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Enterprise software delivery platform CloudBees raises $150M
Enterprise-focused software delivery platform CloudBees has raised $150 million in a series F round of funding at a valuation of $1 billion.
Founded in 2010, CloudBees initially built an enterprise product on top of the open source automation server project Jenkins. Today, the San Jose, California-based company works with big-name businesses such as Bosch, Airbnb, Salesforce, HSBC, and Allianz, serving an end-to-end software delivery toolset spanning continuous integration and continuous delivery (CI/CD), feature management, analytics, and more. It's all about automating software deployments, monitoring quality, and ensuring any updates can be easily tested and rolled back where flaws are found.
Right tools for the job
Every company these days is effectively a software company, by many estimations at least, meaning that every company needs the tools to ensure their software is bug-free and functional.
"The digital transformation story that started before the pandemic, and has only accelerated over the past 18 months, has made software the foundation for the world's enterprises," CloudBees CEO Stephen Dewitt told VentureBeat.
But with the pressures of frequently shipping new code, rather than rolling out large updates less often, this increases the chances that bad code will find its way into the wild. These problems are perhaps likely to be more emphasized at larger companies — companies that may have dozens of different applications and millions of users globally. And this is where CloudBees has set out to help.
"Enterprises are by their very definition complex — most enterprise companies have years of existing investments in tools, processes, applications, and infrastructure," Dewitt said. "They need to orchestrate billions of lines of code across complex multi-cloud environments, and they need to do so in a compliant, secure way. We help customers do this on all levels."
Continuous compliance
While it would be wrong to say that smaller companies don't have to worry about things like compliance, larger companies — such as financial institutions — that manage the private data of millions of customers have to ensure that they meet whatever the local privacy regulations are for their locale. This can be a hugely time-consuming endeavor, which is why CloudBees recently launched a dedicated compliance product that automates many of the compliance processes. This includes a rules-builder, which sets compliance standards across an organization spanning source code and binary repositories, databases, on-premise and cloud infrastructure, and more — without having to train developers in compliance standards.
"We help developers focus their brilliance on the code they create, versus the hassle of compliance," Dewitt explained. "Consider, for example, a bank that does business in 140 countries. The compliance considerations that are required at this scale are staggering. So how do you automate that? How do you drive that capability while focusing on developer productivity? We are obsessed with answering those questions day in and day out."
Above: CloudBees' rule designer
Prior to now, CloudBees had raised around $111 million. With another $245 million in the bank — in addition to a separate $95 million debt facility it announced today — the company is well-financed to build out its platform, recruit new talent, and grow its footprint internationally in markets such as Asia Pacific (APAC). The company's series F round was led by "client vehicles" advised by Goldman Sachs Asset Management, with participation from Morgan Stanley, Bridgepoint Capital, HSBC, Golub Capital, and Delta-v Capital.
CloudBees' latest cash injection also comes in the same year as other notable players in the space, including Harness and CircleCI which have raised gargantuan sums of money at billion-dollar valuations. So it's safe to say that the software delivery space is hot, and it's likely only going to get hotter.
"The innovations of today — and tomorrow — are software based," Dewitt said. "Software drives every component of our lives — it's how we manage our finances, how we vote, how our kids are learning, how we order food, how we even see a doctor … the list is endless. So if this is true — and we know it is — then the demand for software delivery is baked into this new reality."
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Zasloužilá umělkyně Jarmila Švabíková (18. srpna 1906 Vídeň – 12. března 1969 Praha) byla česká herečka.

Život
Studovala na brněnské Státní konzervatoři, kterou ukončila v roce 1924. První angažmá získala v avantgardním souboru Českého studia Vladimíra Gamzy (1924–1925), později působila krátce v pražských divadlech a v roce 1927 hrála v České komorní scéně Jiřího Plachého. Vystupovala také v  Českém divadle v Olomouci.

V letech 1929–1930 a pak znovu 1933 až 1938 působila v Osvobozeném divadle, na přelomu třicátých a čtyřicátých let minulého století (1938–1941) hrála v souboru Divadla Vlasty Buriana společně s Jaroslavem Marvanem, Václavem Tréglem, Čeňkem Šléglem a dalšími. Dva roky strávila v Divadle Uranie (1941–1942), v letech 1942 až 1954 pak byla členkou souboru Divadla na Vinohradech, resp. Divadla československé armády. Později působila v Městských divadlech pražských (1954–1969).

Stala se manželkou herce Josefa Grusse. Její mladší sestra Zdeňka Švabíková, provdaná Kožíková, manželka spisovatele Františka Kožíka, byla rovněž herečkou.

Je pochována v rodinném hrobě Františka Kožíka na pražském Vinohradském hřbitově.

Ocenění
 1966 titul zasloužilá umělkyně

Divadelní role, výběr
 1929 V+W: Líčení se odročuje, Simone Claire, Osvobozené divadlo, režie V+W
 1930 V+W: Ostrov Dynamit, Halmahéra, Osvobozené divadlo, režie V+W
 1933 V+W: Osel a stín, Hekatomba, Osvobozené divadlo, režie Jindřich Honzl
 1934 V+W dle E. M. Labiche: Slaměný klobouk, tanečnice, Osvobozené divadlo, režie Jindřich Honzl
 1934 V+W: Kat a blázen, Doňa Ibane, Osvobozené divadlo, režie Jindřich Honzl
 1935 V+W: Balada z hadrů, Kateřina de Vausselles, Spoutané divadlo, režie Jindřich Honzl
 1936 V+W: Nebe na zemi, Catastrofa, Osvobozené divadlo, režie Jindřich Honzl
 1936 V+W: Rub a líc, hlasatelka Markéta, Osvobozené divadlo, režie Jindřich Honzl
 1937 V+W: Těžká Barbora, služka Siska, Osvobozené divadlo, režie Jindřich Honzl
 1938 V+W: Pěst na oko aneb Caesarovo finále, Anežka, Osvobozené divadlo, režie Jindřich Honzl
 1942 H. H. Ortner: Isabela Španělská, Isabela, divadlo Uranie, režie A. Klimeš
 1943 Alois Jirásek: Vojnarka, Madlena Vojnarová, Divadlo na Vinohradech, režie Gabriel Hart
 1945 O. J. Kornijčuk: Zkáza eskadry, Oksana, Divadlo na Vinohradech, režie Bohuš Stejskal
 1947 František Langer: Periférie, Anči, Divadlo na Vinohradech, režie Jaroslav Kvapil
 1955 G. B. Shaw: Pygmalion, matka pana Higginse, Komorní divadlo, režie Ota Ornest
 1957 František Langer: Obrácení Ferdyše Pištory, Irma Pištorová, Divadlo Komedie, režie Rudolf Hrušínský
 1960 Tennessee Williams: Skleněný zvěřinec, matka Armanda, Komorní divadlo, režie Ota Ornest

Filmové role, výběr
 1933 Na sluneční straně, barmanka, režie Vladislav Vančura
 1933 Svět patří nám, dělnice, režie Martin Frič
 1936 Velbloud uchem jehly, členka Společenského klubu, režie Hugo Haas
 1937 Filosofská historie, bojovnice na barikádě, režie Otakar Vávra
 1938 Včera neděle byla, paní Kalašová, režie Walter Schorsch
 1941 Modrý závoj, žena režiséra, režie J. A. Holman
 1943 Čtrnáctý u stolu, Linhartová, režie Oldřich Nový a Antonín Zelenka
 1944 Počestné paní pardubické, švadlena, režie Martin Frič
 1945 Řeka čaruje, paní lékárníková, režie Václav Krška
 1957 Poslušně hlásím, žena v bílém kabátu, režie Karel Steklý
 1963 Strach, bytná Grossová, režie Petr Schulhoff
 1966 Ženu ani květinou neuhodíš, prodavačka prádla, režie Zdeněk Podskalský
 1968 Vajíčko, paní Berthoulletová, režie Ota Ornest/Eduard Landisch (TV divadelní záznam)

Odkazy

Reference

Literatura
 Jaroslav Brož, Myrtil Frída: Historie československého filmu v obrazech 1930–1945, Orbis, Praha, 1966, str. 255, 275
 Jindřich Černý: Osudy českého divadla po druhé světové válce – Divadlo a společnost 1945–1955, Academia, Praha, 2007, str. 252, 310,
 Česká divadla : encyklopedie divadelních souborů. Praha : Divadelní ústav, 2000. 615 s. . S. 30, 32, 115, 151, 263, 304, 368, 382, 417, 505.
 Vlasta Fabianová: Jsem to já?, Odeon, Praha, 1993, str. 197,
 Miloš Fikejz. Český film : herci a herečky. III. díl : S–Ž. 1. vyd. Praha : Libri , 2008. 907 s. . S. 439–440.
 Václav Holzknecht: Jaroslav Ježek & Osvobozené divadlo, SNKLHU, Praha, 1957, str. 110, 128, 133, 135, 137, 142, 218–9
 Kolektiv autorů: Dějiny českého divadla/IV., Academia, Praha, 1983, str. 75, 182, 310, 478, 515–6, 520, 655, 667, obr.168, 170, 297
 V. Müller a kol.: Padesát let Městských divadel pražských 1907–1957, vyd. Ústřední národní výbor hl. m. Prahy, Praha, 1958, str. 134, 180
 František Kovářík: Kudy všudy za divadlem, Odeon, Praha, 1982, str. 259
 Jaromír Pelc: Meziválečná avantgarda a Osvobozené divadlo, Ústav pro kulturně výchovnou činnost, Praha, 1981, str. 105, 114, 120, 132, 141, 143, 150, 228–9
 Jaromír Pelc: Zpráva o Osvobozeném divadle, Práce, Praha, 1982, 216 str.
 Jaromír Pelc: Osvobozené divadlo, Mladá fronta, Praha, 1990, 488 str., . Blíže viz
 Michal Schonberg: Osvobozené, Odeon, Praha, 1992, str. 99
 Z. Sílová, R. Hrdinová, A. Kožíková, V. Mohylová : Divadlo na Vinohradech 1907–2007 – Vinohradský ansámbl, vydalo Divadlo na Vinohradech, Praha, 2007, str. 64, 83, 194,
 Marie Valtrová: Kronika rodu Hrušínských, Odeon, Praha, 1994, str. 72, 78,
 Marie Valtrová: ORNESTINUM, Slavná éra Městských divadel pražských, Brána, Praha, 2001, str. 23, 71 (foto), 192,
 Marie Valtrová – Ota Ornest: Hraje váš tatínek ještě na housle?, Primus, Praha, 1993, str. 227, 259, 277, 281, 299,
 Jiří Žák a kol.: Divadlo na Vinohradech 1907–2007 – Vinohradský příběh, vydalo Divadlo na Vinohradech, Praha, 2007, str. 191,

Související články
 Osvobozené divadlo
 Osvobozené divadlo neznámé

Externí odkazy

České herečky
České divadelní herečky
České filmové herečky
České televizní herečky
Čeští herci němého filmu
Herečky Divadla na Vinohradech
Českoslovenští zasloužilí umělci
Absolventi Konzervatoře Brno
Pohřbení na Vinohradském hřbitově
Narození 18. srpna
Narození v roce 1906
Úmrtí 12. března
Úmrtí v roce 1969
Ženy
Herci Osvobozeného divadla

redpajama_set_name: RedPajamaWikipedia


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Exploring London
A blog about London and its history…
Lost London – The Carlton Hotel…
by exploringlondon January 8, 2021 January 8, 2021
The Carlton Hotel (via Wikimedia Commons)
A luxury hotel built at the turn of the 20th century in the West End, the massive Carlton Hotel was part of an even larger redevelopment that included the (still standing) fourth version of Her Majesty's Theatre (which provides a good idea of what the overall building looked like).
Located on the Crown estate on the corner of Pall Mall and Haymarket, the hotel was designed by CJ Phipps (who died before it was completed). Building started in 1896 and was completed by 1899.
Swiss hotelier César Ritz – who had been dismissed from his position as the manager of the Savoy Hotel in 1897 and subsequently successful opened his own establishment, the Hôtel Ritz, in Paris the following year – agreed to take a 72-year lease of the new hotel and a new company, The Carlton Hotel, Limited, was formed.
The building, which had interiors designed in the French Renaissance style, contained more than 300 guest rooms, all with telephones, including 72 suites which came with en suite bathrooms. There were also private dining and reception rooms for guests as well as reading and smoking rooms and a highly regarded Palm Court. And, of course, a restaurant in which Auguste Escoffier, who had left the Savoy under a cloud with Ritz, was employed as a head chef.
The Palm Court at The Carlton Hotel as featured in the Illustrated London News on 5th August, 1899.
The hotel, the upper floors of which contained private residences, was a hit and quickly threatened the status of the Savoy as the city's most fashionable hotel. But in 1902, as the hotel was preparing to mark the coronation of King Edward VII, the king fell ill and the festivities were postponed indefinitely. Ritz suffered a nervous breakdown – apparently from the shock – and Escoffier was left in charge.
While its reputation was never again as high as it had been in the years immediately after opening, the Carlton Hotel remained profitable until World War II when it was heavily damaged during German bombing in 1940. Residential parts of the building were closed and in 1942 the remainder of the building was requisitioned by the British Government (with the exception of the American Bar and Grill Room which remained open).
The hotel never fully reopened, however, and, in 1949, the lease was sold to the New Zealand Government. The Carlton Hotel was demolished in 1957-58 and the New Zealand High Commission subsequently built on the site.
Among the hotel's most famous clientele was Winston Churchill who was apparently dining in the restaurant with Lloyd George when World War I was declared.
Another famous association is commemorated by an English Heritage Blue Plaque which records the fact that Ho Chi Minh, founder of modern Vietnam, worked there as a cook in 1913 (when he was then known as Nguyen That Tanh).
There's a story that Tanh, seeing how much food was being thrown away, asked Escoffier if he could give it to the poor, to which Escoffier told him to put aside his revolutionary ideas so he could teach him "the art of cooking, which will make you a great deal of money". Tanh clearly choose another path.
Blue Plaques Edward VII Lost London Twentieth century Victorian West EndAuguste Escoffier Cesar Ritz King Edward VII Lost London The Carlton Hotel West End Winston Churchill
10 historic London hotels…2. The Savoy…
by exploringlondon January 2, 2019
The first purpose-built luxury hotel built in Britain (and often referred to as London's "most famous" hotel), The Savoy opened its doors on 6th August, 1889.
Located on the river side of the Strand on the site of what had been the medieval Savoy Palace (its most famous resident was John of Gaunt), the hotel was built by theatre impresario Richard D'Oyly Carte using profits made from his staging of Gilbert and Sullivan operas, some of which were performed in the neighbouring Savoy Theatre.
The now Grade II-listed building, which apparently had no overall architect in its initial design process, exuded opulence and its interiors included the latest in modern amenities such as electric lighting and lifts, en suite bathrooms in most of the guest rooms and constant cold and hot running water.
César Ritz, who would later rise to fame as the owner of The Ritz Hotel in Paris and then London (see our recent post), was hired as the manager and Auguste Escoffier as the chef. Together they oversaw the introduction of a new, unprecedented level of hotel service which would set the standard for future enterprises. This included keeping a comprehensive index of guest's tastes and preferences and saw Escoffier revolutionise the restaurant industry in the country with the creation of various "stations" in the kitchen (his pots and pans are apparently still at the hotel).
The hotel was expanded in 1903-04 under the eye of architect Thomas Edward Collcutt (the designer of Wigmore Hall) with new east and west wings and the main entrance was moved from the river side of the building to Savoy Court running off The Strand. The Front Hall is a survivor of this period while the Lancaster Ballroom dates from 1910.
The hotel underwent further remodelling in the 1920s – it was during this period that the famous stainless steel sign over the Savoy Court entrance, designed by art deco architect Howard Robertson (later Sir Howard), was created (Savoy Court incidentally is the only street in the UK where traffic must keep to the right – more on that another time). The sign is topped with a gilt statue of Peter of Savoy, the uncle to King Henry III's wife, Eleanor of Provence (pictured below). It was Peter who first built the Savoy Palace on the land where the hotel now stands. The sign, meanwhile, was created for the 1904 extension but placed here during the 1920s works.
Further modifications – including the introduction of air conditioning – followed in later decades. The hotel now boasts some 267 rooms and suites (the latter include the Royal Suite which spans the entire riverside of the fifth floor), many of which feature panoramic views of the River Thames.
Famous guests over the years have included royalty such as King Edward VII (when Prince of Wales) as well as more recent royals, French actress Sarah Bernhardt, Oscar Wilde, Charlie Chaplin, Sir Henry Irving and Sir Laurence Olivier. It's also hosted a who's who of Hollywood – everyone from Marilyn Monroe and Judy Garland to Frank Sinatra, Humphrey Bogart and John Wayne – and US President Harry S Truman.
Others associated with the hotel include opera singer Dame Nellie Melba – the dessert known as a Peach Melba was created here in her honour, and artist Claude Monet, who painted Waterloo Bridge from a position on one of the balconies.
Among other significant events to take place within its walls was a 1905 "Gondola Party" hosted by American millionaire George A Kessler which saw the central courtyard flooded as part of a recreation of Venice with guests dining on an enormous gondola and entertainment featuring singer Enrico Caruso.
In 1953, to mark the coronation of Queen Elizabeth II, the hotel hosted a ball attended by 1,400 of the rich and famous with special touches including 16 Yeoman Warders from the Tower of London who lined the entrance staircase.
Films shot here include Kipps (1921), based on a HG Wells novel (Wells was in attendance during the filming), The French Lieutenant's Woman (1981) and Notting Hill (1999).
The Savoy remained in the Carte family until it was bought by an American private equity house in 1998 and eventually sold, in the mid-2000s, to become part of Fairmont Hotels and Resorts of Canada.
Closed in late 2007 for a complete renovation (the cost of which has been put at £220 million), it reopened in October, 2010. Among restaurants and bars now in the premises are the Thames Foyer restaurant – hosted in a glass atrium, it's where afternoon tea is taken, the American Bar – described as the oldest cocktail bar in Britain, the Beaufort Bar, and the restaurant Kaspar's.
The latter is named after the hotel's oldest "employee" – Kaspar the Cat. Carved in 1927 by Basil Ionides, the cat was created to act as a 14th guest in the private dining rooms when 13 guests were present, a figure which was considered unlucky and which, tradition held, meant the first person to leave the table would one the first to die.
Its origins go back to 1898 when a wealthy South African by the name of Woolf Joel apparently scoffed at the idea of 13 being an unlucky number at the table and volunteered to leave it first. He was shot dead back in South Africa just a few week's later. In the wake of his death, management at the hotel decreed that any table of 13 would be joined by a staff member.
But this was only a short-term solution – not only there was there the privacy of diners to consider, the fact staff would be a person down when this was required was a problem. So when Ionides redecorated the private dining room 'Pinafore' in the 1920s, he created the cat, complete with napkin, to fulfil the role of the 14th diner. And so he has ever since. Kaspar, the subject of a children's book written by Michael Morpugo in 2008, can these days be found in Kaspar's or, when not working, in the Front Hall.
For more, see www.thesavoylondon.com
10 historic London hotels Edward VII Henry III The Thames Twentieth century Victorian West EndAuguste Escoffier Cesar Ritz Historic London hotels Kaspar Kaspar the Cat River Thames Savoy Hotel Strand West End
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The considerable digital media weight of Players Network will be deployed to further a new revenue sharing partnership between the company and the subscription based National League of Poker, through which a Players Network branded US-legal online poker site will be created.
A press release from the company this week claims that the deal will that will enable members to legally play online poker for free with the chance to win over $50 000 a month in cash and prizes. The Las Vegas entertainment and gaming lifestyle focused Player's Network boasts that it has access to 22 000 000 US homes through its broadband network, Blinkx, Google, YouTube and Yahoo Video operations.
Players Network will receive a percentage of all ad space on the site, a monthly fee for each player that plays for free, and a significant percentage of the subscription revenue for each player that joins the VIP area of the site, paying for premium content and services. Players Network will also have access to all the players in its registration database.
"I play on the NLOP poker site and it definitely satisfies my desire to play competitive, legal online poker against other players from around the world without risking my money, while still getting the rush and having the ability to actually win money," says Michael Berk, Players Network's President of Programming.
"NLOP has an interactive social network for poker players, and provides the perfect demographic for Players Network to market our services. With our unparalleled ability to run ads for 'Players Network's Poker Club' on our proprietary programming in over 22 million TV homes in the US, 121 million TV homes in Europe, and on our Broadband and Mobile platforms, Players Network has the ability to reach more potential members than any other poker site out there."


C. in the Spectra studio building itself, where you will be the only person staying. In all alternatives, bed linen and towels are provided, and you will have access to a kitchen and a washing machine. Be prepared to share the bathroom and kitchen with others. Details will be available for those accepted to the programme. Pictures available on our Facebook page.
Studio space (10-15 m²) with a work desk will be reserved for you at the Spectra art association (see pictures). Simple printmaking tools are available. For large-scale work, we can find other suitable spaces for you elsewhere. There is internet access, but if you ever have thought of taking time off the net, why not in Kristinestad?
Two blocks away, you will find the municipal library with books in Swedish and Finnish as well as the odd one in English. The town has also got two supermarkets, two general stores with small hardware sections, one stationery shop, four restaurants, three cafés, two gyms and a tourist office. For getting around, you can rely on your feet. You will also have a bike at your disposal, allowing you to explore the surrounding natural environment.
Exhibitions, events and performances (for showing past or current work) as well as skills sharing workshops are welcome. For exhibitions, artists will cover costs for materials and if applicable, contribute to costs for equipment, a gallery assistant etc. A few possible exhibition spaces are available free of charge. There are plans for organising a small-scale art event in town at the end of June.
The residency hosts, and occasionally other volunteers,  will be available for project assistance and feedback before and throughout the residency stay. This may relate to project research, materials and tools as well as finding contacts locally. On arrival, there will be an orientation programme.
Projects of an individual nature are welcome, but we would like to emphasize the importance of sharing knowledge and experience with fellow artists, hosts and the community.


text:
Q: Java: PrintWriter with both encoding and buffer size I need a PrintWriter that uses specific encoding and buffer of a user-defined size. I know how to do any of those:
PrintWriter pw = new PrintWriter(new BufferedOutputStream(
            new FileOutputStream(OUTPUT_FILE, false), 64 * 1024 * 1024));

or
PrintWriter pw = new PrintWriter(OUTPUT_FILE, encodingName);

How to do both at the same time?

A: Use a OutputStreamWriter to specify the target encoding with the constructor new PrintWriter(writer), so it should be something like that:
PrintWriter pw = new PrintWriter(
    new OutputStreamWriter(
        new BufferedOutputStream(
            new FileOutputStream(OUTPUT_FILE, false), 64 * 1024 * 1024
        ), encodingName
    )
);

redpajama_set_name: RedPajamaStackExchange


The best complement for the education provided in Galicia's universities is the work experience offered in businesses in different sectors.
The aim is for new graduates to come into contact with the world of work prior to finding their first job, as well as increasing their knowledge through contact with professionals.
FEUGA has recognised effective experience both in finding companies to collaborate on the programme, and in finding the best interns.
The programme is aimed at graduates with degrees or higher qualifications. Applicants must be registered with the Public Employment Service, be younger than 31, have studied at one of the three Galician universities, and have completed their studies in the last three years.
The trainee will be training activities, in no case the grantee may hold the condition responsible for them, being at all times supervised and monitored by his / her tutor.


Today we witnessed a lovely Gr. 7 Farewell ceremony, with fun speeches, wonderful pictures and music, and of course, very spiffy looking grads!
By today your child should have taken home all personal possessions, so nothing is left behind for another day.
Speaking of which, tomorrow (Tuesday) is our year-end field trip to Eileen Dailly pool and Centennnial park. We'll leave shortly after 9:00 a.m., and will return for our regular dismissal time of 3:00 pm.
Today Ms. Beleski and I were the recipients of your very generous gifts of Park Royal gift cards. It has been a pleasure working with your child, so this present — so kind and generous — is like icing on the cake! Thank you to each and every family for their support and encouragement over the year, as well as for this end-of-year gift. It is very much appreciated!
Thanks to Twitter, I've been learning about the implications for using photos in a school setting. Specifically, students often want to use the first pictures they come across, but as an educator, I know those images may have a range of copyright issues. The solution, apart from using pictures they've taken themselves, is to use Creative Commons pictures… these are images that the author has already and explicitly put in the public domain, but where attribution is still given. I've shown an example here, where the source of the image is clearly given.
We can see when the picture was taken, the photographer's name, and there is a link to more information.
The web site, Wylio, accesses images on Flickr, which are labled "Creative Commons".
We did it! Last full week of school is behind us!
Monday (last full day of school for our class at school), including the Gr. 7 Grad assembly.
Wednesday: Report cards sent home after our final Sharing Assembly. Students are released!
Just a head's up: we are organizing a secret "thank you" for Ms. Cathy Fairbank who is retiring this year. See yesterday's post for details about bringing in a single flower this Friday as a thank you.
As you may know, Ms. Fairbank is retiring this June. Each class has been asked to come to the library sometime on Friday with each student bringing a single flower to leave with her as a simple thank you. Not a posy, nor a bouquet, mind you. Just a single flower. If you can easily do this, it would be much appreciated. If you don't have access to flowers in your own garden, perhaps you can arrange for a friend in the class who does to bring a flower for your child, so everyone feels like they had a proper chance to say thanks. We are trying to keep this a secret, so by all means stop Ms. Fairbank and say thanks yourself, but please don't mention the flowers.


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Your membership in Community Cycles makes biking better in Boulder County. Membership benefits you directly and also supports all of the cyclists in our community. Join your voice with ours!
Our members enjoy using our shop, love learning at our workshops, and relish our shop full of bike tools. We offer bike repair videos to guide you in bike care and repair and experienced mechanics who help you work on your own bike. See more Member Benefits.
Your membership makes bicycling better in Boulder County: over 2,500 strong, we have a powerful voice and strong influence within the community to grow the culture of cycling.
Join the movement today. Community Cycles is Boulder's only non-profit bike shop and cycling advocacy organization. We are as strong as our members. Your tax-deductible donation goes to work immediately to make bicycling better and safer. We value your support.
We encourage the use of bicycles for transportation and daily errands. We envision a bike-centric lifestyle for environmental and economic sustainability, self-reliance, improved health and quality of life.
Community Cycles is the bicyclists' voice at the local, state and regional level. We work with all levels of government to help plan and fund more bike paths, lanes, and trails, along with bicycle safety and education programs.
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Community Cycles works to build a diverse and inclusive community that does not tolerate any act of racism, oppression, intimidation, harassment, or racial, ethnic or religious profiling toward another individual, and reaffirms our continued support for the civil rights of our members.
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Members may use shop services up to 2 hours per day, and no more than 20 hours per month. Shop use is defined as use of a bicycle repair stand, the tools, parts washer, wheel truing stand, outside wash station or otherwise utilizing shop resources, including the mechanic on duty. Individual sessions may be extended if space is available. Staff may grant greater or lesser time upon their sole discretion based upon member and shop needs. With staff permission special projects may be granted a greater time allotment. Special projects are defined as a community benefit and not for personal gain.
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Neither members nor customers shall interfere with individuals attempting to donate bicycles or materials to CC. It is not permissible to buy, trade or otherwise acquire bicycles or parts intended for donation to CC. All donations must be processed by staff before they are made available for resale.


text:
Black Flag: My War
BLACK FLAG: MY WAR (1984)
1) My War; 2) Can't Decide; 3) Beat My Head Against The Wall; 4) I Love You; 5) Forever Time; 6) The Swinging Man; 7) Nothing Left Inside; 8) Three Nights; 9) Scream.
After a three-year break in recording, partially triggered by legal hassles with their record label as well as personal problems — such as losing their drummer and their bass player for different reasons — Black Flag came back with a vengeance for 1984, releasing no fewer than three new studio albums that year. But whoever was expecting another Damaged from these guys (or, better still, three more Damageds!) had to take a hike: Greg Ginn and Henry Rollins were not about to let their progressively-oriented brain machines be overridden by rigid formula.
The first side looked promisingly conservative. The title track breaks in at an acceptably fast tempo (not nearly as fast as ʽRise Above', though), delivers a classic Rollins scream-hook as he spits "you're one of them! you're one of them!" right in your face, almost making you blush in embarrassed confusion, and turns Ginn's guitar into a well-oiled machine gun, as he bathes you in sonic shrapnel from behind Henry's muscular back.
ʽCan't Decide', despite the already suspicious gargantuan running length of 5:22, is even better as a song — as its discordant sonic intro eventually morphs into another set of machine-gun phrasing, Rollins and Ginn construct a series of verses on the issue of having to suppress one's true emotions that subtly-brutally build up towards an explosive resolution: Henry's "I can't decide, I can't decide, I can't decide ANYTHING!" may be one of the most credible expressions of total frustration since the Who's ʽI Can't Explain'. Why they decided to include a gazillion of dissonant guitar solos and verses is beyond me — the song would probably have worked much better as a laconic 2:30 blast — but, most likely, expanded lengths like these simply meant refusing to kowtow to established «hardcore standards», take it or leave it.
The remaining four songs on Side A do not add any extra emotional range: the energy level never drops, and Rollins' lyrics never cease scorching the earth (the first line of ʽI Love You' is, after all, "I put my fist through the door" — we've come a long way from 1964), but the musical structures and moods follow the same principles, and Ginn's laudable willingness to keep experimenting with chord sequences comes at the expense of catchiness: there are some fairly monstruous and not particularly meaningful polygonal riff-monsters here, and the best thing about them is probably the guitar tone — low, grumbly, distorted, but cleanly produced, with tight control exercised over echo and feedback.
Side B, although it retains the tone, is a different proposition altogether. It is given over to something quite unexpected: three lengthy, slow, draggy slabs of what could only be described as «early sludge metal», most notably derivative of Black Sabbath but nowhere near as poppy or catchy, especially when Greg throws in one of his dissonant solos whose sound I could only describe as «what you'd expect to happen if Lou Reed started playing like Frank Zappa». Critical opinion on these weird creations is usually negative, with «self-indulgent» as the mildest epithet in their direction — but once you really start thinking, it seems as if it is only the tempo that truly separates them from the first half. Everything else is the same — the guitar tones, the dissonances, the darkness, the lyrics, the screaming; if you took ʽI Love You' and slowed it down, you'd have yourself another copy of ʽNothing Left Inside'. Therefore, by loving the first side and hating the second side, one essentially admits that the only reason why «hardcore» deserves to exist is its speed — a logical position, but not a very useful one, so it seems.
I think that the monotonous, draggy trilogy of ʽNothing Left Inside', ʽThree Nights', and ʽScream' is at least «kinda curious», and at most, if you let yourself ride its wobbly waves, a quasi-psychedelic rough trip that mixes early 1970s pothead-ism with modern punk to an unpredictable effect. ʽNothing Left Inside', in particular, succeeds in generating a cool, smoky, downer atmosphere where, at times, Rollins and Ginn howl in unison like a pair of stray dogs, freshly run over by a truck. Nothing too serious, just "pain hurts my heart, nothing left inside". Oh, needless to say, eighteen minutes of this atmosphere are easily sustainable probably only if you are a pothead, but the experience is not a total waste, and «self-indulgence» is a word I'd rather reserve for a 15-minute Kansas epic than for this brave, only partially successful attempt to invent «slow hardcore» (or «anti-hardcore», whatever).
All in all, the experimental nature of My War has its attractive sides, and the album captures and bottles something — at the very least, this is certainly not a case of a band with nothing to say. I am pretty sure that all of this could have been said better, maybe with some extra overdubs, or with a little more range to Rollins' character, or with a little less slobbering adoration for Tony Iommi that prevents Ginn from straying away from that one single path. But even as it is, My War still deserves a thumbs up, since its «bravery» (maybe even literal bravery — the hardcore market is already so small that most of the suppliers usually try not to alienate any parts of it) does not come at the expense of meaning, and the album has some replay value.
Check "My War" (CD) on Amazon
Check "My War" (MP3) on Amazon
Labels: Black Flag
Malx April 19, 2014 at 3:54 AM
In a sense, this is Flag's most innovative album. Greg Ginn's status as a longtime Deadhead collides with his new found open Sabbath worship, yet the oppressive atmosphere of Rollin's self-absorbed cathartic rantings manages to keep it all credibly "punk". This album didn't exactly expand their fan base, but did prove a harbinger of future trends.
The advantage of hardcore is that it's so fast that at least it's over quickly, why would I want to listen to slow hardcore?
Malx April 20, 2014 at 12:43 AM
There's no such thing as "slow hardcore". Hardcore slowed down turns back into metal. Black Flag's later recordings aren't punk or hardcore, they're a particularly crusty, underground, form of metal that was incredibly influential in the recent past.
Lavender Pitt April 19, 2014 at 6:11 PM
The "My War" demos that are floating around out there are the true link
between "Damaged" and what became "My War". The demos are 4/5th's of the "Damaged" line-up with the addition of one of the best drummers ANYWHERE in rock..Chuck Biscuits. Wonder what "My War" would be like if Ginn did heed your advice and get these songs meaner leaner and sharper focused? Even Rollins tone on the demo is different. Go get those demos (youtube) and see for yourself.
do Black Sabbath
Malx April 23, 2014 at 4:23 PM
Do Black Sabbath what? Rule? Suck? Pull their leggings on, one *grunt* and *squeeeeeze* at a time?
Bobby Womack: B. W. Goes C & W
Bob Dylan: Together Through Life
Carl Perkins: The Essential Sun Collection
Camera Obscura: Underachievers Please Try Harder
Ben Folds: Lonely Avenue
Black Flag: Family Man
Billy Joel: The Bridge
Bobby Womack: Safety Zone
Bob Dylan: Modern Times
Carl Perkins: Dance Album Of Carl Perkins
Camera Obscura: Biggest Bluest Hi-Fi
Ben Folds: Way To Normal
Billy Joel: An Innocent Man
Bobby Womack: I Don't Know What The World Is Comin...
Bob Dylan: Love And Theft
Bukka White: 1963 Isn't 1962
Alcest: Shelter
Ben Folds: Songs For Goldfish
Black Flag: Damaged
Billy Joel: The Nylon Curtain
Bobby Womack: Lookin' For A Love Again
Bob Dylan: Time Out Of Mind
Bukka White: Big Daddy
Britney Spears: Britney Jean
Ben Folds: Songs For Silverman
Black Flag: The First Four Years
Billy Joel: Songs In The Attic
Bobby Womack: Facts Of Life
Bob Dylan: MTV Unplugged


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The Bachelor's Madison Prewett and Connor Saeli Spark Romance Rumors
Bachelor Nation fans... there seems to be a new romance brewing between Madison Prewett and Connor Saeli.
By Alyssa Morin Mar 23, 2020 8:21 PMTags
Reality TVThe BachelorABCThe BacheloretteRealityCelebritiesBachelor in ParadiseEntertainmentBachelor Nation
Another day, another possible Bachelor Nation romance.
It looks like we don't need to wait for Bachelor in Paradise to air, because sparks seem to be flying between two former contestants of the ABC franchise: Madison Prewett and Connor Saeli.
The Bachelor star has seemingly moved on from her ex-boyfriend, Peter Weber. And as fans will recall, she and the 28-year-old pilot decided to go their separate ways just a week and a half ago.
So how does Connor fit into all of this? Well, he's the one who sparked the romance rumors.
The Bachelorette alum, who appeared on Hannah Brown's season of the dating series, took to Instagram Live on Sunday night with his former co-star, Mike Johnson.
And because people have been practicing social distancing and are staying out of the spotlight due to the ongoing Coronavirus pandemic, the guys had a lot to catch up on.
At first, the conversation between the two was harmless.
The Reasons Every Bachelor and Bachelorette Couple Has Given For Their Breakups
"If a certain individual goes [to Paradise], would you go," Mike asked Conner.
He responded, "Sure... It was tough going on last year and having it not work for me in the end. It was a little disappointing to see all the happy couples."
Then things started to get personal. Putting Connor on the spot, Mike flat-out asked, "So what's up with you and Madison?"
It was clear this question made Connor blush and feel a bit flustered. "I don't know, we'll see," he coyly replied. "I can't give you anything."
While The Bachelorette star hinted at a new romance with Prewett, a source told E! News it's not what it seems.
"Connor DM'd Madison sending her words of support After the Rose finale. It was purely platonic," the insider shared. "No further conversations happened after the fact. Madi has been focusing on moving forward with her life by spending quality time with her family."
Madison has yet to address or comment on these romance rumors with Connor.
As if that wasn't some good tea, another contestant from Peter's season seems to be on Mike's mind: Kelley Flanagan.
"I think Kelley has amazing dimples," he shared. "I think that she a little bad ass that's for sure."
At this time, it's unclear when Bachelor in Paradise will begin filming due to COVID-19.
However, if more Instagram Lives go down during this hiatus... we'll be ready and watching with our popcorn and rosé in hand.


Edelweiss, which had acquired Bharati Defence's loans from lenders, now holds 83% voting rights in its committee of creditors (CoC).
Mumbai: The National Company Law Tribunal (NCLT) has ordered the liquidation of Bharati Defence & Infrastructure Ltd, rejecting a resolution plan of Edelweiss Asset Reconstruction Co. Ltd. In its 14 January order, the Mumbai bench of NCLT said Edelweiss did not give a practical and viable plan to manage the affairs of Bharati Defence.
The order said Edelweiss' resolution plan proposed to pay ₹ 9 crore to operational creditors against dues of ₹ 187 crore. Also, they would be paid in a phased manner, and the new management would decide the sum and period of settling dues for each operational creditor. Alongside, Edelweiss proposed to pay ₹ 1,124 crore in a phased manner to financial creditors to which it owes ₹ 11,373.4 crore, implying a discount of 90%.
Edelweiss, which had acquired Bharati Defence's loans from lenders, now holds 83% voting rights in its committee of creditors (CoC). In 2017, the ARC had referred Bharati to the bankruptcy court. Around 95% of lenders backed the Edelweiss resolution plan.
The NCLT order also noted the Edelweiss plan proposes ₹ 35 crore as insolvency resolution process costs before repaying other debt.
"During the hearing, the bench also expressed its concern over the huge fee charged by the RP and his team of few people, even though the company has a huge workforce. It is noted that monthly fee charged by RP and his team is approximately ₹ 80 lakh whereas monthly salary bill of around 850 staff is ₹ 1.5 crore, which indicates a huge fee to RP and his team," the order said.
As per the resolution plan, the insolvency cost was projected at ₹ 35 crore, whereas as per submission to the tribunal, it is approximately ₹ 62 crore as of August 2018.
"Considering the national importance attached to product line of the firm, the customers, explicitly ministry of defence, Indian Coastguard, Customs etc., order book size, advances paid by government departments, the work in progress stalled at various stages of production and huge number of workforce (around 850 employees), we direct that the liquidator shall endeavour to sell the corporate debtor company as going concern," said the division bench presided by judicial member V.P. Singh and technical member Ravikumar Duraiswami.


Message from Another Time III is a mission which is automatically picked up upon completing Tier 3 of the Temporal Defense Initiative reputation.
Starfleet has received a time-delayed encrypted log from Garak, concerning the work of another temporal operative. It is accessible from the Ops computer at Deep Space Nine.
Go to Deep Space Nine, go to Operations, and use the computer console to access logs from the temporal operative.
Last modified: 15 March 2018 at 23:07.


This sessional coffee from Klach is inspired by the classic chocolate bar and features chocolate, honey, and uses almond milk for the base.
The aroma of this coffee is of toasted halzelnut and burnt sugar with a slight hint of yeast.
The flavors of this coffee are of almond and of chocolate. The honey is a nice sweet touch but does not bring anything to this drink.
This Drink is thick and the chocolate is forward with a sweet hint of the horchata.
The coffee is on the bitter side and tastes of an over roasted Brazil but they say all their coffee is from Peru.
The horchata is very pleasant and not to sweet along with it bringing out the characteristics of the rice.
This is a very pleasant and suprising find that is worth a try.
This seasional drink by Klatch is made with candy canes and is a blended mocha.
The aroma of this drink is of peppermint and light brown sugar.
The flavors of this drink are prominent of the candy cane and of chocolate. The coffee is not prominent in this drink and is to me good for people that don't like the taste of coffee.
Most of the flavor in this drink is at the bottom and is very consintrated and overly sweet.
As the ice melts this drink becomes the taste of peppermint and airplane coffee.
This is a very refreshing drink for the Sothern California Winters and would be a great hot drink to.
This drink created by Portola Coffee Lab is created by Thomas Ifergan and Bryant Trinh.
This is their rendition of a bloody red velvet ice latte, this drink has the flavores of the cake. This drink has no flavors of the coffee coming through.
Its is a disappointment that this is not more of a Red Velvet flavor.
This drink created by Rick Wheeler Portola.
The aroma of this coffee is of navel orange.
The orange is center at this with the chocolate coming through at back.
This is a great and refreshing hot and cold.
Out of the new drinks at Portola's Therom this is the best.
This seasional drink by Klatch is made with a double shot of espresso and shaken with sweatend condensed milk and served over ice.
The flavors of this drink are of the espresso that is prominant with flavors of red current, meyer lemon, and bitersweet chocolate. The condensed milk brings out flavores of Mexican vanilla and cane sugar.
This sessional drink made from Klatch has an aroma of fresh lemon that is very prevalent.
The coffee is made with a brown sugar and ginger syrup made in house and gives it a great kick of spice.
The ginger is not overpowering and rounds this latte with their espresso giving a great chocolate flavor with subtle earth tones throughout.
This is one of the best sessional drinks I have had by Klatch and is worth it to seek this out and try.
Klatch - The "Arnold Palmer"
This is a new seasonal drink created by Klatch Coffee that features their espresso, brown sugar, and tamarind.
The flavors of this drink are over powering with the tamarind. It is on the sour side and the coffee is lost in this drink.
To me this coffee is lacking something to cut the intensity of the tamarind and the coffee is lost do to it. This is a great drink to have on a hot day though.
I would seek this out to try the combination of flavors. I hope they work on this a little to make this drink more rounded and smooth.
This coffee created by Ink! Located in Aspen Colorado is a simple drink made with Caramel, White Chocolate, Stemmed Milk and their House Quake coffee.
The white Chocolate and carmel are very prominent with the coffee. The coffee it self comes through and you get a nice spice note to it along with a sleigh nuttiness like of hazelnut. There is a slight citrus note to this coffee creation like of orange blossom.
This is a great coffee if you do like sweet coffee drinks but can be to sweet to most so be careful. If you do like sweet coffee then this is a great drink to try.
This creation is by Yetis Grind in Vail Colorado.
This coffee creation is very strong in coconut flavor and the carmel is more of a side note and does nothing to this nor does it come through in favor. This coffee is lacking in the salt and to me was just an after thought and had no porpoise in adding to taste or texture.
The coffee itself was tasteless and could have been any store bought coffee that is over roasted.
This was a big disappointment and could use more.
The French Toast Latté is made by Queen Bean Caffe in Yucaipa California.
They use Klatch Belle espresso and real vermont maple syrup, ground cinnamon, and vanilla. The flavors of this coffee are lost once you get to the coffee itself. The top where the froth and cinnamon is true to its name and gives you the fell of french toast.
The aroma of this drink is not even of french toast and is more like cream and cinnamon. Its a really weak aroma.
This coffee is not all impressive and could be made at a higher temperature also.
This is a disappointment that all of the flavoring they use a syrups that anyone can buy and they don't make it them self.
This coffee has great potential to be great but as of now I would not go out of my way to try this.
This is one of the best speciality coffee drinks i have ever had!
The flavors of this double latte coffee are very reminiscent to the season and in doing so Klatch has it only for a small time on their Seasonal Menu.
This coffee is a Heather Perry creation and made for their stores so if you are looking for a unique speciality coffee drink or a U.S. Barista champion creation seek this coffee out.
This coffee is a great balance of coffee, milk, and spice.
They say its inspired by The Lion Witch and The Wardrobe and with the spices in this cappuccino drink you can see that they where trying and did a good job.
The spices in this drink are lost at first but soon mold well with the espresso. The spices of nutmeg, clove, allspice are not to strong until the end of the cup where they seam to settle to the bottom. This drink is not sweet at all and with the spice it has a slight kick to it and works great.
This is a great addition to Klatch's Seasonal Menu and lovers of speciality coffee drinks should try this.
The new Seasonal coffee Cooling Coconut Lime Created by Heather Perry of Klatch Coffee Roasters is a layered espresso drink of simple syrup, coconut milk, then their Belle Espresso and topped with lime juice and a lime wedge.
This drink at first sip is overpowering of the espresso but if you mix it all together, the flavors combine into a wonderful trip on your pallet. Their Bell Espresso with the coconut milk works so well with the espresso's caramel and Chocolate flavors that its hard not to drink this on a hot day or want to drink this on the beach and watch the sunset.
This is a must try for people who love to try new variations of coffee drinks and people who love the craft of coffee.


Biography: Richard Greene brings to photography a unique personal history. As a trained classical violinist and Bluegrass Fiddle Master, his career as a touring musician, recording artist and educator spanned from 1960 to 2013. Starting as a young teenager he has been obsessed with photography. Richard's 4 primary musical goals have always been expression, innovation, technique and composition. In applying exactly these same 4 intentions to his photography he finds that music and photography are quite the same, both depend entirely on the artistic placement of available or even imaginary elements.


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text:
Interview with Jack Kerouac on The Ben Hecht Show, October 1958
Ben Hecht: Who is it you love in the world?
Jack Kerouac: My mother.
Ben Hecht: You love your mother. Thank you Jack for talking about the Beats — I'm going to send in my dues as soon as I can get enough money.
Jack Kerouac and friend
Veteran Hollywood screenwriter Ben Hecht interviewed Beat author Jack Kerouac on The Ben Hecht Show in October 1958. Hecht, while a witty raconteur, nonetheless comes off as a bit condescending with Kerouac, treating him as little more than a social oddity booked to get ratings, rather than as a fellow writer. Still, one gets the sense from Hecht that there is a real fascination with Kerouac's life, if not a little bit of envy.
Hecht covers religion, politics, sex, and drugs with Kerouac, but just when the conversation is about to get interesting, Hecht's jaded cynicism cuts loose with a smart-ass wisecrack and he shifts to another topic. Though, in all fairness to Hecht, the need to cover as many topics as quickly as possible is a limitation of the format.
Despite being a writer himself, Hecht shows little interest in Kerouac as an author and, beyond a few references, barely discusses the Beat author's works. Instead, Hecht treats Kerouac more as an object of curiosity rather than a literary colleague. While one gets the feeling Hecht and Kerouac probably have a lot in common, whatever the Beat Generation is about Hecht just does not seem to get it — and one can almost hear the generation gap widen with every question.
It is when the conversation turns to sex that Hecht presses Kerouac on such topics as orgies and homosexuality — controversial coffee table talk for the 1950s — but Kerouac gamely banters with Hecht, willing to take the conversation as far as Hecht wants to push it.
Ben Hecht
Hecht's interest with sex for this interview is odd; however, I recall with some amusement an account by actor Patrick Macnee, John Steed of The Avengers fame, who noted in his 1989 autobiography, Blind in One Ear, that during the 1950s when he was living in Southern California he was hired to work as a chauffeur for Ben Hecht, with whom Macnee was also working with on a play. During their travels, Hecht had Macnee stop at every girl's school they passed so he could check out the students. Macnee, ever the English gentleman, chastised Hecht for his behavior. One wonders if Kerouac was suppressing the same urge in this interview.
"Interview with Jack Kerouac" is included on volume three of the three-disc set The Beat Generation released in 1992 by Rhino Records. It is presented below from the Aeolus 13 Umbra YouTube channel.
Jack Kerouac: Readings From On the Road and Visions of Cody
October in the Railroad Earth: Jack Kerouac and Steve Allen
The Beatnik Café
Posted by G. Jack Urso at 9:06 PM
Labels: ben hecht, Jack Kerouac, the ben hecht show
Santos August 27, 2021 at 11:53 AM
Pretty fair assessment of the interview... Hecht seems to already have passed judgment or judgments on Kerouac -- too bad they didn't have more time to get into it. On one hand condescending, on the other a little fearful or envious as you say...
G. Jack Urso August 27, 2021 at 3:57 PM
Spot on Santos. That about sums it up. Thanks for reading!
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Harish is suffering from Hemato-blastoma, liver cancer. He has been under treatment since he was 5 months old. His father, Suresh, is the only earning member in the family. His mother, Sumithra, is a homemaker.
His father has been struggling for funds since Harish was 5 months old
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Harish's father Suresh is a painter and he gets 450-700 a day. When Harish gets admitted to the hospital for treatment, Suresh cannot attend work and is out of money for the day.
His mother has come forward to donate her liver
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The only hope the family has is the support from generous individuals.
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A man accused of supplying firearms and silencers to serial killer Todd Kohlhepp has pleaded guilty to all 36 counts of federal gun charges.
Dustan Lawson, 32, was accused of purchasing firearms and silencers from area retailers for the purpose of supplying them to Kohlhepp before Kohlhepp's arrest in 2016.
The plea is the latest development to unfold in the wake of Kohlhepp's series of killings and kidnappings that sent a ripple through the Upstate and across the United States. Kohlhepp was arrested Nov. 3, 2016, after missing Anderson woman Kala Brown was found chained up on his 96-acre property in Woodruff. She had been missing for two months.
Kohlhepp later was charged with shooting and killing seven people, including Brown's boyfriend, Charlie David Carver, 32, who was found buried in a shallow grave on the Spartanburg County property.
Kohlhepp pleaded guilty to the seven killings in May 2017 and is now serving life sentences within a South Carolina Department of Corrections institution.
Kohlhepp was convicted of kidnapping when he was 15 after sexually assaulting a 14-year-old girl in Arizona. There, he spent nearly 15 years in a state prison before his release and return to Spartanburg County, where he led a successful real estate career. As a felon, Kohlhepp could not legally purchase or possess firearms.
Lawson was charged with the 36 counts after Kohlhepp was arrested and he told investigators that Lawson helped equip him with firearms.
Special Assistant United States Attorney Jennifer Wells said when authorities searched Kohlhepp's property in South Carolina they found "numerous firearms and a large amount of ammunition," and that "some of the firearms had silencers."
Lawson remained quiet in court Wednesday and answered "yes ma'am" each time the federal judge posed a question.
The four federal charges each with numerous counts carry varying prison sentences upon conviction.
For the false statement to purchase firearms charge, the conviction carries a penalty of up to 10 years in prison, a fine of $250,000 and three years of probation. The transfer of a firearm to a felon charge carries the same penalty.
The transfer of a firearm to a prohibited person charge carries a penalty of up to 10 years in prison, a $10,000 fine and three years of probation upon conviction. The false statement to possess a suppressor or silencer carries the same penalty upon conviction.
A sentencing hearing for Lawson will be held at a later date.
Family members of Kohlhepp's victims have argued that Lawson's charges do not rise to the level of responsibility he shares in Kohlhepp's criminal path.
"I hope the court shows no mercy when they do the sentencing," said Chuck Carver, Charlie Carver's father. "If they know one of these guns are tied to the killings, he should be getting more."
He and others said Lawson should have been given stricter charges. Federal prosecutors have said in court hearings that Lawson had at least some knowledge of Kohlhepp's killings.


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Black Patients Less Happy With Care After Knee, Hip Replacement
Recovering from hip or knee replacement surgery can be tough for anyone, but a new study from one hospital showed that Black patients were less likely than white patients to be satisfied with their care after the procedure.
Researchers reviewed survey responses from more than 2,500 people who underwent hip replacement and more than 2,100 people who had knee replacement at the Hospital for Special Surgery (HHS) in New York City between July 2010 and February 2012.
"Our aim was to determine whether overall patient assessment scores differed by race or socioeconomic status," said senior investigator Dr. Susan Goodman, a rheumatologist at HSS.
In both groups, Black patients were more likely than whites to say they were "not completely satisfied" with their care after surgery, but there was no difference between Black and white patients in satisfaction with the outcome of their surgery.
A patient's primary health insurance coverage was not associated with satisfaction in any of the patient groups, according to the study, presented Tuesday at the American Academy of Orthopaedic Surgeons annual meeting, in Chicago. Such research is considered preliminary until published in a peer-reviewed journal.
"The study is important because we know that Black patients generally wait longer to seek treatment, presenting with worse pain and function prior to surgery, and we are trying to sort out the barriers to seeking timely care," said study co-author Dr. Mark Figgie, chief emeritus of HSS' Surgical Arthritis Service.
"Patient outcome measures indicate that although Black patients achieve significant improvement after surgery, it does not reach the same level as those who seek timely treatment," Figgie noted in an HHS news release.
"Confidence in the health care system may contribute to the delay in seeking care, and this is something we need to address," he added.
"More research is needed to investigate other factors, such as perceived staff courtesy and baseline pain and function, to understand why disparities exist so we can achieve a high level of patient satisfaction for everyone," Goodman said in the release.
There's more on joint replacement surgery at the U.S. National Institutes of Health.
SOURCE: Hospital for Special Surgery, news release, March 22, 2022
George Washington University, news release, March 24, 2022


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Alabama County Jail Tests Facial ID Technology
Calhoun County Jail in Alabama is testing facial recognition technology that could revolutionize how criminals are identified by local law enforcement.
New biometric software will allow the officers to confirm an inmate's identity just by having him or her pass in front of a camera, which takes 3-D snapshots of the individual's face, each consisting of 40,000 data points, according to an article from Government Technology. Those images are then compared against a database to register a match.
Calhoun County Jail already uses biometrics, but in live scan fingerprinting and iris scan systems. Sheriff Larry Amerson believes that facial ID technology will provide advantages over the preexisting systems, mostly for officer safety and efficiency gains, the article says.
The system will be primarily used during the booking process, enabling officers to identify individuals who are registered sex offenders or people with outstanding warrants or previous arrests, the article says.
The jail invested $10,000 in the system, which consists of a laptop, the facial recognition software and a camera. The money, Government Technology reports, came from the jail's law enforcement fund, a pot of money built from inmate commissary sales, inmate phone call charges and revenue from issuing pistol permits in the county. Alabama state law permits the sheriff to use that pool for law enforcement expenditures, including new technology.
It will take some time for the true value of the system to show, however, as only one other county in Alabama — Madison — is using the same system. One of Amerson's goals is to have the Calhoun County Jail serve as a regional hub where all counties share that facial recognition database.
He also hopes that the facial recognition will be used for more than booking and release procedures, but also for medicine distribution in prisons and mobile applications for police officers who need to verify someone's identity after pulling him or her over.
"You can do that with iris scans and fingerprints, but [facial recognition] doesn't require invasion of personal space or physical contact," said Amerson in the article. "It grabs them without approaching, and I see tremendous potential there on the enforcement side."
KEYWORDS: biometric security facial recognition prison security
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Apostles Anglican Church is part of the Anglican Church in North America—a body that unites 135,000 Anglicans in 1,037 congregations across the United States, Canada, and Mexico into a single Church. On April 16, 2009 it was recognized as a province of the global Anglican Communion, by the Primates of the Global Fellowship of Confessing Anglicans. The Most Rev. Dr. Foley Beach is the Archbishop of the Anglican Church.
We are in the mainstream, both globally and historically, of Christianity – the biblically-faithful way of following Jesus and being part of the "One Holy Catholic and Apostolic Church." As Anglicans, this orthodoxy is defined by and centered on our church's classic formularies – the Book of Common Prayer, including the Ordinal, and the Thirty-nine Articles – which all point back to the authority of the Holy Bible and articulate foundational principles of the Anglican tradition throughout the world. We wholeheartedly embrace The Jerusalem Declaration, the founding declaration of the Global Fellowship of Confessing Anglicans.


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