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Никольский рыборазводный завод им В. П. Врасского — российское рыборазводное предприятие. Первый по времени основания рыборазводный завод в России, долго оставался единственным. Специализируется на снабжении искусственно оплодотворённой икрой и мальками ценных пород рыб, в том числе лососёвых.

Завод является частью Валдайского национального парка. В помещении администрации рыбзавода находится музей В. П. Врасского.

История

Основание завода В. П. Врасским

Владимир Павлович Врасский был потомственным дворянином. Обучался в Дерптском (Тартуском) университете, где получил степень кандидата дипломатических наук. По окончании университета отказывается от государственной службы и начинает вести хозяйство на научной основе. В 1860 году основывает рыборазводный завод в селе Никольское Демянского уезда Новгородской губернии на озере Вельё. Начинание имело большое значение для судьбы русской деревни. Первые годы на новом поприще были для В. П. Врасского неудачными, однако после долгих экспериментов ему удаётся найти и разработать простой, но эффективный способ кормления мальков и взрослых рыб в искусственных водоёмах. Затем исследователь разрабатывает инновационные для своего времени методы сортировки и инкубации рыбы. Благодаря новому методу инкубации икры стало возможным ускорять или замедлять выход личинок рыб путём произвольного изменения температуры воды, что также имело практическое значение в решении проблемы кормления молоди.

В. П. Врасский открыл и разработал способ длительного хранения икры и молоки рыб без воды в различных температурных условиях. В частности, был найден способ сохранения оплодотворённой рыбьей икры для перевозки на дальние расстояния в помощью своеобразной барки (или садка), которая со временем стала использоваться и на других рыбоводных предприятиях для перевозки живой рыбы.

Самым главным итогом научных изысканий учёного явилось открытие и усовершенствование оригинального «сухого» или «полусухого» метода искусственного оплодотворения икры, которым пользовались и пользуются рыбоводы всех стран. За рубежом его называют «способ Врасского» или просто «русский способ». Ещё при жизни основателя завод становится главным в стране центром научно-исследовательской работы по рыборазведению. Им же была заложена и система прудов, сохранившаяся до сих пор. В начале января 1863 года Врасский со своими помощниками ловил рыбу для опытов на Пестовском озере, провалился в ледяную воду и заболел воспалением лёгких. Друзья повезли его в Петербург, но спасти молодого учёного не удалось. В возрасте 33 лет В. П. Врасский скончался, оставив после себя успешно функционирующий завод. Похоронен на родовом кладбище в селе Пестове, в 1 километре от села Никольского.

1863—1865 гг. под руководством И. К. Решеткина

После смерти основателя управление заводом принимает приехавший в Никольское из Петербурга Иван Константинович Решеткин, один из членов созданного В. П. Врасским товарищества, его сокурсник по университету . Кандидат историко-филологического факультета, Решеткин был далек от рыбоводства, деятельность завода пошла на спад. В 1865 году из-за невозможности расплатиться по долгам завод переходит в собственность казны, то есть Министерства государственных имуществ.

1865—1878 гг. под руководством М. К. Репинского

Следующим заведующим Никольским заводом становится инспектор отдела сельского хозяйства ведомства Михаил Константинович Репинский. Он был новичком в рыбоводстве, однако с большим интересом занялся новым для него делом. О размере производства завода на тот момент говорят данные за 1865—1867 годы, приводимые Репинским в отчёте Министру Государственных имуществ. В эти два года на заводе было выведено мальков форели почти 76 000 штук. Основной задачей завода считал акклиматизацию рыб. Планировал стерлядь акклиматизировать в Ладожском озере, а сига в Волге. Для этой цели был устроен новый пруд по реке Пестовке, который должен был «заменить стерлядям Волгу». В 1872 году ездил на Шексну для искусственного оплодотворения стерлядей, но ему это не удалось. Более удачно у него получилось разведение сига в заводских прудах. С целью акклиматизации сига в системе Волги Репинский в течение с 1870 по 1875 год выпустил с Никольского завода в озеро Селигер 118 550 сижков. Главная же заслуга состояла в приведении завода в порядок и в увеличении продажи искусственно оплодотворённой икры и мальков форели и волховского сига частным заказчикам. По отчётам Репинского, с 1871 до 1879 года Никольским рыбоводным заводом было продано оплодотворённой икры 102 533 и мальков 27 927, и несколько десятков тысяч икринок отдано бесплатно Петровско-Разумовской Академии. Таким образом, при Репинском Никольский завод с его прудами и озером Пестово продолжал выполнять функции опытной прудовой станции на Северо-Западе.

1879—1912 гг. под руководством О. А. Гримма

На момент прихода на завод директором Оскар Андреевич Гримм был 34-летним профессором Петербургского лесного института, приват-доцентом Петербургского университета, уже известным зоологом, основателем науки ихтиологии, удостоенным степени магистра. Ему предстояло руководить «колыбелью русского рыбоводства» 33 года, и за это время Никольский рыбозавод достиг наивысшего признания. При продаже посадочного материала была изменена такса на продаваемые икру и мальков таким образом, что за каждую последующую тысячу икринок и сотню мальков цена уменьшалась. 50 тысяч икринок лососёвых стали стоить вместо прежних 150 рублей всего 66 рублей, а сиговых — 23 рубля. Продукты продавались значительно дешевле, чем где-либо за границей, поэтому завод получал всё больше заказов. За счёт пересылки икры без воды в сырой вате в деревянных ящиках, завод достиг снижения стоимости доставки раз в десять и тем самым заставил выписывать, главным образом, икру, а не мальков, причем сделал возможным доставку икры на далекие расстояния. В частности, икра высылалась на Кавказ, в Ташкент и Омск без всяких потерь.

Деятельность завода по распространению рыбоводства постепенно расширялась. Если за 10 лет (1871—1880 гг.) было продано икры и личинок на 154 тыс. руб., то только за два следующих года (1881—1882 гг.) того и другого было продано на 144 тыс. руб. Для подготовки и образования рыбоводов-практиков завод постоянно принимал учеников, обеспечивая их бесплатным помещением, иногда также денежной субсидией. Во время руководства заводом О. А. Гриммом на заводе ежегодно проходили практику более 10 человек, многие из которых стали затем известными учёными-рыбоводами. Наибольшее число посетителей и практикантов на заводе наблюдается с 1892 по 1912 годы. Так, число посетителей в 1910 году достигло 150 человек, практику в этом году прошло 22 человека. То же наблюдалось и в 1911—1912 годы. Однако О. А. Гримм считал, что завод мог бы принимать большее количество желающих учиться, не будь он так далек от железной дороги, что затрудняло проезд к нему. Поэтому буквально через  два года после своего назначения (в 1881 году) он устроил отделение завода в Петербурге.

Кроме журнальных статей по рыбоводству большим спросом пользовались популярные брошюры под общим названием «Беседы о прудовом хозяйстве», выдержавшие к 1904 году 4 издания в количестве 5000 экземпляров каждое. Дополнительно из Никольского рыбозавода на места бесплатно высылался так называемый «Прейскурант» по 1000 экземпляров в год, где содержалось полное наставление (то есть инструкции) к рыборазведению.

1912—1916 гг. под руководством А. А. Лебединцева

В 1912 г. О. А. Гримм уезжает из Никольского и руководство заводом переходит его ученику и первому помощнику — Арсению Аркадьевичу Лебединцеву. Известный в России химик-гидролог, он работал на заводе уже с 1902 года. При нём начинается постройка новых прудов согласно проекту, представленного инженерами Отдела рыболовства и охоты Г. П. Сафоновым и М. П. Сомовым. Начатое переустройство всего рыбоводного хозяйства Никольского завода предусматривало устройство рыбоводного завода для разведения лососёвых рыб и одновременно для постановки опытов по применению различных технических улучшений в области заводской рыбоводной практики, а также организацию на опытном Пестовском озере образцового озёрного хозяйства.

1916—1918 гг. под руководством Г. Г. Гадда

В декабре 1916 года назначение исполняющим обязанности заведующего Никольским рыбоводным заводом получает Георгий Георгиевич Гадд, учёный-специалист по рыбоводству при Сельскохозяйственном Учёном Комитете, который ещё в 1911 году в течение полутора месяцев работал в лаборатории завода. Учёный занимался ботаникой, энтомологией, орнитологией и ихтиологией. Впоследствии именно ихтиология стала его основной специальностью, он решил посвятить себя рыборазведению. Помимо России, технологию рыборазведения изучал в Берлине и Мюнхене. Его время работы на заводе пришлось на годы революционных потрясений (декабрь 1916 — апрель 1918 гг.). Нехватка рабочих рук, тяжёлые материальные условия жизни на станции, конфликты с соседними крестьянами по вопросам о праве Опытной станции на различные части угодий Никольского завода привносили неурядицы в работу, однако к осени 1917 года в Никольском было практически закончено строительство новых прудов и активно шло переустройство. На территории Опытной станции помимо девяти старых прудов появились 36 новых различного назначения (нагульные, нерестовые, зимовальные и др.), увеличивал мощность сам завод. В мае 1918 года во время вылова форели Г. Г. Гадд надорвался, подняв тяжёлое ведро. Болезнь приняла угрожающую форму и вскоре он скончался в возрасте 42 лет. Похоронен на территории села Никольского.

Деятельность завода в 1920-е — 1930-е годы

С 1918 по 1924 год деятельность завода связана с именем Павла Ивановича Эглита. Будучи ещё инструктором, а затем специалистом по рыбоводству при Департаменте земледелия, Павел Иванович проходил практику на Никольском заводе в 1906, 1909 и 1910 гг. Тогда же он, латыш по национальности, влюбился в девушку из села Пестово и в последний приезд Эглита (1910 г.) они поженились.

В годы Гражданской войны постоянно служащих на заводе было всегда не больше десяти. Из этого числа все время шла мобилизация на фронт большей части служащих, в том числе и самого заведующего, что лишало станцию необходимых кадров опытных работников. В некоторые моменты работающих на станции оставалось не больше пяти человек. Продолжались конфликты с крестьянами окрестных деревень, которые, пользуясь отсутствием надлежащей охраны, систематически посягали на различные угодья станции: самовольно пасли скот на прудах и сенокосных участках станции, незаконно рубили лес, ловили рыбу, было сделано несколько попыток спустить пруды и разрушить отдельные гидротехнические сооружения, что и случилось осенью 1920 года.

На время руководства заводом П. И. Эглита пришлась тяжба по поводу принадлежности Никольской рыбоводной станции. В 1921 году Отдел рыбоводства и научно-промысловых исследований, в ведении которого находился завод, находясь сам в стадии реорганизации, не смог помочь Никольскому рыбозаводу с выделением средств для ремонта сооружений. В это же время ряд учреждений, таких как Новгородский Губземотдел, Главрыба, Отдел животноводства Наркомзема пытаются завладеть Никольской станцией в целях превращения её в районный питомник. И поскольку Отдел животноводства Наркомзема включил расходы по содержанию станции в свою смету и практически стал содержать её за свой счёт, Никольская Опытная станция автоматически переходит в ведение данного Отдела. В таких условиях приходилось работать небольшому коллективу станции. Однако завод работал, выпускалась продукция, попутно проводился капитальный ремонт испорченной системы прудов.

В 1924 году новым исполняющим обязанности заведующего Никольским рыборазводным заводом стал известный учёный-ихтиолог Иван Васильевич Кучин. Будучи студентом Петербургского Лесного института, лето 1900 года И. В. Кучин работает в лаборатории Никольского рыбозавода под руководством специалистов-рыбоводов О. А. Гримма и И. Н. Арнольда. За период деятельности опубликовал свыше 50 работ по рыбоводству, в том числе и по Никольскому рыбозаводу.

Следующим руководителем Никольского рыбозавода был Август Иванович Яншевский, выходец из Латвии, участник гражданской войны, латышский стрелок. При нём производительность завода быстро выросла. Если осенью 1925 года завод принял на инкубацию 4 млн. 611 тыс. икринок, то осенью 1926 года — 14 млн. 205 тыс., а осенью 1927 года — 27 млн. 500 тыс. В эти годы в Никольском выращивают такие виды рыб, как форель ручьевая и радужная, сиг чудской и волховский, стерлядь, несколько разновидностей карпа.

Благодаря более бережному вылавливанию рыбы в опытном озере Пестово, увеличились запасы рыбы в озере и средний размер рыбы. Параллельно с повышением продуктивности вёлся капитальный ремонт завода и его прудовых сооружений. В 1938 году А. И. Яншевский был репрессирован органами НКВД и 9 декабря 1942 года в возрасте 44 лет умер в Коми АССР на лесоповале. В августе 1956 года реабилитирован посмертно из-за отсутствия состава преступления.

В 1930-е годы завод продолжает работать и, несмотря на то, что к этому времени из Никольского было вывезено имущество лаборатории и библиотека. За последующие до начала Великой Отечественной войны годы сменилось несколько руководителей (Зыцарь, Иван Михайлович Моисеев, Филипп Лукич Лукин). Все это время завод оставался единственным в России Центром по рыборазведению. В эти годы в заводских прудах, занимающих площадь 78 га, разводят и выращивают такие породы рыб, как сиг, зеркальный карп, форель, сазан, корюшка и др. Последние годы перед Великой Отечественной войной заводом руководит мастер по рыбоводству Архип Николаевич Михайлов, чуваш по национальности.

Великая Отечественная война и послевоенные годы

В первые дни войны на рыбозаводе продолжалась работа, весной 1941 года были зарыблены пруды, а в нескольких колбах ещё инкубировалась икра, но вскоре служащие опытной станции один за другим стали получать повестки на фронт, а семьи эвакуироваться в тыл. В 1941—1943 гг. в деревнях Никольское, Пестово, Исаково проходят тяжёлые и продолжительные бои.

Территория завода и все постройки были разрушены до основания уже в первые месяцы войны. На четыре года деятельность завода полностью прекратилась. Восстановление завода начинается в конце 1945 года. Основной рабочей силой стали жители окрестных деревень: Пабережья, Велья, Пестова, Исакова, Залужья и других, возвратившиеся из эвакуации. Первую продукцию никольские рыбаки выдали уже весной первого 1946 года. Инкубационный цех и гидросооружения восстановлены в 1947 году в деревянном исполнении; со временем здание рыбозавода стало каменным, а трубы и донные водоспуски в прудах были заменены на бетонные и металлические.

В 1950 году с приходом в рыбоводное хозяйство директора Зинаиды Николаевны Берг и рыбовода Михаила Михайловича Жукова завод начинает наращивать темпы работ. Осенью 1950 года здание рыбозавода было полностью восстановлено, что дало возможность начать инкубацию икры сиговых видов рыб: ладожского и чудского сига, рипуса, ряпушки как наиболее продуктивных, обладающих высокими вкусовыми качествами, и хорошо приспособленных к условиям озёр нашей местности. Начиная с 1951 года, зарыбление озёр Новгородской области завод производит более стойким посадочным материалом — личинками в возрасте 5-7 дней, сеголетками и годовиками.

К своему 100-летию Никольский рыбозавод приобретает былую славу. За шесть лет он принял на инкубацию 294, 4 миллиона икринок ценных пород рыб. Выпущено в виде икры на стадии подвижного зародыша и личинок 170, 4 миллиона штук, которые распределялись в водоёмы области и за её пределы. Наряду с рыборазведением в Никольском в послевоенные годы интенсивно развивается сельскохозяйственное производство, животноводство и полеводство.

1960—1980-е годы — время развития инфраструктуры заводского посёлка. Приток молодых специалистов оживил его жизнедеятельность. Ведётся большое строительство жилых домов, построены восьмилетняя школа, детсад, комплексный приёмный пункт. В 1971 году на заводе был завершён основной цикл инкубирования икры пеляди. С 1974 года многоплановое хозяйство Никольского рыбозавода принял Иван Александрович Мещеряков, руководящий заводом по сегодняшний день.

Современность

На сегодняшний день хозяйство включает 4 системы прудов (54 пруда). У каждого пруда ещё со старых времён сохранилось название: Мельничный, Сиговый, Банный, Карасёвый, Новокаменный и др.

Осенью идёт сбор и заготовка икры ряпушки, сига, пеляди; весной — икры щуки, её оплодотворение, закладка на инкубацию. Процесс инкубации сиговых идёт всю зиму. Для наблюдения за состоянием икры идёт круглосуточное дежурство в инкубационном цехе. Личинки ряпушки выращиваются для зарыбления озёр Новгородской области, мальки сига и пеляди — для зарыбления собственных прудов и выращивания до осени рыбопосадочного материала.

В 2014 году выращено 100 тысяч сеголеток пеляди, 100 тысяч сеголеток сига для водоёмов Новгородской и Ленинградской областей, 2 миллионов 100 тысяч личинок щуки для 30 водоёмов Новгородской области. Воспроизводство является хлопотливым процессом. Успешное выращивание мальков и сеголеток зависит от множества факторов. Рыбу сначала выращивают в бассейнах, затем пересаживают в садки на озере. Небольшую часть оплодотворённой икры — на уровне «глазка» — привозят из Франции. У завода есть разрешение на ведение промышленного лова на озёрах Вельё и Селигер. В основном ведётся промысел ряпушки. За год вылавливают около 3 тонн рыбы. Ещё около 1-2 тонн товарной рыбы производят в прудах — это карп, карась и щука.

В 1999 году при Никольской рыборазводном заводе создан музей истории завода. Основательница музея В. А. Шевцова проводит экскурсии по музею, по рыборазводному цеху и системе прудов.

Источники
 Никольский рыборазводный завод, Энциклопедический словарь Ф. А. Брокгауза и И. А. Ефрона. — СПб.: Брокгауз-Ефрон, 1890—1907.
 Никольский завод для искуственнаго разведения рыбы ценных пород  // Памятная книжка Новгородской губернии на 1871 год. — Новгород, 1871. — С. 125—137.
 Шевцова В. А. Колыбель российского рыбоводства. — Тверь, 2014.
 Федюкин К. Ф. Владимир Павлович Врасский. — Л., 1970.
 Богословский Н. Никольский рыборазводный завод г. Врасского // Рыболовство и рыбоводство в Новгородской губернии. Новгородский сборник. Вып. 3. — 1865. — С. 25-40.
 Восстановление Никольского рыбозавода. Демянск (Соб. корр.) // Новгородская правда. — 1946. — 13 янв.
 Тихий М. И. Столетие Никольского рыбоводного завода // Труды совещания по рыбоводству. Вып. 7. — М., 1954. — С. 38-45.
 Томилин М. Г., Шевцова В. А. В Никольском на Валдае // Природа. — 2010. — № 2. — С. 49—56.
 Александр Шпилёв. Рыбоводство длиною в 160 лет  // Авангард. — 2014. — 12 сент.

Предприятия Новгородской области
Демянский район
Рыбоводство


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Celeste – ANIMALE(S) (Denovali Records)
Sunday, 1st December 2013 By Matthew Bowling
The perpetual and grinding dark, a persistent terror for many in the world but channeled effortlessly here by French blackened hardcore (insertwhateverhereitisawesome) group Celeste on this, their fourth release ANIMALE(S). Stylistically not a big departure from their last album, 2010's Morte(s) Nee(s), though this time around it's a double-album of sorts, a normally burly and exhaustive 69 minute experience mercifully split across two 33-36 minute discs. No matter the makeup, ANIMALE(S) is a fantastic experience.
The cascading (not in the Northwestern sense, mind you) wash of abrasive black takes off innocuously enough with opener "Lasse pour compte comme un batard" (yes, for all the decidedly non-Francophones all of the song titles are lengthy and French), the song a lumbering experience in murk and tension, never raising the pace particularly high but never letting itself relent from an ongoing sense of suffocation, something the album is persistent with throughout. Instrumentals make up the relative mid-points of each album half, the thematically tied and similarly titled "X" and "Y", the former a build-up of slow-burning tension and aural isolation, the former the resolution to that build up and isolation alike – the place where it all fizzles out into a cold black silence.
To dive into the ins and outs of most of the songs individually would prove ineffective as, when taken collectively, there's a lot of similarity that runs rampant throughout, all of these songs are very much sonically tied together through a meshing of themes and motifs. Whether taken as parts or as an exhaustive whole, however, ANIMALE(S) is an enthralling and meticulous experience. Thick with rage, abandonment, and every other terrible corner of the human experience one could be unfortunate enough to experience, it is nonetheless a riveting listen, one more than worthy of repeat visits time and time again.
Celeste on Facebook

redpajama_set_name: RedPajamaCommonCrawl


text:
William Stanley (Battle of Bosworth)
Arms of Sir William Stanley, KG
Sir William Stanley KG (c. 1435[1] – 16 February 1495) was an English soldier and the younger brother of Thomas Stanley, 1st Earl of Derby. Stanley fought with his troops in several battles of the Wars of the Roses.
1 Private life
Private lifeEdit
Born at Lytham, Lancashire, Sir William was the younger son of Thomas Stanley, 1st Baron Stanley.[2] In 1465 he married Joan, daughter of John Beaumont, 1st Viscount Beaumont, and widow of John, Lord Lovel. Following the execution of her second husband the Earl of Worcester, Sir William married secondly, c.1471, Elizabeth Hopton, daughter of Thomas Hopton with whom he had a daughter, Jane Stanley. They lived at Holt, Wrexham.[3]
CareerEdit
William Stanley fought on the Yorkist side at the Battle of Blore Heath in 1459,[2] whereas his elder brother Thomas, Lord Stanley had raised troops by the commission of the Lancastrian Crown but refrained from committing his forces on either side. Attainted in 1459, he fled into exile, but returned to fight for the Yorkists at Towton.[2] In 1465 he was granted the Skipton lands and castle of the dispossessed Lancastrian Cliffords.[2] Following the Battle of Tewkesbury in 1471, it was he who captured Queen Margaret of Anjou, who led the Lancastrian faction, and he was made a Knight Banneret by the king. In 1483 he was made Chief Justice of North Wales. Richard III, shortly after becoming king, rewarded Sir William by granting him land in North Wales.[4]
Having been loyal to Richard, Stanley nevertheless changed sides in 1485, and suddenly supported the Lancastrian Henry Tudor's bid for the throne. Stanley is best known for his action at the Battle of Bosworth, where he decisively attacked the Yorkists under Richard, helping to secure Henry VII's victory.[2] This was in contrast to the non-committal attitude of his elder brother, Henry's stepfather, who was inhibited by the fact that Richard held his son hostage. In gratitude for his timely intervention, the new king bestowed many favours on Sir William, including the post of Lord Chamberlain and Chamberlain of the Exchequer.[2]
However, in 1495 Stanley was convicted of treason and executed for his support of the pretender Perkin Warbeck. Though the evidence was circumstantial, he admitted the offence in the hope that through a full confession he would escape execution.[5] Indeed, the King, partly to avoid antagonizing his mother and stepfather, was at first inclined to spare Sir William's life. Yet ultimately the King feared that by showing clemency, he would be endangering himself through encouraging other potential conspirators. As a consequence, Sir William was condemned to death, and a few days later, beheaded.
^ ODNB
^ a b c d e f Wagner 2001, p. 257.
^ "Thepeerage.com". Retrieved 23 July 2010.
^ "William Stanley – A Yorkist". Archived from the original on 3 July 2008. Retrieved 23 July 2010.
^ Seaacome, John. The History of the House of Stanley. p. 55. Retrieved 4 December 2011.
Wagner, John A., ed. (2001). "Sir William Stanley (d.1495)". Encyclopedia of the Wars of the Roses. ABC-CLIO. 257
"Stanley, William (d.1495)" . Dictionary of National Biography. London: Smith, Elder & Co. 1885–1900.
Francis Lovell, 1st Viscount Lovell Lord Chamberlain
Giles Daubeney, 1st Baron Daubeney
Retrieved from "https://en.wikipedia.org/w/index.php?title=William_Stanley_(Battle_of_Bosworth)&oldid=916525822"


text:
White Stripes Choose 'Dead Leaves,' Will Play With Strokes
Lance Fiasco June 18, 2002 • 12:00 am
Detroit blooze duo the White Stripes have chosen "Dead Leaves and the Dirty Ground" as the third single from their latest album, White Blood Cells. The tale of woe, composed of sluggish verses that explode into a rough-hewn, feedback-tweaked chorus, follows previous cuts "Hotel Yorba" and "Fell in Love With a Girl."
A video for the song will be shot by Michel Gondry, according to a spokesperson for V2 Records. Gondry, who has directed groundbreaking clips for Björk, Cibo Matto and Radiohead, was the visual artist responsible for the living Lego style of the Stripes' "Fell in Love With a Girl".
The White Stripes, together with fellow torchbearers of all that's hip, the Strokes, will perform a couple of shows together much to the delight of the sloppy chic set. Each band will headline their respective hometown gigs: August 9 at Detroit's Chene Park and August 15 at New York's Radio City Music Hall, with more shows a possibility.
Following their toggling headlining gigs, both bands will cross the pond for a trio of U.K. festivals August 23-25.
And so as not to play fabulous favorites, the Strokes have chosen "Someday" as their third single from maiden LP Is This It, following "Last Nite" and "Hard to Explain."


Business Solutions Storing sensitive data on the cloud can be beneficial yet risky. Follow these steps to make the system work for you or your business.
SAFETY FIRST: A recent study found that more than 76 percent of companies are using cloud services today.
Whether you're a business with sensitive data that requires organization or an individual with an affinity for personal programs, avoiding "the cloud" seems nearly impossible these days. But using cloud security—a remote, Web-based data storage system—comes with just as many risks as it does benefits.
"You see it on the news every day: constant attacks on people's networks and information systems," said Lonny Anderson, chief information officer of the National Security Agency (NSA). After all, the No. 1 question their team gets about the system centers on whether the cloud is even safe.
Thus, taking an additional few simple steps can help minimize potential hacking, phishing and the like within the model.
Neal Ziring, technical director of information assurance for the NSA, pointed out that making one's security needs clear at the onset of a cloud computing contract is essential. Knowing who's responsible for what, especially in the event of a hack, is equally important.
Breaking things down into two buckets—what you expect the cloud provider to do and what you still expect to do for yourself, and putting that in writing—may be the simplest way to go about dividing responsibility.
In a cloud environment, being explicit about the rules of data can also help ensure safety, said David Hurry, the cloud strategist for the NSA. Tagging data that places it in context offers one way to keep information organized. Namely, recognizing that in a cloud system, organizing items not only based on their structure but also on their function is crucial.
What information gets logged and what doesn't? How long is information retained? Who gets to share and see what data, including how passwords are protected? What protection is in place, and how is the person controlling those data being monitored? That's just a handful of questions that should be answered in a cloud security contract. Having a crisis control plan of sorts for when a data breach may occur, and ensuring that notifications are made in a preset manner, is another area to consider, Anderson said.
"For individual cloud users, most critical is practicing good security hygiene on the systems under your control and the cloud services you employ," Ziring said.


text:
Home Israel Foreign Affairs PM Netanyahu's remarks at the start of the weekly Cabinet meeting
The only way to advance a true peace between us and the Palestinians is by means of direct negotiations between us and them, without preconditions.
Copyright: GPO/Kobi Gideon
(Communicated by the Prime Minister's Media Advisor)
Prime Minister Benjamin Netanyahu, this morning (Sunday, 15 May 2016), made the following remarks at the start of the weekly Cabinet meeting:
"This morning I met with the French Foreign Minister. I told him that the scandalous UNESCO decision, which was supported by France, that does not recognize the Jewish People's ties – which are thousands of years old – to the Temple Mount, casts a shadow on the fairness of any forum that France tries to convene. He told me that this decision stemmed from a misunderstanding and that he would personally see to it that it does not recur. I told him that the only way to advance a true peace between us and the Palestinians is by means of direct negotiations between us and them, without preconditions.
Our experience with history shows that only this way did we achieve peace with Egypt and Jordan and that any other attempt only makes peace more remote and gives the Palestinians an escape hatch to avoid confronting the root of the conflict which is non-recognition of the State of Israel. They simply avoid negotiating with us as part of their desire to avoid resolving the root of the conflict, which is recognizing the national state of the Jewish People, i.e. the State of Israel.
Over the weekend Iran convened a special Holocaust-denial cartoon contest. We raise this here because it must be understood what our problem with Iran is. It is not just its policy of subversion and aggression in the region; it is the values on which it is based. It denies and belittles the Holocaust and it is also preparing another Holocaust. I think that every country in the world must stand up and fully condemn this. This is what I told US Secretary of State John Kerry last night in my conversation with him."
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text:
Q: Loading QBCOCustomObject after logging in
EDIT: I've found the solution.

The right magic word is: [QBCustomObjects objectsWithClassName:@"Settings" extendedRequest:(NSMutableDictionary*)@{@"user_id": [NSNumber numberWithInt:userID]} delegate:self];
I was fooled by QuickBlox web interface, I saw the field "User ID" but its' right name is "user_id".
    Igor, thanks for link: http://quickblox.com/developers/Custom_Objects#Module_description

After logging in I immediately try to load a custom object belongs to the user. Code:
[QBCustomObjects objectsWithClassName:@"Settings" extendedRequest:(NSMutableDictionary*)@{@"User ID": [NSNumber numberWithInt:userID]} delegate:self];

And I have this error:
Performing async request:
RestRequest:
------
GET http://api.quickblox.com/data/Settings.xml
headers:{
    "QB-SDK" = "iOS 1.7.1";
    "Qb-Token" = 7cca2175045d14f5268d665b19e798f7240b5119;
    "QuickBlox-REST-API-Version" = "0.1.1";
}
parameters:{
    "User ID" = 503563;
}
raw body:
2013-09-10 14:54:30.771 DimChat[48597:6c0f] Request failed, response:
RestResponse:
------
<QBASIHTTPRequest: 0x996ae00>
headers:(null)
body:
error:Error Domain=QBASIHTTPRequestErrorDomain Code=5 "Unable to create request (bad url?)" UserInfo=0x7d693e0 {NSLocalizedDescription=Unable to create request (bad url?)}
2013-09-10 14:54:30.771 DimChat[48597:c07] (
    "Connection closed due to timeout. Please check your internet connection."
)

May be I do something wrong?
I can create a new custom object in user event handler and even I can (re)load the created object using it's ID
[QBCustomObjects objectWithClassName:@"Settings" ID:co.ID delegate:self];

But I need to load a custom object when I know only User ID and immediately after login.

A: There is a table with pre-defined fields explanation (in bold) http://quickblox.com/developers/Custom_Objects#Module_description

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Queen - This is usually the mother of the family. This family, not only the home, not only the entire state. The truth is, however, this is always does not occur, the head of state is often to be a king. History, to determine the fate of the world that belonged to the woman, know a lot of historical figures. This is the Queen Elizabeth and Catherine II. In addition to the actual historical figure, we know the queen did play a small role not all fairy tales. For example, who does not know the queen of snow. Queen usually, intelligent, is very beautiful, because it has the real power, this image will always be popular. If it is an attractive also for you, In our web site for you, a collection of games for girls of the Queen.


Chino and Kristina with a K got to talk to Petey Pablo backstage at Boo Bomb 5! Sadly he did not take his shirt off, but did talk about his plan to get "sexified" by next summer and walk around shirtless all the time! Check out the interview below.


text:
admin@just4women
SportsFebruary 19, 2022
Top Nigerian sprinter Blessing Okagbare has been slammed with a 10-year ban by the Athletics Integrity Unit (AIU). Nigerians were left in shock when the suspension of Okagbare was announced on the eve of the Women's 100m…
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After a Honduran delegation trip through Denmark last May, NIKE has decided to install its logistic center in San Pedro Sula, specifically in Calpules, where it already bought the land.
"We are very happy, because it is the beginning of a very important investment. It is about a logistic center that will concentrate all the products that will be sold eventually in the United States", said Mario Canahuati, president of the AHM, who also states that this will complement the textile companies of synthetic products to encourage business in an activity with potential as is the industry of sporting goods.
The U.S. multinational has its logistic centers in Asia, Europe, and in Latin-American it will now be located in Honduras. "What everyone is talking about is that they will have a central park that will have at least 25,000 workers with investments that they (NIKE executives) will disclose in due time as well as when will they establish", says Mr. Canahuati.
Jesus Canahuati, former AHM executive, qualifies these actions as big news for Honduras, since it is the outcome of all the efforts done by the private company and the Government contacting important brands. "We already have the first big example which is the NIKE company with an investment firmed called APOLLO, and have decided to install in Honduras to create more than 25,000 jobs within the next five years to produce all the clothing of this firm", indicates the business man, who highlights that NIKE is a world leader in sporting clothing, selling $30,000 million a year and plans a growth of up to $50,000 million a year.
Honduras will be its strength to expand its production in Central America as well as the United States to be one of the most powerful hubs in the Americas, based in San Pedro Sula", says Canahuati.
According to the businessmen's projections, the maquiladora (factory) activity, including harnesses and textile, will increase exportations to up to an amount of $4,300 million and more than 145,000 direct jobs.


text:
Isbister Holm is a small islet in the Shetland islands of Scotland, situated roughly  east off the coast of Isbister, Whalsay. The highest point of the islet is about  and it measures roughly  by . To the north are the islets of Mooa and Nista. On 12 November 1778 Jufron Ingester was shipwrecked, probably on the holm, the precise location not being certain. It was carrying some 260 tons of skins, tallow and coarse hose from Ireland to Copenhagen. One crew member died and the cargo was not salvaged.

References

Islets of Whalsay
Uninhabited islands of Shetland

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With year-end excitement mounting, I'm ready for fireworks, parties, bubbly, and pizzazz of all shapes, sizes, and forms. For those dreaming up their own New Year's Eve bash, a little DIY goes a long way. I've got the down low on glamorous, gold-accented DIY party favors that your guests will hardly believe were homemade.
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Wishing you a wonderful holiday season, and a Happy New Year! Comment with your favorite NYE party favors and I'll share on my social channels.


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"First chips" on the router table... After several hours of careful assembly, lining up, and tests on scraps, I decided I was ready for the first real use of the router table. I'm building an add-on for my dovetail jig: basically a sturdy wooden box, 40" wide by 24" deep, and about 7" tall. This will be clamped on one long side to the top of my workbench, and then the dovetail jig will be clamped on the other long side, about 24" higher than the workbench. This will let me make dovetails on longer boards, up to about 63" long. The first dovetail project I've planned has some 54" boards, so I'll need this.
In the process of testing and aligning the router table, I connected my dust collection system for the first time. When I ran a piece of wood through, I thought there was something wrong – there were zero chips flying around the room. Turns out that the suction from the dust collection system gets sort of concentrated by the relatively small diameter hole around the router bit (about 2.5" diameter). This creates a very high speed air flow, so high that no chips at all escape. That's very sweet compared with a hand-held router that spews chips at supersonic velocities in all directions! After all the routing I did today you'd never even know I was woodworking – not a bit of sawdust or wood chips on me.
The "bottom" of this box (which will actually be vertical when it's in use) I'm making from 3 lengths of 2x8 redwood. Ordinarily I would use dowels to align them, just as I did on my recent stairs project. Now that I have a router table, though, another possibility arises: homemade tongue-and-groove. First I used a straight 3/4" bit to route the tongue into two boards, with the board down flat on the table (result in first photo below). That worked great – when I used a micrometer to measure the tongue's width (the critical bit), it was between 0.47" and 0.49" – and I was aiming for 0.48". Yay! Then I used a straight 1/2" bit to route the grooves in two boards (second photo), this time with the board up on edge. The bit held the width to between 0.50" and 0.54" (again, with the micrometer). I suspect the larger widths are due to my errors in holding the board flat against the fence. Still, those are actually very small errors. Then I slopped some glue on them and clamped them up (third photo). The bags you see are 25 pound bags of lead shot; they're keeping the boards against the pipes to prevent any bowing.


text:
Q: How to get the pointer value from a vector of pointers of pointers? I have a  vector<Octree*> children variable where each point in the octree is an RGB value (made of 3 components).When I do
int G1= children[i]->point->G;

I get the address as an int not the value . How can I de-reference the pointer in this case?
this is the function where I use it:
vector Octree::find(int R,int G, int B)
{
  vector<RGBvalues> result;

    int midR = (topLeftFront->R
                + bottomRightBack->R)
               / 2;
    int midG = (topLeftFront->G
                + bottomRightBack->G)
               / 2;
    int midB = (topLeftFront->B
                + bottomRightBack->B)
               / 2;

    int pos = -1;

    // Deciding the position
    // where to move
    if (R <= midR) {
        if (G <= midG) {
            if (B <= midB)
                pos = TopLeftFront;
            else
                pos = TopLeftBottom;
        }
        else {
            if (B <= midB)
                pos = BottomLeftFront;
            else
                pos = BottomLeftBack;
        }
    }
    else {
        if (G <= midG) {
            if (B <= midB)
                pos = TopRightFront;
            else
                pos = TopRightBottom;
        }
        else {
            if (B <= midB)
                pos = BottomRightFront;
            else
                pos = BottomRightBack;
        }
    }

    // If an internal node is encountered
    if (children[pos]->point == nullptr) {
        return children[pos]->find(R,G,B);
    }

    // If an empty node is encountered
    else if (children[pos]->point->R == -1) {
        return vector<RGBvalues>();
    }

    else {

        // If node is found with
        // the given value
        if (R == children[pos]->point->R
            && G == children[pos]->point->G
            && B == children[pos]->point->B)

          { for(int i= 0;i<8;i++ )

             { int R1 =children[pos]->point->R;
             int G1= children[i]->point->G;
             int B1= children[i]->point->B;
             RGBvalues rez;
             rez.R= R1;
             rez.G= G1;
             rez.B= B1;
             result.push_back(rez);
            }

            return result ;

          }
    return vector<RGBvalues>();
    }
}

When I tried debugging, in the last if condition I get the correct R value when writing if (R == children[pos]->point->R) but not when I do  children[i]->point->R
THIS IS THE Octree class:
#define TopLeftFront 0
#define TopRightFront 1
#define BottomRightFront 2
#define BottomLeftFront 3
#define TopLeftBottom 4
#define TopRightBottom 5
#define BottomRightBack 6
#define BottomLeftBack 7
    class Octree{

          RGBvalues* point;
          RGBvalues *topLeftFront, *bottomRightBack;
         vector<Octree*> children;

     public:

         Octree();
        Octree(int x, int y, int z);
        Octree(int x1, int y1, int z1, int x2, int y2, int z2);

        void insert(int x, int y , int z);
        vector<RGBvalues> find(int x, int y, int z);
           bool findValue(int x, int y, int z);

    };

AND THE RGBvalues struct:
struct RGBvalues{
  int R;
  int G;
  int B;

  RGBvalues()
          : R(-1), G(-1), B(-1)
      {
      }

   RGBvalues(int a, int b, int c)
          : R(a), G(b), B(c)
      {
      }
};

HERE IS THE REST OF THE CODE that creates and inserts in an octree, if you find it helpful:
       Octree::Octree()
    {
        // To declare empty node
        point = new RGBvalues();
    }

    // Constructor with three arguments
   Octree:: Octree(int x, int y, int z)
    {
        // To declare point node
        point = new RGBvalues(x, y, z);
    }

    // Constructor with six arguments
    Octree::Octree(int x1, int y1, int z1, int x2, int y2, int z2)
    {

        point = nullptr;
        topLeftFront
            = new RGBvalues(x1, y1, z1);
        bottomRightBack
            = new RGBvalues(x2, y2, z2);

        // Assigning null to the children
        children.assign(8, nullptr);
        for (int i = TopLeftFront;
             i <= BottomLeftBack;
             ++i)
            children[i] = new Octree();
    }

    // Function to insert a point in the octree
    void Octree::insert(int R, int G, int B)
    {

         if (findValue(R,G,B)) {

                   return;
               }

        // Binary search to insert the point
        int midR = (topLeftFront->R
                    + bottomRightBack->R)
                   / 2;
        int midG = (topLeftFront->G
                    + bottomRightBack->G)
                   / 2;
        int midB = (topLeftFront->B
                    + bottomRightBack->B)
                   / 2;

        int pos = -1;

        // Checking the octant of
        // the point
        if (R <= midR) {
            if (G <= midG) {
                if (B <= midB)
                    pos = TopLeftFront;
                else
                    pos = TopLeftBottom;
            }
            else {
                if (B <= midB)
                    pos = BottomLeftFront;
                else
                    pos = BottomLeftBack;
            }
        }
        else {
            if (G <= midG) {
                if (B <= midB)
                    pos = TopRightFront;
                else
                    pos = TopRightBottom;
            }
            else {
                if (B <= midB)
                    pos = BottomRightFront;
                else
                    pos = BottomRightBack;
            }
        }

        // If an internal node is encountered
        if (children[pos]->point == nullptr) {
            children[pos]->insert(R,G,B);
            return;
        }

        // If an empty node is encountered
        else if (children[pos]->point->R == -1) {
            delete children[pos];
            children[pos] = new Octree(R, G, B);
            return;
        }
        else {
            int R_ = children[pos]->point->R,
                G_ = children[pos]->point->G,
                B_ = children[pos]->point->B;
            delete children[pos];
            children[pos] = nullptr;
            if (pos == TopLeftFront) {
                children[pos] = new Octree(topLeftFront->R,
                                           topLeftFront->G,
                                           topLeftFront->B,
                                           midR,
                                           midG,
                                           midB);
            }

            else if (pos == TopRightFront) {
                children[pos] = new Octree(midR + 1,
                                           topLeftFront->G,
                                           topLeftFront->B,
                                           bottomRightBack->R,
                                           midG,
                                           midB);
            }
            else if (pos == BottomRightFront) {
                children[pos] = new Octree(midR + 1,
                                           midG + 1,
                                           topLeftFront->B,
                                           bottomRightBack->R,
                                           bottomRightBack->G,
                                           midB);
            }
            else if (pos == BottomLeftFront) {
                children[pos] = new Octree(topLeftFront->R,
                                           midG + 1,
                                           topLeftFront->B,
                                           midR,
                                           bottomRightBack->G,
                                           midB);
            }
            else if (pos == TopLeftBottom) {
                children[pos] = new Octree(topLeftFront->R,
                                           topLeftFront->G,
                                           midB + 1,
                                           midR,
                                           midG,
                                           bottomRightBack->B);
            }
            else if (pos == TopRightBottom) {
                children[pos] = new Octree(midR + 1,
                                           topLeftFront->G,
                                           midB + 1,
                                           bottomRightBack->R,
                                           midG,
                                           bottomRightBack->B);
            }
            else if (pos == BottomRightBack) {
                children[pos] = new Octree(midR + 1,
                                           midG + 1,
                                           midB + 1,
                                           bottomRightBack->R,
                                           bottomRightBack->G,
                                           bottomRightBack->B);
            }
            else if (pos == BottomLeftBack) {
                children[pos] = new Octree(topLeftFront->R,
                                           midG + 1,
                                           midB + 1,
                                           midR,
                                           bottomRightBack->G,
                                           bottomRightBack->B);
            }

            children[pos]->insert(R_,G_, B_);
            children[pos]->insert(R,G,B);
        }
    }

In the find() function I want an RGBvalues vector of the brothers of the node I was looking for ( including him) ,if you have other suggestions on how to do that, it is very welcomed.
Everything works fine except the segmentation fault I get at that if().
I think a problem is that in the children vector there can be null pointers as well so I can't push-back() that.


text:
Original Poster Poster Circus Circus Pinder Bengal Lancer Horizontal Magne
No copy from us no copy we sell only original period posters. On linen, linen backed in our own studio. Sending secure roll insured for the value.
We send in secured roll insured for the value. For backing up your posters.
(Photo examples of our work and estimate on request). George and william pinder pinder. The pinder circus is a circus. By william and george pinder brothers.
At the origin it bears circus britania name, the name of the ship whose sails will be used to realize the marquee. It changes hands several times during its history, and thus will be directed by charles Spiessert jean richard. The mascot of this circus is the elephant. His tour always starts in mid-January to towers.
In 1854 in England, and george william pinder, art equestrian specialists, create their own circus. A circus which, originally, was not wearing name pinder, but of britania, the name of a ship whose sail became the canvas of the tent of the two brothers. After shooting some time in England, significant competition leads to the circus sexpatrier in Holland in the spring of 1868 and this is in September that crowd for the first time on French soil, to re-embark a few weeks later to langleterre. Sen in 1869 following a tour in England and later in the season, the return to France. Habit is taken, and the back and forth between France and langleterre multiply before final implantation in France in 1904 under the direction Darthur pinder, son william pinder.
Following the death Darthur in 1924. The circus is taken charles Spiessert, which will be headed until his death in 1971.
At the occasion of the auction of 16 July 1928, Charles Spiessert descendant of Hungarian fairground, went purchaser of the capital equipment and pinder circus animals. Soon, this mechanical enthusiast will modernize its circus and providing high quality performances. In 1932, he bought a property in chanceaux-on-choisille. A small village a few kilometers towers. Property which will allow it to establishing a rear base for his circus.
After World War II, the pinder circus under his leadership will experience its glory, with performances more interesting, road equipment at the cutting edge and especially the success with the assistance of the ORTF. In the 1960s, the pinder circus is the partner of the ORTF. And is called \It hosts roger lanzac. For radio show's the game of 1,000 francs. And TV show's runway to the stars.
When she is not touring the Winter Circus of Paris. In 1971, Charles Spiessert dies. His children took up the torch, but the circus, which runs through a financial crisis, will eventually be sold at the end of the year 1971 to actor Richard jeans. At the beginning of the year 1972, the actor richard jeans. Became the third owner pinder circus and from the beginning of the tour, his name appears in blue on all the circus vehicles.
The circus becomes the circus' pinder jean richard \May 10, 1973, Jean Richard is a victim of a serious road accident, and this is when financial difficulties begin. Also owner of the amusement park's sea of sand. Quil created in 1969, but the new paris Racecourse. It is struggling to manage all of its business, dautant that it continues at the same time his acting career, taking particular star of the series of investigations maigret Commissioner.
After a first filing for bankruptcy. In 1978, Jean Richard can not prevent a second a few years later. On 17 June 1983 the pinder circus and jean richard and jeans trade name richard, will be sold to gilbert edelstein.
Gilbert edelstein former collaborator Jean Richard, bought the assets of the company after the bankruptcy of the latter. Gilbert edelstein is from dune family of merchants fabrics and not, as often it does, dune circus family.
First of rock concert organizer in the 1960s, it opens later in lyon a restaurant, his native city. This is where quun friend, André vylar present her jeans actor Richard. John Richard offers her a commercial station as well as advertising management, post that he held for seven years before founding his own company \ In 1998 he bought south of Paris in the municipality of perthes en gâtinais a large property which includes a castle, a farmhouse and 130 hectares of woods, which will be his one hand a rear base for his circus (mechanical workshop and painting) and secondly to create a park of attraction on a circus theme, called \Is the director: his dressage number, with sixteen lions and tigers, is unique in the world, he now has a new group of beasts that consists solely of lions and white lions, this number is also unique.
The on the latter, sophie edelstein. Holds the position of artistic director of the circus. She is also known for his magic numbers and its interests in television shows such as France has an incredible talent.
Its characteristics have been much devolution in time. Today, the circus is without its circular stage, indoors or in particular places, along with theater, dance, etc. Was \With the appearance of circus schools in France and abroad at the end. Growing opposition to the use of wild animals in these shows.
Circus artists are emancipated from the traditional family and very few of them are children of the ball. The name is also a bone of contention since the 1970s between purists traditional circus and the avant-garde that use the same word to practice an art ultimately very different. In modern usage, a circus is a group of artists. Traditionally traveling, which usually comprises acrobats. Of animals and gives clowns. Century, the circus is a live performance. People organized around a circular stage which owes its name. Western design takes inspiration dune circus way or another ancient Roman games.
As well as jugglers and troubadours. The first performance of a modern circus in London. And is the work of Philip astley.
Return Veteran of America, he decided to represent equestrian shows with acrobatic demonstrations in philip astley's riding school, riding school in which is built the first circular track to keep the horses from the center, after the maid ( whips long handle used by horse trainers) whose length determined the international dimension of the diameter of the track. The marriage of military and equestrian showman world. Around the circle is established lorsqu'astley enlivens his show with jugglers, mimes and other outfielders.
Adding seats and a conical roof to the ring in 1773. This new form of entertainment, mainly based on equestrian exercises, is then introduced in France in 1774 by astley who opened the first stable establishment Circassian and fixed amphitheater English .
Century during the colonization waves that are introduced in France and Germany the first wild animals, taming being created according to tradition in 1819. For the squire Henri Martin. Submitting a tiger menagerie van aken in Bavaria. And imagine a method that combines violence and sweetness. Master of the arena and presenter of the circus, true red and mark between numbers, was already present. Cirque Franconi: horsewoman of exercises. The liberal regime of the Third Republic. In France favored the democratization of leisure. If the theater was still the type most legitimate show, the circus then had the strong passion of a subject because it involved two audiences: the aristocrats who recognized themselves in the squires embodying the aristocracy of the circus and equestrian art, central to collective identity of the nobility since the middle ages. And the people attracted to the show touring companies plying the France. Under the impetus of Theodore rancy, circuses \The Franconi family founded successively in Paris, three circus theater named \Establishments situated Saint-Honoré street. Establishment located rue du Faubourg du Temple. Establishments situated boulevard du Temple.
In their prime, the Franconi had, in the Napoleonic era, wild animals in their circus made of old equestrian and acrobatic acts. In the third, the creation in 1831 of pantomime. At great show \The tamer Henri Martin was hired, with its wild, by the Franconi brothers who went up to him this pantomime in which the Marseilles tamer cats were presented behind a trellis placed on the front of the stage. Fonda his first circus (traveling tent) to Rouen. Then constructed the following hard: in Geneva.
Century Paris had several circuses sedentary activity. Napoleon Circus (1852), the current Winter Circus. \(With a convertible track pool for water pantomimes). The Molier circus, founded in 1880 by Ernest Molier.
Near the Bois de Boulogne, benouville street. During the two annual performances, artists and aristocrats mix on the track for numbers where the horses have the spotlight. The racecourse at the bridge of Alma. Inaugurated in 1877, mixing lions, elephants and chariot races, which closes in 1892, and was succeeded in 1894. The racecourse de Mars field and in 1900.
The jack elephant in Paris Hippodrome (1885). The circus menagerie succeeded the equestrian circus. Founded in 1854 by an English family, pinder, circus britania. Traverse the round in 1868 and took the circus hippodrome name of pinder brothers. The convoys were pulled by horses.
The merger circus menagerie was popularized by the English circus Lord George sanger between 1856 and 1870, at a time when his collection of exotic animals was the largest among itinerant menageries of britain. Century, Barnum and his successors, in the United States. Gave a boost to the circus. In 1871, Phineas Taylor Barnum. With his associates william cameron shot and Dan Castello, exploited the first Barnum circus included in a set traveling by train and uniting museum curiosities, menagerie, convoy and marquee.
Allied with James Anthony Bailey. In 1881 he created the first big 3 tracks that took the name of \barnum & bailey circus to associate with them, the ringling bros. Circus, founded in 1884, and formed in 1919, the largest on Earth: the Ringling Bros. And Barnum & Bailey circus.
The greatest show on earth. Founded in Hamburg in 1887 under the name of \west show Buffalo bill. Established in 1884, toured in Europe in 1889 and in 1905. The performance of the American West. Scored long minds especially in France where Sampion Bouglione. Father collected a stock of posters of the true heroes of the Wild West.
Acquired in 1926 a large tent used and gave him the name \The Sarrasani circus, created in 1902 in Dresden. For the prestige of its director the \pomp of his performances that took place, from 1918, in one of the most beautiful capitals round structure on a track. In 1919, the brothers (Friedrich, Rudolf, and karl eugen) knie transformed the family arena open pit in a circus tent under Lenseigne \The circus sest transformed into exotic spectacle of animals with the wild presence and made his fame (or advertising) by exposure during a parade or in a menagerie. In 1932, the American circus Ringling Bros. Had a rich menagerie of wild animals 1000.
In 1934, the German circus Krone. \Had in his menagerie more than 800 animals. Between the two world wars, French circuses annexed to their institution a menagerie. The reverse also occurred, fairground menageries adding a circus show at their facility. It was also at this time that the French circuses motorisèrent their road convoys.
The circus menagerie is characterized by the presence of trainers or animal trainers among siblings or circus families. Alfred (brother jules) Short forma in 1923 to his first zoo-circus mixed wild group entitled \ Older Bouglione became specialized: Sampion as horse trainer, joseph as elephant trainer, firmin as lion tamer and circus alexander as administrator.
Roger spessardy (brother of Charles Spiessert) was lion tamer in pinder and directed the menagerie. On the eve of the Second World War. He was traveling fifty-four circuses, all categories by France roads. To spice up their programs, they mingled with the circus elements foreign to the track: celebrity presenters, music hall artists benefits. Exhibitions of sports champions and radio games. The Italian circus American circus. Began with its tent three tracks, a tour in France at the end of 1979, which was followed by others until 1986. In 1981, the Bouglione circus takes the name of american parade and d 'american circus to thwart his rival. In 1973, Jean Richard in 1978 and 1983 rancy in 1978 and in 1987, Achille Zavatta in 1991 and the case american circus. 1979 will mark the \Few sedentary circuses fixed circuses or winter circuses.
Survived, but travelers institutions were very many. In Germany: busch-roland Hagenbeck, Althoff, Krone, Sarrasani, barum; Roncalli. In Britain: Bertram mills, chipperfield, billy smart. In Italy: togni, Orfei, Casartelli, bellucci. In Belgium: of jonghe (who also turned to the Belgian Congo).
In the USA: Ringling Bros. And Barnum & Bailey who left the show in a marquee in 1956, Clyde Beatty - bros school, Carson & Barnes, Vargas. New circus and contemporary circus. In the 1970s circus sessouffle then, in need of renewal and facing some opposition to the use of wild animals in circuses.
While the movement of circus appeared in France. It is carried by the democratization of the circus with the opening circus décoles approved by the French federation of circus schools. The circus souvre and challenges. Circus here - Johann the Guillerm etc.
A challenged the conventions of the circus, said now traditional circus, which, however, remains alive, assimilating some of the innovations of the new circus. The shows of arlette gruss. For example, adopt costumes and music close to those of the Quebec circus of the sun. While continuing to present numbers of traditional disciplines, particularly training exercises. Moreover, with the creation of schools, regional and national meetings are being introduced, which gives the circus of sports and artistic touches.
The new generation of artists of the 1990s now claims more than the circus, and is called more readily contemporary circus. Or \The boundaries are becoming increasingly blurred, and the shows are inspired more movement performance. While away from the spectacular side or sensational feature of traditional circus or even the circus. In January 2017, the Barnum circus. Announces it will close its doors in May of the same year, after 146 years of business. This decision, due to the decline in revenue, which is linked to the fact that this circus shows no show using wild animals, is hailed by animal advocates. List of various specialties represented.
It's like a Chinese pole but bracing; ie it is a more or less iron bar. With a small base, which allows to move it to the stage area.
This is a listening game and balance for at least two people. Circus here - Johann the Guillerm. Cirque lydia Zavatta held by CAPLOT brother. Radio circus, circus-jean richard zoo, circus from France / ben-hur. Cirque joubinaux cultural and educational workshops on circus arts. Music and orchestra of a circus. The orchestra is usually located slightly behind above the stage door, allowing the conductor and musicians to have a good overview on the stage and evolution of these in order to match music and rhythm to as. European circus, cork circus festival. (Belgium): Annual since 1991 (formerly Launch tracks), international biennial circus of the disaster area (Brussels, Belgium): Biennial in March since 1998.
Festival of Circus Arts of Brussels. (Belgium): Annual in April since 2008. Recirque Park Festival of Sherbrooke. (Quebec, Canada): Annual in June since 2005.
Global public entertainers of three rivers. (Quebec, Canada): Annual in July 1992. Completely Circus (Quebec, Canada): Annual in July since 2010. Turbo fest (Quebec, Canada): Annual in January since 2007. (New Brunswick, Canada) since 2012. The workshop tray made his circus, paris: annual circus program in October since 2002. Festival cirko gallop muizon, annual since 2004, traditionell circus lamarche family, horse art action. Annual, last weekend in May since 1997. Circus caravan, organized by the granary (manufactures circus) and the lido. Annual end of October 1988. The sleek, arts festival gesture istres.
Annual in February since 1999. Festisis, circus festival and performing arts. In the area of the valley aisne. Annual, in July, since 1998.
International Circus Festival of Val d'Oise. Festival of Circus Arts of the Grand quevilly. European Festival of circus performers, saint-paul-lès-dax. Annual, in November, since 1999.
International Circus Festival of Bayeux. Every 2 years in early March since 2005. International Circus Festival of Grenoble.
Annual end of November since 2002. International Circus Festival of Massy. International Festival of circus tricks.
World Circus Festival of Tomorrow, paris: annual, last January weekend since 1977, founded by Isabelle and Dominique Mauclair. Annual end of June since 2006. Furies, circus and theater festival of street châlons-en-Champagne.
Cirq Hip hop, circus festival and hip-hop. Annual end of June since 2009.
Unexpected, the festival of circus arts and street manderen. Annual, the first weekend of August. January in the stars, contemporary circus festival Seyne-sur-Mer. Annual end of January since 2000. The juggler is in the field, juggling convention nonville.
Annual, in September since 2000. Midi-Pyrenees makes its circus Avignon. Annual, in July in the festival off Avignon, since 2006, organized by subsidized theater circuits. D'auch, the granary (manufactures circus balma) and the lido. (Center of Circus Arts of Toulouse). The new festival of Alba-la-Romaine. Parade (s), festival of street arts of Nanterre. Annual in May since 1990. Autumn Spring Ski slopes, international festival of clowns and circus center of circus arts lomme.
Annual, in autumn and in April since 1993. Trackers of stars, circus festival of Obernai. The route of the circus, contemporary circus festival nexon. Annual in August since 2000. Meeting of juggling, the courneuve.
Annual, in April since 2008. Second gesture, the festival of circus arts saint-pair-sur-mer. The circus week carmaux circus festival.
Annual in February since 2004. Solstice Arts Festival antony circus. Annual, in June, since 2001. Under the Chapitô, bagnolet circus festival. Including the Clown Festival, burlesque and eccentric: Annual, in April, since 2005.
As long as there seagulls, meetings & circus music, langueux. By the company Galapiat: Annual in April since 2008. Circus Village, paris: Annual in October since 2005, organized by street and circus cooperative (2r2c).
International Circus Festival of Budapest. (Hungary): every 2 years since 1996. International Festival of Monte Carlo circus. (Principality of Monaco): annual, since 1974. (China): every 2 years since 1987.
Contemporary circus festival chicago - \The item \ The seller is \This article can be shipped worldwide.
dimensions: 120 x 160 cm <\/ li>
Theme: Circus <\/ li>


158818 ~ Kitchen Design Ideas. Archived on kitchen design and published on February 8th, 2019 by Neville Scamander is one of best kitchen design ideas with 58/100 rate from 2 user. Check our gallery below and get inspired!


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The longer I live in places where you can wear flip-flops 12 months a year, the more obsessed I become with seasons.
It's not as simple as missing them. If I could choose right now, I'm not sure I'd wish the seasons of my childhood back into my current life. But I'm fascinated by the way those memories find us at odd moments, and how we reconfigure them among the smells, sounds and sensations of entirely different climes.
Last week I was telling you your favorite bedtime story, the same one you ask for every night. In it, you discover a set of keys that unlocks little doors hidden in the nooks and crannies of our house, doors that go unnoticed until you discover them one rainy day. There is one key and one door for every color of the rainbow, and each door reveals a different landscape: an orange grove, a blue Maine lake, green hills that we run across and roll down.


I've suddenly become a favourite on Talk Radio Europe. I was invited on to talk about my latest book, As Right As Rain, when it came out a month or so ago. It's about idioms and the presenter, Selina Mackenzie, had looked on this site and seen I'd done other vaguely similar things. So she asked me back to talk about proverbs – An Apple a Day – which I did yesterday. Next month we're going to talk about business jargon – Pushing the Envelope. That's Wednesday 6 November, 12.30 p.m. UK time. The station broadcasts to English-speaking ex-pats in the south of Spain, but I dare say you can listen on line if the fancy takes you.
I'm hoping that in the spring Selina will let me talk about cake.


From a recent reading of US-based Gray's Sporting Journal, you'd have to be forgiven for thinking the Brits were taking over as the voice of international angling.
Naturally, now I've got round to writing this, Gray's front page has moved on to hunting (that's shooting to us Limeys). But just for a moment there it was fishing in pure red, white and blue – and it's not the Stars and Stripes we're talking about.
There were West Country boys Henry Gilbey and Nick Hart fishing and photographing an early-season East Lyn, one of my own favourite rivers, and possibly the destination of a Wands' outing this year.
There was Tom Fort turning his customary Gael-force literary skills onto almost-Macnabbing in the Western Isles of Scotland.
And then there was the Wands' very own Charles Rangeley-Wilson, still scratching that itch for epic bonefish, but this time doing it deep in the South Pacific: New Caledonia, to be precise.
Maybe the Bahamas simply got too easy, or too close. But if you've not seen his Bonefish DVD yet, here's the word from the Wands: check out this review I wrote recently for Fly Fishers' Republic, then stop him and buy one if you like what you read.
It's a world away from some of the "fishing" we're seeing in prominent places on the TV schedules at the moment, and we reckon that's a good thing.
Theo from The Wandle Piscators (both a blog and a river conservation and fishing group) wrote a great review for BoneFish a fishing DVD.


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Home » Chefs » Joe West
Joe Steinertprevious
Joel Kazouininext
At the age of 16, Chef Joe West started his career as a prep cook at 40 Sardines under James Beard award winning chefs, Debbie Gold & Michael Smith. While attending college, West cooked full time at Adega in Denver, CO and Frasca in Boulder, CO. As an eager and young cook, he sent many letters to Grant Achatz and was invited to stage at Alinea in Chicago in the summer of 2005.
At age 19, Joe landed a job with Colby Garrelts of Bluestem in Kansas City, and went back Johnson & Wales University in Denver, CO. He graduated on the Dean's List. In 2007, Joe returned to Bluestem, but this time as the Pastry Sous Chef under Megan Garrelts.
Moving out to Las Vegas, West spent 3 years under Top Chef Master, Alessandro Stratta at his Michelin 2 star restaurant, Stratta. West then traveled back to Bluestem for a third time to become the Chef de Cuisine. He worked there for 3 years and was a part of the team when Chef Colby Garrelts won the James Beard Award for Best Chef Midwest.
In 2014, Joe was named the executive chef of The Cincinnatian Hotel, earning a AAA 4 diamond award. He also won the 2014 Iron Fork Competition, and was a semifinalist for Eater's Young Guns Awards. West came back home and created a pop up restaurant concept called Kusshi that quickly exploded into a successful project. Joe West is now back home in Kansas City as the Executive Chef of Stock Hill, which is slated to open in late 2016.
The Savoy At 21c
thesavoykc.com
219 W 9th St, Kansas City, MO 64105


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text:
Q: How can you print a staircase out of stars from right to left and not the other way around like it does normally? So I just have no idea how could i print a staircase from right to left...
Right now the code works but it prints from left.. (this code is in a method)
Here is the code:
int row = 1;
while (row <= size) {
       printStars(row);
       row = row + 1;

also i was supposed to create a method that would print a number of spaces:
    int space= 0;

    while (space < amount) {
        System.out.print(" ");
        space = space + 1;
    }

A: To print your stars in the opposite order, you can simply reverse the logic of your loop such that it begins at size and approaches zero:
int row = size;
while (row > 0) {
  printStars(row);
  row = row - 1;
}


On Wednesday, the government published the national consultation on the Soros plan, one of a series of national consultations in which the government turns to the people in the form of public surveys to ask their opinion on subjects important to their daily lives. This seventh national consultation addresses the Soros Plan to resettle one million migrants in Europe per year. The consultation's fundamental question is: should Hungary become an immigrant country or not?


text:
Report: Obama is an Actor Trained by Harry Lennix
"This is an actor that we hired"
Prison Planet.com
During an appearance on the Alex Jones Show, Chicago radio host Eric 'Mancow' Muller revealed that actor Harry Lennix told him he was hired to train Obama how to look presidential by mimicking the actor's demeanor and body language.
Lennix, who was born and grew up in Chicago, gave frequent lectures before he became an actor, while also teaching music and civics in the Chicago Public School system. Lennix is best known for his role in the recent Superman Man of Steel movie and his part as White House Chief of Staff in the ABC television series Commander in Chief.
Muller, who knew Obama in Chicago before he became president, said Lennix told him that, "He was the actor hired to teach Obama to be Harry Lennix – watch The Blacklist and you can see Obama – this is an actor that we hired in our president."
"He's leaving our studio and sees a cut-out of Obama and says 'he's a rat bastard' – oh because I'm black I have to like Obama," said Muller.
"He says, Mancow do I remind you of him?….Barack Obama is me, you've seen me on TV, you've seen me on movies, he is me."
Mancow says Lennix told him, "He mimicked me, he followed me for years, and they wanted me to train him and teach him how to act….like a an educated south side African-American," adding that Lennix thought Obama was "very stupid" and had "been taught to act like this."
Mancow's producer, who also witnessed the conversation, confirmed its veracity and added that Lennix said the only person who knows Obama better than him is Michelle Obama.
Mancow expressed the hope that he wouldn't get Lennix in trouble for revealing the conversation, fearing that the actor could now face an audit. He also revealed that Lennix said he knew Obama would be president from at least 1998 if not earlier.
Anyone familiar with Lennix's body language and general behavior will notice the remarkable resemblance between his demeanor and that of Barack Obama. As this photo illustrates, the two met when Obama was a Senator-elect back in 2005.
Given that one of the few things Obama has received widespread plaudits for since he came to office is his slick adeptness at reading a teleprompter, the claim doesn't seem that outrageous.
Indeed, there has been a sustained call for Harry Lennix to play Obama in a movie biopic given their striking similarities.
Later in the interview, which can be viewed above, Muller also reveals how he was offered over $9 million dollars by a major corporation for a three year radio deal to "lean towards and promote Obama," but flatly refused the proposal.
The video below illustrates how Harry Lennix's demeanor is remarkably similar to that of Barack Obama.
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Paul Joseph Watson is the editor and writer for Infowars.com and Prison Planet.com. He is the author of Order Out Of Chaos. Watson is also a host for Infowars Nightly News.
This article was posted: Friday, November 15, 2013 at 12:29 pm


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