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> Toruń UNESCO World Heritage
On 6 December 1997, during the 21st plenary session of the UNESCO World Heritage Committee in Naples, the Medieval Town of Toruń was listed among UNESCO World Cultural and Natural Heritage sites.
The World Heritage List includes properties forming part of the cultural and natural heritage which the World Heritage Committee considers as having outstanding universal value, properties testifying to the great achievements of civilized man and those created by natural phenomena which deserve special protection.
The list was started by the force of the UNESCO Convention concerning the Protection of the World Cultural and Natural Heritage (adopted in Paris, 1972). To date nearly 180 countries of the world have ratified this document.
Toruń was founded in the medieval times (the Foundation Charter was signed in 1233 >>). Throughout the dramatic history of Poland, the city was fortunately saved from the considerable destruction. For that reason the city is abundant in monuments, many of which date back to the mediaeval period. Additionally, the significant number of the monuments was erected in accordance with the Gothic canon.
Historical Monuments and Sights of Toruń here
Historical architecture of Toruń here
History fo Toruń here
The authenticity of the mediaeval and Gothic skyline of Toruń was one of the arguments supporting the decision to add Toruń to the UNESCO List of World Heritage Sites on 6th December 1997. In the document written by local scientists, which was the basic part of the nomination to include Toruń to the List of World Heritage Sites, the Medieval and Gothic legacy was strongly pointed out in the following way:
In Toruń, there were erected numerous mediaeval structures, many of which have been preserved to present times. All the buildings represent the magnificent achievements of brick Gothic architecture in Europe.
Preserved residential buildings are the biggest and the best-maintained examples of Gothic residential architecture in Northern Europe.
The unique spatial arrangement, preserved in a condition close to the original one, is a valuable source of historical evidence for the development of mediaeval cities in Europe.
The Old City Town Hall assembles in inimitable way judicial, administrative and commercial functions.
Toruń Old City Quarter combines the features of a riverside port city and a double city (the Old and New Town) with the characteristic of a fortress.
In Toruń, regardless of its degree of independence, one can see the noticeable influence of the leading European art centres, such as Bruges, Ghent, and Lübeck. This fact is thought of as evidence for the existence of the cultural commonwealth of Hanseatic Towns
In the Middle Ages Toruń witnessed many historic events. This city took part in the process of Christianisation and colonisation of Prussia, was the main intermediary in the Hanseatic Commerce with Eastern Europe, became the major centre of creating the sense of townspeople's identity, and a place of signing the Second Toruń Treaty in 1466.
The report by a Lithuanian professor Jonas Glemza, who paid an expert visit to Toruń in October 1996, confirms the extraordinary high standard of Toruń Old Quarer. Professor's opinions concerning the subject of nomination and remarks about the condition of the city became the basis for the final decision made by UNESCO Committee in Naples on 6th December 1997. The conclusions drawn by professor Glemza are the list of reasons why Toruń became the worldwide cultural property. The following are the most important remarks by professor Glemza:
The valuable architecture of the historical city - mediaeval churches, the Old City Town Hall - represent the masterpieces of human craftsmanship genius. They meet all the requirements of mediaeval system of fortification (walls, gates, the castle ruins, the location of the Old and New Towns of Toruń)
In Toruń, there are 6 monuments of class 0, 50 of class 1, and 270 of class 2.
Toruń has been placed on a list of the seven Historical Centres in Poland.
The Old and New Town are part of the nomination (both are the clear examples of mediaeval arrangement of town), so are the ruins of the Teutonic Knights' Castle.
The criteria for the nomination include: the history of the mediaeval city, its particular scientific developments, and the significance of the city for the Province of Pomerania.
Toruń is an excellent example of a medieval river port, which used to connect Poland, Germany, Prussia, Scandinavia, and Lithuania.
In the Old and New Town districts many authentic valuable Gothic, Renaissance and Baroque buildings have been well preserved (>>).
Toruń has also a valuable double-ring system of the 19th century Fortrifications, erected by Prussians - a 19th century monument of a defensive architecture.
Among other cities of the Hanseatic League, Toruń is a unique place, because here Nicolaus Copernicus, one of the greatest scientists of all times, was born.
The history of efforts to entering the city on this prestigious list goes back to 1986. Then on a resolution of the City Council the Civic Committee for the Toruń Historical Monuments Renovation was established. At the same time and on the occasion of this appointment the request to initiate proceedings that would lead to the entry the city in the UNESCO World Heritage Site started.
The purpose of the Committee was also lobbying the interests of Toruń in the state government authorities (among others Toruń was included into the list of 8 cities, which as the first had to get the materials centrally subsidized for upgrading monuments). The Committee also established contact with the authorities of Krakow, to take advantage of the local solutions and models.
However, the 10th Congress of the Polish United Workers' Party (the communist party which governed the People's Republic of Poland from 1948 to 1989) in 1986 failed to approve the article about the nationwide need to save the historical monuments of Toruń, in consequence of the programme that covered only the monuments of Krakow.
As a result of the Civic Committee for the Toruń Historical Monuments Renovation activity several historic preservation work was achieved.
In 1989 the Committee was abolished.
UNESCO's Memory of the World Programme
Toruń Mediaeval Wax Plates
In addition to the World Cultural and Natural Heritage List UNESCO maintains Programme "Memory of the World Register". This registry contains of most valuable and important handwritten documents of all mankind, was founded in 1997.
At the meeting of the Polish Committee of the "Memory of the World" on 24 January 1997 the Polish objects were reported to the Register. The list includes, among others manuscript of Nicolaus Copernicus' De revolutionibus orbium coelestium (>>) work kept in the Jagiellonian Library in Krakow, and awaiting the entry is stored in Toruń's State Archives the Collection of Wax Plates of the City of Toruń in the years 1250-1530. This is one of the largest collections of wax tablets in Europe from the Middle Ages, with the largest number of polyptychs. The form and manner of recording is unique as well.
Wax tablets were a popular writing surface in the Antiquity and throughout the Middle Ages. They were used by individuals, students and merchants, as well as churches and offices mainly to record their income and expenditures. Their surface was reusable and the written test could easily be erased. In the 14th century they gradually began to lose their popularity to be replaced by parchment and, eventually, by paper. There are very few surviving tablets left all over Europe and the world and thus they are among the oldest manuscripts today. Particularly rare are the tablets formerly used in city chancelleries.
Beside Toruń, the largest Polish collection of wax tablets is stored in Gdańsk, including 4 polyptychs comprising 36 tablets, while the largest German collection of 6 polyptychs is located in Leipzig. Toruń collection is the world's largest set of wax tablets from the same chancellery. Art historians maintain that Toruń oldest tablets were made and then decorated in workshops in Lübeck or the neighbouring cities in the second half of the 13th century. Thus the assumption that cities located in the 13th century did not have a chancellery is totally inconclusive. As early as the second half of the 13th century, Gdańsk, Elbląg and Toruń chancelleries kept their accounts recorded in a form of wax code books.
Wax tablets in Toruń were used for administrative purposes from mid-13th century until ca. 1530. The collection consists of 16 polyptychs comprising 127 small wooden boards. They were fastened by thongs or strings at the back, while the inside was covered by wooden plates, usually ornamented with floral or zoomorphic motifs. Particularly striking are those with chimeras, gryphons and basilisks engraved on the cover. The timber used normally came from pear, apple, linden, sycamore and oak trees. The plates were covered with dark-coloured wax, mainly beewax, bearing the test engraved with the stylus.
The styles were made of hard, sharp-pointed metal, timber or bone with a rounding nib. For erasing or removing the text spatula-shaped styles were used. The polyptychs were fastened with one or two leather belts. Their maximum size was 41.7 by 21.7 cm (length and width), while the minimal 25.5 by 13.2 cm. They were between 1.2 and 0.5 cm wide.
The contents of the wax tablets have already been read. They are covered by multilayer records, mainly those concerning city finance and describing all types of merchant transactions, such as market and industrial facilities fees, land use fees and property income of all sorts. There are also records of settling numerous liabilities and of different forms of debt repayment, as well as statutes and city council resolutions.
As the tablets suggest, one of the City Council's responsibilities was that of a bank, granting loans and paying out income. They are generally well-preserved, which is the result of the conservation work led by Dr. Elżbieta Jabłońska under the supervision of Professor Alicja Strzelczyk at Nicolaus Copernicus University in Toruń, in the Institute of the Science of Historical Works of Art.
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In 1936 the founder of Bettys, Frederick Belmont, travelled on the maiden voyage of the Queen Mary.
He was so enthralled by the splendour of the ship that he commissioned the Queen Mary's designers and craftsmen to turn a dilapidated furniture store into his most sophisticated branch yet – an elegant café in the land-locked location of St Helen's Square. Today, as you sit in Bettys, surrounded by huge curved windows, elegant wood panelling and ornate mirrors, you can almost imagine yourself aboard a luxury liner.
The art deco elegance of the Queen Mary is particularly evident in our first floor Belmont Room which was inspired by one of the cruise liner's state rooms. Throughout the year we host musical evenings and events here.
A few years after Bettys opened its doors in York war broke out, and Bettys – in particular the basement 'Bettys Bar' – became a favourite haunt of thousands of airmen stationed around York.
'Bettys Mirror', on which many of them engraved their signatures with a diamond pen, remains on display today as a fitting tribute to their bravery.
You'll always find something on our menus to tempt you.
Whether you're looking for a light bite for lunch or a three-course meal, your day out wouldn't be complete without a visit to Bettys.
We also offer a traditional afternoon tea – a quintessentially English treat you won't forget.
Although we don't take reservations in our café, we do take reservations for Afternoon Tea in the Belmont Room at Bettys York every day during the school holidays, usually on Thursday, Friday, Saturday and Sunday from 1pm (11:00am on Saturdays).
A silver cake stand brimming with traditional sandwiches, delicious fancies and fresh scones, amounts to a quintessentially English treat you won't forget!


Saturated markets, decreasing margins and globalization emboss the actual economic climate. Derived from this initial situation, this book aims to demonstrate the power of impact of branding and pricing to master these challenges. This happens by answering the following question: "How is it possible to enhance customer value in the Business-to-Business sector using ingredient branding, despite the proportionally higher prices?" First, the author explains and defines the Business-to-Business sector. Subsequently, he focuses on international brand management, brand positioning, ingredient branding and pricing. Finally, the author explains the concept of customer value to answer the initial question by means of a notional example.


text:
Mexico Russia-bound, Costa Rica move closer
Mexico the fifth side to reach Russia 2018
Costa Rica move up to second in the Hexagonal thanks to superb win in the USA
Honduras also win to move into contention
THE DAY REPLAYED – Narrow victors over Panama on Friday, Mexico became the fifth side to book their place at the 2018 FIFA World Cup Russia™.
Costa Rica took a big step closer to joining them thanks to their away win in the USA, while Honduras kept their hopes alive by picking up three valuable points in Trinidad and Tobago.
Results USA 0-2 Costa Rica Trinidad and Tobago 1-2 Honduras Mexico 1-0 Panama
Match of the day To the delight of a vociferous crowd at the Estadio Azteca, Mexico saw off Panama to secure the points they needed to qualify for Russia 2018. After a slow start to the game, El Tri gradually picked up the pace, creating a handful of opportunities before half-time.
The only goal of the evening came shortly after the restart, courtesy of substitute Hirving Lozano. It was enough to take Mexico through with three games to spare and maintain their unbeaten record in the CONCACAF qualifiers. World Cup finalists for the seventh time in a row, El Tri will contest their 16th world finals in Russia next year.
Elsewhere Costa Rica scored their first qualifying win on American soil in 32 years, with a Marco Urena brace moving them on to 14 points and within touching distance of a place in the finals.
Honduras took full advantage of USA's slip-up, scoring their first away win in the Hexagonal and moving right into contention for a ticket to Russia 2018. Jorge Luis Pinto's side were indebted to a fast start, scoring twice inside the first 20 minutes to set up a crucial win.
Player of the day Hirving Lozano (Mexico)
After starting the game on the bench, the striker got his opportunity when Juan Carlos Osorio brought him on for Jurgen Damm six minutes into the second half. He made his mark immediately, getting on the end of a Jose Corona cross to nod home the goal that takes Mexico to Russia. The PSV Eindhoven player proved a constant threat to the Panama defence, troubling them with his pace and ability to get past people.
✅ Top in @CONCACAF ✅ Unbeaten ✅ Five wins ✅ Going to the World Cup
*We're coming, Russia 2018. WE'RE GOING TO THE WORLD CUP*
What's next (Matchday 8 of the Hexagonal) *5 September *Honduras v USA Costa Rica v Mexico Panama v Trinidad and Tobago

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: How can I watch private fields of other objects directly in the IDE when debugging? C# is the language I am most comfortable with but do Java when at work.  I guess you can say I am very comfortable with using the Visual Studio IDE.  One of the things I enjoyed about its debugger is that I can put watch variables ("Expressions" in Eclipse) for any expression.  So I could take a peek at values of specific fields public or non-public, call methods, etc. with no problem as I am debugging.
It doesn't seem like I can do the same in Eclipse.  I have to resort to calling the associated getter method for the field (assuming it has one).  If it doesn't have one, I either have to temporarily add one so I can view it and remember to remove it when I'm done or I'm just SOL.
How can I put a watch expression for an object on one of its private fields?  Or am I just doing it wrong and I have to craft special expressions to view them?
(Or is there a better way for me to get the information that I want?)
e.g.,
I have an HttpServletRequest and want to keep an eye on the requestURI.  If I just watch the request variable, it lists a lot of its fields and it's just too much information.  I'm only interested in one thing in the object so to minimize this, I want to add a watch expression for that one thing.
The field name is apparently requestURI so I added the expression: request.requestURI.  Eclipse throws an error saying it's not a field (it is, it's just not public).  Instead of going directly to the field, I had to go to the getter: request.getRequestURI() and that works fine.  But I can't always count on the getter being available.

The Variables view

The Expressions view

A: The Eclipse evaluates expression considering the private/protected fields of Declared Type, not of Actual Type.
Example:
Number n1 = new Integer(1000);
Integer n2 = new Integer(1000);

Expressions:
n1.value  can't be evaluate
n2.value  returns 1000, perfectly

An alternative is use DetailFormatter (right-click in variable > New Detail Formatter).
The Eclipse will use this expression instead of toString() method when the textual representation of a object of type is displayed (in Variables View, for example).
Your DetailFormatter (for ApplicationHttpRequest) can be:
requestURI

or
"URI: " + requestURI + "\n" +
"Path: " + servletPath

A: Doesn't matter if the field is private or protected, eclipse expressions will evaluate correctly. But the scope of variable matters.
Correct me if i am wrong.
requestURI is a protected field in org.apache.catalina.core.ApplicationHttpRequest which implements HttpServletRequest. In your case variable request is of type HttpServletRequest and you are trying to access HttpServletRequest.requestURI and this field Doesn't exist and eclipse fails. I think it's normal. May be if you do proper casting, expression will evaluate correctly.

A: Writing an expression in the Expressions view evaluates just as if you had written a line of code, and just executed it prior to the currently highlighted line.  There is one difference that I know about (probably others to, but this is the important one) which is that you can bypass the class accessor visibility restrictions, and see private, protected and default members that the current stack frame perhaps couldn't.
That said the expression does require you to have the correct kind of reference.  If you inserted this line in to code, the java compiler would complain that requestURI is not a field of HttpServletRequest.  And therefore, you need to cast to the class (or subclass of) that actually declares the field: ApplicationHttpRequest.
Now, why they didn't bother exposing the same magic in Expressions as they do in Variables where as you point out they list ALL members of the concrete class even if the declared type wouldn't show them, I couldn't say.

A: In Eclipse while debugging, you can right-click on a variable and click on the Watch menu item.  In the Debug perspective it will add an Expressions tab that will have a list of variables you are watching.  I'm not sure how to do it in the other IDE's.

redpajama_set_name: RedPajamaStackExchange


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MIXED METHODS AND COMPLEX ANALOGIES
Associate Professor Benyamin Lichtenstein
Mixed methods research: a method for complex systems
Professor Liz Varga
This chapter advocates a mixed methods research strategy for the types of problem generally investigated by complexity science research. Indeed complexity science thinking underpins mixed methods research through embracing different types of data found in real-world problems. The need for multiple perspectives, philosophically and theoretically, and new stances to solving paradigmatic dilemmas, are highlighted. Alternative frameworks are compared to assist in alignment with research questions and research purpose as well as recognizing practical influences on research design choice. Numerous mixed methods research designs demonstrating the integration of mixed methods are reviewed, as are techniques for integrating the data between traditional methods. Data collection and data analysis techniques are considered from a mixed methods perspective. The benefits and challenges of mixed methods research are discussed. Overall, mixed methods research has critical mass but continues to evolve and become ever more relevant to address complex systems problems.
Modeling social complexity in infrastructures: a case-based approach to improving reliability and resiliency
Carl J. Dister, Professor Brian Castellani and Dr Rajeev Rajaram
If one is to improve reliability and resilience in infrastructures, it is necessary to adopt a 'complex, smart territory' modelling strategy, particularly one that gives attention to the importance of social complexity. To test the veracity of their argument the authors conducted a case study on a segment of the US power grid, seeking to create a first proof-of-concept sufficient to show how thinking about infrastructures in 'complex systems' terms, primarily in terms of their social aspects, can prove beneficial. They employed the SACS Toolkit, which is part of the new approach to modelling complex systems, called case-based complexity. As a technique, the SACS Toolkit is a computationally grounded, case-comparative, mixed methods platform for modelling complex systems as sets of cases. In an effort to help readers make use of this technique, this chapter provides a basic overview of the research process, ending with a summary of the novel insights this approach was able to achieve.
MODELLING AND STATISTICAL ANALYSIS OF EMPIRICAL DATA
Professor Bill McKelvey
MULTI-LEVEL NETWORKS
Professor Patrick Beautement
Multifractal signatures of intersectionality: nonlinear dynamics permits quantitative modeling of hierarchical patterns in gender dynamics at the cultural level
Hannah L. Brown, Chase R. Booth, Elizabeth G. Eason and Assistant Professor Damian G. Kelty-Stephen
This gender study exemplifies fields struggling to balance the deeply ingrained desire for logical formalisms and conceptually dynamic models of systems. Gender Studies grounds itself in dynamic models as seen in the popularity of 'intersectionality theory,' a notion of experiences as unfolding at the 'intersections' of classical taxonomies. This popular theory evades quantitative research because it eschews classical categorical distinctions. The authors introduce multifractal analysis and suggest that cascade dynamics and multifractal analysis provide logical and corresponding statistical frameworks to make intersectionality quantitatively and tractably expressible for gendered experiences. Recent cognitive science advances involve multifractal analysis laying bare key features of the cascades driving cognitive performance. The chapter offers similar demonstration of similar cascades in gender dynamics through multifractal analysis of web-traffic data for gender terms on Wikipedia. It concludes that cascade formalisms and multifractal analysis offer new avenues for gender studies balancing both logical formalisms and dynamic concepts.
Multilevel systems and policy
Professor Jeffrey Johnson, Professor Joyce Fortune and Dr Jane Bromley
Making multilevel systems well-defined is essential for the implementation of computer models to investigate the multilevel consequences of policy. This chapter shows that systems thinking can provide practical guidance to those building models of complex multilevel social systems in order to inform policymaking. Part–whole aggregation and taxonomic aggregation are described as methods of representing multilevel structure, and it is shown how they are interleaved in the construction of vocabulary to describe multilevel systems. This enables complex nested structures to be represented as a kind of backcloth that supports patterns of aggregate and disaggregate numbers that describe the day-to-day traffic of people, resources and responsibility that are essential for systems to function.
Network text analysis and social network analysis in investigating complex governance networks: applications of AutoMap and ORA
Professor Göktuğ Morçöl and Dr Sohee Kim
In this chapter we discuss and illustrate how network text analysis and social network analysis can be used to investigate complex governance networks. After briefly defining and describing 'governance networks,' we discuss the importance of investigating their complex structural properties and the roles actors play in them. Then we describe and illustrate how AutoMap (network text analysis software) and ORA (dynamic network analysis software) can be used in such investigations with two applications in the cases of an urban governance network and that of a statewide policymaking processes. We also discuss the general problems in using archival data sources in network analyses, specific problems and strengths in using AutoMap in network extraction from archival data. We present the protocol we developed for the applications of AutoMap and ORA in the appendix of the chapter.
On the visualization of dynamic structure: understanding the distinction between static and dynamic network topology
Dr Kurt A. Richardson and Andrew Tait
Understanding the structure of complex networks and uncovering the properties of their constituents has been for many decades at the center of study of several fundamental sciences, especially in the fields of biological and social networks. Given the large scale and interconnected nature of these types of networks, there is a need for tools that enable us to make sense of these structures. This chapter explores how, for a given network, there are a range of emergent dynamic structures that support the different behaviors exhibited by the network's various state space attractors. We use a selected Boolean Network, calculate a variety of structural and dynamic parameters, explore the various dynamic structures that are associated with it and consider the activities associated with each of the network's nodes when in certain modes/attractors. This work is a follow-up to past work aiming to develop robust complexity-informed tools with particular emphasis on network dynamics.
Phase transitions and social contagion as enabling mechanisms for coordinated action in populations: a mathematical framework
Professor James K. Hazy and Professor Peter R. Wolenski
The chapter presents a general mathematical framework to study discontinuous change in human interaction dynamics. There are two complementary perspectives: macro and micro. Regarding the macro context, the chapter proposes that levels of ordered structure in complex human organizing can be represented by a category theoretic representation that reflects informational influence acting on individual agents from sources external to the population and those internal to the population. These independent influences interact to change the set of interaction rules that are enacted locally. Regarding micro context, the authors position contagion as the mechanism whereby a common organizing state is adopted across multiple agents. They show that as a general matter, the ordered structure that emerges within a population can be indexed as the number of active degrees of freedom embedded in local rules of interaction that are guiding groups of agents. Category theoretic mathematical approaches should be more used in social science research to suggest deductive hypotheses that can be tested empirically with definitive results.


Welcome to the Life in Christ Family Church website! At LICFC, we are committed to the uncompromised Word of God and to a lifestyle of love. We want to help people to know the Lord Jesus, to reach their full potential in His service, and to be overcomers in His name!
LICFC has partnered with Life Christian University in Tampa, Florida, to bring Spirit-filled, Christian educational programs to our area. There are eight courses offered per year, each running three hours a week for four weeks. Information on future classes will be listed under Upcoming Events. For more information about Life Christian University, click here.
A Used Clothing Drop-off Shed is located on the parking lot of Life in Christ Family Church. Click here for information about what items may be donated.
Disclaimer: Life in Christ Family Church is not responsible for any advertisements that appear on its website, nor does it endorse or recommend any products or services so advertised. Any advertisements are posted by our website host provider.


text:
Q: Console.log a multi-dimensional array So I have created a multi-dimensional array: (i.e. one with two sets of 'coordinates')
var items = [[1,2],[3,4],[5,6]];

My site is in development and the array, when it is loaded, and what it contains is constantly changing, so I need to be able to, whilst running the script, dynamically view the contents of the array.
So, I use this:
console.log(items);

to output it to the console. This gives me the following output:

So, is there any other way in which I can do the equivalent of console.logging my array, but with more readable output?

A: You can use javascript's console.table
This will display your array in table form, making it much more readable and easy to analyse
It is quite a little known feature, however useful when you have a multi-dimentional array.
So, change your code to console.table(items);
It should give you something like this:

 -----------------------
|(index)|   0   |   1   |
|   0   |   1   |   2   |
|   1   |   3   |   4   |
|   2   |   5   |   6   |
 -----------------------

A: You can use JSON.stringify()
console.log(JSON.stringify(items));

Its output will be like

[[1,2],[3,4],[5,6]]

var items = [[1,2],[3,4],[5,6]];
console.log(JSON.stringify(items));


text:
The Rolls-Royce Sweptail
By Will Wynn on 6 October 2018
We first saw the Rolls-Royce Sweptail at the 2018 Concours of Elegance, and wow, what a car. A future classic car for sure. The level of detail and craftmanship is exceptional. This car was first revealed on the shores of Lake Como in May 2017, Sweptail heralded a remarkable milestone for the iconic British marque Rolls-Royce. This most striking motorcar was commissioned by one of the world's foremost exotic automobile collectors and made history in being the first in-house designed and fully coachbuilt Rolls-Royce in over half a century. It is also one of the very few two seater Rolls-Royces to have ever been created by the marque since its inception in 1904.
Sweptail's wonderful sense of occasion, enhanced by the owner's personal attention to detail, is perhaps best demonstrated by the secret "his and hers" attaché cases that deploy on command from the B pillars and to cap it all, a centre console that effortlessly deploys the owner's favourite Dom Perignon vintage Champagne, chilled, along with two fine cut crystal flutes.
It supposedly cost £10 million, but only the owner and Rolls-Royce will know for sure. Here's a video we came across with more detail. Enjoy.
Rolls-Royce Sweptail
Do you have a passion for cars? Would you like to join the My Car Heaven team?
Get in touch, we'd love to hear from you...


text:
Eldorado Gold Announces Strong 2021 Preliminary Production of 475,912 oz; Announces Board and Management Appointments; and Provides Conference Call Details
VANCOUVER, British Columbia, Jan. 13, 2022 (GLOBE NEWSWIRE) — Eldorado Gold Corporation ("Eldorado" or "the Company") is pleased to announce fourth quarter 2021 preliminary gold production of 122,644 ounces, and full year 2021 preliminary production of 475,912 ounces. Annual gold production from the Company's four operating mines is at the upper end of the revised production guidance range of 460,000 to 480,000 ounces. Detailed production, by asset, is outlined in the table below.
Q4 2021 and Year-to-Date 2021 Preliminary Gold Production
Production (oz)
Mine Q4 2021 Q4 2020 Q3 2021
Kisladag 33,136 56,816 51,040
Lamaque 51,354 44,168 37,369
Efemcukuru 22,631 25,828 23,305
Olympias 15,523 11,408 13,745
Total Gold Production (oz) 122,644 138,220 125,459
Mine Full Year 2021 Full Year 2020 2021 Guidance
Kisladag 174,365 226,475
Lamaque 153,201 144,141
Efemcukuru 92,707 99,835
Olympias 55,639 58,423
Total Gold Production (oz) 475,912 528,874 460,000 – 480,0001
1 Total Gold Production guidance revised in October 2021 from original 2021 guidance of 430,000 – 460,000
Strong fourth quarter gold production at Lamaque was mainly driven by higher than planned gold grades in the C4 zone. The decline connecting the Sigma mill with the Triangle underground mine was completed, on schedule and on budget, in December 2021. The decline will allow direct ore and waste transportation from the Triangle mine to the mill thereby eliminating the re-handling of ore.
Kisladag performed well in the fourth quarter with gold production inline with plan. Several operational improvements, in advance of the high-pressure grinding rolls ("HPGR") circuit commissioning in the mine, crushing circuit, and leach pad in 2021 resulted in increased throughput. Construction and wet commissioning of the HPGR was completed in December 2021. The circuit is now ramping up to production and metallurgical specifications.
At Efemcukuru, gold production, throughput, and average gold grade were inline with expectations.
The Company's profits from mining operations in Turkey are taxed at the enacted rate and the resulting current income tax expense can be further increased or reduced by other items. In the fourth quarter, the Company expects the Turkish current income tax expense on mining profits, at an enacted rate of 25%, to be further increased by $13-16 million. The expected increase is primarily related to the significant weakening of the Lira in the quarter and the resulting generation of taxable unrealized foreign exchange gains. This was partly offset by a reduction from the investment tax credit relating to Kisladag heap leach improvements.
Olympias performed well in the fourth quarter, delivering the strongest quarter of the year, and inline with guidance. Efficiency initiatives that started earlier in the year, coupled with positive grade reconciliation versus the plan resulted in higher fourth quarter production to end the year.
Fourth quarter production at Olympias reflects some initiatives that were implemented in relation to the transformation efforts at the Kassandra assets in Greece. As previously disclosed, the Company is implementing a wide-ranging, sustained effort to optimize the Greek operations that touches every part of the business, from employee education and training, to physical plant and business systems upgrades. The Company continues to target efficiency and productivity improvements at Olympias. The long-term benefits in safety, culture and productivity will result in a safer and more efficient operation with the potential to deliver improved economic returns.
Board and Management Appointments
Eldorado also announced today the appointment of Carissa Browning to its Board of Directors and the promotion of Graham Morrison to the role of Vice President, Corporate Development.
Carissa Browning was appointed to the Board of Directors in January 2022. Ms. Browning is a Corporate Commercial Lawyer at EnerNext Partners and previously served as legal counsel for BC Hydro and TransAlta Corporation. She has broad industry experience in electricity and renewable energy, technology, fintech and commodity trading; and advises on matters relating to corporate governance, market regulation and sustainability. Ms. Browning currently sits on the Board of Women + Power and formerly served on the boards of Energy Efficiency Alberta, TAMA Transmission and Circle for Aboriginal Relations (CFAR). She holds a BA and LLB from the University of Calgary and regularly contributes her thought leadership and reflections on the importance of diverse representation, reconciliation and her views as an Indigenous woman.
Graham Morrison was promoted to the role of Vice President, Corporate Development in October 2021 and will oversee the Corporate Development function and support the execution of Eldorado's business strategy. Mr. Morrison has 15 years of mining experience and joined Eldorado in 2011, initially as a Business Development Analyst and has progressively taken on greater responsibility within the company, having most recently held the role of Senior Director, Corporate Development. Before joining Eldorado, Graham worked in equity research at Raymond James Ltd with a focus on mid-cap gold producers and developers. Graham has a BA from Dalhousie University and an MSc, Mineral Economics from Western Australia School of Mines and is a CFA Charterholder.
Q4 2021 Financial and Operational Results Call Details
Eldorado will release its 2021 year end and fourth quarter Financial and Operational Results after the market closes on Thursday, February 24, 2022 and will host a conference call on Friday, February 25, 2022 at 11:30 AM ET (8:30 AM PT). The call will be webcast and can be accessed at Eldorado Gold's website: www.eldoradogold.com, or via:
http://services.choruscall.ca/links/eldoradogold20220225.html
Conference Call Details Replay (available until April 1, 2022)
Date: February 25, 2022 Vancouver: +1 604 638 9010
Time: 11:30 AM ET (8:30 AM PT) Toll Free: 1 800 319 6413
Dial in: +1 604 638 5340 Access code: 8299
About Eldorado Gold
Eldorado is a gold and base metals producer with mining, development and exploration operations in Turkey, Canada, Greece and Romania. The Company has a highly skilled and dedicated workforce, safe and responsible operations, a portfolio of high-quality assets, and long-term partnerships with local communities. Eldorado's common shares trade on the Toronto Stock Exchange (TSX:ELD) and the New York Stock Exchange (NYSE:EGO).
Lisa Wilkinson, VP, Investor Relations
604.757 2237 or 1.888.353.8166
lisa.wilkinson@eldoradogold.com
Louise McMahon, Director Communications & Public Affairs
louise.mcmahon@eldoradogold.com
Cautionary Note about Forward-looking Statements and Information
Certain of the statements made and information provided in this press release are forward-looking statements or information within the meaning of the United States Private Securities Litigation Reform Act of 1995 and applicable Canadian securities laws. Often, these forward-looking statements and forward-looking information can be identified by the use of words such as "plans", "expects", "is expected", "budget", "continue", "projected", "scheduled", "estimates", "forecasts", "intends", "anticipates", or "believes" or the negatives thereof or variations of such words and phrases or statements that certain actions, events or results "may", "could", "would", "might" or "will" be taken, occur or be achieved.
Forward-looking statements or information contained in this release include, but are not limited to, statements or information with respect to: our preliminary fourth quarter 2021 and annual gold production, the Company's 2021 annual guidance, including at our individual mine production; benefits of the completion of the decline at Lamaque, and the improvements at Kisladag expected tax expense in Turkey; the optimization of Greek operations, including the benefits and risks thereof; our expectation as to our future financial and operating performance, including expectations around generating free cash flow; working capital requirements; debt repayment obligations; use of proceeds from financing activities; expected metallurgical recoveries and improved concentrate grade and quality; gold price outlook and the global concentrate market; risk factors affecting our business; our strategy, plans and goals, including our proposed exploration, development, construction, permitting and operating plans and priorities and related timelines; and schedules and results of litigation and arbitration proceedings. Forward-looking statements and forward-looking information by their nature are based on assumptions and involve known and unknown risks, market uncertainties and other factors, which may cause the actual results, performance or achievements of the Company to be materially different from any future results, performance or achievements expressed or implied by such forward-looking statements or information.
We have made certain assumptions about the forward-looking statements and information, including assumptions about: our preliminary gold production and our guidance, benefits of the completion of the decline at Lamaque, and the improvements at Kisladag; the tax expense in Turkey, how the world-wide economic and social impact of COVID-19 is managed and the duration and extent of the COVID-19 pandemic; timing and cost of construction and exploration; the geopolitical, economic, permitting and legal climate that we operate in; the future price of gold and other commodities; the global concentrate market; exchange rates; anticipated costs, expenses and working capital requirements; production, mineral reserves and resources and metallurgical recoveries; the impact of acquisitions, dispositions, suspensions or delays on our business; and the ability to achieve our goals. In particular, except where otherwise stated, we have assumed a continuation of existing business operations on substantially the same basis as exists at the time of this release.
Even though our management believes that the assumptions made and the expectations represented by such statements or information are reasonable, there can be no assurance that the forward-looking statement or information will prove to be accurate. Many assumptions may be difficult to predict and are beyond our control.
Furthermore, should one or more of the risks, uncertainties or other factors materialize, or should underlying assumptions prove incorrect, actual results may vary materially from those described in forward-looking statements or information. These risks, uncertainties and other factors include, among others: inability to meet production guidance, inability to achieve the expected benefits of the decline between Triangle mill and the Triangle underground mine or the improvements at Kisladag; inability to assess income tax expense in Turkey; global outbreaks of infectious diseases, including COVID-19; timing and cost of construction, and the associated benefits; recoveries of gold and other metals; geopolitical and economic climate (global and local), risks related to mineral tenure and permits; gold and other commodity price volatility; information technology systems risks; continued softening of the global concentrate market; risks regarding potential and pending litigation and arbitration proceedings relating to our business, properties and operations; expected impact on reserves and the carrying value; the updating of the reserve and resource models and life of mine plans; mining operational and development risk; financing risks; foreign country operational risks; risks of sovereign investment; regulatory risks and liabilities including environmental regulatory restrictions and liability; discrepancies between actual and estimated production; mineral reserves and resources and metallurgical testing and recoveries; additional funding requirements; currency fluctuations; community and non-governmental organization actions; speculative nature of gold exploration; dilution; share price volatility and the price of our common shares; competition; loss of key employees; and defective title to mineral claims or properties, as well as those risk factors discussed in the sections titled "Forward-Looking Statements" and "Risk factors in our business" in the Company's most recent Annual Information Form & Form 40-F. The reader is directed to carefully review the detailed risk discussion in our most recent Annual Information Form filed on SEDAR and EDGAR under our Company name, which discussion is incorporated by reference in this release, for a fuller understanding of the risks and uncertainties that affect the Company's business and operations.
The inclusion of forward-looking statements and information is designed to help you understand management's current views of our near- and longer-term prospects, and it may not be appropriate for other purposes.
There can be no assurance that forward-looking statements or information will prove to be accurate, as actual results and future events could differ materially from those anticipated in such statements. Accordingly, you should not place undue reliance on the forward-looking statements or information contained herein. Except as required by law, we do not expect to update forward-looking statements and information continually as conditions change.
Except as otherwise noted, scientific and technical information contained in this press release was reviewed and approved by Simon Hille, FAusIMM and VP Technical Services for the Company, and a "qualified person" under NI 43-101.


I have a long journey with apps development. I always loved the technology and my first contact with a PC happened with an Intel 80286 in 1990 and my first software was 1993 with Turbo Pascal. You can think that isn't too much but remember that I'm talking from Brazil. I really turn on my developer mode in 2006 when I started with web apps. HTML, CSS and Action Script than one year later started with PHP, SQL, NoSQL, Api and other cool stuff. I'm very experienced PHP developer and Golang fan. I'm looking for some opportunity to work with PHP and Golang.
I'm looking for new challenges as Go and PHP developer. I'm a PHP developer for a long time and a GoLang fan cause offers a better solution for big data apps.


text:
Q: TypeScript compile crashes VS2012 with Web Essentials 1.8 I just updated to Web Essentials 1.8 and now whenever I build/compile any TypeScript file it crashes VS2012.  Any idea how to fix this?

A: Get the latest nightly build that has a fix for this: http://madskristensen.net/custom/webessentials2012.vsix?1.8.9.1

A: Still crashes but found a temporary fix (See my Q&A post): http://visualstudiogallery.msdn.microsoft.com/07d54d12-7133-4e15-becb-6f451ea3bea6/view/Discussions/0?showDiscussionForm=True


text:
https://www.middletownpress.com/news/article/The-week-s-forecast-calls-for-Rockin-Blues-11897277.php
The week's forecast calls for Rockin' Blues Blizzard with Blues DeLuxe
DOMENIC FORCELLA
Published 12:00 am EST, Thursday, November 29, 2007
Saturday is the fourth annual Rockin' Blues Blizzard with Blues DeLuxe at the Hall of Fame Billards. The Blizzard is a benefit for the Connecticut Children's Medical Center. Blues Deluxe was formed in 1999 and is a major donator to the CCMC and other cancer foundations.
All the band's songs are originals, blues, rock, swing and boogie, for some rockin' blues.
The Hall of Fame is formerly Ciopinno's on Route 83 in Ellington. You will be able help yourself to a "Buffet Fiesta" and an enjoyable event. A Fender Stratocaster guitar signed by all the performers will be given away.
For information, go to: www.bluesdeluxeband.com or www.halloffamebilliards.com. To get your tickets, call (860) 977-7075 or (869) 872-6282.
On Dec. 6, The Hungry Tiger has Smokin' Joe Kubek featuring Bnois King. Kubek was raised in Texas and was playing in Dallas clubs by age 14.
He played with Stevie Ray Vaughan and people like the three Kings -- B.B., Albert and Freddie. Eric Clapton and Peter Green piqued his interest in the blues and he formed his first band. Shortly afterward, he played rhythm guitar behind Freddie King until his death.
In 1989, he teamed up with singer/guitarist Bnois King, adding soul-tinged vocals to Kubek's hard driving guitar.
The combination provides Kubek's blazing Texas influence with the more refined jazz influences of King. The solid playing of both men has given them a reputation for quality entertainment. Together, this dynamic duo packs a one-two punch, thrill-a-minute ride of high-octane Texas blues.
When you see Smokin' Joe Kubek, you'll know he was born to play the guitar.
Rockin' blues abound this weekend. The Maple Tree Café has a Friday show featuring Diamondback and then brings Jeff Pitchell in on Saturday. Friday night, Pitchell will be at Theodore's.
Dan Stevens once again has a busy schedule. Penny Lane brings him in on Friday. Next he journeys to Cafe Taste, where he will be joined by Chris D'Amato on Saturday. Sunday, Stevens has an afternoon engagement at Angelico's Lakehouse from 4 to 8 p.m.
On Friday, Red's has Eran Troy Danner. And Saturday, The King's Court (Milford) is hosting The Triple Threat Blues Band. These guys have been away for a while, but southwestern Connecticut knows how talented they are.
Gilreins in Worcester, Mass., continues its full schedule of blues events. Connecticut artist Rick Harrington, Mike Crandall and Ryan Hartt are there. Friday, Sweet Willie D is playing and Saturday, the popular and raucous Love Dogs take the stage.
Blues radio in the state continues to bring you live interviews. On Sunday, Christine Ohlman will be live on Sunday Night Blues with Beef Stew. These two provide an insightful and entertaining discussion. The show airs from 6 p.m. to midnight on 106.9 WCCC-FM.
Also Sunday night in Bridgeport, Ryan Hartt & the Blue Hearts will be with Bill Nolan live on Antique Blues. It will air at 7 p.m. on WPKN 89.5-FM.
Now for television. Homemade Jamz Blues Band is on CBS "Sunday Morning."
Check your local listings. It is the show blues fans we have been waiting for. The Homemade Jamz Blues Band will be featured on the award-winning CBS "Sunday Morning" show. As most of you know, they claimed second place in the 23rd International Blues Challenge at the Orpheum Theater in Memphis last February.
Homemade Jamz consists of siblings Ryan (age 15), Kyle (13) and Taya Perry (8) from Tupelo, Miss.
Their appearance on the CBS "Sunday Morning" show, which is noted for its focus on the arts, is a huge accomplishment for them and good for blues music in general.
Blues-rock guitarist and singer-songwriter Joe Bonamassa is riding a new wave of activity following the release of his seventh solo album, "Sloe Gin." Now he has a new monthly column in Guitar World and a show on Sirius Satellite Radio.
Seeing that Thanksgiving has passed, many thoughts turn to Christmas gifts. For the blues fans, there are many options. This week, Blues Beat will talk of some of the general possibilities and get to some specific items in the future.
First there is always a membership in the Connecticut Blues Society. Help support the local blues scene at www.ctblues.org.
Now you can also join the Blues Foundation in Memphis or purchase some merchandise. For Foundation items, go to https://www.blues.org/catalog/.
A trip to Memphis for the International Blues Challenge would be a nice stocking stuffer.
Clubs like Black-Eyed Sally's offer gift certificates and merchandise. Of course, you can always catch a show and buy an autographed CD from the band.
Another way to help as part of a gift is by checking out the Music Maker Relief Foundation, http://www.musicmaker.org/. They have CDs and other goods as well as a record club. The proceeds help musicians with housing and medical care; or you could take a fishing trip with Taj Mahal.
A couple of theaters in Fairfield and Ridgefield are bringing in blues acts. You might want to check their schedules and get some tickets. Fairfield Theater Company Stage One can be found at http://www.fairfieldtheatre.org/.
The Ridgefield Playhouse has future dates booked for Taj Mahal and Robert Cray. More information can be found at http://www.ridgefieldplayhouse.com/.
Any questions or comments should be sent to Domenic Forcella c/o Blues Beat, The Herald, One Herald Square, New Britain, Conn., 06050 or e-mail at TWBlus@aol.com.


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O que estou fazendo de errado?


text:
USHIO manufactures the highest-quality digital cinema projection bulbs available. USHIO xenon short-arc lamps boast a spectrum that is closer to natural sunlight than that of any other artificial light source. In addition to commercializing products for search and spot lights, which demand precise, powerful white beam lamps, USHIO became the first in the world to develop a xenon short-arc lamp exclusively for large scale, theater-use movie projectors.
Ushio America Home Page
Local Directory Page
Christie is a leader in visual solutions for world-class organizations, offering diverse applications for business, entertainment, and industry. A leading innovator in film projection since 1929 and a pioneer in projection systems since 1979, Christie has established a global reputation as a total service provider and the world's single source manufacturer of a variety of display technologies and solutions. Christie offers comprehensive solutions for cinema, large audience venues, control rooms, business presentations, training facilities, 3D and Virtual Reality, simulation and education as well as industrial and government environments.
Christie Home Page
Moving Image Technologies manufacturers and markets a full complement of cinema exhibition equipment and services to support the industry's transition to digital cinema, including: custom engineering, systems design, integration, digital technology solutions for 3D, digital cinema, pre-feature on-screen advertising and components. Moving Image Technologies' mission is to have the most talented, passionate people in cinema working to provide the best presentation tools for the cinema exhibition industry.
Moving iMage Technologies Home Page
Sony Digital Cinema 4K gives audiences an entertainment experience they'll never forget in 2D or 3D. There's a complete family of Sony 4K projection systems to suit every cinema operator, from small boutique screens to the largest multiplex. All our easy-to-use projectors deliver 4K resolution images that viewers love, bursting with rich colour and industry-leading 8000:1 average contrast ratio. Sony's SRX-R500 series of projectors are also HDR-ready, meeting brightness and contrast requirements for screening the latest 4K movies mastered for High Dynamic Range presentation. Spectacular 4K images are matched by impressively low running costs. The long-lasting HPM multi-lamp array in all our SRX-R500 Series projectors is more energy efficient than traditional Xenon lamps, reducing routine maintenance and cutting the risk of revenue-threatening dark screens. A compelling choice for the big screens, our Premium Large Format (PLF) projection solution outshines costly first generation laser systems, with unrivalled 4K picture quality at light levels up to 60,000 lumens.
Sony Digital Cinema Home Page
welcome to Cinionic
welcome to wow
These days, it's no longer just about technology, it's about experiences – WOW experiences. We are a team of cinema and technology experts from around the globe – Barco, ALPD, and CGS – who help you in creating surprising experiences. We combine innovative cinema technologies with our unique and comprehensive service models to guarantee your peace of mind. So you can focus on new ways to surprise and delight your customers for years to come. Together, we engage to deliver a world-class cinema experience - the one you've been waiting for.
Cinionic Home Page
Unique X, Based in the UK, is a new brand for the future of digital cinema, providing intelligent autonomous solutions and content services. Unique X operates in 65 countries globally. To date, more than 70 million GB of data have been transferred, and over 60 million advertising playlists have been delivered. Solutions include RosettaBridge TMS, RosettaNet Estate Management System, Movie Transit (DCP Content Delivery Network), Basekey (KDM management), RosettaPOS (Point of Sale), RosettaLive (Event Streaming) and our pre-show products of Advertising Accord, Ad Transit and Smart Trailering.
Unique X Home Page
Qube Cinema is committed to creating a seamless world of Digital Cinema with products that are innovative, powerful, reliable and cost-effective. Qube Cinema is a company with a passion for cinema and a thorough understanding of film, video, audio and computer technology along with vast experience in the production, post-production and exhibition industries - a unique combination of expertise that has helped in the development of the company's digital cinema technology.
Qube Cinema, Inc Home Page
GDC Technology Limited is a digital cinema solutions provider. GDC Technology develops, manufactures and sells digital cinema servers, content storage systems, theatre management systems and network operations center software for digital cinema. In addition, GDC is the appointed worldwide certification services agent, with exclusivity in Asia to certify DTS:X immersive sound auditoriums for DTS, Inc. GDC also provides a suite of digital cinema products and services, including integrated projection systems, 3D products, projector lamps and silver screens. GDC's subsidiary, GDC Digital Cinema Network Limited, manages VPF for approximately 5,000 theater screens and 250 motion picture distributors worldwide.
GDC Technology Limited Home Page
CES+ is the premier partner in cinema solutions. For the past 35 years has been a pioneer delivering innovative first-in-market technology and will revolutionize the industry with his one-of-a-kind Cinema-as-a-Service solution offering to become the disruptive facilitator of the evolution of the modern movie theater operation. CES+ is headquartered in Miami, Florida, and serves clients globally.
CES+ Home Page
NEC Display Solutions' Digital Cinema Projector Series offers the most comprehensive digital cinema solution on the market today. These 3D-capable models enable theaters to deliver stunning digital images regardless of screen size, while simplifying theater management and reducing costs. All of NEC's digital cinema projectors meet DCI specifications for performance and reliability, meeting the requirements of today's cinema industry. NEC also offers full digital signage solutions, highlighted by its award-winning 32"-98" LCD displays, multimedia projectors and desktop monitors for lobbies, concessions and concourses.
NEC Display Solutions, Ltd. Home Page
Dolby Laboratories has been a leader in developing many groundbreaking technologies and advancing the science of sight and sound for more than 50 years. Based in San Francisco with offices around the world, Dolby, through industry-leading research and engineering innovation, is expanding creative possibilities and enhancing collaborative relationships spanning musicians, filmmakers, and other artists as well as with businesses and consumers globally. Along with its partners, Dolby creates and delivers incredibly vivid experiences transforming entertainment and communications at the cinema, at home, on the go in mobile devices, and at work. Dolby Laboratories develops and delivers products and technologies that make entertainment experiences more realistic and immersive. By giving everyone the power to see, hear and feel the spectacular, Dolby is ideally positioned to transform the future of audio, voice, and imaging experiences worldwide.
Dolby Laboratories, Inc. Home Page
Bardan Cinema has been a leader in cinema equipment sales in Latin America and the Caribbean for over 40 years. With a well-established reputation and broad customer base that spans independent boutique theaters to large multiplexes, Bardan provides total solutions and services ranging from cinema design, equipment sales, installation, monitoring and VPF implementation. In collaboration with D-Cinema NOC, Bardan now offers comprehensive 24/7/365 proactive monitoring and remote support to exhibitors throughout the region.
Bardan Cinema Home Page
QSC Cinema is the global leader in signal processing, power amplifiers, and loudspeakers for all cinema applications. Our "SystemSynergy" design approach ensures that the entire system, from source to sound, delivers an audio experience as intended by the filmmakers. Beyond cinema audio for the movies, QSC also provides complete audio systems with network control and monitoring for other areas in the cinema entertainment complex, such as lobbies, concession, food service, arcades, and bowling centers.
QSC, LLC Home Page
DCIP is the largest digital cinema integrator in the world and provides industry leading software and management solutions to exhibitors and distributors.
Cinergy is an enterprise suite of tools that helps you track, monitor, and efficiently manage cinema operations in one centralized platform.
Digital Cinema Implementation Partners, LLC Home Page
DTS:X transports you into a new dimension of sound immersion by delivering truly captivating entertainment experiences. Be prepared -- this improved lifelike immersion and heightened realism makes horror movies scarier, comedies more laugh-out-loud, and car chase scenes even more intense. Movies are being shown with DTS:X sound at an ever-growing number of theaters in the U.S., China and Europe.
DTS, Inc. Home Page
The International Cinema Technology Association is a global network of professionals in the motion picture industry. Members of the ICTA are those companies that manufacture, service and create the equipment that goes into movie theatres. Our members are on the cutting edge of new technologies and have been the driving force in digital, 3D, immersive sound systems, high frame rates and lasers. The ICTA promotes technological advancements in the motion picture industry through educational seminars and programs. The ICTA logo stands for excellence and professionalism and when on a member's letterhead signifies that the company is reliable, competent and committed.
International Cinema Technology Association Home Page
The Union Internationale des Cinémas/International Union of Cinemas (UNIC) represents the interests of cinema trade associations and cinema operators covering 37 countries in Europe and neighboring regions.
UNIC (International Union of Cinemas) Home Page
The EDCF is a not-for-profit voluntary organisation that aims to act as a "Forum" to discuss key issues surrounding Digital Cinema in Europe. The purpose of EDCF is to provide a basis of common understanding across all European territories of the business and technical matters of digital cinema.
European Digital Cinema Forum Home Page
For more than a century, the people of SMPTE (pronounced "simp-tee") have sorted out the details of many significant advances in media and entertainment technology, from the introduction of "talkies" and color television to HD and UHD (4K, 8K) TV. Since its founding in 1916, SMPTE has received an Oscar® and multiple Emmy® Awards for its work in advancing moving-imagery engineering across the industry.
Society of Motion Picture and Television Engineers Home Page
The Inter-Society for the Enhancement of Cinema Presentation, Inc. promotes interactive dialogue and information exchange between cinema-related entities with the goal of resolving issues affecting the overall cinema presentation. Founded in 1978 by Eastman Kodak VP Ken Mason, membership is composed of its four charter trade organizations - International Cinema Technology Association (ICTA), the Motion Picture Association of America (MPAA), the National Association of Theatre Owners (NATO), and the Society of Motion Picture and Television Engineers (SMPTE) - along with over 40 member companies, made up of trade organizations, motion picture studios, exhibition companies, manufacturers, technical consultants, and other industry stakeholders.
Inter‑Society for the Enhancement of Cinema Presentation, Inc Home Page
CineEurope 2020 to be held June 22th - 25th, 2020, promises to bring you another year with the very best in exclusive studio screenings and product presentations, cinematic technologies and innovations and educational seminars to keep your business on top of industry trends.
Produced by The Film Expo Group, CineEurope is the official convention of the International Union of Cinemas (UNIC), an international trade association representing cinema exhibitors and their national associations across 37 European territories whose focus is to better promote the social, cultural and economic value of cinemas in Europe and internationally.
CineEurope Home Page
CinemaCon, held March 30 to April 2 2020 at Caesars Palace in Las Vegas, is expected play host to more than 6,000 motion picture theater industry professionals. Since taking its first step in 2011, CinemaCon has evolved and grown to become the largest and most important gathering for the worldwide motion picture theater industry. CinemaCon is truly a global event attracting attendees from more than 80 countries.
CinemaCon Home Page
1937 RCA
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Sonoma, Calif.—Apr 2, 2009
Sonoma's Historic Sebastiani Theater Gets THX Makeover
Sonoma residents, independent filmmakers and visitors to the 12th annual Sonoma International Film Festival will be treated to a technology makeover at the historic Sebastiani Theater courtesy of THX Ltd. Celebrating its 75th anniversary, the Sebastiani Theater has teamed with THX to make improvements to its cinema sound system in time for the festival opening this week.
THX outfitted the 300-seat Sebastiani Theater with an amplifier and subwoofer system, and rewired existing equipment to make better use of the power being supplied to the surround sound system. From a technical standpoint, the THX upgrades promise to deliver better frequency response and improved bass, while also being more energy efficient. For the average visitor to the Sebastiani, this translates to more balanced sound throughout the cinema auditorium, bigger, more dramatic sound effects and less distortion.
"THX is thrilled to partner with the Sebastiani Theater, which has anchored the historic city square and supported community arts for more than 75 years," said Robert Hewitt, vice president of sales for THX. "The technology upgrades and complete audio and video system calibration will better showcase the works of independent filmmakers during the film festival, and will be enjoyed by Sonoma residents long after the festival crowds go home."
As a major sponsor of this year's Sonoma Film Festival, THX will present the "THX Award" to the filmmaker who demonstrates the most creative use of audio in a motion picture. This year's THX Award winner will receive a THX Approved Mackie HR824 MK2 professional 5.1 studio monitoring system to further hone their surround sound mixing skills. The Mackie system is designed specifically to mix and monitor film soundtracks in a small mixing and monitoring studio. The awards ceremony will be held Sunday evening at the Highway 12 Lounge in downtown Sonoma.
The Sebastiani Theater will showcase a number of film screenings during the 12th Annual Sonoma International Film Festival. To find an events and screenings schedule, visit www.sonomafilmfest.org.
About THX: Founded by legendary filmmaker George Lucas in 1983, THX Ltd. and its partners provide premium entertainment experiences in the cinema, in the home and on the go. Over the past thirty-five years, THX has expanded its certification categories beyond studios and cinemas to consumer electronics, content, live events and automotive systems. Today, THX continues to redefine entertainment, providing exciting new technologies and assurance of experiences which provide consumers with superior audio and visual fidelity and ensure an artist's vision is truthfully delivered to audiences worldwide. For more information, visit: http://www.thx.com
THX Directory page
THX (San Rafael)
More THX News:
Aug 20, 2019 THX Unveils New Deep Note Trailer Featuring THX® Spatial Audio Mix
Mar 28, 2019 THX Launches World's First THX Ultimate Cinema™ at Regency Westwood Village Theater
THX Ltd., renowned for the certification of world-class cinemas and consumer electronics, today announced that the world's first THX Ultimate Cinema at Regency Westwood Village Theatre will launch in spring/summer 2019.
Cinionic Web Page
Cinionic Directory Page
Nov 12, 2018 iQIYI and THX® Launch China's First THX Certified On-Demand Movie Theater
May 2, 2018 THX® and Cinemark Announce Certification of Over 200 Cinemark XD Screens in the United States and Latin America
Apr 24, 2018 THX® Announces Premium Large Format Cinema Offering at CinemaCon 2018
Apr 23, 2018 THX® Commemorates 35th Anniversary with New Deep Note Trailer
Dec 13, 2017 THX and CGS Announce Strategic Technology and Distribution Partnership
Dec 7, 2017 THX and China Film Investment Company Announce All THX Certified Cinema
Oct 27, 2011 Barco Teams Up with Datasat and THX® for Commercial Roll-Out of Auro-3D® Cinema Sound
Jan 7, 2010 THX Supports Sensio® 3D Format with THX Media Director
Mar 10, 2008 THX Certification Expands to More Than 500 Cinemark Theatres Screens in U.S.
Mar 13, 2007 THX Launches Cinema Services Program to Help Accelerate D-Cinema Adoption
Jul 17, 2001 Digital Cinema Evolves: Universal Pictures Hosts Special Digital Premiere Screening Of Jurassic Park
Taking the evolving digital cinema industry the next step, Universal Pictures® this evening will host a special Digital Premiere screening at Loews Universal Studios Cinemas of Jurassic Park III® — the Studio's first major motion picture release in the digital cinema format. Universal Pictures and Amblin Entertainment hosted the World Premiere of Jurassic Park III Monday evening at the Universal Amphitheatre.
Christie Web Page
Christie Directory Page


April 16.2014 – Nashville Stars!
Hear it through the grapevine…Taylor Swift is making progress on a new album and according to a source that has heard some it already, "it's like her other albums were practice for this one!" I will keep you posted !
Jerrod Niemann (new album High Noon has unveiled his new nonprofit charity, Free the Music USA (FTMUSA), dedicated to collecting used instruments and giving them to children in need. That's just cool!
And…Congratulations to Jerrod Niemann on his second number-one single, "Drink To That All Night".
Zac Brown Band will kick off The Great American Road Trip Tour in May with a new member of the band and special guest Kacey Musgraves joining them for a few select dates as their opener. Bass player Matt Mangano has joined the band as the eighth member, which will allow long-time ZBB bassist and vocalist John Driskell Hopkins (Hop) to play other instruments including guitar, baritone guitar, ukulele, upright bass and banjo.
The 50th Anniversary of the ACM Awards is in Dallas next year, and tickets for the ACM Party for a Cause: 50 Years of Music and Memories April 17-18, 2015 at Globe Life Park and the ACM Awards at AT&T Stadium April 19, 2015 sold out today (4/15) in 18 minutes! That's 70,000 tickets, making it the biggest and fastest-selling event in ACM history.


Extensive and menacing, perched high above a particularly steep meander of the River Yantra, Tsarevets Fortress is one of the most recognisable sights in Bulgaria, a must for every tourist to Veliko Tarnovo. That town used to be the capital of Bulgaria from the 12th to the14th centuries, and today has one of the few medieval fortresses in the country. Tsarevets's precipitous walls are the stage for lavish open-air opera performances as well as a 1980s Sound & Light show. It is the place where the last Mediaeval Bulgarian patriarch organised fierce but doomed defence against the siege of the Ottoman Turks, and one of its towers was used, allegedly, as the prison cell of Baldwin I, Count of Flanders and the first Latin emperor of Constantinople, whothe Bulgarian King Kaloyan had captured in battle. Why and how Baldwin died remains enshrouded in mystery. According to some, Baldwin was killed by an enraged Kaloyan after a revolt in the city of Philippopolis, which was supposedly organised by Baldwin's supporters. Another story blames his death on Baldwin's chivalry manners. Plainly put, short-tempered Kaloyan ordered Baldwin's arms and legs to be cut off and the remaining body to be thrown off into the river from that same tower because he thought the European was taking on the queen.
Today, the so-called Baldwin Tower is in every guidebook and is considered one of the major sights of Tsarevets. Most of the guidebooks, brochures and guides, however, keep silent on the fact that the gruesome Baldwin Tower was built in 1930-1932. Back then, the tower was in ruins so the Bulgarian architect Aleksandar Rashenov erected it from the ground, taking as his inspiration a well preserved 14th-century tower in the Cherven Fortress, near Ruse. The same holds true of the whole of Tsarevets. The medieval stronghold of Bulgarian kings was designed as a theme park as late as the 20th Century.
Bulgarian medieval writers eagerly compared Tarnovo's splendour to that of Constantinople. Most of Tarnovo, however, was destroyed in the Ottoman siege of 1393 and the ensuing pillage. Muslims settled on the hill of Tsarevets and their houses, a mosque and a cemetery sprang up on the ruins of former palaces and churches.
However, some of the medieval structures were still standing even after the Liberation of 1878. The third gate of the main entrance to Tsarevets, for example, was almost intact in 1889, but that wasn't enough for the young and ambitious Bulgarian state who needed every bit of its glorious medieval past to serve as a justification for present political decisions to inspire even greater glory in the future. On 22 September 1908, standing in Medieval St 40 Martyrs Church in the foot of Tsarevets, Prince Ferdinand declared Bulgaria independent from the Ottoman Empire, and himself king.
Tsarevets itself wasn't much to write home about at that stage, but it all started to change in 1930s, when Rashenov reconstructed the socalled Baldwin Tower and the first gate of the main fortress entrance.
Work on the hill started again in 1970s, under the Communist regime. The third gate of the main fortress entrance was built in 1971, but the grand-scale construction works started in earnest after 1978 when the government promoted what it called the Veliko Tarnovo 1,300 Programme. It was part of the megalomaniacal activities to celebrate Bulgaria's 1,300 anniversary set in motion by Lyudmila Zhivkova, daughter of dictator Todor Zhivkov and then culture minister.
Tsarevets's former glory was to be brought back to life, short and simple. That there was little or no credible information about what the hill actually looked like 10 centuries previously was not to thwart the sort of patriotism the Communist government wanted so desperately to stir up in the working classes. Architects and artists let their creativity run wild, culminating in the "restoration" of the main church on Tsarevets. Architects based the design of its exterior on the few medieval images of the original building, some archaeological research and a lot of imagination.
The church frescoes, however, are definitely over the top. Designed and painted by the artist Teofan Sokerov in a distinctive Socialist Realism style, the murals are a grim comic strip telling Bulgaria's long history, full of sufferings and victories of which the Communist coup in 1944 was the greatest. One of murals unabashedly depicts Lyudmila Zhivkova herself. She never saw this completed building as she died in 1981, before it was completed, but it is still there: as late as 2011 visitors can glimpse at Todor Zhivkov's daughter as long as they can make the steep climb to the top of Tsarevets.
By 1985 most of the "restoration" of Tsarevets was finished. The inner city walls and towers, the gates and the main church with its impressive campanile rose again, to be gazed on and mocked by ordinary Bulgarians, who billed the whole enterprise "the new ruins of Tsarevets."
Yet after several years the mockery waned and people grew accustomed to the pseudomedieval structures. The Tsarevets skyline was imprinted on the public consciousness through postcards, souvenirs and TV reports, while Bulgarian kids were taken on obligatory school trips.
From being the folly of a dying totalitarian state, the new ruins of Tsarevets become a source of patriotism. As democracy made its uneasy entry into Bulgaria in the 1990s, it seemed that building of ruins in general and Tsarevets in particular would remain a unique phenomenon.
But alas. Encouraged by historians-cumpoliticians of the Bozhidar Dimitrov type, the enthusiasm for constructing historical theme parks on authentic foundations came back with a vengeance. This time its main goal was not only to boost patriotism but also to attract unsuspecting foreign tourists.
Sozopol, on the Black Sea, was the first victim of the new tide. Founded in 610 BC by Greeks, Appolonia Pontica was a major and prosperous port for centuries. During its long history as an independent city and as part of the Roman and Byzantine empires, it was defended by the sea and its massive fortress walls.
Most of the walls and the buildings of the ancient and medieval city were destroyed in the Ottoman period, and in late 1990s to the mid 2000s, when the property boom let to uncontrolled building. Today, the charm of old Sozopol is to be found in the quaint, winding alleys with houses and churches dating from the 18th and 19th centuries.
In the mid-2000s, part of the erstwhile southern fortress wall of Sozopol rose again, with pinnacles, embrasures and all. It was reconstructed by the local municipality with the blessing of Bozhidar Dimitrov, himself Sozopol-born. The new fortress wall, the media informed us, was a replica of the long lost walls built on the orders of Emperor Anastasius I in 501 AD, and would attract hordes of eager tourists to the city.
Whether the new medieval walls have served their purpose is debatable, but Sozopol Municipality seems more than happy with them. It secured some state funding and now plans to rebuild the entire wall that 700 years ago encircled the peninsula where old Sozopol is situated. "When finished, it will turn Sozopol into a true rival to Dubrovnik," a city resident, said eagerly quoted by the media.
In Sozopol, it seems there is more to come.
In 2010 archaeologists discovered fortress foundations near the so-called Old School, in one of the most picturesque parts of the city. Bozhidar Dimitrov was quick to announce that that fort will be rebuilt, too. "I hope that this will adorn Sozopol with another remarkable monument of medieval Bulgarian and Byzantine architecture," he said.
Meanwhile, the building of new ruins in Veliko Tarnovo has started again. The hot spot this time is Trapezitsa, another hill overlooking the Yantra. In the medieval period, it was the place where the Bulgarian aristocracy lived in palaces and prayed in small but richly ornamented family chapels. Trapezitsa is believed to have surrendered to the Ottomans, thus avoiding destruction, and many of its churches were in use well into the 16th Century. The hill was excavated in the 20th Century, but until a few years ago didn't appear to have much tourist potential, as it was covered with thick forest amid which a few roofs protecting excavated foundations could just be seen.
Now Trapezitsa is completely different. Some of the trees have been cut down and bold stone fortress walls catch the attention of tourists. The rebuilding is the result of recent research, when archaeologists discovered the foundations of a wall and a large aristocratic residence that, they believe, belonged to the House of Asen in the first decades after it rose to power.
The hill is destined to change beyond recognition. In July 2011 Trapezitsa got about five million leva "for research, conservation and restoration" from the EU Regional Development Operational Programme. Promptly, the first new ruins on it can already be seen.


First Choice Blinds are a Dublin based, family run company that provide high quality made to measure Roller, Venetian, Blackout, Roman, Shutter Blinds in South Dublin..
Welcome to South Dublin's home of Affordable Quality Blinds!
First Choice Blinds are a Dublin based, run family company that provide high quality made to measure Roller, Venetian, Wooden, Roman, Shutter Blinds. We also offer the highest quality blinds for Schools and Offices.
With over 25 years experience in the blinds industry covering Dublin and the surrounding areas, First Choice Blinds have a reputation for quality blinds and excellent customer service. We are fully insured C2 registered and safe pass compliant company.


In Austin and some of its surrounding communities, lots of state and federal funding is dedicated to fighting drunk driving. Law enforcement officials often hold "no refusal weekends" or other campaigns in an effort to crack down on DWI and secure more arrests.
However, if you have been stopped on suspicion of DWI, or even arrested, you have a right to vigorous representation from a criminal defense attorney. At Davis-Jones Law, we represent people who have been accused of drunk driving, helping them ensure that their rights are secured and the evidence brought against them is fair and accurate.
Prosecutors frequently rely on evidence of an individual's blood alcohol content (BAC) when trying to prove that he or she was driving while intoxicated. This evidence may come from blood, breath or urine tests performed at the scene of a traffic stop or after an arrest. But it may not always be accurate.
At Davis-Jones Law, we are familiar with the strategies that prosecutors use to try DWI cases. We are equally familiar with what it takes to succeed. Since we opened our doors in 2002, we have successfully represented hundreds of people facing allegations of drunk driving.
To learn more about your rights when you are stopped or arrested for DWI, contact us for a free consultation. You may send us an email or call our office at 512-634-8994. We look forward to helping you protect your rights.


The fabulous figure, which has been used to purchase 10 dialysis machines, was the result of a joint effort between the Cowie family and Aberdeen accountancy firm, Infinity Partnership.
The fundraising campaign, which was led by mum Hiezel and supported by staff members at Infinity Partnership – owned by Hiezel's son, Simon, raised the phenomenal sum in just 12 months.
Hiezel and Simon decided to raise funds as a thank you for the support she received at the Aberdeen Royal Infirmary's renal unit for her dialysis treatment. Simon, managing partner at Infinity Partnership, also enlisted the staff at his business to help support the fundraiser.
Hiezel visits Aberdeen Royal Infirmary's Renal Unit to receive treatment three times a week.Dialysis is a procedure to remove waste products and excess fluid from the blood when the kidneys have stopped working properly. It involves diverting blood to a machine to be cleaned.


text:
#include "QmitkDataNodeSelectionProvider.h"

#include "QmitkCustomVariants.h"
#include "QmitkEnums.h"

#include "internal/QmitkDataNodeSelection.h"

QmitkDataNodeSelectionProvider::QmitkDataNodeSelectionProvider()
 : berry::QtSelectionProvider()
{

}

berry::ISelection::ConstPointer QmitkDataNodeSelectionProvider::GetSelection() const
{
  return this->GetDataNodeSelection();
}

void QmitkDataNodeSelectionProvider::SetSelection(const berry::ISelection::ConstPointer& selection,
                                                  QItemSelectionModel::SelectionFlags flags)
{
  if (!qSelectionModel) return;

  mitk::DataNodeSelection::ConstPointer dataNodeSelection = selection.Cast<const mitk::DataNodeSelection>();
  if (dataNodeSelection)
  {
    const QAbstractItemModel* model = qSelectionModel->model();

    QItemSelection newSelection;
    const std::list<mitk::DataNode::Pointer> selectedNodes = dataNodeSelection->GetSelectedDataNodes();
    for (auto i = selectedNodes.begin();
         i != selectedNodes.end(); ++i)
    {
      QModelIndexList matched = model->match(model->index(0, 0), QmitkDataNodeRawPointerRole,
                                             QVariant::fromValue<mitk::DataNode*>(i->GetPointer()), 1, Qt::MatchRecursive);
      if (!matched.empty())
      {
        newSelection.select(matched.front(), matched.front());
      }
    }
    qSelectionModel->select(newSelection, flags);
  }
  else
  {
    QtSelectionProvider::SetSelection(selection, flags);
  }
}

mitk::DataNodeSelection::ConstPointer
QmitkDataNodeSelectionProvider::GetDataNodeSelection() const
{
  if (qSelectionModel)
  {
    mitk::DataNodeSelection::ConstPointer sel(new QmitkDataNodeSelection(
        qSelectionModel->selection()));
    return sel;
  }

  return mitk::DataNodeSelection::ConstPointer(nullptr);
}

void QmitkDataNodeSelectionProvider::FireSelectionChanged(
    const QItemSelection&  /*selected*/, const QItemSelection&  /*deselected*/)
{
  berry::ISelection::ConstPointer sel(this->GetDataNodeSelection());
  berry::SelectionChangedEvent::Pointer event(new berry::SelectionChangedEvent(
      berry::ISelectionProvider::Pointer(this), sel));
  selectionEvents.selectionChanged(event);
}

redpajama_set_name: RedPajamaGithub


As many of you know, one of my preferred self-healing techniques involves the use of affirmations. Affirmations are a set of statements you use repetitively to help reprogram your subconscious mind to get you where you want to go.
I write alot of mine for myself, but I also have go to people whose affirmations work for me. Here are a few from one of my favs, Doreen Virtue.
I invest in myself by taking regular time to let go, play and have fun.
I listen to, honor, and follow my true feelings, knowing that they are answers to my prayers.
My heart is filled with gratitude and excitement, knowing that wonderful people and situations surround me now.
I now live and work in a safe, comfortable, spacious environment in a wonderful location.
reword them in language that has no negative charge for you.
dig deeper to find out why you have the negative reaction and write affirmations around that as well.
The affirmations listed above are from "Healing with the Fairies" oracle cards, Doreen Virtue, Ph.D.
I also regularly recommend the affirmations in "Heal your Body" by Louise Hay.
You can always take any affirmation you find and tweak it by inserting words that have more positive, powerful emotional punch for you.
I invest in myself by taking regular time to be alone with my thoughts.
… to laugh, love and enjoy life.
…to get out in nature.
I hope you try affirmations for your own self healing. They work!
Creating a collage based on your affirmations is also a great technique.


text:
Q: A proper statistical test for time course time I have a treatment versus control measured in two time points like this
 > design
                                  condition time
    1       CTRL_24_hrs_replicate1   control   24
    2       CTRL_24_hrs_replicate2   control   24
    3       CTRL_24_hrs_replicate3   control   24
    4  treatment_24_hrs_replicate1        t   24
    5  treatment_24_hrs_replicate2        t   24
    6  treatment_24_hrs_replicate3        t   24
    7       CTRL_48_hrs_replicate1   control   48
    8       CTRL_48_hrs_replicate2   control   48
    9       CTRL_48_hrs_replicate3   control   48
    10 treatment_48_hrs_replicate1        t   48
    11 treatment_48_hrs_replicate2        t   48
    12 treatment_48_hrs_replicate3        t   48
    >

I want to test between treatment and control considering time point 24 hours to 48 hours
I have done like this by DESeq2 R packake
dds <- DESeqDataSetFromMatrix(countData=Raw_reads,colData=design, design=~time + condition + time:condition)

But at this part I get error, although I am trying different things

> ddsTC <- DESeq(dds, test="LRT", reduced = ~ time + time:condition)
estimating size factors
estimating dispersions
gene-wise dispersion estimates
mean-dispersion relationship
final dispersion estimates
fitting model and testing
Error in nbinomLRT(object, full = full, reduced = reduced, quiet = quiet,  :
  less than one degree of freedom, perhaps full and reduced models are not in the correct order

or
> ddsTC <- DESeq(dds, test="LRT", reduced = ~time:condition)
estimating size factors
estimating dispersions
gene-wise dispersion estimates
mean-dispersion relationship
final dispersion estimates
fitting model and testing
Error in nbinomLRT(object, full = full, reduced = reduced, quiet = quiet,  :
  less than one degree of freedom, perhaps full and reduced models are not in the correct order
>

I tried these with no error although I am not certain if this makes sense at all while the results of both is the exactly the same
> ddsTC <- DESeq(dds, test="LRT", reduced = ~ time + condition)
estimating size factors
estimating dispersions
gene-wise dispersion estimates
mean-dispersion relationship
final dispersion estimates
fitting model and testing
>

> ddsTC <- DESeq(dds, test="LRT", reduced = ~ time)
estimating size factors
estimating dispersions
gene-wise dispersion estimates
mean-dispersion relationship
final dispersion estimates
fitting model and testing

All I want is getting the difference of treatment versus control but considering time goes from 24 hours to 48 hours
Please somebody give me a hand to get a correct design
Thanks for any help


The pictures from the 2015 Festival are available!
The 22nd edition of the CINERAIL International Railway Corporate Film Competition will be held from 27 – 29 November 2017 in Lisbon, Portugal, at the São Jorge Cinema.
The CINERAIL Corporate Film Competition provides a unique opportunity to present professionals (from the railways and public transport sphere and from the film production and communication sectors) as well as the public at large, with a selection of best films and audio-visual content commissioned by railway companies, industries, the public transport sector and institutions involved in transport matters.
It provides an overview of the quality and excellence of film productions dealing with rail transport issues in different parts of the world.
An international jury will have the task of evaluating the quality and effectiveness of the films and audiovisual content presented and deciding on the CINERAIL awards.
CINERAIL can definitively be considered as a showcase for the value and quality of the communications policy of UIC Member railways and all actors involved in the rail sector in all parts of the world.
Film registration is open! Do not miss the deadline of 31 August 2017!
UIC Member railways as well as public transport companies, railway manufacturers, organisations and institutions involved in the transport sector, are cordially invited to register their latest films and audiovisual productions (production in the period 2015-2017) in using the attached Registration Form.
Technical specification for transmission of the film and audiovisual material (details on commissioning company, producer, film director, format, sound system and language, existence of English-subtitled version, authorisation for screening in a public cinema,..) are specified in the Registration Form.
The language of the CINERAIL International Railway Corporate Film Competition in Lisbon will be English. International films will be presented with English subtitles.
Registration of films is free of charge.
For over 20 years, CineRail, the International Festival Trains on Film, presents a selection of films from all over the world in which trains, metros, stations, tracks, railway workers and passengers play a decisive role. A competition for short films takes place, and an international jury of artists and professionals awards prizes for the best works.
Throughout its two decades of existence, the Festival welcomed all genres of films and all kinds of audiences. Several themes were explored—"Trains in American films", "Trains and films noirs", "The road to India"... Hundred of cult films were screened: Some Like It Hot, The Darjeeling Limited, La Bête humaine (The Human Beast), Double Indemnity, Runaway Train, Gandhi, Life Is a Miracle, Dil Se, Spirited Away, The Navigators... All in all, over two thousands competing short films, previously unseen feature films, classics or new releases have been screened and have demonstrated how rail and the motion picture go so well together.
CineRail started on the basic assumption that for sharing a passion nothing is better than showing it on a white screen. The Festival has thus brought together the general public, cinema goers and lovers of trains, films and of dreams. It became an international event without a parallel anywhere.
It is no happenstance if cinema is born with the famous Arrival of a Train at La Ciotat Station by the Lumière Brothers. Ever since that first accounter, the motion picture has enjoyed an unparalleled companionship with trains, stations or metros, as they each convey in their special way the image of our society and our fantasies. In turn they may represent our daily commute, our escape to holidays, the pain of parting, the joy of meeting again... This is life's adventure with its unsung dramas and happiness, mixing life, love and death, as befits any good scenario.
Here at CineRail, we enjoy sharing the thrill and emotion we have been addicted to since childhood, as captured by film makers onboard speeding trains where time rolls slowly by, or by authors viewing this world as a suitcase left behind on a platform, where everybody wonders, "what's in it?"
A selection of "rail transport films" on Wikipedia.
Coffee table book: Le train fait son cinéma [FR], by Patrick Brion and Georges Di Lallo, available from Riveneuve editions, with CineRail's support.


Aromas is a popular hangout on the USD campus as well as a place to grab a quick coffee or tea and go.
University of San Diego (USD) students and staff looking to grab a gourmet coffee or tea without the hassle of waiting in line can now self-pour their favorite beverage from a tap wall at the school's Aromas café, and have the amount automatically charged to a special declining balance account. The system was implemented last year following a remodel of Aromas.
First, a customer purchases a sticker containing a RFID (Radio Frequency Identification) chip at the Aromas counter, then sets up and loads a declining balance account associated with the chip. The person is then free to pour beverages from any of the six spouts arranged along the tap wall in any quantity up to the value of the funds in the account. To initiate a transaction, the RFID-bearing sticker—generally affixed to an ID card—is tapped against the iPad-based reader at a specific spout and the account is then charged by the ounce for the amount of beverage dispensed.
The RFID-based self-serve system allows customers to get as much or as little as they want and be charged only for what they dispense.
The taps feature a range of cold brew coffees and chilled teas from local firm Ryan Bros. Coffee, which is family-owned by a USD alumnus. Aromas is open 7 a.m. to 11 p.m. Monday to Thursday and 7 a.m. to 3 p.m. on Friday. It is closed weekends.
Students can pour their beverage of choice in any quantity into any containers they want. Aromas makes reusable Mason jars available to those who stay on the premises as a way to reduce waste.
There is some turnover in the selections, Ramos says. While the most popular three or four choices—regular cold brew, the very popular vanilla latte, chai latte and the ultra-high-antioxidant-laden "super green bean" cold brew—remain in place, the others are switched out to test new flavors and varieties.
"We are able to track the amount poured from each tap, so we know which ones are the most popular, and changing out the kegs is pretty easy," Ramos observes.
Not that students stick with the basic choices, though. In fact, one popular option is to mix and match the different beverages and come up with unique combinations, not unlike what regularly happens with the Coke Freestyle machine that sits next to the tap wall and serves as an ice dispenser for tap wall customers.
Ramos says the idea of the self-serve taps sprang from the dining team's determination to improve the customer experience as part of the Aromas remodel.
Well, in a way. More to the point, it led to some of the San Diego area's brew houses and pubs.
The self-serve system debuted when the remodeled Aromas opened last year, giving what was already a fairly popular campus coffeehouse an added jolt of convenience and variety.
The convenience of self-service combined with a wider variety of cold-brew options available—previously there was only plain—have served to boost sales at the venue.


text:
import { Pipe, PipeTransform, NgModule } from '@angular/core';
import { wrapDeep, isDeepObject } from '../utils/utils';

@Pipe({
  name: 'deep',
})
export class DeepPipe implements PipeTransform {
  transform(value: any): any {
    if (isDeepObject(value)) {
      return value;
    }

    return wrapDeep(value);
  }
}

@NgModule({
  declarations: [DeepPipe],
  exports: [DeepPipe],
})
export class NgDeepPipeModule {}