galleries is Saint-Germain-des-Prés in the Paris 6th. Rue de Seine is like a condensed cross-section of Parisian life with cafés, boutiques and galleries such as the Galerie de l'Europe which regularly holds short-run shows by big-name artists. It was inevitable that this area would turn into a hub for contemporary art with the prestigious École nationale supérieure des beaux-arts in the neighborhood, which also exhibits students' works. Lists of galleries and calendars of exhibition openings can be found on the website for Les galeries de Saint-Germain-des-Prés. Centre Pompidou in Paris. Photo: Lindsey Marsh Public galleries An impressive public investment has been made in contemporary art in Paris and surrounding areas, most notably at Centre Pompidou. Although its permanent collection focuses mainly on twentieth-century art, the museum often hosts temporary exhibitions and events in its ground-floor gallery and Galerie Sud (South Gallery) presents fresh art. Palais de Tokyo vernissage at Las Flamingos 2002. Photo: Christelle Lheureux Down by Pont de l'Alma in the Paris 16th, next-door neighbors Palais de Tokyo and Musée d'Art Moderne de la Ville de Paris should not be missed, if only for their amazing views of the Seine and Eiffel Tower. The Palais de Tokyo is at the cutting edge of new art and its exhibitions never fail to please. Its shop also has a huge selection of art books and magazines; and you may choose to stop at its low-priced cafeteria Tokyo Self or a stylish and more expensive restaurant, Tokyo Eat. The Musée d'Art Moderne de la Ville de Paris shows older art, but it also holds contemporary exhibitions of living artists, such as the controversial Larry Clark show in 2010, which divided opinions as it contained pornographic images of teenagers. However,…
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Nick Van Woert's "Anatomy" installation at Yvon Lambert Gallery, Paris, 2011. Photo courtesy of Yvon Lambert Gallery.
With an average of 5.7 million people per year visiting the Louvre and 3 million going to the Musée d'Orsay, it can be easy to see Paris as a place to visit for the history rather than the future of art. Cities such as London, Berlin and New York are seen as centers for contemporary art. Yet, despite bursting at the seams with new art, Paris doesn't have the same reputation. The contemporary art scene in Paris is well and truly established; you just need to know where to look.
The contemporary art market is one of the very few industries thriving in the current financial storm. Nobody knows why collectors continue to invest in art, but it's a trend that is increasing, especially in Paris where a number of new art spaces have opened in the last two years. In 2010 the international giant Gagosian Gallery opened its doors in Paris, along with the Gaîté Lyrique, a government-run community center focused on the digital arts. Another gallery that got everybody talking was LE BAL in the Paris 18th, although discussion was focused more on its café's delicious brunch menu than the art on display.
So where to start? Exploring contemporary art in Paris can be divided into three main categories: white spaces, public galleries and events.
Cristina Iglesias exhibition at Marion Goodman Gallery, Paris. Photo courtesy of Marion Goodman Gallery.
White spaces
Like McDonald's restaurants, contemporary art galleries look the same all over the world. They have white walls, minimal but effective lighting, and an attendant in the corner wearing thick-rimmed glasses and staring at a MacBook Pro. Repetitive, yes, but it's a formula that works well and sells artwork. These white cubes are usually private galleries that either work as dealers for the artists or which rent their space to art dealers for displays. They are normally free to visit and vernissages (exhibition opening parties) are often held with wine and canapés to attract potential clients.
Despite its name, La Maison Rouge is a huge white space located just five minutes' walk from place de la Bastille. Although a private gallery, it charges an entrance fee, but visitors certainly get their money's worth as it is the place to be if you want to see controversial, thought-provoking exhibitions featuring the most sought-after international artists. Its current exhibition, entitled Mémoires du Futur, features the collection of Thomas Olbricht, who places contemporary art alongside work from centuries before that influenced it. [View the artist's statement presented in video at the link above.]
In the Paris 3rd on the other side of the Bastille you can view the newest art in Paris for free at Galerie Perrotin, Yvon Lambert and the Marion Goodman Gallery. All three galleries have similar settings, with closed doors set back from the main street. Don't be intimidated by the security measures—the design creates an oasis of calm at each. Close by, rue des Coutures-Saint Gervais and rue de Thorigny are almost completely made up of galleries. Vernissages seem to be synchronized, setting the ideal scene for the gallery equivalent of speed dating. For more information about galleries in the areas and vernissage dates, check the Association des Galeries (Parisian Art Galleries Society).
Another area with a high concentration of galleries is Saint-Germain-des-Prés in the Paris 6th. Rue de Seine is like a condensed cross-section of Parisian life with cafés, boutiques and galleries such as the Galerie de l'Europe which regularly holds short-run shows by big-name artists. It was inevitable that this area would turn into a hub for contemporary art with the prestigious École nationale supérieure des beaux-arts in the neighborhood, which also exhibits students' works. Lists of galleries and calendars of exhibition openings can be found on the website for Les galeries de Saint-Germain-des-Prés.
Centre Pompidou in Paris. Photo: Lindsey Marsh
An impressive public investment has been made in contemporary art in Paris and surrounding areas, most notably at Centre Pompidou. Although its permanent collection focuses mainly on twentieth-century art, the museum often hosts temporary exhibitions and events in its ground-floor gallery and Galerie Sud (South Gallery) presents fresh art.
Palais de Tokyo vernissage at Las Flamingos 2002. Photo: Christelle Lheureux
Down by Pont de l'Alma in the Paris 16th, next-door neighbors Palais de Tokyo and Musée d'Art Moderne de la Ville de Paris should not be missed, if only for their amazing views of the Seine and Eiffel Tower. The Palais de Tokyo is at the cutting edge of new art and its exhibitions never fail to please. Its shop also has a huge selection of art books and magazines; and you may choose to stop at its low-priced cafeteria Tokyo Self or a stylish and more expensive restaurant, Tokyo Eat.
The Musée d'Art Moderne de la Ville de Paris shows older art, but it also holds contemporary exhibitions of living artists, such as the controversial Larry Clark show in 2010, which divided opinions as it contained pornographic images of teenagers. However, the gritty subject matter did not stop the endless line of visitors for the entire duration of the exhibition.
Two galleries located a little further afield but definitely worth the trek are the galleries at Parc de la Villette and the Musée d'art contemporain du Val-de-Marne or MAC/VAL, as it is known. Parc de la Villette is focused on music but its gallery space attracted a lot of attention for last year's solo exhibition of work by hyper-realist sculptor Duane Hanson and its current video art group show L'Oeil sur les rues (Eyes on the Street).
MAC/VAL is a temple of contemporary art based in the southern Paris suburb of Val-de-Marne. Its collection includes a large amount of French artists and has a huge space for temporary exhibitions. It's worth spending at least half a day there so you can take a free tour around the collection, walk in the sculpture garden and relax in the casual restaurant with great food at a low price.
Nuit Blanche 2010 light show on Pont St-Louis. Photo: flavouz
Major Paris art events
Paris has so many art places to visit that it's possible art could dominate an art fan's visit. If you seek a crash course in contemporary art, visit during one of many contemporary annual art events in Paris, such as MAC2000 on November 24-27. The event showcases the newest talent and gives them the opportunity to meet art collectors and dealers.
Other major annual Paris art events include Paris Photo, a three-day photography event scheduled for November 15-18, 2012, and FIAC, an annual October international expo attended by the most prestigious private galleries from all over the world.
However, the most important date to put in your diary usually happens the first Saturday of October when the City of Paris presents Nuit Blanche. This is an all-night event with a packed program of art-themed events that happen throughout the city. If you make it to dawn you can collect your free breakfast at Hôtel de Ville.
The best way to see how Paris artists live and work in their studios is to attend one of the many "Portes Ouvertes" in Paris when the artists of an area open their doors to the public. The main areas these events take place in are Montreuil, Bastille, Ménilmontant and Belleville. They are a valuable opportunity to meet the artists, see them in action and perhaps even buy their work. These events are normally well advertised around the area and you can check the City of Paris website for the calendar. Two organizations that support French visual arts, Fondation d'Entreprise Ricard and FRAAP, also publicize upcoming events on their websites. To feel even more part of the art community check out 104 CentQuatre in the Paris 19th, Frigo in the Paris 13th and legal artists' squat colony, 59Rivoli in the Paris 1st. These modern live-work-exhibition studios push the boundaries of what an art gallery should be.
PHOTO CREDITS: intro small photo, Palais de Tokyo vernissage at Las Flamingos 2002. Photo: Christelle Lheureux; Nick Van Woert's "Anatomy" installation at Yvon Lambert Gallery, Paris, 2011. Photo courtesy of Yvon Lambert Gallery; Marion Goodman Gallery, Paris. Photo courtesy of Marion Goodman Gallery; Centre Pompidou. Photo: Lindsey Marsh; and Nuit Blanche 2010 light show on Pont St-Louis. Photo: flavouz.
Lindsey Marsh is the BonjourParis arts editor at large. Please click on her name to learn more about her and to view her past stories published here.
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Old Church Bell by Cindy Riley - 8.000" x 6.000"
Old Church Bell framed print by Cindy Riley. Bring your print to life with hundreds of different frame and mat combinations. Our framed prints are assembled, packaged, and shipped by our expert framing staff and delivered "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.
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The inspiration cAme from here By Galveston. A Boak I saw started it. Then when went in to town parked across from the old church. in our town we still have an old bell that rings. it is sound so beautiful. My brother in law use to ring it as a young man. THANK YOU FOR VISITING.


We're now up to the ninth post in our consistently excellent methodology and narrative mini-forum, and this one was contributed by Noelani Goodyear-Kaʻōpua. Noelani is an Associate Professor of Political Science, with an emphasis in Indigenous Politics, at the University of Hawai'i at Mānoa. She has published on issues of identity, indigeneity and praxis in Hawai'i. Her first book, The Seeds We Planted: Portraits of a Native Hawaiian Charter School, was recently published by the University of Minnesota Press. Her second book, Ea: Hawaiian Movements for Life, Land and Sovereignty (Duke University Press, forthcoming), is a collection co-edited with Ikaika Hussey and Kahunawai Wright that explores late-20th and early 21st century Hawaiian organising for justice and self-determination. More recently, she has also become interested in the intersections of energy and food politics with Indigenous social and political health.
Native novelist and scholar, Thomas King, reminds us that "stories are wondrous things. And they are dangerous." In The Truth About Stories, he argues that's all we are: stories. Empires are built on great stories. But on the other hand, anti-imperialist movements have also been motivated and sustained by narratives of personal and collective experience.
In my own home—Hawaiʻi—we lived for almost a century with the narrative that the US takeover was legitimate and that Kanaka Maoli (Indigenous Hawaiians) did not resist the US annexation of the islands. This story is even memorialized in a statue of US President William McKinley that fronts the public high school in Honolulu named after him. He is portrayed stately holding a document. If one were to climb up onto that eight-ton statue and peer over McKinley's shoulder, she would see 'Treaty of Annexation' carved into the bronze. And this is one of the dangers of stories; sometimes they are completely false. In fact, an approved Treaty of Annexation never came to President McKinley's desk for his signature.
The groundbreaking work of Noenoe K. Silva, in her book Aloha Betrayed, demonstrated that through a massive organized effort, Kanaka Maoli successfully defeated attempts to push a treaty through the US Congress in the mid-1890s. Over 38,000 Hawaiians defended their political sovereignty and recognized independence by signing petitions against the merging of the Hawaiian Kingdom and the United States. It was only when scholars began taking the narratives in Hawaiian language newspapers, Native oral histories and in Hawaiian songs and chants seriously that a century-long fiction was peeled back. The recovery of these stories has been incredibly generative for a new generation of scholars and activists who are now describing the relationship between the US and Hawai'i as a prolonged, military occupation.
Narratives can be powerful because they have material consequences. Stories can be written on the lands that we inhabit. I grew up flanked by the consequences of the ways imperial narratives are made reality and Indigenous narratives dismissed as archaic. I grew up alongside the largest sheltered body of water in the Hawaiian Islands, Kāneʻohe Bay, approximately 12.7 kilometers from farthest northwest and southeast points and about 4.3 kilometers wide. Kāneʻohe Bay contains one of the only barrier reefs in the Hawaiian Islands and can be quite shallow in parts, filled as it is with coral reefheads and sandbars. As such, it was Pearl Harbor, rather than Kāneʻohe Bay, that became the US Navy's center in Hawai'i because of the Navy's need for deep water portage for its massive warships. However, the south side of Kāneʻohe Bay is shielded by Mokapu peninsula and upon that headland, the US built a Marine Corps base complex that includes airfields, military housing, training and recreational facilities. For Native Hawaiians, the name Mokapu speaks to the significance of the place. "Mokapu" is a contraction of the words "moku kapu," literally a "sacred and reserved land," and it is known in Hawaiian mo'olelo (narratives) as a site of godly creation and of human burial.
I spent many hours playing in the shallows of the bay as a child. Frequently, over the sounds of my dog's paws splashing through the water as she bounded after tiny fish, we would hear US military jets flying overhead or revving their engines at sea level. With my back to the mountains behind me, I would look to the right and see the distant silhouettes of huge buildings on the Marine Corps base at Mokapu. In contrast, to my left sat one of the largest remaining fishponds in the islands, built over 600 years ago and used continuously until the 20th century to provide for easy access to fish, especially during the winter months when deep sea fishing can be dangerous. On one side of me was an active site for the launching of death machines, and on the other, a largely forgotten site for the sustainable raising of fish, the most important protein in the Indigenous Hawaiian diet. By the late 1970s, when I was a small child, the 88-acre pond's 1.3-mile outer rock wall was so overgrown with mangrove that I could not even tell what it was. The stories of the role this pond played in feeding the people of my community in earlier generations had been so silenced that I did not even know it existed, even when we stumbled through the tangled hedge and onto its wall.
As advocates of narrative approaches to international relations and critical political studies assert, one of the benefits of narrative is that it can allow a reader or listener to feel, at a human level, various kinds of social phenomena that are typically described in cold and disembodied terms. For example, I could simply tell you that 25% of the land on the island I live on is controlled by the US Department of Defense and that US Pacific Command, headquartered at Camp Smith above Pearl Harbor, extends US power by claiming an "area of responsibility" that encompasses about half the earth's surface and more than 50% of the worlds population. In its own official description, USPACOM's reach stretches "from the waters off the west coast of the U.S. to the western border of India, and from Antarctica to the North Pole." While stunning, these statements alone do not allow us to see and feel what such imperial reach means in people's lives and lands.
I came to the Critical Methodological and Narrative Developments in IR symposium in Toronto as an outsider to the field. One of the things that struck me most about the October gathering was how much suspicion and resistance my co-participants in IR face from the dominant voices and institutions in their discipline when they seek to use narrative approaches. My own work has been informed by fields that have long embraced the usefulness of narrative approaches and have explored the ethical imperatives of engaging narratives that emerge from marginalized communities. Indigenous studies methodologies recognize the fundamental importance of Native people narrating our own pasts, presents and futures. For instance, Gerald Vizenor emphasises the continuance of Native narratives of "survivance," a term which emphasizes "renewal and continuity into the future" rather than loss and mere survival "through welcoming unpredictable cultural reorientations".
In Pacific Islands Studies, Epeli Hau'ofa similarly transformed dominant approaches to studying the Pacific by abandoning conventional social science methods that posited a belittling, "islands in a far sea"-view of Oceania. Instead he showed the importance of story and of playfulness for articulating an expansive view of Oceania as "our sea of islands". This storied view is empowering but not without critical examinations of power. Our short time together in Toronto only underscored, for me, the importance of further dialogue and collaboration between scholars seeking to make interventions in IR and those of us working in other fields but who also deal with narratives of peoples who are profoundly impacted by the material consequences of dominant international relations practices.
Finally, I left the workshop feeling a renewed sense of urgency to think about a central question that should drive narrative methodologies: To what accountabilities do different narratives call us to attend? Or as Thomas King put it in The Truth About Stories, "Don't say in the years to come that you would have lived your life differently if only you had heard this story. You've heard it now." What will you do with it?
 See Karl Kroeber, "Why It's a Good Thing Gerald Vizenor Is Not an Indian," in Survivance: Narratives of Native Presence (Lincoln and London: University of Nebraska Press, 2008), 25.
Another interesting piece from "The Disorder of Things" on methods and IR. Well worth a look.
A really powerful set of thoughts. Your comment, "To what accountabilities do different narratives call us to attend?", which I must have also heard in the workshop, has influenced my thinking. It captures the ambiguity of narrative, but gives it sudden ethical shape. Stunning clarity. Thank you Noelani.


The Crested Butte Mountain Resort offers fantastic Rocky Mountain vacations, both in the winter and the summer. The resort boasts some of the regions best skiing and snowboarding and offers a range of fun activities during the summer months. The resort also features a number of high quality lodges and hotels.
The Crested Butte Mountain Resort offers a wide range of lodging and accommodations designed to fit any desire and price requirements. Whether visitors are looking for a standard hotel room located near the main village or a fully equipped house-style condo large enough for the whole family, Crested Butte has got it. Guests will have their choice of ski in/ski out hotel facilities, which offer quick skiing or walking access to the runs and lifts, or secluded mountain condos that can easily be reached via walking or by shuttle. Two of the most popular lodging choices offered by the resort include the Lodge at Mountaineer Square and the Elevation Hotel and Spa.
The Lodge at Mountaineer Square is centrally located in the heart of the resorts base area, which provides close access to the bases shops, cafs, bars, restaurants and access to the ski lifts. The lodge features Trackers Bar, a lounge set in a relaxing environment. Comfortable chairs, a full service bar and a large stone fireplace help ensure that guests can relax in style. The Alpenglow Art gallery showcases a number of unique artworks. There is a rooftop pool and spa with open sky views and fantastic mountain scenery. The Lodge at Mountaineer Square is also equipped to host business and corporate functions and special events from 20 to 500 people. The Grand Ballroom is eloquently decorated. Guests can choose from a variety of room choices, including King rooms, standard rooms, studio suites, deluxe suites, one bedroom suites, two bedroom suites and large and spacious Penthouse suites.
The Elevation Hotel and Spa is located just steps from the main lifts and offers luxury and style to guests of the Crested Butte Mountain Resort. This ski in/ski out property offers a full range of spa services and the 9380 Restaurant. The spa and fitness center has more than 11,000 square feet of space and treatment rooms. Guests can choose from standard rooms, double rooms, junior suites and suites. Guestroom amenities include an indoor heated swimming pool and hot tub, free yoga classes, ski valet services, free ski storage, ski rental services, free wireless internet, access to a sundeck with fire pit, guest laundry facilities, in-suite dining and a 24 hour front desk. Guests can also enjoy an aprs ski cocktail at the outside Slopeside Deck. The Mountaineer Conference Center is located just next door and provides plenty of space to host corporate and business meetings or other special events.
Other accommodation choices include the Grand Lodge, the Ponderosa Condominiums, The Mountain Edge Condominiums, Paradise Condominiums, Whetstone Condominiums, Elk Ridge II, the Black Bear Lodge, Crested Mountain North townhouses and Evergreen Condominiums.
The Crested Butte Mountain Resort is Colorados most exciting ski and snowboard resort and has accommodations to fit the needs of every visitor.


The year 2018 has been primarily dedicated to the period cinema; most of the films released this year are basically periodic. From 'Prahuna' starring Kulwinder Billa and Wamiqa Gabbi to Afsar starring Tarsem Jassar and Nimrat Khaira, these all became an instant hit among the audiences. So, working on this sure short success mantra Prince of Pollywood and Punjabi music industry has announced his upcoming movie titled 'Nanka Mel', which is also a periodic film.
'Nanka Mel' is a term which is basically used for the guests from the Maternal home. In old times, on the occasion of marriage, these were considered as most important among other guests. The upcoming movie 'Nanka Mel' will highlight this crucial part of Punjab's culture.
A few days back, Roshan Prince announced this film on his social media account. Like any other movie, people were eagerly waiting for the other details of the movie. To put a full stop to the curiosity of audiences Roshan Prince posted a video on his Instagram account and introduced the whole star cast of film 'Nanka Mel'.
The star cast of the film includes Laavan Phere lead pair Roshan Prince and Rubina Bajwa. Along with them Hobby Dhaliwal, Harby Sangha, Nirmal Rishi, Sunita Dheer, Sardar Sohi, Anita Devgan, Malkit Rauni, Harinder Bhullar, Arun Bali, Rupinder Rupi, Gurmeet Sajan, Rana Jang Bahadur, Narinder Neena, Vijay Tandon will also be seen playing pivotal roles. Roshan Prince has also mentioned that total 50 plus artists will be in the film. And this star-studded caper will be directed by Prince Vijay Singh and Simranjit Singh Hundal.
Have a look at the video!!!
The star cast of the film guarantees the success of the film. We are sure that these details of the film will surely increase the anticipation of the film among people. Nanka Mel will hit the theatres in 2019.


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Az ingolák (Petromyzontida) a gerincesek altörzsének egyik ősi osztálya. A korábbi rendszertanokban a körszájúakhoz (Cyclostomata) sorolták őket. Egyetlen élő rend tartozik közéjük.

Átalakulással fejlődnek, sok közöttük az anadrom faj. Szemük nem csökevényesedett el, porcos kopoltyúkosaraik és fejlett hátúszójuk van. Orrüregük nincs kapcsolatban az előbéllel.

Parazita és nem parazita életmódú fajaik is vannak.

Az ingolák rosszul fosszilizálódnak, ezért kevés lelet ismert.

Rendszerezés
 Jamoytius nem
 Endeiolepis nem
 Euphanerops nem
 Ingolaalakúak (Petromyzontiformes) rendje
 Ingolafélék (Petromyzontidae) családja
 Geotriinae alcsalád
 Geotria nem
 Mordaciinae alcsalád
 Mordacia nem
 Petromyzontinae alcsalád
 Caspiomyzon nem
 Eudontomyzon nem
 Ichthyomyzon nem
 Lampetra nem
 Lethenteron nem
 Petromyzon nem
 Tetrapleurodon nem

További információk
 Tolweb.org
 BiologyBrowser
 CABI
 Cambridge Scientific Abstracts
 BIOSIS
 Applied Ecology and Environmental Research

Gerinchúrososztályok

redpajama_set_name: RedPajamaWikipedia


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brooklyn bridge puns
While you're browsing our collection of jokes, be sure to rate your favorites and share with your friends and kappit! We are always adding new content to this section so be sure to check back often. There's no Brook(lyn) too big to bridge. Being such an extraordinary bridge means a lot of people have said a lot of things about her. George C. Parker was known as the greatest con-man in American history, managing to sell landmark items like Madison Square Gardens, the Statue of Liberty and, you guessed it, the Brooklyn Bridge.. Cry me a river build a bridge and get over it.
Be sure to check out these IG captions for the Brooklyn Bridge and the Golden Gate Bridge and read on for our list of 22 bridge Instagram captions. 11 Silly Brooklyn Bridge Puns & Instagram Captions If you're trying to think of what to caption your killer photo of the Brooklyn Bridge — I'm here to help!
Check out some of the most clever, cute and funny quotes about The Brooklyn Bridge. There are plenty of other contexts you can use a bridge in and you'll find them all here. How to Use these New York Puns & Jokes. The Best Brooklyn Bridge Puns for Brooklyn Bridge Instagram Captions . Here are my favorite Brooklyn Bridge puns for every circumstance.
Harsh, if it's said to you but funny if it isn't. Here are some so-bad-they're-good Brooklyn Bridge puns to choose from. Today it's a symbol of strength and vitality. Close. Pin for later! ... the Brooklyn Bridge, and Penn Station for you to listen to before (or during) ... Pin these New York Puns & New York Instagram Captions for Your Trip! They should call this Shooklyn Bridge, because the views are crazy. Read Next: 101 Fabulous Quotes about New York & New York Instagram Captions . People will tell you that you shouldn't burn any bridges and others will tell you that's the only way to keep from being followed. Need a funny pun for a bridge name. It's pretty mainstream. Of course, things changed in the past decades, but the jokes still make sense. "Bridge Humor" is out-of print but you can pick up old copies from Amazon. 135 years ago, it was a source of controversy.
"Classsic Kantar - A Collection of Bridge Humor" is a new book and is actually an updated compilation of "Bridge Humor" and "The Best of Eddie Kantar". Watch as the camera pans around to deliver views of the Brooklyn Bridge, which was designated as a National Historic Landmark in 1964. The incident began around noon, according to …
In fact, it is reported (whether it's true is another matter) that he sold the Brooklyn Bridge at least twice a week, one time for as much as $50,000. I'll call you Crooklyn Bridge, because you stole my heart. New York, the city that never sleeps, is the city which has its photos taken and shared, thousands of times in a day.
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2020 brooklyn bridge puns.

redpajama_set_name: RedPajamaCommonCrawl


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Home / Abia state / Africa / CAN / China / chinese / okezie ikpeazu / Abia's first automated shoe factory ready before May - Ikpeazu, as 30 trainees return from China
Abia's first automated shoe factory ready before May - Ikpeazu, as 30 trainees return from China
Unknown Wednesday, February 07, 2018 Abia state, Africa, CAN, China, chinese, okezie ikpeazu
www.odogwublog.com reports that the first automated Abia shoe factory will be inaugurated before May this year, according to the State Government.
Governor Okezie Ikpeazu who disclosed this at a reception organized for the first batch of 30 trainees of the Abia- China automated shoe training programme at the Abia Lodge, Aba, said Abia would soon become the industrial hub of Africa.
He said that the trainees would form the nucleus of the Abia shoe factory "on whose shoulders will rest the responsibility of training others."
Ikpeazu thanked them for doing the state proud and for returning home after the training.
"The new shoe economy of Abia state and Africa now rests on your shoulders", he said.
According to him, the remaining youths out of the 100 proposed for the training will be sent to China after the completing the construction of the Abia shoe factory.
Dr Ikpeazu used the forum to advise Nigerians to turn their huge population to advantage just like China.
He commended the coordinators of the programme, Mr Sam Hart and Mr Chinenye Nwogu for their initiative and commitment.
In his admonition, the former state chairman of the Christian Association of Nigeria (CAN), Bishop Goddy Okeafor enjoined the trainees to put God first in all they do, pursue excellence and integrity and appreciated the Governor for re positioning the state for the better.
Responding on behalf of others, two of the trainees, Mrs Nancy Anyatonwu and Mr Earnest Ifeanyi described the training as a huge success as they have acquired a lot of knowledge and appealed to the Governor to acquire automated shoe machines as it will enhance the economy of the state.
Abia's first automated shoe factory ready before May - Ikpeazu, as 30 trainees return from China Reviewed by Unknown on Wednesday, February 07, 2018 Rating: 5
okezie ikpeazu


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About JMST
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J. Mater. Sci. Technol. ›› 2020, Vol. 48: 57-62.DOI: 10.1016/j.jmst.2020.01.056
• Letter • Previous Articles Next Articles
Ytterbium aluminum garnet (Yb3Al5O12) is considered as a promising thermal barrier material. However, the main limitations of Yb3Al5O12 for thermal barrier applications are relative low thermal expansion coefficient and high thermal conductivity. In order to overcome these obstacles, herein, a new high entropy (Y0.2Yb0.2Lu0.2Eu0.2Er0.2)3Al5O12 ceramic was designed, and then powders and bulk were prepared through solid-state reaction method and spark plasma sintering (SPS), respectively. The thermal expansion coefficient of HE (Y0.2Yb0.2Lu0.2Eu0.2Er0.2)3Al5O12 is (8.54 ± 0.29) × 10-6 K-1 at 673 K-1273 K, which is about 9% higher than that of Yb3Al5O12. The thermal conductivity of HE (Y0.2Yb0.2Lu0.2Eu0.2Er0.2)3Al5O12 ceramic is 3.81 W·m-1 K-1 at 300 K, which is about 18 % lower than that of Yb3Al5O12. Moreover, there is no reaction between HE (Y0.2Yb0.2Lu0.2Eu0.2Er0.2)3Al5O12 and thermally grown (TG) Al2O3 even at 1600 °C. After annealing at 1590 °C for 18 h, the average grain size of HE (Y0.2Yb0.2Lu0.2Eu0.2Er0.2)3Al5O12 increases only from 1.56 μm to 2.27 μm. Close thermal expansion coefficient to TG Al2O3, low thermal conductivity, good phase stability, excellent chemical compatibility with TG Al2O3 and slow grain growth rate make HE (Y0.2Yb0.2Lu0.2Eu0.2Er0.2)3Al5O12 promising for thermal barrier applications.
Key words: High entropy ceramics, (Y0.2Yb0.2Lu0.2Eu0.2Er0.2)3Al5O12, Thermal barrier coatings, Thermal conductivity, Garnet
Heng Chen, Zifan Zhao, Huimin Xiang, Fu-Zhi Dai, Wei Xu, Kuang Sun, Jiachen Liu, Yanchun Zhou. High entropy (Y0.2Yb0.2Lu0.2Eu0.2Er0.2)3Al5O12: A novel high temperature stable thermal barrier material[J]. J. Mater. Sci. Technol., 2020, 48: 57-62.
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URL: https://www.jmst.org/EN/10.1016/j.jmst.2020.01.056
https://www.jmst.org/EN/Y2020/V48/I0/57
Figures/Tables 9
Fig. 1. XRD patterns of samples heated to 1500 °C/1550 °C/1600 °C.
Fig. 2. XRD pattern of as-synthesized (Y0.2Yb0.2Lu0.2Eu0.2Er0.2)3Al5O12 powders together with those of Eu3Al5O12, Er3Al5O12, Yb3Al5O12, Lu3Al5O12 and Y3Al5O12 from JCPDF cards.
Fig. 3. High temperature XRD patterns of HE ((Y0.2Yb0.2Lu0.2Eu0.2Er0.2)3Al5O12 in the temperature range of 298 K-1273 K.
Fig. 4. Variation of normalized cell dimensions (a and V) of HE ((Y0.2Yb0.2Lu0.2Eu0.2Er0.2)3Al5O12 versus temperature.
Table 1 Least-squares fitting results of the normalized cell dimensions for HE (Y0.2Yb0.2Lu0.2Eu0.2Er0.2)3Al5O12.
Normalized unit cell dimension
B×10-5
C×10-9
(Y0.2Yb0.2Lu0.2Eu0.2 Er0.2)3Al5O12 a/a298K 0.9999 1.1303 -2.1537 0.9975
V/V298K 0.9996 3.3969 -6.2674 0.9975
Fig. 5. (a) Surface SEM image of HE (Y0.2Yb0.2Lu0.2Eu0.2Er0.2)3Al5O12, (b)-(f) corresponding EDS mappings of Y, Yb, Lu, Eu and Er elements.
Fig. 6. Thermal conductivity and thermal diffusivity of HE (Y0.2Yb0.2Lu0.2Eu0.2Er0.2)3Al5O12 versus temperature curves.
Fig. 7. XRD patterns of HE (Y0.2Yb0.2Lu0.2Eu0.2Er0.2)3Al5O12/Al2O3 after annealing at 1200 °C/1400 °C/1600 °C for 1 h in air.
Fig. 8. Average grain sizes of HE (Y0.2Yb0.2Lu0.2Eu0.2Er0.2)3Al5O12 specimens after annealing at 1590 °C for 1, 6, 12 and 18 h, together with those of (Y0.25Yb0.25Er0.25Lu0.25)2(Zr0.5Hf0.5)2O7, Yb2Zr2O7 and Y2O3 [24].
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Related Articles 15
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[2] Shuaihang Qiu, Mingliang Li, Gang Shao, Hailong Wang, Jinpeng Zhu, Wen Liu, Bingbing Fan, Hongliang Xu, Hongxia Lu, Yanchun Zhou, Rui Zhang. (Ca,Sr,Ba)ZrO3: A promising entropy-stabilized ceramic for titanium alloys smelting [J]. J. Mater. Sci. Technol., 2021, 65(0): 82-88.
[3] Yanchun Zhou, Biao Zhao, Heng Chen, Huimin Xiang, Fu-Zi Dai, Shijiang Wu, Wei Xu. Electromagnetic wave absorbing properties of TMCs (TM=Ti, Zr, Hf, Nb and Ta) and high entropy (Ti0.2Zr0.2Hf0.2Nb0.2Ta0.2)C [J]. J. Mater. Sci. Technol., 2021, 74(0): 105-118.
[4] Nan Sun, Pei-Long Li, Ming Wen, Jiang-Feng Song, Zhi Zhang, Wen-Bin Yang, Yuan-Lin Zhou, De-Li Luo, Quan-Ping Zhang. Insights into heat management of hydrogen adsorption for improved hydrogen isotope separation of porous materials [J]. J. Mater. Sci. Technol., 2021, 76(0): 200-206.
[5] Xutong Yang, Xiao Zhong, Junliang Zhang, Junwei Gu. Intrinsic high thermal conductive liquid crystal epoxy film simultaneously combining with excellent intrinsic self-healing performance [J]. J. Mater. Sci. Technol., 2021, 68(0): 209-215.
[6] Shiyi Wen, Yuling Liu, George Kaptay, Yong Du. A new model to describe composition and temperature dependence of thermal conductivity for solution phases in binary alloys [J]. J. Mater. Sci. Technol., 2020, 59(0): 72-82.
[7] Yuling Liu, Cong Zhang, Changfa Du, Yong Du, Zhoushun Zheng, Shuhong Liu, Lei Huang, Shiyi Wen, Youliang Jin, Huaqing Zhang, Fan Zhang, George Kaptay. CALTPP: A general program to calculate thermophysical properties [J]. J. Mater. Sci. Technol., 2020, 42(0): 229-240.
[8] Heng Chen, Zifan Zhao, Huimin Xiang, Fu-Zhi Dai, Jie Zhang, Shaogang Wang, Jiachen Liu, Yanchun Zhou. Effect of reaction routes on the porosity and permeability of porous high entropy (Y0.2Yb0.2Sm0.2Nd0.2Eu0.2)B6 for transpiration cooling [J]. J. Mater. Sci. Technol., 2020, 38(0): 80-85.
[9] Mulin Liu, Naoki Takata, Asuka Suzuki, Makoto Kobashi. Development of gradient microstructure in the lattice structure of AlSi10Mg alloy fabricated by selective laser melting [J]. J. Mater. Sci. Technol., 2020, 36(0): 106-117.
[10] Heng Chen, Huimin Xiang, Fu-Zhi Dai, Jiachen Liu, Yanchun Zhou. High entropy (Yb0.25Y0.25Lu0.25Er0.25)2SiO5 with strong anisotropy in thermal expansion [J]. J. Mater. Sci. Technol., 2020, 36(0): 134-139.
[11] J.S. Cha, D.H. Kim, H.Y. Hong, K. Park. Enhanced thermoelectric performance of spark plasma sintered p-type Ca3-xYxCo4O9+δ systems [J]. J. Mater. Sci. Technol., 2020, 55(0): 212-222.
[12] Lei Lei, Yu Su, Leandro Bolzoni, Fei Yang. Evaluation on the interface characteristics, thermal conductivity, and annealing effect of a hot-forged Cu-Ti/diamond composite [J]. J. Mater. Sci. Technol., 2020, 49(0): 7-14.
[13] F.H. Kuang, S.M. Wang, C. Gao, H.B. Zhang, R.K. Ren, J.L. Ren, J. Tong, Y.M. Liu, J. Liu. Unique microstructure and thermal insulation property of a novel waste-utilized foam ceramic [J]. J. Mater. Sci. Technol., 2020, 48(0): 175-179.
[14] Yujuan Li, Yingkang Wei, Xiaotao Luo, Changjiu Li, Ninshu Ma. Correlating particle impact condition with microstructure and properties of the cold-sprayed metallic deposits [J]. J. Mater. Sci. Technol., 2020, 40(0): 185-195.
[15] Lin Chen, Mingyu Hu, Jun Guo, Xiaoyu Chong, Jing Feng. Mechanical and thermal properties of RETaO4 (RE = Yb, Lu, Sc) ceramics with monoclinic-prime phase [J]. J. Mater. Sci. Technol., 2020, 52(0): 20-28.
Figures/Tables
E-mail: jmst@imr.ac.cn
Address: 72 Wenhua Road, Shenyang, Liaoning, 110016, China
Copyright © Editorial Office of Journal of Materials Sciences and Technology, All Rights Reserved.


text:
The Constable of Normandy was a high office of the Duchy of Normandy, who commanded the Duke of Normandy's army. In 1204, the King of France confiscated the Duchy of Normandy and subsumed it into the crown lands of France. Thereafter, the ducal title was held by several French princes.

List of Constables of Normandy

1041 - Raoul de Gacé
1066 - Hagues II de Monfort
1107 - Robert de Montfort
1144 - Richard I du Hommet
1150 - Richard de La Haye
1180 - Guillaume du Hommet
1212-1252 - Guillaume III du Hommet
1252-1253 - Jean I du Hommet
1253-1272 - Jourdain III du Hommet
1272 - Robert de Mortemer
1277 - Guillaume de Mortemer
1283 - Guillaume Crespin
1283 - Guillaume du Bec-Crespin
1382 - Jean II de Melun
1382-1385 - Jean III de Melun
1385-1415 - Guillaume IV de Melun
1417-1423 - Jacques II d'Harcourt
1423-1487 - Guillaume d'Harcourt
1488-1491 - François I d'Orléans-Longueville
1491-1512 - François II d'Orléans-Longueville
1512-1516 - Louis I d'Orléans, duc de Longueville
1516-1524 - Claude d'Orléans-Longueville
1524-1537 - Louis II d'Orléans, Duke of Longueville
1537-1551 - François III d'Orléans, Duke of Longueville
1551-1573 - Léonor d'Orléans, duc de Longueville
1573-1595 - Henri I d'Orléans, duc de Longueville
1595-1663 - Henri II d'Orléans, Duke of Longueville
1663-1669 - Jean Louis Charles d'Orléans-Longueville
1669-1672 - Charles-Paris d'Orléans-Longueville
1726 - Charles I Frédéric de Montmorency-Luxembourg
1726-1764 - Charles II Frédéric de Montmorency-Luxembourg
1764-1799 - Anne Léon II de Montmorency-Fosseux

References

Constables


Koziarska-Rościszewska M, Rysz J, Stępień M. High prevalence of vitamin D deficiency and its association with metabolic disorders in elderly patients. Family Medicine & Primary Care Review. 2017;19(4):372-376. doi:10.5114/fmpcr.2017.70809.
Koziarska-Rościszewska, Małgorzata, Jacek Rysz, and Mariusz Stępień. 2017. "High prevalence of vitamin D deficiency and its association with metabolic disorders in elderly patients". Family Medicine & Primary Care Review 19 (4): 372-376. doi:10.5114/fmpcr.2017.70809.
Koziarska-Rościszewska, Małgorzata et al. "High prevalence of vitamin D deficiency and its association with metabolic disorders in elderly patients." Family Medicine & Primary Care Review, vol. 19, no. 4, 2017, pp. 372-376. doi:10.5114/fmpcr.2017.70809.
Background. Vitamin D is considered to be an important co-factor of metabolic processes. However, the available data is ambiguous. Some data indicates an important role of vitamin D in adipocyte metabolism, and hence also in obesity – a well-known risk factor of diabetes mellitus and cardiovascular diseases (CVD).
Objectives. To assess the prevalence of vitamin D deficiency and to evaluate the relationship between serum 25(OH)D concentration and metabolic disorders in elderly patients attending primary care.
Material and methods. This observational study was performed on 110 elderly patients: 88 females, 22 males, Caucasian, > 60 years. A questionnaire was completed concerning lifestyle and chronic diseases. Clinical examination, anthropometric measurements and laboratory tests (25(OH)D, lipids, glycemia, blood morphology, serum creatinine, PT H) were performed. BMI and WHR were calculated. Patients reporting physical activity (walking, Nordic walking, swimming, cycling, other) ≥ 150 minutes per week were classified as "physically active".
Results. Vitamin D deficiency (25(OH)D < 30 ng/ml; < 75 nmol/l) was found in 84.5%, extreme deficiency (< 10 ng/ml; < 25 nmol/l) in 6.3%. A significant correlation between serum vitamin D deficiency and visceral obesity was found (p = 0.02). No correlation was found with BMI, physical activity, lipids, diabetes or CVD.
Conclusions. Vitamin D deficiency was found to be highly prevalent in the examined group of elderly people. Visceral obesity in the elderly is associated with vitamin D deficiency. Vitamin D supplementation may supposedly contribute to prevention of obesity and its treatment.


text:
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Xidian Student Awarded the Third Prize in the 14th Japanese Speech Contest in China
Time: Oct 23, 2019
On July 16, the 14th Japanese Speech Contest Finals was held at the Hitotsubashi Hall in Tokyo, Japan. 16 top players who won the special prize in 8 preliminaries across China attended the finals, which were divided into two parts, the prepared speech and the instant question answering. Gong Weiyan, a junior majoring in Japanese won the third prize(JFE special award) and the Special Prize(the most impressive contestant) with a total score ranked the 4th. This is the first time for a Xidian student to enter the finals of this competition and to achieve such an outstanding result. As an honorable moment for both Gong and XDU, it demonstrates not only the excellent professionalism and good spirit of Japanese majors, but also the quality education of the Japanese major.
JFE Special Award
This competition is the highest-level Japanese speech contest in China with college students as its participants. Since 2006, it has been successfully held for 14 times by China Education Association for International Exchange, Nihon Keizai Shimbun(Japan Economic News Agency) and the Association of Chinese Professors in Japan. This contest has been held each year since 2006. Throughout China, 8 preliminary contest regions are set, where two Special Prize winners are selected from each region to enter the grand final in Tokyo. The contest aims to interest Chinese college students in learning Japanese to a high standard and in doing so, to promote mutual understanding and people-to-people exchanges between China and Japan. The year 2019 was designated by the Chinese and Japanese governments as the "China-Japan Youth Exchange Promotion Year". This competition was also included in the series of activities in "China-Japan Youth Exchange Promotion Year".
A Group Photo of Gong Weiyan and Two Chinese Judges, Professor Xiugang (the Left One) and Professor Zhou Yifu(the Right One)
From May to June this year, the preliminaries of the Japanese Speech Contest was held in eight regions in China, with a record high number of over 18,000 students from 263 universities entering. Under the guidance of Professor Lu Lei and foreign teacher Kato Yasuyuki, Gong Weiyan won the special prize in the Preliminaries (Northwest Region) and got a place in the finals in Tokyo. In the finals, the judges from both China and Japan graded contestants' performance in four aspects: content, delivery, pronunciation and grammar. Then, 1 first prize, 2 second prizes, and 3 third prizes (special prize) were selected. Zhou He from Shandong Agricultural University, Zeng Sule from Chengdu Institute Sichuan International Studies University, and Meng Yifan from Jilin University were awarded the first and second prizes respectively.
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text:
Joachim Hasler (* 28. April 1929 in Berlin; † 25. Januar 1995 ebenda) war ein deutscher Regisseur, Drehbuchautor und Kameramann.

Leben
Hasler absolvierte eine Lehre in einem Filmkopierwerk und arbeitete anschließend bei der Agfa Filmfabrik in Wolfen, wo er die Kameramänner Friedl Behn-Grund und Bruno Mondi kennenlernte. Ab 1947 folgte in den DEFA-Studios die Ausbildung zum Kameramann. Sein Kameradebüt gab er 1951 im DEFA-Film Das verurteilte Dorf. Bis 1984 war Hasler auch als Drehbuchautor tätig und führte bei populären DEFA-Filmen wie Heißer Sommer oder Nicht schummeln, Liebling! Regie.

Joachim Hasler war mit der Choreografin und Ballettdirektorin Gisela Walther verheiratet. Er verstarb im Januar 1995 in Berlin. Sein Grab befindet sich auf dem Auferstehungsfriedhof in Berlin-Weißensee.

Filmografie

Als Kameramann
 1951: Sensation in San Remo (Assistent)
 1952: Das verurteilte Dorf
 1953: Die Unbesiegbaren
 1954: Kein Hüsung
 1954: Pole Poppenspäler
 1955: 52 Wochen sind ein Jahr
 1956: Zar und Zimmermann
 1957: Spielbank-Affäre
 1958: Das Lied der Matrosen
 1960: Der schweigende Stern
 1961: Septemberliebe

Als Regisseur
 1957: Gejagt bis zum Morgen – auch Kamera
 1960: Wo der Zug nicht lange hält – auch Kamera, Drehbuch
 1962: Der Tod hat ein Gesicht – auch Kamera, Drehbuch
 1963: Nebel – auch Kamera, Drehbuch
 1965: Chronik eines Mordes – auch Kamera
 1966: Reise ins Ehebett – auch Kamera, Drehbuch
 1968: Heißer Sommer – auch Kamera, Drehbuch
 1970: Meine Stunde Null – auch Kamera
 1972: Nicht schummeln, Liebling! – auch Kamera, Drehbuch
 1978: Hiev up – auch Drehbuch
 1980: Komödianten-Emil – auch Drehbuch
 1981: Ein Engel im Taxi (TV) – auch Drehbuch
 1984: Der Mann mit dem Ring im Ohr – auch Drehbuch

Als Darsteller
 1979: Addio, piccola mia

Auszeichnungen
Als Teil des Kollektives des Spielfilms Das Lied der Matrosen wurde Hasler am 4. Oktober 1959 mit dem Nationalpreis II. Klasse ausgezeichnet.

Literatur
 Olaf Möller: Lokomotivenscher, wolkenleicht. Joachim Hasler und seine Filme. In: Stefanie Mathilde Frank & Ralf Schenk (Hrsg.): Publikumspiraten. Das Genrekino der DEFA und seine Regisseure (1946-90), Schriftenreihe der DEFA-Stiftung, Bertz + Fischer Verlag, Berlin: 2022, ISBN 978-3-86505-421-0, S. 133–147.

Weblinks

 Joachim Hasler Kurzbiografie bei der DEFA-Stiftung

Einzelnachweise

Filmregisseur
Drehbuchautor
Kameramann
Träger des Nationalpreises der DDR II. Klasse für Kunst und Literatur
Person (Berlin)
Deutscher
Geboren 1929
Gestorben 1995
Mann


text:
Gulf War syndrome theory upheld
By Jia-Rui Chong
March 11, 2008 3:46 AM PT
Times Staff Writer
A review of medical studies on Gulf War syndrome supports the theory that the still-hazy disorder was caused by a group of related chemicals found in pesticides used around military facilities and anti-nerve-gas pills given to soldiers, according to a study released Monday.
A similar chemical was also found in nerve gas that was inadvertently released when U.S. soldiers destroyed a munitions depot just after the 1991 war, according to the study published in the Proceedings of the National Academy of Sciences.
The group of chemicals, known as acetylcholinesterase inhibitors, has long been discussed as a possible cause of Gulf War syndrome.
The review "thoroughly, conclusively shows that this class of chemicals actually are a cause of illness in Gulf War veterans," said Dr. Beatrice Golomb, an associate professor of medicine at UC San Diego and the author of the latest paper.
Other researchers, however, said the syndrome's symptoms are so varied that it's probably difficult to place the blame on a single cause.
"It seems clear at this point, 17 years beyond the conflict, that the chances we will ever resolve this with any single 'smoking gun' exposure grows smaller with time," said Dr. Charles Engel, director of the Department of Defense Deployment Health Clinical Center at Walter Reed Army Medical Center in Washington.
Gulf War syndrome is a complex -- and controversial -- illness typically characterized by a variety of symptoms, including fatigue, muscle or joint pain and mood problems. About 200,000 veterans are believed to suffer from it, according to the study.
But there is still uncertainty. A panel of the federal Institute of Medicine said in 2006 that it could not say if there was a coherent set of symptoms that pointed to an identifiable syndrome.
Researchers have proposed a number of potential causes, including psychological stress and exposure to toxic materials from oil-well fires and depleted-uranium ammunition, experts said.
In toxic doses, acetylcholinesterase inhibitors cause unbridled signaling between cells, potentially leading to muscle paralysis, seizures and excess secretion in the airways.
Previous studies have estimated that at least 250,000 soldiers were exposed to some form of the chemical.
Golomb's study looked at more than 70 studies on Gulf War syndrome and acetylcholinesterase inhibitors.
She found that 18 of the 21 epidemiological studies looking at chronic health problems in Gulf War veterans showed a connection to at least one kind of acetylcholinesterase inhibitor exposure.
Golomb also noted several studies that found sick veterans were more likely to have an enzyme problem that lowered their ability to clear the chemicals from their bodies.
Several studies also found Gulf War syndrome-like symptoms in farmworkers exposed to pesticides and victims of the 1995 sarin gas attacks in Japan. Some of the studies showed similar enzyme deficiencies.
The analysis found few studies that confirmed connections to other causes for Gulf War syndrome.
"The importance of this paper is that it brings together research from different realms, which are all parallel and point in the same direction," said Lea Steele, an epidemiologist who has served as scientific advisor to the Department of Veterans Affairs. She was not involved in the analysis.
Engel, of Walter Reed, said he was unconvinced -- in part because there is little, if any, accurate measurement of chemical exposures during the war.
"It is well known that significant error results from looking back years after the fact and asking people to try to recall potential exposures," he said.
jia-rui.chong@latimes.com


text:
"I Won't Spend All My Savings On Assets Just To Impress People On Social Media"-King Promise Says
by ani August 1, 2022, 2:48 pm
Ghanaian musician, Gregory Nii Bortey Newman, widely known as King Promise has reacted to the assertions made by his critics on social media that he would one day go broke and solicit for funds from Ghanaians.
Speaking in an interview with Deloris Frimpong Manso on the Delay Show, King Promise revealed that he spends quite an amount of money on himself because he is an expensive brand and needs to carry himself as such.
He revealed that he brands himself in such a way that he will be highly valued by people who patronize his music and his craftmanship.
He also said that he is not under any pressure to meet up to the standards of anyone because he only buys stuff he can afford just to price himself expensive and highly valuable.
King Promise further intimated that he wouldn't want to impress his fans on social media by spending all his savings on luxurious and expensive jewelries because he thinks twice before spending his money.
"I know where I come from, I use my head when I'm doing anything. If I didn't have much in my account to buy these things, I wouldn't do it. I won't spend all my saving to come and impress people I might not even know who are just on the internet", he said.
"At the end of the day, I have a family to feed, I have a career to build and I have a future to build as well so I won't wake up and just buy anything and at the end of the day whatever I do is for my craft because I'm a brand and I need to invest in my brand", he added.
Watch the video below;
Previous article "I've Never Done Anything With Serwaa Amihere, She's Just A Good Friend"-King Promise Reacts To Dating Rumors
Next article Singer, Fantana Announces Upcoming Project
King Promise Announces '5 Star' World Tour
Only God Knows What We Do To Feed Family – King Promise Writes, Says Nobody Had Him When He Was Hungry
"I Don't Do Drugs But I Drink Alcohol"-King Promise Reveals [Video]
"Wizkid Was My Friend Before I Got My First Hit Song"-King Promise Reacts To Archipalago's Tantrums
"I've Never Done Anything With Serwaa Amihere, She's Just A Good Friend"-King Promise Reacts To Dating Rumors
"I Have A Girlfriend And She's A Ghanaian"-King Promise Reveals [Video]
Singer, Fantana Announces Upcoming Project


Yet, we still struggle in this area.
Create communication protocols and methods with referring physicians.
Attempt to limit the number of phone calls and faxes a physician is receiving – condense orders and signature requirements into one phone call or transmittal whenever possible.
Establish preferred days/times that physicians are more likely to be accessible to agencies for communication and collaboration.
Direct access to hospital and agency EMRs to enhance the ability to proactively gather additional patient specific information and history.
Establish accountability for hospital clinicians to manage Home Health orders until a primary care physician can see the patient, help with Home Health agency with questions, and care coordination.
Follow up with your partners on what is working and what is not and formulate a plan to do better.


With expanded polystyrene (EPS) products from Branch River Plastics, there are no limits, only possibilities.
Since 1978, Branch River's Rhode Island manufacturing facility has supplied customers with customized, made-to-order FoamControl EPS products. The Branch River staff possesses unmatched EPS experience, from our office sales and support personnel to the technicians on the manufacturing floor.


text:
Q: Avoiding multiple elif statements in Python parser for ArcGIS label expressions? My code for labels look like this:
 def FindLabel ( [NAME_GEO] ):
  if [NAME_GEO]=="Tbilisi" :
     return "<BOL><FNT size ='14'>" + [NAME_GEO] + "</FNT></BOL>"
  elif [NAME_GEO]=="soxumi" :
     return "<BOL><FNT size ='12'>" + [NAME_GEO] + "</FNT></BOL>"
  elif [NAME_GEO]=="baTumi" :
     return "<BOL><FNT size ='12'>" + [NAME_GEO] + "</FNT></BOL>"
  else:
     return [NAME_GEO]

It works but as you can see there are two 'elif' statements for cities, which are pretty much the same. If I wish to have more city names with same label properties as it is for "soxumi" and "baTumi", I would need to add more 'elif' statements.
I wanted to change code, so there would be only one 'elif' statement for "soxumi", "baTumi" and any other cities, however I failed... could anyone suggest how to do it?

A: def FindLabel ( [NAME_GEO] ):
  if [NAME_GEO]=="Tbilisi" :
     return "<BOL><FNT size ='14'>" + [NAME_GEO] + "</FNT></BOL>"
  elif [NAME_GEO] in ("soxumi", "baTumi") :
     return "<BOL><FNT size ='12'>" + [NAME_GEO] + "</FNT></BOL>"
  else:
     return [NAME_GEO]


text:
Baroque Sheet Music
Johanne Sebastian Bach's Chromatic Fantasie and Fugue BWV 903
July 31, 2018 July 31, 2018 | The Art of Piano Performance
The Art of Fugue
November 26, 2014 November 28, 2014 | The Art of Piano Performance
In order to analyze, appreciate and comprehend the musical form called fugue, one must first know the various elements that comprise a fugue.
Every fugue has its own individual characteristic, which display a full range of human emotions. From peacefulness and tranquility to anguish and despair. JS Bach used rhythms, motives as well as melodies and harmonic movement to capture all of these human emotions. Bach used the temperaments of the different keys to establish the mood of each prelude and fugue. These same tonalities are also clearly defined in his choral works as well. Bach was acutely aware of symbolism in art and religion and used it extensively in his works and was well aware of the subtle subliminal effect it has on the listener in addition to the harmonic progressions, melodic intervals, rhythmic motives and patterns.
Bach very adept in the understanding of numerical symbolism, used numerical codes…
January 11, 2013 March 16, 2013 | The Art of Piano Performance
Bach very adept in the understanding of numerical symbolism, used numerical codes in all of his music which had a profound effect on the listener as well.
For example in the prelude in c minor from book I, of the Well Tempered Clavier, for the first thirteen bars there are subtle changes. The first note of the first and third groups are the highest and the first note of the second and fourth groups go below the mordent. At bar 14 there is a change. the melodic notes are now above the mordent.
The number fourteen was a very symbolic number for Bach. It represents his name B-2, A-1, C-3, H-8 which equals fourteen. This was Bach way of identifying himself in the music. Sometimes he did this by having fourteen notes in a motive.
Although each fugue and prelude has its own characteristic based on the melody, rhythm and harmonic progression there are particular attributes that are common in all fugues. Each fugue will have one or several of these common attributes.
• subject-the main theme announced at the beginning of the fugue and recurring throughout the fugue.
• answer-the first entry of the second voice
• codetta-a short connecting passage between the subjects/answers
• countersubject-a secondary theme with which the first voice may accompany the second voice and recurs along with other subjects and answers
• exposition-first section of a fugue during which all the voices enter either with the subject or the answer
• episode-a passage between entries of the subject and answer often occurring with a modulation
• subsidiary subject-second or third subject introduced and also capable of being combined with the main subject
• inversion-turning a melody upside down so all existing intervals are replaced by similar intervals
• interchange-the displacement of two or more melodic lines so the lower part becomes an upper part or an upper part becomes becomes a lower part
• augmentation-altering the subjects rhythm so the subject is double the length of the original subject
• diminution-altering the subjects rhythm so the subject is half the length of the original subject
• stretto-overlapping of two or more entries of subject or answer
• coda-a passage bringing a conclusion to the fugue
With the advance of tempered tuning, JS Bach was able to compose in multiple keys, which previously had not been used. For the keyboard player of his day this meant one would need to develop greater dexterity and technique to perform works in these new keys with five, six, or seven sharps. JS Bach advanced to form of the Fugue to the highest level, from 'The Well Tempered Clavier' The Toccatas and Partitas and with his latest unfinished masterpiece: 'The Art of Fugue'
Piano Lessons in Boca Raton
December 9, 2012 February 17, 2015 | The Art of Piano Performance
Piano Performance in Boca Raton


The term diabetes includes several different metabolic disorders that all, if left untreated, result in abnormally high concentration of a sugar called glucose in the blood. Diabetes mellitus is assuming epidemic proportions and with that an increasing burden of diabetic foot complications. Diabetic foot infections (DFIs) contribute not only to morbidity, amputation, and increased health-care costs but also to mortality. There is a dearth of countrywide data for the prevalence of risk factors for DFU and DFIs among patients in India. Diabetes and its associated complications, including foot diseases, are increasing at an alarming pace in India and putting enormous burden on our limited health care resources.
Diabetic foot ulcer is a major complication of diabetes mellitus, and probably the major component of the diabetic foot. Wound healing is an innate mechanism of action that works reliably most of the time. Diabetic foot problems, such as ulcerations, infections and gangrene are the most common cause of hospitalization among diabetic patients. Routine ulcer care, treatment of infections, amputations, and hospitalizations cost billions of dollars every year and place a tremendous burden on the health care system. Successful treatment of diabetic foot ulcers consists of addressing these three basic issues; Debridement, offloading, and infection control.
India is one of the top ten diabetes mellitus (DM) countries. Thus, the aim of this study was to survey the prevalence of DFU risk factors and DFU prevalence among type 2 diabetes mellitus (T2DM) patients.
Diabetic foot ulcer is one of the common presentations of diabetic foot. The objective of the present study was to evaluate the various presentations of diabetic foot ulcer like, resistant deep infections, ulcer with cellulitis, severe ischemia leading on to gangrene and to study percentage of surgical intervention like debridement, minor/major amputation.
Device that preserves livers at body temperature during transfer could reduce organ shortage.


India VS Australia, 1st Test - Live cricket Score card between India VS Australia, 1st Test, India tour of Australia, 2018/19. Check out All cricket schedule for all series of major cricket playing countries including Pakistan, South Africa, Australia, India, Sri Lanka, Bangladesh, New Zealand, West Indies, England, Zimbabwe and other International teams as well. Scores and updates are live with ball by ball in real-time.
80% chances for India win.
may be Australia will be win the match.
Australia will win the match.