text:
Johannes Kappes (* 3. Oktober 1773 in Frankfurt am Main; † 9. September 1837 ebenda) war ein Richter und Politiker der Freien Stadt Frankfurt.

Johannes Kappes war Jurist in Frankfurt am Main. 1823 wurde er Kuratelrat und 1834 Direktor des Kuratelamtes. 1835 bis 1837 war er Appellationsgerichtsrat am Appellationsgericht Frankfurt am Main.

Von 1822 bis 1834 war er als Senator und von 1834 bis 1837 als Schöff Mitglied im Senat der Freien Stadt Frankfurt. 1833 war er Jüngerer Bürgermeister. Er gehörte 1817 bis 1831 dem Gesetzgebenden Körper an.

Literatur
 Jochen Lengemann: MdL Hessen. 1808–1996. Biographischer Index (= Politische und parlamentarische Geschichte des Landes Hessen. Bd. 14 = Veröffentlichungen der Historischen Kommission für Hessen. Bd. 48, 7). Elwert, Marburg 1996, ISBN 3-7708-1071-6, S. 206.

Weblinks

Senator (Frankfurt am Main)
Mitglied des Gesetzgebenden Körpers der Freien Stadt Frankfurt
Jüngerer Bürgermeister (Freie Stadt Frankfurt)
Richter (Appellationsgericht Frankfurt am Main)
Politiker (19. Jahrhundert)
Deutscher
Geboren 1773
Gestorben 1837
Mann


text:
Triplophysa crassicauda és una espècie de peix de la família dels balitòrids i de l'ordre dels cipriniformes.

Morfologia
 Fa 10,4 cm de llargària maxima.
 11 radis tous a l'aleta dorsal i 8 a l'anal.
 44 vèrtebres.

Hàbitat i distribució geogràfica
És un peix d'aigua dolça, demersal i de clima temperat, el qual viu a Qinghai (la Xina).

Observacions
És inofensiu per als humans.

Referències

Enllaços externs
 Encyclopedia of Life

crassicauda

redpajama_set_name: RedPajamaWikipedia


text:
Mikael Wulff (born 2 September 1972) is a Danish comedian, who appeared in television shows such as Dolph og Wulff, and is co-illustrator of the Wulffmorgenthaler comic strips, which he produces together with Anders Morgenthaler.

References

1972 births
Danish cartoonists
Danish stand-up comedians
Living people


text:
Regeneration of Frome town centre gathers pace
Story posted on March 13, 2013
A GIANT outdoor market that took over the entire town centre last year is set to become a permanent monthly fixture in the Frome calendar.
Frome Town Council has revealed ambitious plans to make the 'Frome Super Market' a regular monthly event – taking place on the first Sunday of the month, between June and Christmas. The plans are part of a wider effort to regenerate Frome town centre, including a revamp of the Market Place, the river frontage and the Wednesday and Saturday markets.
The Frome Super Market proved a huge success when it was trialled in 2012 – attracting thousands of shoppers to the town. Before a June launch date can be pencilled in for its relaunch, the town council must first get approval from Mendip District Council as they hold the market charter.
Peter Wheelhouse, Frome Town Council's economic development and regeneration manager, says the Frome Super Market is one of the town's big success stories. He commented, "It dramatically increased visits to Frome, showing people what we have to offer. The response and feedback we've had from local businesses shows it has helped to boost the local economy and establish Frome as a tourist destination. We're confident Mendip District Council will back us on continuing to develop on this success.
"We had hoped to be able to start the markets in April this year, but it's taken longer than anticipated to review feedback and get everything just right. In 2014, however, we hope the event will be extended – starting in March and finishing in December."
Frome Town Council is proposing to make the market a company limited by guarantee, so it can source funding from external sources – much like the town's Artisan and Flea Markets.
Peter Wheelhouse added, "Ultimately we're confident the Frome Super Market will become a profitable business, which can reinvest its profits back into the town."
After hearing about the Frome Super Market trial last year, television retail guru Mary Portas tweeted, "Brilliant. Take note Town Teams."
Dan Price of The Somerset Deli, who runs a market stall specialising in locally-produced cheese, took part in last year's trials of the Frome Super Market. He said, "These events not only encourage a great atmosphere in the town, they attract a lot of visitors, who we can then talk to about the Frome Markets, on Wednesday and Saturdays. The Super Markets not only support our individual businesses, but help keep Frome thriving as a market town."
A pop-up park and ride scheme that was trialled during last year's Frome Super Market is also set to return on a permanent basis in June.
Frome town councillors are now hoping that they will be given the green light from Mendip District Council to realise their further ambitions for the Sunday Super Markets.
Town councillor Peter Macfadyen said, "We're a town that's known for doing things a bit differently and this event really has got us talked about. It's very clear we're onto a good thing here – even Bath has launched a similar weekend market.
"With the backing of Mendip District Council, we can hope to keep developing this event, making it better and better for everyone involved."
To have your say about the Super Market, or for more details, visit facebook. com/ FromeSupermarket or follow @fromesupermkts on Twitter.

redpajama_set_name: RedPajamaCommonCrawl


text:
package jepl.impl.query;

import java.lang.reflect.Method;
import java.sql.ResultSet;
import java.sql.ResultSetMetaData;
import java.sql.SQLException;
import java.util.Map;

/**
 *
 * @author jmarranz
 */
public class JEPLResultSetColumnPropertyInfoList
{
    public JEPLResultSetColumnPropertyInfo[] columnArray;

    public JEPLResultSetColumnPropertyInfoList(Map<String,JEPLBeanPropertyDescriptorImpl> propertyMap,ResultSet rs) throws SQLException
    {
        ResultSetMetaData rsmd = rs.getMetaData();
        int cols = rsmd.getColumnCount();

        this.columnArray = new JEPLResultSetColumnPropertyInfo[cols];

        for (int col = 1; col <= cols; col++)
        {
            JEPLResultSetColumnPropertyInfo columnDesc = new JEPLResultSetColumnPropertyInfo();
            columnArray[col - 1] = columnDesc;

            String columnName = rsmd.getColumnLabel(col);
            if (null == columnName || columnName.equals(""))
                columnName = rsmd.getColumnName(col);

            String columnNameLowerCase = columnName.toLowerCase();
            columnDesc.columnName = columnNameLowerCase;

            JEPLBeanPropertyDescriptorImpl prop = propertyMap.get(columnNameLowerCase);
            if (prop != null)
            {
                Method setter = prop.getWriteMethod();
                columnDesc.setter = setter;
            }
        }
    }
}

redpajama_set_name: RedPajamaGithub


The historical 60-windowed façade gave this iconic building in the heart of Luxembourg City Center its name, "Fënsterschlass", or "Window Castle". Inside this magnificent piece of art, the renowned architects Christian Bauer & Associés have designed unique living, working and commercial spaces, mixing historical character with a contemporary look and modern comfort. The balconies' and windows' delicate ironwork as well as the imposing entrance doors evoke the splendor of the building's past.
Beautiful and inviting boutiques populate the ground floor, while spacious offices feature on the first floor. The four other levels are comprised of fully equipped apartments offering stunning views of the Boulevard Royal and the City Park.


If you're looking for a fun cat t-shirt to wear this Halloween, then we have the purrfect tops for you! These Halloween t-shirts feature lots of different cats, including kitties dressed up as witches, zombies, pirates, devils, mummies, vampires, and ghosts, and they're available in styles for men, women, and children!
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This Halloween t-shirt features a cute black cat, and it comes in sizes for men, women, and kids.
This Halloween t-shirt features a black cat, and it comes in a range of sizes for men and women.
This Halloween t-shirt features two black cats and three jack-o-lanterns, and it comes in light gray, dark gray, light blue, cranberry red, and heather blue styles.
This Halloween t-shirt is perfect for cat lovers, and it comes in sizes for men, women, and children.
This Halloween t-shirt features a cat dressed as a pirate mermaid, and it comes in white, navy blue, dark grey, black, and heather blue styles.
This Halloween t-shirt features cats in different costumes, and it's available in sizes for men, women, and kids.
This Halloween t-shirt is ideal for people who love cats, and it's made from 100% cotton.
This Halloween t-shirt features pumpkins and a cute black and white cat wearing a witch's hat, and it comes in green, red, royal blue, black, and navy blue styles.
This Halloween t-shirt features a cat dressed as a ghost and holding glasses of wine, and it comes in sizes for men and women.
This Halloween t-shirt features a cat jack-o-lantern, it has an orange and black color scheme, and it comes in sizes for men, women, and children.
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This Halloween t-shirt features an adorable black cat in a jack-o-lantern, and it comes in sizes for men, women, and kids.
This Halloween t-shirt features a cute cat wearing a witch's hat and sitting on a jack-o-lantern, and it comes in dark grey, heather blue, brown, navy blue, and black.
This Halloween t-shirt features a the Grim Reaper riding a cat, and it comes in sizes for men, women, and kids.
This Halloween t-shirt features an adorable zombie cat, and it comes in pink, light blue, grey, black, and heather grey.
This Halloween t-shirt features a stunning black cat, and it comes in sizes for men, women, and kids.
This Halloween t-shirt features a cute cat jack-o-lantern face, and it has a black and orange color scheme.
This Halloween t-shirt features a cat as the Grim Reaper, and it comes in green, purple, blue, red, and gray styles.
This Halloween t-shirt is for people who love coffee, cats, and witchcraft, and it's made from 100% cotton.
Previous article Meet The Adorable Cat With One Eye And A Cleft Lip Who Was Saved From Euthanasia By His Amazing Family!
Next article Meet Ethel, The Adorable Blind Kitten With Hydrocephalus Who Just Wants To Be Held!


text:
HomeGadgets
13-Inch MacBook Pro With M1 Chip Promises More Power And Longer Battery Life
Last night, Apple hosted the virtual One More Thing event, during which it announced the M1, its first-ever in-house system-on-chip for Mac computers.
Bose And Sony Headphones Look Like Toys Compared To AirPods Max, Teardown Shows
Looking For The Best Non Chinese Smartphone? Check Out This List
Apple Will Reportedly Sign An Autonomous Car Deal With Hyundai In March
Last night, Apple hosted the virtual One More Thing event, during which it announced the M1, its first-ever in-house system-on-chip for Mac computers. It also unveiled the Macs running on this processor, including the Mac Mini, MacBook Air, and 13-inch MacBook Pro.
Among the laptops announced during this event, the 13-inch MacBook Pro is probably the most important device, which is priced at $1,300 (Rs 96,570). According to Apple, the new MBP works three times faster than a Windows laptop of the same range.
The new Pro laptop is powered by the M1 chip
Besides, the new MacBook Pro is expected to offer more power than its predecessor, but it remains unclear if Apple uses a 10th-gen or 8th-gen Intel chip. The new CPU is supposedly 2.8 times faster while the GPU may be 5 times faster and machine learning may be 11 times faster.
The tech giant says that the M1-powered Pro will last 17 hours on web browsing and handle video playback for 20 consecutive hours, which is twice as long as the battery life of the previous model. But how this statement turns out in real life remains to be tested.
The new MacBook Pro weighs 1.3 kilograms, featuring an array of three microphones along with an improved camera ISP. And with the processing power of the M1, you will get an upgraded video call experience.
It's expected to deliver more power than its predecessor
There is also the Touch ID, a Touch Bar, as well as two Thunderbolt ports that support USB 4, meaning you can connect the laptop to the Pro Display XDR.
The new macOS version Big Sur has been optimized to run on the M1 processor. This means as soon as you open the MacBook Pro, it will wake up while its apps will launch immediately.
Orders for all the new Macs with the M1 are already available and shipment will start next week.
Macbook Pro 13 inch! Watch Apple's full M1 silicon chip reveal with price
>>> After 6 Months Of Waiting, Big Sur Is Finally Here, Available Starting November 12
#Apple#MacBook Pro#laptop
Gadgets - Jan 20, 2021
Gamers, This Is The Best L-Shaped Gaming Desk For You
Aftershokz Aeropex Review: The Best Open-Ear, Bone Conduction Headphones For...
Sony ZV1 Camera Price And Review: The Perfect Compact Camera For Vloggers
Samsung Tab A OTG Support: What Is It? How To Use It?
Lenovo Introduces Smart Glasses That Can Project PC Screens In Midair
What Causes Solid State Drives Failure?
Where To Buy PS5 In India: Release Date, Price, And Availability
Tech Prophet Ming-Chi Kuo Predicts New Apple Products In 2021
Xiaomi Releases A Super Power Bank That Can Even Fully Charge Laptops
Turing Cadenza Phone: A Futuristic Device But Broken Promise
Cadenza phone was one of the last smartphones designed we saw from Turing Robotic Industries. What is this phone like? What's special about it?
Review- Jan 19, 2021
Xiaomi Mi 11 Review, Specifications, Price In India - Everything You Need
Xiaomi Mi 11 is the world's first smartphone with Qualcomm's powerful Snapdragon 888 SoC. Learn more about the phone in our Xiaomi Mi 11 review.
According to the latest claim from Rospotrebnadzor, the consumer health watchdog of Russia, EpiVacCorona proved 100% effective in clinical trials.
Gadgets- Jan 20, 2021
iFixit's teardown of the AirPods Max is finally here. It even goes as far as tearing down Bose's NC 700 headphones and Sony's WH-1000XM4 for comparison
The Aïn Séfra town, which is known as "Gateway to the Sahara Desert" has witnessed quite an unusual weather phenomena, snowfall.


SK Telecom, South Korea's largest telecom company by number of subscribers, is losing market share, while third-biggest player LG Uplus is expanding its presence, according to government data Wednesday.
Statistics on the wireless service market from the Ministry of Science and ICT showed that SKT held market share of 41.9 percent in July, down 0.5 percentage point from December. It is the first time the top telco has reached the 41 percent mark in terms of the percentage of subscribers since the ministry started to keep track of such figures.
SKT's share has declined since late 2012, when it first stood at below 50 percent.
While the market leader has been losing its share for years, No. 3 LG Uplus has slowly gained market share.
LG Uplus' market share reached 20 percent for the first time last month.
The reason behind SKT's fall and LG Uplus' rise is LG's faster action in the Long Term Evolution, or 4G, network competition that began in 2011. The company was the first to deploy LTE network systems across the country among the three competitors.
LG continued expanding its share from 17.8 percent to 19.4 percent in 2013 and 19.8 percent in 2017.
Some in the industry forecast SKT's market share might drop further to below 40 percent by 2020, as the race for the fifth-generation network begins.
Meanwhile, second-biggest telco KT has maintained around 25 percent market share for the past three years. Its July 2018 share went up slightly to 26.1 percent, data showed.


Civil disobedience ... the issue of property rights versus energy needs ... and eminent domain! A powerline tower is vandalized ... and your student is accused! An interesting case to make your students issue-oriented.


text:
from tdclient.model import Model

class Table(Model):
    """Database table on Treasure Data Service
    """

    def __init__(self, *args, **kwargs):
        super(Table, self).__init__(args[0])

        self.database = None
        self._db_name = args[1]
        self._table_name = args[2]

        if 3 < len(args):
            self._type = args[3]
            self._schema = args[4]
            self._count = args[5]
        else:
            self._type = kwargs.get("type")
            self._schema = kwargs.get("schema")
            self._count = kwargs.get("count")

        self._created_at = kwargs.get("created_at")
        self._updated_at = kwargs.get("updated_at")
        self._estimated_storage_size = kwargs.get("estimated_storage_size")
        self._last_import = kwargs.get("last_import")
        self._last_log_timestamp = kwargs.get("last_log_timestamp")
        self._expire_days = kwargs.get("expire_days")
        self._primary_key = kwargs.get("primary_key")
        self._primary_key_type = kwargs.get("primary_key_type")

    @property
    def type(self):
        """a string represents the type of the table
        """
        return self._type

    @property
    def db_name(self):
        """a string represents the name of the database
        """
        return self._db_name

    @property
    def table_name(self):
        """a string represents the name of the table
        """
        return self._table_name

    @property
    def schema(self):
        """
        [[column_name:str, column_type:str, alias:str]]: The :obj:`list` of a schema
        """
        return self._schema

    @property
    def count(self):
        """int: total number of the table
        """
        return self._count

    @property
    def estimated_storage_size(self):
        """estimated storage size
        """
        return self._estimated_storage_size

    @property
    def primary_key(self):
        """
        TODO: add docstring
        """
        return self._primary_key

    @property
    def primary_key_type(self):
        """
        TODO: add docstring
        """
        return self._primary_key_type

    @property
    def database_name(self):
        """a string represents the name of the database
        """
        return self._db_name

    @property
    def name(self):
        """a string represents the name of the table
        """
        return self._table_name

    @property
    def created_at(self):
        """
        :class:`datetime.datetime`: Created datetime
        """
        return self._created_at

    @property
    def updated_at(self):
        """
        :class:`datetime.datetime`: Updated datetime
        """
        return self._updated_at

    @property
    def last_import(self):
        """:class:`datetime.datetime`
        """
        return self._last_import

    @property
    def last_log_timestamp(self):
        """:class:`datetime.datetime`
        """
        return self._last_log_timestamp

    @property
    def expire_days(self):
        """an int represents the days until expiration
        """
        return self._expire_days

    @property
    def permission(self):
        """
        str: permission for the database (e.g. "administrator", "full_access", etc.)
        """
        if self.database is None:
            self._update_database()
        return self.database.permission

    @property
    def identifier(self):
        """a string identifier of the table
        """
        return "%s.%s" % (self._db_name, self._table_name)

    def delete(self):
        """a string represents the type of deleted table
        """
        return self._client.delete_table(self._db_name, self._table_name)

    def tail(self, count, to=None, _from=None):
        """
        Args:
            count (int): Number for record to show up from the end.
            to: Deprecated parameter.
            _from: Deprecated parameter.

        Returns:
             the contents of the table in reverse order based on the registered time
             (last data first).
        """
        return self._client.tail(self._db_name, self._table_name, count, to, _from)

    def import_data(self, format, bytes_or_stream, size, unique_id=None):
        """Import data into Treasure Data Service

        Args:
            format (str): format of data type (e.g. "msgpack.gz")
            bytes_or_stream (str or file-like): a byte string or a file-like object contains the data
            size (int): the length of the data
            unique_id (str): a unique identifier of the data

        Returns:
             second in float represents elapsed time to import data
        """
        return self._client.import_data(
            self._db_name,
            self._table_name,
            format,
            bytes_or_stream,
            size,
            unique_id=unique_id,
        )

    def import_file(self, format, file, unique_id=None):
        """Import data into Treasure Data Service, from an existing file on filesystem.

        This method will decompress/deserialize records from given file, and then
        convert it into format acceptable from Treasure Data Service ("msgpack.gz").

        Args:
            file (str or file-like): a name of a file, or a file-like object contains the data
            unique_id (str): a unique identifier of the data

        Returns:
             float represents the elapsed time to import data
        """
        return self._client.import_file(
            self._db_name, self._table_name, format, file, unique_id=unique_id
        )

    def export_data(self, storage_type, **kwargs):
        """Export data from Treasure Data Service

        Args:
            storage_type (str): type of the storage
            **kwargs (dict): optional parameters. Assuming the following keys:

                - access_key_id (str):
                    ID to access the information to be exported.
                - secret_access_key (str):
                    Password for the `access_key_id`.
                - file_prefix (str, optional):
                    Filename of exported file.
                    Default: "<database_name>/<table_name>"
                - file_format (str, optional):
                    File format of the information to be
                    exported. {"jsonl.gz", "tsv.gz", "json.gz"}
                - from (int, optional):
                    From Time of the data to be exported in Unix epoch format.
                - to (int, optional):
                    End Time of the data to be exported in Unix epoch format.
                - assume_role (str, optional):
                    Assume role.
                - bucket (str):
                    Name of bucket to be used.
                - domain_key (str, optional):
                    Job domain key.
                - pool_name (str, optional):
                    For Presto only. Pool name to be used, if not
                    specified, default pool would be used.

        Returns:
             :class:`tdclient.models.Job`
        """
        return self._client.export_data(
            self._db_name, self._table_name, storage_type, kwargs
        )

    @property
    def estimated_storage_size_string(self):
        """a string represents estimated size of the table in human-readable format
        """
        if self._estimated_storage_size <= 1024 * 1024:
            return "0.0 GB"
        elif self._estimated_storage_size <= 60 * 1024 * 1024:
            return "0.01 GB"
        elif self._estimated_storage_size <= 60 * 1024 * 1024 * 1024:
            return "%.1f GB" % (
                float(self._estimated_storage_size) / (1024 * 1024 * 1024)
            )
        else:
            return "%d GB" % int(
                float(self._estimated_storage_size) / (1024 * 1024 * 1024)
            )

    def _update_database(self):
        self.database = self._client.database(self._db_name)


Trex Hideaway is a hidden fastening system designed specifically for Trex grooved deck boards. This proprietary systems deliver fast and easy installations, resulting in smooth, fastener-free outdoor living spaces.
Designed specifically to meet decking contractor demand for increased ease and speed of assembly, the new Trex Hideaway Universal Hidden Fastener is approximately 40 percent stronger than traditional stainless steel fasteners.
This extension to the popular Trex Hideaway Hidden Fastening System features a stainless steel screw already set in the fastener for increased durability and easier installation. Offering a clean surface appearance, the Universal Hidden Fastener is a 1/4-inch self-gapping connector clip that may be installed from above the framework rather than from underneath the actual deck. Homeowners will benefit from the affordability of the Universal Hidden Fastener, as it boasts the lowest installed cost in the marketplace.


Want to add some beautiful, die cut poppy flowers to your next project? Use these Budding Poppies Crafting Dies with the matching Budding Poppies stamp set (sold separately). The cards, gift tags, and projects you make will be simply stunning!
Includes 1 thin metal die.
See more flower stamps and matching craft dies in the Greenhouse Society.


Brand new for late 2012, this English Bedding Twin Set features super soft micro-fiber suede bedspreads which are lined with even softer faux shearling. Decorated with beautiful applique and embroidery. Machine washable. Includes comforter, 1 sham, bedskirt and lying bay colt shown on bed. Optional pillows shown below.


Posts on how to get more meaning with those that you love.
Continue reading"You Answer This Question Wrong 10 Times a Day. Hear Why It Matters."
Is It OK to Feel Bad When Other People Have It Worse?
Continue reading"Is It OK to Feel Bad When Other People Have It Worse?"
Continue reading"Stop Trying To Make People Feel Better. Try This Instead"
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15 Years Ago I Got This Advice from a Trainer. I've Never Forgotten It.
Continue reading"15 Years Ago I Got This Advice from a Trainer. I've Never Forgotten It."
Continue reading"This Will Make You Think Differently About Relationships"
Continue reading"What to Do When Someone Doesn't Accept Your Apology"


In the getting started section you collected payment information from your users with Spreedly Express. This is currently the simplest method of getting payment information into Spreedly while providing the least amount of PCI scope. If you wish to have a more customized UI with the least amount of PCI scope, use the iFrame payment form approach to collecting payment information.
There are situations where you need to send your users' payment information to Spreedly using a more direct method or from a non-web source. If the iFrame payment form and Spreedly Express do not work for you, and you are willing to accept greater PCI scope, you can consider other options.


In estate planning, there are a number of ways that a trust can be used. Most trusts are created to help you protect your assets, avoid probate, and make sure that your errors are provided for after you pass away. In the meantime, qualifying for Medicaid means that you will have to be "impoverished," with no more than $2,000 in countable assets.
Part of estate planning involves "spending down" your assets. This does not mean that you will immediately give away all your money, house, cars, jewelry and other property. Rather, before you need Medicaid, you can transfer your assets into a trust. This holds your assets for you and allows you to utilize them, but also ensures that your children or other heirs will be able to inherit whatever you have in your trust without going through the process of probate.
Gifting your property directly to your child or other beneficiaries may not turn out the way you intended. A child could be sued, sell the property or otherwise get rid of it, lose it in a divorce or a creditor, or will the asset to someone else if the child should pass away before you.
Medicaid has a 5-year period prior to your application during which they look at any and all assets that you have, that you have sold, transferred, or gifted. Anything that is found to be an asset that can be used for nursing home care can either trigger a period of ineligibility or require that they be sold to cover the cost of your nursing home care. This is why transferring assets ahead of time, preferably in some form of a trust, the much better vehicle for protecting your assets than simply giving them away.
Should you decide to use Medicaid asset protection trust, there are a few things you'll need to understand. The five-year look-back period, of course, must be taken into consideration when planning your trust. If you and your spouse decide to transfer your assets into an irrevocable Medicaid asset protection trust, understand that it can't be changed once you've transferred everything.
This is a very specific type of trust is designed to protect your assets from nursing home expenses. The income from your trust will continue to be paid to both of you for the rest of your lives. If one of you goes into a nursing facility, the income will then be paid to the non-nursing home spouse. After the death of both spouses, all assets in the trust will be distributed to your children or any other beneficiaries.
Additionally, the trust will also keep the assets out of the immediate hands of both parties, so they won't be factored into the costs for nursing home care through Medicaid.
The Wisconsin State Law Library also offers a list of resources for estate planning, including trusts.
Medicaid asset protection trust is a valuable part of your estate planning. However, you should not create one without the advice of a qualified elder law attorney to ensure that your assets are protected, and your wishes are carried out.
For all questions regarding elder law and Medicaid planning, speak with a reputable Medicaid planning attorney with Heritage Law Office of Wisconsin. Attorney Brad Sarkauskas has helped people with estate planning for over 20 years. Contact our office at (414) 253-8500 for a free case evaluation today!


Description: A nice distance for winter ride. We will try to regroup at places along the ride. Come out and see the green fields before they turn golden brown. We will travel through Lincoln, Auburn, Newcastle and Penryn.


Acquisition and marketing management of active pharmaceutical ingredients – APIs has been shaping the core business of AET for more than 50 years. Through years of effective collaboration with selected API suppliers, now TIEFENBACHER has become one of the world's leading API agents.
Through relationships with leading principals, suppliers and clients based on successful and trusting collaboration, TIEFENBACHER has the experience and ability to exceed the needs of the pharmaceutical and API industries.
Transparency in the relationship between the manufacturer, the commissioner and TIEFENBACHER is of paramount importance in delivering value to TIEFENBACHERs clients, and promotes trusting and open collaborations that are best able to innovate and be efficient in dealing with complex and challenging situations.
In the perfectly established network of pharmaceutical disciplines TIEFENBACHERs core competence is still the API business. By focusing on API in every aspect of the business, based on the experience of more than 50 years and close and continuous relationships with API manufacturers, TIEFENBACHER is one of the most successful API producers and marketers worldwide.
The combination of networking, continuity and enduring quality.
By making the API the center of the business for over five decades and maintaining close relationships with the API manufacturers TIEFENBACHER API + Ingredients continues to be one of the most successful API agents and marketers worldwide.
Our list contains INN only. Please contact us if you require other forms, qualities and salts, provided they are not infringing the patents in the countries they are delivered to. The sales team will be happy to support you.
TIEFENBACHER makes no claims as to the patent status of the products in this list. Should intellectual property exist, TIEFENBACHER will be unable to offer or sell the affected API.


BALTIMORE – Bettors will be greeted by carryovers in the 20-cent Rainbow 6 and $1 Super Hi-5 wagers when live racing resumes Thursday to kick off Preakness weekend at Pimlico Race Course.
There was no unique winner of the Rainbow 6 Sunday, creating a jackpot carryover of $5,551.46 for the multi-race wager covering Races 4-9 on Thursday's nine-race program. Multiple tickets were sold with all six winners Sunday, each paying $709.58.
Barring any scratches, there will be a carryover of $3,398.43 in the Super Hi-5 for Thursday's opener, a $15,000 claiming event that drew a field of seven.
Note: Jockey Jevian Toledo posted a riding triple on Sunday, winning aboard Emelina ($24.20) in the first race, Street Cruizer ($8.20) in the eighth and Incisive Strike ($17.20) in the ninth.


text:
Q: How to put together 2 new additional columns made using a case statement together in SQL SELECT
    ScheduledStartDate, ActualStartDate, ScheduledEndDate, ActualEndDate,
    CASE
       (WHEN ActualStartDate > ScheduledStartDate THEN 'started late'
        WHEN ActualStartDate < ScheduledStartDate THEN 'started early'
        WHEN ScheduledStartDate = ActualStartDate then 'started on time'
    END AS startDescription )
    ELSE
    CASE
      (WHEN ActualEndDate < ScheduledEndDate THEN 'finished late'
       WHEN ActualEndDate > ScheduledEndDate THEN 'finished early'
       WHEN ActualEndDate = ScheduledEndDate THEN 'finished on time'
    END AS endDescription )
FROM
    [Production].[WorkOrderRouting];

I have made 4 columns and want to add 2 new columns made with 'case' statement together.

A: Make each CASE expression a separate column:
SELECT
    ScheduledStartDate,
    ActualStartDate,
    ScheduledEndDate,
    ActualEndDate,
    CASE WHEN ActualStartDate > ScheduledStartDate THEN 'started late'
         WHEN ActualStartDate < ScheduledStartDate THEN 'started early'
         WHEN ActualStartDate = ScheduledStartDate THEN 'started on time' END AS startDescription,
    CASE WHEN ActualEndDate < ScheduledEndDate THEN 'finished late'
         WHEN ActualEndDate > ScheduledEndDate THEN 'finished early'
         WHEN ActualEndDate = ScheduledEndDate THEN 'finished on time' END AS endDescription
FROM [Production].[WorkOrderRouting];

redpajama_set_name: RedPajamaStackExchange


"To survive in the world ... we must learn to think in a new way. As never before, the future of each depends on the goodness of all."
Human vibrational energy, thoughts, words, and music affect the molecular structure of water, and therefore of all life. Dr. Masaru Emoto and his book The Message from Water show us the power of intention and thought.
Lakota Vision In collaboration with Midnight Strong Heart Society, WRGP joins the Lakota Nation at Wounded Knee, SD to help build a Medicine Wheel of Healing, a Teen Center and sustainable housing. Join us in mending the Sacred Hoop. Inspirational!
Gather the Women Global Matrix hosts 600 women from 50 countries at a powerful, interactive annual gathering.


text:
import mxnet as mx

class WeightedSoftmaxCrossEntropyLoss(mx.operator.CustomOp):
    """ softmax cross entropy weighted loss, where the loss is adjusted by \
((1 + label * pos_cls_weight) / pos_cls_weight)

    """

    def __init__(self, positive_cls_weight):
        self.positive_cls_weight = float(positive_cls_weight)

    def forward(self, is_train, req, in_data, out_data, aux):
        """Implements forward computation.

        is_train : bool, whether forwarding for training or testing.
        req : list of {'null', 'write', 'inplace', 'add'}, how to assign to out_data. 'null' means skip assignment, etc.
        in_data : list of NDArray, input data.
        out_data : list of NDArray, pre-allocated output buffers.
        aux : list of NDArray, mutable auxiliary states. Usually not used.
        """
        data = in_data[0]
        label = in_data[1]
        pred = mx.nd.SoftmaxOutput(data, label)
        self.assign(out_data[0], req[0], pred)

    def backward(self, req, out_grad, in_data, out_data, in_grad, aux):
        """Implements backward computation

        req : list of {'null', 'write', 'inplace', 'add'}, how to assign to in_grad
        out_grad : list of NDArray, gradient w.r.t. output data.
        in_grad : list of NDArray, gradient w.r.t. input data. This is the output buffer.
        """
        label = in_data[1]
        pred = out_data[0]
        dx = pred - mx.nd.one_hot(label, 2)
        pos_cls_weight = self.positive_cls_weight
        scale_factor = ((1 + label * pos_cls_weight) / pos_cls_weight).reshape((pred.shape[0],1))
        rescaled_dx = scale_factor * dx
        self.assign(in_grad[0], req[0], rescaled_dx)

@mx.operator.register("weighted_softmax_ce_loss")
class WeightedSoftmaxCrossEntropyLossProp(mx.operator.CustomOpProp):
    def __init__(self, positive_cls_weight):
        super(WeightedSoftmaxCrossEntropyLossProp, self).__init__(True)
        self.positive_cls_weight = positive_cls_weight
        assert(float(positive_cls_weight) > 0)

    def list_arguments(self):
        return ['data', 'label']

    def list_outputs(self):
        return ['output']

    def infer_shape(self, in_shapes):
        """Calculate output shapes from input shapes. This can be
        omited if all your inputs and outputs have the same shape.

        in_shapes : list of shape. Shape is described by a tuple of int.
        """
        data_shape = in_shapes[0]
        output_shape = data_shape
        # return 3 lists representing inputs shapes, outputs shapes, and aux data shapes.
        return (in_shapes), (output_shape,), ()

    def create_operator(self, ctx, in_shapes, in_dtypes):
        #  create and return the CustomOp class.
        return WeightedSoftmaxCrossEntropyLoss(self.positive_cls_weight)


The stories of medieval dances are practically lost in history, making it difficult to piece together what orchestrated movement was like during medieval times. However, there are some jewels remaining that gives us a glimpse into what life was like in medieval times in regards to dance.
In the European Middle Ages, there were plenty of parties and gatherings just as there are today. However, since the first concrete evidence of dancing only goes back to 1450, after the start of the Renaissance, there is little material to go off of. Despite this, paintings from the time period show dances, and there are also some references to it in various pieces of literature.
The very first documentation of dance is a Middle Ages form of folk dance movement known as the 'carole'. In the 12th and 13th centuries, this was orchestrated in the courts. Groups of dancers would hold hands in a circle with all of the dancers singing while they moved around the circle. Unfortunately, no original lyrics or dance steps have survived.
However, the carole is mentioned in the works of French poets, particularly in the series called Arthurian Romances. Here, it is mentioned that "maidens performed rounds and other dances, each trying to outdo the other in showing their joy".
Medieval dances are also mentioned in writing from around 1170, where a story speaks of a meadow with ladies and knights playing games and dancing. These, and many more surviving writings, are considered to all be referring to caroles.
There is also another form of very early dance known as 'Estampie', which could potentially be where the word "stamp" originated, from the stamping of feet to the strong rhythmic beats of the Estampie melodies. Again, no dance steps survive, and what we know of this medieval dance is a mystery still left to be pieced together.
If you wish to teach children about medieval dance, the best thing to do is to find a movie soundtrack from a film based around that time, perhaps a Robin Hood score. Dress the children up like princes and princesses, and allow them to learn some traditional court dancing. This can be found through a dance history video or online. Make sure the teachers learn it ahead of time so it is simple enough to teach the children when they arrive.
You can also play "royal ball freeze dance" where you play medieval music and allow the kids to dance around in their medieval dance costumes and then "freeze" whenever the music stops. Eliminate kids when they move during the freeze time, until the last player remains and is the winner.
Another dance often credited to medieval times, even though it was probably developed a bit after, is the Saltarello. This was a lively dance that originated in Naples. Again only pictures remain, so no one is sure of the dance steps, other than that it was probably quick and full of leaps like a jig.
This was danced in Europe until the 15th century, when the Saltarello became the name of an official dance step. People continued to use the Saltarello as improvisation for a complete dance. You canl also see this step in some 16th century dance documents.
Medieval dances will always remain a bit of a mystery to us as we dream and imagine of what these ancient dances must have been like. Surely they were full of joy, passion and creativity, much like the dances we experience today. Dance and movement have been a part of life for centuries, and will continue to endure through the ages.


text:
Q: Facebook App Linking from pages not working anymore It's been about 2 months now. We manage several facebook pages and all these pages were linking to native iOS / Android apps from the CTA button where users were either opening their apps via "Use App" link or were redirected to download them in case they didn't have it installed.
What happens now is that the dialog to connect your app via the "add button" function in Facebook pages, it only shows a textfield to redirect the users to a website (image attached). There is no way to link to a registered app (of course there is a related app registered with all the relevant platforms enabled and the admin has access to it). Facebook, as always is completely silent and not responding to any support requests, clients that had their apps linked to pages now ask us what happened and we are out in the cold without being able to understand wtf is happening.
This happens to 90% of our pages, some of them still have a "Use App" button that works just fine, but all others have the above problem. Also, new pages, suffer from the same problem as well. Changing the page theme doesn't seem to do anything. One (strange) finding is that if you download the pages management app in a mobile device, there is also a checkbox which allows to enter a deep link url besides the standard url but just that. The list with the apps that we had access to link to pages has just vanished.
Any ideas? Anyone having the same issue?


In the past, Triazolam was commonly prescribed by physicians for people who frequently change time zones, such as business people and politicians going overseas. However, this practise has been discouraged because on occasion, these people would wake up with total amnesia and have no knowledge of where they were going. In rare cases, paranoia would ensue.
Questions exist about its safety because it has a fairly narrow therapeutic window. Also, some have suggested that it causes hallucinations, amnesia, paranoia and verbal and physical aggression.
Halcion belongs to the Pregnancy Category X of the FDA. This means that it is known to cause birth defects in the unborn baby. On October 2, 1991, the Committee on the Safety of Medicines (CSM) banned sales of Triazolam in the UK after concluding that it had a higher frequency of psychiatric side-effects than other hypnotics (sleeping pills). Internationally, triazolam is a Schedule IV drug under the Convention on Psychotropic Substances.


text:
Paul McBeth: 2018 Tour Points Champion
Paul McBeth won the Tour points championship, by a lot. He had two things putting wind in his sales this season. First, he had three wins on tour and played very good golf all season. Second, he played every Pro Tour event and took full advantage of his two available drops.
With Paul's average points per event (77.5) being a small amount higher than Ricky Wysocki's (70.4), had Ricky attended all 9 of the events, it would have been a very close battle and that final round at Maple Hill during the MVP Open would have had even more meaning than determining the champion of the tournament.
As it was, Paul McBeth had wrapped up the Tour Points Championship before the MVP Open even started. He would close out the season with over 100 points more than his closest competitor, which was Ricky. His average points per event was the highest we have seen ever (in the first three years) and when we think about the parity of Disc Golf in the open division, this was in fact a dominant season by Paul McBeth.
Best of luck to all of the competitors at Pro Worlds, the USDGC, the NT Finale (HoF) and the Tour Championship. Heading into this run of Premier Events, Paul McBeth has one more notch in his belt: 2018 Tour Points Champion.


text:
The 2004 world premiere of "Maria Kizito" at 7 Stages Theatre in Atlanta.
October 2019 | Theatre History October 7, 2019 The Oscar G. Brockett Center for Theatre History and Criticism Leave a comment
This Month in Theatre History
From the birth of James Allen Bland and Victory Gardens to landmark premieres for Mary Martin and Erik Ehn, October has been a momentous month for theatre.
By The Oscar G. Brockett Center for Theatre History and Criticism
165 YEARS AGO (1854)
Future composer and performer James Allen Bland is born in the Flushing section of Queens, N.Y. Bland, a Black artist born to free parents only four years after the first census to report no enslaved people living in New York City, will draw on the songs he hears former enslaved people sing during his time at Howard University. In the 1870s he will perform with the group considered the first successful all-Black minstrel company, the Georgia Minstrels.
The Broadmoor Art Academy is established in Colorado Springs, Colo., offering classes in drama and music and serving as home to the city's chapter of the National Drama League. Later this month the Drama League, under the name Art Academy Players, stages its first play, George Cram Cook and Susan Glaspell's Suppressed Desires. During the Depression the institution will expand, opening as the Colorado Springs Fine Arts Center in 1936.
65 YEARS AGO (1954)
Peter Pan; or The Boy Who Wouldn't Grow Up, a musical based on J.M. Barrie's play, with music by Mark Charlap and lyrics by Carolyn Leigh, opens on Broadway with Mary Martin as the title character. Martin is the latest in a long line of women to take on the role, a convention dating back to the debut of Barrie's 1904 play. Some historians will consider the production a landmark moment in queer representation.
Victory Gardens, part of Chicago's Off-Loop movement, presents its inaugural show, the world premiere of The Velvet Rose by Stacy Myatt. Though the production is not a success, the company will be, nurturing local writers and producing many other premieres in the coming decades. In 1996 the organization will launch its Playwrights Ensemble, and the company will receive the Outstanding Regional Theatre Tony in 2001.
Milagro, founded in 1985 as the Miracle Theatre Group by José Eduardo González and Dañel Malán in Portland, Ore., opens Cherrie Moraga's Heroes and Saints, a play that explores the effects of cancer-causing pesticides on Chicana farm laborers in California. The piece, commissioned by the Los Angeles Theatre Center, received its world premiere two years earlier at the Mission Theater in San Francisco in a production by Brava Theater Center.
Atlanta's 7 Stages Theatre up its second run (after one in April) of the world premiere of Erik Ehn's Maria Kizito. The play, presented in remembrance of the Rwandan genocide of nearly 800,000 people, mainly Tutsis, that took place a decade earlier, is based on the story of the real-life nun Sister Kizito, who helped keep protect thousands of Tutsis then participated in their slaughter.
7 Stages TheatreBrava Theater CenterCherríe Moragacolorado springs fine arts centerErik EhnJames Allen BlandLos Angeles Theatre CenterMary MartinMilagroPeter PanShowcaseStacy MyattVictory Gardens
Previous PostEverything Going His Way: My Dad's 'Oklahoma!' Accessibility JourneyNext PostMadeline Sayet Named Director of Yale Indigenous Performing Arts Program


text:
from builtins import object

class Module(object):

    def __init__(self, mainMenu, params=[]):

        # metadata info about the module, not modified during runtime
        self.info = {
            # name for the module that will appear in module menus
            'Name': 'Marathon API Delete App',

            # list of one or more authors for the module
            'Author': ['@TweekFawkes'],

            # more verbose multi-line description of the module
            'Description': ('Delete a Marathon App using Marathon\'s REST API'),

            'Software': '',

            'Techniques': ['T1106'],

            # True if the module needs to run in the background
            'Background' : True,

            # File extension to save the file as
            'OutputExtension': "",

            # if the module needs administrative privileges
            'NeedsAdmin' : False,

            # True if the method doesn't touch disk/is reasonably opsec safe
            'OpsecSafe' : True,

            # the module language
            'Language' : 'python',

            # the minimum language version needed
            'MinLanguageVersion' : '2.6',

            # list of any references/other comments
            'Comments': ["Marathon REST API documentation version 2.0: https://mesosphere.github.io/marathon/docs/generated/api.html", "Marathon REST API: https://mesosphere.github.io/marathon/docs/rest-api.html", "Marathon REST API: https://open.mesosphere.com/advanced-course/marathon-rest-api/"]
        }

        # any options needed by the module, settable during runtime
        self.options = {
            # format:
            #   value_name : {description, required, default_value}
            'Agent' : {
                # The 'Agent' option is the only one that MUST be in a module
                'Description'   :   'Agent to execute module on.',
                'Required'      :   True,
                'Value'         :   ''
            },
            'Target' : {
                # The 'Agent' option is the only one that MUST be in a module
                'Description'   :   'FQDN, domain name, or hostname to lookup on the remote target.',
                'Required'      :   True,
                'Value'         :   'marathon.mesos'
            },
            'Port' : {
                # The 'Agent' option is the only one that MUST be in a module
                'Description'   :   'The port to connect to.',
                'Required'      :   True,
                'Value'         :   '8080'
            },
            'ID' : {
                # The 'Agent' option is the only one that MUST be in a module
                'Description'   :   'The id of the marathon app.',
                'Required'      :   True,
                'Value'         :   'app001'
            }
        }

        # save off a copy of the mainMenu object to access external functionality
        #   like listeners/agent handlers/etc.
        self.mainMenu = mainMenu

        # During instantiation, any settable option parameters
        #   are passed as an object set to the module and the
        #   options dictionary is automatically set. This is mostly
        #   in case options are passed on the command line
        if params:
            for param in params:
                option, value = param
                if option in self.options:
                    self.options[option]['Value'] = value

    def generate(self, obfuscate=False, obfuscationCommand=""):
        target = self.options['Target']['Value']
        port = self.options['Port']['Value']
        appId = self.options['ID']['Value']

        script = """
import urllib2

target = "%s"
port = "%s"
appId = "%s"

url = "http://" + target + ":" + port + "/v2/apps/" + appId

class MethodRequest(urllib2.Request):
    def __init__(self, *args, **kwargs):
        if 'method' in kwargs:
            self._method = kwargs['method']
            del kwargs['method']
        else:
            self._method = None
        return urllib2.Request.__init__(self, *args, **kwargs)

    def get_method(self, *args, **kwargs):
        if self._method is not None:
            return self._method
        return urllib2.Request.get_method(self, *args, **kwargs)

try:
    request = MethodRequest(url, method='DELETE')
    request.add_header('User-Agent',
                   'Mozilla/6.0 (X11; Linux x86_64; rv:24.0) '
                   'Gecko/20140205     Firefox/27.0 Iceweasel/25.3.0')
    opener = urllib2.build_opener(urllib2.HTTPHandler)
    content = opener.open(request).read()
    print(str(content))
except Exception as e:
    print("Failure sending payload: " + str(e))

print("Finished")
""" %(target, port, appId)

        return script


Svet Sunday: All In Your Hands!
Today I want to tell you a parable. A teacher in our school liked to tell it on the first lesson.
There was a village. And a very wise man lived in the village. All people knew he was wise, they like him and came often to ask an advice. And there lived very smart man in this village near the wise man. And this smart man envied the wise man a lot. He did not understand why people wanted to get advices from his neighbor and not from him.
So one day he decided to prove that this man who was wise in everybody's else opinion is not really too wise.
He caught a butterfly and came to the home of this wise man. The wise man was sitting on the porch and talked to people, like always there were a lot of people who wanted to get advise or just listen to opinion of the wise man.
Smart man put the butterfly in his hand and asked the wise man:"Is the butterfly in my hand alive or dead?". He was very smart this smart man. He thought if my neighbor tell that the butterfly is dead I'll show everybody that it's alive. But if he tell that butterfly is alive I'll squeeze it a little bit (nobody would notice) and then I open my hand and everybody would see that the butterfly was dead.
The wise man looked at him and told: "All is in your hands".
But the second thought is about differences between been smart and been wise. There is a lot of parables, stories and jokes about it. May be you can share with us some of them?


text:
Home News First Marine tapped to head Defense Intelligence Agency
First Marine tapped to head Defense Intelligence Agency
"Baltimore, Maryland – U.S. Marine Corps Maj. Gen. Vincent R. Stewart, the commanding general of Marine Forces Cyber Command, shakes hands with members of Marine Corps Recruiting Station Baltimore's delayed entry program following an oath of enlistment ceremony that was held during the Military Bowl, which was played at Navy-Marine Corps Memorial Stadium in Annapolis, Md., Dec. 27, 2013. There were 15 new recruits from each of the armed services present for the oath of enlistment ceremony. (U.S. Marine Corps photo by Cpl. Bryan Nygaard/Released)."
WASHINGTON (AP) — A Marine three-star general will take control of the Defense Intelligence Agency later this month, marking the first time an African American or a Marine has held that post, the Pentagon said Tuesday.
Maj. Gen. Vincent Stewart will be promoted to lieutenant general and take over the DIA on Jan. 23. His promotion was confirmed last month by the U.S. Senate.
Most recently Stewart was serving as the head of Marine Forces Cyber Command, and he has also been the Corps' intelligence director.
James Clapper, director of national intelligence, said Stewart's "temperament, professional background, leadership skills and integrity make him eminently suited to be the next DIA director."
Stewart's appointment comes more than eight months after the previous leader was nudged aside amid ongoing conflict within the agency. Then-DIA chief Lt. Gen. Michael Flynn and his civilian deputy director announced last April that they would retire. Officials at the time said their departures were hastened in part because of friction associated with efforts Flynn was making to shake up the agency.
The traditional role of the DIA has been to provide military intelligence, including insight into the makeup and capabilities of foreign military forces, to U.S. combat units and defense planners and policymakers. It also provides "strategic warning," or the forewarning of imminent hostilities, insurgencies, attacks on the United States or its forces or allies, hostile reactions to U.S. reconnaissance activities and terrorist attacks.
Flynn, a career intelligence officer, had led the DIA since July 2012 and he retired early last August. Typically, the director's post rotates among the Army, Navyand Air Force about every three or four years. But it had never gone to a member of the Marine Corps, which is technically part of the Department of the Navy.
By LOLITA C. BALDOR, Associated Press
Previous articleRomanians Engage Marines in a Snowball Fight after a Training Exercise
Next articleIranians Want Swap to Free Marine Veteran


Frame material: shatterproof and flexible TR90LX 70% Nylon 30% Carbon.
Double injection flexible and durable temples.
Lens: impact resistant 2.2 mm polycarbonate lens - UV 400 full protection.
2 lenses included, smoke gold mirror and amber.
Lenses come out by its own frame in order to make easier the cleaning and changing operations.
Adjustable nose pads: it adjusts to the size of the nose in oder to fit perfectly.
Grip at the tip of the arm: keeps the sunglasses from slipping.


Finished your Isagenix Cleanse? Now it's time to maintain your results.
Few things are more frustrating than watching the pounds you fought so hard to lose come sliding back. Everyone knows that the key to keeping excess weight off is to develop healthy habits in order to shed it in the first place. But the fact is, a weight maintenance diet is a very different thing than a weight loss diet, and it can take some time to find your footing.
What is the Best Type of Weight Maintenance Diet?
Fortunately, there is recent evidence indicating that simply following a high protein diet can have a significant positive effect on maintaining weight loss. A 2014 study in the Netherlands followed 256 adults who had lost an average of 24 pounds in eight weeks for an entire year after their weight loss. The participants were randomly placed in one of five groups, each of which was required to maintain specific diets.
The participants overall regained an average of 9 pounds over the course of that year, which is more than a third of the 24 pounds they lost within 8 weeks. However, the two groups that were eating high protein diets regained an average of about 4 pounds less – which is almost half as much. The group that performed best overall was the one following a high protein, low glycemic diet.
So now you know that the cornerstone of any weight maintenance program should be higher portions of protein and low glycemic foods, you can almost keep a running tally in your head throughout the day. That is a whole lot easier than counting calories, though there is still some planning involved.
It's obviously a lot easier to eat good foods if they are kept handy. Unfortunately, that's not always possible with fresh foods, which makes protein shakes and bars an excellent alternative. However, those products are not all made equal. So you need to ensure that they are low glycemic, as well as high protein. The type of protein is important as well.
There is an enormous and compelling body of research showing that undenatured whey and milk proteins are superior for both muscle building and fat burning. That's why Isagenix choose to base their products on those ingredients. The IsaLean® and IsaLean® Pro Shakes provide 24 to 36 grams of high-quality protein, and are also low glycemic, making it easier to healthy blood sugar levels.
However, there are many vegans, vegetarians and dairy sensitive people who are not able to reap the benefits of those products. So the company created a dairy-free version using plant based protein with an amino acid profile similar to whey, in order to produce the same advantages. The Dairy-Free Natural Berry Harvest IsaLean® Shake, for instance, supplies 22 grams of pea and hemp protein.
By always having a supply of Isagenix snacks and meal replacements on hand, sticking to a diet heavy on high quality protein and low glycemic foods becomes a much more manageable task.
Everyone gains and loses weight differently, enjoys lifestyles that are significantly varied and has different preferences. So it stands to reason that diets will have to be personalized at least to some extent. That's why flexibility is so important.
If all you need are high protein, low glycemic snacks to make sure you don't overeat at mealtimes, then Whey Thins or FiberSnacks!™ may be all you need to help keep you satisfied between meals. Alternatively, you may find the meal replacement shakes a wonderfully convenient option.
Some people may find that just adding a few hundred calories to the Isagenix 30 day system works. The important thing is to keep your diet healthy and the pounds off. By doing so on a regular basis, you won't have to worry about the special occasions when you don't even want to think about your diet.
This is wonderful article. What one should eat after weight loss is big question. As improper diet may lead into weight gain.


text:
Cheap Flights From Austin Guide
Overview of the Airport, Airlines, and Airfare Deals
The Brooklyn Theater Fire of 1876
It began as a gala play of Two Orphans, at the Brooklyn Theater on Washington Street in Brooklyn, but thanks to inefficient and incompetent theater staff, it ended as the third worst fire to occur in either a theater or public assembly building, in U.S. history.
The title roles were played by Maude Harrison and Kate Claxton, who was considered one of the best stage actresses of her time. The others in the acting scene were famous actors Claude Burroughs, J.B. Studley, H.S. Murdoch and Mrs. Farron. They would all play leading roles in the tragedy that followed.
The Brooklyn Theater, which accommodated 1,600 people, was built in 1871. It was an L-shaped brick building, with a main entrance to Washington Street, and a secondary entrance to Johnson Street, a smaller road that ran perpendicular to Washington Street, 200 rate to the east. One block to the north was the then Brooklyn City Hall, and one block to the south was Fulton Street, the main ferry road in Manhattan, which brought spectators from mainland Manhattan to the Brooklyn Theater. The Brooklyn Bridge was built by 1886.
The Brooklyn Theater had three floors to sit on. The ground floor is called the seating "Parquet and Parquet Circle". It contained 600 seats. The balcony seats on the second floor were called "dress circle" seats, and there were 550 patrons. The gallery on the third floor, called the "family circle" seats, contained 450 seats.
The seat of the highest family circle, with 50 cents of pop each, was the cheapest seats in the house and they had their own cash registers on Washington Street. It also had one set of 7-foot-wide stairs, designed zigzag in the right and left corner bends, leading directly from the street outward to the third floor. The theater was set up as such that people from the seats in the family circle did not have access to the balcony below or the main floor of the theater. It turned out that this was their annulment.
Seat circles on the second floor, costing one dollar, had two pillars to enter and exit the theater. One was a 10-foot staircase leading to and from the lobby. The second was a smaller series of emergency stairs leading to Flood's Alley, a tiny strip of dirt behind the theater. The door on the ground floor of Flood's Alley was usually locked to prevent head-scratching cops from cunningly entering the theater.
The seats on the ground floor consisted of three price ranges. The smallest was a seat on the parquet floor, unfavorably placed sideways from the stage and cost 75 cents. Seats in a circle of parquet in the middle of the auditorium cost $ 1.50. There were also eight private boxes, four on each side of the stage, which were the most modern and most expensive seat in the house. Each private box contained six seats. The seats in the box cost an incredible $ 10 apiece, a royal sum in the 1870s.
Lighting in the theater was provided by air jets in the lobby and lobby. Several gas nozzles covered with decorative globes were placed on the floor of the orchestra. The boundaries were set in a row along the proscenium arch, which is a rectangular frame around the stage. These lights had tin on the side facing the audience, and were covered with wire mesh. Above the light on the side were thin pieces of cloth that served as a landscape. Some of these pieces of cloth hung motionless near the light on the side.
As a precaution, buckets of water were usually kept on the side of the stage in case the muted scene caught fire. And there's a backstage hose for the fire hose that was connected to a two-and-a-half-inch water pipe.
On December 5, 1876, approximately a thousand people attended the Brooklyn Theater. About 400 people sat in the seats of the upper circles of the family (the exact number was never determined). 360 people sat on the seats in a circle of dresses, and 250 people on the seats with parquet and parquet.
Edward B. Dickinson, who sat in the middle of the parquet floor about five rows from the stage, thought the floor in the hall was no more than halfway. However, Charles Vine, who sat in the highest seats in the family circle, considered it "one of the largest galleries" he had seen for a long time at the Brooklyn Theater.
At the Brooklyn Theater, everything was fine until a brief break between acts four and five. During this time, the curtain was drawn, hiding the stage, and the orchestra played during the intermission. People in the parquet circle heard loud noises behind the curtains. But this was not considered unusual.
A few seconds before the curtain came down, stage leader J. W. Thorpe saw a small flame coming from the lower part of the droplet scene hanging near the central border light. Thorpe later said the flame was the size of his hand. Thorpe looked for buckets of water, but for some reason they weren't where they were supposed to be. He considered using a backstage for the fire hose, but with so much scenery on the way, he decided it was faster to put out the fire by hitting it with long poles. Thorpe instructed his carpenters, Hamilton Weaver and William Van Sicken, to try to put out the fire by smoking it with two large stage pillars.
Around 11:20 p.m., the fifth and final act began. When the curtain came down, Kate Claxton, playing blind orphans, lay down on a pile of straw and looked up. B. Studley and H. S. Murdoch, took their places on the stage, in a box with an old boat on the banks of the Seine. Both Mary Ann Farren and Claude Burroughs waited with their wings to come out on stage. Miss Harrison was not in this scene, so she stood behind the scenes and watched the production.
Murdock relayed a few lines when he heard someone whisper "Fire" from the backstage. Murdock looked up at the proscenium arch and saw thick black smoke and flickering small flames. Murdock could see the fire spreading rapidly up the roof ceiling of the theater. Murdock stopped delivering his lines, but the audience had not yet noticed the fire and smoke.
Murdock heard Claxton whisper, "Go on. They're going to turn it off. Go on."
Murdock finished his ranks, and Farren and Burroughs entered the scene from the wing. Miss Claxton was just delivering her lines to Murdock saying, "I forbid you to touch me. I will not pray any more" when the flaming parts of the ceiling fell on the stage, setting fire to Claxton's costume. Studley hurried and put out the flames on Claxton with his bare hands.
The orchestra broke into a merry song for some reason, but did nothing to quell someone's fear.
By that point, people in the theater realized that a fire was happening, and screams of terror began to echo against the walls of the theater. Farren and Murdock stopped acting and stood on one side of the stage, begging people to leave calmly and quickly. Claxton and Studley did the same on the other side of the stage.
Claxton shouted to the crowd, who were now standing on their feet in extremely anxious condition, "You can all come out if you can just keep quiet. We are between you and the flames! Keep cool and come out calmly."
But the angry crowd had its own mind. People ran towards the aisles and panic ensued.
Studley shouted to the crowd, "If I have the presence of mind to stand here between you and the fire, which is right behind me, you would need the presence of mind to come out peacefully!"
Claxton later told police, "We were almost surrounded by flames now; it was madness to procrastinate longer. I took Mr. Murdoch's hand and said, 'Come, let us go.' "He rested from me and ran to his locker room, where the fire was already raging … Jumping from the stage into the orchestra in hopes of coming out the front of the house just to be added to another angry, fighting mass of human beings dragging each other to death like wild beasts. "
The burning wood began to rain on stage and the actors were forced to run into the wings. Claxton suddenly remembered that there was a small hallway that led from her locker room, albeit to the basement and to the cash register. Claxton ran in succession, met Harrison, and both leading ladies escaped down the aisle in their locker room, to the bar in front of the house. Murdock and Burroughs, on the other hand, ran back to their locker rooms to get warmer clothes, to give up the cold December air outside the theater. No man made a living out of the theater.
At that time, a fire alarm was reported from the First Police Station, which was located next to the theater door. Also, a telegram was sent to Mayor Schroeder informing him of the dire situation.
Part of the theater crew ran toward the exits of Johnson Street and exited to safety. But soon the fire spread and limited access to those exits. All the remaining exits were either in front of the theater, at the main entrance on Washington Street, or through the emergency door on Flood's Aleley.
While the crown was set in panic mode, lead attacker Thomas Rochford rushed to the back of the theater and opened a special exit door on Flood Street. Because of Rochford's action, people on the ground floor were able to get out of the theater in less than three minutes. So, in fact, the least crowded part of the theater had the fastest escape routes.
However, the open door on the Alley flood caused a brisk flow of air into the theater, which increased the intensity of the fire inside.
The people on the second floor had two staircases from which they could escape. A seven-foot-wide main staircase, the one that led into the building, led to a lobby near the Washington Street exit. The other was a narrow staircase leading to Flood's Alley. Most opted for speed on the main staircase, because that was the one they were most famous for. This caused the greatest proportions like homeland, because instead of going out properly, people started working on rabies. People started getting tangled up with each other. Some got stuck in the front door, and others descended the stairs toward the people below them, stopping the flow of people from the building to stop completely.
Sergeant John Cain from the adjoining First District area broke into the theater, and with the help of janitor Van Sicken, he began to unwrap the dead people to bring the crowd behind them to safety. By all accounts, almost all the people from the seats on the second floor of the clothes were able to get out of the theater alive. But the people stuck in the gallery on the third floor were doomed from the start and they knew it.
People started jumping from the family circle seat into the auditorium below. Some were injured so badly from the jump that they could not get out of the theater. The other people came down from a small third-floor window to Flood's Alley below. One man broke through a fan opening that deposited him on the roof of a nearby police station.
But most of the people in the gallery could not be saved. After several people managed to collapse down the staircase from which they entered the building for safety outside, the gallery supports collapsed and pushed hundreds of people three floors to the bottom.
Charles Straub was sitting in the gallery by the stairs. He was sitting with his friend Joseph Kremer. Straub then said, "We barely made it down the stairs; we were crowded downstairs."
Although hundreds of people stumbled and fell on him, Straub somehow managed to descend the stairs and out of the theater. He estimated that about 25 people from the gallery came out in front of him, and about 12 people after him. The others were trapped inside. He never saw his friend Kremer again.
Charles Vine was sitting in the gallery, but far from the only staircase. He was thinking of jumping from one of the windows facing Flood's Aleley, but it was a drop of sixty feet and he would surely fail from that jump. So Vine hurried to the front of the gallery and decided to jump from there into the circle of dresses below. Vine cut himself badly on a chair and was knocked out for a moment. But Vine quickly regained consciousness and managed to make his way up the stairs from the second floor to the exit door below. Fiery Marshall Keady said later that he thought Vine was "the last person to leave the gallery alive."
Fifteen minutes after the fire started, the entire interior of the theater was on fire. And at 11:45 a.m., the east wall of the theater fell with a loud grunt, burying more than 300 men, women and children under a ton of bricks and burning debris.
Thomas Nevins, a chef engineer for the Brooklyn Fire Department, arrived at the theater around 11:26 a.m. He immediately saw that the theater could not be saved and that his job now was to limit the fire to that unique structure. When firefighting accessories arrived just before midnight, Nevins used that equipment to keep neighboring buildings free of sparks and debris.
By midnight, about 5,000 spectators had gathered in the streets in front of the theater; some looked for signs of loved ones who went to the theater but did not return home One morning the wall with the Alley of the Flood collapsed, and by 3 p.m. the fire began to burn on its own. At that moment, Chief Nevins kept the fire under control. An early newspaper reported a fire that morning, but said only a handful of people had been killed.
In broad daylight, Chief Nevins led a contingent of firefighters into the building. Chief Nevins revealed that almost the entire theater had collapsed into the basement. As firefighters passed through the rubble, they discovered a horrific discovery. It seems that ordinary rubbish, in fact, was a mess of charred human bodies. Some of the bodies were intact, and some had limbs missing. They all burned to recognition. The latter was found to be almost all dead sitting in a gallery on the third floor when the fire started.
It took three days to remove the body. It was a long and arduous project, because, given their condition of coal, the bodies would disintegrate immediately.
Forensic science was in its infancy at the time, and the exact number of bodies was not possible. Initial newspaper reports said there were 275 to 400 deaths in the Brooklyn Theater fire. The coroner's report later says there were 283 deaths, but that's just an educated assumption. 103 unidentified bodies and body parts were buried in a mass grave at Greenwood Cemetery in Brooklyn.
The number of fires in the Brooklyn Theater fire in 1876 exceeded only the Iroquois Theater fire that occurred on December 30, 1903 in Chicago, Illinois, where at least 605 people died as a result of the fire, and the Cocoanut Grove nightclub fire in Boston, 28. November 1942, in which 492 people died.
A fire from the Brooklyn Theater in 1876 prompted New York City to establish safeguards that reduced the possibility of a similar fire ever recurring. Changes in the building code have banned the presence of colors, woods and building materials in the stage space. The Code also provided for the use of solid brick walls, "extending from the basement to the roof, to reduce the risk of fire spreading in the auditorium."
Other amendments to the code stipulated that "average arches should be equipped with non-flammable fire curtains." Other openings in the proscenium wall required a fire-resistant door. And thermally activated spray systems were needed for the flying space above the stage.
Beginning in the early 1900s, half an hour before a scheduled show, there was to be a "theater details officer" on duty in each theater. Prior to the play, the job of theatrical detail was to "test fire alarms, inspect fire doors and fire curtains." During the play, a theatrical detail officer "wandered the theater, making sure the aisles, corridors, and fire exits were clear and accessible to all patrons."
There are contradictory allegations about what happened to Kate Claxton after she escaped a fire at the Brooklyn Theater. One newspaper said he was seen sitting safely at the First City Station police station an hour after the fire. Another report says that three hours after the fire, a New York journalist found Claxton wandering in rapture in Manhattan City Hall. Her arms and face were swollen from the burning bubbles and she couldn't remember going by ferry from Brooklyn to Manhattan.
Lack of months later, after Claxton recovered from her injuries, she traveled to St. Louis. Louis to appear in another play. As soon as she arrived in St. Louis, she came to the Southern Hotel. The hotel was on fire for hours, but Claxton and her brother she was traveling with made a miraculous escape, seconds before the hotel collapsed.
That actually ended Kate Claxton's theatrical career. Fearing she was some kind of gesture, the other actors refused to appear with her on stage. And theatergoers, fearing another fire, boycotted her performances.
Nine years after the Brooklyn Theater fire, Kate Claxton shared her thoughts with the New York Times. She said: "We thought we were doing the best in the sequel like we did, hoping the fire would go out without difficulty or that the audience would leave gradually or quietly. But the result showed that it was not the right path … The curtain needed be lowered until the flames are extinguished, or if it was impossible to deal with them, the audience should be calmly informed of that indisposition by a member of the Company or some unfortunate phenomenon behind the scenes forced the performance to be suspended and they should be asked to they parted as quietly as they could. By raising the curtain he created a draft that ignited the flames with rage. "
The look back is 20/20, but Kate Claxton's later observations were absolutely accurate. The fire from the Brooklyn Theater in 1876 could have caused minimal damage if only the theater itself had not quarreled, but acted harmoniously, methodically, and calmly.
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text:
Oct. 2, 2019 / 12:48 PM
Dedicated player breaks record by playing 333 seasons of soccer video game
Ben Hooper
Sepp Hedel of Germany broke a Guinness World Record when he played a game of "Football Manager" for 333 seasons. Photo courtesy of Guinness World Records
Oct. 2 (UPI) -- A German soccer fan broke a Guinness World Record by playing his favorite video game, Football Manager, for 333 virtual seasons.
Sepp Hedel said he started chasing the record for the Sports Interactive PC game while he was working in Africa in late 2017.
"The majority of the in-game years I played in Africa. When you are far away from home you don't have much impact on what's going on at home," he said. "I played Football Manager since 2015, so it was something familiar and the game helped me to distract and keep occupied."
Playing for 333 seasons would take that number of years in real professional soccer, but the game allowed Hedel to reach the goal in 1,940 hours of play.
Hedel had to abide by special rules to be eligible for the record, including taking in-game "vacation" for no more than 5 percent of play time -- which the player achieved by not taking the vacation option at all.
"The game always challenges you and I always developed new goals, so in-game vacation was not an option. You do not win the UEFA Champions League while chilling on the beach," he said.
Hedel beat the previous record of 221 Football Manager seasons, which was set in December 2017 by Michal Leniec.
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text:
Q: Pascal linked list to linked list does not work These are two linked lists that I've made,for a school project...
I want the first list to be called from the second,I have done that and at the compile time everything is ok. When I run it it says :
Project (myProject) raised exception class 'External: SIGSEGV'.
At address 40D32D
Here is my code:
   list2=^ptr;
   ptr=record
       vlera:integer;
       pozicioni:integer;
   end;

type
   list=^pointer;
   pointer=record
       rreshti:list2;
   end;
   var
     a:array[1..7] of list;
     i:integer;
     kjovlere:list2;

begin
    for i:=1 to 7 do begin
        a[i]:=@kjovlere;
        write('Give the pozition for the row:',i,' : ');
        read(a[i]^.rreshti^.pozicioni);
        write ('give the value for this poziton :');
        read(a[i]^.rreshti^.vlera);
        writeln;
    end;
end.

And the error is at the for loop,at the read(a[i]^.rreshti^.pozicioni);
I would be very thankful if anyone explains me or gives me any suggestion :)

A: The provided source code shows at least two misunderstandings about pointer management in Pascal.

Main Problem - To assign data, a record type shall be allocated before.

This problem is referring to the lines read(a[i]^.rreshti^.pozicioni); and read(a[i]^.rreshti^.vlera);.
Both a[i] and rreshti are declared as pointer type (list=^pointer; & list2=^ptr;) and shall be allocated to a record structure before assigning data.
Step1: allocate the a[i] pointer in the loop.
new(a[i]);

Step2: allocate the a[i]^.rreshti pointer in the loop.
new(a[i]^.rreshti);

Strange Problem - Assign a pointer to a record type shall respect the destination type.

This problem is referring to the line a[i]:=@kjovlere;.
The a[i] is a list which is list=^pointer; and not list2 (list2=^ptr;) as declared for kjovlere:list2;.
Solution is: remove that line a[i]:=@kjovlere;.

Solution:

begin
    for i:=1 to 7 do begin
        (* a[i]:=@kjovlere; to be removed *)
        new(a[i]);
        new(a[i]^.rreshti);
        write('Give the pozition for the row:',i,' : ');
        read(a[i]^.rreshti^.pozicioni);
        write ('give the value for this poziton :');
        read(a[i]^.rreshti^.vlera);
        writeln;
    end;
end.


text:
by Ellie | Oct 7, 2016 | blog, Uncategorized | 1 comment
(SER-UH N-DIP-I-TEE) Noun. A fortunate happenstance.
(Ellie's definition: GOD'S UNEXPECTED SURPRISES.)
Paul Gustafson
A number of years ago, Jim and I were traveling north on I-83 through Pennsylvania. the map showed how close we were to Messiah College where Grandson Paul was studying. Hmm. What are the chances we could actually find him? Surely there's a building that holds students' secret schedules. Hmmmm. Sharp left on I-75, then south to the college. Noon on campus; students swarming. No labeled buildings. Hope fades. But wait! There he is—walking just yards from us! I get out of the car, give him a love poke, and we laugh hilariously. He'd been heading for a copy machine before his next class, and our being there just at that moment had to be a God thing.
Carol, our beloved church secretary had just died, with the memorial service at the church. One of her best friends in California, not having heard she had died, just happened to be on the east coast. Jeanne asked to say a few words and proceeded to regale us with hilarious stories of their adventures together. Laughter at such a time is a gift from God, turning death on its head.
Stanton House, Stanton St. John, England
The last serendipity is almost too sacred to write about. Jim had a teaching sabbatical in Oxford, England, where he researched John Locke. We stayed at Stanton House, a Christian manor in the nearby village of Stanton St. John. The place, with its gracious living space and sweeping staircase—to say nothing of the massive coal stove in the kitchen giving us wonderful meals and homemade "yoggurt"—this place and its people enveloped us in love. The supper table became an altar, and meals were bookended with prayer and worship and an extra topping of love.
While Jim studied in Oxford, I walked the village streets and public footpaths over styles and through cow pastures. On Palm Sunday and Easter, we worshiped in Oxford's St. Aldates Church with its incredible organist who was deaf. Yes, really! Our time in that God-provided place impacted my life profoundly and gave me a foretaste of heaven.
Serendipity. Rare happenings, but when they come, we are made rich by the goodness of God.
Beautiful England!
Double click to enlarge photos. Please tell me your serendipities. I've gotten many interesting stories from you folks, and I love hearing your life adventures. Comment either here or on egus@me.com
Ralph James	on October 7, 2016 at 1:38 pm
2005 – Clarice – "I like your profile. Tell me more."
BTW – Just discovered that Serendip is the Perso-Arabic name for Sri Lanka.


text:
The Crimson Code, also known as Red Team,  is a 1999 crime thriller film starring Patrick Muldoon, C. Thomas Howell, Cathy Moriarty, Tim Thomerson and Fred Ward.

Story
FBI Agent Jason Chandler (Patrick Muldoon, "Stigmata," "Starship Troopers") has devoted his life to enforcing the law. But on the trail of a series of mysterious murders surrounding some of society's deadliest serial killers, Chandler is forced down a path where no one can be trusted. It develops that psychopathic killers are themselves being meticulously murdered in grisly circumstances. As he searches for the truth, Chandler finds his own life at risk.

External links

1999 films
1999 crime thriller films
1990s English-language films


text:
Sara Paris (née le  à Verbania) est une joueuse italienne de volley-ball. Elle mesure  et joue au poste de libero.

Biographie

Clubs

Palmarès

Équipe nationale
 Championnat d'Europe des moins de 18 ans
 Vainqueur : 2001.

Clubs
Coupe d'Italie
Finaliste : 2013.

Récompenses individuelles
 Championnat d'Europe féminin de volley-ball des moins de 18 ans 2001: Meilleure libero.
 Championnat du monde de volley-ball féminin des moins de 18 ans 2001: Meilleure défenseuse.

Liens internes
 Équipe d'Italie de volley-ball féminin

Liens externes
  Son profil sur le site de la ligue italienne
  Site officiel de son club

Naissance à Verbania
Personnalité italienne du XXIe siècle
Joueuse italienne de volley-ball
Naissance en juillet 1985


The company started with just 2 individuals of simplicity but with big dreams. 1 is with years of working experience in the largest and most dynamic cities in the world, London, United Kingdom. He manages restaurants and has great passion towards the hospitality industry. The other has flair towards interior designing, decorations, and a touch for exclusivity. He is always on the lookout for new designs and specialty in the world of arts & crafts. They were just 2 different people with profound passions and interests who knew that great opportunities come if they ride on each other. So together through much plans and financial support from other business partners, they were inspired to create and build the first Modern Latin American concept restaurant in the city of Klang called "The Shepherdoo Restaurant & Lounge" in year 2009.
© Copyright 2016 of Orange F&B Sdn Bhd. All rights reserved.


text:
March 28, 2017 Arts & Events » Movies
Highlights of the French Film Festival and Its 25th Anniversary Celebration
March 27 to April 2
By Chuck Bowen
Henry Selick, the director of "Coraline," will be discussing the art of bringing stop-motion photography into the 21st century at the University of Richmond as part of this year's French Film Festival.
The French Film Festival has reached its 25th year. It's a big, round number for a festival anniversary — perhaps a watermark signifying that a dream is attaining institutional permanency.
And given the political unease informing domestic and global culture, 2017 might be an ideal year for Richmond to be celebrating a milestone for the largest French film festival in America, running March 27 to April 2.
"Cinema breaks down, tears down walls, and keeps them from being built in the first place," says the festival's co-founder, Peter S. Kirkpatrick, a professor of French culture and film studies at Virginia Commonwealth University.
"The American experience is about that very freedom," he says, "and what better way to celebrate that freedom than with the first film industry in the world."
As always, the festival's schedule suggests a flower that's poised to open, revealing interconnected petals, with workshops and discussions setting the tone for the films to follow.
A series of all-day, free symposiums run March 27-29 at the University of Richmond's Queally Hall. Dozens of French and American artists will hold interactive court on topics concerning modern cinema.
Monday's overarching theme is viewer authorship and sovereignty, which includes a class led by filmmaker Gérard Krawczyk, in which participants are invited to submit their ideas for films by posting them on his Facebook page.
Tuesday's classes revolve around the possibilities of new visual and cinematic experiences. Workshops will be occupied with analogue and digital technologies, virtual reality and cinema, and on-set pre-visualization or "previz," a fusion of computer animation and storyboarding that's often used for planning intricate action sequences. Among the lecturers will be the celebrated cinematographers Pierre-William Glenn and Christian Guillon, the latter of whom served as a special effects producer on Claire Denis's brilliant "Trouble Every Day."
Henry Selick, the celebrated director of "Coraline" and "Tim Burton's The Nightmare Before Christmas," will discuss "ancient and future technologies" and how he's brought stop-motion into the 21st century.
Tuesday afternoon also will see a presentation concerned with the forgotten Magic Lantern, an optical instrument that prefaced cinema as we know it. This workshop will be completed by a Magic Lantern show Saturday night at the Byrd Theatre.
On Wednesday, the symposium's focus will be on music in films, including workshops with directors Bertrand Tavernier and Jacques Perrin — who also have documentaries screening at the festival. There will be discussions with composers Bruno Coulais and Stéphane Lerouge, citing particularly innovative intersections between French cinema and music.
Of course, the highlight of the French Film Festival will always be the films. A few:
• Tavernier's 190-minute "Voyage à travers le cinéma français," screening Thursday evening at 6 at the Byrd, should be catnip for cinephiles. A Cannes Film Festival selection, Tavernier's documentary is about the iconic film directors Jacques Becker, Marcel Carné, and Jean Renoir, as well as music in French cinema in the 1930s. Tavernier's own work is intensely atmospheric (check out his disturbing 1981 crime film, "Coup de Torchon"), so his new production promises to offer unusual context and insight into the careers of essential artists. Martin Scorsese called Tavernier's new picture a "very precious work."
• As producer, director or both, Perrin has three documentaries playing throughout the festival: "Himalaya," "Winged Migration" and "Seasons." As the titles indicate, these films have explicit environmental themes, and use astonishing photography to nurture audiences' concern for various habitats and empathy for the creatures that inhabit them. It will be a treat to see these pictorial delights on the Byrd's screen.
• I'm eager to see Stéphanie Gillard's "The Ride," in which she follows young members of the Lakota Sioux tribe as they make their annual 300-mile journey through the South Dakota Badlands, reflecting on the legacy and history of their culture, and by extension the history of America. Gillard also will be on hand at the symposium, and the screening of her film, showing at 8 p.m. March 29 at the Byrd, will be accompanied by a question and answer session with her as well as members of the cast and the Eleven Native American tribes of Virginia.
• Lightening the mood a bit, but just a bit, there's a screening of Selick's "Coraline"at 6:05 p.m. Friday. It's a visionary horror-film parable pitched subversively to children. This screening is followed by "Rock'n'Roll … Of Corse!" at 8:30 p.m., which features young musician Henry Padovani in the 1970s as he co-forms the legendary band, The Police. The screening will segue into a concert with Padovani in the Byrd — included with the film ticket.
The French Film Festival offers an embarrassment of riches this year even by its own standards — and that's not including other fiction films, documentaries, shorts and presentations.
You're encouraged to check out the full schedule and follow your fascinations. For its quarter-century birthday, the festival is a reminder that each of us is part of an epic global community, and that feels essentially nourishing. S
The French Film Festival runs in various locations from March 27 to April 2. For a complete listing, visit frenchfilmfestival.us.
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Lora Beldon, founder of the Military Kid Art Project
by Amanda Dalla Villa Adams


I purchased the Auto Mobile Traffic for 48.06 and when they took all of my information no prompt came up to download anything. The very professional receipt that I printed is SWREG Inc 10380 Minnetonka MN. I went online to find a phone number so I could call them. Guess what?... no such number exists and no such address exists. I called my credit card company and was told that the merchant is from Luxembourg. I was given an email address which is cancellation_eu@digitalriver.com for anyone that might be interested. I am waiting for a reply but I think I will go forward and report this to the BBB and then maybe I will pursue it further. Please don't get scammed like I did.
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